summaryrefslogtreecommitdiff
path: root/28142.txt
diff options
context:
space:
mode:
Diffstat (limited to '28142.txt')
-rw-r--r--28142.txt1341
1 files changed, 1341 insertions, 0 deletions
diff --git a/28142.txt b/28142.txt
new file mode 100644
index 0000000..7ef57a6
--- /dev/null
+++ b/28142.txt
@@ -0,0 +1,1341 @@
+Project Gutenberg's The Nursery, March 1878, Vol. XXIII. No. 3, by Various
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: The Nursery, March 1878, Vol. XXIII. No. 3
+ A Monthly Magazine for Youngest Readers
+
+Author: Various
+
+Release Date: February 20, 2009 [EBook #28142]
+
+Language: English
+
+Character set encoding: ASCII
+
+*** START OF THIS PROJECT GUTENBERG EBOOK THE NURSERY, MARCH 1878 ***
+
+
+
+
+Produced by Emmy, Juliet Sutherland and the Online
+Distributed Proofreading Team at http://www.pgdp.net. Music
+by Linda Cantoni.
+
+
+
+
+
+
+
+
+
+
+THE
+
+NURSERY
+
+
+_A Monthly Magazine_
+
+
+FOR YOUNGEST READERS.
+
+
+VOLUME XXIII.--No. 3.
+
+
+
+
+Contents
+
+
+In Prose
+
+ PAGE
+ In the Swing 67
+ How My Boys Helped Their Mother 69
+ "Stop That Quarrelling." 71
+ A Letter from Calcutta 73
+ Prairie Dogs 75
+ The Catbird 79
+ How to Draw a Cat 80
+ Playing Cook 81
+ How a Boy Caught a Fish with His Nose 82
+ An Old Fable 83
+ Our Fly 84
+ Grandpa's Watch 85
+ Helen's Bird 87
+ The Geese and the Hawk 90
+ Mabel's Secrets 91
+ The Snow Country 94
+
+
+In Verse
+
+ PAGE
+ Nobody's Dog 66
+ The New Moon 68
+ The Girl Who is Always Good 72
+ The Street-Player 77
+ Three Little Chicks Born in a Shoe 89
+ The Little Student 93
+ The Froggie's Party (_with music_) 96
+
+
+
+
+[Illustration: NOBODY'S DOG.]
+
+
+
+
+NOBODY'S DOG.
+
+
+ [Illustration: O]NLY a dirty black-and-white dog!
+ You can see him any day,
+ Trotting meekly from street to street:
+ He almost seems to say,
+ As he looks in your face with wistful eyes,
+ "I don't mean to be in your way."
+
+ His tail hangs drooping between his legs;
+ His body is thin and spare:
+ How he envies the sleek and well-fed dogs,
+ That thrive on their masters' care!
+ And he wonders what they must think of him,
+ And grieves at his own hard fare.
+
+ Sometimes he sees a friendly face,--
+ A face that he seems to know;
+ And thinks it may be the master
+ That he lost so long ago;
+ And even dares to follow him home,
+ For he loved his master so!
+
+ Poor Jack! He's only mistaken again,
+ And stoned and driven back;
+ But he's used to disappointments now,
+ And takes up his beaten track;
+ Nobody's dog, for whom nobody cares,--
+ Poor unfortunate Jack!
+
+ FRED B. KING.
+
+[Illustration]
+
+
+
+
+IN THE SWING.
+
+
+THE swing was hung from an old oak-tree in grandmother's grove. There
+Mabel and I used to go every fine summer morning before breakfast, and
+swing for five minutes. We did not swing longer than that because too
+much of this kind of exercise is not healthy.
+
+Once, when I had swung her very high, Mabel had a fall, but it did not
+hurt her, for she fell among some tufts of soft grass; but, if her head
+had struck a stone, it might have done her great harm. After that we
+were both more careful.
+
+Five years have gone by since those days. We both go to school, and I do
+not think you would know us, from the likenesses in the picture. But
+next summer we hope to visit grandmother once more, and we shall revive
+old times in the swing under the old oak-tree.
+
+The sly squirrels will come out and look at us; the birds will twitter,
+and try to make us think that they have no nests in the trees and bushes
+thereabouts: but we shall say, "We shall do you no harm, birds,
+squirrels, beetles--no harm--for we love you all! So play on, and please
+let us play too."
+
+ EDITH.
+
+
+
+
+THE NEW MOON.
+
+
+ PRETTY new moon, white new moon,
+ What do you bring in your horn?
+ Silver light to paint black night
+ As fair as the early dawn?
+
+ Sweet new moon, pretty new moon,
+ Where did you harvest your rays?
+ In the deeps of dark were you but a spark
+ Till the sun shone along your ways?
+
+ Fair new moon, kind new moon,
+ Will my wish come true some day,
+ When you're but a ghost of yourself, at the most,
+ And your glory passes away?
+
+ MARY N. PRESCOTT.
+
+
+
+
+HOW MY BOYS HELPED THEIR MOTHER.
+
+
+WHEN we first came here to live, the lot next to ours was vacant; but
+afterwards a house was built on it, and the boys were very much
+interested in the progress of the building. Often, when obliged to stay
+in doors, they would sit by the window, watching the work on the "new
+house," as they called it.
+
+[Illustration]
+
+Mr. Little, the owner of the house, was an old acquaintance of ours, and
+very fond of children. So occasionally, when he came to oversee the
+work, I would allow the boys to go up and see him; and he would give
+them a few nails, or some blocks to play with.
+
+One day, Mr. Little called their attention to the wood which the
+carpenters had thrown aside as rubbish, and told them he was going to
+pick up some of it, and send it home to burn; "and now, boys," said Mr.
+Little, "if you would like to help your mother, here is a chance to get
+her some kindling-wood. You may come every day, and get all you can
+carry home."
+
+They came home delighted with the plan; and the next morning, as soon as
+breakfast was done, they were ready to begin their work. The two oldest
+boys took their wheelbarrows, and the youngest one his cart, and off
+they started. I could see them from my window, working very diligently,
+and they soon came back, each with a good-sized load.
+
+They knocked at the back-door, and asked me where I would have my wood
+put. I told them they could put it in the cellar, and opened the outside
+cellar-door for them. Each one threw out his load, and started for
+another; and so they kept at work nearly the whole forenoon.
+
+They continued to work in this way for a week, sometimes getting one
+load a day, and sometimes four or five; and every night, when their papa
+came home, they invited him down cellar to see how much wood they had.
+
+In a little room back of the parlor, there was an old-fashioned
+fireplace, in which, when the evenings began to grow cool, papa would
+build up a nice fire, just after supper. Then he would sit down in the
+firelight with the boys, and tell them stories till their bed-time,
+greatly to their delight.
+
+So you see they had a reward for their labor, besides having the
+satisfaction of knowing that they helped their mother.
+
+ H. L.
+
+[Illustration]
+
+[Illustration]
+
+
+
+
+"STOP THAT QUARRELLING."
+
+
+IN England recently, a curious incident of geese-life was witnessed. A
+number of very fine geese, belonging to a Mr. Woodford were having their
+morning ramble, when suddenly a strange noise was heard.
+
+Two of the geese had begun quarrelling, probably over some choice
+morsel of food. They fought each other furiously, when they were
+suddenly stopped in a way that caused no little surprise to the
+beholders.
+
+An old goose came flying across the road, and cackling in tones that
+must have meant, "Stop that quarrelling!" for they seemed to be well
+understood by the combatants. Having chided them well, the old goose
+proceeded to punish them.
+
+Instantly the quarrelsome geese obeyed the command of the old goose; and
+the whole flock, that had been witnesses of the fight, began to gobble
+their approval of the peace that had been brought about. How much wiser
+they were than some bad boys, who like to see a fight, and do not try to
+stop it!
+
+ UNCLE CHARLES.
+
+
+
+
+THE GIRL WHO IS ALWAYS GOOD.
+
+
+ SHE never sighs;
+ She never grumbles;
+ She never cries
+ When down she tumbles.
+
+ She never soils
+ Her pretty dresses;
+ She never spoils
+ Her silken tresses.
+
+ With cap on head,
+ And wee hands folded,
+ She's put to bed,
+ And never scolded.
+
+ Oh, she's a pearl!
+ No mischief scheming;
+ There's such a girl,--
+ Don't think I'm dreaming.
+
+ But not to tell
+ Her name were folly:
+ You know her well,
+ For she's your Dolly!
+
+ GEORGE COOPER.
+
+[Illustration]
+
+
+
+
+A LETTER FROM CALCUTTA.
+
+
+_Dear "Nursery,"_--Way out here, a long distance from my real home,
+which is not far from Boston, my grandmamma sends you; and I am so fond
+of hearing the stories read, that I think some of your children would
+like to read a story about this country.
+
+There are many things here which would be new and strange to most of
+them; but few things are more funny than the crows playing their pranks.
+The crows are very like those at home, except that these little fellows
+have slate-colored necks, and are much more bold.
+
+If a window or door is left open, it will not be a minute before one or
+more crows will arrive and look about in search of food. If you chance
+to leave any thing about that is eatable, it is seized and carried off
+in an instant.
+
+There is a great park here, known as the Maidan, where dogs run with
+bones to pick; and this habit of the dogs suits the crows perfectly, for
+they always try to get away the bones, and often succeed too. This is
+the way they usually go to work. The first crow that sees a dog with a
+bone calls all his friends, and off they fly to where the dog is. There
+they alight, and stand around him.
+
+Then they talk to one another. Perhaps one says, in crow language, "This
+is an ugly cur;" another says, "He has crooked legs;" another, "His tail
+is cut off;" and so they keep talking until the dog gets angry, and with
+a snap and a bark, tries to drive them away. This only makes them laugh;
+and they begin again to torment the dog by talking, and even by jumping
+upon his back, and pulling his tail.
+
+Now, no dog of any spirit will stand this insult. So he springs up in a
+rage, to punish the saucy birds. That is precisely what the crows want;
+for, as soon as he turns his head around to bite one crow, another darts
+down, seizes the bone, and carries it away. Then how they do laugh at
+the poor dog! and isn't he angry!
+
+We have also a bird commonly called a "kite," but often called the
+"Indian swallow," as it sails about in the air just as our home swallows
+do. It does not seize its food with its bill, as the crow does, but with
+its claws or talons, and eats as it flies. Now, the crow can't help
+tormenting something; and the kite often gets his share of their
+attention.
+
+I have seen crows sit on a fence on both sides of a kite, and provoke
+him by their talk, just as one boy often provokes another by saying
+saucy little things. At first the kite pretends not to care; but very
+soon his feathers ruffle, and he flies at a crow, as if to tear him in
+pieces. The crow is quick and darts away, but returns just as soon as
+the kite flies at another crow. And in this way the crows amuse
+themselves for a long time.
+
+It is believed here that crows hold meetings, and decide upon the
+punishment due to other crows that have been bad; for they have often
+been seen to gather in large numbers, and, after chattering like magpies
+for a time, take one of their number, and peck him severely, sometimes
+even killing him.
+
+Good-by, dear old "Nursery." Your little friend,
+
+ LEON K. DAVIS.
+
+
+
+
+PRAIRIE DOGS.
+
+
+HOW many of the bright-eyed boys and girls who read "The Nursery," or
+hear it read, month after month, ever saw a prairie-dog village? Ah! I
+see several little hands up. "The Nursery" has many readers in Western
+Kansas; and there is the very place where prairie-dog villages are
+found.
+
+I will tell you about my first visit to one of them. As we were riding
+over the beautiful green prairie, we came to a place dotted here and
+there with hillocks about a foot high, and on each sat a funny little
+yellow dog.
+
+These little hills, which have a hole in the top for a door, are the
+houses of the prairie-dogs. They would let us come quite close to them,
+when, with a comical squeak, intended, I suppose, for a bark, down they
+would go, head first, into the holes, giving their tails a "good-by"
+shake.
+
+The noise they make sounds exactly like the noise made by toy-animals
+when you press them in your hands. Fifty prairie-dogs all barking
+together could not be heard very far.
+
+On a number of the hills sat solemn old owls, trying to look very wise.
+Most of these owls sat perfectly still as we drove by; but I saw two or
+three fly slowly away, as if half asleep. I wonder if these sober old
+birds teach the little prairie-dogs any of their wisdom.
+
+All the prairies in this part of Kansas are covered with a short, thick
+grass, called "buffalo-grass," and the dogs live on its roots. These
+roots are little bulbs, and make nice rich food for the funny little
+fellows.
+
+A gentleman who has lived here for many years tells me that all their
+houses are connected underground by halls or passages, so that they can
+travel a mile or so without coming to the top of the ground.
+
+Wherever you see a prairie-dog village, there you will find good water
+by digging a few feet. Sometimes boys capture these queer little dogs,
+and they become quite tame and make cunning pets.
+
+ MARY MAXWELL RYAN.
+
+[Illustration]
+
+[Illustration]
+
+
+
+
+THE STREET-PLAYER.
+
+
+ UNDER my window I hear a sound,
+ The scrape of a fiddle, the clatter of feet;
+ And a curious crowd of boys and men
+ Has gathered there in the street.
+
+ And in their midst is a little child,
+ With ragged shoes and a brimless hat,
+ Not bigger than Hop-O'-my-Thumb, at most,
+ And wan and thin at that.
+
+ I see his fingers like little claws,
+ His berry-brown eyes, and wistful smile,
+ As he plies the bow of his fiddle fast,
+ And tries to sing meanwhile.
+
+ And when his shrill brief song is done,
+ He plucks the hat from his curly head,
+ And begs a penny from every one,
+ Though not a word is said.
+
+ Just fit for a mother's arms to fold,
+ Yet here alone in the heat and dust,
+ Doing his poor, tired, baby best
+ To earn for himself a crust.
+
+ He looks like Teddy, for all the world;
+ Just such a tanned and rosy skin;
+ Only he lacks the apple cheeks,
+ The dimples, and double-chin.
+
+ And I think if Teddy were motherless,
+ And had to wander from place to place,
+ How quickly the twinkle would leave his eye,
+ And the dimples leave his face.
+
+ So, Teddy, open the little bank,
+ And give him the pennies kept for toys,
+ And under my window let me see
+ Two little nut-brown boys!
+
+ MRS. CLARA DOTY BATES.
+
+[Illustration: ]
+
+
+
+
+THE CATBIRD.
+
+
+THE catbird belongs to the family of thrushes, and is one of the most
+peculiar of our American birds. It is dark colored, with brown head and
+neck, and greenish-black tail. The bird is fond of society, and usually
+builds its nest near the dwellings of men, rather than in the quiet of
+the forest.
+
+Its voice, when angry or disturbed, is harsh and shrill, but at other
+times, soft and sweet. It has also a cry like the mewing of a cat, from
+which it derives its name. It is very courageous, and will defend its
+young until it falls exhausted.
+
+The catbird can be tamed, but is as mischievous as a young
+monkey,--meddlesome, full of curiosity, and so jealous, that it will
+drive any other pet bird out of the house. It dislikes to be caged,
+preferring the freedom of the room, so that it may look in the
+looking-glass, take pins off from the cushion, or perch on the plants in
+the window.
+
+ AUNT ALICE.
+
+
+
+
+[Illustration: HOW TO DRAW A CAT.]
+
+ When Ellen makes up dough for bread,
+ A roll like this you see.
+
+ One turnover she puts on top,
+ Because it pleases me.
+
+ Now when I saw Miss Pussy's back
+ As she lay upon the mat,
+ I thought of Ellen's bread and pie
+ It surely looks like that,
+ So adding ears and tail I had,
+ The rear view of my cat.
+
+[Illustration]
+
+
+
+
+PLAYING COOK.
+
+
+JENNY was at her little table, making a pudding for her doll's dinner,
+when brother Albert came in with Snap the dog, and said, "Let me be the
+cook, sister: I know how to make a pudding. First I will break these
+three eggs into the dish."
+
+"But I can see no eggs," said Jenny.
+
+"Look sharp," said Albert, going through the motion of breaking an egg.
+"Good and fresh."
+
+"I see no eggs," said Jenny.
+
+"You must be losing your eyesight," said the cook, taking a spoon. "Now,
+then, I will stir up the eggs; and now I will put in a little flour; and
+now I will grate in some nutmeg."
+
+"I think you had better put in some milk," said Jenny.
+
+"Of course, I shall," replied the cook. "Where's the basin of milk?"
+
+"You will find it on the floor," said Jenny.
+
+Albert looked, and cried out, "Go away, Snap!--See, Jenny, that greedy
+dog has lapped up all the milk!"
+
+"No matter," said Jenny. "You can get some more where you got the eggs."
+
+So Albert seized the little pitcher, went through the motion of emptying
+it, stirred the pudding once more, and then placed it on the little
+doll-stove.
+
+"Oh, what a fine cook you are!" said Jenny. "But, when I am very hungry,
+I think I shall not come to you for my dinner."
+
+ IDA FAY.
+
+
+
+
+HOW A BOY CAUGHT A FISH WITH HIS NOSE.
+
+
+A FEW years ago, a little boy was out fishing with his mother, on
+Crooked Lake, in the western part of New York; or perhaps I should say,
+_she_ was fishing, and he was looking over the side of the boat. He
+could see the fish darting about here and there, and liked to watch
+them, and he put his face as close down to the water as he could to see
+them more plainly.
+
+A big trout came along, and saw something smooth and round and white
+close to the top of the water. It was the boy's nose. The trout was
+hungry, and I suppose he thought it was a piece of meat, or something
+else good to eat: so he gave a spring out of the lake, and caught fast
+hold of it with his teeth.
+
+Very much startled, the boy jerked his head back suddenly, and landed
+Mr. Trout in the boat. He was a fine large fellow, and weighed several
+pounds. I hope he did not bite off the end of the boy's nose. I wonder
+if the boy would like to try to catch another trout in the same way.
+
+Everybody thought this so funny, that the boy became, for a while, quite
+famous, and had his photograph taken, with the mark of the bite on his
+nose. This may seem a very tough story, but it is true. The thing took
+place only a few miles from where I live.
+
+ ELIZABETH SILL.
+
+[Illustration]
+
+
+
+
+AN OLD FABLE.
+
+
+AN ass, having put on a lion's skin, roamed about in the forest, and
+amused himself by frightening all the animals he met with in his
+wanderings. At last he met a fox, and tried to frighten him also; but
+the fox no sooner heard the sound of his voice than he exclaimed, "I
+might have been afraid, if I had not heard you bray."
+
+This fable was written by AEsop, a famous Grecian who lived nearly three
+thousand years ago.
+
+A fable is a fictitious story designed to enforce some useful lesson or
+moral. See if you can tell the moral of this one.
+
+ UNCLE CHARLES.
+
+
+
+
+OUR FLY.
+
+
+[Illustration]
+
+I WANT to tell "The Nursery" readers about a fly who has lived in my
+mamma's room all winter. At night he hides away in some warm place; but,
+when the sun shines, he flies all about the room, and acts as if he were
+very happy.
+
+When my mamma was sick, he used to fly about her, and make a great
+buzzing; and, when the girl brought up her dinner, he would crawl about
+the tray as if he were hungry. Mamma would give him some sugar, which he
+liked very much.
+
+We missed him once for a whole week. We looked all over the room, but
+could not find him anywhere. At last, one day, we saw him on the window
+trying to fly, and what do you think? The poor fellow had lost one of
+his wings. Mamma said that he must have flown into the gas-light, and
+got burnt. She gave him some sugar, and he seemed to feel better for
+eating it.
+
+I watched him a long time, and when he had eaten enough he crawled on to
+my hand. I took him off, and put him on the window again; but he kept
+coming back to my hand, and I think, if he could have spoken, he would
+have said, "Thank you, little girl, for my nice dinner."
+
+I will tell you more about him some time.
+
+ VIOLA.
+
+[Illustration]
+
+
+
+
+GRANDPA'S WATCH.
+
+
+GEORGE is never so happy as when he is on grandpa's knee; and the first
+thing that grandpa has to do, when little George is seated there, is to
+pull out his watch.
+
+"Watch, watch!" cries little George; and grandpa takes it out, opens it,
+and lets him see all the queer little wheels and the bright works, that
+shine and glitter so, and keep up the quick movements, and make the
+watch say, "Tick, tick!"
+
+Grandpa and George are good friends, because grandpa tries to explain
+things to him. One day he brought home a watch and gave it to the little
+boy for his own, and showed him how to wind it up, and make it tick.
+
+George is very proud of it, and will soon learn to tell the time of day.
+He knows now how to count ten.
+
+ A. B. C.
+
+[Illustration]
+
+
+
+
+HELEN'S BIRD.
+
+
+WHEN Helen was eight years old, a pretty little canary-bird was given to
+her as a birthday present. She named it "Chirp;" and she and Chirp soon
+got to be very fond of each other.
+
+Helen took the whole care of him; and he grew so tame that he would
+perch on her hand, and take seeds from her finger, and even from her
+lips. He was a fine singer, and Helen liked to be waked in the morning
+by his music.
+
+His cage was placed on her table near her bed, and she always began the
+day by having a little talk with Chirp. There was not the least risk in
+opening the cage, and letting him out into the room; for he would fly to
+Helen as soon as she called him.
+
+So for years the little bird and the little girl lived happily together.
+One November day, when Helen was almost eleven years old, she had been
+out making a call, and, on her return, Chirp was missing. Helen saw that
+a window had been left open, and knew that he must have flown out.
+
+"Oh, dear!" said she, in great distress, "my poor little Chirp is gone,
+and I shall never see him again."
+
+Her mother tried to comfort her by saying that he had not been gone
+long, and could not be far away. "But," said Helen, "it is cold weather,
+and is snowing too, and he must be chilled to death."
+
+However, without wasting time in talk, she snatched up a handful of
+canary-seed, and ran out of doors at once in search of her little pet.
+She looked up into the vine that grew on the side of the house, and
+called, "Chirp, Chirp!"
+
+She could see nothing of him; but Chirp saw her, and in a moment came
+fluttering down among the snowflakes, and perched upon her hand. Oh, how
+delighted Helen was to see him! The first thing she did was to give him
+some seeds to eat; for she knew he must be half starved.
+
+"You dear little venturesome thing," she said. "You wanted to see the
+world, didn't you? But why couldn't you wait for warmer weather? You
+have given me a dreadful fright. Come into the house now and be
+contented, and next summer you shall go out with me."
+
+ JANE OLIVER.
+
+[Illustration]
+
+
+
+
+THREE LITTLE CHICKS BORN IN A SHOE.
+
+
+ THREE little chickens,
+ Born in a shoe,
+ When the freshet came,
+ Didn't know what to do:
+ One went on deck,
+ Just to watch the weather,
+ While down below
+ The others sat together.
+
+ "Oh, what shall we do!
+ Mother is not here:
+ Captain there on deck!
+ Oh, what cheer? what cheer?"
+ "Water everywhere,
+ Far as I can see!
+ But the wind is fair;
+ Let us easy be."
+
+ "Oh, we want our mother,"
+ Cried the other two:
+ "Stop that!" said the captain,--
+ Captain of the shoe:
+ "We are lucky chickens
+ In our little boat;
+ Water-tight it is,
+ And it keeps afloat.
+
+ "I hear mother calling
+ From the barn-yard wall:
+ Courage, little sisters!
+ Don't you hear her call?"
+ Yes, they heard it plainly;
+ Oh, how glad they were!
+ "Now blow fair, thou gentle wind,
+ Bear us all to her!"
+
+ And the wind kept blowing,
+ Fair and fair it blew,
+ Bearing to the barn-yard wall
+ All that little crew.
+ When their mother saw them,
+ She flew down apace;
+ On her back she bore them
+ To a nice dry place.
+
+ EMILY CARTER.
+
+
+
+
+THE GEESE AND THE HAWK.
+
+
+ONE day in May as Charles walked through the fields, he saw a large hawk
+hovering in the air, and heard a noise as of geese cackling. Soon an old
+mother-goose with a troop of little ones came running towards him.
+
+She knew that Charles would protect her and her fledglings from the
+cruel hawk; and she was not mistaken. He took up a stick, and, looking
+up at the hawk, said, "Now come on if you dare, you old thief!"
+
+The hawk made a swoop down to the top of a tree near by, caught sight of
+the goslings, and would, no doubt, have liked to clutch one of them, and
+carry it off; but the robber-bird was not quite bold enough to do this
+while Charles stood by.
+
+At last the hawk flew off out of sight, and Charles called his good dog
+Fido, and pointed at the geese, and said, "Take care of them, sir." So
+Fido sat down near by, and watched the geese. I think if the hawk had
+come then, Fido would have been more than a match for him.
+
+[Illustration]
+
+ UNCLE CHARLES.
+
+
+
+
+MABEL'S SECRETS.
+
+
+AND what were her secrets? She was one of the children allowed to make
+Christmas-gifts to their friends.
+
+But it was hard for Mabel to keep her secrets. When her papa came home
+at night, she always climbed upon his knee to tell him every thing that
+had happened in her little world during the day; and her papa always
+listened to her prattle with a great deal of interest.
+
+Now, that there was something she must not tell, Mabel could think of
+nothing else. She climbed upon his knee, and sat so silent, that her
+papa said, "Well, puss, have you nothing to tell papa to-night?"
+
+"Oh, I mustn't tell you my secrets, papa," said wise little Mabel: "I've
+lots of 'em, and one is for you; and, if I tell, you will know all about
+it."
+
+Now that the ice was broken, Mabel chatted on, innocently thinking that
+her secrets were safe in her wise little head. "Mamma knows," she
+continued; "but you mustn't know; and we are going to have a
+Christmas-tree to put 'em on, and everybody will be so _sprised_."
+
+Sure enough, when Christmas Eve came, every one was surprised, but, most
+of all, little Mabel; for a beautiful doll and many other pretty things
+hung upon the tree for her. "Why, mamma," she exclaimed, "somebody else
+must have had secrets too!"
+
+ M. B. L.
+
+[Illustration]
+
+[Illustration]
+
+
+
+
+THE LITTLE STUDENT.
+
+
+ IN the sun by the wall, with Lion close by,
+ With her book in her hand, little Ruth you may spy:
+ She is getting her lesson as fast as she can,
+ While the birds sing their song and the soft breezes fan.
+
+ See, that is her slate lying there on the ground:
+ She can make a square figure, and then make a round;
+ She can add up a sum, if it's not very big;
+ But she cannot yet draw me a cat or a pig.
+
+ But she tries to learn something, though little it be,
+ Each day of her life,--something useful, you see:
+ And in two or three years you will find she can spell,
+ Read, cipher, and write, and do it all well.
+
+ ELLEN SIMPSON.
+
+
+
+
+THE SNOW-COUNTRY.
+
+
+"WHAT a funny looking man!" cried Harry, running to me with his book
+open, to show me a picture. "Where does he live, aunty? and why does he
+wear such clothes?"
+
+"He is an Esquimau, and lives in the snow-country, and his clothes are
+made of fur."
+
+"Tell me about the snow-country, aunty."
+
+"Up in the far north, near the north pole, it is winter all the time.
+There the snow is always on the ground; and instead of having, as we do,
+many days and nights, they have only one day and one night in all the
+year.
+
+"You will wonder if the people sleep all through the long night, and if
+they do not get tired of the long day. No; for they go to bed and get up
+about as often as we do.
+
+"During the night they have the stars to light them, and bright flashing
+colors in the sky, such as we call the 'Northern Lights.' When the sun
+comes back, he makes them a long visit; but never gets so high in the
+sky as he does with us, and never makes the weather warm."
+
+[Illustration]
+
+"What are those things in the picture that look like bee-hives?" said
+Harry.
+
+"The picture shows you an Esquimaux village, and those are the houses.
+They are made of blocks of snow. Some of the houses have pieces of clear
+ice for windows. Others have no windows at all; only a small hole for a
+door, which is closed up with snow after the family have all gone in."
+
+"A snow-house with ice windows!" said Harry. "Why, how do they keep
+warm?"
+
+"They warm the houses with oil lamps, and get them very warm and very
+smoky too."
+
+"Well," said Harry, "the Esquimaux are a queer people. I should like to
+hear more about them."
+
+"I will tell you more some other time."
+
+ G. D. Y.
+
+
+
+
+THE FROGGIE'S PARTY.
+
+
+[Illustration: Music]
+
+ 1. The frog who would a-wooing go,
+ Gave a party, you must know;
+ And his bride dress'd all in green,
+ Look'd as fine as any queen.
+ Their reception number'd some
+ Of the best in Froggiedom:
+ Four gray froggies play'd the fiddle,--
+ Hands all round and down the middle;
+ Oh! oh! oh! oh! away we go!
+ Hopping and jumping away we go!
+
+ 2. Some stern old croakers there did come,
+ In white chokers to the room;
+ While the belles with rush-leaf fans,
+ Danc'd with beaux in green brogans,
+ Flirted in the bowers there,
+ Hidden from the ball-room's glare:
+ Three old froggies tried a reel,--
+ Twist 'em, turn 'em, toe and heel,
+ With a oh! oh! oh! away we go!
+ Hopping and jumping away we go!
+
+ 3. One little Miss was ask'd to sing,
+ But she had a cold that spring;
+ Little frogs were sound asleep,
+ Late hours--bad for them to keep.
+ Each one wish'd the couple joy,
+ No bad boys came to annoy:
+ This next fall the news is spreading
+ They will have their silver wedding!
+ Oh! oh! oh! oh! away we go!
+ Hopping and jumping away we go!
+
+ * * * * *
+
+Transcriber's Notes:
+
+The title page and table of contents were created for this issue
+following the pattern from the 1877 issues.
+
+Page 70, period added at end of paragraph (a good-sized load)
+
+Page 75, extra comma removed. Original read (crow, is quick)
+
+Page 95, single quotation mark changed to double quotation mark (more
+about them.")
+
+
+
+
+
+End of the Project Gutenberg EBook of The Nursery, March 1878, Vol. XXIII.
+No. 3, by Various
+
+*** END OF THIS PROJECT GUTENBERG EBOOK THE NURSERY, MARCH 1878 ***
+
+***** This file should be named 28142.txt or 28142.zip *****
+This and all associated files of various formats will be found in:
+ http://www.gutenberg.org/2/8/1/4/28142/
+
+Produced by Emmy, Juliet Sutherland and the Online
+Distributed Proofreading Team at http://www.pgdp.net. Music
+by Linda Cantoni.
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+http://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, are critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at http://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+http://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at http://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit http://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations.
+To donate, please visit: http://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart is the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ http://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.