summaryrefslogtreecommitdiff
path: root/old/chamu10.txt
diff options
context:
space:
mode:
Diffstat (limited to 'old/chamu10.txt')
-rw-r--r--old/chamu10.txt1089
1 files changed, 1089 insertions, 0 deletions
diff --git a/old/chamu10.txt b/old/chamu10.txt
new file mode 100644
index 0000000..70a887f
--- /dev/null
+++ b/old/chamu10.txt
@@ -0,0 +1,1089 @@
+*The Project Gutenberg Etext of Chamber Music, by James Joyce*
+#2 in our series by James Joyce
+
+Copyright laws are changing all over the world, be sure to check
+the copyright laws for your country before posting these files!!
+
+Please take a look at the important information in this header.
+We encourage you to keep this file on your own disk, keeping an
+electronic path open for the next readers. Do not remove this.
+
+*It must legally be the first thing seen when opening the book.*
+In fact, our legal advisors said we can't even change margins.
+
+**Welcome To The World of Free Plain Vanilla Electronic Texts**
+
+**Etexts Readable By Both Humans and By Computers, Since 1971**
+
+*These Etexts Prepared By Hundreds of Volunteers and Donations*
+
+Information on contacting Project Gutenberg to get Etexts, and
+further information is included below. We need your donations.
+
+
+Title: Chamber Music
+
+Author: James Joyce
+
+September, 2001 [Etext #2817]
+[Yes, we are about one year ahead of schedule.]
+
+
+*The Project Gutenberg Etext of Chamber Music, by James Joyce*
+*****This file should be named chamu10.txt or chamu10.zip*****
+
+Corrected EDITIONS of our etexts get a new NUMBER, chamu11.txt
+VERSIONS based on separate sources get new LETTER, chamu10a.txt
+
+
+Prepared by David Reed haradda@aol.com or davidr@inconnect.com
+
+Project Gutenberg Etexts are usually created from multiple editions,
+all of which are in the Public Domain in the United States, unless a
+copyright notice is included. Therefore, we usually do NOT keep any
+of these books in compliance with any particular paper edition.
+
+
+We are now trying to release all our books one month in advance
+of the official release dates, leaving time for better editing.
+
+Please note: neither this list nor its contents are final till
+midnight of the last day of the month of any such announcement.
+The official release date of all Project Gutenberg Etexts is at
+Midnight, Central Time, of the last day of the stated month. A
+preliminary version may often be posted for suggestion, comment
+and editing by those who wish to do so. To be sure you have an
+up to date first edition [xxxxx10x.xxx] please check file sizes
+in the first week of the next month. Since our ftp program has
+a bug in it that scrambles the date [tried to fix and failed] a
+look at the file size will have to do, but we will try to see a
+new copy has at least one byte more or less.
+
+
+Information about Project Gutenberg (one page)
+
+We produce about two million dollars for each hour we work. The
+time it takes us, a rather conservative estimate, is fifty hours
+to get any etext selected, entered, proofread, edited, copyright
+searched and analyzed, the copyright letters written, etc. This
+projected audience is one hundred million readers. If our value
+per text is nominally estimated at one dollar then we produce $2
+million dollars per hour this year as we release thirty-six text
+files per month, or 432 more Etexts in 1999 for a total of 2000+
+If these reach just 10% of the computerized population, then the
+total should reach over 200 billion Etexts given away this year.
+
+The Goal of Project Gutenberg is to Give Away One Trillion Etext
+Files by December 31, 2001. [10,000 x 100,000,000 = 1 Trillion]
+This is ten thousand titles each to one hundred million readers,
+which is only ~5% of the present number of computer users.
+
+At our revised rates of production, we will reach only one-third
+of that goal by the end of 2001, or about 3,333 Etexts unless we
+manage to get some real funding; currently our funding is mostly
+from Michael Hart's salary at Carnegie-Mellon University, and an
+assortment of sporadic gifts; this salary is only good for a few
+more years, so we are looking for something to replace it, as we
+don't want Project Gutenberg to be so dependent on one person.
+
+We need your donations more than ever!
+
+
+All donations should be made to "Project Gutenberg/CMU": and are
+tax deductible to the extent allowable by law. (CMU = Carnegie-
+Mellon University).
+
+For these and other matters, please mail to:
+
+Project Gutenberg
+P. O. Box 2782
+Champaign, IL 61825
+
+When all other email fails. . .try our Executive Director:
+Michael S. Hart <hart@pobox.com>
+hart@pobox.com forwards to hart@prairienet.org and archive.org
+if your mail bounces from archive.org, I will still see it, if
+it bounces from prairienet.org, better resend later on. . . .
+
+We would prefer to send you this information by email.
+
+******
+
+To access Project Gutenberg etexts, use any Web browser
+to view http://promo.net/pg. This site lists Etexts by
+author and by title, and includes information about how
+to get involved with Project Gutenberg. You could also
+download our past Newsletters, or subscribe here. This
+is one of our major sites, please email hart@pobox.com,
+for a more complete list of our various sites.
+
+To go directly to the etext collections, use FTP or any
+Web browser to visit a Project Gutenberg mirror (mirror
+sites are available on 7 continents; mirrors are listed
+at http://promo.net/pg).
+
+Mac users, do NOT point and click, typing works better.
+
+Example FTP session:
+
+ftp metalab.unc.edu
+login: anonymous
+password: your@login
+cd pub/docs/books/gutenberg
+cd etext90 through etext99 or etext00 through etext01, etc.
+dir [to see files]
+get or mget [to get files. . .set bin for zip files]
+GET GUTINDEX.?? [to get a year's listing of books, e.g., GUTINDEX.99]
+GET GUTINDEX.ALL [to get a listing of ALL books]
+
+***
+
+**Information prepared by the Project Gutenberg legal advisor**
+
+(Three Pages)
+
+
+***START**THE SMALL PRINT!**FOR PUBLIC DOMAIN ETEXTS**START***
+Why is this "Small Print!" statement here? You know: lawyers.
+They tell us you might sue us if there is something wrong with
+your copy of this etext, even if you got it for free from
+someone other than us, and even if what's wrong is not our
+fault. So, among other things, this "Small Print!" statement
+disclaims most of our liability to you. It also tells you how
+you can distribute copies of this etext if you want to.
+
+*BEFORE!* YOU USE OR READ THIS ETEXT
+By using or reading any part of this PROJECT GUTENBERG-tm
+etext, you indicate that you understand, agree to and accept
+this "Small Print!" statement. If you do not, you can receive
+a refund of the money (if any) you paid for this etext by
+sending a request within 30 days of receiving it to the person
+you got it from. If you received this etext on a physical
+medium (such as a disk), you must return it with your request.
+
+ABOUT PROJECT GUTENBERG-TM ETEXTS
+This PROJECT GUTENBERG-tm etext, like most PROJECT GUTENBERG-
+tm etexts, is a "public domain" work distributed by Professor
+Michael S. Hart through the Project Gutenberg Association at
+Carnegie-Mellon University (the "Project"). Among other
+things, this means that no one owns a United States copyright
+on or for this work, so the Project (and you!) can copy and
+distribute it in the United States without permission and
+without paying copyright royalties. Special rules, set forth
+below, apply if you wish to copy and distribute this etext
+under the Project's "PROJECT GUTENBERG" trademark.
+
+To create these etexts, the Project expends considerable
+efforts to identify, transcribe and proofread public domain
+works. Despite these efforts, the Project's etexts and any
+medium they may be on may contain "Defects". Among other
+things, Defects may take the form of incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other
+intellectual property infringement, a defective or damaged
+disk or other etext medium, a computer virus, or computer
+codes that damage or cannot be read by your equipment.
+
+LIMITED WARRANTY; DISCLAIMER OF DAMAGES
+But for the "Right of Replacement or Refund" described below,
+[1] the Project (and any other party you may receive this
+etext from as a PROJECT GUTENBERG-tm etext) disclaims all
+liability to you for damages, costs and expenses, including
+legal fees, and [2] YOU HAVE NO REMEDIES FOR NEGLIGENCE OR
+UNDER STRICT LIABILITY, OR FOR BREACH OF WARRANTY OR CONTRACT,
+INCLUDING BUT NOT LIMITED TO INDIRECT, CONSEQUENTIAL, PUNITIVE
+OR INCIDENTAL DAMAGES, EVEN IF YOU GIVE NOTICE OF THE
+POSSIBILITY OF SUCH DAMAGES.
+
+If you discover a Defect in this etext within 90 days of
+receiving it, you can receive a refund of the money (if any)
+you paid for it by sending an explanatory note within that
+time to the person you received it from. If you received it
+on a physical medium, you must return it with your note, and
+such person may choose to alternatively give you a replacement
+copy. If you received it electronically, such person may
+choose to alternatively give you a second opportunity to
+receive it electronically.
+
+THIS ETEXT IS OTHERWISE PROVIDED TO YOU "AS-IS". NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, ARE MADE TO YOU AS
+TO THE ETEXT OR ANY MEDIUM IT MAY BE ON, INCLUDING BUT NOT
+LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR A
+PARTICULAR PURPOSE.
+
+Some states do not allow disclaimers of implied warranties or
+the exclusion or limitation of consequential damages, so the
+above disclaimers and exclusions may not apply to you, and you
+may have other legal rights.
+
+INDEMNITY
+You will indemnify and hold the Project, its directors,
+officers, members and agents harmless from all liability, cost
+and expense, including legal fees, that arise directly or
+indirectly from any of the following that you do or cause:
+[1] distribution of this etext, [2] alteration, modification,
+or addition to the etext, or [3] any Defect.
+
+DISTRIBUTION UNDER "PROJECT GUTENBERG-tm"
+You may distribute copies of this etext electronically, or by
+disk, book or any other medium if you either delete this
+"Small Print!" and all other references to Project Gutenberg,
+or:
+
+[1] Only give exact copies of it. Among other things, this
+ requires that you do not remove, alter or modify the
+ etext or this "small print!" statement. You may however,
+ if you wish, distribute this etext in machine readable
+ binary, compressed, mark-up, or proprietary form,
+ including any form resulting from conversion by word pro-
+ cessing or hypertext software, but only so long as
+ *EITHER*:
+
+ [*] The etext, when displayed, is clearly readable, and
+ does *not* contain characters other than those
+ intended by the author of the work, although tilde
+ (~), asterisk (*) and underline (_) characters may
+ be used to convey punctuation intended by the
+ author, and additional characters may be used to
+ indicate hypertext links; OR
+
+ [*] The etext may be readily converted by the reader at
+ no expense into plain ASCII, EBCDIC or equivalent
+ form by the program that displays the etext (as is
+ the case, for instance, with most word processors);
+ OR
+
+ [*] You provide, or agree to also provide on request at
+ no additional cost, fee or expense, a copy of the
+ etext in its original plain ASCII form (or in EBCDIC
+ or other equivalent proprietary form).
+
+[2] Honor the etext refund and replacement provisions of this
+ "Small Print!" statement.
+
+[3] Pay a trademark license fee to the Project of 20% of the
+ net profits you derive calculated using the method you
+ already use to calculate your applicable taxes. If you
+ don't derive profits, no royalty is due. Royalties are
+ payable to "Project Gutenberg Association/Carnegie-Mellon
+ University" within the 60 days following each
+ date you prepare (or were legally required to prepare)
+ your annual (or equivalent periodic) tax return.
+
+WHAT IF YOU *WANT* TO SEND MONEY EVEN IF YOU DON'T HAVE TO?
+The Project gratefully accepts contributions in money, time,
+scanning machines, OCR software, public domain etexts, royalty
+free copyright licenses, and every other sort of contribution
+you can think of. Money should be paid to "Project Gutenberg
+Association / Carnegie-Mellon University".
+
+We are planning on making some changes in our donation structure
+in 2000, so you might want to email me, hart@pobox.com beforehand.
+
+
+
+
+*END THE SMALL PRINT! FOR PUBLIC DOMAIN ETEXTS*Ver.04.29.93*END*
+
+
+
+
+
+Prepared by David Reed haradda@aol.com or davidr@inconnect.com
+
+
+
+
+
+Chamber Music
+
+by James Joyce
+
+
+
+Contents:
+
+I
+
+Strings in the earth and air
+ Make music sweet;
+
+II
+
+The twilight turns from amethyst
+ To deep and deeper blue,
+
+III
+
+At that hour when all things have repose,
+ O lonely watcher of the skies,
+
+IV
+
+When the shy star goes forth in heaven
+ All maidenly, disconsolate,
+
+V
+
+Lean out of the window,
+ Goldenhair,
+
+VI
+
+I would in that sweet bosom be
+ (O sweet it is and fair it is!)
+
+VII
+
+My love is in a light attire
+ Among the apple-trees,
+
+VIII
+
+Who goes amid the green wood
+ With springtide all adorning her?
+
+IX
+
+Winds of May, that dance on the sea,
+ Dancing a ring-around in glee
+
+X
+
+Bright cap and streamers,
+ He sings in the hollow:
+
+XI
+
+Bid adieu, adieu, adieu,
+ Bid adieu to girlish days,
+
+XII
+
+What counsel has the hooded moon
+ Put in thy heart, my shyly sweet,
+
+XIII
+
+Go seek her out all courteously,
+ And say I come,
+
+XIV
+
+My dove, my beautiful one,
+ Arise, arise!
+
+XV
+
+From dewy dreams, my soul, arise,
+ From love's deep slumber and from death,
+
+XVI
+
+O cool is the valley now
+ And there, love, will we go
+
+XVII
+
+Because your voice was at my side
+ I gave him pain,
+
+XVIII
+
+O Sweetheart, hear you
+ Your lover's tale;
+
+XIX
+
+Be not sad because all men
+ Prefer a lying clamour before you:
+
+XX
+
+In the dark pine-wood
+ I would we lay,
+
+XXI
+
+He who hath glory lost, nor hath
+ Found any soul to fellow his,
+
+XXII
+
+Of that so sweet imprisonment
+ My soul, dearest, is fain -- -
+
+XXIII
+
+This heart that flutters near my heart
+ My hope and all my riches is,
+
+XXIV
+
+Silently she's combing,
+ Combing her long hair
+
+XXV
+
+Lightly come or lightly go:
+ Though thy heart presage thee woe,
+
+XXVI
+
+Thou leanest to the shell of night,
+ Dear lady, a divining ear.
+
+XXVII
+
+Though I thy Mithridates were,
+ Framed to defy the poison-dart,
+
+XXVIII
+
+Gentle lady, do not sing
+ Sad songs about the end of love;
+
+XXIX
+
+Dear heart, why will you use me so?
+ Dear eyes that gently me upbraid,
+
+XXX
+
+Love came to us in time gone by
+ When one at twilight shyly played
+
+XXXI
+
+O, it was out by Donnycarney
+ When the bat flew from tree to tree
+
+XXXII
+
+Rain has fallen all the day.
+ O come among the laden trees:
+
+XXXIII
+
+Now, O now, in this brown land
+ Where Love did so sweet music make
+
+XXXIV
+
+Sleep now, O sleep now,
+ O you unquiet heart!
+
+XXXV
+
+All day I hear the noise of waters
+ Making moan,
+
+XXXVI
+
+I hear an army charging upon the land,
+ And the thunder of horses plunging, foam about their knees:
+
+
+
+
+Chamber Music
+
+I
+
+Strings in the earth and air
+Make music sweet;
+Strings by the river where
+The willows meet.
+
+There's music along the river
+For Love wanders there,
+Pale flowers on his mantle,
+Dark leaves on his hair.
+
+All softly playing,
+With head to the music bent,
+And fingers straying
+Upon an instrument.
+
+II
+
+The twilight turns from amethyst
+To deep and deeper blue,
+The lamp fills with a pale green glow
+The trees of the avenue.
+
+The old piano plays an air,
+Sedate and slow and gay;
+She bends upon the yellow keys,
+Her head inclines this way.
+
+Shy thought and grave wide eyes and hands
+That wander as they list -- -
+The twilight turns to darker blue
+With lights of amethyst.
+
+III
+
+At that hour when all things have repose,
+O lonely watcher of the skies,
+Do you hear the night wind and the sighs
+Of harps playing unto Love to unclose
+The pale gates of sunrise?
+
+When all things repose, do you alone
+Awake to hear the sweet harps play
+To Love before him on his way,
+And the night wind answering in antiphon
+Till night is overgone?
+
+Play on, invisible harps, unto Love,
+Whose way in heaven is aglow
+At that hour when soft lights come and go,
+Soft sweet music in the air above
+And in the earth below.
+
+IV
+
+When the shy star goes forth in heaven
+All maidenly, disconsolate,
+Hear you amid the drowsy even
+One who is singing by your gate.
+His song is softer than the dew
+And he is come to visit you.
+
+O bend no more in revery
+When he at eventide is calling.
+Nor muse: Who may this singer be
+Whose song about my heart is falling?
+Know you by this, the lover's chant,
+'Tis I that am your visitant.
+
+V
+
+Lean out of the window,
+Goldenhair,
+I hear you singing
+A merry air.
+
+My book was closed,
+I read no more,
+Watching the fire dance
+On the floor.
+
+I have left my book,
+I have left my room,
+For I heard you singing
+Through the gloom.
+
+Singing and singing
+A merry air,
+Lean out of the window,
+Goldenhair.
+
+VI
+
+I would in that sweet bosom be
+(O sweet it is and fair it is!)
+Where no rude wind might visit me.
+Because of sad austerities
+I would in that sweet bosom be.
+
+I would be ever in that heart
+(O soft I knock and soft entreat her!)
+Where only peace might be my part.
+Austerities were all the sweeter
+So I were ever in that heart.
+
+VII
+
+My love is in a light attire
+Among the apple-trees,
+Where the gay winds do most desire
+To run in companies.
+
+There, where the gay winds stay to woo
+The young leaves as they pass,
+My love goes slowly, bending to
+Her shadow on the grass;
+
+And where the sky's a pale blue cup
+Over the laughing land,
+My love goes lightly, holding up
+Her dress with dainty hand.
+
+VIII
+
+Who goes amid the green wood
+With springtide all adorning her?
+Who goes amid the merry green wood
+To make it merrier?
+
+Who passes in the sunlight
+By ways that know the light footfall?
+Who passes in the sweet sunlight
+With mien so virginal?
+
+The ways of all the woodland
+Gleam with a soft and golden fire -- -
+For whom does all the sunny woodland
+Carry so brave attire?
+
+O, it is for my true love
+The woods their rich apparel wear -- -
+O, it is for my own true love,
+That is so young and fair.
+
+IX
+
+Winds of May, that dance on the sea,
+Dancing a ring-around in glee
+From furrow to furrow, while overhead
+The foam flies up to be garlanded,
+In silvery arches spanning the air,
+Saw you my true love anywhere?
+Welladay! Welladay!
+For the winds of May!
+Love is unhappy when love is away!
+
+X
+
+Bright cap and streamers,
+He sings in the hollow:
+Come follow, come follow,
+ All you that love.
+Leave dreams to the dreamers
+That will not after,
+That song and laughter
+ Do nothing move.
+
+With ribbons streaming
+He sings the bolder;
+In troop at his shoulder
+ The wild bees hum.
+And the time of dreaming
+Dreams is over -- -
+As lover to lover,
+ Sweetheart, I come.
+
+XI
+
+Bid adieu, adieu, adieu,
+Bid adieu to girlish days,
+Happy Love is come to woo
+Thee and woo thy girlish ways -- -
+The zone that doth become thee fair,
+The snood upon thy yellow hair,
+
+When thou hast heard his name upon
+The bugles of the cherubim
+Begin thou softly to unzone
+Thy girlish bosom unto him
+And softly to undo the snood
+That is the sign of maidenhood.
+
+XII
+
+What counsel has the hooded moon
+Put in thy heart, my shyly sweet,
+Of Love in ancient plenilune,
+Glory and stars beneath his feet -- -
+A sage that is but kith and kin
+With the comedian Capuchin?
+
+Believe me rather that am wise
+In disregard of the divine,
+A glory kindles in those eyes
+Trembles to starlight. Mine, O Mine!
+No more be tears in moon or mist
+For thee, sweet sentimentalist.
+
+XIII
+
+Go seek her out all courteously,
+And say I come,
+Wind of spices whose song is ever
+Epithalamium.
+O, hurry over the dark lands
+And run upon the sea
+For seas and lands shall not divide us
+My love and me.
+
+Now, wind, of your good courtesy
+I pray you go,
+And come into her little garden
+And sing at her window;
+Singing: The bridal wind is blowing
+For Love is at his noon;
+And soon will your true love be with you,
+Soon, O soon.
+
+XIV
+
+My dove, my beautiful one,
+Arise, arise!
+The night-dew lies
+Upon my lips and eyes.
+
+The odorous winds are weaving
+A music of sighs:
+Arise, arise,
+My dove, my beautiful one!
+
+I wait by the cedar tree,
+My sister, my love,
+White breast of the dove,
+My breast shall be your bed.
+
+The pale dew lies
+Like a veil on my head.
+My fair one, my fair dove,
+Arise, arise!
+
+XV
+
+From dewy dreams, my soul, arise,
+From love's deep slumber and from death,
+For lo! the treees are full of sighs
+Whose leaves the morn admonisheth.
+
+Eastward the gradual dawn prevails
+Where softly-burning fires appear,
+Making to tremble all those veils
+Of grey and golden gossamer.
+
+While sweetly, gently, secretly,
+The flowery bells of morn are stirred
+And the wise choirs of faery
+Begin (innumerous!) to be heard.
+
+XVI
+
+O cool is the valley now
+And there, love, will we go
+For many a choir is singing now
+Where Love did sometime go.
+And hear you not the thrushes calling,
+Calling us away?
+O cool and pleasant is the valley
+And there, love, will we stay.
+
+XVII
+
+Because your voice was at my side
+I gave him pain,
+Because within my hand I held
+Your hand again.
+
+There is no word nor any sign
+Can make amend -- -
+He is a stranger to me now
+Who was my friend.
+
+XVIII
+
+O Sweetheart, hear you
+Your lover's tale;
+A man shall have sorrow
+When friends him fail.
+
+For he shall know then
+Friends be untrue
+And a little ashes
+Their words come to.
+
+But one unto him
+Will softly move
+And softly woo him
+In ways of love.
+
+His hand is under
+Her smooth round breast;
+So he who has sorrow
+Shall have rest.
+
+XIX
+
+Be not sad because all men
+Prefer a lying clamour before you:
+Sweetheart, be at peace again -- -
+Can they dishonour you?
+
+They are sadder than all tears;
+Their lives ascend as a continual sigh.
+Proudly answer to their tears:
+As they deny, deny.
+
+XX
+
+In the dark pine-wood
+I would we lay,
+In deep cool shadow
+At noon of day.
+
+How sweet to lie there,
+Sweet to kiss,
+Where the great pine-forest
+Enaisled is!
+
+Thy kiss descending
+Sweeter were
+With a soft tumult
+Of thy hair.
+
+O unto the pine-wood
+At noon of day
+Come with me now,
+Sweet love, away.
+
+XXI
+
+He who hath glory lost, nor hath
+Found any soul to fellow his,
+Among his foes in scorn and wrath
+Holding to ancient nobleness,
+That high unconsortable one -- -
+His love is his companion.
+
+XXII
+
+Of that so sweet imprisonment
+My soul, dearest, is fain -- -
+Soft arms that woo me to relent
+And woo me to detain.
+Ah, could they ever hold me there
+Gladly were I a prisoner!
+
+Dearest, through interwoven arms
+By love made tremulous,
+That night allures me where alarms
+Nowise may trouble us;
+But lseep to dreamier sleep be wed
+Where soul with soul lies prisoned.
+
+XXIII
+
+This heart that flutters near my heart
+My hope and all my riches is,
+Unhappy when we draw apart
+And happy between kiss and kiss:
+My hope and all my riches -- - yes! -- -
+And all my happiness.
+
+For there, as in some mossy nest
+The wrens will divers treasures keep,
+I laid those treasures I possessed
+Ere that mine eyes had learned to weep.
+Shall we not be as wise as they
+Though love live but a day?
+
+XXIV
+
+Silently she's combing,
+Combing her long hair
+Silently and graciously,
+With many a pretty air.
+
+The sun is in the willow leaves
+And on the dapplled grass,
+And still she's combing her long hair
+Before the looking-glass.
+
+I pray you, cease to comb out,
+Comb out your long hair,
+For I have heard of witchery
+Under a pretty air,
+
+That makes as one thing to the lover
+Staying and going hence,
+All fair, with many a pretty air
+And many a negligence.
+
+XXV
+
+Lightly come or lightly go:
+Though thy heart presage thee woe,
+Vales and many a wasted sun,
+Oread let thy laughter run,
+Till the irreverent mountain air
+Ripple all thy flying hair.
+
+Lightly, lightly -- - ever so:
+Clouds that wrap the vales below
+At the hour of evenstar
+Lowliest attendants are;
+Love and laughter song-confessed
+When the heart is heaviest.
+
+XXVI
+
+Thou leanest to the shell of night,
+Dear lady, a divining ear.
+In that soft choiring of delight
+What sound hath made thy heart to fear?
+Seemed it of rivers rushing forth
+From the grey deserts of the north?
+
+That mood of thine
+Is his, if thou but scan it well,
+Who a mad tale bequeaths to us
+At ghosting hour conjurable -- -
+And all for some strange name he read
+ In Purchas or in Holinshed.
+
+XXVII
+
+Though I thy Mithridates were,
+Framed to defy the poison-dart,
+Yet must thou fold me unaware
+To know the rapture of thy heart,
+And I but render and confess
+The malice of thy tenderness.
+
+For elegant and antique phrase,
+Dearest, my lips wax all too wise;
+Nor have I known a love whose praise
+Our piping poets solemnize,
+Neither a love where may not be
+Ever so little falsity.
+
+XXVIII
+
+Gentle lady, do not sing
+Sad songs about the end of love;
+Lay aside sadness and sing
+How love that passes is enough.
+
+Sing about the long deep sleep
+Of lovers that are dead, and how
+In the grave all love shall sleep:
+Love is aweary now.
+
+XXIX
+
+Dear heart, why will you use me so?
+Dear eyes that gently me upbraid,
+Still are you beautiful -- - but O,
+How is your beauty raimented!
+
+Through the clear mirror of your eyes,
+Through the soft sigh of kiss to kiss,
+Desolate winds assail with cries
+The shadowy garden where love is.
+
+And soon shall love dissolved be
+When over us the wild winds blow -- -
+But you, dear love, too dear to me,
+Alas! why will you use me so?
+
+XXX
+
+Love came to us in time gone by
+When one at twilight shyly played
+And one in fear was standing nigh -- -
+For Love at first is all afraid.
+
+We were grave lovers. Love is past
+That had his sweet hours many a one;
+Welcome to us now at the last
+The ways that we shall go upon.
+
+XXXI
+
+O, it was out by Donnycarney
+When the bat flew from tree to tree
+My love and I did walk together;
+And sweet were the words she said to me.
+
+Along with us the summer wind
+Went murmuring -- - O, happily! -- -
+But softer than the breath of summer
+Was the kiss she gave to me.
+
+XXXII
+
+Rain has fallen all the day.
+O come among the laden trees:
+The leaves lie thick upon the way
+Of memories.
+
+Staying a little by the way
+Of memories shall we depart.
+Come, my beloved, where I may
+Speak to your heart.
+
+XXXIII
+
+Now, O now, in this brown land
+Where Love did so sweet music make
+We two shall wander, hand in hand,
+Forbearing for old friendship' sake,
+Nor grieve because our love was gay
+Which now is ended in this way.
+
+A rogue in red and yellow dress
+Is knocking, knocking at the tree;
+And all around our loneliness
+The wind is whistling merrily.
+The leaves -- - they do not sigh at all
+When the year takes them in the fall.
+
+Now, O now, we hear no more
+The vilanelle and roundelay!
+Yet will we kiss, sweetheart, before
+We take sad leave at close of day.
+Grieve not, sweetheart, for anything -- -
+The year, the year is gathering.
+
+XXXIV
+
+Sleep now, O sleep now,
+O you unquiet heart!
+A voice crying "Sleep now"
+Is heard in my heart.
+
+The voice of the winter
+Is heard at the door.
+O sleep, for the winter
+Is crying "Sleep no more."
+
+My kiss will give peace now
+And quiet to your heart -- -
+Sleep on in peace now,
+O you unquiet heart!
+
+XXXV
+
+All day I hear the noise of waters
+Making moan,
+Sad as the sea-bird is when, going
+Forth alone,
+He hears the winds cry to the water's
+Monotone.
+The grey winds, the cold winds are blowing
+Where I go.
+I hear the noise of many waters
+Far below.
+All day, all night, I hear them flowing
+To and fro.
+
+XXXVI
+
+I hear an army charging upon the land,
+And the thunder of horses plunging, foam about their knees:
+Arrogant, in black armour, behind them stand,
+Disdaining the reins, with fluttering ships, the charioteers.
+They cry unto the night their battle-name:
+I moan in sleep when I hear afar their whirling laughter.
+They cleave the gloom of dreams, a blinding flame,
+Clanging, clanging upon the heart as upon an anvil.
+They come shaking in triumph their long, green hair:
+They come out of the sea and run shouting by the shore.
+My heart, have you no wisdom thus to despair?
+My love, my love, my love, why have you left me alone?
+
+
+
+
+
+End of The Project Gutenberg Etext of Chamber Music, by James Joyce
+
+