diff options
| author | Roger Frank <rfrank@pglaf.org> | 2025-10-15 02:38:58 -0700 |
|---|---|---|
| committer | Roger Frank <rfrank@pglaf.org> | 2025-10-15 02:38:58 -0700 |
| commit | 8ba59fcec6800d8d31abd04f118835a3f9398fa9 (patch) | |
| tree | 97cd302b1fc1082be9f2a20de5b746b52ba665f2 /28628.txt | |
Diffstat (limited to '28628.txt')
| -rw-r--r-- | 28628.txt | 1516 |
1 files changed, 1516 insertions, 0 deletions
diff --git a/28628.txt b/28628.txt new file mode 100644 index 0000000..b525f38 --- /dev/null +++ b/28628.txt @@ -0,0 +1,1516 @@ +The Project Gutenberg EBook of Devil Crystals of Arret, by Hal K. Wells + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: Devil Crystals of Arret + +Author: Hal K. Wells + +Release Date: April 28, 2009 [EBook #28628] + +Language: English + +Character set encoding: ASCII + +*** START OF THIS PROJECT GUTENBERG EBOOK DEVIL CRYSTALS OF ARRET *** + + + + +Produced by Greg Weeks, Barbara Tozier and the Online +Distributed Proofreading Team at https://www.pgdp.net + + + + + + This etext was produced from Astounding Stories September 1931. + Extensive research did not uncover any evidence that the U.S. + copyright on this publication was renewed. + + + + +[Illustration: The tip sprayed a web around his body.] + + + + +Devil Crystals of Arret + +_By Hal K. Wells_ + + Facing a six-hour deadline of death, young Larry raids a + hostile world of rat-men and tinkling Devil Crystals. + + +Benjamin Marlowe and his young assistant, Larry Powell, opened the +door of the Marlowe laboratory, then stopped aghast at the sight +which greeted their startled eyes. + +There on the central floor-plate directly in the focus of the big +atomic projector stood the slender figure of Joan Marlowe, old +Benjamin Marlowe's niece and Larry Powell's fiancee. + +The girl had apparently only been awaiting their return to the +laboratory for around her gray laboratory smock was already fastened +one of their Silver Belts, and a cord was already in place running +from her wrist to the main switch of the projection mechanism. + +Joan's clear blue eyes sparkled with the thrill of high adventure as +she swiftly raised a slender hand in a gesture of warning to the two +men. + +"Don't try to stop me," she warned quietly. "I can jerk the switch +and be in Arret, before you've taken two steps. I'm going to Arret, +anyway. I was only waiting for you to return to the laboratory so +I'd be sure of having you here to bring me back to Earth again +before I have time to get into any serious trouble over there." + +"But, Joan," Benjamin Marlowe protested, "this is sheer madness! No +one can possibly guess what terrible conditions you may confront in +Arret. We've never dared to send a human being across the atomic +barrier yet!" + +"We've sent all kinds of animals across, though," Joan retorted +calmly, "and as long as we recalled them within the twelve-hour +limit they always came back alive and unhurt. There's no reason why +a human being should not be able to make the round trip just as +safely. Ever since our Silver Belts first came back with the weird +plant and mineral fragments which proved that there really is such a +place as Arret, I've been wild to see with my own eyes the +incredible things that must exist there." + +Joan waved her hand in gay farewell. "Good-by, Uncle Ben and Larry! +I know that you'll drag me back just as quickly as you can possibly +dash over to the recall switch, but I'll at least have had a few +precious seconds of sightseeing as Earth's first human visitor to +Arret!" + + * * * * * + +Larry Powell was already sprinting for the mechanism as Joan jerked +the cord that ran to the switch, but he was barely half-way across +the intervening space when the big atomic projector flared forth in +a brilliant gush of roseate flame. + +For a fraction of a second Joan's slender figure was outlined in the +very heart of the ruddy glow, then vanished completely. There was +left only a short length of the switch cord to indicate that the +girl had ever stood there. + +Powell reached the mechanism and shut off the projector's flame, +then turned swiftly to the control-panel of the recall mechanism. As +he closed the switch on this panel, three banks of tubes set in +triangular form around the floor-plate upon which Joan had stood +glowed a brilliant and blinding green. + +Shielding his eyes from the glare with an upraised forearm, Powell +began stepping a rheostat up to more and more power. In his anxiety, +he increased the power far too quickly. There was a sudden gush of +blue-white flame from the heart of the mechanism, together with the +hissing crackle of fusing metal. The green light in the tubes +promptly died. + +Benjamin Marlowe was bending over the apparatus almost instantly. A +moment later he raised a face that had suddenly gone white. There +was terror in his eyes as he turned to his assistant. + +"The entire second series of coils is burned out, Larry!" he gasped +in consternation. "Joan is marooned over there in Arret--marooned in +that grim unknown land as completely beyond our reach as though she +were upon one of the moons of Mars!" + +For a long moment the two men gazed at each other with +horror-stricken faces, dazed and shaken. Then they quickly drew +themselves together again and set about the herculean task of making +the necessary repairs to the damaged mechanism in time to rescue +Joan before the twelve-hour limit should doom the girl to forever +remain an exile in that land of alien mystery beyond the atomic +barrier. + + * * * * * + +Their previous experiments with animals had proved that no living +creature from Earth could be brought back after it had been in Arret +over twelve hours. After that time the change in the atoms +constituting living tissues apparently became permanently Arretian, +for the Silver Belts returned without any trace of their original +wearers. + +The necessary repairs to the damaged coils were of such an exacting +and intricate nature that any great speed was impossible. Hours +passed while the two men bent to their work with grim concentration. +Neither of them dared think too much of what nameless dangers might +be confronting Joan during those weary hours. Their actual knowledge +of Arret was so pitiably slight. + +Some months ago, while they were experimenting upon apparatus for +reversing the electrical charges of an atom's electrons and protons, +they had first stumbled upon the incredible fact that such a place +as Arret really existed. They found that it was another world +occupying the same position in space as Earth, with the fundamental +difference in the two interwoven planes of existence lying in the +electrical make-up of the atoms that constituted matter in each +plane. + +On Earth all atoms are composed of small heavy protons that are +always positive in charge, and larger lighter electrons that are +always negative. In Arret the protons were negative, and the +electrons positive. The result was two worlds occupying the same +space at the same time, yet with matter so essentially and +completely different that each world was intangible to the other. +They had named the unseen world Arret, the reverse of Terra. + +Finding it impossible to work directly upon most forms of matter, +the experimenters had finally evolved a silver alloy that served as +a medium both for sending objects into Arret and then bringing +them back to Earth. By focussing the flame of the projection +apparatus upon a Silver Belt of this alloy, the electrical charges +of the Belt's atoms were reversed, automatically causing the Belt to +vanish from Earth and materialize in Arret. At the same time the +atoms of any object within the Belt's immediate radius were +similarly transformed, and that object was taken into Arret with the +Belt. + +The recall mechanism functioned by broadcasting a power wave that +again reversed the atomic charge of the Belt and its contained +object back to that of Earth. At the same time the recall wave +exerted an attractive force that drew the atoms back to a central +point in the laboratory, where they were re-materialized upon the +same floor-plate from which they had originally been sent. + + * * * * * + +The twelve-hour time limit was half up when Benjamin Marlowe and +Larry Powell finally straightened up wearily from their work over +the recall mechanism, their repairs completed. It had been one +o'clock in the afternoon when Joan Marlowe vanished from Earth in +the roseate flare of the projector. It was now nearly seven o'clock. + +With nerves tense from anxiety, the two men crossed over to the +control-panel of the recall apparatus. This time they donned goggles +of dark glass to shield their eyes from the blinding green glare. +Marlowe threw the main switch, and the banked tubes came to life in +a flood of vivid emerald light. + +Marlowe began stepping the rheostat up gradually to more power, +advancing it with cautious slowness to avoid any chance of a +repetition of the previous accident. The green radiance streaming +from the tubes in every direction began to throb with an electric +force that the two men could feel pulsing through their own bodies. + +There was a click as the rheostat struck the last notch. The green +radiance was now a searing flame that half-blinded them even through +the thick dark glass of their protective goggles, while the vibrant +force of the green rays was sweeping through their bodies with a +tingling shock that nearly took their breath away. + +Tensely the two men stared at the metal floor-plate in the center of +the area bounded by the flaming green tubes. Just over the plate the +green radiance seemed to be thickening and swirling oddly. The +swirling eddy became a small dense cloud of darker green light. Then +abruptly, like the fade-in on a moving picture screen, from the +cloud over the plate the misty outlines of an object swiftly cleared +and solidified into a bizarre something at whose unfamiliar aspect +both Marlowe and Powell gasped in amazement. + +Marlowe snapped the switch off, and the green radiance vanished. +Stripping the dark goggles from their eyes, the two men hurried over +for a closer view of the thing that rested quiescent and apparently +lifeless there on the metal floor-plate. + + * * * * * + +It was shaped like a huge egg, a little over a yard long, and was +apparently composed of a solid lump of some unknown crystalline +substance that closely resembled very clear, pale amber. Embedded in +the heart of the strange egg were clearly visible objects which +caused Marlowe and Powell to gasp in mingled horror and amazement. + +Chief among the things imprisoned in that amber shroud was the +Silver Belt that Joan had worn, but the Belt was now looped over the +bony shoulder of a skeleton that by no possible stretch of the +imagination could ever have been that of a creature of this Earth. + +The skeleton was still perfectly articulated, and gleamed through +the crystalline amber as though its bony surfaces were encrusted +with diamond dust. The bones were apparently those of a creature +that in life had been half dwarf-ape and half giant rat. + +The beast had stood a little under a yard in height. The legs were +short, powerful, and bowed. The long arms ended in claw-like +travesties of hands. The skull was relatively small, with a sharply +sloping forehead and projecting squirrel-like teeth that were +markedly rodent. + +Around the skeleton's neck there was a wide band of some strange +gray metal, with its smooth outer surface roughly scratched in +characters that resembled primitive hieroglyphics. + +Marlowe's face was white with grief as he turned to Powell. "Joan +must be dead, Larry," he said sadly. "Otherwise, she would surely +never have allowed her Silver Belt to pass into the possession +of--this! She knew that the Belt represented her only hope of ever +being brought back to this world." + + * * * * * + +For a moment Powell stared intently into the heart of the +crystalline egg without answering. Then suddenly he straightened up +with marked excitement upon his face. + +"There's a small sheet of paper entwined in the coils of that Belt!" +he exclaimed. "It may be a message from Joan!" + +Swiftly the two men lifted the amber egg up to the top of a +workbench. Powell took a small hammer to test the hardness of the +strange translucent substance. + +He struck it a sharp rap, then recoiled in surprise at the effect of +his blow, for the entire egg instantly shattered with a tinkling +crash like the bursting of a huge glass bubble. So complete was the +disintegration of the egg and the skeleton within it that all that +remained of either was a heap of diamond and amber dust. The only +things left intact were the Silver Belt and the metal collar. + +Powell snatched up the Belt and extracted the small piece of paper +that had been firmly tucked into its coils. Hurriedly written in +pencil upon the paper was a message in a handwriting familiar to +both Powell and Marlowe: + + Help! I am held prisoner in the Cave of Blue Flames! + --Joan. + +"Larry, Joan must still be alive over there in Arret!" There was new +hope in Benjamin Marlowe's voice. + +"Yes, alive and held captive by whatever monstrosities may inhabit +that unknown plane," Powell agreed grimly. "There's only one way in +which we can possibly rescue her now. That is for you to send me +into Arret with a reserve Belt for Joan. I'll be ready to start as +soon as I get a couple of automatic pistols that I have up in my +room. It's a sure thing that I'll need them over there in Arret." + + * * * * * + +Five minutes later Powell stood ready and waiting upon the +floor-plate in the focus of the big atomic projector, with the +central lens of the apparatus levelled down upon him like a huge +searchlight. Around Powell's waist were strapped two Silver Belts, +and a cartridge belt with a holstered .45-calibre automatic on +either side. His wrist-watch was synchronized to the second with +Benjamin Marlowe's watch. + +"Joan's twelve-hour time limit in Arret will expire at one o'clock +tomorrow morning." Powell reminded Marlowe. "That gives me nearly +six hours in which to find her and equip her with a Silver Belt. You +will broadcast the recall wave at exactly one o'clock. If I haven't +succeeded in finding Joan by then, I'll discard my own Belt and stay +on over there in Arret with her.... I'm ready to start now, whenever +you are." + +Benjamin Marlowe raised his hand to the switch in the projector's +control panel. "Good-by, Larry,"--the old man's voice shook a trifle +in spite of himself--"and may God be with you!" He closed the +switch. + +A great burst of roseate flame leaped toward Powell from the +projector. The laboratory was instantly blotted out in a swirling +chaos of ruddy radiance that swept him up and away like a chip upon +a tidal wave. There was a long moment during which he seemed to +hurtle helplessly through a universe of swirling tinted mists, while +great electric waves tingled with exquisite poignancy through every +atom of his body. + +Then the mists suddenly cleared like the tearing away of a mighty +curtain, and with startling abruptness Powell found himself again in +a solid world of material things. For a moment as he gazed dazedly +about him he thought that the roseate glow of the projector must +still be playing tricks with his eyesight, for the landscape around +him was completely and incredibly red! + + * * * * * + +He soon realized that the monochrome of scarlet was a natural aspect +of things in Arret. The weird vegetation all around him was of a +uniform glossy red. The sandy soil under his feet was dull +brick-red. High in the reddish-saffron sky overhead there blazed a +lurid orb of blood-red hue, the intense heat of its ruddy radiance +giving the still dry air a nearly tropical temperature. From this +orb's position in the sky and its size, Powell was forced to +conclude that it must be the Arretian equivalent of Earth's moon. + +For a moment he stood motionless as he peered cautiously around him, +trying to decide what should be his first step in this scarlet world +that was so utterly alien in every way to his own. On every side the +landscape stretched monotonously away from him in low rolling dunes +like the frozen ground swell of a crimson sea--dunes covered with +vegetation of a kind never seen upon Earth. + +Not a leaf existed in all that weird flora. Instead of leaves or +twigs the constituent units of bushes and grasses consisted of +globules, glossy spheres of scarlet that ranged in size from +pinheads to the bulk of large pumpkins. The branches of the +vegetation were formed from strings of the globules set edge to edge +and tapering in size like graduated beads strung upon wire, +dwindling in bulk until the tips of the branches were as fragile as +the fronds of maidenhair fern. The bulk of the shrubbery was +head-high, and so dense that Powell could see for only a couple of +yards into the thicket in any direction. + +The stillness around Powell was complete. Not even a globular twig +stirred in the hot dry air. Powell decided to head for the crest of +one of the low dunes some fifty feet away. From its top he might be +able to sight something that would give a clue to the location of +the "Cave of Blue Flames" of which Joan had written. + + * * * * * + +He arrived at the foot of the dune's slope without incident. But +there he came to an abrupt halt as the silence was suddenly +shattered by a strange sound from the shrubbery-covered crest just +above him. It was a musical, tinkling crash, oddly suggestive of a +handful of thin glass plates shattering upon a stone floor. A second +later there came the agonized scream of some creature in its death +throes. + +The tinkling, crashing sound promptly swelled to a steady pulsing +song like that of a brittle river of crystalline glass surging and +breaking over granite boulders. There was an eery beauty in that +tinkling burst of melody, yet with the beauty there was an +intangible suggestion of horror that made Powell's flesh creep. + +The crystalline song swelled to a crescendo climax. Then there came +another sound, a single resonant note like that given when a string +of a bass viol is violently plucked--and the tinkling melody +abruptly died. Immediately following the resonant twang some object +was ejected from the midst of the thicket on the dune's crest, and +came rolling and bounding down the gentle slope toward Powell. + +It finally came to rest against the base of a bush almost at his +feet. He whistled softly in surprise as he saw the nature of the +thing. It was another of the yard-long egg-shaped crystals of +translucent amber like the one that had been materialized in +Benjamin Marlowe's laboratory. Imprisoned in the clear depths of +this amber egg was the sparkling, diamond-encrusted skeleton of what +had apparently been a small quadruped about the size of a fox. + +Powell's eyes narrowed in speculation as he realized that he had +before him the first slight clue as to what might have happened to +Joan. Her Silver Belt had been enclosed in one of those amber, +crystalline eggs. Apparently her capture had been in some way +connected with that sinister, unseen Tinkling Death. + + * * * * * + +Powell began cautiously working his way up the slope of the dune, +with an automatic pistol ready for use in his right hand. Silence +reigned unbroken now in the thicket on the crest, but with each +upward step that he took there came with constantly increasing force +a feeling of some vast, alien intelligence lurking up there, +watching and waiting. + +Nearer and nearer the crest he worked his wary way, until he was so +close that he fancied he could see the vague outline of some +monstrous silvery bulk looming there in the heart of the red +thicket. He took another cautious step forward--and then his careful +stalking was sharply interrupted. + +Without a second's warning there came the roaring rush of great +wings beating the air just above him. Powell tried to dive for +cover, but he was too late. A slender snaky tentacle came lashing +down and struck his shoulder with a force that sent him sprawling +forward upon his face. Before he could rise, two of the tentacles +twined around him, and he was jerked up into the air like a +wood-grub captured by a husky robin. + +Again the great wings above him threshed the air in tremendous +power, as the unseen monster started away with its prey. Then the +tentacles from which he was dangling shifted their grip slightly, +turning Powell's body in the air so that he could look up and get +his first glimpse of the thing that had captured him. He shuddered +at what he saw. The creature was a hideous combination of octopus +and giant bat. + +Naked wings of membrane spanned twenty feet from tip to tip. There +was a pursy sac-like body, ending in a head with staring, lidless +eyes and a great black beak that looked strong enough to shear sheet +steel. From the body descended half a dozen long writhing tentacles. + + * * * * * + +Powell's one hundred and eighty pounds made a weight that was +apparently a burden for even this flying monster. It flew jerkily +along, scarcely a dozen feet from the ground, and there was +laborious effort obvious in every movement of its flapping wings. +Powell decided to make a prompt break for escape before the +octopus-bat succeeded in fighting its way any higher. His left arm +was still pinioned to his body by one of the constricting tentacles, +but his right hand, with the automatic in it, was free. + +He swung the weapon's muzzle into line with the hideous face above +him, then sent a stream of lead crashing upward into the creature's +head. The bullet struck squarely home. The tentacles tightened +convulsively with a force that almost cracked Powell's ribs. Then in +another paroxysm of agony the tentacles flung him free. + +The impetus of his fall sent him rolling for a dozen feet. Unhurt, +save for minor scratches and bruises, he scrambled to his feet just +in time to see the mortally wounded octopus-bat come crashing down +in the red vegetation some thirty yards away. For a few minutes +there was audible a convulsive threshing; and then there was +silence. + +Powell refilled the automatic's clip, then looked about, trying to +regain his bearings. He wanted to return to the thicket of the +Tinkling Death, but the octopus-bat had carried him hundreds of +yards from there and he was now uncertain even of the direction in +which the thicket was. + +As he paused in indecision, there came to Powell's ears a new sound +that promptly drove all thought of the Tinkling Death from his mind. + + * * * * * + +The sound of his gun against the octopus-bat had apparently +attracted new and unseen assailants--and their number was legion. +Swiftly closing in upon him from every side there came the rustle +and whisper of countless thousands of unseen foes advancing through +the dense red thickets. + +Completely hemmed in as he was, flight was out of the question. He +sought the center of a small clearing, some ten feet in diameter, in +order to gain at least a moment's sight of his adversaries before +they swarmed in upon him. With an automatic in each hand, he waited +tense and ready. + +The encircling rush came swiftly nearer, until Powell was suddenly +aware that the unseen horde had arrived. The thicket bordering his +tiny clearing was literally alive with yard-high furry bodies of +creatures that dodged about too swiftly in the cover of the red +bushes for him to get a clear view of any of them. There was a +constant babel of snarling, chattering sound as the things called +back and forth to each other. + +Then the chattering stopped abruptly, as though at the command of +some unseen leader. The next moment one of the creatures stepped +boldly out into full view in the clearing. Powell's scalp crinkled +in disgust as he realized the nature of the thing confronting him. + +It was literally a rat-man. Its upright posture upon two powerful, +bowed hind legs was that of a man, but its human-like points were +overshadowed by a dozen indelible marks of the beast. A coat of +short, dirty gray fur covered the creature from head to foot. Its +hands and feet were claw-like travesties of human members. Its +pointed, chinless face with its projecting teeth and glittering +little beady eyes was that of a giant rodent. + +The beast in the clearing was apparently a leader of some sort, for +around his throat was a wide collar of gray metal, with its flat +surface marked in rudely scratched hieroglyphics. Powell's heart +leaped as he noted the collar. In this creature before him he had +his second clue to the whereabouts of Joan Marlowe. + +Not only was the collar practically identical to the one worn by the +skeleton that had been materialized in the egg back in the +laboratory, but the skeleton itself was obviously that of one of the +rat-men. Could it be this grotesque horde of human-like rodents that +was holding Joan captive in the Cave of Blue Flames? + + * * * * * + +Powell tried desperately to think of some way of communicating with +the gray-collared leader. Then the beast shrilled a command that +brought hundreds of the beasts swarming into the clearing from every +side, and in the face of the menace of their countless glittering +eyes and bared fangs Powell abandoned all thought of attempting to +parley with the beasts. + +There was another shrill command from the leader, and the horde +closed in. Both of Powell's guns flamed in a crashing leaden hail +that swept the close-packed ranks of furry bodies with murderous +effect. But he was doomed by sheer weight of numbers. + +The rat-men directly in front of the blazing pistols wavered +momentarily, but the press of the hundreds behind them swept them +inexorably forward. Powell emptied both guns in a last vain effort. +Then he was swept from his feet, and the horde surged over him. + +Blinded and smothered by the dozens of furry bodies that swarmed +over him, he had hardly a chance to even try to fight back. His +cartridge-belt and guns, his Silver Belts and his wrist-watch were +stripped from him by the dozens of claw-like hands that searched his +body. Other claw-hands jerked his arms behind his back and lashed +them firmly together with rope. + +A blanketing sheet of some heavy fabric was crammed over his head +and tied in place so tightly that he was completely blindfolded and +half-suffocated. A noose was knotted around his neck. A suggestive +jerk of this noose brought Powell lurching to his feet; there was +another commanding jerk, and he obediently started walking. + + * * * * * + +The march that followed soon became torture for the captive. +Blindfolded as he was, and having only the occasional jerks of rope +to guide his footsteps, he stumbled and fell repeatedly, until his +aching body seemed one solid mass of bruises. + +As nearly as he could judge, the horde had conducted him nearly two +miles when the path abruptly sloped downward. A moment later the +sudden coolness of the air and the echoes about him told him that +they had entered an underground passage of some kind. After +traversing this passage for several yards they emerged into what was +apparently a large open area, for he could hear the excited +chattering and squealing of countless thousands of rat-men on every +side of him. + +He was dragged forward a dozen steps more, then brought to a halt. +The blindfolding fabric was roughly stripped from his head. For a +moment he blinked dazedly, half-blinded by a glare of blue light +that flooded the place. + +He was standing in a vast cavern. From dozens of fissures high in +the rock walls streamed flickering sheets of blue flame which both +warmed and lighted the place. There was a weird tingling glow in the +air that suggested that the strange blue fires might be electrical +in their origin. + +Powell looked eagerly around for Joan, but he could see no trace of +her. The only other living beings in the big cavern were the +swarming thousands of the rat-people. The brutes were apparently too +low in the evolutionary scale to have any but the most primitive +form of tribal organization. + +Sitting on a rude rock throne just in front of Powell was a +grotesquely fat, mangy-furred old rat-man who was obviously the king +of the horde. Some thirty or forty rat-men, larger and stronger than +their fellows, wore the gray-metal collars that apparently marked +them as minor leaders. + + * * * * * + +The great bulk of the horde, numbering far into the thousands, +swarmed in the cavern in one vast animal pack, sleeping, feeding, +snarling, fighting. As Powell was halted before the king's throne, +most of them abandoned their other pursuits to come surging around +the captive in a jostling, curious mob. + +The metal-collared leader of the pack that had captured Powell +presented the rat-king with the captive's gun-belt and two Silver +Belts, accompanying the gifts with a squealing oration that was +apparently a recital of the capture. The old monarch took the +trophies with delight. + +The two Silver Belts were promptly draped over his own furry +shoulders by the king--seemingly following the same primitive love +for adornment that inspires an African savage to ornament his person +with any new and glittering object he happens to acquire. The +rat-king then graciously draped the cartridge-belt and holstered +automatics around the shoulders of the metal-collared leader who had +captured Powell. + +The king turned his attention back to his prisoner. He studied the +captive curiously for a moment or two, then squealed a brief +command. A score of the rat-men promptly closed in upon Powell, and +began herding him toward a far back corner of the big cavern. + +Stopping a few yards away from the edge of what seemed to be a wide +deep pit in the rock floor, the guard stripped Powell's bonds from +him. Powell made no move to take advantage of his freedom, realizing +that the swarming thousands of rodents in the cave made escape out +of the question for the moment. He allowed himself to be docilely +herded on to the edge of the pit. + +And the next moment he exclaimed aloud in delighted surprise as he +gazed down at the floor of the pit ten feet beneath him. There, +sitting on a low heap of stones on the pit's sandy floor, +white-faced and weary but apparently unhurt, was Joan Marlowe. + + * * * * * + +The girl's face brightened in relief as she looked up and recognized +him. + +"Larry! Oh, thank God you've come!" + +The leader of the guards motioned for Powell to jump down into the +pit. He needed no urging. A moment later he landed lightly on the +sandy floor of the pit, and Joan was in his arms. + +The rat-men left a dozen of their number scattered as sentries +around the edge of the pit. The rest of them returned to the main +horde, leaving the prisoners to their own devices. + +"I knew that you'd come, Larry, as soon as you got my note," Joan +exclaimed happily. "But how did you ever succeed in finding this +Cave of Blue Flame?" + +"I didn't find it myself," Powell admitted. "I was captured like a +boob and dragged here." He told Joan of his mishaps since arriving +in Arret. + +The girl nodded when he had finished. "Much the same happened to me, +Larry, only the red moon wasn't shining then. The only light was +from what looked like the dim ghost of a big yellow sun. I +materialized in Arret almost in the middle of a scouting group of +rat-men. They took me captive immediately. When several minutes +passed without you and Uncle Benjamin broadcasting the recall wave +for me, I knew that something terrible must have happened back in +the laboratory, and that I might be marooned in Arret for hours. + +"I tried to hang onto my Silver Belt, of course," the girl +continued, "but when I was brought to the cavern here I saw that the +king was going to take it. There was a notebook and a pencil in my +laboratory smock. I managed to write the note and twine it into the +belt just before it was taken from me. The king seemed to think the +note enhanced the Belt's value as an ornament. He was wearing it +when I last saw it. Was he materialized in the laboratory with the +Belt?" + +Powell told her of the amber egg and the skeleton. + +"The same sort of crystalline amber egg that accompanied the work of +the mysterious Tinkling Death, wasn't it?" Joan mused. "One of the +king's lieutenants must have stolen the Belt, and reaped prompt +retribution when he tried to flee. I wonder what that weird Tinkling +Death is?" + +"Possibly some strange weapon of the rat-men," Powell hazarded. + +"No, they are as afraid of it as we are. While I was being brought +here to this cave the Tinkling Death was heard several times in the +distance, and the rat-men were obviously terrified at the sound." + + * * * * * + +The prisoners' conversation was abruptly interrupted by a rhythmic, +snarling chant from the vast horde of rat-men in the cavern above. +The chant rose and fell in a rude cadence that was suggestively +ritual in nature. + +"They've been doing that at intervals ever since I was first brought +here," Joan commented. "It sounds almost like the beginning of some +primitive religious ceremony, doesn't it?" + +Powell nodded, without telling Joan the depressing thought in his +mind. The rat-men were so low in the evolutionary scale as to be +little more than beasts, and a prominent feature of nearly all +primitive religious rites is the sacrifice of living beings. Powell +could not help but wonder whether the chanting might not mark the +beginning of rites which would end with the sacrifice of himself and +Joan to some monstrous deity of theirs. + +The snarling chant continued with monotonous regularity for hours, +while the prisoners huddled helplessly together there on the floor +of the pit, awaiting the next move of the rat-men. Any thought of +escape was out of the question. The sheer walls of the pit were +always guarded by alert sentries who had only to call to bring the +entire horde to their help. + +Without Powell's wrist-watch, the captives had no way of accurately +following the lapse of time, but they both realized that the +twelve-hour time limit upon Joan's rescue from Arret must be coming +perilously near its end. They waited in momentary fear lest a sudden +turmoil in the cavern above them should indicate that Benjamin +Marlowe had broadcast the recall wave, whisking the two Belts back +to Earth, together with the old rat-king who presumably still wore +them. + + * * * * * + +The chanting above rose slowly to a snarling climax, then swiftly +died away into silence. A moment later there came the sound of +thousands of claw-like feet scratching over the rocky floor as the +main horde apparently began marching out of the cavern. A detachment +of fifty rat-men appeared at the pit's edge. + +A rude metal ladder was shoved down to the captives, and a +metal-collared leader motioned for them to climb up. Seeing nothing +to be gained by refusal, they obeyed. They were seized as they +reached the top, and their hands again bound behind them. The +overwhelming numbers of the rat-men made any attempt at resistance +futile. + +There was no sign of the main horde as Joan and Powell were herded +out through the empty cavern and out into the open air again. With +their prisoners in the center of their group, the rat-men started +along a well-worn path that wound through the red vegetation. +Overhead the blood-red moon still blazed down in lurid splendor. + +From somewhere ahead of them the captives began to again hear the +distant squealing chant of the main horde. They steadily approached +the sound, until abruptly they emerged into a huge clearing that had +apparently been a ceremonial assembly place for generations, for its +smooth sandy floor was packed down nearly to the hardness of rock. + +The main horde of rat-men was there now, countless thousands of +them, packed in a roughly crescent-shaped mob, with the open side of +their formation facing what seemed to be a large deep pit, some +seventy yards in circumference. In the clear space left between the +horde and the edge of the pit was a smaller group, among them the +old king himself. + +Powell's heart leaped as he noted that the Silver Belts were still +draped over the mangy old monarch's shoulders. If only he and Joan +could get their hands on those precious Belts before Benjamin +Marlowe broadcast the recall wave that would forever snatch them out +of their reach! + + * * * * * + +The captives were hurried through the main horde and taken in charge +by a score of picked guards who herded them on to join a small group +of four rat-men near the pit's edge. These four rodents were +apparently also prisoners, for their arms were firmly bound behind +them. + +The rat-king, accompanied only by the metal-collared leader, around +whose shoulders the gun-belt was still draped, stood near the pit's +edge some ten yards distant from the guards and captives. Between +the prisoners and the rodent monarch the edge of the pit jutted out +in a narrow tongue of rock that extended outward for about twenty +feet over the pit. + +Joan and Powell had barely taken their place with the other captives +when an abrupt and familiar sound drew their attention to the floor +of the pit some thirty feet beneath them. Its smooth sandy bottom +was clearly visible from where they stood. And there on that sandy +floor were six great gleaming shapes of menace which brought +involuntary gasps of horrified amazement to the captives' lips. + +The faint musical tinkling sound as the things moved in occasional +ponderous restlessness was unmistakable. Joan and Powell realized +that the amazing organisms responsible for the mysterious Tinkling +Death were at last before them. + +The things were giant _living_ crystals--great silvery +semi-transparent shapes nearly ten feet in height, their faceted +sides pulsing in sinister and incredible life as they gleamed in +unearthly beauty beneath the blazing rays of the red moon! + +Near the center of each of the giant crystals there was visible +through the semi-transparent wall a large inner nucleus of sullen +opalescence that ceaselessly swirled and eddied. + +Their powers of movement were apparently limited to a slow, +ponderous, half-rocking, half-rolling progress on their heavy +rounded bases. They were now grouped in a rough semicircle just +under the edge of the rocky projection that extended out over the +pit. The opalescent nucleus in every silvery faceted form seemed to +be "watching" with frightening intensity the figures on the pit's +edge above them. + + * * * * * + +There was no mistaking the meaning of the scene. The giant +carnivorous crystals had obviously been lured from their normal +habitat in Arret's red vegetation, and established there in the big +pit by the rat-men to act as principals in their primitive religious +ceremonies. + +Those Devil Crystals waiting down there on the pit's floor were +waiting to be fed--and the small group of captives, rat-men and +human beings, were to be the feast! + +Utterly sick at heart, Powell wondered if they would at least be +given the boon of a merciful death before being hurled over the +brink to those lurking shapes. He was not left long in doubt. + +At a shrill command from the rat-king the guards closed in upon the +captives and herded two of the bound rat-men from among them. A +guard placed to the lips of each of the captive brutes a small cup +containing a faintly cloudy white liquid. Apparently resigned to +their fate, the creatures docilely drained the cups. + +The drugged drinks acted with startling rapidity. Scarcely a minute +passed before the rodents' eyes clouded dully, their jaws dropped +slackly open, and their bodies stiffened in almost complete +rigidity. + +The bonds were quickly stripped from the two stupefied creatures. +The ceremonial rites apparently required that the victims go to +their doom unbound and of their own volition. The guards maneuvered +the two over to the rocky projection that jutted out over the pit. + +Moving with the stiffly wooden steps of automatons, the two victims +started out along the narrow projection, leaving the guards behind. +On they marched, straight for the end of the rocky strip--and then, +without a second's hesitation, they plunged on and over. + +Their bodies crashed to the pit's floor squarely among the group of +waiting crystals. One of the rat-men lay motionless. The other +dazedly tried to struggle to his feet--but was too late. + + * * * * * + +From the side of the nearest Devil Crystal, some fifteen feet away +from the dazed rat-man, a cone-shaped projection budded with +startling swiftness. + +A fraction of a second more and the projection had lengthened into a +long slender arm of crystalline silver that streaked across the +intervening space with the swiftness of a spear. + +There was a crashing, tinkling sound as the point of the arm struck +the furry body of the rat-man. Then the arm's point sprayed into a +web of shining filaments that laced the rodent's body inexorably in +their web. + +The arm immediately contracted, jerking the victim irresistibly +toward the waiting crystal. A second later the rat-man was pinned +against the faceted crystalline side just under the opalescent +nucleus. + +The moment the furry body made contact with the crystal's side a +terrifying phenomenon occurred. Crystals grew and spread all over +its form with the lightning growth of water-glass. Faster and faster +clustered the crystalline shroud, until the furry body was lanced +through and through--and all the time the air was filled with +eldritch music as of a thousand sheets of thinnest glass crashing, +tinkling and shattering. + +The crystal growths over the imprisoned body rounded their contours +and merged together until they were in the form of a great +crystalline egg. The outlines of the rodent's body blurred and +vanished, melting swiftly until only a diamond-encrusted skeleton +was left. The color of the great Devil Crystal began to gleam pink +as the victim's flesh and blood were absorbed. + +The egg-like excrescence under the nucleus turned in hue to pale +translucent amber in whose depths the diamond skeleton gleamed with +weird brilliance. Then there came a sudden twang, as of a violently +plucked string on a bass viol, and the amber egg dropped from the +faceted side. The Crystal's feast was over. + +One of the most terrifying aspects of the whole thing had been its +incredible speed. The entire tragedy had occurred in but little over +two minutes from the time the lance-arm had first struck the +rat-man. + +In the meantime the body of the second rodent had been drawn in and +devoured by another of the carnivorous crystalline monsters. There +came a second twang now, as its skeleton in its amber shroud was +discarded. + + * * * * * + +Powell's brain reeled as he saw the other crystals move sluggishly +nearer the foot of the rocky projection in anticipation of the next +victims. + +The remaining two captive rat-men came next. They were swiftly +drugged, unbound, and started on their dazed march. They trudged +woodenly out the rocky projection to its end, then on and over; and +again the grim tragedy of the Devil Crystal's feast was repeated, to +the accompaniment of that eerily beautiful crashing, tinkling song. + +The four Devil Crystals that had completed their gruesome feast +moved sluggishly away, leaving the space clear for the two crystals +that remained unfed. The score of guards closed in upon Joan and +Powell. + +With the crystalline doom at last staring them squarely in the face, +Powell went berserk in a final desperate effort to gain even a +moment's respite. He lashed out in a writhing, kicking flurry that +almost cleared the space around them. + +Then three of the rat-men slipped behind him, and a second later his +feet were jerked from under him. His bound arms made him helpless to +avert his fall, and he crashed heavily to the ground. Then a dozen +of the powerful little beasts swarmed over him, completely +overpowering him by their numbers. + +Claw-like hands pried his set jaws apart. A cup of the cloudy white +liquid was pressed to his lips. He choked; then, unable to help +himself, he had to let the stuff pour down his throat. It had an +acid taste faintly reminiscent of lemons. The rat-men apparently +wanted to make sure of giving him enough, for they poured another +full cup of the liquid down his throat before releasing him. + +The guards then fell back and Powell stumbled to his feet. Joan was +already up again, standing close beside him. From the wry expression +upon her face, Powell knew that she had also been given the drugged +potion. + + * * * * * + +For a long minute the two stood there with every nerve trembling as +they helplessly waited for the paralyzing numbness to sweep over +their bodies. The seconds passed slowly, and still their minds +remained as clear as though the drug had been water. Another full +minute elapsed without effect, before they could finally convince +themselves of the amazing truth. + +The drugged drink of the rat-men, instantly paralyzing to those of +their own rodent race, was utterly harmless to the human being from +another world! + +Powell instantly realized the forlorn last chance their unexpected +immunity to the drug gave them. + +"Play 'possum, Joan!" he whispered tensely. "Then we'll make a +break for the king and those Belts!" + +Joan nodded slightly in quick understanding. Powell let his jaw drop +slack and open, and stiffened his body in imitation of the stupor +the rodent drug victims had shown. Joan promptly followed his lead. +The alertly watching guards relaxed their tense vigilance in obvious +relief. + +The guards waited another minute to be sure of the drug's effects. +Then, apparently satisfied, they stepped forward and unbound the two +prisoners. Powell let his bonds drop from him without making a +hostile move of any kind. He wanted first to wait until he was free +of the encircling guards. + +The rat-men maneuvered the two into position, and prodded them +forward toward the projecting point of rock. They obediently began +their march, simulating as best they could the wooden mechanical +gait of the drug victims. Powell saw from the corner of his eye that +Joan was tensely watching his face for a sign from him. + +As the captives reached the narrow projection the guards dropped a +couple of yards behind and halted to watch. It was the chance for +which Powell had been waiting. + +"Let's go!" he shouted to Joan. The girl, alert for his signal, was +right beside him as they wheeled and dashed at break-neck speed for +the rat-king and his sole lieutenant, some ten yards away. + + * * * * * + +They were upon the two startled rodent leaders before they even +realized what was happening. Powell swept the squirming old king up +in the air, tore the Silver Belts from about the monarch's +shoulders, and flung the creature sprawling and senseless at the +pit's edge. + +The lieutenant leaped for Powell's throat in a belated effort at +rescue, but Powell smashed a solid fist squarely into its snarling +face, and the brute collapsed with a broken neck. + +Snatching his gun-belt from the fallen rat-man, Powell crammed new +clips of ammunition into the two guns and wheeled to confront the +rest of the rat-men. The detachment of guards, demoralized by the +dazzling speed of the captives' sortie, were milling in obvious +uncertainty. + +Behind them the thousands of the main horde were chattering and +squealing in excited frenzy, dazed and bewildered by their king's +swift overthrow. The whole clearing was a seething mob of excited +beasts, stunned for the moment, but ready at any second to rally +from their shock and surge forward in a furious charge that would +sweep everything before it. + +Powell menaced the rat-men with levelled guns while Joan, with +fingers that shook from excitement and haste, quietly buckled one of +the Silver Belts around each of them. + +The guards rallied from their panic first. At a shrill command from +their leader, they began cautiously edging forward toward Joan and +Powell. The two gave ground slowly, working their way back over +toward the projecting tongue of rock. Out on the end of that narrow +strip, Powell knew that he could hold the horde at bay for a few +moments at least. + + * * * * * + +They reached the rocky projection, and began backing slowly and +carefully out toward its end. The guards, galvanized into action by +their captives' retreat, suddenly came surging forward in a furious +charge. + +Powell emptied the two automatics in a crashing volley that nearly +wiped out the charging guards. The few survivors turned and fled in +panic back to the main horde. Powell reloaded his clips with +feverish haste. + +The thousands of rat-men in the main horde were now milling in what +was apparently a last moment of hesitation before surging forward in +an irresistible stampede toward the beleaguered two out on the rocky +strip. + +Several bolder individuals at the edge of the horde edged a step +forward. Their example was followed by a hundred others. Another +hesitant step or two--and then the whole horde was in motion. + +Powell swept the front rank with a rain of lead from one of the +automatics, holding the other as a reserve. The heavy bullets plowed +murder into the close-packed furry bodies. The charge wavered +momentarily. Then Powell felt Joan tugging frantically at his arm. + +"Larry, the rocks under us are crumbling!" she cried. "We'll be +hurled down into the pit!" + +Even as she spoke, Powell felt the narrow strip of rock under them +quiver and settle. He looked quickly down. All along its length, the +narrow rocky projection, weakened by their weight, was breaking +swiftly away from the pit's edge. And on the floor of the pit below +them the two waiting Devil Crystals moved with musical, tinkling +sounds as they waited restlessly for their prey to fall among them. + +The horde of rat-men rallied and swept on forward in a wave that +nothing could have stopped this time--but their charge was too late. +The entire rocky projection collapsed with a final sickening lurch, +and slid to the pit's floor, carrying Joan and Powell with it in a +miniature avalanche of rocky rubble. + + * * * * * + +Even in the chaos of their wild descent, Powell retained his grip +upon the loaded automatic in his hand. They struck the bottom and +staggered half-dazed to their feet, to confront the two crystalline +monsters rocking on their rounded bases scarcely ten feet away. + +The fatal cone-shaped projection was already beginning to form upon +the silver-faceted side of the nearest Devil Crystal. Before the +lance-like arm of crystal could flash outward, Powell sent two +bullets crashing into the crystal's side just over the opalescent +nucleus. + +The leaden missiles caromed harmlessly off, as though they had +struck armor-plate, but the nucleus clouded momentarily and the +cone-shaped projection dissolved back into the side. + +With lightning speed Powell shifted his aim to the other crystal +just as its partly-formed arm was flashing toward them. His bullet +crashed into the silvery side squarely over the nucleus. Again the +bullet's effect was the same. This crystal nucleus clouded murkily, +and the lance-like arm telescoped back into the faceted bulk. + +But the effect of the bullets was only momentary. Swiftly the nuclei +of both crystals cleared. A deep blue film, apparently protective in +nature, formed between the outer wall and each nucleus. The cones +budded, and again the arms started forth. + +Powell fired again, and this time uselessly. His bullet struck +squarely, but the shock of its impact was apparently nullified by +the protective blue film. He emptied his gun in a last crashing +fusillade, but without effect of any kind upon the film-guarded +nuclei of the giant crystals. + +Their forming arms never wavered as they came lancing forward with +deadly accuracy straight toward Joan and Powell. In a last effort to +save Joan from the terrible doom of the crystal lances as long as +possible, Powell flung his own body as a shield in front of the +half-fainting girl. The tip of one of the crystalline arms struck +his chest with a crashing tinkle of musical glass. + +Instantly the tip sprayed into a web of fine filaments that laced on +around his body. A tinkling shock raced through his every nerve from +the contact with the weird life force of the great crystal. + +The arm began contracting. Powell was helpless against the terrific +power of the slender, diamond-hard lance of crystal. He felt himself +irresistibly drawn toward the silver-faceted wall of the Devil +Crystal. + +His senses reeled in the babel of alien sounds--the crashing, +glass-like music of the crystalline monsters and the snarling, +squealing, paean of jubilant triumph from the thousands of rat-men +now lining the rim of the pit above. + + * * * * * + +Then suddenly the pit, the Devil Crystals, and everything else in +the nightmare world of Arret was blotted out in a vast swirling +cloud of pulsing roseate flame that seemed to sweep him bodily up +into the air and whirl him dizzily around. + +His dazed brain staggered from the shock of the cataclysmic force +that was disintegrating an entire world around him, but through the +utter chaos one thought rang clear and exultant in his consciousness. + +Benjamin Marlowe had finally broadcast the recall wave! + +For what seemed endless eons of time Powell hurried through a +limitless universe of swirling, tinted fires, while vibrations of a +mighty force tingled with poignant ecstasy in every atom of his +body. + +Then the eddying clouds of flame began to coalesce and solidify with +startling suddenness. A moment later, like the abrupt lighting of a +room when an electric switch is snapped, the mists vanished and +Powell felt firm footing again under his feet. Around him were the +familiar objects of Benjamin Marlowe's laboratory. + +He was standing upon the floor-plate in the center of the area +bounded by the banked green tubes, and beside him stood Joan, +sobbing with relief at their last-minute rescue from the Devil +Crystals of Arret. And over by the control panel of the recall +mechanism was the slight figure of old Benjamin Marlowe, with a +great joy now shining in his faded eyes. + + + + + +End of the Project Gutenberg EBook of Devil Crystals of Arret, by Hal K. Wells + +*** END OF THIS PROJECT GUTENBERG EBOOK DEVIL CRYSTALS OF ARRET *** + +***** This file should be named 28628.txt or 28628.zip ***** +This and all associated files of various formats will be found in: + https://www.gutenberg.org/2/8/6/2/28628/ + +Produced by Greg Weeks, Barbara Tozier and the Online +Distributed Proofreading Team at https://www.pgdp.net + + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution. + + + +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase "Project +Gutenberg"), you agree to comply with all the terms of the Full Project +Gutenberg-tm License (available with this file or online at +https://gutenberg.org/license). + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. "Project Gutenberg" is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" +or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase "Project Gutenberg" appears, or with which the phrase "Project +Gutenberg" is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase "Project Gutenberg" associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +"Plain Vanilla ASCII" or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.org), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original "Plain Vanilla ASCII" or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, "Information about donations to + the Project Gutenberg Literary Archive Foundation." + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +"Defects," such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right +of Replacement or Refund" described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need are critical to reaching Project Gutenberg-tm's +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation web page at https://www.pglaf.org. + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation's EIN or federal tax identification +number is 64-6221541. Its 501(c)(3) letter is posted at +https://pglaf.org/fundraising. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state's laws. + +The Foundation's principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at +809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email +business@pglaf.org. Email contact links and up to date contact +information can be found at the Foundation's web site and official +page at https://pglaf.org + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit https://pglaf.org + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including including checks, online payments and credit card +donations. To donate, please visit: https://pglaf.org/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart was the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For thirty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + + +Most people start at our Web site which has the main PG search facility: + + https://www.gutenberg.org + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. |
