summaryrefslogtreecommitdiff
path: root/28984-8.txt
diff options
context:
space:
mode:
Diffstat (limited to '28984-8.txt')
-rw-r--r--28984-8.txt2704
1 files changed, 2704 insertions, 0 deletions
diff --git a/28984-8.txt b/28984-8.txt
new file mode 100644
index 0000000..e475c66
--- /dev/null
+++ b/28984-8.txt
@@ -0,0 +1,2704 @@
+Project Gutenberg's Harper's Young People, June 8, 1880, by Various
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Harper's Young People, June 8, 1880
+ An Illustrated Weekly
+
+Author: Various
+
+Release Date: May 29, 2009 [EBook #28984]
+
+Language: English
+
+Character set encoding: ISO-8859-1
+
+*** START OF THIS PROJECT GUTENBERG EBOOK HARPER'S YOUNG PEOPLE, JUNE 8, 1880 ***
+
+
+
+
+Produced by Annie McGuire
+
+
+
+
+
+
+
+
+[Illustration: HARPER'S
+
+YOUNG PEOPLE
+
+AN ILLUSTRATED WEEKLY.]
+
+ * * * * *
+
+VOL. I.--NO. 32. PUBLISHED BY HARPER & BROTHERS, NEW YORK. PRICE FOUR
+CENTS.
+
+Tuesday, June 8, 1880. Copyright, 1880, by HARPER & BROTHERS. $1.50 per
+Year, in Advance.
+
+ * * * * *
+
+
+
+
+[Illustration: "THE TIDE WAS AGAINST THEM."]
+
+[Begun in YOUNG PEOPLE No. 31, June 1.]
+
+THE MORAL PIRATES.
+
+BY WM. L. ALDEN.
+
+
+CHAPTER II.
+
+When Uncle John announced that the Department was satisfied with the
+ability of the captain and crew to manage the _Whitewing_, the day for
+sailing was fixed, and the boys laid in their stores. Each one had a
+fishing-line and hooks, and Harry and Tom each took a fishing-pole--two
+poles being as many as were needed, since most of the fishing would
+probably be done with drop-lines. Uncle John lent Harry his
+double-barrelled gun, and a supply of ammunition. Each boy took a tin
+plate, a tin cup, knife, fork, and spoon. For cooking purposes, the boat
+carried a coffee-pot, two tin cake-pans, which could be used as
+frying-pans as well as for other purposes, and two small tin pails.
+Harry's mother lent him several large round tin boxes, in which were
+stored four pounds of coffee, two pounds of sugar, a pound of Indian
+meal, a large quantity of crackers, some salt, and a little pepper. The
+rest of the provisions consisted of two cans of soup, two cans of corned
+beef, a can of roast beef, two small cans of devilled chicken, four cans
+of fresh peaches, a little package of condensed beef for making beef
+tea, and a cold boiled ham. The boat was furnished with an A tent, four
+rubber blankets and four woollen blankets, a hatchet, a quantity of
+spare cordage, a little bull's-eye lantern, which burnt olive-oil, and
+a few copper nails, a pair of pliers, a small piece of zinc, a little
+white lead, for mending a leak. Of course there was a bottle of oil for
+the lantern; and Mrs. Schuyler added a box of pills and a bottle of
+"Hamlin's Mixture" as medical stores. The boys wore blue flannel
+trousers and shirts, and each one carried an extra pair of trousers, and
+an extra shirt instead of a coat. These, with a few pairs of stockings
+and two or three handkerchiefs, were all the clothing that they needed,
+so Uncle John said; though the boys had imagined that they must take at
+least two complete suits. He showed them that two flannel shirts worn at
+the same time, one over the other, would be as warm as one shirt and a
+coat, and that if their clothing became wet, it could be easily dried.
+"Flannel and the compass are the two things that are indispensable to
+navigation," said Uncle John. "If flannel shirts had not been invented,
+Columbus would never have crossed the Atlantic." Perhaps there was a
+little exaggeration in this; but when we remember that flannel is the
+only material that is warm in cold weather and cool in hot weather, and
+that dries almost as soon as it is wrung out and hung in the wind, it is
+difficult to see how sailors could do without it.
+
+The boys agreed very readily to take with them only what Uncle John
+advised. Tom Schuyler, however, was very anxious to take a heavy iron
+vise, which, he said, could be screwed on the gunwale of the boat, and
+might prove to be very useful, although he could not say precisely what
+he expected to use it for. Joe Sharpe also wanted to take a base-ball
+and bat, but neither the vise nor the ball and bat were taken.
+
+The _Whitewing_ started from the foot of East
+One-hundred-and-twenty-seventh Street on a Monday morning in the middle
+of July, at about nine o'clock. Quite a small crowd of friends were
+present to see the boys off, and the neat appearance of the boat and her
+crew attracted the attention of all the idlers along the shore. When all
+the cargo was stowed, and everything was ready, Uncle John called the
+boys aside, and said, "Now, boys, you must sign the articles."
+
+"What are articles?" asked all the boys at once.
+
+"They are certain regulations which every respectable pirate, or any
+other sailor, for that matter, must agree to keep when he joins a ship.
+I'll read the articles, and if any of you don't like any one of them,
+say so frankly, for you must not begin a cruise in a dissatisfied state
+of mind. Here are the articles:
+
+"'I. _We, the captain and crew of the_ Whitewing, _promise to decide all
+disputed questions by the vote of the majority, except questions
+concerning the management of the boat. The orders of the captain, in all
+matters connected with the management of the boat, shall be promptly
+obeyed by the crew_.'
+
+"Now if anybody thinks that the captain should not have the full control
+of the boat, let him say so at once. Very likely the captain will make
+mistakes; but the boat will be safer, even if the crew obeys a wrong
+order, than it would be if every order should be debated by the crew.
+You can't hold town-meetings when you are afloat. Harry, I think,
+understands pretty well how to sail the boat. Will you agree to obey his
+orders?"
+
+All the boys said they would; and Joe Sharpe added that he thought the
+captain ought to have the right to put mutineers in irons.
+
+"That, let us hope, will not be necessary," said Uncle John. "Now listen
+to the second article:
+
+"'II. _We promise not to take corn, apples, or other property without
+permission of the owner._'
+
+"You will very likely camp near some field where corn, or potatoes, or
+something eatable, is growing. Many people think there is no harm in
+taking a few ears of corn or half a dozen apples. I want you to remember
+that to take anything that is not your own, unless you have permission
+to do so, is stealing. It's an ugly word, but it can't be smoothed over
+in any way. Do you object to this article?"
+
+Nobody objected to it. "We're moral pirates, Uncle John," said Tom
+Schuyler, "and we won't disgrace the Department by stealing."
+
+"I knew you would not except through thoughtlessness. Now these are all
+the articles. I did think of asking you not to quarrel, or to use bad
+language; but I don't believe it is necessary to ask you to make such a
+promise, and if it were, you probably would not keep it. So sign the
+articles, give them to the captain, and take your stations."
+
+The articles were signed. The captain seated himself in the
+stern-sheets, and took the yoke lines. The rest took their proper
+places, and Joe Sharpe held the boat to the dock by the boat-hook. "Are
+you all ready?" cried Uncle John.
+
+"All ready, sir!" answered Harry.
+
+"Then give way with your oars! Good-by, boys, and don't forget to send
+reports to the Department."
+
+The boat glided away from the shore with Tom and Jim each pulling a
+single oar. The group on the wharf gave the boys a farewell cheer, and
+in a few moments they were hid from sight by the Third Avenue Bridge.
+The tide was against them, but the day was a cool one for the season,
+and the boys rowed steadily on in the very best of spirits. There was a
+light south wind, but as there were several bridges to pass, Harry
+thought it best not to set the sail before reaching the Hudson River. It
+required careful steering to avoid the steamboats, bridge piles, and
+small boats; but the _Whitewing_ was guided safely, and her signal--a
+red flag with a white cross--floated gayly at the bow.
+
+Uncle John had made one serious mistake: he had forgotten all about the
+tide, and never thought of the difficulty the boys would find in passing
+Farmers-bridge with the tide against them. They had passed High Bridge,
+and had entered a part of the river with which the boys were not
+familiar, when Joe Sharpe suddenly called out, "There's a low bridge
+right ahead that we can't pass." A few more strokes of the oars enabled
+Harry to see a long low bridge, which completely blocked up the river
+except at one place, that seemed not much wider than the boat. Through
+this narrow channel the tide was rushing fiercely, the water heaping
+itself up in waves that looked unpleasantly high and rough. The boat was
+rowed as close as possible to the opening under the bridge; but the
+current was so strong that the boys could not row against it, and even
+if they had been able to stem it, the channel was too narrow to permit
+them to use the oars.
+
+Harry ordered the boat to be rowed up to the bridge at a place where
+there was a quiet eddy, and all the crew went ashore to contrive some
+way of overcoming the difficulty. Presently Harry thought of a plan. "If
+we could get the painter under the bridge, we could pull the boat
+through easy enough if there was nobody in her."
+
+"That's all very well," said Joe, "but how are you going to get the
+painter through?"
+
+"I know," cried Jim. "Let's take a long piece of rope and drop it in the
+water the other side of the bridge. The current will float it through,
+and we can catch it and tie it to the painter."
+
+The plan seemed a good one; and so the boys took a piece of spare rope
+from the boat, tied a bit of board to one end of it for a float, dropped
+the float into the water, and held on to the other end of the rope. When
+the float came in sight below the bridge they caught it with the
+boat-hook, and throwing away the piece of board, tied the rope to the
+painter. "Now let Joe Sharpe get in the bow of the boat, to keep her
+from running against anything, and we'll haul her right through,"
+exclaimed Harry.
+
+Joe took his place in the bow, and pushing the boat off, let her float
+into the current. Then the three other boys pulled on the rope, and
+were delighted to see the boat glide under the bridge. Suddenly Joe gave
+a wild yell. "She's sinking, boys!" he cried: "let go the rope, or I'll
+be drowned!" The boys, terribly frightened, dropped the rope, and in
+another minute the boat floated back on the current, half full of water,
+and without Joe. Almost as soon as it came in sight, Harry had thrown
+off his shoes and jumped into the river.
+
+[TO BE CONTINUED.]
+
+
+
+
+MR. MARTIN'S GAME.
+
+BY JIMMY BROWN.
+
+
+What if he is a great deal older than I am! that doesn't giv him any
+right to rumple my hair, does it? I'm willing to respect old age, of
+course, but I want my hair respected too.
+
+But rumpling hair isn't enough for Mr. Martin; he must call me "Bub,"
+and "Sonny." I might stand "Sonny," but I won't stand being called "Bub"
+by any living man--not if I can help it. I've told him three or four
+times, "My name isn't 'Bub,' Mr. Martin. My name's Jim, or Jimmy," but
+he would just grin in an exhausperating kind of way, and keep on calling
+me "Bub."
+
+My sister Sue doesn't like him any better than I do. He comes to see her
+about twice a week, and I've heard her say, "Goodness me, there's that
+tiresome old bachelor again." But she treats him just as polite as she
+does anybody; and when he brings her candy, she says, "Oh, Mr. Martin,
+you are _too_ good." There's a great deal of make-believe about girls, I
+think.
+
+Now that I've mentioned candy, I will say that he might pass it around,
+but he never thinks of such a thing. Mr. Travers, who is the best of all
+Sue's beaux, always brings candy with him, and gives me a lot. Then he
+generally gives me a quarter to go to the post-office for him, because
+he forgot to go, and expects something very important. It takes an hour
+to go to the post-office and back, but I'd do anything for such a nice
+man.
+
+One night--it was Mr. Travers's regular night--Mr. Martin came, and
+wasn't Sue mad! She knew Mr. Travers would come in about half an hour,
+and she always made it a rule to keep her young men separate.
+
+She sent down word that she was busy, and would be down stairs after a
+while. Would Mr. Martin please sit down and wait. So he sat down on the
+front piazza and waited.
+
+I was sitting on the grass, practicing mumble-te-peg a little, and
+by-and-by Mr. Martin says, "Well, Bub, what are you doing?"
+
+"Playing a game," says I. "Want to learn it?"
+
+"Well, I don't care if I do," says he. So he came out, and sat in the
+grass, and I showed him how to play.
+
+Just then Mr. Travers arrived, and Sue came down, and was awfully glad
+to see both her friends. "But what in the world are you doing," she says
+to Mr. Martin. When she heard that he was learning the game, she said,
+"How interesting, do play one game."
+
+Mr. Martin finally said he would. So we played a game, and I let him
+beat me very easy. He laughed fit to kill himself when I drew the peg,
+and said it was the best game he ever played.
+
+"Is there any game you play any better than this, Sonny?" said he, in
+his most irragravating style.
+
+"Let's have another game," said I. "Only you must promise to draw the
+peg fair, if I beat you."
+
+"All right," said he. "I'll draw the peg if you beat me, Bub."
+
+Oh, he felt so sure he was a first-class player! I don't like a
+conceited man, no matter if he is only a boy.
+
+You can just imagine how quick I beat him. Why, I went right through to
+"both ears" without stopping, and the first time I threw the knife over
+my head it stuck in the ground.
+
+I cut a beautiful peg out of hard wood--one of those sharp, slender pegs
+that will go through anything but a stone. I drove it in clear out of
+sight, and Mr. Martin, says he, "Why, Sonny, nobody couldn't possibly
+draw that peg."
+
+"I've drawn worse pegs than that," said I. "You've got to clear away the
+earth with your chin and front teeth, and then you can draw it."
+
+"That is nonsense," says Mr. Martin, growing red in the face.
+
+"This is a fair and square game," says I, "and you gave your word to
+draw the peg if I beat you."
+
+"I do hope Mr. Martin will play fair," said Sue. "It would be too bad to
+cheat a little boy."
+
+So Mr. Martin laid down and tried it, but he didn't like it one bit.
+"See here, Jimmy," said he, "I'll give you half a dollar, and we'll
+consider the peg drawn."
+
+"That is bribery and corruption," said I. "Mr. Martin, I can't be
+bribed, and didn't think you'd try to hire me to let you break your
+promise."
+
+When he saw I wouldn't let up on him, he laid down again and went to
+work.
+
+It was the best fun I ever knew. I just rolled on the ground and laughed
+till I cried. Sue and Mr. Travers didn't roll, but they laughed till Sue
+got up and ran into the house, where I could hear her screaming on the
+front-parlor sofa, and mother crying out, "My darling child, where does
+it hurt you, won't you have the doctor, Jane do bring the camphor."
+
+Mr. Martin gnawed away at the earth, and used swear-words to himself,
+and was perfectly raging. After a while he got the peg, and then he got
+up with his face about the color of a flower-pot, and put on his hat,
+and went out of the front gate rubbing his face with his handkerchief,
+and never so much as saying good-night. He didn't come near the house
+again for two weeks.
+
+Mr. Travers gave me a half-dollar to go to the post-office to make up
+for the one I had refused, and told me that I had displayed roaming
+virtue, though I don't know exactly what he meant.
+
+He looked over this story, and corrected the spelling for me, and told
+me to send it to the YOUNG PEOPLE. Only it is to be a secret that he
+helped me. I'd do almost anything for him, and I'm going to ask Sue to
+marry him just to please me.
+
+
+
+
+A CHAT ABOUT PHILATELY.
+
+BY J. J. CASEY.
+
+
+Philately? What is that?
+
+Many years ago, beyond the longest recollection of the oldest of the
+young people, a school-teacher in Paris (so one story goes) advised her
+pupils to get specimens of different postage stamps, in order the better
+to study their geography. There was a general searching among old
+letters to secure these little bits of bright-colored papers. Parents
+and friends were asked to save the stamps from their letters; strangers
+at the post-office were pounced upon, the moment they received their
+letters, for the stamps; and from this little beginning sprang
+stamp-collecting.
+
+At first it was limited to boys and girls; but the older people, seeing
+the interest excited over these little pictures, and led on by their
+endeavors to please their young acquaintances, began themselves taking
+an interest in the things. From a pleasure it gradually became a study,
+and a most fascinating one; and soon there were no more enthusiastic
+collectors than the people advanced in years, wealth, position, and
+social, literary, and scientific attainments. And to-day many great
+people turn with pleasure from the cares of their life to the pages of
+their stamp albums, to look over the numerous evidences of the growth
+of the postal system, or to help some young friend in the filling up of
+a modest little blank-book.
+
+In spite of the ridicule which has been heaped upon the collector of
+stamps, the interest in stamp-collecting is as great to-day as it was a
+dozen years ago, and from Prince Edward Island to Australia will be
+found stamp "merchants," as they delight to call themselves, stamp
+papers, and stamp agencies, to supply the continually increasing demands
+of young and old collectors. Societies exist in several countries, at
+the meetings of which most learned papers are read to show the why and
+the wherefore of this or that stamp, and even the government at
+Montevideo has authorized a stamp society, lately established there, to
+use a private postal card.
+
+This pursuit of stamp collecting is called Philately, from two Greek
+words, which have been translated "the love of stamps," and those who
+engage in the pleasure or the pursuit are pleased to call themselves
+Philatelists.
+
+This little "chat" shall be closed by a reference to the illustrations
+of some curious or interesting stamps, and a notice of stamps that have
+been issued during the past few months.
+
+[Illustration: FIG. 1.]
+
+Fig. 1 is one of the series of United States stamps for postage on large
+packages of newspapers and periodicals, and represents a value of
+forty-eight dollars. There is a higher value of sixty dollars. These
+stamps are perfect gems, and are among the most beautiful in the world.
+
+[Illustration: FIG. 2.]
+
+Fig. 2 represents one of the stamps in use to-day in Japan. It is only
+necessary to compare a specimen of this issue with the first stamps used
+in Japan to see how rapidly the Japanese acquire every modern
+improvement.
+
+[Illustration: FIG. 3.]
+
+Fig. 3 is one of the current Guatemala stamps, printed in Paris, which
+found their way to collectors before they were delivered to the
+government. The thick black line on either side is a bird's tail--the
+quezal, or national bird, one of the most beautiful on this continent.
+
+[Illustration: FIG. 4.]
+
+[Illustration: FIG. 5.]
+
+Figs. 4 and 5 represent stamps used in two of the native states of
+India. The native stamps of India, ugly as many of them are, are among
+the most interesting found in the collector's album, and quite difficult
+to obtain.
+
+[Illustration: FIG. 6.]
+
+Fig. 6 is one from the South African Republic, or the Transvaal, lately
+seized by England.
+
+Some of the newest issues are:
+
+ ANTIGUA.--A new value, 4_d_., blue; and a postal card, 1-1/2_d_.,
+ red-brown on buff.
+
+ CAPE OF GOOD HOPE.--The 4_d_., blue, surcharged in red above,
+ "Three Pence."
+
+ DOMINICA.--New values of 1/2_d_., yellow; 2-1/2_d_., brown; 4_d_.,
+ blue; and a postal card of 1-1/2_d_., red-brown.
+
+ DANISH WEST INDIES.--A new value, 50_c_., same type as current
+ series, in mauve.
+
+ GOLD COAST.--Stamps of 1/2_d_., golden yellow, and 2_d_., green;
+ and card of 1-1/2_d_., red-brown.
+
+ GREAT BRITAIN.--The 2-1/2_d_. stamp is printed in blue, and the
+ 2_s_. changes from blue to red-brown.
+
+ MONTSERRAT.--New stamps of 2-1/2_d_., red-brown, and 4_d_., blue;
+ and postal card of 1-1/2_d_., red-brown.
+
+ NEVIS.--New stamps of 2-1/2_d_., red-brown, and 4_d_., blue; and
+ postal card of 1-1/2_d_., red-brown.
+
+ PERU.--A new series of stamps is in preparation, but for the
+ present the authorities surcharge the current stamp with the
+ words, "Union Postale Universelle" and "Plata," in an oval. The
+ 1_c_. changes its color to green, the 2_c_. to carmine, and the
+ 20_c_. is suppressed.
+
+ ROUMELIA.--This province of Turkey begins its stamp history with a
+ postal card of the value of 10 paras, as expressed on the face,
+ but in reality of 15 paras, at which it is sold.
+
+
+
+
+BUTTERFLIES AND BEES.
+
+
+ Butterflies are merry things,
+ Gayly painted are their wings,
+ And they never carry stings.
+ Bees are grave and busy things,
+ Gold their jackets, brown their wings,
+ And _they always_ carry stings.
+ Yet--isn't it extremely funny?--
+ Bees, not butterflies, make honey.
+
+
+
+
+[Illustration: GATHERING THE WATER-CRESSES.]
+
+AN APRONFUL OF WATER-CRESSES.
+
+BY MARGARET EYTINGE.
+
+
+Cissy Mount came down to the gurgling, sparkling little brook at the
+foot of the hill, where Frank Hillborn and his brother Dave were
+gathering water-cresses.
+
+"I'm going to Fairview, Frank," she said, "and came to ask you if you
+would look in on mother by-and-by, and see if she needs anything."
+
+"Of course I will," said Frank. "But you're not going to walk to
+Fairview, Cissy? That's a long tramp for a girl."
+
+"Yes, I am," she replied. "There's no other way I can go. Nobody that I
+know ever drives down there. Mother wants me to try and get her some
+sewing to do. You know there are five or six big stores there, and
+mother can sew and knit beautifully. I wish I had time to pick some wild
+flowers to take with me. Town-people like wild flowers."
+
+"A good many of them like something fresh and green to eat better than
+they do wild flowers," said Frank; "so you just take along some of these
+water-cresses. Aren't they beauties? They're the first we've gathered
+this spring, and I hope they'll bring you luck."
+
+"But I have no basket," said Cissy.
+
+"Carry them in your apron. They won't hurt;" and as she held it up, he
+heaped it full of moist green bunches.
+
+"That's just like you, Frank Hillborn," said Dave, when the girl had
+gone. "What's the good of our owning the only water-cress brook for
+miles if you're going to give 'em away to everybody that comes along?"
+
+"Everybody that comes along?" repeated Frank, with a cheery laugh. "I've
+only given a basketful to Ezra Lee--he lent us his fishing-line when we
+lost ours--and an apronful to Cissy Mount. Poor Cissy! Guess there's
+hard times at her house since her father was killed on the railroad and
+her mother got lame. And you know she's going to ask for work, and it
+most always puts folks in good-humor if you carry 'em something nice."
+
+"All right," said Dave; "but don't you give away any more, for we want
+to make five dollars out of 'em this season, anyhow."
+
+Cissy Mount walked bravely on mile after mile, until half of her
+journey had been accomplished. Then she stopped and looked around for a
+place where she might rest awhile. A pleasant little lane, on either
+side of which stood a row of tall cedar-trees, branched off from the
+main road. Into this lane she turned, and sat down on the grass near the
+side gate of a fine garden. And as she sat there peeping through a hole
+in the hedge at some lovely beds of hyacinths and tulips, radiant in the
+sunshine, a queer-looking little old gentleman, with no hat on, but
+having a wonderful quantity of brown hair, came scolding down the garden
+path, followed by a man carrying a camp-chair. The old gentleman as he
+talked grew more and more excited, and at last, to Cissy's great
+astonishment, grasped the abundant brown locks, lifted them completely
+off his head, waved them in the air an instant, and then gravely
+replaced them. As he came near, the child could hear what he was saying:
+"I sent word from Europe when this place was bought that if there were
+no water-cress stream upon it, one was to be made at once. That's a year
+ago."
+
+"Beg pardon, sir," said the man, humbly, "but I did my best, sir. It
+isn't my fault, sir. Sometimes you can't _make_ water-cresses grow, all
+you can do, sir."
+
+"And what's to be done with the puddle--for it's nothing but a puddle,
+though a big one--that you've disfigured my grounds with?" asked the old
+gentleman.
+
+"Miss Grace says it will be a capital place for raising water-lilies,
+sir," said the man.
+
+"Oh, indeed! Very fine. But I can't eat water-lilies. There's no pepper
+about them, and it's the pepper I want."
+
+"Perhaps I can find some cresses for sale somewhere near, sir. Shall I
+go and look, sir?"
+
+"No," snarled the master. "By the time you came back with them, if you
+got them, ten chances to one I shouldn't want them. When I want things,
+I want them at once. Yes, I'd give five dollars for some fresh
+water-cresses this very minute;" and he again seized his wig and
+flourished it in the air.
+
+With trembling fingers Cissy opened the gate, and walked in. The
+servant-man placed the camp-chair on the ground. The old gentleman sat
+down in it, first hanging his hair on the back, leaving his head as
+smooth and shining as an ivory ball, looked at the intruder with keen
+black eyes, and asked, sharply, "Well, what do _you_ want?"
+
+"To give you these water-cresses," she said, with a smile, holding up
+her apron. "They were gathered only a short time ago, and my apron's
+quite clean, sir."
+
+"Bless me!" exclaimed the old gentleman, "what a wonderful coincidence!
+and"--taking a bunch and beginning to eat them--"what fine
+water-cresses! And I suppose you expect that five dollars, for of course
+you heard what I said."
+
+"No, sir," said Cissy, shyly, "I never thought of the money. I know you
+only said that as people often say things. I'm glad to give them to you,
+sir, because you wanted them so much."
+
+The old gentleman burst into a loud laugh, put on his wig, and asked her
+name. And then by degrees he got the whole story from her--the death of
+the father, the accident that lamed the mother, the gift of the cresses
+from Frank Hillborn, and the five miles yet to go in search of work.
+"And what was your mother's name before she was married?" was his last
+question.
+
+"Prudence Kelly, sir."
+
+"Prudence Kelly! I knew it!" he shouted, springing from his chair. And
+then, in a still louder voice, he called, "Grace! Grace!" and a pretty
+young lady came running toward him. "I've found your old nurse, my dear,
+your faithful old nurse that we have lost sight of for years. This is
+her daughter. And she is in want. Take the carriage and go to her at
+once. What a blessing that I got up in a scolding humor this morning,
+and wanted water-cresses! Go with Grace, Cecilia my child, and when you
+get home, give this five-dollar bill to your friend Frank, and tell him
+it isn't the first time a little act of kindness has brought luck."
+
+
+
+
+[Begun in HARPER'S YOUNG PEOPLE No. 24, April 13.]
+
+THE STORY OF GEORGE WASHINGTON.
+
+BY EDWARD CARY.
+
+
+CHAPTER IX.
+
+Very soon after General Washington was elected President a war broke out
+between France and England. It was natural that people in this country
+should wish to help the French, who had helped us. But General
+Washington saw that if we once got in the way of taking a part in wars
+between other countries, where our own rights were not in danger, we
+should always be at war. He saw, too, that we were a small nation then,
+compared to the nations of Europe, and that we might easily lose the
+freedom we had fought so long for. He dreaded to put our freedom in
+danger unless compelled to. So he issued an order to the people, as he
+had a right to do, not to take part with one nation or the other, but to
+mind their own business.
+
+This was wise, because the British government was only too ready to pick
+a quarrel with us. General Washington also went further. He made a
+treaty of peace and commerce with Great Britain, which kept war from our
+shores for twenty years, and gave the country a chance to grow. The
+people did not like this treaty much. There was a great deal of
+ill-feeling toward Great Britain, growing out of the long fight we had
+had with her. But General Washington, who was ready to fight for real
+rights, felt that it was wrong to get into a quarrel from mere angry
+feeling. He was very anxious to keep the two countries at peace until
+their people could get calm, and go to trading with each other, and
+learn to live together in friendship. Surely this was both sensible and
+good. It was fortunate for the country that a man was at the head of its
+government wise enough to see what was right, and firm enough to do it.
+
+Just at the time Washington was elected President, the French people
+rose against their government, which had many faults, and drove away
+many of their rulers, and cut off their King's head. Among the leaders
+was Lafayette, who, however, was no party to the cruelties which were
+practiced. The other kings of Europe undertook to restore the King of
+France to power, and in the war which followed Lafayette was taken
+prisoner and closely confined. His wife wrote to Washington, asking him
+to try and get Lafayette released. Washington gladly did all that he
+could, but it was of no use. However, he sent money to Madame Lafayette,
+for her property had been taken away, and he brought over to this
+country one of Lafayette's sons, and took him into his family, and cared
+for him as if he were his own. The boy was named after Washington, and
+always remembered the President's kindness with thankfulness.
+
+When the first term of four years for which Washington was elected came
+to an end, he was chosen again, without a single vote against him,
+though he was very anxious to go back to private life.
+
+Finally, at the end of his second term, when he had been eight years
+President, he refused to serve any longer. Just as he had written a
+farewell address to his soldiers, after being eight years in command, he
+now wrote a farewell address to the American people. I hope all my young
+readers will read it as soon as they are old enough to understand it. It
+is written in a quaint and somewhat stiff style, for Washington always
+found it easier to act than to talk or write; but it is full of wisdom.
+Even now, eighty-four years after it was written, there is much in it
+which we ought to remember and try to carry out.
+
+It was the spring of 1797 when Washington gave up the President's
+office, and returned to Mount Vernon. He had visited his beloved home
+frequently during his Presidency, and had kept a very careful watch over
+it in his absence. Again he took up with great delight the old round of
+peaceful duties. Every day he was up before the sun. Every day he was in
+the saddle, riding over his large farms, watching his laborers and his
+crops, planning changes and directing work. In the evening he saw much
+company--many, indeed, who had little claim on him, who came from idle
+curiosity, and wearied him with their presence. But he was always
+courteous. He enjoyed the society of his family and friends very keenly.
+He had no children of his own, but he had reared first the children, and
+afterward two of the grandchildren, of his wife in his home. He took
+great pleasure with them, and was as merry as he was loving. He hoped to
+live the remainder of his days in quiet in this circle.
+
+[TO BE CONTINUED.]
+
+
+
+
+LITTLE FATIMA.
+
+BY SARA KEABLES HUNT.
+
+
+It was a beautiful Oriental picture, and I paused in my walk along the
+banks of the Nile to sketch her, that dark-eyed Arab girl, as she half
+reclined in the sand, the western sunlight flickering through the green
+boughs of a clump of palms, and falling upon the upturned face and
+purplish braids with their glitter of gold coins. In the background were
+a few broken columns, relic of some past grandeur, and at a little
+distance a camel crouched in the sand, gazing as mournfully as the
+Sphynx across the desert. The flowing Eastern dress of the child was
+pushed back from one beautifully rounded arm, but the other was
+concealed, as if she had tried to hide it from even the sunlight. It was
+crippled and pitifully deformed.
+
+Poor little Fatima! I knew her sensitive spirit, and I put my pencil out
+of sight as I came nearer, for I saw on her face the shadow of a
+restless discontent. She smiled as she bade me welcome, but it was a sad
+smile, and changed to tears as she spoke.
+
+"I am of no use," she said in Arabic. "If I were a boy, they would care
+for me; but a girl! They scorn me and my disfigured arm. I can never do
+any good in the world; never, never. And, oh, lady, there is a soul
+within me that longs to do something for somebody! I want to accomplish
+something; not to sit here day after day making figures in the sand,
+only to see them drift back again into a dull level. But I shall live in
+vain. What can I do with this poor crippled arm?"
+
+It was a difficult task to soothe her; but I think, after awhile, she
+felt that the great Allah had done all things well, and peace crept over
+her tired little heart.
+
+"But, dear child," I said, as I left her, "it may be that you can do
+more good with your one arm than I ever can with my two. We do not know
+what may happen."
+
+And so I went home to my little cottage, taking the field path instead
+of the railroad track, as I usually did. When I reached the house, and
+called for my little girl-baby, who often came toddling out to meet me,
+all was silent, and in answer to my inquiries the nurse said she had
+just gone down the track a little way to meet me.
+
+"Down the track! Oh, the train! the train! It's time for the train! Why
+do you stand here idle? Call Hassan and Mahomet. Run, and save her!"
+
+I rushed wildly along the embankment. How plain it all is to me now,
+even to the bits of pottery gleaming in the sand, and the distant echo
+of an Arab's song as it floated over the hills! I saw the white dress
+of my darling far ahead, and stumbled on--how, I hardly knew. The train
+was coming! I could hear it plunging on; I could see the fearful light.
+Oh, if I might reach her!
+
+But who is that? Can it be Fatima? It is Fatima, waving her arms wildly
+as she speeds onward. She is on the bank! She is there! She grasps the
+child! And the train plunges past me with a wild glare; and there,
+before me, is my baby, my golden-haired baby, safe and unharmed, but
+Fatima lay dying on the iron rail. I clasped her to my heart, and called
+her name amid my sobs. She lifted the long, dark eyelashes, and smiled.
+"Allah be praised!" she murmured. Then in her weak, broken English she
+said:
+
+"Me do something wid dis poor arm; me die for you baby!" She fell back
+in my arms; and so we carried her to my home, white and insensible.
+
+But she did not die. The deformed arm had to be severed from the
+shoulder, but her life was saved; and to-day, surrounded by all that
+grateful hearts can give, she is one of the happiest little creatures on
+the banks of the Nile.
+
+
+
+
+A ST. ULRIC DOLL.
+
+BY THE AUTHOR OF "THE CATSKILL FAIRIES."
+
+
+The steam-ship _Columbine_ was crossing the ocean from Liverpool to New
+York. On the deck the passengers walked about, looking at the sea and
+sky. Occasionally they saw a flock of gulls circling about overhead, or
+a shoal of dolphins leaping up in the blue waves. Among these passengers
+was the shy gentleman. Now the shy gentleman was tall and large, with a
+full brown beard, which should have made him quite bold, but he was not.
+If a stranger spoke to him, he blushed, and if he tried to say something
+really wise, he merely stammered, so that his meaning was lost. As for
+tea-cups and wine-glasses, he always broke them with his elbow, or by
+allowing them to slip through his big fingers, while chairs and little
+tables seemed placed in his way for the sole purpose of his tumbling
+over them.
+
+In his cabin was his portmanteau, filled with all sorts of treasures. A
+Paris doll and her wardrobe were given the place of honor. The beautiful
+blonde hair of this fashionable lady must not be disarranged, and the
+boxes containing her dresses and gloves, her boots, mantles, and
+parasols, required much space. She was a very important person. In a
+corner was wedged the case of one of those mechanical bears covered with
+black fur, and wound up by means of a key in his side. In the opposite
+corner were the Venetian lion of St. Mark, made of brass, trinkets of
+straw and glass, and a little Neapolitan boy in mosaic on the lid of a
+box. The St. Ulric doll, folded in a bit of tissue-paper, had been
+allowed to fall down anywhere. She was made of a single stick of wood,
+with a head carved on top, but without arms or legs, like the Italian
+babies, who are wound about with cloths until they resemble little
+mummies.
+
+She remained quietly where she had been placed, between a flannel
+waistcoat and a pair of stockings, with her head resting on a meerschaum
+pipe. She thought of her home, and sighed. Yes, she was homesick,
+because she loved her own land as only the Tyrolese and the Swiss love
+their native mountains.
+
+The shy gentleman had bought the St. Ulric doll at a booth under the
+stone archway of one of the streets of Botzen. He could not carry away
+with him the beautiful Austrian Tyrol, except as pictures in his own
+mind, and therefore he picked up the droll and ugly little St. Ulric
+doll.
+
+"When I give the doll to Nelly, I will tell her about the mountain peaks
+where the hunters climb to shoot the chamois and the black-cock, and the
+valleys down toward Italy where the grapes ripen, and all about the
+castles perched like watch-towers along the Brenner route," thought the
+shy gentleman, wrapping the purchase in the bit of tissue-paper. "I must
+not forget to add that this Brenner Pass, where the traveller of to-day
+journeys on the railway from Munich to Verona, is one of the oldest
+highways in the world; the Etruscan merchants used to pass here, trading
+in iron with the Northern nations, long before the Romans."
+
+One day a tremendous rattling was heard inside the case of the
+mechanical bear.
+
+"What is the matter? Are you seasick?" inquired the lion of St. Mark.
+
+"No," grumbled the mechanical bear. "I have been standing on my head too
+long, and if this voyage does not soon end, my machinery will be out of
+order. I shall growl at the wrong time."
+
+"We must be gifts for children. I hope they will like us," said the St.
+Ulric doll.
+
+"I hope we shall like _them_," said the French doll. "I come from a shop
+window on the Boulevard des Italiens. How can I live out of Paris!"
+
+Just then the lid of the portmanteau was lifted, and a Custom-house
+officer looked in. The steamer had reached New York.
+
+"Here he is, mamma!" cried a little girl, as a carriage paused before
+the door of a house on Gramercy Square.
+
+She had been looking out of the window. Now she ran down stairs, and
+opened the front door. Two gentlemen got out of the carriage; one was
+her uncle Fred, and the other a traveller with a brown beard, whose arms
+were full of mysterious parcels and boxes. This was the shy gentleman,
+and Nelly had always found him a good friend. Soon the parcels were
+distributed. The mosaic box was for mother, the brass lion for Uncle
+Fred, and all the rest for Nelly. She was wild with delight. The Paris
+doll fascinated her. All her friends were invited to admire the lady
+from the Boulevards. Nelly could not eat, or sleep, or study her
+lessons. She tried on all the dresses, gloves, bonnets, and shoes.
+
+The St. Ulric doll had been glanced at, laid on the table, and
+forgotten. At length Nelly wearied of so much splendor, and her mother
+found the Paris doll too fine for every-day play. Nelly noticed the St.
+Ulric doll then.
+
+"You have no clothes, poor thing," she said.
+
+She opened her own work-box, sought in a bag for a piece of blue
+flannel, and began to sew. Soon the St. Ulric doll was clothed. To be
+sure, her gown was like a bag tied about her neck.
+
+Nelly's mother, a pretty widow, said, "I did not know he loved me."
+
+Nelly whispered to the St. Ulric doll that her mother was to marry the
+shy gentleman.
+
+"I thought there was a good reason for bringing us across the sea," said
+the St. Ulric doll to the mechanical bear and the Paris lady.
+
+The latter was out of temper.
+
+"Already the little girl loves you best, because she has made your gown
+herself," she said.
+
+
+
+
+THE GRIZZLY BEAR.
+
+
+The grizzly bear is the most terrible of all beasts. Its great strength,
+its enormous size, its ferocity, and its courage render it a more
+formidable enemy than the lion. It ranges the westward-lying slopes of
+the Rocky Mountains from Mexico to British America, and is a constant
+terror to the regions it inhabits.
+
+The average length of the grizzly bear is about seven feet, and its
+weight nine hundred to a thousand pounds, although much larger specimens
+have been killed in Arizona and other Southern regions.
+
+Grizzlies do not often attack men unless surprised or infuriated, or
+driven by desperate hunger to seize upon everything which crosses their
+path; but all animals, from a mouse to an enormous buffalo, fall an
+easy prey to this monarch of the far West.
+
+[Illustration: GRIZZLY BEAR AND BUFFALOES.]
+
+The immense daring of the grizzly bear, and its entire confidence in its
+strength, are evident from the fact that it will not hesitate to attack
+buffaloes even when a whole herd are together. It has been known to kill
+a buffalo with one blow of its terrible fore-paw, and afterward to drag
+it away and bury it. It can easily dig a hole with its cimeter-like
+claws, and it usually buries what it can not devour, as a store to fall
+back upon when provisions are scarce.
+
+Hunters tell many stories of sharp contests between grizzlies and
+buffaloes. The bear will prowl by the side of a herd, keeping under
+cover of the bushes until some big fat fellow comes within easy reach,
+when it rushes on its victim, and with one blow fells it to the ground.
+The other buffaloes may rush to the rescue of their comrade, but the
+powerful grizzly is generally a match for them all, and instances are
+rare where the savage beast has been driven to crawl away defeated.
+
+The claws of this beast are longer than a man's finger, and are very
+much prized as ornaments by the Indians. To wear a necklace of bear's
+claws, taken from an animal killed by himself, is one of the highest
+ambitions of an Indian brave; for if he is thus decorated, his courage
+and superior strength are acknowledged by his whole tribe. An Indian
+will sell his horses, his blankets, everything he possesses, but nothing
+can induce him to part with his bear-claw necklace, which marks him as
+an invincible warrior. To obtain this coveted prize Indians will run the
+most extreme risks. Are the enormous foot-prints of a grizzly discovered
+in the vicinity of the camp, the men all set out in hot pursuit, and
+many a poor Indian has lost his life in fierce encounter with this
+monarch of the mountains. If the bear can be traced to its den among the
+rocks, the Indians will lay trails of powder leading from the lair in
+different directions, which, as they burn, set fire to the dry grass and
+stubble. As the animal, startled by the smoke and flame, rushes from its
+hiding-place, the Indians, who lie concealed behind rocks and bushes,
+pelt it with blazing pine knots, and fire volley after volley from their
+rifles into its body, until some lucky shot enters the heart or brain,
+and the monster staggers and falls dead to the ground.
+
+This beast has a strong hold on life, and has often been known to run
+with great speed, and even to swim deep rivers, with twenty or more
+large rifle-balls in its body. It is so difficult to kill, and so
+furious when aroused, that a hunter will never attack the grizzly
+single-handed if the encounter can be avoided. The hunter may escape by
+climbing a tree; for although young grizzlies can climb like a cat, the
+old bears can do nothing more than stand on their hind-legs in vain
+endeavors to reach the branches where the man lies concealed, and growl
+spitefully. Their extreme heaviness, however, is thought by the Indians
+to be all that prevents them from climbing.
+
+A hunter once took refuge in a tree from one of these savage beasts, and
+having vainly discharged all his ammunition at the monster, he
+endeavored to hit it in the eye with cones, thinking to drive it away.
+But the grizzly only became more infuriated, and began a brisk war-dance
+around the tree, howling all the while in a terrible manner. At length
+the branch upon which the hunter was sitting began to give way, and the
+unfortunate man felt himself doomed to certain death. Closing his eyes,
+he resigned himself to the worst, when, instead of falling, as he
+expected, into the open jaws of the huge beast, he, together with the
+heavy branch upon which he had been sitting, landed with a tremendous
+thump upon the grizzly's head. The animal was so astonished and
+frightened at this sudden and unexpected assault, that it took to its
+heels, and soon disappeared in the forest. Such miraculous escapes,
+however, are not frequent, and the number of Indians and hunters killed
+by grizzlies is very large.
+
+Young grizzlies have often been captured, and when very small are as
+playful and affectionate as dogs. But they are not to be trusted, for as
+they grow older, their savage nature develops, and they are liable to
+become dangerous property. Unless they can be surprised away from the
+mother, their capture is attended by the utmost peril. Nothing can
+exceed the fury of the mother bear if her little ones are molested.
+Rising on her hind-legs for a moment to survey the object of her hatred,
+she will utter a hoarse "huff, huff, huff," and charge madly, and wary
+and courageous must be the hunter who can overcome this savage monster.
+
+Hunting the grizzly is usually accomplished by parties of men well
+mounted, and with bands of trained dogs, but the huge beast will make a
+desperate fight for its life, and often severely wounds numbers of its
+assailants before being forced itself to succumb.
+
+
+
+
+[Illustration: A MINIATURE YACHT REGATTA.--DRAWN BY F. S. COZZENS.--[SEE
+NEXT PAGE.]]
+
+MINIATURE YACHTS.
+
+
+On the preceding page is an illustration of a miniature yacht regatta on
+the Lake in Prospect Park, Brooklyn. In that beautiful Park there are
+few sights to be seen as beautiful as this. The dainty yachts, perfect
+in every detail, look like graceful white-winged birds skimming over the
+water, and the announcement of a regatta on the Lake often attracts more
+spectators than similar announcements of "grown-up" regattas down the
+bay. Many of these spectators are very critical, and attend these
+regattas in order to study fine points of sailing, and to learn what
+models will show the greatest speed.
+
+The little yachts are so carefully planned and built that they often
+serve as models for those of many tons. Some of the finest yachts of the
+New York, Brooklyn, Atlantic, and Seawanhaka Yacht Clubs are built from
+models furnished by winners of races and regattas on the lakes of
+Central and Prospect Parks.
+
+Two regularly organized and officered clubs, the New York and Brooklyn
+Miniature Yacht Clubs, are the rivals of these lakes, and many exciting
+match races are sailed between the flyers of the two clubs. These races
+and all the regattas are governed by the regular rules of yachting, time
+allowances being made for differences of measurement, and the amount of
+canvas allowed each boat, as well as the course to be sailed, being
+accurately defined.
+
+Of the miniature yachts, schooners of the first class are generally
+about sixty inches long, are heavily sparred--that is, they have very
+tall masts, long booms, and bow-sprit--and are ballasted with very deep
+and heavy lead keels. They are either "built" or "cut"--that is, ribbed
+and planked, or worked out from a single block of wood.
+
+They carry rudders merely to make them look ship-shape, and are steered
+entirely by their sails. These are so arranged as to balance fore and
+aft, and the jib and main sheets are made of elastic rubber, so nicely
+adjusted that if the boat is inclined to sail too close to the wind, the
+main-sheet stretches, the mainsail is eased off, and she resumes her
+proper course, with the wind free. If she is inclined to "fall off" too
+much, and run before the wind, the jib-sheet stretches, the wind spills
+out of the jib, and the pressure upon her aftersails quickly brings her
+up on the wind again.
+
+The fleet at Prospect Park this season numbers some fifty sail, from
+sixty-inch schooners down to ten-inch cat-boats, and contains schooners,
+sloops, cat-boats, catamarans, and one square-rigged steamer. An English
+cutter will probably be added to the fleet very soon, and interesting
+races between her and the boats of American model are expected.
+
+
+
+
+EASY BOTANY.
+
+
+JUNE.
+
+June has many beautiful flowering trees, and many rare and remarkable
+plants. Some of the anemones bloom in April and May, but several wait
+for June. Among these the rare red anemone is found on rocky banks in
+Western Vermont, in Northern New York, and Pennsylvania.
+
+Among the pines and maples of Cape Ann, at Manchester, Massachusetts, we
+find the laurel-magnolia, or sweet-bay, with silky leaves and buds, and
+deliciously fragrant cream-white flowers. This charming shrub seems to
+belong to the South, but has strangely strayed away, and made for itself
+a cozy home on the "stern and rock-bound coast" of New England. This
+magnolia also grows in Pennsylvania and Southern New York.
+
+Belonging to the same fair family is the tulip-tree, with large
+tulip-shaped flowers tinged with yellow, orange, and green. These trees
+are found in rich soil in the Middle, Southern, and Western States.
+
+Another wonderful plant of June is the large water-lily the _Nelumbo
+luteum_, or water-chinquepin. This plant apparently belongs to the East
+Indies, and seems to be nearly related to the pink lotus, or sacred bean
+of India. The American species is rare, being found at but few places;
+but Connecticut professes to possess it in the Connecticut River, near
+Lyme; and it is found in the Delaware River, near Philadelphia, at
+Woodstown and Swedesborough, New Jersey, and in several Western lakes.
+The leaves are circular, from one to two feet in diameter, and raised
+high above the water; the fragrant flowers are pale yellow; the seeds,
+sunk deeply in a receptacle, are as large as acorns.
+
+Our own beautiful white pond-lily is well known and well beloved; and
+few New-Englanders are unfamiliar with the serene ponds and still waters
+where the lily pods make a carpet on which rest the lovely heads of
+these delicious favorites.
+
+At Sandwich and Barnstable, Massachusetts, and Kennebunk, Maine, are
+found lilies of a fine rose-color. The common cow-lily, as it is called,
+though not a beauty like its relatives, is a pleasing variety, being of
+a rich yellow color.
+
+Next we come to the wonderful pitcher-plants, whose chosen homes are in
+the black mud of peat-bogs and swamps.
+
+The one with which we are most familiar is favored not only with a
+botanical name of seven syllables, but has the common names of
+side-saddle-flower, pitcher-plant, and hunter's-cup--all referring more
+or less to the curious leaves, which are hollow, and shaped like little
+pitchers, and are always found partly filled with water. The flower,
+nodding on a tall stalk, is as singular as the leaves; it is of a deep
+reddish-purple color, the petals arching over a little green umbrella in
+the centre, which covers the stamens. This striking and interesting
+plant may be easily found by any enterprising young botanist who is not
+afraid of mud and water, as it grows from Maine to Illinois and
+southward.
+
+Another queer little dweller in bogs and swamps and wet meadows is the
+sundew, one species of which may be found in June, and others later. The
+leaves of this peculiar plant are covered with fine reddish-brown hairs,
+or glands, which furnish small drops of fluid, glittering like
+dew-drops.
+
+Three species of wild oxalis, or wood-sorrel, should not be overlooked.
+The _yellow_, which is found everywhere, is so common as to be
+unappreciated; but the _white_, with petals streaked with red lines, is
+very pretty: it is found in deep, cold woods in Massachusetts and the
+Middle States. The _violet_ wood-sorrel is, however, the beauty of the
+family, and rare enough to require being searched for. It springs from a
+bulb in shady, rocky woods in New Jersey, Pennsylvania, and New York;
+three or four soft purple blossoms nod on a slender stalk, and it is a
+lovely little plant. All the wood-sorrels are attractive and interesting
+from the graceful and pathetic habit which they have of folding up and
+drooping their delicate leaves at night-fall, opening them at the early
+light of morning.
+
+The showy wild lupine comes out with long racemes of purple, pink, blue,
+and white blossoms, covering sandy fields with a flush of color.
+
+The dear wild roses make the wood paths beautiful, and the indescribably
+delicious fragrance of the sweet-brier betrays its location on the dry
+banks and rocky road-sides.
+
+The flowering raspberry, found in moist woods and shady dells, is as
+beautiful as the rose, and the buds, if possible, more beautiful than
+rose-buds. The flowers are large, of a vivid deep rose-red, and the
+leaves maple-shaped, and very graceful.
+
+In June, also, come six or eight species of _Cornus_, or dogwood, each
+beautiful in its way. These shrubs, which are generally found in rich
+soil in rocky, open woods, are rare in New England, but abundant in the
+Middle States. The brilliant little bunchberry, however, which belongs
+to the _Cornus_ family, delights in the deep cold woods of Maine, where
+it grows luxuriantly, its rich red berries charming the eye in the
+depths of the forest.
+
+In the gloom of shady woods, at the roots of pine and oak trees, the
+young botanist may perhaps be startled to see an array of little
+_ghosts_, as it were, springing from dead leaves, and without one touch
+of the green of summer, but waxen-white in every part, leaves, stems,
+and all, sometimes having a faint shade of pink or tawny yellow. This is
+the Indian-pipe, with none of the healthful honesty of other plants, but
+stealing its existence from surrounding neighbors; and with this ghostly
+parasite we will close the list for June, not that it is exhausted, for
+hundreds stand waiting, but it would take a _book_ to tell of them all.
+
+ FLOWERS OF JUNE.
+
+ COMMON NAME. COLOR. LOCALITY, ETC.
+
+ Alpine azalea Wh., rose-color White Mts., rocky hills; N. E.
+ Alum-root Greenish-purple Rocky woodlands; Conn. to Wis.
+ Alum-root, downy Purplish-white Rich woods; Lancaster, Pa.
+ American ipecac Rose-color Deep woods; N. Y., Pa., and
+ West.
+ Arrow-wood White, light
+ blue berries Wet places. Common North.
+ Bell-shaped
+ sullivantia White Limestone cliffs; Ohio, Wis.
+ Bird's-eye primrose Pale lilac Shores of Western lakes; Mt.
+ Kineo, Me.
+ Black snakeroot Greenish-yellow Copses, open glades. Common.
+ Black huckleberry Reddish, berries
+ black Woodlands. Common.
+ Blue-tangle White, berries
+ dark blue Low copses; New England.
+ Bunchberry White flowers,
+ red berries Damp, cold, deep woods; Me.
+ Burning-bush Dark purple Shaded woods; N. Y., Pa.,
+ South.
+ Bush honeysuckle Honey yellow Rocks and thickets; Northward.
+ Buttercups Yellow Banks and fields. Common.
+ Cassiope Wh., rose-color White Mts., Adirondacks, Me.
+ Rare.
+ Chervil White Fields and copses; Lancaster,
+ Pa., N. J.
+ Chinquepin, American
+ lotus Pale yellow Conn., N. J., West. lakes. Rare.
+ Clustered
+ bell-flower Deeper blue Road-sides; Danvers, Mass.
+ Coffee-tree White racemes River-banks, rich soil; N. Y.,
+ Pa., West.
+ Collinsia Blue and white Moist soil; N. Y., Pa., West.
+ Common elder Flowers white,
+ berries black Banks, rich soil. Common.
+ Cornel, panicled Flowers and
+ berries white Thickets and river-banks.
+ Cornel, red osier Whitish, berries
+ white Damp New England pastures.
+ Cornel, silky White, berries
+ pale blue Wet places. Common.
+ Cow-lily Bright yellow Still waters. Very common.
+ Cranberry-tree Wh., red berries Low, damp grounds; N. J.
+ Crowberry White Mountains; New England.
+ Cuckoo-flower Rose-color, wh. Bogs, swamps; Vt., N. J.
+ Dahoon holly Yellow-white Swamps of Virginia.
+ Dwarf raspberry White Hill-sides; N. E. to Pa.
+ Common.
+ Dwarf wild rose Deep pink Dry rocky banks and fields;
+ N. E.
+ Evening primrose Pale yellow Sandy fields; N. J. and South.
+ False indigo Violet River-banks; Pa., South, West.
+ Feverwort B'wnish-purple Rich woodlands. Common.
+ Flowering dogwood Purplish-white, Rocky woods; Conn., N. J.,
+ red berries South.
+ Flowering raspberry Deep red purple Copses, wooded banks; New Eng.
+ Fumitory, climbing Purplish-white Wet woods; West.
+ Great-spurred violet Pale violet Damp shady woods; Mass. Rare.
+ Great willow-herb Pink-purple Low grounds, burned pastures,
+ and woods.
+ Green violet Greenish-white Open woods; N. Y., Pa. Rare.
+ Green-weed Yellow Dry hills; Mass., Middle
+ States, W.
+ Hedysarum Violet-purple Mountains; New England, Me.
+ Herb-robert Red-purple Shady ravines, wet woods;
+ N. E.
+ High blackberry White Woods, pastures, banks.
+ Common.
+ Ilex holly Greenish Moist woodlands; sea-coast,
+ N. J.
+ Indian-pipe Waxy white Dark shady woods; New England.
+ Inkberry White flowers,
+ berries black Sandy grounds; Cape Ann.
+ Labrador tea White Cold bogs and mountain woods;
+ New England.
+ Leather-flower Purple Rich woods; N. J., N. Y.,
+ West.
+ Low blackberry White Low woods, road-sides. Common.
+ Magnolia, sweet-bay White Cape Ann, Gloucester and
+ Manchester woods.
+ Marsh five-finger Purple Cool bogs; New England to Pa.
+ Marsh violet Pale lilac White Mts., high lands N. Rare.
+ Meadow-sweet White Damp soil, banks; N. J., West.
+ Mountain laurel Pink and white Rocky hills, damp soil. Common.
+ Mountain sandwort White Mountains; New England.
+ Nine-bark Wh., rose-color Rocky river-banks; West.
+ One-flowered pyrola White-pink Deep cold New England woods.
+ Pale laurel Light purple Cold peat bogs and mountains.
+ Partridge-berry Purple and white,
+ red berries Dry woods, creeping. Common.
+ Persimmon Pale yellow Woods and old fields; R. I.,
+ N. Y.
+ Pimpernel Scarlet, blue,
+ wh. Waste sandy fields; Mass., N. J.
+ Pitcher-plant Deep purple Peat-bogs and swamps; New Eng.
+ Poison-ivy, climbing Greenish Rocky thickets, low grounds.
+ Poison sumac Dull color,
+ very poisonous Swamps and wet pastures.
+ Pond-lily White, pink Ponds, pools, and still waters.
+ Common.
+ Prince's-pine Pale pink Dry woods. Common.
+ Pyrola Greenish-white Rich woods; Conn., N. J., N. Y.
+ Queen of the prairie Peach-color Open meadows; Pa., prairies W.
+ Red anemone Red Rocky hills; Vt., N. Y. Rare.
+ Red elder Flowers white,
+ berries red Rocky woods; New England.
+ Round-leaved cornus White, berries Rich soil, copses; Middle
+ blue States.
+ Roxbury wax-work,
+ climbing Red berries Thickets; N. E., Middle States.
+ Seneca snakeroot White Rocky soil; N. E., West, South.
+ Sheep-laurel Crimson Hill-sides, pastures. Common.
+ Shrubby cinque-foil Yellow Wet grounds; N. E. Common.
+ Silver-weed Yellow Brackish marshes and meadows;
+ New England, West.
+ Small cranberry Rose-color Peat bogs; N. E., Middle
+ States.
+ Spotted wintergreen Pink and white Open woods; Middle States.
+ Staghorn sumac Greenish Hill-sides, dry banks. Common.
+ Strawberry-bush Greenish-purple Wooded banks; N. Y., Ill.,
+ South.
+ Sundew White Bogs, wet pastures; New Eng.
+ Sundrops Yellow Open fields; N. J., N. Y., Pa.
+ Supple-jack,
+ climb'g. Greenish-white Damp meadows; Va. and South.
+ Swamp-honeysuckle White-pink Swamps; New England sea-coast.
+ Swamp-rose Pink Swamps and pastures. Common.
+ Swamp-saxifrage Greenish Bogs, wet pastures. Common.
+ Sweet-brier Pale pink Rocky banks, road-sides; N. E.
+ Sweet-cicely White Rich moist Northern woods.
+ Tall bell-flower Bright blue Rich soil; N. Y., N. J., West.
+ Three-toothed Brunswick, Me., White Mts.,
+ cinque-foil White Cape Cod. Rare.
+ Twin-flower Pale pink Moist, mossy woods; Me.,
+ N. J., N. Y.
+ Valerian Pale pink Wooded banks; Lancaster, Pa.,
+ O.
+ Wild elder Greenish-white Rocky banks, thickets. Common.
+ Wild flax Yellow Wet, boggy grounds; New
+ England, West. Rare.
+ Wild honeysuckle Light yellow Rocky banks; Catskill, Ohio, W.
+ Wild licorice White Sandy shores; Western N. Y.
+ Wild lupine Purple, blue,
+ pink, white Sandy open fields; Mass., Conn.
+ Wild monk's-hood Bright blue Rich shady hills; N. Y., N. J.,
+ S.
+ Wild pea Purple, white Dry sandy soil; North and
+ South.
+ Wild red raspberry White Thickets, road-sides; N. E.,
+ South, and West.
+ Wild sarsaparilla White Moist woods; North and West.
+ Wild touch-me-not Orange, brown Thickets, shades, beside
+ streams. Common.
+ Wood-sorrel Violet Rocky, damp woods; Orange,
+ N. J., South. Rare.
+ Wood-sorrel White, red veins Deep cold woods; Mass. to Pa.
+ Wood-sorrel Yellow Copses and open fields;
+ everywhere.
+ Yellow-wood Showy white Rich woods and hills;
+ flowers Middle States.
+
+
+
+
+[Illustration: SWINGING "BRER RABBIT."-DRAWN BY PALMER COX.]
+
+
+
+
+THE ADVENTURES OF A RAT RACE.
+
+BY JAMES B. MARSHALL.
+
+
+The carpenters came on a certain Monday morning to make some needed
+alterations about Mr. Wilson's stable at the rear of his house yard. And
+you know what a noise carpenters will make when working; far more than
+enough to disturb the most contented of rats.
+
+Peggy O'Conner, who was moving to and from the kitchen hanging up linen
+to dry in the yard, said she saw no rat pass by her; but as a rat was
+found in the library, it must have come there by way of the side yard
+from the stable.
+
+It was a rather warm summer morning, but with enough of a breeze blowing
+to start Uncle Leonard sneezing if he should drop off to sleep while
+sitting in a draught. Now, merry Uncle Leonard was asleep in an
+easy-chair down in the library, where the two window-sashes were raised
+and both doors were open. He had gone there, as usual, to read the
+morning paper, but gradually it drooped nearer and nearer the end of his
+nose, as usual, until it finally spread itself adroitly over his closed
+eyes, to fend off the flies. Then he began to make that soft
+steam-enginery sound that most stout gentlemen make when asleep, about
+as loud as the purring of "Cattegat," Lou and Amy's cat.
+
+Cattegat always followed Uncle Leonard to the library if possible, to
+escape Lou and Amy, who, during their vacation, were trying to teach him
+to hold a lump of sugar on the end of his nose while seated on his hind
+paws. Cattegat, who liked the sugar but not the trick, had been so named
+by a Danish gentleman who had presented him to Lou and Amy.
+
+The rat as it entered the library thought, doubtless, that it was a
+pretty comfortable-looking place, or else it wouldn't have gone about
+the room smelling and sniffing until it found a piece of sponge-cake,
+knocked by the canary from the wires of its cage.
+
+That little breeze went on blowing across Uncle Leonard's head, and
+directly he gave a rousing "ashoo!" of a sneeze. Such an
+"a-a-sh-sh-shoo," that he actually sneezed himself into a sitting
+position. The rat was more startled at such a noise than at all the
+carpenters had made, and dropping the cake, peeped from behind an
+ottoman where it took refuge.
+
+Cattegat jumped up and looked at Uncle Leonard as if to ask him if he
+had made that noise, and then glanced about the room.
+
+"What can ail the cat!" exclaimed Uncle Leonard, as Cattegat went across
+the floor in about three springs. Then quickly closing the yard door, he
+called, "A rat! a rat!" as the rat ran from behind the ottoman.
+
+Cattegat and the rat raced headlong around the room once, and Uncle
+Leonard nearly kicked himself off his feet as the rat slipped unhurt by
+him. Then away went the rat out of the library through the other door,
+along the hall, and up the front stairs; away tore Cattegat not far
+behind it; and quickly in pursuit trotted Uncle Leonard, calling, "Catch
+him, Cattegat; catch him, Cattegat!"
+
+At the moment, Lou, a very handy boy about the house, was in a
+second-story room near the head of the stairs, and had just finished
+gluing in the leg of Amy's rocking-chair. He had taken the chair there
+to mend, because the floor was not carpeted, but smoothly varnished, and
+any glue dropped could be easily removed. Amy stood watching him as she
+slowly untied a package of prepared chalk for the teeth, with which she
+had shortly before returned from the drug store.
+
+"Gracious! what's coming up stairs?" said Lou, placing the glue brush on
+the chair beside the glue-pot, and stepping to the door.
+
+"Look out for the rat!" shouted Uncle Leonard.
+
+Amy instantly sprang on the first object at hand, her just-mended
+rocking-chair, which gave way, of course, and over she went. However,
+she broke her fall by catching at the chair holding the glue-pot and
+brush, though the glue rolled to the right and the brush to the left.
+The package of prepared chalk, that had received an upward pitch as Amy
+had toppled over, then came down in time to plentifully powder both her
+and Lou.
+
+The latter had turned to clear the way for the rat and Cattegat, not
+more than an instant later than Amy had taken alarm, but the glue had
+been spilled more quickly. And though Lou jumped over the pool of glue
+safely, he landed right under the shower of chalk, and directly upon the
+slippery glue brush. Presto! down went Lou, and shooting over the smooth
+floor, vanished under the bed at the far end of the room, as though he
+had been a clown playing in a pantomime.
+
+Amy, so filled with laughter, could scarce manage to climb on the sound
+chair before the rat and Cattegat came whizzing through the doorway;
+both leaped clear of the spilled glue, and scampered in a flash across
+the floor into the next room, and so on through several other rooms that
+communicated.
+
+"Oho! bravo, Cattegat!" said Uncle Leonard, as he came on, running at a
+wonderful rate for him. Right through the doorway he ran, but on seeing
+Amy, he was about to lessen his speed, and have her join in the chase,
+when he stepped in the pool of glue. Slip, slip, slide across the room,
+went Uncle Leonard, with his feet getting farther apart, as though the
+floor was the slipperiest of ice. He slid to and against a wash-stand,
+and then sank down slowly and gracefully at its foot in a way that would
+have done credit to a champion gymnast. But he shook the stand so
+violently that the water-pitcher was shaken over within its basin, and
+emptied half its contents upon his head.
+
+Amy rushed to his aid, righted the pitcher, and inquired if he was hurt.
+
+"Not a bit," said Uncle Leonard, getting again on his feet, smiling
+mirthfully at his own dripping coat, and giving one of those jolly
+laughs of his at Amy's chalk-powdered head. "Come along, my dear,"
+continued he; "keep the chase up, or the rat will yet have the best of
+it. But where's Lou?"
+
+"Here I am!" answered Lou, poking his laughing, powdered face from under
+the bed, and crawling out. And away they all followed the chase, Uncle
+Leonard kicking off his gluey slippers, and catching up a pair of Papa
+Wilson's.
+
+Cattegat and the rat in the mean time had been racing up and down the
+front bedrooms, frightening Mamma Wilson and Aunt Laura into climbing up
+on one of the beds, and Cattegat had distinguished himself by knocking
+over a sewing basket and a screen. As the pursuers appeared upon the
+scene, rat and cat ran out into the hallway again, through a door that
+Aunt Laura had opened, hoping to get clear of them.
+
+Then pat, pat, pat, again in chase went Lou and Amy's shoes; flap, flap,
+flap, followed Uncle Leonard's slippers; and Mamma Wilson and Aunt Laura
+brought up the rear with an irregular run and walk. Right through the
+length of the whole second story, through the hallway, and from room to
+room they rushed, with such a clatter and whoop as had never before been
+heard in that house, merry as were its people.
+
+Cattegat will now surely catch that ferocious rat in the last room,
+thought every one. But no; straight down the back stairs plunged the
+rat, and jump, jump, followed Cattegat, still several feet behind it.
+And at the bottom of the stairway, closed by a door, the race would have
+been doubtlessly won by Cattegat, but Peggy O'Conner, hearing such an
+unusual commotion overhead, came to the door to inquire its cause. As
+Peggy opened the door she heard several voices call: "Don't open that
+door; Cattegat's after a rat."
+
+Bang! went the door--closed quickly, I assure you; but something flew
+past Peggy, and she only shut the door in Cattegat's face.
+
+As that something, very much like a rat, flew past Peggy, and vanished
+out of the kitchen, a piece of soap that Katie, the other girl, threw
+with a very bad aim, went flying after it. But frightened Peggy, in
+dismay, raised her hands, backed awkwardly against a tub of blue water
+on the floor, and before she could recover her balance, splashed down
+into the water, which flew about like the spray of a great fountain.
+
+As the whole party filed down the back stairs, Katie was trying amidst
+her merriment to help wringing-wet Peggy out of her queer bath, and all
+but Cattegat had something to laugh at.
+
+Cattegat seemed very much disappointed because the rat had escaped, and
+went out in the yard, and hid himself under a rose-bush.
+
+As for the rat, Lou is pretty certain that he sees it occasionally
+capering about the stable, very much unlike a common rat that has never
+had an adventure.
+
+
+
+
+[Illustration]
+
+THE MORNING MESSAGE.
+
+BY K. M. M.
+
+
+ A beam was sent out by the morning sun
+ To carry the message that day had begun.
+
+ First the gay courier told his story
+ To the opening buds of the morning-glory.
+
+ The birds in their nest on the branch o'erhead
+ Heard every word that the sunbeam said,
+
+ And all at once in the trees was heard
+ The twittered "good-morning" of each little bird.
+
+ Then in at the window the messenger flew,
+ And all around him his gold he threw.
+
+ He scattered it here, and everywhere,
+ He gilded the braids of the mother's hair.
+
+ He glanced at the baby, who laughed with glee,
+ And danced for joy on his mother's knee.
+
+ And little Clara, the three-year-old,
+ Tried to catch at the shining gold;
+
+ And she said, "Mamma, if I'm good to-day,
+ Perhaps this beautiful sunbeam will stay."
+
+
+
+
+[Illustration: OUR POST-OFFICE BOX.]
+
+
+ BROOKLYN, NEW YORK.
+
+ About a month ago my papa came home from Panama, and brought me
+ two beautiful little birds for pets. I do not know any English
+ name for them, but in Spanish they are called _Verdones del
+ Pacifico_. They are about the size of a canary. Their bodies are
+ beautiful dark blue, the wings and back are glossy black with a
+ blue stripe, and the top of the head irised green. The under side
+ of the wings is golden yellow. They have little bright black eyes,
+ long bills like a humming-bird, and dainty little red legs and
+ toes. They feed on bananas, and eat all day long. They are very
+ queer little gymnasts, and hang head downward from their perch to
+ reach their food. They do not sing, but the moment daylight begins
+ they commence a sweet little peeping, which they keep up from
+ morning till night.
+
+ We did not know they would eat insects; but one afternoon a big
+ fly came buzzing round their cage, and they fluttered and peeped
+ and pushed their bills through the wires in their efforts to catch
+ it. My brother caught it and gave it to them in his fingers. They
+ both dived for it, and had a fight to see which should get the
+ biggest half. Since then we catch flies for them all the time, and
+ whenever any one goes near their cage they begin to peep and
+ watch, hoping for a fly.
+
+ Sometimes we shut the windows and let them fly around the room and
+ hunt for themselves. They dart like lightning, and not a fly
+ escapes them. They are growing very tame, and will come and perch
+ upon my finger when they are tired flying.
+
+ I wonder if any other little boy or girl has any _Verdones_? Their
+ home is in the forests along the tropical Pacific coast. They
+ build a nest similar to that of the humming-bird, and are
+ considered members of the same family, although they do not hover
+ over their food like the humming-bird.
+
+ CARRIE R.
+
+ * * * * *
+
+ FORT ONTARIO, OSWEGO, NEW YORK.
+
+ My father is a lieutenant in the Second Artillery. We have been in
+ Oswego seventeen months. The fort is on the lake, and a very old
+ fort it is. The scarf wall facing Lake Ontario has never been
+ finished. In the fort grave-yard are some very old graves. There
+ is one of George Fykes, a Revolutionary soldier, who died in 1776.
+
+ This is a very pleasant post. In summer there is plenty of boating
+ and fishing. I went fishing the other day, but did not have very
+ good luck. There were a great many wrecks on the lake last fall.
+
+ I have one little brother four months old. When he gets old enough
+ I will write a letter for him too. I like YOUNG PEOPLE very much.
+ I am ten years old.
+
+ HOWARD M.
+
+ * * * * *
+
+ TABLE ROCK, NEBRASKA.
+
+ I like YOUNG PEOPLE ever so much. I have no pets except my little
+ baby brother, but there are lots of birds' nests in our orchard.
+ One day when we were in the orchard we saw a big nest with rags
+ woven in it, and I spied a corner of an embroidered handkerchief
+ that was given me a year ago last Christmas. Papa was up in the
+ tree, and he pulled it out and threw it down to me. I think it was
+ a blackbird's nest. The eggs were green, with dark brown spots on
+ them.
+
+ GERTIE B.
+
+ * * * * *
+
+ BROOKLINE, MASSACHUSETTS.
+
+ Here is a game that I invented. I have played it very often, and
+ it is very good fun. Two boys stand opposite each other, about ten
+ feet apart. Each boy has a ball--rubber ones are best, as they
+ will bounce. The balls must be thrown from one boy to the other,
+ both at the same time. When they hit in the air--which they do
+ oftener than you would think--each boy tries to catch one on the
+ first bounce or fly. Each ball so captured counts one. Whoever
+ gets ten first beats.
+
+ I have some tracing paper and a lithogram which papa gave me, and
+ I have a great deal of fun tracing pictures and copying them on
+ the lithogram.
+
+ WILLY A.
+
+ * * * * *
+
+ BEREA, KENTUCKY.
+
+ I have a pair of canaries. The singer I have named Sankey; the
+ other is Jenny. When I put mamma's mirror in the cage, Sankey will
+ look at himself and sing beautifully, and then he will peep behind
+ the mirror to see if any other bird is there. I am ten years old.
+
+ JULIA B. H.
+
+ * * * * *
+
+ HOBOKEN, NEW JERSEY.
+
+ I thought you would like to hear about our kitty. At night when we
+ go to bed he climbs over two sheds and a grape arbor up to mamma's
+ window, and shakes the shutter until mamma gets up and lets him
+ in. Then he goes down and waits at the front door till papa comes
+ in. Then he follows papa down stairs, and papa gives him something
+ to eat, and shuts him up in the kitchen. In the morning he runs
+ out in the yard and plays around until breakfast-time, when he
+ comes in and goes right to papa's place at the table. He puts his
+ fore-paws upon the table, and claws papa's arm until he gets a
+ piece of meat, or bread, which he likes best.
+
+ Here is a recipe for Puss Hunter and her club. I call it
+ jaw-breaker candy. It is a little different from Nellie H.'s
+ recipe. One cup of brown sugar; half a cup of vinegar; a piece of
+ butter the size of a hickory-nut. When I think it is boiled
+ enough, I drop a little into a glass of cold water, and if it
+ hardens, it is done, and I pour it into a buttered dish to cool.
+
+ REBECCA H.
+
+ * * * * *
+
+ CAMDEN, ALABAMA.
+
+ I am a subscriber to YOUNG PEOPLE, and this is the first letter I
+ have written for "Our Post-office Box." I had a large doll given
+ me last Christmas, and I have named her Fannie Sue. She has a
+ pretty little red trunk full of clothes, and a black satin hat
+ with red flowers on it. My papa got me a donkey a few weeks ago,
+ and when I learn to ride nicely he is going to give me a horse.
+
+ KATE C.
+
+ * * * * *
+
+ CHAMPAIGN, ILLINOIS.
+
+ I thought the boys and girls would like to hear about my auntie's
+ pets. She has four big birds and four baby birds. One of the baby
+ birds got out of its nest this morning, and hopped about the cage.
+ Another bird is sitting on five eggs. Then we have four cats and
+ four kittens, and a great big Newfoundland dog. I am eight years
+ old. I live in Indianapolis, but I am visiting auntie now.
+
+ FRED D. S.
+
+ * * * * *
+
+ NEWARK, NEW JERSEY.
+
+ I write to tell you of my success with the tarantula in YOUNG
+ PEOPLE No. 29. I had to work hard to get the body cut out nicely,
+ but at last it was done. A little girl showed it to her father,
+ and he thought it was a big live spider, and gave it a knock which
+ sent three of its legs flying, but I soon mended it.
+
+ EDDIE W. H.
+
+ * * * * *
+
+ DEEP RIVER, CONNECTICUT, _May 19, 1880_.
+
+ My sister subscribed for YOUNG PEOPLE for my Christmas present. I
+ learned the song "I am the Lad in the Blue and White," and now I
+ am learning "I am the Lad in the Cadet Gray."
+
+ I caught two baby trout out of a brook with a cup, but papa told
+ me to put them back in the water, so I did. There are lots of
+ violets here now, and our rose-bushes are budded. For the last two
+ weeks the air has been very sweet with apple blossoms. I was
+ eleven years old yesterday.
+
+ EDITH P.
+
+ * * * * *
+
+ PINE RIVER, COLORADO.
+
+ I live in Southwest Colorado, close to the Ute Indian Reservation.
+ My papa has a store, and the Indians often come to trade. These
+ Utes are not bad, like the Utes who killed Mr. Meeker. We had six
+ wild geese, but a bad dog killed one of them. Some time I will
+ write more about the Indians here.
+
+ HATTIE J.
+
+ * * * * *
+
+ BONANZA, IDAHO.
+
+ I like to read all the letters from the children in YOUNG PEOPLE,
+ and I thought I would tell about my puppies. They bark if any one
+ comes in the room. One catches another by the tail and growls, and
+ the other jumps around and barks. There are three of them. Their
+ mother is sick, and coughs up blood. I wish some boy could tell me
+ what to do for her.
+
+ The snow is eighteen inches deep here yet (May 8), but it has been
+ over six feet deep here this winter.
+
+ F. M. G.
+
+ * * * * *
+
+ MILLS CITY, MONTANA.
+
+ I am always glad when YOUNG PEOPLE comes. I like all the stories
+ very much. We have two buffaloes, ten cows, a little calf, two
+ horses, and a little colt; and I have two cats, a dog named Rose,
+ and some chickens of my own. We have beautiful house plants, and
+ flowers growing in the garden in summer. I have two sisters and a
+ brother. My oldest sister is at school in Bismarck. I am eleven
+ years old.
+
+ LAURA B.
+
+ * * * * *
+
+ BROOKLYN, NEW YORK.
+
+ I have a pet guinea-pig, which came across the ocean with me. It
+ is pure white. I have made a house for it to live in during the
+ summer. I visited Paris, and saw the last Exposition. It was not
+ as large as ours, but it was very fine. I have a very nice
+ collection of stamps and coins. My oldest coin, a Moorish one, is
+ dated 1270. I have another dated 1275. Both the coins were given
+ to me by Captain Boyton. Is it true that he was killed? I would
+ like to know.
+
+ CHARLES L. S.
+
+Captain Boyton is not dead, but is in good health, and on the occasion
+of a recent boat-race at Washington was floating about in his famous
+life-saving costume.
+
+ * * * * *
+
+ PHILADELPHIA, PENNSYLVANIA.
+
+ I have copied all the recipes, and we have a nice cook that lets
+ me try them, and helps me, too. She makes the crust for me, and I
+ make the inside for an awful good lemon pie. Here is the recipe,
+ and I wish Puss Hunter and the girls would try it and say what
+ they think of it. Take one tea-cup of white sugar; one
+ table-spoonful of butter; one egg; one large lemon; one tea-cup of
+ boiling water; one table-spoonful of corn starch. Mix the butter
+ and sugar in a bowl; then put the boiling water over the fire, and
+ stir the corn starch (which you must first wet in a little cold
+ water) into it till it thickens. Now pour it over the butter and
+ sugar, and set it away to cool. When it is cold, add the juice and
+ grated peel of the lemon (carefully removing the seeds) and the
+ beaten egg. Bake it without any top crust. Three times all this
+ makes two nice pies for big people, our cook says.
+
+ YOUNG PEOPLE is--oh, too good for anything. When I grow older, I
+ am going to take a dozen copies for poor little boys and girls
+ whose papa and mamma can not take it for them, as mine do for me.
+
+ HELEN.
+
+ * * * * *
+
+ U. S. NAVAL ACADEMY, ANNAPOLIS, MARYLAND.
+
+ This is a lovely place to live in. Every morning and afternoon the
+ band plays in the Naval Academy grounds, and almost every
+ afternoon we play croquet until the band stops. The music always
+ begins with "The Star-spangled Banner," and ends with "Hail,
+ Columbia."
+
+ LIZZIE C. F.
+
+ * * * * *
+
+ DANVILLE, ILLINOIS.
+
+ I thank you, dear contributors, for the recipes you have already
+ sent me, and I would like some more, especially a good recipe for
+ bread.
+
+ I would like to know the name of this little flower. It was given
+ to me, and I think it was found growing in the water.
+
+ PUSS HUNTER.
+
+Your flower is a cowslip, which grows in wet meadows, and is one of the
+earliest blossoms of spring.
+
+ * * * * *
+
+ PHILADELPHIA, PENNSYLVANIA.
+
+ I am twelve years old, and I am very fond of flowers, and take
+ great delight in hunting for them. There is a flower which grows
+ in the woods and open fields here, called the "Star of Bethlehem."
+ The blossom is a little white five-pointed star, and it blooms in
+ great quantities in the month of May. If "Genevieve," of
+ California, sends her address, I shall like to exchange pressed
+ flowers with her.
+
+ BERTHA S.
+
+ * * * * *
+
+ I would be pleased to exchange pressed leaves with Mary Wright, of
+ Kansas, if she will wait until fall, as I always have a very nice
+ collection of autumn leaves. I would also like to exchange pressed
+ ferns with some little girl in the fall. I think HARPER'S YOUNG
+ PEOPLE is a splendid paper.
+
+ EMMA FOLTZ,
+ Chambersburg, Pennsylvania.
+
+ * * * * *
+
+ QUITMAN, GEORGIA.
+
+ I am a little Southern girl, eight years old to-day. Grandpa gave
+ me a gold ring, and papa gave me a beautiful doll. Oranges,
+ bananas, and sugar-cane grow here, and we have flowers and
+ mocking-birds all winter. Please tell me what willow "pussies"
+ are.
+
+ INDIA T.
+
+If you look in the Post-office Box of No. 25 you will find a description
+of willow "pussies," given in answer to questions from other young
+correspondents in the far South.
+
+ * * * * *
+
+JULIAN G.--The first volume of HARPER'S YOUNG PEOPLE will be finished
+with the fifty-second number, issued the last Tuesday in October, 1880.
+
+ * * * * *
+
+S. G. SMITH.--"Tumble home" indicates curving in toward the top;
+"tumbling in aft," curving under.
+
+ * * * * *
+
+H. T. M.--The characters you inquire about are not letters, but signs
+understood only by the members of a certain society.
+
+ * * * * *
+
+ NEW YORK CITY.
+
+ Could you tell me the origin of the name "Forget-me-not" as
+ applied to flowers? I have heard there is some historical legend
+ or story concerning it. I should be very glad if any of the
+ readers of YOUNG PEOPLE could inform me where such a legend is to
+ be found.
+
+ A CONSTANT READER.
+
+There are many graceful, poetic stories told by poets and romancers,
+especially by German authors, concerning the origin of the name
+"Forget-me-not," but it is unlikely that any one of them has a
+historical foundation. We leave the subject open for our youthful
+correspondents to discuss.
+
+ * * * * *
+
+"TOUT OU RIEN."--To send us your name and address once is sufficient.
+
+ * * * * *
+
+CHARLES F. R.--If you send forty-eight cents in clean postage stamps,
+the papers you require will be forwarded to you.
+
+ * * * * *
+
+NINA.--The wife of an Earl has the title of Countess. There is nothing
+to be said of the Countess of Rosebery beyond what you read of her in
+HARPER'S BAZAR. She is a very estimable and charitable lady, and
+universally respected.
+
+ * * * * *
+
+RICHARD S. C.--The best thing for you to do is to visit some
+establishment where the article you require is for sale. There are so
+many kinds and so many sizes of bicycles that it is impossible for us to
+give you any idea of prices.
+
+ * * * * *
+
+PUZZLES FROM YOUNG CONTRIBUTORS.
+
+No. 1.
+
+ENIGMA.
+
+ My first in fortune, not in luck.
+ My second in canvas, not in duck.
+ My third in squadron, not in fleet.
+ My fourth in conquer, not in beat.
+ My fifth in battle, not in wreck.
+ My sixth in rigging, not in deck.
+ My seventh in union, not in flag.
+ My eighth in steadfast, not in brag.
+ All these letters will show to you
+ An officer gallant, tender, and true.
+
+ MARY D.
+
+ * * * * *
+
+No. 2.
+
+DROP-LETTER PUZZLE.
+
+A familiar proverb:
+
+--e--t--r--a--e--h--n--e--e--.
+
+ C. K. S.
+
+ * * * * *
+
+No. 3.
+
+WORD CHANGES.
+
+[Taking two words of an equal number of letters, the change must be made
+by altering one letter at a time, thus forming a new word, which must be
+an English proper name, or a word given in an English dictionary. In
+altering a letter, its position in the word must not be changed. Any
+answers making the change correctly will be credited, although the
+intermediate words may vary from the solution sent with the puzzle. Here
+is an example changing Tom to Sam: Tom, T_i_m, _r_im, ri_p_, r_a_p,
+ra_t_, _s_at, Sa_m_.]
+
+1. Love to hate. 2. Vest to coat. 3. Cent to dime. 4. Head to foot.
+5. Bear to stag. 6. Hard to soft. 7. Storm to quiet.
+
+ C. P. T.
+
+ * * * * *
+
+No. 4.
+
+ENIGMA.
+
+ My first is in schooner, not in ship.
+ My second is in beat, but not in whip.
+ My third is in bran, but not in meal.
+ My fourth is in cure, but not in heal.
+ My fifth is in pie, but not in cake.
+ My sixth is in shovel, but not in rake.
+ My seventh is in sick, but not in well.
+ My eighth is in tongue, but not in bell.
+ My ninth is in castle, but not in tower.
+ My whole is a fragrant, beautiful flower.
+
+ BELLE H.
+
+ * * * * *
+
+No. 5.
+
+NUMERICAL CHARADE.
+
+ My whole is a strait composed of 11 letters.
+ My 11, 7, 1, 4, 5 is a celebrated tower.
+ My 3, 10, 9 is useful at night.
+ My 6, 2, 8 is a member of the human family.
+
+ ADA.
+
+ * * * * *
+
+No. 6.
+
+DIAMOND PUZZLE.
+
+In artist. A Spanish hero. A ferocious beast. A cavern. In artist.
+
+ M. V.
+
+ * * * * *
+
+ANSWERS TO PUZZLES IN NO. 29.
+
+No. 1.
+
+1. Troy, Galveston. 2. Ithaca, Trenton. 3. Mobile, Lima. 4. Utica,
+Macon. 5. Salem, Alton.
+
+No. 2.
+
+Macbeth.
+
+No. 3.
+
+ O R G A N
+ R O L L A
+ G L O O M
+ A L O N E
+ N A M E S
+
+No. 4.
+
+The nineteenth century.
+
+Ho. 5.
+
+ W
+ W A R
+ W A L E S
+ R E D
+ S
+
+No. 6.
+
+ N anki N
+ A labam A
+ P eki N
+ L ockpor T
+ E urop E
+ S amo S
+
+Naples, Nantes.
+
+ * * * * *
+
+"Aunt Flora's Answer," a broken rhyme, on page 408:
+
+ Start, tart, art.
+ Skill, kill, ill.
+ Blend, lend, end.
+ Smothers, mothers, others.
+
+ * * * * *
+
+Answer to "Throwing Light," on page 408.--Cruise, crews.
+
+ * * * * *
+
+Correct answers to puzzles are received from Grace N. Whiting, Dollie
+Murdoch, Clarence Howard, W. L. Naldrett, "Tout on rien," A. H. Ellard,
+"Fatinitza," Alice and Mamie Grady, H. Starr Kealhofer, John B.
+Whitlock, Robie D. Caldwell, Howard Rathbone, Harry E. Furber.
+
+ * * * * *
+
+Favors are acknowledged from W. Holloway, Nelly, Willie H. D., J. F. K.,
+Edith Bidwell, Lizzie B., J. W. Riley, Charles H. Bamford.
+
+
+
+
+ADVERTISEMENTS.
+
+
+
+
+HARPER'S YOUNG PEOPLE.
+
+HARPER'S YOUNG PEOPLE will be issued every Tuesday, and may be had at
+the following rates--_payable in advance, postage free_:
+
+ SINGLE COPIES $0.04
+ ONE SUBSCRIPTION, _one year_ 1.50
+ FIVE SUBSCRIPTIONS, _one year_ 7.00
+
+Subscriptions may begin with any Number. When no time is specified, it
+will be understood that the subscriber desires to commence with the
+Number issued after the receipt of order.
+
+Remittances should be made by POST-OFFICE MONEY ORDER or DRAFT, to avoid
+risk of loss.
+
+ADVERTISING.
+
+The extent and character of the circulation of HARPER'S YOUNG PEOPLE
+will render it a first-class medium for advertising. A limited number of
+approved advertisements will be inserted on two inside pages at 75 cents
+per line.
+
+ Address
+ HARPER & BROTHERS,
+ Franklin Square, N. Y.
+
+
+
+
+FISHING OUTFITS.
+
+CATALOGUE FREE.
+
+R. SIMPSON, 132 Nassau Street, N. Y.
+
+
+
+
+The Child's Book of Nature.
+
+ * * * * *
+
+The Child's Book of Nature, for the Use of Families and Schools:
+intended to aid Mothers and Teachers in Training Children in the
+Observation of Nature. In Three Parts. Part I. Plants. Part II. Animals.
+Part III. Air, Water, Heat, Light, &c. By WORTHINGTON HOOKER, M.D.
+Illustrated. The Three Parts complete in One Volume, Small 4to, Half
+Leather, $1.12; or, separately, in Cloth, Part I., 45 cents; Part II.,
+48 cents; Part III., 48 cents.
+
+ * * * * *
+
+A beautiful and useful work. It presents a general survey of the kingdom
+of nature in a manner adapted to attract the attention of the child, and
+at the same time to furnish him with accurate and important scientific
+information. While the work is well suited as a class-book for schools,
+its fresh and simple style cannot fail to render it a great favorite for
+family reading.
+
+The Three Parts of this book can be had in separate volumes by those who
+desire it. This will be advisable when the book is to be used in
+teaching quite young children, especially in schools.
+
+ * * * * *
+
+Published by HARPER & BROTHERS, New York.
+
+_Sent by mail, postage prepaid, to any part of the United States, on
+receipt of the price._
+
+
+
+
+OUR CHILDREN'S SONGS
+
+ * * * * *
+
+Our Children's Songs. Illustrated. 8vo, Ornamental Cover, $1.00.
+
+ * * * * *
+
+Songs for the nursery, songs for childhood, for girlhood, boyhood,
+and sacred songs--the whole melody of childhood and youth bound
+in one cover. Full of lovely pictures; sweet mother and baby faces;
+charming bits of scenery, and the dear old Bible story-telling
+pictures.--_Churchman_, N. Y.
+
+The best compilation of songs for the children that we have ever
+seen.--_New Bedford Mercury._
+
+ * * * * *
+
+Published by HARPER & BROTHERS, New York.
+
+HARPER & BROTHERS _will send the above work by mail, postage prepaid, to
+any part of the United States, on receipt of the price_.
+
+
+
+
+CHILDREN'S
+
+PICTURE-BOOKS.
+
+ Square 4to, about 800 pages each, beautifully printed on Tinted
+ Paper, embellished with many Illustrations, bound in Cloth, $1.50
+ per volume.
+
+The Children's Picture-Book of Sagacity of Animals.
+
+ With Sixty Illustrations by HARRISON WEIR.
+
+The Children's Bible Picture-Book.
+
+ With Eighty Illustrations, from Designs by STEINLE, OVERBECK,
+ VEIT, SCHNORR, &c.
+
+The Children's Picture Fable-Book.
+
+ Containing One Hundred and Sixty Fables. With Sixty Illustrations
+ by HARRISON WEIR.
+
+The Children's Picture-Book of Birds.
+
+ With Sixty-one Illustrations by W. HARVEY.
+
+The Children's Picture-Book of Quadrupeds and other Mammalia.
+
+ With Sixty-one Illustrations by W. HARVEY.
+
+ * * * * *
+
+Published by HARPER & BROTHERS, New York.
+
+_Sent by mail, postage prepaid, to any part of the United States, on
+receipt of the price._
+
+
+
+
+Old Books for Young Readers.
+
+ * * * * *
+
+Arabian Nights' Entertainments.
+
+ The Thousand and One Nights; or, The Arabian Nights'
+ Entertainments. Translated and Arranged for Family Reading, with
+ Explanatory Notes, by E. W. LANE. 600 Illustrations by Harvey. 2
+ vols., 12mo, Cloth, $3.50.
+
+Robinson Crusoe.
+
+ The Life and Surprising Adventures of Robinson Crusoe, of York,
+ Mariner. By DANIEL DEFOE. With a Biographical Account of Defoe.
+ Illustrated by Adams. Complete Edition. 12mo, Cloth, $1.50.
+
+The Swiss Family Robinson.
+
+ The Swiss Family Robinson; or, Adventures of a Father and Mother
+ and Four Sons on a Desert Island. Illustrated. 2 vols., 18mo,
+ Cloth, $1.50.
+
+ The Swiss Family Robinson--Continued: being a Sequel to the
+ Foregoing. 2 vols., 18mo, Cloth, $1.50.
+
+Sandford and Merton.
+
+ The History of Sandford and Merton. By THOMAS DAY. 18mo, Half
+ Bound, 75 cents.
+
+ * * * * *
+
+Published by HARPER & BROTHERS, New York.
+
+_Sent by mail, postage prepaid, to any part of the United Slates, on
+receipt of the price._
+
+
+
+
+[Illustration: ANSWERS TO WIGGLE No. 11, OUR ARTIST'S IDEA, AND NEW
+WIGGLE No. 12.]
+
+INSTRUCTIONS TO WIGGLE CONTRIBUTORS.
+
+
+Write your name very distinctly on each Wiggle.
+
+Be careful to follow the Wiggle accurately. The best way is to trace the
+Wiggle on thin writing-paper.
+
+Do not make your Wiggle too large.
+
+Do not cross the line of the Wiggle in your design.
+
+We can only print a certain number of Wiggles sent us, and many
+excellent ones are not published for various reasons independent of
+their merit. Contributors must not, therefore, feel disappointed, or
+think we do not consider their Wiggles good, simply because they do not
+happen to be published.
+
+Send in your answers as early as possible.
+
+The following list contains the names of those who sent in answers to
+Wiggle No. 11 in time to have them published. New Wiggle No. 12 is an
+easy one. Now let us see how many will catch the artist's idea.
+
+Fannie Hartwell, J. May Allen, J. S. Summons, Everett C. Fay, Campbell
+T. Hamilton, Violet, J. Bonny, J. B. Whitlock, Eddie A. Leet, Fannie M.,
+Mary E. Hartwell, Harry Bartlett, Frank Graves, J. O. K., Lilly Kuhs,
+Charlie Kuhs, R. P. Stout, Ada B. Vouté, Harry Meekes, Eddie W. Hammer,
+L. C. F., Mary A. Hale, Fred. Clinch, Jun., Jane H. B. Reid, Marvin
+Bust, C. H. Muhlenbey, Old Boy, John H. Bartlett, Jun., G. A. Page, John
+R. Blake, Tracy Lyon, C. L. M., J. Gresham, Nelson B. Greene, Polly,
+J. W. Phelps, Fred. Renner, May A. Lobell, E. J. B., H. H. G., Willie
+Raymond, Howard Starrett, C. J. Hamilton, E. L. Burchard, C. E. A. B.,
+Ernest Machado, Mab, Sera Wilbee, S. H. C. or C. H. S., T. M. L., George
+Wilson Beatty, J. K., Willie H. Dorrance, Gracie Norton, Nettie Norton,
+L. H. Scott, Ferdinand von Olker, Ruth G. D. Havens, Stuart P. Shears,
+Willie B. Gordon, Percy H. Sloan, Allie M. Voorhees, G. C. Meyer, P.
+Aquilar, George McClelland, Three Groves, Nebraska; A. T. Jones,
+B. E. S., A. H. W., Alexis Sheiver, Katie L. Huekaus, S. S. Norton,
+W. T. Sears, Charles E. Simonson, W. Culter, Q. Z., R. Starrett,
+W. H. W., S. H. A., Susie Armstrong, C. P. S., May Sowans, C. L. M.,
+A. W., Flora Tucker, S. Abbott, B. D. W.; W. B. Kirk, F. B. Ham, Louie
+A. Garrison, Darragh de Lancy, W. D. S., Louise D. Blake, F. N. Snyder,
+May W. Ensign, Norman Warner, Lottie Noble, Arabella, S. N. Phelps, Mary
+L. McVean, B. L., A. C. Jaquith, Rose W. Scott, Florence G. Thatcher,
+Laura B. Scott, Frank Rogers, Sam H. Manning, H. E. Stout, H., Soledad,
+Theo, Dollie W. Kopp, Dollie Murdock, Theodore M. Kimball, Jeannie K.
+Perkins, Lizzie Burt, H. B. E., K. M., Evan G., Howard Rathbone, Burton
+Harwood, A. L. M., Ella, Sousy, Stella, Edna, Geraldine Dillon Lee,
+A. K., Fatinitza, Gertie M. Boone, Emma R. Bullock, Katrina Tancré,
+Maggie Archibald, Achison, Kate Armstrong, Sarah, Bertha, Toonie, S. S.
+Wiggle Club; Henry M. Alexander, Jun., Dot Alexander, Bessie Alexander,
+Whisker Alexander, S. and C. McLaren, J. R. Glen, D. V. V., Edith
+Bidwell, W. M. Bloss.
+
+
+
+
+
+End of Project Gutenberg's Harper's Young People, June 8, 1880, by Various
+
+*** END OF THIS PROJECT GUTENBERG EBOOK HARPER'S YOUNG PEOPLE, JUNE 8, 1880 ***
+
+***** This file should be named 28984-8.txt or 28984-8.zip *****
+This and all associated files of various formats will be found in:
+ https://www.gutenberg.org/2/8/9/8/28984/
+
+Produced by Annie McGuire
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+https://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need are critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at https://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+https://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at https://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit https://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including including checks, online payments and credit card
+donations. To donate, please visit: https://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart was the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ https://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.