diff options
Diffstat (limited to '29195-8.txt')
| -rw-r--r-- | 29195-8.txt | 837 |
1 files changed, 837 insertions, 0 deletions
diff --git a/29195-8.txt b/29195-8.txt new file mode 100644 index 0000000..dfd3c9c --- /dev/null +++ b/29195-8.txt @@ -0,0 +1,837 @@ +The Project Gutenberg EBook of It's All Yours, by Sam Merwin + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: It's All Yours + +Author: Sam Merwin + +Release Date: June 21, 2009 [EBook #29195] + +Language: English + +Character set encoding: ISO-8859-1 + +*** START OF THIS PROJECT GUTENBERG EBOOK IT'S ALL YOURS *** + + + + +Produced by Greg Weeks, Stephen Blundell and the Online +Distributed Proofreading Team at https://www.pgdp.net + + + + + + + + + + _It was a strange and bitter Earth over which the Chancellor + ruled--a strange and deformed world. There were times when the + Chancellor suspected that he really was a humanistic old fool, but + this seemed to be his destiny and it was difficult to be anything + else. Human, like all other organic life on Earth, was dying. Where + it spawned, it spawned monsters. What was to be the answer?_ + + + it's + all + yours + + _by ... Sam Merwin, Jr._ + + + It was a lonely thing to rule over a dying world--a + world that had become sick, so terribly sick.... + + +The Chancellor's private washroom, discreetly off the innermost of his +official suite of offices, was a dream of gleaming black porcelain and +solid gold. Each spout, each faucet, was a gracefully stylized mermaid, +the combination stall shower-steam room a marvel of hydraulic comfort +and decor with variable lighting plotted to give the user every sort of +beneficial ray, from ultraviolet to black heat. + +But Bliss was used to it. At the moment, as he washed his hands, he was +far more concerned with the reflection of his face in the mirror above +the dolphin-shaped bowl. With a sort of wry resignation, he accepted the +red rims of fatigue around his eyes, the batch of white at his left +temple that was spreading toward the top of his dark, well-groomed head. +He noted that the lines rising from the corners of his mouth to the +curves of his nostrils seemed to have deepened noticeably during the +past few days. + +As he dried his hands in the air-stream, he told himself that he was +letting his imagination run away with him--imagination had always been +his weakness, and a grave failing for a head of state. And while he drew +on his special, featherweight gloves, he reminded himself that, if he +was aging prematurely, it was nobody's fault but his own. No other man +or woman approaching qualification for the job would have taken it--only +a sentimental, humanistic fool like himself. + +He took a quick sip from the benzedral fountain, waited for the +restorative to do its work. Then, feeling moderately refreshed, he +returned to his office, sank into the plastifoam cushions of the chair +behind his tabletop mountain of a desk and pressed the button that +informed Myra, his confidential secretary, he was ready. + +There were five in the delegation--by their collars or robes, a priest, +a rabbi, a lama, a dark-skinned Watusi witchman and a white robed abbess +draped in chaste, flowing white. Automatically, he surveyed them, +checking. The priest's right shoe was twice as broad as his left, the +rabbi's head, beneath the black cap that covered it, was long and thin +as a zucchini squash. The witchman, defiantly bare and black as ebony +from the waist up, had a tiny duplicate of his own handsome head +sprouting from the base of his sternum. The visible deformities of the +lama and abbess were concealed beneath their flowing robes. But they +were there--they had to be there. + +Bliss rose as they entered and said, waving a gloved hand at the chairs +on their side of the desk, "Greetings, sirs and madam--please be +seated." And, when they were comfortable, "Now, to what do I owe the +honor of this visit?" + +He knew, of course--sometimes he thought he knew more than any man +should be allowed or able to know--but courtesy and custom demanded the +question. It was the witchman who answered. Apparently he was spokesman +for the group. + +He said, speaking beautiful Cantabrigian English, "Honorable sir, we +have come as representatives of the religions of the world, not to +protest but in a spirit of enquiry. Our flocks grow increasingly +restive, when they are not leaving us altogether, our influence grows +less. We wish to know what steps, if any, are being taken toward +modification or abrogation of the sterility program. Without hope of +posterity, mankind is lost." + +While the others murmured their agreement, Bliss focused his gaze on the +sealed lids of the tiny face sprouting from the Watusi's breastbone. He +wondered if there were eyes behind them, if there were a tongue behind +those tiny clamped lips, and what words such a tongue would utter if it +could speak. + +"We are waiting, honorable sir," the spokesman said. + +Shaking himself free of the absorption, Bliss glanced at the +teleprompter on his desk. Efficient as ever, Myra had their names there +before him. He said, "Gentle R'hau-chi, I believe a simple exposition +of our situation, and of what programs we are seeking to meet and +mitigate it with, will give you the answers. Not, perhaps, the answers +you seek, but the answers we must accept ..." + +Although the reports from World Laboratories changed from day to day, he +knew the speech by heart. For the problem remained. Humanity, like +virtually all other organic life on Earth, was dying. Where it spawned, +it spawned monsters. On three-dimensional vidar rolls, he showed them +live shots of what the laboratories were doing, what they were trying to +do--in the insemination groups, the incubators, the ray-bombardment +chambers, the parthenogenesis bureau. + +Studying them, he could see by their expressions, hear by the prayers +they muttered, how shocking these revelations were. It was one thing to +know what was going on--another for them to see for themselves. It was +neither pretty--nor hopeful. + +When it was over, the rabbi spoke. He said, in deep, slightly guttural, +vastly impressive intonations, "What about Mars, honorable sir? Have you +reached communication with our brothers and sisters on the red planet?" + +Bliss shook his head. He glanced at the alma-calendar at his elbow and +told them, "Mars continues to maintain silence--as it has for two +hundred and thirty-one years. Ever since the final war." + +They knew it, but they had to hear it from him to accept it even +briefly. There was silence, long wretched silence. Then the abbess +spoke. She said, "Couldn't we send out a ship to study conditions first +hand, honorable sir?" + +Bliss sighed. He said, "The last four spaceships on Earth were sent to +Mars at two-year intervals during the last perihelions. Not one of them +came back. That was more than a half century ago. Since I accepted this +office, I have had some of our ablest remaining scientific brains +working on the problem of building a new ship. They have not been +successful." He laid his gloved hands, palms upward, on the desk, added, +"It appears that we have lost the knack for such projects." + +When they were gone, he walked to the broad window and looked out over +the World Capital buildings at the verdant Sahara that stretched +hundreds of miles to the foot of the faintly purple Atlas Mountains on +the northwestern horizon. A blanket of brilliant green, covering what +had once been the greatest of all Earthly deserts--but a poisonous +blanket of strange plant mutations, some of them poisonous beyond +belief. + +Truly, Bliss thought, he belonged to a remarkable species. Man had +conquered his environment, he had even, within the limits of the Solar +System, conquered space. He had planted, and successfully, his own kind +on a neighboring planet and made it grow. But man had never, at least +on his home planet, conquered himself. + +Overpopulation had long since ceased to be a problem--the atomic wars +had seen to that. But, thanks to the miracles of science--atomics and +automation--man had quickly rebuilt the world into a Garden of Eden with +up-to-date plumbing. He might have won two planets, but he had turned +his Eden into an arbor of deadly nightshade. + +Oddly, it had not been the dreadful detonations of thermo-nuclear bombs +that had poisoned his paradise--though, of course, they had helped. It +had been the constant spillage of atomic waste into the upper atmosphere +that had spelled ruin. Now, where four billion people had once lived in +war and want, forty million lived in poisoned plenty. He was chancellor +of a planet whose ruling species could not longer breed without +disaster. + +His was the last generation. It should have been a peaceful generation. +But it was not. + +For, as population decreased, so did the habitable areas of Earth. The +formerly overpopulated temperate regions were now ghastly jungles of +self-choking mutant plant growth. Only what had been the waste +areas--Antarctica, the Gobi, Australia, Patagonia and the Sahara-Arabia +districts--could still support even the strange sorts of human life that +remained. + +And the forty millions still alive were restless, frightened, paranoiac. +Each believed his own group was being systematically exterminated in +favor of some other. None had yet faced the fact that humanity, for all +practical purposes, was already dead on Earth. + +He sensed another presence in the room. It was Myra, his secretary, +bearing a sheaf of messages in one hand, a sheaf of correspondence for +him to sign in the other. She said, "You look beat, chancellor. Sit +down." + +Bliss sat down. Myra, as his faithful and efficient amanuensis for more +than fifteen years, had her rights. One of them was taking care of him +during working hours. She was still rather pretty, he noted with +surprise. An Afro-Asian with skin like dark honey and smooth, pleasant, +rather flat features. It was, he thought, a pity she had that third eye +in her forehead. + +She stood beside him while he ran through the letters and signed them. +"Meeting of the regional vice-chancellors tomorrow, eh?" he said as he +handed them back to her. + +"Right, chancellor," she said crisply. "Ten o'clock. You may have to +take another whirlwind trip to tell them the situation is well in hand." + +He grunted and glanced at the messages, scanned them quickly, tossed +them into the disposal vent beside his desk. Myra looked moderately +disapproving. "What about that possible ship from Mars?" she asked. +"Shouldn't you look into it?" + +He grunted again, looked up at her, said, "If I'd looked into every +'ship from Mars' astronomy has come up with in the nine years I've held +this office, I'd never have had time for anything else. You can lay odds +it's a wild asteroid or something like that." + +"They sound pretty sure this time," Myra said doubtfully. + +"Don't they always?" he countered. "Come on, Myra, wrap it up. Time to +go home." + +"Roger, boss," she said, blinking all three eyes at him. + +Bliss turned on the autopi and napped while the gyrojet carried him to +his villa outside Dakar. Safely down on the roof of the comfortable, +automatic white house, he took the lift down to his second-floor suite, +where he showered and changed into evening sandals and clout. He +redonned his gloves, then rode down another two flights to the terrace, +where Elise was waiting for him in a gossamer-thin iridescent eggshell +sari. They kissed and she patted the place on the love-seat beside her. +She had a book--an old-fashioned book of colored reproductions of +long-since-destroyed old masters on her lap. The artist was a man named +Peter Paul Rubens. + +Eyeing the opulent nudes, she giggled and said, "Don't they look +awfully--plain? I mean, women with only two breasts!" + +"Well--yes," he said. "If you want to take that angle." + +"Idiot!" she said. "Honestly, darling, you're the strangest sort of man +to be a World Chancellor." + +"These are strange times," he told her, smiling without mirth, though +with genuine affection. + +"Suppose--just suppose," she said, turning the pages slowly, "biology +should be successful in stabilizing the species again. Would they _have_ +to set it back that far? I mean, either we or _they_ would feel awfully +out of style." + +"What would you suggest?" he asked her solemnly. + +"Don't be nasty," she said loftily. Then she giggled again and ruffled +his hair. "I wish you'd have it dyed one color," she told him. "Either +black or gray--or why not a bright puce?" + +"What's for dinner?" he asked, adding, "If I can still eat after that." + + * * * * * + +The regional vice-chancellors were awaiting him in the +next-to-the-innermost office when Bliss arrived at World +Capital the next morning. Australia, Antarctica, Patagonia, Gobi, +Sahara-Arabia--they followed him inside like so many penguins in the +black-and-white official robes. All were deathly serious as they stated +their problems. + +Gobi wanted annual rainfall cut from 60 to 45 centimeters. + +Sahara-Arabia was not receiving satisfactory food synthetics--there had +been Moslem riots because of pork flavor in the meat. + +Patagonia was suffering through a species of sport-worm that was +threatening to turn it into a desert if biology didn't come up with a +remedy fast. + +Antarctica wanted temperature lowered from a nighttime norm of 62° +Fahrenheit to 57.6°. It seemed that the ice in the skating rinks, which +were the chief source of exercise and entertainment for the populace, +got mushy after ten p.m. + +Australia wanted the heavy uranium deposits under the Great Central +Desert neutralized against its causing further mutations. + +For a moment, Bliss was tempted to remind his viceroys that it was not +going to make one bit of difference whether they made their spoiled +citizens happy or not. The last man on Earth would be dead within fifty +years or so, anyway. But that would have been an unpardonable breach of +taste. Everyone _knew_, of course, but it was never mentioned. To state +the truth was to deny hope. And without hope, there was no life. + +Bliss promised to see that these matters were tended to at once, taking +each in turn. This done, they discussed his making another whirlwind +trip through the remaining major dominions of the planet to bolster +morale. He was relieved when at last, the amenities concluded, the +penguins filed solemnly out. He didn't know which he found more +unattractive--Gobi's atrophied third leg, strapped tightly to the inside +of his left thigh and calf, or Australia's jackass ears. Then, sternly, +he reminded himself that it was not their fault they weren't as lucky as +himself. + +Myra came in, her three eyes aglow, and said, "Boss, you were wrong for +once in your life." + +"What is it this time?" he asked. + +"About that Martian ship," she repeated. "It just landed on the old +spaceport. You can see it from the window." + +"For God's sake!" Bliss was on his feet, moving swiftly to the window. +It was there--needle-nosed, slim as one of the mermaids in his private +washroom, graceful as a vidar dancer. The entire length of it gleamed +like silver in the sunlight. + +Bliss felt the premature old age that had been crowding upon him of late +fall away like the wool of a sheep at shearing. Here, at last, was +hope--real hope. After almost two and a half centuries of +non-communication, the men of the infant planet had returned to the aid +of the aging planet. For, once they saw the condition of Earth, and +understood it, there could be no question of anything else. + +Mars, during the years of space-flight from Earth, had been the outlet +for the mother planet's ablest, toughest, brightest, most aggressive +young men and women. They had gone out to lick a hostile environment, +they had been hand-picked for the job--and they had done it. The ship, +out there in the poisonous Sahara, was living proof of their success. + +He turned from the window and went back to his desk. He said, "Myra, +have their leader brought here to see me as soon as possible." + +"_Roger!_" she said, leaving him swiftly, gracefully. Again he thought +it was too bad about her third eye. It had made it awfully hard for her +to find a husband. He supposed he should be grateful, since it had made +him an incomparably efficient secretary. + +The young man was space-burned and silver-blond of hair. He was broad +and fair of feature and his body was tall and lean and perfect in his +black, skin-tight uniform with the silver rocket-burst on the left +breast. He stood at attention, lifted a gauntleted hand in salute and +said, "Your excellency, Chancellor Bliss--Space-Captain Hon Yaelstrom of +Syrtis City, Mars, bearing official rank of Inter-planetary legate +plenipotentiary. My papers, sir." + +He stood stiff as a ramrod and laid a set of imposing-looking documents +on the vast desk before Bliss. His accent was stiff as his spinal +column. Bliss glanced casually at the papers, nodded and handed them +back. So this, he thought, was how a "normal," a pre-atomic, a +non-mutated human, looked. Impressive. + +Catching himself wandering, he pushed a box of costly smokes toward the +ambassador. + +"_Nein_--no thank you, sir," was the reply. + +"Suppose you sit down and tell me what we can do for you," said Bliss, +motioning toward a chair. + +"Thank you, sir, I prefer to stand," was the reply. And, when Bliss +motioned that it was all right, "My mission is not a happy one, +excellency. Due to overpopulation on Mars, I have been sent to inform +the government of Earth that room must be made to take care of our +overpopulation." + +"I see," Bliss leaned back in his chair, trying to read the situation +correctly. "That may take a little doing. You see, we aren't exactly +awash with real estate here." + +The reply was rigid and harsh. Captain Yaelstrom said, "I regret to +remind your excellency that I have circled this planet before landing. +It is incredibly rich in plant growth, incredibly underpopulated. And I +assure your excellency that my superiors have not sent me here with any +idle request. Mars must have room to emigrate." + +"And if we find ourselves unable to give it to you?" + +"I fear we shall have to take it, your excellency." + +Bliss studied the visitor from space, then said, "This is rather sudden, +you know. I fear it will take time. You must have prospered amazingly on +Mars to have overpopulated the planet so soon." + +"Conditions have not been wholly favorable," was the cryptic reply. "But +as to time, we are scarcely in condition to move our surplus population +overnight. It will take years--perhaps decades--twenty-five years at a +minimum." + +Twenty-five years! That was too soon. If Captain Yaelstrom were a +typical Martian, there was going to be trouble. Bliss recalled again +that Earth had sent only its most aggressive young folk out to the red +planet. He made up his mind then and there that he was somehow going to +salvage for Earth its final half-century of peace. + +He said, "How many people do you plan to send here, Captain?" + +The ambassador hesitated. Then he said, "According to the computations +of our experts, taking the population curve during the next twenty-five +years into account, there will be seventeen million, three hundred +thirty-two thousand five hundred--approximately." + +The figure was too large to be surplus, Bliss decided. It sounded to him +as if humanity were about to abandon Mars completely. He wondered what +the devil had gone wrong, decided this was hardly the time to ask. He +offered Captain Yaelstrom a drink, which was refused, then asked him if +he wouldn't like to wash up. + +To his mild surprise, the ambassador nodded eagerly. "I shall be +grateful," he said. "You have no idea how cramped spaceship quarters can +be." + +"I can imagine," said Bliss dryly. He led the way into the +black-and-gold washroom, was amused at the slight but definite popping +of ambassadorial eyes. Earth might be dying, he thought, but at least +her destroyers would leave a heritage. He motioned toward the basin with +its mermaid taps and Captain Yaelstrom hesitated, then began pulling off +his black gauntlets. + +Bliss thought of something. "You mentioned twenty-five years," he said. +"Is that Martian time or Earth time?" + +"Martian time," said the ambassador, letting the water run over his +hands. + +Twenty-five years, Martian time--a Martian year was 1.88 Earth years. +Bliss exhaled and said, "I think perhaps we shall be able to come to an +agreement. It will take a little time, of course--channels, and all +that." + +The Martian held his hands in front of the air-drier. They were strong, +brown hands with long, muscular fingers. Bliss looked at them and knew +the whole story. For, like himself, Captain Yaelstrom had seven fingers +on each. Man had done no better on Mars than he had at home. The reason +for such a desperate move as emigration was all too clear. + +Captain Yaelstrom stood back from the bowl, then noticed the stall +shower. He said, "What is this? We have nothing like it on Mars." + +Bliss explained its several therapeutic uses, then said, "Perhaps you'd +like to try it yourself while I order us luncheon." + +"May I, excellency?" the Martian legate asked eagerly. + +"Go right ahead," said Bliss magnanimously. "It's all yours." + + + + +Transcriber's Note: + + This etext was produced from _Fantastic Universe_ November 1956. + Extensive research did not uncover any evidence that the U.S. + copyright on this publication was renewed. Minor spelling and + typographical errors have been corrected without note. + + + + + +End of the Project Gutenberg EBook of It's All Yours, by Sam Merwin + +*** END OF THIS PROJECT GUTENBERG EBOOK IT'S ALL YOURS *** + +***** This file should be named 29195-8.txt or 29195-8.zip ***** +This and all associated files of various formats will be found in: + https://www.gutenberg.org/2/9/1/9/29195/ + +Produced by Greg Weeks, Stephen Blundell and the Online +Distributed Proofreading Team at https://www.pgdp.net + + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution. + + + +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase "Project +Gutenberg"), you agree to comply with all the terms of the Full Project +Gutenberg-tm License (available with this file or online at +https://gutenberg.org/license). + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. "Project Gutenberg" is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" +or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase "Project Gutenberg" appears, or with which the phrase "Project +Gutenberg" is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase "Project Gutenberg" associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +"Plain Vanilla ASCII" or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.org), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original "Plain Vanilla ASCII" or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, "Information about donations to + the Project Gutenberg Literary Archive Foundation." + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +"Defects," such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right +of Replacement or Refund" described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need are critical to reaching Project Gutenberg-tm's +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation web page at https://www.pglaf.org. + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation's EIN or federal tax identification +number is 64-6221541. Its 501(c)(3) letter is posted at +https://pglaf.org/fundraising. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state's laws. + +The Foundation's principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at +809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email +business@pglaf.org. Email contact links and up to date contact +information can be found at the Foundation's web site and official +page at https://pglaf.org + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit https://pglaf.org + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including including checks, online payments and credit card +donations. To donate, please visit: https://pglaf.org/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart was the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For thirty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + + +Most people start at our Web site which has the main PG search facility: + + https://www.gutenberg.org + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. |
