diff options
Diffstat (limited to '29271.txt')
| -rw-r--r-- | 29271.txt | 779 |
1 files changed, 779 insertions, 0 deletions
diff --git a/29271.txt b/29271.txt new file mode 100644 index 0000000..ba2fd2f --- /dev/null +++ b/29271.txt @@ -0,0 +1,779 @@ +The Project Gutenberg EBook of The Issahar Artifacts, by Jesse Franklin Bone + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: The Issahar Artifacts + +Author: Jesse Franklin Bone + +Release Date: June 29, 2009 [EBook #29271] + +Language: English + +Character set encoding: ASCII + +*** START OF THIS PROJECT GUTENBERG EBOOK THE ISSAHAR ARTIFACTS *** + + + + +Produced by Greg Weeks, Stephen Blundell and the Online +Distributed Proofreading Team at http://www.pgdp.net + + + + + + + + + +THE ISSAHAR ARTIFACTS + +By J. F. BONE + + + _Lincoln said it eons ago.... It took + a speck of one-celled plant life on a + world parsecs away to prove it for + all the galaxy._ + + +The following manuscript was discovered during the excavation of a +lateral connecting link between the North-South streamways in Narhil +Province near Issahar on Kwashior. The excavator, while passing through +a small valley about 20 yursts south of the city, was jammed by a mass +of oxidized and partially oxidized metallic fragments. On most worlds +this would not be unusual, but Kwashior has no recorded history of +metallic artifacts. The terrestrial operator, with unusual presence of +mind, reported the stoppage immediately. Assasul, the District +Engineering monitor, realized instantly that no metallic debris should +exist in that area, and in consequence ordered a most careful excavation +in the event that the artifacts might have cultural significance. + +The debris proved to be the remnants of an ancient spaceship similar to +those described in Sector Chronicles IV through VII, but of much smaller +size and cruder design--obviously a relic of pre-expansion days. Within +the remnants of the ship was found a small box of metal covered with +several thicknesses of tar and wax impregnated fabric which had been +mostly destroyed. The metal itself was badly oxidized, but served to +protect an inner wooden box that contained a number of thin sheets of a +fragile substance composed mainly of cellulose which were brown and +crumbling with age. The sheets were covered with runes of _lingua +antiqua_ arranged in regular rows, inscribed by hand with a carbon-based +ink which has persisted remarkably well despite the degenerative +processes of time. Although much of the manuscript is illegible, +sufficient remains to settle for all time the Dannar-Marraket +Controversy and lend important corroborating evidence to the Cassaheb +Thesis of Terrestrial migrations. + +The genuineness of this fragment has been established beyond doubt. +Radiocarbon dating places its age at ten thousand plus or minus one +hundred cycles, which would place it at the very beginning of the +Intellectual Emergence. Its importance is beyond question. Its +implications are shocking despite the fact that they conform to many of +the early legends and form a solid foundation for Dannar's Thesis which +has heretofore been regarded as implausible. In the light of this +material, the whole question of racial origins may well have to be +reevaluated. Without further comment, the translated text is presented +herewith. You may draw your own conclusions. Go with enlightenment. + + -BARRAGOND- + Monitor of Cultural Origins and Relics + Kwashior Central Repository + + * * * * * + +I have decided after some thought, to write this journal. It is, I +suppose, a form of egotism--for I do not expect that it shall ever be +read in the event that I am unable to leave this place. Yet it affords +me a certain satisfaction to think that a part of me will remain long +after I have returned to dust. In any event, I feel that one is not +truly dead if a part of his personality remains. Many of the ancients +such as Homer, Phidias, Confucius, Christ, da Vinci, Lincoln, Einstein, +Churchill--and many others--live on through their works when otherwise +they would long since have been forgotten and thus be truly dead. +Earth's history is full of such examples. And while I have no +expectation of an immortality such as theirs, it flatters my ego to +think that there will be some part of me which also will survive ... + +_(Note: There are several lines following this which are obliterated, +defaced or unreadable. There are more to follow. In the future such gaps +in the content will be indicated thus: ...)_ + +... I expect that it is a basic trait of character, for spacemen must be +gregarious, and although I am not truly a spaceman I have been in space +and, in consequence, my character is no different from my +ex-crewmates--at least in that respect. I think as time passes I shall +miss the comfort of companionship, the sense of belonging to a group, +the card games, the bull sessions, the endless speculation on what comes +next, or what we will do when the voyage is over and we are again on +Earth ... + +... I particularly recall Gregory. Odd, but I never knew his surname, or +maybe it was his given name, for Gregory could function as well in one +respect as the other. He would boast continually of what he would do to +wine, women, and song once we returned to Earth. Poor Gregory. The +meteor that hulled our ship struck squarely through the engine room +where he was on duty. Probably he never knew that he had died. At least +his fate had the mercy of being brief. Certainly it is not like mine. It +was ... given ... + +There was plenty of time for the survivors to reach the lifeboats, and +in our decimated condition there were plenty of boats--which increased +our chances of living by a factor of four ... I suppose that it was +foolish to give way to the feeling of every man for himself but I am not +a spaceman trained to react automatically to emergencies. Neither am I a +navigator or a pilot, although I can fly in an emergency. I am a +biologist, a specialist member of the scientific staff--essentially an +individualist. I knew enough to seal myself in, push the eject button +and energize the drive. However, I did not know that a lifeboat had no +acceleration compensators, and by the time the drive lever returned to +neutral, I was far out in space and thoroughly lost. I could detect no +lifeboats in the vicinity nor could I raise any on the radio. I later +found that a transistor malfunctioned, but by then I was well out of +range, stranded between the stars in the black emptiness of space. After +reading the manual on lifeboat operation there was but one course open. +I selected the nearest G-type star, set the controls on automatic, and +went into cold sleep. There was nothing else to do. If I remained awake +I would be dead of oxygen starvation long before I reached a habitable +world. The only alternative was the half-death of frozen sleep and the +long wait until the boat came within range of the sun I had selected. + + * * * * * + +I awoke in orbit around this world, and after I recovered full use of my +faculties and checked the analyzer, I decided to land. I'm afraid I did +a rather bad job of it, since I used the chemical rockets too late, and +the plasma jets scorched a considerable amount of acreage in the meadow +where I finally came to rest. However, the residual radioactivity is +low, and it is safe enough to walk outside.... The life boat is lying +beside a small stream which empties into a circular pool of blue water +in the center of a small meadow. The fiery trail of the jets and rockets +has burned a hundred-foot-wide path across the meadow, and the upper +edge of the pool, and ends in a broad, blackened circle surrounding the +boat. I came down too fast the last few feet, and the drive tubes are a +crumpled mess inextricably fused with the bent landing pads. This boat +will never fly again without extensive repairs which I cannot perform. +But the hull is otherwise sound, and I am comfortable enough except for +a few rapidly healing bruises and contusions. In a few days I should be +well enough to explore.... + +I am surprised that this world is so capable of supporting human life. +The consensus of scientific opinion has been that less than one out of +50,000 planets would be habitable. Yet I have struck paydirt on the +first try. Perhaps I am lucky. At any rate I am alive, and my lifeboat, +while somewhat damaged by an inept landing, is still sufficiently intact +to serve as a shelter, and the survival kits are undamaged, which should +make my stay here endurable if not pleasant ... and we are learning a +great deal about our galaxy with the development of the interstellar +drive--not the least of which is that authoritative opinion is mere +opinion and far from authoritative. + +This world on which I find myself is in every respect but one similar to +Earth. There is no animate life--only plants. No birds fly, no insects +buzz, no animals rustle the silent underbrush. The only noise is the +wind in the trees and grasses. I am utterly alone. It is a strange +feeling, this loneliness. There is a feeling of freedom in it, a release +from the too-close proximity of my fellow men. There is the pleasure of +absolute privacy. But this will undoubtedly pall. Already I find that I +am anxious for someone to talk to, someone with whom I can share ideas +and plans. There ... + +... which I cannot explain. But one thing is certain. My first +impression of this place was wrong. The life here, if not animate, is at +least intelligent--and it is not friendly. Yet neither does it hate. It +observes me with a slow, methodical curiosity that I can sense at the +very threshold of consciousness. It is a peculiar sensation that is +quite indescribable--unpleasant--but hardly terrifying. I suppose I can +feel it more than a normal person because I am a biologist and it is +part of my training and specialized skill to achieve a certain rapport +with my surroundings. I first noticed it yesterday. It came suddenly, +without warning, a vague uneasiness, like the feeling when one awakens +from a partially remembered but unpleasant dream. And it has been +increasing ever since. + + * * * * * + +The principal impressions I received from this initial contact were an +awareness of self and a recognizance of identity--the concept of _cogito +ergo sum_ came through quite clearly. I wonder what Descartes would +think of an alien intelligence quoting his dogma.... I think it is +animal, despite the absence of animal life in this area. The thought +patterns are quick and flexible. And they have been increasing in power +and precision at an appreciable rate. I am sure that it is aware of me. +I shall call the feeling "it" until I can identify the source more +accurately. Certainly "it" appears to be as good a description as any, +since there is no consciousness of sex in the thought patterns. I wonder +what sort of ... and to my surprise I _swore_! I do not ordinarily +curse or use obscenities--not because they are obscene but because they +are a poor and inexact means of conveying ideas or impressions. But in +this case they were particularly appropriate. No other words could so +precisely describe my feelings. Me, a rational intelligence, succumbing +to such low-level emotional stimuli! If this keeps on, the next thing I +know I will be seeing little green men flitting through the trees.... Of +course, this world is unnatural, which makes its effect on the nervous +system more powerful, yet that does not explain the feeling of tension +which I have been experiencing, the silent straining tension of an +overloaded cable, the tension of a toy balloon overfull with air. I have +a constant feeling of dreadful expectancy, of imminent disaster, mixed +with a sense of pain and a lively--almost childlike--curiosity. To say +that this is disquieting would be a complete understatement, this state +of chronic disease, mixed with occasional rushes of terror. I am certain +that my nervous system and emotional responses are being examined, and +catalogued like a visceral preparation in an anatomy laboratory. There +is something infinitely chilling about this mental dissection. + +... and after a careful search of the area I found precisely nothing. +You who may read this will probably laugh, but I cannot. To me this is +no laughing matter. I find myself jumping at the slightest noise, an +increase in the wind, the snap of an expanding hull plate, the crackle +of static over my radio. I whirl around to see who, or _what_, is +watching me. My skin crawls and prickles as though I were covered with +ants. My mind is filled with black, inchoate dread. In three words, _I'm +scared stiff_! Yet there is nothing tangible--nothing I should be +frightened about, and this terrifies me even more. For I know where this +continual fear and worry can lead--to what ends this incessant +stimulation can reach. + + * * * * * + +Under pressure my body reacts, preparing me to fight or flee. My +adrenals pump hormones into my bloodstream, stimulating my heart and my +sympathetic nervous system, making glucose more available to my muscles. +My peripheral capillaries dilate. Intestinal activity stops as blood is +channeled into the areas which my fear and my glands decide will need it +most. I sweat. My vision blurs. All the manifold changes of the fight or +flight syndrome are mobilized for instant action. But my body cannot be +held in this state of readiness. The constant stimulation will +ultimately turn my overworked adrenal glands into a jelly-like mess of +cystic quivering goo. My general adaptation syndrome will no longer +adapt. And I will die. + +But I am not dead yet. And I have certain advantages. I am intelligent. +I know what faces me. And I can adjust. That is one of the outstanding +characteristics of the human race--the ability to adjust to our +environment, or, failing that, to adjust our environment to us. In +addition, I have my hands, tools, and materials to work with here in the +lifeboat. And finally I am desperate! I should be able to accomplish +something. There must be ... + + * * * * * + +... But it is not going well. There are too many parts which I do not +know by sight. If I were a more competent electronicist I would have had +the parts assembled now and would be sending a beacon signal clear +across this sector. The pressure hasn't been any help. It doesn't get +greater, but it has become more insisting--more demanding. I seem to +feel that it _wants_ something, that its direction has become more +channelized. The conviction is growing within me that I am destined to +be _absorbed_. + +The fear with which I live is a constant thing. And I still keep looking +for my enemy. In a strange, impersonal way it has become my enemy for +though it does not hate, it threatens my life. My waking hours are hell +and my sleep is nightmare. Strange how a man clings to life and sanity. +It would be so easy to lose either. Of one thing I am certain--this +cannot go on much longer. I cannot work under pressure. I must act. I +shall try again to find my enemy and kill it before it kills me. It is +no longer a question of ... + +... Never again shall I wish to be alone. If I get out of this alive I +am going to haunt crowds. I will surround myself with people. Right now +I would give my soul to have one--just one--person near me. Anyone. I +feel certain that two of us could face this thing and lick it. If +necessary we could face it back to back, each covering the other. I am +now getting impressions. Sensory hallucinations. I am floating. I swim. +I bathe luxuriantly in huge bathtubs and the water runs through my body +as though I were a sponge. Have you ever felt _porous_?... + +... and that last attack was a doozer! I wrecked a week's work looking +for the little man who wasn't there. The urge to kill is becoming more +intense. I want to destroy the author of my misery. Even though I am +still a balanced personality--polite language for being sane--I can't +take much more of this. I will not go mad, but I will go into the +adrenal syndrome unless I can end this soon. + +Nothing I have done seems to help. For a while I was sure that the music +tapes held the pressure back, but the enemy is used to them now. I am +still working on the subspace beacon. The radio and most of the control +linkages have gone into it. It looks like an electronicist's nightmare, +but if the survival manual is right, it will work. It has to work! I +dread the time when I shall have to cannibalize the recorder. Can't +help thinking that Shakespeare was right when he wrote that bit about +music soothing the savage breast. It may not soothe the enemy, for it +isn't savage, but it certainly soothes me, even though there's something +repetitive about it after a half a hundred playings. My breast's savage +all right. Fact is, it's downright primitive when an attack starts. I +can feel them coming now. I keep wondering how much longer I can last. +Guess I'm getting morbid.... + +More nightmares last night. I drowned three times and a purple octopus +gave me an enema. Woke up screaming, but got an idea from it. Funny that +I never thought of it before. Water's the fountainhead of life, and +there is no real reason for assuming my enemy is terrestrial. He could +just as well be aquatic. I'll find out today--maybe. Just to be doing +something positive--even thinking--makes me feel better.... + + * * * * * + +_Got it!_ I know where it is! And I know how to kill it. Fact is, I've +already done it! Now there's no more pressure. God--what a relief! This +morning I burned the meadow and cut down the nearest trees surrounding +this clearing and nothing happened. I expected that. Then I checked the +water. Nothing in the stream, but the pond was _green_!--filled almost +to the edge with a mass of algae! A hundred-foot platter of sticky green +slime, cohesive as glue and ugly as sin. It _had_ to be it--and it was. +I never saw algae that cohered quite like that. So I gave it about fifty +gallons of rocket juice--red fuming nitric acid--right in the belly. +Then I sat down and let the tension flow out of me, revelling in its +pain, laughing like crazy as it turned brown--and the pressure +disappeared. No tension at all now. The place is as quiet and peaceful +as the grave. I want to laugh and laugh--and run through the burned +meadow and roll in the ashes so grateful am I for my deliverance. + +Got the idea of killing the monster from a splash of rocket fuel on the +bank of the stream and my memory of the pain in the early feelings. But +it was nothing compared to the feeling when the acid hit that damned +mass of green slime! Even though my brain was screaming at me, I felt +good. I should put a couple of hundred gallons into the stream just to +make sure--but I can't afford it. I need the fuel to run the generators +to propagate the wave that'll bring me home if someone hears it. And +they'll hear it all right. My luck is in. Now I'm going to sleep--_sweet +sleep that knits the ravelled sleeve of care_--Shakespeare, old man, you +had a phrase for everything! I love you. I love everything. I even feel +sorry for that poor plant ... of guilt. It couldn't help the fact that +my jets set up a mutation. And being intelligent it _had_ to be +curious. Of course, no one would believe me if I started talking about +intelligent algae. But what's so odd about that? Even the most complex +life forms are just aggregations of individual cells working together. +So if a few individual cells with rudimentary data-storage capacity got +the idea of uniting why couldn't they act like a complex organism? + + * * * * * + +It is useless to speculate on what might have happened had that thing +lived. But it's dead now--burned to death in acid. And although +destruction of intelligent life is repugnant to me, I cannot help +feeling that it is perhaps better that it is gone. Considering how +rapidly it developed during its few weeks of life, and the power it +possessed, my mind is appalled at its potential. I've had my experience +and that's enough. Lord! but I'm tired. I feel like a wrung-out sponge. +Guess I'll rest for a little while ... + +... and received a reply to my signal! They heterodyned it right back +along my own beam. They'll be landing in a week. I don't think I'll take +this manuscript with me. I couldn't use it--and somehow I don't feel +like burning it. Maybe I'll make a time capsule out of it. It will be +amusing to speculate about what sort of a reaction it'll provoke, +providing it is ever read. I can see them now, huge-headed humans, +wrinkling their noses and saying "Intelligent algae--fantastic--the man +must have been mad!" + +_The manuscript ends here--and of course we know that the "man" was not +mad. He left behind a rich heritage indeed, for those few cells that +escaped his wrath and floated down to the sea. Did we but know his +origin we would erect a suitable memorial if we had to travel to the +farthest reach of our galaxy. But the names he quotes are not in our +repositories and as for the word "Earth" which he used for his +homeworld, I need not remind my readers that the intelligent terrestrial +inhabitants of the 22,748 planets of this sector use the term "Earth" or +its synonyms "soil" and "world" to describe their planets. Of course, +the term "Homewater" is gradually replacing this archaic concept as we +extend our hegemony ever more widely across the disunited worlds of the +galaxy._ + +_At that it seems strange that the unknown author's race should have +passed. As individuals they had so many advantages, while we are so weak +and individually so helpless. They could do almost everything except +communicate and cooperate. We can do but little else, yet our larger +aggregations can control entire worlds, some peopled perhaps with +descendants of this very individual. It merely proves that Dannar's +statement in the preface of his Thesis is correct._ + +"United, cohesive cooperation is the source of irresistible strength." + + +THE END + + + + +Transcriber's Note: + + This etext was produced from _Amazing Science Fiction Stories_ April + 1960. Extensive research did not uncover any evidence that the U.S. + copyright on this publication was renewed. Minor spelling and + typographical errors have been corrected without note. + + + + + +End of Project Gutenberg's The Issahar Artifacts, by Jesse Franklin Bone + +*** END OF THIS PROJECT GUTENBERG EBOOK THE ISSAHAR ARTIFACTS *** + +***** This file should be named 29271.txt or 29271.zip ***** +This and all associated files of various formats will be found in: + http://www.gutenberg.org/2/9/2/7/29271/ + +Produced by Greg Weeks, Stephen Blundell and the Online +Distributed Proofreading Team at http://www.pgdp.net + + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution. + + + +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase "Project +Gutenberg"), you agree to comply with all the terms of the Full Project +Gutenberg-tm License (available with this file or online at +http://gutenberg.org/license). + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. "Project Gutenberg" is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" +or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase "Project Gutenberg" appears, or with which the phrase "Project +Gutenberg" is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase "Project Gutenberg" associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +"Plain Vanilla ASCII" or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.org), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original "Plain Vanilla ASCII" or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, "Information about donations to + the Project Gutenberg Literary Archive Foundation." + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +"Defects," such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right +of Replacement or Refund" described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need, are critical to reaching Project Gutenberg-tm's +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation web page at http://www.pglaf.org. + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation's EIN or federal tax identification +number is 64-6221541. Its 501(c)(3) letter is posted at +http://pglaf.org/fundraising. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state's laws. + +The Foundation's principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at +809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email +business@pglaf.org. Email contact links and up to date contact +information can be found at the Foundation's web site and official +page at http://pglaf.org + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit http://pglaf.org + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including checks, online payments and credit card donations. +To donate, please visit: http://pglaf.org/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart is the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For thirty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + + +Most people start at our Web site which has the main PG search facility: + + http://www.gutenberg.org + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. |
