summaryrefslogtreecommitdiff
path: root/29357-0.txt
diff options
context:
space:
mode:
Diffstat (limited to '29357-0.txt')
-rw-r--r--29357-0.txt12068
1 files changed, 12068 insertions, 0 deletions
diff --git a/29357-0.txt b/29357-0.txt
new file mode 100644
index 0000000..0c27a56
--- /dev/null
+++ b/29357-0.txt
@@ -0,0 +1,12068 @@
+The Project Gutenberg eBook of Our Young Folks at Home and Abroad, by Various
+
+This eBook is for the use of anyone anywhere in the United States and
+most other parts of the world at no cost and with almost no restrictions
+whatsoever. You may copy it, give it away or re-use it under the terms
+of the Project Gutenberg License included with this eBook or online at
+www.gutenberg.org. If you are not located in the United States, you
+will have to check the laws of the country where you are located before
+using this eBook.
+
+Title: Our Young Folks at Home and Abroad
+
+Author: Various
+
+Editor: Daphne Dale
+
+Release Date: July 8, 2009 [eBook #29357]
+
+Language: English
+
+Character set encoding: UTF-8
+
+Produced by: Alicia Williams, Chrome, the dedicated librarians who helped on this project, Sam W. and the Online Distributed Proofreading Team
+
+*** START OF THE PROJECT GUTENBERG EBOOK OUR YOUNG FOLKS AT HOME AND ABROAD ***
+
+
+
+
+OUR YOUNG FOLKS
+AT HOME AND ABROAD.
+
+[Illustration: {A BOY AND TWO GIRLS.}]
+
+W. B. CONKEY COMPANY
+LONDON--NEW YORK--CHICAGO.
+
+
+
+
+ OUR YOUNG FOLKS
+ AT HOME AND ABROAD:
+
+ _Illustrated Sketches and Poems
+ for Young People._
+
+ BY
+
+ ANNIE D. BELL, CLARA J. DENTON, AMANDA M. DOUGLAS,
+ FRANK H. SELDEN, CHAS. T. JEROME, LAURA
+ E. RICHARDS, MRS. L. A. CURTIS,
+ OLIVER OPTIC, ETC.
+
+ _ORIGINAL ILLUSTRATIONS._
+
+ BY
+ F. S. CHURCH, E. H. GARRETT, A. S. COX, CULMER BARNES,
+ PARKER HAYDEN, H. MOSER, H. PRUETT SHARE,
+ MISS L. B. HUMPHREY, ETC., ETC.
+
+
+ EDITED BY
+ DAPHNE DALE.
+
+
+ LONDON--NEW YORK--CHICAGO:
+ W. B. CONKEY COMPANY,
+ PUBLISHERS.
+
+
+
+
+ COPYRIGHT 1894,
+ W. B. CONKEY COMPANY.
+
+
+
+
+[Illustration: ANIMAL LIFE FROM EVERY ZONE.]
+
+
+
+
+ THE KITTENS' STEPMOTHER
+ HOW SOME SEEDS ARE PLANTED
+ OLD SCORES REPAID, OR TRAGEDY REVERSED
+ TIPPY, THE FIREMEN'S DOG
+ NINE LITTLE FOXES
+ WHAT AILED THE BELL
+ THE HOOK AND LADDER
+ LITTLE JOE'S RIDE
+ GYPSY AND HIS TRICKS
+ A LITTLE GIRL'S WEDDING GIFT
+ DO RIGHT
+ DOG PRINCE
+ WHERE THE PRETTY PATH LED
+ A LETTER TO MOTHER NATURE
+ OUR MAY-DAY AT THE SOUTH
+ BERTIE'S STORY AND MINE
+ THE PORCUPINE'S QUILLS
+ LOVE YOUR ENEMIES
+ THE MERCIFUL PRINCE
+ THE OPOSSUM IN THE HEN-HOUSE
+ HOW ROY WENT A FISHING
+ A BEAR-STORY
+ HEAR US SING, SEE US SWING, UP IN THE OLD OAK TREE
+ SAILOR BABIES
+ PRETTY POLLY PRIMROSE
+ LOOK AT THE BABY
+ AN UNLUCKY SAIL
+ TO STRAWBERRY TOWN
+ FLOSSIE AND HER SHOE-BOAT
+ NELLIE'S LUNCH
+ DIME AND THE BABY
+ WIDE-AWAKE LAND
+ LULU'S FIRST THANKSGIVING
+ THE SUN-KISS
+ THE COUNTRY WEEK
+ THE ROAD TO SCHOOL
+ WHAT SAMMY'S MONKEY DID
+ BESSIE IN THE MOUNTAINS
+ PAULINE'S STRANGE PETS
+ "GO HALVES!"
+ LITTLE GAMES
+ WHAT WE FOUND IN OUR STOVE
+ THE JOHN AND LINCOLN FLEET
+ THE YACHT STARLIGHT
+ THE NEW PARASOL
+ THE MAN WHO WAS SHAKEN BY A LION
+ THE LAUGHING JACKASS
+ THE TRICK THEY PLAYED ON JOCKO
+ SOME OTHER THINGS BOBBY SAW AT SEA
+ THE MOSQUITO
+ THE LAUGHING GIRL
+ ANNIE'S DUCKS
+ VICK IN TROUBLE
+ IN GRANDMA'S ATTIC
+ LITTLE GIRL GRACIE
+ A MAGPIE AND HER NEST
+ AT THE BEACH
+ FARMER GRAY AND HIS APPLES
+ AH KEE
+ DICK AND GRAY
+ THE RETURN OF THE BIRDS
+ FIRST REWARD OF MERIT
+ FOUR LITTLE MICE
+ FINNETTE
+ ABOUT THE DEER
+ EVERYBODY'S DOG
+ A BIRD'S NEST
+ A RAINY DAY
+ THE STORY OF A CANE
+ MISS LOLLIPOP'S FANCIES
+ TOMMY'S TEMPTATION
+ A BEAR STORY
+ ANNA'S BIRTHDAY GIFT
+ RALPH AND THE BUTTERFLIES
+ A POEM
+ TOM'S LETTER
+ JANEY'S PRESENT
+ GOOD OLD ROSE
+ AUNT PATTY'S PETS
+ TOMMY AND THE GANDER
+ A NIGHT VISITOR
+ THE NIGHT MONKEY
+ BABY'S NAP
+ HURRAH! HURRAH!
+ MOSES GOES TO A CANDY PARTY
+ FAN'S CARDS:--A CHRISTMAS HINT
+ KITTY'S TRAMP
+ THREE ROYAL CHILDREN
+ AN OSTRICH PLUME
+ WHO KILLED THE GOOSE?
+ A TEMPERANCE HORSE
+ HOW THE WIND BLOWS
+ DIME AND BETTY
+ SAVED FROM FREEZING TO DEATH
+ LILY'S GARDEN
+ WHERE?
+ A GOAT IN TROUBLE
+ A NEGRO MELODIST
+ TIME ENOUGH
+ THE MOUSE WEDDING
+ SHE HAD NEVER SEEN A TREE
+ A FUNNY HORSE
+ MRS. GIMSON'S SUMMER BOARDERS
+ AS NIGHT CAME DARKLY DOWN
+ GRANDMOTHER'S CLOCK
+ A STUFFED JUMBO
+ THE TREES IN SILVER LAND
+ SMALL BEGINNINGS
+ GARDEN OF THE GODS
+ YOUNG ARTIST
+ A CHANCE WORD
+ A LITTLE DANCE
+ LOOKING OUT FOR NUMBER ONE
+ WOODCROFT
+ IN THE WOODS
+ AUTUMN LEAVES, AND WHAT KATIE DID
+ THE SPINNING LESSON
+ FOSTER PARENTS
+ HAYMAKING
+ WINDOW GARDENING
+ "CHEER UP."
+ WAIF'S ROMANCE
+ "MAY I GO WITH YOU?"
+ A SUMMER AT WILLOW-SPRING
+ GREAT EXPECTATIONS
+ "WHERE'S SOPHIE?"
+ "IF I CAN, I WILL."
+ WINDSOR CASTLE
+ THE LITTLE PRINCES
+ THE TOWER OF LONDON
+ MARY AND HER LAMB
+ JAMIE'S GARDEN
+ CAMP TRIO
+ THE SENTIMENTAL FOX
+ EARTHEN VESSELS
+ BIRDIE'S BREAKFAST
+ A BATTLE
+ GRACE DARLING, THE HEROINE
+ ADAM AND EVE
+ SWINGING SONG
+ HOW THE DAYS WENT AT SEA-GULL BEACH
+ MAX AND BEPPO
+ PANSIES
+ "COME, LITTLE BIRD!"
+ SIRENA'S TROUBLE
+ LADY VIOLET
+ ON TRIAL
+ TWO LITTLE GIRLS
+ HELPFUL WORDS
+ FALSE SHAME
+ CLARA AND THE ANIMAL BOOK
+ AN ANECDOTE
+ THE UNSOCIABLE DUCKS
+ PUTTING OUT THE CANDLE
+ SULKY ARCHIE
+ A WISH FOR WINGS
+ CONSEQUENCES: A PARABLE
+ COMFORTABLE MRS. CROOK
+ AN EVENING SONG
+ "BUT THEN."
+ AN ANECDOTE
+ WHAT THE SNAIL SAID
+ ONLY NOW AND THEN
+ A SERPENT AMONG THE BOOKS
+ "LITTLE MOTHER."
+ LITTLE SCATTER
+ WHAT CHICKY THINKS
+ STOP-A-WHILE
+ THE BIRDS' CONCERT
+ ONLY A BOY
+ BIRD NEEDLEWORK
+ HE WAS A GENTLEMAN
+ TIME FOR BED
+ THE VALUE OF A GOOD NAME
+ DINGFORD'S BABY
+ A BED-TIME STORY
+ THE LESSON AFTER RECESS
+ THE LION AT THE "ZOO"
+ DISOBEYING MOTHER
+ PLANTS THAT EAT
+ THE CUCKOO CLOCK
+ DAVY'S GIRL
+ EARLY TEA
+ BONEY
+ CATCHING SNOW FLAKES
+ A MISCHIEVOUS MONKEY
+ THE AFRICAN SLAVE BOY
+ CLIMBING
+ LITTLE ELSIE
+ KITTY STRIKER
+ MAYING
+ GRACIE'S TEMPER
+ AN ANECDOTE
+ THE SWEET-GRASS HOUSE
+ JOHNNY'S GARDEN
+ BOY BILLY AND THE RABBIT
+ A FISH STORY
+
+
+
+
+Our Young Folks at Home and Abroad.
+
+
+
+
+[Illustration: THREE ORPHANS, ONE MOURNER.]
+
+THE KITTENS' STEPMOTHER.
+
+
+There are two little girls living nearly a hundred rods apart, Mamie
+and Fannie. Each had a nice pet cat.
+
+Mamie's cat had three little kittens. When they were about three weeks
+old their poor mother was killed by a useless dog. For two days Mamie
+fed her kittens with a spoon, and did all she could to comfort them;
+but they would cry for their mother.
+
+Fannie's cat had only one kitten, and it died at once. Then Mamie took
+her three motherless kittens down to Fannie's cat to see if she would
+adopt them. She took them at once, and made a great fuss over them.
+Then she was allowed to raise them.
+
+When Mamie thought her kittens were old enough she took all three of
+them home again. But their stepmother would neither eat nor drink. She
+cried and looked for the kittens. At last Fannie carried her cat up to
+Mamie's house to see the kittens. Then mother and kittens were all
+happy again, and played together as if they had never been separated.
+
+When the girls saw how much the cat and kittens were attached to each
+other they concluded to take Fannie's cat home again with only two of
+the kittens; in a short time bring back one of them, and later the
+last one. In this way they thought they could separate them without
+any trouble.
+
+Fannie's cat was not pleased with this plan. She began to look for and
+call the third kitten. The next morning, when Mamie went to feed her
+one kitten, she could not find it anywhere about the barn or woodshed.
+She went down to Fannie's house, and there she found her kitten.
+Sometime in the night Fannie's cat went to Mamie's house, found the
+kitten, and carried it home. Since that time the girls have not tried
+to part the cat and kittens, and they are a happy family.
+
+ MAMIE A. AND FANNIE H.
+
+[Illustration: {KITTEN IN A BASKET.}]
+
+
+
+
+[Illustration: {A COUNTRY SCENE.}]
+
+HOW SOME SEEDS ARE PLANTED.
+
+
+Many noble oak-trees are planted by the little squirrel. Running up
+the branches, this little animal strips off the acorns, and buries
+them in the ground for food in the cold weather; and when he goes to
+hunt them up he does not find all of them. Those he leaves behind
+often grow up into great and beautiful trees.
+
+The nuthatch, too, among the birds, is a great planter. After
+twisting off a cluster of beech-nuts this queer little bird carries
+them to some favorite tree, and pegs them into the crevices of the
+bark in a curious way. How, we cannot tell. After a while they fall to
+the ground, and there grow into large trees.
+
+[Illustration: {TREES ON THE BANK OF A STREAM.}]
+
+Some larger animals are good seed-planters, and have sometimes covered
+barren countries with trees. It is very singular that animals and
+birds can do so much farm-work, isn't it?
+
+ MRS. G. HALL.
+
+
+
+
+[Illustration: {A CAT CATCHES A MOUSE.}]
+
+OLD SCORES REPAID, OR TRAGEDY REVERSED.
+
+
+ I met a tearful little lass;
+ She sobbed so hard I could not pass,
+ I wondered so thereat;
+ "Oh, dry your tears, my pretty child,
+ Pray tell me why you grieve so wild."
+ "A--mouse--ate--up--my--cat!"
+
+[Illustration: {A MOUSE LOOKS AT A CANDY CAT.}]
+
+[Illustration: {A MOUSE EATING A CANDY CAT.}]
+
+ "A mouse ate up your cat!" I cried,
+ To think she'd fib quite horrified;
+ "Why, how can you say that?"
+ Her tears afresh began to run,
+ She sobbed the words out, one by one:
+ "It--was--a--candy--cat!"
+
+ S. ISADORE MINER.
+
+[Illustration: {THREE MICE AROUND A TRAP.}]
+
+
+
+
+TIPPY, THE FIREMEN'S DOG.
+
+
+[Illustration: {TIPPY LYING DOWN.}]
+
+Tippy was a little, black dog, and he lived at the engine-house, where
+the great engines, which put out the fires, were kept.
+
+[Illustration: {TIPPY BARKING.}]
+
+He was a poor, miserable, little dog, without a home until the firemen
+took pity on him and gave him one.
+
+Dick was one of the horses that helped to pull the engine. He was very
+large and black, with a white spot on his forehead. He and Tippy were
+fine friends.
+
+When it was cold the little dog would curl close down by Dick's back,
+and sleep all night, as warm as could be.
+
+One day, when it was Dick's dinner-time, and he was very hungry, Tippy
+kept running into his stall and barking and biting at his heels.
+
+Dick did not like it, and he wanted his dinner so much that it made
+him cross. So he put down his head, took Tippy by the back of the
+neck, and lifted him over the side of the low stall, as much as to
+say:--
+
+"If you won't go out I will put you out!"
+
+[Illustration: {TIPPY CARRYING A BUCKET.}]
+
+Tippy soon grew to know what the engines were for, and when the
+fire-bells rang, and the great horses came from their stalls ready to
+be harnessed to the engine, he would bark and jump up and down, and
+beg to go too.
+
+[Illustration: TIPPY, THE FIREMEN'S DOG.]
+
+One day he hid under the driver's seat, and the firemen did not see
+him, so he went to the fire.
+
+After that, the instant an alarm sounded, Tippy would spring on the
+engine. As it dashed down the street, the bells ringing, the firemen
+shouting, he would bark to let the people along the way know he was
+going to help put out the fire.
+
+Every day the firemen would give Tippy a basket, and a penny to buy a
+bone with. He would take the basket in his mouth, and trot across the
+street to the butcher's for the bone. The butcher would take the penny
+out, and put a bone in its place, and Tippy would run home to eat his
+breakfast.
+
+Once in a while Tippy would be very naughty, and would have to be
+punished. Then the firemen would make him sit on a chair for a long
+while, until he would promise, by a bark which meant, "Yes," that he
+would be good.
+
+ LOUISE THRUSH BROOKS.
+
+[Illustration: {TIPPY SITTING ON A CHAIR.}]
+
+
+
+
+[Illustration: {A FOX AND SOME CUBS.}]
+
+NINE LITTLE FOXES.
+
+
+Tommy and Bessie, Bert, and even little Caddie, think there is no
+treat like a visit to Covill Farm.
+
+They all jumped for joy when, one bright afternoon in early summer,
+their papa said:--
+
+"I am going out past the Covill Farm, and if any little folks want to
+go along they may stop there while I do my errands."
+
+How soon they were all ready! How busy all the little tongues were,
+talking over what they would see and do!
+
+"There'll be lots of little chickens now; and ducklings, too!"
+
+"Yes; and we'll see the dear little lambs, and the little calfeys!"
+
+"And maybe we can go down to the boat-house, and have a row on the
+lake!"
+
+But they never dreamed of the funny sight they really saw that
+afternoon. Papa set them all down at the gate, and drove on, promising
+to come back for them in an hour.
+
+When he came back he tied his horse, and set out to find the little
+folks. But in a few moments they saw him, and came rushing across the
+yard, all talking at once:--
+
+"O papa, come! come and see!"
+
+"Oh, so funny!"
+
+Little two-year-old Caddie was as much excited as the rest; she
+cried:--
+
+[Illustration: {NINE FOX CUBS.}]
+
+"Take my hand, papa! Little piggies shall not bite you!"
+
+"Little piggies," indeed! Little foxes they were; and nine of the
+cunning creatures. Only think!
+
+The manager of the farm said that something had been killing his
+lambs, and he had been on the watch to find out the rascal.
+
+One day, when he was out with his gun, he saw something moving near
+an old woodchuck hole; at least, there had been woodchucks there the
+year before.
+
+He went nearer, expecting to see a woodchuck again; but there were
+these little foxes playing around. The woodchucks must have burrowed
+out, and an old fox taken possession of their hole for a den.
+
+Mr. Nash lay down on the ground to count the funny little things, and
+watch them tumbling over each other. Then he tried to stop up the
+entrance to their den with his coat, so that he could catch them. But
+a tree root lay across the hole in such a way that there was a place
+left big enough for the little foxes to get in; and in they went.
+
+Then Mr. Nash went and called a man to help him. They took spades and
+dug into the hole until they found them.
+
+They carried them up to the farm-yard, and put them into a pen. They
+were of a tawny color; and when the children saw them they were about
+as large as cats, and as full of play as any kittens.
+
+Mr. Nash said he did not want to kill them, because they were so
+cunning. But it was a good thing that he caught them. Just think how
+many chickens, and ducks, and geese, and lambs those nine foxes might
+have killed, if they had grown up in their den!
+
+ MRS. D. P. SANFORD.
+
+[Illustration: {A FOX CUB SITTING ON A TABLE.}]
+
+
+
+
+[Illustration: {BIRDS AROUND THE BELL.}]
+
+WHAT AILED THE BELL.
+
+
+It was the first day of school after a vacation. The children were
+playing in the yards. The teachers sat at their desks waiting for the
+bell to strike to call the children to the different rooms. The hands
+of the different clocks pointed to a quarter before nine.
+
+The bell was a sort of gong, fastened to the outside of the building,
+and the master of the school could ring it by touching a knob in the
+wall near his desk. It was now time to call the children into school.
+The master pulled the bell and waited. Still the merry shouts could be
+heard in the school-yards. Very strange! The children were so engaged
+in play that they could not hear the bell, he thought. Then he pulled
+it more vigorously. Still the shouts and laughter continued.
+
+The master raised his window, clapped his hands, and pointed to the
+bell.
+
+[Illustration: {THE MASTER LOOKS OUT OF THE WINDOW.}]
+
+The children rushed into line like little soldiers, and waited for the
+second signal. The teacher pulled and pulled, but there was no sound.
+Then he sent a boy to tell each line to file in, and he sent another
+boy for a carpenter to find out if the bell-cord was broken.
+
+[Illustration: {A BOY CLEARS THE EMPTY NEST AWAY FROM THE BELL.}]
+
+What do you think the carpenter found? A little sparrow had built its
+nest inside the bell, and prevented the hammer striking against the
+bell. The teacher told the children what the trouble was, and asked if
+the nest should be taken out. There was a loud chorus of "No, sir."
+
+Every day the four hundred children would gather in the yard and look
+up at the nest. When the little birds were able to fly to the trees in
+the yard, and no longer needed a nest, one of the boys climbed on a
+ladder and cleared away the straw and hay so that the sound of the
+bell might call the children from play.
+
+ M. A. HALEY.
+
+
+
+
+[Illustration: {BOYS AT PLAY.}]
+
+THE HOOK AND LADDER.
+
+
+ The frosts in the door-yard maple
+ Had lighted a fine red blaze,
+ And one of the golden twilights
+ That come September days:
+ The neighborhood lads had gathered
+ To play their usual plays.
+
+[Illustration: {A BOY UP A TREE.}]
+
+ Frankie was good at planning,
+ And seeing the glowing tree,
+ "Let's have a fire department
+ And play 'tis a house!" said he.
+ "Oh, yes, a hook and ladder,"
+ Cried all; "what fun 'twill be!"
+
+ So they put the hose on the hydrant.
+ Searched everywhere about
+ Until they found a ladder,
+ And then, with yell and shout
+ Of "fire" and clang of "ding-dong,"
+ They rushed to put it out.
+
+ The hosemen pulled their jackets
+ Hastily from their backs;
+ One climbed the tree like a squirrel,
+ With a ball-bat for an axe
+ And he hewed at the beautiful branches
+ With frantic hacks and whacks.
+
+ Some one turned on the water,
+ And the boy in the foremost place
+ Got the full force from the nozzle
+ Square in his little face;
+ And he cried for half a minute
+ With the funniest grimace.
+
+[Illustration: {ONE BOY IS SOAKED BY ANOTHER BOY WITH A HOSE.}]
+
+ The stream flew this way, that way,
+ And up to the tree's bright top,
+ And back came the water splashing
+ With reckless slosh and slop,
+ And with it showers of red leaves
+ And twigs began to drop.
+
+ This small boys' Hook and Ladder
+ Was a very good company,
+ And they squirted till the sidewalk
+ Was like a mimic sea;
+ But they didn't put out the fire
+ In the old red maple-tree.
+
+ MRS. CLARA DOTY BATES.
+
+
+
+
+[Illustration: {JOE, HIS UNCLE AND THE HORSE.}]
+
+LITTLE JOE'S RIDE.
+
+
+"Good Billy! nice Billy!" said little Joe, as he patted the nose of
+the old black horse. "Say, Uncle John, can't I ride him to water?"
+
+"I am afraid you cannot hang on to him," replied his uncle. "Did you
+ever ride a horse?"
+
+"No, uncle; but I am sure I can," answered Joe. "Please let me try.
+I'll take hold of his mane with both hands, and hang on as hard as
+ever I can."
+
+"Well, you may try it. There is the trough, against that fence, the
+other side of the barn. Look out that old Billy does not give you a
+ducking."
+
+"Never fear for me," cried Joe, riding away in great glee.
+
+He was a little city boy, and had come out to the farm to make his
+uncle a visit. He thought it great fun to take a ride on horseback.
+
+It did not take him long to find the trough, for old Billy knew the
+way right well. Then, how it happened, Joe never could tell: Billy put
+his head down quite suddenly, and right over it slid the little boy
+with a great splash, head first into the water.
+
+Of course he was not hurt. He caught hold of the fence and came out,
+dripping from head to foot.
+
+[Illustration: {JOE IN THE WATER TROUGH.}]
+
+Old Billy looked on rather surprised, but got his drink. He let Joe
+lead him back to the barn, and how Uncle John did laugh at him. Joe
+laughed too, as he went off to get on some dry clothes. Though he took
+a good many rides after that, he never forgot his first one on old
+Billy's back.
+
+ MRS. M. E. SANDFORD.
+
+
+
+
+[Illustration: {GYPSY PULLING A SMALL TWO WHEELED CART.}]
+
+GYPSY AND HIS TRICKS.
+
+
+When Harry was six years old his grandfather sent him a very nice
+present from the farm. You cannot guess what it was, so I will tell
+you.
+
+[Illustration: {GYPSY STANDING ON HIS HEAD.}]
+
+A goat, with a harness and cart, for Harry to drive him. Harry named
+him Gypsy, because he was so black.
+
+Gypsy and Harry had a great many good times together. He would draw
+Harry to school and then wait very patiently under the shade of a tree
+until school was out. All the school-children were very fond of him
+and would bring him sweet apples and cake.
+
+[Illustration: {GYPSY BOWING.}]
+
+The teacher was fond of Gypsy, too, and would often bring sugar to
+him; but she never let Gypsy have it until he had performed one of the
+tricks the boys had taught him. He must either stand on his head, bow,
+or dance. Gypsy could do all these.
+
+One day Gypsy did something very funny. It was a very hot day, and
+Harry thought he would unharness him and let him roam around the
+school-yard.
+
+What do you think Gypsy did? He walked into the school-house, straight
+up to the teacher, and stood on his head. He was begging for sugar.
+
+[Illustration: {GYPSY STANDING ON HIS HIND LEGS.}]
+
+The teacher laughed with the scholars, and said, "Gypsy, you have
+learned your lesson well; now I'll excuse you, and let you go out to
+play." And then she drove him out.
+
+One of the boys begged leave to give Gypsy an apple, and the teacher
+said he might. Gypsy took the apple in his mouth and made a little
+bow.
+
+The scholars laughed so long that the teacher had to close the door
+for fear Gypsy would do some other funny thing.
+
+ KATY KYLE.
+
+
+
+
+[Illustration: {TWO LITTLE GIRLS.}]
+
+A LITTLE GIRL'S WEDDING GIFT.
+
+
+ If I could choose a wedding gift,
+ I'd climb for you the rainbow stairs
+ And bring a star to bless
+ This day of happiness.
+
+ As I came down, a bird I'd lift
+ From off his nest, that his sweet airs
+ And songs might you delight
+ From rosy morn till night.
+
+ But rainbow stairs are hard to mount,
+ The birds hide in the trees' green shade,
+ And so I bring, dear friend, to you
+ The flowers wet with dew.
+
+[Illustration: {TWO LITTLE GIRLS.}]
+
+ Take them, and then take me; please count
+ My eyes your stars; the little maid
+ Who offers flowers, your bird,
+ Whose heart with love is stirred.
+
+[Illustration: {A LITTLE GIRL IN A PATCH OF FLOWERS.}]
+
+ May child love and the birds together
+ Make all your life like summer weather;
+ May flowers blossom in your sight,
+ And golden stars bring peace at night.
+
+ MRS. E. ANNETTE HILLS.
+
+
+
+
+DO RIGHT.
+
+
+ "Well met, my little man!
+ Now tell me, if you can,
+ The very nicest way
+ To spend this long, dull day."
+
+ "Well, sir, my mother says,
+ Of all the pretty ways
+ To make a dark day bright
+ The best is just do right!"
+
+ M. J. T.
+
+
+
+
+DOG PRINCE.
+
+
+ "Shake hands, Prince!"
+ Black as a coal, and curly, too.
+ Is the dog I introduce to you.
+ He gives at once his right-hand paw,
+ None a softer one ever saw.
+
+[Illustration: {PRINCE SHAKING HANDS WITH A LITTLE BOY.}]
+
+ "Beg, Prince!"
+ Up he rises on his hind legs,
+ Flies both little fore-feet, and begs,
+ Not for money, nor food, nor clothes,
+ But merely to show how much he knows.
+
+ "Speak, Prince!"
+ You'd think from that first growling note,
+ He'd a bumble-bee inside his throat;
+ 'Tis not a bee, but only a bark;
+ For answer, shrill and eager, hark!
+
+[Illustration: {PRINCE BEGGING.}]
+
+ "Roll over, Prince!"
+ He'll do all other things you ask;
+ But this is a task, a dreadful task.
+ He hates the dust on his silky hide
+ And in the fringe of his ears beside.
+
+ "Roll over, I say!"
+ Such a struggle as he goes through;
+ He wants to do it, and don't want to!
+ He rubs one black ear on the floor,
+ Rubs a little, and nothing more.
+
+ "Ah, Prince! Ah, Prince!"
+ Do you call that minding? Yet, I find
+ Yours is a common way to mind:
+ Willing to do what you like to best,
+ And only half-way doing the rest.
+
+ MRS. CLARA DOTY BATES.
+
+
+
+
+[Illustration: {THE CHILDREN BY THE LILY POND.}]
+
+WHERE THE PRETTY PATH LED.
+
+
+Little Fred went to spend his long vacation with his grandpa and
+grandma in the country. Fred's grandpa had an old white horse named
+Betsy. He had owned her ever since mamma was a little girl, and Fred
+and Betsy soon became great friends.
+
+Every day grandma would give Fred two biscuits, two apples and two
+lumps of sugar in a little basket and he would take them over to the
+pasture. Betsy soon learned to expect him, and waited for him at the
+bars. She knew that half of what was in the basket was meant for her.
+
+A very pretty path came in at one end of the pasture. Fred often
+wondered where it went, but he never dared to go in very far alone.
+One day his two cousins, Alice and Frank, came to make grandma a
+little visit. Grandma told Fred he must show them all over the farm.
+The next morning, after he had taken them out to lunch with Betsy, he
+thought it would be a good chance to go down the little path. Alice
+and Frank said they would like to go very much. Fred was still a
+little afraid, and kept very near Alice. But he forgot everything
+else, when, at the end of the path, they came upon a lovely little
+pond. It was all covered with great white lilies and their green pads.
+
+They wanted to get some lilies to take home. They tried to reach them
+from the bank, but lilies have a provoking way of growing just out of
+reach. Then they tried to hook them in with sticks, but got only three
+or four, without stems. Then they looked for a board to use as a raft.
+
+At last Frank said they must wade for them. He and Fred took off their
+shoes and stockings, pulled up their trousers, and went in. Fred used
+a long stick to feel the way before him, so as not to get into water
+too deep.
+
+This time they were successful, and got just as many lilies as their
+hands would hold.
+
+Grandma was delighted with them; she said she had not had any lilies
+from that old pond since grandpa used to bring them to her years and
+years before.
+
+ MRS. F. T. MERRILL.
+
+
+
+
+A LETTER TO MOTHER NATURE.
+
+
+[Illustration: {A LITTLE GIRL WRITING A LETTER.}]
+
+ "You dear old Mother Nature, I am writing you a letter,
+ To let you know you ought to fix up things a little better.
+ The best of us will make mistakes--I thought perhaps if I
+ Should tell you how you might improve, you would be glad to try.
+
+ "I think you have forgotten, ma'am, that little girls and boys
+ Are fond of dolls, and tops, and sleds, and balls, and other toys;
+ Why didn't you--I wonder, now!--just take it in your head
+ To have such things all growing in a lovely garden bed?
+
+[Illustration: {DRINKING FROM A LEMONADE SPRING.}]
+
+ "And then I should have planted (if it only had been me)
+ Some vines with little pickles, and a great big cooky tree;
+ And trees, besides, with gum-drops and caramels and things;
+ And lemonade should bubble up in all the little springs.
+
+ "I'd like to have the coasting and the skating in July,
+ When old Jack Frost would never get a single chance to try
+ To nip our cheeks and noses; and the Christmas trees should stand
+ By dozens, loaded!--in the woods!--now, wouldn't that be grand?
+
+[Illustration: {PICKING UNUSUAL PLANTS.}]
+
+ "Ah! what a world it would have been! How could you, madam, make
+ Such lots of bread and butter to so very little cake?
+ I'd have it just the other way, and every one would see
+ How very, very, very, very nice my way would be.
+
+ "But, as I cannot do it, will you think of what I say?
+ And please, ma'am, _do_ begin and alter things this very day.
+ And one thing more--on Saturdays don't send us any rain.
+ Good-by. If I should think of something else, I'll write again."
+
+ SYDNEY DAYRE.
+
+[Illustration: {A BOY PLAYING A PIPE TO A DOG.}]
+
+
+
+
+[Illustration: {A BOY AND A GIRL.}]
+
+OUR MAY-DAY AT THE SOUTH.
+
+
+ Out in the woods we went to-day:
+ Mamma and Nannie, Freddie and May,
+ Charlie and I, and good old Tray,
+ Out in the greenwood to romp and play.
+
+ To-day, you know, is the first of May;
+ And we meant to be so jolly and gay:
+ And celebrate in so merry a way
+ That we could never forget this holiday.
+
+ So first we chose the loveliest queen,
+ The dearest and sweetest that ever was seen;
+ For mamma herself was Her Highness Serene,
+ And we crowned her with rosebuds and evergreen.
+
+ Then we kneeled around and vowed to obey
+ All the laws she made, not only to-day,
+ But all the year through. Then she waved a spray
+ Of lilac bloom, and bade us all be gay.
+
+ Oh the games we played, and the races we run!
+ The bars we leaped, and the prizes we won!
+ Oh the shouting, the singing, the laughter and fun,--
+ It were hard to tell who was the happiest one!
+
+ Then, rosy and tired, we gathered around
+ Our beautiful queen on the mossy ground;
+ The hungriest group in the land, I'll be bound.
+ As the sandwiches, cookies, and tarts went round.
+
+[Illustration: {ENJOYING GAMES AND A PICNIC.}]
+
+ When the sun was low and shadows were gray,
+ Down from her throne stepped our fair Queen of May,
+ And through the green fields led homeward our way,
+ While we gave her sweet thanks for this beautiful day.
+
+ L. A. B. C.
+
+
+
+
+[Illustration: {SHIPS NEAR A LIGHT-HOUSE.}]
+
+BERTIE'S STORY AND MINE.
+
+
+ "Tell me a story about a bear,
+ A great big bear who lived in a wood
+ And ate little children." "O, my dear,
+ The bears I know of were playful and good,
+ And lived in houses or parks or a pen,
+ And never ate children, or boys, or men.
+
+ "There was one snow white, a mother bear,--
+ With two little babies cunning and queer;
+ Who rolled and climbed and stood on their heads,
+ And fell over, as boys often do, I fear.
+ They hugged their mother, and talked in their way,
+ And kept still when they'd nothing to do or say."
+
+ "No, I mean a real bear out in the woods,
+ Who growls and chases you, makes you run,
+ Half scared to death,--and a little boy lost
+ Out in the woods and the night coming on;
+ And the terrible bear with his great fierce eyes,
+ And no one to hear the little child's cries!
+
+ "He runs and runs,"--and then Bertie smiles,
+ His climax reached,--"I was only in fun;
+ The bear didn't kill him, because, you see,
+ There was just behind a man with a gun,
+ And he shot! Bang! Down came the old bear;
+ 'Twas his own little boy and he saved him--there!"
+
+[Illustration: {BERTIE AND THE BEAR.}]
+
+ "O, I am so glad!" and I give him a kiss;
+ Then silent we sit for a moment or two.
+ "That's a boy's story; yours, you know,
+ For nice little girls very well will do.
+ But boys, you remember, grow up to be men,
+ And can fight the bears to their very den."
+
+ AMANDA M. DOUGLAS.
+
+
+
+
+THE PORCUPINE'S QUILLS.
+
+
+Every animal has an instrument of defence. Some have claws, some
+hoofs, some spurs and beaks, some powerful teeth and stings.
+
+[Illustration: {A PORCUPINE FENDS OFF A DOG.}]
+
+The porcupine has something queerer than all these. Its body is
+covered all over with two sets of quills. One set is long, slender,
+and curved; the other, short and straight, very stout, and with sharp
+points.
+
+Whenever the porcupine is chased by any animal, and finds he cannot
+get out of the way, he just stops and bristles up all his quills. Then
+he backs quickly upon the animal, so that the short, sharp quills may
+stick into the body. If any happen to be a little loose, they stick so
+fast in the flesh, like an arrow, that they often make a very bad
+wound. Remember this whenever you come in the way of the porcupine.
+
+ MRS. G. HALL.
+
+
+
+
+LOVE YOUR ENEMIES.
+
+
+I was watching Willie and Grouse at play on the lawn a few days since.
+I saw in the poor dumb brute a spirit that is too seldom found in man.
+
+[Illustration: {WILLIE POURS WATER OVER GROUSE.}]
+
+Grouse is an old bird-dog,--a setter. He was bought before Willie came
+to be his little master. He has soft, brown hair, and is a very
+clever, good-natured dog. Willie can do anything with him, and he
+never gets angry; but when Willie hurts him he only looks up and
+pleads with his large, misty eyes.
+
+They had been playing a long while. Grouse got tired and lay down on
+the grass. Pretty soon I saw Willie get some water in a basin. I
+wondered what he was going to do with it. Then he walked close up to
+Grouse, who lay on the lawn, and threw the water all over him.
+
+It was very unkind for Willie to do so, don't you think it was? I
+called Willie to me, and told him it was too bad for him to plague
+such a good old dog. I told him he was a very naughty boy to do so.
+
+Willie said he supposed it was wrong to plague Grouse, but he didn't
+mean to hurt him much.
+
+So Willie went back to where Grouse lay in the sun drying himself. He
+patted the poor dog on the head, and asked him if he would forgive him
+for his unkindness.
+
+Then Grouse, as if he knew what was said, licked Willie's hand. He
+looked up forgivingly into his face with his dewy eyes, as much as to
+say, "I am one who can love his enemies."
+
+ FRANK. H. SELDEN.
+
+
+
+
+THE MERCIFUL PRINCE.
+
+
+More than two thousand years ago, in a far-off country, a prince was
+born. While he was yet a child every care was taken that he should be
+made happy, and sights of sorrow were carefully kept from him. He was
+of a very kind, loving, and tender disposition.
+
+But the care even of a king for a prince could not keep away all
+sorrowful sights. His watchful eyes sometimes saw suffering that
+filled his heart with pity.
+
+As he was playing with his cousin in the palace ground, a flock of
+wild swans flew over their heads. His cousin drew his bow and wounded
+one. It fell at his feet. The prince with pity drew the arrow from the
+wounded bird, nursed it, and saved its life.
+
+While his child life was one of tenderness and mercy, the years passed
+by and he became a man. His heart was still filled with pity for every
+suffering creature. He went from the palace, from home and dear
+friends, to become poor and a wanderer, that he might help the
+suffering. It is beautifully told that in his wanderings he came upon
+a flock of sheep driven along the dusty highway. There was one poor
+wounded, bleeding lamb, which he took tenderly in his arms and
+carried. And so through life his pity and his help were given to the
+weak, whether men or beasts. From his tender and beautiful life, men
+came to worship him after his death.
+
+[Illustration: {THE PRINCE HELPS A WOUNDED SWAN.}]
+
+The prince was Prince Gautama, of India, who is worshipped as Buddha.
+Is not his loving and merciful life, from a little child to an old
+man, a beautiful example to us?
+
+ CHARLES T. JEROME
+
+
+
+
+THE OPOSSUM IN THE HEN-HOUSE.
+
+
+"O George, the circus is coming! the handbills are all up, and such
+pictures of horses and lions and tigers, and everything!"
+
+Ned jumped about for joy, until George said,--
+
+"But how are you going, Ned? We have no money, and papa said he could
+not give us any more this month, if he gave us a gun."
+
+"The new gun,--so he did," said Ned, sadly. "But the circus takes so
+little; they would let us in at half price."
+
+"I will tell you," exclaimed George; "let us sell our white Leghorns
+to mamma. She wants them, I know, and the money we get for them will
+take us both to the circus."
+
+This was settled, and at dinner mamma was told of the plan.
+
+"Put them up in the hen-house to-night," she said, "and to-morrow I
+will look at them and we will fix the price."
+
+The boys went to bed early that night, but had hardly settled
+themselves to sleep when Melissa, the little servant-girl, rushed in
+with a light in her hand.
+
+"O, git up, boys, git up! Sompen's in de hen-house, killin' all de
+fowls."
+
+They jumped up and huddled on their clothes as fast as they could,
+then ran after Melissa, who held the light while they armed themselves
+with sticks.
+
+There was a great stir, sure enough, in the hen-house,--fowls were
+cackling and screaming with fright, and a curious snapping sound came
+from one corner. When the light fell here they saw a rough, hairy
+little animal, with small bright eyes like a pig, and a long smooth
+tail. But, worst of all, one of the beautiful white Leghorns lay
+before it, all mangled and bleeding. The horrid creature was tearing
+its soft body, and would hardly stop eating when the children attacked
+him.
+
+At last Melissa caught up a stick, and killed the little beast with a
+quick blow. She held it up in triumph by its long tail. It looked
+very much like a little pig, and had five fingers, like toes, on each
+foot.
+
+"'Tis a 'possum," said Melissa, "and very good to eat. I's right glad
+_I_ kill it, cos now 'tis mine."
+
+[Illustration: {MELISSA AND THE BOYS WITH THE DEAD OPOSSUM.}]
+
+"You are welcome to it," said Ned, half crying. "What shall we do now
+our pretty Leghorn rooster is dead? We can't go to the circus."
+
+Next morning they told their tale at the breakfast-table.
+
+"Never mind," said their father; "I think you may go, after all, as I
+owe you something for killing the opossum. He would have destroyed the
+rest of the fowls."
+
+"Yes; but, papa, Melissa killed it; we only struck at it."
+
+"Well, I think I must treat the whole party, as all did their best. We
+will set a trap to-day for the next opossum that may come to see us."
+
+The boys and Melissa went to the circus, and enjoyed all they saw, and
+Melissa had a fine opossum stew into the bargain.
+
+ PINK HUNTER.
+ VIRGINIA.
+
+
+
+
+HOW ROY WENT A FISHING.
+
+
+Roy had fished in the ditch by the side of the road a great many
+times; but he had only a bent pin for a fish-hook, and a piece of
+twine for a line. He never caught any fish there.
+
+When he was six years old his uncle James gave him a real fish-hook
+and a line, and after a good deal of coaxing his mother said that he
+might go down the cow-path to the brook and fish for trout.
+
+Uncle James caught a great many trout in the brook.
+
+Alice wanted to go with Roy; and Roy, who is very kind to his sister,
+asked his mother to let her go.
+
+Alice carried the basket,--a pretty large one. Mary, the cook, told
+them to be sure and get it full of fish, so that she could fry them
+for dinner.
+
+How proud and happy they were! Their mother could see them from the
+window all the time.
+
+When they reached the brook Alice sat down on a rock. Roy put a worm
+on the hook, and dropped the end of the line into the stream. But it
+was a long time before he got a bite. At last he thought he felt a
+nibble.
+
+"I've got one, Ally!" he shouted. "O, such a big fellow! You will have
+to come and help me pull him out!"
+
+They tugged away on the line, and then they both fell over backwards.
+
+[Illustration: {ROY CATCHES SOMETHING UNEXPECTED AND UPSETS ALICE.}]
+
+"There he is!" cried Roy. But when they got up and looked, it was not
+a trout at all. It was only a piece of a black root that broke off and
+gave them a tumble.
+
+Roy tried again, and after a good while he felt another nibble. He
+jerked the line out so quickly that the hook caught in the back of
+Alice's dress. It pricked her shoulder so that she had half a mind to
+cry.
+
+Roy could not get the hook out of her dress, and they went home for
+their mother to help them.
+
+Mary laughed at Roy a good deal. She told his uncle James, at
+dinner-time, that Roy caught the biggest trout she ever saw, and he
+had to come home for his mother to get it off the hook.
+
+ L. A. B. C.
+
+[Illustration: {PORTRAIT OF A CHILD, SURROUNDED BY FLOWERS.}]
+
+
+
+
+A BEAR-STORY.
+
+
+ "I know a new bear-story,"
+ I said to the little folks,
+ Who surely as the twilight falls,
+ Begin to tease and coax.
+
+[Illustration: {A BEAR AT THE ZOO.}]
+
+ "And did they live in the forest,
+ In a den all deep and dark?
+ And were there three?"--"Yes, three," I said,
+ "But they lived in the park.
+
+ "Let's see! Old Jack, the grizzly,
+ With great white claws, was there;
+ And a mother bear with thick brown coat,
+ And Betty, the little bear!
+
+ "And Silver-Locks went strolling
+ One day, in that pretty wood,
+ With Ninny, the nurse, and all at once
+ They came where the bears' house stood.
+
+ "And without so much as knocking
+ To see who was at home,
+ She cried out in a happy voice,
+ 'Old Grizzly, here I come!'
+
+ "And thereupon old Grizzly
+ Began to gaze about;
+ And the mother bear sniffed at the bars,
+ And the baby bear peeped out.
+
+ "And they thought she must be a fairy,
+ Though, instead of a golden wand,
+ She carried a five-cent paper bag
+ Of peanuts in her hand.
+
+ "Old Grizzly his red mouth opened
+ As though they tasted good;
+ And the brown bear opened her red mouth
+ To catch one when she could;
+
+ "And Betty, the greedy baby,
+ Followed the big bears' style,
+ And held her little fire-red mouth,
+ Wide open all the while.
+
+ "And Silver-Locks laughed delighted,
+ And thought it wondrous fun,
+ And fed them peanuts from the bag
+ Till she hadn't another one.
+
+ "And is that all?" sighed Gold-Locks.
+ "Pshaw, is that all?" cried Ted.
+ "No--one thing more! 'Tis quite, quite time
+ That little folks were in bed!"
+
+ CLARA DOTY BATES.
+
+
+
+
+[Illustration: {A BOY AND A GIRL ON A SWING.}]
+
+HEAR US SING SEE US SWING UP IN THE OLD OAK TREE.
+
+
+ O--oh! O--oh!
+ Here we go,
+ Now so high,
+ Now so low;
+ Soon, soon,
+ We'll reach the moon;
+ Hear us sing,
+ See us swing,
+ Up in the old oak-tree.
+
+ O--oh! O--oh!
+ To and fro,
+ Like the birds,
+ High and low;
+ See us fly
+ To the sky;
+ Hear us sing,
+ On the wing,
+ Up in the old oak-tree.
+
+ L. A. B. C.
+
+
+
+
+[Illustration: {TWO BOATS NEAR THE SHORE.}]
+
+SAILOR BABIES.
+
+
+[Illustration: {A PAIR OF BIRDS.}]
+
+Birds, and birds, and birds! Have you any idea how many kinds of birds
+there are? I am very sorry you could not count them all. And such
+queer fellows many of them are! There are butcher-birds and
+tailor-birds, soldier-birds--the penguins, you know, who stand on the
+sea-shore like companies of soldiers, "heads up, eyes front, arms
+(meaning wings) at the sides"--and sailor-birds. It is about one of
+the sailor-birds and his babies that I am going to tell you now. She
+is called the Little Grebe, or sometimes, by her intimate friends, the
+Dabchick. She is a pretty little bird, about nine inches long, with
+brown head and back, and grayish-white breast. She and her husband are
+both extremely fond of the water. "We are first cousins to the
+Divers!" they sometimes say proudly. "The Divers are never happy away
+from the water, and neither are we. It is very vulgar to live on land
+all the time. One might almost as well have four legs, and be a
+creature at once!" (The Divers are a very proud family, and speak of
+all quadrupeds as "creatures.") Mr. and Mrs. Grebe have very
+curiously webbed feet, looking more like a horse-chestnut leaf with
+three lobes than anything else. They are excellent swimmers and
+divers; indeed, in diving, the Great Northern Diver himself is not so
+quick and alert. If anything frightens them, pop! they are under the
+water in the shaking of a feather; and you may sometimes see them in a
+pond, popping up and down like little absurd Jacks-in-the-box. As they
+think the land so very vulgar, of course they do not want to bring up
+their children on it.
+
+[Illustration: {BIRDS ON THE RIVER.}]
+
+Oh, dear, no! They find a pleasant, quiet stream, or pond, where there
+are plenty of reeds and rushes growing in the water, and where there
+is no danger of their being disturbed by "creatures." Then they go to
+work and make a raft, a regular raft, of strong stems of water-plants,
+reeds, and arrow-heads, plaited and woven together with great care and
+skill. It is light enough to float, and yet strong enough to bear the
+weight of the mother-bird.
+
+While she is building it she sits, or stands, on another and more
+roughly built raft, which is not meant to hold together long. Mr.
+Grebe helps her, pulling up the water-plants and cutting off the stems
+the right length; and so this little couple work away till the
+raft-nest is quite ready. Then Mrs. Grebe takes her place on it, and
+proceeds to lay and hatch her eggs. There are five or six eggs, and
+they are white when she lays them; but they do not keep their
+whiteness long, for the water-weeds and the leaves that cover the
+raft soon decay, and stain the pretty white eggs, so that they are
+muddy brown by the time they are hatched. Well, there little Madame
+Grebe sits, brooding contentedly over her eggs, and thinking how
+carefully she will bring up her children, so that they will be a
+credit to the family of the Divers. Mr. Grebe paddles, and dives and
+pops up and down about the nest, and brings her all sorts of good
+things to eat,--worms for dinner, minnows for supper, and for
+breakfast the most delicate and appetizing of flies and beetles. One
+day, when he brings his wife's dinner (a fine stickle-back), he finds
+her in a state of great excitement.
+
+"My dear," she says, "I am going to move. I cannot endure this place
+another hour. I only waited to tell you about it."
+
+"Why, what is the matter, my love?" asks Mr. Grebe, in amazement.
+
+"Some creatures have been here," answers little madam,
+indignantly,--"huge, ugly monsters, with horns; cows, I believe they
+are called. They have torn up the reeds, and muddied the water; and,
+if you will believe it, Dabchick, one of them nearly walked right over
+me; then I flew in his face, and gave him a good fright, I can tell
+you. But the whole thing has upset me very much, and I am determined
+to leave the place."
+
+"Very well, my love," says the dutiful Dabchick. "Whatever you say is
+always right!"
+
+Accordingly, when she has finished her dinner, Mrs. Grebe puts one
+foot into the water, and paddles her raft away as skilfully as if she
+were an Indian in a birch canoe. She steers it round the corners, and
+paddles on and on, till she finds another quiet nook, where there is
+no sign of any "creatures." Then she draws in her paddle-foot, and
+broods quietly again, while Mr. Grebe, who has followed her, goes to
+explore the new surroundings, and see what he can pick up for supper.
+
+After a time the muddy brown eggs crack open one by one, and out come
+the young Dabchicks, pretty, little, fuzzy brown balls. They shake
+themselves, and look at each other, and say how-d'-ye-do to their
+mother and father; and then, without any more delay, pop! they go into
+the water. "Hurrah!" says one. "I can swim!"
+
+
+
+
+PRETTY POLLY PRIMROSE.
+
+
+ Out here papa finds her,
+ Lifts her tenderly,
+ Carries her safe home again,--
+ Never once wakes she.
+
+[Illustration: {POLLY ASLEEP UNDER A TREE.}]
+
+ When the breakfast all is o'er
+ Polly opes her eyes.
+ "Surely, mamma, I did dream,"
+ Says she in surprise,
+ "That I went out to the Park,
+ Where the birdies sing."
+ Mamma smiles; how can she chide
+ The winsome little thing!
+
+ AMANDA M. DOUGLAS.
+
+[Illustration: {A PAIR OF BIRDS.}]
+
+
+
+
+LOOK AT THE BABY.
+
+
+ This way and that way, one, two, three.
+ Come if you want a dance to see;
+ With his chubby hands on his dress so blue,
+ See what a baby boy can do.
+
+ One foot up and one foot down;
+ See him try to smile and frown;
+ He would look better, I do declare,
+ With some more teeth and a little more hair.
+
+ One, two, three, chick-a-dee-dee!
+ This I take the fact to be,
+ That there never was, on sea nor shore,
+ Such a queer little dance as this before!
+
+
+
+
+AN UNLUCKY SAIL.
+
+
+When little Sam was six years old, he began to go to school. His
+teacher gave him a merit card whenever he was good all day. But
+sometimes he whispered, or made a noise in school, and then he did not
+get one.
+
+"I will give you a penny whenever you bring home a card," said Sam's
+father.
+
+After that Sam was very good, and brought home a card almost every
+day. He saved up his pennies, and when he was seven years old, he
+bought a pretty toy boat.
+
+Sam's sister Hattie went with him to the duck-pond to see him sail the
+boat. But soon she grew tired, and went back to the house.
+
+"I wish I had something to put into my boat," thought Sam.
+
+He looked around and saw Hattie's doll under a tree. Hattie had
+forgotten it when she went to the house. It was a pretty wax doll,
+with long flaxen hair, and blue eyes that would open and shut. It was
+dressed in pink silk, and had a little straw hat with a pink feather.
+
+[Illustration: {SAM AND HIS SAILING BOAT, AND WHAT HAPPENED TO MISS
+DOLLY.}]
+
+"I will give Miss Dolly a sail," thought Sam.
+
+He put the doll in the boat, and pushed it out on the water.
+
+"Hattie, Hattie!" he cried, "come and see your doll taking a sail."
+
+Just as he spoke an old duck swam against the boat, and gave it such
+a push that Miss Dolly fell off into the water. Before Sam could reach
+her with a long stick she sank to the bottom of the pond.
+
+Hattie cried until she had no tears left to shed, and Sam felt like
+crying, too. He knew he ought not to have taken his sister's doll.
+
+He went on saving his pennies just as he had done before he bought the
+boat. And when he opened his tin bank on his next birthday he found
+that he had nearly three dollars. What do you think he bought? I am
+afraid you would never guess, so I will tell you. He bought a new doll
+for Hattie, and it was even prettier than the one he had drowned in
+the duck-pond.
+
+ FLORENCE B. HALLOWELL.
+
+[Illustration: {HATTIE AND SAM AFTER THE SINKING.}]
+
+
+
+
+TO STRAWBERRY TOWN.
+
+
+ A dear little maid, with sun-bonnet red
+ Tied carefully over her little brown head,
+ With two little bare feet, so active and brown,
+ Has started to travel to Strawberry town.
+
+ "And pray where is that?" Oh dear! don't you know?
+ It's out in the field where the strawberries grow;
+ Where papa, and Henry, and Sue, in the sun,
+ Pick the sweet, big, red berries so fast, one by one.
+
+[Illustration: {THE MAID AND HER KITTENS.}]
+
+ "It's a very great ways," says the dear little maid,
+ "To Strawberry town, and I'm so afraid."
+ And so as companions, to keep her from harm,
+ She takes two fat kittens, one under each arm.
+
+ She trudges along with brown eyes opened wide,
+ The kittens hugged sociably up to each side;
+ With ears sticking up and tails hanging down,
+ She carries them bravely to Strawberry town.
+
+ MARY A. ALLEN, M.D.
+
+
+
+
+[Illustration: {FLOSSIE AND HER SHOE-BOAT.}]
+
+FLOSSIE AND HER SHOE-BOAT.
+
+
+Flossie took to the sea very early. She did not like to be bathed, but
+she was very fond of playing in the water.
+
+One day, when she was at her bath, her mother's back was turned, and
+little Miss Flossie turned her slipper into a boat and set it afloat
+in her little bath-tub. Then she pushed it about and made believe it
+was sailing. By and by it got full of water and sank, crew and all.
+This made her cry, and that made her mother look round. Flossie's
+shoe-boat was taken from her, and then she cried more. Her mother knew
+best, and was very firm. Miss Flossie had to give up being a sailor,
+and put on her pink dress and go downstairs.
+
+ R. W. L.
+
+
+
+
+NELLIE'S LUNCH.
+
+
+Little Nellie lived in California. Her papa was going on a visit to
+his old home in Maine, but Nellie was to stay at home with her mamma.
+Just before her father left, her mother took his great-coat, brushed
+it, and said, "I have put some handkerchiefs in this pocket, and in
+the other one is a nice lunch of cake and fruit."
+
+The father and mother were so busy that they took no notice of Nellie.
+But she had heard what mamma said. Her first thought was that she must
+put something in papa's pocket, too.
+
+[Illustration: {NELLIE MAKES LUNCH FOR HER FATHER.}]
+
+Her mother had been changing Nellie's clothes, and a soiled little
+stocking lay on the floor. The child had a small cake of maple sugar
+in her hand that she was eating. She took up the stocking and crammed
+the sugar down into the toe. She then rolled it up tight and tucked it
+down in one corner of her papa's pocket. No one saw her do it. The
+first that was known of what she had done was one day after her papa
+had reached his old home. He was searching his pocket for something
+when he felt the little stocking. He took it out, and when he saw what
+it was, what a good laugh he had! And how it made him think of his
+little Nellie, who was so far away!
+
+Nellie's papa showed me the little stocking and the cake of sugar. He
+said he would save them until Nellie was older, and she could then see
+what a nice lunch she had put up for her papa.
+
+ NELLIE BURNS.
+
+
+
+
+[Illustration: {A PORTRAIT OF DIME.}]
+
+DIME AND THE BABY.
+
+
+Bow-wow! Here I am again! I told you before that my name is Dime; but
+the baby calls me "Bow-wow." Do you know why? It is because I always
+say "Bow-wow." It is all the word I know how to say.
+
+Do you know our baby? She has big black eyes, and her mouth looks like
+a pink rosebud. She is a sweet little girl. I love her dearly. I did
+not like her when she first came. That was a long time ago. My master
+was very fond of her. That made me feel cross. I used to bark at baby
+and show all my teeth. After that they did not let me come near her. I
+did not see the baby for a long time. I did not care for that.
+
+My master did not seem to like me then. When he saw me, he said, "Go
+away, Dime! Go away, bad dog! You are not good to the baby." So I was
+not happy. I made up my mind to bite that baby.
+
+It was a long time before I got a chance to bite her; but one day I
+found her alone. She was in her little crib. I put my paws on her
+crib.
+
+But I did not bite her, after all. Shall I tell you why? She was too
+pretty to bite. So I kissed the baby, and I have loved her ever since.
+
+[Illustration: {DIME LOOKS AT THE SLEEPING BABY.}]
+
+Now, my master likes me again. He pats my head and says, "Good old
+dog! Good Dime! You love the baby, don't you?"
+
+I am glad I am not a cross dog now. I feel better when I am good.
+Don't you?
+
+ S. E. SPRAGUE.
+
+
+
+
+WIDE-AWAKE LAND.
+
+
+"Come, Freddie, time you were in bed long ago," said mamma.
+
+"Don't want to go!" cried Fred. "I wish I never had to go to bed!"
+
+But in a few moments Fred was snugly tucked away. Everything grew dim,
+and Fred's eyes began to close. Very soon he heard a little voice from
+somewhere, and started up.
+
+Perched on his knee was the queerest little man he had ever seen. In
+one hand he held a long pin, and this he often thrust at Fred.
+
+"What are you doing that for?" asked Fred. "To keep you awake," said
+the little dwarf. "You are in Wide-Awake Land, and no one goes to
+sleep here."
+
+[Illustration: {FREDDIE IS WIDE AWAKE.}]
+
+Fred sat up in bed and looked about. Was it really Wide-Awake Land?
+Needn't he ever go to bed again? "O, I am glad!" he said.
+
+There were many other boys and girls in this queer land, and most of
+them looked very unhappy.
+
+"What is the matter?" asked Fred of a little boy who was crying hard.
+
+"I'm tired and sleepy," sobbed the boy.
+
+"Why don't you go to sleep then?" asked Fred.
+
+"Humph! I guess you haven't been here long, or you'd know."
+
+"No, I've just come; I think it's nice."
+
+"Wait till you get sleepy," said the boy. "I used to think Wide-Awake
+Land would be nice. I believe Sleepy Land would be nicer now."
+
+[Illustration: {FREDDIE AND THE OTHER LITTLE BOYS.}]
+
+"Yes," added Fred; "but why can't you go to sleep?"
+
+"Because the little men that you see everywhere carry pins. They prick
+us when we try to sleep. O, I wish I hadn't come!" And the boy began
+to cry again. Fred thought he was very silly, and ran off to find some
+other new-comer.
+
+Night came at last. Big lamps were hung on the trees and made the
+place as light as day. The little men were flying about to keep the
+sleepy ones awake.
+
+Fred got sleepy at last, and began to nod. A little man thrust a big
+pin into him. "You must keep awake," he said. Fred tried hard, but his
+eyes would shut, and then would come the wicked pin. At last he
+screamed aloud.
+
+"Why, Fred! what is the trouble?" and he looked up. There was mamma.
+
+"I don't like Wide-Awake Land," cried Fred. "I will go to sleep when
+you want me to after this."
+
+"I think you are dreaming, Fred," replied mamma.
+
+"I was, but I am awake now."
+
+"Well, dear, you are in Sleepy Land now. So good night, and pleasant
+dreams."
+
+ ELIZA M. SHERMAN.
+
+[Illustration: {A LITTLE GIRL WEARING A HAT.}]
+
+
+
+
+LULU'S FIRST THANKSGIVING.
+
+
+Lulu was six years old last spring. She came to make a visit at her
+grandfather's, and stayed until after Thanksgiving.
+
+Lulu had lived away down in Cuba ever since she was a year old. Her
+cousins had written to her what a good time they had on Thanksgiving
+Day; so she was very anxious to be at her grandfather's at that time.
+They do not have a Thanksgiving Day down in Cuba. That is how Lulu did
+not have one until she was six years old.
+
+[Illustration: {THE FAMILY AT TABLE WAITING FOR THE TURKEY TO BE
+CARVED.}]
+
+She could hardly wait for the day to come. Such a grand time as they
+did have! Lulu did not know she had so many cousins until they came to
+spend the day at her grandfather's. It did not take them long to get
+acquainted. Before time for dinner they felt as if they had always
+known each other.
+
+The dinner was the grand event of the day. Lulu had never seen so long
+a table except at a hotel, nor some of the vegetables and kinds of
+pie.
+
+[Illustration: {PLAYING BLIND-MAN'S-BUFF.}]
+
+Lulu had never tasted turkey before. Her grandmother would not have
+one cooked until then, so she could say that she had eaten her first
+piece of turkey on Thanksgiving Day.
+
+After dinner they played all kinds of games. All the uncles and aunts
+and grown-up cousins played blind-man's-buff with them.
+
+
+
+
+THE SUN-KISS.[1]
+
+ [1] Small purple flower; grows by the wayside in the South.
+
+
+ In a land where summer lingers,
+ Far from Northern rains and snows,
+ Where, like loving, clasping fingers,
+ Twines the jasmine with the rose,
+
+[Illustration: {A LITTLE GIRL WITH A BUNCH OF FLOWERS.}]
+
+ There I found a little maiden:
+ Oh! her eyes were black as night,
+ And her tiny hands were laden
+ Down with blossoms pearly white.
+
+ Sought she all along the wayside,
+ 'Mong the ferns and waving palms,
+ Where the tiniest flower might hide
+ From her sweet protecting arms.
+
+ "What fresh treasure are you seeking?"
+ Asked I of the little one,
+ For a myriad blooms were peeping
+ Through the mosses to the sun.
+
+ "Have you never heard, dear lady,
+ Of the sweetest flower that blooms,--
+ It is neither proud nor stately,
+ Like the lily and the rose;
+
+ "But it brightens every pathway,
+ Springing 'neath your careless tread.
+ Till the sun, with quickening ray,
+ Kisses soft its drooping head.
+
+ "Then its petals quick unclosing,
+ Freshly sweet with morning dew,--
+ It is left for our supposing
+ That the story must be true,--
+
+ "How it shyly waits the coming
+ Of the glorious King of Day,
+ And that hence the pretty naming
+ Of a Sun-Kiss, so they say?"
+
+ ELIZABETH A. DAVIS.
+
+[Illustration: {A DRAGONFLY AND LEAVES.}]
+
+
+
+
+[Illustration: {TWO CALVES.}]
+
+THE COUNTRY WEEK.
+
+
+Mrs. Brown read a little article in the newspaper one evening, about
+"Country week for poor children."
+
+"Husband," said she, "I have an idea. We have such a good farm, and so
+many nice things, suppose we take some boarders this summer, who can't
+afford to pay anything."
+
+When she told him what she meant, Mr. Brown thought it a very good
+idea, indeed.
+
+"The currants and raspberries are ripe. I'll see if Mrs. Anderson
+knows of some nice children, who will have to stay in the hot streets
+of the city all summer. We will ask them to come here."
+
+Of course, Mrs. Anderson knew of some nice children. She belonged to a
+mission-school, and knew dozens of them. So, the next Wednesday, when
+Mr. Brown drove down to the station, there she was, and two little
+ones with her, Lina and Carl Schmidt. Carl was almost a baby, and went
+to sleep as soon as they were in the carriage; but Lina held her
+breath with delight as she rode to the farm. She was half afraid, too,
+and held on very tightly if old Billy went faster than a walk. As Mr.
+Brown watched the bright little face he began to think his wife's idea
+was a splendid one.
+
+"Well, little one," said Mrs. Brown to Lina, when they reached the
+house, "what do you think of the country?"
+
+"Oh, I do want to take such long breaths!" said Lina, "I wish my
+mamma could see it too."
+
+"The first thing for these small folks," added Mrs. Brown, "is some of
+Brindle's nice milk."
+
+[Illustration: {THE FAMILY WATCH THE COW BEING MILKED.}]
+
+Carl waked up long enough to drink some, and say, "Dood, dood." Then
+he grew sleepy again, and Mrs. Brown laid him on a shawl upon the
+grass, under the trees. The hens gathered around him, looked at each
+other and clucked, as much as to say, "What kind of a queer creature
+is this?" Young Mr. Bantie was about to peck him to find out, when
+they heard a little voice calling "Biddy, Biddy, Biddy!" from the
+barn. Off they went, half flying and half running.
+
+Mrs. Brown had given Lina a tin pail, with corn in it to scatter to
+the hens. They came from all directions, and got around her so closely
+that she was afraid to stir. She had taken out one handful of the
+corn, but was afraid to throw it. Then the greedy hens began to peck
+her hand, and try to get it out of the pail. She began to cry so loud
+that every one ran out of the house to see what was the matter. It was
+funny enough to see her, standing in the middle of that greedy crowd
+of hens, with her eyes shut very tightly, and her mouth very wide
+open.
+
+When Carl waked up, he wanted some more milk. Mrs. Brown said, "We'll
+go down and see Brindle milked, and you shall have it nice and warm."
+Lina had seen pictures of cows, but never a live one. She had no idea
+they were so big. Mrs. Brown asked her if she would like to milk; but
+she thought she would rather stand at a little distance. As for Carl,
+he shut up his eyes, and tried to get out of sight of the creature.
+However, he liked the warm milk very much.
+
+Lina spent most of the next day in the garden. She helped pick the
+peas and beans, and stem the currants. She went with Mr. Brown to find
+the eggs, and held Billy's halter while he drank at the trough. Every
+day was full of pleasure, and Mr. and Mrs. Brown had just as good a
+time as the children. At the end of the week they couldn't bear to let
+them go; so it came about that the children's week, for Lina and Carl,
+lasted all summer.
+
+ J. A. M.
+
+[Illustration: {A SPRIG OF BERRIES.}]
+
+
+
+
+THE ROAD TO SCHOOL.
+
+[FROM THE GERMAN.]
+
+
+ In winter, when it freezes,
+ In winter, when it snows,
+ The road to school seems long and drear,
+ O'er which the school-boy goes.
+
+[Illustration: {WALKING THROUGH FALLING SNOW.}]
+
+ But when the pleasant summer comes,
+ With birds and fruit and flowers,
+ The road to school, how short it is!
+ And short the sunny hours!
+
+[Illustration: {WALKING UNDER SHADY TREES.}]
+
+ But to the boy who loves to learn,
+ And wisdom strives to gain,
+ The road to school is always short,
+ In sunshine, snow, or rain.
+
+ L. A. B. C.
+
+
+
+
+WHAT SAMMY'S MONKEY DID.
+
+
+Sammy Brown had a monkey. He bought him of an organ-player. He named
+him Billy.
+
+[Illustration: {SAMMY AND BILLY.}]
+
+Sammy's mother did not know what a naughty monkey he was. If she had,
+she would not have given Sammy the money to buy him.
+
+Sammy thought he was very cunning. All the boys at school thought so
+too. They all wanted one just like him. Sammy had him out every
+Saturday afternoon. He was dressed in a gay little uniform. He would
+play on a drum. He was fond of mischief; and when no one was watching
+him he would do some very queer things. He would take the spools from
+Mrs. Brown's work-basket. He would carry them away and hide them.
+
+He would take her thimble and wax, and hide them too.
+
+Sometimes he would bring them back again. Sometimes Mrs. Brown would
+have to find them herself. This gave her a good deal of trouble.
+
+At last Billy acted so badly, that Mrs. Brown told Sammy that she
+could not have him in the house any longer. One morning Mrs. Brown
+went away to spend the day.
+
+She thought the monkey was fastened out of the house. But he got in
+through a window. When Mrs. Brown came home she did think of Billy.
+She opened the door of her pantry. She saw a dreadful sight. She knew
+at once that Billy had been there. He had moved the dishes all about,
+from one shelf to another. He had poured milk and sugar over the
+floor. He had emptied bottles of medicine into clean dishes. He had
+broken up a whole loaf of cake and scattered it around. He had eaten
+out the middle of a pie, and turned it over in the plate. Mrs. Brown
+could not find her spoons and forks anywhere. But she found them
+afterwards in the cellar.
+
+Now Mrs. Brown had to go right to work and clean her pantry. After she
+had put that in order, she made a fire in the stove. All this time
+Billy was not seen anywhere.
+
+[Illustration: {BILLY POURING MILK ON THE FLOOR.}]
+
+The fire had been burning a few minutes, when Mrs. Brown heard a
+terrible scratching in the oven, and out jumped Billy as spry as ever.
+
+He ran out of doors. He was not seen again until the next morning.
+
+Then Mrs. Brown told Sammy that the monkey had made so much work for
+her, that she could not have him any longer.
+
+Sammy saw that his mother was very much in earnest.
+
+So he sold Billy to a pedler who came along the next day.
+
+The pedler gave him fifty cents for Billy.
+
+Sammy was sorry to let him go, but he wanted to please his mother.
+
+ M. M. H.
+
+[Illustration: {AN OWL.}]
+
+
+
+
+[Illustration: {A COTTAGE, BIRDS AND BUTTERFLIES.}]
+
+BESSIE IN THE MOUNTAINS.
+
+
+Bessie Lee was six years old when she went to the mountains of North
+Carolina with her father.
+
+What Bessie liked best of all were the nice donkey rides every
+morning. The poor donkeys didn't get much rest, for the little folks
+kept them busy all day. Bessie was kind to them, but some of the
+children were not. Bessie liked a donkey named Kate best of all.
+
+[Illustration: {KATE IS UNHAPPY AT BEING RIDDEN.}]
+
+One day Bessie's father put her in the saddle, and Kate kicked up.
+When Bessie was lifted off, and the saddle removed, a great bleeding
+sore was found on the poor donkey's back.
+
+Bessie felt very sorry for poor Kate, and said, "Papa, I don't want to
+ride to-day, but please do not send Kate back to the stables."
+
+"Why not, Bessie?" said Mr. Lee.
+
+"O, papa, the man will let her to some of the rough boys, and they
+will hurt her back."
+
+Mr. Lee was pleased to see his little daughter's kindness to the poor
+dumb donkey; but he wished to know if Bessie would deny herself for
+Kate.
+
+"Well, Bessie," said her father, "if you have any money, give it to
+the man when he comes for the donkey. Tell him you wish to keep Kate
+all day."
+
+"I have the money you gave me for ice-cream," said Bessie. "Will that
+pay the man?"
+
+It was enough, and was given to the man. Bessie kept the donkey all
+day. She led Kate to the greenest places in the yard, and let her eat
+the grass. She divided her apples with Kate, and carried her a little
+pail of water.
+
+[Illustration: {BESSIE FEEDS AN APPLE TO KATE.}]
+
+At night Bessie told her father she had been happy all day. He made
+her still happier by telling her she could keep Kate every day while
+she was in the mountains.
+
+Bessie kissed her father and was soon fast asleep. She dreamed of
+riding in a little carriage drawn by six white donkeys.
+
+ AUNT NELL.
+
+
+
+
+[Illustration: {A SPRAY OF FLOWERS.}]
+
+PAULINE'S STRANGE PETS.
+
+
+Pauline had no little brothers or sisters, and no little playmates.
+Her father's home was away out in the country, far away from any
+neighbors. Being so much alone, Pauline thought of all sorts of queer
+ways to amuse herself. One day she invited her papa and mamma to go
+down to see her "Nursery," as she called it. It was a little, square
+piece of ground, enclosed by a neat low fence, made of narrow slats,
+placed close together. All kinds of flowers were planted around it.
+Besides, there were some little, flat buildings all along one side.
+
+[Illustration: {TOADS.}]
+
+[Illustration: PAULINE'S STRANGE PETS.]
+
+What do you think they saw there? Toads of all sorts and sizes, from
+the wee baby toads to the great big grandfathers. Then such a
+strange array of garments!--for they were all dressed. Pauline had
+made for her pets all kinds of clothes. There they were, hopping
+around, some in bright calico dresses, and some in the funniest red
+flannel pants and coats you ever saw.
+
+[Illustration: {TOADS IN COSTUME.}]
+
+Day after day Pauline went to her "Nursery" to feed and play with her
+strange little pets. But one morning she ran down as usual, after
+breakfast, to find all of the toad family had disappeared. The fence
+that enclosed her "Nursery" was completely broken down. Not a single
+toad was left of the funny creatures who had lived there.
+
+Pauline felt very sorry to lose them. She told her mamma she was sure
+they would all die of shame when they found other toads did not wear
+any clothes at all.
+
+ H. C. LARNED.
+
+[Illustration: {LARGE MUSHROOMS.}]
+
+
+
+
+"GO HALVES!"
+
+
+Little Fred Mason's father took him to an exhibition of wild animals.
+
+After they had looked at the elephants, lions, tigers and bears, they
+went to see the monkeys. On the way, Mr. Mason bought two large
+oranges and gave them to Fred.
+
+There were six cages of small animals. One of them was for the "happy
+family." Fred thought the creatures in it must be called the "happy
+family" because the dogs, cats and monkeys were all the time teasing
+and plaguing one another. One monkey had a rat in his lap. He tended
+it as a mother does her baby. The monkey was happy, but Mr. Mason did
+not think the rat liked it very well.
+
+Fred put one orange in his side pocket. He could not wait until he got
+home to eat the other. As he walked along among the cages he seemed to
+care more for the fruit than for the animals. He sucked the orange
+with all his might till he came to a cage with three monkeys in it.
+
+One of them looked very sober and solemn. One opened his mouth and
+seemed to be laughing. All of them looked at Fred and held out their
+hands.
+
+They could not talk; if they could they would have said, "Go halves!"
+
+The orange was nice and sweet; Fred did not wish to "go halves." He
+turned away, for he did not like to be asked for that which he was not
+willing to give. The monkeys put their hands out for some of the
+oranges, but Fred looked the other way.
+
+Fred should have looked at the monkeys, for the one nearest to him put
+out his long arm and snatched the orange from his hand. Fred tried to
+get it again. While he was doing so, the solemn monkey reached down
+and took the orange from his pocket. Fred did not think how near he
+was to the cage.
+
+Fred began to cry. The laughing monkey had no orange. He was afraid of
+the solemn monkey, but he chased the one that had stolen the orange
+Fred was eating all over the cage. He got it at last.
+
+Fred's father bought two more oranges for him, and he did not go near
+the cages again.
+
+ MARY BLOOM.
+
+[Illustration: "GO HALVES!"]
+
+
+
+
+[Illustration: {CHILDREN PLAY RING-AROUND-A-ROSY.}]
+
+LITTLE GAMES.
+
+
+ "Ring--a--round--a--rosy!"
+ Cheeks just like a posy;
+ Eyes that twinkle with delight,--
+ Could there be a fairer sight?
+ Little feet that dance in glee;
+ Voices singing merrily.
+ Won't you stop a little while?
+ At my question you will smile:
+ "Rosy I have never seen,--
+ Tell me, is she some fair queen?
+ Have your lily hands now crowned her,
+ While you formed a ring around her?
+
+ "Why 'draw buckets of water
+ For my lady's daughter'?
+ Has she spoiled her pretty dress?
+ Ah! to wash her face, I guess!
+ Very hard 'tis to unravel
+ What is meant, dears, by 'green gravel.'
+ Then, you say, 'How barley grows
+ You, nor I, nor nobody knows;'
+ Oats, peas, beans, too, you include:
+ If the question be not rude,
+ Darlings, tell why this is done."
+ "Ha! ha!" laugh they; "it's such fun!"
+
+ GEORGE COOPER.
+
+
+
+
+WHAT WE FOUND IN OUR STOVE.
+
+
+Something very strange happened at our house the other day. In our
+cold country we keep a stove in our sitting-room all summer. Sometimes
+we have to build a fire, even in July and August.
+
+One afternoon I was surprised to hear a great scratching in the room.
+After looking about a little, I found it came from the stove. Scratch,
+scratch, scratch, as if some creature was trying hard to get out. I
+called my boy of eight years. For a few moments all was still, and we
+concluded the poor thing had got out as it had come in.
+
+But we were mistaken; soon came that same clattering noise again. We
+removed the top of the stove and peeped in; nothing was to be seen in
+the darkness. We then made bold to open the door and poke about; but
+with no better result. After listening, we decided that the creature
+was between the lining and outside.
+
+But how were we to get at it? Annie came in from the kitchen armed
+with a poker. We took out the damper and poked out all the soot and
+ashes. We brought to the front--what do you think? Why, a little bird,
+a chimney swallow, chirping and fluttering, poor thing, with fright.
+
+One wing seemed to droop a little; so we took it up and put it in a
+box. If we supposed it was going to stay there we were much mistaken.
+Soon the bird began to recover, and with a little hop was upon the
+edge of the box cocking its head and looking with its big, bright eyes
+all about, as if on the alert for any new danger.
+
+A tree was the best and safest place, and Hervin carried it out and
+set it gently down.
+
+It rose, feebly at first, then soared away over the tops of the
+houses.
+
+Wasn't that a queer place to find a birdie? You are glad it got out,
+for that very night we had to have a fire.
+
+ MRS. W. S. AMSDEN.
+
+[Illustration: {TWO CHERUBS.}]
+
+
+
+
+THE JOHN AND LINCOLN FLEET.
+
+
+John and Lincoln have a fleet of ten boats. They made these boats
+themselves. They are made out of flat chips. They are whittled round
+at one end and pointed at the other. Each boat has a mast and a sail.
+
+Sometimes they tie these boats together, and call them the _John and
+Lincoln_ fleet; they call each other "Captain John" and "Captain
+Lincoln." They have a big boat called the _Mary_; aunt Mary gave it to
+them. The _Mary_ is their flagship.
+
+[Illustration: CAPTAIN JOHN AND THE MARY.]
+
+One day the fleet were all out when a storm came. The wind blew, the
+rain fell, and the waves were big. Six of the little boats were
+wrecked on a rock. But the _Mary_ only plunged a little. It was great
+fun. What, a storm at sea great fun! Yes, because John and Lincoln
+made the storm themselves. They made the wind with the bellows; they
+poured the big raindrops from the watering-pot; and they made the high
+waves by dragging shingles through the water.
+
+
+
+
+THE YACHT STARLIGHT.
+
+
+The _Starlight_ was in Gloucester harbor for three days, and Rob and
+Phyllis went on board with mamma one day, to lunch with Arthur and
+Helen and their mamma. They had never been on a yacht before. They
+were surprised to find it so pretty. It was finished in beautiful
+mahogany with a great deal of brass-work, the latter brightly shining,
+too, for the housekeeping on a yacht is always first-rate.
+
+The ceiling of the cabin was of blue satin, and so were the curtains,
+which hung before the funny little windows, and at the doors. On each
+side of the cabin was a long seat covered with blue satin cushions.
+
+These cushions lifted up, and underneath were kept books, dishes,
+clothes, in fact, all sorts of things. Every bit of room on a vessel
+is always precious, there can be so little of it, anyway. Helen showed
+Phyllis her sleeping room. It was a mite of a place, about half as big
+as the bed Phyllis slept in at home. The walls were lined with blue
+satin and the bed was covered with blue satin, and it was a real blue
+satin nest for a little girl, instead of for a bird.
+
+Then they went on deck to watch the sailors, who were running up and
+down the rigging. Arthur has been on his father's yacht so much, for
+his father owns the _Starlight_, that he can run up and down the
+ratlines almost as fast as the sailors can. The ratlines are the rope
+ladders you see in the picture. There was on board a big Newfoundland
+dog named Gil. Arthur's aunt Lou told them a story about Gil.
+
+[Illustration: THE YACHT STARLIGHT.]
+
+
+THE STORY OF THE DOG ON THE YACHT STARLIGHT.
+
+[Illustration: {THREE DOGS.}]
+
+Now Gil once belonged to an officer in our Navy and he sometimes went
+to sea with his master.
+
+Once when he went on a voyage a little kitten went too. She was
+everybody's pet and a very friendly kitty. She was afraid of Gil,
+though, and would never let him come near her, but would make such a
+loud spitting and growling at him, when he tried to play with her,
+that poor Gil had to go away and play by himself.
+
+One day kitty fell overboard and Gil saw her and plunged into the sea
+to save her. Kitty thought it was bad enough to fall into the water,
+but to see Gil come jumping after her was too much, and she was ready
+to die with fright.
+
+When he opened his great mouth to take her and hold her above water,
+she felt sure that her last moment had come, and she fought and
+scratched so, that Gil could not get hold of her.
+
+The officers stood watching Gil and pussy. Poor little mistaken pussy
+was getting very tired and would soon sink if she did not let good old
+Gil save her.
+
+Suddenly Gil dove down out of sight and then rose again just under
+kitty, so that she stood on his back. Puss was so glad to feel
+something solid under her little tired legs, that she clung to it with
+all her nails. Then Gil swam slowly to meet the boat which had been
+sent to pick him up.
+
+
+
+
+[Illustration: THE YOUNG ARTIST.]
+
+
+
+
+THE NEW PARASOL.
+
+
+[Illustration: {A LITTLE GIRL.}]
+
+ I've got a brand-new parasol
+ (Of pink silk trimmed with lace),
+ But auntie says 'twill never keep
+ The shine out of _my_ face.
+
+ Why not, I wonder: if it's held
+ Just in the proper place,
+ Why won't it keep the sunshine out
+ Of anybody's face?
+
+ She says thick clouds would hardly do
+ (Much less pink silk and lace)
+ To keep the merry sunshine out
+ Of such a dimpled face.
+
+ But mamma says, "Go take your walk,
+ And never mind aunt Grace."
+ I 'spect I'll have to let the sun
+ Keep shining in my face!
+
+
+
+
+THE MAN WHO WAS SHAKEN BY A LION.
+
+
+He was David Livingstone. He was a missionary, and a great traveller
+too.
+
+He lived almost all his life in Africa. In some parts of Africa there
+are lions. Once he was staying at a certain village. Every night the
+lions broke into the yards and carried off a cow or two. So a party of
+natives went out to hunt for them.
+
+[Illustration: A LION.]
+
+Livingstone was with them. They saw some lions, and tried to surround
+them in a circle. But the lions got away.
+
+They were coming home when Livingstone saw a great lion. He was
+sitting on a rock not far away. He fired at him, but did not hit him.
+He stopped to load his gun again.
+
+He heard the men shout. He turned and saw the lion all ready to
+spring.
+
+(A lion crouches to spring, like a cat.)
+
+The lion sprang upon Livingstone, and seized his shoulder with his
+great teeth. He shook him just as a cat shakes a mouse.
+
+Was Livingstone frightened? He was frightened when the lion seized
+him. But after he shook him he wasn't a bit afraid.
+
+He said the lion shook the fear all out of him. He felt as if he was
+in a pleasant dream. He only wondered what the lion would do next.
+
+He did not do anything next. He stood with his great paw on
+Livingstone's head till another man fired at him. Then he sprang on
+that man and bit him.
+
+Then he sprang on a third man and bit him. And then--he rolled over,
+dead! So Livingstone escaped.
+
+Livingstone afterwards visited England. The little English children
+used to ask him to tell them the story of how the lion shook him.
+
+The lion belongs to the cat family. Does not the lion in the picture
+look like a big handsome cat?
+
+
+
+
+THE LAUGHING JACKASS.
+
+
+He always begins his queer cry about an hour before sunrise.
+
+Then he is heard again just at noon, and again at sunset. So he has
+another name. He is called the "Bushman's clock."
+
+In Australia there are great tracts of land where few white people
+live. These tracts of land are called "The Bush;" and the settlers on
+these lands are called Bushmen.
+
+[Illustration: LAUGHING JACKASSES.]
+
+The laughing jackass is a very sociable bird. He likes to watch the
+Bushman at his work. He watches him as he pitches his tent, and builds
+his fire and cooks his supper. He is a kingfisher.
+
+Kingfishers generally live near the water. But this great brown fisher
+lives in the woods. He eats crabs and insects. He relishes lizards
+very much, and there are plenty of lizards in Australia.
+
+[Illustration: HE LISTENS TO THE CRY OF THE LAUGHING JACKASS.]
+
+He hates snakes. A great many snakes are found in Australia, and many
+of them are very poisonous.
+
+The laughing jackass is not a bit afraid of them. He kills them with
+his long, sharp bill.
+
+When he is angry he raises the crest on his head.
+
+His color is a fine chestnut brown mixed with white. His wings are
+slightly blue.
+
+The mother-bird lays her eggs in a hole in a gum-tree. She does not
+build a nest. She lays her eggs on the rotten wood at the bottom of
+the hole. Her eggs are a lovely pearl white.
+
+Here is one of the black men who live in Australia. He is listening to
+the cry of the laughing jackass.
+
+
+
+
+THE TRICK THEY PLAYED ON JOCKO.
+
+
+Jocko was homesick. Jocko was a forest creature. He was born to tread
+the ground, and climb trees, and eat sweet wild fruits.
+
+Jocko liked to leap from tree to tree, and run about over miles of
+woodland. Now he found himself in a cage. He called and cried, but
+none of his little brown playmates answered.
+
+He could see only blue waves, and the ropes and masts and sails of the
+ship. He was tossed up and down. His cage swung from side to side. The
+motion made him sick--seasick.
+
+After many days, he saw the land again. But it was not forest land. It
+was brown land--city land. No moss, no vines, no dewy green grass, no
+flowers! All stone and brick! His cage was carried into a hotel
+dining-room where people came and sat down and talked in German, and
+ate things that Jocko knew were not good to eat--bread and pies and
+cheese and sauerkraut and meat. Oh, how Jocko wanted a fresh sweet
+cocoanut!
+
+But by and by Jocko was not so homesick. The cook was kind to him, and
+gave him sweet bits to eat. The visitors took him up and petted him.
+The little girl who lived at the hotel made him a nice bed in the
+little crib she used to sleep in.
+
+So at last Jocko had a good time, and forgot about the woods.
+
+But one day little Gretchen played a trick on him to see what he would
+do. She knew he was fond of white lump sugar. So she filled a bottle
+with lumps of sugar. Then she gave it to Jocko.
+
+Jocko was wild with delight when he saw the sugar. He jumped up in a
+chair and lifted the bottle to his mouth.
+
+But Gretchen had put in a cork. The sugar would not pour out.
+
+It was very funny then to see what trouble Jocko was in. He would
+tilt the bottle up and try to drink the sugar out of the neck. Then he
+would try to shake it out at the bottom. Then he would sit still and
+look at the lumps. Then he would try to bite through the glass. Then
+he would jump down and run away. Then he would come back and catch the
+bottle again and roll the lumps about, and chatter and scold as he
+heard them rattle.
+
+This went on for several days. Everybody came in to see little
+Gretchen's monkey and his sugar bottle.
+
+[Illustration: GRETCHEN.]
+
+But one day the cook let a jar of olives fall. It broke, and the
+olives rolled out on the floor. Jocko gave a little scream of joy.
+Like a flash, up he sprang to a high cupboard with his sugar bottle,
+and gave it a mighty fling. Down it came--crash!
+
+Out the lumps rolled over the floor. Down sprang Jocko. He shouted
+with delight. He had a sweet feast.
+
+Oh, how he munched and crunched and chattered! And now, what do you
+think happened?
+
+He would seize every bottle and can and pitcher that was left within
+reach. Up he would run to the top of some high cupboard or shelf and
+dash it to the floor! Such mischief as he made!
+
+Little Gretchen had to give him away at last because he broke
+everything he could lay his roguish paws upon.
+
+
+
+
+SOME OTHER THINGS BOBBY SAW AT SEA.
+
+
+He saw the stormy petrels. They flew about the ship almost every day.
+They liked to eat the scraps the cook threw overboard.
+
+[Illustration: THE STORMY PETREL.]
+
+The petrels are sooty black. Their feet are partly webbed.
+
+They sit and float upon the water. They run about over the water. In
+stormy weather they fly through the dashing foam.
+
+Bobby's mamma told him many things about the stormy petrel. She told
+him how the stormy petrel flies far, far away from land. His home is
+on the sea. He can fly all day long and not be tired.
+
+The stormy petrel hardly ever goes on land except to lay her eggs. Her
+nest is in a hole in some high cliff by the sea. She hatches one
+little bird. It looks like a ball of fluff. The nest smells very oily.
+
+The stormy petrel is very oily, like all sea birds. He is so full of
+oil that the people of the Faroe Islands sometimes use him for a lamp.
+They take a dead petrel and run a wick through him. Then they set him
+on end and light the wick and he gives a very good light indeed!
+
+The sailors call the stormy petrel "Mother Carey's chickens."
+
+The name of Bobby's ship was _The Jefferson_. Once when the
+_Jefferson_ was in an English port, Bobby saw something very pretty.
+It was a bird's nest. It was built in the rigging of a ship.
+
+This ship had been lying in port a good while. The nest was built in
+a block where some of the cordage runs. It was built by a pair of
+chaffinches.
+
+Now the chaffinch is not a sea bird; it is a land bird. It builds its
+nest in trees and hedges. It builds a cosey little nest out of moss
+and wool and hair. It is deep and round like a cup.
+
+But this pretty pair of chaffinches found a new place in which to
+build their nest. It was even more airy than the top of a tree. See it
+in the picture! Day by day Bobby watched them as they flew busily to
+and fro. Many other people watched them too.
+
+[Illustration: THE CHAFFINCHES' NEST.]
+
+The chaffinch is a cheerful little bird. In the countries where he
+lives, he is heard merrily whistling in the spring time. There he sits
+singing to his mate who is keeping her eggs warm. Happy little fellow!
+
+
+
+
+THE MOSQUITO.
+
+
+Little boys and girls believe that all mosquitoes sting and bite.
+
+But they do not. The male mosquito never does. He wears a plume on his
+head, and does nothing but dance in the sunshine.
+
+It is the female mosquito that sings around our heads at night and
+keeps us awake. It is she who bites us. Look at her head. This is the
+way it looks under a microscope. Do you wonder that her bite hurts?
+
+[Illustration: MOSQUITO'S HEAD UNDER A MICROSCOPE.]
+
+She lays her eggs in a very queer way. First she finds a puddle or a
+pool of warmish water. Then she fastens herself to some stick, or
+sliver, or stem, or floating leaf, by her first two rows of legs. Then
+she lays about three hundred tiny eggs.
+
+The eggs cling together in the shape of a boat or canoe, and float
+upon the water. In about three days they hatch. Then the warm water is
+full of "wigglers."
+
+By and by these wigglers have wings. The outside skin bursts open.
+They lift their heads and shoulders out of the water. Then off they
+fly--a whole swarm of singing, stinging mosquitoes.
+
+We are all glad when the cold weather comes and the mosquito goes.
+
+I suppose you think if you lived in a cold country, you would not be
+troubled by mosquitoes.
+
+But in Lapland, a very cold country, the mosquitoes come in crowds and
+clouds. Sometimes they are so thick they hide people in the road like
+a fog. What do you think of that?
+
+
+
+
+THE LAUGHING GIRL.
+
+
+ The bobolink laughs in the meadow;
+ The wild waves laugh on the sea;
+ They sparkle and glance, they dimple and dance,
+ And are merry as waves can be.
+
+ The green leaves laugh on the trees;
+ The fields laugh out with their flowers;
+ In the sunbeam's glance, they glow and they dance.
+ And laugh to their falling showers.
+
+ The man laughs up in the moon;
+ The stars too laugh in the sky;
+ They sparkle and glance, they twinkle and dance.
+ Then why, then, pray, shouldn't I?
+
+ Oh, I laugh at morn and at night,
+ I laugh through the livelong day.
+ I laugh and I prance, I skip and I dance.
+ So happy am I and so gay.
+
+[Illustration: THE LAUGHING GIRL.]
+
+
+
+
+[Illustration: "CLUCK-CLUCK-CLUCK! QUAW-AW-AWK! CR-R-R-R!" SAID THE
+HEN MOTHER.]
+
+ANNIE'S DUCKS.
+
+
+There were seven ducklings. The very first thing they did was to go
+and tumble into a bucket of water.
+
+"Cluck-cluck-cluck! quaw-aw-awk! cr-r-r!" said the hen-mother. She was
+so frightened she made just such a noise as she does when she sees a
+hawk.
+
+She thought they would all drown. But they didn't. They swam and dove
+and shook the water from their little wings.
+
+One day when they were about a quarter grown, Annie found
+Fluffy-dumpty lying on the ground; she was quacking faintly. Her leg
+was broken! Annie ran to papa.
+
+"O papa! mend her leg just as you did my arm!" she said.
+
+Papa is a doctor; and when Annie was a _very_ little girl she broke
+her arm and papa mended it. So he did up Fluffy-dumpty's leg with a
+splinter, and then wound a bandage round it. Annie took care of her.
+Mary used to help Annie feed her with a spoon.
+
+Fluffy-dumpty got well very fast. But when she was about three
+quarters grown, she met with another accident. She fell down a steep
+cellar way.
+
+"Quack-quack! Take me out! Oh, take me out!" cried poor Fluffy-dumpty.
+The other six ducks crowded around and looked down at her.
+
+"We can't! we can't!" they cried. "We haven't got any hands. Call a
+boy, do!" So Annie called Sam, who took her out.
+
+How thankful Fluffy-dumpty was! She smoothed down her ruffled feathers
+and said, "Quack-quack," softly. The other ducks all talked at once.
+
+"What a narrow 'scape you had, Fluffy-dumpty!" said one duck.
+
+"How did you happen to fall into that horrid place?" asked another.
+
+"What a fine boy Sam is!" said a third duck.
+
+"He's almost too good for a boy," said a fourth.
+
+But it all sounded as if they only said "quack-quack!"
+
+Every day of their lives these ducks got into the garden, and ate the
+lettuce and strawberries and cabbage. So the gardener put a board over
+the hole under the gate.
+
+"Never mind," said big Broad-bill, "we know more ways than one." Then
+the seven started off in a line, and marched round the garden till
+they came to another hole, and in they went. The gardener was very
+angry.
+
+
+
+
+VICK IN TROUBLE.
+
+
+Bertie had gone off and left Vick. He was so eager to see the soldiers
+parade that he forgot all about him. This had never happened before.
+
+When Uncle Ned gave Vick to Bertie mamma said: "Now, Bertie, you must
+take the care of Vick. If a boy has a dog he must learn to care for
+him. You must see that Vick is fed. You must bathe and comb him every
+day; and you must give him plenty of exercise."
+
+But as I said, Bertie had forgotten Vick that day. Vick did not know
+what to make of it. His heart was almost broken.
+
+"This is too bad!" he howled. "Here am I shut up with two saucepans
+and a dummy. No water to drink--no bone to gnaw--no little master to
+play with--wow-ow-ow-ow!"
+
+What a dismal howl it was! Mamma heard him; she was in the kitchen
+making sponge cake. She could not leave it for a moment. But as soon
+as it was baked she let Vick out.
+
+There was Bertie just coming round the corner! He looked quite
+ashamed. Yes, he had thought of Vick at last. He had come home for
+him.
+
+Did Vick forgive him? Doggies always forgive. They have loving and
+generous hearts. He scrambled all over Bertie and licked his hands and
+his face and off they went to see the soldiers--a very happy pair.
+
+Do you think Bertie ever forgot Vick again?
+
+Do you ever forget to care for your pets?
+
+[Illustration: IT WAS FUN TO SEE THEM EAT.]
+
+
+
+
+IN GRANDMA'S ATTIC.
+
+
+Every summer grandma Cushing has two visitors. Their names are Blanche
+Cushing and Dorothy Cushing.
+
+Blanche lives in Iowa. She has blue eyes and yellow hair and is seven
+years old. Dorothy lives in New York City. She has brown eyes and
+brown hair and is eight years old.
+
+They love dearly to play in grandma's attic. There are queer old
+bonnets and gowns and cocked hats hanging on the walls.
+
+There are trunks full of caps and spectacles and old snuffers and no
+end of queer things.
+
+I cannot begin to tell you everything the cousins play. But there is
+one thing they like to play ever so much.
+
+[Illustration: PLAYING IN GRANDMA'S ATTIC.]
+
+They like to dress up in the queer old clothes and play Cinderella,
+and Mother Hubbard, and Red Riding Hood.
+
+When Blanche gets on her great-great-grandma Cushing's cap and
+spectacles and long mits, she makes a very charming little Mother
+Hubbard.
+
+[Illustration: A VERY CHARMING MOTHER HUBBARD.]
+
+They sit in the big old chairs and tell stories. Dorothy likes to hear
+about the wolves. There are wolves where Blanche lives.
+
+"Yes, one day when I was a very, _very_ little girl," said Blanche, "a
+horrid big wolf came up to the window and looked in. I was sitting in
+mamma's lap, and he put his paws on the window and just looked at us
+horrid!
+
+"And then another time, mamma, you know, was going out to meet papa,
+and she saw a big wolf on the ground, and she thought it was dead, and
+she was going right up, and it wasn't dead a bit. It just got up and
+runned off to the woods, and mamma was awful scared and runned away
+too."
+
+When Blanche tells the wolf stories they play "scared." It is fun to
+play "scared." They shriek and run and hide.
+
+One rainy day they had been playing Mother Hubbard.
+
+"Now," said Blanche, "I will tell a b-eautiful wolf story. It will
+make us awful scared. See if it doesn't!"
+
+So she climbed up into a big chair and began. But right in the middle
+of the story they heard something go scratch, scratch, very loudly.
+
+"Oh, what is that, Dotty?" whispered Blanche, clutching Dorothy's arm.
+
+Scratch, scratch, it went again, and then there was a great rattling.
+
+"Oh, it's a wolf!" cried Dotty; and down the attic stairs they flew
+pell-mell; through the kitchen chamber and the great unfinished
+chamber, and down the back stairs; through the kitchen and the
+dining-room, and burst into grandma's room all out of breath.
+
+"What _is_ the matter, children?" asked grandma.
+
+"Oh, there's a wolf in the attic," they both cried out.
+
+"Nonsense! we don't have wolves in Massachusetts," said grandma.
+
+"Well," said Dorothy, "something scratched dreadfully."
+
+So grandma went up to the attic to see about it. "Where was the
+noise?" she asked.
+
+[Illustration: BRIGHT-EYES AT HOME.]
+
+They pointed to the dark place behind the big chimneys. Grandma went
+up and opened a door and out walked--a wolf! no; Towser, the old cat!
+Blanche and Dorothy sometimes have another visitor in the attic. It is
+a big rat. He lives in the barn. He has a road underground to the
+house cellar. Then he comes up to the attic through the wall.
+
+The cousins never know when to expect him. He comes in without
+knocking. The first thing they know there he is looking at them with
+bright eyes.
+
+They have named him Bright-eyes. They feed him with cake and cheese.
+He is very tame. Grandma says she never heard of such a thing as
+feeding a rat. She says Bright-eyes eats her hens' eggs. He steals
+them out of the nests.
+
+
+
+
+LITTLE GIRL GRACIE.
+
+
+BEDTIME.
+
+ So sleepy and demure is my wee Gracie,
+ So long and sober grows the little facie,
+ So silent are the red, red lips so sweet,
+ So quiet are the little hands and feet,
+ I know, yes, well I know
+ My Gracie wants to go
+ Into the soft, white nest where every night
+ My birdie folds her wings till morning light.
+
+ And now beside my knee the pretty lisper
+ Her evening prayer with folded hands must whisper,
+ While baby sister sleeps on mother's breast,
+ Lulled with our voices low to dreamy rest.
+ Then in her nightie white,
+ My restless sunbeam bright
+ Is hidden from her shoulders to her feet,
+ And tucked away in slumber soft and sweet.
+
+
+MORNING.
+
+ A merry, white-robed figure at my side,
+ A laughing face, with blue eyes opened wide.
+ Red lips that kiss me in the early dawn
+ And tell me fast enough that night is gone.
+ Ripe and ready for play,
+ In the early morning gray,
+ Restless again are the small hands and feet,
+ Silent no longer, little lips so sweet.
+
+ Where is the sunbeam like my Gracie's eyes?
+ Blue as the blue of summer's bluest skies!
+ What sweeter wakening could be mine than this
+ The soft "Good morning!" of my daughter's kiss?
+ And thus each hour of day
+ Girl Gracie claims for play
+ Till comes the "Sand-man" with the twilight hour
+ And play has vanished 'neath his mystic power.
+
+
+
+
+A MAGPIE AND HER NEST.
+
+
+The magpie is a very handsome bird. He knows he is handsome, too. He
+has a fine broad tail. There is a band of purple near the end of each
+feather, and the end is green and purple.
+
+He walks about with this handsome tail perked in the air. He does not
+drag it in the dirt, not he!
+
+He is a bright bird, too. He can learn to talk, and he is full of
+pretty and naughty tricks. He is a--thief! He steals eggs from other
+birds' nests. He strikes his bill through the egg and walks off with
+it. And he does a worse thing than that. He steals the young birds and
+eats them.
+
+[Illustration: MAGPIE AND NEST.]
+
+But the Magpie is very careful to build her nest so nobody shall steal
+her eggs. In the first place she always builds on a high tree. She
+chooses a tree that has a long smooth trunk, that the boys cannot
+climb easily. How do you suppose she knows about mischievous boys? She
+must make a study of boys.
+
+She builds her nest of dry sticks and mud. She carpets it with wool
+and fine roots. (Birds can always find plenty of wool sticking on the
+bushes in sheep pastures. There is vegetable wool too, like the wool
+on the growing ferns.) Then she makes a roof of sticks; she leaves
+open a small round door at the side. So you see it is not easy for
+boys or birds to steal her eggs.
+
+Magpies like bright glittering things like silver spoons and rings.
+They often steal them and hide them in their nests.
+
+This Magpie is a European bird. There is a beautiful red Magpie that
+lives in China.
+
+
+
+
+[Illustration: MARY AND ANNIE FEED FLUFFY-DUMPTY.
+ {FROM "ANNIE'S DUCKS."}]
+
+
+
+
+AT THE BEACH.
+
+
+The Park children went to the beach last summer. It was a small beach;
+not at all like Nantasket Beach.
+
+There were not many folks there. There was a young woman--a very queer
+young woman indeed, Sam thought. She used to go out on the beach and
+sit in a camp chair and read!
+
+"Pshaw! who wants to read with a whole ocean to look at?" said Sam.
+
+[Illustration: THE YOUNG WOMAN.]
+
+Such cunning little slippers as she wore! and her ruffles and hat! Oh,
+my! She used to draw pictures sometimes, but Sam didn't know that.
+
+"Halloo! there she is again!" shouted Sam one day. She was drawing a
+picture of them that moment, but they did not know it. They were all
+sliding down the sand cliff.
+
+They had taken off their shoes and stockings, and were going in
+bathing.
+
+"Whoo-oop! hurrah! here we come! clear the track!" What a noise they
+did make, to be sure!
+
+But it did not disturb anybody. Nobody heard it but the young woman
+and some cows in the pasture near by.
+
+How warm and soft the sand was! It was as good as coasting in winter.
+It was better!
+
+[Illustration: THE PICTURE THE YOUNG WOMAN DREW.]
+
+Down they went into the water like so many ducks. They can all dive
+and swim almost as well as ducks. Papa and mamma were off shore,
+taking a sail together. They saw the slide down hill, and the plunge
+into the water. They saw the brown and yellow heads bobbing about.
+
+"Do look at them!" said mamma. "Perfect little Arabs!"
+
+"Do 'em good," said papa. "Little Molly never had such rosy cheeks in
+all her life."
+
+"But think of their clothes!" said mamma.
+
+
+
+
+FARMER GRAY AND HIS APPLES.
+
+
+Farmer Gray had a load of apples to sell one day. But nobody wanted
+them. People offered him such a small sum of money for them, he said
+he would rather give them away.
+
+So he started for home with his load of apples. He drove down Summer
+street, past the schoolhouse. The boys were having their recess.
+
+Now Farmer Gray loved children. So when he saw these boys he thought,
+"Here's just the market for my apples."
+
+He stopped his horse and called out, "Do any of you boys know what to
+do with apples?"
+
+Then there _was_ a shout! "O yes, sir, we guess we do!" said all the
+boys.
+
+"Come on, then!" said Farmer Gray.
+
+[Illustration: HE KNOWS WHAT TO DO WITH FARMER GRAY'S APPLES.]
+
+The boys crowded around the wagon, and the farmer tossed the apples to
+them.
+
+"It is well for you, boys, that I found no market for my apples this
+morning," he said.
+
+"That's so!" said the boys. Then they thanked him heartily.
+
+Charlie Read said, "You are the funniest man I ever saw to stop and
+give us the apples."
+
+"You would like to see another just like me to-morrow, wouldn't you?"
+said Farmer Gray.
+
+"Yes, I would," said Charley, "and I should like to live with you
+too."
+
+Just then the school bell rang. The boys all shouted, "Good-by!
+good-by!" as Farmer Gray drove off.
+
+"I'm glad enough I didn't sell those apples this morning," thought
+Farmer Gray.
+
+
+
+
+AH KEE.
+
+
+Ah Kee is the funniest little fellow alive.
+
+He can stand as straight as any boy I ever saw.
+
+But the straighter he stands, the more you laugh.
+
+He thinks he is very tall. He is about three feet tall.
+
+He thinks he is a little gentleman, because he can drink out of a
+coffee-cup and not spill a drop.
+
+But Ah Kee oftener behaves like a rogue than like a gentleman.
+
+There is always a look of mischief in his bright black eyes.
+
+His mistress never allows him to go into the parlor by himself.
+
+She knows he would sit on the brackets with the little statues.
+
+She knows he would like to swing to and fro on the curtain tassels.
+
+She knows he would like to jerk the bell-pull, and bring Rose up from
+the kitchen.
+
+She knows he would like to take the Sevres vases and walk up and down
+the room with them in his arms.
+
+No, Ah Kee, with his roguish tastes, is not to be trusted in the
+parlor by himself.
+
+But he sometimes comes in when she is there. Sometimes when she is
+reading she hears a soft sound like this, "_lsp-s-s-s!_"
+
+She jumps up, looks all around. Under the table, or in a corner she
+sees a soft, round, feathery ball of fur--and one little paw raised,
+all claws and motion.
+
+[Illustration: AH KEE'S GREAT ACCOMPLISHMENT.]
+
+Ah, that is Ah Kee, and Ah Kee means mischief. Perhaps he will spring
+into his mistress' lap. Perhaps he will leap up on the piano. You
+cannot be sure what he will decide to do.
+
+Yes, Ah Kee is a monkey, a gay little spider monkey, with a long tail
+that he likes to carry over his head in the shape of the letter S.
+
+Ah Kee's mistress has made up her mind to do one thing. She will buy
+Ah Kee a silver collar with a ring. She will buy Ah Kee a broad blue
+ribbon.
+
+Then, when she wants a quiet hour, she will slip the blue ribbon
+through the collar ring, and tie Ah Kee to the door knob.
+
+
+
+
+[Illustration: {DICK AND GRAY.}]
+
+ Dick and Gray,
+ My bird and cat,
+ Good friends are they:
+ Just think of that!
+ Dick pecks Gray's paw;
+ Gray winks and blinks.
+ "I'll not harm Dick,"
+ Is what he thinks.
+ So on the wall,
+ This sunny weather,
+ Chirping, purring,
+ They play together.
+
+
+
+
+THE RETURN OF THE BIRDS.
+
+
+Down in the South Land, one morning in March, there was a great stir
+among the birds. "Spring has come in the far North," they said. "Jack
+Frost is going, the ice is melting, and now we'll go home-home!"
+
+Bluebirds, and robins, and bobolinks, how glad they were! They got up
+very early that morning, even for birds. They bathed in a tiny pond,
+and preened their feathers. They ate their breakfast and then they
+started, straight through the air, for the North.
+
+Do you wonder how they knew the way? How does a bird know which way is
+north and which way is south? There is a "Careful Gardener" who tells
+the flowers when to bloom, and he tells the birds which way to fly.
+
+They flew that day on and on; over the green fields bright with
+flowers; over the trees covered with green leaves. By and by, they
+came where the grass was not yet green; where there was snow in the
+hollows; where there was ice in the brooks. But they didn't mind the
+cold, for they wore their very thickest feather coats.
+
+[Illustration: ON THROUGH THE AIR.]
+
+That night they nestled down together, and slept in a big pine-tree.
+They found some dried berries on the bushes, for breakfast and
+supper. It was very dark in the morning; it rained. But they did not
+mind that; they liked it. They knew the rain would melt the snow, and
+make the grass and flowers grow.
+
+"But we must put on our waterproofs," they said.
+
+Do birds wear waterproofs? Oh, yes! But they do not carry them in
+trunks. When a bird wants to take a journey, he just flies off. He
+does not have to pack a trunk. He has a tiny bag of oil under the tip
+of his wings. This is his waterproof.
+
+With his bill he takes out the oil and spreads it over his feathers.
+
+The raindrops cannot go through this oil waterproof, but they roll
+quickly off to the ground. After they had all put on their
+waterproofs, they flew on and on again, through the rain.
+
+[Illustration: THE LITTLE COUNTRY CHILDREN.]
+
+They did not stay together that day. Part of them flew to the
+northeast. By and by these came in sight of a big gilded dome.
+
+"I know where we are," said one old robin. "That is Boston State
+House, and right down there is our old nest!" and down they flew into
+the Public Gardens. The Boston little men and women can see them there
+any day, busy about their nests, and merry as birds can be.
+
+Part of the birds flew to the northwest, to the hills and woods and
+fields. They built their nests in the trees and on the ground. They
+built them in barns and in chimneys. They hid them in the grass and in
+the reeds by the brooks; and the little country children know where to
+find them.
+
+[Illustration: A NEST.]
+
+
+
+
+FIRST REWARD OF MERIT.
+
+
+ With bounding step and merry laugh
+ My little girl--five and a half--
+ Held in her hand a picture-card:
+ "See! mamma, see! I've tried so hard;
+ Look and see what the letters spell;
+ 'Tis a reward for doing well.
+ I have been good a whole long week;
+ Not once, mamma, did teacher speak,
+ Or say from recess I must stay,
+ Because in school I'd tried to play.
+ Last week, you know, my card I lost
+ For giving Charlie's book a 'tost,'
+ And speaking out aloud in school;
+ I did not know 'twas 'gainst the rule.
+ Then teacher said, 'Edith come here.'
+ I went right to her, mamma dear,
+ And 'cause I hop-skipped down the aisle,
+ The scholars all began to smile.
+ That week I was so very good,
+ 'Most got a card, and think I should
+ If I'd not hop-skipped down the aisle,
+ And made the other scholars smile.
+ But if I get one once in four,
+ School keeps so long, I'll get lots more."
+
+[Illustration: EDITH AT HOME.]
+
+
+
+
+[Illustration: SUCH MISCHIEF AS HE MADE.
+ {FROM "THE TRICK THEY PLAYED ON JOCKO."}]
+
+
+
+
+FOUR LITTLE MICE.
+
+
+ Four little mice lived all alone
+ Where cats had been so long unknown;
+ They ate and slept without a fear
+ That any danger could be near.
+ One sunny day with brush and broom
+ They cleaned their pantry, swept their room,
+ Then made themselves as neat and fine
+ As if invited out to dine.
+ And then not knowing what to do,
+ They looked their cedar closet through
+ And found their gray coats growing thin:
+ So sat them down some yarn to spin,
+ Soon, through a chink to their surprise,
+ A cat looked in with hungry eyes--
+ "Shall I come in and cut your thread?"
+ "Oh, thank you, no!" they trembling said.
+
+[Illustration: {A CAT LOOKS INTO THE MOUSE HOUSE.}]
+
+
+
+
+FINNETTE.
+
+
+"Bow-wow-wow!" was the first thing Winny heard that morning. She
+opened her eyes and there stood Finnette. Aunt Bertha had brought her
+as a birthday gift for Winny from Paris.
+
+Finnette was full of pretty tricks. She could stand on her hind legs
+and dance. She could sing.
+
+"Now, Finnette," Winny's mamma would say, "I will play and you shall
+sing."
+
+[Illustration: WINNY.]
+
+So Finnette would stand on her hind legs and sing such a droll little
+tune. It sounded like "I love--I love--I love--do you?" Finnette
+always helped Winny to put her dolls to bed. It was wonderful to see
+her.
+
+"Bring me Grandma Snowhair's cap, Finnette," Winny would say. And
+Finnette would trot off and fetch it. She knew the doll's clothes just
+as well as Winny did.
+
+"Now, Finnette, I will have Glorianna's nightgown," said Winny again,
+and Finnette would bring it.
+
+When Winny got her dolls in bed, she always sang them to sleep, and
+then Finnette would sing too. "I love--I love--I love--do you?"
+
+Mamma used to like to peep in and see them. Winny always put her dolls
+to bed at five o'clock. Finnette always knew when the clock struck
+five, and off she would run to find Winny.
+
+But one day she couldn't find her. She searched through the house and
+garden, but Winny was not to be found. So Finnette lay down in the
+library, and waited. Once she got up and trotted in and looked at the
+dolls. She barked softly, as though she would say, "Be patient; your
+mamma will be here soon."
+
+But the little mamma did not come; so Finnette concluded to put the
+dolls to bed herself. She laid Grandma Snowhair on the floor and then
+with her teeth and paws she gently drew off her cap and gray silk
+dress. She put on her nightgown, but she could not button it.
+
+She undressed Glorianna, but she got her nightgown on upside down. She
+put her legs into the sleeves. She did not try to put on aunt Sukey's
+nightgown. She just wrapped her up in a blanket.
+
+She tumbled the four small dolls into their beds anyhow. How surprised
+and pleased and amused Winny was when she came home! There were the
+dolls fast asleep, and their clothes all piled on a chair; and there
+sat Finnette watching them. She gave the happiest little "bow-wow,"
+when she saw Winny. She had not been able to eat or to sleep with the
+care of all those dolls on her mind. Winny hugged and kissed her.
+
+[Illustration: THERE STOOD--FINNETTE!]
+
+"You dear old darling Finnette," she said. "How sweet you have been to
+my children. You shall have a silver collar, for you are my best
+friend." Then Bridget brought Finnette her supper of bread and milk.
+
+
+
+
+ABOUT THE DEER.
+
+
+"Look! look!" said Ernest, "see the deer! It has got out of the deer
+park. I did not know deer could run like that!"
+
+The frightened creature was running down Washington street. He darted
+in and out among the horses and carriages, and people. He leaped over
+the heads of the children.
+
+Ernest and his mother stopped to look; everybody stopped to look. On
+and on he ran till he came to the river, then he leaped into the deep
+water and was drowned. Was it not a pity? The pretty deer that Ernest
+had fed so often on Boston Common! He almost cried when he thought of
+it.
+
+How many of you have ever seen deer? In many of the United States they
+are still found in the woods. They are kept in almost all public
+parks.
+
+Deer are gentle creatures, and are easily tamed. But I think they are
+happiest when they are free to roam the woods where they like.
+
+They eat the tender grass in the spring, and sometimes, if they live
+near farms, they break into the corn and wheat fields.
+
+In the winter they eat the seed vessels of the wild rose, the hawthorn
+buds, the brambles and leaves. They like acorns, and, in the South,
+they eat the persimmons. The persimmon is a yellow plum. They feed in
+the night.
+
+In hot summer days they like to wade into the ponds and rivers, and
+stand under water, all but their noses.
+
+The young deer are called fawns; they are pretty spotted creatures.
+The mother keeps them in a quiet place where she thinks the hunters
+and dogs cannot get them; for men often hunt the wild deer. It is a
+great pity to kill them for sport, is it not?
+
+[Illustration: HOW FLEET HE IS!]
+
+The deer hears quickly, and his scent is very keen too. When the
+hunters are after him, how fleet he is! Sometimes he leaps into the
+water and swims. Then the dogs lose the scent and cannot follow him.
+The male deer sheds his horns every year.
+
+When the horns are growing they look as if they were covered with
+velvet.
+
+[Illustration: HAVE THEY NO LANGUAGE?]
+
+
+
+
+[Illustration: {A DOG LYING DOWN.}]
+
+EVERYBODY'S DOG.
+
+
+ Seen me? Of course you have seen me before.
+ I can't count the times I have been at your door.
+ Where do I live? Why, everywhere, here!
+ My name? Well, I own it is rather queer;
+ Some call me "good fellow," or "Fido," or "Tray,"
+ But I come just the same, whatever they say.
+ Am I ever lonesome? How can I be
+ When acquaintances everywhere whistle to me?
+ Hungry? That's something I've never yet known,
+ For friendly hands toss me sweet bits or a bone.
+ Cold? Oh, never! for doors everywhere
+ Are opened to shelter my silky brown hair,
+ For _I_ am everybody's dog!
+
+ And what do I give for this treatment so kind?
+ I drive home the lost cattle and sheep that I find;
+ With the children and babies I tenderly play,
+ And faithfully keep them from going astray.
+ And many an ill-natured tramp I have sent
+ Away from the game on which he was bent.
+ I can carry a basket or pail just the same
+ As a boy, and better than some I could name.
+ I bark in the night when danger is near,
+ And if I'm in the house no sleeper need fear.
+ What! be your own dog? Do you think 'twould be fair
+ To stay here with you when they all need my care?
+ No; I'll come every day for a minute or two
+ But now I must go for I've so much to do;
+ For _I_ am everybody's dog!
+
+
+
+
+A BIRD'S NEST.
+
+
+What a wonderful thing a bird's nest is! Even the simplest nests are
+very wonderful. Some boys and girls collect birds' nests, and that is
+very well, if you wait till the eggs are hatched, and the birds have
+flown.
+
+The ground sparrow builds a lovely little nest; and what a curious
+nest is that of the barn swallow.
+
+[Illustration: A WEAVER BIRD AND HER NEST.]
+
+How many of you have seen the nest of the Baltimore oriole? She hangs
+it upon the end of an elm branch, where it swings and dances in the
+wind.
+
+I have for you this time, the nest of an African bird. This little
+bird belongs to the class called weavers. If you look at the nest,
+you will understand why this bird is called a weaver bird.
+
+See how skilfully the nest is woven out of twigs, and grasses, and
+fibrous roots. There are many kinds of weaver birds, and each kind
+builds a different nest. Sometime I shall show you another weaver
+bird's nest.
+
+
+
+
+A RAINY DAY.
+
+
+It was the day set for the picnic by the lake. Two little white gowns,
+and the boys' best coats, and the ribbons and the neck-ties, had been
+joyfully laid out the night before.
+
+But next morning it was not picnic weather. The sky was low and heavy.
+By nine o'clock there were thick, dense, black clouds.
+
+"I think we might go," said Flossie, "even if it does rain. We go to
+school, lots o' days, when it rains."
+
+Just then the big black raindrops fell upon the window-panes--"A great
+pailful in every drop," said Tom.
+
+"I want a picnic," wailed Susie, "and I can't have it."
+
+"You shall have it," said papa; "we will have an indoors picnic, such
+as my papa used to give me on a rainy day."
+
+He led the way to the library. He took down a huge set of maps, a
+great portfolio of engravings, and two or three heavy picture books.
+"We will visit India," said he.
+
+"Hurrah," said Tom. "Tiger hunts, elephant rides, jungles, snake
+charmers, jolly old idols, and the Parsee merchants."
+
+Tom knew very well what it meant when papa gave his mind up to turning
+over picture books and talking as he turned.
+
+They did have a good time; and before three o'clock it cleared away,
+and though it was too late for the picnic they had planned, it was the
+most perfect picnic weather, and as papa wanted to trim up cedars on
+the knoll by the lake, they all went down. Papa and mamma played with
+them for a while like an older brother and sister. They harnessed the
+children in a "four-horse team," and drove up and down until the
+"little colts" had had enough of fun and were glad to sit in the arbor
+and watch papa trim trees.
+
+[Illustration: A PICNIC AFTER ALL.]
+
+
+
+
+THE STORY OF A CANE.
+
+
+Was it a shiny black cane with a gold head? No. I think you never saw
+a cane like this one. It was made out of a small balm-of-Gilead-tree.
+It belonged to John Reed. He taught school. He was eighteen years old.
+
+When vacation came, John walked home. It was forty miles, and a pretty
+long walk. But there were no railroads in those days, and John did not
+like to ride in a stage-coach.
+
+He thought he could walk more easily with a cane to help him. So he
+made this cane I am going to tell you about.
+
+When he got home he stuck this cane into the ground in the lane, and
+then forgot all about it. But the cane was alive! When John stuck it
+into the ground it began to drink up the water from the soil.
+
+Tiny green leaves sprouted out all over it. John saw it one day. How
+surprised he was! It grew all summer long. The next year the branches
+began to grow; and year by year it grew larger and larger till it was
+fifty years old.
+
+Then John Reed was sixty-eight years old; the little children called
+him "Grandpa Reed."
+
+[Illustration: GRANDPA REED.]
+
+They called the great balm-of-Gilead-tree in the lane "Grandpa's
+cane." They used to like to put their arms about it and look up into
+the branches. They thought it wonderful that a cane should grow into
+such a big tree.
+
+Then came the great Civil War. Your mamma or auntie can tell you about
+it. There were a great many wounded soldiers, and the people used to
+send bandages and lint for their wounds. Do you know what lint is? It
+is made of linen cloth. It is soft, like wool.
+
+Grandpa Reed had a little granddaughter Clara. Clara saw the women and
+girls making lint, and she wanted to make lint too. But aunt Mary said
+she was not big enough to make lint.
+
+[Illustration: CLARA.]
+
+"But I will tell you," said aunt Mary, "where you can find some nice
+lint;" and she took her out to the great balm-of-Gilead-tree in the
+lane.
+
+Now you have all seen the soft, white pussy-willows. Well, the pussies
+are the willow flowers; and the balm-of-Gilead-tree has pussies too.
+But they are not soft and white; they are brown. They look like brown
+caterpillars.
+
+After the blossoms wither the seeds come. These seeds are covered
+with wool like that on the dandelion's ball.
+
+The wind blows this wool from off the trees, and there it was that
+morning. The ground was white with it.
+
+"There is the lint," said aunt Mary, and she gave Clara a bag to put
+it in.
+
+It took a great many bits of wool to fill the bag. But Clara was
+patient, and worked diligently, and when the bag was full, she went
+with aunt Mary to carry it to the soldiers' camp.
+
+Clara gave it to the surgeon. He said the balm-of-Gilead lint was much
+better than the linen lint. So "Grandpa's cane" and little Clara
+helped the sick soldiers to get well again.
+
+
+
+
+MISS LOLLIPOP'S FANCIES.
+
+
+ Down by the seashore Miss Lollipop sat,
+ Dropping the little white shells in her hat;
+ "See!" cried the darling, and shouted with glee,
+ "These pretty things were all waiting for me;
+ Waiting for me!"
+
+ Creeping and curving across the gray sand,
+ The wavelets came dancing to kiss the fair land,
+ Wooing with murmurs the flower-gemmed lea;
+ "Ah," cried Miss Pops, "they are whispering to me,
+ Whispering to me!"
+
+ Darting and flashing the gay sunbeams flew
+ Down from a heaven of midsummer blue,
+ Smiling and dimpling all over the sea;
+ "There," cried Miss Pops, "they are laughing at me,
+ Laughing at me!"
+
+ In the green meadows the tall grass stood fair,
+ Waving and tossing in sweet summer air,
+ Dipping and bending around her white knee;
+ "Look," cried Miss Pops, "it is bowing to me,
+ Bowing to me!"
+
+[Illustration: HAPPY MISS LOLLIPOP.]
+
+ Over the hills the sweet flower bells rang,
+ High in the tree tops the little birds sang.
+ --Tipsy-top bobolinks bent on a spree;
+ "Hark!" cried Miss Pops. "They are singing to me,
+ Singing to me!"
+
+ Deep in the roses the bumblebees flew,
+ Sipping their rations of honey and dew,
+ With jewel-necked humming-birds gorgeous to see;
+ "Now," cried Miss Pops, "they are shining for me,
+ Shining for me!"
+
+ Sweet little Happy Heart! Pure little soul!
+ Earth would be robbed of its darkness and dole
+ If with the faith of thy heart I could see
+ How much of God's world is fashioned for me!
+
+
+
+
+TOMMY'S TEMPTATION.
+
+
+Mr. Allen's early apples were almost ripe. They were uncommonly pretty
+apples--yellow, streaked with red. How tempting they looked! Ripe
+apples in August are always tempting.
+
+Mr. Allen knew that, so he had put up a sign to warn the boys off. For
+boys were very apt to help themselves to ripe apples. Somehow they
+think that taking a few apples is not stealing.
+
+So, as I said, Mr. Allen put up a board with these words on
+it--"Trespassers prosecuted." That meant, if he caught any boy near
+his apple-tree, he would carry him off to a justice of the peace, for
+stealing.
+
+Early one morning Tommy Tilden was walking through the lane. He had
+just driven the cows to pasture and was coming home. He stopped and
+looked at the apples. How good they did look, to be sure!
+
+He searched on the ground to see if any had dropped into the lane.
+But he could not find one. Then he looked at the tree again. "I wish I
+had one," he thought.
+
+Ah, Tommy, Tommy, the best thing for you to do is to run away as fast
+as you can!
+
+But Tommy didn't do any such thing. He kept looking at the apples and
+wishing he had one. Then he thought, "I'll just climb up and look at
+them."
+
+And now, of course, you can guess what happened. Tommy climbed up, and
+tried the apples with his thumb to see if they were ripe. Then he
+reached out to get a fine big one, and the branch broke, and over he
+went, with the branch, and the sign, and a shower of apples, into Mr.
+Allen's garden.
+
+The dog ran out barking furiously, and Mr. Allen, who was just eating
+his breakfast, came out too, and little May Allen, to see what was the
+matter.
+
+How ashamed Tommy felt! "Trying to steal some of my apples, were you,
+eh?" said Mr. Allen, and Tommy could not answer a word.
+
+Little May Allen felt very sorry for him. "Can't you give him some
+apples, papa?" she said.
+
+"No," said Mr. Allen; "if he had come and asked me I would have given
+him some gladly. But he ought to be ashamed to try to get them in this
+way. But he can go. I sha'n't punish him."
+
+So Tommy picked up his hat and went home. He told his mother all about
+it.
+
+"Tommy," she said, "you shouldn't have stood and looked at those
+apples, and wished for them, when they were not yours. It is always
+best to run away from temptation."
+
+
+
+
+A BEAR STORY.
+
+
+When mother was a young girl, she taught school in Illinois. Very few
+people lived there at that time. The settlements were far apart. The
+schoolhouse was built of rough logs, and the chinks were filled with
+clay and straw. Instead of glass windows, they had oiled paper to let
+in the light.
+
+One night mother staid late at the schoolhouse, to help the girls trim
+it with evergreens. It was almost dark when she started for home. She
+walked very fast, as she felt lonely. Her way lay through a thick,
+tall woods, and the path was narrow.
+
+All at once she saw a big animal in front of her. What was it? A calf?
+No; it was a big black bear.
+
+Was she afraid? Of course she was afraid. Shouldn't you be afraid if
+you met a big bear in the woods? She had an umbrella in her hand, and
+she held the point close to the bear's nose, and opened and shut it as
+fast as she could. She called him all the bad names she could think
+of, and he walked off, growling.
+
+He was a brave bear, wasn't he, to be afraid of an umbrella? Mother
+hurried on, and just as she got to the edge of the woods, out he came
+again. Then she opened the umbrella at him again, and shouted as loud
+as she could, and away he went.
+
+Mother was so tired and frightened she almost fainted when she got
+home. "I don't believe it was a bear; it must have been neighbor
+Clapp's big heifer," grandma said.
+
+But just as she said it, they heard a loud squeal. They ran to the
+door, and there was the bear carrying off a pig. He had jumped into
+the pen and got it.
+
+[Illustration: THE BEARS AT THE ZOÖLOGICAL GARDEN.]
+
+Aunt Stella seized the dinner horn and blew a loud blast. That was
+the way they used to call the settlers together when anything was the
+matter. There was a great rush for grandfather's house, and when the
+men heard about the bear they said. "We must kill him as soon as
+possible."
+
+So they had a great hunt for him. They hunted all that night and the
+next day. They found him, at last, sitting upon the stump of a hollow
+tree, and they killed him.
+
+What do you think they found in the hollow stump? Three little cubs.
+The hunters brought the cubs to grandfather's farm, and uncle Stephen
+kept one of them for a pet.
+
+My little daughter Anna often asks to hear the story of how the "Bear
+wanted to eat grandma." Last summer I took Anna to the Zoölogical
+Garden. There we saw a family of bears.
+
+One old bear was sitting in a tree, with his arms folded.
+
+"Why, how pleasant he looks," said Anna. "I don't believe he would eat
+anybody."
+
+"No, I don't think he would," I said. "He is tame, and he would rather
+have a sweet bun to eat than anything else."
+
+[Illustration: {A LIZARD ON A GRASSY BANK.}]
+
+
+
+
+[Illustration: SHETLAND PONIES AT HOME.]
+
+ANNA'S BIRTHDAY GIFT.
+
+
+"Anna, Anna!" shouted Harry. "Come quick, do! O such a!"--But mamma
+clapped her hand right over his mouth, and he couldn't say another
+word.
+
+"Pat, pat, pat!" Anna heard a queer sound of feet on the veranda, and
+in at the open windows trotted just the dearest little Shetland pony
+all saddled and bridled. Harry was leading it. A card hung from the
+saddle, and on it was printed, "A birthday gift for my little Anna,
+from Grandpa."
+
+"There! what do you think of that?" asked Harry.
+
+"I think," said Anna, as soon as she could speak, "that no little girl
+ever had such a splendid, _splendid_ grandpa as mine!"
+
+"Isn't he, though!" said Harry. "And now I'll get out Boy Blue and
+we'll ride over and thank him." Boy Blue is Harry's pony.
+
+Do you know where these lovely little Shetland ponies live when they
+are at home? They live in the northern islands of Great Britain.
+
+
+
+
+RALPH AND THE BUTTERFLIES.
+
+
+Ralph was walking with papa in the fields, when he saw a red and black
+butterfly. It was on a thistle.
+
+[Illustration: {A BUTTERFLY.}]
+
+"I will catch him," said Ralph. So he walked slowly up to the thistle
+and put out his hand to catch the butterfly. But the butterfly spread
+his wings and flew up in the air. In a moment he came back and lighted
+on the thistle again.
+
+Ralph wanted to try to catch him again, but papa said, "The butterfly
+is eating his dinner."
+
+"Does he eat the thistle?" asked Ralph.
+
+"He eats the honey in the thistle," said papa. "We will sit down and I
+will show you the honey. Each thistle head has a great many tiny
+flowers. See, like these!" and papa pulled some of them out. Then he
+took one of the blossoms between his thumb and finger. He pressed the
+slender tube till Ralph saw a wee drop of honey at the end. Then Ralph
+wanted to do the same. So he pressed one after the other of the purple
+tubes and found a drop of honey in each.
+
+"Does the butterfly squeeze them that way?" asked Ralph.
+
+"No; he has no thumb and finger," said papa.
+
+"How can he get the honey, then?" Ralph asked.
+
+"He finds it with his long sucker, which reaches to the bottom of
+these slender tubes."
+
+"I wish he would eat this honey, papa, now I have got it all ready for
+him," said Ralph. "I'll ask him."
+
+So he walked slowly towards the butterfly, holding out the little
+purple blossoms.
+
+"Here's some honey all squeezed," he said softly; "don't you want it,
+Butterfly?"
+
+But the butterfly opened and shut his pretty spotted wings and then
+flew away.
+
+[Illustration: RALPH.]
+
+Ralph looked sorry. "Never mind," said papa, "he isn't used to having
+little boys wait upon him. He likes to get his dinner himself."
+
+[Illustration: {TWO BUTTERFLIES.}]
+
+
+
+
+ Bright the sun! gay the flowers!
+ Gently falls the rain!
+ O the jolly, the blithesome hours,
+ Summer is come again!
+ Eggs in my nest, snails to eat,
+ A whole round world for my home,
+ I sing, I sing, so sweet, so sweet!
+ Summer again is come!
+
+[Illustration: A LITTLE BIRD SAT ON A TWIG.]
+
+
+
+
+TOM'S LETTER.
+
+
+This is the letter a little English boy wrote to his American cousin
+whom he never had seen. He wrote it on his slate in "print letters,"
+and his sister Bess copied it on paper in "writing letters."
+
+The words were spelled wrong on the slate. He worked four evenings to
+write it all.
+
+[Illustration: THE WAY TOM WROTE IT.]
+
+"DEAR COUSIN DICK:
+
+"You thought I would like to write letters because I am old like
+you--ten years. But I am not a school-boy, like you. I am a home-boy.
+I think home-boys don't study regular, and learn truly like
+school-boys. Mother says she will tell your mother in her letter about
+how I have been sick always.
+
+"I think I would like to be a school-boy, but I wouldn't either.
+School-boys are mean. If the new boy is lame and shy, they think that
+is big fun. _I_ do not see how the tricks can be any fun then.
+
+"If I was a school-boy I would not think it was fun to trip a lame
+boy up. I would not think it fun to see him splash down backward into
+a pool, and when he soused under and wet his lame back ice-cold, I
+would not call, 'Cry-baby!'
+
+"But that is what the school-boys did that day I went.
+
+"So I can't write handsome letters. Do you trick new boys the first
+day they come to your school in America? I have had twelve sore
+throats since, and I wear a scarf in the house.
+
+"I can knit, and I can mend, and I color pictures. But that is not
+learning as school-boys learn. Girls are good to me, and there is a
+school where they are all girls, but I think I would not like to go to
+it--would you? Write again.
+
+ "Your cousin Tom."
+
+[Illustration: {A LITTLE GIRL HELPS TOM AWAY FROM THE BULLIES.}]
+
+
+
+
+[Illustration: LADY FLORENCE.--_From the painting by G. A. Storey,
+A. R. A._]
+
+
+
+
+[Illustration: HOW PLEASANT TO LIE ON THE LOUNGE.]
+
+JANEY'S PRESENT.
+
+
+Janey had been very sick. She had not left her room for a month. But
+she was much better. Why, she was really hungry this morning! And here
+comes mamma with a nice breakfast! She looked at the pleasant room
+while she ate her toast and drank her milk.
+
+"It isn't such an old, headachy place now," she said. "But please open
+the windows and let all the sickness out." Then mamma put on the soft
+red wrapper and knitted slippers that auntie had made for her to wear
+on this very day. How pleasant it was to lie on the lounge with her
+own dearest doll Belinda Button, tucked away under the afghan! She
+could see the children at play through the open window and hear their
+merry laughter.
+
+"Mamma," she said, "I am so glad to be well. I want to make a present.
+May I give some things to Bobby's lame sister? Not Belinda: she knows
+how sick I have been, and would not leave me. But I want to give her
+my red leather ball, and white rabbit and the picture book cousin
+George sent me. And mamma, will you buy a new dolly who has no mother,
+for Nellie?"
+
+Was not that a kind thought of Janey's? and you may be sure Nellie had
+them.
+
+
+
+
+GOOD OLD ROSE.
+
+
+Rose is our old dog. Her hair is as curly as dandelion stems. Her tail
+waves like a great feather duster.
+
+When we say "Good dog," it thumps like grandpa's cane when he walks
+up-stairs. Now I will tell you why we call her "Good old Rose."
+
+One day papa sent Lily to the store. Lily is six years old. The store
+is just beyond the railroad track.
+
+"Rose, take care of Lily!" said papa. Rose wagged her tail for "yes,
+sir!" and off they went. She trotted along by Lily's side. Lily felt
+very grand to go to the store all alone. She didn't know that Rose was
+taking care of her.
+
+All at once Rose caught Lily's dress in her teeth. They were just
+going to cross the track.
+
+"Let me go!" said Lily. But Rose pulled her back hard. Lily looked up
+and down the track. There was no train in sight. But Rose _heard_ it
+shake the ground. "You shall let me go!" cried Lily. "Bad Rose!" and
+she jerked the dress, and tore it out of Rose's teeth, and ran. Then
+Rose jumped right at Lily and threw her down on the ground, and
+dragged her back again.
+
+Just that instant the train thundered round the curve. But Lily was
+safe. How the men in the train cheered! how the ladies waved their
+handkerchiefs! Rose hadn't any handkerchief, but she waved her tail,
+and that is all a dog can do.
+
+Wouldn't you pat her big head too, and call her "good old Rose?"
+
+[Illustration: GOOD OLD ROSE.]
+
+
+
+
+AUNT PATTY'S PETS.
+
+
+Aunt Patty lives in a little bit of a house. It has only two rooms. In
+summer it is covered with vines--grapevines, morning glories and
+flowering beans. It is cosey as a bird's nest and it is brimful of
+pets.
+
+[Illustration: PANSY AND PICKWICK PAY A VISIT TO THE BIRDS.]
+
+If you should call on aunt Patty, just as soon as you stepped into
+the yard, out would fly Gypsy, barking furiously. But he would not
+bite you. O, no! He only barks to let aunt Patty know you are coming.
+
+Then, when you opened the door, a sharp little voice would say
+"Good-morning! walk in." That is the gray parrot, Nick. As you walked
+into the kitchen, Pansy and Pickwick would come up to you and purr,
+and put up their heads to be rubbed.
+
+In one window you would see two canaries in a cage. In the other would
+be a cage full of gay little African birds.
+
+If it were winter there would be a cage of big birds. But in summer
+aunt Patty keeps these big birds in the garden near the woodhouse.
+
+[Illustration: GYPSY.]
+
+Where did aunt Patty get so many pets? They were given to her.
+Everybody knows that she likes pets. A sailor cousin once brought her
+a turtle. It is quite big enough for you to ride on. This turtle lives
+in the cellar in the winter, and in the garden in the summer.
+
+Somebody sent her a small alligator once, but she did not keep it. She
+likes pretty pets.
+
+"Do your pets ever quarrel?" I asked aunt Patty once.
+
+"Never," said aunt Patty. "Pansy and Pickwick, and the birds and
+Gypsy, and Methusaleh are all good friends."
+
+Methusaleh is the turtle.
+
+
+
+
+TOMMY AND THE GANDER.
+
+
+Tommy sometimes visits his old nurse. Nurse lives in a tiny house and
+keeps geese. Tommy is afraid of the geese. The gander hisses at him
+and Tommy does not like that.
+
+One day Nurse went into the goose-house and brought out ten little
+goslings. Tommy took one of them in his hands. How pretty they were
+with their pink feet and fluffy white feathers!
+
+"To-morrow, they will go out and eat the tender grass," said Nurse.
+
+"Then I shall catch them," said Tommy.
+
+"The old gander won't let you," said Nurse.
+
+"Pooh! who's afraid?" said Tommy very bravely.
+
+So the next day Tommy tried to catch a gosling. Nurse had gone down
+cellar and the gander was in the goose-house. But the mother-goose
+hissed and the gander heard her and flew out of the goose-house after
+Tommy.
+
+Tommy ran, but the gander caught hold of his clothes and began to beat
+Tommy's legs with his wings. The old goose screamed, and Tommy ran and
+screamed, and the gander ran and screamed and whipped. What a noise
+they made! and Nurse ran up from the cellar to see what the matter
+was.
+
+Just as Tommy went up the steps the gander bit both his red stockings.
+Nurse picked Tommy up and shut the door so the gander could not get
+in. Then she kissed Tommy, and cuddled him, and laughed, and said,
+"Who's afraid?"
+
+"I am," sobbed Tommy. "And I want that old gander shut up in the
+barn. He isn't good for anything."
+
+"Oh, yes, he is," said Nurse, "he takes care of the goslings."
+
+The next day Tommy saw something very pretty. He was looking over the
+gate. He did not dare to go out for fear the gander would bite him
+again. He heard a gosling cry "peep, peep." The goose and gander heard
+it too, and ran and looked down into a deep hole.
+
+Tommy used to play this hole was his "well." Tommy saw the gander
+stretch his long neck down into the hole and lift out a little
+gosling, and put it carefully on the grass. Then the mother goose was
+so pleased that she screamed outright.
+
+[Illustration: TOMMY'S NURSE.]
+
+And Tommy screamed too. "O Nurse, Nurse, that gander is good for
+something. He lifted a gosling right out of my well. I saw him!"
+
+[Illustration: TOMMY DOES NOT DARE TO GO OUT.]
+
+
+
+
+[Illustration: A VAMPIRE BAT.]
+
+A NIGHT VISITOR.
+
+
+We were all sitting in the parlor one evening last summer when in flew
+a creature through the open window. Bump--bump, he went against the
+wall and ceiling.
+
+"A bat! a bat!" shrieked aunt Mary, and ran behind the door. Mamma
+jumped up into a chair and gathered her skirts about her, just as
+though it were a mouse. Grace and Mabel ran out of the Room, while
+papa and Frank and Kate chased the bat.
+
+The poor little bat fluttered about, and almost fell into the kerosene
+lamp chimney. Then he got entangled in the window draperies. You know
+a bat cannot see by a light any more than an owl can. He finally
+tumbled behind the sofa where papa caught him.
+
+Mamma then got down from the chair, aunt Mary came out from behind the
+door, Grace and Mabel ventured in, and we all gathered about and
+looked at the bat. How he panted!
+
+"Think of being afraid of such a little creature as that," said Kate
+scornfully.
+
+"But he bites," said Grace. "Doesn't he, papa?"
+
+"I don't think he would bite," said papa. "He's a good deal more
+frightened than you were."
+
+"What made him fly into the window then?" asked Grace.
+
+"He is out after insects," replied papa. "He was dazzled by the light
+from the window, and flew towards it, as all half-blind creatures
+will."
+
+Our little bats, the bats that live in cool countries, do not harm any
+one. But there is a big bat, called the Vampire bat, that will do a
+good deal of mischief, if he can get a chance.
+
+The Vampire bat lives in the tropics. It is very comfortable, sleeping
+out of doors, in the tropics.
+
+A traveller will oftentimes swing his hammock on a tree, and sleep in
+it all night. But he must be careful, and not sleep too soundly.
+
+For a Vampire bat may find him; and if he does, he will bite the
+traveller's toe and suck his blood; and when the traveller wakes in
+the morning, he will feel weak and faint from loss of blood.
+
+A bat does not perch, and tuck his head under his wing, and sleep like
+a bird. He has some hooks on his wings, and he just hangs himself up
+by those, and that's the way he sleeps!
+
+
+
+
+THE NIGHT MONKEY.
+
+
+Isn't this the very queerest creature you ever saw? He looks as though
+he had a candle in each eye; and just look at his feet! His eyes are
+round, like the eyes of owls. Like the owl, this monkey can see well
+only in the night.
+
+These monkeys are called night monkeys. Most other monkeys have long
+forelegs, but this monkey's forelegs are short.
+
+He is very small; his body is six inches long, his tail is over nine
+inches.
+
+These little creatures sleep in the daytime, and go out in search of
+food, and to play in the night. They eat insects, lizards and crabs.
+
+[Illustration: THE NIGHT MONKEY.]
+
+They are greedy creatures. They leap at one bound on their prey. They
+live in warm countries. They make very nice pets.
+
+
+
+
+[Illustration: {BABY WAKING UP.}]
+
+BABY'S NAP.
+
+
+ Now Baby's asleep, mamma can sew--
+ "Rock-a-by-baby--by-lo, by-lo!"
+ Baby's asleep and Tommy can tell
+ Of the cat that was drown'd in the great big well.
+
+ "She had the weest, _teentiest_ toes,
+ And the leastest speck of a blackish nose,
+ With great, great eyes"--"Coo, coo! coo, coo!"
+ Baby's awake--and listening too!
+
+
+
+
+HURRAH! HURRAH!
+
+
+ Hurrah for old winter, he's coming at last!
+ The snow flakes are falling so thick and so fast!
+ Hurrah! Hurrah!
+
+ My skates I have mended, and painted my sled;
+ Now, boys, you will soon see this chap go ahead!
+ Hurrah! Hurrah!
+
+ I've jolly thick mittens, a brand-new fur cap;
+ Now, what does it matter if I get a rap?
+ Hurrah! Hurrah!
+
+ I've got such a secret! We've built us a fort!
+ But you must tell no one, 'twould spoil all our sport.
+ Hurrah! Hurrah!
+
+ Jack, Clement, and Robbie, are garrison men,
+ And we can defend it against any ten.
+ Hurrah! Hurrah!
+
+ We've made heaps of snowballs, each one round and hard,
+ They're hid away safe in the old schoolhouse yard.
+ Hurrah! Hurrah!
+
+ Pell-mell through the snow rush the merry boy crowd;
+ While the bare woodlands echo the hearty and loud
+ Hurrah! Hurrah!
+
+
+
+
+[Illustration: SOMEWHERE IN LEAFY FORESTS THE WILD DEER ROAM AND
+SLEEP.]
+
+
+
+
+MOSES GOES TO A CANDY PARTY.
+
+
+"No, I _won't_!" said Moses. He felt pretty cross, for he did hate to
+have his hair cut.
+
+"Well, then," said his grandma, "you can't go to the candy party."
+
+Moses thought a few moments, and then he jumped up and said, "Well,
+grandma, cut it, then."
+
+Now grandma wasn't much of a barber. She was apt to cut his hair so it
+hung in scallops. But this time she wanted to cut it very even, as
+Moses was going to a party. So she brought out an old wooden bowl that
+just fitted his head.
+
+[Illustration: MOSES HAS HIS HAIR CUT.]
+
+Then she cut his hair straight to the edge of the bowl, and when she
+took the bowl off, there it was beautifully even, and banged right
+down over his forehead!
+
+Then he put on the trousers and jacket grandma herself had made, and
+his new shoes, and a blue bow where his collar met, and went off to
+the party. It was Sally Poole's party and Sally was one of Moses'
+playmates.
+
+They boiled molasses in a kettle over a fire in the big kitchen
+fireplace; then they poured it into buttered pans and set them out in
+the snow for the candy to cool. It was great fun pulling it, and when
+Moses went home, Sally gave him two sticks and a big braided piece.
+
+"And I think, Moses," she said, "your hair is banged beautiful."
+
+
+
+
+FAN'S CARDS:--A CHRISTMAS HINT.
+
+
+What do you think I did with all my beautiful Christmas cards?
+
+I had saved ever and ever so many, and Easter and New Year's, and
+Birthday cards, and a lot of Valentines. I knew I would get more this
+Christmas, so I thought I would give these away.
+
+Then I thought I would paste them in a scrapbook, or tack them up on
+the wall instead. Then, I thought I would just keep them in a box
+forever, and show them to my grandchildren; but, when aunt Nora told
+me about the sick children at the hospital, then I thought I'd give my
+cards to them. I just made up my mind I would, and so I did.
+
+Aunt Nora took me to the hospital, and I wore my new red cloak and
+hat. I think I looked sweet, too. The hospital is pretty big, and we
+had to go down a long hall and a long pair of stairs. I began to be
+frightened, 'cause suppose one of the doctors made a mistake and
+thought I was sick!
+
+So I held aunt Nora's hand tight until we came to a big room where
+there were lots of beds and poor little sick boys and girls in them.
+Some more children were playing around, and they were sick too. One of
+them, a wee little mite, was eating bread and molasses, and her face
+was all sticky. She wanted to kiss me.
+
+A pretty nurse in a white cap came up and spoke to us, and aunt Nora
+told her about my cards. She said I might give them round myself.
+
+So I went up to the first cot, and, oh dear! there was such a sick
+little girl in it. I asked her if she would like a card, and she
+seemed so delighted that I gave her a beauty, with red and white
+fringe. Then all the children said, "Gi'me one too, lady! Oh, lady!
+gi'me one!"
+
+[Illustration: "I THINK I LOOKED SO SWEET."]
+
+Nobody ever called me "lady" before, but then I am most grown up now.
+One child there was just as old as I am; only he was a boy, and he had
+a big iron thing on his leg. When I gave him a card, he said, "Thank
+you marm, and merry Christmas!"
+
+Then they all waved their cards and cried "Merry Christmas! merry
+Christmas!" as I went out of the door.
+
+I hope I'll get ever so many cards this Christmas, so I can give them
+to the hospital children. It's such fun!
+
+
+
+
+KITTY'S TRAMP.
+
+
+One cold day in January Kitty Blake had dined with grandma and was on
+her way home through the fields. Perhaps you wonder why Kitty should
+walk in the fields when the snow was so deep. But there was a hard
+crust on the snow and she could skip along over it without breaking
+through. It was great fun.
+
+Suddenly she stopped, for there in a slight hollow in the snow lay a
+tiny bird.
+
+"Poor little birdie, it must have frozen to death," said Kitty softly,
+and a tear stood in her eye, for she has a tender heart for all little
+creatures. Then she said "Oh!" and gave a start that sent the tears
+tumbling over her muff for just that instant, one of the bird's legs
+twitched and the tears would not stay back.
+
+"P'r'aps it's still alive, after all;" she thought, and she picked it
+up and tucked it into her muff. Her muff was lined with fur.
+
+She reached home quite breathless, and when she took out the bird and
+laid it on mamma's lap, it gave one little "Peep!" stood on its legs,
+and then flew up into the ivy that ran all about the south bay window.
+
+"What made it make b'lieve dead?" asked Kitty.
+
+"It didn't make believe," said mamma. "I think it was dizzy. Birds
+sometimes are dizzy. But if you had not found it, it would soon have
+frozen to death."
+
+Kitty named him "The Tramp," and he lived in the bay window with
+mamma's plants. This bay window was shut off from the rest of the room
+by glass doors. It was a sunny and fragrant home for the little
+chickadee, and a lucky bird he was to have it just then.
+
+For on the first day of February it began to snow and snowed three
+days, and when it cleared there were piles and piles of snow.
+
+Great flocks of birds then came about the house searching for food.
+
+"We must feed them or they will die," said mamma. "The snow is so deep
+they cannot find food."
+
+So Kitty scattered meal and hemp seed on the snow and tied meaty bones
+on the lilac and rose bushes, and there wasn't a moment of the day
+when some blue jay, or snow bird, or chickadee, or robin, was not
+picking up grain, or pecking at the bones.
+
+"That is the way to have birds in winter!" said Kitty.
+
+The Tramp did not seem to care a fig about his relations till one day
+in March when a flock of chickadees flew past, and he fluttered
+against the windows and begged to be let out.
+
+[Illustration: THE TRAMP VISITS CHARLEY.]
+
+Mamma opened the window and off he flew! Kitty sighed and said, "That
+is the last of him, I suppose." But it wasn't.
+
+One sunny May day Charley was sitting up in bed. Charley is Kitty's
+brother. He had been sick and the window was open so he could breathe
+the soft spring air. Suddenly a bird dropped upon the window sill and
+began to whistle "Chick-a-dee-dee-dee!" so blithely and cock his head
+at Charley.
+
+"It's the Tramp!" said Charley; and sure enough it was! After that he
+came almost every day. If the window was shut they opened it for him.
+Charley used to hide hemp seed and sugar under the edge of the pillows
+for the Tramp to find. He always found it. Sometimes he would tie
+sugar up in a paper and the Tramp would peck at it until he got it
+out.
+
+[Illustration: THE TRAMP'S HOME.]
+
+He would perch on Charley's shoulder and eat seeds from his mouth.
+
+He wanted to build a nest in an old letter box nailed up against a
+wall. Ever so many birds, blue birds, wrens and sparrows wanted to
+build in that box too.
+
+The Tramp was a brave little fellow and a good fighter; but he never
+would have driven the birds off, if Kitty hadn't helped him.
+
+"I love all the birds," said Kitty, "but the Tramp is my very own
+bird."
+
+So he and his mate built a nest and raised a family of birds in peace,
+and now Kitty and Charley call the old letter-box "The Tramp's Home."
+
+
+
+
+[Illustration: A PAIR OF HORSES.--_From Rosa Bonheur's painting, "The
+Horse Fair."_]
+
+
+
+
+[Illustration: CHILDREN OF CHARLES I.--_From the sketch by Verspronck,
+in the Louvre._]
+
+THREE ROYAL CHILDREN.
+
+
+Here is a picture of a little prince and two little princesses who
+lived about two hundred years ago. They were the children of Charles
+the First, king of England. I suppose they were very much like the
+boys and girls of nowadays. They played and studied and had their
+pets, just as children play and study now.
+
+
+
+
+[Illustration: READY FOR THANKSGIVING.]
+
+
+
+
+AN OSTRICH PLUME.
+
+
+Matty Ellis had a new hat. It was a pretty white hat with a long,
+curly white plume, and it was very becoming to her.
+
+"Yes, I like it," she said to aunt Sarah. "But Nanny Rich has a hat
+with two plumes."
+
+"And I can tell you somebody who wears half a dozen or more," replied
+aunt Sarah, "and that somebody is the ostrich himself."
+
+[Illustration: OSTRICH EGGS.]
+
+Aunt Sarah tells Matty a great many interesting things, and she told
+her about ostriches. She told how they live in hot sandy countries
+like Africa.
+
+They are so tall and have such long legs they can run as fast as, or
+faster than, a horse.
+
+[Illustration: A PAIR OF OSTRICHES AT HOME.]
+
+They have their nests in a hollow on the ground. The Hottentot likes
+ostrich eggs to eat. One ostrich egg is as big as sixteen hen's eggs.
+So it makes a breakfast for a number of people. The Hottentot breaks a
+hole in the small end of the egg, stirs up the contents with a stick,
+and then sets it over the fire to cook. The shell is very thick and
+hard, and the heat of the fire will not break it.
+
+There is somebody else who likes ostrich eggs too, and that somebody
+is a kind of fox. He comes when the ostrich is away and helps himself.
+Sometimes the ostrich comes home and finds him at it.
+
+Many other people like to wear ostrich plumes as well as Matty. So
+there is a large trade in them. The wild ostrich does not supply
+feathers enough for the market, so ostriches are now raised like
+turkeys and hens. This business is called "ostrich farming." The
+ostriches are kept in large yards, and the plumes are taken out every
+year.
+
+Aunt Sarah told all this to Matty. "And so," said Matty, stroking the
+long white plume, "this feather has ridden on the back of an ostrich
+in Africa; I wish it could tell me what it has seen."
+
+[Illustration: SOMEBODY ELSE WHO LIKES EGGS.]
+
+
+
+
+WHO KILLED THE GOOSE?
+
+
+[Illustration: {A DOG WRAPPED IN A QUILT.}]
+
+It was the very nicest, whitest goose of the whole flock, and there it
+was--dead! Who had killed it? was the question. Everybody said it must
+have been Bose; and why? Because Bose liked to tease the geese.
+Sometimes he jumped from behind a bush and frightened them. Sometimes
+when they were standing at their trough eating, he ran at them, just
+for the fun of seeing them run.
+
+[Illustration: {A DOG IN A BASKET.}]
+
+"I don't think he meant to kill it," said the grandpa.
+
+"Very likely not," said the father, "but I must teach him not to run
+at the geese. Come here, sir," he said to Bose.
+
+[Illustration: {A DOG WITH A BLANKET WRAPPED AROUND HIM.}]
+
+Bose felt very badly. He crawled slowly along. He couldn't say, "I
+didn't do it; please don't whip me," as a little boy or girl can. He
+could only look up to his master with soft, begging eyes. But little
+Patsy was looking in at the door. Little Patsy loves Bose dearly; and
+of all the family Bose best loves Patsy. They are always playing
+together.
+
+[Illustration: {A DOG SITTING.}]
+
+"Oh, please don't whip Bose," cried Patsy. "I don't believe he did it.
+Nobody saw him do it," and she begged so hard her father said he would
+only tie Bose up. He would not whip him till he was sure he had killed
+the goose. That night Patsy cried herself to sleep. It almost broke
+her heart to think that on the morrow Bose might have to be whipped.
+Suddenly in the night she heard a queer, soft voice say, "I don't
+believe he did it. I wouldn't kill a goose." Patsy opened her eyes and
+found herself in a room full of dogs. The voice came from a wee doggie
+wrapped in an eider down quilt.
+
+"Very good reason why; you couldn't," barked another little fellow. He
+had a head that looked as if it were bald, and large soft ears, and he
+was peeping out of a basket.
+
+[Illustration: PROSPECTIVE PUNISHMENT.]
+
+[Illustration: {A FLUFFY DOG.}]
+
+"Raw goose, faugh!" said a dainty doggie, who had a blanket pinned
+carefully around him. "I like my poultry well picked and cooked."
+
+"That's so. So do I," rejoined a fierce scrap of a dog. He wore a
+collar and little silver locket, and cocked his ears.
+
+"People are always saying dogs do things," said a tousled terrier,
+whose hair had tumbled over his eyes, so he couldn't see a thing. "The
+cat ate the cream the other day and cook said I did it. I hate cooks."
+
+[Illustration: {A DOG LYING DOWN.}]
+
+A grave-looking dog opened his mouth and spoke. He must have been a
+lawyer among dogs. Patsy thought he looked like Judge Drake. He spoke
+slowly. "If Bose had never chased the geese even in play, his master
+would never have suspected him. A great deal depends on a dog's
+character. But I don't think he killed the goose."
+
+"I _know_ he didn't," spoke up a big splendid dog. "Bose is a good
+fellow!" Then all the dogs barked out, "Hear! hear!" so loudly that
+Patsy awoke. The dogs had vanished; the morning sun was shining. She
+heard her father call, "Patsy, come and see the fox! We've trapped the
+rogue. It was he that killed the goose!"
+
+[Illustration: {A DOG LYING DOWN.}]
+
+
+
+
+[Illustration: {THE BAKER AND FRIENDS OFFER BEER TO THE HORSE.}]
+
+A TEMPERANCE HORSE.
+
+
+He belongs to a baker. His master went into a restaurant to deliver
+some pies. I was sitting at a window opposite. He stayed so long in
+the place that I thought he had forgotten his faithful beast.
+
+After a while he came out carrying a great mug full of foaming beer.
+There were two other men with him. All their faces were red, and they
+walked unsteadily, and they were laughing loud, and shouting. Then the
+baker went up to his beautiful horse, and offered him the beer to
+drink.
+
+Do you suppose he took it? No, indeed! He gave it one sniff from his
+smooth, brown nostrils. Then he turned his head away with a jerk so
+sudden that he knocked the glass, beer and all, upon the pavement. He
+looked at his master as if to say, "Don't insult me again in that way,
+sir!"
+
+So his bad master had to pay for both the beer and the glass.
+
+Wise old horse, he was not afraid to give his opinion of beer.
+
+ CLARA J. DENTON.
+
+
+
+
+[Illustration: {TWO CHILDREN FLYING KITES.}]
+
+HOW THE WIND BLOWS.
+
+
+ High and low
+ The spring winds blow!
+ They take the kites that the boys have made,
+ And carry them off high into the air;
+ They snatch the little girls' hats away,
+ And toss and tangle their flowing hair.
+
+ High and low
+ The summer winds blow!
+ They dance and play with the garden flowers,
+ And bend the grasses and yellow grain;
+ They rock the bird in her hanging nest,
+ And dash the rain on the window-pane.
+
+[Illustration: {A GARDEN WITH BEEHIVES.}]
+
+[Illustration: {HAYSTACKS IN A FIELD.}]
+
+ High and low
+ The autumn winds blow!
+ They frighten the bees and blossoms away,
+ And whirl the dry leaves over the ground;
+ They shake the branches of all the trees,
+ And scatter ripe nuts and apples around.
+
+ High and low
+ The winter winds blow!
+ They fill the hollows with drifts of snow,
+ And sweep on the hills a pathway clear;
+ They hurry the children along to school,
+ And whistle a song for the happy New Year.
+
+ M. E. N. H.
+
+[Illustration: {CHILDREN IN A SNOWY FIELD.}]
+
+
+
+
+DIME AND BETTY.
+
+
+Bow-wow! Who are you? I am only a little dog. My name is Dime. I am
+not a cross dog. I have been a pet dog all my life. Shall I tell you
+what I can do? I can sit up and beg. I can shake hands. I can jump
+over a stick, O yes; and I can run very fast. I can run as fast as
+Pomp, the baker's dog; and Pomp is a big dog.
+
+[Illustration: {DIME AND POMP RACING EACH OTHER.}]
+
+I like to run races with Pomp. He never bites a little dog. We like to
+run after birds. But we never catch any birds. They fly away when we
+come near. I wonder how the birds fly. Pomp and I cannot fly.
+
+My master has a cow. Her name is Betty. She is a good cow. She gives
+nice, white milk. I do not care much for milk. I like a bone better.
+But old Tab, the cat, likes milk. I like to see Tab drink milk. She
+laps it up very fast.
+
+I drive Betty to pasture every day. John goes with me to shut the
+gate. John is the boy who milks the cow. I wish I could open and shut
+that gate. Then John would not go to the pasture. I should like to go
+all alone. I think it would be fine.
+
+[Illustration: {DRIVING BETTY TO PASTURE.}]
+
+I take good care of Betty. When any one comes near her, I say,
+"Bow-wow" very sharply.
+
+ S. E. SPRAGUE.
+
+
+
+
+[Illustration: {BOBBY AND THE RAM.}]
+
+SAVED FROM FREEZING TO DEATH.
+
+
+When Bobby Smart was six years old, he was left to the care of his
+Uncle James, who lived in the country. His aunt took him to his future
+home, and at the depot he saw his uncle for the first time.
+
+Bobby was lonely and sad; his uncle often treated him with harshness
+and even cruelty. The cold winter had come on early. Bobby was the
+only boy about the farm, and he had to work very hard. His clothing
+was unfit for the winter weather, and he often suffered from the cold.
+
+Among the duties which this poor boy had to perform was that of
+tending a flock of sheep. One afternoon, when there were signs of a
+snow-storm, he was sent to drive the flock to the barn. He started for
+the field, but his clothes were so thin that he was benumbed by the
+intense cold. He sat down on a large rock to rest himself. He felt
+strangely tired and cold. In a little while he began to feel drowsy.
+Then he thought it was so nice and comfortable that he would stay
+there awhile. In a very few moments he was asleep, and perhaps
+dreaming.
+
+Suddenly he was aroused by a tremendous blow which sent him spinning
+from his perch on the rock to the ground. Looking about him, he saw an
+old ram near by. The creature looked as though he had been doing
+mischief, and Bobby was no longer at a loss to know where the blow
+came from; but he thought the attack was an accident, and in a short
+time he was again in the land of Nod.
+
+Again the ram very rudely tumbled him over into the snow. He was now
+wide awake, and provoked at the attack of the beast. He began to
+search for a stick to chastise his enemy. The ram understood his
+intention, for he turned upon Bobby as if to finish the poor boy.
+Bobby was forced to take to his heels, and ran towards home.
+
+The ram chased him, while the rest of the flock followed after their
+leader. The inmates of the farm-house were surprised to see Bobby
+rushing towards the house as fast as his little legs would allow him.
+His hair was streaming in the wind, and he was very much terrified.
+Close upon him was the old ram, kicking up his heels in his anger.
+Behind him could be seen a straggling line of sheep doing their best
+to keep up.
+
+[Illustration: {THE RAM CHASES BOBBY.}]
+
+Bobby won the race, however. His uncle came out in time to turn the
+flock into the barn. It was a long time before Bobby would venture
+near the ram again.
+
+Bobby knows now that but for the efforts of that old ram in knocking
+him from his seat on that bitterly cold day he would have been among
+the angels in a very short time. The sleepy feeling which overcame him
+would have ended in death.
+
+Bobby declares that the ram knew all the time what ailed him, and that
+he butted him from the rock on purpose. I cannot explain it, but do
+know that "God moves in a mysterious way his wonders to perform."
+
+ MRS. F. GREENOUGH.
+
+
+
+
+LILY'S GARDEN.
+
+[Illustration: {A VASE OF DANDELIONS.}]
+
+
+There was only a little piece of garden belonging to Lily's home in
+the city. In the bright spring days she went out there, and watched to
+see if any flowers came up. She felt happy when she found the first
+blades of grass.
+
+The poet sings that "his heart dances with the daffodils." Lily's
+heart danced, one morning, when she found a dandelion among the
+grasses in her yard,--a real yellow dandelion, with all its golden
+petals spread out.
+
+Just then, one of her playmates looked over the fence, and put out her
+hand.
+
+"Do give it to me," she said. "I sha'n't like you a bit, if you don't:
+I shall think you are just as stingy--"
+
+"But it's all I have," said Lily; "I can't give it away. I can't. Wait
+till to-morrow, and there'll be some more out. They're growing.
+There'll be some all round to-morrow or next week."
+
+"To-morrow! I want it now, to-day," said her friend, "to-day's better
+than to-morrow."
+
+Lily looked at the child and then at the dandelion. "I suppose it
+would be mean to keep it," she said, "but it is so lovely--_can't_ you
+wait?"
+
+"Oh, well, keep it, you stingy girl!"
+
+[Illustration: {THE LITTLE GIRL ASKS FOR THE DANDELION.}]
+
+"Come and pick it yourself, then," said Lily, with tears in her eyes.
+
+The next day, when Lily went into the yard, there were a dozen golden
+dandelions, like stars in the grass, and a little blue violet was
+blooming all alone by itself.
+
+ MARY N. PRESCOTT.
+
+
+
+
+[Illustration: {A GIRL AND BOY WALK ALONG A ROAD.}]
+
+WHERE?
+
+
+ Where is the honey-bee?
+ Where has the swallow flown?
+ Only the chickadee
+ Chirrups his song alone.
+
+ Where is the bobolink,
+ Bubbling with merriment?
+ What was the road, think,
+ The gadding fire-fly went?
+
+ Whither flew the little wings
+ Grown in green forest aisles?
+ Where are the pretty things
+ That blossomed miles on miles?
+
+ MARY N. PRESCOTT.
+
+
+
+
+[Illustration: {THE GOAT ON THE RAILROAD TRACK.}]
+
+A GOAT IN TROUBLE.
+
+
+A few weeks ago, as I was crossing a railroad track just outside of
+the city, a little goat stepped before me. With a sad cry, she seemed
+to ask me to stop. I turned aside to pass on, but she kept brushing
+against me, until I finally decided to find out what she wanted.
+
+The goat had wandered from her usual browsing place. In crossing the
+railroad track she had caught her chain on a rail, and could not get
+away. I stooped down and let her loose. Then she pressed against me as
+if to thank me, and bounded off quickly to her old pasture.
+
+If we would always listen to the cries of animals in distress, we
+might do a great deal of good. Just after I had released the goat, a
+train of cars came rushing along, and she would certainly have been
+killed if I had not attended to her.
+
+ L. B. P.
+
+
+
+
+[Illustration: {THE BIRD SINGING.}]
+
+A NEGRO MELODIST.
+
+
+It has often been remarked that in the bird world the rule is for the
+males to have the brilliant plumage, with all the beautiful colors and
+for the females to be the dowdy ones--a rule which would entail a
+revolution in fashions, startling and ludicrous, if it were to be
+introduced for variety among our own kind. Again, gaily-dressed birds
+have the least pleasing song--the screaming jay bearing an unfavorable
+comparison with the thrush--and the modestly-attired nightingale
+having furnished, in all ages, a brilliant example of virtue
+unadorned. The nightingale, however, leaving before the climate has
+become objectionable, we must praise its musical accomplishments
+rather as being those of a distinguished guest, or foreign _prima
+donna_, than of an indigenous artist. But we have another bird who
+_is_ always here, facing winter's blasts in addition to summer's
+bloom, who in voice stands unrivaled; no competitor approaching any
+where near him for fluency, richness, and liquid melody of song--to
+wit, the blackbird.
+
+This negro melodist seldom spares his lungs at all until winter is far
+advanced into its New Year months; and even amid the bitter mornings
+of January, his rich, unfaltering notes can sometimes be heard. His
+coat is a glossy black, always cleanly brushed, and in the case of one
+family, sometimes called the "Red-wing," with a gorgeous scarlet lapel
+on either side.
+
+
+
+
+TIME ENOUGH.
+
+
+ Two little rabbits out in the sun;
+ One gathered food, the other had none.
+ "Time enough yet," his constant refrain;
+ "Summer is still just on the wane."
+
+ Listen, my child, while I tell you his fate:
+ He roused him at last, but he roused him too late.
+ Down fell the snow from a pitiless cloud,
+ And gave little rabbit a spotless white shroud.
+
+ Two little boys in a school-room were placed;
+ One always perfect, the other disgraced.
+ "Time enough yet for my learning," he said;
+ "I will climb by-and-by, from the foot to the head."
+
+ Listen, my darling--their locks are turned gray;
+ One, as a governor, sitteth to-day.
+ The other, a pauper, looks out at the door
+ Of the alms-house, and idles his days as of yore.
+
+ Two kinds of people we meet every day;
+ One is at work, the other at play,
+ Living uncared for, dying unknown.--
+ The busiest hive hath ever a drone.
+
+ Tell me, my child, if the rabbits have taught,
+ The lesson I longed to impart in your thought.
+ Answer me this, and my story is done,
+ Which of the two will you be, little one?
+
+
+
+
+THE MOUSE WEDDING.
+
+
+Dick Sly was the smartest mouse in Mousetown. He knew any kind of a
+new trap that was set to catch him, and he always warned the rest. The
+houses in Mousetown are called "holes," you know. Next to the hole
+where Dick lived with his parents was the hole where pretty Nan Spry
+lived. She could run faster than any mouse in Mousetown; even Dick
+could not catch her, if she tried to run away from him. At last it was
+told in Mousetown that Dick and Nan were to be married, and every body
+said, "What a grand pair they'll make." Judge Mouse, who married them,
+put on his best gold spectacles, and they were married on a big
+wedding cake, which some folks called a "cheese." Every one in
+Mousetown had a bit of it, and declared it to be the best wedding cake
+they had ever eaten.
+
+
+
+
+SHE HAD NEVER SEEN A TREE.
+
+
+ They took the little London girl, from out the city street,
+ To where the grass was growing green, the birds were singing sweet;
+ And every thing along the road, so filled her with surprise,
+ The look of wonder fixed itself, within her violet eyes.
+
+ The breezes ran to welcome her; they kissed her on each cheek,
+ And tried in every way they could, their ecstacy to speak,
+ Inviting her to romp with them, and tumbling up her curls,
+ Expecting she would laugh or scold, like other little girls.
+
+ But she didn't--no she didn't; for this crippled little child
+ Had lived within a dingy court, where sunshine never smiled;
+ And for weary, weary days and months, the little one had lain
+ Confined within a narrow room, and on a couch of pain.
+
+ The out-door world was strange to her--the broad expanse of sky,
+ The soft, green grass, the pretty flowers, the stream that trickled by;
+ But all at once she saw a sight, that made her hold her breath,
+ And shake and tremble as if she were frightened near to death.
+
+ Oh, like some horrid monster, of which the child had dreamed,
+ With nodding head, and waving arms, the angry creature seemed;
+ It threatened her, it mocked at her, with gestures and grimace
+ That made her shrink with terror, from its serpent-like embrace.
+
+ They kissed the trembling little one; they held her in their arms,
+ And tried in every way they could to quiet her alarms,
+ And said, "Oh, what a foolish little girl you are, to be
+ So nervous and so terrified, at nothing but a tree!"
+
+ They made her go up close to it, and put her arms around
+ The trunk, and see how firmly it was fastened in the ground;
+ They told her all about the roots, that clung down deeper yet,
+ And spoke of other curious things, she never would forget.
+
+ Oh, I have heard of many, very many girls and boys
+ Who have to do without the sight, of pretty books and toys--
+ Who have never seen the ocean; but the saddest thought to me
+ Is that any where there lives a child, who never saw a tree.
+
+
+
+
+A FUNNY HORSE.
+
+
+ Knock! Knock! Knock! I've been before this block
+ More than half an hour, I should say;
+ I am standing in the sun, while Miss Lucy lingers on,
+ Talking of the fashions of the day.
+
+ It is a trick you know, she taught me long ago,
+ But now I am in earnest, not in play;
+ And the world is very wide, to a horse that isn't tied,
+ I've a mind to go and ask the price of hay.
+
+ There's a nail in my shoe that needs fixing too,
+ And I want a drink more than I can say;
+ How I could run, with my dandy harness on!
+ But it's such a mean thing to run away.
+
+ Rap! Tap! Tap! That's enough to break a nap--
+ There she comes, and is laughing at the way
+ I brought her to the door, when she wouldn't come before,
+ That's a trick worth playing any day.
+
+
+
+
+MRS. GIMSON'S SUMMER BOARDERS.
+
+
+It was recess at the school-house at the cross roads, and three
+country girls gathered round a companion, whose unhappy face showed
+that something had gone wrong.
+
+"Is this your last day at school, Lucindy?" asked Carrie Hess, a girl
+of fifteen, and the eldest of the three sisters.
+
+"Yes, this is my last day, thanks to the summer boarders. I can't bear
+to think of them. I hate them!"
+
+"Will you have to work harder than you do now?" asked Freda, who was
+next younger to Carrie.
+
+"I don't mind the work so much as I do their impudent airs, and their
+stuck-up ways. I wont be ordered around, and if Auntie thinks I'm
+going to be a black slave, she'll find she's mistaken."
+
+Lucindy's face flushed, and she appeared to be greatly in earnest.
+
+"I'd be glad to have them come to our house, they have such nice
+clothes," said Lena, the youngest and most mischievous.
+
+"Yes, it's very nice, I must say, to go around in old duds, and have a
+girl that's not a whit better in any way than you, only she's been to
+a city school and has a rich father, turn up her nose at you, and
+perhaps make fun of you, with her white dresses and her silk dresses,
+and her gaiter boots."
+
+"Can't we come to your house any more? Can't we come to play?" asked
+Carrie.
+
+"Oh, can't we come?" said the other two, almost in a breath.
+
+"No, Auntie told me this morning, that I must tell you and the rest of
+the girls, that it wouldn't be convenient to have you come, as you
+have done; you are not stylish enough for Miss Hattie Randolph to
+associate with, I suppose."
+
+The girls looked really disappointed. Lucindy was a great favorite,
+and a leader, fearless and successful in all escapades that required
+originality and coolness, and her company would be sorely missed. Her
+aunt had indulged her in all the dress and amusement she could afford,
+and her companions had always been welcome to visit at the house, but
+now there was a necessity for her services, and play could not be
+indulged in so often for the rest of the summer, as the household
+needed the avails, if not the presence of summer boarders.
+
+"Is she older than we?" asked Carrie.
+
+"No, but she's lived all her life in the city, and feels above
+everybody. She and her brother and her mother will just take
+possession of our piazza and door-yard, and our swing; and I can wash
+dishes, and sit on the back door-step, and never see a girl from one
+month's end to another." Here Lucindy burst out crying.
+
+"It's too bad," said Carrie.
+
+The little Lena, ever fertile in invention, crept near, and putting
+her arms around Lucindy's neck, whispered:
+
+"We'll come to see you on the sly, and we can go down in the fields
+and have fun, when your Auntie goes out for an afternoon."
+
+"I wish you would," said Lucindy. "And I'll bring down some cake and
+pickles, and some honey, and we'll have a pic-nic in spite of Mrs.
+Randolph!"
+
+This was a solution of the unhappy problem, and it seemed to throw a
+ray of sunlight slantwise into the gloomy picture of the coming
+summer.
+
+The progress of the afternoon at the school-house was not marked by
+any unusual occurrence, and at the close, the little company of
+schoolmates proceeded together, until they came to the road leading to
+Lucindy's home. Here they parted, with many professions of everlasting
+friendship; Lucindy, walking backwards, watched her companions until
+the turn in the road hid them from view.
+
+Then she sat down upon a bank by the roadside under an old tree.
+Throwing her slate and books down on the grass, she snatched a few
+daisies that grew near, and thought of many things of a disquieting
+nature, pulling the flowers to pieces.
+
+"I feel mad enough to run away!" she thought. "I could earn my living
+easy enough in the city, and not have to work so hard either. Miss
+Hunter can't teach me any thing more. I've learned all she knows. It's
+just too bad not to be able to get more education. I'll just take my
+own way, if Auntie crowds me too much. I don't care if she don't like
+it. If my father and mother were alive, she wouldn't be my boss. I can
+get on in another place with what I know about a good many things.
+
+"But oh, that girl that's coming has so much better times than I.
+Those lovely city schools! no one can help learning there, they take
+such pains with you."
+
+She looked down the road upon which the slanting red light of the
+declining sun was shining, and there she saw a cloud of dust. This
+road was not a great thoroughfare, and she knew that was the stage,
+and it probably would bring the undesired summer guests.
+
+She shrank visibly back into the shadow of the tree as it came on, and
+smoothed out her faded calico dress and pulled her sun-bonnet farther
+over her face.
+
+The coach came rolling past, and a girl in the back seat directed the
+attention of a fashionably-dressed lady to herself, she thought, and
+laughed as though immensely pleased, at the same time pointing at her.
+A little boy, who sat in the front seat with the driver, and who was
+playing upon a harmonica, stopped, and looking in her direction,
+laughed too.
+
+"It's my outlandish sun-bonnet they're making fun of," she thought. "I
+suppose this is the beginning of it."
+
+[Illustration: SHE SAT DOWN ON A BANK BY THE ROADSIDE UNDER AN OLD
+TREE.]
+
+Now this ungentle girl was mistaken in her surmise, as she was about
+many things that caused her unhappiness. What the people in the stage
+were really interested and amused with were a couple of lambs in the
+field back of Lucindy, and their playful gyrations were a novel sight
+to them, and they had come for the very purpose of being pleased with
+country sights and experiences. Lucindy felt sure these were the
+summer boarders, and, taking a short cut across the fields, arrived at
+her aunt's just as the guests were alighting.
+
+Lucindy stood at the back corner of the house, and heard the sprightly
+talk of Mrs. Randolph and the merry laugh of the daughter, as her aunt
+bade them welcome, and she knew they were being conducted to the upper
+rooms that had been prepared with such thoughtful reference to their
+comfort.
+
+Her aunt came down very soon, and seeing Lucindy, bade her wash her
+hands and smooth her hair, and put on a white apron, and prepare to
+get ready the tea. This duty Lucindy had always done, and a little
+curiosity, mingled with her other feelings, came to her, as to how the
+boarders would like her aunt's puffy biscuit, and if the cold custard
+and raspberry jam wouldn't be to their taste. If coffee and fricasseed
+chicken would not be just the thing after an all-day ride, and
+remarked to herself: "If they don't like such fare, let them go where
+they'll get better."
+
+The tea passed off with great good feeling; the new people making a
+most favorable impression upon her aunt, and impressing Lucindy with
+the discovery that polite manners were a recommend to strangers, for
+her aunt made gratified remarks from time to time as she came into the
+kitchen. Lucindy would not wait upon the table the first evening, a
+convenient head-ache being the excuse.
+
+Mrs. Gimson was a most kindly disposed person, and endeavored, in
+every way, to make the time pass pleasantly to her guests; but all she
+could say in their favor did nothing toward disposing the mind of her
+niece to regard them with any toleration. She performed the household
+duties that fell to her with a stolid indifference, or with an openly
+expressed reluctance, and her aunt bore all kindly, explaining and
+smoothing away what she could, promising Lucindy that she should have
+a nice present of money when the guests departed.
+
+Hattie Randolph had not taken any notice of her, never really having
+seen her, for Lucindy had positively refused to wait upon the table;
+and had kept herself in the back-ground, thus making her life at home
+more of a discipline than was necessary. She envied Hattie's graceful
+ways and refined conversation; and her apparel was a revelation, not
+of beauty, but of another source of jealous envy to the country girl,
+for in putting the guests' rooms in order, she examined, critically,
+the pretty things in the wardrobe.
+
+The city people found so much to interest them in the beauties of the
+surrounding neighborhood, that they were out nearly all the time, and
+when the evening came, Mrs. Randolph, with her son and daughter, made
+a pleasant addition to Mrs. Gimson's parlors, with their graceful
+talk, and numberless resources of entertainment.
+
+Lucindy, observant and sullen, kept herself informed of all their
+movements, and was continually having the blush brought to her cheek
+and the bitterness of comparison to her heart, as she noted the wide
+difference there was between herself and them. It never once occurred
+to this foolish girl, that this difference was growing more and more
+every day, by the fostering of pride and an ignorant stubbornness,
+which prevented her, utterly, from ever cultivating their envied
+characteristics.
+
+It was a long time since she had seen any of her playmates from the
+school, but by an ingenious contrivance, that had been thought out by
+Lucindy, a tin box had been inserted into an old tree in a fence
+corner, about midway between her home and the school-house, and in
+this they deposited their notes to each other.
+
+[Illustration: MISS HATTIE RANDOLPH.]
+
+This was a solace to Lucindy, as all the happenings at the school
+could be reported, and many a mis-spelled, soiled missive found its
+way to the eager hands of the absent one. Not less interesting was the
+news as to the doings of the boarders. Nothing, however trivial, that
+happened not to accord with Lucindy's notions was overlooked in her
+setting forth of grievances, and she found ready sympathizers in the
+Hess girls. Carrie Hess stood under the old tree, one lovely morning,
+overstaying her time in doing so, as the warning bell had rung at the
+school-house, reading a note she had taken from the tree post-office.
+Among other things, it communicated the welcome news, that herself and
+sisters might come to the pretty knoll behind the house that
+afternoon, and that Lucindy would take the occasion to make a holiday
+for herself, as her aunt was going, after dinner, to look up fresh
+butter and eggs, and would be gone until near tea time.
+
+Mrs. Randolph had hired a team, and with her family would be gone the
+same length of time, for a ride.
+
+Carrie took a race to school, very much elated at the prospect of
+enjoying Lucindy's company once more. Recess came, and after eating
+their very generous lunch, they prepared to quietly put a considerable
+distance between themselves and the precincts over which Miss Hunter's
+authority extended. They were "skipping," as they termed it, and as
+their parents would not know of it, they reveled in the forbidden
+freedom. They proceeded over fences and across stubble fields, and
+soon reached the coveted meeting-place. A wide-spreading tree, with a
+wreath of apples upon it, just turning to a ruddy hue, was almost
+completely surrounded at its trunk with hazel bushes, but on one side
+they did not grow; this was away from the house, and toward the wheat
+field. It was a natural bower, and into this they crept to await the
+coming of Lucindy.
+
+They were not kept long in suspense, and when she appeared what a
+hugging and kissing were gone through with!
+
+"Have your boarders gone for their ride?" asked Carrie.
+
+"Yes, and I thought they'd never get off. Old Mrs. Randolph fusses so,
+you'd think she was going to a party every time she goes to ride. I
+wonder who she expects to see on a country road?"
+
+"Sure enough. How was the girl dressed, Lu?"
+
+"Oh, she had on a light check silk, and a lovely brown jockey, trimmed
+with pink satin ribbon rosettes and long ends at the back, and a
+lovely, wide collar."
+
+"Don't you like her better than her mother?" asked Lena.
+
+"Well, she doesn't put on as many airs as her mother, and she's acted,
+two or three times, as if she were going to speak to me, but I managed
+not to let her. I don't want her acquaintance. I don't want any of her
+coming down to me!"
+
+"I suppose they have nice things, that they've brought with them, in
+their rooms," said Carrie.
+
+"Yes, Mrs. Randolph has an elegant blue satin pin-cushion, with
+morning-glories and apple-blossoms painted on it, and a dressing-case
+with white ivory combs and brushes, and they do your hair up lovely,
+for I fixed mine in her room yesterday with them." This caused much
+merriment.
+
+Lucindy proceeded to take from her pocket a pack of children's cards,
+illuminated with gaily-dressed ladies and gentlemen, and queer-looking
+figures of all kinds. These caused a sensation; they looked
+incredulously at Lucindy, as she said:
+
+"These are the things that make them laugh evenings. If we knew how to
+play them, we could have some of their kind of fun."
+
+They passed them to one another and examined them. They threw them
+aside presently, and returned to the subject of never-failing
+interest--the wardrobe of the boarders.
+
+Carrie and Lena intimated more than once, that if they could only see
+something that city people really considered elegant, they would be
+satisfied, and forever indebted to Lucindy for the sight.
+
+[Illustration: GRETCHEN TRAILING THE BEAUTIFUL MULL OVERSKIRT ON THE
+GROUND.]
+
+"Oh, dear, if that will please you so much," said Lucindy, entirely
+willing to gratify them, "I'll go and get one of Mrs. Randolph's
+prettiest dresses and show you. It wont take me a minute."
+
+"Oh, do, Lucindy! we're just crazy to see it! She'll never know it,"
+said Carrie, with eagerness.
+
+Lucindy had no scruples whatever in procuring so coveted a pleasure
+for her dear friends. She ran back to the house and up into Mrs.
+Randolph's room. She fumbled over the dresses, and thinking it was as
+well to take out two or three, that they might feast their eyes upon a
+variety, she piled two silk dresses and an India mull upon her arm,
+and hurried out.
+
+They dragged considerably upon the dusty path, but this was not
+noticed, and the wild delight of the girls, when they really had them
+in their hands, amply repaid Lucindy for any risk, she thought.
+
+They fingered them over, the bead embroideries and lace trimmings, and
+examined the fashion of each with untiring interest.
+
+"Let's put them on!" said Carrie, "and see how we would look in
+them."
+
+"We'll look sweetly stylish," said Freda.
+
+"Oh, do let us, Lucindy! Mrs. Randolph wont be back until evening.
+It'll be such fun!" insisted Carrie.
+
+"All right, let us; I don't care how much fun we have with them, the
+more the better," returned Lucindy. No sooner said than done; over
+their clothing they stretched the dresses, and jerked and settled them
+into the proper set. Shouts of laughter greeted every ridiculous pose
+and awkward stumble, and certainly nothing could be more provocative
+of merriment than their appearance. They trailed the dresses over the
+stubble in mock dignity; they improvised a dance, and went through all
+the grotesque changes they could invent. Their comments and jokes were
+most spicy and personal, and in all Lucindy led.
+
+After a good time enjoyed in this way, the fun lost its point and
+novelty, and they threw the dresses in a heap on the grass, and sat
+and chatted over the gossip connected with the school at the cross
+roads. The afternoon was wearing on, and Lucindy thought it time to
+produce her good things, and taking up the dresses, ran along to the
+house.
+
+In getting through the bars she dropped the mull overskirt and did not
+perceive her loss. Gretchen saw it, and running after, brought it
+back. Lucindy hung the dresses up in their places, certainly not
+improved by the airing they had had; but chancing to look out of an
+upper window, she was horrified to see down the road the identical
+team that Mrs. Randolph had hired, and as true as the world, they were
+coming home!
+
+She rushed down, and abandoning the lunch, ran as fast as she could to
+the field, and as she approached, this was the sight that met her
+gaze:
+
+Gretchen was strutting about with a dock leaf held over her head for a
+parasol, and trailing the beautiful mull overskirt on the ground,
+endeavoring to realize the feelings of a fine lady in a trailed dress.
+
+"Gretchen! Gretchen!" screamed Lucindy, as loudly as she dared. "Hide
+it! hide it! Mrs. Randolph has come home!"
+
+Carrie jumped, and lifting Gretchen from it, secured the skirt, and
+Lucindy grasped it and rolled it in a small ball and hid it in the
+hazel bushes. Then they held a hurried consultation, and decided it
+was best for Lucindy to go back immediately; but, as it was now
+impossible to restore the skirt to its place in the wardrobe, they
+urged her to put it in some unfrequented spot, until a favorable
+opportunity came to get it back. Lucindy now feared her aunt would
+arrive without warning, and, although loth to part without the long
+anticipated treat, they walked quickly down the path by the fence
+toward the road.
+
+"What on the face of the earth will I ever do with this thing?"
+whispered Lucindy, for the first time betraying fear. "I can't get it
+back to-night, that's as plain as the nose on your face. Oh, grief!
+she may inquire after it as soon as I go in! It'll be just like my
+luck for her to want to wear it to-night. Maybe she expects some one
+to spend the evening with them, and that's what brought them back so
+early. Let me see--Auntie will find it if I put it anywhere about the
+house or barn; I must not be found out in this, because if I am,
+Auntie wont give me the present she promised. I'll tell you, Carrie,
+you take it and put it down the hole in the tree, under the tin box.
+No one has ever found out that place; it will be safe there until I go
+for it to-morrow."
+
+This was immediately decided upon, and the girls went sulkily home.
+The skirt was forced down into the tree, and the tin box placed on
+top, and they trudged slowly homeward.
+
+As Lucindy approached the house, she began to see more and more the
+serious dilemma in which she was placed, and her face hardened visibly
+as she thought.
+
+"I'll deny the whole thing if I'm cornered; perhaps Mrs. Randolph will
+live through the disappointment of not wearing her dress for once. I
+have to live all the time without such dresses."
+
+Just then she heard her aunt calling her, and she knew that some
+unlooked-for occasion had brought them home before evening.
+
+"Lucindy, we must hurry up the tea; the folks are going to spend the
+evening at Judge Brander's. The team is waiting to take them there.
+Mrs. Randolph saw me in the village, and told me."
+
+Lucindy did not answer, but went in and about her duties as usual.
+Presently Mrs. Randolph called for Mrs. Gimson to come up stairs, as
+she wished to speak to her. Lucindy felt that now the discovery had
+been made, and strengthening her purpose, to deny all, worked on,
+quietly waiting for developments.
+
+In a few moments, her aunt came down in great excitement, and told her
+that someone had been in the house, while they were away, and had
+stolen Mrs. Randolph's elegant India mull overskirt, and had almost
+ruined her other dresses, as the trimmings were broken and destroyed,
+and some of them were gone entirely.
+
+"It must have been when I went for water; I noticed that there were
+two tramps going down the road, a man and woman."
+
+"Oh, Lucindy, you should have locked the door!"
+
+"Why, aunt, I never lock the doors when I go after water. I suppose
+you'll put the blame of it on me!" Here Lucindy began to cry. "I think
+you are a very strange woman to leave no one but a girl alone in a
+house, with such valuable things; it's a wonder the robbers didn't
+kill me; my coming in frightened them away. I've no doubt they thought
+it was the hired man," Lucindy continued to cry.
+
+Mrs. Gimson never suspected her niece of such systematic deception.
+The well was a short distance from the house, and that accounted for
+the fact that nothing else was missing, as they had not had time, and
+also that the other dresses had been rudely dragged to get them down.
+
+She believed Lucindy's story. Mrs. Randolph could not account for the
+plight in which she found her clothing, and bewailed her loss, as
+being particularly annoying at this juncture.
+
+Nothing more was said, and, after taking tea, they started for the
+Judge's, leaving Mrs. Gimson in a greatly perturbed state of mind. She
+knew that this unfortunate thing would get abroad and discourage
+patrons. Desirable boarders would avoid her house in future.
+
+Lucindy, never uttering a comforting word to her aunt, went up to her
+room with an air of injured innocence that hurt her aunt quite as much
+as any thing she had undergone. During the early part of the evening a
+violent thunder storm came up, and Mrs. Randolph did not return. The
+next morning it still rained, and there was no excuse for Lucindy's
+going out, and the dress could not be secured. Mrs. Randolph returned
+at noon, and informed Mrs. Gimson that she had been invited to visit,
+for the rest of the summer, at Judge Brander's, and would leave Mrs.
+Gimson's the next day.
+
+Just as soon as Lucindy could be spared, she ran down to the tree
+post-office, put a note into the tin box, and returned. This, Carrie
+Hess got as soon as recess came, and the scheme worked out
+successfully, as the event proved.
+
+Barry, Hattie's brother, was standing by the shrubbery gate, when a
+little barefoot boy sidled up, and attracted his attention by his
+curious behavior--he finally spoke:
+
+"I say, them Hitalyans stuffed yer mother's clothes inter a tree down
+here; I found it this mornin'."
+
+"What do you mean?" asked Barry, not fully understanding the boy.
+
+"That ere tree, don't yer see?" and the boy pointed to the girls'
+post-office, that stood out dimly down the road.
+
+"Is it there now?" asked Barry.
+
+"I do'no, I seed it there this mornin'."
+
+[Illustration: A LITTLE BAREFOOT BOY SIDLED UP AND ATTRACTED HIS
+ATTENTION.]
+
+"Wait till I go and tell my mother," said Barry, and he ran into the
+house.
+
+In a moment Mrs. Randolph and Mrs. Gimson were at the gate, but the
+boy had disappeared. "Go down, Barry, and see if what he says is
+true," said his mother. He ran off, and returning after a little time,
+brought the overskirt, rolled up in a soiled bundle, as the rain had
+soaked it and the decayed wood had stained it.
+
+"Yes, I think it must have been those tramps," said Mrs. Randolph.
+"They hid it there, expecting to come for the rest of it the next day.
+They'll be disappointed. I'll be gone."
+
+The boy was Carrie Hess's brother, and the ruse had worked; entirely
+turning off all suspicion from Lucindy.
+
+Mrs. Gimson lost her summer boarders and Lucindy returned to school.
+This unprincipled girl, however, learned the hard lesson, in her after
+life, that ingratitude to benefactors, and unfaithfulness to trust,
+meet a sure retribution, even if they appear to succeed.
+
+
+
+
+[Illustration: A MIDNIGHT ATTACK.]
+
+
+
+
+[Illustration: {AS NIGHT CAME DARKLY DOWN--BIRDS; A WOMAN AND CHILD;
+ TREES.}]
+
+[Illustration: {A CHERUB AND BIRDS.}]
+
+AS NIGHT CAME DARKLY DOWN.
+
+
+ The night came darkly down;
+ The birdies' mother said,
+ "Peep! peep!
+ You ought to be asleep!
+ 'Tis time my little ones were safe in bed!"
+ So, sheltered by her wings in downy nest,
+ The weary little birdlings took their rest.
+
+ The night came darkly down;
+ The baby's mother said,
+ "Bye-low!
+ You musn't frolic so!
+ You should have been asleep an hour ago!"
+ And, nestling closer to its mother's breast,
+ The merry prattler sank to quiet rest.
+
+ Then in the cradle soft
+ 'Twas laid with tenderest care.
+ "Good-night!
+ Sleep till the morning light!"
+ Whispered the mother as she breathed a prayer.
+ Night settled down; the gates of day were barred
+ And only loving angels were on guard.
+
+ JOSEPHINE POLLARD.
+
+
+
+
+GRANDMOTHER'S CLOCK.
+
+
+ It stands in the corner of Grandma's room;
+ From the ceiling it reaches the floor;
+ "Tick-tock," it keeps saying the whole day long,
+ "Tick-tock," and nothing more.
+
+ Grandma says the clock is old, like herself;
+ But dear Grandma is wrinkled and gray,
+ While the face of the clock is smooth as my hand,
+ And painted with flowers so gay!
+
+ Backwards and forwards, this way and that,
+ You can see the big pendulum rock:
+ "Tick-tock," it keeps saying the whole day long,
+ "Tick-tock, tick-tock, tick-tock!"
+
+ The clock never sleeps, and its hands never rest
+ As they slowly go moving around;
+ And it strikes the hours with a ding, ding, ding,
+ Ding, ding, and a whirring sound.
+
+ I wonder if this is the same old clock
+ That the mousie ran up in the night,
+ And played hide-and-seek till the clock struck one,
+ And then ran down in a fright.
+
+ Backwards and forwards, this way and that,
+ You can see the big pendulum rock;
+ "Tick-tock," it keeps saying the whole day long,
+ "Tick-tock, tick-tock, tick-tock!"
+
+ NELLIE M. GARABRANT.
+
+[Illustration: {A SPRAY OF LEAVES AND FLOWERS.}]
+
+[Illustration: {A LITTLE GIRL AND A WOMAN BY A GRANDFATHER CLOCK.}]
+
+
+
+
+A STUFFED JUMBO.
+
+
+Yesterday, Alice met the stuffed Jumbo, her former mate. She walked
+slowly up to him, and then stood for a few moments, evidently
+surveying him with wonder. Then she swung her trunk so as to reach
+Jumbo's mouth. She also touched his trunk in a cautious manner, and
+then turning her back upon him, gave vent to a groan that made the
+roof of the garden tremble. William Newman, the elephant trainer,
+Frank Hyatt, the superintendent, and "Toddy" Hamilton, talked to her
+in their usual winning way, and she again faced Jumbo. She fondled his
+trunk, looked straight into his eyes, and again she groaned, and then
+walked away as though disgusted with the old partner of her joys and
+sorrows. She went back to her quarters and continued to mourn. Her
+keeper, Scott, was appealed to by the spectators. He was asked whether
+he believed that she recognized Jumbo, and he replied in all
+seriousness, "Of course she did. She told me so." At another time he
+said, "I can understand elephant talk, and Alice told me she
+recognized Jumbo." Scott seemed very much affected by the meeting. He
+was Jumbo's old keeper.--_Humane Journal._
+
+[Illustration: JUMBO MAKING HIMSELF USEFUL.]
+
+[Illustration: SCENE AT AN ELEPHANT MARKET.]
+
+
+
+
+[Illustration: {FLORAL PATTERN.}]
+
+THE TREES IN SILVER LAND.
+
+
+ O softly falling flakes of snow
+ That fill the wintry air,--
+ A thickening cloud on every side,
+ Each flake a wonder rare.
+
+[Illustration: {A WOMAN AND CHILD LOOK OUT OF A WINDOW.}]
+
+ "Are they from trees in Silver Land?"
+ My child is asking me.
+ He claps his hands, he laughs, he begs,
+ "One leaf from silver tree."
+
+ Such questions as he asks in vain
+ About the leaf-like snow!
+ He might as well talk of the tides
+ That strangely come and go.
+
+ "Who plants those fairy trees?" he asks,
+ "With tops that reach so high?"
+ Oh, answer, Garden of Delight,
+ All in the cloudy sky!
+
+ "Who shakes those trees and sends their leaves
+ On field and wood and town?
+ Is it the Gardener living there,
+ Or winds that blow them down?"
+
+ O child, look up and see yourself,
+ The clouds are Silver Land.
+ Who made those flakes, He scatters them;
+ They fall at His command.
+
+ They fall, they melt, they come again.
+ And His the gardener's hand
+ That gently shakes the silver trees
+ Which grow in Silver Land.
+
+ REV. EDWARD A. RAND.
+
+
+
+
+[Illustration: LINCOLN'S EARLY HOME.]
+
+SMALL BEGINNINGS.
+
+
+Did you ever think of how lowly was the start in life of many of our
+great men? Read the pages of history and you will find that fully
+seven out of ten of the great men were really poor. Bonaparte used to
+be a book agent, Gould was a surveyor, Franklin was a printer,
+Garfield worked on the tow path, Lincoln was a rail splitter, Grant
+was a tanner, Poe was always in financial distress; Crome, the great
+artist, used to pull hair from his cat's tail to make his brushes;
+Astor came to New York with nothing as the foundation of his fortunes.
+The list is almost endless.
+
+To us, there is much encouragement in these facts. By looking into the
+lives of such men we find the secret of success. Lincoln was a poor
+Illinois farmer, with no visionary dreams of his great future. He was
+poor and unlearned. Of the poverty he was not ashamed; of his lack of
+learning he was by no means satisfied. He resolved to gain knowledge.
+He studied, studied hard, and at a time in his life when other men
+felt they had passed the age of schooling. Of his work, we find he
+always tried to give an honest day's labor; his motto was to do well
+everything he put his hands to. It was this trait of character that
+attracted the attention of his neighbors, and this it was that first
+started him on the road to great success.
+
+[Illustration: GRANT'S HOUSE, NEAR ST. LOUIS.]
+
+Look at the early days of Grant. There was no indication of unusual
+brightness in him. At West Point, where he was sent to military
+school, he did not stand at the head of his classes. He only seemed an
+earnest worker, with plenty of determination. Later, when he lived on
+his little Illinois farm, there was nothing about him that pointed him
+out as the future great general. It was only when the great civil war
+broke out that he had an opportunity to show the kind of a man he was.
+His only thought was to accomplish the task assigned him, be it ever
+so difficult. This naturally found him in the line of promotion, and
+step by step he climbed higher, earning by hard work every step he
+gained, until he reached the highest office in the land.
+
+Take Edison, the inventor. He was only a tramp telegrapher, but he was
+not satisfied with being anything but the best, and many are the
+stories of speed he attained in sending or receiving messages. He was
+inquisitive--wanted to know more of the mysteries of the electricity
+that carried his messages. He began experimenting, and by close
+application to his studies, has astonished the world with his
+telephone, phonograph and other inventions.
+
+Now, these great men are not merely the products of chance. Not at
+all. Study each of them and you will find they were workers, gaining
+by just such struggles as you and I can make. We may not reach such
+distinction as these have reached, but rest assured there is just as
+great a demand now as ever for good, earnest men, and earnest,
+successful men grow from painstaking boys. The boy who, as clerk in
+the counting-house, watches after the interests of his employers, will
+be the coming merchant; the young man on the farm who slights not the
+work assigned him, will own a farm of his own.
+
+Let this lesson make an impression. The road to success may be rugged,
+but it is not so steep but that enough steps, if in the right
+direction, be they ever so short, will in time carry you a long way
+toward the top.
+
+
+
+
+[Illustration: {A MOUNTAINOUS LANDSCAPE.}]
+
+GARDEN OF THE GODS.
+
+
+This, one of the grandest of American natural sceneries, is located
+along the Colorado River. The river, in its years and years of
+flowing, has washed out the soil, and owing to the peculiar
+composition of the ground has washed it away unevenly, and these
+standing peaks are so numerous and so fantastic in form, that this
+location has been called the Garden of the Gods. It is most impressive
+and inspiring grandeur. A trip will well repay a journey from the most
+remote parts of our country to see this view, only a little of which
+is in the engraving.
+
+
+
+
+[Illustration: A STRANGE STUDIO.]
+
+YOUNG ARTIST.
+
+
+Albert, the blacksmith's son, will be an artist some day. While other
+boys are playing ball or skating, or other amusements, Albert is using
+his time making pictures. He seems to delight in it, and even when
+quite a small boy, many were the scoldings he received from his
+parents for a too free use of his chalk and pencil, leaving his rude
+drawings on wall and fences; and in school his troubles were only
+increased, for his books always contained pictures, sometimes of
+horses, or dogs, or of his friends. This habit did not correspond with
+his teachers' ideas of tidiness, and punishment followed punishment.
+It did not help matters, though, and his drawing continued. In time he
+became quite apt and could make pictures that very closely resembled
+the objects he drew. His companions called him the "artist," and they
+would have him make pictures of them. Some of his methods were odd
+enough. To make an outline of a boy's face he would tack a piece of
+paper on the side of a door in his father's shop, and by placing the
+boy between the paper and a lighted lamp, would trace with pencil the
+outline of the shadow as it fell on the paper. Soon he tried painting
+with paint and brush. At first his efforts were crude, and to anyone
+less determined and enthusiastic, discouraging. Not so to Albert. He
+worked along day after day, and in time could paint well enough to
+attract some notice in his little village.
+
+About this time a great artist from the city, spending the summer in
+this part of the country, heard of Albert, and by accident met him.
+Quick to perceive the natural talent of the boy, and being generously
+inclined, he offered to take him to his city home and give him
+training in his studio. The parents, though loth to be separated from
+their son, saw here an opportunity to educate him in his favorite
+study, and so accepted the offer.
+
+You can well imagine Albert's surprise and delight when he first
+entered the studio and saw the work of the master. How the great
+paintings filled him with wonder. He proved an apt student, a true
+artist, and year after year worked with patience and determination,
+and became a noted painter.
+
+He often thinks of his early days--of the pictures he made in the old
+blacksmith shop. He thinks, too, of the years spent since then in
+attaining prominence in his calling, but no regrets come to him.
+
+The true story of how one boy succeeded can be of use to others. It
+only takes this same perseverance and pluck to succeed in any other
+calling. Had he complained because he could not paint like the master,
+and not been contented to study on during these years, he could not
+now lay claim to his present success and eminence as an artist. Let
+others, in reading this, see in it an object, and may it bring to them
+new resolve to succeed in the life work they have started on.
+
+Life is what we make it, and not a matter of chance. By marking out a
+future success we expect to accomplish,--by sticking closely to this
+one idea, and bending every energy to attain it, we can come
+approximately near accomplishing our undertaking.
+
+[Illustration: {ORNAMENTAL PATTERN.}]
+
+
+
+
+A CHANCE WORD.
+
+
+Ralph and Lily had one game of which they never tired, and that was
+"horses." It was really a convenient game, for it could be played on
+wet or fine days, in the nursery or on the road. Perhaps it was best
+fun on the road, "like real horses;" but I am not sure, for it was
+very delightful to sit on the nursery table, with the box of bricks
+for a coachman's seat, and from that elevated position to drive the
+spirited four horses represented by the four chairs, to which the
+reins would be fastened.
+
+One day--a fine day--the two children were playing at their usual game
+on the turnpike road, and waiting for nurse, who had gone into a
+cottage near by to speak to the washerwoman. Nurse was a long time,
+and Ralph, who was horse, was quite out of breath with his long trot
+on the hard road. Lily touched him up with the whip, but all to no
+avail--he could run no more.
+
+"I've no breath left," said the poor horse, sinking down exhausted on
+a heap of stones.
+
+Lily put down the whip and patted his head to encourage him. "Soh!
+soh!" she said, in as good an imitation as she could manage of the way
+the groom spoke to their father's horse; "you are quite done, I see.
+You must rest, and have a handful of oats," and she dived into her
+pocket and produced a bit of biscuit, which the horse ate with great
+satisfaction, and soon professed himself ready to go on again. "Ah!"
+said Lily, sagely, "I knew you'd be all right soon; there's nothing
+like food and kindness for horses when they're tired."
+
+A tinker, with a cart and a poor, ill-fed beast harnessed to it,
+happened to be passing, and heard the little girl's words. He stared
+after her, for she seemed very small to speak so wisely, and the
+tinker did not, of course, know that she was only repeating what she
+had heard her father say.
+
+"Well, I'm dazed!" exclaimed the tinker, looking after the children;
+"wherever did little Missy learn that?"
+
+He said no more then; but Lily's words stuck to him, and his poor
+horse had reason to bless Lily for them, for from that day forward he
+got, not only more food, but more kindness and fewer blows and so he
+became a better horse, and the tinker the better man in consequence.
+
+
+
+
+A LITTLE DANCE.
+
+
+ Oh, it is fun! Oh, it is fun!
+ To dress ourselves up, as Grandma has done.
+ See how we go! See how we go!
+ Forward and back, heel and toe.
+
+ Lighter than down, our feet come down
+ Mind all your steps, and hold out your gown;
+ Faster than that, whatever may hap,
+ Cherry red waist and blue speckled cap.
+
+ Hi! Master John! Ho! Master John!
+ Don't go to sleep, while the music goes on;
+ Faster than that! Faster than that!
+ Hold up your head, and flourish your hat!
+
+ How she trips it along, that bright little maid,
+ With her dainty blue skirt and spotted brocade;
+ And that one in yellow, who wears the red rose
+ How she keeps her mouth shut and turns out her toes.
+
+ How they do spin! when they truly begin;
+ Each dancer as airy and bright as a doll;
+ While the music complete, keeps time to their feet,
+ With its fiddle-dee-diddle and tol-de-rol-ol!
+
+ Oh, it is fun! Oh, it is fun!
+ To dance, when every duty is done;
+ Forward and back, or all in a ring,
+ A quick little dance is a very gay thing.
+
+
+
+
+[Illustration: {A PORTRAIT OF JOE; JOE AND CHARLEY BY A TREE.}]
+
+LOOKING OUT FOR NUMBER ONE.
+
+OLIVE A. WADSWORTH.
+
+
+ Joey was a country boy,
+ Father's help and mother's joy;
+ In the morning he rose early,--
+ That's what made his hair so curly;
+ Early went to bed at night,--
+ That's what made his eyes so bright;
+ Ruddy as a red-cheeked apple;
+ Playful as his pony, Dapple;
+ Even the nature of the rose
+ Wasn't quite as sweet as Joe's.
+
+ Charley was a city boy,
+ Father's pet and mother's joy;
+ Always lay in bed till late;
+ That's what made his hair so straight,
+ Late he sat up every night,--
+ That's what made his cheeks so white;
+ Always had whate'er he wanted,
+ He but asked, and mother granted;
+ Cakes and comfits made him snarly,
+ Sweets but soured this poor Charley.
+
+ Charley, dressed quite like a beau,
+ Went, one day, to visit Joe.
+ "Come," said Joey, "let's go walking;
+ As we wander, we'll be talking;
+ And, besides, there's something growing
+ In the garden, worth your knowing."
+ "Ha!" said Charley, "I'm your guest;
+ Therefore I must have the best.
+ All the _inner_ part I choose,
+ And the _outer_ you can use."
+
+ Joey gave a little laugh;
+ "Let's," said he, "go half and half."
+ "No, you don't!" was Charley's answer,
+ "I look out for number one, sir."
+ But when they arrived, behold,
+ On the tree a peach of gold,
+ All without, fair, ripe and yellow,
+ Fragrant, juicy, tempting, mellow,
+ And, within, a gnarly stone.
+ "There," said Joey, "that's your own;
+ As you choose, by right of guest,
+ Keep your choice--I'll eat the rest."
+
+[Illustration: {A PORTRAIT OF CHARLEY.}]
+
+ Charley looked as black as thunder,
+ Scarce could keep his temper under.
+ "'Twas too bad, I think," said Joe;
+ "Through the cornfield let us go,
+ Something there, perhaps we'll see
+ That will suit you to a T."
+ "Yes," said Charles, with accent nipping,
+ "Twice you will not catch me tripping;
+ Since I lost the fruit before,
+ You now owe me ten times more.
+ Now the _outer_ part I choose,
+ And the _inner_ you can use."
+
+ Joey gave another laugh;
+ "Better call it half and half."
+ "No, indeed!" was Charley's answer,
+ "I look out for number one, sir!
+ Well I know what I'm about,--
+ For you, what's in; for me what's out!"
+ On they went, and on a slope
+ Lay a luscious cantaloupe,
+ Rich and rare, with all the rays
+ From the August suns that blaze;
+ Quite _within_ its sweets you find,
+ And _without_ the rugged rind.
+
+ Charley gazed in blank despair,
+ Deeply vexed and shamed his air.
+ "Well," said Joey, "since you would
+ Choose the bad and leave the good;
+ Since you claimed the outer part,
+ And disdained the juicy heart,--
+ Yours the rind, and mine the rest;
+ But as you're my friend and guest,
+ Charley, man, cheer up and laugh,
+ And we'll share it half and half;
+ Looking out for number one
+ Doesn't always bring the fun."
+
+
+
+
+[Illustration: {AT WORK IN THE STUDIO.}]
+
+WOODCROFT.
+
+
+Woodcroft to be sold!--like a knell of doom the words fell on our
+ears--it could not be! Our dear old home, the only one we children had
+ever known, to be taken from us. We sat in the bright little
+sitting-room, blankly looking at one another, in dumb astonishment.
+Louise, who was always the thoughtful one, soon roused herself from
+the stupor which seemed to have come upon us all, and going over to
+the lounge, began comforting--as best she could, poor child--our
+gentle little mother, upon whom this blow had fallen most heavily.
+Presently she sat up, and in trembling tones told us, as we clustered
+at her knee, the particulars of our misfortune.
+
+There were three of us--Louise, Cal and I, who rejoiced in the quaint
+cognomen of Pen, named for a rich, eccentric, old aunt, who had never
+left me any money because she never died.
+
+"Now, Marmo, out with all the trouble and let us share it," said
+matter-of-fact Cal. And then she told how, after papa's sudden death a
+year before, she had discovered a mortgage to be on the place, small,
+but now due and no money to meet it; the creditor was pressing, and
+the home to be sold. We felt sad, but cheered her up, and talked over
+ways and means as never before.
+
+"Even though he consents to renew it, where would the yearly interest
+money come from," she wailed.
+
+We urged her to lie down and rest, and, following Cal's beckoning
+finger, tip-toed out of the room.
+
+"Now, girls," said she, "_something's_ got to be done, and _we've_ got
+to do it."
+
+[Illustration: "A TRIBUTE TO YOUR GENIUS, LOU," SAID I. "LIKE THE
+FAMOUS ARTIST OF OLD, WHO PAINTED CHERRIES SO NATURALLY, THE BIRDS
+FLEW DOWN AND PECKED AT THE CANVAS."]
+
+One thing after another was proposed and rejected; we knew, if the
+home were sold, after the demands were met, there would be but a mere
+pittance left for four females to live on. Finally I broke in:
+
+"Girls, my brain is not usually fertile, but a thought has been
+growing--we are all well educated, but teaching is out of the
+question, the supply is greater than the demand, but Lou, here, is
+skilled with pencil and brush, and Cal has a genius for contrivance;
+now why could you not paint and decorate some of the dainty trifles
+you often make as gifts, and _sell_ them. _I_ always did have a notion
+for cookery, which I shall proceed to put in practice, dismissing the
+servants." Having delivered this little speech, I paused, breathless.
+
+Cal clapped her hands, and Lou's brown eyes glowed. "Pen, you little
+duck," and Cal pounced on me in an excess of joy.
+
+"But," faltered Lou, "the mortgage."
+
+"I thought of that too--our lady-like Louise shall go to that crusty
+old creditor, and beg him to _renew_ it, and with what you girls earn
+and what we save from the rent of the farm land (for we must live
+economically) we will pay him the interest promptly." I will add, that
+she did that very thing, and completely won over the hard-hearted
+fellow with her sweet, earnest manner.
+
+So to work we went, and the sitting-room was converted into a studio,
+littered with papers, books, gay ribbons and glue-pots. But some
+exquisite creations came out of that chaos. I had visited the
+aforesaid Aunt Pen the previous winter, in New York city, and at the
+American Specialty House had been enchanted with the many novel and
+beautiful pieces of decorated work. All would be entirely new in
+_this_ part of the world, and our idea was, to take orders from the
+near towns for their Holiday trade. It was now only May and we would
+have plenty of time. Cal, who, with her brusque, honest ways,
+determined face, and curly, short hair, was our man of business, took
+samples of our work in to the various towns, receiving large orders in
+almost every instance.
+
+Happy and busy as bees we worked, and began to feel quite important,
+as the pile grew high, of white boxes, filled with delicate satin
+souvenirs for wedding and birthdays, Christmas tokens of lovely
+design, little poems with dainty painted covers, blotters and thought
+books, beautifully decorated, all of which found ready sale. The
+little mother's sad eyes began to brighten, and Cal would say:
+
+"Marmo, we can take care of you almost as good as sons, can't we?"
+
+"God bless my daughters," would be the reply.
+
+Louise had established her studio under the old apple-tree one warm
+June day, and, running out to call her to lunch, I found she had gone
+down in the garden, but I saw the cutest, prettiest sight! I beckoned
+her to come softly. There, on her sketch-book, opened against the
+tree, and on which was a half-finished painting of birds, hopped
+around two brown sparrows, peeping and twittering as contentedly as
+possible. It was too cunning! as though they had recognized their
+portraits and felt at home.
+
+"A tribute to your genius, Lou," said I. "Like the famous artist of
+old, who painted cherries so naturally, the birds flew down and pecked
+at the canvas."
+
+"I fear I shall have to dispel the illusion, dear. I guess they were
+more eager to pick up some cake crumbs I left than to admire my work."
+
+Readers, you will be glad to know that the girls' work continued
+successful, and that the "crusty old creditor" turned out a good
+friend, from sheer admiration of their pluck and courage.
+
+[Illustration: {TWO LITTLE BIRDS.}]
+
+
+
+
+[Illustration: {CLIMBING ROSES.}]
+
+IN THE WOODS.
+
+
+Merryvale was not a very lively place for any one except a couple of
+young colts, and as many calves, jumping around after their mothers.
+
+The bees seemed to be making a good deal of fun for themselves, if
+stinging us children amused them, and buzzing into every pretty,
+bright flower, so that no one could pick it with safety.
+
+The crows, too, collected in great gossiping parties, in the pines,
+over on the shore of the pond, and they always seemed to be
+congratulating themselves over something immensely satisfactory.
+
+But we children, especially the girls, found it very dull after we had
+seen the few sights of the farm. The boys were trying to hunt and
+fish; but Lib and I talked that over, and we came to the conclusion,
+after much laughing and many caustic remarks, that the only amusement
+we had was, laughing at their failures.
+
+We communicated that fact to them, but it didn't seem to make any
+difference; off they went on the same fruitless hunt, and left us to
+do what we might, to make ourselves happy.
+
+The next day, Lib and Dora and I told them we would go into the woods
+with them and see what the charm was. Lib was the eldest of us three,
+and had read a great deal, and she said:
+
+"May be we shall find the robbers' cave, and if we say, 'Open Sesame,'
+the great stone doors will slowly swing open, and we can go in where
+the chains of flashing gems and the heaps of golden coin are."
+
+"I think you'll get into places where you can't get out; 'open sesame'
+will never lift you out of a marsh hole," said William Pitt Gaylord,
+our eldest brother.
+
+"Mollie, you can find somebody to have a talking match with, for there
+are lots of chipmunks over in the grove," remarked Hugh.
+
+"I've seen snakes in that very woods, too, and if you'd holler, Lib,
+at that end of the pond, as you do at this end of the tea-table, you
+wouldn't catch any fish," said William. This caused an uproarious
+laugh on the part of the boys.
+
+We listened quietly to their sarcastic remarks, knowing they were
+prompted by an unreasonable desire to monopolize the delights of the
+woods to themselves.
+
+William Pitt remarked that "Girls had no business to meddle with boys'
+sports, and they'd come to grief if they did; you'd see!"
+
+Next morning the August haze lay soft on the landscape, but in a
+short time it went off, and Father, learning that we girls were going
+to spend a part of the day in the woods, quietly told the boys that
+they must escort us to the pleasantest place, and not wander very far
+off. They pouted considerably, and had a talk at the corner of the
+barn; they then came back, smiling, and apparently good-natured.
+
+[Illustration: {WALKING THROUGH THE FIELDS.}]
+
+Our brothers did not intend to be unkind, but they had the common
+failing of humanity--selfishness. But Lib matched them in a dozen ways
+with her good-humored retaliations; and many a tilt she had with
+William Pitt since we had arrived at the farm. In the city she was
+abreast of him in all his studies; and I noticed that Lib could get
+out her Latin, and write a composition much faster than he, and often
+he had been obliged to come to her for aid. It nettled Lib not to be
+able to hunt and fish. We two younger ones modeled after her; she was
+the leader, and when she said we would go with the boys, we went.
+
+"Hello Fred," said Hugh, as a neighboring boy, a city boarder, came
+through the gate, attired in base-ball cap and knickerbockers, "we
+can't go to Duck Inlet to-day. Father says the girls must have a good
+time, too, and that we must devote one day to them, at least."
+
+"All right," said Fred, "can I go with you? I'll go and get my
+butterfly net, and we can go over to Fern Hollow mill, the
+winter-greens and berries are as thick there! Gracious! you can get a
+quart pail full in no time. The mill-wheel is a beautiful sight," said
+Fred, turning to Lib, "and you can sketch it, Miss Gaylord."
+
+Lib looked upon Fred with a little more toleration, after he had said
+"Miss Gaylord," and went and ordered an additional ration to be put
+into the lunch basket. We were glad to have Fred along with us, for he
+was very funny, and made jokes on every thing.
+
+Lib would allow no one to carry the lunch basket but herself, as she
+remarked, "It is safer with me."
+
+We started, and were tempted to loiter at all the little nooks on the
+leaf-shadowed road, and investigate the haunts of the curious dwellers
+in the rocks and bushes, and especially were we interested in the
+ducks on Fern Hollow creek. Dora insisted upon feeding them a piece of
+bread. "Calamity," the dog, was along, of course, and as he belonged
+to William Pitt, who called him "Clam," he was always in that boy's
+company. It was, "Love me, love my dog," with William; and as he was a
+professional of some kind, he was greatly prized by the boys.
+
+We reached the woods and the old mill early; I think I never was in a
+more delightful place. Every thing seemed to grow here.
+Winter-greens, with their crimson berries, shining in the moss, and
+blueberries, where the sun came; tall, white flowers that grew in
+clusters in the shade, sent their perfume all about. Back of the mill,
+on some sandy ledges, grew pennyroyal and spearmint; raspberries and
+blackberries grew everywhere.
+
+[Illustration: {A STREAM RUNNING THROUGH FIELDS.}]
+
+The boys went off to gather a quantity for lunch, and Lib and Dora and
+I hunted for a pleasant place to set out our dainties. We found it. A
+natural bower, between four trees; one being a giant of a pine, right
+at the doorway. The wild grape-vine and the woodbine had inclosed the
+space so completely, that Lib, who had thoughtfully brought along a
+scissors to cut off stubborn plants, could make two windows in the
+green wall; one looking into the woods, the other off at the distant
+pond. The grass was fine in here, and the sunbeams dropped down in
+little round spots, on the pine needles that covered the floor.
+
+"This is certainly the fairies' dining hall," said Lib.
+
+"I'll tell you what," said I, "this is not far from home, and we can
+bring things, and have a little parlor here. I can make a couple of
+curtains out of that figured scrim, for windows, and that old square
+rug in the carriage-house will do for the floor. You can bring your
+rocking-chair, Lib, and Dora can bring her tea-set."
+
+"I'll bring our Christmas and Easter cards, and we can fasten them all
+about, on the walls," said Lib, who had fallen in immediately with the
+plan.
+
+"I'll bring Mrs. Snobley, and all her children, and the dining table,"
+said Dora.
+
+She had reference to her large doll, and a whole dozen of little ones,
+that were always brought forward in any play that Dora had taken a
+fancy to.
+
+We were in such haste to put our scheme into operation, that we
+dispatched the lunch in short order, and told the boys of our plan.
+They thought it was capital. Any thing that would release them, after
+they had eaten all that was to be had, would, of course, be received
+with acclamation. They acknowledged the same, in a very neat speech,
+which Lib said, "did very good for Hugh."
+
+She fell in immediately with our fun, and helped us to a number of
+nice things, to furnish our greenwood bower. We worked tremendously
+that afternoon, and after Betty had washed the dinner dishes, she
+helped us. Before sun-down every thing was complete. The boys, who had
+taken themselves a mile away, to hunt, came round to visit us on their
+way home. They agreed that it was just perfect, and inquired if we
+hadn't put in an elevator, to reach the second story, with numerous
+other inquiries, intended to be funny; and then asked where we kept
+our cranberry tarts.
+
+"We're not going to allow any boys in this play-house after to-day,"
+said I; "your feet are muddy, and you're so big, you fill it all up."
+
+Our visitor, Fred, looked at his feet, and blushed. "Not after to-day?
+How are you going to keep any one out?" inquired William Pitt.
+
+"We will draw this portiere across the doorway, and no _gentleman_
+would think of entering," said Lib.
+
+"No, they wouldn't, sure enough," said Hugh. "How are you going to
+prevent our looking in the windows?"
+
+"Only rude boys would look in windows," said Fred, "and I don't know
+of any hereabouts."
+
+They laughed at this, and Lib laughed too, and made the sly remark,
+that "Hunting on the duck-pond transformed some people mighty soon."
+
+Fred said he'd try to be on his good behavior if we'd let him make a
+formal call on us the next afternoon. We consented to this; then they
+all said they'd call.
+
+The next day we busied ourselves in preparing a spread of good things
+for our reception, and Betty took it over, and on returning, said
+every thing was just as we had left it. We dressed ourselves up in our
+best, to receive the gentlemen, a little time after dinner. The woods
+were never so lovely, we thought, and to add to our personal charms,
+we made wreaths and garlands of ferns and wild-flowers to adorn our
+persons and hats.
+
+I had sauntered along considerably in advance, and as I approached the
+bower I was not a little surprised to see from a distance that the
+door-curtain was drawn half open. I stopped to listen, but there was
+no sound, only a wild bird piping its three little notes, down by the
+mill. I cautiously went up, and peeped into the little window, and
+there stood a man on the rug! He seemed to be looking about. I think I
+never was so frightened. I ran back, and whispered to the rest the
+dreadful state of things. They looked horror-stricken. Lib changed
+color, but just stood still. Then she said,--"There's plenty of help
+over at the mill."
+
+"Oh, let us go no nearer, but get home as fast as we can," I said.
+
+Lib raised her hand in warning for us to keep still, and we crept
+along, softly, behind the bower; and when we had gotten so far, we all
+turned around and ran for dear life into the woods again.
+
+"This is nonsense," said Lib. "You were mistaken, Mollie, I'm sure."
+
+I said I'd go back with her, and she could see for herself. We crept
+to the back of the bower, and Lib leaned over and looked in. Lib
+turned pale, caught hold of my hand and Dora's, and ran quite a
+distance toward the mill. Then she stopped, and said, as true as she
+was alive, there was a man in there; he stood with a large stick
+resting on his shoulder, upon which was slung a bundle, tied up in a
+red handkerchief, his clothing was ragged, and his hat was very
+dilapidated.
+
+"Oh, Lib, I'm going to run for it," said I.
+
+"Wait a minute," said she. "I don't hear any noise. Let's think; if we
+didn't have to go right in front of the door, we could get to the
+mill."
+
+All this time we were edging ourselves as far away from the dangerous
+precincts as we conveniently could. She stood again, perfectly still.
+"I won't go another step," she said. That moment's reflect had
+re-instated her courage. "He don't come out; I should say that was
+making an informal call when the ladies were out. He's a
+beautiful-looking specimen anyway," said Lib, with fine irony; and as
+she said this, she frowned, and put her head back.
+
+No sound was heard, and no demonstrations from the interloper were
+made. The sight of the mill-wagon, going slowly down the road, gave us
+heart, and Lib said:
+
+"I'll go and order him out, be the consequences what they may.
+Mollie, you're good at screaming, you can bring the miller here if we
+have to get help."
+
+"Don't! Don't! I would rather he stole all our things; let him have
+the tarts and the cocoanut cake, and the jam, and the pickles, and the
+cheese, and the sandwiches! Let him have them in welcome! I'm going to
+fly home!"
+
+"I want Mrs. Snobley!" sobbed Dora.
+
+Lib never said another word. She walked up to the entrance, and pulled
+aside the curtain, and there stood the semblance of a man. In his
+extended hand was a card, on which was very badly printed:
+
+ "_I'm a poor b'y,--I want a home._"
+
+ "_References exchanged._"
+
+ "_I'll scrape the mud off me boots, if ye'll let me
+ in._"
+
+Lib called, "Come here, Mollie, it's a trick of those boys."
+
+We went in, and there we found the interloper to be a scarecrow from a
+neighboring field, ingeniously arranged so as to appear very human.
+
+At that moment, a loud laugh above our heads betrayed the presence of
+the boys in the trees, who clambered down with hilarious expedition,
+and fairly rolled themselves upon the ground with delight. They had
+seen all our perturbation; had heard my cowardly cries and
+expressions; Lib's looking in the window, and her fearful hesitation
+and scamper behind the fairy bower! The best thing to do was to laugh,
+and that we did right heartily; we girls, were internally thankful
+that the intruder was only a scarecrow after all.
+
+We ordered the boys take their silly joke out, and to come in like
+gentlemen, and make a formal call, and probably they would be invited
+to take some refreshments.
+
+This news caused them to work with great alacrity. They were dressed
+up too; Fred having chosen to wear his school uniform, with a gorgeous
+crimson sash and his sword.
+
+We were never so delighted with any thing as with that afternoon's
+adventure. For hours we chatted and laughed, and ate our refreshments,
+until the western light began to take on a ruddy hue, and we closed
+our little bower and proceeded homeward.
+
+What was our surprise, when we reached there, to find that three young
+friends from the city with their servant had come to visit us.
+Merryvale was not dull after that, I can assure you.
+
+[Illustration: THE NEW SERVANT AT MERRYVALE.]
+
+
+
+
+AUTUMN LEAVES, AND WHAT KATIE DID.
+
+ALEX DUKE BAILIE.
+
+
+"Oh, Bessie! I've such an idea, _such_ a good one, and _so_ sure, you
+can't think how it came either, if you guessed and tried for a week!"
+
+"Child, you are always having ideas, but they amount to nothing; you
+have enough to do at home, without continually fretting your head
+about what you cannot carry out."
+
+"But, Bessie, this is _just splendid_, and it came to me all of a
+sudden, and I'm sure as sure can be that it is a real _good_ idea. Now
+wont you listen!"
+
+"I suppose I must, if I want any peace; but I'm very tired, so if it
+is like your latest--to catch fish and sell them in the town, or to
+have your curls cut off and let some city hair-dresser pay you for
+them--there will be no use to tell it to me."
+
+"Tain't neither, Bessie dear, it's a real clever idea, and I know you
+wont say 'no' to it. I was looking over some of the old picture papers
+this morning, and I found a funny picture of a gentleman that had gone
+fishing with, oh! the greatest lot of lines, and a fine rod, and a
+basket swung at his back, and he looked ever so nice; but he hadn't
+caught any thing and he was ashamed to go back to the city with an
+empty basket; and then there was another picture where he was buying a
+great string of fish from a bare-footed little country boy, that had
+caught them all, and had only a rough old pole and an old line on it."
+
+"So it _is_ the fishing idea, again," said Bessie, "but the present
+variation does not improve on the last."
+
+"No, it just ain't the fishing idea any more; it's this: you know all
+the excursion parties that come up here, are coming all the time now;
+well, the ladies all gather autumn leaves, lots and lots, handsful and
+handsful of them. But they get tired of carrying so many after a
+while, and by the time they get ready to go back to the cars, their
+leaves are thrown away, and they are empty-handed. Now just listen! If
+I go to work and pick out the _very_ prettiest leaves and do them up
+in the _very_ sweetest bunches, and tie them so they are easy to
+carry, and meet them when they are starting to go home, I'm _sure_
+they will buy them, just like the gentleman did the fish from that
+boy. Now, ain't that a _real good_ idea?"
+
+"I believe there is something in it, Katie," answered the eldest
+sister.
+
+"I knew you would," cried Katie, joyously, "and may I try it?"
+
+"If you will be very careful and not talk too much to the people you
+know nothing of, I have no objections; it can do no harm, at all
+events," and poor, tired Bessie sighed as she looked at her bright
+young sister and thought of the time when she too was young and full
+of hope and gay spirits.
+
+There was quite a family of these Wilsons in the little house at the
+foot of the mountains, in Pennsylvania. The widowed mother, sickly and
+almost blind; Bessie, a young lady, the eldest daughter, aged
+twenty-three, who taught a very large school for very small pay; then
+Katie not quite twelve, and Robbie, the baby, the pet, the boy, who
+was only five.
+
+Three years before, their father had been living, and they had enjoyed
+all that wealth could bring them. Suddenly he sickened and died, and
+then came the dreadful knowledge that he left nothing for his family;
+he was deeply in debt to his partner, with whom he had worked a large
+coal-mine, and this Mr. Moore was what all people called a "hard man,"
+he was old and crabbed, and always wanted and would have every cent
+coming to him. Bessie was to have been married to his son, Philip, but
+when poverty came to her, the old man refused to let Philip see her
+more, and the girl was too proud to go into a family where she was
+not wanted, and, beside, she had her poor mother, who had given up
+and failed fast after her misfortunes, she had her to look after. So
+Bessie taught school; Katie attended to the little home into which
+they had moved from the great house on the hill, a noble little
+housekeeper she was; Robbie did about as he pleased and was well
+content with life, except when neat Katie would seize him and wash his
+face with plenty of soap in his eyes, and comb his tangled curls with
+a comb that "allus pulled," as he cried.
+
+It was hard for them to pay the rent, to get food and the many
+delicacies Mrs. Wilson had always been used to, and now needed more
+than ever. Bessie's small wages from her school were taken, every
+cent, for these, and Katie was continually bothering her young head
+with "ideas" as to how _she_ could make money to help them all. The
+autumn leaves were the latest, and it really did seem as though there
+were something in it.
+
+The next day was Saturday, Bessie was free from school duties, and so
+her little sister had more time at her disposal. Friday evening she
+and Robbie gathered a great quantity of bright-colored leaves; the
+next morning, bright and early, they were out again; the little back
+porch was filled with them.
+
+With her own natural good taste, aided by Bessie's more cultivated
+judgment, they made up many neat, beautiful bunches of those
+bright-colored droppings from the forest trees. These she placed in a
+large but pretty basket that once had been sent, filled with rare
+fruit, to Bessie, from Philip, and the older girl sighed when she gave
+it to her sister.
+
+Then Katie started, leaving Robbie behind crying; and with a trembling
+heart and a big lump in her throat, but bravely as a little soldier,
+she made her way to the path by which the excursion parties would have
+to return to the cars. Soon they began to come along, all tired,
+trying to be merry ladies and gentlemen.
+
+Katie stood with her basket on her arm. She did not know how pretty
+she looked, with her brown curls floating out from beneath her big
+sun-bonnet, her pure white apron, her dark dress which Bessie had made
+from one of her own, with delicate bits of lace at the wrists, a
+bright bit of ribbon about her throat and a plain little breast-pin
+clasping it. Her big black eyes looked longingly at the passers-by,
+her red lips tried, many times, to utter some words that would help
+her sell her wares, but she could not speak, she could only up her
+hand and _look_ her wants.
+
+"What lovely leaves!" cried a young lady, "these of mine seem all
+faded by the carrying, and I'm tired of the great load anyhow," and
+she threw away a great lot tied round with her handkerchief, and
+hastened toward the little merchant.
+
+"What a pretty girl," said the young man with her.
+
+"How much are these?" inquired the lady.
+
+Bessie had not thought of what she would ask for her bunches, and now,
+between pleasure and fright, she could not think of any price to put
+upon them.
+
+"Whatever you please, Miss," she faintly murmured.
+
+"How lovely they are," said the lady, and taking three bunches, she
+gave two to the young man with her, telling him: "Harry, you must
+carry these, and pay the child," the third one she kept in her own
+hand.
+
+The gentleman put his hand in his pocket, drew it out, and dropped
+into Katie's basket a silver dollar.
+
+The tears almost blinded the little girl--tears of joy over her first
+success--she could hardly see what the coin was, but when she picked
+it up she managed to stammer that she "had no change."
+
+"Don't want any, little one," said the young man pleasantly, "the
+sight of you is worth all the money and more." Then the couple hurried
+away.
+
+But their stopping had attracted many more, and a dozen bought of
+Katie, and, though few were as generous as her first customers, she
+soon disposed of most of her stock at ten cents a bunch, having gained
+courage to fix and state her price. Quite a number gave her more than
+that sum, and she began to feel a very rich little girl, indeed.
+
+More than half her stock was sold, when an old gentleman and a young
+lady came along. The lady, as usual, was the first to admire the
+bright bunches, she took two, the old gentleman giving Katie fifty
+cents and telling her that "was right." He seemed a cross old man, but
+still spoke pleasantly.
+
+"What's your name, child?" he asked.
+
+"Katie Wilson, sir," replied the little girl, faintly.
+
+"Um! um! Come along Helen," said he, hastily, and hurried away.
+
+These were the last of the excursion parties, except an elderly lady
+having in charge a dozen children, all dressed alike; little ones from
+a soldiers' orphan school, for whom some kind person had provided a
+day's pleasure. They were tired and worn out with romping, and dragged
+along slowly; they looked at Katie's bright face and longingly at the
+pretty leaves in her basket. The girl's heart was touched; timidly she
+held out a bunch to a little boy who half stopped in front of her, he
+took it eagerly; in a moment the others were about her. By good
+fortune, she had enough to give on to each and an extra bunch to the
+lady.
+
+With the thanks of these poor children in her heart, an empty basket
+and a happy jingle in her pocket she ran nearly all the way home,
+burst in on Bessie, put her arms about her neck and sobbed for
+happiness.
+
+When the elder sister at last succeeded in calming her, she told the
+whole story of her afternoon's work.
+
+Together they counted the money--three dollars and eighty-five
+cents--just think of it!
+
+If ever there was a happy, excited little girl, it was Katie that
+night. She could not sleep or eat. When she _had to_ go to bed, she
+lay awake long, long hours, thinking how _she_ would buy back the big
+house, how mother should have doctors and every thing she needed, how
+Bessie should stop teaching and have a horse and little carriage, and
+pretty dresses, and a piano, like she used to, and how Robbie should
+go to school and college and grow up to be a great man and finally be
+President. She never thought of herself, except that _she_ was to do
+all this, and when she fell asleep she dreamed the whole thing over
+again, and that it had turned out just as she planned.
+
+All through the excursion season Katie sold her leaves, and though she
+never made as much as on the first day, yet when people stopped coming
+she had over one hundred dollars in Bessie's hands, all made by
+herself, all made by being up early and attending to her household
+duties and working hard so as to have her bunches ready by the time
+that visitors were returning to the train.
+
+She was brave, and true, and unselfish, and her reward was great.
+
+It was one chill November evening, toward Thanksgiving day, that she
+and Robbie had wandered out among the mountain paths; the little
+fellow was wild as a colt and ran here and there until it was all
+Katie could do to keep track of him. Finally she caught him; both were
+tired out, and when she looked around, to her great terror, she could
+not make out just where they were. They wandered along and at last
+came to a road, but she did not know which way to go. Robbie was cross
+and sleepy; she could not carry the heavy boy, and he _would_ lay
+down; at last she let him rest. He dropped by a fallen log and in a
+moment was asleep. She covered him with a little cloth cape she wore,
+and sat down beside him; her eyes were heavy, she nodded, and very
+soon was as sound as he.
+
+Along the road came a thin, old, but active man; he stepped out firmly
+and aided his steps with a stout cane. It was after dusk of the
+evening. He spied something in the gloom, on the other side of the
+road, something unusual; he crossed over; it was a little girl leaning
+against a big, fallen tree and a small boy stretched on the ground
+beside it; both were fast asleep. He touched the girl's shoulder; she
+sprang up. "Oh!" she gasped, "don't hurt Robbie! We weren't doing any
+harm, indeed we weren't."
+
+"What are you doing here any how?" he inquired.
+
+"It was Robbie, no, it was me, he was so sleepy and so was I, and we
+were just resting until we could start and try to find home again."
+
+"Um! so you're lost, are you?"
+
+"No, sir, I guess not only--only we don't know the way."
+
+"Well, I should say that's pretty near being lost. Where do you live?
+What's your name?"
+
+"We live in the old Mill cottage, and my name's Katie Wilson, and
+Robbie's is Robert T. Wilson."
+
+"Um! um! Yes; well, I know where you live; come along, I'll put you
+right. Come! wake up here, young man!" and he gently poked Robbie with
+his cane. But Robbie was sleepy and cross, and cried and kicked, and
+it was all Katie could do to get him on his feet and moving. Then as
+they went slowly on, she holding her brother's hand, her own in that
+of the stranger, he asked her: "Weren't you frightened to be out all
+alone?"
+
+"Why, no, sir," she answered. "I was frightened for mother and Bessie
+being worried, but not for us; I just said my prayers and covered
+Robbie, and then I fell asleep and didn't know any thing until you
+woke me up."
+
+"Um! said your prayers, did you!" and the old man stopped and looked
+at her.
+
+"See here, Katie!" he said, in a very gentle voice, "say your prayers
+for me, I'd like to hear them."
+
+The child looked at him in astonishment and trouble. Could it be that
+the gentleman could not say his prayers for himself, that he did not
+pray himself! "Oh, sir!" she said, with choking voice and tears in her
+eyes, "I can't say them to you, only to Bessie or mother: It's just
+God bless mother, and Bessie and Robbie and me, and take care of us in
+the night and day, and--and that's all, sir."
+
+"Well, never mind now, little Katie, come along, we must get Robbie
+home to the mother and Bessie soon, or they'll think the bears have
+eaten you both," and the old man's voice was still more gentle, and he
+hurried as fast as the little ones could go. He knew the roads well,
+and in half an hour they were on a path that the children were well
+acquainted with, and near home.
+
+There was a cry of joy, and Bessie sprang upon the little ones at a
+bend in the road and gathered them in her arms, and kissed and scolded
+and petted them, all at the same time.
+
+The old gentleman hurried away as soon as he saw they were safe; but
+he did not go far; he stepped back in the dark and heard Katie tell
+the tale of adventure and take all the blame herself, and excuse
+Robbie, and talk about the kind gentleman who had found them and
+brought them home, and wonder where he had gone so quickly before she
+had time to thank him. He followed them at a distance; he saw them
+enter their home, and he watched outside until the lamp was lighted in
+the little sitting-room; then he came near the window and looked in;
+he watched while the sick, half-blind mother cried over her children;
+he saw pale, sweet-faced Bessie comforting all; he stood there an
+hour without noticing the cold and wind that grew about him. He saw
+brave, hard-working Bessie, and true Katie, and the little boy, and
+the mother of all, kneel at their chairs, and he thought he could hear
+the prayers of thanks that came from the hearts of all and the lips of
+the older sister, and he felt drops upon his cheek, not rain, but
+tears--tears. It had been many years since his eyes had been wet with
+tears, but they were there and they softened the heart of "hard old
+man" Moore, and he turned away at last with a strange resolution in
+his mind.
+
+Three days after he was in the sitting-room of that cottage; with him
+was his son Philip, by Philip's side was Bessie, looking ever so much
+younger and prettier, and _so_, _so_ happy, and standing by the side
+of "hard old man" Moore was little Katie, wondering to see such an old
+man wipe the tears from his eyes, wondering at the way in which he
+held one arm close around her, and wondering still more why he should
+keep saying, all the time, "You did it, little Katie, you did it all."
+
+The Wilsons are comfortable and happy now. Bessie is Mrs. Philip
+Moore; the mother has doctors and luxuries; Robbie is at school and
+learning fast; Katie, _our_ Katie, is learning fast also, but she is
+still the same Katie as of old; she did not have to sell bunches of
+leaves another season; but there are always great bouquets of the
+beauties in the house, and old Mr. Moore, "hard" no longer, calls her
+nothing but his little "Autumn leaf."
+
+[Illustration: {BIRDS ON A TWIG.}]
+
+
+
+
+THE SPINNING LESSON.
+
+MRS. S. J. BRIGHAM.
+
+
+ You will not mind, if I sit me down
+ And watch you spin, in your velvet gown?
+ You need not fear,
+ You can trust me here.
+ I think I can learn to spin, if I
+ Could watch you work. Will you let me try?
+
+ You spin and weave, but I cannot see
+ Just how 'tis done, and it puzzles me.
+ For you have no loom
+ In your little room.
+ No silken skein, no spinning-wheel,
+ No bobbin and no winding reel.
+
+ Please tell me what you use instead?
+ And where do you hide your shining thread,
+ As soft as silk
+ And as white as milk?
+ I think, Mrs. Spider, it must be
+ A secret, or you would answer me.
+
+
+
+
+[Illustration: TREED.]
+
+
+
+
+[Illustration: FOSTER PARENTS.]
+
+FOSTER PARENTS.
+
+
+Strolling down back of the barn, and seeing a fluttering of wings near
+the ground, Fred and John discovered, upon coming closer, that a poor
+little bird had fallen from its nest in the bough of a tree that stood
+near them. The bird was young, too young to fly, and seemed more dead
+than alive from the fall. The boys took the bird, fondly caressed it,
+stroked its feathers, and were glad to see that it showed signs of
+life and that it was only stunned by the fall it had received. The
+boys were kind-hearted, they were boys full of life, the first-most in
+a race, in climbing a hill they among the first who stood on its top.
+Yet in all their sports they were never cruel. So with the bird, they
+only thought of how to care for it. The tree was too tall to climb
+with safety, and then they were forbidden to climb this tree because
+John had once ventured to the first of its branches and by some
+accident, such as will happen to boys, he lost his hold and tumbled to
+the ground and he still remembered the days of pain it caused.
+
+Said Fred, "Why can we not take the bird home and care for it?"
+
+So, with this suggestion, they brought it to the house and placed it
+in a small basket. The basket was one they used to carry their dinners
+to school in, and, of course, this could not be used to keep it in all
+the time. John said, "It will be best to make a cage for it. We can,
+with our knives, soon whittle out sticks for bars and with the saw and
+some boards make a cage." They labored on this for two days, and then,
+with Uncle Ben's help, for he could drive nails better than they, the
+cage was completed. Some cotton was shaped into a nest and the bird
+was placed in it and the cage was its home.
+
+They fed it on berries and crumbs and it grew rapidly. It soon learned
+to perch on one of the boy's fingers and pick its food from his hand.
+When it had eaten enough it would fly to his shoulder and seem quite
+contented. In due time it became full grown, and though it seemed to
+know and appreciate the attention given it by the boys, yet it seemed
+to long for more freedom than the little cage afforded. The boys
+noticed this, and with sad hearts concluded it would be cruel to keep
+it confined and so gave it its freedom. For some time it lingered
+around the house, in branches of the trees, but finally it flew away
+to the woods.
+
+
+
+
+HAYMAKING.
+
+
+ Many a long hard-working day
+ Life brings us! And many an hour of play;
+ But they never come now together,
+ Playing at work, and working in play,
+ As they came to us children among the hay,
+ In the breath of the warm June weather.
+
+ Oft, with our little rakes at play,
+ Making believe at making hay.
+ With grave and steadfast endeavor;
+ Caught by an arm, and out of sight
+ Hurled and hidden, and buried light
+ In laughter and hay forever.
+
+ Now pass the hours of work and play
+ With a step more slow, and the summer's day
+ Grows short, and more cold the weather.
+ Calm is our work now, quiet our play,
+ We take them apart as best we may,
+ For they come no more together!
+
+ DORA GREENWELL.
+
+
+
+
+[Illustration: {A COLLECTION OF LEAFY PLANTS.}]
+
+WINDOW GARDENING.
+
+
+Many a home, now dark and cheerless, might be made bright and cheery
+by a few plants in the window, or bunches of ferns and bright autumn
+leaves, fastened on the wall, or on the pictures.
+
+Homes cannot be made too bright and home-like for the husband and the
+children; and these little things cost little or nothing, and add much
+to the general appearance.
+
+A novel and pretty window ornament can be made in this way: Take a
+white sponge of large size, and sow it full of rice, oats and wheat.
+Then place it, for a week or ten days, in a shallow dish, in which a
+little water is constantly kept, and as the sponge will absorb the
+moisture, the seeds will begin to sprout before many days. When this
+has fairly taken place, the sponge may be suspended by means of cords
+from a hook in the top of the window where a little sun will enter. It
+will thus become a mass of green, and can be kept wet by merely
+immersing it in a bowl of water.
+
+
+
+
+"CHEER UP."
+
+BY ANNA ELIZABETH C. KELLY.
+
+
+"Oh, it is too bad; too bad! that mother should be so troubled for the
+want of a little money," said Mabel.
+
+"Cheer up! Cheer up!" rang out a voice close at hand, "pretty Poll;
+cheer up!" and a bright green parrot with a yellow breast began to
+beat against the bars of his cage as if he would like to get out.
+
+"That is a good omen, Polly," said Mabel, as she rose and opened the
+door of the cage, "but it is not Poll who ought to 'cheer up' but I,
+you pretty bird." Poll hopped out and perched upon her finger and
+looked so knowingly at her, that it almost broke down the resolution
+she had formed. Mabel was accustomed to take Poll out and talk to her,
+and brother Ben, who was an amateur photographer, had taken a picture
+of the pretty pair, so Polly was already immortalized.
+
+"Poor Ben! Poor Ben!" said Polly. "'On Linden when the sun was
+low'--ha! ha! ha! ha! ha! Poor Ben! Poor Ben!" laughed and shouted
+Polly.
+
+"Poor Ben, indeed!" said Mabel, "though the Ben you first heard about
+was another Ben, and used to break down with his recitation and be
+laughed at. I wonder where he is now, and whether he is dead, my brave
+soldier uncle! If he were alive, and should come back, what would he
+think to find another Polly just like the one he left behind, who had
+learned some of the things his Polly used to say. Mamma says your
+predecessor died of old age, Polly; I wonder if that will be your
+destiny. I shall never know; for I am going to sell you to the lady up
+at the hotel, who saw you hanging outside, and wanted you for her
+little girl. She said she would give me five dollars, and when I
+refused she offered me ten. I could not let you go, Polly, but now I
+_must_. I must say 'good-bye' to you now, Polly, for I shall never
+take you out of the cage again."
+
+"Cheer up! cheer up!" sang Polly, as Mabel put her back, and closing
+the cage, left the room.
+
+The boys were leaving the sitting-room when she went down stairs, and
+as Ben passed her, she said, "Do not go to bed till I come up again. I
+want to speak to you. Wait in my room."
+
+Mrs. Ross was getting ready to go up to her room when Mabel entered.
+
+"Are you going up, mamma?" said she, "I will not keep you long; but I
+want to tell you, that I think I know a way for you to get some money.
+I wish to keep it a secret for the present; but I think I can safely
+promise you some. The last thing before I came down, Polly called,
+'cheer up, cheer up,' and it is a good omen; so I say the same to you,
+mamma."
+
+"You are a good girl, Mabel, but I am afraid you are too sanguine. How
+can you hope to succeed where I have failed?"
+
+"You will believe me when you see the money, shall you not, mamma?"
+
+"There would not be much merit in that, dear, but I will _trust_ you,
+and whatever happens I will believe you did what you thought was
+right, and that God does every thing for the best."
+
+"Thank you, mamma. Good night, and pleasant dreams."
+
+"Good night, dear."
+
+Mabel went softly up stairs. "Ben," said she, when she reached her
+room, but Ben had fallen asleep, and she had to shake him up.
+
+"What kept you?" said Ben, in a sleepy tone.
+
+"Why, I was not long, Ben. Do you now the name of that little girl who
+took such a fancy to Polly?"
+
+"Yes," said Ben. "It is Eva Granby. What do you want to know for?"
+
+"I shall tell you sometime, you are too sleepy to talk to-night, so I
+shall let you go. Good night, Ben."
+
+"Good night," said Ben, not sorry to be dismissed.
+
+Mabel lay awake some time. She was sorry to part with her parrot, but
+after all it was only a bird. Mamma and Ben and Walt and dear little
+Joe should not suffer that she might keep it.
+
+She could hear the music, from the great hotel on the hill, borne on
+the breeze, and that, with the happy frame of mind produced by the
+approval of her conscience, soon had the effect of sending her into a
+sound sleep, from which she awoke in the morning, refreshed and quite
+happy. She went about her accustomed duties with a light heart and
+singing like a lark. Mrs. Ross wondered, to hear her; what could be
+the source of her high spirits.
+
+She was on the alert for a chance to put her plan into execution, and
+when she found her mother occupied over the details of the breakfast
+table, she went up to her room, and covering the parrot's cage and
+herself with a light water-proof cloak, which the chill of of the May
+morning seemed to warrant; she went out of the house and through the
+back gate, and took the road to the hotel.
+
+Mrs. Granby had just risen, and was delighted that Mabel had come to
+terms after all, as her little daughter had been longing for the
+parrot continually. Mabel told her story and Mrs. Granby was deeply
+affected. She promptly agreed to Mabel's condition, to sell her the
+bird back again, if she could get together ten dollars of her own to
+redeem it, and gave Mabel her address in New York.
+
+Mabel was at home again just as the boys were getting their breakfast,
+and wondering what had become of her. She said she had been taking a
+walk for her health and refused to gratify them further.
+
+Soon they were through and went out, and when she saw little Joe in
+the swing, and Ben and Walt sitting on the bench of Walt's making,
+under the apple-tree, and knew by their gestures they were discussing
+Perry's colt--she drew from her pocket the crisp, bright, ten-dollar
+bill, and laid it beside her mother's plate. Her mother's fervent
+"Thank God," amply rewarded her for the loss of the parrot.
+
+"But, Mabel," began Mrs. Ross--
+
+"Now, mamma," interrupted Mabel, "you know you promised to trust me.
+You will soon know all about it."
+
+Mabel went to school that day with a happy heart.
+
+That evening a portly, middle-aged gentleman stood at the gate, and as
+she looked up, he said:
+
+"Can you tell me if this is Mrs. Ross's?"
+
+"Yes, sir," said Mabel, wondering who he could be. As she turned and
+faced him, he caught his breath quickly, and exclaimed:
+
+"Alice!"
+
+Mabel's heart gave a great bound.
+
+"That is mamma's name, mine is Mabel."
+
+"Lead me to her," he said, hoarsely.
+
+Mabel quickly ran before him into the house exclaiming:
+
+"Oh, mamma! I think it is Uncle Ben."
+
+Mrs. Ross would have fallen had she not been caught by the strong arms
+of the stalwart brother whom she had not seen for twenty years. And
+then it all came out. Mabel's secret was a secret no longer.
+
+Captain Ben Grayson, old soldier, and retired ranch owner, had come
+back after twenty years of life in the west to hunt for his sister,
+his only known relative, whom he had last seen when she was a girl
+like Mabel. He had been told a Miss Grayson had died from the ravages
+of an epidemic that swept through the school she had been placed at;
+and so, when the war ended, he went out west instead of returning to
+New York as he should have done but for that false report. But he had
+lately heard, from an old school-friend, he had come across, that she
+was living, had married, and become a widow, and that was all the
+information he could get.
+
+By the simplest chance he had stopped at Fairmount. Shortly after
+rising that morning, he was startled by a parrot hung outside the
+window of the room next to his, calling out,--"Cheer up! cheer up!"
+and shortly after,--"'On Linden when the sun was low,' ha! ha! ha! ha!
+ha! Poor Ben!"
+
+"Well," said Uncle Ben, "you can imagine the effect. I knew my parrot
+could not be living yet; but I thought to myself, _that_ parrot must
+have learned from my old one or from you, Alice, and I hastened to
+make the acquaintance of my next-door neighbor, and so _I have found
+you_."
+
+And Mabel bought her parrot back again, which was now doubly dear, as
+it had been the means of finding Uncle Ben. And quiet brother Ben was
+made happy by an artist's outfit, and had the satisfaction of doing
+Mabel and the parrot in colors, as he had long ago done them with the
+camera.
+
+When the last gift had been given, the boys, with one accord, threw up
+their hats and cried,--"Hurrah, for Uncle Ben!"
+
+As for Mrs. Ross, her measure of happiness was full; she had her long
+lost brother Ben.
+
+
+
+
+WAIF'S ROMANCE.
+
+
+Several years ago the beautiful Shenandoah valley in West Virginia was
+the scene of a great freshet. The river overflowed its banks, and the
+usually placid stream became a mighty torrent, rushing along with
+frightful velocity, carrying away houses, barns and cattle. Buildings
+were washed from their foundations by the resistless current, and sent
+whirling down the stream with the terrified occupants clinging to the
+roofs. They had not had timely warning, and many perished, while whole
+flocks of sheep, and hundreds of cows, horses and oxen were drowned.
+The writer visited the valley several years afterward, and could see
+articles of clothing and even furniture still lodged in the branches
+of trees, they had been caught and lodged by the receding waters,
+twenty feet from the ground.
+
+During this visit a most interesting story was told of a poor little
+kitten who lost home and friends, and was carried by the surging flood
+far away to find a new home and a genuine lover. It is a true romance
+of the flood, and it has never been told in print so far. For all
+gentle lovers of animals, this beautiful romance of Woggy and Waif is
+given to the world.
+
+In this beautiful valley there lived a lovely family, consisting of
+father, mother and two children. Edwin was a tall and manly lad of
+sixteen, and Florence was one year younger. They were children of
+refined and cultivated parents, and the members of this little home
+circle displayed such charming affection and thoughtfulness in their
+intercourse with each other, that it was beautiful to behold. Edwin
+was passionately fond of out-of-door sports, and Florence had deep
+love for all that was beautiful and interesting in nature. She loved
+animals, birds and flowers, and it was her delight to ramble with her
+brother through the woods, gathering the modest wild flowers, or the
+delicate maiden hair ferns. She took great delight in pets of all
+kinds, and had numerous rabbits, birds and squirrels that her brother
+had trapped; she made them all love her; even the tiniest bird or
+animal can appreciate tenderness and kindness; and Florence's pure
+little heart was overflowing with love and kindness toward all God's
+dumb creatures.
+
+The constant companion of the brother and sister in their rambles was
+a very frolicsome and handsome dog, which was so remarkable for
+sagacity and intelligence, that he was known through all the
+countryside; he was devoted to his young mistress, and, though he was
+not a very large animal; he had enough of the Shepherd's breed in him
+to make him very fierce and courageous in her defense whenever she
+seemed to need it.
+
+At the time of the great freshet, a homeless family, whose house had
+been swept away by the flood, had been harbored at Florence's home.
+Her time and mind was fully occupied by her additional home duties,
+which to her gentle nature, were labors of love, even if the
+overflowed valley had prevented her accustomed excursions; but not so
+with Woggy, he had no duties to keep him, and no wet ground or body of
+water could keep him from taking his usual runs about the country. For
+several days after the great flood, he was noticed to leave the house
+regularly in the morning and not return until evening. This was
+something unusual; generally his runs were finished in one or two
+hours; but when he was observed one day to take in his mouth the best
+part of his breakfast and trot off with it, Edwin's curiosity was
+excited, and he resolved to unravel the mystery of Woggy's regular
+absences; he followed his tracks over the wet ground for nearly two
+miles, until he came to a good sized pond left by the receding waters
+in a hollow near the river. The first thing that attracted his
+attention was a partially submerged fir tree near the center of the
+ford, and lodged against it was a chicken coop. Were there chickens in
+it, do you ask? No; if there had been when the angry waves picked it
+up there were none now, but instead, the sweetest little _kitten_ you
+ever saw; and crouched down on the trunk of the tree, with his
+aristocratic paws resting on the end of the coop, was the mysterious
+Woggy, gravely contemplating the kitten, as it minced at the food the
+generous dog had brought it. How proud Edwin felt of Woggy as he
+looked and understood the scene. How Woggy, in his solitary rambles,
+must have discovered the forlorn kitten, who had been suddenly torn
+from her home, far up the valley perhaps, and borne, half drowned and
+thoroughly frightened, on the rushing torrent, until her box, in which
+the rising waters had found her taking her afternoon nap, had lodged
+against the tree. Edwin wanted to rescue her, and take her home. This
+was his first impulse, but how? The pond was wide and deep, and he had
+no boat, nor any other means of reaching her; so he decided to wait
+until the water got lower, until he could devise some plan. He
+returned home in great amazement, and told the story of Woggy's
+wonderful doings. Florence was all excitement and sympathy in a
+moment, and wanted to go at once but could not. But what a delicious
+hugging and petting Woggy got when he returned home that night. When
+Edwin found them, the kitten was snuggled up as close to her brute
+protector as the slats would allow; she would put her tongue through
+and lick his paws, which process seemed to give him the liveliest
+satisfaction. Edwin whistled to him to come home with him, but he only
+wagged his bushy tail and looked at his frail charge as much as to
+say, "I can't go just now." Just think of the idea of protection
+entering the head of a dog! but it did. Some animals seem almost to
+reason. We all know a perfect horror of water all cats have, they will
+not go into water voluntarily. This poor little thing, surrounded by
+water, must have died of starvation had not kind-hearted Woggy found
+and cared for her.
+
+The next day, Edwin, provided with a long board and other means of
+rescuing the distressed stranger, started for the pond. Just as he
+left the house, with Florence calling out from the porch some parting
+injunctions of carefulness, what was their astonishment to see Woggy
+coming along the road with the kitten in his mouth; the sagacious dog
+had evidently thought that his keepless little charge needed more care
+than he could give her, and brought her unharmed to his mistress. When
+he had deposited the kitten at her feet, he looked up in her eyes as
+though he wanted to tell her something, and he really looked as if he
+could almost talk. When Florence took up the pretty thing she
+exclaimed, "You poor little waif! Where did you come from?" The little
+waif could not tell, but looked as if she wanted to. She was pure
+white in color, with a water-stained ribbon and tiny silver bell
+around her neck. Edwin said she should be called Waif, and Waif she
+was ever after called in that house.
+
+
+
+
+"MAY I GO WITH YOU?"
+
+
+"May I go with you, Auntie?"
+
+"No, Jo, I do not wish for any company this morning; here's a kiss,
+and you may feed my poodle if you like." So saying, Aunt Millie, who
+was spending her vacation at the farm, tied on her garden hat, and
+sallied forth for a walk, leaving behind her a very disappointed
+little swain, for Jo generally accompanied her in her rambles, and he
+and Aunt Millie were sworn allies. Lately she had run off several
+times without him, and he certainly felt quite disconsolate to-day.
+But he could not doubt her love and goodness, so he whistled away his
+blues.
+
+[Illustration: {PORTRAIT OF A CHILD.}]
+
+Jo was only five years old, and it is no wonder he soon forgot his
+grievances. About lunch-time he thought he would go down in the
+meadow, to see if the first strawberries were ripening, as he intended
+them for mamma's birthday.
+
+Threading his way carefully through the tall grass and nodding
+daisies, he suddenly came upon the queerest looking "machine"--as he
+called it--in front of which sat Auntie.
+
+"Why, Jo!"
+
+"Aunt Millie, what _are_ you doing?" as he caught sight of a
+photograph of himself, and a large copy on the easel.
+
+"I am crayoning--and" (this last a trifle averse) "I _had_ intended it
+as a surprise for mamma, to-morrow."
+
+The big blue eyes raised to hers had a suspicion of tears in them--she
+bent down quickly and gathered the little fellow in her arms.
+
+"Never mind, pet! I was a bit vexed, that you had discovered my
+secret."
+
+"Is it a _secret_?" in an awed tone; "well, I'll _keep_ it."
+
+"Do you think you really can, Jo?"
+
+"Yes," he said; "and _you_ can keep my strawberries," forgetting he
+had told her a dozen times before.
+
+"Well, I'll trust you."
+
+Would you believe it, the child _did_ keep his word, although burning
+many times to tell; and he succeeded in surprising Aunt Millie, as
+much as he did mamma.
+
+
+
+
+A SUMMER AT WILLOW-SPRING.
+
+
+The trunks were strapped on the back of the carriage; we children,
+with Nurse, were bundled inside; the door shut--the driver snapped his
+whip--and without any time for last good-byes, we were whirled away to
+the station. How excited and glad we were, for Papa and Mamma were to
+follow us next day, and we left the city far behind to spend the whole
+beautiful summer at Willow-spring. The very first day after our
+arrival, we were out--Willie, my brother, Elsie, our little
+four-year-old sister, and myself--scouring the premises, and I guess
+there were not a nook or corner we had not visited by night. It was a
+lovely place, with broad shady walks through which we raced, or Willie
+drove us as two spirited young colts, for like most boys he was rather
+masterful.
+
+I wish I could tell you of the grand time we had that summer. We
+formed the acquaintance of several little neighbor children, who
+proved pleasant playmates, and together we would wander through the
+cool leafy woods, or roam the sunny meadows gathering sweet wild
+strawberries and armsful of golden-eyed daisies, and taking our
+treasures home, would have a little treat on the shady veranda, and
+garland ourselves with long daisy chains, making believe we were
+woodland fairies. Once in a while the rabbits from the near wood ran
+across the garden path, timid and shy little creatures at first--they
+grew quite tame from our feeding--and Elsie dearly loved her bunnies,
+as she called them.
+
+Rapidly the days flew by, and the time for our departure was at hand.
+We felt sorry to leave, but Mamma, to console us in part, planned a
+little out-door feast for the day before our going, to which our
+little friends were all invited, and a happy, merry band of children
+played out under the trees, and ate the goodies so generously
+provided. Just before breaking up, we all joined in playing our
+favorite game of "snap the whip," and with screams and laughter, one
+after another of the weakest ones rolled over in the soft grass. The
+last night at Willow-spring wound up with a grand frolic, in which all
+took part.
+
+
+
+
+GREAT EXPECTATIONS.
+
+
+ Every little grape, dear, that clings unto the vine,
+ Expects some day to ripen its little drops of wine.
+ Every little girl, I think, expects in time to be
+ Exactly like her own mamma--as sweet and good as she.
+ Every little boy who has a pocket of his own,
+ Expects to be the biggest man the world has ever known.
+ Every little lambkin, too, that frisks upon the green,
+ Expects to be the finest sheep that ever yet was seen.
+ Every little baby colt expects to be a horse;
+ Every little puppy hopes to be a dog, of course.
+ Every little kitten pet, so tender and so nice,
+ Expects to be a grown-up cat and live on rats and mice.
+ Every little fluffy chick, in downy yellow dressed,
+ Expects some day to crow and strut or cackle at his best.
+ Every little baby bird that peeps from out its nest,
+ Expects some day to cross the sky from glowing east to west.
+ Now every hope I've mentioned here will bring its sure event,
+ Provided nothing happens, dear, to hinder or prevent.
+
+
+
+
+"WHERE'S SOPHIE?"
+
+
+ Sophie climbed the garden trellis,
+ Plucked the finest grapes in view;
+ How they shone with red and amber,
+ As the sun came glinting through.
+
+ She was taking painting lessons,
+ And she paused and gazed at them;
+ "Oh," she said, "a pretty picture,
+ Grapes and green leaves on a stem.
+
+ "I will leave them here, unbroken,
+ Close beside the garden walk;
+ Look!" she said, to Cousin Mary,
+ "Just anear this broken stalk."
+
+ Off they went through pleasant pathways;
+ Staying longer than they knew,
+ By a russet, leaf-strewn border,
+ With its asters, pink and blue.
+
+ Then their friendly gossip over,
+ Homeward as they turned to go;
+ "Oh, the grapes!" said Sophie, quickly,
+ "We must go for those, you know."
+
+ When they reached the precious cluster,
+ Five bold sparrows pertly stood,
+ Pecking at the grapes beside them,
+ Chattering in a wanton mood.
+
+ "Look! Oh, look!" said cousin Mary,
+ "Sparrows at your luscious store!"
+ "Shoo!" said Sophie, "was there ever
+ Such a piece of work before?"
+
+ Pilfering sparrows, you have taught me,
+ By this loss, a lesson true;
+ When a bunch of grapes I gather,
+ Just to keep them safe from you.
+
+
+
+
+"IF I CAN, I WILL."
+
+
+I knew a boy who was preparing to enter the junior class of the New
+York University. He was studying trigonometry, and I gave him three
+examples for his next lesson. The following day he came into my room
+to demonstrate his problems. Two of them he understood; but the
+third--a very difficult one--he had not performed. I said to
+him,--"Shall I help you?"
+
+"No, sir! I can and will do it, if you give me time."
+
+I said: "I will give you all the time you wish."
+
+The next day he came into my room to recite another lesson in the same
+study.
+
+"Well, Simon, have you worked that example?"
+
+"No, sir," he answered; "but I can and will do it, if you will give me
+a little more time."
+
+"Certainly, you shall have all the time you desire."
+
+I always like those boys who are determined to do their own work, for
+they make our best scholars, and men too. The third morning you should
+have seen Simon enter my room. I knew he had it, for his whole face
+told the story of his success. Yes, he had it, notwithstanding it had
+cost him many hours of severest mental labor. Not only had he solved
+the problem, but, what was of infinitely greater importance to him, he
+had begun to develop mathematical powers which, under the inspiration
+of "I can and I will," he has continued to cultivate, until to-day he
+is professor of mathematics in one of our largest colleges, and one of
+the ablest mathematicians of his years in our country.
+
+My young friends, let your motto ever be,--"If I can, I will."
+
+
+
+
+WINDSOR CASTLE.
+
+
+This ancient and splendid pile is a fitting residence for the
+sovereigns of England. It impresses one with the idea of supreme
+grandeur and formidable strength, but it has reached its present
+magnificence by constant embellishments and additions by successive
+sovereigns.
+
+It owes its origin to William the Conqueror, that bold and progressive
+Norman, who created here a fortified hunting seat, where he and his
+brave barons could enjoy themselves after the "hunting of the deer" in
+the wild glades of Windsor forest.
+
+The castle stands upon a hill on the bank of the river Thames,
+twenty-three miles from London, with which it is connected by railway.
+It is surrounded on all sides, except to the east, by a noble terrace
+above two thousand five hundred feet in extent, faced by a strong
+rampart of hewn stone, and having, at intervals, easy slopes leading
+down to the park.
+
+The terrace is a most delightful walk, commanding charming views of
+the extensive domain and the surrounding country. Everywhere are
+evidences of royal expenditure, of watchful care and tasteful
+ornamentation.
+
+The park abounds in woodland scenery of exquisite beauty, and it does
+seem as if the "English sunshine" was nowhere more satisfying or
+refreshing than in these delightful avenues. The deer roam at will,
+and streamlets trickle and English violets and other wild flowers
+blossom, the praises of whose delicate perfumes and beauties have been
+sung by Wordsworth and Keats.
+
+There is a stately walk, three miles long, bordered by double rows of
+trees, which leads from the lodge to these delightful precincts, and
+at the entrance stretch away in gorgeous array, the Queen's gardens,
+in which very beautiful and rare productions of floral culture find a
+congenial home.
+
+The castle consists of two courts, having a large, round tower between
+them, and covers more than twelve acres of land, being defended by
+batteries and towers. The upper court is a spacious quadrangle, having
+a round tower on the west, the private apartments of the sovereigns on
+the south and east, the State apartments and St. George's Hall and the
+chapel royal on the north.
+
+The royal apartments are reached by an imposing vestibule. The first
+room, the Queen's guard chamber, contains a grand array of warlike
+implements, and glittering weapons, and its walls are rich in
+paintings.
+
+The Queen's presence chamber contains the rarest furniture and
+hangings, with an array of artistic works by the most celebrated
+masters.
+
+The ball-room is hung with tapestry, representing the twelve months of
+the year, and upon its ceiling is pictured Charles II, giving freedom
+to England. There is here an immense table of solid silver.
+
+In the Queen's bed-chamber is the State bed, said to have cost
+$70,000, designed for Queen Charlotte. The Queen's dressing-room, hung
+with British tapestry, contains the closet in which is deposited the
+banner of France. The same closet contains the tea-equipage of Queen
+Anne.
+
+An elegant saloon is called the "Room of Beauties," and contains
+fourteen portraits of ladies who were "most fair" in the court of
+Charles II. Their lovely faces and rich apparel, quaint and oddly
+fashioned, make the most delightful and instructive study.
+
+The audience chamber contains the throne and is enriched with
+historical paintings of events in the reign of Henry III. Another
+guard chamber contains an immense collection of warlike instruments,
+fancifully arranged, and also the flag sent by the Duke of Wellington
+in commemoration of the battle of Waterloo.
+
+St. George's Hall, which is one hundred and eight feet long, is set
+apart for the illustrious "Order of the Garter." It is superbly
+decorated with allegorical paintings. The chapel is a fine specimen of
+the florid Gothic. The roof is elliptical and is composed of stone;
+the whole ceiling is ornamented with emblazoned arms of many
+sovereigns and knights of the Garter. The stalls of the sovereigns and
+knights exhibit a profusion of rare carving. The chapel is the burial
+place of many royal and illustrious persons; Edward IV, Henry IV,
+Henry VIII and Charles I having been interred here.
+
+
+
+
+THE LITTLE PRINCES.
+
+
+Among the sad episodes in the illustrated history of English
+sovereigns, not one is more pathetic or impressive than the story of
+the two little Princes, sons of Edward IV. This King had an ambitious
+and unscrupulous brother, called Richard, Duke of Gloucester.
+
+At the time of the King's death, this man was at the head of an army
+in Scotland, which was entirely devoted to him, and he felt strong and
+equal to undertaking any bold and unlawful measure to obtain the
+crown, which rightfully belonged to Edward's son, the young Prince of
+Wales.
+
+Upon receiving the news of his brother's death, Richard clothed
+himself and his large retinue in deep mourning and proceeded in great
+haste to London, taking the oath of loyalty on the way, and making
+many protestations of interest and affection for the fatherless boys.
+
+The young Prince of Wales received him with many expressions of regard
+and respectful consideration, as befitted a paternal uncle, and placed
+undoubted faith in his suggestions; the Duke thus found it an easy
+matter to direct his movements, and the selection of his counselors
+and servants. Two of these, who were favorite and loyal friends, he
+caused to be seized on a frivolous accusation, and they were taken to
+a distant castle as prisoners. Other measures were taken to isolate
+him, and in a few days the young King was completely in the hands of
+the terrible Duke of Gloucester.
+
+From one high-handed act of usurpation to another, assisted by
+unprincipled, ambitious men, he proceeded, evidently aiming to secure
+the crown for his own head.
+
+Under pretense of placing the Prince in greater safety, and removing
+him from persons who might influence him, to the detriment of the
+peace and welfare of the kingdom, he was conducted, in great state, to
+the Tower; his uncle assuming the office of Lord Protector of the
+King.
+
+Upon gaining the entire custody of the royal lad, he sent a large
+number of dignitaries to the royal mother, to persuade her to allow
+the other little boy to be taken to the Tower to keep his brother
+company. The Prince was allowed to proceed thither, and Richard, now
+having them both at his mercy, determined upon their death.
+
+The Governor of the Tower was, it seems, a man of at least human
+feelings, and when he was ordered by Richard, "In some wise to put the
+children to death," utterly refused to perform so dangerous and
+horrible an act.
+
+Richard then sent for the keys of the Tower, to keep in his possession
+twenty-four hours, and gave them, and the command of the Tower for
+that time, to Sir James Tyrrel, his master of horse.
+
+This man procured two assassins, who proceeded, at dead of night, to
+the chamber of the sleeping Princes. They lay in each other's arms, as
+though they had fallen asleep comforting one another; and the
+assassins, falling upon them with their ruffian strength, smothered
+them with the bed-clothes, "Keeping the feather pillows hard upon
+their mouths."
+
+When the deed was done, Tyrrel stepped into the chamber, to take a
+hasty view of the dead bodies, which were then, by his orders, buried
+at the stair-foot, under a heap of stones.
+
+Richard, Duke of Gloucester, had no further obstacle in assuming the
+purple, and was crowned King of England with all pomp and ceremony,
+and known to unenviable fame as Richard III.
+
+This account has come down to us with all the authority of historical
+verity, and subsequent evidences of its accuracy have been discovered.
+The age was characterized by inhumanity of the most barbarous kind,
+and this crime was in keeping with it.
+
+The English people in this nineteenth century rejoice in a sovereign
+who is noble in the highest sense; beloved by her subjects, achieving
+for herself the universal plaudit of a "most humane and gracious
+lady."
+
+
+
+
+THE TOWER OF LONDON.
+
+
+This ancient edifice is situated on the north bank of the Thames, at
+the extremity of the city of London.
+
+The antiquity of the building has been a subject of much inquiry, but
+the present fortress is believed to have been built by William the
+Conqueror, and garrisoned with Normans to secure the allegiance of his
+subjects; although it appears that the Romans had a fort on this spot,
+if a dim tradition can be credited. The building is governed by the
+"Constable of the Tower," who, at coronations and other State
+ceremonies, has the custody of the regalia.
+
+The principal entrance is on the west, and consists of two gates, at
+which are stationed guards. The keys are kept, during the day, at the
+warder's hall, but deposited every night at the Governor's house.
+Cannon are placed at intervals around the great wall, and command
+every avenue leading to Tower Hill.
+
+On the south side is an arch, called "Traitors' Gate," through which
+State prisoners were formerly brought from the river. Near the
+Traitors' Gate is the "Bloody Tower," in which it is supposed the two
+young Princes, Edward V and his brother, were smothered by order of
+Richard III.
+
+In the south-west angle of the inclosure were the royal apartments,
+for the Tower was a palace for nearly five hundred years, and only
+ceased to be so on the accession of Elizabeth.
+
+The principal buildings within the walls are the church, the white
+tower, the ordnance office, the jewel office, the horse armory. The
+church is called "St. Peter in Vincules," and is remarkable as the
+depository of the headless bodies of numerous illustrious personages
+who suffered either in the Tower or on the hill. Among these were Anna
+Boleyn, Thomas Cromwell, Catharine Howard, the Duke of Somerset and
+the Duke of Monmouth.
+
+The jewel office is a strong, stone room, in which are kept the crown
+jewels, regalia, such as the golden orb, the golden sceptre with the
+dove, St. Edward's staff, State salt-cellar, sword of mercy, golden
+spurs, the golden eagle and golden spoons, also the silver font used
+at the baptism of the royal family, the State crown worn by her
+Majesty in Parliament. A large collection of ancient plate is also
+kept here.
+
+The horse armory is a brick building east of the white tower, adorned
+with suits of armor of almost every description; but the most striking
+are the effigies of the English kings on horseback, armed cap-a-pie.
+The line of mounted celebrities commences with William the Conqueror
+and ends with George II. Several of the cuirasses and helmets taken at
+Waterloo are kept here. In the armory are also shown a representation
+of Queen Elizabeth in armor; the axe which severed the head of Anna
+Boleyn, as well as that of the Earl of Essex; the invincible banner
+taken from the Spanish Armada, and the wooden cannon used by Henry
+VIII at the siege of Boulogne.
+
+The Beauchamp Tower is noted for the illustrious personages formerly
+confined within its walls.
+
+
+
+
+MARY AND HER LAMB.
+
+
+This is the title of one of the most familiar poems in the English
+language, but few people know its history.
+
+Most of our young readers will be surprised to hear that the
+well-known nursery song of "Mary had a Little Lamb" is a true story,
+and that "Mary" is still living, says an exchange.
+
+About seventy years ago she was a little girl, the daughter of a
+farmer in Worcester county, Mass. She was very fond of going with her
+father to the fields to see the sheep, and one day they found a baby
+lamb, which was thought to be dead.
+
+Kind-hearted little Mary, however, lifted it up in her arms, and as it
+seemed to breathe she carried it home, made it a warm bed near the
+stove, and nursed it tenderly. Great was her delight when, after weeks
+of careful feeding and watching, her little patient began to grow well
+and strong, and soon after it was able to run about. It knew its young
+mistress perfectly, always came at her call, and was happy only when
+at her side.
+
+One day it followed her to the village school, and not knowing what
+else to do with it, she put it under her desk and covered it with her
+shawl.
+
+There it stayed until Mary was called up to the teacher's desk to say
+her lesson, and then the lamb walked quietly after her, and the other
+children burst out laughing. So the teacher had to shut the little
+girl's pet in the woodshed until school was out. Soon after this, a
+young student, named John Rollstone, wrote a little poem about Mary
+and her lamb and presented it to her. The lamb grew to be a sheep and
+lived for many years, and when at last it died Mary grieved so much
+for it that her mother took some of its wool, which was as "white as
+snow," and knitted a pair of stockings for her, to wear in remembrance
+of her darling.
+
+Some years after the lamb's death, Mrs. Sarah Hall, a celebrated woman
+who wrote books, composed some verses about Mary's lamb and added them
+to those written by John Rollstone, making the complete poem as we
+know it. Mary took such good care of the stockings made of her lamb's
+fleece that when she was a grown-up woman she gave one of them to a
+church fair in Boston.
+
+As soon as it became known that the stocking was made from the fleece
+of "Mary's little lamb," every one wanted a piece of it; so the
+stocking was raveled out, and the yarn cut into small pieces. Each
+piece was tied to a card on which "Mary" wrote her full name, and
+these cards sold so well that they brought the large sum of $140 in
+the Old South Church.--_Our Sunday Afternoon._
+
+
+
+
+JAMIE'S GARDEN.
+
+
+"I shall have the nicest kind of a garden," said Jamie, one morning.
+"I'm going to make it in that pretty little spot just over the bank. I
+mean to have some flowers in pots and some in beds just like the
+gardener; and then you can have fresh ones every day, mamma. I'm going
+right over there now."
+
+Jamie started off bravely with his spade on his shoulder; but when,
+after an hour, mamma went to see how he was getting on, she found him
+lying on the grass, with the ground untouched.
+
+"Why, Jamie, where is your garden?"
+
+"I was just lying here, and thinking how nice it will look when it is
+all done," said Jamie.
+
+Mamma shook her head. "But that will not dig ground, nor make the
+flowers grow, little boy. No good deed was ever done by only lying
+still and thinking about it."
+
+
+
+
+CAMP TRIO.
+
+A. DE G. H.
+
+
+Hurrah! Hurrah! only two days more to vacation, and then!----
+
+If the crowning whistle, and energetic _bang_ with which the strapped
+books came down, were any indication of what was coming after the
+"then!" it must be something unusual. And so it was--for Ned, Tom and
+Con, who were the greatest of chums, as well as the noisiest, merriest
+boys in Curryville Academy--were to go into camp for the next two
+weeks, by way of spending part of their vacation. They could hardly
+wait for school to close, and over the pages of Greenleaf danced,
+those last two days, unknown quantities of fishing tackle, tents, and
+the regular regalia of a camping out-fit. They talked of it by day and
+dreamed of it by night.
+
+At last the great day dawned--dawned upon three of the most
+grotesque-looking specimens of boyhood, arrayed in the oldest and
+worst fitting clothes they could find; for, as they said, in the most
+expressive boy language--"We are in for a rattlin' good time, and
+don't want to be togged out." They and their effects were taken by
+wagon over to the Lake Shore, about four miles distant, to establish
+their camp under the shadow of old Rumble Sides, a lofty crag or
+boulder.
+
+Boys, I wish you could have seen them that night, in their little
+woodland home; really, it was quite attractive. They worked like
+beavers all day--cutting away the brush, driving stakes to tie down
+the little white tent, digging a trench all around in case of rain,
+and building a fire-place of stone, with a tall, forked stick on which
+to hang the kettle. A long board, under the shady trees, served as
+table.
+
+Too tired to make a fire that night, they ate a cold lunch, and threw
+themselves on their bed--which was a blanket thrown over pine
+boughs--untied the tent flaps to let in air, and slept a happy,
+dreamless sleep.
+
+The next morning, early, they were up, and, after taking a cold plunge
+in the lake, built a brisk fire, boiled coffee, and roasted potatoes
+for breakfast. They then bailed out the punt, which was their only
+sailing craft, and put off for an all-day's fishing excursion. Several
+days, with fine weather, passed, and the boys declared they were
+having a royal time, and that camping was the only life to lead.
+
+They had much difficulty to settle upon a name, but finally decided
+that "Camp Trio" was most appropriate.
+
+One night they were suddenly awakened by a deep, roaring sound; the
+wind blew fiercely, it rained hard, but the noise was not of thunder,
+it seemed almost human; nearer and nearer it came! The three lads sat
+up in the semi-darkness, and peered at each other with scared faces.
+
+"It's Old Rumble broke loose and coming down on us," said Con, in a
+ghostly whisper. "Hush!" and the trio clutched in a cold shiver, as a
+crackling of twigs was heard outside, a heavy tread, a long, low moan,
+a horrible silence.
+
+"It was the Leviathan, I guess," said Tom, with a ghastly attempt at
+smiling, as the early morning light stole through the flaps. At length
+they moved their stiffened limbs and peeped out. Oh, how it did pour!
+No fire, no fishing, no any thing to-day. Pretty soon a shout from
+Ned, who had been cautiously prowling around to find the cause of
+their late fright.
+
+"Oh, boys, it's too rich! Why, it was Potter's old cow, down here last
+night, bawling for her calf that was after our towels, as usual--look
+here!" and he held up three or four dingy, chewed-looking articles,
+which had hung on a tree to dry, and might have been towels once. The
+boys broke into a hearty laugh at their own expense. The day was very
+long and dull, and the next, stories and jokes fell flat, cold
+victuals didn't relish, they began to feel quite blue. The third day
+Farmer Potter appeared upon the scene.
+
+"What on airth ye doin' here; trespassin' on other folks' grounds?
+Mebby ye don't know it's agin the law!"
+
+The boys felt a trifle uneasy, but answered him politely.
+
+"Hevin' _fun_, be ye! Wall, I'll vow, settin' in the wet, eatin' cold
+rations, haint _my_ idee of _fun_." And away he stalked.
+
+The boys looked at each other.
+
+"I say, fellers," said Con, "a piece of pie and a hunk of fresh bread
+_wouldn't_ go bad--eh?"
+
+The two answered with a hungry look.
+
+"But let's tough it out over Sunday, or they'll all laugh at us." And
+so they did; but it was the longest, dreariest Sabbath they ever
+spent.
+
+"I'd rather learn ten chapters in Chronicles," Tom affirmed, "than put
+in another such a Sunday."
+
+They had, in the main, a jolly time, but the ending was not as
+brilliant as they had looked for. They never regretted going, but the
+next year took a larger party, and went for a shorter time.
+
+
+
+
+THE SENTIMENTAL FOX.
+
+
+ "Oh, beautiful wild duck, it pains me to see,
+ You flying aloft in that gone sort of way,
+ Sweet one, fare you well. I could shed many tears,
+ But my deepest emotions I never betray.
+
+ "I've always admired you, wonderful bird,
+ By the light of the sun and the rays of the moon;
+ I tell you 'tis more than a fox can endure,
+ To know that you take your departure so soon.
+
+ "I snatched a few feathers, in memory of you;
+ I desired a whole wing, but you baffled my plan;
+ Oh, what a memento to hang in my den!
+ And in very hot weather to use as a fan.
+
+ "Descend, O, thou beautiful creature, to earth!
+ There's nothing I would not perform for your sake;
+ If once in awhile I could see you down here,
+ I'd never get tired of the shores of this lake!"
+
+ "Cheer up, Mr. Fox," said the duck, flying higher,
+ "The parting of such friends is sometimes a boon;
+ When they get far away, and have time to reflect,
+ They see that it came not a moment too soon.
+
+ "You wanted a wild wing to fan yourself with;
+ You see if I granted that favor to you,
+ 'Twould have left me but one, which is hardly enough,
+ As I find it convenient, just now, to have two."
+
+ Then she faded away, a dark speck on the sky.
+ "That's a very shrewd bird," said the fox in dismay!
+ "I shall have to look round for my dinner, again,
+ And I fancy it will not be wild duck to-day."
+
+
+
+
+EARTHEN VESSELS.
+
+
+Spring time had come, with its blossoms and birds; and Mrs. Rossiter
+threw up the sash of the east window, and pushed open the blinds, and
+drew a long deep breath of morning air, and morning sunshine.
+
+"I think, Bridget," she said, "that we might venture to bring the
+house-plants out-doors to-day. There can hardly be another frost, this
+year."
+
+"Oh! may I help?" asked little Charley, "I'll be very careful."
+
+"On that condition, that you be very careful, you may bring the little
+ones," answered his mother.
+
+The work progressed safely and rapidly for awhile. Geraniums, roses,
+fuchsias, heliotropes, and so following, came forth in profusion, many
+in bloom, and were placed in rows along the garden borders, ready to
+be transferred to the beds, for the summer. At last the little ones
+were all brought by Charley, and only larger ones remained.
+
+"I'll carry just this one big one," he said to himself: "I'm stronger
+than mother thinks I am." But the pot full of earth, was heavier than
+Charley had thought it, and before he reached the place to set it down
+it had grown very heavy indeed; and, glad to get it out of his aching
+arms as quickly as possible, he placed it on the curb so suddenly,
+that with a loud crash it parted in the middle and lay in pieces at
+his feet. Glancing quickly at his mother and seeing in her face
+impending reproach, he forestalled it by exclaiming:
+
+"Well, that pot broke itself very easily. What's it made of, any how?"
+
+The mother couldn't help but smile at this attempted shifting of the
+blame to the pot, but she answered, in a moment, gravely:
+
+"The pot, Charley, was made of clay; the same weak material from which
+little boys are made; who, when they forget to obey their mothers, are
+as likely to meet disaster as the earthen pot."
+
+Charley didn't care just then to discuss disobedient boys, so he
+turned at once to the subject of the pot.
+
+"Made of clay," he exclaimed, "well, I'd like to see a man make a
+thing like that of clay."
+
+"And so would I," said sister Mary, who, from an upper window, had
+listened to the conversation.
+
+"And so you shall, if I have no further reminders of this sort, that
+my children are made of the same unreliable material."
+
+That afternoon, the three, started for the pottery works. Mr. Sands,
+the proprietor, kindly received them, and fully explained all his
+processes. First he pointed out what seemed to Charley a heap of dry
+hard common dirt; taking a little piece of this he dipped it into a
+basin of water and then squeezing and pressing it in his hand it soon
+became soft, and plastic, so that it could be wrought to any shape. He
+then led the party to another room where a young man was engaged in
+thus softening large masses. He would first crumble the hard earth
+into fine pieces; then wet and pack it together into a "loaf," so
+Charley called it, and then raising it over his head throw it again
+with all his might upon the table before him until it became soft and
+smooth through all its bulk. This, Mr. Sands said, was called "wedging
+the clay," and that it was now ready for "throwing" into shape.
+
+"Will it come into shape if you just throw it?" said Charley.
+
+Mr. Sands laughed heartily at this, and answered, "come and see;" and
+taking up one of the softened "loaves," to use Charley's word for
+them, he led the way to the next room. The young man who had been
+"wedging" now followed and placed himself at a large wheel which was
+connected by a strap or belt with a table at which Mr. Sands seated
+himself.
+
+[Illustration: HOW POTS AND PANS ARE MADE.]
+
+Upon the table was another little table, round and low, and upon
+this Mr. Sands placed his "loaf." Then the young man began to turn the
+wheel and the loaf began to spin round very rapidly. Mr. Sands next
+pressed his finger right through the middle of the clay, so farming
+the hole which we always see at the bottom of flower-pots. Then, as it
+spun round, he worked the clay gradually upwards and sloped it
+outwards, using both hands, and holding the edges with his fingers and
+thumbs.
+
+Before Charley could express his surprise, the little roll of clay was
+changed into a flower-pot. With a square iron tool called a _rib_ it
+was smoothed outside, and then the pot was lifted on a board. One
+after another followed till a long row was ready and they were carried
+off to be dried.
+
+"How do you know when to leave off stretching it?" asked Mary of the
+potter.
+
+He laughed, and pointed to a small iron gauge on the table. As soon as
+the pot reached this he knew he must leave off stretching it out. This
+iron is of course put higher or lower according to the size required.
+
+"Now I'll make you a pitcher, missie," said the good-natured man, and
+with the same kind of clay, just rounding it a bit and giving a
+cunning little pinch to form the spout, he made quite a pretty jug.
+
+"Where's the handle?" asked Charley.
+
+"Oh, that can't go on yet, sir! We must wait till the jug is dry, for
+we could not press it tight enough to make it stick."
+
+Bread-pans and washing-pans are made in exactly the same way as
+flower-pots, being moulded by the hand into different forms. When the
+pots and pans leave the potter's wheel they are taken, as we saw, to
+dry, and great care is required to keep them at a certain heat, for if
+the frost gets to them now they crack and are useless.
+
+"Here's a comical little pot!" exclaimed Charley, holding up a wee
+one.
+
+"We call them _long Toms_," said Mr. Sands. "They are mostly used by
+nursery-gardeners, because they take so little room."
+
+"How long do they take to dry?" asked Mary, looking longingly at her
+little jug.
+
+"About a day; so we will leave your jug with the others, and go to the
+kiln to see how they will be burnt to-morrow."
+
+The kiln was round, with a big doorway, called a wicket.
+
+The pots and pans are put inside, great care being taken that they
+should not touch each other, or they would stick like loaves of bread.
+Pans are first glazed with a mixture of blue or red lead. The fire is
+burning below, and there are holes to allow the flames to pass upwards
+amongst the pottery. When the kiln is full the wicket is bricked up
+and daubed over with road-mud.
+
+"Fancy using such dirty stuff!" said Mary.
+
+"The manure in it makes it stick, just as hair does in mortar. Clay
+would crack with the heat. So you see, dear, there's nothing so dirty
+or so common that it may not be of some use in the world."
+
+"How do you know when they are cooked enough?" asked Charley.
+
+"I'll show you," said Mr. Sands, and he immediately led us to a small
+door, which opened some way up the kiln.
+
+"This is called the crown," said Mr. Sands.
+
+It was a flat surface, with four holes which showed the red heat
+below, and looked like little volcanoes in a good temper.
+
+"Do you see those iron rods hanging like walking-sticks in the
+furnace?" asked our guide. "Well, those are called _trials_, and at
+the end of each is a lump of clay and glaze. If the glaze is burnt
+enough we suppose that the whole batch is done, but we sometimes make
+a mistake and spoil a lot."
+
+"What is done next?" asked Charley.
+
+"If they are properly burnt, they are allowed to cool gradually, and
+are then ready for sale."
+
+By this time all were pretty well tired, and so they said good morning
+to Mr. Sands and went home.
+
+"Mother," said Charley, as they sat down to dinner, "I shall ask how
+it's done oftener than ever, now, for I like going over factories.
+What's to be the next one, I wonder."
+
+"Bread," exclaimed Mary, as she cut a big slice for herself. "Shall it
+be bread, mother?"
+
+"Yes, if you like, but I propose we go to see the flour made first. So
+the next place we explore will be a flour-mill."
+
+ E. M. W.
+
+
+
+
+BIRDIE'S BREAKFAST.
+
+MRS. S. J. BRIGHAM.
+
+
+ Take your breakfast, little birdie,--
+ Cracker-crumbs, and seeds so yellow,
+ Bits of sponge-cake, sweet and mellow;
+ Come quite near me;
+ Do not fear me.
+ I can hear your happy twitter,
+ Although winter winds are bitter;
+ Take your breakfast, little birdie.
+
+ Come! Oh, come and tell me birdie!
+ All night long the snow was falling;
+ Long ago, I heard you calling;
+ Tell me, dearie,
+ Are you weary?
+ Can you sleep, when winds are blowing?
+ Frosts are biting, clouds are snowing?
+ Come! Oh, come and tell me, birdie!
+
+ Take your food, and trust me, birdie;
+ Daily food the Father giveth;
+ Bread to every thing that liveth.
+ Come quite near me;
+ Do not fear me.
+ Come each day, and bring your fellow,
+ For your bread, so sweet and mellow;
+ Take your food, and trust me, birdie.
+
+
+
+
+A BATTLE.
+
+
+Do you like accounts of battles? Here is one for you. I shall have to
+tell of a well-disciplined army, and some hard fighting, as well as of
+a victory.
+
+The scene is a quiet country district, with fields and hedge-rows, not
+looking a bit like war and bloodshed, and the time is a summer
+afternoon, hot, for it is July, and a haze is over the mountains,
+which rise a little way behind, as silent witnesses of the fray. The
+sun begins to decline, and as the air grows cooler the army has orders
+to start. There is a short delay of preparations, and then the
+warriors pour forth; not in confusion, but in a compact, unbroken
+column, each keeping to the ranks in perfect order, and never
+diverging from them. At first the army follows the high road, but ere
+long it passes through an opening in the hedge, and crosses the field
+on the other side. Still the soldiers march on, never hindered, never
+straggling out of place. It must have been a clever commander-in-chief
+to have trained them into such admirable obedience.
+
+Presently a fortress rises before them--_that_ is the object of their
+expedition; rather, it is something within the citadel that they are
+sent to get, and have it they _will_. Not without a struggle, though,
+for the enemy is on guard, and when he sees the hostile army
+approaching, he sallies out to battle. He has no idea of surrendering
+without a fight for it.
+
+The invaders gather up their forces and charge bravely up the hill,
+and in an instant, hand to hand, or something very like it, the foes
+are locked together in desperate conflict. Neither have they any guns,
+but they carry sharp weapons with them, and soon the field is strewn
+with the dead and dying.
+
+The fight thickens--the issue is doubtful, but not long--the defenders
+are routed, and the assailants press forward to the citadel. Most
+skillful are they, for with neither cannon nor battering-rams they
+speedily make a breach in the walls, and in they rush, pouring through
+the street and lanes of the devoted city. Yet they do not destroy
+it--they do not kill the inhabitants--they do not even stay within the
+walls so hardly won. In a very short space of time they return as they
+came, save that each bears a portion of the spoil for which they came.
+They form in order once again, they march in line, they regain their
+own quarters, but each one carrying--would you believe it?--a _young
+slave_.
+
+[Illustration: {ANTS HEADING OUT ON AN EXPEDITION.}]
+
+Yes, the army did not care to conquer the strange city; the expedition
+was organized solely and entirely that they might steal the young and
+bring them up in their own colony as slaves. For, through the long
+influence of evil habits, the race to which these warriors belong have
+lost their natural powers, and so have now to be waited on, fed, and
+altogether taken care of by its slaves. With food before them they
+would starve unless the slaves put it into their mouths.
+
+If they want to change their abode, the slaves must make the new
+habitation ready, and then carry their masters on their backs to reach
+it. If the children have to be taken care of, the slaves must be the
+nurses. In fact, _fighting_ is the one single thing they _can_ do, and
+that, as we have seen, they do well. As the supply of slaves is
+necessary to their existence, every now and then they have to go and
+help themselves in the way we have just seen them do; and though the
+idea of slavery is abhorrent to every mind, we must allow that they
+are brave soldiers, and under excellent discipline.
+
+Now, can you tell me who the soldiers are? Go back to your history
+stories and think. Some old Roman race, perhaps, or the early
+inhabitants of Britain, when people knew no better? Or some tribe of
+savages in America, or the South Sea islands at the present time? Nay,
+you must guess again, or shall I tell you? Yes, you give it up. Well,
+then, it is a people "not strong;" small and insignificant, yet wise,
+for this is what the Bible says, "Go to the ANT, consider her ways and
+be wise."--Prov. vi:10.
+
+This race of warriors is none other than the slave-keeping ant,
+(_Polyergus rufescens_). I do not think you would meet with it in our
+woods, but in Switzerland and other countries it is common. Huber, who
+wrote so much about bees and ants, first witnessed an attack near
+Geneva. I should tell you that the young which they carry off are the
+larva or young grubs, which, transferred to the nests of the
+conquerors, soon become ants, and live the rest of their lives in
+serving them, and waiting on them, as slaves or servants would their
+masters.
+
+How extraordinary! Do they pine for their own kind? Are they happy in
+their bondage? We do not know, but as far as we can judge they render
+a willing and cheerful service, forgetting themselves in what they do
+for others. Then, of course, they are happy; we need not repeat the
+question; we are only lost in wonder at this strange and interesting
+page in Nature's book.
+
+ M. K. M.
+
+
+
+
+GRACE DARLING, THE HEROINE.
+
+
+I presume most of you have heard of Grace Darling, the brave girl who
+lived with her father and mother at Longstone light-house. On the 6th
+of September, 1838, there was a terrible storm, and W. Darling,
+knowing well that there would be many wrecks, and much sorrow on the
+sea that dark, tempestuous night, waited for daybreak; and when at
+last it came, he went to look out. About a mile away he saw a ship in
+great distress, but the storm was so awful he had hardly courage to
+venture through it for their relief. His daughter Grace, who was
+watching the wreck through a glass, could no longer bear to see the
+poor fellows clinging to the piece of wreck which remained on the
+rocks where it had been broken, and make no effort to help them. She
+knew they must be lost. So she implored her father to launch the
+life-boat and let her go with him to the rescue. He consented, and
+father and daughter, she taking the oars while he steered, went
+pulling away for the wreck; and I can fancy how the poor fellows
+watched the life-boat like a speck on the waters, counting each minute
+as it neared them, then fearing, as it seemed to be almost lost amid
+the mountains of hissing and boiling waves, lest it should never come
+to them at all. But at last they are alongside; the sufferers hesitate
+not a moment, but jump for the life-boat, and so nine precious lives
+were saved from a watery grave.
+
+Every one sang the praises of brave Grace Darling. A sum of $3,500 was
+presented to her as a testimonial, and she was invited to dine with
+the Duke of Northumberland. She died at the early age of twenty-seven,
+of consumption.
+
+Now, my readers cannot all be Grace Darling, but they can come to the
+help of the perishing; those that are weary and ready to die. They can
+all do something, by working, by little efforts of self-denial, and by
+praying for those who are in danger of being lost; and then one day
+they will hear those wonderful words, "Inasmuch as ye have done it
+unto the least of these, ye have done it unto me." A testimonial worth
+having indeed!
+
+
+
+
+ADAM AND EVE.
+
+
+ Adam and Eve are my two pet doves,
+ They live in a cot in the maple tree,
+ They coo and coo as other doves do,
+ And I know they are fond of me.
+
+ Eve is a dear little milk-white dove,
+ Her eyes and feet are of coral red.
+ She wears a quill of gray in her wing,
+ And a small white cap on her head.
+
+ Adam is bold, and he struts about,
+ In coat and vest of chocolate brown;
+ Eve is as sweet as a dove can be,
+ And Adam will sometimes frown.
+
+ Adam and Eve are my two fond doves,
+ Their cottage stands in the maple tree,
+ They coo and coo, as other doves do,
+ And often take lunch with me.
+
+ MRS. S. J. BRIGHAM.
+
+
+
+
+SWINGING SONG.
+
+
+ Swinging! Swinging!
+ Up where the bees and the butterflies are,
+ Winging! Winging!
+ Their flights 'mong the blossoms that shine near and far.
+
+ Ringing, Ringing,
+ Song of the blue-bird and bobolink's call,
+ Singing, Singing,
+ Up in this beautiful world are they all!
+
+ Clinging, clinging,
+ In this green shadow, the clematis swings.
+ Bringing, bringing,
+ Hints of strange odors, and dim woodland things.
+
+ Flinging, flinging,
+ The snow-ball, its white, pretty blossoms on me,
+ Springing, springing,
+ The damask rose climbs to the lattice to see!
+
+ Backward my hair is floating and swaying,
+ Here o'er the garden-walk softly I sing;
+ Far more delightful, than wearily straying,
+ Is it to dream here, while gently I swing.
+
+
+
+
+[Illustration: {CHILDREN AT THE BEACH.}]
+
+HOW THE DAYS WENT AT SEA-GULL BEACH.
+
+
+No school! And the beautiful summer days coming so early in the
+morning, that none of us children ever could get awake to see the sun
+rise, and staying so long that we grew quite tired of being happy; and
+some of us, Gracie and Jimmie in particular, were so little, that they
+couldn't stay awake through the whole of it, and went off into a nap
+every day after dinner.
+
+But this was in the city, and when we arrived at the beach we didn't
+get tired or cross the whole day long. There were many children at the
+hotel, and when we came, with our dolls and toy boats, our
+fishing-tackle and spades, and pails, we made a host of friends
+immediately.
+
+Reginald and Willie, our older brothers, did not always go with Gracie
+and Jimmie and me, but made the acquaintance of the men that went out
+to sea to fish for the great hotels; and they went oftentimes with
+them, and we used to enjoy seeing the little boats launched; they
+almost stood on end when they went over the breakers, making us scream
+with excitement and delight. And as the little fleet grew less and
+less, and at last disappeared, we girls thought it was a grand thing
+to have such brave brothers.
+
+I was the elder girl, being ten, and Gracie seven. Our Gracie was a
+lovely little sister; she had large blue eyes, and wavy brown hair,
+and was very gentle and obedient, and people called her "Pet," almost
+as soon as they became acquainted with her.
+
+Mother had blue flannel suits made for us, and dressed in these, with
+sailor hats that had little tapping ribbons at the sides, we scurried
+along the beach, climbed the rocks, or waded out into the salt water.
+
+But we had on our very prettiest dresses in the evening, for the
+children were allowed to have the grand parlor, and dance to the music
+of the band until nine o'clock. This was a privilege we older ones
+talked of continually, and looked forward to all day. We were so
+dainty, genteel, and good-mannered for an hour, that it impressed
+even ourselves; and boys and girls became models of gentleness and
+polite behavior, and the effect of those delightful evenings has given
+growth and direction to many graces in our character.
+
+[Illustration: DANCE TO THE MUSIC OF THE BAND.]
+
+But the little ones, like Gracie and her friends, really couldn't
+stand the excitement, and rolled around in odd corners on the floor,
+or sought the grateful obscurity behind the sofas, to indulge in naps,
+long before nine o'clock. I found Gracie, in her pink silk dress and
+violet slippers, lying curled up under the table, with her head on the
+back of Bosin, the great Newfoundland dog that had stolen into the
+parlor against rules.
+
+Nelson Faber was a little boy, not much older than Gracie, and they
+seemed to enjoy each other's society very much. He too oftentimes
+succumbed to sleepiness when we wanted him to do his sailor dance; but
+when the morning came, they were as rosy-cheeked and bright-eyed as
+ever, and trotted along the pleasant walks with their hoops and pails,
+inseparable friends. It was fortunate for Gracie, too, that he
+preferred to play with her, rather than to go off with the boys, for
+one day after a boisterous night, the sea came up higher on the beach
+than we had ever before seen it; and unsuspecting Gracie was caught by
+a wave and thrown down, and as it retired it seemed to drag her along
+with it; we older ones lost our presence of mind entirely, and
+screamed and cried, and did nothing, but that heroic little fellow ran
+into the boiling surf and caught her dress, and with the dog's
+assistance, dragged her to a safe place. She said he was, "Very nice
+and dood."
+
+One day, some of my girl companions proposed to visit the rocks that
+lay at the mouth of Green river, just where it gently met the ocean.
+Right there, no end of sea-weed and shells, and things thrown up by
+the ocean, could be found; and there were such curious rocks, with
+nooks and basins, where the water stayed in tiny pools, and there we
+went fishing, and brought lunch, setting it out on the most convenient
+flat rock we could find. I tell you, cold chicken, pickles, cheese,
+and sponge cake, with milk, tasted as they never did before or since,
+to our party of hungry children. We climbed and fell, and laughed, and
+chatted, with the salt breeze lifting our hair, and fanning our brown
+faces, and going out far on the point, we came upon a little shining
+lake, surrounded by rocks, upon which we could sit, and dabble our
+feet in the water. It was no place more than a foot deep, and we
+decided to wade round in it. It was a comical sight to see us
+navigating ourselves in procession through that water, but it was a
+very questionable joke, when Milly Sayre jumped and screamed, and ran
+like a frantic creature from the pool, and up the rocks.
+
+"What's the matter, Milly," we cried. "Are you hurt? What did you
+see?" we breathlessly shouted.
+
+"Oh! oh!" was all she could gasp, pointing to a place she had just
+left. We all scrambled out instantly, and peered over the rocks into
+the water.
+
+[Illustration: INSEPARABLE FRIENDS.]
+
+What should we see but a little creature, grotesque and hideous, that
+made its way round in the water, with astounding celerity, throwing
+out legs or claws, or whatever they were, from every point of its
+circumference. Its body was flat and was a green color above and pink
+under, and to add to its alarming appearance, it looked at us with two
+black eyes, in a very sinister and uncanny manner. We looked at each
+other with blanched faces and speechless horror, and then kept a sharp
+lookout, lest it might take it into its head (we couldn't tell if it
+had any head, for the place where the eyes were, did not seem
+different from any other part of its body,) take it into its "internal
+consciousness," to crawl out on to the rocks and chase us. It got
+through the water in a distracting manner, which was really quite
+amusing after a few moments, and from being horribly frightened, we
+became interested when we found it did not attempt the offensive. We
+gave it some lunch and called it "Jack Deadeye," and for the whole
+afternoon he was the center of attraction.
+
+"Let us take him back with us," I proposed. "We can get him into a
+pail, and then we can have him in some pool nearer home, and see what
+he'll turn into. I don't believe but what he'll be something else in a
+few days."
+
+My knowledge of natural history had always been lamentably meager, and
+more than once I had brought the laugh upon myself by my ignorance. So
+I forbore to predict what would be his ultimate form of beauty.
+
+"A whale!" said Susie Champney.
+
+"Oh, dear, no; whales don't have legs and claws," said Estella Bascom.
+"It's a tadpole."
+
+"You're mistaken there," said Mamie Fitz Hugh; "tadpoles are just the
+little jokers that do have tails. I've seen hundreds of them, and this
+creature has no tail."
+
+We all rushed again to the edge of the rocks to look at him, with
+added wonder.
+
+"Well, we'll take that tad home on a pole, any way," said Nannie
+White, who was the cutest girl to say things in the whole crowd. She
+immediately ran off to secure a piece of drift that was tumbling about
+on the wet sand. But how to get him into a pail was the next problem.
+A committee of the whole was called. I thought we could obstruct his
+path by putting the mouth of the pail in front of him, and then when
+he sailed into it, we could instantly pull him out. This was decided
+upon; but how to get it down to him without falling in? A bright idea
+struck me. I whipped off my flannel sash, and running it through the
+handle, dashed it into the water; but that proceeding only frightened
+him--we must move more cautiously. We worked for an hour and had him
+in twice, but were so excited both times that he escaped.
+
+First time, Totty Rainsford shouted, "We've got him!" and immediately
+rolled off the rocks, head first, into the water. We were all so
+scared, with the water splashing, and she screaming at the top of her
+voice, "Save me! Save me!" that Jack got away. She scrambled out
+pretty lively, and when we got him in again, we were all seized with
+another fit of laughing at Totty, who, in her moist predicament, was
+jumping round to dry herself, because she didn't want to go home, that
+he crawled out as leisurely as possible. But we secured him at last,
+safe in the pail; and to prevent his crawling out, I clapped my sailor
+hat over the top of it, and the elastic kept it down tight. We put the
+pole through the handle and Estella and myself took hold of the ends,
+and we came near losing him every few minutes, owing to the
+inequalities of the ground. The pail would slide down to either end,
+as the pole inclined, and Estella would drop it and scream when she
+saw the pail traveling noiselessly toward her, and if it hadn't been
+for my happy thought of putting the hat over him, he'd have got away
+to his "happy hunting grounds," or rather, waters, in short order.
+
+We arrived at the hotel at last, with Jack all safe, and the rest of
+the girls went to dress for dinner, and left me to find the boys, to
+help me deposit him in a secure place, for we were sure we should very
+greatly astonish the boarders and achieve renown as having discovered
+a new species of marine beast.
+
+The boys were in a perfect ecstacy of curiosity to see what the girls
+had caught. When I carefully took off the hat, I found the water had
+all leaked out, and his monstership lay kicking and crawling at the
+bottom.
+
+"Ho! ho! ho!" shouted Willie, "is that what-cher call a curiosity?"
+
+"Oh, Flossie! you have been dreadfully taken in," said Regy.
+
+"Oh, no," I said, "it's this wonderful animal that's been 'taken in,'
+and he's going to be kept in, too."
+
+I began to feel, though, that there was a great laugh somewhere in the
+future, and that it was coming at our expense.
+
+"Why, Flossie! it's nothing but a baby crab," said Regy. "I can get a
+peck of them in an hour, over in the river."
+
+I felt greatly chagrined, and blushed with mortification. The boys
+kept bursting out laughing every few minutes, asking such questions
+as:
+
+[Illustration: HOW MANY GIRLS DID IT TAKE TO LAND HIM?]
+
+"How many girls did it take to land him?" "Was he gamey, Flossie?"
+"Did ye bait him with a clam-shell, or an old boot? they'll snap at
+any thing."
+
+"Oh! I'd given away my dinner to have been there!" and then Regy would
+stir him up with a stick, and turn him on his back, all of which
+caused me to scream every time, and sent tremors all over me.
+
+"What-cher goin' to do with him?" inquired Willie.
+
+"I shall study his habitudes, and improve my knowledge of the
+crustacea," said I, giving him a sentence directly out of my
+text-book. "I shall look at him every day."
+
+"Yes, and he'll look at you every night. I have read a book that told
+about a traveler that offended a crab once, and he informed the other
+crabs, and they all made for him at night, and twenty thousand of them
+came that night and crept under his tent, and sat there and looked at
+him. And there he was in the middle of them, and you know their eyes
+are fastened in their heads by a string, and they can throw them out
+of their heads and draw them back again; and, at a signal, they all
+threw their eyes at him. He was so horrified that night, that he got
+insane and had to be sent to a lunatic asylum."
+
+"I've heard your stories before, Regy, and I simply don't credit them.
+We girls are going to hunt up a pond to put him in, where we can pet
+him, and educate him."
+
+"You'd best hunt up a frying pan to put him in; he's capital eating
+for breakfast, well browned, with hard-boiled eggs and parsley round
+him," said Reginald.
+
+I told him if he couldn't do any better than to lie there and make an
+exhibition of his bad taste and ignorance, he'd better get up and work
+off the fit. I insisted upon his helping me to fill the pail with salt
+water, and hang him upon the rocks until we could make a future,
+permanent disposal of him.
+
+[Illustration: "WHERE WE CAN PET AND EDUCATE HIM."]
+
+That evening our parlor manners were somewhat less decorous and
+elegant, owing to the fact that Reginald and Willie had been
+industriously circulating the episode of the morning, with such
+additions as they thought would add point and piquancy, among the rest
+of the boys, and there was no end of innuendo and witticism indulged
+in, that caused the young gentlemen to retire in groups and laugh; and
+we could hear such remarks as, "Dick, there was a whale hooked on this
+coast this afternoon, did you know it?" Or, "I think Jack Deadeye is
+the most comical character in Pinafore, he's so crabbed."
+
+The girls of our party stood it as they best could; and in the morning
+we stole out to look at our prize, after the boys had gone off, but
+the tide had swept Jack and the pail out to sea.
+
+It was a long time before we heard the last of it, however.
+
+[Illustration: {A SMALL SAILING BOAT.}]
+
+
+
+
+MAX AND BEPPO.
+
+
+ Down by the lake they trotted,
+ All the summer day;
+ Max and Beppo never plotted
+ Yet, to run away.
+ Two little donkey pets, Oh, I loved them so!
+ When I was in Switzerland, just a year ago.
+
+ How they liked bananas!
+ And our apples sweet;
+ They had lovely manners,
+ Every thing they'd eat.
+ Then, I'd rub their furry ears, and they'd shake their bells,
+ While old driver Raspar, funny stories tells.
+
+ Max turns round and winks so pretty,
+ Little, sharp round eyes;
+ Beppo sings a jolly ditty,
+ Quite to our surprise.
+ Then we mount, and off we go, up and down the mall,
+ Never do they careless trip, never make a fall.
+
+ Once, a princess royal
+ Wanted little Max;
+ How to part those friends so loyal,
+ Her little brain she racks.
+ She would give her gold and silver, in a little purse,
+ Then throw in for measure good, her scolding English nurse!
+
+ Then she cried, and chattered
+ All her pretty French,
+ And her little feet she pattered,
+ On the rustic bench.
+ "My papa is king," she said, "and I'd have you know,
+ I shall have the donkey, and to prison shall you go."
+
+ How their tiny feet would scamper,
+ Up the valley blue,
+ Carrying each his generous hamper,
+ And his rider, too.
+ Sure of foot, they'd clamber round the mountain spur
+ Where the foot-sore tourist scarcely dared to stir.
+
+ In this bright, sunshiny weather,
+ I remember with a sigh,
+ We no more can play together,
+ Beppo, Max and I.
+ Never dearer friends exist, in this world below,
+ Than I made in Switzerland, just a year ago.
+
+
+
+
+[Illustration: {PANSIES.}]
+
+PANSIES.
+
+
+ As I walked in my garden to-day,
+ I saw a family sweet.
+ Many wee faces looked up,
+ From their cool and shady retreat.
+ Some had blue eyes and golden curls,
+ Some dark eyes and raven locks,
+ Some were dressed in velvets so rare,
+ And some wore quaint, gay frocks.
+ I asked these babies so dear,
+ To come and live ever with me!
+ Then laughing so gaily they said;
+ "We are _Pansies_, don't you see?"
+
+ MRS. L. L. SLOANAKER.
+
+
+
+
+"COME, LITTLE BIRD!"
+
+
+ "Come, little bird, I have waited some time,
+ Light on my hand, and I'll give you a dime.
+ I have a cage that will keep you warm,
+ Free from danger, and safe from storm."
+
+ "No, little lady, we cannot do that,
+ Not for a dime, nor a brand new hat.
+ We are so happy, and wild, and free,
+ Chee-dee-dee! Chee-dee-dee!"
+
+ "Fly, pretty bird, fly down, and take
+ Just a crumb of my Christmas cake;
+ Santa Claus brought it to me, you know,
+ Over the snow. Over the snow."
+
+ "Yes, we know of your home, so rare,
+ And stockings hung in the fire-light there;
+ We peeped through the window-blinds to see.
+ Chee-dee-dee! Chee-dee-dee!
+
+ "We were on the button-ball tree,
+ Closer than we were thought to be;
+ Soon you may have us in to tea,
+ Chee-dee-dee! Chee-dee-dee!"
+
+
+
+
+SIRENA'S TROUBLE.
+
+
+Adalina Patti was a doll of most trying disposition. You wouldn't
+tell, when she woke up, what distracting thing she'd do first. I've
+known her, when seated at the breakfast table, in her high chair, next
+to Sirena, her little mamma, I have known her to jerk suddenly
+forward, and plunge her face right into a plate of buttered cakes and
+syrup.
+
+This necessitated the removing of her from the table and a good deal
+of cleansing and re-dressing on the part of Bidelia, the hired girl.
+
+She had movable eyes; they were very lovely, but, if you'll believe
+it, she'd screw them round, just to be contrary, so that she'd look
+cross-eyed for hours together. No sweet persuasion or threat of
+punishment could induce her to look like a doll in her right mind.
+
+This was not quite so bad though, as the outlandish noises she made
+when she didn't want to say "mamma," which she could do very
+distinctly when she first arrived, at Christmas.
+
+But a crisis in her petulant obstinacy came, when she wouldn't sit
+still to have her hair combed, and it looked like a "hurrah's nest,"
+her brother Bob said. All her naughtiness came right out then. She
+rolled one eye entirely up in her head, and left it there, and stared
+so wild with the other, that Sirena gave her a pretty lively shake,
+but she only dropped that eye and rolled up the other.
+
+This made her little mamma pause and meditate. She got provoked as she
+looked at her, and then she gave her a double shake; then that bad
+doll rolled up both her eyes, and nothing could induce her to get them
+down again.
+
+Oh, dear! How many dreadful things she looked like. There was a
+vicious parrot in the park that made its eyes look just like Adalina's
+did, just before it stuck its head through the bars of its cage to
+bite people. And there was a stone lady, that was named "Ceres," on
+one of the paths in the same park, and she kept her eyes rolled up all
+the time, greatly to the terror of Sirena and Bidelia, who had to pass
+her in coming home in the twilight. And down street there was a
+tobacconist's sign that represented a fairy queen, with butterfly
+wings, taking a pinch of snuff, and the weather had taken all the
+paint off her eyes and she looked simply hideous; and Sirena grasped
+Bidelia very tight, till they got round the corner. Now here was her
+lovely French doll looking like them and cutting up worse. She'd go to
+mamma with this trouble as she did with all others.
+
+She put her doll down with her face against the carpet, and taking
+hold of her pink kid arm, dragged her, not very gently, over the
+carpet to her mother.
+
+At that moment in bounced Rob, who, immediately taking in the
+situation of affairs, exclaimed,--"Oh, don't be so cruel to Adalina!
+Is she just horrid? You know, Rena, that's what you are, sometimes,
+yourself. What's the matter any way? What makes you look so glum?"
+
+"This doll is acting dreadful; just look at her eyes!" said Sirena.
+
+"You can't tell any thing by any one's eyes, yours look like the 4th
+of July, now, and you're a delightful little girl, everybody says; you
+don't whack things round, and scream, when the flowers bloom in the
+spring."
+
+He was to be repressed immediately. Sirena looked at her mother.
+
+"He wants to be funny, Sirena," said her mother, soothingly.
+
+"Then he isn't funny; he's never funny," said Sirena, drawing herself
+up with dignity.
+
+"Totty Belmont says you're the teasenest, hatefulest boy she knows! So
+there," remarked Sirena.
+
+"Oh, ho! I don't wonder the doll is scared. Why don't you treat that
+pretty creature with some consideration? Dragging her over the carpet,
+and spoiling her pretty dress! Now you'll see, just as soon as she
+comes to me, because I'm good-looking and nice, she'll put her eyes
+down and smile at me as lovely as ever."
+
+He took the doll and jumped it up and down in the air, dancing about
+and singing, "Tra-la."
+
+As sure as the world! Down came the eyes, and Adalina was her charming
+self again.
+
+"Now you see," said Rob, "if you want people to be good to you and
+love you, you must not be rude and ill-natured yourself. This doll is
+French, and particular, and she just won't look at cross little girls;
+so there!"
+
+"I think," said her mamma, "that Sirena will not get so angry with her
+doll again. She looks as if she were ashamed of it now. However
+disagreeable we may think people are, it's best to watch ourselves,
+lest in finding fault with them, we fall into the same errors."
+
+[Illustration: SIRENA.]
+
+
+
+
+LADY VIOLET.
+
+
+ My little love, with soft, brown eyes,
+ Looks shyly back at me,
+ Beneath the drooping apple bough,
+ She thinks I do not see.
+ I cannot choose, I laugh with her,
+ I catch her merry glee;
+ Or stay you near, or go you far,
+ Oh, little love, how sweet you are!
+
+ A hue, like light within a rose,
+ Is dimpling on her cheek,
+ It wins a grace, it deepens now
+ With every airy freak;
+ A love-light in the rose like this,
+ Ah, you may vainly seek;
+ It shines for me, no shadows mar,
+ Oh, little love, how fair you are!
+
+ My heart clings to her pretty words,
+ They will not be forgot;
+ My happy brain will not discern,
+ If they be wise or not.
+ To ever be so charmed, so blessed,
+ Ah, this were happy lot.
+ My own, shine ever like a star
+ Upon my life, so true you are.
+
+
+
+
+[Illustration: PAPA'S PETS.]
+
+
+
+
+ON TRIAL.
+
+
+Little Hal Keys was pretty sure to throw a stone at every pussy cat he
+saw, and so all the cats around used to have a great deal to say about
+him as they sat together on the back fences, or when they had a party
+in the big barn. At last the cats determined to do something about it,
+and so they said: "We will have him up for trial before Judge Thomas
+White." He was the wisest and oldest of all the cats in town, and wore
+spectacles that made him look even wiser than he was. Eleven of the
+most learned cats said they would be lawyers, and get other cats to be
+witnesses, to tell what Hal had done, and try to get him punished. One
+of the eleven said: "For the sake of Hal's mother, who has always been
+kind to me from the time I was a little kitten, I will be his lawyer,
+and try to get his punishment made as light as I can."
+
+[Illustration: DOLLY VARDEN ACCUSING JACK WITH CRUELTY.]
+
+Twelve cats had to be found who could say that they were not quite
+sure that Hal was such a bad boy as he seemed to be. They were
+stay-at-home cats, who did not know what was going on outside of the
+comfortable houses where they lived. These twelve cats were to be the
+jury, and it was their duty to hear all that the lawyers and the
+witnesses had to say about Hal's doings, and then to tell whether or
+not they thought he ought to be punished.
+
+At last the day of the trial came; Judge Thomas White sat down in his
+big chair and took his pen; the lawyers took their places; the twelve
+jury cats were brought in, and put in a high box, so they could not
+jump out and run away. Hal was brought in and put in the prisoner's
+box, as they call it; and Christopher Gray, his mother's old cat, took
+his place beside Hal. Three cats, called "reporters," came in with
+pockets full of paper and pencils, to write down all that is said; to
+print in the newspapers, for all cats in the world to read.
+
+The first witness to tell all the bad she knew about Hal was his
+sister Alice's little Dolly Varden. How saucy she looked, with the
+blue ribbon tied around her neck, as she sat on the witness stand
+telling how Hal chased her from cellar to garret; and stepped on her
+tail; and gave her saucer of milk to the dog Jack whenever he got a
+chance. "Cruel, cruel boy," said Dolly Varden, "he teases his sister
+almost as much as he teases me."
+
+Hal trembled from head to foot when he heard what Dolly Varden said,
+for he knew it all was true, and he was much afraid that a very hard
+punishment would be given to him. Then the old black cat, on whom Hal
+had thrown a dipper of hot water, was called to the witness stand.
+Poor old thing! the hot water had taken the fur off his back. Then
+came another cat, limping up to the witness stand, whose leg had been
+broken by a stone which Hal had thrown. There were so many witnesses
+that it would make my story too long to tell about them all. All that
+Christopher Gray could say in Hal's favor was: "He has a good mother."
+
+"The more shame for him," said one of the lawyers.
+
+When the jury had heard all that was to be said, they went out of the
+room together; in five minutes they came back; all agreed that Hal
+should be punished. Then Judge Thomas White, in his most solemn tone,
+said: "Albert Keys, you are found guilty of great cruelty to good cats
+everywhere. I must, therefore, pronounce sentence upon you. You must
+go with us to Cat town for two days and one night."
+
+There were tears in Hal's eyes, but the Judge had no pity on him, and
+he called in some of the strongest cats to take him. Oh! what a long,
+hard way it was; over fences, under houses, and through the barns. It
+was hard work for Hal to keep up with them, but they made him. What a
+time he had after he got to Cat town. All of the cats gathered around
+him, and howled at him, and scratched his face and hands, and made him
+wish he was any place but there. At last when he was set free, he
+never could have found his way home, if pretty little Dolly Varden had
+not forgiven him, and shown him the way back.
+
+Hal was never known after that to throw a stone at a cat, or to treat
+one badly in any way.
+
+
+
+
+TWO LITTLE GIRLS.
+
+
+ They don't know much, these little girls,
+ I'll tell you why 'tis so,
+ They played away their time at school,
+ And let their lessons go.
+
+ One took a slate to cipher,
+ And all went very well,
+ Until she came to four times eight,
+ And that she could not tell.
+
+ The other would make pictures
+ In her copy book at school,
+ Of boys and girls and donkeys
+ Which was against the rule.
+
+ But nothing good could come of it,
+ And this is what befell;
+ She tried to write to papa,
+ And found she could not spell.
+
+ The teacher said, "Of all sad things,
+ I would not be a dunce,
+ But would learn to write and cipher,
+ And begin the work at once."
+
+
+
+
+[Illustration: {A BOY WITH A BOOK LOOKS OVER THE CITY.}]
+
+HELPFUL WORDS.
+
+
+A great astronomer was, once in his early days, working hard at
+mathematics, and the difficulties he met with, made him ready to give
+up the study in despair. After listlessly looking out of the window,
+he turned over the leaves of his book, when the lining at the back
+attracted his attention. Looking at it closely, he found it was part
+of a letter written to a young man, apparently, like himself,
+disheartened with his difficulties. "Go on, sir, go on," was the
+counsel; "the difficulties you meet will disappear as you advance."
+
+This short sentence seemed to give the student fresh courage.
+Following out these simple words he applied himself with renewed
+energy to his studies, and ultimately became one of the most learned
+men of his day.
+
+ D.
+
+
+
+
+FALSE SHAME.
+
+
+Do not be ashamed, my lad, if you have a patch on your elbow. It is no
+mark of disgrace. It speaks well for your industrious mother. For our
+part, we would rather see a dozen patches on your clothes than to have
+you do a bad or mean action, or to hear a profane or vulgar word
+proceed from your lips. No good boy will shun you or think less of you
+because you do not dress as well as he does, and if any one laugh at
+your appearance, never mind it. Go right on doing your duty.
+
+
+
+
+[Illustration: {FIVE DEER.}]
+
+CLARA AND THE ANIMAL BOOK.
+
+
+Clara was a little western girl. She had lived in San Francisco until
+she was nine years old, when her dear mamma and papa brought her east
+to live with Aunt Mary and Cousin Charlie, and they were growing very
+fond of her indeed, for she was so sweet and kind and always obedient.
+
+One day she was sitting out under the blossoming trees on the old
+Worden seat, her book lying, unread, in her lap, and her eyes having a
+dreamy, far-away look in them, when, from the balcony overhead,
+sounded a piping little voice:
+
+"Clara, Tousin Clara! has oo dot my Animal book?" and a small,
+rosy-cheeked boy came running to her, rubbing his sleepy, dark eyes.
+
+"Why, Charlie, have you finished your nap so soon? yes here is your
+Animal book, and what shall I read about?"
+
+"Oh, about the deers, wiz their dreat big horns, and--and--_every_
+sin," and he nestled close, satisfied he would hear all he wished. So
+she read a short sketch of the deer, its haunts and habits, when he
+interrupted:
+
+"Has oo ever _seen_ a deer--a real _live_ one?" and his black eyes
+opened wide.
+
+"Oh, yes; and when we were coming east, across the plains, whenever
+the train drew near a wooded stream, often the screaming whistle would
+startle a herd of deer from their covert, and they would rush up
+through the trees, antlers erect, and sleek brown bodies quivering
+with alarm, and followed by the soft-eyed, gentle fawn. It was quite a
+pretty picture."
+
+"Tell me more; what tind of a city did oo live in?"
+
+[Illustration: CLARA AND THE ANIMAL BOOK.]
+
+"A very beautiful city, Charlie. You should see our noble bay, with
+the great ships riding at anchor; our fine parks and stately
+buildings. Then if you should go down in Market street, where most of
+the business is done, you would see some funny sights. All kinds of
+people are there--Ranchmen, Indians, Spaniards, English, Americans and
+lots of queer little Chinamen, and they have small, dark shops full of
+curious things, and besides spread their wares on the walk."
+
+After telling about the orange groves and vineyards, the lovely
+flowers, especially the fuchsia, which winds its branches like a vine
+over the porches, often reaching the upper story of a house, Charlie
+thought it must be a wonderful country, and expressed his intention of
+_living_ in California when he became a man.
+
+
+
+
+In a Chinese village during a time of drought a missionary saw a row
+of idols put in the hottest and dustiest part of the road. He inquired
+the reason and the natives answered: "We prayed our gods to send us
+rain, and they wont, so we've put them out to see how they like the
+heat and dryness."
+
+
+
+
+THE UNSOCIABLE DUCKS.
+
+
+ Three meadow birds went out in great glee,
+ All in the sunshiny weather;
+ Down by the pond, with the reeds waving free,
+ Where the ducks were all standing together.
+
+ "Good day Mrs. Duck," said the three meadow birds,
+ "From all the news we can gather,
+ You're a very good friend, of very few words."
+ Then one flew away with a feather.
+
+ "Quack!" said the duck, "That feather is mine,
+ I see through your ways altogether;
+ You want our feathers, your own nests to line,
+ All in the bright summer weather."
+
+ "What shall we use?" said the three meadow birds,
+ "There's no good in moss or in heather."
+ "We don't care a straw," said the old blue drake,
+ "If you line all your nests with sole leather."
+
+ "Quack! Quack! Quack! You must think we are slack!
+ You talk too polite altogether;
+ We've had quite enough of your high-flown stuff,
+ And we know, you are birds of a feather."
+
+
+
+
+[Illustration: {DICKENS AND HIS CAT.}]
+
+PUTTING OUT THE CANDLE.
+
+
+Charles Dickens, for that is the name of the gentleman you see sitting
+by the table, wrote many books and stories. Some of his stories are
+about little children for grown folks to read, and others are for the
+children themselves. Mr. Dickens had a pet cat, that was always in his
+library. Strange to say, it had no name. That was no matter, because
+the cat could not hear. He was deaf. But he liked very much to be
+petted, and plainly showed sometimes that he was not pleased to have
+his master do any thing else. One evening, when Mr. Dickens was
+sitting at the table reading, his candle suddenly went out. He did not
+know why it should have done so, but he got up and lighted it. In a
+few moments it began to get dark again, and he looked up quickly at
+the candle, and saw puss just raising his paw to put it out. "What did
+he do?" He gave the cat a loving little pat and went on with his
+reading. What a sly cat was that to find a way to make his master
+notice him.
+
+
+
+
+SULKY ARCHIE.
+
+BY C. MANNERS SMITH.
+
+
+"It must be nice to be a sailor, and I wish I was one. Every thing
+goes wrong and mother is always scolding me, and father is never done
+growling; I am getting tired of it."
+
+The speaker was a little, round-cheeked lad, of about nine years of
+age. He was standing, with a tall, fair-haired girl, evidently his
+sister, on the edge of the river Wyncombe. He was not a lively boy. He
+was one of those thoughtful, gloomy little boys who are always
+dreaming; always thinking and imagining some fancied injury from
+either father or mother.
+
+[Illustration: "NOBODY CARES."]
+
+Archie Phillips was the little boy's name, and he and his sister had
+got a holiday and were watching a party of older children from the
+Wynne High School, who had come down to the river to spend the
+afternoon. There was Algernon Wright with a large model yacht, and
+Willie Schofield, the Mayor's son, with a new silver-mounted fishing
+rod. They were all as happy and full of frolic as all boys in the
+spring-time of life ought to be. Little Archie was, however, of a
+morose temperament, and did not share in any of the amusements.
+
+The village of Wynne is a fishing village, and is approached from the
+sea by a beautiful cove on the Cornish coast. The town is built on the
+slopes of the hills reaching down to the water's edge, and the river
+Wynne empties itself into the sea near by.
+
+It is, indeed, a pleasant place. At the time of this story all the
+boys of Wynne, young and old, were crazy after maritime pursuits and
+sports. They spent the bulk of their holiday time either in sailing
+about the bay, or in fishing, bathing, or holding model yacht races in
+the cove.
+
+"Why don't I have a yacht in the place of a silly ball? Why don't I
+have boys to play with instead of Lucy and Gyp? What do girls or dogs
+know about a top or a cat hunt? I'm disgusted! I'll go for a sailor!
+I'll run away; there!"
+
+The girl took no notice of this discourse. It was no new thing for her
+to hear grumbling from her brother, and she was accustomed to bear it
+without murmur or dissent. Presently she ran away, along the river
+bank, with her doll, to a shady place, where she knew the sun was not
+strong, and where some rushes overhung the path. There she could put
+her doll to sleep. It was no use asking Archie to join her. He was too
+old and too much of a man to enter into any such stupidity.
+
+Presently Archie sat down in the shade, on the balustrades of the
+churchyard and watched the glee of the High-Schoolboys with a sulky
+envy.
+
+It was a glorious summer afternoon. The sky overhead was one vast,
+inverted field of blue, without a single speck of cloud. The hot sun
+was beating down almost perpendicularly, and the rays penetrated the
+leaves, shedding a lattice-work pattern on the ground.
+
+"I know Ben Huntly, the boat-builder, will tell me how to go to sea.
+He has been a sailor himself, and I know he will tell me all about it.
+Nobody cares; well, mother might, perhaps, a bit, but then, I don't
+know."
+
+Then he paused in his musings and thought of all the injustice done to
+him by his mother. He thought, like all gloomy, wretched little boys,
+of all that was ill. He didn't for one moment remember, how, that very
+morning, the self-same, unjust mother, after packing up his little
+lunch-basket, had put her arms round his neck, and a little
+red-cheeked apple in his pocket, and told him to keep away from the
+river. Oh, no, he seemed to have quite forgotten all that.
+
+Then the sun went behind a cloud and Archie felt the cool wind, which
+blew from the cove, on his cheek, so he jumped down from his musing
+place and sped away as fast as his legs would carry him toward the
+house of the boat-builder. He ran across the green, down the grassy
+slopes and across a stretch of shingly beach, to the cottage of his
+friend.
+
+Ben Huntly, the boat-builder, was a good-hearted fellow, and was
+extremely fond of all the children of the village. He had that method
+possessed by few people of searching into the heart of a child and
+arguing with him in a manner suitable for a child's understanding.
+
+Archie had often sought Ben's counsel when things seemed to go wrong,
+and it was seldom that the boat-builder had failed to convince the
+boy, even to his satisfaction, that he was wrong.
+
+It was an off day for the boat-builder. He was sitting, smoking his
+pipe, in the cottage porch, and reading a well-thumbed copy of "Gray's
+Master Mariner." He welcomed Archie with a secret delight, for he
+knew, by his little friend's face, that he was brooding over some
+fancied injury, and it gave the boat-builder pleasure to talk his
+little friend out of his troubles.
+
+"Well, Archie, what's new in the wind," said Ben, as he greeted the
+boy with a grasp of the hand. "It seems almost an age since I saw you,
+my boy."
+
+Little Archie sat down on a large stone bench in the porch, and told
+Ben his story. His mother had been vexed with him that morning. She
+had asked him to call at the rectory with a message for Doctor Hart,
+and he wanted to cut grass at the time, and objected. His mother did
+not scold him, oh, no, Ben, she sent Carrie, who willingly took the
+message, and his father had called him a name. Then, again, he had no
+toys like other boys. Some had a pony; he couldn't have one. His
+father always answered his request for a pony with the reply that he
+couldn't afford one just then and he would see about it some day. If
+Ben would only tell him how to go to sea he would certainly run away
+the next day.
+
+[Illustration: "AND DISCUSSED LITTLE ARCHIE'S PURPOSED FLIGHT."]
+
+Now, Ben knew the character of little Archie better, perhaps, than his
+own mother did; so, when he had given the little boy a draught of cool
+milk from the cottage kitchen, Ben lit his pipe afresh, and took down
+an old telescope, a relic of his sea-faring days, from the wall. The
+young man and the boy then strolled across a low, level tract of sand,
+to a grassy hillock, formed by the current of the Wyncombe. Here they
+sat down in the fast waning twilight, and discussed little Archie's
+purposed flight.
+
+"Yes, Archie," said Ben, "a sailor's life is well enough, if you don't
+mind hard beds and harder words. If you can eat salty meat and mouldy
+bread it's a fine life, Archie. There is no life I'd like better if
+they'd give you fresher water and not quite so many cruel blows. But,
+if you've made up your mind, Archie, and think you can go to bed
+nights in a rolling, tossing sea, with the wind howling and the rain
+pouring, and your mother thousands of miles away, looking at your
+little empty bed, I should think very seriously about it." Archie
+looked thoughtful, as the gloom deepened on his face, and silence fell
+on the pair for a time.
+
+[Illustration: ARCHIE THINKING OF BEN'S STORY.]
+
+Suddenly Ben spied a French frigate looming against the darkening sky
+and showed it to Archie through the telescope. He explained all the
+parts of the ship and dwelt long in his answers to the lad's
+questions. He told little Archie how, early one stormy morning, he had
+been awakened from his bed in the cottage by the sound of guns away at
+sea, how he had descended to the beach with a lot of the villagers, to
+find the waves beating mercilessly over a great broken ship. He told
+how they had all stood, in the leaden morning, stricken with dread at
+the sight of the disaster they were all powerless to prevent; leaning
+hard against the wind, their breath and vision often failing as the
+sleet and spray rushed at them from the great mountain of foaming sea
+which kept breaking on the rocks in the cove. He told farther, how,
+before all their eyes, the vessel had given one great heave backwards
+and sank beneath the waves forever; how they could faintly hear the
+heart-rending screams of women and children above the storm as the
+great waste of waters covered the struggling vessel. He told Archie
+that, on the following evening, while he was mending a boat down the
+bay, he came across something lying amongst a mass of sea-weed, and on
+turning it over had found it to be the dead body of a sailor--a fair,
+curly-headed youth.
+
+"He was clad," said Ben, "in a pair of linen trowsers and a sea shirt,
+and the weeds and sand were all tangled in his hair. I raised him up
+from the beach and a small bundle fell out of his bosom. I laid him in
+my boat and went for Doctor Hart. It was the talk of the village for
+days. Dr. Hart found the bundle to contain a packet of letters written
+in a feeble hand and signed by the dead sailor's mother. They were
+loving letters of expected joy at her boy's return."
+
+Ben would have gone on with the story, but he was attracted by the
+appearance of Archie. The little lad was sitting, with his pale face
+turned up to Ben, and with two great tears, as large as horse beans,
+in the corners of his eyes. On meeting Ben's gaze he broke down
+thoroughly and burst into a flood of tears, throwing his arms round
+the honest boat-builder's neck, sobbing on his breast.
+
+"Oh, Ben, I don't want to leave mother; I am a wicked boy. If she were
+to die, Ben, what should I do? Do you think she is alive now, Ben? I
+don't want to go away, Ben."
+
+The boat-builder soothed the little lad and smiled at the success of
+his purpose to divert the boy's mind.
+
+It was now nearly night, and time for Archie to go home, so Ben took
+him on his shoulders and carried him to Mr. Archer's house, where the
+family were all waiting supper for the little boy.
+
+Archie ran to his mother as soon as he got in and kissed her over and
+over again. He told her his little story, making the good woman's
+heart overflow with love for her little son.
+
+Ben stayed to supper with the family that night, and all was bright
+and happy as the merry party sat round the board laughing and joking
+to their heart's content.
+
+ * * * * *
+
+Archie is a young man now, and has outgrown his gloomy, brooding
+disposition. He is a clerk in the office of a rich corn merchant in
+Oxbridge, the nearest market to Wynne, and shows every tendency to
+become a successful and respected business man.
+
+Occasionally, when things do not happen to his satisfaction, and he
+feels the old spirit of discontent rising, he checks it by reflecting
+on his early unhappiness. If his mother or father are harsh or angry
+with him, or if Mr. Gayton, his employer, speaks quickly or loudly to
+him, he stifles any tendency to sulk and become angry by thinking of
+Ben Huntly and the story of the wreck.
+
+
+
+
+A WISH FOR WINGS.
+
+
+ O dear little birdie, how nice it must be
+ To be able to fly
+ Far away to the sky,
+ Or to sit on the toss-away top of a tree.
+
+ I wish you would lend me your wings for a day.
+ I have two little feet
+ That can run on the street,
+ One step at a time, but I can't fly away.
+
+ I would fly to the woods if I only had wings;
+ Over house-top and tree,
+ Like a bird or a bee,
+ And sit by the side of the thrush while she sings.
+
+ I would count the blue eggs in her snug little nest;
+ I would stay all day long,
+ To hear her sweet song,
+ And bring home a feather of gold from her breast.
+
+ MRS. S. J. BRIGHAM.
+
+
+
+
+CONSEQUENCES: A PARABLE.
+
+
+ The baby held it in his hand,
+ An acorn green and small,
+ He toyed with it, he tossed it high,
+ And then he let it fall!
+
+ He sought for it, and sorely wept,
+ Or did his mother know
+ (Though sweet she kissed and clasped her boy)
+ What loss had grieved him so.
+
+ Then he was borne to other lands,
+ And there he grew to man,
+ And wrought his best, and did his most,
+ And lived as heroes can.
+
+ But in old age it came to pass
+ He trod his native shore,
+ Yet did not know the pleasant fields
+ Where he had played before.
+
+ Beneath a spreading oak he sat,
+ A wearied man and old,
+ And said,--"I feel a strange content
+ My inmost heart enfold.
+
+ "As if some sweet old secret wish
+ Was secretly fulfilled,
+ As if I traced the plan of life
+ Which God Himself has willed!
+
+ "Oh, bonnie tree which shelters me,
+ Where summer sunbeams glow,
+ I've surely seen thee in my dreams!--
+ Why do I love thee so?"
+
+ ISABELLA FYVIE MAYO.
+
+
+
+
+[Illustration: MATCHES.]
+
+
+
+
+COMFORTABLE MRS. CROOK.
+
+BY RUTH LAMB.
+
+
+If Mrs. Jemima Crook happened to be in a very good temper, when taking
+a cup of tea with some old acquaintance, she would sometimes allude to
+her private affairs in these words: "I don't deny it; Crook has left
+me comfortable." This was not much to tell, for Mrs. Crook was not
+given to confidences, and a frequent remark of hers was: "I know my
+own business, and that is enough for me. I don't see that I have any
+call to fill other people's minds and mouths with what does not
+concern them."
+
+Seeing, however, that Mrs. Crook's own mind and heart were entirely
+filled by Mrs. Crook herself, it was, perhaps, as well that she should
+not occupy too much of the attention and affection of her neighbors.
+
+It is a poor, narrow heart, and a small mind, that find self enough to
+fill them; but these sorts are not unknown, and Mrs. Crook was a
+sample of such.
+
+When she spoke of having been left "comfortable" by her deceased
+partner, there was a look of triumph and satisfaction on her face, and
+a "No-thanks-to-any-of-you" kind of tone in her voice, that must have
+jarred on the ear of a listener.
+
+No one ever saw a tear in Mrs. Crook's eye, or heard an expression of
+regret for the loss of "Crook" himself. He had been dead and out of
+sight and mind almost these ten years past. He was merely remembered
+as having done his duty in leaving his widow "comfortable." People
+were left to speculate as they chose about the amount represented by
+the expression. It would not have been good for the man or woman who
+had ventured to ask a direct question on the subject, but everybody
+agreed that Mrs. Crook must have something handsome. Surely
+"comfortable" means free from care, both as regards to-day and
+to-morrow: not only enough, but a little more, or else anxiety might
+step in and spoil comfort. If Mrs. Crook had more than enough, she
+took care not to give of her abundance. Neither man, woman nor child
+was ever the better for the surplus, if such there were. One of her
+favorite expressions was, "I don't care for much neighboring; I prefer
+keeping myself to myself."
+
+"And you keep every thing else to yourself," muttered one who had
+vainly tried to enlist her sympathy for another who was in sickness
+and trouble.
+
+Mrs. Crook had a pretty garden, well-stocked with flowers, according
+to the season. She was fond of working in it, and might be seen there
+daily, with her sun-bonnet on, snipping, tying and tending her plants.
+
+Children do so love flowers, and, thank God, those who live in country
+places have grand gardens to roam in, free to all, and planted by His
+own loving hand. But in town it is different, and Mrs. Crook lived
+just outside one; far enough away from its smoke to allow of
+successful gardening, not too far to prevent little feet from
+wandering thither from narrow courts and alleys, to breathe a purer
+air, and gaze, with longing eyes, at the fair blossoms. It always
+irritated Mrs. Crook to see these dirty, unkempt little creatures
+clustering around her gate, or peeping through her hedge.
+
+"What do you want here?" she would ask, sharply. "Get away with you,
+or I will send for a policeman. You are peeping about to see if you
+can pick up something; I know you are. Be off, without any more
+telling!"
+
+The light of pleasure called into the young eyes by the sight of the
+flowers would fade away, and the hopeful look leave the dirty faces,
+as Mrs. Crook's harsh words fell on the children's ears. But as they
+turned away with unwilling, lingering steps, heads would be stretched,
+and a wistful, longing gaze cast upon the coveted flowers, until they
+were quite lost to sight.
+
+There was a tradition amongst the youngsters that a very small child
+had once called, through the bars of the gate: "P'ease, Missis, do
+give me a f'ower." Also that something in the baby voice had so far
+moved Mrs. Jemima Crook, that she had stooped to select one or two of
+the least faded roses among all those just snipped from the bushes,
+and given them to the daring little blue eyes outside, with this
+injunction, however:
+
+"Mind you never come here asking for flowers any more."
+
+This report was long current among the inhabitants of a city court,
+but it needs confirmation.
+
+Mrs. Crook objected to borrowers also, and perhaps she was not so much
+to be blamed for that. Most of us who possess bookshelves, and once
+delighted in seeing them well filled, look sorrowfully at gaps made by
+borrowers who have failed to return our treasures. But domestic
+emergencies occur even in the best regulated families, and neighborly
+help may be imperatively required. It may be a matter of Christian
+duty and privilege too, to lend both our goods and our personal aid.
+Mrs. Crook did not think so. Lending formed no part of her creed. If
+other people believed in it, and liked their household goods to travel
+up and down the neighborhood, that was their look-out, not hers.
+
+"I never borrow, so why should I lend?" asked Mrs. Crook. "Besides, I
+am particular about my things. My pans are kept as bright and clean as
+new ones, and if my servant put them on the shelves, as some people's
+servants replace theirs after using, she would not be here long. No,
+thank you. When I begin to borrow, I will begin to lend, but not until
+then."
+
+Mrs. Crook's sentiments were so well known that, even in a case of
+sickness, when a few spoonfuls of mustard were needed for immediate
+use in poultices, the messenger on the way to borrow it, passed her
+door rather than risk a refusal, whereby more time might be lost than
+by going farther in the first instance.
+
+Many were the invitations Mrs. Crook received to take part in the work
+of different societies. One lady asked her to join the Dorcas meeting.
+
+"You can sew so beautifully," she said. "You would be a great
+acquisition to our little gathering."
+
+The compliment touched a tender point. Mrs. Crook was proud of her
+needlework, but to dedicate such skill in sewing to making
+under-clothing for the poorest of the poor: The idea was monstrous!
+
+Mrs. Crook answered civilly, that she could not undertake to go
+backwards and forwards to a room half a mile off. It would be a waste
+of time. Besides, though it was probably not the case in that
+particular meeting, she had heard that there was often a great deal of
+gossip going on at such places. The visitor was determined not to be
+offended, and she replied, gently, that there was no chance of gossip,
+for, after a certain time had been given to the actual business of the
+meeting, such as planning, cutting out, and apportioning work, one of
+the ladies read, whilst the rest sewed. "But," she added, "if you are
+willing to help us a little, and object to joining the meeting at the
+room, perhaps you would let me bring you something to be made at home.
+There is always work for every willing hand."
+
+Then Mrs. Crook drew herself up and said she did not feel inclined to
+take in sewing. She had her own to do, and did it without requiring
+assistance, and she thought it was better to teach the lower classes
+to depend upon themselves than to go about pampering poor people and
+encouraging idleness, as many persons were so fond of doing
+now-a-days. No doubt they thought they were doing good, but, for her
+part, she believed that in many cases they did harm.
+
+The visitor could have told tales of worn-out toilers, laboring almost
+night and day to win bread for their children, but unable to find
+either material for a garment or time to make it. She could have
+pleaded for the widow and the orphan, if there had seemed any feelings
+to touch, any heart to stir. But Mrs. Crook's hard words and looks
+repelled her, and she went her way, after a mere "Good-morning. I am
+sorry you cannot see your way to help us."
+
+No chance of widows weeping for the loss of Mrs. Crook, or telling of
+her almsdeeds and good works, or showing the coats and garments made
+for them by her active fingers!
+
+It was the same when some adventurous collector called upon Mrs. Crook
+to solicit a subscription. She had always something to say against the
+object for which money was asked. If it were for the sufferers by an
+accident in a coal mine or for the unemployed at a time of trade
+depression:
+
+"Why don't they insure their lives like their betters? Why don't they
+save something, when they are getting good wages? I am not going to
+encourage the thriftless, or help those who might help themselves, if
+they would think beforehand."
+
+At length every one gave up trying to enlist her services, or to
+obtain contributions from her, for the support of any good cause. And
+Mrs. Crook bestowed all her thoughts, her affections, her time and her
+means, on the only person she thought worthy of them all--namely Mrs.
+Crook herself.
+
+
+
+
+AN EVENING SONG.
+
+BY COUSIN ANNIE.
+
+
+ Twilight dews are gath'ring,
+ The bright day's done;
+ Upon thy downy couch
+ Rest, little one.
+
+ Each tiny bird's hieing
+ Home to its nest;
+ Each flower-head's nodding
+ Upon its breast.
+
+ Be still now, little heart,
+ Until the morrow
+ Brings again its share
+ Of joy and sorrow.
+
+ May angels round thy couch
+ Be ever nigh,
+ And over thy slumbers chant
+ Their lullaby.
+
+
+
+
+[Illustration: {A LITTLE GIRL IN THOUGHTFUL POSE.}]
+
+"BUT THEN."
+
+
+It was a queer name for a little girl, and it was not her real
+name--that was Lizzie--but everybody called her "But Then."
+
+"My real name is prettier, _but then_, I like the other pretty well,"
+she said, nodding her short, brown curls merrily. And that sentence
+shows just how she came by her name.
+
+If Willie complained that it was a miserable, rainy day, and they
+couldn't play out of doors, Lizzie assented brightly,--
+
+"Yes; _but then_, it is a real nice day to fix our scrapbooks."
+
+When Kate fretted because they had so far to walk to school, her
+little sister reminded her,--
+
+"_But then, it's all the way through the woods, you know_, and that's
+ever so much nicer than walking on pavements in a town."
+
+When even patient Aunt Barbara pined a little because the rooms in the
+new house were so few and small compared with their old home, a rosy
+face was quietly lifted to hers with the suggestion,--
+
+"_But then_, little rooms are the best to cuddle all up together in,
+don't you think, Auntie?"
+
+"Better call her 'Little But Then,' and have done with it," declared
+Bob, half-vexed, half-laughing. "No matter how bad any thing is, she
+is always ready with her 'but then,' and some kind of consolation on
+the end of it."
+
+And so, though no one really intended it, the new name began. There
+were a good many things that the children missed in their new home.
+Money could have bought them even there; but if the money had not gone
+first, their father would scarcely have thought it necessary to leave
+his old home. They had done what was best under the circumstances;
+still the boys felt rather inclined to grumble about it one winter
+morning when they were starting off to the village on an errand.
+
+"Just look at all the snow going to waste, without our having a chance
+to enjoy it," said Will; "and the ice too--all because we couldn't
+bring our sleds with us when we moved."
+
+"_But then_, you might make one yourself, you know. It wouldn't be
+quite so pretty, but it would be just as good," suggested Little But
+Then.
+
+"Exactly what I mean to do as soon as I get money enough to buy two or
+three boards; but I haven't even that yet, and the winter is nearly
+half gone."
+
+"If we only had a sled to-day, Sis could ride, and we could go on the
+river," said Bob. "It's just as near that way, and we could go
+faster."
+
+"It is a pity," admitted the little girl. "_But then_, I've thought of
+something--that old chair in the shed! If we turned it down, its back
+would be almost like runners, and so--"
+
+"Hurrah! that's the very thing!" interrupted the boys; and the old
+chair was dragged out in a twinkling, and carried down to the river.
+Then away went the merry party, laughing and shouting, on the smooth
+road between the snowy hills, while Gyp followed, frisking and
+barking, and seeming to enjoy the fun as much as any of them.
+
+"Now we'll draw our sled up here, close under the bank, where nobody
+will see it, and leave it while we go up to the store," said Bob, when
+they had reached the village.
+
+Their errand was soon done, and the children ready to return; but as
+they set forth Will pointed to a dark spot a little way out on the
+ice.
+
+"What is that? It looks like a great bundle of clothes."
+
+It was a bundle that moved and moaned as they drew near, and proved to
+be a girl, a little bigger than Lizzie. She looked up when they
+questioned her, though her face was pale with pain.
+
+"I slipped and fell on the ice," she explained, "and I'm afraid I've
+broken my leg, for it is all twisted under me, and I can't move it or
+get up. I live in the village. That's my father's carpenter shop where
+you see the sign. I could see it all the time, and yet I was afraid
+I'd freeze here before any one saw me. Oh dear! it doesn't seem as if
+I could lie here while you go for my father."
+
+"Why, you needn't," began Bob; but the girl shook her head.
+
+"I can't walk a step, and you two are not strong enough to carry me
+all the way. You'd let me fall, or you'd have to keep stopping to
+rest; and putting me down and taking me up again would almost kill
+me."
+
+"Oh, but we'll only lift you into the chair, just as carefully as we
+can, then we can carry you easy enough," said Will.
+
+And in that way the poor girl was borne safely home; and the children
+lingered long enough to bring the surgeon and hear his verdict that
+"Young bones don't mind much being broken, and she will soon be about
+again, as well as ever."
+
+[Illustration: "BUT THEN, IT'S ALL THE WAY THROUGH THE WOODS, YOU
+KNOW."]
+
+"But I don't see how you happened to have a chair so handy," said her
+father to the boys. And when they explained that they were using it
+for a sled, he said, with a significant nod of his head,--"Your sled,
+was it? Well, I shall be surprised if my shop does not turn you out a
+better sled than that, just by way of thanks for your kindness."
+
+"_But then_, wasn't it good that it was only the old chair that we
+had to-day?" asked Little But Then, as she told the story to Aunt
+Barbara at home. "Oh Auntie, I had the nicest kind of a time!"
+
+"I believe you had," answered Aunt Barbara, smiling; "for a brave,
+sunny spirit, that never frets over what it has not, but always makes
+the best of what it has where it is, is sure to have a good time. It
+does not need to wait for it to come--it has a factory for making it."
+
+[Illustration: {A LITTLE GIRL AND BOY.}]
+
+
+
+
+--The following is an Arabic proverb taken from the mouth of an
+Oriental: "Men are four. 1. He who knows not, and knows not he knows
+not. He is a fool; shun him. 2. He who knows not, and knows he knows
+not. He is simple; teach him. 3. He who knows, and knows not he knows.
+He is asleep; wake him. 4. He who knows, and knows he knows. He is
+wise; follow him."
+
+
+
+
+WHAT THE SNAIL SAID.
+
+
+ "You little chicks, tho' you peck at my dress,
+ I will not get angry at that;
+ I know you would gobble me up if you could,
+ As quick as a worm or a gnat."
+
+ "Say, little snail, you had better go on,
+ They may try the same trick upon you."
+ "No, no," said the snail, with his hard coat of mail,
+ "I don't care a rush if they do.
+
+ "Little girl, there's no harm to cause me alarm,
+ I'll sit here and watch them a spell,
+ But as soon as they pounce, I'll cheat them at once,
+ By getting right into my shell."
+
+ "But listen, wise snail, the old hen in the coop
+ Has her eye very closely on you;
+ And if she gets out, it may put you about,
+ Now mind, what I tell you is true."
+
+ "But dear little girl, she is fast in her house;
+ No, no, she can't touch me, no, no.
+ But if that respectable fowl should get out,
+ Oho!" said the snail. "Oho!"
+
+
+
+
+ONLY NOW AND THEN.
+
+
+ Think it no excuse, boys,
+ Merging into men,
+ That you do a wrong act
+ "Only now and then."
+ Better to be careful
+ As you go along,
+ If you would be manly,
+ Capable and strong.
+
+ Many a wretched sot, boys,
+ That one daily meets
+ Drinking from the beer-kegs,
+ Living in the streets,
+ Or at best, in quarters
+ Worse than any pen,
+ Once was dressed in broadcloth
+ Drinking now and then.
+
+ When you have a habit
+ That is wrong, you know,
+ Knock it off at once, lads,
+ With a sudden blow.
+ Think it no excuse, boys,
+ Merging into men,
+ That you do a wrong act
+ "Only now and then."
+
+
+
+
+A SERPENT AMONG THE BOOKS.
+
+
+One day, a gentleman in India went into his library and took down a
+book from the shelves. As he did so, he felt a slight pain in his
+finger, like the prick of a pin. He thought that a pin had been stuck,
+by some careless person, in the cover of the book. But soon his finger
+began to swell, then his arm, and then his whole body, and in a few
+days he died. It was not a pin among the books, but a small and deadly
+serpent.
+
+There are many serpents among the books now-a-days; they nestle in the
+foliage of some of our most fascinating literature; they coil around
+the flowers whose perfume intoxicates the senses. People read and are
+charmed by the plot of the story, and the skill with which the
+characters are sculptured or grouped, by the gorgeousness of the
+wood-painting, and hardly feel the pin-prick of the evil that is
+insinuated. But it stings and poisons.
+
+Let us watch against the serpents and read only that which is healthy,
+instructive and profitable.
+
+
+
+
+[Illustration: GOOD NIGHT.]
+
+
+
+
+"LITTLE MOTHER."
+
+BY JULIA HUNT MOREHOUSE.
+
+
+It was Judge Bellow's big, fine house, that stood on the corner by the
+park. Every body knew that, but every body did _not_ know that the one
+little girl who lived in that house was restless and unhappy and often
+cross.
+
+"Why do you roam about so, Nell? Why don't you settle down to
+something?" her mother asked, one bright, spring day.
+
+"Oh, I am sick of everything. I have read all my books, and I hate my
+piano. The croquet isn't up, and there is nobody to play with me, if
+it was."
+
+"Why don't you find some kind of work to do?"
+
+"That is just the trouble. There's nothing that needs to be done;
+servants for every thing; and what does crocheting amount to, and
+plastering some little daubs of paint on some plush! Why, I believe
+that little Dutch girl that sells things out of her big basket, on our
+corner, every morning, is a good deal happier than I am. I mean to ask
+her sometime what makes her so."
+
+ * * * * *
+
+A few weeks more and the hot summer came on, and Nell missed the
+little Dutch girl on the corner. It really worried her that the
+bright, womanly face did not come any more, but she supposed she had
+moved to a better stand or perhaps left the city.
+
+One morning Nell took a walk with her teacher; a long walk, for they
+found themselves outside the city, where there were open holds and
+every house had green grass and trees close around it.
+
+"What a little, _little_ house! That one with the woodbine all over
+it--and I do believe--yes, it really _is_ my little Dutch girl
+scrubbing the steps," and away she bounded and was soon beside the
+little worker.
+
+"Oh! I'm so glad to find you again! Why don't you come to our corner
+any more?"
+
+"Baby's been sick a long, good time," explained Lena, wiping her hands
+on her apron. "Won't you ladies please to walk in, if you please,
+ma'am?"
+
+It was a queer little figure that showed them into the cool, clean
+room; short and broad and dumpy. Her shoes were coarse, her dress of
+faded black, with a white kerchief at the neck, so like an old woman.
+Her face too, was short and broad; her nose was _very_ short and her
+eyes very narrow. So you see she was not pretty, but her face was all
+love and sunshine. She sat down on a low stool and took up the baby in
+such a dear, motherly way, smoothing its hair and dress and kissing it
+softly.
+
+"You don't mean that you live here all alone?" asked Nell.
+
+"Oh, no; there is Hans and baby and me, and there is old Mrs. Price in
+the other part."
+
+"But your father and mother?"
+
+"Mother died a year ago. Oh, she was one such good mother, but baby
+came in her place. Baby looks like mother, and now I have to be her
+little mother, you see," and she set the little dumpling out upon her
+knee, with such pride and tenderness.
+
+"And your father?"
+
+The little Dutch girl dropped her head and answered very low, "Father
+has been gone a long time. They say he is shut up somewhere. He don't
+come home any more."
+
+"Oh, how very dreadful! I don't see where you get money to buy things
+with."
+
+"Hans is fifteen and works in a shop. He gets some money, and he will
+get a good deal, by-and-by. The rest _I_ get from the flowers. You see
+I raise them myself, mostly."
+
+"But do you get enough for clothes and playthings, and do you always
+have enough to eat?" persisted Nell.
+
+"_I_ don't have any clothes, I make over mother's. We have Kitty for
+playthings. Enough to eat? _Baby_ always has enough, don't she,
+lovie?" cuddling her up close.
+
+A new world was opening up to Nell.
+
+"Excuse me, but don't you have any pleasure trips, or birthday
+parties, or Christmas?"
+
+"No; I don't just know what those things are, but we have nice beef
+and apples for dinner on Christmas."
+
+"And are you always happy as you seem--really happy?"
+
+The "little mother" opened her eyes wide in wonder. "Why, _of course_.
+What else should we be? Mother always told us it was wicked to be
+cross, and that we must not fret much, even over her going away to
+heaven."
+
+Nell did some hard thinking on her way home, and being a sensible
+little girl, she made up her mind that one way to be happy is to be
+_busy_, and not only busy, but useful, and she set about the new way
+in earnest.
+
+She learned that it is possible to be unselfish and happy _any where_;
+she in her wealthy home, and the "little mother" in her one room, with
+her baby and her flowers.
+
+
+
+
+LITTLE SCATTER.
+
+MRS. JEANE A. WARD.
+
+
+She was her mother's darling, and a very good little girl in most
+things. With her yellow hair, big blue eyes and rosy cheeks; in the
+pretty blue dress and red sash; nice little slippers on her plump
+feet, she made the whole house lively and bright, and sometimes she
+made plenty of work for every one in it, too, for she was a terrible
+Nelly to scatter playthings. The dolly would be on the chair, her torn
+picture-books over the floor, her ball kicking about everywhere, and
+her blocks any where.
+
+What could mother do with such a girl? When she would talk to her,
+Nelly would promise not to do so any more, and would pick up the dolly
+and the pictures, and the ball and the blocks, and her other toys, and
+take them to her own corner play-house and fix them all in order, and
+be real good for a little while.
+
+But the 'real good' would last only a little while and then out all
+would come again, and Little Scatter would have them around just as
+before.
+
+That is the way she came to be given that name, and she was old enough
+to know she well deserved it, and to be ashamed of it; yet she could
+not break off the bad habit.
+
+She had a kind, good mother, who saw that she would have to, in some
+way, cure her little daughter of such slovenly habits or else she
+would grow up to be a very careless, untidy woman, and the mother was
+wise enough to know that it is more easy to correct such matters when
+children are young than when they grow older.
+
+She did not want to punish Nelly severely, and so, whenever Little
+Scatter had gotten all her toys over the floor, tables, sofa and
+chairs, mamma would call her and say:
+
+"Now, Nelly, every thing you have is lying about, it is time for my
+Little Scatter to get gathered in close;" and then Miss Nelly would
+have to go close to the wall and be shut in by a chair and stand there
+until mamma's watch said half an hour had passed. This was very hard
+on a little girl that loved to run around so much as Nelly did, and
+though she knew she deserved all the punishment, yet she used to beg
+very hard and promise, but she always had to stay the full time; then
+she would come out, get her mamma's kiss and forgiveness, pick up her
+toys and be happy.
+
+It did not take many such punishments before Nelly began to think
+before she acted so carelessly, and in a short time she was almost as
+neat about such matters as she was sweet and good in every thing else.
+If ever there were a few of her things lying about, mamma had only to
+call her 'Little Scatter,' to make her remember, and so hard did she
+try to correct herself of this bad habit that in a few months she and
+those about her almost forgot that she had ever been known by such an
+untidy name.
+
+
+
+
+WHAT CHICKY THINKS.
+
+
+Seems to me I must be growing big very fast. I don't believe I could
+get back into that little house if I should try. I don't want to go
+back, either. I had to work too hard to get out the first time. There
+was no door, so I had to break the house all in pieces with my little
+beak. I couldn't stand up, you know, when I was inside. I got very
+tired sitting on my little legs. I wonder how I knew enough to break
+open my little house? Nobody ever told me that it was prettier in the
+garden than in my house. 'Tis rather cold out here. I never was cold
+before; seems to me some little chick has carried off a part of my
+house. If I see him, with it, I'll tell him he's a thief. Oh, dear,
+dear! something is scratching my back. May be it's the little thief! I
+wish I could look and see who it is.
+
+[Illustration: {A JUST-HATCHED CHICK.}]
+
+
+
+
+STOP-A-WHILE.
+
+
+There is growing in Africa a thorn called "Stop-a-while." If a person
+once gets caught in it, it is with difficulty he escapes with his
+clothes on his back, and without being greatly torn, for every attempt
+to loosen one part of his dress only hooks more firmly another part.
+The man who gets caught by this thorn is in a pitiable plight ere he
+gets loose. You would not like--would you, boys? to be caught in this
+thorn. And yet many, I fear, are being caught in a worse thorn than
+"Stop-a-while." Where do you spend your evenings? At home, I do hope,
+studying your lessons, and attending to mother's words; for if you
+have formed a habit of spending them on the streets with bad boys, you
+are caught in a thorn far worse.
+
+
+
+
+[Illustration: {BIRDS PERCHING ON PLANTS.}]
+
+THE BIRDS' CONCERT.
+
+MRS. L. L. SLOANAKER.
+
+
+ There's going to be a concert
+ Out in the apple trees;
+ When the air is warm and balmy,
+ And the floating summer breeze
+ Waft down the pale pink blossoms
+ Upon the soft green grass:--
+ A lovely place to sit and dream,
+ For each little lad and lass!
+
+ The concert will open early
+ When the sun lights up the skies:--
+ You'll miss the opening anthem
+ If you let those sleepy eyes
+ Stay closed, and do not hasten
+ Out 'neath the orchard trees,
+ Where the pink and snowy shower
+ Is caught in the morning breeze.
+
+ The robins will swing in the branches,
+ And carol, and whistle and sing.
+ The thrush, who is coming to-morrow,
+ Will a charming solo bring.
+ The wrens will warble in chorus,
+ Rare music, so touching and sweet;
+ The orioles sent for their tickets,
+ And will surely give us a treat.
+
+ The concert will open at sun-rise,
+ All the June-time sweet and fair;
+ There'll be a grand full chorus,
+ For _all_ the birds will be there.
+ The concert is free to the children,
+ And is held in the apple trees,
+ And the birds will sing in a chorus,
+ "O come to our concert--please!"
+
+
+
+
+ONLY A BOY.
+
+
+ Only a boy with his noise and fun,
+ The veriest mystery under the sun;
+ As brimful of mischief and wit and glee,
+ As ever a human frame can be,
+ And as hard to manage as--what! ah me!
+ 'Tis hard to tell,
+ Yet we love him well.
+
+ Only a boy with his fearful tread,
+ Who cannot be driven, must be led!
+ Who troubles the neighbors' dogs and cats,
+ And tears more clothes and spoils more hats,
+ Loses more kites and tops and bats
+ Than would stock a store
+ For a week or more.
+
+ Only a boy with his wild, strange ways,
+ With his idle hours or his busy days,
+ With his queer remarks and his odd replies,
+ Sometimes foolish and sometimes wise,
+ Often brilliant for one of his size,
+ As a meteor hurled
+ From the planet world.
+
+ Only a boy, who may be a man
+ If nature goes on with her first great plan--
+ If intemperance or some fatal snare,
+ Conspires not to rob us of this our heir,
+ Our blessing, our trouble, our rest, our care,
+ Our torment, our joy!
+ "Only a boy!"
+
+
+
+
+BIRD NEEDLEWORK.
+
+MAY R. BALDWIN.
+
+
+There is a class of workers in India who have always held to
+needlework, useful and ornamental, through the changes of the long
+years, and have never had the help of machines.
+
+These workers are "Tailor Birds." Specimens of their handiwork have
+excited the admiration of many travelers in the country where they are
+found.
+
+Their needlework is seen in the construction of their nests, which
+vary in size and appearance.
+
+The beak of the bird answers for a needle; and for thread--and this is
+the wonderful thing about sewing--they use the silken spiders' webs.
+These threads are made secure by fastening them with silken buttons,
+made by twisting the ends. Think of that! spiders' webs for thread!
+How marvelous would the work of the fair ladies all over the land
+seem, if the door screens and the window hangings and the dresses and
+the laces were decorated with designs worked with spider's web thread!
+
+Sometimes, it is true, these birds use the silk from cocoons for their
+work; and even such common material as bits of thread and wool are
+used. One traveler states that he has seen a bird watch a native
+tailor as he sewed under a covered veranda; and, when he had left his
+work for a while, the watchful bird flew to the place, gathered some
+of the threads quickly, and then flew away with his unlawful prize to
+use it in sewing together leaves for his nest.
+
+Imagine one of these bird homes. Could any thing be more fairy-like?
+The leaves are joined, of course, to the tree by their own natural
+fastenings. But who taught the first bird home-maker how to bring the
+leaves together? And who gave the first lessons in sewing? And how did
+it come to choose its delicate spider web thread and twist it into
+strength, and fasten it with silken buttons?
+
+The great art leader, John Ruskin, who has written so many books to
+teach people that all beautiful things have their use, and that things
+that are not truthful can never be beautiful, would say, I think, that
+the workmanship upon the tailor bird's nest exactly fitted his idea of
+the "true and the beautiful," because there is no ornament which has
+not its use. The silk buttons are not placed there for show; they
+fasten the silken lacing.
+
+We could not say as much for many a fine lady's dress, where dozens of
+buttons that fasten nothing are seen.
+
+
+
+
+HE WAS A GENTLEMAN.
+
+
+Some amusing stories are told of the wit and wisdom of London school
+children. A class of boys in a Board School was being examined orally
+in Scripture. The history of Moses had been for some time a special
+study, and one of the examiners asked,--"What would you say of the
+general character of Moses?"
+
+"He was meek," said one boy.
+
+"Brave," said another.
+
+"Learned," added a third boy.
+
+"Please, sir," piped forth a pale-faced, neatly dressed lad; "he was a
+gentleman!"
+
+"A gentleman!" asked the examiner. "How do you make that out?"
+
+The boy promptly replied, in the same thin, nervous voice,--"Please,
+sir, when the daughters of Jethro went to the well to draw water, the
+shepherds came and drove them away; and Moses helped the daughters of
+Jethro, and said to the shepherds,--'Ladies first, please,
+gentlemen.'"
+
+
+
+
+TIME FOR BED.
+
+
+ Ding-dong! ding-dong!
+ The bells are ringing for bed, Johnnie--
+ The bells are ringing for bed.
+ I see them swing,
+ I hear them ring,
+ And I see you nod your head.
+
+ The bells are ringing for bed, Johnnie--
+ They are ringing soft and slow;
+ And while they ring,
+ And while they swing,
+ It's off to bed we'll go.
+
+
+
+
+THE VALUE OF A GOOD NAME.
+
+
+Samuel Appleton, a distinguished Boston merchant, was once sued for a
+note, found among the papers of a deceased merchant tailor, and signed
+with his name. The handwriting was exactly like his own, but he
+declared it to be a forgery, albeit his own brother said he could not
+positively say it was not Mr. Appleton's writing, though he believed
+it could not be genuine. The Judge was against Mr. Appleton, but the
+jury found a verdict in his favor, because they were confident that
+nothing could induce him to dispute the payment of a note unless
+certain that he did not owe it. Some years later Mr. Appleton
+discovered proof that the actual signer of the note was a ship-master
+of the same name, who had been dead many years. Thus, the finding of
+the jury was justified. It was based on his good reputation and it
+illustrates the truth of the proverb, which says: "A good name is
+rather to be chosen than great riches." The root of Mr. Appleton's
+good name was his good conduct. He was honest and honorable in all
+things.
+
+
+
+
+DINGFORD'S BABY.
+
+
+That little brother of Hetty Dingford was the funniest baby on the
+coast; and there were a good many of them, right around the river
+mouth.
+
+Flora thought so too, or rather she looked upon him in the light of a
+puppy, as she had just raised a small family herself, and the baby had
+associated so much with the little dogs, that she thought she owned
+him too. She seemed to regard him as her especial charge, and used to
+rush between him and cattle on the roads, and bark away strollers from
+the door-yard; but she seemed to love it most on the beach.
+
+Whenever she thought of it, she would leave the other children, in
+whose charge the baby had been placed, and rush up to the little one,
+and lick its face all over, and bark with a very funny sound. The baby
+would pick up a handful of gravel and throw it at the dog, but it
+never hit him, and then they would both laugh together.
+
+One afternoon, Tony Dingford said he was going a crabbing, and then
+Hetty and Polly and Janey and the baby all wanted to go and see him
+off. Janey took a lovely little boat, that had been made for her by
+her uncle, and Polly took her spade and pail to dig for shells. Hetty
+took the baby, and she had to carry him every step of the way, and she
+was only eight years old; he was a year and a half old and couldn't
+walk very steady, but he could creep. Oh, how he could get over the
+ground! He could go sidewise and backwards, like a crab, Tony said. He
+thought he could talk, too, and such a lot of curious sounds as he
+used to make. He looked very odd, winking his eyes and sticking his
+tongue between his four little teeth, and he was up to all sorts of
+tricks.
+
+After awhile they came to the beach, right opposite the light-house--a
+most delightful spot, and Hetty proceeded to deposit the baby on the
+ground, when he came to the conclusion that he didn't want to be put
+there, and he caught hold of her curly locks and held on for dear
+life, and screamed like a sea-gull.
+
+This made Hetty cry out, but nothing could induce that baby to let go,
+until a pail with some shells changed the current of his thoughts.
+Hetty jumped away, and ran with the children, a few steps, to see
+Tony's boat.
+
+He threw in his basket and crabbing net and then, getting in himself,
+he pulled out into the bay. The children wandered along, watching Tony
+as he grew a lessening speck out in the sunshine. It was such fun to
+jump on the stones, over the water; the shells looked more beautiful
+here, because they were wet.
+
+They staid longer than they thought, and on going back, they found the
+pail and the shells, but no baby! They called, they looked about, but
+the baby was gone! Every one of them cried bitter tears; they searched
+behind rocks and under bushes; his little pink, spotted cap could not
+be seen, but the marks of his hands and feet showed plainly in the
+sand, and they led down to the water!
+
+"Oh, baby," said Hetty in her agony, "you may pull out all my hair if
+you like--where are you?"
+
+"Oo may whack my boat all to pieces, baby--come back to Janey!" said
+her sister. No sound answered, and the gulls sailed over them, and the
+blue waters lapped the stones. The tide was rising, as it was past the
+middle of the afternoon. Nothing was to be done, but to carry the
+dreadful news to mother.
+
+As the children approached the cottage, they saw their father
+returning with the dog, Flora, and as the father caught sight of them
+he saw that something had happened. Hetty approached, and, with
+heart-broken sobs, told her story. The mother cried and wrung her
+hands.
+
+"Husband, he's drowned! he's drowned!" she cried. The father brushed
+his hand roughly across his eyes, for the tears would come; and the
+dog staring from one to the other, looked painfully alert and
+interested.
+
+"I'll go to the beach and search all night; maybe he'll be washed up
+at the bend," he said.
+
+"Father," said the weeping wife, "maybe he has not been drowned; oh,
+let us hope he has not! Let us take Flora; perhaps she will find the
+baby."
+
+The father looked at the dog, which seemed to understand every word,
+and went into the house and picked up a little Indian moccasin that
+the child had worn, and calling Flora, gave it to her. She looked at
+it, smelled of it, and throwing her nose into the air, rushed toward
+the beach.
+
+The short, sharp barks of the dog guided them to the different spots
+to which the child had crept. But he was not found. The dog bounded
+away again, this time in the direction of some holes that had been
+worn in the face of the rocks by the tides. The water was fast coming
+up to them, and they would be entirely filled before the tide turned.
+The despairing mother was about returning with her children when the
+father caught a distant sound, a joyful barking that Flora always made
+when she had been successful in a hunt. He bounded over the rocks that
+were bathed in the red light of the setting sun. He found Flora
+barking and wagging her tail, at the mouth of the first little cavern;
+he stooped and looked in, and there on the white sand lay the baby,
+asleep. Its little cap was gone, and it dress torn and soiled with
+seaweed.
+
+The father reached for his little treasure, and hugged him to his
+heart. The baby laughed, and made most frantic efforts to talk, and
+immediately twisted both hands tight in his father's hair. This was
+the baby's way, you know, when he wanted to be carried. You would have
+cried for joy, to have seen the baby's mother when she snatched him
+from his father and covered him with kisses, and the little girls
+clinging to their mother, trying to get a look at him.
+
+They went home very happy, to find Tony with his basket full of crabs,
+and when he heard the story, he said,--"Flora shall have a new brass
+collar, if I have to earn it for her." There was one little girl that
+learned a serious lesson. Hetty says,--"I never will neglect my duty
+again."
+
+
+
+
+A BED-TIME STORY.
+
+
+Mamma dear, tell us a pretty story; tell us of what you and papa saw
+when you were traveling; and my sturdy Harold, and his wee baby
+sister, tired with their play, sank at my feet at the close of the
+long summer day. Kissing the hot up-turned faces, and lifting the
+little one to my lap, I began an oft repeated simple tale of how papa
+and I, while in Switzerland, drove, one evening, from the village
+where we were stopping, way out in the country, over green wooden
+bridges and sparkling streams, past dazzling white villas, through
+shady lanes bordered by high, thorny hedges; where it was so lifeless
+and still, the sound of our shaggy pony's hoofs could hardly be heard.
+
+[Illustration: {A LITTLE GIRL SITTING ON THE DOORSTEP.}]
+
+Coming to a low, brown, thatched cottage, the door stood open, and we
+drove slowly; inside could be seen the table, spread with its frugal
+repast of oaten cakes and milk; a high, old-fashioned dresser, with
+its curious jugs of blue delf; a distaff, with the flax still
+attached, and on the broad door-step sat the prettiest little
+blue-eyed maiden, wearing a quaint white cap over her yellow locks, a
+striped kirtle and black waist over a snowy blouse. Like a picture she
+sat, eating her oat-cake, while tame gray and white doves circled
+about her or lit on the stones, hoping to get a crumb. Farther on, we
+stopped at a more pretentious house, called a Swiss chalet, to buy a
+drink of goat's milk. Here they were quite well-to-do gardeners; and
+while the peasant wife was gone for the milk, the little daughter, who
+was rather sweetly dressed, and was very bright and talkative, showed
+us, with much pride, the heap of garden produce her father was to take
+to market, early the next morning. A pretty sight it was too--the
+great wooden table, loaded with the fresh greens and reds of the
+vegetables, and at one end, guarded by a tall pewter flagon, polished
+till it glowed like silver; an old oaken cabinet on the wall, bearing
+glittering decanters and brass candle sticks; the chattering little
+maiden, and over all, the golden rays of fading sun-light stealing
+through the deep tiny-paned windows. We--ah, my darlings are asleep.
+
+[Illustration: {A LITTLE GIRL SHOWING OFF GARDEN PRODUCE.}]
+
+
+
+
+[Illustration: {A LITTLE BOY ASLEEP ON THE GROUND.}]
+
+THE LESSON AFTER RECESS.
+
+
+ A bright little urchin out west,
+ Thought going to school was a pest.
+ He said, "I don't care,
+ I just won't stay there,
+ I'll have a good time like the rest."
+
+ He said, "I'll run off at recess,
+ They'll never once miss me, I guess;
+ A fellow can't stop
+ When he's got a new top.
+ There'll just be one good scholar less."
+
+ Now the "rest" was a crowd of rough boys,
+ Who with rudeness and mischief and noise,
+ Made one afraid
+ To go where they played,
+ But their riotous play he enjoys.
+
+ So away from his lessons he ran,
+ This promising western young man.
+ They pushed him down flat,
+ Tore the rim off his hat,
+ Said, "There's nothing so healthy as tan."
+
+ And they did what was very much worse;
+ They stole his new knife and his purse.
+ They gave him a shake,
+ And they called him a "cake;"
+ Said, "Next time, bub, come with your nurse."
+
+ Near sundown this urchin was found
+ Fast asleep on some very hard ground;
+ He looked tired and grieved;
+ He'd been so deceived,
+ And quite ready for home, I'll be bound.
+
+ The primary teacher, Miss Small,
+ When she heard his sad fate, forgave all,
+ "My teacher's a daisy!
+ I'm through being lazy."
+ He said, "School's not bad after all."
+
+
+
+
+THE LION AT THE "ZOO."
+
+
+In the jungles, where the sun is so fierce at noonday that the black
+natives, themselves, cannot endure it, but hide in huts and caverns
+and in the shadows of rocks, dwelt this lion.
+
+He did not mind heat, or storm, or the tireless hunters. He was braver
+and stronger than any other creature in that tropical wilderness, and
+his very appearance and the sound of his terrible roar had sent many a
+band of hunters flying back to their safe retreats.
+
+He prowled about the fountains at night, and woe to any belated native
+or domestic animal that happened to be near; he would leap upon them,
+and kill them with one blow of his huge paw.
+
+One day a bushman sighted a fine deer, and incautiously separated
+himself from his companions; the ardor of the pursuit led him into the
+pathless wilderness, and farther and farther from help, if he should
+need any.
+
+Pausing a moment, he looked about him; he could not believe his eyes!
+He saw, not forty rods from him, this creature, regarding him! intense
+excitement flashing from his eyes, his tail swaying from side to side,
+and striking the ground with a heavy thud.
+
+The bushman fled in wild terror, and with a bound the lion began the
+chase. No match, indeed, could any one man hope to be for such an
+enemy--no outrunning this fleet patrol of the forest; roaring and
+foaming he came up with the doomed hunter and struck him down and
+killed him.
+
+The roaring over his success was something too terrible to hear. The
+other creatures of the forest fled to their dens and coverts, and the
+party of hunters, dimly locating the lion's whereabouts, betook
+themselves to other grounds, not caring to encounter so formidable a
+foe. Little did they suspect the fate of their comrade, and they never
+knew of it until, a long time afterward, they found the remains of his
+hunting gear. The beast had torn him to pieces and devoured him.
+
+The devastations of this scourge of the wilderness became so great in
+time, that he depopulated whole villages, and the superstitious
+natives, believing him to be a demon, became so stricken with fear
+that they would not attempt to hunt him, and thus rid the forest of
+him.
+
+Some agents of a business firm in Holland, who negotiate for the
+purchase of these ferocious wild animals for menageries, secured, by
+promises of great help and large reward, a band of intrepid native
+hunters, to procure, if it were within the range of possibility, this
+famed lion, alive.
+
+[Illustration: A BEAUTIFUL DEER.]
+
+White men joined in the hunt. Brave Englishmen and fearless Americans
+attached themselves to the party, and many were the hair-breadth
+escapes and critical situations that crowded upon their path.
+
+On reaching the lion's neighborhood, they took counsel as to the best
+way of coming upon him, not knowing just where his lair might be; but
+soon they were guided to him by a distant roaring. The advance hunters
+caught their first glimpse of him before he was aware of their
+presence. He had slain his prey--the pretty creature lay near the
+jungle lake, the sword grass and the poisonous marsh flowers
+flaunting their lush growth all about. The animal's smooth coat was
+brown and glossy, and its black hoofs shone bright in the sunshine.
+The lion repeated the same expressions of gratified savagery he had
+indulged in when he had devoured the native. He strode about, lashing
+his tail and roaring.
+
+[Illustration: HE WAS FINALLY CAGED.]
+
+The fearful encounter began! Many of the natives were killed. One
+young English nobleman was thought to have received his death wound,
+when they came to close quarters. The creature was overcome by numbers
+and heroic bravery at last. He was maimed, disabled and secured, in
+the deft and expeditious way they have learned in dealing with these
+animals. He was finally caged, and the rejoicings of the natives knew
+no bounds; the exploit was celebrated with feasting, dancing and wild
+observances, the women and the children joining in the uncouth
+festivities.
+
+He was removed by his foreign purchasers, and eventually secured by a
+City Park Commission, and was liberated to walk about a spacious cage,
+to delight the thousands who visit the menagerie, that affords so much
+instructive amusement. He usually lies down in one corner, and
+although he has lost much of his magnificent appearance, he is still
+worthy to be called the "Forest King."
+
+If you happen to be in his section when he gets hungry and calls for
+his dinner, you will be greatly astonished, if not frightened, at the
+sound of his voice. It is like nothing else in nature. It vibrates to
+the roof of the vast structure, and the windows rattle in their
+frames. He tramps about and lashes his tail against the bars and
+stamps his feet, and his keeper hurries to throw him his ration of raw
+meat. When he is satisfied, he lies down and purrs as good-naturedly
+as a pussy cat, and looks you in the eyes with an unwinking stare.
+
+You and I most earnestly hope that he may never contrive to escape.
+
+[Illustration: {A KITTEN ASLEEP IN A SLIPPER.}]
+
+
+
+
+DISOBEYING MOTHER.
+
+
+ "I think, little goslings, you'd better not go.
+ You're young, and the water is chilly, you know;
+ But when you get strong,
+ You can sail right along--
+ Go back in the sunshine, or walk in a row."
+
+ "No, no! we will go," said those bold little things,
+ Except one little dear, close to mother's warm wings.
+ Out went all the rest,
+ On the water with zest;
+ They said, "We will venture, whatever it brings."
+
+ Their mother looked out, so kind and so true,
+ Adown where the rushes and lily-pads grew;
+ They looked very gay,
+ As they paddled away,
+ With their bright, yellow backs, on the water so blue.
+
+ "Come back!" cried their mother, "come back to the land!
+ I fear for my dear ones some evil is planned."
+ But they ventured beyond
+ The shore of the pond,
+ And laughed at her warnings, and spurned her command.
+
+ Farewell, to the goslings! their troubles are o'er;
+ They were pelted with stones, by boys on the shore.
+ Afar from the bank,
+ They struggled and sank,
+ Down deep in the water, to come up no more.
+
+ Oh, see what it cost them, to have their own way;
+ Their punishment came without stint or delay;
+ But the sweet one that stayed,
+ And its mother obeyed,
+ Lived long, and was happy for many a day.
+
+
+
+
+[Illustration: PLAYING BARBER.]
+
+
+
+
+PLANTS THAT EAT.
+
+
+These plants are so constructed as to attract insects, capture them in
+various ways, and feed upon them. Perhaps the best known of the group
+is _Venus' Fly-Trap_. The leaves vary from one to six inches long, and
+at the extremities are placed two blades, or claspers. On the inner
+walls of these claspers are placed six irritable hairs; the slightest
+touch from an insect on any one of which is sufficient to bring the
+two blades together with such rapidity as to preclude any possibility
+of the fly escaping.
+
+[Illustration: LEAVES OF THE FLY-TRAP OPENED AND CLOSED.]
+
+This plant readily discriminates between animal and other matter;
+thus, if a small stone or piece of wood be dropped into the trap, it
+will instantly close, but as soon as it has found out its mistake--and
+it only takes a few minutes--it begins to unfold its trap, and the
+piece of wood or stone falls out. On the other hand, should a piece of
+beef or a bluebottle fly be placed in it, it will remain firmly closed
+until all the matter is absorbed through the leaf. It will then unfold
+itself, and is ready for another meal.
+
+[Illustration: AUSTRALIAN PITCHER PLANT.]
+
+Another species is called the _Vegetable Whiskey Shop_, as it captures
+its victims by intoxication. The entire shop is shaped after the
+manner of a house, with the entrance projecting a little over the rim.
+Half-way round the brim of the cavity there are an immense number of
+honey glands, which the influence of the sun brings into active
+operation. This sweet acts as a lure to passing insects, and they are
+sure to alight on the outside edge and tap the nectar.
+
+They, however, remain there but a brief period, as there is something
+more substantial inside the cavity in the shape of an intoxicating
+liquid, which is distilled by the plant. The way down to this beverage
+is straight, as the entrance is paved with innumerable fine hairs, all
+pointing to the bottom, and should the fly walk crooked its feet
+become entangled in them.
+
+[Illustration: AMERICAN SIDE-SADDLE FLOWER.]
+
+When the fly has had its first sip, it does not stop and fly right
+out, as it could do, but it indulges until it comes staggering up and
+reaches that portion where the hairs begin; here its progress outward
+is stopped, owing to the points of the hairs being placed against it.
+The fly is now in a pitiable plight; it attempts to use its wings, but
+in doing so only hasten its destruction. It inevitably gets immersed
+in the liquid, and dies drunk.
+
+_Australian Pitcher Plant_ is a beautiful little object. Its pitchers
+are at the bottom of the principal stem of the plant.
+
+One species distils an intoxicant of its own; but owing to its small
+orifice, it excludes the majority of insects, and admits but a select
+few. The individual pitchers somewhat resemble an inverted parrot's
+bill, with a narrow leaf-like expansion running along the top. The
+color is light green, beautifully shaded with crimson. The inside of
+the pitcher is divided into three parts: The first, nearest the
+entrance, is studded with minute honey glands, and is called the
+attractive surface; a little farther down the inside, very minute
+hairs are situated with their extremities all pointing to the other
+chamber. This is the conducting surface.
+
+[Illustration: THE PITCHER PLANT OF MADAGASCAR.]
+
+Lastly, the small hairs give place to the longer ones, amid which are
+placed secreting pores, which give forth the intoxicating nectar. This
+is termed the detentive surface. When the pitcher has caught a
+sufficient number of insects, the nectar gives place to a substance
+which enables the plant more readily to digest its food.
+
+Another variety is the _Mosquito Catcher_. It grows about one foot
+high, and the leaves, after reaching a certain height, divide into
+long, narrow spathes, covered with hairs, each coated with a bright
+gummy substance. This, during sunshine, gives to the plant a most
+magnificent appearance. If a plant be placed in a room where
+mosquitoes abound, all the troublesome pests will in a brief period be
+in its steady embrace.
+
+It is most interesting to watch the method by which it secures its
+prey. Immediately the fly alights on the leaf, it may be that only
+one of its six legs stick to the sweet, viscid substance at the
+extremity of the hairs; but in struggling to free itself, it
+invariably touches with its legs or wings the contiguous hairs, and is
+immediately fixed.
+
+These little hairs meantime are not idle; they slowly but surely curl
+round and draw their victim into the very center of the leaf, thus
+bringing it into contact with the very short hairs, which are placed
+there in order to facilitate the process of sucking the life-blood
+from the body.
+
+
+
+
+THE CUCKOO CLOCK.
+
+
+ The clock is Swiss,
+ And a curious thing it is,
+ Set like a flower against the wall,
+ With a face of walnut brown
+ Twelve white eyes always staring out,
+ And long weights hanging down.
+
+ But there is more
+ At the top is a little close-shut door.
+ And when 'tis time for the hour-stroke,
+ And at the half-stroke too,
+ It opens wide of its own accord,
+ And, hark,--"Cuckoo, cuckoo!"
+
+ What do you see?
+ Why, with a trip and a courtesy,
+ As if to say,--"Good day, good day,"
+ Out steps a tiny bird!
+ And though no soul were near to hear
+ He'd pipe that same blithe word.
+
+ Through all the night,
+ Through dawn's pale flush, and noon's full light,
+ And even at twilight, when the dusk
+ Hides all the room from view,
+ Out of his little cabinet
+ He calls,--"Cuckoo, cuckoo!"
+
+ Though but a toy,
+ Yet might the giddiest girl or boy
+ Learn three most pleasant truths from it:
+ How patiently to wait,
+ How to give greeting graciously,
+ And never to be too late.
+
+ 'Tis sweet to hear,
+ Though oft repeated, a word of cheer;
+ So this little comrade on the wall,
+ This bird that never flew,
+ Is an hourly comfort, with his call,
+ "Cuckoo, cuckoo, cuckoo!"
+
+ MRS. CLARA DOTY BATES.
+
+
+
+
+DAVY'S GIRL.
+
+ALEX. DUKE BAILIE.
+
+
+She was only five years old, hardly that, but a stout, healthy little
+creature, full of love and fun, but often hard to manage.
+
+Maggie was her name, but she would call herself nothing but "Davy's
+girl."
+
+Davy, her brother, a brave, good boy, about fifteen years of age, was
+all she had to cling to, and she was his only treasure. They were
+orphans; their father had been drowned, with many other poor
+fishermen, when Maggie was a wee baby, and the mother, soon after,
+died, from worry and hard work.
+
+So these two were all alone in the world, but they did not feel
+lonely, for each one was all the world to the other.
+
+They lived with an old fisherman and his wife, on the shores of the
+ocean, in New Jersey; and in the inlets and about outside, Davy used
+to go with the men, in the boats, and help them fish; sometimes he
+would work in-shore, for the truck farmers; sometimes help to gather
+the salt hay from the marshes. He would work hard at any thing so as
+to make money to keep his little sister comfortable and to give her
+all it was well for her to have.
+
+In winter he would tramp through cold and snow and storms, several
+miles, to the little town where the school was, and so, every year, he
+gained a few weeks of instruction.
+
+The people among whom these orphans lived were rough, but
+kind-hearted, and Davy always had enough work to enable him to earn
+money sufficient to keep Maggie and himself in the simple way in which
+every body about them lived.
+
+Whenever he had an idle half-day, or even a few hours, he would take
+the little girl and his books, and go down to the shore, and getting
+into one of the boats always to be found drawn up on the sand, he
+would study hard to learn, for he was anxious to get on in the world,
+not only for his own, but his sister's sake, and Maggie would take one
+of the books, and open it, and run her little fat finger over the
+page, and move her lips, and make believe that she, too, was studying
+her lessons and she would keep still as a little mouse, until, after a
+few minutes of nodding, her eyes would close, then her head would drop
+on Davy's knee, and she would be off--sound asleep, until it was time
+for him to go.
+
+It happened, one afternoon, as Davy, with Maggie, was going to the
+boat, which was his favorite place of study, a farmer drove along and
+asked him if he could not go and help with some work.
+
+They were very near home yet, and when Davy said, "Maggie, will you
+run right home?" she answered, "'Es;" so the brother saw her start off
+towards the house, which was in sight, then jumped in beside the
+farmer, and they drove off.
+
+It was several hours before the boy returned. He went directly home,
+and as soon as he entered, called, "Maggie!"
+
+"Maggie aint here," said Mrs. Baker, who was busy cleaning up the
+floor, "she hasn't been here since you took her out with you."
+
+If ever there was a frightened boy, it was Davy, then. He knew how
+careless his little sister was, and how she loved to go down and
+splash in the water, and play around the deep pools. He could look,
+from the door, all along the beach and out on the sea, and there was
+no sign of his little girl. Mrs. Baker was frightened, too, when he
+told her all. They ran to the few houses about, and while some of the
+children had seen Maggie, it was hours before; since then she had
+disappeared entirely.
+
+It was a terrible blow to the poor boy, and he blamed himself as he
+thought that perhaps his dear little sister was dead under the great
+waves, or her body was being washed away far beyond his reach. He ran
+up and down, everywhere calling her name as loudly as he could, but
+no answer came.
+
+Almost blind, with the tears in his eyes, he stood still for a moment
+to think, when he caught sight of a little paper book. He knew it at
+once; he had made it for Maggie so that she would not soil or tear his
+own. In a moment he was running as fast as his feet would carry him to
+the boat on the sand, a considerable distance off; quickly he reached
+it, and climbed up the side. No Maggie yet.
+
+The great sail lay in a heap before him; he walked around it, and
+there, all curled up, fast asleep, was his runaway girl.
+
+How his heart did jump for joy as he picked her up, and kissed and
+petted her.
+
+But Maggie cried, and said he hurt her.
+
+Then he found that in climbing into the boat to "study her lessons,"
+she had sprained her ankle, and she had been very miserable all by
+herself, and cried and called for him until she fell asleep.
+
+The books, all but one, were lying on the other side of the boat, on
+the sand. Davy never minded them, precious as they were to him, but
+taking his little sister on his strong back, he carried her home, her
+arms about his neck and her cheek close to his; and Maggie had to stay
+in the house, with her foot bandaged, for a week. But Davy never
+forgot that fright nor left her to herself again until she was much
+older; and the little girl never thought of disobeying his orders
+after that. They had both learned a hard lesson.
+
+
+
+
+EARLY TEA.
+
+
+[Illustration: {A CAT PUSHES A PRAM CONTAINING ANOTHER CAT.}]
+
+ Five little pussies
+ Sitting down to tea;
+ Pretty little pussies,
+ Happy as can be!
+
+ Three little pussies,
+ All in a row,
+ Ranged on the table,
+ Two down below.
+
+ Five little pussies,
+ Dressed all in silk,
+ Waiting for the sugar,
+ Waiting for the milk.
+
+ Dear little pussies,
+ If you would thrive,
+ Breakfast at nine o'clock,
+ Take tea at five.
+
+
+
+
+BONEY.
+
+
+Boney was not a thin cat by any means, as his name would suggest. He
+was very stout for his age; this could be explained by the fact that
+he had always looked out for number one, and had managed to secure a
+great many nice things to eat in the course of his short life.
+
+His coat, which was striped, gray and black, had an infinite number of
+shades in it and was so beautiful, that more than one lady wanted to
+buy him.
+
+Boney was not his whole name. A lovely romance could be written, I've
+no doubt, out of the adventures of this cat, before Fannie found him,
+one cold morning, in the summer-house. He was covered with dust and
+leaves, and moaning piteously. Fannie said,--"Pussy, pussy," to him;
+and he tried to get up and come to her, but he couldn't make any
+progress, and John Henry came up at that moment, and taking up the cat
+by the back of the neck, looked at it critically, and said,--"That cat
+ain't a-going to die--he'll come out all right in a few days; he's
+been pelted with stones by those children that live at the
+cross-roads, I think."
+
+Fannie followed her brother into the house with the cat, and he gave
+it some warm milk, and Fannie covered it up, snug, by the kitchen
+stove.
+
+It was surprising how soon that pussy got well; and John Henry chose
+to call him Boneset. The name took in the household, and though Fannie
+called him "Boney," Boneset was his real name. John Henry bought him a
+collar, and Fannie would tie a beautiful scarlet ribbon on this, and
+away they'd go together, down the road to the village post-office.
+He'd look very sharply at the meadow-birds flitting over the stone
+fences, and the yellow butterflies on the tall mullen stalks, as if he
+would say,--"I'll get you any of those you'd like to have, my dear
+mistress."
+
+But Fannie would say, "Don't think of it, Boney; I would like to have
+them, but it would be wicked to catch them you know." Pussy did not
+want to give up the sport of hunting them, however, and Fannie would
+have to take him right up, and carry him until they had passed them.
+
+He had such lovely coaxing ways; he knew to a minute when it was lunch
+time, and he had his in the kitchen, but he would steal up into the
+dining-room, and pass round softly to Fannie's place, and pop up into
+her lap--or, if she were standing up, he'd get upon the table and rub
+his furry cheek against her shoulder, and shut one eye.
+
+Then Fannie would turn round, and his comical appearance, sitting
+there with his little pink tongue sticking out between his lips, would
+make Fannie just jump up and down with laughing.
+
+Of course, he wanted some of Fannie's lunch, and he always got it, and
+this was the way he managed to get so fat and sleek.
+
+One unfortunate time, Fannie was very sick; the room was darkened, and
+the doctor came. All the pets were not allowed to come near the room.
+
+It was, oh, so lonesome for Boney. No one petted him like his little
+mistress, and they didn't put up with his tricks, or laugh at his
+funny pranks.
+
+The time went by heavily enough, he had not had on any of his ribbons,
+and he would go and stay away from home for days together, and when he
+came home just before dark, he had a wild look, as if he had been in
+rough company.
+
+On a lovely morning in June, Fannie was carried down stairs, to sit in
+the bay window, in the sunshine, and the ivy hung down its fresh,
+green leaves.
+
+Boney saw her the first thing. His delight knew no bounds; he rubbed
+his back against her chair, turned his head around in her robe as it
+lay on the carpet, and jumped into her lap! And Fannie smoothed his
+back with her little thin hand.
+
+After a time he went away, and nobody thought any thing about him,
+till dinner-time, when, what should they see coming up the piazza
+steps, but Boney, with a bobolink in his mouth! He walked right up to
+Fannie, and laid it down at her feet, and looked up at his little
+mistress, with such a satisfied, happy expression on his face, as if
+he would say,--"There, that's the best I could do, and you are welcome
+to it."
+
+Fannie understood his good intentions, and laughed heartily, and that
+was the beginning of her recovery.
+
+Pretty soon, she was able to go out again, and she and Boney had the
+best of times that summer.
+
+
+
+
+CATCHING SNOW FLAKES.
+
+BY MRS. S. J. BRIGHAM.
+
+
+ Down from the sky, one winter day,
+ The snow-flakes tumbled and whirled in play.
+ White as a lily,
+ Light as a feather,
+ Some so chilly
+ Were clinging together.
+ Falling so softly on things below,
+ Covering all with beautiful snow.
+
+ Drifting about with the winds at play,
+ Hiding in hollows along the way,
+ White as a lily,
+ Light as a feather,
+ Coming so stilly
+ In cold winter weather.
+ Touching so lightly the snow-bird's wing,
+ Silently covering every thing.
+
+ Every flake is a falling star,
+ Gently falling, who knows how far?
+ White as a lily,
+ Light as a feather,
+ Hosts so stilly
+ Are falling together.
+ Every star that comes fluttering down,
+ Falls, I know, from the Frost King's crown.
+
+
+
+
+A MISCHIEVOUS MONKEY.
+
+
+Jocko was hardly more than a baby monkey, but he was so full of
+mischief that he often made his mother very sad. Jocko's father used
+to get angry with him; sometimes he used to give Jocko a good
+spanking; only he hadn't a slipper as the father of little boys have!
+Jocko's father and mother used to try to teach him that it was very
+bad manners to snatch any thing from the visitors who came up to the
+cage. That was a very hard lesson for Jocko to learn. One day he
+snatched a pair of spectacles from an old lady, who was looking into
+the cage and laughing; the old lady screamed with fright. Jocko tried
+to put the spectacles on himself; but the keeper made him give them
+up. When the old lady got her glasses again, she didn't care to look
+at the monkeys any more.
+
+Another day Jocko was taken very sick; he laid down in one corner of
+the cage, and could not be made to move. His mother thought he was
+going to die, and she was quite sure that some of his monkey cousins
+had hurt him. "Not so," chattered Jocko's father, "I found some pieces
+of gloves among the hay; I think the bad fellow has snatched them from
+somebody, and partly eaten them."
+
+"Dear, dear," chattered mother monkey, "I think you are right." When
+she turned Jocko over, he was so afraid of being punished, that he
+pretended to be fast asleep; but he heard all that his father and
+mother had said, and knew that they guessed right.
+
+"They're just like boys," said George Bliss one day, as he stood
+looking at the monkeys in Central park. George is a boy, and he ought
+to know. But there is a great difference after all. Boys can learn,
+better than monkeys, not to get into mischief, and bother their
+parents, and other people who come where they are. Some boys do not
+behave better than monkeys.
+
+[Illustration: A MISCHIEVOUS MONKEY.]
+
+
+
+
+THE AFRICAN SLAVE BOY.
+
+
+There are few who have not heard or read of the great traveler, Sir
+Samuel Baker, who found his way into the heart of Africa, and whose
+brave wife accompanied him in all his perilous journeys. The natives,
+when they found how kind he was, and how interested in trying to help
+them, called him the Great White Man.
+
+One day, after traveling a long distance, Sir Samuel and Lady Baker
+were sitting, in the cool of the evening, in front of their tent,
+enjoying a cup of tea in their English fashion, when a little black
+boy suddenly ran into the courtyard, and throwing himself at Lady
+Baker's feet raised his hands toward her, and gazed imploringly into
+her face.
+
+The English lady thought that the little lad was hungry, and hastened
+to offer him food; but he refused to eat, and began, with sobs and
+tears, to tell his tale. He was not hungry, but he wanted to stay with
+the white lady and be her slave.
+
+In broken accents he related how cruelly he had been treated by the
+master, who stole him from his parents when he was quite a little boy;
+how he made him earn money for him, and beat him because he was too
+small to undertake the tasks which were set him. He told how he and
+some other boys had crept out of the slave-hut at night and found
+their way to English Mission House, because they had heard of the
+white people, who were kind to the blacks.
+
+Then little Saat, for that was his name, made Lady Baker understand
+how much he loved the white people, and how he wished to be her little
+slave. She told him kindly that she needed no slave-boy, and that he
+must go back to his rightful master. But little Saat said, "No, he had
+no master;" and explained that the Missionaries had taught him a great
+deal, and then sent him, with some other lads, to Egypt, to help in
+the Mission work.
+
+Unfortunately, his companions had soon forgotten the good things they
+had been taught, and behaved so badly that the Missionaries in Egypt
+refused to keep them, and turned them out, to find their way back as
+best they might to their own people; but Saat had no people of his
+own, and he never rested until he succeeded in finding the Great White
+Man of whom he had heard so much.
+
+Lady Baker's kind heart was touched. She determined to keep the little
+black boy and train him to be her own attendant. He accompanied the
+travelers upon their wonderful journey to the Source of the Nile, and
+his attachment to his mistress was very touching.
+
+
+
+
+CLIMBING.
+
+
+The ivy, while climbing, preserves its pointed leaf, but when it has
+reached the top of its support it spreads out into a bushy head and
+produces only rounded and unshapely leaves.
+
+ The ivy, climbing upward on the tower,
+ In vigorous life its shapely tendrils weaves,
+ But, resting on the summit, forms a bower,
+ And sleeps, a tangled mass of shapeless leaves.
+
+ So we, while striving, climb the upward way,
+ And shape by enterprise our inner lives;
+ But when, on some low rest we idly stay,
+ Our purpose, losing point no longer strives.
+
+ ELLIOT STOCK.
+
+
+
+
+[Illustration: LEARNING TO KNIT.]
+
+
+
+
+[Illustration: TUG OF WAR.]
+
+
+
+
+LITTLE ELSIE.
+
+FAITH LATIMER.
+
+
+"I don't thee ath a Chineth baby lookth any differenth from any other
+folkth baby, do you, Perthy?"
+
+"That's what I am trying to find out," said Percy, whom his little
+sister May called her "big brother;" for only that morning she had
+said to her mother,--"I will athk Perthy, he ith tho big, he muth know
+every thing."
+
+Percy was as full of wonder as little May over the baby sleeper. He
+wanted to see the back of her head, but it was resting on the soft
+pillow, and the eyes were tightly closed. May stood at the foot of the
+bed longing, and yet afraid, to pull up the cover, and look at the
+little feet. "Do you thpect she wearth pink thatin thlipperth like
+thothe in the glath cathe?" she said.
+
+The voices did not waken the baby even when Percy made May give a
+little scream as he pulled her braided hair, and carried off the
+ribbon, saying,--"You've got a Chinese pig-tail anyway." Did you ever
+see a big brother do any thing like that? Then Percy went out and
+slammed the door, and left little May thinking very hard, and the baby
+asleep, after all that noise. What was May thinking about? She had
+heard mamma talk a great deal about China, and had seen queer pictures
+of people with bald heads and a long braid of hair hanging down
+behind, and in the cabinet in the sitting-room was a pair of tiny pink
+satin slippers, so small that her little hand could just go into one
+of them. Then she had a Chinese doll with almost a bald head, and the
+queerest shaped eyes; and that was why she and Percy wanted this baby
+to wake up that they might see what she looked like. That very morning
+while the children were visiting their grandmother, a carriage came to
+their house, bringing a little baby and its mother; and by the time
+they got home, the child was in May's crib, fast asleep, and the two
+mothers were talking together as they had not done for years before.
+Baby Elsie was not easily wakened, for she never had a very quiet
+place to sleep in. She was quite used to strange noises on shipboard,
+creaking ropes and escaping steam, loud voices giving orders to
+sailors, sometimes roaring waters and stormy winds. She had been many
+nights in a railroad sleeping-car, and she was not disturbed by the
+rush of wheels, or the whistling of the locomotive. Before that, she
+lived part of her little life on a boat in a narrow river, and a few
+months in a crowded, noisy house. Does it seem as if she had been
+quite a traveler? She had just come all the way from China--a land on
+the other side of the round world--and that was the reason that May
+called her a Chinese baby. Percy and May had never seen Elsie's
+mother, although she was their own aunt, for she and her husband had
+been more than ten years missionaries in China, and had come on a
+visit to America. Don't you think the two mothers, dear sisters, who
+had been so long and so far apart, had a great deal to say to each
+other? Do you expect they wanted Elsie to sleep quite as much as her
+cousins wanted her to wake? She was a good child, but she knew how to
+cry, and after a few days Percy said,--"She's not so much after all,
+she can't talk and tell us anything, and when she cries, she boo-hoo's
+just as you do, May."
+
+In a week, two more Chinese travelers came; the baby's father, and
+another cousin, Knox, a boy nine years old. Did you ever fire off a
+whole pack of Chinese fire-crackers at a time? That was almost the way
+that questions were asked by the two boys, back and forth, so quick
+and fast that there was hardly time to answer each one. The boy from
+Shanghai found as many things strange to him as the New York boy would
+have seen in China. Percy, and May, although she could not understand
+half she heard, were full of wonder as Knox told of living on a boat
+in the river, of so many boats around them, where people lived crowded
+together as closely as houses could be on land. He told of the cities,
+of narrow, crooked streets, all the way under awnings, to be shielded
+from the hot sun; of riding many miles in a wheel-barrow, with a
+Chinaman to push it along the road. They all laughed when Percy said
+they called their cousin Elsie "a Chinese baby;" and the grown folks
+helped to tell about the black-eyed babies over there, wrapped up in
+wadded comforts and placed standing, a great, round roll, in a tall
+basket, instead of a cradle. Percy thought the best thing he heard was
+of a boy in a royal family. He had to be well taught, for he must be a
+wise scholar in Chinese learning, but no one dared to touch or hurt
+him; so a poor boy of low rank was hired and kept in the house to take
+all the whippings for him; and whenever the young prince deserved
+correction, the bamboo rod was well laid on the poor boy's back. What
+would you think of such a plan? Elsie's father and mother were going
+back to China, but they were not willing that Knox should grow up
+there; he must go to some good school and stay in this country. Even
+little Elsie they dared not trust out of their sight among the
+Chinese.
+
+And so for the love of the dear Master, who said,--"Go and teach all
+nations," they were willing to leave father and mother, and home,
+loving sister and friends, even their own young children, for His
+sake.
+
+Don't you believe our heavenly Father will watch over Knox and Elsie,
+and make them grow up wise and true; ready to go back to the land
+where they were born, to carry on the good work their father and
+mother are doing in that strange, far-off country?
+
+Do you know of any ways in which children at home can help such work
+in China, or in other far-off foreign lands?
+
+
+
+
+KITTY STRIKER.
+
+
+ Little Kitty Striker saw
+ A handsome, fat, old goose
+ Out a-walking with her gosling.
+ And she said,--"Now what's the use,
+ Of letting that old waddler have
+ Such a pretty thing as that?
+ I'll run right out and get it;
+ I'll go without my hat."
+ Out she ran upon the dusty path,
+ On the grass, all wet with dew,
+ And the old goose turned round quickly,
+ She wished an interview.
+ And Kitty said,--"Oh, open your mouth
+ As much as ever you please;
+ I'm going to take your gosling,
+ Because I love to tease
+ Such a cranky, impudent squawker as you."
+ And she laughed right out, and stooped
+ To take the toddling little thing,
+ When down upon her swooped,
+ The angry goose with hisses fierce,
+ And wildly flapping wing,
+ And gave her a nip that was no joke!
+ On the heel of her red stocking!
+ Miss Kitty screamed, but tightly held
+ The little yellow ball,
+ And you know she'd not the shadow of right
+ To that goose's gosling at all.
+ Then its mother made a terrible snap
+ At Kitty's pretty blue dress!
+ And that thoughtless, mischievous little girl,
+ Was pretty well frightened I guess.
+ For she jumped and screamed, danced round like a top,
+ And the goose's eyes flashed red;
+ And she struck her wings in Kitty's eyes,
+ And on her little brown head!
+ She dropped the gosling, and ran for home,
+ Screaming, and crying,--"Boo! hoo!"
+ And learned a lesson she never forgot,
+ And it's as wholesome for me and for you,
+ That it's best to be kind to our barnyard friends,
+ And let them have their fun too.
+
+
+
+
+MAYING.
+
+
+Phil says he thinks it is a great pity when the May isn't out till
+June, because you can't go Maying if there isn't any May, and it's so
+stupid to go Maying in June. Phil is eleven months and fourteen days
+younger than I am, and his birthday is on the fourteenth of February
+and mine is on the first of March; so for fourteen days we are the
+same age, and when it's Leap Year we are the same age for fifteen
+days.
+
+I don't understand _why_ it should be a day more some years and not
+others, but mother says we shall learn about it by-and-by. Phil says
+he will like learning all that, but I don't think I shall, because I
+like playing better.
+
+Phil and I have a little dog of our own, and he belongs between us.
+His name is Dash. He came from the Home for Lost Dogs, and we didn't
+know his name, so Phil and I sat on the grass, and we called him by
+every name we could think of, until Phil thought of Dash, and when
+Dash heard that name he jumped up, and ran to Phil, and licked his
+face. We don't know what kind of dog he is, and father called him a
+'terrier spaniel;' but he laughed as he said it, and so we're not
+quite sure that he wasn't in fun. But it doesn't matter what kind of
+dog Dash is, because we are all fond of him, and if you're fond of any
+one if doesn't matter what they're like, or if they have a pretty
+name.
+
+Dash goes out with us when we take a walk, and I'm sure he knew
+yesterday when we went out without leave, because we wanted to go
+Maying. There's a beautiful hedge full of May blossoms down the lane
+and across the meadow, and we _did_ want some May very badly. So Phil
+and I went without asking mother, and Dash went with us.
+
+We found the place quite easily, and had pulled down several boughs of
+it, when we heard a gruff voice calling to us, and the farmer came up,
+asking what we were doing to _his_ hedge.
+
+I said, "Please, we didn't know it was yours, and we want some May
+very much, because to-morrow's the first of June, you know, and Phil
+says we can't go Maying then."
+
+The farmer didn't say any thing until he caught sight of Dash, and
+then he called out, angrily,--"If that dog gets among my chickens, I
+shall have him shot!"
+
+We were so frightened at that, that we ran away; and Dash ran too, as
+if he understood what the farmer said. We didn't stop for any May
+blossoms though we had picked them, and we did want them so, because
+of its being the thirty-first of May.
+
+Phil said the farmer was calling after us, but we only ran the faster,
+for fear he should shoot Dash. When we got home, mother met us in the
+porch, and asked where we had been; then we told her all about the
+farmer, and how we wanted to go Maying while we could.
+
+She laughed a little, but presently she looked quite grave, and
+said,--"I'm very glad to find you have told me the whole truth,
+because if you had not I should still have known it. Farmer Grey has
+been here, and he told me about your having gone across his meadow
+that he is keeping for hay. He has brought you all the May you left
+behind, and he says you may have some more if you want it, only you
+must not walk through the long grass, but go round the meadow by the
+little side-path. He said he was afraid he had frightened you, and he
+was sorry."
+
+Phil and I had a splendid Maying after that. We made wreaths for
+ourselves, and one for Dash, only we couldn't get him to wear his,
+which was a pity.
+
+But the best of all is that mother says she can always trust us,
+because we told the truth at once; and Phil and I think we would
+rather never go Maying any more (though we like it so much) than not
+tell her every thing. I'm sure it's a very good plan, and we mean to
+do it _always_, even when we're quite grown up. Mother laughs at that,
+and says,--"You will have your secrets then;" but Phil and I don't
+think we shall, because it couldn't be a really nice secret if we
+mightn't tell mother.
+
+ I. T.
+
+
+
+
+GRACIE'S TEMPER.
+
+
+ "Once a gentle, snow-white birdie,
+ Came and built its nest,
+ In a spot you'd never dream of,--
+ In a baby's breast.
+
+ Then how happy, gentle, loving,
+ Grew the baby, Grace;
+ All the smiles and all the dimples
+ Brightened in her face.
+
+ But a black and ugly raven
+ Came one morn that way;
+ Came and drove the gentle birdie.
+ From its nest away.
+
+ Ah! how frowning and unlovely
+ Was our Gracie then.
+ Until evening brought the white dove
+ To its nest again.
+
+ Children, this was Gracie's raven,
+ This her gentle dove,--
+ In heart a naughty _temper_
+ Drove away the _love_."
+
+
+
+
+[Illustration: {A BEE.}]
+
+Among the passengers on board a river-steamer recently was a woman,
+accompanied by a bright-looking nurse-girl, and a self-willed boy,
+about three years old.
+
+The boy aroused the indignation of the passengers by his continued
+shrieks and kicks and screams, and his viciousness toward the patient
+nurse. He tore her bonnet, scratched her hands, without a word of
+remonstrance from the mother.
+
+Whenever the nurse showed any firmness, the mother would chide her
+sharply, and say,--"Let him have it, Mary. Let him alone."
+
+Finally the mother composed herself for a nap; and about the time the
+boy had slapped the nurse for the fiftieth time, a bee came sailing in
+and flew on the window of the nurse's seat. The boy at once tried to
+catch it.
+
+The nurse caught his hand, and said, coaxingly:
+
+"Harry mustn't touch. It will bite Harry."
+
+Harry screamed savagely, and began to kick and pound the nurse.
+
+The mother, without opening her eyes or lifting her head, cried out,
+sharply:
+
+"Why will you tease that child so, Mary? Let him have what he wants at
+once."
+
+"But, ma'am, it's a--"
+
+"Let him have it, I say."
+
+Thus encouraged, Harry clutched at the bee and caught it. The yell
+that followed brought tears of joy to the passengers.
+
+The mother awoke again.
+
+"Mary!" she cried, "let him have it."
+
+Mary turned in her seat, and said, confusedly:--"He's got it, ma'am."
+
+
+
+
+THE SWEET-GRASS HOUSE.
+
+MRS. S. J. BRIGHAM.
+
+
+ Two little mice went out one day
+ Among the scented clover;
+ They wandered up and down the lane,
+ They roamed the meadow over.
+ "Oh, deary me!" said Mrs. Mouse,
+ "I wish I had a little house!"
+
+ Said Mr. Mouse,--"I know a place
+ Where nice sweet grass is growing;
+ Where corn-flowers blue, and buttercups
+ And poppies red, are blowing."
+ "Oh, deary me!" said Mrs. Mouse,
+ "We'll build us there a house."
+
+ So, of some sweet and tender grass
+ They built their house together;
+ And had a happy time, through all
+ The pleasant summer weather.
+ "Oh, deary me!" said Mrs. Mouse,
+ "Who ever had so nice a house?"
+
+
+
+
+JOHNNY'S GARDEN.
+
+
+ Johnny had a garden plot,
+ And set it all in order,
+ But let it run to grass and weeds,
+ Which covered bed and border.
+
+ Two stalking sun-flowers reared their heads,
+ So firmly were they rooted,
+ And Johnny, as he looked at them,
+ Was any thing but suited.
+
+ Two children small, looked up and said,
+ Oh, Mister, beg your pardon!
+ Or, if you will not answer that,
+ Say, sonny, where's your garden?
+
+ "What d'ye call those two large flowers?
+ An' what'll ye take, an' sell em?
+ You'd better put a ladder up,
+ So folks our size can smell 'em.
+
+ "We heard old Mrs. Grubber say,
+ 'That spot ye needn't covet;
+ He'd better turn it into hay,
+ Or make a grass-plot of it.'"
+
+ But Johnny never answered back,
+ But went and dug it over,
+ And soon again, his sprouting seeds,
+ He plainly could discover.
+
+ He said, "I'll have a garden yet.
+ And make a little money;
+ I never liked those Podger twins,--
+ They try to be so funny."
+
+
+
+
+BOY BILLY AND THE RABBIT.
+
+
+ Billy, boy! Billy, boy!
+ He was his mother's joy,
+ But he couldn't shoot an arrow worth a cent;
+ And a rabbit almost laughed
+ As she watched the flying shaft,
+ And the place upon the target where it went.
+
+ The rabbit passing by,
+ So very soft and sly,
+ Took Billy for a hunter gaily dressed;
+ But when she came anear,
+ She said, "'Tis very clear
+ It's safe enough to stay and take a rest."
+
+ Said the rabbit, "Billy, boy,
+ You never will annoy
+ Anybody, by your shooting at a mark;
+ With an arrow and a bow,
+ I just would like to show,
+ I can reach the bull's-eye nearer in the dark."
+
+ Just then an arrow flew,
+ That pierced it thro' and thro'
+ Which made Miss Bunny start, and jump, sky high!
+ She cried, "Oh, dear! Oh, dear!
+ It's safer in the rear;"
+ And scampered off and never said,--"Good-bye."
+
+ You see the reason why,
+ 'Tis always best to try,
+ Tho' others laugh and slander all the same;
+ For be it late or soon,
+ They'll always change their tune,
+ When they see your arrow doesn't miss its aim.
+
+
+
+
+A FISH STORY.
+
+HOPE LEDYARD.
+
+
+Six eager faces, all crowding around to "see the picture!" Four of the
+faces belong to girls--Edith and Mamie, Birdie and Jeanie, while Al
+and Dick, who are pretty big boys, "over ten," lean over the back of
+the chair.
+
+"_He's_ had a good catch," says Al.
+
+"_He's_ not caught those," says Dick, while the girls look first at
+the picture and then at the boys. "I guess that fellow standing up in
+the boat is his father. The men have caught the fish and the boy takes
+them to sell. Why, a fish as big as one of those fellows could pull a
+boy right into the water, easy!"
+
+"My brother Dick _knows_," whispers Jeanie, proudly. "He took me
+fishing once and I caught two fish."
+
+The little girls look as if they could hardly believe this, so Jeanie
+pulls mamma's arm and asks, "Didn't I catch two fish last summer?"
+
+"Indeed she did," says Dick, before mamma has time to answer. "She
+caught two sun-fish. I never saw any one do it better. Mother fried
+'em for her dinner, too."
+
+"My sister goes to a cooking school and learns to bake fish," says
+Edith, "and she is teaching me at home. I know the verse about cooking
+fish."
+
+We all begged Edith to say the verse, so, after a little coaxing, she
+repeated:
+
+ "Our lesson is fish, and in every dish
+ We would like to meet our teacher's wish.
+ But many men have many minds,
+ There are many fishes of many kinds;
+ So we only learn to boil and bake,
+ To broil and fry, and make a fish-cake.
+ And trust this knowledge will carry us through
+ When other fishes we have to 'do.'"
+
+Edith is a little orphan girl who lives with her grandmother and
+sister Minnie. We are all so interested about the cooking class, that
+she tells us about how they learn to bake bread.
+
+"I mixed the bread last Friday night and made some biscuit in the
+morning, and if I hadn't forgotten the salt they would have been
+splendid. I don't remember all the verses about bread, but one verse
+is:
+
+ "'Now you place it in the bread bowl,
+ A smooth and nice dough ball,
+ Last, a towel and a cover,
+ And at night that's all.
+ But when morning calls the sleeper
+ From her little bed,
+ She can make our breakfast biscuit
+ From that batch of bread.'"
+
+"Well, it's girls' work to cook and boys' work to catch," said Al, who
+was getting tired of hearing verses.
+
+"Jeanie did some catching before she was five years old, and you
+forget how nicely papa cooked the breakfast when you were camping out
+last summer."
+
+"I suppose his cooking, like Jeanie's fishing, was just an accident."
+
+"No, indeed! Good cooking has to be learned," I said, "and this
+picture makes me think of the first fish I had to cook, and what a
+foolish girl I had."
+
+"Oh, mamma's going to tell us a story about when she was a girl,"
+Jeanie exclaims. So all take seats--Jeanie on my lap, the boys on the
+two arms of my chair, and the three little sisters on chairs or
+footstools.
+
+Not about when I was a girl, but about when I was a very young wife.
+
+You boys know that I had always lived in a big house in the city,
+where the servants did all the cooking and such work, while I
+practiced music or studied or visited my Sunday-school scholars. I was
+just as fond of them in those days as I am now. Well! Your papa took
+me to a dear little house, far, far away, near Lake George. I had a
+very young girl to help me about the house, who did not know any thing
+about cooking. I thought I knew a good deal, for I had learned to bake
+bread, and roast meat and make a cup of tea or coffee. I had just as
+much fun keeping house in that little cottage as Jeanie has playing
+house up stairs. But one day papa went off in a hurry and forgot to
+ask me what I wanted for dinner. He was to bring a gentleman home that
+day and I hoped he would send me a good dinner.
+
+About ten o'clock Annie, my little servant, came to me and said, "Oh,
+ma'am, the butcher's here with a beautiful fish the master has sent
+for the meat."
+
+"A fish! Annie, do you know how to cook fish?" I said.
+
+"No, ma'am. Only it's fried they mostly has 'em."
+
+I went into the kitchen and there lay a beautiful trout--too pretty to
+eat, it seemed to me. Certainly too pretty to be spoiled by careless
+cooking. So I took my receipt book and after reading carefully, I
+stuffed the pretty fish and laid him in a pan all ready for the oven,
+and told Annie to put it in at eleven o'clock.
+
+I was pretty tired, so I lay down for a little nap, and had just
+dropped asleep when Annie came into the room, wringing her hands and
+saying, "Oh, ma'am! Oh, ma'am! What'll I do in the world?"
+
+It seems that she had taken the fish out of the safe and put it, pan
+and all, on the table, and then, remembering I had told her to
+sprinkle a little pepper on it, she went to the closet for her
+pepper-box, and when she came back, the pan was empty!
+
+"The cat stole it, Annie," I said.
+
+"Indade and she didn't. The innocent cratur was lyin' on my bed and
+the door shut."
+
+I tried to quiet the girl; but I told her at last she could go home
+that night, only she must dry her eyes and run to the butcher's for a
+steak, for the master would be home with a strange gentleman in half
+an hour. We managed to get the steak cooked, and papa tried to laugh
+Annie out of the notion of a ghost stealing our beautiful fish, but
+the girl would not smile and was afraid to be left alone in the
+kitchen. So after tea she packed up her things and was to take the
+stage to the depot; for Annie lived a long way off.
+
+Just before the stage came as I was standing at the gate, my eyes full
+of tears at losing my nice little servant all on account of a fish, I
+saw the lady who lived across the way open her gate and come toward
+our house. I saw the stage stop a few doors off as she came to our
+gate and bowing to me said:
+
+"Excuse me, we are strangers, but did you lose a fine trout to-day?"
+
+She must have thought me mad, for I rushed into the house, and called:
+"Annie, Annie, I've found the fish! Now put your things back in the
+bureau, you silly girl."
+
+Then I went back and invited my neighbor in, telling her about Annie's
+fright.
+
+"Why, it was our Nero--our great dog! I was away at my mother's or I
+would have brought it back, for I was sure it belonged to you. Nero
+must have slipped in, nabbed the fish, and brought it to our house. He
+laid it on the kitchen floor, as if he had done a very good deed, my
+girl tells me, and she, foolish thing, thought he had brought it from
+my mother's, and cooked it."
+
+We had a hearty laugh at our stupid servants, and were great friends
+from that day, and I never see a picture of fish for sale, but I think
+of my first trout, which I prepared for dinner with such care, but
+never tasted. Annie never dared say "ghosts" after that, and lived
+with us till Dick was three years old. But there is papa, and these
+little girls must have a piece of cake and run home.
+
+[Illustration: {A BOY AND GIRL ICE SKATING.}]
+
+
+
+
+Transcriber's Note
+
+The story SAILOR BABIES seems to end rather abruptly, and the poem
+following, PRETTY POLLY PRIMROSE, seems to start in the middle.
+Another copy of the book was checked and found to be the same, with no
+sign of a missing page, so this is probably a printing error.
+
+The poem starting "Dick and Gray" was originally in the middle of the
+story THE RETURN OF THE BIRDS; the poem has been moved before that
+story for readability.
+
+The second page of the story DIME AND BETTY, starting "I drive Betty
+to pasture every day," was obtained from a different copy of the book,
+which was identical in all aspects except the layout of the copyright
+page.
+
+The story THE TOWER OF LONDON consistently refers to Anne Boleyn as
+Anna Boleyn. This has been preserved as printed.
+
+Punctuation errors have been repaired. Inconsistent spelling and
+hyphenation has been preserved as printed across different pieces, but
+made consistent within individual pieces, as follows:
+
+ IN THE WOODS--Molly amended to Mollie--""You were
+ mistaken, Mollie, I'm sure.""
+
+ HOW THE DAYS WENT AT SEA-GULL BEACH--Estelle amended to
+ Estella--"We put the pole through the handle and Estella
+ and myself took hold ..."
+
+ DINGFORD'S BABY--Hettie amended to Hetty--"That little
+ brother of Hetty Dingford was the funniest baby on the
+ coast; ..."
+
+The following amendments have also been made:
+
+ THE LAUGHING JACKASS--rellishes amended to relishes--"He
+ relishes lizards very much, and there are plenty ..."
+
+ THE LAUGHING JACKASS--rotton amended to rotten--"She
+ lays here egss on the rotten wood at the bottom of the
+ hole."
+
+ TOMMY AND THE GANDER--then amended to them--"Tommy took
+ one of them in his hands."
+
+ FAN'S CARDS--Chrisrmas amended to Christmas--"Then they
+ all waved their cards and cried "Merry Christmas! ...""
+
+ WHO KILLED THE GOOSE?--alway amended to always--""People
+ are always saying dogs do things," ..."
+
+ MRS. GIMSON'S SUMMER BOARDERS--fricaseed amended to
+ fricasseed--"If coffee and fricasseed chicken would not
+ be just the thing ..."
+
+ MRS. GIMSON'S SUMMER BOARDERS--heir amended to
+ their--"... with their graceful talk, and numberless
+ resources of entertainment."
+
+ SMALL BEGINNINGS--close by amended to by close--"... and
+ by close application to his studies, ..."
+
+ AUTUMN LEAVES, AND WHAT KATIE DID--thown amended to
+ thrown--"... their leaves are thrown away, and they are
+ empty-handed."
+
+ WAIF'S ROMANCE--presented amended to prevented--"...
+ even if the overflowed valley had prevented her
+ accustomed excursions; ..."
+
+ WAIF'S ROMANCE--receeding amended to receding--"...
+ until he came to a good sized pond left by the receding
+ waters ..."
+
+ WAIF'S ROMANCE--smuggled amended to snuggled--"... the
+ kitten was snuggled up as close to her brute protector
+ ..."
+
+ TWO LITTLE GIRLS--befel amended to befell--"And this is
+ what befell;"
+
+ THE LION AT THE "ZOO"--purs amended to purrs--"... he
+ lies down and purrs as good-naturedly as a pussy cat,
+ ..."
+
+A table of contents has been added for the convenience of the reader.
+
+Illustration captions in {curly brackets} have been added by the
+transcriber for the convenience of the reader.
+
+The frontispiece illustration has been moved to follow the title page.
+Illustrations have been moved where necessary so that they are not in
+the middle of a paragraph.
+
+
+
+
+*** END OF THE PROJECT GUTENBERG EBOOK OUR YOUNG FOLKS AT HOME AND ABROAD ***
+
+***** This file should be named 29357-0.txt or 29357-0.zip *****
+This and all associated files of various formats will be found in:
+ https://www.gutenberg.org/2/9/3/5/29357/
+
+Updated editions will replace the previous one--the old editions will
+be renamed.
+
+Creating the works from print editions not protected by U.S. copyright
+law means that no one owns a United States copyright in these works,
+so the Foundation (and you!) can copy and distribute it in the
+United States without permission and without paying copyright
+royalties. Special rules, set forth in the General Terms of Use part
+of this license, apply to copying and distributing Project
+Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm
+concept and trademark. Project Gutenberg is a registered trademark,
+and may not be used if you charge for an eBook, except by following
+the terms of the trademark license, including paying royalties for use
+of the Project Gutenberg trademark. If you do not charge anything for
+copies of this eBook, complying with the trademark license is very
+easy. You may use this eBook for nearly any purpose such as creation
+of derivative works, reports, performances and research. Project
+Gutenberg eBooks may be modified and printed and given away--you may
+do practically ANYTHING in the United States with eBooks not protected
+by U.S. copyright law. Redistribution is subject to the trademark
+license, especially commercial redistribution.
+
+START: FULL LICENSE
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full
+Project Gutenberg-tm License available with this file or online at
+www.gutenberg.org/license.
+
+Section 1. General Terms of Use and Redistributing Project
+Gutenberg-tm electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or
+destroy all copies of Project Gutenberg-tm electronic works in your
+possession. If you paid a fee for obtaining a copy of or access to a
+Project Gutenberg-tm electronic work and you do not agree to be bound
+by the terms of this agreement, you may obtain a refund from the
+person or entity to whom you paid the fee as set forth in paragraph
+1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this
+agreement and help preserve free future access to Project Gutenberg-tm
+electronic works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the
+Foundation" or PGLAF), owns a compilation copyright in the collection
+of Project Gutenberg-tm electronic works. Nearly all the individual
+works in the collection are in the public domain in the United
+States. If an individual work is unprotected by copyright law in the
+United States and you are located in the United States, we do not
+claim a right to prevent you from copying, distributing, performing,
+displaying or creating derivative works based on the work as long as
+all references to Project Gutenberg are removed. Of course, we hope
+that you will support the Project Gutenberg-tm mission of promoting
+free access to electronic works by freely sharing Project Gutenberg-tm
+works in compliance with the terms of this agreement for keeping the
+Project Gutenberg-tm name associated with the work. You can easily
+comply with the terms of this agreement by keeping this work in the
+same format with its attached full Project Gutenberg-tm License when
+you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are
+in a constant state of change. If you are outside the United States,
+check the laws of your country in addition to the terms of this
+agreement before downloading, copying, displaying, performing,
+distributing or creating derivative works based on this work or any
+other Project Gutenberg-tm work. The Foundation makes no
+representations concerning the copyright status of any work in any
+country other than the United States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other
+immediate access to, the full Project Gutenberg-tm License must appear
+prominently whenever any copy of a Project Gutenberg-tm work (any work
+on which the phrase "Project Gutenberg" appears, or with which the
+phrase "Project Gutenberg" is associated) is accessed, displayed,
+performed, viewed, copied or distributed:
+
+ This eBook is for the use of anyone anywhere in the United States and
+ most other parts of the world at no cost and with almost no
+ restrictions whatsoever. You may copy it, give it away or re-use it
+ under the terms of the Project Gutenberg License included with this
+ eBook or online at www.gutenberg.org. If you are not located in the
+ United States, you will have to check the laws of the country where
+ you are located before using this eBook.
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is
+derived from texts not protected by U.S. copyright law (does not
+contain a notice indicating that it is posted with permission of the
+copyright holder), the work can be copied and distributed to anyone in
+the United States without paying any fees or charges. If you are
+redistributing or providing access to a work with the phrase "Project
+Gutenberg" associated with or appearing on the work, you must comply
+either with the requirements of paragraphs 1.E.1 through 1.E.7 or
+obtain permission for the use of the work and the Project Gutenberg-tm
+trademark as set forth in paragraphs 1.E.8 or 1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any
+additional terms imposed by the copyright holder. Additional terms
+will be linked to the Project Gutenberg-tm License for all works
+posted with the permission of the copyright holder found at the
+beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including
+any word processing or hypertext form. However, if you provide access
+to or distribute copies of a Project Gutenberg-tm work in a format
+other than "Plain Vanilla ASCII" or other format used in the official
+version posted on the official Project Gutenberg-tm website
+(www.gutenberg.org), you must, at no additional cost, fee or expense
+to the user, provide a copy, a means of exporting a copy, or a means
+of obtaining a copy upon request, of the work in its original "Plain
+Vanilla ASCII" or other form. Any alternate format must include the
+full Project Gutenberg-tm License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works
+provided that:
+
+* You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is owed
+ to the owner of the Project Gutenberg-tm trademark, but he has
+ agreed to donate royalties under this paragraph to the Project
+ Gutenberg Literary Archive Foundation. Royalty payments must be paid
+ within 60 days following each date on which you prepare (or are
+ legally required to prepare) your periodic tax returns. Royalty
+ payments should be clearly marked as such and sent to the Project
+ Gutenberg Literary Archive Foundation at the address specified in
+ Section 4, "Information about donations to the Project Gutenberg
+ Literary Archive Foundation."
+
+* You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or destroy all
+ copies of the works possessed in a physical medium and discontinue
+ all use of and all access to other copies of Project Gutenberg-tm
+ works.
+
+* You provide, in accordance with paragraph 1.F.3, a full refund of
+ any money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days of
+ receipt of the work.
+
+* You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project
+Gutenberg-tm electronic work or group of works on different terms than
+are set forth in this agreement, you must obtain permission in writing
+from the Project Gutenberg Literary Archive Foundation, the manager of
+the Project Gutenberg-tm trademark. Contact the Foundation as set
+forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+works not protected by U.S. copyright law in creating the Project
+Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm
+electronic works, and the medium on which they may be stored, may
+contain "Defects," such as, but not limited to, incomplete, inaccurate
+or corrupt data, transcription errors, a copyright or other
+intellectual property infringement, a defective or damaged disk or
+other medium, a computer virus, or computer codes that damage or
+cannot be read by your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium
+with your written explanation. The person or entity that provided you
+with the defective work may elect to provide a replacement copy in
+lieu of a refund. If you received the work electronically, the person
+or entity providing it to you may choose to give you a second
+opportunity to receive the work electronically in lieu of a refund. If
+the second copy is also defective, you may demand a refund in writing
+without further opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO
+OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
+LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of
+damages. If any disclaimer or limitation set forth in this agreement
+violates the law of the state applicable to this agreement, the
+agreement shall be interpreted to make the maximum disclaimer or
+limitation permitted by the applicable state law. The invalidity or
+unenforceability of any provision of this agreement shall not void the
+remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in
+accordance with this agreement, and any volunteers associated with the
+production, promotion and distribution of Project Gutenberg-tm
+electronic works, harmless from all liability, costs and expenses,
+including legal fees, that arise directly or indirectly from any of
+the following which you do or cause to occur: (a) distribution of this
+or any Project Gutenberg-tm work, (b) alteration, modification, or
+additions or deletions to any Project Gutenberg-tm work, and (c) any
+Defect you cause.
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of
+computers including obsolete, old, middle-aged and new computers. It
+exists because of the efforts of hundreds of volunteers and donations
+from people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need are critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future
+generations. To learn more about the Project Gutenberg Literary
+Archive Foundation and how your efforts and donations can help, see
+Sections 3 and 4 and the Foundation information page at
+www.gutenberg.org
+
+Section 3. Information about the Project Gutenberg Literary
+Archive Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non-profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Contributions to the Project Gutenberg Literary
+Archive Foundation are tax deductible to the full extent permitted by
+U.S. federal laws and your state's laws.
+
+The Foundation's business office is located at 809 North 1500 West,
+Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up
+to date contact information can be found at the Foundation's website
+and official page at www.gutenberg.org/contact
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without
+widespread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine-readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To SEND
+DONATIONS or determine the status of compliance for any particular
+state visit www.gutenberg.org/donate
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations. To
+donate, please visit: www.gutenberg.org/donate
+
+Section 5. General Information About Project Gutenberg-tm electronic works
+
+Professor Michael S. Hart was the originator of the Project
+Gutenberg-tm concept of a library of electronic works that could be
+freely shared with anyone. For forty years, he produced and
+distributed Project Gutenberg-tm eBooks with only a loose network of
+volunteer support.
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as not protected by copyright in
+the U.S. unless a copyright notice is included. Thus, we do not
+necessarily keep eBooks in compliance with any particular paper
+edition.
+
+Most people start at our website which has the main PG search
+facility: www.gutenberg.org
+
+This website includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+
+