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+The Project Gutenberg EBook of The Foreign Tour of Messrs. Brown, Jones
+and Robinson, by Richard Doyle
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever.  You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: The Foreign Tour of Messrs. Brown, Jones and Robinson
+       Being the History of What They Saw, and Did, in Belgium,
+       Germany, Switzerland & Italy.
+
+Author: Richard Doyle
+
+Release Date: July 20, 2009 [EBook #29463]
+
+Language: English
+
+Character set encoding: ISO-8859-1
+
+*** START OF THIS PROJECT GUTENBERG EBOOK FOREIGN TOUR--BROWN, JONES, ROBINSON ***
+
+
+
+
+Produced by Louise Hope
+
+
+
+
+[This plain-text file, containing only the captions to Richard Doyle's
+drawings, is included for completeness. The HTML version includes all
+drawings and decorative text.
+
+Except for "The Review" and some decorative headers, the entire book
+was printed in CAPITAL LETTERS. It has been reformatted for readability;
+capitalization decisions are the transcriber's. Text shown in +marks+
+was printed in decorative blackletter type.]
+
+
+
+
+  The Foreign Tour
+
+  of Messrs
+
+  BROWN, JONES, and ROBINSON.
+
+  Being the History of
+  What They Saw, and Did
+  in Belgium, Germany,
+  Switzerland & Italy.
+
+  by
+
+  Richard Doyle.
+
+
+  London. Bradbury & Evans. Whitefriars.
+
+
+       *       *       *       *       *
+           *       *       *       *
+
+
+[LONDON.]
+
+
+The mail train to Dover. Brown, Jones, and Robinson starting on their
+travels.
+
+
+
+
+[OSTEND.]
+
+
+After a rough passage, Brown, Jones, and Robinson are here seen landed
+at Ostend, surrounded, and a little bewildered, by the natives, who
+overwhelm them with attentions--seize the luggage, thrust cards into
+their hands, drag them in several directions at once, all talking
+together (which prevented their directions being so clear as they
+otherwise would have been)--and, finally, all expecting money!
+
+
+They are at the Douane, waiting for the officials to search the luggage.
+
+Robinson and Jones (alarmed by expression of Brown's countenance).
+--"What's the matter now?" Brown (in a voice of agony). --"I've left the
+key of my bag at home!"
+
+
+
+
+[OSTEND TO COLOGNE.]
+
+
+A sketch made at Malines.
+
+
+How they saw Belgium.
+
+
+
+
+[COLOGNE.]
+
+
+THE ARRIVAL AT COLOGNE.
+
+Travellers passing their examination. In the foreground is Jones's
+portmanteau undergoing the "ordeal by touch."
+
+
+Manner and custom of the people, as seen from the railway by Brown, and
+made a note of.
+
+
+B. J. and R., who took their places on the roof the better to command
+the view, are seen at the moment when the idea occurred to the two
+former that they might possibly not "fit" under the archway. Robinson is
+so wrapped up in thought, and a cigar, that he is unconscious of all
+else.
+
+This represents the Cologne omnibus on its journey from the station into
+the city, when stopped by the military, and made to "stand and deliver"
+the passports.
+
+
+Arrival at the hotel, and first coming in sight of that amiable and
+obliging race, the German waiter. He is small in stature (scarcely the
+size of life, as Jones remarked), and remains always a boy.
+
+
+"Speise-Saal" hotel, Cologne-- Enter Brown, Jones, and Robinson,
+fatigued, and somewhat disordered by travel, and "so hungry."
+
+
+How an agent of Jean Maria Farina addressed them, who was kind enough
+to put some of the celebrated "Eau" upon their handkerchiefs, and to
+receive orders for the same.
+
+
+The real Eau de Cologne, and its effect upon the noses of three
+illustrious individuals.
+
+
+"Kellner" presents the bill.
+
+
+They "do" Cologne cathedral.
+
+
+
+
+[COLOGNE TO BONN.]
+
+
+The railway from Cologne to Bonn. --B. J. and R. "Just in time."
+
+
+First glimpse of Rhine scenery.
+
+
+
+
+[BONN.]
+
+
+Jones's little all is contained in this small portmanteau.
+
+
+Robinson, on the contrary, finds it quite impossible to move with less
+than this.
+
+
+This scene represents the Rhine boat about to start from Bonn, and
+passengers from the railway embarking. In the foreground an accident has
+occurred, a porter having upset the luggage of an English family, the
+head of which is saluting him with the national "Damn," while the
+courier of the party expresses the same idea in German.
+
+
+
+
+[THE RHINE.]
+
+
+BROWN'S FIRST IMPRESSION OF THE RHINE.
+
+_From an ORIGINAL SKETCH in the possession of his family._
+
+
+HEADS OF THE NATIVES.
+
+_A Leaf from Brown's Sketch Book._
+
+
+COMPANY ON BOARD THE RHINE BOAT.
+
+Amongst them was a travelling tutor, and three young gentlemen, his
+pupils. He stood in the midst of them smiling blandly, an open volume in
+his hand, (probably a classic author,) between which, and his pupils,
+and the scenery, he divided his attention in about equal parts. There
+was a specimen of the English grumbler, big, burly, and as if in danger
+of choking from the tightness of his cravat. Every one knows him, his
+pleasant ways, and his constant flow of good humour and cheerfulness;
+that is he, sitting to the right. There were besides, numerous young
+gentlemen from the universities, from the army, from the bar, all with
+more or less hair on their upper lips; and there was a cavalry officer
+of the Russian guard, and a professor, on his way to Heidelberg, and
+loose, dishevelled, hairy, smoky young Germans, with long beards, and
+longer pipes. And there was a British nobleman, and a British alderman,
+and a British alderwoman; and there were British ladies whom I can't
+describe, because they wore those "ugly" things which prevent them being
+seen; intelligent young Americans on their way all over the world; nuns,
+with their quiet, happy faces; Red Republicans from Frankfort, and snobs
+from London.
+
+
+THE GREAT BRITON.
+
+As he stood contemplating the Rhine-land, wondering if it would be
+possible to live in that country; and considering (supposing he had one
+of those castles, now) how many thousands a-year one could do it with.
+The scenery would do; and with English institutions it might be made a
+good thing of.
+
+N.B. --He little thinks what Brown is doing.
+
+Even the nun was not safe from Brown. He is here seen taking her off, in
+a rapid act of sketching.
+
+
+B. J. and R. had just begun to enjoy the scenery, when, to their
+consternation, who should appear on board but the "Bore," who instantly
+was down upon them. For three mortal hours he entertained them with
+fashionable intelligence, anecdotes of the aristocracy, the court
+circular, births, deaths, marriages, &c.
+
+
+This was supposed to be an M.P. travelling in search of "facts." He is
+giving Brown his views; and also the statistics of everything.
+
+
+A VIEW ON THE RHINE.
+
+
+THE LONDON GENT UP THE RHINE.
+
+He is taken at the moment when expressing his opinion that the whole
+concern is a "do" and a "sell."
+
+
+BRITISH FARMER AND SON IN FOREIGN PARTS.
+
+They both wore a perpetual grin and stare of surprise, Jones thought
+that they had taken leave of England and their senses at once, owing to
+the withdrawal of protection.
+
+
+THE RHINE BOAT.
+
+Brown may be seen seated there upon the paddle-box, rapidly sketching
+every church, ruined castle, town, or other object of interest on either
+bank of the river. Those are Jones and Robinson, leaning over the side
+of the boat below him. Observe, also, the stout party who has called for
+brandy-and-water, and whose countenance almost lapses into a smile as
+"Kellner" approaches with the beverage. The tutor, it is pleasant to
+see, has at last put his "Classic" in his pocket, and gives himself up
+to the undivided enjoyment of the scene, while his "young charge" is
+wrapped in contemplation of mechanical science as exemplified in the
+structure of the wheel. And that must surely be the gent who has such a
+low opinion of the beauty of the Rhine-land, seated at the stern of the
+boat with his legs dangling over the river. Let us hope that he is happy
+now!
+
+
+THE ENGLISH "MILORD" UPON THE RHINE.
+
+How happy he looks! He dislikes the hum of men, and sits all day shut up
+in his carriage reading the literature of his country. How rude of those
+Germans to be laughing and joking so near his lordship!
+
+
+PERFECT ENJOYMENT.
+
+
+
+
+[COBLENTZ.]
+
+
+Indignation of Robinson, at sight of inadequate washing apparatus. He
+rang the bell with such violence, that all the waiters rushed in,
+thinking that the hotel was on fire, or that a revolution had broken
+out.
+
+There he stood, pointing to the water, about half a pint in a basin the
+size of a breakfast cup; and in a voice of suppressed emotion, demanding
+to know if "Das ist, etc."
+
+
+JONES'S NIGHT THOUGHTS.
+
+"Man wants but little here below," _but_ "wants that little long."
+
+
+If you should forget the number of your key and room (_as BROWN did on
+returning late from the theatre_), what are you to do?
+
+
++An Incident in the Life of Jones's Dog.+
+
+How this animal seemed to have imbibed communistic principles, and how
+he stole a sausage, and how the population rose like one man, and hunted
+him through the town.
+
+
+The dog having outstripped the populace, proceeds to eat the sausage.
+
+
+Having done so, he looks stouter than he did, and is inclined to rest.
+The inhabitants, eager for vengeance, surround him, but are kept at bay
+by the expression of his countenance.
+
+
+One burly peasant having the hardihood to approach too near, he is made
+as example of. _Exeunt omnes._
+
+
+
+
+[THE RHINE.]
+
+
+Brown, with noble perseverance, sits upon the paddle-box, regardless of
+the storm, and sketches the castles and towns, as the steam-boat passes
+them.
+
+
+--Till in a moment of grief his hat and several sketches were carried
+off for ever: and then he thought it time to go below.
+
+
+How a citizen of the United States addressed Brown; and how he put the
+following questions during the first five minutes of their acquaintance.
+
+1. "Where are you going?"
+
+2. "What place do you hail from?"
+
+3. "Conclude you go toe Frankfort?"
+
+4. "You're Mr. Brown, I reckon?"
+
+5. "What names do your friends go by?"
+
+Statements made during the same period.
+
+1. "This here Rhine ain't much by the side of our Mississippi."
+
+2. "Old Europe is 'tarnally chawed up."
+
+
+BROWN'S HAT.
+
+Robinson was very merry about this incident, and both he and Jones kept
+poking fun at Brown during the rest of the day. They parodied the well
+known song of "My heart's on the Rhine," substituting "My hat's in the
+Rhine;"--(it was very poor stuff, we have been assured by Brown)--and
+they made pointed allusions to the name of "Wide-Awake."
+
+The above drawing is from a rude sketch by Jones.
+
+
+THE SCENERY BECOMES MYSTERIOUS.
+
+They now became enveloped in what seemed a combination of fog
+(London November) and mist (Scotch). Only think of those two national
+institutions going up the Rhine with the rest of the fashionable world.
+At first it obscured the hill tops, with the ruins thereon; then the
+villages and vineyards below; and finally both banks of the river
+entirely disappeared. The company on board the steamboat did not,
+at this period, present the most cheerful aspect.
+
+
+
+
+[MAYENCE TO FRANKFORT.]
+
+
+How Robinson's favourite portmanteau, which he had forgotten to lock,
+was dropped accidentally by a porter while conveying it to the omnibus.
+
+
+Jones hints to Robinson that it is time to get up.
+
+
+
+
+[FRANKFORT.]
+
+
+How they visited a "quarter" of the city of Frankfort, and what they saw
+there!
+
+
+Robinson here wrote his celebrated letter to the "Times," on the subject
+of the deficiency of soap and water, from which, as we have seen in a
+former page, he suffered so grievously. It was conceived in terms of
+indignant eloquence; and drew a terrible picture of the state of social,
+political, and religious degradation into which a country must have
+sunk, where such things could be tolerated.
+
+
+As they walked through the town, bent upon seeing the Ariadne, and
+unconscious of danger, suddenly an object appeared in sight that filled
+them with terror. It was the "Bore!" stepping jauntily along on the
+other side of the street. To hesitate was to be lost! So they plunged
+into the nearest shop for protection, and stood there breathless with
+expectation and fear. Presently Jones--putting his head very gradually
+out--reconnoitred, and finding all safe they resumed their way.
+
+
+Robinson thinks it "the thing" to encourage native industry wherever he
+goes, and so buys a German pipe.
+
+
+
+
+[HEIDELBERG.]
+
+
+"Kellner!"
+
+
+While Brown, Jones, and Robinson supped, a party of philosophers carry
+on an æsthetical discussion, with an accompaniment of pipes and beer.
+
+
+"*  *  *  The night was beautiful, so we determined after supper to have
+a look at the celebrated castle--Jones and I did, that is to say, for
+Robinson was so fatigued with travel that he declined moving, muttering
+something about 'Castle can wait.' We ascended; the moon shone brightly
+through the ruins, and bathed the landscape in its silvery light, the
+beautiful Neckar flowing at our feet. Under us lay the town, a thousand
+lights twinkling in the stillness."  *  *  "Suddenly, to our horror,
+there appeared upon the terrace 'The Bore!'" --_Extract from Brown's
+Journal._
+
+
+"At last he left us. But not before he had taken from his pocket a
+letter received that morning from Green ('You know Green, of course,'
+he said, 'everybody does'), and read it aloud from beginning to end. It
+told of a 'good thing' said at the club by Smith; and of two marriages,
+and a duel likely to come off, besides several interesting particulars
+regarding the winner of the St. Leger." --_Ibid._
+
+When Jones and Brown were left once more alone, they wandered and
+pondered amongst the ruins, and moralised over the instability of
+things--they were even becoming sentimental--when, suddenly, a terrific
+sound was heard--like the barking of a dog--and the next moment the
+animal himself was seen emerging from the darkness, and making towards
+them at the top of his speed. They turned and fled!
+
+
+Meeting by moonlight.
+
+
+Robinson, after the departure of Jones and Brown, seated himself before
+the fire and fell fast asleep.
+
+
+He continued in that state, notwithstanding that the philosophers became
+very noisy, and even warlike.
+
+
+--And although--after the latter had retired (fortunately without coming
+to blows)--his chair toppled over, he quietly assumed a horizontal
+position.
+
+Fancy the feelings of Jones and Brown on returning, and finding their
+friend lying on his back upon the floor, snoring!
+
+
+They lifted him up, and carried him off to bed.
+
+
+Next morning they entertained Robinson with a thrilling account of the
+dangers of their expedition, in which that dreadful dog filled a very
+large space.
+
+The above will give some faint idea of what they pictured to themselves
+(and to Robinson).
+
+
+
+
+[THE REVIEW.]
+
+
+Brown, Jones, and Robinson have arrived at ----, the capital of ----, a
+small German state (we won't say which, as it would be giving it an
+undue distinction, and might offend the others).
+
+They have been received with distinguished consideration, the "local"
+paper having announced their arrival as Count Robinson, Sir Brown, and
+the Rev. Jones. They have been invited to be present at a grand review,
+and Robinson--who amongst other necessaries in those portmanteaus of
+his, carried a uniform as Captain of Yeomanry--thought that this was
+just the proper occasion to appear in it. Accordingly, he rode on to the
+ground upon a charger (hired), in the character of a warrior, with a
+solemnity of countenance befitting the scene and his country, and
+accompanied by Jones (also mounted), but in the costume of an ordinary
+individual of the period. Brown preferred going on foot. That is
+Robinson in the centre. Just at the time when he ought to be riding up
+the line, inspecting the troops with the Grand Duke and his staff--his
+horse (a "disgusting brute," as Robinson afterwards described him, "who
+could not have been in the habit of carrying gentlemen") suddenly stood
+on his hind legs, in the very middle of the field, so that his rider was
+forced to cling on to him in an absurd manner, in full view of the army,
+the people, and the court.
+
+R. at that moment earnestly desired that the earth might open and
+swallow him.
+
+KEY TO THE CARTOON.
+
+1. Robinson. 2. The Grand Duke. 3. The Crown Prince. 4. The Rest of the
+Serene Family. 5. Mr. Jones. 6. The Population. 7. Mr. Jones's Dog.
+8. Mr. Brown. 9. The Army. 10. Distant View of the Capital. 11. Foreign
+Visitors. 12. Monument to late Duke.
+
+
+
+
+[BADEN.]
+
+
+A SCENE AT BADEN.
+
+
+THE RIGHT OF SEARCH.
+
+
++Of the Adventure that befel Jones.+
+
+
+I.
+
+Jones's dog having come upon a sentinel, and struck, perhaps, by his
+small size compared with the sentinels he is used to, commences to say,
+"Bow!--wow!--wow!--wew--u--u!"
+
+The soldier, offended by these remarks, presents for the animal's
+consideration, the point of his bayonet.
+
+
+II.
+
+Jones expostulates, with that freedom of speech which is the birthright
+of every Englishman.
+
+
+III.
+
+But obtaining no satisfaction, calls on the miserable foreigner to
+"Come on."
+
+
+IV.
+
+First (and last) round. --The soldier did "Come on," frowning. Jones
+received him, smiling. --The soldier made play with his musket: Jones
+put in his left. They closed, and a terrific struggle ensued, in the
+course of which Jones got his adversary's "Nob" into "Chancery."
+
+
+V.
+
+The soldier, at this point, unable to use his arms, took to his legs,
+and administered a series of kicks upon the shins of Jones, who in
+return seized him, lifted him in the air, and threw him.
+
+
+VI.
+
+Then, considering that justice and the honour of his country were alike
+satisfied, he retired, leaving the body of his antagonist on the field.
+
+
+VII.
+
+Shows the "body," on discovering that life was not extinct, attempting
+to rise.
+
+P.S. --He was last seen making frantic efforts to regain his feet, and
+seemingly prevented from doing so by the weight of his knapsack, and
+other accoutrements.
+
+
+VIII.
+
+Jones was late at breakfast; he found Robinson reading "Galignani," and
+Brown looking out of window, and after giving them an amusing account of
+the fun he had had, was just sitting down to the table, when Brown
+shouted out, "By Jove, there is a regiment of soldiers coming down the
+street!"
+
+
+IX.
+
+At first Jones was incredulous; but presently Brown, his hair standing
+on end, rushed towards him, and in a voice of agony, cried, "As sure as
+we are alive they have stopped in front of the house, and the _OFFICER
+IS COMING IN!_"
+
+
+X.
+
+It was too true. The soldiers had come to look after the Englishman who
+had attacked and beaten their comrade.
+
+
+XI.
+
+After a few moments of breathless suspense, the officer enters--Jones
+stands like a man about to struggle with adversity.
+
+
+XII.
+
+Nevertheless he is arrested and marched off.
+
+
+XIII.
+
+Robinson, in agony, calls for his coat and hat, "For," as he cried out
+to Brown, "not a moment is to be lost in endeavouring to see the British
+Minister."
+
+
+XIV.
+
+They gain an audience of His Excellency the British Minister, and ask
+his interference in behalf of a persecuted countryman.
+
+We are happy to add that the interference was quite successful. Jones
+was liberated immediately, and shortly afterwards the British Minister
+for Foreign Affairs, in a despatch to the German Minister for the same,
+expressed his conviction that "The whole civilised world reprobated,
+with one voice, a system at once tyrannical and cruel, a remnant of the
+darkest ages of man's history, and utterly unworthy of the present era
+of progress and enlightenment."
+
+Our friends were advised, however, to leave the country as soon and as
+quietly as possible. They departed accordingly.
+
+
+
+
+[BADEN TO BASLE.]
+
+
+Head-dresses of peasantry. A sketch on the road to Basle.
+
+
+How Brown and Jones went in a third class carriage (Robinson would not;
+it did not seem "respectable"), that they might see the natives, and how
+B. drew the portrait of one, to her evident dissatisfaction.
+
+
+The omnibus besieged and taken by storm.
+
+
+
+
+[BASLE.]
+
+
+"The height of the omnibusses is quite disgusting." --_Extract from
+unpublished documents in possession of ROBINSON, who himself fell in the
+mud, while climbing from the roof of one of those vehicles._
+
+
+Scene from the road, near Basle.
+
+
+Storks' nest, Basle.
+
+
+
+
+[SWITZERLAND.]
+
+
+BOAT STATION ON THE LAKE OF LUCERNE;
+AS SKETCHED BY BROWN FROM THE STEAMER.
+
+According to the guide-book, the paintings on the wall represent Furst,
+Stauffach, and Melchthal, swearing to liberate their country; but Jones
+said he believed them to be portraits of a medieval Swiss Brown, Jones,
+and Robinson, in the act of vowing eternal friendship.
+
+
+The safest way of coming down a mountain.
+
+
+"We got out of the diligence (at a time when it was obliged to go very
+slowly), in order to make an excursion on foot in search of the
+picturesque, being told that we might meet the carriage at a certain
+point, about a mile further on. We saw many magnificent views, and did a
+great deal of what might be called rough walking; but perhaps the thing
+that struck us most was, that on emerging at the appointed spot for
+rejoining the diligence, we beheld it a speck in the distance, just
+departing out of sight." --_Extract from Jones's Journal._
+
+
+The seven ages of Robinson's beard.
+
+
+What are they to do now?
+
+
+DESCENT OF THE ST. GOTHARD.
+
+Having taken their places on the outside of the diligence, Brown, Jones,
+and Robinson can the better enjoy the grandeur of the scenery.
+
+
+They see Italy in the distance.
+
+
+A meeting on the mountain.
+
+
+Pilgrims coming _down_ the "Hill of Difficulty."
+
+
+
+
+[ITALY.]
+
+
+BREAKFAST AT BELLINZONA.
+
+It was their first day in Italy, and how they did enjoy it! The repast
+was served in a stone summer-house attached to the hotel. The sun was so
+bright, and so hot; the sky was so blue, the vegetation so green, the
+mountains so purple, the grapes so large, and everything so beautiful,
+that Brown and Jones both decided that the scene fully realised all
+their imaginings of Italy. Robinson was enthusiastic, too, at first, and
+was beginning to say something about "Italia, O Italia," when his eye
+lit upon a green lizard running up the wall. From that moment he was
+more subdued.
+
+
+How they got Robinson up the hills.
+
+
+
+
+[ITALIAN LAKES.]
+
+
+They land upon Austrian territory en route for Milan. While the "proper
+officer" takes possession of their passports, the whole available
+population pounces upon the luggage, and, after apportioning it into
+"small allotments," carries it off to the custom house.
+
+
+The official here is seen "pointing" on the scent (as he thinks) of
+contraband goods in one of Robinson's portmanteaus. He did not "find,"
+but in the hunt, tossed R.'s "things" dreadfully. Brown revenged the
+wrongs of self and friends, by taking a full length, on the spot, of
+that imposing administrator, who stands over there, with the passports
+in his hand.
+
+
+"Excelsior!"
+
+
+An Italian view.
+
+
+"Buon giorno."
+
+
+EVENING ON THE LAGO MAGGIORE.
+
+
+"'Knowest thou the land' where the grapes are as plentiful as
+blackberries in England; and where one has only to stop a minute at the
+roadside, and pull no end of 'em. O 'tis there! 'tis there! etc."
+--_Robinson's letters to his kinsfolk._
+
+
+MARIE.
+
+Oh! Marie of the Lago d'Orta, maid of the inn, and most beautiful of
+waitresses, how well do I remember thee! How graceful were all thy
+movements; what natural ease, together with what a dignified reserve;
+--How truly a lady wert thou! You did not know it, but when you waited
+upon us, I always felt inclined to jump up from my chair, and open
+the door for you-- to take the dishes from your hands, to ask you
+respectfully to be seated, to wait upon you in fact. And O! How I did
+detest that wicked old landlady, your mistress, who used to bully and
+scold you. And I wonder whether you remember me. --_From a MS., very
+rare, in possession of Brown._
+
+
+This picture represents Brown as he appeared, his feelings being "too
+many for him," on hearing that elderly she-dragon, the landlady, venting
+her ill-humour upon the gentle Marie. He stole out of the dining-room,
+looked over into the yard, and there beheld the furious old female
+shaking her fist, and pouring forth a torrent of abuse. Brown was not
+naturally of a savage temperament, but at that moment he felt that he
+could have--but it is best not to say what he could have done--it was
+too terrible for publication in these pages.
+
+
+A BOAT AT ORTA.
+
+
+A MOUNTAIN WALK.
+
+Robinson, with warmth, and some distance behind,-- "What is the use of
+going on at that rate?"
+
+
+Poor Jones! Who would have thought he could ever be tired!
+
+
+Pleasant.
+
+
+The accident that befell Robinson. --No. 1.
+
+
+The accident that befell Robinson. --No. 2.
+
+
+
+
+[ORTA.]
+
+
+ROBINSON RETIRES FOR THE NIGHT.
+
+To prevent anxiety, we had better state that he is tired--nothing else.
+
+
+"Now do, Robinson, jump up like a good fellow; we ought to be starting
+now--and think how pleasant it will be, once you are up!"
+
+
+
+
+[VARALLO.]
+
+
+THE INN.
+
+
+How Brown, returning from sketching, was beset by beggars in a lonely
+place.
+
+
+
+
+[MILAN.]
+
+
+They pay a visit to the marionette theatre.
+
+
+A snob they saw writing his name upon roof of Milan cathedral.
+
+
+ENLIGHTENED BEHAVIOUR IN A FOREIGN CHURCH.
+
+We are happy to say, that B. J. and R. had no connection with the above
+party.
+
+
+Robinson's determination to let his beard grow "naturally," had an
+absurd result, the hair growing in violent and abrupt crops in some
+places, and not at all in others; so that Jones, who was sensitive about
+appearances, (and whose own moustache was doing beautifully,) insisted
+at last upon R.'s being shaved, which event accordingly took place in
+the city of Milan. It was well that Robinson consented, for the barber
+eyed him eagerly, and as if he would spring upon him and shave him by
+force.
+
+
+CAFÉ MILAN.--SUDDEN AND UNEXPECTED ARRIVAL OF DISTINGUISHED FOREIGNERS.
+
+The moment we seated ourselves in a café, an awful group of beggars
+stood before us--so suddenly that they appeared to have come up through
+a trap-door--and demanded alms. They would not go without money, and
+when they got it they took it as a right. It would not do for one of us
+to "settle" with them for the whole party, for no sooner had I given
+them a coin than they turned to Jones, and when done with him, coolly
+set upon Robinson. The instant one tribe departed, a fresh relais
+arrived, so that there was a constant supply (of beggars) and demand (on
+our purses).
+
+No place seemed safe: in the most magnificent and luxuriously-decorated
+cafés they had perfect right of way, the contrast between the rich
+gilding, glass, fountains, etc., of the one, and the rags, dirt, and
+dramatically got-up horrors of the other being picturesque, but
+certainly not pleasant; and yet, as Jones remarked, they say this
+country has not free institutions.
+
+
+
+
+[VERONA.]
+
+
+THE AMPHITHEATRE, VERONA.
+
+Jones asks Robinson, whether he "Sees before him the gladiator die?" but
+Robinson maintains a dignified silence.
+
+
+Austrian detective stops Brown to examine his sketching stool. It
+puzzles him. There is an air of mystery about it. It might possibly be a
+weapon to be used for political purposes, or an infernal machine! Who
+knows? On the whole, he thinks he had better detain it.
+
+
+SCENE--DISCOVERS BROWN SKETCHING.
+
+Enter the Austrian army. They advance upon him, they think he is taking
+the fortifications.
+
+
+Robinson, who is much given to quotation, is, at the very moment,
+languidly reciting the lines:--
+
+  "Am I in Italy? Is this the Mincius?
+  And those the distant turrets of Verona?
+  And shall I sup where Juliet at the masque
+  Saw her loved Montague?" --etc., etc.
+
+
+Not being familiar with the German, or the Croatian language, Brown is
+helpless. He protests his innocence, but the military don't understand
+him. They see treason in his hat, which is of an illegal shape, and they
+arrest him.
+
+
+Jones and Robinson appear, to the surprise of the military, and relief
+of Brown.
+
+
+Brown, quite resigned, walks quietly to meet his fate. Jones plunges
+violently, but is finally overcome. Robinson resists passively, and is
+accordingly dragged along.
+
+
+SKETCHES FOUND UPON BROWN.
+
+
+They are brought before the Governor. That is he seated at the table,
+the soldiers showing him the libellous representations of the Croats
+found in Brown's portfolio. The latter expects to be ordered for instant
+execution; but Jones assumes an air of great dignity, and says, "_Civis
+Romanus sum_."
+
+
+The Governor, Field-Marshal Lieutenant Count Brown, of the Imperial
+service, discovers in his prisoner a near relation of his own; and our
+friend is instantly locked in the embrace of that distinguished warrior.
+Jones remarked "All's well that ends well;" and Robinson, greatly
+relieved, broke out with:--
+
+  "Thus may each" nephew "whom chance directs,
+  Find an" uncle "when he least expects."
+
+
+
+
+[VENICE.]
+
+
+EXAMINATION OF PASSPORTS.
+
+
+HOTEL.
+
+
+MODERN VENETIAN TROUBADOURS.
+
+An evening scene before the Café Florian, Piazza San Marco.
+
+
+Brown at this period undertook, at the urgent request of Jones and
+Robinson, to settle the accounts of the party, which had become
+complicated owing to that perplexing "medium," to those unused to it,
+the Austrian paper money.
+
+This is a faithful picture of the unfortunate man as he sat, in the
+solitude of his chamber, until a late hour of the night, drawing up the
+"financial" statement.
+
+
+Robinson (_solo_). --"I stood in Venice," etc.; Jones and Brown, having
+heard something like it before, have walked on a little way.
+
+_Reflection made by BROWN._ --Why do people when repeating poetry always
+look unhappy?
+
+
+ENJOYMENT!
+
+A scene upon the Grand Canal.
+
+
+THE THEATRE MALIBRAN.
+
+The entertainment commenced at 5 P.M., and lasted till 7. It consisted
+of a melodrama, full of awful crimes, and the most pathetic sentiment.
+The audience, chiefly composed of "the people," was, from beginning to
+end, in an extraordinary state of excitement, fizzing, like the
+perpetual going off of soda-water. The theatre was lighted (?) by about
+four oil lamps; and such was the darkness, that our travellers--who may
+be seen, perhaps, through the "dim obscure," up in a private box--could
+scarcely discern anything but the white uniform and glittering bayonet
+of an Austrian sentinel in the pit.
+
+
+
+
+[A NIGHT IN VENICE.]
+
+
+BROWN RETIRED TO REST.
+
+
+MISERY.
+
+NOTE.-- If the Musquitos appear rather large in this and the following
+scenes, let it be remembered that in the "Heroic" it was a principle of
+many of the great painters to exaggerate the "parts."
+
+
+DESPERATION.
+
+
+MOMENTARY RELIEF.
+
+
+MADNESS!
+
+
+BELL!!
+
+
+BOOTS!!
+
+
+DESPAIR!!!!
+
+
+
+
+[VENICE.]
+
+
+THE ACCADEMIA.
+
+
+GONDOLA ON THE LAGOON.
+
+Sentiment spoken by Robinson, with marks of adhesion from Brown and
+Jones. "Oh, if there be an Elysium on earth, it is this, it is this!!"
+
+
++The Accademia.+
+
+
+Scene I.
+
+Brown (soliloquy). --"This is pleasant! To be quite alone here (dab),
+surrounded by these magnificent works (dab, dab, dab), and everything so
+quiet too--nothing to disturb one." (Dab) after a pause. "I wonder what
+Jones and Robinson are doing (dab, splash)--lying at full length in a
+gondola, I dare say--smoking (dab), I think I could spend my life in
+this place" (dab, dab).
+
+"It is difficult to say which is the greatest pleasure, (another dab,)
+copying these splendid pictures, or painting from nature, those
+beautiful blue skies and crumbling old picturesque palaces, outside."
+
+(Sings) --"'How happy could I be with either.'" (Prolonged pause, and
+great play with brush) --"Oh! That sunset last evening! As we lay out in
+our gondola upon the perfectly calm waters, by the Armenian convent, and
+watched the sun slowly going down behind the distant towers and spires
+of the 'City of the sea'--one mass of gold spreading all over the west!"
+ *  *  "Oh! Those clouds! (Another pause) Ah! That was happiness. One
+such hour is worth--let me see--how many years of one's life?  *  *  and
+yet this is--"
+
+
+Scene II.
+
+He is set upon and surrounded by an English family, and the following
+dialogue ensues:--
+
+The Mamma. --"What a delightful occupation, to be sure."
+
+Young Lady (in a whisper). --"He is copying the Tintoret."
+
+Youthful Son and Heir (with confidence). --"No, he ain't; he's doing
+that stunning big one with the rainbow, and three river gods."
+
+Second Young Lady. --"It's sweetly pretty, isn't it!"
+
+Papa (a British merchant, and of a practical turn). --"Very
+good--v-e-r-y good. Ahem! Now I wonder what one could make a year by
+that kind of thing."
+
+Young Man (with glass in his eye). --"Slow, I should think."
+
+At this point Brown's attention was attracted to a scuffle going on
+behind him amongst the junior members of the party. Two of the little
+innocents had taken a fancy to the same drawing (a copy of his favourite
+John Bellino), and after a brief, but fierce struggle for possession,
+had settled the difficulty by tearing it in two. (Party retires rather
+precipitately.)
+
+
+
+
+[TRIESTE TO VIENNA.]
+
+
+SKETCH MADE BY BROWN AT TRIESTE.
+
+NOTE.--If any one doubts the fact, Jones and Robinson are ready to make
+affidavit of it.
+
+
+ROBINSON SEARCHED AND INDIGNANT.
+
+Such things never happen anywhere else.
+
+
+
+
+[VIENNA.]
+
+
+Arrived at Vienna, they visit the theatre. A gentleman there,
+unobtrusively pays them great attention.
+
+
+SCENE--SHOP, VIENNA.
+
+Jones to Brown-- "What do you say?"
+
+Brown (who sees that Robinson is bent upon making a "magnificent
+addition" to himself, and that it is useless to expostulate). --"Oh, I
+think it is splendid; and if you will only appear in it in Pall Mall,
+when we get home again, you will make a sensation."
+
+
+THEY VISIT THE PICTURE GALLERIES.
+
+That man in the doorway seems to take a great interest in their
+movements.
+
+
+THE PROMENADE.
+
+Brown thinks it is the same man! What can he want?
+
+
+THE PUBLIC GARDEN.
+
+There he was again! Jones suggested that perhaps it was a government
+official, who took them for liberty, equality, and fraternity.
+
+
+No sooner did they take their places at the Table d'Hote to dine, than
+Brown fell back in his chair. There could be no doubt about it--he was
+better dressed than before--but it was the same man! He must be a spy!
+
+
+Jones at the opera abroad.
+
+
+How unlike Jones at the opera at home.
+
+
+
+
+[VIENNA TO PRAGUE.]
+
+
+"Just ten minutes to dress, breakfast, and get to the train."
+
+
+
+
+[PRAGUE.]
+
+
+WALLENSTEIN'S HORSE.
+
+"The head, neck, legs, and part of the body have been repaired--all the
+rest is the real horse." --_From speech of the young woman who showed
+the animal._
+
+
+A "KNEIPE" AT PRAGUE.
+
+
+Robinson is so confused with rapid travelling, that he addresses a
+waiter in three languages at once. "Kellner!-- Mittags-essen pour
+trois-- Presto presto-- and-- waiter!-- Soda water-- col cognac--
+geschwind!"
+
+
+TABLE D'HOTE, PRAGUE.
+
+
+
+
+[PRAGUE TO COLOGNE.]
+
+
+"Passports!" --"That's the sixth time we have been woke up," groaned
+Robinson.
+
+
+
+
+[RHINELAND AGAIN.]
+
+
+DUSSELDORF.
+
+Brown _loq._ --I have left my bag behind!
+
+
+MINDEN.
+
+Here is the bag.
+
+
+How Brown was seated between two soldiers, and how they would examine
+each other's swords, and how those fearful weapons were flashing about,
+often within an inch of B.'S nose: and how (being of a mild and peaceful
+disposition), B. was kept thereby in a constant state of uneasiness.
+
+
+
+
+[BELGIUM.]
+
+
+Eye of the government; as kept upon the travellers, during their stay in
+the Austrian dominions. --_Drawn from the haunted imagination of Brown._
+
+
+THEIR LAST REPAST IN FOREIGN PARTS.
+
+Time and train wait for no man.
+
+
+ARTICLES PURCHASED BY ROBINSON.
+
+1. Eau de Cologne. 2. Pipe; (never smoked.) 3. Hat; (never worn, and
+found decidedly in the way.) 4. Cigars; (stopped at Custom House.)
+5. Tauchnitz editions; (also seized.) 6. Cornet à pistons; (bought in
+Germany with the intention of learning to play upon it some day.)
+7. Gloves; (purchased at Venice, a great bargain, and found utterly
+worthless.)
+
+
+
+
+[OLD ENGLAND.]
+
+
++Sic(k) Transit+
+
+
++Gloria Mundi!+
+
+
+       *       *       *       *       *
+           *       *       *       *
+
+
+BRADBURY AND EVANS,
+
+Printers extraordinary to the queen,
+
+Whitefriars.
+
+
+       *       *       *       *       *
+           *       *       *       *
+       *       *       *       *       *
+
+
+Errors and Iconsistencies (noted by transcriber):
+
+  They both wore a perpetual grin and stare of surprise,
+    [comma in original: error for period (full stop)?]
+  3. "Conclude you go toe Frankfort?"  [text unchanged]
+  An evening scene before the Café Florain  [error for Florian]
+  If the Musquitos appear rather large  [variant spelling unchanged]
+  +Of the Adventure that befel Jones.+
+  The accident that befell Robinson.
+    [inconsistent spelling unchanged]
+
+
+
+
+
+
+End of the Project Gutenberg EBook of The Foreign Tour of Messrs. Brown,
+Jones and Robinson, by Richard Doyle
+
+*** END OF THIS PROJECT GUTENBERG EBOOK FOREIGN TOUR--BROWN, JONES, ROBINSON ***
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+
+The Project Gutenberg EBook of The Foreign Tour of Messrs. Brown, Jones
+and Robinson, by Richard Doyle
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever.  You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: The Foreign Tour of Messrs. Brown, Jones and Robinson
+       Being the History of What They Saw, and Did, in Belgium,
+              Germany, Switzerland & Italy.
+
+Author: Richard Doyle
+
+Release Date: July 20, 2009 [EBook #29463]
+
+Language: English
+
+Character set encoding: UTF-8
+
+*** START OF THIS PROJECT GUTENBERG EBOOK FOREIGN TOUR--BROWN, JONES, ROBINSON ***
+
+
+
+
+Produced by Louise Hope
+
+
+
+
+
+</pre>
+
+
+<div class = "mynote">
+<p><a name = "start" id = "start">This text</a> uses UTF-8 (Unicode)
+file encoding. If the apostrophes and quotation marks in this paragraph
+appear as garbage, you may have an incompatible browser or unavailable
+fonts. First, make sure that your browser’s “character set� or “file
+encoding� is set to Unicode (UTF-8). You may also need to change the
+default font.</p>
+
+<p>Plate numbers, including the combined “49 &amp; 50�, are in the
+original. Headnotes were printed on each page; for the e-text, they are
+shown only when there was a change. Horizontal layout is as in the
+original, except that “Scene I� and “Scene II� of Plate 70 (the
+Accademia, Venice) were printed side by side.</p>
+
+<p class = "center">
+<a href = "#contents">Contents</a> (<i>added by transcriber</i>)</p>
+</div>
+
+<p class = "illustration">
+<img src = "images/cover.jpg" width = "392" height = "521"
+alt = "see title page" title = "see title page"></p>
+
+<div class = "page">
+
+<h4 class = "sans">
+THE FOREIGN TOUR</h4>
+
+<h6 class = "sans">
+OF</h6>
+
+<h4 class = "sans">
+MESSRS. BROWN, JONES, AND ROBINSON.</h4>
+
+</div>
+
+<div class = "page">
+
+<p class = "illustration">
+<a name = "titlepage" id = "titlepage">&nbsp;</a><br>
+<img src = "images/titlepage.png" width = "348" height = "466"
+alt = "see link"></p>
+
+<p class = "mynote center">
+<a href = "#titletext">Title Page Text</a></p>
+</div>
+
+<span class = "pagenum">1</span>
+
+<p class = "illustration">
+<img src = "images/pic1a.png" width = "542" height = "282"
+alt = "The Foreign Tour of Messrs / BROWN JONES &amp; ROBINSON"
+title = "The Foreign Tour of Messrs / BROWN JONES &amp; ROBINSON"></p>
+
+<p class = "headnote">
+<a name = "london" id = "london">
+<span class = "headnote">
+LONDON.</span></a></p>
+
+<p class = "illustration">
+<img src = "images/pic1b.png" width = "509" height = "196"
+alt = "see text"></p>
+
+<p class = "caption">
+THE MAIL TRAIN TO DOVER. BROWN, JONES, AND ROBINSON STARTING ON THEIR
+TRAVELS.</p>
+
+
+<p class = "headnote">
+<span class = "pagenum">2</span>
+<a name = "ostend" id = "ostend">
+<span class = "headnote">
+OSTEND.</span></a></p>
+
+<p class = "illustration">
+<img src = "images/pic2a.png" width = "421" height = "183"
+alt = "see text"></p>
+
+<p class = "caption leftside">
+AFTER A ROUGH PASSAGE, BROWN, JONES, AND ROBINSON ARE HERE SEEN LANDED
+AT OSTEND, SURROUNDED, AND A LITTLE BEWILDERED, BY THE NATIVES, WHO
+OVERWHELM THEM WITH ATTENTIONS&mdash;SEIZE THE LUGGAGE, THRUST CARDS
+INTO THEIR HANDS, DRAG THEM IN SEVERAL DIRECTIONS AT ONCE, ALL TALKING
+TOGETHER (WHICH PREVENTED THEIR DIRECTIONS BEING SO CLEAR AS THEY
+OTHERWISE WOULD HAVE BEEN)&mdash;AND, FINALLY, ALL EXPECTING MONEY!</p>
+
+<p class = "illustration">
+<img src = "images/pic2b.png" width = "200" height = "261"
+alt = "see text"></p>
+
+<p class = "caption leftside">
+THEY ARE AT THE DOUANE, WAITING FOR THE OFFICIALS TO SEARCH THE
+LUGGAGE.</p>
+
+<p class = "caption leftside">
+ROBINSON AND JONES (ALARMED BY EXPRESSION OF BROWN’S COUNTENANCE).
+&mdash;“WHAT’S THE MATTER NOW?� BROWN (IN A VOICE OF AGONY).
+&mdash;“I’VE LEFT THE KEY OF MY BAG AT HOME!�</p>
+
+
+<p class = "headnote">
+<span class = "pagenum">3</span>
+<a name = "ostend_cologne" id = "ostend_cologne">
+<span class = "headnote">
+OSTEND TO COLOGNE.</span></a></p>
+
+
+<p class = "illustration">
+<img src = "images/pic3a.png" width = "166" height = "272"
+alt = "see text"></p>
+
+<p class = "caption">
+A SKETCH MADE AT MALINES.</p>
+
+
+<p class = "illustration">
+<img src = "images/pic3b.png" width = "297" height = "222"
+alt = "see text"></p>
+
+<p class = "caption">
+HOW THEY SAW BELGIUM.</p>
+
+
+<p class = "headnote">
+<span class = "pagenum">4</span>
+<a name = "cologne" id = "cologne">
+<span class = "headnote">
+COLOGNE.</span></a></p>
+
+
+<p class = "illustration">
+<img src = "images/pic4a.png" width = "505" height = "341"
+alt = "see text"></p>
+
+<p class = "header">
+THE ARRIVAL AT COLOGNE.</p>
+
+<p class = "caption leftside">
+TRAVELLERS PASSING THEIR EXAMINATION. IN THE FOREGROUND IS JONES’S
+PORTMANTEAU UNDERGOING THE “ORDEAL BY TOUCH.�</p>
+
+
+<p class = "illustration">
+<img src = "images/pic4b.png" width = "210" height = "107"
+alt = "see text"></p>
+
+<p class = "caption">
+MANNER AND CUSTOM OF THE PEOPLE, AS SEEN FROM THE RAILWAY BY BROWN, AND
+MADE A NOTE OF.</p>
+
+
+<span class = "pagenum">5</span>
+
+
+<p class = "illustration">
+<img src = "images/pic5a.png" width = "507" height = "342"
+alt = "see text"></p>
+
+<p class = "caption leftside">
+B. J. AND R., WHO TOOK THEIR PLACES ON THE ROOF THE BETTER TO COMMAND
+THE VIEW, ARE SEEN AT THE MOMENT WHEN THE IDEA OCCURRED TO THE TWO
+FORMER THAT THEY MIGHT POSSIBLY NOT “FIT� UNDER THE ARCHWAY. ROBINSON IS
+SO WRAPPED UP IN THOUGHT, AND A CIGAR, THAT HE IS UNCONSCIOUS OF ALL
+ELSE.</p>
+
+<p class = "caption leftside">
+THIS REPRESENTS THE COLOGNE OMNIBUS ON ITS JOURNEY FROM THE STATION INTO
+THE CITY, WHEN STOPPED BY THE MILITARY, AND MADE TO “STAND AND DELIVER�
+THE PASSPORTS.</p>
+
+
+<p class = "illustration">
+<img src = "images/pic5b.png" width = "250" height = "172"
+alt = "see text"></p>
+
+<p class = "caption leftside">
+ARRIVAL AT THE HOTEL, AND FIRST COMING IN SIGHT OF THAT AMIABLE AND
+OBLIGING RACE, THE GERMAN WAITER. HE IS SMALL IN STATURE (SCARCELY THE
+SIZE OF LIFE, AS JONES REMARKED), AND REMAINS ALWAYS A BOY.</p>
+
+
+<span class = "pagenum">6</span>
+
+
+<p class = "illustration">
+<img src = "images/pic6a.png" width = "507" height = "341"
+alt = "see text"></p>
+
+<p class = "caption leftside">
+“SPEISE-SAAL� HOTEL, COLOGNE&mdash;ENTER BROWN, JONES, AND ROBINSON,
+FATIGUED, AND SOMEWHAT DISORDERED BY TRAVEL, AND “SO HUNGRY.�</p>
+
+
+<p class = "illustration">
+<img src = "images/pic6b.png" width = "199" height = "156"
+alt = "see text"></p>
+
+<p class = "caption leftside">
+HOW AN AGENT OF JEAN MARIA FARINA ADDRESSED THEM, WHO WAS KIND ENOUGH TO
+PUT SOME OF THE CELEBRATED “EAU� UPON THEIR HANDKERCHIEFS, AND TO
+RECEIVE ORDERS FOR THE SAME.</p>
+
+
+<span class = "pagenum">7</span>
+
+
+<p class = "illustration">
+<img src = "images/pic7a.png" width = "296" height = "340"
+alt = "see text"></p>
+
+<p class = "caption">
+THE REAL EAU DE COLOGNE, AND ITS EFFECT UPON THE NOSES OF THREE
+ILLUSTRIOUS INDIVIDUALS.</p>
+
+
+<p class = "illustration">
+<img src = "images/pic7b.png" width = "188" height = "186"
+alt = "see text"></p>
+
+<p class = "caption">
+“KELLNER� PRESENTS THE BILL.</p>
+
+
+<span class = "pagenum">8</span>
+
+
+<p class = "illustration">
+<img src = "images/pic8.png" width = "344" height = "430"
+alt = "see text"></p>
+
+<p class = "caption">
+THEY “DO� COLOGNE CATHEDRAL.</p>
+
+
+<p class = "headnote">
+<span class = "pagenum">9</span>
+<a name = "cologne_bonn" id = "cologne_bonn">
+<span class = "headnote">
+COLOGNE TO BONN.</span></a></p>
+
+
+<p class = "illustration">
+<img src = "images/pic9a.png" width = "503" height = "339"
+alt = "see text"></p>
+
+<p class = "caption">
+THE RAILWAY FROM COLOGNE TO BONN. &mdash;B. J. AND R. “JUST IN
+TIME.�</p>
+
+
+<p class = "illustration">
+<img src = "images/pic9b.png" width = "522" height = "105"
+alt = "see text"></p>
+
+<p class = "caption">
+FIRST GLIMPSE OF RHINE SCENERY.</p>
+
+
+<p class = "headnote">
+<span class = "pagenum">10</span>
+<a name = "bonn" id = "bonn">
+<span class = "headnote">
+BONN.</span></a></p>
+
+<table class = "illustration" summary = "illustration with caption">
+<tr>
+<td class = "picture">
+<img src = "images/pic10a.png" width = "221" height = "155"
+alt = "see text"></td>
+<td class = "picture">
+<img src = "images/pic10b.png" width = "247" height = "217"
+alt = "see text"></td>
+</tr>
+<tr>
+<td class = "caption">
+JONES’S LITTLE ALL IS CONTAINED IN THIS SMALL PORTMANTEAU.</td>
+<td class = "caption">
+ROBINSON, ON THE CONTRARY, FINDS IT QUITE IMPOSSIBLE TO MOVE WITH LESS
+THAN THIS.</td>
+</tr>
+</table>
+
+<p class = "illustration">
+<img src = "images/pic10c.png" width = "504" height = "220"
+alt = "see text"></p>
+
+<p class = "caption leftside">
+THIS SCENE REPRESENTS THE RHINE BOAT ABOUT TO START FROM BONN, AND
+PASSENGERS FROM THE RAILWAY EMBARKING. IN THE FOREGROUND AN ACCIDENT HAS
+OCCURRED, A PORTER HAVING UPSET THE LUGGAGE OF AN ENGLISH FAMILY, THE
+HEAD OF WHICH IS SALUTING HIM WITH THE NATIONAL “DAMN,� WHILE THE
+COURIER OF THE PARTY EXPRESSES THE SAME IDEA IN GERMAN.</p>
+
+
+<p class = "headnote">
+<span class = "pagenum">11</span>
+<a name = "rhine" id = "rhine">
+<span class = "headnote">
+THE RHINE.</span></a></p>
+
+
+<p class = "illustration">
+<img src = "images/pic11a.png" width = "509" height = "111"
+alt = "see text"></p>
+
+<p class = "header">
+BROWN’S FIRST IMPRESSION OF THE RHINE.</p>
+
+<p class = "caption">
+<i>From an</i> ORIGINAL SKETCH <i>in the possession of his
+family.</i></p>
+
+
+<p class = "illustration">
+<img src = "images/pic11b.png" width = "492" height = "264"
+alt = "see text"></p>
+
+<p class = "header">
+HEADS OF THE NATIVES.</p>
+
+<p class = "caption">
+<i>A Leaf from Brown’s Sketch Book.</i></p>
+
+
+<span class = "pagenum">12</span>
+
+
+<p class = "illustration">
+<img src = "images/pic12a.png" width = "503" height = "152"
+alt = "see text"></p>
+
+<p class = "header">
+COMPANY ON BOARD THE RHINE BOAT.</p>
+
+<p class = "caption leftside">
+AMONGST THEM WAS A TRAVELLING TUTOR, AND THREE YOUNG GENTLEMEN, HIS
+PUPILS. HE STOOD IN THE MIDST OF THEM SMILING BLANDLY, AN OPEN VOLUME IN
+HIS HAND, (PROBABLY A CLASSIC AUTHOR,) BETWEEN WHICH, AND HIS PUPILS,
+AND THE SCENERY, HE DIVIDED HIS ATTENTION IN ABOUT EQUAL PARTS. THERE
+WAS A SPECIMEN OF THE ENGLISH GRUMBLER, BIG, BURLY, AND AS IF IN DANGER
+OF CHOKING FROM THE TIGHTNESS OF HIS CRAVAT. EVERY ONE KNOWS HIM, HIS
+PLEASANT WAYS, AND HIS CONSTANT FLOW OF GOOD HUMOUR AND CHEERFULNESS;
+THAT IS HE, SITTING TO THE RIGHT. THERE WERE BESIDES, NUMEROUS YOUNG
+GENTLEMEN FROM THE UNIVERSITIES, FROM THE ARMY, FROM THE BAR, ALL WITH
+MORE OR LESS HAIR ON THEIR UPPER LIPS; AND THERE WAS A CAVALRY OFFICER
+OF THE RUSSIAN GUARD, AND A PROFESSOR, ON HIS WAY TO HEIDELBERG, AND
+LOOSE, DISHEVELLED, HAIRY, SMOKY YOUNG GERMANS, WITH LONG BEARDS, AND
+LONGER PIPES. AND THERE WAS A BRITISH NOBLEMAN, AND A BRITISH ALDERMAN,
+AND A BRITISH ALDERWOMAN; AND THERE WERE BRITISH LADIES WHOM I CAN’T
+DESCRIBE, BECAUSE THEY WORE THOSE “UGLY� THINGS WHICH PREVENT THEM BEING
+SEEN; INTELLIGENT YOUNG AMERICANS ON THEIR WAY ALL OVER THE WORLD; NUNS,
+WITH THEIR QUIET, HAPPY FACES; RED REPUBLICANS FROM FRANKFORT, AND SNOBS
+FROM LONDON.</p>
+
+
+<p class = "illustration">
+<img src = "images/pic12b.png" width = "238" height = "261"
+alt = "see text"></p>
+
+<p class = "header">
+THE GREAT BRITON.</p>
+
+<p class = "caption leftside">
+AS HE STOOD CONTEMPLATING THE RHINE-LAND, WONDERING IF IT WOULD BE
+POSSIBLE TO LIVE IN THAT COUNTRY; AND CONSIDERING (SUPPOSING HE HAD ONE
+OF THOSE CASTLES, NOW) HOW MANY THOUSANDS A-YEAR ONE COULD DO IT WITH.
+THE SCENERY WOULD DO; AND WITH ENGLISH INSTITUTIONS IT MIGHT BE MADE A
+GOOD THING OF.</p>
+
+<p class = "caption leftside">
+N.B. &mdash;HE LITTLE THINKS WHAT BROWN IS DOING.</p>
+
+<span class = "pagenum">13</span>
+
+
+<p class = "illustration">
+<img src = "images/pic13a.png" width = "206" height = "263"
+alt = "see text"></p>
+
+<p class = "caption leftside">
+EVEN THE NUN WAS NOT SAFE FROM BROWN. HE IS HERE SEEN TAKING HER OFF, IN
+A RAPID ACT OF SKETCHING.</p>
+
+
+<table class = "illustration" summary = "illustration with caption">
+<tr>
+<td class = "picture">
+<img src = "images/pic13b.png" width = "259" height = "194"
+alt = "see text"></td>
+<td class = "picture">
+<img src = "images/pic13c.png" width = "224" height = "191"
+alt = "see text"></td>
+</tr>
+<tr>
+<td class = "caption leftside" colspan = "2">
+B. J. AND R. HAD JUST BEGUN TO ENJOY THE SCENERY, WHEN, TO THEIR
+CONSTER&shy;NATION, WHO SHOULD APPEAR ON BOARD BUT THE “BORE,� WHO
+INSTANTLY WAS DOWN UPON THEM. FOR THREE MORTAL HOURS HE ENTER&shy;TAINED
+THEM WITH FASHIONABLE INTELLI&shy;GENCE, ANECDOTES OF THE
+ARISTO&shy;CRACY, THE COURT CIRCULAR, BIRTHS, DEATHS, MARRIAGES,
+&amp;C.</td>
+</tr>
+</table>
+
+
+<span class = "pagenum">14</span>
+
+
+<p class = "illustration">
+<img src = "images/pic14a.png" width = "231" height = "327"
+alt = "see text"></p>
+
+<p class = "caption">
+THIS WAS SUPPOSED TO BE AN M.P. TRAVELLING IN SEARCH OF “FACTS.� HE IS
+GIVING BROWN HIS VIEWS; AND ALSO THE STATISTICS OF EVERYTHING.</p>
+
+
+<p class = "illustration">
+<img src = "images/pic14b.png" width = "392" height = "179"
+alt = "see text"></p>
+
+<p class = "header">
+A VIEW ON THE RHINE.</p>
+
+
+<span class = "pagenum">15</span>
+
+<table class = "illustration" summary = "illustration with caption">
+<tr>
+<td class = "picture" width = "40%">
+<img src = "images/pic15a.png" width = "148" height = "225"
+alt = "see text"></td>
+
+<td class = "picture">
+<img src = "images/pic15b.png" width = "164" height = "229"
+alt = "see text"></td>
+</tr>
+
+<tr>
+<td class = "header">
+THE LONDON GENT UP THE RHINE.</td>
+<td class = "header">
+BRITISH FARMER AND SON IN FOREIGN PARTS.</td>
+</tr>
+<tr>
+<td>
+<p class = "caption leftside">
+HE IS TAKEN AT THE MOMENT WHEN EXPRESSING HIS OPINION THAT THE WHOLE
+CONCERN IS A “DO� AND A “SELL.�</p>
+</td>
+<td>
+<p class = "caption leftside">
+THEY BOTH WORE A PERPETUAL GRIN AND STARE OF SURPRISE<ins class =
+"correction" title = "error for period (full stop)?">, </ins>JONES
+THOUGHT THAT THEY HAD TAKEN LEAVE OF ENGLAND AND THEIR SENSES AT ONCE,
+OWING TO THE WITHDRAWAL OF PROTECTION.</p>
+</td>
+</tr>
+</table>
+
+
+<p class = "illustration">
+<img src = "images/pic15c.png" width = "550" height = "315"
+alt = "see text"></p>
+
+<p class = "header">
+THE RHINE BOAT.</p>
+
+<p class = "caption leftside">
+BROWN MAY BE SEEN SEATED THERE UPON THE PADDLE-BOX, RAPIDLY SKETCHING
+EVERY CHURCH, RUINED CASTLE, TOWN, OR OTHER OBJECT OF INTEREST ON EITHER
+BANK OF THE RIVER. THOSE ARE JONES AND ROBINSON, LEANING OVER THE SIDE
+OF THE BOAT BELOW HIM. OBSERVE, ALSO, THE STOUT PARTY WHO HAS CALLED FOR
+BRANDY-AND-WATER, AND WHOSE COUNTENANCE ALMOST LAPSES INTO A SMILE AS
+“KELLNER� APPROACHES WITH THE BEVERAGE. THE TUTOR, IT IS PLEASANT TO
+SEE, HAS AT LAST PUT HIS “CLASSIC� IN HIS POCKET, AND GIVES HIMSELF UP
+TO THE UNDIVIDED ENJOYMENT OF THE SCENE, WHILE HIS “YOUNG CHARGE� IS
+WRAPPED IN CONTEMPLATION OF MECHANICAL SCIENCE AS EXEMPLIFIED IN THE
+STRUCTURE OF THE WHEEL. AND THAT MUST SURELY BE THE GENT WHO HAS SUCH A
+LOW OPINION OF THE BEAUTY OF THE RHINE-LAND, SEATED AT THE STERN OF THE
+BOAT WITH HIS LEGS DANGLING OVER THE RIVER. LET US HOPE THAT HE IS HAPPY
+NOW!</p>
+
+
+<span class = "pagenum">16</span>
+
+
+<p class = "illustration">
+<img src = "images/pic16a.png" width = "180" height = "212"
+alt = "see text"></p>
+
+<p class = "header">
+THE ENGLISH “MILORD� UPON THE RHINE.</p>
+
+<p class = "caption leftside">
+HOW HAPPY HE LOOKS! HE DISLIKES THE HUM OF MEN, AND SITS ALL DAY SHUT UP
+IN HIS CARRIAGE READING THE LITERATURE OF HIS COUNTRY. HOW RUDE OF THOSE
+GERMANS TO BE LAUGHING AND JOKING SO NEAR HIS LORDSHIP!</p>
+
+
+<p class = "illustration">
+<img src = "images/pic16b.png" width = "244" height = "250"
+alt = "see text"></p>
+
+<p class = "header">
+PERFECT ENJOYMENT.</p>
+
+
+<p class = "headnote">
+<span class = "pagenum">17</span>
+<a name = "coblentz" id = "coblentz">
+<span class = "headnote">
+COBLENTZ.</span></a></p>
+
+
+<p class = "illustration">
+<img src = "images/pic17a.png" width = "325" height = "200"
+alt = "see text"></p>
+
+<p class = "caption leftside">
+INDIGNATION OF ROBINSON, AT SIGHT OF INADEQUATE WASHING APPARATUS. HE
+RANG THE BELL WITH SUCH VIOLENCE, THAT ALL THE WAITERS RUSHED IN,
+THINKING THAT THE HOTEL WAS ON FIRE, OR THAT A REVOLUTION HAD BROKEN
+OUT.</p>
+
+<p class = "caption leftside">
+THERE HE STOOD, POINTING TO THE WATER, ABOUT HALF A PINT IN A BASIN THE
+SIZE OF A BREAKFAST CUP; AND IN A VOICE OF SUPPRESSED EMOTION, DEMANDING
+TO KNOW IF “DAS IST, ETC.�</p>
+
+
+<p class = "illustration">
+<img src = "images/pic17b.png" width = "357" height = "203"
+alt = "see text"></p>
+
+<p class = "header">
+JONES’S NIGHT THOUGHTS.</p>
+
+<p class = "caption">
+“MAN WANTS BUT LITTLE HERE BELOW,� <span class = "ital">BUT</span>
+“WANTS THAT LITTLE LONG.�</p>
+
+
+<span class = "pagenum">18</span>
+
+
+<p class = "illustration">
+<img src = "images/pic18a.png" width = "241" height = "247"
+alt = "see text"></p>
+
+<p class = "caption">
+IF YOU SHOULD FORGET THE NUMBER OF YOUR KEY AND ROOM (<i>as</i> BROWN
+<i>did on returning late from the theatre</i>), WHAT ARE YOU TO DO?</p>
+
+
+<p class = "illustration">
+<img src = "images/caption18.png" width = "386" height = "30"
+alt = "An Incident in the Life of Jones’s Dog."
+title = "An Incident in the Life of Jones’s Dog."></p>
+
+<p class = "illustration">
+<img src = "images/pic18b.png" width = "510" height = "149"
+alt = "see text"></p>
+
+<p class = "caption leftside">
+HOW THIS ANIMAL SEEMED TO HAVE IMBIBED COMMUNISTIC PRINCIPLES, AND HOW
+HE STOLE A SAUSAGE, AND HOW THE POPULATION ROSE LIKE ONE MAN, AND HUNTED
+HIM THROUGH THE TOWN.</p>
+
+
+<span class = "pagenum">19</span>
+
+
+<p class = "illustration">
+<img src = "images/pic19a.png" width = "213" height = "152"
+alt = "see text"></p>
+
+<p class = "caption">
+THE DOG HAVING OUTSTRIPPED THE POPULACE, PROCEEDS TO EAT THE
+SAUSAGE.</p>
+
+
+<p class = "illustration">
+<img src = "images/pic19b.png" width = "265" height = "101"
+alt = "see text"></p>
+
+<p class = "caption leftside">
+HAVING DONE SO, HE LOOKS STOUTER THAN HE DID, AND IS INCLINED TO REST.
+THE INHABITANTS, EAGER FOR VENGEANCE, SURROUND HIM, BUT ARE KEPT AT BAY
+BY THE EXPRESSION OF HIS COUNTENANCE.</p>
+
+
+<p class = "illustration">
+<img src = "images/pic19c.png" width = "196" height = "179"
+alt = "see text"></p>
+
+<p class = "caption">
+ONE BURLY PEASANT HAVING THE HARDIHOOD TO APPROACH TOO NEAR, HE IS MADE
+AS EXAMPLE OF. <i>Exeunt omnes.</i></p>
+
+
+<p class = "headnote">
+<span class = "pagenum">20</span>
+<a name = "rhine2" id = "rhine2">
+<span class = "headnote">
+THE RHINE.</span></a></p>
+
+
+<p class = "illustration">
+<img src = "images/pic20a.png" width = "278" height = "222"
+alt = "see text"></p>
+
+<p class = "caption leftside">
+BROWN, WITH NOBLE PERSEVERANCE, SITS UPON THE PADDLE-BOX, REGARDLESS OF
+THE STORM, AND SKETCHES THE CASTLES AND TOWNS, AS THE STEAM-BOAT PASSES
+THEM.</p>
+
+
+<p class = "illustration">
+<img src = "images/pic20b.png" width = "277" height = "223"
+alt = "see text"></p>
+
+<p class = "caption leftside">
+&mdash;TILL IN A MOMENT OF GRIEF HIS HAT AND SEVERAL SKETCHES WERE
+CARRIED OFF FOR EVER: AND THEN HE THOUGHT IT TIME TO GO BELOW.</p>
+
+
+<span class = "pagenum">21</span>
+
+<table class = "illustration" summary = "illustration with caption">
+<tr>
+<td class = "picture" width = "50%">
+<img src = "images/pic21a.png" width = "178" height = "255"
+alt = "see text"></td>
+<td class = "picture">
+<img src = "images/pic21b.png" width = "187" height = "121"
+alt = "see text"></td>
+</tr>
+
+<tr>
+<td></td>
+<td class = "header">
+BROWN’S HAT.</td>
+</tr>
+
+<tr>
+<td>
+<p class = "caption leftside">
+HOW A CITIZEN OF THE UNITED STATES ADDRESSED BROWN; AND HOW HE PUT THE
+FOLLOWING QUESTIONS DURING THE FIRST FIVE MINUTES OF THEIR
+ACQUAINTANCE.</p>
+
+<p class = "caption leftside">
+1. “WHERE ARE YOU GOING?�</p>
+
+<p class = "caption leftside">
+2. “WHAT PLACE DO YOU HAIL FROM?�</p>
+
+<p class = "caption leftside">
+3. “CONCLUDE YOU GO <ins class = "correction" title = "text unchanged">TOE</ins> FRANK&shy;FORT?�</p>
+
+<p class = "caption leftside">
+4. “YOU’RE MR. BROWN, I RECKON?�</p>
+
+<p class = "caption leftside">
+5. “WHAT NAMES DO YOUR FRIENDS GO BY?�</p>
+
+<p class = "caption leftside">
+STATEMENTS MADE DURING THE SAME PERIOD.</p>
+
+<p class = "caption leftside">
+1. “THIS HERE RHINE AIN’T MUCH BY THE SIDE OF OUR MISSISSIPPI.�</p>
+
+<p class = "caption leftside">
+2. “OLD EUROPE IS ’TARNALLY CHAWED UP.�</p>
+</td>
+<td>
+<p class = "caption leftside">
+ROBINSON WAS VERY MERRY ABOUT THIS INCIDENT, AND BOTH HE AND JONES KEPT
+POKING FUN AT BROWN DURING THE REST OF THE DAY. THEY PARODIED THE WELL
+KNOWN SONG OF “MY HEART’S ON THE RHINE,� SUBSTITUTING “MY HAT’S IN THE
+RHINE;�&mdash;(IT WAS VERY POOR STUFF, WE HAVE BEEN ASSURED BY
+BROWN)&mdash;AND THEY MADE POINTED ALLUSIONS TO THE NAME OF
+“WIDE-AWAKE.�</p>
+
+<p class = "caption leftside">
+THE ABOVE DRAWING IS FROM A RUDE SKETCH BY JONES.</p>
+</td>
+</tr>
+</table>
+
+<p class = "illustration">
+<img src = "images/pic21c.png" width = "417" height = "145"
+alt = "see text"></p>
+
+<p class = "header">
+THE SCENERY BECOMES MYSTERIOUS.</p>
+
+<p class = "caption leftside">
+THEY NOW BECAME ENVELOPED IN WHAT SEEMED A COMBINATION OF FOG (LONDON
+NOVEMBER) AND MIST (SCOTCH). ONLY THINK OF THOSE TWO NATIONAL
+INSTITUTIONS GOING UP THE RHINE WITH THE REST OF THE FASHIONABLE WORLD.
+AT FIRST IT OBSCURED THE HILL TOPS, WITH THE RUINS THEREON; THEN THE
+VILLAGES AND VINEYARDS BELOW; AND FINALLY BOTH BANKS OF THE RIVER
+ENTIRELY DISAPPEARED. THE COMPANY ON BOARD THE STEAMBOAT DID NOT, AT
+THIS PERIOD, PRESENT THE MOST CHEERFUL ASPECT.</p>
+
+
+<p class = "headnote">
+<span class = "pagenum">22</span>
+<a name = "mayence_frankfort" id = "mayence_frankfort">
+<span class = "headnote">
+MAYENCE TO FRANKFORT.</span></a></p>
+
+
+<p class = "illustration">
+<img src = "images/pic22a.png" width = "249" height = "237"
+alt = "see text"></p>
+
+<p class = "caption leftside">
+HOW ROBINSON’S FAVOURITE PORTMANTEAU, WHICH HE HAD FORGOTTEN TO LOCK,
+WAS DROPPED ACCIDENTALLY BY A PORTER WHILE CONVEYING IT TO THE
+OMNIBUS.</p>
+
+
+<p class = "illustration">
+<img src = "images/pic22b.png" width = "332" height = "255"
+alt = "see text"></p>
+
+<p class = "caption">
+JONES HINTS TO ROBINSON THAT IT IS TIME TO GET UP.</p>
+
+
+<p class = "headnote">
+<span class = "pagenum">23</span>
+<a name = "frankfort" id = "frankfort">
+<span class = "headnote">
+FRANKFORT.</span></a></p>
+
+
+<p class = "illustration">
+<img src = "images/pic23.png" width = "279" height = "463"
+alt = "see text"></p>
+
+<p class = "caption">
+HOW THEY VISITED A “QUARTER� OF THE CITY OF FRANKFORT, AND WHAT THEY SAW
+THERE!</p>
+
+
+<span class = "pagenum">24</span>
+
+
+<table class = "illustration" summary = "illustration with caption">
+<tr>
+<td class = "picture" width = "44%">
+<img src = "images/pic24a.png" width = "151" height = "176"
+alt = "see text"></td>
+<td class = "picture">
+<img src = "images/pic24b.png" width = "215" height = "189"
+alt = "see text"></td>
+</tr>
+
+<tr>
+<td class = "caption leftside">
+ROBINSON HERE WROTE HIS CELEBRATED LETTER TO THE “TIMES,� ON THE SUBJECT
+OF THE DEFICIENCY OF SOAP AND WATER, FROM WHICH, AS WE HAVE SEEN IN A
+FORMER PAGE, HE SUFFERED SO GRIEVOUSLY. IT WAS CONCEIVED IN TERMS OF
+INDIGNANT ELOQUENCE; AND DREW A TERRIBLE PICTURE OF THE STATE OF SOCIAL,
+POLITICAL, AND RELIGIOUS DEGRADATION INTO WHICH A COUNTRY MUST HAVE
+SUNK, WHERE SUCH THINGS COULD BE TOLERATED.</td>
+<td class = "caption leftside">
+AS THEY WALKED THROUGH THE TOWN, BENT UPON SEEING THE ARIADNE, AND
+UNCONSCIOUS OF DANGER, SUDDENLY AN OBJECT APPEARED IN SIGHT THAT FILLED
+THEM WITH TERROR. IT WAS THE “BORE!� STEPPING JAUNTILY ALONG ON THE
+OTHER SIDE OF THE STREET. TO HESITATE WAS TO BE LOST! SO THEY PLUNGED
+INTO THE NEAREST SHOP FOR PROTECTION, AND STOOD THERE BREATHLESS WITH
+EXPECTATION AND FEAR. PRESENTLY JONES&mdash;PUTTING HIS HEAD VERY
+GRADUALLY OUT&mdash; RECONNOITRED, AND FINDING ALL SAFE THEY RESUMED
+THEIR WAY.</td>
+</tr>
+</table>
+
+<p class = "illustration">
+<img src = "images/pic24c.png" width = "285" height = "190"
+alt = "see text"></p>
+
+<p class = "caption">
+ROBINSON THINKS IT “THE THING� TO ENCOURAGE NATIVE INDUSTRY WHEREVER HE
+GOES, AND SO BUYS A GERMAN PIPE.</p>
+
+
+<p class = "headnote">
+<span class = "pagenum">25</span>
+<a name = "heidelberg" id = "heidelberg">
+<span class = "headnote">
+HEIDELBERG.</span></a></p>
+
+
+<p class = "illustration">
+<img src = "images/pic25a.png" width = "198" height = "196"
+alt = "see text"></p>
+
+<p class = "caption">
+“KELLNER!�</p>
+
+
+<p class = "illustration">
+<img src = "images/pic25b.png" width = "396" height = "218"
+alt = "see text"></p>
+
+<p class = "caption leftside">
+WHILE BROWN, JONES, AND ROBINSON SUPPED, A PARTY OF PHILOSOPHERS CARRY
+ON AN ÆSTHETICAL DISCUSSION, WITH AN ACCOMPANIMENT OF PIPES AND
+BEER.</p>
+
+
+<span class = "pagenum">26</span>
+
+
+<p class = "illustration">
+<img src = "images/pic26a.png" width = "300" height = "256"
+alt = "see text"></p>
+
+<p class = "caption leftside">
+“* &nbsp; * &nbsp; * &nbsp; THE NIGHT WAS BEAUTIFUL, SO WE DETERMINED
+AFTER SUPPER TO HAVE A LOOK AT THE CELEBRATED CASTLE&mdash;JONES AND I
+DID, THAT IS TO SAY, FOR ROBINSON WAS SO FATIGUED WITH TRAVEL THAT HE
+DECLINED MOVING, MUTTERING SOMETHING ABOUT ‘CASTLE CAN WAIT.’ WE
+ASCENDED; THE MOON SHONE BRIGHTLY THROUGH THE RUINS, AND BATHED THE
+LANDSCAPE IN ITS SILVERY LIGHT, THE BEAUTIFUL NECKAR FLOWING AT OUR
+FEET. UNDER US LAY THE TOWN, A THOUSAND LIGHTS TWINKLING IN THE
+STILLNESS.� &nbsp; * &nbsp; * &nbsp; “SUDDENLY, TO OUR HORROR, THERE
+APPEARED UPON THE TERRACE ‘THE BORE!’� <i>&mdash;Extract from Brown’s
+Journal.</i></p>
+
+
+<table class = "illustration" summary = "illustration with caption">
+<tr>
+<td class = "picture">
+<img src = "images/pic26b.png" width = "185" height = "281"
+alt = "see text"></td>
+<td class = "picture">
+<img src = "images/pic26c.png" width = "188" height = "284"
+alt = "see text"></td>
+</tr>
+
+<tr>
+<td colspan = "2">
+<p class = "caption leftside">
+“AT LAST HE LEFT US. BUT NOT BEFORE HE HAD TAKEN FROM HIS POCKET A
+LETTER RECEIVED THAT MORNING FROM GREEN (’YOU KNOW GREEN, OF COURSE,’ HE
+SAID, ‘EVERYBODY DOES’), AND READ IT ALOUD FROM BEGINNING TO END. IT
+TOLD OF A ‘GOOD THING’ SAID AT THE CLUB BY SMITH; AND OF TWO MARRIAGES,
+AND A DUEL LIKELY TO COME OFF, BESIDES SEVERAL INTERESTING PARTICULARS
+REGARDING THE WINNER OF THE ST. LEGER.� <i>&mdash;Ibid.</i></p>
+
+<p class = "caption leftside">
+WHEN JONES AND BROWN WERE LEFT ONCE MORE ALONE, THEY WANDERED AND
+PONDERED AMONGST THE RUINS, AND MORALISED OVER THE INSTABILITY OF
+THINGS&mdash;THEY WERE EVEN BECOMING SENTIMENTAL&mdash;WHEN, SUDDENLY, A
+TERRIFIC SOUND WAS HEARD&mdash;LIKE THE BARKING OF A DOG&mdash;AND THE
+NEXT MOMENT THE ANIMAL HIMSELF WAS SEEN EMERGING FROM THE DARKNESS, AND
+MAKING TOWARDS THEM AT THE TOP OF HIS SPEED. THEY TURNED AND FLED!</p>
+</td>
+</tr>
+</table>
+
+<span class = "pagenum">27</span>
+
+
+<p class = "illustration">
+<img src = "images/pic27a.png" width = "371" height = "263"
+alt = "see text"></p>
+
+<p class = "caption">
+MEETING BY MOONLIGHT.</p>
+
+
+<p class = "illustration">
+<img src = "images/pic27b.png" width = "222" height = "240"
+alt = "see text"></p>
+
+<p class = "caption leftside">
+ROBINSON, AFTER THE DEPARTURE OF JONES AND BROWN, SEATED HIMSELF BEFORE
+THE FIRE AND FELL FAST ASLEEP.</p>
+
+
+<span class = "pagenum">28</span>
+
+
+<p class = "illustration">
+<img src = "images/pic28a.png" width = "268" height = "226"
+alt = "see text"></p>
+
+<p class = "caption leftside">
+HE CONTINUED IN THAT STATE, NOTWITHSTANDING THAT THE PHILOSOPHERS BECAME
+VERY NOISY, AND EVEN WARLIKE.</p>
+
+
+<p class = "illustration">
+<img src = "images/pic28b.png" width = "327" height = "222"
+alt = "see text"></p>
+
+<p class = "caption leftside">
+&mdash;AND ALTHOUGH&mdash;AFTER THE LATTER HAD RETIRED (FORTUNATELY
+WITHOUT COMING TO BLOWS)&mdash;HIS CHAIR TOPPLED OVER, HE QUIETLY
+ASSUMED A HORIZONTAL POSITION.</p>
+
+<p class = "caption leftside">
+FANCY THE FEELINGS OF JONES AND BROWN ON RETURNING, AND FINDING THEIR
+FRIEND LYING ON HIS BACK UPON THE FLOOR, SNORING!</p>
+
+
+<span class = "pagenum">29</span>
+
+
+<p class = "illustration">
+<img src = "images/pic29a.png" width = "327" height = "207"
+alt = "see text"></p>
+
+<p class = "caption">
+THEY LIFTED HIM UP, AND CARRIED HIM OFF TO BED.</p>
+
+
+<p class = "illustration">
+<img src = "images/pic29b.png" width = "211" height = "183"
+alt = "see text"></p>
+
+<p class = "caption leftside">
+NEXT MORNING THEY ENTERTAINED ROBINSON WITH A THRILLING ACCOUNT OF THE
+DANGERS OF THEIR EXPEDITION, IN WHICH THAT DREADFUL DOG FILLED A VERY
+LARGE SPACE.</p>
+
+<p class = "caption leftside">
+THE ABOVE WILL GIVE SOME FAINT IDEA OF WHAT THEY PICTURED TO THEMSELVES
+(AND TO ROBINSON).</p>
+
+
+<p class = "headnote">
+<span class = "pagenum">30</span>
+<a name = "review" id = "review">
+<span class = "headnote">
+THE REVIEW.</span></a></p>
+
+
+<p class = "illustration">
+<img src = "images/pic30.png" width = "512" height = "489"
+alt = "see text"></p>
+
+<p class = "plain">
+Brown, Jones, and Robinson have arrived at &mdash;&mdash;, the capital
+of &mdash;&mdash;, a small German state (we won’t say which, as it would
+be giving it an undue distinction, and might offend the others).</p>
+
+<p class = "plain">
+They have been received with distinguished consideration, the “local�
+paper having announced their arrival as Count Robinson, Sir Brown, and
+the Rev. Jones. They have been invited to be present at a grand review,
+and Robinson&mdash;who amongst other necessaries in those portmanteaus
+of his, carried a uniform as Captain of Yeomanry&mdash;thought that this
+was just the proper occasion to appear in it. Accordingly, he rode on to
+the ground upon a charger (hired), in the character of a warrior, with a
+solemnity of countenance befitting the scene and his country, and
+accompanied by Jones (also mounted), but in the costume of an ordinary
+individual of the period. Brown preferred going on foot. That is
+Robinson in the centre. Just at the time when he ought to be riding up
+the line, inspecting the troops with the Grand Duke and his
+staff&mdash;his horse (a “disgusting brute,� as Robinson afterwards
+described him, “who could not have been in the habit of carrying
+gentlemen�) suddenly stood on his hind legs, in the very middle of the
+field, so that his rider was forced to cling on to him in an absurd
+manner, in full view of the army, the people, and the court.</p>
+
+<p class = "plain">
+R. at that moment earnestly desired that the earth might open and
+swallow him.</p>
+
+<p class = "caption">
+KEY TO THE CARTOON.</p>
+
+<p class = "caption leftside">
+1. Robinson. 2. The Grand Duke. 3. The Crown Prince. 4. The Rest of the
+Serene Family. 5.&nbsp;Mr. Jones. 6.&nbsp;The Population. 7.&nbsp;Mr.
+Jones’s Dog. 8.&nbsp;Mr. Brown. 9.&nbsp;The Army. 10.&nbsp;Distant View
+of the Capital. 11.&nbsp;Foreign Visitors. 12.&nbsp;Monument to late
+Duke.</p>
+
+
+<p class = "headnote">
+<span class = "pagenum">31</span>
+<a name = "baden" id = "baden">
+<span class = "headnote">
+BADEN.</span></a></p>
+
+
+<p class = "illustration">
+<img src = "images/pic31a.png" width = "510" height = "249"
+alt = "see text"></p>
+
+<p class = "header">
+A SCENE AT BADEN.</p>
+
+
+<p class = "illustration">
+<img src = "images/pic31b.png" width = "243" height = "151"
+alt = "see text"></p>
+
+<p class = "header">
+THE RIGHT OF SEARCH.</p>
+
+
+<span class = "pagenum">32</span>
+
+
+<p class = "illustration">
+<img src = "images/caption32.png" width = "318" height = "29"
+alt = "Of the Adventure that befel [sic] Jones."
+title = "Of the Adventure that befel [sic] Jones."></p>
+
+<p class = "illustration">
+<img src = "images/pic32a.png" width = "245" height = "190"
+alt = "see text"></p>
+
+<p class = "caption">
+I.</p>
+
+<p class = "caption leftside">
+JONES’S DOG HAVING COME UPON A SENTINEL, AND STRUCK, PERHAPS, BY HIS
+SMALL SIZE COMPARED WITH THE SENTINELS HE IS USED TO, COMMENCES TO SAY,
+“BOW!&mdash;WOW!&mdash;WOW!&mdash;WEW&mdash;U&mdash;U!�</p>
+
+<p class = "caption leftside">
+THE SOLDIER, OFFENDED BY THESE REMARKS, PRESENTS FOR THE ANIMAL’S
+CONSIDERATION, THE POINT OF HIS BAYONET.</p>
+
+
+<table class = "illustration" summary = "illustration with caption">
+<tr>
+<td class = "picture" width = "50%">
+<img src = "images/pic32b.png" width = "228" height = "203"
+alt = "see text"></td>
+<td class = "picture">
+<img src = "images/pic32c.png" width = "137" height = "203"
+alt = "see text"></td>
+</tr>
+
+<tr>
+<td>
+<p class = "caption">
+II.</p>
+
+<p class = "caption leftside">
+JONES EXPOSTULATES, WITH THAT FREEDOM OF SPEECH WHICH IS THE BIRTHRIGHT
+OF EVERY ENGLISHMAN.</p>
+</td>
+<td>
+<p class = "caption">
+III.</p>
+
+<p class = "caption leftside">
+BUT OBTAINING NO SATISFACTION, CALLS ON THE MISERABLE FOREIGNER TO “COME
+ON.�</p>
+</td>
+</tr>
+</table>
+
+<span class = "pagenum">33</span>
+
+
+<table class = "illustration" summary = "illustration with caption">
+<tr>
+<td class = "picture" width = "50%">
+<img src = "images/pic33a.png" width = "132" height = "157"
+alt = "see text"></td>
+
+<td class = "picture">
+<img src = "images/pic33b.png" width = "215" height = "222"
+alt = "see text"></td>
+</tr>
+
+<tr>
+<td>
+<p class = "caption">
+IV.</p>
+
+<p class = "caption leftside">
+FIRST (AND LAST) ROUND. &mdash;THE SOLDIER DID “COME ON,� FROWNING.
+JONES RECEIVED HIM, SMILING. &mdash;THE SOLDIER MADE PLAY WITH HIS
+MUSKET: JONES PUT IN HIS LEFT. THEY CLOSED, AND A TERRIFIC STRUGGLE
+ENSUED, IN THE COURSE OF WHICH JONES GOT HIS ADVERSARY’S “NOB� INTO
+“CHANCERY.�</p>
+</td>
+<td>
+<p class = "caption">
+V.</p>
+
+<p class = "caption leftside">
+THE SOLDIER, AT THIS POINT, UNABLE TO USE HIS ARMS, TOOK TO HIS LEGS,
+AND ADMINISTERED A SERIES OF KICKS UPON THE SHINS OF JONES, WHO IN
+RETURN SEIZED HIM, LIFTED HIM IN THE AIR, AND THREW HIM.</p>
+</td>
+</tr>
+</table>
+
+<table class = "illustration" summary = "illustration with caption">
+<tr>
+<td class = "picture" width = "50%">
+<img src = "images/pic33c.png" width = "188" height = "228"
+alt = "see text"></td>
+
+<td class = "picture">
+<img src = "images/pic33d.png" width = "185" height = "188"
+alt = "see text"></td>
+</tr>
+
+<tr>
+<td>
+<p class = "caption">
+VI.</p>
+
+<p class = "caption leftside">
+THEN, CONSIDERING THAT JUSTICE AND THE HONOUR OF HIS COUNTRY WERE ALIKE
+SATISFIED, HE RETIRED, LEAVING THE BODY OF HIS ANTAGONIST ON THE
+FIELD.</p>
+</td>
+<td>
+<p class = "caption">
+VII.</p>
+
+<p class = "caption leftside">
+SHOWS THE “BODY,� ON DISCOVERING THAT LIFE WAS NOT EXTINCT, ATTEMPTING
+TO RISE.</p>
+
+<p class = "caption leftside">
+P.S. &mdash;HE WAS LAST SEEN MAKING FRANTIC EFFORTS TO REGAIN HIS FEET,
+AND SEEMINGLY PREVENTED FROM DOING SO BY THE WEIGHT OF HIS KNAPSACK, AND
+OTHER ACCOUTREMENTS.</p>
+</td>
+</tr>
+</table>
+
+<span class = "pagenum">34</span>
+
+
+<p class = "illustration">
+<img src = "images/pic34a.png" width = "334" height = "183"
+alt = "see text"></p>
+
+<p class = "caption">
+VIII.</p>
+
+<p class = "caption leftside">
+JONES WAS LATE AT BREAKFAST; HE FOUND ROBINSON READING “GALIGNANI,� AND
+BROWN LOOKING OUT OF WINDOW, AND AFTER GIVING THEM AN AMUSING ACCOUNT OF
+THE FUN HE HAD HAD, WAS JUST SITTING DOWN TO THE TABLE, WHEN BROWN
+SHOUTED OUT, “BY JOVE, THERE IS A REGIMENT OF SOLDIERS COMING DOWN THE
+STREET!�</p>
+
+
+<p class = "illustration">
+<img src = "images/pic34b.png" width = "311" height = "168"
+alt = "see text"></p>
+
+<p class = "caption">
+IX.</p>
+
+<p class = "caption leftside">
+AT FIRST JONES WAS INCREDULOUS; BUT PRESENTLY BROWN, HIS HAIR STANDING
+ON END, RUSHED TOWARDS HIM, AND IN A VOICE OF AGONY, CRIED, “AS SURE AS
+WE ARE ALIVE THEY HAVE STOPPED IN FRONT OF THE HOUSE, AND THE <i>OFFICER
+IS COMING IN!�</i></p>
+
+
+<span class = "pagenum">35</span>
+
+
+<p class = "illustration">
+<img src = "images/pic35a.png" width = "263" height = "252"
+alt = "see text"></p>
+
+<p class = "caption">
+X.</p>
+
+<p class = "caption leftside">
+IT WAS TOO TRUE. THE SOLDIERS HAD COME TO LOOK AFTER THE ENGLISHMAN WHO
+HAD ATTACKED AND BEATEN THEIR COMRADE.</p>
+
+
+<p class = "illustration">
+<img src = "images/pic35b.png" width = "272" height = "191"
+alt = "see text"></p>
+
+<p class = "caption">
+XI.</p>
+
+<p class = "caption leftside">
+AFTER A FEW MOMENTS OF BREATHLESS SUSPENSE, THE OFFICER
+ENTERS&mdash;JONES STANDS LIKE A MAN ABOUT TO STRUGGLE WITH
+ADVERSITY.</p>
+
+
+<span class = "pagenum">36</span>
+
+
+<p class = "illustration">
+<img src = "images/pic36a.png" width = "320" height = "157"
+alt = "see text"></p>
+
+<p class = "caption">
+XII.</p>
+
+<p class = "caption">
+NEVERTHELESS HE IS ARRESTED AND MARCHED OFF.</p>
+
+
+<p class = "illustration">
+<img src = "images/pic36b.png" width = "189" height = "177"
+alt = "see text"></p>
+
+<p class = "caption">
+XIII.</p>
+
+<p class = "caption leftside">
+ROBINSON, IN AGONY, CALLS FOR HIS COAT AND HAT, “FOR,� AS HE CRIED OUT
+TO BROWN, “NOT A MOMENT IS TO BE LOST IN ENDEAVOURING TO SEE THE BRITISH
+MINISTER.�</p>
+
+
+<span class = "pagenum">37</span>
+
+
+<p class = "illustration">
+<img src = "images/pic37a.png" width = "249" height = "250"
+alt = "see text"></p>
+
+<p class = "caption">
+XIV.</p>
+
+<p class = "caption leftside">
+THEY GAIN AN AUDIENCE OF HIS EXCELLENCY THE BRITISH MINISTER, AND ASK
+HIS INTERFERENCE IN BEHALF OF A PERSECUTED COUNTRYMAN.</p>
+
+<p class = "caption leftside">
+WE ARE HAPPY TO ADD THAT THE INTERFERENCE WAS QUITE SUCCESSFUL. JONES
+WAS LIBERATED IMMEDIATELY, AND SHORTLY AFTERWARDS THE BRITISH MINISTER
+FOR FOREIGN AFFAIRS, IN A DESPATCH TO THE GERMAN MINISTER FOR THE SAME,
+EXPRESSED HIS CONVICTION THAT “THE WHOLE CIVILISED WORLD REPROBATED,
+WITH ONE VOICE, A SYSTEM AT ONCE TYRANNICAL AND CRUEL, A REMNANT OF THE
+DARKEST AGES OF MAN’S HISTORY, AND UTTERLY UNWORTHY OF THE PRESENT ERA
+OF PROGRESS AND ENLIGHTENMENT.�</p>
+
+<p class = "caption leftside">
+OUR FRIENDS WERE ADVISED, HOWEVER, TO LEAVE THE COUNTRY AS SOON AND AS
+QUIETLY AS POSSIBLE. THEY DEPARTED ACCORDINGLY.</p>
+
+<p class = "headnote">
+<a name = "baden_basle" id = "baden_basle">
+<span class = "headnote">
+BADEN TO BASLE.</span></a></p>
+
+
+<p class = "illustration">
+<img src = "images/pic37b.png" width = "240" height = "219"
+alt = "see text"></p>
+
+<p class = "caption">
+HEAD-DRESSES OF PEASANTRY. A SKETCH ON THE ROAD TO BASLE.</p>
+
+
+<span class = "pagenum">38</span>
+
+
+<p class = "illustration">
+<img src = "images/pic38a.png" width = "361" height = "195"
+alt = "see text"></p>
+
+<p class = "caption leftside">
+HOW BROWN AND JONES WENT IN A THIRD CLASS CARRIAGE (ROBINSON WOULD NOT;
+IT DID NOT SEEM “RESPECTABLE�), THAT THEY MIGHT SEE THE NATIVES, AND HOW
+B. DREW THE PORTRAIT OF ONE, TO HER EVIDENT DISSATISFACTION.</p>
+
+
+<p class = "illustration">
+<img src = "images/pic38b.png" width = "393" height = "220"
+alt = "see text"></p>
+
+<p class = "caption">
+THE OMNIBUS BESIEGED AND TAKEN BY STORM.</p>
+
+
+<p class = "headnote">
+<span class = "pagenum">39</span>
+<a name = "basle" id = "basle">
+<span class = "headnote">
+BASLE.</span></a></p>
+
+<table class = "illustration" summary = "illustration with caption">
+<tr>
+<td class = "picture" rowspan = "3" width = "50%">
+<img src = "images/pic39a.png" width = "191" height = "479"
+alt = "see text"></td>
+<td class = "picture">
+<img src = "images/pic39b.png" width = "95" height = "97"
+alt = "see text"></td>
+</tr>
+<tr>
+<td class = "caption">
+SCENE FROM THE ROAD, NEAR BASLE.</td>
+</tr>
+<tr>
+<td class = "picture">
+<img src = "images/pic39c.png" width = "152" height = "210"
+alt = "see text"></td>
+</tr>
+<tr>
+<td class = "caption leftside">
+“THE HEIGHT OF THE OMNIBUSSES IS QUITE DISGUSTING.� <i>&mdash;Extract
+from unpublished documents in possession of</i> ROBINSON, <i>who himself
+fell in the mud, while climbing from the roof of one of those
+vehicles.</i></td>
+<td class = "caption">
+STORKS’ NEST, BASLE.</td>
+</tr>
+</table>
+
+
+<p class = "headnote">
+<span class = "pagenum">40</span>
+<a name = "switzerland" id = "switzerland">
+<span class = "headnote">
+SWITZERLAND.</span></a></p>
+
+
+<p class = "illustration">
+<img src = "images/pic40a.png" width = "332" height = "233"
+alt = "see text"></p>
+
+<p class = "header">
+BOAT STATION ON THE LAKE OF LUCERNE;<br>
+AS SKETCHED BY BROWN FROM THE STEAMER.</p>
+
+<p class = "caption leftside">
+ACCORDING TO THE GUIDE-BOOK, THE PAINTINGS ON THE WALL REPRESENT FURST,
+STAUFFACH, AND MELCHTHAL, SWEARING TO LIBERATE THEIR COUNTRY; BUT JONES
+SAID HE BELIEVED THEM TO BE PORTRAITS OF A MEDIEVAL SWISS BROWN, JONES,
+AND ROBINSON, IN THE ACT OF VOWING ETERNAL FRIENDSHIP.</p>
+
+
+<p class = "illustration">
+<img src = "images/pic40b.png" width = "250" height = "242"
+alt = "see text"></p>
+
+<p class = "caption">
+THE SAFEST WAY OF COMING DOWN A MOUNTAIN.</p>
+
+
+<span class = "pagenum">41</span>
+
+
+<p class = "illustration">
+<img src = "images/pic41a.png" width = "473" height = "317"
+alt = "see text"></p>
+
+<p class = "caption leftside">
+“WE GOT OUT OF THE DILIGENCE (AT A TIME WHEN IT WAS OBLIGED TO GO VERY
+SLOWLY), IN ORDER TO MAKE AN EXCURSION ON FOOT IN SEARCH OF THE
+PICTURESQUE, BEING TOLD THAT WE MIGHT MEET THE CARRIAGE AT A CERTAIN
+POINT, ABOUT A MILE FURTHER ON. WE SAW MANY MAGNIFICENT VIEWS, AND DID A
+GREAT DEAL OF WHAT MIGHT BE CALLED ROUGH WALKING; BUT PERHAPS THE THING
+THAT STRUCK US MOST WAS, THAT ON EMERGING AT THE APPOINTED SPOT FOR
+REJOINING THE DILIGENCE, WE BEHELD IT A SPECK IN THE DISTANCE, JUST
+DEPARTING OUT OF SIGHT.� <i>&mdash;Extract from Jones’s Journal.</i></p>
+
+
+<p class = "illustration">
+<img src = "images/pic41b.png" width = "271" height = "82"
+alt = "see text"></p>
+
+<p class = "caption">
+THE SEVEN AGES OF ROBINSON’S BEARD.</p>
+
+
+<span class = "pagenum">42</span>
+
+
+<p class = "illustration">
+<img src = "images/pic42.png" width = "240" height = "506"
+alt = "see text"></p>
+
+<p class = "caption">
+WHAT ARE THEY TO DO NOW?</p>
+
+
+<span class = "pagenum">43</span>
+
+
+<p class = "illustration">
+<img src = "images/pic43.png" width = "427" height = "457"
+alt = "see text"></p>
+
+<p class = "header">
+DESCENT OF THE ST. GOTHARD.</p>
+
+<p class = "caption">
+HAVING TAKEN THEIR PLACES ON THE OUTSIDE OF THE DILIGENCE, BROWN, JONES,
+AND ROBINSON CAN THE BETTER ENJOY THE GRANDEUR OF THE SCENERY.</p>
+
+
+<span class = "pagenum">44</span>
+
+
+<table class = "illustration" summary = "illustration with caption">
+<tr>
+<td class = "picture" width = "33%">
+<img src = "images/pic44a.png" width = "123" height = "131"
+alt = "see text"></td>
+<td class = "bottom right" colspan = "2" rowspan = "2">
+<img src = "images/pic44c_top.png" width = "257" height = "353"
+alt = "see text">
+</tr>
+<tr>
+<td class = "caption">
+THEY SEE ITALY IN THE DISTANCE.</td>
+</tr>
+<tr>
+<td>&nbsp;</td>
+<td>&nbsp;</td>
+<td class = "right" width = "33%" rowspan = "2">
+<img src = "images/pic44c_bottom.png" width = "152" height = "128"
+alt = "see text">
+</tr>
+<tr>
+<td class = "picture" colspan = "2" rowspan = "2">
+<img src = "images/pic44b.png" width = "327" height = "271"
+alt = "see text"></td>
+</tr>
+<tr>
+<td class = "caption">
+PILGRIMS COMING <span class = "ital">DOWN</span> THE “HILL OF
+DIFFICULTY.�</td>
+</tr>
+<tr>
+<td class = "caption" colspan = "2">
+A MEETING ON THE MOUNTAIN.</td>
+<td>&nbsp;</td>
+</tr>
+</table>
+
+
+<p class = "headnote">
+<span class = "pagenum">45</span>
+<a name = "italy" id = "italy">
+<span class = "headnote">
+ITALY.</span></a></p>
+
+
+<p class = "illustration">
+<img src = "images/pic45a.png" width = "308" height = "267"
+alt = "see text"></p>
+
+<p class = "header">
+BREAKFAST AT BELLINZONA.</p>
+
+<p class = "caption leftside">
+IT WAS THEIR FIRST DAY IN ITALY, AND HOW THEY DID ENJOY IT! THE REPAST
+WAS SERVED IN A STONE SUMMER-HOUSE ATTACHED TO THE HOTEL. THE SUN WAS SO
+BRIGHT, AND SO HOT; THE SKY WAS SO BLUE, THE VEGETATION SO GREEN, THE
+MOUNTAINS SO PURPLE, THE GRAPES SO LARGE, AND EVERYTHING SO BEAUTIFUL,
+THAT BROWN AND JONES BOTH DECIDED THAT THE SCENE FULLY REALISED ALL
+THEIR IMAGININGS OF ITALY. ROBINSON WAS ENTHUSIASTIC, TOO, AT FIRST, AND
+WAS BEGINNING TO SAY SOMETHING ABOUT “ITALIA, O ITALIA,� WHEN HIS EYE
+LIT UPON A GREEN LIZARD RUNNING UP THE WALL. FROM THAT MOMENT HE WAS
+MORE SUBDUED.</p>
+
+
+<p class = "illustration">
+<img src = "images/pic45b.png" width = "254" height = "240"
+alt = "see text"></p>
+
+<p class = "caption">
+HOW THEY GOT ROBINSON UP THE HILLS.</p>
+
+
+<p class = "headnote">
+<span class = "pagenum">46</span>
+<a name = "lakes" id = "lakes">
+<span class = "headnote">
+ITALIAN LAKES.</span></a></p>
+
+
+<p class = "illustration">
+<img src = "images/pic46a.png" width = "410" height = "217"
+alt = "see text"></p>
+
+<p class = "caption leftside">
+THEY LAND UPON AUSTRIAN TERRITORY EN ROUTE FOR MILAN. WHILE THE “PROPER
+OFFICER� TAKES POSSESSION OF THEIR PASSPORTS, THE WHOLE AVAILABLE
+POPULATION POUNCES UPON THE LUGGAGE, AND, AFTER APPORTIONING IT INTO
+“SMALL ALLOTMENTS,� CARRIES IT OFF TO THE CUSTOM HOUSE.</p>
+
+
+<p class = "illustration">
+<img src = "images/pic46b.png" width = "410" height = "234"
+alt = "see text"></p>
+
+<p class = "caption leftside">
+THE OFFICIAL HERE IS SEEN “POINTING� ON THE SCENT (AS HE THINKS) OF
+CONTRABAND GOODS IN ONE OF ROBINSON’S PORTMANTEAUS. HE DID NOT “FIND,�
+BUT IN THE HUNT, TOSSED R.’S “THINGS� DREADFULLY. BROWN REVENGED THE
+WRONGS OF SELF AND FRIENDS, BY TAKING A FULL LENGTH, ON THE SPOT, OF
+THAT IMPOSING ADMINISTRATOR, WHO STANDS OVER THERE, WITH THE PASSPORTS
+IN HIS HAND.</p>
+
+
+<span class = "pagenum">47</span>
+
+
+<table class = "illustration" summary = "illustration with caption">
+<tr>
+<td class = "picture" colspan = "2">
+<img src = "images/pic47a.png" width = "335" height = "347"
+alt = "see text"></td>
+</tr>
+<tr>
+<td class = "caption">
+“EXCELSIOR!�</td>
+<td class = "picture" rowspan = "2">
+<img src = "images/pic47c.png" width = "256" height = "445"
+alt = "see text"></td>
+</tr>
+<tr>
+<td class = "picture">
+<img src = "images/pic47b.png" width = "189" height = "306"
+alt = "see text"></td>
+</tr>
+<tr>
+<td class = "caption">
+AN ITALIAN VIEW.</td>
+<td class = "caption">
+“BUON GIORNO.�</td>
+</tr>
+</table>
+
+
+<span class = "pagenum">48</span>
+
+
+<p class = "illustration">
+<img src = "images/pic48a.png" width = "560" height = "274"
+alt = "see text"></p>
+
+<p class = "header">
+EVENING ON THE LAGO MAGGIORE.</p>
+
+
+<p class = "illustration">
+<img src = "images/pic48b.png" width = "306" height = "183"
+alt = "see text"></p>
+
+<p class = "caption leftside">
+“’KNOWEST THOU THE LAND’ WHERE THE GRAPES ARE AS PLENTIFUL AS
+BLACKBERRIES IN ENGLAND; AND WHERE ONE HAS ONLY TO STOP A MINUTE AT THE
+ROADSIDE, AND PULL NO END OF ’EM. O ’TIS THERE! ’TIS THERE! ETC.�
+<i>&mdash;Robinson’s Letters to his Kinsfolk.</i></p>
+
+
+<span class = "pagenum">49 &amp; 50</span>
+
+<table class = "illustration" summary = "illustration with caption">
+<tr>
+<td class = "picture" width = "50%">
+&nbsp;<br>
+&nbsp;<br>
+<img src = "images/pic49a.png" width = "121" height = "153"
+alt = "see text"></td>
+<td class = "picture" rowspan = "3">
+<img src = "images/pic49b.png" width = "161" height = "295"
+alt = "see text"></td>
+</tr>
+
+<tr>
+<td class = "header">
+MARIE.</td>
+</tr>
+
+<tr>
+<td class = "caption leftside" rowspan = "2">
+OH! MARIE OF THE LAGO D’ORTA, MAID OF THE INN, AND MOST BEAUTIFUL OF
+WAITRESSES, HOW WELL DO I REMEMBER THEE! HOW GRACEFUL WERE ALL THY
+MOVEMENTS; WHAT NATURAL EASE, TOGETHER WITH WHAT A DIGNIFIED RESERVE;
+&mdash;HOW TRULY A LADY WERT THOU! YOU DID NOT KNOW IT, BUT WHEN YOU
+WAITED UPON US, I ALWAYS FELT INCLINED TO JUMP UP FROM MY CHAIR, AND
+OPEN THE DOOR FOR YOU&mdash; TO TAKE THE DISHES FROM YOUR HANDS, TO ASK
+YOU RESPECTFULLY TO BE SEATED, TO WAIT UPON YOU IN FACT. AND O! HOW I
+DID DETEST THAT WICKED OLD LANDLADY, YOUR MISTRESS, WHO USED TO BULLY
+AND SCOLD YOU. AND I WONDER WHETHER YOU REMEMBER ME. <i>&mdash;From a
+MS., very rare, in possession of Brown.</i></td>
+</tr>
+<tr>
+<td class = "caption leftside">
+THIS PICTURE REPRESENTS BROWN AS HE APPEARED, HIS FEELINGS BEING “TOO
+MANY FOR HIM,� ON HEARING THAT ELDERLY SHE-DRAGON, THE LANDLADY, VENTING
+HER ILL-HUMOUR UPON THE GENTLE MARIE. HE STOLE OUT OF THE DINING-ROOM,
+LOOKED OVER INTO THE YARD, AND THERE BEHELD THE FURIOUS OLD FEMALE
+SHAKING HER FIST, AND POURING FORTH A TORRENT OF ABUSE. BROWN WAS NOT
+NATURALLY OF A SAVAGE TEMPERAMENT, BUT AT THAT MOMENT HE FELT THAT HE
+COULD HAVE&mdash;BUT IT IS BEST NOT TO SAY WHAT HE COULD HAVE
+DONE&mdash;IT WAS TOO TERRIBLE FOR PUBLICATION IN THESE PAGES.</td>
+</tr>
+</table>
+
+<p class = "illustration">
+<img src = "images/pic49c.png" width = "483" height = "224"
+alt = "see text"></p>
+
+<p class = "header">
+A BOAT AT ORTA.</p>
+
+
+<span class = "pagenum">51</span>
+
+
+<p class = "illustration">
+<img src = "images/pic51a.png" width = "507" height = "328"
+alt = "see text"></p>
+
+<p class = "header">
+A MOUNTAIN WALK.</p>
+
+<p class = "caption">
+ROBINSON, WITH WARMTH, AND SOME DISTANCE BEHIND,&mdash; “WHAT IS THE USE
+OF GOING ON AT THAT RATE?�</p>
+
+
+<p class = "illustration">
+<img src = "images/pic51b.png" width = "186" height = "187"
+alt = "see text"></p>
+
+<p class = "caption">
+POOR JONES! WHO WOULD HAVE THOUGHT HE COULD EVER BE TIRED!</p>
+
+
+<span class = "pagenum">52</span>
+
+
+<p class = "illustration">
+<img src = "images/pic52.png" width = "335" height = "488"
+alt = "see text"></p>
+
+<p class = "caption">
+PLEASANT.</p>
+
+
+<span class = "pagenum">53</span>
+
+
+<p class = "illustration">
+<img src = "images/pic53a.png" width = "361" height = "230"
+alt = "see text"></p>
+
+<p class = "caption">
+THE ACCIDENT THAT BEFELL ROBINSON. <em>&mdash;No. 1.</em></p>
+
+
+<p class = "illustration">
+<img src = "images/pic53b.png" width = "256" height = "205"
+alt = "see text"></p>
+
+<p class = "caption">
+THE ACCIDENT THAT BEFELL ROBINSON. <em>&mdash;No. 2.</em></p>
+
+
+<p class = "headnote">
+<span class = "pagenum">54</span>
+<a name = "orta" id = "orta">
+<span class = "headnote">
+ORTA.</span></a></p>
+
+
+<p class = "illustration">
+<img src = "images/pic54a.png" width = "163" height = "249"
+alt = "see text"></p>
+
+<p class = "header">
+ROBINSON RETIRES FOR THE NIGHT.</p>
+
+<p class = "caption">
+TO PREVENT ANXIETY, WE HAD BETTER STATE THAT HE IS TIRED&mdash;NOTHING
+ELSE.</p>
+
+
+<p class = "illustration">
+<img src = "images/pic54b.png" width = "296" height = "218"
+alt = "see text"></p>
+
+<p class = "caption">
+“NOW DO, ROBINSON, JUMP UP LIKE A GOOD FELLOW; WE OUGHT TO BE STARTING
+NOW&mdash;AND THINK HOW PLEASANT IT WILL BE, ONCE YOU ARE UP!�</p>
+
+
+<p class = "headnote">
+<span class = "pagenum">55</span>
+<a name = "varallo" id = "varallo">
+<span class = "headnote">
+VARALLO.</span></a></p>
+
+
+<p class = "illustration">
+<img src = "images/pic55a.png" width = "383" height = "212"
+alt = "see text"></p>
+
+<p class = "header">
+THE INN.</p>
+
+
+<p class = "illustration">
+<img src = "images/pic55b.png" width = "275" height = "232"
+alt = "see text"></p>
+
+<p class = "caption">
+HOW BROWN, RETURNING FROM SKETCHING, WAS BESET BY BEGGARS IN A LONELY
+PLACE.</p>
+
+
+<p class = "headnote">
+<span class = "pagenum">56</span>
+<a name = "milan" id = "milan">
+<span class = "headnote">
+MILAN.</span></a></p>
+
+<table class = "illustration" summary = "illustration with caption">
+<tr>
+<td class = "picture" width = "60%">
+<img src = "images/pic56a.png" width = "308" height = "220"
+alt = "see text"></td>
+<td class = "picture">
+<img src = "images/pic56b.png" width = "122" height = "192"
+alt = "see text"></td>
+</tr>
+
+<tr>
+<td class = "caption">
+THEY PAY A VISIT TO THE MARIONETTE THEATRE.</td>
+<td class = "caption">
+A SNOB THEY SAW WRITING HIS NAME UPON ROOF OF MILAN CATHEDRAL.</td>
+</tr>
+</table>
+
+<p class = "illustration">
+<img src = "images/pic56c.png" width = "498" height = "176"
+alt = "see text"></p>
+
+<p class = "header">
+ENLIGHTENED BEHAVIOUR IN A FOREIGN CHURCH.</p>
+
+<p class = "caption">
+WE ARE HAPPY TO SAY, THAT B. J. AND R. HAD NO CONNECTION WITH THE ABOVE
+PARTY.</p>
+
+
+<span class = "pagenum">57</span>
+
+
+<p class = "illustration">
+<img src = "images/pic57a.png" width = "294" height = "247"
+alt = "see text"></p>
+
+<p class = "caption leftside">
+ROBINSON’S DETERMINATION TO LET HIS BEARD GROW “NATURALLY,� HAD AN
+ABSURD RESULT, THE HAIR GROWING IN VIOLENT AND ABRUPT CROPS IN SOME
+PLACES, AND NOT AT ALL IN OTHERS; SO THAT JONES, WHO WAS SENSITIVE ABOUT
+APPEARANCES, (AND WHOSE OWN MOUSTACHE WAS DOING BEAUTIFULLY,) INSISTED
+AT LAST UPON R.’S BEING SHAVED, WHICH EVENT ACCORDINGLY TOOK PLACE IN
+THE CITY OF MILAN. IT WAS WELL THAT ROBINSON CONSENTED, FOR THE BARBER
+EYED HIM EAGERLY, AND AS IF HE WOULD SPRING UPON HIM AND SHAVE HIM BY
+FORCE.</p>
+
+
+<p class = "illustration">
+<img src = "images/pic57b.png" width = "334" height = "217"
+alt = "see text"></p>
+
+<p class = "header">
+CAFÉ MILAN.&mdash;SUDDEN AND UNEXPECTED ARRIVAL<br>
+OF DISTINGUISHED FOREIGNERS.</p>
+
+<p class = "caption leftside">
+THE MOMENT WE SEATED OURSELVES IN A CAFÉ, AN AWFUL GROUP OF BEGGARS
+STOOD BEFORE US&mdash;SO SUDDENLY THAT THEY APPEARED TO HAVE COME UP
+THROUGH A TRAP-DOOR&mdash;AND DEMANDED ALMS. THEY WOULD NOT GO WITHOUT
+MONEY, AND WHEN THEY GOT IT THEY TOOK IT AS A RIGHT. IT WOULD NOT DO FOR
+ONE OF US TO “SETTLE� WITH THEM FOR THE WHOLE PARTY, FOR NO SOONER HAD I
+GIVEN THEM A COIN THAN THEY TURNED TO JONES, AND WHEN DONE WITH HIM,
+COOLLY SET UPON ROBINSON. THE INSTANT ONE TRIBE DEPARTED, A FRESH RELAIS
+ARRIVED, SO THAT THERE WAS A CONSTANT SUPPLY (OF BEGGARS) AND DEMAND (ON
+OUR PURSES).</p>
+
+<p class = "caption leftside">
+NO PLACE SEEMED SAFE: IN THE MOST MAGNIFICENT AND LUXURIOUSLY-DECORATED
+CAFÉS THEY HAD PERFECT RIGHT OF WAY, THE CONTRAST BETWEEN THE RICH
+GILDING, GLASS, FOUNTAINS, ETC., OF THE ONE, AND THE RAGS, DIRT, AND
+DRAMATICALLY GOT-UP HORRORS OF THE OTHER BEING PICTURESQUE, BUT
+CERTAINLY NOT PLEASANT; AND YET, AS JONES REMARKED, THEY SAY THIS
+COUNTRY HAS NOT FREE INSTITUTIONS.</p>
+
+
+<p class = "headnote">
+<span class = "pagenum">58</span>
+<a name = "verona" id = "verona">
+<span class = "headnote">
+VERONA.</span></a></p>
+
+
+<p class = "illustration">
+<img src = "images/pic58a.png" width = "250" height = "252"
+alt = "see text"></p>
+
+<p class = "header">
+THE AMPHITHEATRE, VERONA.</p>
+
+<p class = "caption">
+JONES ASKS ROBINSON, WHETHER HE “SEES BEFORE HIM THE GLADIATOR DIE?� BUT
+ROBINSON MAINTAINS A DIGNIFIED SILENCE.</p>
+
+
+<p class = "illustration">
+<img src = "images/pic58b.png" width = "200" height = "242"
+alt = "see text"></p>
+
+<p class = "caption leftside">
+AUSTRIAN DETECTIVE STOPS BROWN TO EXAMINE HIS SKETCHING STOOL. IT
+PUZZLES HIM. THERE IS AN AIR OF MYSTERY ABOUT IT. IT MIGHT POSSIBLY BE A
+WEAPON TO BE USED FOR POLITICAL PURPOSES, OR AN INFERNAL MACHINE! WHO
+KNOWS? ON THE WHOLE, HE THINKS HE HAD BETTER DETAIN IT.</p>
+
+
+<span class = "pagenum">59</span>
+
+
+<p class = "illustration">
+<img src = "images/pic59a.png" width = "477" height = "311"
+alt = "see text"></p>
+
+<p class = "header">
+SCENE&mdash;DISCOVERS BROWN SKETCHING.</p>
+
+<p class = "caption">
+ENTER THE AUSTRIAN ARMY. THEY ADVANCE UPON HIM, THEY THINK HE IS TAKING
+THE FORTIFICATIONS.</p>
+
+
+<p class = "illustration">
+<img src = "images/pic59b.png" width = "182" height = "159"
+alt = "see text"></p>
+
+<p class = "caption leftside">
+ROBINSON, WHO IS MUCH GIVEN TO QUOTATION, IS, AT THE VERY MOMENT,
+LANGUIDLY RECITING THE LINES:&mdash;</p>
+
+<div class = "verse">
+<p>"AM I IN ITALY? IS THIS THE MINCIUS?</p>
+<p>AND THOSE THE DISTANT TURRETS OF VERONA?</p>
+<p>AND SHALL I SUP WHERE JULIET AT THE MASQUE</p>
+<p>SAW HER LOVED MONTAGUE?" &mdash;ETC., ETC.</p>
+</div>
+
+
+<span class = "pagenum">60</span>
+
+
+<p class = "illustration">
+<img src = "images/pic60a.png" width = "320" height = "296"
+alt = "see text"></p>
+
+<p class = "caption leftside">
+NOT BEING FAMILIAR WITH THE GERMAN, OR THE CROATIAN LANGUAGE, BROWN IS
+HELPLESS. HE PROTESTS HIS INNOCENCE, BUT THE MILITARY DON’T UNDERSTAND
+HIM. THEY SEE TREASON IN HIS HAT, WHICH IS OF AN ILLEGAL SHAPE, AND THEY
+ARREST HIM.</p>
+
+
+<p class = "illustration">
+<img src = "images/pic60b.png" width = "312" height = "151"
+alt = "see text"></p>
+
+<p class = "caption">
+JONES AND ROBINSON APPEAR, TO THE SURPRISE OF THE MILITARY, AND RELIEF
+OF BROWN.</p>
+
+
+<span class = "pagenum">61</span>
+
+
+<p class = "illustration">
+<img src = "images/pic61a.png" width = "474" height = "313"
+alt = "see text"></p>
+
+<p class = "caption leftside">
+BROWN, QUITE RESIGNED, WALKS QUIETLY TO MEET HIS FATE. JONES PLUNGES
+VIOLENTLY, BUT IS FINALLY OVERCOME. ROBINSON RESISTS PASSIVELY, AND IS
+ACCORDINGLY DRAGGED ALONG.</p>
+
+
+<p class = "illustration">
+<img src = "images/pic61b.png" width = "372" height = "105"
+alt = "see text"></p>
+
+<p class = "header">
+SKETCHES FOUND UPON BROWN.</p>
+
+
+<span class = "pagenum">62</span>
+
+
+<p class = "illustration">
+<img src = "images/pic62a.png" width = "459" height = "306"
+alt = "see text"></p>
+
+<p class = "caption leftside">
+THEY ARE BROUGHT BEFORE THE GOVERNOR. THAT IS HE SEATED AT THE TABLE,
+THE SOLDIERS SHOWING HIM THE LIBELLOUS REPRESENTATIONS OF THE CROATS
+FOUND IN BROWN’S PORTFOLIO. THE LATTER EXPECTS TO BE ORDERED FOR INSTANT
+EXECUTION; BUT JONES ASSUMES AN AIR OF GREAT DIGNITY, AND SAYS,
+<i>“Civis Romanus sum.�</i></p>
+
+
+<p class = "illustration">
+<img src = "images/pic62b.png" width = "201" height = "139"
+alt = "see text"></p>
+
+<p class = "caption leftside">
+THE GOVERNOR, FIELD-MARSHAL LIEUTENANT COUNT BROWN, OF THE IMPERIAL
+SERVICE, DISCOVERS IN HIS PRISONER A NEAR RELATION OF HIS OWN; AND OUR
+FRIEND IS INSTANTLY LOCKED IN THE EMBRACE OF THAT DISTINGUISHED WARRIOR.
+JONES REMARKED “ALL’S WELL THAT ENDS WELL;� AND ROBINSON, GREATLY
+RELIEVED, BROKE OUT WITH:&mdash;</p>
+
+<div class = "verse">
+<p>“THUS MAY EACH� NEPHEW “WHOM CHANCE DIRECTS,</p>
+<p>FIND AN� UNCLE “WHEN HE LEAST EXPECTS.�</p>
+</div>
+
+<p class = "headnote">
+<span class = "pagenum">63</span>
+<a name = "venice" id = "venice">
+<span class = "headnote">
+VENICE.</span></a></p>
+
+
+<p class = "illustration">
+<img src = "images/pic63a.png" width = "408" height = "182"
+alt = "see text"></p>
+
+<p class = "header">
+EXAMINATION OF PASSPORTS.</p>
+
+
+<p class = "illustration">
+<img src = "images/pic63b.png" width = "212" height = "289"
+alt = "see text"></p>
+
+<p class = "header">
+HOTEL.</p>
+
+
+<span class = "pagenum">64</span>
+
+
+<p class = "illustration">
+<img src = "images/pic64a.png" width = "469" height = "222"
+alt = "see text"></p>
+
+<p class = "header">
+MODERN VENETIAN TROUBADOURS.</p>
+
+<p class = "caption">
+AN EVENING SCENE BEFORE THE CAFÉ <ins class = "correction" title =
+"error for Florian">FLORAIN</ins>, PIAZZA SAN MARCO.</p>
+
+
+<p class = "illustration">
+<img src = "images/pic64b.png" width = "156" height = "133"
+alt = "see text"></p>
+
+<p class = "caption leftside">
+BROWN AT THIS PERIOD UNDERTOOK, AT THE URGENT REQUEST OF JONES AND
+ROBINSON, TO SETTLE THE ACCOUNTS OF THE PARTY, WHICH HAD BECOME
+COMPLICATED OWING TO THAT PERPLEXING “MEDIUM,� TO THOSE UNUSED TO IT,
+THE AUSTRIAN PAPER MONEY.</p>
+
+<p class = "caption leftside">
+THIS IS A FAITHFUL PICTURE OF THE UNFORTUNATE MAN AS HE SAT, IN THE
+SOLITUDE OF HIS CHAMBER, UNTIL A LATE HOUR OF THE NIGHT, DRAWING UP THE
+“FINANCIAL� STATEMENT.</p>
+
+
+<span class = "pagenum">65</span>
+
+
+<p class = "illustration">
+<img src = "images/pic65a.png" width = "271" height = "312"
+alt = "see text"></p>
+
+<p class = "caption leftside">
+ROBINSON (<i>solo</i>). &mdash;“I STOOD IN VENICE,� ETC.; JONES AND
+BROWN, HAVING HEARD SOMETHING LIKE IT BEFORE, HAVE WALKED ON A LITTLE
+WAY.</p>
+
+<p class = "caption leftside">
+<i>Reflection made by</i> BROWN. &mdash;WHY DO PEOPLE WHEN REPEATING
+POETRY ALWAYS LOOK UNHAPPY?</p>
+
+
+<p class = "illustration">
+<img src = "images/pic65b.png" width = "370" height = "206"
+alt = "see text"></p>
+
+<p class = "header">
+ENJOYMENT!</p>
+
+<p class = "caption">
+A SCENE UPON THE GRAND CANAL.</p>
+
+
+<span class = "pagenum">66</span>
+
+
+<p class = "illustration">
+<img src = "images/pic66a.png" width = "536" height = "267"
+alt = "see text"></p>
+
+<p class = "header">
+THE THEATRE MALIBRAN.</p>
+
+<p class = "caption leftside">
+THE ENTERTAINMENT COMMENCED AT 5 P.M., AND LASTED TILL 7. IT CONSISTED
+OF A MELODRAMA, FULL OF AWFUL CRIMES, AND THE MOST PATHETIC SENTIMENT.
+THE AUDIENCE, CHIEFLY COMPOSED OF “THE PEOPLE,� WAS, FROM BEGINNING TO
+END, IN AN EXTRAORDINARY STATE OF EXCITEMENT, FIZZING, LIKE THE
+PERPETUAL GOING OFF OF SODA-WATER. THE THEATRE WAS LIGHTED (?) BY ABOUT
+FOUR OIL LAMPS; AND SUCH WAS THE DARKNESS, THAT OUR TRAVELLERS&mdash;WHO
+MAY BE SEEN, PERHAPS, THROUGH THE “DIM OBSCURE,� UP IN A PRIVATE
+BOX&mdash;COULD SCARCELY DISCERN ANYTHING BUT THE WHITE UNIFORM AND
+GLITTERING BAYONET OF AN AUSTRIAN SENTINEL IN THE PIT.</p>
+
+
+<p class = "headnote">
+<a name = "night" id = "night">
+<span class = "headnote">
+A NIGHT IN VENICE.</span></a></p>
+
+
+<p class = "illustration">
+<img src = "images/pic66b.png" width = "184" height = "189"
+alt = "see text"></p>
+
+<p class = "header">
+BROWN RETIRED TO REST.</p>
+
+
+<span class = "pagenum">67</span>
+
+
+<p class = "illustration">
+<img src = "images/pic67a.png" width = "328" height = "220"
+alt = "see text"></p>
+
+<p class = "header">
+MISERY.</p>
+
+<p class = "caption leftside">
+<span class = "smallcaps">Note.</span>&mdash; If the <ins class =
+"correction" title = "variant spelling unchanged">Musquitos</ins> appear
+rather large in this and the following scenes, let it be remembered that
+in the “heroic� it was a principle of many of the great painters to
+exaggerate the “parts.�</p>
+
+
+<table class = "illustration" summary = "illustration with caption">
+<tr>
+<td class = "picture">
+<img src = "images/pic67b.png" width = "234" height = "249"
+alt = "see text"></td>
+<td class = "picture">
+<img src = "images/pic67c.png" width = "113" height = "255"
+alt = "see text"></td>
+</tr>
+
+<tr>
+<td class = "header">
+DESPERATION.</td>
+<td class = "header">
+MOMENTARY RELIEF.</td>
+</tr>
+</table>
+
+
+<span class = "pagenum">68</span>
+
+
+<table class = "illustration" summary = "illustration with caption">
+<tr>
+<td class = "picture">
+<img src = "images/pic68a.png" width = "234" height = "239"
+alt = "see text"></td>
+<td class = "picture">
+<img src = "images/pic68b.png" width = "102" height = "238"
+alt = "see text"></td>
+</tr>
+
+<tr>
+<td class = "header">
+MADNESS!</td>
+<td class = "header">
+BELL!!</td>
+</tr>
+</table>
+
+<table class = "illustration" summary = "illustration with caption">
+<tr>
+<td class = "picture">
+<img src = "images/pic68c.png" width = "143" height = "243"
+alt = "see text"></td>
+<td class = "picture">
+<img src = "images/pic68d.png" width = "311" height = "257"
+alt = "see text"></td>
+</tr>
+
+<tr>
+<td class = "header">
+BOOTS!!</td>
+<td class = "header">
+DESPAIR!!!!</td>
+</tr>
+</table>
+
+
+<p class = "headnote">
+<span class = "pagenum">69</span>
+<a name = "venice2" id = "venice2">
+<span class = "headnote">
+VENICE.</span></a></p>
+
+
+<p class = "illustration">
+<img src = "images/pic69a.png" width = "529" height = "327"
+alt = "see text"></p>
+
+<p class = "header">
+THE ACCADEMIA.</p>
+
+
+<p class = "illustration">
+<img src = "images/pic69b.png" width = "211" height = "148"
+alt = "see text"></p>
+
+<p class = "header">
+GONDOLA ON THE LAGOON.</p>
+
+<p class = "caption">
+SENTIMENT SPOKEN BY ROBINSON, WITH MARKS OF ADHESION FROM BROWN AND
+JONES. “OH, IF THERE BE AN ELYSIUM ON EARTH, IT IS THIS, IT IS
+THIS!!�</p>
+
+
+<span class = "pagenum">70</span>
+
+
+<p class = "illustration">
+<img src = "images/caption70.png" width = "141" height = "29"
+alt = "The Accademia" title = "The Accademia"></p>
+
+<p class = "illustration">
+<img src = "images/pic70a.png" width = "256" height = "332"
+alt = "see text"></p>
+
+<p class = "caption">
+SCENE I.</p>
+
+<p class = "caption leftside">
+BROWN (SOLILOQUY). &mdash;“THIS IS PLEASANT! TO BE QUITE ALONE HERE
+(DAB), SURROUNDED BY THESE MAGNIFICENT WORKS (DAB, DAB, DAB), AND
+EVERYTHING SO QUIET TOO&mdash;NOTHING TO DISTURB ONE.� (DAB) AFTER A
+PAUSE. “I WONDER WHAT JONES AND ROBINSON ARE DOING (DAB,
+SPLASH)&mdash;LYING AT FULL LENGTH IN A GONDOLA, I DARE
+SAY&mdash;SMOKING (DAB), I THINK I COULD SPEND MY LIFE IN THIS PLACE�
+(DAB, DAB).</p>
+
+<p class = "caption leftside">
+“IT IS DIFFICULT TO SAY WHICH IS THE GREATEST PLEASURE, (ANOTHER DAB,)
+COPYING THESE SPLENDID PICTURES, OR PAINTING FROM NATURE, THOSE
+BEAUTIFUL BLUE SKIES AND CRUMBLING OLD PICTURESQUE PALACES,
+OUTSIDE.�</p>
+
+<p class = "caption leftside">
+(SINGS) &mdash;“’HOW HAPPY COULD I BE WITH EITHER.’� (PROLONGED PAUSE,
+AND GREAT PLAY WITH BRUSH) &mdash;“OH! THAT SUNSET LAST EVENING! AS WE
+LAY OUT IN OUR GONDOLA UPON THE PERFECTLY CALM WATERS, BY THE ARMENIAN
+CONVENT, AND WATCHED THE SUN SLOWLY GOING DOWN BEHIND THE DISTANT TOWERS
+AND SPIRES OF THE ‘CITY OF THE SEA’&mdash;ONE MASS OF GOLD SPREADING ALL
+OVER THE WEST!� &nbsp; * &nbsp; * &nbsp; “OH! THOSE CLOUDS! (ANOTHER
+PAUSE) AH! THAT WAS HAPPINESS. ONE SUCH HOUR IS WORTH&mdash;LET ME
+SEE&mdash;HOW MANY YEARS OF ONE’S LIFE? &nbsp; * &nbsp; * &nbsp; AND YET
+THIS IS&mdash;�</p>
+
+<p class = "illustration">
+<img src = "images/pic70b.png" width = "245" height = "332"
+alt = "see text"></p>
+
+<p class = "caption">
+SCENE II.</p>
+
+<p class = "caption leftside">
+HE IS SET UPON AND SURROUNDED BY AN ENGLISH FAMILY, AND THE FOLLOWING
+DIALOGUE ENSUES:&mdash;</p>
+
+<p class = "caption leftside">
+THE MAMMA. &mdash;“WHAT A DELIGHTFUL OCCUPATION, TO BE SURE.�</p>
+
+<p class = "caption leftside">
+YOUNG LADY (IN A WHISPER). &mdash;“HE IS COPYING THE TINTORET.�</p>
+
+<p class = "caption leftside">
+YOUTHFUL SON AND HEIR (WITH CONFIDENCE). &mdash;“NO, HE AIN’T; HE’S
+DOING THAT STUNNING BIG ONE WITH THE RAINBOW, AND THREE RIVER GODS.�</p>
+
+<p class = "caption leftside">
+SECOND YOUNG LADY. &mdash;“IT’S SWEETLY PRETTY, ISN’T IT!�</p>
+
+<p class = "caption leftside">
+PAPA (A BRITISH MERCHANT, AND OF A PRACTICAL TURN). &mdash;“VERY
+GOOD&mdash;V-E-R-Y GOOD. AHEM! NOW I WONDER WHAT ONE COULD MAKE A YEAR
+BY THAT KIND OF THING.�</p>
+
+<p class = "caption leftside">
+YOUNG MAN (WITH GLASS IN HIS EYE). &mdash;“SLOW, I SHOULD THINK.�</p>
+
+<p class = "caption leftside">
+AT THIS POINT BROWN’S ATTENTION WAS ATTRACTED TO A SCUFFLE GOING ON
+BEHIND HIM AMONGST THE JUNIOR MEMBERS OF THE PARTY. TWO OF THE LITTLE
+INNOCENTS HAD TAKEN A FANCY TO THE SAME DRAWING (A&nbsp;COPY OF HIS
+FAVOURITE JOHN BELLINO), AND AFTER A BRIEF, BUT FIERCE STRUGGLE FOR
+POSSESSION, HAD SETTLED THE DIFFICULTY BY TEARING IT IN TWO. (PARTY
+RETIRES RATHER PRECIPITATELY.)</p>
+
+
+<p class = "headnote">
+<span class = "pagenum">71</span>
+<a name = "trieste_vienna" id = "trieste_vienna">
+<span class = "headnote">
+TRIESTE TO VIENNA.</span></a></p>
+
+
+<table class = "illustration" summary = "illustration with caption">
+<tr>
+<td class = "picture">
+<img src = "images/pic71a.png" width = "201" height = "184"
+alt = "see text"></td>
+<td class = "picture">
+<img src = "images/pic71b.png" width = "148" height = "153"
+alt = "see text"></td>
+</tr>
+<tr>
+<td class = "header">
+SKETCH MADE BY BROWN AT TRIESTE.</td>
+<td class = "header">
+ROBINSON SEARCHED AND INDIGNANT.</td>
+</tr>
+<tr>
+<td class = "caption">
+<span class = "smallcaps">Note.</span>&mdash;If any one doubts the fact,
+Jones and Robinson are ready to make affidavit of it.</td>
+<td class = "caption">
+SUCH THINGS NEVER HAPPEN ANYWHERE ELSE.</td>
+</tr>
+</table>
+
+<p class = "headnote">
+<a name = "vienna" id = "vienna">
+<span class = "headnote">
+VIENNA.</span></a></p>
+
+
+<p class = "illustration">
+<img src = "images/pic71c.png" width = "187" height = "189"
+alt = "see text"></p>
+
+<p class = "caption leftside">
+ARRIVED AT VIENNA, THEY VISIT THE THEATRE. A GENTLEMAN THERE,
+UNOBTRUSIVELY PAYS THEM GREAT ATTENTION.</p>
+
+
+<span class = "pagenum">72</span>
+
+
+<p class = "illustration">
+<img src = "images/pic72a.png" width = "334" height = "271"
+alt = "see text"></p>
+
+<p class = "header">
+SCENE&mdash;SHOP, VIENNA.</p>
+
+<p class = "caption leftside">
+JONES TO BROWN&mdash; “WHAT DO YOU SAY?�</p>
+
+<p class = "caption leftside">
+BROWN (WHO SEES THAT ROBINSON IS BENT UPON MAKING A “MAGNIFICENT
+ADDITION� TO HIMSELF, AND THAT IT IS USELESS TO EXPOSTULATE).
+&mdash;“OH, I THINK IT IS SPLENDID; AND IF YOU WILL ONLY APPEAR IN IT IN
+PALL MALL, WHEN WE GET HOME AGAIN, YOU WILL MAKE A SENSATION.�</p>
+
+
+<p class = "illustration">
+<img src = "images/pic72b.png" width = "261" height = "215"
+alt = "see text"></p>
+
+<p class = "header">
+THEY VISIT THE PICTURE GALLERIES.</p>
+
+<p class = "caption">
+THAT MAN IN THE DOORWAY SEEMS TO TAKE A GREAT INTEREST IN THEIR
+MOVEMENTS.</p>
+
+
+<span class = "pagenum">73</span>
+
+
+<p class = "illustration">
+<img src = "images/pic73a.png" width = "324" height = "207"
+alt = "see text"></p>
+
+<p class = "header">
+THE PROMENADE.</p>
+
+<p class = "caption">
+BROWN THINKS IT IS THE SAME MAN! WHAT CAN HE WANT?</p>
+
+
+<p class = "illustration">
+<img src = "images/pic73b.png" width = "283" height = "190"
+alt = "see text"></p>
+
+<p class = "header">
+THE PUBLIC GARDEN.</p>
+
+<p class = "caption leftside">
+THERE HE WAS AGAIN! JONES SUGGESTED THAT PERHAPS IT WAS A GOVERNMENT
+OFFICIAL, WHO TOOK THEM FOR LIBERTY, EQUALITY, AND FRATERNITY.</p>
+
+
+<span class = "pagenum">74</span>
+
+
+<p class = "illustration">
+<img src = "images/pic74a.png" width = "332" height = "151"
+alt = "see text"></p>
+
+<p class = "caption leftside">
+NO SOONER DID THEY TAKE THEIR PLACES AT THE TABLE D’HOTE TO DINE, THAN
+BROWN FELL BACK IN HIS CHAIR. THERE COULD BE NO DOUBT ABOUT IT&mdash;HE
+WAS BETTER DRESSED THAN BEFORE&mdash;BUT IT WAS THE SAME MAN! HE MUST BE
+A SPY!</p>
+
+
+<table class = "illustration" summary = "illustration with caption">
+<tr>
+<td class = "picture">
+<img src = "images/pic74b.png" width = "169" height = "193"
+alt = "see text"></td>
+<td class = "picture">
+<img src = "images/pic74c.png" width = "161" height = "196"
+alt = "see text"></td>
+</tr>
+<tr>
+<td class = "caption">
+JONES AT THE OPERA ABROAD.</td>
+<td class = "caption">
+HOW UNLIKE JONES AT THE OPERA AT HOME.</td>
+</tr>
+</table>
+
+<p class = "headnote">
+<span class = "pagenum">75</span>
+<a name = "vienna_prague" id = "vienna_prague">
+<span class = "headnote">
+VIENNA TO PRAGUE.</span></a></p>
+
+
+<p class = "illustration">
+<img src = "images/pic75a.png" width = "277" height = "210"
+alt = "see text"></p>
+
+<p class = "caption">
+“JUST TEN MINUTES TO DRESS, BREAKFAST, AND GET TO THE TRAIN.�</p>
+
+
+<p class = "headnote">
+<a name = "prague" id = "prague">
+<span class = "headnote">
+PRAGUE.</span></a></p>
+
+
+<p class = "illustration">
+<img src = "images/pic75b.png" width = "264" height = "245"
+alt = "see text"></p>
+
+<p class = "header">
+WALLENSTEIN’S HORSE.</p>
+
+<p class = "caption leftside">
+“THE HEAD, NECK, LEGS, AND PART OF THE BODY HAVE BEEN REPAIRED&mdash;ALL
+THE REST IS THE REAL HORSE.�<i>&mdash;From speech of the young woman who
+showed the animal.</i></p>
+
+
+<span class = "pagenum">76</span>
+
+
+<p class = "illustration">
+<img src = "images/pic76a.png" width = "529" height = "248"
+alt = "see text"></p>
+
+<p class = "header">
+A “KNEIPE� AT PRAGUE.</p>
+
+
+<p class = "illustration">
+<img src = "images/pic76b.png" width = "260" height = "224"
+alt = "see text"></p>
+
+<p class = "caption leftside">
+ROBINSON IS SO CONFUSED WITH RAPID TRAVELLING, THAT HE ADDRESSES A
+WAITER IN THREE LANGUAGES AT ONCE. “KELLNER! &mdash;MITTAGS-ESSEN POUR
+TROIS &mdash;PRESTO PRESTO &mdash;AND &mdash;WAITER! &mdash;SODA WATER
+&mdash;COL COGNAC &mdash;GESCHWIND!�</p>
+
+
+<span class = "pagenum">77</span>
+
+
+<p class = "illustration">
+<img src = "images/pic77a.png" width = "543" height = "190"
+alt = "see text"></p>
+
+<p class = "header">
+TABLE D’HOTE, PRAGUE.</p>
+
+
+<p class = "headnote">
+<a name = "prague_cologne" id = "prague_cologne">
+<span class = "headnote">
+PRAGUE TO COLOGNE.</span></a></p>
+
+
+<p class = "illustration">
+<img src = "images/pic77b.png" width = "272" height = "256"
+alt = "see text"></p>
+
+<p class = "caption">
+“PASSPORTS!� &mdash;“THAT’S THE SIXTH TIME WE HAVE BEEN WOKE UP,�
+GROANED ROBINSON.</p>
+
+
+<p class = "headnote">
+<span class = "pagenum">78</span>
+<a name = "rhineland" id = "rhineland">
+<span class = "headnote">
+RHINELAND AGAIN.</span></a></p>
+
+
+<table class = "illustration" summary = "illustration with caption">
+<tr>
+<td class = "picture" width = "50%">
+<img src = "images/pic78a.png" width = "142" height = "134"
+alt = "see text"></td>
+<td class = "picture">
+<img src = "images/pic78b.png" width = "142" height = "175"
+alt = "see text"></td>
+</tr>
+<tr>
+<td class = "header">
+DUSSELDORF.</td>
+<td class = "header">
+MINDEN.</td>
+</tr>
+<tr>
+<td class = "caption">
+BROWN <i>loq.</i> &mdash;I HAVE LEFT MY BAG BEHIND!</td>
+<td class = "caption">
+HERE IS THE BAG.</td>
+</tr>
+</table>
+
+<p class = "illustration">
+<img src = "images/pic78c.png" width = "188" height = "189"
+alt = "see text"></p>
+
+<p class = "caption leftside">
+HOW BROWN WAS SEATED BETWEEN TWO SOLDIERS, AND HOW THEY WOULD EXAMINE
+EACH OTHER’S SWORDS, AND HOW THOSE FEARFUL WEAPONS WERE FLASHING ABOUT,
+OFTEN WITHIN AN INCH OF B.’S NOSE: AND HOW (BEING OF A MILD AND PEACEFUL
+DISPOSITION), B. WAS KEPT THEREBY IN A CONSTANT STATE OF UNEASINESS.</p>
+
+
+<p class = "headnote">
+<span class = "pagenum">79</span>
+<a name = "belgium" id = "belgium">
+<span class = "headnote">
+BELGIUM.</span></a></p>
+
+
+<table class = "illustration" summary = "illustration with caption">
+<tr>
+<td class = "picture" width = "50%">
+<img src = "images/pic79a.png" width = "110" height = "95"
+alt = "see text"></td>
+<td class = "picture">
+<img src = "images/pic79b.png" width = "197" height = "186"
+alt = "see text"></td>
+</tr>
+<tr>
+<td class = "caption leftside" rowspan = "2">
+EYE OF THE GOVERNMENT; AS KEPT UPON THE TRAVELLERS, DURING THEIR STAY IN
+THE AUSTRIAN DOMINIONS. <i>&mdash;Drawn from the haunted imagination of
+Brown.</i></td>
+<td class = "header">
+THEIR LAST REPAST IN FOREIGN PARTS.</td>
+</tr>
+<tr>
+<!-- -->
+<td class = "caption">
+TIME AND TRAIN WAIT FOR NO MAN.</td>
+</tr>
+</table>
+
+
+<p class = "illustration">
+<img src = "images/pic79c.png" width = "325" height = "169"
+alt = "see text"></p>
+
+<p class = "header">
+ARTICLES PURCHASED BY ROBINSON.</p>
+
+<p class = "caption leftside">
+1. Eau de Cologne. 2. Pipe; (never smoked.) 3. Hat; (never worn, and
+found decidedly in the way.) 4.&nbsp;Cigars; (stopped at Custom House.)
+5.&nbsp;Tauchnitz Editions; (also seized.) 6.&nbsp;Cornet à pistons;
+(bought in Germany with the intention of learning to play upon it some
+day.) 7.&nbsp;Gloves; (purchased at Venice, a great bargain, and found
+utterly worthless.)</p>
+
+
+<p class = "headnote">
+<span class = "pagenum">80</span>
+<a name = "england" id = "england">
+<span class = "headnote">
+OLD ENGLAND.</span></a></p>
+
+
+<p class = "illustration">
+<img src = "images/pic80a.png" width = "287" height = "217"
+alt = "see text"></p>
+
+<p class = "caption">
+<img src = "images/caption80a.png" width = "141" height = "26"
+alt = "Sic(k) Transit" title = "Sic(k) Transit"></p>
+
+
+<p class = "illustration">
+<img src = "images/pic80b.png" width = "311" height = "173"
+alt = "see text"></p>
+
+<p class = "caption">
+<img src = "images/caption80b.png" width = "138" height = "29"
+alt = "Gloria Mundi!" title = "Gloria Mundi!"></p>
+
+
+<div class = "page">
+
+<h5>BRADBURY AND EVANS,</h5>
+
+<h6>PRINTERS EXTRAORDINARY TO THE QUEEN,</h6>
+
+<h6>WHITEFRIARS.</h6>
+
+</div>
+
+
+<div class = "endnote">
+
+<h4><a name = "titletext" id = "titletext" href = "#titlepage">
+Text of Title Page</a></h4>
+
+<div class = "center">
+<p>The Foreign Tour</p>
+
+<p>of Messrs</p>
+
+<p>BROWN, JONES, and ROBINSON.</p>
+
+<p>Being the History of</p>
+
+<p>What they Saw, and Did</p>
+
+<p>in Belgium, Germany,</p>
+
+<p>Switzerland &amp; Italy.</p>
+
+<p>by</p>
+
+<p>Richard Doyle.</p>
+
+<p>London. Bradbury &amp; Evans. Whitefriars.</p>
+</div>
+
+<p>&nbsp;</p>
+
+<h4><a name = "contents" id = "contents">
+Contents</a><br>
+<span class = "smaller">
+(<i>derived from page headers</i>)</span></h4>
+
+<table class = "toc" summary = "contents">
+<tr>
+<td>
+<a href = "#london">London</a><br>
+<a href = "#ostend">Ostend</a><br>
+<a href = "#ostend_cologne">Ostend to Cologne</a><br>
+<a href = "#cologne">Cologne</a><br>
+<a href = "#cologne_bonn">Cologne to Bonn</a><br>
+<a href = "#bonn">Bonn</a><br>
+<a href = "#rhine">The Rhine</a><br>
+<a href = "#coblentz">Coblentz</a><br>
+<a href = "#rhine2">The Rhine</a> (<i>resumes</i>)<br>
+<a href = "#mayence_frankfort">Mayence to Frankfort</a><br>
+<a href = "#frankfort">Frankfort</a><br>
+<a href = "#heidelberg">Heidelberg</a><br>
+<a href = "#review">The Review</a><br>
+<a href = "#baden">Baden</a><br>
+<a href = "#baden_basle">Baden to Basle</a><br>
+<a href = "#basle">Basle</a><br>
+<a href = "#switzerland">Switzerland</a>
+</td>
+<td>
+<a href = "#italy">Italy</a><br>
+<a href = "#lakes">Italian Lakes</a><br>
+<a href = "#orta">Orta</a><br>
+<a href = "#varallo">Varallo</a><br>
+<a href = "#milan">Milan</a><br>
+<a href = "#verona">Verona</a><br>
+<a href = "#venice">Venice</a><br>
+<a href = "#night">A Night in Venice</a><br>
+<a href = "#venice2">Venice</a> (<i>resumes</i>)<br>
+<a href = "#trieste_vienna">Trieste to Vienna</a><br>
+<a href = "#vienna">Vienna</a><br>
+<a href = "#vienna_prague">Vienna to Prague</a><br>
+<a href = "#prague">Prague</a><br>
+<a href = "#prague_cologne">Prague to Cologne</a><br>
+<a href = "#rhineland">Rhineland</a><br>
+<a href = "#belgium">Belgium</a><br>
+<a href = "#england">England</a>
+</td>
+</tr>
+</table>
+
+<p class = "illustration">
+Thumbnail of Front Cover (uncropped)<br>
+&nbsp;<br>
+<img src = "images/coverthumb.jpg" width = "244" height = "334"
+alt = "cover thumbnail"></p>
+
+</div>
+
+
+
+
+
+
+
+
+<pre>
+
+
+
+
+
+End of the Project Gutenberg EBook of The Foreign Tour of Messrs. Brown,
+Jones and Robinson, by Richard Doyle
+
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+The Project Gutenberg EBook of The Foreign Tour of Messrs. Brown, Jones
+and Robinson, by Richard Doyle
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever.  You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: The Foreign Tour of Messrs. Brown, Jones and Robinson
+       Being the History of What They Saw, and Did, in Belgium,
+       Germany, Switzerland & Italy.
+
+Author: Richard Doyle
+
+Release Date: July 20, 2009 [EBook #29463]
+
+Language: English
+
+Character set encoding: ASCII
+
+*** START OF THIS PROJECT GUTENBERG EBOOK FOREIGN TOUR--BROWN, JONES, ROBINSON ***
+
+
+
+
+Produced by Louise Hope
+
+
+
+
+[This plain-text file, containing only the captions to Richard Doyle's
+drawings, is included for completeness. The HTML version includes all
+drawings and decorative text.
+
+Except for "The Review" and some decorative headers, the entire book
+was printed in CAPITAL LETTERS. It has been reformatted for readability;
+capitalization decisions are the transcriber's. Text shown in +marks+
+was printed in decorative blackletter type.]
+
+
+
+
+  The Foreign Tour
+
+  of Messrs
+
+  BROWN, JONES, and ROBINSON.
+
+  Being the History of
+  What They Saw, and Did
+  in Belgium, Germany,
+  Switzerland & Italy.
+
+  by
+
+  Richard Doyle.
+
+
+  London. Bradbury & Evans. Whitefriars.
+
+
+       *       *       *       *       *
+           *       *       *       *
+
+
+[LONDON.]
+
+
+The mail train to Dover. Brown, Jones, and Robinson starting on their
+travels.
+
+
+
+
+[OSTEND.]
+
+
+After a rough passage, Brown, Jones, and Robinson are here seen landed
+at Ostend, surrounded, and a little bewildered, by the natives, who
+overwhelm them with attentions--seize the luggage, thrust cards into
+their hands, drag them in several directions at once, all talking
+together (which prevented their directions being so clear as they
+otherwise would have been)--and, finally, all expecting money!
+
+
+They are at the Douane, waiting for the officials to search the luggage.
+
+Robinson and Jones (alarmed by expression of Brown's countenance).
+--"What's the matter now?" Brown (in a voice of agony). --"I've left the
+key of my bag at home!"
+
+
+
+
+[OSTEND TO COLOGNE.]
+
+
+A sketch made at Malines.
+
+
+How they saw Belgium.
+
+
+
+
+[COLOGNE.]
+
+
+THE ARRIVAL AT COLOGNE.
+
+Travellers passing their examination. In the foreground is Jones's
+portmanteau undergoing the "ordeal by touch."
+
+
+Manner and custom of the people, as seen from the railway by Brown, and
+made a note of.
+
+
+B. J. and R., who took their places on the roof the better to command
+the view, are seen at the moment when the idea occurred to the two
+former that they might possibly not "fit" under the archway. Robinson is
+so wrapped up in thought, and a cigar, that he is unconscious of all
+else.
+
+This represents the Cologne omnibus on its journey from the station into
+the city, when stopped by the military, and made to "stand and deliver"
+the passports.
+
+
+Arrival at the hotel, and first coming in sight of that amiable and
+obliging race, the German waiter. He is small in stature (scarcely the
+size of life, as Jones remarked), and remains always a boy.
+
+
+"Speise-Saal" hotel, Cologne-- Enter Brown, Jones, and Robinson,
+fatigued, and somewhat disordered by travel, and "so hungry."
+
+
+How an agent of Jean Maria Farina addressed them, who was kind enough
+to put some of the celebrated "Eau" upon their handkerchiefs, and to
+receive orders for the same.
+
+
+The real Eau de Cologne, and its effect upon the noses of three
+illustrious individuals.
+
+
+"Kellner" presents the bill.
+
+
+They "do" Cologne cathedral.
+
+
+
+
+[COLOGNE TO BONN.]
+
+
+The railway from Cologne to Bonn. --B. J. and R. "Just in time."
+
+
+First glimpse of Rhine scenery.
+
+
+
+
+[BONN.]
+
+
+Jones's little all is contained in this small portmanteau.
+
+
+Robinson, on the contrary, finds it quite impossible to move with less
+than this.
+
+
+This scene represents the Rhine boat about to start from Bonn, and
+passengers from the railway embarking. In the foreground an accident has
+occurred, a porter having upset the luggage of an English family, the
+head of which is saluting him with the national "Damn," while the
+courier of the party expresses the same idea in German.
+
+
+
+
+[THE RHINE.]
+
+
+BROWN'S FIRST IMPRESSION OF THE RHINE.
+
+_From an ORIGINAL SKETCH in the possession of his family._
+
+
+HEADS OF THE NATIVES.
+
+_A Leaf from Brown's Sketch Book._
+
+
+COMPANY ON BOARD THE RHINE BOAT.
+
+Amongst them was a travelling tutor, and three young gentlemen, his
+pupils. He stood in the midst of them smiling blandly, an open volume in
+his hand, (probably a classic author,) between which, and his pupils,
+and the scenery, he divided his attention in about equal parts. There
+was a specimen of the English grumbler, big, burly, and as if in danger
+of choking from the tightness of his cravat. Every one knows him, his
+pleasant ways, and his constant flow of good humour and cheerfulness;
+that is he, sitting to the right. There were besides, numerous young
+gentlemen from the universities, from the army, from the bar, all with
+more or less hair on their upper lips; and there was a cavalry officer
+of the Russian guard, and a professor, on his way to Heidelberg, and
+loose, dishevelled, hairy, smoky young Germans, with long beards, and
+longer pipes. And there was a British nobleman, and a British alderman,
+and a British alderwoman; and there were British ladies whom I can't
+describe, because they wore those "ugly" things which prevent them being
+seen; intelligent young Americans on their way all over the world; nuns,
+with their quiet, happy faces; Red Republicans from Frankfort, and snobs
+from London.
+
+
+THE GREAT BRITON.
+
+As he stood contemplating the Rhine-land, wondering if it would be
+possible to live in that country; and considering (supposing he had one
+of those castles, now) how many thousands a-year one could do it with.
+The scenery would do; and with English institutions it might be made a
+good thing of.
+
+N.B. --He little thinks what Brown is doing.
+
+Even the nun was not safe from Brown. He is here seen taking her off, in
+a rapid act of sketching.
+
+
+B. J. and R. had just begun to enjoy the scenery, when, to their
+consternation, who should appear on board but the "Bore," who instantly
+was down upon them. For three mortal hours he entertained them with
+fashionable intelligence, anecdotes of the aristocracy, the court
+circular, births, deaths, marriages, &c.
+
+
+This was supposed to be an M.P. travelling in search of "facts." He is
+giving Brown his views; and also the statistics of everything.
+
+
+A VIEW ON THE RHINE.
+
+
+THE LONDON GENT UP THE RHINE.
+
+He is taken at the moment when expressing his opinion that the whole
+concern is a "do" and a "sell."
+
+
+BRITISH FARMER AND SON IN FOREIGN PARTS.
+
+They both wore a perpetual grin and stare of surprise, Jones thought
+that they had taken leave of England and their senses at once, owing to
+the withdrawal of protection.
+
+
+THE RHINE BOAT.
+
+Brown may be seen seated there upon the paddle-box, rapidly sketching
+every church, ruined castle, town, or other object of interest on either
+bank of the river. Those are Jones and Robinson, leaning over the side
+of the boat below him. Observe, also, the stout party who has called for
+brandy-and-water, and whose countenance almost lapses into a smile as
+"Kellner" approaches with the beverage. The tutor, it is pleasant to
+see, has at last put his "Classic" in his pocket, and gives himself up
+to the undivided enjoyment of the scene, while his "young charge" is
+wrapped in contemplation of mechanical science as exemplified in the
+structure of the wheel. And that must surely be the gent who has such a
+low opinion of the beauty of the Rhine-land, seated at the stern of the
+boat with his legs dangling over the river. Let us hope that he is happy
+now!
+
+
+THE ENGLISH "MILORD" UPON THE RHINE.
+
+How happy he looks! He dislikes the hum of men, and sits all day shut up
+in his carriage reading the literature of his country. How rude of those
+Germans to be laughing and joking so near his lordship!
+
+
+PERFECT ENJOYMENT.
+
+
+
+
+[COBLENTZ.]
+
+
+Indignation of Robinson, at sight of inadequate washing apparatus. He
+rang the bell with such violence, that all the waiters rushed in,
+thinking that the hotel was on fire, or that a revolution had broken
+out.
+
+There he stood, pointing to the water, about half a pint in a basin the
+size of a breakfast cup; and in a voice of suppressed emotion, demanding
+to know if "Das ist, etc."
+
+
+JONES'S NIGHT THOUGHTS.
+
+"Man wants but little here below," _but_ "wants that little long."
+
+
+If you should forget the number of your key and room (_as BROWN did on
+returning late from the theatre_), what are you to do?
+
+
++An Incident in the Life of Jones's Dog.+
+
+How this animal seemed to have imbibed communistic principles, and how
+he stole a sausage, and how the population rose like one man, and hunted
+him through the town.
+
+
+The dog having outstripped the populace, proceeds to eat the sausage.
+
+
+Having done so, he looks stouter than he did, and is inclined to rest.
+The inhabitants, eager for vengeance, surround him, but are kept at bay
+by the expression of his countenance.
+
+
+One burly peasant having the hardihood to approach too near, he is made
+as example of. _Exeunt omnes._
+
+
+
+
+[THE RHINE.]
+
+
+Brown, with noble perseverance, sits upon the paddle-box, regardless of
+the storm, and sketches the castles and towns, as the steam-boat passes
+them.
+
+
+--Till in a moment of grief his hat and several sketches were carried
+off for ever: and then he thought it time to go below.
+
+
+How a citizen of the United States addressed Brown; and how he put the
+following questions during the first five minutes of their acquaintance.
+
+1. "Where are you going?"
+
+2. "What place do you hail from?"
+
+3. "Conclude you go toe Frankfort?"
+
+4. "You're Mr. Brown, I reckon?"
+
+5. "What names do your friends go by?"
+
+Statements made during the same period.
+
+1. "This here Rhine ain't much by the side of our Mississippi."
+
+2. "Old Europe is 'tarnally chawed up."
+
+
+BROWN'S HAT.
+
+Robinson was very merry about this incident, and both he and Jones kept
+poking fun at Brown during the rest of the day. They parodied the well
+known song of "My heart's on the Rhine," substituting "My hat's in the
+Rhine;"--(it was very poor stuff, we have been assured by Brown)--and
+they made pointed allusions to the name of "Wide-Awake."
+
+The above drawing is from a rude sketch by Jones.
+
+
+THE SCENERY BECOMES MYSTERIOUS.
+
+They now became enveloped in what seemed a combination of fog
+(London November) and mist (Scotch). Only think of those two national
+institutions going up the Rhine with the rest of the fashionable world.
+At first it obscured the hill tops, with the ruins thereon; then the
+villages and vineyards below; and finally both banks of the river
+entirely disappeared. The company on board the steamboat did not,
+at this period, present the most cheerful aspect.
+
+
+
+
+[MAYENCE TO FRANKFORT.]
+
+
+How Robinson's favourite portmanteau, which he had forgotten to lock,
+was dropped accidentally by a porter while conveying it to the omnibus.
+
+
+Jones hints to Robinson that it is time to get up.
+
+
+
+
+[FRANKFORT.]
+
+
+How they visited a "quarter" of the city of Frankfort, and what they saw
+there!
+
+
+Robinson here wrote his celebrated letter to the "Times," on the subject
+of the deficiency of soap and water, from which, as we have seen in a
+former page, he suffered so grievously. It was conceived in terms of
+indignant eloquence; and drew a terrible picture of the state of social,
+political, and religious degradation into which a country must have
+sunk, where such things could be tolerated.
+
+
+As they walked through the town, bent upon seeing the Ariadne, and
+unconscious of danger, suddenly an object appeared in sight that filled
+them with terror. It was the "Bore!" stepping jauntily along on the
+other side of the street. To hesitate was to be lost! So they plunged
+into the nearest shop for protection, and stood there breathless with
+expectation and fear. Presently Jones--putting his head very gradually
+out--reconnoitred, and finding all safe they resumed their way.
+
+
+Robinson thinks it "the thing" to encourage native industry wherever he
+goes, and so buys a German pipe.
+
+
+
+
+[HEIDELBERG.]
+
+
+"Kellner!"
+
+
+While Brown, Jones, and Robinson supped, a party of philosophers carry
+on an aesthetical discussion, with an accompaniment of pipes and beer.
+
+
+"*  *  *  The night was beautiful, so we determined after supper to have
+a look at the celebrated castle--Jones and I did, that is to say, for
+Robinson was so fatigued with travel that he declined moving, muttering
+something about 'Castle can wait.' We ascended; the moon shone brightly
+through the ruins, and bathed the landscape in its silvery light, the
+beautiful Neckar flowing at our feet. Under us lay the town, a thousand
+lights twinkling in the stillness."  *  *  "Suddenly, to our horror,
+there appeared upon the terrace 'The Bore!'" --_Extract from Brown's
+Journal._
+
+
+"At last he left us. But not before he had taken from his pocket a
+letter received that morning from Green ('You know Green, of course,'
+he said, 'everybody does'), and read it aloud from beginning to end. It
+told of a 'good thing' said at the club by Smith; and of two marriages,
+and a duel likely to come off, besides several interesting particulars
+regarding the winner of the St. Leger." --_Ibid._
+
+When Jones and Brown were left once more alone, they wandered and
+pondered amongst the ruins, and moralised over the instability of
+things--they were even becoming sentimental--when, suddenly, a terrific
+sound was heard--like the barking of a dog--and the next moment the
+animal himself was seen emerging from the darkness, and making towards
+them at the top of his speed. They turned and fled!
+
+
+Meeting by moonlight.
+
+
+Robinson, after the departure of Jones and Brown, seated himself before
+the fire and fell fast asleep.
+
+
+He continued in that state, notwithstanding that the philosophers became
+very noisy, and even warlike.
+
+
+--And although--after the latter had retired (fortunately without coming
+to blows)--his chair toppled over, he quietly assumed a horizontal
+position.
+
+Fancy the feelings of Jones and Brown on returning, and finding their
+friend lying on his back upon the floor, snoring!
+
+
+They lifted him up, and carried him off to bed.
+
+
+Next morning they entertained Robinson with a thrilling account of the
+dangers of their expedition, in which that dreadful dog filled a very
+large space.
+
+The above will give some faint idea of what they pictured to themselves
+(and to Robinson).
+
+
+
+
+[THE REVIEW.]
+
+
+Brown, Jones, and Robinson have arrived at ----, the capital of ----, a
+small German state (we won't say which, as it would be giving it an
+undue distinction, and might offend the others).
+
+They have been received with distinguished consideration, the "local"
+paper having announced their arrival as Count Robinson, Sir Brown, and
+the Rev. Jones. They have been invited to be present at a grand review,
+and Robinson--who amongst other necessaries in those portmanteaus of
+his, carried a uniform as Captain of Yeomanry--thought that this was
+just the proper occasion to appear in it. Accordingly, he rode on to the
+ground upon a charger (hired), in the character of a warrior, with a
+solemnity of countenance befitting the scene and his country, and
+accompanied by Jones (also mounted), but in the costume of an ordinary
+individual of the period. Brown preferred going on foot. That is
+Robinson in the centre. Just at the time when he ought to be riding up
+the line, inspecting the troops with the Grand Duke and his staff--his
+horse (a "disgusting brute," as Robinson afterwards described him, "who
+could not have been in the habit of carrying gentlemen") suddenly stood
+on his hind legs, in the very middle of the field, so that his rider was
+forced to cling on to him in an absurd manner, in full view of the army,
+the people, and the court.
+
+R. at that moment earnestly desired that the earth might open and
+swallow him.
+
+KEY TO THE CARTOON.
+
+1. Robinson. 2. The Grand Duke. 3. The Crown Prince. 4. The Rest of the
+Serene Family. 5. Mr. Jones. 6. The Population. 7. Mr. Jones's Dog.
+8. Mr. Brown. 9. The Army. 10. Distant View of the Capital. 11. Foreign
+Visitors. 12. Monument to late Duke.
+
+
+
+
+[BADEN.]
+
+
+A SCENE AT BADEN.
+
+
+THE RIGHT OF SEARCH.
+
+
++Of the Adventure that befel Jones.+
+
+
+I.
+
+Jones's dog having come upon a sentinel, and struck, perhaps, by his
+small size compared with the sentinels he is used to, commences to say,
+"Bow!--wow!--wow!--wew--u--u!"
+
+The soldier, offended by these remarks, presents for the animal's
+consideration, the point of his bayonet.
+
+
+II.
+
+Jones expostulates, with that freedom of speech which is the birthright
+of every Englishman.
+
+
+III.
+
+But obtaining no satisfaction, calls on the miserable foreigner to
+"Come on."
+
+
+IV.
+
+First (and last) round. --The soldier did "Come on," frowning. Jones
+received him, smiling. --The soldier made play with his musket: Jones
+put in his left. They closed, and a terrific struggle ensued, in the
+course of which Jones got his adversary's "Nob" into "Chancery."
+
+
+V.
+
+The soldier, at this point, unable to use his arms, took to his legs,
+and administered a series of kicks upon the shins of Jones, who in
+return seized him, lifted him in the air, and threw him.
+
+
+VI.
+
+Then, considering that justice and the honour of his country were alike
+satisfied, he retired, leaving the body of his antagonist on the field.
+
+
+VII.
+
+Shows the "body," on discovering that life was not extinct, attempting
+to rise.
+
+P.S. --He was last seen making frantic efforts to regain his feet, and
+seemingly prevented from doing so by the weight of his knapsack, and
+other accoutrements.
+
+
+VIII.
+
+Jones was late at breakfast; he found Robinson reading "Galignani," and
+Brown looking out of window, and after giving them an amusing account of
+the fun he had had, was just sitting down to the table, when Brown
+shouted out, "By Jove, there is a regiment of soldiers coming down the
+street!"
+
+
+IX.
+
+At first Jones was incredulous; but presently Brown, his hair standing
+on end, rushed towards him, and in a voice of agony, cried, "As sure as
+we are alive they have stopped in front of the house, and the _OFFICER
+IS COMING IN!_"
+
+
+X.
+
+It was too true. The soldiers had come to look after the Englishman who
+had attacked and beaten their comrade.
+
+
+XI.
+
+After a few moments of breathless suspense, the officer enters--Jones
+stands like a man about to struggle with adversity.
+
+
+XII.
+
+Nevertheless he is arrested and marched off.
+
+
+XIII.
+
+Robinson, in agony, calls for his coat and hat, "For," as he cried out
+to Brown, "not a moment is to be lost in endeavouring to see the British
+Minister."
+
+
+XIV.
+
+They gain an audience of His Excellency the British Minister, and ask
+his interference in behalf of a persecuted countryman.
+
+We are happy to add that the interference was quite successful. Jones
+was liberated immediately, and shortly afterwards the British Minister
+for Foreign Affairs, in a despatch to the German Minister for the same,
+expressed his conviction that "The whole civilised world reprobated,
+with one voice, a system at once tyrannical and cruel, a remnant of the
+darkest ages of man's history, and utterly unworthy of the present era
+of progress and enlightenment."
+
+Our friends were advised, however, to leave the country as soon and as
+quietly as possible. They departed accordingly.
+
+
+
+
+[BADEN TO BASLE.]
+
+
+Head-dresses of peasantry. A sketch on the road to Basle.
+
+
+How Brown and Jones went in a third class carriage (Robinson would not;
+it did not seem "respectable"), that they might see the natives, and how
+B. drew the portrait of one, to her evident dissatisfaction.
+
+
+The omnibus besieged and taken by storm.
+
+
+
+
+[BASLE.]
+
+
+"The height of the omnibusses is quite disgusting." --_Extract from
+unpublished documents in possession of ROBINSON, who himself fell in the
+mud, while climbing from the roof of one of those vehicles._
+
+
+Scene from the road, near Basle.
+
+
+Storks' nest, Basle.
+
+
+
+
+[SWITZERLAND.]
+
+
+BOAT STATION ON THE LAKE OF LUCERNE;
+AS SKETCHED BY BROWN FROM THE STEAMER.
+
+According to the guide-book, the paintings on the wall represent Furst,
+Stauffach, and Melchthal, swearing to liberate their country; but Jones
+said he believed them to be portraits of a medieval Swiss Brown, Jones,
+and Robinson, in the act of vowing eternal friendship.
+
+
+The safest way of coming down a mountain.
+
+
+"We got out of the diligence (at a time when it was obliged to go very
+slowly), in order to make an excursion on foot in search of the
+picturesque, being told that we might meet the carriage at a certain
+point, about a mile further on. We saw many magnificent views, and did a
+great deal of what might be called rough walking; but perhaps the thing
+that struck us most was, that on emerging at the appointed spot for
+rejoining the diligence, we beheld it a speck in the distance, just
+departing out of sight." --_Extract from Jones's Journal._
+
+
+The seven ages of Robinson's beard.
+
+
+What are they to do now?
+
+
+DESCENT OF THE ST. GOTHARD.
+
+Having taken their places on the outside of the diligence, Brown, Jones,
+and Robinson can the better enjoy the grandeur of the scenery.
+
+
+They see Italy in the distance.
+
+
+A meeting on the mountain.
+
+
+Pilgrims coming _down_ the "Hill of Difficulty."
+
+
+
+
+[ITALY.]
+
+
+BREAKFAST AT BELLINZONA.
+
+It was their first day in Italy, and how they did enjoy it! The repast
+was served in a stone summer-house attached to the hotel. The sun was so
+bright, and so hot; the sky was so blue, the vegetation so green, the
+mountains so purple, the grapes so large, and everything so beautiful,
+that Brown and Jones both decided that the scene fully realised all
+their imaginings of Italy. Robinson was enthusiastic, too, at first, and
+was beginning to say something about "Italia, O Italia," when his eye
+lit upon a green lizard running up the wall. From that moment he was
+more subdued.
+
+
+How they got Robinson up the hills.
+
+
+
+
+[ITALIAN LAKES.]
+
+
+They land upon Austrian territory en route for Milan. While the "proper
+officer" takes possession of their passports, the whole available
+population pounces upon the luggage, and, after apportioning it into
+"small allotments," carries it off to the custom house.
+
+
+The official here is seen "pointing" on the scent (as he thinks) of
+contraband goods in one of Robinson's portmanteaus. He did not "find,"
+but in the hunt, tossed R.'s "things" dreadfully. Brown revenged the
+wrongs of self and friends, by taking a full length, on the spot, of
+that imposing administrator, who stands over there, with the passports
+in his hand.
+
+
+"Excelsior!"
+
+
+An Italian view.
+
+
+"Buon giorno."
+
+
+EVENING ON THE LAGO MAGGIORE.
+
+
+"'Knowest thou the land' where the grapes are as plentiful as
+blackberries in England; and where one has only to stop a minute at the
+roadside, and pull no end of 'em. O 'tis there! 'tis there! etc."
+--_Robinson's letters to his kinsfolk._
+
+
+MARIE.
+
+Oh! Marie of the Lago d'Orta, maid of the inn, and most beautiful of
+waitresses, how well do I remember thee! How graceful were all thy
+movements; what natural ease, together with what a dignified reserve;
+--How truly a lady wert thou! You did not know it, but when you waited
+upon us, I always felt inclined to jump up from my chair, and open
+the door for you-- to take the dishes from your hands, to ask you
+respectfully to be seated, to wait upon you in fact. And O! How I did
+detest that wicked old landlady, your mistress, who used to bully and
+scold you. And I wonder whether you remember me. --_From a MS., very
+rare, in possession of Brown._
+
+
+This picture represents Brown as he appeared, his feelings being "too
+many for him," on hearing that elderly she-dragon, the landlady, venting
+her ill-humour upon the gentle Marie. He stole out of the dining-room,
+looked over into the yard, and there beheld the furious old female
+shaking her fist, and pouring forth a torrent of abuse. Brown was not
+naturally of a savage temperament, but at that moment he felt that he
+could have--but it is best not to say what he could have done--it was
+too terrible for publication in these pages.
+
+
+A BOAT AT ORTA.
+
+
+A MOUNTAIN WALK.
+
+Robinson, with warmth, and some distance behind,-- "What is the use of
+going on at that rate?"
+
+
+Poor Jones! Who would have thought he could ever be tired!
+
+
+Pleasant.
+
+
+The accident that befell Robinson. --No. 1.
+
+
+The accident that befell Robinson. --No. 2.
+
+
+
+
+[ORTA.]
+
+
+ROBINSON RETIRES FOR THE NIGHT.
+
+To prevent anxiety, we had better state that he is tired--nothing else.
+
+
+"Now do, Robinson, jump up like a good fellow; we ought to be starting
+now--and think how pleasant it will be, once you are up!"
+
+
+
+
+[VARALLO.]
+
+
+THE INN.
+
+
+How Brown, returning from sketching, was beset by beggars in a lonely
+place.
+
+
+
+
+[MILAN.]
+
+
+They pay a visit to the marionette theatre.
+
+
+A snob they saw writing his name upon roof of Milan cathedral.
+
+
+ENLIGHTENED BEHAVIOUR IN A FOREIGN CHURCH.
+
+We are happy to say, that B. J. and R. had no connection with the above
+party.
+
+
+Robinson's determination to let his beard grow "naturally," had an
+absurd result, the hair growing in violent and abrupt crops in some
+places, and not at all in others; so that Jones, who was sensitive about
+appearances, (and whose own moustache was doing beautifully,) insisted
+at last upon R.'s being shaved, which event accordingly took place in
+the city of Milan. It was well that Robinson consented, for the barber
+eyed him eagerly, and as if he would spring upon him and shave him by
+force.
+
+
+CAFE MILAN.--SUDDEN AND UNEXPECTED ARRIVAL OF DISTINGUISHED FOREIGNERS.
+
+The moment we seated ourselves in a cafe, an awful group of beggars
+stood before us--so suddenly that they appeared to have come up through
+a trap-door--and demanded alms. They would not go without money, and
+when they got it they took it as a right. It would not do for one of us
+to "settle" with them for the whole party, for no sooner had I given
+them a coin than they turned to Jones, and when done with him, coolly
+set upon Robinson. The instant one tribe departed, a fresh relais
+arrived, so that there was a constant supply (of beggars) and demand (on
+our purses).
+
+No place seemed safe: in the most magnificent and luxuriously-decorated
+cafes they had perfect right of way, the contrast between the rich
+gilding, glass, fountains, etc., of the one, and the rags, dirt, and
+dramatically got-up horrors of the other being picturesque, but
+certainly not pleasant; and yet, as Jones remarked, they say this
+country has not free institutions.
+
+
+
+
+[VERONA.]
+
+
+THE AMPHITHEATRE, VERONA.
+
+Jones asks Robinson, whether he "Sees before him the gladiator die?" but
+Robinson maintains a dignified silence.
+
+
+Austrian detective stops Brown to examine his sketching stool. It
+puzzles him. There is an air of mystery about it. It might possibly be a
+weapon to be used for political purposes, or an infernal machine! Who
+knows? On the whole, he thinks he had better detain it.
+
+
+SCENE--DISCOVERS BROWN SKETCHING.
+
+Enter the Austrian army. They advance upon him, they think he is taking
+the fortifications.
+
+
+Robinson, who is much given to quotation, is, at the very moment,
+languidly reciting the lines:--
+
+  "Am I in Italy? Is this the Mincius?
+  And those the distant turrets of Verona?
+  And shall I sup where Juliet at the masque
+  Saw her loved Montague?" --etc., etc.
+
+
+Not being familiar with the German, or the Croatian language, Brown is
+helpless. He protests his innocence, but the military don't understand
+him. They see treason in his hat, which is of an illegal shape, and they
+arrest him.
+
+
+Jones and Robinson appear, to the surprise of the military, and relief
+of Brown.
+
+
+Brown, quite resigned, walks quietly to meet his fate. Jones plunges
+violently, but is finally overcome. Robinson resists passively, and is
+accordingly dragged along.
+
+
+SKETCHES FOUND UPON BROWN.
+
+
+They are brought before the Governor. That is he seated at the table,
+the soldiers showing him the libellous representations of the Croats
+found in Brown's portfolio. The latter expects to be ordered for instant
+execution; but Jones assumes an air of great dignity, and says, "_Civis
+Romanus sum_."
+
+
+The Governor, Field-Marshal Lieutenant Count Brown, of the Imperial
+service, discovers in his prisoner a near relation of his own; and our
+friend is instantly locked in the embrace of that distinguished warrior.
+Jones remarked "All's well that ends well;" and Robinson, greatly
+relieved, broke out with:--
+
+  "Thus may each" nephew "whom chance directs,
+  Find an" uncle "when he least expects."
+
+
+
+
+[VENICE.]
+
+
+EXAMINATION OF PASSPORTS.
+
+
+HOTEL.
+
+
+MODERN VENETIAN TROUBADOURS.
+
+An evening scene before the Cafe Florian, Piazza San Marco.
+
+
+Brown at this period undertook, at the urgent request of Jones and
+Robinson, to settle the accounts of the party, which had become
+complicated owing to that perplexing "medium," to those unused to it,
+the Austrian paper money.
+
+This is a faithful picture of the unfortunate man as he sat, in the
+solitude of his chamber, until a late hour of the night, drawing up the
+"financial" statement.
+
+
+Robinson (_solo_). --"I stood in Venice," etc.; Jones and Brown, having
+heard something like it before, have walked on a little way.
+
+_Reflection made by BROWN._ --Why do people when repeating poetry always
+look unhappy?
+
+
+ENJOYMENT!
+
+A scene upon the Grand Canal.
+
+
+THE THEATRE MALIBRAN.
+
+The entertainment commenced at 5 P.M., and lasted till 7. It consisted
+of a melodrama, full of awful crimes, and the most pathetic sentiment.
+The audience, chiefly composed of "the people," was, from beginning to
+end, in an extraordinary state of excitement, fizzing, like the
+perpetual going off of soda-water. The theatre was lighted (?) by about
+four oil lamps; and such was the darkness, that our travellers--who may
+be seen, perhaps, through the "dim obscure," up in a private box--could
+scarcely discern anything but the white uniform and glittering bayonet
+of an Austrian sentinel in the pit.
+
+
+
+
+[A NIGHT IN VENICE.]
+
+
+BROWN RETIRED TO REST.
+
+
+MISERY.
+
+NOTE.-- If the Musquitos appear rather large in this and the following
+scenes, let it be remembered that in the "Heroic" it was a principle of
+many of the great painters to exaggerate the "parts."
+
+
+DESPERATION.
+
+
+MOMENTARY RELIEF.
+
+
+MADNESS!
+
+
+BELL!!
+
+
+BOOTS!!
+
+
+DESPAIR!!!!
+
+
+
+
+[VENICE.]
+
+
+THE ACCADEMIA.
+
+
+GONDOLA ON THE LAGOON.
+
+Sentiment spoken by Robinson, with marks of adhesion from Brown and
+Jones. "Oh, if there be an Elysium on earth, it is this, it is this!!"
+
+
++The Accademia.+
+
+
+Scene I.
+
+Brown (soliloquy). --"This is pleasant! To be quite alone here (dab),
+surrounded by these magnificent works (dab, dab, dab), and everything so
+quiet too--nothing to disturb one." (Dab) after a pause. "I wonder what
+Jones and Robinson are doing (dab, splash)--lying at full length in a
+gondola, I dare say--smoking (dab), I think I could spend my life in
+this place" (dab, dab).
+
+"It is difficult to say which is the greatest pleasure, (another dab,)
+copying these splendid pictures, or painting from nature, those
+beautiful blue skies and crumbling old picturesque palaces, outside."
+
+(Sings) --"'How happy could I be with either.'" (Prolonged pause, and
+great play with brush) --"Oh! That sunset last evening! As we lay out in
+our gondola upon the perfectly calm waters, by the Armenian convent, and
+watched the sun slowly going down behind the distant towers and spires
+of the 'City of the sea'--one mass of gold spreading all over the west!"
+ *  *  "Oh! Those clouds! (Another pause) Ah! That was happiness. One
+such hour is worth--let me see--how many years of one's life?  *  *  and
+yet this is--"
+
+
+Scene II.
+
+He is set upon and surrounded by an English family, and the following
+dialogue ensues:--
+
+The Mamma. --"What a delightful occupation, to be sure."
+
+Young Lady (in a whisper). --"He is copying the Tintoret."
+
+Youthful Son and Heir (with confidence). --"No, he ain't; he's doing
+that stunning big one with the rainbow, and three river gods."
+
+Second Young Lady. --"It's sweetly pretty, isn't it!"
+
+Papa (a British merchant, and of a practical turn). --"Very
+good--v-e-r-y good. Ahem! Now I wonder what one could make a year by
+that kind of thing."
+
+Young Man (with glass in his eye). --"Slow, I should think."
+
+At this point Brown's attention was attracted to a scuffle going on
+behind him amongst the junior members of the party. Two of the little
+innocents had taken a fancy to the same drawing (a copy of his favourite
+John Bellino), and after a brief, but fierce struggle for possession,
+had settled the difficulty by tearing it in two. (Party retires rather
+precipitately.)
+
+
+
+
+[TRIESTE TO VIENNA.]
+
+
+SKETCH MADE BY BROWN AT TRIESTE.
+
+NOTE.--If any one doubts the fact, Jones and Robinson are ready to make
+affidavit of it.
+
+
+ROBINSON SEARCHED AND INDIGNANT.
+
+Such things never happen anywhere else.
+
+
+
+
+[VIENNA.]
+
+
+Arrived at Vienna, they visit the theatre. A gentleman there,
+unobtrusively pays them great attention.
+
+
+SCENE--SHOP, VIENNA.
+
+Jones to Brown-- "What do you say?"
+
+Brown (who sees that Robinson is bent upon making a "magnificent
+addition" to himself, and that it is useless to expostulate). --"Oh, I
+think it is splendid; and if you will only appear in it in Pall Mall,
+when we get home again, you will make a sensation."
+
+
+THEY VISIT THE PICTURE GALLERIES.
+
+That man in the doorway seems to take a great interest in their
+movements.
+
+
+THE PROMENADE.
+
+Brown thinks it is the same man! What can he want?
+
+
+THE PUBLIC GARDEN.
+
+There he was again! Jones suggested that perhaps it was a government
+official, who took them for liberty, equality, and fraternity.
+
+
+No sooner did they take their places at the Table d'Hote to dine, than
+Brown fell back in his chair. There could be no doubt about it--he was
+better dressed than before--but it was the same man! He must be a spy!
+
+
+Jones at the opera abroad.
+
+
+How unlike Jones at the opera at home.
+
+
+
+
+[VIENNA TO PRAGUE.]
+
+
+"Just ten minutes to dress, breakfast, and get to the train."
+
+
+
+
+[PRAGUE.]
+
+
+WALLENSTEIN'S HORSE.
+
+"The head, neck, legs, and part of the body have been repaired--all the
+rest is the real horse." --_From speech of the young woman who showed
+the animal._
+
+
+A "KNEIPE" AT PRAGUE.
+
+
+Robinson is so confused with rapid travelling, that he addresses a
+waiter in three languages at once. "Kellner!-- Mittags-essen pour
+trois-- Presto presto-- and-- waiter!-- Soda water-- col cognac--
+geschwind!"
+
+
+TABLE D'HOTE, PRAGUE.
+
+
+
+
+[PRAGUE TO COLOGNE.]
+
+
+"Passports!" --"That's the sixth time we have been woke up," groaned
+Robinson.
+
+
+
+
+[RHINELAND AGAIN.]
+
+
+DUSSELDORF.
+
+Brown _loq._ --I have left my bag behind!
+
+
+MINDEN.
+
+Here is the bag.
+
+
+How Brown was seated between two soldiers, and how they would examine
+each other's swords, and how those fearful weapons were flashing about,
+often within an inch of B.'S nose: and how (being of a mild and peaceful
+disposition), B. was kept thereby in a constant state of uneasiness.
+
+
+
+
+[BELGIUM.]
+
+
+Eye of the government; as kept upon the travellers, during their stay in
+the Austrian dominions. --_Drawn from the haunted imagination of Brown._
+
+
+THEIR LAST REPAST IN FOREIGN PARTS.
+
+Time and train wait for no man.
+
+
+ARTICLES PURCHASED BY ROBINSON.
+
+1. Eau de Cologne. 2. Pipe; (never smoked.) 3. Hat; (never worn, and
+found decidedly in the way.) 4. Cigars; (stopped at Custom House.)
+5. Tauchnitz editions; (also seized.) 6. Cornet a pistons; (bought in
+Germany with the intention of learning to play upon it some day.)
+7. Gloves; (purchased at Venice, a great bargain, and found utterly
+worthless.)
+
+
+
+
+[OLD ENGLAND.]
+
+
++Sic(k) Transit+
+
+
++Gloria Mundi!+
+
+
+       *       *       *       *       *
+           *       *       *       *
+
+
+BRADBURY AND EVANS,
+
+Printers extraordinary to the queen,
+
+Whitefriars.
+
+
+       *       *       *       *       *
+           *       *       *       *
+       *       *       *       *       *
+
+
+Errors and Iconsistencies (noted by transcriber):
+
+  They both wore a perpetual grin and stare of surprise,
+    [comma in original: error for period (full stop)?]
+  3. "Conclude you go toe Frankfort?"  [text unchanged]
+  An evening scene before the Cafe Florain  [error for Florian]
+  If the Musquitos appear rather large  [variant spelling unchanged]
+  +Of the Adventure that befel Jones.+
+  The accident that befell Robinson.
+    [inconsistent spelling unchanged]
+
+
+
+
+
+
+End of the Project Gutenberg EBook of The Foreign Tour of Messrs. Brown,
+Jones and Robinson, by Richard Doyle
+
+*** END OF THIS PROJECT GUTENBERG EBOOK FOREIGN TOUR--BROWN, JONES, ROBINSON ***
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