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| author | Roger Frank <rfrank@pglaf.org> | 2025-10-14 19:53:25 -0700 |
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| committer | Roger Frank <rfrank@pglaf.org> | 2025-10-14 19:53:25 -0700 |
| commit | 4dd7a36dbe5507324e8398cf4470a7c972df296a (patch) | |
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diff --git a/.gitattributes b/.gitattributes new file mode 100644 index 0000000..6833f05 --- /dev/null +++ b/.gitattributes @@ -0,0 +1,3 @@ +* text=auto +*.txt text +*.md text diff --git a/30255-0.txt b/30255-0.txt new file mode 100644 index 0000000..1fa7dab --- /dev/null +++ b/30255-0.txt @@ -0,0 +1,1208 @@ +*** START OF THE PROJECT GUTENBERG EBOOK 30255 *** + + _Conger agreed to kill a stranger he had + never seen. But he would make no mistakes + because he had the stranger's skull under + his arm._ + + + THE + SKULL + + By Philip K. Dick + + +"What is this opportunity?" Conger asked. "Go on. I'm interested." + +The room was silent; all faces were fixed on Conger--still in the drab +prison uniform. The Speaker leaned forward slowly. + +"Before you went to prison your trading business was paying well--all +illegal--all very profitable. Now you have nothing, except the prospect +of another six years in a cell." + +Conger scowled. + +"There is a certain situation, very important to this Council, that +requires your peculiar abilities. Also, it is a situation you might find +interesting. You were a hunter, were you not? You've done a great deal +of trapping, hiding in the bushes, waiting at night for the game? I +imagine hunting must be a source of satisfaction to you, the chase, the +stalking--" + +Conger sighed. His lips twisted. "All right," he said. "Leave that out. +Get to the point. Who do you want me to kill?" + +The Speaker smiled. "All in proper sequence," he said softly. + + * * * * * + +The car slid to a stop. It was night; there was no light anywhere along +the street. Conger looked out. "Where are we? What is this place?" + +The hand of the guard pressed into his arm. "Come. Through that door." + +Conger stepped down, onto the damp sidewalk. The guard came swiftly +after him, and then the Speaker. Conger took a deep breath of the cold +air. He studied the dim outline of the building rising up before them. + +"I know this place. I've seen it before." He squinted, his eyes growing +accustomed to the dark. Suddenly he became alert. "This is--" + +"Yes. The First Church." The Speaker walked toward the steps. "We're +expected." + +"Expected? _Here?_" + +"Yes." The Speaker mounted the stairs. "You know we're not allowed in +their Churches, especially with guns!" He stopped. Two armed soldiers +loomed up ahead, one on each side. + +"All right?" The Speaker looked up at them. They nodded. The door of the +Church was open. Conger could see other soldiers inside, standing about, +young soldiers with large eyes, gazing at the ikons and holy images. + +"I see," he said. + +"It was necessary," the Speaker said. "As you know, we have been +singularly unfortunate in the past in our relations with the First +Church." + +"This won't help." + +"But it's worth it. You will see." + + * * * * * + +They passed through the hall and into the main chamber where the altar +piece was, and the kneeling places. The Speaker scarcely glanced at the +altar as they passed by. He pushed open a small side door and beckoned +Conger through. + +"In here. We have to hurry. The faithful will be flocking in soon." + +Conger entered, blinking. They were in a small chamber, low-ceilinged, +with dark panels of old wood. There was a smell of ashes and smoldering +spices in the room. He sniffed. "What's that? The smell." + +"Cups on the wall. I don't know." The Speaker crossed impatiently to the +far side. "According to our information, it is hidden here by this--" + +Conger looked around the room. He saw books and papers, holy signs and +images. A strange low shiver went through him. + +"Does my job involve anyone of the Church? If it does--" + +The Speaker turned, astonished. "Can it be that you believe in the +Founder? Is it possible, a hunter, a killer--" + +"No. Of course not. All their business about resignation to death, +non-violence--" + +"What is it, then?" + +Conger shrugged. "I've been taught not to mix with such as these. They +have strange abilities. And you can't reason with them." + +The Speaker studied Conger thoughtfully. "You have the wrong idea. It is +no one here that we have in mind. We've found that killing them only +tends to increase their numbers." + +"Then why come here? Let's leave." + +"No. We came for something important. Something you will need to +identify your man. Without it you won't be able to find him." A trace +of a smile crossed the Speaker's face. "We don't want you to kill the +wrong person. It's too important." + +"I don't make mistakes." Conger's chest rose. "Listen, Speaker--" + +"This is an unusual situation," the Speaker said. "You see, the person +you are after--the person that we are sending you to find--is known only +by certain objects here. They are the only traces, the only means of +identification. Without them--" + +"What are they?" + +He came toward the Speaker. The Speaker moved to one side. "Look," he +said. He drew a sliding wall away, showing a dark square hole. "In +there." + +Conger squatted down, staring in. He frowned. "A skull! A skeleton!" + +"The man you are after has been dead for two centuries," the Speaker +said. "This is all that remains of him. And this is all you have with +which to find him." + +For a long time Conger said nothing. He stared down at the bones, dimly +visible in the recess of the wall. How could a man dead centuries be +killed? How could he be stalked, brought down? + +Conger was a hunter, a man who had lived as he pleased, where he +pleased. He had kept himself alive by trading, bringing furs and pelts +in from the Provinces on his own ship, riding at high speed, slipping +through the customs line around Earth. + +He had hunted in the great mountains of the moon. He had stalked through +empty Martian cities. He had explored-- + +The Speaker said, "Soldier, take these objects and have them carried to +the car. Don't lose any part of them." + +The soldier went into the cupboard, reaching gingerly, squatting on his +heels. + +"It is my hope," the Speaker continued softly, to Conger, "that you will +demonstrate your loyalty to us, now. There are always ways for citizens +to restore themselves, to show their devotion to their society. For you +I think this would be a very good chance. I seriously doubt that a +better one will come. And for your efforts there will be quite a +restitution, of course." + +The two men looked at each other; Conger, thin, unkempt, the Speaker +immaculate in his uniform. + +"I understand you," Conger said. "I mean, I understand this part, about +the chance. But how can a man who has been dead two centuries be--" + +"I'll explain later," the Speaker said. "Right now we have to hurry!" +The soldier had gone out with the bones, wrapped in a blanket held +carefully in his arms. The Speaker walked to the door. "Come. They've +already discovered that we've broken in here, and they'll be coming at +any moment." + +They hurried down the damp steps to the waiting car. A second later the +driver lifted the car up into the air, above the house-tops. + + * * * * * + +The Speaker settled back in the seat. + +"The First Church has an interesting past," he said. "I suppose you are +familiar with it, but I'd like to speak of a few points that are of +relevancy to us. + +"It was in the twentieth century that the Movement began--during one of +the periodic wars. The Movement developed rapidly, feeding on the +general sense of futility, the realization that each war was breeding +greater war, with no end in sight. The Movement posed a simple answer to +the problem: Without military preparations--weapons--there could be no +war. And without machinery and complex scientific technocracy there +could be no weapons. + +"The Movement preached that you couldn't stop war by planning for it. +They preached that man was losing to his machinery and science, that it +was getting away from him, pushing him into greater and greater wars. +Down with society, they shouted. Down with factories and science! A few +more wars and there wouldn't be much left of the world. + +"The Founder was an obscure person from a small town in the American +Middle West. We don't even know his name. All we know is that one day he +appeared, preaching a doctrine of non-violence, non-resistance; no +fighting, no paying taxes for guns, no research except for medicine. +Live out your life quietly, tending your garden, staying out of public +affairs; mind your own business. Be obscure, unknown, poor. Give away +most of your possessions, leave the city. At least that was what +developed from what he told the people." + +The car dropped down and landed on a roof. + +"The Founder preached this doctrine, or the germ of it; there's no +telling how much the faithful have added themselves. The local +authorities picked him up at once, of course. Apparently they were +convinced that he meant it; he was never released. He was put to death, +and his body buried secretly. It seemed that the cult was finished." + +The Speaker smiled. "Unfortunately, some of his disciples reported +seeing him after the date of his death. The rumor spread; he had +conquered death, he was divine. It took hold, grew. And here we are +today, with a First Church, obstructing all social progress, destroying +society, sowing the seeds of anarchy--" + +"But the wars," Conger said. "About them?" + +"The wars? Well, there were no more wars. It must be acknowledged that +the elimination of war was the direct result of non-violence practiced +on a general scale. But we can take a more objective view of war today. +What was so terrible about it? War had a profound selective value, +perfectly in accord with the teachings of Darwin and Mendel and others. +Without war the mass of useless, incompetent mankind, without training +or intelligence, is permitted to grow and expand unchecked. War acted to +reduce their numbers; like storms and earthquakes and droughts, it was +nature's way of eliminating the unfit. + +"Without war the lower elements of mankind have increased all out of +proportion. They threaten the educated few, those with scientific +knowledge and training, the ones equipped to direct society. They have +no regard for science or a scientific society, based on reason. And this +Movement seeks to aid and abet them. Only when scientists are in full +control can the--" + + * * * * * + +He looked at his watch and then kicked the car door open. "I'll tell you +the rest as we walk." + +They crossed the dark roof. "Doubtless you now know whom those bones +belonged to, who it is that we are after. He has been dead just two +centuries, now, this ignorant man from the Middle West, this Founder. +The tragedy is that the authorities of the time acted too slowly. They +allowed him to speak, to get his message across. He was allowed to +preach, to start his cult. And once such a thing is under way, there's +no stopping it. + +"But what if he had died before he preached? What if none of his +doctrines had ever been spoken? It took only a moment for him to utter +them, that we know. They say he spoke just once, just one time. _Then_ +the authorities came, taking him away. He offered no resistance; the +incident was small." + +The Speaker turned to Conger. + +"Small, but we're reaping the consequences of it today." + +They went inside the building. Inside, the soldiers had already laid out +the skeleton on a table. The soldiers stood around it, their young faces +intense. + +Conger went over to the table, pushing past them. He bent down, staring +at the bones. "So these are his remains," he murmured. "The Founder. The +Church has hidden them for two centuries." + +"Quite so," the Speaker said. "But now we have them. Come along down the +hall." + +They went across the room to a door. The Speaker pushed it open. +Technicians looked up. Conger saw machinery, whirring and turning; +benches and retorts. In the center of the room was a gleaming crystal +cage. + +The Speaker handed a Slem-gun to Conger. "The important thing to +remember is that the skull must be saved and brought back--for +comparison and proof. Aim low--at the chest." + +Conger weighed the gun in his hands. "It feels good," he said. "I know +this gun--that is, I've seen them before, but I never used one." + +The Speaker nodded. "You will be instructed on the use of the gun and +the operation of the cage. You will be given all data we have on the +time and location. The exact spot was a place called Hudson's field. +About 1960 in a small community outside Denver, Colorado. And don't +forget--the only means of identification you will have will be the +skull. There are visible characteristics of the front teeth, especially +the left incisor--" + +Conger listened absently. He was watching two men in white carefully +wrapping the skull in a plastic bag. They tied it and carried it into +the crystal cage. "And if I should make a mistake?" + +"Pick the wrong man? Then find the right one. Don't come back until you +succeed in reaching this Founder. And you can't wait for him to start +speaking; that's what we must avoid! You must act in advance. Take +chances; shoot as soon as you think you've found him. He'll be someone +unusual, probably a stranger in the area. Apparently he wasn't known." + +Conger listened dimly. + +"Do you think you have it all now?" the Speaker asked. + +"Yes. I think so." Conger entered the crystal cage and sat down, placing +his hands on the wheel. + +"Good luck," the Speaker said. + +"We'll be awaiting the outcome. There's some philosophical doubt as to +whether one can alter the past. This should answer the question once and +for all." + +Conger fingered the controls of the cage. + +"By the way," the Speaker said. "Don't try to use this cage for purposes +not anticipated in your job. We have a constant trace on it. If we want +it back, we can get it back. Good luck." + +Conger said nothing. The cage was sealed. He raised his finger and +touched the wheel control. He turned the wheel carefully. + +He was still staring at the plastic bag when the room outside vanished. + +For a long time there was nothing at all. Nothing beyond the crystal +mesh of the cage. Thoughts rushed through Conger's mind, helter-skelter. +How would he know the man? How could he be certain, in advance? What had +he looked like? What was his name? How had he acted, before he spoke? +Would he be an ordinary person, or some strange outlandish crank? + +Conger picked up the Slem-gun and held it against his cheek. The metal +of the gun was cool and smooth. He practiced moving the sight. It was a +beautiful gun, the kind of gun he could fall in love with. If he had +owned such a gun in the Martian desert--on the long nights when he had +lain, cramped and numbed with cold, waiting for things that moved +through the darkness-- + +He put the gun down and adjusted the meter readings of the cage. The +spiraling mist was beginning to condense and settle. All at once forms +wavered and fluttered around him. + +Colors, sounds, movements filtered through the crystal wire. He clamped +the controls off and stood up. + + * * * * * + +He was on a ridge overlooking a small town. It was high noon. The air +was crisp and bright. A few automobiles moved along a road. Off in the +distance were some level fields. Conger went to the door and stepped +outside. He sniffed the air. Then he went back into the cage. + +He stood before the mirror over the shelf, examining his features. He +had trimmed his beard--they had not got him to cut it off--and his hair +was neat. He was dressed in the clothing of the middle-twentieth +century, the odd collar and coat, the shoes of animal hide. In his +pocket was money of the times. That was important. Nothing more was +needed. + +Nothing, except his ability, his special cunning. But he had never used +it in such a way before. + +He walked down the road toward the town. + +The first things he noticed were the newspapers on the stands. April 5, +1961. He was not too far off. He looked around him. There was a filling +station, a garage, some taverns, and a ten-cent store. Down the street +was a grocery store and some public buildings. + +A few minutes later he mounted the stairs of the little public library +and passed through the doors into the warm interior. + +The librarian looked up, smiling. + +"Good afternoon," she said. + +He smiled, not speaking because his words would not be correct; accented +and strange, probably. He went over to a table and sat down by a heap of +magazines. For a moment he glanced through them. Then he was on his feet +again. He crossed the room to a wide rack against the wall. His heart +began to beat heavily. + +Newspapers--weeks on end. He took a roll of them over to the table and +began to scan them quickly. The print was odd, the letters strange. Some +of the words were unfamiliar. + +He set the papers aside and searched farther. At last he found what he +wanted. He carried the _Cherrywood Gazette_ to the table and opened it +to the first page. He found what he wanted: + + PRISONER HANGS SELF + + An unidentified man, held by the county sheriff's office for + suspicion of criminal syndicalism, was found dead this morning, by-- + +He finished the item. It was vague, uninforming. He needed more. He +carried the _Gazette_ back to the racks and then, after a moment's +hesitation, approached the librarian. + +"More?" he asked. "More papers. Old ones?" + +She frowned. "How old? Which papers?" + +"Months old. And--before." + +"Of the _Gazette_? This is all we have. What did you want? What are you +looking for? Maybe I can help you." + +He was silent. + +"You might find older issues at the _Gazette_ office," the woman said, +taking off her glasses. "Why don't you try there? But if you'd tell me, +maybe I could help you--" + +He went out. + +The _Gazette_ office was down a side street; the sidewalk was broken and +cracked. He went inside. A heater glowed in the corner of the small +office. A heavy-set man stood up and came slowly over to the counter. + +"What did you want, mister?" he said. + +"Old papers. A month. Or more." + +"To buy? You want to buy them?" + +"Yes." He held out some of the money he had. The man stared. + +"Sure," he said. "Sure. Wait a minute." He went quickly out of the room. +When he came back he was staggering under the weight of his armload, his +face red. "Here are some," he grunted. "Took what I could find. Covers +the whole year. And if you want more--" + +Conger carried the papers outside. He sat down by the road and began to +go through them. + + * * * * * + +What he wanted was four months back, in December. It was a tiny item, so +small that he almost missed it. His hands trembled as he scanned it, +using the small dictionary for some of the archaic terms. + + MAN ARRESTED FOR UNLICENSED DEMONSTRATION + + An unidentified man who refused to give his name was picked up in + Cooper Creek by special agents of the sheriff's office, according to + Sheriff Duff. It was said the man was recently noticed in this area + and had been watched continually. It was-- + +Cooper Creek. December, 1960. His heart pounded. That was all he needed +to know. He stood up, shaking himself, stamping his feet on the cold +ground. The sun had moved across the sky to the very edge of the hills. +He smiled. Already he had discovered the exact time and place. Now he +needed only to go back, perhaps to November, to Cooper Creek-- + +He walked back through the main section of town, past the library, past +the grocery store. It would not be hard; the hard part was over. He +would go there; rent a room, prepare to wait until the man appeared. + +He turned the corner. A woman was coming out of a doorway, loaded down +with packages. Conger stepped aside to let her pass. The woman glanced +at him. Suddenly her face turned white. She stared, her mouth open. + +Conger hurried on. He looked back. What was wrong with her? The woman +was still staring; she had dropped the packages to the ground. He +increased his speed. He turned a second corner and went up a side +street. When he looked back again the woman had come to the entrance of +the street and was starting after him. A man joined her, and the two of +them began to run toward him. + +He lost them and left the town, striding quickly, easily, up into the +hills at the edge of town. When he reached the cage he stopped. What had +happened? Was it something about his clothing? His dress? + +He pondered. Then, as the sun set, he stepped into the cage. + +Conger sat before the wheel. For a moment he waited, his hands resting +lightly on the control. Then he turned the wheel, just a little, +following the control readings carefully. + +The grayness settled down around him. + +But not for very long. + + * * * * * + +The man looked him over critically. "You better come inside," he said. +"Out of the cold." + +"Thanks." Conger went gratefully through the open door, into the +living-room. It was warm and close from the heat of the little kerosene +heater in the corner. A woman, large and shapeless in her flowered +dress, came from the kitchen. She and the man studied him critically. + +"It's a good room," the woman said. "I'm Mrs. Appleton. It's got heat. +You need that this time of year." + +"Yes." He nodded, looking around. + +"You want to eat with us?" + +"What?" + +"You want to eat with us?" The man's brows knitted. "You're not a +foreigner, are you, mister?" + +"No." He smiled. "I was born in this country. Quite far west, though." + +"California?" + +"No." He hesitated. "In Oregon." + +"What's it like up there?" Mrs. Appleton asked. "I hear there's a lot of +trees and green. It's so barren here. I come from Chicago, myself." + +"That's the Middle West," the man said to her. "You ain't no foreigner." + +"Oregon isn't foreign, either," Conger said. "It's part of the United +States." + +The man nodded absently. He was staring at Conger's clothing. + +"That's a funny suit you got on, mister," he said. "Where'd you get +that?" + +Conger was lost. He shifted uneasily. "It's a good suit," he said. +"Maybe I better go some other place, if you don't want me here." + +They both raised their hands protestingly. The woman smiled at him. "We +just have to look out for those Reds. You know, the government is always +warning us about them." + +"The Reds?" He was puzzled. + +"The government says they're all around. We're supposed to report +anything strange or unusual, anybody doesn't act normal." + +"Like me?" + +They looked embarrassed. "Well, you don't look like a Red to me," the +man said. "But we have to be careful. The _Tribune_ says--" + +Conger half listened. It was going to be easier than he had thought. +Clearly, he would know as soon as the Founder appeared. These people, so +suspicious of anything different, would be buzzing and gossiping and +spreading the story. All he had to do was lie low and listen, down at +the general store, perhaps. Or even here, in Mrs. Appleton's boarding +house. + +"Can I see the room?" he said. + +"Certainly." Mrs. Appleton went to the stairs. "I'll be glad to show it +to you." + +They went upstairs. It was colder upstairs, but not nearly as cold as +outside. Nor as cold as nights on the Martian deserts. For that he was +grateful. + + * * * * * + +He was walking slowly around the store, looking at the cans of +vegetables, the frozen packages of fish and meats shining and clean in +the open refrigerator counters. + +Ed Davies came toward him. "Can I help you?" he said. The man was a +little oddly dressed, and with a beard! Ed couldn't help smiling. + +"Nothing," the man said in a funny voice. "Just looking." + +"Sure," Ed said. He walked back behind the counter. Mrs. Hacket was +wheeling her cart up. + +"Who's he?" she whispered, her sharp face turned, her nose moving, as if +it were sniffing. "I never seen him before." + +"I don't know." + +"Looks funny to me. Why does he wear a beard? No one else wears a +beard. Must be something the matter with him." + +"Maybe he likes to wear a beard. I had an uncle who--" + +"Wait." Mrs. Hacket stiffened. "Didn't that--what was his name? The +Red--that old one. Didn't he have a beard? Marx. He had a beard." + +Ed laughed. "This ain't Karl Marx. I saw a photograph of him once." + +Mrs. Hacket was staring at him. "You did?" + +"Sure." He flushed a little. "What's the matter with that?" + +"I'd sure like to know more about him," Mrs. Hacket said. "I think we +ought to know more, for our own good." + + * * * * * + +"Hey, mister! Want a ride?" + +Conger turned quickly, dropping his hand to his belt. He relaxed. Two +young kids in a car, a girl and a boy. He smiled at them. "A ride? +Sure." + +Conger got into the car and closed the door. Bill Willet pushed the gas +and the car roared down the highway. + +"I appreciate a ride," Conger said carefully. "I was taking a walk +between towns, but it was farther than I thought." + +"Where are you from?" Lora Hunt asked. She was pretty, small and dark, +in her yellow sweater and blue skirt. + +"From Cooper Creek." + +"Cooper Creek?" Bill said. He frowned. "That's funny. I don't remember +seeing you before." + +"Why, do you come from there?" + +"I was born there. I know everybody there." + +"I just moved in. From Oregon." + +"From Oregon? I didn't know Oregon people had accents." + +"Do I have an accent?" + +"You use words funny." + +"How?" + +"I don't know. Doesn't he, Lora?" + +"You slur them," Lora said, smiling. "Talk some more. I'm interested in +dialects." She glanced at him, white-teethed. Conger felt his heart +constrict. + +"I have a speech impediment." + +"Oh." Her eyes widened. "I'm sorry." + +They looked at him curiously as the car purred along. Conger for his +part was struggling to find some way of asking them questions without +seeming curious. "I guess people from out of town don't come here much," +he said. "Strangers." + +"No." Bill shook his head. "Not very much." + +"I'll bet I'm the first outsider for a long time." + +"I guess so." + +Conger hesitated. "A friend of mine--someone I know, might be coming +through here. Where do you suppose I might--" He stopped. "Would there +be anyone certain to see him? Someone I could ask, make sure I don't +miss him if he comes?" + +They were puzzled. "Just keep your eyes open. Cooper Creek isn't very +big." + +"No. That's right." + +They drove in silence. Conger studied the outline of the girl. Probably +she was the boy's mistress. Perhaps she was his trial wife. Or had they +developed trial marriage back so far? He could not remember. But surely +such an attractive girl would be someone's mistress by this time; she +would be sixteen or so, by her looks. He might ask her sometime, if they +ever met again. + + * * * * * + +The next day Conger went walking along the one main street of Cooper +Creek. He passed the general store, the two filling stations, and then +the post office. At the corner was the soda fountain. + +He stopped. Lora was sitting inside, talking to the clerk. She was +laughing, rocking back and forth. + +Conger pushed the door open. Warm air rushed around him. Lora was +drinking hot chocolate, with whipped cream. She looked up in surprise as +he slid into the seat beside her. + +"I beg your pardon," he said. "Am I intruding?" + +"No." She shook her head. Her eyes were large and dark. "Not at all." + +The clerk came over. "What do you want?" + +Conger looked at the chocolate. "Same as she has." + +Lora was watching Conger, her arms folded, elbows on the counter. She +smiled at him. "By the way. You don't know my name. Lora Hunt." + +She was holding out her hand. He took it awkwardly, not knowing what to +do with it. "Conger is my name," he murmured. + +"Conger? Is that your last or first name?" + +"Last or first?" He hesitated. "Last. Omar Conger." + +"Omar?" She laughed. "That's like the poet, Omar Khayyam." + +"I don't know of him. I know very little of poets. We restored very few +works of art. Usually only the Church has been interested enough--" He +broke off. She was staring. He flushed. "Where I come from," he +finished. + +"The Church? Which church do you mean?" + +"The Church." He was confused. The chocolate came and he began to sip it +gratefully. Lora was still watching him. + +"You're an unusual person," she said. "Bill didn't like you, but he +never likes anything different. He's so--so prosaic. Don't you think +that when a person gets older he should become--broadened in his +outlook?" + +Conger nodded. + +"He says foreign people ought to stay where they belong, not come here. +But you're not so foreign. He means orientals; you know." + +Conger nodded. + +The screen door opened behind them. Bill came into the room. He stared +at them. "Well," he said. + +Conger turned. "Hello." + +"Well." Bill sat down. "Hello, Lora." He was looking at Conger. "I +didn't expect to see you here." + +Conger tensed. He could feel the hostility of the boy. "Something wrong +with that?" + +"No. Nothing wrong with it." + +There was silence. Suddenly Bill turned to Lora. "Come on. Let's go." + +"Go?" She was astonished. "Why?" + +"Just go!" He grabbed her hand. "Come on! The car's outside." + +"Why, Bill Willet," Lora said. "You're jealous!" + +"Who is this guy?" Bill said. "Do you know anything about him? Look at +him, his beard--" + +She flared. "So what? Just because he doesn't drive a Packard and go to +Cooper High!" + +Conger sized the boy up. He was big--big and strong. Probably he was +part of some civil control organization. + +"Sorry," Conger said. "I'll go." + +"What's your business in town?" Bill asked. "What are you doing here? +Why are you hanging around Lora?" + +Conger looked at the girl. He shrugged. "No reason. I'll see you later." + +He turned away. And froze. Bill had moved. Conger's fingers went to his +belt. _Half pressure_, he whispered to himself. _No more. Half +pressure._ + +He squeezed. The room leaped around him. He himself was protected by the +lining of his clothing, the plastic sheathing inside. + +"My God--" Lora put her hands up. Conger cursed. He hadn't meant any of +it for her. But it would wear off. There was only a half-amp to it. It +would tingle. + +Tingle, and paralyze. + +He walked out the door without looking back. He was almost to the corner +when Bill came slowly out, holding onto the wall like a drunken man. +Conger went on. + + * * * * * + +As Conger walked, restless, in the night, a form loomed in front of him. +He stopped, holding his breath. + +"Who is it?" a man's voice came. Conger waited, tense. + +"Who is it?" the man said again. He clicked something in his hand. A +light flashed. Conger moved. + +"It's me," he said. + +"Who is 'me'?" + +"Conger is my name. I'm staying at the Appleton's place. Who are you?" + +The man came slowly up to him. He was wearing a leather jacket. There +was a gun at his waist. + +"I'm Sheriff Duff. I think you're the person I want to talk to. You were +in Bloom's today, about three o'clock?" + +"Bloom's?" + +"The fountain. Where the kids hang out." Duff came up beside him, +shining his light into Conger's face. Conger blinked. + +"Turn that thing away," he said. + +A pause. "All right." The light flickered to the ground. "You were +there. Some trouble broke out between you and the Willet boy. Is that +right? You had a beef over his girl--" + +"We had a discussion," Conger said carefully. + +"Then what happened?" + +"Why?" + +"I'm just curious. They say you did something." + +"Did something? Did what?" + +"I don't know. That's what I'm wondering. They saw a flash, and +something seemed to happen. They all blacked out. Couldn't move." + +"How are they now?" + +"All right." + +There was silence. + +"Well?" Duff said. "What was it? A bomb?" + +"A bomb?" Conger laughed. "No. My cigarette lighter caught fire. There +was a leak, and the fluid ignited." + +"Why did they all pass out?" + +"Fumes." + +Silence. Conger shifted, waiting. His fingers moved slowly toward his +belt. The Sheriff glanced down. He grunted. + +"If you say so," he said. "Anyhow, there wasn't any real harm done." He +stepped back from Conger. "And that Willet is a trouble-maker." + +"Good night, then," Conger said. He started past the Sheriff. + +"One more thing, Mr. Conger. Before you go. You don't mind if I look at +your identification, do you?" + +"No. Not at all." Conger reached into his pocket. He held his wallet +out. The Sheriff took it and shined his flashlight on it. Conger +watched, breathing shallowly. They had worked hard on the wallet, +studying historic documents, relics of the times, all the papers they +felt would be relevant. + +Duff handed it back. "Okay. Sorry to bother you." The light winked off. + +When Conger reached the house he found the Appletons sitting around the +television set. They did not look up as he came in. He lingered at the +door. + +"Can I ask you something?" he said. Mrs. Appleton turned slowly. "Can I +ask you--what's the date?" + +"The date?" She studied him. "The first of December." + +"December first! Why, it was just November!" + +They were all looking at him. Suddenly he remembered. In the twentieth +century they still used the old twelve-month system. November fed +directly into December; there was no Quartember between. + +He gasped. Then it was tomorrow! The second of December! Tomorrow! + +"Thanks," he said. "Thanks." + +He went up the stairs. What a fool he was, forgetting. The Founder had +been taken into captivity on the second of December, according to the +newspaper records. Tomorrow, only twelve hours hence, the Founder would +appear to speak to the people and then be dragged away. + + * * * * * + +The day was warm and bright. Conger's shoes crunched the melting crust +of snow. On he went, through the trees heavy with white. He climbed a +hill and strode down the other side, sliding as he went. + +He stopped to look around. Everything was silent. There was no one in +sight. He brought a thin rod from his waist and turned the handle of it. +For a moment nothing happened. Then there was a shimmering in the air. + +The crystal cage appeared and settled slowly down. Conger sighed. It was +good to see it again. After all, it was his only way back. + +He walked up on the ridge. He looked around with some satisfaction, his +hands on his hips. Hudson's field was spread out, all the way to the +beginning of town. It was bare and flat, covered with a thin layer of +snow. + +Here, the Founder would come. Here, he would speak to them. And here the +authorities would take him. + +Only he would be dead before they came. He would be dead before he even +spoke. + +Conger returned to the crystal globe. He pushed through the door and +stepped inside. He took the Slem-gun from the shelf and screwed the bolt +into place. It was ready to go, ready to fire. For a moment he +considered. Should he have it with him? + +No. It might be hours before the Founder came, and suppose someone +approached him in the meantime? When he saw the Founder coming toward +the field, then he could go and get the gun. + +Conger looked toward the shelf. There was the neat plastic package. He +took it down and unwrapped it. + +He held the skull in his hands, turning it over. In spite of himself, a +cold feeling rushed through him. This was the man's skull, the skull of +the Founder, who was still alive, who would come here, this day, who +would stand on the field not fifty yards away. + +What if _he_ could see this, his own skull, yellow and eroded? Two +centuries old. Would he still speak? Would he speak, if he could see it, +the grinning, aged skull? What would there be for him to say, to tell +the people? What message could he bring? + +What action would not be futile, when a man could look upon his own +aged, yellowed skull? Better they should enjoy their temporary lives, +while they still had them to enjoy. + +A man who could hold his own skull in his hands would believe in few +causes, few movements. Rather, he would preach the opposite-- + +A sound. Conger dropped the skull back on the shelf and took up the gun. +Outside something was moving. He went quickly to the door, his heart +beating. Was it _he_? Was it the Founder, wandering by himself in the +cold, looking for a place to speak? Was he meditating over his words, +choosing his sentences? + +What if he could see what Conger had held! + +He pushed the door open, the gun raised. + +Lora! + +He stared at her. She was dressed in a wool jacket and boots, her hands +in her pockets. A cloud of steam came from her mouth and nostrils. Her +breast was rising and falling. + +Silently, they looked at each other. At last Conger lowered the gun. + +"What is it?" he said. "What are you doing here?" + +She pointed. She did not seem able to speak. He frowned; what was wrong +with her? + +"What is it?" he said. "What do you want?" He looked in the direction +she had pointed. "I don't see anything." + +"They're coming." + +"They? Who? Who are coming?" + +"They are. The police. During the night the Sheriff had the state police +send cars. All around, everywhere. Blocking the roads. There's about +sixty of them coming. Some from town, some around behind." She stopped, +gasping. "They said--they said--" + +"What?" + +"They said you were some kind of a Communist. They said--" + + * * * * * + +Conger went into the cage. He put the gun down on the shelf and came +back out. He leaped down and went to the girl. + +"Thanks. You came here to tell me? You don't believe it?" + +"I don't know." + +"Did you come alone?" + +"No. Joe brought me in his truck. From town." + +"Joe? Who's he?" + +"Joe French. The plumber. He's a friend of Dad's." + +"Let's go." They crossed the snow, up the ridge and onto the field. The +little panel truck was parked half way across the field. A heavy short +man was sitting behind the wheel, smoking his pipe. He sat up as he saw +the two of them coming toward him. + +"Are you the one?" he said to Conger. + +"Yes. Thanks for warning me." + +The plumber shrugged. "I don't know anything about this. Lora says +you're all right." He turned around. "It might interest you to know some +more of them are coming. Not to warn you--just curious." + +"More of them?" Conger looked toward the town. Black shapes were picking +their way across the snow. + +"People from the town. You can't keep this sort of thing quiet, not in a +small town. We all listen to the police radio; they heard the same way +Lora did. Someone tuned in, spread it around--" + +The shapes were getting closer. Conger could, make out a couple of them. +Bill Willet was there, with some boys from the high school. The +Appletons were along, hanging back in the rear. + +"Even Ed Davies," Conger murmured. + +The storekeeper was toiling onto the field, with three or four other men +from the town. + +"All curious as hell," French said. "Well, I guess I'm going back to +town. I don't want my truck shot full of holes. Come on, Lora." + +She was looking up at Conger, wide-eyed. + +"Come on," French said again. "Let's go. You sure as hell can't stay +here, you know." + +"Why?" + +"There may be shooting. That's what they all came to see. You know that +don't you, Conger?" + +"Yes." + +"You have a gun? Or don't you care?" French smiled a little. "They've +picked up a lot of people in their time, you know. You won't be lonely." + +He cared, all right! He had to stay here, on the field. He couldn't +afford to let them take him away. Any minute the Founder would appear, +would step onto the field. Would he be one of the townsmen, standing +silently at the foot of the field, waiting, watching? + +Or maybe he was Joe French. Or maybe one of the cops. Anyone of them +might find himself moved to speak. And the few words spoken this day +were going to be important for a long time. + +And Conger had to be there, ready when the first word was uttered! + +"I care," he said. "You go on back to town. Take the girl with you." + +Lora got stiffly in beside Joe French. The plumber started up the motor. +"Look at them, standing there," he said. "Like vultures. Waiting to see +someone get killed." + + * * * * * + +The truck drove away, Lora sitting stiff and silent, frightened now. +Conger watched for a moment. Then he dashed back into the woods, between +the trees, toward the ridge. + +He could get away, of course. Anytime he wanted to he could get away. +All he had to do was to leap into the crystal cage and turn the handles. +But he had a job, an important job. He had to be here, here at this +place, at this time. + +He reached the cage and opened the door. He went inside and picked up +the gun from the shelf. The Slem-gun would take care of them. He notched +it up to full count. The chain reaction from it would flatten them all, +the police, the curious, sadistic people-- + +They wouldn't take him! Before they got him, all of them would be dead. +_He_ would get away. He would escape. By the end of the day they would +all be dead, if that was what they wanted, and he-- + +He saw the skull. + +Suddenly he put the gun down. He picked up the skull. He turned the +skull over. He looked at the teeth. Then he went to the mirror. + +He held the skull up, looking in the mirror. He pressed the skull +against his cheek. Beside his own face the grinning skull leered back at +him, beside _his_ skull, against his living flesh. + +He bared his teeth. And he knew. + +It was his own skull that he held. He was the one who would die. He was +the Founder. + +After a time he put the skull down. For a few minutes he stood at the +controls, playing with them idly. He could hear the sound of motors +outside, the muffled noise of men. Should he go back to the present, +where the Speaker waited? He could escape, of course-- + +Escape? + +He turned toward the skull. There it was, his skull, yellow with age. +Escape? Escape, when he had held it in his own hands? + +What did it matter if he put it off a month, a year, ten years, even +fifty? Time was nothing. He had sipped chocolate with a girl born a +hundred and fifty years before his time. Escape? For a little while, +perhaps. + +But he could not _really_ escape, no more so than anyone else had ever +escaped, or ever would. + +Only, he had held it in his hands, his own bones, his own death's-head. + +_They_ had not. + +He went out the door and across the field, empty handed. There were a +lot of them standing around, gathered together, waiting. They expected a +good fight; they knew he had something. They had heard about the +incident at the fountain. + +And there were plenty of police--police with guns and tear gas, creeping +across the hills and ridges, between the trees, closer and closer. It +was an old story, in this century. + +One of the men tossed something at him. It fell in the snow by his +feet, and he looked down. It was a rock. He smiled. + +"Come on!" one of them called. "Don't you have any bombs?" + +"Throw a bomb! You with the beard! Throw a bomb!" + +"Let 'em have it!" + +"Toss a few A Bombs!" + + * * * * * + +They began to laugh. He smiled. He put his hands to his hips. They +suddenly turned silent, seeing that he was going to speak. + +"I'm sorry," he said simply. "I don't have any bombs. You're mistaken." + +There was a flurry of murmuring. + +"I have a gun," he went on. "A very good one. Made by science even more +advanced than your own. But I'm not going to use that, either." + +They were puzzled. + +"Why not?" someone called. At the edge of the group an older woman was +watching. He felt a sudden shock. He had seen her before. Where? + +He remembered. The day at the library. As he had turned the corner he +had seen her. She had noticed him and been astounded. At the time, he +did not understand why. + +Conger grinned. So he _would_ escape death, the man who right now was +voluntarily accepting it. They were laughing, laughing at a man who had +a gun but didn't use it. But by a strange twist of science he would +appear again, a few months later, after his bones had been buried under +the floor of a jail. + +And so, in a fashion, he would escape death. He would die, but then, +after a period of months, he would live again, briefly, for an +afternoon. + +An afternoon. Yet long enough for them to see him, to understand that he +was still alive. To know that somehow he had returned to life. + +And then, finally, he would appear once more, after two hundred years +had passed. Two centuries later. + +He would be born again, born, as a matter of fact, in a small trading +village on Mars. He would grow up, learning to hunt and trade-- + +A police car came on the edge of the field and stopped. The people +retreated a little. Conger raised his hands. + +"I have an odd paradox for you," he said. "Those who take lives will +lose their own. Those who kill, will die. But he who gives his own life +away will live again!" + +They laughed, faintly, nervously. The police were coming out, walking +toward him. He smiled. He had said everything he intended to say. It was +a good little paradox he had coined. They would puzzle over it, remember +it. + +Smiling, Conger awaited a death foreordained. + + +THE END + + + + +Transcriber's Note: + + This etext was produced from _If Worlds of Science Fiction_ + September 1952. Extensive research did not uncover any evidence that + the U.S. copyright on this publication was renewed. Minor spelling + and typographical errors have been corrected without note. + + + + + + +End of the Project Gutenberg EBook of The Skull, by Philip K. Dick + +*** END OF THE PROJECT GUTENBERG EBOOK 30255 *** diff --git a/30255-h.zip b/30255-h.zip Binary files differnew file mode 100644 index 0000000..d358de4 --- /dev/null +++ b/30255-h.zip diff --git a/30255-h/30255-h.htm b/30255-h/30255-h.htm new file mode 100644 index 0000000..8e63d32 --- /dev/null +++ b/30255-h/30255-h.htm @@ -0,0 +1,1900 @@ +<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" + "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd"> + +<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en" lang="en"> + <head> + <meta http-equiv="Content-Type" content="text/html;charset=UTF-8" /> + <meta http-equiv="Content-Style-Type" content="text/css" /> + <title> + The Project Gutenberg eBook of The Skull, by Philip K. Dick + </title> + <style type="text/css"> + + p {margin-top: .75em; text-align: justify; margin-bottom: .75em;} + h1,h2,.center {text-align: center; font-weight: normal;} + h2,.pr1,.bk1 {margin-bottom: 2em;} + hr {width: 45%; margin: 2em auto; visibility: hidden;} + body {margin-left: 10%; margin-right: 10%;} + .bq {margin: 1.5em 25%; font-size: 90%;} + img {border: none;} + a:link,a:visited {text-decoration: none;} + p.cap:first-letter {float: left; margin-right: .05em; padding-top: .05em; font-size: 300%; line-height: .8em; width: auto;} + .dcap {text-transform: uppercase;} + .figt {float: left; clear: left; margin: 15px; padding: 0; width: 137px;} + .trn {border: solid 1px; margin: 3em 15%; min-height: 230px;} + .trn p {margin: 15px;} + .bk1 {margin-right: 40%;} + .sp1 {font-size: 150%;} + + </style> + </head> +<body> +<div>*** START OF THE PROJECT GUTENBERG EBOOK 30255 ***</div> + +<div class="bk1"><p><big><i>Conger agreed to kill a stranger he had +never seen. But he would make no mistakes +because he had the stranger's skull under +his arm.</i></big></p></div> + +<h1>THE<br /> +<span class="sp1">SKULL</span></h1> + +<h2><small>By Philip K. Dick</small></h2> + +<p class="cap"><span class="dcap">"What</span> is this opportunity?" +Conger asked. "Go on. I'm +interested."</p> + +<p>The room was silent; all faces +were fixed on Conger—still in the +drab prison uniform. The Speaker +leaned forward slowly.</p> + +<p>"Before you went to prison your +trading business was paying well—all +illegal—all very profitable. Now +you have nothing, except the prospect +of another six years in a cell."</p> + +<p>Conger scowled.</p> + +<p>"There is a certain situation, very +important to this Council, that requires +your peculiar abilities. Also, +it is a situation you might find interesting. +You were a hunter, were you +not? You've done a great deal of +trapping, hiding in the bushes, +waiting at night for the game? I +imagine hunting must be a source +of satisfaction to you, the chase, the +stalking—"</p> + +<p>Conger sighed. His lips twisted. +"All right," he said. "Leave that +out. Get to the point. Who do you +want me to kill?"</p> + +<p>The Speaker smiled. "All in +proper sequence," he said softly.</p> + +<hr /> + +<p class="cap"><span class="dcap">The</span> car slid to a stop. It was +night; there was no light anywhere +along the street. Conger looked out. +"Where are we? What is this +place?"</p> + +<p>The hand of the guard pressed +into his arm. "Come. Through that +door."</p> + +<p>Conger stepped down, onto the +damp sidewalk. The guard came +swiftly after him, and then the +Speaker. Conger took a deep breath +of the cold air. He studied the dim +outline of the building rising up +before them.</p> + +<p>"I know this place. I've seen it +before." He squinted, his eyes growing +accustomed to the dark. Suddenly +he became alert. "This is—"</p> + +<p>"Yes. The First Church." The +Speaker walked toward the steps. +"We're expected."</p> + +<p>"Expected? <i>Here?</i>"</p> + +<p>"Yes." The Speaker mounted the +stairs. "You know we're not allowed +in their Churches, especially with +guns!" He stopped. Two armed soldiers +loomed up ahead, one on each +side.</p> + +<p>"All right?" The Speaker looked +up at them. They nodded. The door +of the Church was open. Conger +could see other soldiers inside, +standing about, young soldiers with +large eyes, gazing at the ikons and +holy images.</p> + +<p>"I see," he said.</p> + +<p>"It was necessary," the Speaker +said. "As you know, we have been +singularly unfortunate in the past +in our relations with the First +Church."</p> + +<p>"This won't help."</p> + +<p>"But it's worth it. You will see."</p> + +<hr /> + +<p class="cap"><span class="dcap">They</span> passed through the hall +and into the main chamber +where the altar piece was, and the +kneeling places. The Speaker +scarcely glanced at the altar as they +passed by. He pushed open a small +side door and beckoned Conger +through.</p> + +<p>"In here. We have to hurry. The +faithful will be flocking in soon."</p> + +<p>Conger entered, blinking. They +were in a small chamber, low-ceilinged, +with dark panels of old +wood. There was a smell of ashes +and smoldering spices in the room. +He sniffed. "What's that? The +smell."</p> + +<p>"Cups on the wall. I don't +know." The Speaker crossed impatiently +to the far side. "According +to our information, it is hidden here +by this—"</p> + +<p>Conger looked around the room. +He saw books and papers, holy +signs and images. A strange low +shiver went through him.</p> + +<p>"Does my job involve anyone of +the Church? If it does—"</p> + +<p>The Speaker turned, astonished. +"Can it be that you believe in the +Founder? Is it possible, a hunter, a +killer—"</p> + +<p>"No. Of course not. All their +business about resignation to death, +non-violence—"</p> + +<p>"What is it, then?"</p> + +<p>Conger shrugged. "I've been +taught not to mix with such as +these. They have strange abilities. +And you can't reason with them."</p> + +<p>The Speaker studied Conger +thoughtfully. "You have the wrong +idea. It is no one here that we have +in mind. We've found that killing +them only tends to increase their +numbers."</p> + +<p>"Then why come here? Let's +leave."</p> + +<p>"No. We came for something +important. Something you will need +to identify your man. Without it +you won't be able to find him." +A trace of a smile crossed the +Speaker's face. "We don't want you +to kill the wrong person. It's too +important."</p> + +<p>"I don't make mistakes." Conger's +chest rose. "Listen, Speaker—"</p> + +<p>"This is an unusual situation," +the Speaker said. "You see, the person +you are after—the person that +we are sending you to find—is +known only by certain objects here. +They are the only traces, the only +means of identification. Without +them—"</p> + +<p>"What are they?"</p> + +<p>He came toward the Speaker. +The Speaker moved to one side. +"Look," he said. He drew a sliding +wall away, showing a dark square +hole. "In there."</p> + +<p>Conger squatted down, staring +in. He frowned. "A skull! A skeleton!"</p> + +<p>"The man you are after has been +dead for two centuries," the Speaker +said. "This is all that remains of +him. And this is all you have with +which to find him."</p> + +<p>For a long time Conger said nothing. +He stared down at the bones, +dimly visible in the recess of the +wall. How could a man dead centuries +be killed? How could he be +stalked, brought down?</p> + +<p>Conger was a hunter, a man who +had lived as he pleased, where he +pleased. He had kept himself alive +by trading, bringing furs and pelts +in from the Provinces on his own +ship, riding at high speed, slipping +through the customs line around +Earth.</p> + +<p>He had hunted in the great +mountains of the moon. He had +stalked through empty Martian +cities. He had explored—</p> + +<p>The Speaker said, "Soldier, take +these objects and have them carried +to the car. Don't lose any part +of them."</p> + +<p>The soldier went into the cupboard, +reaching gingerly, squatting +on his heels.</p> + +<p>"It is my hope," the Speaker continued +softly, to Conger, "that you +will demonstrate your loyalty to us, +now. There are always ways for +citizens to restore themselves, to +show their devotion to their society. +For you I think this would be a +very good chance. I seriously doubt +that a better one will come. And +for your efforts there will be quite +a restitution, of course."</p> + +<p>The two men looked at each +other; Conger, thin, unkempt, the +Speaker immaculate in his uniform.</p> + +<p>"I understand you," Conger said. +"I mean, I understand this part, +about the chance. But how can a +man who has been dead two centuries +be—"</p> + +<p>"I'll explain later," the Speaker +said. "Right now we have to hurry!" +The soldier had gone out with the +bones, wrapped in a blanket held +carefully in his arms. The Speaker +walked to the door. "Come. They've +already discovered that we've +broken in here, and they'll be coming +at any moment."</p> + +<p>They hurried down the damp +steps to the waiting car. A second +later the driver lifted the car up +into the air, above the house-tops.</p> + +<hr /> + +<p class="cap"><span class="dcap">The Speaker</span> settled back in +the seat.</p> + +<p>"The First Church has an interesting +past," he said. "I suppose +you are familiar with it, but I'd +like to speak of a few points that +are of relevancy to us.</p> + +<p>"It was in the twentieth century +that the Movement began—during +one of the periodic wars. The +Movement developed rapidly, feeding +on the general sense of futility, +the realization that each war was +breeding greater war, with no end +in sight. The Movement posed a +simple answer to the problem: +Without military preparations—weapons—there +could be no war. +And without machinery and complex +scientific technocracy there +could be no weapons.</p> + +<p>"The Movement preached that +you couldn't stop war by planning +for it. They preached that man was +losing to his machinery and science, +that it was getting away from him, +pushing him into greater and +greater wars. Down with society, +they shouted. Down with factories +and science! A few more wars and +there wouldn't be much left of the +world.</p> + +<p>"The Founder was an obscure +person from a small town in the +American Middle West. We don't +even know his name. All we know +is that one day he appeared, preaching +a doctrine of non-violence, non-resistance; +no fighting, no paying +taxes for guns, no research except +for medicine. Live out your life +quietly, tending your garden, staying +out of public affairs; mind your +own business. Be obscure, unknown, +poor. Give away most of your possessions, +leave the city. At least that +was what developed from what he +told the people."</p> + +<p>The car dropped down and +landed on a roof.</p> + +<p>"The Founder preached this doctrine, +or the germ of it; there's no +telling how much the faithful have +added themselves. The local authorities +picked him up at once, of +course. Apparently they were convinced +that he meant it; he was +never released. He was put to +death, and his body buried secretly. +It seemed that the cult was finished."</p> + +<p>The Speaker smiled. "Unfortunately, +some of his disciples reported +seeing him after the date of +his death. The rumor spread; he +had conquered death, he was divine. +It took hold, grew. And here +we are today, with a First Church, +obstructing all social progress, destroying +society, sowing the seeds +of anarchy—"</p> + +<p>"But the wars," Conger said. +"About them?"</p> + +<p>"The wars? Well, there were no +more wars. It must be acknowledged +that the elimination of war +was the direct result of non-violence +practiced on a general scale. +But we can take a more objective +view of war today. What was so +terrible about it? War had a profound +selective value, perfectly in +accord with the teachings of Darwin +and Mendel and others. Without +war the mass of useless, incompetent +mankind, without training +or intelligence, is permitted to grow +and expand unchecked. War acted +to reduce their numbers; like storms +and earthquakes and droughts, it +was nature's way of eliminating the +unfit.</p> + +<p>"Without war the lower elements +of mankind have increased all out +of proportion. They threaten the +educated few, those with scientific +knowledge and training, the ones +equipped to direct society. They +have no regard for science or a +scientific society, based on reason. +And this Movement seeks to aid +and abet them. Only when scientists +are in full control can the—"</p> + +<hr /> + +<p class="cap"><span class="dcap">He</span> looked at his watch +and then kicked the car door +open. "I'll tell you the rest as we +walk."</p> + +<p>They crossed the dark roof. +"Doubtless you now know whom +those bones belonged to, who it is +that we are after. He has been dead +just two centuries, now, this ignorant +man from the Middle West, this +Founder. The tragedy is that the +authorities of the time acted too +slowly. They allowed him to speak, +to get his message across. He was +allowed to preach, to start his cult. +And once such a thing is under way, +there's no stopping it.</p> + +<p>"But what if he had died before +he preached? What if none of his +doctrines had ever been spoken? It +took only a moment for him to utter +them, that we know. They say he +spoke just once, just one time. <i>Then</i> +the authorities came, taking him +away. He offered no resistance; the +incident was small."</p> + +<p>The Speaker turned to Conger.</p> + +<p>"Small, but we're reaping the +consequences of it today."</p> + +<p>They went inside the building. +Inside, the soldiers had already laid +out the skeleton on a table. The +soldiers stood around it, their young +faces intense.</p> + +<p>Conger went over to the table, +pushing past them. He bent down, +staring at the bones. "So these are +his remains," he murmured. "The +Founder. The Church has hidden +them for two centuries."</p> + +<p>"Quite so," the Speaker said. +"But now we have them. Come +along down the hall."</p> + +<p>They went across the room to a +door. The Speaker pushed it open. +Technicians looked up. Conger saw +machinery, whirring and turning; +benches and retorts. In the center +of the room was a gleaming crystal +cage.</p> + +<p>The Speaker handed a Slem-gun +to Conger. "The important thing to +remember is that the skull must be +saved and brought back—for comparison +and proof. Aim low—at the +chest."</p> + +<p>Conger weighed the gun in his +hands. "It feels good," he said. "I +know this gun—that is, I've seen +them before, but I never used one."</p> + +<p>The Speaker nodded. "You will +be instructed on the use of the gun +and the operation of the cage. You +will be given all data we have on +the time and location. The exact +spot was a place called Hudson's +field. About 1960 in a small community +outside Denver, Colorado. +And don't forget—the only means +of identification you will have will +be the skull. There are visible characteristics +of the front teeth, especially +the left incisor—"</p> + +<p>Conger listened absently. He was +watching two men in white carefully +wrapping the skull in a plastic +bag. They tied it and carried it into +the crystal cage. "And if I should +make a mistake?"</p> + +<p>"Pick the wrong man? Then +find the right one. Don't come back +until you succeed in reaching this +Founder. And you can't wait for +him to start speaking; that's what +we must avoid! You must act in +advance. Take chances; shoot as +soon as you think you've found him. +He'll be someone unusual, probably +a stranger in the area. Apparently +he wasn't known."</p> + +<p>Conger listened dimly.</p> + +<p>"Do you think you have it all +now?" the Speaker asked.</p> + +<p>"Yes. I think so." Conger entered +the crystal cage and sat down, placing +his hands on the wheel.</p> + +<p>"Good luck," the Speaker said.</p> + +<p>"We'll be awaiting the outcome. +There's some philosophical doubt +as to whether one can alter the +past. This should answer the question +once and for all."</p> + +<p>Conger fingered the controls of +the cage.</p> + +<p>"By the way," the Speaker said. +"Don't try to use this cage for purposes +not anticipated in your job. +We have a constant trace on it. If +we want it back, we can get it back. +Good luck."</p> + +<p>Conger said nothing. The cage +was sealed. He raised his finger and +touched the wheel control. He +turned the wheel carefully.</p> + +<p>He was still staring at the plastic +bag when the room outside vanished.</p> + +<p>For a long time there was nothing +at all. Nothing beyond the crystal +mesh of the cage. Thoughts rushed +through Conger's mind, helter-skelter. +How would he know the +man? How could he be certain, in +advance? What had he looked like? +What was his name? How had he +acted, before he spoke? Would he +be an ordinary person, or some +strange outlandish crank?</p> + +<p>Conger picked up the Slem-gun +and held it against his cheek. The +metal of the gun was cool and +smooth. He practiced moving the +sight. It was a beautiful gun, the +kind of gun he could fall in love +with. If he had owned such a gun +in the Martian desert—on the long +nights when he had lain, cramped +and numbed with cold, waiting for +things that moved through the +darkness—</p> + +<p>He put the gun down and adjusted +the meter readings of the +cage. The spiraling mist was beginning +to condense and settle. All at +once forms wavered and fluttered +around him.</p> + +<p>Colors, sounds, movements filtered +through the crystal wire. He +clamped the controls off and stood +up.</p> + +<hr /> + +<p class="cap"><span class="dcap">He</span> was on a ridge overlooking +a small town. It was high +noon. The air was crisp and bright. +A few automobiles moved along a +road. Off in the distance were some +level fields. Conger went to the door +and stepped outside. He sniffed the +air. Then he went back into the +cage.</p> + +<p>He stood before the mirror over +the shelf, examining his features. +He had trimmed his beard—they +had not got him to cut it off—and +his hair was neat. He was dressed in +the clothing of the middle-twentieth +century, the odd collar and +coat, the shoes of animal hide. In +his pocket was money of the times. +That was important. Nothing more +was needed.</p> + +<p>Nothing, except his ability, his +special cunning. But he had never +used it in such a way before.</p> + +<p>He walked down the road toward +the town.</p> + +<p>The first things he noticed were +the newspapers on the stands. +April 5, 1961. He was not too far +off. He looked around him. There +was a filling station, a garage, some +taverns, and a ten-cent store. Down +the street was a grocery store and +some public buildings.</p> + +<p>A few minutes later he mounted +the stairs of the little public library +and passed through the doors into +the warm interior.</p> + +<p>The librarian looked up, smiling.</p> + +<p>"Good afternoon," she said.</p> + +<p>He smiled, not speaking because +his words would not be correct; accented +and strange, probably. He +went over to a table and sat down +by a heap of magazines. For a moment +he glanced through them. +Then he was on his feet again. He +crossed the room to a wide rack +against the wall. His heart began +to beat heavily.</p> + +<p>Newspapers—weeks on end. He +took a roll of them over to the table +and began to scan them quickly. +The print was odd, the letters +strange. Some of the words were +unfamiliar.</p> + +<p>He set the papers aside and +searched farther. At last he found +what he wanted. He carried the +<i>Cherrywood Gazette</i> to the table +and opened it to the first page. He +found what he wanted:</p> + +<div class="bq"><p class="center">PRISONER HANGS SELF</p> + +<p>An unidentified man, held +by the county sheriff's office for +suspicion of criminal syndicalism, +was found dead this +morning, by—</p></div> + +<p>He finished the item. It was +vague, uninforming. He needed +more. He carried the <i>Gazette</i> back +to the racks and then, after a moment's +hesitation, approached the +librarian.</p> + +<p>"More?" he asked. "More papers. +Old ones?"</p> + +<p>She frowned. "How old? Which +papers?"</p> + +<p>"Months old. And—before."</p> + +<p>"Of the <i>Gazette</i>? This is all we +have. What did you want? What +are you looking for? Maybe I can +help you."</p> + +<p>He was silent.</p> + +<p>"You might find older issues at +the <i>Gazette</i> office," the woman +said, taking off her glasses. "Why +don't you try there? But if you'd +tell me, maybe I could help you—"</p> + +<p>He went out.</p> + +<p>The <i>Gazette</i> office was down a +side street; the sidewalk was broken +and cracked. He went inside. A +heater glowed in the corner of the +small office. A heavy-set man stood +up and came slowly over to the +counter.</p> + +<p>"What did you want, mister?" +he said.</p> + +<p>"Old papers. A month. Or +more."</p> + +<p>"To buy? You want to buy +them?"</p> + +<p>"Yes." He held out some of the +money he had. The man stared.</p> + +<p>"Sure," he said. "Sure. Wait a +minute." He went quickly out of +the room. When he came back he +was staggering under the weight of +his armload, his face red. "Here +are some," he grunted. "Took what +I could find. Covers the whole +year. And if you want more—"</p> + +<p>Conger carried the papers outside. +He sat down by the road and +began to go through them.</p> + +<hr /> + +<p class="cap"><span class="dcap">What</span> he wanted was four +months back, in December. +It was a tiny item, so small that he +almost missed it. His hands trembled +as he scanned it, using the +small dictionary for some of the +archaic terms.</p> + +<div class="bq"><p class="center">MAN ARRESTED FOR +UNLICENSED +DEMONSTRATION</p> + +<p>An unidentified man who +refused to give his name was +picked up in Cooper Creek by +special agents of the sheriff's +office, according to Sheriff +Duff. It was said the man was +recently noticed in this area +and had been watched continually. +It was—</p></div> + +<p>Cooper Creek. December, 1960. +His heart pounded. That was all he +needed to know. He stood up, shaking +himself, stamping his feet on +the cold ground. The sun had +moved across the sky to the very +edge of the hills. He smiled. Already +he had discovered the exact +time and place. Now he needed +only to go back, perhaps to November, +to Cooper Creek—</p> + +<p>He walked back through the +main section of town, past the library, +past the grocery store. It +would not be hard; the hard part +was over. He would go there; rent +a room, prepare to wait until the +man appeared.</p> + +<p>He turned the corner. A woman +was coming out of a doorway, +loaded down with packages. Conger +stepped aside to let her pass. +The woman glanced at him. Suddenly +her face turned white. She +stared, her mouth open.</p> + +<p>Conger hurried on. He looked +back. What was wrong with her? +The woman was still staring; she +had dropped the packages to the +ground. He increased his speed. He +turned a second corner and went +up a side street. When he looked +back again the woman had come to +the entrance of the street and was +starting after him. A man joined +her, and the two of them began to +run toward him.</p> + +<p>He lost them and left the town, +striding quickly, easily, up into the +hills at the edge of town. When +he reached the cage he stopped. +What had happened? Was it something +about his clothing? His dress?</p> + +<p>He pondered. Then, as the sun +set, he stepped into the cage.</p> + +<p>Conger sat before the wheel. For +a moment he waited, his hands +resting lightly on the control. Then +he turned the wheel, just a little, +following the control readings carefully.</p> + +<p>The grayness settled down +around him.</p> + +<p>But not for very long.</p> + +<hr /> + +<p class="cap"><span class="dcap">The</span> man looked him over critically. +"You better come inside," +he said. "Out of the cold."</p> + +<p>"Thanks." Conger went gratefully +through the open door, into the +living-room. It was warm and close +from the heat of the little kerosene +heater in the corner. A woman, +large and shapeless in her flowered +dress, came from the kitchen. She +and the man studied him critically.</p> + +<p>"It's a good room," the woman +said. "I'm Mrs. Appleton. It's got +heat. You need that this time of +year."</p> + +<p>"Yes." He nodded, looking +around.</p> + +<p>"You want to eat with us?"</p> + +<p>"What?"</p> + +<p>"You want to eat with us?" The +man's brows knitted. "You're not a +foreigner, are you, mister?"</p> + +<p>"No." He smiled. "I was born in +this country. Quite far west, +though."</p> + +<p>"California?"</p> + +<p>"No." He hesitated. "In Oregon."</p> + +<p>"What's it like up there?" Mrs. +Appleton asked. "I hear there's a +lot of trees and green. It's so barren +here. I come from Chicago, myself."</p> + +<p>"That's the Middle West," the +man said to her. "You ain't no foreigner."</p> + +<p>"Oregon isn't foreign, either," +Conger said. "It's part of the United +States."</p> + +<p>The man nodded absently. He +was staring at Conger's clothing.</p> + +<p>"That's a funny suit you got on, +mister," he said. "Where'd you get +that?"</p> + +<p>Conger was lost. He shifted uneasily. +"It's a good suit," he said. +"Maybe I better go some other +place, if you don't want me here."</p> + +<p>They both raised their hands protestingly. +The woman smiled at him. +"We just have to look out for those +Reds. You know, the government +is always warning us about them."</p> + +<p>"The Reds?" He was puzzled.</p> + +<p>"The government says they're all +around. We're supposed to report +anything strange or unusual, anybody +doesn't act normal."</p> + +<p>"Like me?"</p> + +<p>They looked embarrassed. "Well, +you don't look like a Red to me," +the man said. "But we have to be +careful. The <i>Tribune</i> says—"</p> + +<p>Conger half listened. It was going +to be easier than he had thought. +Clearly, he would know as soon as +the Founder appeared. These people, +so suspicious of anything different, +would be buzzing and gossiping +and spreading the story. All he had +to do was lie low and listen, down +at the general store, perhaps. Or +even here, in Mrs. Appleton's +boarding house.</p> + +<p>"Can I see the room?" he said.</p> + +<p>"Certainly." Mrs. Appleton went +to the stairs. "I'll be glad to show +it to you."</p> + +<p>They went upstairs. It was colder +upstairs, but not nearly as cold as +outside. Nor as cold as nights on +the Martian deserts. For that he was +grateful.</p> + +<hr /> + +<p class="cap"><span class="dcap">He</span> was walking slowly around +the store, looking at the cans of +vegetables, the frozen packages of +fish and meats shining and clean in +the open refrigerator counters.</p> + +<p>Ed Davies came toward him. +"Can I help you?" he said. The man +was a little oddly dressed, and with +a beard! Ed couldn't help smiling.</p> + +<p>"Nothing," the man said in a +funny voice. "Just looking."</p> + +<p>"Sure," Ed said. He walked back +behind the counter. Mrs. Hacket +was wheeling her cart up.</p> + +<p>"Who's he?" she whispered, her +sharp face turned, her nose moving, +as if it were sniffing. "I never seen +him before."</p> + +<p>"I don't know."</p> + +<p>"Looks funny to me. Why does +he wear a beard? No one else wears +a beard. Must be something the +matter with him."</p> + +<p>"Maybe he likes to wear a beard. +I had an uncle who—"</p> + +<p>"Wait." Mrs. Hacket stiffened. +"Didn't that—what was his name? +The Red—that old one. Didn't he +have a beard? Marx. He had a +beard."</p> + +<p>Ed laughed. "This ain't Karl +Marx. I saw a photograph of him +once."</p> + +<p>Mrs. Hacket was staring at him. +"You did?"</p> + +<p>"Sure." He flushed a little. +"What's the matter with that?"</p> + +<p>"I'd sure like to know more about +him," Mrs. Hacket said. "I think +we ought to know more, for our +own good."</p> + +<hr /> + +<p class="cap"><span class="dcap">"Hey</span>, mister! Want a +ride?"</p> + +<p>Conger turned quickly, dropping +his hand to his belt. He relaxed. +Two young kids in a car, a girl and +a boy. He smiled at them. "A ride? +Sure."</p> + +<p>Conger got into the car and +closed the door. Bill Willet pushed +the gas and the car roared down +the highway.</p> + +<p>"I appreciate a ride," Conger +said carefully. "I was taking a walk +between towns, but it was farther +than I thought."</p> + +<p>"Where are you from?" Lora +Hunt asked. She was pretty, small +and dark, in her yellow sweater and +blue skirt.</p> + +<p>"From Cooper Creek."</p> + +<p>"Cooper Creek?" Bill said. He +frowned. "That's funny. I don't remember +seeing you before."</p> + +<p>"Why, do you come from there?"</p> + +<p>"I was born there. I know everybody +there."</p> + +<p>"I just moved in. From Oregon."</p> + +<p>"From Oregon? I didn't know +Oregon people had accents."</p> + +<p>"Do I have an accent?"</p> + +<p>"You use words funny."</p> + +<p>"How?"</p> + +<p>"I don't know. Doesn't he, +Lora?"</p> + +<p>"You slur them," Lora said, smiling. +"Talk some more. I'm interested +in dialects." She glanced at +him, white-teethed. Conger felt his +heart constrict.</p> + +<p>"I have a speech impediment."</p> + +<p>"Oh." Her eyes widened. "I'm +sorry."</p> + +<p>They looked at him curiously as +the car purred along. Conger for his +part was struggling to find some way +of asking them questions without +seeming curious. "I guess people +from out of town don't come here +much," he said. "Strangers."</p> + +<p>"No." Bill shook his head. "Not +very much."</p> + +<p>"I'll bet I'm the first outsider for +a long time."</p> + +<p>"I guess so."</p> + +<p>Conger hesitated. "A friend of +mine—someone I know, might be +coming through here. Where do +you suppose I might—" He stopped. +"Would there be anyone certain to +see him? Someone I could ask, +make sure I don't miss him if he +comes?"</p> + +<p>They were puzzled. "Just keep +your eyes open. Cooper Creek isn't +very big."</p> + +<p>"No. That's right."</p> + +<p>They drove in silence. Conger +studied the outline of the girl. Probably +she was the boy's mistress. Perhaps +she was his trial wife. Or had +they developed trial marriage back +so far? He could not remember. +But surely such an attractive girl +would be someone's mistress by +this time; she would be sixteen or +so, by her looks. He might ask her +sometime, if they ever met again.</p> + +<hr /> + +<p class="cap"><span class="dcap">The</span> next day Conger went +walking along the one main +street of Cooper Creek. He passed +the general store, the two filling stations, +and then the post office. At +the corner was the soda fountain.</p> + +<p>He stopped. Lora was sitting inside, +talking to the clerk. She was +laughing, rocking back and forth.</p> + +<p>Conger pushed the door open. +Warm air rushed around him. Lora +was drinking hot chocolate, with +whipped cream. She looked up in +surprise as he slid into the seat beside +her.</p> + +<p>"I beg your pardon," he said. +"Am I intruding?"</p> + +<p>"No." She shook her head. Her +eyes were large and dark. "Not at +all."</p> + +<p>The clerk came over. "What do +you want?"</p> + +<p>Conger looked at the chocolate. +"Same as she has."</p> + +<p>Lora was watching Conger, her +arms folded, elbows on the counter. +She smiled at him. "By the way. +You don't know my name. Lora +Hunt."</p> + +<p>She was holding out her hand. +He took it awkwardly, not knowing +what to do with it. "Conger is my +name," he murmured.</p> + +<p>"Conger? Is that your last or first +name?"</p> + +<p>"Last or first?" He hesitated. +"Last. Omar Conger."</p> + +<p>"Omar?" She laughed. "That's +like the poet, Omar Khayyam."</p> + +<p>"I don't know of him. I know +very little of poets. We restored +very few works of art. Usually only +the Church has been interested +enough—" He broke off. She was +staring. He flushed. "Where I +come from," he finished.</p> + +<p>"The Church? Which church do +you mean?"</p> + +<p>"The Church." He was confused. +The chocolate came and he began +to sip it gratefully. Lora was still +watching him.</p> + +<p>"You're an unusual person," she +said. "Bill didn't like you, but he +never likes anything different. He's +so—so prosaic. Don't you think +that when a person gets older he +should become—broadened in his +outlook?"</p> + +<p>Conger nodded.</p> + +<p>"He says foreign people ought +to stay where they belong, not come +here. But you're not so foreign. He +means orientals; you know."</p> + +<p>Conger nodded.</p> + +<p>The screen door opened behind +them. Bill came into the room. He +stared at them. "Well," he said.</p> + +<p>Conger turned. "Hello."</p> + +<p>"Well." Bill sat down. "Hello, +Lora." He was looking at Conger. +"I didn't expect to see you here."</p> + +<p>Conger tensed. He could feel the +hostility of the boy. "Something +wrong with that?"</p> + +<p>"No. Nothing wrong with it."</p> + +<p>There was silence. Suddenly Bill +turned to Lora. "Come on. Let's +go."</p> + +<p>"Go?" She was astonished. +"Why?"</p> + +<p>"Just go!" He grabbed her hand. +"Come on! The car's outside."</p> + +<p>"Why, Bill Willet," Lora said. +"You're jealous!"</p> + +<p>"Who is this guy?" Bill said. "Do +you know anything about him? +Look at him, his beard—"</p> + +<p>She flared. "So what? Just because +he doesn't drive a Packard +and go to Cooper High!"</p> + +<p>Conger sized the boy up. He was +big—big and strong. Probably he +was part of some civil control organization.</p> + +<p>"Sorry," Conger said. "I'll go."</p> + +<p>"What's your business in town?" +Bill asked. "What are you doing +here? Why are you hanging around +Lora?"</p> + +<p>Conger looked at the girl. He +shrugged. "No reason. I'll see you +later."</p> + +<p>He turned away. And froze. Bill +had moved. Conger's fingers went +to his belt. <i>Half pressure</i>, he whispered +to himself. <i>No more. Half +pressure.</i></p> + +<p>He squeezed. The room leaped +around him. He himself was protected +by the lining of his clothing, +the plastic sheathing inside.</p> + +<p>"My God—" Lora put her hands +up. Conger cursed. He hadn't +meant any of it for her. But it would +wear off. There was only a half-amp +to it. It would tingle.</p> + +<p>Tingle, and paralyze.</p> + +<p>He walked out the door without +looking back. He was almost to the +corner when Bill came slowly out, +holding onto the wall like a drunken +man. Conger went on.</p> + +<hr /> + +<p class="cap"><span class="dcap">As</span> Conger walked, restless, in +the night, a form loomed in +front of him. He stopped, holding +his breath.</p> + +<p>"Who is it?" a man's voice came. +Conger waited, tense.</p> + +<p>"Who is it?" the man said again. +He clicked something in his hand. +A light flashed. Conger moved.</p> + +<p>"It's me," he said.</p> + +<p>"Who is 'me'?"</p> + +<p>"Conger is my name. I'm staying +at the Appleton's place. Who are +you?"</p> + +<p>The man came slowly up to him. +He was wearing a leather jacket. +There was a gun at his waist.</p> + +<p>"I'm Sheriff Duff. I think you're +the person I want to talk to. You +were in Bloom's today, about three +o'clock?"</p> + +<p>"Bloom's?"</p> + +<p>"The fountain. Where the kids +hang out." Duff came up beside +him, shining his light into Conger's +face. Conger blinked.</p> + +<p>"Turn that thing away," he said.</p> + +<p>A pause. "All right." The light +flickered to the ground. "You were +there. Some trouble broke out between +you and the Willet boy. Is +that right? You had a beef over his +girl—"</p> + +<p>"We had a discussion," Conger +said carefully.</p> + +<p>"Then what happened?"</p> + +<p>"Why?"</p> + +<p>"I'm just curious. They say you +did something."</p> + +<p>"Did something? Did what?"</p> + +<p>"I don't know. That's what I'm +wondering. They saw a flash, and +something seemed to happen. They +all blacked out. Couldn't move."</p> + +<p>"How are they now?"</p> + +<p>"All right."</p> + +<p>There was silence.</p> + +<p>"Well?" Duff said. "What was +it? A bomb?"</p> + +<p>"A bomb?" Conger laughed. +"No. My cigarette lighter caught +fire. There was a leak, and the fluid +ignited."</p> + +<p>"Why did they all pass out?"</p> + +<p>"Fumes."</p> + +<p>Silence. Conger shifted, waiting. +His fingers moved slowly toward his +belt. The Sheriff glanced down. He +grunted.</p> + +<p>"If you say so," he said. "Anyhow, +there wasn't any real harm +done." He stepped back from Conger. +"And that Willet is a trouble-maker."</p> + +<p>"Good night, then," Conger said. +He started past the Sheriff.</p> + +<p>"One more thing, Mr. Conger. +Before you go. You don't mind if I +look at your identification, do you?"</p> + +<p>"No. Not at all." Conger reached +into his pocket. He held his wallet +out. The Sheriff took it and shined +his flashlight on it. Conger watched, +breathing shallowly. They had +worked hard on the wallet, studying +historic documents, relics of the +times, all the papers they felt would +be relevant.</p> + +<p>Duff handed it back. "Okay. Sorry +to bother you." The light winked +off.</p> + +<p>When Conger reached the house +he found the Appletons sitting +around the television set. They did +not look up as he came in. He lingered +at the door.</p> + +<p>"Can I ask you something?" he +said. Mrs. Appleton turned slowly. +"Can I ask you—what's the date?"</p> + +<p>"The date?" She studied him. +"The first of December."</p> + +<p>"December first! Why, it was +just November!"</p> + +<p>They were all looking at him. +Suddenly he remembered. In the +twentieth century they still used the +old twelve-month system. November +fed directly into December; +there was no Quartember between.</p> + +<p>He gasped. Then it was tomorrow! +The second of December! +Tomorrow!</p> + +<p>"Thanks," he said. "Thanks."</p> + +<p>He went up the stairs. What a +fool he was, forgetting. The Founder +had been taken into captivity on +the second of December, according +to the newspaper records. Tomorrow, +only twelve hours hence, the +Founder would appear to speak to +the people and then be dragged +away.</p> + +<hr /> + +<p class="cap"><span class="dcap">The</span> day was warm and bright. +Conger's shoes crunched the +melting crust of snow. On he went, +through the trees heavy with white. +He climbed a hill and strode down +the other side, sliding as he went.</p> + +<p>He stopped to look around. Everything +was silent. There was no +one in sight. He brought a thin rod +from his waist and turned the handle +of it. For a moment nothing +happened. Then there was a shimmering +in the air.</p> + +<p>The crystal cage appeared and +settled slowly down. Conger sighed. +It was good to see it again. After +all, it was his only way back.</p> + +<p>He walked up on the ridge. He +looked around with some satisfaction, +his hands on his hips. Hudson's +field was spread out, all the +way to the beginning of town. It +was bare and flat, covered with a +thin layer of snow.</p> + +<p>Here, the Founder would come. +Here, he would speak to them. +And here the authorities would +take him.</p> + +<p>Only he would be dead before +they came. He would be dead before +he even spoke.</p> + +<p>Conger returned to the crystal +globe. He pushed through the door +and stepped inside. He took the +Slem-gun from the shelf and +screwed the bolt into place. It was +ready to go, ready to fire. For a moment +he considered. Should he have +it with him?</p> + +<p>No. It might be hours before the +Founder came, and suppose someone +approached him in the meantime? +When he saw the Founder +coming toward the field, then he +could go and get the gun.</p> + +<p>Conger looked toward the shelf. +There was the neat plastic package. +He took it down and unwrapped it.</p> + +<p>He held the skull in his hands, +turning it over. In spite of himself, +a cold feeling rushed through him. +This was the man's skull, the skull +of the Founder, who was still alive, +who would come here, this day, who +would stand on the field not fifty +yards away.</p> + +<p>What if <i>he</i> could see this, his +own skull, yellow and eroded? Two +centuries old. Would he still speak? +Would he speak, if he could see it, +the grinning, aged skull? What +would there be for him to say, to +tell the people? What message +could he bring?</p> + +<p>What action would not be futile, +when a man could look upon his +own aged, yellowed skull? Better +they should enjoy their temporary +lives, while they still had them to +enjoy.</p> + +<p>A man who could hold his own +skull in his hands would believe in +few causes, few movements. Rather, +he would preach the opposite—</p> + +<p>A sound. Conger dropped the +skull back on the shelf and took up +the gun. Outside something was +moving. He went quickly to the +door, his heart beating. Was it <i>he</i>? +Was it the Founder, wandering by +himself in the cold, looking for a +place to speak? Was he meditating +over his words, choosing his sentences?</p> + +<p>What if he could see what Conger +had held!</p> + +<p>He pushed the door open, the +gun raised.</p> + +<p>Lora!</p> + +<p>He stared at her. She was dressed +in a wool jacket and boots, her +hands in her pockets. A cloud of +steam came from her mouth and +nostrils. Her breast was rising and +falling.</p> + +<p>Silently, they looked at each +other. At last Conger lowered the +gun.</p> + +<p>"What is it?" he said. "What are +you doing here?"</p> + +<p>She pointed. She did not seem +able to speak. He frowned; what +was wrong with her?</p> + +<p>"What is it?" he said. "What do +you want?" He looked in the direction +she had pointed. "I don't see +anything."</p> + +<p>"They're coming."</p> + +<p>"They? Who? Who are coming?"</p> + +<p>"They are. The police. During +the night the Sheriff had the state +police send cars. All around, everywhere. +Blocking the roads. There's +about sixty of them coming. Some +from town, some around behind." +She stopped, gasping. "They said—they +said—"</p> + +<p>"What?"</p> + +<p>"They said you were some kind +of a Communist. They said—"</p> + +<hr /> + +<p class="cap"><span class="dcap">Conger</span> went into the cage. +He put the gun down on the +shelf and came back out. He leaped +down and went to the girl.</p> + +<p>"Thanks. You came here to tell +me? You don't believe it?"</p> + +<p>"I don't know."</p> + +<p>"Did you come alone?"</p> + +<p>"No. Joe brought me in his truck. +From town."</p> + +<p>"Joe? Who's he?"</p> + +<p>"Joe French. The plumber. He's +a friend of Dad's."</p> + +<p>"Let's go." They crossed the +snow, up the ridge and onto the +field. The little panel truck was +parked half way across the field. A +heavy short man was sitting behind +the wheel, smoking his pipe. He sat +up as he saw the two of them coming +toward him.</p> + +<p>"Are you the one?" he said to +Conger.</p> + +<p>"Yes. Thanks for warning me."</p> + +<p>The plumber shrugged. "I don't +know anything about this. Lora +says you're all right." He turned +around. "It might interest you to +know some more of them are coming. +Not to warn you—just +curious."</p> + +<p>"More of them?" Conger looked +toward the town. Black shapes were +picking their way across the snow.</p> + +<p>"People from the town. You can't +keep this sort of thing quiet, not in +a small town. We all listen to the +police radio; they heard the same +way Lora did. Someone tuned in, +spread it around—"</p> + +<p>The shapes were getting closer. +Conger could, make out a couple of +them. Bill Willet was there, with +some boys from the high school. +The Appletons were along, hanging +back in the rear.</p> + +<p>"Even Ed Davies," Conger murmured.</p> + +<p>The storekeeper was toiling onto +the field, with three or four other +men from the town.</p> + +<p>"All curious as hell," French +said. "Well, I guess I'm going back +to town. I don't want my truck shot +full of holes. Come on, Lora."</p> + +<p>She was looking up at Conger, +wide-eyed.</p> + +<p>"Come on," French said again. +"Let's go. You sure as hell can't +stay here, you know."</p> + +<p>"Why?"</p> + +<p>"There may be shooting. That's +what they all came to see. You +know that don't you, Conger?"</p> + +<p>"Yes."</p> + +<p>"You have a gun? Or don't you +care?" French smiled a little. +"They've picked up a lot of people +in their time, you know. You won't +be lonely."</p> + +<p>He cared, all right! He had to +stay here, on the field. He couldn't +afford to let them take him away. +Any minute the Founder would appear, +would step onto the field. +Would he be one of the townsmen, +standing silently at the foot of the +field, waiting, watching?</p> + +<p>Or maybe he was Joe French. Or +maybe one of the cops. Anyone of +them might find himself moved to +speak. And the few words spoken +this day were going to be important +for a long time.</p> + +<p>And Conger had to be there, +ready when the first word was +uttered!</p> + +<p>"I care," he said. "You go on +back to town. Take the girl with +you."</p> + +<p>Lora got stiffly in beside Joe +French. The plumber started up +the motor. "Look at them, standing +there," he said. "Like vultures. +Waiting to see someone get +killed."</p> + +<hr /> + +<p class="cap"><span class="dcap">The</span> truck drove away, Lora sitting +stiff and silent, frightened +now. Conger watched for a moment. +Then he dashed back into the +woods, between the trees, toward +the ridge.</p> + +<p>He could get away, of course. +Anytime he wanted to he could get +away. All he had to do was to leap +into the crystal cage and turn the +handles. But he had a job, an important +job. He had to be here, +here at this place, at this time.</p> + +<p>He reached the cage and opened +the door. He went inside and +picked up the gun from the shelf. +The Slem-gun would take care of +them. He notched it up to full +count. The chain reaction from it +would flatten them all, the police, +the curious, sadistic people—</p> + +<p>They wouldn't take him! Before +they got him, all of them +would be dead. <i>He</i> would get away. +He would escape. By the end of the +day they would all be dead, if that +was what they wanted, and he—</p> + +<p>He saw the skull.</p> + +<p>Suddenly he put the gun down. +He picked up the skull. He turned +the skull over. He looked at the +teeth. Then he went to the mirror.</p> + +<p>He held the skull up, looking in +the mirror. He pressed the skull +against his cheek. Beside his own +face the grinning skull leered back +at him, beside <i>his</i> skull, against his +living flesh.</p> + +<p>He bared his teeth. And he knew.</p> + +<p>It was his own skull that he held. +He was the one who would die. He +was the Founder.</p> + +<p>After a time he put the skull +down. For a few minutes he stood +at the controls, playing with them +idly. He could hear the sound of +motors outside, the muffled noise of +men. Should he go back to the present, +where the Speaker waited? He +could escape, of course—</p> + +<p>Escape?</p> + +<p>He turned toward the skull. +There it was, his skull, yellow with +age. Escape? Escape, when he had +held it in his own hands?</p> + +<p>What did it matter if he put it +off a month, a year, ten years, even +fifty? Time was nothing. He had +sipped chocolate with a girl born a +hundred and fifty years before his +time. Escape? For a little while, +perhaps.</p> + +<p>But he could not <i>really</i> escape, +no more so than anyone else had +ever escaped, or ever would.</p> + +<p>Only, he had held it in his hands, +his own bones, his own death's-head.</p> + +<p><i>They</i> had not.</p> + +<p>He went out the door and across +the field, empty handed. There +were a lot of them standing around, +gathered together, waiting. They +expected a good fight; they knew +he had something. They had heard +about the incident at the fountain.</p> + +<p>And there were plenty of police—police +with guns and tear gas, creeping +across the hills and ridges, between +the trees, closer and closer. It +was an old story, in this century.</p> + +<p>One of the men tossed something +at him. It fell in the snow by his +feet, and he looked down. It was a +rock. He smiled.</p> + +<p>"Come on!" one of them called. +"Don't you have any bombs?"</p> + +<p>"Throw a bomb! You with the +beard! Throw a bomb!"</p> + +<p>"Let 'em have it!"</p> + +<p>"Toss a few A Bombs!"</p> + +<hr /> + +<p class="cap"><span class="dcap">They</span> began to laugh. He smiled. +He put his hands to his hips. +They suddenly turned silent, seeing +that he was going to speak.</p> + +<p>"I'm sorry," he said simply. "I +don't have any bombs. You're mistaken."</p> + +<p>There was a flurry of murmuring.</p> + +<p>"I have a gun," he went on. "A +very good one. Made by science +even more advanced than your +own. But I'm not going to use that, +either."</p> + +<p>They were puzzled.</p> + +<p>"Why not?" someone called. At +the edge of the group an older +woman was watching. He felt a +sudden shock. He had seen her before. +Where?</p> + +<p>He remembered. The day at the +library. As he had turned the corner +he had seen her. She had noticed +him and been astounded. At the +time, he did not understand why.</p> + +<p>Conger grinned. So he <i>would</i> +escape death, the man who right +now was voluntarily accepting it. +They were laughing, laughing at a +man who had a gun but didn't use +it. But by a strange twist of science +he would appear again, a few +months later, after his bones had +been buried under the floor of a +jail.</p> + +<p>And so, in a fashion, he would +escape death. He would die, but +then, after a period of months, he +would live again, briefly, for an +afternoon.</p> + +<p>An afternoon. Yet long enough +for them to see him, to understand +that he was still alive. To know that +somehow he had returned to life.</p> + +<p>And then, finally, he would appear +once more, after two hundred +years had passed. Two centuries +later.</p> + +<p>He would be born again, born, as +a matter of fact, in a small trading +village on Mars. He would grow up, +learning to hunt and trade—</p> + +<p>A police car came on the edge of +the field and stopped. The people +retreated a little. Conger raised his +hands.</p> + +<p>"I have an odd paradox for you," +he said. "Those who take lives will +lose their own. Those who kill, will +die. But he who gives his own life +away will live again!"</p> + +<p>They laughed, faintly, nervously. +The police were coming out, walking +toward him. He smiled. He had +said everything he intended to say. +It was a good little paradox he had +coined. They would puzzle over it, +remember it.</p> + +<p class="pr1">Smiling, Conger awaited a death +foreordained.</p> + +<p class="center">THE END</p> + +<div class="trn"><div class="figt"><a href="images/001-2.jpg"><img src="images/001-1.jpg" width="137" height="200" alt="" title="" /></a></div> + +<p><big><b>Transcriber's Note:</b></big></p> + +<p>This etext was produced from <i>If Worlds of Science Fiction</i> September 1952. +Extensive research did not uncover any evidence that the U.S. +copyright on this publication was renewed. Minor spelling and +typographical errors have been corrected without note.</p></div> + +<div>*** END OF THE PROJECT GUTENBERG EBOOK 30255 ***</div> +</body> +</html> diff --git a/30255-h/images/001-1.jpg b/30255-h/images/001-1.jpg Binary files differnew file mode 100644 index 0000000..e87a8b8 --- /dev/null +++ b/30255-h/images/001-1.jpg diff --git a/30255-h/images/001-2.jpg b/30255-h/images/001-2.jpg Binary files differnew file mode 100644 index 0000000..3b603f7 --- /dev/null +++ b/30255-h/images/001-2.jpg diff --git a/30255.txt b/30255.txt new file mode 100644 index 0000000..94d136a --- /dev/null +++ b/30255.txt @@ -0,0 +1,1600 @@ +The Project Gutenberg EBook of The Skull, by Philip K. Dick + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: The Skull + +Author: Philip K. Dick + +Release Date: October 14, 2009 [EBook #30255] + +Language: English + +Character set encoding: ASCII + +*** START OF THIS PROJECT GUTENBERG EBOOK THE SKULL *** + + + + +Produced by Greg Weeks, Stephen Blundell and the Online +Distributed Proofreading Team at https://www.pgdp.net + + + + + + + + + + _Conger agreed to kill a stranger he had + never seen. But he would make no mistakes + because he had the stranger's skull under + his arm._ + + + THE + SKULL + + By Philip K. Dick + + +"What is this opportunity?" Conger asked. "Go on. I'm interested." + +The room was silent; all faces were fixed on Conger--still in the drab +prison uniform. The Speaker leaned forward slowly. + +"Before you went to prison your trading business was paying well--all +illegal--all very profitable. Now you have nothing, except the prospect +of another six years in a cell." + +Conger scowled. + +"There is a certain situation, very important to this Council, that +requires your peculiar abilities. Also, it is a situation you might find +interesting. You were a hunter, were you not? You've done a great deal +of trapping, hiding in the bushes, waiting at night for the game? I +imagine hunting must be a source of satisfaction to you, the chase, the +stalking--" + +Conger sighed. His lips twisted. "All right," he said. "Leave that out. +Get to the point. Who do you want me to kill?" + +The Speaker smiled. "All in proper sequence," he said softly. + + * * * * * + +The car slid to a stop. It was night; there was no light anywhere along +the street. Conger looked out. "Where are we? What is this place?" + +The hand of the guard pressed into his arm. "Come. Through that door." + +Conger stepped down, onto the damp sidewalk. The guard came swiftly +after him, and then the Speaker. Conger took a deep breath of the cold +air. He studied the dim outline of the building rising up before them. + +"I know this place. I've seen it before." He squinted, his eyes growing +accustomed to the dark. Suddenly he became alert. "This is--" + +"Yes. The First Church." The Speaker walked toward the steps. "We're +expected." + +"Expected? _Here?_" + +"Yes." The Speaker mounted the stairs. "You know we're not allowed in +their Churches, especially with guns!" He stopped. Two armed soldiers +loomed up ahead, one on each side. + +"All right?" The Speaker looked up at them. They nodded. The door of the +Church was open. Conger could see other soldiers inside, standing about, +young soldiers with large eyes, gazing at the ikons and holy images. + +"I see," he said. + +"It was necessary," the Speaker said. "As you know, we have been +singularly unfortunate in the past in our relations with the First +Church." + +"This won't help." + +"But it's worth it. You will see." + + * * * * * + +They passed through the hall and into the main chamber where the altar +piece was, and the kneeling places. The Speaker scarcely glanced at the +altar as they passed by. He pushed open a small side door and beckoned +Conger through. + +"In here. We have to hurry. The faithful will be flocking in soon." + +Conger entered, blinking. They were in a small chamber, low-ceilinged, +with dark panels of old wood. There was a smell of ashes and smoldering +spices in the room. He sniffed. "What's that? The smell." + +"Cups on the wall. I don't know." The Speaker crossed impatiently to the +far side. "According to our information, it is hidden here by this--" + +Conger looked around the room. He saw books and papers, holy signs and +images. A strange low shiver went through him. + +"Does my job involve anyone of the Church? If it does--" + +The Speaker turned, astonished. "Can it be that you believe in the +Founder? Is it possible, a hunter, a killer--" + +"No. Of course not. All their business about resignation to death, +non-violence--" + +"What is it, then?" + +Conger shrugged. "I've been taught not to mix with such as these. They +have strange abilities. And you can't reason with them." + +The Speaker studied Conger thoughtfully. "You have the wrong idea. It is +no one here that we have in mind. We've found that killing them only +tends to increase their numbers." + +"Then why come here? Let's leave." + +"No. We came for something important. Something you will need to +identify your man. Without it you won't be able to find him." A trace +of a smile crossed the Speaker's face. "We don't want you to kill the +wrong person. It's too important." + +"I don't make mistakes." Conger's chest rose. "Listen, Speaker--" + +"This is an unusual situation," the Speaker said. "You see, the person +you are after--the person that we are sending you to find--is known only +by certain objects here. They are the only traces, the only means of +identification. Without them--" + +"What are they?" + +He came toward the Speaker. The Speaker moved to one side. "Look," he +said. He drew a sliding wall away, showing a dark square hole. "In +there." + +Conger squatted down, staring in. He frowned. "A skull! A skeleton!" + +"The man you are after has been dead for two centuries," the Speaker +said. "This is all that remains of him. And this is all you have with +which to find him." + +For a long time Conger said nothing. He stared down at the bones, dimly +visible in the recess of the wall. How could a man dead centuries be +killed? How could he be stalked, brought down? + +Conger was a hunter, a man who had lived as he pleased, where he +pleased. He had kept himself alive by trading, bringing furs and pelts +in from the Provinces on his own ship, riding at high speed, slipping +through the customs line around Earth. + +He had hunted in the great mountains of the moon. He had stalked through +empty Martian cities. He had explored-- + +The Speaker said, "Soldier, take these objects and have them carried to +the car. Don't lose any part of them." + +The soldier went into the cupboard, reaching gingerly, squatting on his +heels. + +"It is my hope," the Speaker continued softly, to Conger, "that you will +demonstrate your loyalty to us, now. There are always ways for citizens +to restore themselves, to show their devotion to their society. For you +I think this would be a very good chance. I seriously doubt that a +better one will come. And for your efforts there will be quite a +restitution, of course." + +The two men looked at each other; Conger, thin, unkempt, the Speaker +immaculate in his uniform. + +"I understand you," Conger said. "I mean, I understand this part, about +the chance. But how can a man who has been dead two centuries be--" + +"I'll explain later," the Speaker said. "Right now we have to hurry!" +The soldier had gone out with the bones, wrapped in a blanket held +carefully in his arms. The Speaker walked to the door. "Come. They've +already discovered that we've broken in here, and they'll be coming at +any moment." + +They hurried down the damp steps to the waiting car. A second later the +driver lifted the car up into the air, above the house-tops. + + * * * * * + +The Speaker settled back in the seat. + +"The First Church has an interesting past," he said. "I suppose you are +familiar with it, but I'd like to speak of a few points that are of +relevancy to us. + +"It was in the twentieth century that the Movement began--during one of +the periodic wars. The Movement developed rapidly, feeding on the +general sense of futility, the realization that each war was breeding +greater war, with no end in sight. The Movement posed a simple answer to +the problem: Without military preparations--weapons--there could be no +war. And without machinery and complex scientific technocracy there +could be no weapons. + +"The Movement preached that you couldn't stop war by planning for it. +They preached that man was losing to his machinery and science, that it +was getting away from him, pushing him into greater and greater wars. +Down with society, they shouted. Down with factories and science! A few +more wars and there wouldn't be much left of the world. + +"The Founder was an obscure person from a small town in the American +Middle West. We don't even know his name. All we know is that one day he +appeared, preaching a doctrine of non-violence, non-resistance; no +fighting, no paying taxes for guns, no research except for medicine. +Live out your life quietly, tending your garden, staying out of public +affairs; mind your own business. Be obscure, unknown, poor. Give away +most of your possessions, leave the city. At least that was what +developed from what he told the people." + +The car dropped down and landed on a roof. + +"The Founder preached this doctrine, or the germ of it; there's no +telling how much the faithful have added themselves. The local +authorities picked him up at once, of course. Apparently they were +convinced that he meant it; he was never released. He was put to death, +and his body buried secretly. It seemed that the cult was finished." + +The Speaker smiled. "Unfortunately, some of his disciples reported +seeing him after the date of his death. The rumor spread; he had +conquered death, he was divine. It took hold, grew. And here we are +today, with a First Church, obstructing all social progress, destroying +society, sowing the seeds of anarchy--" + +"But the wars," Conger said. "About them?" + +"The wars? Well, there were no more wars. It must be acknowledged that +the elimination of war was the direct result of non-violence practiced +on a general scale. But we can take a more objective view of war today. +What was so terrible about it? War had a profound selective value, +perfectly in accord with the teachings of Darwin and Mendel and others. +Without war the mass of useless, incompetent mankind, without training +or intelligence, is permitted to grow and expand unchecked. War acted to +reduce their numbers; like storms and earthquakes and droughts, it was +nature's way of eliminating the unfit. + +"Without war the lower elements of mankind have increased all out of +proportion. They threaten the educated few, those with scientific +knowledge and training, the ones equipped to direct society. They have +no regard for science or a scientific society, based on reason. And this +Movement seeks to aid and abet them. Only when scientists are in full +control can the--" + + * * * * * + +He looked at his watch and then kicked the car door open. "I'll tell you +the rest as we walk." + +They crossed the dark roof. "Doubtless you now know whom those bones +belonged to, who it is that we are after. He has been dead just two +centuries, now, this ignorant man from the Middle West, this Founder. +The tragedy is that the authorities of the time acted too slowly. They +allowed him to speak, to get his message across. He was allowed to +preach, to start his cult. And once such a thing is under way, there's +no stopping it. + +"But what if he had died before he preached? What if none of his +doctrines had ever been spoken? It took only a moment for him to utter +them, that we know. They say he spoke just once, just one time. _Then_ +the authorities came, taking him away. He offered no resistance; the +incident was small." + +The Speaker turned to Conger. + +"Small, but we're reaping the consequences of it today." + +They went inside the building. Inside, the soldiers had already laid out +the skeleton on a table. The soldiers stood around it, their young faces +intense. + +Conger went over to the table, pushing past them. He bent down, staring +at the bones. "So these are his remains," he murmured. "The Founder. The +Church has hidden them for two centuries." + +"Quite so," the Speaker said. "But now we have them. Come along down the +hall." + +They went across the room to a door. The Speaker pushed it open. +Technicians looked up. Conger saw machinery, whirring and turning; +benches and retorts. In the center of the room was a gleaming crystal +cage. + +The Speaker handed a Slem-gun to Conger. "The important thing to +remember is that the skull must be saved and brought back--for +comparison and proof. Aim low--at the chest." + +Conger weighed the gun in his hands. "It feels good," he said. "I know +this gun--that is, I've seen them before, but I never used one." + +The Speaker nodded. "You will be instructed on the use of the gun and +the operation of the cage. You will be given all data we have on the +time and location. The exact spot was a place called Hudson's field. +About 1960 in a small community outside Denver, Colorado. And don't +forget--the only means of identification you will have will be the +skull. There are visible characteristics of the front teeth, especially +the left incisor--" + +Conger listened absently. He was watching two men in white carefully +wrapping the skull in a plastic bag. They tied it and carried it into +the crystal cage. "And if I should make a mistake?" + +"Pick the wrong man? Then find the right one. Don't come back until you +succeed in reaching this Founder. And you can't wait for him to start +speaking; that's what we must avoid! You must act in advance. Take +chances; shoot as soon as you think you've found him. He'll be someone +unusual, probably a stranger in the area. Apparently he wasn't known." + +Conger listened dimly. + +"Do you think you have it all now?" the Speaker asked. + +"Yes. I think so." Conger entered the crystal cage and sat down, placing +his hands on the wheel. + +"Good luck," the Speaker said. + +"We'll be awaiting the outcome. There's some philosophical doubt as to +whether one can alter the past. This should answer the question once and +for all." + +Conger fingered the controls of the cage. + +"By the way," the Speaker said. "Don't try to use this cage for purposes +not anticipated in your job. We have a constant trace on it. If we want +it back, we can get it back. Good luck." + +Conger said nothing. The cage was sealed. He raised his finger and +touched the wheel control. He turned the wheel carefully. + +He was still staring at the plastic bag when the room outside vanished. + +For a long time there was nothing at all. Nothing beyond the crystal +mesh of the cage. Thoughts rushed through Conger's mind, helter-skelter. +How would he know the man? How could he be certain, in advance? What had +he looked like? What was his name? How had he acted, before he spoke? +Would he be an ordinary person, or some strange outlandish crank? + +Conger picked up the Slem-gun and held it against his cheek. The metal +of the gun was cool and smooth. He practiced moving the sight. It was a +beautiful gun, the kind of gun he could fall in love with. If he had +owned such a gun in the Martian desert--on the long nights when he had +lain, cramped and numbed with cold, waiting for things that moved +through the darkness-- + +He put the gun down and adjusted the meter readings of the cage. The +spiraling mist was beginning to condense and settle. All at once forms +wavered and fluttered around him. + +Colors, sounds, movements filtered through the crystal wire. He clamped +the controls off and stood up. + + * * * * * + +He was on a ridge overlooking a small town. It was high noon. The air +was crisp and bright. A few automobiles moved along a road. Off in the +distance were some level fields. Conger went to the door and stepped +outside. He sniffed the air. Then he went back into the cage. + +He stood before the mirror over the shelf, examining his features. He +had trimmed his beard--they had not got him to cut it off--and his hair +was neat. He was dressed in the clothing of the middle-twentieth +century, the odd collar and coat, the shoes of animal hide. In his +pocket was money of the times. That was important. Nothing more was +needed. + +Nothing, except his ability, his special cunning. But he had never used +it in such a way before. + +He walked down the road toward the town. + +The first things he noticed were the newspapers on the stands. April 5, +1961. He was not too far off. He looked around him. There was a filling +station, a garage, some taverns, and a ten-cent store. Down the street +was a grocery store and some public buildings. + +A few minutes later he mounted the stairs of the little public library +and passed through the doors into the warm interior. + +The librarian looked up, smiling. + +"Good afternoon," she said. + +He smiled, not speaking because his words would not be correct; accented +and strange, probably. He went over to a table and sat down by a heap of +magazines. For a moment he glanced through them. Then he was on his feet +again. He crossed the room to a wide rack against the wall. His heart +began to beat heavily. + +Newspapers--weeks on end. He took a roll of them over to the table and +began to scan them quickly. The print was odd, the letters strange. Some +of the words were unfamiliar. + +He set the papers aside and searched farther. At last he found what he +wanted. He carried the _Cherrywood Gazette_ to the table and opened it +to the first page. He found what he wanted: + + PRISONER HANGS SELF + + An unidentified man, held by the county sheriff's office for + suspicion of criminal syndicalism, was found dead this morning, by-- + +He finished the item. It was vague, uninforming. He needed more. He +carried the _Gazette_ back to the racks and then, after a moment's +hesitation, approached the librarian. + +"More?" he asked. "More papers. Old ones?" + +She frowned. "How old? Which papers?" + +"Months old. And--before." + +"Of the _Gazette_? This is all we have. What did you want? What are you +looking for? Maybe I can help you." + +He was silent. + +"You might find older issues at the _Gazette_ office," the woman said, +taking off her glasses. "Why don't you try there? But if you'd tell me, +maybe I could help you--" + +He went out. + +The _Gazette_ office was down a side street; the sidewalk was broken and +cracked. He went inside. A heater glowed in the corner of the small +office. A heavy-set man stood up and came slowly over to the counter. + +"What did you want, mister?" he said. + +"Old papers. A month. Or more." + +"To buy? You want to buy them?" + +"Yes." He held out some of the money he had. The man stared. + +"Sure," he said. "Sure. Wait a minute." He went quickly out of the room. +When he came back he was staggering under the weight of his armload, his +face red. "Here are some," he grunted. "Took what I could find. Covers +the whole year. And if you want more--" + +Conger carried the papers outside. He sat down by the road and began to +go through them. + + * * * * * + +What he wanted was four months back, in December. It was a tiny item, so +small that he almost missed it. His hands trembled as he scanned it, +using the small dictionary for some of the archaic terms. + + MAN ARRESTED FOR UNLICENSED DEMONSTRATION + + An unidentified man who refused to give his name was picked up in + Cooper Creek by special agents of the sheriff's office, according to + Sheriff Duff. It was said the man was recently noticed in this area + and had been watched continually. It was-- + +Cooper Creek. December, 1960. His heart pounded. That was all he needed +to know. He stood up, shaking himself, stamping his feet on the cold +ground. The sun had moved across the sky to the very edge of the hills. +He smiled. Already he had discovered the exact time and place. Now he +needed only to go back, perhaps to November, to Cooper Creek-- + +He walked back through the main section of town, past the library, past +the grocery store. It would not be hard; the hard part was over. He +would go there; rent a room, prepare to wait until the man appeared. + +He turned the corner. A woman was coming out of a doorway, loaded down +with packages. Conger stepped aside to let her pass. The woman glanced +at him. Suddenly her face turned white. She stared, her mouth open. + +Conger hurried on. He looked back. What was wrong with her? The woman +was still staring; she had dropped the packages to the ground. He +increased his speed. He turned a second corner and went up a side +street. When he looked back again the woman had come to the entrance of +the street and was starting after him. A man joined her, and the two of +them began to run toward him. + +He lost them and left the town, striding quickly, easily, up into the +hills at the edge of town. When he reached the cage he stopped. What had +happened? Was it something about his clothing? His dress? + +He pondered. Then, as the sun set, he stepped into the cage. + +Conger sat before the wheel. For a moment he waited, his hands resting +lightly on the control. Then he turned the wheel, just a little, +following the control readings carefully. + +The grayness settled down around him. + +But not for very long. + + * * * * * + +The man looked him over critically. "You better come inside," he said. +"Out of the cold." + +"Thanks." Conger went gratefully through the open door, into the +living-room. It was warm and close from the heat of the little kerosene +heater in the corner. A woman, large and shapeless in her flowered +dress, came from the kitchen. She and the man studied him critically. + +"It's a good room," the woman said. "I'm Mrs. Appleton. It's got heat. +You need that this time of year." + +"Yes." He nodded, looking around. + +"You want to eat with us?" + +"What?" + +"You want to eat with us?" The man's brows knitted. "You're not a +foreigner, are you, mister?" + +"No." He smiled. "I was born in this country. Quite far west, though." + +"California?" + +"No." He hesitated. "In Oregon." + +"What's it like up there?" Mrs. Appleton asked. "I hear there's a lot of +trees and green. It's so barren here. I come from Chicago, myself." + +"That's the Middle West," the man said to her. "You ain't no foreigner." + +"Oregon isn't foreign, either," Conger said. "It's part of the United +States." + +The man nodded absently. He was staring at Conger's clothing. + +"That's a funny suit you got on, mister," he said. "Where'd you get +that?" + +Conger was lost. He shifted uneasily. "It's a good suit," he said. +"Maybe I better go some other place, if you don't want me here." + +They both raised their hands protestingly. The woman smiled at him. "We +just have to look out for those Reds. You know, the government is always +warning us about them." + +"The Reds?" He was puzzled. + +"The government says they're all around. We're supposed to report +anything strange or unusual, anybody doesn't act normal." + +"Like me?" + +They looked embarrassed. "Well, you don't look like a Red to me," the +man said. "But we have to be careful. The _Tribune_ says--" + +Conger half listened. It was going to be easier than he had thought. +Clearly, he would know as soon as the Founder appeared. These people, so +suspicious of anything different, would be buzzing and gossiping and +spreading the story. All he had to do was lie low and listen, down at +the general store, perhaps. Or even here, in Mrs. Appleton's boarding +house. + +"Can I see the room?" he said. + +"Certainly." Mrs. Appleton went to the stairs. "I'll be glad to show it +to you." + +They went upstairs. It was colder upstairs, but not nearly as cold as +outside. Nor as cold as nights on the Martian deserts. For that he was +grateful. + + * * * * * + +He was walking slowly around the store, looking at the cans of +vegetables, the frozen packages of fish and meats shining and clean in +the open refrigerator counters. + +Ed Davies came toward him. "Can I help you?" he said. The man was a +little oddly dressed, and with a beard! Ed couldn't help smiling. + +"Nothing," the man said in a funny voice. "Just looking." + +"Sure," Ed said. He walked back behind the counter. Mrs. Hacket was +wheeling her cart up. + +"Who's he?" she whispered, her sharp face turned, her nose moving, as if +it were sniffing. "I never seen him before." + +"I don't know." + +"Looks funny to me. Why does he wear a beard? No one else wears a +beard. Must be something the matter with him." + +"Maybe he likes to wear a beard. I had an uncle who--" + +"Wait." Mrs. Hacket stiffened. "Didn't that--what was his name? The +Red--that old one. Didn't he have a beard? Marx. He had a beard." + +Ed laughed. "This ain't Karl Marx. I saw a photograph of him once." + +Mrs. Hacket was staring at him. "You did?" + +"Sure." He flushed a little. "What's the matter with that?" + +"I'd sure like to know more about him," Mrs. Hacket said. "I think we +ought to know more, for our own good." + + * * * * * + +"Hey, mister! Want a ride?" + +Conger turned quickly, dropping his hand to his belt. He relaxed. Two +young kids in a car, a girl and a boy. He smiled at them. "A ride? +Sure." + +Conger got into the car and closed the door. Bill Willet pushed the gas +and the car roared down the highway. + +"I appreciate a ride," Conger said carefully. "I was taking a walk +between towns, but it was farther than I thought." + +"Where are you from?" Lora Hunt asked. She was pretty, small and dark, +in her yellow sweater and blue skirt. + +"From Cooper Creek." + +"Cooper Creek?" Bill said. He frowned. "That's funny. I don't remember +seeing you before." + +"Why, do you come from there?" + +"I was born there. I know everybody there." + +"I just moved in. From Oregon." + +"From Oregon? I didn't know Oregon people had accents." + +"Do I have an accent?" + +"You use words funny." + +"How?" + +"I don't know. Doesn't he, Lora?" + +"You slur them," Lora said, smiling. "Talk some more. I'm interested in +dialects." She glanced at him, white-teethed. Conger felt his heart +constrict. + +"I have a speech impediment." + +"Oh." Her eyes widened. "I'm sorry." + +They looked at him curiously as the car purred along. Conger for his +part was struggling to find some way of asking them questions without +seeming curious. "I guess people from out of town don't come here much," +he said. "Strangers." + +"No." Bill shook his head. "Not very much." + +"I'll bet I'm the first outsider for a long time." + +"I guess so." + +Conger hesitated. "A friend of mine--someone I know, might be coming +through here. Where do you suppose I might--" He stopped. "Would there +be anyone certain to see him? Someone I could ask, make sure I don't +miss him if he comes?" + +They were puzzled. "Just keep your eyes open. Cooper Creek isn't very +big." + +"No. That's right." + +They drove in silence. Conger studied the outline of the girl. Probably +she was the boy's mistress. Perhaps she was his trial wife. Or had they +developed trial marriage back so far? He could not remember. But surely +such an attractive girl would be someone's mistress by this time; she +would be sixteen or so, by her looks. He might ask her sometime, if they +ever met again. + + * * * * * + +The next day Conger went walking along the one main street of Cooper +Creek. He passed the general store, the two filling stations, and then +the post office. At the corner was the soda fountain. + +He stopped. Lora was sitting inside, talking to the clerk. She was +laughing, rocking back and forth. + +Conger pushed the door open. Warm air rushed around him. Lora was +drinking hot chocolate, with whipped cream. She looked up in surprise as +he slid into the seat beside her. + +"I beg your pardon," he said. "Am I intruding?" + +"No." She shook her head. Her eyes were large and dark. "Not at all." + +The clerk came over. "What do you want?" + +Conger looked at the chocolate. "Same as she has." + +Lora was watching Conger, her arms folded, elbows on the counter. She +smiled at him. "By the way. You don't know my name. Lora Hunt." + +She was holding out her hand. He took it awkwardly, not knowing what to +do with it. "Conger is my name," he murmured. + +"Conger? Is that your last or first name?" + +"Last or first?" He hesitated. "Last. Omar Conger." + +"Omar?" She laughed. "That's like the poet, Omar Khayyam." + +"I don't know of him. I know very little of poets. We restored very few +works of art. Usually only the Church has been interested enough--" He +broke off. She was staring. He flushed. "Where I come from," he +finished. + +"The Church? Which church do you mean?" + +"The Church." He was confused. The chocolate came and he began to sip it +gratefully. Lora was still watching him. + +"You're an unusual person," she said. "Bill didn't like you, but he +never likes anything different. He's so--so prosaic. Don't you think +that when a person gets older he should become--broadened in his +outlook?" + +Conger nodded. + +"He says foreign people ought to stay where they belong, not come here. +But you're not so foreign. He means orientals; you know." + +Conger nodded. + +The screen door opened behind them. Bill came into the room. He stared +at them. "Well," he said. + +Conger turned. "Hello." + +"Well." Bill sat down. "Hello, Lora." He was looking at Conger. "I +didn't expect to see you here." + +Conger tensed. He could feel the hostility of the boy. "Something wrong +with that?" + +"No. Nothing wrong with it." + +There was silence. Suddenly Bill turned to Lora. "Come on. Let's go." + +"Go?" She was astonished. "Why?" + +"Just go!" He grabbed her hand. "Come on! The car's outside." + +"Why, Bill Willet," Lora said. "You're jealous!" + +"Who is this guy?" Bill said. "Do you know anything about him? Look at +him, his beard--" + +She flared. "So what? Just because he doesn't drive a Packard and go to +Cooper High!" + +Conger sized the boy up. He was big--big and strong. Probably he was +part of some civil control organization. + +"Sorry," Conger said. "I'll go." + +"What's your business in town?" Bill asked. "What are you doing here? +Why are you hanging around Lora?" + +Conger looked at the girl. He shrugged. "No reason. I'll see you later." + +He turned away. And froze. Bill had moved. Conger's fingers went to his +belt. _Half pressure_, he whispered to himself. _No more. Half +pressure._ + +He squeezed. The room leaped around him. He himself was protected by the +lining of his clothing, the plastic sheathing inside. + +"My God--" Lora put her hands up. Conger cursed. He hadn't meant any of +it for her. But it would wear off. There was only a half-amp to it. It +would tingle. + +Tingle, and paralyze. + +He walked out the door without looking back. He was almost to the corner +when Bill came slowly out, holding onto the wall like a drunken man. +Conger went on. + + * * * * * + +As Conger walked, restless, in the night, a form loomed in front of him. +He stopped, holding his breath. + +"Who is it?" a man's voice came. Conger waited, tense. + +"Who is it?" the man said again. He clicked something in his hand. A +light flashed. Conger moved. + +"It's me," he said. + +"Who is 'me'?" + +"Conger is my name. I'm staying at the Appleton's place. Who are you?" + +The man came slowly up to him. He was wearing a leather jacket. There +was a gun at his waist. + +"I'm Sheriff Duff. I think you're the person I want to talk to. You were +in Bloom's today, about three o'clock?" + +"Bloom's?" + +"The fountain. Where the kids hang out." Duff came up beside him, +shining his light into Conger's face. Conger blinked. + +"Turn that thing away," he said. + +A pause. "All right." The light flickered to the ground. "You were +there. Some trouble broke out between you and the Willet boy. Is that +right? You had a beef over his girl--" + +"We had a discussion," Conger said carefully. + +"Then what happened?" + +"Why?" + +"I'm just curious. They say you did something." + +"Did something? Did what?" + +"I don't know. That's what I'm wondering. They saw a flash, and +something seemed to happen. They all blacked out. Couldn't move." + +"How are they now?" + +"All right." + +There was silence. + +"Well?" Duff said. "What was it? A bomb?" + +"A bomb?" Conger laughed. "No. My cigarette lighter caught fire. There +was a leak, and the fluid ignited." + +"Why did they all pass out?" + +"Fumes." + +Silence. Conger shifted, waiting. His fingers moved slowly toward his +belt. The Sheriff glanced down. He grunted. + +"If you say so," he said. "Anyhow, there wasn't any real harm done." He +stepped back from Conger. "And that Willet is a trouble-maker." + +"Good night, then," Conger said. He started past the Sheriff. + +"One more thing, Mr. Conger. Before you go. You don't mind if I look at +your identification, do you?" + +"No. Not at all." Conger reached into his pocket. He held his wallet +out. The Sheriff took it and shined his flashlight on it. Conger +watched, breathing shallowly. They had worked hard on the wallet, +studying historic documents, relics of the times, all the papers they +felt would be relevant. + +Duff handed it back. "Okay. Sorry to bother you." The light winked off. + +When Conger reached the house he found the Appletons sitting around the +television set. They did not look up as he came in. He lingered at the +door. + +"Can I ask you something?" he said. Mrs. Appleton turned slowly. "Can I +ask you--what's the date?" + +"The date?" She studied him. "The first of December." + +"December first! Why, it was just November!" + +They were all looking at him. Suddenly he remembered. In the twentieth +century they still used the old twelve-month system. November fed +directly into December; there was no Quartember between. + +He gasped. Then it was tomorrow! The second of December! Tomorrow! + +"Thanks," he said. "Thanks." + +He went up the stairs. What a fool he was, forgetting. The Founder had +been taken into captivity on the second of December, according to the +newspaper records. Tomorrow, only twelve hours hence, the Founder would +appear to speak to the people and then be dragged away. + + * * * * * + +The day was warm and bright. Conger's shoes crunched the melting crust +of snow. On he went, through the trees heavy with white. He climbed a +hill and strode down the other side, sliding as he went. + +He stopped to look around. Everything was silent. There was no one in +sight. He brought a thin rod from his waist and turned the handle of it. +For a moment nothing happened. Then there was a shimmering in the air. + +The crystal cage appeared and settled slowly down. Conger sighed. It was +good to see it again. After all, it was his only way back. + +He walked up on the ridge. He looked around with some satisfaction, his +hands on his hips. Hudson's field was spread out, all the way to the +beginning of town. It was bare and flat, covered with a thin layer of +snow. + +Here, the Founder would come. Here, he would speak to them. And here the +authorities would take him. + +Only he would be dead before they came. He would be dead before he even +spoke. + +Conger returned to the crystal globe. He pushed through the door and +stepped inside. He took the Slem-gun from the shelf and screwed the bolt +into place. It was ready to go, ready to fire. For a moment he +considered. Should he have it with him? + +No. It might be hours before the Founder came, and suppose someone +approached him in the meantime? When he saw the Founder coming toward +the field, then he could go and get the gun. + +Conger looked toward the shelf. There was the neat plastic package. He +took it down and unwrapped it. + +He held the skull in his hands, turning it over. In spite of himself, a +cold feeling rushed through him. This was the man's skull, the skull of +the Founder, who was still alive, who would come here, this day, who +would stand on the field not fifty yards away. + +What if _he_ could see this, his own skull, yellow and eroded? Two +centuries old. Would he still speak? Would he speak, if he could see it, +the grinning, aged skull? What would there be for him to say, to tell +the people? What message could he bring? + +What action would not be futile, when a man could look upon his own +aged, yellowed skull? Better they should enjoy their temporary lives, +while they still had them to enjoy. + +A man who could hold his own skull in his hands would believe in few +causes, few movements. Rather, he would preach the opposite-- + +A sound. Conger dropped the skull back on the shelf and took up the gun. +Outside something was moving. He went quickly to the door, his heart +beating. Was it _he_? Was it the Founder, wandering by himself in the +cold, looking for a place to speak? Was he meditating over his words, +choosing his sentences? + +What if he could see what Conger had held! + +He pushed the door open, the gun raised. + +Lora! + +He stared at her. She was dressed in a wool jacket and boots, her hands +in her pockets. A cloud of steam came from her mouth and nostrils. Her +breast was rising and falling. + +Silently, they looked at each other. At last Conger lowered the gun. + +"What is it?" he said. "What are you doing here?" + +She pointed. She did not seem able to speak. He frowned; what was wrong +with her? + +"What is it?" he said. "What do you want?" He looked in the direction +she had pointed. "I don't see anything." + +"They're coming." + +"They? Who? Who are coming?" + +"They are. The police. During the night the Sheriff had the state police +send cars. All around, everywhere. Blocking the roads. There's about +sixty of them coming. Some from town, some around behind." She stopped, +gasping. "They said--they said--" + +"What?" + +"They said you were some kind of a Communist. They said--" + + * * * * * + +Conger went into the cage. He put the gun down on the shelf and came +back out. He leaped down and went to the girl. + +"Thanks. You came here to tell me? You don't believe it?" + +"I don't know." + +"Did you come alone?" + +"No. Joe brought me in his truck. From town." + +"Joe? Who's he?" + +"Joe French. The plumber. He's a friend of Dad's." + +"Let's go." They crossed the snow, up the ridge and onto the field. The +little panel truck was parked half way across the field. A heavy short +man was sitting behind the wheel, smoking his pipe. He sat up as he saw +the two of them coming toward him. + +"Are you the one?" he said to Conger. + +"Yes. Thanks for warning me." + +The plumber shrugged. "I don't know anything about this. Lora says +you're all right." He turned around. "It might interest you to know some +more of them are coming. Not to warn you--just curious." + +"More of them?" Conger looked toward the town. Black shapes were picking +their way across the snow. + +"People from the town. You can't keep this sort of thing quiet, not in a +small town. We all listen to the police radio; they heard the same way +Lora did. Someone tuned in, spread it around--" + +The shapes were getting closer. Conger could, make out a couple of them. +Bill Willet was there, with some boys from the high school. The +Appletons were along, hanging back in the rear. + +"Even Ed Davies," Conger murmured. + +The storekeeper was toiling onto the field, with three or four other men +from the town. + +"All curious as hell," French said. "Well, I guess I'm going back to +town. I don't want my truck shot full of holes. Come on, Lora." + +She was looking up at Conger, wide-eyed. + +"Come on," French said again. "Let's go. You sure as hell can't stay +here, you know." + +"Why?" + +"There may be shooting. That's what they all came to see. You know that +don't you, Conger?" + +"Yes." + +"You have a gun? Or don't you care?" French smiled a little. "They've +picked up a lot of people in their time, you know. You won't be lonely." + +He cared, all right! He had to stay here, on the field. He couldn't +afford to let them take him away. Any minute the Founder would appear, +would step onto the field. Would he be one of the townsmen, standing +silently at the foot of the field, waiting, watching? + +Or maybe he was Joe French. Or maybe one of the cops. Anyone of them +might find himself moved to speak. And the few words spoken this day +were going to be important for a long time. + +And Conger had to be there, ready when the first word was uttered! + +"I care," he said. "You go on back to town. Take the girl with you." + +Lora got stiffly in beside Joe French. The plumber started up the motor. +"Look at them, standing there," he said. "Like vultures. Waiting to see +someone get killed." + + * * * * * + +The truck drove away, Lora sitting stiff and silent, frightened now. +Conger watched for a moment. Then he dashed back into the woods, between +the trees, toward the ridge. + +He could get away, of course. Anytime he wanted to he could get away. +All he had to do was to leap into the crystal cage and turn the handles. +But he had a job, an important job. He had to be here, here at this +place, at this time. + +He reached the cage and opened the door. He went inside and picked up +the gun from the shelf. The Slem-gun would take care of them. He notched +it up to full count. The chain reaction from it would flatten them all, +the police, the curious, sadistic people-- + +They wouldn't take him! Before they got him, all of them would be dead. +_He_ would get away. He would escape. By the end of the day they would +all be dead, if that was what they wanted, and he-- + +He saw the skull. + +Suddenly he put the gun down. He picked up the skull. He turned the +skull over. He looked at the teeth. Then he went to the mirror. + +He held the skull up, looking in the mirror. He pressed the skull +against his cheek. Beside his own face the grinning skull leered back at +him, beside _his_ skull, against his living flesh. + +He bared his teeth. And he knew. + +It was his own skull that he held. He was the one who would die. He was +the Founder. + +After a time he put the skull down. For a few minutes he stood at the +controls, playing with them idly. He could hear the sound of motors +outside, the muffled noise of men. Should he go back to the present, +where the Speaker waited? He could escape, of course-- + +Escape? + +He turned toward the skull. There it was, his skull, yellow with age. +Escape? Escape, when he had held it in his own hands? + +What did it matter if he put it off a month, a year, ten years, even +fifty? Time was nothing. He had sipped chocolate with a girl born a +hundred and fifty years before his time. Escape? For a little while, +perhaps. + +But he could not _really_ escape, no more so than anyone else had ever +escaped, or ever would. + +Only, he had held it in his hands, his own bones, his own death's-head. + +_They_ had not. + +He went out the door and across the field, empty handed. There were a +lot of them standing around, gathered together, waiting. They expected a +good fight; they knew he had something. They had heard about the +incident at the fountain. + +And there were plenty of police--police with guns and tear gas, creeping +across the hills and ridges, between the trees, closer and closer. It +was an old story, in this century. + +One of the men tossed something at him. It fell in the snow by his +feet, and he looked down. It was a rock. He smiled. + +"Come on!" one of them called. "Don't you have any bombs?" + +"Throw a bomb! You with the beard! Throw a bomb!" + +"Let 'em have it!" + +"Toss a few A Bombs!" + + * * * * * + +They began to laugh. He smiled. He put his hands to his hips. They +suddenly turned silent, seeing that he was going to speak. + +"I'm sorry," he said simply. "I don't have any bombs. You're mistaken." + +There was a flurry of murmuring. + +"I have a gun," he went on. "A very good one. Made by science even more +advanced than your own. But I'm not going to use that, either." + +They were puzzled. + +"Why not?" someone called. At the edge of the group an older woman was +watching. He felt a sudden shock. He had seen her before. Where? + +He remembered. The day at the library. As he had turned the corner he +had seen her. She had noticed him and been astounded. At the time, he +did not understand why. + +Conger grinned. So he _would_ escape death, the man who right now was +voluntarily accepting it. They were laughing, laughing at a man who had +a gun but didn't use it. But by a strange twist of science he would +appear again, a few months later, after his bones had been buried under +the floor of a jail. + +And so, in a fashion, he would escape death. He would die, but then, +after a period of months, he would live again, briefly, for an +afternoon. + +An afternoon. Yet long enough for them to see him, to understand that he +was still alive. To know that somehow he had returned to life. + +And then, finally, he would appear once more, after two hundred years +had passed. Two centuries later. + +He would be born again, born, as a matter of fact, in a small trading +village on Mars. He would grow up, learning to hunt and trade-- + +A police car came on the edge of the field and stopped. The people +retreated a little. Conger raised his hands. + +"I have an odd paradox for you," he said. "Those who take lives will +lose their own. Those who kill, will die. But he who gives his own life +away will live again!" + +They laughed, faintly, nervously. The police were coming out, walking +toward him. He smiled. He had said everything he intended to say. It was +a good little paradox he had coined. They would puzzle over it, remember +it. + +Smiling, Conger awaited a death foreordained. + + +THE END + + + + +Transcriber's Note: + + This etext was produced from _If Worlds of Science Fiction_ + September 1952. Extensive research did not uncover any evidence that + the U.S. copyright on this publication was renewed. Minor spelling + and typographical errors have been corrected without note. + + + + + + +End of the Project Gutenberg EBook of The Skull, by Philip K. Dick + +*** END OF THIS PROJECT GUTENBERG EBOOK THE SKULL *** + +***** This file should be named 30255.txt or 30255.zip ***** +This and all associated files of various formats will be found in: + https://www.gutenberg.org/3/0/2/5/30255/ + +Produced by Greg Weeks, Stephen Blundell and the Online +Distributed Proofreading Team at https://www.pgdp.net + + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. 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Dick + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: The Skull + +Author: Philip K. Dick + +Release Date: October 14, 2009 [EBook #30255] + +Language: English + +Character set encoding: ISO-8859-1 + +*** START OF THIS PROJECT GUTENBERG EBOOK THE SKULL *** + + + + +Produced by Greg Weeks, Stephen Blundell and the Online +Distributed Proofreading Team at https://www.pgdp.net + + + + + + +</pre> + + +<div class="bk1"><p><big><i>Conger agreed to kill a stranger he had +never seen. But he would make no mistakes +because he had the stranger's skull under +his arm.</i></big></p></div> + +<h1>THE<br /> +<span class="sp1">SKULL</span></h1> + +<h2><small>By Philip K. Dick</small></h2> + +<p class="cap"><span class="dcap">"What</span> is this opportunity?" +Conger asked. "Go on. I'm +interested."</p> + +<p>The room was silent; all faces +were fixed on Conger—still in the +drab prison uniform. The Speaker +leaned forward slowly.</p> + +<p>"Before you went to prison your +trading business was paying well—all +illegal—all very profitable. Now +you have nothing, except the prospect +of another six years in a cell."</p> + +<p>Conger scowled.</p> + +<p>"There is a certain situation, very +important to this Council, that requires +your peculiar abilities. Also, +it is a situation you might find interesting. +You were a hunter, were you +not? You've done a great deal of +trapping, hiding in the bushes, +waiting at night for the game? I +imagine hunting must be a source +of satisfaction to you, the chase, the +stalking—"</p> + +<p>Conger sighed. His lips twisted. +"All right," he said. "Leave that +out. Get to the point. Who do you +want me to kill?"</p> + +<p>The Speaker smiled. "All in +proper sequence," he said softly.</p> + +<hr /> + +<p class="cap"><span class="dcap">The</span> car slid to a stop. It was +night; there was no light anywhere +along the street. Conger looked out. +"Where are we? What is this +place?"</p> + +<p>The hand of the guard pressed +into his arm. "Come. Through that +door."</p> + +<p>Conger stepped down, onto the +damp sidewalk. The guard came +swiftly after him, and then the +Speaker. Conger took a deep breath +of the cold air. He studied the dim +outline of the building rising up +before them.</p> + +<p>"I know this place. I've seen it +before." He squinted, his eyes growing +accustomed to the dark. Suddenly +he became alert. "This is—"</p> + +<p>"Yes. The First Church." The +Speaker walked toward the steps. +"We're expected."</p> + +<p>"Expected? <i>Here?</i>"</p> + +<p>"Yes." The Speaker mounted the +stairs. "You know we're not allowed +in their Churches, especially with +guns!" He stopped. Two armed soldiers +loomed up ahead, one on each +side.</p> + +<p>"All right?" The Speaker looked +up at them. They nodded. The door +of the Church was open. Conger +could see other soldiers inside, +standing about, young soldiers with +large eyes, gazing at the ikons and +holy images.</p> + +<p>"I see," he said.</p> + +<p>"It was necessary," the Speaker +said. "As you know, we have been +singularly unfortunate in the past +in our relations with the First +Church."</p> + +<p>"This won't help."</p> + +<p>"But it's worth it. You will see."</p> + +<hr /> + +<p class="cap"><span class="dcap">They</span> passed through the hall +and into the main chamber +where the altar piece was, and the +kneeling places. The Speaker +scarcely glanced at the altar as they +passed by. He pushed open a small +side door and beckoned Conger +through.</p> + +<p>"In here. We have to hurry. The +faithful will be flocking in soon."</p> + +<p>Conger entered, blinking. They +were in a small chamber, low-ceilinged, +with dark panels of old +wood. There was a smell of ashes +and smoldering spices in the room. +He sniffed. "What's that? The +smell."</p> + +<p>"Cups on the wall. I don't +know." The Speaker crossed impatiently +to the far side. "According +to our information, it is hidden here +by this—"</p> + +<p>Conger looked around the room. +He saw books and papers, holy +signs and images. A strange low +shiver went through him.</p> + +<p>"Does my job involve anyone of +the Church? If it does—"</p> + +<p>The Speaker turned, astonished. +"Can it be that you believe in the +Founder? Is it possible, a hunter, a +killer—"</p> + +<p>"No. Of course not. All their +business about resignation to death, +non-violence—"</p> + +<p>"What is it, then?"</p> + +<p>Conger shrugged. "I've been +taught not to mix with such as +these. They have strange abilities. +And you can't reason with them."</p> + +<p>The Speaker studied Conger +thoughtfully. "You have the wrong +idea. It is no one here that we have +in mind. We've found that killing +them only tends to increase their +numbers."</p> + +<p>"Then why come here? Let's +leave."</p> + +<p>"No. We came for something +important. Something you will need +to identify your man. Without it +you won't be able to find him." +A trace of a smile crossed the +Speaker's face. "We don't want you +to kill the wrong person. It's too +important."</p> + +<p>"I don't make mistakes." Conger's +chest rose. "Listen, Speaker—"</p> + +<p>"This is an unusual situation," +the Speaker said. "You see, the person +you are after—the person that +we are sending you to find—is +known only by certain objects here. +They are the only traces, the only +means of identification. Without +them—"</p> + +<p>"What are they?"</p> + +<p>He came toward the Speaker. +The Speaker moved to one side. +"Look," he said. He drew a sliding +wall away, showing a dark square +hole. "In there."</p> + +<p>Conger squatted down, staring +in. He frowned. "A skull! A skeleton!"</p> + +<p>"The man you are after has been +dead for two centuries," the Speaker +said. "This is all that remains of +him. And this is all you have with +which to find him."</p> + +<p>For a long time Conger said nothing. +He stared down at the bones, +dimly visible in the recess of the +wall. How could a man dead centuries +be killed? How could he be +stalked, brought down?</p> + +<p>Conger was a hunter, a man who +had lived as he pleased, where he +pleased. He had kept himself alive +by trading, bringing furs and pelts +in from the Provinces on his own +ship, riding at high speed, slipping +through the customs line around +Earth.</p> + +<p>He had hunted in the great +mountains of the moon. He had +stalked through empty Martian +cities. He had explored—</p> + +<p>The Speaker said, "Soldier, take +these objects and have them carried +to the car. Don't lose any part +of them."</p> + +<p>The soldier went into the cupboard, +reaching gingerly, squatting +on his heels.</p> + +<p>"It is my hope," the Speaker continued +softly, to Conger, "that you +will demonstrate your loyalty to us, +now. There are always ways for +citizens to restore themselves, to +show their devotion to their society. +For you I think this would be a +very good chance. I seriously doubt +that a better one will come. And +for your efforts there will be quite +a restitution, of course."</p> + +<p>The two men looked at each +other; Conger, thin, unkempt, the +Speaker immaculate in his uniform.</p> + +<p>"I understand you," Conger said. +"I mean, I understand this part, +about the chance. But how can a +man who has been dead two centuries +be—"</p> + +<p>"I'll explain later," the Speaker +said. "Right now we have to hurry!" +The soldier had gone out with the +bones, wrapped in a blanket held +carefully in his arms. The Speaker +walked to the door. "Come. They've +already discovered that we've +broken in here, and they'll be coming +at any moment."</p> + +<p>They hurried down the damp +steps to the waiting car. A second +later the driver lifted the car up +into the air, above the house-tops.</p> + +<hr /> + +<p class="cap"><span class="dcap">The Speaker</span> settled back in +the seat.</p> + +<p>"The First Church has an interesting +past," he said. "I suppose +you are familiar with it, but I'd +like to speak of a few points that +are of relevancy to us.</p> + +<p>"It was in the twentieth century +that the Movement began—during +one of the periodic wars. The +Movement developed rapidly, feeding +on the general sense of futility, +the realization that each war was +breeding greater war, with no end +in sight. The Movement posed a +simple answer to the problem: +Without military preparations—weapons—there +could be no war. +And without machinery and complex +scientific technocracy there +could be no weapons.</p> + +<p>"The Movement preached that +you couldn't stop war by planning +for it. They preached that man was +losing to his machinery and science, +that it was getting away from him, +pushing him into greater and +greater wars. Down with society, +they shouted. Down with factories +and science! A few more wars and +there wouldn't be much left of the +world.</p> + +<p>"The Founder was an obscure +person from a small town in the +American Middle West. We don't +even know his name. All we know +is that one day he appeared, preaching +a doctrine of non-violence, non-resistance; +no fighting, no paying +taxes for guns, no research except +for medicine. Live out your life +quietly, tending your garden, staying +out of public affairs; mind your +own business. Be obscure, unknown, +poor. Give away most of your possessions, +leave the city. At least that +was what developed from what he +told the people."</p> + +<p>The car dropped down and +landed on a roof.</p> + +<p>"The Founder preached this doctrine, +or the germ of it; there's no +telling how much the faithful have +added themselves. The local authorities +picked him up at once, of +course. Apparently they were convinced +that he meant it; he was +never released. He was put to +death, and his body buried secretly. +It seemed that the cult was finished."</p> + +<p>The Speaker smiled. "Unfortunately, +some of his disciples reported +seeing him after the date of +his death. The rumor spread; he +had conquered death, he was divine. +It took hold, grew. And here +we are today, with a First Church, +obstructing all social progress, destroying +society, sowing the seeds +of anarchy—"</p> + +<p>"But the wars," Conger said. +"About them?"</p> + +<p>"The wars? Well, there were no +more wars. It must be acknowledged +that the elimination of war +was the direct result of non-violence +practiced on a general scale. +But we can take a more objective +view of war today. What was so +terrible about it? War had a profound +selective value, perfectly in +accord with the teachings of Darwin +and Mendel and others. Without +war the mass of useless, incompetent +mankind, without training +or intelligence, is permitted to grow +and expand unchecked. War acted +to reduce their numbers; like storms +and earthquakes and droughts, it +was nature's way of eliminating the +unfit.</p> + +<p>"Without war the lower elements +of mankind have increased all out +of proportion. They threaten the +educated few, those with scientific +knowledge and training, the ones +equipped to direct society. They +have no regard for science or a +scientific society, based on reason. +And this Movement seeks to aid +and abet them. Only when scientists +are in full control can the—"</p> + +<hr /> + +<p class="cap"><span class="dcap">He</span> looked at his watch +and then kicked the car door +open. "I'll tell you the rest as we +walk."</p> + +<p>They crossed the dark roof. +"Doubtless you now know whom +those bones belonged to, who it is +that we are after. He has been dead +just two centuries, now, this ignorant +man from the Middle West, this +Founder. The tragedy is that the +authorities of the time acted too +slowly. They allowed him to speak, +to get his message across. He was +allowed to preach, to start his cult. +And once such a thing is under way, +there's no stopping it.</p> + +<p>"But what if he had died before +he preached? What if none of his +doctrines had ever been spoken? It +took only a moment for him to utter +them, that we know. They say he +spoke just once, just one time. <i>Then</i> +the authorities came, taking him +away. He offered no resistance; the +incident was small."</p> + +<p>The Speaker turned to Conger.</p> + +<p>"Small, but we're reaping the +consequences of it today."</p> + +<p>They went inside the building. +Inside, the soldiers had already laid +out the skeleton on a table. The +soldiers stood around it, their young +faces intense.</p> + +<p>Conger went over to the table, +pushing past them. He bent down, +staring at the bones. "So these are +his remains," he murmured. "The +Founder. The Church has hidden +them for two centuries."</p> + +<p>"Quite so," the Speaker said. +"But now we have them. Come +along down the hall."</p> + +<p>They went across the room to a +door. The Speaker pushed it open. +Technicians looked up. Conger saw +machinery, whirring and turning; +benches and retorts. In the center +of the room was a gleaming crystal +cage.</p> + +<p>The Speaker handed a Slem-gun +to Conger. "The important thing to +remember is that the skull must be +saved and brought back—for comparison +and proof. Aim low—at the +chest."</p> + +<p>Conger weighed the gun in his +hands. "It feels good," he said. "I +know this gun—that is, I've seen +them before, but I never used one."</p> + +<p>The Speaker nodded. "You will +be instructed on the use of the gun +and the operation of the cage. You +will be given all data we have on +the time and location. The exact +spot was a place called Hudson's +field. About 1960 in a small community +outside Denver, Colorado. +And don't forget—the only means +of identification you will have will +be the skull. There are visible characteristics +of the front teeth, especially +the left incisor—"</p> + +<p>Conger listened absently. He was +watching two men in white carefully +wrapping the skull in a plastic +bag. They tied it and carried it into +the crystal cage. "And if I should +make a mistake?"</p> + +<p>"Pick the wrong man? Then +find the right one. Don't come back +until you succeed in reaching this +Founder. And you can't wait for +him to start speaking; that's what +we must avoid! You must act in +advance. Take chances; shoot as +soon as you think you've found him. +He'll be someone unusual, probably +a stranger in the area. Apparently +he wasn't known."</p> + +<p>Conger listened dimly.</p> + +<p>"Do you think you have it all +now?" the Speaker asked.</p> + +<p>"Yes. I think so." Conger entered +the crystal cage and sat down, placing +his hands on the wheel.</p> + +<p>"Good luck," the Speaker said.</p> + +<p>"We'll be awaiting the outcome. +There's some philosophical doubt +as to whether one can alter the +past. This should answer the question +once and for all."</p> + +<p>Conger fingered the controls of +the cage.</p> + +<p>"By the way," the Speaker said. +"Don't try to use this cage for purposes +not anticipated in your job. +We have a constant trace on it. If +we want it back, we can get it back. +Good luck."</p> + +<p>Conger said nothing. The cage +was sealed. He raised his finger and +touched the wheel control. He +turned the wheel carefully.</p> + +<p>He was still staring at the plastic +bag when the room outside vanished.</p> + +<p>For a long time there was nothing +at all. Nothing beyond the crystal +mesh of the cage. Thoughts rushed +through Conger's mind, helter-skelter. +How would he know the +man? How could he be certain, in +advance? What had he looked like? +What was his name? How had he +acted, before he spoke? Would he +be an ordinary person, or some +strange outlandish crank?</p> + +<p>Conger picked up the Slem-gun +and held it against his cheek. The +metal of the gun was cool and +smooth. He practiced moving the +sight. It was a beautiful gun, the +kind of gun he could fall in love +with. If he had owned such a gun +in the Martian desert—on the long +nights when he had lain, cramped +and numbed with cold, waiting for +things that moved through the +darkness—</p> + +<p>He put the gun down and adjusted +the meter readings of the +cage. The spiraling mist was beginning +to condense and settle. All at +once forms wavered and fluttered +around him.</p> + +<p>Colors, sounds, movements filtered +through the crystal wire. He +clamped the controls off and stood +up.</p> + +<hr /> + +<p class="cap"><span class="dcap">He</span> was on a ridge overlooking +a small town. It was high +noon. The air was crisp and bright. +A few automobiles moved along a +road. Off in the distance were some +level fields. Conger went to the door +and stepped outside. He sniffed the +air. Then he went back into the +cage.</p> + +<p>He stood before the mirror over +the shelf, examining his features. +He had trimmed his beard—they +had not got him to cut it off—and +his hair was neat. He was dressed in +the clothing of the middle-twentieth +century, the odd collar and +coat, the shoes of animal hide. In +his pocket was money of the times. +That was important. Nothing more +was needed.</p> + +<p>Nothing, except his ability, his +special cunning. But he had never +used it in such a way before.</p> + +<p>He walked down the road toward +the town.</p> + +<p>The first things he noticed were +the newspapers on the stands. +April 5, 1961. He was not too far +off. He looked around him. There +was a filling station, a garage, some +taverns, and a ten-cent store. Down +the street was a grocery store and +some public buildings.</p> + +<p>A few minutes later he mounted +the stairs of the little public library +and passed through the doors into +the warm interior.</p> + +<p>The librarian looked up, smiling.</p> + +<p>"Good afternoon," she said.</p> + +<p>He smiled, not speaking because +his words would not be correct; accented +and strange, probably. He +went over to a table and sat down +by a heap of magazines. For a moment +he glanced through them. +Then he was on his feet again. He +crossed the room to a wide rack +against the wall. His heart began +to beat heavily.</p> + +<p>Newspapers—weeks on end. He +took a roll of them over to the table +and began to scan them quickly. +The print was odd, the letters +strange. Some of the words were +unfamiliar.</p> + +<p>He set the papers aside and +searched farther. At last he found +what he wanted. He carried the +<i>Cherrywood Gazette</i> to the table +and opened it to the first page. He +found what he wanted:</p> + +<div class="bq"><p class="center">PRISONER HANGS SELF</p> + +<p>An unidentified man, held +by the county sheriff's office for +suspicion of criminal syndicalism, +was found dead this +morning, by—</p></div> + +<p>He finished the item. It was +vague, uninforming. He needed +more. He carried the <i>Gazette</i> back +to the racks and then, after a moment's +hesitation, approached the +librarian.</p> + +<p>"More?" he asked. "More papers. +Old ones?"</p> + +<p>She frowned. "How old? Which +papers?"</p> + +<p>"Months old. And—before."</p> + +<p>"Of the <i>Gazette</i>? This is all we +have. What did you want? What +are you looking for? Maybe I can +help you."</p> + +<p>He was silent.</p> + +<p>"You might find older issues at +the <i>Gazette</i> office," the woman +said, taking off her glasses. "Why +don't you try there? But if you'd +tell me, maybe I could help you—"</p> + +<p>He went out.</p> + +<p>The <i>Gazette</i> office was down a +side street; the sidewalk was broken +and cracked. He went inside. A +heater glowed in the corner of the +small office. A heavy-set man stood +up and came slowly over to the +counter.</p> + +<p>"What did you want, mister?" +he said.</p> + +<p>"Old papers. A month. Or +more."</p> + +<p>"To buy? You want to buy +them?"</p> + +<p>"Yes." He held out some of the +money he had. The man stared.</p> + +<p>"Sure," he said. "Sure. Wait a +minute." He went quickly out of +the room. When he came back he +was staggering under the weight of +his armload, his face red. "Here +are some," he grunted. "Took what +I could find. Covers the whole +year. And if you want more—"</p> + +<p>Conger carried the papers outside. +He sat down by the road and +began to go through them.</p> + +<hr /> + +<p class="cap"><span class="dcap">What</span> he wanted was four +months back, in December. +It was a tiny item, so small that he +almost missed it. His hands trembled +as he scanned it, using the +small dictionary for some of the +archaic terms.</p> + +<div class="bq"><p class="center">MAN ARRESTED FOR +UNLICENSED +DEMONSTRATION</p> + +<p>An unidentified man who +refused to give his name was +picked up in Cooper Creek by +special agents of the sheriff's +office, according to Sheriff +Duff. It was said the man was +recently noticed in this area +and had been watched continually. +It was—</p></div> + +<p>Cooper Creek. December, 1960. +His heart pounded. That was all he +needed to know. He stood up, shaking +himself, stamping his feet on +the cold ground. The sun had +moved across the sky to the very +edge of the hills. He smiled. Already +he had discovered the exact +time and place. Now he needed +only to go back, perhaps to November, +to Cooper Creek—</p> + +<p>He walked back through the +main section of town, past the library, +past the grocery store. It +would not be hard; the hard part +was over. He would go there; rent +a room, prepare to wait until the +man appeared.</p> + +<p>He turned the corner. A woman +was coming out of a doorway, +loaded down with packages. Conger +stepped aside to let her pass. +The woman glanced at him. Suddenly +her face turned white. She +stared, her mouth open.</p> + +<p>Conger hurried on. He looked +back. What was wrong with her? +The woman was still staring; she +had dropped the packages to the +ground. He increased his speed. He +turned a second corner and went +up a side street. When he looked +back again the woman had come to +the entrance of the street and was +starting after him. A man joined +her, and the two of them began to +run toward him.</p> + +<p>He lost them and left the town, +striding quickly, easily, up into the +hills at the edge of town. When +he reached the cage he stopped. +What had happened? Was it something +about his clothing? His dress?</p> + +<p>He pondered. Then, as the sun +set, he stepped into the cage.</p> + +<p>Conger sat before the wheel. For +a moment he waited, his hands +resting lightly on the control. Then +he turned the wheel, just a little, +following the control readings carefully.</p> + +<p>The grayness settled down +around him.</p> + +<p>But not for very long.</p> + +<hr /> + +<p class="cap"><span class="dcap">The</span> man looked him over critically. +"You better come inside," +he said. "Out of the cold."</p> + +<p>"Thanks." Conger went gratefully +through the open door, into the +living-room. It was warm and close +from the heat of the little kerosene +heater in the corner. A woman, +large and shapeless in her flowered +dress, came from the kitchen. She +and the man studied him critically.</p> + +<p>"It's a good room," the woman +said. "I'm Mrs. Appleton. It's got +heat. You need that this time of +year."</p> + +<p>"Yes." He nodded, looking +around.</p> + +<p>"You want to eat with us?"</p> + +<p>"What?"</p> + +<p>"You want to eat with us?" The +man's brows knitted. "You're not a +foreigner, are you, mister?"</p> + +<p>"No." He smiled. "I was born in +this country. Quite far west, +though."</p> + +<p>"California?"</p> + +<p>"No." He hesitated. "In Oregon."</p> + +<p>"What's it like up there?" Mrs. +Appleton asked. "I hear there's a +lot of trees and green. It's so barren +here. I come from Chicago, myself."</p> + +<p>"That's the Middle West," the +man said to her. "You ain't no foreigner."</p> + +<p>"Oregon isn't foreign, either," +Conger said. "It's part of the United +States."</p> + +<p>The man nodded absently. He +was staring at Conger's clothing.</p> + +<p>"That's a funny suit you got on, +mister," he said. "Where'd you get +that?"</p> + +<p>Conger was lost. He shifted uneasily. +"It's a good suit," he said. +"Maybe I better go some other +place, if you don't want me here."</p> + +<p>They both raised their hands protestingly. +The woman smiled at him. +"We just have to look out for those +Reds. You know, the government +is always warning us about them."</p> + +<p>"The Reds?" He was puzzled.</p> + +<p>"The government says they're all +around. We're supposed to report +anything strange or unusual, anybody +doesn't act normal."</p> + +<p>"Like me?"</p> + +<p>They looked embarrassed. "Well, +you don't look like a Red to me," +the man said. "But we have to be +careful. The <i>Tribune</i> says—"</p> + +<p>Conger half listened. It was going +to be easier than he had thought. +Clearly, he would know as soon as +the Founder appeared. These people, +so suspicious of anything different, +would be buzzing and gossiping +and spreading the story. All he had +to do was lie low and listen, down +at the general store, perhaps. Or +even here, in Mrs. Appleton's +boarding house.</p> + +<p>"Can I see the room?" he said.</p> + +<p>"Certainly." Mrs. Appleton went +to the stairs. "I'll be glad to show +it to you."</p> + +<p>They went upstairs. It was colder +upstairs, but not nearly as cold as +outside. Nor as cold as nights on +the Martian deserts. For that he was +grateful.</p> + +<hr /> + +<p class="cap"><span class="dcap">He</span> was walking slowly around +the store, looking at the cans of +vegetables, the frozen packages of +fish and meats shining and clean in +the open refrigerator counters.</p> + +<p>Ed Davies came toward him. +"Can I help you?" he said. The man +was a little oddly dressed, and with +a beard! Ed couldn't help smiling.</p> + +<p>"Nothing," the man said in a +funny voice. "Just looking."</p> + +<p>"Sure," Ed said. He walked back +behind the counter. Mrs. Hacket +was wheeling her cart up.</p> + +<p>"Who's he?" she whispered, her +sharp face turned, her nose moving, +as if it were sniffing. "I never seen +him before."</p> + +<p>"I don't know."</p> + +<p>"Looks funny to me. Why does +he wear a beard? No one else wears +a beard. Must be something the +matter with him."</p> + +<p>"Maybe he likes to wear a beard. +I had an uncle who—"</p> + +<p>"Wait." Mrs. Hacket stiffened. +"Didn't that—what was his name? +The Red—that old one. Didn't he +have a beard? Marx. He had a +beard."</p> + +<p>Ed laughed. "This ain't Karl +Marx. I saw a photograph of him +once."</p> + +<p>Mrs. Hacket was staring at him. +"You did?"</p> + +<p>"Sure." He flushed a little. +"What's the matter with that?"</p> + +<p>"I'd sure like to know more about +him," Mrs. Hacket said. "I think +we ought to know more, for our +own good."</p> + +<hr /> + +<p class="cap"><span class="dcap">"Hey</span>, mister! Want a +ride?"</p> + +<p>Conger turned quickly, dropping +his hand to his belt. He relaxed. +Two young kids in a car, a girl and +a boy. He smiled at them. "A ride? +Sure."</p> + +<p>Conger got into the car and +closed the door. Bill Willet pushed +the gas and the car roared down +the highway.</p> + +<p>"I appreciate a ride," Conger +said carefully. "I was taking a walk +between towns, but it was farther +than I thought."</p> + +<p>"Where are you from?" Lora +Hunt asked. She was pretty, small +and dark, in her yellow sweater and +blue skirt.</p> + +<p>"From Cooper Creek."</p> + +<p>"Cooper Creek?" Bill said. He +frowned. "That's funny. I don't remember +seeing you before."</p> + +<p>"Why, do you come from there?"</p> + +<p>"I was born there. I know everybody +there."</p> + +<p>"I just moved in. From Oregon."</p> + +<p>"From Oregon? I didn't know +Oregon people had accents."</p> + +<p>"Do I have an accent?"</p> + +<p>"You use words funny."</p> + +<p>"How?"</p> + +<p>"I don't know. Doesn't he, +Lora?"</p> + +<p>"You slur them," Lora said, smiling. +"Talk some more. I'm interested +in dialects." She glanced at +him, white-teethed. Conger felt his +heart constrict.</p> + +<p>"I have a speech impediment."</p> + +<p>"Oh." Her eyes widened. "I'm +sorry."</p> + +<p>They looked at him curiously as +the car purred along. Conger for his +part was struggling to find some way +of asking them questions without +seeming curious. "I guess people +from out of town don't come here +much," he said. "Strangers."</p> + +<p>"No." Bill shook his head. "Not +very much."</p> + +<p>"I'll bet I'm the first outsider for +a long time."</p> + +<p>"I guess so."</p> + +<p>Conger hesitated. "A friend of +mine—someone I know, might be +coming through here. Where do +you suppose I might—" He stopped. +"Would there be anyone certain to +see him? Someone I could ask, +make sure I don't miss him if he +comes?"</p> + +<p>They were puzzled. "Just keep +your eyes open. Cooper Creek isn't +very big."</p> + +<p>"No. That's right."</p> + +<p>They drove in silence. Conger +studied the outline of the girl. Probably +she was the boy's mistress. Perhaps +she was his trial wife. Or had +they developed trial marriage back +so far? He could not remember. +But surely such an attractive girl +would be someone's mistress by +this time; she would be sixteen or +so, by her looks. He might ask her +sometime, if they ever met again.</p> + +<hr /> + +<p class="cap"><span class="dcap">The</span> next day Conger went +walking along the one main +street of Cooper Creek. He passed +the general store, the two filling stations, +and then the post office. At +the corner was the soda fountain.</p> + +<p>He stopped. Lora was sitting inside, +talking to the clerk. She was +laughing, rocking back and forth.</p> + +<p>Conger pushed the door open. +Warm air rushed around him. Lora +was drinking hot chocolate, with +whipped cream. She looked up in +surprise as he slid into the seat beside +her.</p> + +<p>"I beg your pardon," he said. +"Am I intruding?"</p> + +<p>"No." She shook her head. Her +eyes were large and dark. "Not at +all."</p> + +<p>The clerk came over. "What do +you want?"</p> + +<p>Conger looked at the chocolate. +"Same as she has."</p> + +<p>Lora was watching Conger, her +arms folded, elbows on the counter. +She smiled at him. "By the way. +You don't know my name. Lora +Hunt."</p> + +<p>She was holding out her hand. +He took it awkwardly, not knowing +what to do with it. "Conger is my +name," he murmured.</p> + +<p>"Conger? Is that your last or first +name?"</p> + +<p>"Last or first?" He hesitated. +"Last. Omar Conger."</p> + +<p>"Omar?" She laughed. "That's +like the poet, Omar Khayyam."</p> + +<p>"I don't know of him. I know +very little of poets. We restored +very few works of art. Usually only +the Church has been interested +enough—" He broke off. She was +staring. He flushed. "Where I +come from," he finished.</p> + +<p>"The Church? Which church do +you mean?"</p> + +<p>"The Church." He was confused. +The chocolate came and he began +to sip it gratefully. Lora was still +watching him.</p> + +<p>"You're an unusual person," she +said. "Bill didn't like you, but he +never likes anything different. He's +so—so prosaic. Don't you think +that when a person gets older he +should become—broadened in his +outlook?"</p> + +<p>Conger nodded.</p> + +<p>"He says foreign people ought +to stay where they belong, not come +here. But you're not so foreign. He +means orientals; you know."</p> + +<p>Conger nodded.</p> + +<p>The screen door opened behind +them. Bill came into the room. He +stared at them. "Well," he said.</p> + +<p>Conger turned. "Hello."</p> + +<p>"Well." Bill sat down. "Hello, +Lora." He was looking at Conger. +"I didn't expect to see you here."</p> + +<p>Conger tensed. He could feel the +hostility of the boy. "Something +wrong with that?"</p> + +<p>"No. Nothing wrong with it."</p> + +<p>There was silence. Suddenly Bill +turned to Lora. "Come on. Let's +go."</p> + +<p>"Go?" She was astonished. +"Why?"</p> + +<p>"Just go!" He grabbed her hand. +"Come on! The car's outside."</p> + +<p>"Why, Bill Willet," Lora said. +"You're jealous!"</p> + +<p>"Who is this guy?" Bill said. "Do +you know anything about him? +Look at him, his beard—"</p> + +<p>She flared. "So what? Just because +he doesn't drive a Packard +and go to Cooper High!"</p> + +<p>Conger sized the boy up. He was +big—big and strong. Probably he +was part of some civil control organization.</p> + +<p>"Sorry," Conger said. "I'll go."</p> + +<p>"What's your business in town?" +Bill asked. "What are you doing +here? Why are you hanging around +Lora?"</p> + +<p>Conger looked at the girl. He +shrugged. "No reason. I'll see you +later."</p> + +<p>He turned away. And froze. Bill +had moved. Conger's fingers went +to his belt. <i>Half pressure</i>, he whispered +to himself. <i>No more. Half +pressure.</i></p> + +<p>He squeezed. The room leaped +around him. He himself was protected +by the lining of his clothing, +the plastic sheathing inside.</p> + +<p>"My God—" Lora put her hands +up. Conger cursed. He hadn't +meant any of it for her. But it would +wear off. There was only a half-amp +to it. It would tingle.</p> + +<p>Tingle, and paralyze.</p> + +<p>He walked out the door without +looking back. He was almost to the +corner when Bill came slowly out, +holding onto the wall like a drunken +man. Conger went on.</p> + +<hr /> + +<p class="cap"><span class="dcap">As</span> Conger walked, restless, in +the night, a form loomed in +front of him. He stopped, holding +his breath.</p> + +<p>"Who is it?" a man's voice came. +Conger waited, tense.</p> + +<p>"Who is it?" the man said again. +He clicked something in his hand. +A light flashed. Conger moved.</p> + +<p>"It's me," he said.</p> + +<p>"Who is 'me'?"</p> + +<p>"Conger is my name. I'm staying +at the Appleton's place. Who are +you?"</p> + +<p>The man came slowly up to him. +He was wearing a leather jacket. +There was a gun at his waist.</p> + +<p>"I'm Sheriff Duff. I think you're +the person I want to talk to. You +were in Bloom's today, about three +o'clock?"</p> + +<p>"Bloom's?"</p> + +<p>"The fountain. Where the kids +hang out." Duff came up beside +him, shining his light into Conger's +face. Conger blinked.</p> + +<p>"Turn that thing away," he said.</p> + +<p>A pause. "All right." The light +flickered to the ground. "You were +there. Some trouble broke out between +you and the Willet boy. Is +that right? You had a beef over his +girl—"</p> + +<p>"We had a discussion," Conger +said carefully.</p> + +<p>"Then what happened?"</p> + +<p>"Why?"</p> + +<p>"I'm just curious. They say you +did something."</p> + +<p>"Did something? Did what?"</p> + +<p>"I don't know. That's what I'm +wondering. They saw a flash, and +something seemed to happen. They +all blacked out. Couldn't move."</p> + +<p>"How are they now?"</p> + +<p>"All right."</p> + +<p>There was silence.</p> + +<p>"Well?" Duff said. "What was +it? A bomb?"</p> + +<p>"A bomb?" Conger laughed. +"No. My cigarette lighter caught +fire. There was a leak, and the fluid +ignited."</p> + +<p>"Why did they all pass out?"</p> + +<p>"Fumes."</p> + +<p>Silence. Conger shifted, waiting. +His fingers moved slowly toward his +belt. The Sheriff glanced down. He +grunted.</p> + +<p>"If you say so," he said. "Anyhow, +there wasn't any real harm +done." He stepped back from Conger. +"And that Willet is a trouble-maker."</p> + +<p>"Good night, then," Conger said. +He started past the Sheriff.</p> + +<p>"One more thing, Mr. Conger. +Before you go. You don't mind if I +look at your identification, do you?"</p> + +<p>"No. Not at all." Conger reached +into his pocket. He held his wallet +out. The Sheriff took it and shined +his flashlight on it. Conger watched, +breathing shallowly. They had +worked hard on the wallet, studying +historic documents, relics of the +times, all the papers they felt would +be relevant.</p> + +<p>Duff handed it back. "Okay. Sorry +to bother you." The light winked +off.</p> + +<p>When Conger reached the house +he found the Appletons sitting +around the television set. They did +not look up as he came in. He lingered +at the door.</p> + +<p>"Can I ask you something?" he +said. Mrs. Appleton turned slowly. +"Can I ask you—what's the date?"</p> + +<p>"The date?" She studied him. +"The first of December."</p> + +<p>"December first! Why, it was +just November!"</p> + +<p>They were all looking at him. +Suddenly he remembered. In the +twentieth century they still used the +old twelve-month system. November +fed directly into December; +there was no Quartember between.</p> + +<p>He gasped. Then it was tomorrow! +The second of December! +Tomorrow!</p> + +<p>"Thanks," he said. "Thanks."</p> + +<p>He went up the stairs. What a +fool he was, forgetting. The Founder +had been taken into captivity on +the second of December, according +to the newspaper records. Tomorrow, +only twelve hours hence, the +Founder would appear to speak to +the people and then be dragged +away.</p> + +<hr /> + +<p class="cap"><span class="dcap">The</span> day was warm and bright. +Conger's shoes crunched the +melting crust of snow. On he went, +through the trees heavy with white. +He climbed a hill and strode down +the other side, sliding as he went.</p> + +<p>He stopped to look around. Everything +was silent. There was no +one in sight. He brought a thin rod +from his waist and turned the handle +of it. For a moment nothing +happened. Then there was a shimmering +in the air.</p> + +<p>The crystal cage appeared and +settled slowly down. Conger sighed. +It was good to see it again. After +all, it was his only way back.</p> + +<p>He walked up on the ridge. He +looked around with some satisfaction, +his hands on his hips. Hudson's +field was spread out, all the +way to the beginning of town. It +was bare and flat, covered with a +thin layer of snow.</p> + +<p>Here, the Founder would come. +Here, he would speak to them. +And here the authorities would +take him.</p> + +<p>Only he would be dead before +they came. He would be dead before +he even spoke.</p> + +<p>Conger returned to the crystal +globe. He pushed through the door +and stepped inside. He took the +Slem-gun from the shelf and +screwed the bolt into place. It was +ready to go, ready to fire. For a moment +he considered. Should he have +it with him?</p> + +<p>No. It might be hours before the +Founder came, and suppose someone +approached him in the meantime? +When he saw the Founder +coming toward the field, then he +could go and get the gun.</p> + +<p>Conger looked toward the shelf. +There was the neat plastic package. +He took it down and unwrapped it.</p> + +<p>He held the skull in his hands, +turning it over. In spite of himself, +a cold feeling rushed through him. +This was the man's skull, the skull +of the Founder, who was still alive, +who would come here, this day, who +would stand on the field not fifty +yards away.</p> + +<p>What if <i>he</i> could see this, his +own skull, yellow and eroded? Two +centuries old. Would he still speak? +Would he speak, if he could see it, +the grinning, aged skull? What +would there be for him to say, to +tell the people? What message +could he bring?</p> + +<p>What action would not be futile, +when a man could look upon his +own aged, yellowed skull? Better +they should enjoy their temporary +lives, while they still had them to +enjoy.</p> + +<p>A man who could hold his own +skull in his hands would believe in +few causes, few movements. Rather, +he would preach the opposite—</p> + +<p>A sound. Conger dropped the +skull back on the shelf and took up +the gun. Outside something was +moving. He went quickly to the +door, his heart beating. Was it <i>he</i>? +Was it the Founder, wandering by +himself in the cold, looking for a +place to speak? Was he meditating +over his words, choosing his sentences?</p> + +<p>What if he could see what Conger +had held!</p> + +<p>He pushed the door open, the +gun raised.</p> + +<p>Lora!</p> + +<p>He stared at her. She was dressed +in a wool jacket and boots, her +hands in her pockets. A cloud of +steam came from her mouth and +nostrils. Her breast was rising and +falling.</p> + +<p>Silently, they looked at each +other. At last Conger lowered the +gun.</p> + +<p>"What is it?" he said. "What are +you doing here?"</p> + +<p>She pointed. She did not seem +able to speak. He frowned; what +was wrong with her?</p> + +<p>"What is it?" he said. "What do +you want?" He looked in the direction +she had pointed. "I don't see +anything."</p> + +<p>"They're coming."</p> + +<p>"They? Who? Who are coming?"</p> + +<p>"They are. The police. During +the night the Sheriff had the state +police send cars. All around, everywhere. +Blocking the roads. There's +about sixty of them coming. Some +from town, some around behind." +She stopped, gasping. "They said—they +said—"</p> + +<p>"What?"</p> + +<p>"They said you were some kind +of a Communist. They said—"</p> + +<hr /> + +<p class="cap"><span class="dcap">Conger</span> went into the cage. +He put the gun down on the +shelf and came back out. He leaped +down and went to the girl.</p> + +<p>"Thanks. You came here to tell +me? You don't believe it?"</p> + +<p>"I don't know."</p> + +<p>"Did you come alone?"</p> + +<p>"No. Joe brought me in his truck. +From town."</p> + +<p>"Joe? Who's he?"</p> + +<p>"Joe French. The plumber. He's +a friend of Dad's."</p> + +<p>"Let's go." They crossed the +snow, up the ridge and onto the +field. The little panel truck was +parked half way across the field. A +heavy short man was sitting behind +the wheel, smoking his pipe. He sat +up as he saw the two of them coming +toward him.</p> + +<p>"Are you the one?" he said to +Conger.</p> + +<p>"Yes. Thanks for warning me."</p> + +<p>The plumber shrugged. "I don't +know anything about this. Lora +says you're all right." He turned +around. "It might interest you to +know some more of them are coming. +Not to warn you—just +curious."</p> + +<p>"More of them?" Conger looked +toward the town. Black shapes were +picking their way across the snow.</p> + +<p>"People from the town. You can't +keep this sort of thing quiet, not in +a small town. We all listen to the +police radio; they heard the same +way Lora did. Someone tuned in, +spread it around—"</p> + +<p>The shapes were getting closer. +Conger could, make out a couple of +them. Bill Willet was there, with +some boys from the high school. +The Appletons were along, hanging +back in the rear.</p> + +<p>"Even Ed Davies," Conger murmured.</p> + +<p>The storekeeper was toiling onto +the field, with three or four other +men from the town.</p> + +<p>"All curious as hell," French +said. "Well, I guess I'm going back +to town. I don't want my truck shot +full of holes. Come on, Lora."</p> + +<p>She was looking up at Conger, +wide-eyed.</p> + +<p>"Come on," French said again. +"Let's go. You sure as hell can't +stay here, you know."</p> + +<p>"Why?"</p> + +<p>"There may be shooting. That's +what they all came to see. You +know that don't you, Conger?"</p> + +<p>"Yes."</p> + +<p>"You have a gun? Or don't you +care?" French smiled a little. +"They've picked up a lot of people +in their time, you know. You won't +be lonely."</p> + +<p>He cared, all right! He had to +stay here, on the field. He couldn't +afford to let them take him away. +Any minute the Founder would appear, +would step onto the field. +Would he be one of the townsmen, +standing silently at the foot of the +field, waiting, watching?</p> + +<p>Or maybe he was Joe French. Or +maybe one of the cops. Anyone of +them might find himself moved to +speak. And the few words spoken +this day were going to be important +for a long time.</p> + +<p>And Conger had to be there, +ready when the first word was +uttered!</p> + +<p>"I care," he said. "You go on +back to town. Take the girl with +you."</p> + +<p>Lora got stiffly in beside Joe +French. The plumber started up +the motor. "Look at them, standing +there," he said. "Like vultures. +Waiting to see someone get +killed."</p> + +<hr /> + +<p class="cap"><span class="dcap">The</span> truck drove away, Lora sitting +stiff and silent, frightened +now. Conger watched for a moment. +Then he dashed back into the +woods, between the trees, toward +the ridge.</p> + +<p>He could get away, of course. +Anytime he wanted to he could get +away. All he had to do was to leap +into the crystal cage and turn the +handles. But he had a job, an important +job. He had to be here, +here at this place, at this time.</p> + +<p>He reached the cage and opened +the door. He went inside and +picked up the gun from the shelf. +The Slem-gun would take care of +them. He notched it up to full +count. The chain reaction from it +would flatten them all, the police, +the curious, sadistic people—</p> + +<p>They wouldn't take him! Before +they got him, all of them +would be dead. <i>He</i> would get away. +He would escape. By the end of the +day they would all be dead, if that +was what they wanted, and he—</p> + +<p>He saw the skull.</p> + +<p>Suddenly he put the gun down. +He picked up the skull. He turned +the skull over. He looked at the +teeth. Then he went to the mirror.</p> + +<p>He held the skull up, looking in +the mirror. He pressed the skull +against his cheek. Beside his own +face the grinning skull leered back +at him, beside <i>his</i> skull, against his +living flesh.</p> + +<p>He bared his teeth. And he knew.</p> + +<p>It was his own skull that he held. +He was the one who would die. He +was the Founder.</p> + +<p>After a time he put the skull +down. For a few minutes he stood +at the controls, playing with them +idly. He could hear the sound of +motors outside, the muffled noise of +men. Should he go back to the present, +where the Speaker waited? He +could escape, of course—</p> + +<p>Escape?</p> + +<p>He turned toward the skull. +There it was, his skull, yellow with +age. Escape? Escape, when he had +held it in his own hands?</p> + +<p>What did it matter if he put it +off a month, a year, ten years, even +fifty? Time was nothing. He had +sipped chocolate with a girl born a +hundred and fifty years before his +time. Escape? For a little while, +perhaps.</p> + +<p>But he could not <i>really</i> escape, +no more so than anyone else had +ever escaped, or ever would.</p> + +<p>Only, he had held it in his hands, +his own bones, his own death's-head.</p> + +<p><i>They</i> had not.</p> + +<p>He went out the door and across +the field, empty handed. There +were a lot of them standing around, +gathered together, waiting. They +expected a good fight; they knew +he had something. They had heard +about the incident at the fountain.</p> + +<p>And there were plenty of police—police +with guns and tear gas, creeping +across the hills and ridges, between +the trees, closer and closer. It +was an old story, in this century.</p> + +<p>One of the men tossed something +at him. It fell in the snow by his +feet, and he looked down. It was a +rock. He smiled.</p> + +<p>"Come on!" one of them called. +"Don't you have any bombs?"</p> + +<p>"Throw a bomb! You with the +beard! Throw a bomb!"</p> + +<p>"Let 'em have it!"</p> + +<p>"Toss a few A Bombs!"</p> + +<hr /> + +<p class="cap"><span class="dcap">They</span> began to laugh. He smiled. +He put his hands to his hips. +They suddenly turned silent, seeing +that he was going to speak.</p> + +<p>"I'm sorry," he said simply. "I +don't have any bombs. You're mistaken."</p> + +<p>There was a flurry of murmuring.</p> + +<p>"I have a gun," he went on. "A +very good one. Made by science +even more advanced than your +own. But I'm not going to use that, +either."</p> + +<p>They were puzzled.</p> + +<p>"Why not?" someone called. At +the edge of the group an older +woman was watching. He felt a +sudden shock. He had seen her before. +Where?</p> + +<p>He remembered. The day at the +library. As he had turned the corner +he had seen her. She had noticed +him and been astounded. At the +time, he did not understand why.</p> + +<p>Conger grinned. So he <i>would</i> +escape death, the man who right +now was voluntarily accepting it. +They were laughing, laughing at a +man who had a gun but didn't use +it. But by a strange twist of science +he would appear again, a few +months later, after his bones had +been buried under the floor of a +jail.</p> + +<p>And so, in a fashion, he would +escape death. He would die, but +then, after a period of months, he +would live again, briefly, for an +afternoon.</p> + +<p>An afternoon. Yet long enough +for them to see him, to understand +that he was still alive. To know that +somehow he had returned to life.</p> + +<p>And then, finally, he would appear +once more, after two hundred +years had passed. Two centuries +later.</p> + +<p>He would be born again, born, as +a matter of fact, in a small trading +village on Mars. He would grow up, +learning to hunt and trade—</p> + +<p>A police car came on the edge of +the field and stopped. The people +retreated a little. Conger raised his +hands.</p> + +<p>"I have an odd paradox for you," +he said. "Those who take lives will +lose their own. Those who kill, will +die. But he who gives his own life +away will live again!"</p> + +<p>They laughed, faintly, nervously. +The police were coming out, walking +toward him. He smiled. He had +said everything he intended to say. +It was a good little paradox he had +coined. They would puzzle over it, +remember it.</p> + +<p class="pr1">Smiling, Conger awaited a death +foreordained.</p> + +<p class="center">THE END</p> + +<div class="trn"><div class="figt"><a href="images/001-2.jpg"><img src="images/001-1.jpg" width="137" height="200" alt="" title="" /></a></div> + +<p><big><b>Transcriber's Note:</b></big></p> + +<p>This etext was produced from <i>If Worlds of Science Fiction</i> September 1952. +Extensive research did not uncover any evidence that the U.S. +copyright on this publication was renewed. Minor spelling and +typographical errors have been corrected without note.</p></div> + + + + + + + + +<pre> + + + + + +End of the Project Gutenberg EBook of The Skull, by Philip K. 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Dick + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: The Skull + +Author: Philip K. Dick + +Release Date: October 14, 2009 [EBook #30255] + +Language: English + +Character set encoding: ASCII + +*** START OF THIS PROJECT GUTENBERG EBOOK THE SKULL *** + + + + +Produced by Greg Weeks, Stephen Blundell and the Online +Distributed Proofreading Team at https://www.pgdp.net + + + + + + + + + + _Conger agreed to kill a stranger he had + never seen. But he would make no mistakes + because he had the stranger's skull under + his arm._ + + + THE + SKULL + + By Philip K. Dick + + +"What is this opportunity?" Conger asked. "Go on. I'm interested." + +The room was silent; all faces were fixed on Conger--still in the drab +prison uniform. The Speaker leaned forward slowly. + +"Before you went to prison your trading business was paying well--all +illegal--all very profitable. Now you have nothing, except the prospect +of another six years in a cell." + +Conger scowled. + +"There is a certain situation, very important to this Council, that +requires your peculiar abilities. Also, it is a situation you might find +interesting. You were a hunter, were you not? You've done a great deal +of trapping, hiding in the bushes, waiting at night for the game? I +imagine hunting must be a source of satisfaction to you, the chase, the +stalking--" + +Conger sighed. His lips twisted. "All right," he said. "Leave that out. +Get to the point. Who do you want me to kill?" + +The Speaker smiled. "All in proper sequence," he said softly. + + * * * * * + +The car slid to a stop. It was night; there was no light anywhere along +the street. Conger looked out. "Where are we? What is this place?" + +The hand of the guard pressed into his arm. "Come. Through that door." + +Conger stepped down, onto the damp sidewalk. The guard came swiftly +after him, and then the Speaker. Conger took a deep breath of the cold +air. He studied the dim outline of the building rising up before them. + +"I know this place. I've seen it before." He squinted, his eyes growing +accustomed to the dark. Suddenly he became alert. "This is--" + +"Yes. The First Church." The Speaker walked toward the steps. "We're +expected." + +"Expected? _Here?_" + +"Yes." The Speaker mounted the stairs. "You know we're not allowed in +their Churches, especially with guns!" He stopped. Two armed soldiers +loomed up ahead, one on each side. + +"All right?" The Speaker looked up at them. They nodded. The door of the +Church was open. Conger could see other soldiers inside, standing about, +young soldiers with large eyes, gazing at the ikons and holy images. + +"I see," he said. + +"It was necessary," the Speaker said. "As you know, we have been +singularly unfortunate in the past in our relations with the First +Church." + +"This won't help." + +"But it's worth it. You will see." + + * * * * * + +They passed through the hall and into the main chamber where the altar +piece was, and the kneeling places. The Speaker scarcely glanced at the +altar as they passed by. He pushed open a small side door and beckoned +Conger through. + +"In here. We have to hurry. The faithful will be flocking in soon." + +Conger entered, blinking. They were in a small chamber, low-ceilinged, +with dark panels of old wood. There was a smell of ashes and smoldering +spices in the room. He sniffed. "What's that? The smell." + +"Cups on the wall. I don't know." The Speaker crossed impatiently to the +far side. "According to our information, it is hidden here by this--" + +Conger looked around the room. He saw books and papers, holy signs and +images. A strange low shiver went through him. + +"Does my job involve anyone of the Church? If it does--" + +The Speaker turned, astonished. "Can it be that you believe in the +Founder? Is it possible, a hunter, a killer--" + +"No. Of course not. All their business about resignation to death, +non-violence--" + +"What is it, then?" + +Conger shrugged. "I've been taught not to mix with such as these. They +have strange abilities. And you can't reason with them." + +The Speaker studied Conger thoughtfully. "You have the wrong idea. It is +no one here that we have in mind. We've found that killing them only +tends to increase their numbers." + +"Then why come here? Let's leave." + +"No. We came for something important. Something you will need to +identify your man. Without it you won't be able to find him." A trace +of a smile crossed the Speaker's face. "We don't want you to kill the +wrong person. It's too important." + +"I don't make mistakes." Conger's chest rose. "Listen, Speaker--" + +"This is an unusual situation," the Speaker said. "You see, the person +you are after--the person that we are sending you to find--is known only +by certain objects here. They are the only traces, the only means of +identification. Without them--" + +"What are they?" + +He came toward the Speaker. The Speaker moved to one side. "Look," he +said. He drew a sliding wall away, showing a dark square hole. "In +there." + +Conger squatted down, staring in. He frowned. "A skull! A skeleton!" + +"The man you are after has been dead for two centuries," the Speaker +said. "This is all that remains of him. And this is all you have with +which to find him." + +For a long time Conger said nothing. He stared down at the bones, dimly +visible in the recess of the wall. How could a man dead centuries be +killed? How could he be stalked, brought down? + +Conger was a hunter, a man who had lived as he pleased, where he +pleased. He had kept himself alive by trading, bringing furs and pelts +in from the Provinces on his own ship, riding at high speed, slipping +through the customs line around Earth. + +He had hunted in the great mountains of the moon. He had stalked through +empty Martian cities. He had explored-- + +The Speaker said, "Soldier, take these objects and have them carried to +the car. Don't lose any part of them." + +The soldier went into the cupboard, reaching gingerly, squatting on his +heels. + +"It is my hope," the Speaker continued softly, to Conger, "that you will +demonstrate your loyalty to us, now. There are always ways for citizens +to restore themselves, to show their devotion to their society. For you +I think this would be a very good chance. I seriously doubt that a +better one will come. And for your efforts there will be quite a +restitution, of course." + +The two men looked at each other; Conger, thin, unkempt, the Speaker +immaculate in his uniform. + +"I understand you," Conger said. "I mean, I understand this part, about +the chance. But how can a man who has been dead two centuries be--" + +"I'll explain later," the Speaker said. "Right now we have to hurry!" +The soldier had gone out with the bones, wrapped in a blanket held +carefully in his arms. The Speaker walked to the door. "Come. They've +already discovered that we've broken in here, and they'll be coming at +any moment." + +They hurried down the damp steps to the waiting car. A second later the +driver lifted the car up into the air, above the house-tops. + + * * * * * + +The Speaker settled back in the seat. + +"The First Church has an interesting past," he said. "I suppose you are +familiar with it, but I'd like to speak of a few points that are of +relevancy to us. + +"It was in the twentieth century that the Movement began--during one of +the periodic wars. The Movement developed rapidly, feeding on the +general sense of futility, the realization that each war was breeding +greater war, with no end in sight. The Movement posed a simple answer to +the problem: Without military preparations--weapons--there could be no +war. And without machinery and complex scientific technocracy there +could be no weapons. + +"The Movement preached that you couldn't stop war by planning for it. +They preached that man was losing to his machinery and science, that it +was getting away from him, pushing him into greater and greater wars. +Down with society, they shouted. Down with factories and science! A few +more wars and there wouldn't be much left of the world. + +"The Founder was an obscure person from a small town in the American +Middle West. We don't even know his name. All we know is that one day he +appeared, preaching a doctrine of non-violence, non-resistance; no +fighting, no paying taxes for guns, no research except for medicine. +Live out your life quietly, tending your garden, staying out of public +affairs; mind your own business. Be obscure, unknown, poor. Give away +most of your possessions, leave the city. At least that was what +developed from what he told the people." + +The car dropped down and landed on a roof. + +"The Founder preached this doctrine, or the germ of it; there's no +telling how much the faithful have added themselves. The local +authorities picked him up at once, of course. Apparently they were +convinced that he meant it; he was never released. He was put to death, +and his body buried secretly. It seemed that the cult was finished." + +The Speaker smiled. "Unfortunately, some of his disciples reported +seeing him after the date of his death. The rumor spread; he had +conquered death, he was divine. It took hold, grew. And here we are +today, with a First Church, obstructing all social progress, destroying +society, sowing the seeds of anarchy--" + +"But the wars," Conger said. "About them?" + +"The wars? Well, there were no more wars. It must be acknowledged that +the elimination of war was the direct result of non-violence practiced +on a general scale. But we can take a more objective view of war today. +What was so terrible about it? War had a profound selective value, +perfectly in accord with the teachings of Darwin and Mendel and others. +Without war the mass of useless, incompetent mankind, without training +or intelligence, is permitted to grow and expand unchecked. War acted to +reduce their numbers; like storms and earthquakes and droughts, it was +nature's way of eliminating the unfit. + +"Without war the lower elements of mankind have increased all out of +proportion. They threaten the educated few, those with scientific +knowledge and training, the ones equipped to direct society. They have +no regard for science or a scientific society, based on reason. And this +Movement seeks to aid and abet them. Only when scientists are in full +control can the--" + + * * * * * + +He looked at his watch and then kicked the car door open. "I'll tell you +the rest as we walk." + +They crossed the dark roof. "Doubtless you now know whom those bones +belonged to, who it is that we are after. He has been dead just two +centuries, now, this ignorant man from the Middle West, this Founder. +The tragedy is that the authorities of the time acted too slowly. They +allowed him to speak, to get his message across. He was allowed to +preach, to start his cult. And once such a thing is under way, there's +no stopping it. + +"But what if he had died before he preached? What if none of his +doctrines had ever been spoken? It took only a moment for him to utter +them, that we know. They say he spoke just once, just one time. _Then_ +the authorities came, taking him away. He offered no resistance; the +incident was small." + +The Speaker turned to Conger. + +"Small, but we're reaping the consequences of it today." + +They went inside the building. Inside, the soldiers had already laid out +the skeleton on a table. The soldiers stood around it, their young faces +intense. + +Conger went over to the table, pushing past them. He bent down, staring +at the bones. "So these are his remains," he murmured. "The Founder. The +Church has hidden them for two centuries." + +"Quite so," the Speaker said. "But now we have them. Come along down the +hall." + +They went across the room to a door. The Speaker pushed it open. +Technicians looked up. Conger saw machinery, whirring and turning; +benches and retorts. In the center of the room was a gleaming crystal +cage. + +The Speaker handed a Slem-gun to Conger. "The important thing to +remember is that the skull must be saved and brought back--for +comparison and proof. Aim low--at the chest." + +Conger weighed the gun in his hands. "It feels good," he said. "I know +this gun--that is, I've seen them before, but I never used one." + +The Speaker nodded. "You will be instructed on the use of the gun and +the operation of the cage. You will be given all data we have on the +time and location. The exact spot was a place called Hudson's field. +About 1960 in a small community outside Denver, Colorado. And don't +forget--the only means of identification you will have will be the +skull. There are visible characteristics of the front teeth, especially +the left incisor--" + +Conger listened absently. He was watching two men in white carefully +wrapping the skull in a plastic bag. They tied it and carried it into +the crystal cage. "And if I should make a mistake?" + +"Pick the wrong man? Then find the right one. Don't come back until you +succeed in reaching this Founder. And you can't wait for him to start +speaking; that's what we must avoid! You must act in advance. Take +chances; shoot as soon as you think you've found him. He'll be someone +unusual, probably a stranger in the area. Apparently he wasn't known." + +Conger listened dimly. + +"Do you think you have it all now?" the Speaker asked. + +"Yes. I think so." Conger entered the crystal cage and sat down, placing +his hands on the wheel. + +"Good luck," the Speaker said. + +"We'll be awaiting the outcome. There's some philosophical doubt as to +whether one can alter the past. This should answer the question once and +for all." + +Conger fingered the controls of the cage. + +"By the way," the Speaker said. "Don't try to use this cage for purposes +not anticipated in your job. We have a constant trace on it. If we want +it back, we can get it back. Good luck." + +Conger said nothing. The cage was sealed. He raised his finger and +touched the wheel control. He turned the wheel carefully. + +He was still staring at the plastic bag when the room outside vanished. + +For a long time there was nothing at all. Nothing beyond the crystal +mesh of the cage. Thoughts rushed through Conger's mind, helter-skelter. +How would he know the man? How could he be certain, in advance? What had +he looked like? What was his name? How had he acted, before he spoke? +Would he be an ordinary person, or some strange outlandish crank? + +Conger picked up the Slem-gun and held it against his cheek. The metal +of the gun was cool and smooth. He practiced moving the sight. It was a +beautiful gun, the kind of gun he could fall in love with. If he had +owned such a gun in the Martian desert--on the long nights when he had +lain, cramped and numbed with cold, waiting for things that moved +through the darkness-- + +He put the gun down and adjusted the meter readings of the cage. The +spiraling mist was beginning to condense and settle. All at once forms +wavered and fluttered around him. + +Colors, sounds, movements filtered through the crystal wire. He clamped +the controls off and stood up. + + * * * * * + +He was on a ridge overlooking a small town. It was high noon. The air +was crisp and bright. A few automobiles moved along a road. Off in the +distance were some level fields. Conger went to the door and stepped +outside. He sniffed the air. Then he went back into the cage. + +He stood before the mirror over the shelf, examining his features. He +had trimmed his beard--they had not got him to cut it off--and his hair +was neat. He was dressed in the clothing of the middle-twentieth +century, the odd collar and coat, the shoes of animal hide. In his +pocket was money of the times. That was important. Nothing more was +needed. + +Nothing, except his ability, his special cunning. But he had never used +it in such a way before. + +He walked down the road toward the town. + +The first things he noticed were the newspapers on the stands. April 5, +1961. He was not too far off. He looked around him. There was a filling +station, a garage, some taverns, and a ten-cent store. Down the street +was a grocery store and some public buildings. + +A few minutes later he mounted the stairs of the little public library +and passed through the doors into the warm interior. + +The librarian looked up, smiling. + +"Good afternoon," she said. + +He smiled, not speaking because his words would not be correct; accented +and strange, probably. He went over to a table and sat down by a heap of +magazines. For a moment he glanced through them. Then he was on his feet +again. He crossed the room to a wide rack against the wall. His heart +began to beat heavily. + +Newspapers--weeks on end. He took a roll of them over to the table and +began to scan them quickly. The print was odd, the letters strange. Some +of the words were unfamiliar. + +He set the papers aside and searched farther. At last he found what he +wanted. He carried the _Cherrywood Gazette_ to the table and opened it +to the first page. He found what he wanted: + + PRISONER HANGS SELF + + An unidentified man, held by the county sheriff's office for + suspicion of criminal syndicalism, was found dead this morning, by-- + +He finished the item. It was vague, uninforming. He needed more. He +carried the _Gazette_ back to the racks and then, after a moment's +hesitation, approached the librarian. + +"More?" he asked. "More papers. Old ones?" + +She frowned. "How old? Which papers?" + +"Months old. And--before." + +"Of the _Gazette_? This is all we have. What did you want? What are you +looking for? Maybe I can help you." + +He was silent. + +"You might find older issues at the _Gazette_ office," the woman said, +taking off her glasses. "Why don't you try there? But if you'd tell me, +maybe I could help you--" + +He went out. + +The _Gazette_ office was down a side street; the sidewalk was broken and +cracked. He went inside. A heater glowed in the corner of the small +office. A heavy-set man stood up and came slowly over to the counter. + +"What did you want, mister?" he said. + +"Old papers. A month. Or more." + +"To buy? You want to buy them?" + +"Yes." He held out some of the money he had. The man stared. + +"Sure," he said. "Sure. Wait a minute." He went quickly out of the room. +When he came back he was staggering under the weight of his armload, his +face red. "Here are some," he grunted. "Took what I could find. Covers +the whole year. And if you want more--" + +Conger carried the papers outside. He sat down by the road and began to +go through them. + + * * * * * + +What he wanted was four months back, in December. It was a tiny item, so +small that he almost missed it. His hands trembled as he scanned it, +using the small dictionary for some of the archaic terms. + + MAN ARRESTED FOR UNLICENSED DEMONSTRATION + + An unidentified man who refused to give his name was picked up in + Cooper Creek by special agents of the sheriff's office, according to + Sheriff Duff. It was said the man was recently noticed in this area + and had been watched continually. It was-- + +Cooper Creek. December, 1960. His heart pounded. That was all he needed +to know. He stood up, shaking himself, stamping his feet on the cold +ground. The sun had moved across the sky to the very edge of the hills. +He smiled. Already he had discovered the exact time and place. Now he +needed only to go back, perhaps to November, to Cooper Creek-- + +He walked back through the main section of town, past the library, past +the grocery store. It would not be hard; the hard part was over. He +would go there; rent a room, prepare to wait until the man appeared. + +He turned the corner. A woman was coming out of a doorway, loaded down +with packages. Conger stepped aside to let her pass. The woman glanced +at him. Suddenly her face turned white. She stared, her mouth open. + +Conger hurried on. He looked back. What was wrong with her? The woman +was still staring; she had dropped the packages to the ground. He +increased his speed. He turned a second corner and went up a side +street. When he looked back again the woman had come to the entrance of +the street and was starting after him. A man joined her, and the two of +them began to run toward him. + +He lost them and left the town, striding quickly, easily, up into the +hills at the edge of town. When he reached the cage he stopped. What had +happened? Was it something about his clothing? His dress? + +He pondered. Then, as the sun set, he stepped into the cage. + +Conger sat before the wheel. For a moment he waited, his hands resting +lightly on the control. Then he turned the wheel, just a little, +following the control readings carefully. + +The grayness settled down around him. + +But not for very long. + + * * * * * + +The man looked him over critically. "You better come inside," he said. +"Out of the cold." + +"Thanks." Conger went gratefully through the open door, into the +living-room. It was warm and close from the heat of the little kerosene +heater in the corner. A woman, large and shapeless in her flowered +dress, came from the kitchen. She and the man studied him critically. + +"It's a good room," the woman said. "I'm Mrs. Appleton. It's got heat. +You need that this time of year." + +"Yes." He nodded, looking around. + +"You want to eat with us?" + +"What?" + +"You want to eat with us?" The man's brows knitted. "You're not a +foreigner, are you, mister?" + +"No." He smiled. "I was born in this country. Quite far west, though." + +"California?" + +"No." He hesitated. "In Oregon." + +"What's it like up there?" Mrs. Appleton asked. "I hear there's a lot of +trees and green. It's so barren here. I come from Chicago, myself." + +"That's the Middle West," the man said to her. "You ain't no foreigner." + +"Oregon isn't foreign, either," Conger said. "It's part of the United +States." + +The man nodded absently. He was staring at Conger's clothing. + +"That's a funny suit you got on, mister," he said. "Where'd you get +that?" + +Conger was lost. He shifted uneasily. "It's a good suit," he said. +"Maybe I better go some other place, if you don't want me here." + +They both raised their hands protestingly. The woman smiled at him. "We +just have to look out for those Reds. You know, the government is always +warning us about them." + +"The Reds?" He was puzzled. + +"The government says they're all around. We're supposed to report +anything strange or unusual, anybody doesn't act normal." + +"Like me?" + +They looked embarrassed. "Well, you don't look like a Red to me," the +man said. "But we have to be careful. The _Tribune_ says--" + +Conger half listened. It was going to be easier than he had thought. +Clearly, he would know as soon as the Founder appeared. These people, so +suspicious of anything different, would be buzzing and gossiping and +spreading the story. All he had to do was lie low and listen, down at +the general store, perhaps. Or even here, in Mrs. Appleton's boarding +house. + +"Can I see the room?" he said. + +"Certainly." Mrs. Appleton went to the stairs. "I'll be glad to show it +to you." + +They went upstairs. It was colder upstairs, but not nearly as cold as +outside. Nor as cold as nights on the Martian deserts. For that he was +grateful. + + * * * * * + +He was walking slowly around the store, looking at the cans of +vegetables, the frozen packages of fish and meats shining and clean in +the open refrigerator counters. + +Ed Davies came toward him. "Can I help you?" he said. The man was a +little oddly dressed, and with a beard! Ed couldn't help smiling. + +"Nothing," the man said in a funny voice. "Just looking." + +"Sure," Ed said. He walked back behind the counter. Mrs. Hacket was +wheeling her cart up. + +"Who's he?" she whispered, her sharp face turned, her nose moving, as if +it were sniffing. "I never seen him before." + +"I don't know." + +"Looks funny to me. Why does he wear a beard? No one else wears a +beard. Must be something the matter with him." + +"Maybe he likes to wear a beard. I had an uncle who--" + +"Wait." Mrs. Hacket stiffened. "Didn't that--what was his name? The +Red--that old one. Didn't he have a beard? Marx. He had a beard." + +Ed laughed. "This ain't Karl Marx. I saw a photograph of him once." + +Mrs. Hacket was staring at him. "You did?" + +"Sure." He flushed a little. "What's the matter with that?" + +"I'd sure like to know more about him," Mrs. Hacket said. "I think we +ought to know more, for our own good." + + * * * * * + +"Hey, mister! Want a ride?" + +Conger turned quickly, dropping his hand to his belt. He relaxed. Two +young kids in a car, a girl and a boy. He smiled at them. "A ride? +Sure." + +Conger got into the car and closed the door. Bill Willet pushed the gas +and the car roared down the highway. + +"I appreciate a ride," Conger said carefully. "I was taking a walk +between towns, but it was farther than I thought." + +"Where are you from?" Lora Hunt asked. She was pretty, small and dark, +in her yellow sweater and blue skirt. + +"From Cooper Creek." + +"Cooper Creek?" Bill said. He frowned. "That's funny. I don't remember +seeing you before." + +"Why, do you come from there?" + +"I was born there. I know everybody there." + +"I just moved in. From Oregon." + +"From Oregon? I didn't know Oregon people had accents." + +"Do I have an accent?" + +"You use words funny." + +"How?" + +"I don't know. Doesn't he, Lora?" + +"You slur them," Lora said, smiling. "Talk some more. I'm interested in +dialects." She glanced at him, white-teethed. Conger felt his heart +constrict. + +"I have a speech impediment." + +"Oh." Her eyes widened. "I'm sorry." + +They looked at him curiously as the car purred along. Conger for his +part was struggling to find some way of asking them questions without +seeming curious. "I guess people from out of town don't come here much," +he said. "Strangers." + +"No." Bill shook his head. "Not very much." + +"I'll bet I'm the first outsider for a long time." + +"I guess so." + +Conger hesitated. "A friend of mine--someone I know, might be coming +through here. Where do you suppose I might--" He stopped. "Would there +be anyone certain to see him? Someone I could ask, make sure I don't +miss him if he comes?" + +They were puzzled. "Just keep your eyes open. Cooper Creek isn't very +big." + +"No. That's right." + +They drove in silence. Conger studied the outline of the girl. Probably +she was the boy's mistress. Perhaps she was his trial wife. Or had they +developed trial marriage back so far? He could not remember. But surely +such an attractive girl would be someone's mistress by this time; she +would be sixteen or so, by her looks. He might ask her sometime, if they +ever met again. + + * * * * * + +The next day Conger went walking along the one main street of Cooper +Creek. He passed the general store, the two filling stations, and then +the post office. At the corner was the soda fountain. + +He stopped. Lora was sitting inside, talking to the clerk. She was +laughing, rocking back and forth. + +Conger pushed the door open. Warm air rushed around him. Lora was +drinking hot chocolate, with whipped cream. She looked up in surprise as +he slid into the seat beside her. + +"I beg your pardon," he said. "Am I intruding?" + +"No." She shook her head. Her eyes were large and dark. "Not at all." + +The clerk came over. "What do you want?" + +Conger looked at the chocolate. "Same as she has." + +Lora was watching Conger, her arms folded, elbows on the counter. She +smiled at him. "By the way. You don't know my name. Lora Hunt." + +She was holding out her hand. He took it awkwardly, not knowing what to +do with it. "Conger is my name," he murmured. + +"Conger? Is that your last or first name?" + +"Last or first?" He hesitated. "Last. Omar Conger." + +"Omar?" She laughed. "That's like the poet, Omar Khayyam." + +"I don't know of him. I know very little of poets. We restored very few +works of art. Usually only the Church has been interested enough--" He +broke off. She was staring. He flushed. "Where I come from," he +finished. + +"The Church? Which church do you mean?" + +"The Church." He was confused. The chocolate came and he began to sip it +gratefully. Lora was still watching him. + +"You're an unusual person," she said. "Bill didn't like you, but he +never likes anything different. He's so--so prosaic. Don't you think +that when a person gets older he should become--broadened in his +outlook?" + +Conger nodded. + +"He says foreign people ought to stay where they belong, not come here. +But you're not so foreign. He means orientals; you know." + +Conger nodded. + +The screen door opened behind them. Bill came into the room. He stared +at them. "Well," he said. + +Conger turned. "Hello." + +"Well." Bill sat down. "Hello, Lora." He was looking at Conger. "I +didn't expect to see you here." + +Conger tensed. He could feel the hostility of the boy. "Something wrong +with that?" + +"No. Nothing wrong with it." + +There was silence. Suddenly Bill turned to Lora. "Come on. Let's go." + +"Go?" She was astonished. "Why?" + +"Just go!" He grabbed her hand. "Come on! The car's outside." + +"Why, Bill Willet," Lora said. "You're jealous!" + +"Who is this guy?" Bill said. "Do you know anything about him? Look at +him, his beard--" + +She flared. "So what? Just because he doesn't drive a Packard and go to +Cooper High!" + +Conger sized the boy up. He was big--big and strong. Probably he was +part of some civil control organization. + +"Sorry," Conger said. "I'll go." + +"What's your business in town?" Bill asked. "What are you doing here? +Why are you hanging around Lora?" + +Conger looked at the girl. He shrugged. "No reason. I'll see you later." + +He turned away. And froze. Bill had moved. Conger's fingers went to his +belt. _Half pressure_, he whispered to himself. _No more. Half +pressure._ + +He squeezed. The room leaped around him. He himself was protected by the +lining of his clothing, the plastic sheathing inside. + +"My God--" Lora put her hands up. Conger cursed. He hadn't meant any of +it for her. But it would wear off. There was only a half-amp to it. It +would tingle. + +Tingle, and paralyze. + +He walked out the door without looking back. He was almost to the corner +when Bill came slowly out, holding onto the wall like a drunken man. +Conger went on. + + * * * * * + +As Conger walked, restless, in the night, a form loomed in front of him. +He stopped, holding his breath. + +"Who is it?" a man's voice came. Conger waited, tense. + +"Who is it?" the man said again. He clicked something in his hand. A +light flashed. Conger moved. + +"It's me," he said. + +"Who is 'me'?" + +"Conger is my name. I'm staying at the Appleton's place. Who are you?" + +The man came slowly up to him. He was wearing a leather jacket. There +was a gun at his waist. + +"I'm Sheriff Duff. I think you're the person I want to talk to. You were +in Bloom's today, about three o'clock?" + +"Bloom's?" + +"The fountain. Where the kids hang out." Duff came up beside him, +shining his light into Conger's face. Conger blinked. + +"Turn that thing away," he said. + +A pause. "All right." The light flickered to the ground. "You were +there. Some trouble broke out between you and the Willet boy. Is that +right? You had a beef over his girl--" + +"We had a discussion," Conger said carefully. + +"Then what happened?" + +"Why?" + +"I'm just curious. They say you did something." + +"Did something? Did what?" + +"I don't know. That's what I'm wondering. They saw a flash, and +something seemed to happen. They all blacked out. Couldn't move." + +"How are they now?" + +"All right." + +There was silence. + +"Well?" Duff said. "What was it? A bomb?" + +"A bomb?" Conger laughed. "No. My cigarette lighter caught fire. There +was a leak, and the fluid ignited." + +"Why did they all pass out?" + +"Fumes." + +Silence. Conger shifted, waiting. His fingers moved slowly toward his +belt. The Sheriff glanced down. He grunted. + +"If you say so," he said. "Anyhow, there wasn't any real harm done." He +stepped back from Conger. "And that Willet is a trouble-maker." + +"Good night, then," Conger said. He started past the Sheriff. + +"One more thing, Mr. Conger. Before you go. You don't mind if I look at +your identification, do you?" + +"No. Not at all." Conger reached into his pocket. He held his wallet +out. The Sheriff took it and shined his flashlight on it. Conger +watched, breathing shallowly. They had worked hard on the wallet, +studying historic documents, relics of the times, all the papers they +felt would be relevant. + +Duff handed it back. "Okay. Sorry to bother you." The light winked off. + +When Conger reached the house he found the Appletons sitting around the +television set. They did not look up as he came in. He lingered at the +door. + +"Can I ask you something?" he said. Mrs. Appleton turned slowly. "Can I +ask you--what's the date?" + +"The date?" She studied him. "The first of December." + +"December first! Why, it was just November!" + +They were all looking at him. Suddenly he remembered. In the twentieth +century they still used the old twelve-month system. November fed +directly into December; there was no Quartember between. + +He gasped. Then it was tomorrow! The second of December! Tomorrow! + +"Thanks," he said. "Thanks." + +He went up the stairs. What a fool he was, forgetting. The Founder had +been taken into captivity on the second of December, according to the +newspaper records. Tomorrow, only twelve hours hence, the Founder would +appear to speak to the people and then be dragged away. + + * * * * * + +The day was warm and bright. Conger's shoes crunched the melting crust +of snow. On he went, through the trees heavy with white. He climbed a +hill and strode down the other side, sliding as he went. + +He stopped to look around. Everything was silent. There was no one in +sight. He brought a thin rod from his waist and turned the handle of it. +For a moment nothing happened. Then there was a shimmering in the air. + +The crystal cage appeared and settled slowly down. Conger sighed. It was +good to see it again. After all, it was his only way back. + +He walked up on the ridge. He looked around with some satisfaction, his +hands on his hips. Hudson's field was spread out, all the way to the +beginning of town. It was bare and flat, covered with a thin layer of +snow. + +Here, the Founder would come. Here, he would speak to them. And here the +authorities would take him. + +Only he would be dead before they came. He would be dead before he even +spoke. + +Conger returned to the crystal globe. He pushed through the door and +stepped inside. He took the Slem-gun from the shelf and screwed the bolt +into place. It was ready to go, ready to fire. For a moment he +considered. Should he have it with him? + +No. It might be hours before the Founder came, and suppose someone +approached him in the meantime? When he saw the Founder coming toward +the field, then he could go and get the gun. + +Conger looked toward the shelf. There was the neat plastic package. He +took it down and unwrapped it. + +He held the skull in his hands, turning it over. In spite of himself, a +cold feeling rushed through him. This was the man's skull, the skull of +the Founder, who was still alive, who would come here, this day, who +would stand on the field not fifty yards away. + +What if _he_ could see this, his own skull, yellow and eroded? Two +centuries old. Would he still speak? Would he speak, if he could see it, +the grinning, aged skull? What would there be for him to say, to tell +the people? What message could he bring? + +What action would not be futile, when a man could look upon his own +aged, yellowed skull? Better they should enjoy their temporary lives, +while they still had them to enjoy. + +A man who could hold his own skull in his hands would believe in few +causes, few movements. Rather, he would preach the opposite-- + +A sound. Conger dropped the skull back on the shelf and took up the gun. +Outside something was moving. He went quickly to the door, his heart +beating. Was it _he_? Was it the Founder, wandering by himself in the +cold, looking for a place to speak? Was he meditating over his words, +choosing his sentences? + +What if he could see what Conger had held! + +He pushed the door open, the gun raised. + +Lora! + +He stared at her. She was dressed in a wool jacket and boots, her hands +in her pockets. A cloud of steam came from her mouth and nostrils. Her +breast was rising and falling. + +Silently, they looked at each other. At last Conger lowered the gun. + +"What is it?" he said. "What are you doing here?" + +She pointed. She did not seem able to speak. He frowned; what was wrong +with her? + +"What is it?" he said. "What do you want?" He looked in the direction +she had pointed. "I don't see anything." + +"They're coming." + +"They? Who? Who are coming?" + +"They are. The police. During the night the Sheriff had the state police +send cars. All around, everywhere. Blocking the roads. There's about +sixty of them coming. Some from town, some around behind." She stopped, +gasping. "They said--they said--" + +"What?" + +"They said you were some kind of a Communist. They said--" + + * * * * * + +Conger went into the cage. He put the gun down on the shelf and came +back out. He leaped down and went to the girl. + +"Thanks. You came here to tell me? You don't believe it?" + +"I don't know." + +"Did you come alone?" + +"No. Joe brought me in his truck. From town." + +"Joe? Who's he?" + +"Joe French. The plumber. He's a friend of Dad's." + +"Let's go." They crossed the snow, up the ridge and onto the field. The +little panel truck was parked half way across the field. A heavy short +man was sitting behind the wheel, smoking his pipe. He sat up as he saw +the two of them coming toward him. + +"Are you the one?" he said to Conger. + +"Yes. Thanks for warning me." + +The plumber shrugged. "I don't know anything about this. Lora says +you're all right." He turned around. "It might interest you to know some +more of them are coming. Not to warn you--just curious." + +"More of them?" Conger looked toward the town. Black shapes were picking +their way across the snow. + +"People from the town. You can't keep this sort of thing quiet, not in a +small town. We all listen to the police radio; they heard the same way +Lora did. Someone tuned in, spread it around--" + +The shapes were getting closer. Conger could, make out a couple of them. +Bill Willet was there, with some boys from the high school. The +Appletons were along, hanging back in the rear. + +"Even Ed Davies," Conger murmured. + +The storekeeper was toiling onto the field, with three or four other men +from the town. + +"All curious as hell," French said. "Well, I guess I'm going back to +town. I don't want my truck shot full of holes. Come on, Lora." + +She was looking up at Conger, wide-eyed. + +"Come on," French said again. "Let's go. You sure as hell can't stay +here, you know." + +"Why?" + +"There may be shooting. That's what they all came to see. You know that +don't you, Conger?" + +"Yes." + +"You have a gun? Or don't you care?" French smiled a little. "They've +picked up a lot of people in their time, you know. You won't be lonely." + +He cared, all right! He had to stay here, on the field. He couldn't +afford to let them take him away. Any minute the Founder would appear, +would step onto the field. Would he be one of the townsmen, standing +silently at the foot of the field, waiting, watching? + +Or maybe he was Joe French. Or maybe one of the cops. Anyone of them +might find himself moved to speak. And the few words spoken this day +were going to be important for a long time. + +And Conger had to be there, ready when the first word was uttered! + +"I care," he said. "You go on back to town. Take the girl with you." + +Lora got stiffly in beside Joe French. The plumber started up the motor. +"Look at them, standing there," he said. "Like vultures. Waiting to see +someone get killed." + + * * * * * + +The truck drove away, Lora sitting stiff and silent, frightened now. +Conger watched for a moment. Then he dashed back into the woods, between +the trees, toward the ridge. + +He could get away, of course. Anytime he wanted to he could get away. +All he had to do was to leap into the crystal cage and turn the handles. +But he had a job, an important job. He had to be here, here at this +place, at this time. + +He reached the cage and opened the door. He went inside and picked up +the gun from the shelf. The Slem-gun would take care of them. He notched +it up to full count. The chain reaction from it would flatten them all, +the police, the curious, sadistic people-- + +They wouldn't take him! Before they got him, all of them would be dead. +_He_ would get away. He would escape. By the end of the day they would +all be dead, if that was what they wanted, and he-- + +He saw the skull. + +Suddenly he put the gun down. He picked up the skull. He turned the +skull over. He looked at the teeth. Then he went to the mirror. + +He held the skull up, looking in the mirror. He pressed the skull +against his cheek. Beside his own face the grinning skull leered back at +him, beside _his_ skull, against his living flesh. + +He bared his teeth. And he knew. + +It was his own skull that he held. He was the one who would die. He was +the Founder. + +After a time he put the skull down. For a few minutes he stood at the +controls, playing with them idly. He could hear the sound of motors +outside, the muffled noise of men. Should he go back to the present, +where the Speaker waited? He could escape, of course-- + +Escape? + +He turned toward the skull. There it was, his skull, yellow with age. +Escape? Escape, when he had held it in his own hands? + +What did it matter if he put it off a month, a year, ten years, even +fifty? Time was nothing. He had sipped chocolate with a girl born a +hundred and fifty years before his time. Escape? For a little while, +perhaps. + +But he could not _really_ escape, no more so than anyone else had ever +escaped, or ever would. + +Only, he had held it in his hands, his own bones, his own death's-head. + +_They_ had not. + +He went out the door and across the field, empty handed. There were a +lot of them standing around, gathered together, waiting. They expected a +good fight; they knew he had something. They had heard about the +incident at the fountain. + +And there were plenty of police--police with guns and tear gas, creeping +across the hills and ridges, between the trees, closer and closer. It +was an old story, in this century. + +One of the men tossed something at him. It fell in the snow by his +feet, and he looked down. It was a rock. He smiled. + +"Come on!" one of them called. "Don't you have any bombs?" + +"Throw a bomb! You with the beard! Throw a bomb!" + +"Let 'em have it!" + +"Toss a few A Bombs!" + + * * * * * + +They began to laugh. He smiled. He put his hands to his hips. They +suddenly turned silent, seeing that he was going to speak. + +"I'm sorry," he said simply. "I don't have any bombs. You're mistaken." + +There was a flurry of murmuring. + +"I have a gun," he went on. "A very good one. Made by science even more +advanced than your own. But I'm not going to use that, either." + +They were puzzled. + +"Why not?" someone called. At the edge of the group an older woman was +watching. He felt a sudden shock. He had seen her before. Where? + +He remembered. The day at the library. As he had turned the corner he +had seen her. She had noticed him and been astounded. At the time, he +did not understand why. + +Conger grinned. So he _would_ escape death, the man who right now was +voluntarily accepting it. They were laughing, laughing at a man who had +a gun but didn't use it. But by a strange twist of science he would +appear again, a few months later, after his bones had been buried under +the floor of a jail. + +And so, in a fashion, he would escape death. He would die, but then, +after a period of months, he would live again, briefly, for an +afternoon. + +An afternoon. Yet long enough for them to see him, to understand that he +was still alive. To know that somehow he had returned to life. + +And then, finally, he would appear once more, after two hundred years +had passed. Two centuries later. + +He would be born again, born, as a matter of fact, in a small trading +village on Mars. He would grow up, learning to hunt and trade-- + +A police car came on the edge of the field and stopped. The people +retreated a little. Conger raised his hands. + +"I have an odd paradox for you," he said. "Those who take lives will +lose their own. Those who kill, will die. But he who gives his own life +away will live again!" + +They laughed, faintly, nervously. The police were coming out, walking +toward him. He smiled. He had said everything he intended to say. It was +a good little paradox he had coined. They would puzzle over it, remember +it. + +Smiling, Conger awaited a death foreordained. + + +THE END + + + + +Transcriber's Note: + + This etext was produced from _If Worlds of Science Fiction_ + September 1952. Extensive research did not uncover any evidence that + the U.S. copyright on this publication was renewed. Minor spelling + and typographical errors have been corrected without note. + + + + + + +End of the Project Gutenberg EBook of The Skull, by Philip K. Dick + +*** END OF THIS PROJECT GUTENBERG EBOOK THE SKULL *** + +***** This file should be named 30255.txt or 30255.zip ***** +This and all associated files of various formats will be found in: + https://www.gutenberg.org/3/0/2/5/30255/ + +Produced by Greg Weeks, Stephen Blundell and the Online +Distributed Proofreading Team at https://www.pgdp.net + + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. 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