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+*** START OF THE PROJECT GUTENBERG EBOOK 30420 ***
+
+ [Illustration: (Frontispiece)
+
+ PRESIDENT LINCOLN, Photograph by Brady, 1864]
+
+
+
+
+ The
+ Poets' Lincoln
+
+ TRIBUTES IN VERSE TO THE
+ MARTYRED PRESIDENT
+
+
+ _Selected by_
+
+ OSBORN H. OLDROYD
+
+ AUTHOR OF "THE ASSASSINATION OF ABRAHAM LINCOLN"
+ AND EDITOR OF THE "WORDS OF LINCOLN"
+
+ _With many portraits of Lincoln,
+ illustrations of events
+ in his life, etc._
+
+
+ PUBLISHED BY THE EDITOR AT
+ "THE HOUSE WHERE LINCOLN DIED"
+
+ WASHINGTON, D. C.
+
+ 1915
+
+
+ Copyright 1915,
+ by OSBORN H. OLDROYD
+
+
+
+
+ACKNOWLEDGMENT
+
+
+The Editor is most grateful to the various authors who have willingly
+given their consent to the use of their respective poems in the
+compilation of this volume. It has been a somewhat difficult problem,
+not only to select the more appropriate productions, but also to find
+the names of their authors, for in his Lincoln collection there are
+many hundreds of poems which have appeared from time to time in
+magazines, newspapers and other productions, some of which are
+accompanied by more than one name as author of the same poem. In a
+number of instances it has been difficult to ascertain the name of the
+actual owner of the copyright, the poems having been printed in so
+many forms without the copyright mark attached.
+
+The Editor in particular extends his grateful acknowledgment to the
+Houghton Mifflin Company for permission to reprint the "Emancipation
+Group" by John G. Whittier; the "Life Mask" by Richard Watson Gilder;
+"The Hand of Lincoln" by Clarence Stedman; "Commemoration Ode" by
+James Russell Lowell, and the "Gettysburg Address" by Bayard Taylor;
+to Charles Scribner's Sons for two "Lincoln" poems by Richard Henry
+Stoddard; and to the J. B. Lippincott Company for the poem "Lincoln"
+by George Henry Boker.
+
+The Editor is also grateful to Dr. Marion Mills Miller for his
+contribution of the introduction and a poem specially written for the
+collection, and also for assistance in the editorial work.
+
+
+
+
+FOREWORD
+
+
+No great man has ever been spoken of with such tender expressions of
+high regard as has been Abraham Lincoln. Especially is this true of the
+tributes of esteem made by the poets to his memory. It is therefore
+desirable that these should be preserved for future generations, and at
+this time, the fiftieth anniversary of his untimely death, it is
+peculiarly proper that they should be presented to the public.
+
+Although they are chiefly the productions of American authors, quite a
+number are from the pens of appreciative citizens of other countries.
+From the thousand of meritorious poems which have been written about
+Lincoln, the compiler, after serious consideration, has selected those
+within as appearing to be gems; although there were others which he
+would have been glad to include if space permitted.
+
+The poems and illustrations are arranged largely in the chronological
+order of their application to the events in the life of Lincoln. The
+intense sympathy and warm appreciation portrayed therein for our
+Martyred President, as well as their artistic merit assure the poems
+a sacred place in the heart of every patriotic American.
+
+The large number of selected portraits and illustrations of events
+connected with his life, service, death and burial, with brief
+sketches of authors of the following poems, also forms a compilation
+of rich material for all readers of Lincoln literature.
+
+The object in publishing this compilation is to assist in preserving
+the collection of memorials now contained in the house in which
+Lincoln died, 516 Tenth Street, Washington, D. C.
+
+The volume will be sent postpaid by the Editor at the above address,
+upon receipt of its price, $1.00.
+
+ OSBORN H. OLDROYD.
+
+ Washington, D. C., September twelve,
+ Nineteen hundred and fifteen.
+
+
+
+
+CONTENTS
+
+ PAGE
+ INTRODUCTION--The Poetic Spirit of Lincoln, by Marion Mills
+ Miller .................................................... v
+ MY CHILDHOOD'S HOME I SEE AGAIN, by Abraham Lincoln .......... vi
+ BUT HERE'S AN OBJECT MORE OF DREAD, by Abraham Lincoln ..... viii
+ OH, WHY SHOULD THE SPIRIT OF MORTAL BE PROUD? By William
+ Knox ..................................................... ix
+ SPEECH AT GETTYSBURG (in verse form), by Abraham Lincoln ... xiii
+ SOLILOQUY OF KING CLAUDIUS, by William Shakespeare ......... xvii
+ LINCOLN, by Julia Ward Howe .................................... 14
+ THE GREAT OAK, by Bennett Chapple .............................. 15
+ LINCOLN, by Noah Davis ......................................... 17
+ THE BIRTH OF LINCOLN, by George W. Crofts ...................... 19
+ MENDELSSOHN, DARWIN, LINCOLN, by Clarence E. Carr .............. 20
+ THE NATAL DAY OF LINCOLN, by James Phinney Baxter .............. 22
+ NANCY HANKS, by Harriet Monroe ................................. 25
+ LINCOLN THE LABORER, by Richard Henry Stoddard ................. 29
+ A PEACEFUL LIFE, by James Whitcomb Riley ....................... 31
+ LEADER OF HIS PEOPLE, by William Wilberforce Newton ............ 32
+ LINCOLN, by Wilbur Hazelton Smith .............................. 35
+ LINCOLN IN HIS OFFICE CHAIR, by James Riley .................... 37
+ THE VOICE OF LINCOLN, by Elizabeth Porter Gould ................ 41
+ THE THOUGHTS OF LINCOLN, by Elizabeth Stuart Phelps ............ 43
+ ON THE LIFE-MASK OF ABRAHAM LINCOLN, by Richard Watson
+ Gilder ................................................... 45
+ THE HAND OF LINCOLN, by Edmund Clarence Stedman ................ 47
+ HONEST ABE OF THE WEST, by Edmund Clarence Stedman ............. 51
+ PRESIDENTIAL CAMPAIGN, 1860, by William Henry Burleigh ......... 53
+ LINCOLN, 1809--FEBRUARY 12, 1909, by Madison Cawein ............ 56
+ THE MATCHLESS LINCOLN, by Isaac Bassett Choate ................. 59
+ LINCOLN, by Charlotte Becker ................................... 61
+ LINCOLN AT SPRINGFIELD, 1861, by Anna Bache .................... 65
+ LINCOLN CALLED TO THE PRESIDENCY, by Henry Wilson
+ Clendenin ................................................ 70
+ LINCOLN THE MAN OF THE PEOPLE, by Edwin Markham ................ 74
+ LINCOLN, by John Vance Cheney .................................. 76
+ LINCOLN'S CHURCH IN WASHINGTON, by Lyman Whitney Allen ......... 80
+ SONNET IN 1862, by John James Piatt ............................ 83
+ LINCOLN, SOLDIER OF CHRIST, in Macmillan's Magazine ............ 85
+ A CHARACTERIZATION OF LINCOLN, by Hamilton Schuyler ............ 87
+ THE EMANCIPATION GROUP, by John Greenleaf Whittier ............. 91
+ THE LIBERATOR, by Theron Brown ................................. 94
+ TO PRESIDENT LINCOLN, by Edmund Ollier ......................... 96
+ ON FREEDOM'S SUMMIT, by Charles G. Foltz ....................... 98
+ ADDRESS DELIVERED AT THE DEDICATION OF THE CEMETERY AT
+ GETTYSBURG, by Abraham Lincoln .......................... 100
+ GETTYSBURG ODE, by Bayard Taylor .............................. 102
+ LINCOLN'S SECOND INAUGURAL, by Benjamin Franklin Taylor ....... 104
+ OH, PATIENT EYES! by Herman Hagedorn .......................... 107
+ ABRAHAM LINCOLN, by Margaret Elizabeth Sangster ............... 109
+ THE MAN LINCOLN, by Wilbur Dick Nesbit ........................ 113
+ THE MASTER, by Edwin Arlington Robinson ....................... 116
+ LINCOLN, by Harriet Monroe .................................... 119
+ THE EYES OF LINCOLN, by Walt Mason ............................ 121
+ HE LEADS US STILL, by Arthur Guiterman ........................ 123
+ LINCOLN, by S. Weir Mitchell .................................. 125
+ ABRAHAM LINCOLN, by George Alfred Townsend .................... 126
+ LINCOLN, by Paul Lawrence Dunbar .............................. 128
+ ABRAHAM LINCOLN, by Alice Cary ................................ 130
+ ABRAHAM LINCOLN, by Rose Terry Cooke .......................... 132
+ LINCOLN, by Frederick Lucian Hosmer ........................... 134
+ ABRAHAM LINCOLN, by Charles Monroe Dickinson .................. 136
+ SIC SEMPER TYRANNIS! by Robert Leighton ....................... 139
+ ABRAHAM LINCOLN FOULLY ASSASSINATED, by Tom Taylor ............ 140
+ THE DEATHBED .................................................. 144
+ LINCOLN AND STANTON, by Marion Mills Miller ................... 146
+ THE HOUSE WHERE LINCOLN DIED, by Robert Mackay ................ 151
+ IN TOKEN OF RESPECT, Translation of Latin Verses .............. 152
+ ENGLAND'S SORROW, from _London Fun_ ........................... 153
+ THE FUNERAL HYMN OF LINCOLN, by Phineas Densmore Gurley ....... 155
+ REST, REST FOR HIM, by Harriet McEwen Kimball ................. 157
+ THE FUNERAL CAR OF LINCOLN, by Richard Henry Stoddard ......... 159
+ THE DEATH OF LINCOLN, by William Cullen Bryant ................ 161
+ ODE, by Henry T. Tuckerman .................................... 163
+ TOLLING, by Lucy Larcom ....................................... 164
+ REQUIEM OF LINCOLN, by Richard Storrs Willis .................. 167
+ REQUIEM, by James Nicoll Johnston ............................. 168
+ SERVICES IN MEMORY OF ABRAHAM LINCOLN, by Oliver Wendell
+ Holmes .................................................. 170
+ SPRINGFIELD'S WELCOME TO LINCOLN, by William Allen ............ 173
+ LINCOLN, by Lucy Hamilton Hooper .............................. 175
+ LET THE PRESIDENT SLEEP, by James M. Stewart .................. 179
+ THE CENOTAPH OF LINCOLN, by James Mackay ...................... 181
+ DEDICATION POEM, by James Judson Lord ......................... 183
+ THE GRAVE OF LINCOLN, by Edna Dean Proctor .................... 186
+ COMMEMORATION ODE, by James Russell Lowell .................... 189
+ AN HORATIAN ODE, by Richard Henry Stoddard .................... 193
+ O CAPTAIN! MY CAPTAIN! by Walt Whitman ........................ 197
+ ON THE ASSASSINATION OF LINCOLN, by Henry De Garrs ............ 200
+ POETICAL TRIBUTE TO THE MEMORY OF ABRAHAM LINCOLN,
+ by Emily J. Bugbee ...................................... 201
+ LINCOLN, 1865, by John Nichol ................................. 204
+ LINCOLN, by Christopher Pearse Cranch ......................... 206
+ LINCOLN, by George Henry Boker ................................ 208
+ ABRAHAM LINCOLN, by Phoebe Cary ............................... 210
+ LINCOLN, by Charles Graham Halpin ("Miles O'Reilly") .......... 215
+ THE MARTYR PRESIDENT .......................................... 219
+ ABRAHAM LINCOLN, by Eugene J. Hall ............................ 220
+ THE TOMB OF LINCOLN, by Samuel Francis Smith .................. 222
+ LINCOLN, by John Townsend Trowbridge .......................... 227
+ HOMAGE DUE TO LINCOLN, by Kinahan Cornwallis .................. 229
+ THE SCOTLAND STATUE, by David K. Watson ....................... 231
+ THE UNFINISHED WORK, by Joseph Fulford Folsom ................. 234
+ ONE OF OUR PRESIDENTS, by Wendell Philips Stafford ............ 236
+ ON A BRONZE MEDAL OF LINCOLN, by Frank Dempster Sherman ....... 239
+ THE GLORY THAT SLUMBERED IN THE GRANITE ROCK,
+ by Ella Wheeler Wilcox .................................. 241
+ THE LINCOLN BOULDER, by Louis Bradford Couch .................. 243
+ WHEN LINCOLN DIED, by James Arthur Edgerton ................... 247
+ HAD LINCOLN LIVED, by Amos Russell Wells ...................... 250
+ LET HIS MONUMENT RISE, by Samuel Green Wheeler Benjamin ....... 253
+
+
+
+
+ILLUSTRATIONS
+
+ PAGE
+ PRESIDENT LINCOLN, Photograph by Brady, 1864 ....... _Frontispiece_
+ LINCOLN, from a Bust by Johannes Gelert ........................ iv
+ THE LOG CABIN, Birthplace of Lincoln ........................... 13
+ LINCOLN BY THE CABIN FIRE ...................................... 16
+ MENDELSSOHN, DARWIN, LINCOLN ................................... 20
+ MONUMENT TO THE MOTHER OF LINCOLN .............................. 25
+ THE RAIL SPLITTER .............................................. 28
+ THE BOY LINCOLN, by Eastman Johnson ............................ 30
+ LINCOLN THE LAWYER, from an Ambrotype, 1856 .................... 34
+ LINCOLN'S OFFICE CHAIR ......................................... 36
+ LINCOLN AS A CANDIDATE FOR UNITED STATES SENATOR, from an
+ Ambrotype by Gilmer, 1858 ................................ 40
+ LINCOLN AT THE TIME OF DEBATE WITH DOUGLAS, from an Ambrotype,
+ 1858 ..................................................... 42
+ THE LINCOLN LIFE-MASK, by Leonard W. Volk ...................... 44
+ THE HAND OF LINCOLN, a Cast by Leonard W. Volk ................. 46
+ HON. ABRAHAM LINCOLN, REPUBLICAN CANDIDATE FOR THE PRESIDENCY,
+ 1860, painted by Hicks ................................... 49
+ THE "WIGWAM," Convention Hall in Chicago, 1860 ................. 50
+ LINCOLN AS CANDIDATE FOR PRESIDENT, from an Ambrotype, 1860 .... 52
+ "HONEST ABE," Campaign Cartoon of 1860 ......................... 55
+ LINCOLN AS CANDIDATE FOR PRESIDENT, Photograph by Hesler,
+ Chicago, 1860 ............................................ 58
+ LINCOLN AS CANDIDATE FOR PRESIDENT, Photograph at
+ Springfield, Ill., 1860 .................................. 60
+ CABIN OF LINCOLN'S PARENTS, on Goose-Nest Prairie, Ill. ........ 62
+ LINCOLN HOMESTEAD, Springfield, Ill., 1861 ..................... 64
+ PRESIDENT LINCOLN AND HIS SECRETARIES, JOHN G. NICOLAY AND
+ JOHN HAY, Photograph at Springfield, Ill., 1861 .......... 67
+ INDEPENDENCE HALL, PHILADELPHIA ................................ 69
+ LINCOLN IN 1858, Photograph by S. M. Fassett, Chicago .......... 71
+ THE CAPITOL, at Second Inauguration of Lincoln ................. 73
+ THE WHITE HOUSE ................................................ 76
+ WHERE LINCOLN WORSHIPPED, New York Avenue Presbyterian Church,
+ Washington, D. C. ........................................ 79
+ LINCOLN IN 1858, Photograph Owned by Stuart Brown,
+ Springfield, Ill. ........................................ 82
+ PRESIDENT LINCOLN, Photograph Autographed for Miss Speed ....... 84
+ LINCOLN IN FEBRUARY, 1860, Photograph by Brady ................. 86
+ PRESIDENT LINCOLN, Photograph by Gardner ....................... 88
+ EMANCIPATION GROUP, in Park Square, Boston ..................... 90
+ PRESIDENT LINCOLN, Photograph by Brady, 1863 ................... 93
+ PRESIDENT LINCOLN, Photograph by Gardner, 1863 ................. 95
+ PRESIDENT LINCOLN, Photograph by Brady ......................... 97
+ LINCOLN AT GETTYSBURG ......................................... 100
+ PRESIDENT LINCOLN AND HIS SON THOMAS ("TAD") .................. 103
+ PRESIDENT LINCOLN, Photograph by Brady ........................ 106
+ PRESIDENT LINCOLN, Photograph by Brady ........................ 108
+ PRESIDENT LINCOLN, Photograph by Gardner, 1864 ................ 112
+ PRESIDENT LINCOLN AT ANTIETAM ................................. 115
+ PRESIDENT LINCOLN, Photograph by Gardner, 1864 ................ 118
+ PRESIDENT-ELECT LINCOLN, Photograph at Springfield, Ill.,
+ 1861 .................................................... 120
+ PRESIDENT LINCOLN, Photograph by Brady, 1862 .................. 122
+ PRESIDENT LINCOLN, Photograph by Brady, 1864 .................. 124
+ STATUE OF LINCOLN in Hodgenville, Ky.; Adolph A. Weinman,
+ sculptor ................................................ 126
+ PRESIDENT LINCOLN, Photograph by Brady, 1864 .................. 128
+ PRESIDENT LINCOLN, Photograph by Gardner, 1865 ................ 130
+ PRESIDENT LINCOLN, Photograph by Gardner, 1865 ................ 132
+ PRESIDENT LINCOLN, Photograph by Brady, 1865 .................. 134
+ FORD'S THEATRE, WASHINGTON, D. C. ............................. 138
+ ABRAHAM LINCOLN, FOULLY ASSASSINATED,
+ Cartoon in London _Punch_ ............................... 140
+ DEATHBED OF LINCOLN ........................................... 144
+ ABRAHAM LINCOLN AND EDWIN M. STANTON .......................... 146
+ DEATH OF LINCOLN .............................................. 149
+ HOUSE IN WHICH LINCOLN DIED ................................... 150
+ JOSEPHINE OLDROYD TIEFENTHALER ................................ 150
+ THE FUNERAL OF LINCOLN, in East Room of White House ........... 154
+ THE FUNERAL CAR ............................................... 158
+ CITY HALL, NEW YORK, N. Y. .................................... 162
+ ROTUNDA, CITY HALL ............................................ 166
+ ST. JAMES HALL, BUFFALO, N. Y. ................................ 168
+ PRESIDENT LINCOLN, Photograph by Brady, 1863 .................. 170
+ LINCOLN HOMESTEAD, May 4, 1865 ................................ 172
+ STATE CAPITOL, ILLINOIS, 1865 ................................. 175
+ PUBLIC VAULT, OAK RIDGE CEMETERY, SPRINGFIELD, ILL. ........... 178
+ FACADE OF PUBLIC VAULT ........................................ 180
+ LINCOLN MONUMENT, in Springfield, Ill., Larken G. Mead,
+ Architect ............................................... 182
+ STATUE OF LINCOLN, Lincoln Park, Washington, D. C.,
+ Thomas Ball, sculptor ................................... 188
+ STATUE OF LINCOLN, by Leonard W. Volk ......................... 192
+ "THE GOOD GRAY POET" (Walt Whitman) ........................... 196
+ STATUE OF LINCOLN, in Washington, D. C.; Lott Flannery,
+ sculptor ................................................ 199
+ STATUE OF LINCOLN, in Muskegon, Mich.; Charles Niehaus,
+ sculptor ................................................ 203
+ LINCOLN AND CABINET ("First Reading of Emancipation
+ Proclamation"), Painted by Frank B. Carpenter ........... 206
+ STATUE OF LINCOLN, in Fairmount Park, Philadelphia, Randolph
+ Rogers, sculptor ........................................ 208
+ PRESIDENT LINCOLN, Photograph by Brady, 1864 .................. 210
+ STATUE OF LINCOLN, in Lincoln Park, Chicago; Augustus Saint
+ Gaudens, sculptor ....................................... 214
+ TABLET AT PHILADELPHIA ........................................ 218
+ STATUE OF LINCOLN, in Rotunda of Capitol; Vinnie Ream,
+ sculptor ................................................ 222
+ STATUE OF LINCOLN, in Lincoln, Neb.; Daniel Chester French,
+ sculptor ................................................ 226
+ STATUE OF LINCOLN, in Burlington, Wis.; George E. Ganiere,
+ sculptor ................................................ 228
+ STATUE OF LINCOLN, in Edinburgh, Scotland; George E. Bissell,
+ sculptor ................................................ 231
+ STATUE OF LINCOLN, in Newark, N. J.; Gutzon Borglum,
+ sculptor ................................................ 234
+ CHILDREN ON THE BORGLUM STATUE ................................ 236
+ HEAD OF LINCOLN, Bronze Medallion in Commemoration of Lincoln
+ Centenary, Struck for the Grand Army of the Republic .... 238
+ MARBLE HEAD OF LINCOLN, in Statuary Hall, Capitol; Gutzon
+ Borglum, sculptor ....................................... 240
+ THE LINCOLN BOULDER, at Nyack, N. Y. .......................... 243
+ BAS-RELIEF HEAD OF LINCOLN, James W. Tuft, sculptor ........... 246
+ A STUDY OF LINCOLN, Painting by Blendon Campbell .............. 249
+ THE LINCOLN MEMORIAL, at Washington, D. C., Henry Bacon,
+ architect ............................................... 252
+
+
+
+
+ [Illustration: LINCOLN
+
+ From a bust by Johannes Gelert]
+
+
+
+
+ INTRODUCTION
+
+ THE POETIC SPIRIT OF LINCOLN
+
+ By MARION MILLS MILLER
+
+ (See biographical sketch on page 146)
+
+
+Some years ago, while editing Henry C. Whitney's "Life of Lincoln" I
+showed a photograph of the bust of Lincoln by Johannes Gelert, the most
+intellectual to my mind of all the studies of his face, to a little
+Italian shoeblack, and asked him if he knew who it was. The boy,
+evidently prompted by a recent lesson at school, said questioningly,
+"Whittier?--Longfellow?" I replied, "No, it is Lincoln, the great
+President." He answered, "Well, he looks like a poet, anyway."
+
+This verified a conclusion to which I had already come: Lincoln, had
+he lived in a region of greater culture, such as New England, might
+not have adopted the engrossing pursuits of law and politics, but, as
+did Whittier, have remained longer on the farm and gradually taken up
+the calling of letters, composing verse of much the same order as our
+Yankee bards', and poetry of even higher merit than some produced.
+
+It is not generally known that Lincoln, shortly before he went to
+Congress, wrote verse of a kind to compare favorably with the early
+attempts of American poets such as those named. Thus the two poems of
+his which have been preserved, for his early lampoons on his neighbors
+have happily been lost, are equal in poetic spirit and metrical art to
+Whittier's "The Prisoner for Debt," to which they are strikingly
+similar in melancholic mood.
+
+In 1846, at the age of 37, Lincoln conducted a literary correspondence
+with a friend, William Johnson by name, of like poetic tastes. In
+April of this year he wrote the following letter to Johnson:
+
+
+ Tremont, April 18, 1846.
+
+ FRIEND JOHNSTON: Your letter, written some six weeks since,
+ was received in due course, and also the paper with the
+ parody. It is true, as suggested it might be, that I have
+ never seen Poe's "Raven"; and I very well know that a parody
+ is almost entirely dependent for its interest upon the
+ reader's acquaintance with the original. Still there is
+ enough in the polecat, self-considered, to afford one
+ several hearty laughs. I think four or five of the last
+ stanzas are decidedly funny, particularly where Jeremiah
+ "scrubbed and washed, and prayed and fasted."
+
+ I have not your letter now before me; but, from memory, I
+ think you ask me who is the author of the piece I sent you,
+ and that you do so ask as to indicate a slight suspicion
+ that I myself am the author. Beyond all question, I am not
+ the author. I would give all I am worth, and go in debt, to
+ be able to write so fine a piece as I think that is. Neither
+ do I know who is the author. I met it in a straggling form
+ in a newspaper last summer, and I remember to have seen it
+ once before, about fifteen years ago, and this is all I know
+ about it.
+
+ The piece of poetry of my own which I alluded to, I was led
+ to write under the following circumstances. In the fall of
+ 1844, thinking I might aid some to carry the State of
+ Indiana for Mr. Clay, I went into the neighborhood in that
+ State in which I was raised, where my mother and only sister
+ were buried, and from which I had been absent about fifteen
+ years.
+
+ That part of the country is, within itself, as unpoetical as
+ any spot of the earth; but still, seeing it and its objects
+ and inhabitants aroused feelings in me which were certainly
+ poetry; though whether my expression of those feelings is
+ poetry is quite another question. When I got to writing,
+ the change of subject divided the thing into four little
+ divisions or cantos, the first only of which I send you now,
+ and may send the others hereafter.
+
+ Yours truly,
+ A. LINCOLN.
+
+
+ My childhood's home I see again,
+ And sadden with the view;
+ And still, as memory crowds my brain,
+ There's pleasure in it too.
+
+ O Memory! thou midway world
+ 'Twixt earth and paradise,
+ Where things decayed and loved ones lost
+ In dreamy shadows rise,
+
+ And, freed from all that's earthly vile,
+ Seem hallowed, pure and bright,
+ Like scenes in some enchanted isle
+ All bathed in liquid light.
+
+ As dusky mountains please the eye
+ When twilight chases day;
+ As bugle-notes that, passing by,
+ In distance die away;
+
+ As leaving some grand waterfall,
+ We, lingering, list its roar--
+ So memory will hallow all
+ We've known but know no more.
+
+ Near twenty years have passed away
+ Since here I bid farewell
+ To woods and fields, and scenes of play,
+ And playmates loved so well.
+
+ Where many were, but few remain
+ Of old familiar things;
+ But seeing them to mind again
+ The lost and absent brings.
+
+ The friends I left that parting day,
+ How changed, as time has sped!
+ Young childhood grown, strong manhood gray;
+ And half of all are dead.
+
+ I hear the loved survivors tell
+ How nought from death could save,
+ Till every sound appears a knell,
+ And every spot a grave.
+
+ I range the fields with pensive tread,
+ And pace the hollow rooms,
+ And feel (companion of the dead)
+ I'm living in the tombs.
+
+
+In September he wrote the following letter:
+
+
+ Springfield, September 6, 1846.
+
+ FRIEND JOHNSTON: You remember when I wrote you from Tremont
+ last spring, sending you a little canto of what I called
+ poetry, I promised to bore you with another some time. I now
+ fulfil the promise. The subject of the present one is an
+ insane man; his name is Matthew Gentry. He is three years
+ older than I, and when we were boys we went to school
+ together. He was rather a bright lad, and the son of the
+ rich man of a very poor neighborhood. At the age of
+ nineteen he unaccountably became furiously mad, from which
+ condition he gradually settled down into harmless insanity.
+ When, as I told you in my other letter, I visited my old
+ home in the fall of 1844, I found him still lingering in
+ this wretched condition. In my poetizing mood, I could not
+ forget the impression his case made upon me. Here is the
+ result:
+
+
+ But here's an object more of dread
+ Than aught the grave contains--
+ A human form with reason fled,
+ While wretched life remains.
+
+ When terror spread, and neighbors ran
+ Your dangerous strength to bind,
+ And soon, a howling, crazy man,
+ Your limbs were fast confined;
+
+ How then you strove and shrieked aloud,
+ Your bones and sinews bared;
+ And fiendish on the gazing crowd
+ With burning eyeballs glared;
+
+ And begged and swore, and wept and prayed,
+ With maniac laughter joined;
+ How fearful were these signs displayed
+ By pangs that killed the mind!
+
+ And when at length the drear and long
+ Time soothed thy fiercer woes,
+ How plaintively thy mournful song
+ Upon the still night rose!
+
+ I've heard it oft as if I dreamed,
+ Far distant, sweet and lone,
+ The funeral dirge it ever seemed
+ Of reason dead and gone.
+
+ To drink its strains I've stole away,
+ All stealthily and still,
+ Ere yet the rising god of day
+ Had streaked the eastern hill.
+
+ Air held her breath; trees with the spell
+ Seemed sorrowing angels round,
+ Whose swelling tears in dewdrops fell
+ Upon the listening ground.
+
+ But this is past, and naught remains
+ That raised thee o'er the brute:
+ Thy piercing shrieks and soothing strains
+ Are like, forever mute.
+
+ Now fare thee well! More thou the cause
+ Than subject now of woe.
+ All mental pangs by time's kind laws
+ Hast lost the power to know.
+
+ O death! thou awe-inspiring prince
+ That keepst the world in fear,
+ Why dost thou tear more blest ones hence,
+ And leave him lingering here?
+
+
+ If I should ever send another, the subject will be a "Bear
+ Hunt."
+
+ Yours as ever,
+ A. LINCOLN.
+
+
+The poem alluded to in the first letter is undoubtedly "Oh, Why Should
+the Spirit of Mortal Be Proud?", by William Knox, a Scottish poet,
+known to fame only by its authorship. It remained the favorite of
+Lincoln until his death, being frequently alluded to by him in
+conversation with his friends. Because it so aptly presents Lincoln's
+own spirit it is here presented in full. During his Presidency he
+said:
+
+
+ "There is a poem which has been a great favorite with me for
+ years, which was first shown me when a young man by a friend,
+ and which I afterwards saw and cut from a newspaper and
+ learned by heart. I would give a good deal to know who wrote
+ it, but I have never been able to ascertain."
+
+
+Then, half closing his eyes, he repeated the verses:
+
+
+ OH, WHY SHOULD THE SPIRIT OF MORTAL
+ BE PROUD?
+
+ By WILLIAM KNOX.
+
+
+ William Knox was born at Firth, in the parish of
+ Lilliesleaf, in the county of Roxburghshire, on the 17th of
+ August, 1789. From his early youth he composed verses. He
+ merited the attention of Sir Walter Scott, who afforded him
+ pecuniary assistance. He died November 12, 1825, at the age
+ of thirty-six.
+
+
+ Oh! why should the spirit of mortal be proud?
+ Like a swift-flitting meteor, a fast-flying cloud,
+ The flash of the lightning, a break of the wave,
+ He passes from life to his rest in the grave.
+
+ The leaves of the oak and the willow shall fade,
+ Be scattered around and together be laid;
+ And the young and the old, and the low and the high
+ Shall molder to dust and together shall lie.
+
+ The infant a mother attended and loved,
+ The mother that infant's affection who proved,
+ The husband that mother and infant who blest,
+ Each, all, are away to their dwellings of rest.
+
+ The maid on whose cheek, on whose brow, in whose eye,
+ Shone beauty and pleasure, her triumphs are by;
+ And the mem'ry of those who loved her and praised
+ Are alike from the minds of the living erased.
+
+ The hand of the king that the scepter hath borne,
+ The brow of the priest that the miter hath worn,
+ The eye of the sage and the heart of the brave
+ Are hidden and lost in the depths of the grave.
+
+ The peasant whose lot was to sow and to reap,
+ The herdsman who climbed with his goats up the steep,
+ The beggar who wandered in search of his bread,
+ Have faded away like the grass that we tread.
+
+ The saint who enjoyed the communion of heaven,
+ The sinner who dared to remain unforgiven,
+ The wise and the foolish, the guilty and just,
+ Have quietly mingled their bones in the dust.
+
+ So the multitude goes like the flower or the weed
+ That withers away to let others succeed,
+ So the multitude comes, even those we behold,
+ To repeat every tale that has often been told.
+
+ For we are the same that our fathers have been;
+ We see the same sights our fathers have seen;
+ We drink the same streams, and view the same sun,
+ And run the same course our fathers have run.
+
+ The thoughts we are thinking our fathers would think,
+ From the death we are shrinking our fathers would shrink;
+ To the life we are clinging they also would cling,
+ But it speeds from us all like a bird on the wing.
+
+ They loved, but the story we cannot unfold;
+ They scorned, but the heart of the haughty is cold;
+ They grieved, but no wail from their slumber will come;
+ They joyed, but the tongue of their gladness is dumb.
+
+ They died, ay, they died. We things that are now,
+ That walk on the turf that lies over their brow,
+ And make in their dwellings a transient abode,
+ Meet the things that they met on their pilgrimage road.
+
+ Yea, hope and despondency, pleasure and pain,
+ Are mingled together in sunshine and rain:
+ And the smile and the tear, the song and the dirge,
+ Still follow each other like surge upon surge.
+
+ 'Tis the wink of an eye, 'tis the draught of a breath,
+ From the blossom of health to the paleness of death,
+ From the gilded salon to the bier and the shroud,--
+ Oh, why should the spirit of mortal be proud?
+
+
+"The Last Leaf," by Oliver Wendell Holmes, was also a favorite poem of
+Lincoln, says Henry C. Whitney, his friend and biographer (in his
+"Life of Lincoln," Vol. I, page 238):
+
+"Over and over again I have heard him repeat:
+
+
+ The mossy marbles rest
+ On the lips that he has prest
+ In their bloom;
+ And the names he loved to hear
+ Have been carved for many a year
+ On the tomb.
+
+
+and tears would come unbidden to his eyes, probably at thought of the
+grave (his mother's) at Gentryville, or that in the bend of the
+Sangamo" (of Ann Rutledge, his first love, who died shortly before the
+time set for their wedding, and whose memory Lincoln ever kept
+sacred).
+
+While Lincoln, so far as can be ascertained, wrote nothing in verse
+after 1846, he developed in his speeches a literary style which is
+poetical in the highest sense of that term. More than all American
+statesmen his utterances and writings possess that classic quality
+whose supreme expression is found in Greek literature. This is because
+Lincoln had an essentially Hellenic mind. First of all the
+architecture of his thought was that of the Greek masters, who,
+whether as Phidias they built the Parthenon to crown with harmonious
+beauty the Acropolis, or as Homer they recorded in swelling narrative
+from its dramatic beginning the strife of the Achaeans before Troy, or
+even as Euclid, they developed from postulates the relations of space,
+had a deep insight into the order in which mother nature was striving
+to express herself, and a reverent impulse to aid her in bodying forth
+according to her methods the ideal forms of the cosmos, the world of
+beauty, no less within the soul of man than without it, which was
+intended by such help to be realized as a whole in the infinity of
+time, and in part in the vision of every true workman. In short,
+Lincoln had a profound sense of the fitness of things, that which
+Aristotle, the scientific analyst of human thought and the philosopher
+of its proper expression, called "poetic justice." He strove to make
+his reasoning processes strictly logical, and to this end carried with
+him as he rode the legal circuit not law-books, but a copy of Euclid's
+geometry, and passed his time on the way demonstrating to his drivers
+the theorems therein proposed. "Demonstrate" he said he considered to
+be the greatest word in the English language. He constructed every one
+of his later speeches on the plan of a Euclidean solution. His Cooper
+Union speech on "Slavery as the Fathers Viewed It," which contributed
+so largely to his Presidential nomination, was such a demonstration,
+settling what was thereafter never attempted to be controverted: his
+contention that the makers of the Constitution merely tolerated
+property in human flesh and blood as a primitive and passing phase of
+civilization, and never intended that it should be perpetuated by the
+charter of the Republic.
+
+So, too, the Gettysburg speech, brief as it is, is the statement of a
+thesis, the principles upon which the Fathers founded the nation, and
+of the heroic demonstration of the same by the soldiers fallen on the
+field, and the addition of a moral corollary of this, the high resolve
+of the living to prosecute the work until the vision of the Fathers
+was realized.
+
+In substance of thought and in form of its presentation the speech is
+as perfect a poem as ever was written, and even in the minor qualities
+of artistic language--rhythm and cadence, phonetic euphony, rhetorical
+symbolism, and that subtle reminiscence of a great literary and
+spiritual inheritance, the Bible, which stands to us as Homer did to
+the ancients--it excels the finest gem to be found in poetic cabinets
+from the Greek Anthology downward. Only because it was not written in
+the typography of verse, with capitalized and paragraphed initial
+words at the beginning of each thought-group of words, has it failed
+of recognition as a poem by academic minds. Had Walt Whitman composed
+the address, and printed it in the above manner, it would now appear
+in every anthology of poetry published since its date. To convince of
+this those conventional people who must have an ocular demonstration
+of form in order to compare the address with accepted examples of
+poetry, I will dare to incur the condemnation of those who rightly
+look upon such a departure from Lincoln's own manner of writing the
+speech as profanation, and present it in the shape of _vers libre_.
+For the latter class of readers this, the greatest poem by Lincoln,
+the greatest, indeed, yet produced in America, may be preferably read
+in the original form on page 100 of this collection. I trust that
+these, especially if they are teachers of literature, will pardon, for
+the sake of others less cultivated in poetic taste, what may appear a
+duplication here, unnecessary to themselves, of the address.
+
+
+ SPEECH AT GETTYSBURG
+
+ By ABRAHAM LINCOLN
+
+ Four score and seven years ago
+ Our fathers brought forth on this continent
+ A new nation,
+ Conceived in liberty,
+ And dedicated to the proposition
+ That all men are created equal.
+
+ Now we are engaged in a great civil war,
+ Testing whether that nation,
+ Or any nation so conceived and so dedicated,
+ Can long endure.
+ We are met on a great battle-field of that war.
+ We have come to dedicate a portion of that field
+ As a final resting-place
+ For those who here gave their lives
+ That that nation might live.
+ It is altogether fitting and proper
+ That we should do this.
+ But, in a larger sense,
+ We cannot dedicate--
+ We cannot consecrate--
+ We cannot hallow--
+ This ground.
+ The brave men, living and dead,
+ Who struggled here,
+ Have consecrated it far above our poor power
+ To add or detract.
+ The world will little note nor long remember
+ What we say here,
+ But it can never forget
+ What they did here.
+ It is for us, the living, rather,
+ To be dedicated here to the unfinished work
+ Which they who fought here have so nobly advanced.
+ It is rather for us to be here dedicated
+ To the great task remaining before us--
+ That from these honored dead
+ We take increased devotion to that cause
+ For which they gave the last full measure of devotion;
+ That we here highly resolve
+ That these dead shall not have died in vain;
+ That this nation, under God,
+ Shall have a new birth of freedom;
+ And that government of the people,
+ By the people, and for the people
+ Shall not perish from the earth.
+
+
+Lincoln attained this classic perfection of ordered thought, and with
+it, as an inevitable accompaniment this classic beauty of expression,
+only by great struggle. He became a poet of the first rank only by
+virtue of his moral spirit. He was continually correcting deficiencies
+in his character, which were far greater than is generally received,
+owing to the tendency of American historians of the tribe of Parson
+Weems to find by force illustrations of moral heroism in the youth of
+our great men. Thus Lincoln is represented as a noble lad, who, having
+allowed a borrowed book to be ruined by rain, went to the owner and
+offered to "pull fodder" to repay him, which the man ungenerously
+permitted him to do. The truth is, that the neighbor, to whom the book
+was a cherished possession, required him to do the work in repayment,
+and that Lincoln not only did it grudgingly, but afterwards lampooned
+the man so severely in satiric verse that he was ashamed to show himself
+at neighborhood gatherings. All the people about Gentryville feared
+Lincoln's caustic wit, and disliked him for it, although they were
+greatly impressed with his ability exhibited thereby. Lincoln recognized
+his moral obliquity, and curbed his propensity for satire, which was a
+case of that "exercise of natural faculty" which affects all gifted
+persons. And when he left that region he visited all the neighbors, and
+asked pardon of those whom he had ridiculed. The true Lincoln is a far
+better example to boys than the fictitious one, in that he had more
+unlovely traits at first than the average lad, yet he reformed, with the
+result that, when he went to new scenes, he speedily became the most
+popular young man in the neighborhood. He was one of those who
+
+
+ "rise on stepping stones
+ Of their dead selves to higher things."
+
+
+The reformation of his character by self examination and determination
+not to make the same mistake again seems to have induced similar
+effects and methods for their attainment in the case of his
+intellectual development. Whatever the connection, both regenerations
+proceeded apace. Lincoln at first was a shallow thinker, accepting
+without examination the views of others, especially popular statesmen,
+such as Henry Clay, whose magnetic personality was drawing to himself
+the high-spirited young men of the West. Some of the political
+doctrines which Lincoln then adopted he retained to the end, these
+being on subjects such as taxation and finance whose moral bearing was
+not apparent, and therefore into which he never inquired closely, for
+Lincoln's mind could not be profoundly interested in any save a moral
+question. When he found that a revered statesman was weak upon a
+crucial moral issue, he repressed his innate tendency to loyalty and
+rejected him. Thus, after a visit to Henry Clay in Kentucky, when the
+slavery question was arising to vex the country despite the efforts
+the aged statesman had made to settle it by the compromise of 1850,
+Lincoln returned disillusioned, having found that the light he himself
+possessed on the subject was clearer than that of his old leader. The
+eulogy which he delivered on the death of Clay, which occurred shortly
+afterward (in 1852), is the most perfunctory of all his addresses.
+
+Indeed, not till the time of the Repeal of the Missouri Compromise of
+1854, which brought Lincoln back into politics by its overthrow of
+what he regarded as the constitutional exclusion of slavery from the
+Territories, did he rise to his highest powers as a thinker and
+speaker. Lincoln had been defeated for reelection to Congress because
+of his opposition, though not highly moral in character, to the
+popular Mexican war, and, regarding himself as a political failure, he
+had devoted himself to law. His most notable speech in the House of
+Representatives, a well composed satirical arraignment of President
+Polk for throwing the country into war, had failed utterly of its
+intended effect, probably because of its trimming partisan tone. In
+1854 he was relieved of the trammels of party, the Whigs having gone
+to smash. Anti-slavery had become a great moral movement, and he was
+drawn into its current. Almost at once he became its Western leader.
+His speech against the Repeal of the Missouri Compromise which had
+been effected by his inveterate antagonist, Senator Stephen A.
+Douglas, was his first classic achievement in argumentative oratory.
+While in the greater aspect of artistic composition, the form of the
+address as a whole, his master was Euclid, in minor points the
+influence of Shakespeare, of whom Lincoln had become a great reader,
+was apparent, as indicated by a quotation from the dramatist, and an
+application to Senator Douglas of the scene of Lady Macbeth trying to
+wash out the indelible stain upon her hand. Also the Bible was the
+source of strong and telling phrases and figures of speech. Thus he
+denominated slavery as "the great Behemoth of danger," and asked,
+"shall the strong grip of the nation be loosened upon him, to intrust
+him to the hands of his feeble keepers?"
+
+And, in the following passage, characteristic of the new Lincoln, I
+think that either Shakespeare and the Bible had combined to inspire
+him with graphic description of character and moral indignation, or
+they enforced these native powers.
+
+"Again, you have among you a sneaking individual of the class of
+native tyrants known as the 'Slave-Dealer'. He watches your
+necessities, and crawls up to buy your slave at a speculative price.
+If you cannot help it, you sell to him; but if you can help it, you
+drive him from your door. You despise him utterly. You do not
+recognize him as a friend, or even as an honest man. Your children
+must not play with his; they may rollick freely with the little
+negroes, but not with the slave-dealer's children. If you are obliged
+to deal with him you try to get through the job without so much as
+touching him. It is common with you to join hands with the men you
+meet, but with the slave-dealer you avoid the ceremony--instinctively
+shrinking from the snaky contact."
+
+Of Lincoln's critical appreciation of Shakespeare Frank B. Carpenter,
+the artist of the "First Reading of the Emancipation Proclamation"
+(see illustration on page 206), writes in his "Six Months at the White
+House with Abraham Lincoln" as follows:
+
+"Presently the conversation turned upon Shakspeare, of whom it is well
+known Mr. Lincoln was very fond. He once remarked, 'It matters not to
+me whether Shakspeare be well or ill acted; with him the thought
+suffices.' Edwin Booth was playing an engagement at this time at
+Grover's Theatre. He had been announced for the coming evening in his
+famous part of _Hamlet_. The President had never witnessed his
+representation of this character, and he proposed being present. The
+mention of this play, which I afterward learned had at all times a
+peculiar charm for Mr. Lincoln's mind, waked up a train of thought I
+was not prepared for. Said he,--and his words have often returned to
+me with a sad interest since his own assassination,--'There is one
+passage of the play of "Hamlet" which is very apt to be slurred over
+by the actor, or omitted altogether, which seems to me the choicest
+part of the play. It is the soliloquy of the King, after the murder.
+It always struck me as one of the finest touches of nature in the
+world.'
+
+"Then, throwing himself into the very spirit of the scene, he took
+up the words:--
+
+
+ "'O my offence is rank, it smells to heaven;
+ It hath the primal eldest curse upon't,
+ A brother's murder!--Pray can I not,
+ Though inclination be as sharp as will;
+ My stronger guilt defeats my strong intent;
+ And, like a man to double business bound,
+ I stand in pause where I shall first begin,
+ And both neglect. What if this cursed hand
+ Were thicker than itself with brother's blood?
+ Is there not rain enough in the sweet heavens
+ To wash it white as snow? Whereto serves mercy
+ But to confront the visage of offence;
+ And what's in prayer but this twofold force--
+ To be forestalled ere we come to fall,
+ Or pardoned, being down? Then I'll look up;
+ My fault is past. But O what form of prayer
+ Can serve my turn? Forgive me my foul murder?--
+ That cannot be; since I am still possessed
+ Of those effects for which I did the murder,--
+ My crown, my own ambition, and my queen.
+ May one be pardoned and retain the offence?
+ In the corrupted currents of this world,
+ Offence's gilded hand may shove by justice,
+ And oft 'tis seen the wicked prize itself
+ Buys out the law; but 'tis not so _above_.
+ There is no shuffling; there the action lies
+ In its true nature; and we ourselves compelled,
+ Even to the teeth and forehead of our faults,
+ To give in evidence. What then? What rests?
+ Try what repentance can; what can it not?
+ Yet what can it when one cannot repent?
+ O wretched state! O bosom black as death!
+ O bruised soul that, struggling to be free,
+ Art more engaged! Help, angels, make assay!
+ Bow, stubborn knees! And heart with strings of steel,
+ Be soft as sinews of the new-born babe;
+ All may be well!'
+
+
+"He repeated this entire passage from memory, with a feeling and
+appreciation unsurpassed by anything I ever witnessed upon the stage.
+Remaining in thought for a few moments, he continued:--
+
+"'The opening of the play of "King Richard the Third" seems to me often
+entirely misapprehended. It is quite common for an actor to come upon
+the stage, and, in a sophomoric style, to begin with a flourish:--
+
+
+ "'Now is the winter of our discontent
+ Made glorious summer by this sun of York,
+ And all the clouds that lowered upon our house,
+ In the deep bosom of the ocean buried.'
+
+
+"'Now,' said he, 'this is all wrong. Richard, you remember, had been,
+and was then plotting the destruction of his brothers, to make room
+for himself. Outwardly, the most loyal to the newly crowned king,
+secretly he could scarcely contain his impatience at the obstacles
+still in the way of his own elevation. He appears upon the stage, just
+after the crowning of Edward, burning with repressed hate and
+jealousy. The prologue is the utterance of the most intense bitterness
+and satire.' Then, unconsciously assuming the character, Mr. Lincoln
+repeated, also from memory, Richard's soliloquy, rendering it with a
+degree of force and power that made it seem like a new creation to me.
+Though familiar with the passage from boyhood, I can truly say that
+never till that moment had I fully appreciated its spirit. I could not
+refrain from laying down my palette and brushes, and applauding
+heartily upon his conclusion, saying, at the same time, half in
+earnest, that I was not sure but that he had made a mistake in the
+choice of a profession, considerably, as may be imagined, to his
+amusement. Mr. Sinclair has since repeatedly said to me that he never
+heard these choice passages of Shakspeare rendered with more effect by
+the most famous of modern actors."
+
+Lincoln's sense of the classic phrase seems to have been native with
+him, for we find it in his earliest utterances. Such a phrase appears
+in homely proverbial form in his first speech: "My politics are short
+and sweet, like the old woman's dance." Impaired in rhythm of thought
+and sound by an awkward, though logical, parenthetical expression,
+another phrase stands out in a "spread-eagle" passage from his first
+formal address, that on "The Perpetuation of Our Political
+Institutions."
+
+"All the armies of Europe, Asia, and Africa combined, with all the
+treasure of earth (our own excepted) in its military chest, with a
+Bonaparte for a commander, could not by force _take a drink from the
+Ohio or make a track on the Blue Ridge_ in a trial of a thousand
+years."
+
+And in a eulogy on Washington, Lincoln early achieved a line which in
+phonetic quality, rhetorical figure and rhythmic cadence is pure
+poetry, though not of an exceptional order.
+
+"In solemn awe we pronounce the name, and in its naked deathless
+splendor leave it shining on."
+
+In an article entitled "Lincoln's Literary Experiments," by John G.
+Nicolay, one of Lincoln's two private secretaries, which was published
+in the Century Magazine for April, 1894, are reproduced Lincoln's
+notes of one lyceum lecture on "Niagara Falls," and the text of
+another on "Discoveries, Inventions and Improvements." These, however,
+detract, if anything, from Lincoln's reputation as a writer, for in
+choice of subjects and in style of treatment there is seen an almost
+discreditable stooping of a man of genius, even in his function of
+teacher, to the low popular taste of the West at the time. In the
+first lecture Lincoln presented the statistics of the water power of
+Niagara Falls for each minute, and led his hearers from this base to
+the "contemplation of the vast power the sun is constantly exerting in
+the quiet noiseless operation of lifting water up to be rained down
+again." Yet at this point he stopped short of his duty as an educator,
+for he made no suggestion as to the utilization of this power. He was
+satisfied with giving the people what they had come for--the pleasant
+excitation of a mental faculty, that of the imagination in its primary
+form of wonder at the grandeur of the material universe. In short, he
+was acting as a mere entertainer--as so many of our public men do now
+at "Chautauquas."
+
+In the second lecture he performed this function in a still more
+discreditable manner, by catering to the unworthy demand of his
+hearers for obvious and familiar humorous conceptions to grasp which
+would cause them no mental exertion. Thus, in speaking of the
+inventions of the locomotive and telegraph, already old enough for the
+first inevitable similitudes and jocose remarks about them to be
+current, he said:
+
+"The iron horse is panting and impatient to carry him (man) everywhere
+in no time; and the lightning stands ready harnessed to take and bring
+his tidings in a trifle less than no time."
+
+This reveals Lincoln's taste for the characteristic American humor of
+exaggeration, which was later to afford him relief from the stress and
+strain of his duties as President in the works of "Petroleum V. Nasby"
+and "Artemus Ward," writers, however, with a quaint originality which
+lifted them and their admirers above the plane of humorous composition
+and appreciation of the preceding decade. Indeed, Lincoln developed
+his own power of witty expression to a degree excelling that of the
+writers he admired, and in quality of product, if not in quantity (for
+the greater part of the "funny stories" attributed to him, thank
+heaven, are apocryphal) he stands in the front rank of the American
+humorists of his generation.
+
+And as the poet and the wit are near akin through this common appeal
+to the imagination, Lincoln, had he overcome the obsession of
+melancholy in his nature which was the mood in which he resorted to
+poetry, and which early limited his taste for it to verse of a sad and
+reflective kind, might have become a literary craftsman of the order
+of Holmes, whose poetry in the main was bright and joyous, and, even
+when he occasionally touched upon such subjects as death, was, as we
+have seen, informed with inspiring Hellenic beauty rather than
+depressing Hebraic moralization. It was in his sad moments, says Henry
+C. Whitney, that the mind of Lincoln "gravitated toward the weird,
+sombre and mystical. In his normal and tranquil state of mind, 'The
+Last Leaf,' by Oliver Wendell Holmes, was his favorite" (poem). It was
+Lincoln's happy lot to rise in the realm of oratory by the power of
+his poetic spirit higher than any American, save probably Emerson, has
+done in other fields of literature. On the theme of slavery, where his
+unerring moral sense had free sway, he became our supreme orator,
+transcending even Webster in grandeur of thought and beauty of its
+expression. His periods are not as sonorous as the Olympian New
+England orator's, but their accents will reach as far and resound even
+longer by the carrying and sustaining power of the ideas which they
+express. Indeed, it is on the wings supplied by Lincoln that Webster's
+most significant conception, that of the nature of the Constitution,
+is even now borne along, because of the uplifting ideality which
+Lincoln gave it by more broadly applying it to the nation itself as an
+examplar and preserver to the world of ideal government.
+
+Webster said: "It is, sir, the people's Constitution, the people's
+Government; made for the people; made by the people; and answerable to
+the people."
+
+This he made the thesis for an argument which was to be followed by a
+magnificent peroration ending with a sentiment, calculated for use as
+a toast at political banquets, and as a patriotic slogan: "Liberty and
+Union, now and forever, one and inseparable!"
+
+Lincoln with purer taste, the expression of which, be it said to
+Webster's credit, had been made possible by the acceptance of the
+earlier statesman's contention, assumed the thesis as placed beyond
+all controversy, and, making it the exhortation of his speech, gave
+to it the character of a sacred adjuration: "That we here highly
+resolve ... that government of the people, by the people, and for
+the people, shall not perish from the earth."
+
+Another example of Lincoln's ability to improve the composition of
+another writer is the closing paragraph of his first inaugural
+address. The President-elect had submitted the manuscript of this most
+important speech, which would be universally scrutinized to find what
+policy he would adopt toward the seceded States, to Seward, his chosen
+Secretary of State, for criticism and suggestion. Mr. Seward approved
+the argument, but advised the addition of a closing paragraph "to meet
+and remove prejudice and passion in the South; and despondency in the
+East." He submitted two paragraphs of his own as alternative models.
+The second was in that poetic vein which occasionally cropped out in
+Seward's speeches, and over which Lincoln on better acquaintance was
+wont good-naturedly to rally him. It is evidence of Lincoln's
+predilection for poetic language, at least at the close of a speech,
+that he adopted the latter paragraph. It ran:
+
+"I close. We are not, we must not be, aliens or enemies, but
+fellow-countrymen and brethren. Although passion has strained our
+bonds of affection too hardly, they must not, I am sure they will not,
+be broken. The mystic chords which, proceeding from so many
+battlefields and so many patriot graves, pass through all the hearts
+and all hearths in this broad continent of ours, will yet again
+harmonize in their ancient music when breathed upon by the guardian
+angel of the nation."
+
+Lincoln, by deft touches which reveal a literary taste beyond that of
+any statesman of his time, indeed beyond that which he himself had yet
+exhibited, transformed this passage into his peroration. His
+emendations were largely in the way of excision of unnecessary
+phrases, resolution of sentences broken in construction into several
+shorter, more direct ones, and change of general and vague terms in
+rhetorical figure to concrete and picturesque words. He wrote:
+
+"I am loth to close. We are not enemies, but friends. We must not be
+enemies. Though passion may have strained, it must not break our bonds
+of affection. The mystic chords of memory, stretching from every
+battle-field and patriot grave to every living heart and hearth-stone
+all over this broad land, will yet swell the chorus of the Union when
+again touched, as surely they will be, by the better angels of our
+nature."
+
+More than the persuasive argument and gentle yet determined spirit of
+the address, it was the chaste beauty and tender feeling of these
+closing words which convinced the people that Lincoln measured up to
+the high mental and moral stature demanded of one who was to be their
+leader through the most critical period that had arisen in the life of
+the nation.
+
+The second inaugural address, coming so shortly before the President's
+death, formed unintentionally his farewell address. It has the spirit
+and tone of prophecy. The Bible, in thought and expression, was its
+inspiration. The first two of its three paragraphs ring like a chapter
+from Isaiah, chief of the poet seers of old. The concluding paragraph
+is an apostolic benediction such as Paul or John might have delivered.
+
+"With malice toward none; with charity for all; with firmness in the
+right as God gives us to see the right, let us strive on to finish the
+work we are in; to bind up the nation's wounds; to care for him who
+shall have borne the battle, and for his widow and his orphan--to do
+all which may achieve and cherish a just and lasting peace among
+ourselves, and with all nations."
+
+
+
+
+ * * * * *
+
+
+
+
+ THE POETS' LINCOLN
+
+
+
+
+ * * * * *
+
+
+
+
+ [Illustration: THE LOG CABIN
+
+ Birthplace of Lincoln, near Hodgensville, Kentucky]
+
+
+Abraham Lincoln was born on the 12th day of February, 1809, on the Big
+South Fork of Nolin Creek, in what was then known as Hardin, but is
+now known as La Rue County, Kentucky, about three miles from
+Hodgensville.
+
+The above illustration represents the cabin in which he was born, as
+described by his former neighbors.
+
+Out of that old hut came the mighty man of destiny, the matchless man
+of the Nineteenth Century. The world has no parallel for that
+transition from the cabin to the White House.
+
+
+Julia Ward [Howe] was born in New York City, May 27, 1819. At an early
+age she wrote plays and poems. In 1843 Miss Ward married Dr. Samuel
+Gridley Howe. In 1861, while on a visit to the camp near Washington,
+with Governor John A. Andrew and other friends, Mrs. Howe wrote to the
+air of "John Brown's Body" the "Battle Hymn of the Republic" which has
+become so popular. She also published several books of poems. She
+espoused the Woman-Suffrage movement in 1869, and devoted much of her
+time to the cause. She died in 1910.
+
+This poem was written by Mrs. Howe in her ninetieth year and read by
+her in Symphony Hall, Boston, on the centenary of the martyred
+President's birthday, February 12, 1909.
+
+
+ LINCOLN
+
+ Through the dim pageant of the years
+ A wondrous tracery appears:
+ A cabin of the western wild
+ Shelters in sleep a new born child.
+
+ Nor nurse nor parent dear can know
+ The way those infant feet must go,
+ And yet a nation's help and hope
+ Are sealed within that horoscope.
+
+ Beyond is toil for daily bread,
+ And thought to noble issues led.
+ And courage, arming for the morn
+ For whose behest this man was born.
+
+ A man of homely, rustic ways,
+ Yet he achieves the forum's praise
+ And soon earth's highest meed has won,
+ The seat and sway of Washington.
+
+ No throne of honors and delights,
+ Distrustful days and sleepless nights,
+ To struggle, suffer and aspire,
+ Like Israel, led by cloud and fire.
+
+ A treacherous shot, a sob of rest,
+ A martyr's palm upon his breast,
+ A welcome from the glorious seat
+ Where blameless souls of heroes meet.
+
+ And thrilling, through unmeasured days,
+ A song of gratitude and praise,
+ A cry that all the earth shall heed,
+ To God, who gave him for our need.
+
+
+
+
+ THE GREAT OAK
+
+ Some men are born, while others seem to grow
+ From out the soil, like towering trees that spread
+ Their strong, broad limbs in shelter overhead
+ When tempest storms, protecting all below.
+
+ Lincoln, Great Oak of a Nation's life,
+ Rose from the soil, with all its virgin power
+ Emplanted in him for the fateful hour,
+ When he might save a Nation in its strife.
+
+ --_Bennett Chapple._
+
+
+
+
+ [Illustration: LINCOLN BY THE CABIN FIRE
+
+ "Lying down was Lincoln's favorite attitude while reading or
+ studying. This remained a habit with him throughout
+ life."--_Henry C. Whitney in his "Life Of Lincoln."_]
+
+
+
+
+Noah Davis, born in Haverhill, New Hampshire, September 10, 1818. He
+was educated at Albion, New York, and in the Seminary at Lima, studied
+law, and was admitted to the bar in 1841. Appointed in March, 1857, a
+justice of the New York Supreme Court. He served in Congress from
+March 4, 1869, till July 20, 1870, when he resigned, having been
+appointed by President Grant, U. S. Attorney for the Southern District
+of New York. He resigned that office on Dec. 31, 1872, being elected
+justice of the New York State Supreme Court. In 1874, he became
+presiding justice. In January, 1887, he was retired from the bench and
+resumed practice. He died in New York in 1902.
+
+
+ LINCOLN
+
+ Almost a hundred years ago, in a lonely hut,
+ Of the dark and bloody ground of wild Kentucky,
+ A child was born to poverty and toil,
+ Save in the sweet prophecy of mother's love
+ None dreamed of future fame for him!
+
+ 'Mid deep privation and in rugged toil,
+ He grew unschooled to vigorous youth,
+ His teaching was an ancient spelling book,
+ The Holy Writ, "The Pilgrim's Progress,"
+ Old "Æsop's Fables" and the "Life of Washington";
+ And out of these, stretched by the hearthstone flame
+ For lack of other light, he garnered lore
+ That filled his soul with faith in God.
+
+ The prophet's fire, the psalmist's music deep,
+ The pilgrims' zeal throughout his steadfast march,
+ The love of fellow man as taught by Christ,
+ And all the patriot faith and truth
+ Marked the Father of our Land!
+ And there, in all his after life, in thought
+ And speech and act, resonant concords were in his
+ great soul.
+
+ And, God's elect, he calmly rose to awful power,
+ Restored his mighty land to smiling peace,
+ Then, with the martyr blood of his own life,
+ Baptized the millions of the free.
+
+ Henceforth, the ages hold his name high writ
+ And deep on their eternal rolls.
+
+
+
+
+Rev. George W. Crofts was born at Leroy, Illinois, April 9, 1842. He was
+educated at the Illinois State University at Springfield, graduating in
+the class of 1864. He was ordained to the ministry in 1865. He preached
+at Sandwich, Illinois; Council Bluffs, Iowa; Beatrice, Nebraska, and
+West Point. He died at West Point, May 16, 1909.
+
+
+ THE BIRTH OF LINCOLN
+
+ No choir celestial sang at Lincoln's birth,
+ No transient star illumined the midnight sky
+ In honor of some ancient prophecy,
+ No augury was given from heaven or earth.
+
+ He blossomed like a flower of wondrous worth,
+ A rare, sweet flower of heaven that ne'er should die,
+ Altho' the vase in which it grew should lie
+ Most rudely rent amid the darkling dearth.
+
+ There, in that humble cabin, separate
+ From everything the world regarded great,
+ Where wealth had never pressed its greedy feet,
+ Where honor, pomp or fame found no retreat;
+ E'en there was born beneath the eye of God
+ The noblest man His footstool ever trod.
+
+
+
+
+ [Illustration: Mendelssohn Darwin Lincoln]
+
+
+ MENDELSSOHN
+ DARWIN
+ LINCOLN
+
+ _February 12, 1809_
+
+
+Clarence E. Carr, born in Enfield, New Hampshire, January 31, 1853.
+Received his early education from the common schools and academies of
+the State, later from Dartmouth College, from which he graduated in
+1875.
+
+Practiced law, was also a manufacturer and farmer. Was president of
+the New Hampshire Unitarian Conference, director and vice-president of
+the American Unitarian Association, bank trustee, president of the
+United Life and Accident Insurance Company of Concord, New Hampshire,
+and occasionally a wanderer in the Elysian Fields of the Muses.
+
+_The Three Birthday Anniversaries_ is the subject of a highly
+appreciative article on the subject of Mendelssohn, Darwin and Lincoln,
+by President Samuel A. Eliot of the American Unitarian Association, in
+the _Christian Register_ of February 4, 1909. The central thought
+therein is thus expressed very beautifully by Mr. Carr.
+
+
+ Three lives this day unto the world were given
+ Into whose souls God breathed the air of heaven,--
+ The first He taught the music of the spheres,
+ The next, of worlds, the story of the years;
+ And, loving, wise, and just beyond our dream,
+ The third a pilot made upon the New World's stream.
+
+ Their work is done, but ere they crossed "the portal,"
+ One, Song; One, Truth; One, Freedom; Made Immortal!
+
+
+
+
+James Phinney Baxter, born at Gorham Maine, March 23, 1831. Academic
+education; President of Savings Bank; Mayor of Portland, six terms,
+1893-97--1904-5. Organized Associated Charities and was its first
+President; built and donated to the City of Portland its public
+library in 1888, and to Gorham in 1907; also conveyed to Gorham his
+family mansion for use as a Museum. President Portland Public Library,
+Baxter Library (Gorham), Portland Benevolent Society, Overseer of
+Bowdoin College, President Maine Historical Society since 1890,
+Northeast Historical Society since 1899. Author: _The Trelawney
+Papers_, 1884; _The British Invasion From the North_, 1887; _Sir
+Ferdinando Gorges and His Province of Maine_, 1890; _The Pioneers of
+New France in New England_, 1894; edited ten volumes of _Documentary
+History of Maine_, etc.
+
+
+ THE NATAL DAY OF LINCOLN
+
+ Son of the Western World! whose heritage
+ Was the vast prairie and the boundless sky;
+ Whose callow thoughts with wings untrammeled sought
+ Free scope for growth denied to Ease and Power,
+ Naught couldst thou know of place or precedent,
+ For Freedom's ichor with thy mother's milk
+ Coursing thy veins, would render thee immune
+ To Fashion's dictate, or prescriptive creed,
+ Leaving thy soul unhindered to expand
+ Like Samuel's in Jehovah's tutelage.
+ Hail to thy Natal day!
+
+ Like all great souls with vision unobscured
+ Thou wert by Pride unswayed, and so didst tread
+ The gray and sombre way by Duty marked;
+ Seeking the springs of Wisdom, unallured
+ By shallower sources which the witless tempt.
+ Afar o'er arid plains didst thou behold
+ An empty sky, and mountains desolate
+ Barring thy way to fairer scenes beyond;
+ But faith was thine, and patience measureless,
+ Making thee equal to thy destiny.
+ Hail to thy Natal day!
+
+ It summons to our vision all thy life,
+ Of strenuous toil; the cabin low and rude;
+ The meagre fare; the blazing logs whose glow
+ Illumed the pages of inspired bards,
+ Shakespeare and Bunyan; prophets, priests and seers;
+ The darkling forest where thy ringing axe
+ Chimed with the music of the waterfall;
+ The eager flood bearing thy rugged raft
+ Swift footed through an ever changing world
+ Unknown to thee save in remembered dreams.
+ Hail to thy Natal day!
+
+ We see thee in the mart where Selfishness
+ For Fame ephemeral strives, and sordid gain;
+ Thy ill-requited toil till thou hadst earned
+ The right to raise thy potent voice within
+ A nation's forum, facing all the world;
+ And then, achievement such as few have known,
+ A mighty people placing in thy hand
+ A sceptre swaying half a continent,
+ Making thee peer of kings and potentates;
+ Aye, greater than them all, whate'er their power.
+ Hail to thy Natal day!
+
+ But, lo! the martial camp; the bivouac;
+ The rude entrenchment;--the grim fortalice;
+ The tented field;--the flaming battle line,
+ And thy great soul amidst it all unmoved
+ By petty aims, leading with flawless faith
+ Thy people to a promised land of peace;
+ And, then, when thou hadst reached the goal of hope,
+ And the world stood amazed, the heavy crown
+ Of martyrdom was pressed upon thy brow
+ And thy immortal course was consummate.
+ Hail to thy Natal day!
+
+ In all great souls God sows with generous hand
+ The seed of martyrdom, for 'twas decreed
+ In Eden, that alone by sacrifice
+ Should sons of men the crown immortal win;
+ And thou, who didst the shining heights attain
+ Of unsurpassed achievement, didst but pay
+ The impartial toll of souls like thine required.
+ And we, who on the narrow marge of Time
+ Standing wondering, shed no tears, but raise to thee
+ The pæans to a martyred hero due,
+ Hail to thy Natal day.
+
+
+
+
+ [Illustration: MONUMENT TO THE MOTHER OF LINCOLN]
+
+
+Nancy Hanks Lincoln died October 5, 1818, aged thirty-five years. The
+design of this monument is by Thompson Stickle, and it was constructed
+by J. S. Culver of Springfield, Illinois, and dedicated October 2,
+1902.
+
+In the construction of the monument in Spencer County, Indiana, Mr.
+Culver used as much of the granite as possible from the National
+Lincoln Monument before it was reconstructed.
+
+The face of this block is handsomely hand-carved. As the Scroll of
+Time unrolls, it reveals the name of "Nancy Hanks Lincoln." The ivy
+represents affection and the branch of oak nobility.
+
+The public celebration of the centenary of Lincoln's birth was held in
+the town of North Adams, Massachusetts, February 12, 1909.
+
+Ex-Senator Thomas F. Cassidy, in his address, said: "One hundred years
+ago today, in Hardin County, Kentucky, there was ushered into being
+the child, Abraham Lincoln.
+
+"As God selected Mary, the humble girl of Judea, to be the mother of
+the Saviour of mankind and she gave birth to Him in the stable at
+Bethlehem, so it was ordained that in the lowly log cabin of the
+Kentucky wilderness, Nancy Hanks should receive into the protection of
+her sheltering arms the child who was destined to be the Saviour of
+the Republic."
+
+
+Harriet Monroe, born at Chicago, Illinois, December, 23, 1860.
+Graduated Visitation Academy, Georgetown, District Columbia, 1879. In
+December, 1889, was appointed to write text for cantata for opening of
+Chicago Auditorium in March, 1891. Was requested by Committee on
+Ceremonies of Chicago Exposition to write a poem for the dedication;
+her _Columbia Ode_ was read and sung at the dedicatory ceremonies on
+the 400th anniversary of the discovery of America, October 21, 1892.
+Author of _Valerie_, and other poems, 1892; _The Columbia Ode_, 1893;
+_John Wellborn, Poet, A Memoir_, 1896; _The Passing Show--Modern Plays
+in Verse_, 1903, etc.
+
+
+ NANCY HANKS
+
+ Prairie Child,
+ Brief as dew,
+ What winds of wonder
+ Nourished you?
+
+ Rolling plain
+ Of billowy green,
+ Fair horizons,
+ Blue, serene.
+
+ Lofty skies
+ The slow clouds climb,
+ Where burning stars
+ Beat out the time.
+
+ These, and the dreams
+ Of fathers bold,
+ Baffled longings
+ Hopes untold.
+
+ Gave to you
+ A heart of fire,
+ Love like waters,
+ Brave desire.
+
+ Ah, when youth's rapture
+ Went out in pain,
+ And all seemed over,
+ Was all in vain?
+
+ O soul obscure,
+ Whose wings life bound,
+ And soft death folded
+ Under the ground.
+
+ Wilding lady,
+ Still and true,
+ Who gave us Lincoln
+ And never knew:
+
+ To you at last
+ Our praise, our tears,
+ Love and a song
+ Through the nation's years.
+
+ Mother of Lincoln,
+ Our tears, our praise;
+ A battle-flag
+ And the victor's bays!
+
+
+
+
+ [Illustration: THE RAIL SPLITTER
+
+ From the "Footprints of Abraham Lincoln"]
+
+
+
+
+ LINCOLN THE LABORER
+
+ _From an Horatian Ode by Richard Henry Stoddard_
+
+
+ A laboring man with horny hands,
+ Who swung the axe, who tilled the lands,
+ Who shrank from nothing new,
+ But did as poor men do.
+
+ One of the people. Born to be
+ Their curious epitome,
+ To share, yet rise above,
+ Their shifting hate and love.
+
+ Common his mind, it seemed so then,
+ His thoughts the thoughts of other men,
+ Plain were his words, and poor--
+ But now they will endure.
+
+ No hasty fool of stubborn will,
+ But prudent, cautious, still--
+ Who, since his work was good,
+ Would do it as he could.
+
+ No hero, this, of Roman mold--
+ Nor like our stately sires of old.
+ Perhaps he was not great--
+ But he preserved the state.
+
+ O, honest face, which all men knew,
+ O, tender heart, but known to few--
+ O, wonder of the age,
+ Cut off by tragic rage.
+
+
+
+
+ [Illustration: "THE BOY LINCOLN"
+
+ By Eastman Johnson]
+
+
+
+
+James Whitcomb Riley was born in Greenfield, Indiana, about 1852. He
+was engaged in various pursuits until 1875, when he began to
+contribute verses of poetry to local papers in the Western district
+which gained wide popularity for him. His published works in dialect
+and his serious poems have also proved very popular.
+
+
+ A PEACEFUL LIFE
+
+ (LINCOLN)
+
+ A peaceful life;--just toil and rest--
+ All his desire;--
+ To read the books he liked the best
+ Beside the cabin fire.
+ God's word and man's;--to peer sometimes
+ Above the page, in smoldering gleams,
+ And catch, like far heroic rhymes,
+ The onmarch of his dreams.
+
+ A peaceful life;--to hear the low
+ Of pastured herds,
+ Or woodman's axe that, blow on blow,
+ Fell sweet as rhythmic words.
+ And yet there stirred within his breast
+ A faithful pulse, that, like a roll
+ Of drums, made high above his rest
+ A tumult in his soul.
+
+ A peaceful life!--They hailed him even
+ As One was hailed
+ Whose open palms were nailed toward Heaven
+ When prayers nor aught availed.
+ And lo, he paid the selfsame price
+ To lull a nation's awful strife
+ And will us, through the sacrifice
+ Of self, his peaceful life.
+
+
+
+
+William Wilberforce Newton, born in Alleghany, Pennsylvania, March,
+1836. Was graduated at Franklin and Marshall College in 1853. Studied
+law, and was admitted to the bar in 1867. He served as Captain and
+Assistant Adjutant General of U. S. Volunteers in 1861-5; was Editor
+of the _Philadelphia Press_ and President of the "Press" Publishing
+Co., from 1867 till 1878. He is the author of _Vignettes of Travel_
+and has been largely engaged in railway building in Mexico.
+
+
+ LEADER OF HIS PEOPLE
+
+ Saw you in his boyhood days
+ O'er Kentucky's prairies;
+ Bending to the settler's ways
+ Yon poor youth whom now we praise--
+ Romance like the fairies?
+ Hero! Hero! Sent from God!
+ Leader of his people.
+
+ Saw you in the days of youth
+ By the candle's flaring:
+ Lincoln searching for the truth,
+ Splitting rails to gain, forsooth,
+ Knowledge for the daring?
+ Hero! Hero! Sent from God!
+ Leader of his people.
+
+ Saw you in his manhood's prime
+ Like a star resplendent,
+ Him we praise with measured rhyme
+ Waiting for the coming time
+ With a faith transcendent?
+ Hero! Hero! Sent from God!
+ Leader of his people.
+
+ Saw you in the hour of strife
+ When fierce war was raging,
+ Him who gave the slaves a life
+ Full and rich with freedom rife,
+ All his powers engaging?
+ Hero! Hero! Sent from God!
+ Leader of his people.
+
+ Saw you when the war was done
+ (Such is Lincoln's story)
+ Him whose strength the strife had won
+ Sinking like the setting sun
+ Crowned with human glory?
+ Hero! Hero! Sent from God!
+ Leader of his people.
+
+ Saw you in our country's roll
+ Midst her saints and sages,
+ Lincoln's name upon the scroll--
+ Standing at the topmost goal
+ On the nation's pages?
+ Hero! Hero! Sent from God!
+ Leader of his people.
+
+ Hero! Yes! We know thy fame;
+ It will live forever!
+ Thou to us art still the same;
+ Great the glory of thy name,
+ Great thy strong endeavor!
+ Hero! Hero! Sent from God!
+ Leader of his people.
+
+
+
+
+ [Illustration: LINCOLN THE LAWYER
+
+ From an Ambrotype, taken in 1856]
+
+
+"The charm which invested the life on the Eighth Circuit in the mind
+and fancy of Mr. Lincoln yet lingered there, even in the most
+responsible and glorious days of his administration; over and over
+again has the great President stolen an hour ... from his life of
+anxious care to live over again those bygone exhilarating and halcyon
+days ... with Sweet or me."--Henry C. Whitney in his _Life of Lincoln_.
+
+
+
+
+Wilbur Hazelton Smith was born in the town of Mansfield, New York,
+March 28, 1860. His early education was obtained from the district
+school and he began teaching at the age of sixteen. After completing
+an academic course he went to Cornell University from which he was
+graduated with the degree of A.B. in 1885.
+
+He at once became a teacher and after a few years started the first
+Current Topic paper in the state, _The Educator_. Later he edited a
+teachers' paper, _The World's Review_. Perhaps he is best known as
+publisher of the _Regents' Review Books_ used in nearly every school
+in the United States. His death occurred October 19, 1913.
+
+
+ LINCOLN
+
+ Unlearned in the cant and quip of schools,
+ Uncouth, if only city ways refine;
+ Ungodly, if 'tis creeds that make divine;
+ In station poor, as judged by human rules,
+ And yet a giant towering o'er them all;
+ Clean, strong in mind, just, merciful, sublime;
+ The noblest product of the age and time,
+ Invoked of God in answer to men's call.
+
+ O simple world, and will you ever learn,
+ Schools can but guide, they cannot mind create?
+ 'Neath roughest rock the choicest treasures wait;
+ In meanest forms we priceless gems discern;
+ Nor time, nor age, condition, rank nor birth,
+ Can hide the truly noble of the earth.
+
+
+
+
+ [Illustration: LINCOLN'S OFFICE CHAIR]
+
+
+This chair was used by Mr. Lincoln in his law office at Springfield,
+Illinois, where, before leaving for the City of Washington after his
+election as President, he wrote his Inaugural Address and formed his
+Cabinet, frequently conferring with his twenty-year law partner,
+William H. Herndon, on such matters, and adopting changes as suggested
+if he considered them advisable. It was presented to O. H. Oldroyd
+while living in the Lincoln Homestead, Springfield, by Mr. Herndon,
+March 18, 1886.
+
+
+James Riley was born in the hamlet of Tang, one mile from the town of
+Ballymahon, County Longford, Ireland, and two miles from Lissoy,
+County Westmeath, the home of Oliver Goldsmith--on the road between
+the two--August 15, 1848. Published _Poems_, 1888; _Songs of Two
+Peoples_, 1898, and _Christy of Rathglin_, a novel, in 1907. His poem
+_The American Flag_, has been rated often as the best poem written to
+our banner. Four lines on the loss of the Titanic brought from Captain
+Rostron words in which he said: "With such praise one feels on a
+higher plane, and must keep so, to be worthy of continuance."
+
+
+ LINCOLN IN HIS OFFICE CHAIR
+
+ High-browed, rugged, and swarthy;
+ A picture of pain and care;
+ A lawyer sat with his greatest brief,
+ High in his office chair.
+
+ His Country was to him client!
+ Futurity his ward!
+ And he must plead 'fore Fate's high court,
+ With prayer, and pen, and sword.
+
+ Elected, by his people!
+ His heart and theirs, one beat!
+ He sees the storm-clouds gather;
+ The waves dash at his feet!
+
+ Gloom upon land and water!
+ The Flag no more in the sun!
+ Lights from the South-line flickering,
+ And--dying--one--by one!
+
+ November's winds wild shrieking!
+ Night--closed, on a Union rent!
+ And still the lawyer sat dreaming
+ Of its once bright firmament.
+
+ Then, '61! Dark! Silent!
+ Only the calling word
+ Of Anderson at Sumter
+ The lawyer, writing, heard.
+
+ Writing the Message that ever
+ Shall live in the hearts of men;
+ With cannon to cannon fronting,
+ The lawyer held the pen.
+
+ Only thinking of Country
+ And the work that must be done;
+ Nature made in roughest mold
+ Her favored, fated son.
+
+ He wrote while the world was waiting
+ Great Freedom's final test.
+ Should, or should not Democracy
+ Be planted in the West?
+
+ Should Liberty at last survive
+ And man look straight on man?
+ Law, in its round, its strength and might
+ Be timed unto sense and plan?
+
+ He, in his chair there sitting,
+ Had all these things for thought.
+ Now, the Vote unrecognized,
+ Must battles wild be fought?
+
+ Alone the Chair is standing,
+ To remind the Land of the time
+ When the Slaver's heart, all passion,
+ He planned, and pursued his crime!
+
+ As he rushed Disunion's order,
+ On, on from State to State!
+ And the Pen talked loud down the Message,
+ And bided the Land to wait.
+
+
+
+
+ [Illustration: LINCOLN AS CANDIDATE FOR UNITED STATES SENATOR
+
+ Photograph from an Ambrotype, by Gilmer, Illinois, 1858]
+
+
+
+
+Elizabeth Porter Gould, born June 8, 1848, died July 28, 1906.
+Essayist, lecturer and author; an early inspirer of woman's clubs and
+the pioneer of the _Current Events_ and _Topics_ classes in Boston and
+vicinity; an officer in several educational societies and honorary
+member of the Webster Historical Society, Castilian Club and other
+clubs where she had read many historical papers of great research and
+given many practical suggestions. Among her published works are _Gems
+From Walt Whitman_, _Anne Gilchrist and Walt Whitman_, _Ezekial
+Cheever, Schoolmaster_, _John Adams and Daniel Webster as
+Schoolmasters_, _A Pioneer Doctor_, _One's Self I Sing_ and _The
+Brownings and America_. She had great energy and force of character,
+and a capacity for friendship which was a source of great happiness to
+her and endeared her to all.
+
+
+ THE VOICE OF LINCOLN
+
+ In life's great symphony,
+ Above the seeming discord and the pain,
+ A master-voice is ever singing, singing,
+ The plan of God to men.
+
+ In young America's song,
+ As threatening tumult pierced the tensioned air,
+ The voice of Lincoln over all was singing
+ The love of brother-man.
+
+ And still his voice is heard;
+ 'Twill pierce the din of strife and mystery,
+ Till master-voices cease their singing, singing,
+ In life's great symphony.
+
+
+
+
+ [Illustration: LINCOLN AT THE TIME OF DEBATE WITH DOUGLAS
+
+ From an Ambrotype taken at Beardstown, Ill., 1858]
+
+
+His friends advised Lincoln to press his opponent on the Dred Scott
+decision (of the United States Supreme Court permitting slavery in the
+Territories), as Douglas would accept it, but argue for nullifying it
+by anti-slavery legislation in the territorial assemblies, and this
+would satisfy the people of Illinois, and elect him Senator. "All
+right," said Lincoln, "then that kills him in 1860. I am gunning for
+larger game."
+
+
+
+
+Elizabeth Stuart Phelps was born in Andover, Massachusetts, on August
+13, 1844. Educated at Andover. Her literary career began at the age of
+thirteen with contributions to the newspapers. The earlier years of
+her life were devoted to Christian labors among the poor families in
+Andover, but failing health finally prevented her from carrying on her
+labors along that line, and kept her within her study, but her
+sympathy was always enlisted in the reformatory questions of the day.
+_The Gates Ajar_ proved very popular, as did also her many juvenile
+books. She wrote this poem for the Lincoln Memorial Album in 1882. She
+died January 29, 1911.
+
+
+ THE THOUGHTS OF LINCOLN
+
+ The angels of your thoughts are climbing still
+ The shining ladder of his fame,
+ And have not reached the top, nor ever will,
+ While this low life pronounces his high name.
+
+ But yonder, where they dream, or dare, or do,
+ The "good" or "great" beyond our reach,
+ To talk of him must make old language new
+ In heavenly, as it did in human, speech.
+
+
+
+
+ [Illustration: THE LINCOLN LIFE-MASK
+
+ By Leonard W. Volk]
+
+
+Mr. Lincoln was engaged in trying a case in the United States Court at
+Chicago, Illinois, in April, 1860, and Leonard W. Volk, the sculptor,
+called upon him and said: "I would like to have you sit to me for your
+bust." "I will, Mr. Volk," replied Lincoln. This was the first time
+that Lincoln sat to an artist for the reproduction of his physique in
+this manner. Previous to this he had posed only for daguerreotypes or
+for photographs.
+
+
+Richard Watson Gilder was born in Bordentown, New Jersey, February 8,
+1844, and was educated at his father's school. He enlisted in Landis'
+Philadelphia Battery for the emergency call in the campaign of 1863,
+when the Confederate forces invaded Pennsylvania. Later he was editor
+of a number of magazines and upon the death of J. G. Holland he was
+made associate editor of the _Century_. At the age of twenty-six he
+had attained high literary standing. His poems are published in five
+volumes. He rendered valuable service in tenement-house reform over
+the country. He died on the 18th day of November, 1909.
+
+
+ ON THE LIFE-MASK OF ABRAHAM LINCOLN
+
+ This bronze doth keep the very form and mold
+ Of our great martyr's face. Yes, this is he:
+ That brow all wisdom, all benignity;
+ That human, humorous mouth; those cheeks that hold
+ Like some harsh landscape all the summer's gold;
+ That spirit fit for sorrow, as the sea
+ For storms to beat on; the lone agony
+ Those silent, patient lips too well foretold.
+ Yes, this is he who ruled a world of men
+ As might some prophet of the elder day--
+ Brooding above the tempest and the fray
+ With deep-eyed thought and more than mortal ken.
+ A power was his beyond the touch of art
+ Or armed strength--his pure and mighty heart.
+
+
+
+
+ [Illustration: THE HAND OF LINCOLN]
+
+
+The Saturday after the nomination of Mr. Lincoln for President of the
+United States, the Committee appointed to inform him of the said
+nomination arrived in Springfield and performed this duty in the
+evening at his home.
+
+The cast of his hand was made the next morning by Mr. Leonard W. Volk.
+While the sculptor was making the cast of his left hand, Lincoln
+called his attention to a scar on his thumb. "You have heard me called
+the 'rail-splitter' haven't you?" he said, "Well, I used to split
+rails when I was a young man, and one day, while sharpening a wedge on
+a log, the axe glanced and nearly took off my thumb."
+
+
+Edmund Clarence Stedman was born in Hartford, Connecticut, on the 8th
+of October, 1833. He entered Yale College at the age of sixteen and
+distinguished himself in Greek and English Composition. He was the
+editor of several papers in Connecticut and in 1856 removed to New
+York City--a larger field for his literary abilities. He was a
+contributor to _Vanity Fair_, _Putnam's Monthly_, _Harper's Magazine_
+and other periodicals. His poems: _The Diamond Wedding_, _How Old John
+Brown Took Harper's Ferry_, _The Ballad of Lager-Bier_, gave him some
+reputation. He was war-correspondent for the _World_ during the early
+campaigns of the Army of the Potomac from the Headquarters of General
+Irwin McDowell and General B. McClellan. He died in 1908.
+
+
+ THE HAND OF LINCOLN
+
+ Look on this cast, and know the hand
+ That bore a nation in its hold;
+ From this mute witness understand
+ What Lincoln was--how large of mold.
+
+ The man who sped the woodman's team,
+ And deepest sunk the plowman's share,
+ And pushed the laden raft astream,
+ Of fate before him unaware.
+
+ This was the hand that knew to swing
+ The axe--since thus would Freedom train
+ Her son--and made the forest ring,
+ And drove the wedge and toiled amain.
+
+ Firm hand that loftier office took,
+ A conscious leader's will obeyed,
+ And, when men sought his word and look,
+ With steadfast might the gathering swayed.
+
+ No courtier's, toying with a sword,
+ Nor minstrel's, laid across a lute;
+ Chiefs, uplifted to the Lord
+ When all the kings of earth are mute!
+
+ The hand of Anak, sinewed strong,
+ The fingers that on greatness clutch,
+ Yet lo! the marks their lines along
+ Of one who strove and suffered much.
+
+ For here in mottled cord and vein
+ I trace the varying chart of years,
+ I know the troubled heart, the strain,
+ The weight of Atlas--and the tears.
+
+ Again I see the patient brow
+ That palm erewhile was wont to press;
+ And now 'tis furrowed deep, and now
+ Made smooth with hope and tenderness.
+
+ For something of a formless grace
+ This molded outline plays about;
+ A pitying flame, beyond our trace,
+ Breathes like a spirit, in and out--
+
+ The love that casts an aureole
+ Round one who, longer to endure,
+ Called mirth to cease his ceaseless dole,
+ Yet kept his nobler purpose sure.
+
+ Lo, as I gaze, the statured man,
+ Built up from yon large hand, appears;
+ A type that nature wills to plan
+ But once in all a people's years.
+
+ What better than this voiceless cast
+ To tell of such a one as he,
+ Since through its living semblance passed
+ The thought that bade a race be free?
+
+
+
+
+ [Illustration: HON. ABRAHAM LINCOLN, REPUBLICAN CANDIDATE FOR
+ THE PRESIDENCY, 1860
+
+ Painted by Hicks; lithograph by L. Grozelier; published by
+ W. Schaus, New York, 1860; printed by J. H. Bufford, Boston]
+
+
+
+
+ [Illustration: THE "WIGWAM"
+
+ Convention Hall, at Chicago, 1860, in which Lincoln was nominated]
+
+
+The Republicans of Chicago had erected a huge temporary building for
+the use of the Convention. The "Wigwam," as it was called, covered a
+space of 600 feet by 180, and the height was between 50 and 60 feet.
+The building would hold about 10,000 persons, and was divided into
+platform, ground-floor and gallery. The stage upon which the delegates
+and members of the press were seated, held about 1,800 persons; the
+ground-floor and galleries, about 8,000. A large gallery was reserved
+for ladies, which was filled every day to overflowing. The Convention
+met on June 16, 1860.
+
+
+
+
+Edmund Clarence Stedman is the author of this poem, and it was
+published in the _Press and Tribune_ of Chicago, and in _Weekly
+Illinois State Journal_, June 13, 1860. It was sung to the air of the
+"Star Spangled Banner" throughout the campaign.
+
+
+ HONEST ABE OF THE WEST
+
+ O Hark! from the pine-crested hills of old Maine,
+ Where the splendor first falls from the wings of the
+ morning,
+ And away in the West, over river and plain,
+ Rings out the grand anthem of Liberty's warning!
+ From green-rolling prairie it swells to the sea,
+ For the people have risen, victorious and free,
+ They have chosen their leaders, and bravest and best
+ Of them all is Old Abe, Honest Abe of the West!
+
+ The spirit that fought for the patriots of old
+ Has swept through the land and aroused us forever;
+ In the pure air of heaven a standard unfold
+ Fit to marshal us on to the sacred endeavor!
+ Proudly the banner of freemen we bear;
+ Noble the hopes that encircle it there!
+ And where battle is thickest we follow the crest
+ Of gallant Old Abe, Honest Abe of the West!
+
+ There's a triumph in urging a glorious cause,
+ Though the hosts of the foe for a while may be stronger,
+ Pushing on for just rules and holier laws,
+ Till their lessening columns oppose us no longer.
+ But ours the loud pæan of men who have passed
+ Through the struggles of years, and are victors at last;
+ So forward the flag! Leave to Heaven the rest,
+ And trust in Old Abe, Honest Abe of the West!
+
+
+
+
+ [Illustration: LINCOLN AS CANDIDATE FOR PRESIDENT
+
+ From an Ambrotype taken at Springfield, Illinois, August 13, 1860]
+
+
+
+
+William Henry Burleigh, born at Woodstock, Connecticut, February 2,
+1812. In early manhood became an advocate of reforms then unpopular,
+and an acceptable lecturer on behalf of temperance and the
+anti-slavery cause. He removed to Pittsburgh in 1837, where he
+published the _Christian Witness_, and afterwards the _Temperance
+Banner_. As a writer, speaker, editor, poet, reformer, friend and
+associate, it was the universal testimony of those who knew him best
+and esteemed him most truly, that he stood in the forefront of his
+generation. His poetry, animated by deep love of nature and a profound
+desire to uphold truth and justice, gives him a place with our first
+minor poets.
+
+
+ PRESIDENTIAL CAMPAIGN, 1860
+
+ Up again for the conflict! Our banner fling out,
+ And rally around it with song and with shout!
+ Stout of heart, firm of hand, should the gallant boys be,
+ Who bear to the battle the Flag of the Free!
+ Like our fathers, when Liberty called to the strife,
+ They should pledge to her cause fortune, honor, and life!
+ And follow wherever she beckons them on,
+ Till Freedom results in a victory won!
+
+ They came from the hillside, they came from the glen--
+ From the streets thronged with traffic and surging with men,
+ From loom and from ledger, from workshop and farm,
+ The fearless of heart, and the mighty of arm.
+ As the mountain-born torrents exultingly leap
+ When their ice-fetters melt, to the breast of the deep;
+ As the winds of the prairie, the waves of the sea,
+ They are coming--are coming--the Sons of the Free!
+
+ Our Leader is one who, with conquerless will,
+ Has climbed from the base to the brow of the hill;
+ Undaunted in peril, unwavering in strife,
+ He has fought a good fight in the Battle of Life,
+ And we trust as one who--come woe or come weal,
+ Is as firm as the rock and as true as the steel.
+ Right loyal and brave, with no stain on his breast,
+ Then, hurrah, boys, for honest "Old Abe of the West!"
+
+
+
+
+ [Illustration: "HONEST ABE"
+
+ A Campaign Cartoon of 1860]
+
+
+
+
+Madison Cawein was born at Louisville, Kentucky, on the 23rd of March,
+1865. Was educated in the city and country schools about Louisville
+and New Albany, Indiana. Graduated from the Male High School,
+Louisville, in 1886, and the following year published his first
+volume, called _Blooms of the Berry_. Since then he published some
+thirty-odd volumes of prose and poetry, both in the United States and
+England. He died in 1915.
+
+
+ LINCOLN, 1809--FEBRUARY 12, 1909
+
+ _Read for the first time at the Lincoln centenary celebration,
+ Temple Adath Israel, Louisville, Ky._
+
+ Yea, this is he, whose name is synonym
+ Of all that's noble, though but lowly born;
+ Who took command upon a stormy morn
+ When few had hope. Although uncouth of limb,
+ Homely of face and gaunt, but never grim,
+ Beautiful he was with that which none may scorn--
+ With love of God and man and things forlorn,
+ And freedom mighty as the soul in him.
+ Large at the helm of state he leans and looms
+ With the grave, kindly look of those who die
+ Doing their duty. Stanch, unswervingly
+ Onward he steers beneath portentous glooms,
+ And overwhelming thunders of the sky,
+ Till, safe in port, he sees a people free.
+
+ Safe from the storm; the harbor-lights of Peace
+ Before his eyes; the burden of dark fears
+ Cast from him like a cloak; and in his ears
+ The heart-beat music of a great release;
+ Captain and pilot, back upon the seas,
+ Whose wrath he'd weathered, back he looks with tears,
+ Seeing no shadow of the Death that nears,
+ Stealthy and sure, with sudden agonies.
+ So let him stand, brother to every man,
+ Ready for toil or battle; he who held
+ A Nation's destinies within his hand;
+ Type of our greatness; first American,
+ By whom the hearts of all men are compelled,
+ And with whose name Freedom unites our land.
+
+ He needs no praise of us, who wrought so well,
+ Who has the Master's praise; who at his post
+ Stood to the last. Yet, now, from coast to coast,
+ Let memory of him peal like some great bell,
+ Of him as woodsman, workman, let it tell!
+ Of him as lawyer, statesman, without boast!
+ And for what qualities we love him most,
+ And recollections that no time can quell.
+ He needs no praise of us, yet let us praise,
+ Albeit his simple soul we may offend,
+ That liked not praise, being most diffident;
+ Still let us praise him, praise him in such ways
+ As his were, and in words that shall transcend
+ Marble, and outlast any monument.
+
+
+
+
+ [Illustration: LINCOLN AS CANDIDATE FOR PRESIDENT
+
+ Photograph by Hesler, Chicago, Illinois, 1860]
+
+
+
+
+Isaac Bassett Choate, born at South Otis Field, Maine, July 12, 1833.
+Bachelor of Arts, Bowdoin College, 1862. Author of _Wild Birds and
+Flowers_, 1895; _Wells of English_, 1892; _Obeyed the Camel Driver_,
+1899; _Apollo's Guest_, 1907.
+
+By special invitation from the faculty of the Alumni Association of
+said College he read the following poem at their annual banquet held
+on the centenary of Lincoln's birth, 1909:
+
+
+ THE MATCHLESS LINCOLN
+
+ From out the ranks of common men he rose--
+ Himself of common elements, yet fine--
+ As in a wood of different species grows
+ Above all other trees the lordly pine,
+ Upon whose branches rest the winter snows,
+ Upon whose head warm beams of summer shine;
+ His was the heart to feel the people's woes
+ And his the hand to hold the builder's line;
+ Strong, patient, wise and great,
+ Born ruler of the State.
+
+ Among a mountain group one sovereign peak
+ Will tower aloft unto commanding height
+ As if more distant view abroad to seek--
+ First one to hail, last one to speed the light;
+ Those granite sides will snows of winter streak
+ E'en in the summer with their purest white;--
+ Silent, serene, that summit yet will speak
+ Of loftiest grandeur to the enraptured sight;
+ So Lincoln's greatness shone
+ Supreme, unmatched, alone.
+
+
+
+
+ [Illustration: LINCOLN AS CANDIDATE FOR PRESIDENT
+
+ Photograph, Springfield, Ill., 1860]
+
+
+
+
+Charlotte Becker was born and has always lived in Buffalo, New York.
+She was educated in private schools and in Europe, and has written
+poems for _Harper's Magazine_, _The Metropolitan_, _The American_,
+_Life_, etc., besides a number of songs which have been set to music
+by Amy Woodfords-Finden, C. B. Hawley, Whitney Coombs and others.
+
+
+ LINCOLN
+
+ Gaunt, rough-hewn face, that bore the furrowed signs
+ Of days of conflict, nights of agony,
+ And still could soften to the gentler lines
+ Of one whose tenderness and truth went free
+ Beyond the pale of any small confines
+ To understand and help humanity.
+
+ Wise, steadfast mind, that grasped a people's need,
+ Counting nor pain nor sacrifice too great
+ To keep the noble purpose of his creed
+ Strong against all buffeting of Fate,
+ Though no least solace sprang of work or deed
+ For him, since triumph came at last--too late.
+
+ Brave, weary heart, that beat uncomforted
+ Beneath its heavy load of grief and care;
+ That tears of blood for every battle shed,
+ Yet called on mirth to help his comrades bear
+ The waiting hours of anguish, and that sped
+ With loyal haste each breath of balm to share.
+
+ Only his people's griefs were his; no part
+ Had he within their joy; nor his the toll
+ To know the love that made rebellion start,
+ Spurred hosts unnumbered to a higher goal;
+ That his great soul should cleanse a nation's heart,
+ His martyred heart awake a nation's soul.
+
+
+
+
+ [Illustration: CABIN OF LINCOLN'S PARENTS
+
+ on Goose-Nest Prairie, Illinois]
+
+
+The last home of the parents of Lincoln. Built by his father, Thomas,
+in 1831, near Farmington, Coles Co., Ill. The father died here in 1851
+and the step-mother, Sarah Bush Lincoln, in 1869. After Lincoln was
+elected President in 1860, and before leaving for Washington to be
+inaugurated, he visited his mother in this cabin for the last time. As
+he was leaving her, she made a prediction of his tragic death. With
+arms about his neck, with tears streaming down her cheeks, she
+declared it was the last time she would ever see him alive, and it
+proved to be so.
+
+Lincoln once said, "I was told that I never would make a lawyer if I
+did not understand what 'demonstrate' means. I left my situation in
+Springfield, went to my father's house, and stayed there till I could
+give any proposition in the six books of Euclid at sight. I there
+found out what demonstrate means."
+
+
+
+
+ [Illustration: LINCOLN HOMESTEAD, SPRINGFIELD, ILLINOIS]
+
+
+On Monday, February 11, 1861, Mr. Lincoln and family in company with a
+party left Springfield, Illinois, for Washington, D. C. A light rain
+mixed with snow was falling at the time which made the occasion a
+somewhat gloomy one. Mr. Lincoln appeared on the rear platform of the
+car where he bade farewell to his neighbors in the following address:
+
+"My friends, no one not in my position can appreciate the sadness I
+feel at this parting. To this people I owe all that I am. Here I have
+lived more than a quarter of a century. Here my children were born,
+and here one of them lies buried.
+
+"I know not how soon I shall see you again. A duty devolves upon me
+which is greater, perhaps, than that which has devolved upon any other
+man since the days of Washington. He never would have succeeded except
+for the aid of divine Providence, upon which he at all times relied.
+
+"I feel that I cannot succeed without the same divine aid which
+sustained him; and on the same Almighty Being I place my reliance for
+support, and I hope you, my friends, will pray that I may receive the
+divine assistance, without which I cannot succeed, but with which
+success is certain. Again, I bid you an affectionate farewell."
+
+Mr. Lincoln thought that there is a time to joke and pray; and if, as
+his detractors affirm, he joked all the way to Washington, if he did
+not pray also (as we believe he did, and fervently, too) he at least
+desired the prayers of others, as the circumstances recorded in the
+following poem will show. It is from the pen of a lady of
+Philadelphia, Mrs. Anna Bache.
+
+
+ LINCOLN AT SPRINGFIELD, 1861
+
+ "My friends,--elected by your choice,
+ From the long-cherished home I go,
+ Endeared by Heaven-permitted joys,
+ Sacred by Heaven-permitted woe,
+ I go, to take the helm of State,
+ While loud the waves of faction roar,
+ And by His aid, supremely great,
+ Upon whose will all tempests wait,
+ I hope to steer the bark to shore.
+ Not since the days when Washington
+ To battle led our patriots on,
+ Have clouds so dark above us met,
+ Have dangers dire so close beset.
+ And _he_ had never saved the land
+ By deeds in human wisdom planned,
+ But that with Christian faith he sought
+ Guidance and blessing, where he ought.
+ Like him, I seek for aid divine,
+ His faith, his hope, his trust, are mine.
+ Pray for me, friends, that God may make
+ My judgment clear, my duty plain;
+ For if the Lord no wardship take,
+ The watchmen mount the towers in vain."
+
+ He ceased; and many a manly breast
+ Panted with strong emotion's swell,
+ And many a lip the sob suppressed,
+ And tears from manly eyelids fell.
+ And hats came off, and heads were bowed,
+ As Lincoln slowly moved away;
+ And then, heart-spoken, from the crowd,
+ In accents earnest, clear, and loud,
+ Came one brief sentence, "We _will_ pray!"
+
+
+
+
+ [Illustration: PRESIDENT LINCOLN AND HIS SECRETARIES,
+ JOHN G. NICOLAY AND JOHN HAY
+
+ Photographed at Springfield, Illinois, in 1861]
+
+
+
+
+On the 22nd of February, 1861, Washington's birthday, on his journey
+to Washington, to assume the Presidency, Mr. Lincoln raised a new flag
+over Independence Hall, then went inside and spoke as follows:--
+
+"I am filled with deep emotion at finding myself standing in this
+place, where were collected together the wisdom, the patriotism, the
+devotion to principle from which sprang the institutions under which
+we live. You have kindly suggested to me that in my hands is the task
+of restoring peace to our distracted country. I can say in return,
+sirs, that all the political sentiments I entertain have been drawn,
+so far as I have been able to draw them, from the sentiments which
+originated in and were given to the world from this hall. I have never
+had a feeling, politically, that did not spring from the sentiments
+embodied in the Declaration of Independence. I have often pondered
+over the dangers which were incurred by the men who assembled here and
+framed and adopted that Declaration. I have pondered over the toils
+that were endured by the officers and soldiers of the army who
+achieved that independence. I have often inquired of myself what great
+principle or idea it was that kept this Confederacy so long together.
+It was not the mere matter of separation of the colonies from the
+motherland, but that sentiment in the Declaration of Independence
+which gave liberty, not alone to the people of this country, but hope
+to all the world, for all future time. It was that which gave promise
+that in due time the weight would be lifted from the shoulders of all
+men and that all should have an equal chance. This is the sentiment
+embodied in the Declaration of Independence.
+
+"Now, my friends, can this country be saved on that basis? If it can,
+I will consider myself one of the happiest men in the world if I can
+help to save it. But if this country cannot be saved without giving up
+that principle, I was about to say I would rather be assassinated on
+this spot than surrender it."
+
+Four years and two months later, April 22, 1865, his body lay,
+assassinated, on the very spot where he had made the above remarks,
+then being taken to Springfield, Illinois, for burial.
+
+
+ [Illustration: INDEPENDENCE HALL, PHILADELPHIA]
+
+
+
+
+Henry Wilson Clendenin, born at Schellsburg, Pennsylvania, August 1,
+1837; educated in private schools and by tutors. Married Mary E. Morey
+of Monmouth, Illinois, October 23, 1877; to them were born five
+children, four of whom survive: George M., manager _Illinois State
+Register_; Clarence R., Deputy Internal Revenue Collector,
+Springfield, Illinois; Harry F., proofreader, _Illinois State
+Register_, and Marie, Assistant Instructor Physical Education, State
+Normal University, Normal, Illinois. He was a private of Company I,
+Twentieth Pennsylvania Volunteer Infantry, in the Civil War. Began
+newspaper work on _Burlington_ (Iowa) _Hawkeye_. Afterwards telegraph
+editor _Peoria Transcript_, 1858; telegraph editor _Burlington
+Gazette_, 1863, and editor and proprietor, _Keokuk Daily
+Constitution_, 1876-1881; since that year was editor and president of
+the _Illinois State Register_. Postmaster, Springfield 1886-90. Member
+Illinois State Historical Society, The Jefferson Association, Grand
+Army of the Republic and Sons of the American Revolution. Director of
+Lincoln Library at Springfield, Illinois, for ten years. Member of the
+First Congregational Church of that city.
+
+This sonnet was written by Mr. Clendenin, in Philadelphia, February
+22, 1861, after witnessing Lincoln hoist the flag over Independence
+Hall.
+
+
+ LINCOLN CALLED TO THE PRESIDENCY
+
+ Hark to the sound that speedeth o'er the land!
+ Behold the sword in fratricidal hand!
+ 'Tis duty calls thee, Lincoln, and thy trust
+ Demands that all thy acts be wise and just.
+ No idle task to thee has been assigned,
+ But work that's worthy of a giant mind--
+ And on the issue hangs the nation's fame
+ As a free people who deserve the name.
+ So, walk thou in the way the fathers trod;
+ Be true to freedom, country, and to God;
+ Then truth will triumph, treason be undone,
+ And thou be hailed the second Washington.
+ The first, the Father of his country--thou,
+ Its Saviour. Bind the laurel on thy brow.
+
+
+
+
+ [Illustration: LINCOLN IN 1858
+
+ From a photograph by S. M. Fassett of Chicago]
+
+
+
+
+An act of Congress July 9, 1790, established the District of Columbia
+as the National Capital, and provided that prior to the first Monday
+of December, 1800, the Commissioners should have finished a suitable
+building for the sessions of Congress. The site of the Capitol was
+included in L'Enfant's plan for the city. The cornerstone was laid
+September 18, 1793, with Masonic rites, George Washington officiating.
+The wings of the central building were completed in 1811, and were
+partially burned by the British, in 1814. The entire central building
+was finished in 1827. The cornerstone of the extension was laid by
+President Fillmore, July 4, 1851. The extensions were first occupied
+by Congress 1857 and 1859. Up to that time the Senate Chamber was the
+present Supreme Court Room, and the Hall of Representatives was the
+present National Statuary Hall. The dome was finished during the
+administration of President Lincoln. The total cost of the Capitol
+building and grounds was about thirty million dollars. The remains of
+President Lincoln were escorted from the White House to the Capitol at
+three o'clock P.M., on the 19th of April, 1865. The number in the
+procession was estimated at forty thousand, and that many more were
+spectators along the route. The burial service was conducted by Dr.
+Gurley. The special train bearing the remains left at 8 A.M., Friday,
+April 21, for Springfield, Illinois, stopping at Baltimore, Maryland;
+Harrisburg and Philadelphia, Pennsylvania; Albany and Buffalo, New
+York; Cleveland and Columbus, Ohio; Indianapolis, Indiana; Chicago,
+Illinois, reaching Springfield, Illinois, the 3d of May, and was
+buried the following day. The body lay in state in all of the above
+cities.
+
+
+ [Illustration: THE CAPITOL
+
+ The Second Inauguration of Abraham Lincoln as President of the
+ United States, in front of the Capitol, Washington, March 4, 1865]
+
+
+
+
+Edwin Markham, born at Oregon City, Oregon, April 23, 1852; settled in
+California in 1857, and worked there during his boyhood, principally
+as a blacksmith. Worked his way through the San Jose Normal School and
+Santa Rosa College. Became a writer of stories and verse for papers
+and magazines, and principal and superintendent of California schools.
+Was the author of _The Man With the Hoe, and Other Poems_ (1899); _The
+Man With the Hoe, with Notes by the Author_ (1900); _The End of the
+Century_ (1899); _Lincoln, the Great Commoner_ (1900); _The Mighty
+Hundred Years; Lincoln and Other Poems_ (1901); _The Shoes of
+Happiness_ (1915). His _Man With the Hoe_ was extensively republished
+and gave him wide fame.
+
+
+ LINCOLN THE MAN OF THE PEOPLE
+
+ When the Norn-Mother saw the Whirlwind Hour,
+ Greatening and darkening as it hurried on,
+ She bent the strenuous Heavens and came down
+ To make a man to meet the mortal need.
+ She took the tried clay of the common road--
+ Clay warm yet with the genial heat of Earth,
+ Dashed through it all a strain of prophecy;
+ Then mixed a laughter with the serious stuff.
+ It was a stuff to wear for centuries,
+ A man that matched the mountains, and compelled
+ The stars to look our way and honor us.
+
+ The color of the ground was in him, the red earth;
+ The tang and odor of the primal things--
+ The rectitude and patience of the rocks;
+ The gladness of the wind that shakes the corn;
+ The courage of the bird that dares the sea;
+ The justice of the rain that loves all leaves;
+ The pity of snow that hides all scars;
+ The loving-kindness of the wayside well;
+ The tolerance and equity of light
+ That gives as freely to the shrinking weed
+ As to the great oak flaring to the wind--
+ To the grave's low hill as to the Matterhorn
+ That shoulders out the sky.
+
+ And so he came.
+ From prairie cabin up to Capitol,
+ One fair ideal led our chieftain on.
+ Forevermore he burned to do his deed
+ With the fine stroke and gesture of a king.
+ He built the rail pile as he built the State,
+ Pouring his splendid strength through every blow,
+ The conscience of him testing every stroke,
+ To make his deed the measure of a man.
+
+ So came the Captain with the mighty heart;
+ And when the step of earthquake shook the house,
+ Wresting the rafters from their ancient hold,
+ He held the ridge-pole up and spiked again
+ The rafters of the Home. He held his place--
+ Held the long purpose like a growing tree--
+ Held on through blame and faltered not at praise,
+ And when he fell, in whirlwind, he went down
+ As when a kingly cedar, green with boughs,
+ Goes down with a great shout upon the hills,
+ And leaves a lonesome place against the sky.
+
+
+
+
+ [Illustration: THE WHITE HOUSE]
+
+
+The corner-stone was laid by George Washington on the 13th of October,
+1792. The mansion was first occupied by President John Adams in the
+year 1800, also by every succeeding President. British troops burned
+it in 1814, in President Madison's term. It was the first public
+building erected in Washington. It is constructed of Virginia
+freestone, and is 170 feet in length, 80 feet in depth, and consists
+of a rustic basement, two stories and an attic.
+
+
+
+
+John Vance Cheney, born Groveland, New York, December 29, 1848.
+Graduated Temple Hill Academy, Genesee, New York, at seventeen.
+Assistant principal there two years later. Practiced law, New York,
+1875-6; librarian Free Public Library, San Francisco, 1887-94;
+Newberry Library, Chicago, 1894-1909; author, _The Old Doctor_, 1881;
+and a number of poems, 1887-1911.
+
+
+ LINCOLN
+
+ The hour was on us; where the man?
+ The fateful sands unfaltering ran,
+ And up the way of tears
+ He came into the years.
+
+ Our pastoral captain. Forth he came,
+ As one that answers to his name;
+ Nor dreamed how high his charge,
+ His work how fair and large,
+
+ To set the stones back in the wall
+ Lest the divided house should fall,
+ And peace from men depart,
+ Hope and the childlike heart.
+
+ We looked on him; "'Tis he," we said,
+ "Come crownless and unheralded,
+ The shepherd who will keep
+ The flocks, will fold the sheep."
+
+ Unknightly, yes: yet 'twas the mien
+ Presaging the immortal scene,
+ Some battles of His wars
+ Who sealeth up the stars.
+
+ Not he would take the past between
+ His hands, wipe valor's tablets clean,
+ Commanding greatness wait
+ Till he stands at the gate;
+
+ Not he would cramp to one small head
+ The awful laurels of the dead,
+ Time's mighty vintage cup,
+ And drink all honor up.
+
+ No flutter of the banners bold
+ Borne by the lusty sons of old,
+ The haughty conquerors
+ Set forward to their wars;
+
+ Not his their blare, their pageantries,
+ Their goal, their glory, was not his;
+ Humbly he came to keep
+ The flocks, to fold the sheep.
+
+ The need comes not without the man;
+ The prescient hours unceasing ran,
+ And up the way of tears
+ He came into the years.
+
+ Our pastoral captain, skilled to crook
+ The spear into the pruning hook,
+ The simple, kindly man,
+ Lincoln, American.
+
+
+
+
+ [Illustration: WHERE LINCOLN WORSHIPPED
+
+ New York Avenue Presbyterian Church, Washington, D. C.]
+
+
+President Lincoln and family attended this church during his
+Administration. The pew that they occupied is still preserved in its
+black walnut trimmings, though the rest of the sanctuary has been
+refurnished.
+
+
+
+
+Lyman Whitney Allen, born at St. Louis, November 19, 1854. Bachelor of
+Arts, Washington University, St. Louis, 1878; later Master of Arts,
+Princeton Theological, 1878-80; Post-graduate studies at Princeton
+University; (D.D., University of Wooster, 1897). Ordained Presbyterian
+Minister, 1882; stated supply Kimmswick, Missouri, 1881-3; DeSoto,
+Missouri, 1883-5; Pastor-elect Carondelet Church, St. Louis, Missouri,
+1885-9; Pastor South Park Church, Newark, New Jersey, since 1889.
+Director Board of Home Missions, Presbyterian; Chaplain New Jersey
+Society D. A. R.; Member Society American Authors; New Jersey Society
+S. A. R. Club, Princeton (New York). Has written many poems and
+articles, including the New York _Herald's_ $1,000 prize poem which
+was published in 1895.
+
+Rev. Dr. Lyman Whitney Allen of Newark, New Jersey, had for his guest
+Chief Justice Wendell Phillips Stafford of the Supreme Court of the
+District of Columbia. Judge Stafford addressed the Men's Club of Dr.
+Allen's church one evening, and next day, in company with his host,
+visited the Lincoln statue on the court-house plaza. On the train that
+bore him back to Washington that day, Judge Stafford wrote the poem on
+the Statue. (See page 236).
+
+A few weeks thereafter Dr. Allen visited his friend, the judge, in
+Washington, and they made a little pilgrimage to the New York Avenue
+Presbyterian church. In the Lincoln pew Dr. Allen sat and meditated,
+and on his way back he wrote the verses.
+
+"I had seen the Lincoln statue many times," says Dr. Allen, "but,
+somehow, I could not get started on the poem I knew could be written
+around it." And Judge Stafford wrote to his friend in Newark: "I had
+seen the Lincoln pew a score of times without poetic result, yet you
+come on a one-day visit and carry away the inspiration needed."
+
+
+ LINCOLN'S CHURCH IN WASHINGTON
+
+ Within the historic church both eye and soul
+ Perceived it. 'Twas the pew where Lincoln sat--
+ The only Lincoln God hath given to men--
+ Olden among the modern seats of prayer,
+ Dark like the 'sixties, place and past akin.
+ All else has changed, but this remains the same,
+ A sanctuary in a sanctuary.
+
+ Where Lincoln prayed! What passion had his soul--
+ Mixt faith and anguish melting into prayer
+ Upon the burning altar of God's fane,
+ A nation's altar even as his own.
+
+ Where Lincoln prayed! Such worshipers as he
+ Make thin ranks down the ages. Wouldst thou know
+ His spirit suppliant? Then must thou feel
+ War's fiery baptism, taste hate's bitter cup,
+ Spend similar sweat of blood vicarious,
+ And sound the cry, "If it be possible!"
+ From stricken heart in new Gethsemane.
+
+ Who saw him there are gone, as he is gone;
+ The pew remains, with what God gave him there,
+ And all the world through him. So let it be--
+ One of the people's shrines.
+
+
+
+
+ [Illustration: LINCOLN IN 1858
+
+ From a photograph in possession of Mr. Stuart Brown of
+ Springfield, Illinois]
+
+
+
+
+John James Piatt was born in Indiana, March 1, 1835. His earliest
+schooling was received at Rising Sun, in Indiana. At the age of
+fourteen he was set to learn the printing business in the office of
+the _Ohio State Journal_ at Columbus, Ohio, for a brief period, and at
+the age of eighteen years first began to write verses. His poems were
+chiefly on themes connected with his native West.
+
+
+ SONNET IN 1862
+
+ Stern be the Pilot in the dreadful hour
+ When a great nation, like a ship at sea
+ With the wroth breakers whitening at her lee,
+ Feels her last shudder if her helmsman cower;
+ A godlike manhood be his mighty dower!
+ Such and so gifted, Lincoln, may'st thou be
+ With thy high wisdom's low simplicity
+ And awful tenderness of voted power.
+ From our hot records then thy name shall stand
+ On Time's calm ledger out of passionate days--
+ With the pure debt of gratitude begun,
+ And only paid in never-ending praise--
+ One of the many of a mighty land,
+ Made by God's providence the Anointed One.
+
+
+
+
+ [Illustration: PRESIDENT LINCOLN
+
+ [Signed: For Mrs. Lucy G. Speed, from whose pious hand I
+ accepted the present of an Oxford Bible twenty
+ years ago.
+
+ Washington, D. C. October 3, 1861
+
+ A. Lincoln ]]
+
+
+
+
+Lincoln once said: "When any church will inscribe over its altar, as
+its sole qualification for membership, the Saviour's condensed
+statement of the substance of both law and gospel, 'Thou shalt love
+the Lord thy God with all thy heart and with all thy soul and with all
+thy mind, and thy neighbor as thyself', that church will I join with
+all my heart and all my soul."
+
+
+ LINCOLN, SOLDIER OF CHRIST
+
+ _From Macmillan's Magazine, England_
+
+ Lincoln! When men would name a man
+ Just, unperturbed, magnanimous,
+ Tried in the lowest seat of all,
+ Tried in the chief seat of the house--
+
+ Lincoln! When men would name a man
+ Who wrought the great work of his age,
+ Who fought, and fought the noblest fight,
+ And marshalled it from stage to stage.
+
+ Victorious, out of dusk and dark,
+ And into dawn and on till day,
+ Most humble when the pæans rang,
+ Least rigid when the enemy lay
+
+ Prostrated for his feet to tread--
+ This name of Lincoln will they name,
+ A name revered, a name of scorn,
+ Of scorn to sundry, not to fame.
+
+ Lincoln; the man who freed the slave;
+ Lincoln, whom never self enticed;
+ Slain Lincoln, worthy found to die
+ A soldier of the captain Christ.
+
+
+
+
+ [Illustration: LINCOLN IN 1860
+
+ Photographed by Brady at the time of the "Cooper Institute Speech,"
+ February, 1860]
+
+
+
+
+ [Illustration: PRESIDENT LINCOLN
+
+ Photograph by Gardner, Washington]
+
+
+
+
+Rev. Hamilton Schuyler was born in Oswego, New York, 1862, and is a
+son of the late Anthony Schuyler, who was for many years rector of
+Grace Church, Orange, New Jersey. He belongs to the well-known family
+of that name, being seventh in descent from Philip Peterse Schuyler,
+founder of the family, who came to this country from Holland and
+settled in Albany in 1650. He studied at Oxford University, England,
+and the General Theological Seminary of New York. Has held positions
+in Calvary Church, New York; Trinity Church, Newport, Rhode Island,
+and was for several years dean of the Cathedral at Davenport, Iowa,
+under the late Bishop Perry. He began his rectorship at Trenton in
+February, 1900. Has written extensively for journals and periodicals.
+Among the bound publications which bear his name as author are _A
+Fisher of Men_, a biography of the late Churchill Satterlee, priest
+and missionary, son of the first Bishop of Washington; _Studies in
+English Church History_; _The Intellectual Crisis Confronting
+Christianity_; and _A History of Trinity Church, Trenton_. In 1900 his
+poem, _The Incapable_, won a prize of two hundred dollars offered by
+the late Collis P. Huntington through the _New York Sun_, for the best
+poems antithetical to Edwin Markham's _Man With the Hoe_. A volume of
+Mr. Schuyler's verses, under the title _Within the Cloister's Shadow_,
+was published in 1914.
+
+
+ A CHARACTERIZATION OF LINCOLN
+
+ _From Lincoln Centenary Ode_
+
+ Tall, ungainly, gaunt of limb,
+ Rudely Nature molded him.
+ Awkward form and homely face,
+ Owing naught to outward grace;
+ Yet, behind the rugged mien
+ Were a mind and soul serene,
+ And in deep-set eyes there shone
+ Genius that was all his own.
+ Humor quaint with pathos blent
+ To his speech attraction lent;
+ Telling phrase and homely quip
+ Falling lightly from his lip.
+ Eloquent of tongue, and clear,
+ Logical, devoid of fear,
+ Making plain whate'er was dense
+ By the light of common sense.
+ Tender as the bravest be,
+ Pitiful in high degree,
+ Wrathful only where offence
+ Led to grievous consequence;
+ Hating sham and empty show;
+ Chivalrous to beaten foe;
+ Ever patient in his ways;
+ Cheerful in the darkest days;
+ Not a demi-god or saint
+ Such as fancy loves to paint,
+ But a truly human man
+ Built on the heroic plan.
+
+
+
+
+ [Illustration: EMANCIPATION GROUP]
+
+
+Moses Kimball, a citizen of Boston, presented to the city a duplicate
+of the Freedman's Memorial Statue erected in Lincoln Park, Washington,
+D. C., after a design by Thomas Ball. The group, which stands in Park
+Square, represents the figure of a slave from whose limbs the broken
+fetters have fallen, kneeling in gratitude at the feet of Lincoln. The
+verses which follow were written for the unveiling of the statue,
+December 9, 1879.
+
+
+John Greenleaf Whittier, born December 17, 1807, in Haverhill,
+Massachusetts. He lived on a farm until he reached the age of
+eighteen, working a little at shoemaking and also writing poetry for
+the _Haverhill Gazette_. Later he became editor of a number of papers,
+and his poems in after life were full of patriotism and the love of
+human freedom, all of which attained a strong hold on the hearts of
+the people. He would have prevented war, if possible, with honor, but
+when war came he wrote in support of the Union cause, displaying no
+bitterness, and when the conflict was over he was most liberal and
+conciliatory. He was one of the most popular of poets. He died
+September 7, 1892.
+
+
+ THE EMANCIPATION GROUP
+
+ Amidst thy sacred effigies
+ Of old renown give place,
+ O city. Freedom-loved! to his
+ Whose hand unchained a race.
+
+ Take the worn frame, that rested not
+ Save in a martyr's grave;
+ The care-lined face, that none forgot,
+ Bent to the kneeling slave.
+
+ Let man be free! The mighty word
+ He spoke was not his own;
+ An impulse from the Highest stirred
+ These chiseled lips alone.
+
+ The cloudy sign, the fiery guide,
+ Along his pathway ran,
+ And Nature, through his voice, denied
+ The ownership of man.
+
+ We rest in peace where these sad eyes
+ Saw peril, strife, and pain;
+ His was the Nation's sacrifice,
+ And ours the priceless gain.
+
+ O symbol of God's will on earth
+ As it is done above
+ Bear witness to the cost and worth
+ Of justice and of love!
+
+ Stand in thy place and testify
+ To coming ages long,
+ That truth is stronger than a lie,
+ And righteousness than wrong.
+
+
+
+
+ [Illustration: PRESIDENT LINCOLN
+
+ Photograph by Brady, Washington, D. C., 1863]
+
+
+
+
+Theron Brown, born at Willimantic, Connecticut, April 29, 1832.
+Graduated at Hartford Theological Seminary in 1858; Newton Theological
+Institution, 1859. Ordained in Baptist Ministry, 1859; Pastor South
+Framingham, Massachusetts, 1859-62; Canton, Massachusetts, 1863-70; on
+staff _Youth's Companion_ since 1870. Author various juvenile stories;
+_Life Songs_ (poems), 1894; _Nameless Women of the Bible_, 1904; _The
+Story of the Hymns and Tunes_, 1907; _Under the Mulberry Tree_ (a
+novel), 1909; _The Birds of God_, 1911. He died February 14, 1914.
+
+
+ THE LIBERATOR
+
+ When, scornful of a nation's rest,
+ The angry horns of Discord blew
+ There came a giant from the West,
+ And found a giant's work to do.
+
+ He saw, in sorrow--and in wrath--
+ A mighty empire in its strait,
+ Torn like a planet in its path
+ To warring hemisphere of hate.
+
+ Between the thunder-clouds he stood;
+ He harked to Ruin's battle-drum,
+ And cried in patriot hardihood,
+ "Why do I wait? My hour has come!
+
+ "Was it my fate, my lot, my woe
+ To be the Ruler of the land,
+ Nor own my oath that long ago
+ I swore upon this heart and hand?
+
+ "That vow, like barb from bowman's string,
+ Shall pierce sedition's secret plea:
+ God grant the bloodless blow shall sting
+ Till brother's quarrels cease to be!
+
+ "Should once the sudden wound provoke
+ New strife in anger's zone
+ The clash may be the penal stroke
+ That makes a new Republic one."
+
+ He wrote his Message--clear as light,
+ And bolder than a king's command--
+ And when war's whirlwinds spent their might
+ There was no bondman in the land.
+
+
+
+
+ [Illustration: PRESIDENT LINCOLN
+
+ Photograph by Alexander Gardner, Washington, D. C.,
+ January 24, 1863]
+
+
+
+
+ TO PRESIDENT LINCOLN
+
+ _January 1, 1863_
+
+
+ Lincoln, that with thy steadfast truth the sand
+ Of men and time and circumstance dost sway!
+ The slave-cloud dwindles on this golden day,
+ And over all the pestilent southern land,
+ Breathless, the dark expectant millions stand,
+ To watch the northern sun rise on its way,
+ Cleaving the stormy distance--every ray
+ Sword-bright, sword-sharp, in God's invisible hand.
+
+ Better with this great end, partial defeat,
+ And jibings of the ignorant worldly-wise,
+ Than laud and triumph won with shameful blows.
+ The dead Past lies in its dead winding-sheet;
+ The living Present droops with tearful eyes;
+ But far beyond the awaiting Future glows.
+
+ _Edmund Ollier, in London (Eng.) Morning Star._
+
+
+
+
+ [Illustration: PRESIDENT LINCOLN
+
+ Photograph by Brady, Washington, D. C.]
+
+
+
+
+Charles G. Foltz was born at West Winfield, Herkimer County, New York,
+September 9, 1837. His parents were Benjamin Foltz, a Presbyterian
+clergyman, and Jane Harwood Foltz. In 1846 the family moved to
+Cuyahoga County, Ohio. In 1849 to Wisconsin, first to Rock County,
+then to Walworth County, and in 1854 to Burlington, Racine County,
+where he has since resided.
+
+
+ ON FREEDOM'S SUMMIT
+
+ On freedom's summit, Oh, how grand
+ Stood Lincoln ruler of our land,
+ As he issued the sublime command
+ Let the enslaved be free.
+ Ere long he saw the Bondmen rise;
+ Ere long as Freedmen seize the prize,
+ The precious boon of liberty.
+
+ A backward glance he cast
+ Into the valley of the past,
+ Amid the shade and gloom
+ Discerning slavery's tomb.
+ Out from the depths his upturned eyes
+ Beheld the fleeing clouds the brighter skies.
+ Upon him shone a glory like the sun,
+ Reflecting "peace toward all, malice toward none."
+
+ As thus he filled his high exalted place,
+ The brave emancipator of a race,
+ He thought of the fierce struggle and the victory
+ And humbly deemed himself to be
+ Only the instrument of a Divine decree.
+ Rejoicing in the faith of brighter coming days
+ His "fervent prayers" were merged in those of praise.
+
+ Like unto psalmists of the olden time
+ His uttered thoughts inspired the nation's song,
+ Throughout the land the chorus rose sublime,
+ The exultant triumph of the right o'er wrong.
+
+ "Behold, what God the Lord hath wrought,"
+ More than we asked, or hoped, or thought.
+ Through the "Red sea" of blood and carnage
+ He brought our nation free of bondage.
+ With Moses sing, yea shout O North;
+ With Miriam answer back O South:
+ That "He hath triumphed gloriously."
+
+ . . . . .
+
+ Oh why the sudden blotting out of light?
+ The cloud of sorrow, dark as Plutonian night,
+ That cast its lengthening shadow o'er the land;
+ Changing to funeral dirge the choral grand.
+ Swift as the typhoon's breath--
+ The harbinger of death--
+ The cruel deed of hate
+ Swept the grand chief away.
+ Unto this day, and ever aye,
+ The nation mourns her martyr's fate.
+
+
+
+
+ [Illustration: Lincoln at Gettysburg]
+
+
+ ADDRESS DELIVERED AT THE DEDICATION
+ OF THE CEMETERY AT GETTYSBURG
+
+
+Four score and seven years ago our fathers brought forth on this
+continent a new nation, conceived in Liberty, and dedicated to the
+proposition that all men are created equal.
+
+Now we are engaged in a great civil war, testing whether that nation,
+or any nation so conceived and so dedicated, can long endure. We are
+met on a great battlefield of that war. We have come to dedicate a
+portion of that field as a final resting place for those who here gave
+their lives that that nation might live. It is altogether fitting and
+proper that we should do this.
+
+But, in a larger sense, we cannot dedicate--we cannot consecrate--we
+cannot hallow--this ground. The brave men, living and dead, who
+struggled here, have consecrated it, far above our poor power to add
+or detract. The world will little note, nor long remember what we say
+here, but it can never forget what they did here. It is for us the
+living, rather, to be dedicated here to the unfinished work which they
+who fought here have thus far so nobly advanced. It is rather for us
+to be here dedicated to the great task remaining before us,--that from
+these honored dead we take increased devotion to that cause for which
+they gave their last full measure of devotion--that we here highly
+resolve that these dead shall not have died in vain--that this nation,
+under God, shall have a new birth of freedom--and that government of
+the people, by the people, for the people, shall not perish from the
+earth.
+
+ November 19, 1863. ABRAHAM LINCOLN.
+
+
+"Undoubtedly there were many in the audience who fully appreciated the
+beauty of the President's address, and many of those who read it on
+the following day perceived its wondrous character; but it is apparent
+that its full force and grandeur were not generally recognized then,
+either by its auditors or its readers. Not until the war had ended and
+the great leader had fallen did the nation realize that this speech
+had given to Gettysburg another claim to immortality and to American
+eloquence its highest glory."--From the monograph on the Gettysburg
+Address, by Maj. William H. Lambert.
+
+
+
+
+Bayard Taylor, born in Kennett Square, Chester County, Pennsylvania,
+on the 11th of January, 1825. Died in Berlin, Germany, on the 19th of
+December, 1878. His boyhood was passed on a farm near Kennett. He
+learned to read at four, began to write at an early age, and from his
+twelfth year wrote poems, novels and historical essays, but mostly
+poems. In 1837 the family moved to Westchester, and there and at
+Unionville he had five years of high-school training. His first poem
+printed was contributed to the _Saturday Evening Post_, in 1841, and
+those to the _New York Tribune_ from abroad, written in 1844, were
+widely read and shortly after his return were collected and published
+in _Views Afoot, or Europe Seen With Knapsack and Staff_. With a
+friend he bought a printing office in 1846, and began to publish the
+_Phoenixville Pioneer_, but it was as a poet that he excelled above
+most other vocations.
+
+
+ GETTYSBURG ODE
+
+ After the eyes that looked, the lips that spake
+ Here, from the shadows of impending death,
+ Those words of solemn breath,
+ What voice may fitly break
+ The silence, doubly hallowed, left by him?
+ We can but bow the head, with eyes grown dim,
+ And, as a Nation's litany, repeat
+ The phrase his martyrdom hath made complete,
+ Noble as then, but now more sadly sweet:
+ "Let us, the Living, rather dedicate
+ Ourselves to the unfinished work, which they
+ Thus far advanced so nobly on its way,
+ And saved the periled State!
+ Let us, upon this field where they, the brave,
+ Their last full measure of devotion gave,
+ Highly resolve they have not died in vain!--
+ That, under God, the Nation's later birth
+ Of freedom, and the people's gain
+ Of their own Sovereignty, shall never wane
+ And perish from the circle of the earth!"
+ From such a perfect text, shall Song aspire
+ To light her faded fire,
+ And into wandering music turn
+ Its virtue, simple, sorrowful, and stern?
+ His voice all elegies anticipated;
+ For, whatsoe'er the strain,
+ We hear that one refrain:
+ "We consecrate ourselves to them, the Consecrated!"
+
+
+
+
+ [Illustration: PRESIDENT LINCOLN AND HIS SON THOMAS ("TAD")]
+
+
+
+
+Benjamin Franklin Taylor, born at Lowville, New York, July 19, 1819.
+He was for several years connected with the _Chicago Evening Journal_.
+He wrote _Pictures of Life in Camp and Field_ (1871); _The World on
+Wheels_, etc. (1874); _Songs of Yesterday_ (1877); _Between the Gates_
+(1878); _Summer Savory_, etc. (1879); _Dulce Domum_ (1884);
+_Theophilus Trent_, a novel (1887); etc. Among his best known poems
+are: _Isle of the Long Ago_, _Rhymes of the River_, and _The Old
+Village Choir_.
+
+
+ LINCOLN'S SECOND INAUGURAL
+
+ The following is an excerpt from a _Centennial Poem_ read by
+ B. F. Taylor on Decoration Day (May 30, 1876), on the
+ occasion of the centennial celebration by the Department of
+ the Potomac, Grand Army of the Republic, at Arlington
+ Cemetery, Washington, D. C.
+
+ They see the pilgrims to the Springfield tomb--
+ Be proud today, oh, portico of gloom!--
+ Where lies the man in solitary state
+ Who never caused a tear but when he died
+ And set the flags around the world half-mast--
+ The gentle Tribune and so grandly great
+ That e'en the utter avarice of Death
+ That claims the world, and will not be denied,
+ Could only rob him of his mortal breath.
+ How strange the splendor, though the man be past!
+ His noblest inspiration was his last.
+ The statues of the Capitol are there.
+ As when he stood upon the marble stair
+ And said those words so tender, true and just,
+ A royal psalm that took mankind on trust--
+ Those words that will endure and he in them,
+ While May wears flowers upon her broidered hem,
+ And all that marble snows and drifts to dust:
+ "Fondly do we hope, fervently we pray
+ That this mighty scourge of war may speedily pass away:
+ With charity for all, with malice toward none,
+ With firmness in the right
+ As God shall give us light,
+ Let us finish the work already begun,
+ Care for the battle sons, the Nation's wounds to bind,
+ Care for the helpless ones that they will leave behind,
+ Cherish it we will, achieve it if we can,
+ A just and lasting peace, forever unto man!"
+ Amid old Europe's rude and thundering years,
+ When people strove as battle-clouds are driven,
+ One calm white angel of a day appears
+ In every year a gift direct from Heaven,
+ Wherein, from setting sun to setting sun
+ No thought of deed of bitterness was done.
+ "Day of the Truce of God!" Be this day ours,
+ Until perpetual peace flows like a river
+ And hopes as fragrant as these tribute flowers
+ Fill all the land forever and forever!
+
+
+
+
+ [Illustration: PRESIDENT LINCOLN
+
+ Photograph by Brady, Washington, D. C.]
+
+
+
+
+Hermann Hagedorn, born in New York, July 18, 1882. Instructor in
+English at Harvard in 1909-1911. Wrote several one-act plays which
+were produced by the Harvard Dramatic Club, and by clubs of other
+colleges. Author of _The Silver Blade_ (a play in verse), _The Woman
+of Corinth_, _A Troop of the Guard_ and other poems.
+
+
+ OH, PATIENT EYES!
+
+ Oh, patient eyes! oh, bleeding, mangled heart!
+ Oh, hero, whose wide soul, defying chains,
+ Swept at each army's head,
+ Swept to the charge and bled,
+ Gathering in one too sorrow-laden heart
+ All woes, all pains;
+ The anguish of the trusted hope that wanes,
+ The soldier's wound, the lonely mourner's smart.
+ He knew the noisy horror of the fight,
+ From dawn to dusk and through the hideous night
+ He heard the hiss of bullets, the shrill scream
+ Of the wide-arching shell,
+ Scattering at Gettysburg or by Potomac's stream,
+ Like summer flowers, the pattering rain of death;
+ With every breath,
+ He tasted battle and in every dream,
+ Trailing like mists from gaping walls of hell,
+ He heard the thud of heroes as they fell.
+
+
+
+
+ [Illustration: PRESIDENT LINCOLN
+
+ Photograph by Brady]
+
+
+
+
+Margaret Elizabeth Sangster, born at New Rochelle, New York, February
+22, 1838. Educated privately, chiefly in New York. Became contributor
+to leading periodicals; also editor of _Hearth and Home_, 1871-73;
+_Christian at Work_, 1873-79; _The Christian Intelligencer_ since
+1879; postmistress _Harper's Young People_, 1882-89; editor _Harper's
+Bazar_, 1889-99; staff contributor _Christian Herald_ since 1894;
+_Ladies' Home Journal_, 1899-1905; _Woman's Home Companion_ since
+1905. Author _Poems of the Household_; _Home Fairies and Heart
+Flowers_; _On the Road Home_; _Easter Bells_; _Winsome Womanhood_;
+_Little Knights and Ladies_; _Lyrics of Love_; _When Angels Come to
+Men_; _Good Manners for All Occasions_; _The Story Bible_; _Fairest
+Girlhood_; _From My Youth Up_; _Happy School Days_. She died June 4,
+1912.
+
+
+ ABRAHAM LINCOLN
+
+ (_February 12, 1809-1909_)
+
+ Child of the boundless prairie, son of the virgin soil,
+ Heir to the bearing of burdens, brother to them that toil;
+ God and Nature together shaped him to lead in the van,
+ In the stress of her wildest weather when the Nation needed
+ a Man.
+
+ Eyes of a smoldering fire, heart of a lion at bay,
+ Patience to plan for tomorrow, valor to serve for today,
+ Mournful and mirthful and tender, quick as a flash with a jest,
+ Hiding with gibe and great laughter the ache that was dull
+ in his breast.
+
+ Met were the Man and the Hour--Man who was strong for the shock--
+ Fierce were the lightnings unleashed; in the midst, he stood
+ fast as a rock.
+ Comrade he was and commander, he who was meant for the time,
+ Iron in council and action, simple, aloof, and sublime.
+
+ Swift slip the years from their tether, centuries pass like a
+ breath,
+ Only some lives are immortal, challenging darkness and death.
+ Hewn from the stuff of the martyrs, write on the stardust
+ his name,
+ Glowing, untarnished, transcendent, high on the records of Fame.
+
+ Oh, man of many sorrows, 'twas your blood
+ That flowed at Chickamauga, at Bull Run,
+ Vicksburg, Antietam, and the gory wood
+ And Wilderness of ravenous Deaths that stood
+ Round Richmond like a ghostly garrison:
+ Your blood for those who won,
+ For those who lost, your tears!
+ For you the strife, the fears,
+ For us, the sun!
+ For you the lashing winds and the beating rain in your eyes,
+ For us the ascending stars and the wide, unbounded skies.
+
+ Oh, man of storms! Patient and kingly soul!
+ Oh, wise physician of a wasted land!
+ A nation felt upon its heart your hand,
+ And lo, your hand hath made the shattered, whole,
+ With iron clasp your hand hath held the wheel
+ Of the lurching ship, on tempest waves no keel
+ Hath ever sailed.
+ A grim smile held your lips when strong men quailed.
+ You strove alone with chaos and prevailed;
+ You felt the grinding shock and did not reel,
+ And, ah, your hand that cut the battle's path
+ Wide with the devastating plague of wrath,
+ Your bleeding hand, gentle with pity yet,
+ Did not forget
+ To bless, to succor, and to heal.
+
+
+
+
+ [Illustration: PRESIDENT LINCOLN
+
+ Photograph by Alexander Gardner, Washington, D. C., 1864]
+
+
+
+
+Wilbur Dick Nesbit was born at Xenia, Ohio, September 16, 1871.
+Educated in the public schools at Cedarville, Ohio. Was printer and
+reporter on various Ohio and Indiana papers until 1898; verse writer
+and paragrapher _Baltimore American_, 1899-1902; since that year
+writer of verse and humor _Chicago Evening Post_ and other newspapers,
+contributor of stories and poems to magazines and periodicals. Author
+of _Little Henry's Slate_, 1903; _The Trail to Boyland and Other
+Poems_, 1904; _An Alphabet of History_, 1905; _The Gentleman Ragman_,
+1906; _A Book of Poems_, 1906; _The Land of Make-Believe and Other
+Christmas Poems_, 1907; _A Friend or Two_, 1908; _The Loving Cup_
+(compilation), 1909; _The Old, Old Wish_, 1911; _My Company of
+Friends_, 1911; _If the Heart be Glad_, 1911; co-author with Otto
+Hauerbach of _The Girl of My Dreams_, a musical comedy, 1910.
+
+
+ THE MAN LINCOLN
+
+ Not as the great who grow more great
+ Until from us they are apart--
+ He walks with us in man's estate;
+ We know his was a brother heart.
+ The marching years may render dim
+ The humanness of other men;
+ Today we are akin to him
+ As they who knew him best were then.
+
+ Wars have been won by mail-clad hands,
+ Realms have been ruled by sword-hedged kings,
+ But he above these others stands
+ As one who loved the common things;
+ The common faith of man was his,
+ The common faith of man he had--
+ For this today his grave face is
+ A face half joyous and half sad.
+
+ A man of earth! Of earthy stuff,
+ As honest as the fruitful soil,
+ Gnarled as the friendly trees, and rough
+ As hillsides that had known his toil;
+ Of earthy stuff--let it be told,
+ For earth-born men rise and reveal
+ A courage fair as beaten gold
+ And the enduring strength of steel.
+
+ So now he dominates our thought.
+ This humble great man holds us thus
+ Because of all he dreamed and wrought;
+ Because he is akin to us.
+ He held his patient trust in truth
+ While God was working out His plan,
+ And they that were his foes, forsooth,
+ Came to pay tribute to the Man.
+
+ Not as the great who grow more great
+ Until they have a mystic fame--
+ No stroke of fortune nor of fate
+ Gave Lincoln his undying name.
+ A common man, earth-bred, earth-born,
+ One of the breed who work and wait--
+ His was a soul above all scorn.
+ His was a heart above all hate.
+
+
+
+
+ [Illustration: PRESIDENT LINCOLN AT ANTIETAM
+
+ Photograph taken on the battlefield, September, 1862,
+ with General McClellan and Allen Pinkerton]
+
+
+
+
+Edwin Arlington Robinson, born at Head Tide, Maine, December 22, 1869.
+Educated at Gardiner, Maine, and Harvard University, 1891-3. Member
+National Institute Arts and Letters. Author: _The Torrent_ and _The
+Night Before_, 1896; _The Children of the Night_, 1897, 1905; _Captain
+Craig_ (poems), _The Town Down the River_, 1910.
+
+
+ THE MASTER
+
+ (LINCOLN)
+
+ A flying word from here and there
+ Had sown the name at which we sneered,
+ But soon the name was everywhere,
+ To be reviled and then revered:
+ A presence to be loved and feared,
+ We cannot hide it, or deny
+ That we, the gentlemen who jeered,
+ May be forgotten by and by.
+
+ He came when days were perilous
+ And hearts of men were sore beguiled;
+ And having made his note of us,
+ He pondered and was reconciled.
+ Was ever master yet so mild
+ As he, and so untamable?
+ We doubted, even when he smiled,
+ Not knowing what he knew so well.
+
+ He knew that undeceiving fate
+ Would shame us whom he served unsought;
+ He knew that he must wince and wait--
+ The jest of those for whom he fought;
+ He knew devoutly what he thought
+ Of us and of our ridicule;
+ He knew that we must all be taught
+ Like little children in a school.
+
+ We gave a glamour to the task
+ That he encountered and saw through,
+ But little of us did he ask,
+ And little did we ever do.
+ And what appears if we review
+ The season when we railed and chaffed?
+ It is the face of one who knew
+ That we were learning while we laughed.
+
+ The face that in our vision feels
+ Again the venom that we flung,
+ Transfigured to the world reveals
+ The vigilance to which we clung.
+ Shrewd, hallowed, harassed, and among
+ The mysteries that are untold,
+ The face we see was never young
+ Nor could it ever have been old.
+
+ For he, to whom we had applied
+ Our shopman's test of age and worth,
+ Was elemental when he died,
+ As he was ancient at his birth:
+ The saddest among kings of earth,
+ Bowed with a galling crown, this man
+ Met rancor with a cryptic mirth,
+ Laconic--and Olympian.
+
+ The love, the grandeur, and the fame
+ Are bounded by the world alone;
+ The calm, the smouldering, and the flame
+ Of awful patience were his own;
+ With him they are forever flown
+ Past all our fond self-shadowings,
+ Wherewith we cumber the Unknown
+ As with inept, Icarian wings.
+
+ For we were not as other men:
+ 'Twas ours to soar and his to see.
+ But we are coming down again,
+ And we shall come down pleasantly;
+ Nor shall we longer disagree
+ On what it is to be sublime,
+ But flourish in our perigee
+ And have one Titan at a time.
+
+
+
+
+ [Illustration: PRESIDENT LINCOLN
+
+ Photograph by Gardner, Washington, D. C.
+ Taken when Lincoln appointed General U. S. Grant
+ Commander-in-chief of the Army, in 1864]
+
+
+
+
+ LINCOLN
+
+ _By Harriet Monroe_
+
+
+ And, lo! leading a blessed host comes one
+ Who held a warring nation in his heart;
+ Who knew love's agony, but had no part
+ In love's delight; whose mighty task was done
+ Through blood and tears that we might walk in joy,
+ And this day's rapture own no sad alloy.
+ Around him heirs of bliss, whose bright brows wear
+ Palm leaves amid their laurels ever fair.
+ Gaily they come, as though the drum
+ Beat out the call their glad hearts knew so well;
+ Brothers once more, dear as of yore,
+ Who in a noble conflict nobly fell.
+ Their blood washed pure yon banner in the sky,
+ And quenched the brands laid 'neath these arches high--
+ The brave who, having fought, can never die.
+
+
+
+
+ [Illustration: PRESIDENT-ELECT LINCOLN
+
+ From a photograph taken with his Secretaries,
+ John G. Nicolay and John Hay,
+ Springfield, Illinois, 1861]
+
+
+
+
+Walt Mason, born at Columbus, Ontario, May 4, 1862. Self educated.
+Came to the United States 1880. Connected with the _Atchinson Globe_
+1885-7, later with _Lincoln_ (Nebraska) _State Journal_ and other
+papers; editorial paragrapher _Evening News_, Washington, D. C., 1893;
+associated with William Allen White on _Emporia_ (Kansas) _Gazette_
+since 1907. His rhymes and prose poems are widely copied in America.
+
+
+ THE EYES OF LINCOLN
+
+ Sad eyes that were patient and tender,
+ Sad eyes that were steadfast and true,
+ And warm with the unchanging splendor
+ Of courage no ills could subdue!
+
+ Eyes dark with the dread of the morrow,
+ And woe for the day that was gone,
+ The sleepless companions of sorrow,
+ The watchers that witnessed the dawn.
+
+ Eyes tired from the clamor and goading
+ And dim from the stress of the years,
+ And hallowed by pain and foreboding
+ And strained by repression of tears.
+
+ Sad eyes that were wearied and blighted
+ By visions of sieges and wars
+ Now watch o'er a country united
+ From the luminous slopes of the stars!
+
+
+
+
+ [Illustration: PRESIDENT LINCOLN IN 1862
+
+ Photograph by Matthew Brady, Washington, D. C.]
+
+
+
+
+Arthur Guiterman, author, born of American parentage, at Vienna,
+Austria, November 20, 1871. Editorial work on _Woman's Home
+Companion_, _Literary Digest_ and other magazines since 1891. Author
+of _Betel Nuts_, 1907; _Guest Book_, 1908; _Rubiayat_, including the
+_Literary Omar_, 1909, and _Orestes_ (with Andre Tridon), 1909.
+Contributor chiefly of ballad, lyric verse and short stories to
+magazines and newspapers.
+
+
+ HE LEADS US STILL
+
+ Dare we despair? Through all the nights and days
+ Of lagging war he kept his courage true.
+ Shall Doubt befog our eyes? A darker haze
+ But proved the faith of him who ever knew
+ That Right must conquer. May we cherish hate
+ For our poor griefs, when never word nor deed
+ Of rancor, malice, spite, of low or great,
+ In his large soul one poison-drop could breed?
+
+ He leads us still. O'er chasms yet unspanned
+ Our pathway lies; the work is but begun;
+ But we shall do our part and leave our land
+ The mightier for noble battles won.
+ Here Truth must triumph, Honor must prevail;
+ The nation Lincoln died for cannot fail!
+
+
+
+
+ [Illustration: PRESIDENT LINCOLN
+
+ Photograph by Brady, Washington, D. C., 1864]
+
+
+
+
+S. Weir Mitchell, born at Philadelphia, Pennsylvania, February 15,
+1829. Educated in grammar school, and University of Pennsylvania, but
+was not graduated because of illness during senior year; Doctor of
+Medicine, Jefferson Medical College, 1850; LL.D., Harvard, 1886;
+Edinburgh, 1895; Princeton, 1896; Toronto, 1896; Jefferson Medical
+College, Philadelphia, 1910. Established practice in Philadelphia.
+Author of many works on treatment of diseases. _Collected Poems_,
+1896-1909; _Youth of Washington_, 1904; _A Diplomatic Adventure_,
+1905; _The Mind Reader_, 1907; _A Christmas Venture_, 1907; _John
+Sherwood, Ironmaster_, 1911.
+
+
+ LINCOLN
+
+ Chained by stern duty to the rock of State,
+ His spirit armed in mail of rugged mirth,
+ Ever above, though ever near to earth,
+ Yet felt his heart the cruel tongues that sate
+ Base appetites and, foul with slander, wait
+ Till the keen lightnings bring the awful hour
+ When wounds and suffering shall give them power.
+ Most was he like to Luther, gay and great,
+ Solemn and mirthful, strong of heart and limb.
+ Tender and simple, too; he was so near
+ To all things human that he cast out fear,
+ And, ever simpler, like a little child,
+ Lived in unconscious nearness unto Him
+ Who always on earth's little ones hath smiled.
+
+
+
+
+ [Illustration: STATUE OF ABRAHAM LINCOLN
+
+ In the Public Square, Hodgenville, Kentucky.
+ Adolph A. Weinman, Sculptor]
+
+
+
+
+George Alfred Townsend was born in Georgetown, Delaware, January 30,
+1841. In 1860 he began writing for the press and speaking in public,
+and in 1860 adopted the profession of journalism. In 1862 he became a
+war correspondent for the _New York World_, the _Chicago Tribune_ and
+other papers, and made an enviable reputation as a descriptive writer.
+He also published a number of books both of prose and poetry.
+
+
+ ABRAHAM LINCOLN
+
+ The peaceful valley reaching wide,
+ The wild war stilled on every hand;
+ On Pisgah's top our prophet died,
+ In sight of promised land.
+
+ Low knelt the foeman's serried fronts,
+ His cannon closed their lips of brass,--
+ The din of arms hushed all at once
+ To let this good man pass.
+
+ A cheerful heart he wore alway,
+ Though tragic years clashed on the while;
+ Death sat behind him at the play--
+ His last look was a smile.
+
+ No battle-pike his march imbrued,
+ Unarmed he went midst martial mails,
+ The footsore felt their hopes renewed
+ To hear his homely tales.
+
+ His single arm crushed wrong and thrall
+ That grand good will we only dreamed,
+ Two races wept around his pall,
+ One saved and one redeemed.
+
+ The trampled flag he raised again,
+ And healed our eagle's broken wing;
+ The night that scattered armed men
+ Saw scorpions rise to sting.
+
+
+
+
+ [Illustration: PRESIDENT LINCOLN
+
+ Photograph by Brady, Washington, D. C., 1864]
+
+
+
+
+Paul Lawrence Dunbar, born of negro parents at Dayton, Ohio, June 27,
+1872. Was graduated at the Dayton High School in 1891, and since then
+has devoted himself to literature and journalism. He has written _Oak
+and Ivy_ (poems); _Lyrics of Lowly Life_ (poems), and _The Uncalled_
+(a novel). Since 1898 he has been on the staff of the Librarian of
+Congress.
+
+
+ LINCOLN
+
+ Hurt was the Nation with a mighty wound,
+ And all her ways were filled with clam'rous sound.
+ Wailed loud the South with unremitting grief,
+ And wept the North that could not find relief.
+ Then madness joined its harshest tone to strife:
+ A minor note swelled in the song of life
+ Till, stirring with the love that filled his breast,
+ But still, unflinching at the Right's behest
+ Grave Lincoln came, strong-handed, from afar,--
+ The mighty Homer of the lyre of war!
+ 'Twas he who bade the raging tempest cease,
+ Wrenched from his strings the harmony of peace,
+ Muted the strings that made the discord,--Wrong,
+ And gave his spirit up in thund'rous song.
+ Oh, mighty Master of the mighty lyre!
+ Earth heard and trembled at thy strains of fire:
+ Earth learned of thee what Heaven already knew,
+ And wrote thee down among her treasured few!
+
+
+
+
+ [Illustration: PRESIDENT LINCOLN
+
+ Photograph by Gardner, Washington, D. C., 1865]
+
+
+
+
+Alice Cary was born in Mount Healthy, near Cincinnati, Ohio, April 20,
+1820. Her first book of poems, with her sister Phoebe, was published
+in 1850. Her poems and prose writings were pictures from life and
+nature, among which were _Pictures of Memory_, _Mulberry Hill_,
+_Coming Home_ and _Nobility_. She died at her home in New York City,
+February 12, 1871. This poem is inscribed to the _London Punch_.
+
+
+ ABRAHAM LINCOLN
+
+ No glittering chaplet brought from other lands!
+ As in his life, this man, in death, is ours;
+ His own loved prairies o'er his "gaunt, gnarled hands,"
+ Have fitly drawn their sheet of summer flowers!
+
+ What need hath he now of a tardy crown,
+ His name from mocking jest and sneer to save
+ When every plowman turns his furrow down
+ As soft as though it fell upon his grave?
+
+ He was a man whose like the world again
+ Shall never see, to vex with blame or praise;
+ The landmarks that attest his bright, brief reign,
+ Are battles, not the pomps of gala days!
+
+ The grandest leader of the grandest war
+ That ever time in history gave a place,--
+ What were the tinsel flattery of a star
+ To such a breast! or what a ribbon's grace!
+
+ 'Tis to th' man, and th' man's honest worth,
+ The Nation's loyalty in tears upsprings;
+ Through him the soil of labor shines henceforth,
+ High o'er the silken broideries of kings.
+
+ The mechanism of eternal forms--
+ The shifts that courtiers put their bodies through--
+ Were alien ways to him: his brawny arms
+ Had other work than posturing to do!
+
+
+
+
+ [Illustration: PRESIDENT LINCOLN
+
+ Photograph by Alexander Gardner, Washington, D. C., 1865]
+
+
+
+
+Rose Terry Cooke was born in West Hartford, Connecticut, February 17,
+1827. Graduated at Hartford Female Seminary in 1843. She has written
+many short stories and a number of books of poems.
+
+
+ ABRAHAM LINCOLN
+
+ Hundreds there have been, loftier than their kind,
+ Heroes and victors in the world's great wars:
+ Hundreds, exalted as the eternal stars,
+ By the great heart, or keen and mighty mind;
+ There have been sufferers, maimed and halt and blind,
+ Who bore their woes in such triumphant calm
+ That God hath crowned them with the martyr's palm;
+ And there were those who fought through fire to find
+ Their Master's face, and were by fire refined.
+ But who like thee, oh Sire! hath ever stood
+ Steadfast for truth and right, when lies and wrong
+ Rolled their dark waters, turbulent and strong;
+ Who bore reviling, baseness, tears and blood
+ Poured out like water, till thine own was spent,
+ Then reaped Earth's sole reward--a grave and monument!
+
+
+
+
+ [Illustration: PRESIDENT LINCOLN
+
+ Photograph by Brady, Washington, D. C., 1865]
+
+
+
+
+Frederick Lucian Hosmer, born at Framingham, Massachusetts, October
+16, 1840. Graduated at Harvard in 1869. Ordained in Unitarian Ministry
+at Northboro, Massachusetts, in 1869. Author of _The Way of Life_,
+_The Thought of God, in Hymns and Poems_.
+
+
+ LINCOLN
+
+ The prairies to the mountains call,
+ The mountains to the sea;
+ From shore to shore a nation keeps
+ Her martyr's memory.
+
+ Though lowly born, the seal of God
+ Was in that rugged face;
+ Still from the humble Nazareths come
+ The Saviours of the race.
+
+ With patient heart and vision clear
+ He wrought through trying days--
+ "Malice toward none, with Charity for all,"
+ Unswerved by blame or praise.
+
+ And when the morn of peace broke through
+ The battle's cloud and din,
+ He hailed with joy the promised land,
+ He might now enter in.
+
+ He seemed as set by God apart,
+ The winepress trod alone;
+ He stands forth an uncrowned king,
+ A people's heart his throne.
+
+ Land of our loyal love and hope,
+ O Land he died to save,
+ Bow down, renew today thy vows
+ Beside his martyr grave!
+
+
+
+
+Charles Monroe Dickinson, born at Lowville, New York, November 15,
+1842. Educated at Fairfield (New York), Seminary and Lowville Academy.
+Admitted to the bar in 1865; practiced law in the State of
+Pennsylvania, at Binghamton, New York, and in New York City 1865-77,
+when he abandoned the profession because of broken health. Editor and
+proprietor of _Binghamton Republican_, 1878-1911. In 1892, upon his
+suggestion and initiative the various news organizations were combined
+into the present Associated Press. Presidential elector, 1896; United
+States Consul-General to Turkey, 1897-1906; Diplomatic agent to
+Bulgaria, 1901-1903. While acting in this capacity the American
+missionary, Ellen M. Stone, was carried off by brigands, but released
+through his settlement and efforts. Member board to draft regulations
+for government of American consular service 1906; American
+Consul-General at-large, 1906-October 1, 1908. Author of _History of
+Dickinson Family_, 1885; _The Children and Other Verses_, 1889; part
+of political history of State of New York, 1911.
+
+
+ ABRAHAM LINCOLN
+
+ If any one hath doubt or fear
+ That this is Freedom's chosen clime--
+ That God hath sown and planted here
+ The richest harvest field of Time--
+ Let him take heart, throw off his fears,
+ As he looks back a hundred years.
+
+ Cities and fields and wealth untold,
+ With equal rights before the law;
+ And, better than all lands and gold--
+ Such as the old world never saw--
+ Freedom and peace, the right to be,
+ And honor to those who made us free.
+
+ Our greatness did not happen so,
+ We owe it not to chance or fate;
+ In furnace heat, by blow on blow,
+ Were forged the things that make us great;
+ And men still live who bore that heat,
+ And felt those deadly hammers beat.
+
+ Not in the pampered courts of kings,
+ Not in the homes that rich men keep,
+ God calls His Davids with their slings,
+ Or wakes His Samuels from their sleep;
+ But from the homes of toil and need
+ Calls those who serve as well as lead.
+
+ Such was the hero of our race;
+ Skilled in the school of common things,
+ He felt the sweat on Labor's face,
+ He knew the pinch of want, the sting
+ The bondman felt, and all the wrong
+ The weak had suffered from the strong.
+
+ God passed the waiting centuries by,
+ And kept him for our time of need--
+ To lead us with his courage high--
+ To make our country free indeed;
+ Then, that he be by none surpassed,
+ God crowned him martyr at the last.
+
+ Let speech and pen and song proclaim
+ Our grateful praise this natal morn;
+ Time hath preserved no nobler name,
+ And generations yet unborn
+ Shall swell the pride of those who can
+ Claim Lincoln as their countryman.
+
+
+
+
+ [Illustration: FORD'S THEATRE]
+
+
+The building is a plain brick structure, three stories high,
+seventy-one feet front and one hundred feet deep. It was originally
+constructed and occupied as a Baptist Church, but at the beginning of
+the war was converted into a theatre, though never used for that
+purpose after the assassination of Lincoln. The government purchased
+it for one hundred thousand dollars, and it is now used as a branch of
+the Record and Pension Division of the War Department. President
+Lincoln was shot by J. Wilkes Booth at 10.20 o'clock P.M. on the
+evening of April 14, 1865, while seated in his private box in the
+theatre.
+
+
+ SIC SEMPER TYRANNIS!
+
+ _By Robert Leighton_
+
+ "Sic semper tyrannis!" the assassin cried,
+ As Lincoln fell. O villain! who than he
+ More lived to set both slave and tyrant free?
+ Or so enrapt with plans of freedom died,
+ That even thy treacherous deed shall glance aside
+ And do the dead man's will by land and sea;
+ Win bloodless battles, and make that to be
+ Which to his living mandate was denied!
+ Peace to that gentle heart! The peace he sought
+ For all mankind, nor for it dies in vain.
+ Rest to the uncrowned king, who, toiling, brought
+ His bleeding country through that dreadful reign;
+ Who, living, earned a world's revering thought,
+ And, dying, leaves his name without a stain.
+
+ _Liverpool, England,
+ May 5, 1865_
+
+
+
+
+ [Illustration: ABRAHAM LINCOLN
+
+ Foully assassinated, April 14, 1865]
+
+
+Tom Taylor wrote the following poem, which appeared in the _London
+Punch_, May 6, 1865. The engraving is a facsimile of the one published
+in the paper at the head of the poem.
+
+
+ ABRAHAM LINCOLN, FOULLY ASSASSINATED
+
+ You lay a wreath on murdered LINCOLN'S bier,
+ _You_, who with mocking pencil wont to trace,
+ Broad for self-complacent British sneer,
+ His length of shambling limb, his furrowed face,
+
+ His gaunt, gnarled hands, his unkempt, bristling hair,
+ His garb uncouth, his bearing ill at ease,
+ His lack of all we prize as debonair,
+ Of power or will to shine, of art to please,
+
+ _You_, whose smart pen backed up the pencil's laugh,
+ Judging each step, as though the way were plain:
+ Reckless, so it could point its paragraph,
+ Of chief's perplexity, or people's pain.
+
+ Beside this corpse, that bears for winding sheet
+ The Stars and Stripes, he lived to rear anew,
+ Between the mourners at his head and feet,
+ Say, scurrile-jester, is there room for _you_?
+
+ Yes, he had lived to shame me from my sneer,
+ To lame my pencil, and confute my pen--
+ To make me own this hind of princes peer,
+ This rail-splitter a true-born king of men.
+
+ My shallow judgment I had learnt to rue,
+ Noting how to occasion's height he rose,
+ How his quaint wit made home-truth seem more true,
+ How, iron-like, his temper grew by blows.
+
+ How humble, yet how hopeful he could be;
+ How in good fortune and in ill the same;
+ Nor bitter in success, nor boastful he,
+ Thirsty for gold, nor feverish for fame.
+
+ He went about his work--such work as few
+ Ever had laid on head and heart and hand--
+ As one who knows, where there's a task to do,
+ Man's honest will must Heaven's good grace command.
+
+ Who trusts the strength will with the burden grow,
+ That God makes instruments to work His will,
+ If but that will we can arrive to know,
+ Nor tamper with the weights of good and ill.
+
+ So he went forth to battle, on the side
+ That he felt clear was Liberty's and Right's,
+ As in his peasant boyhood he had plied
+ His warfare with rude Nature's thwarting mights--
+
+ The uncleared forest, the unbroken soil,
+ The iron-bark that turned the lumberer's axe,
+ The rapid, that o'erbears the boatmen's toil,
+ The prairie, hiding the mazed wanderer's tracks,
+
+ The ambushed Indian, and the prowling bear--
+ Such were the needs that helped his youth to train;
+ Rough culture--but such trees large fruit may bear,
+ If but their stocks be of right girth and grain.
+
+ So he grew up, a destined work to do,
+ And lived to do it--four long-suffering years;
+ Ill-fate, ill-feeling, ill-report, lived through,
+ And then he heard the hisses change to cheers,
+
+ The taunts to tribute, the abuse to praise,
+ And took both with the same unwavering mood;
+ Till, as he came on light from darking days,
+ And seemed to touch the goal from where he stood,
+
+ A felon hand, between the goal and him,
+ Reached from behind his back, a trigger prest,--
+ And those perplexed and patient eyes were dim,
+ Those gaunt, long-laboring limbs were laid to rest!
+
+ The words of mercy were upon his lips,
+ Forgiveness in his heart and on his pen,
+ When this vile murderer brought swift eclipse
+ To thoughts of peace on earth, good will to men.
+
+ The Old World and the New, from sea to sea,
+ Utter one voice of sympathy and shame!
+ Sore heart, so stopped when it at last beat high,
+ Sad life, cut short just as its triumph came.
+
+ A deed accurst! Strokes have been struck before
+ By the assassin's hand, whereof men doubt
+ If more of horror or disgrace they bore;
+ But thy foul crime, like CAIN'S stands darkly out.
+
+ Vile hand, that brandest murder on a strife,
+ Whate'er its grounds, stoutly and nobly striven;
+ And with the martyr's crown crownest a life
+ With much to praise, little to be forgiven!
+
+
+
+
+ [Illustration: DEATHBED OF LINCOLN]
+
+
+Immediately after the President was shot in Ford's Theatre he was
+carried across the street to the house of William Petersen and placed
+on a single bed in a room at the end of the hall. All through that
+weary night the watchers stood by the bedside. He was unconscious
+every moment from the time the bullet entered his head until Dr.
+Robert King Stone, the family physician, announced at twenty-two
+minutes after seven on the following morning that he had breathed his
+last (April 15, 1865). Upon this Secretary Edwin M. Stanton, Secretary
+of War, in a low voice said: "_Now He Belongs to the Ages_."
+
+
+ THE DEATHBED
+
+ Silence falls, unbroken save by sobs of strong men
+ In that room, where Lincoln, at the morning hour's chime
+ Passed out into the unknown from the world of human ken.
+ Gone his body and his life work from the world inclosed by time;
+ But in the silence that was falling after breath of broken prayer,
+ Words eternal broke the quiet like a bell toll on the air;
+ Never in the world's wide story, wiser spoke nor Prophet, spoke nor
+ Sages,
+ Than these words that broke the silence: "He belongs now to the Ages!"
+
+ "To the Ages!" well you spoke it, Stanton of the massive mind!
+ He belongs, the years have shown it, to the world of human kind!
+ Heard his story, where'er hearts throb o'er the world's far spreading
+ way;
+ Heard his story, children listen at the closing of the day;
+ Heard his story, lovers speak it in their hushed and saddened tones
+ As they wander in the twilight, dreaming of their coming homes;
+ Heard his story, statesmen tell it, with a thrill of pride and truth;
+ Heard his story, old men speak it to the country's growing youth.
+ And the years have shown the Prophets, and the years have shown the
+ Sages;
+ Writ in fire these words of wisdom, "He belongs now to the Ages!"
+
+
+
+
+ [Illustration: ABRAHAM LINCOLN
+
+ President]
+
+
+ [Illustration: EDWIN M. STANTON
+
+ Secretary of War]
+
+
+Marion Mills Miller was born at Eaton, Ohio, February 27, 1864. He was
+graduated from Princeton in 1886, and for several years thereafter was
+an instructor there in the English department. In 1889 he received the
+degree of Doctor of Literature from his Alma Mater. Since 1893 he has
+been engaged in literary and social reform work in New York City. He
+has published some verse and fiction, but his most notable work has
+been in the fields of translation and history. He has edited _The
+Classics--Greek and Latin_ (15 volumes), published in 1909, and _Great
+Debates in American History_ (14 volumes), published in 1913.
+
+In 1907 he edited the Centenary Edition of _The Life and Works of
+Abraham Lincoln_ in 10 volumes, logically arranged for ready
+reference. The _Life of Lincoln_ was published separately in 1908 in
+two volumes. It is based on a manuscript by Henry C. Whitney, whose
+name it bears as author, although the second volume, _Lincoln, the
+President_, was largely written by Dr. Miller. The late Major William
+H. Lambert, president of the Lincoln Fellowship, called it "the best
+of the shorter biographies of Lincoln." Dr. Miller has also edited
+_The Wisdom of Lincoln_ (1908), a small book of extracts from
+Lincoln's speeches and writings. He wrote the following poem, "Lincoln
+and Stanton," especially for THE POETS' LINCOLN.
+
+The first reference in it is to the Manny-McCormick case over the
+patent rights of the reaping machine, in which Lincoln had been at
+first selected as principal pleader, but was superseded by Edwin M.
+Stanton. Having thoroughly prepared himself, he offered his assistance
+to Stanton, but was brusquely repulsed. He was so hurt that he felt
+like leaving the court room, but decided, in loyalty to his client, to
+remain, and, leaving his place among counsel, took a seat in the
+audience. Despite his injured feelings he was filled with admiration
+for Stanton's able and successful conduct of the case. Lincoln,
+probably referring to a slur of Stanton reported to him, said that he
+would have to go back to Illinois and "study more law," since the
+"college-bred" lawyers were pushing hard the "cornfield" ones.
+
+The second reference is to Stanton's criticism of Lincoln's
+conservative course during the first months of his Presidency; "that
+imbecile at the White House," he called him. Stanton as
+Attorney-General at the close of Buchanan's administration had done
+effective work in foiling the plans of the Confederacy, and he
+believed in forceful measures to put down the rebellion in its
+incipiency.
+
+The third reference is to the virtually enforced resignation of Simon
+Cameron, Lincoln's first Secretary of War, and Lincoln's choice to
+succeed him of Stanton, whom he realized to be the best equipped man
+in the country for the place.
+
+The fourth reference is to Stanton's remark by the bedside of Lincoln
+as the stricken President ceased breathing: "There lies the greatest
+leader of men the world ever saw."
+
+
+ LINCOLN AND STANTON
+
+ Lincoln had cause one man alone to hate:
+ A fellow-lawyer, lacking in all grace,
+ Who cast uncalled-for insult in his face
+ When Lincoln as his colleague, with innate
+ Courtesy, proffered aid. With pride inflate
+ The scornful Stanton waved him to his place,
+ Snapping, "I need no help to try this case";
+ And "cornfield lawyer" muttered of his mate.
+
+ And when, as captain of the Union ship,
+ Lincoln drew sail before the gathering storm
+ Till favoring winds the shrouds unfurled should fill,
+ Stanton again curled his contemptuous lip
+ And, with the impatience of a patriot warm,
+ Sneered at the helmsman, "craven imbecile."
+
+ Laid was the course at length; the sails untried
+ Were spread; the raw crew set at spar and coil.
+ Now round the prow Charybdean waters boil
+ And ever higher surges war's red tide.
+ The mate who should the captain's care divide
+ Has strengthless proved. Where shall, the foe to foil,
+ A man be found able to bear the toil
+ And stand, to steer the ship, by Lincoln's side?
+
+ Stanton he called! The bitter choice he made
+ For country, not himself. The ship was driven
+ By the great twain through war's abyss, again
+ Into calm seas. Then Lincoln low was laid,
+ And Stanton paid him highest tribute given
+ To mortal: "Mightiest leader among men!"
+
+
+
+
+ [Illustration: THE DEATH OF LINCOLN
+
+ 1 President Lincoln. 2 Hon. Gideon Welles, Secretary of the
+ Navy. 3 John Hay, Esq., President's Private Secretary. 4 Hon.
+ E. M. Stanton, Secretary of War. 5 Rev. Dr. Gurley. 6 Gen.
+ Farnsworth, M. C. from Illinois. 7 Governor Ogilsby of Illinois.
+ 8 General Todd. 9 Rufus Andrews, Esq. 10 Hon. W. T. Otto,
+ Assistant Secretary of the Interior. 11 Hon. W. Denison,
+ Postmaster-General. 12 Judge D. K. Carter. 13 Major-General
+ Halleck. 14 Captain Robert Lincoln. 15 Dr. Leale. 16 Hon. Charles
+ Sumner. 17 Dr. Crane, Assistant Surgeon-General. 18 Governor
+ Farwell, of Wisconsin. 19 Hon. J. P. Usher, Secretary of the
+ Interior. 20 Major-General Augur. 21 Major-General Meigs. 22
+ Maunsel B. Field, Esq. 23 Hon. Schuyler Colfax. 24 Hon. James
+ Speed, Attorney-General. 25 Hon. H. McCullough, Secretary of the
+ Treasury 26 Dr. R. K. Stone. 27 Surgeon-General Barnes.]
+
+
+
+
+ [Illustration: HOUSE IN WHICH LINCOLN DIED
+
+ Washington, D. C.]
+
+
+ [Illustration: JOSEPHINE OLDROYD TIEFENTHALER
+
+ Born July 17, 1896. Died February 20, 1908]
+
+
+Robert Mackay and his wife visited this historic house in 1902. They
+were met at the door and escorted through the various rooms containing
+the Collection by Little Josephine, and were deeply impressed at the
+knowledge she exhibited of Lincoln and the Collection, although she
+was but six years of age. Mr. Mackay was born at Virginia City,
+Nevada, April 22, 1871. Reporter _San Francisco Chronicle_, 1886.
+Worked on newspapers as printer, reporter and editor until 1895, when
+he traveled extensively over the world for the International News
+Syndicate; joined staff of the _New York World_ in 1899; managing
+editor of _Success Magazine_, 1900-1908. Editor the _Delineator_,
+1908. Joined editorial department of the Frank A. Munsey Company in
+1909, contributor of short stories, also other prose and verse.
+
+
+ THE HOUSE WHERE LINCOLN DIED
+
+ Above Judea's purple-mantled plain,
+ There hovers still, among the ruins lone,
+ The spirit of the Christ whose dying moan
+ Was heard in heaven, and paid our debt in pain.
+
+ As subtle perfume lingers with the rose,
+ Even when its petals flutter to the earth,
+ So clings the potent mystery of the birth
+ Of that deep love from which all mercy flows.
+
+ . . . . .
+
+ Within this house,--this room,--a martyr died,
+ A prophet of a larger liberty,--
+ A liberator setting bondmen free,
+ A full-orbed MAN, above mere mortal pride.
+
+ The cloud-rifts opening to celestial glades,
+ Oft glimpse him, and his spirit lingers still,
+ As Christ's sweet influence broods upon the hill
+ Where the red lily with the sunset fades.
+
+ . . . . .
+
+ A little girl with eyes of heavenly blue,
+ Sings through the old place, ignorant of all;
+ Her angel face, her cheerful, birdlike call
+ Thrilling the heart to life more full, more true.
+
+
+
+
+ IN TOKEN OF RESPECT
+
+ _Translation from Latin verses_
+
+
+ From humble parentage and low degree
+ Lincoln ascended to the highest rank;
+ None ever had a harder task than he,
+ It was perfected--him alone we thank.
+
+ Did the assassin think to kill a name,
+ Or hand his own down to posterity?
+ One will wear the laurel wreath of fame,
+ The other be condemned to infamy.
+
+ Caesar was killed by Brutus,
+ Yet Rome did not cease to be;
+ Lincoln by Booth, and yet the slaves
+ In all America are free!
+
+ Rieti, France, May, 1865
+
+
+
+
+ ENGLAND'S SORROW
+
+ _From London Fun_
+
+
+ The hand of an Assassin, glowing red,
+ Shot like a firebrand through the western sky;
+ And stalwart Abraham Lincoln now is dead!
+ O! felon heart that thus could basely dye
+ The name of southerner with murderous gore!
+ Could such a spirit come from mortal womb?
+ And what possessed it that not heretofore
+ It linked its coward mission with the tomb?
+ Lincoln! thy fame shall sound through many an age,
+ To prove that genius lives in humble birth;
+ Thy name shall sound upon historic page,
+ For 'midst thy faults we all esteemed thy worth.
+
+ Gone art thou now! no more 'midst angry heat
+ Shall thy calm spirit rule the surging tide,
+ Which rolls where two contending nations meet,
+ To still the passion and to curb the pride.
+ Nations have looked and seen the fate of kings,
+ Protectors, emperors, and such like men;
+ Behold the man whose dirge all Europe sings,
+ Now past the eulogy of mortal pen!
+ He, like a lighthouse, fell athwart the strand;
+ Let curses rest upon the assassin's hand.
+
+
+
+
+ [Illustration: THE FUNERAL OF LINCOLN
+
+ Ceremonies in the East Room of the White House, April 19, 1865]
+
+
+At ten minutes after twelve o'clock Rev. Charles H. Hall, of the
+Church of the Epiphany, opened the service by reading from the
+Episcopal Burial Service for the Dead. Bishop Matthew Simpson of the
+Methodist Church then offered prayer, and the Rev. Dr. Phineas D.
+Gurley, pastor of the New York Avenue Presbyterian Church, at which
+Mr. Lincoln and his family attended, delivered a sermon. The Rev. E.
+H. Gray, D.D., of the E Street Baptist Church, closed the solemn
+service with prayer.
+
+
+Phineas Densmore Gurley, born at Hamilton, New York, 1816. Educated at
+Union College, Schenectady, New York. Taught during vacation,
+graduated 1837. Studied theology at the Theological Seminary,
+Princeton, New Jersey. Was licensed to preach in 1840. In 1840 he went
+to Indianapolis, Indiana, and took charge of a church. In 1849 he
+removed to Dayton, Ohio, taking charge of a church, and in 1853 moved
+to Washington, D. C., and took charge of a Presbyterian Church on F
+Street, afterwards Willard Hall. In 1858 was elected Chaplain of the
+United States Senate. In July, 1859, the Second Presbyterian Church
+and the F Street Church united, and were known as the New York Avenue
+Presbyterian Church, Dr. Gurley becoming its pastor from March, 1861,
+until his death. President Lincoln was a pew holder and a regular
+attendant, but was not a member. On one occasion the President
+remarked, "I like Dr. Gurley, he doesn't preach politics. I get enough
+of that during the week, and when I go to church I like to hear
+gospel."
+
+When the President was assassinated Dr. Gurley was sent for and
+remained with the President until he breathed his last.
+
+As soon as the spirit took its flight, Secretary Stanton turned to Dr.
+Gurley and said, "Doctor, will you say something?" After a brief
+pause, Dr. Gurley said, "Let us talk with God," and offered a touching
+prayer. Dr. Gurley died September 30, 1868.
+
+
+ THE FUNERAL HYMN OF LINCOLN
+
+ Rest, noble martyr! rest in peace;
+ Rest with the true and brave,
+ Who, like thee, fell in freedom's cause,
+ The nation's life to save.
+
+ Thy name shall live while time endures,
+ And men shall say of thee,
+ "He saved his country from its foes,
+ And bade the slave be free."
+
+ These deeds shall be thy monument,
+ Better than brass or stone;
+ They leave thy fame in glory's light,
+ Unrival'd and alone.
+
+ This consecrated spot shall be
+ To freedom ever dear;
+ And freedom's sons of every race
+ Shall weep and worship here.
+
+ O God! before whom we, in tears,
+ Our fallen chief deplore,
+ Grant that the cause for which he died
+ May live forevermore.
+
+
+
+
+Harriet McEwen Kimball, born at Portsmouth, New Hampshire, November,
+1834. Educated there; specially known as a religious poet, although
+she has written much secular verse; chief founder of the Portsmouth
+Cottage Hospital. Author hymns, _Swallow Flights_; _Blessed Company of
+All Faithful People_; _Poems_ (complete edition), 1889.
+
+
+ REST, REST FOR HIM
+
+ Rest, rest for him whose noble work is done;
+ For him who led us gently, unaware,
+ Till we were readier to do and dare
+ For Freedom, and her hundred fields were won.
+
+ His march is ended where his march began;
+ More sweet his sleep for toil and sacrifice,
+ And that rare wisdom whose beginning lies
+ In fear of God, and charity for man;
+
+ And sweetest for the tender faith that grew
+ More strong in trial, and through doubt more clear,
+ Seeing in clouds and darkness One appear
+ In whose dread name the Nation's sword he drew.
+
+ Rest, rest for him; and rest for us today
+ Whose sorrow shook the land from east to west
+ When slain by treason on the Nation's breast
+ Her martyr breathed his steadfast soul away.
+
+
+
+
+ [Illustration: THE FUNERAL CAR]
+
+
+This car bore the remains of the Martyr President to his home in
+Springfield, Illinois, where they were laid to rest. The funeral train
+left Washington, D. C., on the 21st of April, 1865, proceeded from
+that city to Baltimore, Maryland; Harrisburg and Philadelphia,
+Pennsylvania; New York City, Albany and Buffalo, New York; Cleveland
+and Columbus, Ohio; Indianapolis, Indiana; Chicago, Illinois; and
+finally to Springfield, reaching the latter place May 3, where the
+last sad rites were performed on the succeeding day. The body lay in
+state in all the above cities, brief stops being also made in many
+smaller places.
+
+
+Richard Henry Stoddard in the following Horatian Ode made a beautiful
+analysis of the Martyr President's character, with a magnificent
+picture of the nation's tribute of mourning for its dead chief:
+
+
+ THE FUNERAL CAR OF LINCOLN
+
+ Peace! Let the long procession come,
+ For, hark!--the mournful, muffled drum--
+ The trumpet's wail afar--
+ And, see! the awful car!
+
+ Peace! let the sad procession go,
+ While cannon boom, and bells toll slow:
+ And go, thou sacred car,
+ Bearing our Woe afar!
+
+ Go, darkly borne, from State to State,
+ Whose loyal, sorrowing cities wait
+ To honor all they can
+ The dust of that good man!
+
+ Go, grandly borne, with such a train
+ As greatest kings might die to gain;
+ The Just, the Wise, the Brave
+ Attend thee to the grave!
+
+ And you the soldiers of our wars,
+ Bronzed veterans, grim with noble scars,
+ Salute him once again,
+ Your late Commander--slain!
+
+ Yes, let your tears, indignant, fall,
+ And leave your muskets on the wall;
+ Your country needs you now
+ Beside the forge, the plow!
+
+ (When Justice shall unsheathe her brand--
+ If Mercy may not stay her hand,
+ Nor would we have it so--
+ She must direct the blow!)
+
+ So, sweetly, sadly, sternly goes
+ The Fallen to his last repose;
+ Beneath no mighty dome,
+ But in his modest Home!
+
+ The churchyard where his children rest,
+ The quiet spot that suits him best;
+ There shall his grave be made,
+ And there his bones be laid!
+
+ And there his countrymen shall come,
+ With memory proud, with pity dumb,
+ And strangers far and near,
+ For many and many a year!
+
+ For many a year, and many an age,
+ With History on her ample page
+ The virtues shall enroll
+ Of that Paternal Soul.
+
+
+
+
+William Cullen Bryant, born in Cummington, Massachusetts, November 3,
+1794. Died in New York, June 12, 1878. He wrote verses in his twelfth
+year to be recited at school. Spent two years at Williams College and
+at the age of eighteen began the study of law. He depended upon his
+profession for a number of years, although it was not to his liking.
+His contributions to the _North American Review_ and his poems
+published therein gained him an enviable reputation, and reflected
+great credit upon him.
+
+
+ THE DEATH OF LINCOLN
+
+ Oh, slow to smite and swift to spare,
+ Gentle and merciful and just!
+ Who, in the fear of God didst bear
+ The sword of power, a nation's trust.
+
+ In sorrow by thy bier we stand,
+ Amid the awe that hushes all,
+ And speak the anguish of a land
+ That shook with horror at thy fall.
+
+ Thy task is done; the bond is free--
+ We bear thee to an honored grave,
+ Whose noblest monument shall be
+ The broken fetters of the slave.
+
+ Pure was thy life; its bloody close
+ Hath placed thee with the sons of light
+ Among the noble host of those
+ Who perished in the cause of right.
+
+
+
+
+ [Illustration: CITY HALL, NEW YORK, N. Y.]
+
+
+At the time of the appearance of the procession at the City Hall at
+least twenty thousand persons were assembled in the immediate
+neighborhood. While awaiting the arrival of the procession a number of
+German singing bands were marched into the open space before the Hall,
+and arranged on either side of the entrance, preparatory to the
+singing of a requiem to the dead. The procession entered the Park at
+about half-past eleven o'clock, and the hearse stopped before the
+entrance to the Hall. Here the coffin was immediately taken from the
+hearse and carried up the stairs to the catafalque which had been
+prepared for its reception, while the singing societies rendered two
+very appropriate dirges.
+
+The interior of the City Hall had been decorated with much taste.
+Across the dome a black curtain was drawn, and the rays of light thus
+conducted fell subdued upon the sad but imposing spectacle.
+
+
+
+
+Henry T. Tuckerman, a member of the Committee on Resolutions, wrote
+the following ode for the funeral obsequies, on the 25th day of April,
+1865, at New York City. The Athenaeum Club participated, bearing an
+appropriate banner, the members wearing distinctive badges of mourning
+and under the leadership of their Vice-President, Henry E. Pierpont;
+the President, William T. Blodgett, being at that time absent acting
+as Chairman of the Citizens Committee:
+
+
+ ODE
+
+ Shroud the banner! rear the cross!
+ Consecrate a nation's loss;
+ Gaze on that majestic sleep;
+ Stand beside the bier to weep;
+ Lay the gentle son of toil
+ Proudly in his native soil;
+ Crowned with honor, to his rest
+ Bear the prophet of the West.
+
+ How cold the brow that yet doth wear
+ The impress of a nation's care;
+ How still the heart, whose every beat
+ Glowed with compassion's sacred heat;
+ Rigid the lips, whose patient smile
+ Duty's stern task would oft beguile;
+ Blood-quenched the pensive eye's soft light;
+ Nerveless the hand so loth to smite;
+ So meek in rule, it leads, though dead,
+ The people as in life it led.
+
+ O let his wise and guileless sway
+ Win every recreant today,
+ And sorrow's vast and holy wave
+ Blend all our hearts around his grave!
+ Let the faithful bondmen's tears,
+ Let the traitor's craven fears,
+ And the people's grief and pride,
+ Plead against the parricide!
+ Let us throng to pledge and pray
+ O'er the patriot martyr's clay;
+ Then, with solemn faith in right,
+ That made him victor in the fight,
+ Cling to the path he fearless trod,
+ Still radiant with the smile of God.
+
+ Shroud the banner! rear the cross!
+ Consecrate a nation's loss;
+ Gaze on that majestic sleep;
+ Stand beside the bier to weep;
+ Lay the gentle son of toil
+ Proudly in his native soil;
+ Crowned with honor, to his rest
+ Bear the prophet of the West.
+
+
+
+
+Lucy Larcom was born in Beverly, Mass., in 1826. At the age of seven
+years she wrote stories and poems. She spent three years in school,
+then worked in the cotton mills. Some of her writings attracted the
+attention of Whittier, from whom she received encouragement. At the
+age of twenty she went to Illinois and there taught school for some
+time, and for three years studied in Monticello Female Seminary. She
+returned to Massachusetts and during the war wrote many patriotic
+poems.
+
+
+ TOLLING
+
+ Tolling, tolling, tolling!
+ All the bells of the land!
+ Lo, the patriot martyr
+ Taketh his journey grand!
+ Travels into the ages,
+ Bearing a hope how dear!
+ Into life's unknown vistas,
+ Liberty's great pioneer.
+
+ Tolling, tolling, tolling!
+ See, they come as a cloud,
+ Hearts of a mighty people,
+ Bearing his pall and shroud;
+ Lifting up, like a banner,
+ Signals of loss and woe;
+ Wonder of breathless nations,
+ Moveth the solemn show.
+
+ Tolling, tolling, tolling!
+ Was it, O man beloved,
+ Was it thy funeral only
+ Over the land that moved?
+
+
+
+
+ [Illustration: ROTUNDA, CITY HALL, NEW YORK, N. Y.]
+
+
+The remains of President Lincoln lay in state in the City Hall, New
+York, from noon April 24 to noon April 25, 1865. Visitors were
+admitted to view the remains, passing through the Hall two abreast.
+Singing societies sang dirges in the rotunda the night through.
+
+
+
+
+Richard Storrs Willis was born in Boston, Massachusetts, February 10,
+1819, was graduated at Yale in 1841, and adopted literature as his
+profession. He has published musical and other poems; has edited the
+_New York Musical World_ and _Once a Week_, and contributed also to
+current literature. He wrote the following:
+
+
+ REQUIEM OF LINCOLN
+
+ Now wake the requiem's solemn moan,
+ For him whose patriot task is done!
+ A nation's heart stands still today
+ With horror, o'er his martyred clay!
+
+ O, God of Peace, repress the ire,
+ Which fills our souls with vengeful fire!
+ Vengeance is Thine--and sovereign might,
+ Alone, can such a crime requite!
+
+ Farewell, thou good and guileless heart!
+ The manliest tears for thee must start!
+ E'en those at times who blamed thee here,
+ Now deeply sorrow o'er thy bier.
+
+ O, Jesus, grant him sweet repose,
+ Who, like Thee, seemed to love his foes!
+ Those foes, like Thine, their wrath to spend,
+ Have slain their best, their firmest friend.
+
+
+
+
+ [Illustration: ST. JAMES HALL, BUFFALO, N. Y.]
+
+
+The funeral train bearing the remains of President Lincoln reached
+Buffalo, New York, on Thursday morning, the 27th of April. The body
+was taken from the funeral car and borne by soldiers up to St. James'
+Hall, where it was placed under a crape canopy, extending from the
+ceiling to the floor. The Buffalo St. Cecilia Society sang with deep
+pathos the dirge "Rest, Spirit, Rest," the society then placed an
+elegantly formed harp, made of choice white flowers, at the head of
+the coffin, as a tribute from them to the honored dead. The public
+were admitted to view the remains, and the following day the remains
+reached Cleveland, Ohio.
+
+
+
+
+James Nicoll Johnston was born in Ardee, County Donegal, Ireland. When
+two years of age the family moved to Cashelmore, Sheephaven Bay,
+County Donegal. In 1847 they moved to America. He was then between
+fifteen and sixteen years of age. In 1848 they settled at Buffalo,
+New York, which has been his home until the present time.
+
+He has published two editions of _Donegal Memories_, also two editions
+of _Donegal Memories and Other Poems_, and a volume of Buffalo verse
+collected by him under the title of _Poets and Poetry of Buffalo_. He
+assisted in collections of Buffalo local literature, also devoted much
+time to the production of publications of a philanthropic nature.
+
+
+ REQUIEM
+
+ Bear him to his Western home,
+ Whence he came four years ago;
+ Not beneath some Eastern dome,
+ But where Freedom's airs may come,
+ Where the prairie grasses grow,
+ To the friends who loved him so,
+
+ Take him to his quiet rest;
+ Toll the bell and fire the gun;
+ He who served his Country best,
+ He whom millions loved and bless'd,
+ Now has fame immortal won;
+ Rack of brain and heart is done.
+
+ Shed thy tears, O April rain,
+ O'er the tomb wherein he sleeps!
+ Wash away the bloody stain!
+ Drape the skies in grief, O rain!
+ Lo! a nation with thee weeps,
+ Grieving o'er her martyred slain.
+
+ To the people whence he came,
+ Bear him gently back again,
+ Greater his than victor's fame:
+ His is now a sainted name;
+ Never ruler had such gain--
+ Never people had such pain.
+
+
+
+
+ [Illustration: PRESIDENT LINCOLN
+
+ Photograph taken in 1863 by Brady]
+
+
+
+
+Oliver Wendell Holmes, born in Cambridge, Mass., August 29, 1809. To
+him belongs the credit of saving the frigate Constitution from
+destruction, by a poem--_Aye, Tear the Battered Ensign Down_. He died
+August 7, 1894.
+
+
+ SERVICES IN MEMORY OF ABRAHAM LINCOLN
+
+ (_City of Boston, June 1, 1865_)
+
+
+ O Thou of soul and sense and breath,
+ The ever-present Giver,
+ Unto Thy mighty angel, death,
+ All flesh Thou didst deliver;
+ What most we cherish, we resign,
+ For life and death alike are Thine,
+ Who reignest Lord forever!
+
+ Our hearts lie buried in the dust
+ With him, so true and tender,
+ The patriot's stay, the people's trust,
+ The shield of the offender;
+ Yet every murmuring voice is still,
+ As, bowing to Thy sovereign will,
+ Our best loved we surrender.
+
+ Dear Lord, with pitying eye behold
+ This martyr generation,
+ Which Thou, through trials manifold,
+ Art showing Thy salvation!
+ O let the blood by murder spilt
+ Wash out Thy stricken children's guilt,
+ And sanctify our Nation!
+
+ Be Thou Thy orphaned Israel's friend,
+ Forsake Thy people never,
+ In one our broken many blend,
+ That none again may sever!
+ Hear us, O Father, while we raise
+ With trembling lips our song of praise,
+ And bless Thy name forever!
+
+
+
+
+ [Illustration: LINCOLN HOMESTEAD, MAY 4, 1865
+
+ Photographed by F. W. Ingmire on the day of the funeral, with the
+ members of the National Committee appointed to accompany the
+ remains to Springfield, Illinois.
+
+ Members on the pavement: Left (1) Hon. Schuyler Colfax, Speaker
+ of the House; (2) Hon. R. C. Schenck, Ohio; (3) Hon. Lyman
+ Trumbull, Illinois; (4) Hon. Charles E. Phelps, Maryland; (5)
+ Hon. W. H. Wallace, Idaho; (6) Hon. Joseph Baily, Pennsylvania;
+ (7) Hon. James K. Morehead, Pennsylvania; (8) Hon. Sidney Clarke,
+ Kansas; (9) Hon. Samuel Hooper, Massachusetts; (10) Hon. E. B.
+ Washburn, Illinois; (11) Hon. Thomas W. Ferry, Michigan; (12)
+ Hon. Thomas B. Shannon, California; (13) S. G. Ordway,
+ Sergeant-at-Arms of the House.
+
+ Members in the yard: Left (1) Hon. Isaac N. Arnold, Illinois; (2)
+ Hon. John B. Henderson, Missouri; (3) Hen. Richard Yates,
+ Illinois; (4) Hon. James W. Nye, Nevada; (5) Hon. Henry S. Lane,
+ Indiana; (6) Hon. George H. Williams, Oregon; (7) Hon. George T.
+ Brown, Sergeant-at-Arms of the Senate; (8) Hon. William A.
+ Newell, New Jersey.]
+
+
+
+
+William Allen, D.D., born 1784, died 1868. Graduated at Harvard, 1802.
+President Dartmouth College, 1816-1819, Bowdoin College, 1820-1839. He
+was the father of American Biography, published various volumes of
+poems; as a philologist, he contributed many thousands of words and
+definitions to Webster and Worcester's dictionaries. He was leader of
+the American delegation to the National Peace Congress at Versailles
+in 1849.
+
+
+ SPRINGFIELD'S WELCOME TO LINCOLN
+
+ Lincoln! thy country's father, hail!
+ We bid thee welcome, but bewail;
+ Welcome unto thy chosen home--
+ Triumphant, glorious, dost thou come.
+
+ Before the enemy struck the blow
+ That laid thee in a moment low,
+ God gave thy wish: It was to see
+ Our Union safe, our country free.
+
+ A country where the gospel truth
+ Shall reach the hearts of age and youth,
+ And move unchained, in majesty,
+ A model land of liberty!
+
+ When Jacob's bones, from Egypt borne,
+ Regained their home, the people mourn;
+ Great mourning then at Ephron's cave,
+ Both Abraham's and Isaac's grave.
+
+ Far greater is the mourning now;
+ For our land one emblem wide of woe;
+ And where thy coffin car appears
+ Do not the people throng in tears?
+
+ Thy triumph of a thousand miles,
+ Like eastern conqueror with his spoils--
+ A million hearts thy captives led,
+ All weeping for their chieftain dead.
+
+ Thy chariot, moved with eagle speed
+ Without the aid of prancing steed,
+ Has brought thee to that destined tomb;
+ Springfield, thy home, will give thee room.
+
+ Lincoln, the martyr, welcome home!
+ What lessons blossom on thy tomb!
+ In God's pure truth and law delight;
+ With firm, unwavering soul do right.
+
+ Be condescending, kind and just;
+ In God's wise counsels put thy trust;
+ Let no proud soul e'er dare rebel,
+ Moved by vile passions sprung from hell.
+
+ Come, sleep with us in sweet repose,
+ Till we, as Christ from death arose,
+ Still in His glorious image rise
+ To dwell with him beyond the skies.
+
+
+
+
+ [Illustration: STATE CAPITOL, ILLINOIS, 1865]
+
+
+The body of the President lay in state in the Capitol, Springfield,
+Illinois--which was very richly draped--from May 3 to May 4, when it
+was removed to Oak Ridge Cemetery.
+
+
+
+
+Lucy Hamilton Hooper, born in Philadelphia, Pennsylvania, January 20,
+1835. In conjunction with Charles G. Leland she edited _Our Daily
+Fare_, the daily chronicle of the Philadelphia Sanitary Fair in 1864.
+She was assistant editor of _Lippincott's Magazine_ from its
+foundation until she went to Europe in 1870. In 1874 she settled in
+Paris and since has been correspondent for various journals in this
+country. She has published _Poems, with Translations from the German_
+(Philadelphia, 1864), another volume of _Poems_ (1871); a translation
+of _Le Nabob_, by Alphonse Daudet (Boston, 1879); and _Under the
+Tricolor_, a novel (Philadelphia, 1880). She died August 31, 1893.
+
+
+ LINCOLN
+
+ There is a shadow on the sunny air,
+ There is a darkness o'er the April day,
+ We bow our heads beneath this awful cloud
+ So sudden come, and not to pass away.
+
+ O the wild grief that sweeps across our land
+ From frozen Maine to Californian shore!
+ A people's tears, an orphaned nation's wail,
+ For him the good, the great, who is no more.
+
+ The noblest brain that ever toiled for man,
+ The kindest heart that ever thrilled a breast,
+ The lofty soul unstained by soil of earth,
+ Sent by a traitor to a martyr's rest.
+
+ And his last act (O gentle, kindly heart!)
+ The noble prompting of unselfish grace.
+ He would not disappoint the waiting crowd
+ Who came to gaze upon his honored face.
+
+ O God, thy ways are just, and yet we find
+ This dispensation hard to understand.
+ Why must our Prophet's weary feet be stay'd
+ Upon the borders of the Promised Land?
+
+ He bore the heat, the burden of the day,
+ The golden eventide he shall not see;
+ He shall not see the old flag wave again
+ Over a land united, saved, and free.
+
+ He loved his people, and he ever lent
+ To all our griefs a sympathizing ear;
+ Now for the first time in these four sad years
+ The stricken nation wails--he does not hear.
+
+ O never wept a land a nobler Chief!
+ Kind heart, strong hand, true soul--yet, while we weep
+ Let us remember, e'en amid our tears,
+ 'Tis God who gives to his beloved sleep.
+
+ So sleeps he now, the chosen man of God,
+ No more shall care or sorrow wring his breast;
+ The weary one and heavy laden, lies
+ Hushed by the voice of God to endless rest.
+
+ We need no solemn knell, no tolling bells,
+ No chanted dirge, no vain words sadly said.
+ The saddest knell that ever stirred the air
+ Rang in those words, "Our President is dead!"
+
+
+
+
+ [Illustration: PUBLIC VAULT, OAK RIDGE CEMETERY, SPRINGFIELD, ILL.,
+
+ On the day of Lincoln's funeral]
+
+
+The remains of President Lincoln were deposited in this receiving
+vault of Oak Ridge Cemetery, Springfield, Illinois, on the 4th of May,
+1865, where they remained until December 21, 1865, when they were
+removed to a temporary vault near the site of the public one. On
+September 19, 1871, the remains were removed to the monument which had
+been erected and which stands on the top of the hill in that cemetery
+back of the public vault. The remains of Mrs. Lincoln, Willie and
+Thomas (Tad), are also resting there.
+
+
+
+
+ LET THE PRESIDENT SLEEP
+
+ _By James M. Stewart_
+
+
+ Let the President sleep! all his duty is done,
+ He has lived for our glory, the triumph is won;
+ At the close of the fight, like a warrior brave,
+ He retires from the field to the rest of the grave.
+ Hush the roll of the drum, hush the cannon's loud roar,
+ He will guide us to peace through the battle no more;
+ But new freedom shall dawn from the place of his rest,
+ Where the star has gone down in the beautiful West.
+ Tread lightly, breathe softly, and gratefully bring
+ To the sod that enfolds him the first flowers of spring;
+ They will tenderly treasure the tears that we weep
+ O'er the grave of our chief--let the President sleep.
+
+ Let the President sleep--tears will hallow the ground,
+ Where we raise o'er his ashes the sheltering mound,
+ And his spirit will sometimes return from above,
+ There to mingle with ours in ineffable love.
+ Peace to thee, noble dead, thou hast battled for right,
+ And hast won high reward from the Father of Light;
+ Peace to thee, martyr-hero, and sweet be thy rest,
+ Where the sunlight fades out in the beautiful West.
+ Tread lightly, breathe softly, and gratefully bring
+ To the sod that enfolds him the first flowers of spring;
+ They will tenderly treasure the tears that we weep
+ O'er the grave of our chief--let the President sleep!
+
+
+
+
+ [Illustration: FACADE OF PUBLIC VAULT
+
+ Oak Ridge Cemetery, Springfield, Illinois, in which the body
+ of Lincoln was placed, May 4, 1865]
+
+
+
+
+James Mackay, born in New York, April 8, 1872. Author of _The Economy
+of Happiness_, _The Politics of Utility_, and of various lectures on
+Scientific Ethics, etc.
+
+
+ THE CENOTAPH OF LINCOLN
+
+ And so they buried Lincoln? Strange and vain
+ Has any creature thought of Lincoln hid
+ In any vault 'neath any coffin lid,
+ In all the years since that wild spring of pain?
+ 'Tis false--he never in the grave hath lain.
+ You could not bury him although you slid
+ Upon his clay the Cheops Pyramid,
+ Or heaped it with the Rocky Mountain chain.
+ They slew themselves;--they but set Lincoln free.
+ In all the earth his great heart beats as strong,
+ Shall beat while pulses throb to chivalry,
+ And burn with hate of tyranny and wrong.
+ Whoever will may find him, anywhere
+ Save in the tomb. Not there--he is not there.
+
+
+
+
+ [Illustration: LINCOLN MONUMENT
+
+ Springfield, Illinois, Larken G. Mead, Architect]
+
+
+A movement was started shortly after the burial of Lincoln to raise
+funds sufficient to build a monument over his grave. Contributions
+were made by various States and societies, and about sixty thousand
+Sunday-school scholars contributed the sum of eighteen thousand
+dollars. Ground was broken on the 9th of September, 1869, and the
+monument was dedicated on the 15th of October, 1874, at a total cost
+of two hundred and thirty thousand dollars.
+
+
+
+
+James Judson Lord, born at Berwick, Maine, in 1821. He had the
+advantage of an excellent early education followed by years of
+research. During his preparatory studies at Cambridge he met
+Longfellow, who loaned him books from his own library. For a time he
+studied art under prominent masters, but his health failing, after a
+time of forced leisure he went into the mercantile business in Boston,
+which vocation he afterward followed. In 1851 he went to Illinois;
+finally, after his marriage, settling in Springfield. There he knew
+Mr. Lincoln, with whom he was on terms of closest friendship.
+
+The poem submitted by Mr. Lord was selected for reading at the
+dedication of the National Lincoln Monument in a competition which
+brought contributions from many leading poets.
+
+He was the author of several dramas, and from time to time contributed
+poems to leading magazines and newspapers of the country. He died
+January 3, 1905.
+
+
+ DEDICATION POEM
+
+ _Read by Richard Edwards, LL.D., President Illinois
+ State Normal University at Bloomington, Illinois_
+
+ We build not here a temple or a shrine,
+ Nor hero-fane to demigods divine;
+ Nor to the clouds a superstructure rear
+ For man's ambition or for servile fear.
+ Not to the Dust, but to the Deeds alone
+ A grateful people raise th' historic stone;
+ For where a patriot lived, or hero fell,
+ The daisied turf would mark the spot as well.
+
+ What though the Pyramids, with apex high,
+ Like Alpine peaks cleave Egypt's rainless sky,
+ And cast grim shadows o'er a desert land
+ Forever blighted by oppression's hand?
+ No patriot zeal their deep foundations laid--
+ No freeman's hand their darken'd chambers made--
+ No public weal inspired the heart with love,
+ To see their summits towering high above.
+ The ruling Pharaoh, proud and gory-stained,
+ With vain ambitions never yet attained;--
+ With brow enclouded as his marble throne,
+ And heart unyielding as the building stone;--
+ Sought with the scourge to make mankind his slaves,
+ And heaven's free sunlight darker than their graves.
+ His but to will, and theirs to yield and feel,
+ Like vermin'd dust beneath his iron heel;--
+ Denies all mercy, and all right offends,
+ Till on his head th' avenging Plague descends.
+
+ Historic justice bids the nations know
+ That through each land of slaves a Nile of blood
+ shall flow:
+ And Vendome Columns, on a people thrust,
+ Are, by the people, level'd with the dust.
+
+ Nor stone, nor bronze, can fit memorials yield
+ For deeds of valor on the bloody field,
+ 'Neath war's dark clouds the sturdy volunteer,
+ By freedom taught his country to revere,
+ Bids home and friends a hasty, sad adieu,
+ And treads where dangers all his steps pursue;
+ Finds cold and famine on his dauntless way,
+ And with mute patience brooks the long delay,
+ Or hears the trumpet, or the thrilling drum
+ Peal the long roll that calls: "They come! they come!"
+ Then to the front with battling hosts he flies,
+ And lives to triumph, or for freedom dies.
+ Thund'ring amain along the rocky strand,
+ The Ocean claims her honors with the Land.
+ Loud on the gale she chimes the wild refrain,
+ Or with low murmur wails her heroes slain!
+ In gory hulks, with splinter'd mast and spar,
+ Rocks on her stormy breast the valiant Tar:--
+ Lash'd to the mast he gives the high command,
+ Or midst the fight, sinks with the _Cumberland_.
+
+ Beloved banner of the azure sky,
+ Thy rightful home where'er thy eagles fly;
+ On thy blue field the stars of heav'n descend,
+ And to our day a purer luster lend.
+ O, Righteous God! who guard'st the right alway,
+ And bade Thy peace to come, "and come to stay":
+ And while war's deluge fill'd the land with blood,
+ With bow of promise arch'd the crimson flood,--
+ From fratricidal strife our banner screen,
+ And let it float henceforth in skies serene.
+
+ Yet cunning art shall here her triumphs bring,
+ And laurel'd bards their choicest anthems sing.
+ Here, honor'd age shall bare its wintery brow,
+ And youth to freedom make a Spartan vow.
+ Here, ripened manhood from its walks profound,
+ Shall come and halt, as if on hallow'd ground.
+
+ Here shall the urn with fragrant wreaths be drest,
+ By tender hands the flow'ry tributes prest;
+ And wending westward, from oppressions far,
+ Shall pilgrims come, led by our freedom-star;
+ While bending lowly, as o'er friendly pall,
+ The silent tear from ebon cheeks shall fall.
+
+ Sterile and vain the tributes which we pay--
+ It is the Past that consecrates today
+ The spot where rests one of the noble few
+ Who saw the right, and dared the right to do.
+ True to himself and to his fellow men,
+ With patient hand he moved the potent pen,
+ Whose inky stream did, like the Red Sea's flow,
+ Such bondage break and such a host o'erthrow!
+ The simple parchment on its fleeting page
+ Bespeaks the import of the better age,--
+ When man, for man, no more shall forge the chain,
+ Nor armies tread the shore, nor navies plow the main.
+ Then shall this boon to human freedom given
+ Be fitly deem'd a sacred gift of heaven;--
+ Though of the earth, it is no less divine,--
+ Founded on truth it will forever shine,
+ Reflecting rays from heaven's unchanging plan--
+ The law of right and brotherhood of man.
+
+
+
+
+Edna Dean Proctor, born in Henniker, New Hampshire, October 10, 1838.
+She received her early education in Concord and subsequently removed
+to Brooklyn, New York. She contributed largely to magazine literature
+and has traveled extensively abroad. Of all her poems _By the
+Shenandoah_ is probably the most popular.
+
+
+ THE GRAVE OF LINCOLN
+
+ Now must the storied Potomac
+ Laurels forever divide;
+ Now to the Sangamon fameless
+ Give of its century's pride.
+ Sangamon, stream of the prairies,
+ Placidly westward that flows,
+ Far in whose city of silence
+ Calm he has sought his repose.
+ Over our Washington's river
+ Sunrise beams rosy and fair;
+ Sunset on Sangamon fairer,--
+ Father and martyr lies there.
+
+ Break into blossom, O prairie!
+ Snowy and golden and red;
+ Peers of the Palestine lilies
+ Heap for your Glorious Dead!
+ Roses as fair as of Sharon,
+ Branches as stately as palm,
+ Odors as rich as the spices--
+ Cassia and aloes and balm--
+ Mary the loved and Salome,
+ All with a gracious accord,
+ Ere the first glow of the morning
+ Brought to the tomb of the Lord.
+
+ Not for thy sheaves nor savannas
+ Crown we thee, proud Illinois!
+ Here in his grave is thy grandeur;
+ Born of his sorrow thy joy.
+ Only the tomb by Mount Zion,
+ Hewn for the Lord, do we hold
+ Dearer than his in thy prairies,
+ Girdled with harvests of gold!
+ Still for the world through the ages
+ Wreathing with glory his brow,
+ He shall be Liberty's Saviour;
+ Freedom's Jerusalem thou!
+
+
+
+
+ [Illustration: STATUE OF LINCOLN
+
+ In Lincoln Park, Washington, D. C. Thomas Ball, sculptor.]
+
+
+The first contribution of five dollars for the statue in Lincoln Park,
+Washington, D. C., was made by a colored woman named Charlotte Scott,
+of Marietta, Ohio, the morning after the assassination of President
+Lincoln, and the entire cost of said monument, amounting to $17,000,
+was paid by subscriptions of colored people. It was unveiled April 14,
+1876.
+
+
+
+
+James Russell Lowell, born in Cambridge, Massachusetts, February 22,
+1819. He received his degree in 1838, at Harvard, and his first
+production was a class poem which was delivered on that date. He was
+successor of Professor Longfellow in the chair of Modern Languages at
+Harvard College. In 1877 he was appointed by President Hayes to the
+Spanish Mission, from which he was transferred in 1880 to the Court of
+St. James. A long list of poetical works have been published to his
+credit. He died August 12, 1891.
+
+
+ COMMEMORATION ODE
+
+ Life may be given in many ways,
+ And loyalty to Truth be sealed
+ As bravely in the closet as the field,
+ So bountiful is Fate;
+ But then to stand beside her,
+ When craven churls deride her,
+ To front a lie in arms and not to yield,
+ This shows, methinks, God's plan
+ And measures of a stalwart man,
+ Limbed like the old heroic breeds,
+ Who stand self-poised on manhood's solid earth;
+ Not forced to frame excuses for his birth,
+ Fed from within with all the strength he needs.
+
+ Such was he, our Martyr-Chief,
+ Whom late the Nation he had led,
+ With ashes on her head,
+ Wept with the passion of an angry grief;
+ Forgive me, if from present things I turn
+ To speak what in my heart will beat and burn,
+ And hang my wreath on his world-honored urn.
+ Nature, they say, doth dote,
+ And cannot make a man
+ Save on some worn-out plan,
+ Repeating us by rote:
+ For him her Old World molds aside she threw,
+ And, choosing sweet clay from the breast
+ Of the unexhausted West,
+
+ With stuff untainted shaped a hero new,
+ Wise, steadfast in the strength of God, and true.
+ How beautiful to see
+ Once more a shepherd of mankind indeed,
+ Who loved his charge, but never loved to lead;
+ One whose meek flock the people joyed to be,
+ Not lured by any cheat of birth,
+ But by his clear-grained human worth,
+ And brave old wisdom of sincerity!
+ They knew that outward grace is dust;
+ They could not choose but trust
+ In that sure-footed mind's unfaltering skill,
+ And supple-tempered will
+ That bent like perfect steel to spring again and thrust!
+
+ His was no lonely mountain-peak of mind,
+ Thrusting to thin air o'er our cloudy bars,
+ A sea-mark now, now lost in vapors blind;
+ Broad prairie rather, genial, level-lined,
+ Fruitful and friendly for all human kind,
+ Yet also nigh to heaven and loved of loftiest stars.
+ Nothing of Europe here,
+ Or, then, of Europe fronting mornward still,
+ Ere any names of Serf or Peer
+ Could Nature's equal scheme deface;
+ Here was a type of the true elder race,
+ And one of Plutarch's men talked with us face to face.
+
+ I praise him not; it were too late;
+ And some innative weakness there must be
+ In him who condescends to victory
+ Such as the present gives, and cannot wait,
+ Safe in himself as in a fate.
+ So always firmly he;
+ He knew to bide his time,
+ And can his fame abide,
+ Still patient in his simple faith sublime,
+ Till the wise years decide.
+ Great captains, with their guns and drums,
+ Disturb our judgment for the hour,
+ But at last silence comes;
+ These are all gone, and, standing like a tower,
+ Our children shall behold his fame,
+ The kindly-earnest, brave, foreseeing man,
+ Sagacious, patient, dreading praise, not blame,
+ New birth of our new soil, the first American.
+
+
+
+
+ [Illustration: STATUE OF LINCOLN
+
+ By Leonard W. Volk]
+
+
+
+
+Richard Henry Stoddard, born in Hingham, Massachusetts, July 2, 1825.
+His first book, entitled _Foot Prints_, was published in 1849, and
+some three years after a more mature collection of poems was
+published. In later years a number of his books were published, all of
+which have been received with approbation by the public. Died May 12,
+1903.
+
+
+ AN HORATIAN ODE
+
+ (_To Lincoln_)
+
+ Not as when some great captain falls
+ In battle, where his country calls,
+ Beyond the struggling lines
+ That push his dread designs
+
+ To doom, by some stray ball struck dead:
+ Or in the last charge, at the head
+ Of his determined men,
+ Who must be victors then!
+
+ Nor as when sink the civic great,
+ The safer pillars of the State,
+ Whose calm, mature, wise words
+ Suppress the need of swords!
+
+ With no such tears as e'er were shed
+ Above the noblest of our dead
+ Do we today deplore
+ The man that is no more.
+
+ Our sorrow hath a wider scope,
+ Too strange for fear, too vast for hope,--
+ A wonder, blind and dumb,
+ That waits--what is to come!
+
+ Not more astonished had we been
+ If madness, that dark night, unseen,
+ Had in our chambers crept,
+ And murdered while we slept!
+
+ We woke to find a mourning earth--
+ Our Lares shivered on the hearth,--
+ To roof-tree fallen--all
+ That could affright, appall!
+
+ Such thunderbolts, in other lands,
+ Have smitten the rod from royal hands,
+ But spared, with us, till now,
+ Each laureled Caesar's brow.
+
+ No Caesar he, whom we lament,
+ A man without a precedent,
+ Sent it would seem, to do
+ His work--and perish too!
+
+ Not by the weary cares of state,
+ The endless tasks, which will not wait,
+ Which, often done in vain,
+ Must yet be done again;
+
+ Not in the dark, wild tide of war,
+ Which rose so high, and rolled so far,
+ Sweeping from sea to sea
+ In awful anarchy;--
+
+ Four fateful years of mortal strife,
+ Which slowly drained the Nation's life,
+ (Yet, for each drop that ran
+ There sprang an armed man!)
+
+ Not then;--but when by measures meet--
+ By victory, and by defeat,
+ By courage, patience, skill,
+ The people's fixed "We will!"
+
+ Had pierced, had crushed rebellion dead--
+ Without a hand, without a head:--
+ At last, when all was well,
+ He fell--O, how he fell!
+
+ Tyrants have fallen by such as thou,
+ And good hath followed,--may it now!
+ (God lets bad instruments
+ Produce the best events.)
+
+ But he, the man we mourn today,
+ No tyrant was; so mild a sway
+ In one such weight who bore
+ Was never known before!
+
+ _From "Poems of Richard Henry Stoddard"_
+ Copyright, 1880, by Charles Scribner's Sons.
+
+
+
+
+ [Illustration: "THE GOOD GRAY POET" (Walt Whitman)]
+
+
+Walt Whitman, born in West Hills, Long Island, New York, May 31, 1819.
+He was educated in the public schools of Brooklyn and New York City.
+Learned the printing trade at which he worked during the summer and
+taught school in winter. He made long pedestrian tours through the
+United States and even extended his tramps through Canada. His chief
+work, _Leaves of Grass_, is a series of poems through which he earned
+the praise of some and the abuse of others. He visited the army when a
+brother was wounded and remained afterward as a volunteer nurse. Died
+1892.
+
+
+ O CAPTAIN! MY CAPTAIN!
+
+ O Captain! my Captain! our fearful trip is done;
+ The ship has weather'd every wrack, the prize we sought is won;
+ The port is near, the bells I hear, the people all exulting,
+ While follow eyes the steady keel, the vessel firm and daring;
+
+ But O heart! heart! heart!
+ O the bleeding drops of red,
+ Where on the deck my Captain lies,
+ Fallen, cold and dead.
+
+ O Captain! my Captain! rise up and hear the bells;
+ Rise up--for you the flag is flung--for you the bugle trills;
+ For you bouquets and ribbon'd wreaths--for you the shores
+ a-crowding;
+ For you they call, the swaying mass, their eager faces turning;
+
+ Here, Captain! dear Father!
+ This arm beneath your head;
+ It is some dream that on the deck
+ You've fallen cold and dead.
+
+ My Captain does not answer, his lips are pale and still;
+ My Father does not feel my arm, he has no pulse nor will;
+ The ship is anchor'd safe and sound, its voyage closed and done;
+ From fearful trip, the victor ship, comes in with object won;
+
+ Exult, O shores, and ring, O bells!
+ But I, with mournful tread,
+ Walk the deck where my Captain lies,
+ Fallen, cold and dead.
+
+
+
+
+ [Illustration: STATUE OF LINCOLN
+
+ By Lott Flannery, in front of the Court House, Washington Unveiled
+ April 16, 1868]
+
+
+
+
+Henry de Garrs, of Sheffield, England, wrote these lines on the
+assassination of Abraham Lincoln in 1865. They were published in
+England in 1889, and later in America, in the _Century_.
+
+
+ ON THE ASSASSINATION OF LINCOLN
+
+ What dreadful rumor, hurtling o'er the sea,
+ Too monstrous for belief, assails our shore?
+ Men pause and question, Can such foul crime be?
+ Till lingering doubt may cling to hope no more.
+ Not when great Caesar weltered in his gore,
+ Nor since, in time, or circumstance, or place,
+ Hath crime so shook the World's great heart before.
+ O World! O World! of all thy records base,
+ Time wears no fouler scar on his time-smitten face.
+
+ A king of men, inured to hardy toil,
+ Rose truly royal up the steeps of life,
+ Till Europe's monarchs seemed to dwarf the while
+ Beneath his greatness--great when traitors rife
+ Pierced deep his country's heart with treason-knife;
+ But greatest when victorious he stood,
+ Crowning with mercy freedom's greatest strife.
+ The world saw the new light of godlike good
+ Ere the assassin's hand shed his most precious blood.
+
+ Lament thy loss, sad sister of the West:
+ Not one, but many nations with thee weep;
+ Cherish thy martyr on thy wounded breast,
+ And lay him with thy Washington to sleep.
+ Earth holds no fitter sepulcher to keep
+ His royal heart--one of thy kings to be
+ Who reign even from the grave; whose scepters sweep
+ More potent over human destiny
+ Than all ambition's pride and power and majesty.
+
+ Yet, yet rejoice that thou hadst such a son;
+ The mother of such a man should never sigh;
+ Could longer life a nobler cause have won?
+ Could longest age more gloriously die?
+ Oh! lift thy heart, thy mind, thy soul on high
+ With deep maternal pride, that from thy womb
+ Came such a son to scourge hell's foulest lie
+ Out of life's temple. Watchers by his tomb!
+ He is not there, but risen: that grave is
+ slavery's doom.
+
+
+
+
+ POETICAL TRIBUTE TO THE MEMORY OF ABRAHAM LINCOLN
+
+ _By Emily J. Bugbee_
+
+
+ There's a burden of grief on the breezes of Spring,
+ And a song of regret from the bird on its wing;
+ There's a pall on the sunshine and over the flowers,
+ And a shadow of graves on these spirits of ours;
+ For a star hath gone out from the night of our sky,
+ On whose brightness we gazed as the war-cloud roll'd by;
+ So tranquil, and steady, and clear were its beams,
+ That they fell like a vision of peace on our dreams.
+
+ A heart that we knew had been true to our weal,
+ And a hand that was steadily guiding the wheel;
+ A name never tarnished by falsehood or wrong,
+ That had dwelt in our hearts like a soul-stirring song.
+ Ah! that pure, noble spirit has gone to its rest,
+ And the true hand lies nerveless and cold on his breast;
+ But the name and the memory--_these_ never will die,
+ But grow brighter and dearer as ages go by.
+
+ Yet the tears of a Nation fall over the dead,
+ Such tears as a Nation before never shed;
+ For our cherished one fell by a dastardly hand,
+ A martyr to truth and the cause of the land;
+ And a sorrow has surged, like the waves to the shore,
+ When the breath of the tempest is sweeping them o'er,
+ And the heads of the lofty and lowly have bowed,
+ As the shaft of the lightning sped out from the cloud.
+
+ Not gathered, like Washington, home to his rest,
+ When the sun of his life was far down in the West;
+ But stricken from earth in the midst of his years,
+ With the Canaan in view, of his prayers and his tears.
+ And the people, whose hearts in the wilderness failed,
+ Sometimes, when the star of their promise had paled,
+ Now, stand by his side on the mount of his fame,
+ And yield him their hearts in a grateful acclaim.
+
+
+
+
+ [Illustration: STATUE OF LINCOLN
+
+ Muskegon, Michigan, Charles Niehaus, sculptor]
+
+
+
+
+John Nichol, born at Montrose, Forfarshire, Scotland, September 8,
+1833. He was a professor of English Literature at the University of
+Glasgow (1861-1889), and did much to make American books popular in
+England. His numerous publications include: _Leaves_ (1854), verse;
+_Tables of European History, 200-1876 A.D._ (1876); fourth edition
+(1888); _Byron in English Men of Letters series_; _American
+Literature, 1520-1880_ (1882). He was an ardent advocate of the
+Northern cause during the Civil War, and visited the United States at
+the close of the conflict. He died at London, England, October 11,
+1894.
+
+
+ LINCOLN, 1865
+
+ An end at last! The echoes of the war--
+ The weary war beyond the Western waves--
+ Die in the distance. Freedom's rising star
+ Beacons above a hundred thousand graves;
+
+ The graves of heroes who have won the fight,
+ Who in the storming of the stubborn town
+ Have rung the marriage peal of might and right,
+ And scaled the cliffs and cast the dragon down.
+
+ Pæans of armies thrill across the sea,
+ Till Europe answers--"Let the struggle cease.
+ The bloody page is turned; the next may be
+ For ways of pleasantness and paths of peace!"
+
+ A golden morn--a dawn of better things--
+ The olive-branch--clasping of hands again--
+ A noble lesson read to conquered kings--
+ A sky that tempests had not scoured in vain.
+
+ This from America we hoped and him
+ Who ruled her "in the spirit of his creed."
+ Does the hope last when all our eyes are dim,
+ As history records her darkest deed?
+
+ The pilot of his people through the strife,
+ With his strong purpose turning scorn to praise,
+ E'en at the close of battle reft of life
+ And fair inheritance of quiet days.
+
+ Defeat and triumph found him calm and just,
+ He showed how clemency should temper power,
+ And, dying, left to future times in trust
+ The memory of his brief victorious hour.
+
+ O'ermastered by the irony of fate,
+ The last and greatest martyr of his cause;
+ Slain like Achilles at the Scæan gate,
+ He saw the end, and fixed "the purer laws."
+
+ May these endure and, as his work, attest
+ The glory of his honest heart and hand--
+ The simplest, and the bravest, and the best--
+ The Moses and the Cromwell of his land.
+
+ Too late the pioneers of modern spite,
+ Awe-stricken by the universal gloom,
+ See his name lustrous in Death's sable night,
+ And offer tardy tribute at his tomb.
+
+ But we who have been with him all the while,
+ Who knew his worth, and loved him long ago,
+ Rejoice that in the circuit of our isle
+ There is at last no room for Lincoln's foe.
+
+
+
+
+ [Illustration: LINCOLN AND CABINET
+
+ "The First Reading of the Emancipation Proclamation."
+ Painted by Frank B. Carpenter.
+
+ From left to right--Edwin M. Stanton, Secretary of War; Salmon
+ P. Chase, Secretary of the Treasury; President Lincoln; Gideon
+ Welles, Secretary of the Navy; William H. Seward, Secretary of
+ State; J. P. Usher, Secretary of the Interior; Montgomery Blair,
+ Postmaster-General; Edward Bates, Attorney-General]
+
+
+
+
+Christopher Pearse Cranch, born in Alexandria, Virginia, March 8,
+1813. Graduated at the school of Divinity, Cambridge, Massachusetts,
+in 1835, but retired from the ministry in 1842 to devote himself to
+art. He studied in Italy in 1846-8, and lived and painted in 1853-63,
+and, returning to New York, was elected a member of the National
+Academy in 1864. He was a graceful writer of both prose and verse.
+
+
+ LINCOLN
+
+ But yesterday--the exulting nation's shout
+ Swelled on the breeze of victory through our streets,
+ But yesterday--our banners flaunted out
+ Like flowers the south wind woos from their retreats;
+ Flowers of the nation, blue, and white, and red,
+ Waving from balcony, and spire, and mast;
+ Which told us that war's wintry storm had fled,
+ And spring was more than spring to us at last.
+
+ Today the nation's heart lies crushed and weak;
+ Drooping and draped in black our banners stand.
+ Too stunned to cry revenge, we scarce may speak
+ The grief that chokes all utterance through the land.
+ God is in all. With tears our eyes are dim,
+ Yet strive through darkness to look to Him!
+
+ No, not in vain he died--not all in vain,
+ Our good, great President! This people's hands
+ Are linked together in one mighty chain
+ Drawn tighter still in triple-woven bands
+ To crush the fiends in human masks, whose might
+ We suffer, oh, too long! No league, nor truce
+ Save men with men! The devils we must fight
+ With fire! God wills it in this deed. This use
+ We draw from the most impious murder done
+ Since Calvary. Rise then, O Countrymen!
+ Scatter these marsh-lights hopes of Union won
+ Through pardoning clemency. Strike, strike again!
+ Draw closer round the foe a girdling flame.
+ We are stabbed whene'er we spare--strike in God's name!
+
+
+
+
+ [Illustration: STATUE OF LINCOLN
+
+ Fairmount Park, Philadelphia, Pennsylvania. Randolph Rogers,
+ sculptor. Unveiled November 26, 1869]
+
+
+
+
+George Henry Boker, born in Philadelphia, Pennsylvania, on the 6th day
+of October, 1823. Graduated at Princeton in 1842, and afterward
+studied law. In the year 1847, after his return from an extended tour
+in Europe, he published _The Lessons of Life and Other Poems_. He also
+produced a number of plays which were successfully produced upon the
+stage, both in England and America. During the War of the Rebellion he
+wrote a number of patriotic lyrics, collected and published in a
+volume under the title of _Poems of the War_. He has also written
+other poems and articles in prose which have received high praise.
+
+In the year 1871 he was appointed by President Grant as our United
+States Minister to Turkey, but in 1875 was transferred to the more
+important Mission of Russia.
+
+
+ LINCOLN
+
+ Crown we our heroes with a holier wreath
+ Than man e'er wore upon this side of death;
+ Mix with their laurels deathless asphodels,
+ And chime their pæans from the sacred bells!
+ Nor in your praises forget the martyred Chief,
+ Fallen for the gospel of your own belief,
+ Who, ere he mounted to the people's throne,
+ Asked for your prayers, and joined in them his own.
+ I knew the man. I see him, as he stands
+ With gifts of mercy in his outstretched hands;
+ A kindly light within his gentle eyes,
+ Sad as the toil in which his heart grew wise;
+ His lips half parted with the constant smile
+ That kindled truth, but foiled the deepest guile;
+ His head bent forward, and his willing ear
+ Divinely patient right and wrong to hear:
+ Great in his goodness, humble in his state,
+ Firm in his purpose, yet not passionate,
+ He led his people with a tender hand,
+ And won by love a sway beyond command.
+ Summoned by lot to mitigate a time
+ Frenzied with rage, unscrupulous with crime,
+ He bore his mission with so meek a heart
+ That Heaven itself took up his people's part;
+ And when he faltered, helped him ere he fell,
+ Eking his efforts out by miracle.
+ No king this man, by grace of God's intent;
+ No, something better, freeman,--President!
+ A nature modeled on a higher plan,
+ Lord of himself, an inborn gentleman!
+
+
+
+
+ [Illustration: ABRAHAM LINCOLN
+
+ Photo by Brady, 1864]
+
+
+
+
+Phoebe Cary was born near Cincinnati, Ohio, September 24, 1824. Her
+advantages for education were somewhat better than those of her sister
+Alice, whose almost inseparable companion she became at an early age.
+They were quite different, however, in temperament, in person and in
+mental constitution. Phoebe began to write verse at the age of
+seventeen years, and one of her earliest poems, _Nearer Home_,
+beginning with "One sweetly solemn thought," won her a world-wide
+reputation. In the joint housekeeping in New York she took from choice
+(Alice being for many years an invalid) the larger share of duties
+upon herself, and hence found little opportunity for literary work.
+In society, however, she was brilliant, but at all times kindly. She
+wrote a touching tribute to her sister's memory, published in the
+_Ladies' Repository_ a few days before her own death, which occurred
+at Newport, R. I., July 31, 1871. In the volume of _Poems of Alice and
+Phoebe Cary_ (Philadelphia, 1850) but about one-third were written by
+Phoebe. Her independently published books are _Poems and Parodies_
+(1854), and _Poems of Faith, Hope and Love_ (1868).
+
+
+ ABRAHAM LINCOLN
+
+ Our sun hath gone down at the noonday,
+ The heavens are black;
+ And over the morning the shadows
+ Of night-time are back.
+
+ Stop the proud boasting mouth of the cannon,
+ Hush the mirth and the shout;
+ God is God! and the ways of Jehovah
+ Are past finding out.
+
+ Lo! the beautiful feet on the mountains,
+ That yesterday stood;
+ The white feet that came with glad tidings
+ Are dabbled in blood.
+
+ The Nation that firmly was settling
+ The crown on her head,
+ Sits, like Rizpah, in sackcloth and ashes,
+ And watches her dead.
+
+ Who is dead? who, unmoved by our wailing
+ Is lying so low?
+ O, my Land, stricken dumb in your anguish,
+ Do you feel, do you know?
+
+ Once this good man we mourn, overwearied,
+ Worn, anxious, oppressed,
+ Was going out from his audience chamber
+ For a season to rest;
+
+ Unheeding the thousands who waited
+ To honor and greet,
+ When the cry of a child smote upon him
+ And turned back his feet.
+
+ "Three days hath a woman been waiting,"
+ Said they, "patient and meek."
+ And he answered, "Whatever her errand,
+ Let me hear; let her speak!"
+
+ So she came, and stood trembling before him
+ And pleaded her cause;
+ Told him all; how her child's erring father
+ Had broken the laws.
+
+ Humbly spake she: "I mourn for his folly,
+ His weakness, his fall";
+ Proudly spake she: "he is not a TRAITOR,
+ And I love him through all!"
+
+ Then the great man, whose heart had been shaken
+ By a little babe's cry;
+ Answered soft, taking counsel of mercy,
+ "This man shall not die!"
+
+ Why, he heard from the dungeons, the rice-fields,
+ The dark holds of ships;
+ Every faint, feeble cry which oppression
+ Smothered down on men's lips.
+
+ In her furnace, the centuries had welded
+ Their fetter and chain;
+ And like withes, in the hands of his purpose,
+ He snapped them in twain.
+
+ Who can be what he was to the people;
+ What he was to the State?
+ Shall the ages bring to us another
+ As good and as great?
+
+ Our hearts with their anguish are broken,
+ Our wet eyes are dim;
+ For us is the loss and the sorrow,
+ The triumph for him!
+
+ For, ere this, face to face with his Father
+ Our Martyr hath stood;
+ Giving into his hand the white record
+ With its great seal of blood!
+
+ That the hand which reached out of the darkness
+ Hath taken the whole?
+ Yea, the arm and the head of the people--
+ The heart and the soul!
+
+ And that heart, o'er whose dread awful silence
+ A nation has wept;
+ Was the truest, and gentlest, and sweetest
+ A man ever kept!
+
+
+
+
+ [Illustration: STATUE OF LINCOLN
+
+ By Augustus Saint Gaudens, in Lincoln Park, Chicago, Illinois]
+
+
+On the 22nd of October, 1887, this statue by Saint Gaudens was
+unveiled, Mr. Eli Bates donating $40,000 for that purpose. There is a
+vast oval of cut stone, thirty by sixty feet, the interior fashioned
+to form a classic bench, and the statue stands on a stone pedestal.
+The sculptor represents him as an orator, just risen from his chair,
+which is shown behind him, and waiting for the audience to become
+quiet before beginning his speech. The attitude is that always assumed
+by Lincoln at the beginning--one hand behind him, and the other
+grasping the lapel of his coat. He appears the very incarnation of
+rugged grandeur which held the master mind of this age.
+
+
+
+
+Charles Graham Halpin (Miles O'Reilly) was born near Oldcastle, County
+of Meath, Ireland, November 20, 1829. Graduated from Trinity College,
+Dublin, in 1846. He entered the field of journalism as a profession
+and soon gained a reputation in England. Came to New York in 1852 and
+secured employment with the _Herald_, was later connected with other
+papers. Enlisted in April, 1861, and became lieutenant of Colonel
+Corcoran's 69th Regiment, rising to the rank of brigadier-general. He
+died in New York City, August 3, 1868.
+
+
+ LINCOLN
+
+ He filled the Nation's eyes and heart,
+ An honored, loved, familiar name;
+ So much a brother that his fame
+ Seemed of our lives a common part.
+
+ His towering figure, sharp and spare,
+ Was with such nervous tension strung,
+ As if on each strained sinew swung
+ The burden of a people's care.
+
+ His changing face, what pen can draw--
+ Pathetic, kindly, droll or stern;
+ And with a glance so quick to learn
+ The inmost truth of all he saw.
+
+ Pride found no place to spawn
+ Her fancies in his busy mind.
+ His worth, like health or air, could find
+ No just appraisal till withdrawn.
+
+ He was his country's--not his own;
+ He had no wish but for the weak,
+ Nor for himself could think or feel,
+ But as a laborer for her throne.
+
+ Her flag upon the heights of power--
+ Stainless and unassayed to place,
+ To this one end his earnest face
+ Was bent through every burdened hour.
+
+ . . . . .
+
+ But done the battle--won the strife;
+ When torches light his vaulted tomb,
+ Broad gems flash out and crowns illume
+ The clay-cold brow undecked in life.
+
+ . . . . .
+
+ O, loved and lost! Thy patient toil
+ Had robed our cause in victory's light;
+ Our country stood redeemed and bright,
+ With not a slave on all her soil.
+
+ 'Mid peals of bells and cannon's bark,
+ And shouting streets with flags abloom,
+ Sped the shrill arrow of thy doom,
+ And, in an instant, all was dark!
+
+ . . . . .
+
+ A martyr to the cause of man,
+ His blood is Freedom's Eucharist,
+ And in the world's great hero list
+ His name shall lead the van.
+
+ Yes! ranked on Faith's white wings unfurled
+ In Heaven's pure light, of him we say,
+ "He fell on the self-same day
+ A Greater died to save the world."
+
+
+
+
+ [Illustration: TABLET AT PHILADELPHIA
+
+ Unveiled February 21, 1903]
+
+
+
+
+He who seeks the embodiment of the genius of the Union finds it in the
+apotheosis of the Great Emancipator. There, under the arching skies he
+stands, erect, serene, resplendent; beneath his feet the broken
+shackles of a race redeemed; upon his brow the diadem of liberty with
+law, while around and behind him rise up, as an eternal guard of
+honor, the great army of the Republic.
+
+In the belief that from the martyr's bier as from the battlefield of
+right it is but one step to paradise, may we not, on days like this,
+draw back the veil that separates from our mortal gaze the phantom
+squadrons as they pass again in grand review before their "Martyr
+President."--_From an address by Hiram F. Stevens, read before the
+Minnesota Commandery of the Loyal Legion._
+
+
+ THE MARTYR PRESIDENT
+
+ In solid platoons of steel,
+ Under heaven's triumphant arch,
+ The long lines break and wheel,
+ And the order is "Forward, March!"
+ The colors ripple o'erhead,
+ The drums roll up to the sky,
+ And with martial time and tread
+ The regiments all pass by--
+ The ranks of the faithful dead
+ Meeting their president's eye.
+ March on, your last brave mile!
+ Salute him, star and lace!
+ Form 'round him, rank and file,
+ And look on the kind, rough face.
+ But the quaint and homely smile
+ Has a glory and a grace
+ It has never known erstwhile,
+ Never in time or space.
+ Close 'round him, hearts of pride!
+ Press near him, side by side!
+ For he stands there not alone.
+ For the holy right he died,
+ And Christ, the crucified,
+ Waits to welcome his own.
+
+
+
+
+ ABRAHAM LINCOLN
+
+ _Written for the Lincoln Memorial Album, by
+ Eugene J. Hall, 1882._
+
+
+ O honored name, revered and undecaying,
+ Engraven on each heart, O soul sublime!
+ That, like a planet through the heavens straying,
+ Outlives the wreck of time!
+
+ O rough, strong soul, your noble self-possession
+ Is unforgotten. Still your work remains.
+ You freed from bondage and from vile oppression
+ A race in clanking chains.
+
+ O furrowed face, beloved by all the nation!
+ O tall gaunt form, to memory fondly dear!
+ O firm, bold hand, our strength and our salvation!
+ O heart that knew no fear!
+
+ Lincoln, your manhood shall survive forever,
+ Shedding a fadeless halo round your name;
+ Urging men on, with wise and strong endeavor,
+ To bright and honest fame!
+
+ Through years of care, to rest and joy a stranger,
+ You saw complete the work you had begun,
+ Thoughtless of threats, nor heeding death or danger,
+ You toiled till all was done.
+
+ You freed the bondman from his iron master,
+ You broke the strong and cruel chains he wore,
+ You saved the Ship of State from foul disaster
+ And brought her safe to shore.
+
+ You fell! An anxious nation's hopes seemed blighted,
+ While millions shuddered at your dreadful fall;
+ But _God is good_! His wondrous hand has righted
+ And reunited all.
+
+ You fell, but in your death you were victorious;
+ To moulder in the tomb your form has gone,
+ While through the world your great soul grows more glorious
+ As years go gliding on!
+
+ All hail, great Chieftain! Long will sweetly cluster
+ A thousand memories round your sacred name,
+ Nor time, nor death shall dim the spotless luster
+ That shines upon your fame.
+
+
+
+
+ [Illustration: STATUE OF LINCOLN
+
+ By Vinnie Ream, rotunda of the Capitol, Washington, D. C.]
+
+
+
+
+Samuel Francis Smith, clergyman, born in Boston, Massachusetts,
+October 21, 1808. Attended the Boston Latin School in 1820-5, and was
+graduated at Harvard in 1829 and at Andover Theological Seminary in
+1832. Was ordained to the ministry of the Baptist Church at
+Waterville, Maine, in 1834, where he occupied pastorates from 1834
+until 1842, and at Newton, Massachusetts, 1842 to 1854. Was professor
+of languages in Waterville College while residing in that city, and
+there he also received the degree of D.D. in 1854.
+
+He has done a large amount of literary work, mainly in the line of
+hymnology, his most popular composition being our national hymn, _My
+Country, 'Tis of Thee_, which was written while he was a theological
+student, and first sung at a children's celebration in the Park Street
+Church, Boston, July 4, 1832. _The Morning Light is Breaking_, was
+also written at the same place and time. His classmate, Oliver Wendell
+Holmes, in his reunion poem entitled _The Boys_, thus refers to him:
+
+ "And there's a nice youngster of excellent pith;
+ Fate tried to conceal him by naming him Smith!
+ But he chanted a song for the brave and the free--
+ Just read on his medal, 'My Country, of Thee!'"
+
+ The following poem was written expressly for the exercises
+ held on the Nineteenth Anniversary of President Lincoln's
+ death, at his tomb, Springfield, Illinois, April 15, 1884.
+
+
+ THE TOMB OF LINCOLN
+
+ Grandeur and glory await around the bed
+ Where sleeps in lowly peace the illustrious dead;
+ He rose a meteor, upon wondering men,
+ But rose in strength, never to set again.
+ A king of men, though born in lowly state,
+ A man sincerely good and nobly great;
+ Tender, but firm; faithful and kind, and true,
+ The Nation's choice, the Nation's Saviour, too;
+ When Liberty and Truth shall reign for evermore,
+ From Oregon to Florida's perpetual May,
+ From Shasta's awful peak to Massachusetts Bay,--
+ Then our children's children, by the cottage door,
+ In the schoolroom, from the pulpit, at the bar,
+ Shall look up to thee as to a beacon star,
+ And deduce the lesson from thy life and death,
+ That the patriot's lofty courage and the Christian's faith
+ Conquer honors that outweigh ambition's gaudiest prize,
+ Triumph o'er the grave, and open the gates of Paradise.
+
+ Schooled through life's early hardships to endure,
+ To raise the oppressed, to save and shield the poor;
+ Prudent in counsel, honest in debate,
+ Patient to hear and judge, patient to wait;
+ The calm, the wise, the witty and the proved,
+ Whom millions honored, and whom millions loved;
+ Swayed by no baleful lust of pride or power,
+ The shining pageants of the passing hour,
+
+ Led by no scheming arts, no selfish aim,
+ Ambitious for no pomp, nor wealth, nor fame,
+ No planning hypocrite, no pliant tool,
+ A high-born patriot, of Heaven's noblest school;
+ Cool and unshaken in the maddest storm,
+ For in the clouds he traced the Almighty's form;
+ Worn with the weary heart and aching head,
+ Worse than the picket, with his ceaseless tread,
+
+ He kept--as bound by some resistless fate--
+ His broad, strong hand upon the helm of State;
+ Nor turned, in fear, his heart or hope away,
+ Till on the field his tent a ruin lay.
+ His tent, a ruin; but the owner's name
+ Stands on the pinnacle of human fame,
+ Inscribed in lines of light, and nations see,
+ Through him, the people's life and liberty.
+
+ What high ideas, what noble acts he taught!
+ To make men free in life, and limb, and thought,
+ To rise, to soar, to scorn the oppressor's rod,
+ To live in grander life, to live for God;
+ To stand for justice, freedom and the right,
+ To dare the conflict, strong in God's own might;
+ The methods taught by Him, by him were tried,
+ And he, to conscience true, a martyr died.
+
+ As the great sun pursues his heavenly way
+ And fills with life and joy the livelong day,
+ Till, the full journey, in glory dressed,
+ He seeks his crimson couch beneath the west;
+ So, with his labor done, our hero sleeps;
+ Above his tomb a ransomed Nation weeps;
+ And grateful pæans o'er his ashes rise--
+ Dear is his fame--his glory never dies.
+
+ Bring flowers, fresh flowers, bring plumes with nodding crests,
+ To wreath the tomb where our great hero rests;
+ Bring pipe and tabret, eloquence and song,
+ And sound the loving tribute, loud and long;
+ A Nation bows, and mourns his honored name,
+ A Nation proudly keeps his deathless fame;
+ Let vale and rock, and hill, and land, and sea
+ His memory swell--the anthem of the free.
+
+
+
+
+ [Illustration: STATUE OF ABRAHAM LINCOLN
+
+ On the State Capitol Grounds at Lincoln, Nebraska.
+ Unveiled September 2, 1912. Daniel Chester French, sculptor]
+
+
+
+
+John Townsend Trowbridge, born September 18, 1827, in Ogden, New York.
+He lived the ordinary life of a country boy, going to school six
+months in the year till he was fourteen, after which he had to work on
+the farm in summer. His books had more interest to him than his work,
+and he managed to learn more out of school than in it. At sixteen he
+wrote articles in verse and prose for magazines and journals. He was a
+contributor to the _Atlantic Monthly_.
+
+During the great rebellion, he wrote several stories of the war: _The
+Drummer Boy_, 1863, and _The Three Scouts_, 1865. On the return of
+peace he spent some four months in the principal southern States, for
+the purpose of gaining accurate views of the condition of society
+there after the war. He published the result of these observations
+June, 1866, in a volume entitled, _The South_. A collected edition of
+his poems was published in 1869, entitled _The Vagabonds, and Other
+Poems_.
+
+
+ LINCOLN
+
+ Heroic soul, in homely garb half hid,
+ Sincere, sagacious, melancholy, quaint;
+ What he endured, no less than what he did,
+ Has reared his monument, and crowned him saint.
+
+
+
+
+ [Illustration: STATUE OF LINCOLN
+
+ Burlington, Wisconsin. George E. Ganiere, sculptor
+ Unveiled October 13, 1913]
+
+
+
+
+Kinahan Cornwallis was born in London, England, December 24, 1839.
+Entered British Colonial Civil Service; two years at Melbourne,
+Australia. Located in New York in 1860, one of the editors and
+correspondent of the _Herald_. Accompanied the Prince of Wales on his
+American tour. Admitted to the New York bar in 1863; financial editor
+and general editorial writer of _New York Herald_, 1860-69. Editor and
+proprietor of _The Knickerbocker Magazine_, afterward of _The Albion_.
+Since 1886 editor and proprietor _Wall Street Daily Investigator_, now
+_Wall Street Daily Investor_. Author of _Howard Plunkett_ (a novel);
+an Australian poem, 1857. The _New Eldorado, or British Columbia_
+(Travels); _Two Journeys to Japan_; _A Panorama of the New World_;
+_Wreck and Ruin, or Modern Society_ (novel); _My Life and Adventures_
+(story), 1859, also of many other histories and novels. Among his poet
+productions are _The Song of America and Columbus_, 1892; _The
+Conquest of Mexico and Peru_, 1893; _The War for the Union, or the
+Duel Between North and South_, 1899.
+
+
+ HOMAGE DUE TO LINCOLN
+
+ Well may we all to Lincoln homage pay,
+ For patriotic duty points the way,
+ And tells the story of the debt we owe--
+ A debt of gratitude that all should know;
+ And ne'er will perish that historic tale.
+ To him, the Union's great defender, hail!
+ Through battling years he steered the ship of state,
+ And ever proved a captain just and great.
+ Through storm and tempest, and unnumbered woes,
+ While oft assailed in fury by his foes,
+ He held his course, and triumphed over all,
+ Responding ever to his country's call;
+ And more divine than human seemed the deed
+ When he the slave from hellish bondage freed,
+ And from the South its human chattels tore.
+ 'Twas his to Man his manhood to restore.
+ That righteous action sealed rebellion's doom,
+ And paved secession's pathway to the tomb.
+ But, lo! when Peace with Union glory, came,
+ And all the country rang with his acclaim--
+ A reunited country, great and strong--
+ A foul assassin marked him for his prey;
+ A bullet sped, and Lincoln dying lay.
+ Alas! Alas! that he should thus have died--
+ His country's leader, and his country's pride!
+ No deed more infamous than this--
+ No fate more cruel and unjust than his--
+ Can in the annals of the world be found.
+ The Nation shuddered in its grief profound,
+ And mourning emblems draped the country o'er
+ Alas! Alas! its leader was no more!
+ But still he lives in his immortal fame,
+ And evermore will Glory gild his name,
+ And keep his memory in eternal view,
+ And o'er his grave unfading garlands strew.
+
+
+
+
+ [Illustration: STATUE OF LINCOLN
+
+ At Edinburgh, Scotland, George E. Bissell, sculptor]
+
+
+It is within an inclosed cemetery, known as the Calton burying ground,
+which is separated from the Calton Hill by a wide thoroughfare. The
+statue is the work of an American sculptor, George E. Bissell. It is a
+fine bronze figure, and rests on a massive granite pedestal. The
+figure at the base is that of a freed negro holding up a wreath. On
+one face of the pedestal are Lincoln's words, "To preserve the jewel
+of liberty in the framework of freedom." The statue is a memorial not
+alone to Lincoln; the legend on the pedestal tells that this plot of
+ground was given by the lord provost and town council of Edinburgh to
+Wallace Bruce, United States Consul, and dedicated as a burial place
+for Scottish soldiers of the American Civil War, 1861-65. Cut in the
+granite are the names and records of Scots who fought to preserve the
+Union, and who have found their last resting place in this old burying
+ground at the Scottish capital.
+
+
+David K. Watson was born near London, Madison County, Ohio, June 18,
+1849. Moved to Columbus, Ohio, in 1875, where he now resides. Was
+Assistant United States District Attorney for the Southern District of
+Ohio from 1881 to 1885. Elected Attorney-General of Ohio in 1887 and
+re-elected in 1889. Member of the fifty-fourth Congress. Was member of
+the Commission to revise the Federal Statutes. Author of _History of
+American Coinage_ and _Watson on the Constitution of the United
+States_.
+
+
+ THE SCOTLAND STATUE
+
+ O Scotland! It was a gracious act in thee
+ To build a monument beside the sea
+ To Lincoln, who wrote the word,
+ And slavery's shackles fell
+ From off a race
+ Which ne'er before could tell
+ What freedom was.
+ To Lincoln, whose soul was great enough to know
+ That beings born in likeness of their God
+ Were meant to live as freemen,
+ Not as slaves, and ruled by slavery's rod.
+ To Lincoln, who more than any of his race
+ Uplifted men and women to the place
+ God made for them.
+ To Lincoln, who never saw your land,
+ And in whose veins no Scottish blood had run;
+ But yet, because of deeds which he had done,
+ His mighty name
+ Had filled the world with fame
+ And taught the people of each land
+ That in God's hand
+ Is held the destiny of races and of man.
+
+ Immortal patriot! through the mist of years
+ That in the future are to come,--
+ When we who saw thee here are gone,--
+ We view thy heaven-aspiring tomb
+ Illumined by the roseate dawn
+ Of the millennial day,
+ When Peace shall hold her sway,
+ And bring Saturnian eras; when the roar
+ O' the battle's thunder shall be heard no more.
+
+
+
+
+ [Illustration: STATUE OF LINCOLN
+
+ At Newark, N. J. Gutzon Borglum, sculptor]
+
+
+The statue was unveiled May 30, 1911. It is the gift of Amos H. Van
+Horn, who died December 26, 1908. In his will he set aside $25,000 for
+a memorial to Abraham Lincoln, to be dedicated in memory of Lincoln
+Post, No. 11, Department of New Jersey, G. A. R., of which he was a
+charter member.
+
+
+
+
+Joseph Fulford Folsom, Presbyterian clergyman, miscellaneous writer
+and local historian, is a native of Bloomfield, New Jersey. He is a
+direct descendant of John Folsom who arrived at Boston in the Diligent
+on August 10, 1638, and settled at Hingham, Massachusetts.
+
+Mr. Folsom is the pastor of the Third Presbyterian Church, South, of
+Newark, New Jersey. He has served two terms as Chaplain General of the
+Order of the Founders and Patriots of America. Is Librarian and
+Recording Secretary of the New Jersey Historical Society. Edited and
+wrote three chapters of _Bloomfield, Old and New_, a history of that
+town published in 1912. Wrote the history of the churches of Newark,
+including the _History of Newark, New Jersey_, published in 1913. His
+poem, _The Ballad of Daniel Bray_, is found in the _Patriotic Poems of
+New Jersey_. He is an occasional writer of poems, and contributes
+regularly a column of historical matters, signed "The Lorist."
+
+
+ THE UNFINISHED WORK
+
+ The crowd was gone, and to the side
+ Of Borglum's Lincoln, deep in awe,
+ I crept. It seem'd a mighty tide
+ Within those aching eyes I saw.
+
+ "Great heart," I said, "why grieve alway?
+ The battle's ended and the shout
+ Shall ring forever and a day,--
+ Why sorrow yet, or darkly doubt?"
+
+ "Freedom," I plead, "so nobly won
+ For all mankind, and equal right,
+ Shall with the ages travel on
+ Till time shall cease, and day be night."
+
+ No answer--then; but up the slope,
+ With broken gait, and hands in clench,
+ A toiler came, bereft of hope,
+ And sank beside him on the bench.
+
+
+ [Illustration: CHILDREN ON THE BORGLUM STATUE]
+
+
+
+
+Wendell Phillips Stafford, son of Frank and Sarah (Noyes) Stafford,
+born at Barre, Vermont, May 1, 1861. Educated at Barre Academy and St.
+Johnsbury Academy. Studied law and attended Boston University Law
+School, graduating therefrom in 1883. Admitted to the bar in 1883.
+Practiced law in St. Johnsbury until 1900. Was then appointed to the
+Supreme Court of Vermont. Appointed to the Supreme Court of the
+District of Columbia in 1904, which position he still holds.
+
+Married February 24, 1886, to Miss Florence Sinclair Goss of St.
+Johnsbury. Has contributed to the _Atlantic Monthly_ and other
+magazines. Publications: _North Flowers_ (poems), 1902; _Dorian Days_
+(poems), 1909; _Speeches_, 1913.
+
+
+ ONE OF OUR PRESIDENTS
+
+ (_See page 80_)
+
+ He sits there on the low, rude, backless bench,
+ With his tall hat beside him, and one arm
+ Flung, thus, across his knee. The other hand
+ Rests, flat, palm downward, by him on the seat.
+ So Æsop may have sat; so Lincoln did.
+ For all the sadness in the sunken eyes,
+ For all the kingship in the uncrowned brow,
+ The great form leans so friendly, father-like,
+ It is a call to children. I have watched
+ Eight at a time swarming upon him there,
+ All clinging to him--riding upon his knees,
+ Cuddling between his arms, clasping his neck,
+ Perched on his shoulders, even on his head;
+ And one small, play-stained hand I saw reached up
+ And laid most softly on the kind bronze lips
+ As if it claimed them. These were the children
+ Of foreigners we call them, but not so
+ They call themselves; for when we asked of one,
+ A restless dark-eyed girl, who this man was,
+ She answered straight, "One of our Presidents."
+
+ "Let all the winds of hell blow in our sails,"
+ I thought, "thank God, thank God the ship rides true!"
+
+
+
+
+ [Illustration: HEAD OF LINCOLN
+
+ This medal was struck for the Grand Army of the Republic in
+ commemoration of the 100th anniversary of the birth of
+ Abraham Lincoln]
+
+
+Frank Dempster Sherman, son of John Dempster and Lucy (McFarland)
+Sherman, was born May 6, 1860, at Peekskill, New York; educated at
+home and at Columbia and Howard Universities, and since 1886 connected
+with Columbia University where he is Professor of Graphics. Author of
+several volumes of poems which are published by Houghton-Mifflin
+Company, Boston.
+
+Professor Sherman married, November 16, 1887, Juliet Durand, daughter
+of Rev. Cyrus Bervic and Sarah Elizabeth (Merserveau) Durand.
+
+He is a member of the National Institute of Arts and Letters.
+
+
+ ON A BRONZE MEDAL OF LINCOLN
+
+ This bronze our Lincoln's noble head doth bear,
+ Behold the strength and splendor of that face,
+ So homely-beautiful, with just a trace
+ Of humor lightening its look of care,
+ With bronze indeed his memory doth share,
+ This martyr who found freedom for a Race;
+ Both shall endure beyond the time and place
+ That knew them first, and brighter grow with wear.
+ Happy must be the genius here that wrought
+ These features of the great American
+ Whose fame lends so much glory to our past--
+ Happy to know the inspiration caught
+ From this most human and heroic man
+ Lives here to honor him while Art shall last.
+
+
+
+
+ [Illustration: MARBLE HEAD OF LINCOLN
+
+ In Statuary Hall, Capitol in Washington, Gutzon Borglum, sculptor]
+
+
+
+
+Ella Wheeler [Wilcox] was born in Johnstown Centre, Wisconsin, in
+1845. Was educated at the public schools at Windsor and at the
+University of Wisconsin. In 1884 she married Robert M. Wilcox.
+Contributed articles for newspapers at an early age and also wrote and
+published a number of books of poems.
+
+
+ THE GLORY THAT SLUMBERED IN THE GRANITE ROCK
+
+ A granite rock on the mountain side
+ Gazed on the world and was satisfied;
+ It watched the centuries come and go--
+ It welcomed the sunlight, and loved the snow,
+ It grieved when the forest was forced to fall,
+ But smiled when the steeples rose, white and tall,
+ In the valley below it, and thrilled to hear
+ The voice of the great town roaring near.
+
+ When the mountain stream from its idle play
+ Was caught by the mill-wheel, and borne away
+ And trained to labor, the gray rock mused:
+ "Tree and verdure and stream are used
+ By man, the master, but I remain
+ Friend of the Mountain, and Star, and Plain;
+ Unchanged forever, by God's decree,
+ While passing centuries bow to me!"
+
+ Then, all unwarned, with a heavy shock
+ Down from the mountain was wrenched the rock.
+ Bruised and battered and broken in heart,
+ He was carried away to a common mart.
+ Wrecked and ruined in peace and pride,
+ "Oh, God is cruel!" the granite cried;
+ "Comrade of Mountain, of Star the friend--
+ By all deserted--how sad my end!"
+
+ A dreaming sculptor, in passing by,
+ Gazed on the granite with thoughtful eye;
+ Then, stirred with a purpose supreme and grand,
+ He bade his dream in the rock expand--
+ And lo! from the broken and shapeless mass,
+ That grieved and doubted, it came to pass
+ That a glorious statue, of infinite worth--
+ A statue of LINCOLN--adorned the earth.
+
+
+
+
+ [Illustration: THE LINCOLN BOULDER
+
+ At Nyack, N. Y.]
+
+
+This boulder had been for two hundred and fifty years a landmark near
+the Western shore of the Hudson River, opposite Upper Nyack. The
+school children of Nyack contributed the funds to remove it from its
+ancient bed and place it in front of the Nyack Carnegie Library, where
+it now stands and probably will stand for thousands of years to come,
+a monument to the memory of Abraham Lincoln.
+
+The boulder contains the Gettysburg address and was dedicated June 13,
+1908.
+
+
+Louis Bradford Couch, born at East Lee, Massachusetts, October 1,
+1851. Son of Bradford Milton and Lucy L. Couch. Educated in the public
+schools of Northampton, Massachusetts. Began the study of medicine in
+1871, graduating with honors from the New York Homeopathic Medical
+College, March 4, 1874, being awarded the Allen gold medal for the
+best original investigations in medicine; he was graduated from the
+New York Ophthalmic Hospital, the same year, as an eye and ear
+surgeon. Practiced medicine for thirty-nine years at Nyack, New York.
+Served three years as one of the medical experts on the New York State
+Board of Health.
+
+
+ THE LINCOLN BOULDER
+
+ O Mighty Boulder, wrought by God's own hand,
+ Throughout all future ages thou shalt stand
+ A monument of honor to the brave
+ Who yielded up their lives, their all, to save
+ Our glorious country, and to make it free
+ From bondsmen's tears and lash of slavery.
+
+ Securely welded to thy rugged breast,
+ Through all the coming ages there shall rest
+ Our Lincoln's tribute to a patriot band,
+ The noblest ever penned by human hand.
+
+ The storms of centuries may lash and beat
+ The granite face and bronze with hail and sleet;
+ But futile all their fury. In a day
+ The loyal sun will melt them all away.
+
+ Equal in death our gallant heroes sleep
+ In Southern trench, home grave, or ocean deep;
+ Equal in glory, fadeless as the light
+ The stars send down upon them through the night.
+ O priceless heritage for us to keep
+ Our heroes' fame immortal while they sleep!
+
+ . . . . .
+
+ O God still guide us with thy loving hand,
+ Keep and protect our glorious Fatherland.
+
+
+
+
+ [Illustration: BAS-RELIEF HEAD OF LINCOLN
+
+ James W. Tuft, Boston]
+
+
+
+
+James Arthur Edgerton, born at Plantsville, Ohio, January 30, 1869.
+Graduated at the Normal University, Lebanon, Ohio, in 1887. One year's
+post-graduate work, Marietta, Ohio, College. Editor county and state
+papers several years; on editorial staff of _Denver News_, 1899-1903;
+American Press Association, New York, 1904; _Watson's Magazine_, 1905.
+Editorial writer _New York American_, 1907; Secretary State Labor
+Bureau of Nebraska, 1895-9; received party vote for clerk United
+States House of Representatives. Author, _Poems_, 1889; _A Better
+Day_, 1890; _Populist Hand-book for 1894_; _Populist Hand-book for
+Nebraska_, 1895; _Voices of the Morning_, 1898; _Songs of the People_,
+1902; _Glimpses of the Real_, 1903; _In the Gardens of God_, 1904.
+
+
+ WHEN LINCOLN DIED
+
+ When Lincoln died a universal grief
+ Went round the earth. Men loved him in that hour.
+ The North her leader lost, the South her friend;
+ The nation lost its savior, and the slave
+ Lost his deliverer, the most of all.
+ Oh, there was sorrow mid the humble poor
+ When Lincoln died!
+
+ When Lincoln died a great soul passed from earth,
+ A great white soul, as tender as a child
+ And yet as iron willed as Hercules.
+ In him were strength and gentleness so mixed
+ That each upheld the other. He possessed
+ The patient firmness of a loving heart.
+ In power he out-kinged emperors, and yet
+ His mercy was as boundless as his power.
+ And he was jovial, laughter loving; still
+ His heart was ever torn with suffering.
+ There was divine compassion in the man,
+ A godlike love and pity for his race.
+ The world saw the full measure of that love
+ When Lincoln died.
+
+ When Lincoln died a type was lost to men.
+ The earth has had her conquerors and kings
+ And many of the common great. Through all
+ She only had one Lincoln. There is none
+ Like him in all the annals of the past.
+ He was a growth of our new soil, a child
+ Of our new time, a symbol of the race
+ That freedom breeds; was of the lowest rank,
+ And yet he scaled the highest height.
+ Mankind one of its few immortals lost
+ When Lincoln died.
+
+ When Lincoln died it seemed a providence,
+ For he appeared as one sent for a work
+ Whom, when that work was done, God summoned home.
+ He led a splendid fight for liberty,
+ And when the shackles fell the land was saved;
+ He laid his armor by and sought his rest.
+ A glory sent from heaven covered him
+ When Lincoln died.
+
+
+
+
+ [Illustration: A STUDY OF LINCOLN
+
+ From painting by Blendon Campbell]
+
+
+
+
+Amos Russell Wells was born at Glens Falls, New York, December 23,
+1862. His mother removed to Yellow Springs, Ohio, when he was four
+years old, and he received his education at the public school there,
+afterward studying at Antioch College of that town, a college made
+illustrious by its first President, Horace Mann, who died there.
+Graduated in 1883, all by himself, later receiving as Master of Arts,
+also LL.D. He taught for a year in a country district school, then
+entered the faculty of his Alma Mater, where he was a tutor for nine
+years. Was professor of Greek, Geology and Astronomy. He joined the
+Christian Endeavor Society in 1888, and by it was led to become a
+member of the Presbyterian Church at Yellow Springs. When but a boy he
+began to write, and edited numerous journals. Later edited an amateur
+paper, also a town paper. His first paid contribution was a poem
+accepted in 1881 by _The Christian Union_, now _The Outlook_. Wrote
+articles often for _The Golden Rule_, now _The Christian Endeavor
+World_, and for the _Sunday School Times_.
+
+In December, 1891, he went to Boston and became managing editor of
+_The Golden Rule_, a position which he still holds. Since then the
+paper has changed its name and three other papers added--_The Junior
+Christian Endeavor World_, _Junior Work_ and _Union Work_, all edited
+by Mr. Wells. He is also Editorial Secretary of the United Society of
+Christian Endeavor and in editorial charge of all its publications.
+
+Mr. Wells' first book, then entitled _Golden Rule Meditations_, but
+now _The Upward Look_, was published in 1893. Since then every year
+has seen from one to ten additions to his list of productions until
+they now number fifty-eight volumes in all. He is a director of the
+Union Rescue Mission and of the Chinese Mission of Boston. Is a member
+of the American Sunday-School Lesson Committee, an important part of
+his work being his association with Dr. F. N. Peloubet in writing the
+well-known _Select Notes_ on the International Sunday-School Lessons.
+
+
+ HAD LINCOLN LIVED
+
+ Had Lincoln lived,
+ How would his hand, so gentle yet so strong,
+ Have closed the gaping wounds of ancient wrong;
+ How would his merry jests, the way he smiled,
+ Our sundered hearts to union have beguiled;
+ How would the South from his just rule have learned
+ That enemies to neighbors may be turned,
+ And how the North, with his sagacious art,
+ Have learned the power of a trusting heart;
+ What follies had been spared us, and what stain,
+ What seeds of bitterness that still remain,
+ Had Lincoln lived!
+
+ With Lincoln dead,
+ Ten million men in substitute for one
+ Must do the noble deeds he would have done:
+ Must lift the freedman with discerning care,
+ Nor house him in a castle of the air;
+ Must join the North and South in every good,
+ Fused in co-operating brotherhood;
+ Must banish enmity with his good cheer,
+ And slay with sunshine every rising fear;
+ Like him to dare, and trust, and sacrifice,
+ Ten million lesser Lincolns must arise,
+ With Lincoln dead.
+
+
+
+
+ [Illustration: THE LINCOLN MEMORIAL
+
+ Henry Bacon, Architect]
+
+
+The Lincoln Memorial will be the costliest monument to the memory of
+one man ever reared by a republic. The Capitol, at one end of the
+great parkway stretching from Capitol Hill to the Potomac, is a
+monument to the Government; the Lincoln Memorial, at the other end of
+that parkway, is a monument to the savior of that Government; and the
+Washington Monument, standing between, is a monument to its founder.
+The memorial will stand on a broad terrace 45 feet above grade. The
+colonnade will be 188 feet long and 118 feet wide, and will contain 36
+columns, 44 feet high and 7 feet 5 inches in diameter at the base.
+Within the interior of the structure will be three halls. In the
+central hall, which will be 60 feet wide, 70 long, and 60 high, there
+will be a noble statue of Lincoln, while in the two side halls will be
+bronze tablets containing the Great Emancipator's second inaugural
+address and his Gettysburg speech. The George A. Fuller Company of
+Washington are the builders of the Memorial, which will be completed
+in 1917.
+
+
+Samuel Green Wheeler Benjamin, born at Argos, Greece, February 13,
+1837. Was United States Minister to Persia (1883-1885). Assistant
+Librarian in the New York State Library. In 1861-1864 sent two
+companies of cavalry to the war. Served in war hospitals, studied art.
+Art editor of American Department _Magazine of Art_, also of the _New
+York Mail_. Marine painter and illustrator. Among his numerous works
+in prose and verse are _Art in America_, _Contemporary Art in Europe_
+(1877); _Constantinople_ (1860); _Persia and the Persians_ (1866);
+_The Choice of Paris_ (1870), a romance; _Sea Spray_ (1887), a book
+for yachtsmen, etc.
+
+
+ LET HIS MONUMENT ARISE
+
+ Let his monument arise,
+ Pointing upward to the skies,
+ Founded by a nation's heart,
+ Grandly shaped in every part
+ By the master-minds of art,
+ And consecrated by a nation's tears,
+ To teach throughout the after-time,
+ To every tribe, in every clime,
+ That toil for others is sublime.
+
+
+
+
+INDEX
+
+
+ ALLEN, LYMAN WHITNEY: sketch of, 80;
+ poem, "Lincoln's Church in Washington," by, 81.
+
+ ALLEN, WILLIAM: sketch of, 173;
+ poem, "Springfield's Welcome to Lincoln," by, 173.
+
+ ANTIETAM, LINCOLN AT: photograph, 115.
+
+ "ASSASSINATION OF LINCOLN, ON THE": poem by Henry De Garrs, 200.
+
+
+ B
+
+ BACHE, ANNA: poem, "Lincoln at Springfield, 1861," by, 65, 66.
+
+ BACON, HENRY, architect: Lincoln Memorial at Washington, by, 252.
+
+ BALL, THOMAS, sculptor: "Emancipation Group" in Boston by, 90;
+ in Washington by, 188.
+
+ BATES, EDWARD, Attorney-General: portrait of, in "Lincoln and
+ Cabinet," 206.
+
+ BAXTER, JAMES PHINNEY: sketch of 22;
+ poem, "The Natal Day of Lincoln," by, 22.
+
+ BECKER, CHARLOTTE: sketch of, 61;
+ poem, "Lincoln," by, 61.
+
+ BENJAMIN, SAMUEL GREEN WHEELER: sketch of, 253;
+ poem, "Let His Monument Arise," by, 253.
+
+ BIBLE, THE: Lincoln's fondness for xvi, xxiii.
+
+ "BIRTH OF LINCOLN, THE": poem by George W. Crofts, 19.
+
+ BISSELL, GEORGE E., sculptor: statue of Lincoln by, 231.
+
+ BLAIR, MONTGOMERY, Postmaster-General: portrait of, in "Lincoln
+ and Cabinet," 206.
+
+ BOKER, GEORGE HENRY: sketch of 208;
+ poem, "Lincoln," by, 209.
+
+ BOOTH, EDWIN: Lincoln discusses his _Hamlet_, xvii-xix.
+
+ BOOTH, J. WILKES: assassin of Lincoln, 138.
+
+ BORGLUM, GUTZON, sculptor: statue of Lincoln by, 234, 236;
+ marble head of Lincoln by, 240.
+
+ BOSTON: statue of Lincoln in, by Thomas Ball, 90.
+
+ "BOY LINCOLN, THE": picture by Eastman Johnson, 30.
+
+ BRADY, Washington photographer: portraits of Lincoln by,
+ _frontispiece_, 20, 86, 93, 97, 103, 106, 108, 122, 124,
+ 128, 134, 170, 210.
+
+
+ "BRONZE MEDAL OF LINCOLN, ON A": poem by Frank Dempster Sherman,
+ 239.
+
+ BROWN, STUART: owner of Lincoln portrait, 82.
+
+ BROWN, THERON; sketch of, 94;
+ poem, "The Liberator," by, 94.
+
+ BROWNE, CHARLES F., see WARD, ARTEMUS.
+
+ BRYANT, WILLIAM CULLEN: sketch of, 161;
+ poem, "The Death of Lincoln," by, 161.
+
+ BUFFALO, N. Y.: Lincoln's obsequies at, 168.
+
+ BUGBEE, EMILY J.: "Poetical Tribute to the Memory of Abraham
+ Lincoln," by, 201.
+
+ BURLEIGH, WILLIAM HENRY: sketch of, 53;
+ poem, "Presidential Campaign, 1860," by, 53.
+
+ BURLINGTON, WIS.: statue of Lincoln in, by Ganiere, 228.
+
+ "BUT HERE'S AN OBJECT MORE OF DREAD": poem by Lincoln, viii.
+
+
+ C
+
+ CABIN, LOG, Lincoln's birthplace: picture, 13.
+
+ CABIN OF LINCOLN'S PARENTS: picture, 62;
+ description, 63.
+
+ CAMPBELL, BLENDON, artist: "A Study of Lincoln" by, 249.
+
+ CAPITOL AT WASHINGTON, THE: description of, 72;
+ picture of, 73.
+
+ CARPENTER, FRANK B., painter of "First Reading of the
+ Emancipation Proclamation," xvii, 206;
+ his account of Lincoln as a dramatic critic, xvii.
+
+ CARR, CLARENCE E.: sketch of, 20;
+ poem, "Mendelssohn, Darwin, Lincoln," by, 21.
+
+ CARY, ALICE: sketch of, 130;
+ poem, "Abraham Lincoln," by, 131.
+
+ CARY, PHOEBE, sketch of, 210;
+ poem, "Abraham Lincoln," by, 211.
+
+ CASSIDY, THOMAS F.: tribute of, to the mother of Lincoln, 25.
+
+ CAWEIN, MADISON: sketch of, 56;
+ poem, "Lincoln, 1809--February 12, 1909," by, 56.
+
+ "CENOTAPH OF LINCOLN, THE": poem by James Mackay, 181.
+
+ CHAPPLE, BENNETT: poem, "The Great Oak," by, 15.
+
+ "CHARACTERIZATION OF LINCOLN, A": poem by Hamilton Schuyler, 87.
+
+ CHASE, SALMON P., Secretary of the Treasury: portrait of, in
+ "Lincoln and Cabinet," 206.
+
+ CHENEY, JOHN VANCE: sketch of, 76;
+ poem, "Lincoln," by, 77.
+
+ CHICAGO: statue of Lincoln in, by Saint Gaudens, 214.
+
+ "CHILDREN ON THE BORGLUM STATUE": picture, 236.
+
+ CHOATE, ISAAC BASSETT: sketch of, 59;
+ poem, "The Matchless Lincoln," by, 59.
+
+ CITY HALL, NEW YORK, N. Y.: picture and description of, at time
+ of Lincoln obsequies, 162, 166.
+
+ CLAY, HENRY: Lincoln's regard for, vi;
+ his eulogy of, xv.
+
+ CLENDENIN, HENRY WILSON: sketch of, 70;
+ poem, "Lincoln Called to the Presidency," by, 70.
+
+ COOKE, ROSE TERRY: sketch of, 132;
+ poem, "Abraham Lincoln," by, 133.
+
+ COOPER UNION SPEECH, by Lincoln; reference to, xii.
+
+ CORNWALLIS, KINAHAN: sketch of, 229;
+ poem, "Homage Due to Lincoln," by, 229.
+
+ COUCH, LOUIS BRADFORD: sketch of, 244;
+ poem, "The Lincoln Boulder," by, 244.
+
+ CRANCH, CHRISTOPHER PEARSE: sketch of, 206;
+ poem, "Lincoln," by, 207.
+
+ CROFTS, GEORGE W.: sketch of, 19;
+ poem, "The Birth of Lincoln," by, 19.
+
+
+ D
+
+ "DARWIN, MENDELSSOHN, LINCOLN": poem by Clarence E. Carr, 21;
+ portraits of, 20.
+
+ DAVIS, NOAH: sketch of, 17;
+ poem, "Lincoln," by, 17.
+
+ DEATH OF LINCOLN, 149.
+
+ "DEATH OF LINCOLN": poem by William Cullen Bryant, 161.
+
+ DEATHBED OF LINCOLN: picture of, 144;
+ poem on, 145.
+
+ DECLARATION OF INDEPENDENCE: Lincoln on, 68.
+
+ "DEDICATION POEM" of Lincoln Monument at Springfield, Ill., by
+ James Judson Lord, 183.
+
+ DICKINSON, CHARLES MONROE: sketch of, 136;
+ poem, "Abraham Lincoln," by, 136.
+
+ "DIOGENES AND HIS LANTERN": campaign cartoon of 1860, 55.
+
+ DOUGLAS, STEPHEN A., Senator: Lincoln's opposition to, xvi;
+ attitude of, on the Dred Scott Decision, opposed by Lincoln,
+ 42.
+
+ DRED SCOTT DECISION: reference to, 42.
+
+ DUNBAR, PAUL LAWRENCE: sketch of, 128;
+ poem, "Lincoln," by, 129.
+
+
+ E
+
+ EDGERTON, JAMES ARTHUR: sketch of, 247;
+ poem, "When Lincoln Died," by, 247.
+
+ EDINBURGH, SCOTLAND: Statue of Lincoln in, by Bissell, 231.
+
+ "EMANCIPATION GROUP," statuary designed by Thomas Ball: in
+ Boston, 90;
+ in Washington, 188;
+ poem on, by John Greenleaf Whittier, 91.
+
+ "EMANCIPATION PROCLAMATION, FIRST READING OF THE": painting by
+ Frank B. Carpenter, 206.
+
+ "ENGLAND'S SORROW": poem in London _Fun_, 153.
+
+ EUCLID: see GEOMETRY.
+
+ "EYES OF LINCOLN, THE": poem by Walt Mason, 121.
+
+
+ F
+
+ FASSETT, S. M., Chicago photographer: portrait of Lincoln in
+ 1858, by, 71.
+
+ "FIRST READING OF THE EMANCIPATION PROCLAMATION": painting by
+ Frank B. Carpenter, 206.
+
+ FLANNERY, LOTT, sculptor: statue of Lincoln by, 199.
+
+ FOLSOM, JOSEPH FULFORD: sketch of, 234;
+ poem, "The Unfinished Work," by, 235.
+
+ FOLTZ, CHARLES G.: sketch of, 98;
+ poem, "On Freedom's Summit," by, 98.
+
+ FORD'S THEATRE: picture of, 138.
+
+ FRENCH, DANIEL CHESTER, sculptor: statue of Lincoln by, 226.
+
+ FUN, LONDON: poem, "England's Sorrow" in, 153.
+
+ FUNERAL OF LINCOLN, THE, in White House: picture, 154.
+
+ "FUNERAL CAR OF LINCOLN": picture of, 158;
+ poem by Richard Henry Stoddard on, 159.
+
+ "FUNERAL HYMN OF LINCOLN": poem by Phineas Densmore Gurley, 155.
+
+
+ G
+
+ GANIERE, GEORGE E., sculptor: statue of Lincoln by, 228.
+
+ GARDNER, Washington photographer: portraits of Lincoln by, 88,
+ 95, 112, 118, 130, 132.
+
+ GARRS, HENRY DE: sketch of, 200;
+ poem, "On the Assassination of Lincoln," by, 200.
+
+ GELERT, JOHANNES, sculptor: bust of Lincoln by, iv, v.
+
+ GENTRY, MATTHEW, insane friend of Lincoln: poem by Lincoln on,
+ vii-ix.
+
+ GEOMETRY: favorite study of Lincoln, xii, 63.
+
+ GETTYSBURG, LINCOLN'S SPEECH AT: in prose form, 100;
+ comment by William H. Lambert on, 101;
+ in verse form, xii.
+
+ "GETTYSBURG ODE"; poem by Bayard Taylor, 102.
+
+ GILDER, RICHARD WATSON: sketch of, 45;
+ poem, "On the Life-Mask of Abraham Lincoln," by, 45.
+
+ GILMER, photographer: ambrotype of Lincoln, 1858, by, 40.
+
+ "GLORY, THE, THAT SLUMBERED IN THE GRANITE ROCKS": poem by Ella
+ Wheeler Wilcox, 241.
+
+ GOULD, ELIZABETH PORTER: sketch of, 41;
+ poem, "The Voice of Lincoln," by, 41.
+
+ "GRAVE OF LINCOLN, THE": views of, 178, 180, 182;
+ poem on, by Edna Dean Proctor, 186.
+
+ "GREAT OAK, THE," poem by Bennett Chapple, 14.
+
+ GUITERMAN, ARTHUR: sketch of, 123;
+ poem, "He Leads Us Still," by, 123.
+
+ GURLEY, PHINEAS DENSMORE: sketch of, 155;
+ poem, "The Funeral Hymn of Lincoln," by, 155.
+
+
+ H
+
+ "HAD LINCOLN LIVED": Poem by Amos Russell Wells, 251.
+
+ HAGEDORN, HERMANN: sketch of, 107;
+ poem, "Oh, Patient Eyes!" by, 107.
+
+ HALL, EUGENE J.: poem, "Abraham Lincoln," by, 220.
+
+ HALPIN, CHARLES GRAHAM ("Miles O'Reilly"): sketch of, 215;
+ poem, "Lincoln," by, 216.
+
+ "HAND OF LINCOLN, THE": cast by Leonard W. Volk, 46;
+ poem on, by Edmund Clarence Stedman, 47.
+
+ HANKS, NANCY: see LINCOLN, NANCY HANKS.
+
+ HAY, JOHN, secretary of Lincoln: portrait of, 67.
+
+ "HE LEADS US STILL": poem by Arthur Guiterman, 123.
+
+ HERNDON, WILLIAM H., law partner of Lincoln: presents Lincoln's
+ office chair to O. H. Oldroyd, 36.
+
+ HESLER, Chicago photographer: portrait of Lincoln in 1860, by,
+ 58.
+
+ HICKS, painter of Lincoln portrait lithographed for campaign of
+ 1860, 49.
+
+ HODGENVILLE, KY.: statue of Lincoln in, by Weinman, 126.
+
+ HOLMES, OLIVER WENDELL: sketch of, 170;
+ poem, "Services in Memory of Abraham Lincoln," by, 171;
+ his "Last Leaf," a favorite poem of Lincoln, xi, xxi.
+
+ "HOMAGE DUE TO LINCOLN": poem by Kinahan Cornwallis, 229.
+
+ "HONEST ABE": campaign cartoon of 1860, 55.
+
+ "HONEST ABE OF THE WEST": poem by Edmund Clarence Stedman, 51.
+
+ HOOPER, LUCY HAMILTON: sketch of, 175;
+ poem, "Lincoln," by, 176.
+
+ "HORATIAN ODE, AN": poem by Richard Henry Stoddard, 29, 159, 193.
+
+ HOSMER, FREDERICK LUCIAN: sketch of, 134;
+ poem, "Lincoln," by, 135.
+
+ "HOUSE WHERE LINCOLN DIED, THE": picture of, 150;
+ poem by Robert Mackay on, 151;
+ Oldroyd collection of Lincoln Memorials at, _Foreword_.
+
+ HOWE, JULIA WARD: sketch of, 14;
+ poem, "Lincoln," by, 14.
+
+
+ I
+
+ INDEPENDENCE HALL, PHILADELPHIA: speech of Lincoln at, 68;
+ picture of, 69.
+
+ INGMIRE, F. W., photographer: picture of Lincoln Homestead at
+ time of Lincoln's funeral, 172.
+
+ "IN TOKEN OF RESPECT": poem, 152.
+
+
+ J
+
+ JOHNSON, EASTMAN: picture, "The Boy Lincoln," by, 30.
+
+ JOHNSON, WILLIAM, literary friend of Lincoln: Lincoln's letters
+ to, v-ix.
+
+ JOHNSTON, JAMES NICOLL: sketch of, 168;
+ poem, "Requiem," by, 169.
+
+
+ K
+
+ KIMBALL, HARRIET MCEWEN: sketch of, 157;
+ poem, "Rest, Rest, for Him," by, 157.
+
+ KNOX, WILLIAM, Scotch poet: favorite of Lincoln, vi;
+ his poem, "Oh Why Should the Spirit of Mortal Be Proud," ix.
+
+
+ L
+
+ LAMBERT, WILLIAM H.: on Lincoln's Speech at Gettysburg, 101.
+
+ LARCOM, LUCY, sketch of, 164;
+ poem, "Tolling," by, 165.
+
+ "LAST LEAF, THE," by O. W. Holmes: favorite poem of Lincoln, xi,
+ xxi.
+
+ "LEADER OF HIS PEOPLE": poem by William Wilberforce Newton, 32.
+
+ LEIGHTON, ROBERT: poem, "Sic Semper Tyrannis!" by, 139.
+
+ "LET THE PRESIDENT SLEEP": poem by James M. Stewart, 179.
+
+ "LET HIS MONUMENT ARISE": poem by Samuel Green Wheeler Benjamin,
+ 253.
+
+ "LIBERATOR, THE": poem by Theron Brown, 94.
+
+ "LIFE-MASK OF LINCOLN, THE": cast by Leonard W. Volk, 44;
+ poem on, by Richard Watson Gilder, 45.
+
+ LINCOLN, ABRAHAM: poems by, v-ix;
+ speeches by, xii-xiv, xv-xvii, xix, xxi-xxiii;
+ lectures by, xix, xx;
+ his favorite poems, vi, ix-xi, xxi;
+ his moral character, xiv-xvii;
+ his literary inspirations, xii, xvi-xix, xxiii, 17;
+ as a dramatic critic, xvii-xix;
+ as a literary artist, xix-xxiii;
+ his taste for humor, xx;
+ birth 13, 14, 15, 17, 19, 21, 22, 74, 109;
+ youth, 14, 17, 29, 31, 32, 46, 47, 142;
+ education, 17, 22, 23, 31, 32, 35;
+ profession, 34, 36, 37, 147, 148;
+ religion, 17, 18, 41, 65, 66, 79, 81, 84, 85, 99, 105, 114,
+ 125, 135, 223;
+ statecraft, 14, 18, 23, 29, 33, 37, 38, 42, 47, 48, 57, 59, 70,
+ 75, 77, 78, 83, 91, 94, 95, 96, 98, 110, 116, 119, 127,
+ 129, 131, 136, 141, 148, 161, 163, 183, 189, 193, 209, 220,
+ 223, 229, 232, 241;
+ character, 43, 45, 48, 51, 54, 56, 61, 74, 87, 89, 107, 109,
+ 113, 116, 121, 123, 125, 127, 131, 133, 135, 136, 139, 141,
+ 148, 174, 176, 189, 200, 201, 209, 211, 216, 220, 223, 227,
+ 239, 241;
+ death, 15, 18, 24, 29, 31, 61, 75, 92, 99, 137, 138-207, 211,
+ 219, 230, 247, 251.
+
+ "LINCOLN": title of poems by Becker, Charlotte, 61;
+ Boker, George Henry, 209;
+ Cheney, John Vance, 77;
+ Cranch, Christopher Pearse, 207;
+ Dunbar, Paul Lawrence, 129;
+ Davis, Noah, 17;
+ Halpin, Charles Graham, 216;
+ Hooper, Lucy Hamilton, 176;
+ Hosmer, Frederick Lucian, 135;
+ Howe, Julia Ward, 14;
+ Mitchell, S. Weir, 125;
+ Monroe, Harriet, 119;
+ Smith, Wilbur Hazelton, 35;
+ Trowbridge, John Townsend, 227.
+
+ "LINCOLN, ABRAHAM": title of poems by, Cary, Alice, 131;
+ Cary, Phoebe, 211;
+ Cooke, Rose Terry, 133;
+ Dickinson, Charles Monroe, 136;
+ Hall, Eugene J., 200;
+ Sangster, Margaret Elizabeth, 109;
+ Townsend, George Alfred, 127.
+
+ "LINCOLN, ABRAHAM, FOULLY ASSASSINATED": cartoon in London
+ _Punch_, 140;
+ poem by Tom Taylor on, 141.
+
+ LINCOLN, AMBROTYPES OF: 34, 40, 42, 52.
+
+ "LINCOLN AND CABINET": painting by Frank B. Carpenter, 206.
+
+ "LINCOLN AND STANTON": poem by Marion Mills Miller, 148.
+
+ "LINCOLN AS CANDIDATE FOR SENATOR": ambrotype by Gilmer, 1858,
+ 40.
+
+ "LINCOLN AT SPRINGFIELD, 1861": poem by Anna Bache, 66.
+
+ "LINCOLN AT THE TIME OF DEBATE WITH DOUGLAS": ambrotype in 1858,
+ 42.
+
+ LINCOLN, BAS-RELIEF HEAD OF: by James W. Tuft, 246.
+
+ LINCOLN, BUST OF: by Johannes Gelert, iv.
+
+ "LINCOLN BY THE CABIN FIRE": picture, 16.
+
+ "LINCOLN CALLED TO THE PRESIDENCY": poem by Henry Wilson
+ Clendenin, 70.
+
+ LINCOLN, CARTOONS OF: "Abraham Lincoln Foully Assassinated," 140;
+ "Honest Abe," 55.
+
+ "LINCOLN, 1809--FEBRUARY 12, 1909" poem by Madison Cawein, 56.
+
+ "LINCOLN, 1865": poem by John Nichol, 204.
+
+ LINCOLN, DEATH OF, 149.
+
+ LINCOLN, HAND OF: cast by Leonard W. Volk, 46.
+
+ LINCOLN, HEAD OF: in marble, by Borglum, at Washington, 240.
+
+ "LINCOLN IN HIS OFFICE CHAIR": poem by James Riley, 37.
+
+ LINCOLN, LIFE-MASK OF: by Leonard W. Volk, 44.
+
+ LINCOLN, MEDALLION OF: Bronze Head in Commemoration of Lincoln
+ Centenary, 238.
+
+ "LINCOLN, MENDELSSOHN, DARWIN": poem by Clarence E. Carr, 21;
+ portraits of, 20.
+
+ LINCOLN, MONUMENTS OF: Lincoln Memorial at Washington, by Bacon,
+ Henry, 252;
+ Lincoln Monument in Springfield, Ill., by Mead, Larken G., 182.
+
+ LINCOLN, OFFICE CHAIR OF: picture, 36.
+
+ LINCOLN, PHOTOGRAPHS OF: Brady's, _frontispiece_, 20, 86, 93, 97,
+ 103, 106, 108, 122, 124, 128, 134, 170, 210;
+ Fassett's, 71;
+ Gardner's, 88, 95, 112, 118, 130, 132;
+ Gilmer's, 40;
+ Hesler's, 58;
+ by unidentified photographers, 34, 42, 52, 60, 67, 82, 84, 120.
+
+ LINCOLN, PICTURES OF: "Boy Lincoln, The," by Eastman Johnson, 30;
+ "Lincoln, by the Cabin Fire," 16;
+ "Rail Splitter, The," 28.
+
+ "LINCOLN, POETIC SPIRIT OF": introduction by Marion Mills Miller,
+ v.
+
+ LINCOLN, PORTRAIT PAINTINGS OF: "A Study of Lincoln," by
+ Campbell, Blendon, 249;
+ in "Lincoln and Cabinet," by Carpenter, Frank B., 206;
+ by Hicks, 49.
+
+ "LINCOLN, PRESIDENT, TO," poem by Edmund Ollier, 96.
+
+ "LINCOLN'S CHURCH IN WASHINGTON": picture of, 79;
+ poem by Lyman Whitney Allen, 81.
+
+ "LINCOLN, SOLDIER OF CHRIST": poem in _Macmillan's Magazine_, 85.
+
+ LINCOLN, SPEECHES OF: in Independence Hall, Philadelphia, 68;
+ on leaving Springfield, 65.
+
+ LINCOLN, STUDIES OF: by Ball, in Boston, 90, and in Washington,
+ 188;
+ by Bissell, in Edinburgh, Scotland, 231;
+ by Borglum in Newark, N. J., 234, 236;
+ by Flannery, in Washington, 199;
+ by French, in Lincoln, Neb., 226;
+ by Ganiere, in Burlington, Wis., 228;
+ by Niehaus, in Muskegon, Mich., 203;
+ by Ream, in Washington, 222;
+ by Rogers, in Philadelphia, 208;
+ by Saint Gaudens, in Chicago, 214;
+ by Weinman, in Hodgenville, Ky., 126;
+ by Volk, 192.
+
+ "LINCOLN THE LABORER": poem by Richard Henry Stoddard, 29.
+
+ "LINCOLN THE MAN OF THE PEOPLE": poem by Edwin Markham, 74.
+
+ "LINCOLN BOULDER, THE": picture of, 243;
+ poem on, by Louis Bradford Couch, 244.
+
+ LINCOLN HOMESTEAD, Springfield, Ill.: picture of, in 1861, 64;
+ in 1865, 172.
+
+ LINCOLN, NANCY HANKS, mother of Lincoln: tomb of, 25;
+ poem on, by Harriet Monroe, 26.
+
+ LINCOLN, NEB.: statue of Lincoln in, by French. 226.
+
+ LINCOLN, SARAH BUSH, stepmother of Lincoln: cabin of, 62;
+ her parting from Lincoln, 63.
+
+ LINCOLN, THOMAS, father of Lincoln: cabin of, 62, 63.
+
+ LINCOLN, THOMAS ("Tad"), son of Lincoln: portrait of, 103.
+
+ LOCKE, DAVID R., see NASBY, PETROLEUM V.
+
+ "LOG CABIN, THE," birthplace of Lincoln: picture of, 13.
+
+ LORD, JAMES JUDSON: sketch of, 183;
+ poem at dedication of Lincoln Monument at Springfield, Ill.,
+ by, 183.
+
+ LOWELL, JAMES RUSSELL: sketch of, 189;
+ poem, "Commemoration Ode," by, 189.
+
+
+ M
+
+ MACKAY, JAMES: sketch of, 181;
+ poem, "The Cenotaph of Lincoln," by, 181.
+
+ MACKAY, ROBERT: sketch of, 151;
+ poem, "The House where Lincoln Died," by, 151.
+
+ MACMILLAN'S MAGAZINE: poem, "Lincoln, Soldier of Christ," in, 85.
+
+ "MAN LINCOLN, THE": poem by Wilbur Dick Nesbit, 113.
+
+ MARKHAM, EDWIN: sketch of, 74;
+ poem, "Lincoln the Man of the People," by, 74.
+
+ "MARTYR PRESIDENT, THE": poem, 219.
+
+ MASON, WALT: sketch of, 121;
+ poem, "The Eyes of Lincoln," by, 121.
+
+ "MASTER, THE": poem by Edwin Arlington Robinson, 116.
+
+ "MATCHLESS LINCOLN, THE": poem by Isaac Bassett Choate, 59.
+
+ MEAD, LARKEN G., architect: Lincoln Monument at Springfield,
+ Ill., by, 182.
+
+ "MENDELSSOHN, DARWIN, LINCOLN": poem by Clarence E. Carr, 21;
+ portraits of, 20.
+
+ MILLER, MARION MILLS: editorial assistance by, in "The Poets'
+ Lincoln," _Acknowledgment_;
+ introduction by, v;
+ sketch of, 146;
+ poem, "Lincoln and Stanton," by, 148.
+
+ MITCHELL, S. WEIR: sketch of, 125;
+ poem, "Lincoln," by, 125.
+
+ MONROE, HARRIET: sketch of, 26;
+ poems, "Nancy Hanks," 26, and "Lincoln," 119.
+
+ MUSKEGON, MICH.: statue of Lincoln in, by Niehaus, 203.
+
+ "MY CHILDHOOD'S HOME I SEE AGAIN": poem by Lincoln, vi.
+
+
+ N
+
+ "NASBY, PETROLEUM V." (David R. Locke), humorist: Lincoln's
+ fondness for, xx.
+
+ "NATAL DAY OF LINCOLN, THE": poem by James Phinney Baxter, 22.
+
+ NESBIT, WILBUR DICK: sketch of, 113;
+ poem, "The Man Lincoln," by, 113.
+
+ NEWARK, N. J., Statue of Lincoln in, by Borglum, 234, 236.
+
+ NEWTON, WILLIAM WILBERFORCE: sketch of, 32;
+ poem, "Leader of His People," by, 32.
+
+ NEW YORK AVENUE PRESBYTERIAN CHURCH, WASHINGTON: picture of, 79.
+
+ NEW YORK CITY: obsequies of Lincoln at, 162, 166.
+
+ NICHOL, JOHN: sketch of, 204;
+ poem, "Lincoln, 1865," by, 204.
+
+ NICOLAY, JOHN G., secretary of Lincoln: his account of Lincoln's
+ lectures, xix;
+ portrait of, 67.
+
+ NIEHAUS, CHARLES, sculptor: statue of Lincoln by, 202.
+
+ NYACK, N. Y.: Lincoln Boulder at, 243.
+
+
+ O
+
+ OAK RIDGE CEMETERY, SPRINGFIELD, ILL.: views in, 178, 180.
+
+ "O CAPTAIN! MY CAPTAIN!" poem by Walt Whitman, 197.
+
+ "ODE" on Lincoln's obsequies: by Henry T. Tuckerman, 163.
+
+ "OH, PATIENT EYES!" poem by Hermann Hagedorn, 107.
+
+ "OH, WHY SHOULD THE SPIRIT OF MORTAL BE PROUD?" by William Knox,
+ favorite poem of Lincoln, vi, ix.
+
+ OLDROYD, OSBORN H.: editor of "The Poets' Lincoln"; his purpose,
+ _Foreword_;
+ his collection of Lincoln memorials, _Foreword_;
+ owner of Lincoln's office chair, 36.
+
+ OLLIER, EDMUND: poem, "To President Lincoln," by, 96.
+
+ "ONE OF OUR PRESIDENTS": poem by Wendell Phillips Stafford, 237.
+
+ "ON FREEDOM'S SUMMIT": poem by Charles G. Foltz, 98.
+
+ "O'REILLY, MILES," see HALPIN, CHARLES GRAHAM.
+
+
+ P
+
+ "PEACEFUL LIFE, A": poem by James Whitcomb Riley, 31.
+
+ PHELPS, ELIZABETH STUART: sketch of, 43;
+ poem, "The Thoughts of Lincoln," by, 43.
+
+ PHILADELPHIA: speech of Lincoln at, 68;
+ statue of Lincoln in, by Rogers, 208;
+ tablet to Lincoln in, 218.
+
+ PIATT, JOHN JAMES: sketch of, 83;
+ poem, "Sonnet in 1862," by, 83.
+
+ "POETICAL TRIBUTE TO THE MEMORY OF ABRAHAM LINCOLN": by Emily J.
+ Bugbee, 201.
+
+ "POETIC SPIRIT OF LINCOLN": introduction by Marion Mills Miller,
+ v.
+
+ POLK, JAMES K., President: Lincoln's arraignment of, xvi.
+
+ "PRESIDENTIAL CAMPAIGN, 1860": poem by William Henry Burleigh, 53.
+
+ PROCTOR, EDNA DEAN: sketch of, 186;
+ poem, "The Grave of Lincoln," by, 186.
+
+ PUNCH, LONDON: poem on "Abraham Lincoln Foully Assassinated," in,
+ 140.
+
+
+ R
+
+ "RAIL SPLITTER, THE": picture, 28.
+
+ REAM VINNIE, sculptor: statue of Lincoln by, 222.
+
+ REPEAL OF MISSOURI COMPROMISE: Lincoln's speech on, xv-xvii.
+
+ REPUBLICAN CONVENTION OF 1860: reference to, 50.
+
+ "REQUIEM": poem by James Nicoll Johnston, 169.
+
+ "REQUIEM OF LINCOLN": poem by Richard Storrs Willis, 167.
+
+ "REST, REST FOR HIM": poem by Harriet McEwen Kimball, 157.
+
+ RILEY, JAMES: sketch of, 37;
+ poem, "Lincoln in His Office Chair," by, 37.
+
+ RILEY, JAMES WHITCOMB: sketch of, 31;
+ poem, "A Peaceful Life," by, 31.
+
+ ROBINSON, EDWIN ARLINGTON: sketch of, 116;
+ poem, "The Master," by, 116.
+
+ ROGERS, RANDOLPH, sculptor: statue of Lincoln by, 208.
+
+ ROTUNDA, CITY HALL, NEW YORK: picture of, at time of Lincoln's
+ obsequies, 166.
+
+
+ S
+
+ SAINT GAUDENS, AUGUSTUS, sculptor: statue of Lincoln by, 214,
+ 215.
+
+ ST. JAMES HALL, BUFFALO, N. Y.: picture of, at time of Lincoln
+ obsequies, 168.
+
+ SANGSTER, MARGARET ELIZABETH: sketch of, 109;
+ poem, "Abraham Lincoln," by, 109.
+
+ SCHUYLER, HAMILTON: sketch of, 87;
+ poem, "A Characterization of Lincoln," by, 87.
+
+ "SCOTLAND STATUE, THE": poem by David K. Watson, 232.
+
+ "SECOND INAUGURAL, LINCOLN'S": poem by Benjamin Franklin Taylor,
+ 104.
+
+ "SERVICES IN MEMORY OF ABRAHAM LINCOLN": poem by Oliver Wendell
+ Holmes, 171.
+
+ SEWARD, WILLIAM H., Secretary of State: suggests closing passage
+ of Lincoln's First Inaugural, xxii-xxiii;
+ portrait in "Lincoln and Cabinet," 206.
+
+ SHAKESPEARE: Lincoln's fondness for, xvi-xix.
+
+ SHERMAN, FRANK DEMPSTER: sketch of, 239;
+ poem, "On a Bronze Medal of Lincoln," by, 239.
+
+ "SIC SEMPER TYRANNIS!", poem by Robert Leighton, 139.
+
+ SLAVERY: Lincoln on, xii, xv-xvii;
+ the Dred Scott Decision, 42;
+ Lincoln the emancipator, 90, 91, 94, 96, 98, 152, 161, 184,
+ 187, 221, 229, 232, 241.
+
+ SMITH, SAMUEL FRANCIS: sketch of, 222;
+ poem, "The Tomb of Lincoln," by, 223.
+
+ SMITH, WILBUR HAZELTON: sketch of, 35;
+ poem, "Lincoln," by, 35.
+
+ "SONNET in 1862": poem by John James Piatt, 83.
+
+ SPEED, LUCY G.: autographed portrait of himself given by Lincoln to, 84.
+
+ SPRINGFIELD, ILL.: homestead of Lincoln at, 64, 172;
+ Lincoln's funeral at, 172-181;
+ state capitol at, 175;
+ public vault in Oak Ridge cemetery at, 178, 180;
+ monument to Lincoln at, 182.
+
+ "SPRINGFIELD'S WELCOME TO LINCOLN": poem by William Allen, 173.
+
+ STAFFORD, WENDELL PHILLIPS: sketch of, 236;
+ poem, "One of Our Presidents," by, 237;
+ reference to, 80.
+
+ STANTON, EDWIN M.: tribute to Lincoln dead, 144, 147;
+ portrait, 146;
+ poem on, 148;
+ portrait of, in "Lincoln and Cabinet," 206.
+
+ STEDMAN, EDMUND CLARENCE: sketch of, 47;
+ poem, "The Hand of Lincoln," by, 47;
+ poem, "Honest Abe of the West," by, 51.
+
+ STEVENS, HIRAM F.: tribute to Lincoln by, 219.
+
+ STEWART, JAMES M.: poem, "Let the President Sleep," by, 179.
+
+ STICKLE, THOMPSON: designer of monument of Nancy Hanks Lincoln,
+ 25.
+
+ STODDARD, RICHARD HENRY: sketch of, 193;
+ passages from his "Horatian Ode," 29, 159, 193.
+
+ "STUDY OF LINCOLN, A": painting by Blendon Campbell, 249.
+
+
+ T
+
+ TAYLOR, BAYARD: sketch of 102;
+ poem, "Geyttsburg Ode," by, 102.
+
+ TAYLOR, BENJAMIN FRANKLIN: sketch of, 104;
+ poem, "Lincoln's Second Inaugural," by, 104.
+
+ TAYLOR, TOM: poem, "Abraham Lincoln, Foully Assassinated," by,
+ 141.
+
+ "THOUGHTS OF LINCOLN, THE": poem by Elizabeth Stuart Phelps, 43.
+
+ TIEFENTHALER, JOSEPHINE OLDROYD, child guide in the "House where
+ Lincoln Died": portrait, 150;
+ reference to, 151, 152.
+
+ "TOMB OF LINCOLN, THE": poem by Samuel Francis Smith, 223.
+
+ TOWNSEND, GEORGE ALFRED: sketch of, 126;
+ poem, "Abraham Lincoln," by, 127.
+
+ TROWBRIDGE, JOHN TOWNSEND: sketch of, 227;
+ poem, "Lincoln," by, 227.
+
+ TUCKERMAN, HENRY T.: sketch of, 163;
+ "Ode" on Lincoln's obsequies, by, 163.
+
+ TUFT, JAMES W., sculptor: bas-relief Head of Lincoln by, 246.
+
+
+ U
+
+ "UNFINISHED WORK, THE": Poem by Joseph Fulford Folsom, 235.
+
+ UNION, THE: Lincoln on, 100, 102.
+
+ USHER, J. P., Secretary of the Interior: portrait of, in "Lincoln
+ and Cabinet," 206.
+
+
+ V
+
+ "VOICE OF LINCOLN, THE," Poem by Elizabeth Porter Gould, 41.
+
+ VOLK, LEONARD W., sculptor: Life-Mask of Lincoln by, 44;
+ cast of Hand of Lincoln by, 46;
+ statue of Lincoln by, 192.
+
+
+ W
+
+ WARD, ARTEMUS (Charles F. Browne) humorist: Lincoln's fondness
+ for, xx.
+
+ WASHINGTON, D. C.: statues of Lincoln in, by Ball, 188;
+ Flannery, 199;
+ Ream, 222;
+ marble head of Lincoln by Borglum, in, 240;
+ Lincoln Memorial by Bacon in, 252;
+ picture of Capitol, 73;
+ of White House, 76;
+ funeral of Lincoln in, 154.
+
+ WASHINGTON, GEORGE: Lincoln's poetic tribute to, xix.
+
+ WATSON, DAVID K.: sketch of, 232;
+ poem, "The Scotland Statue," by, 232.
+
+ WEBSTER, DANIEL: originator of closing sentence of Lincoln's
+ Gettysburg speech, xxi, xxii.
+
+ WEINMANN, ADOLPH A., sculptor: statue of Lincoln by, 126.
+
+ WELLES, GIDEON, Secretary of the Navy: portrait of, in "Lincoln
+ and Cabinet," 206.
+
+ WELLS, AMOS RUSSELL: sketch of, 250;
+ poem, "Had Lincoln Lived," by, 251.
+
+ "WHEN LINCOLN DIED": poem by James Arthur Edgerton, 247.
+
+ "WHERE LINCOLN WORSHIPPED": picture of N. Y. Ave. Presbyterian
+ Church, Washington, 79.
+
+ WHITE HOUSE AT WASHINGTON: picture and description of, 76;
+ funeral of Lincoln in, 154.
+
+ WHITMAN, WALT: autographed portrait of, 196;
+ sketch of, 197;
+ poem, "O Captain! My Captain!" by, 197.
+
+ WHITNEY, HENRY C.: author of "Life of Lincoln," v;
+ on Lincoln's poetic sensibility, xi, xxi;
+ on his habit of reading, 16;
+ on Lincoln as a lawyer, 34.
+
+ WHITTIER, JOHN GREENLEAF: sketch of, 91;
+ poem, "The Emancipation Group," by, 91;
+ reference to, v.
+
+ "WIGWAM, THE," Republican convention hall, Chicago, 1860:
+ picture of, 50.
+
+ WILCOX, ELLA WHEELER: sketch of, 241;
+ poem, "The Glory that Slumbered in the Granite Rock," by, 241.
+
+ WILLIS, RICHARD STORRS: sketch of, 167;
+ poem, "Requiem of Lincoln," by, 167.
+
+
+
+
+TRANSCRIBER'S NOTES:
+
+
+Every effort has been made to faithfully reproduce the original book
+in this etext. The inconsistent, alternate and archaic spelling and
+usage that one would expect in a collection of poets and authors from
+1915 and earlier have been preserved. Errors in the Index, obvious
+and simple enough to be assumed typesetter's errors, have been
+corrected. Other problems and corrections are listed below.
+
+ Page: 1
+ Text: extends his grateful acknowledgment
+ Change: acknowledgement changed to acknowledgment (to match
+ spelling of section title)
+
+ Page: 6
+ Text: Abraham Lincoln Foully Assassinated, by Tom Taylor
+ Change: removed comma after Taylor
+
+ Page: 11
+ Text: The Funeral of Lincoln, in East Room of White House
+ Change: removed comma after White House
+
+ Page: xvi
+ Text: Yours truly,
+ Change: Comma added
+
+ Page: xvii
+ Text: It matters not to me whether Shakspeare be well or
+ ill acted
+ Change: Shakespeare changed to Shakspeare (alternate spelling
+ used by Carpenter)
+
+ Page: xx
+ Text: performed this function in a still more
+ Change: added the word "in"
+
+ Page: 22
+ Text: Like all great souls with vision unobscured
+ Change: version changed to vision
+
+ Page: 116
+ Text: May be forgotten by and by
+ Change: fogotten changed to forgotten
+
+ Page: 117
+ Text: Shrewd, hallowed, harassed
+ Change: harrassed changed to harassed
+
+ Page: 172
+ Text: (5) Hon. W. H. Wallace, Idaho
+ Change: Walace change to Wallace
+
+ Page: 172
+ Text: (3) Hon. Lyman Trumbull, Illinois
+ Change: Hon changed to Hon.
+
+ Page: 189
+ Text: And hang my wreath on his world-honored urn
+ Change: wealth changed to wreath
+
+ Page: 216
+ Text: He filled the Nation's eyes and heart
+ Change: We changed to He
+
+ Page: 216
+ Text: Pathetic, kindly, droll or stern
+ Change: added comma after Pathetic
+
+ Page: 223
+ Text: Here, Captain! dear Father!
+ Change: Hear changed to Here
+
+ Page: 243
+ Text: funds to remove it from
+ Change: extra "to" removed
+
+ Page: 252
+ Text: The George A. Fuller Company of Washington
+ Change: removed comma after Company
+
+ Harper's Bazar (page 109) did not change the spelling to Bazaar
+ until about 1929.
+
+ No poet is mentioned for "The Deathbed" on page 145. However,
+ this poem seems to be "Now He Belongs to the Ages" by William L.
+ Stidger, from The Lincoln Book of Poems, published by R. G.
+ Badger, copyright 1911, page 30. (available on archive.org)
+
+ Pages v, vi and vii refer to Lincoln's correspondent as both
+ Johnson and Johnston. Left as printed.
+
+
+
+
+
+
+End of the Project Gutenberg EBook of The Poets' Lincoln, by Various
+
+*** END OF THE PROJECT GUTENBERG EBOOK 30420 ***