summaryrefslogtreecommitdiff
path: root/30477.txt
diff options
context:
space:
mode:
Diffstat (limited to '30477.txt')
-rw-r--r--30477.txt10354
1 files changed, 10354 insertions, 0 deletions
diff --git a/30477.txt b/30477.txt
new file mode 100644
index 0000000..c98a648
--- /dev/null
+++ b/30477.txt
@@ -0,0 +1,10354 @@
+The Project Gutenberg EBook of The Sign of Silence, by William Le Queux
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: The Sign of Silence
+
+Author: William Le Queux
+
+Release Date: November 15, 2009 [EBook #30477]
+
+Language: English
+
+Character set encoding: ASCII
+
+*** START OF THIS PROJECT GUTENBERG EBOOK THE SIGN OF SILENCE ***
+
+
+
+
+Produced by Brownfox and the Online Distributed Proofreading
+Team at https://www.pgdp.net
+
+
+
+
+
+
+
+[Illustration: "'Well,' she asked, 'are you ready?'" (Chap. vi.)
+
+_The Sign of Silence_] [_Frontispiece_
+]
+
+
+
+
+THE SIGN
+
+OF SILENCE
+
+BY
+
+WILLIAM LE QUEUX
+
+_Author of_
+
+_"If Sinners Entice Thee," "The Room of Secrets," etc._
+
+
+WARD, LOCK & CO., LIMITED
+
+LONDON, MELBOURNE AND TORONTO
+
+1917
+
+
+
+
+"THE MASTER OF MYSTERY"
+
+
+WILLIAM LE QUEUX'S NOVELS
+
+
+_WORLD'S OPINIONS._
+
+EUROPE.
+
+"Mr. William Le Queux retains his position as 'The Master of Mystery.'
+... He is far too skilful to allow pause for thought; he whirls his
+readers from incident to incident, holding their attention from the first
+page to the close of the book."--_Pall Mall Gazette._
+
+"There is no better companion on a railway journey than Mr. William Le
+Queux."--_Daily Mail._
+
+"Mr. William Le Queux is 'The Master of Mystery.' His reputation is
+world-famed."--_Le Matin_ (Paris).
+
+"Mr. William Le Queux's romances are always enthralling. He is the Master
+of the Mystery-story."--_Berliner Tageblatt_ (Berlin).
+
+"Mr. William Le Queux is the most entrancing and thrilling English
+novelist of to-day."--_Neue Freie Presse_ (Vienna).
+
+
+ASIA.
+
+"We always enjoy Mr. Le Queux's novels. His mysteries are
+perfect."--_Englishman_ (Calcutta).
+
+"Mr. William Le Queux has justly earned the title of 'The Master of
+Mystery.'"--_Hong Kong Telegraph._
+
+
+AFRICA.
+
+"As a weaver of mysteries, Mr. William Le Queux has surely no equal. To
+dash about Europe in his company, hot on the heels of an enigma, is a
+pastime both exciting and exhilarating."--_Johannesburg Star._
+
+
+AMERICA.
+
+"Mr. William Le Queux's popularity is steadily increasing. No writer has
+brought mystery and adventure to such a high degree of art. He never
+fails to enthral and entertain us."--_New York Herald._
+
+"Mr. William Le Queux's work is always excellent, and always
+exciting."--_San Francisco Examiner._
+
+"Not without good cause has Mr. Le Queux earned his very apt title, 'The
+Master of Mystery.'"--_El Diario_ (Buenos Ayres).
+
+
+AUSTRALIA.
+
+"Mr. Le Queux is always fresh and original, and one can rely on being
+interested and amused by his stories."--_Sydney Morning Herald._
+
+"For mystery and sensation Mr. Le Queux cannot be beaten."--_Melbourne
+Argus._
+
+"Mr. Le Queux's large public are never satisfied. They always crave for
+more from his pen."--_Christchurch Weekly Press_ (New Zealand).
+
+
+
+
+CONTENTS.
+
+
+ CHAPTER PAGE
+
+ I.--INTRODUCES A GENTLEMAN 7
+
+ II.--THE SCENT 20
+
+ III.--DESCRIBES THE TRYSTING-PLACE 35
+
+ IV.--"DEAR OLD DIG" 45
+
+ V.--"TIME WILL PROVE" 54
+
+ VI.--THE PIECE OF CONVICTION 63
+
+ VII.--FATAL FINGERS 71
+
+ VIII.--CONTAINS FURTHER EVIDENCE 80
+
+ IX.--DESCRIBES THE YELLOW SIGN 89
+
+ X.--CHERCHEZ LA FEMME 97
+
+ XI.--IN WHICH AN ALLEGATION IS MADE 108
+
+ XII.--PHRIDA MAKES CONFESSION 117
+
+ XIII.--THE FUGITIVE'S SECRET 126
+
+ XIV.--REVEALS A FURTHER DECEPTION 136
+
+ XV.--AN EFFACED IDENTITY 144
+
+ XVI.--REVEALS ANOTHER ENIGMA 153
+
+ XVII.--CONCERNS MRS. PETRE 162
+
+ XVIII.--DISCLOSES THE TRAP 170
+
+ XIX.--THE SEAL OF SILENCE 179
+
+ XX.--FROM THE TOMB 187
+
+ XXI.--RECORDS A STRANGE STATEMENT 195
+
+ XXII.--"MARIE BRACQ!" 203
+
+ XXIII.--LOVE'S CONFESSION 213
+
+ XXIV.--OFFICIAL SECRECY 222
+
+ XXV.--FREMY, OF THE SURETE 231
+
+ XXVI.--SHOWS EXPERT METHODS 239
+
+ XXVII.--EDWARDS BECOMES MORE PUZZLED 248
+
+ XXVIII.--FURTHER ADMISSIONS 256
+
+ XXIX.--THE SELLER OF SHAWLS 265
+
+ XXX.--FACE TO FACE 274
+
+ XXXI.--SHOWS THE TRUTH-TELLER 284
+
+ XXXII.--IS THE CONCLUSION 294
+
+
+
+
+THE SIGN OF SILENCE.
+
+
+
+
+CHAPTER I.
+
+INTRODUCES A GENTLEMAN.
+
+
+"Then it's an entire mystery?"
+
+"Yes, Phrida."
+
+"But it's astounding! It really seems so utterly impossible," declared my
+well-beloved, amazed at what I had just related.
+
+"I've simply stated hard facts."
+
+"But there's been nothing about this affair in the papers."
+
+"For certain reasons the authorities are not exactly anxious for any
+publicity. It is a very puzzling problem, and they do not care to own
+themselves baffled," I replied.
+
+"Really, it's the most extraordinary story of London life that I've ever
+heard," Phrida Shand declared, leaning forward in her chair, clasping her
+small white hands as, with her elbows upon the _table-a-deux_, she looked
+at me with her wondrous dark eyes across the bowl of red tulips between
+us.
+
+We were lunching together at the Berkeley, in Piccadilly, one January day
+last year, and had just arrived at the dessert.
+
+"The whole thing is quite bewildering, Teddy--an utter enigma," she
+exclaimed in a low, rather strained voice, her pretty, pointed chin
+resting upon the back of her hand as she gazed upon me from beneath those
+long, curved lashes.
+
+"I quite agree," was my answer. "The police are mystified, and so am I.
+Sir Digby Kemsley is my friend, you know."
+
+"I remember," she said. "You once introduced me--at the opening of the
+Motor Show at Olympia, I believe. A very brilliant and famous man, isn't
+he?"
+
+"Rather! A famous engineer. He made the new railway across the Andes, and
+possesses huge rubber interests in Peru. His name, both in Seina and
+Valparaiso, is one to conjure with," was my reply; "but----"
+
+"But what?" queried my well-beloved.
+
+"Well, there's one fact which greatly increases the mystery--a fact which
+is yet to be told."
+
+"What's that?" she asked eagerly.
+
+I hesitated.
+
+"Well, I've been making inquiries this morning," I replied with some
+reluctance, "and I learn to my blank amazement that there is no such
+person as my friend."
+
+"No such person!" she echoed, staring at me, her lips parted. Being
+seated in a corner, no one could overhear our conversation. "I don't
+follow you!"
+
+"Well, Sir Digby died somewhere in South America about a year ago," was
+my quiet response.
+
+"What? Was your friend a fraud, eh?"
+
+"Apparently so. And yet, if he was, he must have been a man of marvellous
+cunning and subterfuge," I said. "He was most popular at the club, known
+at the Ritz and the Savoy, and other places about town."
+
+"He struck me as a man of great refinement--a gentleman, in fact," Phrida
+said. "I recollect him perfectly: tall, rather thin, with a pointed, grey
+beard, a long, oval face, and thinnish, grey hair. A very lithe, erect
+man, whose polite, elegant manner was that of a diplomat, and in whose
+dark eyes was an expression of constant merriment and good humour. He
+spoke with a slight accent--Scotch, isn't it?"
+
+"Exactly. You remember him perfectly, dear. A most excellent
+description," I said; "and that same description has been circulated this
+morning to every police office throughout the United Kingdom, as well as
+to the prefectures of police in all the European capitals. All the ports
+are being watched, as it is expected he may make his way abroad."
+
+"But what do the authorities suspect?" asked Phrida, with a serious look.
+
+"Ah, that's just it! They haven't yet decided what to suspect."
+
+I looked across at her and thought, though slightly more pale than usual,
+she had never appeared more charming.
+
+Sweet-faced, slim, with a soft, sibilant voice, and dainty to her
+finger-tips, she did not look more than nineteen, though her age was
+twenty-four. How shall I describe her save to say that her oval,
+well-defined features were perfect, her dark, arched brows gave piquancy
+to a countenance that was remarked wherever she went, a merry face, with
+a touch of impudence in her smile--the face of an essentially London
+girl.
+
+Only daughter of my father's late partner, James Shand, we had been
+friends from childhood, and our friendship had, three years ago,
+blossomed into a deep and mutual affection. Born and bred in Kensington,
+she cared little for country life. She loved her London, its throbbing
+streets, its life and movement, its concerts, its bright restaurants,
+and, most of all, its theatres--for she was an ardent playgoer.
+
+My father, Edward Royle, was head of the firm of well-known chemical
+manufacturers, Messrs. Royle and Shand, whose works were a feature of the
+river landscape close to Greenwich, and whose offices were in St. Mary
+Axe. He had died two years before, pre-deceasing his partner by a year.
+The business--a big one, for we were the largest chemical manufacturers
+in England--had been left solely in my hands. Shand's widow still lived
+with Phrida in Cromwell Road, drawing from it an income of seven thousand
+pounds yearly.
+
+As for myself, I was a bachelor, aged thirty-two, and if golf be a vice I
+was greatly addicted to it. I occupied a cosy set of chambers, half-way
+up Albemarle Street, and am thankful to say that in consequence of my
+father's business acumen, my balance at my bankers was increasing
+annually. At the works at Greenwich nearly two thousand hands were
+employed, and it had always been the firm's proud boast that they
+laboured under the most healthy conditions possible to secure in the
+manufacture of chemicals.
+
+My father, upon his deathbed, had held my hand and expressed to me his
+profoundest satisfaction at my engagement with the daughter of his
+partner, and almost with his last breath had pronounced a blessing upon
+our union.
+
+Yes, I loved Phrida--loved her with all my heart and all my soul. She was
+mine--mine for ever.
+
+Yet, as I sat at that little table in the white-enamelled restaurant
+gazing at her across the bowl of tulips, I felt a strange, a very curious
+misgiving, an extraordinary misty suspicion, for which I could not in the
+least account.
+
+I experienced a strange intuition of doubt and vague uncertainty.
+
+The facts we had just been discussing were, to say the least, amazing.
+
+Only the Metropolitan Police and myself were aware of the astounding
+discovery which had been made that morning--a discovery of which the
+ever-vigilant London evening newspapers had as yet no inkling.
+
+The affair was being carefully hushed up. In certain quarters--high
+official quarters, I believe--a flutter of excitement had been caused at
+noon, when it had become known that a mystery had occurred, one which at
+the outset New Scotland Yard had acknowledged itself utterly without a
+clue.
+
+About the affair there was nothing usual, nothing commonplace. The murder
+mysteries of London always form exciting reading, for it is surely the
+easiest work of the practised journalist to put forward from day to day
+fresh clues and exciting propositions.
+
+The present case, however, was an entirely fresh and unheard-of mystery,
+one such as London had never before known.
+
+In the whole annals of Scotland Yard no case presenting such unusual
+features had previously been reported.
+
+"Have you no theory as to what really occurred?" Phrida asked slowly,
+after a very long and pensive silence.
+
+"None whatever, dear," I replied.
+
+What theory could I form? Aye, what indeed?
+
+In order that the exact truth should be made entirely plain to the reader
+and the mystery viewed in all its phases, it will be best for me to
+briefly record the main facts prior to entering upon any detail.
+
+The following were the circumstances exactly as I knew them.
+
+At twenty-five minutes to ten on the previous night--the night of January
+the sixth--I was at home in Albemarle Street, writing letters. Haines, my
+man, had gone out, and I was alone, when the telephone bell rang. Taking
+up the receiver I heard the cheery voice of Sir Digby Kemsley asking what
+I was doing. My prompt reply was that I was staying at home that night,
+whereupon his voice changed and he asked me in great earnestness to come
+over to his flat in Harrington Gardens, South Kensington, at eleven
+o'clock.
+
+"And look here," he added in a confidential tone, "the outside door will
+be closed at half-past ten and the porter off duty. I'll go down just
+before eleven and leave the door ajar. Don't let anyone see you come in.
+Be extremely careful. I have reasons I'll explain afterwards."
+
+"Right," I replied, and shut off.
+
+His request seemed just a little curious. It struck me that he perhaps
+wished to consult with me over some private matter, as he had done once
+before. Therefore, just before eleven I hailed a taxi in Piccadilly and
+drove westward past Gloucester Road Station, and into the quiet,
+eminently select neighbourhood where my friend lived.
+
+At eleven o'clock Harrington Gardens--that long thoroughfare of big
+rather gloomy houses, most of them residences of City merchants, or town
+houses or flats of people who have seats in the country--was as silent as
+the grave, and my taxi awoke its echoes until, about half way up, I
+stopped the man, alighted, and paid him off.
+
+Then, after walking a couple of hundred yards, I found the door ajar and
+slipped into the hall unobserved.
+
+Ascending the wide carpeted steps to the second floor, the door of the
+flat was opened noiselessly by the owner himself, and a few seconds later
+I found myself seated before a big fire in his snug sitting-room.
+
+My friend's face was grey and entirely changed, yet his manner was still
+as polished, cheery, and buoyant as ever.
+
+The flat--quite a small one, though very expensive as he had once
+remarked to me--was furnished throughout with elegance and taste. Upon
+its walls everywhere hung curios and savage arms, which he had brought
+from various parts of the world. The drawing-room was furnished entirely
+in Arab style, with cedar-wood screens, semi-circular arches, low, soft
+divans and silken rugs, which he had bought in Egypt, while, in contrast,
+the little den in which we were sitting at that moment was panelled in
+white with an old-rose carpet, rendering it essentially bright and
+modern.
+
+The tall, grey-bearded, elegant man handed me a box of Perfectos Finos,
+from which we selected, and then, throwing myself into a chair, I slowly
+lit up.
+
+His back was turned from me at the moment, as he leaned over the
+writing-table apparently gathering up some papers which he did not desire
+that I should see. He was facing a circular mirror on the wall, and in it
+I could see his countenance reflected. The expression upon his
+face--cold, cynical, sinister--startled me. He placed the papers in a
+drawer and locked it with a key upon his chain.
+
+"Well?" I asked. "Why all this confounded mystery, Digby?"
+
+He turned upon me quickly, his long face usually so full of merriment,
+grey and drawn. I saw instantly that something very serious was amiss.
+
+"I--I want to ask your advice, Royle," he replied in a hard voice scarce
+above a whisper. Walking to the pretty rug of old-rose and pale green
+silk spread before the fire he stood upon it, facing me. "And--well,
+truth to tell, I don't want it to be known that you've been here
+to-night, old fellow."
+
+"Why?"
+
+"For certain private reasons--very strong reasons."
+
+"As you wish, my dear chap," was my response, as I drew at his perfect
+cigar.
+
+Then he looked me straight in the face and said: "My motive in asking you
+here to-night, Royle, is to beg of you to extend your valued friendship
+to me at a moment which is the greatest crisis of my career. The fact is,
+I've played the game of life falsely, and the truth must out,
+unless--unless you will consent to save me."
+
+"I don't follow you," I said, staring at him. "What in heaven's name do
+you mean?"
+
+"My dear boy, I'll put my cards down on the table at once," he said in a
+slow, deep tone. "Let's see--we've known each other for nearly a year.
+You have been my best friend, entirely devoted to my interests--a staunch
+friend, better than whom no man could ever desire. In return I've lied to
+you, led you to believe that I am what I am not. Why? Because--well, I
+suppose I'm no different to any other man--or woman for the matter of
+that--I have a skeleton in my cupboard--a grim skeleton, my dear Royle.
+One which I've always striven to hide--until to-night," he added with
+emotion.
+
+"But that hardly interferes with our friendship, does it? We all of us
+have our private affairs, both of business and of heart," I said.
+
+"The heart," he echoed bitterly. "Ah! yes--the heart. You, my dear boy,
+are a man of the world. You understand life. You are never
+narrow-minded--eh?" he asked, advancing a step nearer to me.
+
+"I hope not," I said. "At any rate, I've always been your friend, ever
+since our first meeting on the steamer on the Lake of Garda, last
+February."
+
+The eminent engineer rolled his cigar between his fingers, and calmly
+contemplated it in silence.
+
+Then, quite abruptly, he exclaimed:
+
+"Royle, my present misfortune is due to a woman."
+
+"Ah!" I sighed. "A woman! Always a woman in such cases! Well?"
+
+"Mind you, I don't blame her in the least," he went on quickly, "I--I was
+hot-tempered, and I miscalculated her power. We quarrelled, and--and she,
+though so young, refined and pretty, has arisen to crush me."
+
+"Anyone I know?"
+
+"No. I think not," was his slow reply, his dark eyes gazing full into
+mine as he still stood astride upon the hearthrug.
+
+Then he fidgeted uneasily, stroked his well-clipped grey beard with his
+strong, bronzed hand, and strode across the room and back again.
+
+"Look here, Royle," he exclaimed at last. "You're my friend, so I may as
+well speak straight out. Will you help me?"
+
+"Certainly--if I can."
+
+"I'm in a hole--a confounded hole. I've been worried ever since I got
+back from Egypt just before Christmas. Only you can save me."
+
+"Me! Why?"
+
+"I want you to remain my friend; to still believe in me, when--well--when
+I've gone under," he answered brokenly, his brows contracting as he
+spoke.
+
+"I don't understand you."
+
+"Then I'll speak more plainly. To-night is the last time we shall meet.
+I've played the game, I tell you--and I've lost!"
+
+"You seem horribly hipped about something to-night, my dear fellow!" I
+exclaimed in wonder at his strange words. In all my circle of friends no
+man was more level-headed than Sir Digby Kemsley.
+
+"Yes, I'm not quite myself. Perhaps you wouldn't be, Royle, in the same
+circumstances." Halting, he stood erect with his hands clasped behind his
+back. Even then, at that moment of despair, he presented the fine figure
+of a man in his well-cut dinner clothes and the single ruby in his pique
+shirt-front. "I want to entrust a secret to you--a great secret," he went
+on a few seconds later. "I tell you that to-night is the last occasion
+we shall ever meet, but I beg--may I implore you to judge me with
+leniency, to form no unjust conclusions, and when you remember me to
+regard my memory as that of a man who was not a rogue, but a victim of
+untoward circumstances."
+
+"Really, my dear fellow," I said, "you speak in enigmas. What do you
+mean--you intend what?"
+
+"That matters nothing to you, Royle," was his hoarse reply. "I merely ask
+for your continued friendship. I ask that you will treat my successor
+here in the exact manner in which you have treated me--that you will
+become his firm friend--and that you will perform for me one great and
+most important service."
+
+"Your successor! Who will succeed you? You have no son!"
+
+"No, I have no male relation whatever," he replied. "But we were speaking
+of the favour I am begging of you to perform for me. On the fourteenth of
+January I shall not be here, but it is highly necessary that on that
+evening, at eight o'clock, a secret message should be delivered into the
+hands of a certain lady--a message from myself. Will you do it?"
+
+"Certainly. Are you going abroad again?"
+
+"I--well, I can hardly tell. I may be dead by then--who knows?" And he
+smiled grimly.
+
+He returned to his writing-table, unlocked a drawer, and took therefrom a
+letter which was carefully sealed with black wax.
+
+"Now, listen," he said, holding the letter in his fingers; "on the night
+of the fourteenth, just at eight o'clock precisely, go to the Piccadilly
+tube station, stand at the telephone box numbered four on the Haymarket
+side, when a lady in black will approach you and ask news of me. In
+response you will give her this note. But there is a further condition:
+you may be watched and recognised, therefore be extremely careful that
+you are not followed on that day, and, above all, adopt some effective
+disguise. Go there dressed as a working-man, I would suggest."
+
+"That request, Kemsley, is certainly a very queer one," I remarked. "Is
+she _the_ lady?"
+
+He smiled, and I took that as an affirmative.
+
+"You say she'll be dressed in black. Lots of ladies dress in black. I
+might mistake her."
+
+"Not very likely. I forgot to tell you that she will wear a small spray
+of mimosa."
+
+"Ah, that shows originality," I remarked. "Mimosa is not often worn on
+the person."
+
+"It will serve as a distinguishing mark." Then, after a pause, he added,
+handing me the letter: "There is one further request I want to make--or,
+at least, I want you to give me your promise, Royle. I ask you to make a
+solemn vow to me that if any suspicion arises within your mind, that you
+will believe nothing without absolute and decisive proof. I mean that you
+will not misjudge her."
+
+"I certainly will not."
+
+"Your hand upon it?"
+
+I put forth my hand and, gripping his warmly, gave him my word of honour.
+
+"I hope you will never regret this, Royle," he said in an earnest tone.
+
+"We are friends," I remarked simply.
+
+"And I trust, Royle, you will never regret the responsibility which you
+have accepted on my behalf," he said in a deep, hard voice--the voice of
+a desperate man. "Remember to treat my successor exactly as you have
+treated me. Be his best friend, as he will be yours. You will be
+astonished, amazed, mystified, no doubt, at the events which must, alas!
+inevitably occur. But it is not my fault, Royle, believe me," he declared
+with solemn emphasis. "It is, alas! my misfortune!"
+
+
+
+
+CHAPTER II.
+
+THE SCENT.
+
+
+After giving me the letter, and receiving my assurance that it would be
+safely delivered, Sir Digby's spirits seemed somewhat to revive.
+
+He chatted in his old, good-humoured style, drank a whisky and soda, and,
+just before one o'clock, let me out, urging me to descend the stairs
+noiselessly lest the hall-porter should know that he had had a visitor.
+
+Time after time I had questioned him regarding his strange reference to
+his successor, but to all my queries he was entirely dumb. He had, I
+recollected, never been the same since his return from a flying visit to
+Egypt.
+
+"The future will, no doubt, astound you, but I know, Royle, that you are
+a man of honour and of your word, and that you will keep your promise at
+all hazards," was all he would reply.
+
+The secrecy with which I had entered and left caused me considerable
+curiosity. Kemsley was one of those free, bluff, open-hearted,
+open-handed, men. He was never secretive, never elusive. I could only
+account for his curious, mystifying actions by the fact that the
+reputation of a woman was at stake--that he was acting for her
+protection.
+
+And I was to meet that woman face to face in eight days' time!
+
+As I walked towards Gloucester Road Station--where I hoped to find a
+taxi--all was silence. At that hour the streets of South Kensington are
+as deserted as a graveyard, and as I bent towards the cutting wind from
+the east, I wondered who could be the mysterious woman who had broken up
+my dear friend's future plans. Yet he bore her no malice. Some men's
+temperaments are really curious.
+
+Beneath a street-lamp I paused and looked at the superscription upon the
+envelope. It ran:
+
+ "For E. P. K."
+
+The initial K! Was the lady Digby's wife? That was the suspicion which at
+once fell upon me, and by which I became convinced.
+
+At half-past one o'clock I let myself into my own flat in Albemarle
+Street. The faithful Haines, who had been a marine wardroom servant in
+the navy before entering my employ, was awaiting me.
+
+"The telephone bell rang ten minutes ago, sir," he said. "Sir Digby
+Kemsley wishes to speak to you."
+
+"Very well!" I replied. "You can go to bed."
+
+The man placed my tray with whisky and soda upon the little table near my
+chair, as was his habit, and, wishing me good-night, retired.
+
+I went to the telephone, and asked for Digby's number.
+
+After a few seconds a voice, which at first I failed to recognise,
+replied to mine:
+
+"I say, Royle; I'm so sorry to disturb you, old chap, but could you
+possibly come back here at once?"
+
+"What?" I asked, very surprised. "Is it so very important? Can't it wait
+till to-morrow?"
+
+"No, unfortunately it can't. It's most imperative that I should see you.
+Something has happened. Do come!" he begged. "But don't attract
+attention--you understand!"
+
+"Something happened!" I echoed. "What?"
+
+"That woman. Come at once--do, there's a good fellow. Will you--for my
+sake and hers?"
+
+The mention of the woman decided me, so I replied "All right!" and hung
+up the receiver.
+
+Within half an hour I alighted in Courtfield Gardens and walked up
+Harrington Gardens to the door of my friend's house, which I saw was
+already ajar in anticipation of my arrival.
+
+Closing the door noiselessly, in order not to attract the attention of
+the alert porter who lived in the basement, I crept up the carpeted
+stairs to the door of the flat, which I found also ajar.
+
+Having closed the door, I slipped into the hall and made my way to the
+warm, cosy room I had left earlier that night.
+
+The door was closed, and without ceremony I turned the handle.
+
+I threw it open laughingly in order to surprise my friend, but next
+instant halted in amazement upon the threshold.
+
+I stood there breathless, staring in speechless wonder, and drawing back.
+
+"I'm really very sorry!" I exclaimed. "I thought Sir Digby was here!"
+
+The man who had risen from his chair and bowed when I opened the door was
+about the same build, but, apparently, a trifle younger. He had iron-grey
+hair and a pointed beard, but his face was more triangular, with higher
+cheek-bones, and eyes more brilliant and deeper set.
+
+His thin countenance relaxed into a pleasant smile as he replied in a
+calm, suave voice:
+
+"I am Sir Digby Kemsley, and you--I believe--are Mr. Edward Royle--my
+friend--my very intimate friend--are you not?"
+
+"You!" I gasped, staring at him.
+
+And then, for several seconds I failed to articulate any further words.
+The imposture was so utterly barefaced.
+
+"You are not Sir Digby Kemsley," I went on angrily at last. "What trick
+is this?"
+
+"No trick whatever, my dear Royle," was the man's quiet reply as he stood
+upon the hearthrug in the same position in which my friend had stood an
+hour before. "I tell you that my name is Kemsley--Sir Digby Kemsley."
+
+"Then you assert that this flat is yours?"
+
+"Most certainly I do."
+
+"Bosh! How can you expect me to believe such a transparent tale?" I cried
+impatiently. "Where is my friend?"
+
+"I am your friend, my dear Royle!" he laughed.
+
+"You're not."
+
+"But did you not, only an hour ago, promise him to treat his successor in
+the same manner in which you had treated himself?" the man asked very
+slowly, his high, deep-set eyes fixed upon me with a crafty, almost
+snake-like expression, an expression that was distinctly one of evil.
+
+"True, I did," was my quick reply. "But I never bargained for this
+attempted imposture."
+
+"I tell you it is no imposture!" declared the man before me. "You will,
+perhaps, understand later. Have a cigar," and he took up Digby's box and
+handed it to me.
+
+I declined very abruptly, and without much politeness, I fear.
+
+I was surveying the man who, with such astounding impudence, was
+attempting to impose upon me a false identity. There was something
+curiously striking in his appearance, but what it was I could not exactly
+determine. His speech was soft and educated, in a slightly higher pitch
+than my friend's; his hands white and carefully manicured, yet, as he
+stood, I noted that his left shoulder was slightly higher than the other,
+that his dress clothes ill-fitted him in consequence; that in his
+shirt-front were two rare, orange-coloured gems such as I had never seen
+before, and, further, that when I caught him side face, it much resembled
+Digby's, so aquiline as to present an almost birdlike appearance.
+
+"Look here!" I exclaimed in anger a few moments later. "Why have you
+called me over here? When you spoke to me your voice struck me as
+peculiar, but I put it down to the distortion of sound on the telephone."
+
+"I wanted to see if you recognised my other self," he answered with a
+smile.
+
+"At this late hour? Couldn't you have postponed your ghastly joke till
+the morning?" I asked.
+
+"Joke!" he echoed, his face suddenly pale and serious. "This is no joke,
+Royle, but a very serious matter. The most serious that can occur in any
+man's life."
+
+"Well, what is it? Tell me the truth."
+
+"You shall know that later."
+
+"Where is Sir Digby?"
+
+"Here! I am Sir Digby, I tell you."
+
+"I mean my friend."
+
+"I am your friend," was the man's response, as he turned away towards the
+writing-table. "The friend you first met on the Lake of Garda."
+
+"Now, why all this secrecy?" I asked. "I was first called here and warned
+not to show myself, and, on arrival, find you here."
+
+"And who else did you expect to find?" he asked with a faint smile.
+
+"I expected to find my friend."
+
+"But I am your friend," he asserted. "You promised me only an hour ago
+that you would treat my successor exactly as you treated me. And," he
+added, "I am my own successor!"
+
+I stood much puzzled.
+
+There were certain features in his countenance that were much like
+Digby's, and certain tones in his voice that were the same. His hands
+seemed the same, too, and yet he was not Digby himself.
+
+"How can I believe you if you refuse to be frank and open with me?" I
+asked.
+
+"You promised me, Royle, and a good deal depends upon your promise," he
+replied, looking me squarely in the face. "Perhaps even your own
+future."
+
+"My future!" I echoed. "What has that to do with you, pray?" I demanded
+angrily.
+
+"More than you imagine," was his low response, his eyes fixed upon mine.
+
+"Well, all I know is that you are endeavouring to make me believe that
+you are what you are not. Some evil purpose is, no doubt, behind it all.
+But such an endeavour is an insult to my intelligence," I declared.
+
+The man laughed a low, harsh laugh and turned away.
+
+"I demand to know where my friend is!" I cried, stepping after him across
+the room, and facing him again.
+
+"My dear Royle," he replied, in that curious, high-pitched voice, yet
+with a calm, irritating demeanour. "Haven't I already told you I am your
+friend?"
+
+"It's a lie! You are not Sir Digby!" I cried angrily. "I shall inform the
+police that I've found you usurping his place and name, and leave them to
+solve the mystery."
+
+"Act just as you think fit, my dear old fellow," he laughed. "Perhaps the
+police might discover more than you yourself would care for them to
+know."
+
+His words caused me to ponder. At what could he be hinting?
+
+He saw my hesitancy, and with a sudden movement placed his face close to
+me, saying:
+
+"My dear fellow look--look into my countenance, you surely can penetrate
+my disguise. It cannot be so very perfect, surely."
+
+I looked, but turned from him in disgust.
+
+"No. Stop this infernal fooling!" I cried. "I've never seen you before in
+my life."
+
+He burst out laughing--laughed heartily, and with genuine amusement.
+
+His attitude held me in surprise.
+
+"You refuse to be my friend, Royle--but I desire to be yours, if you will
+allow me," he said.
+
+"I can have no friend whom I cannot trust," I repeated.
+
+"Naturally. But I hope you will soon learn to trust me," was his quiet
+retort. "I called you back to-night in order to see if you--my most
+intimate friend--would recognise me. But you do not. I am, therefore,
+safe--safe to go forth and perform a certain mission which it is
+imperative that I should perform."
+
+"You are fooling me," I declared.
+
+For a second he looked straight and unflinchingly into my eyes, then with
+a sudden movement he drew the left cuff of his dress shirt up to the
+elbow and held out his forearm for me to gaze upon.
+
+I looked.
+
+Then I stood dumbfounded, for half-way up the forearm, on the inside, was
+the cicatrice of an old knife wound which long ago, he had told me, had
+been made by an Indian in South America who had attempted to kill him,
+and whom he had shot in self-defence.
+
+"You believe me now?" he asked, in a voice scarce above a whisper.
+
+"Of course," I said. "Pardon me, Digby--but this change in your
+personality is marvellous--almost superhuman!"
+
+"So I've been told before," he replied lightly.
+
+"But, really, didn't you penetrate it?" he asked, resuming his normal
+voice.
+
+"No. I certainly did not," I answered, and helping myself to a drink,
+swallowed it.
+
+"Well?" I went on. "What does this mean?"
+
+"At present I can't exactly tell you what I intend doing," he replied.
+"To-night I wanted to test you, and have done so. It's late now," he
+added, glancing at the clock, which showed it to be half-past two o'clock
+in the morning. "Come in to-morrow at ten, will you?" he asked. "I want
+to discuss the future with you very seriously. I have something to say
+which concerns your own future, and which also closely concerns a friend
+of yours. So come in your own interests, Royle--now don't fail, I beg of
+you!"
+
+"But can't you tell me to-night," I asked.
+
+"Not until I know something of what my own movements are to be," he
+replied. "I cannot know before to-morrow," he replied with a mysterious
+air. "So if you wish to be forewarned of an impending peril, come and see
+me and I will then explain. We shall, no doubt, be on closer terms
+to-morrow. _Au revoir_," and he took my hand warmly and then let me out.
+
+The rather narrow, ill-lit staircase, the outer door of which had been
+shut for hours, was close and stuffy, but as I descended the second
+flight and was about to pass along the hall to the door, I distinctly
+heard a movement in the shadow where, on my left, the hall continued
+along to the door of the ground-floor flat.
+
+I peered over the banisters, but in the darkness could distinguish
+nothing.
+
+That somebody was lurking there I instantly felt assured, and next
+moment the truth became revealed by two facts.
+
+The first was a light, almost imperceptible noise, the jingle of a
+woman's bangles, and, secondly, the faint odour of some subtle perfume, a
+sweet, intoxicating scent such as my nostrils had never greeted before.
+
+For the moment I felt surprise, but as the hidden lady was apparently
+standing outside the ground-floor flat--perhaps awaiting admittance--I
+felt it to be no concern of mine, and proceeding, opened the outer door
+and passed outside, closing it quietly after me.
+
+An unusually sweet perfume one can seldom forget. Even out in the keen
+night air that delightful odour seemed to cling to my memory--the latest
+creation of the Rue de la Paix, I supposed.
+
+Well, I duly returned home to Albemarle Street once again, utterly
+mystified.
+
+What did it all mean? Why had Digby adopted such a marvellous disguise?
+What did he mean by saying that he wished to stand my friend and
+safeguard me from impending evil?
+
+Yes, it was all a mystery--but surely not so great a mystery as that
+which was to follow. Ah! had I but suspected the astounding truth how
+very differently would I have acted!
+
+Filled with curiosity regarding Digby's strange forebodings, I alighted
+from a taxi in Harrington Gardens at a quarter to eleven that same
+morning, but on entering found the uniformed hall-porter in a great state
+of excitement and alarm.
+
+"Oh, sir!" he cried breathlessly, advancing towards me. "You're a friend
+of Sir Digby's sir. The police are upstairs. Something extraordinary has
+happened."
+
+"The police!" I gasped. "Why, what's happened?"
+
+"Well, sir. As his man left the day before yesterday, my wife went up to
+Sir Digby's flat as usual this morning about eight, and put him his early
+cup of tea outside his door. But when she went in again she found he had
+not taken it into his room. She believed him to be asleep, so not till
+ten o'clock did she go into the sitting-room to draw up the blinds, when,
+to her horror, she found a young lady, a perfect stranger, lying
+stretched on the floor there! She rushed down and told me, and I went up.
+I found that Sir Digby's bed hadn't been slept in, and that though the
+poor girl was unconscious, she was still breathing. So I at once called
+in the constable on point duty at the corner of Collingham Road, and he
+'phoned to the police station."
+
+"But the girl--is she dead?" I inquired quickly.
+
+"I don't know, sir. You'd better go upstairs. There's an inspector, two
+plain-clothes men, and a doctor up there."
+
+He took me up in the lift, and a few moments later I stood beside Digby's
+bed, whereon the men had laid the inanimate form of a well-dressed girl
+whom I judged to be about twenty-two, whose dark hair, unbound, lay in
+disorder upon the pillow. The face, white as marble, was handsome and
+clean cut, but upon it, alas! was the ashen hue of death, the pale lips
+slightly parted as though in a half-sarcastic smile.
+
+The doctor was bending over her making his examination.
+
+I looked upon her for a moment, but it was a countenance which I had
+never seen before. Digby had many lady friends, but I had never seen her
+among them. She was a perfect stranger.
+
+Her gown was of dark blue serge, smartly made, and beneath her coat she
+wore a cream silk blouse with deep sailor collar open at the neck, and a
+soft flowing bow of turquoise blue. This, however, had been disarranged
+by the doctor in opening her blouse to listen to her breathing, and I saw
+that upon it was a small crimson stain.
+
+Yes, she was remarkably good-looking, without a doubt.
+
+When I announced myself as an intimate friend of Sir Digby Kemsley, the
+inspector at once took me into the adjoining room and began to eagerly
+question me.
+
+With him I was perfectly frank; but I said nothing regarding my second
+visit there in the night.
+
+My gravest concern was the whereabouts of my friend.
+
+"This is a very curious case, Mr. Royle," declared the inspector. "The
+C.I.D. men have established one fact--that another woman was with the
+stranger here in the early hours of this morning. This hair-comb"--and he
+showed me a small side-comb of dark green horn--"was found close beside
+her on the floor. Also a couple of hair-pins, which are different to
+those in the dead woman's hair. There was a struggle, no doubt, and the
+woman got away. In the poor girl's hair are two tortoiseshell
+side-combs."
+
+"But what is her injury?" I asked breathlessly.
+
+"She's been stabbed," he replied. "Let's go back."
+
+Together we re-entered the room, but as we did so we saw that the doctor
+had now left the bedside, and was speaking earnestly with the two
+detectives.
+
+"Well, doctor?" asked the inspector in a low voice.
+
+"She's quite dead--murder, without a doubt," was his reply. "The girl was
+struck beneath the left breast--a small punctured wound, but fatal!"
+
+"The woman who left this hair-comb behind knows something about the
+affair evidently," exclaimed the inspector. "We must first discover Sir
+Digby Kemsley. He seems to have been here up until eleven o'clock last
+night. Then he mysteriously disappeared, and the stranger entered unseen,
+two very curious and suspicious circumstances. I wonder who the poor girl
+was?"
+
+The two detectives were discussing the affair in low voices. Here was a
+complete and very remarkable mystery, which, from the first, the police
+told me they intended to keep to themselves, and not allow a syllable of
+it to leak out to the public through the newspapers.
+
+A woman had been there!
+
+Did there not exist vividly in my recollection that strange encounter in
+the darkness of the stairs? The jingle of the golden bangles, and the
+sweet odour of that delicious perfume?
+
+But I said nothing. I intended that the police should prosecute their
+inquiries, find my friend, and establish the identity of the mysterious
+girl who had met with such an untimely end presumably at the hands of
+that woman who had been lurking in the darkness awaiting my departure.
+
+Truly it was a mystery, a most remarkable problem among the many which
+occur each week amid the amazing labyrinth of humanity which we term
+London life.
+
+Sir Digby Kemsley had disappeared. Where?
+
+Half an hour after noon I had left Harrington Gardens utterly bewildered,
+and returned to Albemarle Street, and at half-past one met Phrida at the
+Berkeley, where, as I have already described, we lunched together.
+
+I had revealed to her everything under seal of the secrecy placed upon me
+by the police--everything save that suspicion I had had in the darkness,
+and the suspicion the police also held--the suspicion of a woman.
+
+Relation of the curious affair seemed to have unnerved her. She had
+become paler and was fidgeting with her serviette. Loving me so
+devotedly, she seemed to entertain vague and ridiculous fears regarding
+my own personal safety.
+
+"It was very foolish and hazardous of you to have returned there at that
+hour, dear," she declared with sweet solicitation, as she drew on her
+white gloves preparatory to leaving the restaurant, for I had already
+paid the bill and drained my liqueur-glass.
+
+"I don't see why," I said. "Whatever could have happened to me, when----"
+
+My sentence remained unfinished.
+
+I held my breath. The colour must have left my cheeks, I know.
+
+My well-beloved had at that moment opened her handbag and taken out her
+wisp of lace handkerchief.
+
+My nostrils were instantly filled with that same sweet, subtle perfume
+which I so vividly recollected, the identical perfume of the woman
+concealed in that dark passage-way!
+
+Her bangles, two thin gold ones, jingled as she moved--that same sound
+which had come up to me from the blackness. I sat like a statue, staring
+at her amazed, aghast, like a man in a dream.
+
+
+
+
+CHAPTER III.
+
+DESCRIBES THE TRYSTING-PLACE.
+
+
+I drove Phrida back to Cromwell Road in a taxi.
+
+As I sat beside her, that sweet irritating perfume filled my senses,
+almost intoxicating me. For some time I remained silent; then, unable to
+longer restrain my curiosity, I exclaimed with a calm, irresponsible air,
+though with great difficulty of self-restraint:
+
+"What awfully nice perfume you have, dearest! Surely it's new, isn't it?
+I never remember smelling it before!"
+
+"Quite new, and rather delicious, don't you think? My cousin Arthur
+brought it from Paris a few days ago. I only opened the bottle last
+night. Mother declared it to be the sweetest she's ever smelt. It's so
+very strong that one single drop is sufficient."
+
+"What do they call it?"
+
+"Parfait d'Amour. Lauzan, in the Place Vendome, makes it. It's quite new,
+and not yet on the market, Arthur said. He got it--a sample bottle--from
+a friend of his in the perfume trade."
+
+Not on the market! Those words of hers condemned her. Little did she
+dream that I had smelt that same sweet, subtle odour as I descended the
+stairs from Sir Digby's flat. She, no doubt, had recognised my silhouette
+in the half darkness, yet nevertheless she felt herself quite safe,
+knowing that I had not seen her.
+
+Why had she been lurking there?
+
+A black cloud of suspicion fell upon me. She kept up a desultory
+conversation as we went along Piccadilly in the dreary gloom of that dull
+January afternoon, but I only replied in monosyllables, until at length
+she remarked:
+
+"Really, Teddy, you're not thinking of a word I'm saying. I suppose your
+mind is centred upon your friend--the man who has turned out to be an
+impostor."
+
+The conclusion of that sentence and its tone showed a distinct
+antagonism.
+
+It was true that the man whom I had known as Sir Digby Kemsley--the man
+who for years past had been so popular among a really good set in
+London--was according to the police an impostor.
+
+The detective-inspector had told me so. From the flat in Harrington
+Gardens the men of the Criminal Investigation Department had rung up New
+Scotland Yard to make their report, and about noon, while I was resting
+at home in Albemarle Street, I was told over the telephone that my whilom
+friend was not the man I had believed him to be.
+
+As I had listened to the inspector's voice, I heard him say:
+
+"There's another complication of this affair, Mr. Royle. Your friend
+could not have been Sir Digby Kemsley, for that gentleman died suddenly a
+year ago, at Huacho, in Peru. There was some mystery about his death, it
+seems, for it was reported by the British Consul at Lima. Inspector
+Edwards, of the C.I. Department, will call upon you this afternoon. What
+time could you conveniently be at home?"
+
+I named five o'clock, and that appointment I intended, at all hazards, to
+keep.
+
+The big, heavily-furnished drawing-room in Cromwell Road was dark and
+sombre as I stood with Phrida, who, bright and happy, pulled off her
+gloves and declared to her mother--that charming, sedate, grey-haired,
+but wonderfully preserved, woman--that she had had such "a jolly lunch."
+
+"I saw the Redmaynes there, mother," she was saying. "Mr. Redmayne has
+asked us to lunch with them at the Carlton next Tuesday. Can we go?"
+
+"I think so, dear," was her mother's reply. "I'll look at my
+engagements."
+
+"Oh, do let's go! Ida is coming home from her trip to the West Indies. I
+do want to see her so much."
+
+Strange it was that my well-beloved, in face of that amazing mystery,
+preserved such an extraordinary, nay, an astounding, calm. I was thinking
+of the little side-comb of green horn, for I had seen her wearing a pair
+exactly similar!
+
+Standing by I watched her pale sweet countenance, full of speechless
+wonder.
+
+After the first moment of suspense she had found herself treading firm
+ground, and now, feeling herself perfectly secure, she had assumed a
+perfectly frank and confident attitude.
+
+Yet the perfume still arose to my nostrils--the sweet, subtle scent which
+had condemned her.
+
+I briefly related to Mrs. Shand my amazing adventures of the previous
+night, my eyes furtively upon Phrida's countenance the while. Strangely
+enough, she betrayed no guilty knowledge, but fell to discussing the
+mystery with ease and common-sense calm.
+
+"What I can't really make out is how your friend could have had the
+audacity to pose as Sir Digby Kemsley, well knowing that the real person
+was alive," she remarked.
+
+"The police have discovered that Sir Digby died in Peru last January," I
+said.
+
+"While your friend was in London?"
+
+"Certainly. My friend--I shall still call him Sir Digby, for I have known
+him by no other name--has not been abroad since last July, when he went
+on business to Moscow."
+
+"How very extraordinary," remarked Mrs. Shand. "Your friend must surely
+have had some object in posing as the dead man."
+
+"But he posed as a man who was still alive!" I exclaimed.
+
+"Until, perhaps, he was found out," observed Phrida shrewdly. "Then he
+bolted."
+
+I glanced at her quickly. Did those words betray any knowledge of the
+truth, I wondered.
+
+"Apparently there was some mystery surrounding the death of Sir Digby at
+Huacho," I remarked. "The British Consul in Lima made a report upon it to
+the Foreign Office, who, in turn, handed it to Scotland Yard. I wonder
+what it was."
+
+"When you know, we shall be better able to judge the matter and to form
+some theory," Phrida said, crossing the room and re-arranging the big
+bowl of daffodils in the window.
+
+I remained about an hour, and then, amazed at the calmness of my
+well-beloved, I returned to my rooms.
+
+In impatience I waited till a quarter past five, when Haines ushered in a
+tall, well-dressed, clean-shaven man, wearing a dark grey overcoat and
+white slip beneath his waistcoat, and who introduced himself as Inspector
+Charles Edwards.
+
+"I've called, Mr. Royle, in order to make some further inquiries
+regarding this person you have known as Sir Digby Kemsley," he said when
+he had seated himself. "A very curious affair happened last night. I've
+been down to Harrington Gardens, and have had a look around there myself.
+Many features of the affair are unique."
+
+"Yes," I agreed. "It is curious--very curious."
+
+"I have a copy of your statement regarding your visit to the house during
+the night," said the official, who was one of the Council of Seven at the
+Yard, looking up at me suddenly from the cigarette he was about to light.
+"Have you any suspicion who killed the young lady?"
+
+"How can I have--except that my friend----"
+
+"Is missing--eh?"
+
+"Exactly."
+
+"But now, tell me all about this friend whom you knew as Sir Digby
+Kemsley. How did you first become acquainted with him?"
+
+"I met him on a steamer on the Lake of Garda this last summer," was my
+reply. "I was staying at Riva, the little town at the north end of the
+lake, over the Austrian frontier, and one day took the steamer down to
+Gardone, in Italy. We sat next each other at lunch on board, and, owing
+to a chance conversation, became friends."
+
+"What did he tell you?"
+
+"Well, only that he was travelling for his health. He mentioned that he
+had been a great deal in South America, and was then over in Europe for
+a holiday. Indeed, on the first day we met, he did not even mention his
+name, and I quite forgot to ask for it. In travelling one meets so many
+people who are only of brief passing interest. It was not until a week
+later, when I found him staying in the same hotel as myself, the Cavour,
+in Milan, I learnt from the hall-porter that he was Sir Digby Kemsley,
+the great engineer. We travelled to Florence together, and stayed at the
+Baglioni, but one morning when I came down I found a hurried note
+awaiting me. From the hall-porter I learned that a gentleman had arrived
+in the middle of the night, and Sir Digby, after an excited controversy,
+left with him for London. In the note he gave me his address in
+Harrington Gardens, and asked me not to fail to call on my return to
+town."
+
+"Curious to have a visitor in the middle of the night," remarked the
+detective reflectively.
+
+"I thought so at the time, but, knowing him to be a man of wide business
+interests, concluded that it was someone who had brought him an urgent
+message," I replied. "Well, the rest is quickly told. On my return home I
+sought him out, with the result that we became great friends."
+
+"You had no suspicion that he was an impostor?"
+
+"None whatever. He seemed well known in London," I replied. "Besides, if
+he was not the real Sir Digby, how is it possible that he could have so
+completely deceived his friends! Why, he has visited the offices of
+Colliers, the great railway contractors in Westminster--the firm who
+constructed the railway in Peru. I recollect calling there with him in a
+taxi one day."
+
+Edwards smiled.
+
+"He probably did that to impress you, sir," he replied. "They may have
+known him as somebody else. Or he simply went in and made an inquiry.
+He's evidently a very clever person."
+
+Personally, I could not see how my friend could possibly have posed as
+Sir Digby Kemsley if he were not, even though Edwards pointed out that
+the real Sir Digby had only been in London a fortnight for the past nine
+years.
+
+Still, on viewing the whole situation, I confess inclination towards the
+belief that my friend was, notwithstanding the allegations, the real Sir
+Digby.
+
+And yet those strange words of his, spoken in such confidence on the
+previous night, recurred to me. There was mystery somewhere--a far more
+obscure mystery even than what was apparent at that moment.
+
+"Tell me what is known concerning Sir Digby's death in Peru," I asked.
+
+"From the report furnished to us at the Yard it seems that one day last
+August, while the gentleman in question was riding upon a trolley on the
+Cerro de Pasco railway, the conveyance was accidentally overturned into a
+river, and he was badly injured in the spine. A friend of his, a somewhat
+mysterious Englishman named Cane, brought him down to the hospital at
+Lima, and after two months there, he becoming convalescent, was conveyed
+for fresh air to Huacho, on the sea. Here he lived with Cane in a small
+bungalow in a somewhat retired spot, until on one night in February last
+year something occurred--but exactly what, nobody is able to tell. Sir
+Digby was found by his Peruvian servant dead from snake-bite. Cane
+evinced the greatest distress and horror until, of a sudden, a second
+man-servant declared that he had heard his master cry out in terror as he
+lay helpless in his bed. He heard him shriek: 'You--you blackguard,
+Cane--take the thing away! Ah! God! You've--you've killed me!' Cane
+denied it, and proved that he was at a friend's house playing cards at
+the hour when the servant heard his master shout for help. Next day,
+however, he disappeared. Our Consul in Lima took up the matter, and in
+due course a full report of the affair was forwarded to the Yard,
+together with a very detailed description of the man wanted. This we sent
+around the world, but up to to-day without result."
+
+"Then the man Cane was apparently responsible for the death of the
+invalid," I remarked.
+
+"I think so--without a doubt."
+
+"But who was the invalid? Was he the real Sir Digby?"
+
+"Aye, that's the question," said Edwards, thrusting his hands into his
+trouser pockets. For some moments we both sat staring blankly into the
+fire.
+
+"Among the papers sent to us," he said very slowly at last, "was this.
+Read it, and tell me your opinion."
+
+And then he took from his pocket-book and handed me a half-sheet of thin
+foreign notepaper, which had been closely written upon on both sides. It
+was apparently a sheet from a letter, for there was no beginning and no
+ending.
+
+The handwriting was educated, though small and crabbed, and the ink brown
+and half-faded, perhaps because of its exposure to a tropical climate. It
+had been written by a man, without a doubt.
+
+"That," said Edwards, "was found in a pocket-book belonging to Cane,
+which, in his hasty flight, he apparently forgot. According to our report
+the wallet was found concealed beneath the mattress of his bed, as though
+he feared lest anyone should read and learn what it contained. Read it,
+and tell me what you think."
+
+I took the sheet of thin paper in my fingers, and, crossing the room to a
+brighter light, managed to decipher the writing as follows:
+
+ "... At fourteen paces from where this wall rises from the lawn
+ stands the ever-plashing fountain. The basin is circular, while
+ around runs a paved path, hemmed in by smoke-blackened laurels
+ and cut off from the public way by iron railings. The water
+ falls with pleasant cadence into a small basin set upon a base
+ of moss-grown rockwork. Looking south one meets a vista of green
+ grass, of never-ceasing London traffic, and one tall distant
+ factory chimney away in the grey haze, while around the fountain
+ are four stunted trees. On the right stretches a strip of
+ garden, in spring green and gay with bulbs which bloom and die
+ unnoticed by the hundreds upon hundreds of London's workers who
+ pass and re-pass daily in their mad, reckless hurry to earn the
+ wherewithal to live.
+
+ "Halt upon the gravel at that spot on the twenty-third of the
+ month punctually at noon, and she will pass wearing the yellow
+ flower. It is the only trysting-place. She has kept it
+ religiously for one whole year without--alas!--effecting a
+ meeting. Go there--tell her that I still live, shake her hand in
+ greeting and assure her that I will come there as soon as ever I
+ am given strength so to do.
+
+ "I have been at that spot once only, yet every detail of its
+ appearance is impressed indelibly upon my memory. Alas! that I
+ do not know its name. Search and you will assuredly find it--and
+ you will see her. You will speak, and give her courage."
+
+I bit my lip.
+
+A sudden thought illuminated my mind.
+
+The yellow flower!
+
+Was not the mysterious woman whom I was to meet on the night of the
+fourteenth also to wear a yellow flower--the mimosa!
+
+
+
+
+CHAPTER IV.
+
+"DEAR OLD DIG."
+
+
+I told Edwards nothing of Sir Digby's curious request, of his strange
+confidences, or of the mysterious letter to "E. P. K.", which now reposed
+in a locked drawer in my writing-table.
+
+My friend, be he impostor or not, had always treated me strictly
+honourably and well. Therefore, I did not intend to betray him, although
+he might be a fugitive hunted by the police.
+
+Yet was he a fugitive? Did not his words to me and his marvellous
+disguise prior to the tragedy imply an intention to disappear?
+
+The enigma was indeed beyond solution.
+
+At seven o'clock my visitor, finding necessity to revisit Harrington
+Gardens, I eagerly accompanied him.
+
+There is a briskness and brightness in Piccadilly at seven o'clock on a
+clear, cold, winter's night unequalled in any thoroughfare in the world.
+On the pavements and in the motor-buses are thousands of London's workers
+hurrying to their homes in western suburbs, mostly the female employees
+of the hundreds of shops and work-rooms which supply the world's
+fashions--for, after all, London has now ousted Paris as the centre of
+the feminine mode--the shops are still gaily lit, the club windows have
+not yet drawn their blinds, and as motors and taxis flash past eastward,
+one catches glimpses of pretty women in gay evening gowns, accompanied by
+their male escorts on pleasure bent: the restaurant, the theatre, and the
+supper, until the unwelcome cry--that cry which resounds at half-past
+twelve from end to end of Greater London, "Time, please, ladies and
+gentlemen. Time!"--the pharisaical decree that further harmless merriment
+is forbidden. How the foreigner laughs at our childish obedience to the
+decree of the killjoys. And well he may, especially when we know full
+well that while the good people of the middle class are forced to return
+to the dulness of their particular suburb, the people of the class above
+them can sneak in by back doors of unsuspected places, and indulge in
+drinking, gambling, and dancing till daylight. Truly the middle-class
+Londoner is a meek, obedient person. One day, however, he may revolt.
+
+Piccadilly was particularly bright and gay that night, as, passing the
+end of St. James's Street, we sped forward in the taxi towards Brompton
+Road and past the Natural History Museum to Gloucester Road.
+
+On our arrival the door of the flat was opened by a constable without a
+helmet. Recognising the famous inspector, he saluted.
+
+The body of the unknown girl had been removed to the mortuary for a
+post-mortem examination, but nothing else had been moved, and two
+officers of the C.I.D. were busy making examination for finger-prints.
+
+I allowed them to take mine for comparison, but some they found upon the
+mahogany table and upon the back of a chair were undoubtedly those of
+the victim herself.
+
+The small glass-topped specimen-table still lay where it had been
+overturned, and the fragments of the two green-glass flower-vases were
+strewn upon the carpet with the drooping red anemones themselves.
+
+Regarding the overturned table the two detectives held that it had
+separated the assassin from his victim; that the girl had been chased
+around it several times before her assailant had thrown it down, suddenly
+sprung upon her, and delivered the fatal blow, full in her chest.
+
+"We've thoroughly examined it for finger-prints, sir," the elder of the
+two officers explained to my companion. "Both on the glass top and on the
+mahogany edge there are a number of prints of the victim herself, as well
+as a number made by another hand."
+
+"A man's?" I asked.
+
+"No; curiously enough, it seems to be a woman's," was the reply.
+
+"A woman's!"
+
+I thought of that sweet perfume, and of the person who had lurked in the
+shadow of the stairs!
+
+"That's interesting," remarked Edwards. "They may be those of the woman
+who wore green combs in her hair, or else of the porter's wife."
+
+"The owner's man-servant is away abroad on business for his master, we've
+found out," answered the man addressed. "So of late the porter's wife,
+who lives in the basement of the next house, has been in the habit of
+coming in every day and tidying up the room. We took her prints this
+morning, and have found quite a lot about the place. No," added the man
+emphatically, "the finger-prints on that little table yonder are not
+those of the porter's wife, but of another woman who's been here
+recently. We only find them upon the door-handle and on the edge of the
+writing-table, against which the woman must have leaned. We'll have them
+photographed to-morrow."
+
+The men then showed us the marks in question--distinct impressions of
+small finger-tips, which they had rendered vivid and undeniable by the
+application of a finely-powdered chalk of a pale green colour.
+
+Apparently the two experts had devoted the whole day to the search for
+finger-print clues, and they had established the fact that two women had
+been there--the victim and another.
+
+Who was she?
+
+The investigation of the papers in my friend's writing-table had not yet
+been made. Inspector Edwards had telephoned earlier in the day, stating
+that he would himself go through them.
+
+Therefore, exercising every care not to obliterate the three finger-marks
+upon the edge of the table, the officers proceeded to break open drawer
+after drawer and methodically examine the contents while I looked on.
+
+The work was exciting. At any moment we might discover something which
+would throw light upon the tragedy, the grim evidence of which remained
+in that dark, still damp stain upon the carpet--the life-blood of the
+unknown victim.
+
+Already the face of the dead girl had been photographed, and would,
+before morning, be circulated everywhere in an endeavour to secure
+identification.
+
+I had learnt from Edwards that before noon that morning, upon the
+notice-board outside Bow Street Police Station, there had been posted one
+of those pale, buff-coloured bills headed in great, bold capitals: "Body
+found," in which the description had been filled in by a clerkish hand,
+and at the bottom a statement that the corpse was lying at the Kensington
+Mortuary awaiting identification.
+
+That she was a lady seemed established by her dress, her well-kept hands,
+innocent of manual labour, by the costly rings and bracelet she was
+wearing, and the fact that, in the pocket of her coat was found her purse
+containing eleven pounds in gold and some silver.
+
+Sir Digby's papers promised to be extremely interesting, as we cleared
+the books off a side-table and sat down to carefully investigate them.
+
+The writing-table was a pedestal one, with a centre drawer and four
+drawers on either side. The first drawer burst open was the top one on
+the left, and from it Edwards drew two bundles of letters, each secured
+by faded pink tape.
+
+These bundles he handed to me, saying--
+
+"See what you think of these, Mr. Royle!"
+
+One after another I opened them. They were all in the same sprawly
+handwriting of a woman--a woman who simply signed herself "Mittie."
+
+They were love-letters written in the long ago, many commencing "My
+darling," or "Dearest," and some with "Dear old Dig."
+
+Though it seemed mean of me to peer into the closed chapter of my
+friend's history, I quickly found myself absorbed in them. They were the
+passionate outpourings of a brave but overburdened heart. Most of them
+were dated from hotels in the South of England and in Ireland, and were
+apparently written at the end of the eighties. But as no envelopes had
+been preserved they gave no clue to where the addressee had been at the
+time.
+
+Nearly all were on foreign notepaper, so we agreed that he must have been
+abroad.
+
+As I read, it became apparent that the writer and the addressee had been
+deeply in love with one another, but the lady's parents had forbidden
+their marriage; and as, alas! in so many like cases, she had been induced
+to make an odious but wealthier marriage. The man's name was Francis.
+
+ "He is, alas! just the same," she wrote in one letter dated
+ "Mount Ephraim Hotel, at Tunbridge Wells, Thursday": "We have
+ nothing in common. He only thinks of his dividends, his stocks
+ and shares, and his business in the City always. I am simply an
+ ornament of his life, a woman who acts as his hostess and
+ relieves him of much trouble in social anxieties. If father had
+ not owed him seventeen thousand pounds he would, I feel certain,
+ never have allowed me to marry him. But I paid my father's debt
+ with my happiness, with my very life. And you, dear old Dig, are
+ the only person who knows the secret of my broken heart. You
+ will be home in London seven weeks from to-day. I will meet you
+ at the old place at three o'clock on the first of October, for I
+ have much--so very much--to tell you. Father knows now how I
+ hate this dull, impossible life of mine, and how dearly I love
+ your own kind self. I told him so to-day, and he pities me. I
+ hope you will get this letter before you leave, but I shall
+ watch the movements of your ship, and I shall meet you on the
+ first of October. Till then adieu.--Ever your own MITTIE."
+
+At the old place! Where was it, I wondered? At what spot had the secret
+meeting been effected between the man who had returned from abroad and
+the woman who loved him so well, though she had been forced to become the
+wife of another.
+
+That meeting had taken place more than twenty years ago. What had been
+its result was shown in the next letter I opened.
+
+Written from the Queen's Hotel at Hastings on the fourth of October, the
+unfortunate "Mittie," who seemed to spend her life travelling on the
+South Coast, penned the following in a thin, uncertain hand:--
+
+ "Our meeting was a mistake, Dig, a grave mistake. We were
+ watched by somebody in the employ of Francis. When I returned to
+ Tunbridge Wells he taxed me with having met you, described our
+ trysting-place--the fountain--and how we had walked and walked
+ until, becoming too tired, we had entered that quiet little
+ restaurant to dine. He has misjudged me horribly. The sneak who
+ watched us must have lied to him, or he would never have spoken
+ to me as he did--he would not have insulted me. That night I
+ left him, and am here alone. Do not come near me, do not reply
+ to this. It might make matters worse. Though we are parted, Dig,
+ you know I love you and only you--_you_! Still your own MITTIE."
+
+I sat staring at that half-faded letter, taking no heed of what Edwards
+was saying.
+
+The fountain! They had met at the fountain, and had been seen!
+
+Could that spot be the same as mentioned in the mysterious letter left
+behind by the fugitive Cane after the sudden death of the Englishman away
+in far-off Peru?
+
+Did someone, after all the lapse of years, go there on every twenty-third
+of the month at noon wearing a yellow flower, to wait for a person who,
+alas! never came?
+
+The thought filled me with romance, even though we were at that moment
+investigating a very remarkable tragedy. Yet surely in no city in this
+world is there so much romance, so much pathos, such whole-hearted love
+and affection, or such deep and deadly hatred as in our great palpitating
+metropolis, where secret assassinations are of daily occurrence, and
+where the most unpardonable sin is that of being found out.
+
+"What's that you've got hold of?" Edwards asked me, as he crossed to the
+table and bent over me.
+
+I started.
+
+Then, recovering myself--for I had no desire that he should
+know--replied, quite coolly:
+
+"Oh, only a few old letters--written long ago, in the eighties."
+
+"Ah! Ancient history, eh?"
+
+"Yes," I replied, packing them together and retying them with the soiled,
+pink tape. "But have you discovered anything?"
+
+"Well," he replied with a self-conscious smile, "I've found a letter here
+which rather alters my theory," and I saw that he held a piece of grey
+notepaper in his hand. "Here is a note addressed to him as long ago as
+1900 in the name of Sir Digby Kemsley! Perhaps, after all, the man who
+died so mysteriously in Peru was an impostor, and the owner of this place
+was the real Sir Digby!"
+
+"Exactly my own theory," I declared.
+
+"But that fountain!" he remarked. "The fountain mentioned in the letter
+left behind by the man Cane. We must take immediate steps to identify it,
+and it must be watched on the twenty-third for the coming of the woman
+who wears a yellow flower. When we find her, we shall be able to discover
+something very interesting, Mr. Royle. Don't you agree?"
+
+
+
+
+CHAPTER V.
+
+"TIME WILL PROVE."
+
+
+These are truly the fevered days of journalistic enterprise the world
+over.
+
+There are no smarter journalists than those of Fleet Street, and none,
+not even in New York, with scent more keen for sensational news. "The
+day's story" is the first thought in every newspaper office, and surely
+no story would have been a greater "scoop" for any journal than the
+curious facts which I have related in the foregoing pages.
+
+But even though the gentlemen of the Press are ubiquitous, many a curious
+happening, and many a remarkable coroner's inquiry, often remain
+unreported.
+
+And so in this case. When, on the following morning, the coroner for the
+borough of Kensington held his inquiry in the little court off the High
+Street, no reporter was present, and only half a dozen idlers were seated
+in the back of the gloomy room.
+
+When the jury had taken their seats after viewing the remains, according
+to custom, the police inspector reported to the coroner that the body
+remained unidentified, though the description had been telegraphed
+everywhere.
+
+"I might add, sir," went on the inspector, "that there is strong belief
+that the young lady may be a foreigner. Upon the tab of her coat she was
+wearing was the name of a costumier: 'Sartori, Via Roma.' Only the name
+of the street, and not the town is given. But it must be somewhere in
+Italy. We are in communication with the Italian police with a view to
+ascertaining the name of the town, and hope thus to identify the
+deceased."
+
+"Very well!" said the coroner, a shrewd, middle-aged, clean-shaven man in
+gold pince-nez. "Let us have the evidence," and he arranged his papers
+with business-like exactitude.
+
+The procedure differed in no way from that in any other coroner's court
+in the kingdom, the relation of dry details by matter-of-fact persons
+spoken slowly in order that they might be carefully taken down.
+
+The scene was, indeed, a gloomy one, for the morning was dark, and the
+place was lit by electric light. The jury--twelve honest householders of
+Kensington--appeared from the outset eager to get back to their daily
+avocations. They were unaware of the curious enigma about to be presented
+to them.
+
+Not until I began to give my evidence did they appear to evince any
+curiosity regarding the case. But presently, when I had related my
+midnight interview with my friend, who was now a fugitive, the foreman
+put to me several questions.
+
+"You say that after your return from your visit from this man, Sir Digby
+Kemsley, he rang you up on the telephone?"
+
+"Yes."
+
+"What did he say?" inquired the foreman, a thin, white-headed man whose
+social standing was no doubt slightly above that of his fellow jurymen.
+
+"He asked me to return to him at once," was my reply.
+
+"But this appears extraordinary----"
+
+"We are not here to criticise the evidence, sir!" interrupted the coroner
+sharply. "We are only here to decide how the deceased came by her
+death--by accident, or by violence. Have you any doubt?"
+
+The foreman replied in the negative, and refrained from further
+cross-examining me.
+
+The coroner himself, however, put one or two pointed questions. He asked
+me whether I believed that it had actually been Sir Digby speaking on the
+second occasion, when I had been rung up, to which I replied:
+
+"At first, the voice sounded unfamiliar."
+
+"At first! Did you recognise it afterwards?"
+
+I paused for a few seconds, and then was compelled to admit that I had
+not been entirely certain.
+
+"Voices are, of course, often distorted by the telephone," remarked the
+coroner. "But in this case you may have believed the voice to have been
+your friend's because he spoke of things which you had been discussing in
+private only half-an-hour before. It may have been the voice of a
+stranger."
+
+"That is my own opinion, sir," I replied.
+
+"Ah!" he ejaculated, "and I entirely agree with you, for if your friend
+had contemplated the crime of murder he would scarcely have telephoned to
+you to come back. He would be most anxious to get the longest start he
+could before the raising of any hue and cry."
+
+This remark further aroused the curiosity of the hitherto apathetic jury,
+who sat and listened intently to the medical evidence which followed.
+
+The result of the doctor's examination was quickly told, and not of great
+interest. He had been called by the police and found the young woman
+dying from a deep wound under the breast, which had penetrated to the
+heart, the result of a savage blow with some long, thin, and very sharp
+instrument. The girl was not dead when he first saw her, but she expired
+about ten minutes afterwards.
+
+"I should think that the weapon used was a knife with a very sharp,
+triangular blade judging from the wound," the spruce-looking doctor
+explained. "The police, however, have failed to discover it."
+
+The words of the witness held me dumbfounded.
+
+"Have you ever met with knives with triangular blades, doctor?" inquired
+the coroner.
+
+"Oh, yes!" was the reply. "One sees them in collections of mediaeval arms.
+In ancient days they were carried almost universally in Southern
+Europe--the blade about nine inches long, and sometimes perforated. Along
+the blade, grease impregnated with mineral poison was placed, so that, on
+striking, some of the grease would remain in the wound. This form of
+knife was most deadly, and in Italy it was known as a misericordia."
+
+I sat there listening with open mouth. Why? Because I knew where one of
+those curious knives had been--one with a carved handle of cracked,
+yellow ivory. I had often taken it up and looked at the coat of arms
+carved upon the ivory--the shield with the six balls of the princely
+house of the Medici.
+
+"And in your opinion, doctor, the deceased came by her death from a blow
+from such a weapon as you describe?" the coroner was asking.
+
+"That is my firm opinion. The wound penetrated to the heart, and death
+was probably almost instantaneous."
+
+"Would she utter a cry?"
+
+"I think she would."
+
+"And yet no one seems to have heard any noise!" remarked the coroner. "Is
+that so?" he asked, turning to the police inspector.
+
+"We have no evidence of any cry being heard," replied the officer. "I
+purposely asked the other tenants of the flats above and below. But they
+heard no unusual sound."
+
+One of the detective-sergeants was then called; Inspector Edwards, though
+present, being purposely omitted. In reply to the coroner, he described
+the finding of the body, its examination, and the investigation which
+ensued.
+
+"I need not ask you if you have any clue to the assassin," said the
+coroner, when he had concluded writing down the depositions. "I presume
+you are actively prosecuting inquiries?"
+
+"Yes, sir," was the brief response.
+
+"I think, gentlemen," the coroner said, turning at last to the jury,
+"that we can go no further with this inquiry to-day. We must leave it for
+the police to investigate, and if we adjourn, let us say for a fortnight,
+we may then, I hope, have evidence of identification before us. The case
+certainly presents a number of curious features, not the least being the
+fact that the owner of the flat has mysteriously fled. When he is found
+he will, no doubt, throw some light upon the puzzling affair. I have to
+thank you for your attendance to-day, gentlemen," he added, addressing
+the dozen respectable householders, "and ask you to be present again this
+day fortnight--at noon."
+
+There was evident dissatisfaction among the jury, as there is always when
+a coroner's inquest is ever adjourned.
+
+It is certainly the reverse of pleasant to be compelled to keep an
+appointment which may mean considerable out-of-pocket expense and much
+personal inconvenience.
+
+One juror, indeed, raised an objection, as he had to go to do business in
+Scotland. Whereupon the coroner, as he rose, expressed his regret but
+declared himself unable to assist him. It was, he remarked, his duty as a
+citizen to assist in this inquiry, and to arrive at a verdict.
+
+After that the court rose, and every one broke up into small groups to
+discuss the strange affair of which the Press were at present in
+ignorance.
+
+Edwards had crossed the room and was speaking to me. But I heard him not.
+I was thinking of that triangular-bladed weapon--the "misericordia" of
+the middle ages--so frequently used for stealthy knife-thrusts.
+
+"Coming?" he asked at last. This aroused me to a sense of my
+surroundings, and I followed him blindly out into the afternoon shopping
+bustle of High Street, Kensington.
+
+Outside the Underground Station were the flower-sellers. Some were
+offering that tribute which the Riviera never fails to send to us
+Londoners in spring--sprigs of mimosa: the yellow flower which would be
+worn by the mysterious "E. P. K.," the written message to whom reposed in
+my writing-table at home.
+
+Personally, I am not a man of mystery, but just an ordinary London
+business man, differing in no way to thousands of others who are at the
+head of prosperous commercial concerns. London with all its garish
+glitter, its moods of dulness and of gaiety, its petrol-smelling streets,
+its farces of passing life, and its hard and bitter dramas always
+appealed to me. It was my home, the atmosphere in which I had been born
+and bred, nay, my very existence. I loved London and was ever true to the
+city of my birth, even though its climate might be derided, and Paris
+claimed as the one city in which to find the acme of comfort and
+enjoyment.
+
+I had not sought mystery--far from it. It had been thrust upon me, and
+now, as we went along the High Street in Kensington, towards the
+police-station, I found myself a sudden but important factor in a stern
+chase--a man-hunt--such as London had seldom known, for Edwards was
+saying to me:
+
+"At all hazards we must find your friend Kemsley, and you, Mr. Royle,
+must help us. You know him, and can identify him. There are grave
+suspicions against him, and these must be cleared up in view of the
+mysterious tragedy in Harrington Gardens."
+
+"You surely don't expect me to denounce my friend!" I cried.
+
+"It is not a question of denouncing him. His own actions have rendered
+the truth patent to every one. The girl was brutally killed, and he
+disappeared. Therefore he must be found," Edwards said.
+
+"But who was it who telephoned to me, do you think?" I asked.
+
+"Himself, perhaps. He was full of inventiveness, and he may have adopted
+that course hoping, when the time came, to prove an alibi. Who knows?"
+asked the famous inspector.
+
+"Look here!" I said as we crossed the threshold of the police-station, "I
+don't believe Sir Digby was either an impostor or an assassin."
+
+"Time will prove, Mr. Royle," he laughed with an incredulous air. "A man
+don't take all these precautions before disappearing unless he has a
+deeper motive. Your friend evidently knew of the lady's impending visit.
+Indeed, how could she have entered the flat had he not admitted her?"
+
+"She might have had a key," I hazarded.
+
+"Might--but not very likely," he said. "No, my firm conviction is that
+the man you know as Sir Digby Kemsley struck the fatal blow, and took the
+knife away with him."
+
+I shrugged my shoulders, but did not reply.
+
+Inside the station, we passed into the long room devoted to the officers
+of the Criminal Investigation Department attached to the division, and
+there met two sergeants who had given evidence.
+
+I was shown the photograph of the dead unknown, calm, and even pretty,
+just as I had seen her lying stretched in Digby's room.
+
+"The medical evidence was curious, Mr. Royle, wasn't it?" Edwards
+remarked. "That triangular knife ought not to be very difficult to trace.
+There surely are not many of them about."
+
+"No," I replied faintly, for the recollection of one which I had seen
+only a few days prior to the tragic occurrence--the one with the arms of
+the Medici carved upon its hilt, arose vividly before me.
+
+To me, alas! the awful truth was now plain.
+
+My suspicion regarding the culprit had, by the doctor's evidence, become
+entirely confirmed.
+
+I set my jaws hard in agony of mind. What was a mystery of London was to
+me no longer a mystery!
+
+
+
+
+CHAPTER VI.
+
+THE PIECE OF CONVICTION.
+
+
+The morning of the tenth of January was one of those of gloom and
+darkness which are, on occasions, the blots upon London's reputation.
+
+There seemed no fog, only a heavy, threatening cloud of night fell
+suddenly upon the city, and at three o'clock it might have been midnight.
+Streets, shops, and offices were lit everywhere, and buses and taxis
+compelled to light up, while in the atmosphere was a sulphurous odour
+with a black deposit which caused the eyes to smart and the lungs to
+irritate.
+
+Londoners know those periods of unpleasant darkness only too well.
+
+I was sitting in my room in Albemarle Street, watching Haines, who was
+cleaning a piece of old silver I had bought at an auction on the previous
+day. The collecting of old silver is, I may say, my hobby, and the piece
+was a very fine old Italian reliquary, about ten inches in height, with
+the Sicilian mark of the seventeenth century.
+
+Haines, under my tuition, had become an expert and careful cleaner of
+silver, and I was watching and exhorting him to exercise the greatest
+care, as the ornamentation was thin, and some of the scrollwork around
+the top extremely fragile. It had, according to the inscription at its
+base, contained a bone of a certain saint--a local saint of Palermo it
+seemed--but the relic had disappeared long ago. Yet the silver case
+which, for centuries, had stood upon an altar somewhere, was a really
+exquisite piece of the silversmith's art.
+
+Suddenly the telephone-bell rang, and on answering it I heard Phrida's
+voice asking--
+
+"I say, Teddy, is that you? Why haven't you been over since Thursday?"
+
+I started, recollecting that I had not been to Cromwell Road since the
+afternoon of the inquest--three days ago.
+
+"Dear, do forgive me," I craved. "I--I've been so horribly busy. Had to
+be at the works each day."
+
+"But you might have been over in the evening," she responded in a tone of
+complaint. "You remember you promised to take me to the St. James's last
+night, and I expected you."
+
+"Oh, dearest, I'm so sorry," I said. "But I've been awfully worried, you
+know. Do forgive me!"
+
+"Yes, I know!" she answered. "Well, I'll forgive you if you'll run over
+now and take me to tea at the Leslies. I've ordered the car for four
+o'clock. Will that suit you?"
+
+The Leslies! They were snobbish folk with whom I had but little in
+common. Yet what could I do but agree?
+
+And then my well-beloved rang off.
+
+When I got down to Cromwell Road just before four o'clock, the darkness
+had not lifted.
+
+My feelings as I passed along the big, old-fashioned hall and up the
+thickly-carpeted stairs to the drawing-room were mixed ones of doubt,
+and yet of deep affection.
+
+Ah, I loved Phrida--loved her better than my own life--and yet----?
+
+Fresh in my memory was the doctor's evidence that the crime in Harrington
+Gardens had been committed with a thin, triangular knife--a knife such as
+that I had often seen lying upon the old-fashioned, walnut what-not in
+the corner of the room I was just about to enter. I had known it lying in
+the same place for years.
+
+Was it still there?
+
+Purposely, because I felt that it could no longer be there, I had
+refrained from calling upon my love, and now, when I paused and turned
+the handle of the drawing-room door, I hardly dared to cast my eyes upon
+that antiquated piece of furniture.
+
+Phrida, who was sitting with her hat and coat already on, jumped up gaily
+to meet me.
+
+"Oh, you really are prompt, Teddy!" she cried with a flush of pleasure.
+
+Then, as I bent over her mother's hand, the latter said--
+
+"You're quite a stranger, Mr. Royle. I expect you have been very upset
+over the curious disappearance of your friend. We've searched the papers
+every day, but could find nothing whatever about it."
+
+Phrida had turned towards the fire, her pretty head bent as she buttoned
+her glove.
+
+"No," I replied. "Up to the present the newspapers are in complete
+ignorance of the affair. But no doubt they'll learn all about it before
+long."
+
+Then, crossing the room to pick up a magazine lying upon a chair, I
+halted against the old walnut what-not.
+
+Yes, the mediaeval poignard was still lying there, just as I had always
+seen it!
+
+Had it been used, and afterwards replaced?
+
+I scarcely dared to glance at it, lest I should betray any unusual
+interest. I felt that Phrida's eyes were watching me, that she suspected
+my knowledge.
+
+I took up the magazine idly, glanced at it, and, replacing it, returned
+to her side.
+
+"Well," she asked, "are you ready?"
+
+And then together we descended to the car.
+
+All the way up to Abbey Road she hardly spoke. She seemed unusually pale
+and haggard. I asked her what was the matter, but she only replied in a
+faint, unnatural voice--
+
+"Matter? Why nothing--nothing, I assure you, Teddy!"
+
+I did not reply. I gazed upon the pretty, pale-faced figure at my side in
+wonder and yet in fear. I loved her--ah! I loved her well and truly, with
+all my soul. Yet was it possible that by means of that knife lying there
+so openly in that West-End drawing-room a woman's life had been
+treacherously taken.
+
+Had my friend Digby, the fugitive, actually committed the crime?
+
+When I put the whole matter clearly and with common-sense before myself,
+I was bound to admit that I had a strong belief of his innocence.
+
+What would those finger-prints reveal?
+
+The thought held me breathless. Yes, to satisfy myself I would
+surreptitiously secure finger-prints of my well-beloved and then in
+secret compare them with those found in Sir Digby's rooms.
+
+But how? I was reflecting as the car passed by Apsley House and into the
+Park on its way to St. John's Wood.
+
+Was I acting honestly? I doubted her, I quite admit. Yet I felt that if I
+took some object--a glass, or something with a polished surface--that she
+had touched, and submitted it to examination, I would be acting as a
+sneak.
+
+The idea was repugnant to me. Yet with that horrible suspicion obsessing
+me I felt that I must do something in order to satisfy myself.
+
+What inane small talk I uttered in the Leslies' big, over-furnished
+drawing-room I know not. All I remember is that I sat with some insipid
+girl whose hair was flaxen and as colourless as her mind, sipping my tea
+while I listened to her silly chatter about a Cook's tour she had just
+taken through Holland and Belgium. The estimable Cook is, alas!
+responsible for much tea-table chatter among the fair sex.
+
+Our hostess was an obese, flashily-dressed, dogmatic lady, the wife of
+the chairman of a big drapery concern who, having married her eldest
+daughter to a purchased knighthood, fondly believed herself to be in
+society--thanks to the "paid paragraphs" in the social columns of certain
+morning newspapers. It is really wonderful what half-guineas will do
+towards social advancement in these days! For a guinea one's presence can
+be recorded at a dinner, or an at home, or one's departure from town can
+be notified to the world in general in a paragraph all to one's self--a
+paragraph which rubs shoulders with those concerning the highest in the
+land. The snobbery of the "social column" would really be amusing were it
+not so painfully apparent. A good press-agent will, for a fee, give one
+as much publicity and newspaper popularity as that enjoyed by a duke, and
+most amazing is it that such paragraphs are swallowed with keen avidity
+by Suburbia.
+
+The Leslies were an average specimen of the upper middle-class, who were
+struggling frantically to get into a good set. The old man was bald,
+pompous, and always wore gold pince-nez and a fancy waistcoat. He carried
+his shop manners into his drawing-room, retaining his habit of rubbing
+his hands in true shop-walker style when he wished to be polite to his
+guests.
+
+His wife was a loud-tongued and altogether impossible person, who, it was
+said, had once served behind the counter in a small shop in Cardiff, but
+who now regarded the poor workers in her husband's huge emporium as mere
+money-making machines.
+
+By dint of careful cultivation at bazaars and such-like charitable
+functions she had scraped acquaintance with a few women of title, to whom
+she referred in conversation as "dear Lady So and So, who said to me the
+other day," or "as my friend Lady Violet always says."
+
+She had buttonholed me at last, though I had endeavoured to escape her,
+and was standing before me like a pouter-pigeon pluming herself and
+endeavouring to be humorous at the expense of a very modest little
+married woman who had been her guest that afternoon and had just left
+after shaking my hand.
+
+Women of Mrs. Leslie's stamp are perhaps the most evil-tongued of all.
+They rise from obscurity, and finding wealth at their command, imagine
+that they can command obeisance and popularity. Woe betide other women
+who arouse their jealousy, for they will scandalise and blight the
+reputation of the purest of their sex in the suburban belief that the
+invention of scandal is the hallmark of smartness.
+
+At last I got rid of her, thanks to the arrival of an elegant young man,
+the younger son of a well-known peer, to whom, of course, she was at once
+all smiles, and, presently, I found myself out in the hall with Phrida. I
+breathed more freely when at last I passed into the keen air and entered
+the car.
+
+"Those people are impossible, dearest," I blurted out when the car had
+moved away from the door. "They are the most vulgar pair I know."
+
+"I quite agree," replied my well-beloved, pulling the fur rug over her
+knees. "But they are old friends of mother's, so I'm compelled to go and
+see them sometimes."
+
+"Ah!" I sighed. "I suppose the old draper will buy a knighthood at this
+year's sale for the King's Birthday, and then his fat wife will have a
+tin handle to her name."
+
+"Really, Teddy, you're simply awful," replied my companion. "If they
+heard you I wonder what they would say?"
+
+"I don't care," I replied frankly. "I only speak the truth. The
+Government sell their titles to anybody who cares to buy. Ah! I fear that
+few men who really deserve honour ever get it in these days. No man can
+become great unless he has the influence of money to back him. The
+biggest swindler who ever walked up Threadneedle Street can buy a
+peerage, always providing he is married and has no son. As old Leslie
+buys his calicoes, ribbons and women's frills, so he'll buy his title. He
+hasn't a son, so perhaps he'll fancy a peerage and become the Lord
+Bargain of Sale."
+
+Phrida laughed heartily at my biting sarcasm.
+
+Truth to tell, though I was uttering bitter sentiments, my thoughts were
+running in a very different direction. I was wondering how I could best
+obtain the finger-prints of the woman who held my future so irrevocably
+in her hands.
+
+I had become determined to satisfy myself of my love's innocence--or--can
+I write the words?--of her guilt!
+
+And as I sat there beside her, my nostrils again became filled by that
+sweet subtle perfume--the perfume of tragedy.
+
+
+
+
+CHAPTER VII.
+
+FATAL FINGERS.
+
+
+Two days passed.
+
+Those finger-prints--impressions left by a woman--upon the glass-topped
+specimen table in Sir Digby's room and on the door handle, were puzzling
+the police as they puzzled me. They had already been proved not to be
+those of the porter's wife, the lines being lighter and more refined.
+
+According to Edwards, after the finger-prints had been photographed,
+search had been made in the archives at Scotland Yard, but no record
+could be found that they were those of any person previously convicted.
+
+Were they imprints of the hand of my well-beloved?
+
+I held my breath each time that black and terrible suspicion filled my
+mind. I tried to put them aside, but, like a nightmare, they would recur
+to me hourly until I felt impelled to endeavour to satisfy myself as to
+her guilt or her innocence.
+
+I loved her. Yes, passionately and truly. Yet, somehow, I could not
+prevent this ever-recurring suspicion to fill my mind. There were so many
+small points to be elucidated--the jingle of the golden bangles, and
+especially the perfume, which each time I entered her presence recalled
+to me all the strange and unaccountable happenings of that fatal night.
+
+Again, who was the poor, unidentified victim--the pale-faced, pretty
+young woman who had visited Digby clandestinely, and gone to her death?
+
+Up to the present the police notices circulated throughout the country
+had failed to establish who she was. Yet, if she were a foreigner, as
+seemed so likely, identification might be extremely difficult; indeed,
+she might ever remain a mystery.
+
+It was nearly ten o'clock at night when I called at Cromwell Road, for I
+had excused myself for not coming earlier, having an object in view.
+
+I found Phrida in the library, sweet and attractive in a pale blue gown
+cut slightly _decolletee_. She and her mother had been out to dinner
+somewhere in Holland Park, and had only just returned.
+
+Mrs. Shand drew an armchair for me to the fire, and we all three sat down
+to chat in the cosiness of the sombre little book-lined den. Bain, the
+old butler, who had known me almost since childhood, placed the tantalus,
+a syphon and glasses near my elbow, and at Phrida's invitation I poured
+myself out a drink and lit a cigarette.
+
+"Come," I said, "you will have your usual lemonade"; and at my suggestion
+her mother ordered Bain to bring a syphon of that harmless beverage.
+
+My love reached forward for one of the glasses, whereupon I took one and,
+with a word of apology, declared that it was not quite clean.
+
+"Not clean!" exclaimed Mrs. Shand quickly.
+
+"There are a few smears upon it," I said, and adding "Excuse my
+handkerchief. It is quite clean," I took the silk handkerchief I carried
+with me purposely, and polished it with the air of a professional waiter.
+
+Both Phrida and her mother laughed.
+
+"Really, Mr. Royle, you are full of eccentricities," declared Mrs. Shand.
+"You always remind me of your poor father. He was most particular."
+
+"One cannot be too careful, or guard sufficiently against germs, you
+know," I said, handling the clean glass carefully and pouring out the
+lemonade from the syphon.
+
+Phrida took the glass from my hand, and laughing happily across its edge,
+drank. Her fingers were leaving tell-tale impressions upon its surface.
+And yet she was unconscious of my duplicity. Ah! yes, I hated myself for
+my double dealing. And yet so filled was I now by dark and breathless
+suspicion, that I found myself quite unable to resist an opportunity of
+establishing proof.
+
+I watched her as she, in all innocence, leaned back in the big saddle-bag
+chair holding her glass in her hand and now and then contemplating it.
+The impressions--impressions which could not lie--would be the means of
+exonerating her--or of condemning her.
+
+Those golden bangles upon her slim white wrist and that irritating
+perfume held me entranced. What did she know concerning that strange
+tragedy in Harrington Gardens. What, indeed, was the secret?
+
+My chief difficulty was to remain apparently indifferent. But to do so
+was indeed a task. I loved her, aye, with all my strength, and all my
+soul. Yet the black cloud which had fallen upon her was one of
+impenetrable mystery, and as I sat gazing upon her through the haze of my
+cigarette smoke, I fell to wondering, just as I had wondered during all
+those hours which had elapsed since I had scented that first whiff of
+Parfait d'Amour, with which her chiffons seemed impregnated.
+
+At last she put down her empty glass upon the bookshelf near her. Several
+books had been removed, leaving a vacant space.
+
+Mrs. Shand had already risen and bade me good-night; therefore, we were
+alone. So I rose from my chair and, bending over her, kissed her fondly
+upon the brow.
+
+No. I would believe her innocent. That white hand--the soft little hand I
+held in mine could never have taken a woman's life. I refused to believe
+it, and yet!
+
+Did she know more of Sir Digby Kemsley than she had admitted? Why had she
+gone to his flat at that hour, lurking upon the stairs until he should be
+alone, and, no doubt, in ignorance that I was his visitor?
+
+As I bent over her, stroking her soft hair with my hand, I tried to
+conjure up the scene which had taken place in Sir Digby's room--the
+tragedy which had caused my friend to flee and hide himself. Surely,
+something of a very terrible nature must have happened, or my
+friend--impostor or not--would have remained, faced the music, and told
+the truth.
+
+I knew Digby better than most men. The police had declared him to be an
+impostor; nevertheless, I still believed in him, even though he was now a
+fugitive. Edwards had laughed at my faith in the man who was my friend,
+but I felt within me a strong conviction that he was not so black as
+pigheaded officialdom had painted him.
+
+The Council of Seven at Scotland Yard might be a clever combination of
+expert brains, but they were not infallible, as had been proved so many
+times in the recent annals of London crime.
+
+Phrida had not referred to the tragedy, and I had not therefore mentioned
+it.
+
+My sole object at the moment was to obtain possession of the empty glass
+and carry it with me from the house.
+
+But how could I effect this without arousing her suspicion?
+
+She had risen and stood with her back to the blazing fire, her pretty
+lips parted in a sweet smile. We were discussing a play at which she had
+been on the previous evening, a comedy that had taken the town by storm.
+
+Her golden bangles jingled as she moved--that same light metallic sound I
+had heard in the darkness of the staircase at Harrington Gardens. My
+eager fingers itched to obtain possession of that glass which stood so
+tantalisingly within a couple of feet of my hand. By its means I could
+establish the truth.
+
+"Well, Teddy," my beloved said at last, as she glanced at the chiming
+clock upon the mantelshelf. "It's past eleven, so I suppose I must go to
+bed. Mallock is always in a bad temper if I keep her up after eleven."
+
+"I suppose that is only natural," I laughed. "She often waits hours and
+hours for you. That I know."
+
+"Yes," she sighed. "But Mallock is really a model maid. So much better
+than Rayne."
+
+Personally, I did not like the woman Mallock. She was a thin-nosed,
+angular person, who wore pince-nez, and was of a decidedly inquisitive
+disposition. But I, of course, had never shown any antagonism towards
+her; indeed, I considered it diplomatic to treat her with tact and
+consideration. She had been maid to the oldest daughter of a well-known
+and popular countess before entering Phrida's service, and I could well
+imagine that her principal topic of conversation in the servants' hall
+was the superiority of her late mistress, whose service she had left on
+her marriage to a wealthy peer.
+
+"I'm glad she is an improvement upon Rayne," I said, for want of
+something else to say, and, rising, I took her little hand and pressed it
+to my lips in farewell.
+
+When she had kissed me I said:
+
+"I'll just finish my cigarette, and I can let myself out."
+
+"Very well. But look in to-morrow, dear, won't you?" she replied, as I
+opened the door for her to pass. "Better still, I'll ring you up about
+three o'clock and see what you are doing. Oh! by the way, mother wants to
+remind you of your promise to dine with us on Wednesday night. I quite
+forgot. Of course you will--eight o'clock as usual."
+
+"Wednesday!" I exclaimed vaguely, recollecting the acceptance of Mrs.
+Shand's invitation about a week previously. "What date is that?"
+
+"Why, the fourteenth."
+
+"The fourteenth!" I echoed.
+
+"Yes, why? Really, you look quite scared, Freddy. What's the matter. Is
+anything terrible going to happen on that date?" she asked, looking at me
+with some concern.
+
+"Going to happen--why?" I asked, striving to calm myself.
+
+"Oh--well, because you look so horribly pale. When I told you the date
+you gave quite a jump!"
+
+"A jump? Did I?" I asked, striving to remain calm. "I didn't know, but,
+really, I'm filled with great disappointment. I'm so sorry, but it will
+be quite impossible for me to dine with you."
+
+"Another engagement?" she said in a rather irritated tone. "Going to some
+people whom you like better than us, of course. You might tell the truth,
+Teddy."
+
+"The truth is that I have a prior engagement," I said. "One that I cannot
+break. I have to fulfill faithfully a promise I gave to a very dear
+friend."
+
+"Couldn't you do it some other time?"
+
+"No," I answered. "Only on the evening of the fourteenth."
+
+"Then you can't come to us?" she asked with a pout.
+
+"I'll look in after," I promised. "But to dine is entirely out of the
+question."
+
+I saw that she was annoyed, but next moment her lips parted again in a
+pretty smile, and she said:
+
+"Very well, then. But remember, you will not be later than ten, will
+you?"
+
+"I promise not to be, dearest," I answered, and kissing her, she ascended
+to her room.
+
+The fourteenth! It was on that evening I had to carry out the promise
+made to Digby and meet the mysterious lady at the Piccadilly Circus Tube
+Station--the person whose initials were "E. P. K." and who would wear in
+her breast a spray of mimosa.
+
+I returned to the library, and for a second stood thinking deeply. Would
+I, by that romantic meeting, be placed in possession of some further fact
+which might throw light upon the mystery? Ah! would I, I wondered?
+
+The empty glass caught my eye, and I was about to cross and secure it
+when Bain suddenly entered. Seeing me, he drew back quickly, saying: "I
+beg pardon, sir. I thought you had gone. Will you take anything more,
+sir?"
+
+"No, not to-night, Bain," was my reply.
+
+Whereupon the old servant glanced around for the missing glass, and I saw
+with heart-sinking that he placed it upon the tray to carry it back to
+the servants' quarters.
+
+The link which I had been so careful in preparing was already vanishing
+from my gaze, when of a sudden I said:
+
+"I'll change my mind, Bain. I wonder if you have a lemon in the house?"
+
+"I'll go to the kitchen and see if cook has one, sir," replied the old
+man, who, placing down the tray, left to do my bidding.
+
+In an instant I sprang forward and seized the empty tumbler, handling it
+carefully. Swiftly, I tore a piece off the evening paper, and wrapping it
+around the glass, placed it in the pocket of my dinner jacket.
+
+Then, going into the hall, I put on my overcoat and hat, and awaited
+Bain's return.
+
+"I shan't want that lemon!" I cried to him as he came up from the lower
+regions. "Good-night, Bain!" and a few moments later I was in a taxi
+speeding towards Albemarle Street, with the evidence I wanted safe in my
+keeping.
+
+That finger-prints remained on the polished surface of the glass I knew
+full well--the prints of my beloved's fingers.
+
+But would they turn out to be the same as the fingers which had rested
+upon the glass-topped specimen-table in Digby's room?
+
+Opening the door with my latch-key, I dashed upstairs, eager to put my
+evidence to the proof by means of the finely-powdered green chalk I had
+already secured--the same as that used by the police.
+
+But on the threshold of my chambers Haines met me with a message--a
+message which caused me to halt breathless and staggered.
+
+
+
+
+CHAPTER VIII.
+
+CONTAINS FURTHER EVIDENCE.
+
+
+"Sir Digby Kemsley was here an hour ago, sir. He couldn't wait!" Haines
+exclaimed, bringing himself to attention.
+
+"Sir Digby!" I gasped, starting. "Why, in heaven's name, didn't you ring
+me up at Mrs. Shand's?" I cried.
+
+"Because he wouldn't allow me, sir. He came to see you in strictest
+secrecy, sir. When I opened the door I didn't know him. He's shaved off
+his beard and moustache, and was dressed like a clergyman."
+
+"A clergyman!"
+
+"Yes, sir. He looked just like a parson. I wouldn't have known him in the
+street."
+
+"An excellent ruse!" I exclaimed. "Of course, Haines, you know
+that--well--that the police are looking for him--eh?"
+
+"Perfectly well, but you can trust me, sir. I'll say nothing. Sir Digby's
+a friend of yours."
+
+"Yes, a great friend, and I feel that he's falsely accused of that
+terrible affair which happened at his flat," I said. "Did he promise to
+call again?"
+
+"He scribbled this note for you," Haines said, taking up a letter from my
+blotting-pad.
+
+With trembling fingers I tore it open, and upon a sheet of my own
+notepaper read the hurriedly written words--
+
+ "Sorry you were out. Wanted to see you most urgently. Keep your
+ promise at Piccadilly Circus, and know nothing concerning me. My
+ movements are most uncertain, as something amazing has occurred
+ which prevents me making explanation. I will, however, send you
+ my address in secret as soon as I have one. I trust you, Teddy,
+ for you are my only friend.
+
+ "Digby."
+
+I read the note several times, and gathered that he was in hourly fear of
+arrest. Every corner held for him a grave danger. Yet what could have
+occurred that was so amazing and which prevented him speaking the truth.
+
+That I had not been in when he called was truly unfortunate. But by the
+fact that he was in clerical attire I surmised that he was living in
+obscurity--perhaps somewhere in the suburbs. London is the safest city in
+the world in which to hide, unless, of course, creditors or plaintiffs
+make it necessary to seek peace "beyond the jurisdiction of the Court."
+
+Many a good man is driven to the latter course through no fault of his
+own, but by the inexorable demands of the Commissioners of Income Tax, or
+by undue pressure from antagonistic creditors. Every English colony on
+the Continent contains some who have fallen victims--good, honest
+Englishmen--who are dragging out the remainder of their lives in
+obscurity, men whose names are perhaps household words, but who conceal
+them beneath one assumed.
+
+Digby would probably join the throng of the exiled. So I could do naught
+else than wait for his promised message, even though I was frantic in my
+anxiety to see and to question him regarding the reason of the presence
+of my well-beloved at his flat on that fatal night.
+
+Imagine my bitter chagrin that I had not been present to receive him! It
+might be many months before I heard from him again, for his promise was
+surely very vague.
+
+Presently I took the glass very carefully from my pocket, unwrapped it
+from its paper, and locked it in a little cabinet in the corner of my
+room, until next morning I brought it forth, and placing it upon a
+newspaper powdered it well with the pale green chalk which revealed at
+once a number of finger-marks--mine, Bain's, and Phrida's.
+
+I am something of a photographer, as everybody is in these days of photo
+competitions. Therefore, I brought out my Kodak with its anastigmat
+lens,--a camera which I had carried for some years up and down Europe,
+and after considerable arrangement of the light, succeeded in taking a
+number of pictures. It occupied me all the morning, and even then I was
+not satisfied with the result. My films might, for aught I know, be
+hopelessly fogged.
+
+Therefore, with infinite care, I took the glass to a professional
+photographer I knew in Bond Street, and he also made a number of
+pictures, which were duly developed and enlarged some hours later, and
+showed the distinctive lines and curves of each finger-print.
+
+Not until the morning of the day following was I able to take these
+latter to Edwards, and then a great difficulty presented itself. How was
+I to explain how I had obtained the prints?
+
+I sat for an hour smoking cigarettes furiously and thinking deeply.
+
+At last a plan presented itself, and taking a taxi I went down to
+Scotland Yard, where I had no difficulty in obtaining an interview in his
+airy, barely-furnished business-like room.
+
+"Hulloa, Mr. Royle!" he exclaimed cheerily as I entered. "Sit down--well,
+do you know anything more of that mysterious friend of yours--eh?"
+
+I did not reply. Why should I lie? Instead, I said:
+
+"I've been doing some amateur detective work. Have you the photographs of
+those finger-prints found on the specimen-table in Sir Digby's room?"
+
+"Yes, of course," was his prompt reply, and going over to a cupboard he
+brought out a pile of papers concerning the case, and from it produced a
+number of photographic prints.
+
+My heart stood still when I saw them. Were either of them exactly similar
+to any of those I carried with me? I almost feared to allow comparison to
+be made.
+
+Edwards, noticing my hesitation, asked in what quarter my efforts had
+been directed.
+
+"I've been getting some finger-prints, that's all," I blurted forth, and
+from my pocket drew the large envelope containing the prints.
+
+The detective took them across to the window and regarded them very
+closely for some time, while I looked eagerly over his shoulder.
+
+The curves and lines were extremely puzzling to me, unaccustomed as I
+was to them. Edwards, too, remained in silent indecision.
+
+"We'll send them along to Inspector Tirrell in the Finger-print
+Department," my friend said at last. "He's an expert, and will tell at a
+glance if any marks are the same as ours."
+
+Then he rang a bell, and a constable, at his instructions, carried all
+the prints to the department in question.
+
+"Well, Mr. Royle," exclaimed the inspector when the door had closed; "how
+did you obtain those prints?"
+
+I was ready for his question, and a lie was at once glibly upon my lips.
+
+"Sir Digby, on the night of his disappearance, returned to me a small
+steel despatch box which he had borrowed some weeks before; therefore,
+after the affair, I examined it for finger-prints, with the result I have
+shown you," I said.
+
+"Ah! but whatever prints were upon it were there before the entrance of
+the victim to your friend's rooms," he exclaimed. "He gave it to you when
+you bade him good-night, I suppose?"
+
+"Yes."
+
+"And you carried the box home with you?"
+
+"Yes," I repeated; in fear nevertheless, that my lie might in some way
+incriminate me. Yet how could I tell him of my suspicion of Phrida. That
+secret was mine--and mine alone, and, if necessary, I would carry it with
+me to the grave.
+
+Edwards was again silent for some minutes.
+
+"No, Mr. Royle, I can't see that your evidence helps us in the least. If
+there should be the same prints on your despatch box as we found upon the
+specimen-table, then what do they prove?--why, nothing. If the box had
+been in the room at the time of the tragedy, then it might have given us
+an important clue, because such an object would probably be touched by
+any malefactor or assassin. But----"
+
+"Ah!" I cried, interrupting. "Then you do not suspect Sir Digby, after
+all--eh?"
+
+"Pardon me, Mr. Royle, but I did not say that I held no suspicion," was
+his quiet answer. "Yet, if you wish to know the actual truth, I, at
+present, am without suspicion of anyone--except of that second woman, the
+mysterious woman whose finger-prints we have, and who was apparently in
+the room at the same time as the unidentified victim."
+
+"You suspect her, then?" I asked breathlessly.
+
+"Not without further proof," he replied, with a calm, irritating smile.
+"I never suspect unless I have good grounds for doing so. At present we
+have three clear finger-prints of a woman whom nobody saw enter or leave,
+just as nobody saw the victim enter. Your friend Sir Digby seems to have
+held a midnight reception of persons of mysterious character, and with
+tragic result."
+
+"I feel sure he is no assassin," I cried.
+
+"It may have been a drama of jealousy--who knows?" said Edwards, standing
+erect near the window and gazing across at me. "Your friend, in any case,
+did not care to remain and explain what happened. A girl--an unknown
+girl--was struck down and killed."
+
+"By whom, do you think?"
+
+"Ah! Mr. Royle, the identity of the assassin is what we are endeavouring
+to discover," he replied gravely. "We must first find this man who has so
+successfully posed as Sir Digby Kemsley. He is a clever and elusive
+scoundrel, without a doubt. But his portrait is already circulated both
+here and on the Continent. The ports are all being watched, while I have
+five of the best men I can get engaged on persistent inquiry. He'll try
+to get abroad, no doubt. No doubt, also, he has a banking account
+somewhere, and through that we shall eventually trace him. Every man
+entrusts his banker with his address. He has to, in order to obtain
+money."
+
+"Unless he draws his money out in cash and then goes to a tourist agency
+and gets a letter of credit."
+
+"Ah, yes, that's often done," my friend admitted. "The tourist agencies
+are of greatest use to thieves and forgers. They take stolen notes,
+change them into foreign money, and before the numbers can be circulated
+are off across the Channel with their booty. If we look for stolen notes
+we are nearly certain to find them in the hands of a tourist agency or a
+money-changer."
+
+"Then you anticipate that you may find my friend Digby through his
+bankers?"
+
+"Perhaps," was his vague answer. "But as he is your friend, Mr. Royle, I
+perhaps ought not to tell you of the channels of information we are
+trying," he added, with a dry laugh.
+
+"Oh, I assure you I'm entirely ignorant of his whereabouts," I said. "If
+I knew, I should certainly advise him to come and see you."
+
+"Ah! you believe in his innocence, I see?"
+
+"I most certainly do!"
+
+"Well,--we shall see--we shall see," he said in that pessimistic tone
+which he so often adopted.
+
+"What are you doing about those letters--that letter which mentions the
+fountain?" I asked.
+
+"Nothing. I've dismissed those as private correspondence regarding some
+love episode of the long ago," he replied. "They form no clue, and are
+not worth following."
+
+At that moment the constable re-entered bearing the photographs.
+
+"Well, what does Inspector Tirrell say?" Edwards asked quickly of the
+man.
+
+"He has examined them under the glass, sir, and says that they are the
+same prints in both sets of photographs--the thumb and index-finger of a
+woman--probably a young and refined woman. He's written a memo there,
+sir."
+
+Edwards took it quickly, and after glancing at it, handed it to me to
+read.
+
+It was a mere scribbled line signed with the initials "W. H. T.," to the
+effect that the same prints appeared in both photographs, and concluded
+with the words "No record of this person is known in this department."
+
+I know I stood pale and breathless at the revelation--at the
+incontestable proof that my well-beloved had actually been present in
+Digby's room after my departure on that fatal night.
+
+Why?
+
+By dint of a great effort I succeeded in suppressing the flood of
+emotions which so nearly overcame me, and listened to Edwards as he
+remarked:
+
+"Well, after all, Mr. Royle, it doesn't carry us any further. Our one
+object is to discover the identity of the woman in question, and I think
+we can only do that from your absconding friend himself. If the marks are
+upon your despatch-box as you state, then the evidence it furnishes
+rather disproves the theory that the unknown woman was actually present
+at the time of the tragedy."
+
+I hardly know what words I uttered.
+
+I had successfully misled the great detective of crime, but as I rode
+along in the taxi back to my rooms, I was in a frenzy of despair, for I
+had proved beyond a shadow of doubt that Phrida was aware of what had
+occurred--that a black shadow of guilt lay upon her.
+
+The woman I had loved and trusted, she who was all the world to me, had
+deceived me, though she smiled upon me so sweetly. She, alas! held within
+her breast a guilty secret.
+
+Ah! in that hour of my bitterness and distress the sun of my life became
+eclipsed. Only before me was outspread a limitless grey sea of dark
+despair.
+
+
+
+
+CHAPTER IX.
+
+DESCRIBES THE YELLOW SIGN.
+
+
+The night of my mysterious tryst--the night of January the
+fourteenth--was dark, rainy, and unpleasant.
+
+That afternoon I had taken out the sealed letter addressed to "E. P. K."
+and turned it over thoughtfully in my hand.
+
+I recollected the words of the fugitive. He had said:
+
+"On the night of the fourteenth just at eight o'clock precisely, go to
+the Piccadilly Tube Station and stand at the first telephone box numbered
+four, on the Haymarket side, when a lady in black will approach you and
+ask news of me. In response you will give her this note. But there is a
+further condition. You may be watched and recognised. Therefore, be
+extremely careful that you are not followed on that day, and, above all,
+adopt some effective disguise. Go there dressed as a working man, I would
+suggest."
+
+Very strange was that request of his. It filled me with eager curiosity.
+What should I learn from the mysterious woman in black who was to come to
+me for a message from my fugitive friend.
+
+Had he already contemplated flight when he had addressed the note to her
+and made the appointment, I wondered.
+
+If so, the crime at Harrington Gardens must have been premeditated.
+
+I recollected, too, those strange, prophetic words which my friend had
+afterwards uttered, namely:
+
+"I want you to give me your promise, Royle. I ask you to make a solemn
+vow to me that if any suspicion arises within your mind, that you will
+believe nothing without absolute and decisive proof. I mean, that you
+will not misjudge her."
+
+By "her" he had indicated the lady whose initials were "E. P. K."
+
+It was certainly mysterious, and my whole mind was centred upon the
+affair that day.
+
+As I stood before my glass at seven o'clock that evening, I presented a
+strange, uncanny figure, dressed as I was in a shabby suit which I had
+obtained during the day from a theatrical costumier's in Covent Garden.
+
+Haines, to whom I had invented a story that I was about to play a
+practical joke, stood by much amused at my appearance.
+
+"Well, sir," he exclaimed; "you look just like a bricklayer's labourer!"
+
+The faded suit, frayed at the wrists and elbows, had once been grey, but
+it was now patched, brown, smeared with plaster, and ingrained with white
+dust, as was the ragged cap; while the trousers were ragged at the knees
+and bottoms. Around my neck was a dirty white scarf and in my hand I
+carried a tin tea-bottle as though I had just returned from work.
+
+"Yes," I remarked, regarding myself critically. "Not even Miss Shand
+would recognise me--eh, Haines?"
+
+"No, sir. I'm sure she wouldn't. But you'll have to dirty your face and
+hands a bit. Your hands will give you away if you're not careful."
+
+"Yes. I can't wear gloves, can I?" I remarked.
+
+Thereupon, I went to the grate and succeeded in rubbing ashes over my
+hands and applying some of it to my cheeks--hardly a pleasant face
+powder, I can assure you.
+
+At a quarter to eight, with the precious letter in the pocket of my
+ragged jacket, I left Albemarle Street and sauntered along Piccadilly
+towards the Circus. The rain had ceased, but it was wet underfoot, and
+the motor buses plashed foot passengers from head to foot with liquid
+mud. In my walk I passed, outside the Piccadilly Hotel, two men I knew.
+One of them looked me straight in the face but failed to recognise me.
+
+Piccadilly Circus, the centre of the night-life of London, is unique,
+with its jostling crowds on pleasure bent, its congestion of traffic, its
+myriad lights, its flashing, illuminated signs, and the bright facade of
+the Criterion on the one side and the Pavilion on the other. Surely one
+sees the lure of London there more than at any other spot in the whole of
+our great metropolis.
+
+Passing the Criterion and turning into the Haymarket, I halted for a
+moment on the kerb, and for the first time in my life, perhaps, gazed
+philosophically upon the frantic, hurrying panorama of human life passing
+before my eyes.
+
+From where I stood I could see into the well-lit station entrance with
+the row to the telephone boxes, at the end of which sat the smart young
+operator, who was getting numbers and collecting fees. All the boxes
+were engaged, and several persons were waiting, but in vain my eyes
+searched for a lady in black wearing mimosa.
+
+The winter wind was bitterly cold, and as I was without an overcoat it
+cut through my thin, shabby clothes, causing me to shiver. Nevertheless,
+I kept my watchful vigil. By a neighbouring clock I could see that it was
+already five minutes past the hour of the appointment. Still, I waited in
+eager expectation of her coming.
+
+The only other person who seemed to loiter there was a thin, shivering
+Oriental, who bore some rugs upon his shoulder--a hawker of shawls.
+
+Past me there went men and women of every grade and every station. Boys
+were crying "Extrur spe-shull," and evil-looking loafers, those foreign
+scoundrels who infest the West End, lurked about, sometimes casting a
+suspicious glance at me, with the thought, perhaps, that I might be a
+detective.
+
+Ah! the phantasmagora of life outside the Piccadilly Tube at eight
+o'clock in the evening is indeed a strangely complex one. The world of
+London has then ceased to work and has given itself over to pleasure,
+and, alas! in so many cases, to evil.
+
+In patience I waited. The moments seemed hours, for in my suspense I was
+dubious whether, after all, she would appear. Perhaps she already knew,
+by some secret means, of Sir Digby's flight, and if so, she would not
+keep the appointment.
+
+I strolled up and down the pavement, for a policeman, noticing me hanging
+about, had gruffly ordered me to "Move on!" He, perhaps, suspected me of
+"loitering for the purpose of committing a felony."
+
+Everywhere my eager eyes searched to catch sight of some person in black
+wearing a spray of yellow blossom, but among that hurrying crowd there
+was not one woman, young or old, wearing that flower so reminiscent of
+the Riviera.
+
+I entered the station, and for some moments stood outside the telephone
+box numbered 4. Then, with failing heart, I turned and went along to the
+spacious booking-hall, where the lifts were ever descending with their
+crowds of passengers.
+
+Would she ever come? Or, was my carefully planned errand entirely in
+vain?
+
+I could not have mistaken the date, for I had made a note of it in my
+diary directly on my return from Harrington Gardens, and before I had
+learned of the tragedy. No. It now wanted a quarter to nine and she had
+not appeared. At nine I would relinquish my vigil, and assume my normal
+identity. I was sick to death of lounging there in the cutting east wind
+with the smoke-blackened tin bottle in my hand.
+
+I had been idly reading an advertisement on the wall, and turned, when my
+quick eyes suddenly caught sight of a tall, well-dressed woman of middle
+age, who, standing with her back to me, was speaking to the
+telephone-operator.
+
+I hurried eagerly past her, when my heart gave a great bound. In the
+corsage of her fur-trimmed coat she wore the sign for which I had been
+searching for an hour--a sprig of mimosa!
+
+With my heart beating quickly in wild excitement, I drew back to watch
+her movements.
+
+She had asked the operator for a number, paid him, and was told that she
+was "on" at box No. 4.
+
+I saw her enter, and watched her through the glass door speaking
+vehemently with some gesticulation. The answer she received over the wire
+seemed to cause her the greatest surprise, for I saw how her dark,
+handsome face fell when she heard the response.
+
+In a second her manner changed. From a bold, commanding attitude she at
+once became apprehensive and appealing. Though I could not hear the words
+amid all that hubbub and noise, I knew that she was begging the person at
+the other end to tell her something, but was being met with a flat
+refusal.
+
+I saw how the black-gloved hand, resting upon the little ledge, clenched
+itself tightly as she listened. I fancied that tears had come into her
+big, dark eyes, but perhaps it was only my imagination.
+
+At last she put down the receiver and emerged from the box, with a
+strange look of despair upon her handsome countenance.
+
+What, I wondered, had happened?
+
+She halted outside the box for a moment, gazing about her as though in
+expectation of meeting someone. She saw me, but seeing only a labourer,
+took no heed of my presence. Then she glanced at the tiny gold watch in
+her bracelet, and noting that it was just upon nine, drew a long
+breath--a sigh as though of despair.
+
+I waited until she slowly walked out towards the street, and following,
+came up beside her and said in a low voice:
+
+"I wonder, madame, if you are looking for me?"
+
+She glanced at me quickly, with distinct suspicion, and noting my dress,
+regarded me with some disdain.
+
+Her dark brows were knit for a second in distinct displeasure, even of
+apprehension, and then in an instant I recollected my friend's injunction
+that I might be watched and followed. In giving her the message the
+greatest secrecy was to be observed.
+
+She halted, as though in hesitation, took from her bag a tiny lace
+handkerchief and dabbed her face, then beneath her breath, and without
+glancing further at me, said:
+
+"Follow me, and I will speak to you presently--when there is no danger."
+
+Upon that I moved away and leisurely lit my pipe, as though entirely
+unconcerned, while she still stood in the doorway leading to the
+Haymarket, looking up and down as though awaiting somebody.
+
+Yes, she was a distinctly handsome woman; tall, erect, and well
+preserved. Her gown fitted her perfectly, and her black jacket, trimmed
+with some rich dark fur, was a garment which gave her the stamp of a
+woman of wealth and refinement. She wore a neat felt hat also trimmed
+with fur, white gloves, and smart shoes, extremely small, even girlish,
+for a woman so well developed.
+
+Presently she sauntered forth down the Haymarket, and a few moments
+afterwards, still smoking and carrying my bottle, I lounged lazily after
+her.
+
+At the corner, by the Carlton, she turned into Pall Mall, continuing
+along that thoroughfare without once looking back. Opposite the United
+Service Club she crossed the road, and passing across the square in
+front of the Athenaeum, descended the long flight of steps which led into
+the Mall.
+
+There in the darkness, beneath the trees, where there were no
+onlookers--for at that hour the Mall is practically deserted, save for a
+few loving couples and a stray taxi or two--she suddenly paused, and I
+quickly approached and raised my cap politely.
+
+"Well?" she asked sharply, almost in a tone of annoyance. "What is it?
+What do you want with me, my man?"
+
+
+
+
+CHAPTER X.
+
+CHERCHEZ LA FEMME.
+
+
+I confess that her attitude took me aback.
+
+I was certainly unprepared for such a reception.
+
+"I believed, madame, that you were in search of me?" I said, with polite
+apology.
+
+"I certainly was not. I don't know you in the least," was her reply. "I
+went to the Tube to meet a friend who did not keep his appointment. Is it
+possible that you have been sent by him? In any case, it was very
+injudicious for you to approach me in that crowd. One never knows who
+might have been watching."
+
+"I come as messenger from my friend, Sir Digby Kemsley," I said in a low
+voice.
+
+"From him?" she gasped eagerly. "I--ah! I expected him. Is he prevented
+from coming? It was so very important, so highly essential, that we
+should meet," she added in frantic anxiety as we stood there in the
+darkness beneath the bare trees, through the branches of which the wind
+whistled weirdly.
+
+"I have this letter," I said, drawing it from my pocket. "It is addressed
+'For E. P. K.'"
+
+"For me?" she cried with eagerness, as she took it in her gloved hand,
+and then leaving my side she hurried to a street lamp, where she tore it
+open and read the contents.
+
+From where I stood I heard her utter an ejaculation of sudden terror. I
+saw how she crushed the paper in one hand while with the other she
+pressed her brow. Whatever the letter contained it was news which caused
+her the greatest apprehension and fear, for dashing back to me she asked:
+
+"When did he give you this? How long ago?"
+
+"On the night of January the sixth," was my reply. "The night when he
+left Harrington Gardens in mysterious circumstances."
+
+"Mysterious circumstances!" she echoed. "What do you mean? Is he no
+longer there?"
+
+"No, madame. He has left, and though I am, perhaps, his most intimate
+friend, I am unaware of his whereabouts. There were," I added, "reasons,
+I fear, for his disappearance."
+
+"Who are you? Tell me, first."
+
+"My name is Edward Royle," was my brief response.
+
+"Ah! Mr. Royle," the woman cried, "he has spoken of you many times. You
+were his best friend, he said. I am glad, indeed, to meet you, but--but
+tell me why he has disappeared--what has occurred?"
+
+"I thought you would probably know that my friend is wanted by the
+police," I replied gravely. "His description has been circulated
+everywhere."
+
+"But why?" she gasped, staring at me. "Why are the police in search of
+him?"
+
+For a few seconds I hesitated, disinclined to repeat the grave charge
+against him.
+
+"Well," I said at last in a low, earnest voice, "the fact is the police
+have discovered that Sir Digby Kemsley died in South America some months
+ago."
+
+"I don't follow you," she said.
+
+"Then I will be more plain. The police, having had a report of the death
+of Sir Digby, believe our mutual friend to be an impostor!"
+
+"An impostor! How utterly ridiculous. Why, I myself can prove his
+identity. The dead man must have been some adventurer who used his name."
+
+"That is a point which I hope with your assistance to prove," I said.
+"The police at present regard our friend with distinct suspicion."
+
+"And I suppose his worst enemy has made some serious allegation against
+him--that woman who hates him so. Ah! I see it all now. I see why he has
+written this to me--this confession which astounds me. Ah! Mr. Royle,"
+she added, her gloved hands tightly clenched in her despair. "You do not
+know in what deadly peril Sir Digby now is. Yes, I see it plainly. There
+is a charge against him--a grave and terrible charge--which he is unable
+to refute, and yet he is perfectly innocent. Oh, what can I do? How can I
+act to save him?" and her voice became broken by emotion.
+
+"First tell me the name of this woman who was such a deadly enemy of his.
+If you reveal this to me, I may be able to throw some light upon
+circumstances which are at the present moment a complete mystery."
+
+"No, that is his secret," was her low, calm reply. "He made me swear
+never to reveal the woman's name."
+
+"But his honour--nay, his liberty--is now at stake," I urged.
+
+"That does not exonerate me from breaking my word of honour, Mr. Royle."
+
+"Then he probably entertains affection for the woman, and is hence loth
+to do anything which might cause her pain. Strangely enough, men often
+love women whom they know are their bitterest enemies."
+
+"Quite so. But the present case is full of strange and romantic
+facts--facts, which if written down, would never be believed. I know many
+of them myself, and can vouch for them."
+
+"Well, is this unnamed woman a very vengeful person?" I asked,
+remembering the victim who had been found dead at Harrington Gardens.
+
+"Probably so. All women, when they hate a man, are vengeful."
+
+"Why did she hate him so?"
+
+"Because she believed a story told of him--an entirely false story--of
+how he had treated the man she loved. I taxed him with it, and he denied
+it, and brought me conclusive proof that the allegation was a pure
+invention."
+
+"Is she young or middle-aged?"
+
+"Young, and distinctly pretty," was her reply.
+
+Was it possible that this woman was speaking of that girl whom I had seen
+lying dead in my friend's flat? Had he killed her because he feared what
+she might reveal? How dearly I wished that I had with me at that moment a
+copy of the police photographs of the unidentified body.
+
+But even then she would probably declare it not to be the same person,
+so deeply had Sir Digby impressed upon her the necessity of regarding the
+affair as strictly secret.
+
+Indeed, as I walked slowly at her side, I saw that, whatever the note
+contained, it certainly had the effect upon her of preserving her
+silence.
+
+In that case, could the crime have been premeditated by my friend? Had he
+written her that secret message well knowing that he intended to kill the
+mysterious woman who was his deadliest enemy.
+
+That theory flashed across my brain as I walked with her, and I believed
+it to be the correct one. I accepted it the more readily because it
+removed from my mind those dark suspicions concerning Phrida, and, also,
+in face of facts which this unknown lady had dropped, it seemed to be
+entirely feasible.
+
+Either the unsuspecting woman fell by the hand of Digby Kemsley or--how
+can I pen the words--by the hand of Phrida, the woman I loved. There was
+the evidence that a knife with a triangular blade had been used, and such
+a knife had been, and was still, in the possession of my well-beloved;
+but from what I had learned that night it seemed that, little as I had
+dreamed the truth, my friend Digby had been held in bondage by a woman,
+whose tongue he feared.
+
+Ah! How very many men in London are the slaves of women whom they fear.
+All of us are human, and the woman with evil heart is, alas! only too
+ready to seize the opportunity of the frailty of the opposite sex, and
+whatever may be the secret she learns, of business or of private life,
+she will most certainly turn it to her advantage.
+
+It was similar circumstances I feared in the case of dear old Digby.
+
+I was wondering, as I walked, whether I should reveal to my
+companion--whose name she had told me was Mrs. Petre--the whole of the
+tragic circumstances.
+
+"Is it long ago since you last saw Digby?" I asked her presently, as we
+strolled slowly together, and after I had given her my address, and we
+had laughed together over my effective disguise.
+
+"Nearly two months," she replied. "I've been in Egypt since the beginning
+of November--at Assuan."
+
+"I was there two seasons ago," I said. "How delightful it is in Upper
+Egypt--and what a climate in winter! Why, it is said that it has never
+rained there for thirty years!"
+
+"I had a most awfully jolly time at the Cataract. It was full of smart
+people, for only the suburbs, the demi-monde, and Germans go to the
+Riviera nowadays. It's so terribly played out, and the Carnival gaiety is
+so childish and artificial."
+
+"It amuses the Cookites," I laughed; "and it puts money in the pockets of
+the hotel-keepers of Nice and the neighbourhood."
+
+"Monte is no longer _chic_," she declared. "German women in blouses
+predominate; and the really smart world has forsaken the Rooms for Cairo,
+Heliopolis, and Assuan. They are too far off and too expensive for the
+bearer of Cook's coupons."
+
+I laughed. She spoke with the nonchalant air of the smart woman of the
+world, evidently much travelled and cosmopolitan.
+
+But I again turned the conversation to our mutual friend, and strove
+with all the diplomatic powers I possessed to induce her to reveal the
+name or give me a description of the woman whom she had alleged to be his
+enemy--the woman who was under a delusion that he had wronged her lover.
+To all my questions, however, she remained dumb. That letter which I had
+placed in her hand had, no doubt, put a seal of silence upon her lips.
+
+At one moment she assumed a haughtiness of demeanour which suited her
+manner and bearing, at the next she became sympathetic and eager. She
+was, I gauged, a woman of strangely complex character. Yet whom could she
+be? I knew most, perhaps even all, of Digby's friends, I believed. He
+often used to give cosy little tea parties, to which women--many of them
+well known in society--came. Towards them he always assumed quite a
+paternal attitude, for he was nothing if not a ladies' man.
+
+She seemed very anxious to know in what circumstances he had handed me
+the note, and what instructions he had given me. To her questions I
+replied quite frankly. Indeed, I repeated his words.
+
+"Ah! yes," she cried. "He urged you not to misjudge me. Then you will
+not, Mr. Royle--will you?" she asked me with sudden earnestness.
+
+"I have no reason to misjudge you, Mrs. Petre," I said, quietly. "Why
+should I?"
+
+"Ah! but you may. Indeed, you most certainly will."
+
+"When?" I asked, in some surprise.
+
+"When--when you know the bitter truth."
+
+"The truth of what?" I gasped, my thoughts reverting to the tragedy in
+Harrington Gardens. Though I had not referred to it I felt that she must
+be aware of what had occurred, and of the real reason of Digby's flight.
+
+"The truth which you must know ere long," she answered hoarsely as we
+halted again beneath the leafless trees. "And when you learn it you will
+most certainly condemn me. But believe me, Mr. Royle, I am like your
+friend, Sir Digby, more sinned against than sinning."
+
+"You speak in enigmas," I said.
+
+"Because I cannot--I dare not tell you what I know. I dare not reveal the
+terrible and astounding secret entrusted to me. You will know it all soon
+enough. But--there," she added in a voice broken in despair, "what can
+matter now that Digby has shown the white feather--and fled."
+
+"He was not a coward, Mrs. Petre," I remarked very calmly.
+
+"No. He was a brave and honest man until----" and she paused, her low
+voice fading to a whisper that I did not catch.
+
+"Until what?" I asked. "Did something happen?"
+
+"Yes, it did," she replied in a hard, dry tone. "Something happened which
+changed his life."
+
+"Then he is not the impostor the police believe?" I demanded.
+
+"Certainly not," was her prompt reply. "Why he has thought fit to
+disappear fills me with anger. And yet--yet from this letter he has sent
+to me I can now see the reason. He was, no doubt, compelled to fly, poor
+fellow. His enemy forced him to do so."
+
+"The woman--eh?"
+
+"Yes, the woman," she admitted, bitter hatred in her voice.
+
+Then, after a pause, I said: "If I can be of any service to you, Mrs.
+Petre, for we are both friends of Digby's, I trust you will not fail to
+command me."
+
+And I handed her a card from my case, which I had carried expressly.
+
+"You are very kind, Mr. Royle," she replied. "Perhaps I may be very glad
+of your services one day. Who knows? I live at Park Mansions."
+
+"And may I call?"
+
+"For the present, no. I let my flat while I went abroad, and it is still
+occupied for several weeks. I shall not be there before the first week in
+March."
+
+"But I want to find Digby--I want to see him most urgently," I said.
+
+"And so do I!"
+
+"How can we trace him?" I asked.
+
+"Ah! I am afraid he is far too elusive. If he wishes to hide himself we
+need not hope to find him until he allows us to," she replied. "No, all
+we can do is to remain patient and hopeful."
+
+Again a silence fell between us. I felt instinctively that she wished to
+confide in me, but dare not do so.
+
+Therefore I exclaimed suddenly:
+
+"Will you not tell me, Mrs. Petre, the identity of this great enemy of
+our friend--this woman? Upon information which you yourself may give,
+Digby's future entirely depends," I added earnestly.
+
+"His future!" she echoed. "What do you mean?"
+
+"I mean only that I am trying to clear his good name of the stigma now
+resting upon it."
+
+The handsome woman bit her lip.
+
+"No," she replied with a great effort. "I'm sorry--deeply sorry--but I am
+now in a most embarrassing position. I have made a vow to him, and that
+vow I cannot break without first obtaining his permission. I am upon my
+honour."
+
+I was silent. What could I say?
+
+This woman certainly knew something--something which, if revealed, would
+place me in possession of the truth of what had actually occurred at
+Harrington Gardens on that fatal night. If she spoke she might clear
+Phrida of all suspicion.
+
+Suddenly, after a pause, I made up my mind to try and clear up one
+point--that serious, crucial point which had for days so obsessed me.
+
+"Mrs. Petre," I said, "I wonder if you will answer me a single question,
+one which does not really affect the situation much. Indeed, as we are, I
+hope, friends, I ask it more out of curiosity than anything else."
+
+"Well, what is it?" she asked, regarding me strangely.
+
+"I want to know whether, being a friend of Digby's, you have ever met or
+ever heard of a certain young lady living in Kensington named Phrida
+Shand."
+
+The effect of my words was almost electrical. She sprung towards me, with
+fire in her big, dark eyes.
+
+"Phrida Shand!" she cried wildly, her white-gloved hands again clenched.
+"Phrida Shand! You know that woman, eh? You know her, Mr. Royle. Is she a
+friend of yours?--or--or is she your enemy? Your friend, perhaps,
+because she is pretty. Oh, yes!" she laughed, hysterically. "Oh, yes! Of
+course, she is your friend. If she is--then curse her, Mr. Royle--invoke
+all the curses of hell upon her, as she so richly deserves!"
+
+And from her lips came a peal of laughter that was little short of
+demoniacal, while I stood glaring at her in blank dismay.
+
+What did she mean? Aye, what, indeed?
+
+
+
+
+CHAPTER XI.
+
+IN WHICH AN ALLEGATION IS MADE.
+
+
+I stood aghast at her words.
+
+I strove to induce her to speak more openly, and to tell me why I should
+not regard Phrida as my friend.
+
+But she only laughed mysteriously, saying:
+
+"Wait, and you will see."
+
+"You make a distinct charge against her, therefore I think you ought to
+substantiate it," I said in a tone of distinct annoyance.
+
+"Ah! Mr. Royle. Heed my words, I beg of you."
+
+"But, tell me, is Miss Shand the same person as you have denounced as
+Digby's enemy?" I asked in breathless apprehension. "Surely you will tell
+me, Mrs. Petre, now that we are friends."
+
+"Ah! but are we friends?" she asked, looking at me strangely beneath the
+light of the street-lamp in that deserted thoroughfare, where all was
+silence save the distant hum of the traffic. The dark trees above stood
+out distinct against the dull red night-glare of London, as the
+mysterious woman stood before me uttering that query.
+
+"Because we are mutual friends of Sir Digby's. I hope I may call you a
+friend," I replied, as calmly as I was able.
+
+She paused for a moment in indecision. Then she said:
+
+"You admit that you are friendly with the girl Shand--eh?"
+
+"Certainly."
+
+"More than friendly, I wonder?" she asked in a sharp tone.
+
+"Well--I'll be perfectly frank," was my answer. "I am engaged to be
+married to her."
+
+"Married," she gasped, "to her! Are you mad, Mr. Royle?"
+
+"I think not," I answered, greatly surprised at her sudden attitude.
+"Why?"
+
+"Because--because," she replied in a low, earnest voice, scarce above a
+whisper, "because, before you take such a step make further inquiry."
+
+"Inquiry about what?" I demanded.
+
+"About--well, about what has occurred at Harrington Gardens."
+
+"Then you know!" I cried. "You know the truth, Mrs. Petre?"
+
+"No," she replied quite calmly. "I know from this letter what must have
+occurred there. But who killed the girl I cannot say."
+
+"Who was the girl they found dead?" I asked breathlessly.
+
+"Ah! How can I tell? I did not see her."
+
+In a few quick words I described the deceased, but either she did not
+recognise her from the description, or she refused to tell me. In any
+case, she declared herself in ignorance.
+
+The situation was galling and tantalising. I was so near discovering the
+truth, and yet my inquiries had only plunged me more deeply into a
+quagmire of suspicion and horror. The more I tried to extricate myself
+the deeper I sank.
+
+"But whoever the poor girl may have been, you still maintain that Phrida
+Shand was Digby's most deadly enemy?" I asked quickly, setting a trap for
+her.
+
+I took her unawares, and she fell into it.
+
+"Yes," was her prompt response. An instant later, however, realising how
+she had been led to make an allegation which she had not intended, she
+hastened to correct herself, saying: "Ah, no! Of course, I do not allege
+that. I--I only know that Digby was acquainted with her, and that----"
+
+"Well?" I asked slowly, when she paused.
+
+"That--that he regretted the acquaintanceship."
+
+"Regretted? Why?"
+
+The woman shrugged her shoulders. All along she had been cognisant of the
+tragedy, yet with her innate cleverness she had not admitted her
+knowledge.
+
+"A man often regrets his friendship with a woman," she said, with a
+mysterious air.
+
+"What!" I cried fiercely. "Do you make an insinuation that----"
+
+"My dear Mr. Royle," she laughed, "I make no insinuation. It was you who
+have endeavoured to compel me to condemn her as Digby's enemy. You
+yourself suggested it!"
+
+"But you have told me that his fiercest and most bitter enemy was a
+woman!"
+
+"Certainly. But I have not told you that woman's name, nor do I intend to
+break my vow of secrecy to Digby--fugitive that he may be at this moment.
+Yet, depend upon it, he will return and crush his enemies in the dust."
+
+"I hope he will," was my fervent reply. "Yet I love Phrida Shand, and
+upon her there rests a terrible cloud of suspicion."
+
+She was silent for a moment, still standing beneath the lamp, gazing at
+me with those big, dark eyes.
+
+At last she said:
+
+"The way out is quite easy."
+
+"How?"
+
+"If you have any regard for your future put your love aside," was her
+hard response.
+
+"You hate her!" I said, knitting my brows, yet recollecting the proof I
+had secured of her presence in Digby's flat.
+
+"Yes," was her prompt response. "I hate her--I have cause to hate her!"
+
+"What cause?"
+
+"That is my own affair, Mr. Royle--my own secret. Find Digby, and he
+will, no doubt, tell you the truth."
+
+"The truth concerning Phrida?"
+
+"Yes."
+
+"But he knew I was engaged to her! Why did he not speak?"
+
+"And expose her secret?" she asked. "Would he have acted as a gentleman
+had he done so? Does a man so lightly betray a woman's honour?"
+
+"A woman's honour!" I gasped, staring at her, staggered as though she
+had struck me a blow. "What do you mean?"
+
+"I mean nothing," was her cold reply. "Take it as you may, Mr. Royle,
+only be warned."
+
+"But if Digby knew that she was worthless, he would surely have made some
+remark to arouse my suspicion?" I exclaimed.
+
+"Why should he?" she queried. "A true gentleman does not usually expose a
+woman's secret."
+
+I saw her point, and my heart sank within me. Were these scandalous
+allegations of hers based upon truth, or was she actuated by ill-feeling,
+perhaps, indeed, of jealousy?
+
+We walked on again slowly until we reached St. James's Palace, and passed
+out into the end of Pall Mall, where it joined St. James's Street. Yet
+her attitude was one of complete mystery. I was uncertain whether the
+admission she had so unconsciously made regarding Phrida--that she was
+Digby's worst enemy--was the actual truth or not.
+
+One thing was plain. This Mrs. Petre was a clever, far-seeing woman of
+the world, who had with great ingenuity held from me her knowledge of the
+crime.
+
+A problem was, therefore, presented to me. By what means could she be
+aware of it? First, she had expected to meet Digby that evening;
+secondly, the letter I had brought was written before the assassination
+of the unknown girl.
+
+How could she have obtained knowledge of the affair if it were not
+premeditated and hinted at in the letter I had so faithfully delivered?
+
+Half way up St. James's Street my companion suddenly exclaimed:
+
+"I must be going! Would you please hail me a taxi, Mr. Royle?"
+
+"I will--when you have answered my question," I said, with great
+politeness.
+
+"I have already replied to it," was her response. "You love Phrida Shand,
+but if you have any self-respect, any regard for your future, break off
+Whatever infatuation she has exercised over you. If you are Digby's
+friend, you will be a man, and act as such!"
+
+"I really don't follow you," I said, bewildered.
+
+"Perhaps not. But surely my words are plain enough!"
+
+"Is she the enemy of Digby, of whom you have spoken?"
+
+"That question I am not permitted to answer."
+
+I was silent a few seconds. Then I asked earnestly:
+
+"Tell me openly and frankly, Mrs. Petre. Is she the person you suspect of
+having committed the crime?"
+
+She gave vent to a short dry laugh.
+
+"Really, Mr. Royle," she exclaimed, "you put to me the most difficult
+riddles. How can I possibly suspect anyone of a crime of which I know
+nothing, and of which even the papers appear to be in ignorance?"
+
+"But you are not in ignorance," I said. "How, pray, did you learn that a
+tragedy had occurred?"
+
+"Ah!" she laughed. "That is my secret. You were very careful not to tell
+me the true cause of poor Digby's flight. Yes, Mr. Royle, I congratulate
+you upon your ingenuity in protecting the honour of your friend. Rest
+assured he will not forget the great services you have already rendered
+him."
+
+"I look for no reward. He was my friend," was my reply.
+
+"Then, if he was your friend and you are still his, heed my warning
+concerning Phrida Shand."
+
+"But tell me what you know?" I cried, clutching her arm as we walked
+together. "You don't understand that you are making allegations--terrible
+allegations--against the woman I love dearest in all the world. You have
+made an assertion, and I demand that you shall substantiate it," I added
+in frantic anxiety.
+
+She shook off my hand angrily, declaring that nothing more need be said,
+and adding that if I refused to heed her, then the peril would be mine.
+
+"But you shall not leave me until you have furnished me with proof of
+these perfidious actions of my love!" I declared vehemently.
+
+"Mr. Royle, we really cannot use high words in the public street," she
+replied in a low tone of reproof. "I am sorry that I am not permitted to
+say more."
+
+"But you shall!" I persisted. "Tell me--what do you know? Is Digby the
+real Sir Digby?"
+
+"Of course he is!"
+
+"And what are his exact relations with Phrida?"
+
+"Ah!" she laughed. "You had better ask her yourself, Mr. Royle. She will,
+no doubt, tell you. Of course, she will--well, if you are to marry her.
+But there, I see that you are not quite responsible for your words this
+evening. It is, perhaps, natural in the circumstances; therefore I will
+forgive you."
+
+"Natural!" I echoed. "I should think it is natural that I should resent
+such dastardly allegations when made against the woman I love."
+
+"All I repeat is--go and ask her for yourself," was the woman's quiet
+response as she drew herself up, and pulled her fur more closely about
+her throat. "I really can't be seen here talking with you in that garb,"
+she added.
+
+"But you must tell me," I persisted.
+
+"I can tell you no more than I have done. The girl you love will tell you
+everything, or--at least, if you have a grain of ingenuity, as you no
+doubt have--you will find out everything for yourself."
+
+"Ah! but----"
+
+"No, not another word, please, Mr. Royle--not to-night. If after making
+inquiry into the matter you care to come and see me when I am back in
+Park Mansions, I shall be very happy to receive you. By that time,
+however, I hope we shall have had news of poor Digby's whereabouts."
+
+"If I hear from him--as I expect to--how can I communicate with you?" I
+asked.
+
+For a few seconds she stood wondering.
+
+"Write to me to Park Mansions," she replied. "My letters are always
+forwarded."
+
+And raising her umbrella she herself hailed a passing taxi.
+
+"Remember my warning," were her final words as she gave the man an
+address in Regent's Park, and entered the conveyance. "Go and see Phrida
+Shand at once and tell her what I have said."
+
+"May I mention your name?" I asked hoarsely.
+
+"Yes," she replied. "Good-night."
+
+And a moment later I was gazing at the red back-lamp of the taxi, while
+soon afterwards I again caught a glimpse of the same lonely seller of
+shawls whom I had seen at the Tube station, trudging wearily homeward,
+there being no business doing at that hour of the evening.
+
+
+
+
+CHAPTER XII.
+
+PHRIDA MAKES CONFESSION.
+
+
+I sat in my rooms in Albemarle Street utterly bewildered.
+
+My meeting with the mysterious woman who wore the spray of mimosa had,
+instead of assisting to clear up the mystery, increased it a hundredfold.
+
+The grave suspicions I had entertained of Phrida had been corroborated by
+her strangely direct insinuations and her suggestion that I should go to
+her and tell her plainly what had been alleged.
+
+Therefore, after a sleepless night, I went to Cromwell Road next morning,
+determined to know the truth. You can well imagine my state of mind when
+I entered Mrs. Shand's pretty morning-room, where great bowls of
+daffodils lent colour to the otherwise rather dull apartment.
+
+Phrida entered, gay, fresh, and charming, in a dark skirt and white
+blouse, having just risen from breakfast.
+
+"Really, Teddy," she laughed, "you ought to be awarded a prize for early
+rising. I fear I'm horribly late. It's ten o'clock. But mother and I went
+last night to the Aldwych, and afterwards with the Baileys to supper at
+the Savoy. So I may be forgiven, may I not--eh?"
+
+"Certainly, dear," I replied, placing my hand upon her shoulder. "What
+are you doing to-day?"
+
+"Oh! I'm quite full up with engagements," she replied, crossing to the
+writing-table and consulting a porcelain writing tablet.
+
+"I'm due at my dressmaker's at half-past eleven, then I've to call in
+Mount Street at half-past twelve, lunch at the Berkeley, where mother has
+two women to lunch with her, and a concert at Queen's Hall at
+three--quite a day, isn't it?" she laughed.
+
+"Yes," I said. "You are very busy--too busy even to talk seriously with
+me--eh?"
+
+"Talk seriously!" she echoed, looking me straight in the face. "What do
+you mean, Teddy? Why, what's the matter?"
+
+"Oh! nothing very much, dearest," was my reply, for I was striving to
+remain calm, not withstanding my great anxiety and tortured mind.
+
+"But there is," she persisted, clutching at my hand and looking eagerly
+into my face. "What is amiss? Tell me," she added, in low earnestness.
+
+I was silent for a moment, and leaving her I crossed to the window and
+gazed out into the broad, grey thoroughfare, grim and dispiriting on that
+chilly January morning.
+
+For a moment I held my breath, then, with sudden determination, I walked
+back to where she was standing, and placing both hands upon her
+shoulders, kissed her passionately upon the lips.
+
+"You are upset to-day, Teddy," she said, with deep concern. "What has
+happened? Tell me, dear."
+
+"I--I hardly know what's happened," I replied in a low voice. "But,
+Phrida," I said, looking straight into her great eyes, "I want to--to ask
+you a question."
+
+"A question--what?" she demanded, her cheeks paling slightly.
+
+"Yes. I want you to tell me what you know of a Mrs. Petre, a----"
+
+"Mrs. Petre!" she gasped, stepping back from me, her face pale as death
+in an instant. "That woman!"
+
+"Yes, that woman, Phrida. Who is she--what is she?"
+
+"Please don't ask me, Teddy," my love cried in distress, covering her
+pretty face with her hands and bursting suddenly into tears.
+
+"But I must, Phrida--I must, for my own peace of mind," I said.
+
+"Why? Do you know the woman?"
+
+"I met her last night," I explained. "I delivered to her a note which my
+friend Digby had entrusted to me."
+
+"I thought your friend had disappeared?" she said quickly.
+
+"It was given to me before his flight," was my response. "I fulfilled a
+confidential mission with which he entrusted me. And--and I met her. She
+knows you--isn't that so?"
+
+I stood with my eyes full upon the white face of the woman I loved,
+surveying her coldly and critically, so full of black suspicion. Was my
+heart at that moment wholly hers? In imagination, place yourself, my
+reader, in a similar position. Put before yourself the problem with
+which, at that second, I found myself face to face.
+
+I loved Phrida, and yet had I not obtained proof positive of her
+clandestine visit to my friend on that fateful night? Were her
+finger-prints not upon the little glass-topped specimen-table in his
+room?
+
+And yet so clever, so ingenious had she been, so subtle was her woman's
+wit, that she had never admitted to me any knowledge of him further than
+a formal introduction I had once made long ago.
+
+I had trusted her--aye, trusted her with all the open sincerity of an
+honourable man--for I loved her better than anything else on earth. And
+with what result?
+
+With my own senses of smell and of hearing I had detected her presence on
+the stairs--waiting, it seemed, to visit my friend in secret after I had
+left.
+
+No doubt she had been unaware of my identity as his visitor, or she would
+never dared to have lurked there.
+
+As I stood with my hand tenderly upon her arm, the gaze of my
+well-beloved was directed to the ground. Guilt seemed written upon her
+white brow, for she dared not raise her eyes to mine.
+
+"Phrida, you know that woman--you can't deny knowledge of her--can you?"
+
+She stood like a statue, with her hands clenched, her mouth half open,
+her jaws fixed.
+
+"I--I--I don't know what you mean," she faltered at last, in a hard voice
+quite unusual to her.
+
+"I mean that I have a suspicion, Phrida--a horrible suspicion--that you
+have deceived me," I said.
+
+"How?" she asked, with her harsh, forced laugh.
+
+I paused. How should I tell her? How should I begin?
+
+"You have suppressed from me certain knowledge of which you know I ought
+to have been in possession for my friend Digby's sake, and----"
+
+"Ah! Digby Kemsley again!" she cried impatiently. "You've not been the
+same to me since that man disappeared."
+
+"Because you know more concerning him than you have ever admitted to me,
+Phrida," I said in a firm, earnest voice, grasping her by the arm and
+whispering into her ear. "Now, be open and frank with me--tell me the
+truth."
+
+"Of what?" she faltered, raising her eyes to mine with a frightened look.
+
+"Of what Mrs. Petre has told me."
+
+"That woman! What has she said against me?" my love demanded with quick
+resentment.
+
+"She is not your friend, in any case," I said slowly.
+
+"My friend!" she echoed. "I should think not. She----"
+
+And my love's little hands clenched themselves and she burst again into
+tears without concluding her sentence.
+
+"I know, dearest," I said, striving to calm her, and stroking her hair
+from her white brow. "I tell you at once that I do not give credence to
+any of her foul allegations, only--well, in order to satisfy myself, I
+have come direct to you to hear your explanation."
+
+"My--my explanation!" she gasped, placing her hand to her brow and bowing
+her head. "Ah! what explanation can I make of allegations I have never
+heard?" she demanded. "Surely, Teddy, you are asking too much."
+
+I grasped her hand, and holding it in mine gazed again upon her. We were
+standing together near the centre of the room where the glowing fire
+shed a genial warmth and lit up the otherwise gloomy and solemn
+apartment.
+
+Ah! how sweet she seemed to me, how dainty, how charming, how very pure.
+And yet? Ah! the recollection of that woman's insinuations on the
+previous night ate like a canker-worm into my heart. And yet how I loved
+the pale, agitated girl before me! Was she not all the world to me?
+
+A long and painful silence had fallen between us, a silence only broken
+by the whirl of a taxi passing outside and the chiming of the long,
+old-fashioned clock on the stairs.
+
+At last I summoned courage to say in a calm, low voice;
+
+"I am not asking too much, Phrida. I am only pressing you to act with
+your usual honesty, and tell me the truth. Surely you can have nothing to
+conceal?"
+
+"How absurd you are, Teddy!" she said in her usual voice. "What can I
+possibly have to conceal from you?"
+
+"Pardon me," I said; "but you have already concealed from me certain very
+important facts concerning my friend Digby."
+
+"Who has told you that? The woman Petre, I suppose," she cried in anger.
+"Very well, believe her, if you wish."
+
+"But I don't believe her," I protested.
+
+"Then why ask me for an explanation?"
+
+"Because one is, I consider, due from you in the circumstances."
+
+"Then you have set yourself up to be my judge, have you?" she asked,
+drawing herself up proudly, all traces of her tears having vanished. I
+saw that the attitude she had now assumed was one of defiance; therefore
+I knew that if I were to obtain the information I desired I must act with
+greatest discretion.
+
+"No, Phrida," I answered. "I do not mistrust or misjudge you. All I ask
+of you is the truth. What do you know of my friend Digby Kemsley?"
+
+"Know of him--why, nothing--except that you introduced us."
+
+For a second I remained silent. Then with severity I remarked:
+
+"Pardon me, but I think you rather misunderstood my question. I meant to
+ask whether you have ever been to his flat in Harrington Gardens?"
+
+"Ah! I see," she cried instantly. "That woman Petre has endeavoured to
+set you against me, Teddy, because I love you. She has invented some
+cruel lie or other, just as she did in another case within my knowledge.
+Come," she added, "tell me out plainly what she has alleged against me?"
+
+She was very firm and resolute now, and I saw in her face a hard, defiant
+expression--an expression of bitter hatred against the woman who had
+betrayed her.
+
+"Well," I said; "loving you as intensely as I do, I can hardly bring
+myself to repeat her insinuations."
+
+"But I demand to know them," she protested, standing erect and facing me.
+"I am attacked; therefore, I am within my right to know what charges the
+woman has brought against me."
+
+"She has brought no direct charges," was my slow reply. "But she has
+suggested certain things--certain scandalous things."
+
+"What are they?" she gasped, suddenly pale as death.
+
+"First tell me the truth, Phrida," I cried, holding her in my arms and
+looking straight into those splendid eyes I admired so much. "Admit
+it--you knew Digby. He--he was a friend of yours?"
+
+"A--a friend--" she gasped, half choking with emotion. "A--friend--yes."
+
+"You knew him intimately. You visited him at his rooms unknown to me!" I
+went on fiercely.
+
+"Ah!" she shrieked. "Don't torture me like this, Teddy, when I love you
+so deeply. You don't know--you can never know all I have suffered--and
+now this woman has sought to ruin and crush me!"
+
+"Has she spoken the truth when she says that you visited Digby--at
+night--in secret!" I demanded, bitterly, between my teeth, still holding
+her, her white, hard-set face but a few inches from my own.
+
+She drew a long, deep breath, and in her eyes was a strange
+half-fascinated look--a look that I had never seen in them before.
+
+"Ah! Teddy," she gasped. "This--this is the death of all our love. I
+foresee only darkness and ruin before me. But I will not lie to you. No!
+I--I----"
+
+Then she paused, and a shudder ran through her slim frame which I held
+within my grasp. "I'll tell you the truth. Yes. I--I--went to see your
+friend unknown to you."
+
+"You did!" I cried hoarsely, with fierce anger possessing my soul.
+
+"Yes, dear," she faltered in a voice so low that I could scarce catch her
+reply. "Yes--I--I went there," she faltered, "because--because he--he
+compelled me."
+
+"Compelled you!" I echoed in blank dismay.
+
+But at that instant I saw that the blackness of unconsciousness had
+fallen upon my love even as I held her in my embrace.
+
+And for me, too, alas! the sun of life had ceased to shine, and the world
+was dead.
+
+
+
+
+CHAPTER XIII.
+
+THE FUGITIVE'S SECRET.
+
+
+Tenderly I placed my love upon the couch, and then rang the bell.
+
+In answer to my summons the young Italian man-servant appeared.
+
+"Send Mallock here quickly," I said. "Miss Shand is not well. But say
+nothing of this to your mistress, or to the other servants. You
+understand, Egisto?"
+
+"Cer-tainly, sare," replied the smart young Tuscan, and a few moments
+later the door re-opened to admit the thin-faced maid in black, wearing
+her muslin apron and gold-rimmed glasses.
+
+She dashed across to the couch in an instant, and bent, looking into the
+white, immobile face of my well-beloved.
+
+"I fear your mistress has fainted, Mallock, so I thought it best to call
+you. I have, unfortunately, imparted to her some news which has upset
+her. Will you please see after her?"
+
+"Of course, sir. I'll go and get some smelling salts and some water."
+
+And quickly the girl disappeared. Then, when she had gone, I stood
+before the inanimate form of the woman I loved so well, and wondered what
+could be the real, actual truth.
+
+Her admission had taken me aback. She had confessed to visiting my
+friend, but had alleged that he had compelled her. Was she actually
+beneath some mysterious thraldom--was she held in some secret bondage by
+the man I had trusted and who was my best friend?
+
+The very suspicion of it filled me with a fierce irresponsible anger, and
+I clenched my fists.
+
+Ah! I would find him and face him. I would clutch his throat and force
+the truth from his lips.
+
+And if he had betrayed me--if he had exercised any evil influence over
+Phrida--then, by heaven! I would take his life!
+
+Mallock bustled in the next moment, and sinking upon her knees began to
+apply restoratives.
+
+"Tell your mistress that I will return after luncheon, if she will see
+me," I said.
+
+"Yes, sir."
+
+"And--and tell her, Mallock, to remain calm until I see her. Will you?"
+
+"Yes, sir," answered the maid, and then I went out into the hall,
+struggled into my overcoat, and left the house.
+
+Out in Cromwell Road the scene, grey, dull and dismal, was, alas! in
+accord with my own feelings.
+
+The blow I had feared had fallen. The terrible suspicion I had held from
+that moment when, upon the stairs at Harrington Gardens, I had smelt that
+sweet, unusual perfume and heard the jingle of golden bangles, had been
+proved.
+
+She had actually admitted her presence there--with the man I had believed
+to be my friend, the man, whom, up to the present, I had sought to shield
+and protect!
+
+I hailed a taxi, and not knowing what I did, drove to the Reform. As I
+passed up the steps from Pall Mall the porter handed me my letters, and
+then, heedless of where my footsteps carried me, I entered the big,
+square hall and turned into the writing-room on the left--a room historic
+in the annals of British politics, for many a State secret had been
+discussed there by Ministers of the Crown, many a point of the Cabinet's
+policy had been decided, and also the fate of many a bill.
+
+The long, sombre room with the writing tables covered with blue cloth,
+was empty, as it usually is, and I flung myself down to scribble a
+note--an apology for not keeping an appointment that afternoon.
+
+My overburdened heart was full of chagrin and grief, for my idol had been
+shattered by a single blow, and only the wreck of all my hopes and
+aspirations now remained.
+
+In a week's time the coroner would hold his adjourned inquiry into the
+tragedy at Harrington Gardens, and then what startling revelations might
+be made! By that time it was probable that the police would be able to
+establish the identity of the accused, and, moreover, with Mrs. Petre
+vengeful and incensed against Phrida, might she not make a statement to
+the authorities?
+
+If so, what then?
+
+I sat with my elbows upon the table staring out into Pall Mall, which
+wore such a cold and cheerless aspect that morning.
+
+What could I do? How should I act? Ah! yes, at that moment I sat utterly
+bewildered, and trying in vain to discern some way out of that maze of
+mystery.
+
+I had not looked at the unopened letters beneath my hand, but suddenly
+chancing to glance at them, I noticed one in an unfamiliar feminine
+handwriting.
+
+I tore it open carelessly, expecting to find some invitation or other,
+when, within, I found three hastily scrawled lines written on the
+notepaper of the Great Eastern Hotel at Liverpool Street. It read:
+
+ "Since I saw you something has happened. Can you meet me again
+ as soon as possible? Please wire me, Mrs. Petre, Melbourne
+ House, Colchester."
+
+I gazed at the note in extreme satisfaction. At least, I had the woman's
+address. Yes, after I had again seen Phrida I would see her and force
+from her lips the truth.
+
+I rose quickly, placed the other letters in my pocket without opening
+them, and drove down to the City, where I was compelled to keep a
+business appointment.
+
+At half-past three Egisto admitted me to Mrs. Shand's, and in reply to my
+question, told me that the "Signorina," as he always called Phrida, was
+in the morning-room.
+
+Dressed in a pale grey gown, relieved with lace at the collar and wrists,
+she rose slowly from a big armchair as I entered, and came across to me,
+her face pale, drawn, and anxious.
+
+"Ah! dearest," I cried. "I'm glad to see you better. Are you quite
+yourself again now?"
+
+"Quite, thanks," was her low, rather weak reply. "I--I felt very unwell
+this morning. I--I don't know what was the matter." Then clinging to me
+suddenly, she added, "Ah! forgive me, Teddy, won't you?"
+
+"There is nothing to forgive, dear," was my reply, as, placing my arm
+tenderly about her slim waist, I looked into the depths of those
+wonderful dark eyes of hers, trying to fathom what secret lay hidden
+there.
+
+"Ah!" she ejaculated. "I know, dear, that though you affect to have
+forgiven me--that you have not. How could you possibly forgive?"
+
+"I am not angry with you in the least, Phrida!" I assured her quite
+calmly. "Because you have not yet told me the truth. I am here to learn
+it."
+
+"Yes," she gasped, sinking into a chair and staring straight into the
+fire. The short winter's day was dying, and already the light had nearly
+faded. But the fire threw a mellow glow upon her pale, hard-set features,
+and she presented a strangely dramatic picture as she sat there with head
+bent in shame. "Ah! yes. You are here again to torture me, I suppose,"
+she sighed bitterly.
+
+"I have no desire in the least to torture you," I said, standing erect
+before her. "But I certainly think that some explanation of your conduct
+is due to me--the man whom you are to marry."
+
+"Marry!" she echoed in a blank voice, with a shrug of her shoulders, her
+eyes still fixed upon the fire.
+
+"Yes, marry," I repeated. "You made an admission to me this morning--one
+of which any man would in such circumstances demand explanation. You said
+that my friend had forced you to go to Harrington Gardens. Tell me why?
+What power does that man hold over you?"
+
+"Ah, no! Teddy!" she cried, starting wildly to her feet. "No, no!" she
+protested, grasping my hands frantically. "Don't ask that question. Spare
+me that! Spare me that, for the sake of the love you once bore for me."
+
+"No. I repeat my question," I said slowly, but very determinedly.
+
+"Ah! no. I--I can't answer it. I----"
+
+For a few moments a silence fell between us.
+
+Then I said in a low, meaning tone:
+
+"You can't answer it, Phrida, because you are ashamed, eh?"
+
+She sprang upon me in an instant, her face full of resentful fire.
+
+"No!" she declared vehemently. "I am not ashamed--only I--I cannot tell
+you the reason I went to Harrington Gardens. That's all."
+
+"Yours is, to say the least, a rather thin excuse, is it not?" I asked.
+
+"What else can I say? Simply I can tell you nothing."
+
+"But you admit that you went to Harrington Gardens. Did you go more than
+once?" I asked very quietly.
+
+She nodded in the affirmative.
+
+"And the last occasion was on the night when my friend was forced to
+fly, eh?" I suggested.
+
+I saw that she was about to elude answering my question. Therefore, I
+added:
+
+"I already know you were there. I have established your presence beyond
+the shadow of doubt. So you may just as well admit it."
+
+"I--I do," she faltered, sinking again into her chair and resting her
+elbows upon her knees.
+
+"You were there--you were present when the crime was committed," I said,
+looking straight at her as I stood before her with folded arms.
+
+"Whoever has said that tells wicked lies," was her quick response.
+
+"You were in Digby's room that night--after I left," I declared.
+
+"How do you know."
+
+"Because the police have photographs of your finger-prints," was my quiet
+reply.
+
+The effect of my words upon her was electrical.
+
+"The police!" she gasped, her face instantly pale as death. "Do they
+know?"
+
+"Inspector Edwards is in possession of your finger-prints," I replied
+briefly.
+
+"Then--then they will suspect me!" she shrieked in despair. "Ah! Teddy!
+If you love me, save me!"
+
+And she flung herself wildly at my feet, clutching my hands and raising
+her face to mine in frantic appeal.
+
+"For that very reason I have returned here to you to-day, Phrida," I
+replied in a low tone of sympathy. "If I can save you from being
+implicated in this terrible affair, I will. But you must tell me the
+whole truth from the start. Then I may be able to devise a plan to
+ensure your security."
+
+And I slowly assisted her to her feet and led her back to her chair.
+
+She sat without moving or speaking for some moments, gravely thinking.
+Then of a sudden, she said in a hard, hoarse voice:
+
+"Ah! you don't know, Teddy, what I have suffered--how I have been the
+innocent victim of a foul and dastardly plot. I--I was entrapped--I----"
+
+"Entrapped!" I echoed. "By whom? Not by Digby Kemsley? He was not the
+sort of man."
+
+"He is your friend, I know. But if you knew the truth you would hate
+him--hate him, with as deep and fierce a hatred as I do now," she
+declared, with a strange look in her great eyes.
+
+"You told me he had forced you to go to his flat."
+
+"He did."
+
+"Why?"
+
+"Because he wanted to tell me something--to----"
+
+"To tell you what?"
+
+"I refuse to explain--I can't tell you, Teddy."
+
+"Because it would be betraying his secret--eh?" I remarked with
+bitterness. "And, yet, in the same breath you have told me you hate him.
+Surely, this attitude of yours is an unusual one--is it not? You cannot
+hate him and strive to shield him at the same moment!"
+
+She paused for a second before replying. Then she said:
+
+"I admit that my attitude towards your friend is a somewhat strange one,
+but there are reasons--strong, personal reasons of my own--which prevent
+me revealing to you the whole of what is a strange and ghastly story.
+Surely it will suffice you to know that I did not conceal all knowledge
+of your friend and call upon him in secret all of my own free will. No,
+Teddy, I loved you--and I still love you, dear--far too well for that."
+
+"I trusted you, Phrida, but you deceived me," I replied, with a poignant
+bitterness in my heart.
+
+"Under compulsion. Because----" and she paused with a look of terror in
+her eyes.
+
+"Because what?" I asked slowly, placing my hand tenderly upon her
+shoulder.
+
+She shrank from contact with me.
+
+"No. I--I can't tell you. It--it's all too terrible, too horrible!" she
+whispered hoarsely, covering her white face with her hands. "I loved you,
+but, alas! all my happiness, all the joy of which I have so long dreamed,
+has slipped away from me because of the one false step--my one foolish
+action--of which I have so long repented."
+
+"Tell me, Phrida," I urged, in deep earnestness, bending down to her.
+"Confide in me."
+
+"No," she replied, with an air of determination. "It is my own affair. I
+have acted foolishly and must bear the consequences."
+
+"But surely you will not sacrifice our love rather than tell me the
+truth!" I cried.
+
+Hot tears welled in her eyes, and I felt her frail form tremble beneath
+my touch.
+
+"Alas! I am compelled," she faltered.
+
+"Then you refuse to tell me--you refuse to explain why this man whom I
+believed to be my friend, and to whom I have rendered many services, has
+held you in his thraldom?" I exclaimed bitterly.
+
+
+
+
+CHAPTER XIV.
+
+REVEALS A FURTHER DECEPTION.
+
+
+My love paused. She remained silent for a long time. Then, with her head
+bowed, she faltered:
+
+"Yes. I--I am compelled to refuse."
+
+"Why compelled?" I demanded.
+
+"I--I cannot tell you," she whispered hoarsely. "I dare not."
+
+"Dare not? Is your secret so terrible, then?"
+
+"Yes. It is all a mystery. I do not know the truth myself," she replied.
+"I only know that I--that I love you, and that now, because that woman
+has spoken, I have lost you and am left to face the world--the
+police--alone!"
+
+"Have I not told you, dearest, that I will do my best to protect and
+defend you if you will only reveal the truth to me," I said.
+
+"But I can't."
+
+"You still wish to shield this blackguard who has held you in secret in
+his hands?" I cried in anger.
+
+"No, I don't," she cried in despair. "I tell you, Teddy, now--even if
+this is the last time we ever meet--that I love you and you alone. I
+have fallen the victim of a clever and dastardly plot, believe me, or
+believe me not. What I tell you is the truth."
+
+"I do believe you," I replied fervently. "But if you love me, Phrida, as
+you declare, you will surely reveal to me the perfidy of this man I have
+trusted!"
+
+"I--I can't now," she said in a voice of excuse. "It is impossible. But
+you may know some day."
+
+"You knew that I visited him on that fatal night. Answer me?"
+
+She hesitated. Then presently, in a low tone, replied--
+
+"Yes, Teddy, I knew. Ah!" she went on, her face white and haggard. "You
+cannot know the torture I have undergone--fearing that you might be aware
+of my presence there. Each time I met you I feared to look you in the
+face."
+
+"Because your secret is a guilty one--eh?"
+
+"I fell into a trap, and I cannot extricate myself," she declared
+hoarsely. "Now that the police know, there is only one way out for me,"
+she added, in a tone of blank despair. "I cannot face it--no--I--now that
+I have lost your love, dear. I care for naught more. My enemies will
+hound me to my death!"
+
+And she burst into a torrent of bitter tears.
+
+"No, no," I answered her, placing my hand tenderly upon her shoulder.
+"Reveal the truth to me, and I will protect you and shield you from them.
+At present, though the police are in possession of your finger-prints, as
+being those of a person who had entered the flat on that night, they have
+no knowledge of your identity, therefore, dear, have no fear."
+
+"Ah! but I am in peril!" she cried, and I felt her shudder beneath my
+touch. "That woman--ah!--she may tell the police!"
+
+"What woman?"
+
+"Mrs. Petre, the woman who has already betrayed me to you."
+
+"Then she knows--she knows your secret?" I gasped.
+
+She bent her head slowly in the affirmative.
+
+I saw in her eyes a look of terror and despair, such as I had never
+before seen in the eyes of any person before--a haunted, agonised
+expression that caused my heart to go out in sympathy for her--for even
+though she might be guilty--guilty of that crime of vengeance, yet, after
+all, she was mine and she possessed my heart.
+
+"Is there no way of closing that woman's lips?" I asked very slowly.
+
+She was silent, for, apparently, the suggestion had not before occurred
+to her. Of a sudden, she looked up into my face earnestly, and asked:
+
+"Tell me, Teddy. Will you promise me--promise not to prejudge me?"
+
+"I do not prejudge you at all, dearest," I declared with a smile. "My
+annoyance is due to your refusal to reveal to me anything concerning the
+man who has falsely posed as my friend."
+
+"I would tell you all, dearest," she assured me, "but it is impossible.
+If I spoke I should only further arouse your suspicions, for you would
+never believe that I spoke the truth."
+
+"Then you prefer that I should remain in ignorance, and by doing so your
+own peril becomes increased!" I remarked, rather harshly.
+
+"Alas! my silence is imperative," was all she would reply.
+
+Again and again I pressed her to tell me the reason of the evil influence
+held over her by the man who was now a fugitive, but with the greatest
+ingenuity she evaded my questions, afterwards declaring that all my
+inquiries were futile. The secret was hers.
+
+"And so you intend to shield this man, Phrida," I remarked at last, in
+bitter reproach.
+
+"I am not silent for his sake!" my love cried, starting up in quick
+resentment. "I hate him too much. No, I refuse to reveal the truth
+because I am compelled."
+
+"But supposing you were compelled to clear yourself in a criminal court,"
+I said. "Supposing that this woman went to the police! What then? You
+would be compelled to speak the truth."
+
+"No. I--I'd rather kill myself!" she declared, in frantic despair.
+"Indeed, that is what I intend to do--now that I know I have lost you!"
+
+"No, no," I cried. "You have not lost me, Phrida. I still believe in your
+purity and honesty," I went on, clasping her passionately to my heart,
+she sobbing bitterly the while. "I love you and I still believe in you,"
+I whispered into her ear.
+
+She heaved a great sigh.
+
+"Ah! I wonder if you really speak the truth?" she murmured. "If I thought
+you still believed in me, how happy I should be. I would face my enemies,
+and defy them."
+
+"I repeat, Phrida, that notwithstanding this suspicion upon you, I love
+you," I said very earnestly.
+
+"Then you will not prejudge me!" she asked, raising her tear-stained eyes
+to mine. "You will not believe evil of me until--until I can prove to
+you the contrary. You will not believe what Mrs. Petre has told you?" she
+implored.
+
+"I promise, dearest, that I will believe nothing against you," I said
+fervently, kissing her cold, hard lips. "But cannot you, in return,
+assist me in solving the mystery of Harrington Gardens. Who was the girl
+found there? Surely you know?"
+
+"No, I don't. I swear I don't," was her quick reply, though her face was
+blanched to the lips.
+
+"But Mrs. Petre gave me to understand that you knew her," I said.
+
+"Yes--that woman!" she cried in anger. "She has lied to you, as to the
+others. Have I not told you that she is my most deadly enemy?"
+
+"Then she may go to the police--who knows! How can we close her mouth?"
+
+My love drew a long breath and shook her head. The light had faded, and
+only the fitful flames of the fire illuminated the sombre room. In the
+dark shadows she presented a pale, pathetic little figure, her face white
+as death, her thin, delicate hands clasped before her in dismay and
+despair.
+
+"Have you any idea where Digby is at this moment?" I asked her slowly,
+wondering whether if he were an intimate friend he had let her know his
+hiding-place.
+
+"No. I have not the slightest idea," was her faint reply.
+
+"Ah! If only I could discover him I would wring the truth from him," I
+exclaimed between my teeth.
+
+"And if you did so, I myself would be imperilled," she remarked. "No,
+Teddy, you must not do that if--if you love me and would protect me."
+
+"Why?"
+
+"If you went to him he would know that I had spoken, and then he would
+fulfil the threats he has so often made. No, you must not utter a single
+word. You must, for my sake, still remain his friend. Will you, dear?"
+
+"After what you have told me!" I cried. "Never!"
+
+"But you must," she implored, grasping both my hands in hers. "If he had
+the slightest suspicion that I had admitted my friendship with him, he
+would act as he has always declared he would."
+
+"How would he act?"
+
+"He would reveal something--he would bring proofs that even you would
+consider irrefutable," she answered in a low, hard whisper. "No, dear,"
+and her grip upon my hands tightened. "In any case there only remains to
+me one course--to end it all, for in any case, I must lose you. Your
+confidence and love can never be restored."
+
+"You must not speak like that," I said very gravely. "I have not yet lost
+confidence in you, Phrida. I----"
+
+"Ah! I know how generous you are, dear," she interrupted, "but how can I
+conceal from myself the true position? You have discovered that I visited
+that man's flat clandestinely, that--that we were friends--and that----"
+
+She paused, not concluding her sentence, and bursting again into tears,
+rushed from the room before I could grasp and detain her.
+
+I stood silent, utterly dumbfounded.
+
+Were those words an admission of her guilt?
+
+Was it by her hand, as that woman had insinuated, the unknown girl's life
+had been taken?
+
+I recollected the nature of the wound, as revealed by the medical
+evidence, and I recalled that knife which was lying upon the table in
+the drawing-room above.
+
+Why did Phrida so carefully conceal from me the exact truth concerning
+her friendship with the man I had trusted? What secret power did he
+exercise over her? And why did she fear to reveal anything to me--even
+though I had assured her that my confidence in her remained unshaken.
+
+Was not guilt written upon that hard, white face?
+
+I stood staring out of the window in blank indecision. What I had all
+along half feared had been proved. Between my love and the man of whom I
+had never had the slightest suspicion, some secret--some guilty
+secret--existed.
+
+And even now, even at risk of losing my affection, she was seeking to
+shield him!
+
+My blood boiled within me, and I clenched my fists as I strode angrily up
+and down that dark room.
+
+All her admissions came back to me--her frantic appeal to me not to
+prejudge her, and her final and out-spoken decision to take her own life
+rather than reveal the truth.
+
+What could it mean? What was the real solution of that strange problem of
+crime in which, quite unwittingly, I had become so deeply implicated?
+
+I was passing the grate in pacing the room, as I had already done several
+times, when my eyes fell upon a piece of paper which had been screwed up
+and flung there. Curiosity prompted me to pick it out of the cinders, for
+it struck me that it must have been thrown there by Phrida before I had
+entered the room.
+
+To my surprise I saw the moment I held it in my hand that it was a
+telegram. Opening it carefully I found that it was addressed to her,
+therefore she had no doubt cast it upon the fire when I had so suddenly
+entered.
+
+I read it, and stood open-mouthed and amazed.
+
+By it the perfidy of the woman I loved, alas! became revealed.
+
+She had deceived me!
+
+
+
+
+CHAPTER XV.
+
+AN EFFACED IDENTITY.
+
+
+The telegram was signed with the initial "D."--Digby!
+
+The words I read were--"Have discovered T suspects. Exercise greatest
+care, and remember your promise. We shall meet again soon."
+
+The message showed that it had been handed in at Brussels at one o'clock
+that afternoon.
+
+Brussels! So he was hiding there. Yes, I would lose no time in crossing
+to the gay little Belgian capital and search him out.
+
+Before giving him up to the police I would meet him face to face and
+demand the truth. I would compel him to speak.
+
+Should I retain possession of the message? I reflected. But, on
+consideration, I saw that when I had left, Phrida might return to recover
+it. If I replaced it where I had found it she would remain in ignorance
+of the knowledge I had gained.
+
+So I screwed it up again and put it back among the cinders in the grate,
+afterwards leaving the house.
+
+Next morning I stepped out upon the platform of the great Gare du Nord in
+Brussels--a city I knew well, as I had often been there on business--and
+drove in a taxi along the busy, bustling Boulevard Auspach to the Grand
+Hotel.
+
+In the courtyard, as I got out, the frock-coated and urbane manager
+welcomed me warmly, for I had frequently been his guest, and I was shown
+to a large room overlooking the Boulevard where I had a wash and changed.
+
+Then descending, I called a taxi and immediately began a tour of the
+various hotels where I thought it most likely that the man I sought might
+be.
+
+The morning was crisp and cold, with a perfect sky and brilliant
+sunshine, bright and cheerful indeed after the mist and gloom of January
+in London.
+
+Somehow the aspect, even in winter, is always brighter across the channel
+than in our much maligned little island. They know not the "pea-souper"
+on the other side of the Straits of Dover, and the light, invigorating
+atmosphere is markedly apparent directly one enters France or Belgium.
+
+The business boulevards, the Boulevarde Auspach, and the Boulevard du
+Nord, with their smart shops, their big cafes, and their hustling crowds,
+were bright and gay as my taxi sped on, first to the Metropole, in the
+Place de Brouckere.
+
+The name of Kemsley was unknown there. The old concierge glanced at his
+book, shook his head, and elevating his shoulders, replied:
+
+"Non, m'sieur."
+
+Thence I went to the Palace, in front of the station, the great new hotel
+and one of the finest in Europe, a huge, garish place of gilt and luxury.
+But there I met with equal success.
+
+Then I made the tour of the tree-lined outer boulevards, up past the
+Botanical Gardens and along the Rue Royale, first to the Hotel de France,
+then to the Europe, the Belle Vue, the Carlton in the Avenue Louise, the
+new Wiltscher's a few doors away, and a very noted English house from the
+Boulevard Waterloo, as well as a dozen other houses in various parts of
+the town--the Cecil in the Boulevard du Nord, the Astoria in the Rue
+Royale, and even one or two of the cheaper pensions--the Dufour, De
+Boek's, and Nettell's, but all to no purpose.
+
+Though I spent the whole of that day making investigations I met with no
+success.
+
+Though I administered judicious tips to concierge after concierge, I
+could not stir the memory of a single one that within the past ten days
+any English gentleman answering the description I gave had stayed at
+their establishment.
+
+Until the day faded, and the street lamps were lit, I continued my
+search, my taxi-driver having entered into the spirit of my quest, and
+from time to time suggesting other and more obscure hotels of which I had
+never heard.
+
+But the reply was the same--a regretful "Non, m'sieur."
+
+It had, of course, occurred to me that if the fugitive was hiding from
+the Belgian police, who no doubt had received his description from
+Scotland Yard, he would most certainly assume a false name.
+
+But I hoped by my minute description to be able to stir the memory of one
+or other of the dozens of uniformed hall-porters whom I interviewed. The
+majority of such men have a remarkably retentive memory for a face, due
+to long cultivation, just as that possessed by one's club hall-porter,
+who can at once address any of the thousand or so members by name.
+
+I confess, however, when at five o'clock, I sat in the huge, noisy Cafe
+Metropole over a glass of coffee and a liqueur of cognac, I began to
+realise the utter hopelessness of my search.
+
+Digby Kemsley was ever an evasive person--a past master in avoiding
+observation, as I well knew. It had always been a hobby of his, he had
+told me, of watching persons without himself being seen.
+
+Once he had remarked to me while we had been smoking together in that
+well-remembered room wherein the tragedy had taken place:
+
+"I should make a really successful detective, Royle. I've had at certain
+periods of my life to efface myself and watch unseen. Now I've brought it
+to a fine art. If ever circumstances make it imperative for me to
+disappear--which I hope not," he laughed, "well--nobody will ever find
+me, I'm positive."
+
+These words of his now came back to me as I sat there pensively smoking,
+and wondering if, after all, I had better not return again to London and
+remain patient for the additional police evidence which would no doubt be
+forthcoming at the adjourned inquest in a week's time.
+
+I thought of the clever cunning exercised by the girl whom I so dearly
+loved and in whose innocence I had so confidently believed, of her blank
+refusal to satisfy me, and alas! of her avowed determination to shield
+the scoundrel who had posed as my friend, and whom the police had
+declared to be only a vulgar impostor.
+
+My bitter reflection maddened me.
+
+The jingle and chatter of that noisy cafe, full to overflowing at that
+hour, for rain had commenced to fall outside in the boulevard, irritated
+me. From where I sat in the window I could see the crowds of business
+people, hurrying through the rain to their trams and trains--the
+neat-waisted little modistes, the felt-hatted young clerks, the obese and
+over-dressed and whiskered men from their offices on the Bourse, the
+hawkers crying the "Soir," and the "Derniere Heure," with strident
+voices, the poor girls with rusty shawls and pinched faces, selling
+flowers, and the gaping, idling Cookites who seem to eternally pass and
+re-pass the Metropole at all hours of the day and the night.
+
+Before my eyes was there presented the whole phantasmagoria of the life
+of the thrifty, hard-working Bruxellois, that active, energetic race
+which the French have so sarcastically designated "the brave Belgians."
+
+After a lonely dinner in the big, glaring salle-a-manger, at the Grand, I
+went forth again upon my quest. That the fugitive had been in Brussels on
+the previous day was proved by his telegram, yet evasive as he was, he
+might have already left. Yet I hoped he still remained in the capital,
+and if so he would, I anticipated, probably go to one of the music-halls
+or variety theatres. Therefore I set out upon another round.
+
+I strolled eagerly through the crowded promenade of the chief music-hall
+of Brussels--the Pole Nord, the lounge wherein men and women were
+promenading, laughing, and drinking, but I saw nothing of the man of whom
+I was in search.
+
+I knew that he had shaved off his beard and otherwise altered his
+appearance. Therefore my attention upon those about me was compelled to
+be most acute.
+
+I surveyed both stalls and boxes, but amid that gay, well-dressed crowd I
+could discover nobody the least resembling him.
+
+From the Pole Nord I went to the Scala, where I watched part of an
+amusing revue; but my search there was likewise in vain, as it was also
+at Olympia, the Capucines, and the Folies Bergeres, which I visited in
+turn. Then, at midnight, I turned my attention to the big cafes,
+wandering from the Bourse along the Boulevard Auspach, entering each cafe
+and glancing around, until at two o'clock in the morning I returned to
+the Grand, utterly fagged out by my long vigil of over fifteen hours.
+
+In my room I threw off my overcoat and flung myself upon the bed in utter
+despair.
+
+Until I met that man face to face I could not, I saw, learn the truth
+concerning my love's friendship with him.
+
+Mrs. Petre had made foul insinuations, and now that my suspicions had
+been aroused that Phrida might actually be guilty of that terrible crime
+at Harrington Gardens, the whole attitude of my well-beloved seemed to
+prove that my suspicions were well grounded.
+
+Indeed, her last unfinished sentence as she had rushed from the room
+seemed conclusive proof of the guilty secret by which her mind was now
+overburdened.
+
+She had never dreamed that I held the slightest suspicion. It was only
+when she knew that the woman Petre had met me and had talked with me that
+she saw herself betrayed. Then, when I had spoken frankly, and told her
+what the woman had said, she saw that to further conceal her friendship
+with Digby was impossible.
+
+Every word she had spoken, every evasive sentence, every protest that she
+was compelled to remain silent, recurred to me as I lay there staring
+blankly at the painted ceiling.
+
+She had told me that she was unaware of the fugitive's whereabouts, and
+yet not half an hour before she had received a telegram from him.
+
+Yes, Phrida--the woman I trusted and loved with such a fierce, passionate
+affection, had lied to me deliberately and barefacedly.
+
+But I was on the fellow's track, and cost what it might in time, or in
+money, I did not intend to relinquish my search until I came face to face
+with him.
+
+That night, as I tossed restlessly in bed, it occurred to me that even
+though he might be in Brussels, it was most probable in the circumstances
+that he would exercise every precaution in his movements, and knowing
+that the police were in search of him, would perhaps not go forth in the
+daytime.
+
+Many are the Englishmen living "under a cloud" in Brussels, as well as in
+Paris, and there is not a Continental city of note which does not contain
+one or more of those who have "gone under" at home.
+
+Seedy and down-at-heel, they lounge about the cafes and hotels frequented
+by English travellers. Sometimes they sit apart, pretend to sip their cup
+of coffee and read a newspaper, but in reality they are listening with
+avidity to their own language being spoken by their own people--poor,
+lonely, solitary exiles.
+
+Every man who knows the by-ways of the Continent has met them often in
+far-off, obscure towns, where they bury themselves in the lonely
+wilderness of a drab back street and live high-up for the sake of fresh
+air and that single streak of sunshine which is the sole pleasure of
+their broken, blighted lives.
+
+Yes, the more I reflected, the more apparent did it become that if the
+man whom Inspector Edwards had declared to be a gross impostor was still
+in the Belgian capital, he would most probably be in safe concealment in
+one or other of the cheaper suburbs.
+
+But how could I trace him?
+
+To go to the bureau of police and make a statement would only defeat my
+own ends.
+
+No; if I intended to learn the truth I must act upon my own initiative.
+Official interference would only thwart my own endeavours.
+
+I knew Digby Kemsley. He was as shrewd and cunning as any of the famous
+detectives, whether in real life or in fiction. Therefore, to be a match
+for him, I would, I already realised, be compelled to fight him with his
+own weapons.
+
+I did not intend that he should escape me before he told me, with his own
+lips, the secret of my well-beloved.
+
+
+
+
+CHAPTER XVI.
+
+REVEALS ANOTHER ENIGMA.
+
+
+"The identity of the victim has not yet been established, sir."
+
+These words were spoken to the coroner by Inspector Edwards at the
+adjourned inquest held on January the twenty-second.
+
+Few people were in court, for, until the present, the public had had no
+inkling as to what had occurred on that fatal night in Harrington
+Gardens. The first inquest had not been "covered" by any reporter, as the
+police had exercised considerable ingenuity in keeping the affair a
+secret.
+
+But now, at the adjourned inquiry, secrecy was no longer possible, and
+the three reporters present were full of inquisitiveness regarding the
+evidence given on the previous occasion, and listened with attention
+while it was being read over.
+
+Inspector Edwards, however, had dealt with them in his usually genial
+manner, and by the exercise of considerable diplomacy had succeeded in
+allaying their suspicions that there was any really good newspaper
+"story" in connection with it.
+
+The medical witnesses were recalled, but neither had anything to add to
+the depositions they had already made. The deceased had been fatally
+stabbed by a very keen knife with a blade of peculiar shape. That was
+all.
+
+The unknown had been buried, and all that remained in evidence was a
+bundle of blood-stained clothing, some articles of jewellery, a pair of
+boots, hat, coat, gloves, and a green leather vanity-bag.
+
+"Endeavours had been made, sir, to trace some of the articles worn by the
+deceased, and also to establish the laundry marks on the underclothing,"
+the inspector went on, "but, unfortunately, the marks have been
+pronounced by experts to be foreign ones, and the whole of the young
+lady's clothes appear to have been made abroad--in France or Belgium, it
+is thought."
+
+"The laundry marks are foreign, eh?" remarked the coroner, peering at the
+witness through his pince-nez, and poising his pen in his hand. "Are you
+endeavouring to make inquiry abroad concerning them?"
+
+"Every inquiry is being made, sir, in a dozen cities on the continent. In
+fact, in all the capitals."
+
+"And the description of the deceased has been circulated?"
+
+"Yes, sir. Photographs have been sent through all the channels in Europe.
+But up to the present we have met with no success," Edwards replied.
+"There is a suspicion because of a name upon a tab in the young girl's
+coat that she may be Italian. Hence the most ardent search is being made
+by the Italian authorities into the manner and descriptions of females
+lately reported as missing."
+
+"The affair seems remarkably curious," said the coroner. "It would
+certainly appear that the lady who lost her life was a stranger to
+London."
+
+"That is what we believe, sir," Edwards replied. Seated near him, I saw
+how keen and shrewd was the expression upon his face. "We have evidence
+that certain persons visited the flat on the night in question, but these
+have not yet been identified. The owner of the flat has not yet been
+found, he having absconded."
+
+"Gone abroad, I suppose?"
+
+"It would appear so, sir."
+
+"And his description has been circulated also?" asked the coroner.
+
+"Yes, a detailed description, together with a recent photograph," was
+Edwards' reply. Then he added: "We have received this at Scotland Yard,
+sir--an anonymous communication which may or may not throw considerable
+light on to the affair," and he handed a letter on blue paper to the
+coroner, which the latter perused curiously, afterwards passing it over
+to the foreman of the jury.
+
+"Rather remarkable!" he exclaimed.
+
+Then, when the jury had completed reading the anonymous letter,
+addressing them, he said:
+
+"It is not for you, gentlemen, to regard that letter in the light of
+evidence, but, nevertheless, it raises a very curious and mysterious
+point. The writer, as you will note, is prepared to reveal the truth of
+the whole affair in return for a monetary reward. It is, of course, a
+matter to be left entirely at the discretion of the police."
+
+I started at this statement, and gazed across the court--dull and
+cheerless on that cold winter's afternoon.
+
+Who had written that anonymous letter? Who could it be who was ready to
+reveal the truth if paid for doing so?
+
+Was Phrida's terrible secret known?
+
+I held my breath, and listened to the slow, hard words of the coroner, as
+he again addressed some questions to the great detective.
+
+"Yes, sir," Edwards was saying. "There is distinct evidence of the
+presence at the flat on the night in question of some person--a woman
+whose identity we have not yet been successful in establishing. We,
+however, have formed a theory which certainly appears to be borne out by
+the writer of the letter I have just handed you."
+
+"That the unknown was struck down by the hand of a woman--eh?" asked the
+Coroner, looking sharply across at the Inspector, who briefly replied in
+the affirmative, while I sat staring straight before me, like a man in a
+dream.
+
+I heard the Coroner addressing the jury in hard, business-like tones, but
+I know not what he said. My heart was too full to think of anything else
+besides the peril of the one whom I loved.
+
+I know that the verdict returned by the jury was one of "Wilful murder."
+Then I went out into the fading light of that brief London day, and,
+seeking Edwards, walked at his side towards the busy Kensington High
+Street.
+
+We had not met for several days, and he, of course, had no knowledge of
+my visit to Brussels. Our greeting was a cordial one, whereupon I asked
+him what was contained in the anonymous letter addressed to "The Yard"?
+
+"Ah! Mr. Royle. It's very curious," he said. "The Coroner has it at this
+moment, or I'd show it to you. The handwriting is a woman's, and it has
+been posted at Colchester."
+
+"At Colchester!" I echoed in dismay.
+
+"Yes, why?" he asked, looking at me in surprise.
+
+"Oh, nothing. Only--well, Colchester is a curious place for anyone to
+live who knows the truth about an affair in Kensington," was my reply,
+for fortunately I quickly recovered myself.
+
+"Why not Colchester as well as Clapham--eh?"
+
+"Yes, of course," I laughed. "But, tell me, what does the woman say?"
+
+"She simply declares that she can elucidate the mystery and give us the
+correct clue--even bring evidence if required--as to the actual person
+who committed the crime, if we, on our part, will pay for the
+information."
+
+"And what shall you do?" I asked eagerly.
+
+"I don't exactly know. The letter only arrived this morning. To-morrow
+the Council of Seven will decide what action we take."
+
+"Does the woman give her name?" I asked with affected carelessness.
+
+"No. She only gives the name of 'G. Payne,' and the address as 'The
+G.P.O., London.' She's evidently a rather cute person."
+
+"G. Payne"--the woman Petre without a doubt.
+
+I recollected her telegram asking me to meet her. She had said that
+something had "happened," and she had urged me to see her as soon as
+possible. Was it because I had not replied that she had penned that
+anonymous letter to the police?
+
+The letter bore the Colchester post-mark, and she, I knew, lived at
+Melbourne House in that town.
+
+"I suppose you will get into communication with her," I exclaimed
+presently.
+
+"Of course. Any line of action in the elucidation of the mystery is worth
+trying. But what I cannot quite understand is, why she requires
+blood-money," remarked the detective as we strolled together in the
+arcaded entrance to the Underground Station at High Street, Kensington.
+"I always look askance at such letters. We receive many of them at the
+Yard. Not a single murder mystery comes before us, but we receive letters
+from cranks and others offering to point out the guilty person."
+
+"But may not the writers of such letters be endeavouring to fasten guilt
+upon perfectly innocent persons against whom they have spite?" I
+suggested.
+
+"Ah! That's just it, Mr. Royle," exclaimed my companion gravely. "Yet it
+is so terribly difficult to discriminate, and I fear we often, in our
+hesitation, place aside letters, the writers of which could really give
+valuable information."
+
+"But in this case, what are your natural inclinations?" I asked. "I know
+that you possess a curious, almost unique, intuition as to what is fact
+and what is fiction. What is, may I term it, your private opinion?"
+
+He halted against the long shop-windows of Derry & Toms, and paused for
+several minutes.
+
+"Well," he said at last in a deeply earnest tone, "I tell you frankly,
+Mr. Royle, what I believe. First, I don't think that the man Kemsley,
+although an impostor, was the actual assassin."
+
+"Why?" I gasped.
+
+"Well--I've very carefully studied the whole problem. I've looked at it
+from every point of view," he said. "I confess the one fact puzzles me,
+that this man Kemsley could live so long in London and pose as the dead
+Sir Digby if he were not the actual man himself, has amazed me! In his
+position as Sir Digby, the great engineer, he must have met in society
+many persons who knew him. We have evidence that he constantly moved in
+the best circles in Mayfair, and apparently without the slightest
+compunction. Yet, in contradiction, we have the remarkable fact that the
+real Sir Digby died in South America in very mysterious and tragic
+circumstances."
+
+I saw that a problem was presented to Inspector Edwards which sorely
+puzzled him, as it certainly did myself.
+
+"Well," I asked after a pause, and then with some trepidation put the
+question, "what do you intend doing?"
+
+"Doing!" he echoed. "There is but one course to pursue. We must get in
+touch with this woman who says she knows the truth, and obtain what
+information we can from her. Perhaps she can reveal the identity of the
+woman whose fingers touched that glass-topped table in the room where
+the crime was committed. If so, that will tell us a great deal, Mr.
+Royle." Then, taking a cigarette from his pocket and tapping it, he
+added, "Do you know, I've been wondering of late how it is that you got
+those finger-prints which so exactly corresponded with the ones which we
+secured in the flat. How did you obtain them?"
+
+His question non-plussed me.
+
+"I had a suspicion," I replied in a faltering voice, "and I tried to
+corroborate it."
+
+"But you have corroborated it," he declared. "Why, Mr. Royle, those
+prints you brought to the Yard are a most important clue. Where did you
+get them?"
+
+I was silent for a moment, jostled by the crowd of passers-by.
+
+"Well," I said with a faint smile, realising what a grave mistake I had
+made in inculpating my well-beloved, "I simply made some experiments as
+an amateur in solving the mystery."
+
+"Yes, but those prints were the same as those we got from the flat.
+Whence did they come?"
+
+"I obtained them upon my own initiative," I replied, with a forced laugh.
+
+"But you must surely tell me, Mr. Royle," he urged quickly. "It's a most
+important point."
+
+"No," I replied. "I'm not a detective, remember. I simply put to the test
+a suspicion I have entertained."
+
+"Suspicion of what?"
+
+"Whether my theory was correct or not."
+
+"Whatever theory you hold, Mr. Royle, the truth remains the same. I
+truly believe," he said, looking hard at me, "namely that the unknown
+victim was struck down by the hand which imprinted the marks you brought
+to me--a woman's hand. And if I am not mistaken, sir--you know the
+identity of the guilty woman!"
+
+
+
+
+CHAPTER XVII.
+
+CONCERNS MRS. PETRE.
+
+
+Days, weeks, passed, but I could obtain no further clue. The month of
+March lengthened into April, but we were as far as ever from a solution
+of the mystery.
+
+Since my return from Brussels I had, of course seen Phrida many, many
+times, and though I had never reverted again to the painful subject, yet
+her manner and bearing showed only too plainly that she existed in
+constant dread!
+
+Her face had become thin and haggard, with dark rings around her eyes and
+upon it was a wild, hunted expression, which she strove to disguise, but
+in vain.
+
+She now treated me with a strange, cold indifference, so unlike her real
+self, while her attitude was one of constant attention and strained
+alertness.
+
+The woman Petre had apparently not been approached by Scotland Yard,
+therefore as the days went by I became more and more anxious to see her,
+to speak with her--and, if necessary, to come to terms with her.
+
+Therefore, without a word to anyone, I one evening caught the six o'clock
+train from Liverpool Street, and before eight was eating my dinner in the
+big upstairs room of The Cups Hotel, while the hall-porter was
+endeavouring to discover for me the whereabouts of Melbourne House.
+
+I had nearly finished my meal when the uniformed servant entered, cap in
+hand, saying:
+
+"I've found, sir, that the house you've been inquiring for is out on the
+road to Marks Tey, about a mile. An old lady named Miss Morgan lived
+there for many years, but she died last autumn, and the place has, they
+say, been let furnished to a lady--a Mrs. Petre. Is that the lady you are
+trying to find?"
+
+"It certainly is," I replied, much gratified at the man's success. Then,
+placing a tip in his palm, I drank off my coffee, put on my overcoat, and
+descended to the taxi which he had summoned for me.
+
+He gave directions to the driver, and soon we were whirling along the
+broad streets of Colchester, and out of the town on the dark, open road
+which led towards London. Presently we pulled up, and getting out, I
+found myself before a long, low, ivy-covered house standing back behind a
+high hedge of clipped box, which divided the small, bare front garden
+from the road. Lonely and completely isolated, it stood on the top of a
+hill with high, leafless trees behind, and on the left a thick copse. In
+front were wide, bare, open fields.
+
+Opening the iron gate I walked up the gravelled path to the door and
+rang. In a window on the right a light showed, and as I listened I heard
+the tramp of a man's foot upon the oilcloth of the hall, and next moment
+the door was unlocked and opened.
+
+A tall, thin-faced young man of somewhat sallow complexion confronted me.
+He had keen, deep-set eyes, broad forehead, and pointed chin.
+
+"Is Mrs. Petre at home?" I inquired briefly.
+
+In a second he looked at me as though with distrust, then apparently
+seeing the taxi waiting, and satisfying himself that I was a person of
+respectability, he replied in a refined voice:
+
+"I really don't know, but I'll see, if you will step in?" and he ushered
+me into a small room at the rear of the house, a cosy but
+plainly-furnished little sitting-room, wherein a wood fire burned with
+pleasant glow.
+
+I handed him my card and sat down to wait, in the meanwhile inspecting my
+surroundings with some curiosity.
+
+Now, even as I recall that night, I cannot tell why I should have
+experienced such a sense of grave insecurity as I did when I sat there
+awaiting the woman's coming. I suppose we all of us possess in some
+degree that strange intuition of impending danger. It was so with me that
+night--just as I have on other occasions been obsessed by that curious,
+indescribable feeling that "something is about to happen."
+
+There was about that house an air of mystery which caused me to hesitate
+in suspicion. Whether it was owing to its lonely position, to the heavy
+mantle of ivy which hid its walls, to the rather weird and unusual
+appearance of the young man who had admitted me, or to the mere fact that
+I was there to meet the woman who undoubtedly knew the truth concerning
+the tragic affair, I know not. But I recollect a distinct feeling of
+personal insecurity.
+
+I knew the woman I was about to meet to be a cold, hard, unscrupulous
+person, who, no doubt, held my love's liberty--perhaps her life--in the
+hollow of her hand.
+
+That horrifying thought had just crossed my mind when my reflections were
+interrupted by the door opening suddenly and there swept into the room
+the lady upon whom I had called.
+
+"Ah! Mr. Royle!" she cried in warm welcome, extending her rather large
+hand as she stood before me, dressed quietly in black, relieved by a
+scarlet, artificial rose in her waistband. "So you've come at last. Ah!
+do you know I've wanted to meet you for days. I expected you would come
+to me the moment you returned from Brussels."
+
+I started, and stood staring at her without replying. She knew I had been
+to Belgium. Yet, as far as I was aware, nobody knew of my visit--not even
+Haines.
+
+"You certainly seem very well acquainted with my movements, Mrs. Petre,"
+I laughed.
+
+But she only shrugged her shoulders. Then she said:
+
+"I suppose there was no secrecy regarding your journey, was there?"
+
+"Not in the least," I replied. "I had business over there, as I very
+often have. My firm do a big business in Belgium and Holland."
+
+She smiled incredulously.
+
+"Did your business necessitate your visiting all the hotels and
+music-halls?"
+
+"How did you know that?" I asked in quick surprise.
+
+But she only pursed her lips, refusing to give me satisfaction. I saw
+that I must have been watched--perhaps by Digby himself. The only
+explanation I could think of was that he, with his clever cunning, had
+watched me, and had written to this woman, his accomplice, telling her of
+my search.
+
+"Oh! don't betray the source of your information if you consider it so
+indiscreet," I said with sarcasm a few moments later. "I came here, Mrs.
+Petre, in response to your invitation. You wished to see me?"
+
+"I did. But I fear it is now too late to avert what I had intended," was
+her quiet response. The door was closed, the room was silent, and we were
+alone.
+
+Seated in an armchair the woman leaned back and gazed at me strangely
+from beneath her long, half-closed lashes, as though undecided what she
+should say. I instantly detected her hesitation, and said:
+
+"You told me in your message that something unexpected had occurred. What
+is it? Does it concern our mutual friend, Digby?"
+
+"Friend!" she echoed. "You call him your friend, and yet at the same time
+you have been in search of him, intending to betray him to the police!"
+
+"Such was certainly not my intention," I declared firmly. "I admit that I
+have endeavoured to find him, but it was because I wished to speak with
+him."
+
+"Ah! of course," she sneered. "That girl Shand has, perhaps, made a
+statement to you, and now you want to be inquisitive, eh? She's been
+trying to clear herself by telling you some fairy-tale or another, I
+suppose?"
+
+"I repeat, Mrs. Petre," I said with anger, "I have no desire nor
+intention to act towards Digby in any way other than with friendliness."
+
+"Ah! You expect me to believe that, my dear sir," she laughed, snapping
+her fingers airily. "No, that girl is his enemy, and I am hers."
+
+"And that is the reason why you have sent the anonymous letter to the
+police!" I said in a low, hard voice, my eyes full upon her.
+
+She started at my words.
+
+"What letter?" she asked, in pretence of ignorance.
+
+"The one mentioned at the adjourned inquest at Kensington," I replied.
+"The one in which you offer to sell the life of the woman I love!"
+
+"So you know she is guilty--eh?" the woman asked. "She has confessed it
+to you--has she not?"
+
+"No. She is innocent," I cried. "I will never believe in her guilt until
+it is proved."
+
+"Then it will not be long, Mr. Royle, before you will have quite
+sufficient proof," she replied with a triumphant smile upon her lips.
+
+"You are prepared to sell those proofs, I understand," I said, suddenly
+assuming an air of extreme gravity. "Now, I'm a business man. If you wish
+to dispose of this information, why not sell it to me?"
+
+She laughed in my face.
+
+"No, not to you, my dear sir. My business is with the police, not with
+the girl's lover," was her quick response.
+
+"But the price," I said. "I will outbid the police if necessary."
+
+"No doubt you would be only too glad of the chance of saving the girl who
+has so cleverly deceived you. But, without offence, Mr. Royle, I
+certainly think you are a fool to act as you are now acting," she added.
+"A foul crime of jealousy has been committed, and the assassin must pay
+the penalty of her crime."
+
+"And you allege jealousy as the motive?" I gasped.
+
+"Most certainly," she answered. Then, after a pause of a few seconds, she
+added--"The girl you have so foolishly trusted and in whom you still
+believe so implicitly, left her home in Cromwell Road in the night, as
+she had often done before, and walked round to Harrington Gardens in
+order to see Digby. There, in his rooms, she met her rival--she had
+suspicions and went there on purpose armed with a knife. And with it she
+struck the girl down, and killed her."
+
+"It's a lie!" I cried, starting to my feet. "A foul, wicked lie!"
+
+"But what I say can be proved."
+
+"At a price," I said bitterly.
+
+"As you are a business man, so I am a business woman, Mr. Royle," she
+replied quite calmly. "When I see an opportunity of making money, I do
+not hesitate to seize it."
+
+"But if you know the truth--if this is the actual truth which at present
+I will not believe--then it is your duty, nay, you are bound by law to go
+to the police and tell them what you know."
+
+"I shall do that, never fear," she laughed. "But first I shall try and
+get something for my trouble."
+
+"And whom do you intend to bring up as witness against Miss Shand?" I
+asked.
+
+"Wait and see. There will be a witness--an eye-witness, who was present,
+and whose evidence will be corroborated," she declared in due course
+with a self-satisfied air. "I have not resolved to reveal the truth
+without fully reviewing the situation. When the police know--as they
+certainly will--you will then find that I have not lied, and perhaps you
+will alter your opinion of the girl you now hold in such high esteem."
+
+
+
+
+CHAPTER XVIII.
+
+DISCLOSES THE TRAP.
+
+
+The woman's words held me speechless.
+
+She seemed so cold, so determined, so certain of her facts that I felt,
+when I came to consider what I already had proved, that she was actually
+telling me the ghastly truth.
+
+And yet I loved Phrida. No. I refused to allow my suspicions to be
+increased by this woman who had approached the police openly and asked
+for payment for her information.
+
+She was Phrida's enemy. Therefore it was my duty to treat her as such,
+and in a moment I had decided upon my course of action.
+
+"So I am to take it that both Digby and yourself are antagonistic towards
+Phrida Shand?" I exclaimed, leaning against the round mahogany table and
+facing her.
+
+She did not speak for a few seconds, then, springing to her feet,
+exclaimed:
+
+"Would you excuse me for a few seconds? I forgot to give an order to my
+servant who is just going out."
+
+And she bustled from the room, leaving me alone with my own confused
+thoughts.
+
+Ah! The puzzling problem was maddening me. In my investigations I now
+found myself in a cul-de-sac from which there seemed no escape. The net,
+cleverly woven without a doubt, was slowly closing about my poor darling,
+now so pale, and anxious, and trembling.
+
+Had she not already threatened to take her own life at first sign of
+suspicion being cast upon her by the police!
+
+Was that not in itself, alas! a sign that her secret was a guilty one?
+
+I knew not what to do, or how to act.
+
+I suppose my hostess had been absent for about five minutes when the door
+suddenly re-opened, and she entered.
+
+"When we were interrupted, Mrs. Petre," I said, as she advanced towards
+me, "I was asking you a plain question. Please give me a plain reply. You
+and Phrida Shand are enemies, are you not?"
+
+"Well, we are not exactly friends," she laughed, "after all that has
+occurred. I think I told you that in London."
+
+"I remember all that you told me," I replied. "But I want to know the
+true position, if--whether we are friends, or enemies? For myself, it
+matters not. I will be your friend with just as great a satisfaction as I
+will be your enemy. Now, let us understand each other. I have told you,
+I'm a man of business."
+
+The woman, clever and resourceful, smiled sweetly, and in a calm voice
+replied:
+
+"Really, Mr. Royle, I don't see why, after all, we should be enemies,
+that is, if what you tell me is the positive truth, that you owe my
+friend Digby no ill-will."
+
+"I owe no man ill-will until his perfidy is proved," was my reply. "I
+merely went to Brussels to try and find him and request an explanation.
+He charged me with a mission which I discharged with the best of my
+ability, but which, it seems, has only brought upon me a grave
+calamity--the loss of the one I love. Hence I am entitled to some
+explanation from his own lips!"
+
+"Which I promise you that you shall have in due course. So rest assured
+upon that point," she urged. "But that is in the future. We are, however,
+discussing the present. By the way--you'll take something to drink, won't
+you?"
+
+"No, thank you," I protested.
+
+"But you must have something. I'm sorry I have no whisky to offer you,
+but I have some rather decent port," and disregarding my repeated
+protests, she rang the bell, whereupon the young man who had admitted
+me--whom I now found to my surprise to be a servant--entered and bowed.
+
+"Bring some port," his mistress ordered, and a few moments later he
+reappeared with a decanter and glasses upon a silver tray.
+
+She poured me out a glass, but refused to have any herself.
+
+"No, no," she laughed, "at my time of life port wine would only make me
+fat--and Heaven knows I'm growing horribly stout now. You don't know, Mr.
+Royle, what horror we women have of stoutness. In men it is a sign of
+ease and prosperity, in women it is suggestive of alcoholism and puts ten
+years on their ages."
+
+Out of politeness, I raised my glass to her and drank. Her demeanour had
+altered, and we were now becoming friends, a fact which delighted me,
+for I saw I might, by the exercise of a little judicious diplomacy, act
+so as to secure protection for Phrida.
+
+While we were chatting, I suddenly heard the engine of my taxi started,
+and the clutch put in with a jerk.
+
+"Why!" I exclaimed, surprised. "I believe that's my taxi going away. I
+hope the man isn't tired of waiting!"
+
+"No. I think it is my servant. I 'phoned for a cab for her, as I want her
+to take a message into Colchester," Mrs. Petre replied. Then, settling
+herself in the big chair, she asked:
+
+"Now, why can't we be friends, Mr. Royle?"
+
+"That I am only too anxious to be," I declared.
+
+"It is only your absurd infatuation for Phrida Shand that prevents you,"
+she said. "Ah!" she sighed. "How grossly that girl has deceived you!"
+
+I bit my lip. My suspicions were surely bitter enough without the sore
+being re-opened by this woman.
+
+Had not Phrida's admissions been a self-condemnation to which, even
+though loving her as fervently as I did, I could not altogether blind
+myself.
+
+I did not speak. My heart was too full, and strangely enough my head
+seemed swimming, but certainly not on account of the wine I had drunk,
+for I had not swallowed more than half the glass contained.
+
+The little room seemed to suddenly become stifling. Yet that woman with
+the dark eyes seemed to watch me intently as I sat there, watch me with a
+strange, deep, evil glance--an expression of fierce animosity which even
+at that moment she could not conceal.
+
+She had openly avowed that the hand of my well-beloved had killed the
+unknown victim because of jealousy. Well, when I considered all the facts
+calmly and deliberately, her words certainly seemed to bear the impress
+of truth.
+
+Phrida had confessed to me that, rather than face inquiry and
+condemnation she would take her own life. Was not that in itself
+sufficient evidence of guilt?
+
+But no! I strove to put such thoughts behind me. My brain was awhirl,
+nay, even aflame, for gradually there crept over me a strange, uncanny
+feeling of giddiness such as I had never before experienced, a faint,
+sinking feeling, as though the chair was giving way beneath me.
+
+"I don't know why, but I'm feeling rather unwell," I remarked to my
+hostess. Surely it could not be due to my overwrought senses and my
+strained anxiety for Phrida's safety.
+
+"Oh! Perhaps it's the heat of the room," the woman replied. "This place
+gets unpleasantly warm at night. You'll be better in a minute or two, no
+doubt. I'll run and get some smelling salts. It is really terribly close
+in here," and, rising quickly, she left me alone.
+
+I remember that instantly she had disappeared a red mist gathered before
+my eyes, and with a fearful feeling of asphyxiation I struggled
+violently, and fell back exhausted into my chair, while my limbs grew
+suddenly icy cold, though my brow was burning.
+
+To what could it be due?
+
+I recollect striving to think, to recall facts, to reason within myself,
+but in vain. My thoughts were so confused that grim, weird shadows and
+grotesque forms arose within my imagination. Scenes, ludicrous and
+tragic, wildly fantastic and yet horrible, were conjured up in my
+disordered brain, and with them all, pains--excruciating pains, which
+shot through from the sockets of my eyes to the back of my skull,
+inflicting upon me tortures indescribable.
+
+I set my teeth in determination not to lose consciousness beneath the
+strain, and my eyes were fixed upon the wall opposite. I remember now the
+exact pattern of the wallpaper, a design of pale blue trellis-work with
+crimson rambler roses.
+
+I suppose I must have remained in that position, sunk into a heap in the
+chair, for fully five minutes, though to me it seemed hours when I
+suddenly became conscious of the presence of persons behind me.
+
+I tried to move--to turn and look--but found that every muscle in my body
+had become paralysed. I could not lift a finger, neither would my lips
+articulate any sound other than a gurgle when I tried to cry out. And yet
+I remained in a state of consciousness, half blotted out by those weird,
+fantastic and dreamy shapes, due apparently to the effect of that wine
+upon my brain.
+
+Had I been deliberately poisoned? The startling truth flashed across my
+mind just as I heard a low stealthy movement behind me.
+
+Yes. I was helpless there, in the hands of my enemies. I, wary as I
+believed myself to be, had fallen into a trap cunningly prepared by that
+clever woman who was Digby's accomplice.
+
+I now believed all that Edwards had told me of the man's cunning and his
+imposture. How that he had assumed the identity of a clever and renowned
+man who had died so mysteriously in South America. Perhaps he had killed
+him--who could tell?
+
+As these bitter thoughts regarding the man whom I had looked upon as a
+friend flitted through my brain, I saw to my amazement, standing boldly
+before me, the woman Petre with two men, one a dark-bearded,
+beetle-browed, middle-aged man of Hindu type--a half-caste
+probably--while the other was the young man who had admitted me.
+
+The Hindu bent until his scraggy whiskers almost touched my cheek,
+looking straight into my eyes with keen, intent gaze, but without
+speaking.
+
+I saw that the young man had carried a small deal box about eighteen
+inches square, which he had placed upon the round mahogany table in the
+centre of the room.
+
+This table the woman pushed towards my chair until I was seated before
+it. But she hardly gave me a glance.
+
+I tried to speak, to inquire the reason of such strange proceedings, but
+it seemed that the drug which had been given me in that wine had produced
+entire muscular paralysis. I could not move, neither could I speak. My
+brain was on fire and swimming, yet I remained perfectly conscious,
+horrified to find myself so utterly and entirely helpless.
+
+The sallow-faced man, in whose black eyes was an evil, murderous look,
+and upon whose thin lips there played a slight, but triumphant smile,
+took both my arms and laid them straight upon the table.
+
+I tried with all my power to move them, but to no purpose. As he placed
+them, so they remained.
+
+Then, for the first time, the woman spoke, and addressing me, said in a
+hard, harsh tone:
+
+"You are Digby's enemy, and mine, Mr. Royle. Therefore you will now see
+the manner in which we treat those who endeavour to thwart our ends. You
+have been brave, but your valour has not availed you much. The secret of
+Digby Kemsley is still a secret--and will ever be a secret," she added in
+a slow, meaning voice.
+
+And as she uttered those words the half-bred Indian took my head in his
+hands and forced my body forward until my head rested upon the table
+between my outstretched arms.
+
+Again I tried to raise myself, and to utter protest, but only a low
+gurgling escaped my parched lips. My jaws were set and I could not move
+them.
+
+Ah! the situation was the strangest in which I have ever found myself in
+all my life.
+
+Suddenly, while my head lay upon the polished table I saw the Hindu put a
+short double-reed pipe to his mouth, and next instant the room was filled
+with weird, shrill music, while at the same moment he unfastened the side
+of the little box and let down the hinged flap.
+
+Again the native music sounded more shrill than before, while the woman
+and the young man-servant had retreated backward towards the door, their
+eyes fixed upon the mysterious box upon the table.
+
+I, too, had my eyes upon the box.
+
+Suddenly I caught sight of something within, and next second held my
+breath, realising the horrible torture that was intended.
+
+I lay there helpless, powerless to draw back and save myself.
+
+Again the sounds of the pipe rose and then died away slowly in a long
+drawn-out wail.
+
+My eyes were fixed upon that innocent-looking little box in horror and
+fascination.
+
+Ah! Something moved again within.
+
+I saw it--saw it quite plainly.
+
+I tried to cry out--to protest, to shout for help. But in vain.
+
+Surely this woman's vengeance was indeed a fiendish and relentless one.
+
+My face was not more than a foot away from the mysterious box, and when I
+fully realised, in my terror, what was intended, I think my brain must
+have given way.
+
+I became insane!
+
+
+
+
+CHAPTER XIX.
+
+THE SEAL OF SILENCE.
+
+
+Yes, there was no doubt about it. Terror and horror had driven me mad.
+
+And surely the deadly peril in which I found myself was in itself
+sufficient to cause the cheek of the bravest man to pale, for from that
+box there slowly issued forth a large, hideous cobra, which, coiling with
+sinuous slowness in front of my face held its hooded head erect, ready to
+strike.
+
+While the Hindu played that weird music on the pipes its head with the
+two beady eyes and flickering tongue, moved slowly to and fro. It was
+watching me and ready to deal its fatal blow.
+
+The woman saw the perspiration standing upon my white brow, and burst out
+laughing, still standing at a safe distance near the door.
+
+"Ah! Mr. Royle, you won't have much further opportunity of
+investigation," she exclaimed. "You have become far too inquisitive, and
+you constitute a danger--hence this action. I'm very sorry, but it must
+be so," declared the brutal, inhuman woman.
+
+She was watching, gloating over her triumph; waiting, indeed, for my
+death.
+
+Surely I was not their first victim! All had been carried out in a method
+which showed that the paralysing drug and the deadly reptile had been
+used before by this strange trio.
+
+The music, now being played incessantly, apparently prevented the snake
+from darting at me, as it was, no doubt, under the hypnotic influence of
+its master. But I knew that the moment the music ceased it would be my
+last.
+
+With frantic efforts I struggled to withdraw my head and hands from the
+reptile's reach, but every muscle seemed powerless. I could not budge an
+inch.
+
+Again I tried to speak, to shout for help, but no word could I
+articulate. I was dead in all save consciousness.
+
+"Oh, yes," laughed Mrs. Petre hoarsely; "we're just playing you a little
+music--to send you to sleep--to put the seal of silence upon you, Mr.
+Royle. And I hope you'll sleep very well to-night--very well--as no doubt
+you will!" and she gave vent to a loud peal of harsh laughter.
+
+Then, for a moment she hesitated, until suddenly she cried to the Hindu:
+
+"Enough!"
+
+The music ceased instantly, and the snake, whose hooded head had been
+swaying to and fro slowly, suddenly shot up erect.
+
+The spell of the music was broken, and I knew my doom was sealed.
+
+Those small, brilliant eyes were fastened upon mine, staring straight at
+me, the head moving very slowly, while those three brutes actually
+watched my agony of terror, and exchanged smiles as they waited for the
+reptile to strike its fatal blow.
+
+In an instant its fangs would, I knew, be in my face, and into my blood
+would be injected that deadly venom which must inevitably prove fatal.
+
+Yes, I had been entrapped, and they held the honours in the game. After
+my death Phrida would be denounced, accused, and convicted as an
+assassin. Because, perhaps, I might be a witness in her favour, or even
+assist her to escape arrest, this woman had taken the drastic step of
+closing my lips for ever.
+
+But was it with Digby's knowledge? Had he ever been her accomplice in
+similar deeds to this?
+
+Suddenly I recollected with a start what Edwards had told me--that the
+real Sir Digby Kemsley, an invalid, had died of snake-bite in mysterious
+circumstances, in Peru; and that his friend, a somewhat shady Englishman
+named Cane, had been suspected of placing the reptile near him, owing to
+the shouts of terror of the doomed man being overheard by a Peruvian
+man-servant.
+
+Was it possible that the man whom I had known as Digby was actually Cane?
+
+The method of the snake was the same as that practised at Huacho!
+
+These, and other thoughts, flashed across my brain in an instant, for I
+knew that the agony of a fearful death would be quickly upon me.
+
+I tried to utter a curse upon those three brutes who stood looking on
+without raising a hand to save me, but still I could not speak.
+
+Suddenly, something black shot across my startled eyes. The reptile had
+darted.
+
+The horror of that moment held me transfixed.
+
+I felt a sharp sting upon my left cheek, and next instant, petrified by a
+terror indescribable, I lost consciousness.
+
+What happened afterwards I have no idea. I can only surmise.
+
+How long I remained senseless I cannot tell. All I am aware of is that
+when I returned to a knowledge of things about me I had a feeling that my
+limbs were benumbed and cramped. Against my head was a cold, slimy wall,
+and my body was lying in water.
+
+For a time, dazed as I was, I could not distinguish my position. My
+thoughts were all confused; all seemed pitch darkness, and the silence
+was complete save for the slow trickling of water somewhere near my head.
+
+I must have lain there a full hour, slowly gathering my senses. The back
+of my head was very sore, for it seemed as though I had received a heavy
+blow, while my elbows and knees seemed cut and bruised.
+
+In the close darkness I tried to discover where I was, but my brain was
+swimming with an excruciating pain in the top of my skull.
+
+Slowly, very slowly, recollections of the past came back to
+me--remembrance of that terrible, final half-hour.
+
+Yes, Joy! I was still alive; the loathsome reptile's fang had not
+produced death. It may have bitten some object and evacuated its venom
+just prior to biting me. That was the theory which occurred to me, and I
+believe it to be the correct one.
+
+I could raise my hand, too. I was no longer paralysed. I could speak. I
+shouted, but my voice seemed deadened and stifled.
+
+On feeling my head I found that I had a long scalp-wound, upon which the
+blood was congealed. My clothes were rent, and as I groped about I
+quickly found that my prison was a circular wall of stone, wet and
+slimy, about four feet across, and that I was half reclining in water
+with soft, yielding mud beneath me, while the air seemed close and foul.
+
+The roof above me seemed high, for my voice appeared to ascend very far.
+I looked above me and high up, so high that I could only just distinguish
+it was a tiny ray of light--the light of day.
+
+With frantic fingers I felt those circular walls, thick with the
+encrustations and slime of ages. Then all of a sudden the truth flashed
+upon me. My enemies, believing me dead, had thrown me down a well!
+
+I shouted and shouted, yelled again and again. But my voice only echoed
+high up, and no one came to my assistance.
+
+My legs, immersed as they were in icy-cold water, were cramped and
+benumbed, so that I had no feeling in them, while my hands were wet and
+cold, and my head hot as fire.
+
+As far as I could judge in the darkness, the well must have been fully
+eighty feet or so deep, and after I had been flung headlong down it the
+wooden trap-door had been re-closed. It was through the chink between the
+two flaps that I could see the blessed light of day.
+
+I shouted again, yelling with all my might: "Help! Help!" in the hope
+that somebody in the vicinity might hear me and investigate.
+
+I was struggling in order to shift into a more comfortable position, and
+in doing so my feet sank deeper into the mud at the bottom of the
+well--the accumulation of many years, no doubt.
+
+Two perils faced me--starvation, or the rising of the water: for if it
+should rain above, the water percolating through the earth would cause it
+to rise in the well and overwhelm me. By the dampness of the wall I
+could feel that it was not long since the water was much higher than my
+head, as I now stood upright.
+
+Would assistance come?
+
+My heart sank within me when I thought of the possibility that I had been
+precipitated into the well in the garden of Melbourne House, in which
+case I could certainly not hope for succour.
+
+Again I put out my hands, frantically groping about me, when something I
+touched in the darkness caused me to withdraw my hand with a start.
+
+Cautiously I felt again. My eager fingers touched it, for it seemed to be
+floating on the surface of the water. It was cold, round, and long--the
+body of a snake!
+
+I drew my hand away. Its contact thrilled me.
+
+The cobra had been killed and flung in after me! In that case the
+precious trio had, without a doubt, fled.
+
+Realisation of the utter hopelessness of the situation sent a cold
+shudder through me. I had miraculously escaped death by the snake's
+fangs, and was I now to die of starvation deep in that narrow well?
+
+Again and again I shouted with all my might, straining my eyes to that
+narrow chink which showed so far above. Would assistance never come? I
+felt faint and hungry, while my wounds gave me considerable pain, and my
+head throbbed so that I felt it would burst at any moment.
+
+I found a large stone in the mud, and with it struck hard against the
+wall. But the sound was not such as might attract the attention of
+anybody who happened to be near the vicinity of the well. Therefore I
+shouted and shouted again until my voice grew hoarse, and I was
+compelled to desist on account of my exhaustion.
+
+For fully another half-hour I was compelled to remain in impatience and
+anxiety in order to recover my voice and strength for, weak as I was, the
+exertion had almost proved too much for me. So I stood there with my back
+to the slimy wall, water reaching beyond my knees, waiting and hoping
+against hope.
+
+At last I shouted again, as loudly as before, but, alas! only the weird
+echo came back to me in the silence of that deeply-sunk shaft. I felt
+stifled, but, fortunately for me, the air was not foul.
+
+Yes, my assassins had hidden me, together with the repulsive instrument
+of their crime, in that disused well, confident that no one would descend
+to investigate and discover my remains. How many persons, I wonder, are
+yearly thrown down wells where the water is known to be impure, or where
+the existence of the well itself is a secret to all but the assassin?
+
+I saw it all now. My taxi-man must have been paid and dismissed by that
+thin-faced young man, yet how cleverly the woman had evaded my question,
+and how glib her explanation of her servant going into the town in a
+taxi.
+
+When she had risen from her chair and left me, it was, no doubt, to
+swiftly arrange how my death should be encompassed.
+
+Surely that isolated, ivy-covered house was a house of grim shadows--nay,
+a house of death--for I certainly was not the first person who had been
+foully done to death within its walls.
+
+As I waited, trying to possess myself with patience, and hoping against
+hope that I might still be rescued from my living tomb, the little streak
+of light grew brighter high above, as though the wintry sun was shining.
+
+I strained my ears to catch any sound beyond the slow trickling of the
+water from the spring, but, alas! could distinguish nothing.
+
+Suddenly, however, I heard a dull report above, followed quickly by a
+second, and then another in the distance, and another. At first I
+listened much puzzled; but next moment I realised the truth.
+
+There was a shooting-party in the vicinity!
+
+
+
+
+CHAPTER XX.
+
+FROM THE TOMB.
+
+
+Again I shouted--yelled aloud with all my might. I placed my hands to my
+mouth, making a trumpet of them, and shouted upwards:
+
+"Help! For God's sake! Help! I'm down here--dying! Help!--_Help!_"
+
+A dozen times I yelled my appeal, but with the same negative result.
+Whoever had fired in the vicinity was either too far away, or too
+occupied with his sport to hear me.
+
+I heard another shot fired--more distant than the rest. Then my heart
+sank within me--the party were receding.
+
+I don't know how long I waited--perhaps another hour--when I thought I
+would try again. Therefore I recommenced my shouts for assistance,
+yelling frantically towards the high-up opening.
+
+Suddenly the streak of light became obscured, and dust and gravel fell
+upon me, the latter striking my head with great force from such a height.
+
+I heard a noise above--a footstep upon the wooden flap of the well. My
+heart gave a bound.
+
+"Help!" I yelled. "Open the well! I'm down here--dying. Save me! Fetch
+assistance!"
+
+The feet above moved, and a moment later I saw above me a round disc of
+daylight and a head--a girl's head--silhouetted within it.
+
+"Who's there?" she asked in a timid, half-frightened voice.
+
+"It's me!" I cried. "Get me out of this! I'm dying. Get me a rope or
+something, quickly!"
+
+"Who are you?" asked the girl, still frightened at her discovery.
+
+"I'm a man who's been thrown down here, and I can't get out. Get somebody
+to help me, I beg of you!"
+
+"All right!" she replied. "There's some men, shooting here. I'll run and
+tell them."
+
+And her face disappeared from the disc of daylight.
+
+At last! Help was forthcoming, and I breathed more freely.
+
+I suppose about five minutes must have elapsed before I saw above me the
+heads of two men in golf-caps, peering over the edge of the well.
+
+"Hulloa!" cried one in a refined voice, "what are you doing down there?"
+
+"Doing!" I echoed, "you should come down and see!" I said with some
+sarcasm. "But, I say! Send me down a rope, will you? I'm a prisoner
+here."
+
+"Have you been thrown in there?" asked the voice. "This lady says you
+have."
+
+"Yes, I have. I'll tell you a strange story when you get me out."
+
+"All right!" exclaimed the other. "Hold on! We'll go over to the farm and
+get a rope. Why, I was here half-an-hour ago, and never dreamt you were
+down there. Hold on!"
+
+And the two faces disappeared, their places being taken by the silhouette
+of the girl.
+
+"I say!" I cried. "Where am I? What do they call this place?"
+
+"Well, this is one of the fields of Coppin's Farm, just outside Lexden
+Park."
+
+"Do you know Melbourne House?" I asked.
+
+"Oh, yes. Miss Morgan's. She's dead," replied the girl's voice from
+above. "It's out on the high road--close by."
+
+"Is this well in the middle of a field, then?" I asked.
+
+"In the corner. Some old, half-ruined cottages stood here till a couple
+of years ago, when they were pulled down."
+
+"And this was the well belonging to them?"
+
+"I suppose so," she replied, and a few minutes later I heard voices and
+saw several heads peering down at me, while now and then gravel fell upon
+my unprotected head, causing me to put my hands up to protect it.
+
+"I say!" cried the man's voice who had first addressed me, "We're sending
+down a rope. Can you fasten it round you, and then we'll haul you up? I
+expect you're in a pretty state, aren't you?"
+
+"Yes; I'm not very presentable, I fear," I laughed.
+
+Then down came a stout farmer's rope, several lengths of which were
+knotted together after some delay, until its end dangled before me.
+
+"I hope you've joined it all right," I cried. "I don't want to drop
+down!"
+
+"No, it's all right!" one of the men--evidently a labourer--declared.
+"You needn't fear, mister."
+
+I made a knot in the end, then, placing it around both my thighs, made a
+slip knot and clung to the rope above. This took me some minutes. Then,
+when all was ready, I gave the signal to haul.
+
+"Slowly!" I shouted, for I was swinging from side to side of the well,
+bruising my elbows and knees. "Haul slower! I'm getting smashed to
+pieces!"
+
+They heeded me, and with care I was gradually drawn up to the blessed
+light of day--a light which, for a few minutes, nearly blinded me, so
+exhausted and dazed was I.
+
+Naturally I was beset by a hundred queries as to how I came to be
+imprisoned in such a place.
+
+But I sat down upon the ground, a strange, begrimed and muddy figure, no
+doubt, gazing about me for a few moments unable to speak.
+
+I was in the corner of a bare, brown field, with a high hedgerow close
+by. Around were the foundations of demolished cottages, and I was seated
+upon a heap of brick-rubbish and plaster.
+
+The two who were dressed in rough, shooting kit I took to be military
+men, while three others were farm-hands, and the girl--a tall, rather
+good-looking open-air girl, was dressed in a short, tweed skirt,
+well-cut, a thick jacket, a soft felt hat, and heavy, serviceable boots.
+No second glance was needed to show that, although so roughly dressed,
+she was undoubtedly a lady.
+
+One of the men called her Maisie, and later I knew that her name was
+Maisie Morrice, that she was his sister, who had been walking with the
+"guns."
+
+My presence down the well certainly needed explanation, and as they had
+rescued me, it was necessary to satisfy their natural curiosity.
+
+"I had a curious adventure here last night," I told them, after pausing
+to take breath. "I came from London to see a lady living at Melbourne
+House. A lady named Petre--but I was given some drugged wine, and--well,
+when I came to I found myself down there. That's all."
+
+"A very unpleasant experience, I should say," remarked the elder of the
+two sportsmen, a tall, grey-moustached man, as he surveyed me. "I suppose
+you'll go back to Melbourne House and get even with the lady? I would!"
+
+"Melbourne House!" echoed the other man. "Why, Maisie, that's where old
+Miss Morgan lived, and it's been taken by some woman with an Indian
+servant, hasn't it?"
+
+"Yes," replied the girl. "She's been there a month or two, but quite a
+mystery. Nobody has called on her. Mother wouldn't let me."
+
+"Apparently she's not a very desirable acquaintance," remarked her
+brother grimly.
+
+"I want to go there," I said feebly, trying to rise.
+
+"You seem to have hurt your head pretty badly," remarked the elder
+sportsman. "I suppose you'd better go into Colchester and see the
+police--eh?"
+
+"I'll drive him in, sir," volunteered one of the men, whom I took to be
+the farmer.
+
+"Yes, Mr. Cuppin," exclaimed the girl. "Get your trap and drive this
+gentleman to the doctor and the police."
+
+"Thank you," I replied. "But I don't want the people at Melbourne House
+to know that I'm alive. They believe me dead, and it will be a pretty
+surprise for them when I return, after seeing the doctor. So I ask you
+all to remain silent about this affair--at least for an hour or so. Will
+you?"
+
+They all agreed to do so, and, being supported by two of the men, I made
+my way across the field to the farm; and ten minutes later was driving
+into Colchester in the farmer's dog-cart.
+
+At the "Cups" my appearance caused some sensation, but, ascending to my
+room, I quickly washed, changed my ruined suit, and made myself
+presentable, and then went to see an elderly and rather fussy doctor, who
+put on his most serious professional air, and who was probably the most
+renowned medical man in the town. The provincial medico, when he becomes
+a consultant, nearly always becomes pompous and egotistical, and in his
+own estimation is the only reliable man out of Harley Street.
+
+The man I visited was one of the usual type, a man of civic honours, with
+the aspirations of a mayoralty, I surmised. I think he believed that I
+had injured my head while in a state of intoxication, so I did not
+undeceive him, and allowed his assistant to bathe and bandage my wound
+and also the bite upon my cheek, while the farmer waited outside for me.
+
+When at last I emerged, I hesitated.
+
+Should I go to the police and tell them what had occurred? Or should I
+return alone to Melbourne House, and by my presence thwart whatever
+sinister plans might be in progress.
+
+If I went to the police I would be forced to explain much that I desired,
+at least for the present, to keep secret. And, after all, the local
+police could not render me much assistance. I might give the woman and
+her accomplices in charge for attempted murder, but would such course
+help in the solution of the Harrington Gardens affair?
+
+After a few moments' reflection I decided to drive straight to the house
+of shadows and demand an explanation of the dastardly attempt upon me.
+
+A quarter of an hour later Mr. Cuppin pulled up near the long,
+ivy-covered house, and, alighting, I made my way within the iron gate and
+up the gravelled path to the front door, where I rang.
+
+I listened attentively, and heard someone moving.
+
+Yes, the house was not empty, as I had half feared.
+
+A moment later a neat maid-servant opened the door, and regarded me with
+some surprise.
+
+"Is Mrs. Petre at home?" I inquired.
+
+"No, sir, she isn't," replied the girl with a strong East Anglian accent.
+
+"When will she be in?" I asked.
+
+"I really don't know, sir," she said. "She hasn't left word where she's
+gone."
+
+"Is anyone else at home?"
+
+"No, sir."
+
+"How long have you been with Mrs. Petre?" I asked, adding, in an
+apologetic tone, "I hope I'm not too inquisitive?"
+
+"I've been here about two months--ever since she took the house."
+
+"Don't you think your mistress a rather curious person?" I asked,
+slipping half-a-sovereign into her hand. She regarded the coin, and then
+looked at me with a smile of surprise and satisfaction.
+
+"I--I hardly know what you mean, sir," she faltered.
+
+"Well, I'll be quite frank with you," I said. "I'm anxious to know
+something about what company she keeps here. Last night, for instance, a
+gentleman called in a taxi. Did you see him?"
+
+"No, sir," she answered. "Mistress sent me out on an errand to the other
+side of the town, and when I came back just before half-past eleven I
+found the front door ajar, and everybody gone. And nobody's been back
+here since."
+
+After disposing of my body, then, the precious trio had fled.
+
+I knew that Phrida must now be in hourly peril of arrest--for that woman
+would, now that she believed me dead, lose not an instant in making a
+damning statement to the police regarding what had occurred on that night
+in Harrington Gardens.
+
+
+
+
+CHAPTER XXI.
+
+RECORDS A STRANGE STATEMENT.
+
+
+"Will you permit me to come inside a moment?" I asked the girl. "I want
+you to tell me one or two things, if you will."
+
+At first she hesitated, but having surveyed me critically and finding, I
+suppose, that I was not a tramp she opened the door wider and admitted me
+to the room wherein her mistress had entertained me on the previous
+night.
+
+I glanced quickly around. Yes, nothing had been altered. There was the
+chair in which I had sat, and the round, mahogany table upon which my
+head had laid so helplessly while the reptile, charmed by the Hindu's
+music, had sat erect with swaying head.
+
+Ah! as that terrible scene again arose before my eyes I stood horrified.
+The girl noticed my demeanour, and looked askance at me.
+
+"Does your mistress have many visitors?" I asked her. "To tell you the
+truth, I'm making these confidential inquiries on behalf of an insurance
+company in London. So you can be perfectly open with me. Mrs. Petre will
+never know that you have spoken."
+
+"Well, sir," replied the dark-eyed maid, after a pause, during which time
+she twisted her dainty little apron in her hand, "I suppose I really
+ought not to say anything, but the fact is mistress acts very curiously
+sometimes. Besides, I don't like Ali."
+
+"You mean the Indian?"
+
+"Yes. He's too crafty and cunning," she replied. "Sometimes in the middle
+of the night I wake up and hear Ali, shut up in his room, playing on his
+flute--such horrible music. And on such occasions the mistress and
+Horton, the man, are usually with him--listening to his concert, I
+suppose."
+
+"On those occasions, have there been guests in the house?" I asked
+quickly.
+
+"Once, I think about a fortnight ago, a gentleman had called earlier in
+the evening. But I did not see him."
+
+"Did you see him next morning?"
+
+"Oh, no; he did not stay the night."
+
+"But on this particular occasion, how did you know that Mrs. Petre and
+Horton were in the room with him?"
+
+"Because I listened from the top of the stairs, and could hear voices.
+The gentleman was in there too, I believe, listening to the noise of
+Ali's pipes."
+
+Had the stranger fallen a victim to the serpent, I wondered?
+
+Who could he have been, and what was his fate?
+
+"Has your mistress and her two servants left you suddenly like this
+before?" I inquired.
+
+"Never, sir. I can't make it out. They seem to have gone out with the
+gentleman who called--and evidently they left all of a hurry."
+
+"Why?"
+
+"Because when I got back I found that my mistress had pulled out the
+first coat and hat she could find, and had not taken even a handbag.
+Besides, if she knew she was to be absent she would have left me a note."
+And she added in a tone of resentment: "It isn't fair to leave me by
+myself in a lonely house like this!"
+
+"No, it isn't," I agreed. "But, tell me, does your mistress have many
+callers?"
+
+"Very few. She has had a visitor lately--a gentleman. He stayed a few
+days, and then left suddenly."
+
+"Young or old?"
+
+"Elderly, clean-shaven, and grey hair. She used to call him Digby."
+
+"Digby!" I echoed. "When was he here? Tell me quickly!"
+
+"Oh, about four days ago, I think. Yes--he went away last Sunday night."
+
+"Tell me all about him," I urged her. "He's a friend of mine."
+
+"Oh, then perhaps I ought not to say anything," said the girl a little
+confused.
+
+"On the contrary, you will be doing me the very greatest service if you
+tell me all that you know concerning him," I declared. "Don't think that
+anything you say will annoy me, for it won't. He was my friend, but he
+served me a very evil trick."
+
+"Well, sir," she replied, "he arrived here very late one night, and my
+mistress sat with him in the drawing-room nearly all night talking to
+him. I crept down to try and hear what was going on, but they were
+speaking so low, almost whispering, so that I could catch only a few
+words."
+
+"What did you hear?" I inquired breathlessly.
+
+"Well, from what I could gather the gentleman was in some grave
+danger--something to do with a girl. Mistress seemed very excited and
+talked about another girl, which she called Freda, or something like
+that, and then the gentleman mentioned somebody named Royle, whereon
+mistress seemed to fly into a passion. I heard her say distinctly, 'You
+are a fool, Digby! If you're not very careful you'll give the game away.'
+Then he said, 'If the truth comes out, she will suffer, not me.'"
+
+"Whom did you infer he meant by she?" I asked.
+
+"Ah, sir, that's impossible to say," was her response. "Well, they were
+alone there for hours. He seemed to be begging her to tell him something,
+but she steadily refused. And every time he mentioned the name of Royle
+she became angry and excited. Once I heard her say, 'As long as you keep
+carefully out of the way, you need not fear anything. Nobody--not even
+the girl--suspects the truth. So I don't see that you need have the
+slightest apprehension. But mind, you're going to play the straight game
+with me, Digby, or, by heaven! it will be the worse for you!'"
+
+"Then she threatened him?" I remarked.
+
+"Yes. She seemed very determined and spoke in a low, hard voice. Of
+course, I could only catch a few disjointed words, and out of them I
+tried to make sense. But I overheard sufficient to know that the visitor
+was in a state of great agitation and fear."
+
+"Did he go out much?"
+
+"All the time he was here I never knew him to go further than the
+garden," said the maid, who seemed to be unusually intelligent.
+
+"What about Ali?"
+
+"Ali was his constant companion. When they were together they spoke in
+some foreign language."
+
+A sudden thought flashed across my mind.
+
+Could Ali be a Peruvian Indian and not a Hindu? Was he the accomplice of
+the mysterious Englishman named Cane--the man suspected of causing the
+death of Sir Digby Kemsley?
+
+What this girl was revealing was certainly amazing.
+
+"You are quite sure that this man she called Digby left the neighbourhood
+last Sunday?" I asked her.
+
+"Quite. I overheard him speaking with the mistress late on Saturday
+night. He said, 'By this time to-morrow I shall be back in Brussels.' And
+I know he went there, for next day I posted a letter to Brussels."
+
+"To him?" I cried. "What was the address?"
+
+"The name was Bryant, and it was addressed Poste Restante, Brussels. I
+remember it, because I carefully made a note of it, as the whole affair
+seemed so extraordinary."
+
+"But this man she called Digby. Was he well-dressed?" I inquired.
+
+"Oh, no--not at all. He seemed poor and shabby. He only had with him a
+little handbag, but I believe he came from a considerable distance,
+probably from abroad, expressly to see her."
+
+"Then you think he is in Brussels now?"
+
+"Well, I posted the letter on Monday night. To-day is Wednesday," she
+said.
+
+I reflected. My first impulse was to go straight to Brussels and send a
+message to Mr. Bryant at the Poste Restante--a message that would trap
+him into an appointment with me.
+
+But in face of Phrida's present peril could I possibly leave London?
+
+I was at the parting of the ways. To hesitate might be to lose trace of
+the man who had proved such a false friend, while, by crossing to
+Brussels again, I would be leaving Phrida to her fate.
+
+"You heard no other mention of the person named Royle?" I asked her after
+a brief pause, during which I placed a second half-sovereign in her hand.
+
+She reflected for a moment, her eyes cast down upon the carpet, as we
+stood together in that sombre little room of horrors.
+
+"Well, yes," she replied thoughtfully. "One afternoon when I was taking
+tea into the drawing-room where they were sitting together I heard
+mistress say, 'I don't like that man Royle at all. He means
+mischief--more especially as he loves the girl.' The gentleman only
+laughed and said, 'Have no fear on that score. He knows nothing, and is
+not likely to know, unless you tell him.' Then mistress said, 'I've been
+a fool, perhaps, but when we met I told him one or two things--sufficient
+to cause him to think.' Then the gentleman stood up angrily and cried out
+in quite a loud voice: 'What! you fool! You've actually told him--you've
+allowed your infernal tongue to wag and let out the truth!' But she said
+that she had not told all the truth, and started abusing him--so much so
+that he left the room and went out into the garden, where, a few minutes
+later, I saw him talking excitedly to Ali. But when the two men talked I
+could, of course, understand nothing," added the girl.
+
+"Then your mistress declared that she didn't like the man Royle, eh?"
+
+"Yes; she seemed to fear him--fear that he knew too much about some
+business or other," replied the maid. "And to tell you quite frankly,
+sir, after watching the mistress and her visitor very narrowly for a
+couple of days I came to the conclusion that the gentleman was
+hiding--that perhaps the police were after him."
+
+"Why?" I inquired in a casual tone. "What made you think that?"
+
+"I hardly know. Perhaps from the scraps of conversation I overheard,
+perhaps from his cunning, secret manner--not but what he was always nice
+to me, and gave me something when he left."
+
+"You didn't hear any other names of persons mentioned?" I asked. "Try and
+think, as all that you tell me is of the greatest importance to me."
+
+The girl stood silent, while I paced up and down that room in which, not
+many hours before, I had endured that awful mental torture. She drew her
+hand across her brow, trying to recall.
+
+"Yes, there was another name," she admitted at last, "but I can't at the
+moment recall it."
+
+"Ah, do!" I implored her. "Try and recall it. I am in no hurry to leave."
+
+Again the dark-eyed maid in the dainty apron was silent--both hands upon
+her brow, as she had turned from me and was striving to remember.
+
+"It was some foreign name--a woman's name," she said.
+
+I recollected the dead girl was believed to have been a foreigner!
+
+Suddenly she cried--
+
+"Ah, I remember! The name was Mary Brack."
+
+"Mary Brack!" I repeated.
+
+"Yes. Of course I don't know how it's spelt."
+
+"Well, if it were a foreign name it would probably be Marie B-r-a-c-q--if
+you are sure you've pronounced it right."
+
+"Oh, yes. I'm quite sure. Mistress called her 'poor girl!' so I can only
+suppose that something must have happened to her."
+
+I held my breath at her words.
+
+Yes, without a doubt I had secured a clue to the identity of the girl who
+lost her life at Harrington Gardens.
+
+Her name, in all probability, was Marie Bracq!
+
+
+
+
+CHAPTER XXII.
+
+"MARIE BRACQ!"
+
+
+Marie Bracq! The name rang in my ears in the express all the way from
+Colchester to Liverpool Street.
+
+Just before six o'clock I alighted from a taxi in Scotland Yard, and,
+ascending in the lift, soon found myself sitting with Inspector Edwards.
+
+At that moment I deemed it judicious to tell him nothing regarding my
+night adventure in the country, except to say:
+
+"Well, I've had a strange experience--the strangest any man could have,
+because I have dared to investigate on my own account the mystery of
+Harrington Gardens."
+
+"Oh! tell me about it, Mr. Royle," he urged, leaning back in his chair
+before the littered writing-table.
+
+"There's nothing much to tell," was my reply. "I'll describe it all some
+day. At present there's no time to waste. I believe I am correct in
+saying that the name of the murdered girl is Marie Bracq."
+
+Edwards looked me straight in the face. "That's not an English name, is
+it?" he said.
+
+"No, Belgian, I should say."
+
+"Belgian? Yes, most probably," he said. "A rather uncommon name, and one
+which ought not to be difficult to trace. How did you find this out?"
+
+"Oh, it's a long story, Mr. Edwards," I said. "But I honestly believe
+that at last we are on the scent. Cannot you discover whether any girl of
+that name is missing?"
+
+"Of course. I'll wire to the Brussels police at once. Perhaps it will be
+well to ask the Prefect of Police in Paris if they have any person of
+that name reported missing," he said, and, ringing a bell, a clerk
+appeared almost instantly with a writing-pad and pencil.
+
+"Wire to Brussels and Paris and ask if they have any person named Marie
+Bracq--be careful of the spelling--missing. If so, we will send them over
+a photo."
+
+"Yes, sir," the man replied, and disappeared.
+
+"Well," I asked casually, when we were alone, "have you traced the tailor
+who made the dead girl's costume?"
+
+"Not yet. The Italian police are making every inquiry."
+
+"And what have you decided regarding that letter offering to give
+information?"
+
+"Nothing," was his prompt reply. "And if this information you have
+obtained as to the identity of the deceased proves correct, we shall do
+nothing. It will be far more satisfactory to work out the problem for
+ourselves, rather than risk being misled by somebody who has an axe to
+grind."
+
+"Ah! I'm pleased that you view the matter in that light," I said, much
+relieved. "I feel confident that I have gained the true name of the
+victim."
+
+"But how did you manage it, Mr. Royle?" he asked, much interested.
+
+I, however, refused to satisfy his curiosity.
+
+"You certainly seem to know more about the affair than we do," he
+remarked with a smile.
+
+"Well, was I not a friend of the man who is now a fugitive?" I remarked.
+
+"Ah, of course! And depend upon it, Mr. Royle, when this affair is
+cleared up, we shall find that your friend was a man of very curious
+character," he said, pursing his lips. "Inquiries have shown that many
+mysteries concerning him remain to be explained."
+
+For a moment I did not speak. Then I asked:
+
+"Is anything known concerning a woman friend of his named Petre?"
+
+"Petre?" he echoed. "No, not that I'm aware of. But it seemed that he was
+essentially what might be called a ladies' man."
+
+"I know that. He used to delight in entertaining his lady friends."
+
+"But who is this woman Petre whom you've mentioned?" he inquired with
+some curiosity.
+
+"The woman who is ready to give you information for a consideration," I
+replied.
+
+"How do you know that?"
+
+"Well, I am acquainted with her. I was with her last night," was my quick
+response. "Her intention is to condemn a perfectly innocent woman."
+
+"Whom?" he asked sharply. "The woman who lost that green horn comb at the
+flat?"
+
+I held my breath.
+
+"No, Edwards," I answered, "That question is unfair. As a gentleman, I
+cannot mention a lady's name. If she chooses to do so that's another
+matter. But if she does--as from motives of jealousy she easily may
+do--please do not take any action without first consulting me. Ere long I
+shall have a strange, almost incredible, story to put before you."
+
+"Why not now?" he asked, instantly interested.
+
+"Because I have not yet substantiated all my facts," was my reply.
+
+"Cannot I assist you? Why keep me in the dark?" he protested.
+
+"I'm afraid you can render me no other assistance except to hesitate to
+accept the allegations of that woman Petre," I replied.
+
+"Well, we shall wait until she approaches us again," he said.
+
+"This I feel certain she will do," I exclaimed. "But if you see her, make
+no mention whatever of me--you understand? She believes me to be dead,
+and therefore not likely to disprove her allegations."
+
+"Dead!" he echoed. "Really, Mr. Royle, all this sounds most interesting."
+
+"It is," I declared. "I believe I am now upon the verge of a very
+remarkable discovery--that ere long we shall know the details of that
+crime in South Kensington."
+
+"Well, if you do succeed in elucidating the mystery you will accomplish a
+marvellous feat," said the great detective, placing his hands together
+and looking at me across his table. "I confess that I'm completely
+baffled. That friend of yours who called himself Kemsley has disappeared
+as completely as though the ground had opened and swallowed him."
+
+"Ah, Edwards, London's a big place," I laughed, "and your men are really
+not very astute."
+
+"Why not?"
+
+"Because the man you want called at my rooms in Albemarle Street only a
+few days ago."
+
+"What?" he cried, staring at me surprised.
+
+"Yes, I was unfortunately out, but he left a message with my man that he
+would let me know his address later."
+
+"Amazing impudence!" cried my friend. "He called in order to show his
+utter defiance of the police, I should think."
+
+"No. My belief is that he wished to tell me something," I said. "Anyhow,
+he will either return or send his address."
+
+"I very much doubt it. He's a clever rogue, but, like all men of his
+elusiveness and cunning, he never takes undue chances. No, Mr. Royle,
+depend upon it, he'll never visit you again."
+
+"But I may be able to find him. Who knows?"
+
+The detective moved his papers aside, and with a sigh admitted:
+
+"Yes, you may have luck, to be sure."
+
+Then, after some further conversation, he looked at the piece of sticking
+plaster on my head and remarked:
+
+"I see you've had a knock. How did you manage it?"
+
+I made an excuse that in bending before my own fireplace I had struck it
+on the corner of the mantelshelf. Afterwards I suddenly said:
+
+"You recollect those facts you told me regarding the alleged death of the
+real Kemsley in Peru, don't you?"
+
+"Of course."
+
+"Well, they've interested me deeply. I'd so much like to know any further
+details."
+
+Edwards reflected a moment, recalling the report.
+
+"Well," he said, taking from one of the drawers in his table a voluminous
+official file of papers. "There really isn't very much more than what you
+already know. The Consul's report is a very full one, and contains a
+quantity of depositions taken on the spot--mostly evidence of Peruvians,
+in which little credence can, perhaps, be placed. Of course," he added,
+"the suspected man Cane seems to have been a very bad lot. He was at one
+time manager of a rubber plantation belonging to a Portuguese company,
+and some very queer stories were current regarding him."
+
+"What kind of stories?" I asked.
+
+"Oh, his outrageous cruelty to the natives when they did not collect
+sufficient rubber. He used, they said, to burn the native villages and
+massacre the inhabitants without the slightest compunction. He was known
+by the natives as 'The Red Englishman.' They were terrified by him. His
+name, it seems, was Herbert Cane, and so bad became his reputation that
+he was dismissed by the company after an inquiry by a commission sent
+from Lisbon, and drifted into Argentina, sinking lower and lower in the
+social scale."
+
+Then, after referring to several closely-written pages of foolscap, each
+one bearing the blue embossed stamp of the British Consulate in Lima, he
+went on:
+
+"Inquiries showed that for a few months the man Cane was in Monte Video,
+endeavouring to obtain a railway concession for a German group of
+financiers, but his reputation became noised abroad and he found it
+better to leave that city. Afterwards he seems to have met Sir Digby and
+to have become his bosom friend."
+
+"And what were the exact circumstances of Sir Digby's death?" I asked
+anxiously.
+
+"Ah! they are veiled in mystery," was the detective's response, turning
+again to the official report and depositions of witnesses. "As I think I
+told you, Sir Digby had met with an accident and injured his spine. Cane,
+whose acquaintance he made, brought him down to Lima, and a couple of
+months later, under the doctor's advice, removed him to a bungalow at
+Huacho. Here they lived with a couple of Peruvian men-servants, named
+Senos and Luis. Cane seemed devoted to his friend, leading the life of a
+quiet, studious, refined man--very different to his wild life on the
+rubber plantation. One morning, however, on a servant entering Sir
+Digby's room, he found him dead, and an examination showed that he had
+been bitten in the arm by a poisonous snake. There were signs of a
+struggle, showing the poor fellow's agony before he died. Cane, entering
+shortly afterwards, was distracted with grief, and telegraphed himself to
+the British Consul at Lima. And, according to custom in that country,
+that same evening the unfortunate man was buried."
+
+"Without any inquiry?" I asked.
+
+"Yes. At the time, remember, there was no suspicion. A good many people
+die annually in Peru of snake-bite," Edwards replied, again referring to
+the file of papers before him. "It seems, however, that three days later,
+the second Peruvian servant--a man known as Senos--declared that during
+the night of the tragic affair he had heard his master suddenly yell with
+terror and cry out 'You blackguard, Cane, you hell-fiend; take the thing
+away. Ah! God! You--why, you've killed me!'"
+
+"Yes," I said. "But was this told to Cane?"
+
+"Cane saw the man and strenuously denied his allegation. He, indeed, went
+to the local Commissary of Police and lodged a complaint against the man
+Senos for falsely accusing him, saying that he had done so out of spite,
+because a few days before he had had occasion to reprimand him for
+inattention to his duties. Further, Cane brought up a man living five
+miles from Huacho who swore that the accused man was at his bungalow on
+that night, arriving at nine o'clock. He drank so heavily that he could
+not get home, so he remained there the night, returning at eight o'clock
+next morning."
+
+"And the police officials believed him--eh?" I asked.
+
+"Yes. But next day he left Huacho, expressing a determination to go to
+Lima and make a statement to the Consul there. But he never arrived at
+the capital, and he has never been seen since."
+
+"Then a grave suspicion rests upon him?" I remarked, reflecting upon my
+startling adventure of the previous night.
+
+"Certainly. But the curious thing is that no attempt seems to have been
+made by the police authorities in Lima to trace the man. They allowed him
+to disappear, and took no notice of the affair, even when the British
+Consul reported it. I fancy police methods must be very lax ones there,"
+he added.
+
+"But what could have been the method of the assassin?" I asked.
+
+"Why, simply to allow the snake to strike at the sleeping man, I
+presume," said the detective. "Yet, one would have thought that after the
+snake had bitten him he would have cried out for help. But he did not."
+
+Had the victim, I wondered, swallowed that same tasteless drug that I had
+swallowed, and been paralysed, as I had been?
+
+"And the motive of the crime?" I asked.
+
+Edwards shrugged his shoulders, and raised his brows.
+
+"Robbery, I should say," was his reply. "But, strangely enough, there is
+no suggestion of theft in this report; neither does there seem to be any
+woman in the case."
+
+"You, of course, suspect that my friend Digby and the man Cane, are one
+and the same person!" I said. "But is it feasible that if Cane were
+really responsible for the death of the real Sir Digby, would he have the
+bold audacity to return to London and actually pose as his victim?"
+
+"Yes, Mr. Royle," replied the detective, "I think it most feasible. Great
+criminals have the most remarkable audacity. Some really astounding cases
+of most impudent impersonation have come under my own observation during
+my career in this office."
+
+"Then you adhere to the theory which you formed at first?"
+
+"Most decidedly," he replied; "and while it seems that you have a
+surprise to spring upon me very shortly, so have I one to spring upon
+you--one which I fear, Mr. Royle," he added very slowly, looking me
+gravely in the face--"I fear may come as a great shock to you."
+
+I sat staring at him, unable to utter a syllable.
+
+He was alluding to Phrida, and to the damning evidence against her.
+
+What could he know? Ah! who had betrayed my love?
+
+
+
+
+CHAPTER XXIII.
+
+LOVE'S CONFESSION.
+
+
+I dined alone at the Club, and afterwards sat over my coffee in one of
+the smaller white-panelled rooms, gazing up at the Adams ceiling, and my
+mind full of the gravest thoughts.
+
+What had Edwards meant when he promised me an unpleasant surprise? Had
+the woman Petre already made a statement incriminating my well-beloved?
+
+If so, I would at once demand the arrest of her and her accomplices for
+attempted murder. It had suggested itself to me to make a complete
+revelation to Edwards of the whole of my exciting adventure at
+Colchester, but on mature consideration I saw that such a course might
+thwart my endeavours to come face to face with Digby.
+
+Therefore I had held my tongue.
+
+But were Edwards' suspicions that the assassin Cane and the man I knew as
+Sir Digby Kemsley were one and the same, correct, or were they not?
+
+The method by which the unfortunate Englishman in Peru had been foully
+done to death was similar to the means employed against myself at
+Colchester on the previous night. Again, the fact that the victim did not
+shout and call for aid was, no doubt, due to the administration of that
+drug which produced complete paralysis of the muscles, and yet left the
+senses perfectly normal.
+
+Was that Indian whom they called Ali really a Peruvian native--the
+accomplice of Cane? I now felt confident that this was so.
+
+But in what manner could the impostor have obtained power over Phrida?
+Why did she not take courage and reveal to me the truth?
+
+Presently, I took a taxi down to Cromwell Road and found my well-beloved,
+with thin, pale, drawn face, endeavouring to do some fancy needlework by
+the drawing-room fire. Her mother had retired with a bad headache, she
+said, and she was alone.
+
+"I expected you yesterday, Teddy," she said, taking my hand. "I waited
+all day, but you never came."
+
+"I had to go into the country," I replied somewhat lamely.
+
+Then after a brief conversation upon trivialities, during which time I
+sat regarding her closely, and noting how nervous and agitated she
+seemed, she suddenly asked:
+
+"Well! Have you heard anything more of that woman, Mrs. Petre?"
+
+"I believe she's gone abroad," I replied, with evasion.
+
+Phrida's lips twitched convulsively, and she gave vent to a slight sigh,
+of relief, perhaps.
+
+"Tell me, dearest," I said, bending and stroking her soft hair from her
+white brow. "Are you still so full of anxiety? Do you still fear the
+exposure of the truth?"
+
+She did not reply, but of a sudden buried her face upon my shoulder and
+burst into tears.
+
+"Ah!" I sighed, still stroking her hair sympathetically, "I know what you
+must suffer, darling--of the terrible mental strain upon you. I believe
+in your innocence--I still believe in it, and if you will bear a stout
+heart and trust me, I believe I shall succeed in worsting your enemies."
+
+In a moment her tear-stained face was raised to mine.
+
+"Do you really believe that you can, dear?" she asked anxiously. "Do you
+actually anticipate extricating me from this terrible position of doubt,
+uncertainty, and guilt?"
+
+"I do--if you will only trust me, and keep a brave heart, darling," I
+said. "Already I have made several discoveries--startling ones."
+
+"About Mrs. Petre, perhaps?"
+
+"About her and about others."
+
+"What about her?"
+
+"I have found out where she is living--down at Colchester."
+
+"What?" she gasped, starting. "You've been down there?"
+
+"Yes, I was there yesterday, and I saw Ali and the two servants."
+
+"You saw them--and spoke to them?" she cried incredibly.
+
+"Yes."
+
+"But, Teddy--ah! You don't know how injudicious it was for you to visit
+them. Why, you might have----"
+
+"Might have what?" I asked, endeavouring to betray no surprise at her
+words.
+
+"Well, I mean you should not have ventured into the enemy's camp like
+that. It was dangerous," she declared.
+
+"Why?"
+
+"They are quite unscrupulous," she replied briefly.
+
+"They are your enemies, I know. But I cannot see why they should be
+mine," I remarked.
+
+"My enemies--yes!" my love cried bitterly. "It will not be long before
+that woman makes a charge against me, Teddy--one which I shall not be
+able to refute."
+
+"But I will assist you against them. I love you, Phrida, and it is my
+duty to defend you," I declared.
+
+"Ah! You were always so good and generous," she remarked wistfully. "But
+in this case I cannot, alas, see how you can render me any aid! The
+police will make inquiries, and--and then the end," she added in a voice
+scarce above a whisper.
+
+"No, no!" I urged. "Don't speak in that hopeless strain, darling. I know
+your position is a terrible one. We need not refer to details; as they
+are painful to both of us. But I am straining every nerve--working night
+and day to clear up the mystery and lift from you this cloud of
+suspicion. I have already commenced by learning one or two facts--facts
+of which the police remain in ignorance. Although you refused to tell
+me--why, I cannot discern--the name of the unfortunate girl who lost her
+life, I have succeeded in gaining knowledge of it. Was not the girl named
+Marie Bracq?"
+
+She started again at hearing the name.
+
+"Yes," she replied at once. "Who told you?"
+
+"I discovered it for myself," I replied. "Who was the girl--tell me?"
+
+"A friend of Digby Kemsley's."
+
+"A foreigner, of course?"
+
+"Yes, Belgian, I believe."
+
+"From Brussels, eh?"
+
+"Perhaps. I don't know for certain."
+
+"And she learned some great secret of Digby's, which was the motive of
+the crime," I suggested.
+
+But my love only shook her pretty head blankly, saying--"I don't know.
+Perhaps she knew something to his detriment."
+
+"And in order to silence her, she was killed," I suggested.
+
+"Perhaps."
+
+She made no protest of her own innocence, I noticed. She seemed to place
+herself unreservedly in my hands to judge her as I thought fit.
+
+Yet had not her own admissions been extremely strange ones. Had she not
+practically avowed her guilt?
+
+"Can you tell me nothing concerning this Belgian girl?" I asked her a few
+moments later.
+
+"I only knew her but very slightly."
+
+"Pardon me putting to you such a pointed question, Phrida. But were you
+jealous of her?"
+
+"Jealous!" she ejaculated. "Why, dear me, no. Why should I be jealous?
+Who suggested that?"
+
+"Mrs. Petre. She declares that your jealousy was the motive of the crime,
+and that Digby himself can bear witness to it."
+
+"She said that?" cried my love, her eyes flashing in fierce anger. "She's
+a wicked liar."
+
+"I know she is, and I intend to prove her so," I replied with confidence.
+"When she and I meet again we have an account to settle. You will see."
+
+"Ah! Teddy, beware of her! She's a dangerous woman--highly dangerous,"
+declared my love apprehensively. "You don't know her as I do--you do not
+know the grave evil and utter ruin she has brought upon others. So I beg
+of you to be careful not to be entrapped."
+
+"Have others been entrapped, then?" I asked with great curiosity.
+
+"I don't know. No. Please don't ask me," she protested. "I don't know."
+
+Her response was unreal. My well-beloved was I knew in possession of some
+terrible secret which she dared not betray. Yet why were her lips sealed?
+What did she fear?
+
+"I intend to find Digby, and demand the truth from him," I said after we
+had been silent for a long time. "I will never rest until I stand before
+him face to face."
+
+"Ah! no dear!" she cried in quick alarm, starting up and flinging both
+her arms about my neck. "No, don't do that?" she implored.
+
+"Why not?"
+
+"Because he will condemn me--he will think you have learned something
+from me," she declared in deep distress.
+
+"But I shall reveal to him my sources of information," I said. "Since
+that fatal night I have learned that the man whom I believed was my firm
+friend has betrayed me. An explanation is due to me, and I intend to have
+one."
+
+"At my expense--eh?" she asked in bitter reproach.
+
+"No, dearest. The result shall not fall upon you," I said. "I will see to
+that. A foul and dastardly crime has been committed, and the assassin
+shall be brought to punishment."
+
+My well-beloved shuddered in my arms as she heard my words--as though the
+guilt were upon her.
+
+I detected it, and became more than ever puzzled. Why did she seek to
+secure this man's freedom?
+
+I asked her that question point-blank, whereupon in a hard, faltering
+voice, she replied:
+
+"Because, dear, while he is still a fugitive from justice I feel myself
+safe. The hour he is arrested is the hour of my doom."
+
+"Why speak so despondently?" I asked. "Have I not promised to protect you
+from those people?"
+
+"How can you if they make allegations against me and bring up witnesses
+who will commit perjury--who will swear anything in order that the guilt
+shall be placed upon my head," she asked in despair.
+
+"Though the justice often dispensed by country magistrates is a
+disgraceful travesty of right and wrong, yet we still have in England
+justice in the criminal courts," I said. "Rest assured that no jury will
+convict an innocent woman of the crime of murder."
+
+She stood slightly away from me, staring blankly straight before her.
+Then suddenly she pressed both hands upon her brow and cried in a low,
+intense voice:
+
+"May God have pity on me!"
+
+"Yes," I said very earnestly. "Trust in Him, dearest, and He will help
+you."
+
+"Ah!" she cried. "You don't know how I suffer--of all the terror--all the
+dread that haunts me night and day. Each ring at the door I fear may be
+the police--every man who passes the house I fear may be a detective
+watching. This torture is too awful. I feel I shall go mad--_mad_!"
+
+And she paced the room in her despair, while I stood watching her, unable
+to still the wild, frantic terror that had gripped her young heart.
+
+What could I do? What could I think?
+
+"This cannot go on, Phrida!" I cried at last in desperation. "I will
+search out this man. I'll grip him by the throat and force the truth from
+him," I declared, setting my teeth hard. "I love you, and I will not
+stand by and see you suffer like this!"
+
+"Ah, no!" she implored, suddenly approaching me, flinging herself upon
+her knees and gripping my hands. "No, I beg of you not to do that!" she
+cried hoarsely.
+
+"But why?" I demanded. "Surely you can tell me the reason of your fear!"
+I went on--"the man is a rank impostor. That has been proved already by
+the police."
+
+"Do you know that?" she asked, in an instant grave. "Are you quite
+certain of that? Remember, you have all along believed him to be the real
+Sir Digby."
+
+"What is your belief, Phrida?" I asked her very earnestly.
+
+She drew a long breath and hesitated.
+
+"Truth to tell, dear, I don't know what to think. Sometimes I believe he
+must be the real person--and at other times I am filled with doubt."
+
+"But now tell me," I urged, assisting her to rise to her feet and then
+placing my arm about her neck, so that her pretty head fell upon my
+shoulder. "Answer me truthfully this one question, for all depends upon
+it. How is it that this man has secured such a hold upon you--how is it
+that with you his word is law--that though he is a fugitive from justice
+you refuse to say a single word against him or to give me one clue to
+the solution of this mystery?"
+
+Her face was blanched to the lips, she trembled in my embrace, drawing a
+long breath.
+
+"I--I'm sorry, dear--but I--I can't tell you. I--I dare not. Can't you
+understand?" she asked with despair in her great, wide-open eyes. "_I
+dare not!_"
+
+
+
+
+CHAPTER XXIV.
+
+OFFICIAL SECRECY.
+
+
+The following evening was damp, grey, and dull, as I stood shivering at
+the corner of the narrow Rue de l'Eveque and the broad Place de la Monnie
+in Brussels. The lamps were lit, and around me everywhere was the bustle
+of business.
+
+I had crossed by the morning service by way of Ostend, and had arrived
+again at the Grand only half an hour before.
+
+The woman Petre had sent a letter to Digby Kemsley to the Poste Restante
+in Brussels under the name of Bryant. If this were so, the fugitive must
+be in the habit of calling for his letters, and it was the great black
+facade of the chief post-office in Brussels that I was watching.
+
+The business-day was just drawing to a close, the streets were thronged,
+the traffic rattled noisily over the uneven granite paving of the big
+square. Opposite the Post Office the arc lamps were shedding a bright
+light outside the theatre, while all the shops around were a blaze of
+light, while on every side the streets were agog with life.
+
+Up and down the broad flight of steps which led to the entrance of the
+Post Office hundreds of people ascended and descended, passing and
+re-passing the four swing-doors which gave entrance to the huge hall with
+its dozens of departments ranged around and its partitioned desks for
+writing.
+
+The mails from France and England were just in, and dozens of men came
+with their keys to obtain their correspondence from the range of private
+boxes, and as I watched, the whole bustle of business life passed before
+me.
+
+I was keeping a sharp eye upon all who passed up and down that long
+flight of granite steps, but at that hour of the evening, and in that
+crowd, it was no easy matter.
+
+Would I be successful? That was the one thought which filled my mind.
+
+As I stood there, my eager gaze upon that endless stream of people, I
+felt wearied and fagged. The Channel crossing had been a bad one, as it
+so often is in January, and I had not yet recovered from my weird
+experience at Colchester. The heavy overcoat I wore was, I found, not
+proof against the cutting east wind which swept around the corner from
+the Boulevard Auspach, hence I was compelled to change my position and
+seek shelter in a doorway opposite the point where I expected the man I
+sought would enter.
+
+I had already surveyed the interior and presented the card of a friend to
+an official at the Poste Restante, though I knew there was no letter for
+him. I uttered some words of politeness to the man in order to make his
+acquaintance, as he might, perhaps, be of use to me ere my quest was at
+an end.
+
+At the Poste Restante were two windows, one distributing correspondence
+for people whose surname began with the letters A to L, and the other
+from M to Z.
+
+It was at the first window I inquired, the clerk there being a pleasant,
+fair-haired, middle-aged man in a holland coat as worn by postal
+employees. I longed to ask him if he had any letters for the name of
+Bryant, or if any Englishman of that name had called, but I dared not do
+so. He would, no doubt, snub me and tell me to mind my own business.
+
+So instead, I was extremely polite, regretted to have troubled him, and,
+raising my hat, withdrew.
+
+I saw that to remain within the big office for hours was impossible. The
+uniformed doorkeeper who sat upon a high desk overlooking everything,
+would quickly demand my business, and expel me.
+
+No, my only place was out in the open street. Not a pleasant prospect in
+winter, and for how many days I could not tell.
+
+For aught I knew, the fugitive had called for the woman's letter and left
+the capital. But he, being aware that the police were in search of him,
+would, I thought, if he called at the post office at all for letters,
+come there after dark. Hence, I had lost no time in mounting guard.
+
+My thoughts, as I stood there, were, indeed, bitter and confused.
+
+The woman Petre had not, as far as I could make out, made any
+incriminating statement to the police. Yet she undoubtedly believed me to
+be dead, and I reflected in triumph upon the unpleasant surprise in store
+for her when we met--as meet we undoubtedly would.
+
+The amazing problem, viewed briefly, stood thus: The girl, Marie Bracq,
+had been killed by a knife with a three-cornered blade, such knife having
+been and being still in the possession of Phrida, my well-beloved, whose
+finger-prints were found in the room near the body of the poor girl. The
+grave and terrible suspicion resting upon Phrida was increased and even
+corroborated by her firm resolve to preserve secrecy, her admissions, and
+her avowed determination to take her own life rather than face
+accusation.
+
+On the other hand, there was the mystery of the identity of Marie Bracq,
+the mystery of the identity of the man who had passed as Sir Digby
+Kemsley, the reason of his flight, if Phrida were guilty, and the mystery
+of the woman Petre, and her accomplices.
+
+Yes. The whole affair was one great and complete problem, the extent of
+which even Edwards, expert as he was, had, as yet, failed to discover.
+The more I tried to solve it the more hopelessly complicated did it
+become.
+
+I could see no light through the veil of mystery and suspicion in which
+my well-beloved had become enveloped.
+
+Why had that man--the man I now hated with so fierce an hatred--held her
+in the hollow of his unscrupulous hands? She had admitted that, whenever
+he ordered her to do any action, she was bound to obey.
+
+Yes. My love was that man's slave! I ground my teeth when the bitter
+thought flashed across my perturbed mind.
+
+Ah! what a poor, ignorant fool I had been! And how that scoundrel must
+have laughed at me!
+
+I was anxious to meet him face to face--to force from his lips the truth,
+to compel him to answer to me.
+
+And with that object I waited--waited in the cold and rain for three long
+hours, until at last the great doors were closed and locked for the
+night, and people ascended those steps no longer.
+
+Then I turned away faint and disheartened, chilled to the bone, and
+wearied out. A few steps along the Boulevard brought me to the hotel,
+where I ate some dinner, and retired to my room to fling myself upon the
+couch and think.
+
+Why was Phrida in such fear lest I should meet the man who held her so
+mysteriously and completely in his power? What could she fear from our
+meeting if she were, as I still tried to believe, innocent?
+
+Again, was it possible that after their dastardly attempt upon my life,
+Mrs. Petre and her accomplices had fled to join the fugitive? Were they
+with him? Perhaps so! Perhaps they were there in Brussels!
+
+The unfortunate victim, Marie Bracq, had probably been a Belgian. Bracq
+was certainly a Belgian name.
+
+The idea crossed my mind to go on the following day to the central Police
+Bureau I had noticed in the Rue de la Regence, and make inquiry whether
+they knew of any person of that name to be missing. It was not a bad
+suggestion, I reflected, and I felt greatly inclined to carry it out.
+
+Next day, I was up early, but recognised the futility of watching at the
+Poste Restante until the daylight faded. On the other hand, if Mrs.
+Petre was actually in that city, she would have no fear to go about
+openly. Yet, after due consideration, I decided not to go to the post
+office till twilight set in.
+
+The morning I spent idling on the Boulevards and in the cafes, but I
+became sick of such inactivity, for I was frantically eager and anxious
+to learn the truth.
+
+At noon I made up my mind, and taking a taxi, alighted at the Prefecture
+of Police, where, after some time, I was seen by the _Chef du Surete_, a
+grey-haired, dry-as-dust looking official--a narrow-eyed little man, in
+black, whose name was Monsieur Van Huffel, and who sat at a writing-table
+in a rather bare room, the walls of which were painted dark green. He
+eyed me with some curiosity as I entered and bowed.
+
+"Be seated, I pray, m'sieur," he said in French, indicating a chair on
+the opposite side of the table, and leaning back, placed his fingers
+together in a judicial attitude.
+
+The police functionary on the continent is possessed of an ultra-grave
+demeanour, and is always of a funereal type.
+
+"M'sieur wishes to make an inquiry, I hear?" he began.
+
+"Yes," I said. "I am very anxious to know whether you have any report of
+a young person named Marie Bracq being missing."
+
+"Marie Bracq!" he echoed in surprise, leaning forward towards me. "And
+what do you know, m'sieur, regarding Marie Bracq?"
+
+"I merely called to ascertain if any person of that name, is reported to
+you as missing," I said, much surprised at the effect which mention of
+the victim had produced upon him.
+
+"You are English, of course?" he asked.
+
+"Yes, m'sieur."
+
+"Well, curiously enough, only this morning I have had a similar inquiry
+from your Scotland Yard. They are asking if we are acquainted with any
+person named Marie Bracq. And we are, m'sieur," said Monsieur Van Huffel.
+"But first please explain what you know of her."
+
+"I have no personal acquaintance with her," was my reply. "I know of
+her--that is all. But it may not be the same person."
+
+He opened a drawer, turned over a quantity of papers, and a few seconds
+later produced a photograph which he passed across to me.
+
+It was a half-length cabinet portrait of a girl in a fur coat and hat.
+But no second glance was needed to tell me that it was actually the
+picture of the girl found murdered in London.
+
+"I see you recognise her, m'sieur," remarked the police official in a
+cold, matter-of-fact tone. "Please tell me all you know."
+
+I paused for a few seconds with the portrait in my hand. My object was to
+get all the facts I could from the functionary before me, and give him
+the least information possible.
+
+"Unfortunately, I know but very little," was my rather lame reply. "This
+lady was a friend of a lady friend of mine."
+
+"An English lady was your friend--eh?"
+
+"Yes."
+
+"In London?"
+
+I nodded in the affirmative, while the shrewd little man who was
+questioning me sat twiddling a pen with his thin fingers.
+
+"And she told you of Marie Bracq? In what circumstances?"
+
+"Well," I said. "It is a long story. Before I tell you, I would like to
+ask you one question, m'sieur. Have you received from Scotland Yard the
+description of a man named Digby Kemsley--Sir Digby Kemsley--who is
+wanted for murder?"
+
+The dry little official with the parchment face repeated the name, then
+consulting a book at his elbow, replied:
+
+"Yes. We have circulated the description and photograph. It is believed
+by your police that his real name is Cane."
+
+"He has been in Brussels during the past few days to my own certain
+knowledge," I said.
+
+"In Brussels," echoed the man seated in the writing chair. "Where?"
+
+"Here, in your city. And I expect he is here now."
+
+"And you know him?" asked the _Chef du Surete_, his eyes betraying slight
+excitement.
+
+"Quite well. He was my friend."
+
+"I see he is accused of murdering a woman, name unknown, in his
+apartment," remarked the official.
+
+"The name is now known--it has been discovered by me, m'sieur. The name
+of the dead girl is Marie Bracq."
+
+The little man half rose from his chair and stared at me.
+
+"Is this the truth, m'sieur?" he cried. "Is this man named Kemsley, or
+Cane, accused of the assassination of Marie Bracq?"
+
+"Yes," I replied.
+
+"But this is most astounding," the Belgian functionary declared
+excitedly. "Marie Bracq dead! Ah! it cannot be possible, m'sieur! You do
+not know what this information means to us--what an enormous sensation it
+will cause if the press scents the truth. Tell me quickly--tell me all
+you know," he urged, at the same time taking up the telephone receiver
+from his table and then listening for a second, said in a quick,
+impetuous voice, "I want Inspector Fremy at once!"
+
+
+
+
+CHAPTER XXV.
+
+FREMY, OF THE SURETE.
+
+
+After a few moments a short, stout, clean-shaven man with a round,
+pleasant face, and dressed in black, entered and bowed to his chief.
+
+He carried his soft felt hat and cane in his hand, and seated himself at
+the invitation of Van Huffel.
+
+"This is Inspector Fremy--Monsieur Edouard Royle, of Londres," exclaimed
+the _Chef du Surete_, introducing us.
+
+The detective, the most famous police officer in Belgium, who had been
+for years under Monsieur Hennion, in Paris, and had now transferred his
+services to Belgium, bowed and looked at me with his small, inquisitive
+eyes.
+
+"Monsieur Fremy. This gentleman has called with regard to the case of
+Marie Bracq," said Van Huffel in French.
+
+The detective was quickly interested.
+
+"She is dead--been assassinated in London," his chief went on.
+
+Fremy stared at the speaker in surprise, and the two men exchanged
+strange glances.
+
+"Monsieur tells me that the man, Sir Digby Kemsley, wanted by Scotland
+Yard, is accused of the murder of Marie Bracq--and, further," added Van
+Huffel, "the accused has been here in Brussels quite recently."
+
+"In Brussels?" echoed the round-faced man.
+
+"Yes," I said. "He has letters addressed to the Poste Restante in the
+name of Bryant." And I spelt it as the detective carefully wrote down the
+name.
+
+"He will not be difficult to find if he is still in Brussels," declared
+the inspector. "We had an inquiry from Scotland Yard asking if we had any
+report concerning Marie Bracq only this morning," he added.
+
+"It was sent to you by my friend, Inspector Edwards, and whom I am
+assisting in this inquiry," I explained.
+
+"You said that Marie Bracq was a friend of a lady friend of yours,
+M'sieur Royle," continued the _Chef du Surete_. "Will you do us the
+favour and tell us all you know concerning the tragedy--how the young
+lady lost her life?"
+
+"Ah! m'sieur," I replied, "I fear I cannot do that. How she was killed is
+still a mystery. Only within the past few hours have I been able to
+establish the dead girl's identity, and only then after narrowly escaping
+falling the victim of a most dastardly plot."
+
+"Perhaps you will be good enough to make a statement of all you know,
+M'sieur Royle," urged the grey-haired little man; "and if we can be of
+any service in bringing the culprit to justice, you may rely upon us."
+
+"But first, m'sieur, allow me to put observation upon the Poste
+Restante?" asked Fremy, rising and going to the telephone, where he got
+on to one of his subordinates, and gave him instructions in Flemish, a
+language I do not understand.
+
+Then, when he returned to his chair, I began to briefly relate what I
+knew concerning Sir Digby, and what had occurred, as far as I knew, on
+that fatal night of the sixth of January.
+
+I, of course, made no mention of the black suspicion cast upon the woman
+I loved, nor of the delivery of Digby's letter, my meeting with the woman
+Petre and its exciting results.
+
+Yet had I not met that woman I should still have been in ignorance of the
+identity of the dead girl, and, besides, I would not have met the
+sallow-faced Ali, or been aware of his methods--those methods so
+strangely similar to that adopted when Sir Digby Kemsley lost his life in
+Peru.
+
+The two police functionaries listened very attentively to my story
+without uttering a word.
+
+I had spoken of the woman Petre as being an accomplice of the man who was
+a fugitive, whereupon Fremy asked:
+
+"Do you suppose that the woman is with him?"
+
+"She has, I believe, left England, and, therefore, in all probability, is
+with him."
+
+"Are there any others of the gang--for there is, of course, a gang? Such
+people never act singly."
+
+"Two other men, as far as I know. One, a young man, who acts as servant,
+and the other, a tall, copper-faced man with sleek black hair--probably a
+Peruvian native. They call him Ali, and he pretends he is a Hindu."
+
+"A Hindu!" gasped the detective. "Why, I saw one talking to a rather
+stout Englishwoman at the Gare du Nord yesterday evening, just before
+the Orient Express left for the East!" He gave a quick description of
+both the man and the woman, and I at once said:
+
+"Yes, that was certainly Ali, and the woman was Mrs. Petre!"
+
+"They probably left by the Orient Express!" he cried, starting up, and
+crossing to his chief's table snatched up the orange-coloured official
+time table.
+
+"Ah! yes," he exclaimed, after searching a few moments. "The Orient
+Express will reach Wels, in Austria, at 2.17, no time for a telegram to
+get through. No. The next stop is Vienna--the Westbahnhof--at 6. I will
+wire to the Commissary of Police to board the train, and if they are in
+it, to detain them."
+
+"Excellent," remarked his chief, and, ringing a bell, a clerk appeared
+and took down the official telegram, giving the description of the woman
+and her accomplice.
+
+"I suppose the fugitive Englishman is not with them?" suggested the _Chef
+du Surete_.
+
+"I did not see him at the station--or, at least, I did not recognise
+anyone answering to the description," replied the inspector; "but we may
+as well add his description in the telegram and ask for an immediate
+reply."
+
+Thereupon the official description of Digby, as supplied to the Belgian
+police by Scotland Yard, was translated into French and placed in the
+message.
+
+After the clerk had left with it, Fremy, standing near the window,
+exclaimed:
+
+"Dieu! Had I but known who they were last night! But we may still get
+them. I will see the employee at the Poste Restante. This Monsieur
+Bryant, if he receives letters, may have given an address for them to be
+forwarded."
+
+After a slight pause, during which time the two functionaries conversed
+in Flemish, I turned to Van Huffel, and said:
+
+"I have related all I know, m'sieur; therefore, I beg of you to tell me
+something concerning the young person Marie Bracq. Was she a lady?"
+
+"A lady!" he echoed with a laugh. "Most certainly--the daughter of one of
+the princely houses of Europe."
+
+"What?" I gasped. "Tell me all about her!"
+
+But the dry-as-dust little man shook his grey head and replied:
+
+"I fear, m'sieur, in my position, I am not permitted to reveal secrets
+entrusted to me. And her identity is a secret--a great secret."
+
+"But I have discovered her identity where our English police had failed!"
+I protested. "Besides, am I not assisting you?"
+
+"Very greatly, and we are greatly indebted to you, M'sieur Royle," he
+replied, with exquisite politeness; "but it is not within my province as
+_Chef du Surete_ to tell you facts which have been revealed to me under
+pledge of secrecy."
+
+"Perhaps M'sieur Fremy may be able to tell me some facts," I suggested.
+"Remember, I am greatly interested in the mysterious affair."
+
+"From mere curiosity--eh?" asked Van Huffel with a smile.
+
+"No, m'sieur," was my earnest reply. "Because the arrest and condemnation
+of the assassin of Marie Bracq means all the world to me."
+
+"How?"
+
+I hesitated for some moments, then, hoping to enlist his sympathy, I told
+him the truth.
+
+"Upon the lady who is my promised wife rests a grave suspicion," I said,
+in a low, hard voice. "I decline to believe ill of her, or to think that
+she could be guilty of a crime, or----"
+
+"Of the assassination of Marie Bracq?" interrupted Van Huffel. "Do you
+suspect that? Is there any question as to the guilt of the man Kemsley?"
+he asked quickly.
+
+"No one has any suspicion of the lady in question," I said. "Only--only
+from certain facts within my knowledge and certain words which she
+herself has uttered, a terrible and horrible thought has seized me."
+
+"That Marie Bracq was killed by her hand--eh? Ah, m'sieur, I quite
+understand," he said. "And you are seeking the truth--in order to clear
+the woman you love?"
+
+"Exactly. That is the truth. That is why I am devoting all my time--all
+that I possess in order to solve the mystery and get at the actual
+truth."
+
+Fremy glanced at his chief, then at me.
+
+"Bien, m'sieur," exclaimed Van Huffel. "But there is no great necessity
+for you to know the actual identity of Marie Bracq. So long as you are
+able to remove the stigma from the lady in question, who is to be your
+wife, and to whom you are undoubtedly devoted, what matters whether the
+dead girl was the daughter of a prince or of a rag-picker? We will assist
+you in every degree in our power," he went on. "M'sieur Fremy will
+question the postal clerk, watch will be kept at the Poste Restante, at
+each of the railway stations, and in various other quarters, so that if
+any of the gang are in the city they cannot leave it without
+detection----"
+
+"Except by automobile," I interrupted.
+
+"Ah! I see m'sieur possesses forethought," he said with a smile. "Of
+course, they can easily hire an automobile and run to Namur, Ghent, or
+Antwerp--or even to one or other of the frontiers. But M'sieur Fremy is
+in touch with all persons who have motor-cars for hire. If they attempted
+to leave by car when once their descriptions are circulated, we should
+know in half an hour, while to cross the frontier by car would be
+impossible." Then, turning to the inspector, he said, "You will see that
+precautions are immediately taken that if they are here they cannot
+leave."
+
+"The matter is in my hands, m'sieur," answered the great detective
+simply.
+
+"Then m'sieur refuses to satisfy me as to the exact identity of Marie
+Bracq?" I asked Van Huffel in my most persuasive tone.
+
+"A thousand regrets, m'sieur, but as I have already explained, I am
+compelled to regard the secret entrusted to me."
+
+"I take it that her real name is not Marie Bracq?" I said, looking him in
+the face.
+
+"You are correct. It is not."
+
+"Is she a Belgian subject?" I asked.
+
+"No, m'sieur, the lady is not."
+
+"You said that a great sensation would be caused if the press knew the
+truth?"
+
+"Yes. I ask you to do me the favour, and promise me absolute secrecy in
+this matter. If we are to be successful in the arrest of these
+individuals, then the press must know nothing--not a syllable. Do I have
+your promise, M'sieur Royle?"
+
+"If you wish," I answered.
+
+"And we on our part will assist you to clear this lady who is to be your
+wife--but upon one condition."
+
+"And that is what?" I asked.
+
+"That you do not seek to inquire into the real identity of the poor young
+lady who has lost her life--the lady known to you and others as Marie
+Bracq," he said, looking straight into my eyes very seriously.
+
+
+
+
+CHAPTER XXVI.
+
+SHOWS EXPERT METHODS.
+
+
+It being the luncheon hour, Fremy and myself ate our meal at the highly
+popular restaurant, the Taverne Joseph, close to the Bourse, where the
+cooking is, perhaps, the best in Brussels and where the cosmopolitan, who
+knows where to eat, usually makes for when in the Belgian capital.
+
+After our coffee, cigarettes, and a "triple-sec" each, we strolled round
+to the General Post Office. As we approached that long flight of granite
+steps I knew so well, a poor-looking, ill-dressed man with the pinch of
+poverty upon his face, and his coat buttoned tightly against the cold,
+edged up to my companion on the pavement and whispered a word, afterwards
+hurrying on.
+
+"Our interesting friend has not been here yet," the detective remarked to
+me. "We will have a talk with the clerk at the Poste Restante."
+
+Entering the great hall, busy as it is all day, we approached the window
+where letters were distributed from A to L, and where sat the same
+pleasant, fair-haired man sorting letters.
+
+"Bon jour, m'sieur!" he exclaimed, when he caught sight of Fremy. "What
+weather, eh?"
+
+The great detective returned his greetings, and then putting his head
+further into the window so that others should not overhear, said in
+French:
+
+"I am looking for an individual, an Englishman, name of Bryant, and am
+keeping watch outside. He is wanted in England for a serious offence. Has
+he been here?"
+
+"Bryant?" repeated the clerk thoughtfully.
+
+"Yes," said Fremy, and then I spelt the name slowly.
+
+The clerk reached his hand to the pigeon-hole wherein were letters for
+callers whose names began with B, and placing them against a little block
+of black wood on the counter before him, looked eagerly through while we
+watched intently.
+
+Once or twice he stopped to scrutinise an address, but his fingers went
+on again through the letters to the end.
+
+"Nothing," he remarked laconically, replacing the packet in the
+pigeon-hole. "But there has been correspondence for him. I recollect--a
+thin-faced man, with grey hair and clean shaven. Yes. I remember him
+distinctly. He always called just before the office was closed."
+
+"When did he call last?" asked Fremy quickly.
+
+"The night before last, I think," was the man's answer. "A lady was with
+him--a rather stout English lady."
+
+We both started.
+
+"Did the lady ask for any letters?"
+
+"Yes. But I forget the name."
+
+"Petre is her right name," I interrupted. Then I suggested to Fremy:
+"Ask the other clerk to look through the letter 'P.'"
+
+"Non, m'sieur!" exclaimed the fair-haired employee. "The name she asked
+for was in my division. It was not P."
+
+"Then she must have asked for a name that was not her own," I said.
+
+"And it seems very much as though we have lost the gang by a few hours,"
+Fremy said disappointedly. "My own opinion is that they left Brussels by
+the Orient Express last night. They did not call at the usual time
+yesterday."
+
+"They may come this evening," I suggested.
+
+"Certainly they may. We shall, of course, watch," he replied.
+
+"When the man and woman called the day before yesterday," continued the
+employee, "there was a second man--a dark-faced Indian with them, I
+believe. He stood some distance away, and followed them out. It was his
+presence which attracted my attention and caused me to remember the
+incident."
+
+Fremy exchanged looks with me. I knew he was cursing his fate which had
+allowed the precious trio to slip through his fingers.
+
+Yet the thought was gratifying that when the express ran into the Great
+Westbahnhof at Vienna, the detectives would at once search it for the
+fugitives.
+
+My companion had told me that by eight o'clock we would know the result
+of the enquiry, and I was anxious for that hour to arrive.
+
+Already Fremy had ordered search to be made of arrivals at all hotels and
+pensions in the city for the name of Bryant, therefore, we could do
+nothing more than possess ourselves in patience. So we left the post
+office, his poverty-stricken assistant remaining on the watch, just as I
+had watched in the cold on the previous night.
+
+With my companion I walked round to the big Cafe Metropole on the
+Boulevard, and over our "bocks," at a table where we could not be
+overheard, we discussed the situation.
+
+That big cafe, one of the principal in Brussels, is usually deserted
+between the hours of three and four. At other times it is filled with
+business men discussing their affairs, or playing dominoes with that
+rattle which is characteristic of the foreign cafe.
+
+"Why is it," I asked him, "that your chief absolutely refuses to betray
+the identity of the girl Marie Bracq?"
+
+The round-faced man before me smiled thoughtfully as he idly puffed his
+cigarette. Then, shrugging his shoulders, he replied:
+
+"Well, m'sieur, to tell the truth, there is a very curious complication.
+In connection with the affair there is a scandal which must never be
+allowed to get out to the public."
+
+"Then you know the truth--eh?" I asked.
+
+"A portion of it. Not all," he replied. "But I tell you that the news of
+the young lady's death has caused us the greatest amazement and surprise.
+We knew that she was missing, but never dreamed that she had been the
+victim of an assassin."
+
+"But who are her friends?" I demanded.
+
+"Unfortunately, I am not permitted to say," was his response. "When they
+know the terrible truth they may give us permission to reveal the truth
+to you. Till then, my duty is to preserve their secret."
+
+"But I am all anxiety to know."
+
+"I quite recognise that, M'sieur Royle," he said. "I know how I should
+feel were I in your position. But duty is duty, is it not?"
+
+"I have assisted you, and I have given you a clue to the mystery," I
+protested.
+
+"And we, on our part, will assist you to clear the stigma resting upon
+the lady who is your promised wife," he said. "Whatever I can do in that
+direction, m'sieur may rely upon me."
+
+I was silent, for I saw that to attempt to probe further then the mystery
+of the actual identity of Marie Bracq was impossible. There seemed a
+conspiracy of silence against me.
+
+But I would work myself. I would exert all the cunning and ingenuity I
+possessed--nay, I would spend every penny I had in the world--in order to
+clear my well-beloved of that terrible suspicion that by her hand this
+daughter of a princely house had fallen.
+
+"Well," I asked at last. "What more can we do?"
+
+"Ah!" sighed the stout man, blowing a cloud of cigarette smoke from his
+lips and drawing his glass. "What can we do? The Poste Restante is being
+watched, the records of all hotels and pensions for the past month are
+being inspected, and we have put a guard upon the Orient Express. No! We
+can do nothing," he said, "until we get a telegram from Vienna. Will you
+call at the Prefecture of Police at eight o'clock to-night? I will be
+there to see you."
+
+I promised, then having paid the waiter, we strolled out of the cafe, and
+parted on the Boulevard, he going towards the Nord Station, while I went
+along in the opposite direction to the Grand.
+
+For the appointed hour I waited in greatest anxiety. What if the trio had
+been arrested in Vienna?
+
+That afternoon I wrote a long and encouraging letter to Phrida, telling
+her that I was exerting every effort on her behalf and urging her to keep
+a stout heart against her enemies, who now seemed to be in full flight.
+
+At last, eight o'clock came, and I entered the small courtyard of the
+Prefecture of Police, where a uniformed official conducted me up to the
+room of Inspector Fremy.
+
+The big, merry-faced man rose as I entered and placed his cigar in an ash
+tray.
+
+"Bad luck, m'sieur!" he exclaimed in French. "They left Brussels in the
+Orient, as I suspected--all three of them. Here is the reply," and he
+handed me an official telegram in German, which translated into English
+read:
+
+ "To Prefet of Police, Brussels, from Prefet of Police, Vienna:
+
+ "In response to telegram of to-day's date, the three persons
+ described left Brussels by Orient Express, travelled to Wels,
+ and there left the train at 2.17 this afternoon. Telephonic
+ inquiry of police at Wels results that they left at 4.10 by the
+ express for Paris."
+
+"I have already telegraphed to Paris," Fremy said. "But there is time, of
+course, to get across to Paris, and meet the express from Constantinople
+on its arrival there. Our friends evidently know their way about the
+Continent!"
+
+"Shall we go to Paris," I suggested eagerly, anticipating in triumph
+their arrest as they alighted at the Gare de l'Est. I had travelled by
+the express from Vienna on one occasion about a year before, and
+remembered that it arrived in Paris about nine o'clock in the morning.
+
+"With the permission of my chief I will willingly accompany you,
+m'sieur," replied the detective, and, leaving me, he was absent for five
+minutes or so, while I sat gazing around his bare, official-looking
+bureau, where upon the walls were many police notices and photographs of
+wanted persons, "rats d'hotel," and other malefactors. Brussels is one of
+the most important police centres in Europe, as well as being the centre
+of the political secret service of the Powers.
+
+On his return he said:
+
+"Bien, m'sieur. We leave the Midi Station at midnight and arrive in Paris
+at half-past five. I will engage sleeping berths, and I will telephone to
+my friend, Inspector Dricot, at the Prefecture, to send an agent of the
+brigade mobile to meet us. Non d'un chien! What a surprise it will be for
+the fugitives. But," he added, "they are clever and elusive. Fancy, in
+order to go from Brussels to Paris they travel right away into Austria,
+and with through tickets to Belgrade, too! Yes, they know the routes on
+the Continent--the routes used by the international thieves, I mean. The
+Wels route by which they travelled, is one of them."
+
+Then I left him, promising to meet him at the station ten minutes before
+midnight. I had told Edwards I would notify him by wire any change of
+address, therefore, on leaving the Prefecture of Police, I went to the
+Grand and from there sent a telegram to him at Scotland Yard, telling him
+that I should call at the office of the inspector of police at the East
+railway station in Paris at ten on the following morning--if he had
+anything to communicate.
+
+All through that night we travelled on in the close, stuffy _wagon-lit_
+by way of Mons to Paris arriving with some three hours and a half to
+spare, which we idled in one of the all-night cafes near the station,
+having been met by a little ferret-eyed Frenchman, named Jappe, who had
+been one of Fremy's subordinates when he was in the French service.
+
+Just before nine o'clock, after our _cafe-au-lait_ in the buffet, we
+walked out upon the long arrival platform where the Orient Express from
+its long journey from Constantinople was due.
+
+It was a quarter of an hour late, but at length the luggage porters began
+to assemble, and with bated breath I watched the train of dusty
+sleeping-cars slowly draw into the terminus.
+
+In a moment Fremy and his colleague were all eyes, while I stood near the
+engine waiting the result of their quest.
+
+But in five minutes the truth was plain. Fremy was in conversation with
+one of the brown-uniformed conductors, who told him that the three
+passengers we sought did join at Wels, but had left again at Munich on
+the previous evening!
+
+My heart sank. Our quest was in vain. They had again eluded us!
+
+"I will go to Munich," Fremy said at once. "I may find trace of them
+yet."
+
+"And I will accompany you!" I exclaimed eagerly. "They must not escape
+us."
+
+But my plans were at once altered, and Fremy was compelled to leave for
+Germany alone, for at the police office at the station half an hour
+later I received a brief message from Edwards urging me to return to
+London immediately, and stating that an important discovery had been
+made.
+
+So I drove across to the Gare du Nord, and left for London by the next
+train.
+
+What, I wondered, had been discovered?
+
+
+
+
+CHAPTER XXVII.
+
+EDWARDS BECOMES MORE PUZZLED.
+
+
+At half-past seven on that same evening, Edwards, in response to a
+telegram I sent him from Calais, called upon me in Albemarle Street.
+
+He looked extremely grave when he entered my room. After Haines had taken
+his hat and coat and we were alone, he said in a low voice:
+
+"Mr. Royle, I have a rather painful communication to make to you. I much
+regret it--but the truth must be faced."
+
+"Well?" I asked, in quick apprehension; "what is it?"
+
+"We have received from an anonymous correspondent--who turns out to be
+the woman Petre, whom you know--a letter making the gravest accusations
+against Miss Shand. She denounces her as the assassin of the girl Marie
+Bracq."
+
+"It's a lie! a foul, abominable lie!" I cried angrily. "I told you that
+she would seek to condemn the woman I love."
+
+"Yes, I recollect. But it is a clue which I am in duty bound to
+investigate."
+
+"You have not been to Miss Shand--you have not yet questioned her?" I
+gasped anxiously.
+
+"Not before I saw you," he replied. "I may as well tell you at once that
+I had some slight suspicion that the young lady in question was
+acquainted with your friend who posed as Sir Digby."
+
+"How?" I asked.
+
+He hesitated. "Well, I thought it most likely that as you and he were
+such great friends, you might have introduced them," he said, rather
+lamely.
+
+"But surely you are not going to believe the words of this woman Petre?"
+I cried. "Listen, and I will tell you how she has already endeavoured to
+take my life, and thus leave Miss Shand at her mercy."
+
+Then, as he sat listening, his feet stretched towards the fender, I
+related in detail the startling adventure which befel me at Colchester.
+
+"Extraordinary, Mr. Royle!" he exclaimed, in blank surprise. "Why, in
+heaven's name, didn't you tell me this before! The snake! Why, that is
+exactly the method used by Cane to secure the death of the real Sir
+Digby!"
+
+"What was the use of telling you?" I queried. "What is the use even now?
+The woman has fled and, at the same time, takes a dastardly revenge upon
+the woman I love."
+
+"Tell me, Mr. Royle," said the inspector, who, in his dinner coat and
+black tie, presented the appearance of the West End club man rather than
+a police official. "Have you yourself any suspicion that Miss Shand has
+knowledge of the affair?"
+
+His question non-plussed me for the moment.
+
+"Ah! I see you hesitate!" he exclaimed, shrewdly. "You have a
+suspicion--now admit it."
+
+He pressed me, and seeing that my demeanour had, alas! betrayed my
+thoughts, I was compelled to speak the truth.
+
+"Yes," I said, in a low, strained voice. "To tell you the truth,
+Edwards, there are certain facts which I am utterly unable to
+understand--facts which Miss Shand has admitted to me. But I still refuse
+to believe that she is a murderess."
+
+"Naturally," he remarked, and I thought I detected a slightly sarcastic
+curl of the lips. "But though Miss Shand is unaware of it, I have made
+certain secret inquiries--inquiries which have given astounding results,"
+he said slowly. "I have, unknown to the young lady, secured some of her
+finger-prints, which, on comparison, have coincided exactly with those
+found upon the glass-topped table at Harrington Gardens, and also with
+those which you brought to me so mysteriously." And he added, "To be
+quite frank, it was that action of yours which first aroused my suspicion
+regarding Miss Shand. I saw that you suspected some one--that you were
+trying to prove to your own satisfaction that your theory was wrong."
+
+I held my breath, cursing myself for such injudicious action.
+
+"Again, this letter from the woman Petre has corroborated my
+apprehensions," he went on. "Miss Shand was a friend of the man who
+called himself Sir Digby. She met him clandestinely, unknown, to
+you--eh?" he asked.
+
+"Please do not question me, Edwards," I implored. "This is all so
+extremely painful to me."
+
+"I regret, but it is my duty, Mr. Royle," he replied in a tone of
+sympathy. "Is not my suggestion the true one?"
+
+I admitted that it was.
+
+Then, in quick, brief sentences I told him of my visit to the Prefecture
+of Police in Brussels and all that I had discovered regarding the
+fugitives, to which he listened most attentively.
+
+"They have not replied to my inquiry concerning the dead girl Marie
+Bracq," he remarked presently.
+
+"They know her," I replied. "Van Huffel, the _Chef du Surete_, stood
+aghast when I told him that the man Kemsley was wanted by you on a charge
+of murdering her. He declared that the allegation utterly astounded him,
+and that the press must have no suspicion of the affair, as a great
+scandal would result."
+
+"But who is the girl?" he inquired quickly.
+
+"Van Huffel refused to satisfy my curiosity. He declared that her
+identity was a secret which he was not permitted to divulge, but he added
+when I pressed him, that she was a daughter of one of the princely houses
+of Europe!"
+
+Edwards stared at me.
+
+"I wonder what is her real name?" he said, reflectively. "Really, Mr.
+Royle, the affair grows more and more interesting and puzzling."
+
+"It does," I said, and then I related in detail my fruitless journey to
+Paris, and how the three fugitives had alighted at Munich from the
+westbound express from the Near East, and disappeared.
+
+"Fremy, whom I think you know, has gone after them," I added.
+
+"If Fremy once gets on the scent he'll, no doubt, find them," remarked my
+companion. "He's one of the most astute and clever detectives in Europe.
+So, if the case is in his hands, I'm quite contented that all will be
+done to trace them."
+
+For two hours we sat together, while I related what the girl at Melbourne
+House had told me, and, in fact, put before him practically all that I
+have recorded in the foregoing pages.
+
+Then, at last, I stood before him boldly and asked:
+
+"In face of all this, can you suspect Miss Shand? Is she not that man's
+victim?"
+
+He did not speak for several moments; his gaze was fixed upon the fire.
+
+"Well," he replied, stirring himself at last, "to tell you the truth, Mr.
+Royle, I'm just as puzzled as you are. She may be the victim of this man
+we know to be an unscrupulous adventurer, but, at the same time, her hand
+may have used that triangular-bladed knife which we have been unable to
+find."
+
+The knife! I held my breath. Was it not lying openly upon that table in
+the corner of the drawing-room at Cromwell Road? Would not analysis
+reveal upon it a trace of human blood? Would not its possession in itself
+convict her?
+
+"Then what is your intention?" I asked, at last.
+
+"To see her and put a few questions, Mr. Royle," he answered slowly. "I
+know how much this must pain you, bearing in mind your deep affection for
+the young lady, but, unfortunately, it is my duty, and I cannot see how
+such a course can be avoided."
+
+"No. I beg of you not to do this," I implored. "Keep what observation you
+like, but do not approach her--at least, not yet. In her present frame of
+mind, haunted by the shadow of the crime and hemmed in by suspicion of
+which she cannot clear herself, it would be fatal."
+
+"Fatal! I don't understand you."
+
+"Well--she would take her own life," I said in a low whisper.
+
+"She has threatened--eh?" he asked.
+
+I nodded in the affirmative.
+
+"Then does not that, in itself, justify my decision to see and question
+her?"
+
+"No, it does not!" I protested. "She is not guilty, but this terrible
+dread and anxiety is, I know, gradually unbalancing her brain. She is a
+girl of calm determination, and if she believed that you suspected her
+she would be driven by sheer terror to carry out her threat."
+
+He smiled.
+
+"Most women threaten suicide at one time or other of their lives. Their
+thoughts seem to revert to romance as soon as they find themselves in a
+corner. No," he added. "I never believe in threats of suicide in either
+man or woman. Life is always too precious for that, and especially if a
+woman loves, as she does."
+
+"You don't know her."
+
+"No, but I know women, Mr. Royle--I know all their idiosyncrasies as well
+as most men, I think," he said.
+
+I begged him not to approach my well-beloved, but he was inexorable.
+
+"I must see her--and I must know the truth," he declared decisively.
+
+But I implored again of him, begging him to spare her--begged her life.
+
+I had gripped him by the hand, and looking into his face I pointed out
+that I had done and was doing all I could to elucidate the mystery.
+
+"At least," I cried, "you will wait until the fugitives are arrested!"
+
+"There is only one--the impostor," he said. "There is no charge against
+the others."
+
+"Then I will lay a charge to-night against the woman Petre and the man
+Ali of attempting to kill me." I said. "The two names can then be added
+to the warrant."
+
+"Very well," he said. "We'll go to the Yard, and I will take your
+information."
+
+"And you will not approach Phrida until you hear something from
+Brussels--eh?" I asked persuasively. "In the meantime, I will do all I
+can. Leave Miss Shand to me."
+
+"If I did it would be a grave dereliction of duty," he replied slowly.
+
+"But is it a dereliction of duty to disregard allegations made by a woman
+who has fled in that man's company, and who is, we now know, his
+accomplice?" I protested. "Did not you yourself tell me that you, at
+Scotland Yard, always regarded lightly any anonymous communication?"
+
+"As a rule we do. But past history shows that many have been genuine," he
+said. "Before the commission of nearly all the Jack the Ripper crimes
+there were anonymous letters, written in red ink. We have them now framed
+and hanging up in the Black Museum."
+
+"But such letters are not denunciations. They were promises of a further
+sensation," I argued. "The triumphant and gleeful declarations of the mad
+but mysterious assassin. No. Promise me, Edwards, that you will postpone
+this projected step of yours, which can, in any case, even though my love
+be innocent, only result in dire disaster."
+
+He saw how earnest was my appeal, and realised, I think, the extreme
+gravity of the situation, and how deeply it concerned me. He seemed,
+also, to recognise that in discovering the name of the victim and in
+going a second time to Brussels, I had been able to considerably advance
+the most difficult inquiry; therefore, after still another quarter of an
+hour of persuasion, I induced him to withhold.
+
+"Very well," he replied, "though I can make no definite promise, Mr.
+Royle. I will not see the lady before I have again consulted with you.
+But," he added, "I must be frank with you. I shall continue my
+investigations in that quarter, and most probably watch will be kept upon
+her movements."
+
+"And if she recognises that you suspect her?" I gasped.
+
+"Ah!" he exclaimed, with a slight shrug of the shoulders. "I cannot
+accept any responsibility for that. How can I?"
+
+
+
+
+CHAPTER XXVIII.
+
+FURTHER ADMISSIONS.
+
+
+"The secret of Digby Kemsley is still a secret, and will ever remain a
+secret."
+
+I recollected Mrs. Petre uttering those words to me as that dark-faced
+villain Ali had forced my inert head down upon the table.
+
+Well, that same night when I had begged of Edwards my love's life, I sat
+in his room at Scotland Yard and there made a formal declaration of what
+had happened to me on that well-remembered night outside Colchester. I
+formally demanded the arrest of the woman, of Ali, and of the young
+man-servant, all of whom had conspired to take my life.
+
+The clerk calmly took down my statement, which Edwards read over to me,
+and I duly signed it.
+
+Then, gripping his hand, I went forth into Parliament Street, and took a
+taxi to Cromwell Road.
+
+I had not seen Phrida for several days, and she was delighted at my
+visit.
+
+She presented a pale, frail, little figure in her simple gown of pale
+pink ninon, cut slightly open at the neck and girdled narrow with
+turquoise blue. Her skirt was narrow, as was the mode, and her long
+white arms were bare to the shoulders.
+
+She had been curled up before the fire reading when I entered, but she
+jumped up with an expression of welcome upon her lips.
+
+But not until her mother had bade me good-night and discreetly withdrew,
+did she refer to the subject which I knew obsessed her by night and by
+day.
+
+"Well, Teddy," she asked, when I sat alone with her upon the pale green
+silk-covered couch, her little hand in mine, "Where have you been? Why
+have you remained silent?"
+
+"I've been in Brussels," I replied, and then, quite frankly, I explained
+my quest after the impostor.
+
+She sat looking straight before her, her eyes fixed like a person, in a
+dream. At last she spoke:
+
+"I thought," she said in a strained voice, "that you would have shown
+greater respect for me than to do that--when you knew it would place you
+in such great peril!"
+
+"I have acted in your own interests, dearest," I replied, placing my arm
+tenderly about her neck. "Ah! in what manner you will never know."
+
+"My interests!" she echoed, in despair. "Have I not told you that on the
+day Digby Kemsley is arrested I intend to end my life," and as she drew a
+long breath, I saw in her eyes that haunted, terrified look which told me
+that she was driven to desperation.
+
+"No, no," I urged, stroking her hair with tenderness. "I know all that
+you must suffer, Phrida, but I am your friend and your protector. I will
+never rest until I get at the truth."
+
+"Ah! Revelation of the truth will, alas! prove my undoing!" she
+whispered, in a voice full of fear. "You don't know, dear, how your
+relentless chase of that man is placing me in danger."
+
+"But he is an adventurer, an impostor--a fugitive from justice, and he
+merits punishment!" I cried.
+
+"Ah! And if you say that," she cried, wildly starting to her feet. "So do
+I! So do I!"
+
+"Come, calm yourself, dearest," I said, placing my hand upon her shoulder
+and forcing her back into her chair. "You are upset to-night," and I
+kissed her cold, white lips. "May I ring for Mallock? Wouldn't you like
+to go to your room?"
+
+She drew a deep sigh, and with an effort repressed the tears welling in
+her deep-set, haunted eyes.
+
+"Yes," she faltered in her emotion. "Perhaps I had better. I--I cannot
+bear this strain much longer. You told me that the police did not suspect
+me, but--but, now I know they do. A man has been watching outside the
+house all day for two days past. Yes," she sobbed, "they will come, come
+to arrest me, but they will only find that--that I've cheated them!"
+
+"They will not come," I answered her. "I happen to know more than I can
+tell you, Phrida," I whispered. "You need have no fear of arrest."
+
+"But that woman Petre! She may denounce me--she will, I know!"
+
+"They take no notice of such allegations at Scotland Yard. They receive
+too much wild correspondence," I declared. "No, dearest, go to bed and
+rest--rest quite assured that at present you are in no peril, and,
+further, that every hour which elapses brings us nearer a solution of the
+tragic and tantalising problem. May I ring for Mallock?" I asked, again
+kissing her passionately upon those lips, hard and cold as marble, my
+heart full of sympathy for her in her tragic despair.
+
+"Yes," she responded faintly in a voice so low that I could hardly catch
+it. So I crossed and rang the bell for her maid.
+
+Then, when she had kissed me good-night, looking into my eyes with a
+strange expression of wistfulness, and left the room, I dashed across to
+that little table whereon the ivory-hilted knife was lying and seized the
+important piece of evidence, so that it might not fall into Edwards'
+hands.
+
+I held it within my fingers, and taking it across to the fireplace,
+examined it in the strong light. The ivory was yellow and old, carved
+with the escutcheon bearing the three balls, the arms of the great House
+of Medici. The blade, about seven inches long, was keen, triangular, and,
+at the point, sharp as a needle. Into it the rust of centuries had eaten,
+though in parts it was quite bright, evidently due to recent cleaning.
+
+I was examining it for any stains that might be upon it--stains of the
+life-blood of Marie Bracq. But I could find none. No. They had been
+carefully removed, yet chemical analysis would, without doubt, reveal
+inevitable traces of the ghastly truth.
+
+I had my back to the door, and was still holding the deadly weapon in my
+hand, scrutinising it closely, when I heard a slight movement behind me,
+and turning, confronted Phrida, standing erect and rigid, like a statue.
+
+Her face was white as death, her thin hands clenched, her haunted eyes
+fixed upon me.
+
+"Ah! I see!" she cried hoarsely. "You know--eh? You _know_!"
+
+"No. I do not _know_, Phrida," was my deep reply, as I snatched her hand
+and held it in my own. "I only surmise that this knife was used on that
+fatal night, because of the unusual shape of its blade--because of the
+medical evidence that by such a knife Marie Bracq was killed."
+
+She drew a deep breath.
+
+"And you are taking it as evidence--against me!"
+
+"Evidence against you, darling!" I echoed in reproach. "Do you think that
+I, the man who loves you, is endeavouring to convict you of a crime? No.
+Leave matters to me. I am your friend--not your enemy!"
+
+A silence fell between us. She neither answered nor did she move for some
+moments. Then she said in a deep wistful tone:
+
+"Ah! if I could only believe that you are!"
+
+"But I am," I declared vehemently. "I love you, Phrida, with all my soul,
+and I will never believe ill of you--never, never!"
+
+"How can you do otherwise in these terrible circumstances?" she queried,
+with a strange contraction of her brows.
+
+"I love you, and because I love you so dearly--because you are all the
+world to me," I said, pressing her to my heart, "I will never accept what
+an enemy may allege--never, until you are permitted to relate your own
+story."
+
+I still held the weapon in my hand, and I saw that her eyes wandered to
+it.
+
+"Ah! Teddy!" she cried, with sudden emotion. "How can I thank you
+sufficiently for those words? Take that horrible thing and hide it--hide
+it anywhere from my eyes, for sight of it brings all the past back to me.
+Yet--yet I was afraid," she went on, "I dare not hide it, lest any one
+should ask what had become of it, and thus suspicions might be aroused.
+Ah! every time I have come into this room it has haunted me--I seem to
+see that terrible scene before my eyes--how--how they----"
+
+But she broke off short, and covering her face with both hands added,
+after a few seconds' silence:
+
+"Ah! yes, take it away--never let me gaze upon it again. But I beg of
+you, dear, to--to preserve my secret--my terrible secret!"
+
+And she burst into tears.
+
+"Not a single word shall pass my lips, neither shall a single soul see
+this knife. I will take it and cast it away--better to the bottom of the
+Thames. To-night it shall be in a place where it can never be found. So
+go to your room, and rest assured that you, darling, have at least one
+friend--myself."
+
+I felt her breast heave and fall as I held her in my strong embrace.
+
+Then without words she raised her white, tear-stained face and kissed me
+long and fondly; afterwards she left me, and in silence tottered from the
+room, closing the door after her.
+
+I still held the knife in my hand--the weapon by which the terrible deed
+had been perpetrated.
+
+What could I think? What would you, my reader, have thought if the woman
+you love stood in the same position as Phrida Shand--which God forbid?
+
+I stood reflecting, gazing upon the antique poignard. Then slowly and
+deliberately I made up my mind, and placing the unsheathed knife in my
+breast pocket I went out into the hall, put on my coat and hat, and left
+the house.
+
+Half an hour later I halted casually upon Westminster Bridge, and when no
+one was near, cast the ancient "Misericordia" into the dark flowing
+waters of the river, knowing that Edwards and his inquisitive assistants
+could never recover it as evidence against my love.
+
+Four days later I received a letter from Fremy, dated from the Hotel
+National at Strasbourg, stating that he had traced the fugitives from
+Munich to the latter city, but there he had lost all trace of them. He
+believed they had gone to Paris, and with his chief's permission he was
+leaving for the French capital that night.
+
+Weeks passed--weeks of terror and apprehension for my love, and of
+keenest anxiety for myself.
+
+The month of May went by, spring with all her beauties appeared in the
+parks and faded in the heat and dust, while the London season commenced.
+Men who were otherwise never seen in town, strolled up and down St.
+James's Street and Piccadilly, smart women rode in the Row in the morning
+and gave parties at night, while the usual crop of charitable functions,
+society scandals, Parliamentary debates, and puff-paragraphs in the
+papers about Lady Nobody's dances showed the gay world of London to be in
+full swing.
+
+My mantelshelf was well decorated with cards of invitation, for,
+nowadays, the bachelor in London can have a really good time if he
+chooses, yet I accepted few, spending most of my days immersed in
+business--in order to occupy my thoughts--while my evenings I spent at
+Cromwell Road.
+
+For weeks Phrida had not referred to the tragedy in any way, and I had
+been extremely careful to avoid the subject. Yet, from her pale, drawn
+countenance--so unlike her former self--I knew how recollection of it
+ever haunted her, and what dread terror had gripped her young heart.
+
+Mrs. Shand, ignorant of the truth, had many times expressed to me
+confidentially, fear that her daughter was falling into a bad state of
+health; and, against Phrida's wishes, had called in the family doctor,
+who, likewise ignorant, had ordered her abroad.
+
+"Get her out of the dullness of this road, Mrs. Shand," he had said. "She
+wants change and excitement. Take her to some gay place on the
+Continent--Dinard, Trouville, Aix-les-Bains, Ostend--some place where
+there is brightness and movement. A few weeks there will effect a great
+change in her, I'm certain."
+
+But Phrida refused to leave London, though I begged her to follow the
+doctor's advice, and even offered to accompany them.
+
+As far as I could gather, Van Huffel, in Brussels, had given up the
+search for the fugitives; though, the more I reflected upon his replies
+to my questions as to the real identity of Marie Bracq, the more
+remarkable they seemed.
+
+Who was she? That was the great problem uppermost always in my mind.
+Phrida had declared that she only knew her by that name--that she knew
+nothing further concerning her. And so frankly had she said this, that I
+believed her.
+
+Yet I argued that, if the death of Marie Bracq was of such serious moment
+as the _Chef du Surete_ had declared, then he surely would not allow the
+inquiry to drop without making the most strenuous efforts to arrest those
+suspected of the crime.
+
+But were his suspicions, too, directed towards Phrida? Had he, I
+wondered, been in consultation with Edwards, and had the latter, in
+confidence, revealed to him his own theory?
+
+I held my breath each time that idea crossed my mind--as it did so very
+often.
+
+From Fremy I had had several letters dated from the Prefecture of Police,
+Brussels, but the tenor of all was the same--nothing to report.
+
+One thing gratified me. Edwards had not approached my love, although I
+knew full well, just as Phrida did, that day after day observation was
+being kept upon the house in Cromwell Road, yet perhaps only because the
+detective's duty demanded it. At least I tried to think so.
+
+Still the one fact remained that, after all our efforts--the efforts of
+Scotland Yard, of the Belgian police, and of my own eager inquiries--a
+solution of the problem was as far off as ever.
+
+Somewhere there existed a secret--a secret that, as Phrida had declared
+to me, was inviolable.
+
+Would it ever be revealed? Would the ghastly truth ever be laid bare?
+
+The affair of Harrington Gardens was indeed a mystery of London--as
+absolute and perfect an enigma of crime as had ever been placed before
+that committee of experts at Scotland Yard--the Council of Seven.
+
+Even they had failed to find a solution! How, then, could I ever hope to
+be successful?
+
+When I thought of it, I paced my lonely room in a frenzy of despair.
+
+
+
+
+CHAPTER XXIX.
+
+THE SELLER OF SHAWLS.
+
+
+After much eloquent persuasion on my part, and much straight talking on
+the part of the spectacled family doctor, and of Mrs. Shand, Phrida at
+last, towards the last days of June, allowed us to take her to Dinard,
+where, at the Hotel Royal, we spent three pleasant weeks, making many
+automobile excursions to Trouville, to Dinan, and other places in the
+neighbourhood.
+
+The season had scarcely commenced, nevertheless the weather was perfect,
+and gradually I had the satisfaction of seeing the colour return to the
+soft cheeks of my well-beloved.
+
+Before leaving London I had, of course, seen Edwards, and, knowing that
+watch was being kept upon her, I accepted the responsibility of reporting
+daily upon my love's movements, she being still under suspicion.
+
+"I ought not to do this, Mr. Royle," he had said, "but the circumstances
+are so unusual that I feel I may stretch a point in the young lady's
+favour without neglecting my duty. And after all," he added, "we have no
+direct evidence--at least not sufficient to justify an arrest."
+
+"Why doesn't that woman Petre come forward and boldly make her statement
+personally?" I had queried.
+
+"Well, she may know that you are still alive"--he laughed--"and if
+so--she's afraid to go further."
+
+I questioned him regarding his inquiries concerning the actual identity
+of Marie Bracq, but he only raised his eyebrows and replied:
+
+"My dear Mr. Royle, I know nothing more than you do. They no doubt
+possess some information in Brussels, but they are careful to keep it
+there."
+
+And so I had accompanied Phrida and her mother, hoping that the change of
+air and scenery might cause her to forget the shadow of guilt which now
+seemed to rest upon her and to crush all life and hope from her young
+heart.
+
+Tiring of Dinard, Mrs. Shand hired a big, grey touring-car, and together
+we went first through Brittany, then to Vannes, Nantes, and up to Tours,
+afterwards visiting the famous chateaux of Touraine, Amboise Loches, and
+the rest, the weather being warm and delightful, and the journey one of
+the pleasantest and most picturesque in Europe.
+
+When July came, Phrida appeared greatly improved in both health and
+spirits. Yet was it only pretence? Did she in the lonely watches of the
+night still suffer that mental torture which I knew, alas! she had
+suffered, for her own deep-set eyes, and pale, sunken cheeks had revealed
+to me the truth. Each time I sat down and wrote that confidential note to
+Edwards, I hated myself--that I was set to spy upon the woman I loved
+with all my heart and soul.
+
+Would the truth never be told? Would the mystery of that tragic January
+night in South Kensington never be elucidated?
+
+One evening in the busy but pleasant town of Tours, Mrs. Shand having
+complained of headache after a long, all-day excursion in the car, Phrida
+and I sauntered out after dinner, and after a brief walk sat down outside
+one of those big cafes where the tables are placed out beneath the leafy
+chestnut trees of the boulevard.
+
+The night was hot and stifling, and as we sat there chatting over our
+coffee amid a crowd of people enjoying the air after the heat of the day,
+a dark-faced, narrow-eyed Oriental in a fez, with a number of Oriental
+rugs and cheap shawls, came and stood before us, in the manner of those
+itinerant vendors who haunt Continental cafes.
+
+He said nothing, but, standing like a bronze statue, he looked hard at me
+and pointed solemnly at a quantity of lace which he held in his left
+hand.
+
+"No, I want nothing," I replied in French, shaking my head.
+
+"Ve-ry cheep, sare!" he exclaimed in broken English at last. "You no buy
+for laidee?" and he showed his white teeth with a pleasant grin.
+
+I again replied in the negative, perhaps a little impatiently, when
+suddenly Phrida whispered to me:
+
+"Why, we saw this same man in Dinard, and in another place--I forget
+where. He haunts us!"
+
+"These men go from town to town," I explained. "They make a complete
+round of France."
+
+Then I suddenly recollected that the man's face was familiar. I had seen
+him outside the Piccadilly Tube Station on the night of my tryst with
+Mrs. Petre!
+
+"Yes, laidee!" exclaimed the man, who had overheard Phrida's words. "I
+see you Dinard--Hotel Royal--eh?" he said with a smile. "Will you buy my
+lace--seelk lace; ve-ry cheep?"
+
+"I know it's cheap," I laughed; "but we don't want it."
+
+Nevertheless, he placed it upon the little marble-topped table for our
+inspection, and then bending, he whispered into my ear a question:
+
+"Mee-ster Royle you--eh?"
+
+"Yes," I said, starting.
+
+"I want see you, to-night, alone. Say no-ting to laidee till I see
+you--outside your hotel eleven o'clock, sare--eh?"
+
+I sat staring at him in blank surprise, but in a low voice I consented.
+
+Then, very cleverly he asked in his normal voice, looking at me with his
+narrow eyes, with dark brows meeting:
+
+"You no buy at that price--eh? Ah!" and he sighed as he gathered up his
+wares: "Cheep, laidee--very goot and cheep!"
+
+And bowing, he slung them upon the heavy pile already on his shoulder and
+stalked away.
+
+"What did he say?" Phrida asked when he had gone.
+
+"Oh, only wanted me to buy the lot for five francs!" I replied, for he
+had enjoined secrecy, and I knew not but he might be an emissary of Fremy
+or of Edwards. Therefore I deemed it best for the time to evade her
+question.
+
+Still, both excited and puzzled, I eagerly kept the appointment.
+
+When I emerged from the hotel on the stroke of eleven I saw the man
+without his pile of merchandise standing in the shadow beneath a tree, on
+the opposite side of the boulevard, awaiting me.
+
+Quickly I crossed to him, and asked:
+
+"Well, what do you want with me?"
+
+"Ah, Mee-ster Royle! I have watched you and the young laidee a long time.
+You travel so quickly, and I go by train from town to town--slowly."
+
+"Yes, but why?" I asked, as we strolled together under the trees.
+
+"I want to tell you some-zing, mee-ster. I no Arabe--I Senos, from
+Huacho."
+
+"From Huacho!" I gasped quickly.
+
+"Yees. My dead master he English--Sir Digby Kemsley!"
+
+"Sir Digby!" I cried. "And you were his servant. You knew this man
+Cane--why, you were the man who heard your master curse the man who
+placed the deadly reptile against his face. You made a statement to the
+police, did you not?" I asked frantically.
+
+"Yees, Mee-ster Royle--I did! I know a lot," he replied in his slow way,
+stalking along in the short breeches, red velvet jacket, and fez of an
+Oriental.
+
+"You will tell me, Senos?" I said. "You will tell me everything?" I
+urged. "Tell me all that you know!"
+
+He grinned in triumph, saying:
+
+"I know a lot--I know all. Cane killed my master--killed him with the
+snake--he and Luis together. I know--I saw. But the Englishman is always
+great, and his word believed by the commissary of police--not the word of
+Senos. Oh, no! but I have followed; I have watched. I have been beside
+Cane night and day when he never dream I was near. I tell the young lady
+all the truth, and--ah!--she tell him after I beg her to be silent."
+
+"But where is Cane now?" I asked eagerly. "Do you know?"
+
+"The 'Red' Englishman--he with Madame Petre and Luis--he call himself
+Ali, the Indian."
+
+"Where? Can you take me to them?" I asked. "You know there is a warrant
+out for their arrest?"
+
+"I know--but----"
+
+"But what?" I cried.
+
+"No, not yet. I wait," he laughed. "I know every-ting. He kill my master;
+I kill him. My master be very good master."
+
+"Yes, I know he was," I said.
+
+"That man Cane--very bad man. Your poor young laidee--ah? She not know
+me. I know her. You no say you see me--eh? I tell every-ting later. You
+go Ostend; I meet you. Then we see them."
+
+"At Ostend!" I cried. "Are they there?"
+
+"You go Ostend to-morrow. Tell me your hotel. Senos come--eh? Senos see
+them with you. Oh! Oh!" he said in his quaint way, grinning from ear to
+ear.
+
+I looked at the curious figure beside me. He was the actual man who had
+heard the dying cries of Sir Digby Kemsley.
+
+"But, tell me," I urged, "have you been in London? Do you know that a
+young lady died in Cane's apartment--was killed there?"
+
+"Senos knows," he laughed grimly. "Senos has not left him--ah, no! He
+kill my master. I never leave him till I crush him--never!"
+
+"Then you know, of what occurred at Harrington Gardens?" I repeated.
+
+"Yes, Senos know. He tell in Ostend when we meet," he replied. "You go
+to-morrow, eh?" and he looked at me anxiously with those dark, rather
+blood-shot eyes of his.
+
+"I will go to-morrow," I answered without hesitation; and, taking out my
+wallet I gave him three notes of a hundred francs each, saying:
+
+"This will pay your fare. I will go straight to the Grand Hotel, on the
+Digue. You will meet me there."
+
+"And the laidee--eh? She must be there too."
+
+"Yes, Miss Shand will be with me," I said.
+
+"Good, sare--very good!" he replied, thrusting the notes into the inner
+pocket of his red velvet jacket. "I get other clothes--these only to sell
+things," and he smiled.
+
+I tried to induce him to tell me more, but he refused, saying:
+
+"At Ostend Senos show you. He tell you all he know--he tell the truth
+about the 'Red' Englishman."
+
+And presently, after he had refused the drink I offered him, the
+Peruvian, who was earning his living as an Arab of North Africa, bowed
+with politeness and left me, saying:
+
+"I meet you, Mee-ster Royle, at Grand Hotel in Ostend. But be careful
+neither of you seen. They are sharp, clever, alert--oh, ve-ry! We leave
+to-morrow--eh? Good!"
+
+And a moment later the quaint figure was lost in the darkness.
+
+An hour later, though past midnight, I despatched two long telegrams--one
+to Fremy in Brussels, and the other to Edwards in London.
+
+Then, two days later, by dint of an excuse that I had urgent business in
+Ostend, I found myself with Phrida and Mrs. Shand, duly installed, in
+rooms overlooking the long, sunny Digue, one of the finest sea-promenades
+in Europe.
+
+Ostend had begun her season, the racing season had commenced, and all the
+hotels had put on coats of new, white paint, and opened their doors,
+while in the huge Kursaal they played childish games of chance now that
+M. Marquet was no longer king--yet the magnificent orchestra was worth a
+journey to listen to.
+
+On the afternoon of our arrival, all was gay and bright; outside the blue
+sea, the crowd of well-dressed promenaders, and the golden sands where
+the bathing was so merry and so chic.
+
+But I had no eyes for the beauties or gaiety of the place. I sat closeted
+in my room with two friends, Fremy and Edwards, whom I introduced and who
+quickly fraternised.
+
+A long explanatory letter I had written to Brussels had reached Fremy
+before his departure from the capital.
+
+"Excellent," he was saying, his round, clean-shaven face beaming. "This
+Peruvian evidently knows where they are, and like all natives, wants to
+make a _coup-de-theatre_. I've brought two reliable men with me from
+Brussels, and we ought--if they are really here--to make a good capture."
+
+"Miss Shand knows nothing, you say?" Edwards remarked, seated on the edge
+of my bed.
+
+"No. This man Senos was very decided upon the point."
+
+"He has reasons, no doubt," remarked the detective.
+
+"It is just four o'clock," I remarked. "He has given me a rendezvous at
+the Cafe de la Regence, a little place at the corner of the Place
+d'Armes. I went round to find it as soon as I arrived. We're due there in
+a quarter of an hour."
+
+"Then let us go, messieurs," Fremy suggested.
+
+"And what about Miss Shand?" I asked.
+
+The two detectives held a brief discussion. Then Edwards, addressing me,
+said:
+
+"I really think that she ought to be present, Mr. Royle. Would you bring
+her? Prepare her for a scene--as there no doubt will be--and then follow
+us."
+
+"But Senos will not speak without I am present," I said.
+
+"Then go along to Miss Shand, give her my official compliments and ask
+her to accompany us upon our expedition," he replied.
+
+And upon his suggestion I at once acted.
+
+Truly those moments were breathless and exciting. I could hear my own
+heart beat as I went along the hotel corridor to knock at the door of her
+room.
+
+
+
+
+CHAPTER XXX.
+
+FACE TO FACE.
+
+
+We had, all four of us, ranged ourselves up under the wall of a big white
+house in the Chausee de Nieuport, which formed the south side of the
+racecourse, and where, between us and the sea, rose the colossal Royal
+Palace Hotel, when Fremy advanced to the big varnished oak door, built
+wide for the entrance of automobiles, and rang the electric bell.
+
+In response there came out a sedate, white-whiskered man-servant in black
+coat and striped yellow waistcoat, the novel Belgium livery, but in an
+instant he was pinioned by the two detectives from Brussels, and the way
+opened for us.
+
+"No harm, old one!" cried the detectives in French, after the man had
+admitted his master was at home. "We are police-agents, and doing our
+duty. We don't want you, only we don't intend you to cry out, that's all.
+Keep a still tongue, old one, and you're all right!" they laughed as they
+kept grip of him. The Continental detective is always humorous in the
+exercise of his duty. I once witnessed in Italy a man arrested for
+murder. He had on a thin light suit, and having been to bed in it, the
+back was terribly pleated and creased. "Hulloa!" cried the detective, "so
+it is you. Come along, old dried fig!" I was compelled to laugh, for the
+culprit's thin, brown coat had all the creases of a Christmas fig.
+
+The house we rushed in was a big, luxurious one, with a wide passage
+running through to the Garage, and on the left a big, wide marble
+staircase with windows of stained glass and statues of dancing girls of
+the art nouveau.
+
+Fremy, leaving his assistants below with the man-servant, and crying to
+Edwards to look out for anybody trying to escape, sprang up the marble
+steps three at a time, followed by the narrow-eyed Peruvian, while
+Phrida, clinging to my arm, held her breath in quick apprehension. She
+was full of fear and amazement.
+
+I had had much difficulty in persuading her to accompany us, for she
+seemed in terror of denunciation. Indeed, not until I told her that
+Edwards had demanded her presence, had she consented.
+
+On the first landing, a big, thick-carpeted place with a number of long,
+white doors leading into various apartments, Fremy halted and raised his
+finger in silence to us.
+
+He stood glancing from door to door, wondering which to enter.
+
+Then suddenly he stood and gave a yell as though of fearful pain.
+
+In an instant there was a quick movement in a room on the right, the door
+opened and the woman Petre came forth in alarm.
+
+Next second, however, finding herself face to face with me, she halted
+upon the threshold and fell back against the lintel of the door while we
+rushed in to encounter the man I had known as Digby, standing defiant,
+with arms folded and brows knit.
+
+"Well," he demanded of me angrily. "What do you want here?"
+
+"I've brought a friend of yours to see you, Mr. Cane," I said quietly,
+and Edwards stepped aside from the door to admit the Peruvian Senos.
+
+The effect was instant and indeed dramatic. His face fell, his eyes
+glared, his teeth set, and his nails dug themselves into his palms.
+
+"Mee-ster Cane," laughed the dark-faced native, in triumph. "You no like
+see Senos--eh? No, no. He know too much--eh? He watch you always after he
+see you with laidee in Marseilles--he see you in London--ha! ha! Senos
+know every-ting. You kill my master, and you----"
+
+"It's a lie!" cried the man accused. "This fellow made the same statement
+at Huacho, and it was disproved."
+
+"Then you admit you are not Sir Digby Kemsley?" exclaimed Edwards
+quickly. "You are Herbert Cane, and I have a warrant for your arrest for
+murder."
+
+"Ah!" he laughed with an air of forced gaiety. "That is amusing!"
+
+"I'm very glad you think so, my dear sir," remarked the detective,
+glancing round to where the woman Petre had been placed in an armchair
+quite unconscious.
+
+Phrida was clinging to my arm, but uttered no word. I felt her fingers
+trembling as she gripped me.
+
+"I suppose you believe this native--eh?" asked the accused with sarcasm.
+"He tried to blackmail me in Peru, and because I refused to be bled he
+made a statement that I had killed my friend."
+
+"Ah!" exclaimed the native. "Senos knows--he see with his own eyes. He
+see Luis and you with snake in a box. Luis could charm snakes by music.
+Senos watch you both that night!"
+
+"Oh! tell what infernal lies you like," cried Cane in angry disgust.
+
+"You, the 'Red' Englishman, are well known in Peru, and so is your
+friend--the woman there, who help you in all your bad schemes," said
+Senos, indicating the inanimate form of Mrs. Petre. "You introduced her
+to my master, but he no like her--he snub her--so you send her to Lima to
+wait for you--till you kill him, and get the paper--eh? I saw you steal
+paper--big blue paper with big seals--from master's despatch-box after
+snake bite him."
+
+"Paper!" echoed Edwards. "What paper?"
+
+"Perhaps I can explain something," Fremy interrupted in French. "I learnt
+some strange facts only three days ago which throw a great deal of light
+on this case."
+
+"I don't want to listen to all these romances," laughed Cane defiantly.
+He was an astute and polished adventurer, one of the cleverest and most
+elusive in Europe, and he had all the adventurer's nonchalance and
+impudence. At this moment he was living in that fine house he had taken
+furnished for the summer and passing as Mr. Charles K. Munday, banker, of
+Chicago. Certainly he had so altered his personal appearance that at
+first I scarcely recognised him as the elegant, refined man whom I had so
+foolishly trusted as a friend.
+
+"But now you are under arrest, mon cher ami, you will be compelled to
+listen to a good many unpleasant reminders," Fremy remarked with a broad
+grin of triumph upon his round, clean-shaven face.
+
+"If you arrest me, then you must arrest that woman there, Phrida Shand,
+for the murder of Marie Bracq in my flat in London. She was jealous of
+her--and killed her with a knife she brought with her for the purpose,"
+Cane said with a laugh. "If I must suffer--then so must she! She killed
+the girl. She can't deny it!"
+
+"Phrida!" I gasped, turning to my love, who still clung to me
+convulsively. "You hear what this man says--this vile charge he brings
+against you--a charge of murder! Say that it is not the truth," I
+implored. "Tell me that he lies!"
+
+Her big eyes were fixed upon mine, her countenance blanched to the lips,
+and her breath came and went in short, quick gasps.
+
+At last her lips moved, as we all gazed at her. Her voice was only a
+hoarse, broken whisper.
+
+"I--I can't!" she replied, and fell back into my arms in a swoon.
+
+"You see!" laughed the accused man. "You, Royle, are so clever that you
+only bring grief and disaster upon yourself. I prevented Mrs. Petre from
+telling the truth because I thought you had decided to drop the affair."
+
+"What?" I cried. "When your accomplice--that woman Petre--made a
+dastardly attempt upon my life at your instigation, and left me for dead.
+Drop the affair--never! You are an assassin, and you shall suffer the
+penalty."
+
+"And so will Phrida Shand. She deceived you finely--eh? I admire her
+cleverness," he laughed "She was a thorough Sport, she----"
+
+"Enough!" commanded Edwards roughly. "I give you into the custody of
+Inspector Fremy, of the Belgian Surete, on a charge of murder committed
+within the Republic of Peru."
+
+"And I also arrest the prisoner," added Fremy, "for offences committed in
+London and within the Grand Duchy of Luxemburg."
+
+The man, pale and haggard-eyed notwithstanding his bravado, started
+visibly at the famous detective's words, while at that moment the two men
+from Brussels appeared in the room, having released the white-whiskered
+man-servant, who stood aghast and astounded on the threshold. I supported
+my love, now quite unconscious, in my strong arms, and was trying to
+restore her, in which I was immediately aided by one of the detectives.
+
+The scene was an intensely dramatic one--truly an unusual scene to take
+place in the house of the sedate old Baron Terwindt, ancient Ministre de
+la Justice of Belgium.
+
+I was bending over my love and dashing water into her face when we were
+all suddenly startled by a loud explosion, and then we saw in Cane's hand
+a smoking revolver.
+
+He had fired at me--and, fortunately, missed me.
+
+In a second, however, the officers fell upon him, and after a brief but
+desperate struggle, in which a table and chairs were overturned, the
+weapon was wrenched from his grasp.
+
+"Eh! bien," exclaimed Fremy, when the weapon had been secured from the
+accused. "As you will have some unpleasant things to hear, you may as
+well listen to some of them now. You have denied your guilt. Well, I will
+tell Inspector Edwards what I have discovered concerning you and your
+cunning and dastardly treatment of the girl known as Marie Bracq."
+
+"I don't want to hear, I tell you!" he shouted in English. "If I'm
+arrested, take me away, put me into prison and send me over to England,
+where I shall get a fair trial."
+
+"But you shall hear," replied the big-faced official. "There is plenty of
+time to take you to Brussels, you know. Listen. The man Senos has alleged
+that you stole from the man you murdered a blue paper--bearing a number
+of seals. He is perfectly right. You sold that paper on the eighth of
+January last for a quarter of a million francs. Ah! my dear friend, you
+cannot deny that. The purchaser will give evidence--and what then?"
+
+Cane stood silent. His teeth were set, his gaze fixed, his grey brows
+contracted.
+
+The game was up, and he knew it. Yet his marvellously active mind was
+already seeking a way out. He was amazingly resourceful, as later on was
+shown, when the details of his astounding career came to be revealed.
+
+"Now the true facts are these--and perhaps mademoiselle and the man Senos
+will be able to supplement them--his Highness the Grand Duke of
+Luxemburg, about two years ago, granted to an American named Cassell a
+valuable concession for a strategic railway to run across his country
+from Echternach, on the eastern, or German, frontier of the Grand Duchy,
+to Arlon on the Belgian frontier, the Government of the latter State
+agreeing at the same time to continue the line direct to Sedan, and thus
+create a main route from Coblenz, on the Rhine, to Paris--a line which
+Germany had long wanted for military purposes, as it would be of
+incalculable value in the event of further hostilities with France. This
+concession, for which the American paid to the Grand Duke a considerable
+sum, was afterwards purchased by Sir Digby Kemsley--with his Highness's
+full sanction, he knowing him to be a great English railroad engineer.
+Meanwhile, as time went on, the Grand Duke was approached by the French
+Government with a view to rescinding the concession, as it was realised
+what superiority such a line would give Germany in the event of the
+massing of her troops in Eastern France. At first the Grand Duke refused
+to listen, but both Russia and Austria presented their protests, and his
+Highness found himself in a dilemma. All this was known to you, m'sieur
+Cane, through one Ludwig Mayer, a German secret agent, who inadvertently
+spoke about it while you were on a brief visit to Paris. You then
+resolved to return at once to Peru, make the acquaintance of Sir Digby
+Kemsley, and obtain the concession. You went, you were fortunate,
+inasmuch as he was injured and helpless, and you deliberately killed him,
+and securing the document, sailed for Europe, assuming the identity of
+the actual purchaser of the concession. Oh, yes!" he laughed, "you were
+exceedingly cunning and clever, for you did not at once deal with it. No,
+you went to Luxemburg. You made certain observations and inquiries. You
+stayed at the Hotel Brasseur for a week, and then, you were afraid to
+approach the Grand Duke with an offer to sell back the stolen concession,
+but--well, by that time you had resolved upon a very pretty and romantic
+plan of action," and he paused for a moment and gazed around at us.
+
+"Then robbery was the motive of the crime in Peru!" I exclaimed.
+
+"Certainly," Fremy replied. "But I will now relate how I came into the
+inquiry. In the last days of January, I was called in secret to Luxemburg
+by the Grand Duke, who, when we sat alone together, informed me that his
+only daughter Stephanie, aged twenty-one, who was a rather erratic young
+lady, and fond of travelling incognito, had disappeared. The last heard
+of her was three weeks before--in Paris--where she had, on her return
+from Egypt, been staying a couple of days at the Hotel Maurice with her
+aunt, the Grand Duchess of Baden, but she had packed her things and left,
+and nothing more had been heard of her. Search in her room, however, had
+revealed two letters, signed 'Phrida,' and addressed to a certain Marie
+Bracq."
+
+"Why, I never wrote to her in my life!" my love declared, for she had now
+regained her senses.
+
+"His Highness further revealed to me the fact that his daughter had,
+while in Egypt, made the acquaintance at the Hotel Savoy on the Island of
+Elephantine, of the great English railroad engineer, Sir Digby Kemsley,
+who had purchased a railway concession he had given, and which he was
+exceedingly anxious to re-purchase and thus continue on friendly terms
+with France. His daughter, on her return to Luxemburg, and before going
+to Paris, had mentioned her acquaintance with Sir Digby, and that he held
+the concession. Therefore, through her intermediary, Sir Digby--who was,
+of course, none other than this assassin, Cane--went again to Luxemburg
+and parted with the important document for a quarter of a million francs.
+That was on the eighth of January."
+
+"After the affair at Harrington Gardens," Edwards remarked.
+
+"Yes; after the murder of Marie Bracq, he lost no time in disposing of
+the concession."
+
+"It's a lie!" cried the accused. "That girl there killed her. I
+didn't--she was jealous of her!"
+
+My love shrank at the man's words, yet still clinging to me, her
+beautiful countenance pale as death, her lips half parted, her eyes
+staring straight in front of her.
+
+"Phrida," I said in a low voice, full of sympathy, "you hear what this
+man has alleged? Now that the truth is being told, will you, too, not
+speak? Speak!" I cried in my despair, "speak, dearest, I beg of you!"
+
+"No," she sighed. "You--you would turn from me--you would hate me!"
+
+And at her words Cane burst into a peal of harsh, triumphant laughter.
+
+
+
+
+CHAPTER XXXI.
+
+SHOWS THE TRUTH-TELLER.
+
+
+"Speak, laidee," urged the Peruvian. "Speak--tell truth. Senos know--he
+know!"
+
+But my love was still obdurate.
+
+"I prefer to face death," she whispered, "than to reveal the bitter truth
+to you, dear."
+
+What could I do? The others heard her words, and Cane was full of
+triumph.
+
+"I think, Miss Shand, that you should now tell whatever you know of this
+complicated affair. The truth will certainly have to be threshed out in a
+criminal court."
+
+But she made no answer, standing there, swaying slightly, with her white
+face devoid of expression.
+
+"Let Senos tell you some-tings," urged the narrow-eyed native. "When that
+man kill my master he fly to Lisbon. There Mrs. Petre meet him and go
+London. There he become Sir Digby Kemsley, and I see him often, often,
+because I crossed as stoker on same boat. He go to Luxemburg. I follow.
+One day he see Grand Duke's daughter--pretty young laidee--and somebody
+tell him she go to Egypt. She go, and he follow. I wait in Marseilles. I
+sell my rugs, wait three, four weeks and meet each steamer from
+Alexandria. At last he come with three laidees, and go to the Louvre et
+Paix, where I sell my rugs outside the cafe. I see he always with
+her--walking, driving, laughing. I want to tell her the truth--that the
+man is not my master, but his assassin. Ah! but no opportunity. They go
+to Paris. Then she and the laidees go to Luxemburg, and he to London. I
+follow her, and stay in Luxemburg to sell my shawls, and to see her. She
+drive out of the palace every day. Once I try and speak to her, but
+police arrest me and keep me prison two days--ugh! After a week she with
+another laidee go to Paris; then she alone go to Carlton Hotel in London.
+I watch there and see Cane call on her. He no see me--ah, no! I often
+watch him to his home in Harrington Gardens; often see him with that
+woman Petre, and once I saw Luis with them. I have much patience till one
+day the young lady leave the hotel herself and walk along Pall Mall. I
+follow and stop her. She very afraid of dark man, but I tell her no be
+afraid of Senos. Quick, in few words, I tell her that her friend not my
+master, Sir Digby--only the man who killed him. She dumbstruck. Tells me
+I am a liar, she will not believe. I repeat what I said, and she declares
+I will have to prove what I say. I tell her I am ready, and she askes me
+to meet her at same place and same time to-morrow. She greatly excited,
+and we part. Senos laughs, for he has saved young laidee--daughter of a
+king--from that man."
+
+"What? You actually told her Highness!" cried Fremy in surprise.
+
+"I told her how my master had been killed by that man--with the
+snake--and I warned her to avoid him. But she hesitated to believe
+Senos," was the native's reply. "Of course, she not know me. That was
+date six January. I remember it, for that night, poor young laidee--she
+die. She killed!"
+
+"What?" Edwards cried, staring at the speaker. "She was killed, you say?"
+
+"Yes," Fremy interrupted, "Marie Bracq was the name assumed by her
+Highness, the daughter of the Grand Duke. She loved freedom from all the
+trammels of court life, and as I have told you, went about Europe with
+her maid as her companion, travelling in different names. Mademoiselle
+Marie Bracq was one that it seems she used, only we did not discover this
+until after her death, and after his Highness had paid the quarter of a
+million francs to regain the concession he had granted--money which, I
+believe, the French Government really supplied from their secret service
+fund."
+
+"Then it was the daughter of the Grand Duke who fell a victim in Cane's
+flat?" I gasped in utter surprise at this latest revelation.
+
+"Yes, m'sieur," replied Fremy. "You will recollect, when you told us at
+the Prefecture of the name of the victim, how dumbfounded we were."
+
+"Ah, yes, I recollect!" I said. "I remember how your chief point-blank
+refused to betray the confidence reposed in him."
+
+And to all this the assassin of Sir Digby Kemsley listened without a
+word, save to point to my love, and declare:
+
+"There stands the woman who killed Marie Bracq. Arrest her!"
+
+Phrida stood rigid, motionless as a statue.
+
+"Yes," she exclaimed at last, with all her courage, "I--I will speak.
+I--I'll tell you everything. I will confess, for I cannot bear this
+longer. And yet, dearest," she cried, turning her face to me and looking
+straight into my eyes, "I love you, though I now know that after I have
+spoken--after I have told the truth--you will despise and hate me! Ah,
+God alone knows how I have suffered! how I have prayed for deliverance
+from this. But it cannot be. I have sinned, I suppose, and I must bear
+just punishment."
+
+There was silence.
+
+We all looked at her, though the woman Petre was still lying in her chair
+unconscious, and upon the assassin's lips was a grim smile.
+
+"You recollect," Phrida said, turning to me, "you remember the day when
+you introduced that man to me. Well, from that hour I knew no peace. He
+wrote to me, asking me to meet him, as he had something to tell me
+concerning my future. Well, I foolishly met him one afternoon in
+Rumpelmeyer's, in St. James's Street, when he told me that he had
+purchased a very important German patent for the manufacture of certain
+chemicals which would revolutionise prices, and would bring upon your
+firm inevitable ruin, as you pursued the old-fashioned methods. But,
+being your friend, and respecting us both, he had decided not to go
+further with the new process, and though he had given a large sum of
+money for it, he would, in our mutual interests, not allow it to be
+developed. Naturally, in my innocence I thanked him, and from that
+moment, professing great friendliness towards you, we became friends.
+Sometimes I met him at the houses of friends, but he always impressed
+upon me the necessity of keeping our acquaintance a secret."
+
+And she paused, placing her hand upon her heart as though to stay its
+throbbing.
+
+"One afternoon," she resumed, "the day of the tragedy, I received a
+telegram urging me to meet him without fail at five o'clock at
+Rumpelmeyer's. This I did, when he imparted to me a secret--that you,
+dear, were in the habit of meeting, at his flat, a foreign woman named
+Marie Bracq, daughter of a hair-dresser in the Edgware Road; that you,
+whom I loved, were infatuated with her, and--and that----"
+
+"The liar!" I cried.
+
+"He told me many things which naturally excited me, and which, loving you
+as I did, drove me to madness. I refused at first to heed his words, for
+somehow I mistrusted him--I know not why! But he offered to give me
+proof. If I went that night, or early in the morning, to Harrington
+Gardens, I would find her there, and I might question her. Imagine my
+state of mind after what he had revealed to me. I promised I would come
+there in secret, and I went home, my mind full of the lies and suspicion
+which he had, I now see, so cleverly suggested. I didn't then know him to
+be an assassin, but, mistrusting him as I did, I took for my own
+protection the old knife from the table in the drawing-room, and
+concealed it inside my blouse. At one o'clock next morning I crept out of
+the house noiselessly, and walked to Harrington Gardens, where I opened
+the outer door with the latch-key he had given me. On ascending to his
+flat I heard voices--I heard your voice, dear--therefore I descended into
+the dark and waited--waited until you came down the stairs and left. I
+saw you, and I was mad--mad! Then I went up, and he admitted me. The trap
+was already laid for me. I crossed that threshold to my doom!"
+
+"How?" I asked in my despair. "Tell me all, Phrida,--everything!"
+
+But at this point the Peruvian, Senos, interrupted, saying:
+
+"Let me speak, sare. I tell you," he cried quickly.
+
+"When I speak to the lady in Pall Mall I follow her. She go that
+afternoon to Harrington Gardens, but there see Mrs. Petre, whom she
+already know. Mrs. Petre find her excited, and after questioning her,
+induce her to tell her what I say--that Cane he kill my master. Then Mrs.
+Petre say, Sir Digby away in the country--not return to London--at
+Paddington--till one o'clock in the morning. I listen to it all, for
+Senos friend of the hall-porter--eh? So young laidee she says she come
+late in the night--half-past one or two o'clock--and ask himself the
+truth. But Cane in his room all the time, of course."
+
+"Well, Phrida?" I asked quickly. "Tell us what happened on that night
+when you entered."
+
+"Yes," cried Cane sarcastically, "Lie to them--they'll believe you, of
+course!"
+
+"When I entered that man took me into the sitting-room, and I sat down.
+Naturally I was very upset. Mrs. Petre, whom I had met before, was there,
+and after he had told me many things about your relations with the
+daughter of a hair-dresser--things which maddened me--Mrs. Petre admitted
+her from the adjoining room. I was mad with jealousy, loving you as I
+did. What happened between us I do not know. I--I only fear that--that I
+took the knife from my breast and, in a frenzy of madness--killed her!"
+And she covered her face with her hands.
+
+"Exactly!" cried Cane. "I'm glad you have the moral courage to admit it."
+
+"But describe exactly what occurred--as far as you know," Edwards said,
+pressing her.
+
+"I know that I was in a frenzy of passion, and hysterical, perhaps," she
+said at last. "I recollect Mrs. Petre saying that I looked very unwell,
+and fetching me some smelling-salts from the next room. I smelt them, but
+the odour was faint and strange, and a few moments later I--well, I knew
+no more."
+
+"And then--afterwards?" I asked very gravely.
+
+"When, later on I came to my senses," she said in slow, hard tones, as
+though reflecting, "I found the girl whom I believed to be my rival in
+your affections lying on the ground. In her breast was the knife. Ah,
+shall I ever forget that moment when I realised what I had done! Cane was
+bending over me, urging me to remain calm. He told me that my rival was
+dead--that I had killed her and that she would not further interfere with
+my future. I--I saw him bend over the body, withdraw the knife, and wipe
+it upon his handkerchief, while that woman, his accomplice, looked on.
+Then he gave me back the knife, which instinctively I concealed, and bade
+me go quickly and noiselessly back home, promising secrecy, and declaring
+that both he and Mrs. Petre would say nothing--that my terrible secret
+was safe in their hands. I believed them, and I crept down the stairs out
+into the road, and walked home to Cromwell Road. I replaced the knife in
+the drawing-room, and I believed them until--until I knew that you
+guessed my secret! Then came that woman's betrayal, and I knew that my
+doom was sealed," she added, her chin sinking upon her breast.
+
+"You see," laughed Cane defiantly, "that the girl admits her guilt. She
+was jealous of Marie Bracq, and in a frenzy of passion struck her down.
+Mrs. Petre was there and witnessed it. She will describe it all to you,
+no doubt, when she recovers."
+
+"And what she will say is one big lie," declared Senos, coming forward
+again. "We all know Mrs. Petre," he laughed in his high-pitched voice;
+"she is your tool--she and Luis. But he become a snake-charmer and give
+exhibitions at music-halls. He bit by one snake at Darlington, a month
+ago, and die quick. Ah, yes! Senos know! Snake bite him, because he
+brought snake and give him to that man to bite my poor master."
+
+"Why will Mrs. Petre tell lies, Senos?" demanded Edwards who, with Fremy,
+was listening with the greatest interest and putting the threads of the
+tangled skein together in their proper sequence.
+
+"Because I, Senos, was at Harrington Gardens that night. I knew that the
+laidee I had spoken to was going there, and I feared that some-ting might
+happen, for Cane a desperate man when charged with the truth."
+
+"You were there!" I gasped. "What do you know?"
+
+"Well, this," said the narrow-eyed man who had hunted down the assassin
+of his master. "I waited outside the house--waited some hours--when about
+eleven Cane he came down and unfastened the door and leave it a little
+open. I creep in, and soon after you, Mr. Royle, you come in. I wait and
+see you go upstairs. Then I creep up and get out of the window on the
+landing and on to the roof, where I see inside Cane's room--see all that
+goes on. My friend, the hall-porter, he tell me this sometime before, and
+I find the spot where, kneeling down, I see between the blinds. I see you
+talk with him and I see you go. Then I see Miss Shand--she come in and
+Mrs. Petre, and Cane talk to her. She very excited when she meet young
+laidee, and Mrs. Petre she give her bottle to smell. Then she faint off.
+The laidee, daughter of great Duke, she say something to Cane. He
+furious. She repeat what I say to her. Then Mrs. Petre, who had given
+Miss Shand the smelling-salts, find knife in her breast and secretly puts
+it into Cane's hand. In a moment Cane strikes the young lady with it--ah!
+full in the chest--and she sinks on the floor--dead! It went into her
+heart. Cane and the woman Petre talk in low whispers for few minutes,
+both very afraid. Then Miss Shand she wakes, opens her eyes, and sees the
+young laidee dead on the floor. She scream, but Mrs. Petre puts her hand
+over her mouth. Cane take out the knife, wipe it, and after telling her
+something, Miss Shand creep away. Oh, yes, Senos he see it all! Miss
+Shand quite innocent--she do nothing. Cane kill daughter of the great
+Duke--he with his own hand--he kill her. Senos saw him--with his own
+eyes!"
+
+"Ah!" I cried, rushing towards the native, and gripping both his brown
+hands. "Thank you, Senos, for those words. You have saved the woman I
+love, for you are an eye-witness to that man's crime which with such
+subtle ingenuity he has endeavoured to fasten upon her, and would have
+succeeded had it not been for your dogged perseverance and astuteness."
+
+"He kill my master," replied the Peruvian simply. "I watch him and
+convict him. He bad assassin, gentlemens--very bad man!"
+
+
+
+
+CHAPTER XXXII.
+
+IS THE CONCLUSION.
+
+
+"Do you really believe that man?" asked Cane, turning to us quite coolly,
+a sarcastic smile upon his lips.
+
+He was a marvellous actor, for he now betrayed not the slightest
+confusion. He even laughed at the allegations made against him. His bold
+defiance utterly amazed us. Yet we knew now how resourceful and how
+utterly unscrupulous he was.
+
+"Yes, I do!" was the officer's reply. "You murdered her Highness, fearing
+that she should go to her father and expose you before you could have
+time to dispose of your stolen concession to him. Had she gone to him,
+the police would hunt you down as Sir Digby's assassin. But by closing
+her lips you hoped to be able to sell back the concession and still
+preserve your guilty secret."
+
+"Of course," remarked Fremy, "the whole affair is now quite plain. Poor
+Miss Shand was drawn into the net in order to become this scoundrel's
+victim. He intended from the first to make use of her in some way, and
+did so at last by making her believe she had killed her alleged rival in
+Mr. Royle's affection. Truly this man is a clever and unscrupulous
+scoundrel, for he succeeded in obtaining a quarter of a million francs
+from a reigning sovereign for a document, to obtain which he had
+committed a foul and dastardly crime!"
+
+"A lie--lies, all of it!" shouted the accused angrily, his face as white
+as paper.
+
+"Oh, do not trouble," laughed Fremy, speaking in French. "You will have
+an opportunity to make your defence before the judge--you and your
+ingenious accomplice, Mrs. Petre."
+
+"We want her in England for the attempted murder of Mr. Royle," Edwards
+remarked. "I'll apply for her extradition to-morrow. Your chief will, no
+doubt, decide to keep Cane here--at least, for the present. We shall want
+him for the murder of the Englishman, Sir Digby Kemsley."
+
+"You may want me," laughed the culprit with an air of supreme defiance,
+"but you'll never have me! Oh, no, no! I'll remain over here, and leave
+you wanting me."
+
+"Prisoner, what is the use of these denials and this defiance?" asked
+Fremy severely in French, advancing towards him. "You are in my
+custody--and under the law of the Kingdom of Belgium I arrest you for the
+murder of Sir Digby Kemsley, in Peru, and for the murder of Stephanie,
+daughter of his Highness the Grand Duke of Luxemburg." Then, turning to
+his two subordinates, he added briefly: "Put the handcuffs on him! He may
+give trouble!"
+
+"Handcuffs! Ha, ha!" cried Senos the Peruvian, laughing and snapping his
+brown fingers in the prisoner's face. "It is my triumph now. Senos has
+avenged the death of his poor, good master!"
+
+"A moment," exclaimed the prisoner. "I may at least be permitted to
+secure my papers before I leave here, and hand them over to you? They
+will, perhaps, interest you," he said quite coolly. Then he took from his
+watch-chain a small key, and with it opened a little cupboard in the
+wall, from whence he took a small, square deed-box of japanned tin, which
+he placed upon the table before us.
+
+With another and smaller key, and with a slight grin upon his face, he
+opened the lid, but a cry of dismay escaped us, for next second we saw
+that he held in his hand a small, black object, sinuous and writhing--a
+small, thin, but highly venomous black snake!
+
+It was over in an instant, ere we could realise the truth. Upon his white
+wrist I saw a tiny bead of blood, where the reptile had struck and bitten
+him, and as he flung it back into the box and banged down the lid he
+turned upon us in defiance, and said:
+
+"Now take me! I am ready," he cried, uttering a peal of fiendish
+laughter. "Carry me where you will, for in a few moments I shall be dead.
+Ah! yes, my good friends! I have played the great game--and lost. Yet
+I've cheated you all, as I always declared that I would."
+
+The two men sprang forward to slip the metal gyves upon his wrists, but
+Fremy, noticing the instant change in the assassin's countenance,
+motioned them off.
+
+The culprit's face grew ashen grey, his thin jaws were fixed. He tried to
+utter some further words, but no sound came from him, only a low gurgle.
+
+We stood by and watched. He placed both his palms to his brow and stood
+for a few seconds in the centre of the room. Then a paroxysm of pain
+seemed to double him completely up, and he fell to the carpet writhing in
+most fearful agony. It was horrible to witness, and Phrida, with a cry,
+turned away.
+
+Then suddenly he lay stiff, and stretched his limbs to such an extent
+that we could hear the bones crack. His back became arched, and then he
+expired with horrible convulsions, which held his limbs stiffened and
+extended to their utmost limits--truly, the most awful and agonising of
+deaths, and a torture in the last moments that must have been
+excruciating--a punishment worse, indeed, than any that man-made law
+might allow.
+
+ * * * * *
+
+As Herbert Cane paid the penalty of his crimes the woman Petre at last
+recovered consciousness.
+
+I saw the look of abject terror upon her face as her eyes fell upon the
+man lying dead upon the carpet before us.
+
+She realised the terrible truth at once, and giving vent to a loud,
+hysterical scream, rose and threw herself on her knees beside the man
+whose wide-open eyes, staring into space, were fast glazing in death.
+
+Edwards bent, and asked in a low voice whether I wished to give her into
+custody for the attempt upon me.
+
+But I replied in the negative.
+
+"The assassin has received his just punishment and must answer to his
+Maker," I replied. "That is enough. This scene will assuredly be a lesson
+to her."
+
+"She falsely accused Miss Shand, remember," he said. "She knew all the
+time that Cane struck the poor girl down."
+
+"No," I replied. "Now that the stigma has been removed from the one I
+love, I will be generous. I will prefer no charge against her."
+
+"Ah! dearest," cried Phrida, "I am glad of that. Let us forgive, and
+endeavour, if possible, to forget these dark, black days and weeks when
+both our lives were blighted, and the future seemed so hopeless and full
+of tragedy."
+
+"Yes," I said, "let us go forth and forget."
+
+And with a last glance at the dead man, with the woman with dishevelled
+hair kneeling in despair at his side, I took the arm of my beloved, and
+kissing her before them all, led her out, away from the scene so full of
+bitterness and horror.
+
+ * * * * *
+
+To further prolong the relation of this tragic chapter of my life's
+history would serve no purpose.
+
+What more need I tell you than to say Mrs. Petre disappeared entirely,
+apparently thankful to escape, and that at St. Mary Abbots, in
+Kensington, a month ago, Phrida and I became man and wife, both Edwards
+and Fremy being present.
+
+As I pen these final lines I am sitting upon the balcony of the great
+Winter Palace Hotel, in Luxor, within sight of the colossal ruins of
+Karnak, for we are spending a delightful honeymoon in Upper Egypt, that
+region where the sun always shines and rain never falls. Phrida, in her
+thin white cotton gown and white sun helmet, though it is January, is
+seated beside me, her little hand in mine. Below us, in the great
+garden, rise the high, feathery palms, above a riot of roses and
+poinsettias, magnolias, and other sweet-smelling flowers.
+
+It is the silent, breathless hour of the desert sunset. Before us, away
+beyond the little strip of vegetation watered by the broad, ever-flowing
+Nile, the clear, pale green sky is aflame with crimson, a sunset mystic
+and wonderful, such as one only sees in Egypt, that golden land of the
+long-forgotten.
+
+From somewhere behind comes up the long-drawn nasal song of an Arab
+boatman--that quaint, plaintive, sing-song rhythm accompanied by a
+tom-tom, which encourages the rowers to bend at their oars, while away
+still further behind across the river, lays the desolate ruins of the
+once-powerful Thebes, and that weird, arid wilderness which is so
+impressive--the Valley of the Tombs of the Kings.
+
+Phrida has been reading what I have here written, and as I kiss her sweet
+lips, she looks lovingly into my eyes and says:
+
+"It is enough, dearest. Say that you and I are happy--ah! so supremely
+happy at last, in each other's love. No pair in the whole world could
+trust each other as we have done. I know that I was guilty of a very
+grave fault--the fault of concealing my friendship with that man from
+you. But I foolishly thought I was acting in your interests--that being
+your friend, he was mine also. I never dreamed that such a refined face
+could hide so black and vile a heart."
+
+"But I have forgiven all, darling," I hasten to reassure her! "I know now
+what a clever and ingenious scoundrel that man was, and how full of
+resource and amazing cunning. You were his victim, just as I was
+myself--just as were the others. No," I add, "life, love, and happiness
+are before us. So let us learn to forget."
+
+And as our lips meet once again in a long, fond, passionate caress, I lay
+down my pen in order to press her more closely to my breast.
+
+She is mine--my own beloved--mine for now and evermore.
+
+THE END.
+
+Butler & Tanner Frome and London
+
+
+
+
+WARD, LOCK & CO.'S
+
+New and Recent Fiction.
+
+
+Finished
+
+H. RIDER HAGGARD.
+
+Here we have Mr. Rider Haggard at his best. The book is alive with
+adventure, and characters black and white.
+
+Mr. Haggard makes all his characters interesting; they live for us, no
+matter how extraordinary the circumstances, and these circumstances are
+described in such a way, so vividly and yet so quietly, that we accept
+them without question. "Finished" is indeed as full of good points as it
+is of adventures.
+
+
+Thorgils of Treadholt
+
+MAURICE HEWLETT.
+
+This new work by the author of "The Forest Lovers" is told with the
+wealth of detail and vivid actuality which have made the author's
+excursions into primitive Scandinavian history and legend as fascinating
+and as strongly human in their appeal as the mediaeval romances which
+first made him famous.
+
+
+Carmen's Messenger
+
+HAROLD BINDLOSS.
+
+Mr. Bindloss is an author who can deftly use sensationalism to his
+purpose without forcing it for mere effect, and who can also depict the
+character of a strong man as honest as determined in love with a sweet
+woman. He tells a story with rare skill.
+
+
+Lonesome Heights
+
+HALLIWELL SUTCLIFFE.
+
+A thoroughly enjoyable story, without a dull page, and in the front rank
+of the author's work. Plot and characterisation are equally good.
+
+
+The Just Men of Cordova
+
+EDGAR WALLACE.
+
+An adventure story dealing with another episode in the career of the
+"Four Just Men" who have appeared in several of Mr Wallace's most popular
+novels.
+
+
+The Rattlesnake
+
+KATHARINE TYNAN.
+
+A strong knowledge of human nature, for which Katharine Tynan is famous,
+is well portrayed in the pages of this novel, and this, in conjunction
+with the interesting nature of the plot, renders it particularly
+successful. The book will be appreciated by novel readers.
+
+
+Adam
+
+PAUL TRENT.
+
+A strikingly original novel. It tells of a young man who is kept in
+seclusion and entirely without knowledge of the world until the age of
+twenty-one. His development, especially from the religious standpoint, is
+strikingly realistic and enthralling. A novel likely to be talked about.
+
+MORNING POST.--"Mr. Paul Trent tells a tale well. He has a narrative
+style that grips and interests, and we are grateful to him for a real and
+enjoyable story."
+
+
+No Greater Love
+
+WILLIAM LE QUEUX.
+
+A remarkable story, crowded with the most exciting situations, and
+bristling with crimes which only the brain of a most versatile author
+could conceive.
+
+THE SCOTSMAN.--"Few novelists, if any, surpass Mr. Wm. Le Queux in the
+art of making a frankly and formidably melodramatic story go with
+alluring lightness in its intensity."
+
+
+WARD, LOCK & CO.'S
+
+TWO-SHILLING FICTION
+
+_Crown 8vo. Cloth Gilt. With Illustrations. 2/- net._
+
+ 1 =Lawrence Clavering= A. E. W. Mason
+ 3 =Limitations= E. F. Benson
+ 7 =Roger Trewinion= Joseph Hocking
+ 8 =Half a Hero= Anthony Hope
+ 9 =Ayesha= H. Rider Haggard
+ 10 =A Study in Scarlet= A. Conan Doyle
+ 12 =To Leeward= F. Marion Crawford
+ 13 =Comedies of Courtship= A. Hope
+ 16 =Lady Barbarity= J. C. Snaith
+ 17 =As We Forgive Them= Wm. Le Queux
+ 18 =Hawtrey's Deputy= Harold Bindloss
+ 19 =The Peer and the Woman= E. P. Oppenheim
+ 20 =Sylvia's Chauffeur= Louis Tracy
+ 21 =Mr. Witt's Widow= Anthony Hope
+ 22 =The Unknown Lady= Justus M. Forman
+ 24 =Lord Stranleigh, Philanthropist= Robert Barr
+ 25 =The Master Mummer= E. P. Oppenheim
+ 27 =The Protector= Harold Bindloss
+ 28 =The Postmaster of Market Deignton= E. P. Oppenheim
+ 29 =The Sign of the Stranger= Wm. Le Queux
+ 31 =The Pioneer= Harold Bindloss
+ 32 =False Evidence= E. P. Oppenheim
+ 33 =The Tickencote Treasure= Wm. Le Queux
+ 34 =Mirabel's Island= Louis Tracy
+ 35 =White Walls= Max Pemberton
+ 36 =The Lovers= Eden Phillpotts
+ 38 =The Vow= Paul Trent
+ 39 =The Purple Robe= Joseph Hocking
+ 40 =The Trustee= Harold Bindloss
+ 41 =Expiation= E. P. Oppenheim
+ 42 =Mysteries= Wm. Le Queux
+ 43 =The Foundling= Paul Trent
+ 44 =The Betrayal= E. P. Oppenheim
+ 45 =The Wastrel= Harold Bindloss
+ 46 =The Room of Secrets= Wm. Le Queux
+ 47 =The Opening Door= Justus M. Forman
+ 48 =Lest We Forget= Joseph Hocking
+ 49 =The Long Arm= E. P. Oppenheim
+ 50 =The Second Chance= Paul Trent
+ 51 =The Yellow Crayon= E. P. Oppenheim
+ 52 =The Allinson Honour= Harold Bindloss
+ 53 =The Open Road= Halliwell Sutcliffe
+ 54 =The Master of Merripit= Eden Phillpotts
+ 55 =Max Logan= Paul Trent
+ 56 =An Enemy Hath Done This= Joseph Hocking
+ 57 =Mysterious Mr. Sabin= E. P. Oppenheim
+ 59 =The Heir to the Throne= A. W. Marchmont
+ 60 =Blake's Burden= Harold Bindloss
+ 61 =A Daughter of the Marionis= E. P. Oppenheim
+ 62 =The House 'Round the Corner= Louis Tracy
+ 63 =The White Lie= Wm. Le Queux
+ 64 =Uncle Peter's Will= Silas K. Hocking
+ 65 =Lord Stranleigh Abroad= Robert Barr
+ 66 =The Six Rubies= Justus M. Forman
+ 67 =Leila and Her Lover= Max Pemberton
+ 68 =The Secret of the Reef= Harold Bindloss
+ 69 =The Blind Spot= Justus M. Forman
+ 70 =Nesbit's Compact= Paul Trent
+ 73 =The White Horses= Halliwell Sutcliffe
+ 74 =A Lovers' Tale= Maurice Hewlett
+ 75 =Delia Blanchflower= Mrs. Humphry Ward
+ 76 =The Coming of the King= Joseph Hocking
+ 77 =The Admirable Carfew= Edgar Wallace
+ 78 =Prince of Sinners= E. P. Oppenheim
+ 79 =A Risky Game= Harold Bindloss
+ 80 =The Sign of Silence= Wm. Le Queux
+ 81 =The Angel of the Desert= Silas K. Hocking
+ 82 =A Chateau in Picardy= Halliwell Sutcliffe
+ 83 =The Mystery of Mr. Bernard Brown= E. P. Oppenheim
+ 84 =In Self Defence= Silas K. Hocking
+ 85 =Bentley's Conscience= Paul Trent
+ 86 =The Borderer= Harold Bindloss
+ 87 =A Monk of Cruta= E. P. Oppenheim
+ 88 =Frey and His Wife= Maurice Hewlett
+ 89 =The Birthright= Joseph Hocking
+ 90 =The Crimson Field= Halliwell Sutcliffe
+ 91 =The Flying Girl= Richard Marsh
+ 92 =When He Came to Himself= Silas K. Hocking
+ 93 =God and Mammon= Joseph Hocking
+ 94 =The Annexation Society= J. S. Fletcher
+ 95 =Greater Love= Joseph Hocking
+ 96 =The Secret= E. P. Oppenheim
+ 97 =A Prince of this World= Joseph Hocking
+
+
+WARD, LOCK & CO.'S
+
+SHILLING FICTION
+
+_Foolscap 8vo. Cloth Gilt. 1/- net._
+
+LATEST LIST
+
+ 78 =Ayesha= H. Rider Haggard
+ 80 =The Open Road= Halliwell Sutcliffe
+ 82 =An Enemy Hath Done This= Joseph Hocking
+ 88 =The Scarlet Woman= Joseph Hocking
+ 93 =The Holy Flower= H. Rider Haggard
+ 94 =The Traitors= E. Phillips Oppenheim
+ 95 =The Strength of the Hills= Halliwell Sutcliffe
+ 96 =The Pathway= Gertrude Page
+ 97 =The Blind Spot= Justus M. Forman
+ 98 =The Broken Thread= Wm. Le Queux
+ 99 =The Intruder= Harold Bindloss
+ 100 =Faith Tresilian= Eden Phillpotts
+ 101 =Leila and Her Lover= Max Pemberton
+ 102 =Nesbit's Compact= Paul Trent
+ 103 =A Man and His Kingdom= E. P. Oppenheim
+ 104 =The White Horses= Halliwell Sutcliffe
+ 105 =Delia Blanchflower= Mrs. Humphry Ward
+ 106 =The Secret of the Reef= Harold Bindloss
+ 107 =The Mysterious Three= Wm. Le Queux
+ 108 =A Lovers' Tale= Maurice Hewlett
+ 109 =A Prince of Sinners= E. P. Oppenheim
+ 110 =Rainbow Island= Louis Tracy
+ 111 =The Place of Dragons= Wm. Le Queux
+ 112 =The Purple Robe= Joseph Hocking
+ 113 =When Greek meets Greek= Paul Trent
+ 114 =A Risky Game= Harold Bindloss
+
+
+WARD, LOCK & CO.'S
+
+NINEPENNY NOVELS
+
+_Cloth Gilt, with Frontispiece and Attractive Wrapper in colours. 9d.
+net._
+
+ 1 =The Garden of Lies= Justus M. Forman
+ 2 =Anna, The Adventuress= E. P. Oppenheim
+ 4 =The Beautiful White Devil= Guy Boothby
+ 5 =The Impostor= Harold Bindloss
+ 7 =A Study In Scarlet= A. Conan Doyle
+ 9 =The Mother= Eden Phillpotts
+ 10 =The Crimson Blind= Fred M. White
+ 14 =A Maker of History= E. P. Oppenheim
+ 16 =The Pillar of Light= Louis Tracy
+ 17 =A Bid for Fortune= Guy Boothby
+ 21 =Mr. Wingrave, Millionaire= E. P. Oppenheim
+ 31 =The Secret= E. P. Oppenheim
+ 34 =Darby and Joan= "Rita"
+ 36 =The Temptress= Wm. Le Queux
+ 43 =The Missioner= E. P. Oppenheim
+ 47 =Dr. Nikola= Guy Boothby
+ 53 =His Lady's Pleasure= H. Bindloss
+ 54 =A Courier of Fortune= A. W. Marchmont
+ 58 =Heart of Gold= L. G. Moberly
+ 65 =Hawtrey's Deputy= Harold Bindloss
+ 67 =A Maker of Nations= Guy Boothby
+ 69 =A Millionaire of Yesterday= E. P. Oppenheim
+ 72 =Long Live the King= Guy Boothby
+ 75 =The World's Great Snare= E. P. Oppenheim
+ 76 =Helen of the Moor= A. & C. Askew
+ 77 =League of the Leopard= Harold Bindloss
+ 78 =Her Splendid Sin= Headon Hill
+ 79 =Dr. Nikola's Experiment= Guy Boothby
+ 80 =Whoso Findeth a Wife= Wm. Le Queux
+ 81 =The Stowaway= Louis Tracy
+ 82 =The Law of the Land= Fred. M. White
+ 83 =Mr. Marx's Secret= E. P. Oppenheim
+ 84 =Sanders of the River= Edgar Wallace
+ 85 =Under the Black Eagle= A. W. Marchmont
+ 86 =Joy: a Happy Soul= L. G. Moberly
+ 87 =The Red Rat's Daughter= Guy Boothby
+ 88 =The Dream Daughter= A. & C. Askew
+ 89 =The Liberationist= Harold Bindloss
+ 90 =Lord Stranleigh Abroad= R. Barr
+ 91 =Jeanne of the Marshes= E. P. Oppenheim
+ 92 =A Race with Ruin= Headon Hill
+ 93 =A Fatal Legacy= Louis Tracy
+ 95 =A Fatal Dose= Fred M. White
+ 96 =The Kidnapped President= Guy Boothby
+ 97 =The People of the River= Edgar Wallace
+ 98 =Christina= L. G. Moberly
+ 99 =The Master Mummer= E. P. Oppenheim
+ 100 =The Golden Girl= A. & C. Askew
+ 101 =The Silent Barrier= Louis Tracy
+ 102 =The Cottage in the Chine= Headon Hill
+ 103 =My Indian Queen= Guy Boothby
+ 104 =The Idol of the Town= Wm. Le Queux
+ 105 =False Evidence= E. P. Oppenheim
+ 106 =The Cardinal Moth= Fred M. White
+ 107 =The Protector= Harold Bindloss
+ 108 =His Little Girl= L. G. Moberly
+ 109 =White Walls= Max Pemberton
+ 110 =Money or Wife= Effie A. Rowlands
+ 111 =Farewell, Nikola= Guy Boothby
+ 112 =The Council of Justice= E. Wallace
+ 113 =The House Next Door= A. & C. Askew
+ 114 =Conspirators= E. P. Oppenheim
+ 115 =The Master Spirit= Sir Wm. Magnay
+ 116 =A Traitor's Wooing= Headon Hill
+ 117 =Sheilah McLeod= Guy Boothby
+ 118 =The Sign of the Stranger= Wm. Le Queux
+ 119 =The Pioneer= Harold Bindloss
+ 120 =The Open Door= Fred M. White
+ 121 =The Betrayal= E. P. Oppenheim
+ 122 =Diana= L. G. Moberly
+ 123 =The Vow= Paul Trent
+ 124 =Fennell's Tower= Louis Tracy
+ 125 =The Admirable Carfew= E. Wallace
+ 126 =Through Folly's Mill= A. & C. Askew
+ 127 =Love Made Manifest= Guy Boothby
+ 128 =The Tickencote Treasure= Wm. Le Queux
+ 129 =Craven Fortune= Fred M. White
+ 130 =The Yellow Crayon= E. P. Oppenheim
+ 131 =Cleansing Fires= L. G. Moberly
+ 132 =The Lovers= Eden Phillpotts
+ 133 =Sunset and Dawn= Effie A. Rowlands
+ 134 =The Trustee= Harold Bindloss
+ 135 =The Foundling= Paul Trent
+ 136 =The Heir to the Throne= A. W. Marchmont
+
+
+WARD, LOCK & CO.'S
+
+Sixpenny Copyright
+
+NOVELS
+
+_Large Demy 8vo. Coloured Covers. Price 6d._
+
+ 1 =A Bid for Fortune= Guy Boothby
+ 18 =A Monk of Cruta= E. P. Oppenheim
+ 26 =A Daughter of the Marionis= E. P. Oppenheim
+ 33 =Love Made Manifest= Guy Boothby
+ 48 =The Secret Service= Wm. Le Queux
+ 51 =The Temptress= Wm. Le Queux
+ 73 =Belles and Ringers= Hawley Smart
+ 74 =Sarchedon= G. J. Whyte-Melville
+ 77 =Across the World for a Wife= Guy Boothby
+ 82 =A Sailor's Bride= Guy Boothby
+ 87 =The Survivor= E. P. Oppenheim
+ 98 =In Strange Company= Guy Boothby
+ 116 =The Traitors= E. P. Oppenheim
+ 122 =Dr. Nikola= Guy Boothby
+ 127 =The Crimson Blind= Fred M. White
+ 145 =A Bid for Freedom= Guy Boothby
+ 155 =The Betrayal= E. P. Oppenheim
+ 160 =A Study in Scarlet= A. Conan Doyle
+ 171 =The Master Mummer= E. P. Oppenheim
+ 179 =The King of Diamonds= Louis Tracy
+ 199 =Beneath Her Station= Harold Bindloss
+ 233 =The Liberationist= Harold Bindloss
+ 237 =The Mother= Eden Phillpotts
+ 248 =The League of the Leopard= Harold Bindloss
+ 266 =The Powers of Mischief= Sir Wm. Magnay, Bart.
+ 277 =The Sundial= Fred. M. White
+ 279 =In White Raiment= Wm. Le Queux
+ 282 =The Missioner= E. P. Oppenheim
+ 286 =Lorna Doone= R. D. Blackmore
+ 305 =The Sporting Chance= A. & C. Askew
+ 323 =Vivienne= "Rita"
+ 342 =Countess Londa= Guy Boothby
+ 343 =Heath Hover Mystery= Bertram Mitford
+ 351 =The Sin of Alison Dering= L. G. Moberly
+ 355 =Rogues in Arcady= Sir Wm. Magnay
+ 357 =Jim Crowshaw's Mary= Fred. M. White
+ 361 =Angela's Marriage= L. G. Moberly
+ 362 =Bianca's Daughter= Justus M. Forman
+ 365 =The Legacy= A. & C. Askew
+ 367 =A Son of the Immortals= Louis Tracy
+ 368 =The Witness of the Ring= Marie Connor Leighton
+ 369 =Christina= L. G. Moberly
+ 370 =Mr. Marx's Secret= E. P. Oppenheim
+ 372 =Lady Clara= Fred M. White
+ 374 =The Secret of the Sands= Fred M. White
+ 375 =The House of the Black Panther= A. & C. Askew
+ 376 =Hawtrey's Deputy= Harold Bindloss
+ 377 =The Mystery Queen= Fergus Hume
+ 379 =Sylvia's Chauffeur= Louis Tracy
+ 381 =The Peer and the Women= E. P. Oppenheim
+ 382 =A Scarlet Sin= A. & C. Askew
+ 383 =Her Sacrifice= Arthur Applin
+ 384 =Justice= Marie Connor Leighton
+ 386 =His Little Girl= L. G. Moberly
+ 387 =Radford Shone= Headon Hill
+ 388 =The Open Door= Fred M. White
+ 409 =A Prince of Darkness= Florence Warden
+ 412 =The Van Dylk Diamonds= Arthur Applin
+ 417 =Pallard, the Punter= Edgar Wallace
+ 420 =The Supplanter= Paul Trent
+ 422 =Until Seventy Times Seven= L. G. Moberly
+ 423 =The Secret Cargo= J. S. Fletcher
+ 425 =A Royal Wrong= Fred M. White
+ 428 =One of the Family= Keble Howard
+ 429 =Ducks and Drakes= Marie Connor Leighton
+ 430 =Gilded London= A. & C. Askew
+ 431 =That Preposterous Will= L. G. Moberly
+ 450 =The Court of the Angels= Justus M. Forman
+ 469 =False Evidence= E. P. Oppenheim
+ 472 =The Woman Who Tempted= Gertrude Warden
+ 490 =Souls in Pawn= Lindsay Russell
+ 494 =Blackthorn Farm= Arthur Applin
+ 495 =All Men are Liars= Joseph Hocking
+ 500 =The Girl from Nippon= Carlton Dawe
+ 506 =The Caretaker= Fergus Hume
+ 507 =The Man Who Bought London= Edgar Wallace
+ 508 =The Cloak of Darkness= Sir Wm. Magnay
+ 509 =Paul Quentin= Fred M. White
+ 510 =The Gates of Sorrow= Marie Connor Leighton
+ 511 =Jabez Easterbrook= Joseph Hocking
+ 512 =The Gates of Silence= Lindsay Russell
+ 514 =After Long Years= L. G. Moberly
+ 515 =The Flying Girl= Richard Marsh
+ 516 =The King _versus_ Wargrave= J. S. Fletcher
+ 517 =The Weavers Plot= A. & C. Askew
+ 518 =The Opening Door= Justus M. Forman
+ 519 =The Pearl Necklace= Arthur Applin
+ 520 =Uncle Peter's Will= Silas K. Hocking
+ 521 =A Woman's Word= A. & C. Askew
+ 522 =A Hazardous Wooing= James Blyth
+ 523 =Human Nature= Marie Connor Leighton
+ 524 =The Salt of the Earth= Fred M. White
+ 525 =A Debt Discharged= Edgar Wallace
+ 526 =The Annexation Society= J. S. Fletcher
+ 527 =The Allinson Honour= Harold Bindloss
+ 528 =The Wraith of Olverstone= Florence Warden
+ 529 =The Interior= Lindsay Russell
+ 530 =The Footlight Glare= A. & C. Askew
+ 531 =The Open Road= Halliwell Sutcliffe
+ 532 =The Master of Merripit= Eden Phillpotts
+ 533 =The Atonement= James Blyth
+ 534 =An Enemy Hath Done This= Joseph Hocking
+ 535 =In the Cause of Freedom= A. W. Marchmont
+ 536 =Story of a Great Sin= Marie Connor Leighton
+ 537 =The Red Bicycle= Fergus Hume
+ 538 =Maid Marjory= L. G. Moberly
+ 539 =The Little Anarchist= A. W. Marchmont
+ 540 =A Maker of Secrets= Wm. Le Queux
+ 541 =Max Logan= Paul Trent
+ 542 =Ambition's Slave= Fred M. White
+ 543 =The Tomb of Ts'in= Edgar Wallace
+
+
+WARD, LOCK & CO.'S
+
+STANDARD & DETECTIVE NOVELS
+
+_Large Demy 8vo. Attractive Wrapper and Frontispiece. 6d._
+
+ 2 =Kenilworth= Sir Walter Scott
+ 12 =Midshipman Easy= Capt. Marryat
+ 13 =Japhet in Search of a Father= Ditto
+ 14 =Jacob Faithful= Ditto
+ 15 =Peter Simple= Ditto
+ 16 =The Pickwick Papers= Chas. Dickens
+ 18 =Barnaby Rudge= Ditto
+ 19 =Old Curiosity Shop= Ditto
+ 20 =Martin Chuzzlewit= Ditto
+ 21 =Oliver Twist= Ditto
+ 22 =Dombey and Son= Ditto
+ 26 =The Innocents Abroad= Mark Twain
+ 27 =Valentine Vox= Henry Cockton
+ 33 =Ben-Hur= Lew Wallace
+ 37 =Helen's Babies= J. Habberton
+ 38 =Other People's Children= Ditto
+ 39 =A Bad Boy's Diary=
+ 40 =Blunders of a Bashful Man=
+ 41 =Catching a Husband=
+ 45 =Out of the Hurly Burly= Max Adeler
+ 48 =A Strange Disappearance= A. K. Green
+ 51 =The Leavenworth Case= Ditto
+ 52 =The Circular Study= Ditto
+ 53 =Marked "Personal"= Ditto
+ 59 =Shadowed by Three= L. L. Lynch
+ 61 =The Diamond Coterie= Ditto
+ 62 =Detective's Daughter= Ditto
+ 63 =Out of a Labyrinth= Ditto
+ 65 =The Lost Witness= Ditto
+ 68 =A Slender Clue= Ditto
+ 76 =Toilers of the Sea= Victor Hugo
+ 77 =History of a Crime= Ditto
+ 78 =Ninety-Three= Ditto
+ 80 =Margaret Catchpole= Rev. R. Cobbold
+ 81 =Freston Tower= Ditto
+ 84 =The Mystery of Orcival= E. Gaboriau
+ 85 =Detective's Dilemma= Ditto
+ 86 =Detective's Triumph= Ditto
+ 88 =Caught in the Net= Ditto
+ 89 =The Champdoce Mystery= Ditto
+ 91 =Mr. Barnes of New York= A. C. Gunter
+ 92 =The Princess of Copper= Ditto
+ 95 =Jane Eyre= Charlotte Bronte
+ 97 =Looking Backward= Edward Bellamy
+ 103 =Frank Fairlegh= Frank Smedley
+ 104 =Alice's Adventures in Wonderland= Lewis Carroll
+ 106 =Tom Brown's School Days= Hughes
+ 133 =Crime and the Criminal= R. Marsh
+ 150 =Her Splendid Sin= Headon Hill
+ 151 =Caged= Ditto
+ 152 =The Avengers= Ditto
+ 160 =Lorna Doone= R. Blackmore
+ 162 =For the Term of His Natural Life= Marcus Clarke
+ 169 =East Lynne= Mrs. Henry Wood
+ 171 =The Shadow of Ashlydyat= Ditto
+ 172 =The Channings= Ditto
+ 173 =Mrs. Halliburton's Troubles= Ditto
+ 175 =Roland Yorke= Ditto
+
+
+Ward, Lock & Co., Ltd., London, Melbourne & Toronto.
+
+
+
+
+TRANSCRIBERS' NOTES
+
+
+Page 6: FREMY standardised to FREMY; SURETE standardised to SURETE
+
+Page 33: hand-bag standardised to handbag
+
+Page 35: Place in the phrase "in the Place Vendome" as in the original
+
+Page 41: " changed to ' before You--you blackguard, and after
+You've--you've killed me!
+
+Page 42: note-paper standardised to notepaper
+
+Page 47: anenomes corrected to anemones in the phrase "drooping red
+anenomes"; manservant standardised to man-servant
+
+Page 126: reopened standardised to re-opened
+
+Page 127: " removed before If so, what then?
+
+Page 148: repass standardised to re-pass
+
+Page 150: over-burdened standardised to overburdened
+
+Page 160: nonplussed standardised to non-plussed in His question
+non-plussed me.
+
+Page 166: arm-chair standardised to armchair
+
+Page 202: " added after must have happened to her.
+
+Page 210: " changed to ' before You blackguard, Cane and ' added after
+why, you've killed me!
+
+Page 218: ? after No, don't do that as in the original
+
+Page 240: Bon jour spaced as in the original
+
+Page 244: " added after Here is the reply,
+
+Page 249: . added after non-plussed me for the moment
+
+Page 257: ' corrected to " before My interests!
+
+Page 267: " added after round of France.
+
+Page 269: . added after I asked frantically
+
+Page 309: Author of 108. His Little Girl standardised to Moberly
+
+Page 314: Blank author names as in original
+
+General: variable hyphenation of street-lamp and street lamp as in the
+original
+
+
+
+
+
+End of the Project Gutenberg EBook of The Sign of Silence, by William Le Queux
+
+*** END OF THIS PROJECT GUTENBERG EBOOK THE SIGN OF SILENCE ***
+
+***** This file should be named 30477.txt or 30477.zip *****
+This and all associated files of various formats will be found in:
+ https://www.gutenberg.org/3/0/4/7/30477/
+
+Produced by Brownfox and the Online Distributed Proofreading
+Team at https://www.pgdp.net
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+https://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need are critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at https://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+https://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at https://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit https://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including including checks, online payments and credit card
+donations. To donate, please visit: https://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart was the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ https://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.