path: root/30568.txt

The Project Gutenberg EBook of Kipling Stories and Poems Every Child
Should Know, Book II, by Rudyard Kipling

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org


Title: Kipling Stories and Poems Every Child Should Know, Book II

Author: Rudyard Kipling

Editor: Mary E. Burt
        W. T. Chapin

Release Date: November 30, 2009 [EBook #30568]

Language: English

Character set encoding: ASCII

*** START OF THIS PROJECT GUTENBERG EBOOK KIPLING STORIES AND POEMS ***




Produced by Sankar Viswanathan, Juliet Sutherland, and the
Online Distributed Proofreading Team at http://www.pgdp.net







                   The Riverside Literature Series


                      Kipling Stories and Poems

                       Every Child Should Know


                               BOOK II


                  _From Rudyard Kipling's The Seven

                      Seas, The Days Work, Etc._



                              EDITED BY

           MARY E. BURT AND W. T. CHAPIN, PH.D. (Princeton)





              BOSTON  NEW YORK   CHICAGO  SAN FRANCISCO

                       HOUGHTON MIFFLIN COMPANY

                    The Riverside Press Cambridge





         COPYRIGHT, 1891, 1893, 1894, 1895, 1896, 1897, 1898,
               1899, 1900, 1901, 1902, 1903, 1907, 1909

                          BY RUDYARD KIPLING


                COPYRIGHT, 1891, BY WOLCOTT BALESTIER

         COPYRIGHT, 1892, 1893, 1895, BY MACMILLAN & COMPANY

           COPYRIGHT, 1893, 1905, BY D. APPLETON & COMPANY

      COPYRIGHT, 1893, 1894, 1897, 1898, BY THE CENTURY COMPANY

                COPYRIGHT, 1894, BY HARPER & BROTHERS

          COPYRIGHT, 1900, BY THE CURTIS PUBLISHING COMPANY


                        PUBLISHED, APRIL, 1909


                         The Riverside Press

                      CAMBRIDGE . MASSACHUSETTS

       *       *       *       *       *




CONTENTS


                                                 PAGE

Biographical Sketch--Charles Eliot Norton         vii


PART IV

(_Continued from Book I, Riverside Literature
    Series, No. 257_)

IV.   Baa, Baa, Black Sheep (from "Under
        the Deodars," etc.)                       143

V.    Wee Willie Winkie (from "Under the
        Deodars," etc.)                           188

VI.   The Dove of Dacca (from "Departmental
        Ditties and Ballads and Barrack-room
        Ballads")                                 205

VII.  The Smoke upon Your Altar Dies
        (from "Departmental Ditties and
        Ballads and Barrack-room Ballads")        207

VIII. Recessional (from "The Five Nations")       208

IX.   L'Envoi (from "The Seven Seas")             210


PART V

I.    The Sing-Song of Old Man Kangaroo
        (from "Just So Stories")                  213

II.   Fuzzy Wuzzy  (from "Departmental
        Ditties and Ballads and Barrack-room
        Ballads")                                 222

III.  The English Flag (from "Departmental
      Ditties and Ballads and
      Barrack-room Ballads")                      225

IV.   The King (from "The Seven Seas")            231

V.    To the Unknown Goddess (from "Departmental
        Ditties and Ballads and
        Barrack-room Ballads")                    234

VI.   The Galley Slave (from "Departmental
        Ditties and Ballads and
        Barrack-room Ballads")                    235

VII.  The Ship That Found Herself (from
        "The Day's Work")                         238


PART VI

I.    A Trip Across a Continent (from
        "Captains Courageous")                    267

II.   The Children of the Zodiac (from
        "Many Inventions")                        274

III.  The Bridge Builders (from "The
        Day's Work")                              299

IV.   The Miracles (from "The Seven Seas")        351

V.    Our Lady of the Snows (from "The
        Five Nations")                            353

VI.   The Song of the Women (from "The
        Naulahka")                                356

VII.  The White Man's Burden (from "The
        Five Nations")                            359

       *       *       *       *       *




ILLUSTRATIONS BY RUDYARD KIPLING


Initial for "The Sing-Song of Old Man Kangaroo"   213

A picture of Old Man Kangaroo when he was
the Different Animal with four short legs         215

Old Man Kangaroo at five in the afternoon,
when he had got his beautiful hind legs
just as Big God Nqong had promised                217

       *       *       *       *       *




A BIOGRAPHICAL SKETCH

BY CHARLES ELIOT NORTON


The deep and widespread interest which the writings of Mr. Rudyard
Kipling have excited has naturally led to curiosity concerning their
author and to a desire to know the conditions of his life. Much has
been written about him which has had little or no foundation in truth.
It seems, then, worth while, in order to prevent false or mistaken
reports from being accepted as trustworthy, and in order to provide
for the public such information concerning Mr. Kipling as it has a
right to possess, that a correct and authoritative statement of the
chief events in his life should be given to it. This is the object of
the following brief narrative.

       *       *       *       *       *

Rudyard Kipling was born at Bombay on the 30th of December, 1865. His
mother, Alice, daughter of the Rev. G. B. Macdonald, a Wesleyan
preacher, eminent in that denomination, and his father, John Lockwood
Kipling, the son also of a Wesleyan preacher, were both of Yorkshire
birth. They had been married in London early in the year, and they
named their first-born child after the pretty lake in Staffordshire
on the borders of which their acquaintance had begun. Mr. Lockwood
Kipling, after leaving school, had served his apprenticeship in one of
the famous Staffordshire potteries at Burslem, had afterward worked in
the studio of the sculptor, Mr. Birnie Philip, and from 1861 to 1865
had been engaged on the decorations of the South Kensington Museum.
During our American war and in the years immediately following, the
trade of Bombay was exceedingly flourishing, the city was immensely
prosperous, a spirit of inflation possessed the Government and the
people alike, there were great designs for the improvement and
rebuilding of large portions of the town, and a need was felt for
artistic oversight and direction of the works in hand and
contemplated. The distinction which Mr. Lockwood Kipling had already
won by his native ability and thorough training led to his being
appointed in 1865 to go to Bombay as the professor of Architectural
Sculpture in the British School of Art which had been established
there.

It was thus that Rudyard Kipling came to be born in the most
cosmopolitan city of the Eastern world, and it was there and in its
neighbourhood that the first three years of the boy's life were spent,
years in which every child receives ineffaceable impressions, shaping
his conceptions of the world, and in which a child of peculiarly
sensitive nature and active disposition, such as this boy possessed,
lies open to myriad influences that quicken and give colour to the
imagination.

In the spring of 1868 he was taken by his mother for a visit to
England, and there, in the same year, his sister was born. In the next
year his mother returned to India with both her children, and the
boy's next two years were spent at and near Bombay.

He was a friendly and receptive child, eager, interested in all the
various entertaining aspects of life in a city which, "gleaning all
races from all lands," presents more diversified and picturesque
varieties of human condition than any other, East or West. A little
incident which his mother remembers is not without a pretty allegoric
significance. It was at Nasik, on the Dekhan plain, not far from
Bombay: the little fellow trudging over the ploughed field, with his
hand in that of the native husbandman, called back to her in the
Hindustani, which was as familiar to him as English, "Good-bye, this
is my brother."

In 1871 Mr. and Mrs. Kipling went with their children to England, and
being compelled to return to India the next year, they took up the
sorrow common to Anglo-Indian lives, in leaving their children "at
home," in charge of friends at Southsea, near Portsmouth. It was a
hard and sad experience for the boy. The originality of his nature and
the independence of his spirit had already become clearly manifest,
and were likely to render him unintelligible and perplexing to
whosoever might have charge of him unless they were gifted with
unusual perceptions and quick sympathies. Happily his mother's sister,
Mrs. (now Lady) Burne-Jones, was near at hand, in case of need, to
care for him.

In the spring of 1877 Mrs. Kipling came to England to see her
children, and was followed the next year by her husband. The children
were removed from Southsea, and Rudyard, grown into a companionable,
active-minded, interesting boy, now in his thirteenth year, had the
delight of spending some weeks in Paris, with his father, attracted
thither by the exhibition of that year. His eyesight had been for some
time a source of trouble to him, and the relief was great from
glasses, which were specially fitted to his eyes, and with which he
has never since been able to dispense.

On the return of his parents to India, early in 1878, Rudyard was
placed at the school of Westward Ho, at Bideford, in Devon. This
school was one chiefly intended for the sons of members of the Indian
services, most of whom were looking forward to following their
fathers' careers as servants of the Crown. It was in charge of an
admirable head-master, Mr. Cormell Price, whose character was such
that he won the affection of his boys no less than their respect. The
young Kipling was not an easy boy to manage. He chose his own way. His
talents were such that he might have held a place near the highest in
his studies, but he was content to let others surpass him in lessons,
while he yielded to his genius in devoting himself to original
composition and to much reading in books of his own choice. He became
the editor of the school paper, he contributed to the columns of the
local Bideford _Journal_, he wrote a quantity of verse, and was
venturesome enough to send a copy of verses to a London journal,
which, to his infinite satisfaction, was accepted and published. Some
of his verses were afterward collected in a little volume, privately
printed by his parents at Lahore, with the title "Schoolboy Lyrics."
All through his time at school his letters to his parents in India
were such as to make it clear to them that his future lay in the field
of literature.

His literary gifts came to him by inheritance from both the father and
mother, and they were nurtured and cultivated in the circle of
relatives and family friends with whom his holidays were spent. A
sub-master at Westward Ho, though little satisfied with the boy's
progress in the studies of the school, gave to him the liberty of his
own excellent library. The holidays were spent at the Grange, in South
Kensington, the home of his aunt and uncle, Mr. and Mrs. Burne-Jones,
and here he came under the happiest possible domestic influences, and
was brought into contact with men of highest quality, whose lives were
given to letters and the arts, especially with William Morris, the
closest intimate of the household of the Grange. Other homes were open
to him where the pervading influence was that of intellectual
pursuits, and where he had access to libraries through which he was
allowed to wander and to browse at his will. The good which came to
him, directly and indirectly, from these opportunities can hardly be
overstated. To know, to love, and to be loved by such a man as
Burne-Jones was a supreme blessing in his life.

In the autumn of 1882, having finished his course at school, a
position was secured for him on the _Civil and Military Gazette_,
Lahore, and he returned to his parents in India, who had meanwhile
removed from Bombay to Lahore, where his father was at the head of the
most important school of the arts in India. The _Civil and Military
Gazette_ is the chief journal of northwestern India, owned and
conducted by the managers and owners of the Allahabad _Pioneer_, the
ablest and most influential of all Indian newspapers published in the
interior of the country.

For five years he worked hard and steadily on the _Gazette_. Much of
the work was simple drudgery. He shirked nothing. The editor-in-chief
was a somewhat grim man, who believed in snubbing his subordinates,
and who, though he recognized the talents of the "clever pup," as he
called him, and allowed him a pretty free hand in his contributions to
the paper, yet was inclined to exact from him the full tale of the
heavy routine work of a newspaper office.

But these were happy years. For the youth was feeling the spring of
his own powers, was full of interest in life, was laying up stores of
observation and experience, and found in his own home not only
domestic happiness, but a sympathy in taste and a variety of talent
and accomplishment which acted as a continual stimulus to his own
genius. Father, mother, sister, and brother all played and worked
together with rare combination of sympathetic gifts. In 1885 some of
the verses with the writing of which he and his sister had amused
themselves were published at Lahore, in a little volume entitled
"Echoes," because most of them were lively parodies on some of the
poems of the popular poets of the day. The little book had its moment
of narrowly limited success and opened the way for the wider notoriety
and success of a volume into which were gathered the "Departmental
Ditties" that had appeared from time to time in the _Gazette_. Many of
the stories also which were afterward collected under the now familiar
title of "Plain Tales from the Hills" made their first appearance in
the _Gazette_, and attracted wide attention in the Anglo-Indian
community.

Kipling's work for five years at Lahore had indeed been of such
quality that it was not surprising that he was called down to
Allahabad, in 1887, to take a place upon the editorial staff of the
_Pioneer_. The training of an Anglo-Indian journalist is peculiar. He
has to master knowledge of many kinds, to become thoroughly acquainted
with the affairs of the English administration and the conditions of
Anglo-Indian life, and at the same time with the interests, the modes
of life, and thought of the vast underlying native population. The
higher positions in Indian journalism are places of genuine importance
and of large emolument, worthy objects of ambition for a young man
conscious of literary faculty and inspired with zeal for public ends.

The _Pioneer_ issued a weekly as well as a daily edition, and in
addition to his regular work upon the daily paper, Kipling continued
to write for the weekly issue stories similar to those which had
already won him reputation, and they now attracted wider attention
than ever. His home at Allahabad was with Professor Hill, a man of
science attached to the Allahabad College. But the continuity of his
life was broken by various journeys undertaken in the interest of the
paper--one through Rajputana, from which he wrote a series of
descriptive letters, called "Letters of Marque"; another to Calcutta
and through Bengal, which resulted in "The City of Dreadful Night" and
other letters describing the little-known conditions of the vast
presidency; and, finally, in 1889, he was sent off by the _Pioneer_ on
a tour round the world, on which he was accompanied by his friends,
Professor and Mrs. Hill. Going first to Japan, he thence came to
America, writing on the way and in America the letters which appeared
in the _Pioneer_ under the title of "From Sea to Sea"; and in
September, 1889, he arrived in London.

His Indian repute had not preceded him to such degree as to make the
way easy for him through the London crowd. But after a somewhat dreary
winter, during which he had been making acquaintances and had found
irregular employment upon newspapers and magazines, arrangements were
made with Messrs. Macmillan & Co. for the publication of an edition of
"Plain Tales from the Hills." The book appeared in June. Its success
was immediate. It was republished at once in America, and was welcomed
as warmly on this side of the Atlantic as on the other. The reprint of
Kipling's other Indian stories and of his "Departmental Ditties"
speedily followed, together with the new tales and poems which showed
the wide range of his creative genius. Each volume was a fresh
success; each extended the circle of Mr. Kipling's readers, till now
he is the most widely known of English authors.

In 1891 Mr. Kipling left England for a long voyage to South Africa,
Australia, New Zealand, and Ceylon, and thence to visit his parents at
Lahore. On his return to England, he was married in London to Miss
Balestier, daughter of the late Mr. Wolcott Balestier of New York.
Shortly after their marriage, Mr. and Mrs. Kipling visited Japan, and
in August they came to America. They established their home at
Brattleboro, Vermont, where Mrs. Kipling's family had a large estate:
and here, in a pleasant and beautifully situated house which they had
built for themselves, their two eldest children were born, and here
they continued to live till September, 1896.

During these four years Mr. Kipling made three brief visits to England
to see his parents, who had left India and were now settled in the old
country.

The winter of 1897-98 was spent by Mr. Kipling and his family,
accompanied by his father, in South Africa. He was everywhere received
with the utmost cordiality and friendliness.

Returning to England in the spring of 1898, he took a house at
Rottingdean, near Brighton, with intention to make it his permanent
home.

Of the later incidents of his life there is no need to speak.




IV

BAA, BAA, BLACK SHEEP

     At the School Council Baa, Baa, Black Sheep was elected to a
     very high position among the Kipling Stories "because it
     shows how mean they were to a boy and he did n't need it."

    Baa, Baa, Black Sheep,
    Have you any wool?
    Yes, Sir; yes, Sir; three bags full.
    One for the Master, one for the Dame--
    None for the Little Boy that cries down the lane.

                                         --_Nursery Rhyme._


THE FIRST BAG

     "When I was in my father's house, I was in a better place."


They were putting Punch to bed--the ayah and the hamal, and Meeta, the
big Surti boy with the red and gold turban. Judy, already tucked
inside her mosquito-curtains, was nearly asleep. Punch had been
allowed to stay up for dinner. Many privileges had been accorded to
Punch within the last ten days, and a greater kindness from the people
of his world had encompassed his ways and works, which were mostly
obstreperous. He sat on the edge of his bed and swung his bare legs
defiantly.

"Punch-baba going to bye-lo?" said the ayah suggestively.

"No," said Punch. "Punch-baba wants the story about the Ranee that was
turned into a tiger. Meeta must tell it, and the hamal shall hide
behind the door and make tiger-noises at the proper time."

"But Judy-Baba will wake up," said the ayah.

"Judy-baba is waking," piped a small voice from the mosquito-curtains.
"There was a Ranee that lived at Delhi. Go on, Meeta," and she fell
asleep again while Meeta began the story.

Never had Punch secured the telling of that tale with so little
opposition. He reflected for a long time. The hamal made the
tiger-noises in twenty different keys.

"'Top!" said Punch authoritatively. "Why does n't Papa come in and say
he is going to give me put-put?"

"Punch-baba is going away," said the ayah. "In another week there will
be no Punch-baba to pull my hair any more." She sighed softly, for the
boy of the household was very dear to her heart.

"Up the Ghauts in a train?" said Punch, standing on his bed. "All the
way to Nassick, where the Ranee-Tiger lives?"

"Not to Nassick this year, little Sahib," said Meeta, lifting him on
his shoulder. "Down to the sea where the cocoanuts are thrown, and
across the sea in a big ship. Will you take Meeta with you to
Belait?"

"You shall all come," said Punch, from the height of Meeta's strong
arms. "Meeta and the ayah and the hamal and Bhini-in-the-Garden, and
the salaam-Captain-Sahib-snake-man."

There was no mockery in Meeta's voice when he replied--"Great is the
Sahib's favour," and laid the little man down in the bed, while the
ayah, sitting in the moonlight at the doorway, lulled him to sleep
with an interminable canticle such as they sing in the Roman Catholic
Church at Parel. Punch curled himself into a ball and slept.

Next morning Judy shouted that there was a rat in the nursery, and
thus he forgot to tell her the wonderful news. It did not much matter,
for Judy was only three and she would not have understood. But Punch
was five; and he knew that going to England would be much nicer than a
trip to Nassick.

       *       *       *       *       *

And Papa and Mamma sold the brougham and the piano, and stripped the
house, and curtailed the allowance of crockery for the daily meals,
and took long council together over a bundle of letters bearing the
Rocklington postmark.

"The worst of it is that one can't be certain of anything," said Papa,
pulling his moustache. "The letters in themselves are excellent, and
the terms are moderate enough."

"The worst of it is that the children will grow up away from me,"
thought Mamma; but she did not say it aloud.

"We are only one case among hundreds," said Papa bitterly. "You shall
go Home again in five years, dear."

"Punch will be ten then--and Judy eight. Oh, how long and long and
long the time will be! And we have to leave them among strangers."

"Punch is a cheery little chap. He's sure to make friends wherever he
goes."

"And who could help loving my Ju?"

They were standing over the cots in the nursery late at night, and I
think that Mamma was crying softly. After Papa had gone away, she
knelt down by the side of Judy's cot. The ayah saw her and put up a
prayer that the memsahib might never find the love of her children
taken away from her and given to a stranger.

Mamma's own prayer was a slightly illogical one. Summarized it ran:
"Let strangers love my children and be as good to them as I should be,
but let me preserve their love and their confidence for ever and ever.
Amen." Punch scratched himself in his sleep, and Judy moaned a little.
That seems to be the only answer to the prayer: and, next day, they
all went down to the sea, and there was a scene at the Apollo Bunder
when Punch discovered that Meeta could not come too, and Judy learned
that the ayah must be left behind. But Punch found a thousand
fascinating things in the rope, block, and steam-pipe line on the big
P. and O. Steamer, long before Meeta and the ayah had dried their
tears.

"Come back, Punch-baba," said the ayah.

"Come back," said Meeta, "and be a Burra Sahib."

"Yes," said Punch, lifted up in his father's arms to wave good-bye.
"Yes, I will come back, and I will be a Burra Sahib Bahadur!"

At the end of the first day Punch demanded to be set down in England,
which he was certain must be close at hand. Next day there was a merry
breeze, and Punch was very sick. "When I come back to Bombay," said
Punch on his recovery, "I will come by the road--in a broom-gharri.
This is a very naughty ship."

The Swedish boatswain consoled him, and he modified his opinions as
the voyage went on. There was so much to see and to handle and ask
questions about that Punch nearly forgot the ayah and Meeta and the
hamal, and with difficulty remembered a few words of the Hindustani
once his second-speech.

But Judy was much worse. The day before the steamer reached
Southampton, Mamma asked her if she would not like to see the ayah
again. Judy's blue eyes turned to the stretch of sea that had
swallowed all her tiny past, and she said: "Ayah! What ayah?"

Mamma cried over her, and Punch marveled. It was then that he heard
for the first time Mamma's passionate appeal to him never to let Judy
forget Mamma. Seeing that Judy was young, ridiculously young, and that
Mamma, every evening for four weeks past, had come into the cabin to
sing her and Punch to sleep with a mysterious tune that he called
"Sonny, my soul," Punch could not understand what Mamma meant. But he
strove to do his duty, for the moment Mamma left the cabin, he said to
Judy: "Ju, you bemember Mamma?"

"'Torse I do," said Judy.

"Then always bemember Mamma, 'r else I won't give you the paper ducks
that the red-haired Captain Sahib cut out for me."

So Judy promised always to "bemember Mamma."

Many and many a time was Mamma's command laid upon Punch, and Papa
would say the same thing with an insistence that awed the child.

"You must make haste and learn to write, Punch," said Papa, "and then
you'll be able to write letters to us in Bombay."

"I'll come into your room," said Punch, and Papa choked.

Papa and Mamma were always choking in those days. If Punch took Judy
to task for not "bemembering," they choked. If Punch sprawled on the
sofa in the Southampton lodging-house and sketched his future in
purple and gold, they choked; and so they did if Judy put up her mouth
for a kiss.

Through many days all four were vagabonds on the face of the earth:
Punch with no one to give orders to, Judy too young for anything, and
Papa and Mamma grave, distracted, and choking.

"Where," demanded Punch, wearied of a loathsome contrivance on four
wheels with a mound of luggage atop--"where is our broom-gharri? This
thing talks so much that I can't talk. Where is our own broom-gharri?
When I was at Bandstand before we comed away, I asked Inverarity Sahib
why he was sitting in it, and he said it was his own. And I said, 'I
will give it you'--I like Inverarity Sahib--and I said, 'Can you put
your legs through the pully-wag loops by the windows? And Inverarity
Sahib said No, and laughed. I can put my legs through the pully-wag
loops. I can put my legs through these pully-wag loops. Look! Oh,
Mamma's crying again! I did n't know. I was n't not to do so."

Punch drew his legs out of the loops of the four-wheeler: the door
opened and he slid to the earth, in a cascade of parcels, at the door
of an austere little villa whose gates bore the legend "Downe Lodge."
Punch gathered himself together and eyed the house with disfavour. It
stood on a sandy road, and a cold wind tickled his knickerbockered
legs.

"Let us go away," said Punch. "This is not a pretty place."

But Mamma and Papa and Judy had quitted the cab, and all the luggage
was being taken into the house. At the door-step stood a woman in
black, and she smiled largely, with dry chapped lips. Behind her was a
man, big, bony, gray, and lame as to one leg--behind him a boy of
twelve, black-haired and oily in appearance. Punch surveyed the trio,
and advanced without fear, as he had been accustomed to do in Bombay
when callers came and he happened to be playing in the veranda.

"How do you do?" said he. "I am Punch." But they were all looking at
the luggage--all except the gray man, who shook hands with Punch and
said he was a "smart little fellow." There was much running about and
banging of boxes, and Punch curled himself up on the sofa in the
dining-room and considered things.

"I don't like these people," said Punch. "But never mind. We'll go
away soon. We have always went away soon from everywhere. I wish we
was gone back to Bombay soon."

The wish bore no fruit. For six days Mamma wept at intervals, and
showed the woman in black all Punch's clothes--a liberty which Punch
resented. "But p'raps she's a new white ayah," he thought. "I'm to
call her Antirosa, but she does n't call me Sahib. She says just
Punch," he confided to Judy. "What is Antirosa?"

Judy did n't know. Neither she nor Punch had heard anything of an
animal called an aunt. Their world had been Papa and Mamma, who knew
everything, permitted everything, and loved everybody--even Punch when
he used to go into the garden at Bombay and fill his nails with mold
after the weekly nail-cutting, because, as he explained between two
strokes of the slipper to his sorely tried Father, his fingers "felt
so new at the ends."

In an undefined way Punch judged it advisable to keep both parents
between himself and the woman in black and the boy in black hair. He
did not approve of them. He liked the gray man, who had expressed a
wish to be called "Uncleharri." They nodded at each other when they
met, and the gray man showed him a little ship with rigging that took
up and down.

"She is a model of the _Brisk_--the little _Brisk_ that was sore
exposed that day at Navarino." The gray man hummed the last words and
fell into a reverie. "I'll tell you about Navarino, Punch, when we go
for walks together; and you must n't touch the ship, because she's the
_Brisk_."

Long before that walk, the first of many, was taken, they roused Punch
and Judy in the chill dawn of a February morning to say Good-bye; and
of all people in the wide earth to Papa and Mamma--both crying this
time. Punch was very sleepy and Judy was cross.

"Don't forget us," pleaded Mamma. "Oh, my little son, don't forget us,
and see that Judy remembers too."

"I've told Judy to bemember," said Punch, wiggling, for his father's
beard tickled his neck. "I've told Judy--ten--forty--'leven thousand
times. But Ju 's so young--quite a baby--is n't she?"

"Yes," said Papa, "Quite a baby, and you must be good to Judy, and
make haste to learn to write and--and--and----"

Punch was back in his bed again. Judy was fast asleep, and there was
the rattle of a cab below. Papa and Mamma had gone away. Not to
Nassick; that was across the sea. To some place much nearer, of
course, and equally of course they would return. They came back after
dinner-parties, and Papa had come back after he had been to a place
called "The Snows," and Mamma with him, to Punch and Judy at Mrs.
Inverarity's house in Marine Lines. Assuredly they would come back
again. So Punch fell asleep till the true morning, when the
black-haired boy met him with the information that Papa and Mamma had
gone to Bombay, and that he and Judy were to stay at Downe Lodge
"forever." Antirosa, tearfully appealed to for a contradiction, said
that Harry had spoken the truth, and that it behooved Punch to fold up
his clothes neatly on going to bed. Punch went out and wept bitterly
with Judy, into whose fair head he had driven some ideas of the
meaning of separation.

When a matured man discovers that he has been deserted by Providence,
deprived of his God, and cast without help, comfort, or sympathy, upon
a world which is new and strange to him, his despair, which may find
expression in evil-living, the writing of his experiences, or the more
satisfactory diversion of suicide, is generally supposed to be
impressive. A child, under exactly similar circumstances as far as its
knowledge goes, cannot very well curse God and die. It howls till its
nose is red, its eyes are sore, and its head aches. Punch and Judy,
through no fault of their own, had lost all their world. They sat in
the hall and cried; the black-haired boy looking on from afar.

The model of the ship availed nothing, though the gray man assured
Punch that he might pull the rigging up and down as much as he
pleased; and Judy was promised free entry into the kitchen. They
wanted Papa and Mamma, gone to Bombay beyond the seas, and their grief
while it lasted was without remedy.

When the tears ceased the house was very still. Antirosa had decided
it was better to let the children "have their cry out," and the boy
had gone to school. Punch raised his head from the floor and sniffed
mournfully. Judy was nearly asleep. Three short years had not taught
her how to bear sorrow with full knowledge. There was a distant, dull
boom in the air--a repeated heavy thud. Punch knew that sound in
Bombay in the Monsoon. It was the sea--the sea that must be traversed
before anyone could get to Bombay.

"Quick, Ju!" he cried, "we're close to the sea. I can hear it! Listen!
That's where they've went. P'raps we can catch them if we was in time.
They did n't mean to go without us. They've only forgot."

"Iss," said Judy. "They've only forgotted. Less go to the sea."

The hall-door was open and so was the garden-gate.

"It's very, very big, this place," he said, looking cautiously down
the road, "and we will get lost; but I will find a man and order him
to take me back to my house--like I did in Bombay."

He took Judy by the hand, and the two fled hatless in the direction of
the sound of the sea. Downe Villa was almost the last of a range of
newly built houses running out, through a chaos of brick-mounds, to a
heath where gypsies occasionally camped and where the Garrison
Artillery of Rocklington practised. There were few people to be seen,
and the children might have been taken for those of the soldiery, who
ranged far. Half an hour the wearied little legs tramped across
heath, potato-field, and sand-dune.

"I'se so tired," said Judy, "and Mamma will be angry."

"Mamma's never angry. I suppose she is waiting at the sea now while
Papa gets tickets. We'll find them and go along with them. Ju, you
must n't sit down. Only a little more and we'll come to the sea. Ju,
if you sit down I'll thmack you!" said Punch.

They climbed another dune, and came upon the great gray sea at low
tide. Hundreds of crabs were scuttling about the beach, but there was
no trace of Papa and Mamma not even of a ship upon the waters--nothing
but sand and mud for miles and miles.

And "Uncleharri" found them by chance--very muddy and very
forlorn--Punch dissolved in tears, but trying to divert Judy with an
"ickle trab," and Judy wailing to the pitiless horizon for "Mamma,
Mamma!"--and again "Mamma!"


THE SECOND BAG

    Ah, well-a-day, for we are souls bereaved!
    Of all the creatures under Heaven's wide scope
    We are most hopeless, who had once most hope,
    And most beliefless, who had most believed.

                          --_The City of Dreadful Night._


All this time not a word about Black Sheep. He came later, and Harry,
the black-haired boy, was mainly responsible for his coming.
Judy--who could help loving little Judy?--passed, by special permit,
into the kitchen and thence straight to Aunty Rosa's heart. Harry was
Aunty Rosa's one child, and Punch was the extra boy about the house.
There was no special place for him or his little affairs, and he was
forbidden to sprawl on sofas and explain his ideas about the
manufacture of this world and his hopes for his future. Sprawling was
lazy and wore out sofas, and little boys were not expected to talk.
They were talked to, and the talking to was intended for the benefit
of their morals. As the unquestioned despot of the house at Bombay,
Punch could not quite understand how he came to be of no account in
this new life.

Harry might reach across the table and take what he wanted; Judy might
point and get what she wanted. Punch was forbidden to do either. The
gray man was his great hope and stand-by for many months after Mamma
and Papa left, and he had forgotten to tell Judy to "bemember Mamma."

This lapse was excusable, because in the interval he had been
introduced by Aunty Rosa to two very impressive things--an abstraction
called God, the intimate friend and ally of Aunty Rosa, generally
believed to live behind the kitchen-range because it was hot
there--and a dirty brown book filled with unintelligible dots and
marks. Punch was always anxious to oblige everybody. He, therefore,
welded the story of the Creation on to what he could recollect of his
Indian fairy tales, and scandalized Aunty Rosa by repeating the result
to Judy. It was a sin, a grievous sin, and Punch was talked to for a
quarter of an hour. He could not understand where the iniquity came
in, but was careful not to repeat the offence, because Aunty Rosa told
him that God had heard every word he had said and was very angry. If
this were true why did n't God come and say so, thought Punch, and
dismissed the matter from his mind. Afterward he learned to know the
Lord as the only thing in the world more awful than Aunty Rosa--as a
Creature that stood in the background and counted the strokes of the
cane.

But the reading was, just then, a much more serious matter than any
creed. Aunty Rosa sat him upon a table and told him that A B meant ab.

"Why?" said Punch. "A is a and B is bee. Why does A B mean ab?"

"Because I tell you it does," said Aunty Rosa "and you've got to say
it."

Punch said it accordingly, and for a month, hugely against his will,
stumbled through the brown book, not in the least comprehending what
it meant. But Uncle Harry, who walked much and generally alone, was
wont to come into the nursery and suggest to Aunty Rosa that Punch
should walk with him. He seldom spoke, but he showed Punch all
Rocklington, from the mud-banks and the sand of the back-bay to the
great harbours where ships lay at anchor, and the dockyards where the
hammers were never still, and the marine-store shops, and the shiny
brass counters in the Offices where Uncle Harry went once every three
months with a slip of blue paper and received sovereigns in exchange;
for he held a wound-pension. Punch heard, too, from his lips the story
of the battle of Navarino, where the sailors of the Fleet, for three
days afterward, were deaf as posts and could only sign to each other.
"That was because of the noise of the guns," said Uncle Harry, "and I
have got the wadding of a bullet somewhere inside me now."

Punch regarded him with curiosity. He had not the least idea what
wadding was, and his notion of a bullet was a dockyard cannon-ball
bigger than his own head. How could Uncle Harry keep a cannon-ball
inside him? He was ashamed to ask, for fear Uncle Harry might be
angry.

Punch had never known what anger--real anger--meant until one terrible
day when Harry had taken his paint-box to paint a boat with, and Punch
had protested with a loud and lamentable voice. Then Uncle Harry had
appeared on the scene and, muttering something about "strangers'
children," had with a stick smitten the black-haired boy across the
shoulders till he wept and yelled, and Aunty Rosa came in and abused
Uncle Harry for cruelty to his own flesh and blood, and Punch
shuddered to the tips of his shoes. "It was n't my fault," he
explained to the boy, but both Harry and Aunty Rosa said that it was,
and that Punch had told tales, and for a week there were no more walks
with Uncle Harry.

But that week brought a great joy to Punch.

He had repeated till he was thrice weary the statement that "the Cat
lay on the Mat and the Rat came in."

"Now I can truly read," said Punch, "and now I will never read
anything in the world."

He put the brown book in the cupboard where his schoolbooks lived and
accidentally tumbled out a venerable volume, without covers, labelled
_Sharpe's Magazine_. There was the most portentous picture of a
Griffin on the first page, with verses below. The Griffin carried off
one sheep a day from a German village, till a man came with a
"falchion" and split the Griffin open. Goodness only knew what a
falchion was, but there was the Griffin, and his history was an
improvement upon the eternal Cat.

"This," said Punch, "means things, and now I will know all about
everything in all the world." He read till the light failed, not
understanding a tithe of the meaning, but tantalized by glimpses of
new worlds hereafter to be revealed.

"What is a 'falchion'? What is a 'e-wee lamb'? What is a 'base
ussurper'? What is a 'verdant me-ad'? he demanded, with flushed
cheeks, at bedtime, of the astonished Aunt Rosa.

"Say your prayers and go to sleep," she replied, and that was all the
help Punch then or afterward found at her hands in the new and
delightful exercise of reading.

"Aunt Rosa only knows about God and things like that," argued Punch.
"Uncle Harry will tell me."

The next walk proved that Uncle Harry could not help either; but he
allowed Punch to talk, and even sat down on a bench to hear about the
Griffin. Other walks brought other stories as Punch ranged farther
afield, for the house held large store of old books that no one ever
opened--from Frank Fairlegh in serial numbers, and the earlier poems
of Tennyson, contributed anonymously to _Sharpe's Magazine_, to '62
Exhibition Catalogues, gay with colours and delightfully
incomprehensible, and odd leaves of "Gulliver's Travels."

As soon as Punch could string a few pot-hooks together, he wrote to
Bombay, demanding by return of post "all the books in all the world."
Papa could not comply with this modest indent, but sent "Grimm's Fairy
Tales" and a "Hans Andersen." That was enough. If he were only left
alone Punch could pass, at any hour he chose, into a land of his own,
beyond reach of Aunty Rosa and her God, Harry and his teasements, and
Judy's claims to be played with.

"Don't disturb me, I'm reading. Go and play in the kitchen," grunted
Punch. "Aunty Rosa lets you go there." Judy was cutting her second
teeth and was fretful. She appealed to Aunty Rosa, who descended on
Punch.

"I was reading," he explained, "reading a book. I want to read."

"You're only doing that to show off," said Aunty Rosa. "But we'll see.
Play with Judy now, and don't open a book for a week."

Judy did not pass a very enjoyable playtime with Punch, who was
consumed with indignation. There was a pettiness at the bottom of the
prohibition which puzzled him.

"It's what I like to do," he said, "and she's found out that and
stopped me. Don't cry, Ju--it was n't your fault--please don't cry, or
she'll say I made you."

Ju loyally mopped up her tears, and the two played in their nursery, a
room in the basement and half underground, to which they were
regularly sent after the midday dinner while Aunty Rosa slept. She
drank wine--that is to say, something from a bottle in the
cellaret--for her stomach's sake, but if she did not fall asleep she
would sometimes come into the nursery to see that the children were
really playing. Now bricks, wooden hoops, ninepins, and chinaware
cannot amuse forever, especially when all Fairyland is to be won by
the mere opening of a book, and, as often as not, Punch would be
discovered reading to Judy or tell her interminable tales. That was an
offence in the eyes of the law, and Judy would be whisked off by Aunty
Rosa, while Punch was left to play alone, "and be sure that I hear you
doing it."

It was not a cheering employ, for he had to make a playful noise. At
last, with infinite craft, he devised an arrangement whereby the table
could be supported as to three legs on toy bricks, leaving the fourth
clear to bring down on the floor. He could work the table with one
hand and hold a book with the other. This he did till an evil day when
Aunty Rosa pounced upon him unawares and told him that he was "acting
a lie."

"If you're old enough to do that," she said--her temper was always
worst after dinner--"you're old enough to be beaten."

"But--I'm--I'm not a animal!" said Punch, aghast. He remembered Uncle
Harry and the stick, and turned white. Aunty Rosa had hidden a light
cane behind her, and Punch was beaten then and there over the
shoulders. It was a revelation to him. The room door was shut, and he
was left to weep himself into repentance and work out his own Gospel
of Life.

Aunty Rosa, he argued, had the power to beat him with many stripes. It
was unjust and cruel and Mamma and Papa would never have allowed it.
Unless perhaps, as Aunty Rosa seemed to imply, they had sent secret
orders. In which case he was abandoned indeed. It would be discreet in
the future to propitiate Aunty Rosa, but, then, again, even in matters
in which he was innocent, he had been accused of wishing to "show
off." He had "shown off" before visitors when he had attacked a
strange gentleman--Harry's uncle, not his own--with requests for
information about the Griffin and the falchion, and the precise nature
of the Tilbury in which Frank Fairlegh rode--all points of paramount
interest which he was bursting to understand. Clearly it would not do
to pretend to care for Aunty Rosa.

At this point Harry entered and stood afar off, eying Punch, a
disheveled heap in the corner of the room, with disgust.

"You're a liar--a young liar," said Harry, with great unction, "and
you're to have tea down here because you're not fit to speak to us.
And you're not to speak to Judy again till Mother gives you leave.
You'll corrupt her. You're only fit to associate with the servant.
Mother says so."

Having reduced Punch to a second agony of tears Harry departed
upstairs with the news that Punch was still rebellious.

Uncle Harry sat uneasily in the dining-room. "D---- it all, Rosa,"
said he at last, "can't you leave the child alone? He's a good enough
little chap when I meet him."

"He puts on his best manners with you, Henry," said Aunty Rosa, "but
I'm afraid, I'm very much afraid, that he is the Black Sheep of the
family."

Harry heard and stored up the name for future use. Judy cried till she
was bidden to stop, her brother not being worth tears; and the evening
concluded with the return of Punch to the upper regions and a private
sitting at which all the blinding horrors of Hell were revealed to
Punch with such store of imagery as Aunty Rosa's narrow mind
possessed.

Most grievous of all was Judy's round-eyed reproach, and Punch went to
bed in the depths of the Valley of Humiliation. He shared his room
with Harry and knew the torture in store. For an hour and a half he
had to answer that young gentleman's question as to his motives for
telling a lie, and a grievous lie, the precise quantity of punishment
inflicted by Aunty Rosa, and had also to profess his deep gratitude
for such religious instruction as Harry thought fit to impart.

From that day began the downfall of Punch, now Black Sheep.

"Untrustworthy in one thing, untrustworthy in all," said Aunty Rosa,
and Harry felt that Black Sheep was delivered into his hands. He
would wake him up in the night to ask him why he was such a liar.

"I don't know," Punch would reply.

"Then don't you think you ought to get up and pray to God for a new
heart?"

"Y-yess."

"Get out and pray, then!" And Punch would get out of bed with raging
hate in his heart against all the world, seen and unseen. He was
always tumbling into trouble. Harry had a knack of cross-examining him
as to his day's doings, which seldom failed to lead him, sleepy and
savage, into half a dozen contradictions--all duly reported to Aunty
Rosa next morning.

"But it was n't a lie," Punch would begin, charging into a laboured
explanation that landed him more hopelessly in the mire. "I said that
I did n't say my prayers twice over in the day, and that was on
Tuesday. Once I did, I know I did, but Harry said I did n't," and so
forth, till the tension brought tears, and he was dismissed from the
table in disgrace.

"You use n't to be as bad as this?" said Judy, awe-stricken at the
catalogue of Black Sheep's crimes. "Why are you so bad now?"

"I don't know," Black Sheep would reply. "I'm not, if I only was n't
bothered upside down. I knew what I did, and I want to say so; but
Harry always makes it out different somehow, and Aunty Rosa does n't
believe a word I say. Oh, Ju! don't you say I'm bad too."

"Aunty Rosa says you are," said Judy. "She told the Vicar so when he
came yesterday."

"Why does she tell all the people outside the house about me? It is
n't fair," said Black Sheep. "When I was in Bombay, and was bad--doing
bad, not made-up bad like this--Mamma told Papa, and Papa told me he
knew, and that was all. Outside people did n't know too--even Meeta
did n't know."

"I don't remember," said Judy wistfully. "I was all little then. Mamma
was just as fond of you as she was of me, was n't she?"

"'Course she was. So was Papa. So was everybody."

"Aunty Rosa likes me more than she does you. She says that you are a
Trial and a Black Sheep, and I'm not to speak to you more than I can
help."

"Always? Not outside of the times when you must n't speak to me at
all?"

Judy nodded her head mournfully. Black Sheep turned away in despair,
but Judy's arms were round his neck.

"Never mind, Punch," she whispered. "I will speak to you just the same
as ever and ever. You're my own, own brother though you are--though
Aunty Rosa says you're Bad, and Harry says you're a little coward. He
says that if I pulled your hair hard, you'd cry."

"Pull, then," said Punch.

Judy pulled gingerly.

"Pull harder--as hard as you can! There! I don't mind how much you
pull it now. If you'll speak to me same as ever I'll let you pull it
as much as you like--pull it out if you like. But I know if Harry came
and stood by and made you do it I'd cry."

So the two children sealed the compact with a kiss, and Black Sheep's
heart was cheered within him, and by extreme caution and careful
avoidance of Harry he acquired virtue and was allowed to read
undisturbed for a week. Uncle Harry took him for walks and consoled
him with rough tenderness, never calling him Black Sheep. "It's good
for you, I suppose, Punch," he used to say. "Let us sit down. I'm
getting tired." His steps led him now not to the beach, but to the
Cemetery of Rocklington, amid the potato-fields. For hours the gray
man would sit on a tombstone, while Black Sheep read epitaphs, and
then with a sigh would stump home again.

"I shall lie there soon," said he to Black Sheep; one winter evening,
when his face showed white as a worn silver coin under the lights of
the chapel-lodge. "You need n't tell Aunty Rosa."

A month later, he turned sharp round, ere half a morning walk was
completed, and stumped back to the house. "Put me to bed, Rosa," he
muttered. "I've walked my last. The wadding has found me out."

They put him to bed, and for a fortnight the shadow of his sickness
lay upon the house, and Black Sheep went to and fro unobserved. Papa
had sent him some new books, and he was told to keep quiet. He retired
into his own world, and was perfectly happy. Even at night his
felicity was unbroken. He could lie in bed and string himself tales of
travel and adventure while Harry was downstairs.

"Uncle Harry's going to die," said Judy, who now lived almost entirely
with Aunty Rosa.

"I'm very sorry," said Black Sheep soberly. "He told me that a long
time ago."

Aunty Rosa heard the conversation. "Will nothing check your wicked
tongue?" she said angrily. There were blue circles round her eyes.

Black Sheep retreated to the nursery and read "Cometh up as a Flower"
with deep and uncomprehending interest. He had been forbidden to read
it on account of its "sinfulness," but the bonds of the Universe were
crumbling, and Aunty Rosa was in great grief.

"I'm glad," said Black Sheep. "She 's unhappy now. It was n't a lie,
though. I knew. He told me not to tell."

That night Black Sheep woke with a start. Harry was not in the room,
and there was a sound of sobbing on the next floor. Then the voice of
Uncle Harry, singing the song of the Battle of Navarino, cut through
the darkness:

    "Our vanship was the Asia--
    The Albion and Genoa!"

"He 's getting well," thought Black Sheep, who knew the song through
all its seventeen verses. But the blood froze at his little heart as
he thought. The voice leapt an octave and rang shrill as a boatswain's
pipe:

    "And next came on the lovely Rose,
    The Philomel, her fire-ship, closed,
    And the Little Brisk was sore exposed
    That day at Navarino."

"That day at Navarino, Uncle Harry!" shouted Black Sheep, half wild
with excitement and fear of he knew not what.

A door opened and Aunty Rosa screamed up the staircase: "Hush! For
God's sake hush, you little devil. Uncle Harry is dead!"


THE THIRD BAG

    Journeys end in lovers' meeting,
    Every wise man's son doth know.


"I wonder what will happen to me now," thought Black Sheep, when the
semi-pagan rites peculiar to the burial of the Dead in middle-class
houses had been accomplished, and Aunty Rosa, awful in black crape,
had returned to this life. "I don't think I've done anything bad that
she knows of. I suppose I will soon. She will be very cross after
Uncle Harry's dying, and Harry will be cross too. I 'll keep in the
nursery."

Unfortunately for Punch's plans, it was decided that he should be sent
to a day-school which Harry attended. This meant a morning walk with
Harry, and perhaps an evening one; but the prospect of freedom in the
interval was refreshing. "Harry 'll tell everything I do, but I won't
do anything," said Black Sheep. Fortified with this virtuous
resolution, he went to school only to find that Harry's version of his
character had preceded him, and that life was a burden in consequence.
He took stock of his associates. Some of them were unclean, some of
them talked in dialect, many dropped their h's, and there were two
Jews and a Negro, or someone quite as dark, in the assembly. "That's a
hubshi," said Black Sheep to himself. "Even Meeta used to laugh at a
hubshi. I don't think this is a proper place." He was indignant for at
least an hour, till he reflected that any expostulation on his part
would be by Aunty Rosa construed into "showing off," and that Harry
would tell the boys.

"How do you like school?" said Aunty Rosa at the end of the day.

"I think it is a very nice place," said Punch quietly.

"I suppose you warned the boys of Black Sheep's character?" said Aunty
Rosa to Harry.

"Oh, yes!" said the censor of Black Sheep's morals. "They know all
about him."

"If I was with my father," said Black Sheep, stung to the quick, "I
should n't speak to those boys. He would n't let me. They live in
shops. I saw them go into shops--where their fathers live and sell
things."

"You're too good for that school, are you?" said Aunty Rosa, with a
bitter smile. "You ought to be grateful, Black Sheep, that those boys
speak to you at all. It is n't every school that takes little liars."

Harry did not fail to make much capital out of Black Sheep's
ill-considered remark; with the result that several boys, including
the hubshi, demonstrated to Black Sheep the eternal equality of the
human race by smacking his head, and his consolation from Aunty Rosa
was that it "served him right for being vain." He learned, however, to
keep his opinions to himself, and by propitiating Harry in carrying
books and the like to secure a little peace. His existence was not too
joyful. From nine till twelve he was at school, and from two to four,
except on Saturdays. In the evenings he was sent down into the nursery
to prepare his lessons for the next day, and every night came the
dreaded cross-questionings at Harry's hand. Of Judy he saw but little.
She was deeply religious--at six years of age Religion is easy to come
by--and sorely divided between her natural love for Black Sheep and
her love for Aunty Rosa, who could do no wrong.

The lean woman returned that love with interest, and Judy, when she
dared, took advantage of this for the remission of Black Sheep's
penalties. Failures in lessons at school were furnished at home by a
week without reading other than schoolbooks, and Harry brought the
news of such a failure with glee. Further, Black Sheep was then bound
to repeat his lessons at bedtime to Harry, who generally succeeded in
making him break down, and consoled him by gloomiest forebodings for
the morrow. Harry was at once spy, practical joker, inquisitor, and
Aunty Rosa's deputy executioner. He filled his many posts to
admiration. From his actions, now that Uncle Harry was dead, there was
no appeal. Black Sheep had not been permitted to keep any self-respect
at school; at home he was of course utterly discredited, and grateful
for any pity that the servant-girls--they changed frequently at Downe
Lodge because they, too, were liars--might show. "You 're just fit to
row in the same boat with Black Sheep," was a sentiment that each new
Jane or Eliza might expect to hear, before a month was over, from
Aunty Rosa's lips; and Black Sheep was used to ask new girls whether
they had yet been compared to him. Harry was "Master Harry" in their
mouths; Judy was officially "Miss Judy"; but Black Sheep was never
anything more than Black Sheep _tout court_.

As time went on and the memory of Papa and Mamma became wholly
overlaid by the unpleasant task of writing them letters under Aunty
Rosa's eye, each Sunday, Black Sheep forgot what manner of life he had
led in the beginning of things. Even Judy's appeals to "try and
remember about Bombay" failed to quicken him.

"I can't remember," he said. "I know I used to give orders and Mamma
kissed me."

"Aunty Rosa will kiss you if you are good," pleaded Judy.

"Ugh! I don't want to be kissed by Aunty Rosa. She'd say I was doing
it to get something more to eat."

The weeks lengthened into months, and the holidays came; but just
before the holidays Black Sheep fell into deadly sin.

Among the many boys whom Harry had incited to "punch Black Sheep's
head because he dare n't hit back," was one more aggravating than the
rest, who, in an unlucky moment, fell upon Black Sheep when Harry was
not near. The blows stung, and Black Sheep struck back at random with
all the power at his command. The boy dropped and whimpered. Black
Sheep was astounded at his own act, but, feeling the unresisting body
under him, shook it with both his hands in blind fury and then began
to throttle his enemy; meaning honestly to slay him. There was a
scuffle, and Black Sheep was torn off the body by Harry and some
colleagues, and cuffed home tingling but exultant. Aunty Rosa was out;
pending her arrival Harry set himself to lecture Black Sheep on the
sin of murder--which he described as the offence of Cain.

"Why did n't you fight him fair? What did you hit him when he was down
for, you little cur?"

Black Sheep looked up at Harry's throat and then at a knife on the
dinner-table.

"I don't understand," he said wearily. "You always set him on me and
told me I was a coward when I blubbed. Will you leave me alone until
Aunty Rosa comes in? She'll beat me if you tell her I ought to be
beaten; so it's all right."

"It's all wrong," said Harry magisterially. "You nearly killed him,
and I should n't wonder if he dies."

"Will he die?" said Black Sheep.

"I daresay," said Harry, "and then you'll be hanged."

"All right," said Black Sheep, possessing himself of the table-knife.
"Then I'll kill you now. You say things and do things and--and I
don't know how things happen, and you never leave me alone--and I
don't care what happens!"

He ran at the boy with the knife, and Harry fled upstairs to his room,
promising Black Sheep the finest thrashing in the world when Aunty
Rosa returned. Black Sheep sat at the bottom of the stairs, the
table-knife in his hand, and wept for that he had not killed Harry.
The servant-girl came up from the kitchen, took the knife away, and
consoled him. But Black Sheep was beyond consolation. He would be
badly beaten by Aunty Rosa; then there would be another beating at
Harry's hands; then Judy would not be allowed to speak to him; then
the tale would be told at school and then----

There was no one to help and no one to care, and the best way out of
the business was by death. A knife would hurt, but Aunty Rosa had told
him, a year ago, that if he sucked paint he would die. He went into
the nursery, unearthed the now-disused Noah's Ark, and sucked the
paint off as many animals as remained. It tasted abominable, but he
had licked Noah's Dove clean by the time Aunty Rosa and Judy returned.
He went upstairs and greeted them with: "Please, Aunty Rosa, I believe
I've nearly killed a boy at school, and I've tried to kill Harry, and
when you've done all about God and Hell, will you beat me and get it
over?"

The tale of the assault as told by Harry could only be explained on
the ground of possession by the Devil. Wherefore Black Sheep was not
only most excellently beaten, once by Aunty Rosa and once, when
thoroughly cowed down, by Harry, but he was further prayed for at
family prayers, together with Jane, who had stolen a cold rissole from
the pantry and snuffled audibly as her enormity was brought before the
Throne of Grace. Black Sheep was sore and stiff, but triumphant. He
would die that very night and be rid of them all. No, he would ask for
no forgiveness from Harry, and at bedtime would stand no questioning
at Harry's hands, even though addressed as "Young Cain."

"I've been beaten," said he, "and I've done other things. I don't care
what I do. If you speak to me to-night, Harry, I'll get out and try to
kill you. Now you can kill me if you like."

Harry took his bed into the spare-room, and Black Sheep lay down to
die.

It may be that the makers of Noah's Arks know that their animals are
likely to find their way into young mouths, and paint them
accordingly. Certain it is that the common, weary next morning broke
through the windows and found Black Sheep quite well and a good deal
ashamed of himself, but richer by the knowledge that he could, in
extremity, secure himself against Harry for the future.

When he descended to breakfast on the first day of the holidays, he
was greeted with the news that Harry, Aunty Rosa, and Judy were going
away to Brighton, while Black Sheep was to stay in the house with the
servant. His latest outbreak suited Aunty Rosa's plans admirably. It
gave her good excuse for leaving the extra boy behind. Papa in Bombay,
who really seemed to know a young sinner's wants to the hour, sent,
that week, a package of new books. And with these, and the society of
Jane on board-wages, Black Sheep was left alone for a month.

The books lasted for ten days. They were eaten too quickly, in long
gulps of four-and-twenty hours at a time. Then came days of doing
absolutely nothing, of dreaming dreams and marching imaginary armies
up and down stairs, of counting the number of banisters, and of
measuring the length and breadth of every room in handspans--fifty
down the side, thirty across, and fifty back again. Jane made many
friends, and, after receiving Black Sheep's assurance that he would
not tell of her absences, went out daily for long hours. Black Sheep
would follow the rays of the sinking sun from the kitchen to the
dining-room and thence upward to his own bedroom until all was gray
dark, and he ran down to the kitchen fire and read by its light. He
was happy in that he was left alone and could read as much as he
pleased. But, later, he grew afraid of the shadows of window-curtains
and the flapping of doors and the creaking of shutters. He went out
into the garden, and the rustling of the laurel-bushes frightened him.

He was glad when they all returned--Aunty Rosa, Harry, and Judy--full
of news, and Judy laden with gifts. Who could help loving loyal little
Judy? In return for all her merry babblement, Black Sheep confided to
her that the distance from the hall-door to the top of the first
landing was exactly one hundred and eighty-four handspans. He had
found it out himself.

Then the old life recommenced; but with a difference, and a new sin.
To his other iniquities Black Sheep had now added a phenomenal
clumsiness--was as unfit to trust in action as he was in word. He
himself could not account for spilling everything he touched,
upsetting glasses as he put his hand out, and bumping his head against
doors that were manifestly shut. There was a gray haze upon all his
world, and it narrowed month by month, until at last it left Black
Sheep almost alone with the flapping curtains that were so like
ghosts, and the nameless terrors of broad daylight that were only
coats on pegs after all.

Holidays came and holidays went, and Black Sheep was taken to see many
people whose faces were all exactly alike; was beaten when occasion
demanded, and tortured by Harry on all possible occasions; but
defended by Judy through good and evil report, though she hereby drew
upon herself the wrath of Aunty Rosa.

The weeks were interminable and Papa and Mamma were clean forgotten.
Harry had left school and was a clerk in a Banking-Office. Freed from
his presence, Black Sheep resolved that he should no longer be
deprived of his allowance of pleasure-reading. Consequently, when he
failed at school he reported that all was well, and conceived a large
contempt for Aunty Rosa as he saw how easy it was to deceive her. "She
says I'm a little liar when I don't tell lies, and now I do, she does
n't know," thought Black Sheep. Aunty Rosa had credited him in the
past with petty cunning and stratagem that had never entered into his
head. By the light of the sordid knowledge that she had revealed to
him he paid her back full tale. In a household where the most innocent
of his motives, his natural yearning for a little affection, had been
interpreted into a desire for more bread and jam or to ingratiate
himself with strangers and so put Harry into the background, his work
was easy. Aunty Rosa could penetrate certain kinds of hypocrisy, but
not all. He set his child's wits against hers and was no more beaten.
It grew monthly more and more of a trouble to read the schoolbooks,
and even the pages of the open-print story-books danced and were dim.
So Black Sheep brooded in the shadows that fell about him and cut him
off from the world, inventing horrible punishments for "dear Harry,"
or plotting another line of the tangled web of deception that he
wrapped round Aunty Rosa.

Then the crash came and the cobwebs were broken. It was impossible to
foresee everything. Aunty Rosa made personal inquiries as to Black
Sheep's progress and received information that startled her. Step by
step, with a delight as keen as when she convicted an underfed
housemaid of the theft of cold meats, she followed the trail of Black
Sheep's delinquencies. For weeks and weeks, in order to escape
banishment from the book-shelves, he had made a fool of Aunty Rosa, of
Harry, of God, of all the world. Horrible, most horrible, and evidence
of an utterly depraved mind.

Black Sheep counted the cost. "It will only be one big beating, and
then she'll put a card with 'Liar' on my back, same as she did before.
Harry will whack me and pray for me, and she will pray for me at
prayers and tell me I'm a Child of the Devil and give me hymns to
learn. But I've done all my reading and she never knew. She'll say she
knew all along. She's an old liar, too," said he.

For three days Black Sheep was shut in his own bedroom--to prepare his
heart. "That means two beatings. One at school and one here. That one
will hurt most." And it fell even as he thought. He was thrashed at
school before the Jews and the hubshi, for the heinous crime of
bringing home false reports of progress. He was thrashed at home by
Aunty Rosa on the same count, and then the placard was produced. Aunty
Rosa stitched it between his shoulders and bade him go for a walk with
it upon him.

"If you make me do that," said Black Sheep very quietly, "I shall burn
this house down, and perhaps I'll kill you. I don't know whether I can
kill you--you 're so bony--but I'll try."

No punishment followed this blasphemy, though Black Sheep held himself
ready to work his way to Aunty Rosa's withered throat, and grip there
till he was beaten off. Perhaps Aunty Rosa was afraid, for Black
Sheep, having reached the Nadir of Sin, bore himself with a new
recklessness.

In the midst of all the trouble there came a visitor from over the
seas to Downe Lodge, who knew Papa and Mamma, and was commissioned to
see Punch and Judy. Black Sheep was sent to the drawing-room and
charged into a solid tea-table laden with china.

"Gently, gently, little man," said the visitor turning Black Sheep's
face to the light slowly. "What's that big bird on the palings?"

"What bird?" asked Black Sheep.

The visitor looked deep down into Black Sheep's eyes for a half a
minute, and then said suddenly: "Good God, the little chap's nearly
blind."

It was a most business-like visitor. He gave orders, on his own
responsibility, that Black Sheep was not to go to school or open a
book until Mamma came home. "She'll be here in three weeks, as you
know of course," said he, "and I'm Inverarity Sahib. I ushered you
into this wicked world, young man, and a nice use you seem to have
made of your time. You must do nothing whatever. Can you do that?"

"Yes," said Punch in a dazed way. He had known that Mamma was coming.
There was a chance, then, of another beating. Thank Heaven, Papa was
n't coming too. Aunty Rosa had said of late that he ought to be beaten
by a man.

For the next three weeks Black Sheep was strictly allowed to do
nothing. He spent his time in the old nursery looking at the broken
toys, for all of which account must be rendered to Mamma. Aunty Rosa
hit him over the hands if even a wooden boat were broken. But that sin
was of small importance compared to the other revelations, so darkly
hinted at by Aunty Rosa. "When your mother comes, and hears what I
have to tell her, she may appreciate you properly," she said grimly,
and mounted guard over Judy lest that small maiden should attempt to
comfort her brother, to the peril of her own soul.

And Mamma came--in a four-wheeler and a flutter of tender excitement.
Such a Mamma! She was young, frivolously young, and beautiful, with
delicately flushed cheeks, eyes that shone like stars, and a voice
that needed no additional appeal of outstretched arms to draw little
ones to her heart. Judy ran straight to her, but Black Sheep
hesitated. Could this wonder be "showing off"? She would not put out
her arms when she knew of his crimes. Meantime was it possible that by
fondling she wanted to get anything out of Black Sheep? Only all his
love and all his confidence; but that Black Sheep did not know. Aunty
Rosa withdrew and left Mamma, kneeling between her children, half
laughing, half crying, in the very hall where Punch and Judy had wept
five years before.

"Well, chicks, do you remember me?"

"No," said Judy frankly, "but I said 'God bless Papa and Mamma,' ev'vy
night."

"A little," said Black Sheep. "Remember I wrote to you every week,
anyhow. That is n't to show off, but 'cause of what comes afterward."

"What comes after! What should come after, my darling boy?" And she
drew him to her again. He came awkwardly, with many angles. "Not used
to petting," said the quick Mother-soul. "The girl is."

"She's too little to hurt anyone," thought Black Sheep, "and if I said
I'd kill her, she'd be afraid. I wonder what Aunty Rosa will tell."

There was a constrained late dinner, at the end of which Mamma picked
up Judy and put her to bed with endearments manifold. Faithless little
Judy had shown her defection from Aunty Rosa already. And that lady
resented it bitterly. Black Sheep rose to leave the room.

"Come and say good night," said Aunty Rosa, offering a withered cheek.

"Huh!" said Black Sheep. "I never kiss you, and I'm not going to show
off. Tell that woman what I've done, and see what she says."

Black Sheep climbed into bed feeling that he had lost Heaven after a
glimpse through the gates. In half an hour "that woman" was bending
over him. Black Sheep flung up his right arm. It was n't fair to come
and hit him in the dark. Even Aunty Rosa never tried that. But no blow
followed.

"Are you showing off? I won't tell you anything more than Aunty Rosa
has, and she does n't know everything," said Black Sheep as clearly as
he could for the arms round his neck.

"Oh, my son--my little, little son! It was my fault--my fault,
darling--and yet how could we help it? Forgive me, Punch." The voice
died out in a broken whisper, and two hot tears fell on Black Sheep's
forehead.

"Has she been making you cry, too?" he asked. "You should see Jane
cry. But you're nice, and Jane is a Born Liar--Aunty Rosa says so."

"Hush, Punch, hush! My boy, don't talk like that. Try to love me a
little bit--a little bit. You don't know how I want it. Punch-baba,
come back to me! I am your Mother--your own Mother--and never mind the
rest. I know--yes, I know, dear. It does n't matter now. Punch, won't
you care for me a little?"

It is astonishing how much petting a big boy of ten can endure when he
is quite sure that there is no one to laugh at him. Black Sheep had
never been made much of before, and here was this beautiful woman
treating him--Black Sheep, the Child of the Devil and the Inheritor of
Undying Flame--as though he were a small God.

"I care for you a great deal, Mother dear," he whispered at last, "and
I'm glad you've come back; but are you sure Aunty Rosa told you
everything?"

"Everything. What does it matter? But----" the voice broke with a sob
that was also laughter--"Punch, my poor, dear, half-blind darling,
don't you think it was a little foolish of you?"

"No. It saved a lickin'."

Mamma shuddered and slipped away in the darkness to write a long
letter to Papa. Here is an extract:

"... Judy is a dear, plump little prig who adores the woman, and wears
with as much gravity as her religious opinions--only eight, Jack!--a
venerable horsehair atrocity which she calls her Bustle. I have just
burned it, and the child is asleep in my bed as I write. She will come
to me at once. Punch I cannot quite understand. He is well nourished,
but seems to have been worried into a system of small deceptions which
the woman magnifies into deadly sins. Don't you recollect our own
up-bringing, dear, when the Fear of the Lord was so often the
beginning of falsehood? I shall win Punch to me before long. I am
taking the children away into the country to get them to know me, and,
on the whole, I am content, or shall be when you come home, dear boy,
and then, thank God, we shall be all under one roof again at last!"

       *       *       *       *       *

Three months later, Punch, no longer Black Sheep, has discovered that
he is the veritable owner of a real, live, lovely Mamma, who is also a
sister, comforter, and friend, and that he must protect her till the
Father comes home. Deception does not suit the part of a protector,
and, when one can do anything without question, where is the use of
deception?

"Mother would be awfully cross if you walked through that ditch," says
Judy, continuing a conversation.

"Mother's never angry," says Punch. "She'd just say, 'You're a little
pagal'; and that's not nice, but I'll show."

Punch walks through the ditch and mires himself to the knees. "Mother,
dear," he shouts, "I'm just as dirty as I can pos-sib-ly be!"

"Then change your clothes as quickly as you pos-sib-ly can!" rings out
Mother's clear voice from the house. "And don't be a little pagal!"

"There! Told you so," says Punch. "It's all different now, and we are
just as much Mother's as if she had never gone."

Not altogether, O Punch, for when young lips have drunk deep of the
bitter waters of Hate, Suspicion, and Despair, all the Love in the
world will not wholly take away that knowledge; though it may turn
darkened eyes for a while to the light, and teach Faith where no Faith
was.




V

WEE WILLIE WINKIE

"An officer and a gentleman."


His full name was Percival William Williams, but he picked up the
other name in a nursery-book, and that was the end of the christened
titles. His mother's ayah called him Willie-Baba, but as he never paid
the faintest attention to anything that the ayah said, her wisdom did
not help matters.

His father was the Colonel of the 195th, and as soon as Wee Willie
Winkie was old enough to understand what Military Discipline meant,
Colonel Williams put him under it. There was no other way of managing
the child. When he was good for a week, he drew good-conduct pay; and
when he was bad, he was deprived of his good-conduct-stripe. Generally
he was bad, for India offers so many chances to little six-year-olds
of going wrong.

Children resent familiarity from strangers, and Wee Willie Winkie was
a very particular child. Once he accepted an acquaintance, he was
graciously pleased to thaw. He accepted Brandis, a subaltern of the
195th, on sight. Brandis was having tea at the Colonel's, and Wee
Willie Winkie entered, strong in the possession of a good-conduct
badge won for not chasing the hens round the compound. He regarded
Brandis with gravity for at least ten minutes, and then delivered
himself of his opinion.

"I like you," said he slowly, getting off his chair and coming over to
Brandis. "I like you. I shall call you Coppy, because of your hair. Do
you mind being called Coppy? It is because of ve hair, you know."

Here was one of the most embarrassing of Wee Willie Winkie's
peculiarities. He would look at a stranger for some time, and then,
without warning or explanation, would give him a name. And the name
stuck. No regimental penalties could break Wee Willie Winkie of this
habit. He lost his good-conduct badge for christening the
Commissioner's wife "Pobs"; but nothing that the Colonel could do made
the Station forego the nickname, and Mrs. Collen remained Mrs. "Pobs"
till the end of her stay. So Brandis was christened "Coppy," and rose,
therefore, in the estimation of the regiment.

If Wee Willie Winkie took an interest in anyone, the fortunate man was
envied alike by the mess and the rank and file. And in their envy lay
no suspicion of self-interest. "The Colonel's son" was idolized on his
own merits entirely. Yet Wee Willie Winkie was not lovely. His face
was permanently freckled, as his legs were permanently scratched, and
in spite of his mother's almost tearful remonstrances he had insisted
upon having his long yellow locks cut short in the military fashion.
"I want my hair like Sergeant Tummil's," said Wee Willie Winkie, and,
his father abetting, the sacrifice was accomplished.

Three weeks after the bestowal of his youthful affections on
Lieutenant Brandis--henceforward to be called "Coppy" for the sake of
brevity--Wee Willie Winkie was destined to behold strange things and
far beyond his comprehension.

Coppy returned his liking with interest. Coppy had let him wear for
five rapturous minutes his own big sword--just as tall as Wee Willie
Winkie. Coppy had promised him a terrier puppy; and Coppy had
permitted him to witness the miraculous operation of shaving. Nay,
more--Coppy had said that even he, Wee Willie Winkie, would rise in
time to the ownership of a box of shiny knives, a silver soap-box and
a silver-handled "sputter-brush," as Wee Willie Winkie called it.
Decidedly, there was no one, except his father, who could give or take
away good-conduct badges at pleasure, half so wise, strong, and
valiant as Coppy with the Afghan and Egyptian medals on his breast.
Why, then, should Coppy be guilty of the unmanly weakness of
kissing--vehemently kissing--a "big girl," Miss Allardyce to wit? In
the course of a morning ride, Wee Willie Winkie had seen Coppy so
doing, and, like the gentleman he was, had promptly wheeled round and
cantered back to his groom, lest the groom should also see.

Under ordinary circumstances he would have spoken to his father, but
he felt instinctively that this was a matter on which Coppy ought
first to be consulted.

"Coppy," shouted Wee Willie Winkie, reining up outside that
subaltern's bungalow early one morning--"I want to see you, Coppy!"

"Come in, young 'un," returned Coppy, who was at early breakfast in
the midst of his dogs. "What mischief have you been getting into now?"

Wee Willie Winkie had done nothing notoriously bad for three days, and
so stood on a pinnacle of virtue.

"I've been doing nothing bad," said he, curling himself into a long
chair with a studious affectation of the Colonel's langour after a hot
parade. He buried his freckled nose in a tea-cup and, with eyes
staring roundly over the rim, asked: "I say, Coppy, is it pwoper to
kiss big girls?"

"By Jove! You're beginning early. Who do you want to kiss?"

"No one. My muvver's always kissing me if I don't stop her. If it is
n't pwoper, how was you kissing Major Allardyce's big girl last
morning, by ve canal?"

Coppy's brow wrinkled. He and Miss Allardyce had with great craft
managed to keep their engagement secret for a fortnight. There were
urgent and imperative reasons why Major Allardyce should not know how
matters stood for at least another month, and this small marplot had
discovered a great deal too much.

"I saw you," said Wee Willie Winkle calmly. "But ve groom did n't see.
I said, 'Hut jao.'"

"Oh, you had that much sense, you young Rip," groaned poor Coppy, half
amused and half angry. "And how many people may you have told about
it?"

"Only me myself. You did n't tell when I twied to wide ve buffalo ven
my pony was lame; and I fought you would n't like."

"Winkie," said Coppy enthusiastically, shaking the small hand, "you're
the best of good fellows. Look here, you can't understand all these
things. One of these days--hang it, how can I make you see it!--I'm
going to marry Miss Allardyce, and then she'll be Mrs. Coppy, as you
say. If your young mind is so scandalized at the idea of kissing big
girls, go and tell your father."

"What will happen?" said Wee Willie Winkie, who firmly believed that
his father was omnipotent.

"I shall get into trouble," said Coppy, playing his trump card with
an appealing look at the holder of the ace.

"Ven I won't," said Wee Willie Winkie briefly. "But my faver says it's
un-man-ly to be always kissing, and I did n't fink you'd do vat,
Coppy."

"I'm not always kissing, old chap. It's only now and then, and when
you're bigger you'll do it too. Your father meant it's not good for
little boys."

"Ah!" said Wee Willie Winkle, now fully enlightened. "It's like ve
sputter-brush?"

"Exactly," said Coppy gravely.

"But I don't fink I'll ever want to kiss big girls, nor no one, 'cept
my muvver. And I must vat, you know."

There was a long pause, broken by Wee Willie Winkie.

"Are you fond of vis big girl, Coppy?"

"Awfully!" said Coppy.

"Fonder van you are of Bell or ve Butcha--or me?"

"It's in a different way," said Coppy. "You see, one of these days
Miss Allardyce will belong to me, but you'll grow up and command the
Regiment and--all sorts of things. It's quite different, you see."

"Very well," said Wee Willie Winkie, rising. "If you're fond of ve big
girl, I won't tell anyone. I must go now."

Coppy rose and escorted his small guest to the door, adding: "You're
the best of little fellows, Winkie. I tell you what. In thirty days
from now you can tell if you like--tell anyone you like."

Thus the secret of the Brandis-Allardyce engagement was dependent on a
little child's word. Coppy, who knew Wee Willie Winkie's idea of
truth, was at ease, for he felt that he would not break promises. Wee
Willie Winkie betrayed a special and unusual interest in Miss
Allardyce, and, slowly revolving round that embarrassed young lady,
was used to regard her gravely with unwinking eye. He was trying to
discover why Coppy should have kissed her. She was not half so nice as
his own mother. On the other hand she was Coppy's property, and would
in time belong to him. Therefore it behooved him to treat her with as
much respect as Coppy's big sword or shiny pistol.

The idea that he shared a great secret in common with Coppy kept Wee
Willie Winkie unusually virtuous for three weeks. Then the Old Adam
broke out, and he made what he called a "camp-fire" at the bottom of
the garden. How could he have foreseen that the flying sparks would
have lighted the Colonel's little hay-rick and consumed a week's store
for the horses? Sudden and swift was the punishment--deprivation of
the good-conduct badge and, most sorrowful of all, two days'
confinement to barracks--the house and veranda--coupled with the
withdrawal of the light of his father's countenance.

He took the sentence like the man he strove to be, drew himself up
with a quivering under-lip, saluted, and, once clear of the room, ran
to weep bitterly in his nursery--called by him "my quarters." Coppy
came in the afternoon and attempted to console the culprit.

"I'm under awwest," said Wee Willie Winkie mournfully, "and I did n't
ought to speak to you."

Very early the next morning he climbed on to the roof of the
house--that was not forbidden--and beheld Miss Allardyce going for a
ride.

"Where are you going?" cried Wee Willie Winkie.

"Across the river," she answered, and trotted forward.

Now the cantonment in which the 195th lay was bounded on the north by
a river--dry in the winter. From his earliest years, Wee Willie Winkie
had been forbidden to go across the river, and had noted that even
Coppy--the almost almighty Coppy--had never set foot beyond it. Wee
Willie Winkie had once been read to, out of a big blue book, the
history of the Princess and the Goblins--a most wonderful tale of a
land where the Goblins were always warring with the children of men
until they were defeated by one Curdie. Ever since that date it seemed
to him that the bare black and purple hills across the river were
inhabited by Goblins, and, in truth, everyone had said that there
lived the Bad Men. Even in his own house the lower halves of the
windows were covered with green paper on account of the Bad Men who
might, if allowed clear view, fire into peaceful drawing-rooms and
comfortable bedrooms. Certainly, beyond the river, which was the end
of all the Earth, lived the Bad Men. And here was Major Allardyce's
big girl, Coppy's property, preparing to venture into their borders!
What would Coppy say if anything happened to her? If the Goblins ran
off with her as they did with Curdie's Princess? She must at all
hazards be turned back.

The house was still. Wee Willie Winkie reflected for a moment on the
very terrible wrath of his father; and then--broke his arrest! It was
a crime unspeakable. The low sun threw his shadow, very large and very
black, on the trim garden-paths, as he went down to the stables and
ordered his pony. It seemed to him in the hush of the dawn that all
the big world had been bidden to stand still and look at Wee Willie
Winkie guilty of mutiny. The drowsy groom handed him his mount, and
since the one great sin made all others insignificant, Wee Willie
Winkie said that he was going to ride over to Coppy Sahib, and went
out at a foot-pace, stepping on the soft mould of the flower-borders.

The devastating track of the pony's feet was the last misdeed that cut
him off from all sympathy of Humanity. He turned into the road, leaned
forward, and rode as fast as the pony could put foot to the ground in
the direction of the river.

But the liveliest of twelve-two ponies can do little against the long
canter of a Waler. Miss Allardyce was far ahead, had passed through
the crops, beyond the Police-post, when all the guards were asleep,
and her mount was scattering the pebbles of the river bed as Wee
Willie Winkie left the cantonment and British India behind him. Bowed,
forward and still flogging, Wee Willie Winkie shot into Afghan
territory, and could just see Miss Allardyce a black speck, flickering
across the stony plain. The reason of her wandering was simple enough.
Coppy, in a tone of too-hastily-assumed authority, had told her over
night that she must not ride out by the river. And she had gone to
prove her own spirit and teach Coppy a lesson.

Almost at the foot of the inhospitable hills Wee Willie Winkie saw the
Waler blunder and come down heavily. Miss Allardyce struggled clear,
but her ankle had been severely twisted, and she could not stand.
Having thus demonstrated her spirit, she wept copiously, and was
surprised by the apparition of a white, wide-eyed child in khaki, on a
nearly spent pony.

"Are you badly, badly hurted?" shouted Wee Willie Winkie, as soon as
he was within range. "You did n't ought to be here."

"I don't know," said Miss Allardyce ruefully ignoring the reproof.
"Good gracious, child, what are you doing here?"

"You said you was going acwoss ve wiver," panted Wee Willie Winkie,
throwing himself off his pony. "And nobody--not even Coppy--must go
acwoss ve wiver, and I came after you ever so hard, but you would n't
stop, and now you 've hurted yourself, and Coppy will be angry wiv me,
and--I've bwoken my awwest! I've bwoken my awwest!"

The future Colonel of the 195th sat down and sobbed. In spite of the
pain in her ankle the girl was moved.

"Have you ridden all the way from cantonments, little man? What for?"

"You belonged to Coppy. Coppy told me so!" wailed Wee Willie Winkie
disconsolately. "I saw him kissing you, and he said he was fonder of
you van Bell or ve Butcha or me. And so I came. You must get up and
come back. You did n't ought to be here. Vis is a bad place, and I 've
bwoken my awwest."

"I can't move, Winkie," said Miss Allardyce, with a groan. "I've hurt
my foot. What shall I do?"

She showed a readiness to weep afresh which steadied Wee Willie
Winkie, who had been brought up to believe that tears were the depth
of unmanliness. Still, when one is as great a sinner as Wee Willie
Winkie, even a man may be permitted to break down.

"Winkie," said Miss Allardyce, "when you've rested a little, ride back
and tell them to send out something to carry me back in. It hurts
fearfully."

The child sat still for a little time and Miss Allardyce closed her
eyes; the pain was nearly making her faint. She was roused by Wee
Willie Winkie tying up the reins on his pony's neck and setting it
free with a vicious cut of his whip that made it whicker. The little
animal headed toward the cantonments.

"Oh, Winkie! What are you doing?"

"Hush!" said Wee Willie Winkie. "Vere's a man coming--one of ve Bad
Men. I must stay wiv you. My faver says a man must always look after a
girl. Jack will go home, and ven vey 'll come and look for us. Vat 's
why I let him go."

Not one man, but two or three, had appeared from behind the rocks of
the hills, and the heart of Wee Willie Winkie sank within him, for
just in this manner were the Goblins wont to steal out and vex
Curdie's soul. Thus had they played in Curdie's garden, he had seen
the picture, and thus had they frightened the Princess's nurse. He
heard them talking to each other, and recognized with joy the bastard
Pushto that he had picked up from one of his father's grooms lately
dismissed. People who spoke that tongue could not be the Bad Men. They
were only natives, after all.

They came up to the boulders on which Miss Allardyce's horse had
blundered.

Then rose from the rock Wee Willie Winkie, child of the Dominant Race,
aged six and three-quarters, and said briefly and emphatically "Jao!"
The pony had crossed the river-bed.

The men laughed, and laughter from natives was the one thing Wee
Willie Winkie could not tolerate. He asked them what they wanted and
why they did not depart. Other men with most evil faces and
crooked-stocked guns crept out of the shadows of the hills, till,
soon, Wee Willie Winkie was face to face with an audience some twenty
strong. Miss Allardyce screamed.

"Who are you?" said one of the men.

"I am the Colonel Sahib's son, and my order is that you go at once.
You black men are frightening the Miss Sahib. One of you must run into
cantonments and take the news that the Miss Sahib has hurt herself,
and that the Colonel's son is here with her."

"Put our feet into the trap?" was the laughing reply. "Hear this boy's
speech!"

"Say that I sent you--I, the Colonel's son. They will give you
money."

"What is the use of this talk? Take up the child and the girl, and we
can at least ask for the ransom. Ours are the villages on the
heights," said a voice in the background.

These were the Bad Men--worse than Goblins--and it needed all Wee
Willie Winkie's training to prevent him from bursting into tears. But
he felt that to cry before a native, excepting only his mother's ayah,
would be an infamy greater than any mutiny. Moreover, he, as future
Colonel of the 195th, had that grim regiment at his back.

"Are you going to carry us away?" said Wee Willie Winkie, very
blanched and uncomfortable.

"Yes, my little Sahib Bahadur," said the tallest of the men, "and eat
you afterward."

"That is child's talk," said Wee Willie Winkie. "Men do not eat men."

A yell of laughter interrupted him, but he went on firmly--"And if you
do carry us away, I tell you that all my regiment will come up in a
day and kill you all without leaving one. Who will take my message to
the Colonel Sahib?"

Speech in any vernacular--and Wee Willie Winkie had a colloquial
acquaintance with three--was easy to the boy who could not yet manage
his "r's" and "th's" aright.

Another man joined the conference, crying: "Oh, foolish men! What this
babe says is true. He is the heart's heart of those white troops. For
the sake of peace let them go both, for if he be taken, the regiment
will break loose and gut the valley. Our villages are in the valley,
and we shall not escape. That regiment are devils. They broke Khoda
Yar's breast-bone with kicks when he tried to take the rifles; and if
we touch this child they will fire and rape and plunder for a month,
till nothing remains. Better to send a man back to take the message
and get a reward. I say that this child is their God, and that they
will spare none of us, nor our women, if we harm him."

It was Din Mahommed, the dismissed groom of the Colonel, who made the
diversion, and an angry and heated discussion followed. Wee Willie
Winkie, standing over Miss Allardyce, waited the upshot. Surely his
"wegiment," his own "wegiment," would not desert him if they knew of
his extremity.

       *       *       *       *       *

The riderless pony brought the news to the 195th, though there had
been consternation in the Colonel's household for an hour before. The
little beast came in through the parade-ground in front of the main
barracks, where the men were settling down to play Spoil-five till the
afternoon. Devlin, the Colour Sergeant of E Company, glanced at the
empty saddle and tumbled through the barrack-rooms, kicking up each
Room Corporal as he passed. "Up, ye beggars! There's something
happened to the Colonel's son," he shouted.

"He could n't fall off! S'elp me, 'e could n't fall off," blubbered a
drummer-boy. "Go an' hunt acrost the river. He's over there if he's
anywhere, an' maybe those Pathans have got 'im. For the love o' Gawd
don't look for 'im in the nullahs! Let's go over the river."

"There's sense in Mott yet," said Devlin. "E Company, double out to
the river--sharp!"

So E Company, in its shirt-sleeves mainly, doubled for the dear life,
and in the rear toiled the perspiring Sergeant, adjuring it to double
yet faster. The cantonment was alive with the men of the 195th hunting
for Wee Willie Winkie, and the Colonel finally overtook E Company, far
too exhausted to swear, struggling in the pebbles of the river-bed.

Up the hill under which Wee Willie Winkie's Bad Men were discussing
the wisdom of carrying off the child and the girl, a lookout fired two
shots.

"What have I said?" shouted Din Mahommed. "There is the warning! The
pulton are out already and are coming across the plain! Get away! Let
us not be seen with the boy!"

The men waited for an instant, and then, as another shot was fired,
withdrew into the hills, silently as they had appeared.

"The wegiment is coming," said Wee Willie Winkie confidently to Miss
Allardyce, "and it's all wight. Don't cwy!"

He needed the advice himself, for ten minutes later, when his father
came up, he was weeping bitterly with his head in Miss Allardyce's
lap.

And the men of the 195th carried him home with shouts and rejoicings;
and Coppy, who had ridden a horse into a lather, met him, and, to his
intense disgust, kissed him openly in the presence of the men.

But there was balm for his dignity. His father assured him that not
only would the breaking of arrest be condoned, but that the
good-conduct badge would be restored as soon as his mother could sew
it on his blouse-sleeve. Miss Allardyce had told the Colonel a story
that made him proud of his son.

"She belonged to you, Coppy," said Wee Willie Winkie, indicating Miss
Allardyce with a grimy forefinger. "I knew she did n't ought to go
acwoss ve wiver, and I knew ve wegiment would come to me if I sent
Jack home."

"You're a hero, Winkie," said Coppy--"a pukka hero!"

"I don't know what vat means," said Wee Willie Winkie, "but you must
n't call me Winkie any no more. I'm Percival Will'am Will'ams."

And in this manner did Wee Willie Winkie enter into his manhood.




VI

THE DOVE OF DACCA


    The freed dove flew to the Rajah's tower--
      Fled from the slaughter of Moslem kings--
    And the thorns have covered the city of Gaur.
      Dove--dove--oh, homing dove!
    Little white traitor, with woe on thy wings!

    The Rajah of Dacca rode under the wall;
      He set in his bosom a dove of flight--
    "If she return, be sure that I fall."
      Dove--dove--oh, homing dove!
    Pressed to his heart in the thick of the fight.

    "Fire the palace, the fort, and the keep--
      Leave to the foeman no spoil at all.
    In the flame of the palace lie down and sleep
      If the dove, if the dove--if the homing dove
    Come and alone to the palace wall."

    The Kings of the North they were scattered abroad--
      The Rajah of Dacca he slew them all.
    Hot from slaughter he stooped at the ford,
      And the dove--the dove--oh, the homing dove!
    She thought of her cote on the palace wall.

    She opened her wings and she flew away--
      Fluttered away beyond recall;
    She came to the palace at break of day.
      Dove--dove--oh, homing dove!
    Flying so fast for a kingdom's fall.

    The Queens of Dacca they slept in flame--
      Slept in the flame of the palace old--
    To save their honour from Moslem shame.
      And the dove--the dove--oh, the homing dove!
    She cooed to her young where the smoke-cloud rolled.

    The Rajah of Dacca rode far and fleet,
      Followed as fast as a horse could fly,
    He came and the palace was black at his feet;
      And the dove--the dove--the homing dove,
    Circled alone in the stainless sky.

    So the dove flew to the Rajah's tower--
      Fled from the slaughter of Moslem kings;
    So the thorns covered the city of Gaur,
      And Dacca was lost for a white dove's wings.
    Dove--dove--oh, homing dove,
      Dacca is lost from the roll of the kings!




VII

THE SMOKE UPON YOUR ALTAR DIES

(_To whom it may concern._)


    The smoke upon your Altar dies,
      The flowers decay,
    The Goddess of your sacrifice
      Has flown away.
    What profit, then, to sing or slay
      The sacrifice from day to day?

    "We know the Shrine is void," they said,
      "The Goddess flown--
    Yet wreaths are on the Altar laid--
      The Altar-Stone
    Is black with fumes of sacrifice,
      Albeit She has fled our eyes.

    "For it may be, if still we sing
      And tend the Shrine,
    Some Deity on wandering wing
      May there incline;
    And, finding all in order meet,
      Stay while we worship at Her feet."




VIII

RECESSIONAL

     The Recessional is one of the most popular poems of this
     century. It is a warning to age and a nation drunk with
     power, a rebuke to materialistic tendencies and
     boastfulness, a protest against pride.

    "Reverence is the master-key of knowledge."


    God of our fathers, known of old--
      Lord of our far-flung battle-line--
    Beneath whose awful Hand we hold
      Dominion over palm and pine--
    Lord God of Hosts, be with us yet
    Lest we forget--lest we forget!

    The tumult and the shouting dies--
      The captains and the kings depart--
    Still stands Thine ancient Sacrifice,
      An humble and a contrite heart.
    Lord God of Hosts, be with us yet,
    Lest we forget--lest we forget!

    Far-called our navies melt away--
      On dune and headland sinks the fire--
    Lo, all our pomp of yesterday
      Is one with Nineveh and Tyre!
    Judge of the Nations, spare us yet,
    Lest we forget--lest we forget!

    If, drunk with sight of power, we loose
      Wild tongues that have not Thee in awe--
    Such boasting as the Gentiles use
      Or lesser breeds without the Law--
    Lord God of Hosts, be with us yet,
    Lest we forget--lest we forget!

    For heathen heart that puts her trust
      In reeking tube and iron shard--
    All valiant dust that builds on dust,
      And guarding calls not Thee to guard--
    For frantic boast and foolish word,
    Thy mercy on Thy People, Lord! Amen.




IX

L'ENVOI


    When Earth's last picture is painted, and the tubes are twisted and
        dried,
    When the oldest colours have faded, and the youngest critic has died,
    We shall rest, and, faith, we shall need it--lie down for an aeon
        or two,
    Till the Master of All Good Workmen shall set us to work anew!

    And those who were good shall be happy: they shall sit in a golden
        chair;
    They shall splash at a ten-league canvas with brushes of comet's hair;
    They shall find real saints to draw from--Magdalene, Peter, and Paul;
    They shall work for an age at a sitting and never be tired at all!

    And only the Master shall praise us, and only the Master shall blame;
    And no one shall work for money, and no one shall work for fame;
    But each for the joy of the working, and each, in his separate star,
    Shall draw the Thing as he sees It for the God of Things as They Are!




I

THE SING-SONG OF OLD MAN KANGAROO


Not always was the Kangaroo as now we do behold him, but a Different
Animal with four short legs. He was gray and he was woolly, and his
pride was inordinate: he danced on an outcrop in the middle of
Australia, and he went to the Little God Nqa at six before breakfast,
saying, "Make me different from all other animals by five this
afternoon."

Up jumped Nqa from his seat on the sandflat and shouted, "Go away!"

He was gray and he was woolly, and his pride was inordinate: he danced
on a rockledge in the middle of Australia, and he went to the Middle
God Nquing.

He went to Nquing at eight after breakfast, saying, "Make me different
from all other animals; make me, also, wonderfully popular by five
this afternoon."

Up jumped Nquing from his burrow in the spinifex and shouted, "Go
away!"

He was gray and he was woolly, and his pride was inordinate: he
danced on a sandbank in the middle of Australia, and he went to the
Big God Nqong.

He went to Nqong at ten before dinner-time, saying, "Make me different
from all other animals; make me popular and wonderfully run after by
five this afternoon."

Up jumped Nqong from his bath in the salt-pan and shouted, "Yes, I
will!"

Nqong called Dingo--Yellow-Dog Dingo--always hungry, dusty in the
sunshine, and showed him Kangaroo. Nqong said, "Dingo! Wake up, Dingo!
Do you see that gentleman dancing on an ash-pit? He wants to be
popular and very truly run after. Dingo, make him so!"

Up jumped Dingo--Yellow-Dog Dingo--and said, "What, _that_
cat-rabbit?"

Off ran Dingo--Yellow-Dog Dingo--always hungry, grinning like a
coal-scuttle--ran after Kangaroo.

Off went the proud Kangaroo on his four little legs like a bunny.

This, O Beloved of mine, ends the first part of the tale!

He ran through the desert; he ran through the mountains; he ran
through the salt-pans; he ran through the reed-beds; he ran through
the blue gums; he ran through the spinifex; he ran till his front legs
ached.

He had to!

[Illustration: This is a picture of Old Man Kangaroo when he was the
Different Animal with four short legs. I have drawn him gray and
woolly, and you can see that he is very proud because he has a wreath
of flowers in his hair. He is dancing on an outcrop (that means a
ledge of rock) in the middle of Australia at six o'clock before
breakfast. You can see that it is six o'clock, because the sun is just
getting up. The thing with the ears and the open mouth is Little God
Nqa. Nqa is very much surprised, because he has never seen a Kangaroo
dance like that before. Little God Nqa is just saying, "Go away," but
the Kangaroo is so busy dancing that he has not heard him yet.

The Kangaroo has n't any real name except Boomer. He lost it because
he was so proud.]

Still ran Dingo--Yellow-Dog Dingo--always hungry, grinning like a
rat-trap, never getting nearer, never getting farther--ran after
Kangaroo.

He had to!

Still ran Kangaroo--Old Man Kangaroo. He ran through the ti-trees; he
ran through the mulga; he ran through the long grass; he ran through
the short grass; he ran through the Tropics of Capricorn and Cancer;
he ran till his hind legs ached.

He had to!

Still ran Dingo--Yellow-Dog Dingo--hungrier and hungrier, grinning
like a horse-collar, never getting nearer, never getting farther; and
they came to the Wollgong River.

Now, there was n't any bridge, and there was n't any ferry-boat, and
Kangaroo did n't know how to get over; so he stood on his legs and
hopped.

He had to!

He hopped through the Flinders; he hopped through the Cinders; he
hopped through the deserts in the middle of Australia. He hopped like
a Kangaroo.

First he hopped one yard; then he hopped three yards; then he hopped
five yards; his legs growing stronger; his legs growing longer. He had
n't any time for rest or refreshment, and he wanted them very much.

Still ran Dingo--Yellow-Dog Dingo--very much bewildered, very much
hungry, and wondering what in the world or out of it made Old Man
Kangaroo hop.

[Illustration: This is the picture of Old Man Kangaroo at five in the
afternoon, when he had got his beautiful hind legs just as Big God
Nqong had promised. You can see that it is five o'clock, because Big
God Nqong's pet tame clock says so. That is Nqong in his bath,
sticking his feet out. Old Man Kangaroo is being rude to Yellow-Dog
Dingo. Yellow-Dog Dingo has been trying to catch Kangaroo all across
Australia. You can see the marks of Kangaroo's big new feet running
ever so far back over the bare hills. Yellow-Dog Dingo is drawn black,
because I am not allowed to paint these pictures with real colours out
of the paint-box; and besides, Yellow-Dog Dingo got dreadfully black
and dusty after running through the Flinders and the Cinders.

I don't know the names of the flowers growing round Nqong's bath. The
two little squatty things out in the desert are the other two gods
that Old Man Kangaroo spoke to early in the morning. That thing with
the letters on it is Old Man Kangaroo's pouch. He had to have a pouch
just as he had to have legs.]

For he hopped like a cricket; like a pea in a saucepan; or a new
rubber ball on a nursery floor.

He had to!

He tucked up his front legs; he hopped on his hind legs; he stuck out
his tail for a balance-weight behind him; and he hopped through the
Darling Downs.

He had to!

Still ran Dingo--Tired Dog Dingo--hungrier and hungrier, very much
bewildered, and wondering when in the world or out of it would Old Man
Kangaroo stop.

Then came Nqong from his bath in the salt-pan, and said, "It's five
o'clock."

Down sat Dingo--Poor Dog Dingo--always hungry, dusky in the sunshine;
hung out his tongue and howled.

Down sat Kangaroo--Old Man Kangaroo--stuck out his tail like a
milking-stool behind him, and said, "Thank goodness _that's_
finished!"

Then said Nqong, who is always a gentleman, "Why are n't you grateful
to Yellow-Dog Dingo? Why don't you thank him for all he has done for
you?"

Then said Kangaroo--Tired Old Kangaroo--"He's chased me out of the
homes of my childhood; he's chased me out of my regular meal-times;
he's altered my shape so I'll never get it back; and he's played Old
Scratch with my legs."

Then said Nqong, "Perhaps I'm mistaken, but didn't you ask me to make
you different from all other animals, as well as to make you very
truly sought after? And now it is five o'clock."

"Yes," said Kangaroo. "I wish that I had n't. I thought you would do
it by charms and incantations, but this is a practical joke."

"Joke!" said Nqong from his bath in the blue gums. "Say that again and
I'll whistle up Dingo and run your hind legs off."

"No," said the Kangaroo. "I must apologize. Legs are legs, and you
need n't alter 'em so far as I am concerned. I only meant to explain
to Your Lordliness that I've had nothing to eat since morning, and I'm
very empty indeed."

"Yes," said Dingo--Yellow-Dog Dingo--"I am just in the same situation.
I've made him different from all other animals; but what may I have
for my tea?"

Then said Nqong from his bath in the salt-pan, "Come and ask me about
it to-morrow, because I'm going to wash."

So they were left in the middle of Australia, Old Man Kangaroo and
Yellow-Dog Dingo, and each said, "That's _your_ fault."

    This is the mouth-filling song
    Of the race that was run by a Boomer,
    Run in a single burst--only event of its kind--
    Started by Big God Nqong from Warrigaborrigarooma,
    Old Man Kangaroo first: Yellow-Dog Dingo behind.

    Kangaroo bounded away,
    His back-legs working like pistons--
    Bounded from morning till dark,
    Twenty-five feet to a bound.
    Yellow-Dog Dingo lay
    Like a yellow cloud in the distance--
    Much too busy to bark.
    My! but they covered the ground!

    Nobody knows where they went,
    Or followed the track that they flew in,
    For that Continent
    Had n't been given a name.
    They ran thirty degrees,
    From Torres Straits to the Leeuwin
    (Look at the Atlas, please),
    And they ran back as they came.

    S'posing you could trot
    From Adelaide to the Pacific,
    For an afternoon's run--
    Half what these gentlemen did--
    You would feel rather hot
    But your legs would develop terrific--
    Yes, my importunate son,
    You'd be a Marvellous Kid!




II

FUZZY-WUZZY

     At the School Council Fuzzy-Wuzzy was elected Vice-President
     of Mr. Kipling's Poems, "because he was so brave."

             (_Soudan Expeditionary Force._)


    We've fought with many men acrost the seas,
      An' some of 'em was brave an' some was not:
    The Paythan an' the Zulu an' Burmese;
      But the Fuzzy was the finest o' the lot.
    We never got a ha'porth's change of 'im:
      'E squatted in the scrub an' 'ocked our 'orses,
    'E cut our sentries up at Suakim,
      An' 'e played the cat an' banjo with our forces.

        So 'ere's _to_ you, Fuzzy-Wuzzy, at your 'ome in the Sowdan;
        You 're a poor benighted 'eathen, but a first-class fightin' man;
        We gives you your certifikit, an' if you want it signed,
        We'll come an' 'ave a romp with you whenever you're inclined.

    We took our chanst among the Khyber hills,
      The Boers knocked us silly at a mile,
    The Burman guv us Irriwaddy chills,
      An' a Zulu _impi_ dished us up in style;
    But all we ever got from such as they
      Was pop to what the Fuzzy made us swaller;
    We 'eld our bloomin' own, the papers say,
      But man for man the Fuzzy knocked us 'oller.

        Then 'ere's _to_ you, Fuzzy-Wuzzy, an' the missis an' the kid,
        Our orders was to break you, an' of course we went an' did.
        We sloshed you with Martinis, an' it was n't 'ardly fair;
        But for all the odds agin you, Fuzzy Wuz, you bruk the square.

    'E 'as n't got no papers of 'is own,
      'E 'as n't got no medals nor rewards,
    So we must certify the skill 'e 's shown
      In usin' of 'is long two-'anded swords;
    When 'e 's 'oppin' in an' out among the bush
      With 'is coffin-headed shield an' shovel-spear,
    A 'appy day with Fuzzy on the rush
      Will last a 'ealthy Tommy for a year.

        So 'ere 's _to_ you, Fuzzy-Wuzzy, an' your friends which is no
            more,
      If we 'ad n't lost some messmates we would 'elp you to deplore;
        But give an' take 's the gospel, an' we'll call the bargain fair,
          For if you 'ave lost more than us, you crumpled up the square!

    'E rushes at the smoke, when we let drive,
      An', before we know, 'e 's 'ackin' at our 'ead;
    'E 's all 'ot sand an ginger when alive,
      An' 'e 's generally shammin' when 'e 's dead.
    'E 's a daisy, 'e 's a duck, 'e 's a lamb!
      'E 's a Injun-rubber idiot on the spree,
    'E 's the on'y thing that does n't care a clam
      For the Regiment o' British Infantree.

        So 'ere's _to_ you, Fuzzy-Wuzzy, at your 'ome in the Sowdan;
        You 're a pore benighted 'eathen but a first-class fightin' man;
        An' 'ere's _to_ you, Fuzzy-Wuzzy, with your 'ayrick 'ead of 'air--
        You big black boundin' beggar--for you bruk a British square.




III

THE ENGLISH FLAG

     Above the portico the Union Jack remained fluttering in the
     flames for some time, but ultimately when it fell the crowds
     rent the air with shouts, and seemed to see significance in
     the incident.--_Daily Papers._


    Winds of the World, give answer? They are whimpering to and fro--
    And what should they know of England who only England know?--
    The poor little street-bred people that vapour and fume and brag,
    They are lifting their heads in the stillness to yelp at the English
        Flag!

    Must we borrow a clout from the Boer--to plaster anew with dirt?
    An Irish liar's bandage, or an English coward's shirt?
    We may not speak of England; her Flag's to sell or share.
    What is the Flag of England? Winds of the World, declare!

    The North Wind blew:--"From Bergen my steel-shod vanguards go;
    I chase your lazy whalers home from the Disko floe;
    By the great North Lights above me I work the will of God,
    That the liner splits on the ice-field or the Dogger fills with cod.

    "I barred my gates with iron, I shuttered my doors with flame,
    Because to force my ramparts your nutshell navies came;
    I took the sun from their presence, I cut them down with my blast,
    And they died, but the Flag of England blew free ere the spirit passed.

    "The lean white bear hath seen it in the long, long Arctic night,
    The musk-ox knows the standard that flouts the Northern Light:
    What is the Flag of England? Ye have but my bergs to dare,
    Ye have but my drifts to conquer. Go forth, for it is there!"

    The South Wind sighed:--"From The Virgins my mid-sea course was ta'en
    Over a thousand islands lost in an idle main,
    Where the sea-egg flames on the coral and the long-backed breakers
        croon
    Their endless ocean legends to the lazy, locked lagoon.

    "Strayed amid lonely islets, mazed amid outer keys,
    I waked the palms to laughter--I tossed the scud in the breeze--
    Never was isle so little, never was sea so lone,
    But over the scud and the palm-trees an English flag was flown.

    "I have wrenched it free from the halliard, to hang for a wisp on
        the Horn;
    I have chased it north to the Lizard--ribboned and rolled and torn;
    I have spread its fold o'er the dying, adrift in a hopeless sea;
    I have hurled it swift on the slaver, and seen the slave set free.

    "My basking sunfish know it, and wheeling albatross,
    Where the lone wave fills with fire beneath the Southern Cross.
    What is the Flag of England? Ye have but my reefs to dare,
    Ye have but my seas to furrow. Go forth, for it is there!"

    The East Wind roared:--"From the Kuriles, the Bitter Seas, I come,
    And me men call the Home-Wind, for I bring the English home.
    Look--look well to your shipping! By the breath of my mad typhoon
    I swept your close-packed Praya and beached your best at Kowloon!

    "The reeling junks behind me and the racing seas before,
    I raped your richest roadstead--I plundered Singapore!
    I set my hand on the Hoogli; as a hooded snake she rose,
    And I flung your stoutest steamers to roost with the startled crows.

    "Never the lotos closes, never the wild-fowl wake,
    But a soul goes out on the East Wind that died for England's sake--
    Man or woman or suckling, mother or bride or maid--
    Because on the bones of the English the English Flag is stayed.

    "The desert-dust hath dimmed it, the flying wild-ass knows.
    The scared white leopard winds it across the taint-less snows.
    What is the Flag of England? Ye have but my sun to dare,
    Ye have but my sands to travel. Go forth, for it is there!"

    The West Wind called:--"In squadrons the thoughtless galleons fly
    That bear the wheat and cattle lest street-bred people die.
    They make my might their porter, they make my house their path,
    Till I loose my neck from their rudder and whelm them all in my wrath.

    "I draw the gliding fog-bank as a snake is drawn from the hole;
    They bellow one to the other, the frightened ship-bells toll,
    For day is a drifting terror till I raise the shroud with my breath,
    And they see strange bows above them and the two go locked to death.

    "But whether in calm or wrack-wreath, whether by dark or day,
    I heave them whole to the conger or rip their plates away,
    First of the scattered legions, under a shrieking sky,
    Dipping between the rollers, the English Flag goes by.

    "The dead dumb fog hath wrapped it--the frozen dews have kissed--
    The naked stars have seen it, a fellow-star in the mist.
    What is the Flag of England? Ye have but my breath to dare,
    Ye have but my waves to conquer. Go forth, for it is there!"




IV

THE KING


    "Farewell, Romance!" the Cave-men said;
      "With bone well carved he went away;
    Flint arms the ignoble arrowhead,
      And jasper tips the spear to-day.
    Changed are the Gods of Hunt and Dance,
    And he with these. Farewell, Romance!"

    "Farewell, Romance!" the Lake-folk sighed;
      "We lift the weight of flatling years;
    The caverns of the mountain side
      Hold him who scorns our hutted piers.
    Lost hills whereby we dare not dwell,
    Guard ye his rest. Romance, farewell!"

    "Farewell, Romance!" the Soldier spoke;
      "By sleight of sword we may not win,
    But scuffle 'mid uncleanly smoke
      Of arquebus and culverin.
    Honour is lost, and none may tell
    Who paid good blows. Romance, farewell!"

    "Farewell, Romance!" the Traders cried;
      "Our keels ha' lain with every sea;
    The dull-returning wind and tide
      Heave up the wharf where we would be;
    The known and noted breezes swell
    Our trudging sail. Romance, farewell!"

    "Good-bye, Romance!" the Skipper said;
      "He vanished with the coal we burn;
    Our dial marks full steam ahead.
      Our speed is timed to half a turn.
    Sure as the tidal trains we ply
    'Twixt port and port. Romance, good-bye!"

    "Romance!" the Season-tickets mourn,
      "_He_ never ran to catch his train,
    But passed with coach and guard and horn--
      And left the local--late again!
    Confound Romance!" ... And all unseen
    Romance brought up the nine-fifteen.

    His hand was on the lever laid,
      His oil-can soothed the worrying cranks,
    His whistle waked the snow-bound grade,
      His fog-horn cut the reeking Banks;
    In dock and deep and mine and mill
    The Boy-god reckless laboured still.

    Robed, crowned and throned, he wove his spell,
      Where heart-blood beat or hearth-smoke curled
    With unconsidered miracle,
      Hedged in a backward-gazing world:
    Then taught his chosen bard to say:
    "The King was with us--yesterday!"




V

TO THE UNKNOWN GODDESS


    Will you conquer my heart with your beauty, my soul going out from
        afar?
    Shall I fall to your hand as a victim of crafty and cautious _shikar_?

    Have I met you and passed you already, unknowing, unthinking, and blind
    Shall I meet you next session at Simla, oh, sweetest and best of your
        kind?

           *       *       *       *       *

    Ah, Goddess! child, spinster, or widow--as of old on Mars Hill when
        they raised
    To the God that they knew not an altar--so I, a young Pagan, have
        praised.

    The Goddess I know not nor worship; yet if half that men tell me be
        true,
    You will come in the future, and therefore these verses are written
        to you.




VI

THE GALLEY SLAVE


    Oh, gallant was our galley from her carven steering-wheel
    To her figurehead of silver and her beak of hammered steel;
    The leg-bar chafed the ankle, and we gasped for cooler air,
    But no galley on the water with our galley could compare!

    Our bulkheads bulged with cotton and our masts were stepped in gold--
    We ran a mighty merchandise of Negroes in the hold;
    The white foam spun behind us, and the black shark swam below,
    As we gripped the kicking sweep-head and we made that galley go.

    It was merry in the galley, for we revelled now and then--
    If they wore us down like cattle, faith, we fought and loved like men!
    As we snatched her through the water, so we snatched a minute's bliss,
    And the mutter of the dying never spoiled the lover's kiss.

    Our women and our children toiled beside us in the dark--
    They died, we filed their fetters, and we heaved them to the shark--
    We heaved them to the fishes, but so fast the galley sped,
    We had only time to envy, for we could not mourn our dead.

    Bear witness, once my comrades, what a hard-bit gang were we--
    The servants of the sweep-head, but the masters of the sea!
    By the hands that drove her forward as she plunged and yawed and
        sheered,
    Woman, Man, or God, or Devil, was there anything we feared?

    Was it storm? Our fathers faced it, and a wilder never blew;
    Earth that waited for the wreckage watched the galley struggle through.
    Burning noon or choking midnight, Sickness, Sorrow, Parting, Death?
    Nay our very babes would mock you, had they time for idle breath.

    But to-day I leave the galley, and another takes my place;
    There's my name upon the deck-beam--let it stand a little space.
    I am free--to watch my messmates beating out to open main,
    Free of all that Life can offer--save to handle sweep again.

    By the brand upon my shoulder, by the gall of clinging steel,
    By the welt the whips have left me, by the scars that never heal;
    By eyes grown old with staring through the sun-wash on the brine,
    I am paid in full for service--would that service still were mine!

           *       *       *       *       *

    It may be that Fate will give me life and leave to row once more--
    Set some strong man free for fighting as I take awhile his oar.
    But to-day I leave the galley. Shall I curse her service then?
    God be thanked--whate'er comes after, I have lived and toiled with men!




VII

THE SHIP THAT FOUND HERSELF


It was her first voyage, and though she was but a cargo-steamer of
twenty-five hundred tons, she was the very best of her kind, the
outcome of forty years of experiments and improvements in framework
and machinery; and her designers and owner thought as much of her as
though she had been the _Lucania_. Anyone can make a floating hotel
that will pay expenses, if he puts enough money into the saloon, and
charges for private baths, suites of rooms, and such like; but in
these days of competition and low freights every square inch of a
cargo-boat must be built for cheapness, great hold-capacity, and a
certain steady speed. This boat was, perhaps, two hundred and forty
feet long and thirty-two feet wide, with arrangements that enabled her
to carry cattle on her main and sheep on her upper deck if she wanted
to; but her great glory was the amount of cargo that she could store
away in her holds. Her owners--they were a very well-known Scotch
firm--came round with her from the north, where she had been launched
and christened and fitted, to Liverpool, where she was to take cargo
for New York; and the owner's daughter, Miss Frazier, went to and fro
on the clean decks, admiring the new paint and the brass work, and the
patent winches, and particularly the strong, straight bow, over which
she had cracked a bottle of champagne when she named the steamer the
_Dimbula_. It was a beautiful September afternoon, and the boat in all
her newness--she was painted lead-colour with a red funnel--looked
very fine indeed. Her house-flag was flying, and her whistle from time
to time acknowledged the salutes of friendly boats, who saw that she
was new to the High and Narrow Seas and wished to make her welcome.

"And now," said Miss Frazier, delightedly, to the captain, "she's a
real ship, is n't she? It seems only the other day father gave the
order for her, and now--and now--is n't she a beauty!" The girl was
proud of the firm, and talked as though she were the controlling
partner.

"Oh, she's no so bad," the skipper replied cautiously. "But I'm sayin'
that it takes more than christenin' to mak' a ship. In the nature o'
things, Miss Frazier, if ye follow me, she's just irons and rivets and
plates put into the form of a ship. She has to find herself yet."

"I thought father said she was exceptionally well found."

"So she is," said the skipper, with a laugh. "But it's this way wi'
ships, Miss Frazier. She's all here, but the parrts of her have not
learned to work together yet. They've had no chance."

"The engines are working beautifully. I can hear them."

"Yes, indeed. But there's more than engines to a ship. Every inch of
her, ye'll understand, has to be livened up and made to work wi' its
neighbour--sweetenin' her, we call it, technically."

"And how will you do it?" the girl asked.

"We can no more than drive and steer her, and so forth; but if we have
rough weather this trip--it's likely--she'll learn the rest by heart!
For a ship, ye'll obsairve, Miss Frazier, is in no sense a reegid body
closed at both ends. She's a highly complex structure o' various an'
conflictin' strains, wi' tissues that must give an' tak' accordin' to
her personal modulus of elasteecity." Mr. Buchanan, the chief
engineer, was coming toward them. "I'm sayin' to Miss Frazier, here,
that our little _Dimbula_ has to be sweetened yet, and nothin' but a
gale will do it. How's all wi' your engines, Buck?"

"Well enough--true by plumb an' rule, o' course; but there's no
spontaneeity yet." He turned to the girl. "Take my word, Miss Frazier,
and maybe ye'll comprehend later; even after a pretty girl's
christened a ship it does not follow that there's such a thing as a
ship under the men that work her."

"I was sayin' the very same, Mr. Buchanan," the skipper interrupted.

"That's more metaphysical than I can follow," said Miss Frazier,
laughing.

"Why so? Ye're good Scotch, an'--I knew your mother's father, he was
fra' Dumfries--ye've a vested right in metapheesics, Miss Frazier,
just as ye have in the _Dimbula_," the engineer said.

"Eh, well, we must go down to the deep watters, an' earn Miss Frazier
her deevidends. Will you not come to my cabin for tea?" said the
skipper. "We'll be in dock the night, and when you're goin' back to
Glasgie ye can think of us loadin' her down an' drivin' her forth--all
for your sake."

In the next few days they stowed some four thousand tons' dead weight
into the _Dimbula_, and took her out from Liverpool. As soon as she
met the lift of the open water, she naturally began to talk. If you
lay your ear to the side of the cabin next time you are in a steamer,
you will hear hundreds of little voices in every direction, thrilling
and buzzing, and whispering and popping, and gurgling and sobbing and
squeaking exactly like a telephone in a thunder-storm. Wooden ships
shriek and growl and grunt, but iron vessels throb and quiver through
all their hundreds of ribs and thousands of rivets. The _Dimbula_ was
very strongly built, and every piece of her had a letter or number, or
both, to describe it; and every piece had been hammered, or forged,
or rolled, or punched by man, and had lived in the roar and rattle of
the shipyard for months. Therefore, every piece had its own separate
voice in exact proportion to the amount of trouble spent upon it.
Cast-iron as a rule, says very little; but mild steel plates and
wrought-iron, and ribs and beams that have been much bent and welded
and riveted, talk continuously. Their conversation, of course, is not
half as wise as our human talk, because they are all, though they do
not know it, bound down one to the other in a black darkness, where
they cannot tell what is happening near them, nor what will overtake
them next.

As soon as she had cleared the Irish coast a sullen gray-headed old
wave of the Atlantic climbed leisurely over her straight bows, and sat
down on her steam-capstan used for hauling up the anchor. Now the
capstan and the engine that drove it had been newly painted red and
green; besides which, nobody likes being ducked.

"Don't you do that again," the capstan sputtered through the teeth of
his cogs. "Hi! Where's the fellow gone?"

The wave had slouched overside with a plop and a chuckle; but "Plenty
more where he came from," said a brother-wave, and went through and
over the capstan, who was bolted firmly to an iron plate on the iron
deck-beams below.

"Can't you keep still up there?" said the deck-beams. "What's the
matter with you? One minute you weigh twice as much as you ought to,
and the next you don't!"

"It is n't my fault," said the capstan. "There's a green brute outside
that comes and hits me on the head."

"Tell that to the shipwrights. You've been in position for months and
you've never wriggled like this before. If you are n't careful you'll
strain _us_."

"Talking of strain," said a low, rasping, unpleasant voice, "are any
of you fellows--you deck-beams, we mean--aware that those exceedingly
ugly knees of yours happen to be riveted into our structure--_ours_?"

"Who might you be?" the deck-beams inquired.

"Oh, nobody in particular," was the answer. "We're only the port and
starboard upper-deck stringers; and if you persist in heaving and
hiking like this, we shall be reluctantly compelled to take steps."

Now the stringers of the ship are long iron girders, so to speak, that
run lengthways from stern to bow. They keep the iron frames (what are
called ribs in a wooden ship) in place, and also help to hold the ends
of the deck-beams, which go from side to side of the ship. Stringers
always consider themselves most important, because they are so long.

"You will take steps--will you?" This was a long echoing rumble. It
came from the frames--scores and scores of them, each one about
eighteen inches distant from the next, and each riveted to the
stringers in four places. "We think you will have a certain amount of
trouble in _that_;" and thousands and thousands of the little rivets
that held everything together whispered: "You will. You will! Stop
quivering and be quiet. Hold on, brethren! Hold on! Hot Punches!
What's that?"

Rivets have no teeth, so they cannot chatter with fright; but they did
their best as a fluttering jar swept along the ship from stern to bow,
and she shook like a rat in a terrier's mouth.

An unusually severe pitch, for the sea was rising, had lifted the big
throbbing screw nearly to the surface, and it was spinning round in a
kind of soda-water--half sea and half air--going much faster than was
proper, because there was no deep water for it to work in. As it sank
again, the engines--and they were triple expansion, three cylinders in
a row--snorted through all their three pistons, "Was that a joke, you
fellow outside? It's an uncommonly poor one. How are we to do our work
if you fly off the handle that way?"

"I did n't fly off the handle," said the screw, twirling huskily at
the end of the screw-shaft. "If I had, you'd have been scrap-iron by
this time. The sea dropped away from under me, and I had nothing to
catch on to. That's all."

"That's all, d'you call it?" said the thrust-block whose business it
is to take the push of the screw; for if a screw had nothing to hold
it back it would crawl right into the engine-room. (It is the holding
back of the screwing action that gives the drive to a ship.) "I know I
do my work deep down and out of sight, but I warn you I expect
justice. All I ask for is bare justice. Why can't you push steadily
and evenly instead of whizzing like a whirligig, and making me hot
under all my collars." The thrust-block had six collars, each faced
with brass, and he did not wish to get them heated.

All the bearings that supported the fifty feet of screw-shaft as it
ran to the stern whispered: "Justice--give us justice."

"I can only give you what I can get," the screw answered. "Look out!
It's coming again!"

He rose with a roar as the _Dimbula_ plunged, and
"whack--flack--whack--whack" went the engines, furiously, for they had
little to check them.

"I'm the noblest outcome of human ingenuity--Mr. Buchanan says so,"
squealed the high-pressure cylinder. "This is simply ridiculous!" The
piston went up savagely, and choked, for half the steam behind it was
mixed with dirty water. "Help! Oiler! Fitter! Stoker! Help! I'm
choking," it gasped. "Never in the history of maritime invention has
such a calamity overtaken one so young and strong. And if I go, who's
to drive the ship?"

"Hush! oh, hush!" whispered the Steam, who, of course, had been to sea
many times before. He used to spend his leisure ashore in a cloud, or
a gutter, or a flower-pot, or a thunder-storm, or anywhere else where
water was needed. "That's only a little priming, a little
carrying-over, as they call it. It'll happen all night, on and off. I
don't say it's nice, but it's the best we can do under the
circumstances."

"What difference can circumstances make? I'm here to do my work--on
clean, dry steam. Blow circumstances!" the cylinder roared.

"The circumstances will attend to the blowing. I've worked on the
North Atlantic run a good many times--it's going to be rough before
morning."

"It is n't distressingly calm now," said the extra-strong frames--they
were called web-frames--in the engine-room. "There's an upward thrust
that we don't understand, and there's a twist that is very bad for our
brackets and diamond-plates, and there's a sort of west-north-westerly
pull that follows the twist, which seriously annoys us. We mention
this because we happened to cost a good deal of money, and we feel
sure that the owner would not approve of our being treated in this
frivolous way."

"I'm afraid the matter is out of owner's hand, for the present," said
the Steam, slipping into the condenser. "You're left to your own
devices till the weather betters."

"I would n't mind the weather," said a flat bass voice below; "it's
this confounded cargo that's breaking my heart. I'm the
garboard-strake, and I'm twice as thick as most of the others, and I
ought to know something."

The garboard-strake is the lowest plate in the bottom of a ship, and
the _Dimbula's_ garboard-strake was nearly three-quarters of an inch
mild steel.

"The sea pushes me up in a way I should never have expected," the
strake grunted, "and the cargo pushes me down, and, between the two, I
don't know what I'm supposed to do."

"When in doubt, hold on," rumbled the Steam, making head in the
boilers.

"Yes; but there's only dark, and cold, and hurry, down here; and how
do I know whether the other plates are doing their duty? Those
bulwark-plates up above, I've heard, ain't more than five-sixteenths
of an inch thick--scandalous, I call it."

"I agree with you," said a huge web-frame by the main cargo-hatch. He
was deeper and thicker than all the others, and curved half-way across
the ship in the shape of half an arch, to support the deck where deck
beams would have been in the way of cargo coming up and down. "I work
entirely unsupported, and I observe that I am the sole strength of
this vessel, so far as my vision extends. The responsibility, I assure
you, is enormous. I believe the money-value of the cargo is over one
hundred and fifty thousand pounds. Think of that!"

"And every pound of it is dependent on my personal exertions." Here
spoke a sea-valve that communicated directly with the water outside,
and was seated not very far from the garboard-strake. "I rejoice to
think that I am a Prince-Hyde Valve, with best Para rubber facings.
Five patents cover me--I mention this without pride--five separate and
several patents, each one finer than the other. At present I am
screwed fast. Should I open, you would immediately be swamped. This is
incontrovertible!"

Patent things always use the longest words they can. It is a trick
that they pick up from their inventors.

"That's news," said a big centrifugal bilge-pump. "I had an idea that
you were employed to clean decks and things with. At least, I've used
you for that more than once. I forget the precise number, in
thousands, of gallons which I am guaranteed to throw per hour; but I
assure you, my complaining friends, that there is not the least
danger. I alone am capable of clearing any water that may find its way
here. By my Biggest Deliveries, we pitched then!"

The sea was getting up in workmanlike style. It was a dead westerly
gale, blown from under a ragged opening of green sky, narrowed on all
sides by fat, gray clouds; and the wind bit like pincers as it fretted
the spray into lacework on the flanks of the waves.

"I tell you what it is," the foremast telephoned down its wire-stays.
"I'm up here, and I can take a dispassionate view of things. There's
an organized conspiracy against us. I'm sure of it, because every
single one of these waves is heading directly for our bows. The whole
sea is concerned in it--and so's the wind. It's awful!"

"What's awful?" said a wave, drowning the capstan for the hundredth
time.

"This organized conspiracy on your part," the capstan gurgled, taking
his cue from the mast.

"Organized bubbles and spindrift! There has been a depression in the
Gulf of Mexico. Excuse me!" He leaped overside; but his friends took
up the tale one after another.

"Which has advanced----" That wave hove green water over the funnel.

"As far as Cape Hatteras----" He drenched the bridge.

"And is now going out to sea--to sea--to sea!" The third went free in
three surges, making a clean sweep of a boat, which turned bottom up
and sank in the darkening troughs alongside, while the broken falls
whipped the davits.

"That's all there is to it," seethed the white water roaring through
the scuppers. "There's no animus in our proceedings. We're only
meteorological corollaries."

"Is it going to get any worse?" said the bow-anchor, chained down to
the deck, where he could only breathe once in five minutes.

"Not knowing, can't say. Wind may blow a bit by midnight. Thanks
awfully. Good-bye."

The wave that spoke so politely had travelled some distance aft, and
found itself all mixed up on the deck amidships, which was a well-deck
sunk between high bulwarks. One of the bulwark plates, which was hung
on hinges to open outward, had swung out, and passed the bulk of the
water back to the sea again with a clean smack.

"Evidently that's what I'm made for," said the plate, closing again
with a sputter of pride. "Oh, no, you don't my friend!"

The top of a wave was trying to get in from the outside, but as the
plate did not open in that direction, the defeated water spurted back.

"Not bad for five-sixteenths of an inch," said the bulwark-plate. "My
work, I see, is laid down for the night"; and it began opening and
shutting, as it was designed to do, with the motion of the ship.

"We are not what you might call idle," groaned all the frames
together, as the _Dimbula_ climbed a big wave, lay on her side at the
top, and shot into the next hollow, twisting in the descent. A huge
swell pushed up exactly under her middle, and her bow and stern hung
free with nothing to support them. Then one joking wave caught her up
at the bow, and another at the stern, while the rest of the water
slunk away from under her just to see how she would like it; so she
was held up at her two ends only, and the weight of the cargo and the
machinery fell on the groaning iron keels and bilge-stringers.

"Ease off! Ease off, there!" roared the garboard-strake. "I want
one-eighth of an inch fair play. D' you hear me, you rivets!"

"Ease off! Ease off!" cried the bilge-stringers. "Don't hold us so
tight to the frames!"

"Ease off!" grunted the deck-beams, as the _Dimbula_ rolled fearfully.
"You've cramped our knees into the stringers, and we can't move. Ease
off, you flat-headed little nuisances."

Then two converging seas hit the bows, one on each side, and fell away
in torrents of streaming thunder.

"Ease off!" shouted the forward collision-bulkhead. "I want to crumple
up, but I'm stiffened in every direction. Ease off, you dirty little
forge-filings. Let me breathe!"

All the hundreds of plates that are riveted to the frames, and make
the outside skin of every steamer, echoed the call, for each plate
wanted to shift and creep a little, and each plate, according to its
position, complained against the rivets.

"We can't help it! _We_ can't help it!" they murmured in reply. "We're
put here to hold you, and we're going to do it; you never pull us
twice in the same direction. If you'd say what you were going to do
next, we'd try to meet your views."

"As far as I could feel," said the upper-deck planking, and that was
four inches thick, "every single iron near me was pushing or pulling
in opposite directions. Now, what's the sense of that? My friends, let
us all pull together."

"Pull any way you please," roared the funnel, "so long as you don't
try your experiments on _me_. I need fourteen wire ropes, all pulling
in different directions, to hold me steady. Is n't that so?"

"We believe you, my boy!" whistled the funnel-stays through their
clinched teeth, as they twanged in the wind from the top of the funnel
to the deck.

"Nonsense! We must all pull together," the decks repeated. "Pull
lengthways."

"Very good," said the stringers; "then stop pushing sideways when you
get wet. Be content to run gracefully fore and aft, and curve in at
the ends as we do."

"No--no curves at the end! A very slight workmanlike curve from side
to side, with a good grip at each knee, and little pieces welded on,"
said the deck-beams.

"Fiddle!" cried the iron pillars of the deep, dark hold. "Who ever
heard of curves? Stand up straight; be a perfectly round column, and
carry tons of good solid weight--like that! There!" A big sea smashed
on the deck above, and the pillars stiffened themselves to the load.

"Straight up and down is not bad," said the frames, who ran that way
in the sides of the ship, "but you must also expand yourselves
sideways. Expansion is the law of life, children. Open out! open out!"

"Come back!" said the deck-beams, savagely, as the upward heave of the
sea made the frames try to open. "Come back to your bearings, you
slack-jawed irons!"

"Rigidity! Rigidity! Rigidity!" thumped the engines. "Absolute,
unvarying rigidity--rigidity!"

"You see!" whined the rivets, in chorus. "No two of you will ever pull
alike, and--and you blame it all on us. We only know how to go through
a plate and bite down on both sides so that it can't, and must n't,
and shan't move."

"I've got one-fraction of an inch play, at any rate," said the
garboard-strake, triumphantly. So he had, and all the bottom of the
ship felt the easier for it.

"Then we're no good," sobbed the bottom rivets. "We were ordered--we
were ordered--never to give; and we've given, and the sea will come
in, and we'll all go to the bottom together! First we're blamed for
everything unpleasant, and now we have n't the consolation of having
done our work."

"Don't say I told you," whispered the Steam, consolingly; "but,
between you and me and the last cloud I came from, it was bound to
happen sooner or later. You _had_ to give a fraction, and you've given
without knowing it. Now, hold on, as before."

"What's the use?" a few hundred rivets chattered. "We've given--we've
given; and the sooner we confess that we can't keep the ship together,
and go off our little heads, the easier it will be. No rivet forged
can stand this strain."

"No one rivet was ever meant to. Share it among you," the Steam
answered.

"The others can have my share. I'm going to pull out," said a rivet in
one of the forward plates.

"If you go, others will follow," hissed the Steam. "There's nothing so
contagious in a boat as rivets going. Why, I knew a little chap like
you--he was an eighth of an inch fatter, though--on a steamer--to be
sure, she was only twelve hundred tons, now I come to think of it--in
exactly the same place as you are. He pulled out in a bit of a bobble
of a sea, not half as bad as this, and he started all his friends on
the same butt-strap, and the plates opened like a furnace door, and I
had to climb into the nearest fog-bank, while the boat went down."

"Now that's peculiarly disgraceful," said the rivet. "Fatter than me,
was he, and in a steamer not half our tonnage? Reedy little peg! I
blush for the family, sir." He settled himself more firmly than ever
in his place, and the Steam chuckled.

"You see," he went on, quite gravely, "a rivet, and especially a rivet
in your position, is really the one indispensable part of the ship."

The Steam did not say that he had whispered the very same thing to
every single piece of iron aboard. There is no sense in telling too
much truth.

And all that while the little _Dimbula_ pitched and chopped, and swung
and slewed, and lay down as though she were going to die, and got up
as though she had been stung, and threw her nose round and round in
circles half a dozen times as she dipped; for the gale was at its
worst. It was inky black, in spite of the tearing white froth on the
waves, and, to top everything, the rain began to fall in sheets, so
that you could not see your hand before your face. This did not make
much difference to the ironwork below, but it troubled the foremast a
good deal.

"Now it's all finished," he said dismally. "The conspiracy is too
strong for us. There is nothing left but to----"

"_Hurraar! Brrrraaah! Brrrrrrp!_" roared the Steam through the
fog-horn, till the decks quivered. "Don't be frightened, below. It's
only me, just throwing out a few words, in case any one happens to be
rolling round to-night."

"You don't mean to say there's any one except us on the sea in such
weather?" said the funnel in a husky snuffle.

"Scores of 'em," said the Steam, clearing its throat; "_Rrrrrraaa!
Brraaaaa! Prrrrp!_ It's a trifle windy up here; and, Great Boilers!
how it rains!"

"We're drowning," said the scuppers. They had been doing nothing else
all night, but this steady thrash of rain above them seemed to be the
end of the world.

"That's all right. We'll be easier in an hour or two. First the wind
and then the rain: Soon you may make sail again! _Grrraaaaaah!
Drrrraaaa! Drrrp!_ I have a notion that the sea is going down already.
If it does you'll learn something about rolling. We've only pitched
till now. By the way, are n't you chaps in the hold a little easier
than you were?"

There was just as much groaning and straining as ever, but it was not
so loud or squeaky in tone; and when the ship quivered she did not jar
stiffly, like a poker hit on the floor, but gave with a supple little
waggle, like a perfectly balanced golf-club.

"We have made a most amazing discovery," said the stringers, one after
another. "A discovery that entirely changes the situation. We have
found, for the first time in the history of ship-building, that the
inward pull of the deck-beams and the outward thrust of the frames
locks us, as it were, more closely in our places, and enables us to
endure a strain which is entirely without parallel in the records of
marine architecture."

The Steam turned a laugh quickly into a roar up the fog-horn. "What
massive intellects you great stringers have," he said softly, when he
had finished.

"We also," began the deck-beams, "are discoverers and geniuses. We are
of opinion that the support of the hold-pillars materially helps us.
We find that we lock up on them when we are subjected to a heavy and
singular weight of sea above."

Here the _Dimbula_ shot down a hollow, lying almost on her
side--righting at the bottom with a wrench and a spasm.

"In these cases--are you aware of this, Steam?--the plating at the
bows, and particularly at the stern--we would also mention the floors
beneath us--help _us_ to resist any tendency to spring." The frames
spoke, in the solemn, awed voice which people use when they have just
come across something entirely new for the very first time.

"I'm only a poor puffy little flutterer," said the Steam, "but I have
to stand a good deal of pressure in my business. It's all tremendously
interesting. Tell us some more. You fellows are so strong."

"Watch us and you'll see," said the bow-plates, proudly. "Ready,
behind there! Here's the Father and Mother of Waves coming! Sit tight,
rivets all!" A great sluicing comber thundered by, but through the
scuffle and confusion the Steam could hear the low, quick cries of the
ironwork as the various strains took them--cries like these: "Easy,
now--easy! _Now_ push for all your strength! Hold out! Give a
fraction! Holdup! Pull in! Shove crossways! Mind the strain at the
ends! Grip, now! Bite tight! Let the water get away from under--and
there she goes!"

The wave raced off into the darkness, shouting, "Not bad, that, if
it's your first run!" and the drenched and ducked ship throbbed to the
beat of the engines inside her. All three cylinders were white with
the salt spray that had come down through the engine-room hatch; there
was white fur on the canvas-bound steam-pipes, and even the
bright-work deep below was speckled and soiled; but the cylinders had
learned to make the most of steam that was half water, and were
pounding along cheerfully.

"How's the noblest outcome of human ingenuity hitting it?" said the
Steam, as he whirled through the engine-room.

"Nothing for nothing in this world of woe," the cylinders answered, as
though they had been working for centuries, "and precious little for
seventy-five pounds' head. We've made two knots this last hour and a
quarter! Rather humiliating for eight hundred horse-power, is n't it?"

"Well, it's better than drifting astern, at any rate. You seem rather
less--how shall I put it?--stiff in the back than you were."

"If you'd been hammered as we've been this night, you would n't be
stiff--iff--iff, either. Theoreti--retti--retti--cally, of course,
rigidity is the thing. Purrr--purr--practically, there has to be a
little give and take. _We_ found that out by working on our sides for
five minutes at a stretch--chch--chh. How's the weather?"

"Sea's going down fast," said the Steam.

"Good business," said the high-pressure cylinder. "Whack her up, boys.
They've given us five pounds more steam"; and he began humming the
first bars of "Said the Young Obadiah to the Old Obadiah," which, as
you may have noticed, is a pet tune among engines not built for high
speed. Racing-liners with twin-screws sing "The Turkish Patrol" and
the overture to the "Bronze Horse," and "Madame Angot," till something
goes wrong, and then they render Gounod's "Funeral March of a
Marionette" with variations.

"You'll learn a song of your own some fine day," said the Steam, as he
flew up the fog-horn for one last bellow.

Next day the sky cleared and the sea dropped a little, and the
_Dimbula_ began to roll from side to side till every inch of iron in
her was sick and giddy. But luckily they did not all feel ill at the
same time: otherwise she would have opened out like a wet paper box.

The Steam whistled warnings as he went about his business: it is in
this short, quick roll and tumble that follows a heavy sea that most
of the accidents happen, for then everything thinks that the worst is
over and goes off guard. So he orated and chattered till the beams and
frames and floors and stringers and things had learned how to lock
down and lock up on one another, and endure this new kind of strain.

They found ample time to practise, for they were sixteen days at sea,
and it was foul weather till within a hundred miles of New York. The
_Dimbula_ picked up her pilot and came in covered with salt and red
rust. Her funnel was dirty gray from top to bottom; two boats had been
carried away; three copper ventilators looked like hats after a fight
with the police; the bridge had a dimple in the middle of it; the
house that covered the steam steering-gear was split as with hatchets;
there was a bill for small repairs in the engine-room almost as long
as the screw-shaft; the forward cargo-hatch fell into bucket-staves
when they raised the iron cross-bars; and the steam-capstan had been
badly wrenched on its bed. Altogether, as the skipper said, it was "a
pretty general average."

"But she's soupled," he said to Mr. Buchanan. "For all her dead weight
she rode like a yacht. Ye mind that last blow off the Banks? I am
proud of her, Buck."

"It's vera good," said the chief engineer, looking along the
dishevelled decks. "Now, a man judgin' superfeecially would say we
were a wreck, but we know otherwise--by experience."

Naturally everything in the _Dimbula_ fairly stiffened with pride, and
the foremast and the forward collision-bulkhead who are pushing
creatures, begged the Steam to warn the Port of New York of their
arrival. "Tell those big boats all about us," they said. "They seem to
take us quite as a matter of course."

It was a glorious, clear, dead calm morning, and in single file, with
less than half a mile between each, their bands playing and their
tug-boats shouting and waving handkerchiefs, were the _Majestic_, the
_Paris_, the _Touraine_, the _Servia_, the _Kaiser Wilhelm II._, and
the _Werkendam_, all statelily going out to sea. As the _Dimbula_
shifted her helm to give the great boats clear way, the Steam (who
knows far too much to mind making an exhibition of himself now and
then) shouted:

"Oyez! Oyez! Oyez! Princes, Dukes, and Barons of the High Seas! Know
ye by these presents, we are the _Dimbula_, fifteen days nine hours
from Liverpool, having crossed the Atlantic with four thousand ton of
cargo for the first time in our career! We have not foundered. We are
here, _'Eer! 'Eer!_ We are not disabled. But we have had a time wholly
unparalleled in the annals of ship-building! Our decks were swept! We
pitched; we rolled! We thought we were going to die! _Hi! Hi!_ But we
did n't. We wish to give notice that we have come to New York all the
way across the Atlantic through the worst weather in the world; and we
are the _Dimbula_! We are--arr--ha--ha--ha-r-r-r!"

The beautiful line of boats swept by as steadily as the procession of
the Seasons. The _Dimbula_ heard the _Majestic_ say, "Hmph!" and the
_Paris_ grunted, "How!" and the _Touraine_ said, "Oui!" with a little
coquettish flicker of steam; and the _Servia_ said "Haw!" and the
_Kaiser_ and the _Werkendam_ said, "Hoch!" Dutch fashion--and that was
absolutely all.

"I did my best," said the Steam, gravely, "but I don't think they were
much impressed with us, somehow. Do you?"

"It's simply disgusting," said the bow-plates. "They might have seen
what we've been through. There is n't a ship on the sea that has
suffered as we have--is there, now?"

"Well, I would n't go so far as that," said the Steam, "because I've
worked on some of those boats, and sent them through weather quite as
bad as the fortnight that we've had, in six days; and some of them are
a little over ten thousand tons, I believe. Now I've seen the
_Majestic_, for instance, ducked from her bows to her funnel; and I've
helped the _Arizona_, I think she was, to back off an iceberg she met
with one dark night; and I had to run out of the _Paris's_
engine-room, one day, because there was thirty foot of water in it. Of
course, I don't deny----" The Steam shut off suddenly, as a tug-boat,
loaded with a political club and a brass band, that had been to see a
New York Senator off to Europe, crossed their bows, going to Hoboken.
There was a long silence that reached, without a break, from the
cut-water to the propeller-blades of the _Dimbula_.

Then a new, big voice said slowly and thickly, as though the owner had
just waked up: "It's my conviction that I have made a fool of myself."

The Steam knew what had happened at once; for when a ship finds
herself all the talking of the separate pieces ceases and melts into
one voice, which is the soul of the ship.

"Who are you?" he said, with a laugh.

"I am the _Dimbula_, of course. I've never been anything else except
that--and a fool!"

The tug-boat, which was doing its very best to be run down, got away
just in time, its band playing clashily and brassily a popular but
impolite air:

    In the days of old Rameses--are you on?
    In the days of old Rameses--are you on?
    In the days of old Rameses,
    That story had paresis,
    Are you on--are you on--are you on?

"Well, I'm glad you've found yourself," said the Steam. "To tell the
truth I was a little tired of talking to all those ribs and stringers.
Here's Quarantine. After that we'll go to our wharf and clean up a
little, and--next month we'll do it all over again."




I

A TRIP ACROSS A CONTINENT[1]

     Harvey N. Cheyne, a spoiled darling, "perhaps fifteen years
     old," "an American--first, last, and all the time," had
     "staggered over the wet decks to the nearest rail," after
     trying to smoke a "Wheeling stogie." "He was fainting from
     seasickness, and a roll of the ship tilted him over the
     rail," where a "gray mother-wave tucked him under one arm."
     He was picked up by the fishing schooner _We're Here_, and
     after many marvellous experiences among the sailors arrived
     in port, a happier and wiser fellow. His telegram to his
     father brings the following result.


Cheyne was flying to meet the only son, so miraculously restored to
him. The bear was seeking his cub, not the bulls. Hard men who had
their knives drawn to fight for their financial lives put away the
weapons and wished him God-speed, while half a dozen panic-smitten
tin-pot roads perked up their heads and spoke of the wonderful things
they would have done had not Cheyne buried the hatchet.

[Footnote 1: A selection from "Captains Courageous," copyrighted by
The Century Company.]

It was a busy week-end among the wires; for, now that their anxiety
was removed, men and cities hastened to accommodate. Los Angeles
called to San Diego and Barstow that the Southern California engineers
might know and be ready in their lonely roundhouses; Barstow passed
the word to the Atlantic and Pacific; and Albuquerque flung it the
whole length of the Atchison, Topeka, and Santa Fe management, even
into Chicago. An engine, combination-car with crew, and the great and
gilded "Constance" private car were to be "expedited" over those two
thousand three hundred and fifty miles. The train would take
precedence of one hundred and seventy-seven others meeting and
passing; despatchers and crews of every one of those said trains must
be notified. Sixteen locomotives; sixteen engineers, and sixteen
firemen would be needed--each and every one the best available. Two
and one-half minutes would be allowed for changing engines, three for
watering, and two for coaling. "Warn the men, and arrange tanks and
chutes accordingly; for Harvey Cheyne is in a hurry, a hurry--hurry,"
sang the wires. "Forty miles an hour will be expected, and division
superintendents will accompany this special over their respective
divisions. From San Diego to Sixteenth Street, Chicago, let the magic
carpet be laid down. Hurry! oh, hurry!"

"It will be hot," said Cheyne, as they rolled out of San Diego in the
dawn of Sunday. "We're going to hurry, mamma, just as fast as ever we
can; but I really don't think there's any good of your putting on your
bonnet and gloves yet. You'd much better lie down and take your
medicine. I'd play you a game o' dominoes, but it's Sunday."

"I'll be good. Oh, I _will_ be good. Only--taking off my bonnet makes
me feel as if we'd never get there."

"Try to sleep a little, mamma, and we'll be in Chicago before you
know."

"But it's Boston, father. Tell them to hurry."

The six-foot drivers were hammering their way to San Bernardino and
the Mohave wastes, but this was no grade for speed. That would come
later. The heat of the desert followed the heat of the hills as they
turned east to the Needles and the Colorado River. The car cracked in
the utter drought and glare, and they put crushed ice to Mrs. Cheyne's
neck, and toiled up the long, long grades, past Ash Fork, toward
Flagstaff, where the forests and quarries are, under the dry, remote
skies. The needle of the speed-indicator flicked and wagged to and
fro, the cinders rattled on the roof, and a whirl of dust sucked after
the whirling wheels. The crew of the combination sat on their bunks,
panting in their shirt-sleeves, and Cheyne found himself among them
shouting old, old stories of the railroad that every trainman knows,
above the roar of the car. He told them about his son, and how the sea
had given up its dead, and they nodded and spat and rejoiced with him;
asked after "her, back there," and whether she could stand it if the
engineer "let her out a piece," and Cheyne thought she could.
Accordingly the great fire-horse was "let out" from Flagstaff to
Winslow, till a division superintendent protested.

But Mrs. Cheyne, in the boudoir stateroom, where the French maid,
sallow-white with fear, clung to the silver door-handle, only moaned a
little and begged her husband to bid them "hurry." And so they dropped
the dry sands and moon-struck rocks of Arizona behind them, and
grilled on till the crash of the couplings and the wheeze of the
brake-hose told them they were at Coolidge by the Continental Divide.

Three bold and experienced men--cool, confident, and dry when they
began; white, quivering, and wet when they finished their trick at
those terrible wheels--swung her over the great lift from Albuquerque
to Glorietta and beyond Springer, up and up to the Raton Tunnel on the
State line, whence they dropped rocking into La Junta, had sight of
the Arkansaw, and tore down the long slope to Dodge City, where Cheyne
took comfort once again from setting his watch an hour ahead.

There was very little talk in the car. The secretary and typewriter
sat together on the stamped Spanish-leather cushions by the
plate-glass observation-window at the rear end, watching the surge and
ripple of the ties crowded back behind them, and, it is believed,
making notes of the scenery. Cheyne moved nervously between his own
extravagant gorgeousness and the naked necessity of the combination,
an unlit cigar in his teeth, till the pitying crews forgot that he was
their tribal enemy, and did their best to entertain him.

At night the bunched electrics lit up that distressful palace of all
the luxuries, and they fared sumptuously, swinging on through the
emptiness of abject desolation. Now they heard the swish of a
water-tank, and the guttural voice of a Chinaman, the clink-clink of
hammers that tested the Krupp steel wheels, and the oath of a tramp
chased off the rear-platform; now the solid crash of coal shot into
the tender; and now a beating back of noises as they flew past a
waiting train. Now they looked out into great abysses, a trestle
purring beneath their tread, or up to rocks that barred out half the
stars. Now scaur and ravine changed and rolled back to jagged
mountains on the horizon's edge, and now broke into hills lower and
lower, till at last came the true plains.

At Dodge City an unknown hand threw in a copy of a Kansas paper
containing some sort of an interview with Harvey, who had evidently
fallen in with an enterprising reporter, telegraphed on from Boston.
The joyful journalese revealed that it was beyond question their boy,
and it soothed Mrs. Cheyne for a while. Her one word "hurry" was
conveyed by the crews to the engineers at Nickerson, Topeka, and
Marceline, where the grades are easy, and they brushed the Continent
behind them. Towns and villages were close together now, and a man
could feel here that he moved among people.

"I can't see the dial, and my eyes ache so. What are we doing?"

"The very best we can, mamma. There's no sense in getting in before
the Limited. We'd only have to wait."

"I don't care. I want to feel we're moving. Sit down and tell me the
miles."

Cheyne sat down and read the dial for her (there were some miles which
stand for records to this day), but the seventy-foot car never changed
its long steamer-like roll, moving through the heat with the hum of a
giant bee. Yet the speed was not enough for Mrs. Cheyne; and the heat,
the remorseless August heat, was making her giddy; the clock-hands
would not move, and when, oh, when would they be in Chicago?

It is not true that, as they changed engines at Fort Madison, Cheyne
passed over to the Amalgamated Brotherhood of Locomotive Engineers an
endowment sufficient to enable them to fight him and his fellows on
equal terms for evermore. He paid his obligations to engineers and
firemen as he believed they deserved, and only his bank knows what he
gave the crews who had sympathized with him. It is on record that the
last crew took entire charge of switching operations at Sixteenth
Street, because "she" was in a doze at last, and Heaven was to help
any one who bumped her.

Now the highly paid specialist who conveys the Lake Shore and
Michigan Southern Limited from Chicago to Elkhart is something of an
autocrat, and he does not approve of being told how to back up to a
car. None the less he handled the "Constance" as if she might have
been a load of dynamite, and when the crew rebuked him they did it in
whispers and dumb show.

"Pshaw!" said the Atchison, Topeka, and Santa Fe men, discussing life
later, "we were n't runnin' for a record. Harvey Cheyne's wife, she
was sick back, an' we did n't want to jounce her. Come to think of it,
our runnin' time from San Diego to Chicago was 57.54. You can tell
that to them Eastern way-trains. When we're tryin' for a record, we
'll let you know."

To the Western man (though this would not please either city) Chicago
and Boston are cheek by jowl, and some railroads encourage the
delusion. The Limited whirled the "Constance" into Buffalo and the
arms of the New York Central and Hudson River (illustrious magnates
with white whiskers and gold charms on their watch-chains boarded her
here to talk a little business to Cheyne), who slid her gracefully
into Albany, where the Boston and Albany completed the run from
tide-water to tide-water--total time, eighty-seven hours and
thirty-five minutes or three days, fifteen hours and one half. Harvey
was waiting for them.




II

THE CHILDREN OF THE ZODIAC[2]

     "It's too hard," said the Big Boy. "I don't know what
     'Zodiac' means." "I will hunt up the words for you in the
     dictionary," said the Little Girl. And when they came to the
     next story the Boy took pleasure in doing his own hunting in
     the dictionary.


    Though thou love her as thyself,
    As a self of purer clay,
    Though her parting dim the day,
    Stealing grace from all alive,
        Heartily know
        When half Gods go
    The gods arrive.--_Emerson._

Thousands of years ago, when men were greater than they are to-day,
the Children of the Zodiac lived in the world. There were six Children
of the Zodiac--the Ram, the Bull, the Lion, the Twins, and the Girl;
and they were afraid of the Six Houses which belonged to the Scorpion,
the Balance, the Crab, the Fishes, the Goat, and the Waterman. Even
when they first stepped down upon the earth and knew that they were
immortal Gods, they carried this fear with them; and the fear grew as
they became better acquainted with mankind and heard stories of the
Six Houses. Men treated the Children as Gods and came to them with
prayers and long stories of wrong, while the Children of the Zodiac
listened and could not understand.

[Footnote 2: Copyrighted, 1891, by Harper & Brothers.]

A mother would fling herself before the feet of the Twins, or the
Bull, crying: "My husband was at work in the fields and the Archer
shot him and he died; and my son will also be killed by the Archer.
Help me!" The Bull would lower his huge head and answer: "What is that
to me?" Or the Twins would smile and continue their play, for they
could not understand why the water ran out of people's eyes. At other
times a man and a woman would come to Leo or the Girl crying: "We two
are newly married and we are very happy. Take these flowers." As they
threw the flowers they would make mysterious sounds to show that they
were happy, and Leo and the Girl wondered even more than the Twins why
people shouted "Ha! ha! ha!" for no cause.

This continued for thousands of years by human reckoning, till on a
day, Leo met the Girl walking across the hills and saw that she had
changed entirely since he had last seen her. The Girl, looking at Leo,
saw that he too had changed altogether. Then they decided that it
would be well never to separate again, in case even more startling
changes should occur when the one was not at hand to help the other.
Leo kissed the Girl and all Earth felt that kiss, and the Girl sat
down on a hill and the water ran out of her eyes; and this had never
happened before in the memory of the Children of the Zodiac.

As they sat together a man and a woman came by, and the man said to
the woman:

"What is the use of wasting flowers on those dull Gods. They will
never understand, darling."

The Girl jumped up and put her arms around the woman, crying, "I
understand. Give me the flowers and I will give you a kiss."

Leo said beneath his breath to the man: "What was the new name that I
heard you give to your woman just now?"

The man answered, "Darling, of course."

"Why, of course," said Leo; "and if of course, what does it mean?"

"It means 'very dear,' and you have only to look at your wife to see
why."

"I see," said Leo; "you are quite right;" and when the man and the
woman had gone on he called the Girl "darling wife"; and the Girl wept
again from sheer happiness.

"I think," she said at last, wiping her eyes, "I think that we two
have neglected men and women too much. What did you do with the
sacrifices they made to you, Leo?"

"I let them burn," said Leo. "I could not eat them. What did you do
with the flowers?"

"I let them wither. I could not wear them, I had so many of my own,"
said the Girl, "and now I am sorry."

"There is nothing to grieve for," said Leo; "we belong to each other."

As they were talking the years of men's life slipped by unnoticed, and
presently the man and the woman came back, both white-headed, the man
carrying the woman.

"We have come to the end of things," said the man quietly. "This that
was my wife----"

"As I am Leo's wife," said the Girl quickly, her eyes staring.

"---- was my wife, has been killed by one of your Houses." The man set
down his burden, and laughed.

"Which House?" said Leo angrily, for he hated all the Houses equally.

"You are Gods, you should know," said the man. "We have lived together
and loved one another, and I have left a good farm for my son: what
have I to complain of except that I still live?"

As he was bending over his wife's body there came a whistling through
the air, and he started and tried to run away, crying, "It is the
arrow of the Archer. Let me live a little longer--only a little
longer!" The arrow struck him and he died. Leo looked at the Girl, and
she looked at him, and both were puzzled.

"He wished to die," said Leo. "He said that he wished to die, and
when Death came he tried to run away. He is a coward."

"No, he is not," said the Girl; "I think I feel what he felt. Leo, we
must learn more about this for their sakes."

"For _their_ sakes," said Leo, very loudly.

"Because _we_ are never going to die," said the Girl and Leo together,
still more loudly.

"Now sit you still here, darling wife," said Leo, "while I go to the
Houses whom we hate, and learn how to make these men and women live as
we do."

"And love as we do?" said the Girl.

"I do not think they need to be taught that," said Leo, and he strode
away very angry, with his lion-skin swinging from his shoulder, till
he came to the House where the Scorpion lives in the darkness,
brandishing his tail over his back.

"Why do you trouble the children of men?" said Leo, with his heart
between his teeth.

"Are you so sure that I trouble the children of men alone?" said the
Scorpion. "Speak to your brother the Bull, and see what he says."

"I come on behalf of the children of men," said Leo. "I have learned
to love as they do, and I wish them to live as I--as we--do."

"Your wish was granted long ago. Speak to the Bull. He is under my
special care," said the Scorpion.

Leo dropped back to the earth again, and saw the great star
Aldebaran, that is set in the forehead of the Bull, blazing very near
to the earth. When he came up to it he saw that his brother, the Bull,
yoked to a countryman's plough, was toiling through a wet rice-field
with his head bent down, and the sweat streaming from his flanks. The
countryman was urging him forward with a goad.

"Gore that insolent to death," cried Leo, "and for the sake of our
family honour come out of the mire."

"I cannot," said the Bull, "the Scorpion has told me that some day, of
which I cannot be sure, he will sting me where my neck is set on my
shoulders, and that I shall die bellowing."

"What has that to do with this disgraceful exhibition?" said Leo,
standing on the dyke that bounded the wet field.

"Everything. This man could not plough without my help. He thinks that
I am a stray bullock."

"But he is a mud-crusted cottar with matted hair," insisted Leo. "We
are not meant for his use."

"You may not be; I am. I cannot tell when the Scorpion may choose to
sting me to death--perhaps before I have turned this furrow." The Bull
flung his bulk into the yoke, and the plough tore through the wet
ground behind him, and the countryman goaded him till his flanks were
red.

"Do you like this?" Leo called down the dripping furrows.

"No," said the Bull over his shoulder as he lifted his hind legs from
the clinging mud and cleared his nostrils.

Leo left him scornfully and passed to another country, where he found
his brother the Ram in the centre of a crowd of country people who
were hanging wreaths round his neck and feeding him on freshly plucked
green corn.

"This is terrible," said Leo. "Break up that crowd and come away, my
brother. Their hands are spoiling your fleece."

"I cannot," said the Ram. "The Archer told me that on some day of
which I had no knowledge, he would send a dart through me, and that I
should die in very great pain."

"What has that to do with this?" said Leo, but he did not speak as
confidently as before.

"Everything in the world," said the Ram. "These people never saw a
perfect sheep before. They think that I am a stray, and they will
carry me from place to place as a model to all their flocks."

"But they are greasy shepherds, we are not intended to amuse them,"
said Leo.

"You may not be; I am," said the Ram. "I cannot tell when the Archer
may choose to send his arrow at me--perhaps before the people a mile
down the road have seen me." The Ram lowered his head that a yokel
newly arrived might throw a wreath of wild garlic-leaves over it, and
waited patiently while the farmers tugged his fleece.

"Do you like this?" cried Leo over the shoulders of the crowd.

"No," said the Ram, as the dust of the trampling feet made him sneeze,
and he snuffed at the fodder piled before him.

Leo turned back, intending to retrace his steps to the Houses, but as
he was passing down a street he saw two small children, very dusty,
rolling outside a cottage door, and playing with a cat. They were the
Twins.

"What are you doing here?" said Leo, indignant.

"Playing," said the Twins calmly.

"Cannot you play on the banks of the Milky Way?" said Leo.

"We did," said they, "till the Fishes swam down and told us that some
day they would come for us and not hurt us at all and carry us away.
So now we are playing at being babies down here. The people like it."

"Do you like it?" said Leo.

"No," said the Twins, "but there are no cats in the Milky Way," and
they pulled the cat's tail thoughtfully. A woman came out of the
doorway and stood behind them, and Leo saw in her face a look that he
had sometimes seen in the Girl's.

"She thinks that we are foundlings," said the Twins, and they trotted
indoors to the evening meal.

Then Leo hurried as swiftly as possible to all the Houses one after
another; for he could not understand the new trouble that had come to
his brethren. He spoke to the Archer, and the Archer assured him that
so far as that House was concerned Leo had nothing to fear. The
Waterman, the Fishes, and the Goat, gave the same answer. They knew
nothing of Leo, and cared less. They were the Houses, and they were
busied in killing men.

At last he came to that very dark House where Cancer the Crab lies so
still that you might think he was asleep if you did not see the
ceaseless play and winnowing motion of the feathery branches round his
mouth. That movement never ceases. It is like the eating of a
smothered fire into rotten timber in that it is noiseless and without
haste.

Leo stood in front of the Crab, and the half darkness allowed him a
glimpse of that vast blue-black back, and the motionless eyes. Now and
again he thought that he heard some one sobbing, but the noise was
very faint.

"Why do you trouble the children of men?" said Leo. There was no
answer, and against his will Leo cried, "Why do you trouble us? What
have we done that you should trouble us?"

This time Cancer replied, "What do I know or care? You were born into
my House, and at the appointed time I shall come for you."

"When is the appointed time?" said Leo, stepping back from the
restless movement of the mouth.

"When the full moon fails to call the full tide," said the Crab, "I
shall come for the one. When the other has taken the earth by the
shoulders, I shall take that other by the throat."

Leo lifted his hand to the apple of his throat, moistened his lips,
and recovering himself, said:

"Must I be afraid for two, then?"

"For two," said the Crab, "and as many more as may come after."

"My brother, the Bull, had a better fate," said Leo, sullenly. "He is
alone."

A hand covered his mouth before he could finish the sentence, and he
found the Girl in his arms. Woman-like, she had not stayed where Leo
had left her, but had hastened off at once to know the worst, and
passing all the other Houses, had come straight to Cancer.

"That is foolish," said the Girl whispering. "I have been waiting in
the dark for long and long before you came. _Then_ I was afraid. But
now----" She put her head down on his shoulder and sighed a sigh of
contentment.

"I am afraid now," said Leo.

"That is on my account," said the Girl. "I know it is, because I am
afraid for your sake. Let us go, husband."

They went out of the darkness together and came back to the Earth,
Leo very silent, and the Girl striving to cheer him. "My brother's
fate is the better one," Leo would repeat from time to time, and at
last he said: "Let us each go our own way and live alone till we die.
We were born into the House of Cancer, and he will come for us."

"I know; I know. But where shall I go? And where will you sleep in the
evening? But let us try. I will stay here. Do you go on."

Leo took six steps forward very slowly, and three long steps backward
very quickly, and the third step set him again at the Girl's side.
This time it was she who was begging him to go away and leave her, and
he was forced to comfort her all through the night. That night decided
them both never to leave each other for an instant, and when they had
come to this decision they looked back at the darkness of the House of
Cancer high above their heads, and with their arms round each other's
necks laughed, "Ha! ha! ha!" exactly as the children of men laughed.
And that was the first time in their lives that they had ever laughed.

Next morning they returned to their proper home and saw the flowers
and the sacrifices that had been laid before their doors by the
villagers of the hills. Leo stamped down the fire with his heel and
the Girl flung the flower-wreaths out of sight, shuddering as she did
so. When the villagers re-returned, as of custom, to see what had
become of their offerings, they found neither roses nor burned flesh
on the altars, but only a man and a woman, with frightened white faces
sitting hand in hand on the altar-steps.

"Are you not Virgo?" said a woman to the Girl. "I sent you flowers
yesterday."

"Little sister," said the Girl, flushing to her forehead, "do not send
any more flowers, for I am only a woman like yourself." The man and
the woman went away doubtfully.

"Now, what shall we do?" said Leo.

"We must try to be cheerful, I think," said the Girl. "We know the
very worst that can happen to us, but we do not know the best that
love can bring us. We have a great deal to be glad of."

"The certainty of death?" said Leo.

"All the children of men have that certainty also; yet they laughed
long before we ever knew how to laugh. We must learn to laugh, Leo. We
have laughed once, already."

People who consider themselves Gods, as the Children of the Zodiac
did, find it hard to laugh, because the Immortals know nothing worth
laughter or tears. Leo rose up with a very heavy heart, and he and the
girl together went to and fro among men; their new fear of death
behind them. First they laughed at a naked baby attempting to thrust
its fat toes into its foolish pink mouth; next they laughed at a
kitten chasing her own tail; and then they laughed at a boy trying to
steal a kiss from a girl, and getting his ears boxed. Lastly, they
laughed because the wind blew in their faces as they ran down a
hill-side together, and broke panting and breathless into a knot of
villagers at the bottom. The villagers laughed, too, at their flying
clothes and wind-reddened faces; and in the evening gave them food and
invited them to a dance on the grass, where everybody laughed through
the mere joy of being able to dance.

That night Leo jumped up from the Girl's side crying: "Every one of
those people we met just now will die----"

"So shall we," said the Girl sleepily. "Lie down again, dear." Leo
could not see that her face was wet with tears.

But Leo was up and far across the fields, driven forward by the fear
of death for himself and for the Girl, who was dearer to him than
himself. Presently he came across the Bull drowsing in the moonlight
after a hard day's work, and looking through half-shut eyes at the
beautiful straight furrows that he had made.

"Ho!" said the Bull. "So you have been told these things too. Which of
the Houses holds your death?"

Leo pointed upward to the dark House of the Crab and groaned. "And he
will come for the Girl too," he said.

"Well," said the Bull, "what will you do?"

Leo sat down on the dike and said that he did not know.

"You cannot pull a plough," said the Bull, with a little touch of
contempt. "I can, and that prevents me from thinking of the Scorpion."

Leo was angry, and said nothing till the dawn broke, and the
cultivator came to yoke the Bull to his work.

"Sing," said the Bull, as the stiff, muddy ox-bow creaked and
strained. "My shoulder is galled. Sing one of the songs that we sang
when we thought we were all Gods together."

Leo stepped back into the canebrake, and lifted up his voice in a song
of the Children of the Zodiac--the war-whoop of the young Gods who are
afraid of nothing. At first he dragged the song along unwillingly, and
then the song dragged him, and his voice rolled across the fields, and
the Bull stepped to the tune, and the cultivator banged his flanks out
of sheer light-heartedness, and the furrows rolled away behind the
plough more and more swiftly. Then the Girl came across the fields
looking for Leo, and found him singing in the cane. She joined her
voice to his, and the cultivator's wife brought her spinning into the
open and listened with all her children round her. When it was time
for the nooning, Leo and the Girl had sung themselves both thirsty and
hungry, but the cultivator and his wife gave them rye bread and milk,
and many thanks; and the Bull found occasion to say:

"You have helped me to do a full half field more than I should have
done. But the hardest part of the day is to come, brother."

Leo wished to lie down and brood over the words of the Crab. The Girl
went away to talk to the cultivator's wife and baby, and the afternoon
ploughing began.

"Help us now," said the Bull. "The tides of the day are running down.
My legs are very stiff. Sing, if you never sang before."

"To a mud-spattered villager?" said Leo.

"He is under the same doom as ourselves. Are you a coward?" said the
Bull.

Leo flushed, and began again with a sore throat and a bad temper.
Little by little he dropped away from the songs of the Children and
made up a song as he went along; and this was a thing he could never
have done had he not met the Crab face to face. He remembered facts
concerning cultivators and bullocks and rice-fields that he had not
particularly noticed before the interview, and he strung them all
together, growing more interested as he sang, and he told the
cultivator much more about himself and his work than the cultivator
knew. The Bull grunted approval as he toiled down the furrows for the
last time that day, and the song ended, leaving the cultivator with a
very good opinion of himself in his aching bones. The Girl came out of
the hut where she had been keeping the children quiet, and talking
woman-talk to the wife, and they all ate the evening meal together.

"Now yours must be a very pleasant life," said the cultivator;
"sitting as you do on a dyke all day and singing just what comes into
your head. Have you been at it long, you two--gipsies?"

"Ah!" lowed the Bull from his byre. "That's all the thanks you will
ever get from men, brother."

"No. We have only just begun it," said the Girl; "but we are going to
keep to it as long as we live. Are we not, Leo?"

"Yes," said he; and they went away hand in hand.

"You can sing beautifully, Leo," said she, as a wife will to her
husband.

"What were you doing?" said he.

"I was talking to the mother and the babies," she said. "You would not
understand the little things that make us women laugh."

"And--and I am to go on with this--this gipsy work?" said Leo.

"Yes, dear, and I will help you."

There is no written record of the life of Leo and of the Girl, so we
cannot tell how Leo took to his new employment which he detested. We
are only sure that the Girl loved him when and wherever he sang; even
when, after the song was done, she went round with the equivalent of a
tambourine and collected the pence for the daily bread. There were
times, too, when it was Leo's very hard task to console the Girl for
the indignity of horrible praise that people gave him and her--for the
silly wagging peacock feathers that they stuck in his cap, and the
buttons and pieces of cloth that they sewed on his coat. Woman-like,
she could advise and help to the end, but the meanness of the means
revolted.

"What does it matter," Leo would say, "so long as the songs make them
a little happier?" And they would go down the road and begin again on
the old, old refrain--that whatever came or did not come the children
of men must not be afraid. It was heavy teaching at first, but in
process of years Leo discovered that he could make men laugh and hold
them listening to him even when the rain fell. Yet there were people
who would sit down and cry softly, though the crowd was yelling with
delight, and there were people who maintained that Leo made them do
this; and the Girl would talk to them in the pauses of the performance
and do her best to comfort them. People would die, too, while Leo was
talking and singing and laughing; for the Archer and the Scorpion and
the Crab and the other Houses were as busy as ever. Sometimes the
crowd broke, and were frightened, and Leo strove to keep them steady
by telling them that this was cowardly; and sometimes they mocked at
the Houses that were killing them, and Leo explained that this was
even more cowardly than running away.

In their wanderings they came across the Bull, or the Ram, or the
Twins, but all were too busy to do more than nod to each other across
the crowd, and go on with their work. As the years rolled on even that
recognition ceased, for the Children of the Zodiac had forgotten that
they had ever been Gods working for the sake of men. The star
Aldebaran was crusted with caked dirt on the Bull's forehead, the
Ram's fleece was dusty and torn, and the Twins were only babies
fighting over the cat on the door-step. It was then that Leo said,
"Let us stop singing and making jokes." And it was then that the Girl
said, "No." But she did not know why she said "No" so energetically.
Leo maintained that it was perversity, till she herself, at the end of
a dusty day, made the same suggestion to him, and he said, "Most
certainly not!" and they quarrelled miserably between the hedgerows,
forgetting the meaning of the stars above them. Other singers and
other talkers sprang up in the course of the years, and Leo,
forgetting that there could never be too many of these, hated them for
dividing the applause of the children of men, which he thought should
be all his own. The Girl would grow angry too, and then the songs
would be broken, and the jests fall flat for weeks to come, and the
children of men would shout: "Go home, you two gipsies. Go home and
learn something worth singing!"

After one of these sorrowful, shameful days, the Girl, walking by
Leo's side through the fields, saw the full moon coming up over the
trees, and she clutched Leo's arm, crying: "The time has come now. Oh,
Leo, forgive me!"

"What is it?" said Leo. He was thinking of the other singers.

"My husband!" she answered, and she laid his hand upon her breast, and
the breast that he knew so well was hard as stone. Leo groaned,
remembering what the Crab had said.

"Surely we were Gods once," he cried.

"Surely we are Gods still," said the Girl. "Do you not remember when
you and I went to the House of the Crab and--were not very much
afraid? And since then ... we have forgotten what we were singing
for--we sang for the pence, and, oh, we fought for them!--We, who are
the Children of the Zodiac!"

"It was my fault," said Leo.

"How can there be any fault of yours that is not mine too?" said the
Girl. "My time has come, but you will live longer, and...." The look
in her eyes said all she could not say.

"Yes, I will remember that we are Gods," said Leo.

It is very hard, even for a child of the Zodiac who has forgotten his
Godhead, to see his wife dying slowly, and to know that he cannot help
her. The Girl told Leo in those last months of all that she had said
and done among the wives and the babies at the back of the roadside
performances, and Leo was astonished that he knew so little of her who
had been so much to him. When she was dying she told him never to
fight for pence or quarrel with the other singers; and, above all, to
go on with his singing immediately after she was dead.

Then she died, and after he had buried her he went down the road to a
village that he knew, and the people hoped that he would begin
quarrelling with a new singer that had sprung up while he had been
away. But Leo called him "my brother." The new singer was newly
married--and Leo knew it--and when he had finished singing Leo
straightened himself, and sang the "Song of the Girl," which he had
made coming down the road. Every man who was married, or hoped to be
married, whatever his rank or colour, understood that song--even the
bride leaning on the new husband's arm understood it too--and
presently when the song ended, and Leo's heart was bursting in him,
the men sobbed. "That was a sad tale," they said at last, "now make us
laugh." Because Leo had known all the sorrow that a man could know,
including the full knowledge of his own fall who had once been a
God--he, changing his song quickly, made the people laugh till they
could laugh no more. They went away feeling ready for any trouble in
reason, and they gave Leo more peacock feathers and pence than he
could count. Knowing that pence led to quarrels and that peacock
feathers were hateful to the Girl, he put them aside and went away to
look for his brothers, to remind them that they too were Gods.

He found the Bull goring the undergrowth in a ditch, for the Scorpion
had stung him, and he was dying, not slowly, as the Girl had died, but
quickly.

"I know all," the Bull groaned, as Leo came up. "I had forgotten, too,
but I remember now. Go and look at the fields I ploughed. The furrows
are straight. I forgot that I was a God, but I drew the plough
perfectly straight, for all that. And you, brother?"

"I am not at the end of the ploughing," said Leo. "Does Death hurt?"

"No; but dying does," said the Bull, and he died. The cultivator who
then owned him was much annoyed, for there was a field still
unploughed.

It was after this that Leo made the Song of the Bull who had been a
God and forgotten the fact, and he sang it in such a manner that half
the young men in the world conceived that they too might be Gods
without knowing it. A half of that half grew impossibly conceited, and
died early. A half of the remainder strove to be Gods and failed, but
the other half accomplished four times more work than they would have
done under any other delusion.

Later, years later, always wandering up and down, and making the
children of men laugh, he found the Twins sitting on the bank of a
stream waiting for the Fishes to come and carry them away. They were
not in the least afraid, and they told Leo that the woman of the House
had a real baby of her own, and that when that baby grew old enough to
be mischievous he would find a well-educated cat waiting to have its
tail pulled. Then the Fishes came for them, but all that the people
saw was two children drowning in a brook; and though their
foster-mother was very sorry, she hugged her own real baby to her
breast, and was grateful that it was only the foundlings.

Then Leo made the Song of the Twins who had forgotten that they were
Gods, and had played in the dust to amuse a foster-mother. That song
was sung far and wide among the women. It caused them to laugh and cry
and hug their babies closer to their hearts all in one breath; and
some of the women who remembered the Girl said: "Surely that is the
voice of Virgo. Only she could know so much about ourselves."

After those three songs were made, Leo sang them over and over again,
till he was in danger of looking upon them as so many mere words, and
the people who listened grew tired, and there came back to Leo the
old temptation to stop singing once and for all. But he remembered the
Girl's dying words and went on.

One of his listeners interrupted him as he was singing. "Leo," said
he, "I have heard you telling us not to be afraid for the past forty
years. Can you not sing something new now?"

"No," said Leo; "it is the only song that I am allowed to sing. You
must not be afraid of the Houses, even when they kill you."

The man turned to go, wearily, but there came a whistling through the
air, and the arrow of the Archer was seen skimming low above the
earth, pointing to the man's heart. He drew himself up, and stood
still waiting till the arrow struck home.

"I die," he said, quietly. "It is well for me, Leo, that you sang for
forty years."

"Are you afraid?" said Leo, bending over him.

"I am a man, not a God," said the man. "I should have run away but for
your Songs. My work is done, and I die without making a show of my
fear."

"I am very well paid," said Leo to himself. "Now that I see what my
songs are doing, I will sing better ones."

He went down the road, collected his little knot of listeners, and
began the Song of the Girl. In the middle of his singing he felt the
cold touch of the Crab's claw on the apple of his throat. He lifted
his hand, choked, and stopped for an instant.

"Sing on, Leo," said the crowd. "The old song runs as well as ever it
did."

Leo went on steadily till the end, with the cold fear at his heart.
When his song was ended, he felt the grip on his throat tighten. He
was old, he had lost the Girl, he knew that he was losing more than
half his power to sing, he could scarcely walk to the diminishing
crowds that waited for him, and could not see their faces when they
stood about him. None the less he cried angrily to the Crab:

"Why have you come for me _now_?"

"You were born under my care. How can I help coming for you?" said the
Crab, wearily. Every human being whom the Crab killed had asked that
same question.

"But I was just beginning to know what my songs were doing," said Leo.

"Perhaps that is why," said the Crab, and the grip tightened.

"You said you would not come till I had taken the world by the
shoulders," gasped Leo, falling back.

"I always keep my word. You have done that three times, with three
songs. What more do you desire?"

"Let me live to see the world know it," pleaded Leo. "Let me be sure
that my songs----"

"Make men brave?" said the Crab. "Even then there would be one man who
was afraid. The Girl was braver than you are. Come."

Leo was standing close to the restless, insatiable mouth. "I forgot,"
said he, simply. "The Girl was braver. But I am a God too, and I am
not afraid."

"What is that to me?" said the Crab.

Then Leo's speech was taken from him, and he lay still and dumb,
watching Death till he died.

Leo was the last of the Children of the Zodiac. After his death there
sprang up a breed of little mean men, whimpering and flinching and
howling because the Houses killed them and theirs, who wished to live
forever without any pain. They did not increase their lives, but they
increased their own torments miserably, and there were no Children of
the Zodiac to guide them, and the greater part of Leo's songs were
lost.

Only he had carved on the Girl's tombstone the last verse of the Song
of the Girl, which stands at the head of this story.

One of the children of men, coming thousands of years later, rubbed
away the lichen, read the lines, and applied them to a trouble other
than the one Leo meant. Being a man, men believed that he had made the
verses himself; but they belong to Leo, the Child of the Zodiac, and
teach, as he taught, that what comes or does not come, we must not be
afraid.




III

THE BRIDGE BUILDERS


The least that Findlayson, of the Public Works Department, expected
was a C.I.E.; he dreamed of a C.S.I.: indeed his friends told him that
he deserved more. For three years he had endured heat and cold,
disappointment, discomfort, danger, and disease, with responsibility
almost too heavy for one pair of shoulders; and day by day, through
that time, the great Kashi Bridge over the Ganges had grown under his
charge. Now, in less than three months, if all went well, His
Excellency the Viceroy would open the bridge in state, an archbishop
would bless it, the first train-load of soldiers would come over it,
and there would be speeches.

Findlayson, C. E., sat in his trolley on a construction-line that ran
along one of the main revetments--the huge, stone-faced banks that flared
away north and south for three miles on either side of the river--and
permitted himself to think of the end. With its approaches, his work was
one mile and three-quarters in length; a lattice-girder bridge, trussed
with the Findlayson truss, standing on seven-and-twenty brick piers. Each
one of those piers was twenty-four feet in diameter, capped with red Agra
stone and sunk eighty feet below the shifting sand of the Ganges' bed.
Above them ran the railway-line fifteen feet broad; above that, again, a
cart-road of eighteen feet, flanked with footpaths. At either end rose
towers of red brick, loopholed for musketry and pierced for big guns, and
the ramp of the road was being pushed forward to their haunches. The raw
earth-ends were crawling and alive with hundreds upon hundreds of tiny
asses climbing out of the yawning borrow-pit below with sackfuls of stuff;
and the hot afternoon air was filled with the noise of hooves, the rattle
of the drivers' sticks, and the swish and roll-down of the dirt. The river
was very low, and on the dazzling white sand between the three centre
piers stood squat cribs of railway-sleepers, filled within and daubed
without with mud, to support the last of the girders as those were riveted
up. In the little deep water left by the drought, an overhead-crane
travelled to and fro along its spile-pier, jerking sections of iron into
place, snorting and backing and grunting as an elephant grunts in the
timber-yard. Riveters by the hundred swarmed about the lattice side-work
and the iron roof of the railway-line, hung from invisible staging under
the bellies of the girders, clustered round the throats of the piers, and
rode on the overhang of the footpath-stanchions; their fire-pots and the
spurts of flame that answered each hammer-stroke showing no more than pale
yellow in the sun's glare. East and west and north and south the
construction-trains rattled and shrieked up and down the embankments, the
piled trucks of brown and white stone banging behind them till the
side-boards were unpinned, and with a roar and a grumble a few thousand
tons more material were thrown out to hold the river in place.

Findlayson, C. E., turned on his trolley and looked over the face of the
country that he had changed for seven miles around. Looked back on the
humming village of five thousand workmen; up stream and down, along the
vista of spurs and sand; across the river to the far piers, lessening in
the haze; overhead to the guard-towers--and only he knew how strong those
were--and with a sigh of contentment saw that his work was good. There
stood his bridge before him in the sunlight, lacking only a few weeks'
work on the girders of the three middle piers--his bridge, raw and ugly as
original sin, but _pukka_--permanent--to endure when all memory of the
builder, yea, even of the splendid Findlayson truss, had perished.
Practically, the thing was done.

Hitchcock, his assistant, cantered along the line on a little
switch-tailed Kabuli pony, who, through long practice, could have
trotted securely over a trestle, and nodded to his chief.

"All but," said he, with a smile.

"I've been thinking about it," the senior answered, "Not half a bad
job for two men, is it?" "One--and a half. 'Gad, what a Cooper's Hill
cub I was when I came on the works!" Hitchcock felt very old in the
crowded experiences of the past three years, that had taught him power
and responsibility.

"You _were_ rather a colt," said Findlayson. "I wonder how you'll like
going back to office work when this job's over."

"I shall hate it!" said the young man, and as he went on his eye
followed Findlayson's, and he muttered, "Is n't it good?"

"I think we'll go up the service together," Findlayson said to
himself. "You're too good a youngster to waste on another man. Cub
thou wast; assistant thou art. Personal assistant, and at Simla, thou
shalt be, if any credit comes to me out of the business!"

Indeed, the burden of the work had fallen altogether on Findlayson and
his assistant, the young man whom he had chosen because of his rawness
to break to his own needs. There were labour-contractors by the
half-hundred--fitters and riveters, European, borrowed from the
railway workshops, with perhaps twenty white and half-caste
subordinates to direct, under direction, the bevies of workmen--but
none knew better than these two, who trusted each other, how the
underlings were not to be trusted. They had been tried many times in
sudden crises--by slipping of booms, by breaking of tackle, failure
of cranes, and the wrath of the river--but no stress had brought to
light any man among them whom Findlayson and Hitchcock would have
honoured by working as remorselessly as they worked themselves.
Findlayson thought it over from the beginning: the months of office
work destroyed at a blow when the Government of India, at the last
moment, added two feet to the width of the bridge, under the
impression that bridges were cut out of paper, and so brought to ruin
at least half an acre of calculations--and Hitchcock, new to
disappointment, buried his head in his arms and wept; the
heart-breaking delays over the filling of the contracts in England;
the futile correspondences hinting at great wealth of commission if
one, only one, rather doubtful consignment were passed; the war that
followed the refusal; the careful, polite obstruction at the other end
that followed the war, till young Hitchcock, putting one month's leave
to another month, and borrowing ten days from Findlayson, spent his
poor little savings of a year in a wild dash to London, and there, as
his own tongue asserted, and the later consignments proved, put the
Fear of God into a man so great that he feared only Parliament, and
said so till Hitchcock wrought with him across his own dinner-table,
and--he feared the Kashi Bridge and all who spoke in its name. Then
there was the cholera that came in the night to the village by the
bridge-works; and after the cholera smote the small-pox. The fever
they had always with them. Hitchcock had been appointed a magistrate
of the third class with whipping powers, for the better government of
the community, and Findlayson watched him wield his powers
temperately, learning what to overlook and what to look after. It was
a long, long reverie, and it covered storm, sudden freshets, death in
every manner and shape, violent and awful rage against red tape half
frenzying a mind that knows it should be busy on other things;
drought, sanitation, finance; birth, wedding, burial, and riot in the
village of twenty warring castes; argument, expostulation, persuasion,
and the blank despair that a man goes to bed upon, thankful that his
rifle is all in pieces in the gun-case. Behind everything rose the
black frame of the Kashi Bridge--plate by plate, girder by girder,
span by span--and each pier of it recalled Hitchcock, the all-round
man, who had stood by his chief without failing from the very first to
this last. So the bridge was two men's work--unless one counted Peroo,
as Peroo certainly counted himself. He was a lascar, a Kharva from
Bulsar, familiar with every port between Rockhampton and London, who
had risen to the rank of serang on the British India boats, but
wearying of routine musters and clean clothes, had thrown up the
service and gone inland, where men of his calibre were sure of
employment. For his knowledge of tackle and the handling of heavy
weights, Peroo was worth almost any price he might have chosen to put
upon his services; but custom decreed the wage of the overhead-men,
and Peroo was not within many silver pieces of his proper value.
Neither running water nor extreme heights made him afraid; and, as an
ex-serang, he knew how to hold authority. No piece of iron was so big
or so badly placed that Peroo could not devise a tackle to lift it--a
loose-ended, sagging arrangement, rigged with a scandalous amount of
talking, but perfectly equal to the work in hand. It was Peroo who had
saved the girder of Number Seven Pier from destruction when the new
wire rope jammed in the eye of the crane, and the huge plate tilted in
its slings, threatening to slide out sideways. Then the native workmen
lost their heads with great shoutings, and Hitchcock's right arm was
broken by a falling T-plate, and he buttoned it up in his coat and
swooned, and came to and directed for four hours till Peroo, from the
top of the crane reported, "All's well," and the plate swung home.
There was no one like Peroo, serang, to lash and guy and hold, to
control the donkey-engines, to hoist a fallen locomotive craftily out
of the borrow-pit into which it had tumbled; to strip and dive, if
need be, to see how the concrete blocks round the piers stood the
scouring of Mother Gunga, or to adventure up-stream on a monsoon night
and report on the state of the embankment-facings. He would interrupt
the field-councils of Findlayson and Hitchcock without fear, till his
wonderful English, or his still more wonderful _lingua-franca_, half
Portuguese and half Malay, ran out and he was forced to take string
and show the knots that he would recommend. He controlled his own gang
of tacklemen--mysterious relatives from Kutch Mandvi gathered month by
month and tried to the uttermost. No consideration of family or kin
allowed Peroo to keep weak hands or a giddy head on the pay-roll. "My
honour is the honour of this bridge," he would say to the about-to-be
dismissed. "What do I care for your honour? Go and work on a steamer.
That is all you are fit for."

The little cluster of huts where he and his gang lived centred round
the tattered dwelling of a sea-priest--one who had never set foot on
Black Water, but had been chosen as ghostly counsellor by two
generations of sea-rovers, all unaffected by port missions or those
creeds which are thrust upon sailors by agencies along Thames' bank.
The priest of the lascars had nothing to do with their caste, or
indeed with anything at all. He ate the offerings of his church, and
slept and smoked, and slept again, "for," said Peroo, who had haled
him a thousand miles inland, "he is a very holy man. He never cares
what you eat so long as you do not eat beef, and that is good, because
on land we worship Shiva, we Kharvas; but at sea on the Kumpani's
boats we attend strictly to the orders of the Burra Malum (the first
mate), and on this bridge we observe what Finlinson Sahib says."

Findlayson Sahib had that day given orders to clear the scaffolding
from the guard-tower on the right bank, and Peroo with his mates was
casting loose and lowering down the bamboo poles and planks as swiftly
as ever they had whipped the cargo out of a coaster.

From his trolley he could hear the whistle of the serang's silver pipe
and the creak and clatter of the pulleys. Peroo was standing on the
topmost coping of the tower, clad in the blue dungaree of his
abandoned service, and as Findlayson motioned to him to be careful,
for his was no life to throw away, he gripped the last pole, and,
shading his eyes ship-fashion, answered with the long-drawn wail of
the fo'c'sle lookout: "_Ham dekhta hai_" ("I am looking out").
Findlayson laughed, and then sighed. It was years since he had seen a
steamer, and he was sick for home. As his trolley passed under the
tower, Peroo descended by a rope, ape-fashion, and cried: "It looks
well now, Sahib. Our bridge is all but done. What think you Mother
Gunga will say when the rail runs over?"

"She has said little so far. It was never Mother Gunga that delayed
us."

"There is always time for her; and none the less there has been delay.
Has the Sahib forgotten last autumn's flood, when the stone-boats
were sunk without warning--or only a half-day's warning?"

"Yes, but nothing save a big flood could hurt us now. The spurs are
holding well on the west bank."

"Mother Gunga eats great allowances. There is always room for more
stone on the revetments. I tell this to the Chota Sahib"--he meant
Hitchcock--"and he laughs."

"No matter, Peroo. Another year thou wilt be able to build a bridge in
thine own fashion."

The lascar grinned. "Then it will not be in this way--with stonework
sunk under water, as the _Quetta_ was sunk. I like sus-sus-pen-sheen
bridges that fly from bank to bank, with one big step, like a
gang-plank. Then no water can hurt. When does the Lord Sahib come to
open the bridge?"

"In three months, when the weather is cooler."

"Ho! ho! He is like the Burra Malum. He sleeps below while the work is
being done. Then he comes upon the quarter-deck and touches with his
finger and says: 'This is not clean! Jiboon-wallah!'"

"But the Lord Sahib does not call me a jiboon-wallah, Peroo."

"No, Sahib; but he does not come on deck till the work is all
finished. Even the Burra Malum of the _Nerbudda_ said once at
Tuticorin----"

"Bah! Go! I am busy."

"I, also!" said Peroo, with an unshaken countenance. "May I take the
light dinghy now and row along the spurs?"

"To hold them with thy hands? They are, I think, sufficiently heavy."

"Nay, Sahib. It is thus. At sea, on the Black Water, we have room to
be blown up and down without care. Here we have no room at all. Look
you, we have put the river into a dock, and run her between stone
sills."

Findlayson smiled at the "we."

"We have bitted and bridled her. She is not like the sea, that can
beat against a soft beach. She is Mother Gunga--in irons." His voice
fell a little.

"Peroo, thou hast been up and down the world more even than I. Speak
true talk, now. How much dost thou in thy heart believe of Mother
Gunga?"

"All that our priest says. London is London, Sahib. Sydney is Sydney,
and Port Darwin is Port Darwin. Also Mother Gunga is Mother Gunga, and
when I come back to her banks I know this and worship. In London I did
poojah to the big temple by the river for the sake of the God
within.... Yes, I will not take the cushions in the dinghy."

Findlayson mounted his horse and trotted to the shed of a bungalow
that he shared with his assistant. The place had become home to him in
the last three years. He had grilled in the heat, sweated in the
rains, and shivered with fever under the rude thatch roof; the
lime-wash beside the door was covered with rough drawings and formulae,
and the sentry-path trodden in the matting of the veranda showed where
he had walked alone. There is no eight-hour limit to an engineer's
work, and the evening meal with Hitchcock was eaten booted and
spurred: over their cigars they listened to the hum of the village as
the gangs came up from the river-bed and the lights began to twinkle.

"Peroo has gone up the spurs in your dinghy. He's taken a couple of
nephews with him, and he's lolling in the stern like a commodore,"
said Hitchcock.

"That's all right. He's got something on his mind. You 'd think that
ten years in the British India boats would have knocked most of his
religion out of him."

"So it has," said Hitchcock, chuckling. "I over-heard him the other
day in the middle of a most atheistical talk with that fat old _guru_
of theirs. Peroo denied the efficacy of prayer; and wanted the _guru_
to go to sea and watch a gale out with him, and see if he could stop a
monsoon."

"All the same, if you carried off his _guru_ he'd leave us like a
shot. He was yarning away to me about praying to the dome of St.
Paul's when he was in London."

"He told me that the first time he went into the engine-room of a
steamer, when he was a boy, he prayed to the low-pressure cylinder."

"Not half bad a thing to pray to, either. He's propitiating his own
Gods now, and he wants to know what Mother Gunga will think of a
bridge being run across her. Who's there?" A shadow darkened the
doorway, and a telegram was put into Hitchcock's hand.

"She ought to be pretty well used to it by this time. Only a _tar_. It
ought to be Ralli's answer about the new rivets.... Great Heavens!"
Hitchcock jumped to his feet.

"What is it?" said the senior, and took the form. "_That's_ what
Mother Gunga thinks, is it," he said, reading. "Keep cool, young 'un.
We've got all our work cut out for us. Let's see. Muir wires, half an
hour ago: '_Floods on the Ramgunga. Look out._' Well, that gives
us--one, two--nine and a half for the flood to reach Melipur Ghaut and
seven's sixteen and a half to Latodi--say fifteen hours before it
comes down to us."

"Curse that hill-fed sewer of a Ramgunga! Findlayson, this is two
months before anything could have been expected, and the left bank is
littered up with stuff still. Two full months before the time!"

"That's why it happens. I've only known Indian rivers for five and
twenty years, and I don't pretend to understand. Here comes another
_tar_." Findlayson opened the telegram. "Cockran, this time, from the
Ganges Canal: '_Heavy rains here. Bad._' He might have saved the last
word. Well, we don't want to know any more. We've got to work the
gangs all night and clean up the river-bed. You'll take the east bank
and work out to meet me in the middle. Get everything that floats
below the bridge: we shall have quite enough river-craft coming down
adrift anyhow, without letting the stone-boats ram the piers. What
have you got on the east bank that needs looking after?"

"Pontoon, one big pontoon with the overhead crane on it. T'other
overhead crane on the mended pontoon, with the cart-road rivets from
Twenty to Twenty-three piers--two construction lines, and a
turning-spur. The pile-work must take its chance," said Hitchcock.

"All right. Roll up everything you can lay hands on. We'll give the
gang fifteen minutes more to eat their grub."

Close to the veranda stood a big night-gong, never used except for
flood, or fire in the village. Hitchcock had called for a fresh horse,
and was off to his side of the bridge when Findlayson took the
cloth-bound stick and smote with the rubbing stroke that brings out
the full thunder of the metal.

Long before the last rumble ceased every night-gong in the village had
taken up the warning. To these were added the hoarse screaming of
conches in the little temples; the throbbing of drums and tom-toms;
and from the European quarters, where the riveters lived, McCartney's
bugle, a weapon of offence on Sundays and festivals, brayed
desperately, calling to "Stables." Engine after engine toiling home
along the spurs after her day's work whistled in answer till the
whistles were answered from the far bank. Then the big gong thundered
thrice for a sign that it was flood and not fire; conch, drum, and
whistle echoed the call, and the village quivered to the sound of bare
feet running upon soft earth. The order in all cases was to stand by
the day's work and wait instructions. The gangs poured by in the dusk;
men stopping to knot a loin-cloth or fasten a sandal; gang-foremen
shouting to their subordinates as they ran or paused by the tool-issue
sheds for bars and mattocks; locomotives creeping down their tracks
wheel-deep in the crowd, till the brown torrent disappeared into the
dusk of the river-bed, raced over the pile-work, swarmed along the
lattices, clustered by the cranes, and stood still, each man in his
place.

Then the troubled beating of the gong carried the order to take up
everything and bear it beyond high-water mark, and the flare-lamps
broke out by the hundred between the webs of dull iron as the riveters
began a night's work racing against the flood that was to come. The
girders of the three centre piers--those that stood on the cribs--were
all but in position. They needed just as many rivets as could be
driven into them, for the flood would assuredly wash out the supports,
and the ironwork would settle down on the caps of stone if they were
not blocked at the ends. A hundred crowbars strained at the sleepers
of the temporary line that fed the unfinished piers. It was heaved up
in lengths, loaded into trucks, and backed up the bank beyond
flood-level by the groaning locomotives. The tool-sheds on the sands
melted away before the attack of shouting armies, and with them went
the stacked ranks of Government stores, iron-bound boxes of rivets,
pliers, cutters, duplicate parts of the rivet-machines, spare pumps
and chains. The big crane would be the last to be shifted, for she was
hoisting all the heavy stuff up to the main structure of the bridge.
The concrete blocks on the fleet of stone-boats were dropped overside,
where there was any depth of water, to guard the piers, and the empty
boats themselves were poled under the bridge down-stream. It was here
that Peroo's pipe shrilled loudest, for the first stroke of the big
gong had brought aback the dinghy at racing speed, and Peroo and his
people were stripped to the waist, working for the honour and credit
which are better than life.

"I knew she would speak," he cried. "_I_ knew, but the telegraph gave
us good warning. O sons of unthinkable begetting--children of
unspeakable shame--are we here for the look of the thing?" It was two
feet of wire rope frayed at the ends, and it did wonders as Peroo
leaped from gunnel to gunnel, shouting the language of the sea.

Findlayson was more troubled for the stone-boats than anything else.
McCartney, with his gangs, was blocking up the ends of the three
doubtful spans, but boats adrift, if the flood chanced to be a high
one, might endanger the girders; and there was a very fleet in the
shrunken channels.

"Get them behind the swell of the guard-tower," he shouted down to
Peroo. "It will be dead-water there; get them below the bridge."

"_Accha!_ [Very good.] _I_ know. We are mooring them with wire rope,"
was the answer. "Hah! Listen to the Chota Sahib. He is working hard."

From across the river came an almost continuous whistling of
locomotives, backed by the rumble of stone. Hitchcock at the last
minute was spending a few hundred more trucks of Tarakee stone in
reinforcing his spurs and embankments.

"The bridge challenges Mother Gunga," said Peroo, with a laugh. "But
when _she_ talks I know whose voice will be the loudest."

For hours the naked men worked, screaming and shouting under the
lights. It was a hot, moonless night; the end of it was darkened by
clouds and a sudden squall that made Findlayson very grave.

"She moves!" said Peroo, just before the dawn. "Mother Gunga is awake!
Hear!" He dipped his hand over the side of a boat and the current
mumbled on it. A little wave hit the side of a pier with a crisp
slap.

"Six hours before her time," said Findlayson, mopping his forehead
savagely. "Now we can't depend on anything. We'd better clear all
hands out of the river-bed."

Again the big gong beat, and a second time there was the rushing of
naked feet on earth and ringing iron; the clatter of tools ceased. In
the silence, men heard the dry yawn of water crawling over thirsty
sand.

Foreman after foreman shouted to Findlayson, who had posted himself by
the guard-tower, that his section of the river-bed had been cleaned
out, and when the last voice dropped Findlayson hurried over the
bridge till the iron plating of the permanent way gave place to the
temporary plank-walk over the three centre piers, and there he met
Hitchcock.

"All clear your side?" said Findlayson. The whisper rang in the box of
latticework.

"Yes, and the east channel's filling now. We're utterly out of our
reckoning. When is this thing down on us?"

"There's no saying. She's filling as fast as she can. Look!"
Findlayson pointed to the planks below his feet, where the sand,
burned and defiled by months of work, was beginning to whisper and
fizz.

"What orders?" said Hitchcock.

"Call the roll--count stores--sit on your bunkers--and pray for the
bridge. That's all I can think of. Good night. Don't risk your life
trying to fish out anything that may go down-stream."

"Oh, I'll be as prudent as you are! 'Night. Heavens, how she's
filling! Here's the rain in earnest!" Findlayson picked his way back
to his bank, sweeping the last of McCartney's riveters before him. The
gangs had spread themselves along the embankments, regardless of the
cold rain of the dawn, and there they waited for the flood. Only Peroo
kept his men together behind the swell of the guard-tower, where the
stone-boats lay tied fore and aft with hawsers, wire-ropes, and
chains.

A shrill wail ran along the line, growing to a yell, half fear and
half wonder: the face of the river whitened from bank to bank between
the stone facings, and the far-away spurs went out in spouts of foam.
Mother Gunga had come bank-high in haste, and a wall of
chocolate-coloured water was her messenger. There was a shriek above
the roar of the water, the complaint of the spans coming down on their
blocks as the cribs were whirled out from under their bellies. The
stone-boats groaned and ground each other in the eddy that swung round
the abutment, and their clumsy masts rose higher and higher against
the dim sky-line.

"Before she was shut between these walls we knew what she would do.
Now she is thus cramped God only knows what she will do!" said Peroo,
watching the furious turmoil round the guard-tower. "Ohe! Fight, then!
Fight hard, for it is thus that a woman wears herself out."

But Mother Gunga would not fight as Peroo desired. After the first
down-stream plunge there came no more walls of water, but the river
lifted herself bodily, as a snake when she drinks in mid-summer,
plucking and fingering along the revetments, and banking up behind the
piers till even Findlayson began to recalculate the strength of his
work.

When day came the village gasped. "Only last night," men said, turning
to each other, "it was as a town in the river-bed! Look now!"

And they looked and wondered afresh at the deep water, the racing
water that licked the throat of the piers. The farther bank was veiled
by rain, into which the bridge ran out and vanished; the spurs
up-stream were marked by no more than eddies and spoutings, and
down-stream the pent river, once freed of her guide-lines, had spread
like a sea to the horizon. Then hurried by, rolling in the water, dead
men and oxen together, with here and there a patch of thatched roof
that melted when it touched a pier.

"Big flood," said Peroo, and Findlayson nodded. It was as big a flood
as he had any wish to watch. His bridge would stand what was upon her
now, but not very much more; and if by any of a thousand chances there
happened to be a weakness in the embankments, Mother Gunga would carry
his honour to the sea with the other raffle. Worst of all, there was
nothing to do except to sit still; and Findlayson sat still under his
macintosh till his helmet became pulp on his head, and his boots were
over ankle in mire. He took no count of time, for the river was
marking the hours, inch by inch and foot by foot, along the
embankment, and he listened, numb and hungry, to the straining of the
stone-boats, the hollow thunder under the piers, and the hundred
noises that make the full note of a flood. Once a dripping servant
brought him food, but he could not eat; and once he thought that he
heard a faint toot from a locomotive across the river, and then he
smiled. The bridge's failure would hurt his assistant not a little,
but Hitchcock was a young man with his big work yet to do. For himself
the crash meant everything--everything that made a hard life worth the
living. They would say, the men of his own profession--he remembered
the half-pitying things that he himself had said when Lockhart's big
water-works burst and broke down in brick heaps and sludge, and
Lockhart's spirit broke in him and he died. He remembered what he
himself had said when the Sumao Bridge went out in the big cyclone by
the sea; and most he remembered poor Hartopp's face three weeks
later, when the shame had marked it. His bridge was twice the size of
Hartopp's, and it carried the Findlayson truss as well as the new
pier-shoe--the Findlayson bolted shoe. There were no excuses in his
service. Government might listen, perhaps, but his own kind would
judge him by his bridge, as that stood or fell. He went over it in his
head, plate by plate, span by span, brick by brick, pier by pier,
remembering, comparing, estimating, and recalculating, lest there
should be any mistake; and through the long hours and through the
nights of formulae that danced and wheeled before him, a cold fear
would come to pinch his heart. His side of the sum was beyond
question; but what man knew Mother Gunga's arithmetic? Even as he was
making all sure by the multiplication-table, the river might be
scooping pot-holes to the very bottom of any one of those eighty-foot
piers that carried his reputation. Again a servant came to him with
food, but his mouth was dry, and he could only drink and return to the
decimals in his brain. And the river was still rising. Peroo, in a mat
shelter-coat, crouched at his feet, watching now his face and now the
face of the river, but saying nothing.

At last the lascar rose and floundered through the mud toward the
village, but he was careful to leave an ally to watch the boats.

Presently he returned, most irreverently driving before him the
priest of his creed--a fat old man with a gray beard that whipped the
wind with the wet cloth that blew over his shoulder. Never was seen so
lamentable a _guru_.

"What good are offerings and little kerosene lamps and dry grain,"
shouted Peroo, "if squatting in the mud is all that thou canst do?
Thou hast dealt long with the Gods when they were contented and
well-wishing. Now they are angry. Speak to them!"

"What is a man against the wrath of Gods?" whined the priest, cowering
as the wind took him. "Let me go to the temple, and I will pray
there."

"Son of a pig, pray _here_! Is there no return for salt fish and curry
powder and dried onions? Call aloud! Tell Mother Gunga we have had
enough. Bid her be still for the night. I cannot pray, but I have
served in the Kumpani's boats, and when men did not obey my orders
I----" A flourish of the wire-rope colt rounded the sentence, and the
priest, breaking from his disciple, fled to the village.

"Fat pig!" said Peroo. "After all that we have done for him! When the
flood is down I will see to it that we get a new _guru_. Finlinson
Sahib, it darkens for night now, and since yesterday nothing has been
eaten. Be wise, Sahib. No man can endure watching and great thinking
on an empty belly. Lie down, Sahib. The river will do what the river
will do."

"The bridge is mine; I cannot leave it."

"Wilt thou hold it up with thy hands, then?" said Peroo, laughing. "I
was troubled for my boats and sheers _before_ the flood came. Now we
are in the hands of the Gods. The Sahib will not eat and lie down?
Take these, then. They are meat and good toddy together, and they kill
all weariness, besides the fever that follows the rain. I have eaten
nothing else to-day at all."

He took a small tin tobacco-box from his sodden waist-belt and thrust
it into Findlayson's hand, saying, "Nay, do not be afraid. It is no
more than opium--clean Malwa opium!"

Findlayson shook two or three of the dark-brown pellets into his hand,
and hardly knowing what he did, swallowed them. The stuff was at least
a good guard against fever--the fever that was creeping upon him out
of the wet mud--and he had seen what Peroo could do in the stewing
mists of autumn on the strength of a dose from the tin box.

Peroo nodded with bright eyes. "In a little--in a little the Sahib
will find that he thinks well again. I too will----" He dived into his
treasure-box, resettled the rain-coat over his head, and squatted down
to watch the boats. It was too dark now to see beyond the first pier,
and the night seemed to have given the river new strength. Findlayson
stood with his chin on his chest, thinking. There was one point about
one of the piers--the Seventh--that that he had not fully settled in
his mind. The figures would not shape themselves to the eye except one
by one and at enormous intervals of time. There was a sound, rich and
mellow in his ears, like the deepest note of a double-bass--an
entrancing sound upon which he pondered for several hours, as it
seemed. Then Peroo was at his elbow, shouting that a wire hawser had
snapped and the stone-boats were loose. Findlayson saw the fleet open
and swing out fanwise to a long-drawn shriek of wire straining across
gunnels.

"A tree hit them. They will all go," cried Peroo. "The main hawser has
parted. What does the Sahib do?"

An immensely complex plan had suddenly flashed into Findlayson's mind.
He saw the ropes running from boat to boat in straight lines and
angles--each rope a line of white fire. But there was one rope which
was the master-rope. He could see that rope. If he could pull it once,
it was absolutely and mathematically certain that the disordered fleet
would reassemble itself in the backwater behind the guard-tower. But
why, he wondered, was Peroo clinging so desperately to his waist as he
hastened down the bank? It was necessary to put the lascar aside,
gently and slowly, because it was necessary to save the boats, and,
further, to demonstrate the extreme ease of the problem that looked so
difficult. And then--but it was of no conceivable importance--a wire
rope raced through his hand burning it, the high bank disappeared, and
with it all the slowly dispersing factors of the problem. He was
sitting in the rainy darkness--sitting in a boat that spun like a top,
and Peroo was standing over him.

"I had forgotten," said the lascar slowly, "that to those fasting and
unused the opium is worse than any wine. Those who die in Gunga go to
the Gods. Still, I have no desire to present myself before such great
ones. Can the Sahib swim?"

"What need? He can fly--fly as swiftly as the wind," was the thick
answer.

"He is mad!" muttered Peroo under his breath. "And he threw me aside
like a bundle of dung-cakes. Well, he will not know his death. The
boat cannot live an hour here even if she strike nothing. It is not
good to look at death with a clear eye."

He refreshed himself again from the tin box, squatted down in the bows
of the reeling, pegged, and stitched craft staring through the mist at
the nothing that was there. A warm drowsiness crept over Findlayson,
the Chief Engineer, whose duty was with his bridge. The heavy
raindrops struck him with a thousand tingling little thrills, and the
weight of all time since time was made hung heavy on his eyelids. He
thought and perceived that he was perfectly secure, for the water was
so solid that a man could surely step out upon it, and standing still
with his legs apart to keep his balance--this was the most important
point--would be borne with great and easy speed to the shore. But yet
a better plan came to him. It needed only an exertion of will for the
soul to hurl the body ashore as wind drives paper; to waft it
kite-fashion to the bank. Thereafter--the boat spun dizzily--suppose
the high wind got under the freed body? Would it tower up like a kite
and pitch headlong on the far-away sands, or would it duck about
beyond control through all eternity? Findlayson gripped the gunnel to
anchor himself, for it seemed that he was on the edge of taking the
flight before he had settled all his plans. Opium has more effect on
the white man than the black. Peroo was only comfortably indifferent
to accidents. "She cannot live," he grunted. "Her seams open already.
If she were even a dinghy with oars we could have ridden it out; but a
box with holes is no good. Finlinson Sahib, she fills."

"_Accha!_ I am going away. Come thou also."

In his mind Findlayson had already escaped from the boat, and was
circling high in air to find a rest for the sole of his foot. His
body--he was really sorry for its gross helplessness--lay in the
stern, the water rushing about its knees.

"How very ridiculous!" he said to himself, from his eyrie; "that--is
Findlayson--chief of the Kashi Bridge. The poor beast is going to be
drowned, too. Drowned when it's close to shore. I'm--I'm on shore
already. Why does n't it come along?"

To his intense disgust, he found his soul back in his body again, and
that body spluttering and choking in deep water. The pain of the
reunion was atrocious, but it was necessary, also, to fight for the
body. He was conscious of grasping wildly at wet sand, and striding
prodigiously, as one strides in a dream, to keep foothold in the
swirling water, till at last he hauled himself clear of the hold of
the river, and dropped, panting, on wet earth.

"Not this night," said Peroo in his ear. "The Gods have protected us."
The lascar moved his feet cautiously, and they rustled among dried
stumps. "This is some island of last year's indigo crop," he went on.
"We shall find no men here; but have great care, Sahib; all the snakes
of a hundred miles have been flooded out. Here comes the lightning, on
the heels of the wind. Now we shall be able to look; but walk
carefully."

Findlayson was far and far beyond any fear of snakes, or indeed any
merely human emotion. He saw, after he had rubbed the water from his
eyes, with an immense clearness, and trod, so it seemed to himself,
with world-encompassing strides. Somewhere in the night of time he had
built a bridge--a bridge that spanned illimitable levels of shining
seas; but the Deluge had swept it away, leaving this one island under
heaven for Findlayson and his companion, sole survivors of the breed
of man.

An incessant lightning, forked and blue, showed all that there was to
be seen on the little patch in the flood--a clump of thorn, a clump of
swaying, creaking bamboos, and a gray, gnarled peepul over-shadowing a
Hindoo shrine, from whose dome floated a tattered red flag. The holy
man whose summer resting-place it was had long since abandoned it, and
the weather had broken the red-daubed image of his God. The two men
stumbled, heavy-limbed and heavy-eyed, over the ashes of a brick-set
cooking-place, and dropped down under the shelter of the branches,
while the rain and river roared together.

The stumps of the indigo crackled, and there was a smell of cattle, as
a huge and dripping Brahminee Bull shouldered his way under the tree.
The flashes revealed the trident mark of Shiva on his flank, the
insolence of head and hump, the luminous stag-like eyes, the brow
crowned with a wreath of sodden marigold blooms and the silky dewlap
that night swept the ground. There was a noise behind him of other
beasts coming up from the flood-line through the thicket, a sound of
heavy feet and deep breathing.

"Here be more beside ourselves," said Findlayson, his head against the
tree-pole, looking through half-shut eyes, wholly at ease.

"Truly," said Peroo thickly, "and no small ones."

"What are they, then? I do not see clearly."

"The Gods. Who else? Look!"

"Ah, true! The Gods surely--the Gods." Findlayson smiled as his head
fell forward on his chest. Peroo was eminently right. After the Flood,
who should be alive in the land except the Gods that made it--the Gods
to whom his village prayed nightly--the Gods who were in all men's
mouths and about all men's ways? He could not raise his head or stir a
finger for the trance that held him, and Peroo was smiling vacantly at
the lightning.

The Bull paused by the shrine, his head lowered to the damp earth. A
green Parrot in the branches preened his wet wings and screamed
against the thunder as the circle under the tree filled with the
shifting shadows of beasts. There was a Black-buck at the Bull's
heels--such a buck as Findlayson in his far-away life upon earth might
have seen in dreams--a buck with a royal head, ebon back, silver
belly, and gleaming straight horns. Beside him, her head bowed to the
ground, the green eyes burning under the heavy brows, with restless
tail switching the dead grass, paced a Tigress, full-bellied and
deep-jowled.

The Bull crouched beside the shrine and there leaped from the darkness
a monstrous gray Ape, who seated himself man-wise in the place of the
fallen image, and the rain spilled like jewels from the hair of his
neck and shoulders.

Other shadows came and went behind the circle, among them a drunken
Man flourishing staff and drinking-bottle. Then a hoarse bellow broke
out from near the ground. "The flood lessens even now," it cried.
"Hour by hour the water falls, and their bridge still stands!"

"My bridge," said Findlayson to himself. "That must be very old work
now. What have the Gods to do with my bridge?"

His eyes rolled in the darkness following the roar. A Crocodile--the
blunt-nosed, ford-haunting Mugger of the Ganges--draggled herself
before the beasts, lashing furiously to right and left with her tail.

"They have made it too strong for me. In all this night I have only
torn away a handful of planks. The walls stand! The towers stand! They
have chained my flood, and my river is not free any more. Heavenly
Ones, take this yoke away! Give me clear water between bank and bank!
It is I, Mother Gunga, that speak. The Justice of the Gods! Deal me
the Justice of the Gods!"

"What said I?" whispered Peroo. "This is in truth a Punchayet of the
Gods. Now we know that all the world is dead, save you and I, Sahib."

The Parrot screamed and fluttered again, and the Tigress, her ears
flat to her head, snarled wickedly.

Somewhere in the shadow a great trunk and gleaming tusks swayed to
and fro, and a low gurgle broke the silence that followed on the
snarl.

"We be here," said a deep voice, "the Great Ones. One only and very
many. Shiv, my father, is here, with Indra. Kali has spoken already.
Hanuman listens also."

"Kashi is without her Kotwal to-night," shouted the Man with the
drinking-bottle, flinging his staff to the ground, while the island
rang to the baying of hounds. "Give her the Justice of the Gods."

"Ye were still when they polluted my waters," the great Crocodile
bellowed. "Ye made no sign when my river was trapped between the
walls. I had no help save my own strength, and that failed--the
strength of Mother Gunga failed--before their guard-towers. What could
I do? I have done everything. Finish now, Heavenly Ones!"

"I brought the death; I rode the spotted sickness from hut to hut of
their workmen, and yet they would not cease." A nose-slitten,
hide-worn Ass, lame, scissor-legged, and galled, limped forward. "I
cast the death at them out of my nostrils, but they would not cease."

Peroo would have moved, but the opium lay heavy upon him.

"Bah!" he said, spitting. "Here is Sitala herself; Mata--the
small-pox. Has the Sahib a handkerchief to put over his face?"

"Small help! They fed me the corpses for a month, and I flung them
out on my sand-bars, but their work went forward! Demons they are, and
so sons of demons! And ye left Mother Gunga alone for their
fire-carriage to make a mock of. The Justice of the Gods on the
bridge-builders!"

The Bull turned the cud in his mouth and answered slowly, "If the
Justice of the Gods caught all who made a mock of holy things, there
would be many dark altars in the land, mother."

"But this goes beyond a mock," said the Tigress, darting forward a
griping paw. "Thou knowest, Shiv, and ye, too, Heavenly Ones; ye know
that they have defiled Gunga. Surely they must come to the Destroyer.
Let Indra judge."

The Buck made no movement as he answered, "How long has this evil
been?"

"Three years, as men count years," said the Mugger, close pressed to
the earth.

"Does Mother Gunga die, then, in a year, that she is so anxious to see
vengeance now? The deep sea was where she runs but yesterday, and
to-morrow the sea shall cover her again as the Gods count that which
men call time. Can any say that this their bridge endures till
to-morrow?" said the Buck.

There was a long hush, and in the clearing of the storm the full moon
stood up above the dripping trees.

"Judge ye, then," said the River sullenly. "I have spoken my shame.
The flood falls still. I can do no more."

"For my own part"--it was the voice of the great Ape seated within the
shrine--"it pleases me well to watch these men, remembering that I
also builded no small bridge in the world's youth."

"They say, too," snarled the Tiger, "that these men came of the wreck
of thy armies, Hanuman, and therefore thou hast aided----"

"They toil as my armies toiled in Lanka, and they believe that their
toil endures. Indra is too high, but Shiv, thou knowest how the land
is threaded with their fire-carriages."

"Yea, I know," said the Bull. "Their Gods instructed them in the
matter."

A laugh ran round the circle.

"Their Gods! What should their Gods know? They were born yesterday,
and those that made them are scarcely yet cold," said the Mugger.
"To-morrow their Gods will die."

"Ho!" said Peroo. "Mother Gunga talks good talk. I told that to the
padre-sahib who preached on the _Mombassa_, and he asked the Burra
Malum to put me in irons for a great rudeness."

"Surely they make these things to please their Gods," said the Bull
again.

"Not altogether," the Elephant rolled forth. "It is for the profit of
my mahajuns--my fat money-lenders that worship me at each new year,
when they draw my image at the head of the account-books. I, looking
over their shoulders by lamplight, see that the names in the books
are those of men in far places--for all the towns are drawn together
by the fire-carriage, and the money comes and goes swiftly, and the
account-books grow as fat as--myself. And I, who am Ganesh of Good
Luck, I bless my peoples."

"They have changed the face of the land--which is my land. They have
killed and made new towns on my banks," said the Mugger.

"It is but the shifting of a little dirt. Let the dirt dig in the dirt
if it pleases the dirt," answered the Elephant.

"But afterward?" said the Tiger. "Afterward they will see that Mother
Gunga can avenge no insult, and they fall away from her first, and
later from us all, one by one. In the end, Ganesh, we are left with
naked altars."

The drunken Man staggered to his feet, and hiccupped vehemently in the
face of the assembled Gods.

"Kali lies. My sister lies. Also this my stick is the Kotwal of Kashi,
and he keeps tally of my pilgrims. When the time comes to worship
Bhairon--and it is always time--the fire-carriages move one by one,
and each bears a thousand pilgrims. They do not come afoot any more,
but rolling upon wheels, and my honour is increased."

"Gunna, I have seen thy bed at Pryag black with the pilgrims," said
the Ape, leaning forward "and but for the fire-carriage they would
have come slowly and in fewer numbers. Remember."

"They come to me always," Bhairon went on thickly. "By day and night
they pray to me, all the Common People in the fields and the roads.
Who is like Bhairon to-day? What talk is this of changing faiths? Is
my staff Kotwal of Kashi for nothing? He keeps the tally, and he says
that never were so many altars as to-day, and the fire-carriage serves
them well. Bhairon am I--Bhairon of the Common People, and the
chiefest of the Heavenly Ones to-day. Also my staff says----"

"Peace, thou!" lowed the Bull. "The worship of the schools is mine,
and they talk very wisely, asking whether I be one or many, as is the
delight of my people, and ye know what I am. Kali, my wife, thou
knowest also."

"Yea, I know," said the Tigress, with lowered head.

"Greater am I than Gunga also. For ye know who moved the minds of men
that they should count Gunga holy among the rivers. Who die in that
water--ye know how men say--come to us without punishment, and Gunga
knows that the fire-carriage has borne to her scores upon scores of
such anxious ones; and Kali knows that she has held her chiefest
festivals among the pilgrimages that are fed by the fire-carriage. Who
smote at Pooree, under the Image there, her thousands in a day and a
night, and bound the sickness to the wheels of the fire-carriages, so
that it ran from one end of the land to the other? Who but Kali?
Before the fire-carriage came it was a heavy toil. The fire-carriages
have served thee well, Mother of Death. But I speak for mine own
altars, who am not Bhairon of the Common Folk, but Shiv. Men go to and
fro, making words and telling talk of strange Gods, and I listen.
Faith follows faith among my people in the schools, and I have no
anger; for when the words are said, and the new talk is ended, to Shiv
men return at the last."

"True. It is true," murmured Hanuman. "To Shiv and to the others,
mother, they return. I creep from temple to temple in the North, where
they worship one God and His Prophet; and presently my image is alone
within their shrines."

"Small thanks," said the Buck, turning his head slowly. "I am that One
and His Prophet also."

"Even so, father," said Hanuman. "And to the South I go who am the
oldest of the Gods as men know the Gods, and presently I touch the
shrines of the new faith and the Woman whom we know is hewn
twelve-armed, and still they call her Mary."

"Small thanks, brother," said the Tigress. "I am that Woman."

"Even so, sister; and I go West among the fire-carriages, and stand
before the bridge-builder in many shapes, and because of me they
change their faiths and are very wise. Ho! ho! I am the builder of
bridges, indeed--bridges between this and that, and each bridge leads
surely to Us in the end. Be content, Gunga. Neither these men nor
those that follow them mock thee at all."

"Am I alone, then, Heavenly Ones? Shall I smooth out my flood lest
unhappily I bear away their walls? Will Indra dry my springs in the
hills and make me crawl humbly between their wharfs? Shall I bury me
in the sand ere I offend?"

"And all for the sake of a little iron bar with the fire-carriage
atop. Truly, Mother Gunga is always young!" said Ganesh the Elephant.
"A child had not spoken more foolishly. Let the dirt dig in the dirt
ere it return to the dirt. I know only that my people grow rich and
praise me. Shiv has said that the men of the schools do not forget;
Bhairon is content for his crowd of the Common People; and Hanuman
laughs."

"Surely I laugh," said the Ape. "My altars are few beside those of
Ganesh or Bhairon, but the fire-carriages bring me new worshippers
from beyond the Black Water--the men who believe that their God is
toil. I run before them beckoning, and they follow Hanuman."

"Give them the toil that they desire, then," said the River. "Make a
bar across my flood and throw the water back upon the bridge. Once
thou wast strong in Lanka, Hanuman. Stoop and lift my bed."

"Who gives life can take life." The Ape scratched in the mud with a
long forefinger. "And yet, who would profit by the killing? Very many
would die."

There came up from the water a snatch of a love-song such as the boys
sing when they watch their cattle in the noon heats of late spring.
The Parrot screamed joyously, sidling along his branch with lowered
head as the song grew louder, and in a patch of clear moonlight stood
revealed the young herd, the darling of the Gopis, the idol of
dreaming maids and of mothers ere their children are born--Krishna the
Well-beloved. He stooped to knot up his long, wet hair, and the parrot
fluttered to his shoulder.

"Fleeting and singing, and singing and fleeting," hiccupped Bhairon.
"Those make thee late for the council, brother."

"And then?" said Krishna, with a laugh, throwing back his head. "Ye
can do little without me or Karma here." He fondled the Parrot's
plumage and laughed again. "What is this sitting and talking together?
I heard Mother Gunga roaring in the dark, and so came quickly from a
hut where I lay warm. And what have ye done to Karma, that he is so
wet and silent? And what does Mother Gunga here? Are the heavens full
that ye must come paddling in the mud beast-wise? Karma, what do they
do?"

"Gunga has prayed for a vengeance on the bridge-builders, and Kali is
with her. Now she bids Hanuman whelm the bridge, that her honour may
be made great," cried the Parrot. "I waited here, knowing that thou
wouldst come O my master!"

"And the Heavenly Ones said nothing? Did Gunga and the Mother of
Sorrows out-talk them? Did none speak for my people?"

"Nay," said Ganesh, moving uneasily from foot to foot; "I said it was
but dirt at play, and why should we stamp it flat?"

"I was content to let them toil--well content," said Hanuman.

"What had I to do with Gunga's anger?" said the Bull.

"I am Bhairon of the Common Folk, and this my staff is Kotwal of all
Kashi. I spoke for the Common People."

"Thou?" The young God's eyes sparkled.

"Am I not the first of the Gods in their mouths to-day?" returned
Bhairon, unabashed. "For the sake of the Common People I said--very
many wise things which I have now forgotten--but this my staff----"

Krishna turned impatiently, saw the Mugger at his feet, and kneeling,
slipped an arm round the cold neck. "Mother," he said gently, "get
thee to thy flood again. The matter is not for thee. What harm shall
thy honour take of this live dirt? Thou hast given them their fields
new year after year, and by thy flood they are made strong. They come
all to thee at the last. What need to slay them now? Have pity,
mother, for a little--and it is only for a little."

"If it be only for a little----" the slow beast began.

"Are they Gods, then?" Krishna returned with a laugh, his eyes looking
into the dull eyes of the River. "Be certain that it is only for a
little. The Heavenly Ones have heard thee, and presently justice will
be done. Go, now, mother, to the flood again. Men and cattle are thick
on the waters--the banks fall--the villages melt because of thee."

"But the bridge--the bridge stands." The Mugger turned grunting into
the undergrowth as Krishna rose.

"It is ended," said the Tigress, viciously. "There is no more justice
from the Heavenly Ones. Ye have made shame and sport of Gunga, who
asked no more than a few score lives."

"Of _my_ people--who lie under the leaf-roofs of the village
yonder--of the young girls, and the young men who sing to them," said
Krishna. "And when all is done, what profit? To-morrow sees them at
work. Ay, if ye swept the bridge out from end to end they would begin
anew. Hear me! Bhairon is drunk always. Hanuman mocks his people with
new riddles."

"Nay, but they are very old ones," the Ape said, laughing.

"Shiv hears the talk of the schools and the dreams of the holy men;
Ganesh thinks only of his fat traders; but I--I live with these my
people, asking for no gifts, and so receiving them hourly."

"And very tender art thou of thy people," said the Tigress.

"They are my own. The old women dream of me, turning in their sleep;
the maids look and listen for me when they go to fill their lotahs by
the river. I walk by the young men waiting without the gates at dusk,
and I call over my shoulder to the white-beards. Ye know, Heavenly
Ones, that I alone of us all walk upon the earth continually, and have
no pleasure in our heavens so long as a green blade springs here, or
there are two voices at twilight in the standing crops. Wise are ye,
but ye live far off, forgetting whence ye came. So do I not forget.
And the fire-carriage feeds your shrines, ye say? And the
fire-carriages bring a thousand pilgrimages where but ten came in the
old years? True. That is true to-day."

"But to-morrow they are dead, brother," said Ganesh.

"Peace!" said the Bull, as Hanuman leaned forward again. "And
to-morrow, beloved--what of to-morrow?"

"This only. A new word creeping from mouth to mouth among the Common
Folk--a word that neither man nor God can lay hold of--an evil word--a
little lazy word among the Common Folk, saying (and none know who set
that word afoot) that they weary of ye, Heavenly Ones."

The Gods laughed together softly. "And then, beloved?" they said.

"And to cover that weariness they, my people, will bring to thee,
Shiv, and to thee, Ganesh, at first greater offerings and a louder
noise of worship. But the word has gone abroad, and, after, they will
pay fewer dues to your fat Brahmins. Next they will forget your
altars, but so slowly that no man can say how his forgetfulness
began."

"I knew--I knew! I spoke this also, but they would not hear," said the
Tigress. "We should have slain--we should have slain!"

"It is too late now. Ye should have slain at the beginning, when the
men from across the water had taught our folk nothing. Now my people
see their work, and go away thinking. They do not think of the
Heavenly Ones altogether. They think of the fire-carriage and the
other things that the bridge-builders have done, and when your priests
thrust forward hands asking alms, they give unwillingly a little. That
is the beginning, among one or two, or five or ten--for I, moving
among my people, know what is in their hearts."

"And the end, Jester of the Gods? What shall the end be?" said Ganesh.

"The end shall be as it was in the beginning, O slothful son of Shiv!
The flame shall die upon the altars and the prayer upon the tongue
till ye become little Gods again--Gods of the jungle--names that the
hunters of rats and noosers of dogs whisper in the thicket and among
the caves--rag-Gods, pot Godlings of the tree, and the village-mark,
as ye were at the beginning. That is the end, Ganesh, for thee, and
for Bhairon--Bhairon of the Common People."

"It is very far away," grunted Bhairon. "Also, it is a lie."

"Many women have kissed Krishna. They told him this to cheer their own
hearts when the gray hairs came, and he has told us the tale," said
the Bull, below his breath.

"Their Gods came, and we changed them. I took the woman and made her
twelve-armed. So shall we twist all their Gods," said Hanuman.

"Their Gods! This is no question of their Gods--one or three--man or
woman. The matter is with the people. _They_ move, and not the Gods of
the bridge-builders," said Krishna.

"So be it. I have made a man worship the fire-carriage as it stood
still breathing smoke, and he knew not that he worshipped me," said
Hanuman the Ape. "They will only change a little the names of their
Gods. I shall lead the builders of the bridges as of old; Shiv shall
be worshipped in the schools by such as doubt and despise their
fellows; Ganesh shall have his mahajuns, and Bhairon the
donkey-drivers, the pilgrims, and the sellers of toys. Beloved, they
will do no more than change the names, and that we have seen a
thousand times."

"Surely they will do no more than change the names," echoed Ganesh:
but there was an uneasy movement among the Gods.

"They will change more than the names. Me alone they cannot kill, so
long as maiden and man meet together or the spring follows the winter
rains. Heavenly Ones, not for nothing have I walked upon the earth. My
people know not now what they know; but I, who live with them, I read
their hearts. Great Kings, the beginning of the end is born already.
The fire-carriages shout the names of new Gods that are _not_ the old
under new names. Drink now and eat greatly! Bathe your faces in the
smoke of the altars before they grow cold! Take dues and listen to the
cymbals and the drums, Heavenly Ones, while yet there are flowers and
songs. As men count time the end is far off; but as we who know reckon
it is to-day. I have spoken."

The young God ceased, and his brethren looked at each other long in
silence.

"This I have not heard before," Peroo whispered in his companion's
ear. "And yet sometimes, when I oiled the brasses in the engine-room
of the _Goorkha_, I have wondered if our priests were so wise--so
wise. The day is coming, Sahib. They will be gone by the morning."

A yellow light broadened in the sky, and the tone of the river changed
as the darkness withdrew.

Suddenly the Elephant trumpeted aloud as though men had goaded him.

"Let Indra judge. Father of all, speak thou! What of the things we
have heard? Has Krishna lied indeed? Or----"

"Ye know," said the Buck, rising to his feet. "Ye know the Riddle of
the Gods. When Brahm ceases to dream the Heavens and the Hells and
Earth disappear. Be content. Brahm dreams still. The dreams come and
go, and the nature of the dreams changes, but still Brahm dreams.
Krishna has walked too long upon earth, and yet I love him the more
for the tale he has told. The Gods change, beloved--all save One!"

"Ay, all save one that makes love in the hearts of men," said Krishna,
knotting his girdle. "It is but a little time to wait, and ye shall
know if I lie."

"Truly it is but a little time, as thou sayest, and we shall know. Get
thee to thy huts again, beloved, and make sport for the young things,
for still Brahm dreams. Go, my children! Brahm dreams--and till He
wakes the Gods die not."

       *       *       *       *       *

"Whither went they?" said the Lascar, awe-struck, shivering a little
with the cold.

"God knows!" said Findlayson. The river and the island lay in full
daylight now, and there was never mark of hoof or pug on the wet earth
under the peepul. Only a parrot screamed in the branches, bringing
down showers of water-drops as he fluttered his wings.

"Up! We are cramped with cold! Has the opium died out? Canst thou
move, Sahib?"

Findlayson staggered to his feet and shook himself. His head swam and
ached, but the work of the opium was over, and, as he sluiced his
forehead in a pool, the Chief Engineer of the Kashi Bridge was
wondering how he had managed to fall upon the island, what chances the
day offered of return, and, above all, how his work stood.

"Peroo, I have forgotten much. I was under the guard-tower watching
the river; and then--Did the flood sweep us away?"

"No. The boats broke loose, Sahib, and" (if the Sahib had forgotten
about the opium, decidedly Peroo would not remind him) "in striving to
retie them, so it seemed to me--but it was dark--a rope caught the
Sahib and threw him upon a boat. Considering that we two, with
Hitchcock Sahib, built, as it were, that bridge, I came also upon the
boat, which came riding on horseback, as it were, on the nose of this
island, and so, splitting, cast us ashore. I made a great cry when the
boat left the wharf, and without doubt Hitchcock Sahib will come for
us. As for the bridge, so many have died in the building that it
cannot fall."

A fierce sun, that drew out all the smell of the sodden land, had
followed the storm, and in that clear light there was no room for a
man to think of dreams of the dark. Findlayson stared up-stream,
across the blaze of moving water, till his eyes ached. There was no
sign of any bank to the Ganges, much less of a bridge-line.

"We came down far," he said. "It was wonderful that we were not
drowned a hundred times."

"That was the least of the wonder, for no man dies before his time. I
have seen Sydney, I have seen London, and twenty great ports,
but"--Peroo looked at the damp, discoloured shrine under the
peepul--"never man has seen that we saw here."

"What?"

"Has the Sahib forgotten; or do we black men only see the Gods?"

"There was a fever upon me." Findlayson was still looking uneasily
across the water. "It seemed that the island was full of beasts and
men talking, but I do not remember. A boat could live in this water
now, I think."

"Oho! Then it _is_ true. 'When Brahm ceases to dream, the Gods die.'
Now I know, indeed, what he meant. Once, too, the _guru_ said as much
to me; but then I did not understand. Now I am wise."

"What?" said Findlayson over his shoulder.

Peroo went on as if he were talking to himself. "Six--seven--ten
monsoons since, I was watch on the fo'c'sle of the _Rewah_--the
Kumpani's big boat--and there was a big _tufan_, green and black water
beating; and I held fast to the life-lines, choking under the waters.
Then I thought of the Gods--of Those whom we saw to-night"--he stared
curiously at Findlayson's back, but the white man was looking across
the flood. "Yes, I say of Those whom we saw this night past, and I
called upon Them to protect me. And while I prayed, still keeping my
lookout, a big wave came and threw me forward upon the ring of the
great black bow-anchor, and the _Rewah_ rose high and high, leaning
toward the left-hand side, and the water drew away from beneath her
nose, and I lay upon my belly, holding the ring, and looking down into
those great deeps. Then I thought, even in the face of death, if I
lose hold I die, and for me neither the _Rewah_ nor my place by the
galley where the rice is cooked, nor Bombay, nor Calcutta, nor even
London, will be any more for me. 'How shall I be sure,' I said, 'that
the Gods to whom I pray will abide at all?' This I thought, and the
_Rewah_ dropped her nose as a hammer falls, and all the sea came in
and slid me backward along the fo'c'sle and over the break of the
fo'c'sle, and I very badly bruised my shin against the donkey-engine:
but I did not die, and I have seen the Gods. They are good for live
men, but for the dead----They have spoken Themselves. Therefore, when
I come to the village I will beat the _guru_ for talking riddles which
are no riddles. When Brahm ceases to dream, the Gods go."

"Look up-stream. The light blinds. Is there smoke yonder?"

Peroo shaded his eyes with his hands. "He is a wise man and quick.
Hitchcock Sahib would not trust a rowboat. He has borrowed the Rao
Sahib's steam-launch, and comes to look for us. I have always said
that there should have been a steam-launch on the bridge-works for
us."

The territory of the Rao of Baraon lay within ten miles of the bridge;
and Findlayson and Hitchcock had spent a fair portion of their scanty
leisure in playing billiards and shooting Black-buck with the young
man. He had been bear-led by an English tutor of sporting tastes for
some five or six years, and was now royally wasting the revenues
accumulated during his minority by the Indian Government. His
steam-launch, with its silver-plated rails, striped silk awning, and
mahogany decks, was a new toy which Findlayson had found horribly in
the way when the Rao came to look at the bridge-works.

"It's great luck," murmured Findlayson, but he was none the less
afraid, wondering what news might be of the bridge.

The gaudy blue and white funnel came down-stream swiftly. They could
see Hitchcock in the bows, with a pair of opera-glasses, and his face
was unusually white. Then Peroo hailed, and the launch made for the
tail of the island. The Rao Sahib, in tweed shooting-suit and a
seven-hued turban, waved his royal hand, and Hitchcock shouted. But he
need have asked no questions, for Findlayson's first demand was for
his bridge.

"All serene! 'Gad, I never expected to see you again, Findlayson.
You're seven koss down-stream. Yes, there's not a stone shifted
anywhere; but how are you? I borrowed the Rao Sahib's launch, and he
was good enough to come along. Jump in."

"Ah, Finlinson, you are very well, eh? That was most unprecedented
calamity last night, eh? My royal palace, too, it leaks like the
devil, and the crops will also be short all about my country. Now you
shall back her out, Hitchcock. I--I do not understand steam-engines.
You are wet? You are cold Finlinson? I have some things to eat here,
and you will take a good drink."

"I'm immensely grateful, Rao Sahib. I believe you've saved my life.
How did Hitchcock----"

"Oho! His hair was upon end. He rode to me in the middle of the night and
woke me up in the arms of Morphus. I was most truly concerned, Finlinson,
so I came too. My head-priest he is very angry just now. We will go quick,
Mister Hitchcock. I am due to attend at twelve-forty-five in the state
temple, where we sanctify some new idol. If not so I would have asked you
to spend the day with me. They are dam-bore, these religious ceremonies,
Finlinson, eh?"

Peroo, well known to the crew, had possessed himself of the wheel, and
was taking the launch craftily up-stream. But while he steered he was,
in his mind, handling two feet of partially untwisted wire-rope; and
the back upon which he beat was the back of his _guru_.




IV

THE MIRACLES


    I sent a message to my dear--
      A thousand leagues and more to her--
    The dumb sea-levels thrilled to hear,
      And lost Atlantis bore to her.

    Behind my message hard I came,
      And nigh had found a grave for me;
    But that I launched of steel and flame
      Did war against the wave for me.

    Uprose the deep, by gale on gale,
      To bid me change my mind again--
    He broke his teeth along my rail,
      And, roaring, swung behind again.

    I stayed the sun at noon to tell
      My way across the waste of it;
    I read the storm before it fell
      And made the better haste of it.

    Afar, I hailed the land at night--
      The towers I built had heard of me--
    And, ere my rocket reached its height,
      Had flashed my Love the word of me.

    Earth gave her chosen men of strength
      (They lived and strove and died for me)
    To drive my road a nation's length,
      And toss the miles aside for me.

    I snatched their toil to serve my needs--
      Too slow their fleetest flew for me--
    I tired twenty smoking steeds,
      And bade them bait a new for me.

    I sent the lightnings forth to see
      Where hour by hour she waited me.
    Among ten million one was she,
      And surely all men hated me!

    Dawn ran to meet us at my goal--
      Ah, day no tongue shall tell again!--
    And little folk of little soul
      Rose up to buy and sell again!




V

OUR LADY OF THE SNOWS

1897

(_Canadian Preferential Tariff, 1897_)


    A Nation spoke to a Nation.
      A Queen sent word to a Throne:
    "Daughter am I in my mother's house
      But mistress in my own.
    The gates are mine to open,
      As the gates are mine to close,
    And I set my house in order,"
      Said our Lady of the Snows.

    "Neither with laughter nor weeping,
      Fear or the child's amaze--
    Soberly under the White Man's law
      My white men go their ways.
    Not for the Gentiles' clamour--
      Insult or threat of blows--
    Bow we the knee to Baal,"
      Said our Lady of the Snows.

    "My speech is clean and single,
      I talk of common things--
    Words of the wharf and the market-place
      And the ware the merchant brings:
    Favour to those I favour,
      But a stumbling-block to my foes.
    Many there be that hate us,"
      Said our Lady of the Snows.

    "I called my chiefs to council
      In the din of a troubled year;
    For the sake of a sign ye would not see,
      And a word ye would not hear.
    This is our message and answer;
      This is the path we chose:
    For we be also a people,"
      Said our Lady of the Snows.

    "Carry the word to my sisters--
      To the Queens of the East and the South
    I have proven faith in the Heritage
      By more than the word of the mouth.
    They that are wise may follow
      Ere the world's war-trumpet blows,
    But I--I am first in the battle,"
      Said our Lady of the Snows.

    _A Nation spoke to a Nation,
      A Throne sent word to a Throne:
    "Daughter am I in my mother's house,
      But mistress in my own.
    The gates are mine to open,
      As the gates are mine to close,
    And I abide by my Mother's House,"
      Said our Lady of the Snows._




VI

THE SONG OF THE WOMEN

(_Lady Dufferin's Fund for medical Aid to the Women of India_).


    How shall she know the worship we would do her?
      The walls are high, and she is very far.
    How shall the women's message reach unto her
      Above the tumult of the packed bazaar?
        Free wind of March, against the lattice blowing,
        Bear thou our thanks, lest she depart unknowing.

    Go forth across the fields we may not roam in,
      Go forth beyond the trees that rim the city,
    To whatsoe'er fair place she hath her home in,
      Who dowered us with wealth of love and pity.
        Out of our shadow pass, and seek her singing--
        "I have no gifts but Love alone for bringing."

    Say that we be a feeble folk who greet her,
      But old in grief, and very wise in tears;
    Say that we, being desolate, entreat her
      That she forget us not in after years;
        For we have seen the light, and it were grievous
        To dim that dawning if our lady leave us.

    By life that ebbed with none to stanch the failing,
      By love's sad harvest garnered in the spring,
    When Love in ignorance wept unavailing
      O'er young buds dead before their blossoming;
        By all the gray owl watched, the pale moon viewed,
        In past grim years, declare our gratitude!

    By hands uplifted to the Gods that heard not,
      By gifts that found no favour in their sight,
    By faces bent above the babe that stirred not,
      By nameless horrors of the stifling night;
        By ills foredone, by peace her toils discover,
        Bid Earth be good beneath and Heaven above her!

    If she have sent her servants in our pain,
      If she have fought with Death and dulled his sword;
    If she have given back our sick again,
      And to the breast the weakling lips restored,
        Is it a little thing that she has wrought?
        Then Life and Death and Motherhood be naught.

    Go forth, oh, wind, our message on thy wings,
      And they shall hear thee pass and bid thee speed,
    In red-roofed hut, or white-walled home of kings,
      Who have been helped by her in their need.
        All spring shall give thee fragrance, and the wheat
        Shall be a tasselled floor-cloth to thy feet.

    Haste, for our hearts are with thee, take no rest,
      Loud-voiced ambassador, from sea to sea
    Proclaim the blessing, manifold, confest,
      Of those in darkness by her hand set free;
        Then very softly to her presence move,
        And whisper: "Lady, lo, they know and love!"




VII

THE WHITE MAN'S BURDEN

1899


    Take up the White Man's burden--
      Send forth the best ye breed--
    Go bind your sons to exile
      To serve your captives' need;
    To wait in heavy harness,
      On fluttered folk and wild--
    Your new-caught, sullen peoples,
      Half-devil and half child.

    Take up the White Man's burden--
      In patience to abide,
    To veil the threat of terror
      And check the show of pride;
    By open speech and simple,
      An hundred times made plain,
    To seek another's profit,
      And work another's gain.

    Take up the White Man's burden--
      The savage wars of peace--
    Fill full the mouth of Famine
      And bid the sickness cease;
    And when your goal is nearest
      The end for others sought,
    Watch Sloth and heathen Folly
      Bring all your hope to naught.

    Take up the White Man's burden--
      No tawdry rule of kings,
    But toil of serf and sweeper--
      The tale of common things.
    The ports ye shall not enter,
      The roads ye shall not tread,
    Go make them with your living,
      And mark them with your dead.

    Take up the White Man's burden--
      And reap his old reward;
    The blame of those ye better,
      The hate of those ye guard--
    The cry of hosts ye humour
      (Ah, slowly!) toward the light:--
    "Why brought ye us from bondage,
      Our loved Egyptian night?"

    Take up the White Man's burden--
      Ye dare not stoop to less--
    Nor call too loud on Freedom
      To cloak your weariness;
    By all ye cry or whisper,
      By all ye leave or do,
    The silent, sullen peoples
      Shall weigh your Gods and you.

    Take up the White Man's burden--
      Have done with childish days--
    The lightly proffered laurel
      The easy, ungrudged praise.
    Comes now, to search your manhood
      Through all the thankless years,
    Cold, edged with dear-bought wisdom,
      The judgment of your peers!

       *       *       *       *       *








End of the Project Gutenberg EBook of Kipling Stories and Poems Every Child
Should Know, Book II, by Rudyard Kipling

*** END OF THIS PROJECT GUTENBERG EBOOK KIPLING STORIES AND POEMS ***

***** This file should be named 30568.txt or 30568.zip *****
This and all associated files of various formats will be found in:
        http://www.gutenberg.org/3/0/5/6/30568/

Produced by Sankar Viswanathan, Juliet Sutherland, and the
Online Distributed Proofreading Team at http://www.pgdp.net


Updated editions will replace the previous one--the old editions
will be renamed.

Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying copyright royalties.  Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark.  Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission.  If you
do not charge anything for copies of this eBook, complying with the
rules is very easy.  You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research.  They may be modified and printed and given away--you may do
practically ANYTHING with public domain eBooks.  Redistribution is
subject to the trademark license, especially commercial
redistribution.



*** START: FULL LICENSE ***

THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full Project
Gutenberg-tm License (available with this file or online at
http://gutenberg.org/license).


Section 1.  General Terms of Use and Redistributing Project Gutenberg-tm
electronic works

1.A.  By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement.  If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B.  "Project Gutenberg" is a registered trademark.  It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement.  There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement.  See
paragraph 1.C below.  There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works.  See paragraph 1.E below.

1.C.  The Project Gutenberg Literary Archive Foundation ("the Foundation"
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works.  Nearly all the individual works in the
collection are in the public domain in the United States.  If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
works based on the work as long as all references to Project Gutenberg
are removed.  Of course, we hope that you will support the Project
Gutenberg-tm mission of promoting free access to electronic works by
freely sharing Project Gutenberg-tm works in compliance with the terms of
this agreement for keeping the Project Gutenberg-tm name associated with
the work.  You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.

1.D.  The copyright laws of the place where you are located also govern
what you can do with this work.  Copyright laws in most countries are in
a constant state of change.  If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work.  The Foundation makes no representations concerning
the copyright status of any work in any country outside the United
States.

1.E.  Unless you have removed all references to Project Gutenberg:

1.E.1.  The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg-tm License must appear prominently
whenever any copy of a Project Gutenberg-tm work (any work on which the
phrase "Project Gutenberg" appears, or with which the phrase "Project
Gutenberg" is associated) is accessed, displayed, performed, viewed,
copied or distributed:

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org

1.E.2.  If an individual Project Gutenberg-tm electronic work is derived
from the public domain (does not contain a notice indicating that it is
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges.  If you are redistributing or providing access to a work
with the phrase "Project Gutenberg" associated with or appearing on the
work, you must comply either with the requirements of paragraphs 1.E.1
through 1.E.7 or obtain permission for the use of the work and the
Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
1.E.9.

1.E.3.  If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
terms imposed by the copyright holder.  Additional terms will be linked
to the Project Gutenberg-tm License for all works posted with the
permission of the copyright holder found at the beginning of this work.

1.E.4.  Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.

1.E.5.  Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.

1.E.6.  You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form.  However, if you provide access to or
distribute copies of a Project Gutenberg-tm work in a format other than
"Plain Vanilla ASCII" or other format used in the official version
posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
you must, at no additional cost, fee or expense to the user, provide a
copy, a means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original "Plain Vanilla ASCII" or other
form.  Any alternate format must include the full Project Gutenberg-tm
License as specified in paragraph 1.E.1.

1.E.7.  Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8.  You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works provided
that

- You pay a royalty fee of 20% of the gross profits you derive from
     the use of Project Gutenberg-tm works calculated using the method
     you already use to calculate your applicable taxes.  The fee is
     owed to the owner of the Project Gutenberg-tm trademark, but he
     has agreed to donate royalties under this paragraph to the
     Project Gutenberg Literary Archive Foundation.  Royalty payments
     must be paid within 60 days following each date on which you
     prepare (or are legally required to prepare) your periodic tax
     returns.  Royalty payments should be clearly marked as such and
     sent to the Project Gutenberg Literary Archive Foundation at the
     address specified in Section 4, "Information about donations to
     the Project Gutenberg Literary Archive Foundation."

- You provide a full refund of any money paid by a user who notifies
     you in writing (or by e-mail) within 30 days of receipt that s/he
     does not agree to the terms of the full Project Gutenberg-tm
     License.  You must require such a user to return or
     destroy all copies of the works possessed in a physical medium
     and discontinue all use of and all access to other copies of
     Project Gutenberg-tm works.

- You provide, in accordance with paragraph 1.F.3, a full refund of any
     money paid for a work or a replacement copy, if a defect in the
     electronic work is discovered and reported to you within 90 days
     of receipt of the work.

- You comply with all other terms of this agreement for free
     distribution of Project Gutenberg-tm works.

1.E.9.  If you wish to charge a fee or distribute a Project Gutenberg-tm
electronic work or group of works on different terms than are set
forth in this agreement, you must obtain permission in writing from
both the Project Gutenberg Literary Archive Foundation and Michael
Hart, the owner of the Project Gutenberg-tm trademark.  Contact the
Foundation as set forth in Section 3 below.

1.F.

1.F.1.  Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
public domain works in creating the Project Gutenberg-tm
collection.  Despite these efforts, Project Gutenberg-tm electronic
works, and the medium on which they may be stored, may contain
"Defects," such as, but not limited to, incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other intellectual
property infringement, a defective or damaged disk or other medium, a
computer virus, or computer codes that damage or cannot be read by
your equipment.

1.F.2.  LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees.  YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH F3.  YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.

1.F.3.  LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from.  If you
received the work on a physical medium, you must return the medium with
your written explanation.  The person or entity that provided you with
the defective work may elect to provide a replacement copy in lieu of a
refund.  If you received the work electronically, the person or entity
providing it to you may choose to give you a second opportunity to
receive the work electronically in lieu of a refund.  If the second copy
is also defective, you may demand a refund in writing without further
opportunities to fix the problem.

1.F.4.  Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.

1.F.5.  Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the
law of the state applicable to this agreement, the agreement shall be
interpreted to make the maximum disclaimer or limitation permitted by
the applicable state law.  The invalidity or unenforceability of any
provision of this agreement shall not void the remaining provisions.

1.F.6.  INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in accordance
with this agreement, and any volunteers associated with the production,
promotion and distribution of Project Gutenberg-tm electronic works,
harmless from all liability, costs and expenses, including legal fees,
that arise directly or indirectly from any of the following which you do
or cause to occur: (a) distribution of this or any Project Gutenberg-tm
work, (b) alteration, modification, or additions or deletions to any
Project Gutenberg-tm work, and (c) any Defect you cause.


Section  2.  Information about the Mission of Project Gutenberg-tm

Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of computers
including obsolete, old, middle-aged and new computers.  It exists
because of the efforts of hundreds of volunteers and donations from
people in all walks of life.

Volunteers and financial support to provide volunteers with the
assistance they need, are critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come.  In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future generations.
To learn more about the Project Gutenberg Literary Archive Foundation
and how your efforts and donations can help, see Sections 3 and 4
and the Foundation web page at http://www.pglaf.org.


Section 3.  Information about the Project Gutenberg Literary Archive
Foundation

The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service.  The Foundation's EIN or federal tax identification
number is 64-6221541.  Its 501(c)(3) letter is posted at
http://pglaf.org/fundraising.  Contributions to the Project Gutenberg
Literary Archive Foundation are tax deductible to the full extent
permitted by U.S. federal laws and your state's laws.

The Foundation's principal office is located at 4557 Melan Dr. S.
Fairbanks, AK, 99712., but its volunteers and employees are scattered
throughout numerous locations.  Its business office is located at
809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
business@pglaf.org.  Email contact links and up to date contact
information can be found at the Foundation's web site and official
page at http://pglaf.org

For additional contact information:
     Dr. Gregory B. Newby
     Chief Executive and Director
     gbnewby@pglaf.org


Section 4.  Information about Donations to the Project Gutenberg
Literary Archive Foundation

Project Gutenberg-tm depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment.  Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.

The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States.  Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements.  We do not solicit donations in locations
where we have not received written confirmation of compliance.  To
SEND DONATIONS or determine the status of compliance for any
particular state visit http://pglaf.org

While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.

International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States.  U.S. laws alone swamp our small staff.

Please check the Project Gutenberg Web pages for current donation
methods and addresses.  Donations are accepted in a number of other
ways including checks, online payments and credit card donations.
To donate, please visit: http://pglaf.org/donate


Section 5.  General Information About Project Gutenberg-tm electronic
works.

Professor Michael S. Hart is the originator of the Project Gutenberg-tm
concept of a library of electronic works that could be freely shared
with anyone.  For thirty years, he produced and distributed Project
Gutenberg-tm eBooks with only a loose network of volunteer support.


Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as Public Domain in the U.S.
unless a copyright notice is included.  Thus, we do not necessarily
keep eBooks in compliance with any particular paper edition.


Most people start at our Web site which has the main PG search facility:

     http://www.gutenberg.org

This Web site includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.