summaryrefslogtreecommitdiff
path: root/30589-h
diff options
context:
space:
mode:
Diffstat (limited to '30589-h')
-rw-r--r--30589-h/30589-h.htm9135
-rw-r--r--30589-h/images/cover.jpgbin0 -> 118637 bytes
-rw-r--r--30589-h/images/frontispiece.jpgbin0 -> 47807 bytes
-rw-r--r--30589-h/images/i001.jpgbin0 -> 47346 bytes
-rw-r--r--30589-h/images/i002.jpgbin0 -> 51159 bytes
-rw-r--r--30589-h/images/i003.jpgbin0 -> 53366 bytes
-rw-r--r--30589-h/images/i004.jpgbin0 -> 49121 bytes
-rw-r--r--30589-h/images/i005.jpgbin0 -> 44990 bytes
8 files changed, 9135 insertions, 0 deletions
diff --git a/30589-h/30589-h.htm b/30589-h/30589-h.htm
new file mode 100644
index 0000000..b127aff
--- /dev/null
+++ b/30589-h/30589-h.htm
@@ -0,0 +1,9135 @@
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN"
+ "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml">
+<head>
+<meta http-equiv="Content-Type" content="text/html; charset=ISO-8859-1" />
+<title>The Project Gutenberg eBook of The Continental Dragoon, by Robert Neilson Stephens</title>
+<style type="text/css">
+ @media screen {
+ hr.pb {margin:30px 0; width:100%; border:none;border-top:thin dashed silver;}
+ .pagenum {display: inline; font-size: x-small; text-align: right; text-indent: 0; position: absolute; right: 2%; padding: 1px 3px; font-style: normal; font-variant:normal; font-weight:normal; text-decoration: none; background-color: inherit; border:1px solid #eee;}
+ .pncolor {color: silver;}
+ }
+ @media print {
+ hr.pb {border:none;page-break-after: always;}
+ .pagenum { display:none; }
+ }
+ body {margin-left: 11%; margin-right: 10%;}
+ p {margin-top: 0.5em; text-align: justify; margin-bottom: 0.5em;}
+
+ .adbook {text-align: center; font-weight: bold; font-size: large;margin-top: 1.5em;}
+ .adprice {margin: .75em 2.5em;}
+ .adprice span.ralign{float: right; width: auto;}
+ .center, .center p{text-align: center;}
+ .dcap {text-transform: uppercase;}
+ .fnanchor {vertical-align: 0.25em; text-decoration: none; background-color: #DDD; font-size: .9em;}
+ .larger {font-size: large;}
+ .muchlarger {font-size: x-large;}
+ .padtop {margin-top: 2em;}
+ .ralign, .ralign p{text-align: right;}
+ .smaller {font-size: small;}
+ .trnote {background-color: #EEE; color: inherit; margin: 2em 5% 1em 5%; font-size: small; padding: 0.5em 1em 0.5em 1em; border: dotted 1px gray;}
+ blockquote {display: block; margin: .75em 2em; font-size: 80%;}
+ div.adbox {border: solid 1px black; text-align: center; margin: 2em auto; width: 20em;}
+ div.adbox p {text-align: center; margin: 0; padding: .5em;}
+ div.adbox p.section{border-top: solid 1px black;}
+ h1,h2,h3,h4 {text-align: center;}
+ p.dropcap:first-letter{padding-top: .07em;}
+ p.dropcap:first-letter, p.dropcapq span.drop{float: left; margin-right: .05em; font-size: 300%; line-height: .8em; width: auto;}
+ p.dropcapq small {float: left; font-weight: bold; width: auto;}
+ p.dropcapq span.drop{padding-top: 0; padding-bottom: 0;}
+
+ .caption {font-size: 90%; text-align:center;}
+ .chsp {margin: auto; text-align: center; padding-top: 2em; padding-bottom: 1em;}
+ .figcenter {margin: 2em auto 2em auto; text-align: center; width: auto;}
+ .figtag {height: 1px;}
+ .smcap {font-variant: small-caps;}
+ .smcaplc {text-transform: lowercase; font-variant: small-caps;}
+ a {text-decoration: none;}
+ hr.mini {width: 20%; border:none; border-bottom:1px solid silver; clear:both; margin: 1em auto;}
+ hr.toprule {width: 65%; margin-top: 2em; margin-bottom: 2em; border:none; border-bottom:1px solid silver; clear:both;}
+ p.center {text-align: center !important;}
+ p.cg {margin-top: 0; margin-bottom: 0; text-align: left; width: 101%;}
+ span.indent2 {text-indent:0; width: 0.8em; display: block; float: left;}
+ table {margin-left: auto; margin-right: auto; clear: both;}
+ td.chalgn {text-align:right; margin-top:0; padding-right:1em;}
+
+ hr.full { width: 100%;
+ margin-top: 3em;
+ margin-bottom: 0em;
+ margin-left: auto;
+ margin-right: auto;
+ height: 4px;
+ border-width: 4px 0 0 0; /* remove all borders except the top one */
+ border-style: solid;
+ border-color: #000000;
+ clear: both; }
+ pre {font-size: 85%;}
+</style>
+</head>
+<body>
+<h1>The Project Gutenberg eBook, The Continental Dragoon, by Robert Neilson
+Stephens, Illustrated by H. C. Edwards</h1>
+<pre>
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at <a href = "http://www.gutenberg.org">www.gutenberg.org</a></pre>
+<p>Title: The Continental Dragoon</p>
+<p> A Love Story of Philipse Manor-House in 1778</p>
+<p>Author: Robert Neilson Stephens</p>
+<p>Release Date: December 3, 2009 [eBook #30589]</p>
+<p>Language: English</p>
+<p>Character set encoding: ISO-8859-1</p>
+<p>***START OF THE PROJECT GUTENBERG EBOOK THE CONTINENTAL DRAGOON***</p>
+<p>&nbsp;</p>
+<h4>E-text prepared by David Edwards, Katherine Ward,<br />
+ and the Project Gutenberg Online Distributed Proofreading Team<br />
+ (<a href="http://www.pgdp.net/c/">http://www.pgdp.net</a>)<br />
+ from digital material generously made available by<br />
+ Internet Archive<br />
+ (<a href="http://www.archive.org">http://www.archive.org</a>)</h4>
+<p>&nbsp;</p>
+<table border="0" style="background-color: #ccccff;" cellpadding="10">
+ <tr>
+ <td valign="top">
+ Note:
+ </td>
+ <td>
+ Images of the original pages are available through
+ Internet Archive. See
+ <a href="http://www.archive.org/details/continentaldrago00stepiala">
+ http://www.archive.org/details/continentaldrago00stepiala</a>
+ </td>
+ </tr>
+</table>
+<p>&nbsp;</p>
+<hr class="full" />
+<p>&nbsp;</p>
+
+<div class='figtag'>
+<a name='linki_1' id='linki_1'></a>
+</div>
+<div class='figcenter'>
+<img src='images/cover.jpg' alt='' title='' width='406' height='600' /><br />
+</div>
+<hr class='pb' />
+<div class="center">
+<h1>The<br />
+Continental<br />
+Dragoon.</h1>
+<p class='larger padtop center'>by<br /><br />
+R. N. Stephens.</p>
+</div>
+<hr class='pb' />
+<div class='adbox'>
+<p>Works of <br /><span class="larger">R. N. STEPHENS.</span></p>
+<hr class='mini' />
+<p>An Enemy to the King.<br />
+The Continental Dragoon.</p>
+<hr class='mini' />
+<p><span class="smaller"><i>In Press</i>:</span><br />
+The Road to Paris.</p>
+<p class='section'>L. C. PAGE AND COMPANY, Publishers,<br />
+<span class="smaller">(INCORPORATED)</span><br />
+196 Summer St., Boston, Mass.</p>
+</div>
+<hr class='pb' />
+<div class='figtag'>
+<a name='linki_2' id='linki_2'></a>
+</div>
+<div class='figcenter'>
+<img src='images/frontispiece.jpg' alt='' title='' width='317' height='500' /><br />
+<p class='caption'>
+&ldquo;<i>&lsquo;Take that rebel alive!&rsquo; ordered Colden.</i>&rdquo;<br />
+<br />
+<span class="smaller">Photogravure from original drawing by <br />H. C. Edwards.</span><br />
+</p>
+</div>
+<hr class='pb' />
+<div class="center">
+<p class='padtop larger smcap'>THE<br />
+<span class="muchlarger">Continental Dragoon</span></p>
+<p><b>A Love Story of Philipse Manor-House<br />
+in 1778</b></p>
+<p class='larger'><span class='smcaplc'>BY</span>
+ROBERT NEILSON STEPHENS</p>
+<p><span class='smcap'>AUTHOR OF<br />
+&ldquo;AN ENEMY TO THE KING&rdquo;</span></p>
+<p class='padtop'><span class="smaller">Illustrated by</span><br />
+H. C. EDWARDS</p>
+<p class='smaller padtop'>&ldquo;Love&rsquo;s born of a glance, I say&rdquo;</p>
+<p>&nbsp;</p>
+<p>&nbsp;</p>
+<p>&nbsp;</p>
+<p class='padtop'>BOSTON<br />
+L. C. PAGE AND COMPANY<br />
+<span class='smcaplc'>(INCORPORATED)</span><br />
+1898</p>
+<hr class='pb' />
+<p class='smaller'><i>Copyright, 1898</i><br />
+<span class='smcap'>By L. C. Page and Company<br />
+(INCORPORATED)</span></p>
+<hr class='mini' />
+<p class='smaller'><i>Entered at Stationer&rsquo;s Hall, London</i></p>
+<p class='smaller smcaplc padtop'>FIFTH THOUSAND</p>
+<p class='smaller'><b>Colonial Press:</b><br />
+Electrotyped and Printed by C. H. Simonds &amp; Co.<br />
+Boston, U. S. A.</p>
+</div>
+<hr class='pb' />
+<h2>CONTENTS.</h2>
+<table border='0' cellpadding='2' cellspacing='0' summary='Contents' style='margin:1em auto;'>
+<tr>
+ <td valign='top' class='chalgn'><p class="smaller smcap">Chapter</p></td>
+ <td />
+ <td valign='top' align='right'><p class="smaller ralign smcap">Page</p></td>
+</tr>
+<tr>
+ <td valign='top' class='chalgn'>I.</td>
+ <td valign='top' align='left' style='padding-right:4em;'><span class='smcap'>The Riders</span></td>
+ <td valign='bottom' align='right'><a href='#CHAPTER_I_THE_RIDERS'>11</a></td>
+</tr>
+<tr>
+ <td valign='top' class='chalgn'>II.</td>
+ <td valign='top' align='left' style='padding-right:4em;'><span class='smcap'>The Manor-house</span></td>
+ <td valign='bottom' align='right'><a href='#CHAPTER_II_THE_MANORHOUSE'>32</a></td>
+</tr>
+<tr>
+ <td valign='top' class='chalgn'>III.</td>
+ <td valign='top' align='left' style='padding-right:4em;'><span class='smcap'>The Sound of Galloping</span></td>
+ <td valign='bottom' align='right'><a href='#CHAPTER_III_THE_SOUND_OF_GALLOPING'>50</a></td>
+</tr>
+<tr>
+ <td valign='top' class='chalgn'>IV.</td>
+ <td valign='top' align='left' style='padding-right:4em;'><span class='smcap'>The Continental Dragoon</span></td>
+ <td valign='bottom' align='right'><a href='#CHAPTER_IV_THE_CONTINENTAL_DRAGOON'>65</a></td>
+</tr>
+<tr>
+ <td valign='top' class='chalgn'>V.</td>
+ <td valign='top' align='left' style='padding-right:4em;'><span class='smcap'>The Black Horse</span></td>
+ <td valign='bottom' align='right'><a href='#CHAPTER_V_THE_BLACK_HORSE'>87</a></td>
+</tr>
+<tr>
+ <td valign='top' class='chalgn'>VI.</td>
+ <td valign='top' align='left' style='padding-right:4em;'><span class='smcap'>The One Chance</span></td>
+ <td valign='bottom' align='right'><a href='#CHAPTER_VI_THE_ONE_CHANCE'>116</a></td>
+</tr>
+<tr>
+ <td valign='top' class='chalgn'>VII.</td>
+ <td valign='top' align='left' style='padding-right:4em;'><span class='smcap'>The Flight of the Minutes</span></td>
+ <td valign='bottom' align='right'><a href='#CHAPTER_VII_THE_FLIGHT_OF_THE_MINUTES'>140</a></td>
+</tr>
+<tr>
+ <td valign='top' class='chalgn'>VIII.</td>
+ <td valign='top' align='left' style='padding-right:4em;'><span class='smcap'>The Secret Passage</span></td>
+ <td valign='bottom' align='right'><a href='#CHAPTER_VIII_THE_SECRET_PASSAGE'>156</a></td>
+</tr>
+<tr>
+ <td valign='top' class='chalgn'>IX.</td>
+ <td valign='top' align='left' style='padding-right:4em;'><span class='smcap'>The Confession</span></td>
+ <td valign='bottom' align='right'><a href='#CHAPTER_IX_THE_CONFESSION'>180</a></td>
+</tr>
+<tr>
+ <td valign='top' class='chalgn'>X.</td>
+ <td valign='top' align='left' style='padding-right:4em;'><span class='smcap'>The Plan of Retaliation</span></td>
+ <td valign='bottom' align='right'><a href='#CHAPTER_X_THE_PLAN_OF_RETALIATION'>197</a></td>
+</tr>
+<tr>
+ <td valign='top' class='chalgn'>XI.</td>
+ <td valign='top' align='left' style='padding-right:4em;'><span class='smcap'>The Conquest</span></td>
+ <td valign='bottom' align='right'><a href='#CHAPTER_XI_THE_CONQUEST'>214</a></td>
+</tr>
+<tr>
+ <td valign='top' class='chalgn'>XII.</td>
+ <td valign='top' align='left' style='padding-right:4em;'><span class='smcap'>The Challenge</span></td>
+ <td valign='bottom' align='right'><a href='#CHAPTER_XII_THE_CHALLENGE'>236</a></td>
+</tr>
+<tr>
+ <td valign='top' class='chalgn'>XIII.</td>
+ <td valign='top' align='left' style='padding-right:4em;'><span class='smcap'>The Unexpected</span></td>
+ <td valign='bottom' align='right'><a href='#CHAPTER_XIII_THE_UNEXPECTED'>252</a></td>
+</tr>
+<tr>
+ <td valign='top' class='chalgn'>XIV.</td>
+ <td valign='top' align='left' style='padding-right:4em;'><span class='smcap'>The Broken Sword</span></td>
+ <td valign='bottom' align='right'><a href='#CHAPTER_XIV_THE_BROKEN_SWORD'>267</a></td>
+</tr>
+</table>
+<hr class='pb' />
+<h2>LIST OF ILLUSTRATIONS.</h2>
+<table border='0' cellpadding='2' cellspacing='0' summary='Illustrations' style='margin:1em auto;'>
+<col style='width:75%;' />
+<col style='width:25%;' />
+<tr>
+ <td valign='top' align='left'>&ldquo;<span class='smcap'>&lsquo;Take that rebel alive!&rsquo; ordered Colden.</span>&rdquo;</td>
+ <td valign='bottom' align='right'><a href='#linki_2'><i>Frontispiece</i></a></td>
+</tr>
+<tr>
+ <td />
+ <td />
+</tr>
+<tr>
+ <td valign='top' align='left'><span class='smcap'>&ldquo;&lsquo;Give it to the Colonel.&rsquo;&rdquo;</span></td>
+ <td valign='bottom' align='right'><a href='#linki_3'>82</a></td>
+</tr>
+<tr>
+ <td valign='top' align='left'><span class='smcap'>&ldquo;Leaned forward on the horse&rsquo;s neck.&rdquo;</span></td>
+ <td valign='bottom' align='right'><a href='#linki_4'>111</a></td>
+</tr>
+<tr>
+ <td valign='top' align='left'><span class='smcap'>&ldquo;&lsquo;You are too late, Jack!&rsquo;&rdquo;</span></td>
+ <td valign='bottom' align='right'><a href='#linki_5'>154</a></td>
+</tr>
+<tr>
+ <td valign='top' align='left'><span class='smcap'>&ldquo;&lsquo;Go, I say!&rsquo;&rdquo;</span></td>
+ <td valign='bottom' align='right'><a href='#linki_6'>196</a></td>
+</tr>
+<tr>
+ <td valign='top' align='left'><span class='smcap'>&ldquo;&lsquo;I take my leave of this house!&rsquo;&rdquo;</span></td>
+ <td valign='bottom' align='right'><a href='#linki_7'>248</a></td>
+</tr>
+</table>
+<hr class='pb' />
+<div class='chsp' style='padding-top:0'>
+<a name='CHAPTER_I_THE_RIDERS' id='CHAPTER_I_THE_RIDERS'></a>
+<h2>CHAPTER I.</h2>
+<h3>THE RIDERS.</h3>
+</div>
+<p class='dropcapq'><small>&ldquo;</small><span class='drop'>I</span><span class='dcap'> dare</span> say &rsquo;tis a wild, foolish, dangerous thing;
+but I do it, nevertheless! As for my reasons, they
+are the strongest. First, I wish to do it. Second,
+you&rsquo;ve all opposed my doing it. So there&rsquo;s an end
+of the matter!&rdquo;</p>
+<p>It was, of course, a woman that spoke,&mdash;moreover,
+a young one.</p>
+<p>And she added:</p>
+<p>&ldquo;Drat the wind! Can&rsquo;t we ride faster? &rsquo;Twill
+be dark before we reach the manor-house. Get
+along, Cato!&rdquo;</p>
+<p>She was one of three on horseback, who went
+northward on the Albany post-road late in the afternoon
+of a gray, chill, blowy day in November, in the
+war-scourged year 1778. Beside the girl rode a
+<span class='pagenum pncolor'><a id='page_12' name='page_12'></a>12</span>
+young gentleman, wrapped in a dark cloak. The
+third horse, which plodded a short distance in the
+rear, carried a small negro youth and two large portmanteaus.
+The three riders made a group that was,
+as far as could be seen from their view-point, alone
+on the highway.</p>
+<p>There were reasons why such a group, on that
+road at that time, was an unusual sight,&mdash;reasons
+familiar to any one who is well informed in the
+history of the Revolution. Unfortunately, most
+good Americans are better acquainted with the
+French Revolution than with our own, know more
+about the state of affairs in Rome during the reign
+of Nero than about the condition of things in New
+York City during the British occupation, and compensate
+for their knowledge of Scotch-English border
+warfare in remote times by their ignorance of the
+border warfare that ravaged the vicinity of the island
+of Manhattan, for six years, little more than a century
+ago.</p>
+<p>Our Revolutionary War had reached the respectable
+age of three and a half years. Lexington,
+Bunker Hill, Brooklyn, Harlem Heights, White
+Plains, Trenton, Princeton, the Brandywine, German-town,
+Bennington, Saratoga, and Monmouth&mdash;not
+to mention events in the South and in Canada and
+on the water&mdash;had taken their place in history.
+The army of the King of England had successively
+<span class='pagenum pncolor'><a id='page_13' name='page_13'></a>13</span>
+occupied Boston, New York, and Philadelphia; had
+been driven out of Boston by siege, and had left
+Philadelphia to return to the town more pivotal and
+nearer the sea,&mdash;New York. One British commander-in-chief
+had been recalled by the British ministry to
+explain why he had not crushed the rebellion, and
+one British major-general had surrendered an army,
+and was now back in England defending his course
+and pleading in Parliament the cause of the Americans,
+to whom he was still a prisoner on parole.
+Our Continental army&mdash;called Continental because,
+like the general Congress, it served the whole union
+of British-settled Colonies or States on this continent,
+and was thus distinguished from the militia, which
+served in each case its particular Colony or State
+only&mdash;had experienced both defeats and victories in
+encounters with the King&rsquo;s troops and his allies, German,
+Hessian, and American Tory. It had endured
+the winter at Valley Forge while the British had
+fed, drunk, gambled, danced, flirted, and wenched in
+Philadelphia. The French alliance had been sanctioned.
+Steuben, Lafayette, DeKalb, Pulaski, Kosciusko,
+Armand, and other Europeans, had taken
+service with us. One plot had been made in Congress
+and the army to supplant Washington in the
+chief command, and had failed. The treason of
+General Charles Lee had come to naught,&mdash;but was
+to wait for disclosure till many years after every person
+<span class='pagenum pncolor'><a id='page_14' name='page_14'></a>14</span>
+concerned should be graveyard dust. We had
+celebrated two anniversaries of the Fourth of July.
+The new free and independent States had organized
+local governments. The King&rsquo;s appointees still made
+a pretence of maintaining the royal provincial governments,
+but mostly abode under the protection of the
+King&rsquo;s troops in New York. There also many of
+those Americans in the North took refuge who distinctly
+professed loyalty to the King. New York
+was thus the chief lodging-place of all that embodied
+British sovereignty in America. Naturally the material
+tokens of British rule radiated from the town,
+covering all of the island of Manhattan, most of
+Long Island, and all of Staten Island, and retaining
+a clutch here and there on the mainland of New
+Jersey.</p>
+<p>It was the present object of Washington to keep
+those visible signs of English authority penned up
+within this circle around New York. The Continental
+posts, therefore, formed a vast arc, extending
+from the interior of New Jersey through Southeastern
+New York State to Long Island Sound and into
+Connecticut. This had been the situation since midsummer
+of 1778. It was but a detachment from our
+main army that had cooperated with the French fleet
+in the futile attempt to dislodge a British force from
+Newport in August of that year.</p>
+<p>The British commander-in-chief and most of the
+<span class='pagenum pncolor'><a id='page_15' name='page_15'></a>15</span>
+superior officers had their quarters in the best residences
+of New York. That town was packed snugly
+into the southern angle of the island of Manhattan,
+like a gift in the toe of a Christmas stocking. Southward,
+some of its finest houses looked across the
+Battery to the bay. Northward the town extended
+little beyond the common fields, of which the City
+Hall Square of 1898 is a reduced survival. The
+island of Manhattan&mdash;with its hills, woods, swamps,
+ponds, brooks, roads, farms, sightly estates, gardens,
+and orchards&mdash;was dotted with the cantonments
+and garrisoned forts of the British. The outposts
+were, largely, entrusted to bodies of Tory allies
+organized in this country. Thus was much of Long
+Island guarded by the three Loyalist battalions of
+General Oliver De Lancey, himself a native of New
+York. On Staten Island was quartered General
+Van Cortlandt Skinner&rsquo;s brigade of New Jersey Volunteers,
+a troop which seems to have had such difficulty
+in finding officers in its own State that it had
+to go to New York for many of them,&mdash;or was it
+that so many more rich New York Loyalists had to
+be provided with commissions than the New York
+Loyalist brigades required as officers?</p>
+<p>But the most important British posts were those
+which guarded the northern entrance to the island
+of Manhattan, where it was separated from the mainland
+by Spuyten Duyvel Kill, flowing westward into
+<span class='pagenum pncolor'><a id='page_16' name='page_16'></a>16</span>
+the Hudson, and the Harlem, flowing southward into
+the East River. King&rsquo;s Bridge and the Farmers&rsquo;
+Bridge, not far apart, joined the island to the main;
+and just before the Revolution a traveller might have
+made his choice of these two bridges, whether he
+wished to take the Boston road or the road to Albany.
+In 1778 the British &ldquo;barrier&rdquo; was King&rsquo;s
+Bridge, the northern one of the two, the watch-house
+being the tavern at the mainland end of the bridge.
+Not only the bridge, but the Hudson, the Spuyten
+Duyvel, and the Harlem, as well, were commanded
+by British forts on the island of Manhattan. Yet
+there were defences still further out. On the mainland
+was a line of forts extending from the Hudson,
+first eastward, then southward, to the East River.
+Further north, between the Albany road and the
+Hudson, was a camp of German and Hessian allies,
+foot and horse. Northeast, on Valentine&rsquo;s Hill,
+were the Seventy-first Highlanders. Near the
+mainland bank of the Harlem were the quarters of
+various troops of dragoons, most of them American
+Tory corps with English commanders, but one, at
+least, native to the soil, not only in rank and file, but
+in officers also,&mdash;and with no less dash and daring
+than by Tarleton, Simcoe, and the rest, was King
+George III. served by Captain James De Lancey,
+of the county of West Chester, with his &ldquo;cowboys,&rdquo;
+officially known as the West Chester Light Horse.</p>
+<div><span class='pagenum pncolor'><a id='page_17' name='page_17'></a>17</span></div>
+<p>Thus the outer northern lines of the British were
+just above King&rsquo;s Bridge. The principal camp of
+the Americans was far to the north. Each army
+was affected by conditions that called for a wide
+space of territory between the two forces, between
+the outer rim of the British circle, and the inner face
+of the American arc. Of this space the portion that
+lay bounded on the west by the Hudson, on the
+southeast by Long Island Sound, and cut in two by
+the southward-flowing Bronx, was the most interesting.
+It was called the Neutral Ground, and neutral
+it was in that it had the protection of neither side,
+while it was ravaged by both. Foraged by the two
+armies, under the approved rules of war, it underwent
+further a constant, irregular pillage by gangs
+of mounted rascals who claimed attachment, some
+to the British, some to the Americans, but were not
+owned by either. It was, too, overridden by the
+cavalry of both sides in attempts to surprise outposts,
+cut off supplies, and otherwise harass and
+sting. Unexpected forays by the rangers and dragoons
+from King&rsquo;s Bridge and the Harlem were reciprocated
+by sudden visitations of American horse
+and light infantry from the Greenburg Hills and
+thereabove. The Whig militia of the county also
+took a hand against British Tories and marauders.
+Of the residents, many Tories fled to New York,
+some Americans went to the interior of the country,
+<span class='pagenum pncolor'><a id='page_18' name='page_18'></a>18</span>
+but numbers of each party held their ground, at risk
+of personal harm as well as of robbery. Many of
+the best houses were, at different times during the
+war, occupied as quarters by officers of either side.
+Little was raised on the farms save what the farmers
+could immediately use or easily conceal. The Hudson
+was watched by British war-vessels, while the
+Americans on their side patrolled it with whale-boats,
+long and canoe-like, swift and elusive. For the
+drama of partisan warfare, Nature had provided, in
+lower West Chester County,&mdash;picturesquely hilly,
+beautifully wooded, pleasantly watered, bounded in
+part by the matchless Hudson and the peerless
+Sound,&mdash;a setting unsurpassed.</p>
+<p>Thus was it that Miss Elizabeth Philipse, Major
+John Colden, and Miss Philipse&rsquo;s negro boy, Cuff,
+all riding northward on the Albany post-road, a few
+miles above King&rsquo;s Bridge, but still within territory
+patrolled daily by the King&rsquo;s troops, constituted, on
+that bleak November evening in 1778, a group unusual
+to the time and place.</p>
+<p>&rsquo;Twas a wettish wind, concerning which Miss
+Elizabeth expressed, in the imperative mood, her
+will that it be dratted,&mdash;a feminine wind, truly, as
+was clear from its unexpected flarings up and sudden
+calmings down, its illogical whiskings around and
+eccentric changes of direction. Now it swept down
+the slope from the east, as if it meant to bombard
+<span class='pagenum pncolor'><a id='page_19' name='page_19'></a>19</span>
+the travellers with all the brown leaves of the hillside.
+Now it assailed them from the north, as if to impede
+their journey; now rushed on them from the rear as
+if it had come up from New York to speed them on
+their way; now attacked them in the left flank, armed
+with a raw chill from the Hudson. It blew Miss
+Elizabeth&rsquo;s hair about and additionally reddened her
+cheeks. It caused the young Tory major to frown,
+for the protection of his eyes, and thus to look more
+and more unlike the happy man that Miss Elizabeth&rsquo;s
+accepted suitor ought to have appeared.</p>
+<p>&ldquo;I make no doubt I&rsquo;ve brought on me the anger
+of your whole family by lending myself to this.
+And yet I am as much against it as they are!&rdquo;
+So spake the major, in tones as glum as his looks.</p>
+<p>&ldquo;&rsquo;Twas a choice, then, between their anger and
+mine,&rdquo; said Miss Elizabeth, serenely. &ldquo;Don&rsquo;t think
+I wouldn&rsquo;t have come, even if you had refused your
+escort. I&rsquo;d have made the trip alone with Cuff, that&rsquo;s
+all.&rdquo;</p>
+<p>&ldquo;I shall be blamed, none the less.&rdquo;</p>
+<p>&ldquo;Why? You couldn&rsquo;t have hindered me. If
+the excursion is as dangerous as they say it is, your
+company certainly does not add to my danger. It
+lessens it. So, as my safety is what they all clamor
+about, they ought to commend you for escorting me.&rdquo;</p>
+<p>&ldquo;If they were like ever to take that view, they
+would not all have refused you their own company.&rdquo;</p>
+<div><span class='pagenum pncolor'><a id='page_20' name='page_20'></a>20</span></div>
+<p>&ldquo;They refused because they neither supposed
+that I would come alone nor that Providence would
+send me an escort in the shape of a surly major on
+leave of absence from Staten Island! Come, Jack,
+you needn&rsquo;t tremble in dread of their wrath. By
+this time my amiable papa and my solicitous
+mamma and my anxious brothers and sisters are
+in such a state of mind about me that, when you
+return to-night and report I&rsquo;ve been safely consigned
+to Aunt Sally&rsquo;s care, they&rsquo;ll fairly worship you as a
+messenger of good news. So be as cheerful as the
+wind and the cold will let you. We are almost
+there. It seems an age since we passed Van Cortlandt&rsquo;s.&rdquo;</p>
+<p>Major Colden merely sighed and looked more
+dismal, as if knowing the futility of speech.</p>
+<p>&ldquo;There&rsquo;s the steeple!&rdquo; presently cried the girl,
+looking ahead. &ldquo;We&rsquo;ll be at the parsonage in ten
+minutes, and safe in the manor-house in five more.
+Do look relieved, Jack! The journey&rsquo;s end is in
+sight, and we haven&rsquo;t had sight of a soldier this
+side of King&rsquo;s Bridge,&mdash;except Van Wrumb&rsquo;s Hessians
+across Tippett&rsquo;s Vale, and they are friends.
+Br-r-r-r! I&rsquo;ll have Williams make a fire in every
+room in the manor-house!&rdquo;</p>
+<p>Now while these three rode in seeming security
+from the south towards the church, parsonage, country
+tavern, and great manor-house that constituted
+<span class='pagenum pncolor'><a id='page_21' name='page_21'></a>21</span>
+the village then called, sometimes Lower Philipsburgh
+and sometimes Younker&rsquo;s, that same hill-varied,
+forest-set, stream-divided place was being
+approached afar from the north by a company of
+mounted troops riding as if the devil was after
+them. It was not the devil, but another body of
+cavalry, riding at equal speed, though at a great
+distance behind. The three people from New York
+as yet neither saw nor heard anything of these
+horsemen dashing down from the north. Yet the
+major&rsquo;s spirits sank lower and lower, as if he had
+an omen of coming evil.</p>
+<p>He was a handsome young man, Major John
+Colden, being not more than twenty-seven years
+old, and having the clearly outlined features best
+suited to that period of smooth-shaven faces. His
+dark eyes and his pensive expression were none the
+less effective for the white powder on his cued hair.
+A slightly petulant, uneasy look rather added to his
+countenance. He was of medium height and regular
+figure. He wore a civilian&rsquo;s cloak or outer coat
+over the uniform of his rank and corps, thus hiding
+also his sword and pistol. Other externals of his
+attire were riding-boots, gloves, and a three-cornered
+hat without a military cockade. He was mounted
+on a sorrel horse a little darker in hue than the
+animal ridden by Miss Elizabeth&rsquo;s black boy, Cuff,
+who wore the rich livery of the Philipses.</p>
+<div><span class='pagenum pncolor'><a id='page_22' name='page_22'></a>22</span></div>
+<p>The steed of Miss Elizabeth was a slender black,
+sensitive and responsive to her slightest command&mdash;a
+fit mount for this, the most imperious, though not
+the oldest, daughter of Colonel Frederick Philipse,
+third lord, under the bygone royal régime, of the
+manor of Philipsburgh in the Province of New York.
+They gave classic names to quadrupeds in those days
+and Addison&rsquo;s tragedy was highly respected, so Elizabeth&rsquo;s
+scholarly father had christened this horse
+Cato. Howsoever the others who loved her regarded
+her present jaunt, no opposition was shown
+by Cato. Obedient now as ever, the animal bore
+her zealously forward, be it to danger or to what
+she would.</p>
+<p>Elizabeth&rsquo;s resolve to revisit the manor hall on the
+Hudson, which had been left closed up in the steward&rsquo;s
+charge when the family had sought safety in
+their New York City residence in 1777, had sprung
+in part from a powerful longing for the country and
+in part from a dream which had reawakened strongly
+her love for the old house of her birth and of most
+of her girlhood. The peril of her resolve only increased
+her determination to carry it out. Her parents,
+brothers, and sisters stood aghast at the project,
+and refused in any way to countenance it. But there
+was no other will in the Philipse household able to
+cope with Elizabeth&rsquo;s. She held that the thing was
+most practicable and simple, inasmuch as the steward,
+<span class='pagenum pncolor'><a id='page_23' name='page_23'></a>23</span>
+with the aid of two servants, kept the deserted house
+in a state of habitation, and as her mother&rsquo;s sister,
+Miss Sarah Williams, was living with the widow Babcock
+in the parsonage of Lower Philipsburgh and could
+transfer her abode to the manor-house for the time
+of Elizabeth&rsquo;s stay. Major Colden, an unloved lover,&mdash;for
+Elizabeth, accepting marriage as one of the
+inevitables, yet declared that she could never love
+any man, love being admittedly a weakness, and she
+not a weak person,&mdash;was ever watchful for the opportunity
+of ingratiating himself with the superb girl,
+and so fearful of displeasing her that he dared not
+refuse to ride with her. He was less able even than
+her own family to combat her purpose. One day
+some one had asked him why, since she called him
+Jack, and he was on the road to thirty years, while
+she was yet in her teens, he did not call her Betty
+or Bess, as all other Elizabeths were called in those
+days. He meditated a moment, then replied, &ldquo;I
+never heard any one, even in her own family, call
+her so. I can&rsquo;t imagine any one ever calling her by
+any more familiar name than Elizabeth.&rdquo;</p>
+<p>Now it was not from her father that this regal
+young creature could have taken her resoluteness,
+though she may well have got from him some of the
+pride that went with it. There certainly must have
+been more pride than determination in Frederick
+Philipse, third lord of the manor, colonel in provincial
+<span class='pagenum pncolor'><a id='page_24' name='page_24'></a>24</span>
+militia before the Revolution, graduate of King&rsquo;s
+College, churchman, benefactor, gentleman of literary
+tastes; amiable, courtly, and so fat that he and his
+handsome wife could not comfortably ride in the same
+coach at the same time. But there was surely as much
+determination as pride in this gentleman&rsquo;s great-grandfather,
+Vrederyck Flypse, descendant of a line of
+viscounts and keepers of the deer forests of Bohemia,
+Protestant victim of religious persecution in his own
+land, immigrant to New Amsterdam about 1650, and
+soon afterward the richest merchant in the province,
+dealer with the Indians, ship-owner in the East and
+West India trade, importer of slaves, leader in provincial
+politics and government, founder of Sleepy
+Hollow Church, probably a secret trafficker with
+Captain Kidd and other pirates, and owner by purchase
+of the territory that was erected by royal
+charter of William and Mary into the lordship and
+manor of Philipsburgh. The strength of will probably
+declined, while the pride throve, in transmission
+to Vrederyck&rsquo;s son, Philip, who sowed wild oats, and
+went to the Barbadoes for his health and married
+the daughter of the English governor of that island.
+Philip&rsquo;s son, Frederick, being born in a hot climate,
+and grandson of an English governor as well as of
+the great Flypse, would naturally have had great
+quantity of pride, whatever his stock of force, particularly
+as he became second lord of the manor at
+<span class='pagenum pncolor'><a id='page_25' name='page_25'></a>25</span>
+the lordly age of four. And he could not easily have
+acquired humility in later life, as speaker of the provincial
+Assembly, Baron of the Exchequer, judge of
+the Supreme Court, or founder of St. John&rsquo;s Church,&mdash;towards
+which graceful edifice was the daughter of
+his son, the third lord, directing her horse this wintry
+autumn evening. As for this third lord, he had been
+removed by the new Government to Connecticut for
+favoring the English rule, but, having received permission
+to go to New York for a short time, had
+evinced his fondness for the sweet and soft things of
+life by breaking his parole and staying in the city,
+under the British protection, thus risking his vast
+estate and showing himself a gentleman of anything
+but the courage now displayed by his daughter.</p>
+<p>Elizabeth, therefore, must have derived her spirit,
+with a good measure of pride and a fair share (or
+more) of vanity, from her mother, though, thanks to
+that appreciation of personal comfort which comes
+with middle age, Madam Philipse&rsquo;s high-spiritedness
+would no longer have displayed itself in dangerous
+excursions, nor was it longer equal to a contest
+with the fresher energy of Elizabeth. She was the
+daughter of Charles Williams, once naval officer of
+the port of New York, and his wife, who had been
+Miss Sarah Olivier. Thus came Madam Philipse
+honestly by the description, &ldquo;imperious woman of
+fashion,&rdquo; in which local history preserves her memory.
+<span class='pagenum pncolor'><a id='page_26' name='page_26'></a>26</span>
+She was a widow of twenty-four when Colonel
+Philipse married her, she having been bereaved two
+years before of her first husband, Mr. Anthony Rutgers,
+the lawyer. She liked display, and her husband
+indulged her inclination without stint, receiving in
+repayment a good nursery-full of what used, in the
+good old days, to be called pledges of affection.
+Being the daughter of a royal office-holding Englishman,
+how could she have helped holding her head
+mighty high on receiving her elevation to the ladyship
+of Philipsburgh, and who shall blame her daughter
+and namesake, now within a stone&rsquo;s throw of St.
+John&rsquo;s parsonage and in full sight of the tree-bowered
+manorial home of her fathers, for holding hers, which
+was younger, a trifle higher?</p>
+<p>Not many high-held heads of this or any other day
+are or were finer than that of Elizabeth Philipse was
+in 1778, or are set on more graceful figures. For all
+her haughtiness, she was not a very large person,
+nor yet was she a small one. She was neither fragile
+nor too ample. Her carriage made her look taller
+than she was. She was of the brown-haired, blue-eyed
+type, but her eyes were not of unusual size or
+surpassing lucidity, being merely clear, honest, steady
+eyes, capable rather of fearless or disdainful attention
+than of swift flashes or coquettish glances. The precision
+with which her features were outlined did not
+lessen the interest that her face had from her pride,
+<span class='pagenum pncolor'><a id='page_27' name='page_27'></a>27</span>
+spirit, independence, and intelligence. She was, moreover,
+an active, healthy creature, and if she commanded
+the dratting of the wind, it was not as much
+because she was chilled by it as because it blew her
+cloak and impeded her progress. In fine, she was a
+beauty; else this historian would never have taken
+the trouble of unearthing from many places and
+piecing together the details of this fateful incident,&mdash;for
+if any one supposes that the people of this
+narrative are mere fictions, he or she is radically in
+error. They lived and achieved, under the names
+they herein bear; were as actual as the places herein
+mentioned,&mdash;as any of the numerous patriotic Americans
+who daily visit the genealogical shelves of the
+public libraries can easily learn, if they will spare
+sufficient time from the laudable task of hunting
+down their own ancestors. If this story is called a
+romance, that term is used here only as it is oft applied
+to actual occurrences of a romantic character.
+So the Elizabeth Philipse who, before crossing the
+Neperan to approach the manor-house, stopped in
+front of the snug parsonage at the roadside and
+directed Cuff to knock at the door, was as real as
+was then the parsonage itself.</p>
+<p>Presently a face appeared furtively at one of the
+up-stairs windows. The eyes thereof, having dwelt
+for an instant on the mounted party shivering in the
+road, opened wide in amazement, and a minute later,
+<span class='pagenum pncolor'><a id='page_28' name='page_28'></a>28</span>
+after a sound of key-turning and bolt-drawing, the
+door opened, and a good-looking lady appeared in
+the doorway, backed up by a servant and two pretty
+children who clung, half-curious, half-frightened, to
+the lady&rsquo;s skirts.</p>
+<p>&ldquo;Why, Miss Elizabeth! Is it possible&mdash;&rdquo;</p>
+<p>But Elizabeth cut the speech of the astonished
+lady short.</p>
+<p>&ldquo;Yes, my dear Mrs. Babcock,&mdash;and I know how
+dangerous, and all that! And, thank you, I&rsquo;ll not
+come in. I shall see you during the week. I&rsquo;m
+going to the manor-house to stay awhile, and I wish
+my aunt to stay there with me, if you can spare her.&rdquo;</p>
+<p>&ldquo;Why, yes,&mdash;of course,&mdash;but&mdash;here comes
+your aunt.&rdquo;</p>
+<p>&ldquo;Why, Elizabeth, what in the world&mdash;&rdquo;</p>
+<p>She was a somewhat stately woman at first sight,
+was Elizabeth&rsquo;s mother&rsquo;s sister, Miss Sarah Williams;
+but on acquaintance soon conciliated and found to
+be not at all the formidable and haughty person she
+would have had people believe her; not too far gone
+in middle age, preserving, despite her spinsterhood,
+much of her bloom and many of those little roundnesses
+of contour which adorn but do not encumber.</p>
+<p>&ldquo;I haven&rsquo;t time to say what, aunt,&rdquo; broke in
+Elizabeth. &ldquo;I want to get to the manor-house
+before it is night. You are to stay with me there
+a week. So put on a wrap and come over as soon
+<span class='pagenum pncolor'><a id='page_29' name='page_29'></a>29</span>
+as you can, to be in time for supper. I&rsquo;ll send a boy
+for you, if you like.&rdquo;</p>
+<p>&ldquo;Why, no, there&rsquo;s some one here will walk over
+with me, I dare say. But, la me, Elizabeth,&mdash;&rdquo;</p>
+<p>&ldquo;Then I&rsquo;ll look for you in five minutes. Good
+night, Mrs. Babcock! I trust your little ones are
+well.&rdquo;</p>
+<p>And she rode off, followed by Colden and Cuff,
+leaving the two women in the parsonage doorway to
+exchange what conjectures and what ejaculations of
+wonderment the circumstances might require.</p>
+<p>Night was falling when the riders crossed the
+Neperan (then commonly known as the Saw Mill
+River) by the post-road bridge, and gazed more
+closely on the stone manor-house. Looking westward,
+from the main road, across the hedge and
+paling fence, they saw, first the vast lawn with its
+comely trees, then the long east front of the house,
+with its two little entrance-porches, the row of
+windows in each of its two stories, the dormer windows
+projecting from the sloping roof, the balustraded
+walk on the roof-top; at both ends the
+green and brown and yellow hints of what lay north
+of the house, between it and the forest, and west of
+the house, between it and the Hudson,&mdash;the box-hedged
+gardens, the terraces breaking the slope to
+the river, the deer paddock enclosed by high pickets,
+the great orchard. The Hudson was nearer to the
+<span class='pagenum pncolor'><a id='page_30' name='page_30'></a>30</span>
+house then than now, and its lofty further bank,
+rich with growth of wood and leaf, was the backing
+for the westward view. To the east, which the
+riders put behind them in facing the manor-house,
+were the hills of the interior.</p>
+<p>&ldquo;Not a sign of light from the house, and the
+shutters all closed, as if it were a tomb! It looks
+as cold and empty as one. I&rsquo;ll soon make it warm
+and live enough inside at least!&rdquo; said Elizabeth, and
+turned westward from the highway into the short
+road that ran between the mansion and the north
+bank of the Neperan, by the grist-mill and the gate
+and the stables, down a picturesque descent to a
+landing where that stream entered the Hudson.</p>
+<p>She proceeded towards the gate, where, being near
+the southeast corner of the house, one could see
+that the south front was to the east front as the
+base to the upright of a capital L turned backward;
+that the south front resembled the east in all but
+in being shorter and having a single porched entrance,
+which was in its middle.</p>
+<p>As the party neared the gate, there arose far
+northward a sound of many horsemen approaching
+at a fast gallop. Elizabeth at once reined in, to
+listen. Major Colden and Cuff followed her example,
+both looking at her in apprehension. The
+galloping was on the Albany road, but presently
+deviated eastwardly, then decreased.</p>
+<div><span class='pagenum pncolor'><a id='page_31' name='page_31'></a>31</span></div>
+<p>&ldquo;They&rsquo;ve turned up the road to Mile Square,
+whoever they are,&rdquo; said Elizabeth, and led the way
+on to the gate, which Cuff, dismounting, quickly
+opened, its fastening having been removed and not
+replaced. &ldquo;Lead your horse to the door, Cuff.
+Then take off the portmanteaus and knock, and
+tie the horses to the post.&rdquo;</p>
+<p>She rode up to the southern door in the east
+front, and was there assisted to dismount by the
+major, while Cuff followed in obedience. Colden,
+as the sound of the distant galloping grew fainter
+and fainter, showed more relief than he might have
+felt had he known that a second troop was soon to
+come speeding down in the track of the first.</p>
+<p>Elizabeth, in haste to escape the wind, stepped
+into the little porch and stood impatiently before the
+dark, closed door of the house of her fathers.</p>
+<hr class='toprule' />
+<div class='chsp'>
+<span class='pagenum pncolor'><a id='page_32' name='page_32'></a>32</span>
+<a name='CHAPTER_II_THE_MANORHOUSE' id='CHAPTER_II_THE_MANORHOUSE'></a>
+<h2>CHAPTER II.</h2>
+<h3>THE MANOR-HOUSE.</h3>
+</div>
+<p class='dropcap'><span class='dcap'>The</span> stone mansion before which the travellers
+stood, awaiting answer to Cuff&rsquo;s loud knock on the
+heavy mahogany door, had already acquired antiquity
+and memories. It was then, as to all south
+of the porch which now sheltered the three visitors,
+ninety-six years old, and as to the rest of the eastern
+front thirty-three, so that its newest part was twice
+the age of Elizabeth herself.</p>
+<p>Her grandfather&rsquo;s grandfather, the first lord of
+the manor, built the southern portion in 1682, a
+date not far from that of the erection of his upper
+house, called Philipse Castle, at what is now Tarrytown,&mdash;but
+whether earlier or later, let the local
+historians dispute. This southern portion comprised
+the entire south front, its length running east and
+west, its width going back northward to, but not
+including, the large east entrance-hall, into which
+opened the southern door of the east front. The
+new part, attached to the original house as the
+upright to the short, broad base of the reversed L,
+was added by Elizabeth&rsquo;s grandfather, the second
+<span class='pagenum pncolor'><a id='page_33' name='page_33'></a>33</span>
+lord, in 1745. The addition, with the eastern section
+of the old part, was thereafter the most used
+portion, and the south front yielded in importance
+to the new east front. The two porched doors in
+the latter front matched each other, though the
+southern one gave entrance to the fine guests in silk
+and lace, ruffles and furbelows, who came up from
+New York and the other great mansions of the
+county to grace the frequent festivities of the Philipses;
+while the northern one led to the spacious
+kitchen where means were used to make the aforesaid
+guests feel that they had not arrived in vain.</p>
+<p>The original house, rectangular as to its main
+part, had two gables, and, against its rear or
+northern length, a pent-roofed wing, and probably a
+veranda, the last covering the space later taken by
+the east entrance-hall. The main original building,
+on its first floor, had (and has) a wide entrance-hall
+in its middle, with one large parlor on each side.
+The second floor, reached by staircase from the
+lower hall, duplicated the first, there being a middle
+hall and two great square chambers. Overhead,
+there was plentiful further room beneath the gable
+roof. Under the western room of the first floor was
+the earlier kitchen, which, before 1745, served in
+relation to the guests who entered by the southern
+door exactly as thereafter the new kitchen served in
+relation to those entering by the eastern door,&mdash;making
+<span class='pagenum pncolor'><a id='page_34' name='page_34'></a>34</span>
+them glad they had come, by horse or coach,
+over the long, bad, forest-bordered roads. Adjacent
+to the old kitchen was abundant cellarage for the
+stowing of many and diverse covetable things of
+the trading first lord&rsquo;s importation.</p>
+<p>The Neperan joined the Hudson in the midst
+of wilderness, where Indians and deer abounded,
+when Vrederyck Flypse caused the old part of the
+stone mansion to grow out of the green hill slope in
+1682. He planted a foundation two feet thick and
+thereupon raised walls whose thickness was twenty
+inches. He would have a residence wherein he
+might defy alike the savage elements, men and
+beasts. For the front end of his entrance-hall he
+imported a massive mahogany door made in 1681 in
+Holland,&mdash;a door in two parts, so that the upper half
+could be opened, while the lower half remained shut.
+The rear door of that hall was similarly made. Ponderous
+were the hinges and bolts, being ordinary
+blacksmith work. Solid were the panel mouldings.
+He brought Holland brick wherewith to
+trim the openings of doorways and windows. He
+laid the floor of his aforesaid kitchen with blue
+stone. The chimney breasts and hearthstones of
+his principal rooms were seven feet wide.</p>
+<p>Here, in feudal fashion, with many servants and
+slaves to do his bidding, and tenants to render him
+dues, sometimes dwelt Vrederyck Flypse, with his
+<span class='pagenum pncolor'><a id='page_35' name='page_35'></a>35</span>
+second wife, Catherine Van Cortlandt, and the children
+left by his first wife, Margaret Hardenbrock;
+but sometimes some of the family lived in New York,
+and sometimes at the upper stone house, &ldquo;Castle
+Philipse,&rdquo; by the Pocantico, near Sleepy Hollow
+Church, of this Flypse&rsquo;s founding. He built mills
+near both his country-houses, and from the saw-mill
+near the lower one did the Neperan receive the name
+of Saw Mill River. He died in 1702, in his seventy-seventh
+year, and the bones of him lie in Sleepy Hollow
+Church.</p>
+<p>But even before the first lord went, did &ldquo;associations&rdquo;
+begin to attach to the old Dutch part of the
+mansion. Besides the leading families of the province,
+the traders,&mdash;Dutch and English,&mdash;and the
+men with whom he held counsel upon affairs temporal
+and spiritual, public and private, terrestrial and
+marine, he had for guests red Indians, and, there
+is every reason to believe, gentlemen who sailed the
+seas under what particular flag best promoted their
+immediate purposes, or under none at all. That old
+story never <i>would</i> down, to the effect that the adventurous
+Kidd levied not on the ships of Vrederyck
+Flypse. The little landing-place where Neperan
+joined Hudson, at which the Flypses stepped ashore
+when they came up from New York by sloop instead
+of by horse, was trodden surely by the feet of more
+than one eminent oceanic exponent of&mdash;</p>
+<div><span class='pagenum pncolor'><a id='page_36' name='page_36'></a>36</span></div>
+<table summary=''><tr><td>
+<p class='cg'>&ldquo;The good old rule, the simple plan,<br />
+<span class='indent2'>&nbsp;</span>That they should take who have the power<br />
+And they should keep who can.&rdquo;</p>
+</td></tr></table>
+<p>A great merchant may have more than one way of
+doing business, and I would not undertake to account
+for every barrel and box that was unladen at that little
+landing. Nor would I be surprised to encounter
+sometime, among the ghosts of Philipse Manor Hall,
+that of the immortal Kidd himself, seated at dead of
+night, across the table from the first lord of the
+manor, before a blazing log in the seven-foot fireplace,
+drinking liquor too good for the church-founding
+lord to have questioned whence it came; and
+leaving the next day without an introduction to the
+family.</p>
+<p>This 1682 part of the house, in facing south, had
+the Albany road at its left, the Hudson at its right,
+and at its front the lane that ran by the Neperan,
+from the road to the river. Thus was the house for
+sixty-three years. When the first lord&rsquo;s grandson,
+Elizabeth&rsquo;s grandfather, in 1745 made the addition
+at the north, what was the east gable-end of the
+old house became part of the east front of the completed
+mansion. The east rooms of the old house
+were thus the southeast rooms of the completed
+mansion, and, being common to both fronts, gained
+by the change of relation, becoming the principal
+parlor and the principal chamber. The east parlor,
+<span class='pagenum pncolor'><a id='page_37' name='page_37'></a>37</span>
+entered on the west from the old hall, was entered
+on the north from the new hall; and the new
+hall was almost a duplicate of the old, but its
+ceiling decorations and the mahogany balustrade of
+its stairway were the more elaborate. This stairway,
+like its fellow in the old hall, ascended, with two
+turns, to a hall in the second story. Besides the
+new halls, the addition included, on the first floor, a
+large dining-room and the great kitchen; on the
+second floor, five sleeping-chambers, and, in the
+space beneath the roof-tree, dormitories for servants
+and slaves. Elizabeth&rsquo;s grandfather gave the house
+the balustrade that crowns its roof from its northern
+to its southern, and thence to its western end. He
+had the interior elaborately finished. The old part
+and its decorations were Dutch, but now things in
+the province were growing less Dutch and more
+English,&mdash;like the Philipse name and blood themselves,&mdash;and
+so the new embellishments were English.
+The second lord imported marble mantels
+from England, had the walls beautifully wainscoted,
+adorned the ceilings richly with arabesque work in
+wood. He laid out, in the best English fashion, a
+lawn between the eastern front and the Albany post-road.
+He it was who married Joanna, daughter of
+Governor Anthony Brockholst, of a very ancient
+family of Lancashire, England; and who left provision
+for the founding of St. John&rsquo;s Church, across
+<span class='pagenum pncolor'><a id='page_38' name='page_38'></a>38</span>
+the Neperan from the manor-house, and for the
+endowment of the glebe thereof. And in his long
+time the manor-house flourished and grew venerable
+and multiplied its associations. He had five children:
+Frederick (Elizabeth&rsquo;s father), Philip, Susannah, Mary
+(the beauty, wooed of Washington in 1756, &rsquo;tis said,
+and later wed by Captain Roger Morris), and Margaret;
+and, at this manor-house alone, white servants
+thirty, and black servants twenty; and a numerous
+tenantry, happy because in many cases the yearly
+rent was but nominal, being three or four pounds or
+a pair of hens or a day&rsquo;s work,&mdash;for the Philipses,
+thanks to trade and to office-holding under the Crown,
+and to the beneficent rule whereby money multiplies
+itself, did not have to squeeze a living out of the
+tillers of their land. The lord of the manor held
+court leet and baron at the house of a tenant, and
+sometimes even inflicted capital punishment.</p>
+<p>In 1751, the second lord followed his grandfather
+to the family vault in Sleepy Hollow Church. With
+the accession of Elizabeth&rsquo;s father, then thirty-one
+years old, began the splendid period of the mansion;
+then the panorama of which it was both witness and
+setting wore its most diverse colors. The old contest
+between English and French on this continent
+was approaching its glorious climax. Whether they
+were French emissaries coming down from Quebec,
+by the Hudson or by horse, or English and colonial
+<span class='pagenum pncolor'><a id='page_39' name='page_39'></a>39</span>
+officers going up from New York in command of
+troops, they must needs stop and pay their respects
+to the lord of the manor of Philipsburgh, and drink
+his wine, and eat his venison, and flirt with his
+stunning sisters. Soldiers would go from New York
+by the post-road to Philipsburgh, and then embark
+at the little landing, to proceed up the Hudson, on
+the way to be scalped by the red allies of the French
+or mowed down by Montcalm&rsquo;s gunners before impregnable
+Ticonderoga. Many were the comings
+and goings of the scarlet coat and green. The
+Indian, too, was still sufficiently plentiful to contribute
+much to the environing picturesqueness. But,
+most of all, in those days, the mansion got its character
+from the festivities devised by its own inmates
+for the entertainment of the four hundred of that
+time.</p>
+<p>For Elizabeth&rsquo;s mother, of the same given name,
+was &ldquo;very fond of display,&rdquo; and in her day the family
+&ldquo;lived showily.&rdquo; Her husband (who was usually
+called Colonel Philipse, from his title in the militia, and
+rarely if ever called lord) had the house refurnished.
+It was he who had the princely terraces made on the
+slope between the mansion and the Hudson, and
+who had new gardens laid out and adorned with tall
+avenues of box and rarest fruit-trees and shrubs.
+Doubtless his deer, in their picketed enclosure, were
+a sore temptation to the country marksmen who
+<span class='pagenum pncolor'><a id='page_40' name='page_40'></a>40</span>
+passed that way. Lady, or Madam, or Mrs. Philipse,
+the colonel&rsquo;s wife, bedazzled the admiring inhabitants
+of West Chester County in many ways, but there is
+a difference between authorities as to whether it was
+she that used to drive four superb black horses over
+the bad roads of the county, or whether it was her
+mother-in-law, the second lord&rsquo;s wife. Certainly it
+was the latter that was killed by a fall from a carriage,
+and certainly both had fine horses and magnificent
+coaches, and drove over bad roads,&mdash;for all
+roads were bad in those days, even in Europe, save
+those the Romans left.</p>
+<p>Of all the gay and hospitable occasions that brought,
+through the mansion&rsquo;s wide doors, courtly gentlemen
+and high-and-mighty ladies, from their coaches, sleighs,
+horses, or Hudson sloops, perhaps none saw more feasting
+and richer display of ruffles and brocade than did
+the wedding of Mary Philipse and Captain Morris,
+seven years after the death of her father, and two after
+the marriage of her brother. It was on the afternoon
+of Sunday, Jan. 15, 1758. In the famous east parlor,
+which has had much mention and will have more in
+course of this narrative, was raised a crimson canopy
+emblazoned with the Philipse crest,&mdash;a crowned
+golden demi-lion rampant, upon a golden coronet.
+Though the weather was not severe, there was snow
+on the ground, and the guests began to drive up in
+sleighs, under the white trees, at two o&rsquo;clock. At
+<span class='pagenum pncolor'><a id='page_41' name='page_41'></a>41</span>
+three arrived the Rev. Henry Barclay, rector of
+Trinity, New York, and his assistant, Mr. Auchmuty.
+At half-past three the beauteous Mary (did so proud
+a heart-breaker blush, I wonder?) and the British
+captain stood under the crimson canopy and gold,
+and were united, &ldquo;in the presence of a brilliant
+assembly,&rdquo; says the old county historian.<a href='#Footnote_0001' class='fnanchor'>[1]</a> Miss Barclay,
+Miss Van Cortlandt, and Miss De Lancey were
+the bridesmaids, and the groomsmen were Mr. Heathcote
+(of the family of the lords of the manor of
+Scarsdale), Captain Kennedy (of Number One, Broadway),
+and Mr. Watts. No need to report here who
+were &ldquo;among those present.&rdquo; The wedding did not
+occur yesterday, and the guests will not be offended
+at the omission of their names; but one of them was
+Acting Governor De Lancey. Colonel Philipse&mdash;wearing
+the ancestral gold chain and jewelled badge
+of the keepers of the deer forests of Bohemia&mdash;gave
+the bride away, and with her went a good portion of
+the earth&rsquo;s surface, and much money, jewelry, and
+plate.</p>
+<p>After the wedding came the feast, and the guests&mdash;or
+most of them&mdash;stayed so late they were not
+sorry for the brilliant moonlight of the night that set
+in upon their feasting. And now the legend! In the
+midst of the feast, there appeared at the door of the
+banquet-hall a tall Indian, with a scarlet blanket
+close about him, and in solemn tones quoth he,
+<span class='pagenum pncolor'><a id='page_42' name='page_42'></a>42</span>
+&ldquo;Your possessions shall pass from you when the
+eagle shall despoil the lion of his mane.&rdquo; Thereupon
+he disappeared, of course, as suddenly as he had
+come, and the way in which historians have treated
+this legend shows how little do historians apply to
+their work the experiences of their daily lives,&mdash;such
+an experience, for instance, as that of ignoring
+some begging Irishwoman&rsquo;s request for &ldquo;a few pennies
+in the Lord&rsquo;s name,&rdquo; and thereupon receiving a
+volley of hair-raising curses and baleful predictions.
+&rsquo;Tis easy to believe in the Indian and the prophecy
+of a passing of possessions, even though it was fulfilled;
+but the time-clause involving the eagle and
+the lion was doubtless added after the bird had
+despoiled the beast.</p>
+<p>It was years and years afterward, and when and
+because the eagle had decided to attempt the said
+despoiling, that there was a change of times at
+Philipse Manor Hall. Meanwhile had young Frederick,
+and Maria, and Elizabeth, and their brothers
+and sisters arrived on the scene. What could one
+have expected of the ease-loving, beauty-loving, book-loving,
+luxury-loving, garden-loving, and wide-girthed
+lord of the manor&mdash;connected by descent, kinship,
+and marriage with royal office-holding&mdash;but Toryism?
+In fact, nobody did expect else of him, for
+though he tried in 1775 to conceal his sympathy
+with the cause of the King, the powers in revolt
+<span class='pagenum pncolor'><a id='page_43' name='page_43'></a>43</span>
+inferred it, and took measures to deter him from
+actively aiding the British forces. His removal to
+Hartford, his return to the manor-house,&mdash;where he
+was for awhile, in the fall of 1776, at the time of
+the battle of White Plains,&mdash;his memorable business
+trip to New York, and his parole-breaking continuance
+there, heralded the end of the old régime
+in Philipse Manor Hall. The historians say that
+at that time of Colonel Philipse&rsquo;s last stay at the
+hall, Washington quartered there for awhile, and
+occupied the great southwestern chamber. Doubtless
+Washington did occupy that chamber once
+upon a time, but his itinerary and other circumstances
+are against its having been immediately
+before or immediately after the battle of White
+Plains. Some of the American officers were there
+about the time. As for the colonel&rsquo;s family, it did
+not abandon the house until 1777. With the occasions
+when, during the first months of Revolutionary
+activity in the county, use was sought of the
+secret closets and the underground passage thoughtfully
+provided by the earlier Philipses in days of risk
+from Indians, fear of Frenchmen, and dealings with
+pirates, this history has naught to do.</p>
+<p>In 1777, then, the family took a farewell view of
+the old house, and somewhat sadly, more resentfully,
+wended by familiar landmarks to New York,&mdash;to
+await there a joyous day of returning, when the
+<span class='pagenum pncolor'><a id='page_44' name='page_44'></a>44</span>
+King&rsquo;s regiments should have scattered the rebels
+and hanged their leaders. John Williams, steward of
+the manor, was left to take care of the house against
+that day, with one white housemaid, who was of kin
+to him, and one black slave, a man. The outside shutters
+of the first story, the inside shutters above, were
+fastened tight; the bolts of the ponderous mahogany
+doors were strengthened, the stables and mills
+and outbuildings emptied and locked. Much that
+was precious in the house went with the family
+and horses and servants to New York. Yet be
+sure that proper means of subsistence for Williams
+and his two helpers were duly stowed away, for the
+faithful steward had to himself the discharge of that
+matter.</p>
+<p>So wholesale a departure went with much bustle,
+and it was not till he returned from seeing the numerous
+party off, and found himself alone with the
+maid and the slave in the great entrance-hall, which
+a few minutes before had been noisy with voices,
+that Williams felt to the heart the sudden loneliness
+of the place. The face of Molly, the maid,
+was white and ready for weeping, and there was a
+gravity on the chocolate visage of black Sam that
+gave the steward a distinctly tremulous moment.
+Perhaps he recalled the prediction of the Indian,
+and had a flash of second sight, and perceived that
+the third lord of the manor was to be the last.
+<span class='pagenum pncolor'><a id='page_45' name='page_45'></a>45</span>
+Howbeit, he cleared his throat and set black Sam
+to laying in fire-wood as for a siege, and Molly to
+righting the disorder caused by the exodus; betook
+himself cellarward, and from a hidden place drew
+forth a bottle of an old vintage, and comforted his
+solitude. He was a snug, honest, discreet man of
+forty, was the steward, slim but powerful, looking
+his office, besides knowing and fulfilling it.</p>
+<p>But, as the months passed, he became used to
+the solitude, and the routine of life in the closed-up,
+memory-haunted old house took on a certain charm.
+The living was snug enough in what parts of the
+mansion the steward and his two servitors put to
+their own daily use. As for the other parts, the
+great dark rooms and entrance-halls, we may be
+sure that when the steward went the rounds, and
+especially after a visit to the wine-cellar, he found
+them not so empty, but peopled with the vague and
+shifting images of the many beings, young and old,
+who had filled the house with life in brighter days.
+Then, if ever, did noise of creaking stair or sound
+as of human breath, or, perchance, momentary vision
+of flitting face against the dark, betray the present
+ghost of some old-time habitué of the mansion.</p>
+<p>When the raiding and foraging and marauding
+began in the county, the manor-house was not molested.
+The partisan warfare had not yet reached
+its magnitude. After the battle of White Plains
+<span class='pagenum pncolor'><a id='page_46' name='page_46'></a>46</span>
+in 1776, the British had retained New York City,
+while the main American army, leaving a small
+force above, had gone to New Jersey. Late in
+1777, the British main army, leaving New York
+garrisoned, had departed to contest with the Americans
+for Philadelphia. Not until July, 1778, after
+Monmouth battle, did the British main army return
+to New York, and the American forces form the
+great arc, with their chief camp in upper West
+Chester County. Then was great increase of foray
+and pillage. The manor-house was of course exempt
+from harm at the hands of King&rsquo;s troops and
+Tory raiders, while it was protected from American
+regulars by Washington&rsquo;s policy against useless
+destruction, and from the marauding &ldquo;Skinners&rdquo;
+by its nearness to the British lines and by the solidity
+of its walls, doors, and shutters. Its gardens
+suffered, its picket fences and gate fastenings were
+tampered with, its orchards prematurely plucked.
+But its trees were spared by the British foragers,
+and the house itself was no longer in demand as
+officers&rsquo; quarters, being too near King&rsquo;s Bridge for
+safe American occupancy, but not sufficiently near
+for British. Hessians and Tories, though, patrolled
+the near-by roads, and sometimes Continental troops
+camped in the neighboring hills. In 1778, the
+American Colonel Gist, whose corps was then at
+the foot of Boar Hill, north of the manor-house, was
+<span class='pagenum pncolor'><a id='page_47' name='page_47'></a>47</span>
+paying his court to the handsome widow Babcock,
+in the parsonage, when he was surprised by a force
+of yagers, rangers, and Loyalist light horse, and got
+away in the nick of time.<a href='#Footnote_0002' class='fnanchor'>[2]</a> The parsonage, unlike
+the manor-house, was often visited by officers on
+their way hither and thither, but I will not say it
+was for this reason that Miss Sally Williams, the
+sister of Colonel Philipse&rsquo;s wife, preferred living in
+the parsonage with the Babcocks rather than in the
+great deserted mansion.</p>
+<p>On a dark November afternoon, Williams had
+sent black Sam to the orchard for some winter
+apples, and the slave, after the fashion of his race,
+was taking his time over the errand. The shades
+of evening gathered while the steward was making
+his usual rounds within the mansion. Molly, whose
+housewifely instincts ever asserted themselves, had
+of her own accord made a dusting tour of the rooms
+and halls. She was on the first landing of the stairway
+in the east hall, just about to finish her task
+in the waning light admitted by the window over the
+landing and by the fanlight over the front door,
+when, as she applied her cloth to the mahogany balustrade,
+the door of the east parlor opened, and
+Williams came out of that dark apartment.</p>
+<p>&ldquo;Lord, Molly!&rdquo; he said, a moment later, having
+started at suddenly beholding her. &ldquo;I thought
+you were a ghost! It&rsquo;s time to get supper, I think,
+<span class='pagenum pncolor'><a id='page_48' name='page_48'></a>48</span>
+from the look of the day outside. I&rsquo;ll have to make
+a light.&rdquo;</p>
+<p>From a closet in the side of the staircase he took
+a candle, flint, and tinder, talking the while to Molly,
+as she rubbed the balusters. Having produced a
+tiny candle-flame that did not light up half the
+hall, Williams started towards the dining-room, but
+stopped at a distant sound of galloping horses,
+which were evidently coming down the Albany road.
+The steward and the maid exchanged conjectures as
+to whether this meant a British patrol or &ldquo;Rebel&rdquo;
+dragoons, &ldquo;Skinners&rdquo; or Hessian yagers, Highlanders,
+or Loyalist light horse; and then observed
+from the sound that the horses had turned aside
+into the Mile Square road.</p>
+<p>But now came a new sound of horses, and though
+it was of only a few, and those walking, it gave
+Williams quite a start, for the footfalls were manifestly
+approaching the mansion. They as manifestly
+stopped before that very hill. And then came a
+sharp knock on the mahogany door.</p>
+<p>&ldquo;See who it is,&rdquo; whispered Molly.</p>
+<p>Williams hesitated. The knock was repeated.</p>
+<p>&ldquo;Who&rsquo;s there?&rdquo; called out Williams.</p>
+<p>There was an answer, but the words could not
+be made out.</p>
+<p>&ldquo;Who?&rdquo; repeated Williams.</p>
+<p>This time the answer was clear enough.</p>
+<div><span class='pagenum pncolor'><a id='page_49' name='page_49'></a>49</span></div>
+<p>&ldquo;It&rsquo;s I, Williams! Don&rsquo;t keep me standing here
+in the wind all night.&rdquo;</p>
+<p>&ldquo;It&rsquo;s Miss Elizabeth!&rdquo; cried Molly; and Williams,
+in a kind of daze of astonishment, hastily
+unlocked, unbolted, and threw open the door.</p>
+<hr class='toprule' />
+<div class='chsp'>
+<span class='pagenum pncolor'><a id='page_50' name='page_50'></a>50</span>
+<a name='CHAPTER_III_THE_SOUND_OF_GALLOPING' id='CHAPTER_III_THE_SOUND_OF_GALLOPING'></a>
+<h2>CHAPTER III.</h2>
+<h3>THE SOUND OF GALLOPING.</h3>
+</div>
+<p class='dropcap'><span class='dcap'>A rush</span> of wind came in from the outer gloom and
+almost blew out the candle. Williams held up his
+hand to protect the flame and stepped aside from
+before the doorway.</p>
+<p>The wind was promptly followed by Elizabeth,
+who strode in with the air that a king might show
+on reentering one of his palaces, still holding her
+whip in her gloved hand. Behind her came Colden,
+the picture of moody dejection. When Cuff had
+entered with the portmanteaus, Williams, seeing but
+three horses without, closed the door, locked it, and
+looked with inquiry and bewilderment at Elizabeth.</p>
+<p>&ldquo;Br-r-r-r!&rdquo; she ejaculated. &ldquo;Light up my chamber,
+Molly, and have a fire in it; then make some
+hot tea, and get me something to eat.&rdquo;</p>
+<p>Elizabeth&rsquo;s impetuosity sent the open-mouthed
+maid flying up-stairs to execute the first part of the
+order, whereupon the mistress turned to the wondering
+steward.</p>
+<p>&ldquo;I&rsquo;ve come to spend a week at the manor-house,
+Williams. Cuff, take those to my room.&rdquo;</p>
+<div><span class='pagenum pncolor'><a id='page_51' name='page_51'></a>51</span></div>
+<p>The black boy, with the portmanteaus, followed in
+the way Molly had taken, but with less rapidity.
+By this time Williams had recovered somewhat from
+his surprise, and regained his voice and something
+of his stewardly manner.</p>
+<p>&ldquo;I scarcely expected any of the family out from
+New York these times, miss. There&mdash;&mdash;&rdquo;</p>
+<p>&ldquo;I suppose not!&rdquo; Elizabeth broke in. &ldquo;Have
+some one put away the horses, Williams, or they&rsquo;ll
+be shivering. It&rsquo;s mighty cold for the time of year.&rdquo;</p>
+<p>&ldquo;I&rsquo;ll go myself, ma&rsquo;am. There&rsquo;s only black Sam,
+you know, and he isn&rsquo;t back from the orchard. I
+sent him to get some apples.&rdquo; And the steward set
+the candlestick on the newel post of the stairway,
+and started for the door.</p>
+<p>&ldquo;No, let Cuff go,&rdquo; said Elizabeth, sitting down on
+a settle that stood with its back to the side of the
+staircase. &ldquo;You start a fire in the room next mine,
+for aunt Sally. She&rsquo;ll be over from the parsonage
+in a few minutes.&rdquo;</p>
+<p>Williams thereupon departed in quest of the
+stable key, inwardly devoured by a mighty curiosity
+as to the wherefore of Elizabeth&rsquo;s presence
+here in the company of none but her affianced,
+and also the wherefore of that gentleman&rsquo;s manifest
+depression of spirits. His curiosity was not
+lessened when the major called after him:</p>
+<p>&ldquo;Tell Cuff he may feed my horse, but not take
+<span class='pagenum pncolor'><a id='page_52' name='page_52'></a>52</span>
+the saddle off. I must ride back to New York as
+soon as the beast is rested.&rdquo;</p>
+<p>&ldquo;Why,&rdquo; said Elizabeth to Colden, &ldquo;you may stay
+for a bite of supper.&rdquo;</p>
+<p>&ldquo;No, thank you! I am not hungry.&rdquo;</p>
+<p>&ldquo;A glass of wine, then,&rdquo; said the girl, quite heedless
+of his tone; &ldquo;if there is any left in the house.&rdquo;</p>
+<p>&ldquo;No wine, I thank you!&rdquo; Colden stood motionless,
+too far back in the hall to receive much light
+from the feeble candle, like a shadowy statue of the
+sulks.</p>
+<p>&ldquo;As you will!&rdquo;</p>
+<p>Whereupon Elizabeth, as if she had satisfied her
+conscience regarding what was due from her in the
+name of hospitality, rose, and opened the door to
+the east parlor.</p>
+<p>&ldquo;Ugh! How dark and lonely the house is! No
+wonder aunt Sally chose to live at the parsonage.&rdquo;
+After one look into the dark apartment, she closed
+the door. &ldquo;Well, I&rsquo;ll warm up the place a bit.
+Sorry you can&rsquo;t stay with us, major.&rdquo;</p>
+<p>&ldquo;It is only you who send me away,&rdquo; said Colden,
+dismally and reproachfully. &ldquo;I could have got
+longer leave of absence. You let me escort you
+here, because no gentleman of your family will lend
+himself to your reckless caprice. And then, having
+no further present use for me, you send me about
+my business!&rdquo;</p>
+<div><span class='pagenum pncolor'><a id='page_53' name='page_53'></a>53</span></div>
+<p>Elizabeth, preferring to pace the hall until her
+chamber should be heated, and her aunt should
+arrive, was striking her cloak with her riding-whip
+at each step; not that the cloak needed dusting, but
+as a method of releasing surplus energy.</p>
+<p>&ldquo;But I do have further present use for you,&rdquo; she
+said. &ldquo;You are going back to New York to inform
+my dear timid parents and sisters and brothers that
+I&rsquo;ve arrived here safe. They&rsquo;ll not sleep till you tell
+them so.&rdquo;</p>
+<p>&ldquo;One of your slaves might bear that news as
+well,&rdquo; quoth the major.</p>
+<p>&ldquo;Well, are you not forever calling yourself my
+slave? Besides, my devotion to King George won&rsquo;t
+let me weaken his forces by holding one of his officers
+from duty longer than need be.&rdquo;</p>
+<p>But Colden was not to be cheered by pleasantry.</p>
+<p>&ldquo;What a man you are! So cross at my sending
+you back that you&rsquo;ll neither eat nor drink before
+going. Pray don&rsquo;t pout, Colden. &rsquo;Tis foolish!&rdquo;</p>
+<p>&ldquo;I dare say! A man in love does many foolish
+things!&rdquo;</p>
+<p>The utterance of this great and universal truth
+had not time to receive comment from Elizabeth
+before Cuff reappeared, with the stable key; and at
+the same instant, a rather delicate, inoffensive knock
+was heard on the front door.</p>
+<p>&ldquo;That must be aunt Sally,&rdquo; said Elizabeth.
+<span class='pagenum pncolor'><a id='page_54' name='page_54'></a>54</span>
+&ldquo;Let her in, Cuff. Then go and stable the horses.
+My poor Cato will freeze!&rdquo;</p>
+<p>It was indeed Miss Sarah Williams, and in a state
+of breathlessness. She had been running, perhaps
+to escape the unseemly embraces of the wind, which
+had taken great liberties with her skirts,&mdash;liberties
+no less shocking because of the darkness of the
+evening; for though De la Rochefoucauld has settled
+it that man&rsquo;s alleged courage takes a vacation when
+darkness deprives it of possible witnesses, no one will
+accuse an elderly maiden&rsquo;s modesty of a like eclipse.</p>
+<p>&ldquo;My dear child, what could have induced you&mdash;&mdash;&rdquo;
+were her first words to Elizabeth; but her attention
+was at that point distracted by seeing Cuff, outside
+the threshold, about to pull the door shut. &ldquo;Don&rsquo;t
+close the door yet, boy. Some one is coming.&rdquo;</p>
+<p>Cuff thereupon started on his task of stabling the
+three horses, leaving the door open. The flame of
+the candle on the newel post was blown this way
+and that by the in-rushing wind.</p>
+<p>&ldquo;It&rsquo;s old Mr. Valentine,&rdquo; explained Miss Sally to
+Elizabeth. &ldquo;He offered to show me over from the
+parsonage, where he happened to be calling, so I
+didn&rsquo;t wait for Mrs. Babcock&rsquo;s boy&mdash;&mdash;&rdquo;</p>
+<p>&ldquo;You found Mr. Valentine pleasanter company,
+I suppose, aunty, dear,&rdquo; put in Elizabeth, who spared
+neither age nor dignity. &ldquo;He&rsquo;s a widower again,
+isn&rsquo;t he?&rdquo;</p>
+<div><span class='pagenum pncolor'><a id='page_55' name='page_55'></a>55</span></div>
+<p>Miss Sally blushed most becomingly. Her plump
+cheeks looked none the worse for this modest suffusion.</p>
+<p>&ldquo;Fie, child! He&rsquo;s eighty years old. Though, to
+be sure, the attentions of a man of his experience
+and judgment aren&rsquo;t to be considered lightly.&rdquo;</p>
+<p>Those were the days when well-bred people could&mdash;and
+often did, naturally and without effort&mdash;improvise
+grammatical sentences of more than twelve
+words, in the course of ordinary, every-day talk.</p>
+<p>&ldquo;We started from the parsonage together,&rdquo; went
+on Miss Sally, &ldquo;but I was so impatient I got ahead.
+He doesn&rsquo;t walk as briskly as he did twenty years
+ago.&rdquo;</p>
+<p>Yet briskly enough for his years did the octogenarian
+walk in through the little pillared portico a
+moment later. Such deliberation as his movements
+had might as well have been the mark of a proper
+self-esteem as the effect of age. He was a slender
+but wiry-looking old gentleman, was Matthias Valentine,
+of Valentine&rsquo;s Hill; in appearance a credit to
+the better class of countrymen of his time. His
+white hair was tied in a cue, as if he were himself a
+landowner instead of only a manorial tenant. Yet
+no common tenant was he. His father, a dragoon
+in the French service, had come down from Canada
+and settled on Philipse Manor, and Matthias had
+been proprietor of Valentine&rsquo;s Hill, renting from
+<span class='pagenum pncolor'><a id='page_56' name='page_56'></a>56</span>
+the Philipses in earlier days than any one could
+remember. His grandsons now occupied the Hill,
+and the old man was in the full enjoyment of the
+leisure he had won. His rather sharp countenance,
+lighted by honest gray eyes, was a mixture of good-humor,
+childlike ingenuousness, and innocent jocosity.
+The neatness of his hair, his carefully shaven
+face, and the whole condition of his brown cloth coat
+and breeches and worsted stockings, denoted a fastidiousness
+rarely at any time, and particularly in
+the good (or bad) old days, to be found in common
+with rustic life and old age. Did some of the dandyism
+of the French dragoon survive in the old Philipsburgh
+farmer?</p>
+<p>He carried a walking-stick in one hand, a lighted
+lantern in the other. After bowing to the people in
+the hall, he set down his lantern, closed the door
+and bolted it, then took up his lantern, blew out the
+flame thereof, and set it down again.</p>
+<p>&ldquo;Whew!&rdquo; he puffed, after his exertion. &ldquo;Windy
+night, Miss Elizabeth! Windy night, Major Colden!
+Winter&rsquo;s going to set in airly this year. There
+ain&rsquo;t been sich a frosty November since &rsquo;64, when
+the river was froze over as fur down as Spuyten
+Duyvel.&rdquo;</p>
+<p>There was in the old man&rsquo;s high-pitched voice a
+good deal of the squeak, but little of the quaver, of
+senility.</p>
+<div><span class='pagenum pncolor'><a id='page_57' name='page_57'></a>57</span></div>
+<p>&ldquo;You&rsquo;ll stay to supper, I hope, Mr. Valentine.&rdquo;</p>
+<p>From Elizabeth this was a sufficient exhibition of
+graciousness. She then turned her back on the
+two men and began to tell her aunt of her arrangements.</p>
+<p>&ldquo;Thankee, ma&rsquo;am,&rdquo; said old Valentine, whose
+sight did not immediately acquaint him, in the dim
+candle-light, with Elizabeth&rsquo;s change of front; wherefore
+he continued, placidly addressing her back: &ldquo;I
+wouldn&rsquo;t mind a glass and a pipe with friend Williams
+afore trudging back to the Hill.&rdquo;</p>
+<p>He then walked over to the disconsolate Colden,
+and, with a very gay-doggish expression, remarked
+in an undertone:</p>
+<p>&ldquo;Fine pair o&rsquo; girls yonder, major?&rdquo;</p>
+<p>He had known Colden from the time of the latter&rsquo;s
+first boyhood visits to the manor, and could venture
+a little familiarity.</p>
+<p>&ldquo;Girls?&rdquo; blurted the major, startled out of his
+meditations.</p>
+<p>The old country beau chuckled.</p>
+<p>&ldquo;We all know what&rsquo;s betwixt you and the niece.
+How about the aunt and me taking a lesson from
+you two, eh?&rdquo;</p>
+<p>Even the gloomy officer could not restrain a
+momentary smile.</p>
+<p>&ldquo;What, Mr. Valentine? Do you seriously think
+of marrying?&rdquo;</p>
+<div><span class='pagenum pncolor'><a id='page_58' name='page_58'></a>58</span></div>
+<p>&ldquo;Why not? I&rsquo;ve been married afore, hain&rsquo;t I?
+What&rsquo;s to hinder?&rdquo;</p>
+<p>&ldquo;Why, there&rsquo;s the matter of age.&rdquo; Colden rather
+enjoyed being inconsiderate of people&rsquo;s feelings.</p>
+<p>&ldquo;Oh, the lady is not so old,&rdquo; said the octogenarian,
+placidly, casting a judicial, but approving look at the
+commanding figure of Miss Sally.</p>
+<p>Then, as he had been for a considerable time on
+his legs, having walked over from the Hill to the
+parsonage that afternoon, and as at best his knees
+bent when he stood, he sat down on the settle by
+the staircase.</p>
+<p>Miss Sally, though she knew it useless to protest
+further against Elizabeth&rsquo;s caprice, nevertheless felt
+it her duty to do so, especially as Major Colden
+would probably carry to the family a report of her
+attitude towards that caprice.</p>
+<p>&ldquo;Did you ever hear of such rashness, major? A
+young girl like Elizabeth coming out here in time of
+war, when this neutral ground between the lines is
+overridden and foraged to death, and deluged with
+blood by friend as well as foe? La me! I can&rsquo;t
+understand her, if she <i>is</i> my sister&rsquo;s child.&rdquo;</p>
+<p>&ldquo;Why, aunt Sally, <i>you</i> stay out here through it
+all,&rdquo; said Elizabeth, not as much to depreciate the
+dangers as to give her aunt an opportunity of posing
+as a very courageous person.</p>
+<p>Miss Sally promptly accepted the opportunity.
+<span class='pagenum pncolor'><a id='page_59' name='page_59'></a>59</span>
+&ldquo;Oh,&rdquo; said she, with a mien of heroic self-sacrifice,
+&ldquo;I couldn&rsquo;t let poor Grace Babcock stay at the parsonage
+with nobody but her children; besides I&rsquo;m
+not Colonel Philipse&rsquo;s daughter, and who cares
+whether I&rsquo;m loyal to the King or not? But a girl
+like you isn&rsquo;t made for the dangers and privations
+we&rsquo;ve had to put up with out here since the King&rsquo;s
+troops have occupied New York, and Washington&rsquo;s
+rebel army has held the country above. I&rsquo;m surprised
+the family let her come, or that you&rsquo;d countenance
+it by coming with her, major.&rdquo;</p>
+<p>&ldquo;We all opposed it,&rdquo; said Colden, with a sigh.
+&ldquo;But&mdash;you know Elizabeth!&rdquo;</p>
+<p>&ldquo;Yes,&rdquo; said Elizabeth herself with cheerful nonchalance,
+&ldquo;Elizabeth always has her way. I was
+hungry for a sight of the place, and the more the
+old house is in danger, the more I love it. I&rsquo;m here
+for a week, and that ends it. The place doesn&rsquo;t
+seem to have suffered any. They haven&rsquo;t even
+quartered troops here.&rdquo;</p>
+<p>&ldquo;Not since the American officers stayed here in
+the fall o&rsquo; &rsquo;76,&rdquo; put in old Mr. Valentine, from the
+settle. &ldquo;I reckon you&rsquo;ll be safe enough here, Miss
+Elizabeth.&rdquo;</p>
+<p>&ldquo;Of course I shall. Why, our troops patrol all this
+part of the country, Lord Cathcart told us at King&rsquo;s
+Bridge, and <i>we</i> have naught to fear from them.&rdquo;</p>
+<p>&ldquo;No, the British foragers won&rsquo;t dare treat Philipse
+<span class='pagenum pncolor'><a id='page_60' name='page_60'></a>60</span>
+Manor-house as they do the homes of some of
+their loyal friends,&rdquo; said Miss Sally, who was no less
+proud of her relationship with the Philipses, because
+it was by marriage and not by blood. &ldquo;But the horrible
+&rdquo;Skinners,&ldquo; who don&rsquo;t spare even the farms of
+their fellow rebels&mdash;&rdquo;</p>
+<p>&ldquo;Bah!&rdquo; said Elizabeth. &ldquo;The scum of the earth!
+Williams has weapons here, and with him and the
+servants I&rsquo;ll defend the place against all the rebel
+cut-throats in the county.&rdquo;</p>
+<p>The major thought to make a last desperate
+attempt to dissuade Elizabeth from remaining.</p>
+<p>&ldquo;That&rsquo;s all well enough,&rdquo; said he; &ldquo;but there are
+the rebel regulars, the dragoons. They&rsquo;ll be raiding
+down to our very lines, one of these days, if only in
+retaliation. You know how Lord Cornwallis&rsquo;s party
+under General Grey, over in Jersey, the other night,
+killed a lot of Baylor&rsquo;s cavalry,&mdash;Mrs. Washington&rsquo;s
+Light Horse, they called the troop. And the Hessians
+made a great foray on the rebel families this
+side the river.&rdquo;</p>
+<p>&ldquo;Ay,&rdquo; chirped old Valentine; &ldquo;but the American
+Colonel Butler, and their Major Lee, of Virginia, fell
+on the Hessian yagers &rsquo;tween Dobbs&rsquo;s Ferry and
+Tarrytown, and killed ever so many of &rsquo;em,&mdash;and I
+wasn&rsquo;t sorry for that, neither!&rdquo;</p>
+<p>&ldquo;Oho!&rdquo; said Colden, &ldquo;you belong to the opposition.&rdquo;</p>
+<div><span class='pagenum pncolor'><a id='page_61' name='page_61'></a>61</span></div>
+<p>&ldquo;Oh, I&rsquo;m neither here nor there,&rdquo; replied the old
+man. &ldquo;But they say that there Major Lee, of Virginia,
+is the gallantest soldier in Washington&rsquo;s army.
+He&rsquo;d lead his men against the powers of Satan if
+Washington gave the word. Light Horse Harry,
+they call him,&mdash;and a fine dashing troop o&rsquo; light
+horse he commands.&rdquo;</p>
+<p>&ldquo;No more dashing, I&rsquo;ll wager, than some of ours,&rdquo;
+said Elizabeth, whose mood for the moment permitted
+her to talk with reason and moderation;
+&ldquo;not even counting the Germans. And as for leaders,
+what do you say to Simcoe, of the Queen&rsquo;s
+Rangers, or Emmerick, or Tarleton, or&rdquo;&mdash;turning
+to Colden&mdash;&ldquo;your cousin James De Lancey, of this
+county, major?&rdquo;</p>
+<p>The major, notwithstanding his Toryism, did not
+enter with enthusiasm into Elizabeth&rsquo;s admiration
+for these brave young cavalry leaders. Staten Island
+and East New Jersey had not offered him as great
+opportunities for distinction as they had had. It
+was, therefore, Miss Sally who next spoke.</p>
+<p>&ldquo;Well, Heaven knows there are enough on either
+side to devastate the land and rob us of comfort and
+peace. One wakes in the middle of the night, at the
+clatter of horses riding by like the wind, and wonders
+whether it&rsquo;s friend or foe, and trembles till
+they&rsquo;re out of hearing, for fear the door is to be broken
+in or the house fired. And the sound of shots
+<span class='pagenum pncolor'><a id='page_62' name='page_62'></a>62</span>
+in the night, and the distant glare of flames when
+some poor farmer&rsquo;s home is burned over his head!&rdquo;</p>
+<p>&ldquo;Ay,&rdquo; added Mr. Valentine, &ldquo;and all the cattle
+and crops go to the foragers, so it&rsquo;s no use raising
+any more than you can hide away for your own
+larder.&rdquo;</p>
+<p>Elizabeth was beginning to be bored, and saw
+nothing to gain from a continuation of these recitals.
+Doubtless, by this time, her room was lighted and
+warm. So, thoughtless of Colden, she mounted the
+first step of the stairway, and said:</p>
+<p>&ldquo;I have no doubt Williams has contrived to hide
+away enough provisions for <i>our</i> use. So <i>I</i> sha&rsquo;n&rsquo;t
+suffer from hunger, and as for Lee&rsquo;s Light Horse,
+I defy them and all other rebels. Come, aunt
+Sally!&rdquo;</p>
+<p>She had ascended as far as to the fourth step of
+the stairway, and Miss Sally was about to follow, when
+there was heard, above the wind&rsquo;s moaning, another
+sound of galloping horses. Like the previous similar
+sound, it came from the north.</p>
+<p>Elizabeth stopped and stood on the fourth step.
+Miss Sally raised her finger to bid silence. Colden&rsquo;s
+attitude became one of anxious attention, while he
+dropped his hat on the settle and drew his cloak close
+about him, so that it concealed his uniform, sword,
+and pistol. The galloping continued.</p>
+<p>When time came for it to turn off eastward, as it
+<span class='pagenum pncolor'><a id='page_63' name='page_63'></a>63</span>
+would do should the riders take the road to Mile
+Square, it did not so. Instead, as the sound unmistakably
+indicated, it came on down the post-road.</p>
+<p>&ldquo;Hessians, perhaps!&rdquo; Miss Sally whispered.</p>
+<p>&ldquo;Or De Lancey&rsquo;s Cowboys,&rdquo; said Valentine, but
+not in a whisper.</p>
+<p>Elizabeth cast a sharp look at the old man, as if to
+show disapproval of his use of the Whigs&rsquo; nickname
+for De Lancey&rsquo;s troop. But the octogenarian did
+not quail.</p>
+<p>&ldquo;They&rsquo;re riding towards the manor-house,&rdquo; he
+added, a moment later.</p>
+<p>&ldquo;Let us hope they&rsquo;re friends,&rdquo; said Colden, in a
+tone low and slightly unsteady.</p>
+<p>Elizabeth disdained to whisper.</p>
+<p>&ldquo;Maybe it is Lee&rsquo;s Light Horse,&rdquo; she said, in her
+usual voice, but ironically, addressing Valentine. &ldquo;In
+that case we should tremble for our lives, I suppose.&rdquo;</p>
+<p>&ldquo;Whoever they are, they&rsquo;ve stopped before the
+house!&rdquo; said Miss Sally, in quite a tremble.</p>
+<p>There was a noise of horses pawing and snorting
+outside, of directions being given rapidly, and of two
+or three horses leaving the main band for another
+part of the grounds. Then was heard a quick, firm
+step on the porch floor, and in the same instant a
+sharp, loud knock on the door.</p>
+<p>No one in the hall moved; all looked at Elizabeth.</p>
+<p>&ldquo;A very valiant knock!&rdquo; said she, with more
+<span class='pagenum pncolor'><a id='page_64' name='page_64'></a>64</span>
+irony. &ldquo;It certainly <i>must</i> be Lee&rsquo;s Light Horse.
+Will you please open the door, Colden?&rdquo;</p>
+<p>&ldquo;What?&rdquo; ejaculated Colden.</p>
+<p>&ldquo;Certainly,&rdquo; said Elizabeth, turning on the stairway,
+so as to face the door; &ldquo;to show we&rsquo;re not
+afraid.&rdquo;</p>
+<p>Jack Colden looked at her a moment demurringly,
+then went to the door, undid the fastenings, and
+threw it open, keeping his cloak close about him
+and immediately stepping back into the shadow.</p>
+<p>A handsome young officer strode in, as if &rsquo;twere
+a mighty gust of wind that sent him. He wore a
+uniform of blue with red facings,&mdash;a uniform that
+had seen service,&mdash;was booted and spurred, without
+greatcoat or cloak. A large pistol was in his belt,
+and his left hand rested on the hilt of a sword. He
+swept past Colden, not seeing him; came to a stop
+in the centre of the hall, and looked rapidly around
+from face to face.</p>
+<p>&ldquo;Your servant, ladies and gentlemen!&rdquo; he said,
+with a swift bow and a flourish of his dragoon&rsquo;s hat.
+His eye rested on Elizabeth.</p>
+<p>&ldquo;Who are you?&rdquo; she demanded, coldly and imperiously,
+from the fourth step.</p>
+<p>&ldquo;I&rsquo;m Captain Peyton, of Lee&rsquo;s Light Horse,&rdquo;
+said he.</p>
+<hr class='toprule' />
+<div class='chsp'>
+<span class='pagenum pncolor'><a id='page_65' name='page_65'></a>65</span>
+<a name='CHAPTER_IV_THE_CONTINENTAL_DRAGOON' id='CHAPTER_IV_THE_CONTINENTAL_DRAGOON'></a>
+<h2>CHAPTER IV.</h2>
+<h3>THE CONTINENTAL DRAGOON.</h3>
+</div>
+<p class='dropcap'><span class='dcap'>The</span> Peytons of Virginia were descended from a
+younger son of the Peytons of Pelham, England, of
+which family was Sir Edward Peyton, of Pelham,
+knight and baronet. Sir Edward&rsquo;s relative, the first
+American Peyton, settled in Westmoreland County.
+Within one generation the family had spread to Stafford
+County, and within another to Loudoun County
+also. Thus it befell that there was a Mr. Craven
+Peyton, of Loudoun County, justice of the peace,
+vestryman, and chief warden of Shelburne Parish.
+He was the father of nine sons and two daughters.
+One of the sons was Harry.</p>
+<p>This Harry grew up longing to be a soldier. Military
+glory was his ambition, as it had been Washington&rsquo;s;
+but not as a mere provincial would he be
+satisfied to excel. He would have a place as a regular
+officer, in an army of the first importance, on the
+fields of Europe. Before the Revolution, Americans
+were, like all colonials, very loyal to their English
+King. Therefore would Harry Peyton be content
+with naught less than a King&rsquo;s commission in the
+King&rsquo;s army.</p>
+<div><span class='pagenum pncolor'><a id='page_66' name='page_66'></a>66</span></div>
+<p>His father, glad to be guided in choosing a future
+for one of so many sons, sent Harry to London in
+1770, to see something of life, and so managed matters,
+through his English relations, that the boy was
+in 1772, at the age of nineteen, the possessor, by
+purchase, of an ensign&rsquo;s commission. He was soon
+sent to do garrison duty in Ireland, being enrolled
+with the Sixty-third Regiment of Foot.</p>
+<p>He had lived gaily enough during his two years
+in London, occupying lodgings, being patronized by
+his relations, seeing enough of society, card-tables,
+drums, routs, plays, prize-fights, and other diversions.
+He had made visits in the country and showed what
+he had learned in Virginia about cock-fighting, fox-hunting
+and shooting, and had taken lessons from
+London fencing-masters. A young gentleman from
+Virginia, if well off and &ldquo;well connected,&rdquo; could have
+a fine time in London in those days; and Harry
+Peyton had it.</p>
+<p>But he could never forget that he was a colonial.
+If he were treated by his English associates as an
+equal, or even at times with a particular consideration,
+there was always a kind of implication that he
+was an exception among colonials. Other colonial
+youths were similarly treated, and some of these
+were glad to be held as exceptions, and even joined
+in the derision of the colonials who were not. For
+these Harry Peyton had a mighty disgust and detestation.
+<span class='pagenum pncolor'><a id='page_67' name='page_67'></a>67</span>
+He did not enjoy receiving as Harry Peyton
+a tolerance and kindness that would have been denied
+him as merely an American. And he sometimes
+could not avoid seeing that, even as Harry Peyton, he
+was regarded as compensating, by certain attractive
+qualities in the nature of amiability and sincerity, for
+occasional exhibitions of what the English rated as
+social impropriety and bad taste. Often, at the
+English lofty derision of colonials, at the English
+air of self-evident superiority, the English pretence
+of politely concealed shock or pain or offence at
+some infringement of a purely superficial conduct-code
+of their own arbitrary fabrication, he ground
+his teeth in silence; for in one respect, he had as
+good manners as the English had then, or have
+now,&mdash;when in Rome he did not resent or deride
+what the Romans did. He began to think that the
+lot of a self-respecting American among the English,
+even if he were himself made an exception of and
+well dealt with, was not the most enviable one. And,
+after he joined the army, he thought this more and
+more every day. But he would show them what a
+colonial could rise to! Yet that would prove nothing
+for his countrymen, as he would always, on his
+meritorious side, be deemed an exception.</p>
+<p>His military ambition, however, predominated, and
+he had no thought of leaving the King&rsquo;s service.</p>
+<p>The disagreement between the King and the
+<span class='pagenum pncolor'><a id='page_68' name='page_68'></a>68</span>
+American Colonies grew, from &ldquo;a cloud no bigger
+than a man&rsquo;s hand,&rdquo; to something larger. But
+Harry heard little of it, and that entirely from the
+English point of view. He received but three or
+four letters a year from his own people, and the
+time had not come for his own people to write much
+more than bare facts. They were chary of opinions.
+Harry supposed that the new discontent in the Colonies,
+after the repeal of the Stamp Act and the
+withdrawal of the two regiments from Boston Town
+to Castle William, was but that of the perpetually
+restless, the habitual fomenters, the notoriety-seeking
+agitators, the mob, whose circumstances could
+not be made worse and might be improved by disturbances.
+Now the Americans, from being a subject
+of no interest to English people, a subject
+discussed only when some rare circumstance brought
+it up, became more talked of. Sometimes, when
+Americans were blamed for opposing taxes to support
+soldiery used for their own protection, Harry
+said that the Americans could protect themselves;
+that the English, in wresting Canada from the
+French, had sought rather English prestige and
+dominion than security for the colonials; that the
+flourishing of the Colonies was despite English
+neglect, not because of English fostering; that if
+the English had solicitude for America, it was for
+America as a market for their own trade. Thereupon
+<span class='pagenum pncolor'><a id='page_69' name='page_69'></a>69</span>
+his fellow officers would either laugh him out,
+as if he were too ignorant to be argued with, or
+freeze him out, as if he had committed some grave
+outrage on decorum. And Harry would rage inwardly,
+comparing his own ignorance and indecorousness
+with the knowledge and courtesy exemplified in the
+assertion of Doctor Johnson, when that great but
+narrow Englishman said, in 1769, of Americans,
+&ldquo;Sir, they are a race of convicts, and ought to
+be thankful for anything we allow them short of
+hanging.&rdquo;</p>
+<p>There came to Harry, now and then, scraps of
+vague talk of uneasiness in Boston Town, whose port
+the British Parliament had closed, to punish the
+Yankees for riotously destroying tea on which there
+was a tax; of the concentration there of British
+troops from Halifax, Quebec, New York, the Jerseys,
+and other North American posts. But there was
+not, in Harry&rsquo;s little world of Irish garrison life, the
+slightest expectation of actual rebellion or even of a
+momentous local tumult in the American Colonies.</p>
+<p>Imagine, therefore, his feelings when, one morning
+late in March in 1775, he was told that, within
+a month&rsquo;s time, the Sixty-third, and other regiments,
+would embark at Cork for either Boston or New
+York!</p>
+<p>There could not be a new French or Spanish
+invasion. As for the Indians, never again would
+<span class='pagenum pncolor'><a id='page_70' name='page_70'></a>70</span>
+British regulars be sent against them. Was it,
+then, Harry&rsquo;s own countrymen that his regiment
+was going to fight?</p>
+<p>His comrades inferred the cause of his long face,
+and laughed. He would have no more fighting to
+do in America against the Americans than he had
+to do in Ireland against the Irish, or than an
+English officer in an English barrack town had to
+do against the English. The reinforcements were
+being sent only to overawe the lawless element.
+The mere sight of these reinforcements would obviate
+any occasion for their use. The regiment would
+merely do garrison duty in America instead of in
+Ireland or elsewhere.</p>
+<p>He had none to advise or enlighten him. What
+was there for him to do but sail with his regiment,
+awaiting disclosures or occurrences to guide? What
+misgivings he had, he kept to himself, though once
+on the voyage, as he looked from the rocking transport
+towards the west, he confided to Lieutenant
+Dalrymple his opinion that &rsquo;twas damned bad luck
+sent <i>his</i> regiment to America, of all places.</p>
+<p>When he landed in Boston, June 12th, he found,
+as he had expected, that the town was full of soldiers,
+encamped on the common and quartered
+elsewhere; but also, as he had not expected, that
+the troops were virtually confined to the town,
+which was fortified at the Neck; that the last
+<span class='pagenum pncolor'><a id='page_71' name='page_71'></a>71</span>
+time they had marched into the country, through
+Lexington to Concord, they had marched back
+again at a much faster gait, and left many score
+dead and wounded on the way; and that a host
+of New Englanders in arms were surrounding Boston!
+The news of April 19th had not reached Europe
+until after Harry had sailed, nor had it met
+his regiment on the ocean. When he heard it now,
+he could only become more grave and uneasy. But
+the British officers were scornful of their clodhopper
+besiegers. In due time this rabble should be
+scattered like chaff. But was it a mere rabble?
+Certainly. Were not the best people in Boston
+loyal to the King&rsquo;s government? Some of them,
+yes. But, as Harry went around with open eyes
+and ears, eager for information, he found that many
+of them were with the &ldquo;rabble.&rdquo; News was easy
+to be had. The citizens were allowed to pass the
+barrier on the Neck, if they did not carry arms or
+ammunition, and there was no strict discipline in
+the camp of New Englanders. Therefore Harry
+soon learned how Doctor Warren stood, and the
+Adamses, and Mr. John Hancock; and that a Congress,
+representing all the Colonies, was now sitting
+at Philadelphia, for the second time; and that in
+the Congress his own Virginia was served by such
+gentlemen as Mr. Richard Henry Lee, Mr. Patrick
+Henry, Mr. Thomas Jefferson, and Colonel Washington.
+<span class='pagenum pncolor'><a id='page_72' name='page_72'></a>72</span>
+And the Virginians had shown as ready
+and firm a mind for revolt against the King&rsquo;s
+measures as the New Englanders had. Here, for
+once, the sympathies of trading Puritan and fox-hunting
+Virginian were one. Moreover, a Yankee
+was a fellow American, and, after five years of
+contact with English self-esteem, Harry warmed at
+the sight of a New Englander as he never would
+have done before he had left Virginia.</p>
+<p>But it did not conduce to peace of mind, in his
+case, to be convinced that the colonial remonstrance
+was neither local nor of the rabble. The more
+general and respectable it was, the more embarrassing
+was his own situation. Would it really
+come to war? With ill-concealed anxiety, he sought
+the opinion of this person and that.</p>
+<p>On the fourth day after his arrival, he went into
+a tavern in King Street with Lieutenant Massay, of
+the Thirty-fifth, Ensign Charleton, of the Fifth, and
+another young officer, and, while they were drinking,
+heard a loyalist tell what one Parker, leader
+of the Lexington rebels, said to his men on Lexington
+Common, on the morning of April 19th, when
+the King&rsquo;s troops came in sight.</p>
+<p>&ldquo;&lsquo;Stand your ground,&rsquo; says he. &lsquo;Don&rsquo;t fire till
+you&rsquo;re fired on, but if they mean to have a war, let
+it begin here!&rsquo;&rdquo;</p>
+<p>&ldquo;And it began there!&rdquo; said Harry.</p>
+<div><span class='pagenum pncolor'><a id='page_73' name='page_73'></a>73</span></div>
+<p>The English officers stared at him, and laughed.</p>
+<p>&ldquo;Ay, &rsquo;twas the Yankee idea of war,&rdquo; said one
+of them. &ldquo;Run for a stone wall, and, when the
+enemy&rsquo;s back is turned, blaze away. I&rsquo;d like to
+see a million of the clodhoppers compelled to stand
+up and face a line of grenadiers.&rdquo;</p>
+<p>&ldquo;Ay, gimme ten companies of grenadiers,&rdquo; cried
+one, who had doubtless heard of General Gage&rsquo;s
+celebrated boast, &ldquo;and I&rsquo;ll go from one end of the
+damned country to the other, and drive &rsquo;em to their
+holes like foxes. Only &rsquo;tis better sport chasing
+handsome foxes in England than ill-dressed poltroons
+in Bumpkin-land.&rdquo;</p>
+<p>&ldquo;They&rsquo;re not all poltroons,&rdquo; said Harry, repressing
+his feelings the more easily through long
+practice. &ldquo;Some of them fought in the French
+war. There&rsquo;s Putnam, and Pomeroy, and Ward.
+I heard Lieutenant-Colonel Abercrombie, of the
+Twenty-second, say yesterday that Putnam&mdash;&rdquo;</p>
+<p>&ldquo;Cowards every one of &rsquo;em,&rdquo; broke in another.
+&ldquo;Cowards and louts. A lady told me t&rsquo;other day
+there ain&rsquo;t in all America a man whose coat sets in
+close at the back, except he&rsquo;s of the loyal party.
+Cowards and louts!&rdquo;</p>
+<p>&ldquo;Look here, damn you!&rdquo; cried Peyton. &ldquo;I want
+you to know I&rsquo;m American born, and my people are
+American, and I don&rsquo;t know whether they are of the
+loyal party or not!&rdquo;</p>
+<div><span class='pagenum pncolor'><a id='page_74' name='page_74'></a>74</span></div>
+<p>&ldquo;Oh, now, that&rsquo;s the worst of you Americans,&mdash;always
+will get personal! Of course, there are exceptions.&rdquo;</p>
+<p>&ldquo;Then there are exceptions enough to make a
+rule themselves,&rdquo; said Harry. &ldquo;I&rsquo;m tired hearing
+you call these people cowards before you&rsquo;ve had a
+chance to see what they are. And you needn&rsquo;t wait
+for that, for I can tell you now they&rsquo;re not!&rdquo;</p>
+<p>&ldquo;Well, well, perhaps not,&mdash;to you. Doubtless
+they&rsquo;re very dreadful,&mdash;to you. You don&rsquo;t seem to
+relish facing &rsquo;em, that&rsquo;s a fact! You&rsquo;ll be resigning
+your commission one o&rsquo; these days, I dare say, if it
+comes to blows with these terrible heroes!&rdquo;</p>
+<p>Harry saw everybody in the room looking at him
+with a grin.</p>
+<p>&ldquo;By the Lord,&rdquo; said he, &ldquo;maybe I shall!&rdquo; and
+stalked hotly out of the place.</p>
+<p>His wrath increased as he walked. He noticed
+now, more than before, the confident, arrogant air
+of the redcoats who promenaded the streets; how
+they leered at the women, and made the citizens
+who passed turn out of the way. Forthwith, he
+went to his quarters, and wrote his resignation.</p>
+<p>When the ink was dry he folded up the document
+and put it in the pocket of his uniform coat. Then
+that last tavern speech recurred to him. &ldquo;If I resign
+now,&rdquo; he thought, &ldquo;they&rsquo;ll suppose it&rsquo;s because
+I really am afraid of fighting, not because the rebels
+<span class='pagenum pncolor'><a id='page_75' name='page_75'></a>75</span>
+are my countrymen.&rdquo; So he lapsed into a state of
+indecision,&mdash;a state resembling apathy, a half-dazed
+condition, a semi-somnolent waiting for events. But
+he kept his letter of resignation in his coat.</p>
+<p>At dawn the next morning, Saturday, June 17th,
+he was awakened by the booming of guns. He was
+soon up and out. It was a beautiful day. People
+were on the eminences and roofs, looking northward,
+across the mouth of the Charles, towards Charlestown
+and the hill beyond. On that hill were seen rough
+earthworks, six feet high, which had not been there
+the day before. The booming guns were those of
+the British man-of-war <i>Lively</i>, firing from the river
+at the new earthworks. Hence the earthworks
+were the doing of the rebels, having been raised
+during the night. Presently the <i>Lively</i> ceased its
+fire, but soon there was more booming, this time not
+only from the men-of-war, but also from the battery
+on Copp&rsquo;s Hill in Boston. After awhile Harry saw,
+from where he stood with many others on Beacon
+Hill, some of the rebels emerge from one part of the
+earthworks, as if to go away. One of these was
+knocked over by a cannon-ball. His comrades
+dragged his body behind the earthen wall. By and
+by a tall, strong-looking man appeared on top of the
+parapet, and walked leisurely along, apparently giving
+directions. Harry heard from a citizen, who had
+a field-glass, the words, &ldquo;Prescott, of Pepperell.&rdquo;
+<span class='pagenum pncolor'><a id='page_76' name='page_76'></a>76</span>
+Other men were now visible on the parapet, superintending
+the workers behind. And now the booming
+of the guns was answered by disrespectful cheers
+from those same unseen workers.</p>
+<p>The morning grew hot. Harry heard that General
+Gage had called a council of war at the Province
+House; that Generals Howe, Clinton, Burgoyne,<a href='#Footnote_0003' class='fnanchor'>[3]</a>&mdash;these
+three having arrived in Boston about three
+weeks before Harry had,&mdash;Pigott, Grant, and the
+rest were now there in consultation. At length
+there was the half-expected tumult of drum and
+bugle; and Harry was summoned to obey, with
+his comrades, the order to parade. There was now
+much noise of officers galloping about, dragoons
+riding from their quarters, and rattling of gun-carriages.
+The booming from the batteries and vessels
+increased.</p>
+<p>At half-past eleven Harry found himself&mdash;for he
+was scarcely master of his acts that morning, his will
+having taken refuge in a kind of dormancy&mdash;on
+parade with two companies of his regiment, and he
+noticed in a dim way that other companies near were
+from other different regiments, all being supplied
+with ammunition, blankets, and provisions. When
+the sun was directly overhead and at its hottest, the
+order to march was given, and soon he was bearing
+the colors through the streets of Boston. The roar
+of the cannon now became deafening. Harry knew
+<span class='pagenum pncolor'><a id='page_77' name='page_77'></a>77</span>
+not whether the rebels were returning it from their
+hill works across the water or not. In time the
+troops reached the wharf. Barges were in waiting,
+and field-pieces were being moved into some of them.
+He could see now that all the firing was from the
+King&rsquo;s vessels and batteries. Mechanically he followed
+Lieutenant Dalrymple into a barge, which soon
+filled up with troops. The other barges were speedily
+brilliant with scarlet coats and glistening bayonets.
+Not far away the river was covered with smoke,
+through which flashed the fire of the belching artillery.
+A blue flag was waved from General Howe&rsquo;s
+barge, and the fleet moved across the river towards
+the hill where the rebels waited silently behind their
+piles of earth.</p>
+<p>At one o&rsquo;clock, Harry followed Lieutenant Dalrymple
+out of the barge to the northern shore of the
+river, at a point northeast of Charlestown village and
+east of the Yankees&rsquo; hill. There was no molestation
+from the rebels. The firing from the vessels and batteries
+protected the hillside and shore. The troops
+were promptly formed in three lines. Harry&rsquo;s place
+was in the left of the front line. Then there was long
+waiting. The barges went back to the Boston side.
+Was General Howe, who had command of the movements,
+sending for more troops? Many of the soldiers
+ate of their stock of provisions. Harry, in a
+kind of dream, looked westward up the hill towards
+<span class='pagenum pncolor'><a id='page_78' name='page_78'></a>78</span>
+the silent Yankee redoubt. It faced south, west,
+and east. The line of its eastern side was continued
+northward by a breastwork, and still beyond
+this, down the northern hillside to another river,
+ran a straggling rail fence, which was thatched
+with fresh-cut hay. What were the men doing behind
+those defences? What were they saying and
+thinking?</p>
+<p>The barges came back across the Charles from
+Boston, with more troops, but these were disembarked
+some distance southwest, nearer Charlestown.
+General Howe now made a short speech to the troops
+first landed. Then some flank guards were sent out
+and some cannon wheeled forward. The companies of
+the front line, with one of which was Harry, were
+now ordered to form into files and move straight
+ahead. They were to constitute the right wing of
+the attacking force, and to be led by General Howe
+himself. The four regiments composing the two rear
+lines moved forward and leftward, to form, with the
+troops newly landed, the left wing, which was to be
+under General Pigott. The cannonading from the
+river and from Boston continued.</p>
+<p>The companies with which was Harry advanced
+slowly, having to pass through high grass, over stone
+fences, under a roasting sun. These companies were
+moving towards the hay-thatched rail fence that straggled
+down the hillside from the breastwork north of
+<span class='pagenum pncolor'><a id='page_79' name='page_79'></a>79</span>
+the redoubt. Harry had a vague sense that the left
+wing was ascending the southeastern side of the hill,
+towards the redoubt, at the same time. His eye
+caught the view at either side. Long files of scarlet
+coats, steel bayonets, grenadiers&rsquo; tall caps. He looked
+ahead. The stretch of green, grassy hillside, the
+hay-covered rail fence looking like a hedge-row, the
+rude breastwork, the blue sky. Suddenly there came
+from the rail fence the belching of field-pieces. Two
+grenadiers fell at the right of Harry. One moaned,
+the other was silent. Harry, shocked into a sense
+that war was begun between his King and his
+people, instantly resolved to strike no blow that
+day against his people. But this was no time for
+leaving the ranks. Mechanically he marched on.</p>
+<p>Heads appeared over the fence-rail, guns were
+rested on it, and there came from it some irregular
+flashes of musketry. Then Harry saw a man moving
+his head and arms, as if shouting and gesticulating.
+The musket flashes ceased. Harry did not know it
+then, but the man was Putnam, and he was commanding
+the Yankees to reserve their fire. The
+British files were now ordered to deploy into line,
+and fire. They did so as they advanced, firing
+in machine-like unison, as if on parade, but aiming
+high. Nearer and nearer, as Harry went forward,
+rose the fence ahead and the breastwork on the hill
+towards the left. Why did not the Yankees fire?
+<span class='pagenum pncolor'><a id='page_80' name='page_80'></a>80</span>
+Were they, indeed, paralyzed with fear at sight of the
+lines of the King&rsquo;s grenadiers?</p>
+<p>All at once blazed forth the answer,&mdash;such a
+volley of musketry, at close range, as British grenadiers
+had not faced before. Down went officers and
+men, in twos and threes and rows. Great gaps were
+cut in the scarlet lines. The broken columns returned
+the volley, but there came another. Harry
+found himself in the midst of quivering, writhing,
+yelling death. The British who were left,&mdash;startled,
+amazed,&mdash;turned and fled. As mechanically
+as he had come up, did Harry go back in the
+common movement. General Howe showed astonishment.
+The left wing, too, had been hurled back,
+down the hill, by death-dealing volleys. The rabble
+had held their rude works against the King&rsquo;s choice
+troops. Never had as many officers been killed or
+wounded in a single charge. There had not been
+such mowing down at Fontenoy or Montmorenci.
+These unmilitary Yankees actually aimed when they
+fired, each at some particular mark! Harry had
+heard them cheering, and had thought they were
+about to pursue the King&rsquo;s troops; they had evidently
+been ordered back.</p>
+<p>The troops re-formed by the shore. Orders came
+for another assault. Back again went Harry with
+the right wing, bearing the colors as before. He
+had secretly an exquisite heart-quickening elation
+<span class='pagenum pncolor'><a id='page_81' name='page_81'></a>81</span>
+at the success of his countrymen. If they should
+win the day, and hold this hill, and drive the King&rsquo;s
+troops from Boston! He knew, at last, on which
+side his heart was.</p>
+<p>There was more play of artillery during this
+second charge. Harry could see, too, that the village
+of Charlestown was on fire, sending flames,
+sparks, and smoke far towards the sky. It was
+not as easy to go to the charge this time, there
+were so many dead bodies in the way. But the
+soldiers stepped over them, and maintained the
+straightness of their lines. Again it seemed as if
+the rebels would never fire. Again, when the
+King&rsquo;s troops were but a few rods from them,
+came that flaming, low-aimed discharge. But the
+troops marched on, in the face of it, till the very
+officers who urged them forward fell before it; then
+they wavered, turned, and ran. Harry&rsquo;s joy, as he
+went with them, increased, and his hopes mounted.
+The left wing, too, had been thrown back a second
+time.</p>
+<p>There was a long wait, and the generals were seen
+consulting. At last a third charge was ordered.
+This time the greater part of the right wing was
+led up the hill against the breastwork. With this
+part was Harry. One more volley from the rebel defences
+met the King&rsquo;s troops. They wavered slightly,
+then sprang forward, ready for another. But another
+<span class='pagenum pncolor'><a id='page_82' name='page_82'></a>82</span>
+came not. The rebels&rsquo; ammunition was giving out.
+Harry&rsquo;s heart fell. The British forced the breastwork,
+carrying him along. He found himself at the
+northern end of the redoubt. Some privates lifted
+him to the parapet; he and a sergeant mounted at
+the same time, and leaped together into the redoubt.
+They saw Lieutenant Richardson, of the Royal Irish
+Regiment, appear on the southern parapet, give a
+shout of triumph, and fall dead from a Yankee
+musket-ball. A whole rank that followed him
+was served likewise, but others surged over the
+parapet in their places. The rebels were defending
+mainly the southern parapet. Many were retreating
+by the rear passageway. Harry saw that
+the King&rsquo;s troops had won the redoubt. He took his
+resolution. He threw the colors to the sergeant,
+pulled off his coat, handed it to the same sergeant,
+shouting into the man&rsquo;s ear, &ldquo;Give it to
+the colonel, with the letter in the pocket;&rdquo; picked
+up a dead man&rsquo;s musket, and ran to the aid of a
+tall, powerful rebel who was parrying with a sword
+the bayonets of three British privates. The tramp
+of the retreating rebels, invading British, and hand-to-hand
+fighters raised a blinding dust. Harry and
+the tall American, gaining a breathing moment,
+strode together with long steps, guarding their
+flank and rear, to the passageway and out of it;
+and then fought their course between two divisions
+of British, which had turned the outer corners
+of the redoubt. There was no firing here, so closely
+mingled were British and rebels, the former too
+exhausted to use forcibly their bayonets. So Harry
+retreated, beside the tall man, with the rebels. A
+British cheer behind him told the result of the day;
+but Harry cared little. His mind was at ease; he
+was on the right side at last.</p>
+<div class='figtag'>
+<a name='linki_3' id='linki_3'></a>
+</div>
+<div class='figcenter'>
+<img src='images/i001.jpg' alt='' title='' width='323' height='500' /><br />
+<p class='caption'>
+&ldquo;&lsquo;GIVE IT TO THE COLONEL.&rsquo;&rdquo;<br />
+</p>
+</div>
+<div><span class='pagenum pncolor'><a id='page_83' name='page_83'></a>83</span></div>
+<p>Thus did young Mr. Peyton serve on both sides in
+the same battle, being with each in the time of its
+defeat, striking no blow against his country, yet
+deserting not the King&rsquo;s army till the moment of
+its victory. His act was indeed desertion, desertion
+to the enemy, and in time of action; for, though
+his resignation was written, it was not only unaccepted,
+but even undelivered. Thus did he render
+himself liable, under the laws of war, to an ignominious
+death should he ever fall into the hands of the
+King&rsquo;s troops.</p>
+<p>During the flight to Cambridge, Harry was separated
+from the tall man with whom he had come
+from the redoubt, but soon saw him again, this time
+directing the retreat, and learned that he was Colonel
+Prescott, of Pepperell. Some of the rebels discussed
+Harry freely in his own hearing, inferring from his
+attire that he was of the British, and wondering why
+he was not a prisoner. Harry asked to be taken to
+the commander, and at Cambridge a coatless, bare-headed
+<span class='pagenum pncolor'><a id='page_84' name='page_84'></a>84</span>
+captain led him to General Ward, of the Massachusetts
+force. That veteran militiaman heard
+his story, gave it credit, and, with no thought that
+he might be a spy, invited him to remain at the
+camp as a volunteer. Harry obtained a suit of blue
+clothes, and quartered in one of the Harvard College
+buildings. In a few days news came that the Congress
+at Philadelphia had resolved to organize a
+Continental army, of which the New England force
+at Cambridge was to be the present nucleus; that a
+general-in-chief would soon arrive to take command,
+and that the general-in-chief appointed was a Virginian,&mdash;Colonel
+Washington. Harry was jubilant.</p>
+<p>Early in July the new general arrived, and Harry
+paid his respects to him in the house of the college
+president. General Washington advised the boy to
+send another letter of resignation, then to go home
+and join the troops that his own State would soon be
+raising. On hearing Harry&rsquo;s story, Washington had
+given a momentary smile and a look at Major-General
+Charles Lee, who had but recently published his
+resignation of his half-pay as a retired British officer,
+and who did not know yet whether that resignation
+would be accepted or himself considered a deserter.</p>
+<p>Peyton sent a new letter of resignation to Boston,
+then procured a horse, and started to ride to Virginia.
+Six days later he was in New York. In a
+coffee-house where he was dining, he struck up an
+<span class='pagenum pncolor'><a id='page_85' name='page_85'></a>85</span>
+acquaintance with three young gentlemen of the
+city, and told his name and story. One of the three&mdash;a
+dark-eyed man&mdash;thereupon changed manner
+and said he had no time for a rascally turncoat.
+Harry, in hot resentment, replied that he would
+teach a damned Tory some manners. So the four
+went out of the town to Nicholas Bayard&rsquo;s woods,
+where, after a few passes with rapiers, the dark-eyed
+gentleman was disarmed, and admitted, with no
+good grace, that Harry was the better fencer. Harry
+left New York that afternoon, having learned that
+his antagonist was Mr. John Colden, son of the postmaster
+of New York. His grandfather had been
+lieutenant-governor.</p>
+<p>Harry had for some time thought he would prefer
+the cavalry, and he was determined, if possible, to
+gratify that preference in entering the military service
+of his own country. On arriving home he
+found his people strongly sympathizing with the
+revolt. But it was not until June, 1776, that Virginia
+raised a troop of horse. On the 18th of that
+month Harry was commissioned a cornet thereof.
+After some service he found himself, March 31,
+1777, cornet in the First Continental Dragoons.
+The next fall, in a skirmish after the battle of
+Brandywine, he was recognized by British officers as
+the former ensign of the Sixty-third. In the following
+spring, thanks to his activity during the British
+<span class='pagenum pncolor'><a id='page_86' name='page_86'></a>86</span>
+occupation of Philadelphia, he was made captain-lieutenant
+in Harry Lee&rsquo;s battalion of light dragoons.
+After the battle of Monmouth he was promoted,
+July 2, 1778, to the rank of captain. In the early
+fall of that year he was busy in partisan warfare
+between the lines of the two armies.</p>
+<p>And thus it came that he was pursuing a troop
+of Hessians down the New York and Albany post-road
+on a certain cold November evening. Eager
+on the chase, he was resolved to come up with them
+if it could be, though he should have to ride within
+gunshot of King&rsquo;s Bridge itself. Suddenly his horse
+gave out. He had the saddle taken from the dead
+animal and given to one of his men to bear while he
+himself mounted in front of a sergeant, for he was
+loath to spare a man. Approaching Philipse Manor-house,
+the party saw a boy leading horses into a
+stable. Captain Peyton ordered some of his men to
+patrol the road, and with the rest he went on to the
+manor-house lawn.</p>
+<p>Here he gave further directions, dismounted,
+knocked at the door, and was admitted to the hall
+where were Miss Elizabeth Philipse, Major Colden,
+Miss Sally Williams, and old Matthias Valentine;
+and, on Elizabeth&rsquo;s demand, announced his name and
+rank.</p>
+<hr class='toprule' />
+<div class='chsp'>
+<span class='pagenum pncolor'><a id='page_87' name='page_87'></a>87</span>
+<a name='CHAPTER_V_THE_BLACK_HORSE' id='CHAPTER_V_THE_BLACK_HORSE'></a>
+<h2>CHAPTER V.</h2>
+<h3>THE BLACK HORSE.</h3>
+</div>
+<p class='dropcap'><span class='dcap'>Thanks</span> to the dimness, to his uniform, and to his
+swift entrance, Peyton had not been recognized by
+Major Colden until he had given his name. That
+name had on the major the effect of an apparition,
+and he stepped back into the dark corner of the hall,
+drawing his cloak yet closer about him. This alarm
+and movement were not noticed by the others, as
+Peyton was the object of every gaze but his own,
+which was fixed on Elizabeth.</p>
+<p>&ldquo;What do you want?&rdquo; her voice rang out, while
+she frowned from her place on the staircase, in cold
+resentment. Her aunt, meanwhile, made the newcomer
+a tremulous curtsey.</p>
+<p>&ldquo;I want to see the person in charge of this house,
+and I want a horse,&rdquo; replied Peyton, with more
+promptitude than gentleness, yet with strict civility.
+Elizabeth&rsquo;s manner would have nettled even a colder
+man.</p>
+<p>Elizabeth did not keep him waiting for an answer.</p>
+<p>&ldquo;I am at present mistress of this house, and I am
+neither selling horses nor giving them!&rdquo;</p>
+<div><span class='pagenum pncolor'><a id='page_88' name='page_88'></a>88</span></div>
+<p>Peyton stared up at her in wonderment.</p>
+<p>The candle-flame struggled against the wind, turning
+this way and that, and made the vague shadows
+of the people and of the slender balusters dance on
+floor and wall. From without came the sound of
+Peyton&rsquo;s horses pawing, and of his men speaking
+to one another in low tones.</p>
+<p>&ldquo;Your pardon, madam,&rdquo; said Peyton, &ldquo;but a horse
+I must have. The service I am on permits no delay&mdash;&rdquo;</p>
+<p>&ldquo;I doubt not!&rdquo; broke in Elizabeth. &ldquo;The Hessians
+are probably chasing you.&rdquo;</p>
+<p>&ldquo;On the contrary, I am chasing the Hessians.
+At Boar Hill, yonder, my horse gave out. &rsquo;Tis important
+my troops lose no time. Passing here, we
+saw horses being led into your stable. I ordered
+one of my men to take the best of your beasts,
+and put my saddle on it,&mdash;and he is now doing
+so.&rdquo;</p>
+<p>&ldquo;How dare you, sir!&rdquo; and Elizabeth came quickly
+to the foot of the stairs, a picture of regal, flaming
+wrath.</p>
+<p>&ldquo;Why, madam,&rdquo; said Peyton, &ldquo;&rsquo;tis for the service
+of the army. I require the horse, and I have come
+here to pay for it&mdash;&rdquo;</p>
+<p>&ldquo;It is not for sale&mdash;&rdquo;</p>
+<p>&ldquo;That makes no difference. You know the custom
+of war.&rdquo;</p>
+<div><span class='pagenum pncolor'><a id='page_89' name='page_89'></a>89</span></div>
+<p>&ldquo;The custom of robbery!&rdquo; cried Elizabeth.</p>
+<p>Captain Peyton reddened.</p>
+<p>&ldquo;Robbery is not the custom of Harry Lee&rsquo;s dragoons,
+madam,&rdquo; said he, &ldquo;whatever be the practice
+of the wretched &lsquo;Skinners&rsquo; or of De Lancey&rsquo;s Tory
+Cowboys. I shall pay you as you choose,&mdash;with a
+receipt to present at the quartermaster&rsquo;s office, or
+with Continental bills.&rdquo;</p>
+<p>&ldquo;Continental rubbish!&rdquo;</p>
+<p>And, indeed, Elizabeth was not far from the
+truth in the appellation so contemptuously hurled.</p>
+<p>&ldquo;You prefer that, do you?&rdquo; said Peyton, unruffled;
+whereupon he took from within his waistcoat
+a long, thick pocketbook, and from that a number
+of bills; which must have been for high amounts,
+for he rapidly counted out only a score or two of
+them, repocketing the rest, and at that time, thereabouts,
+&ldquo;a rat in shape of a horse,&rdquo; as Washington
+himself had complained a month before, was &ldquo;not to
+be bought for less than £200.&rdquo;<a href='#Footnote_0004' class='fnanchor'>[4]</a> Peyton handed her
+the bills he had counted out. &ldquo;There&rsquo;s a fair price,
+then,&rdquo; said he; &ldquo;allowing for depreciation. The
+current rate is five to one,&mdash;I allow six.&rdquo;</p>
+<p>Elizabeth looked disdainfully at the proffered bills,
+and made no move to take them.</p>
+<p>&ldquo;Pah!&rdquo; she cried. &ldquo;I wouldn&rsquo;t touch your
+wretched Continental trash. I wouldn&rsquo;t let one
+of my black women put her hair up in it. Money,
+<span class='pagenum pncolor'><a id='page_90' name='page_90'></a>90</span>
+do you call it? I wouldn&rsquo;t give a shilling of the
+King for a houseful of it.&rdquo;</p>
+<p>&ldquo;I beg your pardon,&rdquo; said Peyton, cheerfully.
+&ldquo;Since July in &rsquo;76 there has been no king in
+America. I leave the bills, madam.&rdquo; He laid them
+on the newel post, beside the candlestick. &ldquo;&rsquo;Tis all
+I can do, and more than many a man would do, seeing
+that Colonel Philipse, the owner of this place, is
+no friend to the American cause, and may fairly be
+levied on as an enemy&mdash;&rdquo;</p>
+<p>&ldquo;Colonel Philipse is my father!&rdquo;</p>
+<p>&ldquo;Then I&rsquo;m glad I&rsquo;ve been punctilious in the matter,&rdquo;
+said Peyton, but without any increase of deference.
+&ldquo;Egad, I think I&rsquo;ve been as scrupulous as the
+commander-in-chief himself!&rdquo;</p>
+<p>&ldquo;The commander-in-chief!&rdquo; echoed Elizabeth.
+&ldquo;Sir Henry Clinton pays in gold.&rdquo;</p>
+<p>&ldquo;I meant <i>our</i> commander-in-chief,&rdquo; with a suavity
+most irritating.</p>
+<p>&ldquo;Mr. Washington!&rdquo; said Elizabeth, scornfully,
+with a slight emphasis on the &ldquo;Mr.&rdquo;</p>
+<p>&ldquo;His Excellency, General Washington.&rdquo; Peyton
+spoke as one would in gently correcting a child who
+was impolite. Then he added, &ldquo;I think the horse
+is now ready; so I bid you good evening!&rdquo;</p>
+<p>And he strode towards the door.</p>
+<p>Elizabeth was now fully awake to the certainty
+that one of the horses would indeed be taken. At
+<span class='pagenum pncolor'><a id='page_91' name='page_91'></a>91</span>
+Peyton&rsquo;s movement she ran to the door, reaching it
+before he did, and looked out. What she saw, transformed
+her into a very fury.</p>
+<p>&ldquo;Oh, this outrage!&rdquo; she cried, facing about and
+addressing those in the hall. &ldquo;It is my Cato they
+are leading out! My Cato! Under my very eyes!
+I forbid it! He shall not go! Where are Cuff and
+the servants? Why don&rsquo;t they prevent? And you,
+Jack?&rdquo;</p>
+<p>She turned to Colden for the first time since Peyton&rsquo;s
+arrival.</p>
+<p>&ldquo;My troop would make short work of any who
+interfered, madam,&rdquo; said Peyton, warningly, still
+looking at Elizabeth only.</p>
+<p>&ldquo;Oh, that I should have to endure this!&rdquo; she
+said. &ldquo;Oh, if I had but a company of soldiers at
+my back, you dog of a rebel!&rdquo;</p>
+<p>And she paced the hall in a great passion. Passing
+the newel post, she noticed the Continental bills.
+She took these up, violently tore them across, and
+threw the pieces about the hall, as one tosses corn
+about a chicken-yard.</p>
+<p>Major Colden had been having a most uncomfortable
+five minutes. As a Tory officer, he was in close
+peril of being made prisoner by this Continental captain
+and the latter&rsquo;s troop outside, and this peril was
+none the less since he had so adversely criticised
+Peyton in the talk which had led to the duel in
+<span class='pagenum pncolor'><a id='page_92' name='page_92'></a>92</span>
+Bayard&rsquo;s woods. He had not put himself on
+friendly terms with Peyton after that affair. There
+was still no reason for any other feeling towards him,
+on Peyton&rsquo;s part, than resentment. Now Jack Colden
+had no relish for imprisonment at the hands of
+the despised rebels. Moreover, he had no wish that
+Elizabeth should learn of his former defeat by Peyton.
+He had kept the meeting in Bayard&rsquo;s woods a
+secret, thanks to Peyton&rsquo;s having quitted New York
+immediately after it, and to the relation of dependence
+in which the two only witnesses stood to him.
+Thus it was that he had remained well out of view
+during Elizabeth&rsquo;s sharp interview with Peyton, being
+unwilling alike to be known as a Tory officer, and to
+be recognized by Peyton. His civilian&rsquo;s cloak hid
+his uniform and weapons; the dimness of the candle-light
+screened his face.</p>
+<p>But matters had reached a point where he could
+not, without appearing a coward, refrain longer from
+taking a hand. He stepped forward from the dark
+remoteness.</p>
+<p>&ldquo;Sir,&rdquo; said he to Peyton, politely, &ldquo;I know the
+custom of war. But since a horse must be taken,
+you will find one of mine in the stable. Will you
+not take it instead of this lady&rsquo;s?&rdquo;</p>
+<p>Peyton had been scrutinizing Colden&rsquo;s features.</p>
+<p>&ldquo;Mr. Colden, if I remember,&rdquo; he said, when the
+major had finished.</p>
+<div><span class='pagenum pncolor'><a id='page_93' name='page_93'></a>93</span></div>
+<p>&ldquo;You remember right,&rdquo; said Colden, with a bow,
+concealing behind a not too well assumed quietude
+what inward tremors the situation caused him.</p>
+<p>&ldquo;And you are doubtless now an officer in some
+Tory corps?&rdquo; said Peyton, quickly.</p>
+<p>&ldquo;No, sir, I am neutral,&rdquo; replied Colden, rather
+huskily, with an instant&rsquo;s glance of warning at Elizabeth.</p>
+<p>&ldquo;Gad!&rdquo; said Peyton, with a smile, still closely
+surveying the major. &ldquo;From your sentiments the
+time I met you in New York in &rsquo;75, I should have
+thought you&rsquo;d take up arms for the King.&rdquo;</p>
+<p>&ldquo;That was before the Declaration of Independence,&rdquo;
+said Colden, in a tone scarcely more than
+audible. &ldquo;I have modified my opinions.&rdquo;</p>
+<p>&ldquo;They were strong enough then,&rdquo; Peyton went
+on. &ldquo;You remember how you upheld them with a
+rapier in Bayard&rsquo;s woods?&rdquo;</p>
+<p>&ldquo;I remember,&rdquo; said Colden, faintly, first reddening,
+then taking on a pale and sickly look, as if a prey to
+hidden chagrin and rage.</p>
+<p>It seemed as if his tormentor intended to torture
+him interminably. Peyton, who knew that one of
+his men would come for him as soon as the horse
+should be saddled and bridled, remained facing the
+unhappy major, wearing that frank half-smile which,
+from the triumphant to the crestfallen, seems so
+insolent and is so maddening.</p>
+<div><span class='pagenum pncolor'><a id='page_94' name='page_94'></a>94</span></div>
+<p>&ldquo;I&rsquo;ve often thought,&rdquo; said Peyton, &ldquo;I deserved
+small credit for getting the better of you that day.
+I had taken lessons from London fencing-masters.&rdquo;
+(Consider that the woman whom Colden loved was
+looking on, and that this was all news to her, and
+imagine how he raged beneath the outer calmness he
+had, for safety&rsquo;s sake, to wear.) &ldquo;&rsquo;Twas no hard
+thing to disarm you, and I&rsquo;m not sorry you&rsquo;re neutral
+now. For if you wore British or Tory uniform,
+&rsquo;twould be my duty to put you again at disadvantage,
+by taking you prisoner.&rdquo;</p>
+<p>The face of one of Peyton&rsquo;s men now appeared in
+the doorway. Peyton nodded to him, then continued
+to address the major.</p>
+<p>&ldquo;As for your request, my traps are now on the
+other horse, and there is not time to change. I
+must ride at once.&rdquo;</p>
+<p>He stepped quickly to the door, and on the
+threshold turned to bow.</p>
+<p>Then cried Elizabeth:</p>
+<p>&ldquo;May you ride to your destruction, for your
+impudence, you bandit!&rdquo;</p>
+<p>&ldquo;Thank you, madam! I shall ride where I
+must! Farewell! My horse is waiting.&rdquo;</p>
+<p>And in an instant he was gone, having closed the
+door after him with a bang.</p>
+<p>&ldquo;<i>His</i> horse! The highwayman!&rdquo; quoth Elizabeth.</p>
+<div><span class='pagenum pncolor'><a id='page_95' name='page_95'></a>95</span></div>
+<p>&ldquo;Give the gentleman his due,&rdquo; said Miss Sally, in
+a way both mollified and mollifying. &ldquo;He paid for
+it with those.&rdquo; She indicated the strewn fragments
+of the Continental bills on the floor.</p>
+<p>&ldquo;Forward! Get up!&rdquo;</p>
+<p>It was the voice of Captain Peyton outside. The
+horses were heard riding away from the lawn.</p>
+<p>Elizabeth opened the door and looked out. Her
+aunt accompanied her. Old Valentine gazed with a
+sagely deploring expression at the torn-up bills on
+the floor. Colden stood where he had been, lest by
+some chance the enemy might return and discover
+his relief from straint.</p>
+<p>&ldquo;Oh,&rdquo; cried Elizabeth, at the door, as the light
+horsemen filed out the gate and up the branch road
+towards the highway, &ldquo;to see the miserable rebel
+mounted on my Cato!&rdquo;</p>
+<p>&ldquo;He looks well on him,&rdquo; said her aunt.</p>
+<p>It was a brief flow of light from the fresh-risen
+moon, between wind-driven clouds, that enabled Miss
+Sally to make this observation.</p>
+<p>&ldquo;Looks well! The tatterdemalion!&rdquo; And Elizabeth
+came from the door, as if loathing further sight
+of him.</p>
+<p>But Miss Sally continued to look after the riders,
+as their dark forms were borne rapidly towards
+the post-road. &ldquo;Nay, I think he is quite handsome.&rdquo;</p>
+<div><span class='pagenum pncolor'><a id='page_96' name='page_96'></a>96</span></div>
+<p>&ldquo;Pah! You think every man is handsome!&rdquo; said
+the niece, curtly.</p>
+<p>Miss Sally turned from the door, quite shocked.</p>
+<p>&ldquo;Why, Elizabeth, you know I&rsquo;m the least susceptible
+of women!&rdquo;</p>
+<p>Old Mr. Valentine nodded sadly, as much as to
+say, &ldquo;I know that, all too well!&rdquo;</p>
+<p>As the racing clouds now rushed over the moon,
+and the horsemen&rsquo;s figures, having become more and
+more blurred, were lost in the blackness, Miss Sally
+closed and bolted the door. The horses were faintly
+heard coming to a halt, at about the junction of the
+branch road with the highway, then moving on again
+rapidly, not further towards the south, as might have
+been expected, but back northward, and finally towards
+the east. Meanwhile Elizabeth stood in the hall,
+her rage none the less that its object was no longer
+present to have it wreaked on him. Such hate, such
+passionate craving for revenge, had never theretofore
+been awakened in her. And when she realized the
+unlikelihood of any opportunity for satisfaction, she
+was exasperated to the limit of self-control.</p>
+<p>&ldquo;If you had only had some troops here!&rdquo; she
+said to Colden.</p>
+<p>&ldquo;I know it! May the rascal perish for finding me
+at such a disadvantage! &rsquo;Twas my choice between
+denying my colors and becoming his prisoner.&rdquo;</p>
+<p>This brought back to Elizabeth&rsquo;s mind the talk
+<span class='pagenum pncolor'><a id='page_97' name='page_97'></a>97</span>
+between Colden and Peyton, which her feelings had
+for the time driven from her thoughts. But now a
+natural curiosity asserted itself.</p>
+<p>&ldquo;So you knew the fellow before?&rdquo;</p>
+<p>&ldquo;I met him in &rsquo;75,&rdquo; said Colden, blurting awkwardly
+into the explanation that he knew had to
+be made, though little was his stomach for it. &ldquo;He
+was passing through New York from Boston to
+his home in Virginia, after he had deserted from
+the King&rsquo;s army&mdash;&rdquo;</p>
+<p>&ldquo;Deserted?&rdquo; Elizabeth opened wide her eyes.</p>
+<p>Colden briefly outlined, as far as was desirable,
+what he knew of Peyton&rsquo;s story.</p>
+<p>It was Miss Sally who then said:</p>
+<p>&ldquo;And he disarmed you in a duel?&rdquo;</p>
+<p>&ldquo;He had practised under London fencing-masters,
+as he but now admitted,&rdquo; replied Colden, grumpily.
+&ldquo;He made no secret of his desertion; and in a coffee-house
+discussion I said it was a dastardly act.
+So we&mdash;fought. Since then I&rsquo;ve met officers of
+the regiment he left. Such a thing was never
+known before,&mdash;the desertion of an officer of the
+Sixty-third,&mdash;and General Grant, its colonel, has
+the word of Sir Henry Clinton that this fellow shall
+hang if they ever catch him.&rdquo;</p>
+<p>&ldquo;Then I hope my horse will carry him into their
+hands!&rdquo; said Elizabeth, heartily. &ldquo;My poor Cato!
+I shall never see him again!&rdquo;</p>
+<div><span class='pagenum pncolor'><a id='page_98' name='page_98'></a>98</span></div>
+<p>&ldquo;We may get him back some day,&rdquo; said Colden,
+for want of aught better to say.</p>
+<p>&ldquo;If you can do that, John Colden, and have this
+rebel hanged who dared treat me so&mdash;&rdquo; Elizabeth
+paused, and her look dwelt on the major&rsquo;s face.</p>
+<p>&ldquo;Well?&rdquo;</p>
+<p>&ldquo;Then I think I shall almost be really in love
+with you!&rdquo;</p>
+<p>But Colden sighed. &ldquo;A rare promise from one&rsquo;s
+betrothed!&rdquo;</p>
+<p>&ldquo;Heavens, Jack!&rdquo; said Elizabeth, now diverted
+from the thought of her horse. &ldquo;Don&rsquo;t I do the
+best I can to love you? I&rsquo;m sure I come as near
+loving you as loving anybody. What more can I do
+than that, and promising my hand? Don&rsquo;t look dismal,
+major, I pray,&mdash;and now make haste back to
+New York.&rdquo;</p>
+<p>&ldquo;How can I go and leave you exposed to the
+chance of another visit from some troop of rebels?&rdquo;
+pleaded Colden, in a kind of peevish despair, taking
+up his hat from the settle.</p>
+<p>&ldquo;Oh, that fellow showed no disposition to injure
+<i>me</i>!&rdquo; she answered, reassuringly. &ldquo;Trust me to
+take care of myself.&rdquo;</p>
+<p>&ldquo;But promise that if there&rsquo;s any sign of danger,
+you will fly to New York.&rdquo;</p>
+<p>&ldquo;That will depend on the circumstances. I may
+be safer in this house than on the road.&rdquo;</p>
+<div><span class='pagenum pncolor'><a id='page_99' name='page_99'></a>99</span></div>
+<p>&ldquo;Then, at least, you will have guns fired, and also
+send a man to one of our outposts for help?&rdquo; There
+was no pretence in the young man&rsquo;s solicitude.
+Such a bride as Elizabeth Philipse was not to be
+found every day. The thought of losing her was
+poignant misery to him.</p>
+<p>&ldquo;To which one?&rdquo; she asked. &ldquo;The Hessian
+camp by Tippett&rsquo;s Brook, or the Highlanders&rsquo;, at
+Valentine&rsquo;s Hill?&rdquo;</p>
+<p>&ldquo;No,&rdquo; said Colden, meditating. &ldquo;Those may be
+withdrawn if the weather is bad. Send to the barrier
+at King&rsquo;s Bridge,&mdash;but if your man meets one
+of our patrols or pickets on the way, so much the
+better. Good-by! I shall see your father to-night,
+and then rejoin my regiment on Staten Island.&rdquo;</p>
+<p>He took her hand, bent over it, and kissed it.</p>
+<p>&ldquo;Be careful you don&rsquo;t fall in with those rebel
+dragoons,&rdquo; said Elizabeth, lightly, as his lips dwelt
+on her fingers.</p>
+<p>&ldquo;No danger of that,&rdquo; put in old Valentine, from
+the settle, for the moment ceasing to chew an imaginary
+cud. &ldquo;They took the road to Mile Square.&rdquo;
+The octogenarian&rsquo;s hearing was better than his sight.</p>
+<p>&ldquo;I shall notify our officers below that this rebel
+force is out,&rdquo; said Colden, &ldquo;and our dragoons may
+cut it off somewhere. Farewell, then! I shall return
+for you in a week.&rdquo;</p>
+<p>&ldquo;In a week,&rdquo; repeated Elizabeth, indifferently.</p>
+<div><span class='pagenum pncolor'><a id='page_100' name='page_100'></a>100</span></div>
+<p>He kissed her hand again, bowed to Miss Sally,
+and hastened from the hall, closing the door behind
+him. Once outside, he made his way to the stables,
+where he knew that Cuff, not having returned to
+Elizabeth, must still be.</p>
+<p>&ldquo;It&rsquo;s little reward you give that gentleman&rsquo;s
+devotion, Elizabeth,&rdquo; said Miss Sally, when he had
+gone.</p>
+<p>&ldquo;Why, am I not going to give him myself? Come,
+aunty, don&rsquo;t preach on that old topic. My parents
+wish me to be married to Jack Colden, and I
+have consented, being an obedient child,&mdash;in some
+things.&rdquo;</p>
+<p>&ldquo;More obedient to your own whims than to anything
+else,&rdquo; was Miss Sally&rsquo;s comment.</p>
+<p>The sound of Colden&rsquo;s horse departing brought
+to the amiable aunt the thought of a previous departure.</p>
+<p>&ldquo;That fine young rebel captain!&rdquo; said she. &ldquo;If
+our troops take him they&rsquo;ll hang him! Gracious!
+As if there were so many handsome young men that
+any could be spared! Why can&rsquo;t they hang the old
+and ugly ones instead?&rdquo;</p>
+<p>Mr. Valentine suspended his chewing long enough
+to bestow on Miss Sally a look of vague suspicion.</p>
+<p>The door, which had not been locked or bolted
+after Colden&rsquo;s going, was suddenly flung open to
+admit Cuff. The negro boy had been thrown by
+<span class='pagenum pncolor'><a id='page_101' name='page_101'></a>101</span>
+the dragoons&rsquo; visit into an almost comatose condition
+of fright, from which the orders of Colden had
+but now sufficiently restored him to enable his venturing
+out of the stable. He now stood trembling
+in fear of Elizabeth&rsquo;s reproof, stammering out a wild
+protestation of his inability to save the horse by
+force, and of his inefficacious attempts to save him
+by prayer.</p>
+<p>Elizabeth cut him short with the remark, intended
+rather for her own satisfaction than for aught else,
+that one thing was to be hoped,&mdash;the chance of
+war might pay back the impertinent rebel who had
+stolen the horse. She then gave orders that the
+hall and the east parlor be lighted up.</p>
+<p>&ldquo;For the proper reception,&rdquo; she added to her
+aunt, &ldquo;of the next handsome rebel captain who may
+condescend to honor us with a visit. Mr. Valentine,
+wait in the parlor till supper is ready. I&rsquo;ll have a
+fire made there. Come, aunt Sally, we&rsquo;ll discuss
+over a cup of tea the charms of your pretty rebel
+captain and his agreeable way of relieving ladies of
+their favorite horses. I&rsquo;ll warrant he&rsquo;ll look handsomer
+than ever, on the gallows, when our soldiers
+catch him.&rdquo;</p>
+<p>And she went blithely up the stairs, which at the
+first landing turned rightward to a second landing,
+and thence rightward again to the upper hall. The
+darkness was interrupted by a narrow stream of light
+<span class='pagenum pncolor'><a id='page_102' name='page_102'></a>102</span>
+from a slightly open doorway in the north side of
+this upper hall. This was the doorway to her own
+room, and when she crossed the threshold she saw
+a bright blaze in the fireplace, lights in a candelabrum,
+cups and saucers on a table, and Molly bringing
+in a steaming teapot from the next room, which,
+being northward, was nearer the kitchen stairs.
+This next room, too, was lighted up. Solid wooden
+shutters, inside the windows of both chambers, kept
+the light from being seen without, and the wind from
+being felt within.</p>
+<p>As Elizabeth was looking around her room, smiling
+affectionately on its many well-remembered and
+long-neglected objects, there was a sudden distant
+detonation. Molly looked up inquiringly, but Elizabeth
+directed her to place the tea things, find fresh
+candles, if any were left in the house, and help Cuff
+put them on the chandelier in the lower hall, and
+then get supper. As Molly left the room, Miss
+Sally entered it.</p>
+<p>&ldquo;Elizabeth! Oh, child! There&rsquo;s firing beyond
+Locust Hill. It&rsquo;s on the Mile Square road, Mr.
+Valentine says,&mdash;cavalry pistols and rangers&rsquo; muskets.&rdquo;</p>
+<p>&ldquo;Mr. Valentine has a fine ear.&rdquo;</p>
+<p>&ldquo;He says the rebel light horse must have met the
+Hessians! There &rsquo;tis again!&rdquo;</p>
+<p>&ldquo;Sit down, aunt, and have a dish of tea. Ah-h!
+<span class='pagenum pncolor'><a id='page_103' name='page_103'></a>103</span>
+This is comfortable! Delicious! Let them kill one
+another as they please, beyond Locust Hill; let the
+wind race up the Hudson and the Albany road as
+it likes,&mdash;we&rsquo;re snugly housed!&rdquo;</p>
+<p>Williams, who had, from the upper hall, safely
+overheard Captain Peyton&rsquo;s intrusion, and had not
+seen occasion for his own interference, now came
+in from the next room, which he had been making
+ready for Miss Sally, and received Elizabeth&rsquo;s orders
+concerning the east parlor.</p>
+<p>Meanwhile, what of Harry Peyton and his troop?</p>
+<p>Riding up the little tree-lined road towards the
+highway, they saw dark forms of other riders
+standing at the point of junction. These were the
+men whom Peyton had directed to patrol the road.
+They now told him that, by the account of a belated
+farmer whom they had halted, the Hessians had
+turned from the highway into the Mile Square road.
+Peyton immediately led his men to that road. Thus,
+as old Valentine said, that part of the highway between
+the manor-house and King&rsquo;s Bridge remained
+clear of these rebel dragoons, and Major Colden
+stood in no danger of meeting them on his return to
+New York. The major, nevertheless, did not spare
+his horse as he pursued his lonely way through the
+windy darkness. When he arrived at King&rsquo;s Bridge
+he was glad to give his horse another rest, and to
+accept an invitation to a bottle and a game in the
+<span class='pagenum pncolor'><a id='page_104' name='page_104'></a>104</span>
+tavern where the British commanding officer was
+quartered.</p>
+<p>The Hessians had not gone far on the Mile Square
+road, when their leader called a halt and consulted
+with his subordinate officer. They were now near
+Mile Square, where the Tory captain, James De
+Lancey, kept a recruiting station all the year round,
+and Valentine&rsquo;s Hill, where there was a regiment of
+Highlanders. Their own security was thus assured,
+but they might do more than come off in safety,&mdash;they
+might strike a parting blow at their pursuers.
+A plan was quickly formed. A messenger was
+despatched to Mile Square to request a small reinforcement.
+The troop then turned back towards the highway,
+having planned for either one of two possibilities.
+The first was that the rebel dragoons, not thinking
+the Hessians had turned into the Mile Square road,
+would ride on down the highway. In that case, the
+Hessians would follow them, having become in their
+turn the pursuers, and would fall upon their rear.
+The noise of firearms would alarm the Hessian camp
+by Tippett&rsquo;s Brook, below, and the rebels would thus
+be caught between two forces. The second possibility
+was that the Americans would follow into the
+Mile Square road. When the sound of their horses
+soon told that this was the reality, the Hessians
+promptly prepared to meet it.</p>
+<p>The force divided into two parts. The foremost
+<span class='pagenum pncolor'><a id='page_105' name='page_105'></a>105</span>
+blocked the road, near a turning, so as to remain
+unseen by the approaching rebels until almost the
+moment of collision. The second force stayed some
+rods behind the first, forming in two lines, one along
+each side of the road. As to each force, some were
+armed with sabres and cavalry pistols, but most,
+being mounted yagers of Van Wrumb&rsquo;s battalion,
+with rifles.</p>
+<p>As for the little detachment of Lee&rsquo;s Light Horse
+that was now galloping along the Mile Square road,
+under Harry Peyton&rsquo;s command, the arms were
+mainly broadswords and pistols, but some of the men
+had rifles or light muskets.</p>
+<p>The troop went forward at a gallop against the
+wind, there being just sufficient light for keen eyes
+to make out the road ahead. Harry Peyton was
+inwardly deploring the loss of time at Philipse Manor-house,
+and fearing that the prey would reach its
+covert, when suddenly the moon appeared in a cloud-rift,
+the troops passed a turn in the road, and there
+stood a line of Hessians barring the way.</p>
+<p>Ere Peyton could give an order, came one loud,
+flaming, whistling discharge from that living barrier.
+Harry&rsquo;s horse&mdash;Elizabeth Philipse&rsquo;s Cato&mdash;reared,
+as did others of his troop. Some of the men came
+to a quick stop, others were borne forward by the
+impetus of their former speed, but soon reined in for
+orders. No man fell, though one groaned, and two
+cursed.</p>
+<div><span class='pagenum pncolor'><a id='page_106' name='page_106'></a>106</span></div>
+<p>Harry got his horse under control, drew his broadsword
+with his right hand, his pistol with his left,&mdash;which
+held also the rein,&mdash;and ordered his men to
+charge, to fire at the moment of contact, then to cut,
+slash, and club. So the little troop, the well and the
+wounded alike, dashed forward.</p>
+<p>But the line of Hessians, as soon as they had fired,
+turned and fled, passing between the two lines of the
+second force, and stopping at some further distance
+to reform and reload. The second force, being thus
+cleared by the first, wheeled quickly into the road,
+and formed a second barrier against Peyton&rsquo;s oncoming
+troop.</p>
+<p>Peyton&rsquo;s men, intoxicated by the powder-smell that
+filled their nostrils as they passed through the smoke
+of the Hessians&rsquo; first volley, bore down on this second
+barrier with furious force. They were the best
+riders in the world, and many a one of them held his
+broadsword aloft in one hand, his pistol raised in
+the other, the rein loose on his horse&rsquo;s neck; while
+those with long-barrelled weapons aimed them on the
+gallop.</p>
+<p>The Hessians and Peyton&rsquo;s foremost men fired at
+the same moment. The Hessians had not time to
+turn and flee, for the Americans, unchecked by this
+second greeting of fire, came on at headlong speed.
+&ldquo;At &rsquo;em, boys!&rdquo; yelled Peyton, discharging his pistol
+at a tall yager, who fell sidewise from his horse
+<span class='pagenum pncolor'><a id='page_107' name='page_107'></a>107</span>
+with a fierce German oath. The light horse men
+dashed between the Hessians&rsquo; steeds, and there was
+hewing and hacking.</p>
+<p>A Hessian officer struck with a sabre at Peyton&rsquo;s
+left arm, but only knocked the pistol from his hand.
+Peyton then found himself threatened on the right
+by a trooper, and slashed at him with broadsword.
+The blow went home, but the sword&rsquo;s end became
+entangled somehow with the breast bones of the victim.
+A yager, thinking to deprive Peyton of the
+sword, brought down a musket-butt heavily on it.
+But Peyton&rsquo;s grip was firm, and the sword snapped
+in two, the hilt in his hand, the point in its human
+sheath. At that instant Peyton felt a keen smart in
+his left leg. It came from a second sabre blow
+aimed by the Hessian officer, who might have followed
+it with a third, but that he was now attacked
+elsewhere. Peyton had no sooner clapped his hand
+to his wounded leg than he was stunned by a blow
+from the rifle-butt of the yager who had previously
+struck the sword. Harry fell forward on the horse&rsquo;s
+neck, which he grasped madly with both arms, still
+holding the broken sword in his right hand; and
+lapsed from a full sense of the tumult, the plunging
+and shrieking horses, the yelling and cursing men,
+the whirr and clash of swords, and the thuds of
+rifle-blows, into blind, red, aching, smarting half-consciousness.</p>
+<div><span class='pagenum pncolor'><a id='page_108' name='page_108'></a>108</span></div>
+<p>When he was again aware of things, he was still
+clasping the horse&rsquo;s neck, and was being borne alone
+he knew not whither. His head ached, and his left
+leg was at every movement a seat of the sharpest
+pain. He was dizzy, faint, bleeding,&mdash;and too
+weak to raise himself from his position. He could
+not hear any noise of fighting, but that might have
+been drowned by the singing in his ears. He tried
+to sit up and look around, but the effort so increased
+his pain and so drew on his nigh-fled strength, that
+he fell forward on the horse&rsquo;s neck, exhausted and
+half-insensible. The horse, which had merely turned
+and run from the conflict at the moment of Peyton&rsquo;s
+loss of sense, galloped on.</p>
+<p>Clouds had darkened the moon in time to prevent
+their captain&rsquo;s unintentional defection from being
+seen by his troops. They had, therefore, fought
+on against such antagonists as, in the darkness, they
+could keep located. The moon reappeared, and
+showed many of the Hessians making for the wooded
+hill near by, and some fleeing to the force that had
+re-formed further on the road. Some of the Americans
+charged this force, which thereupon fired a volley
+and fled, having the more time therefor inasmuch
+as the charging dragoons did not this time possess
+their former speed and impetus. The dragoons, in
+disorder and without a leader, came to a halt. Becoming
+aware of Peyton&rsquo;s absence, they sought in
+<span class='pagenum pncolor'><a id='page_109' name='page_109'></a>109</span>
+vain the scene of recent conflict. It was soon inferred
+that he had been wounded, and, therefore of
+no further use in the combat, had retreated to a safe
+resting-place. It was decided useless to follow the
+enemy further towards the near British posts, whence
+the Hessians might be reinforced,&mdash;as they would
+have been, had they held the ground longer. So,
+having had much the better of the fight, the surviving
+dragoons galloped back towards the post-road,
+expecting to come upon their captain, wounded, by
+the wayside, at any moment. He might, indeed, to
+make sure of safe refuge, ride as far towards the
+American lines as the wound he must have received
+would allow him to do.</p>
+<p>Such were the doings, on the windy night, beyond
+Locust Hill, while Elizabeth Philipse and her aunt
+sat drinking tea by candle-light before a sputtering
+wood fire. Elizabeth having set the example, the
+others in the house went about their business, despite
+the firing so plainly heard. Black Sam had,
+after Elizabeth&rsquo;s arrival, returned from the orchard,
+whither he had gone late in the day, lest he might
+attract the attention of some dodging whale-boat or
+skulking Whig to the few remaining apples. He
+had been let in at a rear door by Williams, who had
+repressed him during the visit of the American
+dragoons,&mdash;for Sam was a sturdy, bold fellow, of
+different kidney from the dapper, citified Cuff. At
+<span class='pagenum pncolor'><a id='page_110' name='page_110'></a>110</span>
+Williams&rsquo;s order he had made a roaring fire in the
+east parlor, to the great comfort of old Mr. Valentine,
+and was now putting the dining-room into a
+similar state of warmth and light. Williams was
+setting out provisions for Molly presently to cook;
+and the maid herself was, with Cuff&rsquo;s assistance, replenishing
+the hall chandelier with fresh candles.</p>
+<p>The sound of firing had put Elizabeth&rsquo;s black boy
+into a tremulous and white-eyed state. When Molly,
+who stood on the settle while he handed the candles
+up to her, assured him that the firing was t&rsquo;other
+side of Locust Hill, that the bullets would not penetrate
+the mahogany door, and that anyhow only one
+bullet in a hundred ever hit any one, Cuff affrightedly
+observed &rsquo;twas just that one bullet he was afraid of;
+and when, at the third discharge, Molly dropped a
+candle on his woolly head, he fell prostrate, howling
+that he was shot. Molly convinced him after awhile
+that he was alive, but he averred he had actually had
+a glimpse of the harps and the golden streets, though
+the prospect of soon possessing them had rather
+appalled him, as indeed it does many good people
+who are so sure of heaven and so fond of it. He
+had been reassured but a short time, when he had
+new cause for terror. Again a horse was heard
+galloping up to the house. It stopped before the
+door and gave a loud whinny.</p>
+<div class='figtag'>
+<a name='linki_4' id='linki_4'></a>
+</div>
+<div class='figcenter'>
+<span class='pagenum pncolor'><a id='page_111' name='page_111'></a>111</span>
+<img src='images/i002.jpg' alt='' title='' width='324' height='500' /><br />
+<p class='caption'>
+&ldquo;LEANED FORWARD ON THE HORSE&rsquo;S NECK.&rdquo;<br />
+</p>
+</div>
+<p>Molly exchanged with Cuff a look of mingled wonder,
+delight, and doubt; then ran and opened the
+front door.</p>
+<p>&ldquo;Yes!&rdquo; she cried. &ldquo;It is! It&rsquo;s Miss Elizabeth&rsquo;s
+horse! It&rsquo;s Cato!&rdquo;</p>
+<p>Cuff ran to the threshold in great joy, but suddenly
+stopped short.</p>
+<p>&ldquo;Dey&rsquo;s a soldier on hees back,&rdquo; he whispered.</p>
+<p>So Molly had noticed,&mdash;but a soldier who made
+no demonstration, a soldier who leaned forward on
+the horse&rsquo;s neck and clutched its mane, holding at the
+same time in one hand a broken sword, and who
+tried to sit up, but only emitted a groan of pain.</p>
+<p>&ldquo;He&rsquo;s wounded, that&rsquo;s it,&rdquo; said Molly. &ldquo;Go and
+help the poor soldier in, Cuff. Don&rsquo;t you see he&rsquo;s
+injured? He can&rsquo;t hurt you.&rdquo;</p>
+<p>Molly enforced her commands with such physical
+persuasions that Cuff, ere he well knew what he was
+about, was helping Peyton from the horse. The
+captain, revived by a supreme effort, leaned on the
+boy&rsquo;s shoulder and came limping and lurching across
+the porch into the hall. Molly then went to his
+assistance, and with this additional aid he reached
+the settle, on which he dropped, weak, pale, and
+panting. He took a sitting posture, gasped his
+thanks to Molly, and, noticing the blood from his leg
+wound, called damnation on the Hessian officer&rsquo;s
+sword. Presently he asked for a drink of water.</p>
+<p>At Molly&rsquo;s bidding the negro boy hastened for
+<span class='pagenum pncolor'><a id='page_112' name='page_112'></a>112</span>
+water, and also to inform his mistress of the arrival.
+Elizabeth, hearing the news, rose with an exclamation;
+but, taking thought, sat down again, and, with
+a pretence of composure, finished her cup of tea.
+Cuff returned with a glass of water to the hall,
+where Molly was listening to Peyton&rsquo;s objurgations
+on his condition. The captain took the glass eagerly,
+and was about to drink, when a footstep was
+heard on the stairs. He turned his head and saw
+Elizabeth.</p>
+<p>&ldquo;Here&rsquo;s my respects, madam,&rdquo; quoth he, and
+drank off the water.</p>
+<p>Elizabeth came down-stairs and took a position
+where she could look Peyton well over. He watched
+her with some wonderment. When she was quite
+ready she spoke:</p>
+<p>&ldquo;So, it is, indeed, the man who stole my horse.&rdquo;</p>
+<p>&ldquo;Pardon. I think your horse has stolen <i>me</i>! It
+made me an intruder here quite against my will, I
+assure you.&rdquo;</p>
+<p>&ldquo;You will doubtless not honor us by remaining?&rdquo;
+There was more seriousness of curiosity in this question
+than Elizabeth betrayed or Peyton perceived.</p>
+<p>&ldquo;What can I do? I can neither ride nor walk.&rdquo;</p>
+<p>&ldquo;But your men will probably come for you?&rdquo;</p>
+<p>&ldquo;I don&rsquo;t think any saw the horse bear me from
+the fight. The field was in smoke and darkness.
+My troops must have pursued the enemy. They&rsquo;ll
+<span class='pagenum pncolor'><a id='page_113' name='page_113'></a>113</span>
+think me killed or made prisoner. If they return
+this way, however, I can have them stop and take
+me along.&rdquo;</p>
+<p>&ldquo;Then you expect that, in repayment of your
+treatment of me awhile ago&mdash;&rdquo; Elizabeth paused.</p>
+<p>&ldquo;Madam, you should allow for the exigencies of
+war! Yet, if you wish to turn me out&mdash;&rdquo;</p>
+<p>Elizabeth interrupted him:</p>
+<p>&ldquo;So it is true that, if you fell into the hands of
+the British, they would hang you?&rdquo;</p>
+<p>&ldquo;Doubtless! But you shouldn&rsquo;t blame <i>me</i> for
+what <i>they&rsquo;d</i> do. And how did you know?&rdquo;</p>
+<p>&ldquo;Help this gentleman into the east parlor,&rdquo; said
+Elizabeth, abruptly, to Cuff.</p>
+<p>&ldquo;Ah!&rdquo; cried Peyton, his face lighting up with
+quick gratitude. &ldquo;Madam, you then make me your
+guest?&rdquo; He thrust forward his head, forgetful of
+his condition.</p>
+<p>&ldquo;My guest?&rdquo; rang out Elizabeth&rsquo;s voice in answer.
+&ldquo;You insolent rebel, I intend to hand you
+over to the British!&rdquo;</p>
+<p>There was a brief silence. Each gazed at the other.</p>
+<p>&ldquo;You will not&mdash;do that?&rdquo; said Peyton, in a voice
+little above a whisper.</p>
+<p>&ldquo;Wait and see!&rdquo; And she stood regarding him
+with elation.</p>
+<p>He stared at her in blank consternation.</p>
+<p>Again, the sound of the trample of many horses.</p>
+<div><span class='pagenum pncolor'><a id='page_114' name='page_114'></a>114</span></div>
+<p>&ldquo;Ah!&rdquo; cried Peyton, joyfully. &ldquo;My men returning!&rdquo;</p>
+<p>He rose to go to the door, but his wounded leg
+gave way, and he staggered to the staircase, and
+leaned against the balustrade.</p>
+<p>Elizabeth&rsquo;s look of gratification faded. She ran
+to the door, fastened it with bolt and key, and stood
+with her back against it.</p>
+<p>The sound, first distant as if in the Mile Square
+road, was now manifestly in the highway. Would it
+come southward, towards the house, or go northward,
+decreasing?</p>
+<p>&ldquo;They are my men!&rdquo; cried Peyton to Cuff.
+&ldquo;Call them! They&rsquo;ll pass without knowing I am
+here. Call them, I say! Quick! They&rsquo;ll be out of
+hearing.&rdquo;</p>
+<p>&ldquo;Silence!&rdquo; said Elizabeth to Cuff, in a low tone,
+and stood listening.</p>
+<p>Peyton made another attempt to move, but realized
+his inability. &rsquo;Twas all he could do to support
+himself against the balustrade.</p>
+<p>&ldquo;My God, they&rsquo;ve gone by!&rdquo; he cried. &ldquo;They&rsquo;ll
+return to our lines, leaving me behind.&rdquo; And he
+shouted, &ldquo;Carrington!&rdquo;</p>
+<p>The voice rang for a moment in the remoteness of
+the hall above. Then complete silence within. All
+in the hall remained motionless, listening. The
+sound of the horses came fainter and fainter.</p>
+<div><span class='pagenum pncolor'><a id='page_115' name='page_115'></a>115</span></div>
+<p>&ldquo;Carrington! Help! I&rsquo;m in the manor-house,&mdash;a
+prisoner!&rdquo;</p>
+<p>A look of despair came over his face. On Elizabeth&rsquo;s
+the suspense gave way to a smile of triumph.</p>
+<p>The sound of the horses died away.</p>
+<hr class='toprule' />
+<div class='chsp'>
+<span class='pagenum pncolor'><a id='page_116' name='page_116'></a>116</span>
+<a name='CHAPTER_VI_THE_ONE_CHANCE' id='CHAPTER_VI_THE_ONE_CHANCE'></a>
+<h2>CHAPTER VI.</h2>
+<h3>THE ONE CHANCE.</h3>
+</div>
+<p class='dropcap'><span class='dcap'>Peyton</span> staggered back to the settle and sank
+down on it, exhausted. Elizabeth, hearing black
+Sam moving about in the dining-room, which was
+directly north of the hall, bade Molly summon him.
+When he appeared, she ordered him and Cuff to
+carry the settle, with the wounded man on it, into
+the east parlor, and to place the man on the sofa
+there. She then told Molly to hasten the supper,
+and to send Williams to her up-stairs, and thereupon
+rejoined her excited aunt above. When Williams
+attended her, she gave him commands regarding the
+prisoner.</p>
+<p>Peyton was thus carried through the deep doorway
+in the south side of the hall into the east parlor,
+which was now exceedingly habitable with fire
+roaring and candles lighted. In the east and south
+sides of this richly ornamented room were deeply
+embrasured windows, with low seats. In the west
+side was a mahogany door opening from the old or
+south hall. In the north side, which was adorned
+with wooden pillars and other carved woodwork, was
+<span class='pagenum pncolor'><a id='page_117' name='page_117'></a>117</span>
+the door through which Peyton had been carried;
+west of that, the decorated chimney-breast with its
+English mantel and fireplace, and further west a
+pair of doors opening from a closet, whence a winding
+staircase descended cellarward. The ceiling was
+rich with fanciful arabesque woodwork. Set in the
+chimney-breast, over the mantel, was an oblong mirror.
+The wainscoting, pillars, and other woodwork
+were of a creamy white. But Peyton had no eye for
+details at the moment. He noticed only that his
+entrance disturbed the slumbers of the old gentleman&mdash;Matthias
+Valentine&mdash;who had been sleeping
+in a great armchair by the fire, and who now blinked
+in wonderment.</p>
+<p>The negroes put down the settle and lifted Peyton
+to a sofa that stood against the western side of the
+room, between a spinet and the northern wall. At
+Peyton&rsquo;s pantomimic request they then moved the sofa
+to a place near the fire, and then, taking the settle
+along, marched out of the room, back to the hall,
+closing the door as they went.</p>
+<p>Peyton, too pain-racked and exhausted to speak,
+lay back on the sofa, with closed eyes. Old Valentine
+stared at him a few moments; then, curious both
+as to this unexpected advent and as to the proximity
+of supper, rose and hobbled from the parlor and
+across the hall to the dining-room. For some time
+Peyton was left alone. He opened his eyes, studied
+<span class='pagenum pncolor'><a id='page_118' name='page_118'></a>118</span>
+the flying figures on the ceiling, the portraits on the
+walls, the carpet,&mdash;Philipse Manor-house, like the
+best English houses of the time, had carpet on its
+floors,&mdash;the carving of the mantel, the clock and
+candelabrum thereupon, the crossed rapiers thereabove,
+the curves of the imported furniture. His
+twinges and aches were so many and so diverse that
+he made no attempt to locate them separately. He
+could feel that the left leg of his breeches was
+soaked with blood.</p>
+<p>Finally the door opened, and in came Williams
+and Cuff, the former with shears and bands of linen,
+the latter with a basin of water. Williams, whom
+Peyton had not before seen, scrutinized him critically,
+and forthwith proceeded to expose, examine,
+wash, and bind up the wounded leg, while Cuff stood
+by and played the rôle of surgeon&rsquo;s assistant. Peyton
+speedily perceived on the steward&rsquo;s part a reliable
+acquaintance with the art of dressing cuts, and therefore
+submitted without a word to his operations.
+Williams was equally silent, breaking his reticence
+only now and then to utter some monosyllabic command
+to Cuff.</p>
+<p>When the wound was dressed, Williams put the
+patient&rsquo;s disturbed attire to rights, and adjusted his
+hair. Peyton, with a feeling of some relief, made to
+stretch the wounded leg, but a sharp twinge cut the
+movement short.</p>
+<div><span class='pagenum pncolor'><a id='page_119' name='page_119'></a>119</span></div>
+<p>&ldquo;You should make a good surgeon,&rdquo; Peyton said
+at last, &ldquo;you tie so damnably tight a bandage.&rdquo;</p>
+<p>&ldquo;I&rsquo;ve bound up many a wound, sir,&rdquo; said Williams;
+&ldquo;and some far worse than yours. &rsquo;Tis not a dangerous
+cut, yours, though &rsquo;twill be irritating while it
+lasts. You won&rsquo;t walk for a day or two.&rdquo;</p>
+<p>&ldquo;It&rsquo;s remarkable your mistress has so much
+trouble taken with me, when she intends to deliver
+me to the British.&rdquo;</p>
+<p>Peyton had inferred the steward&rsquo;s place in the
+house, from his appearance and manner.</p>
+<p>&ldquo;Why, sir,&rdquo; said Williams, &ldquo;we couldn&rsquo;t have you
+bleeding over the floor and furniture. Besides, I
+suppose she wants to hand you over in good condition.&rdquo;</p>
+<p>&ldquo;I see! No bedraggled remnant of a man, but a
+complete, clean, and comfortable candidate for Cunningham&rsquo;s
+gallows!&rdquo; Peyton here forgot his wound
+and attempted to sit upright, but quickly fell back
+with a grimace and a groan.</p>
+<p>&ldquo;Better lie still, sir,&rdquo; counselled Williams, sagely.
+&ldquo;If you need any one, you are to call Cuff. He will
+be in waiting in that hall, sir.&rdquo; And the steward
+pointed towards the east hall. &ldquo;There will be no use
+trying to get away. I doubt if you could walk half
+across the room without fainting. And if you could
+get out of the house, you&rsquo;d find black Sam on guard,
+with his duck-gun,&mdash;and Sam doesn&rsquo;t miss once in
+<span class='pagenum pncolor'><a id='page_120' name='page_120'></a>120</span>
+a hundred times with that duck-gun. Bring those
+things, Cuff.&rdquo; Williams indicated Peyton&rsquo;s hat,
+remnant of sword, and scabbard, which had been
+placed on the armchair by the fireside.</p>
+<p>&ldquo;Leave my sword!&rdquo; commanded Peyton.</p>
+<p>&ldquo;Can&rsquo;t, sir!&rdquo; said Williams, affably. &ldquo;Miss Elizabeth&rsquo;s
+orders were to take it away.&rdquo;</p>
+<p>Williams thereupon went from the room, crossed
+the east hall, and entered the dining-room, to report
+to Elizabeth, who now sat at supper with Miss Sally
+and Mr. Valentine.</p>
+<p>Cuff, with basin of water in one hand, took up the
+hat, sword, and scabbard, with the other.</p>
+<p>&ldquo;Miss Elizabeth!&rdquo; mused Peyton. &ldquo;Queen Elizabeth,
+I should say, in this house. Gad, to be a girl&rsquo;s
+prisoner, tied down to a sofa by so small a cut!&rdquo;
+Hereupon he addressed Cuff, who was about to
+depart: &ldquo;Where is your mistress?&rdquo;</p>
+<p>&ldquo;In the dining-room, eating supper.&rdquo;</p>
+<p>&ldquo;And Mr. Colden, whom I saw in that hall about
+an hour ago, when I bought the horse?&rdquo;</p>
+<p>&ldquo;Major Colden rode back to New York.&rdquo;</p>
+<p>&ldquo;<i>Major</i> Colden! Major of what?&rdquo;</p>
+<p>&ldquo;New Juzzey Vollingteers, sir.&rdquo;</p>
+<p>&ldquo;What? Then he is in the King&rsquo;s service, after
+all? And when I was here with my troops he said
+he was neutral. I&rsquo;ll never take a Tory&rsquo;s word
+again.&rdquo;</p>
+<div><span class='pagenum pncolor'><a id='page_121' name='page_121'></a>121</span></div>
+<p>&ldquo;Am you like to hab de chance, sir?&rdquo; queried
+Cuff, with a grin.</p>
+<p>&ldquo;What! You taunt me with my situation?&rdquo; And
+Harry&rsquo;s head shot up from the sofa as he made to
+rise and chastise the boy; but he could not stand
+on his leg, and so remained sitting, propped on his
+right arm, panting and glaring at the negro.</p>
+<p>Cuff, whose whiteness of teeth had shown in his
+moment of mirth, now displayed much whiteness of
+eye in his alarm at Peyton&rsquo;s movement, and glided to
+the door. As he went out to the hall, he passed
+Molly, who was coming into the parlor with a bowl
+of broth.</p>
+<p>&ldquo;Hah!&rdquo; ejaculated Peyton as she came towards
+him. &ldquo;They would feed the animal for the slaughter,
+eh?&rdquo;</p>
+<p>Molly curtseyed.</p>
+<p>&ldquo;Please, sir, it wa&rsquo;n&rsquo;t they sent this. I brought it
+of my own accord, sir, though with Miss Elizabeth&rsquo;s
+permission.&rdquo;</p>
+<p>&ldquo;Oh! so Miss Elizabeth <i>did</i> give her permission,
+then?&rdquo;</p>
+<p>&ldquo;Yes, sir. At least, she said it didn&rsquo;t matter, if I
+wished to.&rdquo;</p>
+<p>&ldquo;And you did wish to? Well, you&rsquo;re a good girl,
+and I thank you.&rdquo;</p>
+<p>Whereupon Peyton took the bowl and sipped of
+the broth with relish.</p>
+<div><span class='pagenum pncolor'><a id='page_122' name='page_122'></a>122</span></div>
+<p>&ldquo;Thank you, sir,&rdquo; said Molly, who then moved a
+small light chair from its place by the wall to a spot
+beside the sofa and within Peyton&rsquo;s reach. &ldquo;You
+can set the bowl on this,&rdquo; she added. &ldquo;I must go
+back to the kitchen.&rdquo; And, after another curtsey,
+she was gone.</p>
+<p>The broth revived Peyton, and with all his pain
+and fatigue he had some sense of comfort. The
+handsome, well warmed, well lighted parlor, so
+richly furnished, so well protected from the wind
+and weather by the solid shutters outside its four
+small-paned windows, was certainly a snug corner
+of the world. So far seemed all this from stress
+and war, that Peyton lost his strong realization of the
+fate that Elizabeth&rsquo;s threat promised him. Appreciation
+of his surroundings drove away other thoughts
+and feelings. That he should be taken and hanged
+was an idea so remote from his present situation, it
+seemed rather like a dream than an imminent reality.
+There surely would be a way of his getting hence in
+safety. And he imbibed mouthful after mouthful of
+the warm broth.</p>
+<p>Presently old Mr. Valentine reappeared, from the
+east hall, looking none the less comfortable for the
+supper he had eaten. A long pipe was in his hand,
+and, that he might absorb smoke and liquor at the
+same time, he had brought with him from the table,
+where the two ladies remained, a vast mug of hot
+<span class='pagenum pncolor'><a id='page_123' name='page_123'></a>123</span>
+rum punch of Williams&rsquo;s brewing. He now set the
+mug on the mantel, lighted his pipe with a brand
+from the fire, repossessed himself of the mug, and
+sat down in the armchair, with a sigh of huge satisfaction.
+It mattered not that this was the parlor of
+Philipse Manor-house,&mdash;for Mr. Valentine, in his
+innocent way, indulged himself freely in the privileges
+and presumptions of old age.</p>
+<p>Peyton, after staring for some time with curiosity
+at the smoky old gentleman, who rapidly grew smokier,
+at last raised the bowl of broth for a last gulp,
+saying, cheerily:</p>
+<p>&ldquo;To your very good health, sir!&rdquo;</p>
+<p>&ldquo;Thank you, sir!&rdquo; said the old man, complacently,
+not making any movement to reciprocate.</p>
+<p>&ldquo;What! won&rsquo;t you drink to mine?&rdquo;</p>
+<p>&ldquo;&rsquo;Twould be a waste of words to drink the health
+of a man that&rsquo;s going to be hanged,&rdquo; replied Valentine,
+who at supper had heard the ladies discuss
+Peyton&rsquo;s intended fate. He thereupon sent a cloud
+of smoke ceiling-ward for the flying cherubs to rest on.</p>
+<p>&ldquo;The devil! You <i>are</i> economical!&rdquo;</p>
+<p>&ldquo;Of words, maybe, not of liquor.&rdquo; The octogenarian
+quaffed deeply from the mug. &ldquo;They say
+hanging is an easy death,&rdquo; he went on, being in loquacious
+mood. &ldquo;I never saw but one man hanged.
+He didn&rsquo;t seem to enjoy it.&rdquo; Mr. Valentine puffed
+slowly, inwardly dwelling on the recollection.</p>
+<div><span class='pagenum pncolor'><a id='page_124' name='page_124'></a>124</span></div>
+<p>&ldquo;Oh, didn&rsquo;t he?&rdquo; said Peyton.</p>
+<p>&ldquo;No, he took it most unpleasant like.&rdquo;</p>
+<p>&ldquo;Did you come in here to cheer me up in my last
+hours?&rdquo; queried Harry, putting the empty bowl on
+the chair by the sofa.</p>
+<p>&ldquo;No,&rdquo; replied the other, ingenuously. &ldquo;I came
+in for a smoke while the ladies stayed at the table.&rdquo;
+He then went back to a subject that seemed to have
+attractions for him. &ldquo;I don&rsquo;t know how hanging will
+go with you. Cunningham will do the work.<a href='#Footnote_0005' class='fnanchor'>[5]</a> They
+say he makes it as disagreeable as may be. I&rsquo;d come
+and see you hanged, but it won&rsquo;t be possible.&rdquo;</p>
+<p>&ldquo;Then I suppose I shall have to excuse you,&rdquo; said
+Peyton, with resignation.</p>
+<p>&ldquo;Yes.&rdquo; The old man had finished his punch and
+set down his mug, and he now yawned with a completeness
+that revealed vastly more of red toothless
+mouth than one might have calculated his face could
+contain. &ldquo;Some take it easier than others,&rdquo; he
+went on. &ldquo;It&rsquo;s harder with young men like you.&rdquo;
+Again he opened his jaws in a gape as whole-souled
+as that of a house-dog before a kitchen fire. &ldquo;It
+must be disagreeable to have a rope tightened around
+your neck. I don&rsquo;t know.&rdquo; He thrust his pipe-stem
+absently between his lips, closed his eyes, mumbled
+absently, &ldquo;I don&rsquo;t know,&rdquo; and in a few moments was
+asleep, his pipe hanging from his mouth, his hands
+folded in his lap.</p>
+<div><span class='pagenum pncolor'><a id='page_125' name='page_125'></a>125</span></div>
+<p>&ldquo;A cheerful companion for a man in my situation,&rdquo;
+thought Peyton. His mind had been brought
+back to the future. When would this resolute and
+vengeful Miss Elizabeth fulfil her threat? How
+would she proceed about it? Had she already taken
+measures towards his conveyance to the British lines?
+Should she delay until he should be able to walk,
+there would be two words about the matter. Meanwhile,
+he must wait for developments. It was useless
+to rack his brain with conjectures. His sense
+of present comfort gradually resumed sway, and he
+placed his head again on the sofa pillow and closed
+his eyes.</p>
+<p>He was conscious for a time of nothing but his
+deadened pain, his inward comfort, the breathing of
+old Mr. Valentine, the intermittent raging of the
+wind without, and the steady ticking of the clock on
+the mantel,&mdash;which delicately framed timepiece had
+been started within the hour by Sam, who knew
+Miss Elizabeth&rsquo;s will for having all things in running
+order. Peyton&rsquo;s drowsiness wrapped him closer and
+closer. Presently he was remotely aware of the
+opening of the door, the tread of light feet on the
+floor, the swish of skirts. But he had now reached
+that lethargic point which involves total indifference
+to outer things, and he did not even open his eyes.</p>
+<p>&ldquo;Asleep,&rdquo; said Elizabeth, for it was she who had
+entered with her aunt.</p>
+<div><span class='pagenum pncolor'><a id='page_126' name='page_126'></a>126</span></div>
+<p>Harry recognized the voice, and knew that he was
+the subject of her remark; but his feeling towards
+his contemptuous captor was not such as to make
+him take the trouble of setting her right. Therefore,
+he kept his eyes closed, having a kind of satisfaction
+in her being mistaken.</p>
+<p>&ldquo;How handsome!&rdquo; whispered Miss Sally, who
+beamed more bigly and benignly after supper than
+before.</p>
+<p>&ldquo;Which one, aunty?&rdquo; said Elizabeth, looking
+from Peyton to old Valentine.</p>
+<p>Her aunt deigned to this levity only a look of
+hopeless reproof.</p>
+<p>Elizabeth sat down on the music-seat before the
+spinet, and became serious,&mdash;or, more accurately,
+businesslike.</p>
+<p>&ldquo;On second thought,&rdquo; said she, &ldquo;it won&rsquo;t do to
+keep him here waiting for one of our patrols to pass
+this way. In the meantime some of the rebels might
+come into the neighborhood and stop here. He
+must be delivered to the British this very night!&rdquo;</p>
+<p>Peyton gave no outward sign of the momentary
+heart stoppage he felt within.</p>
+<p>&ldquo;Why,&rdquo; said the aunt, speaking low, and in some
+alarm, &ldquo;&rsquo;twould require Williams and both the blacks
+to take him, and we should be left alone in the
+house.&rdquo;</p>
+<p>&ldquo;I sha&rsquo;n&rsquo;t send him to the troops,&rdquo; said Elizabeth,
+<span class='pagenum pncolor'><a id='page_127' name='page_127'></a>127</span>
+in her usual tone, not caring whether or not the
+prisoner should be disturbed,&mdash;for in his powerlessness
+he could not oppose her plans if he did know
+them, and in her disdain she had no consideration
+for his feelings. &ldquo;The troops shall come for him.
+Black Sam shall go to the watch-house at King&rsquo;s
+Bridge with word that there&rsquo;s an important rebel
+prisoner held here, to be had for the taking.&rdquo;</p>
+<p>&ldquo;Will the troops at King&rsquo;s Bridge heed the story
+of a black man?&rdquo; Aunt Sally seemed desirous of
+interposing objections to immediate action.</p>
+<p>&ldquo;Their officer will heed a written message from
+me,&rdquo; said the niece. &ldquo;Most of the officers know
+me, and those at King&rsquo;s Bridge are aware I came
+here to-day.&rdquo;</p>
+<p>Thereupon she called in Cuff, and sent him off
+for Williams, with orders that the steward should
+bring her pen, ink, paper, and wax.</p>
+<p>&ldquo;Oh, Elizabeth!&rdquo; cried Miss Sally, looking at the
+floor. &ldquo;Here&rsquo;s some of the poor fellow&rsquo;s blood on
+the carpet.&rdquo;</p>
+<p>&ldquo;Never mind. The blood of an enemy is a sight
+easily tolerated,&rdquo; said the girl, probably unaware
+how nearly she had duplicated a famous utterance of
+a certain King of France, whose remark had borne
+reference to another sense than that of sight.<a href='#Footnote_0006' class='fnanchor'>[6]</a></p>
+<p>Williams soon came in with the writing materials,
+and placed them, at Elizabeth&rsquo;s direction, on a table
+<span class='pagenum pncolor'><a id='page_128' name='page_128'></a>128</span>
+that stood between the two eastern windows, and on
+which was a lighted candelabrum. Elizabeth sat
+down at the table, her back towards the fireplace
+and Peyton.</p>
+<p>&ldquo;I wish you to send black Sam to me,&rdquo; said she
+to the steward, &ldquo;and to take his place on guard with
+the gun till he returns from an errand.&rdquo;</p>
+<p>Williams departed, and Elizabeth began to make
+the quill fly over the paper, her aunt looking on from
+beside the table. Peyton opened his eyes and looked
+at them.</p>
+<p>&ldquo;It does seem a pity,&rdquo; said Miss Sally at last.
+&ldquo;Such a pretty gentleman,&mdash;such a gallant soldier!&rdquo;</p>
+<p>&ldquo;Gentleman?&rdquo; echoed Elizabeth, writing on.
+&ldquo;The fellow is not a gentleman! Nor a gallant
+soldier!&rdquo;</p>
+<p>Peyton rose to a sitting posture as if stung by a
+hornet, but was instantly reminded of his wound.
+But neither Elizabeth nor her aunt saw or heard his
+movement. The girl, unaware that he was awake,
+continued:</p>
+<p>&ldquo;Does a gentleman or a gallant soldier desert the
+army of his king to join that of his king&rsquo;s enemies?&rdquo;</p>
+<p>Quick came the answer,&mdash;not from aunt Sally,
+but from Peyton on the sofa.</p>
+<p>&ldquo;A gallant soldier has the right to choose his
+side, and a gentleman need not fight against his
+country!&rdquo;</p>
+<div><span class='pagenum pncolor'><a id='page_129' name='page_129'></a>129</span></div>
+<p>Elizabeth did not suffer herself to appear startled
+at this sudden breaking in. Having finished her
+note, she quietly folded it, and addressed it, while
+she said:</p>
+<p>&ldquo;A gallant soldier, having once chosen his side,
+will be loyal to it; and a gentleman never bore the
+odious title of deserter.&rdquo;</p>
+<p>&ldquo;A gentleman can afford to wear any title that is
+redeemed by a glorious cause and an extraordinary
+danger. When I took service with the King&rsquo;s army
+in England, I never dreamt that army would be sent
+against the King&rsquo;s own colonies; and not till I
+arrived in Boston did I know the true character of
+this revolt. We thought we were coming over
+merely to quell a lawless Boston rabble. I gave
+in my resignation&mdash;&rdquo;</p>
+<p>&ldquo;But did not wait for it to be accepted,&rdquo; interrupted
+Elizabeth, quietly, as she applied to the folded
+paper the wax softened by the flame of a candle.</p>
+<p>&ldquo;I <i>was</i> a little hasty,&rdquo; said Harry.</p>
+<p>&ldquo;The rebel army was the proper place for such
+fellows,&rdquo; said Elizabeth. &ldquo;No true British officer
+would be guilty of such a deed!&rdquo;</p>
+<p>&ldquo;Probably not! It required exceptional courage!&rdquo;</p>
+<p>Peyton knew, as well as any, that the British
+were brave enough; but he was in mood for sharp
+retort.</p>
+<p>&ldquo;That is not the reason,&rdquo; said Elizabeth, coldly,
+<span class='pagenum pncolor'><a id='page_130' name='page_130'></a>130</span>
+refusing to show wrath. &ldquo;Your enemies hold such
+acts as yours in detestation.&rdquo;</p>
+<p>&ldquo;I am not serving in this war for the approbation
+of my enemies.&rdquo;</p>
+<p>At this moment black Sam came in. Elizabeth
+handed him the letter, and said:</p>
+<p>&ldquo;You are to take my horse Cato, and ride with
+this message to the British barrier at King&rsquo;s Bridge.
+It is for the officer in command there. When the
+sentries challenge you, show this, and say it is of the
+greatest consequence and must be delivered at once.&rdquo;</p>
+<p>&ldquo;Yes, Miss Elizabeth.&rdquo;</p>
+<p>&ldquo;The commander,&rdquo; she went on, &ldquo;will probably
+send here a body of troops at once, to convey this
+prisoner within the lines. You are to return with
+them. If no time is lost, and they send mounted
+troops, you should be back in an hour.&rdquo;</p>
+<p>Peyton could hardly repress a start.</p>
+<p>&ldquo;An hour at most, miss, if nothing stops,&rdquo; said
+the negro.</p>
+<p>&ldquo;If any officer of my acquaintance is in command,&rdquo;
+said Elizabeth, &ldquo;there will be no delay. Cuff shall
+let the troops in, through that hall, as soon as they
+arrive.&rdquo;</p>
+<p>Whereupon the black man, a stalwart and courageous
+specimen of his race, went rapidly from the
+room.</p>
+<p>&ldquo;One hour!&rdquo; murmured Peyton, looking at the
+clock.</p>
+<div><span class='pagenum pncolor'><a id='page_131' name='page_131'></a>131</span></div>
+<p>Molly, the maid, now reappeared, carrying carefully
+in one hand a cup, from which a thin steam ascended.</p>
+<p>&ldquo;What is&rsquo;t now, Molly?&rdquo; inquired Elizabeth,
+rising from her chair.</p>
+<p>Molly blushed and was much confused. &ldquo;Tea,
+ma&rsquo;am, if you please! I thought, maybe, you&rsquo;d
+allow the gentleman&mdash;&rdquo;</p>
+<p>&ldquo;Very well,&rdquo; said Elizabeth. &ldquo;Be the good
+Samaritan if you like, child. His tea-drinking days
+will soon be over. Come, aunt Sally, we shall be in
+better company elsewhere.&rdquo; And she returned to
+the dining-room, not deigning her prisoner another
+look.</p>
+<p>Miss Sally followed, but her feelings required confiding
+in some one, and before she went she whispered
+to the embarrassed maid, &ldquo;Oh, Molly, to think
+so sweet a young gentleman should be completely
+wasted!&rdquo;</p>
+<p>Molly heaved a sigh, and then approached the
+young gentleman himself, with whom she was now
+alone, saving the presence of the slumbering Valentine.</p>
+<p>&ldquo;So your name is Molly? And you&rsquo;ve brought
+me tea this time?&rdquo;</p>
+<p>&ldquo;Yes, sir,&mdash;if you please, sir.&rdquo; She took up the
+bowl from the chair and placed the cup in its stead.
+&ldquo;I put sugar in this, sir, but if you&rsquo;d rather&mdash;&rdquo;</p>
+<p>&ldquo;I&rsquo;d rather have it just as you&rsquo;ve made it, Molly,&rdquo;
+<span class='pagenum pncolor'><a id='page_132' name='page_132'></a>132</span>
+he said, in a singularly gentle, unsteady tone. He
+raised the cup, and sipped. &ldquo;Delicious, Molly!&mdash;Hah!
+Your mistress thinks my tea-drinking days
+will soon be over.&rdquo;</p>
+<p>&ldquo;I&rsquo;m very sorry, sir.&rdquo;</p>
+<p>&ldquo;So am I.&rdquo; He held the cup in his left hand,
+supporting his upright body with his right arm, and
+looked rather at vacancy than at the maid. &ldquo;Never
+to drink tea again,&rdquo; he said, &ldquo;or wine or spirits, for
+that matter! To close your eyes on this fine world!
+Never again to ride after the hounds, or sing, or
+laugh, or chuck a pretty girl under the chin!&rdquo;</p>
+<p>And here, having set down the cup, he chucked
+Molly herself under the chin, pretending a gaiety he
+did not feel.</p>
+<p>&ldquo;Never again,&rdquo; he went on, &ldquo;to lead a charge
+against the enemies of our liberty; not to live to see
+this fight out, the King&rsquo;s regiments driven from the
+land, the States take their place among the free
+nations of the world! <i>By God, Molly, I don&rsquo;t want
+to die yet!</i>&rdquo;</p>
+<p>It was not the fear of death, it was the love of
+life, and what life might have in reserve, that moved
+him; and it now asserted itself in him with a force
+tenfold greater than ever before. Death,&mdash;or, rather,
+the ceasing of life,&mdash;as he viewed it now, when he
+was like to meet it without company, with prescribed
+preliminaries, in an ignominious mode, was a far
+<span class='pagenum pncolor'><a id='page_133' name='page_133'></a>133</span>
+other thing than as viewed in the exaltation of battle,
+when a man chances it hot-headed, uplifted,
+thrilled, in gallant comradeship, to his own fate
+rendered careless by a sense of his nothingness in
+comparison with the whole vast drama. Moreover,
+in going blithely to possible death in open fight, one
+accomplishes something for his cause; not so, going
+unwillingly to certain death on an enemy&rsquo;s gallows.
+It was, too, an exasperating thought that he should die
+to gratify the vengeful whim of an insolent Tory girl.</p>
+<p>&ldquo;Will it really come to that?&rdquo; asked Molly, in a
+frightened tone.</p>
+<p>&ldquo;As surely as I fall into British hands!&rdquo;</p>
+<p>Peyton remembered the case of General Charles
+Lee, whose resignation of half-pay had not been acknowledged;
+who was, when captured by the British,
+long in danger of hanging, and who was finally rated
+as an ordinary war prisoner only for Washington&rsquo;s
+threat to retaliate on five Hessian field officers. If
+a major-general, whose desertion, even if admitted,
+was from half-pay only, would have been hanged
+without ceremony but for General Howe&rsquo;s fear of a
+&ldquo;law scrape,&rdquo; and had been saved from shipment to
+England for trial, only by the King&rsquo;s fear that Washington&rsquo;s
+retaliation would disaffect the Hessian allies,
+for what could a mere captain look, who had come
+over from the enemy in action, and whose punishment
+would entail no official retaliation?</p>
+<div><span class='pagenum pncolor'><a id='page_134' name='page_134'></a>134</span></div>
+<p>&ldquo;And your mistress expects a troop of British
+soldiers here in an hour to take me! Damn it, if I
+could only walk!&rdquo; And he looked rapidly around
+the room, in a kind of distraction, as if seeking some
+means of escape. Realizing the futility of this, he
+sighed dismally, and drank the remainder of the tea.</p>
+<p>&ldquo;You couldn&rsquo;t get away from the house, sir,&rdquo; said
+Molly. &ldquo;Williams is watching outside.&rdquo;</p>
+<p>&ldquo;I&rsquo;d take a chance if I could only run!&rdquo; Peyton
+muttered. He had no fear that Molly would betray
+him. &ldquo;If there were some hiding-place I might
+crawl to! But the troops would search every cranny
+about the house.&rdquo; He turned to Molly suddenly,
+seeing, in his desperate state and his lack of time,
+but one hope. &ldquo;I wonder, could Williams be bribed
+to spirit me away?&rdquo;</p>
+<p>Molly&rsquo;s manner underwent a slight chill.</p>
+<p>&ldquo;Oh, no,&rdquo; said she. &ldquo;He&rsquo;d die before he&rsquo;d disobey
+Miss Elizabeth. We all would, sir. I&rsquo;m very
+sorry, indeed, sir.&rdquo; Whereupon, taking up the
+empty bowl and teacup, she hastened from the
+room.</p>
+<p>Peyton sat listening to the clock-ticks. He moved
+his right leg so that the foot rested on the floor, then
+tried to move the left one after it, using his hand to
+guide it. With great pains and greater pain, he
+finally got the left foot beside the right. He then
+undertook to stand, but the effort cost him such
+<span class='pagenum pncolor'><a id='page_135' name='page_135'></a>135</span>
+physical agony as could not be borne for any length
+of time. He fell back with a groan to the sofa, convinced
+that the wounded leg was not only, for the
+time, useless itself, but also an impediment to whatever
+service the other leg might have rendered alone.
+But he remained sitting up, his right foot on the
+floor.</p>
+<p>Suddenly there was a raucous sound from old Mr.
+Valentine. He had at last begun to snore. But
+this infliction brought its own remedy, for when his
+jaws opened wider his tobacco pipe fell from his
+mouth and struck his folded hands. He awoke with
+a start, and blinked wonderingly at Peyton, whose
+face, turned towards the old man, still wore the look
+of disapproval evoked by the momentary snoring.</p>
+<p>&ldquo;Still here, eh?&rdquo; piped Mr. Valentine. &ldquo;I dreamt
+you were being hanged to the fireplace, like a pig to
+be smoked. I was quite upset over it! Such a fine
+young gentleman, and one of Harry Lee&rsquo;s officers,
+too!&rdquo;</p>
+<p>And the old man shook his head deploringly.</p>
+<p>&ldquo;Then why don&rsquo;t you help me out of this?&rdquo; demanded
+Peyton, whose impulse was for grasping at
+straws, for he thought of black Sam urging Cato
+through the wind towards King&rsquo;s Bridge at a
+gallop.</p>
+<p>&ldquo;It ain&rsquo;t possible,&rdquo; said Valentine, phlegmatically.</p>
+<p>&ldquo;If it were, would you?&rdquo; asked Harry, a spark of
+<span class='pagenum pncolor'><a id='page_136' name='page_136'></a>136</span>
+hope igniting from the appearance that the old man
+was, at least, not antagonistic to him.</p>
+<p>&ldquo;Why, yes,&rdquo; began the octogenarian, placidly.</p>
+<p>Harry&rsquo;s heart bounded.</p>
+<p>&ldquo;If,&rdquo; the old man went on, &ldquo;I could without
+lending aid to the King&rsquo;s enemies. But you see I
+couldn&rsquo;t. I won&rsquo;t lend aid to neither side&rsquo;s enemies.<a href='#Footnote_0007' class='fnanchor'>[7]</a>
+I don&rsquo;t want to die afore my time.&rdquo; And he gazed
+complacently at the fire.</p>
+<p>Peyton knew the hopeless immovability of selfish
+old age.</p>
+<p>&ldquo;God!&rdquo; he muttered, in despair. &ldquo;Is there no
+one I can turn to?&rdquo;</p>
+<p>&ldquo;There&rsquo;s none within hearing would dare go
+against the orders of Miss Elizabeth,&rdquo; said Mr.
+Valentine.</p>
+<p>&ldquo;Miss Elizabeth evidently rules with a firm hand,&rdquo;
+said Peyton, bitterly. &ldquo;Her word&mdash;&rdquo; He stopped
+suddenly, as if struck by a new thought. &ldquo;If I
+could but move <i>her</i>! If I could make her change
+her mind!&rdquo;</p>
+<p>&ldquo;You couldn&rsquo;t. No one ever could, and as for a
+rebel soldier&mdash;&rdquo;</p>
+<p>&ldquo;She has a heart of iron, that girl!&rdquo; broke in
+Peyton. &ldquo;The cruelty of a savage!&rdquo;</p>
+<p>Mr. Valentine took on a sincerely deprecating
+look. &ldquo;Oh, you mustn&rsquo;t abuse Miss Elizabeth,&rdquo;
+said he. &ldquo;It ain&rsquo;t cruelty, it&rsquo;s only proper pride.
+<span class='pagenum pncolor'><a id='page_137' name='page_137'></a>137</span>
+And she isn&rsquo;t hard. She has the kindest heart,&mdash;to
+those she&rsquo;s fond of.&rdquo;</p>
+<p>&ldquo;To those she&rsquo;s fond of,&rdquo; repeated Harry, mechanically.</p>
+<p>&ldquo;Yes,&rdquo; said the old man; &ldquo;her people, her horses,
+her dogs and cats, and even her servants and slaves.&rdquo;</p>
+<p>&ldquo;Tender creature, who has a heart for a dog and
+not for a man!&rdquo;</p>
+<p>The old man&rsquo;s loyalty to three generations of
+Philipses made him a stubborn defender, and he
+answered:</p>
+<p>&ldquo;She&rsquo;d have no less a heart for a man if she
+loved him.&rdquo;</p>
+<p>&ldquo;If she loved him!&rdquo; echoed Peyton, and began to
+think.</p>
+<p>&ldquo;Ay, and a thousand times more heart, loving
+him as a woman loves a man.&rdquo; Mr. Valentine
+spoke knowingly, as one acquainted by enviable
+experience with the measure of such love.</p>
+<p>&ldquo;As a woman loves a man!&rdquo; repeated Peyton.
+Suddenly he turned to Valentine. &ldquo;Tell me, does
+she love any man so, now?&rdquo; Peyton did not know
+the relation in which Elizabeth and Major Colden
+stood to each other.</p>
+<p>&ldquo;I can&rsquo;t say she <i>loves</i> one,&rdquo; replied Valentine,
+judicially, &ldquo;though&mdash;&rdquo;</p>
+<p>But Peyton had heard enough.</p>
+<p>&ldquo;By heaven, I&rsquo;ll try it!&rdquo; he cried. &ldquo;Such
+<span class='pagenum pncolor'><a id='page_138' name='page_138'></a>138</span>
+miracles have happened! And I have almost an
+hour!&rdquo;</p>
+<p>Old Valentine blinked at him, with stupid lack of
+perception. &ldquo;What is it, sir?&rdquo;</p>
+<p>&ldquo;I shall try it!&rdquo; was Peyton&rsquo;s unenlightening
+answer. &ldquo;There&rsquo;s one chance. And you can help
+me!&rdquo;</p>
+<p>&ldquo;The devil I can!&rdquo; replied Valentine, rising
+from his chair in some annoyance. &ldquo;I won&rsquo;t lend
+aid, I tell you!&rdquo;</p>
+<p>&ldquo;It won&rsquo;t be &lsquo;lending aid.&rsquo; All I beg is that you
+ask Miss Elizabeth to see me alone at once,&mdash;and
+that you&rsquo;ll forget all I&rsquo;ve said to you. Don&rsquo;t stand
+staring! For Christ&rsquo;s sake, go and ask her to come
+in! Don&rsquo;t you know? Only an hour,&mdash;less than
+that, now!&rdquo;</p>
+<p>&ldquo;But she mayn&rsquo;t come here for the asking,&rdquo;
+objected the old man, somewhat dazed by Peyton&rsquo;s
+petulance.</p>
+<p>&ldquo;She <i>must</i> come here!&rdquo; cried Harry. &ldquo;Induce
+her, beg her, entice her! Tell her I have a last
+request to make of my jailer,&mdash;no, excite her curiosity;
+tell her I have a confession to make, a plot to
+disclose,&mdash;anything! In heaven&rsquo;s name, go and
+send her here!&rdquo;</p>
+<p>It was easier to comply with so light a request
+than to remain recipient of such torrent-like importunity.
+&ldquo;I&rsquo;ll try, sir,&rdquo; said the peace-loving old
+<span class='pagenum pncolor'><a id='page_139' name='page_139'></a>139</span>
+man, &ldquo;but I have no hope,&rdquo; and he hobbled from
+the room. He left the door open as he went, and
+Harry, tortured by impatience, heard him shuffling
+over the hall floor to the dining-room.</p>
+<p>Peyton&rsquo;s mind was in a whirl. He glanced at the
+clock. These were his thoughts:</p>
+<p>&ldquo;Fifty minutes! To make a woman love me!
+A proud woman, vain and wilful, who hates our
+cause, who detests me! To make her love me!
+How shall I begin? Keep your wits now, Harry,
+my son,&mdash;&rsquo;tis for your life! How to begin? Why
+doesn&rsquo;t she come? Damn the clock, how loud it
+ticks! I feel each tick. No, &rsquo;tis my heart I feel.
+My God, <i>will</i> she not come? And the time is
+going&mdash;&rdquo;</p>
+<p>&ldquo;Well, sir, what is it?&rdquo;</p>
+<p>He looked from the clock to the doorway, where
+stood Elizabeth.</p>
+<hr class='toprule' />
+<div class='chsp'>
+<span class='pagenum pncolor'><a id='page_140' name='page_140'></a>140</span>
+<a name='CHAPTER_VII_THE_FLIGHT_OF_THE_MINUTES' id='CHAPTER_VII_THE_FLIGHT_OF_THE_MINUTES'></a>
+<h2>CHAPTER VII.</h2>
+<h3>THE FLIGHT OF THE MINUTES.</h3>
+</div>
+<p class='dropcap'><span class='dcap'>The</span> silence of her entrance was from her having,
+a few minutes earlier, exchanged her riding-boots
+for satin slippers.</p>
+<p>&ldquo;I&mdash;I thank you for coming, madam,&rdquo; said
+Peyton, feeling the necessity of a prompt reply to
+her imperious look of inquiry, yet without a practicable
+idea in his head. &ldquo;I had&mdash;that is&mdash;a request
+to make.&rdquo;</p>
+<p>He was trembling violently, not from fear, but
+from that kind of agitation which often precedes the
+undertaking of a critical task, as when a suppliant
+awaits an important interview, or an actor assumes
+for the first time a new part.</p>
+<p>&ldquo;Mr. Valentine said a confession,&rdquo; said Elizabeth,
+holding him in a coldly resentful gaze.</p>
+<p>&ldquo;Why, yes, a confession,&rdquo; said he, hopelessly.</p>
+<p>&ldquo;A plot to disclose,&rdquo; she added, with sharp impatience.
+&ldquo;What is it?&rdquo;</p>
+<p>&ldquo;You shall hear,&rdquo; he began, in gloomy desperation,
+without the faintest knowledge of how he should
+<span class='pagenum pncolor'><a id='page_141' name='page_141'></a>141</span>
+finish. &ldquo;I&mdash;ah&mdash;it is this&mdash;&rdquo; His wandering
+glance fell on the table and the writing materials she
+had left there. &ldquo;I wish to write a letter&mdash;a last
+letter&mdash;to a friend.&rdquo; The vague general outline of
+a project arose in his mind.</p>
+<p>Elizabeth was inclined to be as laconic as implacable.
+&ldquo;Write it,&rdquo; said she. &ldquo;There are pen and
+ink.&rdquo;</p>
+<p>&ldquo;But I can&rsquo;t write in this position,&rdquo; said Peyton,
+quickly, lest she might leave the room. &ldquo;I fear I
+can&rsquo;t even hold a pen. Will you not write for
+me?&rdquo;</p>
+<p>&ldquo;I? Secretary to a horse-thieving rebel!&rdquo;</p>
+<p>&ldquo;It is a last request, madam. A last request is
+sacred,&mdash;even an enemy&rsquo;s.&rdquo;</p>
+<p>&ldquo;I will send in some one to write for you.&rdquo; And
+she turned to go.</p>
+<p>&ldquo;But this letter will contain secrets.&rdquo;</p>
+<p>&ldquo;Secrets?&rdquo; The very word is a charm to a woman.
+Elizabeth&rsquo;s curiosity was touched but slightly,
+yet sufficiently to stay her steps for the moment.</p>
+<p>&ldquo;Ay,&rdquo; said Peyton, lowering his tone and speaking
+quickly, &ldquo;secrets not for every ear. Secrets of the
+heart, madam,&mdash;secrets so delicate that, to convey
+them truly, I need the aid of more than common tact
+and understanding.&rdquo;</p>
+<p>He watched her eagerly, and tried to repress the
+signs of his anxiety.</p>
+<div><span class='pagenum pncolor'><a id='page_142' name='page_142'></a>142</span></div>
+<p>Elizabeth considered for a moment, then went to
+the table and sat down by it.</p>
+<p>&ldquo;But,&rdquo; said she, regarding him with angry suspicion,
+&ldquo;the confession,&mdash;the plot?&rdquo;</p>
+<p>&ldquo;Why, madam,&rdquo; said he, his heart hammering
+forcefully, &ldquo;do you think I may communicate them
+to you directly? The letter shall relate them, too,
+and if the person who holds the pen for me pays
+heed to the letter&rsquo;s contents, is it my fault?&rdquo;</p>
+<p>&ldquo;I understand,&rdquo; said the woman, entrapped, and
+she dipped the quill into the ink.</p>
+<p>&ldquo;The letter,&rdquo; began Peyton, slowly, hesitating for
+ideas, and glancing at the clock, yet not retaining a
+sense of where the hands were, &ldquo;is to Mr. Bryan
+Fairfax&mdash;&rdquo;</p>
+<p>&ldquo;What?&rdquo; she interrupted. &ldquo;Kinsman to Lord
+Fairfax, of Virginia?&rdquo;</p>
+<p>&ldquo;There&rsquo;s but one Mr. Bryan Fairfax,&rdquo; said Peyton,
+acquiring confidence from his preliminary expedient
+to overcome prejudice, &ldquo;and, though he&rsquo;s on the side
+of King George in feeling, yet he&rsquo;s my friend,&mdash;a
+circumstance that should convince even you I&rsquo;m not
+scum o&rsquo; the earth, rebel though you call me. He&rsquo;s
+the friend of Washington, too.&rdquo;</p>
+<p>&ldquo;Poh! Who is your Washington? My aunt
+Mary rejected him, and married his rival in this very
+room!&rdquo;</p>
+<p>&ldquo;And a good thing Washington didn&rsquo;t marry
+<span class='pagenum pncolor'><a id='page_143' name='page_143'></a>143</span>
+her!&rdquo; said Peyton, gallantly. &ldquo;She&rsquo;d have tried
+to turn him Tory, and the ladies of this family are
+not to be resisted.&rdquo;</p>
+<p>&ldquo;Go on with your letter,&rdquo; said Elizabeth, chillingly.</p>
+<p>&ldquo;&lsquo;Mr. Bryan Fairfax,&rsquo;&rdquo; dictated Peyton, steadying
+his voice with an effort, &ldquo;&lsquo;Towlston Hall, Fairfax
+County, Virginia. My dear Fairfax: If ever these
+reach you, &rsquo;twill be from out a captivity destined,
+probably, to end soon in that which all dread, yet to
+which all must come; a captivity, nevertheless,
+sweetened by the divinest presence that ever bore
+the name of woman&mdash;&rsquo;&rdquo;</p>
+<p>Elizabeth stopped writing, and looked up, with an
+astonishment so all-possessing that it left no room
+even for indignation.</p>
+<p>Peyton, his eyes astray in the preoccupation of
+composition, did not notice her look, but, as if moved
+by enthusiasm, rose on his right leg and stood, his
+hands placed on the back of the light chair by the
+sofa, the chair&rsquo;s front being turned from him. He
+went on, with an affectation of repressed rapture:
+&ldquo;&lsquo;&rsquo;Twere worth even death to be for a short hour
+the prisoner of so superb&mdash;&rsquo;&rdquo;</p>
+<p>&ldquo;Sir, what are you saying?&rdquo; And Elizabeth
+dropped the pen, and stood up, regarding him with
+freezing resentment.</p>
+<p>&ldquo;My thoughts, madam,&rdquo; said he, humbly, meeting
+her gaze.</p>
+<div><span class='pagenum pncolor'><a id='page_144' name='page_144'></a>144</span></div>
+<p>&ldquo;How dare you jest with me?&rdquo; said she.</p>
+<p>&ldquo;Jest? Does a man jest in the face of his own
+death?&rdquo;</p>
+<p>&ldquo;&rsquo;Twas a jest to bid me write such lies!&rdquo;</p>
+<p>&ldquo;Lies? &rsquo;Fore gad, the mirror yonder will not
+call them lies!&rdquo; He indicated the oblong glass set
+in above the mantel. &ldquo;If there is lying, &rsquo;tis my eyes
+that lie! &rsquo;Tis only what they tell me, that my lips
+report.&rdquo;</p>
+<p>Keeping his left foot slightly raised from the floor,
+he pushed the chair a little towards her, and himself
+followed it, resting his weight partly on its back,
+while he hopped with his right foot. But Elizabeth
+stayed him with a gesture of much imperiousness.</p>
+<p>&ldquo;What has such rubbish to do with your confession
+and your plot?&rdquo; she demanded.</p>
+<p>&ldquo;Can you not see?&rdquo; And he now let some
+of his real agitation appear, that it might serve as
+the lover&rsquo;s perturbation which it would be well to
+display.</p>
+<p>&ldquo;My confession is of the instant yielding of my
+heart to the charms of a goddess.&rdquo;</p>
+<p>In those days lovers, real or pretended, still talked
+of goddesses, flames, darts, and such.</p>
+<p>&ldquo;Who desired your heart to yield to anything?&rdquo;
+was Miss Elizabeth&rsquo;s sharply spoken reply.</p>
+<p>&ldquo;Beauty <i>commanded</i> it, madam!&rdquo; said he, bowing
+low over his chair-back.</p>
+<div><span class='pagenum pncolor'><a id='page_145' name='page_145'></a>145</span></div>
+<p>&ldquo;So, then, there was no plot?&rdquo; Her eyes flashed
+with indignation.</p>
+<p>&ldquo;A plot, yes!&rdquo; He glanced sidewise at the
+clock, and drew self-reliance from the very situation,
+which began to intoxicate him. &ldquo;<i>My</i> plot, to attract
+you hither, by that message, that I might console
+myself for my fate by the joy of seeing you!&rdquo;</p>
+<p>&ldquo;The joy of seeing me!&rdquo; She spoke with incredulity
+and contempt.</p>
+<p>A glad boldness had come over Peyton. He felt
+himself masterful, as one feels who is drunk with
+wine; yet, unlike such a one, he had command of
+mind and body.</p>
+<p>&ldquo;Ay, joy,&rdquo; said he, &ldquo;joy none the less that you
+are disdainful! Pride is the attribute of queens,
+and tenderness is not the only mood in which a
+woman may conquer. Heaven! You can so discomfit
+a man with your frowns, <i>what</i> might you do
+with your smile!&rdquo;</p>
+<p>He felt now that he could dissimulate to fool the
+very devil.</p>
+<p>But Elizabeth, though interested as one may be in
+an oddity, seemed not otherwise impressed. &rsquo;Twas
+something, however, that she remained in the room
+to answer:</p>
+<p>&ldquo;I do not know what I have done with my frown,
+nor what I might do with my smile, but, whatever it
+be, <i>you</i> are not like to see!&rdquo;</p>
+<div><span class='pagenum pncolor'><a id='page_146' name='page_146'></a>146</span></div>
+<p>&ldquo;That I know,&rdquo; said Peyton, and added, at a reckless
+venture, &ldquo;and am consoled, when I consider that
+no other man has seen!&rdquo;</p>
+<p>&ldquo;How do you know that?&rdquo;</p>
+<p>&ldquo;Your smile is not for any common man, and I&rsquo;ll
+wager your heart is as whole as your beauty.&rdquo;</p>
+<p>She looked at him for a moment of silence, then:</p>
+<p>&ldquo;I cannot imagine why you say all this,&rdquo; quoth
+she, in real puzzlement.</p>
+<p>&ldquo;&rsquo;Tis an easing to the tortured heart to reveal
+itself,&rdquo; he answered, &ldquo;as one would fain uncover an
+inner wound, though there be no hope of cure. I
+can go the calmer to my doom for having at least
+given outlet in words to the flame kindled in a
+moment within me. My doom! Yes, and none so
+unwelcome, either, if by it I escape a lifetime of vain
+longing!&rdquo;</p>
+<p>&ldquo;Your talk is incomprehensible, sir. If you are
+serious, it must be that your head is turned.&rdquo;</p>
+<p>&ldquo;My head is turned, doubtless, but by you!&rdquo;</p>
+<p>He was now assuming the low, quick, nervous
+utterance that is often associated with intense repressed
+feeling; and his words were accompanied by
+his best possible counterfeit of the burning, piercing,
+distraught gaze of passion. Though he acted a part,
+it was not with the cold-blooded art of a mimic who
+simulates by rule; it was with the animation due to
+imagining himself actually swayed by the feeling he
+<span class='pagenum pncolor'><a id='page_147' name='page_147'></a>147</span>
+would feign. While he <i>knew</i> his emotion to be fictitious,
+he <i>felt</i> it as if it were real, and his consequent
+actions were the same as if real it were.</p>
+<p>&ldquo;I&rsquo;m sure the act was not intentional with me,&rdquo;
+said Elizabeth. &ldquo;I&rsquo;d best leave you, lest you grow
+worse.&rdquo; And she moved towards the door.</p>
+<p>Peyton had rapid work of it, pushing the chair
+before him and hopping after it, so as to intercept
+her. In the excitement of the moment, he lost his
+mastery of himself.</p>
+<p>&ldquo;But you must not go! Hear me, I beg! Good
+God, only a half hour left!&rdquo;</p>
+<p>&ldquo;A half hour?&rdquo; repeated Elizabeth, inquiringly.</p>
+<p>&ldquo;I mean,&rdquo; said Peyton, recovering his wits, &ldquo;a
+half hour till the troops may be here for me,&mdash;only
+a half hour until I must leave your house forever!
+Do not let me be deprived of the sight of you for
+those last minutes! Tis so short a time, yet &rsquo;tis all
+my life!&rdquo;</p>
+<p>&ldquo;The man is mad, I think!&rdquo; She spoke as if
+to herself.</p>
+<p>&ldquo;Mad!&rdquo; he echoed. &ldquo;Yes, some do call it a madness&mdash;the
+love that&rsquo;s born of a glance, and lasts till
+death!&rdquo;</p>
+<p>&ldquo;Love!&rdquo; said she. &ldquo;&rsquo;Tis impossible you should
+come to love me, in so short a time.&rdquo;</p>
+<p>&ldquo;&rsquo;Tis born of a glance, I tell you!&rdquo; he cried.
+&ldquo;What is it, if not love, that makes me forget my
+<span class='pagenum pncolor'><a id='page_148' name='page_148'></a>148</span>
+coming death, see only you, hear only you, think of
+only you? Why do I not spend this time, this last
+hour, in pleading for my life, in begging you to hide
+me and send the troops away without me when they
+come? They would take your word, and you are a
+woman, and women are moved by pleading. Why,
+then, do I not, in the brief time I have left, beg for
+my life? Because my passion blinds me to all else,
+because I would use every moment in pouring out
+my heart to you, because my feelings must have outlet
+in words, because it is more than life or death to
+me that you should know I love you!&mdash;God, how
+fast that clock goes!&rdquo;</p>
+<p>She had stood in wonderment, under the spell of
+his vehemence. Now, as he leaned towards her,
+over the chair-back, his breath coming rapidly, his
+eyes luminous, she seemed for a moment abashed,
+softened, subdued. But she put to flight his momentary
+hope by starting again for the doorway, with a
+low-spoken, &ldquo;I must go!&rdquo;</p>
+<p>But he thrust his chair in her way.</p>
+<p>&ldquo;Nay, don&rsquo;t go!&rdquo; he said. &ldquo;You may hear my
+avowal with propriety. My people are as good as
+any in Virginia.&rdquo;</p>
+<p>She stood regarding him with a look of scrutiny.</p>
+<p>&ldquo;You are a rebel against your king,&rdquo; she said,
+but not harshly.</p>
+<p>&ldquo;Is not the King soon to have his revenge?
+<span class='pagenum pncolor'><a id='page_149' name='page_149'></a>149</span>
+And is that a reason why you should leave me
+now?&rdquo;</p>
+<p>&ldquo;You deserted your first colors.&rdquo;</p>
+<p>&ldquo;&rsquo;Twas in extraordinary circumstances, and in the
+right cause. And is that a reason why you&mdash;&rdquo;</p>
+<p>&ldquo;You took my horse.&rdquo;</p>
+<p>&ldquo;But paid you for it, and you have your horse
+again. Abuse me, madam, but do not go from me.
+Call me rebel, deserter, robber, what you will, but
+remain with me. Denunciation from your lips is
+sweeter than praise from others. Chastise me,
+strike me, trample on me,&mdash;I shall worship you
+none the less!&rdquo;</p>
+<p>He inclined his body further forward over the
+chair-back, and thus was very near her. She put
+out her hand to repel him. He moved back with
+humility, but took her hand and kissed it, with an
+appearance of passion qualified by reverence.</p>
+<p>&ldquo;How dare you touch my hand?&rdquo; And she
+quickly drew it from him.</p>
+<p>&ldquo;A poor wretch who loves, and is soon to die,
+dares much!&rdquo;</p>
+<p>&ldquo;You seem resigned to dying,&rdquo; she remarked.</p>
+<p>&ldquo;Have I not said &rsquo;tis better than living with a
+hopeless passion?&rdquo;</p>
+<p>&ldquo;And yet death,&rdquo; she said, &ldquo;<i>that</i> kind of a
+death is not pleasant.&rdquo;</p>
+<p>&ldquo;I&rsquo;m not afraid of it,&rdquo; said he, wondering how the
+<span class='pagenum pncolor'><a id='page_150' name='page_150'></a>150</span>
+minutes were running, yet not daring the loss of
+time to look. &ldquo;&rsquo;Tis not in consigning me to the
+enemy that you have your revenge on me, &rsquo;tis in
+making me vainly love you. I receive the greater
+hurt from your beauty, not from the British provost-marshal!&rdquo;</p>
+<p>&ldquo;Bravado!&rdquo; said she.</p>
+<p>&ldquo;Time will show,&rdquo; said he.</p>
+<p>&ldquo;If you are so strong a man that you can endure
+the one hurt so calmly, why are you not a little
+stronger,&mdash;strong enough to ignore this other hurt,&mdash;this
+<i>love</i>-wound, as you call it?&rdquo;</p>
+<p>She blushed furiously, and much against her will,
+at the mere word, &ldquo;love-wound.&rdquo; Her mood now
+seemed to be one of pretended incredulity, and yet
+of a vague unwillingness that the man should be so
+weak to her charms.</p>
+<p>Peyton conceived that a change of play might aid
+his game.</p>
+<p>&ldquo;By heaven,&rdquo; he cried, &ldquo;I will! &rsquo;Tis a weakness,
+as you imply! I shall close my heart, vanquish my
+feelings! No word more of love! I defy your
+beauty, your proud face, your splendid eyes! I
+shall die free of your image. Go where you will,
+madam. It sha&rsquo;n&rsquo;t be a puling lover that the British
+hang. A snap o&rsquo; the finger for your all-conquering
+charms!&mdash;why do you not leave me?&rdquo;</p>
+<p>&ldquo;What! Do you order me from my own parlor?&rdquo;</p>
+<div><span class='pagenum pncolor'><a id='page_151' name='page_151'></a>151</span></div>
+<p>Hope accelerated Peyton&rsquo;s heart at this, but he
+feigned indifference.</p>
+<p>&ldquo;Go or stay,&rdquo; he said; &ldquo;&rsquo;tis nothing to me!&rdquo;</p>
+<p>&ldquo;You rebel, you speak like that to me!&rdquo;</p>
+<p>Her speech rang with genuine anger, and of a
+little hotter quality than he had thought to raise.</p>
+<p>He was about to answer, when suddenly a sound,
+far and faint, reached his ear. &ldquo;Isn&rsquo;t that&mdash;do you
+hear&mdash;&rdquo; he said, huskily, and turning cold.</p>
+<p>&ldquo;Horses?&rdquo; said Elizabeth. &ldquo;Yes,&mdash;on the road
+from King&rsquo;s Bridge.&rdquo;</p>
+<p>She went to one of the eastern windows, opened
+the sash, unfastened the shutter without, and let in
+a rush of cold air. Then she closed the sash and
+looked out through the small panes.</p>
+<p>&ldquo;Is it&mdash;&rdquo; said Peyton, quietly, with as much
+steadiness as he could command, &ldquo;I wonder&mdash;can
+it be&mdash;&rdquo;</p>
+<p>&ldquo;A troop of rangers!&rdquo; said Elizabeth. &ldquo;And
+Sam is with them!&rdquo; She closed the shutter, and
+turned to Peyton, her face still glowing with the resentment
+elicited by the cavalier attitude he had
+assumed before this alarm. &ldquo;Go or stay, &rsquo;tis nothing
+to you, you said! The last insult, Sir Rebel
+Captain!&rdquo; and she made for the door.</p>
+<p>&ldquo;You mustn&rsquo;t go! You mustn&rsquo;t go!&rdquo; was the
+only speech he could summon. But she was already
+passing him. He snatched a kerchief from her dress,
+<span class='pagenum pncolor'><a id='page_152' name='page_152'></a>152</span>
+and dropped it on the floor. She did not observe
+his act. &ldquo;Pardon me!&rdquo; he cried. &ldquo;Your kerchief!
+You&rsquo;ve dropped it, don&rsquo;t you see?&rdquo;</p>
+<p>She turned and saw it on the floor.</p>
+<p>Peyton quickly stepped from behind his chair,
+stooped and picked up the kerchief, kissed it, and
+handed it to her, then staggered to his former support,
+showing in his face and by a groan the pain
+caused him by his movement.</p>
+<p>&ldquo;Your wound!&rdquo; said Elizabeth, standing still.
+&ldquo;You shouldn&rsquo;t have stooped!&rdquo;</p>
+<p>Harry&rsquo;s pain and consequent weakness, added to
+his consciousness of the rapidly approaching enemy,
+who had already turned in from the main road,
+gave him a pallor that would have claimed the
+attention of a less compassionate woman even than
+Elizabeth.</p>
+<p>&ldquo;No matter!&rdquo; he murmured, feebly. Then, as if
+about to swoon, he threw his head back, lost his hold
+of the chair-back, and staggered to the spinet. Leaning
+on this, he gasped, &ldquo;My cravat! I feel as if I
+were choking!&rdquo; and made some futile effort with his
+hand to unfasten the neck-cloth. &ldquo;Would you,&rdquo; he
+panted, &ldquo;may I beg&mdash;loosen it?&rdquo;</p>
+<p>She went to his side, undid the cravat, and otherwise
+relieved his neck of its confinement. She could
+not but meet his gaze as she did so. It was a gaze
+of eager, adoring eyes. He feebly smiled his thanks,
+<span class='pagenum pncolor'><a id='page_153' name='page_153'></a>153</span>
+and spoke, between short breaths, the words, &ldquo;The
+hour&mdash;I love you&mdash;yes, the troops!&rdquo;</p>
+<p>The horses were clattering up towards the house.</p>
+<p>A voice of command was heard through the
+window.</p>
+<p>&ldquo;Halt! Guard the windows and the rear, you
+four!&rdquo;</p>
+<p>&ldquo;Colden&rsquo;s voice!&rdquo; exclaimed Peyton.</p>
+<p>Elizabeth was somewhat startled. &ldquo;He must
+have been still at King&rsquo;s Bridge when Sam arrived,&rdquo;
+said she.</p>
+<p>&ldquo;He must be a close friend,&rdquo; said Peyton.</p>
+<p>&ldquo;He is my affianced husband.&rdquo;</p>
+<p>Peyton staggered, as if shot, around the projection
+of the spinet, and came to a rest in the small space
+between that projection and the west wall of the
+room. &ldquo;Her affianced! Then it&rsquo;s all up with me!&rdquo;</p>
+<p>The outside door was heard to open. Elizabeth
+turned her back towards the spinet and Peyton, and
+faced the door to the hall. That, too, was flung
+wide. Peyton dropped on his right knee, behind the
+spinet, leaning forward and stretching his wounded
+leg out behind him, just as Colden rushed in at the
+head of six of the Queen&rsquo;s Rangers, who were armed
+with short muskets. The major stopped short at
+sight of Elizabeth, and the rangers stood behind him,
+just within the door. Peyton was hidden by the
+spinet.</p>
+<div><span class='pagenum pncolor'><a id='page_154' name='page_154'></a>154</span></div>
+<p>&ldquo;Where is the rebel, Elizabeth?&rdquo; cried Colden.</p>
+<p>She met his gaze straight, and spoke calmly, with
+a barely perceptible tremor.</p>
+<p>&ldquo;You are too late, Jack! The prisoner has eluded
+me. Look for him on the road to Tarrytown,&mdash;and
+be quick about it, for God&rsquo;s sake!&rdquo;</p>
+<p>Colden drew back aghast, thrown from the height
+of triumph to the depth of chagrin. Peyton, fearing
+lest the one joyous bound of his heart might have
+betrayed him, remained perfectly still, knowing that
+if any movement should take Elizabeth from between
+the soldiers and the projection of the spinet, or if the
+soldiers should enter further and chance to look under
+the spinet, he would be seen.</p>
+<p>&ldquo;Don&rsquo;t you understand?&rdquo; said Elizabeth, assuming
+one impatience to conceal another. &ldquo;There&rsquo;s
+no time to lose! &rsquo;Twas the rebel Peyton! He&rsquo;s
+afoot!&rdquo;</p>
+<p>&ldquo;The road to Tarrytown, you say?&rdquo; replied Colden,
+gathering back his faculties.</p>
+<p>&ldquo;Yes, to Tarrytown! Why do you wait?&rdquo; Her
+vehemence of tone sufficed to cover the growing
+insupportability of her situation.</p>
+<p>&ldquo;To the road again, men!&rdquo; Colden ordered. &ldquo;Till
+we meet, Elizabeth!&rdquo; And he hastened, with the
+rangers, from the place.</p>
+<div class='figtag'>
+<a name='linki_5' id='linki_5'></a>
+</div>
+<div class='figcenter'>
+<img src='images/i003.jpg' alt='' title='' width='324' height='500' /><br />
+<p class='caption'>
+&ldquo;&lsquo;YOU ARE TOO LATE, JACK!&rsquo;&rdquo;<br />
+</p>
+</div>
+<p>Peyton and Elizabeth remained motionless till the
+sound of the horses was afar. Then Elizabeth called
+<span class='pagenum pncolor'><a id='page_155' name='page_155'></a>155</span>
+Williams, who, as she had supposed, had come into
+the hall with the rangers. He now entered the
+parlor. Elizabeth, whose back was still towards Peyton,
+who had risen and was leaning on the spinet,
+addressed the steward in a low, embarrassed tone, as
+if ashamed of the weakness newly come over her.</p>
+<p>&ldquo;Williams, this gentleman will remain in the
+house till his wound is healed. His presence is to
+be a secret in the household. He will occupy the
+southwestern chamber.&rdquo; She then turned and spoke,
+in a constrained manner, to Peyton, not meeting his
+look. &ldquo;It is the room your General Washington had
+when he was my father&rsquo;s guest.&rdquo;</p>
+<p>With an effort, she raised her eyes to his, but
+shyly dropped them again. He bowed his thanks
+gravely, rather shamefaced at the success of his
+deception. A moment later, Elizabeth, with averted
+glance, walked quickly from the room.</p>
+<hr class='toprule' />
+<div class='chsp'>
+<span class='pagenum pncolor'><a id='page_156' name='page_156'></a>156</span>
+<a name='CHAPTER_VIII_THE_SECRET_PASSAGE' id='CHAPTER_VIII_THE_SECRET_PASSAGE'></a>
+<h2>CHAPTER VIII.</h2>
+<h3>THE SECRET PASSAGE.</h3>
+</div>
+<p class='dropcap'><span class='dcap'>The</span> steward immediately set about preparing the
+designated chamber for occupancy, so that Peyton,
+on being carried up to it a few minutes later, found
+it warm and lighted. It was a large, square, panelled
+apartment, in which the fireplace of 1682 remained
+unchanged, a wide, deep, square opening, faced with
+Dutch tile, of which there were countless pieces,
+each piece having a picture of some Scriptural incident.
+Into this fireplace, where a log was burning
+crisply, Peyton gazed languidly as he lay on the bed,
+his clothes having been removed by black Sam, who
+had been assigned to attend him, and who now lay
+in the wide hall without. Williams had taken another
+look at the wound, and expressed a favorable
+opinion of its condition. A lighted candle was placed
+within Peyton&rsquo;s reach, on a table by the bedside.
+Williams had brought him, at Elizabeth&rsquo;s orders,
+part of what remained from the general supper.
+The captain felt decidedly comfortable.</p>
+<p>He supposed that Colden, after abandoning the
+false chase, would make another call at the house,
+<span class='pagenum pncolor'><a id='page_157' name='page_157'></a>157</span>
+but he inferred from Elizabeth&rsquo;s previous conduct
+that she could and would send the Tory major and
+the rangers back to King&rsquo;s Bridge without opportunity
+of discovering her guest. And, indeed, Elizabeth
+had so provided. On returning to the dining-room
+from her fateful interview with Peyton, she
+had answered the astonished and inquisitive looks of
+Miss Sally and Mr. Valentine, by saying, in an abrupt
+and reserved manner, &ldquo;For important reasons I have
+chosen not to give the prisoner up. He will stay in
+the house for a time, and nobody is to know he is
+here. Please remember, Mr. Valentine.&rdquo; The old
+man tried to recall Peyton&rsquo;s words in asking him to
+send Elizabeth to the parlor, and made a mental
+effort to put this and that together; failing in which,
+he decided to repeat nothing of Peyton&rsquo;s conversation,
+lest it might in some way appear that he had
+&ldquo;lent aid.&rdquo; He now lighted his lantern, and sallied
+forth on his long walk homeward over the windswept
+roads. Elizabeth, who, much to the dismay
+of her aunt&rsquo;s curiosity, had not broken silence save
+to give orders to the servants, now charged Williams
+to stay up till Colden should return, and to
+inform him that all were abed, that there was no
+news of the escaped prisoner, and that she desired
+the major to hasten to New York and relieve her
+family&rsquo;s anxiety. This command the steward executed
+about midnight, with the result that the
+<span class='pagenum pncolor'><a id='page_158' name='page_158'></a>158</span>
+major, utterly tired out and sadly disappointed, rode
+away from the manor-house a third time that night,
+more disgruntled than on either of the two previous
+occasions. By this time the house was dark and
+silent, Elizabeth and her aunt having long retired,
+the latter with a remark concerning the effect of late
+hours on the complexion, a hope that Mr. Valentine
+would not fall into a puddle on the way home, and
+a curiosity as to how the rebel captain fared.</p>
+<p>The rebel captain, afar in his spacious chamber,
+was mentally in a state of felicity. As he ceased to
+remember the conquered, abashed look Elizabeth&rsquo;s
+face had last worn, he ceased to feel ashamed of
+having deceived her. Her earlier manner recurred
+to his mind, and he jubilated inwardly over having
+got the better of this arrogant and vengeful young
+creature. Even had she been otherwise, and had
+his life depended on tricking her with a pretence
+of love, he would have valued his life far above her
+feelings, and would not have hesitated to practise
+on her a falsehood that many a gentleman has
+practised on many a maid for no higher purpose
+than for the sport or for the testing of his powers,
+and often for no other purpose than the maid&rsquo;s
+undoing in more than her feelings. How much
+less, then, need he consider her feelings when he
+regarded her as an enemy in war, of whom it
+was his right to take all possible advantage for
+<span class='pagenum pncolor'><a id='page_159' name='page_159'></a>159</span>
+the saving of his own or any other American soldier&rsquo;s
+life! These thoughts came only at those
+moments when it occurred to him that his act
+might need justification. But if he thought he
+was entitled to avail himself of these excuses, he
+deceived himself, for no such considerations had
+been in his mind before or during his act. He
+had proceeded on the impulse of self-preservation
+alone, with no further thought as to the effect on
+her feelings than the hope that her feelings would
+be moved in his behalf. He had been totally selfish
+in the matter, and yet, while it is true he had not
+stopped to reason whether the act was morally
+justifiable or not, he had <i>felt</i> that her attitude
+warranted his deception, or, rather, he had not
+felt that the deception was a discreditable act, as
+he might have felt had her attitude been kindlier.
+Even had he possessed any previous scruples about
+that act, he would have overcome them. As it
+was, the scruples came only when he thought of
+that new, chastened, subdued look on her face.
+Only then did he feel that his trick might be debatable,
+as to whether it became a gentleman.
+Only then did he take the trouble to seek justifiable
+circumstances. Only then did he have a dim
+sense of what might be the feelings of a girl
+suddenly stormed into love. He had never been
+sufficiently in love to know how serious a feeling&mdash;serious
+<span class='pagenum pncolor'><a id='page_160' name='page_160'></a>160</span>
+in its tremendous potency for joy or
+pain&mdash;love is. In Virginia, in London, and in
+Ireland, he had indulged himself in such little
+flirtations, such amours of an hour, as helped make
+up a young gentleman&rsquo;s amusements. But he had
+long been, as he was now, heart-free, and, though
+it occurred to him that, in this girl, so great a
+change of mien must arise from a pronounced
+change of heart, he had no thought that her new
+mood could have deep root or long life. So, less
+from what thoughts he did have on the subject
+than from his absence of thought thereon, he lapsed
+into peace of mind, and went to sleep, rejoicing in
+his security and trusting it would last. Her face
+did not appear in his dreams. He had not retained
+a strong or accurate impression of that face. His
+mind had been too full of other things, even while
+enacting his impromptu love-scene, to make note
+of her beauty. He had been sensible, of course,
+that she was beautiful, but there had not been
+time or circumstance for flirtation. He had not
+for an instant viewed her as a possible object of
+conquest for its own sake. She had been to him
+only an enemy, in the shape of a beautiful young
+girl, and of whom it had become necessary to make
+use. And so his dreams that night were made up
+of wild cavalry charges, rides through the wind,
+and painful crushings and tearings of his leg.</p>
+<div><span class='pagenum pncolor'><a id='page_161' name='page_161'></a>161</span></div>
+<p>Elizabeth&rsquo;s thoughts were in a whirl, her feelings
+beyond analysis. She was sensible mainly of a
+wholly novel and vast pleasure at the adoration so
+impetuously expressed for her by this audacious
+stranger, of a pride in his masterful way, of applause
+for that very manner which she had rebuked
+as insolence. Was this love at last? Undoubtedly;
+for she had read all the romances and plays and
+poems, and, if this feeling of hers were a thing other
+than the love they all described, they would have
+described such a feeling also. Because she had never
+felt its soft touch before, she had thought herself
+exempt from it. But now that it had found lodgment
+in her, she knew it at once, from the very fact
+that in a flash she understood all the romances and
+plays and poems that had before interested her but
+as mere tales, whose motives had seemed arbitrary
+and insufficient. Now they all took reality and
+reason. She knew at last why Hero threw herself
+into the Hellespont after Leander, why all that commotion
+was caused by Helen of Troy, why Oriana
+took such trouble for Mirabel, why Juliet died on
+Romeo&rsquo;s body, why Miss Richland paid Honeywood&rsquo;s
+debts. The moon, rushing through a cleft
+in the clouds (she had opened one of the shutters on
+putting out the candles), had for her a sudden beauty
+which accounted for the fine things the poets had
+said of it and love together. Yes, because it opened
+<span class='pagenum pncolor'><a id='page_162' name='page_162'></a>162</span>
+on her world of romance a magic window, letting in
+a wondrous light, waking that world to throbbing
+life, clothing it with indescribable charm, she knew
+the name of the key that had unlocked her own
+heart. Now she knew them all,&mdash;the heroes, the
+fairy princes, the knights errant; perceived that
+they were real and live, recognized their traits and
+manners, their very faces, in that bold, free, strong
+young rebel; he was Orlando, and Lovelace, and
+Prince Charming, and &AElig;neas, and Tom Jones, and
+King Harry the Fifth, and young Marlowe, and even
+Captain Macheath (she had read forbidden books
+guilelessly, in course of reading everything at hand),
+and Roderick Random, and Captain Plume, and all
+the conquering, gallant, fine young fellows, at the
+absurd weakness of whose sweethearts she had
+marvelled beyond measure. She understood that
+weakness now, and knew, too, why those sweethearts
+had, in the first delicious hours of their weakness,
+trembled and dropped their eyes before those
+young gentlemen. For, as she mentally beheld his
+image, she felt her own cheeks glow, and in imagination
+was fain to drop her own eyes before his bold,
+unquailing look. She wondered, with confusion and
+unseen blushes, how she would face him at their
+next meeting, and felt that she must not, could not,
+be the one to cause that meeting. Right surely had
+this fair castle, that had withstood many a long siege,
+<span class='pagenum pncolor'><a id='page_163' name='page_163'></a>163</span>
+fallen now at a single onslaught, and that but a sham
+onslaught. The haughty princess in her tower had
+not longed for the prince, but the prince had arrived,
+not to her rescue, but to the taming of her. And
+alas! the prince, whom she fondly thought her lover,
+was no more lover of her than of the picture of her
+female ancestor on his bedroom wall!</p>
+<p>She gave no thought to consequences, and, as for
+Jack Colden, she simply, by power of will, kept him
+out of her mind.</p>
+<p>It was three days before Peyton could walk about
+his room, and two days more before he felt sufficient
+confidence in his wounded leg to come down-stairs
+and take his meals with the household. And even
+then, refusing a crutch, he used a stick in moving
+about. During the five days when he kept his room,
+he was waited on alternately by Sam and Cuff, who
+served at his bath and brought his food; and occasionally
+Molly carried to him at dinner some belated
+delicacy or forgotten dish. Williams, too, visited
+him daily, and expressed a kind of professional satisfaction
+at the uninterrupted healing of the wound,
+which the steward treated with the mysterious applications
+known to home surgery. Williams lent his
+own clean linen to Harry, while Harry&rsquo;s underwent
+washing and mending at the hands of the maid.
+Old Valentine, who visited the house every day, the
+weather being cold and sometimes cloudy, but without
+<span class='pagenum pncolor'><a id='page_164' name='page_164'></a>164</span>
+rain, called at the sick chamber now and then,
+and filled it with tobacco smoke, homely philosophy,
+and rustic reminiscence. Harry had no other visitors.
+During these five days he saw not Elizabeth
+or Miss Sally, save from his window twice or thrice,
+at which times they were walking on the terrace.
+In daytime, when no artificial light was in the room
+to betray to some possible outsider the presence of
+a guest, he had the shutters opened of one of the
+two south windows and of one of the two west ones.
+Often he reclined near a window, pleasing his eyes
+with the view. Westward lay the terrace, the wide
+river, the leafy, cliffs, and fair rolling country beyond.
+His eye could take in also the deer paddock, which
+the hand of war had robbed of its inmates, and
+the great orchard northward overlooking the river.
+Through the south window he could see the little
+branch road and boat-landing, the old stone mill, the
+winding Neperan and its broad mill-pond, and the
+sloping, ravine-cut, wooded stretch of country, between
+the post-road on the left and the deep-set
+Hudson on the right. The spire of St. John&rsquo;s
+Church, among the yew-trees, with the few edifices
+grouped near it, broke gratefully the deserted aspect
+of things, at the left. The spacious scene, so richly
+filled by nature, had in its loneliness and repose a
+singular sweetness. Rarely was any one abroad.
+Only when the Hessians or Loyalist dragoons patrolled
+<span class='pagenum pncolor'><a id='page_165' name='page_165'></a>165</span>
+the post-road, or when some British sloop-of-war
+showed its white sails far down the river, was
+there sign of human life and conflict. The deserted
+look of things was in harmony with the spirit of a
+book with which Harry sweetened the long hours
+of his recovery. It was a book that Elizabeth had
+sent up for his amusement, called &ldquo;The Man of Feeling,&rdquo;
+and there was something in the opening picture
+of the venerable mansion, with its air of melancholy,
+its languid stillness, its &ldquo;single crow, perched on an
+old tree by the side of the gate,&rdquo; and its young lady
+passing between the trees with a book in her hand,
+that harmonized with his own sequestered state. He
+liked the tale better than the same author&rsquo;s later
+novel, &ldquo;The Man of the World,&rdquo; which he had read
+a few years before. Every day he inquired about his
+hostess&rsquo;s health, and sent his compliments and thanks.
+He was glad she did not visit him in person, for such
+a visit might involve an allusion to their last previous
+interview, and he did not know in what manner
+he should make or treat such allusion. He felt it
+would be an awkward matter to get out of the
+situation of pretended adorer, and he was for putting
+that awkward matter off till the last possible
+moment.</p>
+<p>It was necessary for him to think of his return to
+the army. Duty and inclination required he should
+make that return as soon as could be. His first impulse
+<span class='pagenum pncolor'><a id='page_166' name='page_166'></a>166</span>
+had been to send word of his whereabouts and
+condition. But as Elizabeth had not offered a messenger,
+he was loath to ask for one. Moreover, the
+messenger might be intercepted by the enemy&rsquo;s
+patrols and induced by fear to betray the message.
+Then, too, even if the messenger should reach the
+American lines uncaught, a consequent attempt to
+convey a wounded man from the manor hall to the
+camp might attract the attention of the vigilant
+patrols, and risk not only Harry&rsquo;s own recapture, but
+also the loss of other men. Decidedly, the best
+course was to await the healing of his wound, and
+then to make his way alone, under cover of night,
+to the army. He knew that, whatever might occur,
+it was now Elizabeth&rsquo;s interest to protect him, for
+should she give him up, the disclosure that she
+had formerly shielded him would render her liable to
+suspicion and ridicule. He felt, too, from the manifestations
+he had seen of her will and of her ingenuity,
+that she was quite able to protect him. So he
+rested in security in the quiet old chamber, dreading
+only the task of taking back his love-making. Of
+that task, the difficulty would depend on Elizabeth&rsquo;s
+own conduct, which he could not foresee, and that in
+turn on her state of heart, which he did not exactly
+divine. He knew only that she had, in that critical
+moment of the troops&rsquo; arrival, felt for him a tenderness
+that betokened love. Whether that feeling had
+<span class='pagenum pncolor'><a id='page_167' name='page_167'></a>167</span>
+flourished or declined, he could not, during the five
+days when they did not meet, be aware.</p>
+<p>It had not declined. She had gone on idealizing
+the confident rebel captain all the while. The fact
+that he was of the enemy added piquancy to the sentiments
+his image aroused. It lent, too, an additional
+poetic interest to the idea of their love. Was not
+Romeo of the enemies of Juliet&rsquo;s house? The fact
+of her being now his protector, by its oppositeness
+to the conventional situation, gave to their relation
+the charm of novelty, and also gratified her natural
+love of independence and domination. Yet that
+very love, in a woman, may afford its owner keen
+delight by receiving quick and confident opposition
+and conquest from a man, and such Elizabeth&rsquo;s had
+received from Peyton, both in the matter of the
+horse and in that of his successful wooing. But
+the greater her softness for him, the greater was her
+delicacy regarding him, and the more in conformity
+with the strictest propriety must be her conduct
+towards him. Her pride demanded this tribute of
+her love, in compensation for the latter&rsquo;s immense
+exactions on the former in the sudden yielding to his
+wooing. Moreover, she would not appear in anything
+short of perfection in his eyes. She would
+not make her company cheap to him. If she had
+been a quick conquest, up to the point of her first
+token of submission, she would be all the slower in
+<span class='pagenum pncolor'><a id='page_168' name='page_168'></a>168</span>
+the subsequent stages, so that the complete yielding
+should be no easier than ought to be that of one
+valued as she would have him value her. All this
+she felt rather than thought, and she acted on it
+punctiliously.</p>
+<p>She did not confide in her aunt, though that lady
+watched her closely and had her suspicions. Yet
+there was apparent so little warrant for these suspicions,
+save the protection of the rebel in itself, that
+Miss Sally often imagined Elizabeth had other reasons,
+reasons of policy, for the sudden change of
+intention that had resulted in that protection. Elizabeth&rsquo;s
+conduct was always so mystifying to everybody!
+And when this thought possessed Miss Sally, she
+underwent a pleasing agitation, which she in turn
+kept secret, and which attended the hope that perhaps
+the handsome captain might not be averse to
+her conversation. She had both read and observed
+that the taste of youth sometimes was for ripeness.
+She might atone, in a measure, for Elizabeth&rsquo;s disdain.
+She would have liked to visit him daily, with
+condolence and comfortings, but she could not do
+so without previous sanction of the mistress of the
+house, which sanction Elizabeth briefly but very
+peremptorily refused. Miss Sally thought it a cruelty
+that the prisoner should be deprived of what
+consolation her society might afford, and dwelt on
+this opinion until she became convinced he was
+<span class='pagenum pncolor'><a id='page_169' name='page_169'></a>169</span>
+actually pining for her presence. This made her
+poutish and reproachfully silent to Elizabeth, and
+sighful and whimsical to herself. The slightly
+strained feeling that arose between aunt and niece
+was quite acceptable to Elizabeth, as it gave her
+freedom for her own dreams, and prohibited any
+occasion for an expression of feelings or opinions of
+her own as to the captain. But Miss Sally&rsquo;s symptoms
+were observed by old Mr. Valentine, who,
+inferring their cause, underwent much unrest on
+account of them, became snappish and sarcastic
+towards the lady, watchful both of her and of
+Peyton, and moody towards the others in the house.
+It was the old man&rsquo;s disquietude regarding the state
+of Miss Sally&rsquo;s affections that brought him to the
+house every day. For one brief while he considered
+the advisability of transferring his attentions back
+from Miss Sally to the widow Babcock, who had
+possessed them first, but, when he tarried in the parsonage,
+his fears as to what might be going on in the
+manor-house made his stay in the former intolerable,
+and led him irresistibly to the latter.</p>
+<p>Meanwhile the wounded guest, so unconscious
+of the states of mind caused by him in the household,
+was the evoker of flutters in yet another female
+breast. The girl, Molly, had read toilsomely through
+&ldquo;Pamela,&rdquo; and saw no reason why an equally attractive
+housemaid should not aspire to an equally high
+<span class='pagenum pncolor'><a id='page_170' name='page_170'></a>170</span>
+destiny on this side of the ocean. But, often as she
+artfully contrived that the black boy should forget
+some part of the guest&rsquo;s dinner, and timely as she
+planned her own visits with the missing portion,
+she found the officer heedless of her smiles, engrossed
+sometimes in his meal, sometimes in his
+book, sometimes in both. She conceived a loathing
+for that book, more than once resisted a temptation
+to make way with it, and, having one day stolen a
+look into it, thenceforth abominated the poor young
+lady of it, with all the undying bitterness of an
+unpreferred rival.</p>
+<p>Though Elizabeth and her aunt found each other
+reticent, they yet passed their time together, breakfasting
+early, then visiting the widow Babcock or
+some tenant, dining at noon, spending the early
+afternoon, the one at her book or embroidery, the
+other in a siesta before the fireplace, supping early,
+then preparing for the night by a brisk walk in the
+garden, or on the terrace, or to the orchard and back.
+Elizabeth had Williams provided with instructions as
+to his conduct in the event of a visit from King&rsquo;s
+troops, and, to make Peyton&rsquo;s security still less
+uncertain, she confined her walks to the immediate
+vicinity. The house itself was kept in a pretence
+of being closed, the shutters of the parlor being skilfully
+adjusted to admit light, and yet, from the road,
+appear fast.</p>
+<div><span class='pagenum pncolor'><a id='page_171' name='page_171'></a>171</span></div>
+<p>Thus Elizabeth, finding enjoyment in the very
+look and atmosphere of the old house, fulfilled
+quietly the purpose of her capricious visit, and at
+the same time cherished a dreamy pleasure such
+as she had not thought of finding in that visit.</p>
+<p>On the fifth day after Peyton&rsquo;s arrival, Williams
+announced that the captain would venture down-stairs
+on the morrow. The next morning Elizabeth
+waited in the east parlor to receive him. Whatever
+inward excitement she underwent, she was on the
+surface serene. She was dressed in her simplest,
+having purposely avoided any appearance of desiring
+to appear at her best. Her aunt, who stood with her,
+on the other side of the fireplace, was perceptibly
+flustered, being got up for the occasion, with ribbons
+in evidence and smiles ready for production
+on the instant. When the west door opened, and
+the awaited hero entered, pale but well groomed,
+using his cane in such fashion that he could carry
+himself erectly, Elizabeth greeted him with formal
+courtesy. Though her manner had the repose
+necessary to conceal her sweet agitation, an observant
+person might have noticed a deference, a kind
+of meekness, that was new in her demeanor towards
+men. Peyton, whose mien (though not his feeling)
+was a reflex of her own, was relieved at this appearance
+of indifference, and hoped it would continue.
+His mind being on this, the stately curtsey and
+<span class='pagenum pncolor'><a id='page_172' name='page_172'></a>172</span>
+profuse smirks of Miss Sally were quite lost on
+him.</p>
+<p>The three breakfasted together in the dining-room,
+a large and cheerful apartment whose front
+windows, looking on the lawn, were the middle
+features of the eastern facade of the house. The
+mass of decorative woodwork, and the fireplace in
+the north side of the room, added to its impression
+of comfort as well as to its beauty. Conversation
+at the breakfast was ceremonious and on the most
+indifferent subjects, despite the attempts of Miss
+Sally, who would have monopolized Peyton&rsquo;s attention,
+to inject a little cordial levity. After breakfast
+Elizabeth, to avoid the appearance of distinguishing
+the day, took her aunt off for the usual walk, which
+she purposely prolonged to unusual length, much to
+Miss Sally&rsquo;s annoyance. Peyton passed the morning
+in reading a new play that had made great talk
+in London the year before, namely, &ldquo;The School
+for Scandal.&rdquo; It was one of the new books received
+by Colonel Philipse from London, by a recent
+English vessel,&mdash;plays being, in those days, good
+enough to be much read in book form,&mdash;and
+brought out from town by Elizabeth. The dinner
+was, as to the attitude of the participants towards
+one another, a repetition of the breakfast. In the
+afternoon, Peyton having expressed an intention of
+venturing outdoors for a little air, Elizabeth assigned
+<span class='pagenum pncolor'><a id='page_173' name='page_173'></a>173</span>
+Sam to attend him, and said that, as he had
+to traverse the south hall and stairs in going to his
+room, he might thereafter put to his own service
+the unused south door in leaving and entering the
+house. Harry strolled for a few minutes on the
+terrace, but his lameness made walking little pleasure,
+and he returned to the east parlor, where
+Elizabeth sat reading while her aunt was looking
+drowsily at the fire. Peyton took a chair at the
+right side of the fireplace, and mentally contrasted
+his present security with his peril in that place on
+a former occasion.</p>
+<p>The trampling of horses at a distance elicited
+from Elizabeth the words, &ldquo;The Hessian patrol, on
+the Albany road, as usual, I suppose.&rdquo; But, the
+clatter increasing, she arose and looked through
+the narrow slit whereby light was admitted between
+the almost closed shutters. After a moment she
+said, in unconcealed alarm:</p>
+<p>&ldquo;Oh, heaven! &rsquo;Tis a party of Lord Cathcart&rsquo;s
+officers! They said at King&rsquo;s Bridge they&rsquo;d come
+one day to pay their respects. How can I keep
+them out?&rdquo;</p>
+<p>Peyton arose, but remained by the fireplace, and
+said, &ldquo;To keep them out, if they think themselves
+expected, would excite suspicion. I will go to my
+room.&rdquo;</p>
+<p>Elizabeth, meanwhile, had opened the window to
+<span class='pagenum pncolor'><a id='page_174' name='page_174'></a>174</span>
+draw the shutter close; but her trembling movement,
+assisted by a passing breeze, and by the
+perversity of inanimate things, caused the shutter
+to fly wide open.</p>
+<p>She turned towards Peyton, with signs of fright
+on her face. &ldquo;Back!&rdquo; she whispered. &ldquo;They&rsquo;ll
+see you through the window. Into the closet,&mdash;the
+closet!&rdquo; She motioned imperatively towards
+the pair of doors immediately beside him, west
+of the fireplace. Hearing the horses&rsquo; footfalls near
+at hand, and perceiving, with her, that he would
+not have time to walk safely across the parlor to
+the hall, he opened one of the doors indicated by
+her, and stepped into the closet.</p>
+<p>In the instant before he closed the door after him,
+he noticed the stairs descending backward from the
+right side of the closet. He foresaw that the British
+officers would come into the parlor. If they should
+make a long stay, he might have to change his position
+during their presence. He might thus cause
+sufficient sound to attract attention. He would be
+in better case further away. Therefore, using his
+stick and feeling the route with his hand, he made
+his way down the steps to a landing, turned to the
+right, descended more steps, and found himself in
+a dark cellar. He had no sooner reached the last
+step than a burst of hearty greetings from above
+informed him the officers were in the parlor.</p>
+<div><span class='pagenum pncolor'><a id='page_175' name='page_175'></a>175</span></div>
+<p>This part of the cellar being damp, he set out in
+search of a more comfortable spot wherein to bestow
+himself the necessary while. Groping his way, and
+travelling with great labor, he at last came into a
+kind of corridor formed between two rolls of piled-up
+barrels. He proceeded along this passage until
+it was blocked by a barrel on the ground. On this
+he sat down, deciding it as good a staying-place
+as he might find. Leaning back, he discovered with
+his head what seemed to be a thick wooden partition
+close to the barrel. Changing his position, he
+bumped his head against an iron something that lay
+horizontally against the partition, and so violent was
+this collision that the iron something was moved
+from its place, a fact which he noted on the instant
+but immediately forgot in the sharpness of his pain.</p>
+<p>Having at last made himself comfortable, he sat
+waiting in the darkness, thinking to let some time
+pass before returning to the closet stairway. An
+hour or more had gone by, when he heard a door
+open, which he knew must be at the head of some
+other stairway to the cellar, and a jocund voice cry:
+&ldquo;Damme, we&rsquo;ll be our own tapsters! Give me the
+candle, Mr. Williams, and if my nose doesn&rsquo;t pull me
+to the barrel in one minute, may it never whiff spirits
+again!&rdquo; A moment later, quick footfalls sounded
+on the stairs, then candle-light disturbed the blackness,
+and Williams was heard saying, &ldquo;This way,
+<span class='pagenum pncolor'><a id='page_176' name='page_176'></a>176</span>
+gentlemen, if you insist. The barrel is on the
+ground, straight ahead.&rdquo; Whereupon Peyton saw
+two merry young Englishmen enter the very passage
+at whose end he sat, one bearing the candle, both
+followed by the steward, who carried a spigot and a
+huge jug.</p>
+<p>Harry instantly divined the cause of this intrusion.
+The servants were busy preparing refreshments for
+the officers, and, in a spirit of gaiety, these two
+had volunteered to help Williams fetch the liquor
+which he, not knowing Harry&rsquo;s whereabouts, was
+about to draw from the barrel on which Harry sat.</p>
+<p>It was not Elizabeth who could save him from
+discovery now.</p>
+<p>The officers came groping towards him up the
+narrow passage.</p>
+<p>Before the candle-light reached him, he rose and
+got behind the barrel, there being barely room for
+his legs between it and the partition. He had, in
+dressing for the day, put on his scabbard and his
+broken sword. He now took his stick in his left
+hand, and drew his sword with his right. He set
+his teeth hard together, thought of nothing at all, or
+rather of everything at once, and waited.</p>
+<p>&ldquo;Hear the rats,&rdquo; said one of the Englishmen. It
+was Peyton&rsquo;s stealthy movement he had heard.</p>
+<p>&ldquo;Ay, sir, there&rsquo;s often a terrible scampering of
+&rsquo;em,&rdquo; said Williams.</p>
+<div><span class='pagenum pncolor'><a id='page_177' name='page_177'></a>177</span></div>
+<p>&ldquo;Maybe I can pink a rat or two,&rdquo; said the officer
+without the candle, and drew his sword. Harry
+braced himself rapidly against the woodwork at his
+back. The candle-light touched the barrel.</p>
+<p>At that instant Harry felt the woodwork give way
+behind him, and fell on his back on the ground.</p>
+<p>&ldquo;What&rsquo;s that?&rdquo; cried the officer with the candle,
+standing still.</p>
+<p>&ldquo;Tis the scampering of the rats, of course,&rdquo; said
+the other.</p>
+<p>Harry had apprehended, by this time, that the
+supposed wooden partition was in reality a door in
+the cellar wall. He now pushed it shut with his
+foot, remaining outside of it, then rose, and, feeling
+about him, discovered that his present place was in a
+narrow arched passage that ran, from the door in
+the cellar wall, he knew not how far. Recalling the
+bumping of his head, he inferred now that the iron
+something was a bolt, and that his blow had forced
+it from its too large socket in the stone wall.</p>
+<p>He proceeded onward in the dark passage for
+some distance, then stopped to listen. No sound
+coming from the door he had closed, he decided that
+the officers were satisfied the noise had been of the
+rats&rsquo; making. He sheathed his broken sword, having
+retained that and his stick in his fall, and went
+forward, hoping to find a habitable place of waiting.
+Soon the passage widened into a kind of subterranean
+<span class='pagenum pncolor'><a id='page_178' name='page_178'></a>178</span>
+room, one side of which admitted light. Going to
+this side, Harry stopped short at the verge of a well,
+on whose circumference the subterranean chamber
+abutted. The light came from the well&rsquo;s top, which
+was about ten feet above the low roof of the underground
+room, the passage from the cellar being
+on a descent. In this artificial cave were wooden
+chests, casks, and covered earthen vessels, these contents
+proclaiming the place a secret storage-room
+designed for use in siege or in military occupation.
+Harry waited here a while that seemed half a day,
+then returned through the passage to the door, intending
+to return to the cellar. He listened at the
+door, found all quiet beyond, and made to push open
+the door. It would not move. From the feel of
+the resistance, he perceived that the bolt had been
+pushed home again&mdash;as indeed it had, by the steward,
+who had noticed it while tapping the barrel, and
+had imputed its being drawn to some former carelessness
+of his own.</p>
+<p>Peyton, finding himself thus barred into the subterranean
+regions, was in a quandary. Any alarm
+he might attempt, by shouting or pounding, might
+not be heard, or, if heard, might reach some tarrying
+British. In due time, Elizabeth would doubtless
+have him looked for in the closet and then in the
+cellar, but, on his not being found there, would suppose
+he had left the cellar by one of the other stairways.
+<span class='pagenum pncolor'><a id='page_179' name='page_179'></a>179</span>
+Thus he could little hope to be sought for
+in his prison. Williams might at any time have
+occasion to visit the secret storeroom, but, on the
+other hand, he might not have such occasion for
+weeks. Harry groped back to the cave, and sought
+some way of escape by the well, but found none.</p>
+<p>He then examined the cave more closely, and
+came finally on another passage than that by which
+he had entered. He followed this for what seemed
+an interminable length. At last, it closed up in
+front of him. He tested the barrier of raw earth
+with his hands, felt a great round stone projecting
+therefrom, pushed this stone in vain, then clasped it
+with both arms and pulled. It gave, and presently
+fell to the ground at his feet, leaving an aperture
+two feet across, which let in light. He crawled the
+short length of this, and breathed the open air in a
+small thicket on the sloping bank of the Hudson.<a href='#Footnote_0008' class='fnanchor'>[8]</a>
+He crept to the thicket&rsquo;s edge, and saw, in the sunset
+light, the river before him; on the river, a
+British war-vessel; on the vessel, some naval officers,
+one of whom was looking, with languid preoccupation,
+straight at the thicket from which Harry
+gazed.</p>
+<hr class='toprule' />
+<div class='chsp'>
+<span class='pagenum pncolor'><a id='page_180' name='page_180'></a>180</span>
+<a name='CHAPTER_IX_THE_CONFESSION' id='CHAPTER_IX_THE_CONFESSION'></a>
+<h2>CHAPTER IX.</h2>
+<h3>THE CONFESSION.</h3>
+</div>
+<p class='dropcapq'><small>&ldquo;</small><span class='drop'>W</span><span class='dcap'>hat</span> d&rsquo;ye spy, Tom?&rdquo; called out another officer
+on the deck, to the one whose attitude most
+interested Harry.</p>
+<p>&ldquo;I thought I made out some kind of craft steering
+through the bushes yonder,&rdquo; was the answer.</p>
+<p>&ldquo;I see nothing.&rdquo;</p>
+<p>&ldquo;Neither do I, now. &rsquo;Twasn&rsquo;t human craft, anyhow,
+so it doesn&rsquo;t signify,&rdquo; and the officers looked
+elsewhere.</p>
+<p>Harry lay low in the thicket, awaiting the departure
+of the vessel or the arrival of darkness. On
+the deck there was no sign of weighing anchor.
+As night came, the vessel&rsquo;s lights were slung. The
+sky was partly clear in the west, and stars appeared
+in that direction, but the east was overcast,
+so that the rising moon was hid. The atmosphere
+grew colder.</p>
+<p>When Harry could make out nothing of the vessel
+on the dark water, save the lights that glowed like
+low-placed stars, he crawled from the bushes and up
+<span class='pagenum pncolor'><a id='page_181' name='page_181'></a>181</span>
+the bank to the terrace. He then rose and proceeded,
+with the aid of his stick, aching from having
+so long maintained a cramped position, and from the
+suddenly increased cold. Before him, as he continued
+to ascend, rose the house, darkness outlined
+against darkness. No sound came from it, no window
+was lighted. This meant that the British
+officers had left, for their presence would have been
+marked by plenitude of light and by noise of merriment.
+Harry stopped on the terrace, and stood in
+doubt how to proceed. What had been thought of
+his disappearance? Where would he be supposed
+to have gone? Had provision been made for his
+possible return? Perhaps he should find a guiding
+light in some window on the other side of the house;
+perhaps a servant remained alert for his knock on
+the door. His only course was to investigate, unless
+he would undergo a night of much discomfort.</p>
+<p>As he was about to approach the house, he was
+checked by a sight so vaguely outlined that it might
+be rather of his imagination than of reality, and
+which added a momentary shiver of a keener sort
+than he already underwent from the weather. A
+dark cloaked and hooded figure stood by the balustrade
+that ran along the roof-top. As Peyton looked,
+his hand involuntarily clasping his sword-hilt, and the
+stories of the ghosts that haunted this old mansion
+shot through his mind, the figure seemed to descend
+<span class='pagenum pncolor'><a id='page_182' name='page_182'></a>182</span>
+through the very roof, as a stage ghost is lowered
+through a trap. He continued to stare at the spot
+where it had stood, but nothing reappeared against
+the backing of black cloud. Wondering much, Harry
+presently went on towards the house, turned the
+southwest corner, and skirted the south front as
+far as to the little porch in its middle. Intending
+to reconnoitre all sides of the house before he should
+try one of the doors, he was passing on, after a
+glance at the south door lost in the blacker shadows
+of the porch, when suddenly the fan-window over
+the door seemed to glow dimly with a wavering light.
+He placed his hand on one of the Grecian pillars of
+the porch, and watched. A moment later the door
+softly opened. A figure appeared, beyond the threshold,
+bearing a candle. The figure wore a cloak with
+a hood, but the hood was down.</p>
+<p>&ldquo;All is safe,&rdquo; whispered a low voice. &ldquo;The officers
+went hours ago. I knew you must have escaped
+from the house, and were hiding somewhere. I saw
+you a minute ago from the roof gallery.&rdquo;</p>
+<p>Peyton having entered, Elizabeth swiftly closed
+and locked the door behind him, handed him the
+candle with a low &ldquo;Good night,&rdquo; and fled silently,
+ghostlike, up the stairs, disappearing quickly in the
+darkness.</p>
+<p>Harry made his way to his own room, as in a kind
+of dream. She herself had waited and watched for
+<span class='pagenum pncolor'><a id='page_183' name='page_183'></a>183</span>
+him! This, then, was the effect wrought in the
+proudest, most disdainful young creature of her sex,
+by that feeling which he had, by telling and acting
+a lie, awakened in her. The revelation set him
+thinking. How long might such a feeling last?
+What would be its effect on her after his departure?
+He had read, and heard, and seen, that, when these
+feelings were left to pine away slowly, the people
+possessing them pined also. And this was the return
+he was about to give his most hospitable hostess, the
+woman who had saved his life! Yet what was to be
+done? His life belonged to his country, his chosen
+career was war; he could not alter completely his
+destiny to save a woman some pining. After all, she
+<i>would</i> get over it; yet it would make of her another
+woman, embitter her, change entirely the complexion
+of the world to her, and her own attitude towards it.
+He tried to comfort himself with the thought of her
+engagement to Colden, of which he had not learned
+until after the mischief had been done. But he recalled
+her manner towards Colden, and a remark of
+old Mr. Valentine&rsquo;s, whence he knew that the engagement
+was not, on her side, a love one, and was not
+inviolable. Yet it would be a crime to a woman of
+her pride, of her power of loving, to allow the deceit,
+his pretence of love, to go as far as marriage. A disclosure
+would come in time, and would bring her
+a bitter awakening. The falsehood, natural if not
+<span class='pagenum pncolor'><a id='page_184' name='page_184'></a>184</span>
+excusable in its circumstances, and broached without
+thought of ultimate consequence, must be stopped at
+once. He must leave her presence immediately, but,
+before going, must declare the truth. She must not
+be allowed to waste another day of her life on an
+illusion. Aside from the effect on her heart, of the
+continuance of the delusion, it would doubtless affect
+her outward circumstances, by leading her to break
+her engagement with Colden. An immediate discovery
+of the truth, moreover, by creating such a
+revulsion of feeling as would make her hate him,
+would leave her heart in a state for speedy healing.
+This disclosure would be a devilishly unpleasant
+thing to make, but a soldier and a gentleman must
+meet unpleasant duties unflinchingly.</p>
+<p>He lay a long time awake, disturbed by thoughts
+of the task before him. When he did sleep, it was
+to dream that the task was in progress, then that it
+was finished but had to be begun anew, then that
+countless obstacles arose in succession to hinder
+him in it. Dawn found him little refreshed in mind,
+but none the worse in body. He found, on arising,
+that he could walk without aid from the stick, and
+he required no help in dressing himself. Looking
+towards the river, he saw the British vessel heading
+for New York. But that sight gave him little comfort,
+thanks to the ordeal before him, in contemplating
+which he neglected to put on his sword
+<span class='pagenum pncolor'><a id='page_185' name='page_185'></a>185</span>
+and scabbard, and so descended to breakfast without
+them.</p>
+<p>That meal offered no opportunity for the disclosure,
+the aunt being present throughout. Immediately
+after breakfast, the two ladies went for
+their customary walk. While they were breasting
+the wind, between two rows of box in the garden,
+Miss Sally spoke of Major Colden&rsquo;s intention to
+return for Elizabeth at the end of a week, and said,
+&ldquo;&rsquo;Twill be a week this evening since you arrived.
+Is he to come for you to-day or to-morrow?&rdquo;</p>
+<p>&ldquo;I don&rsquo;t know,&rdquo; said Elizabeth, shortly.</p>
+<p>&ldquo;But, my dear, you haven&rsquo;t prepared&mdash;&rdquo;</p>
+<p>&ldquo;I sha&rsquo;n&rsquo;t go back to-day, that is certain. If
+Colden comes before to-morrow, he can wait for
+me,&mdash;or I may send him back without me, and
+stay as long as I wish.&rdquo;</p>
+<p>&ldquo;But he will meet Captain Peyton&mdash;&rdquo;</p>
+<p>&ldquo;It can be easily arranged to keep him from
+knowing Captain Peyton is here. I shall look to
+that.&rdquo;</p>
+<p>Miss Sally sighed at the futility of her inquisitorial
+fishing. Not knowing Elizabeth&rsquo;s reason for saving
+the rebel captain, she had once or twice thought
+that the girl, in some inscrutable whim, intended to
+deliver him up, after all. She had tried frequently
+to fathom her niece&rsquo;s purposes, but had never got
+any satisfaction.</p>
+<div><span class='pagenum pncolor'><a id='page_186' name='page_186'></a>186</span></div>
+<p>&ldquo;I suppose,&rdquo; she went on, desperately, &ldquo;if you go
+back to town, you will leave the captain in Williams&rsquo;s
+charge.&rdquo;</p>
+<p>&ldquo;If I go back before the captain leaves,&rdquo; said
+Elizabeth, thereby dashing her amiable aunt&rsquo;s secretly
+cherished hope of affording the wounded
+officer the pleasure of her own unalloyed society.</p>
+<p>Elizabeth really did not know what she would do.
+Her actions, on Colden&rsquo;s return, would depend on
+the prior actions of the captain. No one had spoken
+to Peyton of her intention to leave after a week&rsquo;s
+stay. She had thought such an announcement to
+him from her might seem to imply a hint that it was
+time he should resume his wooing. That he would
+resume it, in due course, she took for granted.
+Measuring his supposed feelings by her own real
+ones, she assumed that her loveless betrothal to
+another would not deter Peyton&rsquo;s further courtship.
+She believed he had divined the nature of that betrothal.
+Nor would he be hindered by the prospect
+of their being parted some while by the war. Engagements
+were broken, wars did not last forever,
+those who loved each other found ways to meet.
+So he would surely speak, before their parting, of
+what, since it filled her heart, must of course fill
+his. But she would show no forwardness in the
+matter. She therefore avoided him till dinner-time.</p>
+<p>At the table he abruptly announced that, as duty
+<span class='pagenum pncolor'><a id='page_187' name='page_187'></a>187</span>
+required he should rejoin the army at the first
+moment possible, and as he now felt capable of
+making the journey, he would depart that night.</p>
+<p>Miss Sally hid her startled emotions behind a
+glass of madeira, into which she coughed, chokingly.
+Molly, the maid, stopped short in her passage from
+the kitchen door to the table, and nearly dropped
+the pudding she was carrying. Elizabeth concealed
+her feelings, and told herself that his declaration
+must soon be forthcoming. She left it to him to
+contrive the necessary private interview.</p>
+<p>After dinner, he sat with the ladies before the
+fire in the east parlor, awaiting his opportunity
+with much hidden perturbation. Elizabeth feigned
+to read. At last, habit prevailing, her aunt fell
+asleep. Peyton hummed and hemmed, looked into
+the fire, made two or three strenuous swallows of
+nothing, and opened his mouth to speak. At that
+instant old Mr. Valentine came in, newly arrived
+from the Hill, and &ldquo;whew&rdquo;-ing at the cold. Peyton
+felt like one for whom a brief reprieve had been sent
+by heaven.</p>
+<p>All afternoon Mr. Valentine chattered of weather
+and news and old times. Peyton&rsquo;s feeling of relief
+was short-lasting; it was supplanted by a mighty
+regret that he had not been permitted to get the
+thing over. No second opportunity came of itself,
+nor could Peyton, who found his ingenuity for once
+<span class='pagenum pncolor'><a id='page_188' name='page_188'></a>188</span>
+quite paralyzed, force one. Supper was announced,
+and was partaken of by Harry, in fidgety abstraction;
+by Elizabeth, in expectant but outwardly placid
+silence; by Miss Sally, in futile smiling attempts
+to make something out of her last conversational
+chances with the handsome officer; and by Mr.
+Valentine, in sedulous attention to his appetite, which
+still had the vigor of youth.</p>
+<p>Almost as soon as the ladies had gone from the
+dining-room, Peyton rose and left the octogenarian
+in sole possession. In the parlor Harry found no
+one but Molly, who was lighting the candles.</p>
+<p>&ldquo;What, Molly?&rdquo; said he, feeling more and more
+nervous, and thinking to retain, by constant use of
+his voice, a good command of it for the dreaded
+interview. &ldquo;The ladies not here? They left Mr.
+Valentine and me at the supper-table.&rdquo;</p>
+<p>&ldquo;They are walking in the garden, sir. Miss Elizabeth
+likes to take the air every evening.&rdquo;</p>
+<p>&ldquo;&rsquo;Tis a chill air she takes this evening, I&rsquo;m
+thinking,&rdquo; he said, standing before the fire and holding
+out his hands over the crackling logs.</p>
+<p>&ldquo;A chill night for your journey,&rdquo; replied Molly.
+&ldquo;I should think you&rsquo;d wait for day, to travel.&rdquo;</p>
+<p>Peyton, unobservant of the wistful sigh by which
+the maid&rsquo;s speech was accompanied, replied, &ldquo;Nay,
+for me, &rsquo;tis safest travelling at night. I must go
+through dangerous country to reach our lines.&rdquo;</p>
+<div><span class='pagenum pncolor'><a id='page_189' name='page_189'></a>189</span></div>
+<p>&ldquo;It mayn&rsquo;t be as cold to-morrow night,&rdquo; persisted
+Molly.</p>
+<p>&ldquo;My wound is well enough for me to go now.&rdquo;</p>
+<p>&ldquo;&rsquo;Twill be better still to-morrow.&rdquo;</p>
+<p>But Peyton, deep in his own preoccupation,
+neither deduced aught from the drift of her remarks
+nor saw the tender glances which attended them.
+While he was making some insignificant answer, the
+maid, in moving the candelabrum on the spinet, accidentally
+brushed therefrom his hat, which had been
+lying on it. She picked it up, in great confusion,
+and asked his pardon.</p>
+<p>&ldquo;&rsquo;Twas my fault in laying it there,&rdquo; said he,
+receiving it from her. &ldquo;I&rsquo;m careless with my
+things. I make no doubt, since I&rsquo;ve been here, I&rsquo;ve
+more than once given your mistress cause to wish
+me elsewhere.&rdquo;</p>
+<p>&ldquo;La, sir,&rdquo; said Molly, &ldquo;I don&rsquo;t think&mdash;<i>any</i> one
+would wish you elsewhere!&rdquo; Whereupon she left the
+room, abashed at her own audacity.</p>
+<p>&ldquo;The devil!&rdquo; thought Peyton. &ldquo;I should feel
+better if some one did wish me elsewhere.&rdquo;</p>
+<p>As he continued gazing into the fire, and his task
+loomed more and more disagreeably before him, he
+suddenly bethought him that Elizabeth, in taking her
+evening walk, showed no disposition for a private
+meeting. Dwelling on that one circumstance, he
+thought for awhile he might have been wrong in
+<span class='pagenum pncolor'><a id='page_190' name='page_190'></a>190</span>
+supposing she loved him. But then the previous
+night&rsquo;s incident recurred to his mind. Nothing
+short of love could have induced such solicitude.
+But, then, as she sought no last interview, might he
+not be warranted in going away and leaving the disclosure
+to come gradually, implied by the absence
+of further word from him? Yet, she might be purposely
+avoiding the appearance of seeking an interview.
+The reasons calling for a prompt confession
+came back to him. While he was wavering between
+one dictate and another, in came Mr. Valentine, with
+a tobacco pipe.</p>
+<p>Like an inspiration, rose the idea of consulting the
+octogenarian. A man who cannot make up his own
+mind is justified in seeking counsel. Elizabeth could
+suffer no harm through Peyton&rsquo;s confiding in this
+sage old man, who was devoted to her and to her
+family. Mr. Valentine&rsquo;s very words on entering,
+which alluded to Peyton&rsquo;s pleasant visit as Elizabeth&rsquo;s
+guest, gave an opening for the subject concerned.
+A very few speeches led up to the matter,
+which Harry broached, after announcing that he took
+the old man for one experienced in matters of the
+heart, and receiving the admission that the old man
+<i>had</i> enjoyed a share of the smiles of the sex. But
+if the captain had thought, in seeking advice, to find
+reason for avoiding his ugly task, he was disappointed.
+Old Valentine, though he had for some
+<span class='pagenum pncolor'><a id='page_191' name='page_191'></a>191</span>
+days feared a possible state of things between the
+captain and Miss Sally, had observed Elizabeth, and
+his vast experience had enabled him to interpret
+symptoms to which others had been blind. &ldquo;She
+has acted towards you,&rdquo; he said to Peyton, &ldquo;as she
+never acted towards another man. She&rsquo;s shown you
+a meekness, sir, a kind of timidity.&rdquo; And he agreed
+that, if Peyton should go away without an explanation,
+it would make her throw aside other expectations,
+and would, in the end, &ldquo;cut her to the heart.&rdquo;
+Valentine hinted at regrettable things that had ensued
+from a jilting of which himself had once
+been guilty, and urged on Peyton an immediate
+unbosoming, adding, &ldquo;She&rsquo;ll be so took aback and
+so full of wrath at you, she won&rsquo;t mind the loss of
+you. She&rsquo;ll abominate you and get over it at once.&rdquo;</p>
+<p>The idea came to Peyton of making the confession
+by letter, but this he promptly rejected as a coward&rsquo;s
+dodge. &ldquo;It&rsquo;s a damned unpleasant duty, but that&rsquo;s
+the more reason I should face it myself.&rdquo;</p>
+<p>At that moment the front door of the east hall
+was heard to open.</p>
+<p>&ldquo;It&rsquo;s Miss Elizabeth and her aunt,&rdquo; said Valentine,
+listening at the door.</p>
+<p>&ldquo;Then I&rsquo;ll have the thing over at once, and be
+gone! Mr. Valentine, a last kindness,&mdash;keep the
+aunt out of the room.&rdquo;</p>
+<p>Before Valentine could answer, the ladies entered,
+<span class='pagenum pncolor'><a id='page_192' name='page_192'></a>192</span>
+their cheeks reddened by the weather. Elizabeth
+carried a small bunch of belated autumn flowers.</p>
+<p>&ldquo;Well, I&rsquo;m glad to come in out of the cold!&rdquo;
+burst out Miss Sally, with a retrospective shudder.
+&ldquo;Mr. Peyton, you&rsquo;ve a bitter night for your going.&rdquo;
+She stood before the fire and smiled sympathetically
+at the captain.</p>
+<p>But Peyton was heedful of none but Elizabeth,
+who had laid her flowers on the spinet and was
+taking off her cloak. Peyton quickly, with an &ldquo;Allow
+me, Miss Philipse,&rdquo; relieved her of the wrap, which
+in his abstraction he retained over his left arm while
+he continued to hold his hat in his other hand.
+After receiving a word of thanks, he added, &ldquo;You&rsquo;ve
+been gathering flowers,&rdquo; and stood before her in
+much embarrassment.</p>
+<p>&ldquo;The last of the year, I think,&rdquo; said she. &ldquo;The
+wind would have torn them off, if aunt Sally and I
+had not.&rdquo; And she took them up from the spinet
+to breath their odor.</p>
+<p>Meanwhile Mr. Valentine had been whispering
+to Miss Sally at the fireplace. As a result of his
+communications, whatever they were, the aunt first
+looked doubtful, then cast a wistful glance at Peyton,
+and then quietly left the room, followed by the
+old man, who carefully closed the door after him.</p>
+<p>While Elizabeth held the flowers to her nostrils,
+Peyton continued to stand looking at her, during an
+<span class='pagenum pncolor'><a id='page_193' name='page_193'></a>193</span>
+awkward pause. At length she replaced the nosegay
+on the spinet, and went to the fireplace, where she
+gazed at the writhing flames, and waited for him to
+speak.</p>
+<p>Still laden with the cloak and hat, he desperately
+began:</p>
+<p>&ldquo;Miss Philipse, I&mdash;ahem&mdash;before I start on my
+walk to-night&mdash;&rdquo;</p>
+<p>&ldquo;Your walk?&rdquo; she said, in slight surprise.</p>
+<p>&ldquo;Yes,&mdash;back to our lines, above.&rdquo;</p>
+<p>&ldquo;But you are not going to <i>walk</i> back,&rdquo; she said,
+in a low tone. &ldquo;You are to have the horse, Cato.&rdquo;</p>
+<p>Peyton stood startled. In a few moments he
+gulped down his feelings, and stammered:</p>
+<p>&ldquo;Oh&mdash;indeed&mdash;Miss Philipse&mdash;I cannot think of
+depriving you&mdash;especially after the circumstances.&rdquo;</p>
+<p>She replied, with a gentle smile:</p>
+<p>&ldquo;You took the horse when I refused him to you.
+Now will you not have him when I offer him to you?
+You must, captain! I&rsquo;ll not have so fine a horse go
+begging for a master. I&rsquo;ll not hear of your walking.
+On such a night, such a distance, through such a
+country!&rdquo;</p>
+<p>&ldquo;The devil!&rdquo; thought Harry. &ldquo;This makes it
+ten times harder!&rdquo;</p>
+<p>Elizabeth now turned to face him directly. &ldquo;Does
+not my cloak incommode you?&rdquo; she said, amusedly.
+&ldquo;You may put it down.&rdquo;</p>
+<div><span class='pagenum pncolor'><a id='page_194' name='page_194'></a>194</span></div>
+<p>&ldquo;Oh, thank you, yes!&rdquo; he said, feeling very red,
+and went to lay the cloak on the table, but in his
+confusion put down his own hat there, and kept the
+cloak over his arm. He then met her look recklessly,
+and blurted out:</p>
+<p>&ldquo;The truth is, Miss Philipse, now that I am soon
+to leave, I have something to&mdash;to say to you.&rdquo; His
+boldness here forsook him, and he paused.</p>
+<p>&ldquo;I know it,&rdquo; said Elizabeth, serenely, repressing
+all outward sign of her heart&rsquo;s blissful agitation.</p>
+<p>&ldquo;You do?&rdquo; quoth he, astonished.</p>
+<p>&ldquo;Certainly,&rdquo; she answered, simply. &ldquo;How could
+you leave without saying it?&rdquo;</p>
+<p>Peyton had a moment&rsquo;s puzzlement. Then, &ldquo;Without
+saying what?&rdquo; he asked.</p>
+<p>&ldquo;What you have to say,&rdquo; she replied, blushing,
+and lowering her eyes.</p>
+<p>&ldquo;But what have I to say?&rdquo; he persisted.</p>
+<p>She was silent a moment, then saw that she must
+help him out.</p>
+<p>&ldquo;Don&rsquo;t you know? You were not at all tongue-tied
+when you said it the evening you came here.&rdquo;</p>
+<p>Peyton felt a gulf opening before him. &ldquo;Good
+heaven,&rdquo; thought he, &ldquo;she actually believes I am
+about to propose!&rdquo;</p>
+<p>Now, or never, was the time for the plunge. He
+drew a full breath, and braced himself to make it.</p>
+<p>&ldquo;But&mdash;ah&mdash;you see,&rdquo; said he, &ldquo;the trouble is,&mdash;what
+<span class='pagenum pncolor'><a id='page_195' name='page_195'></a>195</span>
+I said then is not what I have to say now.
+You must understand, Miss Philipse, that I am
+devoted to a soldier&rsquo;s career. All my time, all my
+heart, my very life, belong to the service. Thus I
+am, in a manner, bound no less on my side, than
+you&mdash;I beg your pardon&mdash;&rdquo;</p>
+<p>&ldquo;What do you mean?&rdquo; She spoke quietly, yet
+was the picture of open-eyed astonishment.</p>
+<p>&ldquo;Cannot you see?&rdquo; he faltered.</p>
+<p>&ldquo;You mean&rdquo;&mdash;her tone acquired resentment as
+her words came&mdash;&ldquo;that I, too, am bound on <i>my</i>
+side,&mdash;to Mr. Colden?&rdquo;</p>
+<p>&ldquo;I did not say so,&rdquo; he replied, abashed, cursing
+his heedless tongue. He would not, for much, have
+reminded her of any duty on her part.</p>
+<p>She regarded him for a moment in silence, while
+the clouds of indignation gathered. Then the storm
+broke.</p>
+<p>&ldquo;You poltroon, I <i>do</i> see! You wish to take back
+your declaration, because you are afraid of Colden&rsquo;s
+vengeance!&rdquo;</p>
+<p>&ldquo;Afraid? I afraid?&rdquo; he echoed, mildly, surprised
+almost out of his voice at this unexpected inference.</p>
+<p>&ldquo;Yes, you craven!&rdquo; she cried, and seemed to
+tower above her common height, as she stood erect,
+tearless, fiery-eyed, and clarion-voiced. &ldquo;Your cowardice
+outweighs your love! Go from my sight and
+from my father&rsquo;s house, you cautious lover, with
+<span class='pagenum pncolor'><a id='page_196' name='page_196'></a>196</span>
+your prudent scruples about the rights of your rival!
+Heavens, that I should have listened to such a coward!
+Go, I say! Spend no more time under this
+roof than you need to get your belongings from
+your room. Don&rsquo;t stop for farewells! Nobody
+wants them! Go,&mdash;and I&rsquo;ll thank you to leave my
+cloak behind you!&rdquo;</p>
+<div class='figtag'>
+<a name='linki_6' id='linki_6'></a>
+</div>
+<div class='figcenter'>
+<img src='images/i004.jpg' alt='' title='' width='325' height='500' /><br />
+<p class='caption'>
+&ldquo;&lsquo;GO, I SAY!&rsquo;&rdquo;<br />
+</p>
+</div>
+<p>Silenced and confounded by the force of her denunciation,
+he stupidly dropped the cloak to the
+floor where he stood, and stumbled from the room,
+as if swept away by the torrent of her wrath and
+scorn.</p>
+<hr class='toprule' />
+<div class='chsp'>
+<span class='pagenum pncolor'><a id='page_197' name='page_197'></a>197</span>
+<a name='CHAPTER_X_THE_PLAN_OF_RETALIATION' id='CHAPTER_X_THE_PLAN_OF_RETALIATION'></a>
+<h2>CHAPTER X.</h2>
+<h3>THE PLAN OF RETALIATION.</h3>
+</div>
+<p class='dropcap'><span class='dcap'>It</span> was in the south hall that he found himself,
+having fled through the west door of the parlor, forgetful
+that his hat still remained on the table. He
+naturally continued his retreat up the stairs to his
+chamber. The only belongings that he had to get
+there were his broken sword, his scabbard, and belt.
+These he promptly buckled on, resolved to leave the
+house forthwith.</p>
+<p>Still tingling from the blow of her words, he yet
+felt a great relief that the task was so soon over,
+and that her speedy action had spared him the labor
+of the long explanation he had thought to make.
+As matters stood, they could not be improved. Her
+love had turned to hate, in the twinkling of an eye.</p>
+<p>And yet, how preposterously she had accounted
+for his conduct! Dwelling on his hint, though it
+was checked at its utterance, that she was already
+bound, she had assumed that he held out her engagement
+to Colden as a barrier to their love. And
+she believed, or pretended to believe, that his regard
+<span class='pagenum pncolor'><a id='page_198' name='page_198'></a>198</span>
+for that barrier arose from fear of inviting a rival&rsquo;s
+vengeance! As if he, who daily risked his life,
+could fear the vengeance of a man whom he had
+already once defeated with the sword! It was like
+a woman to alight first on the most absurd possibility
+the situation could imply. And if she knew the
+conjecture was absurd, she was the more guilty of
+affront in crying it out against him. He, in turn,
+was now moved to anger. He would not have false
+motives imputed to him. It would be useless to
+talk to her while her present mood continued. But
+he could write, and leave the letter where it would
+be found. Inasmuch as he had faced the worst
+storm his disclosure could have aroused, there was
+no cowardice in resorting to a letter with such explanations
+as could not be brought to her mind in any
+other form. Two days previously, he had requested
+writing materials in his room, for the sketching of
+a report of his being wounded, and these were still
+on a table by the window. He lighted candles, and
+sat down to write.</p>
+<p>When he had finished his document, sealed and
+addressed it, he laid it on the table, where it would
+attract the eye of a servant, and looked around for
+his hat. Presently he recalled that he had left it in
+the parlor. He first thought of seeking a servant,
+and sending for it, lest he might meet Elizabeth,
+should he again enter the parlor. But it would be
+<span class='pagenum pncolor'><a id='page_199' name='page_199'></a>199</span>
+better to face her, for a moment, than to give an
+order to a servant of a house whence he had been
+ordered out. And now, as he intended to go into
+the parlor, he would preferably leave the letter in
+that room, where it would perhaps reach her own
+eyes before any other&rsquo;s could fall on it. He therefore
+took up the letter, thrust it for the time in his belt,
+descended quietly to the south hall, cautiously opened
+the parlor door, peeped through the crack, saw with
+relief that only Miss Sally was in the room, threw
+the door wide, and strode quickly towards the table
+on which he thought he had left his hat.</p>
+<p>But, as he approached, he saw that the hat was
+not there.</p>
+<p>In the meantime, during the few minutes he had
+spent in his room, things had been occurring in this
+parlor. As soon as Peyton had left it, or had been
+carried out of it by the resistless current of Elizabeth&rsquo;s
+invective, the girl had turned her anger on
+herself, for having weakened to this man, made him
+her hero, indulged in those dreams! She could
+scarcely contain herself. Having mechanically picked
+up her cloak, where Peyton had let it fall, she evinced
+a sudden unendurable sense of her humiliation and
+folly, by hurling the cloak with violence across the
+room. At that moment old Mr. Valentine entered,
+placidly seeking his pipe, which he had left behind
+him.</p>
+<div><span class='pagenum pncolor'><a id='page_200' name='page_200'></a>200</span></div>
+<p>The octogenarian looked surprisedly at the cloak,
+then at Elizabeth, then mildly asked her if she had
+seen his pipe.</p>
+<p>&ldquo;Oh, the cowardly wretch!&rdquo; was Elizabeth&rsquo;s
+answer, her feelings forcing a release in speech.</p>
+<p>&ldquo;What, me?&rdquo; asked the old man, startled, not
+yet having thought to connect her words with his
+last interview with the American officer. He looked
+at her for a moment, but, receiving no satisfaction,
+calmly refilled, from a leather pouch, his pipe, which
+he had found on the mantel.</p>
+<p>Elizabeth&rsquo;s thoughts began to take more distinct
+shape, and, in order to formulate them the more
+accurately, she spoke them aloud to the old man,
+finding it an assistance to have a hearer, though she
+supposed him unable to understand.</p>
+<p>&ldquo;Yet he wasn&rsquo;t a coward that evening he rode to
+attack the Hessians,&mdash;nor when he was wounded,&mdash;nor
+when he stood here waiting to be taken! He
+was no coward then, was he, Mr. Valentine?&rdquo; Getting
+no answer, and irritated at the old man&rsquo;s owl-like
+immovability, she repeated, with vehemence,
+&ldquo;Was he?&rdquo;</p>
+<p>Mr. Valentine had, by this time, begun to put
+things together in his mind.</p>
+<p>&ldquo;No. To be sure,&rdquo; he chirped, and then lighted
+his pipe with a small fagot from the fireplace, an
+operation that required a good deal of time.</p>
+<div><span class='pagenum pncolor'><a id='page_201' name='page_201'></a>201</span></div>
+<p>Elizabeth now spoke more as if to herself. &ldquo;Perhaps,
+after all, I may be wrong! Yes, what a fool,
+to forget all the proofs of his courage! What a blind
+imbecile, to think him afraid! It must be that
+he acts from a delicate conception of honor. He
+would not encroach where another had the prior
+claim. He considers Colden in the matter. That&rsquo;s
+it, don&rsquo;t you think?&rdquo;</p>
+<p>&ldquo;Of course,&rdquo; said Valentine, blindly, not having
+paid attention to this last speech, and sitting down
+in his armchair.</p>
+<p>&ldquo;I can understand now,&rdquo; she went on. &ldquo;He did
+not know of my engagement that time he made love,
+when his life was at stake.&rdquo;</p>
+<p>&ldquo;Then he&rsquo;s told you all about it?&rdquo; said the old
+man, beginning to take some interest, now that he
+had provided for his own comfort.</p>
+<p>&ldquo;About what?&rdquo; asked Elizabeth, showing a
+woman&rsquo;s consistency, in being surprised that he
+seemed to know what she had been addressing
+him about.</p>
+<p>&ldquo;About pretending he loved you,&mdash;to save his
+life,&rdquo; replied Mr. Valentine, innocently, considering
+that her supposed acquaintance with the
+whole secret made him free to discuss it with
+her.</p>
+<p>Elizabeth&rsquo;s astonishment, unexpected as it was by
+him, surprised the old man in turn, and also gave
+<span class='pagenum pncolor'><a id='page_202' name='page_202'></a>202</span>
+him something of a fright. So the two stared at
+each other.</p>
+<p>&ldquo;Pretending he loved me!&rdquo; she repeated, reflectively.
+&ldquo;Pretending! To save his life! <i>Now I
+see!</i>&rdquo; The effect of the revelation on her almost
+made Mr. Valentine jump out of his chair. &ldquo;For
+only <i>I</i> could save him!&rdquo; she went on. &ldquo;There was
+no other way! Oh, <i>how</i> I have been fooled! I&mdash;tricked
+by a miserable rebel! Made a laughing-stock!
+Oh, to think he did not really love me, and
+that I&mdash;Oh, I shall choke! Send some one to
+me,&mdash;Molly, aunt Sally, any one! Go! Don&rsquo;t sit
+there gazing at me like an owl! Go away and send
+some one!&rdquo;</p>
+<p>Mr. Valentine, glad of reason for an honorable
+retreat from this whirlwind that threatened soon to
+fill the whole room, departed with as much activity
+as he could command.</p>
+<p>&ldquo;Oh, what shall I do? What shall I do?&rdquo;
+Elizabeth asked of the air around her. &ldquo;I must
+repay him for his duplicity. I shall never rest a
+moment till I do! What an easy dupe he must
+think me! Oh-h-h!&rdquo;</p>
+<p>She brought her hand violently down on the
+table but fortunately struck something comparatively
+soft. In her fury, she clutched this something,
+raised it from the table, and saw what it
+was.</p>
+<div><span class='pagenum pncolor'><a id='page_203' name='page_203'></a>203</span></div>
+<p>&ldquo;<i>His</i> hat!&rdquo; she cried, and made to throw it into
+the fire, but, with a woman&rsquo;s aim, sent it flying
+towards the door, which was at that instant opened
+by her aunt, who saved herself by dodging most
+undignifiedly.</p>
+<p>&ldquo;What is it, my dear?&rdquo; asked Miss Sally, in a
+voice of mingled wonderment and fear.</p>
+<p>&ldquo;I&rsquo;ll pay him back, be sure of that!&rdquo; replied
+Elizabeth, who was by this time a blazing-eyed,
+scarlet-faced embodiment of fury, and had thrown
+off all reserve.</p>
+<p>&ldquo;Pay whom back?&rdquo; tremblingly inquired Miss
+Sally, with vague apprehensions for the safety of
+old Mr. Valentine, who had so recently left her
+niece.</p>
+<p>&ldquo;Your charming captain, your gentleman rebel,
+your gallant soldier, your admirable Peyton, hang
+him!&rdquo; cried Elizabeth.</p>
+<p>&ldquo;<i>My</i> Peyton? I only wish he was!&rdquo; sighed the
+aunt, surprised into the confession by Elizabeth&rsquo;s
+own outspokenness.</p>
+<p>&ldquo;You&rsquo;re welcome to him, when I&rsquo;ve had my revenge
+on him! Oh, aunt Sally, to think of it!
+He doesn&rsquo;t love me! He only pretended, so that
+I would save his life! But he shall see! I&rsquo;ll deliver
+him up to the troops, after all!&rdquo;</p>
+<p>&ldquo;Oh, no!&rdquo; said Miss Sally, deprecatingly. Great
+as was the news conveyed to her by Elizabeth&rsquo;s
+<span class='pagenum pncolor'><a id='page_204' name='page_204'></a>204</span>
+speech, she comprehended it, and adjusted her
+mind to it, in an instant, her absence of outward
+demonstration being due to the very bigness of the
+revelation, to which any possible outside show of
+surprise would be inadequate and hence useless.
+Moreover, Elizabeth gave no time for manifestations.</p>
+<p>&ldquo;No,&rdquo; the girl went on. &ldquo;You are right. He&rsquo;s
+able-bodied now, and might be a match for all the
+servants. Besides, &rsquo;twould come out why I shielded
+him, and I should be the laugh o&rsquo; the town. Oh,
+<i>how</i> shall I pay him? How shall I make him <i>feel</i>&mdash;ah!
+I know! I&rsquo;ll give him six for half a dozen!
+I&rsquo;ll make <i>him</i> love <i>me</i>, and then I&rsquo;ll cast him off and
+laugh at him!&rdquo;</p>
+<p>She was suddenly as jubilant at having hit on the
+project as if she had already accomplished it.</p>
+<p>&ldquo;Make him love you?&rdquo; repeated her aunt, dubiously.
+Her aunt had her own reasons for doubting
+the possibility of such an achievement.</p>
+<p>&ldquo;Perhaps you think I can&rsquo;t!&rdquo; cried Elizabeth.
+&ldquo;Wait and see! But, heavens! He&rsquo;s going away,&mdash;he
+won&rsquo;t come back,&mdash;perhaps he&rsquo;s gone! No,
+there&rsquo;s his hat!&rdquo; She ran and picked it up from
+the corner of the doorway. &ldquo;He won&rsquo;t go without
+his hat. He&rsquo;ll have to come here for it. He went
+to his room for his sword. He&rsquo;ll be here at any
+moment.&rdquo;</p>
+<div><span class='pagenum pncolor'><a id='page_205' name='page_205'></a>205</span></div>
+<p>And she paced the floor, holding the hat in one
+hand, and lapsing to the level of ordinary femininity
+as far as to adjust her hair with the other.</p>
+<p>&ldquo;You&rsquo;ll have to make quick work of it, Elizabeth,
+dear,&rdquo; said the aunt, with gentle irony, &ldquo;if he&rsquo;s going
+to-night.&rdquo;</p>
+<p>&ldquo;I know, I know,&mdash;but I can&rsquo;t do it looking like
+this.&rdquo; She laid the hat on the table, in order to
+employ both hands in the arrangement of her hair.
+&ldquo;If I only had on my satin gown! By the lord
+Harry, I have a mind&mdash;I will! When he comes in
+here, keep him till I return. Keep him as if your
+life depended on it.&rdquo; She went quickly towards the
+door of the east hall.</p>
+<p>&ldquo;But, Elizabeth!&rdquo; cried Miss Sally, appalled.
+&ldquo;Wait! How&mdash;&rdquo;</p>
+<p>&ldquo;How?&rdquo; echoed Elizabeth, turning near the door.
+&ldquo;By hook or crook! You must think of a way! I
+have other things on my mind. Only keep him till
+I come back. If you let him go, I&rsquo;ll never speak to
+you again! And not a word to him of what I&rsquo;ve
+told you! I sha&rsquo;n&rsquo;t be long.&rdquo;</p>
+<p>&ldquo;But what are you going to do?&rdquo; asked the
+aunt, despairingly.</p>
+<p>&ldquo;Going to arm myself for conquest! To put on
+my war-paint!&rdquo; And the girl hastened through the
+doorway, crossed the hall, called Molly, and ran up-stairs
+to her room.</p>
+<div><span class='pagenum pncolor'><a id='page_206' name='page_206'></a>206</span></div>
+<p>Miss Sally stood in the parlor, a prey to mingled
+feelings. She did not dare refuse the task thrown
+on her by her imperative niece. Not only her
+niece&rsquo;s anger would be incurred by the refusal, but
+also the niece&rsquo;s insinuations that the aunt was not
+sufficiently clever for the task. However difficult,
+the thing must be attempted. And, which made
+matters worse, even if the attempt should succeed,
+it would be a rewardless one to Miss Sally. If
+she might detain the captain for herself, the effort
+would be worth making. The aunt sighed deeply,
+shook her head distressfully, and then, reverting
+to a keen sense of Elizabeth&rsquo;s rage and ridicule in
+the event of failure, looked wildly around for some
+suggestion of means to hold the officer. Her eye
+alighted on the hat.</p>
+<p>&ldquo;He won&rsquo;t go without his hat, a night like this!&rdquo;
+she thought. &ldquo;I&rsquo;ll hide his hat.&rdquo;</p>
+<p>She forthwith possessed herself of it, and explored
+the room for a hiding-place. She decided on one
+of the little narrow closets in either side of the doorway
+to the east hall, and started towards it, holding
+the hat at her right side. Before she had come
+within four feet of the chosen place, she heard the
+door from the south hall being thrown open, and,
+casting a swift glance over her left shoulder, saw the
+captain step across the threshold. She choked back
+her sensations, and gave inward thanks that the
+<span class='pagenum pncolor'><a id='page_207' name='page_207'></a>207</span>
+hat was hidden from his sight by herself. Peyton
+walked briskly towards the table.</p>
+<p>Suddenly he stopped short, and turned his eyes
+from the table to Miss Sally, whose back was
+towards him.</p>
+<p>&ldquo;Ah, Miss Williams,&rdquo; said he, politely but hastily,
+&ldquo;I left my hat here somewhere.&rdquo;</p>
+<p>&ldquo;Indeed?&rdquo; said Miss Sally, amazed at her own
+unconsciousness, while she tried to moderate the
+beating of her heart. At the same moment, she
+turned and faced him, bringing the hat around
+behind her so that it should remain unseen.</p>
+<p>Peyton looked from her to the spinet, thence to
+the sofa, thence back to the table.</p>
+<p>&ldquo;Yes, on the table, I thought. Perhaps&mdash;&rdquo;
+He broke off here, and went to look on the
+mantel.</p>
+<p>Miss Sally, who had never thought the captain
+handsomer, and who smarted under the sense of being
+deterred, by her niece&rsquo;s purpose, from employing
+this opportunity to fascinate him on her own account,
+continued to turn so as to face him in his every
+change of place.</p>
+<p>&ldquo;I don&rsquo;t see it anywhere,&rdquo; she said, with childlike
+innocence.</p>
+<p>Peyton searched the mantel, then looked at the
+chairs, and again brought his eyes to bear on Miss
+Sally. She blinked once or twice, but did not quail.</p>
+<div><span class='pagenum pncolor'><a id='page_208' name='page_208'></a>208</span></div>
+<p>&ldquo;&rsquo;Tis strange!&rdquo; he said. &ldquo;I&rsquo;m sure I left it in
+this room.&rdquo;</p>
+<p>And he went again over all the ground he had
+already examined. Miss Sally utilized the times
+when his back was turned, in making a search of her
+own, the object of which was a safe place where she
+could quickly deposit the hat without attracting his
+attention.</p>
+<p>Peyton was doubly annoyed at this enforced delay
+in his departure, since Elizabeth might come into
+the parlor at any time, and the meeting occur which
+he had, for a moment, hoped to avoid.</p>
+<p>&ldquo;Would you mind helping me look for it?&rdquo; said
+he. &ldquo;I&rsquo;m in great haste to be gone. Do me the
+kindness, madam, will you not?&rdquo;</p>
+<p>&ldquo;Why, yes, with pleasure,&rdquo; she answered, thinking
+bitterly how transported she would be, in other
+circumstances, at such an opportunity of showing her
+readiness to oblige him.</p>
+<p>Her aid consisted in following him about, looking
+in each place where he had looked the moment before,
+and keeping the sought-for object close behind
+her.</p>
+<p>Suddenly he turned about, with such swiftness
+that she almost came into collision with him.</p>
+<p>&ldquo;It must have fallen to the floor,&rdquo; said he.</p>
+<p>&ldquo;Why, yes, we never thought of looking there,
+did we?&rdquo; And she followed him through another
+<span class='pagenum pncolor'><a id='page_209' name='page_209'></a>209</span>
+tour of the room, turning her averted head from side
+to side in pretendedly ranging the floor with her
+eyes.</p>
+<p>&ldquo;I know,&rdquo; he said, with the elation of a new conjecture.
+&ldquo;It must be behind something!&rdquo;</p>
+<p>Miss Sally gasped, but in an instant recovered
+herself sufficiently to say:</p>
+<p>&ldquo;Of course. It surely <i>must</i> be&mdash;behind something.&rdquo;</p>
+<p>Harry went and looked behind the spinet, then
+examined the small spaces between other objects and
+the wall. This search was longer than any he had
+made before, as some of the pieces of furniture
+had to be moved slightly out of position.</p>
+<p>Miss Sally felt her proximity to the object of
+this search becoming unendurable. She therefore
+profited by Peyton&rsquo;s present occupation to conduct
+pretended endeavors towards the closet west of
+the fireplace. She noiselessly opened one of the
+narrow doors, quickly tossed the hat inside, closed
+the door, and turned with ineffable relief towards
+Peyton.</p>
+<p>To her consternation she found him looking at
+her.</p>
+<p>&ldquo;What are you doing there?&rdquo; he asked.</p>
+<p>&ldquo;Why,&mdash;looking in this closet,&rdquo; she stammered,
+guiltily.</p>
+<p>&ldquo;Oh, no, it couldn&rsquo;t be in there,&rdquo; said Peyton,
+<span class='pagenum pncolor'><a id='page_210' name='page_210'></a>210</span>
+lightly. &ldquo;But, yes. One of the servants might
+have laid it on the shelf.&rdquo; And he made for the
+closet.</p>
+<p>&ldquo;Oh, no!&rdquo;</p>
+<p>Miss Sally stood against the closet doors and held
+out her hands to ward him off.</p>
+<p>&ldquo;No harm to look,&rdquo; said he, passing around her
+and putting his hand on the door.</p>
+<p>Miss Sally felt that, by remaining in the position
+of a physical obstacle to his opening the closet, she
+would betray all. Acting on the inspiration of the
+instant, she ran to the centre of the room, and
+cried:</p>
+<p>&ldquo;Oh, come away! Come here!&rdquo; and essayed a
+well-meant, but feeble and abortive, scream.</p>
+<p>&ldquo;What&rsquo;s the matter?&rdquo; asked Peyton, astonished.</p>
+<p>&ldquo;Oh, I&rsquo;m going to faint!&rdquo; she said, feigning
+a sinkiness of the knees and a floppiness of the
+head.</p>
+<p>&ldquo;Oh, pray don&rsquo;t faint!&rdquo; cried Peyton, running to
+support her. &ldquo;I haven&rsquo;t time. Let me call some
+one. Let me help you to the sofa.&rdquo;</p>
+<p>By this time he held her in his arms, and was
+thinking her another sort of burden than Tom
+Jones found Sophia, or Clarissa was to Roderick
+Random.</p>
+<p>The lady shrank with becoming and genuine
+modesty from the contact, gently repelled him with
+<span class='pagenum pncolor'><a id='page_211' name='page_211'></a>211</span>
+her hands, saying, &ldquo;No, I&rsquo;m better now,&mdash;but
+come,&rdquo; and took him by the arm to lead him
+further from the fatal closet.</p>
+<p>But Peyton immediately released his arm.</p>
+<p>&ldquo;Ah, thank you for not fainting!&rdquo; he said, with
+complete sincerity, and stalked directly back to the
+closet. Before she could think of a new device, he
+had opened the door, beheld the hat, and seized it in
+triumph. &ldquo;By George, I was right! I bid you
+farewell, Miss Williams!&rdquo; He very civilly saluted
+her with the hat, and turned towards the west door
+of the parlor.</p>
+<p>Must, then, all her previous ingenuity be wasted?
+After having so far exerted herself, must she suffer
+the ignominious consequences of failure?</p>
+<p>She ran to intercept him. Desperation gave her
+speed, and she reached the west door before he
+did. She closed it with a bang, and stood with
+her back against it. &ldquo;No, no!&rdquo; she cried. &ldquo;You
+mustn&rsquo;t!&rdquo;</p>
+<p>&ldquo;Mustn&rsquo;t what?&rdquo; asked Peyton, surprised as
+much by her distracted eyes, panting nostrils, and
+heaving bosom, as by her act itself.</p>
+<p>&ldquo;Mustn&rsquo;t go out this way. Mustn&rsquo;t open this
+door,&rdquo; she answered, wildly.</p>
+<p>He scrutinized her features, as if to test a sudden
+suspicion of madness. In a moment he threw off
+this conjecture as unlikely.</p>
+<div><span class='pagenum pncolor'><a id='page_212' name='page_212'></a>212</span></div>
+<p>&ldquo;But,&rdquo; said he, putting forth his hand to grasp
+the knob of the door.</p>
+<p>&ldquo;You mustn&rsquo;t, I say!&rdquo; she cried. &ldquo;I can&rsquo;t help
+it! Don&rsquo;t blame me for it! Don&rsquo;t ask me to explain,
+but you must not go out this way!&rdquo;</p>
+<p>She stood by her task now from a new motive,
+one that impelled more strongly than her fear of
+being reproached and derided by Elizabeth. Her
+own self-esteem was enlisted, and she was now
+determined not to incur her own reproach and
+derision. She perceived, too, with a sentimental
+woman&rsquo;s sense of the dramatic, that, though denied
+a drama of her own in which she might figure as
+heroine, here was, in another&rsquo;s drama, a scene entirely
+hers, and she was resolved to act it out with
+honor. Circumstances had not favored her with a
+romance, but here, in another&rsquo;s romance, was a chapter
+exclusively hers, a chapter, moreover, on whose
+proper termination the very continuation of the
+romance depended. So she would hold that door,
+at any cost.</p>
+<p>Peyton regarded her for another moment of
+silence.</p>
+<p>&ldquo;Oh, well,&rdquo; said he, at last, &ldquo;I can go the other
+way.&rdquo;</p>
+<p>And, to her dismay, he strode towards the door
+of the east hall. She could not possibly outrun
+him thither. Her heart sank. The killing sense
+<span class='pagenum pncolor'><a id='page_213' name='page_213'></a>213</span>
+of failure benumbed her body. He was already at
+the door,&mdash;was about to open it. At that instant
+he stepped back into the parlor. In through the
+doorway, that he was about to traverse, came Elizabeth.</p>
+<hr class='toprule' />
+<div class='chsp'>
+<span class='pagenum pncolor'><a id='page_214' name='page_214'></a>214</span>
+<a name='CHAPTER_XI_THE_CONQUEST' id='CHAPTER_XI_THE_CONQUEST'></a>
+<h2>CHAPTER XI.</h2>
+<h3>THE CONQUEST.</h3>
+</div>
+<p class='dropcap'><span class='dcap'>Miss Sally</span> saw at a glance that her niece was
+dressed for conquest; then, with immense relief and
+supreme exultation, but with a feeling of exhaustion,
+knowing that her work was done, she silently left
+the room by the door she had guarded, closed it
+noiselessly behind her, and went up-stairs to restore
+her worked-out energies.</p>
+<p>Elizabeth wore a blue satin gown, the one evening
+dress she had, in the possibility of a candle-light
+visit from the officers at the outpost, brought
+with her from New York. Her bare forearms, and
+the white surface surrounding the base of her
+neck, were thus for the first time displayed to
+Peyton&rsquo;s view. A pair of slender gold bracelets
+on her wrists set off the smoothness of her rounded
+arms, but she wore no other jewelry. She had
+not had the time or the facilities to have her
+hair built high as a grenadier&rsquo;s cap, but she looked
+none the less commanding. She was, indeed, a
+radiant creature. Peyton, having never before seen
+<span class='pagenum pncolor'><a id='page_215' name='page_215'></a>215</span>
+her at her present advantage, opened wide his eyes
+and stared at her with a wonder whose openness
+was excused only by the suddenness of the dazzling
+apparition.</p>
+<p>She cast on him a momentary look of perfect
+indifference, as she might on any one that stood in
+her way; then walked lightly to the spinet, giving
+him a barely noticeable wide berth in passing, as
+if he were something with which it was probably
+desirable not to come in contact. Her slight deviation
+from a direct line of progress, though made
+inoffensively, struck him like a blow, yet did not
+interrupt, for more than an instant, his admiration.
+He stood dumbly looking after her, at her smooth
+and graceful movement, which had no sound but the
+rustling of skirts, her footfalls being noiseless in
+the satin slippers she wore.</p>
+<p>Peyton was not now as impatient as he had been
+to depart. In fact, he lost, in some measure, his
+sense of being in the act of departure. What he
+felt was an inclination to look longer on this so unexpected
+vision. She sat down at the spinet with
+her back towards him, and somehow conveyed in her
+attitude that she thought him no longer in the room.
+He felt a necessity for establishing the fact of his
+presence.</p>
+<p>&ldquo;Pardon me for addressing you,&rdquo; he said, with a
+diffidence new to him, taking up the first pretext
+<span class='pagenum pncolor'><a id='page_216' name='page_216'></a>216</span>
+that came to mind, &ldquo;but I fear your aunt requires
+looking to. She behaves strangely.&rdquo;</p>
+<p>&ldquo;Oh,&rdquo; said Elizabeth, lightly, too wise to give him
+the importance of pretending not to hear him, &ldquo;she
+is subject to queer spells at times. I thought you
+had gone.&rdquo;</p>
+<p>She began to play the spinet, very quietly and
+unobtrusively, with an absence of resentment, and
+with a seemingly unconscious indifference, that gave
+him a paralyzing sense of nothingness.</p>
+<p>Unpleasant as this feeling made his position, he
+felt the situation become one from which it would be
+extremely awkward to flee. For the first time since
+certain boyhood fits of bashfulness, he now realized
+the aptness of that oft-read expression, &ldquo;rooted to
+the spot.&rdquo; That he should be thrown into this
+trance-like embarrassment, this powerlessness of
+motion, this feeling of a schoolboy first introduced
+to society, of a player caught by stage fright, was
+intolerable.</p>
+<p>When she had touched the keys gently a few
+times, he shook off something of the spell that
+bound him, and moved to a spot whence he could
+get a view of her face in profile. It had not an
+infinitesimal trace of the storm that had driven him
+from the room a short time before. It was entirely
+serene. There was on it no anger, no grief, no
+reproach of self or of another, no scorn. There was
+<span class='pagenum pncolor'><a id='page_217' name='page_217'></a>217</span>
+pride, but only the pride it normally wore; reserve,
+but only the reserve habitual to a high-born girl in
+the presence of any but her familiars. It was hard
+to believe her the woman who had been stirred to
+such tremendous wrath a few minutes ago, by the
+disclosure that she had been deceived, her love
+tricked and misplaced. Rather, it was hard to believe
+that the scene of wrath had ever occurred, that
+this woman had ever been so stirred by such cause,
+that she had ever loved him, that he had ever dared
+pretend love to her. The deception and the confession,
+with all they had elicited from her, seemed
+parts of a dream, of some fancy he had had, some
+romance he had read.</p>
+<p>As for Elizabeth, she knew not, thought not,
+whether, in bearing him hot resentment, she still
+loved him. She knew only that she craved revenge,
+and that the first step towards her desired end
+was to assume that indifference which so puzzled,
+interested, and confounded him. A weak or a stupid
+woman would have shown a sense of injury, with
+flashes of anger. An ordinarily clever woman would
+have affected disdain, would have sniffed and looked
+haughty, would have overdone her pretended contempt.
+It is true, Elizabeth had moved slightly out
+of her way to pass further from him, but she had
+done this with apparent thoughtlessness, as if the
+act were dictated by some inner sense of his belonging
+<span class='pagenum pncolor'><a id='page_218' name='page_218'></a>218</span>
+to an inferior race; not with a visible intention
+of showing repulsion. It is true she had assumed
+ignorance of his presence, but she had given him to
+attribute this to a belief that he had left the room.
+When his voice declared his whereabouts, she treated
+him just as she would have treated any other indifferent
+person who was <i>not quite</i> her equal.</p>
+<p>Peyton felt more and more uncomfortable. Would
+she continue playing the spinet forever, so perfectly
+at ease, so content not to look at him again, so
+assuming it for granted that, the operation of leave-taking
+being considered over between hostess and
+guest, the guest might properly be gone any moment
+without further attention on either side?</p>
+<p>He began to fear that, if he did not soon speak,
+his voice would be beyond recovery. So, with a
+desperate resolve to recover his self-possession at
+a single <i>coup</i>, he blurted out, bunglingly:</p>
+<p>&ldquo;&rsquo;Tis the first time I have seen you in that gown,
+madam.&rdquo;</p>
+<p>Elizabeth, not ceasing to let her fingers ramble
+with soft touch over the keyboard, replied, carelessly:</p>
+<p>&ldquo;I have not worn it in some time.&rdquo;</p>
+<p>Having found that he retained the power of speech,
+he proceeded to utter frankly his latest thought, concealing
+the slight bitterness of it with a pretence of
+playful, make-believe reproach:</p>
+<p>&ldquo;&rsquo;Tis not flattering to me, that you never wore it
+<span class='pagenum pncolor'><a id='page_219' name='page_219'></a>219</span>
+while I was your guest, yet put it on the moment
+you thought I had departed.&rdquo;</p>
+<p>She answered with good-humored lightness, &ldquo;Why,
+sir, do you complain of not being flattered? I
+thought such complaints were made only by women,
+and only to their own hearts.&rdquo;</p>
+<p>&ldquo;If by flattery,&rdquo; said he, &ldquo;you mean merited compliment,
+there are women who can never have occasion
+to complain of not receiving it.&rdquo;</p>
+<p>&ldquo;Indeed? When was that discovery made?&rdquo;</p>
+<p>&ldquo;A minute ago, madam.&rdquo;</p>
+<p>&ldquo;Oh!&rdquo; and she smiled with just such graciousness
+as a woman might show in accepting a compliment
+from a comparative stranger. &ldquo;Thank you!&rdquo;</p>
+<p>&ldquo;When I think of it,&rdquo; said he, &ldquo;it seems strange
+that you&mdash;ah&mdash;never took pains to&mdash;eh&mdash;to appear
+at your best&mdash;nay, I should say, as your real
+self!&mdash;before me.&rdquo;</p>
+<p>&ldquo;Oh, you allude to my wearing this gown? Why,
+you must pardon my not having received you ceremoniously.
+<i>Your</i> visit began unexpectedly.&rdquo;</p>
+<p>&ldquo;Then somebody else is about to begin a visit
+that <i>is</i> expected?&rdquo;</p>
+<p>&ldquo;Didn&rsquo;t you know? I thought all the house was
+aware Major Colden was to return in a week. He
+may be here to-night, though perhaps not till to-morrow.&rdquo;</p>
+<p>&ldquo;Confound that man!&rdquo; This to himself, and
+<span class='pagenum pncolor'><a id='page_220' name='page_220'></a>220</span>
+then, to her: &ldquo;I was of the impression you did not
+love him.&rdquo;</p>
+<p>&ldquo;Why, what gave you that impression?&rdquo;</p>
+<p>&ldquo;No matter. It seems I was wrong.&rdquo;</p>
+<p>&ldquo;Oh, I don&rsquo;t say that,&mdash;or that you&rsquo;re right,
+either.&rdquo;</p>
+<p>&ldquo;However,&rdquo; quoth he, with an inward sigh of
+resignation, &ldquo;it is for <i>him</i> that you are dressed as
+you never were for me!&rdquo;</p>
+<p>She did not choose to ask what reason had existed
+for considering him in selecting her attire. It was
+better not to notice his presumption, and she became
+more absorbed in her music.</p>
+<p>Peyton strode up and down a few moments, then
+sat by the table, and rested his cheek on his hand,
+wearing a somewhat injured look.</p>
+<p>&ldquo;Major Colden, eh?&rdquo; he mused. &ldquo;To think I
+should come upon him again!&rdquo; He essayed to
+renew conversation. &ldquo;I trust, Miss Philipse, when
+I am gone&mdash;&rdquo; But Elizabeth was now oblivious of
+surroundings; the notes from the spinet became
+louder, and she began to hum the air in a low,
+agreeable voice. Peyton looked hopeless. Presently
+he stood up again, watching her.</p>
+<p>Elizabeth brought the piece to a lively finish, rose
+capriciously, took up the flowers she had laid on the
+spinet earlier in the evening, put them in her corsage,
+and made to readjust the bracelet on her right
+<span class='pagenum pncolor'><a id='page_221' name='page_221'></a>221</span>
+arm. In this attempt, she accidentally dropped the
+bracelet to the floor. Peyton ran to pick it up.
+But she quickly recovered it before he could reach
+it, put it on, walked to the table and sat down by it,
+removed the flowers from her bosom to the table,
+took up the volume of &ldquo;The School for Scandal,&rdquo;
+and turned the leaves over as if in quest of a certain
+page.</p>
+<p>While she was looking at the book, Peyton took
+up the flowers. Elizabeth, as if thinking they were
+still where she had laid them, put out her hand to
+repossess them, keeping her eyes the while on the
+book. For a moment, her hand ranged the table in
+search, then she abandoned the attempt to regain
+them.</p>
+<p>Peyton held them out to her.</p>
+<p>&ldquo;No, I thank you,&rdquo; she said, laying down the
+book, and went back to the spinet.</p>
+<p>&ldquo;Ah, you give them to me!&rdquo; cried Peyton, with
+sudden pleasure.</p>
+<p>&ldquo;Not at all! I merely do not wish to have them
+now.&rdquo;</p>
+<p>&ldquo;Oh,&rdquo; said he, thinking to make account by finding
+offence where none was really expressed, &ldquo;has
+my touch contaminated them for you?&rdquo;</p>
+<p>&ldquo;How can you talk so absurdly?&rdquo; And she resumed
+her seat at the spinet, and her playing.</p>
+<p>Peyton stood holding the flowers, looking at her,
+<span class='pagenum pncolor'><a id='page_222' name='page_222'></a>222</span>
+and presently heaved a deep sigh. This not moving
+her, he suddenly had an access of pride, brought
+himself together, and saying, with quick resolution,
+&ldquo;I bid you good-night and good-by, madam,&rdquo; went
+rapidly towards the door of the east hall. But his
+resolution weakened when his hand touched the
+knob, and, to make pretext for further sight of her,
+he turned and went to go out the other door.</p>
+<p>Elizabeth had had a moment of alarm at his first
+sign of departure, but had not betrayed the feeling.
+Now when, from her seat at the spinet, she saw him
+actually crossing the threshold near her, she called
+out, gently, &ldquo;A moment, captain.&rdquo;</p>
+<p>The pleased look on his face, as he turned towards
+her inquiringly, betrayed his gratification at being
+called back.</p>
+<p>&ldquo;You are taking my flowers away,&rdquo; she said, in
+explanation.</p>
+<p>He plainly showed his disappointment. &ldquo;Your
+pardon. My thoughtlessness. But you said you
+didn&rsquo;t wish to keep them.&rdquo; He laid them on the
+spinet.</p>
+<p>&ldquo;I do not,&mdash;yet a woman must allow very few
+hands to carry off flowers of her gathering.&rdquo;</p>
+<p>She rose and took up the flowers and walked
+towards the fireplace.</p>
+<p>&ldquo;Then you at least take them back from my
+hands,&rdquo; said Peyton.</p>
+<div><span class='pagenum pncolor'><a id='page_223' name='page_223'></a>223</span></div>
+<p>&ldquo;Why, yes,&mdash;for this,&rdquo; and she tossed them into
+the fire.</p>
+<p>He looked at them as they withered in the blaze,
+then said, &ldquo;Have you any objection to my carrying
+away the ashes, Miss Philipse?&rdquo;</p>
+<p>She answered, considerately, &ldquo;&rsquo;Twill take you more
+time than you can lose, to gather them up.&rdquo;</p>
+<p>&ldquo;Oh, I am in no haste.&rdquo;</p>
+<p>&ldquo;Oh, then, I ask your pardon. A moment since,
+you were about to go.&rdquo;</p>
+<p>&ldquo;But now I prefer to stay.&rdquo;</p>
+<p>&ldquo;Indeed? May I ask the reason&mdash;but no matter.&rdquo;</p>
+<p>But he felt that a reason ought to be forthcoming.
+&ldquo;Why, you know, because&mdash;&rdquo; And here he
+thought of one. &ldquo;I wish to stay to meet Major
+Colden, of whom you say I am afraid. I shall prove
+to you at least I am no coward. After what you
+have said to me this night, I must in honor wait to
+face him.&rdquo;</p>
+<p>&ldquo;But it is late now. I don&rsquo;t think he will come
+till to-morrow.&rdquo;</p>
+<p>&ldquo;Then I can wait till to-morrow.&rdquo;</p>
+<p>&ldquo;But your duty calls you back to your own camp,
+now that your wound has healed.&rdquo;</p>
+<p>&ldquo;I think my wound has undergone a slight relapse.
+You shall see, at least, I am not afraid of
+your champion.&rdquo;</p>
+<p>&ldquo;If that is your only reason,&mdash;your desire to
+<span class='pagenum pncolor'><a id='page_224' name='page_224'></a>224</span>
+quarrel with Major Colden,&mdash;I cannot invite you
+to remain.&rdquo;</p>
+<p>&ldquo;Well, then, to tell the truth, there <i>is</i> another
+reason. When I said, a while since, I had never
+seen you in that gown, I used too many words. I
+should have said I had never really seen you at all.&rdquo;</p>
+<p>&ldquo;Where were your eyes?&rdquo; she asked, absently,
+seeming to take his words literally and to perceive
+no compliment.</p>
+<p>&ldquo;I was in a kind of waking sleep.&rdquo;</p>
+<p>&ldquo;It has been a time and place of hallucinations, I
+think. I, too, sir, have been, since I came here a
+week ago, under the strangest spell. A kind of light
+madness or witchery was over me, and made me act
+ridiculously, against my very will. A week ago,
+when you were disabled, I intended to give you up
+to the British,&mdash;as I should do now, if it would not
+be so troublesome&mdash;&rdquo;</p>
+<p>&ldquo;&rsquo;Twould be troublesome to <i>me</i>, I assure you,&rdquo; he
+said, interrupting.</p>
+<p>&ldquo;But at the last moment,&rdquo; she went on, &ldquo;I did
+precisely the reverse of what I wished. Awhile
+ago, in this room, I seemed to be in the possession
+of some evil spirit, which made me say preposterous
+things. I can only remember some wild raving I
+indulged in, and some undeserved rudeness I displayed
+towards you. But, will you believe, the instant
+you left me, I recovered my right mind. I am
+<span class='pagenum pncolor'><a id='page_225' name='page_225'></a>225</span>
+like one returned from bedlam, cured, and you will
+pardon any incivility I may have done you in my
+peculiar state, I&rsquo;m sure, since you speak of having
+been curiously afflicted yourself.&rdquo;</p>
+<p>&ldquo;Then you mean,&rdquo; he faltered, &ldquo;you did not
+really love me?&rdquo;</p>
+<p>&ldquo;Why, certainly I did not! How could you think
+I did? Something possessed my will. But, thank
+heaven, I am myself again. Why, sir, how could I?
+You know very little of me, sir, to think&mdash;Oh!&rdquo;
+She covered her face with her hands. &ldquo;What things
+must I have said and done, in my clouded state,
+to make you think that! You,&mdash;an enemy, a rebel,
+a person whose only possible interest to me arises
+from his enmity!&rdquo;</p>
+<p>Dazzled as he was by her newly discovered beauty,
+the imposition on him was complete. He saw this
+covetable being now indifferent to him, out of his
+power to possess, likely soon to pass into the possession
+of another.</p>
+<p>&ldquo;Pray try to forget awhile that enmity,&rdquo; he
+supplicated.</p>
+<p>&ldquo;I shall try, and then you can have no interest
+for me at all.&rdquo;</p>
+<p>&ldquo;Then don&rsquo;t try, I beg. I&rsquo;d rather have an interest
+for you as an enemy than not at all.&rdquo;</p>
+<p>&ldquo;Why, really, sir&mdash;&rdquo; She seemed half puzzled,
+half amused.</p>
+<div><span class='pagenum pncolor'><a id='page_226' name='page_226'></a>226</span></div>
+<p>&ldquo;Lord,&rdquo; quoth he, &ldquo;how I have been deluded!
+I thought my love-making that night, feigned though
+it was, had wakened a response.&rdquo;</p>
+<p>&ldquo;Love-making, do you say? Will you believe me,
+sir, I don&rsquo;t remember what passed here that night,
+save the unaccountable ending,&mdash;my making you
+my guest instead of their prisoner.&rdquo;</p>
+<p>&ldquo;I wish you were pretending all this!&rdquo;</p>
+<p>&ldquo;Why, if &rsquo;twould make you happier that I were,
+I wish so, too.&rdquo;</p>
+<p>&ldquo;How can you speak so lightly of such matters?&rdquo;</p>
+<p>&ldquo;What matters?&rdquo;</p>
+<p>&ldquo;Love, of course.&rdquo;</p>
+<p>&ldquo;Why, do men alone, because they laugh at
+women for taking love seriously, have the right
+to take it lightly? And of what love am I speaking
+lightly,&mdash;the love you say you feigned for me,
+or the love you say you thought you had awakened
+in me?&rdquo;</p>
+<p>&ldquo;The love I vow I do <i>not</i> feign for you! The
+love I wish I <i>could</i> awaken in you!&rdquo;</p>
+<p>&ldquo;Why, captain, what a change has come over
+you!&rdquo;</p>
+<p>&ldquo;Yes. I have risen from my sleep. If you, in
+waking from yours, put off love, I, in waking from
+mine, took on love!&rdquo;</p>
+<p>She smiled, as with amusement. &ldquo;A somewhat
+speedy taking on, I should say.&rdquo;</p>
+<div><span class='pagenum pncolor'><a id='page_227' name='page_227'></a>227</span></div>
+<p>&ldquo;Love&rsquo;s born of a glance, <i>I</i> say!&rdquo;</p>
+<p>&ldquo;Haven&rsquo;t I heard that before?&rdquo; reflectively.</p>
+<p>&ldquo;Aye, for I said it here when I did not mean it,
+and now I say it again when I do!&rdquo;</p>
+<p>&ldquo;And of what particular glance am I to suppose&mdash;&rdquo;</p>
+<p>&ldquo;Of the first glance I cast on you when you
+entered this room in that gown. Yes, born of a
+glance&mdash;&rdquo;</p>
+<p>&ldquo;Born of a gown, in that case, don&rsquo;t you mean?&rdquo;
+derisively.</p>
+<p>&ldquo;Of a gown, or a glance, or a what you wish.&rdquo;</p>
+<p>&ldquo;I don&rsquo;t wish it should be born at all.&rdquo;</p>
+<p>&ldquo;You don&rsquo;t wish I should love you?&rdquo;</p>
+<p>&ldquo;I don&rsquo;t wish you should love me or shouldn&rsquo;t
+love me. I don&rsquo;t wish you&mdash;anything. Why
+should I wish anything of one who is nothing to
+me?&rdquo;</p>
+<p>&ldquo;Nothing to you! I would you were to me what
+I am to you!&rdquo;</p>
+<p>&ldquo;What is that, pray?&rdquo;</p>
+<p>&ldquo;An adorer!&rdquo;</p>
+<p>&ldquo;You are a&mdash;very amusing gentleman.&rdquo;</p>
+<p>&ldquo;You refuse me a glimpse of hope?&rdquo;</p>
+<p>&ldquo;You would like to have it as a trophy, I suppose.
+You men treasure the memories of your little conquests
+over foolish women, as an Indian treasures
+the scalps he takes.&rdquo;</p>
+<div><span class='pagenum pncolor'><a id='page_228' name='page_228'></a>228</span></div>
+<p>&ldquo;Lord! which sex, I wonder, has the busier
+scalping-knife?&rdquo;</p>
+<p>&ldquo;I can&rsquo;t speak for all my sex. Some of us seek
+no scalps&mdash;&rdquo;</p>
+<p>&ldquo;You don&rsquo;t have to. I make you a present of
+mine. I fling it at your feet.&rdquo;</p>
+<p>&ldquo;We seek no scalps, I say,&mdash;because we don&rsquo;t
+value them a finger-snap.&rdquo; And she gave a specimen
+of the kind of finger-snap she did not value
+them at.</p>
+<p>&ldquo;In heaven&rsquo;s name,&rdquo; he said, &ldquo;say what you do
+value, that I may strive to become like it! What
+do you value, I implore you, tell me?&rdquo;</p>
+<p>&ldquo;Oh,&mdash;my studies, for one thing,&mdash;my French
+and my music,&mdash;&rdquo;</p>
+<p>&ldquo;Could I but translate myself into French, or set
+myself to an air!&rdquo;</p>
+<p>&ldquo;Nay, I don&rsquo;t care for <i>comic</i> songs!&rdquo;</p>
+<p>&ldquo;I see you like flowers. If I might die, and be
+buried in your garden, and grow up in the shape of
+a rose-bush&mdash;&rdquo;</p>
+<p>&ldquo;Or a cabbage!&rdquo;</p>
+<p>&ldquo;I fear you don&rsquo;t like that flower.&rdquo;</p>
+<p>&ldquo;Better come up in the form of your own Virginia
+tobacco.&rdquo;</p>
+<p>&ldquo;And be smoked by old Mr. Valentine? No, you
+don&rsquo;t like tobacco. Ah, Miss Philipse, this levity is
+far from the mood of my heart!&rdquo;</p>
+<div><span class='pagenum pncolor'><a id='page_229' name='page_229'></a>229</span></div>
+<p>&ldquo;Why do you indulge in it, then?&rdquo;</p>
+<p>&ldquo;I? Is it I who indulge in levity?&rdquo;</p>
+<p>&ldquo;Assuredly, <i>I</i> do not!&rdquo; Oh, woman&rsquo;s privilege
+of saying unabashedly the thing which is not!</p>
+<p>&ldquo;No,&rdquo; said he, &ldquo;for there&rsquo;s no levity in the coldness
+with which beauty views the wounds it makes.&rdquo;</p>
+<p>&ldquo;I&rsquo;m sure one is not compelled to offer oneself to
+its wounds.&rdquo;</p>
+<p>&ldquo;No,&mdash;nor the moth to seek the flame.&rdquo;</p>
+<p>&ldquo;La, now you are a moth,&mdash;a moment ago, a
+rose-bush,&mdash;&rdquo;</p>
+<p>&ldquo;And you are ten million roses, grown in the garden
+of heaven, and fashioned into one body there, by
+some celestial Praxiteles!&rdquo;</p>
+<p>&ldquo;Dear me, am I all that?&rdquo;</p>
+<p>&ldquo;Ay,&rdquo; he said, sadly, &ldquo;and no more truly conscious
+of what it means to be all that, than any rose
+in any garden is conscious of what its beauty means!&rdquo;</p>
+<p>&ldquo;Perhaps,&rdquo; she said, softly, feeling for a moment
+almost tenderness enough to abandon her purpose,
+&ldquo;more conscious than you think!&rdquo;</p>
+<p>&ldquo;Ah! Then you are not like common beauties,&mdash;as
+poor and dull within as they are rich and radiant
+without? You but pretend insensibility, to hide real
+feeling.&rdquo;</p>
+<p>&ldquo;I did not say so,&rdquo; she answered, lightly, bracing
+herself again to her resolution.</p>
+<p>&ldquo;But it is so, is it not?&rdquo; he went on. &ldquo;Your
+<span class='pagenum pncolor'><a id='page_230' name='page_230'></a>230</span>
+heart and mind are as roseate and delicate as your
+face? You can understand my praises and my feelings?
+You can value such love as mine aright, and
+know &rsquo;tis worthy some repayment?&rdquo;</p>
+<p>But she was not again to be duped by low-spoken,
+fervid words, or by wistful, glowing eyes. She must
+be sure of him.</p>
+<p>&ldquo;I know,&mdash;I recall now,&rdquo; she said, with little apparent
+interest; &ldquo;you spoke of love a week ago,
+with no less eloquence and ardor.&rdquo;</p>
+<p>&ldquo;More eloquence and ardor, I dare say, for then I
+did not feel love. Then my tongue was not tied by
+sense of a passion it could not hope to express one
+hundredth part of! And, even if my tongue had gift
+to tell my heart, I should not dare trust myself
+under the sway of my feelings. But I <i>do</i> love you
+now,&mdash;I do,&mdash;I do!&rdquo;</p>
+<p>&ldquo;If now, why not before?&rdquo;</p>
+<p>&ldquo;Haven&rsquo;t I said I&rsquo;ve been blind to you until
+to-night? At first I regarded you as only an
+enemy to be turned to my use in my peril. Having
+been fortunate in that, I gave myself to other
+thoughts. But, thinking my false love had drawn
+true love from you, I saw I could not in honor leave
+you under a false belief. But now the falsehood has
+become truth. A week ago, I avowed a pretended
+passion, to gain my life! Now, I declare a real one,
+to gain your love!&rdquo;</p>
+<div><span class='pagenum pncolor'><a id='page_231' name='page_231'></a>231</span></div>
+<p>&ldquo;What, you expect to take my love by storm, in
+reality, as you did, in appearance, a week ago?&rdquo;
+She had risen from the music seat, and now stood
+with her back against the spinet, her hands behind
+her, her head turned slightly upward, facing him.</p>
+<p>&ldquo;I don&rsquo;t expect,&rdquo; said he. &ldquo;I only hope.&rdquo;</p>
+<p>&ldquo;And what gives you reason to hope?&rdquo;</p>
+<p>&ldquo;My own love for you. Love elicits love, they
+say.&rdquo;</p>
+<p>&ldquo;They say wrong, then. If that were true, there
+would be no unrequited lovers.&rdquo;</p>
+<p>&ldquo;Ay, but such love as mine,&mdash;how can it so fill
+me to overflowing, and not infect you?&rdquo;</p>
+<p>&ldquo;Love is not an infectious disease. If it were, I
+should have no fear,&mdash;knowing myself love-proof.&rdquo;</p>
+<p>&ldquo;I can&rsquo;t believe that,&mdash;for a woman with no
+spark in herself could not light so fierce a flame in
+me, by the mere meeting of our eyes.&rdquo;</p>
+<p>&ldquo;If it should create in me such a disturbance as
+you seem to undergo, I shouldn&rsquo;t wish it to increase.
+But, I assure you, it isn&rsquo;t in me.&rdquo;</p>
+<p>&ldquo;Pray think it is. Only imagine it is there, and
+soon it will be.&rdquo;</p>
+<p>She felt that the time was at hand to strike the
+blow.</p>
+<p>&ldquo;If I could be perfectly sure you spoke in earnest,&rdquo;
+she said, seeming to search his countenance
+for testimony.</p>
+<div><span class='pagenum pncolor'><a id='page_232' name='page_232'></a>232</span></div>
+<p>&ldquo;In earnest!&rdquo; he echoed. &ldquo;Great heavens, what
+evidence do you want? If there is an aspect of love
+I do not have, tell me, and I shall put it on.&rdquo;</p>
+<p>&ldquo;Yes, you are experienced in putting on the
+<i>aspects</i> of love.&rdquo;</p>
+<p>&ldquo;Oh, you well know I have no reason now for
+declaring a love I don&rsquo;t feel. If you could be sure
+I spoke in earnest, you said,&mdash;what then? Tell
+me, and I shall find a way to convince you I <i>am</i> in
+earnest.&rdquo;</p>
+<p>&ldquo;Convince me first.&rdquo;</p>
+<p>&ldquo;&lsquo;Convince me,&rsquo; you say. And I say, &lsquo;Be convinced.&rsquo;
+By the Lord, never was so great a sceptic!
+Is not your sense of your own charms sufficient to
+convince you of their effect?&rdquo;</p>
+<p>&ldquo;Mere words!&rdquo;</p>
+<p>&ldquo;I&rsquo;ll prove my love by acts, then!&rdquo;</p>
+<p>&ldquo;By what acts?&rdquo;</p>
+<p>&ldquo;By fighting for you or suffering for you, dying
+for you or living for you, as you may command.&rdquo;</p>
+<p>&ldquo;You can prove it thus. Say, &lsquo;Long live the
+King!&rsquo;&rdquo;</p>
+<p>He gazed at her a moment. &ldquo;No,&rdquo; he said.</p>
+<p>&ldquo;Say, &lsquo;Long live the King!&rsquo;&rdquo; She went to the
+door, and paused on the threshold, looking at him,
+as if to give him a last opportunity.</p>
+<p>&ldquo;Long live the King&mdash;&rdquo; he said.</p>
+<div><span class='pagenum pncolor'><a id='page_233' name='page_233'></a>233</span></div>
+<p>She came back from the door.</p>
+<p>&ldquo;Of France!&rdquo; he added.</p>
+<p>&ldquo;No,&rdquo; she cried, and dictated, &ldquo;&lsquo;Long live the
+King of Great Britain!&rsquo;&rdquo;</p>
+<p>&ldquo;Long live the King of Great Britain,&mdash;but not
+of America.&rdquo;</p>
+<p>&ldquo;No! &lsquo;Long live George the Third, King of
+Great Britain and the American colonies!&rsquo;&rdquo;</p>
+<p>&ldquo;Long live George the Third, King of Great
+Britain and&mdash;Ireland.&rdquo;</p>
+<p>&ldquo;&lsquo;And of the American colonies.&rsquo; Say it! Say
+it all!&rdquo;</p>
+<p>&ldquo;Long live Elizabeth Philipse, queen of beauty in
+the United States of America!&rdquo; he answered.</p>
+<p>&ldquo;You don&rsquo;t love me,&rdquo; said she, and set her mind
+to finding some other means by which he might
+evince what she knew he would never demonstrate
+in the way she had demanded. And she resolved
+his humiliation should be all the greater for the
+delay. &ldquo;You don&rsquo;t love me.&rdquo;</p>
+<p>&ldquo;I do. I swear, on my knees.&rdquo;</p>
+<p>&ldquo;Then <i>get</i> on your knees!&rdquo;</p>
+<p>&ldquo;I do!&rdquo; He dropped on one knee.</p>
+<p>&ldquo;Both knees!&rdquo;</p>
+<p>&ldquo;Both.&rdquo; He suited action to word.</p>
+<p>&ldquo;Bow lower.&rdquo;</p>
+<p>&ldquo;I touch the floor.&rdquo; He did so, with his forehead.
+&ldquo;Are you convinced?&rdquo;</p>
+<div><span class='pagenum pncolor'><a id='page_234' name='page_234'></a>234</span></div>
+<p>&ldquo;Yes.&rdquo; And she moved thoughtfully towards
+the door of the east hall.</p>
+<p>&ldquo;Ah! Convinced that I love you madly?&rdquo; In
+obedience to a gesture, he remained on his knees.</p>
+<p>&ldquo;Perfectly convinced.&rdquo;</p>
+<p>&ldquo;Then, the reward of which you hinted?&rdquo;</p>
+<p>&ldquo;Reward?&rdquo;</p>
+<p>&ldquo;You said, if you could be sure I spoke in earnest.
+Now you admit you are sure. What then?&rdquo;</p>
+<p>She let her eyes rest on him a moment, without
+speaking, as he looked ardently and expectantly up
+at her from his kneeling attitude, while she took in
+breath, and then she flung her answer at him.</p>
+<p>&ldquo;What then? This! That you are now more
+contemptible and ridiculous and utterly non-existent,
+to me, than you have formerly been! That, whatever
+I may have done which seemed in your behalf, was
+partly from the strange insanity of which I have
+spoken, and partly from the most meaningless caprice!
+That, if you remain here till to-morrow, you
+may see me in the arms of the man I really love,
+and that he may not be as careless of the fate of
+a vagabond rebel as I am. And now, Captain Crayton,
+or Dayton, or Peyton, or whatever you please,
+of somebody or other&rsquo;s light horse, go or stay, as
+you choose; you&rsquo;re as welcome as any other casual
+passer-by, for all the comical figure your impudence
+has made you cut! Learn modesty, sir, and you
+<span class='pagenum pncolor'><a id='page_235' name='page_235'></a>235</span>
+may fare better in your next love-making, if you do
+not aim too high! And that piece of advice is the
+reward I hinted at! Good night!&rdquo;</p>
+<p>And she whirled from the room, slamming behind
+her the mahogany door, at which Peyton stared for
+some seconds, in blank amazement, too overwhelmed
+to speak or move or breathe or think.</p>
+<p>But gradually he came to life, slowly rose, stood
+for a moment thoughtful, fashioned his brows into a
+frown, drew his lips back hard, and muttered through
+his closed teeth:</p>
+<p>&ldquo;I&rsquo;ll stay and fight that man, at least!&rdquo;</p>
+<p>And he sat down by the table, to wait.</p>
+<hr class='toprule' />
+<div class='chsp'>
+<span class='pagenum pncolor'><a id='page_236' name='page_236'></a>236</span>
+<a name='CHAPTER_XII_THE_CHALLENGE' id='CHAPTER_XII_THE_CHALLENGE'></a>
+<h2>CHAPTER XII.</h2>
+<h3>THE CHALLENGE.</h3>
+</div>
+<p class='dropcap'><span class='dcap'>A very</span> few moments had elapsed, and Peyton
+still sat by the table, in a dogged study, when the
+door from the south hall was opened slightly, and
+if he had looked he might have seen a pair of eyes
+peeping through the aperture. But he did not look,
+either then or when, some seconds later, the door
+opened wide and Miss Sally bobbed gracefully in.</p>
+<p>It has been related how, after her brilliant but
+exhausting conduct of the important scene assigned
+her, she sought repose in her room. Looking out
+of her window presently, she saw something, of
+which she thought it advisable to inform Elizabeth.
+Therefore she came down-stairs. Did she listen at
+the door to the last part of that notable conversation?
+Ungallant thought, aroint thee! &rsquo;Tis well
+known women have little curiosity, and what little
+they have they would not, being of Miss Sally&rsquo;s
+station in life, descend to gratify by eavesdropping.
+Let it be assumed, therefore, that the much vaunted
+informant, feminine intuition, told Miss Sally of the
+<span class='pagenum pncolor'><a id='page_237' name='page_237'></a>237</span>
+end of the interview between her niece and the captain,
+both as to the time of that end and as to its
+nature.</p>
+<p>She entered, tremulous with a vast idea that had
+blazed suddenly on her mind. Now that Elizabeth
+was quite through with Peyton, now that Peyton
+must be low in his self-esteem for Elizabeth&rsquo;s humiliation
+of him, and therefore likely to be grateful for
+consolatory attentions, Miss Sally might resume her
+own hopes. But there was no time to be lost.</p>
+<p>&ldquo;Your pardon, captain,&rdquo; she began, sweetly, with
+her most flattering smile. &ldquo;I am looking for Miss
+Elizabeth.&rdquo;</p>
+<p>&ldquo;She was here awhile ago,&rdquo; replied Peyton, glumly,
+not bringing his eyes within range of the smile.
+&ldquo;She went that way. I trust you&rsquo;ve recovered
+from your attack.&rdquo;</p>
+<p>&ldquo;My attack?&rdquo; inquiringly, with surprise.</p>
+<p>&ldquo;The queer spell, I think Miss Philipse called it.
+She said you were subject to them.&rdquo;</p>
+<p>&ldquo;Well, how does she dare&mdash;&rdquo; She checked
+her tongue, lest she might betray the device for his
+detention. Something in his absent, careless way of
+associating her with a queer spell irritated her a
+little for the moment, and impelled her to retaliation.
+&ldquo;I suppose that was not the only thing she said to
+you?&rdquo; she added, ingenuously.</p>
+<p>&ldquo;No,&mdash;she said other things.&rdquo; He rose and
+<span class='pagenum pncolor'><a id='page_238' name='page_238'></a>238</span>
+went to the fireplace, leaned against the mantel,
+and gazed pensively at the red embers.</p>
+<p>&ldquo;They don&rsquo;t seem to have left you very cheerful,&rdquo;
+ventured Miss Sally.</p>
+<p>&ldquo;Not so very damned cheerful!&mdash;I beg your
+pardon.&rdquo;</p>
+<p>Miss Sally&rsquo;s moment of resentment had passed.
+Now was the time to strike for herself. She thought
+she had hit on a clever plan of getting around to the
+matter.</p>
+<p>&ldquo;Captain,&rdquo; said she, &ldquo;you&rsquo;re a man of the world.
+I know it&rsquo;s presumptuous of me to ask it, but&mdash;if
+you would give me a word of advice&mdash;&rdquo;</p>
+<p>Peyton did not take his look from the fire, or his
+thoughts from their dismal absorption. He answered,
+half-unconsciously:</p>
+<p>&ldquo;Oh, certainly! Anything at all.&rdquo;</p>
+<p>&ldquo;You are aware, of course,&rdquo; she went on, with
+smirking, rosy confusion, &ldquo;that Mr. Valentine is a
+widower.&rdquo;</p>
+<p>&ldquo;Indeed? Oh, yes, yes, I know.&rdquo;</p>
+<p>&ldquo;Yes, a widower twice over.&rdquo;</p>
+<p>&ldquo;How sad! He must feel twice the usual amount
+of grief.&rdquo;</p>
+<p>&ldquo;Why,&mdash;I don&rsquo;t know exactly about that.&rdquo;</p>
+<p>&ldquo;The poor man has my sympathy. Doubtless he
+is inconsolable.&rdquo; Peyton scarce knew what he was
+saying, or whom it was about.</p>
+<div><span class='pagenum pncolor'><a id='page_239' name='page_239'></a>239</span></div>
+<p>&ldquo;Why, no,&rdquo; said Miss Sally, averting her eyes,
+with a smiling shyness, &ldquo;not altogether inconsolable.
+That&rsquo;s just it.&rdquo;</p>
+<p>&ldquo;Oh, is it?&rdquo; said Peyton, obliviously.</p>
+<p>&ldquo;You may have noticed that he spends a good
+deal of time here at present,&rdquo; she went on.</p>
+<p>&ldquo;A good deal of time,&rdquo; he repeated. &ldquo;There&rsquo;s
+doubtless some strong attraction.&rdquo;</p>
+<p>&ldquo;Yes. Perhaps I oughtn&rsquo;t to say it, but there <i>is</i>
+a strong attraction. In fact, he has proposed marriage
+to me, and now, as a man of the world to a
+woman of little experience, would you advise me to
+accept him?&rdquo;</p>
+<p>And she looked at the disconsolate officer so
+sweetly, it seemed impossible he should do aught
+but say it would be throwing herself away to bestow
+on an old man charms of which younger and warmer
+eyes were sensible. But he answered only:</p>
+<p>&ldquo;Certainly! An excellent match!&rdquo;</p>
+<p>For a time Miss Sally was speechless, yet open-mouthed.
+And then, for the length of one brief but
+fiery tirade, she showed herself to be her niece&rsquo;s aunt:</p>
+<p>&ldquo;Sir! The idea! I wouldn&rsquo;t have that old
+smoke-chimney if he were the last man on earth!
+I&rsquo;d have given him his congé long ago, if it hadn&rsquo;t
+been that he might propose to my friend, the widow
+Babcock! I&rsquo;ve only kept him on the string to prevent
+her getting him. When I want your advice,
+<span class='pagenum pncolor'><a id='page_240' name='page_240'></a>240</span>
+Captain Peyton, I&rsquo;ll ask for it! Excuse me, I must
+find Elizabeth. I&rsquo;ve news for her.&rdquo;</p>
+<p>&ldquo;News?&rdquo; he echoed, stupidly.</p>
+<p>&ldquo;Yes. From my chamber window awhile ago I
+saw some one riding this way on the post-road,&mdash;Major
+Colden!&rdquo;</p>
+<p>And she swept out by the same door that had
+closed, a few minutes before, on Elizabeth.</p>
+<p>&ldquo;Major Colden!&rdquo; Peyton&rsquo;s teeth tightened, his
+eyes shot fire, his hand flew to his sword-hilt, as he
+spoke the name.</p>
+<p>He went to the window, the same window at
+which Elizabeth had looked out a week ago, and
+peered through the panes at the night.</p>
+<p>&ldquo;Why, the ground is white,&rdquo; he said. &ldquo;It has
+begun to snow.&rdquo;</p>
+<p>But, through the large flakes that fell thick and
+swiftly among the trees, he did not yet see any
+humankind approaching. His view of the branch
+road was, at some places, obstructed by tall shrubbery
+that rose high above the palings and the hedge.</p>
+<p>Yet through those flakes, assaulted by them in
+eyes and nostrils, invaded by them in ears and neck,
+humankind was riding. It was, indeed, Colden
+that Miss Sally had seen through a fortuitous
+opening, which gave, between the trees, a view of the
+most eminent point of the post-road southward. He
+was to conduct Elizabeth home the next day, but
+<span class='pagenum pncolor'><a id='page_241' name='page_241'></a>241</span>
+had availed himself of his opportunity to ride out to
+the manor-house that night, so as to have the few
+more hours in her society. He had this time taken
+an escort of two privates of his own regiment, but
+these men were not as well mounted as he, and, in
+his impatience, having seen the best their horses
+could do, and having passed King&rsquo;s Bridge, he had
+ridden ahead of them, leaving them to follow to
+the manor-house in their own speediest time. Thus
+it was that now he bore alone down from the post-road,
+his horse&rsquo;s feet making on the new-fallen snow
+no other sound than a soft crunching, scarce louder
+than its heavy breathing or its mouth-play on the
+bit, or the creak and clank of saddle, bridle, stirrups,
+pistols, and scabbard. His eyes dwelt eagerly on
+the manor-house, where awaited him light and
+warmth and wine, refuge from the pelting flakes,
+and, above all else, the joy-giving presence of Elizabeth.
+His breast expanded, he sighed already with
+relief; he approached the gate as a released soul,
+with admission ticket duly purchased by a deathbed
+repentance, might approach the gate of heaven.</p>
+<p>But Peyton, looking out on the white world, saw
+no one. He did not change his attitude when the
+door reopened and Elizabeth and her aunt came into
+the parlor, arm in arm.</p>
+<p>&ldquo;You&rsquo;re sure &rsquo;twas he, aunt Sally?&rdquo; Elizabeth had
+been saying.</p>
+<div><span class='pagenum pncolor'><a id='page_242' name='page_242'></a>242</span></div>
+<p>&ldquo;Positive. He should be here now,&rdquo; Miss Sally
+had replied.</p>
+<p>Elizabeth cast a look of secret elation on the
+unheeding rebel captain, whose forehead was still
+against the window-pane. She saw a possible means
+of his still further degradation.</p>
+<p>Suddenly he took a quick step back from the
+window, impulsively renewed his grasp of his sword-hilt,
+and showed a face of resolute antagonism.</p>
+<p>Elizabeth knew from this that he had seen Colden.
+She gave a smile of pleasant anticipation.</p>
+<p>But Miss Sally had relapsed into her usual timid
+self. She held tightly to Elizabeth&rsquo;s arm.</p>
+<p>&ldquo;Oh, dear!&rdquo; she whispered. &ldquo;Won&rsquo;t something
+happen when those two meet?&rdquo;</p>
+<p>&ldquo;I hope so!&rdquo; said Elizabeth, placidly.</p>
+<p>&ldquo;Why?&rdquo; demanded Miss Sally, beginning to
+weaken at the knees.</p>
+<p>&ldquo;If Colden sends him to the ground, in our presence,
+that will crown the fellow&rsquo;s humiliation.&rdquo;</p>
+<p>Five brisk knocks, in quick succession, were heard
+from the outside door of the east hall.</p>
+<p>Peyton walked across the parlor, turned, and stood
+facing the east hall door, the greater part of the
+room&rsquo;s length being between him and it. His hand
+remained on his sword. He paid no heed to Elizabeth,
+she paid none to him.</p>
+<p>&ldquo;His knock!&rdquo; she said, and called out through
+<span class='pagenum pncolor'><a id='page_243' name='page_243'></a>243</span>
+the east hall door: &ldquo;&rsquo;Tis Major Colden, Sam. Show
+him here at once.&rdquo; She then stepped back from the
+door, to a place whence she could see both it and
+Peyton. Her aunt clung to her arm all the while,
+and now whispered, &ldquo;Oh, Elizabeth, I fear there will
+be trouble!&rdquo;</p>
+<p>&ldquo;If there is, it won&rsquo;t fall on your silly head,&rdquo;
+whispered Elizabeth, in reply.</p>
+<p>From the hall came the sound of the drawing
+of bolts. Peyton did not take his eyes from the
+door.</p>
+<p>A noise of footfalls, accompanied by clank of
+spurs and weapons, and in came Colden, his hat
+in his left hand, snow on his hat and shoulders, his
+cloak open, his sword and pistols visible, his right
+hand ungloved to clasp Elizabeth&rsquo;s.</p>
+<p>She received him with such a cordial smile as he
+had never before had from her.</p>
+<p>&ldquo;Elizabeth!&rdquo; he cried,&mdash;beheld only her, hastened
+to her, took her proffered hand, bent his head
+and kissed the fingers, raised his eyes with a grateful,
+joyous smile,&mdash;and saw Peyton standing motionless
+at the other side of the room. The smile
+vanished; a look of amazement and hatred came.</p>
+<p>&ldquo;I wish you a very good evening, <i>Major</i> Colden!&rdquo;</p>
+<p>Peyton said this in a voice as hard and ironical
+as might have come from a brass statue.</p>
+<p>For the next few seconds the two men stood
+<span class='pagenum pncolor'><a id='page_244' name='page_244'></a>244</span>
+gazing at each other, the women gazing at the men.
+At last the Tory major found speech:</p>
+<p>&ldquo;Elizabeth,&mdash;what does it mean? Why is this
+man here,&mdash;again?&rdquo;</p>
+<p>&ldquo;&rsquo;Tis rather a long story, Jack, and you shall hear
+it all in time,&rdquo; said Elizabeth, determined he should
+never hear the true story.</p>
+<p>Before she could continue, Colden suffered a start
+of alarm to possess him, and asked, quickly:</p>
+<p>&ldquo;Are any of his troops here?&rdquo;</p>
+<p>&ldquo;No; he is quite alone,&rdquo; she answered.</p>
+<p>Colden at once took on height, arrogance, and
+formidableness.</p>
+<p>&ldquo;Then why have not your servants made him
+a prisoner?&rdquo; he asked.</p>
+<p>&ldquo;Why,&rdquo; said she, &ldquo;you being mentioned to-night,
+in his presence, he made some kind of boast of not
+fearing you, and I, divining how soon you would be
+here, thought fit his freedom with your name should
+best be paid for at <i>your</i> hands, major.&rdquo;</p>
+<p>&ldquo;Ay, major,&rdquo; put in Peyton, &ldquo;and I have stayed
+to receive payment!&rdquo;</p>
+<p>Colden thought for a short while. Then he said,
+&ldquo;A moment, Elizabeth. Your pardon, Miss Williams,&rdquo;
+and drew Elizabeth aside, and spoke to her
+in a low tone: &ldquo;We have only to temporize with
+him. Two of my men have attended me from my
+quarters. I had a better horse, and rode ahead, in
+<span class='pagenum pncolor'><a id='page_245' name='page_245'></a>245</span>
+my eagerness to see you. My two fellows will be
+here soon, and the business will be done.&rdquo;</p>
+<p>But such doing of the business did not suit Elizabeth&rsquo;s
+purpose. &ldquo;I wish to humiliate the man,&rdquo;
+she answered Colden, inaudibly to the others; &ldquo;to
+take down his upstart pride! &rsquo;Twould be no shame
+to him, to be made prisoner by numbers.&rdquo;</p>
+<p>&ldquo;What, then?&rdquo; asked Colden, dubiously.</p>
+<p>&ldquo;Bring down the coxcomb, before us women, in
+an even match!&rdquo;</p>
+<p>To prevent objections, she then abruptly went
+from Colden, and resumed her place at her aunt&rsquo;s
+side.</p>
+<p>Colden stood frowning, not half pleased at her
+hint. It occurred to him, as it did not to her, that
+the mere allegiance and favoring wishes of herself
+were not sufficient possessions to ensure victory in
+such a match as she meant. Elizabeth, accustomed
+to success, did not conceive it possible that the
+chosen agent of her own designs could fail. But
+the chosen agent had, in this case, wider powers
+of conception.</p>
+<p>All this time, Captain Peyton had stood as
+motionless as a figure in a painting. He now interrupted
+Colden&rsquo;s meditations with the gentle
+reminder:</p>
+<p>&ldquo;I am waiting for my payment, Major Colden.&rdquo;</p>
+<p>Colden was not a man of much originality. So,
+<span class='pagenum pncolor'><a id='page_246' name='page_246'></a>246</span>
+in his instinctive endeavor to gain time, he bungled
+out the conventional reply, &ldquo;You wish to seek a
+quarrel with me, sir?&rdquo;</p>
+<p>&ldquo;Seek a quarrel?&rdquo; retorted Peyton. &ldquo;Is not the
+quarrel here? Has not Miss Philipse spoken of an
+offence to your name, for which I ought to receive
+payment from you? Gad, she&rsquo;d not have to speak
+twice to make <i>me</i> draw!&rdquo;</p>
+<p>Colden continued to be as conventional as a virtuous
+hero of a novel. &ldquo;I do not fight in the
+presence of ladies, sir,&rdquo; said he.</p>
+<p>&ldquo;Nor I,&rdquo; said Peyton. &ldquo;Choose your own place,
+in the garden yonder. With snow on the ground,
+there&rsquo;s light enough.&rdquo;</p>
+<p>And Harry went quickly, almost to the door, near
+which he stopped to give Colden precedence.</p>
+<p>&ldquo;Nay,&rdquo; put in Elizabeth, &ldquo;we ladies can bear the
+sight of a sword-cut or two. Wait for us,&rdquo; and
+she would have gone to send for wraps, but that
+Colden raised his hand in token of refusal, saying:</p>
+<p>&ldquo;Nay, Elizabeth. I will not consent.&rdquo;</p>
+<p>&ldquo;Come, sir,&rdquo; said Peyton. &ldquo;&rsquo;Tis no use to oppose
+a lady&rsquo;s whim. But if you make haste, we
+may have it over before they can arrive on the
+ground.&rdquo;</p>
+<p>In handling his sword-hilt, Peyton had pulled the
+weapon a few inches out of the scabbard, and now,
+though he did not intend to draw while in the house,
+<span class='pagenum pncolor'><a id='page_247' name='page_247'></a>247</span>
+he unconsciously brought out the full length of what
+remained of the blade. For the time he had forgotten
+the sword was broken, and now he was
+reminded of it with some inward irritation.</p>
+<p>Meanwhile Colden was answering:</p>
+<p>&ldquo;There&rsquo;s no regularity in such a meeting. Where
+are the seconds?&rdquo;</p>
+<p>&ldquo;I&rsquo;ll be your second, major,&rdquo; cried Elizabeth.
+&ldquo;Aunt Sally, second Captain Peyton.&rdquo;</p>
+<p>&ldquo;Ridiculous!&rdquo; said the major.</p>
+<p>&ldquo;Anything to bring you out,&rdquo; said Peyton, as
+desirous of avenging himself on Elizabeth, through
+her affianced, as she was to complete her own
+revenge through the same instrument. &ldquo;I&rsquo;ll fight
+you with half a sword. I&rsquo;d forgotten &rsquo;tis all I&rsquo;ve
+left.&rdquo;</p>
+<p>&ldquo;I would not take an advantage,&rdquo; said the New
+Yorker.</p>
+<p>&ldquo;Then break your own sword, and make us
+equal,&rdquo; said the Virginian.</p>
+<p>&ldquo;I value my weapon too much for that.&rdquo;</p>
+<p>Peyton smiled ironically. But he tried again.</p>
+<p>&ldquo;Then I shall be less scrupulous,&rdquo; said he. &ldquo;I
+<i>will</i> take an advantage. The greater honor to you,
+if you defeat me. You take the broken sword, and
+lend me yours.&rdquo;</p>
+<p>He held out his hilt for exchange.</p>
+<p>Colden pretended to laugh, saying:</p>
+<div><span class='pagenum pncolor'><a id='page_248' name='page_248'></a>248</span></div>
+<p>&ldquo;Am I a fool to put it in your power to murder
+me?&rdquo;</p>
+<p>&ldquo;<i>I&rsquo;ll</i> tell you what, gentlemen,&rdquo; put in Elizabeth.
+&ldquo;Use the swords above the chimney-place, yonder.
+They are equal.&rdquo;</p>
+<p>&ldquo;Yes!&rdquo; cried Peyton.</p>
+<p>But Colden said:</p>
+<p>&ldquo;I will not so degrade myself as to cross swords,
+except on the battle-field, with one who is a rebel, a
+deserter, and no gentleman.&rdquo;</p>
+<p>Peyton turned to Elizabeth with a smile.</p>
+<p>&ldquo;Then you see, madam,&rdquo; said he, &ldquo;&rsquo;tis no fault of
+mine if my affronts go unpunished, since this gentleman
+must keep his courage for the battle-field!
+Egad,&rdquo; he added, sacrificing truth for the sake of
+the taunt, &ldquo;you Tories need all the courage there
+you can save up in a long time! I take my leave of
+this house!&rdquo;</p>
+<div class='figtag'>
+<a name='linki_7' id='linki_7'></a>
+</div>
+<div class='figcenter'>
+<img src='images/i005.jpg' alt='' title='' width='323' height='500' /><br />
+<p class='caption'>
+&ldquo;&lsquo;I TAKE MY LEAVE OF THIS HOUSE!&rsquo;&rdquo;<br />
+</p>
+</div>
+<p>He thrust his sword back into the scabbard, bowed
+rapidly and low, with a flourish of his hat, and went
+out by the same door Elizabeth had used in her own
+moment of triumph. He unbolted the outside door
+himself, before black Sam could come from the settle
+to serve him. Snowflakes rushed in at the open
+door. He plunged into them, swinging the door
+close after him. Out through the little portico he
+went, down the walk outside the very parlor window
+through which he had looked out awhile ago,
+<span class='pagenum pncolor'><a id='page_249' name='page_249'></a>249</span>
+but through which he did not now look in as he
+passed; through the gate, and up the branch road to
+the highway. He was possessed by a confusion of
+thoughts and feelings,&mdash;temporary and superficial
+elation at having put Elizabeth&rsquo;s preferred lover in
+so bad a light, wild ideas of some future crossing of
+her path, swift dreams of a future conquest of her
+in spite of all, a fierce desire for such action as
+would lead to that end. He was eager to rejoin the
+army now, to participate in the fighting that would
+bring about the humbling of her cause and make it
+the more in his power to master her. He heeded
+little the snow that impeded his steps as his boots
+sank into it, and which, in falling, blinded his eyes,
+tickled his face, and clung to his hair. The tumult
+of flakes was akin to that of his feelings, and he
+was in mood for encountering such opposition as the
+storm made to his progress.</p>
+<p>Arriving at the post-road, he turned and went
+northward. At his left lay the great lawn fronting
+the manor-house, and separated from the road by
+hedge and palings. He could see, across the snowy
+expanse, between the dark trunks and whitened
+branches of the trees, the long front of the manor-house,
+its roof and its porticoes already covered with
+snow, the light glowing in the one exposed window
+of the east parlor. As he quieted down within, he
+felt pleasantly towards the house, to which his week&rsquo;s
+<span class='pagenum pncolor'><a id='page_250' name='page_250'></a>250</span>
+half-solitary residence in it, with the comfort he had
+enjoyed there and the books he had read, had given
+him an attachment. He cast on it a last affectionate
+look, then breasted the weather onward, wondering
+what things the future might have in store for
+him.</p>
+<p>He had little fear of not reaching the American
+lines in safety. It was unlikely that any of the enemy&rsquo;s
+marauders would be out on such a night, and
+more unlikely that any regular military movement
+would be making on the neutral ground. He expected
+to meet no one on the road, but he would
+keep a sharp lookout in all directions as he went,
+and, in case of any human apparition, would take to
+the fields or the woods. But all the world, thought
+he, would stay within doors this white night.</p>
+<p>Sliding back a part of every step he took in the
+snow, he passed the boundary of the Philipse lawn,
+and that of such part of the grounds as included,
+with other appurtenances, the garden north of the
+house. He had come, at last, to a place where the
+fence at his left ended and the forest began. He
+had, a moment before, cast a long look backward
+to assure himself the road was empty behind him.
+He now trudged on, his eyes fixed ahead.</p>
+<p>From behind a low pine-tree, at the end of the
+fence, two dark figures glided up to the captain&rsquo;s
+rear, their steps noiseless in the snow. One of them
+<span class='pagenum pncolor'><a id='page_251' name='page_251'></a>251</span>
+caught both his forearms at the same instant, and
+pulled them back together, as with grips of iron. A
+second pair of hands placed a noose about his wrists,
+and quickly tightened it. Ere he could turn, his
+first assailant released the bound arms to the second,
+drew a pistol, and thrust the muzzle close to Peyton&rsquo;s
+cheek, whereupon the second man said:</p>
+<p>&ldquo;Your pardon, captain. Come quietly, or you&rsquo;re
+a dead man!&rdquo;</p>
+<hr class='toprule' />
+<div class='chsp'>
+<span class='pagenum pncolor'><a id='page_252' name='page_252'></a>252</span>
+<a name='CHAPTER_XIII_THE_UNEXPECTED' id='CHAPTER_XIII_THE_UNEXPECTED'></a>
+<h2>CHAPTER XIII.</h2>
+<h3>THE UNEXPECTED.</h3>
+</div>
+<p class='dropcap'><span class='dcap'>Peyton&rsquo;s</span> somewhat elate exit from the parlor was
+followed by a moment of silence and inertia on the
+part of the three who remained there. But Elizabeth&rsquo;s
+chagrin was speedily translated into anger
+against Major Colden.</p>
+<p>&ldquo;Why didn&rsquo;t you fight him?&rdquo; she demanded of
+that gentleman, who was flinching inwardly, but who
+maintained a pale and haughty exterior.</p>
+<p>&ldquo;What was the use?&rdquo; he replied. &ldquo;He&rsquo;s reserved
+for the gallows. If my two men were
+here! Why not send your servants after him?
+Sam is a powerful fellow, and Williams is shrewd
+and strong.&rdquo;</p>
+<p>Elizabeth ignored Colden&rsquo;s reply, and answered
+her own question, thus:</p>
+<p>&ldquo;It was because you remembered the time he
+disarmed you, three years ago.&rdquo;</p>
+<p>&ldquo;You may think so, if you choose,&rdquo; he replied, in
+the patient manner of one who quietly endures unjust
+reproaches when self-defence is useless.</p>
+<div><span class='pagenum pncolor'><a id='page_253' name='page_253'></a>253</span></div>
+<p>&ldquo;You will find refreshments in the dining-room,&rdquo;
+said Elizabeth, coldly. &ldquo;Sam will show you to your
+room.&rdquo;</p>
+<p>&ldquo;I would rather remain with you,&rdquo; he replied.</p>
+<p>&ldquo;I would rather be alone with my aunt a while.&rdquo;</p>
+<p>A deep sigh expressed his dejecting sense of how
+futile it would be to oppose her.</p>
+<p>&ldquo;As you will,&rdquo; he then said, and, bowing gravely,
+left the parlor.</p>
+<p>Elizabeth&rsquo;s feelings now burst out.</p>
+<p>&ldquo;Oh,&rdquo; she exclaimed to her aunt, &ldquo;what a chicken-hearted
+copy of a man! And he calls himself
+a soldier! I wonder where he found the spirit to
+volunteer!&rdquo;</p>
+<p>&ldquo;From you, my dear,&rdquo; replied Miss Sally. &ldquo;Didn&rsquo;t
+you urge him to take a commission?&rdquo;</p>
+<p>&ldquo;And that rebel fellow had the best of it all
+through,&rdquo; Elizabeth went on. &ldquo;I was to see him
+laid low by his rival, as my crowning revenge!
+How he swaggered out! with what a look of triumph
+in his eye! And&mdash;aunt Sally! He won&rsquo;t
+come back! I shall never see him again!&rdquo;</p>
+<p>&ldquo;Why, child, do you wish to?&rdquo;</p>
+<p>&ldquo;Of course not! But I can&rsquo;t have him go away
+with the laugh on his side! He made me ridiculous
+after my trying to stab him with my love for the
+other man. <i>Such</i> another man! Oh, the rebel
+must come back!&rdquo;</p>
+<div><span class='pagenum pncolor'><a id='page_254' name='page_254'></a>254</span></div>
+<p>&ldquo;But he isn&rsquo;t likely to,&rdquo; said Miss Sally.</p>
+<p>&ldquo;Oh, what shall I do?&rdquo; wailed the niece.</p>
+<p>&ldquo;Elizabeth, I&rsquo;ll wager you&rsquo;re still in love with
+him!&rdquo;</p>
+<p>&ldquo;I&rsquo;m not! I hate him!&mdash;Well, what if I am?
+He loved me, I&rsquo;m sure, the last time he said it.
+But, good heavens, he&rsquo;s going farther away every
+instant!&rdquo;</p>
+<p>She clasped her hands, and, for once, looked at
+her aunt for help, like a distressed child on the verge
+of weeping.</p>
+<p>&ldquo;Why don&rsquo;t you call him back?&rdquo; said Miss
+Sally.</p>
+<p>&ldquo;I? Not if I die for want of seeing him!&mdash;I
+know! I <i>will</i> send the servants after him.&rdquo; And
+she started for the door, but stopped at her aunt&rsquo;s
+comment:</p>
+<p>&ldquo;But that will be as bad as calling him yourself.&rdquo;</p>
+<p>&ldquo;Not at all, you empty pate!&rdquo; cried Elizabeth,
+who had become, in a moment, all action. &ldquo;While
+he&rsquo;s going around by the road, Williams and Sam
+shall cut across the garden, lie in wait, and take him
+by surprise. He has no weapon but a broken sword,
+and they can make him prisoner. They shall bring
+him back here bound, and he&rsquo;ll think he&rsquo;s to be turned
+over to the British after all!&rdquo;</p>
+<p>&ldquo;But what then?&rdquo;</p>
+<p>&ldquo;Why, he shall be left alone here, well guarded, for
+<span class='pagenum pncolor'><a id='page_255' name='page_255'></a>255</span>
+half an hour, and then I&rsquo;ll happen in, give him an
+opportunity to make love again, and I can yield
+gracefully! Don&rsquo;t you see?&rdquo;</p>
+<p>&ldquo;Then you <i>do</i> love him?&rdquo; said the aunt.</p>
+<p>&ldquo;I don&rsquo;t know. However, I don&rsquo;t love Jack Colden.
+Not a word to him, of this! I&rsquo;m going to give
+orders to the men.&rdquo;</p>
+<p>As she entered the hall, she met Colden, who was
+coming from the dining-room with Mr. Valentine.
+The major had limited his refreshments to two
+glasses of brandy and water, swallowed in quick succession.
+Mr. Valentine, who was smoking his pipe,
+held Colden fraternally by the arm.</p>
+<p>&ldquo;What, Elizabeth, are you still angry?&rdquo; said Colden,
+stopping as she passed.</p>
+<p>&ldquo;Excuse me, I have something to see to,&rdquo; said the
+girl, coolly, hurrying away from him.</p>
+<p>He made a slight movement to follow her, but old
+Valentine drew him into the parlor, saying:</p>
+<p>&ldquo;Come, major, you&rsquo;ll see the lady enough after
+she&rsquo;s married to you. I was just going to say, the
+last lot of tobacco I got&mdash;&rdquo;</p>
+<p>&ldquo;Oh, damn your tobacco!&rdquo; said the other, jerking
+his arm from the old man&rsquo;s tremulous grasp.</p>
+<p>&ldquo;Damn my tobacco?&rdquo; echoed Mr. Valentine, quite
+stupefied.</p>
+<p>&ldquo;Yes. I&rsquo;ve matters more important on my mind
+just now.&rdquo;</p>
+<div><span class='pagenum pncolor'><a id='page_256' name='page_256'></a>256</span></div>
+<p>&ldquo;The deuce!&rdquo; cried the old man. &ldquo;What could
+be more important than tobacco?&rdquo;</p>
+<p>And he stood looking into the fire, muttering to
+himself between furious puffs.</p>
+<p>Colden sought comfort of Miss Sally. &ldquo;Was ever
+a woman as unreasonable as Elizabeth?&rdquo; he said to
+her. &ldquo;She&rsquo;d have had me lower myself to meet that
+rebel vagabond as one gentleman meets another.&rdquo;</p>
+<p>But Miss Sally was not going to betray her own
+disappointment by showing a change from her oft-expressed
+opinion of the rebel captain,&mdash;particularly
+in the presence of Mr. Valentine. So she
+answered:</p>
+<p>&ldquo;You met him so once, three years ago.&rdquo;</p>
+<p>&ldquo;I had a less scrupulous sense of propriety then,&rdquo;
+replied Colden, raging inwardly.</p>
+<p>&ldquo;But, as he&rsquo;s a rebel and deserter,&rdquo; pursued Miss
+Sally, &ldquo;was it not your duty as a soldier to take him,
+just now?&rdquo;</p>
+<p>&ldquo;I&rsquo;d have done so, had my men been here,&rdquo;
+growled the major. &ldquo;Elizabeth ought to&rsquo;ve had
+her servants hold him. I had half a mind to order
+them, in the King&rsquo;s name, but I never can bring myself
+to oppose her, she&rsquo;s so masterful! By George,
+though, I&rsquo;ll have him yet! My two fellows will soon
+come up. They shall give chase. He will leave
+tracks in the snow.&rdquo;</p>
+<p>Colden went to the window, and peered out as
+<span class='pagenum pncolor'><a id='page_257' name='page_257'></a>257</span>
+Peyton himself had done not long before. The
+flakes were coming down as thick as ever.</p>
+<p>&ldquo;I don&rsquo;t see my rascals yet!&rdquo; he muttered.
+&ldquo;They&rsquo;ve stopped at the tavern, I&rsquo;ll warrant.&rdquo;</p>
+<p>And he continued to gaze eagerly out, impatient
+that his men should arrive before the new-fallen snow
+should cover his enemy&rsquo;s tracks.</p>
+<p>Old Mr. Valentine, having exhausted his present
+stock of mutterings, now walked over to Miss Sally,
+who had sat down near the spinet.</p>
+<p>&ldquo;Miss Williams,&rdquo; said he, &ldquo;this is the first chance
+I&rsquo;ve had to speak to you alone in a week.&rdquo;</p>
+<p>&ldquo;But we&rsquo;re not alone,&rdquo; said Miss Sally, motioning
+her head towards Colden.</p>
+<p>&ldquo;He&rsquo;s nobody,&rdquo; contemptuously replied the octogenarian.
+&ldquo;A man that damns tobacco is nobody.
+So you may go ahead and speak out. What&rsquo;s your
+answer, ma&rsquo;am?&rdquo;</p>
+<p>&ldquo;Oh, Mr. Valentine, not now! You must give
+me time.&rdquo;</p>
+<p>&ldquo;That&rsquo;s what you said before,&rdquo; he complained.</p>
+<p>She had, indeed, said it before, scores of times.</p>
+<p>&ldquo;Well, give me more time, then,&rdquo; she replied.</p>
+<p>&ldquo;How much?&rdquo; asked the old man, in a matter-of-fact
+way.</p>
+<p>&ldquo;Oh, I don&rsquo;t know! Long enough for me to
+make up my mind.&rdquo;</p>
+<p>Thus far, this conversation had followed in the
+<span class='pagenum pncolor'><a id='page_258' name='page_258'></a>258</span>
+exact lines of many that had preceded it, but now
+Mr. Valentine made a departure from the customary
+form.</p>
+<p>&ldquo;I think,&rdquo; said he, &ldquo;if my other two wives had
+taken as long as you to make up their minds, I
+shouldn&rsquo;t have been twice a widower by now.&rdquo;</p>
+<p>&ldquo;Oh, Mr. Valentine!&rdquo; said Miss Sally, in a sweetly
+reproachful way. &ldquo;Now you know&mdash;&rdquo;</p>
+<p>But he cut her speech off short. &ldquo;Very likely,&rdquo;
+said he. &ldquo;I don&rsquo;t know. Well, take your time.
+Only please remember I haven&rsquo;t so very much time
+left! Better take me while I&rsquo;m here to be had!
+Good night, ma&rsquo;am!&rdquo; And he went to the dining-room
+to fortify himself for his long homeward walk
+through the snow.</p>
+<p>In crossing the hall, he saw Cuff on the settle in
+Sam&rsquo;s place. In the dining-room he met Molly, who
+was clearing the table of the supper that Colden had
+disdained. He asked her the whereabouts of Williams,
+and she replied that the steward and Sam had
+gone out on some order of Miss Elizabeth&rsquo;s. Deciding
+to await Williams&rsquo;s return, the old man sat down
+before the dining-room fire, and was soon peacefully
+snoring.</p>
+<p>Elizabeth had gone up-stairs to watch from her
+darkened window the issue of the expedition of
+Williams and Sam, who had gone out by the kitchen,
+equipped respectively with rope and pistol. While
+<span class='pagenum pncolor'><a id='page_259' name='page_259'></a>259</span>
+they were in the immediate vicinity of the house, she
+could not see them from her elevation, but presently
+she beheld them glide swiftly across a white open
+space in the garden, cross a stile, and disappear
+among the trees and bushes between the garden
+and the post-road. Turning her eyes to the road
+itself, that lonely highway now called Broadway,<a href='#Footnote_0009' class='fnanchor'>[9]</a> she
+made out a solitary figure toiling forward through
+the whirling whiteness,&mdash;and she gave a sigh, the
+deepest and longest with which her frame had ever
+trembled.</p>
+<p>Meanwhile Miss Sally remained in the parlor,
+thinking it best not to go to Elizabeth unless sent
+for; while Colden continued to stand at the window,
+showing his impatience for the arrival of his two
+soldiers in a tense contracting of the brow, in a
+restless shifting from foot to foot, and in intermittent
+stifled curses.</p>
+<p>As he kept his eyes on the place where the branch
+road left the highway, he did not see that part of the
+lawn walk which led from the garden. But suddenly
+a slight noise drew his look towards the portico
+before the east hall.</p>
+<p>&ldquo;Who are these coming?&rdquo; he cried, startling
+Miss Sally out of her musings and her chair.</p>
+<p>&ldquo;Are they your men?&rdquo; she asked, hastening to
+join him at the window.</p>
+<p>&ldquo;No, mine are mounted,&rdquo; said he. &ldquo;Why,&mdash;these
+<span class='pagenum pncolor'><a id='page_260' name='page_260'></a>260</span>
+are Williams and Sam,&mdash;and they are bringing,&mdash;yes,
+it is he! They&rsquo;re bringing him back
+a prisoner! She has done it, after all, without
+consulting me!&rdquo; And he strode to the centre of
+the room, in the utmost elation.</p>
+<p>Miss Sally weakened at the imminent prospect of
+a meeting between the two enemies in the changed
+circumstances, and felt the need of her niece&rsquo;s support.</p>
+<p>&ldquo;I must tell Elizabeth they have him,&rdquo; she said,
+and ran out to the east hall, and thence to the dining-room,
+just in time to avoid seeing Peyton led in
+through the outer door, which Cuff had opened at
+Williams&rsquo;s call.</p>
+<p>The steward and Sam conducted their prisoner
+immediately into the parlor. There Colden stood,
+with a rancorously jubilant smile, to receive him.</p>
+<p>Peyton&rsquo;s wrists were as Williams had tied them.
+He was without his hat, which had been knocked off
+in a brief struggle he had essayed against his captors
+in a moment when Sam had lowered the pistol.
+There was a little fresh snow on his hair, and more
+on his shoulders. The feet of his boots were cased
+with it. His left arm was held by Williams, who
+carried the broken sword, having taken it from the
+scabbard at the first opportunity. Peyton&rsquo;s other
+arm was grasped by the huge, bony left hand of
+Sam, who held the cocked pistol in his right. The
+<span class='pagenum pncolor'><a id='page_261' name='page_261'></a>261</span>
+two men walked with him to the centre of the parlor,
+and stopped.</p>
+<p>&ldquo;By George,&rdquo; said he, turning his face towards
+Sam, with fire in his eyes, &ldquo;had the snow not killed
+the sound of your sneaking footsteps till you&rsquo;d caught
+my arms behind, I&rsquo;d have done for the two of you!&rdquo;</p>
+<p>&ldquo;Good, Williams!&rdquo; said Colden. &ldquo;Place him on
+that chair, and leave him here with me. But stay
+in the hall on guard.&rdquo;</p>
+<p>&ldquo;So Miss Elizabeth ordered us, sir,&rdquo; said Williams,
+dryly, and, with Sam, conducted Peyton to
+the chair, on which he sat willingly.</p>
+<p>&ldquo;Of course she did,&rdquo; replied Colden. &ldquo;Was it
+not at my suggestion?&rdquo;</p>
+<p>Peyton looked sharply up at the major, who regarded
+him with the undisguised pleasure of hate
+about to be satisfied.</p>
+<p>Williams handed the broken sword to Colden,
+saying, &ldquo;This was the only weapon he had, sir.
+We grabbed him before he could use it. We ran
+out behind him from the roadside, and he couldn&rsquo;t
+hear us for the snow.&rdquo;</p>
+<p>&ldquo;Ay, or the pair of you couldn&rsquo;t have taken me!&rdquo;
+said Peyton, with hot scorn and defiant gameness.</p>
+<p>Colden, with the piece of sword, motioned Williams
+to go from the room.</p>
+<p>&ldquo;Leave the door ajar a little,&rdquo; he added, &ldquo;so you
+can hear if I call.&rdquo;</p>
+<div><span class='pagenum pncolor'><a id='page_262' name='page_262'></a>262</span></div>
+<p>Peyton uttered a short laugh of derision at this
+piece of prudence. The steward and Sam withdrew
+to the hall, where Sam remained, while Williams
+went in search of Elizabeth for further orders. As
+soon as she had assured herself, by watching and
+listening, that Peyton was safe in the parlor, she
+had stolen quietly down-stairs to the dining-room,
+where she had met her aunt, with whom the steward
+now found her sitting. She told him to get the
+duck-gun, make sure it was loaded and primed, and
+to wait with Sam on the settle in the hall. She
+then requested her aunt to remain in the dining-room,
+silently returned to the hall, and took station
+by the door leading from the parlor,&mdash;the door
+which Williams, at Colden&rsquo;s command, had left
+slightly ajar. Her original plan, she felt, might
+have to be altered by reason of Colden&rsquo;s having
+obtruded his hand into the game, a possibility she
+had not, in roughly sketching that plan, taken into
+account. It was in order to have the guidance of
+circumstance, that she now put herself in the way
+of hearing, unseen, what might pass between the
+two men. Meanwhile, through the snow-storm,
+Colden&rsquo;s two soldiers, who had indeed tarried at
+the tavern for the heating up of their interiors,
+were blasphemously urging their sleepy horses
+towards the manor-house.</p>
+<p>In the parlor, the two enemies were facing each
+<span class='pagenum pncolor'><a id='page_263' name='page_263'></a>263</span>
+other, Peyton on his chair, his tied wrists behind
+him, Colden standing at some distance from him,
+holding the broken sword. As soon as they were
+alone, Peyton uttered another one-syllabled laugh,
+and said:</p>
+<p>&ldquo;The hospitality of this house beats my recollection.
+One is always coming back to it.&rdquo;</p>
+<p>&ldquo;You&rsquo;ll not come back the next time you leave
+it!&rdquo; said Major Colden, his eyes glittering with
+gratified rancor.</p>
+<p>&ldquo;And when shall that time be?&rdquo; asked Peyton,
+airily.</p>
+<p>&ldquo;As soon as two of my men arrive, whom I outrode
+on my way hither to-night. They attended me
+out of New York. I shall be generous and give
+them over to you, to attend you <i>into</i> New York.&rdquo;</p>
+<p>&ldquo;Thanks for the escort!&rdquo;</p>
+<p>&ldquo;&rsquo;Tis the only kind you rebels ever have, when
+you enter New York,&rdquo; sneered the major.</p>
+<p>&ldquo;We shall enter it with an escort of our own
+choosing some day! And a sorry day that for
+you Tories and refugees, my dear gentleman!&rdquo;</p>
+<p>&ldquo;But if that day ever comes, <i>you&rsquo;ll</i> have been
+rotting underground a long time,&mdash;and thanks to
+<i>me</i>, don&rsquo;t forget that!&rdquo;</p>
+<p>&ldquo;Thanks to <i>her</i>, you coward!&rdquo; cried Peyton.
+&ldquo;&rsquo;Twas she that sent her servants after me! You
+didn&rsquo;t dare try taking me, alone!&rdquo;</p>
+<div><span class='pagenum pncolor'><a id='page_264' name='page_264'></a>264</span></div>
+<p>&ldquo;Bah!&rdquo; said Colden, hotly, &ldquo;I might have pistolled
+you here to-night&rdquo;&mdash;and he placed his hand
+on the fire-arm in his belt&mdash;&ldquo;but for the presence
+of the ladies!&rdquo;</p>
+<p>&ldquo;Was it the ladies&rsquo; presence,&rdquo; retorted Peyton,
+contemptuously, &ldquo;or the fact that you&rsquo;re a devilish
+bad shot?&rdquo;</p>
+<p>Neither man heard the door moved farther open,
+or saw Elizabeth step through the aperture to the
+inner side of the threshold, where she stopped and
+watched. Peyton&rsquo;s back was towards her, and Colden&rsquo;s
+rage at the last words was too intense to
+permit his eyes to rove from its object.</p>
+<p>&ldquo;Damn you!&rdquo; cried the major. &ldquo;I&rsquo;d show you
+how bad a shot I am, but that I&rsquo;d rather wait and
+see you on the gallows!&rdquo;</p>
+<p>&ldquo;Will <i>she</i> come to see me there, I wonder?&rdquo; said
+Peyton, half thoughtfully. &ldquo;She ought to, for it&rsquo;s
+her work sends me there, not yours! &rsquo;Twill not
+be <i>your</i> revenge when they string me up, my jolly
+friend!&rdquo;</p>
+<p>Taunted beyond all self-control, the Tory yelled:</p>
+<p>&ldquo;Not mine, eh? Then I&rsquo;ll have mine now, you
+dog!&rdquo;</p>
+<p>With that, he strode forward and struck Harry
+a fierce blow across the face with the flat side of
+Harry&rsquo;s own broken sword.</p>
+<p>Harry merely blinked his eyes, and did not flinch.
+<span class='pagenum pncolor'><a id='page_265' name='page_265'></a>265</span>
+He turned pale, then red, and in a moment, first
+clearing his voice of a slight huskiness, said, quietly:</p>
+<p>&ldquo;That blow I charge against you both,&mdash;the lady
+as well as you!&rdquo;</p>
+<p>Colden had stepped back some distance after
+delivering the blow. Something in Harry&rsquo;s answer
+seemed to infuriate still further the devil awakened
+in the Tory&rsquo;s body, for he cried out:</p>
+<p>&ldquo;The lady as well as me,&mdash;yes! And this, too!&rdquo;</p>
+<p>And he advanced on Peyton, to strike a second
+time.</p>
+<p>&ldquo;Stop! How dare you?&rdquo;</p>
+<p>The cry was Elizabeth&rsquo;s. It startled Colden so
+that he loosened his hold of the broken sword before
+he could deliver the blow. At that instant, she
+caught his arm in her one hand, the sword-guard in
+her other. She tore the weapon from his grasp, and
+faced him with a countenance as furious as his own.</p>
+<p>&ldquo;What do you mean?&rdquo; he cried.</p>
+<p>For answer she struck him in the face with the
+flat of the sword, as he had struck Peyton. &ldquo;You
+sneak!&rdquo; she said.</p>
+<p>He recoiled, and stood staring, a ghastly image of
+bewilderment and consternation. After a moment
+he turned livid.</p>
+<p>&ldquo;Ah! I see now!&rdquo; he gasped. &ldquo;You love him!&rdquo;</p>
+<p>&ldquo;Yes!&rdquo; came the answer, prompt and decided.</p>
+<p>He gazed at her with such an expression as a
+<span class='pagenum pncolor'><a id='page_266' name='page_266'></a>266</span>
+painter of hell might put into the face of a lost soul,
+and he said, faintly, in a kind of articulate moan:</p>
+<p>&ldquo;I might have known!&rdquo;</p>
+<p>Suddenly there came from the outer night the
+exclamation, quick and distinct:</p>
+<p>&ldquo;Whoa!&rdquo;</p>
+<hr class='toprule' />
+<div class='chsp'>
+<span class='pagenum pncolor'><a id='page_267' name='page_267'></a>267</span>
+<a name='CHAPTER_XIV_THE_BROKEN_SWORD' id='CHAPTER_XIV_THE_BROKEN_SWORD'></a>
+<h2>CHAPTER XIV.</h2>
+<h3>THE BROKEN SWORD.</h3>
+</div>
+<p class='dropcap'><span class='dcap'>The</span> sound wrought a transformation in Colden.
+His face lighted up with malevolent joy.</p>
+<p>&ldquo;You love too late!&rdquo; he cried, to Elizabeth. &ldquo;My
+men are there! They shall take him to New York
+a prisoner, at last!&rdquo;</p>
+<p>&ldquo;But not delivered up by me, thank God!&rdquo; replied
+Elizabeth, while Peyton rose quickly from his chair,
+and Colden reeled like a drunken man to the window.</p>
+<p>She went behind Peyton, and, with the edge of
+the broken sword, hacked rather than cut through
+one of the outer windings that bound his wrists
+together, whereupon she speedily uncoiled the rope.</p>
+<p>&ldquo;You were my prisoner. I set you free!&rdquo; she
+said, dropped the rope to the floor, and handed him
+the broken sword.</p>
+<p>He took the weapon in his right hand, and imprisoned
+Elizabeth with his left arm.</p>
+<p>&ldquo;I&rsquo;m more your prisoner now than ever!&rdquo; he
+said. &ldquo;You&rsquo;ve cut these bonds. Will you put
+others on me?&rdquo;</p>
+<div><span class='pagenum pncolor'><a id='page_268' name='page_268'></a>268</span></div>
+<p>&ldquo;Sometime,&mdash;if we can save your life!&rdquo; she
+answered.</p>
+<p>Both turned their eyes towards Colden.</p>
+<p>The Tory officer had drawn his sword, and was
+motioning, in great excitement, to his soldiers outside.</p>
+<p>&ldquo;This way, men!&rdquo; he shouted. &ldquo;To the front
+door! Damn the louts! Can&rsquo;t they understand?&rdquo;
+He beat upon the window with his sword, knocking
+out panes of glass. &ldquo;Come through that door, I say!
+Quick, curse you, there&rsquo;s a prisoner here, with a
+price for his taking! Ay, that&rsquo;s it! Some one in
+the hall there, open the front door to my men!&rdquo;</p>
+<p>The sound now came of knocks bestowed on the
+outside door, and of Sam&rsquo;s heavy tread on the hall
+floor.</p>
+<p>&ldquo;Williams! Sam!&rdquo; shouted Elizabeth. &ldquo;Don&rsquo;t
+let them in!&rdquo;</p>
+<p>The heavy tread was heard to stop short. The
+knocking on the outer door was resumed.</p>
+<p>&ldquo;Let them in, I say,&rdquo; roared Colden, too proud
+to go himself to the door. &ldquo;I command it, in the
+name of the King!&rdquo;</p>
+<p>&ldquo;Obey your mistress,&rdquo; cried Peyton, to those in
+the hall. &ldquo;I command it, in the name of Congress!&rdquo;</p>
+<p>Colden was silent for a moment, then suddenly
+threw open the window and called out, &ldquo;This way,
+men! Quick!&rdquo;</p>
+<p>And he drew pistol, and stood ready with steel
+<span class='pagenum pncolor'><a id='page_269' name='page_269'></a>269</span>
+and ball to guard the window by which his men were
+to enter. A new, wild ferocity was on his face, a
+new, nervous hardness in his body, as if the latent
+resolution and strength which a prudent man keeps
+for a great contest, on which his all may depend,
+were at last aroused. In such a mood, the man
+who, governed by interest, may have seemed a coward
+all his life becomes for the once supremely formidable.
+At last he thinks the stake worth the
+play, at last the prize is worth the risk, and because
+it is so he will play and risk to the end, hazarding
+all, not yielding while he breathes. Having opened
+the theme which alone, of all themes, shall transform
+his irresolution into action, he will, Hamlet like,
+&ldquo;fight upon this theme until&rdquo; his &ldquo;eyelids will no
+longer wag.&rdquo; So was Colden aroused, transfigured,
+as he stood doubly armed by the window, waiting
+for his men to clamber in.</p>
+<p>&ldquo;What shall we do, dear?&rdquo; said Elizabeth.</p>
+<p>&ldquo;Fight!&rdquo; replied Peyton, tightening at the same
+time his right palm around his broken sword, and
+his left around the hand she had let him take,&mdash;for
+she had moved from the embrace of his arm.</p>
+<p>&ldquo;Ay, there are only two of them,&rdquo; she said, as
+two burly forms appeared in the open window, one
+behind the other.</p>
+<p>&ldquo;There will be three of us, you&rsquo;ll find!&rdquo; cried
+Colden. &ldquo;This time I&rsquo;ll take a hand, if need be.&rdquo;</p>
+<div><span class='pagenum pncolor'><a id='page_270' name='page_270'></a>270</span></div>
+<p>&ldquo;You must not stay here,&rdquo; said Peyton to Elizabeth,
+quickly. &ldquo;Things will be flying loose in a
+moment!&rdquo;</p>
+<p>&ldquo;I won&rsquo;t leave you!&rdquo; said she.</p>
+<p>&ldquo;Go! I beg you, go!&rdquo; he said, releasing her
+hand, and stepping back.</p>
+<p>Meanwhile, Colden&rsquo;s men bounded in through the
+window. Rough, sturdy fellows were they, who
+landed heavily on the parlor floor, and blinked at the
+light, drawing the while the breeches of their short
+muskets from beneath their coats. Their hats and
+shoulders were coated with snow.</p>
+<p>&ldquo;Take that rebel alive, if you can!&rdquo; ordered Colden.
+&ldquo;He&rsquo;s meant to hang! Stun him with your
+musket-butts!&rdquo;</p>
+<p>The men quickly reversed their weapons, and
+strode heavily towards Harry. To their surprise,
+before they could bring down their muskets, which
+required both hands of each to hold, Harry dashed
+forward between them, thinking to cut down Colden
+with his broken sword, possess himself of the latter&rsquo;s
+pistol, shoot one of the soldiers, and meet the other
+on less unequal terms. He saw a possibility of his
+leaping through the open window and fleeing on one
+of the soldiers&rsquo; horses, but the idea was accompanied
+by the thought that Elizabeth might be made to
+suffer for his escape. Her safety now depended
+on his getting the mastery over his three would-be
+<span class='pagenum pncolor'><a id='page_271' name='page_271'></a>271</span>
+captors. So, ere the two astonished fellows could
+turn, Harry had leaped within sword&rsquo;s reach of his
+doubly armed enemy.</p>
+<p>But Colden was now as alert as rigid, and he
+opposed his officer&rsquo;s sword against Peyton&rsquo;s broken
+cavalry blade, guarding himself with unexpected swiftness,
+and giving back, for Harry&rsquo;s sweeping stroke,
+a thrust which only the quickest and most dexterous
+movement turned aside from entering the Virginian&rsquo;s
+lungs. As Harry stepped back for an instant out of
+his adversary&rsquo;s reach, the Tory raised his pistol. At
+the same moment the two soldiers, having turned
+about, rushed on Peyton from behind. He heard
+them coming, and half turned to face them. Their
+movement had for him one fortunate circumstance.
+It kept Colden from shooting, for his bullet might
+have struck one of his own men.</p>
+<p>Now Elizabeth had not been idle. At the moment
+when Harry had stepped back from her and
+bade her go, she had run to the door of the east
+hall, and called Williams and Sam. While Peyton
+had been engaging Colden near the window, the
+steward and the negro had entered the parlor, and
+she had excitedly ordered them to Peyton&rsquo;s aid.
+Williams still had the duck-gun, Sam the pistol.
+Thus it occurred that, as Peyton half turned from
+Colden towards the two soldiers, these last-named
+saw Williams and Sam rush in between them and
+<span class='pagenum pncolor'><a id='page_272' name='page_272'></a>272</span>
+their prey. Before Williams could bring his duck-gun
+to bear, he was struck down senseless by one of
+the musket blows first intended for Peyton. Another
+blow, and from another musket, had been
+aimed at Sam&rsquo;s woolly head, but the negro had
+put up his left hand and caught the descending
+weapon, and at the same time had discharged his
+pistol at the weapon&rsquo;s holder. But Williams, in falling,
+had knocked against the darky, and so disturbed
+his aim, and the ball flew wide. The man
+who had brought down Williams now struck Sam a
+terrible blow with the musket-club, on the temple,
+and the negro dropped like a felled ox.</p>
+<p>During this brief passage, Peyton had returned to
+close quarters with Colden. The latter, who had
+lowered his pistol when his men had last approached
+Peyton, and who had resumed the contest of swords
+unequal in size and kind, now raised the pistol a
+second time. But it was caught by the hands of
+Elizabeth, who had run around to his left, and who
+now, suddenly endowed with the strength of a
+tigress, wrenched it from him as she had wrenched
+the broken sword earlier in the evening. She tried
+to discharge the pistol at one of the two soldiers,
+as they, relieved of the brief interposition of Williams
+and Sam, were again taking position to bring
+down their muskets on Peyton&rsquo;s head while he continued
+at sword-work with Colden. But the pistol
+<span class='pagenum pncolor'><a id='page_273' name='page_273'></a>273</span>
+snapped without going off, whereupon Elizabeth
+hurled it in the face of the man at whom she had
+aimed. The blow disconcerted him so that his musket
+fell wide of Peyton, who at the same instant, having
+seen from the corner of his eye how he was menaced,
+leaped backward from under the other descending
+musket. Then, taking advantage of the moment
+when the muskets were down, he ran to the music
+seat before the spinet, and mounted upon it, thinking
+rightly that the infuriated major would follow him,
+and that he might the better execute a certain
+man&oelig;uvre from the vantage of height. Colden
+indeed rushed after him, and thrust at him, Peyton
+sweeping the thrusts aside with pendulum-like swings
+of his own short weapon. His thought was to send
+the point that menaced him so astray that he might
+leap forward and cleave his enemy with a downward
+stroke before the Tory could recover his guard. But
+Colden pressed him so speedily that he was at last
+fain to step up from the music seat to the spinet,
+landing first on the keyboard, which sent out a
+frightened discord as he alighted on it. Finding
+the keys an uncertain footing, he took another step,
+and stood on the body of the instrument, so that
+Colden would be at the disadvantage of thrusting
+upwards. But Colden, seeming to tire a little after
+a few such thrusts, called to his men:</p>
+<p>&ldquo;Shoot the dog in the legs!&rdquo;</p>
+<div><span class='pagenum pncolor'><a id='page_274' name='page_274'></a>274</span></div>
+<p>Both men aimed at once. Elizabeth screamed.
+Peyton leaped down from his height to the little
+space behind the spinet projection, where he had
+hidden a week before. Here he found himself well
+placed, for here he could be approached on one side
+only,&mdash;unless his adversaries should follow his example
+and come at him from the top of the spinet.</p>
+<p>Colden attacked him with sword, at the open side,
+and shouted to his men:</p>
+<p>&ldquo;One of you get on the spinet. The other crawl
+under. We have him now.&rdquo;</p>
+<p>Still guarding himself from his enemy&rsquo;s thrusts,
+Peyton heard one of the men leap from the music
+seat to the spinet, and the other advance creeping,
+doubtless with gun before him, under the instrument.
+Peyton sank to his knees, placed his shoulder under
+the back edge of the spinet&rsquo;s projection, and, warding
+off a downward movement of Colden&rsquo;s sword,
+turned the instrument over on its side, checking the
+creeping man under it, and throwing the other fellow
+to the floor some feet away. As the spinet fell,
+one of its legs, rising swiftly into the air, knocked
+Colden&rsquo;s blade upward, and the Tory leaped back
+lest Peyton might avail himself of the opening. But
+the spinet-leg itself hindered Peyton from doing
+so. Colden rushed forward again, thrusting as he
+did so. Peyton leaped aside, made a swift half-turn,
+and landed a stroke on Colden&rsquo;s sword-hand, making
+<span class='pagenum pncolor'><a id='page_275' name='page_275'></a>275</span>
+the Tory cry out and drop the sword. Harry put
+his foot on it and cried:</p>
+<p>&ldquo;You&rsquo;re at my mercy! Beg quarter!&rdquo;</p>
+<p>But the man who had been thrown from the top
+of the spinet now returned to the attack, coming
+around that end of the upset instrument which was
+opposite the end where Colden had menaced Harry.
+Seeing this new adversary, Harry retreated past
+Colden, in order to put himself in position. The
+soldier hastened after him, with upraised musket.
+At this moment, Peyton saw himself confronted by
+Elizabeth, who pulled open the door of the south
+hall. He stopped short to avoid running against
+her.</p>
+<p>&ldquo;Save yourself!&rdquo; she cried, and pushed him
+through the open doorway, flinging the door shut
+upon him, a movement which the pursuing soldier,
+stayed for a moment by collision with Colden, was
+not in time to prevent. Harry heard the key move
+in the lock, and knew that Elizabeth had turned it,
+and that he was safe in the south hall, with a minute
+of vantage which he might employ as he would.</p>
+<p>Elizabeth withdrew the key from the locked door,
+just as the pursuing soldier arrived at that door.
+The man, in his excitement, violently tried to open
+the door. Colden, who was wrapping a handkerchief
+around his wounded hand, shouted to the man:</p>
+<p>&ldquo;You fool, she has the key! Take it from her!&rdquo;</p>
+<div><span class='pagenum pncolor'><a id='page_276' name='page_276'></a>276</span></div>
+<p>&ldquo;You shall kill me first!&rdquo; she cried, and ran from
+the man towards the open window, stepping over the
+prostrate bodies of Sam and Williams as she went.</p>
+<p>&ldquo;After her! She&rsquo;ll throw it into the snow!&rdquo; cried
+Colden.</p>
+<p>This much Harry heard through the door, and
+heard also the heavy tread of the soldier&rsquo;s feet in
+pursuit of the girl. His mind imaged forth a momentary
+picture of the fellow&rsquo;s rough hands laid on the
+delicate arms of Elizabeth, of her body clasped by
+the man in a struggle, her white skin reddened by
+his grasp. The spectacle, imaginary and lasting but
+an instant, maddened Peyton beyond endurance, made
+him a giant, a Hercules. He threw himself against
+the door repeatedly, plied foot and body in heavy
+blows. Meanwhile Elizabeth had reached the window,
+and thrown the key far out on the snow-heaped
+lawn. She had no sooner done so than the man laid
+his clutch on her arm.</p>
+<p>&ldquo;Fly, Peyton, for God&rsquo;s sake! For my sake!&rdquo;
+she shouted.</p>
+<p>&ldquo;You shall pay for aiding the enemy, if he does!&rdquo;
+cried Colden. &ldquo;Don&rsquo;t let her escape, Thompson!&rdquo;</p>
+<p>At that instant the locked door gave way, and in
+burst Harry, having broken, to save Elizabeth from
+a rude contact, the barrier she had closed to save his
+life. That life, which he had once saved by callously
+assailing her heart, he now risked, that her body
+<span class='pagenum pncolor'><a id='page_277' name='page_277'></a>277</span>
+might not suffer the touch of an ungentle hand. So
+swift and sudden was his entrance, that he had
+crossed the room, and floored Elizabeth&rsquo;s captor, with
+a deep gash down the side of the head, ere Colden
+made a step towards him.</p>
+<p>The man who had been under the fallen spinet
+had now extricated himself, and regained his feet,
+and he and Colden rushed on Peyton at once.
+Elated by having so speedily wrought Elizabeth&rsquo;s
+release, and reduced the number of his able adversaries
+to two, Peyton bethought himself of a new
+plan. He fled through the deep doorway to the east
+hall, and took position on the staircase. He turned
+just in time to parry Colden&rsquo;s sword, which the
+major had picked up and made shift to hold in his
+wrapped-up, wounded hand. Harry saw that an
+opportune stroke might send the sword from his
+enemy&rsquo;s numb and weakening grasp, and his heart
+swelled with anticipated triumph, until he heard
+Colden&rsquo;s hoarse cry:</p>
+<p>&ldquo;Shoot him, James, while I keep him occupied!&rdquo;</p>
+<p>This order was now the more practicable from
+Harry&rsquo;s being on the stairs, above Colden, a great
+part of his body exposed to an aim that could not
+endanger his antagonist. Breathing heavily, his eyes
+afire with hatred, Colden repeated his attacks, while
+Harry saw the other&rsquo;s musket raised, the barrel looking
+him in the eyes. He leaped a step higher, swung
+<span class='pagenum pncolor'><a id='page_278' name='page_278'></a>278</span>
+his broken sword against the pendent chandelier,
+knocked the only burning candle from its socket,
+and threw the hall into darkness. A moment later
+the gun went off, giving an instant&rsquo;s red flame, a
+loud crack, and a smell of gunpowder smoke.
+Harry heard a swift singing near his right ear,
+and knew that he was untouched.</p>
+<p>Lest Colden&rsquo;s sword, thrust at random, might find
+him in the dark, Harry instantly bestrode the stair-rail,
+and dropped, outside the balustrade, to the floor
+of the hall. He grasped his half-sword in both
+hands, so as to put his whole weight behind it, and
+made a lunge in the direction of a muttered curse.
+The curse gave way to a roar of pain and rage, and
+Colden&rsquo;s second follower dropped, spurting blood in
+the darkness, his shoulder gashed horribly by the
+blunt end of Peyton&rsquo;s imperfect weapon. Harry
+now ran back to the parlor, to deal with Colden in
+the light, the latter&rsquo;s greater length of weapon giving
+a greater searching-power in the darkness. In the
+parlor Elizabeth stood waiting in suspense. Sam was
+sitting on the floor and staring stupidly at Williams,
+who was now awake and rubbing his head, and the
+Tory first fallen was still senseless. Harry had no
+sooner taken this scene in at a glance, than Colden
+was upon him.</p>
+<p>The major&rsquo;s eyes seemed to stand out like blazing
+carbuncles from the face of some deity of rage.</p>
+<div><span class='pagenum pncolor'><a id='page_279' name='page_279'></a>279</span></div>
+<p>&ldquo;G&mdash;d d&mdash;n your soul!&rdquo; he screamed, and thrust.
+The point went straight, and Elizabeth, seeing it
+protrude through the back of Harry&rsquo;s coat, near the
+left side of his body, uttered a low cry, and sank
+half-fainting to her knees. Colden shouted with
+triumphant laughter. &ldquo;Die, you dog! And when
+you burn in hell, remember I sent you there!&rdquo;</p>
+<p>But the evil joy suddenly faded out of Colden&rsquo;s
+face, for Harry Peyton, smiling, took a forward step,
+grasped near the hilt the sword that seemed to be
+sheathed in his own body, forced it from Colden&rsquo;s
+hand, and then drew it slowly from its lodgment.
+No blood discolored it, and none oozed from Harry&rsquo;s
+body.</p>
+<p>The Virginian&rsquo;s quick movement to escape the
+thrust had left only a part of his loose-fitting coat
+exposed, and Colden&rsquo;s sword had passed through it,
+leaving him unhurt. Colden&rsquo;s momentary appearance
+of victory had been the means of actual
+defeat.</p>
+<p>The Tory major saw his cup of revenge dashed
+from his lips, saw himself deprived of sword and
+sweetheart, neither chance left of living nor motive
+left for life. His rage collapsed; his hate burst like
+a bubble.</p>
+<p>&ldquo;Kill me,&rdquo; he said, quietly, to Peyton.</p>
+<p>His look, innocent of any thought to draw compassion,
+quite disarmed Harry, who stood for a moment
+<span class='pagenum pncolor'><a id='page_280' name='page_280'></a>280</span>
+with moistening eyes and a kind of welling-up at the
+throat, then said, in a rather unsteady voice:</p>
+<p>&ldquo;No, sir! God knows I&rsquo;ve taken enough from
+you,&rdquo; and he looked at Elizabeth, who had risen and
+was standing near him. Softened by the triumphant
+outcome for her love, she, too, was suddenly sensible
+of the defeated man&rsquo;s unhappiness, and her eyes
+applauded and thanked Harry.</p>
+<p>&ldquo;You&rsquo;ve taken what I never had,&rdquo; said Colden,
+with a chastened kind of bitterness, &ldquo;yet without
+which the life you give me back is worthless.&rdquo;</p>
+<p>&ldquo;Make it worth something with this,&rdquo; and Peyton
+held Colden&rsquo;s sword out to him.</p>
+<p>&ldquo;What! You will trust me with it?&rdquo; said Colden,
+amazed and incredulous, taking the sword, but
+holding it limply.</p>
+<p>&ldquo;Certainly, sir!&rdquo;</p>
+<p>Colden was motionless a moment, then placed his
+arm high against the doorway, and buried his face
+against his arm, to hide the outlet of what various
+emotions were set loose by his enemy&rsquo;s display of
+pity and trust.</p>
+<p>Harry gently drew Elizabeth to him and kissed
+her. Yielding, she placed her arms around his neck,
+and held him for a moment in an embrace of her
+own offering. Then she withdrew from his clasp,
+and when Colden again faced them she had resumed
+that invisible veil which no man, not even
+<span class='pagenum pncolor'><a id='page_281' name='page_281'></a>281</span>
+the beloved, might pass through till she bade
+him.</p>
+<p>&ldquo;You will find me worthy of your trust, sir,&rdquo; said
+Colden, brokenly, yet with a mixture of manly humility
+and honorable pride.<a href='#Footnote_0010' class='fnanchor'>[10]</a></p>
+<p>&ldquo;I am so sure of that,&rdquo; said Harry, &ldquo;that I confide
+to your care for a time what is dearest to me in
+the world. I ask you to accompany Miss Philipse to
+her home in New York, when it may suit her convenience,
+and to see that she suffer nothing for what
+has occurred here this night.&rdquo;</p>
+<p>&ldquo;You are a generous enemy, sir,&rdquo; said Colden, his
+eyes moistening again. &ldquo;One man in ten thousand
+would have done me the honor, the kindness, of that
+request!&rdquo;</p>
+<p>&ldquo;Why,&rdquo; said Harry, taking his enemy&rsquo;s hand, as
+if in token of farewell, &ldquo;whatever be the ways of the
+knaves, respectable and otherwise, who are so cautious
+against tricks like their own, thank God it&rsquo;s
+not so rotten a world that a gentleman may not
+trust a gentleman, when he is sure he has found
+one!&rdquo;</p>
+<p>Turning to Elizabeth, he said: &ldquo;I beg you will
+leave this house at dawn, if you can. Williams and
+Sam, there, will be little the worse for their knocks,
+and can look after the fellows on the floor.&rdquo;</p>
+<p>&ldquo;And you,&rdquo; she replied, &ldquo;must go at once. You
+must not further risk your life by a moment&rsquo;s waiting.
+<span class='pagenum pncolor'><a id='page_282' name='page_282'></a>282</span>
+Cuff shall saddle Cato for you. I sha&rsquo;n&rsquo;t rest
+till I feel that you are far on your way.&rdquo;</p>
+<p>He approached as if again to kiss her, but she
+held out her hand to stay him. He took the hand,
+bent over it, pressed it to his lips.</p>
+<p>&ldquo;But,&mdash;&rdquo; he said, in a tone as low as a whisper,
+&ldquo;when&mdash;&rdquo;</p>
+<p>&ldquo;When the war is over,&rdquo; she answered, softly,
+&ldquo;let Cato bring you back.&rdquo;</p>
+<hr class='pb' />
+<div><span class='pagenum pncolor'><a id='page_283' name='page_283'></a>283</span></div>
+<h2>NOTES.</h2>
+<h3><span class='smcap'><a name='Footnote_0001' id='Footnote_0001'></a>Note 1.</span> (Page <a href='#page_41'>41</a>.)</h3>
+<p>&ldquo;The old county historian.&rdquo; Rev. Robert Bolton,
+born 1814, died 1877. His &ldquo;History of the County of
+Westchester,&rdquo; especially the revised edition published
+in 1881, is a rich mine of &ldquo;material.&rdquo; Among other
+works that have served the author of this narrative in
+a study of the period and place are Allison&rsquo;s &ldquo;History
+of Yonkers,&rdquo; Cole&rsquo;s &ldquo;History of Yonkers,&rdquo; Edsall&rsquo;s &ldquo;History
+of Kingsbridge,&rdquo; Dawson&rsquo;s &ldquo;Westchester County
+during the Revolution,&rdquo; Jones&rsquo;s &ldquo;New York during the
+Revolution,&rdquo; Watson&rsquo;s &ldquo;Annals of New York in the
+Olden Time,&rdquo; General Heath&rsquo;s &ldquo;Memoirs,&rdquo; Thatcher&rsquo;s
+&ldquo;Memoirs,&rdquo; Simcoe&rsquo;s &ldquo;Military Journal,&rdquo; Dunlap&rsquo;s &ldquo;History
+of New York,&rdquo; and Mrs. Ellet&rsquo;s &ldquo;Domestic History
+of the Revolution.&rdquo; For an excellent description of the
+border warfare on the &ldquo;neutral ground,&rdquo; the reader should
+go to Irving&rsquo;s delightful &ldquo;Chronicle of Wolfert&rsquo;s Roost.&rdquo;
+Cooper&rsquo;s novel, &ldquo;The Spy,&rdquo; deals accurately with that subject,
+which is touched upon also in that good old standby,
+Lossing&rsquo;s &ldquo;Pictorial Field-book of the Revolution.&rdquo; Philipse
+<span class='pagenum pncolor'><a id='page_284' name='page_284'></a>284</span>
+Manor-house has been carefully written of by Judge
+Atkins in a Yonkers newspaper, and less accurately by
+Mrs. Lamb in her &ldquo;History of New York City,&rdquo; and
+Marian Harland in &ldquo;Some Colonial Homesteads and
+Their Stories.&rdquo; Of general histories, Irving&rsquo;s &ldquo;Life of
+Washington&rdquo; treats most fully of things around New York
+during the British occupation, and these things are
+interestingly dealt with in local histories, such as the
+&ldquo;History of Queens County,&rdquo; Stiles&rsquo;s &ldquo;History of
+Brooklyn,&rdquo; Barber and Howe&rsquo;s &ldquo;New Jersey Historical
+Collections,&rdquo; etc., as well as in such special works as
+Onderdonk&rsquo;s &ldquo;Revolutionary Incidents.&rdquo;</p>
+<h3><span class='smcap'><a name='Footnote_0002' id='Footnote_0002'></a>Note 2.</span> (Page <a href='#page_47'>47</a>.)</h3>
+<p>Of Colonel Gist&rsquo;s escape, Bolton gives the following
+account: &ldquo;The house was occupied by the handsome
+and accomplished widow of the Rev. Luke Babcock, and
+Miss Sarah Williams, a sister of Mrs. Frederick Philipse.
+To the former lady Colonel Gist was devotedly attached;
+consequently, when an opportunity afforded, he gladly
+moved his command into that vicinity. On the night
+preceding the attack, he had stationed his camp at the
+foot of Boar Hill, for the better purpose of paying a special
+visit to this lady. It is said that whilst engaged in
+urging his suit the enemy were quietly surrounding his
+quarters; he had barely received his final dismissal from
+Mrs. Babcock when he was startled by the firing of musketry....
+It appears that all the roads and bridges had
+been well guarded by the enemy, except the one now
+<span class='pagenum pncolor'><a id='page_285' name='page_285'></a>285</span>
+called Warner&rsquo;s Bridge, and that Captain John Odell
+upon the first alarm led off his troops through the woods
+on the west side of the Saw Mill [River]. Here Colonel
+Gist joined them. In the meantime Mrs. Babcock, having
+stationed herself in one of the dormer windows of the
+parsonage, aided their escape whenever they appeared,
+by the waving of a white handkerchief.&rdquo;</p>
+<p>The British attack was under Lieutenant-Colonel Simcoe,
+whose journal shows that his force so far outnumbered
+Gist&rsquo;s that the latter&rsquo;s only sensible course was in
+flight. About the year 1840, trees cut down near the site
+of Gist&rsquo;s camp were found to contain balls buried six
+inches in the wood.</p>
+<h3><span class='smcap'><a name='Footnote_0003' id='Footnote_0003'></a>Note 3.</span> (Page <a href='#page_76'>76</a>.)</h3>
+<p>The three generals arrived on the <i>Cerberus</i>, May 25th.
+All the histories say that they arrived &ldquo;with reinforcements.&rdquo;
+It is true, troops were constantly arriving at
+Boston about that time, but none came immediately with
+the three generals. The <i>Connecticut Gazette</i> (published in
+New London) printed, early in June, this piece of news,
+brought by a gentleman who had been in Boston, May
+28th: &ldquo;Generals Burgoyne, Clinton, and Howe arrived at
+Boston last Friday in a man-of-war. No troops came
+with them. They brought over 25 horses.&rdquo; It is a wonder
+that Frothingham, in his admirably complete history
+of the siege of Boston, missed even this little circumstance.
+Probably everybody has read the incident thus
+related by Irving: &ldquo;As the ships entered the harbor and
+<span class='pagenum pncolor'><a id='page_286' name='page_286'></a>286</span>
+the rebel camp was pointed out, Burgoyne could not restrain
+a burst of surprise and scorn. &lsquo;What!&rsquo; cried he;
+&lsquo;ten thousand peasants keep five thousand King&rsquo;s troops
+shut up! Well, let us get in and we&rsquo;ll soon find elbow
+room!&rsquo;&rdquo; I don&rsquo;t think Irving relates anywhere the sequel,
+which is that when, after his surrender, Burgoyne
+marched with his conquered army into Cambridge, an old
+woman shouted from a window to the crowd of spectators,
+&ldquo;Give him elbow room!&rdquo; This story ought to be true, if
+it is not.</p>
+<h3><span class='smcap'><a name='Footnote_0004' id='Footnote_0004'></a>Note 4.</span> (Page <a href='#page_89'>89</a>.)</h3>
+<p>It was in a letter under date of October 4, 1778, that
+Washington wrote: &ldquo;What officer can bear the weight of
+prices that every necessary article is now got to? A rat
+in the shape of a horse is not to be bought for less than
+£200; a saddle under thirty or forty.&rdquo;</p>
+<h3><span class='smcap'><a name='Footnote_0005' id='Footnote_0005'></a>Note 5.</span> (Page <a href='#page_124'>124</a>.)</h3>
+<p>Captain Cunningham was the British provost marshal,
+as everybody knows, whose name became a synonym for
+wanton cruelty in the treatment of war prisoners. He
+had come to New York before the Revolution, and had
+kept a riding school there. As soon as the war broke out
+he took the royal side. It was he who had in charge the
+summary execution of Nathan Hale. He would often
+amuse himself by striking his prisoners with his keys and
+by kicking over the baskets of food or vessels of soup
+brought for them by charitable women, who, he said,
+were the worst rebels in New York. He died miserably
+<span class='pagenum pncolor'><a id='page_287' name='page_287'></a>287</span>
+in England after the war. His career is briefly outlined
+in Sabine&rsquo;s &ldquo;Loyalists.&rdquo; As to the manner in which
+Peyton, if caught, would have died, it must be remembered
+that in the American Revolution the rope served in
+many a case which, occurring in Europe or in one of our
+later wars, would have been disposed of with the bullet.
+Writing of General Charles Lee, John Fiske says: &ldquo;There
+is no doubt that Sir William Howe looked upon him as a
+deserter, and was more than half inclined to hang him
+without ceremony.&rdquo; Then, as now, a deserter in time of
+war was liable to death if caught at any subsequent time,
+his case being worse than that of a spy, who was liable to
+death only if caught before getting back to his own lines.
+There was, by the way, much unceremonious hanging on
+the &ldquo;neutral ground.&rdquo; Not far from the Van Cortlandt
+mansion there still stood, in Bolton&rsquo;s time, &ldquo;a celebrated
+white oak, in the midst of a pretty glade, called the Cowboy
+Oak,&rdquo; from the fact that many of the Tory raiders
+had been suspended from its branches during the war of
+Revolution.</p>
+<h3><span class='smcap'><a name='Footnote_0006' id='Footnote_0006'></a>Note 6.</span> (Page <a href='#page_127'>127</a>.)</h3>
+<p>I am not sure whether the saying, &ldquo;The corpse of an
+enemy smells sweet,&rdquo; attributed to Charles IX. of France,
+in allusion to Coligny, is historical or was the invention
+of a romancer. It occurs in Dumas&rsquo;s &ldquo;La Reine Margot.&rdquo;</p>
+<h3><span class='smcap'><a name='Footnote_0007' id='Footnote_0007'></a>Note 7.</span> (Page <a href='#page_136'>136</a>.)</h3>
+<p>Mr. Valentine&rsquo;s unwillingness to lend aid was doubtless
+due to the frequency of such incidents as one that
+<span class='pagenum pncolor'><a id='page_288' name='page_288'></a>288</span>
+had occurred to his neighbor, Peter Post, in 1776. Post&rsquo;s
+estate occupied the site of the present town of Hastings.
+He gave information to Colonel Sheldon regarding the
+movements of some Hessians, and afterwards deceived
+the Hessians as to the whereabouts of Sheldon&rsquo;s own
+cavalry. Thereby, Sheldon&rsquo;s troop was enabled to surprise
+the Hessians, and defeat them in a short and bloody
+conflict. The Hessians&rsquo; comrades later caught Post,
+stripped him, beat him to insensibility, and left him for
+dead. He recovered of his injuries. His house, a small
+stone one, became a tavern after the Revolution, and was
+a celebrated resort of cock-fighters and hard-drinkers.
+Not far north of Hastings is Dobbs Ferry, which was
+occupied by both armies alternately, during the Revolution.
+Further north is Sunnyside, Irving&rsquo;s house, elaborated
+from the original Wolfert&rsquo;s Roost, and beyond that
+are Tarrytown, where André was stopped and taken in
+charge, and Sleepy Hollow. Enchanted ground, all this,
+hallowed by history, legend, and romance.</p>
+<h3><span class='smcap'><a name='Footnote_0008' id='Footnote_0008'></a>Note 8.</span> (Page <a href='#page_179'>179</a>.)</h3>
+<p>The secret passage or passages of Philipse Manor-house
+have not been neglected by writers of fiction,
+history, and magazine articles. The passage does not
+now exist, but there are numerous traces of it. The
+different writers do not agree in locating it. The author
+of an interesting story for children, &ldquo;A Loyal Little
+Maid,&rdquo; has it that the passage was reached through an
+opening in the panelling of the dining-room, this opening
+<span class='pagenum pncolor'><a id='page_289' name='page_289'></a>289</span>
+concealed by a tall clock. I think Marian Harland
+says that a closet in one of the parlors or chambers
+connects with the secret passage. Both these assumptions
+are wrong. Mr. R. P. Getty has pointed out in the
+northwestern corner of the cellar what seems to have
+once been the entrance to the passage. One authority
+quotes a belief &ldquo;that from the cellar there was a passage
+to a well now covered by Woodworth Avenue,&rdquo; and that
+this was to afford access to what may have been a storage
+vault. A man who was born in 1821 says that, when a
+boy, he saw, near the house, a dry cistern, from the
+bottom of which was an arched passage towards the
+Hudson, large enough for a man six feet tall to pass
+through. Judge Atkins says that the well was opposite
+the kitchen door, and had, at its western side, about ten
+feet deep, a chamber in which butter was kept. One
+writer locates an ice-house where Judge Atkins places
+this well, and says a subterranean arched way led northward
+as far as the present Wells Avenue. &ldquo;The ice-house
+was formerly, it is said, a powder-magazine.&rdquo;
+Many years ago, the coachman of Judge Woodworth
+used to say he had &ldquo;gone through an underground passage
+all the way from the manor-house to the Hudson
+River.&rdquo; Judge Atkins has written interesting legends of
+the manor-house, involving the secret passage and other
+features.</p>
+<h3><span class='smcap'><a name='Footnote_0009' id='Footnote_0009'></a>Note 9.</span> (Page <a href='#page_259'>259</a>.)</h3>
+<p>&ldquo;That lonely highway now called Broadway.&rdquo; A
+block of houses and another street now lie between that
+<span class='pagenum pncolor'><a id='page_290' name='page_290'></a>290</span>
+highway and the east front of the manor-house. The
+building is closely hemmed in by the sordid signs of
+progress. Ugly houses, in crowded blocks, cover all the
+great surrounding space that once was thick forest, fair
+orchards, gardens, fields, and pastoral rivulet. The
+Neperan or Saw Mill River flows, sluggish and scummy,
+under streets and houses. A visit to the manor-house,
+now, would spoil rather than improve one&rsquo;s impression
+of what the place looked like in the old days. Yet the
+house itself remains well preserved, for which all honor
+to the town of Yonkers. There is in our spacious
+America so much room for the present and the future,
+that a little ought to be kept for the past. It is well to
+be reminded, by a landmark here and there, of our brave
+youth as a people. A posterity, sure to value these
+landmarks more than this money-grabbing age does,
+will reproach us with the destruction we have already
+wrought. Worse still than the crime of obliterating all
+human-made relics of the past, is the vandalism of nature
+herself where nature is exceptionally beautiful. To rob
+millions of beauty-lovers, yet to live, of the Palisades of the
+Hudson, would bring upon us the amazement and execration
+of future centuries. This earth is an entailed estate,
+that each generation is in honor bound to hand down,
+undefaced, undiminished, to its successor. In order that
+a close-clutched wallet or two may wax a little fatter,
+shall we bring upon ourselves a cry of shame that would
+ring with increasing bitterness through the ages,&mdash;shall
+we invite the execration merited by such greed as could
+so outrage our fair earth, such stolid apathy as could
+<span class='pagenum pncolor'><a id='page_291' name='page_291'></a>291</span>
+stand by and see it done? Shall an alien or two, as
+hard of soul as the stone in which he traffics, mar the
+Hudson that Washington patrolled, rob countless eyes,
+yet unopened, of a joy; countless minds, yet to waken, of
+an inspiration; countless hearts, yet to beat, of a thrill
+of pride in the soil of their inheriting? Shall some future
+reader wonder why Irving, deeming it &ldquo;an invaluable
+advantage to be born and brought up in the neighborhood
+of some grand and noble object in nature,&rdquo; should
+have thanked God he was born on the banks of the
+Hudson? I write this with the sound of the blowing up
+of Indian Head still echoing in my ears, and knowing
+nothing done by Government to protect the next fair
+Hudson headland from similar destruction.</p>
+<h3><span class='smcap'><a name='Footnote_0010' id='Footnote_0010'></a>Note 10.</span> (Page <a href='#page_281'>281</a>.)</h3>
+<p>It is probable that Colden served with his brigade
+when it fought in the South in the last part of the war.
+He was afterwards lost at sea, leaving no heir. He was
+of a family prominent in New York affairs, both before
+the Revolution and afterwards, and which was intermarried
+with other New York families of equal prominence,
+as may be seen in the &ldquo;New York Genealogical and Biographical
+Record,&rdquo; the &ldquo;New England Genealogical and
+Historical Register,&rdquo; and similar publications. It is probable
+that Sabine means this Colden when he mentions a
+Captain Colden, of the First Battalion of New Jersey
+Volunteers. That he was a major, however, is certain,
+from the official British Army lists published in Hugh
+<span class='pagenum pncolor'><a id='page_292' name='page_292'></a>292</span>
+Gaines&rsquo;s &ldquo;Universal Register&rdquo; for the years of the Revolution.</p>
+<p>People curious about Harry Peyton&rsquo;s military record
+may consult Saffel&rsquo;s &ldquo;Lists of American Officers,&rdquo;
+Heitman&rsquo;s &ldquo;Manual,&rdquo; and a large work on &ldquo;Virginia
+Genealogies,&rdquo; by H. E. Hayden, published at Wilkes-barre.
+To the reader who demands a happy ending, it
+need be no shock to learn that Peyton, having risen to
+the rank of major, was killed at Charleston, S. C., May
+12, 1780. For a love story, it is a happy ending that
+occurs at the moment when the conquest and the submission
+are mutual, complete, and demonstrated. A
+love to be perfect, to have its sweetness unembittered,
+ought not to be subjected to the wear and tear of prolonged
+fellowship. So subjected, it may deepen and gain
+ultimate strength, but it will lose its intoxicating novelty,
+and become associated with pain as well as with pleasure.
+We may be sure that the love of Peyton and Elizabeth
+was to Harry a sweetener of life on many a night encampment,
+many a hard ride, in the campaign of 1779, and
+in the spring of 1780, and exalted him the better to meet
+his death on that day when Charleston fell to the British;
+and that to Elizabeth, while it receded into further memory,
+it kept its full beauty during the half century she
+lived faithful to it. Her sisters were married into the
+English nobility, gentry, and military, but Elizabeth died
+in Bath, England, in March, 1828, unmarried. Colonel
+Philipse had moved with his family to England when the
+British quitted New York in 1783. Many other Tories
+did likewise. Some went to England, but more to Canada,
+<span class='pagenum pncolor'><a id='page_293' name='page_293'></a>293</span>
+the greater part of which was then a wilderness. Many
+of the Tory officers got commissions in the English
+army.</p>
+<p>No Tory family did more for the King&rsquo;s cause in
+America, lost more, or got more in redress, than the De
+Lancey family, which had been foremost in the administration
+of royal government in the province of New York.
+It had great holdings of property in New York City, elsewhere
+on the island of Manhattan, and in various parts
+of Westchester County, notably in Westchester Township,
+where De Lancey&rsquo;s mills and a fine country mansion were
+a famous landmark &ldquo;where gentle Bronx clear winding
+flows.&rdquo; The founder of the American family was a
+French Huguenot of noble descent. The family was
+represented in the British army and navy before the Revolution.
+One member of it, a young officer in the navy,
+at the breaking out of the war, resigned his commission
+rather than serve against the Colonies, but most of the
+other De Lancey men were differently minded. Oliver
+De Lancey, a member of the provincial council, was made
+a brigadier-general in the royal service, and raised three
+battalions of loyalists, known as &ldquo;De Lancey&rsquo;s Battalions.&rdquo;
+Of these battalions, the Tory historian, Judge
+Jones, says: &ldquo;Two served in Georgia and the Carolinas
+from the time the British army landed in Georgia until the
+final evacuation of Charleston.&rdquo; One of these, during this
+period, was commanded by Lieutenant-Colonel Stephen
+De Lancey, the other by Colonel John Harris Cruger.
+The third battalion, during the whole war, was employed
+solely in protecting the wood-cutters upon Lloyd&rsquo;s Neck,
+<span class='pagenum pncolor'><a id='page_294' name='page_294'></a>294</span>
+Queens County, L. I. This General De Lancey&rsquo;s son,
+Oliver De Lancey, Junior, was educated in Europe, took
+service with the 17th Light Dragoons, was a captain when
+the Revolution began, a major in 1778, a lieutenant-colonel
+in 1781, and, on the death of Major André,
+adjutant-general of the British army in America. Returning
+to England, he became deputy adjutant-general of
+England; as a major-general, he was also colonel of the
+17th Light Dragoons; was subsequently barrack-master
+general of the British Empire, lieutenant-general, and
+finally general. When he died he was nearly at the head
+of the English army list. This branch of the family
+became extinct when Sir William Heathcoate De Lancey,
+the quartermaster-general of Wellington&rsquo;s army, was
+killed at Waterloo.</p>
+<p>The James De Lancey who commanded the Westchester
+Light Horse was a nephew of the senior General Oliver
+De Lancey, and a cousin of the Major Colden of this narrative.
+His troop was not &ldquo;a battalion in the brigade of
+his uncle,&rdquo; Bolton&rsquo;s statement that it was so being incorrect;
+its operations were limited to Westchester County.
+It raided and fought for the King untiringly, until it was
+almost entirely killed off, at the end of the war, by the
+persistent efforts of our troops to extirpate it.</p>
+<p>The members of this corps were called &ldquo;Cowboys&rdquo;
+because, in their duty of procuring supplies for the
+British army, they made free with the farmers&rsquo; cattle.
+Like the other conspicuous Tories, this James De Lancey
+was attainted by the new State Government, and his property
+was confiscated. Local historians draw an effective
+<span class='pagenum pncolor'><a id='page_295' name='page_295'></a>295</span>
+picture of him departing alone from his estate by the
+Bronx, turning for a last look, from the back of his horse,
+at the fair mansion and broad lands that were to be his
+no more, and riding away with a heavy heart. He went,
+with many shipfuls of Tory emigrants, to Nova Scotia,
+and became a member of the council of that colony.
+His uncle went to England and died at his country house,
+Beverly, Yorkshire, in 1785. I allude to the case of this
+family, because it was typical of that of a great many
+families. The Tories of the American Revolution constitute
+a subject that has yet to be made much of. They
+were the progenitors of English-speaking Canada.</p>
+<p>The act of attainder that deprived the De Lanceys of
+their estates, deprived Colonel Philipse of his. It was
+passed by the New York legislature, October 22, 1779. The
+persons declared guilty of &ldquo;adherence to the enemies of
+the State&rdquo; were attainted, their estates real and personal
+confiscated, and themselves proscribed, the second section
+of the act declaring that &ldquo;each and every one of
+them who shall at any time hereafter be found in any
+part of this State, shall be, and are hereby, adjudged and
+declared guilty of felony, and shall suffer death as in
+cases of felony, without benefit of clergy.&rdquo; Acts of similar
+import were passed in other States. Under this act,
+Philipse Manor-house was forfeited to the State about
+a year after the time of our narrative. The commissioners
+whose duty it was to dispose of confiscated property
+sold the house and mills, in 1785, to Cornelius P.
+Lowe. It underwent several transfers, but little change,
+becoming at length the property of Lemuel Wells, who
+<span class='pagenum pncolor'><a id='page_296' name='page_296'></a>296</span>
+held it a long time and, dying in 1842, left it to his
+nephew. The town of Yonkers grew up around it, and
+on May 1, 1868, purchased it for municipal use. The
+fewest possible alterations were made in it. These are
+mainly in the north wing, the part added by the second
+lord of the manor in 1745. On the first floor, the partition
+between dining-room and kitchen was removed,
+and the whole space made into a court-room. On the
+second floor, the space formerly divided into five bedrooms
+was transformed into a council-chamber, the garret
+floor overhead being removed. The new city hall of
+Yonkers leaves the old manor-house less necessary for
+public purposes. May the old parlors, where the besilked
+and bepowdered gentry of the province used to dance the
+minuet before the change of things, not be given over to
+baser uses than they have already served.</p>
+<p>Allusion has been made, in different chapters of this
+narrative, to the Hessians who daily patrolled the roads
+in the vicinity of the manor-house. This duty often fell
+to Pruschank&rsquo;s yagers, the troop to which belonged Captain
+Rowe, whose love story is thus told by Bolton:
+&ldquo;Captain Rowe appears to have been in the habit of
+making a daily tour from Kingsbridge, round by Miles
+Square. He was on his last tour of military duty, having
+already resigned his commission for the purpose of
+marrying the accomplished Elizabeth Fowler, of Harlem,
+when, passing with a company of light dragoons, he was
+suddenly fired upon by three Americans of the water
+guard of Captain Pray&rsquo;s company, who had ambuscaded
+themselves in the cedars. The captain fell from his
+<span class='pagenum pncolor'><a id='page_297' name='page_297'></a>297</span>
+horse, mortally wounded. The yagers instantly made
+prisoners of the undisciplined water guards, and a messenger
+was immediately despatched to Mrs. Babcock,
+then living below, in the parsonage, for a vehicle to remove
+the wounded officer. The use of her gig and horse
+was soon obtained, and a neighbor, Anthony Archer,
+pressed to drive. In this they conveyed the dying man
+to Colonel Van Cortlandt&rsquo;s. They appear to have taken
+the route of Tippett&rsquo;s Valley, as the party stopped at
+Frederick Post&rsquo;s to obtain a drink of water. In the
+meantime an express had been forwarded to Miss Fowler,
+his affianced bride, to hasten without delay to the side of
+her dying lover. On her arrival, accompanied by her
+mother, the expiring soldier had just strength enough
+left to articulate a few words, when he sank exhausted
+with the effort.&rdquo; The room in which he died is in the
+well-known mansion in Van Cortlandt Park.</p>
+<p>The incident of the horse, related in an early chapter,
+has a likeness to an adventure that befell one Thomas
+Leggett early in the Revolutionary war. He lived with
+his father on a farm near Morrisania, then in Westchester
+County, and was proud in the possession of a fine young
+mare. A party of British refugees took this animal, with
+other property. They had gone two miles with it, when,
+from behind a stone wall which they were passing, two
+Continental soldiers rose and fired at them. The man
+with the mare was shot dead. The animal immediately
+turned round and ran home, followed by the owner, who
+had dogged her captors at a distance in the hope of
+recovering her.</p>
+<hr class='pb' />
+<h2><i>SELECTIONS FROM<br />
+L. C. PAGE AND COMPANY&rsquo;S<br />
+LIST OF NEW FICTION.</i></h2>
+<p class='adbook'>An Enemy to the King.</p>
+<p>From the Recently Discovered Memoirs of the
+Sieur de la Tournoire. By <span class='smcap'>Robert Neilson Stephens</span>.
+Illustrated by H. De M. Young.</p>
+<p class='adprice'>1 vol., library 12mo, cloth <span class="ralign"><b>$1.25</b></span></p>
+<blockquote>
+<p>An historical romance of the sixteenth century, describing
+the adventures of a young French nobleman at the Court of
+Henry IV., and on the field with Henry of Navarre.</p>
+</blockquote>
+<p class='adbook'>The Continental Dragoon.</p>
+<p>A Romance of Philipse Manor House, in 1778.
+By <span class='smcap'>Robert Neilson Stephens</span>, author of &ldquo;An Enemy
+to the King.&rdquo; Illustrated by H. C. Edwards.</p>
+<p class='adprice'>1 vol., library 12mo, cloth <span class="ralign"><b>$1.50</b></span></p>
+<blockquote>
+<p>A stirring romance of the Revolution, the scene being laid in
+and around the old Philipse Manor House, near Yonkers, which
+at the time of the story was the central point of the so-called
+&ldquo;neutral territory&rdquo; between the two armies.</p>
+</blockquote>
+<p class='adbook'>Muriella; or, Le Selve.</p>
+<p>By <span class='smcap'>Ouida</span>. Illustrated by M. B. Prendergast.</p>
+<p class='adprice'>1 vol., library 12mo, cloth <span class="ralign"><b>$1.25</b></span></p>
+<blockquote>
+<p>This is the latest work from the pen of the brilliant author of
+&ldquo;Under Two Flags,&rdquo; &ldquo;Moths,&rdquo; etc., etc. It is the story of the
+love and sacrifice of a young peasant girl, told in the absorbing
+style peculiar to the author.</p>
+</blockquote>
+<p class='adbook'>The Road to Paris.</p>
+<p>By <span class='smcap'>Robert Neilson Stephens</span>, author of &ldquo;An
+Enemy to the King,&rdquo; &ldquo;The Continental Dragoon,&rdquo;
+etc. Illustrated by H. C. Edwards. (In press.)</p>
+<p class='adprice'>1 vol., library 12mo, cloth <span class="ralign"><b>$1.50</b></span></p>
+<blockquote>
+<p>An historical romance, being an account of the life of an
+American gentleman adventurer of Jacobite ancestry, whose
+family early settled in the colony of Pennsylvania. The scene
+shifts from the unsettled forests of the then West to Philadelphia,
+New York, London, Paris, and, in fact, wherever a love of
+adventure and a roving fancy can lead a soldier of fortune.
+The story is written in Mr. Stephens&rsquo;s best style, and is of
+absorbing interest.</p>
+</blockquote>
+<p class='adbook'>Rose à Charlitte.</p>
+<p>An Acadien Romance. By <span class='smcap'>Marshall Saunders</span>,
+author of &ldquo;Beautiful Joe,&rdquo; etc. Illustrated by H.
+De M. Young.</p>
+<p class='adprice'>1 vol., library 12mo, cloth <span class="ralign"><b>$1.50</b></span></p>
+<blockquote>
+<p>In this novel, the scene of which is laid principally in the land
+of Evangeline, Marshall Saunders has made a departure from
+the style of her earlier successes. The historical and descriptive
+setting of the novel is accurate, the plot is well conceived
+and executed, the characters are drawn with a firm and delightful
+touch, and the fortunes of the heroine, Rose à Charlitte, a
+descendant of an old Acadien family, will be followed with
+eagerness by the author&rsquo;s host of admirers.</p>
+</blockquote>
+<p class='adbook'>Bobbie McDuff.</p>
+<p>By <span class='smcap'>Clinton Ross</span>, author of &ldquo;The Scarlet Coat,&rdquo;
+&ldquo;Zuleika,&rdquo; etc. Illustrated by B. West Clinedinst.</p>
+<p class='adprice'>1 vol., large 16mo, cloth <span class="ralign"><b>$1.00</b></span></p>
+<blockquote>
+<p>Clinton Ross is well known as one of the most promising of
+recent American writers of fiction, and in the description of the
+adventures of his latest hero, Bobbie McDuff, he has repeated
+his earlier successes. Mr. Ross has made good use of the
+wealth of material at his command. New York furnishes him
+the hero, sunny Italy a heroine, grim Russia the villain of the
+story, while the requirements of the exciting plot shift the scene
+from Paris to New York, and back again to a remote, almost
+feudal villa on the southern coast of Italy.</p>
+</blockquote>
+<p class='adbook'>In Kings&rsquo; Houses.</p>
+<p>A Romance of the Reign of Queen Anne. By
+<span class='smcap'>Julia C. R. Dorr</span>, author of &ldquo;A Cathedral Pilgrimage,&rdquo;
+etc. Illustrated by Frank T. Merrill.</p>
+<p class='adprice'>1 vol., library 12mo, cloth <span class="ralign"><b>$1.50</b></span></p>
+<blockquote>
+<p>Mrs. Dorr&rsquo;s poems and travel sketches have earned for her a
+distinct place in American literature, and her romance, &ldquo;In
+Kings&rsquo; Houses,&rdquo; is written with all the charm of her earlier
+works. The story deals with one of the most romantic episodes
+in English history. Queen Anne, the last of the reigning
+Stuarts, is described with a strong, yet sympathetic touch, and
+the young Duke of Gloster, the &ldquo;little lady,&rdquo; and the hero of
+the tale, Robin Sandys, are delightful characterizations.</p>
+</blockquote>
+<p class='adbook'>Sons of Adversity.</p>
+<p>A Romance of Queen Elizabeth&rsquo;s Time. By <span class='smcap'>L.
+Cope Conford</span>, author of &ldquo;Captain Jacobus,&rdquo; etc.
+Illustrated by J. W. Kennedy.</p>
+<p class='adprice'>1 vol., library 12mo, cloth <span class="ralign"><b>$1.25</b></span></p>
+<blockquote>
+<p>A tale of adventure on land and sea at the time when Protestant
+England and Catholic Spain were struggling for naval
+supremacy. Spanish conspiracies against the peace of good
+Queen Bess, a vivid description of the raise of the Spanish
+siege of Leyden by the combined Dutch and English forces,
+sea fights, the recovery of stolen treasure, are all skilfully woven
+elements in a plot of unusual strength.</p>
+</blockquote>
+<p class='adbook'>The Count of Nideck.</p>
+<p>From the French of Erckman-Chatrian, translated
+and adapted by <span class='smcap'>Ralph Browning Fiske</span>. Illustrated
+by Victor A. Searles.</p>
+<p class='adprice'>1 vol., library 12mo, cloth <span class="ralign"><b>$1.25</b></span></p>
+<blockquote>
+<p>A romance of the Black Forest, woven around the mysterious
+legend of the Wehr Wolf. The plot has to do with the later
+German feudal times, is brisk in action, and moves spiritedly
+from start to finish. Mr. Fiske deserves a great deal of credit
+for the excellence of his work. No more interesting romance
+has appeared recently.</p>
+</blockquote>
+<p class='adbook'>The Making of a Saint.</p>
+<p>By <span class='smcap'>W. Somerset Maugham</span>. Illustrated by Gilbert
+James.</p>
+<p class='adprice'>1 vol., library 12mo, cloth <span class="ralign"><b>$1.50</b></span></p>
+<blockquote>
+<p>&ldquo;The Making of a Saint&rdquo; is a romance of Medi&aelig;val Italy, the
+scene being laid in the 15th century. It relates the life of a
+young leader of Free Companions who, at the close of one of
+the many petty Italian wars, returns to his native city. There
+he becomes involved in its politics, intrigues, and feuds, and
+finally joins an uprising of the townspeople against their lord.
+None can resent the frankness and apparent brutality of the
+scenes through which the hero and his companions of both
+sexes are made to pass, and many will yield ungrudging praise
+to the author&rsquo;s vital handling of the truth. In the characters
+are mirrored the life of the Italy of their day. The book will
+confirm Mr. Maugham&rsquo;s reputation as a strong and original
+writer.</p>
+</blockquote>
+<p class='adbook'>Omar the Tentmaker.</p>
+<p>A Romance of Old Persia. By <span class='smcap'>Nathan Haskell
+Dole</span>. Illustrated. (In press.)</p>
+<p class='adprice'>1 vol., library 12mo, cloth <span class="ralign"><b>$1.50</b></span></p>
+<blockquote>
+<p>Mr. Dole&rsquo;s study of Persian literature and history admirably
+equips him to enter into the life and spirit of the time of the
+romance, and the hosts of admirers of the inimitable quatrains
+of Omar Khayyam, made famous by Fitzgerald, will be deeply
+interested in a tale based on authentic facts in the career of the
+famous Persian poet. The three chief characters are Omar
+Khayyam, Nizam-ul-Mulk, the generous and high-minded Vizier
+of the Tartar Sultan Malik Shah of Mero, and Hassan ibu
+Sabbah, the ambitious and revengeful founder of the sect of
+the Assassins. The scene is laid partly at Naishapur, in the
+Province of Khorasan, which about the period of the First
+Crusade was at its acme of civilization and refinement, and
+partly in the mountain fortress of Alamut, south of the Caspian
+Sea, where the Ismailians under Hassan established themselves
+towards the close of the 11th century. Human nature is
+always the same, and the passions of love and ambition, of
+religion and fanaticism, of friendship and jealousy, are admirably
+contrasted in the fortunes of these three able and remarkable
+characters as well as in those of the minor personages of
+the story.</p>
+</blockquote>
+<p class='adbook'>Captain Fracasse.</p>
+<p>A new translation from the French of Gotier. Illustrated
+by Victor A. Searles.</p>
+<p class='adprice'>1 vol., library 12mo, cloth <span class="ralign"><b>$1.25</b></span></p>
+<blockquote>
+<p>This famous romance has been out of print for some time,
+and a new translation is sure to appeal to its many admirers,
+who have never yet had any edition worthy of the story.</p>
+</blockquote>
+<p class='adbook'>The Rejuvenation of Miss Semaphore.</p>
+<p>A farcical novel. By <span class='smcap'>Hal Godfrey</span>. Illustrated
+by Etheldred B. Barry. (In press.)</p>
+<p class='adprice'>1 vol., library 12mo, cloth <span class="ralign"><b>$1.25</b></span></p>
+<blockquote>
+<p>A fanciful, laughable tale of two maiden sisters of uncertain
+age who are induced, by their natural longing for a return to
+youth and its blessings, to pay a large sum for a mystical water
+which possesses the value of setting backwards the hands of
+time. No more delightfully fresh and original book has appeared
+since &ldquo;Vice Versa&rdquo; charmed an amused world. It is
+well written, drawn to the life, and full of the most enjoyable
+humor.</p>
+</blockquote>
+<p class='adbook'>Midst the Wild Carpathians.</p>
+<p>By <span class='smcap'>Maurus Jokai</span>, author of &ldquo;Black Diamonds,&rdquo;
+&ldquo;The Lion of Janina,&rdquo; etc. Authorized translation
+by R. Nisbet Bain. Illustrated. (In press.)</p>
+<p class='adprice'>1 vol., library 12mo, cloth <span class="ralign"><b>$1.25</b></span></p>
+<blockquote>
+<p>A thrilling, historical, Hungarian novel, in which the extraordinary
+dramatic and descriptive powers of the great Magyar
+writer have full play. As a picture of feudal life in Hungary it
+has never been surpassed for fidelity and vividness. The translation
+is exceedingly well done.</p>
+</blockquote>
+<p class='adbook'>The Golden Dog.</p>
+<p>A Romance of Quebec. By <span class='smcap'>William Kirby</span>. New
+authorized edition. Illustrated by J. W. Kennedy.</p>
+<p class='adprice'>1 vol., library 12mo, cloth <span class="ralign"><b>$1.25</b></span></p>
+<blockquote>
+<p>A powerful romance of love, intrigue, and adventure in the
+time of Louis XV. and Mme. de Pompadour, when the French
+colonies were making their great struggle to retain for an ungrateful
+court the fairest jewels in the colonial diadem of
+France.</p>
+</blockquote>
+<p class='adbook'>Bijli the Dancer.</p>
+<p>By <span class='smcap'>James Blythe Patton</span>. Illustrated by Horace
+Van Rinth. (In press.)</p>
+<p class='adprice'>1 vol., library 12mo, cloth <span class="ralign"><b>$1.50</b></span></p>
+<blockquote>
+<p>A novel of Modern India. The fortunes of the heroine,
+an Indian Naucht girl, are told with a vigor, pathos, and a
+wealth of poetic sympathy that makes the book admirable from
+first to last.</p>
+</blockquote>
+<p class='adbook'>&ldquo;To Arms!&rdquo;</p>
+<p>Being Some Passages from the Early Life of Allan
+Oliphant, Chirurgeon, Written by Himself, and now
+Set Forth for the First Time. By <span class='smcap'>Andrew Balfour</span>.
+Illustrated. (In press.)</p>
+<p class='adprice'>1 vol., library 12mo, cloth <span class="ralign"><b>$1.50</b></span></p>
+<blockquote>
+<p>A romance dealing with an interesting phase of Scottish and
+English history, the Jacobite Insurrection of 1715, which will
+appeal strongly to the great number of admirers of historical
+fiction. The story is splendidly told, the magic circle which
+the author draws about the reader compelling a complete
+forgetfulness of prosaic nineteenth century life.</p>
+</blockquote>
+<p class='adbook'>Mere Folly.</p>
+<p>A novel. By <span class='smcap'>Maria Louise Poole</span>, author of &ldquo;In a
+Dike Shanty,&rdquo; etc. Illustrated. (In press.)</p>
+<p class='adprice'>1 vol., library 12mo, cloth <span class="ralign"><b>$1.25</b></span></p>
+<blockquote>
+<p>An extremely well-written story of modern life. The interest
+centres in the development of the character of the heroine, a
+New England girl, whose high-strung temperament is in constant
+revolt against the confining limitations of nineteenth
+century surroundings. The reader&rsquo;s interest is held to the end,
+and the book will take high rank among American psychological
+novels.</p>
+</blockquote>
+<p class='adbook'>A Hypocritical Romance <span style="font-weight: normal">and other
+stories.</span></p>
+<p>By <span class='smcap'>Caroline Ticknor</span>. Illustrated by J. W. Kennedy.</p>
+<p class='adprice'>1 vol., large 16mo, cloth <span class="ralign"><b>$1.00</b></span></p>
+<blockquote>
+<p>Miss Ticknor, well known as one of the most promising of
+the younger school of American writers, has never done better
+work than in the majority of these clever stories, written in a
+delightful comedy vein.</p>
+</blockquote>
+<p class='adbook'>Cross Trails.</p>
+<p>By <span class='smcap'>Victor Waite</span>. Illustrated. (In press.)</p>
+<p class='adprice'>1 vol., library 12mo, cloth <span class="ralign"><b>$1.50</b></span></p>
+<blockquote>
+<p>A Spanish-American novel of unusual interest, a brilliant,
+dashing, and stirring story, teeming with humanity and life.
+Mr. Waite is to be congratulated upon the strength with which
+he has drawn his characters.</p>
+</blockquote>
+<p class='adbook'>A Mad Madonna <span style="font-weight: normal">and other stories.</span></p>
+<p>By <span class='smcap'>L. Clarkson Whitelock</span>, with eight half-tone
+illustrations.</p>
+<p class='adprice'>1 vol., large 16mo, cloth <span class="ralign"><b>$1.00</b></span></p>
+<blockquote>
+<p>A half dozen remarkable psychological stories, delicate in
+color and conception. Each of the six has a touch of the supernatural,
+a quick suggestion, a vivid intensity, and a dreamy
+realism that is matchless in its forceful execution.</p>
+</blockquote>
+<p class='adbook'>On the Point.</p>
+<p>A Summer Idyl. By <span class='smcap'>Nathan Haskell Dole</span>, author
+of &ldquo;Not Angels Quite,&rdquo; with dainty half-tone
+illustrations as chapter headings.</p>
+<p class='adprice'>1 vol., large 16mo, cloth <span class="ralign"><b>$1.00</b></span></p>
+<blockquote>
+<p>A bright and clever story of a summer on the coast of Maine,
+fresh, breezy, and readable from the first to the last page.
+The narrative describes the summer outing of a Mr. Merrithew
+and his family. The characters are all honest, pleasant people,
+whom we are glad to know. We part from them with the
+same regret with which we leave a congenial party of friends.</p>
+</blockquote>
+<p class='adbook'>Cavalleria Rusticana; or, Under the
+Shadow of Etna.</p>
+<p>Translated from the Italian of Giovanni Verga, by
+<span class='smcap'>Nathan Haskell Dole</span>. Illustrated by Etheldred
+B. Barry.</p>
+<p class='adprice'>1 vol., 16mo, cloth <span class="ralign"><b>$0.50</b></span></p>
+<blockquote>
+<p>Giovanni Verga stands at present as unquestionably the
+most prominent of the Italian novelists. His supremacy in
+the domain of the short story and in the wider range of the
+romance is recognized both at home and abroad. The present
+volume contains a selection from the most dramatic and characteristic
+of his Sicilian tales. Verga is himself a native of
+Sicily, and his knowledge of that wonderful country, with its
+poetic and yet superstitious peasantry, is absolute. Such
+pathos, humor, variety, and dramatic quality are rarely met
+in a single volume.</p>
+</blockquote>
+<hr class='pb' />
+<div class="trnote">
+<p><b>Transcriber's note:</b></p>
+<p>Hyphenation has been made consistent.</p>
+<p>Archaic and variable spellings are preserved.</p>
+<p>The author&rsquo;s punctuation style is preserved, except quotation
+marks, which have been standardized.</p>
+</div>
+
+<p>&nbsp;</p>
+<p>&nbsp;</p>
+<hr class="full" />
+<p>***END OF THE PROJECT GUTENBERG EBOOK THE CONTINENTAL DRAGOON***</p>
+<p>******* This file should be named 30589-h.txt or 30589-h.zip *******</p>
+<p>This and all associated files of various formats will be found in:<br />
+<a href="http://www.gutenberg.org/dirs/3/0/5/8/30589">http://www.gutenberg.org/3/0/5/8/30589</a></p>
+<p>Updated editions will replace the previous one--the old editions
+will be renamed.</p>
+
+<p>Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.</p>
+
+
+
+<pre>
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+<a href="http://www.gutenberg.org/license">http://www.gutenberg.org/license)</a>.
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS,' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need are critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at http://www.gutenberg.org/fundraising/pglaf.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at http://www.gutenberg.org/about/contact
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit http://www.gutenberg.org/fundraising/pglaf
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations.
+To donate, please visit: http://www.gutenberg.org/fundraising/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart is the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+Each eBook is in a subdirectory of the same number as the eBook's
+eBook number, often in several formats including plain vanilla ASCII,
+compressed (zipped), HTML and others.
+
+Corrected EDITIONS of our eBooks replace the old file and take over
+the old filename and etext number. The replaced older file is renamed.
+VERSIONS based on separate sources are treated as new eBooks receiving
+new filenames and etext numbers.
+
+Most people start at our Web site which has the main PG search facility:
+
+<a href="http://www.gutenberg.org">http://www.gutenberg.org</a>
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+
+EBooks posted prior to November 2003, with eBook numbers BELOW #10000,
+are filed in directories based on their release date. If you want to
+download any of these eBooks directly, rather than using the regular
+search system you may utilize the following addresses and just
+download by the etext year.
+
+<a href="http://www.gutenberg.org/dirs/etext06/">http://www.gutenberg.org/dirs/etext06/</a>
+
+ (Or /etext 05, 04, 03, 02, 01, 00, 99,
+ 98, 97, 96, 95, 94, 93, 92, 92, 91 or 90)
+
+EBooks posted since November 2003, with etext numbers OVER #10000, are
+filed in a different way. The year of a release date is no longer part
+of the directory path. The path is based on the etext number (which is
+identical to the filename). The path to the file is made up of single
+digits corresponding to all but the last digit in the filename. For
+example an eBook of filename 10234 would be found at:
+
+http://www.gutenberg.org/dirs/1/0/2/3/10234
+
+or filename 24689 would be found at:
+http://www.gutenberg.org/dirs/2/4/6/8/24689
+
+An alternative method of locating eBooks:
+<a href="http://www.gutenberg.org/dirs/GUTINDEX.ALL">http://www.gutenberg.org/dirs/GUTINDEX.ALL</a>
+
+*** END: FULL LICENSE ***
+</pre>
+</body>
+</html>
diff --git a/30589-h/images/cover.jpg b/30589-h/images/cover.jpg
new file mode 100644
index 0000000..cef1390
--- /dev/null
+++ b/30589-h/images/cover.jpg
Binary files differ
diff --git a/30589-h/images/frontispiece.jpg b/30589-h/images/frontispiece.jpg
new file mode 100644
index 0000000..45e9feb
--- /dev/null
+++ b/30589-h/images/frontispiece.jpg
Binary files differ
diff --git a/30589-h/images/i001.jpg b/30589-h/images/i001.jpg
new file mode 100644
index 0000000..93340b4
--- /dev/null
+++ b/30589-h/images/i001.jpg
Binary files differ
diff --git a/30589-h/images/i002.jpg b/30589-h/images/i002.jpg
new file mode 100644
index 0000000..728028f
--- /dev/null
+++ b/30589-h/images/i002.jpg
Binary files differ
diff --git a/30589-h/images/i003.jpg b/30589-h/images/i003.jpg
new file mode 100644
index 0000000..5f8bba2
--- /dev/null
+++ b/30589-h/images/i003.jpg
Binary files differ
diff --git a/30589-h/images/i004.jpg b/30589-h/images/i004.jpg
new file mode 100644
index 0000000..0e84513
--- /dev/null
+++ b/30589-h/images/i004.jpg
Binary files differ
diff --git a/30589-h/images/i005.jpg b/30589-h/images/i005.jpg
new file mode 100644
index 0000000..6f8e582
--- /dev/null
+++ b/30589-h/images/i005.jpg
Binary files differ