summaryrefslogtreecommitdiff
path: root/30681-h
diff options
context:
space:
mode:
authorRoger Frank <rfrank@pglaf.org>2025-10-14 19:54:15 -0700
committerRoger Frank <rfrank@pglaf.org>2025-10-14 19:54:15 -0700
commitf75d6abe4c6cb5ee6f10bf39ae3cd05a363f2c86 (patch)
tree3be9d7cac14e3277286cef7c0e7dac3099bb2011 /30681-h
initial commit of ebook 30681HEADmain
Diffstat (limited to '30681-h')
-rw-r--r--30681-h/30681-h.htm2612
-rw-r--r--30681-h/images/coverlg.jpgbin0 -> 334139 bytes
-rw-r--r--30681-h/images/coversm.jpgbin0 -> 64348 bytes
-rw-r--r--30681-h/images/frontislg.jpgbin0 -> 170675 bytes
-rw-r--r--30681-h/images/img001.jpgbin0 -> 4036 bytes
-rw-r--r--30681-h/images/img002.jpgbin0 -> 3233 bytes
-rw-r--r--30681-h/images/img004.jpgbin0 -> 129200 bytes
-rw-r--r--30681-h/images/img005.jpgbin0 -> 39742 bytes
-rw-r--r--30681-h/images/img006.jpgbin0 -> 145621 bytes
-rw-r--r--30681-h/images/img007.jpgbin0 -> 35912 bytes
-rw-r--r--30681-h/images/img008.jpgbin0 -> 135299 bytes
-rw-r--r--30681-h/images/img009.jpgbin0 -> 29534 bytes
-rw-r--r--30681-h/images/img010.jpgbin0 -> 31837 bytes
-rw-r--r--30681-h/images/img011.jpgbin0 -> 133440 bytes
-rw-r--r--30681-h/images/img012.jpgbin0 -> 39486 bytes
-rw-r--r--30681-h/images/img013.jpgbin0 -> 139244 bytes
-rw-r--r--30681-h/images/img014.jpgbin0 -> 30760 bytes
-rw-r--r--30681-h/images/img015.jpgbin0 -> 121001 bytes
-rw-r--r--30681-h/images/img017.jpgbin0 -> 54344 bytes
-rw-r--r--30681-h/images/img018.jpgbin0 -> 121379 bytes
-rw-r--r--30681-h/images/img020.jpgbin0 -> 119405 bytes
-rw-r--r--30681-h/images/img021.jpgbin0 -> 31834 bytes
-rw-r--r--30681-h/images/img022.jpgbin0 -> 45651 bytes
23 files changed, 2612 insertions, 0 deletions
diff --git a/30681-h/30681-h.htm b/30681-h/30681-h.htm
new file mode 100644
index 0000000..cbec844
--- /dev/null
+++ b/30681-h/30681-h.htm
@@ -0,0 +1,2612 @@
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN"
+ "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml">
+<head>
+<meta http-equiv="Content-Type" content="text/html; charset=ISO-8859-1" />
+<title>The Project Gutenberg eBook of Nanny Merry, by Anonymous</title>
+<style type="text/css">
+ body {background:#fdfdfd;
+ color:black;
+ font-size: large;
+ margin-top:100px;
+ margin-left:15%;
+ margin-right:15%;
+ text-align:justify; }
+ h1, h2, h3, h4, h5, h6 {text-align: center; }
+ hr.narrow { width: 40%;
+ text-align: center; }
+ hr.minimal { width: 25%;
+ text-align: center; }
+ hr { width: 100%; }
+ hr.full { width: 100%;
+ margin-top: 3em;
+ margin-bottom: 0em;
+ margin-left: auto;
+ margin-right: auto;
+ height: 3px;
+ border-width: 4px 0 0 0; /* remove all borders except the top one */
+ border-style: solid;
+ border-color: #000000;
+ clear: both; }
+ table {font-size: large; }
+ table.sm {font-size: medium; }
+ p {text-indent: 3%; }
+ p.noindent { text-indent: 0%; }
+ .caption { font-size: small;
+ font-weight: bold; }
+ .center { text-align: center; }
+ img { border: 0; }
+ .figleft {float: left;
+ clear: left;
+ margin-left: 0;
+ margin-bottom: 0;
+ margin-top: 0;
+ margin-right: 0;
+ padding: 0;
+ text-align: center;}
+ .nowrap { white-space: nowrap; }
+ .small { font-size: 70%; }
+ a:link {color:blue;
+ text-decoration:none}
+ link {color:blue;
+ text-decoration:none}
+ a:visited {color:blue;
+ text-decoration:none}
+ a:hover {color:red;
+ text-decoration: underline; }
+
+ hr.pg { width: 100%;
+ margin-top: 3em;
+ margin-bottom: 0em;
+ margin-left: auto;
+ margin-right: auto;
+ height: 4px;
+ border-width: 4px 0 0 0; /* remove all borders except the top one */
+ border-style: solid;
+ border-color: #000000;
+ clear: both; }
+ pre {font-size: 70%;}
+</style>
+</head>
+<body>
+<h1>The Project Gutenberg eBook, Nanny Merry, by Anonymous</h1>
+<pre>
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at <a href = "http://www.gutenberg.org">www.gutenberg.org</a></pre>
+<p>Title: Nanny Merry</p>
+<p> or, What Made the Difference</p>
+<p>Author: Anonymous</p>
+<p>Release Date: December 14, 2009 [eBook #30681]</p>
+<p>Language: English</p>
+<p>Character set encoding: ISO-8859-1</p>
+<p>***START OF THE PROJECT GUTENBERG EBOOK NANNY MERRY***</p>
+<p>&nbsp;</p>
+<h3>E-text prepared by Delphine Lettau<br />
+ and the Project Gutenberg Online Distributed Proofreading Team<br />
+ (http://www.pgdp.net)</h3>
+<p>&nbsp;</p>
+<hr class="pg" />
+<p>&nbsp;</p>
+
+<div class="center">
+<table style="margin: 0 auto" cellpadding="4" summary="Illustration">
+ <tr>
+ <td align="center">
+ <a href="images/coversm.jpg">
+ <img src="images/coversm.jpg" height="400"
+ alt="BOOK COVER" /></a>
+ </td>
+ </tr>
+ <tr>
+ <td align="center">
+ <span class="caption">Click to <a href="images/coverlg.jpg">ENLARGE</a></span>
+ </td>
+ </tr>
+</table>
+</div>
+<p>&nbsp;</p>
+<div class="center">
+<table style="margin: 0 auto" cellpadding="1" cellspacing="2" summary="Contents">
+<tr><td align="left" valign="top"><a href="#CHAPTER_I">CHAPTER I.</a></td></tr>
+<tr><td align="left" valign="top"><a href="#CHAPTER_II">CHAPTER II.</a></td></tr>
+<tr><td align="left" valign="top"><a href="#CHAPTER_III">CHAPTER III.</a></td></tr>
+<tr><td align="left" valign="top"><a href="#CHAPTER_IV">CHAPTER IV.</a></td></tr>
+<tr><td align="left" valign="top"><a href="#CHAPTER_V">CHAPTER V.</a></td></tr>
+<tr><td align="left" valign="top"><a href="#CHAPTER_VI">CHAPTER VI.</a></td></tr>
+<tr><td align="left" valign="top"><a href="#CHAPTER_VII">CHAPTER VII.</a></td></tr>
+</table>
+</div>
+
+<p>&nbsp;</p>
+<p>&nbsp;</p>
+
+<div class="center">
+<img src="images/img001.jpg" width="150" alt="" />
+</div>
+<h1>NANNY MERRY.</h1>
+<div class="center">
+<img src="images/img002.jpg" width="150" alt="" />
+</div>
+<p>&nbsp;</p>
+<div class="center">
+<table style="margin: 0 auto" cellpadding="4" summary="Illustration">
+ <tr>
+ <td align="center">
+ <a href="images/frontislg.jpg">
+ <img src="images/frontislg.jpg" height="550"
+ alt="CROWNING THE QUEEN" /></a>
+ </td>
+ </tr>
+ <tr>
+ <td align="center">
+ <span class="caption">Crowning the Queen<br />
+Click to <a href="images/frontislg.jpg">ENLARGE</a></span>
+ </td>
+ </tr>
+</table>
+</div>
+<p>&nbsp;</p>
+
+<div class="center">
+<img src="images/img004.jpg" width="450" alt="" />
+</div>
+<p>&nbsp;</p>
+<h2><span class="wide">NANNY MERRY;</span></h2>
+
+<h6>OR,</h6>
+
+<h4>WHAT MADE THE DIFFERENCE?</h4>
+<p>&nbsp;</p>
+<div class="center">
+<img src="images/img005.jpg" width="250" alt="" />
+</div>
+
+<h4>LONDON:</h4>
+<h5>T. NELSON AND SONS, PATERNOSTER ROW;</h5>
+<h6>EDINBURGH; AND NEW YORK.</h6>
+<h5>1872.</h5>
+<p>&nbsp;</p>
+<hr class="narrow" />
+<p>&nbsp;</p>
+
+<div class="center">
+<img src="images/img006.jpg" width="500" alt="" />
+</div>
+<p>&nbsp;</p>
+<h1><span class="wide">NANNIE MERRY</span>.</h1>
+<p>&nbsp;</p>
+<hr class="minimal" />
+<p>&nbsp;</p>
+<h3><a name="CHAPTER_I" id="CHAPTER_I"></a>CHAPTER I.</h3>
+
+<h4>IN WHICH NANNIE IS INTRODUCED.</h4>
+
+<div class="figleft" style="width: 75px;">
+<img src="images/img007.jpg" width="75" alt="A" title="" />
+</div><div class="unindent">little brown house, with an old
+elm-tree before it, a frame of lattice-work
+around the door, with a broad
+stone for a step&mdash;this is where old
+Grannie Burt lives. And there she
+is sitting in the doorway with her
+Bible in her lap. She can't read it, for she is
+blind; but she likes to have it by her; she
+likes the "feeling of it," she says. "When my
+Bible is away," Grannie Burt says, "I am sometimes
+troubled and worried; but if I can only
+touch it, my troubles are all gone; for what
+harm can any trouble do us when we are going
+to heaven at last?"</div>
+
+<p>But grannie doesn't always have to <i>feel</i> her
+Bible. Sometimes&mdash;very often&mdash;a little girl comes
+down the path to the brown house, and sitting
+down close by grannie, on that cricket that you
+see there now, takes the good book and reads the
+blessed words to her, till the tears trickle down
+grannie's wrinkled face, and laying her trembling
+hand on the little girl's head, she says, "God
+bless thee, my child."</p>
+
+<p>I think she is expecting her now; for, see
+the cricket is all ready, and on the little table is
+a pitcher of cool water from the old well that
+you see just behind the house; and here is the
+little girl herself.</p>
+
+<p>"Good-morning, grannie; are you waiting
+for me? I couldn't come any sooner, because
+mamma wanted me to play with Charlie; and
+here are some peaches mamma sent you,&mdash;she
+thought you would like them;" and Nannie,
+quite out of breath with her walk and her talk,
+stops a minute, which gives Grannie Burt a
+chance to answer her questions and to thank
+her for her peaches. "Now shall I read,
+grannie?" said Nannie, as, taking a long draught
+from the little pitcher, she sat down on the
+cricket.</p>
+
+<p>"Eat this peach first," said grannie, picking
+out the softest and handing it to her; "I know
+you must be warm from your long walk, and this
+will cool you."</p>
+
+<p>The peach looked so tempting that Nannie
+looked at it wishfully. Her mother had only
+given her one, and she had sent grannie a whole
+basketful. It was only for a moment that
+Nannie let these selfish thoughts trouble her.
+"Grannie never has any of her own, and in a
+few weeks I can have as many as I want," she
+thought; so taking up the Bible she said, "No,
+grannie, thank you; the water has cooled me
+enough; where shall I begin?"</p>
+
+<p>"Read about heaven, Nannie; you know I
+like to hear about that best."</p>
+
+<p>Softly the little voice began: "And I saw a
+new heaven and a new earth." Then she read
+of the tree of life, whose leaves are for the healing
+of the nations; and of the water of life, that
+flows near the jasper throne.</p>
+
+<p>When she had finished, she said, "What
+makes you like to hear of heaven so much,
+grannie?"</p>
+
+<p>"Oh, I'm going there, Nannie! When you
+read about the beautiful things, the pearly gates,
+and the golden streets, I think, 'I shall see them,
+for there will be no night there; not even in
+these poor old eyes of mine.' And when you
+read, 'the Lamb is the light thereof,' then I
+think Jesus will be there, and that's what I like
+best of all."</p>
+
+<p>"Where <i>is</i> heaven, grannie?"</p>
+
+<p>"Up there, I suppose," she said, pointing to
+the bright sky above.</p>
+
+<p>"But, grannie, there was a gentleman at our
+house yesterday, and I heard him talking with
+my father, and he said he thought heaven was
+in the sun. So I thought I would ask you, because
+you always know so much about it. Do
+you think it is in the sun?"</p>
+
+<p>"I don't think anything about it. I don't
+think it makes much difference <i>where</i> it is, if we
+only get there at last."</p>
+
+<p>"Sister Mary said she thought heaven would
+be where God was."</p>
+
+<p>"So I think, child; and I don't think it's the
+pearls, and gold, and all those things you read
+about, that make it either; for I think any place
+would be heaven, if we found Jesus there. This
+old room has been pretty near it, sometimes."</p>
+
+<p>Nannie turned to the 14th chapter of John,
+which she knew grannie loved to hear, and commenced
+reading.</p>
+
+<p>While she is reading, let us go down the street
+to the lane&mdash;bordered with trees&mdash;walk up the
+narrow footpath, and over the stile just by the
+blackberry-bushes, across the field to the little
+marigolds, to the white cottage where Nannie
+lives. You can come to it by the street, if you
+choose, and you may come in under the great
+elm-tree, by the gate; but then the street is so
+dusty, and you miss seeing the little garden with
+its bright flowers; and the blossoms in the lane
+smell so sweetly, that it is quite worth while
+going that way. But here we are, before the
+door, on which we read, in bright letters, "Dr.
+Merry;" for Nannie's name is Nannie Merry,
+and Nannie's father is a doctor. He is doctor
+in a pleasant little town that is situated on the
+banks of a narrow river. I don't think you
+could find either the town or the river on your
+maps, if you should try; so there would be no
+use in telling you their names. It was a pleasant
+town, however, with its large elm-trees, and
+pretty white cottages, with here and there a
+large house, where the grandest people lived.</p>
+
+<p>But Nannie's father was only a country doctor,
+and didn't live in a very large house. You
+can see for yourself that it is only a white cottage,
+with green blinds, and a long porch in
+front, covered with sweetbriar and honeysuckle.
+But the people that live in the house are quite
+as pleasant as the house itself, or even as the
+people that live in the large brick house. After
+Dr. Merry comes Mrs. Merry, or Nannie's
+mother, who is, like most mothers, very kind
+and good; then sister Mary, who is grown up,
+and Nannie thinks the best sister ever was; then
+Belle, who is very pretty, and about twelve
+years old; John and Charlie, who are, like most
+boys, great teasers, and Nannie sometimes thinks
+a good deal worse than most boys&mdash;but then,
+Charlie is only four years old, so there is some
+excuse for him. Lastly, we have Nannie herself,
+who is&mdash;well, we shall find out what she is
+before our story is finished. She is nine years
+old, "nearly ten," and would feel offended if we
+left that out. But here she comes from Grannie
+Burt's, so we must stop talking about her. She
+is coming by the lane just as we did, running at
+first, then a little slower, till at last she stops,
+for her sister Mary is weeding one of the pretty
+borders in the little garden.</p>
+
+<p>"O Mary! grannie thinks just as you do
+about heaven; I don't think Mr. Brown knows
+so much about it as she does."</p>
+
+<p>"Why not, Nannie?"</p>
+
+<p>"Oh, because grannie is almost there, Mary,&mdash;she
+ought to know!"</p>
+
+<p>"What makes you think grannie is almost
+there?"</p>
+
+<p>"Why, she said so; and then she loves to hear
+about heaven, just as I did about home when I
+was at Aunt Sarah's."</p>
+
+<p>"Do <i>you</i> like to hear about heaven, Nannie?"</p>
+
+<p>"Sometimes," she answered, while with her
+little shoe she played with the pebbles.</p>
+
+<p>"Not always! Nannie; when don't you like
+to hear about it?"</p>
+
+<p>Nannie played with the pebbles a good while.
+At last she said, "I like to hear <i>some</i> things
+about it always, but not everything."</p>
+
+<p>"And what do you like to hear about it always?"</p>
+
+<p>"I like to hear about golden streets, and the
+beautiful water, and the trees, and the harps of
+the angels, and their golden crowns."</p>
+
+<p>"And what don't you like to hear about?"</p>
+
+<p>The little foot moved backwards and forwards
+a good while, and when Nannie did speak, she
+spoke almost as if she were afraid to do so.</p>
+
+<p>"I don't like to hear about its always being
+Sunday there."</p>
+
+<p>"Why, Nannie, don't you like Sunday here?"</p>
+
+<p>"Why, yes, always once a week; but that's
+not like <i>always</i>. I don't think I should like to
+go to church <i>every</i> day, and learn the Catechism,
+and have a cold dinner, and not play at all."</p>
+
+<p>"Maybe I can help you a little, Nannie. Do
+you ever get tired of loving father?"</p>
+
+<p>"Why, no; I should never get tired of that,
+I'm sure he never gets tired of loving me."</p>
+
+<p>"Do you get tired of showing you love him
+by trying to please him?"</p>
+
+<p>"No, Mary; but&mdash;"</p>
+
+<p>"Never mind the 'buts' till I have done.
+Now, God is 'Our Father,' and all we have to
+do in heaven is to love him, and to show how
+very much we love him by trying to do all we
+can to please him. Do you think you'll get
+tired of that?"</p>
+
+<p>"No. But that isn't like Sunday."</p>
+
+<p>"What do we do on Sunday, Nannie?"</p>
+
+<p>"Why, go to church and&mdash;"</p>
+
+<p>"Yes; but what do we go to church for?"</p>
+
+<p>"Oh, I see now!" said Nannie, her face
+brightening up,&mdash;"oh, I see! We worship God
+on Sunday, and that's what we'll do always in
+heaven; isn't it, Mary?"</p>
+
+<p>"Yes, that's why we say it's always Sunday
+there; and we shall love God so much better
+there than we do now, that we can only be
+happy in praising him. Even now, when we
+think how good he is to us, and how he loves
+us, it seems as if we <i>must</i> praise him; but then
+we shall see him always, and never forget what
+he has done for us. Do you think we can help
+praising him, or that it will be hard work to
+join with the angels in singing, 'Holy, holy,
+Lord God Almighty'&mdash;'Worthy is the Lamb
+that was slain'? Do you think you understand
+now, Nannie, and will like to hear about heaven
+as much as Grannie Burt does?"</p>
+
+<p>"Oh yes! I felt very sorry, because I knew
+I ought to love to think about heaven! And
+so I think I do. But Belle said they did
+nothing but sing hymns there, and she didn't see
+what there was so very pleasant in that."</p>
+
+<p>"Belle ought not to talk so. But what did
+you say to her?"</p>
+
+<p>"I said," Nannie answered, holding down her
+head, "I thought the reason she didn't like it
+was because she was not good; because all good
+people liked to hear about heaven."</p>
+
+<p>"That's the reason, I think," said sister Mary,
+as she gathered up her weeds for Nannie to take
+away. Nannie carried them off, thinking all the
+time, "Oh dear, I wish I were as good as sister
+Mary!" If wishes would make any one good,
+Nannie would have been very good long before
+this time. "At anyrate," said Nannie, as she
+emptied the weeds into the ash-heap, "I will
+try. Father says there are weeds in our hearts,
+and we can pull them up. I mean to try."</p>
+
+<p>We shall see in the next chapter how Nannie
+succeeds in pulling up the weeds.</p>
+
+<p>&nbsp;</p>
+<hr class="minimal" />
+<p>&nbsp;</p>
+<div class="center">
+<img src="images/img008.jpg" width="500" alt="" />
+</div>
+<h3><a name="CHAPTER_II" id="CHAPTER_II"></a>CHAPTER II.</h3>
+
+<h4>"IF THY BROTHER SIN AGAINST THEE,<br />
+FORGIVE HIM."</h4>
+
+<div class="figleft" style="width: 75px;">
+<img src="images/img009.jpg" width="75" alt="O" title="" />
+</div><div class="unindent">ne bright sunshiny day, just when the
+snow had commenced melting, the
+children started in high glee to take
+advantage of its softened state to make
+a snow-man. This was a favourite
+occupation of the children. Two or
+three times every year they adorned the front
+yard with a giant figure resembling a man, which
+was allowed to stand until Jack and Charlie
+snowballed it down, or the spring sun melted
+it away.</div>
+
+<p>"Here's a nice place," said Jack, stopping
+under the old elm-tree by the gate. "He'll do
+for a sentinel here, and we'll arm him with a
+gun."</p>
+
+<p>"Or a porter," said Belle; "and we'll give
+him a key."</p>
+
+<p>"Here, Nannie, come this way," he said, as he
+saw Nannie and Charlie walking off in the other
+direction.</p>
+
+<p>"Charlie and I are going to make one by
+ourselves," said Nannie.</p>
+
+<p>"You can't do it," said Jack; "you don't
+know how."</p>
+
+<p>"We know how as well as you," said Charlie
+indignantly.</p>
+
+<p>"Well, we'll beat you then. Come, hurry,
+Belle."</p>
+
+<p>So they set to work, rolling their balls,
+sometimes running across each other's track,
+when Master Charlie must always leave his
+work to throw a ball at Jack. Jack, however,
+was too busy to return them.</p>
+
+<p>"Don't, Charlie, keep stopping so," said
+Nannie; "we shall not get it done."</p>
+
+<p>"I want to snowball Jack," said Charlie.</p>
+
+<p>"But we want to finish the snow-man first."</p>
+
+<p>Then Charlie would stick to his work a few
+minutes; but whenever Jack came in sight,
+rolling his now huge ball, Charlie couldn't
+resist the temptation, and would fill his hands
+full of snow, and let fly at Jack. He yielded
+to the temptation the more easily, as he found
+Jack was too busy to pay him back.</p>
+
+<p>Belle and Jack now could move their ball no
+longer, and so they proceeded to make a smaller
+one for the head, and to shape out the arms.
+Jack made the hat to crown him, while Belle
+shaped his coat and marked out the buttons.
+Soon Charlie, who was more interested in theirs
+than his own, cried out, "Oh, he's putting his
+hat on!"</p>
+
+<p>Belle and Jack gave three cheers, and introduced
+Nannie and Charlie to Mr. James
+Snow.</p>
+
+<p>Mr. James Snow was a very remarkable-looking
+old man, with a long white beard, who
+looked as if he had much better been leaning on
+a staff, than raising the gun with which Jack
+had armed him.</p>
+
+<p>"You had better come with us," said Belle;
+"you can't make one by yourselves."</p>
+
+<p>"Yes, we can," said Nannie. "Can't we,
+Charlie?"</p>
+
+<p>"Yes, we can," said Charlie. "Nicer than
+that one too."</p>
+
+<p>"And we'll call ours Jack Frost," said
+Nannie, as they hurried off to their work.</p>
+
+<p>But Charlie was more trouble than help, and
+Nannie began to grow tired. Belle and Jack
+stood by, looking on and teasing her. Charlie
+stopped working, and began to defend their
+workmanship with snowballs, which Jack and
+Belle were not slow to return. At last, just as
+Nannie had fashioned a most uncomfortable-looking
+nose, and had succeeded with great difficulty
+in inducing it to stay in its right place,
+Jack's mischievous nature overcame him, and
+seizing a lump of snow, he threw it straight at
+the unfortunate nose. This was more than
+Nannie could bear.</p>
+
+<p>"You naughty, ill-natured boy," she said;
+"I'll never speak to you again."</p>
+
+<p>"O Nannie, I'm really sorry. I was only in
+fun;" for Jack, like most boys, thought "only
+in fun" excuse enough for anything. "Come
+back, and I'll help you to make it."</p>
+
+<p>Nannie paid no attention to him, but walked
+off in a very dignified manner. Jack whistled
+a tune, and walked off in no very pleasant
+humour, while Belle and Charlie went into the
+house. Their pleasure was all gone for want of
+"<i>the soft answer which turneth away wrath</i>."</p>
+
+<p>Nannie came in and sat down by the fire and
+began to read. She was very much interested in
+the book she was reading; but, somehow, to-day
+she did not like it as well as usual. She turned
+over the leaves, and read a little here and there;
+but it didn't please her. She got up from her
+chair, went to the window, and began drumming
+on the window-pane.</p>
+
+<p>"Be still, Nannie," said her father, who was
+sitting in the room, reading. She sat down
+again, and sat looking into the fire.</p>
+
+<p>"I don't care," she thought; "Jack had no
+business to do it. I think he was very unkind,
+and I'll do the same to him another time. Yes,
+I will," she said to herself more determinedly,
+because there was something within which said,
+<i>"If thy brother sin against thee, forgive him."</i>
+Nannie wouldn't listen, but kept cherishing the
+angry thoughts.</p>
+
+<p>"He may be thankful it wasn't Belle instead
+of me, for she would have told father of him in
+a minute. Jack is always teasing me. He
+spoiled all my card-houses yesterday. Forgiving
+him then didn't do him any good."</p>
+
+<p>The little voice within whispered, <i>"Lord, how
+oft shall my brother sin against me, and I forgive
+him? till seven times? Jesus saith, Until seventy
+times seven."</i></p>
+
+<p>Nannie heard it again, but still wouldn't
+listen, and went on,&mdash;"And the other day he
+tore my prettiest paper doll, just for fun. I'd
+like to know how he'd like to have me tear his
+things 'just for fun.'</p>
+
+<p>"And the other day he hurt poor pussy's
+ears."</p>
+
+<p>The little voice whispered,&mdash;"And the other
+day, when you were sick, he stayed away from
+the nutting party, and showed you pictures, and
+read to you;" and as fast as Nannie told of an
+unkind act, the little voice whispered of a kind
+one. But Nannie could not listen to-day to the
+friendly voice which had so often helped her out
+of her troubles.</p>
+
+<p>After supper Jack said again, "Come, Nannie,
+let us be friends, won't you?"</p>
+
+<p>Nannie had let the angry thoughts have
+dominion so long, that although she felt almost
+inclined to make it up with Jack, pride conquered,
+and she turned away without a word.</p>
+
+<p>Poor Jack! he really loved his little sister
+very much, and had felt very sorry about the
+quarrel. It had cost a good deal of effort to
+go so far towards making it up, even though he
+knew he was to blame. But now, instead of
+being sorry, he was only angry, and turned
+away, saying, "Well, I can stand it as long as
+you can."</p>
+
+<p>That night, as Nannie lay awake, the little
+voice that Nannie had neglected so long kept
+whispering, <i>"Let not the sun go down upon thy
+wrath."</i> She tried to think of something else,
+but it kept whispering, whispering.</p>
+
+<p>"I don't see," she said, "why I need trouble
+myself so about it. Belle wouldn't mind it a
+bit."</p>
+
+<p>When morning came, she felt better, and determined
+to think no more about it. But at
+prayers Dr. Merry read the sixth chapter of
+Matthew: <i>"For if ye forgive men their trespasses,
+your heavenly Father will also forgive you. But
+if ye forgive not men their trespasses, neither
+will your heavenly Father forgive your trespasses."</i></p>
+
+<p>As her father read these verses, the little
+voice whispered once more, "Listen, listen;"
+and this time Nannie did listen; and when they
+all joined in the Lord's Prayer, it was with a
+trembling voice she said, <i>"Forgive us our sins, as
+we forgive those that trespass against us."</i></p>
+
+<p>That morning, as Jack started for school,
+Nannie ran after him, and overtook him just as
+he stepped into the wood-shed to find his knife,
+which as usual was missing.</p>
+
+<p>"Jack," she said, going close up to him, "I'm
+sorry I called you naughty and ill-natured."</p>
+
+<p>Jack was in a great hurry, and already out of
+patience from the loss of his knife; besides, he
+had not forgotten how Nannie had met his
+effort for peace the evening before; so he pushed
+by her, saying, "Well, don't bother me now;
+you're in my light." She moved aside a little,
+so that the light from the door could come in,
+then spying his knife under the work-bench, she
+picked it up and gave it to him. He took it
+from her, and ran off without any thanks.</p>
+
+<p>The tears came into Nannie's eyes. "He's
+too unkind, I think," she said; "he might at
+least have thanked me for finding his knife.
+Next time I'll leave it alone, and he may find it
+the best way he can."</p>
+
+<p>Nannie's little friend inside whispered again,
+<i>"Forgive till seventy times seven."</i> Nannie
+listened now, and in her heart she prayed again,
+<i>"Forgive us our sins, as we forgive those that sin
+against us."</i></p>
+
+<p>That afternoon, as Nannie was sitting reading,
+Jack put his head in at the door, and said,
+"Nannie, there's a gentleman in the front yard
+wants to see you."</p>
+
+<p>Nannie was so busy reading, that she did not
+notice the strangeness of the message. She put
+away her book and went out. As she went into
+the yard, what should she see there but her
+snow-man, all complete! She turned round to
+thank Jack, but he was nowhere in sight.
+Nannie went up closer to examine the snow-statue,
+and found a piece of paper on it, with
+Mr. Jack Frost written on it in large letters.
+Under the name was written with a pencil:&mdash;</p>
+
+<p>"Mr. Jack Frost requests of Miss Nannie
+Merry that she will excuse his friend Mr. John
+Merry for his rudeness this morning, as Mr. Frost
+assures her that he will behave better next
+time."</p>
+
+<p>Nannie laughed as she took off the paper, and
+running into the house, she soon found Jack
+standing by the kitchen-fire. Coming up behind
+him, without his seeing her, she put her
+arms round his neck, and kissed him several
+times before he could speak. Then laughing,
+she said,&mdash;</p>
+
+<p>"Miss Nannie Merry will excuse Mr. John
+Merry this time."</p>
+
+<p>Somehow that evening Nannie and Jack were
+greater friends than ever; and as they sat together
+looking at the pictures in some large
+books that Nannie couldn't lift alone, Nannie
+was not sorry she had listened to the little
+voice that had troubled her only to make her do
+right.</p>
+<p>&nbsp;</p>
+<div class="center">
+<img src="images/img010.jpg" width="200" alt="" />
+</div>
+<p>&nbsp;</p>
+<div class="center">
+<img src="images/img011.jpg" width="500" alt="" />
+</div>
+<h3><a name="CHAPTER_III" id="CHAPTER_III"></a>CHAPTER III.</h3>
+
+<h4>CHRISTMAS."</h4>
+
+<div class="figleft" style="width: 75px;">
+<img src="images/img012.jpg" width="75" alt="W" title="" />
+</div><div class="unindent">hat a beautiful morning it was, that
+Christmas morning! It seemed as
+though the earth, in its pure robe of
+snow, and the trees, in their sparkling
+armour of ice, every twig
+jewelled and gleaming in the sun,
+had clothed themselves in beauty, and with
+joyful thoughts were giving thanks to their
+Creator.</div>
+
+<p>Nannie didn't think all this, but something
+very much like it was in her heart, as she stood
+looking out from the window, as sister Mary set
+the last smoking dish on the table.</p>
+
+<p>That morning Dr. Merry read the 116th
+Psalm, beginning, <i>"I love the Lord, because he
+hath heard my voice."</i> Nannie listened very
+attentively, but there was one verse she didn't
+quite understand. It was this: <i>"I will offer to
+thee the sacrifice of thanksgiving."</i> She hadn't
+time after prayers to ask her father or sister
+Mary about it, but all the time she kept thinking
+of it and trying to understand it. She didn't
+know that every time she had looked out upon
+the snow, and felt thankful to God for the bright
+fire within that kept her warm, she had offered
+the sacrifice of thanksgiving. She didn't know
+that when she thought of Jesus, and her little
+heart seemed so full of love to him, because he
+had died for her, she had offered indeed an acceptable
+sacrifice of thanksgiving. She didn't
+know it; but Jesus knew it, and accepted
+the sacrifice, with the same love as when
+royal David sang the words to his golden
+harp.</p>
+
+<p>"Nannie," called sister Mary, "Jack is
+waiting for you."</p>
+
+<p>"In a minute," said Nannie, as she pulled on
+her warm mittens.</p>
+
+<p>"It had better be a minute," Jack cried, "if
+you're going with me, for I haven't much time
+to spare before dinner."</p>
+
+<p>Nannie, laughing, took up the little basket
+her mother had packed so nicely for Grannie
+Burt, and off they started, Jack drawing the
+large basket on his little hand-barrow.</p>
+
+<p>"Where shall we go first, Jack?"</p>
+
+<p>"Oh, to Grannie Burt's, of course, and then
+you can help me to draw the barrow the rest of
+the way."</p>
+
+<p>"Let us go to the other places first," said
+Nannie, "and then you can draw me on the barrow
+the rest of the way."</p>
+
+<p>"That's more than I bargained for; this basket
+is all that I want to carry before dinner."</p>
+
+<p>Poor Jack, however, was destined to carry a
+much heavier load than his basket of mince-pies
+and roast chickens; for as Nannie skipped along,
+her foot slipped, and down she came, basket and
+all, while grannie's nice mince-pies tumbled out,
+and rolled down the street.</p>
+
+<p>"Oh dear!" said Nannie, not knowing whether
+to laugh or cry, "do look at grannie's pie! What
+shall we do?"</p>
+
+<p>"Pick it up, of course," said Jack, as he ran
+after it.</p>
+
+<p>"Nothing but clean snow," he said, as he
+brought it back; "nobody will know it from
+sugar."</p>
+
+<p>"Oh, but it's all broken! What shall we do?"</p>
+
+<p>"See here!" said Jack, lifting the cover of
+the large basket; "mother has sent Aunt Betsy
+two; we can take one of them for grannie."</p>
+
+<p>"Why, Jack, are you in earnest?"</p>
+
+<p>"Well, it's the best I can do. I can't mend
+it, and I can't make a new one."</p>
+
+<p>"Let us go back, then, and get another."</p>
+
+<p>"Go back! why, Nannie, it's all you can do to
+walk now; you're limping away like crazy Sam."</p>
+
+<p>"Don't make me laugh," said Nannie, laughing
+all the time through her tears; "my foot
+hurts me so, I can hardly walk."</p>
+
+<p>Jack's fun was all gone in a minute, as he
+shouldered his big basket, and lifted Nannie on
+his little hand-barrow.</p>
+
+<p>"O Jack! you can't carry the basket and drag
+me too!"</p>
+
+<p>"Yes, I can,&mdash;and hundreds more like you."</p>
+
+<p>And Jack trudged along, stopping now and
+then to take breath, until they came to Grannie
+Burt's.</p>
+
+<p>"O Jack! what shall we do about the pie?"
+said Nannie, her tears starting afresh at the
+thought.</p>
+
+<p>Jack couldn't stand the sight of Nannie's tears;
+so he said, "Never mind it; I'll go back and get
+another."</p>
+
+<p>"Oh, will you? Thank you, Jack."</p>
+
+<p>Grannie Burt's daughter, Susan, now came to
+the door, and made all sorts of exclamations over
+Nannie, whose ankle pained her so much, she
+couldn't walk, and Jack had to carry her into
+the house. While Jack told the story of the
+pie, Susan had taken off Nannie's shoe and stocking,
+and was bathing her ankle, while grannie
+kept saying, "Does it feel better, dear?"</p>
+
+<p>"Never mind the pie," said grannie, as Jack
+went on with his story; "it's just as good as
+ever, though it is broken."</p>
+
+<p>"Oh, but it doesn't look so nice," said Nannie.</p>
+
+<p>"I can't see it, you know," said grannie,
+laughing.</p>
+
+<p>But Nannie wasn't satisfied, and called to Jack,
+as he started off, to be sure and bring another.</p>
+
+<p>Very soon Nannie felt better, and sitting up
+in the big chair, she reached over for the large
+Bible, and said,&mdash;</p>
+
+<p>"Grannie, shall I read to you, while I'm
+waiting?"</p>
+
+<p>"I'm afraid you don't feel well enough."</p>
+
+<p>"Oh yes, I should like to read; I want to
+read the chapter father read this morning."</p>
+
+<p>She turned over the leaves and found the
+place, and began: <i>"I love the Lord, because he
+hath heard my voice and my supplications."</i></p>
+
+<p>"Oh yes," said grannie; "David isn't the
+only one who can say that. God has always
+heard me."</p>
+
+<p>"Did you ever ask him, grannie, to make you
+see?" said Nannie.</p>
+
+<p>"No; I never asked him. I asked him to
+make me patient to bear it. You think it's
+dreadful, Nannie, to be blind, and I used to
+think so too. But God never takes anything
+from us without giving us something else to
+make up for it. You think I sit in the dark
+always; but it isn't dark, Nannie; it's all light&mdash;a
+light brighter than the sun: it's the light of
+heaven; I see it constantly. It isn't only those
+that live in heaven that can say they have no
+need of the sun or moon, for the Lamb is their
+light: I can say it too.&mdash;Yes," she went on, more
+to herself than Nannie,&mdash;"yes, dear Saviour,
+thou art my light."</p>
+
+<p>Nannie sat looking wonderingly at the wrinkled
+old face, so happy and peaceful, and at the
+withered hands folded so quietly, and thought
+she did not understand it then. Many years
+after, when she too was old, did she remember
+that peaceful face and those folded hands, and say
+in the midst of trial and sorrow,&mdash;</p>
+
+<p>"Yes, dear Saviour, thou art my light!"</p>
+
+<p>"I have thought sometimes," grannie went on,
+"that heaven will be pleasanter to me, for not
+seeing here. Think how new it will all be
+there! People that have always had their sight
+only see something different when they go to
+heaven; but I haven't seen anything for ten
+years. Just think what it will be to me to see
+those beautiful things you read about!"</p>
+
+<p>"What are they, Nannie?"</p>
+
+<p>Nannie said, "Golden streets, gates of pearl,
+the tree of life, the wall of jasper. I don't remember
+any more."</p>
+
+<p>"And Jesus, Nannie; you don't forget him?
+Think of these poor blind eyes, that have seen
+nothing for so long, opening at last upon <i>his</i>
+face! I love to think of those blind people
+Jesus healed, and think that he was the first
+thing they saw."</p>
+
+<p>Then Nannie read on: <i>"Gracious is the Lord,
+and righteous; yea, our God is merciful. Return
+unto thy rest, O my soul; for the Lord hath dealt
+bountifully with thee."</i></p>
+
+<p>Just as she finished, there was a knock at the
+door; and who should it be but Dr. Merry, with
+two pies for grannie, and the horse and gig to
+take Nannie home. And soon Nannie was lying
+on the couch by the bright dining-room fire,
+while mother, and Mary, and Belle, and Charlie
+all crowded round, asking how she felt.</p>
+
+<p>"Oh, well enough," said Nannie, as sister
+Mary took off the warm hood, and kissed the
+dear face inside of it. "I hope it will stop
+aching in time for me to go to church."</p>
+
+<p>"To church!" said Dr. Merry, looking up
+from his book; "no church for Nannie to-day."</p>
+
+<p>Nannie said nothing, but turned her head
+away to hide the tears, while sister Mary, stooping
+down and kissing her, said, "Never mind;
+you couldn't walk there, you know."</p>
+
+<p>Afterwards, when no one was in the room
+except her father, she reached over to the table
+for the Bible, and found the psalm they had read
+that morning. Pointing with her finger to the
+last two verses, she said, "Father, please read
+that."</p>
+
+<p>Dr. Merry laid down his paper, and coming
+over to her couch, he read: <i>"I will pay my vows
+unto the Lord now in the presence of all his people,
+in the courts of the Lord's house, in the midst of
+thee, O Jerusalem. Praise ye the Lord!"</i>&mdash;"Well
+what of that?" he said, looking up, though the
+tears stood in his eyes, as he watched the little
+face turned so wistfully toward him.</p>
+
+<p>"I want to go to church so much, father," she
+said, as she saw he understood her.</p>
+
+<p>"But, Nannie, I don't think David went to
+church when he couldn't walk."</p>
+
+<p>"He might have been carried," said Nannie,
+driving back the tears that wanted to come.</p>
+
+<p>"Perhaps he was," said her father; "and so
+might you be, if father thought it right."</p>
+
+<p>"Would it hurt me, father?"</p>
+
+<p>"I don't know that it would. It might,
+though; so I think you had better not try. You
+must be patient, and remember what I've told
+you, that God sends all these little trials. Do
+you understand me?"</p>
+
+<p>"I think I do."</p>
+
+<p>"I like to see my little daughter love God's
+house, but I like to see her bear it patiently
+when she can't go there."</p>
+
+<p>"I will try," said Nannie, while she kept
+saying "No!" to the tears as fast as they came.
+Every little while, however, one wouldn't mind,
+and would jump over the edge and run down.
+But she kept on saying, "Be patient, be patient;"
+and at last the tears got tired of coming,
+and troubled her no more. She had pulled up
+an ugly weed called "Impatience" that morning.</p>
+
+<p>Soon after, Jack came in with his empty
+basket.</p>
+
+<p>"Well, Nannie, I wish I were in your place&mdash;not
+obliged to go to church, and not sick enough
+to lose your dinner. I always go to church, for
+fear, if I'm sick, father'll say, 'Turkey isn't good
+for headache.' I never thought of such a convenient
+excuse as spraining my ankle. Let me
+hear how you did it. It's too late to try it now,
+but it may do the next time."</p>
+
+<p>"O Jack, how you do talk! I'm so glad
+you're better than you talk."</p>
+
+<p>"How do you know that, Miss Nannie?"</p>
+
+<p>"Why, everybody knows it. This morning
+you laughed at me; but as soon as you found out
+I was really hurt, you drew me and that big
+basket too on your barrow. You're so kind."</p>
+
+<p>Jack whistled a tune and kicked the fire-irons,
+because he didn't want Nannie to see the tears
+that started. He was too much of a boy to let
+them do anything but start.</p>
+
+<p>"Jack," Nannie began, after a pause, "why
+don't you like to go to church?" She was saying
+to herself all the time, <i>"In the courts of the
+Lord's house, in the midst of thee, O Jerusalem."</i></p>
+
+<p>"Oh, I don't know; I should like it well
+enough if father would let me sit up with the
+rest of the boys in the gallery."</p>
+
+<p>"But you wouldn't do as they do in church,
+Jack?"</p>
+
+<p>"Why not?"</p>
+
+<p>"It's God's house," said Nannie softly. Jack
+sat silent for a long time, while Nannie lay looking
+into the fire, and whispering all the time to
+herself, "Be patient, be patient."</p>
+
+<p>That afternoon, as father, mother, and children
+were engaged beside her, Nannie lay on
+her couch and looked on; but she did not need
+to say, "Be patient, be patient," for she was
+patient; and when her father, stopping for a
+moment, whispered, "Is all right, Nannie?"
+she said, smiling, "Yes, father; trying helps,
+doesn't it?"</p>
+
+<p>Swiftly the evening fled. They had cracked
+nuts and eaten apples, till even Jack was satisfied;
+and as the fire burned down, and Charlie
+lay asleep in his mother's lap, the father said,
+"How many things we have to be thankful for
+this year! Let us each tell of something, and
+then together we will offer our sacrifice of thanksgiving."</p>
+
+<p>The mother's fingers played in Charlie's curls,
+as she said, "I thank my heavenly Father for
+my children's lives."</p>
+
+<p>They were still for a moment. They all remembered
+the sad days of last winter, when they
+gathered round the fire and whispered anxiously
+together, while Charlie tossed and wearied on his
+sick-bed.</p>
+
+<p>Then sister Mary said, "I thank him for his
+Son Jesus Christ."</p>
+
+<p>Then Belle, in a softened tone, said, "I thank
+him for our pleasant home."</p>
+
+<p>Jack said, while Nannie looked up with a
+pleasant smile, "I thank him for my little sister."</p>
+
+<p>Then it was Nannie's turn, and, smiling to her
+father, she said, "I thank him for <i>patience</i>."</p>
+
+<p>So ended their Christmas-day.</p>
+
+<p>&nbsp;</p>
+<hr class="minimal" />
+<p>&nbsp;</p>
+<div class="center">
+<img src="images/img013.jpg" width="500" alt="" />
+</div>
+<h3><a name="CHAPTER_IV" id="CHAPTER_IV"></a>CHAPTER IV.</h3>
+
+<h4>SOMETHING NEW.</h4>
+
+<div class="figleft" style="width: 75px;">
+<img src="images/img014.jpg" width="75" alt="O" title="" />
+</div><div class="unindent">h, what a darling it is!" said Nannie
+to Belle, as they stood looking at the
+little bundle sister Mary was holding.
+"What wee bits of hands!" she said,
+as she opened the blanket. "I'm so
+glad it's a little sister; I haven't any
+little one, you know, and it's so much nicer than
+a brother."</div>
+
+<p>"So much nicer than a brother!" exclaimed
+Jack, who was looking on with affected indifference.
+"I'd like to know how many snowballs
+that 'dear little hand,' as you call it, will make
+for you. I'm sure I'd like as good a brother as
+you've got."</p>
+
+<p>"Oh," said Nannie, "a brother will do very
+well; but I think a little sister is nicer. Oh,
+just see," she added in a whisper, "it's going to
+sleep."</p>
+
+<p>"Going to sleep!" said Jack; "I'd like to
+know how you can tell. It looks just as it did
+before."</p>
+
+<p>"Why, Jack, its eyes are shut."</p>
+
+<p>"Its eyes shut!&mdash;do let me see. I didn't
+know it had any."</p>
+
+<p>"Come, Jack, they shan't make fun of our
+baby," said sister Mary, as she took it into the
+other room. "It's a good deal prettier than
+you were!"</p>
+
+<p>Belle and Nannie both laughed, in which Jack
+joined, not at all offended.</p>
+
+<p>"What are they going to call it?" said Jack,
+after a pause.</p>
+
+<p>"Nellie, sister Mary said," Belle answered;
+"after a little sister of mother's that died."</p>
+
+<p>"How old was mother's sister when she
+died?" Jack asked.</p>
+
+<p>"Just four years old. I heard mother tell all
+about her. She was so pretty, with long brown
+curls and brown eyes; and mother said she was
+always happy, and when anybody seemed sad,
+she would put her little hands in theirs, and say,
+'What make you feel sorry? I love you.'
+One day she came in, and climbed up into
+mother's lap&mdash;her mother's, you know, grandmother's&mdash;and
+laid her head down, and said,
+'I'm so tired,' and went to sleep. She slept on
+and on, until grandmother got frightened, and
+sent for the doctor. When he came, he said she
+was going to die. She was sick for about a day,
+and didn't know anything. The next afternoon,
+while grandmother was holding her in her lap,
+she opened her eyes, and seeing the tears in
+grandmother's eyes, she said, 'What make you
+feel sorry? I love you!' and that was the last
+thing she said."</p>
+
+<p>"Did she die, then?" said Nannie.</p>
+
+<p>"Yes; mother said she only breathed a few
+minutes after it. I saw the grave when I was
+at grandmother's. There's a little stone, and
+her name written on it. 'Nellie Bliss, aged
+four years.'"</p>
+
+<p>"Just as old as Charlie," said Nannie.
+"How old would she be now?"</p>
+
+<p>"Almost as old as mother," said Belle.</p>
+
+<p>"How long she must have been in heaven. I
+wonder if she'll know our baby is named after her?"</p>
+<p>&nbsp;</p>
+<hr class="narrow" />
+<p>&nbsp;</p>
+<p>The little Nellie soon began to find her way
+into their hearts. Nannie and Belle loved to sit
+and hold her, very carefully; and even Jack
+would step softly, and not slam the door quite so
+hard, when told that little Nellie was asleep,&mdash;though
+he did say, "He wished people would be
+as particular when he was asleep, and not make
+such a racket in the morning."</p>
+
+<p>So for three short weeks the little bud shed
+its perfume, making happy those around it;
+then&mdash;oh, how often comes that <i>then</i> in human
+life!&mdash;then it withered.</p>
+
+<p>The children stepped softly about, or sat in
+silence round the fire, while the baby lay in
+their mother's arms panting for breath; and
+when all was still, and they saw their father lay
+the little form in the crib, and close the eyes,
+they knew that it was dead.</p>
+
+<p>Sadly passed that evening. Dr. Merry was
+absent to see some patients, and sister Mary was
+in the room with their mother. The children
+gathered round the fire, and talked in low, subdued
+voices, for death was new to them.</p>
+
+<p>"How strange," said Nannie, "that our little
+baby should die before old Grannie Burt, who
+has been waiting so long."</p>
+
+<p>"Aunt Nellie will know now that she was
+named for her," said Belle.</p>
+
+<p>"And perhaps," said Nannie, "she will teach
+her about everything there." So they talked of
+heaven and heavenly things. The little baby's
+death had not been in vain. Belle and Jack
+both thought more of another world than they
+had ever done before, and in each a little voice
+whispered, "Am I ready for heaven?"</p>
+
+<p>&nbsp;</p>
+<hr class="minimal" />
+<p>&nbsp;</p>
+<div class="center">
+<img src="images/img015.jpg" width="500" alt="" />
+</div>
+<h3><a name="CHAPTER_V" id="CHAPTER_V"></a>CHAPTER V.</h3>
+
+<h4>WHAT MADE THE DIFFERENCE?</h4>
+
+<div class="figleft" style="width: 75px;">
+<img src="images/img014.jpg" width="75" alt="O" title="" />
+</div><div class="unindent"> Mother! Fanny Bell, and Mary
+Green, and ever so many of the girls,
+are going into the woods to-morrow
+afternoon, and they want us to go
+with them. May we, mother?" said
+Belle and Nannie together, as they
+came running into the room where their mother
+was.</div>
+
+<p>"I'll see about it," she said; "it will depend
+upon what kind of girls you are."</p>
+
+<p>"Oh, we'll be very good, mother, if you will
+let us go."</p>
+
+<p>"We'll see," said their mother.</p>
+
+<p>The morrow came, and with it the desired
+permission. Pretty early, Nannie, who was on
+the watch, saw them coming, and called out to
+Belle, "Here they are!" Belle ran out.</p>
+
+<p>"Are you going?"</p>
+
+<p>"Yes."</p>
+
+<p>"Is Nannie?"</p>
+
+<p>"Yes."</p>
+
+<p>"Oh, I'm so glad Nannie's going," cried one voice
+and another. "Yes, I'm so glad."</p>
+
+<p>"I don't see," said Belle to herself, "why
+they should be so glad Nannie is going. They
+don't seem to care about me at all."</p>
+
+<p>With rather a cross tone of voice, she called to
+Nannie to make haste and get ready.</p>
+
+<p>Just as they were starting, Charlie came in,
+and seeing Nannie with her bonnet on, he called
+out:&mdash;</p>
+
+<p>"O Nannie, where are you going? I want
+you to show me the pictures in your new book."</p>
+
+<p>"I can't this afternoon, Charlie; I'm going
+into the woods."</p>
+
+<p>"Oh, pshaw!" said Charlie; "I like so much
+better when you're at home."</p>
+
+<p>"It does not make any difference to Charlie whether
+I'm at home or not," Belle said to herself.</p>
+
+<p>When they started there was such a strife who
+should walk with Nannie, that Belle was very
+nearly left to walk alone. Their walk led
+through the pretty lane bordered with lime-trees,
+at the back of Dr. Merry's house, then on
+past Grannie Burt's house, when it turned off
+into a little path, across the field that was worn
+quite smooth by the boys going nutting. This
+path brought you at last to a stile. Over this
+stile they all climbed, and now were in the
+woods. What a beautiful wood it was! The
+trees opened here and there to let in the sunlight,
+which danced in and out among the green
+and yellow and russet brown leaves of the trees,
+changing into every hue of autumn. On the
+ground, springing up everywhere, were the dark
+leaves and bright red berries of the cranberry
+and bilberry; while down by the brook the
+greenest of all mosses covered the stones, and
+converted any old log that came in their way
+into the softest of seats. Then, what a wild and
+roaring little brook that Stony Brook was! You
+could follow it all the way through the woods by
+only stepping from stone to stone, and every
+little while you might see a great hole scooped
+out in the rock, where the water lay dark and
+silent, or a little precipice over which it dashed
+and foamed. This was a favourite wood with
+the children. In summer they often spent whole
+days there, gathering wild flowers or the beautiful
+fern leaves, which grew in every nook and
+corner. And now that the bright autumn leaves
+were scattered everywhere, and the tempting
+berries covered the ground, they found employment
+for many a spare hour. To-day the little
+girls had gathered leaves and berries till they
+were tired, when Ellen Bates said,&mdash;</p>
+
+<p>"Let us choose a queen, and crown her."</p>
+
+<p>"What will you crown her with?" said Mary
+Green.</p>
+
+<p>"Oh, these bright leaves will do," said
+Nannie; "we can put them together by the
+stems."</p>
+
+<p>Now when it was first proposed to choose a
+queen, Belle thought, "They always choose the
+prettiest one for a queen&mdash;I know they will
+choose me;" so she said with great eagerness,
+"Oh yes, let us have a queen!"</p>
+
+<p>"Let us have Belle for our queen!" cried one
+of the girls.</p>
+
+<p>"Oh no, we want Nannie!" said two or three
+at once.</p>
+
+<p>"A crown of red leaves will look pretty with
+Nannie's red hair," said one of the girls, laughing.</p>
+
+<p>"I don't care," said another. "We all love
+her best, and I don't intend to crown anybody I
+don't like, if they <i>are</i> pretty."</p>
+
+<p>Belle stood looking on with pretended indifference,
+for she did not want the girls should
+know how much she cared about it.</p>
+
+<p>"All that vote for Belle hold up a bunch of
+berries; and all that vote for Nannie hold up an
+oak leaf."</p>
+
+<p>The girls laughed, and held up their hands.
+There were six oak leaves, and only two bunches
+of berries.</p>
+
+<p>"I'd rather Belle would be queen," said
+Nannie, though it cost a little effort to say it;
+for she was as much pleased with the honour as
+any one.</p>
+
+<p>"But we had rather not," the girls said.
+"You cannot help yourself; so sit down while we
+make your crown."</p>
+
+<p>Belle was too proud to show her disappointment,
+so she sat down and helped to make the
+crown. Very pretty she looked as she sat on
+the mossy bank, while her hands worked in and
+out among the bright coloured leaves. A
+stranger looking at the two sisters, would have
+wondered why the girls had passed by Belle, and
+chosen the plain though pleasant-faced Nannie.
+So one would think that looked only on the outside;
+but could one have looked within, they
+would soon have understood the reason of the
+choice.</p>
+
+<p>After the crowning of the queen, which was
+performed with all due ceremony, the children
+went home, following Stony Brook till it poured
+its waters into the little river on which the
+village was built.</p>
+
+<p>After they reached home, Belle went
+upstairs, and sitting down by the window, gave
+free vent to the angry thoughts she had been
+keeping under all the afternoon.</p>
+
+<p>"I don't see," she said to herself at last,
+"what makes the difference. I know I'm a
+great deal prettier than Nannie;" and she went
+across and looked at herself in the glass. "Yes,
+I am a great deal prettier, and yet the girls all
+love Nannie better. And I can learn a lesson
+twice as quick, and yet Miss Taylor likes Nannie
+better than me, and helps her out of all her difficulties.
+And father, and mother, and sister
+Mary, all think there's nobody like Nannie, and
+they are always scolding me for something or
+other. I wish people would love me as they do
+Nannie. I would rather be the ugliest person in
+the world and be loved." She was silent for a
+moment, while conscience brought before her all
+the kind acts Nannie was always doing for somebody.
+How ready she was to give up her own
+pleasure, and do anything for others. Then she
+went off into a pleasant day-dream, in which she
+was very good, always did just right, and everybody
+loved her. All the old women in the
+village thought no one could do anything for
+them like Belle Merry; her mother thought she
+never could spare Belle, and Charlie was never
+satisfied when Belle was away. She forgot,
+when she was dreaming, how, when her father
+said Granny Burt had no one to read to her, she
+said "she hadn't time to read to an old woman."</p>
+
+<p>She forgot how often, when her mother had
+asked for some little help, it had been given so
+pettishly as to make that mother's face grow sad.
+She forgot how often, when Charlie had made
+some little request for entertainment, she had
+turned away, until now he never asked Belle for
+anything when Nannie was in the room. Yes,
+she forgot all this, she forgot all the hard part of
+doing right, and her dream was very pleasant&mdash;so
+pleasant, that at last she said, with great determination,
+"I mean to be so kind and good,
+that they will all love me. I'm going to try.
+I'll begin at once, to-night."</p>
+
+<p>So she started down-stairs. Poor Belle! how
+many times had she come out of her little room
+and gone down-stairs with the same determination
+to do better, and how many times had she
+failed!</p>
+
+<p>And how many times had Nannie come out of
+the same little room with the same resolution,
+and almost always succeeded! What made the
+difference? If you had been there sometimes
+with Nannie, you would have found that she did
+one thing that Belle had not done. She knelt
+down and asked God to help her.</p>
+
+<p>There was the difference. Belle was trying to
+make herself good, Nannie was praying to Jesus
+to help her.</p>
+
+<p>As Belle came into the sitting-room, her
+mother said to her, "You ought to have come
+down immediately to help to set the table, Belle;
+Nannie set it for you."</p>
+
+<p>Belle said nothing, neither did she thank
+Nannie, who looked up for a moment, then went
+on reading.</p>
+
+<p>"Belle," said her mother, "you may fill the
+water-pitcher, since Nannie has done your work
+for you."</p>
+
+<p>"I didn't ask her to do my work," said
+Belle, as she took the pitcher. "That's always
+the way," she said to herself; "now I
+came down-stairs feeling pleasant enough, and
+mother began scolding me because I hadn't set
+the table. There's no use trying. I wasn't to
+blame."</p>
+
+<p>Who <i>was</i> to blame?</p>
+
+<p>After supper Belle sat down with a book she
+was busy reading. Just as she began, her father
+asked her to bring his slippers.</p>
+
+<p>"In a minute," she said, without looking up,
+while she went on reading.</p>
+
+<p>Nannie, seeing Belle so much interested, ran
+off and brought the slippers, and received a pleasant
+"Thank you!" from her father. Belle was
+not so much interested in her book as not to hear
+the "Thank you," and it again excited the angry
+feelings.</p>
+
+<p>"I was going in a minute," she said to herself.
+"Nannie needn't have been in such a
+hurry. I wasn't to blame."</p>
+
+<p>Who <i>was</i> to blame?</p>
+
+<p>"I wish one of you would take Charlie to
+bed," said their mother, as she came in with her
+basket of mending. Here was a good opportunity
+to help her mother, and Belle put down
+her book with determination, and said, "I'll
+take him."</p>
+
+<p>"No," said Master Charlie, "I don't want
+Belle to put me to bed;&mdash;I want Nannie. You
+go, Nannie," he said, putting his little arms
+around her neck, and looking up beseechingly.
+So Nannie laid down her book and took Charlie
+to bed.</p>
+
+<p>Poor Belle! She held her book up to hide
+the tears that would come. "There's no use in
+trying," she thought. "It wasn't my fault if
+Charlie wouldn't let me."</p>
+
+<p>Whose fault was it?</p>
+
+<p>Dr. Merry had seen it all. He saw the
+struggle it had been for Belle to put away her
+book, and he saw the tears fill her eyes when
+Charlie refused; and now, as he got up to go to
+his surgery, he whispered to her, "Be strong and
+of a good courage. For the Lord thy God, he
+it is that doth go with thee."</p>
+
+<p>"What could her father mean?" Belle kept
+thinking it over and over. "Be strong and of
+a good courage"&mdash;she knew well enough what
+the words meant, but why should her father say
+them to her. She wondered if he knew she was
+trying to do better, and was almost ready to
+give up.</p>
+
+<p>"Be strong and of a good courage,"&mdash;she
+said it again. "Of good courage, means not to
+be afraid, not to give up, to go on trying, no
+matter how hard it is. But I don't see the
+use in trying. It's always the same, everything
+goes wrong. I may as well give up at first as
+at last."</p>
+
+<p>There was a Bible lying by her on the table,
+and, almost without thinking, she took it up,
+and began turning over the leaves to find the
+words; she knew where they were, for she had
+seen them many times. She found the place,
+and read over again the words,&mdash;</p>
+
+<p>"For the Lord thy God, he it is that doth go
+with thee; he will not fail thee, nor forsake
+thee."</p>
+
+<p>"I can't do right,&mdash;there's no use trying;"
+but while she said it, she was reading over
+again the last part, "He will not fail thee."</p>
+
+<p>"I wonder," she said, brightening up as the
+thought struck her, "if that is what father
+meant! I can't do right myself, but God will
+help me."</p>
+<p>&nbsp;</p>
+<div class="center">
+<img src="images/img017.jpg" width="100" alt="" />
+</div>
+<p>&nbsp;</p>
+<p>&nbsp;</p>
+<div class="center">
+<img src="images/img018.jpg" width="500" alt="" />
+</div>
+<h3><a name="CHAPTER_VI" id="CHAPTER_VI"></a>CHAPTER VI.</h3>
+
+<h4>THE STORY.</h4>
+
+<div class="figleft" style="width: 75px;">
+<img src="images/img009.jpg" width="75" alt="O" title="" />
+</div><div class="unindent">ne Sunday afternoon, as Mary sat reading
+in the porch, Jack and Charlie
+came and sat down by her on the old
+sofa; and soon Charlie put his little
+curly head between her face and the
+book, and said coaxingly, "Please tell
+us a story, sister Mary."</div>
+
+<p>The little upturned face was well kissed before
+sister Mary said, "Well, Jack, call Nannie and
+Belle, and we'll have a story."</p>
+
+<p>Jack ran off in high glee, for sister Mary's
+stories were always welcomed by the children.</p>
+
+<p>Nannie and Belle came as fast as their feet
+would bring them, and were soon sitting in
+readiness on the porch steps.</p>
+
+<p>"Now, sister Mary," said Nannie, "a <i>good</i>
+story, please."</p>
+
+<p>"What do you mean by a good one,
+Nannie?"</p>
+
+<p>"One that will teach us to be good," said
+Nannie in a low voice.</p>
+
+<p>"Oh, nonsense!" said Jack; "that wasn't
+what I meant. I want a pretty story."</p>
+
+<p>"So do I," said Belle.</p>
+
+<p>"And so do I," chimed in Charlie.</p>
+
+<p>"Well," said sister Mary, "can't I tell you a
+good story, and a pretty one too?"</p>
+
+<p>"I suppose so," said Jack, kicking the foot-stool.</p>
+
+<p>"Well, she can't tell us anything, Jack," said
+Belle, "if you don't keep your feet still."</p>
+
+<p>"I think you are rather hard on Jack; but
+never mind. Now," said sister Mary, "we'll
+have our story:&mdash;</p>
+<p>&nbsp;</p>
+<hr class="narrow" />
+<p>&nbsp;</p>
+<p>"It was a poor little room the sun was looking
+into, just as it was setting. There was no
+carpet on the floor, and no curtains to the
+window. The old grate was cracked and rusty,
+and contained a few red coals among the embers.
+By the fire, in a curious old chair, roughly made,
+yet looking comfortable, sat a little girl rocking
+herself backwards and forwards. It was a very
+pale face that the sun shone upon, and a very
+thin, pale hand it was that the little girl was
+holding up, shading her eyes. Every little while
+the girl dropped her hand, and looked towards
+the window with a bright smile,&mdash;and no wonder!
+for there stood the prettiest of rose-bushes,
+with bright green leaves, and one dark crimson
+bud just opening. She sat watching it, till the
+last rays of the sun died away, and it began to
+grow dark. Then the look of sadness came
+back to her face, and drawing her old shawl
+closer round her, she sat leaning her head on her
+hand. By-and-by there was a sound of footsteps,
+and the door opened, and a man entered
+with a slow and heavy step. She turned round
+with a quick smile,&mdash;'O father! what has made
+you so late?'</p>
+
+<p>"He said nothing; but, stooping down, lifted
+her in his arms, and sat down by the fire.
+Though he lifted her very gently, an expression
+of pain passed over her face, and you could see
+that the poor limbs hung shrunken and helpless.
+He was a rough-looking man, with a rough,
+heavy voice; but when he spoke to her, his
+tones were very gentle, and as he held her in his
+lap he stroked her hair softly and kissed her
+again and again.</p>
+
+<p>"'How have you been to-day, Lizzie?'</p>
+
+<p>"'Pretty well, father. When neighbour Green
+came in to see to the fire, she brought me some
+nice warm broth for my dinner. Wasn't it kind,
+father&mdash;and wasn't it odd too? I had been
+thinking all the morning how much I should
+like some broth, and then just to think I had
+some for my dinner. And then the best of all
+is that dear little rose-bush. You can't see it
+now, it's so dark; it's got one dear little bud,
+and it won't eat anything but water, so I can
+keep it. Mrs. Smith brought it to me, and she
+brought a nice basketful of things besides; and
+you'll get some of them for your supper&mdash;won't
+you, father?'</p>
+
+<p>"He put her back carefully in her chair, then
+put on a few more coals, and brought out from
+a basket in a corner their supper. After they
+had eaten, he took her again in his arms and sat
+down with her.</p>
+
+<p>"'Was the day very long, Lizzie?'</p>
+
+<p>"'Yes,' she said; 'the days are all long without
+mother.'</p>
+
+<p>"He started as she said it; then said, 'I'm
+very glad she isn't here.'</p>
+
+<p>"'Glad! father?'</p>
+
+<p>"'Yes, glad; for'&mdash;he said almost in a whisper&mdash;'they
+never hunger there. I wish we were
+there too.'</p>
+
+<p>"He laid his head on her shoulder, while the
+words came fast: 'No work&mdash;I have hunted,
+hunted everywhere. I have been ready to give
+up, and then I would think of you, Lizzie, and
+I kept on; but there's no work to be had. O
+Lizzie, Lizzie, I could bear it if it weren't for
+you!'</p>
+
+<p>"She said nothing, but kept stroking his
+hair with her little hand, while her face looked
+very sad.</p>
+
+<p>"'I will try once more, to-morrow, though I
+know there's no use.'</p>
+
+<p>"'Perhaps you can find something, father.
+Don't despair. God will take care of us. Shall
+I say mother's psalm, father?'</p>
+
+<p>"He only nodded his head, and she began:
+<i>'I will bless the Lord at all times. His praise
+shall continually be in my mouth.'</i></p>
+
+<p>"'Does it say, "at all times," Lizzie?'</p>
+
+<p>"'Yes, father, "<i>at all times</i>;" that means
+when we are in trouble too, doesn't it?'</p>
+
+<p>"'It must mean so; but it isn't so easy to
+praise him when we can't see any light, as when
+everything is bright.'</p>
+
+<p>"'It isn't so easy to <i>praise</i>, father; but then
+we can <i>pray</i>.'</p>
+
+<p>"'We can pray, Lizzie; but what if God
+doesn't hear us?'</p>
+
+<p>"'But he does hear us, father. That's just
+what the verse that mother liked best said:
+<i>"I sought the Lord, and he heard me, and delivered
+me out of all my troubles."</i> And this
+verse too: <i>"Many are the afflictions of the righteous,
+but the Lord delivereth them out of them all."</i>
+That is a sweet verse, father.'</p>
+
+<p>"'Say them all, Lizzie.'</p>
+
+<p>"'I don't remember them all. I will say
+all I can: <i>"The angel of the Lord encampeth
+round about them that fear him and delivereth
+them." "Oh, fear the Lord, ye his saints: for
+there is no want to them that fear him."'</i></p>
+
+<p>"'Do you think that's always true, Lizzie?'</p>
+
+<p>"'I don't know,' she said, with a puzzled
+look; 'we want something now. You want
+work, and I want to be well and strong to help
+you; but maybe it doesn't mean we shall have
+everything we want, but all that is best for us.
+That's what mother used to say, and that's what
+the next verse says too: <i>"The young lions do
+lack and suffer hunger, but they that seek the
+Lord shall not want any good thing."</i> And
+perhaps it isn't here that we shall not want.
+You said "there was no hunger there," didn't
+you, father?'</p>
+
+<p>"'Yes, Lizzie.'</p>
+
+<p>"'And then there is that other verse, father:
+<i>"Yea, though I walk through the valley of the
+shadow of death, I will fear no evil, for thou art
+with me. Thy rod and thy staff they comfort
+me."'</i></p>
+
+<p>"Her voice trembled as she said it, and she
+paused, for they were her mother's dying words.</p>
+
+<p>"'We will fear no evil, father. We won't
+stop trusting; will we, father?'</p>
+
+<p>"'No, Lizzie; I sometimes fear I should if
+it weren't for you. What should I do without
+you?' and his arms grasped her closer, as if
+even the thought were painful.</p>
+
+<p>"'O father, you would be glad that God
+had taken me where I couldn't suffer any more,
+and where I should be straight and pretty like
+other children.'</p>
+
+<p>"'You are pretty now, Lizzie. I never see
+any face that looks so beautiful to me.'</p>
+
+<p>"'But it isn't like other children's, father.
+When Mrs. Smith came in to-day, she had a
+pretty little girl with her, with such bright
+golden hair, and such rosy cheeks, and so tall
+and straight, she must look like the angels, I
+think. And when I looked at her, it was so
+hard to keep the tears from coming. I had to
+keep thinking of what mother told me when I
+read about the pool where the sick people
+washed and were made well; and I said I
+wished there was such a pool now. Mother
+said the river of death was such a pool, and
+that after I had crossed it, I should be like the
+angels in heaven. But she said, father, she
+should still know me; so, father, you will keep
+on trusting and praising too, won't you, if God
+takes me there?'</p>
+
+<p>"He made no answer, but held her closely to
+him, till the few coals in the grate grew white,
+and the room grew cold.</p>
+
+<p>"'It's too cold for you here, Lizzie, and we
+can't have any more coals to-night. Shall I put
+you in bed now?'</p>
+
+<p>"'Let me sing mother's hymn first, father.'</p>
+
+<p>"He raised her a little, and in a sweet, low
+voice she began singing:&mdash;</p>
+
+<div class="center">
+<table class="sm" style="margin: 0 auto" cellpadding="0" cellspacing="0" summary="text">
+<tr><td align="left">"'Breast the wave, Christian, when it is strongest;</td></tr>
+<tr><td align="left">&nbsp;&nbsp;Watch for day, Christian, when night is longest;</td></tr>
+<tr><td align="left">&nbsp;&nbsp;Onward and onward still be thine endeavour,</td></tr>
+<tr><td align="left">&nbsp;&nbsp;The rest that remaineth endureth for ever.</td></tr>
+<tr><td>&nbsp;</td></tr>
+<tr><td align="left">"'Fight the fight, Christian&mdash;Jesus is o'er thee;</td></tr>
+<tr><td align="left">&nbsp;&nbsp;Run the race, Christian&mdash;heaven is before thee;</td></tr>
+<tr><td align="left">&nbsp;&nbsp;He who hath promised faltereth never;</td></tr>
+<tr><td align="left">&nbsp;&nbsp;Oh, trust in the love that endureth for ever.</td></tr>
+<tr><td>&nbsp;</td></tr>
+<tr><td align="left">"'Lift the eye, Christian, just as it closeth;</td></tr>
+<tr><td align="left">&nbsp;&nbsp;Raise the heart, Christian, ere it reposeth;</td></tr>
+<tr><td align="left">&nbsp;&nbsp;Nothing thy soul from the Saviour can sever,</td></tr>
+<tr><td align="left">&nbsp;&nbsp;Soon shalt thou mount upward to praise him for ever.'"</td></tr>
+</table>
+</div>
+
+<p>Sister Mary paused after she had sung the
+hymn. There were tears in the children's eyes,
+and for a moment they were silent.</p>
+
+<p>"Is that all?" they said at last.</p>
+
+<p>"No," said sister Mary, "there's some more;
+but I'm afraid you are tired."</p>
+
+<p>"Oh no; tell us the rest!"</p>
+
+<p>"Very well," said sister Mary, "but we'll
+have to make haste; it's growing late:&mdash;</p>
+
+<p>"The setting sun was shining again into the
+poor little room, and the little girl sat again,
+wrapped up in her old shawl, before the fire,
+rocking to and fro. The little girl's face had a
+very bright smile on it; but it wasn't the rose-bush
+with its little bud, now almost opened, that
+caused it, for she didn't look that way at all.
+She had a little bit of paper in her hand that she
+held very tightly, while her eyes kept watching
+the door. The sunlight faded, and the room
+grew dark, but the little face still wore the
+bright smile.</p>
+
+<p>"As the door opened, she cried out eagerly,&mdash;</p>
+
+<p>"'O father, here's something for you! There
+was a gentleman here to see you to-day, and he
+left his name; here it is on this card; and he
+said if you would come to see him, he had some
+work for you.'</p>
+
+<p>"The man sat down in his chair, and laid his
+head in his hands.</p>
+
+<p>"'O Lizzie,' he said, 'it's more than I deserve;
+I was just ready to give up trusting. I have
+sought all day, and I couldn't bear to come home.'</p>
+
+<p>"'God did hear us; didn't he, father? I'm
+so glad we didn't stop trusting. Hadn't you
+better go now, father, and see about it?'</p>
+
+<p>"'Yes,' he said, 'I'll go now,' stooping down
+to read the card by the light of the fire.</p>
+
+<p>"He went out, and the shadows settled down
+over the room; but the little girl sat still, and
+you could just hear her humming to herself,&mdash;</p>
+
+<div class="center">
+<p class="noindent">
+<small>"'Breast the wave, Christian, when it is strongest.'</small>
+</p>
+</div>
+
+<p>"Presently she heard her father's step. It
+was quicker and lighter than it had been for
+many a day."</p>
+
+<p>"'I've got it, Lizzie. It's a place as a porter
+in a warehouse; and good wages too. And see
+here,' he said, as he lighted a candle he had
+brought with him, 'we'll have a light to-night,
+and a nice supper too.'</p>
+
+<p>"'O father!' said Lizzie, as she looked on
+with bright eyes as her father took out the
+parcels; 'how did you get all those things?'</p>
+
+<p>"'The gentleman paid me something in advance.
+He said he knew people that had been
+out of work so long needed something.'</p>
+
+<p>"It was a pleasant evening; the candlelight
+seemed so bright to Lizzie's eyes, that hadn't
+seen any for so long a time, and her father was
+so cheerful. Yes, it was a pleasant evening;
+and they closed by reading the 103rd Psalm:&mdash;</p>
+
+<p><i>"'Bless the Lord, O my soul, and all that is
+within me, bless his holy name.</i></p>
+<p><i>"'Bless the Lord, O my soul, and forget not
+all his benefits.'"</i></p>
+<p>&nbsp;</p>
+<hr class="narrow" />
+<p>&nbsp;</p>
+<p>Sister Mary took up her book and went into
+the house, while the children gathered together
+on the steps to watch the sun that was now
+setting.</p>
+
+<p>"Lizzie was a wonderfully good little girl,
+wasn't she," said Jack; "but then she was sick.
+I never knew any good people that weren't either
+sick or ugly."</p>
+
+<p>"Why, Jack, there's sister Mary, and papa
+and mamma, and Miss Taylor, and&mdash;"</p>
+
+<p>"Oh, I mean children. All the children I
+read about are good, and get ill, and die. I
+rather think Lizzie would have died if sister
+Mary had gone on with her story."</p>
+
+<p>"It <i>is</i> so in books," said Belle; "they always
+die."</p>
+
+<p>"People would not want to write about them
+if they lived," said Nannie.</p>
+
+<p>"Why not?" said Jack; "I wish some one
+would write about me."</p>
+
+<p>"If they wrote about you," said Belle, "they
+could call their work, 'A warning to bad boys,'
+or, 'An ugly boy that wasn't good.'"</p>
+
+<p>While they were talking so, Nannie was thinking
+very intently.</p>
+
+<p>"What are you thinking about, Nannie?"
+said Belle.</p>
+
+<p>"I was thinking about what Jack said&mdash;that
+all the good people were either sick or ugly; I
+don't believe it's true. But if it is true, I was
+thinking that perhaps it's like what Abraham
+told the rich man: 'Son, remember that thou
+in thy lifetime receivedst thy good things, and
+likewise Lazarus evil things; but now he is comforted,
+and thou art tormented.' So I thought
+that the ones that were sick and ugly here, but
+loved Jesus, had received all their evil things,
+and would be well and beautiful there."</p>
+
+<p>"Maybe so," said Jack, more thoughtfully
+than before. Then stooping down and kissing
+Nannie, he said, "I know one good girl that
+isn't sick."</p>
+
+<p>The sun was just setting, leaving about half
+its great face to light the world.</p>
+
+<p>In Jack's heart the sun was just rising.</p>
+
+<p>Nannie's words kept sounding in his ears,&mdash;"Perhaps,
+perhaps they have received in this
+life their good things;" and those other words,
+"Therefore he is comforted, and thou art tormented."</p>
+<p>&nbsp;</p>
+<hr class="minimal" />
+<p>&nbsp;</p>
+<div class="center">
+<img src="images/img020.jpg" width="500" alt="" />
+</div>
+<h3><a name="CHAPTER_VII" id="CHAPTER_VII"></a>CHAPTER VII.</h3>
+
+<h4>"THE LAMB IS THE LIGHT THEREOF."</h4>
+
+<div class="figleft" style="width: 75px;">
+<img src="images/img021.jpg" width="75" alt="N" title="" />
+</div><div class="unindent"> annie, Nannie,&mdash;where's Nannie?"
+Jack called one pleasant summer
+morning.</div>
+
+<p>Just then Nannie's voice was heard
+singing, and she came into the
+kitchen, where Jack was.</p>
+
+<p>"Nannie, father has just gone down to Grannie
+Burt's, and he wants you to go there too.
+Mother is going now, and she says you may go
+with her if you'll make haste."</p>
+
+<p>Nannie was off in a minute for her sun-bonnet,
+and very soon was walking with her mother and
+Jack through the tree-bordered lane; very quietly
+now though, for she knows that grannie is dying,
+and she thinks to herself, "Grannie will be in
+heaven to-night," and the little face brightens as
+she thinks of the beauties of the heavenly city;
+"and grannie will see too&mdash;why, how happy
+she must be! I should think good people would
+love to die. It's like going to some beautiful
+world we've heard of." But as Nannie looked
+up at the trees, and the heavy white clouds above
+them, and then down at the green carpet of grass
+at her feet, she thought it would be <i>leaving</i> a
+beautiful world too.</p>
+
+<p>Now they reach the little brown house, and
+Nannie begins to feel a little frightened. She
+creeps in timidly behind her mother, and sits
+down at the foot of the bed, while Jack sits
+down on the door-step. Soon grannie says
+feebly,&mdash;</p>
+
+<p>"Has Nannie come?"</p>
+
+<p>"Yes," said her mother; "Nannie's here."</p>
+
+<p>"Nannie, come where I can touch you."</p>
+
+<p>As Nannie comes nearer, grannie stretches out
+her hand, and laying it on her head, says in a
+low voice,&mdash;</p>
+
+<p>"God bless thee&mdash;God bless thee, my child!
+I have never seen you here, Nannie, but I shall
+know you in heaven. I shan't need to ask you
+to read to me there, for I shall see. But read
+to me here once more, Nannie&mdash;once more."</p>
+
+<p>Nannie lifts up for the last time grannie's worn
+Bible, and begins to read, as she has so often
+read before,&mdash;</p>
+
+<p><i>"And I saw a new heaven and a new earth.</i>"</p>
+
+<p>Very still it was in the chamber of death, while
+the little head bowed over the sacred book, and
+the tearful voice read of the glories of that land
+whither the wearied one was going. Fainter
+and fainter grew the breath; and as the child
+read the words, <i>"And the city hath no need of
+the sun or moon to lighten it, for the Lamb is the
+light thereof,</i>" the lids closed over the sightless
+eyes here&mdash;but opened there, where the Lamb is
+the light. Grannie Burt was in heaven.</p>
+
+<div class="center">
+<table class="sm" style="margin: 0 auto" cellpadding="0" cellspacing="0" summary="text">
+<tr><td align="left">Long she listened for His footsteps,</td></tr>
+<tr><td align="left">Echoing from those streets of gold&mdash;</td></tr>
+<tr><td align="left">Now just within the pearly gates,</td></tr>
+<tr><td align="left">She is no longer old.</td></tr>
+<tr><td>&nbsp;</td></tr>
+<tr><td align="left">The pilgrim-staff is broken&mdash;</td></tr>
+<tr><td align="left">The worn-out garment fold</td></tr>
+<tr><td align="left">And lay away for ever,&mdash;</td></tr>
+<tr><td align="left">She is no longer old.</td></tr>
+<tr><td>&nbsp;</td></tr>
+<tr><td align="left">Farewell, farewell, our mother!</td></tr>
+<tr><td align="left">Our greatest joy is told,</td></tr>
+<tr><td align="left">As we fold the aged hands and say,</td></tr>
+<tr><td align="left">She is no longer old.</td></tr>
+</table>
+</div>
+
+<p>Twice have the trees blossomed, and twice the
+autumn leaves fallen, since first we met our little
+friend Nannie. We have given but a few pages
+in the life of those few years; there have been
+many others&mdash;some, perhaps, in which the little
+girl forgot to ask for help in her trying, and
+therefore failed.</p>
+
+<p>It may seem hard to be trying on and on,
+never yielding to discouragement; but if you
+should see Nannie's bright eyes and happy face,
+you would not think so; and if you should ask
+Nannie if she was tired of trying, I think she
+would answer, <i>"Her ways are ways of pleasantness,
+and all her paths are peace.</i>"</p>
+
+<p>We may perhaps hear of Nannie again, and of
+the success which always follows faithful effort.
+But whether we do or not, I can let you into
+the secret of her future life. Here it is in these
+words:&mdash;</p>
+
+<p><i>"Favour is deceitful, and beauty is vain: but
+the woman that feareth the Lord, she shall be
+praised."</i></p>
+
+<p>&nbsp;</p>
+<div class="center">
+<img src="images/img022.jpg" width="200" alt="" />
+</div>
+
+<p>&nbsp;</p>
+<p>&nbsp;</p>
+<hr class="full" />
+<p>***END OF THE PROJECT GUTENBERG EBOOK NANNY MERRY***</p>
+<p>******* This file should be named 30681-h.txt or 30681-h.zip *******</p>
+<p>This and all associated files of various formats will be found in:<br />
+<a href="http://www.gutenberg.org/dirs/3/0/6/8/30681">http://www.gutenberg.org/3/0/6/8/30681</a></p>
+<p>Updated editions will replace the previous one--the old editions
+will be renamed.</p>
+
+<p>Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.</p>
+
+
+
+<pre>
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+<a href="http://www.gutenberg.org/license">http://www.gutenberg.org/license)</a>.
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS,' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need are critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at http://www.gutenberg.org/fundraising/pglaf.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at http://www.gutenberg.org/about/contact
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit http://www.gutenberg.org/fundraising/pglaf
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations.
+To donate, please visit: http://www.gutenberg.org/fundraising/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart is the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+Each eBook is in a subdirectory of the same number as the eBook's
+eBook number, often in several formats including plain vanilla ASCII,
+compressed (zipped), HTML and others.
+
+Corrected EDITIONS of our eBooks replace the old file and take over
+the old filename and etext number. The replaced older file is renamed.
+VERSIONS based on separate sources are treated as new eBooks receiving
+new filenames and etext numbers.
+
+Most people start at our Web site which has the main PG search facility:
+
+<a href="http://www.gutenberg.org">http://www.gutenberg.org</a>
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+
+EBooks posted prior to November 2003, with eBook numbers BELOW #10000,
+are filed in directories based on their release date. If you want to
+download any of these eBooks directly, rather than using the regular
+search system you may utilize the following addresses and just
+download by the etext year.
+
+<a href="http://www.gutenberg.org/dirs/etext06/">http://www.gutenberg.org/dirs/etext06/</a>
+
+ (Or /etext 05, 04, 03, 02, 01, 00, 99,
+ 98, 97, 96, 95, 94, 93, 92, 92, 91 or 90)
+
+EBooks posted since November 2003, with etext numbers OVER #10000, are
+filed in a different way. The year of a release date is no longer part
+of the directory path. The path is based on the etext number (which is
+identical to the filename). The path to the file is made up of single
+digits corresponding to all but the last digit in the filename. For
+example an eBook of filename 10234 would be found at:
+
+http://www.gutenberg.org/dirs/1/0/2/3/10234
+
+or filename 24689 would be found at:
+http://www.gutenberg.org/dirs/2/4/6/8/24689
+
+An alternative method of locating eBooks:
+<a href="http://www.gutenberg.org/dirs/GUTINDEX.ALL">http://www.gutenberg.org/dirs/GUTINDEX.ALL</a>
+
+*** END: FULL LICENSE ***
+</pre>
+</body>
+</html>
diff --git a/30681-h/images/coverlg.jpg b/30681-h/images/coverlg.jpg
new file mode 100644
index 0000000..b528d56
--- /dev/null
+++ b/30681-h/images/coverlg.jpg
Binary files differ
diff --git a/30681-h/images/coversm.jpg b/30681-h/images/coversm.jpg
new file mode 100644
index 0000000..ce3692c
--- /dev/null
+++ b/30681-h/images/coversm.jpg
Binary files differ
diff --git a/30681-h/images/frontislg.jpg b/30681-h/images/frontislg.jpg
new file mode 100644
index 0000000..34ddf97
--- /dev/null
+++ b/30681-h/images/frontislg.jpg
Binary files differ
diff --git a/30681-h/images/img001.jpg b/30681-h/images/img001.jpg
new file mode 100644
index 0000000..1b4ee51
--- /dev/null
+++ b/30681-h/images/img001.jpg
Binary files differ
diff --git a/30681-h/images/img002.jpg b/30681-h/images/img002.jpg
new file mode 100644
index 0000000..c1a1d9e
--- /dev/null
+++ b/30681-h/images/img002.jpg
Binary files differ
diff --git a/30681-h/images/img004.jpg b/30681-h/images/img004.jpg
new file mode 100644
index 0000000..20c4d23
--- /dev/null
+++ b/30681-h/images/img004.jpg
Binary files differ
diff --git a/30681-h/images/img005.jpg b/30681-h/images/img005.jpg
new file mode 100644
index 0000000..d419815
--- /dev/null
+++ b/30681-h/images/img005.jpg
Binary files differ
diff --git a/30681-h/images/img006.jpg b/30681-h/images/img006.jpg
new file mode 100644
index 0000000..0a72f2a
--- /dev/null
+++ b/30681-h/images/img006.jpg
Binary files differ
diff --git a/30681-h/images/img007.jpg b/30681-h/images/img007.jpg
new file mode 100644
index 0000000..7a1a5d4
--- /dev/null
+++ b/30681-h/images/img007.jpg
Binary files differ
diff --git a/30681-h/images/img008.jpg b/30681-h/images/img008.jpg
new file mode 100644
index 0000000..72982e4
--- /dev/null
+++ b/30681-h/images/img008.jpg
Binary files differ
diff --git a/30681-h/images/img009.jpg b/30681-h/images/img009.jpg
new file mode 100644
index 0000000..b4dd28b
--- /dev/null
+++ b/30681-h/images/img009.jpg
Binary files differ
diff --git a/30681-h/images/img010.jpg b/30681-h/images/img010.jpg
new file mode 100644
index 0000000..04ebce3
--- /dev/null
+++ b/30681-h/images/img010.jpg
Binary files differ
diff --git a/30681-h/images/img011.jpg b/30681-h/images/img011.jpg
new file mode 100644
index 0000000..9a0b958
--- /dev/null
+++ b/30681-h/images/img011.jpg
Binary files differ
diff --git a/30681-h/images/img012.jpg b/30681-h/images/img012.jpg
new file mode 100644
index 0000000..01f0e7a
--- /dev/null
+++ b/30681-h/images/img012.jpg
Binary files differ
diff --git a/30681-h/images/img013.jpg b/30681-h/images/img013.jpg
new file mode 100644
index 0000000..c35b1c0
--- /dev/null
+++ b/30681-h/images/img013.jpg
Binary files differ
diff --git a/30681-h/images/img014.jpg b/30681-h/images/img014.jpg
new file mode 100644
index 0000000..fca254b
--- /dev/null
+++ b/30681-h/images/img014.jpg
Binary files differ
diff --git a/30681-h/images/img015.jpg b/30681-h/images/img015.jpg
new file mode 100644
index 0000000..a65dc74
--- /dev/null
+++ b/30681-h/images/img015.jpg
Binary files differ
diff --git a/30681-h/images/img017.jpg b/30681-h/images/img017.jpg
new file mode 100644
index 0000000..486f714
--- /dev/null
+++ b/30681-h/images/img017.jpg
Binary files differ
diff --git a/30681-h/images/img018.jpg b/30681-h/images/img018.jpg
new file mode 100644
index 0000000..cf5cae5
--- /dev/null
+++ b/30681-h/images/img018.jpg
Binary files differ
diff --git a/30681-h/images/img020.jpg b/30681-h/images/img020.jpg
new file mode 100644
index 0000000..0091ea1
--- /dev/null
+++ b/30681-h/images/img020.jpg
Binary files differ
diff --git a/30681-h/images/img021.jpg b/30681-h/images/img021.jpg
new file mode 100644
index 0000000..744192a
--- /dev/null
+++ b/30681-h/images/img021.jpg
Binary files differ
diff --git a/30681-h/images/img022.jpg b/30681-h/images/img022.jpg
new file mode 100644
index 0000000..6cb625c
--- /dev/null
+++ b/30681-h/images/img022.jpg
Binary files differ