summaryrefslogtreecommitdiff
path: root/30687.txt
diff options
context:
space:
mode:
Diffstat (limited to '30687.txt')
-rw-r--r--30687.txt4061
1 files changed, 4061 insertions, 0 deletions
diff --git a/30687.txt b/30687.txt
new file mode 100644
index 0000000..70ebe12
--- /dev/null
+++ b/30687.txt
@@ -0,0 +1,4061 @@
+The Project Gutenberg eBook, The Lord of Misrule, by Alfred Noyes,
+Illustrated by Spencer Baird Nichols
+
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+
+
+
+Title: The Lord of Misrule
+ And Other Poems
+
+
+Author: Alfred Noyes
+
+
+
+Release Date: December 16, 2009 [eBook #30687]
+
+Language: English
+
+Character set encoding: ISO-646-US (US-ASCII)
+
+
+***START OF THE PROJECT GUTENBERG EBOOK THE LORD OF MISRULE***
+
+
+E-text prepared by Marius Masi, Juliet Sutherland, and the Project
+Gutenberg Online Distributed Proofreading Team (http://www.pgdp.net)
+
+
+
+Note: Project Gutenberg also has an HTML version of this
+ file which includes the original illustrations.
+ See 30687-h.htm or 30687-h.zip:
+ (http://www.gutenberg.org/files/30687/30687-h/30687-h.htm)
+ or
+ (http://www.gutenberg.org/files/30687/30687-h.zip)
+
+
+
+
+
+THE LORD OF MISRULE
+
+And Other Poems
+
+ * * * * *
+
+BY THE SAME AUTHOR
+
+ DRAKE: AN ENGLISH EPIC
+ THE ENCHANTED ISLAND AND OTHER POEMS
+ SHERWOOD
+ TALES OF THE MERMAID TAVERN
+ THE WINE-PRESS
+ COLLECTED POEMS. 2 VOLS.
+ A BELGIAN CHRISTMAS EVE (RADA)
+
+ * * * * *
+
+ [Illustration:
+
+ Come up, come in with streamers!
+ Come in with boughs of May!
+ _Page 1._]
+
+
+
+THE LORD OF MISRULE
+
+And Other Poems
+
+by
+
+ALFRED NOYES
+
+With Frontispiece in Colours by Spencer Baird Nichols
+
+
+
+
+
+
+
+[Illustration]
+
+New York
+Frederick A. Stokes Company
+Publishers
+
+Copyright, 1915, by
+Frederick A. Stokes Company
+
+All rights reserved, including that of translation
+into foreign languages
+
+October, 1915
+
+
+
+
+CONTENTS
+
+
+ PAGE
+
+ THE LORD OF MISRULE 1
+
+ THE REPEAL 7
+
+ THE SEARCH-LIGHTS 9
+
+ FORWARD 11
+
+ A SPELL 13
+
+ CRIMSON SAILS 18
+
+ BLIND MOONE OF LONDON 22
+
+ OLD GREY SQUIRREL 28
+
+ THE GREAT NORTH ROAD 31
+
+ THE RIVER OF STARS 34
+
+ A KNIGHT OF OLD JAPAN 43
+
+ BEYOND DEATH 44
+
+ THE STRANGE GUEST 46
+
+ GHOSTS 49
+
+ THE DAY OF REMEMBRANCE 51
+
+ ON THE EMBANKMENT 53
+
+ THE IRON CROWN 58
+
+ THE OLD DEBATE 59
+
+ A SONG OF HOPE 60
+
+ THE HEDGE-ROSE OPENS 62
+
+ THE MAY-TREE 63
+
+ OLD LETTERS 64
+
+ LAMPS 66
+
+ AT EDEN GATES 68
+
+ THE PSYCHE OF OUR DAY 70
+
+ PARACLETE 73
+
+ AFTER RAIN 75
+
+ THE DEATH OF A GREAT MAN 76
+
+ THE ROMAN WAY 78
+
+ THE INNER PASSION 80
+
+ A COUNTRY LANE IN HEAVEN 82
+
+ TO THE DESTROYERS 84
+
+ THE TRUMPET-CALL 85
+
+ THE HEART OF CANADA 89
+
+ THE RETURN OF THE HOME-BORN 91
+
+ A SALUTE FROM THE FLEET 93
+
+ IN MEMORY OF A BRITISH AVIATOR 103
+
+ THE WAGGON 105
+
+ THE SACRED OAK 107
+
+ THE WORLD'S WEDDING 120
+
+ IN MEMORIAM: SAMUEL COLERIDGE-TAYLOR 123
+
+ INSCRIPTION 126
+
+ VALUES 127
+
+ THE HEROIC DEAD 128
+
+ THE CRY IN THE NIGHT 130
+
+ ASTRID 133
+
+ THE INIMITABLE LOVERS 136
+
+ THE CRAGS 143
+
+ THE GHOST OF SHAKESPEARE, 1914 147
+
+ THE WHITE CLIFFS 152
+
+ ON THE SOUTH COAST 154
+
+ OLDER THAN THE HILLS 156
+
+ THE TORCH 158
+
+ THE OUTLAW 161
+
+ THE YOUNG FRIAR 163
+
+ A FOREST SONG 167
+
+ THE TRUMPET OF THE LAW 169
+
+ THRICE-ARMED 180
+
+ THE SONG-TREE 182
+
+
+
+
+THE LORD OF MISRULE
+
+"On May days the wild heads of the parish would choose a Lord of Misrule,
+whom they would follow even into the church, though the minister were at
+prayer or preaching, dancing and swinging their may-boughs about like
+devils incarnate."--_Old Puritan Writer._
+
+
+ All on a fresh May morning, I took my love to church,
+ To see if Parson Primrose were safely on his perch.
+ He scarce had got to _Thirdly_, or squire begun to snore,
+ When, like a sun-lit sea-wave,
+ A green and crimson sea-wave,
+ A frolic of madcap May-folk came whooping through the door:--
+
+ Come up, come in with streamers!
+ Come in, with boughs of may!
+ Come up and thump the sexton,
+ And carry the clerk away.
+
+ Now skip like rams, ye mountains,
+ Ye little hills, like sheep!
+ Come up and wake the people
+ That parson puts to sleep.
+
+ They tickled their nut-brown tabors. Their garlands flew in showers,
+ And lasses and lads came after them, with feet like dancing flowers.
+ Their queen had torn her green gown, and bared a shoulder as white,
+ O, white as the may that crowned her,
+ While all the minstrels round her
+ Tilted back their crimson hats and sang for sheer delight:
+
+ Come up, come in with streamers!
+ Come in, with boughs of may!
+ Now by the gold upon your toe
+ You walked the primrose way.
+ Come up, with white and crimson!
+ O, shake your bells and sing;
+ Let the porch bend, the pillars bow,
+ Before our Lord, the Spring!
+
+ The dusty velvet hassocks were dabbled with fragrant dew.
+ The font grew white with hawthorn. It frothed in every pew.
+ Three petals clung to the sexton's beard as he mopped and mowed at the
+ clerk,
+ And "Take that sexton away," they cried;
+ "Did Nebuchadnezzar eat may?" they cried.
+ "Nay, that was a prize from Betty," they cried, "for kissing her in the
+ dark."
+
+ Come up, come in with streamers!
+ Come in, with boughs of may!
+ Who knows but old Methuselah
+ May hobble the green-wood way?
+ If Betty could kiss the sexton,
+ If Kitty could kiss the clerk,
+ Who knows how Parson Primrose
+ Might blossom in the dark?
+
+ The congregation spluttered. The squire grew purple and all,
+ And every little chorister bestrode his carven stall.
+ The parson flapped like a magpie, but none could hear his prayers;
+ For Tom Fool flourished his tabor,
+ Flourished his nut-brown tabor,
+ Bashed the head of the sexton, and stormed the pulpit stairs.
+
+ High in the old oak pulpit
+ This Lord of all misrule--
+ I think it was Will Summers
+ That once was Shakespeare's fool--
+ Held up his hand for silence,
+ And all the church grew still:
+ "And are you snoring yet," he said,
+ "Or have you slept your fill?
+
+ "Your God still walks in Eden, between the ancient trees,
+ Where Youth and Love go wading through pools of primroses.
+ And this is the sign we bring you, before the darkness fall,
+ That Spring is risen, is risen again,
+ That Life is risen, is risen again,
+ That Love is risen, is risen again, and Love is Lord of all.
+
+ "At Paske began our morrice
+ And, ere Pentecost, our May;
+ Because, albeit your words be true,
+ You know not what you say.
+ You chatter in church like jackdaws,
+ Words that would wake the dead,
+ Were there one breath of life in you,
+ One drop of blood," he said.
+
+ "_He died and He went down to hell!_ You know not what you mean.
+ Our rafters were of green fir. Also our beds were green.
+ But out of the mouth of a fool, a fool, before the darkness fall,
+ We tell you He is risen again,
+ The Lord of Life is risen again,
+ The boughs put forth their tender buds, and Love is Lord of all!"
+
+ He bowed his head. He stood so still,
+ They bowed their heads as well.
+ And softly from the organ-loft
+ The song began to swell.
+ _Come up with blood-red streamers_,
+ The reeds began the strain.
+ The _vox humana_ pealed on high,
+ _The Spring is risen again!_
+
+ The _vox angelica_ replied--_The shadows flee away!
+ Our house-beams were of cedar. Come in, with boughs of may!_
+ The _diapason_ deepened it--_Before the darkness fall_,
+ _We tell you He is risen again!
+ Our God hath burst His prison again!
+ Christ is risen, is risen again; and Love is Lord of all._
+
+
+
+
+THE REPEAL
+
+
+ I dreamed the Eternal had repealed
+ His cosmic code of law last night.
+ Our prayers had made the Unchanging yield.
+ Caprice was king from depth to height.
+
+ On Beachy Head a shouting throng
+ Had fired a beacon to proclaim
+ Their licence. With unmeasured song
+ They proved it, dancing in the flame.
+
+ They quarrelled. One desired the sun,
+ And one desired the stars to shine.
+ They closed and wrestled and burned as one,
+ And the white chalk grew red as wine.
+
+ The furnace licked and purred and rolled,
+ A laughing child held up its hands
+ Like dreadful torches, dropping gold;
+ For pain was dead at their commands.
+
+ Painless and wild as clouds they burned,
+ Till the restricted Rose of Day
+ With all its glorious laws returned,
+ And the wind blew their ashes away.
+
+
+
+
+THE SEARCH-LIGHTS
+
+"Political morality differs from individual morality because there is no
+power above the state."
+
+
+ Shadow by shadow, stripped for fight,
+ The lean black cruisers search the sea.
+ Night-long their level shafts of light
+ Revolve, and find no enemy.
+ Only they know each leaping wave
+ May hide the lightning, and their grave.
+
+ And in the land they guard so well
+ Is there no silent watch to keep?
+ An age is dying, and the bell
+ Rings midnight on a vaster deep.
+ But over all its waves, once more,
+ The search-lights move, from shore to shore.
+
+ And captains that we thought were dead,
+ And dreamers that we thought were dumb,
+ And voices that we thought were fled,
+ Arise, and call us, and we come;
+ And "search in thine own soul," they cry;
+ "For there, too, lurks thine enemy."
+
+ Search for the foe in thine own soul,
+ The sloth, the intellectual pride;
+ The trivial jest that veils the goal
+ For which our fathers lived and died;
+ The lawless dreams, the cynic Art,
+ That rend thy nobler self apart.
+
+ Not far, not far into the night,
+ These level swords of light can pierce;
+ Yet for her faith does England fight,
+ Her faith in this our universe;
+ Believing Truth and Justice draw
+ From founts of everlasting law;
+
+ Therefore a Power above the State,
+ The unconquerable Power returns.
+ The fire, the fire that made her great
+ Once more upon her altar burns.
+ Once more, redeemed and healed and whole,
+ She moves to the Eternal Goal.
+
+
+
+
+FORWARD
+
+
+ _A thousand creeds and battle-cries,
+ A thousand warring social schemes,
+ A thousand new moralities,
+ And twenty thousand thousand dreams!_
+
+ _Each on his own anarchic way,
+ From the old order breaking free,--
+ Our ruined world desires_, you say,
+ _Licence, once more, not Liberty._
+
+ But ah, beneath the struggling foam,
+ When storm and change are on the deep,
+ How quietly the tides come home,
+ And how the depths of sea-shine sleep;
+
+ And we who march towards a goal,
+ Destroying only to fulfil
+ The law, the law of that great soul
+ Which moves beneath your alien will;
+
+ We, that like foemen meet the past
+ Because we bring the future, know
+ We only fight to achieve at last
+ A great re-union with our foe;
+
+ Re-union in the truths that stand
+ When all our wars are rolled away;
+ Re-union of the heart and hand
+ And of the prayers wherewith we pray;
+
+ Re-union in the common needs,
+ The common strivings of mankind;
+ Re-union of our warring creeds
+ In the one God that dwells behind.
+
+ Then--in that day--we shall not meet
+ Wrong with new wrong, but right with right;
+ Our faith shall make your faith complete
+ When our battalions re-unite.
+
+ Forward!--what use in idle words?--
+ Forward, O warriors of the soul!
+ There will be breaking up of swords
+ When that new morning makes us whole.
+
+
+
+
+A SPELL
+
+(_An Excellent Way to get a Fairy_)
+
+
+ Gather, first, in your left hand
+ (This must be at fall of day)
+ Forty grains of wild sea-sand
+ Where you think a mermaid lay.
+ I have heard that it is best
+ If you gather it, warm and sweet,
+ Out of the dint of her left breast
+ Where you see her heart has beat.
+
+ _Out of the dint in that sweet sand
+ Gather forty grains, I say;
+ Yet--if it fail you--understand,
+ There remains a better way._
+
+ Out of this you melt your glass
+ While the veils of night are drawn,
+ Whispering, till the shadows pass,
+ "_Nixie--pixie--leprechaun!_"
+ Then you blow your magic vial,
+ Shape it like a crescent moon,
+ Set it up and make your trial,
+ Singing, "_Elaby, ah, come soon!_"
+
+ _Round the cloudy crescent go,
+ On the hill-top, in the dawn,
+ Singing softly, on tip-toe,
+ "Elaby Gathon! Elaby Gathon!
+ Nixie--pixie--leprechaun!"_
+
+ Bring the blood of a white hen
+ Slaughtered at the break of day,
+ While the cock, in the fairy glen,
+ Thrusts his gold neck every way,
+ Over the brambles, peering, calling,
+ Under the ferns, with a sudden fear,
+ Far and wide--as the dews are falling--
+ Clamouring, calling, everywhere.
+
+ _Round the crimson vial go,
+ On the hill-top, in the dawn,
+ Singing softly, on tip-toe,
+ "Nixie--pixie--leprechaun!"
+ If this fail, at break of day,
+ I can show you a better way._
+
+ Bring the buds of the hazel-copse,
+ Where two lovers kissed at noon;
+ Bring the crushed red wild-thyme tops
+ Where they murmured under the moon.
+ Bring the four-leaved clover also,
+ One of the white, and one of the red,
+ Bring the flakes of the may that fall so
+ Lightly over their bridal bed.
+
+ _Drop them into the vial--so--
+ On the hill-top, in the dawn,
+ Singing softly, on tip-toe,
+ "Nixie--pixie--leprechaun!"
+ And, if once will not suffice,
+ Do it thrice!
+ If this fail, at break of day,
+ There remains a better way._
+
+ Bring an old and crippled child
+ --_Ah, tread softly, on tip-toe!_--
+ Tattered, tearless, wonder-wild,
+ From that under-world below,
+ Bring a wizened child of seven
+ Reeking from the City slime,
+ Out of hell into your heaven,
+ Set her knee-deep in the thyme.
+
+ _Feed her--clothe her--even so!
+ Set her on a fairy-throne.
+ When her eyes begin to glow
+ Leave her for an hour--alone._
+
+ You shall need no spells or charms,
+ On that hill-top, in that dawn.
+ When she lifts her wasted arms,
+ You shall see a veil withdrawn.
+ There shall be no veil between them,
+ Though her head be old and wise!
+ You shall know that she has seen them
+ By the glory in her eyes.
+
+ _Round her irons on that hill
+ Earth has tossed a fairy fire:
+ Watch, and listen, and be still,
+ Lest you baulk your own desire._
+
+ When she sees four azure wings
+ Light upon her claw-like hand;
+ When she lifts her head and sings,
+ You shall hear and understand:
+ You shall hear a bugle calling
+ Wildly over the dew-dashed down;
+ And a sound as of the falling
+ Ramparts of a conquered town.
+
+ _You shall hear a sound like thunder;
+ And a veil shall be withdrawn,
+ When her eyes grow wide with wonder
+ On that hill-top, in that dawn._
+
+
+
+
+CRIMSON SAILS
+
+
+ _When Salomon sailed from Ophir_ ...
+ The clouds of Sussex thyme
+ That crown the cliffs in mid-July
+ Were all we needed--you and I--
+ _But Salomon sailed from Ophir_,
+ And broken bits of rhyme
+ Blew to us on the white chalk coast
+ From O, what elfin clime?
+
+ A peacock butterfly flaunted
+ Its four great crimson wings,
+ As over the edge of the chalk it flew
+ Black as a ship on the Channel blue ...
+ _When Salomon sailed from Ophir_,--
+ He brought, as the high sun brings,
+ Honey and spice to the Queen of the South,
+ Sussex or Saba, a song for her mouth,
+ Sweet as the dawn-wind over the downs
+ And the tall white cliffs that the wild thyme crowns
+ A song that the whole sky sings:--
+
+ When Salomon sailed from Ophir,
+ With Olliphants and gold,
+ The kings went up, the kings went down,
+ Trying to match King Salomon's crown,
+ But Salomon sacked the sunset,
+ Wherever his black ships rolled.
+ He rolled it up like a crimson cloth,
+ And crammed it into his hold.
+
+ _Chorus_: Salomon sacked the sunset!
+ Salomon sacked the sunset!
+ He rolled it up like a crimson cloth,
+ And crammed it into his hold.
+
+ His masts were Lebanon cedars,
+ His sheets were singing blue,
+ But that was never the reason why
+ He stuffed his hold with the sunset sky!
+ The kings could cut their cedars,
+ And sail from Ophir, too;
+ But Salomon packed his heart with dreams
+ And all the dreams were true.
+
+ _Chorus_: The kings could cut their cedars,
+ Cut their Lebanon cedars;
+ But Salomon packed his heart with dreams,
+ And all the dreams were true.
+
+ When Salomon sailed from Ophir,
+ He sailed not as a king.
+ The kings--they weltered to and fro,
+ Tossed wherever the winds could blow;
+ But Salomon's tawny seamen
+ Could lift their heads and sing,
+ Till all their crowded clouds of sail
+ Grew sweeter than the Spring.
+
+ _Chorus_: Their singing sheets grew sweeter,
+ Their crowded clouds grew sweeter,
+ For Salomon's tawny seamen, sirs,
+ Could lift their heads and sing:
+
+ When Salomon sailed from Ophir
+ With crimson sails so tall,
+ The kings went up, the kings went down,
+ Trying to match King Salomon's crown;
+ But Salomon brought the sunset
+ To hang on his Temple wall;
+ He rolled it up like a crimson cloth,
+ So his was better than all.
+
+ _Chorus_: Salomon gat the sunset,
+ Salomon gat the sunset;
+ He carried it like a crimson cloth
+ To hang on his Temple wall.
+
+
+
+
+BLIND MOONE OF LONDON
+
+
+ Blind Moone of London
+ He fiddled up and down,
+ Thrice for an angel,
+ And twice for a crown.
+ He fiddled at the _Green Man_,
+ He fiddled at the _Rose_;
+ And where they have buried him
+ Not a soul knows.
+
+ All his tunes are dead and gone, dead as yesterday.
+ And his lanthorn flits no more
+ Round the _Devil Tavern_ door,
+ Waiting till the gallants come, singing from the play;
+ Waiting in the wet and cold!
+ All his Whitsun tales are told.
+ He is dead and gone, sirs, very far away.
+
+ He would not give a silver groat
+ For good or evil weather.
+ He carried in his white cap
+ A long red feather.
+ He wore a long coat
+ Of the Reading-tawny kind,
+ And darned white hosen
+ With a blue patch behind.
+
+ So--one night--he shuffled past, in his buckled shoon.
+ We shall never see his face,
+ Twisted to that queer grimace,
+ Waiting in the wind and rain, till we called his tune;
+ Very whimsical and white,
+ Waiting on a blue Twelfth Night!
+ He is grown too proud at last--old blind Moone.
+
+ Yet, when May was at the door,
+ And Moone was wont to sing,
+ Many a maid and bachelor
+ Whirled into the ring:
+ Standing on a tilted wain
+ He played so sweet and loud
+ The Mayor forgot his golden chain
+ And jigged it with the crowd.
+
+ Old blind Moone, his fiddle scattered flowers along the street;
+ Into the dust of Brookfield Fair
+ Carried a shining primrose air,
+ Crooning like a poor mad maid, O, very low and sweet,
+ Drew us close, and held us bound,
+ Then--to the tune of _Pedlar's Pound_,
+ Caught us up, and whirled us round, a thousand frolic feet.
+
+ Master Shakespeare was his host.
+ The tribe of Benjamin
+ Used to call him Merlin's Ghost
+ At the _Mermaid Inn_.
+ He was only a crowder,
+ Fiddling at the door.
+ Death has made him prouder.
+ We shall not see him more.
+
+ Only--if you listen, please--through the master's themes,
+ You shall hear a wizard strain,
+ Blind and bright as wind and rain
+ Shaken out of willow-trees, and shot with elfin gleams.
+ _How should I your true love know?_
+ Scraps and snatches--even so!
+ That is old blind Moone again, fiddling in your dreams.
+
+ Once, when Will had called for sack
+ And bidden him up and play,
+ Old blind Moone, he turned his back,
+ Growled, and walked away,
+ Sailed into a thunder-cloud,
+ Snapped his fiddle-string,
+ And hobbled from _The Mermaid_
+ Sulky as a king.
+
+ Only from the darkness now, steals the strain we knew:
+ No one even knows his grave!
+ Only here and there a stave,
+ Out of all his hedge-row flock, be-drips the may with dew.
+ And I know not what wild bird
+ Carried us his parting word:--
+ _Master Shakespeare needn't take the crowder's fiddle, too._
+
+ Will has wealth and wealth to spare.
+ Give him back his own.
+ _At his head a grass-green turf,
+ At his heels a stone._
+ See his little lanthorn-spark.
+ Hear his ghostly tune,
+ Glimmering past you, in the dark,
+ Old blind Moone!
+
+ All the little crazy brooks, where love and sorrow run
+ Crowned with sedge and singing wild,
+ Like a sky-lark--or a child!--
+ Old blind Moone, he knew their springs, and played 'em every one;
+ Stood there, in the darkness, blind,
+ And sang them into Shakespeare's mind....
+ Old blind Moone of London, O now his songs are done,
+ The light upon his lost white face, they say it was the sun!
+
+ The light upon his poor old face, they say it was the sun!
+
+
+
+
+OLD GREY SQUIRREL
+
+
+ A great while ago, there was a school-boy.
+ He lived in a cottage by the sea.
+ And the very first thing he could remember
+ Was the rigging of the schooners by the quay.
+
+ He could watch them, when he woke, from his window,
+ With the tall cranes hoisting out the freight.
+ And he used to think of shipping as a sea-cook,
+ And sailing to the Golden Gate.
+
+ For he used to buy the yellow penny dreadfuls,
+ And read them where he fished for conger eels,
+ And listened to the lapping of the water,
+ The green and oily water round the keels.
+
+ There were trawlers with their shark-mouthed flat-fish,
+ And red nets hanging out to dry,
+ And the skate the skipper kept because he liked 'em,
+ And landsmen never knew the fish to fry.
+
+ There were brigantines with timber out of Norroway,
+ Oozing with the syrups of the pine.
+ There were rusty dusty schooners out of Sunderland,
+ And ships of the Blue Cross line.
+
+ And to tumble down a hatch into the cabin
+ Was better than the best of broken rules;
+ For the smell of 'em was like a Christmas dinner,
+ And the feel of 'em was like a box of tools.
+
+ And, before he went to sleep in the evening,
+ The very last thing that he could see
+ Was the sailor-men a-dancing in the moonlight
+ By the capstan that stood upon the quay.
+
+ _He is perched upon a high stool in London.
+ The Golden Gate is very far away.
+ They caught him, and they caged him, like a squirrel.
+ He is totting up accounts, and going grey._
+
+ _He will never, never, never sail to 'Frisco.
+ But the very last thing that he will see
+ Will be sailor-men a-dancing in the sunrise
+ By the capstan that stands upon the quay...._
+
+ _To the tune of an old concertina,
+ By the capstan that stands upon the quay._
+
+
+
+
+THE GREAT NORTH ROAD
+
+
+ Just as the moon was rising, I met a ghostly pedlar
+ Singing for company beneath his ghostly load,--
+ Once, there were velvet lads with vizards on their faces,
+ Riding up to rob me on the great North Road.
+
+ Now, my pack is heavy, and my pocket full of guineas
+ Chimes like a wedding-peal, but little I enjoy
+ Roads that never echo to the chirrup of their canter,--
+ The gay Golden Farmer and the Hereford Boy.
+
+ Rogues were they all, but their raid was from Elf-land!
+ Shod with elfin silver were the steeds they bestrode.
+ Merlin buckled on the spurs that wheeled thro' the wet fern
+ Bright as Jack-o'-Lanthorns off the great North Road.
+
+ Tales were told in country inns when Turpin rode to Rippleside!
+ Puck tuned the fiddle-strings, and country maids grew coy,
+ Tavern doors grew magical when Colonel Jack might tap at them,
+ The gay Golden Farmer and the Hereford Boy.
+
+ What are you seeking then? I asked this honest pedlar.
+ --O, Mulled Sack or Natty Hawes might ease me of my load!--
+ Where are they flown then?--Flown where I follow;
+ They are all gone for ever up the great North Road.
+
+ Rogues were they all; but the white dust assoils 'em!
+ Paradise without a spice of deviltry would cloy.
+ Heavy is my pack till I meet with Jerry Abershaw,
+ The gay Golden Farmer and the Hereford Boy.
+
+
+
+
+THE RIVER OF STARS
+
+(_A tale of Niagara_)
+
+
+ _The lights of a hundred cities are fed by its midnight power.
+ Their wheels are moved by its thunder. But they, too, have their hour.
+ The tale of the Indian lovers, a cry from the years that are flown,
+ While the river of stars is rolling,
+ Rolling away to the darkness,
+ Abides with the power in the midnight, where love may find its own._
+
+ She watched from the Huron tents, till the first star shook in the air.
+ The sweet pine scented her fawn-skins, and breathed from her braided
+ hair.
+ Her crown was of milk-white blood-root, because of the tryst she would
+ keep,
+ Beyond the river of beauty
+ That drifted away in the darkness
+ Drawing the sunset thro' lilies, with eyes like stars, to the deep.
+
+ He watched, like a tall young wood-god, from the red pine that she
+ named;
+ But not for the peril behind him, where the eyes of the Mohawks flamed.
+ Eagle-plumed he stood. But his heart was hunting afar,
+ Where the river of longing whispered ...
+ And one swift shaft from the darkness
+ Felled him, her name in his death-cry, his eyes on the sunset star.
+
+ * * * * *
+
+ She stole from the river and listened. The moon on her wet skin shone.
+ As a silver birch in a pine-wood, her beauty flashed and was gone.
+ There was no wave in the forest. The dark arms closed her round.
+ But the river of life went flowing,
+ Flowing away to the darkness,
+ For her breast grew red with his heart's blood, in a night where the
+ stars are drowned.
+
+ _Teach me, O my lover, as you taught me of love in a day,
+ Teach me of death, and for ever, and set my feet on the way,
+ To the land of the happy shadows, the land where you are flown._
+ --And the river of death went weeping,
+ Weeping away to the darkness.--
+ _Is the hunting good, my lover, so good that you hunt alone?_
+
+ She rose to her feet like a shadow. She sent a cry thro' the night,
+ _Sa-sa-kuon_, the death-whoop, that tells of triumph in fight.
+ It broke from the bell of her mouth like the cry of a wounded bird,
+ But the river of agony swelled it
+ And swept it along to the darkness,
+ And the Mohawks, couched in the darkness, leapt to their feet as they
+ heard.
+
+ Close as the ring of the clouds that menace the moon with death,
+ At once they circled her round. Her bright breast panted for breath.
+ With only her own wild glory keeping the wolves at bay,
+ While the river of parting whispered,
+ Whispered away to the darkness,
+ She looked in their eyes for a moment, and strove for a word to say.
+
+ _Teach me, O my lover!_--She set her foot on the dead.
+ She laughed on the painted faces with their rings of yellow and red,--
+ _I thank you, wolves of the Mohawk, for a woman's hands might fail._--
+ --And the river of vengeance chuckled,
+ Chuckled away to the darkness,--
+ _But ye have killed where I hunted. I have come to the end of my trail._
+
+ _I thank you, braves of the Mohawk, who laid this thief at my feet.
+ He tore my heart out living, and tossed it his dogs to eat.
+ Ye have taught him of death in a moment, as he taught me of love in a
+ day._
+ --And the river of passion deepened,
+ Deepened and rushed to the darkness.--
+ _And yet may a woman requite you, and set your feet on the way._
+
+ _For the woman that spits in my face, and the shaven heads that gibe,
+ This night shall a woman show you the tents of the Huron tribe.
+ They are lodged in a deep valley. With all things good it abounds.
+ Where the red-eyed, green-mooned river
+ Glides like a snake to the darkness,
+ I will show you a valley, Mohawks, like the Happy Hunting Grounds._
+
+ _Follow!_ They chuckled, and followed like wolves to the glittering
+ stream.
+ Shadows obeying a shadow, they launched their canoes in a dream.
+ Alone, in the first, with the blood on her breast, and her milk-white
+ crown,
+ She stood. She smiled at them, _Follow_,
+ Then urged her canoe to the darkness,
+ And, silently flashing their paddles, the Mohawks followed her down.
+
+ * * * * *
+
+ And now--as they slid thro' the pine-woods with their peaks of midnight
+ blue,
+ She heard, in the broadening distance, the deep sound that she knew,
+ A mutter of steady thunder that grew as they glanced along;
+ But ever she glanced before them
+ And glanced away to the darkness,
+ And or ever they heard it rightly, she raised her voice in a song:--
+
+ _The wind from the Isles of the Blessed, it blows across the foam.
+ It sings in the flowing maples of the land that was my home.
+ Where the moose is a morning's hunt, and the buffalo feeds from the
+ hand._--
+ And the river of mockery broadened,
+ Broadened and rolled to the darkness--
+ _And the green maize lifts its feathers, and laughs the snow from the
+ land._
+
+ The river broadened and quickened. There was nought but river and sky.
+ The shores were lost in the darkness. She laughed and lifted a cry:
+ _Follow me! Sa-sa-kuon!_ Swifter and swifter they swirled--
+ And the flood of their doom went flying,
+ Flying away to the darkness,
+ _Follow me, follow me, Mohawks, ye are shooting the edge of the world._
+
+ They struggled like snakes to return. Like straws they were whirled on
+ her track.
+ For the whole flood swooped to that edge where the unplumbed night dropt
+ black,
+ The whole flood dropt to a thunder in an unplumbed hell beneath,
+ And over the gulf of the thunder
+ A mountain of spray from the darkness
+ Rose and stood in the heavens, like a shrouded image of death.
+
+ She rushed like a star before them. The moon on her glorying shone.
+ _Teach me, O my lover_,--her cry flashed out and was gone.
+ A moment they battled behind her. They lashed with their paddles and
+ lunged;
+ Then the Mohawks, turning their faces
+ Like a blood-stained cloud to the darkness,
+ Over the edge of Niagara swept together and plunged.
+
+ _And the lights of a hundred cities are fed by the ancient power;
+ But a cry returns with the midnight; for they, too, have their hour.
+ Teach me, O my lover, as you taught me of love in a day,
+ --While the river of stars is rolling,
+ Rolling away to the darkness,--
+ Teach me of death, and for ever, and set my feet on the way!_
+
+
+
+
+A KNIGHT OF OLD JAPAN
+
+
+ Make me a stave of song, the Master said,
+ On yonder cherry-bough, whose white and red
+ Hangs in the sunset over those green seas.
+ The young knight looked upon his untried blade,
+ Then shrugged his wings of gold and blue brocade:
+ _How should a warrior play with thoughts like these?_
+
+ Fresh from the battle, in that self-same hour,
+ A mail-clad warrior watched each delicate flower
+ Close in that cloud of beauty against the West.
+ Drinking the last deep light, he watched it long.
+ He raised his face as if to pray. _The strong_,
+ The Master whispered, _are the tenderest_.
+
+
+
+
+BEYOND DEATH
+
+
+ I
+
+ In lonely bays
+ Where Love runs wild,
+ All among the flowering grasses,
+ Where light, light, light, as a sea-bird's wing
+ The chuckle of the child-god passes,
+ O, to awake, to shake away the night
+ And find you dreaming there,
+ On the other side of death, with the sea-wind blowing round you,
+ And the scent of the thyme in your hair.
+
+
+ II
+
+ Tho' beauty perish,
+ Perish like a flower,
+ And song be an idle breath,
+ Tho' heaven be a dream, and youth for but an hour,
+ And life much less than death,
+ And the Maker less than that He made,
+ And hope less than despair,
+ If Death have shores where Love runs wild
+ I think you might be there.
+
+
+ III
+
+ Re-born, re-born
+ From the splendid sea,
+ There should you awake and sing,
+ With every supple sweet from the head to the feet
+ Modelled like a wood-dove's wing,--
+ O, to awake, to shake away the night,
+ And find you happy there,
+ On the other side of death, with the sea-wind blowing round you,
+ And the scent of the thyme in your hair.
+
+
+
+
+THE STRANGE GUEST
+
+
+ You cannot leave a new house
+ With any open door,
+ But a strange guest will enter it
+ And never leave it more.
+
+ Build it on a waste land,
+ Dreary as a sin.
+ Leave her but a broken gate,
+ And Beauty will come in.
+
+ Build it all of scarlet brick.
+ Work your wicked will.
+ Dump it on an ash-heap
+ Then--O then, be still.
+
+ Sit and watch your new house.
+ Leave an open door.
+ A strange guest will enter it
+ And never leave it more.
+
+ She will make your raw wood
+ Mellower than gold.
+ She will take your new lamps
+ And sell them for old.
+
+ She will crumble all your pride,
+ Break your folly down.
+ Much that you rejected
+ She will bless and crown.
+
+ She will rust your naked roof,
+ Split your pavement through,
+ Dip her brush in sun and moon
+ And colour it anew.
+
+ Leave her but a window
+ Wide to wind and rain,
+ You shall find her footsteps
+ When you come again.
+
+ Though she keep you waiting
+ Many months or years,
+ She shall stain and make it
+ Beautiful with tears.
+
+ She shall hurt and heal it,
+ Soften it and save,
+ Blessing it, until it stand
+ Stronger than the grave.
+
+ _You cannot leave a new house
+ With any open door,
+ But a strange guest will enter it
+ And never leave it more._
+
+
+
+
+GHOSTS
+
+
+ O to creep in by candle-light,
+ When all the world is fast asleep,
+ Out of the cold winds, out of the night,
+ Where the nettles wave and the rains weep!
+ O, to creep in, lifting the latch
+ So quietly that no soul could hear,
+ And, at those embers in the gloom,
+ Quietly light one careful match--
+ You should not hear it, have no fear--
+ And light the candle and look round
+ The old familiar room;
+ To see the old books upon the wall
+ And lovingly take one down again,
+ And hear--O, strange to those that lay
+ So patiently underground--
+ The ticking of the clock, the sound
+ Of clicking embers ...
+ watch the play
+ Of shadows ...
+ till the implacable call
+ Of morning turn our faces grey;
+ And, or ever we go, we lift and kiss
+ Some idle thing that your hands may touch,
+ Some paper or book that your hands let fall,
+ And we never--when living--had cared so much
+ As to glance upon twice ...
+ But now, O bliss
+ To kiss and to cherish it, moaning our pain,
+ Ere we creep to the silence again.
+
+
+
+
+THE DAY OF REMEMBRANCE
+
+
+ Dazzle of the sea, azure of the sky, glitter of the dew on the grass,
+ Pass to Oblivion
+ In the darkness
+ With all that ever is or ever was.
+
+ Yet, O flocks of cloud with your violet shadows, O white may crowding
+ o'er the lane,
+ The Shepherd that drives you
+ To the darkness
+ Shall lead you thro' the crimson dawn again.
+
+ Bear your load of beauty to the sunset, and the golden gates of death.
+ The Eternal shall remember
+ In the darkness
+ And recall you at a word, at a breath.
+
+ Even as the mind of a man may remember his lost and linkless hours,
+ This world that is scattered
+ To the darkness
+ Dismembered and dis-petalled, clouds and flowers,
+
+ Cities, suns, and systems, as He said of old, they sleep! Not a bird,
+ not a leaf shall pass by,
+ But on the day of remembrance
+ In the darkness,
+ In a moment, in the twinkling of an eye,
+
+ They shall flash to their places in the music of the whole, even as our
+ fathers said!
+ For a Power shall remember
+ In the darkness,
+ And the universal sea give up her dead.
+
+
+
+
+ON THE EMBANKMENT
+
+
+ Within, it was colour and laughter, warmth and wine.
+ Without, it was darkness, hunger and bitter cold,
+ Where those white globes on the wet Embankment shine,
+ Greasing the Thames with gold.
+
+ And was it a bundle of fog in the dark drew nigh?
+ A bundle of rags and bones it crept to the light,--
+ A monstrous thing that coughed as it shuffled by,
+ A shape of the shapeless night,
+
+ Spawned as brown things that mimic their mothering earth,
+ Green creeping things that the grass lifts to the sun,
+ Out of its wrongs the City had brought to the birth
+ The shape of those wrongs, in one.
+
+ A woman, a woman whose lips had once been kissed,
+ (It was Christmas Eve, and the bells began their chime!)
+ She sank to a seat like a coughing bundle of mist
+ Exhaled from the river-slime.
+
+ _Bells for the birth of Christ!_ She heard, and she thought--
+ Vacantly--of her man, that was long since dead,
+ The smell of the Christmas food, and the drink they had bought
+ Together, the year they were wed.
+
+ She thought of their one-room home, and the night-long sigh
+ Recalled, as he slept, of his breath in her loosened hair.
+ _He slept._ She opened her haggard eyes with a cry.
+ But only the night was there.
+
+ Nay, out of the formless night, at her furtive glance,
+ Crouched at the end of her cold wet bench, there grew
+ A bundle of fog, a bundle of rags that, perchance,
+ Once was a woman, too.
+
+ A huddled shape, a fungus of foul grey mist
+ Spawned of the river, in peace and much good-will,
+ And even the woman whose lips had once been kissed
+ Wondered, it crouched so still.
+
+ No breath, no shadow of breath in the lamp-light smoked,
+ It crouched so still--that bunch at the bench's end.
+ She stretched her neck like a crow, then leaned and croaked,
+ "_A Merry Christmas, friend!_"
+
+ She rose, and peered, peered at its vacant eyes.
+ Touched its cold claws. Its arms of knotted bone
+ Were wands of ice; like iron rods the thighs;
+ The left breast--like a stone.
+
+ _Far, far along the rows of warmth and light
+ The Christmas waits, with cornet and bassoon,
+ Carolled "While shepherds watched their flocks by night."
+ The bells pealed to the moon._
+
+ A bundle of rags and bones, a bundle of mist,
+ And never a hell or heaven to hear or see,
+ The woman, the woman whose lips had once been kissed,
+ Knelt down feverishly.
+
+ She plucked the shawl out of that frozen clutch.
+ The dead are dead. Why should the living freeze?
+ She touched the cold flesh that she feared to touch
+ Kneeling upon her knees.
+
+ Her palsied hands unlaced the shoes--good shoes!--
+ She tore them quick from the crooked yellow feet.
+ If Death be generous, why should Life refuse
+ To take, and pawn, and eat?
+
+ A heavy step drew nearer thro' the mist.
+ She bundled them into the shawl. Her eyes were bright.
+ The woman, the woman whose lips had once been kissed,
+ Slunk, chuckling, thro' the night.
+
+
+
+
+THE IRON CROWN
+
+
+ Not memory of a vanished bliss,
+ But suddenly to know,
+ I had forgotten! This, O this
+ With iron crowned my woe:
+
+ To know that on some midnight sea
+ Whence none could lift the pall
+ A drowning hand was waved to me,
+ Then--swept beyond recall.
+
+
+
+
+THE OLD DEBATE
+
+
+ His angels fell, and myriads grope
+ In doubt, for this dark cause alone,--
+ That God hath given them room for hope,
+ And made their struggling wills their own.
+
+ In the same breath, they plead for chains
+ And freedom; pray for ordered spheres,
+ Then murmur that the sun retains
+ Its course, unchecked by smiles or tears.
+
+ "The Omnipotent would grant us this,
+ Or else He is not good," they say;
+ But O, the Power withholds their bliss
+ Till they agree what prayer to pray.
+
+
+
+
+A SONG OF HOPE
+
+
+ Not in those eyes, too kind for truth,
+ Which dare not note how beauties wane;
+ Nor in that crueller joy of youth
+ Which turns from sorrow with disdain;
+ No--no--not there,
+ Abides the hope that answers our despair.
+
+ Lie where they hid thy dead away.
+ Knock on that unrelenting door;
+ Then break, O desolate heart, and say
+ Farewell, farewell, for evermore ...
+ There, only there,
+ Abides the hope that conquers all despair.
+
+ The silence that refused to bless
+ Till grief had turned the heart to stone ...
+ What soul compact of nothingness
+ Could hear so fierce a trumpet blown?
+ Then hear, O hear,
+ The dreadful hope that equals all despair.
+
+ There, till the deep atoning Might
+ Shall answer all that each can pray,
+ The very boundlessness of night
+ Proclaims--and waits--an equal day.
+ There, only there,
+ --_But O, sing low, sweet strings, lest hope take wing!_--
+ Abides the hope that answers all despair.
+
+
+
+
+THE HEDGE-ROSE OPENS
+
+
+ How passionately it opens after rain,
+ And O, how like a prayer
+ To those great shining skies! Do they disdain
+ A bride so small and fair?
+ See the imploring petals, how they part
+ And utterly lay bare
+ The perishing treasures of that piteous heart
+ In wild surrender there.
+ What? Would'st _thou_, too, drink up the Eternal bliss,
+ Ecstatically dare,
+ O, little bride of God, to invoke _His_ kiss?--
+ But O, how like a prayer!
+
+
+
+
+THE MAY-TREE
+
+
+ The May-tree on the hill
+ Stands in the night
+ So fragrant and so still,
+ So dusky white.
+
+ That, stealing from the wood
+ In that sweet air,
+ You'd think Diana stood
+ Before you there.
+
+ If it be so, her bloom
+ Trembles with bliss.
+ She waits across the gloom
+ Her shepherd's kiss.
+
+ Touch her. A bird will start
+ From those pure snows,--
+ The dark and fluttering heart
+ Endymion knows.
+
+
+
+
+OLD LETTERS
+
+
+ Read them? Strangle that sick cry?
+ Christ God, no!
+ Shut the box. Lock the lid.
+ You'll be safer--so.
+ Could you read one crooked word
+ Scrawled so long ago,
+ Love would rise before your face
+ And blind you, like a blow.
+
+ _Close it! Quickly! For I caught,
+ In a childish hand,
+ Something that she never thought
+ I should understand._
+
+ So I crouch. And shall our God
+ Prove Him baser yet,
+ He who filled her eyes with light
+ Quite renounce His debt,
+
+ Give her worlds to love, and then--
+ Ere the sun be set,
+ Strike her down and coffin all?
+ Christ, shall _He_ forget?
+
+ _Close it! Quickly! For I caught,
+ In a childish hand,
+ Something that she never thought
+ I should understand._
+
+
+
+
+LAMPS
+
+
+ Immense and silent night,
+ Over the lonely downs I go;
+ And the deep gloom is pricked with points of light
+ Above me and below.
+
+ I cannot break the bars
+ Of Time and Fate; and if I scan the sky,
+ There comes to me, questioning those cold stars,
+ No signal, no reply.
+
+ Yet are they less than these--
+ These village-lights, which I do scan
+ Below me, or far out on darkling seas
+ Those messages from man?
+
+ Round me the darkness rolls.
+ Out of the depth, each lance of light
+ Shoots from lost lanthorns, thrills from living souls,
+ And shall I doubt the height?
+
+ No signal? No reply?
+ As through the deepening night I roam,
+ Hope opens all her casements in the sky
+ And lights the lamps of home.
+
+
+
+
+AT EDEN GATES
+
+
+ _To Eden Garden_--so the sign-post said;
+ I could not see the road;
+ But, where the Sussex clover blossomed red
+ Its runaway blisses flowed.
+
+ I traced them back for many a night and day,
+ --The way she, too, had gone!--
+ Till lo, the terrible Angel in the way
+ Inexorably shone.
+
+ Up to the Gates, a fearless fool I came;
+ Between the lily and rose
+ Fluttering these evil rags of sordid shame,
+ A thing to scare the crows.
+
+ "And hath the Master given thee, then, no word?"
+ The scornful Angel smiled:
+ Only two souls may pass my Flaming Sword,--
+ The Lover and the Child.
+
+ I raised my head,--"Now let all hell make mirth,
+ Where Love went, I go, too!"
+ His eyes met mine. The sword sank to the earth,
+ And let her lover through.
+
+
+
+
+THE PSYCHE OF OUR DAY
+
+
+ As constant lovers may rejoice
+ With seas between, with worlds between,
+ Because a fragrance and a voice
+ Are round them everywhere:
+ So let me travel to the grave,
+ Believing still--for I have seen--
+ That Love's triumphant banners wave
+ Beyond my own despair.
+
+ I have no trust in my own worth;
+ Yet have I faith, O love, for you,
+ That every beauty in bloom or leaf,
+ That even age and wrong
+ May touch, may hurt you, on this earth,
+ But only, only as kisses do;
+ Or as the fretted string of grief
+ Completes the bliss of song;
+
+ That you shall see, on any grave
+ The snow fall, like that unseen hand
+ Which O, so often, pressed your hair
+ To cherish and console:
+ That seas may roar and winds rave
+ But you shall feel and understand
+ What vast caresses everywhere
+ Convey you to the goal.
+
+ So was it always in the years
+ When Love began, when Love began
+ With eyes that were not touched of tears
+ And lips that still could sing--
+ And all around us, in the may,
+ The child-god with his laughter ran,
+ And every bloom, on every spray,
+ Betrayed his fluttering wing.
+
+ So hold it, keep it, count it, sweet,
+ Until the end, until the end.
+ It is not cruelty, but bliss
+ That pains and is so fond:
+ Crush life like thyme beneath your feet,
+ And O, my love, when that strange friend,
+ The Shadow of Wings, which men call Death
+ Shall close your eyes, with that last kiss,
+ Ask not His name. A rosier breath
+ Shall waken you--beyond.
+
+
+
+
+PARACLETE
+
+
+ Tongue hath not told it,
+ Heart hath not known;
+ Yet shall the bough swing
+ When it hath flown.
+
+ Dreams have denied it,
+ Fools forsworn:
+ Yet it hath comforted
+ Each man born.
+
+ Once and again it is
+ Blown to me,
+ Sweet from the wild thyme,
+ Salt from the sea;
+
+ Blown thro' the ferns
+ Faint from the sky;
+ Shadowed in water,
+ Yet clear as a cry.
+
+ Light on a face,
+ Or touch of a hand,
+ Making my still heart
+ Understand.
+
+ Earth hath not seen it.
+ Nor heaven above,
+ Yet shall the wild bough
+ Bend with the Dove.
+
+ Yea, tho' the bloom fall
+ Under Thy feet,
+ _Veni, Creator,
+ Paraclete!_
+
+
+
+
+AFTER RAIN
+
+
+ Listen! On sweetening air
+ The blackbird growing bold
+ Flings out, where green boughs glisten,
+ Three splashes of wild gold.
+
+ Daughter of April, hear;
+ And hear, O barefoot boy!
+ That carol of wild sweet water
+ Has washed the world with joy.
+
+ Glisten, O fragrant earth
+ Assoiled by heaven anew,
+ And O, ye lovers, listen,
+ With eyes that glisten, too.
+
+
+
+
+THE DEATH OF A GREAT MAN
+
+
+ No--not that he is dead. The pang's not there,
+ Nor in the City's many-coloured bloom
+ Of swift black-lettered posters, which the throng
+ Passes with bovine stare,
+ To say _He is dead_ and _Is it going to rain?_
+ Or hum stray snatches of a rag-time song.
+ Nor is it in that falsest shibboleth
+ (Which orators toss to the dumb scorn of death)
+ That all the world stands weeping at his tomb.
+ London is dining, dancing, through it all.
+ And, in the unchecked smiles along the street
+ Where men, that slightly knew him, lightly meet,
+ With all the old indifferent grimaces,
+ There is no jot of grief, no tittle of pain.
+ No. No. For nearer things do most tears fall.
+ Grief is for near and little things. But pride,
+ O, pride was to be found by two or three,
+ And glory in his great battling memory,
+ Prouder and purer than the loud world knows,
+ In one more dreadful sign, the day he died--
+ The dreadful light upon a thousand faces,
+ The peace upon the faces of his foes.
+
+
+
+
+THE ROMAN WAY
+
+
+ He that has loyally served the State
+ Whereof he found himself a part,
+ Or spent his life-blood to create
+ A kingdom's treasure in his art;
+
+ Who sees the enemies of his land
+ Applauded, by her sects and schools;
+ And the high thought they scarce had scanned
+ Derided and befogged by fools;
+
+ --Better to know it soon than late!--
+ Struggling, he wins a meed of praise;
+ Achieving, he is dogged by hate
+ And furtive malice all his days.
+
+ O, Emperor of the Stoic clan,
+ Enfold him, then, with nobler pride.
+ Teach him that nought can hurt a man
+ Who will not turn or stoop to chide.
+
+ Can falsehood kindle or bedim
+ One bay-leaf in his quiet crown?
+ Ten thousand Lies may pluck at him,
+ But only Truth can tear him down.
+
+ Why should he heed the thing they say?
+ They never asked if it were true.
+ Why brush one scribbler's tale away
+ For others to invent a new?
+
+ No, let him search his heart, secure
+ --If Truth be there--from tongue or pen;
+ And teach us, Emperor, to endure,
+ To think like Romans and like men.
+
+
+
+
+THE INNER PASSION
+
+
+ There is a Master in my heart
+ To whom, though oft against my will,
+ I bring the songs I sing apart
+ And strive to think that they fulfil
+ His silent law, within my heart.
+
+ But He is blind to my desires,
+ And deaf to all that I would plead:
+ He tests my truth at purer fires
+ And shames my purple with His need.
+ He claims my deeds, not my desires.
+
+ And often when my comrades praise,
+ I sadden, for He turns from me!
+ But, sometimes, when they blame, I raise
+ Mine eyes to His, and in them see
+ A tenderness too deep for praise.
+
+ He is not to be bought with gold,
+ Or lured by thornless crowns of fame;
+ But when some rebel thought hath sold
+ Him to dishonour and to shame,
+ And my heart's Pilate cries, "Behold,"
+
+ "Behold the Man," I know Him then;
+ And all those wild thronged clamours die
+ In my heart's judgment hall again,
+ Or if it ring with "Crucify!"
+ Some few are faithful even then.
+
+ Some few sad thoughts,--one bears His cross;
+ To that dark Calvary of my pride;
+ One stands far off and mourns His loss,
+ And one poor thief on either side
+ Hangs on his own unworthy cross.
+
+ And one--O, truth in ancient guise!--
+ Rails, and one bids him cease alway,
+ And the God turns His hungering eyes
+ On that poor thought with, "Thou, this day,
+ Shalt sing, shalt sing, in Paradise."
+
+
+
+
+A COUNTRY LANE IN HEAVEN
+
+
+ The exceeding weight of glory bowed
+ My head, in that pure clime:
+ I found a road that ran through cloud
+ Along the coasts of Time....
+
+ Out of that mist of years there came
+ A cross-barred gate of wood.
+ I clutched, I kissed the unheavenly frame
+ So hard, it trickled blood.
+
+ My head upon the iron lay.
+ I slobbered blood and foam.
+ Yea, like a dog, I knew the way,
+ A hundred yards from home.
+
+ _Iron and blood and wood! They knew
+ The secret of that cry
+ When the Eternal Passion drew
+ Their Maker through--to die._
+
+ I knew each little hawthorn-cloud
+ Along my misty lane,
+ Then my heart burst. She sobbed aloud,
+ Between my arms again.
+
+
+
+
+TO THE DESTROYERS
+
+
+ Yes. You have shattered many an ancient wrong,
+ And we were with you, heart and mind and soul,
+ But there are fools who cast away control
+ In life and thought and art; because the Strong--
+ We dare to say it--have now destroyed so long,
+ That careless minds forget the unchanging goal--
+ The nobler Order which shall make us whole,
+ The Service which is freedom, beauty, song.
+
+ We shall be stoned as traitors to your cause
+ While the real traitors that you did not know,
+ Chaos and Vice, trumpet themselves as free.
+ Pray God that, loyal to the Eternal laws,
+ A little remnant, mauled by friend and foe,
+ Save you through Truth, and bring you Liberty.
+
+
+
+
+THE TRUMPET-CALL
+
+
+ I
+
+ Trumpeter, sound the great recall!
+ Swift, O swift, for the squadrons break,
+ The long lines waver, mazed in the gloom!
+ Hither and thither the blind host blunders.
+ Stand thou firm for a dead Man's sake,
+ Firm where the ranks reel down to their doom,
+ Stand thou firm in the midst of the thunders,
+ Stand where the steeds and the riders fall,
+ Set the bronze to thy lips and sound
+ A rally to ring the whole world round.
+ Trumpeter, rally us, rally us, rally us!
+ Sound the great recall.
+
+
+ II
+
+ Trumpeter, sound for the ancient heights!
+ Clouds of the earth-born battle cloak
+ The heaven that our fathers held from of old;
+ And we--shall we prate to their sons of the gain
+ In gold or bread? Through yonder smoke
+ The heights that never were won with gold
+ Wait, still bright with their old red stain,
+ For the thousand chariots of God again,
+ And the steel that swept thro' a hundred fights
+ With the Ironsides, equal to life and death,
+ The steel, the steel of their ancient faith.
+ Trumpeter, rally us, rally us, rally us!
+ Sound for the sun-lit heights.
+
+
+ III
+
+ Trumpeter, sound for the faith again!
+ Blind and deaf with the dust and the blood,
+ Clashing together we know not whither
+ The tides of the battle would have us advance.
+ Stand thou firm in the crimson flood,
+ Send the lightning of thy great cry
+ Through the thunders, athwart the storm,
+ Sound till the trumpets of God reply
+ From the heights we have lost in the steadfast sky,
+ From the Strength we despised and rejected. Then,
+ Locking the ranks as they form and form,
+ Lift us forward, banner and lance,
+ Mailed in the faith of Cromwell's men,
+ When from their burning hearts they hurled
+ The gage of heaven against the world!
+ Trumpeter, rally us, rally us, rally us,
+ Up to the heights again.
+
+
+ IV
+
+ Trumpeter, sound for the last Crusade!
+ Sound for the fire of the red-cross kings,
+ Sound for the passion, the splendour, the pity
+ That swept the world for a dead Man's sake,
+ Sound, till the answering trumpet rings
+ Clear from the heights of the holy City,
+ Sound till the lions of England awake,
+ Sound for the tomb that our lives have betrayed;
+ O'er broken shrine and abandoned wall,
+ Trumpeter, sound the great recall,
+ Trumpeter, rally us, rally us, rally us;
+ Sound for the last Crusade!
+
+
+ V
+
+ Trumpeter, sound for the splendour of God!
+ Sound the music whose name is law,
+ Whose service is perfect freedom still,
+ The order august that rules the stars.
+ Bid the anarchs of night withdraw,
+ Too long the destroyers have worked their will,
+ Sound for the last, the last of the wars.
+ Sound for the heights that our fathers trod,
+ When truth was truth and love was love,
+ With a hell beneath, but a heaven above,
+ Trumpeter, rally us, up to the heights of it!
+ Sound for the City of God.
+
+
+
+
+THE HEART OF CANADA
+
+_July 1912_
+
+
+ Because her heart is all too proud
+ --_Canada! Canada! fair young Canada_--
+ To breathe the might of her love aloud,
+ Be quick, O Motherland!
+ Because her soul is wholly free
+ --_Canada kneels, thy daughter, Canada_--
+ England, look in her eyes and see,
+ Honour and understand.
+
+ Because her pride at thy masthead shines,
+ --_Canada! Canada!_--queenly Canada
+ Bows with all her breathing pines,
+ All her fragrant firs.
+ Because our isle is little and old
+ --_Canada! Canada!_--young-eyed Canada
+ Gives thee, Mother, her hands to hold,
+ And makes thy glory hers.
+
+ Because thy Fleet is hers for aye,
+ --_Canada! Canada!_--clear-souled Canada,
+ Ere the war-cloud roll this way,
+ Bids the world beware.
+ Her heart, her soul, her sword are thine
+ --_Thine the guns, the guns of Canada!_--
+ The ships are foaming into line,
+ And Canada will be there.
+
+
+
+
+THE RETURN OF THE HOME-BORN
+
+
+ All along the white chalk coast
+ The mist lifts clear.
+ Wight is glimmering like a ghost.
+ The ship draws near.
+ Little inch-wide meadows
+ Lost so many a day,
+ The first time I knew you
+ Was when I turned away.
+
+ Island--little island--
+ Lost so many a year,
+ Mother of all I leave behind
+ --_Draw me near!_--
+ Mother of half the rolling world,
+ And O, so little and gray,
+ The first time I found you
+ Was when I turned away.
+
+ _Over yon green water
+ Sussex lies.
+ But the slow mists gather
+ In our eyes.
+ England, little island
+ --God, how dear!--
+ Fold me in your mighty arms,
+ Draw me near._
+
+ Little tawny roofs of home,
+ Nestling in the gray,
+ Where the smell of Sussex loam
+ Blows across the bay ...
+ Fold me, teach me, draw me close,
+ Lest in death I say
+ The first time I loved you
+ Was when I turned away.
+
+
+
+
+A SALUTE FROM THE FLEET
+
+
+ I
+
+ _The Guns of H.M.S. Royal Sovereign_
+
+ Ocean-mother of England, thine is the crowning acclaim.
+ Here, in the morning of battle, from over the world and beyond,
+ Here, by our fleets of steel, silently foam into line
+ Fleets of our glorious dead, thy shadowy oak-walled ships.
+ Mother, for O, thy soul must speak thro' our iron lips!
+ How should we speak to the ages, unless with a word of thine?
+ Utter it, Victory! Let thy great signal flash thro' the flame!
+ Answer, _Bellerophon_, _Marlborough_, _Thunderer_, _Condor_,
+ respond!
+
+
+ II
+
+ _The Guns of H.M.S. Majestic_
+
+ Out of the ages we speak unto you, O ye ages to be.
+ Rocks of Sevastopol, echo our thunder-word, bruit it afar.
+ Roll it, O Mediterranean, round by Gibraltar again.
+ Buffet it, Porto Bello, back to the Nile once more.
+ Answer it, great St. Vincent! Answer it, Elsinore,
+ Buffet it back from your crags and roll it over the main!
+ Heights of Quebec, O hear and re-echo it back to the Baltic Sea!
+ Answer it, _Camperdown_! Answer it, answer it, _Trafalgar_!
+
+
+ III
+
+ _The Guns of H.M.S. Rainbow_
+
+ How should we speak to the ages, if not with a word of thine,
+ Maker of cloud and harvest, foam and the sea-bird's wing,
+ Ocean-Mother of England and all things living and free?
+ Deep that wast moved by the Spirit to bloom with the first white morn,
+ Mother of Light and Freedom, mother of hopes unborn,
+ Speak, O world-wide welder of nations, O Soul of the sea!
+ Thine was the watchword that called us of old o'er the gray sky-line:
+ Lift thy stormy salute. It is freedom and peace that we bring.
+
+
+ IV
+
+ _The Guns of H.M.S. Victory_
+
+ Therefore on thee we call, O Mother, for we are thy sons.
+ Speak, with thy world-wide voice, O wake us anew from our sleep!
+ Speak, for the Light of the world still lives and grows on thy face.
+ Give us the ancient Word once more, the unchangeable Word,--
+ This that Nelson knew, this that Effingham heard,
+ This that resounds for ever in all the hearts of our race,
+ This that lives for a moment on the iron lips of our guns,
+ This--that echoes for ever and ever--the Word of the Deep.
+
+
+ V
+
+ _The Guns of H.M.S. Dreadnought_
+
+ How shall a king be saved by the multitude of an host?
+ Was not the answer thine, when fleet upon fleet swept, hurled
+ Blind thro' the dark North Sea, with all their invincible ships?
+ Thine was the answer, O mother of all men born to be free!
+ Witness again, Cape Wrath!--O thine, everlastingly,
+ Thine as Freedom arose and rolled thy song from her lips,
+ Thine when she 'stablished her throne in thy sight, on our rough
+ rock-coast,
+ Thine with thy lustral glory and thunder, washing the world.
+
+
+ VI
+
+ _The Guns of H.M.S. Temeraire_
+
+ O for that ancient cry of the watch at the midnight bell,
+ Under the unknown stars, from the decks that Frobisher trod.
+ Hark, _Before the world?_--he questions a fleet in the dark!
+ Answer it, friend or foe! And, ringing from mast to mast,
+ Mother, hast thou forgotten what cry in the dark went past,
+ Answering still as he questioned? _Before the world?_ O, hark,
+ Ringing anear, _Before the world?_ ... _was God_ ... All's well!
+ Dying afar ... _Before the world?_ ... All's well ... _was God!_
+
+
+ VII
+
+ _The Guns of H.M.S. Revenge_
+
+ Raleigh and Grenville heard it, Knights of the Ocean-sea.
+ Have we forgotten it only, we with our leagues of steel?
+ Give us our watchword again, O mother, in this great hour!
+ Here, in the morning of battle, here as we gather our might,
+ Here, as the nations of earth in the light of thy freedom unite,
+ Shake our hearts with thy Word, O 'stablish our peace on thy power!
+ 'Stablish our power on thy peace, thy glory, thy liberty,
+ 'Stablish on thy deep Word the throne of our Commonweal.
+
+
+ VIII
+
+ _The Guns of H.M.S. Leviathan_
+
+ They that go down to the sea in ships--they heard it of old--
+ They shall behold His wonders, alone on the Deep, the Deep!
+ Have _we_ forgotten, we only? O, rend the heavens again,
+ Voice of the Everlasting, shake the great hills with thy breath!
+ Roll the Voice of our God thro' the valleys of doubt and death!
+ Waken the fog-bound cities with the shout of the wind-swept main,
+ Inland over the smouldering plains, till the mists unfold,
+ Darkness die, and England, England arise from sleep.
+
+
+ IX
+
+ _The Guns of H.M.S. Triumph_
+
+ Queen of the North and the South, Queen of our ocean-renown,
+ England, England, England, O lift thine eyes to the sun!
+ Wake, for the hope of the whole world yearns to thee, watches and
+ waits!
+ Now on the full flood-tide of the ages, the supreme hour
+ Beacons thee onward in might to the purpose and crown of thy power.
+ Hark, for the whole Atlantic thunders against thy gates,
+ Take the Crown of all Time, all might, earth's crowning Crown,
+ Throne thy children in peace and in freedom together, O weld them
+ in one.
+
+
+ X
+
+ _The Guns of the Fleet_
+
+ _Throne them in triumph together. Thine is the crowning cry!
+ Thine the glory for ever in the nation born of thy womb!
+ Thine the Sword and the Shield, and the shout that Salamis heard,
+ Surging in Aeschylean splendour, earth-shaking acclaim!
+ Ocean-mother of England, thine is the throne of her fame.
+ Breaker of many fleets, O thine the victorious word,
+ Thine the Sun and the Freedom, the God and the wind-swept sky,
+ Thine the thunder and thine the lightning, thine the doom._
+
+
+
+
+IN MEMORY OF A BRITISH AVIATOR
+
+
+ On those young brows that knew no fear
+ We lay the Roman athlete's crown,
+ The laurel of the charioteer,
+ The imperial garland of renown,
+ While those young eyes, beyond the sun,
+ See Drake, see Raleigh, smile "Well done."
+
+ Their desert seas that knew no shore
+ To-night with fleets like cities flare;
+ But, frailer even than theirs of yore,
+ His keel a new-found deep would dare:
+ They watch, with thrice-experienced eyes
+ What fleets shall follow through the skies.
+
+ They would not scoff, though man should set
+ To feebler wings a mightier task.
+ They know what wonders wait us yet.
+ Not all things in an hour they ask;
+ But in each noble failure see
+ The inevitable victory.
+
+ A thousand years have borne us far
+ From that dark isle the Saxon swayed,
+ And star whispers to trembling star
+ While Space and Time shrink back afraid,--
+ "Ten thousand thousand years remain
+ For man to dare our deep again."
+
+ Thou, too, shalt hear across that deep
+ Our thundering fleets of thought draw nigh,
+ Round which the suns and systems sweep
+ Like cloven foam from sky to sky,
+ Till Death himself at last restore
+ His captives to our eyes once more.
+
+ * * * * *
+
+ Feeble the wings, dauntless the soul!
+ Take thou the conqueror's laurel crown;
+ Take--for thy chariot grazed the goal--
+ The imperial garland of renown;
+ While those young eyes, beyond the sun,
+ See Drake, see Raleigh, smile "Well done."
+
+
+
+
+THE WAGGON
+
+
+ Crimson and black on the sky, a waggon of clover
+ Slowly goes rumbling, over the white chalk road;
+ And I lie in the golden grass there, wondering why
+ So little a thing
+ As the jingle and ring of the harness,
+ The hot creak of leather,
+ The peace of the plodding,
+ Should suddenly, stabbingly, make it
+ Strange that men die.
+
+ Only, perhaps, in the same blue summer weather,
+ Hundreds of years ago, in this field where I lie,
+ Caedmon, the Saxon, was caught by the self-same thing:
+ The serf lying, black with the sun, on his beautiful wain-load,
+ The jingle and clink of the harness,
+ The hot creak of leather,
+ The peace of the plodding;
+ And wondered, O terribly wondered,
+ That men must die.
+
+
+
+
+THE SACRED OAK
+
+(_A Song of Britain_)
+
+
+ I
+
+ Voice of the summer stars that, long ago,
+ Sang thro' the old oak-forests of our isle,
+ Enchanted voice, pure as her falling snow,
+ Dark as her storms, bright as her sunniest smile,
+ Taliessin, voice of Britain, the fierce flow
+ Of fourteen hundred years has whelmed not thee!
+ Still art thou singing, lavrock of her morn,
+ Singing to heaven in that first golden glow,
+ Singing above her mountains and her sea!
+ Not older yet are grown
+ Thy four winds in their moan
+ For Urien. Still thy charlock blooms in the billowing corn.
+
+
+ II
+
+ Thy dew is bright upon this beechen spray!
+ Spring wakes thy harp! I hear--I see--again,
+ Thy wild steeds foaming thro' the crimson fray,
+ The raven on the white breast of thy slain,
+ The tumult of thy chariots, far away,
+ The weeping in the glens, the lustrous hair
+ Dishevelled over the stricken eagle's fall,
+ And in thy Druid groves, at fall of day
+ One gift that Britain gave her valorous there,
+ One gift of lordlier pride
+ Than aught--save to have died--
+ One spray of the sacred oak, they coveted most of all.
+
+
+ III
+
+ I watch thy nested brambles growing green:
+ O strange, across that misty waste of years,
+ To glimpse the shadowy thrush that thou hast seen,
+ To touch, across the ages, touch with tears
+ The ferns that hide thee with their fairy screen,
+ Or only hear them rustling in the dawn;
+ And--as a dreamer waking--in thy words,
+ For all the golden clouds that drowse between,
+ To feel the veil of centuries withdrawn,
+ To feel thy sun re-risen
+ Unbuild our shadowy prison
+ And hear on thy fresh boughs the carol of waking birds.
+
+
+ IV
+
+ O, happy voice, born in that far, clear time,
+ Over thy single harp thy simple strain
+ Attuned all life for Britain to the chime
+ Of viking oars and the sea's dark refrain,
+ And thine own beating heart, and the sublime
+ Measure to which the moons and stars revolve
+ Untroubled by the storms that, year by year,
+ In ever-swelling symphonies still climb
+ To embrace our growing world and to resolve
+ Discords unknown to thee,
+ In the infinite harmony
+ Which still transcends our strife and leaves us darkling here.
+
+ * * * * *
+
+
+ V
+
+ For, now, one sings of heaven and one of hell,
+ One soars with hope, one plunges to despair!
+ This, trembling, doubts if aught be ill or well;
+ And that cries, "Fair is foul and foul is fair;"
+ And this cries, "Forward, though I cannot tell
+ Whither, and all too surely all things die;"
+ And that sighs, "Rest, then, sleep and take thine ease."
+ One sings his country and one rings its knell,
+ One hymns mankind, one dwarfs them with the sky.
+ O, Britain, let thy soul
+ Once more command the whole,
+ Once more command the strings of the world-wide harmony.
+
+
+ VI
+
+ For hark! One sings, _The gods, the gods are dead!_
+ _Man triumphs!_ And hark--_Blind Space his funeral urn._
+ And hark, one whispers with reverted head
+ To the old dead gods--_Bring back our heaven, return!_
+ And hark, one moans--_The ancient order is fled,
+ We are children of blind chance and vacant dreams.
+ Heed not mine utterance--that was chance-born, too._
+ And hark, the answer of Science--_All they said,
+ Your fathers, in that old time, lit by gleams
+ Of what their hearts could feel,
+ The rolling years reveal
+ As fragments of one law, one covenant, simply true._
+
+
+ VII
+
+ _I find_, she cries, _in all this march of time
+ And space, no gulf, no break, nothing that mars
+ Its unity. I watch the primal slime
+ Lift Athens like a flower to greet the stars!
+ I flash my messages from clime to clime,
+ I link the increasing world from depth to height!
+ Not yet ye see the wonder that draws nigh,
+ When at some sudden contact, some sublime
+ Touch, as of memory, all this boundless night
+ Wherein ye grope entombed
+ Shall, by that touch illumed,
+ Like one electric City shine from sky to sky._
+
+
+ VIII
+
+ _No longer then the memories that ye hold
+ Dark in your brain shall slumber. Ye shall see
+ That City whose gates are more than pearl or gold
+ And all its towers firm as Eternity.
+ The stones of the earth have cried to it from of old!
+ Why will ye turn from Him who reigns above
+ Because your highest words fall short?
+ Kneel--call
+ On Him whose Name--I AM--doth still enfold
+ Past, present, future, memory, hope and love.
+ No seed falls fruitless there._
+ Beyond your Father's care--
+ _The old covenant still holds fast_--no bird, no leaf can fall.
+
+
+ IX
+
+ O Time, thou mask of the ever-living Soul,
+ Thou veil to shield us from that blinding Face,
+ Thou art wearing thin! We are nearer to the goal
+ When man no more shall need thy saving grace,
+ But all the folded years like one great scroll
+ Shall be unrolled in the omnipresent Now,
+ And He that saith _I am_ unseal the tomb:
+ Nearer His thunders and His trumpets roll,
+ I catch the gleam that lit thy lifted brow,
+ O singer whose wild eyes
+ Possess these April skies,
+ I touch--I clasp thy hands thro' all the clouds of doom.
+
+
+ X
+
+ Teach thou our living choirs amid the sound
+ Of their tempestuous chords once more to hear
+ That harmony wherewith the whole is crowned,
+ The singing heavens that sphere by choral sphere
+ Break open, height o'er height, to the utmost bound
+ Of passionate thought! O, as this glorious land,
+ This sacred country shining on the sea,
+ Grows mightier, let not her clear voice be drowned
+ In the fierce waves of faction. Let her stand
+ A beacon to the blind,
+ A signal to mankind,
+ A witness to the heavens' profoundest unity.
+
+
+ XI
+
+ Her altars are forgotten and her creeds
+ Dust, and her soul foregoes the lesser Cross.
+ O, point her to the greater! Her heart bleeds
+ Still, where men simply feel some vague deep loss.
+ Their hands grope earthward, knowing not what she needs.
+ We would not call her back in this great hour!
+ Nay, upward, onward, to the heights untrod
+ Signal us, living voices, by those deeds
+ Of all her deathless heroes, by the Power
+ That still, still walks her waves,
+ Still chastens her, still saves,
+ Signal us, not to the dead, but to the living God.
+
+
+ XII
+
+ Signal us with that watchword of the deep,
+ The watchword that her boldest seamen gave
+ The winds of the unknown ocean-sea to keep,
+ When round their oaken walls the midnight wave
+ Heaved and subsided in gigantic sleep,
+ And they plunged Westward with her flag unfurled.
+ Hark, o'er their cloudy sails and glimmering spars,
+ The watch cries, as they proudly onward sweep,--
+ _Before the world ... All's well!... Before the world_ ...
+ From mast to calling mast
+ The counter-cry goes past--
+ _Before the world was God!_--it rings against the stars.
+
+
+ XIII
+
+ Signal us o'er the little heavens of gold
+ With that heroic signal Nelson knew
+ When, thro' the thunder and flame that round him rolled,
+ He pointed to the dream that still held true.
+ Cry o'er the warring nations, cry as of old
+ _A little child shall lead them! they shall be
+ One people under the shadow of God's wing!
+ There shall be no more weeping!_ Let it be told
+ That Britain set one foot upon the sea,
+ One foot on the earth. Her eyes
+ Burned thro' the conquered skies,
+ And, as the angel of God, she bade the whole world sing.
+
+
+ XIV
+
+ A dream? Nay, have ye heard or have ye known
+ That the everlasting God who made the ends
+ Of all creation wearieth? His worlds groan
+ Together in travail still. Still He descends
+ From heaven. The increasing worlds are still His throne
+ And His creative Calvary and His tomb
+ Through which He sinks, dies, triumphs with each and all,
+ And ascends, multitudinous and at one
+ With all the hosts of His evolving doom,
+ His vast redeeming strife,
+ His everlasting life,
+ His love, beyond which not one bird, one leaf can fall.
+
+
+ XV
+
+ And hark, His whispers thro' creation flow,
+ _Lovest thou me?_ His nations answer "yea!"
+ And--_Feed My lambs_, His voice as long ago
+ Steals from that highest heaven, how far away!
+ And yet again saith--_Lovest thou Me?_ and "O,
+ Thou knowest we love Thee," passionately we cry:
+ But, heeding not our tumult, out of the deep
+ The great grave whisper, pitiful and low,
+ Breathes--_Feed My sheep_; and yet once more the sky
+ Thrills with that deep strange plea,
+ _Lovest thou, lovest thou Me?_
+ And our lips answer "yea"; but our God--_Feed My sheep._
+
+
+ XVI
+
+ O sink not yet beneath the exceeding weight
+ Of splendour, thou still single-hearted voice
+ Of Britain. Droop not earthward now to freight
+ Thy soul with fragments of the song, rejoice
+ In no faint flights of music that create
+ Low heavens o'er-arched by skies without a star,
+ Nor sink in the easier gulfs of shallower pain!
+ Sing thou in the whole majesty of thy fate,
+ Teach us thro' joy, thro' grief, thro' peace, thro' war,
+ With single heart and soul
+ Still, still to seek the goal,
+ And thro' our perishing heavens, point us to Heaven again.
+
+
+ XVII
+
+ Voice of the summer stars that long ago
+ Sang thro' the old oak-forests of our isle,
+ An ocean-music that thou ne'er couldst know
+ Storms Heaven--O, keep us steadfast all the while;
+ Not idly swayed by tides that ebb and flow,
+ But strong to embrace the whole vast symphony
+ Wherein no note (no bird, no leaf) can fall
+ Beyond His care, to enfold it all as though
+ Thy single harp were ours, its unity
+ In battle like one sword,
+ And O, its one reward
+ One spray of the sacred oak, still coveted most of all.
+
+
+
+
+THE WORLD'S WEDDING
+
+"Et quid curae nobis de generibus et speciebus? Ex uno Verbo omnia, et
+unum loquuntur omnia. Cui omnia unum sunt, quique ad unum omnia trahit
+et omnia in uno videt, potest stabilis corde esse."--THOMAS A KEMPIS.
+
+
+ I
+
+ When poppies fired the nut-brown wheat,
+ My love went by with sun-stained feet:
+ I followed her laughter, followed her, followed her, all a summer's
+ morn!
+ But O, from an elfin palace of air,
+ A wild bird sang a song so rare,
+ I stayed to listen and--lost my Fair,
+ And walked the world forlorn.
+
+
+ II
+
+ When chalk shone white between the sheaves,
+ My love went by as one that grieves;
+ I followed her weeping, followed her, followed her, all an autumn noon!
+ The sunset flamed so fierce a red
+ From North to South--I turned my head
+ To wonder--and my Fair was fled
+ Beyond the dawning moon.
+
+
+ III
+
+ When bare black boughs were choked with snow,
+ My love went by, as long ago;
+ I followed her dreaming, followed her, followed her, all a winter's
+ night!
+ But O, along that snow-white track
+ With thorny shadows printed black,
+ I saw three kings come riding back,
+ And--lost my life's delight.
+
+
+ IV
+
+ They are so many, and she but One;
+ And I and she, like moon and sun
+ So separate ever! Ah yet, I follow her, follow her, faint and far;
+ For what if all this diverse bliss
+ Should run together in one kiss!
+ Swift, Spring, with the sweet clue I miss
+ Between these several instances,--
+ The kings, that inn, that star.
+
+
+ V
+
+ Between the hawk's and the wood-dove's wing,
+ My love, my love flashed by like Spring!
+ The year had finished its golden ring!
+ Earth, the Gipsy, and Heaven, the King,
+ Were married like notes in the song I sing,
+ And O, I followed her, followed her, followed her over the hills of
+ Time,
+ Never to lose her now I know,
+ For whom the sun was clasped in snow,
+ The heights linked to the depths below,
+ The rose's flush to the planet's glow,
+ Death the friend to life the foe,
+ The Winter's joy to the Spring's woe,
+ And the world made one in a rhyme.
+
+
+
+
+IN MEMORIAM: SAMUEL COLERIDGE-TAYLOR
+
+
+ _Farewell!_ The soft mists of the sunset-sky
+ Slowly enfold his fading birch-canoe!
+ _Farewell!_ His dark, his desolate forests cry,
+ Moved to their vast, their sorrowful depths anew.
+
+ Fading! Nay, lifted thro' a heaven of light,
+ His proud sails brightening thro' that crimson flame,
+ Leaving us lonely on the shores of night,
+ Home to Ponemah take his deathless fame.
+
+ Generous as a child, so wholly free
+ From all base pride that fools forgot his crown,
+ He adored Beauty, in pure ecstasy,
+ And waived the mere rewards of his renown.
+
+ The spark that falls from heaven not oft on earth
+ To human hearts this vital splendour gives;
+ His was the simple, true, immortal birth.
+ Scholars compose; but--_this man's music lives_!
+
+ Greater than England or than Earth discerned,
+ He never paltered with his art for gain:
+ When many a vaunted crown to dust is turned,
+ This uncrowned king shall take his throne and reign.
+
+ Nations unborn shall hear his forests moan;
+ Ages unscanned shall hear his winds lament,
+ Hear the strange grief that deepened through his own
+ The vast cry of a buried continent.
+
+ Through him, his race a moment lifted up
+ Forests of hands to Beauty as in prayer;
+ Touched through his lips the sacramental Cup,
+ And then sank back--benumbed in our bleak air.
+
+ Through him, through him, a lost world hailed the light!
+ The tragedy of that triumph none can tell,--
+ So great, so brief, so quickly snatched from sight;
+ And yet--O hail, great comrade, not farewell!
+
+
+
+
+INSCRIPTION
+
+(_For the Grave of Coleridge-Taylor_)
+
+
+ Sleep, crowned with fame; fearless of change or time.
+ Sleep, like remembered music in the soul,
+ Silent, immortal; while our discords climb
+ To that great chord which shall resolve the whole.
+
+ Silent with Mozart on that solemn shore;
+ Secure where neither waves nor hearts can break;
+ Sleep--till the Master of the World, once more,
+ Touch the remembered strings, and bid thee wake....
+
+ Touch the remembered strings, and bid thee wake.
+
+
+
+
+VALUES
+
+
+ The moon that sways the rhythmic seas,
+ The wheeling earth, the marching sky,--
+ I ask not whence the order came
+ That moves them all as one.
+
+ These are your chariots. Nor shall these
+ Appal me with immensity;
+ I know they carry one heart of flame
+ More precious than the sun.
+
+
+
+
+THE HEROIC DEAD
+
+(_On the loss of the Titanic_)
+
+
+ If in the noon they doubted, in the night
+ They never swerved. Death had no power to appal.
+ There was one Way, one Truth, one Life, one Light,
+ One Love that shone triumphant over all.
+
+ If in the noon they doubted, at the last
+ There was no Way to part, no Way but One
+ That rolled the waves of Nature back and cast
+ In ancient days a shadow across the sun.
+
+ If in the noon they doubted, their last breath
+ Saluted once again the eternal goal,
+ Chanted a love-song in the face of Death
+ And rent the veil of darkness from the soul.
+
+ If in the noon they doubted, in the night
+ They waved the shadowy world of strife aside,
+ Flooded high heaven with an immortal light,
+ And taught the deep how its Creator died.
+
+
+
+
+THE CRY IN THE NIGHT
+
+
+ It tears at the heart in the night, that moan of the wind,
+ That desolate moan.
+ It is worse than the cry of a child. I can hardly bear
+ To hear it, alone.
+
+ It is worse than the sobbing of love, when love is estranged:
+ For this is a cry
+ Out of the desolate ages. It never has changed.
+ It never can die.
+
+ A cry over numberless graves, dark, helpless and blind,
+ From the measureless past,
+ To the measureless future, a sobbing before the first laughter,
+ And after the last!
+
+ * * * * *
+
+ From the height of creation, in passion eternal, the Word
+ Rushes forth, the loud cry,
+ _Forsaken! Forsaken!_ It cuts through the night like a sword!
+ Shall it win no reply?
+
+ Not of earth is that height of all sorrow, past time, out of space,
+ Therefore here, here and now,
+ Universal, a Calvary, crowned with Thy passionate face,
+ Thy thorn-wounded brow.
+
+ Ah, could I shrink if Thy heart for each heart upon earth
+ Must break like a sea?
+ Could I hear, could I bear it at all, if I were not a part
+ Of this labour in Thee?
+
+ Shall I accuse Thee, then? God, I account it my own
+ All the grief I can bear,
+ On Thy Cross of Creation, to balance earth's bliss and atone,
+ Atone for life there.
+
+ If this be the One Way for ever, which not Thine all-might
+ Could change, if it would,
+ Till the truth be untrue, till the dark be the same as the light,
+ And till evil be good,
+
+ Shall I who took part in Thine April, shrink now from my part
+ In Thine anguish to be?
+ If Thy goal be the One goal of all, shall not even man's heart
+ Endure this, with Thee;
+
+ Die with Thee, balancing life, or help Thee to pay
+ For our hope with our pain?...
+ _O, the voice of the wind in the night! Is it day, then, broad day,
+ On the blind earth again?_
+
+
+
+
+ASTRID
+
+(_An Experiment in Initial Rhymes_)
+
+
+ White-armed Astrid,--ah, but she was beautiful!--
+ Nightly wandered weeping thro' the ferns in the moon,
+ Slowly, weaving her strange garland in the forest,
+ Crowned with white violets,
+ Gowned in green.
+ Holy was that glen where she glided,
+ Making her wild garland as Merlin had bidden her,
+ Breaking off the milk-white horns of the honey-suckle,
+ Sweetly dripped the dew upon her small white
+ Feet.
+
+ White-throated Astrid,--ah, but she was beautiful!--
+ Nightly sought the answer to that riddle in the moon.
+ She must weave her garland, ere she save her soul.
+ Three long years she has wandered there in vain.
+ Always, always, the blossom that would finish it
+ Falls to her feet, and the garland breaks and vanishes,
+ Breaks like a dream in the dawn when the dreamer
+ Wakes.
+
+ White-bosomed Astrid,--ah, but she was beautiful!--
+ Nightly tastes the sorrow of the world in the moon.
+ Will it be this little white miracle, she wonders.
+ How shall she know it, the star that will save her?
+ Still, ah still, in the moonlight she crouches
+ Bowing her head, for the garland has crumbled!
+ All the wild petals for the thousand and second time
+ Fall.
+
+ White-footed Astrid,--ah, but she is beautiful!--
+ Nightly seeks the secret of the world in the moon.
+ She will find the secret. She will find the golden
+ Key to the riddle, on the night when she has numbered them,
+ Marshalled all her wild flowers, ordered them as music,
+ Star by star, note by note, changing them and ranging them,
+ Suddenly, as at a kiss, all will flash together,
+ Flooding like the dawn thro' the arches of the woodland,
+ Fern and thyme and violet, maiden-hair and primrose
+ Turn to the Rose of the World, and He shall fold her,
+ Kiss her on the mouth, saying, all the world is one now,
+ This is the secret of the music that the soul hears,--
+ This.
+
+
+
+
+THE INIMITABLE LOVERS
+
+
+ They tell this proud tale of the Queen--Cleopatra,
+ Subtlest of women that the world has ever seen,
+ How that, on the night when she parted with her lover
+ Anthony, tearless, dry-throated, and sick-hearted,
+ A strange thing befell them in the darkness where they stood.
+
+ Bitter as blood was that darkness.
+ And they stood in a deep window, looking to the west.
+ Her white breast was brighter than the moon upon the sea,
+ And it moved in her agony (because it was the end!)
+ Like a deep sea, where many had been drowned.
+ Proud ships that were crowned with an Emperor's eagles
+ Were sunken there forgotten, with their emeralds and gold.
+ They had drunken of that glory, and their tale was told, utterly,
+ Told.
+
+ There, as they parted, heart from heart, mouth from mouth,
+ They stared upon each other. They listened.
+ For the South-wind
+ Brought them a rumour from afar; and she said,
+ Lifting her head, too beautiful for anguish,
+ Too proud for pity,--
+ _It is the gods that leave the City! O, Anthony,
+ Anthony, the gods have forsaken us;
+ Because it is the end! They leave us to our doom.
+ Hear it!_ And unshaken in the darkness,
+ Dull as dropping earth upon a tomb in the distance,
+ They heard, as when across a wood a low wind comes,
+ A muttering of drums, drawing nearer,
+ Then louder and clearer, as when a trumpet sings
+ To battle, it came rushing on the wings of the wind,
+ A sound of sacked cities, a sound of lamentation,
+ A cry of desolation, as when a conquered nation
+ Is weeping in the darkness, because its tale is told;
+ And then--a sound of chariots that rolled thro' that sorrow
+ Trampled like a storm of wild stallions, tossing nearer,
+ Trampled louder, clearer, triumphantly as music,
+ Till lo! in that great darkness, along that vacant street,
+ A red light beat like a furnace on the walls,
+ Then--like the blast when the North-wind calls to battle,
+ Blaring thro' the blood-red tumult and the flame,
+ Shaking the proud City as they came, an hundred elephants,
+ Cream-white and bronze, and splashed with bitter crimson,
+ Trumpeting for battle as they trod, an hundred elephants,
+ Bronze and cream-white, and trapped with gold and purple,
+ Towered like tusked castles, every thunder-laden footfall
+ Dreadful as the shattering of a City. Yet they trod,
+ Rocking like an earthquake, to a great triumphant music,
+ And, swinging like the stars, black planets, white moons,
+ Thro' the stream of the torches, they brought the red chariot,
+ The chariot of the battle-god--Mars.
+ While the tall spears of Sparta tossed clashing in his train,
+ And a host of ghostly warriors cried aloud
+ _All hail!_ to those twain, and went rushing to the darkness
+ Like a pageantry of cloud, for their tale was told--utterly--
+ Told.
+
+ And following, in the fury of the vine, rushing down
+ Like a many-visaged torrent, with ivy-rod and thyrse,
+ And many a wild and foaming crown of roses,
+ Crowded the Bacchanals, the brown-limbed shepherds,
+ The red-tongued leopards, and the glory of the god!
+ _Iacchus! Iacchus!_ without dance, without song,
+ They cried and swept along to the darkness.
+ Only for a breath when the tumult of their torches
+ Crimsoned the deep window where that dark warrior stood
+ With the blood upon his mail, and the Queen--Cleopatra,
+ Frozen to white marble--the Maenads raised their timbrels,
+ Tossed their white arms, with a clash--_All hail!_
+ Like wild swimmers, pale, in a sea of blood and wine,
+ _All hail! All hail!_ Then they swept into the darkness
+ And the darkness buried them. Their tale was told--utterly--
+ Told.
+
+ And following them, O softer than the moon upon the sea,
+ Aphrodite, implacably, shone.
+ Like a furnace of white roses, Aphrodite and her train
+ Lifted their white arms to those twain in the silence
+ Once, and were gone into the darkness;
+ Once, and away into the darkness they were swept
+ Like a pageantry of cloud, without praise, without pity.
+ Then the dark City slept. And the Queen--Cleopatra--
+ Subtlest of women that this earth has ever seen,
+ Turning to her lover in the darkness where he stood,
+ With the blood upon his mail,
+ Bowing her head upon that iron in the darkness,
+ Wept.
+
+
+
+
+THE CRAGS
+
+(_In memory of Thomas Bailey Aldrich_)
+
+
+ Falernian, first! What other wine
+ Should brim the cup or tint the line
+ That would recall my days
+ Among your creeks and bays;
+
+ Where, founded on a rock, your house
+ Between the pines' unfading boughs
+ Watches through sun and rain
+ That lonelier coast of Maine;
+
+ And the Atlantic's mounded blue
+ Breaks on your crags the summer through,
+ A long pine's length below,
+ In rainbow-tossing snow.
+
+ While on your railed verandah there
+ As on a deck you sail through air,
+ And sea and cloud and sky
+ Go softly streaming by.
+
+ Like delicate oils at set of sun
+ Smoothing the waves the colours run--
+ Around the enchanted hull,
+ Anchored and beautiful,--
+
+ Restoring to that sun-dried star
+ You brought from coral isles afar--
+ With shells that mock the moon--
+ The tints of their lagoon;
+
+ Till, from within, your lamps declare
+ Your harbours by the colours there,
+ An Indian god, a fan
+ Painted in Old Japan.
+
+ But, best of all, I think at night,
+ The moon that makes a road of light
+ Across the whispering sea,
+ A road--for memory.
+
+ When the blue dusk has filled the pane,
+ And the great pine-logs burn again,
+ And books are good to read.
+ --For his were books indeed.--
+
+ Their silken shadows, rustling, dim,
+ May sing no more of Spain for him;
+ No shadows of old France
+ Renew their courtly dance.
+
+ He walks no more where shadows are
+ But left their ivory gates ajar,
+ That shadows might prolong
+ The dance, the tale, the song.
+
+ His was no narrow test or rule.
+ He chose the best of every school,--
+ Stendhal and Keats and Donne,
+ Balzac and Stevenson;
+
+ Wordsworth and Flaubert filled their place.
+ Dumas met Hawthorne face to face.
+ There were both new and old
+ In his good realm of gold.
+
+ The title-pages bore his name;
+ And, nightly, by the dancing flame,
+ Following him, I found
+ That all was haunted ground;
+
+ Until a friendlier shadow fell
+ Upon the leaves he loved so well,
+ And I no longer read,
+ But talked with him instead.
+
+
+
+
+THE GHOST OF SHAKESPEARE
+
+1914
+
+
+ Crimson was the twilight, under that crab-tree,
+ Where--old tales tell us--all a midsummer's night,
+ A mad young poacher, drunk with mead of elfin-land,
+ Lodged with the fern-owl, and looked at the stars.
+
+ There, from the dusk where the dream of Piers Plowman
+ Darkens on the sunset, to this dusk of our own,
+ I read, in a history, the record of our world.
+
+ The hawk-moth, the currant-moth, the red-striped tiger-moth
+ Shimmered all around me, so white shone those pages;
+ And, in among the blue boughs, the bats flew low.
+
+ I slumbered, the history slipped from my hand.
+ Then I saw a dead man, dreadful in the moon-dawn,
+ The ghost of the master, bowed upon that book.
+ He muttered as he searched it,--_what vast convulsion
+ Mocks my sexton's curse now, shakes our English clay?_
+ Whereupon I told him, and asked him in turn
+ Whether he espied any light in those pages
+ Which painted an epoch later than his own.
+ _I am a shadow_, he said, _and I see none_....
+
+ _I am a shadow_, he said, _and I see none_.
+
+ Then, O then he murmured to himself (while the moon hung
+ Crimson as a lanthorn of Cathay in that crab-tree),
+ Laughing at his work and the world, as I thought,
+ Yet with some bitterness, yet with some beauty,
+ Mocking his own music, these wraiths of his rhymes:
+
+
+ I
+
+ God, when I turn the leaves of that dark book
+ Wherein our wisest teach us to recall
+ Those glorious flags which in old tempests shook
+ And those proud thrones which held my youth in thrall;
+
+ When I see clear what seemed to childish eyes
+ The gorgeous colouring of each pictured age;
+ And for their dominant tints now recognise
+ Those prints of innocent blood on every page;
+
+ O, then I know this world is fast asleep,
+ Bound in Time's womb, till some far morning break;
+ And, though light grows upon the dreadful deep,
+ We are dungeoned in thick night. We are not awake.
+
+ The world's unborn, for all our hopes and schemes;
+ And all its myriads only move in dreams.
+
+
+ II
+
+ Read what our wisest chroniclers record:--
+ A king betrayed both foes and friends to death,
+ Delivered his own country to the sword,
+ And lied, and lied, and lied to his last breath.
+
+ He died, the martyred anarch of his time.
+ What balm is this that consecrates his dust?
+ The self-same history shudders at the "crime"
+ Which shed a blood so fragrant, so "august."
+
+ Yes. Let our sons by thousands, millions, die;
+ And when the crowned assassin of to-day
+ Stands in the Judgment Hall of Liberty
+ What shall your desolate nations rise and say?
+
+ Honour the dog. He's vanquished! He's a king!
+ So--for our dead--he's too "august" a thing.
+
+
+ III
+
+ _It was a crimson twilight, under that crab-tree.
+ Moths beat about me, and bats flew low.
+ I read, in a history, the record of our world.
+ If there be light, said the Master,
+ I am a shadow, and I see none....
+ I am a shadow, and I see none._
+
+
+
+
+THE WHITE CLIFFS
+
+
+ Woden made the red cliffs, the red walls of England.
+ Round the South of Devonshire, they burn against the blue.
+ Green is the water there; and, clear as liquid sunlight,
+ Blue-green as mackerel, the bays that Raleigh knew.
+
+ Thor made the black cliffs, the battlements of England,
+ Climbing to Tintagel where the white gulls wheel.
+ Cold are the caverns there, and sullen as a cannon-mouth,
+ Booming back the grey swell that gleams like steel.
+
+ Balder made the white cliffs, the white shield of England
+ (Crowned with thyme and violet where Sussex wheatears fly),
+ White as the White Ensign are the bouldered heights of Dover,
+ Beautiful the scutcheon that they bare against the sky.
+
+ _So the world shall sing of them--the white cliffs of England,
+ White, the glory of her sails, the banner of her pride.
+ One and all,--their seamen met and broke the dread Armada.
+ Only white may show the world the shield for which they died._
+
+
+
+
+ON THE SOUTH COAST
+
+
+ Come away into the sun and see
+ All the heavens that used to be,
+ Daily, hourly, brought to birth
+ Out of the deep remembering earth.
+
+ _This is England, this is the land
+ That holds my heart in her sweet hand.
+ This is she whose turf, I pray,
+ Will hide me, on her breast, one day._
+
+ Cast you down on the close-cropped turf,
+ See how the white cliff spreads the surf,
+ On green-eyed seas that glitter and trail
+ Into the south like a peacock's tail.
+
+ Then, come away over the hills of thyme,
+ Where folds like elfin belfries chime
+ Till Eve, in a cloud of her dusky hair,
+ Makes it Elf-land everywhere.
+
+ You shall pity the king on his throne.
+ You shall know what never was known.
+ All the glory of all the skies
+ Utterly yours in your true love's eyes;
+
+ All the bloom to the world's end
+ And all the heavens that over it bend,
+ Compacted in one garden white,
+ The garden of your love's delight.
+
+ _This is England, this is the land
+ That holds my soul in her sweet hand.
+ This is she whose turf, I pray,
+ Will hide me on her heart one day._
+
+
+
+
+OLDER THAN THE HILLS
+
+
+ Older than the hills, older than the sea,
+ Older than the heart of the Spring,
+ O, what is this that breaks
+ From the blind shell, wakes,
+ Wakes, and is gone like a wing?
+
+ Older than the sea, older than the moon,
+ Older than the heart of the May,
+ What is this blind refrain
+ Of a song that shall remain
+ When the singer is long gone away?
+
+ Older than the moon, older than the stars,
+ Older than the wind in the night,--
+ Though the young dews are sweet
+ On the heather at our feet
+ And the blue hills laughing back the light,--
+
+ Till the stars grow young, till the hills grow young,
+ O, Love, we shall walk through Time,
+ Till we round the world at last,
+ And the future be the past,
+ And the winds of Eden greet us from the prime.
+
+
+
+
+THE TORCH
+
+(_Sussex Landscape_)
+
+
+ Is it your watch-fire, elves, where the down with its darkening shoulder
+ Lifts on the death of the sun, out of the valley of thyme?
+ Dropt on the broad chalk path and, cresting the ridge of it, smoulder
+ Crimson as blood on the white, halting my feet as they climb,
+
+ Clusters of clover-bloom, spilled from what negligent arms in the tender
+ Dusk of the great grey world, last of the tints of the day;
+ Beautiful, sorrowful, strange last stain of that perishing splendour.
+ Elves, from what torn white feet trickled that red on the way?
+
+ No--from the sun-burnt hands of what lovers that fade in the distance?
+ Here, was it here that they paused, here that the legend was told?
+ Even a kiss would be heard in this hush; but, with mocking insistence,
+ Now thro' the valley resound--only the bells of the fold.
+
+ Dropt--from the hands of what beautiful throng? Did they cry "_follow
+ after_"?
+ Dancing into the west, leaving this token for me,
+ _Memory dead on the path, and the sunset to bury their laughter?_
+ Youth--is it youth that has flown? Darkness covers the sea.
+
+ Darkness covers the earth; but the path is here! I assay it.
+ Let the bloom fall like a flake--dropt from the torch of a friend!
+ Beautiful revellers, happy companions, I see and obey it;
+ Follow your torch in the night, follow your path to the end.
+
+
+
+
+THE OUTLAW
+
+
+ Deep in the greenwood of my heart
+ My wild hounds race.
+ I cloak my soul at feast and mart,
+ I mask my face;
+
+ Outlawed, but not alone, for Truth
+ Is outlawed, too.
+ Proud world, you cannot banish us.
+ _We_ banish _you_.
+
+ Go by, go by, with all your din,
+ Your dust, your greed, your guile,
+ Your gold, your thrones can never win--
+ From Her--one smile.
+
+ She sings to me in a lonely place,
+ She takes my hand.
+ I look into her lovely face
+ And understand....
+
+ Outlawed, but not alone, for Love
+ Is outlawed, too.
+ You cannot banish us, proud world.
+ _We_ banish _you_.
+
+ Now which is outlawed, which alone?
+ Around us fall and rise
+ Murmurs of leaf and fern, the moan
+ Of Paradise.
+
+ Outlawed? Then hills and woods and streams
+ Are outlawed, too!
+ Proud world, from our immortal dreams,
+ We banish you.
+
+
+
+
+THE YOUNG FRIAR
+
+
+ When leaves broke out on the wild briar,
+ And bells for matins rung,
+ Sorrow came to the old friar
+ --Hundreds of years ago it was!--
+ And May came to the young.
+
+ The old was ripening for the sky,
+ The young was twenty-four.
+ The Franklin's daughter passed him by,
+ Reading a painted missal-book,
+ Beside the chapel door.
+
+ With brown cassock and sandalled feet,
+ And red Spring wine for blood;
+ The very next noon he chanced to meet
+ The Franklin's daughter, in a green May twilight,
+ Walking through the wood.
+
+ _Pax vobiscum_--to a maid
+ The crosiered ferns among!
+ But hers was only the Saxon,
+ And his the Norman tongue;
+ And the Latin taught by the old friar
+ Made music for the young.
+
+ And never a better deed was done
+ By Mother Church below
+ Than when she made old England one,
+ --Hundreds of years ago it was!--
+ Hundreds of years ago.
+
+ Rich was the painted page they read
+ Before that sunset died;
+ Nut-brown hood by golden head,
+ Murmuring _Rosa Mystica_,
+ While nesting thrushes cried.
+
+ A Saxon maid with flaxen hair,
+ And eyes of Sussex grey;
+ A young monk out of Normandy:--
+ "May is our Lady's month," he said,
+ "And O, my love, my May!"
+
+ Then over the fallen missal-book
+ The missel-thrushes sung
+ Till--_Domus Aurea_--rose the moon
+ And bells for vespers rung.
+ It was gold and blue for the old friar,
+ But hawthorn for the young.
+
+ For gown of green and brown hood,
+ Before that curfew tolled,
+ Had flown for ever through the wood
+ --Hundreds of years ago it was!--
+ But twenty summers old.
+
+ And empty stood his chapel stall,
+ Empty his thin grey cell,
+ Empty her seat in the Franklin's hall;
+ And there were swords that searched for them
+ Before the matin bell.
+
+ And, crowders tell, a sword that night
+ Wrought them an evil turn,
+ And that the may was not more white
+ Than those white bones the robin found
+ Among the roots of fern.
+
+ But others tell of stranger things
+ Half-heard on Whitsun eves,
+ Of sweet and ghostly whisperings--
+ Though hundreds of years ago it was--
+ Among the ghostly leaves:--
+
+ _Sero te amavi_--
+ Grey eyes of sun-lit dew!--
+ _Tam antiqua, Tam nova_--
+ Augustine heard it, too.
+ Late have I loved that May, Lady,
+ So ancient, and so new!
+
+ And no man knows where they were flown,
+ For the wind takes the may:
+ But white and fresh the may was blown
+ --Though hundreds of years ago it was--
+ As this that blooms to-day.
+
+ And the leaves break out on the wild briar,
+ And bells must still be rung;
+ But sorrow comes to the old friar,
+ For he remembers a May, a May,
+ When his old heart was young.
+
+
+
+
+A FOREST SONG
+
+
+ Who would be a king
+ That can sit in the sun and sing?
+ Nay, I have a kingdom of mine own.
+ A fallen oak-tree is my throne.
+ _Then, pluck the strings, and tell me true
+ If Caesar in his glory knew
+ The worlds he lost in sun and dew._
+
+ Who would be a queen
+ That sees what my love hath seen?--
+ The blood of little children shed
+ To make one royal ruby red!
+ _Then, tell me, music, why the great
+ For quarrelling trumpets abdicate
+ This quick, this absolute estate._
+
+ Nay, who would sing in heaven,
+ Among the choral Seven
+ That hears--as Love and I have heard,
+ The whole sky listening to one bird?
+ _And where's the ruby, tell me where,
+ Whose crimsons for one breath compare
+ With this wild rose that all may share?_
+
+
+
+
+THE TRUMPET OF THE LAW
+
+(_Phi Beta Kappa Poem, Harvard, 1915_)
+
+
+ Music is dead. An age, an age is dying.
+ Shreds of Uranian song, wild symphonies
+ Tortured with moans of butchered innocents,
+ Blow past us on the wind. Chaos resumes
+ His kingdom. All the visions of the world,
+ The visions that were music, being shaped
+ By law, moving in measure, treading the road
+ That suns and systems tread, O who can hear
+ Their music now? Urania bows her head.
+ Only the feet that move in order dance.
+ Only the mind attuned to that dread pulse
+ Of law throughout the universe can sing.
+ Only the soul that plays its rhythmic part
+ In that great measure of the tides and suns
+ Terrestrial and celestial, till it soar
+ Into the supreme melodies of heaven,
+ Only that soul, climbing the splendid road
+ Of law from height to height, may walk with God,
+ Shape its own sphere from chaos, conquer death,
+ Lay hold on life and liberty, and sing.
+
+ Yet, since, at least, the fleshly heart must beat
+ In measure, and no new rebellion breaks
+ That old restriction, murmurs reach it still,
+ Rumours of that vast music which resolves
+ Our discords, and to this, to this attuned,
+ Though blindly, it responds, in notes like these:
+
+ There was a song in heaven of old,
+ A song the choral seven began,
+ When God with all his chariots rolled
+ The tides of chaos back for man;
+ When suns revolved and planets wheeled,
+ And the great oceans ebbed and flowed,
+ There is one way of life, it pealed,
+ The road of law, the unchanging road.
+
+ The trumpet of the law resounds,
+ And we behold, from depth to height,
+ What glittering sentries walk their rounds,
+ What ordered hosts patrol the night,
+ While wheeling worlds proclaim to us,
+ Captained by Thee thro' nights unknown,--
+ _Glory that would be glorious
+ Must keep Thy law to find its own._
+
+ Beyond rebellion, past caprice,
+ From heavens that comprehend all change,
+ All space, all time, till time shall cease,
+ The trumpet rings to souls that range,
+ To souls that in wild dreams annul
+ Thy word, confessed by wood and stone,--
+ _Beauty that would be beautiful
+ Must keep Thy law to find its own._
+
+ He that can shake it, will he thrust
+ His careless hands into the fire?
+ He that would break it, shall we trust
+ The sun to rise at his desire?
+ Constant above our discontent,
+ The trumpet peals in sterner tone,--
+ _Might that would be omnipotent
+ Must keep Thy law to find its own._
+
+ Ah, though beneath unpitying spheres
+ Unreckoned seems our human cry,
+ In Thy deep law, beyond the years,
+ Abides the Eternal memory.
+ Thy law is light, to eyes grown dull
+ Dreaming of worlds like bubbles blown;
+ _And Mercy that is merciful
+ Shall keep Thy law and find its own._
+
+ Unchanging God, by that one Light
+ Through which we grope to Truth and Thee,
+ Confound not yet our day with night,
+ Break not the measures of Thy sea.
+ Hear not, though grief for chaos cry
+ Or rail at Thine unanswering throne.
+ _Thy law, Thy law, is liberty,
+ And in Thy law we find our own._
+
+ So, to Uranian music, rose our world.
+ The boughs put forth, the young leaves groped for light.
+ The wild flower spread its petals as in prayer.
+ Then, for terrestrial ears, vast discords rose,
+ The struggle in the jungle, clashing themes
+ That strove for mastery; but above them all,
+ Ever the mightier measure of the suns
+ Resolved them into broader harmonies,
+ That fought again for mastery. The night
+ Buried the mastodon. The warring tribes
+ Of men were merged in nations. Wider laws
+ Embraced them. Man no longer fought with man,
+ Though nation warred with nation. Hatred fell
+ Before the gaze of love. For in an hour
+ When, by the law of might, mankind could rise
+ No higher, into the deepening music stole
+ A loftier theme, a law that gathered all
+ The laws of earth into its broadening breast
+ And moved like one full river to the sea,
+ The law of Love.
+ The sun stood dark at noon;
+ Dark as the moon before this mightier Power,
+ And a Voice rang across the blood-stained earth:
+ _I am the Way, the Truth, the Life, the Light._
+ We heard it, and we did not hear. In dreams
+ We caught a thousand fragments of the strain,
+ But never wholly heard it. We moved on
+ Obeying it a little, till our world
+ Became so vast, that we could only hear
+ Stray notes, a golden phrase, a sorrowful cry,
+ Never the rounded glory of the whole.
+ So one would sing of death, one of despair,
+ And some, knowing that God was more than man,
+ Knowing that the Eternal Power behind
+ Our universe was more than man, would shrink
+ From crowning Him with human attributes,
+ Though these remained the highest that we knew;
+ And therefore, falling back on lower signs,
+ Bereft of love, thought, personality,
+ They made Him less than man; made Him a blind
+ Unweeting force, less than the best in man,
+ Less than the best that He Himself had made.
+
+ Yet, though from earth we could no longer hear
+ As from a central throne, the harmonies
+ Of the revolving whole; yet though from earth,
+ And from earth's Calvary, the central scene
+ Withdrew to dreadful depths beyond our ken;
+ Withdrew to some deep Calvary at the heart
+ Of all creation; yet, O yet, we heard,
+ Echoes that murmured from Eternity,
+ _I am the Way, the Truth, the Life, the Light._
+ And still the eternal passion undiscerned
+ Moved like a purple shadow through our world,
+ While we, in intellectual chaos, raised
+ The ancient cry, _Not this man, but Barabbas._
+ Then Might grew Right once more, for who could hold
+ The Right, when the rebellious hearts of men
+ Finding the Law too hard in life, thought, art,
+ Proclaimed that Right itself was born of chance,
+ Born out of nothingness and doomed, at last,
+ To nothingness; while all that men have held
+ Better than dust--love, honour, justice, truth--
+ Was less than dust, for the blind dust endures?
+ But love, they said, and the proud soul of man,
+ Die with the breath, before the flesh decays.
+ And still, amidst the chaos, Love was born,
+ Suffered and died; and in a myriad forms
+ A myriad parables of the Eternal Christ
+ Unfolded their deep message to mankind.
+ So, on this last wild winter of his birth,
+ Though cannon rocked his cradle, heaven might hear,
+ Once more, the Mother and her infant Child.
+
+ _Will the Five Clock-Towers chime tonight?_
+ --Child, the red earth would shake with scorn.--
+ _But will the Emperors laugh outright
+ If Roland rings that Christ is born?_
+
+ No belfries pealed for that pure birth.
+ There were no high-stalled choirs to sing.
+ The blood of children smoked on earth;
+ For Herod, in those days, was king.--
+
+ _O, then the Mother and her Son
+ Were refugees that Christmas, too?_--
+ Through all the ages, little one,
+ That strange old story still comes true.--
+
+ _Was there no peace in Bethlehem?_--
+ Yes. There was Love in one poor Inn;
+ And, while His wings were over them,
+ They heard those deeper songs begin.--
+
+ _What songs were they? What songs were they?
+ Did stars of shrapnel shed their light?_--
+ O, little child, I have lost the way.
+ I cannot find that Inn tonight.--
+
+ _Is there no peace, then, anywhere?_--
+ Perhaps, where some poor soldier lies
+ With all his wounds in front, out there.--
+ _You weep?_--He had your innocent eyes.--
+
+ _Then is it true that Christ's a slave,
+ Whom all these wrongs can never rouse?_--
+ They said it. But His anger drave
+ The money-changers from His House.--
+
+ _Yet He forgave and turned away._--
+ Yes, unto seventy times and seven.
+ But they forget. He comes one day
+ In power, among the clouds of heaven.--
+
+ _Then Roland rings?_--Yes, little son!
+ With iron hammers they dare not scorn,
+ Roland is breaking them, gun by gun,
+ Roland is ringing. Christ is born.
+
+ Born and re-born; for though the Christ we knew
+ On earth be dead for ever, who shall kill
+ The Eternal Christ whose law is in our hearts,
+ Christ, who in this dark hour descends to hell,
+ And ascends into heaven, and sits beside
+ The right hand of the Father. If for men
+ This law be dead, it lives for children still.
+ Children that men have butchered see His face,
+ Rest in His arms, and strike our mockery dumb.
+ So shall the trumpet of the law resound
+ Through all the ages, telling of that child
+ Whose outstretched arms in Belgium speak for God.
+
+ They crucified a Man of old,
+ The thorns are shrivelled on His brow.
+ Prophet or fool or God, behold,
+ They crucify Thy children now.
+ They doubted evil, doubted good,
+ And the eternal heavens as well,
+ Behold, the iron and the blood,
+ The visible handiwork of Hell.
+
+ Fast to the cross they found it there,
+ They found it in the village street,
+ A naked child, with sunkissed hair.
+ The nails were through its hands and feet.
+ For Christ was dead, yes, Christ was dead!
+ O Lamb of God, O little one,
+ I kneel before your cross instead
+ And the same shadow veils the sun....
+
+ And the same shadow veils the sun....
+
+ But you, O land, O beautiful land of Freedom,
+ Hold fast the faith which made and keeps you great.
+ With you, with you abide the faith and hope,
+ In this dark hour, of agonised mankind.
+ Hold to that law whereby the warring tribes
+ Were merged in nations, hold to that wide law
+ Which bids you merge the nations, here and now,
+ Into one people. Hold to that deep law
+ Whereby we reach the peace which is not death
+ But the triumphant harmony of Life,
+ Eternal Life, immortal Love, the Peace
+ Of worlds that sing around the throne of God.
+
+
+
+
+THRICE-ARMED
+
+
+ Thus only should it come, if come it must--
+ Not with a riot of flags and a mob-born cry,
+ But with a noble faith, a conscience high
+ That, if we fail, we failed not in our trust.
+ We fought for peace. We dared the bitter thrust
+ Of calumny for peace, and watched her die,
+ Her scutcheons rent from sky to outraged sky
+ By felon hands and trampled into the dust.
+
+ We proffered justice, and we saw the law
+ Cancelled by stroke on stroke of those deft hands
+ Which still retain the imperial forger's pen.
+ They must have blood--Then, at this last, we draw
+ The sword, not with a riot of flags and bands,
+ But silence, and a mustering of men.
+
+ They challenge Truth. A people makes reply,
+ East, West, North, South, one honour and one might,
+ From sea to sea, from height to war-worn height,
+ The old word rings out--to conquer or to die.
+ And we shall conquer! Though their eagles fly
+ Through heaven, around this ancient isle unite
+ Powers that were never vanquished in the fight,
+ The unconquerable Powers that cannot lie.
+
+ Though fire destroy her flesh, and many a year
+ This land forgot the faith that made her great,
+ Now, as her fleets cast off the North Sea foam,
+ Casting aside all faction and all fear,
+ Thrice-armed in all the majesty of her fate,
+ Britain remembers, and her sword strikes home.
+
+
+
+
+THE SONG-TREE
+
+
+ Grow, my song, like a tree,
+ As thou hast ever grown,
+ Since first, a wondering child,
+ Long since, I cherished thee.
+ It was at break of day,
+ Well I remember it,--
+ The first note that I heard,
+ A magical undertone,
+ Sweeter than any bird
+ --Or so it seemed to me--
+ And my tears ran wild.
+ This tale, this tale is true.
+ The light was growing gray;
+ And the rhymes ran so sweet
+ (For I was only a child)
+ That I knelt down to pray.
+
+ Grow, my song, like a tree.
+ Since then I have forgot
+ A thousand friends, but not
+ The song that set me free,
+ So that to thee I gave
+ My hopes and my despairs,
+ My boyhood's ecstasy,
+ My manhood's prayers.
+ In dreams I have watched thee grow,
+ A ladder of sweet boughs,
+ Where angels come and go,
+ And birds keep house.
+ In dreams, I have seen thee wave
+ Over a distant land,
+ And watched thy roots expand,
+ And given my life to thee,
+ As I would give my grave.
+
+ Grow, my song, like a tree,
+ And when I am grown old,
+ Let me die under thee,
+ Die to enrich thy mould;
+ Die at thy roots, and so
+ Help thee to grow.
+ Make of this body and blood
+ Thy sempiternal food.
+ Then let some little child,
+ Some friend I shall not see,
+ When the great dawn is gray,
+ Some lover I have not known,
+ In summers far away,
+ Sit listening under thee.
+ And in thy rustling hear
+ That mystical undertone,
+ Which made my tears run wild,
+ And made thee, O, how dear.
+
+ In the great years to be?
+ I am proud then? Ah, not so.
+ I have lived and died for thee.
+ Be patient Grow.
+
+ Grow, my song, like a tree.
+
+
+
+***END OF THE PROJECT GUTENBERG EBOOK THE LORD OF MISRULE***
+
+
+******* This file should be named 30687.txt or 30687.zip *******
+
+
+This and all associated files of various formats will be found in:
+http://www.gutenberg.org/dirs/3/0/6/8/30687
+
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+http://www.gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need are critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at http://www.gutenberg.org/fundraising/pglaf.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at http://www.gutenberg.org/about/contact
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit http://www.gutenberg.org/fundraising/donate
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations.
+To donate, please visit:
+http://www.gutenberg.org/fundraising/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart is the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+Most people start at our Web site which has the main PG search facility:
+
+ http://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+