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diff --git a/.gitattributes b/.gitattributes new file mode 100644 index 0000000..6833f05 --- /dev/null +++ b/.gitattributes @@ -0,0 +1,3 @@ +* text=auto +*.txt text +*.md text diff --git a/30694-8.txt b/30694-8.txt new file mode 100644 index 0000000..ce01268 --- /dev/null +++ b/30694-8.txt @@ -0,0 +1,1767 @@ +The Project Gutenberg EBook of Punch, or the London Charivari, Vol. +98, 1890.05.10, by Various + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: Punch, or the London Charivari, Vol. 98, 1890.05.10 + +Author: Various + +Editor: F. C. (Francis Cowley) Burnand + +Release Date: December 17, 2009 [EBook #30694] + +Language: English + +Character set encoding: ISO-8859-1 + +*** START OF THIS PROJECT GUTENBERG EBOOK PUNCH *** + + + + +Produced by Neville Allen, Malcolm Farmer and the Online +Distributed Proofreading Team at http://www.pgdp.net + + + + + + + + + + PUNCH, + + OR, THE LONDON CHARIVARI. + + VOLUME 98. + + MAY 10, 1890. + + * * * * * + +EIGHT HOURS ONLY. + +(_A Fancy Sketch of the Possible._) + +It was the first day under the operation of the new Act. Everyone was a +little nervous about the outcome, and JOHN JONES, the Barrister, was no +exception to the general rule. At three o'clock he was in the full swing +of an impassioned appeal to the Jury. + +"I beg your pardon, Mr. JONES," said the Judge, glancing at the clock, +"but I am afraid I must interrupt you. I cannot hear you any longer." + +"But, my Lord, I have not touched upon a third of the case. I can assure +you my remarks shall be as brief as possible." + +"That is not the point, Mr. JONES," replied his Lordship. "I am +following your argument with the liveliest interest, and I am sure that +all you would wish to say would be of the greatest possible service to +your client; but unfortunately I happen to know that you prepare your +cases in the early hours of the morning. Now, you know the law as well I +do. If you have not been at work to-day for eight hours, of course I +shall be happy to hear; but if you have----" + +"As your Lordship pleases," said poor JONES, and he gathered up his +papers, and left the Court. + +"Just in time, Sir," observed the attendant in the robing-room, as he +put the Barrister's wig in its box, and assisted him to divest himself +of his gown. "Had you come five minutes later, we should have gone." + +"Really! How would that have suited silk and stuff?" + +"Caused a fearful row, I am afraid, Sir. But we daren't exceed the eight +hours' limit, and we must keep two or three of them for some work we +have in the evening." + +When JONES found himself in the Strand he noticed that the traffic was +considerably less than usual. The omnibuses were few and far between, +and he did not see a cab in any direction. + +"Yes, Sir," replied a policeman, who was removing his band of office, +preparatory to going home; "you won't find many. Eight hours' limit, +Sir. Good-day, Sir. I am off myself." + +The boats had ceased running; there were no trams. To pass the time he +thought he would call upon the Editor, whose rooms were in Fleet Street. + +"I hope I am not interrupting you," he said, as he entered the sanctum. + +"Interrupting me! Why, I am delighted to see you. We have nothing to do. +Mustn't exceed the eight hours, and they were up at two o'clock. But how +did you get in?" + +"Oh, the Publisher opened the door, and then returned to a rubber of +whist he was playing with the Reader, the Manager, and the Head of the +Advertisement Department. I was introduced to them all. Then I watched a +tug of war going on in the composing-room between the Compositors on the +one side, and the Machinists and Foundry-men on the other, and came up +here." + +"Very glad to see you, my dear fellow!" and the Editor once again shook +hands. + +A little later JONES entered a restaurant, but he was refused dinner. +The eight hours' limit had cleared off the cooks and the waiters. +Half-starving, he purchased a stall for the theatre. For a while his +thoughts were distracted by the excellence of the performance. Suddenly, +in the most interesting part of the play, the curtain was prematurely +dropped. + +"Very sorry," said the Stage Manager, addressing the audience from +behind the footlights, "but, Ladies and Gentlemen, we have no option. We +had a rehearsal this morning of the new piece, and, taking this into +consideration, our limit is reached. I may seize this opportunity for +regretfully announcing that as two performances take more than eight +hours, the customary Saturday _Matinée_ will for the future be +discontinued." + +The orchestra played a few bars of the National Anthem, and the theatre +cleared. JONES strolled on to the Embankment, and, the evening being +pleasant, took a seat. Beside him was a student reading for examination, +a clergyman thinking out a sermon, and an artist taking a rough sketch. +JONES took out a brief himself and opened it. + +"It's no business of mine," said a policeman off duty, who happened to +be passing, "but you gents will get yourselves into trouble if you +exceed the limit." + +"I will go home," exclaimed JONES; and he walked to his suburban villa. +But the place was locked up, and the servants did not dare to open the +door to him, as they had finished their legal spell of labour hours +before. + +"Don't feel well," he murmured. "Will call upon my Doctor." + +"Now, my dear Sir," said the medical man, as JONES appeared before him, +"you know I must not prescribe for you. The eight hours' limit was +reached at four." + +"Then, I suppose I must die. Will the Act allow me to do _that_?" + +"You, as a Barrister, ought to know best, my dear Sir. What is _your_ +idea?" + +"My idea?" echoed the considering JONES. "Well, I should say----But, +stay; I am not entitled to give a professional opinion until to-morrow +morning! Still, offhand I may observe, that such an illegal death would +savour of positive suicide; but it would not matter very much, as under +existing circumstances suicide in some form or other seems to me +inevitable!" And JONES was right! + + * * * * * + +[Illustration: MAXIMS FOR THE BAR. NO. V. + +"A Curate may be cross-examined with comparative safety."] + + * * * * * + +IN THE KNOW. + +(_By Mr. Punch's Own Prophet._) + +Those who have carefully read the remarks which I have thought it my +duty to make in these columns from time to time, must have reaped a +golden harvest at Newmarket last week. It is not easy, of course, in +these milk-and-water days to say what one means in sufficiently plain +words. Personally, I have always been mild in my language, and have +often been reproached on this score. But I have always found it +possible, without using vulgar and exaggerated abuse, to express the +contempt which, in common with every right-minded man, I feel for the +grovelling herd of incompetent boobies, whose minds are as muddy as the +Rowley Mile after a thunderstorm. _Surefoot_ was always a favourite of +mine. Two months ago I said, "if _Surefoot_ can only face the starter +for the Two Thousand firmly, he will probably get off well, and ought +not to be far behind the first six at the finish. As to _Le Nord_, +though he is not my colour, he is not likely to be last." Only a +mooncalf, with a porridge-bowl instead of a head, could have mistaken +these remarks. + +So Sir THOMAS CHUCKS has joined the ranks of aristocratic owners. Here +is a chance for the dilly-dallying professors of humbug to distinguish +themselves. What can be expected from a stable which always runs its +trials at one o'clock in the morning, with nobody but Mr. JEREMY to look +on? No doubt we shall hear all about it in the columns which Mr. J. +devotes to the edification of dough-faced, gruel-brained noodles who +accept him as their prophet. + +_Catawampus_ ran well last week. With two stone less and a Calyx-eyed +saddle-bar, he would have shown up even better. Whenever the barometer +goes up two points _Catawampus_ must be remembered. He was foaled in a +ditch on the old North Road, somewhere between London and York, and +having remained there or thereabouts for a month, may be considered a +good stayer. + + * * * * * + +THE EMPIRE IN THE TIME OF SEVERUS.--Wonderful Juggler at the Empire, +with a name that's not to be trifled with, SEVERUS. Some nights he may +be better than on others, but you'll be delighted if you just catch him +in the Juggler vein. + + * * * * * + +The Over-rated Rate-payers who fear the rising of the Rates more than +almost any other rising, express a hope that the L. C. C. will be +economical, and that FARRER may be "Nearer." + + * * * * * + +[Illustration: UNCERTAINTIES OF ARITHMETIC. + +_Schoolmaster._ "YES; BUT LOOK HERE, MY BOY. SUPPOSE I WERE TO LEND YOUR +FATHER _FIVE HUNDRED POUNDS_, LET US SAY,--WITHOUT INTEREST,--BUT ON +CONDITION THAT HE SHOULD PAY ME TEN POUNDS A WEEK. HOW MUCH WOULD HE +STILL OWE ME IN TWO MONTHS?" + +_New Boy._ "FIVE HUNDRED POUNDS, SIR!" + +_Schoolmaster._ "TUT! TUT! MY BOY, YOU DON'T KNOW THE FIRST PRINCIPLES +OF ARITHMETIC!" + +_New Boy._ "_YOU_ DON'T KNOW _MY FATHER_, SIR!"] + + * * * * * + +PRIMROSE'S PEEP-SHOW. + +(_Vide Lord Rosebery's resumé of the year's work of the London County +Council._) + +MASTER BULL _loquitur_:-- + + Humph! Show is very passable, no doubt; + And as you pull the strings, my clever Showman, + 'Tis clear that _you_ know what you are about, + Sense's sworn friend, and babbling folly's foeman. + The slides, as worked by you, seem mighty fine, + A trifle vague, perhaps, in composition, + Sloppy in colouring, and weak in line, + As is the civic peep-show's old tradition; + Still there is graphic vigour here and there, + Perspective, and a general sense of "movement." + On the old "Shirker" Show, 'tis only fair + To own, it evidences some improvement. + Plenty of slides! there is no doubt of _that_; + In fact one questions if there are too many. + Yes, I shall find when you pass round the hat, + The price is more than the old-fashioned Penny. + I pay my money and I take my--choice? + Well no, it won't quite fit, that fine old patter. + Still, if your Show proves good, I shall rejoice; + A trifling rise in fee won't greatly matter, + If 'tis not too "progressive" (as you say). + To stump up for sound work I'm always willing; + But though, of course, a Penny may not pay, + One wants a first-class Peep-Show for a Shilling! + Some of your novel slides are rather nice, + Some of them, on the other hand, look funny. + I felt grave doubts about 'em once or twice. + I don't want muddlers to absorb my money. + However, as I said, 'tis very clear + As puller of the strings you yield to no man. + The Show seems promising, if rather dear, + But anyhow it has a first-rate Showman! + + * * * * * + +"So Engelish you know!" exclaims the BARON DE B. W., on seeing the +advertisement of Dr. LOUIS ENGEL's new book from _Handel to Hallé_. "It +will be interesting," says the Baron, "to note how much of HANDEL's +popularity was due to that particular inspiration of genius which caused +him to use the name of the future composer and pianist in one of his +greatest works, namely, the celebrated '_Hallelujah Chorus_.' For this +magnificent effort would have been only half the chorus it is without +'HALLÉ' to commence it." + + * * * * * + +GRANDOLPH GOODFELLOW; + +OR, PUCK AT THE SPIGOT. + +(_Shakspeare adapted to the situation_) + + _Bung._ Either I mistake your shape and making quite, + Or else you are that shrewd and knavish sprite + Called GRANDOLPH GOODFELLOW. Are you not he + That did your best to spill Lord S-L-SB-RY? + Gave the Old Tory party quite a turn, + And office with snug perquisites did spurn? + And now you'd make Strong Drink to bear no barm + (Or proper profit.) You would do us harm. + Those that Hobgoblin call you, and sly PUCK, + Are right; you always bring your friends bad luck. + Are you not he? + + _Puck._ By Jove, thou speak'st aright; + I am that merry wanderer full of spite. + I jest unto the Plebs and make it smile. + Old, fat, and bean-fed Tories I beguile, + And lead them to a Democratic goal. + Now I am "going for" the flowing bowl. + E'en W-LFR-D owns I am "upon the job". + I mean to save the workman many a "bob". + But, lessening his chance of toping ale, + The Witler tells his pals the saddest tale. + Bacchus for his true friend mistaketh me, + Then step I from his side, down topples he, + And "Traitor!" cries, and swears I did but chaff, + And the Teetotallers hold their sides and laugh, + And chortle in their joy, and shout, and swear + That GRANDOLPH GOODFELLOW's a spirit rare. + But room, old boy, the Second Reading's on. + + _Bung._ He is a trickster:--Would that he were gone! + + * * * * * + +MR. PUNCH'S DICTIONARY OF PHRASES. + +SOCIAL. + +"_Dear me, how surprisingly your voice has strengthened since I last +heard you sing_;" _i.e._, "Roars like a town-bull, and fancies himself a +LABLACHE!" + +"_I saw quite a ring round your picture at the Academy to-day_;" _i.e._, +"If only he had heard them laugh!" + +"_Won't you stop and have some lunch?_" _i.e._, "Couldn't help asking +him, as the confounded luncheon-bell rang a peal; but if he has any +manners or consideration he'll say, 'No, thank you,' and go." + +"_I know your face so well--but I am such a bad hand at names_;" _i.e._, +"Never saw him before in my life!" + +"_Pray allow me to get it_;" _i.e._, "Catch me moving!" + +"_You know you can trust me implicitly_;" _i.e.,_ "May be a good story +to tell." + +"_He has such wonderful wit_;" _i.e._, "An unfailing flow of rudeness +which he calls repartee." + +"_Rather satirical, yes: but she has marvellous insight into +character_;" _i.e._, "She has been complimenting _me_." + +PLATFORMULARS. + +"_These, then, are the arguments_;" _i.e._, "They're all yawning--must +end somehow." + +"_A crushing reply_;" _i.e._, a retort discourteous, in which all the +points of the attack are adroitly evaded. + +"_After the magnificent oration to which we have just listened with so +much delight, I feel that anything that I can say must be in the nature +of an anti-climax_;" _i.e._, "Confound him! Why will he take all the +'fat' to himself, and cut the ground from under a fellow's feet?" + +"_I have the greatest possible pleasure in presiding over this +magnificent assembly on this memorable occasion_;" _i.e._, "Place is +like a malodorous oven, and I wish to goodness it were all over." + +PARLIAMENTARY. + +"_I appeal to that consideration which the House always extends to a new +Member, &c._;" _i.e._, "Mean to make them sit up a bit, but _must_ come +the conventional modest." + +"_The Honourable and Gallant Gentleman has fulfilled his task with all +the ability that might naturally be expected_;" _i.e._, "With none worth +mentioning." + +"_I rise to order_;" _i.e._, "To raise _dis_order." + +EPISTOLATORY. + +"_Let me be the first, dear, to congratulate you on your well-merited +good fortune_;" _i.e._, "She has the deuce's own luck, and doesn't +deserve it." + +"_Thank you so much for your beautiful present, which I shall value for +its own sake as well as for the giver's_;" _i.e._, "Wouldn't give +twopence for the two of 'em." + +"_So good of you to send me your new book. I shall lose no time in +reading it_;" _i.e._, "No; not a single second." + +AT A DANCE. + +"_So you prefer to stand out of this dance, dear?_" _i.e._, "Trust her +for being a _willing_ 'Wallflower.'" + +"_Shall we sit this out on the stairs?_" _i.e._, "I don't want to dance, +and I _do_ want to spoon." + +A LITTLE MUSIC. + +"_Well, dear, the only song I can remember, without music, is +'Gasping'--but I'll try that, if you like_;" _i.e._, "_Her_ great song, +which she has been grinding up to sing to--or rather _at_--young +FITZ-FLOSS. _Won't_ she be wild?" + +"_Well, your Beethoven bits are lovely, dear, we know; but suppose you +give us something lighter, for once_;" _i.e._, "BEETHOVEN, indeed! +BESSIE BELLWOOD is more _her_ style." + +CHANNEL PASSAGE. + +"_Well, it may be a bit lively when we get out_;" _i.e._, "You won't +know whether you are on your head or your heels in ten minutes." + +CURIOMANIA. + +"_I've never seen such a collection of curios in my life!_" _i.e._, +"Hope I never may again!" + +"_I'm no great judge of such things, but I should say this specimen is +unique_;" _i.e._, "It is to be _hoped_ so!" + +"Ex-_qui-site_!!!" _i.e._, "Rubbish!" + +RAILROAD AMENITIES. + +"_Awfully noisy carriages on this line_;" _i.e._, "Thank goodness! The +clatter has tired even _his_ stentor throat." + +"_Good-bye! So sorry we don't travel farther together_;" _i.e._, +"Hooray! Now for feet up and forty winks!" + +PREPARING FOR PRIVATE THEATRICALS. + +"_I'm sure you will be a great acquisition to my little company_;" +_i.e._, "Awful stick, but a _pis aller_ I'm afraid." + +"_Now if there's_ anything _you notice not_ quite _the thing_, pray +_mention it_. I'm _not above taking a hint_;" _i.e._, "Nor _you_ up to +giving one--of any value." + +"_Oh, no doubt you're right, though it's not the way_ CHARLES MATHEWS +_did it_;" _i.e._, "That's a nasty one for you, Mr. MEDDLER." + +"_Ah, yes, I was a little off colour, perhaps; but I shall be all right +on the night, you bet!_" _i.e._, "Not going to be dictated to by _you_ +anyhow." + + * * * * * + +"STANDS SCOTLAND (YARD) WHERE IT DID?"--Yes; only more so. And how kind +and thoughtful of the Government to order that the materials for +building the new Police Offices should be found and fashioned by the +Dartmore convicts. Quite a labour of love! + + * * * * * + +Correspondent, in _Times_ of Saturday, showed that, in Spite of increase +of population, there has been a decrease of drunkenness. In 1884-85 +there were 183,221 drunken Police-court cases; but in 1887-88 only +166,366. Anti-temperance persons will look upon this as "a Drop too +much." + + * * * * * + +PICTURES OF THE YEAR THAT NO PATRON OF ART CAN POSSIBLY OVERLOOK.--Those +that are sky'd. + + * * * * * + +"SCOTS, WHA HAE." + +(_New Version. Sung at the Opening of the Edinburgh International +Exhibition, May 1._) + +[Illustration] + + Scots, wha hae at Paris bled, + Scots, wham COOK hath aften led, + Welcome to the white, green, red, + Of your ain Great Exhibition. + + Now's the day and now's the hour; + Though you have no Eiffel Tower! + See the bawbees pile and pour; + All the world shall crowd to see! + + Wha will want to pinch and save? + Wha to see it will not crave? + Wha will not declare it brave? + Far from Edinbro' let him flee! + + Wha will wish to see the sight + Of the graund electric light, + And the "Kiowatt" of might? + Caledonian! on wi' me! + + Ninety acres on the plain! + Almost apes the Show by Seine. + Won't folk flock by tram and train + To our International Show. + + Let the Incandescents glow, + Sixteen thousand, row on row! + SANDY all the world will show + He will beat the best--or die! + + * * * * * + +MODERN TYPES. + +(_By Mr. Punch's Own Type-Writer._) + +No. XI.--THE YOUNG GUARDSMAN. + +[Illustration] + +The Young Guardsman believes himself to be not only the backbone of the +British Army, its vital centre and support, but also its decorative +master-piece. Other officers, of whom the Guardsman is wont to speak +with a vague pity as belonging to "some line regiment," are not apt to +sympathise with him in this exalted estimate of his military position +and functions. They are accustomed to urge, that he is to the general +body of officers as gold lace is to the uniform he wears, a gaudy +ornament fashioned for show and useless for the practical work of the +military profession. Doubtless "these are the forgeries of jealousy," +or, if true at all, they are true only for that limited period of the +Guardsman's existence, during which he pays more attention to his own +dressing than to that of his men, and imagines that the serious objects +of life are attained when he has raised the height of his collar by half +an inch, or invented a new fashion of transfixing a silk scarf with a +diamond pin. In fact it is during the first flush of his youth that he +displays those characteristics which have specialised the Guardsman +amongst the golden lads who afterwards come to the dust of middle-age +and a colonelcy. + +It is by no means necessary that the Young Guardsman should enjoy an +aristocratic parentage, provided it be a wealthy one; nor is it +essential that he should have made his mark at school as a scholar, an +athlete, or a social success. Indeed, nothing is more common than to +hear a former school-fellow express himself in terms of derisive +amazement when he is informed that So-and-So is now in the Guards. +"What, _that_ scug?" he will observe with immeasurable contempt, and +will proceed to express his surprise how one who neither played cricket, +nor football, nor rowed to any purpose can possibly add distinction to +Her Majesty's Brigade of Guards. These observations, it should be said, +however disrespectful they may be towards a particular individual, +undoubtedly show a strong feeling of veneration for the repute of the +Guards in general. It must be added too that on his side the Young +Guardsman is not slow to repay, and in doing so to aggravate, the +contempt of the burly athlete who may have kicked him at school, and +towards whom he now assumes a lordly air of irritating patronage hardly +endurable, but not easily to be resented, by one who feels it to be +totally unwarranted. + +The Guardsman, then, will have passed through school without emerging in +any way from the common ruck of ordinary boys. He will have left at a +comparatively early age in order that his education may no longer be +neglected, and will have betaken himself to the fostering care of one of +the numerous establishments which exist to prove that the private coach +_Codlin_ is superior to the public school _Short_. Hence, if his +abilities are exceptionally brilliant, he will have passed into +Sandhurst. Failing this, however, the Militia is a refuge and a +stepping-stone. In any case he will find himself in due time the owner +of Her Majesty's Commission and the largest head-dress in the British +Army. In short he will become a Guardsman in full bloom. + +And now he begins to reap a plentiful harvest of easy social +distinctions, in the sowing of which he himself has borne no part. He +may be, though to be sure he is not always, the feeblest and most vapid +of created beings, but he will be none the less courted and flattered by +the numerous band who fix their eyes and their hearts on social position +without any regard to the particular atom of humanity by which it may +chance to be filled. Hostesses shower invitations upon him, he slides +easily into the membership of many Clubs both social and sporting, +tradesmen and money-lenders solicit with humility the supreme honour of +being his creditors, and all the world, as he counts it, smiles upon him +and is ready to make much of him. A man would require to be made of +exceptionally stern stuff not to yield to many of the temptations thus +spread before him, and the Young Guardsman, although he is as martial as +the occasional wearing of his uniform can make him, is by no means +stern. He yields, however, with an admirable grace, and although his +nationality and his profession both forbid him to display an excess of +enthusiasm, it may be said of him that he tolerates his pleasures and +does not despise the amusements for which a musketry course at Hythe or +an occasional encampment at Pirbright seems to give him an additional +zest. + +He is often to be seen at dances, and although he does not dance much +and is not much of a dancer, it is impossible to complain of any lack of +vigour in his steps as he tears round the room with his partner in +double-quick time. Having done this he will descend to supper with a +young married lady whom he is temporarily honouring with his attentions, +and will impress her with the maturity of his views of the world. He +will hint to her that, after all, there is more to be said for _Don +Juan_ than is commonly supposed, and that "by Gad, a feller who chucks +away his chances when there are no end of 'em runnin' after him is a +fool dontcherknow, and you may tell 'em I said so." After he has +imparted this information he will re-conduct her upstairs, and will then +leave in a hansom preceded by a tall cigar, for which he has paid +half-a-crown. + +At Maidenhead, too, on Sundays during the summer the Young Guardsman is +a conspicuous object. Robed in spotless flannels, with the Brigade +Colours round his straw hat and his neck, he may be seen propelling a +punt with much perseverance and some accuracy to Boulter's Lock and +back. Afterwards he will dine with the comfortable conviction that he +has had very violent exercise. + +Of the Young Guardsman's dress much might be said. It is spotless and +careful and is evidently the result of deep thought. Yet, if a fault may +be hinted, it errs like his cigar on the side of exaggeration. A +frock-coat should fit well, but his is too tight. Fashion no doubt +demands that in the daytime a cascade of silk or satin should pour +itself into a lake of shirt-front, but the cascade need not be a Niagara +nor the lake an Ontario. It is true of course that at night no young man +who respects himself and values the opinion of his friends would dream +of wearing a white tie of any but the butterfly pattern. Still there are +butterflies and butterflies, and the Young Guardsman's model would seem +to be rather one of the huge tropical varieties than any known to our +northern climate. These, however, are but trifling defects which +scarcely detract from the shining and ornamental completeness of his +appearance. + +It is remarkable how readily the Young Guardsman imagines himself to be +an adept in the mysteries of the turf. With a light heart and a heavy +betting-book he faces the hoary sinners who lay the odds. Nor is it +until he has lost more money than his father can well afford that he +discovers that the raw inexperience even of a Young Guardsman is +unequally matched against the cool head, and the long purse, of the +professional book-maker. In vain does he call in the aid of the venal +tipster. The result is always the same, and he returns home from every +race-meeting without ever, to use his own phrase, "getting home" at all. +Indeed, if they may be believed, the subalterns of "the Brigade" never +vary from a condition which they always describe as stony-broke. + +A little later in his career the Young Guardsman will find himself +temporarily on the staff of a General appointed to command a force of +Volunteers during some Easter man[oe]uvres. He will wear a white belt, +the frock-coat of his undress uniform and a cocked hat, and will believe +himself to be a Staff officer. He will perform his duties not without +efficiency, but will scarcely take enough trouble to remove from the +minds of the Volunteers to whom he issues orders, that idea of patronage +which is to a rightly constituted Volunteer what a red rag is said to be +to a bull. Soon after this, a war having broken out in Africa, he will +volunteer for active service and will be accepted. Being after all a +young man of pluck and spirit, he will pass with distinction through the +hardships and dangers of the campaign. Amid the stern realities of the +bivouac and the battlefield his swagger and his affectations will +vanish. Returning home in this altered condition it is as likely as not +that he will marry, and having served his Queen with solid credit for +many years, will eventually retire with the rank of General and the +well-earned respect of all who know him. + + * * * * * + +THE LAST OF THE BACILLI. + +(_Feuilleton of the "Medical Record," April, 1900._) + +In a gloomy and inaccessible cavity, situated in the diaphragm of the +human body in which he had made his home, stood the last of the Bacilli. +His friends and his brothers, the companions of his innocent childhood, +the associates of his boyish days, his fellow-adventurers in manhood's +prime--all, all had perished. Some had been ruthlessly hunted down by a +skilled body of German assassins; others had died under the cruel +attacks of the pestilent Frenchman. The Cholera Bacillus, the king of +them all, was the first to fall; typhoid and typhus, small-pox and +measles, fits of convulsions or of sneezing, coughs and catarrhs, had +all been deprived of Bacilli and slain. The Wart Bacillus had fought +hard and maintained himself for a long time on a precarious footing of +fingers and thumbs; but he too had been extirpated. The Thirst Bacillus +had given up the ghost yesterday, after keeping up for years a guerilla +warfare disguised either as a green rat or a striped snake. And now the +mighty Hunger Bacillus stood alone, gloomy and defiant. But he knew his +hour had come. "Better death," he shouted, "than the microscope!" and +with these words drew his sword and dashed forth into the darkness. +There was a yell, followed by the sound of steel beaten against steel, +then a blood-curdling gurgle, and all grew still. + +"He was a gallant scoundrel, but my quick _riposte_ confused him," +observed Signor SUCCI, who entered the apartment, wiping his blade on +the advertisement of a new beef-essence, and taking copious draughts of +his elixir. + +Thus died, as he had lived, dismal, desperate, degraded, the Hunger +Bacillus, the last of his race. + +(_From another Column of the same Paper._) + +We rejoice to hear that the Act for making Succination compulsory is to +be energetically enforced. Public Succinators have now been appointed to +every district, and every parent omitting to have the operation +performed upon his infant within two months after birth is to be +rigorously prosecuted. Henceforth, as we may remind our readers, anybody +"complaining of hunger shall be liable on conviction to be imprisoned +for not less than six calendar months, with or without hard labour." We +quote the words of clause 3 of the Act. + + * * * * * + +[Illustration: ALLOWED TO STARVE. + +THE SUCCESSFUL FASTING-MAN.] + + * * * * * + +[Illustration: ONE OF THE SIX HUNDRED!!!] + + * * * * * + +OUR BOOKING-OFFICE. + +Mr. JAMES PAYN has the peculiar gift of writing a novel as if he were +telling you a story _vivâ voce_ and interesting you in it, not only by +reason of its plot, but also by his way of narrating it. There is a +spontaneity about his style which to the Baron is most refreshing: it is +like listening to two clever men, one of whom is telling the story, and +the other is enlivening it with his sharp and appropriate comments, +always dropped in parenthetically. Mr. PAYN is a good hand at keeping a +secret, and it is not for the BARON DE B. W. to tell beforehand what the +novelist keeps as a little bit up his sleeve till the last moment. Why +call it _The Burnt Million_? To what tremendous conflagration involving +such a fearful loss of life does the title point? The story will +interest the Million and delight Thousands. Excellent as is the dialogue +generally, the Baron ventures to doubt whether any ordinary person (and +no one of these characters is a genius) ever begins a sentence with +"Nay." Anent _The Burnt Million_, the Baron's advice to persons in +search of a novel is, "_Tolle, lege!_" Also the Baron says, get _La +Revue de Famille_ at HACHETTE's. _Un Foyer de Théâtre_, by M. AUDEBRAND, +for all interested in the history of the French Drama, is delightful +reading. Don't miss _Causerie Littéraire_, by Mr. CHARLES BENOIST. + +The Baroness says, read "Poor Mr. Carrington" in _Temple Bar_. + +_Lippincott's Magazine_ this month is heartily welcome,--we should say, +BRET HARTE-ily welcome. Capital story, by B. H., "A Sappho of Green +Sprigs." + + (_Signed_) BARON DE BOOK WORMS & CO. + + * * * * * + +ODDS ON THE BEDMAKERS. + + [A proposal for the abolition of Bedmakers is being discussed in + Cambridge.] + +_Chorus of Undergraduates:--_ + + There are things we could spare; we could watch without weeping + A Tutor's extinction, a Dean's disappearance. + And Professors who drone while their pupils are sleeping, + Though they went at a loss, we should welcome the clearance. + + And Proctors who blandly demand six-and-eightpence, + And, while toiling themselves, send all petticoats spinning; + And Porters who tick off our names for our gate-pence; + And Bull-dogs who help to withhold us from sinning. + + And the juvenile Don who thinks "Dons should be firmer," + And the elderly Don who is painfully nervous-- + We could see them depart without even a murmur, + So our Bedmakers stay to amuse and to serve us. + + We have watched, while we trembled, the pomps and the maces, + Stern emblems of rule, with the Esquire Bedell come; + We have heard of the Senate, its edicts and graces,-- + Take the lot, if you like, you may have them and welcome. + + But the "Bedder"? No, no. Come, we offer a wager: + We will bet she survives who of beds is the maker! + Any answer? Not one; for, in spite of her age, her + Attractions are such that there isn't a taker. + + * * * * * + +MEASURES AND MEN.--M. JACQUES BERTILLON has been lecturing before the +Anthropological Society--(the only Society where _anthropoi_ are +logical)--on his method of "identifying criminals by comparing their +measures with those of convicted prisoners on the prison registers." +Ahem! How about novel Home Rule Measures compared with those of past +Kilmainhamites? + + * * * * * + +[Illustration: THE QUEEN'S SERVICE. + +"I SEE YOUR SERVANTS WEAR COCKADES NOW, MISS SHODDSON." + +"YES. PA'S JUST BECOME A MEMBER OF THE ARMY AND NAVY STORES."] + + * * * * * + +L'ENFANT TERRIBLE! + +_Chorus of Passengers, expostulating:--_ + + Stop, WILLIAM, stop! Your game is not a game _we_ can enjoy! + Your father's son should not thus play the Little Vulgar Boy! + This is not Margate, WILLIAM mine, and ours is not a crew + Of ordinary trippers, packed aboard the _Lively Loo_ + For a shillingsworth of suffering on a wild and wobbling sea. + Stop, WILLIAM! You'll upset the boat! Why can't you let it be? + + Our boat has braved a many storms. It's old and may be crank; + But though it sometimes sprang a leak, it never wholly sank. + We are not packed so close to-day as we have oft been packed. + Against some stiffer gales than this we've weathered and we've tacked; + But, WILLIAM, though our craft tossed wild, though loud the winds have + roared, + We've never, never had so bad a boy as _you_ on board! + + Sit down, now do, you pickle, you! Don't dance upon that thwart, + And see-saw in that sort of way. We want to get to port, + Not Davy Jones's Locker, Sir. "These roarers" are wild things, + As SHAKSPEARE in _The Tempest_ says, and do not care for Kings; + To keep them down and bale them out has always been our aim; + But you, you just play larks with them. What _is_ your little game? + You, young, the latest chap on board, but of a sound old stock + Of Royal navigators, do you think it right to mock + All nautical traditions in this reckless kind of way, + And greet these waves, as BYRON did, as though with them you'd _play_? + They're dangerous playfellows, boy; tiger-cubs hardly in it + For riskiness! I say, do stop! You'll swamp us in a minute. + Look at your Crown! Such head-gear, boy, is seldom a tight fit, + And oscillations sometimes act as Notices to Quit! + + What would your grandfather have said to see you sway and prance? + Sit still, lad, you alarm us all. Just look at Madame FRANCE! + She's thought a fairish sailor, and has doffed her Crown, but see, + She's clutching at the gunwale, too, as nervous as can be. + Whilst, as for dear Señora SPAIN and her poor little charge, + I guess she wishes this same tub were CLEOPATRA's barge, + Or something broad and beamy that won't easily capsize. + AUSTRIA's staring with a look of agonized surprise. + And ITALY's dumfoundered. Sit down, boy! you're tempting fate. + These days are trying ones, for _us_, 'tis worse than Forty-Eight. + Then there were winds and whirlpools, but no Socialistic Sea + Sweeping all shores, and threatening International anarchy. + And with _its_ waves you're wantoning, and wobbling up and down, + Indifferent to our stomachs,--as regardless of your Crown. + Upon my honour it's too bad. _Noblesse oblige_, you know, + 'Tis not a Hohenzollern we'd expect to serve us so. + You've sacked our safest Pilot, who objected to your pranks, + And now you are coquetting with mad mutiny in the ranks, + Eh? You'll suppress it when you please, you'll smash up all your foes? + 'Tis a new game, for Royalty, and risky, goodness knows. + Meanwhile, _don't_ sway the boat like that, into the sea you'll fall; + Or, what's more likely, just capsize the craft and drown us all! + + * * * + +[Illustration: L'ENFANT TERRIBLE! + +CHORUS IN THE STERN. "DON'T GO ON LIKE THAT--OR YOU'LL UPSET US ALL!!"] + + * * * * * + +THE ROYAL ACADEMY BANQUET. + +Exceptionally good in food for body and mind. "First person present in +indicative mood" is Sir FREDERICK, the courteous President, pointing out +to Royal Highnesses the beauties of Burlington House. Stars, ribands, +and garters everywhere. Exceptionally distinguished personages come in +with invitations only, and no orders. Pretty to see Cardinal MANNING's +bright scarlet scull-cap, quite eclipsing RUSTEM PASHA's fez. Cardinal +distinctly observed to smile during MARKISS's humorous observations. +"MARKISS is ready," sounds like twin phrase to "Barkis is willin'." +H.R.H.'s speech shorter than ever. Wonderful, too, how eloquent Sir +FREDERICK contrives to spread fresh butter on dry old toasts, so that +everyone relishes them as choice morsels. All speeches shorter, except +Admiralty Lord's, who, being among portrait-painters, goes in for +figures. But where is--"Mr. STANLEY, I presume?" Not here. Invited, but +perhaps exploring neighbourhood, and unable to discover Burlington +House. Altogether an exceptionally brilliant evening. + + * * * * * + +[Illustration: AT A HORSE FAIR. + +Dealer. "NOW, GUV'NOR, SAY YOU'LL 'AVE 'IM FOR THIRTY-FIVE BOB. YOU +CAN'T GET A GOOD SOUND YOUNG 'OSS LIKE 'IM FOR LESS!"] + + * * * * * + +TO THE NEW SCRIBE AND POET. + +AIR--"_O Ruddier than the Cherry!_" + + O RUDYARD, in this sherry, + I drink your very, very + Good health. I would + That write I could + Like KIPLING, sad or merry. + +(_Signed)_ INVIDIUS NASO. + + * * * * * + +THE NELL OF CHELSEA. + +(_A Legend of the Opening of the Royal Military Exhibition._) + +The Lady got out of her picture in the Morning Room, and glanced at +herself in the Club glass. She had been painted by Sir PETER LELY, and +consequently was scarcely in a costume suitable to a May Day at the +close of the Nineteenth Century. + +"I' faith," said the Lady, "but I must get me a cloak to cover me, +otherwise I shall have a crowd a following me." + +It will be seen from this observation that, although the Lady had +flourished (very considerably) in the time of CHARLES THE SECOND, she +had not kept up her Carolian English. It is possible that the chit-chat +under her frame by the fire-place had corrupted the purity of her--to an +antiquary--interesting lingo. Be this as it may, she glided down the +large and handsome staircase, and selecting the furred and hooded coat +of a member who had just returned from abroad, annexed it. + +"This will do nicely," she murmured; "quite the mode," a remark which +proved that she had seen no fashion-plates lying on the Club table, and, +therefore, was entirely ignorant of the modern mysteries of ladies' +dress. However, she passed in the crowd--partly because no one appeared +to notice her. A Lady from a portrait by Sir PETER LELY without her +frame and background, after all, is rather a shadowy creation. + +When she had turned from Garrick Street into St. Martin's Lane, she +looked about her in surprise. What had been fields when she was in the +flesh were now sites of houses. She glided along, perplexed to a degree, +until she got to Charing Cross; then she recognised the statue of +CHARLES THE FIRST, and what was standing of White Hall. + +"By my troth, this is not an improvement! Houses, houses, nothing but +houses! I will e'en take the water to Chelsea, and see the hospital I +persuaded ROWLEY to give to his poor soldiers. There should be some +stairs hereabouts." + +But if the Lady did not find stairs, she came across a landing-stage. +She got on to the Westminster Pier, and was soon aboard one of the best +vessels of the Victoria Steamboat Association, Limited. Within half an +hour or so she was landed opposite the building it had been her +privilege to secure for the benefit of the British Army. The place was +brave with bunting. There were enormous sheds full of battle pictures +and portraits, and in the grounds was an arena suitable for the holding +of military sports. Then there was a huge band-stand, and the electric +light was laid on with great liberality in the gardens. + +"Gad'sooks!" exclaimed the Lady of the Picture; "and what are they doing +in the precincts of Chelsea Hospital?" + +She was immediately supplied with information. A Military Exhibition was +being held in aid of the Church of England Institutes--establishments +(so she was told) of a strictly unsectarian character. The +entertainments would be of a most popular character,--weather +permitting, _al fresco_. The commissariat would be excellent. In one +place only temperance beverages would be served, but elsewhere there +would be--well--there would be drinks. At that very moment the +Exhibition was being opened by the Most Illustrious Gentleman in the +Land accompanied by H.R.H.'s most charming and most beautiful partner. +Would the Lady like to see the place? + +"Another time," she replied. "Stay, I would like to see myself. Have you +a picture of me? I am Mistress NELLIE GWYNNE." + +Her courteous informant bowed, and shook his head. He had heard it +suggested at the inaugural lunch that she should be represented, but +there were so many things to do--the Military Sports, the eating +and drinking, the Royal Patronage, and the Church of England +Institutes,--that, in point of fact, the matter had been overlooked. + +"Well, never mind," said good-natured NELLIE, "I daresay you will get on +very well without me. But look to this, my master. Here we are very near +the site of old Cremorne, and a part of the grounds over yonder is +called Ranelagh. You have lights and bands, and subtle beverages, some +of which will cheer but not inebriate,--and others that may possibly +reverse the operation. Well, well, my portrait is not in your +collection,--the best I can wish you is that you may keep your night +_fêtes_ as select as your picture-gallery." + +And with this the Lady returned to her frame beside the fire-place in +the Club Morning Room. + + * * * * * + +"NUTS" FOR THE COAL TRADE. + + [Under the 29th Section of the Weights and Measures Act "the person + in charge of the vehicle," when coal-frauds are perpetrated, seems + to be alone punishable.] + + Not a sack was full, not a weight was true, + As the coals to their cellar we hurried; + Not an eye could see were they many or few + In the crypt where our cobbles we buried. + + We buried them gaily, at luncheon time, + All Acts of Parliament spurning; + There were "Kitchens," composed of slate and slime, + And Wallsend, "dimly burning." + + No fussing servants surveyed our cart-- + (If they had, we'd have kept them shivering) + --They were busy serving the family tart + At our chosen hour for delivering! + + Few and brief the remarks we made; + Not of coals, but of beer, we chattered; + And we thought of the tricks of an opulent trade + As the coal-dust we liberally scattered. + + We thought of our "dealer," our wealthy boss, + How he's spared by the law just created; + How we carmen are made to suffer the loss + When for fraud by a Court we are "slated." + + Lightly they'll talk of his "ha'porth of sack," + On his weights make unhandsome reflection; + But little he'll reck, as fines fall on our back, + And _he's_ "doubly-screened" from detection! + + But half of our "heavy task" was done + When a spy of the Council--drat it!-- + Came pushing his nose in our sacks, every one, + Tried our weights, and our bill--looked at it! + + Slowly and sadly we slunk out of sight, + Objecting to get into hobbles; + We breathed no farewell, and we said no good-night, + But we left him alone with the cobbles! + + * * * * * + +LAST REPORT.--The Dean and Chapter of Westminster have discharged a +Canon. No one was seriously injured. + + * * * * * + +THE PICK OF THE PICTURES.--No. 1. ROYAL ACADEMY. + +[Illustration: No. 1004. Tally Ho Ho Ho! Going over a Ha! Ha! Ha! Quite +the picture of the year, and will probably be presented by subscription +to Colney Hatch, Esq., Master of the Hanwell Hounds.] + +[Illustration: No. 243. The Determined Bather. Temperature so cold that +drapery is frozen.] + +[Illustration: No. 110. Curiosity in Animal Life. Escaped from +Barnum's.] + +[Illustration: No. 437. Advertisement for Provincial Tour of Griffiths +Brothers as "The Blondin Donkey."] + + * * * + +No. 5. The First Storey in the Royal Academy Annual is entitled, _The +Hungry Messenger_. Good STOREY. + +No. 44. Never put off till to MORO PHILLIPS what you can put on to-day. +Illustration of an elderly Blue-coat Boy unable to leave off an old +habit. + +No. 53, with No. 98 and No. 91. Ought to have been hung together, +portraits "_en soot_." + +No. 202. _Ethereal Football._ + +No. 224. _Boy and Dog._ BRITON RIVIÈRE, R.A. Dog unmuzzled, boy hears +policeman's footstep. + +No. 235. "_Every dog has his Washing-day._" Pet just been cleaned and +brought into drawing-room. Doubtful reception by Papa and other sisters. +Hardly up to the usual form of W. Q. ORCHARDSON, R.A. + +No. 292. Mr. PHIL. A. MORRIS, A. calls this "_La Belle Américaine_." Is +she? The tone of this belle is rather loud. + +No. 303. A wonderful picture and portrait, by LUKE FILDES, R.A. "LUKE on +this picture and on----" any other portrait, and you'll find this hard +to beat. Wealth of colour, colour of wealth, _affaire de Luke's_. + +No. 318. _Major E. R. Burke._ Admirable portrait, by HUBERT HERKOMER, A. +See how the Master of Bushey has dealt with the Hair! As might be +expected from a Hair-comber with a brush in his hand. Will be remembered +as "_Burke and Hair_." + +No. 411. _Mrs. Arthur Sassoon._ Charming. Sweet simplicity. + +You'll say this _as soon_ as you see it. HUBERT HERKOMER, A(ngcore). + +[Illustration: No. 361. Scene at Dollis Hill.] + +No. 463. _Sir Oscar Clayton, C.M.E._ Bravo Mr. F. GOODALL, R.A. Good +entirely. Artist was thinking of adapting refrain of popular comic song, +"_Ask a P'liceman_," and writing under portrait legend-- + +If you want to know who's this,-- + "OSCAR CLAYTON." + +But it was unnecessary, as the portrait speaks for itself. + +No. 473. _D-T-erioration;_ or, Sir EDWIN ARNOLD, K.C.S.I., commencing as +a book-maker, and laying "two to one bar one." "ARNOLD'S first exercise" +in this character is depicted by JAMES ARCHER. + +No. 600. _Tum-Tum The Melancholy_, By JOSEPH MORDECAI. Is HAMAN hung +too? + +No. 703. "_Nobody looking, Mother, You can prig something out of the +Money-box._" But the vigilant Verger has his eye on them. Such is the +story told by BLANDFORD FLETCHER. + +No. 744. Coming home late in the Olden Time. By RALPH HEDLEY. No +latch-key. Rousing the neighbourhood with pantomime door-knocker. +Situation graphically depicted. + +No. 759. _By the Linn Pool._ By NOBLE. Charming. Must be of course; +_Noblesse oblige_. + +[Illustration: No. 487. Primrose Dames.] + +No. 794. "_Out shooting._" Very much out, shooting. Nothing to CROWE +about. + +No. 886. _A Smile._ Delightful. This Miss is as good as her smile. JAN +VAN BEERS. + +No. 1028. "_Please to remember the Ninth of November._" Lord Mayor's +Procession stopped by photographer. "Now, then--wait--where you +are--when I say three!" And as they were taken, so they are cleverly +represented by WILLIAM LOGSDAIL. + +[Illustration: No. 652. Mrs. Jack-in-the-Green. Tree-mendous!] + + * * * * * + +ESSENCE OF PARLIAMENT. + +EXTRACTED FROM THE DIARY OF TOBY, M.P. + +_House of Commons, Monday, April 28._--Irish Land Purchase Bill again. +CHAMBERLAIN lifts debate out of somewhat tedious trough into which it +had fallen. Remarkable speech; bold in conception; adroit in +arrangement; forcible in argument; lucid in exposition. Spoke for over +an hour, and though his discourse, full of intricate points, the +marshalling of which was frequently interrupted by angry or scornful +cries from below Gangway, JOSEPH had not a scrap of paper in his hand, +did not once refer to a note. + +"Admirable," said GRANDOLPH, looking on with appreciative, though not +loving eyes. "If he had lived in the time of his father JACOB, it would +have been no use his brothers putting him in the pit; he would have +argued himself clean out before they were half a mile on their way back +to the family place in Canaan. Weak part of his position is that he is +trying to serve two Bills, BALFOUR'S and PARNELL'S. Can't recommend +BALFOUR'S scheme without belittling PARNELL'S; same thing other way +about. Reminds me, TOBY, of a passage in WORDSWORTH'S prose writings; +not so much read as his poetry; but daresay you remember it. There was a +Bishop WATSON who began his official career as a Liberal. He was +frightened into Conservatism, and WORDSWORTH, then a hot young youth, +goes for him as youth does sometimes gird at Respectability. 'Upon what +principle,' he asked the Bishop, 'is your conduct to be explained? In +some parts of England it is quaintly said when a drunken man is seen +reeling home, that he has business on both sides of the road. Observing +your Lordship's tortuous path, the spectators will be far from +insinuating that you have partaken of Mr. BOURKE'S intoxicating bowl. +They will content themselves, shaking their heads as you stagger along, +with saying that you have business on both sides of the road.' That's +what's the matter with CHAMBERLAIN. He's very smart, very clever, very +capable; but in politics, dear TOBY, no one ever succeeds who has +business on both sides of the road." + +"What do _you_ think?" I asked CHRISTOPHER SYKES, who stood looking on +with familiar aspect of unutterable wisdom. + +"I wasn't thinking of that at all," he answered, gloomily. "Haven't yet +got over what GEORGE LEWIS said in Court on Saturday. You've heard or +read about it, of course? Took opportunity of observing, that though I +was near sixty years of age, I was very innocent. I may be getting on +for sixty, but I'll tell you what, TOBY, I'm not nearly so innocent as I +look." + +CHRISTOPHER really hurt with GEORGE LEWIS'S aspersion. Comforted him by +hinting that I knew some dreadful things about him. + +"We remember your Crabs and Lobsters Bill," I said, soothingly. "There +was much more in that than met the eye. You're a crafty old CHRISTOPHER; +just the sort of man to take in a fellow like GEORGE LEWIS, who thinks +he knows everything." + +CHRISTOPHER smiled a deep and wicked smile, and strode off in better +spirits. Always like to say a kind word to a man when I can. + +_Business done._--Land Purchase Bill again. + +_Tuesday._--Fight on Land Purchase Bill been going forward again at +Morning Sitting; rather dull, though enlivened by speech from PLUNKET, +who once more reminded House how much it loses by his habitual silence. +At Evening Sitting GRANDOLPH came on with his Licensing Bill. Let eager +politicians and ambitious statesmen arm themselves for combat in the +field of high politics; GRANDOLPH'S only desire is to do a little good +in the world whilst yet he lingers on this level. Nothing new in crusade +against drink. No _kudos_ to be gained; no acclaim of the multitude to +ring in the pleased ear; no cheering clash of party conflict. GRANDOLPH +gives a deprecating twirl to his modest moustache, and takes up his +homely parable. Possibly he does this with the larger content, since he +had his go at the Land Purchase Bill before Debate on Second Reading +opened. His letters, published on eve of Easter recess, hurtled +pleasantly around the heads of his esteemed friends on Treasury Bench. +Could not say anything more or anything better if he joined in debate; +so sits silent through Morning Sitting, and when the shades of evening +fall, he meekly lifts up his voice, expounding a measure of domestic +legislation fraught with permanent interest to the masses. + +"A most promising member of the Band of Hope," says WILFRED LAWSON, +regarding GRANDOLPH with fatherly kindness. "Wonder if I might ask him +to crack a bottle of ginger-beer with me. Will certainly proffer the +hospitality if I get a chance." + +[Illustration: "I'm not nearly so innocent as I look."] + +The grand young GARDNER (_and_ his wife; can complete quotation now) +back again after wedding trip. Doesn't look quite so brisk as the +average bridegroom. "Fact is, old fellow," he said, as I condoled with +him, "when I said I would die a bachelor, I never thought I would live +to be married, go off on a wedding trip, catch the influenza at +Innsbruck, the measles at Milan, the scarlatina at Samarcand, and the +malaria at Mentone." + +_Business done._--Morning Sitting, Irish Land Purchase Bill; Evening, +GRANDOLPH'S Licensing Bill read First Time. + +_Thursday._--Ordinarily amicable proceedings in debate on Irish Land +Purchase Bill varied by accidental but unhappy circumstances. Prince +ARTHUR in course of speech happened to say, that "under Bill of 1886 +Irish Government was supposed to be a buffer between the English +Government and the Irish tenant." Mr. G., sitting attentive, suddenly +sprang up when this insult fell on his ear. Bill of 1886 not a tempting +topic; led to downfall of his Ministry; but to hear it publicly called a +"buffer," more than he could stand--or, rather, sit. Leaped to feet, +and, with thrilling energy, repudiated gross imputation. Prince ARTHUR +taken aback; hadn't meant anything particular. To call a thing or a +person a buffer not necessarily a term of opprobrium. Everything depends +on inflection of tone. Suppose, now, leaning across the table, he had +addressed Mr. G. as "old buffer," that would perhaps have been a little +familiar, but not vindictive. + +This he tried to make clear. Having, as he thought, averted the thunder, +repeated remarks about Bill of 1886 being a buffer. Didn't even put it +in that direct form. + +"I said," he observed with seraphic smile and deferential manner, "that +the Irish Government under the Right Hon. Gentleman's Bill was supposed +to occupy the position, more or less, of a buffer between the English +Government and the Irish tenant." + +Mr. G. up again with catapultic force and suddenness. "Not in the +least," he angrily protested. "A buffer is between two things." + +Expected that would floor Prince ARTHUR; but he came back again, and +sheltering himself behind the brass-bound box, called out, "Yes, but a +buffer might be between two persons as well as between two things." + +Mr. G. angrily shook his head; a Jove-like frown mantled his +countenance. But disdained to pursue controversy further, and Prince +ARTHUR, carefully avoiding further reference to buffers, went his way. +Difference of opinion as to how question was left; Conservatives insist +that Prince ARTHUR had best of it; Liberals stand by Mr. G. Many wonder +why SPEAKER did not interfere; as he did not, it is assumed that buffer +is a Parliamentary word, at least when applied to inanimate creation. + +_Business done._--Second Heading of Irish Land Purchase Bill carried by +348 Votes against 268. + +_Friday._--HARTINGTON suddenly, unexpectedly, surprisingly, blossomed +into effective speech. Of all subjects in world was Disestablishment of +Kirk in Scotland! Calculated to depress most people; brightened +HARTINGTON up beyond all knowledge. His little hit at GLADSTONE, +sheltering himself behind his (HARTINGTON'S) familiar and convenient +declaration, that on Disestablishment Question he would be guided by the +opinion of the majority of the Scotch people, neatly and dexterously +made. Also his reference to the short time when he had honour of being +"at least the nominal Leader of the Liberal Party," and found Mr. G. a +somewhat unruly follower. Most excellent. HARTINGTON should try this +line again. + +_Business done._--Motion for Scotch Disestablishment negatived by 256 +Votes against 218. + + * * * * * + +WEEK BY WEEK. + +_Wednesday, May 7._--_Mr. Punch_ out. Everybody's at home to _him_. + +_Friday 9._--Mrs. DUFFER'S first dance if she knows the step. + +_Saturday 10._--Rehearsal of Crystal Palace fireworks, 2 P.M. Admission +by entrance gates only. + +_Monday 12._--Breakfast to Mr. H. M. STANLEY, at whatever time he orders +it. + +First Meet of H.S. Drags, Serpentine. + +Foot-ball in Rotten Row, by kind permission of GEORGE RANGER and the +Commissioner of Police. + +Mrs. NOODLE'S second dance postponed, as she hasn't given her first yet. + +_Tuesday 13._--Holiday at Zoological Gardens. Cages all open. Admission +free. Banquets, Excursions, and Alarums. + + * * * + +LADY HENRIETTA SISKIN'S Charity Dance has been postponed until the +following week. A large and distinguished company is expected to grace +the mezzotint hall of her ladyship's new mansion in Belgravia on the +occasion. No expense is to be spared in the general decoration of the +supper-room, which was built, it will be remembered, by her ladyship's +great-grandfather in the reign of GEORGE THE THIRD. + + * * * + +A Correspondent furnishes us with the following curious +observations:--"I have noticed," he writes, "that those who walk or ride +in the Park are, generally speaking, of two sexes, and possess, as a +rule, four fingers and a thumb on each hand. By a curious freak of +fashion, a frock-coat is not now worn with a muslin skirt; and a +moustache may be sought for in vain under a sun-bonnet. Horses are +ridden with four legs, and, in some cases, with a tail, although this is +not essential." + + * * * + +It is strange to notice how much the tastes of theatre-goers vary at the +present day. Some prefer the Haymarket, some the Strand, others flock to +the Lyceum, and some are turned away from the Savoy, the Garrick, or the +Avenue. Philosophers have, as yet, paid too little attention to this +matter. Would Mr. HERBERT SPENCER or Mr. LANG oblige? + + * * * + +It has been calculated by the Society for the Collection of Domestic +Data, that if three-fourths of the Cooks of the Metropolis struck work +on any given day, exactly nine-twelfths of the resident employers of +servants would be seriously inconvenienced. + + * * * + +There is but very slight foundation for the report that, if AUGUSTUS +DRURIOLANUS (first so styled in the burlesque on _Claudian_) should be +elected to the Shrievalty, Messrs. HARRY NICHOLLS and HERBERT CAMPBELL +will be the Under-Sheriffs. + + * * * + +A Correspondent lately drew Mr. GL-DST-NE'S attention to the prevalence +of mud after rain, and the consequent injury to carts, collars, and +carriages. The veteran Statesman has found time to send the following +post-card reply, which will be perused with interest:-- + +SIR,--The subject to which you direct my attention is no doubt of +peculiar interest to those in any way connected with the vehicular +traffic by which so much of the commerce and pleasure of the Metropolis +is carried on. In view, however, of the pressing exigencies of the Irish +Question, I cannot do more than take a note of your objections to +mud-spots, leaving to those who may come after me the duty of dealing +practically with your recommendations. + + I am, faithfully yours, W. E. GL-DST-NE. + + * * * + +On the evening when Mr. STANLEY dines with the Turners' Company, where +he is entertained as a Re-Turner, it is hoped that the authorities of +the National Gallery will kindly allow all their Turners to attend. The +history of the Turners' Company is interesting, commencing as it does +with WHITTINGTON, who was the first person (before HENRY IRVING played +it) to hear _The Bells_, and to obey their injunction "to turn again." + + * * * * * + +[Illustration] + +NOTICE.--Rejected Communications or Contributions, whether MS., Printed +Matter, Drawings, or Pictures of any description, will in no case be +returned, not even when accompanied by a Stamped and Addressed Envelope, +Cover, or Wrapper. 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You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: Punch, or the London Charivari, Vol. 98, 1890.05.10 + +Author: Various + +Editor: F. C. (Francis Cowley) Burnand + +Release Date: December 17, 2009 [EBook #30694] + +Language: English + +Character set encoding: ISO-8859-1 + +*** START OF THIS PROJECT GUTENBERG EBOOK PUNCH *** + + + + +Produced by Neville Allen, Malcolm Farmer and the Online +Distributed Proofreading Team at http://www.pgdp.net + + + + + + +</pre> + + +<h1>PUNCH,<br /> + +OR, THE LONDON CHARIVARI.</h1> + +<h2>VOLUME 98.</h2> + +<hr class="full" /> + +<h2>MAY 10, 1890.</h2> + +<hr class="full" /> + +<span class='pagenum'><a name="Page_217" id="Page_217">[Pg 217]</a></span> + +<h2>EIGHT HOURS ONLY.</h2> + +<center>(<i>A Fancy Sketch of the Possible.</i>)</center> + +<p>It was the first day under the operation of the new Act. Everyone was a +little nervous about the outcome, and <span class="smcap">John Jones</span>, the Barrister, was no +exception to the general rule. At three o'clock he was in the full swing +of an impassioned appeal to the Jury.</p> + +<p>"I beg your pardon, Mr. <span class="smcap">Jones</span>," said the Judge, glancing at the clock, +"but I am afraid I must interrupt you. I cannot hear you any longer."</p> + +<p>"But, my Lord, I have not touched upon a third of the case. I can assure +you my remarks shall be as brief as possible."</p> + +<p>"That is not the point, Mr. <span class="smcap">Jones</span>," replied his Lordship. "I am +following your argument with the liveliest interest, and I am sure that +all you would wish to say would be of the greatest possible service to +your client; but unfortunately I happen to know that you prepare your +cases in the early hours of the morning. Now, you know the law as well I +do. If you have not been at work to-day for eight hours, of course I +shall be happy to hear; but if you have——"</p> + +<p>"As your Lordship pleases," said poor <span class="smcap">Jones</span>, and he gathered up his +papers, and left the Court.</p> + +<p>"Just in time, Sir," observed the attendant in the robing-room, as he +put the Barrister's wig in its box, and assisted him to divest himself +of his gown. "Had you come five minutes later, we should have gone."</p> + +<p>"Really! How would that have suited silk and stuff?"</p> + +<p>"Caused a fearful row, I am afraid, Sir. But we daren't exceed the eight +hours' limit, and we must keep two or three of them for some work we +have in the evening."</p> + +<p>When <span class="smcap">Jones</span> found himself in the Strand he noticed that the traffic was +considerably less than usual. The omnibuses were few and far between, +and he did not see a cab in any direction.</p> + +<p>"Yes, Sir," replied a policeman, who was removing his band of office, +preparatory to going home; "you won't find many. Eight hours' limit, +Sir. Good-day, Sir. I am off myself."</p> + +<p>The boats had ceased running; there were no trams. To pass the time he +thought he would call upon the Editor, whose rooms were in Fleet Street.</p> + +<p>"I hope I am not interrupting you," he said, as he entered the sanctum.</p> + +<p>"Interrupting me! Why, I am delighted to see you. We have nothing to do. +Mustn't exceed the eight hours, and they were up at two o'clock. But how +did you get in?"</p> + +<p>"Oh, the Publisher opened the door, and then returned to a rubber of +whist he was playing with the Reader, the Manager, and the Head of the +Advertisement Department. I was introduced to them all. Then I watched a +tug of war going on in the composing-room between the Compositors on the +one side, and the Machinists and Foundry-men on the other, and came up +here."</p> + +<p>"Very glad to see you, my dear fellow!" and the Editor once again shook +hands.</p> + +<p>A little later <span class="smcap">Jones</span> entered a restaurant, but he was refused dinner. +The eight hours' limit had cleared off the cooks and the waiters. +Half-starving, he purchased a stall for the theatre. For a while his +thoughts were distracted by the excellence of the performance. Suddenly, +in the most interesting part of the play, the curtain was prematurely +dropped.</p> + +<p>"Very sorry," said the Stage Manager, addressing the audience from +behind the footlights, "but, Ladies and Gentlemen, we have no option. We +had a rehearsal this morning of the new piece, and, taking this into +consideration, our limit is reached. I may seize this opportunity for +regretfully announcing that as two performances take more than eight +hours, the customary Saturday <i>Matinée</i> will for the future be +discontinued."</p> + +<p>The orchestra played a few bars of the National Anthem, and the theatre +cleared. <span class="smcap">Jones</span> strolled on to the Embankment, and, the evening being +pleasant, took a seat. Beside him was a student reading for examination, +a clergyman thinking out a sermon, and an artist taking a rough sketch. +<span class="smcap">Jones</span> took out a brief himself and opened it.</p> + +<p>"It's no business of mine," said a policeman off duty, who happened to +be passing, "but you gents will get yourselves into trouble if you +exceed the limit."</p> + +<p>"I will go home," exclaimed <span class="smcap">Jones</span>; and he walked to his suburban villa. +But the place was locked up, and the servants did not dare to open the +door to him, as they had finished their legal spell of labour hours +before.</p> + +<p>"Don't feel well," he murmured. "Will call upon my Doctor."</p> + +<p>"Now, my dear Sir," said the medical man, as <span class="smcap">Jones</span> appeared before him, +"you know I must not prescribe for you. The eight hours' limit was +reached at four."</p> + +<p>"Then, I suppose I must die. Will the Act allow me to do <i>that</i>?"</p> + +<p>"You, as a Barrister, ought to know best, my dear Sir. What is <i>your</i> +idea?"</p> + +<p>"My idea?" echoed the considering <span class="smcap">Jones</span>. "Well, I should say—— But, +stay; I am not entitled to give a professional opinion until to-morrow +morning! Still, offhand I may observe, that such an illegal death would +savour of positive suicide; but it would not matter very much, as under +existing circumstances suicide in some form or other seems to me +inevitable!" And <span class="smcap">Jones</span> was right!</p> + +<hr /> + +<div class="figcenter" style="width: 60%"> +<a href="images/217.png"> +<img src="images/217.png" width="100%" alt="MAXIMS FOR THE BAR." /></a> +<h4>MAXIMS FOR THE BAR. NO. V.</h4> +<p>"A Curate may be cross-examined with comparative safety."</p> +</div> + +<hr /> + +<h2>IN THE KNOW.</h2> + +<center>(<i>By Mr. Punch's Own Prophet.</i>)</center> + +<p>Those who have carefully read the remarks which I have thought it my +duty to make in these columns from time to time, must have reaped a +golden harvest at Newmarket last week. It is not easy, of course, in +these milk-and-water days to say what one means in sufficiently plain +words. Personally, I have always been mild in my language, and have +often been reproached on this score. But I have always found it +possible, without using vulgar and exaggerated abuse, to express the +contempt which, in common with every right-minded man, I feel for the +grovelling herd of incompetent boobies, whose minds are as muddy as the +Rowley Mile after a thunderstorm. <i>Surefoot</i> was always a favourite of +mine. Two months ago I said, "if <i>Surefoot</i> can only face the starter +for the Two Thousand firmly, he will probably get off well, and ought +not to be far behind the first six at the finish. As to <i>Le Nord</i>, +though he is not my colour, he is not likely to be last." Only a +mooncalf, with a porridge-bowl instead of a head, could have mistaken +these remarks.</p> + +<p>So Sir <span class="smcap">Thomas Chucks</span> has joined the ranks of aristocratic owners. Here +is a chance for the dilly-dallying professors of humbug to distinguish +themselves. What can be expected from a stable which always runs its +trials at one o'clock in the morning, with nobody but Mr. <span class="smcap">Jeremy</span> to look +on? No doubt we shall hear all about it in the columns which Mr. J. +devotes to the edification of dough-faced, gruel-brained noodles who +accept him as their prophet.</p> + +<p><i>Catawampus</i> ran well last week. With two stone less and a Calyx-eyed +saddle-bar, he would have shown up even better. Whenever the barometer +goes up two points <i>Catawampus</i> must be remembered. He was foaled in a +ditch on the old North Road, somewhere between London and York, and +having remained there or thereabouts for a month, may be considered a +good stayer.</p> + +<hr /> + +<p><span class="smcap">The Empire in the Time of Severus.</span>—Wonderful Juggler at the Empire, +with a name that's not to be trifled with, <span class="smcap">Severus</span>. Some nights he may +be better than on others, but you'll be delighted if you just catch him +in the Juggler vein.</p> + +<hr /> + +<p>The Over-rated Rate-payers who fear the rising of the Rates more than +almost any other rising, express a hope that the L. C. C. will be +economical, and that <span class="smcap">Farrer</span> may be "Nearer."</p> + +<p><span class='pagenum'><a name="Page_218" id="Page_218">[Pg 218]</a></span></p><hr /> + +<div class="figcenter" style="width: 50%"> +<a href="images/217.png"> +<img src="images/218.png" width="100%" alt="UNCERTAINTIES OF ARITHMETIC" /></a> +<h4>UNCERTAINTIES OF ARITHMETIC.</h4> +<p><i>Schoolmaster.</i> "<span class="smcap">Yes; but look here, my Boy. Suppose I were to lend your +Father <i>Five Hundred Pounds</i>, let us say,—without Interest,—but on +condition that he should pay me Ten Pounds a Week. How much would he +still Owe me in Two Months?</span>"</p> +<p><i>New Boy.</i> "<span class="smcap">Five Hundred Pounds, Sir!</span>"</p> +<p><i>Schoolmaster.</i> "<span class="smcap">Tut! Tut! My Boy, you don't know the First Principles +of Arithmetic!</span>"</p> +<p><i>New Boy.</i> "<span class="smcap"><i>You</i> don't know <i>my Father</i>, Sir!</span>"</p> +</div> +<hr /> + +<h2>PRIMROSE'S PEEP-SHOW.</h2> + +<center>(<i>Vide Lord Rosebery's resumé of the year's work of the London County +Council.</i>)<br /><br /> +<span class="smcap">Master Bull</span> <i>loquitur</i>:—</center> + +<div class="poem"><div class="stanza"> +<p class="i0">Humph! Show is very passable, no doubt;</p> +<p class="i2">And as you pull the strings, my clever Showman,</p> +<p class="i0">'Tis clear that <i>you</i> know what you are about,</p> +<p class="i2">Sense's sworn friend, and babbling folly's foeman.</p> +<p class="i0">The slides, as worked by you, seem mighty fine,</p> +<p class="i2">A trifle vague, perhaps, in composition,</p> +<p class="i0">Sloppy in colouring, and weak in line,</p> +<p class="i2">As is the civic peep-show's old tradition;</p> +<p class="i0">Still there is graphic vigour here and there,</p> +<p class="i2">Perspective, and a general sense of "movement."</p> +<p class="i0">On the old "Shirker" Show, 'tis only fair</p> +<p class="i2">To own, it evidences some improvement.</p> +<p class="i0">Plenty of slides! there is no doubt of <i>that</i>;</p> +<p class="i2">In fact one questions if there are too many.</p> +<p class="i0">Yes, I shall find when you pass round the hat,</p> +<p class="i2">The price is more than the old-fashioned Penny.</p> +<p class="i0">I pay my money and I take my—choice?</p> +<p class="i2">Well no, it won't quite fit, that fine old patter.</p> +<p class="i0">Still, if your Show proves good, I shall rejoice;</p> +<p class="i2">A trifling rise in fee won't greatly matter,</p> +<p class="i0">If 'tis not too "progressive" (as you say).</p> +<p class="i2">To stump up for sound work I'm always willing;</p> +<p class="i0">But though, of course, a Penny may not pay,</p> +<p class="i2">One wants a first-class Peep-Show for a Shilling!</p> +<p class="i0">Some of your novel slides are rather nice,</p> +<p class="i2">Some of them, on the other hand, look funny.</p> +<p class="i0">I felt grave doubts about 'em once or twice.</p> +<p class="i2">I don't want muddlers to absorb my money.</p> +<p class="i0">However, as I said, 'tis very clear</p> +<p class="i2">As puller of the strings you yield to no man.</p> +<p class="i0">The Show seems promising, if rather dear,</p> +<p class="i2">But anyhow it has a first-rate Showman!</p> +</div></div> + +<hr /> + +<p>"So Engelish you know!" exclaims the <span class="smcap">Baron De B. W.</span>, on seeing the +advertisement of Dr. <span class="smcap">Louis Engel</span>'s new book from <i>Handel to Hallé</i>. "It +will be interesting," says the Baron, "to note how much of <span class="smcap">Handel</span>'s +popularity was due to that particular inspiration of genius which caused +him to use the name of the future composer and pianist in one of his +greatest works, namely, the celebrated '<i>Hallelujah Chorus</i>.' For this +magnificent effort would have been only half the chorus it is without +'<span class="smcap">Hallé</span>' to commence it."</p> + +<hr /> + +<h2>GRANDOLPH GOODFELLOW;</h2> + +<center><span class="smcap">Or, Puck at the Spigot.</span><br /><br /> + +(<i>Shakspeare adapted to the situation</i>)</center> + +<div class="poem"><div class="stanza"> +<p class="i0"><i>Bung.</i> Either I mistake your shape and making quite,</p> +<p class="i4">Or else you are that shrewd and knavish sprite</p> +<p class="i4">Called <span class="smcap">Grandolph Goodfellow</span>. Are you not he</p> +<p class="i4">That did your best to spill Lord <span class="smcap">S-l-sb-ry</span>?</p> +<p class="i4">Gave the Old Tory party quite a turn,</p> +<p class="i4">And office with snug perquisites did spurn?</p> +<p class="i4">And now you'd make Strong Drink to bear no barm</p> +<p class="i4">(Or proper profit.) You would do us harm.</p> +<p class="i4">Those that Hobgoblin call you, and sly <span class="smcap">Puck</span>,</p> +<p class="i4">Are right; you always bring your friends bad luck.</p> +<p class="i4">Are you not he?</p> +</div><div class="stanza"> +<p class="i0"><i>Puck.</i> By Jove, thou speak'st aright;</p> +<p class="i4">I am that merry wanderer full of spite.</p> +<p class="i4">I jest unto the Plebs and make it smile.</p> +<p class="i4">Old, fat, and bean-fed Tories I beguile,</p> +<p class="i4">And lead them to a Democratic goal.</p> +<p class="i4">Now I am "going for" the flowing bowl.</p> +<p class="i4">E'en <span class="smcap">W-lfr-d</span> owns I am "upon the job."</p> +<p class="i4">I mean to save the workman many a "bob."</p> +<p class="i4">But, lessening his chance of toping ale,</p> +<p class="i4">The Witler tells his pals the saddest tale.</p> +<p class="i4">Bacchus for his true friend mistaketh me,</p> +<p class="i4">Then step I from his side, down topples he,</p> +<p class="i4">And "Traitor!" cries, and swears I did but chaff,</p> +<p class="i4">And the Teetotallers hold their sides and laugh,</p> +<p class="i4">And chortle in their joy, and shout, and swear</p> +<p class="i4">That <span class="smcap">Grandolph Goodfellow</span>'s a spirit rare.</p> +<p class="i4">But room, old boy, the Second Reading's on.</p> +</div><div class="stanza"> +<p class="i0"><i>Bung.</i> He is a trickster:—Would that he were gone!</p> +</div></div> + +<hr /> + +<h2>MR. PUNCH'S DICTIONARY OF PHRASES.</h2> + +<center><span class="smcap">Social.</span></center> + +<p>"<i>Dear me, how surprisingly your voice has strengthened since I last +heard you sing</i>;" <i>i.e.</i>, "Roars like a town-bull, and fancies himself a +<span class="smcap">Lablache</span>!"</p> + +<p>"<i>I saw quite a ring round your picture at the Academy to-day</i>;" <i>i.e.</i>, +"If only he had heard them laugh!"</p> + +<p>"<i>Won't you stop and have some lunch?</i>" <i>i.e.</i>, "Couldn't help asking +him, as the confounded luncheon-bell rang a peal; but if he has any +manners or consideration he'll say, 'No, thank you,' and go."</p> + +<p>"<i>I know your face so well—but I am such a bad hand at names</i>;" <i>i.e.</i>, +"Never saw him before in my life!"</p> + +<p>"<i>Pray allow me to get it</i>;" <i>i.e.</i>, "Catch me moving!"</p> + +<p>"<i>You know you can trust me implicitly</i>;" <i>i.e.,</i> "May be a good story +to tell."</p> + +<p>"<i>He has such wonderful wit</i>;" <i>i.e.</i>, "An unfailing flow of rudeness +which he calls repartee."</p> + +<p>"<i>Rather satirical, yes: but she has marvellous insight into +character</i>;" <i>i.e.</i>, "She has been complimenting <i>me</i>."</p> + +<center><span class="smcap">Platformulars.</span></center> + +<p>"<i>These, then, are the arguments</i>;" <i>i.e.</i>, "They're all yawning—must +end somehow."</p> + +<p>"<i>A crushing reply</i>;" <i>i.e.</i>, a retort discourteous, in which all the +points of the attack are adroitly evaded.</p> + +<p>"<i>After the magnificent oration to which we have just listened with so +much delight, I feel that anything that I can say must be in the nature +of an anti-climax</i>;" <i>i.e.</i>, "Confound him! Why will he take all the +'fat' to himself, and cut the ground from under a fellow's feet?"</p> + +<p>"<i>I have the greatest possible pleasure in presiding over this</i><span class='pagenum'><a name="Page_219" id="Page_219">[Pg 219]</a></span> +<i>magnificent assembly on this memorable occasion</i>;" <i>i.e.</i>, "Place is +like a malodorous oven, and I wish to goodness it were all over."</p> + +<center><span class="smcap">Parliamentary.</span></center> + +<p>"<i>I appeal to that consideration which the House always extends to a new +Member, &c.</i>;" <i>i.e.</i>, "Mean to make them sit up a bit, but <i>must</i> come +the conventional modest."</p> + +<p>"<i>The Honourable and Gallant Gentleman has fulfilled his task with all +the ability that might naturally be expected</i>;" <i>i.e.</i>, "With none worth +mentioning."</p> + +<p>"<i>I rise to order</i>;" <i>i.e.</i>, "To raise <i>dis</i>order."</p> + +<center><span class="smcap">Epistolatory.</span></center> + +<p>"<i>Let me be the first, dear, to congratulate you on your well-merited +good fortune</i>;" <i>i.e.</i>, "She has the deuce's own luck, and doesn't +deserve it."</p> + +<p>"<i>Thank you so much for your beautiful present, which I shall value for +its own sake as well as for the giver's</i>;" <i>i.e.</i>, "Wouldn't give +twopence for the two of 'em."</p> + +<p>"<i>So good of you to send me your new book. I shall lose no time in +reading it</i>;" <i>i.e.</i>, "No; not a single second."</p> + +<center><span class="smcap">At a Dance.</span></center> + +<p>"<i>So you prefer to stand out of this dance, dear?</i>" <i>i.e.</i>, "Trust her +for being a <i>willing</i> 'Wallflower.'"</p> + +<p>"<i>Shall we sit this out on the stairs?</i>" <i>i.e.</i>, "I don't want to dance, +and I <i>do</i> want to spoon."</p> + +<center><span class="smcap">A Little Music.</span></center> + +<p>"<i>Well, dear, the only song I can remember, without music, is +'Gasping'—but I'll try that, if you like</i>;" <i>i.e.</i>, "<i>Her</i> great song, +which she has been grinding up to sing to—or rather <i>at</i>—young +<span class="smcap">Fitz-Floss</span>. <i>Won't</i> she be wild?"</p> + +<p>"<i>Well, your Beethoven bits are lovely, dear, we know; but suppose you +give us something lighter, for once</i>;" <i>i.e.</i>, "<span class="smcap">Beethoven</span>, indeed! +<span class="smcap">Bessie Bellwood</span> is more <i>her</i> style."</p> + +<center><span class="smcap">Channel Passage.</span></center> + +<p>"<i>Well, it may be a bit lively when we get out</i>;" <i>i.e.</i>, "You won't +know whether you are on your head or your heels in ten minutes."</p> + +<center><span class="smcap">Curiomania.</span></center> + +<p>"<i>I've never seen such a collection of curios in my life!</i>" <i>i.e.</i>, +"Hope I never may again!"</p> + +<p>"<i>I'm no great judge of such things, but I should say this specimen is +unique</i>;" <i>i.e.</i>, "It is to be <i>hoped</i> so!"</p> + +<p>"Ex-<i>qui-site</i>!!!" <i>i.e.</i>, "Rubbish!"</p> + +<center><span class="smcap">Railroad Amenities.</span></center> + +<p>"<i>Awfully noisy carriages on this line</i>;" <i>i.e.</i>, "Thank goodness! The +clatter has tired even <i>his</i> stentor throat."</p> + +<p>"<i>Good-bye! So sorry we don't travel farther together</i>;" <i>i.e.</i>, +"Hooray! Now for feet up and forty winks!"</p> + +<center><span class="smcap">Preparing for Private Theatricals.</span></center> + +<p>"<i>I'm sure you will be a great acquisition to my little company</i>;" +<i>i.e.</i>, "Awful stick, but a <i>pis aller</i> I'm afraid."</p> + +<p>"<i>Now if there's</i> anything <i>you notice not</i> quite <i>the thing</i>, pray +<i>mention it</i>. I'm <i>not above taking a hint</i>;" <i>i.e.</i>, "Nor <i>you</i> up to +giving one—of any value."</p> + +<p>"<i>Oh, no doubt you're right, though it's not the way</i> <span class="smcap">Charles Mathews</span> +<i>did it</i>;" <i>i.e.</i>, "That's a nasty one for you, Mr. <span class="smcap">Meddler</span>."</p> + +<p>"<i>Ah, yes, I was a little off colour, perhaps; but I shall be all right +on the night, you bet!</i>" <i>i.e.</i>, "Not going to be dictated to by <i>you</i> +anyhow."</p> + +<hr /> + +<p>"<span class="smcap">Stands Scotland (Yard) where it Did?</span>"—Yes; only more so. And how kind +and thoughtful of the Government to order that the materials for +building the new Police Offices should be found and fashioned by the +Dartmore convicts. Quite a labour of love!</p> + +<hr /> + +<p>Correspondent, in <i>Times</i> of Saturday, showed that, in Spite of increase +of population, there has been a decrease of drunkenness. In 1884-85 +there were 183,221 drunken Police-court cases; but in 1887-88 only +166,366. Anti-temperance persons will look upon this as "a Drop too +much."</p> + +<hr /> + +<p><span class="smcap">Pictures of the Year that no Patron of Art can possibly Overlook.</span>—Those +that are sky'd.</p> + +<hr /> + +<h2>"SCOTS, WHA HAE."</h2> + +<center>(<i>New Version. Sung at the Opening of the Edinburgh International +Exhibition, May 1.</i>)</center> + +<div class="figcenter" style="width: 30%"> +<a href="images/219.png"> +<img src="images/219.png" width="100%" alt="SCOTS, WHA HAE." /></a> +</div> + +<div class="poem1"><div class="stanza"> +<p class="i0">Scots, wha hae at Paris bled,</p> +<p class="i0">Scots, wham <span class="smcap">Cook</span> hath aften led,</p> +<p class="i0">Welcome to the white, green, red,</p> +<p class="i2">Of your ain Great Exhibition.</p> +</div><div class="stanza"> +<p class="i0">Now's the day and now's the hour;</p> +<p class="i0">Though you have no Eiffel Tower!</p> +<p class="i0">See the bawbees pile and pour;</p> +<p class="i2">All the world shall crowd to see!</p> +</div><div class="stanza"> +<p class="i0">Wha will want to pinch and save?</p> +<p class="i0">Wha to see it will not crave?</p> +<p class="i0">Wha will not declare it brave?</p> +<p class="i2">Far from Edinbro' let him flee!</p> +</div><div class="stanza"> +<p class="i0">Wha will wish to see the sight</p> +<p class="i0">Of the graund electric light,</p> +<p class="i0">And the "Kiowatt" of might?</p> +<p class="i2">Caledonian! on wi' me!</p> +</div><div class="stanza"> +<p class="i0">Ninety acres on the plain!</p> +<p class="i0">Almost apes the Show by Seine.</p> +<p class="i0">Won't folk flock by tram and train</p> +<p class="i2">To our International Show.</p> +</div><div class="stanza"> +<p class="i0">Let the Incandescents glow,</p> +<p class="i0">Sixteen thousand, row on row!</p> +<p class="i0"><span class="smcap">Sandy</span> all the world will show</p> +<p class="i2">He will beat the best—or die!</p> +</div></div> + +<hr /> + +<span class='pagenum'><a name="Page_220" id="Page_220">[Pg 220]</a></span> + +<h2>MODERN TYPES.</h2> + +<center>(<i>By Mr. Punch's Own Type-Writer.</i>)<br /><br /> + +No. XI.—THE YOUNG GUARDSMAN.</center> + +<div class="figcenter" style="width: 25%"> +<a href="images/220.png"> +<img src="images/220.png" width="100%" alt="THE YOUNG GUARDSMAN" /></a> +</div> + +<p>The Young Guardsman believes himself to be not only the backbone of the +British Army, its vital centre and support, but also its decorative +master-piece. Other officers, of whom the Guardsman is wont to speak +with a vague pity as belonging to "some line regiment," are not apt to +sympathise with him in this exalted estimate of his military position +and functions. They are accustomed to urge, that he is to the general +body of officers as gold lace is to the uniform he wears, a gaudy +ornament fashioned for show and useless for the practical work of the +military profession. Doubtless "these are the forgeries of jealousy," +or, if true at all, they are true only for that limited period of the +Guardsman's existence, during which he pays more attention to his own +dressing than to that of his men, and imagines that the serious objects +of life are attained when he has raised the height of his collar by half +an inch, or invented a new fashion of transfixing a silk scarf with a +diamond pin. In fact it is during the first flush of his youth that he +displays those characteristics which have specialised the Guardsman +amongst the golden lads who afterwards come to the dust of middle-age +and a colonelcy.</p> + +<p>It is by no means necessary that the Young Guardsman should enjoy an +aristocratic parentage, provided it be a wealthy one; nor is it +essential that he should have made his mark at school as a scholar, an +athlete, or a social success. Indeed, nothing is more common than to +hear a former school-fellow express himself in terms of derisive +amazement when he is informed that So-and-So is now in the Guards. +"What, <i>that</i> scug?" he will observe with immeasurable contempt, and +will proceed to express his surprise how one who neither played cricket, +nor football, nor rowed to any purpose can possibly add distinction to +Her Majesty's Brigade of Guards. These observations, it should be said, +however disrespectful they may be towards a particular individual, +undoubtedly show a strong feeling of veneration for the repute of the +Guards in general. It must be added too that on his side the Young +Guardsman is not slow to repay, and in doing so to aggravate, the +contempt of the burly athlete who may have kicked him at school, and +towards whom he now assumes a lordly air of irritating patronage hardly +endurable, but not easily to be resented, by one who feels it to be +totally unwarranted.</p> + +<p>The Guardsman, then, will have passed through school without emerging in +any way from the common ruck of ordinary boys. He will have left at a +comparatively early age in order that his education may no longer be +neglected, and will have betaken himself to the fostering care of one of +the numerous establishments which exist to prove that the private coach +<i>Codlin</i> is superior to the public school <i>Short</i>. Hence, if his +abilities are exceptionally brilliant, he will have passed into +Sandhurst. Failing this, however, the Militia is a refuge and a +stepping-stone. In any case he will find himself in due time the owner +of Her Majesty's Commission and the largest head-dress in the British +Army. In short he will become a Guardsman in full bloom.</p> + +<p>And now he begins to reap a plentiful harvest of easy social +distinctions, in the sowing of which he himself has borne no part. He +may be, though to be sure he is not always, the feeblest and most vapid +of created beings, but he will be none the less courted and flattered by +the numerous band who fix their eyes and their hearts on social position +without any regard to the particular atom of humanity by which it may +chance to be filled. Hostesses shower invitations upon him, he slides +easily into the membership of many Clubs both social and sporting, +tradesmen and money-lenders solicit with humility the supreme honour of +being his creditors, and all the world, as he counts it, smiles upon him +and is ready to make much of him. A man would require to be made of +exceptionally stern stuff not to yield to many of the temptations thus +spread before him, and the Young Guardsman, although he is as martial as +the occasional wearing of his uniform can make him, is by no means +stern. He yields, however, with an admirable grace, and although his +nationality and his profession both forbid him to display an excess of +enthusiasm, it may be said of him that he tolerates his pleasures and +does not despise the amusements for which a musketry course at Hythe or +an occasional encampment at Pirbright seems to give him an additional +zest.</p> + +<p>He is often to be seen at dances, and although he does not dance much +and is not much of a dancer, it is impossible to complain of any lack of +vigour in his steps as he tears round the room with his partner in +double-quick time. Having done this he will descend to supper with a +young married lady whom he is temporarily honouring with his attentions, +and will impress her with the maturity of his views of the world. He +will hint to her that, after all, there is more to be said for <i>Don +Juan</i> than is commonly supposed, and that "by Gad, a feller who chucks +away his chances when there are no end of 'em runnin' after him is a +fool dontcherknow, and you may tell 'em I said so." After he has +imparted this information he will re-conduct her upstairs, and will then +leave in a hansom preceded by a tall cigar, for which he has paid +half-a-crown.</p> + +<p>At Maidenhead, too, on Sundays during the summer the Young Guardsman is +a conspicuous object. Robed in spotless flannels, with the Brigade +Colours round his straw hat and his neck, he may be seen propelling a +punt with much perseverance and some accuracy to Boulter's Lock and +back. Afterwards he will dine with the comfortable conviction that he +has had very violent exercise.</p> + +<p>Of the Young Guardsman's dress much might be said. It is spotless and +careful and is evidently the result of deep thought. Yet, if a fault may +be hinted, it errs like his cigar on the side of exaggeration. A +frock-coat should fit well, but his is too tight. Fashion no doubt +demands that in the daytime a cascade of silk or satin should pour +itself into a lake of shirt-front, but the cascade need not be a Niagara +nor the lake an Ontario. It is true of course that at night no young man +who respects himself and values the opinion of his friends would dream +of wearing a white tie of any but the butterfly pattern. Still there are +butterflies and butterflies, and the Young Guardsman's model would seem +to be rather one of the huge tropical varieties than any known to our +northern climate. These, however, are but trifling defects which +scarcely detract from the shining and ornamental completeness of his +appearance.</p> + +<p>It is remarkable how readily the Young Guardsman imagines himself to be +an adept in the mysteries of the turf. With a light heart and a heavy +betting-book he faces the hoary sinners who lay the odds. Nor is it +until he has lost more money than his father can well afford that he +discovers that the raw inexperience even of a Young Guardsman is +unequally matched against the cool head, and the long purse, of the +professional book-maker. In vain does he call in the aid of the venal +tipster. The result is always the same, and he returns home from every +race-meeting without ever, to use his own phrase, "getting home" at all. +Indeed, if they may be believed, the subalterns of "the Brigade" never +vary from a condition which they always describe as stony-broke.</p> + +<p>A little later in his career the Young Guardsman will find himself +temporarily on the staff of a General appointed to command a force of +Volunteers during some Easter manœuvres. He will wear a white belt, +the frock-coat of his undress uniform and a cocked hat, and will believe +himself to be a Staff officer. He will perform his duties not without +efficiency, but will scarcely take enough trouble to remove from the +minds of the Volunteers to whom he issues orders, that idea of patronage +which is to a rightly constituted Volunteer what a red rag is said to be +to a bull. Soon after this, a war having broken out in Africa, he will +volunteer for active service and will be accepted. Being after all a +young man of pluck and spirit, he will pass with distinction through the +hardships and dangers of the campaign. Amid the stern realities of the +bivouac and the battlefield his swagger and his affectations will +vanish. Returning home in this altered condition it is as likely as not +that he will marry, and having served his Queen with solid credit for +many years, will eventually retire with the rank of General and the +well-earned respect of all who know him.</p> + +<hr /> + +<h2>THE LAST OF THE BACILLI.</h2> + +<center>(<i>Feuilleton of the "Medical Record," April, 1900.</i>)</center> + +<p>In a gloomy and inaccessible cavity, situated in the diaphragm of the +human body in which he had made his home, stood the last of the Bacilli. +His friends and his brothers, the companions of his innocent childhood, +the associates of his boyish days, his fellow-adventurers in manhood's +prime—all, all had perished. Some had been ruthlessly hunted down by a +skilled body of German assassins; others had died under the cruel +attacks of the pestilent Frenchman. The Cholera Bacillus, the king of +them all, was the first to fall; typhoid and typhus, small-pox and +measles, fits of convulsions or of sneezing, coughs and catarrhs, had +all been deprived of Bacilli and slain. The Wart Bacillus had fought +hard and maintained himself for a long time on a precarious footing of +fingers and thumbs; but he too had been extirpated. The Thirst Bacillus +had given up the ghost yesterday, after keeping up for years a guerilla +warfare disguised<span class='pagenum'><a name="Page_221" id="Page_221">[Pg 221]</a></span> either as a green rat or a striped snake. And now the +mighty Hunger Bacillus stood alone, gloomy and defiant. But he knew his +hour had come. "Better death," he shouted, "than the microscope!" and +with these words drew his sword and dashed forth into the darkness. +There was a yell, followed by the sound of steel beaten against steel, +then a blood-curdling gurgle, and all grew still.</p> + +<p>"He was a gallant scoundrel, but my quick <i>riposte</i> confused him," +observed Signor <span class="smcap">Succi</span>, who entered the apartment, wiping his blade on +the advertisement of a new beef-essence, and taking copious draughts of +his elixir.</p> + +<p>Thus died, as he had lived, dismal, desperate, degraded, the Hunger +Bacillus, the last of his race.</p> + +<center>(<i>From another Column of the same Paper.</i>)</center> + +<p>We rejoice to hear that the Act for making Succination compulsory is to +be energetically enforced. Public Succinators have now been appointed to +every district, and every parent omitting to have the operation +performed upon his infant within two months after birth is to be +rigorously prosecuted. Henceforth, as we may remind our readers, anybody +"complaining of hunger shall be liable on conviction to be imprisoned +for not less than six calendar months, with or without hard labour." We +quote the words of clause 3 of the Act.</p> + +<hr /> + +<h2>ALLOWED TO STARVE.</h2> + +<table summary="cartoons"> + +<tr> +<td><div class="figleft" style="width: 90%"> +<a href="images/221a.png"> +<img src="images/221a.png" width="100%" alt="The Successful Fasting-Man" /></a> +</div></td><td><div class="figright" style="width: 90%"> +<a href="images/221b.png"> +<img src="images/221b.png" width="100%" alt="One of the Six Hundred" /></a> +</div></td> +</tr> + +<tr> +<td><h4><span class="smcap">The Successful Fasting-Man.</span></h4></td><td><h4><span class="smcap">One of the Six Hundred!!!</span></h4></td> +</tr> + +</table> + +<hr /> + +<h2>OUR BOOKING-OFFICE.</h2> + +<p>Mr. <span class="smcap">James Payn</span> has the peculiar gift of writing a novel as if he were +telling you a story <i>vivâ voce</i> and interesting you in it, not only by +reason of its plot, but also by his way of narrating it. There is a +spontaneity about his style which to the Baron is most refreshing: it is +like listening to two clever men, one of whom is telling the story, and +the other is enlivening it with his sharp and appropriate comments, +always dropped in parenthetically. Mr. <span class="smcap">Payn</span> is a good hand at keeping a +secret, and it is not for the <span class="smcap">Baron de B. W.</span> to tell beforehand what the +novelist keeps as a little bit up his sleeve till the last moment. Why +call it <i>The Burnt Million</i>? To what tremendous conflagration involving +such a fearful loss of life does the title point? The story will +interest the Million and delight Thousands. Excellent as is the dialogue +generally, the Baron ventures to doubt whether any ordinary person (and +no one of these characters is a genius) ever begins a sentence with +"Nay." Anent <i>The Burnt Million</i>, the Baron's advice to persons in +search of a novel is, "<i>Tolle, lege!</i>" Also the Baron says, get <i>La +Revue de Famille</i> at <span class="smcap">Hachette</span>'s. <i>Un Foyer de Théâtre</i>, by M. <span class="smcap">Audebrand</span>, +for all interested in the history of the French Drama, is delightful +reading. Don't miss <i>Causerie Littéraire</i>, by Mr. <span class="smcap">Charles Benoist</span>.</p> + +<p>The Baroness says, read "Poor Mr. Carrington" in <i>Temple Bar</i>.</p> + +<p><i>Lippincott's Magazine</i> this month is heartily welcome,—we should say, +<span class="smcap">Bret Harte</span>-ily welcome. Capital story, by B. H., "A Sappho of Green +Sprigs."</p> + +<p class="regards">(<i>Signed</i>)</p> + +<p class="author"><span class="smcap">Baron de Book Worms & Co.</span></p> + +<hr /> + +<h2>ODDS ON THE BEDMAKERS.</h2> + +<center>[A proposal for the abolition of Bedmakers is being discussed in +Cambridge.]</center><br /> + +<center><i>Chorus of Undergraduates:—</i></center> + +<div class="poem"><div class="stanza"> +<p class="i0">There are things we could spare; we could watch without weeping</p> +<p class="i2">A Tutor's extinction, a Dean's disappearance.</p> +<p class="i0">And Professors who drone while their pupils are sleeping,</p> +<p class="i2">Though they went at a loss, we should welcome the clearance.</p> +</div><div class="stanza"> +<p class="i0">And Proctors who blandly demand six-and-eightpence,</p> +<p class="i2">And, while toiling themselves, send all petticoats spinning;</p> +<p class="i0">And Porters who tick off our names for our gate-pence;</p> +<p class="i2">And Bull-dogs who help to withhold us from sinning.</p> +</div><div class="stanza"> +<p class="i0">And the juvenile Don who thinks "Dons should be firmer,"</p> +<p class="i2">And the elderly Don who is painfully nervous—</p> +<p class="i0">We could see them depart without even a murmur,</p> +<p class="i2">So our Bedmakers stay to amuse and to serve us.</p> +</div><div class="stanza"> +<p class="i0">We have watched, while we trembled, the pomps and the maces,</p> +<p class="i2">Stern emblems of rule, with the Esquire Bedell come;</p> +<p class="i0">We have heard of the Senate, its edicts and graces,—</p> +<p class="i2">Take the lot, if you like, you may have them and welcome.</p> +</div><div class="stanza"> +<p class="i0">But the "Bedder"? No, no. Come, we offer a wager:</p> +<p class="i2">We will bet she survives who of beds is the maker!</p> +<p class="i0">Any answer? Not one; for, in spite of her age, her</p> +<p class="i2">Attractions are such that there isn't a taker.</p> +</div></div> + +<hr /> + +<p><span class="smcap">Measures and Men.</span>—M. <span class="smcap">Jacques Bertillon</span> has been lecturing before the +Anthropological Society—(the only Society where <i>anthropoi</i> are +logical)—on his method of "identifying criminals by comparing their +measures with those of convicted prisoners on the prison registers." +Ahem! How about novel Home Rule Measures compared with those of past +Kilmainhamites?</p> + +<hr /> + +<span class='pagenum'><a name="Page_222" id="Page_222">[Pg 222]</a></span> + +<div class="figcenter" style="width: 80%"> +<a href="images/222.png"> +<img src="images/222.png" width="100%" alt="THE QUEEN'S SERVICE" /></a> +<h4>THE QUEEN'S SERVICE.</h4> +<p>"<span class="smcap">I see your Servants wear Cockades now, Miss Shoddson.</span>"</p> +<p>"<span class="smcap">Yes. Pa's just become a Member of the Army and Navy Stores.</span>"</p> +</div> + +<hr /> + +<h2>L'ENFANT TERRIBLE!</h2> + +<center><i>Chorus of Passengers, expostulating:—</i></center> + +<div class="poem"><div class="stanza"> +<p class="i0">Stop, <span class="smcap">William</span>, stop! Your game is not a game <i>we</i> can enjoy!</p> +<p class="i0">Your father's son should not thus play the Little Vulgar Boy!</p> +<p class="i0">This is not Margate, <span class="smcap">William</span> mine, and ours is not a crew</p> +<p class="i0">Of ordinary trippers, packed aboard the <i>Lively Loo</i></p> +<p class="i0">For a shillingsworth of suffering on a wild and wobbling sea.</p> +<p class="i0">Stop, <span class="smcap">William</span>! You'll upset the boat! Why can't you let it be?</p> +</div><div class="stanza"> +<p class="i0">Our boat has braved a many storms. It's old and may be crank;</p> +<p class="i0">But though it sometimes sprang a leak, it never wholly sank.</p> +<p class="i0">We are not packed so close to-day as we have oft been packed.</p> +<p class="i0">Against some stiffer gales than this we've weathered and we've tacked;</p> +<p class="i0">But, <span class="smcap">William</span>, though our craft tossed wild, though loud the winds have roared,</p> +<p class="i0">We've never, never had so bad a boy as <i>you</i> on board!</p> +</div><div class="stanza"> +<p class="i0">Sit down, now do, you pickle, you! Don't dance upon that thwart,</p> +<p class="i0">And see-saw in that sort of way. We want to get to port,</p> +<p class="i0">Not Davy Jones's Locker, Sir. "These roarers" are wild things,</p> +<p class="i0">As <span class="smcap">Shakspeare</span> in <i>The Tempest</i> says, and do not care for Kings;</p> +<p class="i0">To keep them down and bale them out has always been our aim;</p> +<p class="i0">But you, you just play larks with them. What <i>is</i> your little game?</p> +<p class="i0">You, young, the latest chap on board, but of a sound old stock</p> +<p class="i0">Of Royal navigators, do you think it right to mock</p> +<p class="i0">All nautical traditions in this reckless kind of way,</p> +<p class="i0">And greet these waves, as <span class="smcap">Byron</span> did, as though with them you'd <i>play</i>?</p> +<p class="i0">They're dangerous playfellows, boy; tiger-cubs hardly in it</p> +<p class="i0">For riskiness! I say, do stop! You'll swamp us in a minute.</p> +<p class="i0">Look at your Crown! Such head-gear, boy, is seldom a tight fit,</p> +<p class="i0">And oscillations sometimes act as Notices to Quit!</p> +</div><div class="stanza"> +<p class="i0">What would your grandfather have said to see you sway and prance?</p> +<p class="i0">Sit still, lad, you alarm us all. Just look at Madame <span class="smcap">France</span>!</p> +<p class="i0">She's thought a fairish sailor, and has doffed her Crown, but see,</p> +<p class="i0">She's clutching at the gunwale, too, as nervous as can be.</p> +<p class="i0">Whilst, as for dear Señora <span class="smcap">Spain</span> and her poor little charge,</p> +<p class="i0">I guess she wishes this same tub were <span class="smcap">Cleopatra</span>'s barge,</p> +<p class="i0">Or something broad and beamy that won't easily capsize.</p> +<p class="i0"><span class="smcap">Austria</span>'s staring with a look of agonized surprise.</p> +<p class="i0">And <span class="smcap">Italy</span>'s dumfoundered. Sit down, boy! you're tempting fate.</p> +<p class="i0">These days are trying ones, for <i>us</i>, 'tis worse than Forty-Eight.</p> +<p class="i0">Then there were winds and whirlpools, but no Socialistic Sea</p> +<p class="i0">Sweeping all shores, and threatening International anarchy.</p> +<p class="i0">And with <i>its</i> waves you're wantoning, and wobbling up and down,</p> +<p class="i0">Indifferent to our stomachs,—as regardless of your Crown.</p> +<p class="i0">Upon my honour it's too bad. <i>Noblesse oblige</i>, you know,</p> +<p class="i0">'Tis not a Hohenzollern we'd expect to serve us so.</p> +<p class="i0">You've sacked our safest Pilot, who objected to your pranks,</p> +<p class="i0">And now you are coquetting with mad mutiny in the ranks,</p> +<p class="i0">Eh? You'll suppress it when you please, you'll smash up all your foes?</p> +<p class="i0">'Tis a new game, for Royalty, and risky, goodness knows.</p> +<p class="i0">Meanwhile, <i>don't</i> sway the boat like that, into the sea you'll fall;</p> +<p class="i0">Or, what's more likely, just capsize the craft and drown us all!</p> +</div></div> + +<span class='pagenum'><a name="Page_223" id="Page_223">[Pg 223]</a></span> + +<div class="figcenter" style="width: 80%"> +<a href="images/223.png"> +<img src="images/223.png" width="100%" alt="L'ENFANT TERRIBLE" /></a> +<h4>L'ENFANT TERRIBLE!</h4> +<p><span class="smcap">Chorus in the Stern.</span> "DON'T GO ON LIKE THAT—OR YOU'LL UPSET US ALL!!"</p> +</div> + +<hr /> + +<h2>THE ROYAL ACADEMY BANQUET.</h2> + +<p>Exceptionally good in food for body and mind. "First person present in +indicative mood" is Sir <span class="smcap">Frederick</span>, the courteous President, pointing out +to Royal Highnesses the beauties of Burlington House. Stars, ribands, +and garters everywhere. Exceptionally distinguished personages come in +with invitations only, and no orders. Pretty to see Cardinal <span class="smcap">Manning</span>'s +bright scarlet scull-cap, quite eclipsing <span class="smcap">Rustem Pasha</span>'s fez. Cardinal +distinctly observed to smile during <span class="smcap">Markiss</span>'s humorous observations. +"<span class="smcap">Markiss</span> is ready," sounds like twin phrase to "Barkis is willin'." +H.R.H.'s speech shorter than ever. Wonderful, too, how eloquent Sir +<span class="smcap">Frederick</span> contrives to spread fresh butter on dry old toasts, so that +everyone relishes them as choice morsels. All speeches shorter, except +Admiralty Lord's, who, being among portrait-painters, goes in for +figures. But where is—"Mr. <span class="smcap">Stanley</span>, I presume?" Not here. Invited, but +perhaps exploring neighbourhood, and unable to discover Burlington +House. Altogether an exceptionally brilliant evening.</p> + +<span class='pagenum'><a name="Page_224" id="Page_224">[Pg 224]</a></span> + +<hr /> + +<span class='pagenum'><a name="Page_225" id="Page_225">[Pg 225]</a></span> + +<div class="figcenter" style="width: 60%"> +<a href="images/225.png"> +<img src="images/225.png" width="100%" alt="AT A HORSE FAIR" /></a> +<h4>AT A HORSE FAIR.</h4> +<p>Dealer. "<span class="smcap">Now, Guv'nor, say you'll 'ave 'im for Thirty-five Bob. You +can't get a good sound young 'Oss like 'im for less!</span>"</p> +</div> + +<hr /> + +<h2>TO THE NEW SCRIBE AND POET.</h2> + +<center><span class="smcap">Air</span>—"<i>O Ruddier than the Cherry!</i>"</center> + +<div class="poem1"><div class="stanza"> +<p class="i0">O <span class="smcap">Rudyard</span>, in this sherry,</p> +<p class="i0">I drink your very, very</p> +<p class="i6">Good health. I would</p> +<p class="i6">That write I could</p> +<p class="i0">Like <span class="smcap">Kipling</span>, sad or merry.</p> +</div></div> + +<p class="regards">(<i>Signed)</i></p> + +<p class="author"><span class="smcap">Invidius Naso.</span></p> + +<hr /> + +<h2>THE NELL OF CHELSEA.</h2> + +<center>(<i>A Legend of the Opening of the Royal Military Exhibition.</i>)</center> + +<p>The Lady got out of her picture in the Morning Room, and glanced at +herself in the Club glass. She had been painted by Sir <span class="smcap">Peter Lely</span>, and +consequently was scarcely in a costume suitable to a May Day at the +close of the Nineteenth Century.</p> + +<p>"I' faith," said the Lady, "but I must get me a cloak to cover me, +otherwise I shall have a crowd a following me."</p> + +<p>It will be seen from this observation that, although the Lady had +flourished (very considerably) in the time of <span class="smcap">Charles the Second</span>, she +had not kept up her Carolian English. It is possible that the chit-chat +under her frame by the fire-place had corrupted the purity of her—to an +antiquary—interesting lingo. Be this as it may, she glided down the +large and handsome staircase, and selecting the furred and hooded coat +of a member who had just returned from abroad, annexed it.</p> + +<p>"This will do nicely," she murmured; "quite the mode," a remark which +proved that she had seen no fashion-plates lying on the Club table, and, +therefore, was entirely ignorant of the modern mysteries of ladies' +dress. However, she passed in the crowd—partly because no one appeared +to notice her. A Lady from a portrait by Sir <span class="smcap">Peter Lely</span> without her +frame and background, after all, is rather a shadowy creation.</p> + +<p>When she had turned from Garrick Street into St. Martin's Lane, she +looked about her in surprise. What had been fields when she was in the +flesh were now sites of houses. She glided along, perplexed to a degree, +until she got to Charing Cross; then she recognised the statue of +<span class="smcap">Charles the First</span>, and what was standing of White Hall.</p> + +<p>"By my troth, this is not an improvement! Houses, houses, nothing but +houses! I will e'en take the water to Chelsea, and see the hospital I +persuaded <span class="smcap">Rowley</span> to give to his poor soldiers. There should be some +stairs hereabouts."</p> + +<p>But if the Lady did not find stairs, she came across a landing-stage. +She got on to the Westminster Pier, and was soon aboard one of the best +vessels of the Victoria Steamboat Association, Limited. Within half an +hour or so she was landed opposite the building it had been her +privilege to secure for the benefit of the British Army. The place was +brave with bunting. There were enormous sheds full of battle pictures +and portraits, and in the grounds was an arena suitable for the holding +of military sports. Then there was a huge band-stand, and the electric +light was laid on with great liberality in the gardens.</p> + +<p>"Gad'sooks!" exclaimed the Lady of the Picture; "and what are they doing +in the precincts of Chelsea Hospital?"</p> + +<p>She was immediately supplied with information. A Military Exhibition was +being held in aid of the Church of England Institutes—establishments +(so she was told) of a strictly unsectarian character. The +entertainments would be of a most popular character,—weather +permitting, <i>al fresco</i>. The commissariat would be excellent. In one +place only temperance beverages would be served, but elsewhere there +would be—well—there would be drinks. At that very moment the +Exhibition was being opened by the Most Illustrious Gentleman in the +Land accompanied by H.R.H.'s most charming and most beautiful partner. +Would the Lady like to see the place?</p> + +<p>"Another time," she replied. "Stay, I would like to see myself. Have you +a picture of me? I am Mistress <span class="smcap">Nellie Gwynne</span>."</p> + +<p>Her courteous informant bowed, and shook his head. He had heard it +suggested at the inaugural lunch that she should be represented, but +there were so many things to do—the Military Sports, the eating and +drinking, the Royal Patronage, and the Church of England +Institutes,—that, in point of fact, the matter had been overlooked.</p> + +<p>"Well, never mind," said good-natured <span class="smcap">Nellie</span>, "I daresay you will get on +very well without me. But look to this, my master. Here we are very near +the site of old Cremorne, and a part of the grounds over yonder is +called Ranelagh. You have lights and bands, and subtle beverages, some +of which will cheer but not inebriate,—and others that may possibly +reverse the operation. Well, well, my portrait is not in your +collection,—the best I can wish you is that you may keep your night +<i>fêtes</i> as select as your picture-gallery."</p> + +<p>And with this the Lady returned to her frame beside the fire-place in +the Club Morning Room.</p> + +<hr /> + +<h2>"NUTS" FOR THE COAL TRADE.</h2> + +<blockquote><p>[Under the 29th Section of the Weights and Measures Act "the person +in charge of the vehicle," when coal-frauds are perpetrated, seems +to be alone punishable.]</p></blockquote> + +<div class="poem"><div class="stanza"> +<p class="i0">Not a sack was full, not a weight was true,</p> +<p class="i2">As the coals to their cellar we hurried;</p> +<p class="i0">Not an eye could see were they many or few</p> +<p class="i2">In the crypt where our cobbles we buried.</p> +</div><div class="stanza"> +<p class="i0">We buried them gaily, at luncheon time,</p> +<p class="i2">All Acts of Parliament spurning;</p> +<p class="i0">There were "Kitchens," composed of slate and slime,</p> +<p class="i2">And Wallsend, "dimly burning."</p> +</div><div class="stanza"> +<p class="i0">No fussing servants surveyed our cart—</p> +<p class="i2">(If they had, we'd have kept them shivering)</p> +<p class="i0">—They were busy serving the family tart</p> +<p class="i2">At our chosen hour for delivering!</p> +</div><div class="stanza"> +<p class="i0">Few and brief the remarks we made;</p> +<p class="i2">Not of coals, but of beer, we chattered;</p> +<p class="i0">And we thought of the tricks of an opulent trade</p> +<p class="i2">As the coal-dust we liberally scattered.</p> +</div><div class="stanza"> +<p class="i0">We thought of our "dealer," our wealthy boss,</p> +<p class="i2">How he's spared by the law just created;</p> +<p class="i0">How we carmen are made to suffer the loss</p> +<p class="i2">When for fraud by a Court we are "slated."</p> +</div><div class="stanza"> +<p class="i0">Lightly they'll talk of his "ha'porth of sack,"</p> +<p class="i2">On his weights make unhandsome reflection;</p> +<p class="i0">But little he'll reck, as fines fall on our back,</p> +<p class="i2">And <i>he's</i> "doubly-screened" from detection!</p> +</div><div class="stanza"> +<p class="i0">But half of our "heavy task" was done</p> +<p class="i2">When a spy of the Council—drat it!—</p> +<p class="i0">Came pushing his nose in our sacks, every one,</p> +<p class="i2">Tried our weights, and our bill—looked at it!</p> +</div><div class="stanza"> +<p class="i0">Slowly and sadly we slunk out of sight,</p> +<p class="i2">Objecting to get into hobbles;</p> +<p class="i0">We breathed no farewell, and we said no good-night,</p> +<p class="i2">But we left him alone with the cobbles!</p> +</div></div> + +<hr /> + +<p><span class="smcap">Last Report.</span>—The Dean and Chapter of Westminster have discharged a +Canon. No one was seriously injured.</p> + +<hr /> + +<span class='pagenum'><a name="Page_226" id="Page_226">[Pg 226]</a></span> + +<h2>THE PICK OF THE PICTURES.—No. 1. ROYAL ACADEMY.</h2> + +<div class="figcenter" style="width: 80%"> +<a href="images/226a.png"> +<img src="images/226a.png" width="100%" alt="Tally Ho Ho Ho" /></a><br /><br /> +<span class="caption">No. 1004. Tally Ho Ho Ho! Going over a Ha! Ha! Ha! Quite +the picture of the year, and will probably be presented by subscription +to Colney Hatch, Esq., Master of the Hanwell Hounds.</span> +</div> + +<div class="figleft" style="width: 30%"> +<a href="images/226b.png"> +<img src="images/226b.png" width="100%" alt="The Determined Bather" /></a> +<span class="caption">No. 243. The Determined Bather. Temperature so cold that +drapery is frozen.</span> +</div> + +<br /><br /> + +<div class="figright" style="width: 35%"> +<a href="images/226c.png"> +<img src="images/226c.png" width="100%" alt="Curiosity in Animal Life" /></a><br /><br /> +<span class="caption">No. 110. Curiosity in Animal Life. Escaped from +Barnum's.</span> +</div> + +<br /><br /> + +<div class="figcenter" style="width: 60%"> +<a href="images/226d.png"> +<img src="images/226d.png" width="100%" alt="Advertisement" /></a><br /><br /> +<span class="caption">No. 437. Advertisement for Provincial Tour of Griffiths +Brothers as "The Blondin Donkey."</span> +</div> + +<p>No. 5. The First Storey in the Royal Academy Annual is entitled, <i>The +Hungry Messenger</i>. Good <span class="smcap">Storey</span>.</p> + +<p>No. 44. Never put off till to <span class="smcap">Moro Phillips</span> what you can put on to-day. +Illustration of an elderly Blue-coat Boy unable to leave off an old +habit.</p> + +<p>No. 53, with No. 98 and No. 91. Ought to have been hung together, +portraits "<i>en soot</i>."</p> + +<p>No. 202. <i>Ethereal Football.</i></p> + +<p>No. 224. <i>Boy and Dog.</i> <span class="smcap">Briton Rivière</span>, R.A. Dog unmuzzled, boy hears +policeman's footstep.</p> + +<p>No. 235. "<i>Every dog has his Washing-day.</i>" Pet just been cleaned and +brought into drawing-room. Doubtful reception by Papa and other sisters. +Hardly up to the usual form of <span class="smcap">W. Q. Orchardson</span>, R.A.</p> + +<p>No. 292. Mr. <span class="smcap">Phil. A. Morris</span>, A. calls this "<i>La Belle Américaine</i>." Is +she? The tone of this belle is rather loud.</p> + +<p>No. 303. A wonderful picture and portrait, by <span class="smcap">Luke Fildes</span>, R.A. "<span class="smcap">Luke</span> on +this picture and on——" any other portrait, and you'll find this hard +to beat. Wealth of colour, colour of wealth, <i>affaire de Luke's</i>.</p> + +<p>No. 318. <i>Major E. R. Burke.</i> Admirable portrait, by <span class="smcap">Hubert Herkomer</span>, A. +See how the Master of Bushey has dealt with the Hair! As might be +expected from a Hair-comber with a brush in his hand. Will be remembered +as "<i>Burke and Hair</i>."</p> +<p>You'll say this <i>as soon</i> as you see it. <span class="smcap">Hubert Herkomer</span>, A(ngcore).</p> + +<p>No. 411. <i>Mrs. Arthur Sassoon.</i> Charming. Sweet simplicity.<span class='pagenum'><a name="Page_227" id="Page_227">[Pg 227]</a></span></p> + +<div class="figcenter" style="width: 40%"> +<a href="images/227a.png"> +<img src="images/227a.png" width="100%" alt="Scene at Dollis Hill" /></a><br /><br /> +<p>No. 361. Scene at Dollis Hill</p> +</div> + +<p>No. 463. <i>Sir Oscar Clayton, C.M.E.</i> Bravo Mr. F. <span class="smcap">Goodall</span>, R.A. Good +entirely. Artist was thinking of adapting refrain of popular comic song, +"<i>Ask a P'liceman</i>," and writing under portrait legend—</p> +<center>If you want to know who's this,—<br /> +"<span class="smcap">Oscar Clayton.</span>"</center> + +<p>But it was unnecessary, as the portrait speaks for itself.</p> + +<p>No. 473. <i>D-T-erioration;</i> or, Sir <span class="smcap">Edwin Arnold</span>, K.C.S.I., commencing as +a book-maker, and laying "two to one bar one." "<span class="smcap">Arnold's</span> first exercise" +in this character is depicted by <span class="smcap">James Archer</span>.</p> + +<p>No. 600. <i>Tum-Tum The Melancholy</i>, By <span class="smcap">Joseph Mordecai</span>. Is <span class="smcap">Haman</span> hung +too?</p> + +<p>No. 703. "<i>Nobody looking, Mother, You can prig something out of the +Money-box.</i>" But the vigilant Verger has his eye on them. Such is the +story told by <span class="smcap">Blandford Fletcher</span>.</p> + +<p>No. 744. Coming home late in the Olden Time. By <span class="smcap">Ralph Hedley</span>. No +latch-key. Rousing the neighbourhood with pantomime door-knocker. +Situation graphically depicted.</p> + +<p>No. 759. <i>By the Linn Pool.</i> By <span class="smcap">Noble</span>. Charming. Must be of course; +<i>Noblesse oblige</i>.</p> + +<div class="figcenter" style="width: 80%"> +<a href="images/227b.png"> +<img src="images/227b.png" width="100%" alt="Primrose Dames" /></a><br /><br /> +<center>No. 487. Primrose Dames.</center> +</div> + +<p>No. 794. "<i>Out shooting.</i>" Very much out, shooting. Nothing to <span class="smcap">Crowe</span> +about.</p> + +<p>No. 886. <i>A Smile.</i> Delightful. This Miss is as good as her smile. <span class="smcap">Jan +van Beers.</span></p> + +<p>No. 1028. "<i>Please to remember the Ninth of November.</i>" Lord Mayor's +Procession stopped by photographer. "Now, then—wait—where you +are—when I say three!" And as they were taken, so they are cleverly +represented by <span class="smcap">William Logsdail.</span></p> + +<div class="figcenter" style="width: 15%"> +<a href="images/227c.png"> +<img src="images/227c.png" width="100%" alt="Mrs. Jack-in-the-Green" /></a> +<span class="caption">No. 652. Mrs. Jack-in-the-Green. Tree-mendous!</span> +</div> + +<hr /> + +<h2>ESSENCE OF PARLIAMENT.</h2> + +<center>EXTRACTED FROM THE DIARY OF TOBY, M.P.</center> + +<p><i>House of Commons, Monday, April 28.</i>—Irish Land Purchase Bill again. +<span class="smcap">Chamberlain</span> lifts debate out of somewhat tedious trough into which it +had fallen. Remarkable speech; bold in conception; adroit in +arrangement; forcible in argument; lucid in exposition. Spoke for over +an hour, and though his discourse, full of intricate points, the +marshalling of which was frequently interrupted by angry or scornful +cries from below Gangway, <span class="smcap">Joseph</span> had not a scrap of paper in his hand, +did not once refer to a note.</p> + +<p>"Admirable," said <span class="smcap">Grandolph</span>, looking on with appreciative, though not +loving eyes. "If he had lived in the time of his father <span class="smcap">Jacob</span>, it would +have been no use his brothers putting him in the pit; he would have +argued himself clean out before they were half a mile on their way back +to the family place in Canaan. Weak part of his position is that he is +trying to serve two Bills, <span class="smcap">Balfour's</span> and <span class="smcap">Parnell's</span>. Can't recommend +<span class="smcap">Balfour's</span> scheme without belittling <span class="smcap">Parnell's</span>; same thing other way +about. Reminds me, <span class="smcap">Toby</span>, of a passage in <span class="smcap">Wordsworth's</span> prose writings; +not so much read as his poetry; but daresay you remember it. There was a +Bishop <span class="smcap">Watson</span> who began his official career as a Liberal. He was +frightened into Conservatism, and <span class="smcap">Wordsworth</span>, then a hot young youth, +goes for him as youth does sometimes gird at Respectability. 'Upon what +principle,' he asked the Bishop, 'is your conduct to be explained? In +some parts of England it is quaintly said when a drunken man is seen +reeling home, that he has business on both sides of the road. Observing +your Lordship's tortuous path, the spectators will be far from +insinuating that you have partaken of Mr. <span class="smcap">Bourke's</span> intoxicating bowl. +They will content themselves, shaking their heads as you stagger along, +with saying that you have business on both sides of the road.' That's +what's the matter with <span class="smcap">Chamberlain</span>. He's very smart, very clever, very +capable; but in politics, dear <span class="smcap">Toby</span>, no one ever succeeds who has +business on both sides of the road."</p> + +<p>"What do <i>you</i> think?" I asked <span class="smcap">Christopher Sykes</span>, who stood looking on +with familiar aspect of unutterable wisdom.</p> + +<p>"I wasn't thinking of that at all," he answered, gloomily. "Haven't yet +got over what <span class="smcap">George Lewis</span> said in Court on Saturday. You've heard or +read about it, of course? Took opportunity of observing, that though I +was near sixty years of age, I was very innocent. I may be getting on +for sixty, but I'll tell you what, <span class="smcap">Toby</span>, I'm not nearly so innocent as I +look."</p> + +<p><span class="smcap">Christopher</span> really hurt with <span class="smcap">George Lewis's</span> aspersion. Comforted him by +hinting that I knew some dreadful things about him.</p> + +<p>"We remember your Crabs and Lobsters Bill," I said, soothingly. "There +was much more in that than met the eye. You're a crafty old <span class="smcap">Christopher</span>; +just the sort of man to take in a fellow like <span class="smcap">George Lewis</span>, who thinks +he knows everything."<span class='pagenum'><a name="Page_228" id="Page_228">[Pg 228]</a></span></p> + +<p><span class="smcap">Christopher</span> smiled a deep and wicked smile, and strode off in better +spirits. Always like to say a kind word to a man when I can.</p> + +<p><i>Business done.</i>—Land Purchase Bill again.</p> +<div class="figleft" style="width: 20%"> +<a href="images/228.png"> +<img src="images/228.png" width="100%" alt="I'm not nearly so innocent as I look" /></a> +<p>"I'm not nearly so innocent as I look."</p> +</div> +<p><i>Tuesday.</i>—Fight on Land Purchase Bill been going forward again at +Morning Sitting; rather dull, though enlivened by speech from <span class="smcap">Plunket</span>, +who once more reminded House how much it loses by his habitual silence. +At Evening Sitting <span class="smcap">Grandolph</span> came on with his Licensing Bill. Let eager +politicians and ambitious statesmen arm themselves for combat in the +field of high politics; <span class="smcap">Grandolph's</span> only desire is to do a little good +in the world whilst yet he lingers on this level. Nothing new in crusade +against drink. No <i>kudos</i> to be gained; no acclaim of the multitude to +ring in the pleased ear; no cheering clash of party conflict. <span class="smcap">Grandolph</span> +gives a deprecating twirl to his modest moustache, and takes up his +homely parable. Possibly he does this with the larger content, since he +had his go at the Land Purchase Bill before Debate on Second Reading +opened. His letters, published on eve of Easter recess, hurtled +pleasantly around the heads of his esteemed friends on Treasury Bench. +Could not say anything more or anything better if he joined in debate; +so sits silent through Morning Sitting, and when the shades of evening +fall, he meekly lifts up his voice, expounding a measure of domestic +legislation fraught with permanent interest to the masses.</p> + +<p>"A most promising member of the Band of Hope," says <span class="smcap">Wilfred Lawson</span>, +regarding <span class="smcap">Grandolph</span> with fatherly kindness. "Wonder if I might ask him +to crack a bottle of ginger-beer with me. Will certainly proffer the +hospitality if I get a chance."</p> + +<p>The grand young <span class="smcap">Gardner</span> (<i>and</i> his wife; can complete quotation now) +back again after wedding trip. Doesn't look quite so brisk as the +average bridegroom. "Fact is, old fellow," he said, as I condoled with +him, "when I said I would die a bachelor, I never thought I would live +to be married, go off on a wedding trip, catch the influenza at +Innsbruck, the measles at Milan, the scarlatina at Samarcand, and the +malaria at Mentone."</p> + +<p><i>Business done.</i>—Morning Sitting, Irish Land Purchase Bill; Evening, +<span class="smcap">Grandolph's</span> Licensing Bill read First Time.</p> + +<p><i>Thursday.</i>—Ordinarily amicable proceedings in debate on Irish Land +Purchase Bill varied by accidental but unhappy circumstances. Prince +<span class="smcap">Arthur</span> in course of speech happened to say, that "under Bill of 1886 +Irish Government was supposed to be a buffer between the English +Government and the Irish tenant." Mr. G., sitting attentive, suddenly +sprang up when this insult fell on his ear. Bill of 1886 not a tempting +topic; led to downfall of his Ministry; but to hear it publicly called a +"buffer," more than he could stand—or, rather, sit. Leaped to feet, +and, with thrilling energy, repudiated gross imputation. Prince <span class="smcap">Arthur</span> +taken aback; hadn't meant anything particular. To call a thing or a +person a buffer not necessarily a term of opprobrium. Everything depends +on inflection of tone. Suppose, now, leaning across the table, he had +addressed Mr. G. as "old buffer," that would perhaps have been a little +familiar, but not vindictive.</p> + +<p>This he tried to make clear. Having, as he thought, averted the thunder, +repeated remarks about Bill of 1886 being a buffer. Didn't even put it +in that direct form.</p> + +<p>"I said," he observed with seraphic smile and deferential manner, "that +the Irish Government under the Right Hon. Gentleman's Bill was supposed +to occupy the position, more or less, of a buffer between the English +Government and the Irish tenant."</p> + +<p>Mr. G. up again with catapultic force and suddenness. "Not in the +least," he angrily protested. "A buffer is between two things."</p> + +<p>Expected that would floor Prince <span class="smcap">Arthur</span>; but he came back again, and +sheltering himself behind the brass-bound box, called out, "Yes, but a +buffer might be between two persons as well as between two things."</p> + +<p>Mr. G. angrily shook his head; a Jove-like frown mantled his +countenance. But disdained to pursue controversy further, and Prince +<span class="smcap">Arthur</span>, carefully avoiding further reference to buffers, went his way. +Difference of opinion as to how question was left; Conservatives insist +that Prince <span class="smcap">Arthur</span> had best of it; Liberals stand by Mr. G. Many wonder +why <span class="smcap">Speaker</span> did not interfere; as he did not, it is assumed that buffer +is a Parliamentary word, at least when applied to inanimate creation.</p> + +<p><i>Business done.</i>—Second Heading of Irish Land Purchase Bill carried by +348 Votes against 268.</p> + +<p><i>Friday.</i>—<span class="smcap">Hartington</span> suddenly, unexpectedly, surprisingly, blossomed +into effective speech. Of all subjects in world was Disestablishment of +Kirk in Scotland! Calculated to depress most people; brightened +<span class="smcap">Hartington</span> up beyond all knowledge. His little hit at <span class="smcap">Gladstone</span>, +sheltering himself behind his (<span class="smcap">Hartington's</span>) familiar and convenient +declaration, that on Disestablishment Question he would be guided by the +opinion of the majority of the Scotch people, neatly and dexterously +made. Also his reference to the short time when he had honour of being +"at least the nominal Leader of the Liberal Party," and found Mr. G. a +somewhat unruly follower. Most excellent. <span class="smcap">Hartington</span> should try this +line again.</p> + +<p><i>Business done.</i>—Motion for Scotch Disestablishment negatived by 256 +Votes against 218.</p> + +<hr /> + +<h2>WEEK BY WEEK.</h2> + +<p><i>Wednesday, May 7.</i>—<i>Mr. Punch</i> out. Everybody's at home to <i>him</i>.</p> + +<p><i>Friday 9.</i>—Mrs. <span class="smcap">Duffer's</span> first dance if she knows the step.</p> + +<p><i>Saturday 10.</i>—Rehearsal of Crystal Palace fireworks, 2 <span class="smcap">P.M.</span> Admission +by entrance gates only.</p> + +<p><i>Monday 12.</i>—Breakfast to Mr. <span class="smcap">H. M. Stanley</span>, at whatever time he orders +it.</p> + +<p>First Meet of H.S. Drags, Serpentine.</p> + +<p>Foot-ball in Rotten Row, by kind permission of <span class="smcap">George Ranger</span> and the +Commissioner of Police.</p> + +<p>Mrs. <span class="smcap">Noodle's</span> second dance postponed, as she hasn't given her first yet.</p> + +<p><i>Tuesday 13.</i>—Holiday at Zoological Gardens. Cages all open. Admission +free. Banquets, Excursions, and Alarums.</p> + +<hr /> + +<p><span class="smcap">Lady Henrietta Siskin's</span> Charity Dance has been postponed until the +following week. A large and distinguished company is expected to grace +the mezzotint hall of her ladyship's new mansion in Belgravia on the +occasion. No expense is to be spared in the general decoration of the +supper-room, which was built, it will be remembered, by her ladyship's +great-grandfather in the reign of <span class="smcap">George the Third</span>.</p> + +<hr /> + +<p>A Correspondent furnishes us with the following curious +observations:—"I have noticed," he writes, "that those who walk or ride +in the Park are, generally speaking, of two sexes, and possess, as a +rule, four fingers and a thumb on each hand. By a curious freak of +fashion, a frock-coat is not now worn with a muslin skirt; and a +moustache may be sought for in vain under a sun-bonnet. Horses are +ridden with four legs, and, in some cases, with a tail, although this is +not essential."</p> + +<hr /> + +<p>It is strange to notice how much the tastes of theatre-goers vary at the +present day. Some prefer the Haymarket, some the Strand, others flock to +the Lyceum, and some are turned away from the Savoy, the Garrick, or the +Avenue. Philosophers have, as yet, paid too little attention to this +matter. Would Mr. <span class="smcap">Herbert Spencer</span> or Mr. <span class="smcap">Lang</span> oblige?</p> + +<hr /> + +<p>It has been calculated by the Society for the Collection of Domestic +Data, that if three-fourths of the Cooks of the Metropolis struck work +on any given day, exactly nine-twelfths of the resident employers of +servants would be seriously inconvenienced.</p> + +<hr /> + +<p>There is but very slight foundation for the report that, if <span class="smcap">Augustus +Druriolanus</span> (first so styled in the burlesque on <i>Claudian</i>) should be +elected to the Shrievalty, Messrs. <span class="smcap">Harry Nicholls</span> and <span class="smcap">Herbert Campbell</span> +will be the Under-Sheriffs.</p> + +<hr /> + +<p>A Correspondent lately drew Mr. <span class="smcap">Gl-dst-ne's</span> attention to the prevalence +of mud after rain, and the consequent injury to carts, collars, and +carriages. The veteran Statesman has found time to send the following +post-card reply, which will be perused with interest:—</p> + +<p><span class="smcap">Sir</span>,—The subject to which you direct my attention is no doubt of +peculiar interest to those in any way connected with the vehicular +traffic by which so much of the commerce and pleasure of the Metropolis +is carried on. In view, however, of the pressing exigencies of the Irish +Question, I cannot do more than take a note of your objections to +mud-spots, leaving to those who may come after me the duty of dealing +practically with your recommendations.</p> + +<p class="regards">I am, faithfully yours,</p> + +<p class="author"><span class="smcap">W. E. Gl-dst-ne</span>.</p> + +<hr /> + +<p>On the evening when Mr. <span class="smcap">Stanley</span> dines with the Turners' Company, where +he is entertained as a Re-Turner, it is hoped that the authorities of +the National Gallery will kindly allow all their Turners to attend. The +history of the Turners' Company is interesting, commencing as it does +with <span class="smcap">Whittington</span>, who was the first person (before <span class="smcap">Henry Irving</span> played +it) to hear <i>The Bells</i>, and to obey their injunction "to turn again."</p> + +<hr /> + +<div class="figleft" style="width: 5%"> +<a href="images/228b.gif"> +<img src="images/228b.gif" width="100%" alt="Pointing finger" /></a> +</div> + +<blockquote><p>NOTICE.—Rejected Communications or Contributions, whether MS., +Printed Matter, Drawings, or Pictures of any description, will in no +case be returned, not even when accompanied by Stamped and Addressed +Envelope, Cover, or Wrapper. To this rule there will be no +exception.</p></blockquote> + +<hr /> + + + + + + + + +<pre> + + + + + +End of the Project Gutenberg EBook of Punch, or the London Charivari, +Vol. 98, 1890.05.10, by Various + +*** END OF THIS PROJECT GUTENBERG EBOOK PUNCH *** + +***** This file should be named 30694-h.htm or 30694-h.zip ***** +This and all associated files of various formats will be found in: + http://www.gutenberg.org/3/0/6/9/30694/ + +Produced by Neville Allen, Malcolm Farmer and the Online +Distributed Proofreading Team at http://www.pgdp.net + + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. 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You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: Punch, or the London Charivari, Vol. 98, 1890.05.10 + +Author: Various + +Editor: F. C. (Francis Cowley) Burnand + +Release Date: December 17, 2009 [EBook #30694] + +Language: English + +Character set encoding: ASCII + +*** START OF THIS PROJECT GUTENBERG EBOOK PUNCH *** + + + + +Produced by Neville Allen, Malcolm Farmer and the Online +Distributed Proofreading Team at http://www.pgdp.net + + + + + + + + + + PUNCH, + + OR, THE LONDON CHARIVARI. + + VOLUME 98. + + MAY 10, 1890. + + * * * * * + +EIGHT HOURS ONLY. + +(_A Fancy Sketch of the Possible._) + +It was the first day under the operation of the new Act. Everyone was a +little nervous about the outcome, and JOHN JONES, the Barrister, was no +exception to the general rule. At three o'clock he was in the full swing +of an impassioned appeal to the Jury. + +"I beg your pardon, Mr. JONES," said the Judge, glancing at the clock, +"but I am afraid I must interrupt you. I cannot hear you any longer." + +"But, my Lord, I have not touched upon a third of the case. I can assure +you my remarks shall be as brief as possible." + +"That is not the point, Mr. JONES," replied his Lordship. "I am +following your argument with the liveliest interest, and I am sure that +all you would wish to say would be of the greatest possible service to +your client; but unfortunately I happen to know that you prepare your +cases in the early hours of the morning. Now, you know the law as well I +do. If you have not been at work to-day for eight hours, of course I +shall be happy to hear; but if you have----" + +"As your Lordship pleases," said poor JONES, and he gathered up his +papers, and left the Court. + +"Just in time, Sir," observed the attendant in the robing-room, as he +put the Barrister's wig in its box, and assisted him to divest himself +of his gown. "Had you come five minutes later, we should have gone." + +"Really! How would that have suited silk and stuff?" + +"Caused a fearful row, I am afraid, Sir. But we daren't exceed the eight +hours' limit, and we must keep two or three of them for some work we +have in the evening." + +When JONES found himself in the Strand he noticed that the traffic was +considerably less than usual. The omnibuses were few and far between, +and he did not see a cab in any direction. + +"Yes, Sir," replied a policeman, who was removing his band of office, +preparatory to going home; "you won't find many. Eight hours' limit, +Sir. Good-day, Sir. I am off myself." + +The boats had ceased running; there were no trams. To pass the time he +thought he would call upon the Editor, whose rooms were in Fleet Street. + +"I hope I am not interrupting you," he said, as he entered the sanctum. + +"Interrupting me! Why, I am delighted to see you. We have nothing to do. +Mustn't exceed the eight hours, and they were up at two o'clock. But how +did you get in?" + +"Oh, the Publisher opened the door, and then returned to a rubber of +whist he was playing with the Reader, the Manager, and the Head of the +Advertisement Department. I was introduced to them all. Then I watched a +tug of war going on in the composing-room between the Compositors on the +one side, and the Machinists and Foundry-men on the other, and came up +here." + +"Very glad to see you, my dear fellow!" and the Editor once again shook +hands. + +A little later JONES entered a restaurant, but he was refused dinner. +The eight hours' limit had cleared off the cooks and the waiters. +Half-starving, he purchased a stall for the theatre. For a while his +thoughts were distracted by the excellence of the performance. Suddenly, +in the most interesting part of the play, the curtain was prematurely +dropped. + +"Very sorry," said the Stage Manager, addressing the audience from +behind the footlights, "but, Ladies and Gentlemen, we have no option. We +had a rehearsal this morning of the new piece, and, taking this into +consideration, our limit is reached. I may seize this opportunity for +regretfully announcing that as two performances take more than eight +hours, the customary Saturday _Matinee_ will for the future be +discontinued." + +The orchestra played a few bars of the National Anthem, and the theatre +cleared. JONES strolled on to the Embankment, and, the evening being +pleasant, took a seat. Beside him was a student reading for examination, +a clergyman thinking out a sermon, and an artist taking a rough sketch. +JONES took out a brief himself and opened it. + +"It's no business of mine," said a policeman off duty, who happened to +be passing, "but you gents will get yourselves into trouble if you +exceed the limit." + +"I will go home," exclaimed JONES; and he walked to his suburban villa. +But the place was locked up, and the servants did not dare to open the +door to him, as they had finished their legal spell of labour hours +before. + +"Don't feel well," he murmured. "Will call upon my Doctor." + +"Now, my dear Sir," said the medical man, as JONES appeared before him, +"you know I must not prescribe for you. The eight hours' limit was +reached at four." + +"Then, I suppose I must die. Will the Act allow me to do _that_?" + +"You, as a Barrister, ought to know best, my dear Sir. What is _your_ +idea?" + +"My idea?" echoed the considering JONES. "Well, I should say----But, +stay; I am not entitled to give a professional opinion until to-morrow +morning! Still, offhand I may observe, that such an illegal death would +savour of positive suicide; but it would not matter very much, as under +existing circumstances suicide in some form or other seems to me +inevitable!" And JONES was right! + + * * * * * + +[Illustration: MAXIMS FOR THE BAR. NO. V. + +"A Curate may be cross-examined with comparative safety."] + + * * * * * + +IN THE KNOW. + +(_By Mr. Punch's Own Prophet._) + +Those who have carefully read the remarks which I have thought it my +duty to make in these columns from time to time, must have reaped a +golden harvest at Newmarket last week. It is not easy, of course, in +these milk-and-water days to say what one means in sufficiently plain +words. Personally, I have always been mild in my language, and have +often been reproached on this score. But I have always found it +possible, without using vulgar and exaggerated abuse, to express the +contempt which, in common with every right-minded man, I feel for the +grovelling herd of incompetent boobies, whose minds are as muddy as the +Rowley Mile after a thunderstorm. _Surefoot_ was always a favourite of +mine. Two months ago I said, "if _Surefoot_ can only face the starter +for the Two Thousand firmly, he will probably get off well, and ought +not to be far behind the first six at the finish. As to _Le Nord_, +though he is not my colour, he is not likely to be last." Only a +mooncalf, with a porridge-bowl instead of a head, could have mistaken +these remarks. + +So Sir THOMAS CHUCKS has joined the ranks of aristocratic owners. Here +is a chance for the dilly-dallying professors of humbug to distinguish +themselves. What can be expected from a stable which always runs its +trials at one o'clock in the morning, with nobody but Mr. JEREMY to look +on? No doubt we shall hear all about it in the columns which Mr. J. +devotes to the edification of dough-faced, gruel-brained noodles who +accept him as their prophet. + +_Catawampus_ ran well last week. With two stone less and a Calyx-eyed +saddle-bar, he would have shown up even better. Whenever the barometer +goes up two points _Catawampus_ must be remembered. He was foaled in a +ditch on the old North Road, somewhere between London and York, and +having remained there or thereabouts for a month, may be considered a +good stayer. + + * * * * * + +THE EMPIRE IN THE TIME OF SEVERUS.--Wonderful Juggler at the Empire, +with a name that's not to be trifled with, SEVERUS. Some nights he may +be better than on others, but you'll be delighted if you just catch him +in the Juggler vein. + + * * * * * + +The Over-rated Rate-payers who fear the rising of the Rates more than +almost any other rising, express a hope that the L. C. C. will be +economical, and that FARRER may be "Nearer." + + * * * * * + +[Illustration: UNCERTAINTIES OF ARITHMETIC. + +_Schoolmaster._ "YES; BUT LOOK HERE, MY BOY. SUPPOSE I WERE TO LEND YOUR +FATHER _FIVE HUNDRED POUNDS_, LET US SAY,--WITHOUT INTEREST,--BUT ON +CONDITION THAT HE SHOULD PAY ME TEN POUNDS A WEEK. HOW MUCH WOULD HE +STILL OWE ME IN TWO MONTHS?" + +_New Boy._ "FIVE HUNDRED POUNDS, SIR!" + +_Schoolmaster._ "TUT! TUT! MY BOY, YOU DON'T KNOW THE FIRST PRINCIPLES +OF ARITHMETIC!" + +_New Boy._ "_YOU_ DON'T KNOW _MY FATHER_, SIR!"] + + * * * * * + +PRIMROSE'S PEEP-SHOW. + +(_Vide Lord Rosebery's resume of the year's work of the London County +Council._) + +MASTER BULL _loquitur_:-- + + Humph! Show is very passable, no doubt; + And as you pull the strings, my clever Showman, + 'Tis clear that _you_ know what you are about, + Sense's sworn friend, and babbling folly's foeman. + The slides, as worked by you, seem mighty fine, + A trifle vague, perhaps, in composition, + Sloppy in colouring, and weak in line, + As is the civic peep-show's old tradition; + Still there is graphic vigour here and there, + Perspective, and a general sense of "movement." + On the old "Shirker" Show, 'tis only fair + To own, it evidences some improvement. + Plenty of slides! there is no doubt of _that_; + In fact one questions if there are too many. + Yes, I shall find when you pass round the hat, + The price is more than the old-fashioned Penny. + I pay my money and I take my--choice? + Well no, it won't quite fit, that fine old patter. + Still, if your Show proves good, I shall rejoice; + A trifling rise in fee won't greatly matter, + If 'tis not too "progressive" (as you say). + To stump up for sound work I'm always willing; + But though, of course, a Penny may not pay, + One wants a first-class Peep-Show for a Shilling! + Some of your novel slides are rather nice, + Some of them, on the other hand, look funny. + I felt grave doubts about 'em once or twice. + I don't want muddlers to absorb my money. + However, as I said, 'tis very clear + As puller of the strings you yield to no man. + The Show seems promising, if rather dear, + But anyhow it has a first-rate Showman! + + * * * * * + +"So Engelish you know!" exclaims the BARON DE B. W., on seeing the +advertisement of Dr. LOUIS ENGEL's new book from _Handel to Halle_. "It +will be interesting," says the Baron, "to note how much of HANDEL's +popularity was due to that particular inspiration of genius which caused +him to use the name of the future composer and pianist in one of his +greatest works, namely, the celebrated '_Hallelujah Chorus_.' For this +magnificent effort would have been only half the chorus it is without +'HALLE' to commence it." + + * * * * * + +GRANDOLPH GOODFELLOW; + +OR, PUCK AT THE SPIGOT. + +(_Shakspeare adapted to the situation_) + + _Bung._ Either I mistake your shape and making quite, + Or else you are that shrewd and knavish sprite + Called GRANDOLPH GOODFELLOW. Are you not he + That did your best to spill Lord S-L-SB-RY? + Gave the Old Tory party quite a turn, + And office with snug perquisites did spurn? + And now you'd make Strong Drink to bear no barm + (Or proper profit.) You would do us harm. + Those that Hobgoblin call you, and sly PUCK, + Are right; you always bring your friends bad luck. + Are you not he? + + _Puck._ By Jove, thou speak'st aright; + I am that merry wanderer full of spite. + I jest unto the Plebs and make it smile. + Old, fat, and bean-fed Tories I beguile, + And lead them to a Democratic goal. + Now I am "going for" the flowing bowl. + E'en W-LFR-D owns I am "upon the job". + I mean to save the workman many a "bob". + But, lessening his chance of toping ale, + The Witler tells his pals the saddest tale. + Bacchus for his true friend mistaketh me, + Then step I from his side, down topples he, + And "Traitor!" cries, and swears I did but chaff, + And the Teetotallers hold their sides and laugh, + And chortle in their joy, and shout, and swear + That GRANDOLPH GOODFELLOW's a spirit rare. + But room, old boy, the Second Reading's on. + + _Bung._ He is a trickster:--Would that he were gone! + + * * * * * + +MR. PUNCH'S DICTIONARY OF PHRASES. + +SOCIAL. + +"_Dear me, how surprisingly your voice has strengthened since I last +heard you sing_;" _i.e._, "Roars like a town-bull, and fancies himself a +LABLACHE!" + +"_I saw quite a ring round your picture at the Academy to-day_;" _i.e._, +"If only he had heard them laugh!" + +"_Won't you stop and have some lunch?_" _i.e._, "Couldn't help asking +him, as the confounded luncheon-bell rang a peal; but if he has any +manners or consideration he'll say, 'No, thank you,' and go." + +"_I know your face so well--but I am such a bad hand at names_;" _i.e._, +"Never saw him before in my life!" + +"_Pray allow me to get it_;" _i.e._, "Catch me moving!" + +"_You know you can trust me implicitly_;" _i.e.,_ "May be a good story +to tell." + +"_He has such wonderful wit_;" _i.e._, "An unfailing flow of rudeness +which he calls repartee." + +"_Rather satirical, yes: but she has marvellous insight into +character_;" _i.e._, "She has been complimenting _me_." + +PLATFORMULARS. + +"_These, then, are the arguments_;" _i.e._, "They're all yawning--must +end somehow." + +"_A crushing reply_;" _i.e._, a retort discourteous, in which all the +points of the attack are adroitly evaded. + +"_After the magnificent oration to which we have just listened with so +much delight, I feel that anything that I can say must be in the nature +of an anti-climax_;" _i.e._, "Confound him! Why will he take all the +'fat' to himself, and cut the ground from under a fellow's feet?" + +"_I have the greatest possible pleasure in presiding over this +magnificent assembly on this memorable occasion_;" _i.e._, "Place is +like a malodorous oven, and I wish to goodness it were all over." + +PARLIAMENTARY. + +"_I appeal to that consideration which the House always extends to a new +Member, &c._;" _i.e._, "Mean to make them sit up a bit, but _must_ come +the conventional modest." + +"_The Honourable and Gallant Gentleman has fulfilled his task with all +the ability that might naturally be expected_;" _i.e._, "With none worth +mentioning." + +"_I rise to order_;" _i.e._, "To raise _dis_order." + +EPISTOLATORY. + +"_Let me be the first, dear, to congratulate you on your well-merited +good fortune_;" _i.e._, "She has the deuce's own luck, and doesn't +deserve it." + +"_Thank you so much for your beautiful present, which I shall value for +its own sake as well as for the giver's_;" _i.e._, "Wouldn't give +twopence for the two of 'em." + +"_So good of you to send me your new book. I shall lose no time in +reading it_;" _i.e._, "No; not a single second." + +AT A DANCE. + +"_So you prefer to stand out of this dance, dear?_" _i.e._, "Trust her +for being a _willing_ 'Wallflower.'" + +"_Shall we sit this out on the stairs?_" _i.e._, "I don't want to dance, +and I _do_ want to spoon." + +A LITTLE MUSIC. + +"_Well, dear, the only song I can remember, without music, is +'Gasping'--but I'll try that, if you like_;" _i.e._, "_Her_ great song, +which she has been grinding up to sing to--or rather _at_--young +FITZ-FLOSS. _Won't_ she be wild?" + +"_Well, your Beethoven bits are lovely, dear, we know; but suppose you +give us something lighter, for once_;" _i.e._, "BEETHOVEN, indeed! +BESSIE BELLWOOD is more _her_ style." + +CHANNEL PASSAGE. + +"_Well, it may be a bit lively when we get out_;" _i.e._, "You won't +know whether you are on your head or your heels in ten minutes." + +CURIOMANIA. + +"_I've never seen such a collection of curios in my life!_" _i.e._, +"Hope I never may again!" + +"_I'm no great judge of such things, but I should say this specimen is +unique_;" _i.e._, "It is to be _hoped_ so!" + +"Ex-_qui-site_!!!" _i.e._, "Rubbish!" + +RAILROAD AMENITIES. + +"_Awfully noisy carriages on this line_;" _i.e._, "Thank goodness! The +clatter has tired even _his_ stentor throat." + +"_Good-bye! So sorry we don't travel farther together_;" _i.e._, +"Hooray! Now for feet up and forty winks!" + +PREPARING FOR PRIVATE THEATRICALS. + +"_I'm sure you will be a great acquisition to my little company_;" +_i.e._, "Awful stick, but a _pis aller_ I'm afraid." + +"_Now if there's_ anything _you notice not_ quite _the thing_, pray +_mention it_. I'm _not above taking a hint_;" _i.e._, "Nor _you_ up to +giving one--of any value." + +"_Oh, no doubt you're right, though it's not the way_ CHARLES MATHEWS +_did it_;" _i.e._, "That's a nasty one for you, Mr. MEDDLER." + +"_Ah, yes, I was a little off colour, perhaps; but I shall be all right +on the night, you bet!_" _i.e._, "Not going to be dictated to by _you_ +anyhow." + + * * * * * + +"STANDS SCOTLAND (YARD) WHERE IT DID?"--Yes; only more so. And how kind +and thoughtful of the Government to order that the materials for +building the new Police Offices should be found and fashioned by the +Dartmore convicts. Quite a labour of love! + + * * * * * + +Correspondent, in _Times_ of Saturday, showed that, in Spite of increase +of population, there has been a decrease of drunkenness. In 1884-85 +there were 183,221 drunken Police-court cases; but in 1887-88 only +166,366. Anti-temperance persons will look upon this as "a Drop too +much." + + * * * * * + +PICTURES OF THE YEAR THAT NO PATRON OF ART CAN POSSIBLY OVERLOOK.--Those +that are sky'd. + + * * * * * + +"SCOTS, WHA HAE." + +(_New Version. Sung at the Opening of the Edinburgh International +Exhibition, May 1._) + +[Illustration] + + Scots, wha hae at Paris bled, + Scots, wham COOK hath aften led, + Welcome to the white, green, red, + Of your ain Great Exhibition. + + Now's the day and now's the hour; + Though you have no Eiffel Tower! + See the bawbees pile and pour; + All the world shall crowd to see! + + Wha will want to pinch and save? + Wha to see it will not crave? + Wha will not declare it brave? + Far from Edinbro' let him flee! + + Wha will wish to see the sight + Of the graund electric light, + And the "Kiowatt" of might? + Caledonian! on wi' me! + + Ninety acres on the plain! + Almost apes the Show by Seine. + Won't folk flock by tram and train + To our International Show. + + Let the Incandescents glow, + Sixteen thousand, row on row! + SANDY all the world will show + He will beat the best--or die! + + * * * * * + +MODERN TYPES. + +(_By Mr. Punch's Own Type-Writer._) + +No. XI.--THE YOUNG GUARDSMAN. + +[Illustration] + +The Young Guardsman believes himself to be not only the backbone of the +British Army, its vital centre and support, but also its decorative +master-piece. Other officers, of whom the Guardsman is wont to speak +with a vague pity as belonging to "some line regiment," are not apt to +sympathise with him in this exalted estimate of his military position +and functions. They are accustomed to urge, that he is to the general +body of officers as gold lace is to the uniform he wears, a gaudy +ornament fashioned for show and useless for the practical work of the +military profession. Doubtless "these are the forgeries of jealousy," +or, if true at all, they are true only for that limited period of the +Guardsman's existence, during which he pays more attention to his own +dressing than to that of his men, and imagines that the serious objects +of life are attained when he has raised the height of his collar by half +an inch, or invented a new fashion of transfixing a silk scarf with a +diamond pin. In fact it is during the first flush of his youth that he +displays those characteristics which have specialised the Guardsman +amongst the golden lads who afterwards come to the dust of middle-age +and a colonelcy. + +It is by no means necessary that the Young Guardsman should enjoy an +aristocratic parentage, provided it be a wealthy one; nor is it +essential that he should have made his mark at school as a scholar, an +athlete, or a social success. Indeed, nothing is more common than to +hear a former school-fellow express himself in terms of derisive +amazement when he is informed that So-and-So is now in the Guards. +"What, _that_ scug?" he will observe with immeasurable contempt, and +will proceed to express his surprise how one who neither played cricket, +nor football, nor rowed to any purpose can possibly add distinction to +Her Majesty's Brigade of Guards. These observations, it should be said, +however disrespectful they may be towards a particular individual, +undoubtedly show a strong feeling of veneration for the repute of the +Guards in general. It must be added too that on his side the Young +Guardsman is not slow to repay, and in doing so to aggravate, the +contempt of the burly athlete who may have kicked him at school, and +towards whom he now assumes a lordly air of irritating patronage hardly +endurable, but not easily to be resented, by one who feels it to be +totally unwarranted. + +The Guardsman, then, will have passed through school without emerging in +any way from the common ruck of ordinary boys. He will have left at a +comparatively early age in order that his education may no longer be +neglected, and will have betaken himself to the fostering care of one of +the numerous establishments which exist to prove that the private coach +_Codlin_ is superior to the public school _Short_. Hence, if his +abilities are exceptionally brilliant, he will have passed into +Sandhurst. Failing this, however, the Militia is a refuge and a +stepping-stone. In any case he will find himself in due time the owner +of Her Majesty's Commission and the largest head-dress in the British +Army. In short he will become a Guardsman in full bloom. + +And now he begins to reap a plentiful harvest of easy social +distinctions, in the sowing of which he himself has borne no part. He +may be, though to be sure he is not always, the feeblest and most vapid +of created beings, but he will be none the less courted and flattered by +the numerous band who fix their eyes and their hearts on social position +without any regard to the particular atom of humanity by which it may +chance to be filled. Hostesses shower invitations upon him, he slides +easily into the membership of many Clubs both social and sporting, +tradesmen and money-lenders solicit with humility the supreme honour of +being his creditors, and all the world, as he counts it, smiles upon him +and is ready to make much of him. A man would require to be made of +exceptionally stern stuff not to yield to many of the temptations thus +spread before him, and the Young Guardsman, although he is as martial as +the occasional wearing of his uniform can make him, is by no means +stern. He yields, however, with an admirable grace, and although his +nationality and his profession both forbid him to display an excess of +enthusiasm, it may be said of him that he tolerates his pleasures and +does not despise the amusements for which a musketry course at Hythe or +an occasional encampment at Pirbright seems to give him an additional +zest. + +He is often to be seen at dances, and although he does not dance much +and is not much of a dancer, it is impossible to complain of any lack of +vigour in his steps as he tears round the room with his partner in +double-quick time. Having done this he will descend to supper with a +young married lady whom he is temporarily honouring with his attentions, +and will impress her with the maturity of his views of the world. He +will hint to her that, after all, there is more to be said for _Don +Juan_ than is commonly supposed, and that "by Gad, a feller who chucks +away his chances when there are no end of 'em runnin' after him is a +fool dontcherknow, and you may tell 'em I said so." After he has +imparted this information he will re-conduct her upstairs, and will then +leave in a hansom preceded by a tall cigar, for which he has paid +half-a-crown. + +At Maidenhead, too, on Sundays during the summer the Young Guardsman is +a conspicuous object. Robed in spotless flannels, with the Brigade +Colours round his straw hat and his neck, he may be seen propelling a +punt with much perseverance and some accuracy to Boulter's Lock and +back. Afterwards he will dine with the comfortable conviction that he +has had very violent exercise. + +Of the Young Guardsman's dress much might be said. It is spotless and +careful and is evidently the result of deep thought. Yet, if a fault may +be hinted, it errs like his cigar on the side of exaggeration. A +frock-coat should fit well, but his is too tight. Fashion no doubt +demands that in the daytime a cascade of silk or satin should pour +itself into a lake of shirt-front, but the cascade need not be a Niagara +nor the lake an Ontario. It is true of course that at night no young man +who respects himself and values the opinion of his friends would dream +of wearing a white tie of any but the butterfly pattern. Still there are +butterflies and butterflies, and the Young Guardsman's model would seem +to be rather one of the huge tropical varieties than any known to our +northern climate. These, however, are but trifling defects which +scarcely detract from the shining and ornamental completeness of his +appearance. + +It is remarkable how readily the Young Guardsman imagines himself to be +an adept in the mysteries of the turf. With a light heart and a heavy +betting-book he faces the hoary sinners who lay the odds. Nor is it +until he has lost more money than his father can well afford that he +discovers that the raw inexperience even of a Young Guardsman is +unequally matched against the cool head, and the long purse, of the +professional book-maker. In vain does he call in the aid of the venal +tipster. The result is always the same, and he returns home from every +race-meeting without ever, to use his own phrase, "getting home" at all. +Indeed, if they may be believed, the subalterns of "the Brigade" never +vary from a condition which they always describe as stony-broke. + +A little later in his career the Young Guardsman will find himself +temporarily on the staff of a General appointed to command a force of +Volunteers during some Easter man[oe]uvres. He will wear a white belt, +the frock-coat of his undress uniform and a cocked hat, and will believe +himself to be a Staff officer. He will perform his duties not without +efficiency, but will scarcely take enough trouble to remove from the +minds of the Volunteers to whom he issues orders, that idea of patronage +which is to a rightly constituted Volunteer what a red rag is said to be +to a bull. Soon after this, a war having broken out in Africa, he will +volunteer for active service and will be accepted. Being after all a +young man of pluck and spirit, he will pass with distinction through the +hardships and dangers of the campaign. Amid the stern realities of the +bivouac and the battlefield his swagger and his affectations will +vanish. Returning home in this altered condition it is as likely as not +that he will marry, and having served his Queen with solid credit for +many years, will eventually retire with the rank of General and the +well-earned respect of all who know him. + + * * * * * + +THE LAST OF THE BACILLI. + +(_Feuilleton of the "Medical Record," April, 1900._) + +In a gloomy and inaccessible cavity, situated in the diaphragm of the +human body in which he had made his home, stood the last of the Bacilli. +His friends and his brothers, the companions of his innocent childhood, +the associates of his boyish days, his fellow-adventurers in manhood's +prime--all, all had perished. Some had been ruthlessly hunted down by a +skilled body of German assassins; others had died under the cruel +attacks of the pestilent Frenchman. The Cholera Bacillus, the king of +them all, was the first to fall; typhoid and typhus, small-pox and +measles, fits of convulsions or of sneezing, coughs and catarrhs, had +all been deprived of Bacilli and slain. The Wart Bacillus had fought +hard and maintained himself for a long time on a precarious footing of +fingers and thumbs; but he too had been extirpated. The Thirst Bacillus +had given up the ghost yesterday, after keeping up for years a guerilla +warfare disguised either as a green rat or a striped snake. And now the +mighty Hunger Bacillus stood alone, gloomy and defiant. But he knew his +hour had come. "Better death," he shouted, "than the microscope!" and +with these words drew his sword and dashed forth into the darkness. +There was a yell, followed by the sound of steel beaten against steel, +then a blood-curdling gurgle, and all grew still. + +"He was a gallant scoundrel, but my quick _riposte_ confused him," +observed Signor SUCCI, who entered the apartment, wiping his blade on +the advertisement of a new beef-essence, and taking copious draughts of +his elixir. + +Thus died, as he had lived, dismal, desperate, degraded, the Hunger +Bacillus, the last of his race. + +(_From another Column of the same Paper._) + +We rejoice to hear that the Act for making Succination compulsory is to +be energetically enforced. Public Succinators have now been appointed to +every district, and every parent omitting to have the operation +performed upon his infant within two months after birth is to be +rigorously prosecuted. Henceforth, as we may remind our readers, anybody +"complaining of hunger shall be liable on conviction to be imprisoned +for not less than six calendar months, with or without hard labour." We +quote the words of clause 3 of the Act. + + * * * * * + +[Illustration: ALLOWED TO STARVE. + +THE SUCCESSFUL FASTING-MAN.] + + * * * * * + +[Illustration: ONE OF THE SIX HUNDRED!!!] + + * * * * * + +OUR BOOKING-OFFICE. + +Mr. JAMES PAYN has the peculiar gift of writing a novel as if he were +telling you a story _viva voce_ and interesting you in it, not only by +reason of its plot, but also by his way of narrating it. There is a +spontaneity about his style which to the Baron is most refreshing: it is +like listening to two clever men, one of whom is telling the story, and +the other is enlivening it with his sharp and appropriate comments, +always dropped in parenthetically. Mr. PAYN is a good hand at keeping a +secret, and it is not for the BARON DE B. W. to tell beforehand what the +novelist keeps as a little bit up his sleeve till the last moment. Why +call it _The Burnt Million_? To what tremendous conflagration involving +such a fearful loss of life does the title point? The story will +interest the Million and delight Thousands. Excellent as is the dialogue +generally, the Baron ventures to doubt whether any ordinary person (and +no one of these characters is a genius) ever begins a sentence with +"Nay." Anent _The Burnt Million_, the Baron's advice to persons in +search of a novel is, "_Tolle, lege!_" Also the Baron says, get _La +Revue de Famille_ at HACHETTE's. _Un Foyer de Theatre_, by M. AUDEBRAND, +for all interested in the history of the French Drama, is delightful +reading. Don't miss _Causerie Litteraire_, by Mr. CHARLES BENOIST. + +The Baroness says, read "Poor Mr. Carrington" in _Temple Bar_. + +_Lippincott's Magazine_ this month is heartily welcome,--we should say, +BRET HARTE-ily welcome. Capital story, by B. H., "A Sappho of Green +Sprigs." + + (_Signed_) BARON DE BOOK WORMS & CO. + + * * * * * + +ODDS ON THE BEDMAKERS. + + [A proposal for the abolition of Bedmakers is being discussed in + Cambridge.] + +_Chorus of Undergraduates:--_ + + There are things we could spare; we could watch without weeping + A Tutor's extinction, a Dean's disappearance. + And Professors who drone while their pupils are sleeping, + Though they went at a loss, we should welcome the clearance. + + And Proctors who blandly demand six-and-eightpence, + And, while toiling themselves, send all petticoats spinning; + And Porters who tick off our names for our gate-pence; + And Bull-dogs who help to withhold us from sinning. + + And the juvenile Don who thinks "Dons should be firmer," + And the elderly Don who is painfully nervous-- + We could see them depart without even a murmur, + So our Bedmakers stay to amuse and to serve us. + + We have watched, while we trembled, the pomps and the maces, + Stern emblems of rule, with the Esquire Bedell come; + We have heard of the Senate, its edicts and graces,-- + Take the lot, if you like, you may have them and welcome. + + But the "Bedder"? No, no. Come, we offer a wager: + We will bet she survives who of beds is the maker! + Any answer? Not one; for, in spite of her age, her + Attractions are such that there isn't a taker. + + * * * * * + +MEASURES AND MEN.--M. JACQUES BERTILLON has been lecturing before the +Anthropological Society--(the only Society where _anthropoi_ are +logical)--on his method of "identifying criminals by comparing their +measures with those of convicted prisoners on the prison registers." +Ahem! How about novel Home Rule Measures compared with those of past +Kilmainhamites? + + * * * * * + +[Illustration: THE QUEEN'S SERVICE. + +"I SEE YOUR SERVANTS WEAR COCKADES NOW, MISS SHODDSON." + +"YES. PA'S JUST BECOME A MEMBER OF THE ARMY AND NAVY STORES."] + + * * * * * + +L'ENFANT TERRIBLE! + +_Chorus of Passengers, expostulating:--_ + + Stop, WILLIAM, stop! Your game is not a game _we_ can enjoy! + Your father's son should not thus play the Little Vulgar Boy! + This is not Margate, WILLIAM mine, and ours is not a crew + Of ordinary trippers, packed aboard the _Lively Loo_ + For a shillingsworth of suffering on a wild and wobbling sea. + Stop, WILLIAM! You'll upset the boat! Why can't you let it be? + + Our boat has braved a many storms. It's old and may be crank; + But though it sometimes sprang a leak, it never wholly sank. + We are not packed so close to-day as we have oft been packed. + Against some stiffer gales than this we've weathered and we've tacked; + But, WILLIAM, though our craft tossed wild, though loud the winds have + roared, + We've never, never had so bad a boy as _you_ on board! + + Sit down, now do, you pickle, you! Don't dance upon that thwart, + And see-saw in that sort of way. We want to get to port, + Not Davy Jones's Locker, Sir. "These roarers" are wild things, + As SHAKSPEARE in _The Tempest_ says, and do not care for Kings; + To keep them down and bale them out has always been our aim; + But you, you just play larks with them. What _is_ your little game? + You, young, the latest chap on board, but of a sound old stock + Of Royal navigators, do you think it right to mock + All nautical traditions in this reckless kind of way, + And greet these waves, as BYRON did, as though with them you'd _play_? + They're dangerous playfellows, boy; tiger-cubs hardly in it + For riskiness! I say, do stop! You'll swamp us in a minute. + Look at your Crown! Such head-gear, boy, is seldom a tight fit, + And oscillations sometimes act as Notices to Quit! + + What would your grandfather have said to see you sway and prance? + Sit still, lad, you alarm us all. Just look at Madame FRANCE! + She's thought a fairish sailor, and has doffed her Crown, but see, + She's clutching at the gunwale, too, as nervous as can be. + Whilst, as for dear Senora SPAIN and her poor little charge, + I guess she wishes this same tub were CLEOPATRA's barge, + Or something broad and beamy that won't easily capsize. + AUSTRIA's staring with a look of agonized surprise. + And ITALY's dumfoundered. Sit down, boy! you're tempting fate. + These days are trying ones, for _us_, 'tis worse than Forty-Eight. + Then there were winds and whirlpools, but no Socialistic Sea + Sweeping all shores, and threatening International anarchy. + And with _its_ waves you're wantoning, and wobbling up and down, + Indifferent to our stomachs,--as regardless of your Crown. + Upon my honour it's too bad. _Noblesse oblige_, you know, + 'Tis not a Hohenzollern we'd expect to serve us so. + You've sacked our safest Pilot, who objected to your pranks, + And now you are coquetting with mad mutiny in the ranks, + Eh? You'll suppress it when you please, you'll smash up all your foes? + 'Tis a new game, for Royalty, and risky, goodness knows. + Meanwhile, _don't_ sway the boat like that, into the sea you'll fall; + Or, what's more likely, just capsize the craft and drown us all! + + * * * + +[Illustration: L'ENFANT TERRIBLE! + +CHORUS IN THE STERN. "DON'T GO ON LIKE THAT--OR YOU'LL UPSET US ALL!!"] + + * * * * * + +THE ROYAL ACADEMY BANQUET. + +Exceptionally good in food for body and mind. "First person present in +indicative mood" is Sir FREDERICK, the courteous President, pointing out +to Royal Highnesses the beauties of Burlington House. Stars, ribands, +and garters everywhere. Exceptionally distinguished personages come in +with invitations only, and no orders. Pretty to see Cardinal MANNING's +bright scarlet scull-cap, quite eclipsing RUSTEM PASHA's fez. Cardinal +distinctly observed to smile during MARKISS's humorous observations. +"MARKISS is ready," sounds like twin phrase to "Barkis is willin'." +H.R.H.'s speech shorter than ever. Wonderful, too, how eloquent Sir +FREDERICK contrives to spread fresh butter on dry old toasts, so that +everyone relishes them as choice morsels. All speeches shorter, except +Admiralty Lord's, who, being among portrait-painters, goes in for +figures. But where is--"Mr. STANLEY, I presume?" Not here. Invited, but +perhaps exploring neighbourhood, and unable to discover Burlington +House. Altogether an exceptionally brilliant evening. + + * * * * * + +[Illustration: AT A HORSE FAIR. + +Dealer. "NOW, GUV'NOR, SAY YOU'LL 'AVE 'IM FOR THIRTY-FIVE BOB. YOU +CAN'T GET A GOOD SOUND YOUNG 'OSS LIKE 'IM FOR LESS!"] + + * * * * * + +TO THE NEW SCRIBE AND POET. + +AIR--"_O Ruddier than the Cherry!_" + + O RUDYARD, in this sherry, + I drink your very, very + Good health. I would + That write I could + Like KIPLING, sad or merry. + +(_Signed)_ INVIDIUS NASO. + + * * * * * + +THE NELL OF CHELSEA. + +(_A Legend of the Opening of the Royal Military Exhibition._) + +The Lady got out of her picture in the Morning Room, and glanced at +herself in the Club glass. She had been painted by Sir PETER LELY, and +consequently was scarcely in a costume suitable to a May Day at the +close of the Nineteenth Century. + +"I' faith," said the Lady, "but I must get me a cloak to cover me, +otherwise I shall have a crowd a following me." + +It will be seen from this observation that, although the Lady had +flourished (very considerably) in the time of CHARLES THE SECOND, she +had not kept up her Carolian English. It is possible that the chit-chat +under her frame by the fire-place had corrupted the purity of her--to an +antiquary--interesting lingo. Be this as it may, she glided down the +large and handsome staircase, and selecting the furred and hooded coat +of a member who had just returned from abroad, annexed it. + +"This will do nicely," she murmured; "quite the mode," a remark which +proved that she had seen no fashion-plates lying on the Club table, and, +therefore, was entirely ignorant of the modern mysteries of ladies' +dress. However, she passed in the crowd--partly because no one appeared +to notice her. A Lady from a portrait by Sir PETER LELY without her +frame and background, after all, is rather a shadowy creation. + +When she had turned from Garrick Street into St. Martin's Lane, she +looked about her in surprise. What had been fields when she was in the +flesh were now sites of houses. She glided along, perplexed to a degree, +until she got to Charing Cross; then she recognised the statue of +CHARLES THE FIRST, and what was standing of White Hall. + +"By my troth, this is not an improvement! Houses, houses, nothing but +houses! I will e'en take the water to Chelsea, and see the hospital I +persuaded ROWLEY to give to his poor soldiers. There should be some +stairs hereabouts." + +But if the Lady did not find stairs, she came across a landing-stage. +She got on to the Westminster Pier, and was soon aboard one of the best +vessels of the Victoria Steamboat Association, Limited. Within half an +hour or so she was landed opposite the building it had been her +privilege to secure for the benefit of the British Army. The place was +brave with bunting. There were enormous sheds full of battle pictures +and portraits, and in the grounds was an arena suitable for the holding +of military sports. Then there was a huge band-stand, and the electric +light was laid on with great liberality in the gardens. + +"Gad'sooks!" exclaimed the Lady of the Picture; "and what are they doing +in the precincts of Chelsea Hospital?" + +She was immediately supplied with information. A Military Exhibition was +being held in aid of the Church of England Institutes--establishments +(so she was told) of a strictly unsectarian character. The +entertainments would be of a most popular character,--weather +permitting, _al fresco_. The commissariat would be excellent. In one +place only temperance beverages would be served, but elsewhere there +would be--well--there would be drinks. At that very moment the +Exhibition was being opened by the Most Illustrious Gentleman in the +Land accompanied by H.R.H.'s most charming and most beautiful partner. +Would the Lady like to see the place? + +"Another time," she replied. "Stay, I would like to see myself. Have you +a picture of me? I am Mistress NELLIE GWYNNE." + +Her courteous informant bowed, and shook his head. He had heard it +suggested at the inaugural lunch that she should be represented, but +there were so many things to do--the Military Sports, the eating +and drinking, the Royal Patronage, and the Church of England +Institutes,--that, in point of fact, the matter had been overlooked. + +"Well, never mind," said good-natured NELLIE, "I daresay you will get on +very well without me. But look to this, my master. Here we are very near +the site of old Cremorne, and a part of the grounds over yonder is +called Ranelagh. You have lights and bands, and subtle beverages, some +of which will cheer but not inebriate,--and others that may possibly +reverse the operation. Well, well, my portrait is not in your +collection,--the best I can wish you is that you may keep your night +_fetes_ as select as your picture-gallery." + +And with this the Lady returned to her frame beside the fire-place in +the Club Morning Room. + + * * * * * + +"NUTS" FOR THE COAL TRADE. + + [Under the 29th Section of the Weights and Measures Act "the person + in charge of the vehicle," when coal-frauds are perpetrated, seems + to be alone punishable.] + + Not a sack was full, not a weight was true, + As the coals to their cellar we hurried; + Not an eye could see were they many or few + In the crypt where our cobbles we buried. + + We buried them gaily, at luncheon time, + All Acts of Parliament spurning; + There were "Kitchens," composed of slate and slime, + And Wallsend, "dimly burning." + + No fussing servants surveyed our cart-- + (If they had, we'd have kept them shivering) + --They were busy serving the family tart + At our chosen hour for delivering! + + Few and brief the remarks we made; + Not of coals, but of beer, we chattered; + And we thought of the tricks of an opulent trade + As the coal-dust we liberally scattered. + + We thought of our "dealer," our wealthy boss, + How he's spared by the law just created; + How we carmen are made to suffer the loss + When for fraud by a Court we are "slated." + + Lightly they'll talk of his "ha'porth of sack," + On his weights make unhandsome reflection; + But little he'll reck, as fines fall on our back, + And _he's_ "doubly-screened" from detection! + + But half of our "heavy task" was done + When a spy of the Council--drat it!-- + Came pushing his nose in our sacks, every one, + Tried our weights, and our bill--looked at it! + + Slowly and sadly we slunk out of sight, + Objecting to get into hobbles; + We breathed no farewell, and we said no good-night, + But we left him alone with the cobbles! + + * * * * * + +LAST REPORT.--The Dean and Chapter of Westminster have discharged a +Canon. No one was seriously injured. + + * * * * * + +THE PICK OF THE PICTURES.--No. 1. ROYAL ACADEMY. + +[Illustration: No. 1004. Tally Ho Ho Ho! Going over a Ha! Ha! Ha! Quite +the picture of the year, and will probably be presented by subscription +to Colney Hatch, Esq., Master of the Hanwell Hounds.] + +[Illustration: No. 243. The Determined Bather. Temperature so cold that +drapery is frozen.] + +[Illustration: No. 110. Curiosity in Animal Life. Escaped from +Barnum's.] + +[Illustration: No. 437. Advertisement for Provincial Tour of Griffiths +Brothers as "The Blondin Donkey."] + + * * * + +No. 5. The First Storey in the Royal Academy Annual is entitled, _The +Hungry Messenger_. Good STOREY. + +No. 44. Never put off till to MORO PHILLIPS what you can put on to-day. +Illustration of an elderly Blue-coat Boy unable to leave off an old +habit. + +No. 53, with No. 98 and No. 91. Ought to have been hung together, +portraits "_en soot_." + +No. 202. _Ethereal Football._ + +No. 224. _Boy and Dog._ BRITON RIVIERE, R.A. Dog unmuzzled, boy hears +policeman's footstep. + +No. 235. "_Every dog has his Washing-day._" Pet just been cleaned and +brought into drawing-room. Doubtful reception by Papa and other sisters. +Hardly up to the usual form of W. Q. ORCHARDSON, R.A. + +No. 292. Mr. PHIL. A. MORRIS, A. calls this "_La Belle Americaine_." Is +she? The tone of this belle is rather loud. + +No. 303. A wonderful picture and portrait, by LUKE FILDES, R.A. "LUKE on +this picture and on----" any other portrait, and you'll find this hard +to beat. Wealth of colour, colour of wealth, _affaire de Luke's_. + +No. 318. _Major E. R. Burke._ Admirable portrait, by HUBERT HERKOMER, A. +See how the Master of Bushey has dealt with the Hair! As might be +expected from a Hair-comber with a brush in his hand. Will be remembered +as "_Burke and Hair_." + +No. 411. _Mrs. Arthur Sassoon._ Charming. Sweet simplicity. + +You'll say this _as soon_ as you see it. HUBERT HERKOMER, A(ngcore). + +[Illustration: No. 361. Scene at Dollis Hill.] + +No. 463. _Sir Oscar Clayton, C.M.E._ Bravo Mr. F. GOODALL, R.A. Good +entirely. Artist was thinking of adapting refrain of popular comic song, +"_Ask a P'liceman_," and writing under portrait legend-- + +If you want to know who's this,-- + "OSCAR CLAYTON." + +But it was unnecessary, as the portrait speaks for itself. + +No. 473. _D-T-erioration;_ or, Sir EDWIN ARNOLD, K.C.S.I., commencing as +a book-maker, and laying "two to one bar one." "ARNOLD'S first exercise" +in this character is depicted by JAMES ARCHER. + +No. 600. _Tum-Tum The Melancholy_, By JOSEPH MORDECAI. Is HAMAN hung +too? + +No. 703. "_Nobody looking, Mother, You can prig something out of the +Money-box._" But the vigilant Verger has his eye on them. Such is the +story told by BLANDFORD FLETCHER. + +No. 744. Coming home late in the Olden Time. By RALPH HEDLEY. No +latch-key. Rousing the neighbourhood with pantomime door-knocker. +Situation graphically depicted. + +No. 759. _By the Linn Pool._ By NOBLE. Charming. Must be of course; +_Noblesse oblige_. + +[Illustration: No. 487. Primrose Dames.] + +No. 794. "_Out shooting._" Very much out, shooting. Nothing to CROWE +about. + +No. 886. _A Smile._ Delightful. This Miss is as good as her smile. JAN +VAN BEERS. + +No. 1028. "_Please to remember the Ninth of November._" Lord Mayor's +Procession stopped by photographer. "Now, then--wait--where you +are--when I say three!" And as they were taken, so they are cleverly +represented by WILLIAM LOGSDAIL. + +[Illustration: No. 652. Mrs. Jack-in-the-Green. Tree-mendous!] + + * * * * * + +ESSENCE OF PARLIAMENT. + +EXTRACTED FROM THE DIARY OF TOBY, M.P. + +_House of Commons, Monday, April 28._--Irish Land Purchase Bill again. +CHAMBERLAIN lifts debate out of somewhat tedious trough into which it +had fallen. Remarkable speech; bold in conception; adroit in +arrangement; forcible in argument; lucid in exposition. Spoke for over +an hour, and though his discourse, full of intricate points, the +marshalling of which was frequently interrupted by angry or scornful +cries from below Gangway, JOSEPH had not a scrap of paper in his hand, +did not once refer to a note. + +"Admirable," said GRANDOLPH, looking on with appreciative, though not +loving eyes. "If he had lived in the time of his father JACOB, it would +have been no use his brothers putting him in the pit; he would have +argued himself clean out before they were half a mile on their way back +to the family place in Canaan. Weak part of his position is that he is +trying to serve two Bills, BALFOUR'S and PARNELL'S. Can't recommend +BALFOUR'S scheme without belittling PARNELL'S; same thing other way +about. Reminds me, TOBY, of a passage in WORDSWORTH'S prose writings; +not so much read as his poetry; but daresay you remember it. There was a +Bishop WATSON who began his official career as a Liberal. He was +frightened into Conservatism, and WORDSWORTH, then a hot young youth, +goes for him as youth does sometimes gird at Respectability. 'Upon what +principle,' he asked the Bishop, 'is your conduct to be explained? In +some parts of England it is quaintly said when a drunken man is seen +reeling home, that he has business on both sides of the road. Observing +your Lordship's tortuous path, the spectators will be far from +insinuating that you have partaken of Mr. BOURKE'S intoxicating bowl. +They will content themselves, shaking their heads as you stagger along, +with saying that you have business on both sides of the road.' That's +what's the matter with CHAMBERLAIN. He's very smart, very clever, very +capable; but in politics, dear TOBY, no one ever succeeds who has +business on both sides of the road." + +"What do _you_ think?" I asked CHRISTOPHER SYKES, who stood looking on +with familiar aspect of unutterable wisdom. + +"I wasn't thinking of that at all," he answered, gloomily. "Haven't yet +got over what GEORGE LEWIS said in Court on Saturday. You've heard or +read about it, of course? Took opportunity of observing, that though I +was near sixty years of age, I was very innocent. I may be getting on +for sixty, but I'll tell you what, TOBY, I'm not nearly so innocent as I +look." + +CHRISTOPHER really hurt with GEORGE LEWIS'S aspersion. Comforted him by +hinting that I knew some dreadful things about him. + +"We remember your Crabs and Lobsters Bill," I said, soothingly. "There +was much more in that than met the eye. You're a crafty old CHRISTOPHER; +just the sort of man to take in a fellow like GEORGE LEWIS, who thinks +he knows everything." + +CHRISTOPHER smiled a deep and wicked smile, and strode off in better +spirits. Always like to say a kind word to a man when I can. + +_Business done._--Land Purchase Bill again. + +_Tuesday._--Fight on Land Purchase Bill been going forward again at +Morning Sitting; rather dull, though enlivened by speech from PLUNKET, +who once more reminded House how much it loses by his habitual silence. +At Evening Sitting GRANDOLPH came on with his Licensing Bill. Let eager +politicians and ambitious statesmen arm themselves for combat in the +field of high politics; GRANDOLPH'S only desire is to do a little good +in the world whilst yet he lingers on this level. Nothing new in crusade +against drink. No _kudos_ to be gained; no acclaim of the multitude to +ring in the pleased ear; no cheering clash of party conflict. GRANDOLPH +gives a deprecating twirl to his modest moustache, and takes up his +homely parable. Possibly he does this with the larger content, since he +had his go at the Land Purchase Bill before Debate on Second Reading +opened. His letters, published on eve of Easter recess, hurtled +pleasantly around the heads of his esteemed friends on Treasury Bench. +Could not say anything more or anything better if he joined in debate; +so sits silent through Morning Sitting, and when the shades of evening +fall, he meekly lifts up his voice, expounding a measure of domestic +legislation fraught with permanent interest to the masses. + +"A most promising member of the Band of Hope," says WILFRED LAWSON, +regarding GRANDOLPH with fatherly kindness. "Wonder if I might ask him +to crack a bottle of ginger-beer with me. Will certainly proffer the +hospitality if I get a chance." + +[Illustration: "I'm not nearly so innocent as I look."] + +The grand young GARDNER (_and_ his wife; can complete quotation now) +back again after wedding trip. Doesn't look quite so brisk as the +average bridegroom. "Fact is, old fellow," he said, as I condoled with +him, "when I said I would die a bachelor, I never thought I would live +to be married, go off on a wedding trip, catch the influenza at +Innsbruck, the measles at Milan, the scarlatina at Samarcand, and the +malaria at Mentone." + +_Business done._--Morning Sitting, Irish Land Purchase Bill; Evening, +GRANDOLPH'S Licensing Bill read First Time. + +_Thursday._--Ordinarily amicable proceedings in debate on Irish Land +Purchase Bill varied by accidental but unhappy circumstances. Prince +ARTHUR in course of speech happened to say, that "under Bill of 1886 +Irish Government was supposed to be a buffer between the English +Government and the Irish tenant." Mr. G., sitting attentive, suddenly +sprang up when this insult fell on his ear. Bill of 1886 not a tempting +topic; led to downfall of his Ministry; but to hear it publicly called a +"buffer," more than he could stand--or, rather, sit. Leaped to feet, +and, with thrilling energy, repudiated gross imputation. Prince ARTHUR +taken aback; hadn't meant anything particular. To call a thing or a +person a buffer not necessarily a term of opprobrium. Everything depends +on inflection of tone. Suppose, now, leaning across the table, he had +addressed Mr. G. as "old buffer," that would perhaps have been a little +familiar, but not vindictive. + +This he tried to make clear. Having, as he thought, averted the thunder, +repeated remarks about Bill of 1886 being a buffer. Didn't even put it +in that direct form. + +"I said," he observed with seraphic smile and deferential manner, "that +the Irish Government under the Right Hon. Gentleman's Bill was supposed +to occupy the position, more or less, of a buffer between the English +Government and the Irish tenant." + +Mr. G. up again with catapultic force and suddenness. "Not in the +least," he angrily protested. "A buffer is between two things." + +Expected that would floor Prince ARTHUR; but he came back again, and +sheltering himself behind the brass-bound box, called out, "Yes, but a +buffer might be between two persons as well as between two things." + +Mr. G. angrily shook his head; a Jove-like frown mantled his +countenance. But disdained to pursue controversy further, and Prince +ARTHUR, carefully avoiding further reference to buffers, went his way. +Difference of opinion as to how question was left; Conservatives insist +that Prince ARTHUR had best of it; Liberals stand by Mr. G. Many wonder +why SPEAKER did not interfere; as he did not, it is assumed that buffer +is a Parliamentary word, at least when applied to inanimate creation. + +_Business done._--Second Heading of Irish Land Purchase Bill carried by +348 Votes against 268. + +_Friday._--HARTINGTON suddenly, unexpectedly, surprisingly, blossomed +into effective speech. Of all subjects in world was Disestablishment of +Kirk in Scotland! Calculated to depress most people; brightened +HARTINGTON up beyond all knowledge. His little hit at GLADSTONE, +sheltering himself behind his (HARTINGTON'S) familiar and convenient +declaration, that on Disestablishment Question he would be guided by the +opinion of the majority of the Scotch people, neatly and dexterously +made. Also his reference to the short time when he had honour of being +"at least the nominal Leader of the Liberal Party," and found Mr. G. a +somewhat unruly follower. Most excellent. HARTINGTON should try this +line again. + +_Business done._--Motion for Scotch Disestablishment negatived by 256 +Votes against 218. + + * * * * * + +WEEK BY WEEK. + +_Wednesday, May 7._--_Mr. Punch_ out. Everybody's at home to _him_. + +_Friday 9._--Mrs. DUFFER'S first dance if she knows the step. + +_Saturday 10._--Rehearsal of Crystal Palace fireworks, 2 P.M. Admission +by entrance gates only. + +_Monday 12._--Breakfast to Mr. H. M. STANLEY, at whatever time he orders +it. + +First Meet of H.S. Drags, Serpentine. + +Foot-ball in Rotten Row, by kind permission of GEORGE RANGER and the +Commissioner of Police. + +Mrs. NOODLE'S second dance postponed, as she hasn't given her first yet. + +_Tuesday 13._--Holiday at Zoological Gardens. Cages all open. Admission +free. Banquets, Excursions, and Alarums. + + * * * + +LADY HENRIETTA SISKIN'S Charity Dance has been postponed until the +following week. A large and distinguished company is expected to grace +the mezzotint hall of her ladyship's new mansion in Belgravia on the +occasion. No expense is to be spared in the general decoration of the +supper-room, which was built, it will be remembered, by her ladyship's +great-grandfather in the reign of GEORGE THE THIRD. + + * * * + +A Correspondent furnishes us with the following curious +observations:--"I have noticed," he writes, "that those who walk or ride +in the Park are, generally speaking, of two sexes, and possess, as a +rule, four fingers and a thumb on each hand. By a curious freak of +fashion, a frock-coat is not now worn with a muslin skirt; and a +moustache may be sought for in vain under a sun-bonnet. Horses are +ridden with four legs, and, in some cases, with a tail, although this is +not essential." + + * * * + +It is strange to notice how much the tastes of theatre-goers vary at the +present day. Some prefer the Haymarket, some the Strand, others flock to +the Lyceum, and some are turned away from the Savoy, the Garrick, or the +Avenue. Philosophers have, as yet, paid too little attention to this +matter. Would Mr. HERBERT SPENCER or Mr. LANG oblige? + + * * * + +It has been calculated by the Society for the Collection of Domestic +Data, that if three-fourths of the Cooks of the Metropolis struck work +on any given day, exactly nine-twelfths of the resident employers of +servants would be seriously inconvenienced. + + * * * + +There is but very slight foundation for the report that, if AUGUSTUS +DRURIOLANUS (first so styled in the burlesque on _Claudian_) should be +elected to the Shrievalty, Messrs. HARRY NICHOLLS and HERBERT CAMPBELL +will be the Under-Sheriffs. + + * * * + +A Correspondent lately drew Mr. GL-DST-NE'S attention to the prevalence +of mud after rain, and the consequent injury to carts, collars, and +carriages. The veteran Statesman has found time to send the following +post-card reply, which will be perused with interest:-- + +SIR,--The subject to which you direct my attention is no doubt of +peculiar interest to those in any way connected with the vehicular +traffic by which so much of the commerce and pleasure of the Metropolis +is carried on. In view, however, of the pressing exigencies of the Irish +Question, I cannot do more than take a note of your objections to +mud-spots, leaving to those who may come after me the duty of dealing +practically with your recommendations. + + I am, faithfully yours, W. E. GL-DST-NE. + + * * * + +On the evening when Mr. STANLEY dines with the Turners' Company, where +he is entertained as a Re-Turner, it is hoped that the authorities of +the National Gallery will kindly allow all their Turners to attend. The +history of the Turners' Company is interesting, commencing as it does +with WHITTINGTON, who was the first person (before HENRY IRVING played +it) to hear _The Bells_, and to obey their injunction "to turn again." + + * * * * * + +[Illustration] + +NOTICE.--Rejected Communications or Contributions, whether MS., Printed +Matter, Drawings, or Pictures of any description, will in no case be +returned, not even when accompanied by a Stamped and Addressed Envelope, +Cover, or Wrapper. To this rule there will be no exception. + + * * * * * + + + + + +End of the Project Gutenberg EBook of Punch, or the London Charivari, +Vol. 98, 1890.05.10, by Various + +*** END OF THIS PROJECT GUTENBERG EBOOK PUNCH *** + +***** This file should be named 30694.txt or 30694.zip ***** +This and all associated files of various formats will be found in: + http://www.gutenberg.org/3/0/6/9/30694/ + +Produced by Neville Allen, Malcolm Farmer and the Online +Distributed Proofreading Team at http://www.pgdp.net + + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. 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