summaryrefslogtreecommitdiff
path: root/3173-h/3173-h.htm
blob: d17ebefc18747d0817d7fb7d5977c06e802a49e2 (plain)
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
32
33
34
35
36
37
38
39
40
41
42
43
44
45
46
47
48
49
50
51
52
53
54
55
56
57
58
59
60
61
62
63
64
65
66
67
68
69
70
71
72
73
74
75
76
77
78
79
80
81
82
83
84
85
86
87
88
89
90
91
92
93
94
95
96
97
98
99
100
101
102
103
104
105
106
107
108
109
110
111
112
113
114
115
116
117
118
119
120
121
122
123
124
125
126
127
128
129
130
131
132
133
134
135
136
137
138
139
140
141
142
143
144
145
146
147
148
149
150
151
152
153
154
155
156
157
158
159
160
161
162
163
164
165
166
167
168
169
170
171
172
173
174
175
176
177
178
179
180
181
182
183
184
185
186
187
188
189
190
191
192
193
194
195
196
197
198
199
200
201
202
203
204
205
206
207
208
209
210
211
212
213
214
215
216
217
218
219
220
221
222
223
224
225
226
227
228
229
230
231
232
233
234
235
236
237
238
239
240
241
242
243
244
245
246
247
248
249
250
251
252
253
254
255
256
257
258
259
260
261
262
263
264
265
266
267
268
269
270
271
272
273
274
275
276
277
278
279
280
281
282
283
284
285
286
287
288
289
290
291
292
293
294
295
296
297
298
299
300
301
302
303
304
305
306
307
308
309
310
311
312
313
314
315
316
317
318
319
320
321
322
323
324
325
326
327
328
329
330
331
332
333
334
335
336
337
338
339
340
341
342
343
344
345
346
347
348
349
350
351
352
353
354
355
356
357
358
359
360
361
362
363
364
365
366
367
368
369
370
371
372
373
374
375
376
377
378
379
380
381
382
383
384
385
386
387
388
389
390
391
392
393
394
395
396
397
398
399
400
401
402
403
404
405
406
407
408
409
410
411
412
413
414
415
416
417
418
419
420
421
422
423
424
425
426
427
428
429
430
431
432
433
434
435
436
437
438
439
440
441
442
443
444
445
446
447
448
449
450
451
452
453
454
455
456
457
458
459
460
461
462
463
464
465
466
467
468
469
470
471
472
473
474
475
476
477
478
479
480
481
482
483
484
485
486
487
488
489
490
491
492
493
494
495
496
497
498
499
500
501
502
503
504
505
506
507
508
509
510
511
512
513
514
515
516
517
518
519
520
521
522
523
524
525
526
527
528
529
530
531
532
533
534
535
536
537
538
539
540
541
542
543
544
545
546
547
548
549
550
551
552
553
554
555
556
557
558
559
560
561
562
563
564
565
566
567
568
569
570
571
572
573
574
575
576
577
578
579
580
581
582
583
584
585
586
587
588
589
590
591
592
593
594
595
596
597
598
599
600
601
602
603
604
605
606
607
608
609
610
611
612
613
614
615
616
617
618
619
620
621
622
623
624
625
626
627
628
629
630
631
632
633
634
635
636
637
638
639
640
641
642
643
644
645
646
647
648
649
650
651
652
653
654
655
656
657
658
659
660
661
662
663
664
665
666
667
668
669
670
671
672
673
674
675
676
677
678
679
680
681
682
683
684
685
686
687
688
689
690
691
692
693
694
695
696
697
698
699
700
701
702
703
704
705
706
707
708
709
710
711
712
713
714
715
716
717
718
719
720
721
722
723
724
725
726
727
728
729
730
731
732
733
734
735
736
737
738
739
740
741
742
743
744
745
746
747
748
749
750
751
752
753
754
755
756
757
758
759
760
761
762
763
764
765
766
767
768
769
770
771
772
773
774
775
776
777
778
779
780
781
782
783
784
785
786
787
788
789
790
791
792
793
794
795
796
797
798
799
800
801
802
803
804
805
806
807
808
809
810
811
812
813
814
815
816
817
818
819
820
821
822
823
824
825
826
827
828
829
830
831
832
833
834
835
836
837
838
839
840
841
842
843
844
845
846
847
848
849
850
851
852
853
854
855
856
857
858
859
860
861
862
863
864
865
866
867
868
869
870
871
872
873
874
875
876
877
878
879
880
881
882
883
884
885
886
887
888
889
890
891
892
893
894
895
896
897
898
899
900
901
902
903
904
905
906
907
908
909
910
911
912
913
914
915
916
917
918
919
920
921
922
923
924
925
926
927
928
929
930
931
932
933
934
935
936
937
938
939
940
941
942
943
944
945
946
947
948
949
950
951
952
953
954
955
956
957
958
959
960
961
962
963
964
965
966
967
968
969
970
971
972
973
974
975
976
977
978
979
980
981
982
983
984
985
986
987
988
989
990
991
992
993
994
995
996
997
998
999
1000
1001
1002
1003
1004
1005
1006
1007
1008
1009
1010
1011
1012
1013
1014
1015
1016
1017
1018
1019
1020
1021
1022
1023
1024
1025
1026
1027
1028
1029
1030
1031
1032
1033
1034
1035
1036
1037
1038
1039
1040
1041
1042
1043
1044
1045
1046
1047
1048
1049
1050
1051
1052
1053
1054
1055
1056
1057
1058
1059
1060
1061
1062
1063
1064
1065
1066
1067
1068
1069
1070
1071
1072
1073
1074
1075
1076
1077
1078
1079
1080
1081
1082
1083
1084
1085
1086
1087
1088
1089
1090
1091
1092
1093
1094
1095
1096
1097
1098
1099
1100
1101
1102
1103
1104
1105
1106
1107
1108
1109
1110
1111
1112
1113
1114
1115
1116
1117
1118
1119
1120
1121
1122
1123
1124
1125
1126
1127
1128
1129
1130
1131
1132
1133
1134
1135
1136
1137
1138
1139
1140
1141
1142
1143
1144
1145
1146
1147
1148
1149
1150
1151
1152
1153
1154
1155
1156
1157
1158
1159
1160
1161
1162
1163
1164
1165
1166
1167
1168
1169
1170
1171
1172
1173
1174
1175
1176
1177
1178
1179
1180
1181
1182
1183
1184
1185
1186
1187
1188
1189
1190
1191
1192
1193
1194
1195
1196
1197
1198
1199
1200
1201
1202
1203
1204
1205
1206
1207
1208
1209
1210
1211
1212
1213
1214
1215
1216
1217
1218
1219
1220
1221
1222
1223
1224
1225
1226
1227
1228
1229
1230
1231
1232
1233
1234
1235
1236
1237
1238
1239
1240
1241
1242
1243
1244
1245
1246
1247
1248
1249
1250
1251
1252
1253
1254
1255
1256
1257
1258
1259
1260
1261
1262
1263
1264
1265
1266
1267
1268
1269
1270
1271
1272
1273
1274
1275
1276
1277
1278
1279
1280
1281
1282
1283
1284
1285
1286
1287
1288
1289
1290
1291
1292
1293
1294
1295
1296
1297
1298
1299
1300
1301
1302
1303
1304
1305
1306
1307
1308
1309
1310
1311
1312
1313
1314
1315
1316
1317
1318
1319
1320
1321
1322
1323
1324
1325
1326
1327
1328
1329
1330
1331
1332
1333
1334
1335
1336
1337
1338
1339
1340
1341
1342
1343
1344
1345
1346
1347
1348
1349
1350
1351
1352
1353
1354
1355
1356
1357
1358
1359
1360
1361
1362
1363
1364
1365
1366
1367
1368
1369
1370
1371
1372
1373
1374
1375
1376
1377
1378
1379
1380
1381
1382
1383
1384
1385
1386
1387
1388
1389
1390
1391
1392
1393
1394
1395
1396
1397
1398
1399
1400
1401
1402
1403
1404
1405
1406
1407
1408
1409
1410
1411
1412
1413
1414
1415
1416
1417
1418
1419
1420
1421
1422
1423
1424
1425
1426
1427
1428
1429
1430
1431
1432
1433
1434
1435
1436
1437
1438
1439
1440
1441
1442
1443
1444
1445
1446
1447
1448
1449
1450
1451
1452
1453
1454
1455
1456
1457
1458
1459
1460
1461
1462
1463
1464
1465
1466
1467
1468
1469
1470
1471
1472
1473
1474
1475
1476
1477
1478
1479
1480
1481
1482
1483
1484
1485
1486
1487
1488
1489
1490
1491
1492
1493
1494
1495
1496
1497
1498
1499
1500
1501
1502
1503
1504
1505
1506
1507
1508
1509
1510
1511
1512
1513
1514
1515
1516
1517
1518
1519
1520
1521
1522
1523
1524
1525
1526
1527
1528
1529
1530
1531
1532
1533
1534
1535
1536
1537
1538
1539
1540
1541
1542
1543
1544
1545
1546
1547
1548
1549
1550
1551
1552
1553
1554
1555
1556
1557
1558
1559
1560
1561
1562
1563
1564
1565
1566
1567
1568
1569
1570
1571
1572
1573
1574
1575
1576
1577
1578
1579
1580
1581
1582
1583
1584
1585
1586
1587
1588
1589
1590
1591
1592
1593
1594
1595
1596
1597
1598
1599
1600
1601
1602
1603
1604
1605
1606
1607
1608
1609
1610
1611
1612
1613
1614
1615
1616
1617
1618
1619
1620
1621
1622
1623
1624
1625
1626
1627
1628
1629
1630
1631
1632
1633
1634
1635
1636
1637
1638
1639
1640
1641
1642
1643
1644
1645
1646
1647
1648
1649
1650
1651
1652
1653
1654
1655
1656
1657
1658
1659
1660
1661
1662
1663
1664
1665
1666
1667
1668
1669
1670
1671
1672
1673
1674
1675
1676
1677
1678
1679
1680
1681
1682
1683
1684
1685
1686
1687
1688
1689
1690
1691
1692
1693
1694
1695
1696
1697
1698
1699
1700
1701
1702
1703
1704
1705
1706
1707
1708
1709
1710
1711
1712
1713
1714
1715
1716
1717
1718
1719
1720
1721
1722
1723
1724
1725
1726
1727
<?xml version="1.0" encoding="utf-8"?>

<!DOCTYPE html
   PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN"
   "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd" >

<html xmlns="http://www.w3.org/1999/xhtml" lang="en">
  <head>
    <title>
      Essays on Paul Bourget, by Mark Twain
    </title>
    <style type="text/css" xml:space="preserve">

    body { margin:5%; background:#faebd7; text-align:justify}
    P { text-indent: 1em; margin-top: .25em; margin-bottom: .25em; }
    H1,H2,H3,H4,H5,H6 { text-align: center; margin-left: 15%; margin-right: 15%; }
    hr  { width: 50%; text-align: center;}
    .foot { margin-left: 20%; margin-right: 20%; text-align: justify; text-indent: -3em; font-size: 90%; }
    blockquote {font-size: 97%; font-style: italic; margin-left: 10%; margin-right: 10%;}
    .mynote    {background-color: #DDE; color: #000; padding: .5em; margin-left: 10%; margin-right: 10%; font-family: sans-serif; font-size: 95%;}
    .toc       { margin-left: 10%; margin-bottom: .75em;}
    .toc2      { margin-left: 20%;}
    div.fig { display:block; margin:0 auto; text-align:center; }
    .figleft   {float: left; margin-left: 0%; margin-right: 1%;}
    .figright  {float: right; margin-right: 0%; margin-left: 1%;}
    pre     { font-style: italic; font-size: 90%; margin-left: 5%;}

</style>
  </head>
  <body>
    <p>
      <br /><br />
    </p>
<pre xml:space="preserve">
Project Gutenberg's Essays on Paul Bourget, by Mark Twain (Samuel Clemens)

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org


Title: Essays on Paul Bourget

Author: Mark Twain (Samuel Clemens)

Release Date: August 20, 2006 [EBook #3173]
Last Updated: February 24, 2018

Language: English

Character set encoding: UTF-8

*** START OF THIS PROJECT GUTENBERG EBOOK ESSAYS ON PAUL BOURGET ***



Produced by David Widger





</pre>
    <h1>
      ESSAYS ON PAUL BOURGET
    </h1>
    <p>
      <br /><br />
    </p>
    <h2>
      by Mark Twain
    </h2>
    <p>
      <br /> <br />
    </p>
    <hr />
    <p>
      <br /> <br />
    </p>
    <h2>
      Contents
    </h2>
    <table summary="&rdquo; style=" cellpadding="4&rdquo; border=">
      <tr>
        <td>
          <p class="toc">
            <a href="#link2H_4_0001"> WHAT PAUL BOURGET THINKS OF US </a>
          </p>
          <p class="toc">
            <a href="#link2H_4_0002"> A LITTLE NOTE TO M. PAUL BOURGET </a>
          </p>
        </td>
      </tr>
    </table>
    <p>
      <br /> <br />
    </p>
    <hr />
    <p>
      <br /> <br /> <a name="link2H_4_0001" id="link2H_4_0001">
       <!--  H2 anchor --> </a>
    </p>
    <h2>
      WHAT PAUL BOURGET THINKS OF US
    </h2>
    <p>
      He reports the American joke correctly. In Boston they ask, How much does
      he know? in New York, How much is he worth? in Philadelphia, Who were his
      parents? And when an alien observer turns his telescope upon us&mdash;advertisedly
      in our own special interest&mdash;a natural apprehension moves us to ask,
      What is the diameter of his reflector?
    </p>
    <p>
      I take a great interest in M. Bourget's chapters, for I know by the
      newspapers that there are several Americans who are expecting to get a
      whole education out of them; several who foresaw, and also foretold, that
      our long night was over, and a light almost divine about to break upon the
      land.
    </p>
<pre xml:space="preserve">
          &ldquo;His utterances concerning us are bound to be weighty and well
          timed.&rdquo;

          &ldquo;He gives us an object-lesson which should be thoughtfully and
          profitably studied.&rdquo;
 </pre>
    <p>
      These well-considered and important verdicts were of a nature to restore
      public confidence, which had been disquieted by questionings as to whether
      so young a teacher would be qualified to take so large a class as
      70,000,000, distributed over so extensive a schoolhouse as America, and
      pull it through without assistance.
    </p>
    <p>
      I was even disquieted myself, although I am of a cold, calm temperament,
      and not easily disturbed. I feared for my country. And I was not wholly
      tranquilized by the verdicts rendered as above. It seemed to me that there
      was still room for doubt. In fact, in looking the ground over I became
      more disturbed than I was before. Many worrying questions came up in my
      mind. Two were prominent. Where had the teacher gotten his equipment? What
      was his method?
    </p>
    <p>
      He had gotten his equipment in France.
    </p>
    <p>
      Then as to his method! I saw by his own intimations that he was an
      Observer, and had a System that used by naturalists and other scientists.
      The naturalist collects many bugs and reptiles and butterflies and studies
      their ways a long time patiently. By this means he is presently able to
      group these creatures into families and subdivisions of families by nice
      shadings of differences observable in their characters. Then he labels all
      those shaded bugs and things with nicely descriptive group names, and is
      now happy, for his great work is completed, and as a result he intimately
      knows every bug and shade of a bug there, inside and out. It may be true,
      but a person who was not a naturalist would feel safer about it if he had
      the opinion of the bug. I think it is a pleasant System, but subject to
      error.
    </p>
    <p>
      The Observer of Peoples has to be a Classifier, a Grouper, a Deducer, a
      Generalizer, a Psychologizer; and, first and last, a Thinker. He has to be
      all these, and when he is at home, observing his own folk, he is often
      able to prove competency. But history has shown that when he is abroad
      observing unfamiliar peoples the chances are heavily against him. He is
      then a naturalist observing a bug, with no more than a naturalist's
      chance of being able to tell the bug anything new about itself, and no
      more than a naturalist's chance of being able to teach it any new
      ways which it will prefer to its own.
    </p>
    <p>
      To return to that first question. M. Bourget, as teacher, would simply be
      France teaching America. It seemed to me that the outlook was dark&mdash;almost
      Egyptian, in fact. What would the new teacher, representing France, teach
      us? Railroading? No. France knows nothing valuable about railroading.
      Steamshipping? No. France has no superiorities over us in that matter.
      Steamboating? No. French steamboating is still of Fulton's date&mdash;1809.
      Postal service? No. France is a back number there. Telegraphy? No, we
      taught her that ourselves. Journalism? No. Magazining? No, that is our own
      specialty. Government? No; Liberty, Equality, Fraternity, Nobility,
      Democracy, Adultery the system is too variegated for our climate.
      Religion? No, not variegated enough for our climate. Morals? No, we cannot
      rob the poor to enrich ourselves. Novel-writing? No. M. Bourget and the
      others know only one plan, and when that is expurgated there is nothing
      left of the book.
    </p>
    <p>
      I wish I could think what he is going to teach us. Can it be Deportment?
      But he experimented in that at Newport and failed to give satisfaction,
      except to a few. Those few are pleased. They are enjoying their joy as
      well as they can. They confess their happiness to the interviewer. They
      feel pretty striped, but they remember with reverent recognition that they
      had sugar between the cuts. True, sugar with sand in it, but sugar. And
      true, they had some trouble to tell which was sugar and which was sand,
      because the sugar itself looked just like the sand, and also had a
      gravelly taste; still, they knew that the sugar was there, and would have
      been very good sugar indeed if it had been screened. Yes, they are
      pleased; not noisily so, but pleased; invaded, or streaked, as one may
      say, with little recurrent shivers of joy&mdash;subdued joy, so to speak,
      not the overdone kind. And they commune together, these, and massage each
      other with comforting sayings, in a sweet spirit of resignation and
      thankfulness, mixing these elements in the same proportions as the sugar
      and the sand, as a memorial, and saying, the one to the other, and to the
      interviewer: &ldquo;It was severe&mdash;yes, it was bitterly severe; but
      oh, how true it was; and it will do us so much good!&rdquo;
    </p>
    <p>
      If it isn't Deportment, what is left? It was at this point that I
      seemed to get on the right track at last. M. Bourget would teach us to
      know ourselves; that was it: he would reveal us to ourselves. That would
      be an education. He would explain us to ourselves. Then we should
      understand ourselves; and after that be able to go on more intelligently.
    </p>
    <p>
      It seemed a doubtful scheme. He could explain us to himself&mdash;that
      would be easy. That would be the same as the naturalist explaining the bug
      to himself. But to explain the bug to the bug&mdash;that is quite a
      different matter. The bug may not know himself perfectly, but he knows
      himself better than the naturalist can know him, at any rate.
    </p>
    <p>
      A foreigner can photograph the exteriors of a nation, but I think that
      that is as far as he can get. I think that no foreigner can report its
      interior&mdash;its soul, its life, its speech, its thought. I think that a
      knowledge of these things is acquirable in only one way; not two or four
      or six&mdash;absorption; years and years of unconscious absorption; years
      and years of intercourse with the life concerned; of living it, indeed;
      sharing personally in its shames and prides, its joys and griefs, its
      loves and hates, its prosperities and reverses, its shows and
      shabbinesses, its deep patriotisms, its whirlwinds of political passion,
      its adorations&mdash;of flag, and heroic dead, and the glory of the
      national name. Observation? Of what real value is it? One learns peoples
      through the heart, not the eyes or the intellect.
    </p>
    <p>
      There is only one expert who is qualified to examine the souls and the
      life of a people and make a valuable report&mdash;the native novelist.
      This expert is so rare that the most populous country can never have
      fifteen conspicuously and confessedly competent ones in stock at one time.
      This native specialist is not qualified to begin work until he has been
      absorbing during twenty-five years. How much of his competency is derived
      from conscious &ldquo;observation&rdquo;? The amount is so slight that it
      counts for next to nothing in the equipment. Almost the whole capital of
      the novelist is the slow accumulation of unconscious observation&mdash;absorption.
      The native expert's intentional observation of manners, speech,
      character, and ways of life can have value, for the native knows what they
      mean without having to cipher out the meaning. But I should be astonished
      to see a foreigner get at the right meanings, catch the elusive shades of
      these subtle things. Even the native novelist becomes a foreigner, with a
      foreigner's limitations, when he steps from the State whose life is
      familiar to him into a State whose life he has not lived. Bret Harte got
      his California and his Californians by unconscious absorption, and put
      both of them into his tales alive. But when he came from the Pacific to
      the Atlantic and tried to do Newport life from study-conscious observation&mdash;his
      failure was absolutely monumental. Newport is a disastrous place for the
      unacclimated observer, evidently.
    </p>
    <p>
      To return to novel-building. Does the native novelist try to generalize
      the nation? No, he lays plainly before you the ways and speech and life of
      a few people grouped in a certain place&mdash;his own place&mdash;and that
      is one book. In time he and his brethren will report to you the life and
      the people of the whole nation&mdash;the life of a group in a New England
      village; in a New York village; in a Texan village; in an Oregon village;
      in villages in fifty States and Territories; then the farm-life in fifty
      States and Territories; a hundred patches of life and groups of people in
      a dozen widely separated cities. And the Indians will be attended to; and
      the cowboys; and the gold and silver miners; and the negroes; and the
      Idiots and Congressmen; and the Irish, the Germans, the Italians, the
      Swedes, the French, the Chinamen, the Greasers; and the Catholics, the
      Methodists, the Presbyterians, the Congregationalists, the Baptists, the
      Spiritualists, the Mormons, the Shakers, the Quakers, the Jews, the
      Campbellites, the infidels, the Christian Scientists, the Mind-Curists,
      the Faith-Curists, the train-robbers, the White Caps, the Moonshiners. And
      when a thousand able novels have been written, there you have the soul of
      the people, the life of the people, the speech of the people; and not
      anywhere else can these be had. And the shadings of character, manners,
      feelings, ambitions, will be infinite.
    </p>
<pre xml:space="preserve">
          &ldquo;'The nature of a people' is always of a similar shade in its
          vices and its virtues, in its frivolities and in its labor.
          'It is this physiognomy which it is necessary to discover',
          and every document is good, from the hall of a casino to the
          church, from the foibles of a fashionable woman to the
          suggestions of a revolutionary leader.  I am therefore quite
          sure that this 'American soul', the principal interest and the
          great object of my voyage, appears behind the records of
          Newport for those who choose to see it.&rdquo;&mdash;M. Paul Bourget.
</pre>
    <p>
      [The italics ('') are mine.] It is a large contract which he
      has undertaken. &ldquo;Records&rdquo; is a pretty poor word there, but I
      think the use of it is due to hasty translation. In the original the word
      is 'fastes'. I think M. Bourget meant to suggest that he
      expected to find the great &ldquo;American soul&rdquo; secreted behind the
      ostentations of Newport; and that he was going to get it out and examine
      it, and generalize it, and psychologize it, and make it reveal to him its
      hidden vast mystery: &ldquo;the nature of the people&rdquo; of the United
      States of America. We have been accused of being a nation addicted to
      inventing wild schemes. I trust that we shall be allowed to retire to
      second place now.
    </p>
    <p>
      There isn't a single human characteristic that can be safely labeled
      &ldquo;American.&rdquo; There isn't a single human ambition, or
      religious trend, or drift of thought, or peculiarity of education, or code
      of principles, or breed of folly, or style of conversation, or preference
      for a particular subject for discussion, or form of legs or trunk or head
      or face or expression or complexion, or gait, or dress, or manners, or
      disposition, or any other human detail, inside or outside, that can
      rationally be generalized as &ldquo;American.&rdquo;
    </p>
    <p>
      Whenever you have found what seems to be an &ldquo;American&rdquo;
      peculiarity, you have only to cross a frontier or two, or go down or up in
      the social scale, and you perceive that it has disappeared. And you can
      cross the Atlantic and find it again. There may be a Newport religious
      drift, or sporting drift, or conversational style or complexion, or cut of
      face, but there are entire empires in America, north, south, east, and
      west, where you could not find your duplicates. It is the same with
      everything else which one might propose to call &ldquo;American.&rdquo; M.
      Bourget thinks he has found the American Coquette. If he had really found
      her he would also have found, I am sure, that she was not new, that she
      exists in other lands in the same forms, and with the same frivolous heart
      and the same ways and impulses. I think this because I have seen our
      coquette; I have seen her in life; better still, I have seen her in our
      novels, and seen her twin in foreign novels. I wish M. Bourget had seen
      ours. He thought he saw her. And so he applied his System to her. She was
      a Species. So he gathered a number of samples of what seemed to be her,
      and put them under his glass, and divided them into groups which he calls
      &ldquo;types,&rdquo; and labeled them in his usual scientific way with
      &ldquo;formulas&rdquo;&mdash;brief sharp descriptive flashes that make a
      person blink, sometimes, they are so sudden and vivid. As a rule they are
      pretty far-fetched, but that is not an important matter; they surprise,
      they compel admiration, and I notice by some of the comments which his
      efforts have called forth that they deceive the unwary. Here are a few of
      the coquette variants which he has grouped and labeled:
    </p>
<pre xml:space="preserve">
     THE COLLECTOR.
     THE EQUILIBREE.
     THE PROFESSIONAL BEAUTY.
     THE BLUFFER.
     THE GIRL-BOY.
</pre>
    <p>
      If he had stopped with describing these characters we should have been
      obliged to believe that they exist; that they exist, and that he has seen
      them and spoken with them. But he did not stop there; he went further and
      furnished to us light-throwing samples of their behavior, and also
      light-throwing samples of their speeches. He entered those things in his
      note-book without suspicion, he takes them out and delivers them to the
      world with a candor and simplicity which show that he believed them
      genuine. They throw altogether too much light. They reveal to the native
      the origin of his find. I suppose he knows how he came to make that novel
      and captivating discovery, by this time. If he does not, any American can
      tell him&mdash;any American to whom he will show his anecdotes. It was
      &ldquo;put up&rdquo; on him, as we say. It was a jest&mdash;to be plain,
      it was a series of frauds. To my mind it was a poor sort of jest, witless
      and contemptible. The players of it have their reward, such as it is; they
      have exhibited the fact that whatever they may be they are not ladies. M.
      Bourget did not discover a type of coquette; he merely discovered a type
      of practical joker. One may say the type of practical joker, for these
      people are exactly alike all over the world. Their equipment is always the
      same: a vulgar mind, a puerile wit, a cruel disposition as a rule, and
      always the spirit of treachery.
    </p>
    <p>
      In his Chapter IV. M. Bourget has two or three columns gravely devoted to
      the collating and examining and psychologizing of these sorry little
      frauds. One is not moved to laugh. There is nothing funny in the
      situation; it is only pathetic. The stranger gave those people his
      confidence, and they dishonorably treated him in return.
    </p>
    <p>
      But one must be allowed to suspect that M. Bourget was a little to blame
      himself. Even a practical joker has some little judgment. He has to
      exercise some degree of sagacity in selecting his prey if he would save
      himself from getting into trouble. In my time I have seldom seen such
      daring things marketed at any price as these conscienceless folk have
      worked off at par on this confiding observer. It compels the conviction
      that there was something about him that bred in those speculators a quite
      unusual sense of safety, and encouraged them to strain their powers in his
      behalf. They seem to have satisfied themselves that all he wanted was
      &ldquo;significant&rdquo; facts, and that he was not accustomed to examine
      the source whence they proceeded. It is plain that there was a sort of
      conspiracy against him almost from the start&mdash;a conspiracy to freight
      him up with all the strange extravagances those people's decayed
      brains could invent.
    </p>
    <p>
      The lengths to which they went are next to incredible. They told him
      things which surely would have excited any one else's suspicion, but
      they did not excite his. Consider this:
    </p>
<pre xml:space="preserve">
          &ldquo;There is not in all the United States an entirely nude
          statue.&rdquo;
 </pre>
    <p>
      If an angel should come down and say such a thing about heaven, a
      reasonably cautious observer would take that angel's number and
      inquire a little further before he added it to his catch. What does the
      present observer do? Adds it. Adds it at once. Adds it, and labels it with
      this innocent comment:
    </p>
<pre xml:space="preserve">
          &ldquo;This small fact is strangely significant.&rdquo;
 </pre>
    <p>
      It does seem to me that this kind of observing is defective.
    </p>
    <p>
      Here is another curiosity which some liberal person made him a present of.
      I should think it ought to have disturbed the deep slumber of his
      suspicion a little, but it didn't. It was a note from a fog-horn for
      strenuousness, it seems to me, but the doomed voyager did not catch it. If
      he had but caught it, it would have saved him from several disasters:
    </p>
<pre xml:space="preserve">
          &ldquo;If the American knows that you are traveling to take notes, he
          is interested in it, and at the same time rejoices in it, as in
          a tribute.&rdquo;
 </pre>
    <p>
      Again, this is defective observation. It is human to like to be praised;
      one can even notice it in the French. But it is not human to like to be
      ridiculed, even when it comes in the form of a &ldquo;tribute.&rdquo; I
      think a little psychologizing ought to have come in there. Something like
      this: A dog does not like to be ridiculed, a redskin does not like to be
      ridiculed, a negro does not like to be ridiculed, a Chinaman does not like
      to be ridiculed; let us deduce from these significant facts this formula:
      the American's grade being higher than these, and the chain-of
      argument stretching unbroken all the way up to him, there is room for
      suspicion that the person who said the American likes to be ridiculed, and
      regards it as a tribute, is not a capable observer.
    </p>
    <p>
      I feel persuaded that in the matter of psychologizing, a professional is
      too apt to yield to the fascinations of the loftier regions of that great
      art, to the neglect of its lowlier walks. Every now and then, at half-hour
      intervals, M. Bourget collects a hatful of airy inaccuracies and dissolves
      them in a panful of assorted abstractions, and runs the charge into a
      mould and turns you out a compact principle which will explain an American
      girl, or an American woman, or why new people yearn for old things, or any
      other impossible riddle which a person wants answered.
    </p>
    <p>
      It seems to be conceded that there are a few human peculiarities that can
      be generalized and located here and there in the world and named by the
      name of the nation where they are found. I wonder what they are. Perhaps
      one of them is temperament. One speaks of French vivacity and German
      gravity and English stubbornness. There is no American temperament. The
      nearest that one can come at it is to say there are two&mdash;the composed
      Northern and the impetuous Southern; and both are found in other
      countries. Morals? Purity of women may fairly be called universal with us,
      but that is the case in some other countries. We have no monopoly of it;
      it cannot be named American. I think that there is but a single specialty
      with us, only one thing that can be called by the wide name &ldquo;American.&rdquo;
      That is the national devotion to ice-water. All Germans drink beer, but
      the British nation drinks beer, too; so neither of those peoples is the
      beer-drinking nation. I suppose we do stand alone in having a drink that
      nobody likes but ourselves. When we have been a month in Europe we lose
      our craving for it, and we finally tell the hotel folk that they needn't
      provide it any more. Yet we hardly touch our native shore again, winter or
      summer, before we are eager for it. The reasons for this state of things
      have not been psychologized yet. I drop the hint and say no more.
    </p>
    <p>
      It is my belief that there are some &ldquo;national&rdquo; traits and
      things scattered about the world that are mere superstitions, frauds that
      have lived so long that they have the solid look of facts. One of them is
      the dogma that the French are the only chaste people in the world. Ever
      since I arrived in France this last time I have been accumulating doubts
      about that; and before I leave this sunny land again I will gather in a
      few random statistics and psychologize the plausibilities out of it. If
      people are to come over to America and find fault with our girls and our
      women, and psychologize every little thing they do, and try to teach them
      how to behave, and how to cultivate themselves up to where one cannot tell
      them from the French model, I intend to find out whether those
      missionaries are qualified or not. A nation ought always to examine into
      this detail before engaging the teacher for good. This last one has let
      fall a remark which renewed those doubts of mine when I read it:
    </p>
<pre xml:space="preserve">
          &ldquo;In our high Parisian existence, for instance, we find applied
          to arts and luxury, and to debauchery, all the powers and all
          the weaknesses of the French soul.&rdquo;
 </pre>
    <p>
      You see, it amounts to a trade with the French soul; a profession; a
      science; the serious business of life, so to speak, in our high Parisian
      existence. I do not quite like the look of it. I question if it can be
      taught with profit in our country, except, of course, to those pathetic,
      neglected minds that are waiting there so yearningly for the education
      which M. Bourget is going to furnish them from the serene summits of our
      high Parisian life.
    </p>
    <p>
      I spoke a moment ago of the existence of some superstitions that have been
      parading the world as facts this long time. For instance, consider the
      Dollar. The world seems to think that the love of money is &ldquo;American&rdquo;;
      and that the mad desire to get suddenly rich is &ldquo;American.&rdquo; I
      believe that both of these things are merely and broadly human, not
      American monopolies at all. The love of money is natural to all nations,
      for money is a good and strong friend. I think that this love has existed
      everywhere, ever since the Bible called it the root of all evil.
    </p>
    <p>
      I think that the reason why we Americans seem to be so addicted to trying
      to get rich suddenly is merely because the opportunity to make promising
      efforts in that direction has offered itself to us with a frequency out of
      all proportion to the European experience. For eighty years this
      opportunity has been offering itself in one new town or region after
      another straight westward, step by step, all the way from the Atlantic
      coast to the Pacific. When a mechanic could buy ten town lots on tolerably
      long credit for ten months' savings out of his wages, and reasonably
      expect to sell them in a couple of years for ten times what he gave for
      them, it was human for him to try the venture, and he did it no matter
      what his nationality was. He would have done it in Europe or China if he
      had had the same chance.
    </p>
    <p>
      In the flush times in the silver regions a cook or any other humble worker
      stood a very good chance to get rich out of a trifle of money risked in a
      stock deal; and that person promptly took that risk, no matter what his or
      her nationality might be. I was there, and saw it.
    </p>
    <p>
      But these opportunities have not been plenty in our Southern States; so
      there you have a prodigious region where the rush for sudden wealth is
      almost an unknown thing&mdash;and has been, from the beginning.
    </p>
    <p>
      Europe has offered few opportunities for poor Tom, Dick, and Harry; but
      when she has offered one, there has been no noticeable difference between
      European eagerness and American. England saw this in the wild days of the
      Railroad King; France saw it in 1720&mdash;time of Law and the Mississippi
      Bubble. I am sure I have never seen in the gold and silver mines any
      madness, fury, frenzy to get suddenly rich which was even remotely
      comparable to that which raged in France in the Bubble day. If I had a
      cyclopaedia here I could turn to that memorable case, and satisfy nearly
      anybody that the hunger for the sudden dollar is no more &ldquo;American&rdquo;
      than it is French. And if I could furnish an American opportunity to staid
      Germany, I think I could wake her up like a house afire.
    </p>
    <p>
      But I must return to the Generalizations, Psychologizings, Deductions.
      When M. Bourget is exploiting these arts, it is then that he is peculiarly
      and particularly himself. His ways are wholly original when he encounters
      a trait or a custom which is new to him. Another person would merely
      examine the find, verify it, estimate its value, and let it go; but that
      is not sufficient for M. Bourget: he always wants to know why that thing
      exists, he wants to know how it came to happen; and he will not let go of
      it until he has found out. And in every instance he will find that reason
      where no one but himself would have thought of looking for it. He does not
      seem to care for a reason that is not picturesquely located; one might
      almost say picturesquely and impossibly located.
    </p>
    <p>
      He found out that in America men do not try to hunt down young married
      women. At once, as usual, he wanted to know why. Any one could have told
      him. He could have divined it by the lights thrown by the novels of the
      country. But no, he preferred to find out for himself. He has a
      trustfulness as regards men and facts which is fine and unusual; he is not
      particular about the source of a fact, he is not particular about the
      character and standing of the fact itself; but when it comes to pounding
      out the reason for the existence of the fact, he will trust no one but
      himself.
    </p>
    <p>
      In the present instance here was his fact: American young married women
      are not pursued by the corruptor; and here was the question: What is it
      that protects her?
    </p>
    <p>
      It seems quite unlikely that that problem could have offered difficulties
      to any but a trained philosopher. Nearly any person would have said to M.
      Bourget: &ldquo;Oh, that is very simple. It is very seldom in America that
      a marriage is made on a commercial basis; our marriages, from the
      beginning, have been made for love; and where love is there is no room for
      the corruptor.&rdquo;
    </p>
    <p>
      Now, it is interesting to see the formidable way in which M. Bourget went
      at that poor, humble little thing. He moved upon it in column&mdash;three
      columns&mdash;and with artillery.
    </p>
    <p>
      &ldquo;Two reasons of a very different kind explain&rdquo;&mdash;that
      fact.
    </p>
    <p>
      And now that I have got so far, I am almost afraid to say what his two
      reasons are, lest I be charged with inventing them. But I will not retreat
      now; I will condense them and print them, giving my word that I am honest
      and not trying to deceive any one.
    </p>
    <p>
      1. Young married women are protected from the approaches of the seducer in
      New England and vicinity by the diluted remains of a prudence created by a
      Puritan law of two hundred years ago, which for a while punished adultery
      with death.
    </p>
    <p>
      2. And young married women of the other forty or fifty States are
      protected by laws which afford extraordinary facilities for divorce.
    </p>
    <p>
      If I have not lost my mind I have accurately conveyed those two Vesuvian
      irruptions of philosophy. But the reader can consult Chapter IV. of
      'Outre-Mer', and decide for himself. Let us examine this
      paralyzing Deduction or Explanation by the light of a few sane facts.
    </p>
    <p>
      1. This universality of &ldquo;protection&rdquo; has existed in our
      country from the beginning; before the death penalty existed in New
      England, and during all the generations that have dragged by since it was
      annulled.
    </p>
    <p>
      2. Extraordinary facilities for divorce are of such recent creation that
      any middle-aged American can remember a time when such things had not yet
      been thought of.
    </p>
    <p>
      Let us suppose that the first easy divorce law went into effect forty
      years ago, and got noised around and fairly started in business
      thirty-five years ago, when we had, say, 25,000,000 of white population.
      Let us suppose that among 5,000,000 of them the young married women were
      &ldquo;protected&rdquo; by the surviving shudder of that ancient Puritan
      scare&mdash;what is M. Bourget going to do about those who lived among the
      20,000,000? They were clean in their morals, they were pure, yet there was
      no easy divorce law to protect them.
    </p>
    <p>
      Awhile ago I said that M. Bourget's method of truth-seeking&mdash;hunting
      for it in out-of-the-way places&mdash;was new; but that was an error. I
      remember that when Leverrier discovered the Milky Way, he and the other
      astronomers began to theorize about it in substantially the same fashion
      which M. Bourget employs in his reasonings about American social facts and
      their origin. Leverrier advanced the hypothesis that the Milky Way was
      caused by gaseous protoplasmic emanations from the field of Waterloo,
      which, ascending to an altitude determinable by their own specific
      gravity, became luminous through the development and exposure&mdash;by the
      natural processes of animal decay&mdash;of the phosphorus contained in
      them.
    </p>
    <p>
      This theory was warmly complimented by Ptolemy, who, however, after much
      thought and research, decided that he could not accept it as final. His
      own theory was that the Milky Way was an emigration of lightning bugs; and
      he supported and reinforced this theorem by the well-known fact that the
      locusts do like that in Egypt.
    </p>
    <p>
      Giordano Bruno also was outspoken in his praises of Leverrier's
      important contribution to astronomical science, and was at first inclined
      to regard it as conclusive; but later, conceiving it to be erroneous, he
      pronounced against it, and advanced the hypothesis that the Milky Way was
      a detachment or corps of stars which became arrested and held in 'suspenso
      suspensorum' by refraction of gravitation while on the march to join
      their several constellations; a proposition for which he was afterwards
      burned at the stake in Jacksonville, Illinois.
    </p>
    <p>
      These were all brilliant and picturesque theories, and each was received
      with enthusiasm by the scientific world; but when a New England farmer,
      who was not a thinker, but only a plain sort of person who tried to
      account for large facts in simple ways, came out with the opinion that the
      Milky Way was just common, ordinary stars, and was put where it was
      because God &ldquo;wanted to hev it so,&rdquo; the admirable idea fell
      perfectly flat.
    </p>
    <p>
      As a literary artist, M. Bourget is as fresh and striking as he is as a
      scientific one. He says, &ldquo;Above all, I do not believe much in
      anecdotes.&rdquo;
    </p>
    <p>
      Why? &ldquo;In history they are all false&rdquo;&mdash;a sufficiently
      broad statement&mdash;&ldquo;in literature all libelous&rdquo;&mdash;also
      a sufficiently sweeping statement, coming from a critic who notes that we
      are &ldquo;a people who are peculiarly extravagant in our language&mdash;&rdquo;
      and when it is a matter of social life, &ldquo;almost all biased.&rdquo;
      It seems to amount to stultification, almost. He has built two or three
      breeds of American coquettes out of anecdotes&mdash;mainly &ldquo;biased&rdquo;
      ones, I suppose; and, as they occur &ldquo;in literature,&rdquo; furnished
      by his pen, they must be &ldquo;all libelous.&rdquo; Or did he mean not in
      literature or anecdotes about literature or literary people? I am not able
      to answer that. Perhaps the original would be clearer, but I have only the
      translation of this installment by me. I think the remark had an
      intention; also that this intention was booked for the trip; but that
      either in the hurry of the remark's departure it got left, or in the
      confusion of changing cars at the translator's frontier it got
      side-tracked.
    </p>
    <p>
      &ldquo;But on the other hand I believe in statistics; and those on
      divorces appear to me to be most conclusive.&rdquo; And he sets himself
      the task of explaining&mdash;in a couple of columns&mdash;the process by
      which Easy-Divorce conceived, invented, originated, developed, and
      perfected an empire-embracing condition of sexual purity in the States. IN
      40 YEARS. No, he doesn't state the interval. With all his passion
      for statistics he forgot to ask how long it took to produce this gigantic
      miracle.
    </p>
    <p>
      I have followed his pleasant but devious trail through those columns, but
      I was not able to get hold of his argument and find out what it was. I was
      not even able to find out where it left off. It seemed to gradually
      dissolve and flow off into other matters. I followed it with interest, for
      I was anxious to learn how easy-divorce eradicated adultery in America,
      but I was disappointed; I have no idea yet how it did it. I only know it
      didn't. But that is not valuable; I knew it before.
    </p>
    <p>
      Well, humor is the great thing, the saving thing, after all. The minute it
      crops up, all our hardnesses yield, all our irritations and resentments
      flit away, and a sunny spirit takes their place. And so, when M. Bourget
      said that bright thing about our grandfathers, I broke all up. I remember
      exploding its American countermine once, under that grand hero, Napoleon.
      He was only First Consul then, and I was Consul-General&mdash;for the
      United States, of course; but we were very intimate, notwithstanding the
      difference in rank, for I waived that. One day something offered the
      opening, and he said:
    </p>
    <p>
      &ldquo;Well, General, I suppose life can never get entirely dull to an
      American, because whenever he can't strike up any other way to put
      in his time he can always get away with a few years trying to find out who
      his grandfather was!&rdquo;
    </p>
    <p>
      I fairly shouted, for I had never heard it sound better; and then I was
      back at him as quick as a flash&mdash;&ldquo;Right, your Excellency! But I
      reckon a Frenchman's got his little stand-by for a dull time, too;
      because when all other interests fail he can turn in and see if he can't
      find out who his father was!&rdquo;
    </p>
    <p>
      Well, you should have heard him just whoop, and cackle, and carry on! He
      reached up and hit me one on the shoulder, and says:
    </p>
    <p>
      &ldquo;Land, but it's good! It's im-mensely good! I'George,
      I never heard it said so good in my life before! Say it again.&rdquo;
    </p>
    <p>
      So I said it again, and he said his again, and I said mine again, and then
      he did, and then I did, and then he did, and we kept on doing it, and
      doing it, and I never had such a good time, and he said the same. In my
      opinion there isn't anything that is as killing as one of those dear
      old ripe pensioners if you know how to snatch it out in a kind of a fresh
      sort of original way.
    </p>
    <p>
      But I wish M. Bourget had read more of our novels before he came. It is
      the only way to thoroughly understand a people. When I found I was coming
      to Paris, I read 'La Terre'.
    </p>
    <p>
      <a name="link2H_4_0002" id="link2H_4_0002">
       <!--  H2 anchor --> </a>
    </p>
    <div style="height: 4em;">
      <br /><br /><br /><br />
    </div>
    <h2>
      A LITTLE NOTE TO M. PAUL BOURGET
    </h2>
<pre xml:space="preserve">
          [The preceding squib was assailed in the North American Review
          in an article entitled &ldquo;Mark Twain and Paul Bourget,&rdquo; by Max
          O'Rell.  The following little note is a Rejoinder to that
          article.  It is possible that the position assumed here&mdash;that
          M. Bourget dictated the O'Rell article himself&mdash;is untenable.]
</pre>
    <p>
      You have every right, my dear M. Bourget, to retort upon me by dictation,
      if you prefer that method to writing at me with your pen; but if I may say
      it without hurt&mdash;and certainly I mean no offence&mdash;I believe you
      would have acquitted yourself better with the pen. With the pen you are at
      home; it is your natural weapon; you use it with grace, eloquence, charm,
      persuasiveness, when men are to be convinced, and with formidable effect
      when they have earned a castigation. But I am sure I see signs in the
      above article that you are either unaccustomed to dictating or are out of
      practice. If you will re-read it you will notice, yourself, that it lacks
      definiteness; that it lacks purpose; that it lacks coherence; that it
      lacks a subject to talk about; that it is loose and wabbly; that it
      wanders around; that it loses itself early and does not find itself any
      more. There are some other defects, as you will notice, but I think I have
      named the main ones. I feel sure that they are all due to your lack of
      practice in dictating.
    </p>
    <p>
      Inasmuch as you had not signed it I had the impression at first that you
      had not dictated it. But only for a moment. Certain quite simple and
      definite facts reminded me that the article had to come from you, for the
      reason that it could not come from any one else without a specific
      invitation from you or from me. I mean, it could not except as an
      intrusion, a transgression of the law which forbids strangers to mix into
      a private dispute between friends, unasked.
    </p>
    <p>
      Those simple and definite facts were these: I had published an article in
      this magazine, with you for my subject; just you yourself; I stuck
      strictly to that one subject, and did not interlard any other. No one, of
      course, could call me to account but you alone, or your authorized
      representative. I asked some questions&mdash;asked them of myself. I
      answered them myself. My article was thirteen pages long, and all devoted
      to you; devoted to you, and divided up in this way: one page of guesses as
      to what subjects you would instruct us in, as teacher; one page of doubts
      as to the effectiveness of your method of examining us and our ways; two
      or three pages of criticism of your method, and of certain results which
      it furnished you; two or three pages of attempts to show the justness of
      these same criticisms; half a dozen pages made up of slight fault-findings
      with certain minor details of your literary workmanship, of extracts from
      your 'Outre-Mer' and comments upon them; then I closed with an
      anecdote. I repeat&mdash;for certain reasons&mdash;that I closed with an
      anecdote.
    </p>
    <p>
      When I was asked by this magazine if I wished to &ldquo;answer&rdquo; a
      &ldquo;reply&rdquo; to that article of mine, I said &ldquo;yes,&rdquo; and
      waited in Paris for the proof-sheets of the &ldquo;reply&rdquo; to come. I
      already knew, by the cablegram, that the &ldquo;reply&rdquo; would not be
      signed by you, but upon reflection I knew it would be dictated by you,
      because no volunteer would feel himself at liberty to assume your
      championship in a private dispute, unasked, in view of the fact that you
      are quite well able to take care of your matters of that sort yourself and
      are not in need of any one's help. No, a volunteer could not make
      such a venture. It would be too immodest. Also too gratuitously generous.
      And a shade too self-sufficient. No, he could not venture it. It would
      look too much like anxiety to get in at a feast where no plate had been
      provided for him. In fact he could not get in at all, except by the back
      way, and with a false key; that is to say, a pretext&mdash;a pretext
      invented for the occasion by putting into my mouth words which I did not
      use, and by wresting sayings of mine from their plain and true meaning.
      Would he resort to methods like those to get in? No; there are no people
      of that kind. So then I knew for a certainty that you dictated the Reply
      yourself. I knew you did it to save yourself manual labor.
    </p>
    <p>
      And you had the right, as I have already said and I am content&mdash;perfectly
      content.
    </p>
    <p>
      Yet it would have been little trouble to you, and a great kindness to me,
      if you had written your Reply all out with your own capable hand.
    </p>
    <p>
      Because then it would have replied&mdash;and that is really what a Reply
      is for. Broadly speaking, its function is to refute&mdash;as you will
      easily concede. That leaves something for the other person to take hold
      of: he has a chance to reply to the Reply, he has a chance to refute the
      refutation. This would have happened if you had written it out instead of
      dictating. Dictating is nearly sure to unconcentrate the dictator's
      mind, when he is out of practice, confuse him, and betray him into using
      one set of literary rules when he ought to use a quite different set.
      Often it betrays him into employing the RULES FOR CONVERSATION BETWEEN A
      SHOUTER AND A DEAF PERSON&mdash;as in the present case&mdash;when he ought
      to employ the RULES FOR CONDUCTING DISCUSSION WITH A FAULT-FINDER. The
      great foundation-rule and basic principle of discussion with a
      fault-finder is relevancy and concentration upon the subject; whereas the
      great foundation-rule and basic principle governing conversation between a
      shouter and a deaf person is irrelevancy and persistent desertion of the
      topic in hand. If I may be allowed to illustrate by quoting example IV.,
      section 7 from chapter ix. of &ldquo;Revised Rules for Conducting
      Conversation between a Shouter and a Deaf Person,&rdquo; it will assist us
      in getting a clear idea of the difference between the two sets of rules:
    </p>
    <p>
      Shouter. Did you say his name is WETHERBY?
    </p>
    <p>
      Deaf Person. Change? Yes, I think it will. Though if it should clear off I&mdash;
    </p>
    <p>
      Shouter. It's his NAME I want&mdash;his NAME.
    </p>
    <p>
      Deaf Person. Maybe so, maybe so; but it will only be a shower, I think.
    </p>
    <p>
      Shouter. No, no, no!&mdash;you have quite misunderSTOOD me. If&mdash;
    </p>
    <p>
      Deaf Person. Ah! GOOD morning; I am sorry you must go. But call again, and
      let me continue to be of assistance to you in every way I can.
    </p>
    <p>
      You see it is a perfect kodak of the article you have dictated. It is
      really curious and interesting when you come to compare it with yours; in
      detail, with my former article to which it is a Reply in your hand. I talk
      twelve pages about your American instruction projects, and your doubtful
      scientific system, and your painstaking classification of nonexistent
      things, and your diligence and zeal and sincerity, and your disloyal
      attitude towards anecdotes, and your undue reverence for unsafe statistics
      and for facts that lack a pedigree; and you turn around and come back at
      me with eight pages of weather.
    </p>
    <p>
      I do not see how a person can act so. It is good of you to repeat, with
      change of language, in the bulk of your rejoinder, so much of my own
      article, and adopt my sentiments, and make them over, and put new buttons
      on; and I like the compliment, and am frank to say so; but agreeing with a
      person cripples controversy and ought not to be allowed. It is weather;
      and of almost the worst sort. It pleases me greatly to hear you discourse
      with such approval and expansiveness upon my text:
    </p>
    <p>
      &ldquo;A foreigner can photograph the exteriors of a nation, but I think
      that is as far as he can get. I think that no foreigner can report its
      interior;&rdquo;&mdash;[And you say: &ldquo;A man of average intelligence,
      who has passed six months among a people, cannot express opinions that are
      worth jotting down, but he can form impressions that are worth repeating.
      For my part, I think that foreigners' impressions are more
      interesting than native opinions. After all, such impressions merely mean
      'how the country struck the foreigner.'&rdquo;]&mdash;which is
      a quite clear way of saying that a foreigner's report is only
      valuable when it restricts itself to impressions. It pleases me to have
      you follow my lead in that glowing way, but it leaves me nothing to
      combat. You should give me something to deny and refute; I would do as
      much for you.
    </p>
    <p>
      It pleases me to have you playfully warn the public against taking one of
      your books seriously.&mdash;[When I published Jonathan and his Continent,
      I wrote in a preface addressed to Jonathan: &ldquo;If ever you should
      insist in seeing in this little volume a serious study of your country and
      of your countrymen, I warn you that your world-wide fame for humor will be
      exploded.&rdquo;]&mdash;Because I used to do that cunning thing myself in
      earlier days. I did it in a prefatory note to a book of mine called Tom
      Sawyer.
    </p>
<pre xml:space="preserve">
                         NOTICE.

          Persons attempting to find a motive in
          this narrative will be prosecuted;
          persons attempting to find a moral in it
          will be banished; persons attempting to
          find a plot in it will be shot.
                              BY ORDER OF THE AUTHOR
                              PER G. G., CHIEF OF ORDNANCE.
</pre>
    <p>
      The kernel is the same in both prefaces, you see&mdash;the public must not
      take us too seriously. If we remove that kernel we remove the
      life-principle, and the preface is a corpse. Yes, it pleases me to have
      you use that idea, for it is a high compliment. But it leaves me nothing
      to combat; and that is damage to me.
    </p>
    <p>
      Am I seeming to say that your Reply is not a reply at all, M. Bourget? If
      so, I must modify that; it is too sweeping. For you have furnished a
      general answer to my inquiry as to what France through you&mdash;can teach
      us.&mdash;[&ldquo;What could France teach America!&rdquo; exclaims Mark
      Twain. France can teach America all the higher pursuits of life, and there
      is more artistic feeling and refinement in a street of French workingmen
      than in many avenues inhabited by American millionaires. She can teach
      her, not perhaps how to work, but how to rest, how to live, how to be
      happy. She can teach her that the aim of life is not money-making, but
      that money-making is only a means to obtain an end. She can teach her that
      wives are not expensive toys, but useful partners, friends, and
      confidants, who should always keep men under their wholesome influence by
      their diplomacy, their tact, their common-sense, without bumptiousness.
      These qualities, added to the highest standard of morality (not angular
      and morose, but cheerful morality), are conceded to Frenchwomen by whoever
      knows something of French life outside of the Paris boulevards, and Mark
      Twain's ill-natured sneer cannot even so much as stain them.
    </p>
    <p>
      I might tell Mark Twain that in France a man who was seen tipsy in his
      club would immediately see his name canceled from membership. A man who
      had settled his fortune on his wife to avoid meeting his creditors would
      be refused admission into any decent society. Many a Frenchman has blown
      his brains out rather than declare himself a bankrupt. Now would Mark
      Twain remark to this: 'An American is not such a fool: when a
      creditor stands in his way he closes his doors, and reopens them the
      following day. When he has been a bankrupt three times he can retire from
      business?']&mdash;It is a good answer.
    </p>
    <p>
      It relates to manners, customs, and morals&mdash;three things concerning
      which we can never have exhaustive and determinate statistics, and so the
      verdicts delivered upon them must always lack conclusiveness and be
      subject to revision; but you have stated the truth, possibly, as nearly as
      any one could do it, in the circumstances. But why did you choose a detail
      of my question which could be answered only with vague hearsay evidence,
      and go right by one which could have been answered with deadly facts?&mdash;facts
      in everybody's reach, facts which none can dispute. I asked what
      France could teach us about government. I laid myself pretty wide open,
      there; and I thought I was handsomely generous, too, when I did it. France
      can teach us how to levy village and city taxes which distribute the
      burden with a nearer approach to perfect fairness than is the case in any
      other land; and she can teach us the wisest and surest system of
      collecting them that exists. She can teach us how to elect a President in
      a sane way; and also how to do it without throwing the country into
      earthquakes and convulsions that cripple and embarrass business, stir up
      party hatred in the hearts of men, and make peaceful people wish the term
      extended to thirty years. France can teach us&mdash;but enough of that
      part of the question. And what else can France teach us? She can teach us
      all the fine arts&mdash;and does. She throws open her hospitable art
      academies, and says to us, &ldquo;Come&rdquo;&mdash;and we come, troops
      and troops of our young and gifted; and she sets over us the ablest
      masters in the world and bearing the greatest names; and she, teaches us
      all that we are capable of learning, and persuades us and encourages us
      with prizes and honors, much as if we were somehow children of her own;
      and when this noble education is finished and we are ready to carry it
      home and spread its gracious ministries abroad over our nation, and we
      come with homage and gratitude and ask France for the bill&mdash;there is
      nothing to pay. And in return for this imperial generosity, what does
      America do? She charges a duty on French works of art!
    </p>
    <p>
      I wish I had your end of this dispute; I should have something worth
      talking about. If you would only furnish me something to argue, something
      to refute&mdash;but you persistently won't. You leave good chances
      unutilized and spend your strength in proving and establishing unimportant
      things. For instance, you have proven and established these eight facts
      here following&mdash;a good score as to number, but not worth while:
    </p>
    <p>
      Mark Twain is&mdash;
    </p>
    <p>
      1. &ldquo;Insulting.&rdquo;
    </p>
    <p>
      2. (Sarcastically speaking) &ldquo;This refined humorist.&rdquo;
    </p>
    <p>
      3. Prefers the manure-pile to the violets.
    </p>
    <p>
      4. Has uttered &ldquo;an ill-natured sneer.&rdquo;
    </p>
    <p>
      5. Is &ldquo;nasty.&rdquo;
    </p>
    <p>
      6. Needs a &ldquo;lesson in politeness and good manners.&rdquo;
    </p>
    <p>
      7. Has published a &ldquo;nasty article.&rdquo;
    </p>
    <p>
      8. Has made remarks &ldquo;unworthy of a gentleman.&rdquo;&mdash;[&ldquo;It
      is more funny than his&rdquo; (Mark Twain's) &ldquo;anecdote, and
      would have been less insulting.&rdquo;]
    </p>
    <p>
      A quoted remark of mine &ldquo;is a gross insult to a nation friendly to
      America.&rdquo;
    </p>
    <p>
      &ldquo;He has read La Terre, this refined humorist.&rdquo;
    </p>
    <p>
      &ldquo;When Mark Twain visits a garden... he goes in the far-away corner
      where the soil is prepared.&rdquo;
    </p>
    <p>
      &ldquo;Mark Twain's ill-natured sneer cannot so much as stain them&rdquo;
      (the Frenchwomen).
    </p>
    <p>
      &ldquo;When he&rdquo; (Mark Twain) &ldquo;takes his revenge he is unkind,
      unfair, bitter, nasty.&rdquo;
    </p>
    <p>
      &ldquo;But not even your nasty article on my country, Mark,&rdquo; etc.
    </p>
    <p>
      &ldquo;Mark might certainly have derived from it&rdquo; (M. Bourget's
      book) &ldquo;a lesson in politeness and good manners.&rdquo;
    </p>
    <p>
      A quoted remark of mine is &ldquo;unworthy of a gentleman.&rdquo;&mdash;
    </p>
    <p>
      These are all true, but really they are not valuable; no one cares much
      for such finds. In our American magazines we recognize this and suppress
      them. We avoid naming them. American writers never allow themselves to
      name them. It would look as if they were in a temper, and we hold that
      exhibitions of temper in public are not good form except in the very young
      and inexperienced. And even if we had the disposition to name them, in
      order to fill up a gap when we were short of ideas and arguments, our
      magazines would not allow us to do it, because they think that such words
      sully their pages. This present magazine is particularly strenuous about
      it. Its note to me announcing the forwarding of your proof-sheets to
      France closed thus&mdash;for your protection:
    </p>
    <p>
      &ldquo;It is needless to ask you to avoid anything that he might consider
      as personal.&rdquo;
    </p>
    <p>
      It was well enough, as a measure of precaution, but really it was not
      needed. You can trust me implicitly, M. Bourget; I shall never call you
      any names in print which I should be ashamed to call you with your
      unoffending and dearest ones present.
    </p>
    <p>
      Indeed, we are reserved, and particular in America to a degree which you
      would consider exaggerated. For instance, we should not write notes like
      that one of yours to a lady for a small fault&mdash;or a large one.&mdash;[When
      M. Paul Bourget indulges in a little chaffing at the expense of the
      Americans, &ldquo;who can always get away with a few years' trying
      to find out who their grandfathers were,&rdquo;] he merely makes an
      allusion to an American foible; but, forsooth, what a kind man, what a
      humorist Mark Twain is when he retorts by calling France a nation of
      bastards! How the Americans of culture and refinement will admire him for
      thus speaking in their name!
    </p>
    <p>
      Snobbery.... I could give Mark Twain an example of the American specimen.
      It is a piquant story. I never published it because I feared my readers
      might think that I was giving them a typical illustration of American
      character instead of a rare exception.
    </p>
    <p>
      I was once booked by my manager to give a causerie in the drawing-room of
      a New York millionaire. I accepted with reluctance. I do not like private
      engagements. At five o'clock on the day the causerie was to be
      given, the lady sent to my manager to say that she would expect me to
      arrive at nine o'clock and to speak for about an hour. Then she
      wrote a postscript. Many women are unfortunate there. Their minds are full
      of after-thoughts, and the most important part of their letters is
      generally to be found after their signature. This lady's P. S. ran
      thus: &ldquo;I suppose he will not expect to be entertained after the
      lecture.&rdquo;
    </p>
    <p>
      I fairly shouted, as Mark Twain would say, and then, indulging myself in a
      bit of snobbishness, I was back at her as quick as a flash:
    </p>
    <p>
      &ldquo;Dear Madam: As a literary man of some reputation, I have many times
      had the pleasure of being entertained by the members of the old
      aristocracy of France. I have also many times had the pleasure of being
      entertained by the members of the old aristocracy of England. If it may
      interest you, I can even tell you that I have several times had the honor
      of being entertained by royalty; but my ambition has never been so wild as
      to expect that one day I might be entertained by the aristocracy of New
      York. No, I do not expect to be entertained by you, nor do I want you to
      expect me to entertain you and your friends to-night, for I decline to
      keep the engagement.&rdquo;
    </p>
    <p>
      Now, I could fill a book on America with reminiscences of this sort,
      adding a few chapters on bosses and boodlers, on New York 'chronique
      scandaleuse', on the tenement houses of the large cities, on the
      gambling-hells of Denver, and the dens of San Francisco, and what not!
      [But not even your nasty article on my country, Mark, will make me do it.]&mdash;We
      should not think it kind. No matter how much we might have associated with
      kings and nobilities, we should not think it right to crush her with it
      and make her ashamed of her lowlier walk in life; for we have a saying,
      &ldquo;Who humiliates my mother includes his own.&rdquo;
    </p>
    <p>
      Do I seriously imagine you to be the author of that strange letter, M.
      Bourget? Indeed I do not. I believe it to have been surreptitiously
      inserted by your amanuensis when your back was turned. I think he did it
      with a good motive, expecting it to add force and piquancy to your
      article, but it does not reflect your nature, and I know it will grieve
      you when you see it. I also think he interlarded many other things which
      you will disapprove of when you see them. I am certain that all the harsh
      names discharged at me come from him, not you. No doubt you could have
      proved me entitled to them with as little trouble as it has cost him to do
      it, but it would have been your disposition to hunt game of a higher
      quality.
    </p>
    <p>
      Why, I even doubt if it is you who furnish me all that excellent
      information about Balzac and those others.&mdash;[&ldquo;Now the style of
      M. Bourget and many other French writers is apparently a closed letter to
      Mark Twain; but let us leave that alone. Has he read Erckmann-Chatrian,
      Victor Hugo, Lamartine, Edmond About, Cherbuliez, Renan? Has he read
      Gustave Droz's 'Monsieur, Madame, et Bebe', and those
      books which leave for a long time a perfume about you? Has he read the
      novels of Alexandre Dumas, Eugene Sue, George Sand, and Balzac? Has he
      read Victor Hugo's 'Les Miserables' and 'Notre
      Dame de Paris'? Has he read or heard the plays of Sandeau, Augier,
      Dumas, and Sardou, the works of those Titans of modern literature, whose
      names will be household words all over the world for hundreds of years to
      come? He has read La Terre&mdash;this kind-hearted, refined humorist! When
      Mark Twain visits a garden does he smell the violets, the roses, the
      jasmine, or the honeysuckle? No, he goes in the far-away corner where the
      soil is prepared. Hear what he says: 'I wish M. Paul Bourget had
      read more of our novels before he came. It is the only way to thoroughly
      understand a people. When I found I was coming to Paris I read La Terre.'&rdquo;]&mdash;All
      this in simple justice to you&mdash;and to me; for, to gravely accept
      those interlardings as yours would be to wrong your head and heart, and at
      the same time convict myself of being equipped with a vacancy where my
      penetration ought to be lodged.
    </p>
    <p>
      And now finally I must uncover the secret pain, the wee sore from which
      the Reply grew&mdash;the anecdote which closed my recent article&mdash;and
      consider how it is that this pimple has spread to these cancerous
      dimensions. If any but you had dictated the Reply, M. Bourget, I would
      know that that anecdote was twisted around and its intention magnified
      some hundreds of times, in order that it might be used as a pretext to
      creep in the back way. But I accuse you of nothing&mdash;nothing but
      error. When you say that I &ldquo;retort by calling France a nation of
      bastards,&rdquo; it is an error. And not a small one, but a large one. I
      made no such remark, nor anything resembling it. Moreover, the magazine
      would not have allowed me to use so gross a word as that.
    </p>
    <p>
      You told an anecdote. A funny one&mdash;I admit that. It hit a foible of
      our American aristocracy, and it stung me&mdash;I admit that; it stung me
      sharply. It was like this: You found some ancient portraits of French
      kings in the gallery of one of our aristocracy, and you said:
    </p>
    <p>
      &ldquo;He has the Grand Monarch, but where is the portrait of his
      grandfather?&rdquo; That is, the American aristocrat's grandfather.
    </p>
    <p>
      Now that hits only a few of us, I grant&mdash;just the upper crust only&mdash;but
      it hits exceedingly hard.
    </p>
    <p>
      I wondered if there was any way of getting back at you. In one of your
      chapters I found this chance:
    </p>
    <p>
      &ldquo;In our high Parisian existence, for instance, we find applied to
      arts and luxury, and to debauchery, all the powers and all the weaknesses
      of the French soul.&rdquo;
    </p>
    <p>
      You see? Your &ldquo;higher Parisian&rdquo; class&mdash;not everybody, not
      the nation, but only the top crust of the Nation&mdash;applies to
      debauchery all the powers of its soul.
    </p>
    <p>
      I argued to myself that that energy must produce results. So I built an
      anecdote out of your remark. In it I make Napoleon Bonaparte say to me&mdash;but
      see for yourself the anecdote (ingeniously clipped and curtailed) in
      paragraph eleven of your Reply.&mdash;[So, I repeat, Mark Twain does not
      like M. Paul Bourget's book. So long as he makes light fun of the
      great French writer he is at home, he is pleasant, he is the American
      humorist we know. When he takes his revenge (and where is the reason for
      taking a revenge?) he is unkind, unfair, bitter, nasty.]
    </p>
    <p>
      For example: See his answer to a Frenchman who jokingly remarks to him:
    </p>
    <p>
      &ldquo;I suppose life can never get entirely dull to an American, because
      whenever he can't strike up any other way to put in his time, he can
      always get away with a few years trying to find out who his grandfather
      was.&rdquo;
    </p>
    <p>
      Hear the answer:
    </p>
    <p>
      &ldquo;I reckon a Frenchman's got his little standby for a dull
      time, too; because when all other interests fail, he can turn in and see
      if he can't find out who his father was.&rdquo;
    </p>
    <p>
      The first remark is a good-humored bit of chaffing on American snobbery. I
      may be utterly destitute of humor, but I call the second remark a
      gratuitous charge of immorality hurled at the French women&mdash;a remark
      unworthy of a man who has the ear of the public, unworthy of a gentleman,
      a gross insult to a nation friendly to America, a nation that helped Mark
      Twain's ancestors in their struggle for liberty, a nation where
      to-day it is enough to say that you are American to see every door open
      wide to you.
    </p>
    <p>
      If Mark Twain was hard up in search of, a French &ldquo;chestnut,&rdquo; I
      might have told him the following little anecdote. It is more funny than
      his, and would have been less insulting: Two little street boys are
      abusing each other. &ldquo;Ah, hold your tongue,&rdquo; says one, &ldquo;you
      ain't got no father.&rdquo;
    </p>
    <p>
      &ldquo;Ain't got no father!&rdquo; replies the other; &ldquo;I've
      got more fathers than you.&rdquo;
    </p>
    <p>
      Now, then, your anecdote about the grandfathers hurt me. Why? Because it
      had a point. It wouldn't have hurt me if it hadn't had point.
      You wouldn't have wasted space on it if it hadn't had point.
    </p>
    <p>
      My anecdote has hurt you. Why? Because it had point, I suppose. It wouldn't
      have hurt you if it hadn't had point. I judged from your remark
      about the diligence and industry of the high Parisian upper crust that it
      would have some point, but really I had no idea what a gold-mine I had
      struck. I never suspected that the point was going to stick into the
      entire nation; but of course you know your nation better than I do, and if
      you think it punctures them all, I have to yield to your judgment. But you
      are to blame, your own self. Your remark misled me. I supposed the
      industry was confined to that little unnumerous upper layer.
    </p>
    <p>
      Well, now that the unfortunate thing has been done, let us do what we can
      to undo it. There must be a way, M. Bourget, and I am willing to do
      anything that will help; for I am as sorry as you can be yourself.
    </p>
    <p>
      I will tell you what I think will be the very thing.
    </p>
    <p>
      We will swap anecdotes. I will take your anecdote and you take mine. I
      will say to the dukes and counts and princes of the ancient nobility of
      France:
    </p>
    <p>
      &ldquo;Ha, ha! You must have a pretty hard time trying to find out who
      your grandfathers were?&rdquo;
    </p>
    <p>
      They will merely smile indifferently and not feel hurt, because they can
      trace their lineage back through centuries.
    </p>
    <p>
      And you will hurl mine at every individual in the American nation, saying:
    </p>
    <p>
      &ldquo;And you must have a pretty hard time trying to find out who your
      fathers were.&rdquo; They will merely smile indifferently, and not feel
      hurt, because they haven't any difficulty in finding their fathers.
    </p>
    <p>
      Do you get the idea? The whole harm in the anecdotes is in the point, you
      see; and when we swap them around that way, they haven't any.
    </p>
    <p>
      That settles it perfectly and beautifully, and I am glad I thought of it.
      I am very glad indeed, M. Bourget; for it was just that little wee thing
      that caused the whole difficulty and made you dictate the Reply, and your
      amanuensis call me all those hard names which the magazines dislike so.
      And I did it all in fun, too, trying to cap your funny anecdote with
      another one&mdash;on the give-and-take principle, you know&mdash;which is
      American. I didn't know that with the French it was all give and no
      take, and you didn't tell me. But now that I have made everything
      comfortable again, and fixed both anecdotes so they can never have any
      point any more, I know you will forgive me.
    </p>
<pre xml:space="preserve">





End of the Project Gutenberg EBook of Essays on Paul Bourget
by Mark Twain (Samuel Clemens)

*** END OF THIS PROJECT GUTENBERG EBOOK ESSAYS ON PAUL BOURGET ***

***** This file should be named 3173-h.htm or 3173-h.zip *****
This and all associated files of various formats will be found in:
        https://www.gutenberg.org/3/1/7/3173/

Produced by David Widger


Updated editions will replace the previous one--the old editions
will be renamed.

Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying copyright royalties.  Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark.  Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission.  If you
do not charge anything for copies of this eBook, complying with the
rules is very easy.  You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research.  They may be modified and printed and given away--you may do
practically ANYTHING with public domain eBooks.  Redistribution is
subject to the trademark license, especially commercial
redistribution.



*** START: FULL LICENSE ***

THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase &ldquo;Project
Gutenberg&rdquo;), you agree to comply with all the terms of the Full Project
Gutenberg-tm License (available with this file or online at
https://gutenberg.org/license).


Section 1.  General Terms of Use and Redistributing Project Gutenberg-tm
electronic works

1.A.  By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement.  If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B.  &ldquo;Project Gutenberg&rdquo; is a registered trademark.  It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement.  There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement.  See
paragraph 1.C below.  There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works.  See paragraph 1.E below.

1.C.  The Project Gutenberg Literary Archive Foundation (&ldquo;the Foundation&rdquo;
 or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works.  Nearly all the individual works in the
collection are in the public domain in the United States.  If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
works based on the work as long as all references to Project Gutenberg
are removed.  Of course, we hope that you will support the Project
Gutenberg-tm mission of promoting free access to electronic works by
freely sharing Project Gutenberg-tm works in compliance with the terms of
this agreement for keeping the Project Gutenberg-tm name associated with
the work.  You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.

1.D.  The copyright laws of the place where you are located also govern
what you can do with this work.  Copyright laws in most countries are in
a constant state of change.  If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work.  The Foundation makes no representations concerning
the copyright status of any work in any country outside the United
States.

1.E.  Unless you have removed all references to Project Gutenberg:

1.E.1.  The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg-tm License must appear prominently
whenever any copy of a Project Gutenberg-tm work (any work on which the
phrase &ldquo;Project Gutenberg&rdquo; appears, or with which the phrase &ldquo;Project
Gutenberg&rdquo; is associated) is accessed, displayed, performed, viewed,
copied or distributed:

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org

1.E.2.  If an individual Project Gutenberg-tm electronic work is derived
from the public domain (does not contain a notice indicating that it is
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges.  If you are redistributing or providing access to a work
with the phrase &ldquo;Project Gutenberg&rdquo; associated with or appearing on the
work, you must comply either with the requirements of paragraphs 1.E.1
through 1.E.7 or obtain permission for the use of the work and the
Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
1.E.9.

1.E.3.  If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
terms imposed by the copyright holder.  Additional terms will be linked
to the Project Gutenberg-tm License for all works posted with the
permission of the copyright holder found at the beginning of this work.

1.E.4.  Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.

1.E.5.  Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.

1.E.6.  You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form.  However, if you provide access to or
distribute copies of a Project Gutenberg-tm work in a format other than
&ldquo;Plain Vanilla ASCII&rdquo; or other format used in the official version
posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
you must, at no additional cost, fee or expense to the user, provide a
copy, a means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original &ldquo;Plain Vanilla ASCII&rdquo; or other
form.  Any alternate format must include the full Project Gutenberg-tm
License as specified in paragraph 1.E.1.

1.E.7.  Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8.  You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works provided
that

- You pay a royalty fee of 20% of the gross profits you derive from
     the use of Project Gutenberg-tm works calculated using the method
     you already use to calculate your applicable taxes.  The fee is
     owed to the owner of the Project Gutenberg-tm trademark, but he
     has agreed to donate royalties under this paragraph to the
     Project Gutenberg Literary Archive Foundation.  Royalty payments
     must be paid within 60 days following each date on which you
     prepare (or are legally required to prepare) your periodic tax
     returns.  Royalty payments should be clearly marked as such and
     sent to the Project Gutenberg Literary Archive Foundation at the
     address specified in Section 4, &ldquo;Information about donations to
     the Project Gutenberg Literary Archive Foundation.&rdquo;

- You provide a full refund of any money paid by a user who notifies
     you in writing (or by e-mail) within 30 days of receipt that s/he
     does not agree to the terms of the full Project Gutenberg-tm
     License.  You must require such a user to return or
     destroy all copies of the works possessed in a physical medium
     and discontinue all use of and all access to other copies of
     Project Gutenberg-tm works.

- You provide, in accordance with paragraph 1.F.3, a full refund of any
     money paid for a work or a replacement copy, if a defect in the
     electronic work is discovered and reported to you within 90 days
     of receipt of the work.

- You comply with all other terms of this agreement for free
     distribution of Project Gutenberg-tm works.

1.E.9.  If you wish to charge a fee or distribute a Project Gutenberg-tm
electronic work or group of works on different terms than are set
forth in this agreement, you must obtain permission in writing from
both the Project Gutenberg Literary Archive Foundation and Michael
Hart, the owner of the Project Gutenberg-tm trademark.  Contact the
Foundation as set forth in Section 3 below.

1.F.

1.F.1.  Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
public domain works in creating the Project Gutenberg-tm
collection.  Despite these efforts, Project Gutenberg-tm electronic
works, and the medium on which they may be stored, may contain
&ldquo;Defects,&rdquo; such as, but not limited to, incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other intellectual
property infringement, a defective or damaged disk or other medium, a
computer virus, or computer codes that damage or cannot be read by
your equipment.

1.F.2.  LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the &ldquo;Right
of Replacement or Refund&rdquo; described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees.  YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH F3.  YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.

1.F.3.  LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from.  If you
received the work on a physical medium, you must return the medium with
your written explanation.  The person or entity that provided you with
the defective work may elect to provide a replacement copy in lieu of a
refund.  If you received the work electronically, the person or entity
providing it to you may choose to give you a second opportunity to
receive the work electronically in lieu of a refund.  If the second copy
is also defective, you may demand a refund in writing without further
opportunities to fix the problem.

1.F.4.  Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.

1.F.5.  Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the
law of the state applicable to this agreement, the agreement shall be
interpreted to make the maximum disclaimer or limitation permitted by
the applicable state law.  The invalidity or unenforceability of any
provision of this agreement shall not void the remaining provisions.

1.F.6.  INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in accordance
with this agreement, and any volunteers associated with the production,
promotion and distribution of Project Gutenberg-tm electronic works,
harmless from all liability, costs and expenses, including legal fees,
that arise directly or indirectly from any of the following which you do
or cause to occur: (a) distribution of this or any Project Gutenberg-tm
work, (b) alteration, modification, or additions or deletions to any
Project Gutenberg-tm work, and (c) any Defect you cause.


Section  2.  Information about the Mission of Project Gutenberg-tm

Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of computers
including obsolete, old, middle-aged and new computers.  It exists
because of the efforts of hundreds of volunteers and donations from
people in all walks of life.

Volunteers and financial support to provide volunteers with the
assistance they need, is critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come.  In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future generations.
To learn more about the Project Gutenberg Literary Archive Foundation
and how your efforts and donations can help, see Sections 3 and 4
and the Foundation web page at https://www.pglaf.org.


Section 3.  Information about the Project Gutenberg Literary Archive
Foundation

The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service.  The Foundation's EIN or federal tax identification
number is 64-6221541.  Its 501(c)(3) letter is posted at
https://pglaf.org/fundraising.  Contributions to the Project Gutenberg
Literary Archive Foundation are tax deductible to the full extent
permitted by U.S. federal laws and your state's laws.

The Foundation's principal office is located at 4557 Melan Dr. S.
Fairbanks, AK, 99712., but its volunteers and employees are scattered
throughout numerous locations.  Its business office is located at
809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
business@pglaf.org.  Email contact links and up to date contact
information can be found at the Foundation's web site and official
page at https://pglaf.org

For additional contact information:
     Dr. Gregory B. Newby
     Chief Executive and Director
     gbnewby@pglaf.org


Section 4.  Information about Donations to the Project Gutenberg
Literary Archive Foundation

Project Gutenberg-tm depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment.  Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.

The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States.  Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements.  We do not solicit donations in locations
where we have not received written confirmation of compliance.  To
SEND DONATIONS or determine the status of compliance for any
particular state visit https://pglaf.org

While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.

International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States.  U.S. laws alone swamp our small staff.

Please check the Project Gutenberg Web pages for current donation
methods and addresses.  Donations are accepted in a number of other
ways including including checks, online payments and credit card
donations.  To donate, please visit: https://pglaf.org/donate


Section 5.  General Information About Project Gutenberg-tm electronic
works.

Professor Michael S. Hart was the originator of the Project Gutenberg-tm
concept of a library of electronic works that could be freely shared
with anyone.  For thirty years, he produced and distributed Project
Gutenberg-tm eBooks with only a loose network of volunteer support.


Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as Public Domain in the U.S.
unless a copyright notice is included.  Thus, we do not necessarily
keep eBooks in compliance with any particular paper edition.


Most people start at our Web site which has the main PG search facility:

     https://www.gutenberg.org

This Web site includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.

</pre>
    <p>
      <br /><br /><br /><br />
    </p>
  </body>
</html>