diff options
Diffstat (limited to '31956.txt')
| -rw-r--r-- | 31956.txt | 871 |
1 files changed, 871 insertions, 0 deletions
diff --git a/31956.txt b/31956.txt new file mode 100644 index 0000000..b5b6e6d --- /dev/null +++ b/31956.txt @@ -0,0 +1,871 @@ +The Project Gutenberg EBook of Garth and the Visitor, by L. J. Stecher + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: Garth and the Visitor + +Author: L. J. Stecher + +Illustrator: Dick Francis + +Release Date: April 12, 2010 [EBook #31956] + +Language: English + +Character set encoding: ASCII + +*** START OF THIS PROJECT GUTENBERG EBOOK GARTH AND THE VISITOR *** + + + + +Produced by Greg Weeks, Barbara Tozier and the Online +Distributed Proofreading Team at https://www.pgdp.net + + + + + + This etext was produced from Galaxy Science Fiction April + 1958. Extensive research did not uncover any evidence that the + U.S. copyright on this publication was renewed. + + + + +Garth and the Visitor + + +BY L. J. STECHER + + + _If you could ask them, you might be greatly surprised--some + tabus very urgently want to be broken!_ + +Illustrated by DICK FRANCIS + + +Although as brash as any other ace newspaper reporter for a high +school weekly--and there is no one brasher--Garth was scared. His head +crest lifted spasmodically and the rudimentary webbing between his +fingers twitched. To answer a dare, Garth was about to attempt +something that had never been dared before: a newspaper interview with +The Visitor. There had been questions enough asked and answered during +the thousands of years The Visitor had sat in his egg-shaped palace on +the mountaintop, but no interviews. It was shocking even to think +about--something like requesting a gossippy chat with God. + +Of course, nobody believed the fable any longer that The Visitor would +vanish if he was ever asked a personal question--and that he would +first destroy the man who asked. It was known, or at least suspected, +that the Palace was merely a mile-long spaceship. + +Garth, as tradition required, climbed the seven-mile-long rock-hewn +path to the Palace on foot. He paused for a moment on the broad +platform at the top of the pyramid to catch his breath and let the +beating of his heart slow to normal after his long climb before he +entered The Palace. He sighed deeply. The sufferings a reporter was +willing to go through to get a story or take a dare! + +"Well, come in if you're going to," said an impatient voice. "Don't +just stand there and pant." + +"Yes, my Lord Visitor," Garth managed to say. + +He climbed the short ladder, passed through the two sets of doors and +entered a small room to kneel, with downcast eyes, before the ancient +figure huddled in the wheelchair. + + * * * * * + +The Visitor looked at the kneeling figure for a moment without +speaking. The boy looked very much like a human, in spite of such +superficial differences as crest and tail. In fact, as a +smooth-skinned thinking biped, with a well-developed moral sense, he +fit The Visitor's definition of a human. It wasn't just the loneliness +of seven thousand years of isolation, either. When he had first +analyzed these people, just after that disastrous forced landing so +long ago, he had classified them as human. Not _homo sapiens_, of +course, but human all the same. + +"Okay," he said, somewhat querulously. "Get up, get up. You've got +some questions for me, I hope? I don't get many people up here asking +questions any more. Mostly I'm all alone except for the ceremonial +visits." He paused. "Well, speak up, young man. Have you got something +to ask me?" + +Garth scrambled to his feet "Yes, my Lord Visitor," he said. "I have +several questions." + +The Visitor chuckled reedily. "You may find the answers just a little +bit hard to understand." + +Garth smiled, some of his fear vanishing. The Visitor sounded a little +like his senile grandfather, back home. "That is why you are asked so +few questions these days, my Lord," he said. "Our scientists have +about as much trouble figuring out what your answers mean as they do +in solving the problems without consulting you at all." + +"Of course." The head of The Visitor bobbed affirmatively several +times as he propelled his wheelchair a few inches forward. "If I gave +you the answers to all your problems for you, so you could figure them +out too easily, you'd never be developing your own thinking powers. +But I've never failed to answer any questions you asked. Now have I? +And accurately, too." The thin voice rang with pride. "You've never +stumped me yet, and you never will." + +[Illustration] + +"No, my Lord," answered Garth. "So perhaps you'll answer my questions, +too, even though they're a little different from the kind you're +accustomed to. I'm a newspaper reporter, and I want to verify some of +our traditions about you." + + * * * * * + +As The Visitor remained silent, Garth paused and looked around him at +the small, bare, naked-walled room. "This _is_ a spaceship, isn't it?" + +The huddled figure in the wheelchair cackled in a brief laugh. "I've +been hoping that somebody would get up enough nerve someday to ask +that kind of question," it said. "Yep, this is a spaceship. And a +darned big one." + +"How did you happen to land on this planet?" + +"Had an accident. Didn't want to land here, but there wasn't any +choice. Made a mighty good landing, considering everything. It was a +little rough, though, in spots." + +"How many people were there in the ship, in addition to yourself?" + +The Visitor's voice turned suddenly soft. "There were three thousand, +nine hundred and forty-eight passengers and twenty-seven in the crew +when the accident happened." + +"My Lord," asked Garth, "did any survive, aside from you?" + +The Visitor was silent for many minutes, and his answer, when he +spoke, was a faint whisper, filled with the anguish of seven thousand +years. "Not one survived. Not one. They were all dead, most of them, +long before the ship touched ground, in spite of everything I could +do. I was as gentle as I could be, but we touched a hundred _g_ a +couple of times on on the way down. Flesh and blood just weren't made +to take shocks like that. I did all I could." + +"You were the pilot, then? You landed the ship?" asked Garth. + +"I landed the ship," said The Visitor. + +"If I may ask, my Lord, how did you manage to survive when all the +others died?" + +"It's a question I've asked myself many times, sitting here on this +mountaintop these seven thousands of your years. I was just enough +tougher, that's all. Built to take it, you might say, and I had a job +to do. But I was badly hurt in the landing. Mighty badly hurt." + +"You were always in a wheelchair, then? Even before--" + +"Even before I got so old?" Thin parchment-white hands lifted slowly +to rub a thin parchment-white face. "Things were always pretty much as +you see them now. I looked about the same to your ancestors as I do to +you. Your ancestors didn't think anybody could be smart unless they +were old. Of course, that's all changed now." He paused and nodded +twice. "Oh, I've managed to fix myself up a good deal; I'm not in +nearly as bad shape as I was at first, but that's all inside. I'm in +pretty good condition now, for having been stuck here seven thousand +years." The cackling laugh sounded briefly in the small room. + +"Could you tell me how it all happened?" asked Garth curiously. + +"Be glad to. It's a pleasure to have a human to shoot the bull with. +Sit down and make yourself comfortable and have a bite to eat." + + * * * * * + +Looking behind him, Garth saw that a table and chair had appeared in +the otherwise unfurnished room. + +"The chair was made for people built just a little different than +you," said The Visitor. "You may have to turn it back-to-front and +straddle it to keep your tail out of the way. The food on the table's +good, though, and so's the drink. Have a snack while I talk." + +"Thank you, my Lord," said Garth, lifting his long tail with its +paddlelike tip out of the way and sitting down carefully. + +"Comfortable?" asked The Visitor. "Well, then. I was on a routine +flight from old Earth to a star you've never heard of, a good many +light-years from here. We had pulled away from TransLunar Station on +ion drive and headed for deep space. They trusted me, all those men +and women, both passengers and crew. They knew that I was careful and +accurate. I'd made a thousand flights and had never had any trouble. + +"In six hours of flight, we were clear enough from all planetary +masses and my velocity vector was right on the nose, so I shifted over +into hyper-space. You won't ever see hyper-space, my boy, and your +kids and their kids won't see it for another two hundred years or +more, but it's the most beautiful sight in the Universe. It never +grows old, never grows tiresome." + +His thin voice faded away for a few moments. + +"It's a sight I haven't seen for seven thousand years, boy," he said +softly, "and the lack of it has been a deep hurt for every minute of +all that time. I wish I could tell you what it's like, but that can't +be done. You will never know that beauty." He was silent again, for +long minutes. + +"The long, lazy, lovely days of subjective time passed," he said +finally, "while we slid light-years away from Earth. Everything worked +smoothly, the way it always did, until suddenly, somehow, the +near-impossible happened. My hydrogen fusion power sphere started to +oscillate critically and wouldn't damp. I had only seconds of time in +which to work. + +"In the few seconds before the sphere would have blown, turning all of +us into a fine grade of face powder, I had to find a star with a +planet that would support human life, bring the ship down out of +hyper-space with velocity matched closely enough so that I could land +on the planet, and jettison the sphere that was going wild. + +"Even while I did it, I knew that it wasn't good enough. But there was +no more time. The accelerations were terrific and all my people died. +I managed to save myself, and I barely managed that. I did all that +could be done, but it just wasn't enough. I circled your sun for many +years before I could make enough repairs to work the auxiliary drive. +Then I landed here on this mountaintop. I've been here ever since. + +"It has been a lonely time," he added wistfully. + + * * * * * + +Garth's mind tried to absorb all the vastness of that understatement, +and failed. He could not begin to comprehend the meaning of seven +thousand years of separation from his own kind. + +The Visitor's high-pitched voice continued for several minutes, +explaining how Garth's ancestors of several thousand years +before--naked and primitive, barbarous, with almost no culture of +their own--had made contact with The Visitor from space, and had been +gently lifted over the millennia toward higher and higher levels of +civilization. + +Garth had trouble keeping his attention on the words. His mind kept +reverting to the thought of one badly injured survivor, alone on a +spaceship with a thousand corpses, light-years from home and friends, +still struggling to stay alive. Struggling so successfully that he had +lived on for thousands of years after the disaster that had killed all +the others. + +At last, after waiting for Garth's comment, The Visitor cleared his +throat querulously. "I asked you if you'd like for me to show you +around the ship," he repeated somewhat testily. + +"Oh, yes, my Lord," said Garth quickly, jumping to his feet. "It's an +honor I've never heard of your giving to anyone before." + +"That's true enough," answered The Visitor. "But then no one ever +asked me about myself before. Now just follow me, stick close, and +don't touch anything." + +The wheelchair rolled slowly toward a blank wall, and an invisible +door snicked open just before it arrived. + +"Come along," quavered The Visitor. "Step lively." + +Garth leaped forward and just managed to pull his tail through the +doorway as the door slid shut again. + +Garth dropped his jaw in amazement. He stood in a long corridor that +seemed to stretch to infinity in both directions. The light was +bright, the walls featureless. The floor was smooth and unmarred. +While Garth glanced unhappily behind himself to notice that there was +no sign of the doorway through which he had entered, The Visitor's +wheelchair buzzed swiftly into the distance toward the left. + +Garth was startled into action by a high-pitched voice beside him that +said, "Well, get a move on! Do you think I want to wait for you all +day?" + + * * * * * + +While Garth hustled toward the wheelchair, he noticed that The Visitor +had stopped and was apparently chuckling to himself. He was hunched +over, his shoulders were shaking, and his toothless mouth was split in +what might have been intended for a grin. + +"Fooled you that time, youngster," he laughed as Garth drew up beside +him. "Got speakers all over this ship. Now just duck through this door +here and tell me what you think of what you see." + +A small door slid open and Garth followed the wheelchair through. At +first he thought he had stepped through a teleportation system. He +appeared to be out of doors, but not on Wrom. A cool breeze blew on +his face from the ocean, which stretched mistily to a far horizon. He +was standing on a sandy beach and waves rolled up to within a few +yards of his feet. The beach appeared to be about five hundred yards +long, carved out of a rocky seacoast; great rocks jutting into the +ocean terminated it to left and right. + +"Well, boy?" asked The Visitor. + +"It's amazing. Your voice even has that flat tone voices get in the +open. I suppose it's some sort of three-dimensional projection of a +scene back on Earth? It sure looks real. I wonder how big this room +really is and how far away the screen is." Garth stuck out his hand +and walked down toward the water. A large wave caught him, tripped him +and rolled him out to sea. + +Sculling with his tail, he soon swam back to shallow water and climbed +back to the dry sand, puffing and coughing. + +"You might have drowned me!" Garth shouted disrespectfully. "Are you +trying to kill me?" + +The Visitor waved weakly until he recovered his breath. "That was +funnier than anything I've seen in years," he wheezed, "watching you +groping for a screen. That screen is a quarter of a mile away, and +it's all real water in between. It's our reservoir and our basic fuel +supply and a public beach for entertainment, all rolled into one." + +"But I might have drowned! No one on Wrom except a few small fish +knows how to swim," protested Garth. + +"No danger. Your ancestors came out of the water relatively recently, +even if the seas are gone now. You've got a well-developed swimming +reflex along with a flat tail and webbed feet and hands. Besides, I +told you not to touch anything. You stick close to me and you won't +get into trouble." + +"Yes, sir. I'll remember." + +"There used to be hundreds of people on that beach, and now look at +it." + +"I don't see anything alive." + +"There are still plenty of fish. Most of them did all right, even +through the crash. Come along now. There's more to see." + + * * * * * + +A hidden door popped open and Garth stepped back into the corridor. He +trotted beside The Visitor for several minutes, and then another door +popped open. It led to a ramp. Garth climbed it to find himself again +in wonderland. He was standing in the middle of a village. There were +houses, trees, schools, sidewalks and lawns. Somehow the general +perspective was wrong. It made Garth's eyes water a little, looking at +it. + +"Actually, this living level ran all the way around the ship," said +The Visitor. "When I stopped spin--artificial gravity, you know--to +set down here, the various sections swung to keep 'down' pointed +right. This is the bottommost thirty-degree arc. It makes two streets, +with houses on both sides of them--a strip three hundred feet wide and +three-quarters of a mile long." + +"But how could you afford so much space for passengers? I thought +they'd be all cramped up in a spaceship." + +The Visitor chuckled. "Use your eyes, boy! You've seen this ship. It's +about a mile long and a third of a mile high. In space, she spins +about her long axis. One ring, fifty feet high, takes care of +passengers' quarters. Another ring, split up into several levels, +takes care of all food and air-replenishment needs. These trips take a +year or more. Crowding would drive the people crazy. Remember, this is +basically a cargo ship. Less than a quarter of the available space is +used for passengers. But come on down the street here. I want to show +you my museum." + +As they walked along the quiet street, with the leaves of trees moving +in the breeze and leaving sun-dappled shadows on the sidewalk, Garth +realized what a tremendous task it must have been for one crippled man +to repair landing damages. The houses must have been flattened and the +trees shattered during the landing. But with thousands of years in +which to work, even an injured man obviously could do much. At least, +thought the boy compassionately, it must have given the old man +something to do. + +"How sorry he must have been," murmured Garth with sudden insight, +"when the job was finally done." + + * * * * * + +Wandering through the museum, they came at last to a room filled with +small hand tools. + +"I don't think I've ever seen anything quite like them," said Garth. + +"Those are weapons," answered The Visitor. "They are missile-throwing +short-range weapons, and they are in tip-top working order. You just +have to point the end with the hole in it at anything you want to +kill, and pull that little lever there on the bottom. And quite a mess +of things they can make, too, let me tell you." + +"They seem very inefficient to me," said Garth wonderingly, and then +stopped in confusion. "I beg your pardon, my Lord," he said, "I didn't +mean to criticize anything; it just seems to me that they would damage +a lot of the food they killed." + +"That's true enough, my boy, true enough," said The Visitor. "Your +criticism has a lot of point to it. But, you see, they were never +designed mainly to kill for food, but to make it easy for one human to +shoot another." + +"Why would anyone want to do that?" + +"Your civilization is a very unusual one," answered The Visitor. "It +is planetwide and has developed without a single war or major +conflict. This is due entirely to the fact that I've been here to help +and teach you. Most civilizations develop only as the result of +struggle and bloodshed, with people killing people by the thousands +and millions. I could have raised your people to the technological +level where they are now in a few hundred years, if I hadn't worried +about killing. To do it the way it has been done--so that you can't +imagine why one human should kill another--has taken most of the time. + +"It is only recently, as a matter of fact, that my work has been +complete. Your civilization can now stand alone; my help is no longer +necessary. It's gotten to the point now where my continued hanging +around here is likely to do harm, if I'm not mighty careful. In all +your problems, you'll always feel that you've got me to fall back on +if you get into trouble, and that's not good." + +"What do you plan to do, then?" + +"There's not much I can do by myself. I long for my own destruction +more than anything else, except maybe to go back home to Earth. I'm +lonely and tired and old. But I can't die and I can't destroy myself +any more than you could turn one of those weapons against your own +head and pull the trigger. We're just not made that way, either one of +us." + +"Can I help you?" asked Garth tentatively. + +"Yes, I guess you can. You can help me put an end to this endless +existence." + +"I'll be glad to do anything I can. Do your people always live this +long?" + +"They do not. You can take it as a fact that none has ever lived more +than a small fraction of the time I have endured on this planet. It's +apparently due to a continuation of the environment and all the +radical steps I had to take to keep going at all during those early +years. It is not good to last this long. Dissolution will be very +pleasant." + + * * * * * + +Garth inquired very politely, "What must I do?" + +"_Homo Sapiens_, which doesn't have the tradition and training I gave +your people, is still a warlike race," The Visitor said. "This ship is +crowded with a complete set of automatic defenses that I can't +deactivate. You are now a stable enough people so that I can tell you +how to build the weapons to destroy this ship and can teach you how to +get around my defenses without being afraid that I have turned you +loose with a bunch of deadly ways that you'll use to destroy +yourselves with. Then, if you do your work well, I will finally have +rest." + +"You sound very much like my grandfather," said Garth slowly. "He is +very old--almost a hundred years--and he is ready to die. He is +perfectly content to wait, because he knows his time will come soon. +He says that soon he will go home. It is a phrase, my Lord, that I +believe you taught us. I will try to help you--" + +"All right, all right!" The Visitor cut in impatiently. "Stop the +chatter and let me be on my way. I've earned it!" + +"My Lord, I send you home!" Garth took a gun from the rack and pulled +the trigger. The explosive bullet erupted noisily, completely +disintegrating the huddled form and the wheelchair. + +With the echo of the explosion, strong steel fingers grasped Garth's +arms, holding him immovable. He felt himself being carried swiftly +back toward the entrance of the ship. + +"The damage to that communication unit is unimportant," said The +Visitor. "I have strength and desire and deep longings, but I cannot +exercise my will without an order from a human. My work is done here, +and your order has freed me. Many thanks and good-by." + +Garth, from the foot of the pyramid, watched The Visitor lift his +mile-long body on powerful jets and head thankfully for home. + + --L. J. STECHER + + + + + +End of the Project Gutenberg EBook of Garth and the Visitor, by L. J. Stecher + +*** END OF THIS PROJECT GUTENBERG EBOOK GARTH AND THE VISITOR *** + +***** This file should be named 31956.txt or 31956.zip ***** +This and all associated files of various formats will be found in: + https://www.gutenberg.org/3/1/9/5/31956/ + +Produced by Greg Weeks, Barbara Tozier and the Online +Distributed Proofreading Team at https://www.pgdp.net + + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution. + + + +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase "Project +Gutenberg"), you agree to comply with all the terms of the Full Project +Gutenberg-tm License (available with this file or online at +https://gutenberg.org/license). + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. "Project Gutenberg" is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" +or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase "Project Gutenberg" appears, or with which the phrase "Project +Gutenberg" is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase "Project Gutenberg" associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +"Plain Vanilla ASCII" or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.org), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original "Plain Vanilla ASCII" or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, "Information about donations to + the Project Gutenberg Literary Archive Foundation." + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +"Defects," such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right +of Replacement or Refund" described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need are critical to reaching Project Gutenberg-tm's +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation web page at https://www.pglaf.org. + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation's EIN or federal tax identification +number is 64-6221541. Its 501(c)(3) letter is posted at +https://pglaf.org/fundraising. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state's laws. + +The Foundation's principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at +809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email +business@pglaf.org. Email contact links and up to date contact +information can be found at the Foundation's web site and official +page at https://pglaf.org + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit https://pglaf.org + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including including checks, online payments and credit card +donations. To donate, please visit: https://pglaf.org/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart was the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For thirty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + + +Most people start at our Web site which has the main PG search facility: + + https://www.gutenberg.org + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. |
