summaryrefslogtreecommitdiff
path: root/32618.txt
diff options
context:
space:
mode:
Diffstat (limited to '32618.txt')
-rw-r--r--32618.txt1324
1 files changed, 1324 insertions, 0 deletions
diff --git a/32618.txt b/32618.txt
new file mode 100644
index 0000000..a292425
--- /dev/null
+++ b/32618.txt
@@ -0,0 +1,1324 @@
+The Project Gutenberg EBook of Monsoons of Death, by Gerald Vance
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Monsoons of Death
+
+Author: Gerald Vance
+
+Release Date: May 31, 2010 [EBook #32618]
+
+Language: English
+
+Character set encoding: ASCII
+
+*** START OF THIS PROJECT GUTENBERG EBOOK MONSOONS OF DEATH ***
+
+
+
+
+Produced by Greg Weeks, Mary Meehan and the Online
+Distributed Proofreading Team at http://www.pgdp.net
+
+
+
+
+
+
+
+
+
+ MONSOONS OF DEATH
+
+ By GERALD VANCE
+
+
+[Transcriber Note: This etext was produced from Amazing Stories December
+1942. Extensive research did not uncover any evidence that the U.S.
+copyright on this publication was renewed.]
+
+[Illustration: Dreadful weaving shapes slithered through the storm
+toward him]
+
+[Sidenote: Ward Harrison got himself into a barrel of trouble when he
+accepted a job at the Martian Observation Station. There were fearful
+"things" on Mars....]
+
+
+The gleaming insignia stripes on Lieutenant Ward Harrison's broad
+shoulders were less than two days old when he received his first
+assignment.
+
+"Lieutenant Harrison," his commanding officer said, glancing from the
+papers he held in his hands to the young man who stood at attention
+before his desk, "this will be your first touch of action since you were
+commissioned. A lot depends on how you handle yourself."
+
+"Yes sir," Ward answered. He straightened his already poker-straight
+spine. His face was young and serious and intent. There was a blaze of
+zeal in his blue eyes and grimness in the tightness of his jaw. But a
+lock of blonde hair that fell over his forehead lent an incongruously
+boyish cast to his grimly set features.
+
+His commander, a Planetary Colonel, with thirty years of void experience
+behind him, smiled slightly and looked down at the papers in his hands
+again.
+
+"Your training record has been excellent, Harrison," he said, "and I am
+gratified to note that you apparently realize the seriousness of our
+work." He leaned back in his chair, looked up at the young Lieutenant.
+"It took science hundreds of years to lick the problem of crossing the
+void of space to the outer planets. Now, that that much has been
+accomplished, the task of exploring and possibly developing and
+colonizing those planets is ahead of us. The most important part of that
+work is up to men like you, Lieutenant Harrison. You are attached to the
+meteorology department with the job of doing the preliminary analysis
+and exploration on the various planets whose raw materials are essential
+to Earth. Never for a minute underestimate the importance of that work."
+
+Ward cleared his throat. "I won't sir."
+
+"Good. There are other branches of the service that might seem more
+glamorous, but all of them are dependent on your research and findings.
+Without meteorological survey the entire network of space stations we
+have established would have been impossible. And the need today for
+accurate and thorough research on atmospheric conditions in the Universe
+is greater than ever before. Always keep that in mind."
+
+"I will, sir," Ward answered.
+
+"Good," the colonel said. He ran a heavy hand through his silver-dusted
+hair and then picked up again the sheaf of papers from his desk.
+
+"Your first assignment is to one of our established observation stations
+on Mars," he said.
+
+ * * * * *
+
+Ward kept his face woodenly expressionless; but it was hard to conceal
+his disappointment. He wanted adventure and danger. He wanted to prove
+his courage and loyalty on some perilous journey to an uncharted,
+unexplored area, and there was little hope for such action on an
+established base.
+
+"The station to which you are being sent," the colonel went on, "was
+established three years ago by the man who is still in command there, a
+civilian by the name of Thomas Halliday. He is alone there, now. His
+assistant died about six months ago. You will act as Halliday's
+assistant in atmospheric experimentation and in the collection of
+meteorologic data. Despite the fact that he is a civilian you will take
+your orders from him. Is that much clear?"
+
+"Yes," Ward said. He had to fight to keep the bitterness he was feeling
+from showing in his voice. He had been prepared for anything, but this
+was too much to accept cheerfully. Serving on a dull, one-man base,
+under the domination of a civilian, who had probably been rejected by
+the regular service for timidity or incompetence, was a bitter pill to
+swallow. Ward found a real, though illogical, resentment welling in him.
+And the object of this resentment was Thomas Halliday.
+
+"Thomas Halliday," the colonel said, "is a very careful, painstaking
+meteorologist. He is completely dependable and reliable. The information
+he has sent us to date is accurate and thorough. Moreover he is
+extremely cautious." The colonel paused and frowned and his thick strong
+fingers drummed irritably on the top of his desk.
+
+"Damn it!" he said with sudden explosive impatience. "Sometimes I think
+the man is too cautious. He's been there three years now and he still
+hasn't sent us a complete report on conditions there. Caution and care
+are fine qualities but, like all things, they can be overdone. We're
+planning on erecting a large special base in his locality when we
+finally get all the information. But we can't make a move until Halliday
+comes through."
+
+"Is there any reason why the research might have been delayed?" Ward
+asked.
+
+The colonel shook his head.
+
+"Not as far as we know. Now don't get me wrong. I'm not damning any man
+until I know all the facts. I'm not a pot-bellied, arm-chair admiral.
+I've been in the void myself long enough to realize that you can't pass
+judgment on a man's work until you've actually seen the situation he's
+up against. You can't get the complete picture from a three hundred word
+report. There may be other factors to consider that we here don't know
+about. But Halliday's data isn't coming in fast enough and I'm taking
+steps to get at the bottom of the trouble. I'm sending you there,
+Harrison, because your record indicates that you're a go-getter. Maybe
+what Halliday needs is a little more recklessness, a little more
+impulsiveness and a lot less caution. I'm hoping that you will act as a
+spur to Halliday. Think you're up to the job?"
+
+Ward's eyes were flashing with excitement. His bitter disappointment had
+vanished.
+
+"I'll do my absolute best, sir," he said. The colonel's words had
+crystallized his swiftly-formed animosity for this Thomas Halliday. The
+man was obviously a timid creature without sufficient guts to do a man's
+job. Ward felt an itching impatience to get started on this assignment.
+He wanted to meet Thomas Halliday. He was very anxious to begin his new
+duties as a spur to the man.
+
+"Halliday hasn't given us much information about what he's discovered on
+that section of Mars," the colonel said. "He's confined his reports
+exclusively to atmospheric data. In his first report he mentioned that
+the area was inhabited and I got the impression that he hadn't found the
+natives particularly friendly. But since he hasn't mentioned them since,
+I gather that he hasn't had any trouble with them....
+
+"I guess that's about all, Lieutenant. This is an important job. And if
+you find any reason for Halliday's delay in getting that job done, I
+want you to flash me a message immediately. I'm putting a lot of
+confidence in you, young man, but I don't think it's misplaced."
+
+The colonel stood up and extended his hand.
+
+"Good luck, son."
+
+Ward took the older man's hand in a firm grip.
+
+"Thank you, sir. I'll do everything I can to justify your confidence in
+me."
+
+He saluted, right-about-faced smartly and strode toward the door. The
+colonel followed his straight young back with his eyes and there was a
+smile of pride on his face. Lieutenant Ward Harrison, in the opinion of
+the colonel, was definitely an excellent addition to the forces of
+Earth.
+
+Lieutenant Ward Harrison thought so himself, but he would have suffered
+his tongue to be torn out before admitting it.
+
+ * * * * *
+
+Three days later, at 24:40 inter-Stellar time, Ward Harrison arrived at
+the Earth observation base located in the uncharted, inaccessible area
+on the southern plane of the planet, Mars.
+
+As he flashed into the atmosphere of the planet he cut the rear
+propulsion rockets of his slim single-seater and prepared to land. He
+sighted the base's small cluster of buildings and the mooring tower in
+his fore visi-screen and he made quick rapid adjustments on his
+instrument panel as his slender ship slanted toward them in a screaming
+dive....
+
+When the nose of his ship made contact with a mooring socket, he set all
+instruments at zero. He climbed to his feet and stretched wearily. Then
+he walked to the sliding side door of the ship, released the air lock
+and stepped out onto the ramp that flanked the mooring tower.
+
+From this position, some two hundred feet above the ground, he had his
+first look at the terrain of Mars. Great gray wastelands spread
+endlessly in all four directions and the only break in this monotony was
+a low ridge of hills on the far-distant eastern horizon.
+
+Ward shivered slightly. He hadn't been prepared for anything this
+depressing. The small group of squat buildings beneath him looked like
+tiny objects adrift in a vast, terrible gray sea.
+
+A man appeared at the door of the central building and Ward felt an
+idiotic sensation of relief at the sight of a human, moving figure in
+that dead, silent, gray terrain.
+
+The man waved to Ward and walked from the doorway toward the base of the
+mooring tower.
+
+Ward descended to the ground in the small cage of the tower elevator. He
+stepped out onto the soft, flaky soil of Mars as the man he had seen
+from above came up to the tower.
+
+"Lieutenant Harrison reporting for duty, sir," he said. He saluted and
+noticed with a certain satisfaction the other's embarrassment at this
+military recognition which he didn't deserve.
+
+"My name is Halliday," the man said, after a short awkward pause. He
+extended his hand. "I'm certainly glad to have you here, Lieutenant."
+
+As Ward shook hands, he appraised the man carefully, and found nothing
+in his examination to change his previously acquired opinion.
+
+Thomas Halliday was small and stooped, with sallow features and
+nervously shifting eyes, which looked startlingly large behind thick
+strong glasses. His hair was thin and faded brown in color. There was a
+peculiar tight look about his mouth and jaw, as if he were in a
+continual state of faint exasperation.
+
+This, thought Ward, was the man who had been holding up the development
+of this area for three years. And, looking at him, it was easy to see
+why.
+
+Ward had his bag in his hand. Halliday, noticing it, asked, "Did you
+bring any arms with you?"
+
+Ward patted the raytube in the smart military holster at his hip.
+
+"Just this," he said. He added drily, "Expecting trouble?"
+
+"No," Halliday answered. His eyes shifted from Ward's and swept about in
+a long inspection of the vast, sprawling, deserted terrain that
+stretched away on all four sides like a boundless ocean.
+
+"But," he added, "it's when you're not expecting trouble that you're
+most likely to run into it."
+
+ * * * * *
+
+Ward smiled to himself as he followed Halliday's thin stooped figure to
+the main building, a squat solid structure of heavy _duralloy_ steel,
+with only one door and no windows at all.
+
+The man was obviously a neurotic mass of nerves, or else he was
+indulging in a bit of melodrama to impress his new assistant.
+
+Halliday stepped aside at the door and Ward preceded him into the hot,
+sparsely furnished room. Halliday followed him, closing the door behind
+him and setting the mechanism of a powerful automatic lock before
+turning to Ward with an apologetic little smile.
+
+"You'll find it rather cramped at first," he said. "I'll sleep out here
+and you can use the storeroom as a bedroom. That's all the living
+quarters we have, excepting the kitchen, but I'm sure we'll manage."
+
+Ward set his grip down and glanced about at the chart-covered walls, the
+plain, badly scuffed furniture and he was not particularly enthused at
+the prospect of being cooped up in this hot little oven of a room with
+Halliday.
+
+"What about the other buildings?" he asked. "Surely there'd be room
+there for me to bunk."
+
+"We use those building for equipment," Halliday said. "And besides, this
+building is safer."
+
+Ward glanced at the little man with a faint, ironic smile.
+
+"Is there something here to be afraid of?" His tone was blandly polite,
+but he could not completely conceal an undercurrent of contempt.
+
+"I don't mean to alarm you, Lieutenant," Halliday said, "but this area
+of Mars is not quite the safest place in the universe." He removed his
+thick glasses with a nervous little gesture and smiled uncertainly at
+Ward. "I really think it wiser for you to sleep here."
+
+"Unless that's an order," Ward said, "I'd rather sleep in comfort in one
+of the other buildings and take my chances on your bogy-men catching
+me."
+
+Halliday replaced his glasses. He was no longer smiling.
+
+"I'm afraid, Lieutenant, you must consider it as an order."
+
+He turned slowly and re-checked the huge gleaming lock on the door, then
+walked to a littered, dusty desk in one corner of the room and sat down.
+It was obvious that the discussion was ended.
+
+Ward shrugged and carried his grip into a small windowless storeroom
+that was directly off the main room of the small structure. There were
+bales of supplies, a cot and a stool. A vague musty odor permeated the
+air. He tossed his grip onto the cot, stripped off his tunic and walked
+back into the room where Halliday was seated at his desk.
+
+Halliday looked up with a smile and removed his glasses with a
+characteristic nervous movement of his thin hands.
+
+"Not exactly the choicest accommodations, eh?" he said, in an attempt at
+heartiness, which struck Ward as being almost pathetic.
+
+"I'll get by," Ward said. He loosened the collar of his shirt and
+glanced at the massive steel door, closed and tightly locked. "Any
+objection to letting in a little air?" he asked. "It's pretty close in
+here."
+
+ * * * * *
+
+Halliday smiled and his eyes flicked to the closed door. He put his
+glasses on again and spent quite a time adjusting them to his thin nose.
+
+"I'm afraid we'll have to put up with the closeness," he said.
+
+Ward sighed and sat down in a chair facing Halliday.
+
+"You're afraid of something," he said bluntly. "Supposing you tell me
+about it."
+
+"As a matter of fact, I was meaning to," Halliday said. "You see, on
+this section we're pretty well isolated from the rest of the Earth
+stations on Mars. We receive all supplies and mail by a direct
+materialization unit. No space craft puts in here. We're here all alone
+and if anything happened to us all the data and work that has been
+compiled might be lost."
+
+As Halliday removed his glasses again with a quick aimless gesture, Ward
+thought, "A lot you care about the records and data. It's your skin you
+want to save."
+
+Halliday coughed and replaced his glasses.
+
+"This area is inhabited by a species of creature which I do not believe
+has been classified. I do not know if they are human or if they possess
+intelligence. I do not even know if they are 'alive' in the sense that
+we speak of life. Possibly their energy is of electrical or
+carboniferous origin, or it could be even vegetable in nature. As you
+see I know little enough about these neighbors of ours, but I do know
+that they are dangerous. They resent the work that is being done here."
+Halliday frowned and twisted a pencil in his hands. "I'm not even sure
+of that. Possibly they are without rational motivation at all. It may be
+that they are merely moved to action by the sight of another object in
+motion. But whatever their reason, they have been very troublesome.
+That, really, is all I know about them. And that is the reason that I
+exercise such care. I have a small periscope installed on the roof and
+before I unlock the door I study the entire surrounding terrain to be
+sure there are no Raspers in sight."
+
+"Why do you call them Raspers?" Ward asked.
+
+"Because of a peculiar sound that seems to emanate from them," Halliday
+explained. "My former assistant and I had to call them something and
+Raspers seemed as logical as anything else."
+
+"Have you ever seen one of these--er--Raspers?" Ward asked.
+
+"I'm not sure," Halliday said thoughtfully. He removed his glasses
+again. "I've had two brushes with them, but I'm not sure that I saw them
+distinctly either time. Possibly the picture that came to my mind,
+later, was supplied by my imagination. But I know that there is
+something very repellent and fearsome about them. I _felt_ that much."
+
+Ward crossed his legs and lit a cigarette casually.
+
+"Can these things be killed?" he asked.
+
+"I don't know," Halliday answered. "The two chances I had I was too
+scared to find out."
+
+Ward felt a cold anger against this man growing in him. This man had
+been entrusted with the task of surveying the atmospheric conditions of
+this area--a vital, desperately necessary job--and he was dawdling
+along, timidly hugging the cover of this fortress because of a stupid,
+half-imaginary fear of the natives of the area. He felt his cheeks
+growing hot.
+
+"We can't stay cooped up here indefinitely," he said. "How about the
+work we're supposed to be doing. Or does that bother you?"
+
+ * * * * *
+
+Halliday looked at him queerly and then dropped his eyes. He fiddled
+nervously with his glasses.
+
+Ward suddenly found the gesture maddening.
+
+"For Pete's sake!" he exploded. "Leave 'em on, or leave 'em off, one or
+the other. That's apparently your only job here, taking those damn
+glasses off and putting them back on again."
+
+"I'm sorry," Halliday said quickly, apologetically. "It's just a habit I
+guess. It's a little something to break the nervous tension of being
+here all alone, thinking...."
+
+His voice trailed off and his hand moved nervously toward his glasses
+and then fell back limply in his lap.
+
+"About the work here," he said in a mild, controlled voice, "we are
+forced to work on a definitely limited schedule. I have field apparatus
+located at points several miles distant from here. But we can't venture
+out to take the necessary readings until the weather is propitious."
+
+"What's the weather got to do with our taking readings?" Ward demanded.
+
+"Simply this: There are certain periods of intense precipitation on this
+area of Mars. These periods are accompanied by high velocity winds. The
+atmospheric disturbance reaches monsoon proportions. During such
+periods, for some reason, the Raspers are exceptionally active.
+Something in the nature of the monsoon reacts on them with very savage
+results. They seem to feed on the electric disturbances in the
+atmosphere. They go wild during these changes in the weather and search
+for any moving thing to destroy. In some manner they are able to cover
+enormous distances during the monsoon and they can travel with
+incredible speed. When a monsoon is threatening I never leave the
+station."
+
+Ward listened in growing irritation to this explanation.
+
+"How often do you have monsoons here?" he demanded.
+
+"Unfortunately, quite often," Halliday answered. "All of my instruments
+indicate now that one is brewing. I haven't been able to do more than a
+few hours of work in the last two months. I've been waiting for the
+weather to break, but so far it hasn't."
+
+"Do you mean to tell me," Ward said incredulously, "that you've been
+sitting here, twiddling your thumbs for the past two months because
+you're afraid to take a chance on a wind blowing up?"
+
+"That is exactly what I mean," Halliday said. "But it isn't the wind I'm
+afraid of. It's the things that come with the wind that make any field
+work impossible. I've learned a few things about the Raspers in my three
+years and one is that it doesn't pay to give them a chance. That's all
+they need. That's all they're waiting for."
+
+Ward stood up impatiently and jammed his fists into his pockets. It took
+all of his self control not to let his anger and contempt for the man
+explode in roaring fury.
+
+"I can't understand your attitude," he said at last, through tight lips.
+"I'm green and new here. I don't know anything about the set-up except
+what you've told me. But I know from your own admission that you've
+never seen these things you're so mortally afraid of, you've never stood
+up to them and given them a taste of ray juice to think about, you don't
+really know anything about them, except that you're terrified of the
+very thought of them. That isn't a reasonable attitude. Only one kind of
+man thinks that way, and that's a man without a touch of starch in his
+backbone, or a bit of honest-to-goodness guts in his make-up. If you
+want to hug this place like a scared school-girl that's all right, but
+I'll be double-damned if I'm going to let any superstitious nonsense
+keep me from doing the job I was sent here to do."
+
+"That is a very brave speech, Lieutenant," Halliday said, "and I admire
+you for it. But you are going to do as I say in spite of your own
+opinions. We will stay here and take no unnecessary chances until our
+instruments indicate that the monsoon weather has passed. That is an
+order."
+
+ * * * * *
+
+Ward choked back his wrath. He glared at Halliday for an instant, then
+wheeled and strode into the small storeroom that was to serve as his
+sleeping quarters. He banged the door shut and sat down on the edge of
+the cot, his fingers opening and closing nervously.
+
+He wasn't sure just what he'd do, but he didn't intend to stand for
+Halliday's craven policy of hiding in a locked room, instead of doing
+the work his country expected him to do. Halliday was a psychopathic
+case; his mind was full of a hundred and one imagined horrors and they
+kept him from doing his job. There was little wonder that he had been
+three years attempting to compile the information that should have been
+gathered in three months.
+
+The man was so terrified of imagined dangers that he was helpless to
+act. Ward felt a moment of pity for him, the pity the brave invariably
+feel for the weak and cowardly. But he also felt a cold and bitter
+contempt for the man who had allowed his own fear and timidity to hold
+up the important work of accumulating data on this section of the
+planet. If he wasn't man enough to do the job, he should have at least
+been man enough to admit it.
+
+Ward decided that the next day he'd have the thing out. He undressed
+slowly and stretched out on the narrow cot, but sleep was a long time in
+coming.
+
+When he stepped from his room the next day he saw that Halliday was
+standing in the doorway gazing out over the dull gray Martian landscape.
+
+"Aren't you taking quite a chance?" he asked, with heavy sarcasm.
+
+Halliday ignored the gibe. "No. I made a careful check before I released
+the door lock and opened up. Did you sleep well?"
+
+"Fair," Ward said. "How can you tell the days and nights here? Is there
+ever any change in the sky?"
+
+Halliday shook his head. "Sometimes it gets a little darker, sometimes
+it's lighter. When you're tired you go to bed. That's the only standard
+we have." He shaded his eyes with his hand and stared for a long moment
+at the bleak, depressing horizon.
+
+Looking over his shoulder, Ward noticed swirling humid mists drifting in
+the air and, above, huge massive clouds of dense blackness were
+gathering. He felt a peculiar electric tightness in the atmosphere.
+
+Halliday closed and locked the door carefully.
+
+"Might as well have breakfast," he said. "There's nothing else we can do
+today."
+
+"Do we have to stay cooped up here all day?" Ward asked.
+
+"I'm afraid so. This weather is ready to break any minute now, and when
+it does I intend to be behind a well-locked door."
+
+Ward's lips curled slightly.
+
+"Okay," he said quietly, "we'll wait for the monsoon to blow over. Then,
+Raspers or not, I'm going to work."
+
+ * * * * *
+
+But four long days dragged by and there was no indication that the
+monsoon weather was prepared to break. Low dense clouds were massed
+overhead and the air was gusty with flurries of humid wind.
+
+Halliday grew increasingly nervous. He spent every waking hour at the
+periscope in a constant study of the dark horizons and he said little to
+Ward.
+
+Ward's impatience grew with every inactive moment.
+
+"How much longer are we going to hide in here like scared rats?" he
+blazed finally. He paced furiously up and down the small room, glaring
+in rage at Halliday's stooped figure.
+
+Halliday smiled nervously and removed his glasses. His fingers were
+trembling so violently that he almost dropped them to the floor.
+
+"I can't even guess," he said shakily. "I was hoping that the monsoon
+would blow over, but I'm afraid we're in for it."
+
+"You've been saying that ever since I arrived," Ward said bitterly.
+
+Halliday was studying a _aerograph_ on the wall. When he turned to Ward,
+his face was gray. His lips were more tightly clamped than ever.
+
+"If anything should happen to our front door lock," he said, "there's an
+exit we can use in the kitchen. Possibly you've noticed the small door
+beside the refrigeration and oxygen unit. That leads to a small room
+that can be locked from the inside. There are supplies there to last a
+week. I didn't tell you this before because I was afraid it might alarm
+you."
+
+"Thanks for sparing my feelings," Ward snapped. "But I don't think I'll
+be needing your cosy little refuge. I've stalled just about enough. I
+was sent here to do a job and by Heaven I'm going to try and finish it."
+
+He jerked his tunic from the back of a chair and scooped up his raytube
+and belt. Halliday regarded him in silence as he buckled on the weapon.
+
+"What do you think you're going to do?" he asked at last.
+
+"First I'm going to flash a message to Earth, asking that I be placed in
+command here," Ward said. He buttoned his tunic swiftly, and his eyes
+were cold slits of anger as he looked at Halliday nervously fumbling
+with his glasses. "I was sent here with instructions to find out what
+the delay was in getting the work done. I've found out to my
+satisfaction. You've done about one day's work for every month you've
+spent cooped up in here, trembling every time the wind howled. When I
+come back I'll have an authorization from GHQ to take over here
+immediately. Then you and I are going to work and damn the weather. If
+you don't want to cooperate," Ward slapped the weapon at his hip, "I'll
+use what force is necessary to make you."
+
+"Please listen to me," Halliday said desperately. "You're impulsive and
+reckless and I admire you for it. Sometimes I wish I were more like
+that. But I know the situation here better than you do. We'd be running
+a terrible risk trying to work right at this time."
+
+"Sure," Ward said, "We'd be running a risk. That's apparently your
+entire philosophy. Sit tight, do nothing, because there might be a
+slight risk involved."
+
+He turned and strode to the door.
+
+"Wait," Halliday cried. "You can't go out now."
+
+Ward disengaged the lock with a swift deft motion.
+
+"Who's going to stop me?" he asked.
+
+Halliday crossed to his side with quick, pattering strides. He grabbed
+him by the arm and pulled him around.
+
+"Please listen to me," he said imploringly. "I know what I'm talking
+about. I--"
+
+Ward shook the hand loose and stared coldly into Halliday's, white
+strained features.
+
+"You're gutless, Halliday," he said in a low tense voice. "Now keep out
+of my way."
+
+He turned to the door again, but Halliday grabbed him suddenly and
+pushed him back.
+
+"You're not going to do it," he cried, his voice trembling. "I'm not
+going to let you."
+
+ * * * * *
+
+Ward grabbed the man by his lapels and swung him away from the door. He
+stepped close to him and his right fist chopped down in a savage
+axe-like stroke. The short, powerful blow exploded under Halliday's
+chin. His knees buckled and he sprawled limply to the floor.
+
+Ward stared down at the still form and he felt an instant of regret for
+striking a man fifty pounds lighter than himself, but he realized that
+it had been the only course open.
+
+He drew his raytube, inspected it quickly to make sure that it was in
+perfect order, then swung open the door and stepped out into the gray
+murkiness of the Martian atmosphere.
+
+The wind had increased to a wild mad scream. Flaky particles of soil
+stung his face like myriad needle-pricks as he braced himself against
+the buffeting force of the gale.
+
+He couldn't see more than a few feet ahead of him, but he knew the
+general direction of the building which housed the materialization unit
+and he headed that way, bent almost double against the wind.
+
+He heard and saw nothing but the wild wail of the monsoon and the gray
+swirling murk. There was an awesome feeling in staggering blindly on
+through a dead gray world of howling dust-laden wind.
+
+He felt as if he were the only person left alive in the universe. But he
+plowed stubbornly forward. There was work to be done and he felt a grim
+exaltation in the knowledge that he had enough fortitude to let nothing
+stop him from doing his job.
+
+Hell! What was a little wind? This thought came to him and he smiled
+grimly. He'd show Halliday! He'd show 'em all! Nothing was going to stop
+him!
+
+There was a peculiar crackling sound in the air about him, as if bolts
+of unseen lightning were slashing through the turbulent atmosphere, but
+he forged ahead. He knew there was little danger of an electric bolt
+striking him as long as he was out in the open.
+
+The distance to the goal was not a matter of a dozen yards or so, but it
+took him fully five minutes to cover the stretch. He had trouble
+breathing; each breath was snatched from his open mouth by the fury of
+the wind. And his eyes were rimmed with dust and streaming from the
+stinging bite of the flaky soil.
+
+When he reached the wall of the building he was sobbing for breath and
+blind from the whiplash of the wind. He sagged against the comfortable
+bulk of the squat, solid structure and wiped at his eyes with a
+handkerchief, but the wind soon tore the flimsy cloth from his fingers.
+
+There was nothing to do but find the door of the building as quickly as
+possible. Using his hands as groping feelers he staggered around two
+corners of the buildings until his fingers closed about a door knob.
+
+The gale was increasing in intensity; the roaring lash of the wind was
+wild and explosive, as if the floodgates of Nature had swung open to
+unleash this maelstrom of fury and destruction.
+
+The sputtering crackle of electric energy he had noticed seemed to be
+swelling in volume, rising steadily in pitch and fury. And then a new
+sound was added to the hideous cacophony. Ward heard it faintly at first
+and it failed to register on his consciousness.
+
+The new sound was an unearthly rasping noise that roared about his head
+and crashed against his ear drums with terrifying impact. The sound
+seemed everywhere; it seemed to emanate from the unleashed forces of the
+storm itself; its marrow-chilling, rasping moan was a demoniacal cry,
+screaming a weird defiance into the teeth of the mighty monsoon.
+
+ * * * * *
+
+Ward, hugging the building, heard the rasping sound, and he remembered
+what Halliday had told him. Crouched against the side of the structure,
+listening to that weird, desolate wail of unnamable horror, he felt his
+heart thudding with sudden fear against his ribs.
+
+The door of the building was jammed. He slammed his shoulder against its
+solid unyielding surface again and again--without avail! The harrowing
+rasping undertone of the crushing gale was growing and swelling--it
+seemed to be converging on him from all sides, a creation of the gray
+whining murk of the monsoon.
+
+Ward's hand tightened on the butt of his raytube. He wheeled about,
+pressing his back to the wall of the building. His eyes raked the
+swirling turbulence of the storm.
+
+And through the raging, eddying mists of gray his wind-lashed eyes made
+out dreadful, weaving shapes, slithering through the fury of the
+storm--toward him!
+
+An instinctive scream tore at the muscles of his throat, but the wind
+whipped the sound from his mouth and cast it into the gale before it
+could reach his ears.
+
+He crouched and raised his gun.
+
+The shapes were vague misty illusions to his straining eyes. Then a
+blanket of wind swept over him, buffeting him against the wall at his
+back, and in a momentary flick of visibility that followed the blast, he
+was able to see the _things_ that were advancing toward him.
+
+There was one nauseous, sense-stunning instant of incredible horror as
+his eyes focused on the nameless monstrosities that were revealed in the
+gray mists of the monsoon.
+
+One instant of sheer numbing horror, an instinct a billion years old,
+buried beneath centuries' weight in his subconscious, suddenly writhed
+into life, as pulsing and compelling as the day it had been generated.
+
+The lost forgotten instincts of man's mind that warn him of the horror
+and menace of the unknown, the nameless, the unclean, were clamoring
+wildly at his consciousness.
+
+For these _things_ were hideous and repellent in their very essence.
+Whether they were alive or not, his numbed, horror-stunned brain would
+never know. The dry, rustling rasping sound that emanated from them
+seemed to partake of the same nature as the electrical energy generated
+by the monsoon, but that was only a fleeting, terror-strained
+impression.
+
+The raytube fell from his palsied hand; but he didn't notice. There was
+only one blind motivation governing his thoughts.
+
+And that was flight!
+
+The unreasoning terror of the hunted, of the helpless, gripped him with
+numbing force. There was no thought in his mind to fight, to face these
+things that emerged from the dead grayness of the monsoon, but only a
+hideously desperate desire to escape.
+
+ * * * * *
+
+Without conscious thought or volition his legs suddenly churned beneath
+him and he lunged forward blindly, desperately, lurching through the
+buffeting force of the gale toward the sanctuary of the building where
+he had left Halliday.
+
+The rasping, nerve-chilling sound roared about his head and the lashing
+screech of the monsoon was a banshee-wail in his ears as he stumbled and
+staggered on, driven by the wildest, most elemental fear he had ever
+known.
+
+Suddenly the squat structure loomed directly ahead of him, only a yard
+away. The door was standing ajar, and, with a broken sob of relief, he
+lunged into the lighted interior of the room.
+
+Halliday was crawling dazedly to his feet as Ward staggered blindly
+through the door, his breath coming in great choking sobs.
+
+"My God--"
+
+Halliday's voice broke and Ward saw that his eyes were staring in horror
+beyond him, to the still open door where the gray swirling fury of the
+monsoon was creeping in.
+
+And other _things_ were in the open doorway!
+
+Ward knew that without turning to look. The horror mirrored in
+Halliday's face told him that more plainly than could his own eyes.
+
+There was horror and fear in Halliday's face, but the tightness of his
+lips did not relax into the flaccid looseness of hysteria.
+
+With superhuman control he was keeping a grip on himself.
+
+"Don't move!" he snapped, through set jaws. "I'll try to get at the
+rifle."
+
+Ward's heart was thundering a tattoo of terror. Halliday's words made no
+impression on the horror-stunned brain. He lunged wildly across the
+room, dimly he heard Halliday's sudden shouted warning.
+
+Without a backward glance he lurched into the small room that served as
+a kitchen. Through the fog of terror that swirled about his mind, he
+remembered only one thing: Halliday's remark of a refuge built there for
+emergency purposes.
+
+His fingers tore open the small door alongside the refrigerator unit. A
+black passage stretched ahead of him and he plunged into dark shelter,
+jerking the door shut after him.
+
+A light snapped on when the door closed and he saw that he was in a
+small, stoutly reinforced storeroom, with bales of supplies and
+equipment packed against the walls.
+
+He threw the heavy bolt that locked the door and sagged against a wall,
+his breath coming in deep shuddering gasps. There was no sound from
+outside. Gradually his labored breathing subsided and he stared with
+dull, unseeing eyes ahead of him.
+
+And in that moment Ward Harrison came face-to-face with what he had
+done. In a single gleaming flash of understanding, he realized that he
+had bought his life with his honor.
+
+A shuddering sob passed through his body.
+
+He remembered with scalding self-hatred the things he had said to
+Halliday--a man who had endured the horror of this isolated base for
+three years. He had called a man cowardly who had more courage in his
+smallest finger than Ward had in his entire body.
+
+Halliday had stuck here, doing his job, making no complaints or excuses,
+always aware of the horrible, soul-numbing danger he was facing.
+
+ * * * * *
+
+Ward cursed and buried his face in his trembling hands. With bitter
+shame he recalled his jeering remarks to Halliday about his nervous
+habit of removing his glasses.
+
+_God!_ Three years on this hellish base and the only sign a nervous
+habit of fiddling with his glasses. Stark raving madness would have been
+the effect on any other person Ward could imagine.
+
+At that instant he despised himself more than he had ever despised any
+human being in his life.
+
+And he knew that the worst punishment that would ever be meted to him,
+would be the mere act of living and being able to think--to remember.
+
+With feverish eyes he glared about the room. A small leaden cask was set
+apart from the other equipment and it was marked with three xxx's, the
+indication of high explosive contents.
+
+Ward dropped to his knees and pried open the lid of the small cask. It
+was filled with neat rows of U-235 pellets, hardly an inch in diameter.
+He picked up one in each hand and then stood up and walked to the door.
+
+He was beyond thought or reason. He knew he was going to his death and
+he felt nothing but a numb sense of anticipation. He knew that in dying
+he would not expiate the crime of cowardice he had committed. Nothing
+would ever erase the stigma of that shame. A thousand deaths could not
+do that.
+
+He did not actually think these things. His mind was wrapped in a fog of
+blind instinct. There was something he must do--do immediately. That was
+as far as his mind would go.
+
+The kitchen and front room of the small building were empty and the door
+leading to the outside was open. The wild raging storm of the monsoon
+blew in the door, whipping papers into the air, resounding against the
+walls with a booming roar.
+
+Ward strode across the room, bracing himself against the blast of the
+wind. He stepped through the doorway and the full force of the wind
+almost bent him backward, but he moved on, fighting his way forward.
+
+After six feet, the building was lost in the grayness. He was again
+alone in a wild howling world of horror and death.
+
+Then he heard the rasping noise of the _things_ directly ahead of him,
+and an instant later he was able dimly to make out their weaving shapes
+in the swirling mists of the storm.
+
+They were coming toward him.
+
+ * * * * *
+
+With a grim exultation pounding in his temples, Ward hurled a pellet of
+U-235 directly into their midst. The thunderous reverberations of the
+explosion rocked the ground under his feet. A terrific blast of air that
+dwarfed the raging turbulence of the monsoon roared about his head.
+
+He staggered back, almost falling.
+
+When he could see again, he made out a great hole in the ranks of the
+_things_ moving toward him.
+
+His laugh was a wild cry in the fury of the night.
+
+"Damn you!" he shouted.
+
+His arm whipped back and the second pellet crashed into the serried
+ranks of the deadly rasping creatures.
+
+Something grasped his ankle as the second pellet exploded. He fell
+backward, striking the ground hard. A hand grabbed his and then,
+miraculously, incredibly, Halliday was pulling him to his feet, jerking
+him toward the building.
+
+They stumbled through the door together. Ward fell to the floor as
+Halliday wheeled and slammed the door, throwing the automatic bolts with
+the same motion.
+
+Halliday knelt beside Ward.
+
+"Good work," he said huskily. "They were holding me. I don't know what
+they were planning. Those bombs blew them into little pieces. Luckily I
+got through the blast all right." He gripped Ward's arm suddenly. "You
+came through too, son."
+
+"No," Ward said dully. "I didn't. I ran out on you. I'm a fool, a yellow
+fool."
+
+"A coward wouldn't have come back," Halliday said quietly. "We're going
+to lick this job together, from now on. We've found a weapon to use
+against the Raspers. I never thought of high explosives."
+
+He grinned suddenly and the tightness was leaving his mouth. "It doesn't
+seem so terrible when you've got something to fight back with."
+
+Ward looked up at Halliday and a faint smile touched his own lips.
+"Some_one_ to fight with, means a lot, too," he said. He suddenly
+grinned. "You've lost your glasses."
+
+"I won't miss them," Halliday said. "I didn't need them. I wore them to
+give me something to do, that's all. But we're going to have plenty to
+do, now."
+
+Ward swallowed with difficulty. He knew that in his wild, thoughtless
+act of heroism he hadn't redeemed himself. Redemption would come from a
+lifetime of playing the game the way men like Halliday did. But the
+chance was there for him, and he was glad that he could start
+immediately.
+
+"Whatever you say," he said. He grinned, and added, "--boss."
+
+
+
+
+
+End of the Project Gutenberg EBook of Monsoons of Death, by Gerald Vance
+
+*** END OF THIS PROJECT GUTENBERG EBOOK MONSOONS OF DEATH ***
+
+***** This file should be named 32618.txt or 32618.zip *****
+This and all associated files of various formats will be found in:
+ http://www.gutenberg.org/3/2/6/1/32618/
+
+Produced by Greg Weeks, Mary Meehan and the Online
+Distributed Proofreading Team at http://www.pgdp.net
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+http://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, are critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at http://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+http://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at http://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit http://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations.
+To donate, please visit: http://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart is the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ http://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.