summaryrefslogtreecommitdiff
path: root/32629.txt
blob: 9cd3fc45e1d101d99b92d17b76c9ed9c40d17f5d (plain)
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
32
33
34
35
36
37
38
39
40
41
42
43
44
45
46
47
48
49
50
51
52
53
54
55
56
57
58
59
60
61
62
63
64
65
66
67
68
69
70
71
72
73
74
75
76
77
78
79
80
81
82
83
84
85
86
87
88
89
90
91
92
93
94
95
96
97
98
99
100
101
102
103
104
105
106
107
108
109
110
111
112
113
114
115
116
117
118
119
120
121
122
123
124
125
126
127
128
129
130
131
132
133
134
135
136
137
138
139
140
141
142
143
144
145
146
147
148
149
150
151
152
153
154
155
156
157
158
159
160
161
162
163
164
165
166
167
168
169
170
171
172
173
174
175
176
177
178
179
180
181
182
183
184
185
186
187
188
189
190
191
192
193
194
195
196
197
198
199
200
201
202
203
204
205
206
207
208
209
210
211
212
213
214
215
216
217
218
219
220
221
222
223
224
225
226
227
228
229
230
231
232
233
234
235
236
237
238
239
240
241
242
243
244
245
246
247
248
249
250
251
252
253
254
255
256
257
258
259
260
261
262
263
264
265
266
267
268
269
270
271
272
273
274
275
276
277
278
279
280
281
282
283
284
285
286
287
288
289
290
291
292
293
294
295
296
297
298
299
300
301
302
303
304
305
306
307
308
309
310
311
312
313
314
315
316
317
318
319
320
321
322
323
324
325
326
327
328
329
330
331
332
333
334
335
336
337
338
339
340
341
342
343
344
345
346
347
348
349
350
351
352
353
354
355
356
357
358
359
360
361
362
363
364
365
366
367
368
369
370
371
372
373
374
375
376
377
378
379
380
381
382
383
384
385
386
387
388
389
390
391
392
393
394
395
396
397
398
399
400
401
402
403
404
405
406
407
408
409
410
411
412
413
414
415
416
417
418
419
420
421
422
423
424
425
426
427
428
429
430
431
432
433
434
435
436
437
438
439
440
441
442
443
444
445
446
447
448
449
450
451
452
453
454
455
456
457
458
459
460
461
462
463
464
465
466
467
468
469
470
471
472
473
474
475
476
477
478
479
480
481
482
483
484
485
486
487
488
489
490
491
492
493
494
495
496
497
498
499
500
501
502
503
504
505
506
507
508
509
510
511
512
513
514
515
516
517
518
519
520
521
522
523
524
525
526
527
528
529
530
531
532
533
534
535
536
537
538
539
540
541
542
543
544
545
546
547
548
549
550
551
552
553
554
555
556
557
558
559
560
561
562
563
564
565
566
567
568
569
570
571
572
573
574
575
576
577
578
579
580
581
582
583
584
585
586
587
588
589
590
591
592
593
594
595
596
597
598
599
600
601
602
603
604
605
606
607
608
609
610
611
612
613
614
615
616
617
618
619
620
621
622
623
624
625
626
627
628
629
630
631
632
633
634
635
636
637
638
639
640
641
642
643
644
645
646
647
648
649
650
651
652
653
654
655
656
657
658
659
660
661
662
663
664
665
666
667
668
669
670
671
672
673
674
675
676
677
678
679
680
681
682
683
684
685
686
687
688
689
690
691
692
693
694
695
696
697
698
699
700
701
702
703
704
705
706
707
708
709
710
711
712
713
714
715
716
717
718
719
720
721
722
723
724
725
726
727
728
729
730
731
732
733
734
735
736
737
738
739
740
741
742
743
744
745
746
747
748
749
750
751
752
753
754
755
756
757
758
759
760
761
762
763
764
765
766
767
768
769
770
771
772
773
774
775
776
777
778
779
780
781
782
783
784
785
786
787
788
789
790
791
792
793
794
795
796
797
798
799
800
801
802
803
804
805
806
807
808
809
810
811
812
813
814
815
816
817
818
819
820
821
822
823
824
825
826
827
828
829
830
831
832
833
834
835
836
837
838
839
840
841
842
843
844
845
846
847
848
849
850
851
852
853
854
855
856
857
858
859
860
861
862
863
864
865
866
867
868
869
870
871
872
873
874
875
876
877
878
879
880
881
882
883
884
885
886
887
888
889
890
891
892
893
894
895
896
897
898
899
900
901
902
903
904
905
906
907
908
909
910
911
912
913
914
915
916
917
918
919
920
921
922
923
924
925
926
927
928
929
930
931
932
933
934
935
936
937
938
939
940
941
942
943
944
945
946
947
948
949
950
951
952
953
954
955
956
957
958
959
960
961
962
963
964
965
966
967
968
969
970
971
972
973
974
975
976
977
978
979
980
981
982
983
984
985
986
987
988
989
990
991
992
993
994
995
996
997
998
999
1000
1001
1002
1003
1004
1005
1006
1007
1008
1009
1010
1011
1012
1013
1014
1015
1016
1017
1018
1019
1020
1021
1022
1023
1024
1025
1026
1027
1028
1029
1030
1031
1032
1033
1034
1035
1036
1037
1038
1039
1040
1041
1042
1043
1044
1045
1046
1047
1048
1049
1050
1051
1052
1053
1054
1055
1056
1057
1058
1059
1060
1061
1062
1063
1064
1065
1066
1067
1068
1069
1070
1071
1072
1073
1074
1075
1076
1077
1078
1079
1080
1081
1082
1083
1084
1085
1086
1087
1088
1089
1090
1091
1092
1093
1094
1095
1096
1097
1098
1099
1100
1101
1102
1103
1104
1105
1106
1107
1108
1109
1110
1111
1112
1113
1114
1115
1116
1117
1118
1119
1120
1121
1122
1123
1124
1125
1126
1127
1128
1129
1130
1131
1132
1133
1134
1135
1136
1137
1138
1139
1140
1141
1142
1143
1144
1145
1146
1147
1148
1149
1150
1151
1152
1153
1154
1155
1156
1157
1158
1159
1160
1161
1162
1163
1164
1165
1166
1167
1168
1169
1170
1171
1172
1173
1174
1175
1176
1177
1178
1179
1180
1181
1182
1183
1184
1185
1186
1187
1188
1189
1190
1191
1192
1193
1194
1195
1196
1197
1198
1199
1200
1201
1202
1203
1204
1205
1206
1207
1208
1209
1210
1211
1212
1213
1214
1215
1216
1217
1218
1219
1220
1221
1222
1223
1224
1225
1226
1227
1228
1229
1230
1231
1232
1233
1234
1235
1236
1237
1238
1239
1240
1241
1242
1243
1244
1245
1246
1247
1248
1249
1250
1251
1252
1253
1254
1255
1256
1257
1258
1259
1260
1261
1262
1263
1264
1265
1266
1267
1268
1269
1270
1271
1272
1273
1274
1275
1276
1277
1278
1279
1280
1281
1282
1283
1284
1285
1286
1287
1288
1289
1290
1291
1292
1293
1294
1295
1296
1297
1298
1299
1300
1301
1302
1303
1304
1305
1306
1307
1308
1309
1310
1311
1312
1313
1314
1315
1316
1317
1318
1319
1320
1321
1322
1323
1324
1325
1326
1327
1328
1329
1330
1331
1332
1333
1334
1335
1336
1337
1338
1339
1340
1341
1342
1343
1344
1345
1346
1347
1348
1349
1350
1351
1352
1353
1354
1355
1356
1357
1358
1359
1360
1361
1362
1363
1364
1365
1366
1367
1368
1369
1370
1371
1372
1373
1374
1375
1376
1377
1378
1379
1380
1381
1382
1383
1384
1385
1386
1387
1388
1389
1390
1391
1392
1393
1394
1395
1396
1397
1398
1399
1400
1401
1402
1403
1404
1405
1406
1407
1408
1409
1410
1411
1412
1413
1414
1415
1416
1417
1418
1419
1420
1421
1422
1423
1424
1425
1426
1427
1428
1429
1430
1431
1432
1433
1434
1435
1436
1437
1438
1439
1440
1441
1442
1443
1444
1445
1446
1447
1448
1449
1450
1451
1452
1453
1454
1455
1456
1457
1458
1459
1460
1461
1462
1463
1464
1465
1466
1467
1468
1469
1470
1471
1472
1473
1474
1475
1476
1477
1478
1479
1480
1481
1482
1483
1484
1485
1486
1487
1488
1489
1490
1491
1492
1493
1494
1495
1496
1497
1498
1499
1500
1501
1502
1503
1504
1505
1506
1507
1508
1509
1510
1511
1512
1513
1514
1515
1516
1517
1518
1519
1520
1521
1522
1523
1524
1525
1526
1527
1528
1529
1530
1531
1532
1533
1534
1535
1536
1537
1538
1539
1540
1541
1542
1543
1544
1545
1546
1547
1548
1549
1550
1551
1552
1553
1554
1555
1556
1557
1558
1559
1560
1561
1562
1563
1564
1565
1566
1567
1568
1569
1570
1571
1572
1573
1574
1575
1576
1577
1578
1579
1580
1581
1582
1583
1584
1585
1586
1587
1588
1589
1590
1591
1592
1593
1594
1595
1596
1597
1598
1599
1600
1601
1602
1603
1604
1605
1606
1607
1608
1609
1610
1611
1612
1613
1614
1615
1616
1617
1618
1619
1620
1621
1622
The Project Gutenberg EBook of Punch, or the London Charivari, Volume 93,
July 9, 1887., by Various

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org


Title: Punch, or the London Charivari, Volume 93, July 9, 1887.

Author: Various

Release Date: May 31, 2010 [EBook #32629]

Language: English

Character set encoding: ASCII

*** START OF THIS PROJECT GUTENBERG EBOOK PUNCH-CHARIVARI, JULY 9, 1887 ***




Produced by Neville Allen, Malcolm Farmer and the Online
Distributed Proofreading Team at https://www.pgdp.net









  PUNCH,

  OR THE LONDON CHARIVARI.

  VOLUME 93.

       *       *       *       *       *

  JULY 9, 1887.

       *       *       *       *       *

[Illustration]

OPERATIC CONFUSION.

I went on Saturday to hear the three operatic novelties so liberally
provided for us on the same night by Messrs. MAPLESON, LAGO and HARRIS.
I do not mix my liquors, and I endeavour, as a rule, to keep to the same
lyrical drama throughout the evening; nor is it my fault if a good dose
of strong BEETHOVEN, sweetened with GOUNOD and flavoured with MEYERBEER
had, on the occasion in question, a somewhat confusing effect on my
brain. At Her Majesty's, LILLI LEHMANN was all right as _Leonora_: not
_Leonora_ of _La Favorita_, but _Leonora_ the favourite wife of
_Manrico_--no, not of _Manrico_, but of another personage who, like the
unfortunate _Trovatore_, has to be rescued by his loving spouse from the
tyranny of a powerful baritone; whether VERDI'S _Count di Luna_ or
SHERIDAN'S _Pizarro_, I cannot just now call to mind. Mlle. LEHMANN is
not only a fine singer, but also a serious dramatic artist; and the
public was deeply impressed by her performance. She is a LEHMANN with
all the earnestness of a good clergyman; not that she had taken orders
as I (Box No. 70) had done.

From Her Majesty's Theatre, I drove in a rapid Hansom to Drury Lane. I
had told the cabman to take me to the Royal Italian Opera, and I was
about to remonstrate with him for conveying me to the wrong house, when
he promptly explained that there were now two Royal Italian Operas, one
at Covent Garden, the other at Drury Lane. New source of confusion!
"Confusion worse confounded!" as MILTON observes.

"How far have they got?" I inquired as I entered the theatre.

"_Valentine's_ death scene," replied my friend.

"_Valentine_ does not die, my dear fellow; _Valentine_ only faints," I
answered, I was thinking of course, of the new dramatic soprano, Mlle.
SANDRA, in _Les Huguenots_.

"You are evidently not an Opera-goer," I continued, "or you would know
that no one dies in this work, except, of course, in the last Act. But
that is always left out."

"Wrong again!" exclaimed JONES, with an amused look. "AUGUSTUS HARRIS
restores the last Act. See his prospectus."

"Well, never mind that. Is _Ella Russell_ singing the part of _Queen
Margaret_ as well as ever?"

"I did not know that _Margaret_ was a Queen. I always thought she was of
humble origin. The part in any case is being played by Mlle. NORDICA."

Determined to be no longer the victim of mystification, I wished JONES
good-bye, and hurrying in, found the curtain down. Afraid now to ask
what was being played, I waited patiently for the next Act, and when at
last the curtain went up, I found to my astonishment that some
representation entirely new to me was taking place. Will-o'-the-Wisps on
a dark back-ground. That was all I saw. I asked myself whether I had
gone mad, or whether the Drury Lane Pantomime was being played a little
earlier than usual. Then the dark scene gave place to a scene of great
brilliancy. There was a throne at the back of the stage, and again my
thoughts reverted to the _Huguenots_, and I fancied I could recognise
_Queen Margaret_. But her features were not the features of ELLA
RUSSELL. Besides, ELLA RUSSELL does not dance, not at least on the
Operatic stage; and this lady did.

"This is HELEN," said a gentleman in a stall on my right to a lady by
his side. Here was at least a clue; and when at the same moment the
baritone DE RESZKE stepped out of a group attired in the garb of
_Mephistopheles_, I said to myself that the performance had been
changed, and this was the last Act of BOITO'S _Mefistofele_, with new
details, or at least details that I had not noticed when the work was
performed at Her Majesty's Theatre and at Covent Garden. Now dancing
began in earnest, and I wondered much at the never-failing ingenuity of
Mr. AUGUSTUS HARRIS, who with a score of first-rate singers in his
Company, had nevertheless found himself compelled (probably at five
minutes' notice,) to change an Opera into a _ballet_. It reminded me of
a certain operatic Manager, who, being suddenly deprived of the services
of most of his vocalists, announced in his programme, that in
consequence of the departure of his principal singers, the music of _Don
Giovanni_, would be "replaced, for that night only, by lively and
expressive pantomime."

When, however, _Mephistopheles_ DE RESZKE and _Faust_ DE RESZKE both
began to sing, I saw that my supposition was untenable.

"What you have seen," said JONES, who meanwhile had come in, and who now
occupied a seat on my left, "is not _Mefistofele_ at all. It is GOUNOD'S
additional Ballet Scene for _Faust_. 'Dramatic _Divertissement_' it
ought to be called. Beautiful grouping, picturesque costumes,
magnificent scenery, delightful dance music! But you ought not to have
missed the new _Valentine_. That was a great mistake." I looked at my
watch. "Time enough for the new _Valentine_ even now," I reflected; and
I went over as fast as I could to Covent Garden.

Here there was a new _Valentine_ surely enough. A Russian lady, I was
told. Not a bit like the Russian ladies one has seen in _Fedora_, the
_Pink Pearl_, the _Red Lamp_, and other dramatic misrepresentations of
Russian life. But Mlle. SANDRA, or Mlle. PANAEFF, or whatever her name
may be, was not playing the part of a female Nihilist. She was
impersonating a well-bred, Catholic young lady of the Sixteenth Century.
JONES subsequently informed me that it was not Mlle. SANDRA'S
_Valentine_ that I ought to have seen, but VICTOR MAUREL'S, at the other
house.

       *       *       *       *       *

NOTE AT THE GUILDHALL.--Now we know what the City Marshal has to do. We
saw him in his warlike costume, bareheaded, marshalling the carriages of
the Great Personages on their departure, and capitally he did it. Not a
single name was pronounced incorrectly. Everybody came up to time, and
got away comfortably. On these occasions, the City Marshal is a sort of
Glorified Linkman.

       *       *       *       *       *

[Illustration: THE LATEST FROM LORD'S.

_Land Bill._ "WELL, ANYHOW, YOU CARRIED YOUR BAT." _Crimes Bill._ "YES;
BUT YOU'LL FIND THE BOWLING AWFULLY HOT."]

       *       *       *       *       *

SCENE--_The Cricket Field. The Bell has rung for the Second Innings._
Mr. LAND BILL _is just going to the wickets, and pauses to exchange a
word or two with_ Mr. CRIMES BILL, _who has had so long an innings in
the earlier part of the match_.

    _Crimes Bill (taking it easy on his bat)._ Hello, L. B. my lad,
      you're going in?

    _L. B. (buttoning his gloves nervously)._ Ye--e--s. Captain's orders!

    _C. B._ Well, I hope you'll win.

    _L. B._ I'll do my best; can Cricketer do more?

    _C. B._ No. But, by Jove! you'll find it hard to score.

    _L. B._ What? Bowling killing?

    _C. B._ Beastly! Talk of "shying"?
        CROSSLAND'S a lamb to HEALY.

    _L. B._ Ah! that's trying.
        But then they haven't got a SHAW, Sir, surely?

    _C. B._ No; but, by Jingo! they have more--a MORLEY!
        Straight on the middle stump. And then old GLAD
        Breaks awful, right and left, and shoots like mad.
        I say they ought to be disqualified
        For unfair bowling.

    _L. B._ Humph! that game's been tried;
        But Umpire doesn't always seem to see it.

    _C. B._ Ah! Umpires are such funkers.

    _L. B._ Well, so be it.
        Must do my best. What sort of wickets?

    _C. B._ Crumbling.
        Must meet the ball with a straight bat; no fumbling,
        Or out you go!

    _L. B._ And how's the fielding?

    _C. B._ Dicky!
        'Tis there you'll have the pull that wickets sticky
        Or cut up, through the influence of weather,
        Can't neutralise. _They're never all together._
        Some run like hares, some throw in like a Krupp;
        But what they fail in is in "backing up."

    _L. B._ Thanks be! I see my chance then. If they're loose
        In fielding I can slog 'em to the doose.

    _C. B._ But don't take liberties, my lad. No jumps
        In for a drive; they're always on the stumps.
        And then their wicket-keeper's like a cat.

    _L. B._ Well, anyhow _you_ carried out your bat,
        Despite the lot of them. Can "_crack_" do more?

    _C. B. (significantly)._ Yes!--I kept up my stumps, but
          _could not score_!
        A "Not out, nothing" may be meritorious,
        And very useful, but 'tis hardly glorious,
        A stolid SCOTTON'S worth his salt, at need;
        But, after all, he's not a GRACE or READ.
       _You_'ll have to hit, as well as guard your wicket,
        If you'd be popular. Blocking is not Cricket!

    _L. B._ Humph! no, not quite. My orders are to score
        And bring the House down.

    _C. B._ That will cause a roar
        When you take back your bat to the Pavilion.
        A Cricketer must smite to please the Million.

       *       *       *       *       *

ROUTLEDGE'S _Jubilee Guide to London_, is good, not only for such a
"high old time" as the Jubilee Week, but for the next three years or so
until the streets are re-named and a few new thoroughfares opened up.
The illustrations are excellent. There is only one objection to this
Guide as a companion, and that is it is rather too large. No Guide to be
useful should be bigger than the Handy-Volume Shakspeare size,
originally started at 85, Fleet Street. Some of the French Guides, not
the regiment, but the little books, JOANNE'S Series, are models in this
respect.

       *       *       *       *       *

PHILIPS' _Handy Volume Atlas_ is about the right size. "The World," it
is often said, "is a small place;" but for all that, it does not go so
easily in a tail-coat pocket, where Mr. PHILIPS' _Atlas_ can be
conveniently carried. It is an invaluable companion for everyday
newspaper reading. _Happy Thought_ for Travellers, to whom this little
volume is recommended, "PHILIPS on his way through the World."

       *       *       *       *       *

[Illustration: WHAT OUR ARTIST HAS TO PUT UP WITH.

_Our Artist (showing his last and most important Picture, the work of
years)._ "YES, I SHOULD LIKE TO _EXHIBIT_ IT; BUT I DON'T WANT TO _SELL_
IT, YOU KNOW--AT LEAST NOT TILL TIMES ARE BETTER."

_Friend._ "WELL, WHY NOT SEND IT TO THE EXHIBITION, AND PUT A
PROHIBITIVE PRICE UPON IT--SAY TWENTY POUNDS?!"]

       *       *       *       *       *

TOO MUCH OF A GOOD THING.

(_Meteorological forecast for the Month._)

_6th._--Queen's Weather continues. Raspberry crop fails. Strawberries
sold by auction in Covent Garden Market, and fetch two guineas each.

_13th._--Queen's Weather still continues. All the grass in Hyde Park
turns brown, and suddenly disappears. Vegetables generally sell at
famine prices. Riot of Dukes attempting to secure a bundle of late
asparagus from a fashionable West End greengrocer's, suppressed by the
police.

_17th._--Queen's Weather as settled as ever. Great drought commences.
London Water Companies cut off their supply. Five o'clock tea in
Belgravia made from boiled soda-water. Apollinaris supplied in buckets,
for washing purposes, at the rate of twenty guineas the dozen pint
bottles.

_21st._--Queen's Weather showing no signs of departure, fifteen
umbrella-manufacturers go through the Bankruptcy Court, and commit
suicide. Dust in London becomes intolerable. A Nobleman in Mayfair has
Piccadilly watered with BASS'S India Pale Ale.

_27th._--Queen's Weather established. The Thames runs dry between
Vauxhall and Westminster. The SPEAKER gives a garden-party in the bed of
the river. _Cafe noir_, made of ink, served as a refreshment.

_31st._--Queen's Weather still continuing, seventeen ginger-beer
manufacturers who have become _millionnaires_ are raised to the
Peerage. The LORD MAYOR goes off his head, and, imagining that he is the
Old Pump at Aldgate, is removed, by general consent, to Colney Hatch.

       *       *       *       *       *

FLOREAT MASCHERA!

A GREAT deal of curiosity has been expressed about the Gray's Inn _Maske
of Flowers_, which has puzzled a number of people. The better informed
have replied, when asked, "What _was_ it?" "Oh, don't you know what a
Maske is? Why _Comus_ was a Maske, don't you know?" To save time and
temper, _Mr. Punch_ begs to inform all inquirers that:--

1. "Gray's Inn" is the Inn where the poet GRAY always stopped when he
came to town. It has always been associated with Poets.

2. This _Maske of Flowers_ is not Mr. CYRIL FLOWER, M.P.'s.

3. It is highly improbable that the Benchers of the Four Inns of Court
will appear in Fancy Costume at four o'clock in the morning, and
serenade the occupants of the Western Face of Gray's Inn Square from the
Gardens.

4. The Maske is not so called from everybody in Gray's Inn appearing in
"big heads."

5. The LORD CHANCELLOR is not introduced as Harlequin, and does not
dance a _pas seul_ with "Mr. SOLICITOR," founded upon some of the more
intricate steps of the _pavan_, or peacock's strut.

6. That it is not the duty of the Master of the Revels to teach the
Masters of the Bench how to execute with spirit a Morisco.

Having said what the Maske will _not_ be, _Mr. Punch_ goes a step
further--and stops, thinking it will be better to reserve particulars
until after the Performance.

       *       *       *       *       *

EVERY Etonian ought to go to the Gaiety and hear Mr. MERRIVALE'S new
piece, of which Mrs. BROWN-POTTER is the heroine. Why ought every
Etonian to do this? We forgot to mention that the name of the play is
_Civil Warre_. (If it isn't so spelt, it ought to be.)

       *       *       *       *       *

ROYALTY AT THE PALACE.

[Illustration: Cockney notion of A-making.]

A HARD-WORKING three weeks has H.R.H. had of it. Morning, noon, and
night, here, there, and everywhere. _Mr. Punch_ was glad to see that
H.R.H. took his advice, given last week, and immediately visited the
Crystal Palace. The Fireworks were first-rate. The Prospect was
brilliant. Good omen for the C.P. If the B.P. could only get to the
C.P. in twenty minutes from Victoria, by Palace trains every twenty-five
minutes after a certain time in the afternoon, the future chances of
prosperity for the Palace would be considerably increased. By the way,
we thought we noticed some people, who had nothing to do with the
fireworks, speaking to the Lighters--the de-lighters--while in the
execution of their duty. If so, this ought to be stopped, and a notice
put up,--"You are requested not to speak to the Man at the (Catherine)
Wheel."

       *       *       *       *       *

JILLS IN OFFICE.

SCENE--_Portion of a Stationer's Shop, used as Post Office. Two Young
Ladies (let them be distinguished as_ Miss CROSS and Miss ORTY)
_discovered behind wire-screen. At opening of scene, the public is
composed exclusively of the gentler sex, and the demeanour of_ Miss C.
and Miss O. _though firm, is not positively forbidding. Lady Customers,
having despatched their business move away, leaving the coast clear to
three_ MILD MEN, _who advance to screen with a meekness designed to
propitiate. Instant transformation in both_ Miss C. and Miss O., _who
gaze at them through screen with air of visitors at the Zoo who are not
fond of animals_.

_First Mild Man (with apologetic cough)._ Oh, good-day! [_Slight pause._

_Miss Cross to Miss Orty (in continuation of an interrupted anecdote)._
Yes, I said it to him just like that--it made me so wild!

_Miss Orty._ I shouldn't have taken any notice if it had been me.

_First M. M._ Can you oblige me with six stamps, if you please?

[Miss Orty, _without looking at him, opens drawer, tears off six stamps,
and tosses them contemptuously underneath the screen_.

_Second Mild Man._ Oh, I beg your pardon, I just called in to
inquire---- (Miss C. and Miss O. _regard him stonily, which has effect
of disconcerting him to some extent_). I--I ... there were some books I
sent off by Parcels Post from this Office the other day ... you may
remember it?--they were all in white wrappers. (Miss C. _and_ Miss O.
_wear the resigned look of people who feel themselves in for a dull
story_.) Some of my friends, er--I have been given to understand, that
two of the parcels have--well, failed to arrive as yet.... Could you
kindly----

_Miss O. to Miss C. (with lifted eyebrows)._ Know anything about the
books?

_Miss C. shakes her head in scornful repudiation, whereupon Miss Orty
selects a printed form, which she jerks towards Second M. M._ Fill up
that, and send it in to the Postmaster-General.

_Second M. M._ But are you quite sure they have not been mislaid _here_?
You see they are small books, and it struck me perhaps--er----

_Miss O._ Any remarks you have to make can be put in the form.

_Second M. M._ Quite so--but if you could only tell me----

_Miss O._ Can't do any more than I have done. (_To First M. M._) I gave
you your stamps some time ago, didn't I?

_First M. M._ Oh, yes--yes, I had the stamps, thank you. But--but (_with
manner of man who is compelled to enter on a painful subject_) there was
my change--I--I gave you half a sovereign.

_Miss O. (with cold suspicion)._ Don't remember it. You should have
spoke about it at the time--but of course, if you say you haven't had
it--I suppose----

[_Deals out his change as if it was more than he had any right to
expect._

_Second M. M._ One moment--am I to leave this form with you?

_Miss C._ No. Send it to the General Post Office in the regular
way--they'll attend to it. You'll find all the directions there if you
take the trouble to look.

_Second M. M._ Thank you _very_ much. Good morning.

[Miss C. _and_ Miss O. _naturally take no notice of this piece of
familiarity, and_ Second M. M. _departs crushed, and gradually realises
that he is slightly annoyed_.

_Third M. M. (presenting a telegram)._ Will you send this off at once,
please?

_Miss Orty (takes the form, and runs a disparaging eye over it, rather
as if it were an unwelcome love-letter from some detested adorer)._
"Post mortem's" _two_ words.

_Third M. M._ I have no objection--but it's rather important. I want it
delivered, and _soon_.

_Miss O._ You must put the address more full than "Rumbo," then.

_Third M. M._ But the telegraphic address is registered "Rumbo."

_Miss O. (who seems to consider_ "Rumbo" _somewhat too frivolous_).
Well, if you like to leave it so, I can _send_ it--it's at your risk.
(_She leaves the form on the counter._) Eightpence-halfpenny.

_Enter_ Footman, _with parcel_.

_Footman._ How much to pay on this, Miss, please?

[Miss Cross _takes it reluctantly, slaps it down on scales with infinite
contempt, flings in weights, and then tosses a stamp and label to_
Footman, _with the brief remark, "Fourpence," spoken aggressively_.
Footman, _after paying his fourpence, and gazing from stamp to label in
a hopeless manner, opens his mouth twice, and withdraws, too intimidated
to ask for further instructions_.

_Miss C. (still occupied with her anecdote)._ I _should_ laugh if he
came again next Sunday, just the same--shouldn't you?

_Miss O._ I'd let him see I wasn't going to put up with it, I know!

_Miss C._ Oh, he'll find out he won't have things all his way.
(_Perceives_ First M. M. _evidently awaiting her leisure_.) Was there
anything else you were waiting for?

_First M. M._ Er--yes. Can you let me have a Postal Order for
six-and-sixpence?

_Miss C. (with decision)._ No, I can't!

_First M. M. (surprised)._ But surely----!

_Miss C._ Give you two--one for five shillings, and one for
eighteen-pence, if _that_ will do?

_First M. M._ Of course, that's what I meant!

_Miss Cross._ It's not what you _said_--you said _a_ order. (_Makes out
the orders with much disdain._) Three-halfpence to pay.

_Second M. M. (returning)._ Oh, I quite forgot--will you kindly cash
this order for me?

_Miss O._ Not till you've signed it.

_Second M. M._ Bless my heart, I quite forgot it ought to be signed!
Could you oblige me with a pen for one moment?

_Miss O._ There's a desk over there for all that.

_Second M. M._ I--I thought if you would let me sign it here, it would
save time--the desk is occupied at present I observe.

_Miss O. (dabs a pen in the inkstand, and pushes it disdainfully through
the wire net-work.)_ Give it back when you've finished with it.

[_She is apparently alarmed lest it should be secured as a Souvenir._

_Enter_ Imperious Customer, _and approaches screen with lordly air_.

_Imperious Customer (blusterously)._ Here you--one of you, let me have a
penny stamp, and a packet of thin post-cards, and two half-penny
wrappers, will you? and look sharp!

_Miss C. and Miss O. (becoming instantly all smiles.)_ Certainly, Sir.
(_They vie with one another in activity._) Postcards in that drawer ...
I'll get the wrappers--ninepence-halfpenny, Sir, and thank you. Good
morning, Sir.

[_Exit_ Imperious Stranger _snatching up his purchases and ignoring
parting smiles from behind the screen_. Mild Men _store up the lesson
for use on future occasions. Scene closes in_.

       *       *       *       *       *

How's That?

  "THE A B C of Cricket you must get,"
    Says a great Critic, "if you would succeed."
  _Punch_ then presumes 'tis by that Alphabet
    A Cricketer may learn to (WALTER) READ!

       *       *       *       *       *

COINS OF THE REALM.--'ARRY remarks that the Tories are led by a "Bob"
(CECIL), the Parnellites can boast the possession of a "TANNER," whilst
the Liberal Unionists make the most of their "JOEY."

       *       *       *       *       *

ON THE JAR.--The French have a proverb, "_il faut qu'une porte soit
ouverte ou fermee_." This evidently does not apply to the Sublime Porte,
which seems generally "neither one thing nor t' other."

       *       *       *       *       *

IT was settled at the last meet of the Coaching Club that Mr. EATON,
M.P., the new Peer, is to be crowned not with laurels, but with his own
bays.

       *       *       *       *       *

THE BARD AT HENLEY.

(_A Reminiscence._)

[Illustration: Retirement after the Jubilee Fortnight.
  "Far from the Madding Crowd."]

  OH, Friday was lovely! The Bard who now sings
  Saw Princes, Princesses, a Duke, and two Kings,
  His Indian Highness, called RAS KUTCH THAKORE,
  NAWAB GAFFER JUNG and several more.

  They saw the best racing, then went to lunch with
  The Closuring Commoner, our Mr. SMITH.
  'Twas Jubilee Weather! the Course was well kept!
  Oh, champagne! and Oh, headache! I sighed--and then slept.

  I awoke, to find all my companions gone,
  And I, like the Rose, was left blooming alone.
  So I plunged in the freshening stream--down, down, down
  I dived, and I dived, then I came up--to town.

       *       *       *       *       *

A CASE AGAINST THE POLICE.--This was Miss CASE, who being arrested by a
Constable, was Miss-taken for somebody else. Gallant JOSEPHUS
CHAMBERLANIUS of the Orchid Squad has come to the rescue, and the
"MATTHEWS-at-Home" Secretary granted an inquiry. Before this paragraph
appears, the Public may be in possession of the truth. Justice must be
done, or the young woman may become Case-hardened. But whatever the
result may be, the Magistrate should study and get by heart, _Newton's
Principia_.

       *       *       *       *       *

GARDEN, LANE, AND MARKET.

[Illustration: Note from "Mr. G." to Madame Albani.]

"MR. G."--the upper G.--went to hear _Puritani_ on Thursday night. Of
course he called on Madame ALBANI, and sang a few of the songs just to
give "Signor G." a hint. When the First Act was over, and the Closure
was moved by the Act-drop descending, Mr. G. went into the Lobby, and
voted with the Government of Covent Garden. Mr. G. was seen to be
several times in animated conversation with Mr. HALL, who was decorated
with a Covent Garden Order, and was wearing a _Shirtcollerado
Gladstonensis_ in his button-hole. It is, we believe, quite untrue that
Mr. HALL has refused to take office--box office--in the next Liberal
Cabinet; but whether he will be made an Extra Knight or not is still
uncertain. Mr. GYE is very Earnest about it, and at present we can say
no more except that the performance of _I Puritani_ was first-rate, as
naturally it would be, with ALBANI, enthusiastically received, GAYARRE,
and D'ANDRADE. There were numerous _encores_, and the applause was
bestowed with a warmth which increased the temperature considerably.

_At Drury Lane._--A prettier and sweeter voiced _Zerlina_ than Miss
ARNOLDSON, has not been seen or heard for some time. We must not venture
on comparisons, but in two respects Miss ARNOLDSON has the advantage
over Madame PATTI (who was singing in _Traviata_ on Friday night at the
Colonel's Opera House) but one of these is not voice. M. MAUREL played
and sang the im-Maurel _Don Giovanni_ admirably, and CIAMPI as
_Mazetto_, looked and acted like LIONEL BROUGH. A good performance.

[Illustration: "Approbation from Mr. P. is praise indeed!"]

       *       *       *       *       *

"LONG EXPECTED COME AT LAST!"

THE Imperial Institute has commenced. The first stone has been laid by
Her Gracious MAJESTY, and the Prince of WALES is sanguine as to the
result. The Institute is to be a House and Home, with gardens attached,
for special use of our Indian and Colonial cousins visiting England, and
it is also intended to keep perpetually before the eyes of the British
Public specimens of Indian and Colonial industry. To so useful a scheme
_Mr. Punch_ wishes every success.

Per varios casus, per tot discrimina rerum,
Tendimus in--Kensington.

The subjoined list of the Procession as it ought to have been, was
probably altered at the last moment; but there is no doubt it would have
been effective as it stood, or rather as it moved on:--

  Australian Lambs.    Organising Committee   Mr. BOEHM, R.A., and
  The Master of the    with various           Mr. GOSCHEN with
  Mint.                Organs.                new coinage tossing heads.

        Sir FREDERICK LEIGHTON, P.R.A., drawing himself.

  Groom of the Bedchamber                     "Lord's" in Waiting
  (on towel-horse).                       (Oxford and Cambridge Eleven).

      The Rajah of SHAMPOOAH, with Order of the Turkish Bath.

                             THE QUEEN.

    Her ROYAL HIGHNESS                H.R.H. Prince of WALES, K.G.
  The Princess of WALES.          ("K.G.," _i.e._, "Kensington Gained.")

            Any Kings and Queens who may be left in Town.

  Master of the Horse      Ladies in Waiting     Mistress of the Robes
    on a Buck-jumper.        to be asked.          ("dressing up.")

  Lots of Sticks in        A Serene Grand       "Mr. G," as "Umbrella
    Waiting (with banners   Transparency          in Waiting."
    of Advertisements       (personally           (N.B.--This is "Collar
    in _Era_.)              illuminated           day.")
                            by Mr. BROCK.)

        Any number of Trumpeters blowing their own Trumpets.

  Little Indian Pickles,    GEO. AUGUSTUS SALA,    Australian Wines,
    led, with taste, by      with "Echoes," and     headed by Sir
    Sir P. CUNLIFFE          driving four Quills    "WILL SOMERS"
    OWEN.                    at once.               VINE.

      Mr. LEWIS MORRIS, with his Ode Colonial, accompanied by
            Sir ARTHUR SULLIVAN, on a Grand Piano.

  Mr. HENRY IRVING.                      Mr. J. L. TOOLE.
    (Last appearance in London           (Last appearance in London
    previous to his departure             previous Aix-les-Bains.)
    for America.)


      Right Hon. W. H. SMITH, with banner of "Closure."

At a signal from the Archbishop the Chorus will strike up--

  The great Imperial Institoot,
  In Kensington has taken root,
  And as a tree up may it shoot!
  Our Institoot, Our Institoot!

Sir ARTHUR SULLIVAN was so overcome by this inspiration, that after
reading it, he could not compose himself. "No," he exclaimed, "I cannot
invent music which should be a worthy setting for so precious a gem!
Give me something more simple," and so it came about that Mr. LEWIS
MORRIS'S poem was chosen. Whether the above-quoted beautiful _chorale_
was written by the Earl of R-SSL-N, whose little Jubilee volume of poems
has so enchanted a select circle, or by another titled and
unprofessional poet, is a secret which wild horses should not make us
divulge. Hooray for the Institoot!

       *       *       *       *       *

[Illustration: GETTING ONE'S MONEY'S WORTH.

_She._ "WHAT'S THE GOOD OF SPENDING ALL OUR SUNDAY AFTERNOONS IN WALKING
ROUND THE SQUARE, WHERE THERE'S NEVER A SOUL AND HARDLY A TREE TO SPEAK
OF, AND WHEN THERE'S THE PARK CLOSE BY?"

_He._ "WHAT'S THE GOOD OF HAVING TO PAY A GUINEA A YEAR FOR THE USE OF
THE SQUARE, IF WE DON'T USE IT AS OFTEN AS WE CAN, I SHOULD LIKE TO
KNOW?"]

       *       *       *       *       *

THE NEW, AND BAD, "HATCH."

_Mr. Punch loquitur_:--

  WELL, PARTLET, old hen, here's a pretty fiasco
    The Poultry profession seems going to pot.
  You might search the whole kingdom, from Greenwich to Glasgow,
    And never encounter an uglier lot.
  They're crooked, and cranky, and wry-neck'd, and lanky;
    I cannot discover one point that is good.
  What, join in your cackle of triumph? No, thankye!
    We can't accept _this_ as a Jubilee brood.

  I did expect something a little bit better
    From one some crack up as the pride of the House.
  Of decentish broods you have been a begetter,
    And, though you are dowdy, I thought you had _nous_.
  But these scraggy scramblers, ill-fledged and ill-fashioned?
    By Jingo, old bird, they're a perfect disgrace.
  No wonder the public disgust grows impassioned;
    They simply degrade a respectable race.

  Just think of the beauties, the silver and gold chicks,
    That often have left that identical coop!
  I'm sure there's not one of those comely, plump, bold chicks
    That would not despise _this_ contemptible troop.
  They look like the work of a villanous vamper.
    Just take a glance at 'em, my PARTLET, I beg;
  They've too much top-hamper, they scarcely can scamper.
    A shabbier brood, PARTLET, never chipped egg.

  Pray how do you think that the Fancy will class them,
    So scraggy, and leggy, and bandy, and bald?
  You'll find it most difficult, PARTLET, to pass them;
    In fact, 'tis a pity they can't be recalled.
  I'm really ashamed of 'em; so, Ma'am, should you be.
    The kindliest hen-wife would banish the batch.
  What? Say one word for 'em? Now, don't be a booby:
    You must be aware they're a precious Bad Hatch!

       *       *       *       *       *

RALEIGH TOO BAD.

SIR WALTER RALEIGH'S old house at Brixton Rise, _Punch_ hears, "is about
to be sold by public auction", and the surrounding twelve acres of
"nobly-timbered park", given over--of course, like so much else in that
once leafy suburb--to the untender mercies of the Jerry Builder. Too
bad! In the olden days, QUEEN BESS used to be rowed in her barge up the
Effra (which now, like the Mole, "runneth underground", hidden by earth
and brickwork, but, not long since, was a visible stream) to visit Sir
WALTER at what was _then_ his Country House. There were no Interviewers
in those happy days, else would a "Sir WALTER RALEIGH At Home", with
"Gloriana" as his guest, be toothsome reading. And shall JUGSON, the
Jerry-builder, with his mud-bricks and slime-mortar, his warped timber
and his peeling stucco, banish even the memories of the great
Elizabethans from their ancient haunts? Forbid it, O Spirit of the
Jubilee Year! Let the Jubilators RALEIGH--we mean _rally_, round
RALEIGH'S old Mansion,--

  "Let not his house who witched Old England's eyes
  Before base JUGSON fall on Brixton Rise."

       *       *       *       *       *

BEN TROVATO AGAIN.--When the Papal Envoy arrived, His Eminence had
several mansions placed at his disposal. The one he fancied most was
that offered by Mr. H. LABOUCHERE, M.P., with the appropriate
designation of "POPE'S Villa, Twickenham."

       *       *       *       *       *

A Hard-worked Official.

  LORD CHAMBERLAIN LATHOM, exhausted is he
  After this season of Jubilee.
  "Farewell to my cares at holiday-tide,"
  Says LATHOM aloud, when he'll _lay them aside_.

       *       *       *       *       *

As to the Mission of Monsignor PERSICO to Ireland, an Horatian
Nationalist wrote--"PERSICO'S odi." And he probably does dislike it.

       *       *       *       *       *

[Illustration: THE NEW "HATCH."

MR. P. "AH! THEY'RE AN AWFULLY UGLY LOT! I _DID_ THINK THE OLD
GAUCHE-HEN--(AHEM!)--WOULD HA' DONE BETTER THAN THAT!!"

[_Exit sadly._]]

       *       *       *       *       *

THE LAST VISIT (BUT ONE) TO THE ACADEMY.

[Illustration: No. 518. Left Leg Shrunk.]

[Illustration: No. 624. Her Serene Transparency.]

[Illustration: No. 413. Hard Hit in a Town and Gown Row.]

[Illustration: No. 647. What can we do with the Baby?]

[Illustration: No. 623. Warming his Back against the Soup Tureen.]

[Illustration: No. 253. Pulling the Stuffing out of Toy Terrier.]

A grand flare-up on Thursday last. A Jubilee _Soiree_ worthy of the
Jubilee Year and the Royal Academicians. Kings, Queens, Royal
Highnesses, Grand Dukes and Duchesses have become so common this Jubilee
month, that, when some _blase_ and well-seasoned Londoner is asked who
such and such a decorated person is, he languidly replies, "Oh! only a
King, or something of that sort."

There was a private Royal Night on Wednesday, when only Royalty and The
Forty R.A.'s were present,--"The Forty" did something in the oil and
colour line, as we gather from _The Arabian Nights_, revised edition, by
Lady BURTON,--and, of course, _Mr. Punch_, who is everywhere on every
occasion, and who, in a general way, represents H.R.H. Everybody.

On Thursday night, T.R.H. Everybody and Everybody Else were present, and
the scene was brilliant. Sir FREDERICK, a Prince among Presidents and a
President among Princes, graciously welcomed the guests. He was assisted
by Sir EVERETT MILLAIS and Treasurer HORSLEY, who appeared rather weary,
perhaps tired of counting the shillings, or worried by the uncertainty
of the monetary value of the BOEHM silver currency.

The Queen of the Pictures is still Professor HERKOMER'S Lady in black
with the long gloves. She lingers in our memory, and will do so for many
a long day. May we never see her _in propria persona_, or disappointment
might be our dole. The Lady in the picture cannot age. Even amidst all
the living breathing beauty collected within those walls on Thursday
last, the Lady on the wall, if we may so put it, "took the
cake,"--though she didn't take it all, as there was plenty left for Miss
MARY ANDERSON, Miss DOROTHY DENE, and some other charming ladies. One
more visit to the Royal Academy, and then the Show for 1887 will have
passed away. Then, after a brief holiday, the Artists will be again at
work, according to their individual taste and fancy, taking (lucky
_gourmets_!) each one just what best suits his palette. _Au revoir!_

       *       *       *       *       *

HIBERNIA TO THE QUEEN.

(_On the occasion of the Visit of Princes Victor and George of Wales._)

  YOUR MAJESTY'S Grandsons I welcomed with joy,
    At a time when I'm horribly worried;
  ALBERT VICTOR and GEORGE--he's a broth of a boy--
    Their visit was brief and too hurried.

  Ah, then, if your MAJESTY'S self we could see,
    Sure we'd drop every grumble and quarrel.
  Stay a month in the year with my children and me,
    'Twould be a nice change from Balmoral.

       *       *       *       *       *

THE Wild West Kensington Indians were not permitted to go to Henley last
week. It was thought that the sight of so many sculls would be too much
for them, and that they would immediately want to scalp everybody. Why
doesn't the Honourable Colonel BUFFALO BILL CODY engage "SQUASH," and
give him a show on a buck-jumper? Something amusing is wanted to enliven
the Wild West Scenes in the Circle, and "SQUASH" is just the sort of
droll required.

       *       *       *       *       *

GOG AND MAGOG AT THE BALL.

        The Jubilee Ball,
        Held at Guildhall
  Last week, on Tuesday night,
        A great success;
        All must confess
  It was a glorious sight.

        The Giants twain
        Imbibed champagne.
  Says Magog to Gog, "What fun!"
        Says Gog, "For a crown
        I couldn't get down
  As we ought when the clock strikes one."

        Says Magog to Gog,
        "You jolly old dog,
  With the same idea I'm imbued.
        We ought to descend,
        But we can't, my friend;
  On our pedestals we're screwed."

        To save their renown,
        They didn't come down.
  Be sure they acted right.
        The jovial pair
        Remained where they were;
  Gog and Magog stopped up all night!

       *       *       *       *       *

THE President and Fellows having, at a recent meeting at South
Kensington, by their Resolutions shown, spite their difficulties, a
disposition to ride the high horse, their body will henceforth be known
as the Royal Haughty-cultural Society.

       *       *       *       *       *

ROBERT AT THE AMERICAN EXHIBITION.

I'VE paid my second wisit to this most emusing place, and have to report
a grate improvement in its inside, witch is gradawally a filling up like
an hungry Alderman at a nice rich fust class dinner.

But this time I paid speshal attention to the outside emusements, and
them as carnt find no fun and xcitement in them, had better go off at
wunce to the Amerrycan Bar for a "Coaxer," and that, as I found, will
soon pick him up. I never saw such a site as BUFFERLOW BILL'S Wild West
in South Kensington, the werry recklekshun of it sets me off so that I
must pull myself together with one of BERTRAM'S "Brighton Steadiers," or
I shall get too exsited to write strait.

[Illustration: Robert Tobogganing.]

Well, I spose it was because they was jest a little late that the whole
blooming lot of 'em, Amerrycans and Cow Boys, and Mexicans and Injians
with their Squalls and Porposes, and Gals a riding like gals generally
rides, and Gals a riding like men, all cum a galloping in at such a
whirling pace that it litorally took away all my pore breth, and they
screamed as they galloped, and their crimson and blue and scarlet and
yeller clokes all shone in the sunlight and fluttered in the breeze, and
when they came jest in front of me, where I was setting with dignerty in
a reserwed seat at the small charge of 1s., they pulled up bang, as if
they was all shot, and all sat as still as mice.

Well, then we had a hole carrywan of settlers for life attacked as they
was agoing quietly along by a hole army of wild Injians, and defended by
BUFFERLOW BILL and his bold Cow Boys, and a grand fight it was. Plenty
of firing, but not enuff execushun for to friten the ladies, for the
jest a few was killed in the dedly combat, they all got up and rode away
after the battle was over; so I spose as they was ony shamming jest to
deceeve the enemy.

[Illustration: A Little Indian Rubber.]

Curiosity, which is the Waiter's weekness, makes me inquire, why so many
Cow Boys when there aint not no Cows? We wound up with a Bufferlow hunt,
but as the animals was jest as uncurry-combed and as dirty as afore, I
gammoned Mrs. ROBERT, who was with me, that it was ardly a site for a
reel dellycat lady to witness, so we went off to see the Toboggening,
and grate fun it was to look at. But, to my extreme estonishment nothink
wood do but Mrs. ROBERT must try it, and, in spite of all my
remonstrances, I presently found myself a seated with my bitter arf on
the top of an high hill, about to be launched hedlong on our wild career
with ony a piece of rope to guide us and nothink to stop us. Oh, that
dedly moment of hezitashun! and then the rush through the hair with
sitch litening speed as made Mrs. ROBERT give jest a little squeal. How
any sane person having wunce tried this new game, which recalled to fond
memory the sensashun of my fust swing, can wish to repeat the dose, I
carnt understand. He suttenly ought to have the stummuck of a
Horsestrich rather than of a Halderman. The fond partner of my fate
having a little hedake after her rash xperryment, which she insisted
upon declaring was owing to the rifle-shooting, I adwised her to leave
the noisy scene and seek the cumfort of her quiet home, promising to
jine her hurly, so she went. I was afterwards asked to try the
Switch-back Railway, but learning from a prewious wictim as how the
sensation reminded him of the fust time as he crossed the Channel, I
declined with thanks.

Hoping to meet with the Kernel who had promised to introduce me to the
Hon. Mr. WILLIAM BUFFERLOW, Esquire, wulgerly called BUFFERLOW BILL, I
sauntered round to the Injians encampment, but was there told he had
gone to dine with some other Savages at the Savage Club, so I coudn't
see him. Howsumever I fell into conwersation with one of the tip-top
managers, and he introduced me to sum of the principal Braves, as they
calls 'em, and their Squaws, and porposes. They was worry affable and
perlite, as I'm told as all reel savages is, but I carnt say much for
their hartistick taste. There was one savage lady with a savage dorter
and a pickaninny about rising four, as grately surprised me. The yung
lady wood have bin werry good looking if her Ma had let her alone, but
she had painted her two cheeks such a brite skarlet that skarlet runners
is nothing to 'em, and as for the pore little chap his hole face was
painted a greenish yeller, like a werry bad case of jarndice, and all
his air a brite green. But such is my natral perliteness, that when his
fond Ma held him up to me and said, "Lookee, lookee, ain't him Booty?" I
said, "Oh! yessee, yessee!" I didn't dare to kiss it, for fear its face
wood have stuck to mine, witch woudn't ha bin nice.

I spent a werry plessent evening with the principle performers such as
RED SHIRT, and CUT MEAT, and sum others, and whenever the conwersashun
flagged I surgested a adjurnment to the Amerrycan Bar, and we allus
tried a new drink, and this I will say for my forren frends that they
took them all with the same coolness as if they had been the native
drinks of the Far West End. The larst one we tried was called "A Yard of
flannel," and for warmth and cumfort it was well-named, but somehows I
fancy it must ha bin rayther a staggerer, for I remember werry little of
what took place afterwards. But I have sum dim recklekshun of playing at
cards with two Chiefs and a Squaw, and that one of them had a dress on
sumthink like a porky-pine with his squills, and that I lost my money,
and that sum familyer voice said, "Why, ROBERT, you've lost your Injian
Rubber!" at witch we all larfed. How I got home I don't werry well
remember, but I do remember, and shall probberbly never forget, the
werry warm recepshun I met when at length I arrived there, or the nex
morning's hed hake. I don't think I shall try "a yard of flannel," again
in an hurry.

  ROBERT.

       *       *       *       *       *

The Children's Nautical Festival.

ON the occasion of the Great Naval Review, Lord CHARLES BERESFORD,
remembering Mr. EDWARD LAWSON'S Hyde Park success, intends to stand
treat to all the Buoys round the Coast. The Best Buoy will receive a
present from Her Gracious MAJESTY.

       *       *       *       *       *

[Illustration]

ESSENCE OF PARLIAMENT.

EXTRACTED FROM

THE DIARY OF TOBY, M.P.

_House of Commons, Monday, June 27._--Back again to the Coercion Bill.
Report Stage reached, and strong whips out on both sides in anticipation
of Division. Both Front Benches crowded like the rest. GLADSTONE in his
place, as eager to make speech as if it were his first on the subject.
HARTINGTON there too, and CHAMBERLAIN, making, with HENEAGE, a brave
show on end of Front Bench. GLADSTONE spoke early. A full House, but
everyone bored to death. Later, House thinned to degree that invited a
count; but at sound of bell Members held in hand for Division, swooped
down, got themselves counted, saved the sitting, and straightway fled
again.

GEORGE CAMPBELL concerned in interests of Protestant Church. A Papal
Envoy been received by QUEEN to present Jubilee congratulations. Was
that an exceptional privilege for an Ecclesiastic? Would the Brahmin
Head of Benares be allowed to approach HER MAJESTY in similar way? No
answer. Would the Grand Imaum of Mecca?

The Under-Secretary of State shivered in his shoes, but still no
response.

Then Sir GEORGE, uplifting his voice to its most melodious heights,
produced his poser:--"Would the Moderator of the Free Church of Scotland
enjoy such a privilege?"

Old Morality and his colleagues on the Treasury Bench began to grow
uneasy. No saying where CAMPBELL'S list might end. FERGUSSON whispered
to and nudged till, propped on his feet, he feebly urged that Moderator
of Free Church of Scotland does not come under the category of a Foreign
Potentate. A poor quibble this. But CAMPBELL generously disinclined to
push his advantage, and Government escaped immediate defeat.

Growing excitement as Division on JOHN MORLEY'S Amendment restricting
duration of Act to three years approached. RITCHIE has invented new way
of taking Division. Members as anxious to try it as nursery of children
to handle new toy. At first some little difficulty in understanding it.
Members crowded round RITCHIE and asked how it was done.

"Nothing easier or clearer," he said. "There are six doors, which we
will call A, B, C, D, E, and F. As soon as division bell rings, F is
closed. B is left half open. Members voting 'Aye' pass through the A
door and meet the 'Noes' coming through D. A and C are then
simultaneously shut. If B is open, the 'Ayes' and the 'Noes,' having
seen E closed, form in one stream, pass through, and there you are.
Don't you see?"

[Illustration: Young 'Olden.]

Everybody saw quite clearly. Quite a pleasure to see ISAAC HOLDEN
(_etat._ eighty, but full of youthful vigour) starting off to try the
new experiment. Got through all right. But, half an hour later, GILBERT
GREENALL found in recesses of ventilating cellars, where, he said, he
was "looking for door E."

_Business done._--Report on Coercion Bill.

_Tuesday._--WILFRID LAWSON made admirable suggestion to-night. Proposes
that, when titles or honours are conferred upon anyone, a statement
should accompany announcement, setting forth the public services on
account of which the honour has been conferred. It is so done in respect
of Victoria Cross. List of Honours conferred in connection with Jubilee
show the necessity of extending custom.

"Who's he?" said Sir BORTHWICK, Bart., looking down the _Gazette_ when
it came out. "Never heard of him, nor him either. I seem to be really
the only distinguished person in the lot."

List notable not only for what it includes but for what it omits. House
of Commons united in expectation of one recognition, looked for in vain.
If "Barnets" were to be made in Jubilee time, why was JOSEPH GILLIS
overlooked? This thought in everyone's mind, as JOEY B. turned up
to-night telling in a division against the Government. His public
appearance now so rare that its recurrence was an event. Since he came
into possession of Castle Butlerstown the alteration, long-working, made
sudden and complete advance. His moustache, now past the indefinite
stage, is an unquestionable reality, and to see JOEY B. twirling it _a
la_ RANDOLPH, is a delight to the quiet mind. JOSEPH feels his new
responsibilities. When reproached by TIM HEALY with his excessive
respectability he is not moved.

[Illustration: "Who's he?"]

"It's all very well for you, TIM, to be brow-beating the SPEAKER,
interrupting Hon. Members opposite, moving the adjournment and the like.
But it's different for a man who has a Castle, a drawbridge, a moat, and
a moustache."

Characteristic infelicity on the part of the Government to have
neglected this opportunity of recognising a reformed character. JOEY B.
is now a credit to the House. It would have been to the credit of the
Government had his friends been able to hail him as Sir JOSEPH GILLIS
BIGGAR, Bart., of Butlerstown Castle.

_Business done._--Coercion Bill again.

_Thursday._--"He! he!" said Old Morality, his white teeth shedding pale
light over Treasury Bench. "Capital joke! Hope they'll often repeat it."

Capital it was, and so unexpected, too. Secret admirably kept, and
sprung upon amazed House with marvellous effect. After questions, O. M.
moved Resolutions providing for discussion on Report Stage of Coercion
Bill being peremptorily closed at Seven o'Clock on Monday night.

"The Early Closing Association," said Sir WILFRID LAWSON, looking across
at Noble Lords and Right Hon. Gentlemen arrayed on Treasury Bench in
support of this Motion.

Parnellites of course hostile to Motion. But more particularly enraged
because O. M. in moving it had not spoken single sentence.

"Come, come," said JOHN DILLON, "this is too bad. If we are to lose our
liberties, let us, at least, have a speech in support of the
proposition."

But O. M. obdurately silent, and debate kept up for three hours from
Opposition side. Then Division taken, and Motion carried by majority of
a round hundred. After this, Ministers looked forward to another
wearisome evening, with Friday to follow, and more talk through Monday
up to fatal Seven o'Clock. Here's where the joke came in. The
Opposition, returning from Division Lobby after voting on Closure
Proposition, continued their march through the House and cleared out by
the door. Ministers watched process with amazement, growing into
apprehension, and finally broadening into a grin of delight as the joke
flashed upon them. Having given Government the trouble of preparing,
moving and carrying Resolution, fixing closure of debate on Monday
evening, Irish Members not going to debate at all! The Government might
take their Report Stage; which they did, and before you could say "W. H.
SMITH," the Report Stage of the Coercion Bill was agreed to, and House,
scarcely recovered from surprise, was engaged upon miscellaneous
business of the Orders of the day.

_Friday, Midnight._--Since dinner-time there has been exhilarating scene
in Palace Yard. Nearly every 'bus that has passed has dropped a Duchess
at the gate. Four-wheelers, conveying Countesses, have regularly filed
in; whilst, what Sir ROBERT PEEL would call "Noble Baronesses," have
arrived on foot. As distinguished Novelist somewhere writes, "Lo! a
strange thing has happened." On ordinary days House of Lords, which
commences public business at 5.30, adjourns about 5.37. At this hour of
midnight House still sitting, and no sign of Adjournment. Irish Land
Bill under debate. Subject irresistible to Noble Lords. Have foregone
their late afternoon drive in the Park. More than one has patriotically
dined on a chop.

A flush of honest pride mantles many a noble countenance. All very well
for the Commons to boast of their long sittings; but see what the Peers
can do when duty calls! At first a little consternation at the arrivals
from without. But even that turns out well. There were stories of
anxious wives communicating with House of Commons during All-night
Sittings, and finding errant husbands not there. But here are Noble
Lords unflinchingly serving their country, remaining at their post,
whate'er betide.

A beautiful and a soothing sight, which affects to tears some of the
Commons, who sit in the Gallery, and look down upon it.

_Business done._--Lords pass Report Stage of Irish Land Bill.

       *       *       *       *       *

"HOME, SWEET HOME!"

(_New Version, by a Much-Worn-out M.P._)

  "The welcome cry, 'Who goes home' sounds like a melancholy dirge
  through the rapidly-emptying lobbies."--Mr. OSBORNE MORGAN, M.P.,
  _in the_ "_Nineteenth Century_."

  MIDST clauses and paragraphs though we may roam.
  Be it ever so dirge-like, there's no cry like "Home!"
  A charm undefined seems to hallow it there,
  After TANNER'S loud shindy and CONYBEARE'S blare.
    Home! Home! Sweet, sweet "Home!"
    Be it ever so dirge-like, there's no cry like "Home!"

  An exile from office, I will not complain,
  Give me only my calm "beauty sleep" once again;
  The birds singing sweetly at dawn be my lot
  To hear, not loud torrents of partisan rot.
    Home! Home! Sweet, sweet "Home!"
    Be it ever so dirge-like, there's no cry like "Home!"

       *       *       *       *       *

CRICKET AT LORD'S.

_Hits by Dumb Crambo, Jun._

[Illustration: A Patient Innings.]

[Illustration: A Cut in front of Point.]

[Illustration: Over!]

[Illustration: Last Man. His usual form.]

       *       *       *       *       *

[Illustration] NOTICE.--Rejected Communications or Contributions, whether
MS., Printed Matter, Drawings, or Pictures of any description, will in
no case be returned, not even when accompanied by a Stamped and
Addressed Envelope, Cover, or Wrapper. To this rule there will be no
exception.





End of the Project Gutenberg EBook of Punch, or the London Charivari, Volume
93, July 9, 1887., by Various

*** END OF THIS PROJECT GUTENBERG EBOOK PUNCH-CHARIVARI, JULY 9, 1887 ***

***** This file should be named 32629.txt or 32629.zip *****
This and all associated files of various formats will be found in:
        https://www.gutenberg.org/3/2/6/2/32629/

Produced by Neville Allen, Malcolm Farmer and the Online
Distributed Proofreading Team at https://www.pgdp.net


Updated editions will replace the previous one--the old editions
will be renamed.

Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying copyright royalties.  Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark.  Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission.  If you
do not charge anything for copies of this eBook, complying with the
rules is very easy.  You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research.  They may be modified and printed and given away--you may do
practically ANYTHING with public domain eBooks.  Redistribution is
subject to the trademark license, especially commercial
redistribution.



*** START: FULL LICENSE ***

THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full Project
Gutenberg-tm License (available with this file or online at
https://gutenberg.org/license).


Section 1.  General Terms of Use and Redistributing Project Gutenberg-tm
electronic works

1.A.  By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement.  If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B.  "Project Gutenberg" is a registered trademark.  It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement.  There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement.  See
paragraph 1.C below.  There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works.  See paragraph 1.E below.

1.C.  The Project Gutenberg Literary Archive Foundation ("the Foundation"
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works.  Nearly all the individual works in the
collection are in the public domain in the United States.  If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
works based on the work as long as all references to Project Gutenberg
are removed.  Of course, we hope that you will support the Project
Gutenberg-tm mission of promoting free access to electronic works by
freely sharing Project Gutenberg-tm works in compliance with the terms of
this agreement for keeping the Project Gutenberg-tm name associated with
the work.  You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.

1.D.  The copyright laws of the place where you are located also govern
what you can do with this work.  Copyright laws in most countries are in
a constant state of change.  If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work.  The Foundation makes no representations concerning
the copyright status of any work in any country outside the United
States.

1.E.  Unless you have removed all references to Project Gutenberg:

1.E.1.  The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg-tm License must appear prominently
whenever any copy of a Project Gutenberg-tm work (any work on which the
phrase "Project Gutenberg" appears, or with which the phrase "Project
Gutenberg" is associated) is accessed, displayed, performed, viewed,
copied or distributed:

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org

1.E.2.  If an individual Project Gutenberg-tm electronic work is derived
from the public domain (does not contain a notice indicating that it is
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges.  If you are redistributing or providing access to a work
with the phrase "Project Gutenberg" associated with or appearing on the
work, you must comply either with the requirements of paragraphs 1.E.1
through 1.E.7 or obtain permission for the use of the work and the
Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
1.E.9.

1.E.3.  If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
terms imposed by the copyright holder.  Additional terms will be linked
to the Project Gutenberg-tm License for all works posted with the
permission of the copyright holder found at the beginning of this work.

1.E.4.  Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.

1.E.5.  Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.

1.E.6.  You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form.  However, if you provide access to or
distribute copies of a Project Gutenberg-tm work in a format other than
"Plain Vanilla ASCII" or other format used in the official version
posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
you must, at no additional cost, fee or expense to the user, provide a
copy, a means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original "Plain Vanilla ASCII" or other
form.  Any alternate format must include the full Project Gutenberg-tm
License as specified in paragraph 1.E.1.

1.E.7.  Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8.  You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works provided
that

- You pay a royalty fee of 20% of the gross profits you derive from
     the use of Project Gutenberg-tm works calculated using the method
     you already use to calculate your applicable taxes.  The fee is
     owed to the owner of the Project Gutenberg-tm trademark, but he
     has agreed to donate royalties under this paragraph to the
     Project Gutenberg Literary Archive Foundation.  Royalty payments
     must be paid within 60 days following each date on which you
     prepare (or are legally required to prepare) your periodic tax
     returns.  Royalty payments should be clearly marked as such and
     sent to the Project Gutenberg Literary Archive Foundation at the
     address specified in Section 4, "Information about donations to
     the Project Gutenberg Literary Archive Foundation."

- You provide a full refund of any money paid by a user who notifies
     you in writing (or by e-mail) within 30 days of receipt that s/he
     does not agree to the terms of the full Project Gutenberg-tm
     License.  You must require such a user to return or
     destroy all copies of the works possessed in a physical medium
     and discontinue all use of and all access to other copies of
     Project Gutenberg-tm works.

- You provide, in accordance with paragraph 1.F.3, a full refund of any
     money paid for a work or a replacement copy, if a defect in the
     electronic work is discovered and reported to you within 90 days
     of receipt of the work.

- You comply with all other terms of this agreement for free
     distribution of Project Gutenberg-tm works.

1.E.9.  If you wish to charge a fee or distribute a Project Gutenberg-tm
electronic work or group of works on different terms than are set
forth in this agreement, you must obtain permission in writing from
both the Project Gutenberg Literary Archive Foundation and Michael
Hart, the owner of the Project Gutenberg-tm trademark.  Contact the
Foundation as set forth in Section 3 below.

1.F.

1.F.1.  Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
public domain works in creating the Project Gutenberg-tm
collection.  Despite these efforts, Project Gutenberg-tm electronic
works, and the medium on which they may be stored, may contain
"Defects," such as, but not limited to, incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other intellectual
property infringement, a defective or damaged disk or other medium, a
computer virus, or computer codes that damage or cannot be read by
your equipment.

1.F.2.  LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees.  YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH F3.  YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.

1.F.3.  LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from.  If you
received the work on a physical medium, you must return the medium with
your written explanation.  The person or entity that provided you with
the defective work may elect to provide a replacement copy in lieu of a
refund.  If you received the work electronically, the person or entity
providing it to you may choose to give you a second opportunity to
receive the work electronically in lieu of a refund.  If the second copy
is also defective, you may demand a refund in writing without further
opportunities to fix the problem.

1.F.4.  Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.

1.F.5.  Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the
law of the state applicable to this agreement, the agreement shall be
interpreted to make the maximum disclaimer or limitation permitted by
the applicable state law.  The invalidity or unenforceability of any
provision of this agreement shall not void the remaining provisions.

1.F.6.  INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in accordance
with this agreement, and any volunteers associated with the production,
promotion and distribution of Project Gutenberg-tm electronic works,
harmless from all liability, costs and expenses, including legal fees,
that arise directly or indirectly from any of the following which you do
or cause to occur: (a) distribution of this or any Project Gutenberg-tm
work, (b) alteration, modification, or additions or deletions to any
Project Gutenberg-tm work, and (c) any Defect you cause.


Section  2.  Information about the Mission of Project Gutenberg-tm

Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of computers
including obsolete, old, middle-aged and new computers.  It exists
because of the efforts of hundreds of volunteers and donations from
people in all walks of life.

Volunteers and financial support to provide volunteers with the
assistance they need are critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come.  In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future generations.
To learn more about the Project Gutenberg Literary Archive Foundation
and how your efforts and donations can help, see Sections 3 and 4
and the Foundation web page at https://www.pglaf.org.


Section 3.  Information about the Project Gutenberg Literary Archive
Foundation

The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service.  The Foundation's EIN or federal tax identification
number is 64-6221541.  Its 501(c)(3) letter is posted at
https://pglaf.org/fundraising.  Contributions to the Project Gutenberg
Literary Archive Foundation are tax deductible to the full extent
permitted by U.S. federal laws and your state's laws.

The Foundation's principal office is located at 4557 Melan Dr. S.
Fairbanks, AK, 99712., but its volunteers and employees are scattered
throughout numerous locations.  Its business office is located at
809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
business@pglaf.org.  Email contact links and up to date contact
information can be found at the Foundation's web site and official
page at https://pglaf.org

For additional contact information:
     Dr. Gregory B. Newby
     Chief Executive and Director
     gbnewby@pglaf.org


Section 4.  Information about Donations to the Project Gutenberg
Literary Archive Foundation

Project Gutenberg-tm depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment.  Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.

The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States.  Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements.  We do not solicit donations in locations
where we have not received written confirmation of compliance.  To
SEND DONATIONS or determine the status of compliance for any
particular state visit https://pglaf.org

While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.

International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States.  U.S. laws alone swamp our small staff.

Please check the Project Gutenberg Web pages for current donation
methods and addresses.  Donations are accepted in a number of other
ways including including checks, online payments and credit card
donations.  To donate, please visit: https://pglaf.org/donate


Section 5.  General Information About Project Gutenberg-tm electronic
works.

Professor Michael S. Hart was the originator of the Project Gutenberg-tm
concept of a library of electronic works that could be freely shared
with anyone.  For thirty years, he produced and distributed Project
Gutenberg-tm eBooks with only a loose network of volunteer support.


Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as Public Domain in the U.S.
unless a copyright notice is included.  Thus, we do not necessarily
keep eBooks in compliance with any particular paper edition.


Most people start at our Web site which has the main PG search facility:

     https://www.gutenberg.org

This Web site includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.