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+The Project Gutenberg EBook of Trilbyana, by 
+Joseph Benson Gilder & Jeannette Leonard Gilder
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever.  You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Trilbyana
+       The Rise and Progress of a Popular Novel
+
+Author: Joseph Benson Gilder & Jeannette Leonard Gilder
+
+Editor: Joseph Benson Gilder
+        Jeannette Leonard Gilder
+
+Release Date: June 19, 2010 [EBook #32887]
+
+Language: English
+
+Character set encoding: ISO-8859-1
+
+*** START OF THIS PROJECT GUTENBERG EBOOK TRILBYANA ***
+
+
+
+
+Produced by Chuck Greif and the Online Distributed
+Proofreading Team at http://www.pgdp.net (This book was
+produced from scanned images of public domain material at
+the Internet Archive.)
+
+
+
+
+
+
+
+
+
+TRILBYANA
+
+[Illustration: MR. DU MAURIER'S FIRST DRAWING IN "PUNCH"
+
+_Showing himself (smooth face) and Mr. Whistler (with eyeglass)._ (_See
+page 14._)
+
+PHOTOGRAPHER.--"_No smoking here, Sir!_"
+
+DICK TINTO.--"_Oh! A thousand pardons! I was not aware that---- _"
+
+PHOTOGRAPHER [interrupting with dignity]."--_Please to remember,
+Gentlemen, that this is not a Common Hartist's studio!_" [N. B.--Dick
+and his friends, who _are_ Common Artists, feel shut up by this little
+aristocratic distinction, which had not occurred to them.]]
+
+
+
+
+TRILBYANA
+
+The Rise and Progress of a
+Popular Novel
+
+NEW YORK
+THE CRITIC CO.
+
+MDCCCXCV
+
+COPYRIGHT 1895
+BY
+THE CRITIC CO.
+
+_This edition is limited to
+250 copies, of which this
+is No._ 194.
+
+_It is many a year since a book has attained the popularity of Mr. du
+Maurier's second novel, "Trilby" (printed as a serial in Harper's
+Monthly, from January to August, inclusive, and then issued in
+book-form, on Saturday, 8 September, 1894). Several others have sold as
+well--some even better; but neither "Looking Backward" nor "Ben Hur" (to
+name but these two) has captivated the public in the same manner or in
+the same degree as this romance, this fairy-tale of the three British
+artists, the blanchisseuse who posed for "the altogether," the Parisian
+masters of painting, and the trans-Rhenish masters of music, in the
+Latin Quarter of the early fifties. It is a story written out of the
+author's very heart, and it finds its way straight to the hearts of his
+readers. This is the secret of its unique success. Its charm is
+emotional rather than intellectual. With all its art, it impresses one
+as essentially ingenuous. It is a book to be loved, not merely to be
+liked or admired._
+
+_On 16 June, 1894, The Critic printed, with comment, a letter in which
+Mr. Whistler protested to the editor of an English newspaper against the
+libellous likeness of himself to be found in the character of Joe
+Sibley, one of the minor personages in the story of "Trilby." In the
+fall there were so many sporadic calls for this number of the paper as
+soon to exhaust the supply carried over from the summer. There seemed to
+be a general desire on the part of our readers to bind up the Whistler
+letters, etc., with the text and pictures of "Trilby" as printed in
+Harper's Monthly, the American artist's protest having led to a slight
+revision of the story before its appearance in book-form. The hint was
+acted upon; and two pages of "Trilbyana" were printed in The Critic of
+Nov. 17._
+
+_Though an extra edition was struck off, the call for this number has at
+last exhausted the supply; and the present pamphlet, containing among
+its many items of interest a majority of those that have found a place
+in the columns of The Critic, may fairly claim to be issued in response
+to a popular call._
+
+_J.B. & J.L. GILDER._
+
+
+
+
+TABLE OF CONTENTS
+
+
+                                         PAGE
+
+"Trilby: a Novel"                           1
+
+Mr. du Maurier as a Draughtsman             4
+
+"Trilby" on the Stage                       8
+
+Personalia                                 11
+
+Mr. du Maurier and Mr. Whistler            15
+
+"Trilby" Entertainments                    19
+
+Miscellanea                                22
+
+Songs                                      30
+
+A Search for Sources                       35
+
+Nodier's "Trilby," le Lutin d'Argail       37
+
+
+
+
+ILLUSTRATIONS
+
+
+Mr. du Maurier's Monogram                          Title-page
+
+Mr. du Maurier's First Drawing for _Punch_       Frontispiece
+
+Portrait of Mr. du Maurier from a Photograph     Face      16
+
+Portrait of Mr. du Maurier by Himself                      11
+
+Portrait of Mr. Whistler                                   15
+
+"Platt, the New Svengali"                                  25
+
+Mr. du Maurier's House on Hampton Heath          Face      27
+
+
+
+
+"Trilby: a Novel"
+
+_By George du Maurier. With Illustrations by the Author. Harper &
+Brothers._
+
+
+When "TRILBY" began to appear as a serial in _Harper's Monthly_, January
+1894, Mr. Henry James prophesied that it would prove to be a
+glorification of "the long leg and the twentieth year." The prophecy was
+soon verified. At the outset, indeed, it seemed as if the glorification
+were to be, not so much of the long leg, as of the large and shapely
+foot. The whole story rested for a while on one of Trilby's feet. We say
+one, for it was only one of them--the left one--that Little Billee
+immortalized by drawing on the wall of the studio in the Place St.
+Anatole des Arts; but they were equally perfect. As the young woman who
+had the happiness of standing on this foot proclaims, kicking off one of
+the big slippers in which she is introduced to us, "It's the handsomest
+foot in all Paris: there's only one in all Paris to match it, and here
+it is"--and off goes the other slipper. The sketch of it that proves
+Little Billee already a master of his art is not shown till near the end
+of the book; and neither this nor Mr. du Maurier's own portrait of the
+_pieds nus_ on page 21 fully realizes one's notion of the thing's
+unapproached perfection.
+
+As we have said, the whole story rests for a while on one of these
+handsome feet; but the novelist manages at last to free his neck from
+the thraldom of the "slim, straight, rosy heel, clean-cut and smooth as
+the back of a razor," and proceeds to gratify our curiosity to know
+something about the strange being who poked about the studios in the
+Quartier Latin in the early fifties, bare-headed, and wearing a big,
+military coat with epaulets, which she could throw off when she posed
+for the _ensemble_ as easily as she could kick off the loose slippers
+when only her foot was desired as a model. It will be seen that Trilby
+was not a woman of any social standing. Her father was an educated
+Irishman, her mother (his wife) a pretty barmaid. They both were dead,
+and she herself was a professional model.
+
+Two things about her were equally marvellous: one was her foot, the
+other her voice--an organ of surprising power, range and sweetness. No
+less extraordinary, perhaps, was the trick that nature had played upon
+her, by coupling so glorious a voice with an ear that could not
+distinguish one note from another--could scarcely tell a bass from a
+treble, and permitted her to sing so badly that her hearers either
+stopped their ears, laughed in her face, or bolted from the room. The
+American song "Ben Bolt" was the one she liked the best to sing, and
+sang the worst. There was something else about her, almost as strange as
+her beautiful feet, her magnificent voice and her defective (or
+altogether lacking) ear for music; and that was the purity of her
+character. She had had affairs with half a dozen men in the studios,
+without really knowing that it wasn't the right thing to do. But her
+heart remained spotless (so Mr. du Maurier assures us); and it is a most
+unfortunate thing that Little Billee's mother comes tearing over to
+Paris, leaving the peaceful dales and dairies of Devonshire behind her,
+in her mad haste to break the engagement which Trilby has at last made
+with the young English painter, after having repeatedly refused to do
+so, notwithstanding her great love for him. Mrs. Bagot has no difficulty
+in convincing her that she is no worthy mate for Little Billee; and she
+accordingly runs away from Paris, heart-broken, and becomes a
+_blanchisseuse de fin_. Little Billee's heart is broken, too; or if not
+broken, benumbed; and henceforth, though he becomes a most successful
+artist, and the pet of all London, he takes his pleasures and successes
+sadly and listlessly, caring nothing for the wealth and fame that come
+to him.
+
+In the meantime a great _prima-donna_ appears upon the European stage,
+and all the world bows down before her. Happening to be in Paris, Little
+Billee is persuaded by his old chums, Taffy the Yorkshireman ex-soldier,
+and the "Laird of Cockpen"--painters both,--to go and hear the prodigy.
+Fancy their stupefaction at recognizing in the glorious singer the
+tuneless Trilby of five years gone! No longer Trilby O'Ferrall, but La
+Svengali, wife of their old acquaintance Svengali the Jew, who had
+recognized the possibilities of her voice when he first heard it in
+their Paris studio, and had afterwards captured her and cultivated it
+and by his mesmeric arts trained her as a singer and even made her love
+him as a dog loves his master. A day or two later, meeting him at a
+hotel, Svengali spits in Little Billee's face, and gets his nose pulled
+for his pains by Taffy. And then the great _prima-donna_ and her master
+go to London; and Trilby breaks down in trying to sing "Ben Bolt," and
+is hooted off the stage--Svengali's sudden death in a stage-box (unknown
+to anyone in the house) having broken the mesmeric influence that has
+made her a singer. She pines away, surrounded by her old friends the
+Englishmen, and an object of solicitude to all Christendom; and after
+her death Little Billee pines away, too, and no one is left but the big
+ex-officer Taffy--with the exception of Trilby, the most attractive
+character in the book. For Little Billee (whose sister he marries, after
+the death of Trilby, whom he, too, loved) is, truth to tell, somewhat of
+a prig, even after the sight of Trilby at the concert in Paris has
+roused him from the unemotional state to which her flight consigned him,
+years before; and Svengali is a beast, and Gecko is insignificant.
+
+The text of the book is the counterpart of its illustrations, for Mr. du
+Maurier writes as he draws--with infinite precision and detail. Nothing
+is omitted that could possibly heighten an effect. Instead of flashing a
+scene or a sensation upon you, he describes it and redescribes it,
+heaping up the adjectives in masses. His art is a different art from
+Kipling's, for instance, which never wastes a syllable. But the point to
+be decided is not one of methods but of results; and as a whole "Trilby"
+is delightful. It is a slow and laborious process by which the author
+creates an impression and surrounds his characters with the atmosphere
+he wishes us to see them in; but he does finally create the impression
+and the atmosphere, and in so doing justifies his means. He has steeped
+his mind in Thackeray, and so has had a noble master. Like "Peter
+Ibbetson," his new story is unique. It is a book that could have been
+written only by an artist--and illustrated only by the author; it is a
+book, moreover, in which the man and the style are one.
+
+In its present form the story contains certain passages not printed in
+the magazine--notably, a brief disquisition on sitting for the nude. On
+the other hand, certain passages have been altered in deference to the
+wishes of Mr. Whistler, who saw in Joe Sibley, as described and pictured
+by Mr. du Maurier, an unpleasant resemblance to himself. Not only has
+the text been altered, but our friend Sibley is now called Antony, and
+his hitherto unbearded face is adorned with a non-Whistlerian beard.
+(See "Trilby," opposite page 132.) One picture has been omitted
+altogether. It needed not the accidental advertising of Mr. Whistler's
+threatened libel suit to draw attention to the book. It is its own best
+advertisement, and has fairly earned the success implied in advance
+orders so numerous as to cause the postponement until to-day (8 Sept.
+1894) of the original date of publication.
+
+
+
+
+Mr. du Maurier as a Draughtsman
+
+
+It is hardly necessary to say that Mr. du Maurier's work as a novelist
+is in no way matched by his work as a draughtsman, as exemplified, for
+instance, in the 120 drawings for "Trilby," exhibited in December, 1894,
+at the Avery gallery. Until he began to write he was known merely as the
+author of innumerable caricatures, which had a certain vogue because
+they were at the same time pictures of fashionable society; but even of
+these the legend was often the best part. He had mastered many types,
+but they were nothing more than that; and one had seen his millionaires
+and swells and singing people and artists until one had grown rather
+tired of them. Then, suddenly, it was found, with the first chapters of
+his first novel, that in writing he could give to all these well-known
+figures individuality, could make flesh and blood of them. The drawings
+themselves, at least those done as illustrations for his two romances,
+seem to have gained by that discovery. These do not appear to be the
+same French blouses and English guardsmen. Something has got into them,
+a touch of life, which they did not have before. Yet no one will say
+that the Little Billee of the drawings now exhibited at Avery's gallery
+is even a shadow of the Little Billee of the text. Of Trilby there is
+not so much as the famous foot. Any schoolboy, almost, might have made
+as clever a travesty of the Venus de Milo. The best presentment of the
+gigantic Taffy is that in which he poses as the Ilyssus. The Laird o'
+Cockpen is much better, being frequently very like Mr. George W. Cable,
+particularly where he listens to Trilby's confession--an accidental
+likeness, no doubt, but one that increases our respect for the Laird.
+The intentional likeness of Frederick Walker, who is said to be the real
+original of Little Billee, is vastly superior to the ideal one; and the
+many unnamed figures in the more crowded compositions that appear to
+have been sketched from the life or from a particularly vivid memory are
+among the most amusing and enjoyable things in the drawings.
+
+But it must not be denied that there is here and there a bit of _chic_
+that approaches the ideal--something not easily to be discovered in the
+artist's former work. Svengali is throughout a creation of this sort. He
+is as grotesquely romantic, as Mephistophelian a figure in the
+illustration as in the printed page. The only failure is the head (on
+page 59 of the book) which is in more senses than one "as bad as they
+make them." He is excellent where he laughs over the two Englishmen
+cleaning themselves; he is delightful where he examines the roof of
+Trilby's mouth, "like the dome of the Panthéon," "room in it for 'toutes
+les gloires de la France.'" Where he stands in the midst of the crowded
+studio, "All as it Used to Be," he looks every inch the artist, more so
+than the "idle apprentice," lounging against the door-jamb. If there
+were such a man, one who had sunk his whole soul in his art, he might
+look like this, or like the same figure in the hussar uniform, a Semitic
+conqueror "out of the mysterious East." There is a touch of the spirit
+of the illustrators of the romantic period in the pictures of the
+Christmas festivities, especially in the two that illustrate the
+peculiar interchange of rôles between Little Billee and the festive
+Ribot, and in the sketch of Zouzou as the "Ducal French Fighting-Cock."
+The scenes of common life, too, are admirable, the free-and-easy, the
+"Happy Dinner," the bargaining of the Laird with Mme. Vinard--"Je
+prong!"--and the scene at the rehearsal where "The First Violin Loses
+his Temper." The art of the drawings is all in expression and action,
+and Du Maurier, in spite of all that is French in him, is thoroughly
+British in this, and a descendant in the right line of Hogarth,
+Cruikshank and Leech.
+
+The "Trilby" drawings were bought _en bloc_ by some one in England. They
+had been sent here to be engraved for _Harper's Monthly_ and the book;
+the sale occurred before they were placed on exhibition in New York. A
+representative of _The Critic_ asked Mr. Avery, who said that a number
+of people had expressed a desire to buy some of them, what he thought
+they would have brought, if sold over here. He replied that he could not
+tell with any degree of accuracy, but he thought they would have
+averaged at least $50 apiece. As there are 120 drawings, this would have
+meant $6,000 more for Mr. du Maurier. _En bloc_, no doubt, they brought
+a smaller sum.
+
+A painting of "Trilby," by Mr. Constant Mayer, was shown at Knoedler's
+gallery, in December, along with half a dozen other and more
+satisfactory paintings by the same artist. The hypnotic condition of the
+subject was declared by Dr. Allan McLane Hamilton to be admirably
+suggested in this fancy portrait.
+
+       *       *       *       *       *
+
+TO THE EDITORS OF THE CRITIC:--
+
+Those who express surprise at the sudden literary development of du
+Maurier's genius do not apparently recognize the fact that the whole
+series of his drawings has included the literary element. His thoughts
+as expressed in art have always shown a close and philosophical
+observation of life, an understanding of the actions and motives of men.
+Every one of his illustrations tells not only an individual story, but a
+story of surroundings and times, of tendencies, fads and foibles. And
+the text is always as important as the picture; sometimes it is far more
+so. Who can have forgotten the history and culmination of the "old
+china" craze given by du Maurier in a four-inch-square illustration of
+the young husband and wife examining an old teapot, with the exquisite
+text, "Oh, Algernon, do you think we can ever live up to it?" Certainly
+the man who could invent the application of that phrase must have stores
+of wit and sense equal to the writing of many "Peter Ibbetsons" and
+"Trilbys." And those stores were bound to find their larger expression
+in literature.
+
+NEW YORK, 22 NOV., 1894.
+
+CANDACE WHEELER.
+
+       *       *       *       *       *
+
+The New York _Tribune_ has printed the following protest against the
+insinuation that the author of the book was not its illustrator also:--
+
+"It ought not to be necessary for any formal contradiction to be made of
+that absurd rumor which has just been set adrift concerning the
+illustrations to 'Trilby.' On the face of it, it is impossible for
+either Mrs. du Maurier or her daughter to have given the pictures the
+character they possess. They have du Maurier's style, du Maurier's
+technique, du Maurier's peculiar little touches of humor, not merely in
+the broad idea but in that minute turn of the pen which makes all the
+difference in the world between an empty profile and a funny one. It is
+true that there is a dissimilarity between Trilby in one illustration
+and Trilby in another, but it should be remembered that du Maurier's
+eyesight has been failing him, that he has been compelled to be prolific
+at a time when he has most needed to lie fallow as an artist; and, in
+brief, the shortcomings of the 'Trilby' designs, if serious shortcomings
+they have, are to be explained on the most natural and logical of
+grounds. The intrinsic character of the drawings proclaims their
+authorship. Only George du Maurier could have done them, and not any of
+the trifling assistance which he may have received from his family in
+matters of posing, costume, etc., could deprive him of his
+responsibility or his honor. The recent tendency to criticise these
+designs with some severity will soon be counteracted. As a matter of
+fact, they present some of the cleverest work du Maurier has ever done."
+
+       *       *       *       *       *
+
+The New York _Sun_ printed a letter, not long ago, in which the drawings
+were declared to be anachronistic. "Why," it was asked, "should Mr. du
+Maurier deny to his characters the crinolines, waterfalls, surtouts,
+cravats, chignons, peg-top trousers and hoop-skirts of the early
+sixties, and make them, despite Taffy's whiskers, of the _monde_ of
+to-day? Is it that his artistic instincts have reverted to that fine
+school of old masters who delighted to portray, saving Taffy's grace,
+Hector fighting in the armor of the Black Prince, or turned out Madonnas
+by the score in Margaret of Anjou skirts?"
+
+       *       *       *       *       *
+
+In "Trilby" every stroke of pen or pencil seems to be significant. Is
+there special meaning in the fact that, in the dainty tail-piece, one
+glass in the spectacles appears to be heavily shaded, while the other is
+clear? Is Mr. du Maurier, like so many literary people, afflicted with
+partial loss of sight or other visual difficulty?
+
+AMHERST COLLEGE LIBRARY.
+
+W. I. FLETCHER.
+
+[Unhappily he is, and has been for many years. It is only with the
+greatest difficulty that he is able to work with either pen or pencil.]
+
+[Illustration: From "Trilby." Copyright, 1894, by Harper & Brothers.]
+
+
+
+
+"Trilby" on the Stage
+
+
+Mr. Paul M. Potter's dramatization of "Trilby" was produced by Mr. A. M.
+Palmer's company at the Boston Museum on Monday, 4 March, 1895, and
+achieved so great a success that several companies were immediately put
+upon the road to play it throughout the country. Its first production in
+New York, with the original cast, occurred at the Garden Theatre, on
+April 15. Hundreds of people were turned away from the door for want of
+room to accommodate them; and an offer was received from Mr. Beerbohm
+Tree, the eminent English actor, for the privilege of producing the play
+in England, where he himself wished to impersonate Svengali. It would be
+a pity if the Lyceum company did not secure the English rights; for Mr.
+Irving would make an inimitable Svengali, and Ellen Terry would be
+Trilby without trying.
+
+As nobody has ever succeeded, or is likely to succeed, in really
+dramatizing a novel, it is not surprising that the stage version of
+"Trilby" should prove in some respects unsatisfactory. It might be
+thought that the book would lend itself readily to dramatic treatment;
+but a little consideration will show that it offers peculiar
+difficulties to the playwright, inasmuch as its chief charm is one of
+manner, which cannot be transferred to the stage, while its story,
+although it contains some striking situations, such as Trilby's collapse
+upon the death of Svengali, consists chiefly of a series of episodes,
+largely independent of each other and strung together very loosely. All
+things considered, Mr. Potter ought not, perhaps, to be held to too
+strict an account for the liberties he has taken with the text and some
+of the personages, but he has certainly lowered the tone of the work,
+and been guilty of various crudities of construction. There is some
+excuse for his employment of Svengali as the evil influence which wrecks
+the happiness of Little Billee and Trilby, but he leaves nothing of the
+author's original intention, and infinitely belittles the character of
+the girl, when he attributes her flight from her lover to mesmeric
+suggestion, instead of her own noble and unselfish devotion. In many
+other similar ways the spiritual side of the book suffers at his hands.
+His persistent references to Trilby's posing for the figure, his
+selection of that particular incident for her first introduction, and
+the joking references to it which he puts into the mouths of other
+personages, are in bad taste, while his travesty of the character of
+Dr. Bagot is entirely without justification. Mrs. Bagot he treats with
+more consideration, but he reduces her to the level of the dullest stage
+conventionality. Trilby herself preserves a good many of her
+characteristics, but is degraded even more than in the book by her
+subserviency to Svengali.
+
+The play is in four acts, and the whole story up to the flight of Trilby
+is compressed into the first two. This feat is accomplished with no
+small ingenuity, but at great cost of probability. In this brief space
+Trilby is wooed and won, Svengali asserts his mesmeric power, the
+marriage of Little Billee is arranged and interrupted by the arrival of
+his mother, and an elopement is planned and frustrated. In the third act
+Trilby is to sing in the Cirque des Bashibazouck, and all the characters
+reassemble as if by magic in the foyer of that temple of art, which is
+abandoned of all other persons for their sole benefit. The proceedings
+which are supposed to occur in this retired spot are intrinsically
+absurd, but they are effective enough from a scenic and theatrical point
+of view, and were accepted by the audience, on the first night, as
+eminently natural and satisfactory. They culminate in the ghastly death
+of Svengali and the restoration of Trilby in a dazed and exhausted
+condition to the three faithful friends. In the fourth act there is
+another reunion of characters, and Trilby, who has agreed once more to
+marry Little Billee, and is supposed to be on the road to recovery, dies
+suddenly, upon the unexpected apparition of Svengali's photograph.
+
+As it stands, the play is not much superior, if at all, to ordinary
+melodrama, being almost wholly void of the literary, humorous and
+personal charm of the book, but it is very well played, has a number of
+effective scenes, and is unquestionably popular. Miss Harned's Trilby,
+though rather a faint reflection of the original, has the merit of being
+attractive and womanly, as well as free and frank, and exhibits true
+pathos in the mesmeric scenes. On the whole, it is a very creditable
+impersonation. Mr. Lackaye's Svengali is overwrought but indisputably
+strong; and Burr McIntosh, John Glendenning and Alfred Hickman represent
+the three friends cleverly, and furnish excellent living pictures of du
+Maurier's sketches. Mr. Dietrichstein makes an admirable Zouzou, and all
+the minor parts are performed competently. A feature of the
+representation which is received with special favor is the Christmas
+merrymaking in the Latin Quarter, which is as vivacious and realistic as
+could be wished.
+
+A matter of considerable interest to authors and publishers, for the
+copyright question involved, occurred in connection with the Boston
+performances. Elmer Chickering, the well-known photographer of Boston,
+took some pictures of Mr. A. M. Palmer's company, which naturally came
+into demand at once. But rushing over the wires came a message from
+Harper & Bros., saying that, as the characters were made up after du
+Maurier's drawings, they should regard the sale of any such pictures as
+an infringement of their copyright. To this, Mr. Chickering disagreed,
+on the ground that the photographs were not copies of any drawings, but
+of actual scenes on the stage, which any man might sketch. Telegrams
+flew back and forth, for the Messrs. Harper would not yield. Meanwhile,
+the papers sought for the photographs, and Mr. Palmer was apparently
+willing to receive the advertisement their publication would ensure; but
+the publishers still held off. At last Mr. Chickering decided to fight
+it out on his own line, for two of the New York papers printed some of
+the 160 "Trilby" pictures taken by him; and--as indicating an amicable
+adjustment of the dispute--a number of them appeared in _Harper's
+Weekly_.
+
+The morning papers of April 30 contained this despatch:--"DENVER, COL.,
+April 29. Did du Maurier write 'Trilby'? This novel question was
+propounded to-day in the United States Court in good faith, when the
+suit of Harper & Bros. and A. M. Palmer for an injunction against the
+Lyceum Stock Company to restrain them from producing 'Trilby' at their
+theatre was called. The defendants allege that the book entitled
+'Trilby' was not originated, invented or written by du Maurier. They
+assert that the original title and book of 'Trilby' were first published
+in France in 1820, and afterwards translated and published in English in
+1847, and that the title and book have been common property for
+seventy-five years. The attorneys for the plaintiffs asked for time to
+communicate with their clients in New York as to the course they should
+pursue, and the Court postponed the hearing until Wednesday morning.
+Should the allegations of the Lyceum Company be true, a sensation will
+be caused all over the two continents. This is the first public
+intimation of an attack on the authenticity of the work, and if it is
+successful every company in the world will have as much right to play
+'Trilby' as the Boston Organization."
+
+The Lounger reprinted the telegram with this comment:--"Charles Nodier's
+'Trilby, le Lutin d'Argail,' was published in Paris in 1822. It has just
+one thing in common with du Maurier's book--the first word in its
+title." The Sunday papers of May 12 printed this paragraph:--"DENVER,
+May 11. Judge Hallet, in the United States District Court to-day,
+granted an injunction restraining the Lyceum Theatre from producing
+'Trilby' hereafter, deciding that it infringed on the rights of Harper &
+Bros., and others. To-day's performance was stopped."
+
+[Illustration: GEORGE DU MAURIER]
+
+
+
+
+Personalia
+
+
+A London correspondent of the Philadelphia _Press_ furnishes some
+interesting notes of a talk with Mr. du Maurier. Concerning literary
+practice, the artist-novelist said that "Peter Ibbetson" was absolutely
+the first story he ever wrote. "And yet," he added, "I have in one sense
+been writing stories all my life. Every one of my pictures, for example,
+has had under it a story condensed to the smallest possible space. The
+necessity of condensing my description and dialogue has been of great
+benefit to me in writing my two novels." As for "Trilby," Mr. du Maurier
+said that his earliest conception of the story was quite different from
+the one he finally worked out. "I had first thought of Trilby as a girl
+of very low birth--a servant, or something like that. Then it occurred
+to me that it would be much better to make her interesting--to create a
+person who would be liked by readers. As a good many people seem to be
+fond of 'Trilby' now, I am very glad, indeed, that I made the change."
+And he declared further that the character of Trilby was not a study
+from life, but wholly imaginary. It was Henry James who suggested to the
+artist that he should write novels.
+
+[Illustration: _BY HIMSELF_
+
+FROM HARRY FURNISS'S "LIKA-JOKO"]
+
+"It was one day while we were walking together on Hampstead Heath. We
+were talking about storywriting, and I said to him:--'If I were a
+writer, it seems to me that I should have no difficulty about plots. I
+have in my head now plots for fifty stories. I'm always working them out
+for my own amusement.' 'Well,' he said, 'it seems to me that you are a
+very fortunate person; I wish you'd tell me one of those plots.' Then I
+told him the story of 'Trilby.'" "Yes, he praised it very generously.
+'Well,' I said, 'you may have the idea and work it out to your own
+satisfaction.' But he refused to accept it. 'You must write it
+yourself,' he said: 'I'm sure you can do it, if you'll only try.' But I
+insisted that I couldn't, and so we left the matter. But that night
+after going home it occurred to me that it would be worth while trying
+to write, after all. So on the impulse I sat down and began to work. It
+was not on 'Trilby,' however, but on 'Peter Ibbetson.' I kept at it for
+a time, but after doing several chapters I became utterly discouraged,
+and said to myself one evening:--'Oh, I can't do anything with this.
+It's a mad story. It's utter rubbish.' Then I took up the sheets and was
+just about to throw them into the fire when I thought I'd keep them for
+another day and think the thing over. That night in bed, while I was
+worrying about the impossibility of going on with the tale, the solution
+of my difficulty suddenly occurred to me. 'I'll make the hero mad,' I
+cried to myself, 'that will put everything right.' So the next day I
+wrote the introduction, explaining Peter's madness, and after that I
+went on with the work to the end without any more trouble."
+
+"Trilby's" American publishers have sent out the following note:--"A
+letter from Mr. du Maurier to the late James R. Osgood is given
+herewith. Possibly the hint it contains as to the secret of an exquisite
+literary style will interest the greater number of readers; or perhaps
+his saying (in 1890) that he has 'several good ideas,' which would seem
+to be an answer to those who have maintained that 'Trilby' was written
+many years ago. * * *
+
+'MY DEAR OSGOOD:--Of course I remembered my promise, and as soon as my
+book--"Peter Ibbetson"--was finished and typewritten, I wrote to
+you--last week, as it happens--at 50 Fleet Street, but behold! you were
+in America; so I sent them the copy, and I believe it starts by to-day's
+mail for Harper in New York. I don't know how it got into the papers
+that I was coming out in this new line, but I have already offers to
+come to an arrangement. I have no notion whether it is suited to a
+periodical or not--you will see; probably _not_,--but if it is I want to
+be well paid for it; first [illegible], as far as my _first_ book is
+concerned, whatever its merits; secondly, because the only people to
+whom I have told the story (H. James, Canon Ainger, poor Allingham and a
+few others) thought so well of it--or said so--as an _idea_; and I have
+taken great pains in the carrying out thereof. If Harper's doesn't see
+its way to it, I shall offer it elsewhere; and after that, I shall put
+it in the hands of an agent. And if I don't get what I think I ought to,
+I shall keep it and write another, as I have several good ideas, and
+writing this has taught me a lot. All of which sounds very cheeky and
+grand; but I am in no hurry to come before the public as a novelist
+before I'm ripe, and to ripen myself duly I am actually rewriting it in
+French, and you've no idea what a lesson _that_ is! * * *
+
+'Yours ever, G. DU MAURIER.
+
+'15 BAYSWATER TERRACE, LONDON, April 18, 1890.'"
+
+It is said that when the Messrs. Harper were negotiating with Mr. du
+Maurier for "Trilby," he declined their offer of a royalty on the sales
+of the book and decided in favor of a "lump sum." We do not know how
+large this sum was, but we are pretty sure that it was not so much as he
+would have made by the royalty plan. That would have earned at least
+$30,000 for him on a sale of about 100,000 copies to 31 Dec., 1894. The
+Messrs. Harper have, however, done a more than generous thing by him:
+they have informed him that they will pay him a royalty, and a good big
+one, too, on all sales after 1 Jan., 1895, on both "Trilby" and "Peter
+Ibbetson." The 600 copies of the _édition de luxe_ of "Trilby," at $10 a
+copy, were sold outright to the Syndicate Trading Co.
+
+Our London correspondent, Mr. Arthur Waugh, wrote to us on 16 April,
+1895:--"The English reading public is to have its illustrated 'Trilby'
+in one volume in June. Hitherto the three-volume edition has alone been
+in circulation, and that without the illustrations. There are to be no
+sketches in all, and arrangements are also in progress for a large-paper
+edition of 250 copies, with six facsimile reproductions of original
+drawings, unbound." Advance orders were received for 15,000 copies of
+the six-shilling edition.
+
+In an interview reported in the _Tribune_ of June 14, Mr. J. Henry
+Harper was quoted as saying, apropos of a cablegram to the effect that
+the writing of "The Martians" was completed:--
+
+"He assures me that his new story will not be ready for the publishers
+until December, 1896. I cannot tell you much about the book itself yet,
+but it will not be in any sense a sequel to 'Trilby' except so far as it
+will succeed that book. The new story will deal in its opening chapters
+with French school life, and then with English life, both fashionable
+and rowdy; then the artistic world of Antwerp and Dusseldorf is
+exploited, while the closing stages occur in England. There will be love
+in the tale, of course, and du Maurier also brings in the supernatural
+again. There will be plenty of liveliness and some tragedy. The book, I
+am given to understand, will be capable of illustration; but I am sorry
+to say there is some doubt as to whether du Maurier himself will
+illustrate it. It will depend entirely upon the state of his health,
+which of late has not been of the best. The length of the story will be
+greater than 'Trilby' and will run through about twelve numbers of
+_Harper's Magazine_, in which it will first be published in serial
+form."
+
+As a matter of course, Mr. du Maurier has had no end of invitations to
+read and lecture in this country, but to all these invitations he has
+turned a deaf ear. In a recent letter to _The Critic's_ Lounger, he
+expressed himself as flattered by these overtures, but added that his
+health would not permit of his accepting any of the tempting
+propositions. He might be more in the way of temptation, if it were not
+for the play of "Trilby." This brings him in almost as much money as
+readings would. We are told that he is in receipt of several hundred
+dollars a week from this source--not ten hundred, but very near it.
+This, surely, is a much easier way of earning money than travelling from
+one end of a big country to the other, for it costs him no greater
+exertion than the signing of his name to a check.
+
+No one who loves "Trilby" should fail to read the "autobiographic
+interview" with du Maurier which Mr. Robert H. Sherard contributed, with
+illustrations, to _McClure's Magazine_ for April, 1895. From this
+singularly intimate and interesting article, one learns that the
+author's first picture in _Punch_ represented himself and his chum
+Whistler[A]; also, that the studio in the Latin Quarter where Trilby
+visited the three English artists was drawn from that of his master,
+Gleyre.
+
+Mr. du Maurier's monogram, which appears on the title-page of this
+pamphlet, is reproduced from a carving on the table at which the staff
+contributors to _Punch_ dine once a week, and on which many of them have
+made similar inscriptions. We are indebted for it to _McClure's
+Magazine_.
+
+
+
+
+Mr. du Maurier and Mr. Whistler
+
+
+The first two or three of the following paragraphs appeared on the
+Lounger's page in _The Critic_ of 16 June, 1894, and were reprinted,
+with most of the Whistler-du Maurier items that succeed them, in the
+issue of Nov. 17.
+
+[Illustration: (From _The Westminster Budget_)
+
+MR. WHISTLER]
+
+Mr. Whistler has mastered two arts besides painting and sketching. One
+he has immortalized in that unique brochure, "The Gentle Art of Making
+Enemies"; the other is the Gentle Art of Advertising Oneself. These two
+generalities are not always to be distinguished from each other. It is
+quite possible to make an enemy in advertising oneself; and nothing is
+easier than to draw general attention to oneself, by the same act that
+incurs the enmity of individual--especially if the individual be
+eminent. At the present moment M. du Maurier happens to be one of the
+most conspicuous figures in the field jointly occupied by Art and
+Letters. In choosing him as an object of clamorous attack, Mr. Whistler
+has shown himself a past-master of the art of advertising oneself. By
+identifying himself with one of the characters in a story that everyone
+is reading, he brings himself more conspicuously before the public than
+by painting a new picture. Moreover, in sending to an English newspaper
+a letter in which he vituperates his quondam friend and fellow-artist,
+he interrupts himself for but a moment in the pursuit of his legitimate
+calling as a painter.
+
+In America, at least, few readers of "Trilby" would have known that, in
+Joe Sibley, Mr. du Maurier had hit off some of the most salient
+"peculiarities" of the immensely talented etcher, who, when he takes the
+newspapers into his confidence, dips his pen in the corrosive acid with
+which he bites his plates. Joe Sibley is not an engaging character; he
+is a Bohemian of the Bohemians, clever, witty, penniless and presuming.
+In taking his sibilant surname as a pseudonym for Whistler, we have the
+endorsement of the artist himself, though he does not expressly declare
+himself to be the archetype of this particular character. Sibley is the
+only man in the book who _could_ have been drawn from Whistler--the
+Whistler of a generation ago; and no one but Sibley could have written
+the following letter, in which the creator of the character is so
+wittily vilified:--
+
+"TO THE EDITOR--SIR: It would seem, notwithstanding; my boastful
+declaration, that, after all, I had not, before leaving England,
+completely rid myself of the abomination--the 'friend '! One solitary,
+unheeded one--Mr. George du Maurier--still remained, hidden in
+Hampstead. On that healthy heath he has been harboring, for nearly half
+a life, every villainy of good fellowship that could be perfected by the
+careless frequentation of our early intimacy and my unsuspecting
+_camaraderie_. Of this pent-up envy, malice and furtive intent he never
+at any moment during all that time allowed me, while affectionately
+grasping his honest Anglo-French fist, to detect the faintest
+indication. Now that my back is turned, the old _marmite_ of our
+_pot-au-feu_ he fills with the picric acid of 30 years' spite, and, in
+an American magazine, fires off his bomb of mendacious recollection and
+poisoned rancour. The lie with which it is loaded _à mon intention_ he
+proposes for my possible 'future biographer'--but I fancy it explodes,
+as is usual, in his own waistcoat, and he furnishes, in his present
+unseemly state, an excellent example of all those others who, like
+himself, have thought a foul friend a finer fellow than an open enemy.
+
+"PARIS.
+
+J. M'NEILL WHISTLER.
+
+"Reflection: The _compagnon_ of the _pétard_ we guillotine. Guineas are
+given to the popular companion who prepares his infernal machine for the
+distinguished associates in whose friendship he has successfully
+speculated."
+
+       *       *       *       *       *
+
+The following card appeared in _Harper's_ for October:--
+
+"Pursuant to an arrangement made with Mr. J. McNeill Whistler by our
+London agents, Messrs. Osgood, McIlvaine & Co., the publishers of the
+English edition of _Harper's Magazine_, the following letter is
+published:--
+
+August 31, 1894.
+
+"'DEAR SIR--Our attention has been called to the attack made upon you by
+Mr. du Maurier in the novel "Trilby," which appeared in our magazine. If
+we had had any knowledge of personal reference to yourself being
+intended, we should not have permitted the publication of such passages
+as could be offensive to you. As it is, we have freely made such
+reparation as is in our power. We have agreed to stop future sales of
+the March number of _Harper's Magazine_,[B] and we undertake that, when
+the story appears in the form of a book, the March number shall be so
+rewritten as to omit every mention of the offensive character, and that
+the illustration which represents the Idle Apprentice shall be excised,
+and that the portraits of Joe Sibley in the general scene shall be
+altered so as to give no clue to your identity. Moreover, we engage to
+print and insert in our magazine for the month of October this letter of
+apology addressed to you. Assuring you again of our sincere regret that
+you should have sustained the least annoyance in any publication of
+ours, we are,
+
+"'Yours respectfully,
+
+HARPER & BROTHERS.
+
+"'J. MCNEILL WHISTLER, ESQ.'"
+
+       *       *       *       *       *
+
+One of the humors of the controversy was a letter that appeared in the
+first number of Harry Furniss's _Lika-Joko_. It was supposed to have
+been written by Whistler to express his indignation at having been cut
+out of the book. The English as well as the American papers fell into
+the trap, and discussed the letter as a genuine expression of Mr.
+Whistler's outraged feelings. It was only a joke, however--and is said
+to have been the only joke in Mr. Furniss's comic paper. To an
+interviewer for _The Westminster Budget_, Mr. Whistler expressed his
+surprise that anyone should have been taken in by the parody. "There was
+no harm in the appearance of the article," he said, "but what caused my
+merriment, though not surprise, is that anyone would have thought for a
+moment that I had written it. But then, it was in England, and in
+England anything is possible!" That the parody was a clever one will be
+seen from the following extract:--
+
+"In the fascinating numbers of 'Trilby,' as they appeared in _Harper's
+Magazine_, I read with delight of one Joe Sibley, idle apprentice, king
+of Bohemia, _roi des truands_, always in debt, vain, witty, exquisite
+and original in art, eccentric in dress, genial, caressing, scrupulously
+clean, sympathetic, charming; an irresistible but unreliable friend, a
+jester of infinite humor, a man now perched upon a pinnacle of fame (and
+notoriety), a worshipper of himself; a white-haired, tall, slim,
+graceful person with pretty manners and an unimpeachable moral tone. My
+only regret was that too little was said about so charming a creation. I
+looked to see more of him in the published three volumes. But no! I
+found the addition of some thoughtful excursuses by Mr. du Maurier upon
+nudity, agnosticism, and other more hazardous subjects, which had,
+presumably, been judged too strong for the ice-watered, ice-creamed
+constitution of the American Philistine; but I looked in vain for the
+delightful Joseph Sibley. In his place I find a yellow-haired Switzer,
+one Antony, son of a respectable burgher of Lausanne, who is now tall,
+stout, strikingly handsome and rather bald, but who in his youth had all
+the characteristics of the lost Joseph Sibley--his idleness, his debts,
+his humor, his art, his eccentricity, his charm. I rubbed my eye-glass.
+_Je me suis demandé pourquoi._"
+
+Displeased with _The Speaker's_ comments on his connection with
+"Trilby," Mr. Whistler compelled that paper to print a letter from his
+solicitors, from which it appears that the revised MS. of the novel was
+sent to him to be passed. And apropos of this, he remarks in a letter to
+the editor:--"I question if it be not without precedent that a writer
+ever before so abjectly regorged his spleen as to submit his Bowdlerized
+work to his victim for his approval."
+
+In the Chicago _Tribune_ of Sunday, 2 Dec., 1894, were reprinted from
+_Harper's_ the pictures of, and passages about, Joe Sibley which
+provoked Mr. Whistler's threatened libel-suit. The revised passages, as
+they appear in the book, were also given.
+
+
+
+
+"Trilby" Entertainments
+
+
+OF ENTERTAINMENTS founded upon Mr. du Maurier's book, the name is
+legion. The most pretentious, and at the same time the most successful,
+was the series of "Scenes and Songs from 'Trilby,'" given at Sherry's in
+the afternoon and again in the evening of Saturday, February 9, for the
+benefit of that admirable institution, the New York Kindergarten
+Association. The affair, which had the advantage of distinguished
+patronage, was given under the special management of Mrs. Charles H.
+Ditson; Mr. E. Hamilton Bell arranged the details of scenery and
+costume; and among those who personated the various characters were
+several well-known artists.
+
+The audience was a large one, which was excellent for the little ones
+who were to be benefited; and it was enthusiastic, which was only a just
+and fit tribute to managers, performers and singers. Every detail of the
+tableaux had been thought out with infinite care, and posing, grouping
+and make-up were as near perfection as du Maurier himself could have
+wished. The program included the singing of "Ben Bolt," "Bonjour,
+Suzon," "Au Clair de la Lune" and several other songs, and the following
+tableaux:--"The Three Musketeers of the Brush"; "Wistful and Sweet";
+"Svengali"; "I will Not!"; "All As it Used to Be"; "Answer Me, Trilby!";
+"The Soft Eyes"; "The Sweet Melodic Phrase"; "Dors, Ma Mignonne"; "The
+Nightingale's First Song"; "Malbrouck" and "It was Trilby." The
+entertainment opened most effectively with a quartet by Messrs. Devoll,
+Moore, Bracewell and Devoll. The first tableau, "Three Musketeers of the
+Brush," received the admiration it deserved, as did, also, the singing
+of Miss Akers and Mr. Mackenzie Gordon interspersed with the different
+tableaux. The first appearance of Trilby was awaited with impatient
+expectancy, and when she came, she proved to be "wistful and sweet,"
+indeed, in the person of Mrs. Eric Pape, the wife of the well-known
+young artist. The last tableau of the second part, "It was Trilby," was
+most effectively arranged by Mr. Pape. The full cast of characters was
+as follows:--Trilby, Mrs. Eric Pape; Taffy, W. Harris Roome; The Laird,
+Evert Jansen Wendell; Little Billee, J. Gerald Benkard; Svengali, Robert
+Reid; Gecko, Eric Pape; Dodor, William Abbott; Zouzou, Franklin C.
+Butler; Mrs. Bagot, Mrs. J. Wells Champney; Miss Bagot, Miss Lilian
+Wing; Mme. Malbrouck, Mme. Bettini; Durien, Leslie G. Cauldwell;
+Blanchisseuse, Miss Lou-lou Noel; Fencer, Lieut. Gianni Bettini.
+
+During the intermission between the first and second parts of the
+program, Mrs. Kate Douglas Wiggin sold a copy of "Trilby" presented by
+the Messrs. Harper. To this Mr. du Maurier and Mr. Henry James (who
+persuaded the author to write the book) had contributed their
+autographs, and Dr. English a manuscript copy of his song "Ben Bolt."
+The volume fetched $100, making the net addition to the Kindergarten
+Association's treasury about $2500.
+
+       *       *       *       *       *
+
+AT MR. MANSFIELD'S Garrick Theatre, "Trilby" has been burlesqued. It had
+already been parodied in book-form, produced as a melodrama, read aloud
+in drawing-rooms, with music, and put on the platform in "scenes and
+songs," so that nothing was left to do with it but to make an "operatic
+burlesque" of it; and this was duly accomplished by Messrs. Joseph W.
+Herbert and Charles Puerner, the latter being responsible for the music
+and the former for the words. The piece is called "Thrilby." As in the
+serious play founded upon the novel, the villain (rechristened
+"Spaghetti") is the principal figure; and mesmerism is carried to a
+ridiculous excess, even inanimate objects succumbing to its influence.
+There is a farce within this farce; for "Mme. Sans-Gêne" is parodied in
+a sub-play introduced under the name of "Mme. Sans Ra-Gêne." The
+burlesque is by no means free from horse-play, but it unquestionably
+accomplishes its purpose, which is merely to amuse.
+
+At the Casino, as well as at the Garrick, "Trilby" and "Mme. Sans Gêne"
+have both been travestied.
+
+       *       *       *       *       *
+
+(_Harper's Weekly_)
+
+"THE _Weekly_ has received a copy of the programme of a novel and
+decidedly interesting literary and musical entertainment that was given
+on Oct. 17, at Omaha. It was called 'An Evening with Trilby.' The
+participants were all gentlemen. The subjects of the papers read were
+'The Story of Trilby,' 'Du Maurier, his Life and Work,' 'The French of
+Trilby,' 'The Identity of the Artists in Trilby,' 'Trilby's Voice and
+Method,' 'Trilby as a Hypnotic Subject,' 'Could Trilby be Successfully
+Dramatized?' After each paper there was Trilby music, which included
+'Ben Bolt,' 'Au Clair de la Lune,' 'Malbrouck s'en va-t-en Guerre' and
+other songs and instrumental pieces. At the end of the programme comes
+the inquiry, What shall we 'ave the pleasure of drinkin' after that
+werry nice 'armony?' and then the page turns over to the farewell
+couplet:--
+
+    'A little warmth, a little light
+    Of love's bestowing--and so, good-night.'
+
+"It is a pretty far cry from Paris to Omaha, but Trilby's voice seems to
+have carried that distance without the least trouble. It is worth
+remarking that these Omaha gentlemen made seven 'papers' about her
+without finding it necessary to discuss her morals."
+
+       *       *       *       *       *
+
+OF THE MANY "Trilby" entertainments in New York one of the most
+successful was given in May, at the house of Postmaster Dayton, for the
+benefit of St. Luke's Home for Indigent Christian Females. A literary
+criticism of the book was read, and one of the chapters of the story;
+and the songs that are oftenest alluded to were sung. The affair was
+given under the auspices of the Daughters of the Revolution.
+
+       *       *       *       *       *
+
+"TRILBY'S" WIDE POPULARITY--in the sense that many people who are not,
+ordinarily, novel-readers take a lively interest in it--is evidenced by
+many indications, not the least significant being the concerts made up
+from the music mentioned in the novel. One such was given in San
+Francisco last December, under the management of the ladies of the
+Mercantile Library Auxiliary and for the benefit of the Library's
+unfortunately slender exchequer. According to _The Argonaut_, a very
+interesting program was presented, including Schubert's "Rosamonde,"
+Adam's "Cantique de Noël," Chopin's Impromptu in A flat, "Bonjour
+Suzon," "Le Capitaine Roquefinette" and the much-discussed "Ben Bolt."
+
+       *       *       *       *       *
+
+"TRILBY" REPRESENTATIONS have broken out in all sorts of strange places.
+At the Eden Musée, New York, Miss Ganthony has been restrained from
+impersonating du Maurier's heroine; and at "The Greatest Show on Earth,"
+Miss Marie Meers, who has not been restrained, appears nightly in Trilby
+costume, riding bareback (not barefoot) around the tan-bark to the
+snapping of ringmaster Svengali's whip.
+
+
+
+
+Miscellanea
+
+
+MR. DU MAURIER and Mr. James took a walk together, one day, and the
+artist unfolded to the novelist the plot of "Trilby," suggesting that he
+should use it in a novel. Mr. James persuaded him to write the story
+himself. He did so; and what has been the result? Think of the time and
+skill, the money and material that have been employed in putting the
+thing in type, preparing its illustrations, printing it as a serial and
+reprinting it in book-form; in dramatizing it, burlesquing it in books
+and on the stage, in adapting its songs and illustrations for
+reproduction on lecture-platforms and in drawing-rooms, and in
+translating and publishing Nodier's tale, from which the author took his
+title! Its presentation has given employment, onerous or enjoyable,
+honorary or remunerative, to thousands; hundreds of thousands have read
+it, and hundreds of thousands seen it on the stage; and its leading
+characters--Trilby, Svengali and "the three musketeers of the
+brush"--have become household names and personalities. It has enriched
+its author, added to the wealth of its publishers, put money in the
+purses of playwright and manager and replenished the treasuries of more
+than one excellent charity. Directly or indirectly, no doubt, it has
+caused much more than a million dollars to change hands within the past
+eighteen months. And last but not least, it is responsible for this
+pamphlet, in which is chronicled the story of its rise and progress.
+
+       *       *       *       *       *
+
+AT THE Mercantile Library, New York, it was found necessary, at the time
+when "Trilby" was in greatest demand, to circulate a hundred copies of
+the book; at the beginning of June the number in circulation was
+seventy. Mr. Wingate wrote to _The Critic_ from Boston, in June, that
+there were six copies of the book in the main building of the Public
+Library, and one in each of its branches, but that this supply was
+inadequate, 72 demands for the book having come from the branch
+libraries in a single day. And Mr. Hild writes to us from Chicago that
+the Public Library of that city has 26 copies, but that they do not
+begin to supply the demand. "I believe we could use 260 and never find a
+copy on the shelves. Every one of our 54,000 card-holders seems
+determined to read the book."
+
+ON THE POINT of the morality or immorality of the book, _The
+Independent_ says:--
+
+"Mr. du Maurier, apparently in deference to the current craze for
+heroines that have been seduced, or are just going to be, bedaubs the
+first fifty pages of his otherwise clean story with telling how his pure
+heroine, Trilby, a _blanchisseuse de fin_, had been led astray, and so
+forth. That is to say, he unnecessarily goes behind the true door of his
+story to wash some dirty linen, and then he sets forth."
+
+On this point the San Francisco _Argonaut_ does not agree with its New
+York contemporary:--
+
+"With those who think these passages immoral, we cannot agree. Mr. du
+Maurier has treated with candor some facts belonging to the realm of
+things which are usually understood instead of being talked about; but
+he has done this with singular manliness and delicacy, and with entire
+absence of mawkish or other improper sentiment. The impression of
+Trilby's character left upon the reader is entirely that of a noble,
+generous woman, whose life is not a sin, but a tragedy."
+
+The same paper reproduces "a letter Mr. du Maurier wrote to a Paterson,
+N. J., man who contended that the relations of Trilby with her
+hypnotizer were chaste, so far as her consciousness of them went, and
+decided to find out if he were right by writing to the novelist":--
+
+"NEW GROVE HOUSE, HAMPSTEAD HEATH,
+
+"October 31, 1894.
+
+"DEAR SIR: In answer to your letter of September 24th, I beg to say that
+you are right about Trilby. When free from mesmeric influence, she lived
+with him as his daughter, and was quite innocent of any other relation.
+In haste, yours very truly,
+
+"G. DU MAURIER."
+
+       *       *       *       *       *
+
+EARLY IN March, 1895, one of the Boston clergymen advertised Robert
+Grant's "Art of Living," as our Boston correspondent reported at the
+time, and on Sunday, March 17, another prominent minister took up
+"Trilby." So it is evident that, even if Boston authorship is on the
+decline, as so many New Yorkers enviously declare, the Boston clergy are
+going to keep alive the interest in literary matters by emphatic words
+to their congregations. "Have you read 'Trilby'?" was the theme of the
+Rev. George W. Bicknell's sermon, and the topic crowded the church. The
+Reverend Doctor declared that he had spent five hours reading the book,
+and had decided that it was a story of magnificent possibilities, but
+that its morality was "as one viewed it." He considered the tale
+far-fetched and over-drawn and lacking in healthful flavor, and placed
+it in the same class of art with the nude paintings at the World's
+Fair--a position to which, we presume, the author would not object. Then
+he launched out into an emphatic declaration that it was time for the
+pulpit to speak out against art of this kind.
+
+       *       *       *       *       *
+
+DU MAURIER'S heroine has been heard of over in Brooklyn. A married
+woman, aged twenty-nine, got into a dispute with her husband, recently,
+as to the morals of the young model, and proved her point by "smashing
+him over the head with an earthenware jar." In the newspaper in which we
+read of this intemperate act, the husband's age is not given, nor the
+side he took in the argument, before he was shown to be wrong. The fact
+that he got his head broken proves little--except the folly of arguing
+with a woman; nor the additional fact that he refused to appear against
+his wife in court. But the case is one in which a good deal might be
+said on both sides--if earthenware jars were not introduced too early in
+the discussion.
+
+       *       *       *       *       *
+
+MR. DU MAURIER has worse offenses to atone for than the breaking of the
+Brooklyn man's silly head. But for his entertaining book we should have
+been spared the unreadable prose of "Biltry: a Parody on 'Trilby'" and
+the unspeakable verse of "Drilby Re-versed," the former by Mary Kyle
+Dallas, the latter by Leopold Jordan. In vulgarity and banality, these
+two precious productions run each other a close race. Of the two we
+think "Drilby" a trifle the less objectionable, merely because the
+proportion of text to white paper is somewhat smaller. Both are poorly
+illustrated, and printed on much better paper than they deserve.
+
+       *       *       *       *       *
+
+E. C. OF NEW ALBANY, IND., thinks that "Trilby's" possibilities as a
+vehicle of evil to the much-considered American "young person" are
+emphasized by a conversation recently overheard by her between two
+feminine "young persons" in Indiana. "What is this 'Trilby' everybody is
+talking about?" asked one of these. "Oh," replied the other, "it's a
+book--a novel." "They say it is awfully bad," said the first young
+person. "Yes, I've heard so; but it isn't so at all. I read it clear
+through, and there wasn't anything bad in it. I didn't like it either;
+there is too much French in it." "French?" commented the first young
+woman; "well that's it, then--all the bad part is in French." "I hadn't
+thought of that," mused the other one; "I suppose that's just the way of
+it. Anyway, it isn't nearly as good as 'Dally.'"
+
+[Illustration: PLATT. THE NEW SVENGALI.
+
+THE HYPNOTIZING OF MORTON.
+
+Have you read "Trilby?" Svengali was a bad, wicked man, who used to
+hypnotize poor, sweet little Trilby and make her sing and act as he
+pleased--With apologies to Du Maurier.]
+
+"Trilby" has even got into American politics. This shows better than
+anything else how wide an audience the story most have reached. How many
+allusions to a book of the current year would be comprehensible to the
+average reader of a New York daily paper? We reproduce the accompanying
+cartoon from the _World_ of Dec. 9 as a curiosity of literature and an
+interesting contribution to "Trilbyana." It is adapted from Mr. du
+Maurier's drawing entitled "Et Maintenant Dors, ma Mignonne!"
+
+       *       *       *       *       *
+
+A Broadway caterer now "molds his ice-cream in the shape of a model of
+Trilby's ever-famous foot." Mr. du Maurier can want no greater evidence
+of the popularity of his story in America. That there is not a "Trilby"
+shoe on the market reflects little credit upon the enterprise of our
+bootmakers. It is an opportunity that no soap-maker would neglect if it
+came his way. Possibly the fact that Trilby's foot was large (as well as
+shapely) has something to do with the shoemakers' backwardness. Hers
+were not Cinderella slippers. ("The Lounger," 30 March, 1895.)
+
+Mr. C. W. Coleman, Librarian of William and Mary College, writes from
+Williamsburg, Va., to say that I am in error in supposing that the
+bootmakers of this wide-wake country have not yet seized the name of du
+Maurier's heroine for advertising purposes. In his note of correction he
+encloses a clipping from the catalogue of a Chicago house, containing a
+picture of a high-heeled ladies' shoe, flanked by an advertisement of
+"'The Trilby,' price $3, postage 15 cts.--'an ornament to any foot,'"
+etc. And I hear that the shop-windows of Norfolk, Va., fairly bristle
+with shoes of this brand. Moreover, a bootmaker's advertisement in the
+Pittsburg _Post_ shows (as a punning Pennsylvania correspondent writes
+to me) that "Trilby has obtained a foothold even in the Iron City."
+According to the advertisement, "this enterprising firm offer to the
+lady sending in the most accurate dimensions according to the diagram
+above, together with a drawn outline of the nude foot on paper, a
+handsome pair of the highest grade 'Trilby' shoe, which they will have
+made up especially for the winner. This stylish foot adornment for
+Pittsburgh's model feet will be satin or silk lined throughout, of the
+finest quality kid and best workmanship. Bear in mind, ladies, it need
+not be the smallest feet that win, but the most perfect form of a foot
+from a standpoint of proportionate measurements." ("The Lounger," 13
+April, 1895.)
+
+       *       *       *       *       *
+
+G. A. D. writes from Philadelphia to deplore the Quaker City's
+vulgarization of the name and fame of Trilby; and in justification of
+his plaint encloses a Chestnut Street dealer's advertisement of the
+"Trilby Sausage"! This, it is claimed, "is something new, and fills a
+long-felt want"; "they melt in your mouth." They don't melt in G. A.
+D.'s mouth, but they rankle in his æsthetic soul. "What next?" he
+exclaims; "an Ophelia tooth-wash, a Duchess of Towers garbage-pail!" Our
+correspondent has not yet heard of the "Trilby Ham." This, if anything,
+is worse than the Sausage. It has been heard of in this city; whether or
+no it originated here, I do not care to inquire. But in an Eighth Avenue
+dime-museum, there are "Twenty Trilbys," and visitors vote for the
+handsomest! Moreover, we have now the "Trilby Hearth-brush"; and huge
+posters on the East Side announce a picnic of the "Trilby Coterie and
+Chowder Club."
+
+       *       *       *       *       *
+
+_The Evening Post_ reprints from James Braid's "Observations of Trance"
+(1850, page 43) the following paragraph, which is of singular interest
+in connection with the novel which has made such an extraordinary
+sensation in this country during the past year, and has become as great
+a success on the stage as in book-form. Svengali's transformation
+of a girl with no ear for music into a singer of marvellous powers seems
+to have been almost paralleled in real life, half a century ago:--
+
+[Illustration: DU MAURIER'S HOUSE.
+
+HAMPSTEAD HEATH.]
+
+"Many patients will thus repeat accurately what is spoken in _any_
+language; and they may be also able to sing correctly and simultaneously
+both words and music of songs in any language which they have never
+heard before--_i. e._, they catch the words as well as music so
+instantaneously as to accompany the other singer as if both had been
+previously equally familiar with both words and music. In this manner a
+patient of mine, who, when awake, knew not the grammar of even her own
+language, and who had very little knowledge of music, was enabled to
+follow Mlle. Jenny Lind correctly in songs in different languages,
+giving both words and music _so correctly and so simultaneously with
+Jenny Lind_, that two parties in the room could not for some time
+imagine that there were two voices, so perfectly did they accord, both
+in musical tone and vocal pronunciation of Swiss, German and Italian
+songs. She was equally successful in accompanying Mlle. Lind in one of
+her extemporaneous effusions, which was a long and extremely difficult
+elaborate chromatic exercise, which the celebrated cantatrice tried by
+way of taxing the powers of the somnambulist to the utmost. When awake
+the girl durst not even _attempt_ to do anything of the sort; and, after
+all, wonderful as it was, it was _only phonic imitation_, for she did
+not understand the meaning of a single word of the foreign language
+which she had uttered so correctly."
+
+       *       *       *       *       *
+
+(_Miss Frances Albert Doughty, in The Critic, 15 June, 1895._)
+
+"The strength of 'Trilby' as a novel lies in the exquisitely dear
+realization of the good in the girl's nature, which the fine art of the
+author has been able to give to the reader. The divine in the Laird, in
+Taffy and in Little Billee responded to the divine in that undeveloped
+girl, and to them the angel in her was the real Trilby in spite of all
+her past experience. But idealism and realism in this charming story are
+not quite happily balanced: the reader receives a blow on the spiritual
+side of his being from the manifestation of an agency in the universe
+that is endowed with an all-conquering malevolence, something extraneous
+from the individual and yet able to arrest in her the growth of the
+budding germ of holiness and moral beauty, a power triumphant even at
+the moment when her spirit was about to return to the God who gave it.
+Without Svengali there would be no novel of Trilby; nevertheless, he is
+the sole blot upon it."
+
+       *       *       *       *       *
+
+(_San Francisco Argonaut_)
+
+"Perhaps the most surprising circumstance connected with 'Trilby' in the
+eyes of American readers is the way the book has been received in
+England. At best it has been accorded lukewarm praise, and the tone of
+its reviews has run the gamut down to downright slating. Some have been
+spiteful enough to be exceptionally entertaining. Of these, that of _The
+Pall Mall Gazette_ is the most striking, the reviewer of that journal
+showing himself to be (as an exchange puts it) a master of vituperative
+diction. To this reviewer, 'Trilby's' three Englishmen are 'British
+prigs cut in pasteboard,' and their biographer is denied even the poor
+ability to express himself in grammatical English."
+
+       *       *       *       *       *
+
+TO THE EDITORS OF THE CRITIC:--
+
+If there yet remains a word to be said in criticism of this book, it
+may, perhaps, be in regard to the musical part of it. Whether
+intentionally or not, du Maurier has certainly added an instance, which
+tends to prove the theory true, that music in itself is neither
+elevating nor refining. Svengali is drawn with inimitable skill, and
+with so much realism that the reader feels that he must have been known
+and hated by du Maurier in all his repulsiveness. And yet this loathsome
+creature has the power of so seizing and expressing the noblest works of
+the great masters of harmony as to move his hearers to tears, to sway
+them at his will by the tenderness and feeling he puts into the notes.
+It is a hard thing for a music-lover to comprehend, that a man of low
+and vicious life, and utterly without aspirations, can so express the
+penetrating beauty that lies in music more than in any other art. It
+shows, too, that music gives us only what it finds in us, and proves the
+folly of "program music," or music with a translation.
+
+AUBURN, N. Y.
+
+S. M. COX.
+
+(_Mrs. Emma Carleton, in the Louisville Courier-Journal._)
+
+"A great deal has been said and written about 'Ben Bolt,'" said a woman
+who doesn't pretend to be musical, "and the other songs of the Trilby
+repertoire; but I have not yet seen or heard any comment on Trilby's
+'great and final performance'--the vocalization of Chopin's Impromptu, A
+flat. Du Maurier devotes two entire pages to most wonderful description
+of this wonderful musical achievement; two exquisite pages of music
+painted in words, in most masterly and matchless fashion. Who can forget
+the depiction of La Svengali's voice, 'as a light nymph catching the
+whirl of a double-skipping rope as she warbles that long, smooth,
+lilting, dancing laugh, that wondrous song without words.' This
+impromptu should be rechristened the 'Trilby Impromptu,' and musicians
+everywhere should now--while the Trilby wave is riding high--be charming
+their audiences by playing it."
+
+       *       *       *       *       *
+
+The Oliver Ditson Co. has published a pamphlet of "Trilby" songs, etc.,
+containing the words and music of "Ben Bolt," "Malbrouck," "Bonjour,
+Suzon," "Der Nussbaum" ("The Nut-tree") "Cantique de Noël" and "Au Clair
+de la Lune," and the music of Chopin's "Impromptu."
+
+       *       *       *       *       *
+
+On March 1, 1895, a postcard was sent from the office of _Life_, calling
+the attention of "exchange editors" throughout the country to "A
+'Trilby' Examination." We reprint the card in full:--
+
+"_Life's Monthly Calendar_ offers a series of cash prizes for the best
+sets of replies to the following questions on 'Trilby':
+
+1. What does the author claim as the king of all instruments? Who does
+he claim was the greatest violinist of his time? What does he call the
+most bourgeois piece of music he knows?
+
+2. What was Svengali's real name?
+
+3. Where does the author state that he is a social lion? Where does he
+deny that he is a snob?
+
+4. Where does he bring Little Billee in contact with Punch?
+
+5. What did the Laird call M. le général Comte de la Tour-aux-Loups?
+
+6. In what places does the author compare Gecko to a dog?
+
+7. How old was Trilby when she died?
+
+8. What was Little Billee's physical explanation of his inability to
+love?
+
+9. What verbal description of one of the heroes contradicts almost every
+one of the author's drawings of him?
+
+10. What incident of the story is inconsistent with the author's own
+argument in behalf of the nude in art?
+
+
+"Dear Sir: The above questions are covered by our copyright, but in view
+of the popular interest in 'Trilby,' you may wish to reproduce them. We
+should be more than pleased to have you do so, if you will give us
+credit.
+
+Yours very truly,
+
+JAMES S. METCALFE,
+
+Editor and Manager _Life's Monthly Calendar_."
+
+
+
+
+The Songs in "Trilby"
+
+
+Dr. Thomas Dunn English wrote the words of "Ben Bolt" in New York, in
+1842, when he was a young man of three-and-twenty. Mr. N. P. Willis had
+asked him to write a sea-song for _The New Mirror_, and so he wound up
+the last stanza with an allusion to "the salt-sea gale!" As a sea-song,
+"Ben Bolt" is not a success; but it has been sung on every sea and in
+every land where the English tongue is spoken. At Pittsburgh,
+Pennsylvania, in 1848, an English journalist named Hunt quoted the words
+(from a defective memory) to Nelson Kneass, who was attached to the
+local theatre; and, adapted by Kneass to a German melody, the song, in a
+somewhat garbled version, was introduced in a play called "The Battle of
+Buena Vista." In Helen Kendrick Johnson's "Our Familiar Songs, and Those
+Who Made Them" (Henry Holt & Co., 1881), the story of its vogue in
+England as well as in America is told effectively. Not only were ships
+and steam-boats named in its honor, but a play was built upon its
+suggestions, and as recently as in 1877 an English novelist made the
+memories evoked by the singing of the song a factor in the development
+of his catastrophe. Its revival at the hand of Mr. du Maurier is the
+latest and perhaps the most striking tribute to its hold upon the
+popular heart. To the author himself--in his ripe old age a member of
+the LIIId Congress--its fame is seemingly a bore, for he is quoted as
+saying:--"I am feeling very well and enjoying life as well as an old man
+can, but this eternal 'Ben Bolt' business makes me so infernally weary
+at times that existence becomes a burden. The other night, at a meeting
+of a medical association at my home in Newark, some one proposed that
+all hands join in singing 'Ben Bolt,' whereupon I made a rush for the
+door, and came very near forgetting the proprieties by straightway
+leaving home. However, I recovered my equilibrium and rejoined my
+friends. I don't think that General Sherman ever grew half so tired of
+'Marching Through Georgia' as I have of that creation of mine, and it
+will be a blessed relief to me when the public shall conclude to let it
+rest."
+
+Apropos of the use made of the song in "Trilby," _Harper's Bazar_
+published the words and music; whereupon the author sent this letter to
+the editor:--
+
+"It is very pleasing to an old man like myself to have the literary work
+of a half-century since dragged to light and commended, as has been the
+case with 'Ben Bolt' of late. I was flattered by seeing my likeness--or,
+rather, the likeness of a younger man than myself--in your pages; but I
+must protest against some errors which, in spite of careful editing,
+enter into your transcription of the song. The words of the original
+were:--
+
+    'Don't you remember the school, Ben Bolt,
+      With the master so cruel and grim,
+    And the shaded nook in the running brook,
+      Where the children went to swim?'
+
+"This has been changed in the song, as usually sung, to read:--
+
+    'With the master so kind and so true.
+    And the little nook by the clear-running brook,
+    Where we gathered the flowers as they grew?'
+
+"You have copied this, but in a better shape, with the exception of
+changing the rhythm. I must protest against this change, because the
+school-masters of between sixty and seventy years since were, to my
+memory, 'cruel and grim'; they were neither kind nor true. They seemed
+to think the only way to get learning into a boy's head was by the use
+of the rod. There may have been exceptions, but I never met them. At all
+events, 'what I have written I have written.'"
+
+BEN BOLT
+
+                        I
+
+    Oh, don't you remember, Sweet Alice, Ben Bolt?
+      Sweet Alice, whose hair was so brown,
+    Who wept with delight when you gave her a smile,
+      And trembled with fear at your frown!
+    In the old churchyard, in the valley, Ben Bolt,
+      In a corner obscure and alone,
+    They have fitted a slab of the granite so gray.
+      And Alice lies under the stone!
+
+                         II
+
+    Under the hickory tree, Ben Bolt,
+      Which stood at the foot of the hill,
+    Together we've lain in the noon-day shade,
+      And listened to Appleton's mill.
+    The mill-wheel has fallen to pieces, Ben Bolt,
+      The rafters have tumbled in,
+    And a quiet that crawls round the walls as you gaze,
+      Has followed the olden din.
+
+                        III
+
+    Do you mind the cabin of logs, Ben Bolt,
+      At the edge of the pathless wood,
+    And the button-ball tree with its motley limbs,
+      Which nigh by the door-step stood?
+    The cabin to ruin has gone, Ben Bolt,
+      The tree you would seek in vain;
+    And where once the lords of the forest waved,
+      Grows grass and the golden grain.
+
+                         IV
+
+    And don't you remember the school, Ben Bolt,
+      With the master so cruel and grim,
+    And the shaded nook in the running brook,
+      Where the children went to swim?
+    Grass grows on the master's grave, Ben Bolt,
+      The spring of the brook is dry,
+    And of all the boys who were schoolmates then,
+      There are only you and I.
+
+                          V
+
+    There is change in the things I loved, Ben Bolt,
+      They have changed from the old to the new;
+    But I feel in the depths of my spirit the truth,
+      There never was change in you.
+    Twelve-months twenty have past, Ben Bolt,
+      Since first we were friends--yet I hail
+    Thy presence a blessing, thy friendship a truth,
+      Ben Bolt, of the salt-sea gale!
+
+       *       *       *       *       *
+
+TO THE EDITORS OF THE CRITIC:--
+
+In your columns of "Trilbyana" I have seen no mention of the fact that
+George W. Cable, in his "Dr. Sevier"--a thousand times better novel and
+better work, in every way, than "Trilby,"--has introduced the old song
+"Ben Bolt" with wonderful effect. It is strange that the old melody
+should have appealed to the two men, so widely apart, and it is but fair
+that the American's first, and most skilful, use of it should have due
+recognition.
+
+PHILADELPHIA.
+
+JOHN PATTERSON.
+
+       *       *       *       *       *
+
+TO THE EDITORS OF THE CRITIC:--
+
+Du Maurier says that there is but one verse of the little French song,
+which Trilby sings with so much effect--"Au clair de la lune." He
+mistakes; there is another, running thus:--
+
+    "Je n'ouvrirai pas la porte,            J'ouvre bien la porte,
+      À un vieux savetier,                    À un pâtissier,
+    *   *   *   *   *                       Qui m'apporte des brioches
+      *   *   *   *                           Dans un tablier."
+
+The two missing lines have escaped the memory of the writer.
+
+AUBURN, N. Y.
+
+S. M. COX.
+
+       *       *       *       *       *
+
+Your correspondent, S. M. Cox, offers some more verses of "Mon Ami
+Pierrot." They do not quite agree with those taught me, shortly after
+the Revolution of 1848, by an old French gentleman. You will notice that
+the French of the last verse is quite "eighteenth-century" in style and
+diction.
+
+              II                              III
+
+    Je n'ouvre pas ma porte         Mais j'ouvre bien ma porte
+      À des savetiers,                À des officiers,
+    Ils ont des alènes,             Ils ont des pistoles,
+      C'est pour me piquer.           C'est pour me les baîller.
+
+    PARIS, 1 Jan., 1895.      B. F.
+
+       *       *       *       *       *
+
+Mr. du Maurier was correct in saying that there is only one verse of "Au
+Clair de la Lune"; yet there are possibly, and probably, a thousand made
+in imitation of it, which go to the same air. We quote from the San
+Francisco _Argonaut_:--
+
+"It is to be observed that these _amateurs de Trilby_ do not go the
+length of singing 'Au Clair de la Lune,' even repeating the first stanza
+twice, as Trilby did. But perhaps they are as ignorant concerning the
+song as is Mr. du Maurier, who declares there is but one verse. There
+are four. The first is given in 'Trilby' thus:--
+
+    'Au clair de la lune,        Ma chandelle est morte....
+       Mon ami Pierrot!            Je n'ai plus de feu!
+     Prête-moi ta plume          Ouvre-moi ta porte
+       Pour écrire un mot.         Pour l'amour de Dieu!'
+
+The second runs:--
+
+    'Au clair de la lune         Va chez la voisine--
+       Pierrot répondit:           Je crois qu'elle y est,
+     Je n'ai pas de plume,       Car, dans sa cuisine,
+       Je suis dans mon lit.       On bat le briquet.'
+
+The third stanza contains the point of the song:--
+
+    'Au clair de la lune           Qui frappe de la sorte?
+       S'en va Arléquin              Il dit à son tour:
+     Frapper chez la brune         Ouvre-moi ta porte
+       Qui répond soudain:           Pour le dieu d'amour.'
+
+The fourth stanza continues in the same strain, and it goes farther."
+
+       *       *       *       *       *
+
+    "MALBROUCK S'EN VA'T EN GUERRE"
+
+      Malbrouck s'en va-t'en guerre--
+        _Mironton, mironton, mirontaine!_
+    Malbrouck s'en va-t'en guerre....
+      Ne sais quand reviendra!
+      Ne sais quand reviendra!
+      Ne sais quand reviendra!
+
+      Il reviendra-z-à Pâques--
+        _Mironton, mironton, mirontaine!_
+      Il reviendra-z-à Pâques....
+        Ou ... à la Trinit!
+
+      La Trinité se passe--
+        _Mironton, mironton, mirontaine!_
+      La Trinité se passe....
+        Malbrouck ne revient pas!
+
+      Madame à sa tour monte--
+        _Mironton, mironton, mirontaine!_
+      Madame à sa tour monte,
+        Si haut qu'elle peut monter!
+
+      Elle voit de loin son page--
+        _Mironton, mironton, mirontaine!_
+      Elle voit de loin son page,
+        Tout de noire habillé!
+
+      "Mon page--mon beau page!--
+        _Mironton, mironton, mirontaine!_
+      Mon page--mon beau page!
+        Quelles nouvelles apportez?"
+
+      "Aux nouvelles que j'apporte--
+        _Mironton, mironton, mirontaine!_
+      Aux nouvelles que j'apporte,
+        Vos beaux yeux vont pleurer!"
+
+      "Quittez vos habits roses--
+        _Mironton, mironton, mirontaine!_
+      Quittez vos habits roses,
+        Et vos satins brochés!"
+
+      "Le Sieur Malbrouck est mort--
+        _Mironton, mironton, mirontaine!_
+      Le Sieur--Malbrouck--est--mort!
+        Est mort--et enterré!"
+
+       *       *       *       *       *
+
+There is no more eloquent description of the effect of music on an
+impressionable nature than du Maurier gives of the impression made upon
+Little Billee by the singing of Adam's "Cantique de Noël" at the
+Madeleine on Christmas Eve.
+
+           CANTIQUE DE NOËL
+
+    Minuit, Chrétiens, c'est l'heure solennelle,
+      Où l'homme Dieu descendit jusqu'à nous,
+    Pour effacer la tache originelle
+      Et de son Père arrêter le courroux.
+    Le monde entier tressaille d'espérance
+      A cette nuit qui lui donne un sauveur.
+    Peuple à genoux! attends la délivrance!
+      Noël, Noël, voici le Rédempteur!
+
+
+
+
+A Search for Sources
+
+
+TO THE EDITORS OF THE CRITIC:--
+
+The liquid name, "Trilby," of du Maurier's heroine having been duly run
+down to its source, will a slight excursus be amiss as to the origin of
+the affectionate title applied by the novelist on his charming little
+hero--"Little Billee"? Evidently the name, together with certain
+descriptive touches, has been taken from Thackeray's ballad, "Little
+Billee." This racy skit, as many doubtless know, is in the best vein of
+the great humorist's inimitable burlesque. It narrates the tragic cruise
+of
+
+    "Three sailors of Bristol city
+     Who took a boat and went to sea,"
+
+the second stanza running thus:--
+
+    "There was gorging Jack, and guzzling Jimmy
+     _And the youngest, he was Little Billee_.
+     Now when they got as far as the Equator
+     They'd nothing left, but one split pea."
+
+And the unpleasant ultimatum being arrived at, that "We've nothing left,
+us must eat we," the poem continues:--
+
+    "Says gorging Jack to guzzling Jimmy,
+     With one another we shouldn't agree,
+     There's little Bill, _he's young and tender_,
+     We're old and tough, so let's eat he."
+
+Here, I say, we have the origin of the novelist's "Little Billee,"
+while, in the italicized phrases, we have also du Maurier's, "the third,
+he was little Billee" (page 6), and "he was young and tender, was little
+Billee."
+
+It would be sheer nonsense, of course, to urge against the famous
+novelist any charge of unacknowledged borrowing in matters so entirely
+trivial. The point is merely a curious one of origins; a little
+siccatine botanizing, so to speak, on the _folia disjecta_ that have
+been wonderfully spun by du Maurier's genius into a fabric of grace and
+beauty so rare as is this "Trilby." Nor, indeed, should the further fact
+be a detraction from the gifted author of "Trilby," that his
+indebtedness to Thackeray is obviously greater than in the minutiæ under
+consideration--that, in fact, he has caught from the great immortal the
+note of much that is best in his book. In his limpid, graceful
+simplicity of words, and their easy, natural flow--in his delicate,
+playful humor, and tender but not overwrought pathos, we discover a
+careful study of found only a few general remarks about fairies, their
+habits and habitations, nothing in the least resembling the story of
+Jeannie's lover. Perhaps Nodier was mistaken about his source. As he
+travelled in the Highlands, he may possibly have "collected" the tale at
+first hand, and, there being no folk-lore societies in those early days
+of romanticism, he was not aware of the honor that thus accrued to him.
+It cannot have evolved itself from a mere hint. We appeal to Mr. Lang to
+take up and follow the chase farther. He might be worse occupied than in
+tracing out the original John Trilby MacFarlane, and whence he got his
+English-sounding name, his fairy powers and his connection with Saint
+Columba--the last probably from Nodier himself, who may have been
+reading Montalembert's "Monks of the West" before setting out upon his
+pilgrimage. Mr. Dole, by the way, irreverently converts the Dove of the
+Churches into a "Saint Columbine," unknown to any respectable
+hagiographer. Think, Mr. Lang, what a delightful coil this romancing
+Frenchman, let loose among your Hielan' men, fairies, monks and Scotch
+novels, has made for you to straighten out, and how many strange
+discoveries may be made while you are about the job!
+
+Miss Smith (2) has prepared another translation of Nodier's story, and,
+though there is little choice between her version and Mr. Dole's, we
+prefer it. It seems a trifle less exact, but it is more idiomatic; and,
+if anything, she perhaps intensifies the local color a little, which
+does not do the tale any harm. Her book is got up in tartan cover; Mr.
+Dole's has a design adapted from Paul Konewka.
+
+       *       *       *       *       *
+
+Mr. Richard Mansfield has secured from Estes & Lauriat the right to
+dramatize and produce Mr. Dole's translation of Nodier's "Trilby, le
+Lutin d'Argail."
+
+
+
+
+Nodier's "Trilby, le Lutin d'Argail"
+
+
+It was not long after the appearance of "Trilby" that our readers
+detected the French origin of the name of Mr. du Maurier's heroine. The
+story of the unearthing of this delightful French fairy-tale may be
+followed in this series of communications to _The Critic_:
+
+On looking over Roche's "Prosateurs Français," I find that one of the
+"plus jolis" contes of Charles Nodier (1788-1844) is entitled "Trilby";
+therefore the title of du Maurier's much-bought novel is not original
+with him. I should be pleased if any reader of _The Critic_ would inform
+me as to the plot of Nodier's story.
+
+ST. FRANCIS OF ASSISI RECTORY,
+
+WM. J. MCCLURE,
+
+MT. KISCO, N. Y., 29th Oct., 1894.
+
+       *       *       *       *       *
+
+The following lines occur in the "Réponse à M. Charles Nodier" of Alfred
+de Musset:--
+
+    "Non pas cette belle insomnie
+           Du génie
+     Où Trilby vient, prêt à chanter,
+           T'écouter."
+
+This would seem to offer some clue to the origin of the name chosen by
+Mr. du Maurier for his heroine. Can you enlighten me as to the identity
+of the "Trilby" referred to by Musset?
+
+RIDGEFIELD, CONN., 19 Nov., 1894.
+
+ROSWELL BACON.
+
+       *       *       *       *       *
+
+In answer to the request of your correspondent in _The Critic_ of Nov.
+17, I find the tale of "Trilby" in my copy of the "Contes de Charles
+Nodier, illustrés par Tony Johannot." "Trilby" is the story of a
+household fairy of Scotland (a "Lutin familier de la Chaumière"). It is
+fantastic and touching, but it has nothing in common with du Maurier's
+"Trilby."
+
+LEESBURGH, VIRGINIA, 20 Nov., 1894.
+
+I. L. P.
+
+       *       *       *       *       *
+
+From the recent contributions to "Trilbyana" in your columns, it would
+appear as if the name of Trilby (originally Scotch or Irish?) were not
+uncommon in the writings of French authors. Charles Nodier, in his
+_conte_, says that M. de Latouche--a contemporary--wrote on the same
+subject, "où cette charmante tradition était racontée en vers
+enchanteurs"--which gives one to suppose that "Trilby" was the name of
+his enchantress; though, perhaps, he refers to the old story of "Le
+Diable Amoureux." I find, moreover, that Balzac takes the name for a
+type in his "Histoire des Treize: Ferragus: Vol. I. Scènes de la Vie
+Parisienne" (page 48 of edition of 1843):--"Pour développer cette
+histoire dans toute la vérité de ses détails, pour en suivre le cours
+dans toutes ses sinuosités, il faut ici divulguer quelques secrets de
+l'amour, se glisser sous les lambris d'une chambre à coucher, non pas
+effrontément, mais à la manière de Trilby [the opposite to du Maurier's
+Trilby], n'effaroucher ni Dougal, ni Jeannie, n'effaroucher personne,"
+etc.
+
+TUXEDO PARK, 26 Nov., 1894.
+
+E. L. B.
+
+       *       *       *       *       *
+
+(_Boston Evening Transcript, 1 Dec. 1894._)
+
+"The Listener was asked the other day where du Maurier got the name of
+Trilby--a sweet and pleasant word, neither English nor French, which
+seemed to suit so perfectly the adorable young person of his creation.
+He was able to answer, more by accident certainly than as the result of
+erudition, that the name was not invented by du Maurier but belongs to
+the French classics--possibly to Scottish folk-lore. In the year 1822
+there was first published in Paris a _nouvelle_, by Charles Nodier,
+afterward a member of the French Academy, entitled, "Trilby, or the Fay
+of Argyle"; it was a sort of fairy-story, in which a fay is in love with
+a mortal woman, and the woman is very far from being indifferent to his
+sentiment. This 'Trilby' attained a considerable degree of popularity;
+it became, indeed, a French classic; Sainte-Beuve has particularly
+praised the charm of its style. * * * In his preface to the story,
+Nodier says: 'The subject of this story is derived from a preface or a
+note to one of the romances of Sir Walter Scott, I do not know which
+one.' This is a very indefinite acknowledgment While Nodier may have got
+his subject from Scott, the Listener doubts if he got the name 'Trilby'
+from him. It is just the sort of name that a French writer would give to
+a Scotch fay. Nevertheless, Trilby may be a real Scotch elfin. The
+Listener would hardly claim personal acquaintance with them all.
+
+"Du Maurier's 'Trilby' is curiously prefigured, in part at least, in
+Nodier's; and yet there is not the smallest thing that the most jealous
+critic could call a plagiarism; it is a legitimate parentage. As you go
+on with Nodier's story, you love his Trilby more and more, as you do du
+Maurier's, until you think that there was never so bewitching a fairy;
+and your love for Trilby is interwoven with your love for Jeannie, his
+mortal sweetheart, just as your love for du Manner's Trilby is forever
+mixed up with your tender sentiment for Little Billee. You feel a sort
+of enchantment over you like the hypnotism that you are under in du
+Maurier's strange book. And both stories, while abounding in wit and
+pretty things, are deeply tragical. It has been said of Nodier's
+'Trilby' that it belongs to the realm of the _supra-sensible_, and so,
+in large measure, certainly does du Maurier's. Du Maurier has confessed
+his obligation flatly in giving his story the very name that Nodier's
+bore. It is conceivable that the image of the Frenchman's haunting fairy
+dwelt with him until he resolved to reincarnate the adorable elf in the
+body of a girl as adorable. He gave his Trilby a Scotch ancestry to
+connect her the more naturally with the _lutin d'Argail_; and her fairy
+ancestry will easily account not only for her early prankishness, but
+for her later unreality. But it is a prefiguring merely, and not a
+direct suggestion. Whatever du Maurier's 'Trilby' lacks, it isn't
+originality!"
+
+       *       *       *       *       *
+
+(_From Mr. C. E. L. Wingate's Boston Letter in The Critic of 20 April,
+1893._)
+
+It appears that the first mention of the French book appeared in _The
+Critic_, last November. It was in the same month that Mr. Bradford
+Torrey * * * happened to find a copy of Nodier's "Trilby" in the Boston
+Athenæum. He took the book to his friend, Mr. J. E. Chamberlin of _The
+Youth's Companion_, who began its translation at once. A few days later
+appeared a note in _The Critic_ from a correspondent in Virginia.
+Thinking that secrecy was no longer worth while, Mr. Chamberlin wrote
+his paragraphs for the _Transcript_ "Listener" column, incorporating a
+bit of translation. This was printed on Dec. 1. Miss Minna C. Smith went
+to Roberts Bros. at once, to ask them if they would consider the
+publication of a translation of the romance by her _Transcript_
+confrère, and Mr. F. Alcott Pratt replied that they would like very much
+to see that gentleman's work. Circumstances made Mr. Chamberlin decide
+not to finish the translation, and he gave Miss Smith his idea and a few
+pages of the manuscript for a Christmas present. During several weeks
+following she was engaged upon her careful translation. The Scotch words
+and names of localities in her manuscript were corrected by Mr. J.
+Murray Kay of Houghton, Mifflin & Co., an accomplished Scot, who walked
+through Argyle with his daughters last summer. On March 19, an article
+on Charles Nodier's story, foreshadowing Miss Smith's translation,
+appeared in the _Transcript_. On the morning of March 20, Mr. Dana Estes
+sent for Mr. Nathan Haskell Dole and asked him to make a translation,
+which was done with remarkable rapidity, and put out on March 29.
+Learning of this, Lamson, Wolffe & Co. hurried on Miss Smith's book,
+which had been in the hands of their printer at the Collins press for
+days, advertised it on Thursday and brought it out on Saturday, in
+Scotch plaid covers.
+
+This firm of Lamson, Wolffe & Co., by the way, has just been dissolved
+for a novel reason. Mr. Wolffe is a member of the class of '95 at
+Harvard. The publication of "Trilby, the Fairy of Argyle" called the
+attention of the faculty to his publishing business, and he was asked to
+give it up, or else forfeit his degree. He chose the former alternative,
+and although the firm name will remain Lamson, Wolffe & Co., a new and,
+for the present, silent member of the firm has added capital and
+scholarship to the house.
+
+       *       *       *       *       *
+
+"Trilby, the Fairy of Argyle"
+
+_By Charles Noder. 1. Translated from the French, with introduction, by
+Nathan Haskell Dole. Estes & Lauriat. 2. From the French by Minna
+Caroline Smith. Boston: Lamson, Wolffe & Co._
+
+Nodier's "Trilby," who now revisits the book-stores owing to Mr. du
+Maurier's having taken his name for his heroine's, is one of the few
+latter-day fairies that have fairy blood (or ichor) in their veins. He
+belongs on the same shelf with Fouqué's "Undine," but, though he was
+only joking when he personated a father who "had not seen him since the
+days of King Fergus," he is certainly of the breed of Una and Maer,
+Caoilte and Mananan. That he made a sensation on his first appearance in
+the world of letters is shown by Victor Hugo's ode, warning the Fairy of
+Argyle to beware of ink-slinging penny-a-liners:--
+
+    "Car on en veut aux Trilbys
+      *  *  *  *  *  *  *  *
+         Ils souilleraient d'encre noire,
+         Hélas! ton manteau de moire,
+       Ton aigrette de rubis"--
+
+advice which might be repeated apropos of Mr. du Maurier's creation.
+
+Mr. Dole, who has made a translation (1) of Nodier's "Trilby," has
+looked through all of Scott's novels, he says, to discover, if possible,
+the "preface or note" from which the French author claimed to have drawn
+his story, and has the deft art of "Pendennis" and "The Newcomes." And
+the "Cave of Harmony," with its songs and its bumpers and long whiffs,
+the gay nights and rollicking days of F. B. and Clive and Pendennis--the
+glamor of all which has enticed full many a youngster towards the easy
+descent, or the shining slopes (as the case may be) of art and
+letters--all these scenes have doubtless served as the studies of the
+pictures, almost as delightful and masterly as their prototypes, that du
+Maurier gives us of the joyous Bohemian life of the three jolly
+Musketeers of the Brush in the Quartier Latin in "Trilby."
+
+AUBURN, ALA., 26 Dec., 1894.
+
+CHARLES C. THACH.
+
+       *       *       *       *       *
+
+As a small contribution to "Trilbyana," I would call attention to the
+fact, unnoted so far, that Trilby was the name of Eugénie de Guérin's
+pet dog, mentioned several times in the journal she kept for her brother
+Maurice. Was the dog, perhaps, named for the fairy?
+
+LOUISVILLE, KY.
+
+A. C. B.
+
+       *       *       *       *       *
+
+As there seems to be a mania for hunting up the sources of the
+inspiration of certain authors, I will engage in the game also. In
+Saintine's "Picciola," Book I., Chap XII., after the first paragraph,
+you will find the germ of "Peter Ibbetson."
+
+GRAND RAPIDS, MICH.
+
+C. C.
+
+       *       *       *       *       *
+
+
+THE CRITIC
+
+A Weekly Review of Literature and the Arts
+
+Edited (since 1881) by J. B. & J. L. GILDER
+
+"The only paper to which we can look for a week-by-week record of
+American literature."--_Sir Walter Besant_.
+
+"_The Critic_ long since took rank as the foremost literary paper in
+America."--_The New York Times_.
+
+"The only purely literary weekly in America."--_The Athenæum_.
+
+_A few occasional contributors during the past fifteen years_:--
+
+    JAMES RUSSELL LOWELL
+    JOHN GREENLEAF WHITTIER
+    AUSTIN DOBSON
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+    OLIVER WENDELL HOLMES
+    FRANCIS PARKMAN
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+    FRANK R. STOCKTON
+
+10 cts. a copy. $3 a year. (Foreign postage, $1.)
+
+       *       *       *       *       *
+
+"TRILBYANA: The Rise and Progress of a Popular Novel." A 56-page
+illustrated pamphlet, untrimmed, rubricated cover. 250 signed copies on
+hand-made paper. $1, net. Regular edition, 25 cts.
+
+       *       *       *       *       *
+
+"ESSAYS FROM THE CRITIC." A reprint of some of the most striking
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+
+THE CRITIC CO., 287 Fourth Ave., New York.
+
+
+FOOTNOTES:
+
+[A] See frontispiece.
+
+[B] Unless in amended form.
+
+
+
+
+
+
+End of the Project Gutenberg EBook of Trilbyana, by 
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