summaryrefslogtreecommitdiff
path: root/3363-h/3363-h.htm
diff options
context:
space:
mode:
Diffstat (limited to '3363-h/3363-h.htm')
-rw-r--r--3363-h/3363-h.htm5651
1 files changed, 5651 insertions, 0 deletions
diff --git a/3363-h/3363-h.htm b/3363-h/3363-h.htm
new file mode 100644
index 0000000..39b294a
--- /dev/null
+++ b/3363-h/3363-h.htm
@@ -0,0 +1,5651 @@
+<?xml version="1.0" encoding="utf-8"?>
+
+<!DOCTYPE html
+ PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN"
+ "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd" >
+
+<html xmlns="http://www.w3.org/1999/xhtml" lang="en">
+ <head>
+ <title>
+ Fennel and Rue, by William Dean Howells
+ </title>
+ <style type="text/css" xml:space="preserve">
+
+ body { margin:5%; background:#faebd7; text-align:justify}
+ P { text-indent: 1em; margin-top: .25em; margin-bottom: .25em; }
+ H1,H2,H3,H4,H5,H6 { text-align: center; margin-left: 15%; margin-right: 15%; }
+ hr { width: 50%; text-align: center;}
+ .foot { margin-left: 20%; margin-right: 20%; text-align: justify; text-indent: -3em; font-size: 90%; }
+ blockquote {font-size: 97%; font-style: italic; margin-left: 10%; margin-right: 10%;}
+ .mynote {background-color: #DDE; color: #000; padding: .5em; margin-left: 10%; margin-right: 10%; font-family: sans-serif; font-size: 95%;}
+ .toc { margin-left: 10%; margin-bottom: .75em;}
+ .toc2 { margin-left: 20%;}
+ div.fig { display:block; margin:0 auto; text-align:center; }
+ .figleft {float: left; margin-left: 0%; margin-right: 1%;}
+ .figright {float: right; margin-right: 0%; margin-left: 1%;}
+ pre { font-style: italic; font-size: 90%; margin-left: 10%;}
+
+</style>
+ </head>
+ <body>
+ <p>
+ <br /><br />
+ </p>
+<pre xml:space="preserve">
+The Project Gutenberg EBook of Fennel and Rue, by William Dean Howells
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Fennel and Rue
+
+Author: William Dean Howells
+
+Release Date: September 1, 2006 [EBook #3363]
+Last Updated: August 21, 2016
+
+Language: English
+
+Character set encoding: UTF-8
+
+*** START OF THIS PROJECT GUTENBERG EBOOK FENNEL AND RUE ***
+
+
+
+Produced by David Widger
+
+
+
+
+
+</pre>
+
+ <h1>
+ FENNEL AND RUE
+ </h1>
+ <p>
+ <br />
+ </p>
+ <h2>
+ By William Dean Howells
+ </h2>
+ <p>
+ <br /> <br />
+ </p>
+ <div class="fig" style="width:50%;"> <img src="images/{0008}.jpg" alt="{0008}" width="100%" /><br /> </div> <h5> <a href="images/{0008}.jpg"> <img src="images/enlarge.jpg" alt="" /> </a> </h5>
+
+ <p>
+ <br /> <br />
+ </p>
+ <blockquote>
+ <p class="toc">
+ <big><b>CONTENTS</b></big>
+ </p>
+ <p>
+ <br />
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0001"> I. </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0002"> II. </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0003"> III. </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0004"> IV </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0005"> V. </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0006"> VI. </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0007"> VII. </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0008"> VIII. </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0009"> IX. </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0010"> X. </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0011"> XI. </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0012"> XII. </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0013"> XIII. </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0014"> XIV. </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0015"> XV. </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0016"> XVI. </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0017"> XVII. </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0018"> XVIII. </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0019"> XIX. </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0020"> XX. </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0021"> XXI. </a>
+ </p>
+ </blockquote>
+ <p>
+ <br /> <br />
+ </p>
+ <hr />
+ <p>
+ <br /> <br /> <a name="link2H_4_0001" id="link2H_4_0001">
+ <!-- H2 anchor --> </a>
+ </p>
+ <h2>
+ I.
+ </h2>
+ <p>
+ The success of Verrian did not come early, and it did not come easily. He
+ had been trying a long time to get his work into the best magazines, and
+ when he had won the favor of the editors, whose interest he had perhaps
+ had from the beginning, it might be said that they began to accept his
+ work from their consciences, because in its way it was so good that they
+ could not justly refuse it. The particular editor who took Verrian&rsquo;s
+ serial, after it had come back to the author from the editors of the other
+ leading periodicals, was in fact moved mainly by the belief that the story
+ would please the better sort of his readers. These, if they were not so
+ numerous as the worse, he felt had now and then the right to have their
+ pleasure studied.
+ </p>
+ <p>
+ It was a serious story, and it was somewhat bitter, as Verrian himself
+ was, after his struggle to reach the public with work which he knew
+ merited recognition. But the world which does not like people to take
+ themselves too seriously also likes them to take themselves seriously, and
+ the bitterness in Verrian&rsquo;s story proved agreeable to a number of readers
+ unexpectedly great. It intimated a romantic personality in the author, and
+ the world still likes to imagine romantic things of authors. It likes
+ especially to imagine them of novelists, now that there are no longer
+ poets; and when it began to like Verrian&rsquo;s serial, it began to write him
+ all sorts of letters, directly, in care of the editor, and indirectly to
+ the editor, whom they asked about Verrian more than about his story.
+ </p>
+ <p>
+ It was a man&rsquo;s story rather than a woman&rsquo;s story, as these may be
+ distinguished; but quite for that reason women seemed peculiarly taken
+ with it. Perhaps the women had more leisure or more courage to write to
+ the author and the editor; at any rate, most of the letters were from
+ women; some of the letters were silly and fatuous enough, but others were
+ of an intelligence which was none the less penetrating for being emotional
+ rather than critical. These maids or matrons, whoever or whichever they
+ were, knew wonderfully well what the author would be at, and their
+ interest in his story implied a constant if not a single devotion. Now and
+ then Verrian was tempted to answer one of them, and under favor of his
+ mother, who had been his confidant at every point of his literary career,
+ he yielded to the temptation; but one day there came a letter asking an
+ answer, which neither he nor his mother felt competent to deal with. They
+ both perceived that they must refer it to the editor of the magazine, and
+ it seemed to them so important that they decided Verrian must go with it
+ in person to the editor. Then he must be so far ruled by him, if
+ necessary, as to give him the letter and put himself, as the author,
+ beyond an appeal which he found peculiarly poignant.
+ </p>
+ <p>
+ The letter, which had overcome the tacit misgivings of his mother as they
+ read it and read it again together, was from a girl who had perhaps no
+ need to confess herself young, or to own her inexperience of the world
+ where stories were written and printed. She excused herself with a
+ delicacy which Verrian&rsquo;s correspondents by no means always showed for
+ intruding upon him, and then pleaded the power his story had over her as
+ the only shadow of right she had in addressing him. Its fascination, she
+ said, had begun with the first number, the first chapter, almost the first
+ paragraph. It was not for the plot that she cared; she had read too many
+ stories to care for the plot; it was the problem involved. It was one
+ which she had so often pondered in her own mind that she felt, in a way
+ she hoped he would not think conceited, almost as if the story was written
+ for her. She had never been able to solve the problem; how he would solve
+ it she did not see how she could wait to know; and here she made him a
+ confidence without which, she said, she should not have the courage to go
+ on. She was an invalid, and her doctor had told her that, though she might
+ live for months, there were chances that she might die at any moment
+ suddenly. He would think it strange, and it was strange that she should
+ tell him this, and stranger still that she should dare to ask him what she
+ was going to ask. The story had yet four months to run, and she had begun
+ to have a morbid foreboding that she should not live to read it in the
+ ordinary course. She was so ignorant about writers that she did not know
+ whether such a thing was ever done, or could be done; but if he could tell
+ her how the story was to come out he would be doing more for her than
+ anything else that could be done for her on earth. She had read that
+ sometimes authors began to print their serial stories before they had
+ written them to the end, and he might not be sure of the end himself; but
+ if he had finished this story of his, and could let her see the last pages
+ in print, she would owe him the gratitude she could never express.
+ </p>
+ <p>
+ The letter was written in an educated hand, and there were no foibles of
+ form or excesses of fashion in the stationery to mar the character of
+ sincerity the simple wording conveyed. The postal address, with the date,
+ was fully given, and the name signed at the end was evidently genuine.
+ </p>
+ <p>
+ Verrian himself had no question of the genuineness of the letter in any
+ respect; his mother, after her first misgivings, which were perhaps
+ sensations, thought as he did about it. She said the story dealt so
+ profoundly with the deepest things that it was no wonder a person,
+ standing like that girl between life and death, should wish to know how
+ the author solved its problem. Then she read the letter carefully over
+ again, and again Verrian read it, with an effect not different from that
+ which its first perusal had made with him. His faith in his work was so
+ great, so entire, that the notion of any other feeling about it was not
+ admissible.
+ </p>
+ <p>
+ &ldquo;Of course,&rdquo; he said, with a sigh of satisfaction, &ldquo;I must show the letter
+ to Armiger at once.&rdquo;
+ </p>
+ <p>
+ &ldquo;Of course,&rdquo; his mother replied. &ldquo;He is the editor, and you must not do
+ anything without his approval.&rdquo;
+ </p>
+ <p>
+ The faith in the writer of the letter, which was primary with him, was
+ secondary with her, but perhaps for that reason, she was all the more
+ firmly grounded in it.
+ </p>
+ <p>
+ <a name="link2H_4_0002" id="link2H_4_0002">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ II.
+ </h2>
+ <p>
+ There was nothing to cloud the editor&rsquo;s judgment, when Verrian came to
+ him, except the fact that he was a poet as well as an editor. He read in a
+ silence as great as the author&rsquo;s the letter which Verrian submitted. Then
+ he remained pondering it for as long a space before he said, &ldquo;That is very
+ touching.&rdquo;
+ </p>
+ <p>
+ Verrian jumped to his question. &ldquo;Do you mean that we ought to send her the
+ proofs of the story?&rdquo;
+ </p>
+ <p>
+ &ldquo;No,&rdquo; the editor faltered, but even in this decision he did not deny the
+ author his sympathy. &ldquo;You&rsquo;ve touched bottom in that story, Verrian. You
+ may go higher, but you can never go deeper.&rdquo;
+ </p>
+ <p>
+ Verrian flushed a little. &ldquo;Oh, thank you!&rdquo;
+ </p>
+ <p>
+ &ldquo;I&rsquo;m not surprised the girl wants to know how you manage your problem&mdash;such
+ a girl, standing in the shadow of the other world, which is always
+ eclipsing this, and seeing how you&rsquo;ve caught its awful outline.&rdquo;
+ </p>
+ <p>
+ Verrian made a grateful murmur at the praise. &ldquo;That is what my mother
+ felt. Then you have no doubt of the good faith&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;No,&rdquo; the editor returned, with the same quantity, if not the same
+ quality, of reluctance as before. &ldquo;You see, it would be too daring.&rdquo;
+ </p>
+ <p>
+ &ldquo;Then why not let her have the proofs?&rdquo;
+ </p>
+ <p>
+ &ldquo;The thing is so unprecedented&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Our doing it needn&rsquo;t form a precedent.&rdquo;
+ </p>
+ <p>
+ &ldquo;No.&rdquo;
+ </p>
+ <p>
+ &ldquo;And if you&rsquo;ve no doubt of its being a true case&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;We must prove that it is, or, rather, we must make her prove it. I quite
+ feel with you about it. If I were to act upon my own impulse, my own
+ convictions, I should send her the rest of the story and take the chances.
+ But she may be an enterprising journalist in disguise it&rsquo;s astonishing
+ what women will do when they take to newspaper work&mdash;and we have no
+ right to risk anything, for the magazine&rsquo;s sake, if not yours and mine.
+ Will you leave this letter with me?&rdquo;
+ </p>
+ <p>
+ &ldquo;I expected to leave the whole affair in your hands. Do you mind telling
+ me what you propose to do? Of course, it won&rsquo;t be anything&mdash;abrupt&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh no; and I don&rsquo;t mind telling you what has occurred to me. If this is a
+ true case, as you say, and I&rsquo;ve no question but it is, the writer will be
+ on confidential terms with her pastor as well as her doctor and I propose
+ asking her to get him to certify, in any sort of general terms, to her
+ identity. I will treat the matter delicately&mdash;Or, if you prefer to
+ write to her yourself&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh no, it&rsquo;s much better for you to do it; you can do it authoritatively.&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, and if she isn&rsquo;t the real thing, but merely a woman journalist
+ trying to work us for a &lsquo;story&rsquo; in her Sunday edition, we shall hear no
+ more from her.&rdquo;
+ </p>
+ <p>
+ &ldquo;I don&rsquo;t see anything to object to in your plan,&rdquo; Verrian said, upon
+ reflection. &ldquo;She certainly can&rsquo;t complain of our being cautious.&rdquo;
+ </p>
+ <p>
+ &ldquo;No, and she won&rsquo;t. I shall have to refer the matter to the house&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, will you?&rdquo;
+ </p>
+ <p>
+ &ldquo;Why, certainly! I couldn&rsquo;t take a step like that without the approval of
+ the house.&rdquo;
+ </p>
+ <p>
+ &ldquo;No,&rdquo; Verrian assented, and he made a note of the writer&rsquo;s address from
+ the letter. Then, after a moment spent in looking hard at the letter, he
+ gave it back to the editor and went abruptly away.
+ </p>
+ <p>
+ He had proof, the next morning, that the editor had acted promptly, at
+ least so far as regarded the house. The house had approved his plan, if
+ one could trust the romantic paragraph which Verrian found in his paper at
+ breakfast, exploiting the fact concerned as one of the interesting
+ evidences of the hold his serial had got with the magazine readers. He
+ recognized in the paragraph the touch of the good fellow who prepared the
+ weekly bulletins of the house, and offered the press literary intelligence
+ in a form ready for immediate use. The case was fairly stated, but the
+ privacy of the author&rsquo;s correspondent was perfectly guarded; it was not
+ even made known that she was a woman. Yet Verrian felt, in reading the
+ paragraph, a shock of guilty dismay, as if he had betrayed a confidence
+ reposed in him, and he handed the paper across the table to his mother
+ with rather a sick look.
+ </p>
+ <p>
+ After his return from the magazine office the day before, there had been a
+ good deal of talk between them about that girl. Mrs. Verrian had agreed
+ with him that no more interesting event could have happened to an author,
+ but she had tried to keep him from taking it too personally, and from
+ making himself mischievous illusions from it. She had since slept upon her
+ anxieties, with the effect of finding them more vivid at waking, and she
+ had been casting about for an opening to penetrate him with them, when
+ fortune put this paragraph in her way.
+ </p>
+ <p>
+ &ldquo;Isn&rsquo;t it disgusting?&rdquo; he asked. &ldquo;I don&rsquo;t see how Armiger could let them
+ do it. I hope to heaven she&rsquo;ll never see it!&rdquo;
+ </p>
+ <p>
+ His mother looked up from the paragraph and asked,
+ </p>
+ <p>
+ &ldquo;Why?&rdquo;
+ </p>
+ <p>
+ &ldquo;What would she think of me?&rdquo;
+ </p>
+ <p>
+ &ldquo;I don&rsquo;t know. She might have expected something of the kind.&rdquo;
+ </p>
+ <p>
+ &ldquo;How expect something of the kind? Am I one of the self-advertisers?&rdquo;
+ </p>
+ <p>
+ &ldquo;Well, she must have realized that she was doing rather a bold thing.&rdquo;
+ </p>
+ <p>
+ &ldquo;Bold?&rdquo;
+ </p>
+ <p>
+ &ldquo;Venturesome,&rdquo; Mrs. Verrian compromised to the kindling anger in her son&rsquo;s
+ eyes.
+ </p>
+ <p>
+ &ldquo;I don&rsquo;t understand you, mother. I thought you agreed with me about the
+ writer of that letter&mdash;her sincerity, simplicity.&rdquo;
+ </p>
+ <p>
+ &ldquo;Sincerity, yes. But simplicity&mdash;Philip, a thoroughly single-minded
+ girl never wrote that letter. You can&rsquo;t feel such a thing as I do. A man
+ couldn&rsquo;t. You can paint the character of women, and you do it wonderfully&mdash;but,
+ after all, you can&rsquo;t know them as a woman does.&rdquo;
+ </p>
+ <p>
+ &ldquo;You talk,&rdquo; he answered, a little sulkily, &ldquo;as if you knew some harm of
+ the girl.&rdquo;
+ </p>
+ <p>
+ &ldquo;No, my son, I know nothing about her, except that she is not
+ single-minded, and there is no harm in not being single-minded. A great
+ many single-minded women are fools, and some double-minded women are
+ good.&rdquo;
+ </p>
+ <p>
+ &ldquo;Well, single-minded or double-minded, if she is what she says she is,
+ what motive on earth could she have in writing to me except the motive she
+ gives? You don&rsquo;t deny that she tells the truth about herself?&rdquo;
+ </p>
+ <p>
+ &ldquo;Don&rsquo;t I say that she is sincere? But a girl doesn&rsquo;t always know her own
+ motives, or all of them. She may have written to you because she would
+ like to begin a correspondence with an author. Or she may have done it out
+ of the love of excitement. Or for the sake of distraction, to get away
+ from herself and her gloomy forebodings.&rdquo;
+ </p>
+ <p>
+ &ldquo;And should you blame her for that?&rdquo;
+ </p>
+ <p>
+ &ldquo;No, I shouldn&rsquo;t. I should pity her for it. But, all the same, I shouldn&rsquo;t
+ want you to be taken in by her.&rdquo;
+ </p>
+ <p>
+ &ldquo;You think, then, she doesn&rsquo;t care anything about the story?&rdquo;
+ </p>
+ <p>
+ &ldquo;I think, very probably, she cares a great deal about it. She is a serious
+ person, intellectually at least, and it is a serious story. No wonder she
+ would like to know, at first hand, something about the man who wrote it.&rdquo;
+ </p>
+ <p>
+ This flattered Verrian, but he would not allow its reasonableness. He took
+ a gulp of coffee before saying, uncandidly, &ldquo;I can&rsquo;t make out what you&rsquo;re
+ driving at, mother. But, fortunately, there&rsquo;s no hurry about your meaning.
+ The thing&rsquo;s in the only shape we could possibly give it, and I am
+ satisfied to leave it in Armiger&rsquo;s hands. I&rsquo;m certain he will deal wisely
+ with it-and kindly.&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, I&rsquo;m sure he&rsquo;ll deal kindly. I should be very unhappy if he didn&rsquo;t.
+ He could easily deal more wisely, though, than she has.&rdquo;
+ </p>
+ <p>
+ Verrian chose not to follow his mother in this. &ldquo;All is,&rdquo; he said, with
+ finality, &ldquo;I hope she&rsquo;ll never see that loathsome paragraph.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, very likely she won&rsquo;t,&rdquo; his mother consoled him.
+ </p>
+ <p>
+ <a name="link2H_4_0003" id="link2H_4_0003">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ III.
+ </h2>
+ <p>
+ Only four days after he had seen Armiger, Verrian received an envelope
+ covering a brief note to himself from the editor, a copy of the letter he
+ had written to Verrian&rsquo;s unknown correspondent, and her answer in the
+ original. Verrian was alone when the postman brought him this envelope,
+ and he could indulge a certain passion for method by which he read its
+ contents in the order named; if his mother had been by, she would have
+ made him read the girl&rsquo;s reply first of all. Armiger wrote:
+ </p>
+ <p>
+ &ldquo;MY DEAR VERRIAN,&mdash;I enclose two exhibits which will possess you of
+ all the facts in the case of the young lady who feared she might die
+ before she read the end of your story, but who, you will be glad to find,
+ is likely to live through the year. As the story ends in our October
+ number, she need not be supplied with advance sheets. I am sorry the house
+ hurried out a paragraph concerning the matter, but it will not be followed
+ by another. Perhaps you will feel, as I do, that the incident is closed. I
+ have not replied to the writer, and you need not return her letter. Yours
+ ever,
+ </p>
+<pre xml:space="preserve">
+ &ldquo;M. ARMIGER.&rdquo;
+ </pre>
+ <p>
+ The editor&rsquo;s letter to the young lady read:
+ </p>
+ <p>
+ &ldquo;DEAR MADAM,&mdash;Mr. P. S. Verrian has handed me your letter of the 4th,
+ and I need not tell you that it has interested us both.
+ </p>
+ <p>
+ &ldquo;I am almost as much gratified as he by the testimony your request bears
+ to the importance of his work, and if I could have acted upon my instant
+ feeling I should have had no hesitation in granting it, though it is so
+ very unusual as to be, in my experience as an editor, unprecedented. I am
+ sure that you would not have made it so frankly if you had not been
+ prepared to guard in return any confidence placed in you; but you will
+ realize that as you are quite unknown to us, we should not be justified in
+ taking a step so unusual as you propose without having some guarantee
+ besides that which Mr. Verrian and I both feel from the character of your
+ letter. Simply, then, for purposes of identification, as the phrase is, I
+ must beg you to ask the pastor of your church, or, better still, your
+ family physician, to write you a line saying that he knows you, as a sort
+ of letter of introduction to me. Then I will send you the advance proofs
+ of Mr. Verrian&rsquo;s story. You may like to address me personally in the care
+ of the magazine, and not as the editor.
+ </p>
+<pre xml:space="preserve">
+ &ldquo;Yours very respectfully,
+
+ &ldquo;M. ARMIGER.&rdquo;
+ </pre>
+ <p>
+ The editor&rsquo;s letter was dated the 6th of the month; the answer, dated the
+ 8th, betrayed the anxious haste of the writer in replying, and it was not
+ her fault if what she wrote came to Verrian when he was no longer able to
+ do justice to her confession. Under the address given in her first letter
+ she now began, in, a hand into which a kindlier eye might have read a
+ pathetic perturbation:
+ </p>
+ <p>
+ &ldquo;DEAR SIR,&mdash;I have something awful to tell you. I might write pages
+ without making you think better of me, and I will let you think the worst
+ at once. I am not what I pretended to be. I wrote to Mr. Verrian saying
+ what I did, and asking to see the rest of his story on the impulse of the
+ moment. I had been reading it, for I think it is perfectly fascinating;
+ and a friend of mine, another girl, and I got together trying to guess how
+ he would end it, and we began to dare each other to write to him and ask.
+ At first we did not dream of doing such a thing, but we went on, and just
+ for the fun of it we drew lots to see which should write to him. The lot
+ fell to me; but we composed that letter together, and we put in about my
+ dying for a joke. We never intended to send it; but then one thing led to
+ another, and I signed it with my real name and we sent it. We did not
+ really expect to hear anything from it, for we supposed he must get lots
+ of letters about his story and never paid any attention to them. We did
+ not realize what we had done till I got your letter yesterday. Then we saw
+ it all, and ever since we have been trying to think what to do, and I do
+ not believe either of us has slept a moment. We have come to the
+ conclusion that there was only one thing we could do, and that was to tell
+ you just exactly how it happened and take the consequences. But there is
+ no reason why more than one person should be brought into it, and so I
+ will not let my friend sign this letter with me, but I will put my own
+ name alone to it. You may not think it is my real name, but it is; you can
+ find out by writing to the postmaster here. I do not know whether you will
+ publish it as a fraud for the warning of others, but I shall not blame you
+ if you do. I deserve anything.
+ </p>
+<pre xml:space="preserve">
+ &ldquo;Yours truly,
+
+ &ldquo;JERUSHA PEREGRINE BROWN.&rdquo;
+ </pre>
+ <p>
+ If Verrian had been an older man life might have supplied him with the
+ means of judging the writer of this letter. But his experience as an
+ author had not been very great, and such as it was it had hardened and
+ sharpened him. There was nothing wild or whirling in his mood, but in the
+ deadly hurt which had been inflicted upon his vanity he coldly and
+ carefully studied what deadlier hurt he might inflict again. He was of the
+ crueller intent because he had not known how much of personal vanity there
+ was in the seriousness with which he took himself and his work. He had
+ supposed that he was respecting his ethics and aesthetics, his ideal of
+ conduct and of art, but now it was brought home to him that he was swollen
+ with the conceit of his own performance, and that, however well others
+ thought of it, his own thought of it far outran their will to honor it. He
+ wished to revenge himself for this consciousness as well as the offence
+ offered him; of the two the consciousness was the more disagreeable.
+ </p>
+ <p>
+ His mother, dressed for the street, came in where he sat quiet at his
+ desk, with the editor&rsquo;s letters and the girl&rsquo;s before him, and he mutely
+ referred them to her with a hand lifted over his shoulder. She read them,
+ and then she said, &ldquo;This is hard to bear, Philip. I wish I could bear it
+ for you, or at least with you; but I&rsquo;m late for my engagement with Mrs.
+ Alfred, as it is&mdash;No, I will telephone her I&rsquo;m detained and we&rsquo;ll
+ talk it over&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;No, no! Not on any account! I&rsquo;d rather think it out for myself. You
+ couldn&rsquo;t help me. After all, it hasn&rsquo;t done me any harm&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;And you&rsquo;ve had a great escape! And I won&rsquo;t say a word more now, but I&rsquo;ll
+ be back soon, and then we&mdash;Oh, I&rsquo;m so sorry I&rsquo;m going.&rdquo;
+ </p>
+ <p>
+ Verrian gave a laugh. &ldquo;You couldn&rsquo;t do anything if you stayed, mother. Do
+ go!&rdquo;
+ </p>
+ <p>
+ &ldquo;Well&mdash;&rdquo; She looked at him, smoothing her muff with her hand a
+ moment, and then she dropped a fond kiss on his cheek and obeyed him.
+ </p>
+ <p>
+ <a name="link2H_4_0004" id="link2H_4_0004">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ IV
+ </h2>
+ <p>
+ Verrian still sat at his desk, thinking, with his burning face in his
+ hands. It was covered with shame for what had happened to him, but his
+ humiliation had no quality of pity in it. He must write to that girl, and
+ write at once, and his sole hesitation was as to the form he should give
+ his reply. He could not address her as Dear Miss Brown or as Dear Madam.
+ Even Madam was not sharp and forbidding enough; besides, Madam, alone or
+ with the senseless prefix, was archaic, and Verrian wished to be very
+ modern with this most offensive instance of the latest girl. He decided
+ upon dealing with her in the third person, and trusting to his literary
+ skill to keep the form from clumsiness.
+ </p>
+ <p>
+ He tried it in that form, and it was simply disgusting, the attitude stiff
+ and swelling, and the diction affected and unnatural. With a quick
+ reversion to the impossible first type, he recast his letter in what was
+ now the only possible shape.
+ </p>
+<pre xml:space="preserve">
+ &ldquo;MY DEAR MISS BROWN,&mdash;The editor of the American Miscellany has
+ sent me a copy of his recent letter to you and your own reply, and
+ has remanded to me an affair which resulted from my going to him
+ with your request to see the close of my story now publishing in his
+ magazine.
+
+ &ldquo;After giving the matter my best thought, I have concluded that it
+ will be well to enclose all the exhibits to you, and I now do this
+ in the hope that a serious study of them will enable you to share my
+ surprise at the moral and social conditions in which the business
+ could originate. I willingly leave with you the question which is
+ the more trustworthy, your letter to me or your letter to him, or
+ which the more truly represents the interesting diversity of your
+ nature. I confess that the first moved me more than the second,
+ and I do not see why I should not tell you that as soon as I had
+ your request I went with it to Mr. Armiger and did what I could to
+ prompt his compliance with it. In putting these papers out of my
+ hands, I ought to acknowledge that they have formed a temptation to
+ make literary use of the affair which I shall now be the better
+ fitted to resist. You will, of course, be amused by the ease with
+ which you could abuse my reliance on your good faith, and I am sure
+ you will not allow any shame for your trick to qualify your pleasure
+ in its success.
+
+ &ldquo;It will not be necessary for you to acknowledge this letter and its
+ enclosures. I will register the package, so that it will not fail
+ to reach you, and I will return any answer of yours unopened, or, if
+ not recognizably addressed, then unread.
+
+ &ldquo;Yours sincerely,
+
+ &ldquo;P. S. VERRIAN.&rdquo;
+ </pre>
+ <p>
+ He read and read again these lines, with only the sense of their
+ insufficiency in doing the effect of the bitterness in his heart. If the
+ letter was insulting, it was by no means as insulting as he would have
+ liked to make it. Whether it would be wounding enough was something that
+ depended upon the person whom he wished to wound. All that was proud and
+ vain and cruel in him surged up at the thought of the trick that had been
+ played upon him, and all that was sweet and kind and gentle in him, when
+ he believed the trick was a genuine appeal, turned to their counter
+ qualities. Yet, feeble and inadequate as his letter was, he knew that he
+ could not do more or worse by trying, and he so much feared that by
+ waiting he might do less and better that he hurried it into the post at
+ once. If his mother had been at hand he would have shown it her, though he
+ might not have been ruled by her judgment of it. He was glad that she was
+ not with him, for either she would have had her opinion of what would be
+ more telling, or she would have insisted upon his delaying any sort of
+ reply, and he could not endure the thought of difference or delay.
+ </p>
+ <p>
+ He asked himself whether he should let her see the rough first draft of
+ his letter or not, and he decided that he would not. But when she came
+ into his study on her return he showed it her.
+ </p>
+ <p>
+ She read it in silence, and then she seemed to temporize in asking, &ldquo;Where
+ are her two letters?&rdquo;
+ </p>
+ <p>
+ &ldquo;I&rsquo;ve sent them back with the answer.&rdquo;
+ </p>
+ <p>
+ His mother let the paper drop from her hands. &ldquo;Philip! You haven&rsquo;t sent
+ this!&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, I have. It wasn&rsquo;t what I wanted to make it, but I wished to get the
+ detestable experience out of my mind, and it was the best I could do at
+ the moment. Don&rsquo;t you like it?&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh&mdash;&rdquo; She seemed beginning to say something, but without saying
+ anything she took the fallen leaf up and read it again.
+ </p>
+ <p>
+ &ldquo;Well!&rdquo; he demanded, with impatience.
+ </p>
+ <p>
+ &ldquo;Oh, you may have been right. I hope you&rsquo;ve not been wrong.&rdquo;
+ </p>
+ <p>
+ &ldquo;Mother!&rdquo;
+ </p>
+ <p>
+ &ldquo;She deserved the severest things you could say; and yet&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Well?&rdquo;
+ </p>
+ <p>
+ &ldquo;Perhaps she was punished enough already.&rdquo;
+ </p>
+ <p>
+ &ldquo;What do you mean?&rdquo;
+ </p>
+ <p>
+ &ldquo;I don&rsquo;t like your being-vindictive.&rdquo;
+ </p>
+ <p>
+ &ldquo;Vindictive?&rdquo;
+ </p>
+ <p>
+ &ldquo;Being so terribly just, then.&rdquo; She added, at his blank stare, &ldquo;This is
+ killing, Philip.&rdquo;
+ </p>
+ <p>
+ He gave a bitter laugh. &ldquo;I don&rsquo;t think it will kill her. She isn&rsquo;t that
+ kind.&rdquo;
+ </p>
+ <p>
+ &ldquo;She&rsquo;s a girl,&rdquo; his mother said, with a kind of sad absence.
+ </p>
+ <p>
+ &ldquo;But not a single-minded girl, you warned me. I wish I could have taken
+ your warning. It would have saved me from playing the fool before myself
+ and giving myself away to Armiger, and letting him give himself away. I
+ don&rsquo;t think Miss Brown will suffer much before she dies. She will &lsquo;get
+ together,&rsquo; as she calls it, with that other girl and have &lsquo;a real good
+ time&rsquo; over it. You know the village type and the village conditions, where
+ the vulgar ignorance of any larger world is so thick you could cut it with
+ a knife. Don&rsquo;t be troubled by my vindictiveness or my justice, mother! I
+ begin to think I have done justice and not fallen short of it, as I was
+ afraid.&rdquo;
+ </p>
+ <p>
+ Mrs. Verrian sighed, and again she gave his letter back to her son.
+ &ldquo;Perhaps you are right, Philip. She is probably so tough as not to feel it
+ very painfully.&rdquo;
+ </p>
+ <p>
+ &ldquo;She&rsquo;s not so tough but she&rsquo;ll be very glad to get out of it so lightly.
+ She has had a useful scare, and I&rsquo;ve done her a favor in making the scare
+ a sharp one. I suppose,&rdquo; Verrian mused, &ldquo;that she thinks I&rsquo;ve kept copies
+ of her letters.&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes. Why didn&rsquo;t you?&rdquo; his mother asked.
+ </p>
+ <p>
+ Verrian laughed, only a little less bitterly than before. &ldquo;I shall begin
+ to believe you&rsquo;re all alike, mother.&rdquo;
+ </p>
+ <p>
+ I didn&rsquo;t keep copies of her letters because I wanted to get her and her
+ letters out of my mind, finally and forever. Besides, I didn&rsquo;t choose. to
+ emulate her duplicity by any sort of dissimulation.
+ </p>
+ <p>
+ &ldquo;I see what you mean,&rdquo; his mother said. &ldquo;And, of course, you have taken
+ the only honorable way.&rdquo;
+ </p>
+ <p>
+ Then they were both silent for a time, thinking their several thoughts.
+ </p>
+ <p>
+ Verrian broke the silence to say, &ldquo;I wish I knew what sort of &lsquo;other girl&rsquo;
+ it was that she &lsquo;got together with.&rsquo;&rdquo;
+ </p>
+ <p>
+ &ldquo;Why?&rdquo;
+ </p>
+ <p>
+ &ldquo;Because she wrote a more cultivated letter than this magnanimous creature
+ who takes all the blame to herself.&rdquo;
+ </p>
+ <p>
+ &ldquo;Then you don&rsquo;t believe they&rsquo;re both the same?&rdquo;
+ </p>
+ <p>
+ &ldquo;They are both the same in stationery and chirography, but not in
+ literature.&rdquo;
+ </p>
+ <p>
+ &ldquo;I hope you won&rsquo;t get to thinking about her, then,&rdquo; his mother entreated,
+ intelligibly but not definitely.
+ </p>
+ <p>
+ &ldquo;Not seriously,&rdquo; Verrian reassured her. &ldquo;I&rsquo;ve had my medicine.&rdquo;
+ </p>
+ <p>
+ <a name="link2H_4_0005" id="link2H_4_0005">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ V.
+ </h2>
+ <p>
+ Continuity is so much the lesson of experience that in the course of a
+ life by no means long it becomes the instinctive expectation. The event
+ that has happened will happen again; it will prolong itself in a series of
+ recurrences by which each one&rsquo;s episode shares in the unending history of
+ all. The sense of this is so pervasive that humanity refuses to accept
+ death itself as final. In the agonized affections, the shattered hopes, of
+ those who remain, the severed life keeps on unbrokenly, and when time and
+ reason prevail, at least as to the life here, the defeated faith appeals
+ for fulfilment to another world, and the belief of immortality holds
+ against the myriad years in which none of the numberless dead have made an
+ indisputable sign in witness of it. The lost limb still reports its
+ sensations to the brain; the fixed habit mechanically attempts its
+ repetition when the conditions render it impossible.
+ </p>
+ <p>
+ Verrian was aware how deeply and absorbingly he had brooded upon the
+ incident which he had done his utmost to close, when he found himself
+ expecting an answer of some sort from his unknown correspondent. He
+ perceived, then, without owning the fact, that he had really hoped for
+ some protest, some excuse, some extenuation, which in the end would suffer
+ him to be more merciful. Though he had wished to crush her into silence,
+ and to forbid her all hope of his forgiveness, he had, in a manner, not
+ meant to do it. He had kept a secret place in his soul where the sinner
+ against him could find refuge from his justice, and when this sanctuary
+ remained unattempted he found himself with a regret that he had barred the
+ way to it so effectually. The regret was so vague, so formless, however,
+ that he could tacitly deny it to himself at all times, and explicitly deny
+ it to his mother at such times as her touch taught him that it was
+ tangible.
+ </p>
+ <p>
+ One day, after ten or twelve days had gone by, she asked him, &ldquo;You haven&rsquo;t
+ heard anything more from that girl?&rdquo;
+ </p>
+ <p>
+ &ldquo;What girl?&rdquo; he returned, as if he did not know; and he frowned. &ldquo;You mean
+ the girl that wrote me about my story?&rdquo;
+ </p>
+ <p>
+ He continued to frown rather more darkly. &ldquo;I don&rsquo;t see how you could
+ expect me to hear from her, after what I wrote. But, to be categorical, I
+ haven&rsquo;t, mother.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, of course not. Did you think she would be so easily silenced?&rdquo;
+ </p>
+ <p>
+ &ldquo;I did what I could to crush her into silence.&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, and you did quite right; I am more and more convinced of that. But
+ such a very tough young person might have refused to stay crushed. She
+ might very naturally have got herself into shape again and smoothed out
+ the creases, at least so far to try some further defence.&rdquo;
+ </p>
+ <p>
+ &ldquo;It seems that she hasn&rsquo;t,&rdquo; Verrian said, still darkly, but not so
+ frowningly.
+ </p>
+ <p>
+ &ldquo;I should have fancied,&rdquo; his mother suggested, &ldquo;that if she had wanted to
+ open a correspondence with you&mdash;if that was her original object&mdash;she
+ would not have let it drop so easily.&rdquo;
+ </p>
+ <p>
+ &ldquo;Has she let it drop easily? I thought I had left her no possible chance
+ of resuming it.&rdquo;
+ </p>
+ <p>
+ &ldquo;That is true,&rdquo; his mother said, and for the time she said no more about
+ the matter.
+ </p>
+<div class="fig" style="width:50%;"> <img src="images/{0035}.jpg" alt="{0035}" width="100%" /><br /> </div> <h5> <a href="images/{0035}.jpg"> <img src="images/enlarge.jpg" alt="" /> </a> </h5>
+
+ <p>
+ Not long after this he came home from the magazine office and reported to
+ her from Armiger that the story was catching on more and more with the
+ best class of readers. The editor had shown Verrian some references to it
+ in newspapers of good standing and several letters about it.
+ </p>
+ <p>
+ &ldquo;I thought you might like to look at the letters,&rdquo; Verrian said, and he
+ took some letters from his pocket and handed them to her across the
+ lunch-table. She did not immediately look at them, because he went on to
+ add something that they both felt to be more important. &ldquo;Armiger says
+ there has been some increase of the sales, which I can attribute to my
+ story if I have the cheek.&rdquo;
+ </p>
+ <p>
+ &ldquo;That is good.&rdquo;
+ </p>
+ <p>
+ &ldquo;And the house wants to publish the book. They think, down there, that it
+ will have a very pretty success&mdash;not be a big seller, of course, but
+ something comfortable.&rdquo;
+ </p>
+ <p>
+ Mrs. Verrian&rsquo;s eyes were suffused with pride and fondness. &ldquo;And you can
+ always think, Philip, that this has come to you without the least lowering
+ of your standard, without forsaking your ideal for a moment.&rdquo;
+ </p>
+ <p>
+ &ldquo;That is certainly a satisfaction.&rdquo;
+ </p>
+ <p>
+ She kept her proud and tender gaze upon him. &ldquo;No one will ever know as I
+ do how faithful you have been to your art. Did any of the newspapers
+ recognize that&mdash;or surmise it, or suspect it?&rdquo;
+ </p>
+ <p>
+ &ldquo;No, that isn&rsquo;t the turn they take. They speak of the strong love interest
+ involved in the problem. And the abundance of incident. I looked out to
+ keep something happening, you know. I&rsquo;m sorry I didn&rsquo;t ask Armiger to let
+ me bring the notices home to you. I&rsquo;m not sure that I did wisely not to
+ subscribe to that press-clippings bureau.&rdquo;
+ </p>
+ <p>
+ His mother smiled. &ldquo;You mustn&rsquo;t let prosperity corrupt you, Philip.
+ Wouldn&rsquo;t seeing what the press is saying of it distract you from the real
+ aim you had in your story?&rdquo;
+ </p>
+ <p>
+ &ldquo;We&rsquo;re all weak, of course. It might, if the story were not finished; but
+ as it is, I think I could be proof against the stupidest praise.&rdquo;
+ </p>
+ <p>
+ &ldquo;Well, for my part, I&rsquo;m glad you didn&rsquo;t subscribe to the clippings bureau.
+ It would have been a disturbing element.&rdquo; She now looked down at the
+ letters as if she were going to take them up, and he followed the
+ direction of her eyes. As if reminded of the fact by this, he said:
+ </p>
+ <p>
+ &ldquo;Armiger asked me if I had ever heard anything more from that girl.&rdquo;
+ </p>
+ <p>
+ &ldquo;Has he?&rdquo; his mother eagerly asked, transferring her glance from the
+ letters to her son&rsquo;s face.
+ </p>
+ <p>
+ &ldquo;Not a word. I think I silenced her thoroughly.&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes,&rdquo; his mother said. &ldquo;There could have been no good object in
+ prolonging the affair and letting her confirm herself in the notion that
+ she was of sufficient importance either to you or to him for you to
+ continue the correspondence with her. She couldn&rsquo;t learn too distinctly
+ that she had done&mdash;a very wrong thing in trying to play such a trick
+ on you.&rdquo;
+ </p>
+ <p>
+ &ldquo;That was the way I looked at it,&rdquo; Verrian said, but he drew a light sigh,
+ rather wearily.
+ </p>
+ <p>
+ &ldquo;I hope,&rdquo; his mother said, with a recurrent glance at the letters, &ldquo;that
+ there is nothing of that silly kind among these.&rdquo;
+ </p>
+ <p>
+ &ldquo;No, these are blameless enough, unless they are to be blamed for being
+ too flattering. That girl seems to be sole of her kind, unless the girl
+ that she &lsquo;got together with&rsquo; was really like her.&rdquo;
+ </p>
+ <p>
+ &ldquo;I don&rsquo;t believe there was any other girl. I never thought there was more
+ than one.&rdquo;
+ </p>
+ <p>
+ &ldquo;There seemed to be two styles and two grades of culture, such as they
+ were.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, she could easily imitate two manners. She must have been a clever
+ girl,&rdquo; Mrs. Verrian said, with that admiration for any sort of cleverness
+ in her sex which even very good women cannot help feeling.
+ </p>
+ <p>
+ &ldquo;Well, perhaps she was punished enough for both the characters she
+ assumed,&rdquo; Verrian said, with a smile that was not gay.
+ </p>
+ <p>
+ &ldquo;Don&rsquo;t think about her!&rdquo; his mother returned, with a perception of his
+ mood. &ldquo;I&rsquo;m only thankful that she&rsquo;s out of our lives in every sort of
+ way.&rdquo;
+ </p>
+ <p>
+ <a name="link2H_4_0006" id="link2H_4_0006">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ VI.
+ </h2>
+ <p>
+ Verrian said nothing, but he reflected with a sort of gloomy amusement how
+ impossible it was for any woman, even a woman so wide-minded and
+ high-principled as his mother, to escape the personal view of all things
+ and all persons which women take. He tacitly noted the fact, as the
+ novelist notes whatever happens or appears to him, but he let the occasion
+ drop out of his mind as soon as he could after it had dropped out of his
+ talk.
+ </p>
+ <p>
+ The night when the last number of his story came to them in the magazine,
+ and was already announced as a book, he sat up with his mother
+ celebrating, as he said, and exulting in the future as well as the past.
+ They had a little supper, which she cooked for him in a chafing-dish, in
+ the dining-room of the tiny apartment where they lived together, and she
+ made some coffee afterwards, to carry off the effect of the Newburg
+ lobster. Perhaps because there was nothing to carry off the effect of the
+ coffee, he heard her, through the partition of their rooms, stirring
+ restlessly after he had gone to bed, and a little later she came to his
+ door, which she set ajar, to ask, &ldquo;Are you awake, Philip?&rdquo;
+ </p>
+ <p>
+ &ldquo;You seem to be, mother,&rdquo; he answered, with an amusement at her question
+ which seemed not to have imparted itself to her when she came in and stood
+ beside his bed in her dressing-gown.
+ </p>
+ <p>
+ &ldquo;You don&rsquo;t think we have judged her too harshly, Philip?&rdquo;
+ </p>
+ <p>
+ &ldquo;Do you, mother?&rdquo;
+ </p>
+ <p>
+ &ldquo;No, I think we couldn&rsquo;t be too severe in a thing like that. She probably
+ thought you were like some of the other story-writers; she couldn&rsquo;t feel
+ differences, shades. She pretended to be taken with the circumstances of
+ your work, but she had to do that if she wanted to fool you. Well, she has
+ got her come-uppings, as she would probably say.&rdquo;
+ </p>
+ <p>
+ Verrian replied, thoughtfully, &ldquo;She didn&rsquo;t strike me as a country person&mdash;at
+ least, in her first letter.&rdquo;
+ </p>
+ <p>
+ &ldquo;Then you still think she didn&rsquo;t write both?&rdquo;
+ </p>
+ <p>
+ &ldquo;If she did, she was trying her hand in a personality she had invented.&rdquo;
+ </p>
+ <p>
+ &ldquo;Girls are very strange,&rdquo; his mother sighed. &ldquo;They like excitement,
+ adventure. It&rsquo;s very dull in those little places. I shouldn&rsquo;t wish you to
+ think any harm of the poor thing.&rdquo;
+ </p>
+ <p>
+ &ldquo;Poor thing? Why this magnanimous compassion, mother?&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, nothing. But I know how I was myself when I was a girl. I used almost
+ to die of hunger for something to happen. Can you remember just what you
+ said in your letter?&rdquo;
+ </p>
+ <p>
+ Verrian laughed. &ldquo;NO, I can&rsquo;t. But I don&rsquo;t believe I said half enough.
+ You&rsquo;re nervous, mother.&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, I am. But don&rsquo;t you get to worrying. I merely got to thinking how I
+ should hate to have anybody&rsquo;s unhappiness mixed up with this happiness of
+ ours. I do so want your pleasure in your success to be pure, not tainted
+ with the pain of any human creature.&rdquo;
+ </p>
+ <p>
+ Verrian answered with light cynicism: &ldquo;It will be tainted with the pain of
+ the fellows who don&rsquo;t like me, or who haven&rsquo;t succeeded, and they&rsquo;ll take
+ care to let me share their pain if ever they can. But if you mean that
+ merry maiden up country, she&rsquo;s probably thinking, if she thinks about it
+ at all, that she&rsquo;s the luckiest girl in the United States to have got out
+ of an awful scrape so easily. At the worst, I only had fun with her in my
+ letter. Probably she sees that she has nothing to grieve for but her own
+ break.&rdquo;
+ </p>
+ <p>
+ &ldquo;No, and you did just as you should have done; and I am glad you don&rsquo;t
+ feel bitterly about it. You don&rsquo;t, do you?&rdquo;
+ </p>
+ <p>
+ &ldquo;Not the least.&rdquo;
+ </p>
+ <p>
+ His mother stooped over and kissed him where he lay smiling. &ldquo;Well, that&rsquo;s
+ good. After all, it&rsquo;s you I cared for. Now I can say good-night.&rdquo; But she
+ lingered to tuck him in a little, from the persistence of the mother
+ habit. &ldquo;I wish you may never do anything that you will be sorry for.&rdquo;
+ </p>
+ <p>
+ &ldquo;Well, I won&rsquo;t&mdash;if it&rsquo;s a good action.&rdquo;
+ </p>
+ <p>
+ They laughed together, and she left the room, still looking back to see if
+ there was anything more she could do for him, while he lay smiling,
+ intelligently for what she was thinking, and patiently for what she was
+ doing.
+ </p>
+ <p>
+ <a name="link2H_4_0007" id="link2H_4_0007">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ VII.
+ </h2>
+ <p>
+ Even in the time which was then coming and which now is, when successful
+ authors are almost as many as millionaires, Verrian&rsquo;s book brought him a
+ pretty celebrity; and this celebrity was in a way specific. It related to
+ the quality of his work, which was quietly artistic and psychological,
+ whatever liveliness of incident it uttered on the surface. He belonged to
+ the good school which is of no fashion and of every time, far both from
+ actuality and unreality; and his recognition came from people whose
+ recognition was worth having. With this came the wider notice which was
+ not worth having, like the notice of Mrs. Westangle, since so well known
+ to society reporters as a society woman, which could not be called
+ recognition of him, because it did not involve any knowledge of his book,
+ not even its title. She did not read any sort of books, and she
+ assimilated him by a sort of atmospheric sense. She was sure of nothing
+ but the attention paid him in a certain very goodish house, by people whom
+ she heard talking in unintelligible but unmistakable praise, when she
+ said, casually, with a liquid glitter of her sweet, small eyes, &ldquo;I wish
+ you would come down to my place, Mr. Verrian. I&rsquo;m asking a few young
+ people for Christmas week. Will you?&rdquo;
+ </p>
+ <p>
+ &ldquo;Why, thank you&mdash;thank you very much,&rdquo; Verrian said, waiting to hear
+ more in explanation of the hospitality launched at him. He had never seen
+ Mrs. Westangle till then, or heard of her, and he had not the least notion
+ where she lived. But she seemed to have social authority, though Verrian,
+ in looking round at his hostess and her daughter, who stood near, letting
+ people take leave, learned nothing from their common smile. Mrs. Westangle
+ had glided close to him, in the way she had of getting very near without
+ apparently having advanced by steps, and she stood gleaming and twittering
+ up at him.
+ </p>
+ <p>
+ &ldquo;I shall send you a little note; I won&rsquo;t let you forget,&rdquo; she said. Then
+ she suddenly shook hands with the ladies of the house and was flashingly
+ gone.
+ </p>
+ <p>
+ Verrian thought he might ask the daughter of the house, &ldquo;And if I don&rsquo;t
+ forget, am I engaged to spend Christmas week with her?&rdquo;
+ </p>
+ <p>
+ The girl laughed. &ldquo;If she doesn&rsquo;t forget, you are. But you&rsquo;ll have a good
+ time. She&rsquo;ll know how to manage that.&rdquo; Other guests kept coming up to take
+ leave, and Verrian, who did not want to go just yet, was retired to the
+ background, where the girl&rsquo;s voice, thrown over her shoulder at him,
+ reached him in the words, as gay as if they were the best of the joke,
+ &ldquo;It&rsquo;s on the Sound.&rdquo;
+ </p>
+ <p>
+ The inference was that Mrs. Westangle&rsquo;s place was on the Sound; and that
+ was all Verrian knew about it till he got her little note. Mrs. Westangle
+ knew how to write in a formless hand, but she did not know how to spell,
+ and she had thought it best to have a secretary who could write well and
+ spell correctly. Though, as far as literacy was concerned, she was such an
+ almost incomparably ignorant woman, she had all the knowledge the best
+ society wants, or, if she found herself out of any, she went and bought
+ some; she was able to buy almost anything.
+ </p>
+ <p>
+ Verrian thanked the secretary for remembering him, in the belief that he
+ was directly thanking Mrs. Westangle, whose widespread consciousness his
+ happiness in accepting did not immediately reach; and in the very large
+ house party, which he duly joined under her roof, he was aware of losing
+ distinctiveness almost to the point of losing identity. This did not quite
+ happen on the way to Belford, for, when he went to take his seat in the
+ drawing-room car, a girl in the chair fronting him put out her hand with
+ the laugh of Miss Macroyd.
+ </p>
+ <p>
+ &ldquo;She did remember you!&rdquo; she cried out. &ldquo;How delightful! I don&rsquo;t see how
+ she ever got onto you&rdquo;&mdash;she made the slang her own&mdash;&ldquo;in the
+ first place, and she must have worked hard to be sure of you since.&rdquo;
+ </p>
+ <p>
+ Verrian hung up his coat and put his suit-case behind his chair, the
+ porter having put it where he could not wheel himself vis-a-vis with the
+ girl. &ldquo;She took all the time there was,&rdquo; he answered. &ldquo;I got my invitation
+ only the day before yesterday, and if I had been in more demand, or had a
+ worse conscience&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, do say worse conscience! It&rsquo;s so much more interesting,&rdquo; the girl
+ broke in.
+ </p>
+ <p>
+ &ldquo;&mdash;I shouldn&rsquo;t have the pleasure of going to Seasands with you now,&rdquo;
+ he concluded, and she gave her laugh. &ldquo;Do I understand that simply my
+ growing fame wouldn&rsquo;t have prevailed with her?&rdquo;
+ </p>
+ <p>
+ Anything seemed to make Miss Macroyd laugh. &ldquo;She couldn&rsquo;t have cared about
+ that, and she wouldn&rsquo;t have known. You may be sure that it was a social
+ question with her after the personal question was settled. She must have
+ liked your looks!&rdquo; Again Miss Macroyd laughed.
+ </p>
+ <p>
+ &ldquo;On that side I&rsquo;m invulnerable. It&rsquo;s only a literary vanity to be soothed
+ or to be wounded that I have,&rdquo; Verrian said.
+ </p>
+ <p>
+ &ldquo;Oh, there wouldn&rsquo;t be anything personal in her liking your looks. It
+ would be merely deciding that personally you would do,&rdquo; Miss Macroyd
+ laughed, as always, and Verrian put on a mock seriousness in asking:
+ </p>
+ <p>
+ &ldquo;Then I needn&rsquo;t be serious if there should happen to be anything so
+ Westangular as a Mr. Westangle?&rdquo;
+ </p>
+ <p>
+ &ldquo;Not the least in the world.&rdquo;
+ </p>
+ <p>
+ &ldquo;But there is something?&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, I believe so. But not probably at Seasands.&rdquo;
+ </p>
+ <p>
+ &ldquo;Is that her house?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes. Every other name had been used, and she couldn&rsquo;t say Soundsands.&rdquo;
+ </p>
+ <p>
+ &ldquo;Then where would the Mr. Westangular part more probably be found?&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, in Montana or Mesopotamia, or any of those places. Don&rsquo;t you know
+ about him? How ignorant literary people can be! Why, he was the
+ Amalgamated Clothespin. You haven&rsquo;t heard of that?&rdquo;
+ </p>
+ <p>
+ She went on to tell him, with gay digressions, about the invention which
+ enabled Westangle to buy up the other clothes-pins and merge them in his
+ own&mdash;to become a commercial octopus, clutching the throats of other
+ clothespin inventors in the tentacles of the Westangle pin. &ldquo;But he isn&rsquo;t
+ in clothespins now. He&rsquo;s in mines, and banks, and steamboats, and
+ railroads, and I don&rsquo;t know what all; and Mrs. Westangle, the second of
+ her name, never was in clothespins.&rdquo;
+ </p>
+ <p>
+ Miss Macroyd laughed all through her talk, and she was in a final burst of
+ laughing when the train slowed into Stamford. There a girl came into the
+ car trailing her skirts with a sort of vivid debility and overturning some
+ minor pieces of hand-baggage which her draperies swept out of their
+ shelter beside the chairs. She had to take one of the seats which back
+ against the wall of the state-room, where she must face the whole length
+ of the car. She sat weakly fallen back in the chair and motionless, as if
+ almost unconscious; but after the train had begun to stir she started up,
+ and with a quick flinging of her veil aside turned to look out of the
+ window. In the flying instant Verrian saw a colorless face with pinched
+ and sunken eyes under a worn-looking forehead, and a withered mouth whose
+ lips parted feebly.
+ </p>
+<div class="fig" style="width:50%;"> <img src="images/{0008}.jpg" alt="{0008}" width="100%" /><br /> </div> <h5> <a href="images/{0008}.jpg"> <img src="images/enlarge.jpg" alt="" /> </a> </h5>
+
+ <p>
+ On her part, Miss Macroyd had doubtless already noted that the girl was,
+ with no show of expensiveness, authoritatively well gowned and personally
+ hatted. She stared at her, and said, &ldquo;What a very hunted and escaping
+ effect.&rdquo;
+ </p>
+ <p>
+ &ldquo;She does look rather-fugitive,&rdquo; Verrian agreed, staring too.
+ </p>
+ <p>
+ &ldquo;One might almost fancy&mdash;an asylum.&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, or a hospital.&rdquo;
+ </p>
+ <p>
+ They continued both to stare at her, helpless for what ever different
+ reasons to take their eyes away, and they were still interested in her
+ when they heard her asking the conductor, &ldquo;Must I change and take another
+ train before we get to Belford? My friends thought&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;No, this train stops at Southfield,&rdquo; the conductor answered, absently
+ biting several holes into her drawing-room ticket.
+ </p>
+ <p>
+ &ldquo;Can she be one of us?&rdquo; Miss Macroyd demanded, in a dramatic whisper.
+ </p>
+ <p>
+ &ldquo;She might be anything,&rdquo; Verrian returned, trying instantly, with a whir
+ of his inventive machinery, to phrase her. He made a sort of luxurious
+ failure of it, and rested content with her face, which showed itself now
+ in profile and now fronted him in full, and now was restless and now
+ subsided in a look of delicate exhaustion. He would have said, if he would
+ have said anything absolute, that she was a person who had something on
+ her mind; at instants she had that hunted air, passing at other instants
+ into that air of escape. He discussed these appearances with Miss Macroyd,
+ but found her too frankly disputatious; and she laughed too much and too
+ loud.
+ </p>
+ <p>
+ <a name="link2H_4_0008" id="link2H_4_0008">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ VIII.
+ </h2>
+ <p>
+ At Southfield, where they all descended, Miss Macroyd promptly possessed
+ herself of a groom, who came forward tentatively, touching his hat. &ldquo;Miss
+ Macroyd?&rdquo; she suggested.
+ </p>
+ <p>
+ &ldquo;Yes, miss,&rdquo; the man said, and led the way round the station to the
+ victoria which, when Miss Macroyd&rsquo;s maid had mounted to the place beside
+ her, had no room; for any one else.
+ </p>
+ <p>
+ Verrian accounted for her activity upon the theory of her quite
+ justifiable wish not to arrive at Seasands with a young man whom she might
+ then have the effect of having voluntarily come all the way with; and
+ after one or two circuits of the station it was apparent to him that he
+ was not to have been sent for from Mrs. Westangle&rsquo;s, but to have been left
+ to the chances of the local drivers and their vehicles. These were reduced
+ to a single carryall and a frowsy horse whose rough winter coat recalled
+ the aspect of his species in the period following the glacial epoch. The
+ mud, as of a world-thaw, encrusted the wheels and curtains of the
+ carryall.
+ </p>
+ <p>
+ Verrian seized upon it and then went into the waiting-room, where he had
+ left his suit-case. He found the stranger there in parley with the young
+ woman in the ticket-office about a conveyance to Mrs. Westangle&rsquo;s. It
+ proved that he had secured not only the only thing of the sort, but the
+ only present hope of any other, and in the hard case he could not hesitate
+ with distress so interesting. It would have been brutal to drive off and
+ leave that girl there, and it would have been a vulgar flourish to put the
+ entire vehicle at her service. Besides, and perhaps above all, Verrian had
+ no idea of depriving himself of such a chance as heaven seemed to offer
+ him.
+ </p>
+ <p>
+ He advanced with the delicacy of the highest-bred hero he could imagine,
+ and said, &ldquo;I am going to Mrs. Westangle&rsquo;s, and I&rsquo;m afraid I&rsquo;ve got the
+ only conveyance&mdash;such as it is. If you would let me offer you half of
+ it? Mr. Verrian,&rdquo; he added, at the light of acceptance instantly kindling
+ in her face, which flushed thinly, as with an afterglow of invalidism.
+ </p>
+ <p>
+ &ldquo;Why, thank you; I&rsquo;m afraid I must, Mr. Merriam,&rdquo; and Verrian was aware of
+ being vexed at her failure to catch his name; the name of Verrian ought to
+ have been unmistakable. &ldquo;The young lady in the office says there won&rsquo;t be
+ another, and I&rsquo;m expected promptly.&rdquo; She added, with a little tremor of
+ the lip, &ldquo;I don&rsquo;t understand why Mrs. Westangle&mdash;&rdquo; But then she
+ stopped.
+ </p>
+ <p>
+ Verrian interpreted for her: &ldquo;The sea-horses must have given out at
+ Seasands. Or probably there&rsquo;s some mistake,&rdquo; and he reflected bitterly
+ upon the selfishness of Miss Macroyd in grabbing that victoria for herself
+ and her maid, not considering that she could not know, and has no business
+ to ask, whether this girl was going to Mrs. Westangle&rsquo;s, too. &ldquo;Have you a
+ check?&rdquo; he asked. &ldquo;I think our driver could find room for something
+ besides my valise. Or I could have it come&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Not at all,&rdquo; the girl said. &ldquo;I sent my trunk ahead by express.&rdquo;
+ </p>
+ <p>
+ A frowsy man, to match the frowsy horse, looked in impatiently. &ldquo;Any other
+ baggage?&rdquo;
+ </p>
+ <p>
+ &ldquo;No,&rdquo; Verrian answered, and he led the way out after the vanishing driver.
+ &ldquo;Our chariot is back here in hiding, Miss&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Shirley,&rdquo; she said, and trailed before him through the door he opened.
+ </p>
+ <p>
+ He felt that he did not do it as a man of the world would have done it,
+ and in putting her into the ramshackle carryall he knew that he had not
+ the grace of the sort of man who does nothing else. But Miss Shirley
+ seemed to have grace enough, of a feeble and broken sort, for both, and he
+ resolved to supply his own lack with sincerity. He therefore set his jaw
+ firmly and made its upper angles jut sharply through his clean-shaven
+ cheeks. It was well that Miss Shirley had some beauty to spare, too, for
+ Verrian had scarcely enough for himself. Such distinction as he had was
+ from a sort of intellectual tenseness which showed rather in the gaunt
+ forms of his face than in the gray eyes, heavily lashed above and below,
+ and looking serious but dull with their rank, black brows. He was chewing
+ a cud of bitterness in the accusal he made himself of having forced Miss
+ Shirley to give her name; but with that interesting personality at his
+ side, under the same tattered and ill-scented Japanese goat-skin, he could
+ not refuse to be glad, with all his self-blame.
+ </p>
+ <p>
+ &ldquo;I&rsquo;m afraid it&rsquo;s rather a long drive-for you, Miss Shirley,&rdquo; he ventured,
+ with a glance at her face, which looked very little under her hat. &ldquo;The
+ driver says it&rsquo;s five miles round through the marshes.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, I shall not mind,&rdquo; she said, courageously, if not cheerfully, and he
+ did not feel authorized further to recognize the fact that she was an
+ invalid, or at best a convalescent.
+ </p>
+ <p>
+ &ldquo;These wintry tree-forms are fine, though,&rdquo; he found himself obliged to
+ conclude his apology, rather irrelevantly, as the wheels of the rattling,
+ and tilting carry all crunched the surface of the road in the succession
+ of jerks responding to the alternate walk and gallop of the horse.
+ </p>
+ <p>
+ &ldquo;Yes, they are,&rdquo; Miss Shirley answered, looking around with a certain
+ surprise, as if seeing them now for the first time. &ldquo;So much variety of
+ color; and that burnished look that some of them have.&rdquo; The trees, far and
+ near, were giving their tones and lustres in the low December sun.
+ </p>
+ <p>
+ &ldquo;Yes,&rdquo; he said, &ldquo;it&rsquo;s decidedly more refined than the autumnal coloring we
+ brag of.&rdquo;
+ </p>
+ <p>
+ &ldquo;It is,&rdquo; she approved, as with novel conviction. &ldquo;The landscape is really
+ beautiful. So nice and flat,&rdquo; she added.
+ </p>
+ <p>
+ He took her intention, and he said, as he craned his neck out of the
+ carryall to include the nearer roadside stretches, with their low bushes
+ lifting into remoter trees, &ldquo;It&rsquo;s restful in a way that neither the
+ mountains nor the sea, quite manage.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh yes,&rdquo; she sighed, with a kind of weariness which explained itself in
+ what she added: &ldquo;It&rsquo;s the kind of thing you&rsquo;d like to have keep on and
+ on.&rdquo; She seemed to say that more to herself than to him, and his eyes
+ questioned her. She smiled slightly in explaining: &ldquo;I suppose I find it
+ all the more beautiful because this is my first real look into the world
+ after six months indoors.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh!&rdquo; he said, and there was no doubt a prompting in his tone.
+ </p>
+ <p>
+ She smiled still. &ldquo;Sick people are terribly, egotistical, and I suppose
+ it&rsquo;s my conceit of having been the centre of the universe so lately that
+ makes me mention it.&rdquo; And here she laughed a little at herself, showing a
+ charming little peculiarity in the catch of her upper lip on her teeth.
+ &ldquo;But this is divine&mdash;this air and this sight.&rdquo; She put her head out
+ of her side of the carryall, and drank them in with her lungs and eyes.
+ </p>
+ <p>
+ When she leaned back again on the seat she said, &ldquo;I can&rsquo;t get enough of
+ it.&rdquo;
+ </p>
+ <p>
+ &ldquo;But isn&rsquo;t this old rattletrap rather too rough for you?&rdquo; he asked.
+ </p>
+ <p>
+ &ldquo;Oh no,&rdquo; she said, visiting him with a furtive turn of her eyes. &ldquo;It&rsquo;s
+ quite ideally what invalids in easy circumstances are advised to take
+ carriage exercise.&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, it&rsquo;s certainly carriage exercise,&rdquo; Verrian admitted in the same
+ spirit, if it was a drolling spirit. He could not help being amused by the
+ situation in which they had been brought together, through the vigorous
+ promptitude of Miss Macroyd in making the victoria her own, and the easy
+ indifference of Mrs. Westangle as to how they should get to her house. If
+ he had been alone he might have felt the indifference as a slight, but as
+ it was he felt it rather a favor. If Miss Shirley was feeling it a slight,
+ she was too secret or too sweet to let it be known, and he thought that
+ was nice of her. Still, he believed he might recognize the fact without
+ deepening a possible hurt of hers, and he added, with no apparent
+ relevance, &ldquo;If Mrs. Westangle was not looking for us on this train, she
+ will find that it is the unexpected which happens.&rdquo;
+ </p>
+ <p>
+ &ldquo;We are certainly going to happen,&rdquo; the girl said, with an acceptance of
+ the plural which deepened the intimacy of the situation, and which was not
+ displeasing to Verrian when she added, &ldquo;If our friend&rsquo;s vehicle holds
+ out.&rdquo; Then she turned her face full upon him, with what affected him as
+ austere resolution, in continuing, &ldquo;But I can&rsquo;t let you suppose that
+ you&rsquo;re conveying a society person, or something of that sort, to Mrs.
+ Westangle&rsquo;s.&rdquo; His own face expressed his mystification, and she concluded,
+ &ldquo;I&rsquo;m simply going there to begin my work.&rdquo;
+ </p>
+ <p>
+ He smiled provisionally in temporizing with the riddle. &ldquo;You women are
+ wonderful, nowadays, for the work you do.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, but,&rdquo; she protested, nervously, anxiously, &ldquo;it isn&rsquo;t good work that
+ I&rsquo;m going to do&mdash;I understand what you mean&mdash;it&rsquo;s work for a
+ living. I&rsquo;ve no business to be arriving with an invited guest, but it
+ seemed to be a question of arriving or not at the time when I was due.&rdquo;
+ </p>
+ <p>
+ <a name="link2H_4_0009" id="link2H_4_0009">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ IX.
+ </h2>
+ <p>
+ Verrian stared at her now from a visage that was an entire blank, though
+ behind it conjecture was busy, and he was asking himself whether his
+ companion was some new kind of hair-dresser, or uncommonly cultivated
+ manicure, or a nursery governess obeying a hurry call to take a place in
+ Mrs. Westangle&rsquo;s household, or some sort of amateur housekeeper arriving
+ to supplant a professional. But he said nothing.
+ </p>
+ <p>
+ Miss Shirley said, with a distress which was genuine, though he perceived
+ a trace of amusement in it, too, &ldquo;I see that I will have to go on.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, do!&rdquo; he made out to utter.
+ </p>
+ <p>
+ &ldquo;I am going to Mrs. Westangle&rsquo;s as a sort of mistress of the revels. The
+ business is so new that it hasn&rsquo;t got its name yet, but if I fail it won&rsquo;t
+ need any. I invented it on a hint I got from a girl who undertakes the
+ floral decorations for parties. I didn&rsquo;t see why some one shouldn&rsquo;t
+ furnish suggestions for amusements, as well as flowers. I was always
+ rather lucky at that in my own fam&mdash;at my father&rsquo;s&mdash;&rdquo; She pulled
+ herself sharply up, as if danger lay that way. &ldquo;I got an introduction to
+ Mrs. Westangle, and she&rsquo;s to let me try. I am going to her simply as part
+ of the catering, and I&rsquo;m not to have any recognition in the hospitalities.
+ So it wasn&rsquo;t necessary for her to send for me at the station, except as a
+ means of having me on the ground in good season. I have to thank you for
+ that, and&mdash;I thank you.&rdquo; She ended in a sigh.
+ </p>
+ <p>
+ &ldquo;It&rsquo;s very interesting,&rdquo; Verrian said, and he hoped he was not saying it
+ in any ignoble way.
+ </p>
+ <p>
+ He was very presently to learn. Round a turn of the road there came a
+ lively clacking of horses&rsquo; shoes on the hard track, with the muted rumble
+ of rubber-tired wheels, and Mrs. Westangle&rsquo;s victoria dashed into view.
+ The coachman had made a signal to Verrian&rsquo;s driver, and the vehicles
+ stopped side by side. The footman instantly came to the door of the
+ carryall, touching his hat to Verrian.
+ </p>
+ <p>
+ &ldquo;Going to Mrs. Westangle&rsquo;s, sir?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes.&rdquo;
+ </p>
+ <p>
+ &ldquo;Mrs. Westangle&rsquo;s carriage. Going to the station for you, sir.&rdquo;
+ </p>
+ <p>
+ &ldquo;Miss Shirley,&rdquo; Verrian said, &ldquo;will you change?&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh no,&rdquo; she answered, quickly, &ldquo;it&rsquo;s better for me to go on as I am. But
+ the carriage was sent for you. You must&mdash;&rdquo;
+ </p>
+ <p>
+ Verrian interrupted to ask the footman, &ldquo;How far is it yet to Mrs.
+ Westangle&rsquo;s?&rdquo;
+ </p>
+ <p>
+ &ldquo;About a mile, sir.&rdquo;
+ </p>
+ <p>
+ &ldquo;I think I won&rsquo;t change for such a short distance. I&rsquo;ll keep on as I am,&rdquo;
+ Verrian said, and he let the goatskin, which he had half lifted to free
+ Miss Shirley for dismounting, fall back again. &ldquo;Go ahead, driver.&rdquo;
+ </p>
+ <p>
+ She had been making several gasping efforts at speech, accompanied with
+ entreating and protesting glances at Verrian in the course of his brief
+ colloquy with the footman. Now, as the carryall lurched forward again, and
+ the victoria wheeled and passed them on its way back, she caught her
+ handkerchief to her face, and to Verrian&rsquo;s dismay sobbed into it. He let
+ her cry, as he must, in the distressful silence which he could not be the
+ first to break. Besides, he did not know how she was taking it all till
+ she suddenly with threw her handkerchief and pulled down her veil. Then
+ she spoke three heart-broken words, &ldquo;How could you!&rdquo; and he divined that
+ he must have done wrong.
+ </p>
+ <p>
+ &ldquo;What ought I to have done?&rdquo; he asked, with sullen humility.
+ </p>
+ <p>
+ &ldquo;You ought to have taken the victoria.&rdquo;
+ </p>
+ <p>
+ &ldquo;How could I?&rdquo;
+ </p>
+ <p>
+ &ldquo;You ought to have done it.&rdquo;
+ </p>
+ <p>
+ &ldquo;I think you ought to have done it yourself, Miss Shirley,&rdquo; Verrian said,
+ feeling like the worm that turns. He added, less resentfully, &ldquo;We ought
+ both to have taken it.&rdquo;
+ </p>
+ <p>
+ &ldquo;No, Mrs. Westangle might have felt, very properly, that it was
+ presumptuous in me, whether I came alone in it or with you. Now we shall
+ arrive together in this thing, and she will be mortified for you and vexed
+ with me. She will blame me for it, and she will be right, for it would
+ have been very well for me to drive up in a shabby station carryall; but
+ an invited guest&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;No, indeed, she shall not blame you, Miss Shirley. I will make a point of
+ taking the whole responsibility. I will tell her&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Mr. Merriam!&rdquo; she cried, in anguish. &ldquo;Will you please do nothing of the
+ kind? Do you want to make bad worse? Leave the explaining altogether to
+ me, please. Will you promise that?&rdquo;
+ </p>
+ <p>
+ &ldquo;I will promise that&mdash;or anything&mdash;if you insist,&rdquo; Verrian
+ sulked.
+ </p>
+ <p>
+ She instantly relented a little. &ldquo;You mustn&rsquo;t think me unreasonable. But I
+ was determined to carry my undertaking through on business principles, and
+ you have spoiled my chance&mdash;I know you meant it kindly or, if not
+ spoiled, made it more difficult. Don&rsquo;t think me ungrateful. Mr. Merriam&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;My name isn&rsquo;t Merriam,&rdquo; he resented, at last, a misnomer which had
+ annoyed him from the first.
+ </p>
+ <p>
+ &ldquo;Oh, I am so glad! Don&rsquo;t tell me what it is!&rdquo; she said, giving a laugh
+ which had to go on a little before he recognized the hysterical quality in
+ it. When she could check it she explained: &ldquo;Now we are not even
+ acquainted, and I can thank a stranger for the kindness you have shown me.
+ I am truly grateful. Will you do me another favor?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes,&rdquo; Verrian assented; but he thought he had a right to ask, as though
+ he had not promised, &ldquo;What is it?&rdquo;
+ </p>
+ <p>
+ &ldquo;Not to speak of me to Mrs. Westangle unless she speaks of me first.&rdquo;
+ </p>
+ <p>
+ &ldquo;That&rsquo;s simple. I don&rsquo;t know that I should have any right to speak of
+ you.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh yes, you would. She will expect you, perhaps, to laugh about the
+ little adventure, and I would rather she began the laughing you have been
+ so good.&rdquo;
+ </p>
+ <p>
+ &ldquo;All right. But wouldn&rsquo;t my silence make it rather more awkward?&rdquo;
+ </p>
+ <p>
+ &ldquo;I will take care of the awkwardness, thank you. And you promise?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, I promise.&rdquo;
+ </p>
+ <p>
+ &ldquo;That is very good of you.&rdquo; She put her hand impulsively across the
+ goat-skin, and gave his, with which he took it in some surprise, a quick
+ clasp. Then they were both silent, and they got out of the carryall under
+ Mrs. Westangle&rsquo;s porte-cochere without having exchanged another word. Miss
+ Shirley did not bow to him or look at him in parting.
+ </p>
+ <p>
+ <a name="link2H_4_0010" id="link2H_4_0010">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ X.
+ </h2>
+ <p>
+ Verrian kept seeing before his inner eyes the thin face of the girl,
+ dimmed rather than lighted with her sick yes. When she should be stronger,
+ there might be a pale flush in it, like sunset on snow, but Verrian had to
+ imagine that. He did not find it difficult to imagine many things about
+ the girl, whom, in another mood, a more judicial mood, he might have
+ accused of provoking him to imagine them. As it was, he could not help
+ noting to that second self which we all have about us, that her
+ confidences, such as they were, had perhaps been too voluntary; certainly
+ they had not been quite obligatory, and they could not be quite accounted
+ for, except upon the theory of nerves not yet perfectly under her control.
+ To be sure, girls said all sorts of things to one, ignorantly and
+ innocently; but she did not seem the kind of girl who, in different
+ circumstances, would have said anything that she did not choose or that
+ she did not mean to say. She had been surprisingly frank, and yet, at
+ heart, Verrian would have thought she was a very reticent person or a
+ secret person&mdash;that is, mentally frank and sentimentally secret;
+ possibly she was like most women in that. What he was sure of was that the
+ visual impression of her which he had received must have been very vivid
+ to last so long in his consciousness; all through his preparations for
+ going down to afternoon tea her face remained subjectively before him, and
+ when he went down and found himself part of a laughing and chattering
+ company in the library he still found it, in his inner sense, here, there,
+ and yonder.
+ </p>
+ <p>
+ He was aware of suffering a little disappointment in Mrs. Westangle&rsquo;s
+ entire failure to mention Miss Shirley, though he was aware that his
+ disappointment was altogether unreasonable, and he more reasonably decided
+ that if she knew anything of his arrival, or the form of it, she had too
+ much of the making of a grande dame to be recognizant of it. He did not
+ know from her whether she had meant to send for him at the station or not,
+ or whether she had sent her carriage back for him when he did not arrive
+ in it at first. Nothing was left in her manner of such slight
+ specialization as she had thrown into it when, at the Macroyds&rsquo;, she asked
+ him down to her house party; she seemed, if there were any difference, to
+ have acquired an additional ignorance of who and what he was, though she
+ twittered and flittered up close to his elbow, after his impersonal
+ welcome, and asked him if she might introduce him to the young lady who
+ was pouring tea for her, and who, after the brief drama necessary for
+ possessing him of a cup of it, appeared to have no more use for him than
+ Mrs. Westangle herself had. There were more young men than young women in
+ the room, but he imagined the usual superabundance of girlhood temporarily
+ absent for repair of the fatigues of the journey. Every girl in the room
+ had at least one man talking to her, and the girl who was pouring tea had
+ one on each side of her and was trying to fix them both with an eye lifted
+ towards each, while she struggled to keep her united gaze watchfully upon
+ the tea-urn and those who came up with cups to be filled or refilled.
+ </p>
+ <p>
+ Verrian thought his fellow-guests were all amiable enough looking, though
+ he made his reflection that they did not look, any of them, as if they
+ would set the Sound on fire; and again he missed the companion of his
+ arrival.
+ </p>
+ <p>
+ After he had got his cup of tea, he stood sipping it with a homeless air
+ which he tried to conceal, and cast a furtive eye round the room till it
+ rested upon the laughing face of Miss Macroyd. A young man was taking away
+ her teacup, and Verrian at once went up and seized his place.
+ </p>
+ <p>
+ &ldquo;How did you get here?&rdquo; she asked, rather shamelessly, since she had kept
+ him from coming in the victoria, but amusingly, since she seemed to see it
+ as a joke, if she saw it at all.
+ </p>
+ <p>
+ &ldquo;I walked,&rdquo; he answered.
+ </p>
+ <p>
+ &ldquo;Truly?&rdquo;
+ </p>
+ <p>
+ &ldquo;No, not truly.&rdquo;
+ </p>
+ <p>
+ &ldquo;But, truly, how did you? Because I sent the carriage back for you.&rdquo;
+ </p>
+ <p>
+ &ldquo;That was very thoughtful of you. But I found a delightful public vehicle
+ behind the station, and I came in that. I&rsquo;m so glad to know that it wasn&rsquo;t
+ Mrs. Westangle who had the trouble of sending the carriage back for me.&rdquo;
+ </p>
+ <p>
+ Miss Macroyd laughed and laughed at his resentment. &ldquo;But surely you met it
+ on the way? I gave the man a description of you. Didn&rsquo;t he stop for you?&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh yes, but I was too proud to change by that time. Or perhaps I hated
+ the trouble.&rdquo;
+ </p>
+ <p>
+ Miss Macroyd laughed the more; then she purposely darkened her countenance
+ so as to suit it to her lugubrious whisper, &ldquo;How did she get here?&rdquo;
+ </p>
+ <p>
+ &ldquo;What she?&rdquo;
+ </p>
+ <p>
+ &ldquo;The mysterious fugitive. Wasn&rsquo;t she coming here, after all?&rdquo;
+ </p>
+ <p>
+ &ldquo;After all your trouble in supposing so?&rdquo; Verrian reflected a moment, and
+ then he said, deliberately, &ldquo;I don&rsquo;t know.&rdquo;
+ </p>
+ <p>
+ Miss Macroyd was not going to let him off like that. &ldquo;You don&rsquo;t know how
+ she came, or you don&rsquo;t know whether she was coming?&rdquo;
+ </p>
+ <p>
+ &ldquo;I didn&rsquo;t say.&rdquo;
+ </p>
+ <p>
+ Her laugh resounded again. &ldquo;Now you are trying to be wicked, and that is
+ very wrong for a novelist.&rdquo;
+ </p>
+ <p>
+ &ldquo;But what object could I have in concealing the fact from you, Miss
+ Macroyd?&rdquo; he entreated, with mock earnestness.
+ </p>
+ <p>
+ &ldquo;That is what I want to find out.&rdquo;
+ </p>
+ <p>
+ &ldquo;What are you two laughing so about?&rdquo; the voice of Mrs. Westangle
+ twittered at Verrian&rsquo;s elbow, and, looking down, he found her almost
+ touching it. She had a very long, narrow neck, and, since it was long and
+ narrow, she had the good sense not to palliate the fact or try to dress
+ the effect of it out of sight. She took her neck in both hands, as it
+ were, and put it more on show, so that you had really to like it. Now it
+ lifted her face, though she was not a tall person, well towards the level
+ of his; to be sure, he was himself only of the middle height of men,
+ though an aquiline profile helped him up.
+ </p>
+ <p>
+ He stirred the tea which he had ceased to drink, and said, &ldquo;I wasn&rsquo;t
+ &lsquo;laughing so about,&rsquo; Mrs. Westangle. It was Miss Macroyd.&rdquo;
+ </p>
+ <p>
+ &ldquo;And I was laughing so about a mysterious stranger that came up on the
+ train with us and got out at your station.&rdquo;
+ </p>
+ <p>
+ &ldquo;And I was trying to make out what was so funny in a mysterious stranger,
+ or even in her getting out at your station.&rdquo;
+ </p>
+ <p>
+ Mrs. Westangle was not interested in the case, or else she failed to seize
+ the joke. At any rate, she turned from them without further question and
+ went away to another part of the room, where she semi-attached herself in
+ like manner to another couple, and again left it for still another. This
+ was possibly her idea of looking after her guests; but when she had looked
+ after them a little longer in that way she left the room and let them look
+ after themselves till dinner.
+ </p>
+ <p>
+ &ldquo;Come, Mr. Verrian,&rdquo; Miss Macroyd resumed, &ldquo;what is the secret? I&rsquo;ll never
+ tell if you tell me.&rdquo;
+ </p>
+ <p>
+ &ldquo;You won&rsquo;t if I don&rsquo;t.&rdquo;
+ </p>
+ <p>
+ &ldquo;Now you are becoming merely trivial. You are ceasing even to be
+ provoking.&rdquo; Miss Macroyd, in token of her displeasure, laughed no longer.
+ </p>
+ <p>
+ &ldquo;Am I?&rdquo; he questioned; thoughtfully. &ldquo;Well, then, I am tempted to act upon
+ impulse.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, do act upon impulse for once,&rdquo; she urged. &ldquo;I&rsquo;m sure you&rsquo;ll enjoy it.&rdquo;
+ </p>
+ <p>
+ &ldquo;Do you mean that I&rsquo;m never impulsive?&rdquo;
+ </p>
+ <p>
+ &ldquo;I don&rsquo;t think you look it.&rdquo;
+ </p>
+ <p>
+ &ldquo;If you had seen me an hour ago you would have said I was very impulsive.
+ I think I may have exhausted myself in that direction, however. I feel the
+ impulse failing me now.&rdquo;
+ </p>
+ <p>
+ <a name="link2H_4_0011" id="link2H_4_0011">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ XI.
+ </h2>
+ <p>
+ His impulse really had failed him. It had been to tell Miss Macroyd about
+ his adventure and frankly trust her with it. He had liked her at several
+ former meetings rather increasingly, because she had seemed open and
+ honest beyond the most of women, but her piggish behavior at the station
+ had been rather too open and honest, and the sense of this now opportunely
+ intervened between him and the folly he was about to commit. Besides, he
+ had no right to give Miss Shirley&rsquo;s part in his adventure away, and, since
+ the affair was more vitally hers than his, to take it at all out of her
+ hands. The early-falling dusk had favored an unnoticed advent for them,
+ and there were other chances that had helped keep unknown their arrival
+ together at Mrs. Westangle&rsquo;s in that squalid carryall, such as Miss
+ Shirley&rsquo;s having managed instantly to slip indoors before the man came out
+ for Verrian&rsquo;s suit-case, and of her having got to her own appointed place
+ long before there was any descent of the company to the afternoon tea.
+ </p>
+ <p>
+ It was not for him now to undo all that and begin the laughing at the
+ affair, which she had pathetically intimated that she would rather some
+ one else should begin. He recoiled from his imprudence with a shock, but
+ he had the pleasure of having mystified Miss Macroyd. He felt dismissal in
+ the roving eye which she cast from him round the room, and he willingly
+ let another young man replace him at her side.
+ </p>
+ <p>
+ Yet he was not altogether satisfied. A certain meaner self that there was
+ in him was not pleased with his relegation even merely in his own
+ consciousness to the championship of a girl who was going to make her
+ living in a sort of menial way. It had better be owned for him that, in
+ his visions of literary glory, he had figured in social triumphs which,
+ though vague, were resplendent with the glitter of smart circles. He had
+ been so ignorant of such circles as to suppose they would have some use
+ for him as a brilliant young author; and though he was outwearing this
+ illusion, he still would not have liked a girl like Julia Macroyd, whose
+ family, if not smart, was at least chic, to know that he had come to the
+ house with a professional mistress of the revels, until Miss Shirley
+ should have approved herself chic, too. The notion of such an employment
+ as hers was in itself chic, but the girl was merely a paid part of the
+ entertainment, as yet, and had not risen above the hireling status. If she
+ had sunk to that level from a higher rank it would be all right, but there
+ was no evidence that she had ever been smart. Verrian would, therefore,
+ rather not be mixed up with her&mdash;at any rate, in the imagination of a
+ girl like Julia Macroyd; and as he left her side he drew a long breath of
+ relief and went and put down his teacup where he had got it.
+ </p>
+ <p>
+ By this time the girl who was &ldquo;pouring&rdquo; had exhausted one of the two
+ original guards on whom she had been dividing her vision, and Verrian made
+ a pretence, which she favored, that he had come up to push the man away.
+ The man gracefully submitted to be dislodged, and Verrian remained in the
+ enjoyment of one of the girl&rsquo;s distorted eyes till, yet another man coming
+ up, she abruptly got rid of Verrian by presenting him to yet another girl.
+ In such manoeuvres the hour of afternoon tea will pass; and the time
+ really wore on till it was time to dress for dinner.
+ </p>
+ <p>
+ By the time that the guests came down to dinner they were all able to
+ participate in the exchange of the discovery which each had made, that it
+ was snowing outdoors, and they kept this going till one girl had the
+ good-luck to say, &ldquo;I don&rsquo;t see anything so astonishing in that at this
+ time of year. Now, if it was snowing indoors, it would be different.&rdquo;
+ </p>
+ <p>
+ This relieved the tension in a general laugh, and a young man tried to
+ contribute further to the gayety by declaring that it would not be
+ surprising to have it snow in-doors. He had once seen the thing done in a
+ crowded hall, one night, when somebody put up a window, and the freezing
+ current of air congealed the respiration of the crowd, which came down in
+ a light fall of snow-flakes. He owned that it was in Boston.
+ </p>
+ <p>
+ &ldquo;Oh, that excuses it, then,&rdquo; Miss Macroyd said. But she lost the laugh
+ which was her due in the rush which some of the others made to open a
+ window and see whether it could be made to snow in-doors there.
+ </p>
+ <p>
+ &ldquo;Oh, it isn&rsquo;t crowded enough here,&rdquo; the young man explained who had
+ alleged the scientific marvel.
+ </p>
+ <p>
+ &ldquo;And it isn&rsquo;t Boston,&rdquo; Miss Macroyd tried again on the same string, and
+ this time she got her laugh.
+ </p>
+ <p>
+ The girl who had first spoken remained, at the risk of pneumonia, with her
+ arm prettily lifted against the open sash, for a moment peering out, and
+ then reported, in dashing it down with a shiver, &ldquo;It seems to be a very
+ soft snow.&rdquo;
+ </p>
+ <p>
+ &ldquo;Then it will be rain by morning,&rdquo; another predicted, and the girl tried
+ hard to think of something to say in support of the hit she had made
+ already. But she could not, and was silent almost through the whole first
+ course at dinner.
+ </p>
+ <p>
+ In spite of its being a soft snow, it continued to fall as snow and not as
+ rain. It lent the charm of stormy cold without to the brightness and
+ warmth within. Much later, when between waltzes some of the dancers went
+ out on the verandas for a breath of air, they came back reporting that the
+ wind was rising and the snow was drifting.
+ </p>
+ <p>
+ Upon the whole, the snow was a great success, and her guests congratulated
+ Mrs. Westangle on having thought to have it. The felicitations included
+ recognition of the originality of her whole scheme. She had downed the
+ hoary superstition that people had too much of a good time on Christmas to
+ want any good time at all in the week following; and in acting upon the
+ well-known fact that you never wanted a holiday so much as the day after
+ you had one, she had made a movement of the highest social importance.
+ These were the ideas which Verrian and the young man of the in-doors
+ snow-storm urged upon her; his name was Bushwick, and he and Verrian found
+ that they were very good-fellows after they had rather supposed the
+ contrary.
+ </p>
+ <p>
+ Mrs. Westangle received their ideas with the twittering reticence that
+ deceived so many people when they supposed she knew what they were talking
+ about.
+ </p>
+ <p>
+ <a name="link2H_4_0012" id="link2H_4_0012">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ XII.
+ </h2>
+ <p>
+ At breakfast, where the guests were reasonably punctual, they were all
+ able to observe, in the rapid succession in which they descended from
+ their rooms, that it had stopped snowing and the sun was shining
+ brilliantly.
+ </p>
+ <p>
+ &ldquo;There isn&rsquo;t enough for sleighing,&rdquo; Mrs. Westangle proclaimed from the
+ head of the table in her high twitter, &ldquo;and there isn&rsquo;t any coasting here
+ in this flat country for miles.&rdquo;
+ </p>
+ <p>
+ &ldquo;Then what are we going to do with it?&rdquo; one of the young ladies humorously
+ pouted.
+ </p>
+ <p>
+ &ldquo;That&rsquo;s what I was going to suggest,&rdquo; Mrs. Westangle replied. She
+ pronounced it &lsquo;sujjest&rsquo;, but no one felt that it mattered. &ldquo;And, of
+ course,&rdquo; she continued, &ldquo;you needn&rsquo;t any of you do it if you don&rsquo;t like.&rdquo;
+ </p>
+ <p>
+ &ldquo;We&rsquo;ll all do it, Mrs. Westangle,&rdquo; Bushwick said. &ldquo;We are unanimous in
+ that.&rdquo;
+ </p>
+ <p>
+ &ldquo;Perhaps you&rsquo;ll think it rather funny&mdash;odd,&rdquo; she said.
+ </p>
+ <p>
+ &ldquo;The odder the better, I think,&rdquo; Verrian ventured, and another man
+ declared that nothing Mrs. Westangle would do was odd, though everything
+ was original.
+ </p>
+ <p>
+ &ldquo;Well, there is such a thing as being too original,&rdquo; she returned. Then
+ she turned her head aside and looked down at something beside her plate
+ and said, without lifting her eyes, &ldquo;You know that in the Middle Ages
+ there used to be flower-fights among the young nobility in Italy. The
+ women held a tower, and the men attacked it with roses and flowers
+ generally.&rdquo;
+ </p>
+ <p>
+ &ldquo;Why, is this a speech?&rdquo; Miss Macroyd interrupted.
+ </p>
+ <p>
+ &ldquo;A speech from the throne, yes,&rdquo; Bushwick solemnly corrected her. &ldquo;And
+ she&rsquo;s got it written down, like a queen&mdash;haven&rsquo;t you, Mrs.
+ Westangle?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, I thought it would be more respectful.&rdquo;
+ </p>
+ <p>
+ &ldquo;She coming out,&rdquo; Bushwick said to Verrian across the table.
+ </p>
+ <p>
+ &ldquo;And if I got mixed up I could go back and straighten it,&rdquo; the hostess
+ declared, with a good&mdash;humored candor that took the general fancy,
+ &ldquo;and you could understand without so much explaining. We haven&rsquo;t got
+ flowers enough at this season,&rdquo; she went on, looking down again at the
+ paper beside her plate, &ldquo;but we happen to have plenty of snowballs, and
+ the notion is to have the women occupy a snow tower and the men attack
+ them with snowballs.&rdquo;
+ </p>
+ <p>
+ &ldquo;Why,&rdquo; Bushwick said, &ldquo;this is the snow-fort business of our boyhood!
+ Let&rsquo;s go out and fortify the ladies at once.&rdquo; He appealed to Verrian and
+ made a feint of pushing his chair back. &ldquo;May we use water-soaked
+ snowballs, or must they all be soft and harmless?&rdquo; he asked of Mrs.
+ Westangle, who was now the centre of a storm of applause and question from
+ the whole table.
+ </p>
+ <p>
+ She kept her head and referred again to her paper. &ldquo;The missiles of the
+ assailants are to be very soft snowballs, hardly more than mere clots, so
+ that nobody can be hurt in the assault, but the defenders may repel the
+ assailants with harder snowballs.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh,&rdquo; Miss Macroyd protested, &ldquo;this is consulting the weakness of our
+ sex.&rdquo;
+ </p>
+ <p>
+ &ldquo;In the fury of the onset we&rsquo;ll forget it,&rdquo; Verrian reassured her.
+ </p>
+ <p>
+ &ldquo;Do you think you really will, Mr. Verrian?&rdquo; she asked. &ldquo;What is all our
+ athletic training to go for if you do?&rdquo;
+ </p>
+ <p>
+ Mrs. Westangle read on:
+ </p>
+ <p>
+ &ldquo;The terms of capitulation can be arranged on the ground, whether the
+ castle is carried or the assailing party are made prisoners by its
+ defenders.&rdquo;
+ </p>
+ <p>
+ &ldquo;Hopeless captivity in either case!&rdquo; Bushwick lamented.
+ </p>
+ <p>
+ &ldquo;Isn&rsquo;t it rather academic?&rdquo; Miss Macroyd asked of Verrian, in a low voice.
+ </p>
+ <p>
+ &ldquo;I&rsquo;m afraid, rather,&rdquo; he owned.
+ </p>
+ <p>
+ &ldquo;But why are you so serious?&rdquo; she pursued.
+ </p>
+ <p>
+ &ldquo;Am I serious?&rdquo; he retorted, with a trace of exasperation; and she
+ laughed.
+ </p>
+ <p>
+ Their parley was quite lost in the clamor which raged up and down the
+ table till Mrs. Westangle ended it by saying, &ldquo;There&rsquo;s no obligation on
+ any one to take part in the hostilities. There won&rsquo;t be any conscription;
+ it&rsquo;s a free fight that will be open to everybody.&rdquo; She folded the paper
+ she had been reading from and put it in her lap, in default of a pocket.
+ She went on impromptu:
+ </p>
+ <p>
+ &ldquo;You needn&rsquo;t trouble about building the fort, Mr. Bushwick. I&rsquo;ve had the
+ farmer and his men working at the castle since daybreak, and the ladies
+ will find it all ready for them, when they&rsquo;re ready to defend it, down in
+ the meadow beyond the edge of the birch-lot. The battle won&rsquo;t begin till
+ eleven o&rsquo;clock.&rdquo;
+ </p>
+ <p>
+ She rose, and the clamor rose again with her, and her guests crushed about
+ her, demanding to be allowed at least to go and look at the castle
+ immediately.
+ </p>
+ <p>
+ One of the men&rsquo;s voices asked, &ldquo;May I be one of the defenders, Mrs.
+ Westangle? I want to be on the winning side, sure.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, is this going to be a circus chariot-race?&rdquo; another lamented.
+ </p>
+ <p>
+ &ldquo;No, indeed,&rdquo; a girl cried, &ldquo;it&rsquo;s to be the real thing.&rdquo;
+ </p>
+ <p>
+ It fell to Verrian, in the assortment of couples in which Mrs. Westangle&rsquo;s
+ guests sallied out to view the proposed scene of action, to find himself,
+ not too willingly, at Miss Macroyd&rsquo;s side. In his heart and in his mind he
+ was defending the amusement which he instantly divined as no invention of
+ Mrs. Westangle&rsquo;s, and both his heart and his mind misgave him about this
+ first essay of Miss Shirley in her new enterprise. It was, as Miss Macroyd
+ had suggested, academic, and at the same time it had a danger in it of
+ being tomboyish. Golf, tennis, riding, boating, swimming&mdash;all the
+ vigorous sports in which women now excel&mdash;were boldly athletic, and
+ yet you could not feel quite that they were tomboyish. Was it because the
+ bent of Miss Shirley was so academic that she was periling upon
+ tomboyishness without knowing it in this primal inspiration of hers?
+ Inwardly he resented the word academic, although outwardly he had assented
+ to it when Miss Macroyd proposed it. To be academic would be even more
+ fatal to Miss Shirley&rsquo;s ambition than to be tomboyish, and he thought with
+ pathos of that touch about the Italian nobility in the Middle Ages, and
+ how little it could have moved the tough fancies of that crowd of
+ well-groomed young people at the breakfast-table when Mrs. Westangle
+ brought it out with her ignorant acceptance of it as a social force. After
+ all, Miss Macroyd was about the only one who could have felt it in the way
+ it was meant, and she had chosen to smile at it. He wondered if possibly
+ she could feel the secondary pathos of it as he did. But to make talk with
+ her he merely asked:
+ </p>
+ <p>
+ &ldquo;Do you intend to take part in the fray?&rdquo;
+ </p>
+ <p>
+ &ldquo;Not unless I can be one of the reserve corps that won&rsquo;t need to be
+ brought up till it&rsquo;s all over. I&rsquo;ve no idea of getting my hair down.&rdquo;
+ </p>
+ <p>
+ &ldquo;Ah,&rdquo; he sighed, &ldquo;you think it&rsquo;s going to be rude:&rdquo;
+ </p>
+ <p>
+ &ldquo;That is one of the chances. But you seem to be suffering about it, Mr.
+ Verrian!&rdquo; she said, and, of course, she laughed.
+ </p>
+ <p>
+ &ldquo;Who? I?&rdquo; he returned, in the temptation to deny it. But he resisted. &ldquo;I
+ always suffer when there&rsquo;s anything silly happening, as if I were doing it
+ myself. Don&rsquo;t you?&rdquo;
+ </p>
+ <p>
+ &ldquo;No, thank you, I believe not. But perhaps you are doing this? One can&rsquo;t
+ suppose Mrs. Westangle imagined it.&rdquo;
+ </p>
+ <p>
+ &ldquo;No, I can&rsquo;t plead guilty. But why isn&rsquo;t it predicable of Mrs. Westangle?&rdquo;
+ </p>
+ <p>
+ &ldquo;You mustn&rsquo;t ask too much of me, Mr. Verrian. Somehow, I won&rsquo;t say how,
+ it&rsquo;s been imagined for her. She&rsquo;s heard of its being done somewhere. It
+ can&rsquo;t be supposed she&rsquo;s read of it, anywhere.&rdquo;
+ </p>
+ <p>
+ &ldquo;No, I dare say not.&rdquo;
+ </p>
+ <p>
+ Miss Macroyd came out with her laugh. &ldquo;I should like to know what she
+ makes of you, Mr. Verrian, when she is alone with herself. She must have
+ looked you up and authenticated you in her own way, but it would be as far
+ from your way as&mdash;well, say&mdash;the Milky Way.&rdquo;
+ </p>
+ <p>
+ &ldquo;You don&rsquo;t think she asked me because she met me at your house?&rdquo;
+ </p>
+ <p>
+ &ldquo;No, that wouldn&rsquo;t be enough, from her point of view. She means to go much
+ further than we&rsquo;ve ever got.&rdquo;
+ </p>
+ <p>
+ &ldquo;Then a year from now she wouldn&rsquo;t ask me?&rdquo;
+ </p>
+ <p>
+ &ldquo;It depends upon who asks you in the mean time.&rdquo;
+ </p>
+ <p>
+ &ldquo;You might get to be a fad, and then she would feel that she would have to
+ have you.&rdquo;
+ </p>
+ <p>
+ &ldquo;You&rsquo;re not flattering me?&rdquo;
+ </p>
+ <p>
+ &ldquo;Do you find it flattering?&rdquo;
+ </p>
+ <p>
+ &ldquo;It isn&rsquo;t exactly my idea of the reward I&rsquo;ve been working for. What shall
+ I do to be a fad?&rdquo;
+ </p>
+ <p>
+ &ldquo;Well, rather degrading stunts, if you mean in the smart set. Jump about
+ on all fours and pick up a woman&rsquo;s umbrella with your teeth, and bark.
+ Anything else would be easier for you among chic people, where your
+ brilliancy would count.&rdquo;
+ </p>
+ <p>
+ &ldquo;Brilliancy? Oh, thank you! Go on.&rdquo;
+ </p>
+ <p>
+ &ldquo;Now, a girl&mdash;if you were a girl&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh yes, if I were a girl! That will be so much more interesting.&rdquo;
+ </p>
+ <p>
+ &ldquo;A girl,&rdquo; Miss Macroyd continued, &ldquo;might do it by posing effectively for
+ amateur photography. Or doing something original in dramatics or
+ pantomimics or recitation&mdash;but very original, because chic people are
+ critical. Or if she had a gift for getting up things that would show other
+ girls off; or suggesting amusements; but that would be rather in the line
+ of swell people, who are not good at getting up things and are glad of
+ help.&rdquo;
+ </p>
+ <p>
+ &ldquo;I see, I see!&rdquo; Verrian said, eagerly. But he walked along looking down at
+ the snow, and not meeting the laughing glance that Miss Macroyd cast at
+ his face. &ldquo;Well?&rdquo;
+ </p>
+ <p>
+ &ldquo;I believe that&rsquo;s all,&rdquo; she said, sharply. She added, less sharply: &ldquo;She
+ couldn&rsquo;t afford to fail, though, at any point. The fad that fails is
+ extinguished forever. Will these simple facts do for fiction? Or is it for
+ somebody in real life you&rsquo;re asking, Mr. Verrian?&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, for fiction. And thank you very much. Oh, that&rsquo;s rather pretty!&rdquo;
+ </p>
+ <p>
+ <a name="link2H_4_0013" id="link2H_4_0013">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ XIII.
+ </h2>
+ <p>
+ They had come into the meadow where the snow battle was to be, and on its
+ slope, against the dark weft of the young birch-trees, there was a mimic
+ castle outlined in the masonry of white blocks quarried from the drifts
+ and built up in courses like rough blocks of marble. A decoration of green
+ from the pines that mixed with the birches had been suggested rather than
+ executed, and was perhaps the more effective for its sketchiness.
+ </p>
+ <p>
+ &ldquo;Yes, it&rsquo;s really beautiful,&rdquo; Miss Macroyd owned, and though she did not
+ join her cries to those of the other girls, who stood scattered about
+ admiring it, and laughing and chattering with the men whose applause, of
+ course, took the jocose form, there was no doubt but she admired it. &ldquo;What
+ I can&rsquo;t understand is how Mrs. Westangle got the notion of this. There&rsquo;s
+ the soprano note in it, and some woman must have given it to her.&rdquo;
+ </p>
+ <p>
+ &ldquo;Not contralto, possibly?&rdquo; Verrian asked.
+ </p>
+ <p>
+ &ldquo;I insist upon the soprano,&rdquo; she said.
+ </p>
+ <p>
+ But he did not notice what she said. His eyes were following a figure
+ which seemed to be escaping up through the birches behind the snow castle
+ and ploughing its way through the drifts; in front of the structure they
+ had been levelled to make an easier battle-field. He knew that it was Miss
+ Shirley, and he inferred that she had been in the castle directing the
+ farm&mdash;hands building it, and now, being caught by the premature
+ arrival of the contesting forces, had fled before them and left her
+ subordinates to finish the work. He felt, with a throe of helpless
+ sympathy, that she was undertaking too much. It was hazardous enough to
+ attempt the practice of her novel profession under the best of
+ circumstances, but to keep herself in abeyance so far as not to be known
+ at all in it, and, at the same time, to give way to her interest in it to
+ the extent of coming out, with her infirmly established health, into that
+ wintry weather, and superintending the preparations for the first folly
+ she had planned, was a risk altogether too great for her.
+ </p>
+ <p>
+ &ldquo;Who in the world,&rdquo; Miss Macroyd suddenly demanded, &ldquo;is the person
+ floundering about in the birch woods?&rdquo;
+ </p>
+ <p>
+ &ldquo;Perhaps the soprano,&rdquo; Verrian returned, hardily.
+ </p>
+ <p>
+ Bushwick detached himself from a group of girls near by and intercepted
+ any response from Miss Macroyd to Verrian by calling to her before he came
+ up, &ldquo;Are you going to be one of the enemy, Miss Macroyd?&rdquo;
+ </p>
+ <p>
+ &ldquo;No, I think I will be neutral.&rdquo; She added, &ldquo;Is there going to be any such
+ thing as an umpire?&rdquo;
+ </p>
+ <p>
+ &ldquo;We hadn&rsquo;t thought of that. There could be. The office could be created;
+ but, you know, it&rsquo;s the post of danger.&rdquo;
+ </p>
+ <p>
+ Verrian joined the group that Bushwick has left. He found a great
+ scepticism as to the combat, mixed with some admiration for the castle,
+ and he set himself to contest the prevalent feeling. What was the matter
+ with a snow-fight? he demanded. It would be great fun. Decidedly he was
+ going in for it. He revived the drooping sentiment in its favor, and then,
+ flown with his success, he went from group to group and couple to couple,
+ and animated all with his zeal, which came, he hardly knew whence; what he
+ pretended to the others was that they were rather bound not to let Mrs.
+ Westangle&rsquo;s scheme fall through. Their doubts vanished before him, and the
+ terms of the battle were quickly arranged. He said he had read of one of
+ those mediaeval flower-fights, and he could tell them how that was done.
+ Where it would not fit into the snow-fight, they could trust to
+ inspiration; every real battle was the effect of inspiration.
+ </p>
+ <p>
+ He came out, and some of the young women and most of the young men, who
+ had dimly known of him as a sort of celebrity, and suspected him of being
+ a prig, were reconciled, and accepted him for a nice fellow, and became of
+ his opinion as to the details of the amusement before them.
+ </p>
+ <p>
+ It was not very Homeric, when it came off, or very mediaeval, but it was
+ really lots of fun, or far more fun than one would have thought. The
+ storming of the castle was very sincere, and the fortress was honestly
+ defended. Miss Macroyd was made umpire, as she wished, and provided with a
+ large snowball to sit on at a safe distance; as she was chosen by the men,
+ the girls wanted to have an umpire of their own, who would be really fair,
+ and they voted Verrian into the office. But he refused, partly because he
+ did not care about being paired off with Miss Macroyd so conspicuously,
+ and partly because he wished to help the fight along.
+ </p>
+ <p>
+ Attacks were made and repelled, and there were feats of individual and
+ collective daring on the side of the defenders which were none the less
+ daring because the assailants stopped to cheer them, and to disable
+ themselves by laughing at the fury of the foe. A detachment of the young
+ men at last stormed the castle and so weakened its walls that they toppled
+ inward; then the defenders, to save themselves from being buried under the
+ avalanche, swarmed out into the open and made the entire force of the
+ enemy prisoners.
+ </p>
+ <p>
+ The men pretended that this was what might have been expected from the
+ beginning, but by this time the Berserker madness had possessed Miss
+ Macroyd, too; she left her throne of snow and came forward shouting that
+ it had been perfectly fair, and that the men had been really beaten, and
+ they had no right to pretend that they had given themselves up purposely.
+ The sex-partisanship, which is such a droll fact in women when there is
+ any question of their general opposition to men, possessed them all, and
+ they stood as, one girl for the reality of their triumph. This did not
+ prevent them from declaring that the men had behaved with outrageous
+ unfairness, and that the only one who fought with absolute sincerity from
+ first to last was Mr. Verrian.
+ </p>
+ <p>
+ Neither their unity of conviction concerning the general fact nor the
+ surprising deduction from it in Verrian&rsquo;s case operated to make them
+ refuse the help of their captives in getting home. When they had bound up
+ their tumbled hair, in some cases, and repaired the ravages of war among
+ their feathers and furs and draperies, in other cases, they accepted the
+ hands of the late enemy at difficult points of the path. But they ran
+ forward when they neared the house, and they were prompt to scream upon
+ Mrs. Westangle that there never had been such a success or such fun, and
+ that they were almost dead, and soon as they had something to eat they
+ were going to bed and never going to get up again.
+ </p>
+ <p>
+ In the details which they were able to give at luncheon, they did justice
+ to Verrian&rsquo;s noble part in the whole affair, which had saved the day, not
+ only in keeping them up to the work when they had got thinking it couldn&rsquo;t
+ be carried through, but in giving the combat a validity which it would not
+ have had without him. They had to thank him, next to Mrs. Westangle
+ herself, whom they praised beyond any articulate expression, for thinking
+ up such a delightful thing. They wondered how she could ever have thought
+ of it&mdash;such a simple thing too; and they were sure that when people
+ heard of it they would all be wanting to have snow battles.
+ </p>
+ <p>
+ Mrs. Westangle took her praises as passively, if not as modestly, as
+ Verrian received his. She made no show of disclaiming them, but she had
+ the art, invaluable in a woman who meant to go far in the line she had
+ chosen, of not seeming to have done anything, or of not caring whether
+ people liked it or not. Verrian asked himself, as he watched her
+ twittering back at those girls, and shedding equally their thanks and
+ praises from her impermeable plumage, how she would have behaved if Miss
+ Shirley&rsquo;s attempt had been an entire failure. He decided that she would
+ have ignored the failure with the same impersonality as that with which
+ she now ignored the success. It appeared that in one point he did her
+ injustice, for when he went up to dress for dinner after the long stroll
+ he took towards night he found a note under his door, by which he must
+ infer that Mrs. Westangle had not kept the real facts of her triumph from
+ the mistress of the revels.
+ </p>
+<pre xml:space="preserve">
+ &ldquo;DEAR MR. VERRIAN, I am not likely to see you, but I must
+ thank you.
+ &ldquo;M. SHIRLEY.
+
+ &ldquo;P. S. Don&rsquo;t try to answer, please.&rdquo;
+ </pre>
+ <p>
+ Verrian liked, the note, he even liked the impulse which had dictated it,
+ and he understood the impulse; but he did not like getting the note. If
+ Miss Shirley meant business in taking up the line of life she had
+ professed to have entered upon seriously, she had better, in the case of a
+ young man whose acquaintance she had chanced to make, let her gratitude
+ wait. But when did a woman ever mean business, except in the one great
+ business?
+ </p>
+ <p>
+ <a name="link2H_4_0014" id="link2H_4_0014">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ XIV.
+ </h2>
+ <p>
+ To have got that sillily superfluous note to Verrian without any one&rsquo;s
+ knowing besides, Miss Shirley must have stolen to his door herself and
+ slipped it under. In order to do this unsuspected and unseen, she must
+ have found out in some sort that would not give her away which his room
+ was, and then watched her chance. It all argued a pervasiveness in her,
+ after such a brief sojourn in the house, and a mastery of finesse that he
+ did not like, though, he reflected, he was not authorized to like or
+ dislike anything about her. He was thirty-seven years old, and he had not
+ lived through that time, with his mother at his elbow to suggest
+ inferences from facts, without being versed in wiles which, even when they
+ were honest, were always wiles, and in lures which, when they were of the
+ most gossamer tenuity, were yet of texture close enough to make the man
+ who blundered through them aware that they had been thrown across his
+ path. He understood, of course, that they were sometimes helplessly thrown
+ across it, and were mere expressions of abstract woman with relation to
+ abstract man, but that did not change their nature. He did not abhor them,
+ but he believed he knew them, and he believed now that he detected one of
+ them in Miss Shirley&rsquo;s note. Of course, one could take another view of it.
+ One could say to one&rsquo;s self that she was really so fervently grateful that
+ she could not trust some accident to bring them together in a place where
+ she was merely a part of the catering, as she said, and he was a guest,
+ and that she was excusable, or at least mercifully explicable, in her wish
+ to have him know that she appreciated his goodness. Verrian had been very
+ good, he knew that; he had saved the day for the poor thing when it was in
+ danger of the dreariest kind of slump. She was a poor thing, as any woman
+ was who had to make her own way, and she had been sick and was charming.
+ Besides, she had found out his name and had probably recognized a quality
+ of celebrity in it, unknown to the other young people with whom he found
+ himself so strangely assorted under Mrs. Westangle&rsquo;s roof.
+ </p>
+ <p>
+ In the end, and upon the whole, Verrian would rather have liked, if the
+ thing could have been made to happen, meeting Miss Shirley long enough to
+ disclaim meriting her thanks, and to ascribe to the intrinsic value of her
+ scheme the brilliant success it had achieved. This would not have been
+ true, but it would have been encouraging to her; and in the revery which
+ followed upon his conditional desire he had a long imaginary conversation
+ with her, and discussed all her other plans for the revels of the week.
+ These had not the trouble of defining themselves very distinctly in the
+ conversation in order to win his applause, and their consideration did not
+ carry him with Miss Shirley beyond the strictly professional ground on
+ which they met.
+ </p>
+ <p>
+ She had apparently invented nothing for that evening, and the house party
+ was left to its own resources in dancing and sitting out dances, which
+ apparently fully sufficed it. They were all tired, and broke up early. The
+ women took their candles and went off to bed, and the men went to the
+ billiard-room to smoke. On the way down from his room, where he had gone
+ to put on his smoking-jacket, Verrian met Miss Macroyd coming up, candle
+ in hand, and received from her a tacit intimation that he might stop her
+ for a joking good-night.
+ </p>
+ <p>
+ &ldquo;I hope you&rsquo;ll sleep well on your laurels as umpire,&rdquo; he said.
+ </p>
+ <p>
+ &ldquo;Oh, thank you,&rdquo; she returned, &ldquo;and I hope your laurels won&rsquo;t keep you
+ awake. It must seem to you as if it was blowing a perfect gale in them.&rdquo;
+ </p>
+ <p>
+ &ldquo;What do you mean? I did nothing.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, I don&rsquo;t mean your promotion of the snow battle. But haven&rsquo;t you
+ heard?&rdquo; He stared. &ldquo;You&rsquo;ve been found out!&rdquo;
+ </p>
+ <p>
+ &ldquo;Found out?&rdquo; Verrian&rsquo;s soul was filled with the joy of literary fame.
+ </p>
+ <p>
+ &ldquo;Yes. You can&rsquo;t conceal yourself now. You&rsquo;re Verrian the actor.&rdquo;
+ </p>
+ <p>
+ &ldquo;The actor?&rdquo; Verrian frowned blackly in his disgust, so blackly that Miss
+ Macroyd laughed aloud.
+ </p>
+ <p>
+ &ldquo;Yes, the coming matinee idol. One of the girls recognized you as soon as
+ you came into the house, and the name settled it, though, of course,
+ you&rsquo;re supposed to be here incognito.&rdquo;
+ </p>
+ <p>
+ The mention of that name which he enjoyed in common with the actor made
+ Verrian furious, for when the actor first appeared with it in New York
+ Verrian had been at the pains to find out that it was not his real name,
+ and that he had merely taken it because of the weak quality of romance in
+ it, which Verrian himself had always disliked. But, of course, he could
+ not vent his fury on Miss Macroyd. All he could do was to ask, &ldquo;Then they
+ have got my photograph on their dressing-tables, with candles burning
+ before it?&rdquo;
+ </p>
+ <p>
+ &ldquo;No, I don&rsquo;t believe I can give you that comfort. The fact is, your acting
+ is not much admired among the girls here, but they think you are
+ unexpectedly nice as a private person.&rdquo;
+ </p>
+ <p>
+ &ldquo;That&rsquo;s something. And does Mrs. Westangle think I&rsquo;m the actor, too?&rdquo;
+ </p>
+ <p>
+ &ldquo;How should Mrs. Westangle know what she thinks? And if she doesn&rsquo;t, how
+ should I?&rdquo;
+ </p>
+ <p>
+ &ldquo;That&rsquo;s true. And are you going to give me away?&rdquo;
+ </p>
+ <p>
+ &ldquo;I haven&rsquo;t done it yet. But isn&rsquo;t it best to be honest?&rdquo;
+ </p>
+ <p>
+ &ldquo;It mightn&rsquo;t be a success.&rdquo;
+ </p>
+ <p>
+ &ldquo;The honesty?&rdquo;
+ </p>
+ <p>
+ &ldquo;My literary celebrity.&rdquo;
+ </p>
+ <p>
+ &ldquo;There&rsquo;s that,&rdquo; Miss Macroyd rejoiced. &ldquo;Well, so far I&rsquo;ve merely said I
+ was sure you were not Verrian the actor. I&rsquo;ll think the other part over.&rdquo;
+ She went on up-stairs, with the sound of her laugh following her, and
+ Verrian went gloomily back to the billiard-room, where he found most of
+ the smokers conspicuously yawning. He lighted a fresh cigar, and while he
+ smoked they dropped away one by one till only Bushwick was left.
+ </p>
+ <p>
+ &ldquo;Some of the fellows are going Thursday,&rdquo; he said. &ldquo;Are you going to stick
+ it out to the bitter end?&rdquo;
+ </p>
+ <p>
+ Till then it had not occurred to Verrian that he was not going to stay
+ through the week, but now he said, &ldquo;I don&rsquo;t know but I may go Thursday.
+ Shall you?&rdquo;
+ </p>
+ <p>
+ &ldquo;I might as well stay on. I don&rsquo;t find much doing in real estate at
+ Christmas. Do you?&rdquo;
+ </p>
+ <p>
+ This was fishing, but it was better than openly taking him for that actor,
+ and Verrian answered, unresentfully, &ldquo;I don&rsquo;t know. I&rsquo;m not in that line
+ exactly.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, I beg your pardon,&rdquo; Bushwick said. &ldquo;I thought I had seen your name
+ with that of a West Side concern.&rdquo;
+ </p>
+ <p>
+ &ldquo;No, I have a sort of outside connection with the publishing business.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh,&rdquo; Bushwick returned, politely, and it would have been reassuringly if
+ Verrian had wished not to be known as an author. The secret in which he
+ lived in that regard was apparently safe from that young, amiable,
+ good-looking real-estate broker. He inferred, from the absence of any
+ allusion to the superstition of the women as to his profession, that it
+ had not spread to Bushwick at least, and this inclined him the more to
+ like him. They sat up talking pleasantly together about impersonal affairs
+ till Bushwick finished his cigar. Then he started for bed, saying, &ldquo;Well,
+ good-night. I hope Mrs. Westangle won&rsquo;t have anything so active on the
+ tapis for tomorrow.&rdquo;
+ </p>
+ <p>
+ &ldquo;Try and sleep it off. Good-night.&rdquo;
+ </p>
+ <p>
+ <a name="link2H_4_0015" id="link2H_4_0015">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ XV.
+ </h2>
+ <p>
+ Verrian remained to finish his cigar, but at the end he was not yet
+ sleepy, and he thought he would get a book from the library, if that part
+ of the house were still lighted, and he looked out to see. Apparently it
+ was as brilliantly illuminated as when the company had separated there for
+ the night, and he pushed across the foyer hall that separated the
+ billiard-room from the drawing-zoom and library. He entered the
+ drawing-room, and in the depths of the library, relieved against the rows
+ of books in their glass cases, he startled Miss Shirley from a pose which
+ she seemed to be taking there alone.
+ </p>
+ <p>
+ At the instant of their mutual recognition she gave a little muted shriek,
+ and then gasped out, &ldquo;I beg your pardon,&rdquo; while he was saying, too, &ldquo;I beg
+ your pardon.&rdquo;
+ </p>
+ <p>
+ After a tacit exchange of forgiveness, he said, &ldquo;I am afraid I startled
+ you. I was just coming for a book to read myself asleep with. I&mdash;&rdquo;
+ </p>
+<div class="fig" style="width:50%;"> <img src="images/{0087}.jpg" alt="{0087}" width="100%" /><br /> </div> <h5> <a href="images/{0087}.jpg"> <img src="images/enlarge.jpg" alt="" /> </a> </h5>
+
+ <p>
+ &ldquo;Not at all,&rdquo; she returned. &ldquo;I was just&mdash;&rdquo; Then she did not say what,
+ and he asked:
+ </p>
+ <p>
+ &ldquo;Making some studies?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes,&rdquo; she owned, with reluctant promptness.
+ </p>
+ <p>
+ &ldquo;I mustn&rsquo;t ask what,&rdquo; he suggested, and he made an effort to smile away
+ what seemed a painful perturbation in her as he went forward to look at
+ the book-shelves, from which, till then, she had not slipped aside.
+ </p>
+ <p>
+ &ldquo;I&rsquo;m in your way,&rdquo; she said, and he answered, &ldquo;Not at all.&rdquo; He added to
+ the other sentence he had spoken, &ldquo;If it&rsquo;s going to be as good as what you
+ gave us today&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;You are very kind.&rdquo; She hesitated, and then she said, abruptly: &ldquo;What I
+ did to-day owed everything to you, Mr. Verrian,&rdquo; and while he desisted
+ from searching the book-shelves, she stood looking anxiously at him, with
+ the pulse in her neck visibly throbbing. Her agitation was really painful,
+ but Verrian did not attribute it to her finding herself there alone with
+ him at midnight; for though the other guests had all gone to bed, the
+ house was awake in some of the servants, and an elderly woman came in
+ presently bringing a breadth of silvery gauze, which she held up, asking
+ if it was that.
+ </p>
+ <p>
+ &ldquo;Not exactly, but it will do nicely, Mrs. Stager. Would you mind getting
+ me the very pale-blue piece that electric blue?&rdquo;
+ </p>
+ <p>
+ &ldquo;I&rsquo;m looking for something good and dull,&rdquo; Verrian said, when the woman
+ was gone.
+ </p>
+ <p>
+ &ldquo;Travels are good, or narratives, for sleeping on,&rdquo; she said, with a
+ breathless effort for calm. &ldquo;I found,&rdquo; she panted, &ldquo;in my own insomnia,
+ that merely the broken-up look of a page of dialogue in a novel racked my
+ nerves so that I couldn&rsquo;t sleep. But narratives were beautifully
+ soothing.&rdquo;
+ </p>
+ <p>
+ &ldquo;Thank you,&rdquo; he responded; &ldquo;that&rsquo;s a good idea.&rdquo; And stooping, with his
+ hands on his knees, he ranged back and forth along the shelves. &ldquo;But Mrs.
+ Westangle&rsquo;s library doesn&rsquo;t seem to be very rich in narrative.&rdquo;
+ </p>
+ <p>
+ He had not his mind on the search perhaps, and perhaps she knew it. She
+ presently said, &ldquo;I wish I dared ask you a favor&mdash;I mean your advice,
+ Mr. Verrian.&rdquo;
+ </p>
+ <p>
+ He lifted himself from his stooping posture and looked at her, smiling.
+ &ldquo;Would that take much courage?&rdquo; His smile was a little mocking; he was
+ thinking that a girl who would hurry that note to him, and would
+ personally see that it did not fail to reach him, would have the courage
+ for much more.
+ </p>
+ <p>
+ She did not reply directly. &ldquo;I should have to explain, but I know you
+ won&rsquo;t tell. This is going to be my piece de resistance, my grand stunt.
+ I&rsquo;m going to bring it off the last night.&rdquo; She stopped long enough for
+ Verrian to revise his resolution of going away with the fellows who were
+ leaving the middle of the week, and to decide on staying to the end. &ldquo;I am
+ going to call it Seeing Ghosts.&rdquo;
+ </p>
+ <p>
+ &ldquo;That&rsquo;s good,&rdquo; Verrian said, provisionally.
+ </p>
+ <p>
+ &ldquo;Yes, I might say I was surprised at my thinking it up.&rdquo;
+ </p>
+ <p>
+ &ldquo;That would be one form of modesty.&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes,&rdquo; she said, with a wan smile she had, &ldquo;and then again it mightn&rsquo;t be
+ another.&rdquo; She went on, abruptly, &ldquo;As many as like can take part in the
+ performance. It&rsquo;s to be given out, and distinctly understood beforehand,
+ that the ghost isn&rsquo;t a veridical phantom, but just an honest, made-up,
+ every-day spook. It may change its pose from time to time, or its drapery,
+ but the setting is to be always the same, and the people who take their
+ turns in seeing it are to be explicitly reassured, one after another, that
+ there&rsquo;s nothing in it, you know. The fun will be in seeing how each one
+ takes it, after they know what it really is.&rdquo;
+ </p>
+ <p>
+ &ldquo;Then you&rsquo;re going to give us a study of temperaments.&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes,&rdquo; she assented. And after a moment, given to letting the notion get
+ quite home with her, she asked, vividly, &ldquo;Would you let me use it?&rdquo;
+ </p>
+ <p>
+ &ldquo;The phrase? Why, certainly. But wouldn&rsquo;t it be rather too psychological?
+ I think just Seeing Ghosts would be better.&rdquo;
+ </p>
+ <p>
+ &ldquo;Better than Seeing Ghosts: A Study of Temperaments? Perhaps it would. It
+ would be simpler.&rdquo;
+ </p>
+ <p>
+ &ldquo;And in this house you need all the simplicity you can get,&rdquo; he suggested.
+ </p>
+ <p>
+ She smiled, intelligently but reticently. &ldquo;My idea is that every one
+ somehow really believes in ghosts&mdash;I know I do&mdash;and so fully
+ expects to see one that any sort of make-up will affect them for the
+ moment just as if they did see one. I thought&mdash;that perhaps&mdash;I
+ don&rsquo;t know how to say it without seeming to make use of you&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, do make use of me, Miss Shirley!&rdquo;
+ </p>
+ <p>
+ &ldquo;That you could give me some hints about the setting, with your knowledge
+ of the stage&mdash;&rdquo; She stopped, having rushed forward to that point,
+ while he continued to look steadily at her without answering her. She
+ faced him courageously, but not convincingly.
+ </p>
+ <p>
+ &ldquo;Did you think that I was an actor?&rdquo; he asked, finally.
+ </p>
+ <p>
+ &ldquo;Mrs. Westangle seemed to think you were.&rdquo;
+ </p>
+ <p>
+ &ldquo;But did you?&rdquo;
+ </p>
+ <p>
+ &ldquo;I&rsquo;m sure I didn&rsquo;t mean&mdash;I beg your pardon&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;It&rsquo;s all right. If I were an actor I shouldn&rsquo;t be ashamed of it. But I
+ was merely curious to know whether you shared the prevalent superstition.
+ I&rsquo;m afraid I can&rsquo;t help you from a knowledge of the stage, but if I can be
+ of use, from a sort of amateur interest in psychology, with an affair like
+ this I shall be only too glad.&rdquo;
+ </p>
+ <p>
+ &ldquo;Thank you,&rdquo; she said, somewhat faintly, with an effect of dismay
+ disproportionate to the occasion.
+ </p>
+ <p>
+ She sank into a chair before which she had been standing, and she looked
+ as if she were going to swoon.
+ </p>
+ <p>
+ He started towards her with an alarmed &ldquo;Miss Shirley.&rdquo;
+ </p>
+ <p>
+ She put out a hand weakly to stay him. &ldquo;Don&rsquo;t!&rdquo; she entreated. &ldquo;I&rsquo;m a
+ little&mdash;I shall be all right in a moment.&rdquo;
+ </p>
+ <p>
+ &ldquo;Can&rsquo;t I get you something&mdash;call some one?&rdquo;
+ </p>
+ <p>
+ &ldquo;Not for the world!&rdquo; she commanded, and she pulled herself together and
+ stood up. &ldquo;But I think I&rsquo;ll stop for to-night. I&rsquo;m glad my idea strikes
+ you favorably. It&rsquo;s merely&mdash;Oh, you found it, Mrs. Stager!&rdquo; She broke
+ off to address the woman who had now come back and was holding up the
+ trailing breadths of the electric-blue gauze. &ldquo;Isn&rsquo;t it lovely?&rdquo; She gave
+ herself time to adore the drapery, with its changes of meteoric lucence,
+ before she rose and took it. She went with it to the background in the
+ library, where, against the glass door of the cases, she involved herself
+ in it and stood shimmering. A thrill pierced to Verrian&rsquo;s heart; she was
+ indeed wraithlike, so that he hated to have her call, &ldquo;How will that do?&rdquo;
+ </p>
+ <p>
+ Mrs. Stager modestly referred the question to him by her silence. &ldquo;I will
+ answer for its doing, if it does for the others as it&rsquo;s done for me.&rdquo;
+ </p>
+ <p>
+ She laughed. &ldquo;And you doubly knew what it was. Yes, I think it will go.&rdquo;
+ She took another pose, and then another. &ldquo;What do you think of it, Mrs.
+ Stager?&rdquo; she called to the woman standing respectfully abeyant at one
+ side.
+ </p>
+ <p>
+ &ldquo;It&rsquo;s awful. I don&rsquo;t know but I&rsquo;ll be afraid to go to my room.&rdquo;
+ </p>
+ <p>
+ &ldquo;Sit down, and I&rsquo;ll go to your room with you when I&rsquo;m through. I won&rsquo;t be
+ long, now.&rdquo;
+ </p>
+ <p>
+ She tried different gauzes, which she had lying on one of the chairs, and
+ crowned herself with triumph in the applauses of her two spectators,
+ rejoicing with a glee that Verrian found childlike and winning. &ldquo;If
+ they&rsquo;re all like you, it will be the greatest success!&rdquo;
+ </p>
+ <p>
+ &ldquo;They&rsquo;ll all be like me, and more,&rdquo; he said, &ldquo;I&rsquo;m really very severe.&rdquo;
+ </p>
+ <p>
+ &ldquo;Are you a severe person?&rdquo; she asked, coming forward to him. &ldquo;Ought people
+ to be afraid of you?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, people with bad consciences. I&rsquo;m rattier afraid of myself for that
+ reason.&rdquo;
+ </p>
+ <p>
+ &ldquo;Have you got a bad conscience?&rdquo; she asked, letting her eyes rest on his.
+ </p>
+ <p>
+ &ldquo;Yes. I can&rsquo;t make my conduct square with my ideal of conduct.&rdquo;
+ </p>
+ <p>
+ &ldquo;I know what that is!&rdquo; she sighed. &ldquo;Do you expect to be punished for it?&rdquo;
+ </p>
+ <p>
+ &ldquo;I expect to be got even with.&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, one is. I&rsquo;ve noticed that myself. But I didn&rsquo;t suppose that actors&mdash;Oh,
+ I forgot! I beg your pardon again, Mr. Verrian. Oh&mdash;Goodnight!&rdquo; She
+ faced him evanescently in going out, with the woman after her, but,
+ whether she did so more in fear or more in defiance, she left him standing
+ motionless in his doubt, and she did nothing to solve his doubt when she
+ came quickly back alone, before he was aware of having moved, to say, &ldquo;Mr.
+ Verrian, I want to&mdash;I have to&mdash;tell you that&mdash;I didn&rsquo;t
+ think you were the actor.&rdquo; Then she was finally gone, and Verrian had
+ nothing for it but to go up to his room with the book he found he had in
+ his hand and must have had there all the time.
+ </p>
+ <p>
+ If he had read it, the book would not have eased him off to sleep, but he
+ did not even try, to read it. He had no wish to sleep. The waking dream in
+ which he lost himself was more interesting than any vision of slumber
+ could have been, and he had no desire to end it. In that he could still be
+ talking with the girl whose mystery appealed to him so pleasingly. It was
+ none the less pleasing because, at what might be called her first blushes,
+ she did not strike him as altogether ingenuous, but only able to
+ discipline herself into a final sincerity from a consciousness which had
+ been taught wisdom by experience.
+ </p>
+ <p>
+ She was still a scarcely recovered invalid, and it was pathetic that she
+ should be commencing the struggle of life with strength so little
+ proportioned to the demand upon it; and the calling she had taken up was
+ of a fantasticality in some aspects which was equally pathetic. But all
+ the undertakings of women, he mused, were piteous, not only because women
+ were unequal to the struggle at the best, but because they were hampered
+ always with themselves, with their sex, their femininity, and the
+ necessity of getting it out of the way before they could really begin to
+ fight. Whatever they attempted it must be in relation to the man&rsquo;s world
+ in which livings were made; but the immemorial conditions were almost
+ wholly unchanged. A woman approached this world as a woman, with the
+ inborn instinct of tempting it as a woman, to win it to love her and make
+ her a wife and mother; and although she might stoically overcome the
+ temptation at last, it might recur at any moment and overcome her. This
+ was perpetually weakening and imperilling her, and she must feel it at the
+ encounter with each man she met. She must feel the tacit and even
+ unconscious irony of his attitude towards her in her enterprise, and the
+ finer her make the crueller and the more humiliating and disheartening
+ this must be.
+ </p>
+ <p>
+ Of course, this Miss Shirley felt Verrian&rsquo;s irony, which he had guarded
+ from any expression with genuine compassion for her. She must feel that to
+ his knowledge of life she and her experiment had an absurdity which would
+ not pass, whatever their success might be. If she meant business, and
+ business only, they ought to have met as two men would have met, but he
+ knew that they had not done so, and she must have known it. All that was
+ plain sailing enough, but beyond this lay a sea of conjecture in which he
+ found himself without helm or compass. Why, should she have acted a fib
+ about his being an actor, and why, after the end, should she have added an
+ end, in which she returned to own that she had been fibbing? For that was
+ what it came to; and though Verrian tasted a delicious pleasure in the
+ womanish feat by which she overcame her womanishness, he could not puzzle
+ out her motive. He was not sure that he wished to puzzle it out. To remain
+ with illimitable guesses at his choice was more agreeable, for the present
+ at least, and he was not aware of having lapsed from them when he woke so
+ late as to be one of the breakfasters whose plates were kept for them
+ after the others were gone.
+ </p>
+ <p>
+ <a name="link2H_4_0016" id="link2H_4_0016">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ XVI.
+ </h2>
+ <p>
+ It was the first time that Verrian had come down late, and it was his
+ novel experience to find himself in charge of Mrs. Stager at breakfast,
+ instead of the butler and the butler&rsquo;s man, who had hitherto served him at
+ the earlier hour. There were others, somewhat remote from him, at table,
+ who were ending when he was beginning, and when they had joked themselves
+ out of the room and away from Mrs. Stager&rsquo;s ministrations he was left
+ alone to her. He had instantly appreciated a quality of motherliness in
+ her attitude towards him, and now he was sensible of a kindly intimacy to
+ which he rather helplessly addressed himself.
+ </p>
+ <p>
+ &ldquo;Well, Mrs. Stager, did you see a ghost on your way to bed?&rdquo;
+ </p>
+ <p>
+ &ldquo;I don&rsquo;t know as I really expected to,&rdquo; she said. &ldquo;Won&rsquo;t you have a few
+ more of the buckwheats?&rdquo;
+ </p>
+ <p>
+ &ldquo;Do you think I&rsquo;d better? I believe I won&rsquo;t. They&rsquo;re very tempting. Miss
+ Shirley makes a very good ghost,&rdquo; he suggested.
+ </p>
+ <p>
+ Mrs. Stager would not at first commit herself further than to say in
+ bringing him the butter, &ldquo;She&rsquo;s just up from a long fit of sickness.&rdquo; She
+ impulsively added, &ldquo;She ain&rsquo;t hardly strong enough to be doing what she
+ is, I tell her.&rdquo;
+ </p>
+ <p>
+ &ldquo;I understood she had been ill,&rdquo; Verrian said. &ldquo;We drove over from the
+ station together, the other day.&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes,&rdquo; Mrs. Stager admitted. &ldquo;Kind of a nervous breakdown, I believe. But
+ she&rsquo;s got an awful spirit. Mrs. Westangle don&rsquo;t want her to do all she is
+ doing.&rdquo;
+ </p>
+ <p>
+ Verrian looked at her in surprise. He had not expected that of the
+ India-rubber nature he had attributed to Mrs. Westangle. In view of Mrs.
+ Stager&rsquo;s privity to the unimagined kindliness of his hostess, he relaxed
+ himself in a further interest in Miss Shirley, as if it would now be safe.
+ &ldquo;She&rsquo;s done splendidly, so far,&rdquo; he said, meaning the girl. &ldquo;I&rsquo;m glad Mrs.
+ Westangle appreciates her work.&rdquo;
+ </p>
+ <p>
+ &ldquo;I guess,&rdquo; Mrs. Stager said, &ldquo;that if it hadn&rsquo;t been for you at the
+ snow-fight&mdash;She got back from getting ready for it, that morning,
+ almost down sick, she was afraid so it was going to fail.&rdquo;
+ </p>
+ <p>
+ &ldquo;I didn&rsquo;t do anything,&rdquo; Verrian said, putting the praise from him.
+ </p>
+ <p>
+ Mrs. Stager lowered her voice in an octave of deeper confidentiability.
+ &ldquo;You got the note? I put it under, and I didn&rsquo;t know.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh yes, I got it,&rdquo; Verrian said, sensible of a relief, which he would not
+ assign to any definite reason, in knowing that Miss Shirley had not
+ herself put it under his door. But he now had to take up another burden in
+ the question whether Miss Shirley were of an origin so much above that of
+ her confidant that she could have a patrician fearlessness in making use
+ of her, or were so near Mrs. Stager&rsquo;s level of life that she would
+ naturally turn to her for counsel and help. Miss Shirley had the accent,
+ the manners, and the frank courage of a lady; but those things could be
+ learned; they were got up for the stage every day.
+ </p>
+ <p>
+ Verrian was roused from the muse he found he had fallen into by hearing
+ Mrs. Stager ask, &ldquo;Won&rsquo;t you have some more coffee?&rdquo;
+ </p>
+ <p>
+ &ldquo;No, thank you,&rdquo; he said. And now he rose from the table, on which he
+ dreamily dropped his napkin, and got his hat and coat and went out for a
+ walk. He had not studied the art of fiction so long, in the many private
+ failures that had preceded his one public success, without being made to
+ observe that life sometimes dealt in the accidents and coincidences which
+ his criticism condemned as too habitually the resource of the novelist.
+ Hitherto he had disdained them for this reason; but since his serial story
+ was off his hands, and he was beginning to look about him for fresh
+ material, he had doubted more than once whether his severity was not the
+ effect of an unjustifiable prejudice.
+ </p>
+ <p>
+ It struck him now, in turning the corner of the woodlot above the meadow
+ where the snow-battle had taken place, and suddenly finding himself face
+ to face with Miss Shirley, that nature was in one of her uninventive moods
+ and was helping herself out from the old stock-in-trade of fiction. All
+ the same, he felt a glow of pleasure, which was also a glow of pity; for
+ while Miss Shirley looked, as always, interesting, she look tired, too,
+ with a sort of desperate air which did not otherwise account for itself.
+ She had given, at sight of him, a little start, and a little &ldquo;Oh!&rdquo; dropped
+ from her lips, as if it had been jostled from them. She made haste to go
+ on, with something like the voluntary hardiness of the courage that plucks
+ itself from the primary emotion of fear, &ldquo;You are going down to try the
+ skating?&rdquo;
+ </p>
+ <p>
+ &ldquo;Do I look it, without skates?&rdquo;
+ </p>
+ <p>
+ &ldquo;You may be going to try the sliding,&rdquo; she returned. &ldquo;I&rsquo;m afraid there
+ won&rsquo;t be much of either for long. This soft air is going to make havoc of
+ my plans for to-morrow.&rdquo;
+ </p>
+ <p>
+ &ldquo;That&rsquo;s too bad of it. Why not hope for a hard freeze to-night? You might
+ as well. The weather has been known to change its mind. You might even
+ change your plans.&rdquo;
+ </p>
+ <p>
+ &ldquo;No, I can&rsquo;t do that. I can&rsquo;t think of anything else. It&rsquo;s to bridge over
+ the day that&rsquo;s left before Seeing Ghosts. If it does freeze, you&rsquo;ll come
+ to Mrs. Westangle&rsquo;s afternoon tea on the pond?&rdquo;
+ </p>
+ <p>
+ &ldquo;I certainly shall. How is it to be worked?&rdquo;
+ </p>
+ <p>
+ &ldquo;She&rsquo;s to have her table on a platform, with runners, in a bower of
+ evergreen boughs, and be pushed about, and the people are to skate up for
+ the tea. There are to be tea and chocolate, and two girls to pour, just as
+ in real life. It isn&rsquo;t a very dazzling idea, but I thought it might do;
+ and Mrs. Westangle is so good-natured. Now, if the thermometer will do its
+ part!&rdquo;
+ </p>
+ <p>
+ &ldquo;I am sure it will,&rdquo; Verrian said, but a glance at the gray sky did not
+ confirm him in his prophetic venture. The snow was sodden under foot; a
+ breath from the south stirred the pines to an Aeolian response and moved
+ the stiff, dry leaves of the scrub-oaks. A sapsucker was marking an
+ accurate circle of dots round the throat of a tall young maple, and
+ enjoying his work in a low, guttural soliloquy, seemingly, yet,
+ dismayingly, suggestive of spring.
+ </p>
+ <p>
+ &ldquo;It&rsquo;s lovely, anyway,&rdquo; she said, following his glance with an upward turn
+ of her face.
+ </p>
+ <p>
+ &ldquo;Yes, it&rsquo;s beautiful. I think this sort of winter day is about the best
+ the whole year can do. But I will sacrifice the chance of another like it
+ to your skating-tea, Miss Shirley.&rdquo;
+ </p>
+ <p>
+ He did not know why he should have made this speech to her, but apparently
+ she did, and she said, &ldquo;You&rsquo;re always coming to my help, Mr. Verrian.&rdquo;
+ </p>
+ <p>
+ &ldquo;Don&rsquo;t mention it!&rdquo;
+ </p>
+ <p>
+ &ldquo;I won&rsquo;t, then,&rdquo; she said, with a smile that showed her thin face at its
+ thinnest and left her lip caught on her teeth till she brought it down
+ voluntarily. It was a small but full lip and pretty, and this trick of it
+ had a fascination. She added, gravely, &ldquo;I don&rsquo;t believe you will like my
+ ice-tea.&rdquo;
+ </p>
+ <p>
+ &ldquo;I haven&rsquo;t any active hostility to it. You can&rsquo;t always be striking twelve&mdash;twelve
+ midnight&mdash;as you will be in Seeing Ghosts. But your ice-tea will do
+ very well for striking five. I&rsquo;m rather elaborate!&rdquo;
+ </p>
+ <p>
+ &ldquo;Not too elaborate to hide your real opinion. I wonder what you do think
+ of my own elaboration&mdash;I mean of my scheme.&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes?&rdquo;
+ </p>
+ <p>
+ They had moved on, at his turning to walk with her, so as not to keep her
+ standing in the snow, and now she said, looking over her shoulder at him,
+ &ldquo;I&rsquo;ve decided that it won&rsquo;t do to let the ghost have all the glory. I
+ don&rsquo;t think it will be fair to let the people merely be scared, even when
+ they&rsquo;ve been warned that they&rsquo;re to see a ghost and told it isn&rsquo;t real.&rdquo;
+ </p>
+ <p>
+ She seemed to refer the point to him, and he said, provisionally, &ldquo;I don&rsquo;t
+ know what more they can ask.&rdquo;
+ </p>
+ <p>
+ &ldquo;They can ask questions. I&rsquo;m going to let each person speak to the ghost,
+ if not scared dumb, and ask it just what they please; and I&rsquo;m going to
+ answer their questions if I can.&rdquo;
+ </p>
+ <p>
+ &ldquo;Won&rsquo;t it be something of an intellectual strain?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, it will. But it will be fun, too, a little, and it will help the
+ thing to go off. What do you think?&rdquo;
+ </p>
+ <p>
+ &ldquo;I think it&rsquo;s fine. Are you going to give it out, so that they can be
+ studying up their questions?&rdquo;
+ </p>
+ <p>
+ &ldquo;No, their questions have got to be impromptu. Or, at least, the first one
+ has. Of course, after the scheme has once been given away, the ghost-seers
+ will be more or less prepared, and the ghost will have to stand it.&rdquo;
+ </p>
+ <p>
+ &ldquo;I think it&rsquo;s great. Are you going to let me have a chance with a
+ question?&rdquo;
+ </p>
+ <p>
+ &ldquo;Are you going to see a ghost?&rdquo;
+ </p>
+ <p>
+ &ldquo;To be sure I am. May I really ask it what I please?&rdquo;
+ </p>
+ <p>
+ &ldquo;If you&rsquo;re honest.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, I shall be honest&mdash;&rdquo;
+ </p>
+ <p>
+ He stopped breathlessly, but she did not seem called upon to supply any
+ meaning for his abruptness. &ldquo;I&rsquo;m awfully glad you like the idea,&rdquo; she
+ said, &ldquo;I have had to think the whole thing out for myself, and I haven&rsquo;t
+ been quite certain that the question-asking wasn&rsquo;t rather silly, or, at
+ least, sillier than the rest. Thank you so much, Mr. Verrian.&rdquo;
+ </p>
+ <p>
+ &ldquo;I&rsquo;ve thought of my question,&rdquo; he began again, as abruptly as he had
+ stopped before. &ldquo;May I ask it now?&rdquo;
+ </p>
+ <p>
+ Cries of laughter came up from the meadow below, and the voices seemed
+ coming nearer.
+ </p>
+ <p>
+ &ldquo;Oh, I mustn&rsquo;t be seen!&rdquo; Miss Shirley lamented. &ldquo;Oh, dear! If I&rsquo;m seen the
+ whole thing is given away. What shall I do?&rdquo; She whirled about and ran
+ down the road towards a path that entered the wood.
+ </p>
+ <p>
+ He ran after her. &ldquo;My question is, May I come to see you when you get back
+ to town?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, certainly. But don&rsquo;t come now! You mustn&rsquo;t be seen with me! I&rsquo;m not
+ supposed to be in the house at all.&rdquo;
+ </p>
+ <p>
+ If Verrian&rsquo;s present mood had been more analytic, it might have occurred
+ to him that the element of mystery which Miss Shirley seemed to cherish in
+ regard to herself personally was something that she could dramatically
+ apply with peculiar advantage to the phantasmal part she was to take in
+ her projected entertainment. But he was reduced from the exercise of his
+ analytic powers to a passivity in which he was chiefly conscious of her
+ pathetic fascination. This seemed to emanate from her frail prettiness no
+ less than from the sort of fearful daring with which she was pushing her
+ whole enterprise through; it came as much from her undecided blondness&mdash;from
+ her dust-colored hair, for instance&mdash;as from the entreating look of
+ her pinched eyes, only just lighting their convalescent fires, and from
+ the weakness that showed, with the grace, in her run through the wintry
+ woods, where he watched her till the underbrush thickened behind her and
+ hid her from him. Altogether his impression was very complex, but he did
+ not get so far even as the realization of this, in his mental turmoil, as
+ he turned with a deep sigh and walked meditatively homeward through the
+ incipient thaw.
+ </p>
+ <p>
+ It did not rain at night, as it seemed so likely to do, and by morning the
+ cloudiness of the sky had so far thinned that the sun looked mildly
+ through it without more than softening the frozen surface of the pond, so
+ that Mrs. Westangle&rsquo;s ice-tea (as everybody called it, by a common
+ inspiration, or by whatever circuitous adoption of Verrian&rsquo;s phrase) came
+ off with great success. People from other houses were there, and they all
+ said that they wondered how she came to have such a brilliant idea, and
+ they kept her there till nearly dark. Then the retarded rain began, in a
+ fine drizzle, and her house guests were forced homeward, but not too soon
+ to get a good, long rest before dressing for dinner. She was praised for
+ her understanding with the weather, and for her meteorological forecast as
+ much as for her invention in imagining such a delightful and original
+ thing as an ice-tea, which no one else had ever thought of. Some of the
+ women appealed to Verrian to say if he had ever heard of anything like it;
+ and they felt that Mrs. Westangle was certainly arriving, and by no beaten
+ track.
+ </p>
+ <p>
+ None of the others put it in these terms, of course; it was merely a
+ consensus of feeling with them, and what was more articulate was dropped
+ among the ironies with which Miss Macroyd more confidentially celebrated
+ the event. Out of hearing of the others, in slowly following them with
+ Verrian, she recurred to their talk. &ldquo;Yes, it&rsquo;s only a question of money
+ enough for Newport, after this. She&rsquo;s chic now, and after a season there
+ she will be smart. But oh, dear! How came she to be chic? Can you
+ imagine?&rdquo;
+ </p>
+ <p>
+ Verrian did not feel bound to a categorical answer, and in his private
+ reflections he dealt with another question. This was how far Miss Shirley
+ was culpable in the fraud she was letting Mrs. Westangle practise on her
+ innocent guests. It was a distasteful question, and he did not find it
+ much more agreeable when it subdivided itself into the question of
+ necessity on her part, and of a not very clearly realized situation on
+ Mrs. Westangle&rsquo;s. The girl had a right to sell her ideas, and perhaps the
+ woman thought they were her own when she had paid for them. There could be
+ that view of it all. The furtive nature of Miss Shirley&rsquo;s presence in the
+ house might very well be a condition of that grand event she was
+ preparing. It was all very mysterious.
+ </p>
+ <p>
+ <a name="link2H_4_0017" id="link2H_4_0017">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ XVII.
+ </h2>
+ <p>
+ It rained throughout the evening, with a wailing of the wind in the
+ gables, and a weeping and a sobbing of the water from the eaves that Mrs.
+ Westangle&rsquo;s guests, securely housed from the storm, made the most of for
+ weirdness. There had been a little dancing, which gave way to so much
+ sitting-out that the volunteer music abruptly ceased as if in dudgeon, and
+ there was nothing left but weirdness to bring young hearts together.
+ Weirdness can do a good deal with girls lounging in low chairs, and young
+ men on rugs round a glowing hearth at their feet; and every one told some
+ strange thing that had happened at first hand, or second or third hand,
+ either to himself or herself, or to their fathers or brothers or
+ grandmothers or old servants. They were stimulated in eking out these
+ experiences not only by the wildness of the rain without, but by the
+ mystery of being shut off from the library into the drawing-room and hall
+ while the preparations for the following night were beginning. But
+ weirdness is not inexhaustible, even when shared on such propitious terms
+ between a group of young people rapidly advanced in intimacy by a week&rsquo;s
+ stay under the same roof, and at the first yawn a gay dispersion of the
+ votaries ended it all.
+ </p>
+ <p>
+ The yawn came from Bushwick, who boldly owned, when his guilt was brought
+ home to him, that he was sleepy, and then as he expected to be scared out
+ of a year&rsquo;s growth the next night, and not be able to sleep for a week
+ afterwards, he was now going to bed. He shook hands with Mrs. Westangle
+ for good-night. The latest to follow him was Verrian, who, strangely
+ alert, and as far from drowsiness as he had ever known himself, was yet
+ more roused by realizing that Mrs. Westangle was not letting his hand go
+ at once, but, unless it was mere absent-mindedness, was conveying through
+ it the wish to keep him. She fluttered a little more closely up to him,
+ and twittered out, &ldquo;Miss Shirley wants me to let you know that she has
+ told me about your coming together, and everything.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, I&rsquo;m very glad,&rdquo; Verrian said, not sure that it was the right thing.
+ </p>
+ <p>
+ &ldquo;I don&rsquo;t know why she feels so, but she has a right to do as she pleases
+ about it. She&rsquo;s not a guest.&rdquo;
+ </p>
+ <p>
+ &ldquo;No,&rdquo; Verrian assented.
+ </p>
+ <p>
+ &ldquo;It happens very well, though, for the ghost-seeing that people don&rsquo;t know
+ she&rsquo;s here. After that I shall tell them. In fact, she wants me to, for
+ she must be on the lookout for other engagements. I am going to do
+ everything I can for her, and if you hear of anything&mdash;&rdquo;
+ </p>
+ <p>
+ Verrian bowed, with a sense of something offensive in her words which he
+ could not logically feel, since it was a matter of business and was put
+ squarely on a business basis. &ldquo;I should be very glad,&rdquo; he said,
+ noncommittally.
+ </p>
+ <p>
+ &ldquo;She was sure from the first,&rdquo; Mrs. Westangle went on, as if there were
+ some relation between the fact and her request, &ldquo;that you were not the
+ actor. She knew you were a writer.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, indeed!&rdquo; Verrian said.
+ </p>
+ <p>
+ &ldquo;I thought that if you were writing for the newspapers you might know how
+ to help her-&rdquo;
+ </p>
+ <p>
+ &ldquo;I&rsquo;m not a newspaper writer,&rdquo; Verrian answered, with a resentment which
+ she seemed to feel, for she said, with a sort of apology in her tone:
+ </p>
+ <p>
+ &ldquo;Oh! Well, I don&rsquo;t suppose it matters. She doesn&rsquo;t know I&rsquo;m speaking to
+ you about that; it just came into my head. I like to help in a worthy
+ object, you know. I hope you&rsquo;ll have a good night&rsquo;s rest.&rdquo;
+ </p>
+ <p>
+ She turned and looked round with the air of distraction which she had
+ after speaking to any one, and which Verrian fancied came as much from a
+ paucity as from a multiplicity of suggestion in her brain, and so left him
+ standing. But she came back to say, &ldquo;Of course, it&rsquo;s all between ourselves
+ till after to-morrow night, Mr. Verrian.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, certainly,&rdquo; he replied, and went vaguely off in the direction of the
+ billiard-room. It was light and warm there, though the place was empty,
+ and he decided upon a cigar as a proximate or immediate solution. He sat
+ smoking before the fire till the tobacco&rsquo;s substance had half turned into
+ a wraith of ash, and not really thinking of anything very definitely,
+ except the question whether he should be able to sleep after he went to
+ bed, when he heard a creeping step on the floor. He turned quickly, with a
+ certain expectance in his nerves, and saw nothing more ghostly than
+ Bushwick standing at the corner of the table and apparently hesitating how
+ to speak to him.
+ </p>
+ <p>
+ He said, &ldquo;Hello!&rdquo; and at this Bushwick said:
+ </p>
+ <p>
+ &ldquo;Look here!&rdquo;
+ </p>
+ <p>
+ &ldquo;Well?&rdquo; Verrian asked, looking at him.
+ </p>
+ <p>
+ &ldquo;How does it happen you&rsquo;re up so late, after everybody else is wrapped in
+ slumber?&rdquo;
+ </p>
+ <p>
+ &ldquo;I might ask the same of you.&rdquo;
+ </p>
+ <p>
+ &ldquo;Well, I found I wasn&rsquo;t making it a case of sleep, exactly, and so I got
+ up.&rdquo;
+ </p>
+ <p>
+ &ldquo;Well, I hadn&rsquo;t gone to bed for much the same reason. Why couldn&rsquo;t you
+ sleep? A real-estate broker ought to have a clean conscience.&rdquo;
+ </p>
+ <p>
+ &ldquo;So ought a publisher, for that matter. What do you think of this
+ ghost-dance, anyway?&rdquo;
+ </p>
+ <p>
+ &ldquo;It might be amusing&mdash;if it fails.&rdquo; Verrian was tempted to add the
+ condition by the opportunity for a cynicism which he did not feel. It is
+ one of the privileges of youth to be cynical, whether or no.
+ </p>
+ <p>
+ Bushwick sat down before the fire and rubbed his shins with his two hands
+ unrestfully, drawing in a long breath between his teeth. &ldquo;These things get
+ on to my nerves sometimes. I shouldn&rsquo;t want the ghost-dance to fail.&rdquo;
+ </p>
+ <p>
+ &ldquo;On Mrs. Westangle&rsquo;s account?&rdquo;
+ </p>
+ <p>
+ &ldquo;I guess Mrs. Westangle could stand it. Look here!&rdquo; It was rather a
+ customary phrase of his, Verrian noted. As he now used it he looked
+ alertly round at Verrian, with his hands still on his shins. &ldquo;What&rsquo;s the
+ use of our beating round the bush?&rdquo;
+ </p>
+ <p>
+ Verrian delayed his answer long enough to decide against the aimless pun
+ of asking, &ldquo;What Bushwick?&rdquo; and merely asked, &ldquo;What bush?&rdquo;
+ </p>
+ <p>
+ &ldquo;The bush where the milk in the cocoanut grows. You don&rsquo;t pretend that you
+ believe Mrs. Westangle has been getting up all these fairy stunts?&rdquo;
+ </p>
+ <p>
+ Verrian returned to his cigar, from which the ashen wraith dropped into
+ his lap. &ldquo;I guess you&rsquo;ll have to be a little clearer.&rdquo; But as Bushwick
+ continued silently looking at him, the thing could not be left at this
+ point, and he was obliged to ask of his own initiative, &ldquo;How much do you
+ know?&rdquo;
+ </p>
+ <p>
+ Bushwick leaned back in his chair, with his eyes still on Verrian&rsquo;s
+ profile. &ldquo;As much as Miss Macroyd could tell me.&rdquo;
+ </p>
+ <p>
+ &ldquo;Ah, I&rsquo;m still in the dark,&rdquo; Verrian politely regretted, but not with a
+ tacit wish to wring Miss Macroyd&rsquo;s neck, which he would not have known how
+ to account for.
+ </p>
+ <p>
+ &ldquo;Well, she says that Mrs. Westangle has a professional assistant who&rsquo;s
+ doing the whole job for her, and that she came down on the same train with
+ herself and you.&rdquo;
+ </p>
+ <p>
+ &ldquo;Did she say that she grabbed the whole victoria for herself and maid at
+ the station?&rdquo; Verrian demanded, in a burst of rage, &ldquo;and left us to get
+ here the best way we could?&rdquo;
+ </p>
+ <p>
+ Bushwick grinned. &ldquo;She supposed there were other carriages, and when she
+ found there weren&rsquo;t she hurried the victoria back for you.&rdquo;
+ </p>
+ <p>
+ &ldquo;You think she believes all that? I&rsquo;m glad she has the decency to be
+ ashamed of her behavior.&rdquo;
+ </p>
+ <p>
+ &ldquo;I&rsquo;m not defending her. Miss Macroyd knows how to take care of herself.&rdquo;
+ </p>
+ <p>
+ The matter rather dropped for the moment, in which Bushwick filled a pipe
+ he took from his pocket and lighted it. After the first few whiffs he took
+ it from his mouth, and, with a droll look across at Verrian, said, &ldquo;Who
+ was your fair friend?&rdquo;
+ </p>
+ <p>
+ If Verrian was going to talk of this thing, he was not going to do it with
+ the burden of any sort of reserve or contrivance on his soul. &ldquo;This
+ afternoon?&rdquo; Bushwick nodded; and Verrian added, &ldquo;That was she.&rdquo; Then he
+ went on, wrathfully: &ldquo;She&rsquo;s a girl who has to make her living, and she&rsquo;s
+ doing it in a new way that she&rsquo;s invented for herself. She has supposed
+ that the stupid rich, or the lazy rich, who want to entertain people may
+ be willing to pay for ideas, and she proposes to supply the ideas for a
+ money consideration. She&rsquo;s not a guest in the house, and she won&rsquo;t take
+ herself on a society basis at all. I don&rsquo;t know what her history is, and I
+ don&rsquo;t care. She&rsquo;s a lady by training, and, if she had the accent, I should
+ say she was from the South, for she has the enterprise of the South that
+ comes North and tries to make its living. It&rsquo;s all inexpressibly none of
+ my business, but I happen to be knowing to so much of the case, and if
+ you&rsquo;re knowing to anything else, Mr. Bushwick, I want you to get it
+ straight. That&rsquo;s why I&rsquo;m talking of it, and not because I think you&rsquo;ve any
+ right to know anything about it.&rdquo;
+ </p>
+ <p>
+ &ldquo;Thank you,&rdquo; Bushwick returned, unruffled. &ldquo;It&rsquo;s about what Miss Macroyd
+ told me. That&rsquo;s the reason I don&rsquo;t want the ghost-dance to fail.&rdquo;
+ </p>
+ <p>
+ Verrian did not notice him. He found it more important to say: &ldquo;She&rsquo;s so
+ loyal to Mrs. Westangle that she wouldn&rsquo;t have wished, in Mrs. Westangle&rsquo;s
+ interest, to have her presence, or her agency in what is going on, known;
+ but, of course, if Mrs. Westangle chooses to, tell it, that&rsquo;s her affair.&rdquo;
+ </p>
+ <p>
+ &ldquo;She would have had to tell it, sooner or later, Mrs. Westangle would; and
+ she only told it to Miss Macroyd this afternoon on compulsion, after Miss
+ Macroyd and I had seen you in the wood-road, and Mrs. Westangle had to
+ account for the young lady&rsquo;s presence there in your company. Then Miss
+ Macroyd had to tell me; but I assure you, my dear fellow, the matter
+ hasn&rsquo;t gone any further.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, it&rsquo;s quite indifferent to me,&rdquo; Verrian retorted. &ldquo;I&rsquo;m nothing but a
+ dispassionate witness of the situation.&rdquo;
+ </p>
+ <p>
+ &ldquo;Of course,&rdquo; Bushwick assented, and then he added, with a bonhomie really
+ so amiable that a man with even an unreasonable grudge could hardly resist
+ it, &ldquo;If you call it dispassionate.&rdquo;
+ </p>
+ <p>
+ Verrian could not help laughing. &ldquo;Well, passionate, then. I don&rsquo;t know why
+ it should be so confoundedly vexatious. But somehow I would have chosen
+ Miss Macroyd&mdash;Is she specially dear to you?&rdquo;
+ </p>
+ <p>
+ &ldquo;Not the least!&rdquo;
+ </p>
+ <p>
+ &ldquo;I would have chosen her as the last person to have the business, which is
+ so inexpressibly none of my business&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Or mine, as I think you remarked,&rdquo; Bushwick interposed.
+ </p>
+ <p>
+ &ldquo;Come out through,&rdquo; Verrian concluded, accepting his interposition with a
+ bow.
+ </p>
+ <p>
+ &ldquo;I see what you mean,&rdquo; Bushwick said, after a moment&rsquo;s thought. &ldquo;But,
+ really, I don&rsquo;t think it&rsquo;s likely to go further. If you want to know, I
+ believe Miss Macroyd feels the distinction of being in the secret so much
+ that she&rsquo;ll prefer to hint round till Mrs. Westangle gives the thing away.
+ She had to tell me, because I was there with her when she saw you with the
+ young lady, to keep me from going with my curiosity to you. Come, I do
+ think she&rsquo;s honest about it.&rdquo;
+ </p>
+ <p>
+ &ldquo;Don&rsquo;t you think they&rsquo;re rather more dangerous when they&rsquo;re honest?&rdquo;
+ </p>
+ <p>
+ &ldquo;Well, only when they&rsquo;re obliged to be. Cheer up! I don&rsquo;t believe Miss
+ Macroyd is one to spoil sport.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, I think I shall live through it,&rdquo; Verrian said, rather stiffening
+ again. But he relaxed, in rising from his chair, and said, &ldquo;Well,
+ good-night, old fellow. I believe I shall go to bed now.&rdquo;
+ </p>
+ <p>
+ &ldquo;You won&rsquo;t wait for me till my pipe&rsquo;s out?&rdquo;
+ </p>
+ <p>
+ &ldquo;No, I think not. I seem to be just making it, and if I waited I might
+ lose my grip.&rdquo; He offered Bushwick a friendly hand.
+ </p>
+ <p>
+ &ldquo;Do you suppose it&rsquo;s been my soothing conversation? I&rsquo;m like the actor
+ that the doctor advised to go and see himself act. I can&rsquo;t talk myself
+ sleepy.&rdquo;
+ </p>
+ <p>
+ &ldquo;You might try it,&rdquo; Verrian said, going out.
+ </p>
+ <p>
+ <a name="link2H_4_0018" id="link2H_4_0018">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ XVIII.
+ </h2>
+ <p>
+ The men who had talked of going away on Thursday seemed to have found it
+ practicable to stay. At any rate, they were all there on the Saturday
+ night for the ghost-seeing, and, of course, none of the women had gone.
+ What was more remarkable, in a house rather full of girls, nobody was
+ sick; or, at least, everybody was well enough to be at dinner, and, after
+ dinner, at the dance, which impatiently, if a little ironically, preceded
+ the supernatural part of the evening&rsquo;s amusement. It was the decorum of a
+ woman who might have been expected not to have it that Mrs. Westangle had
+ arranged that the evening&rsquo;s amusement should not pass the bound between
+ Saturday night and Sunday morning. The supper was to be later, but that
+ was like other eating and drinking on the Sabbath; and it was to be a cold
+ supper.
+ </p>
+ <p>
+ At half-past ten the dancing stopped in the foyer and the drawing-room,
+ and by eleven the guests were all seated fronting the closed doors of the
+ library. There were not so many of them but that in the handsome space
+ there was interval enough to lend a desired distance to the apparitions;
+ and when the doors were slid aside it was applausively found that there
+ was a veil of gauze falling from the roof to the floor, which promised its
+ aid in heightening the coming mystery. This was again heightened by the
+ universal ignorance as to how the apparitions were to make their advents
+ and on what terms.
+ </p>
+ <p>
+ It was with an access of a certain nervous anxiety that Verrian found
+ himself next Miss Macroyd, whose frank good-fellowship first expressed
+ itself in a pleasure at the chance which he did not share, and then
+ extended to a confidential sympathy for the success of the enterprise
+ which he did not believe she felt. She laughed, but &lsquo;sotto voce&rsquo;, in
+ bending her head close to his and whispering, &ldquo;I hope she&rsquo;ll be equal to
+ her &lsquo;mise en scene&rsquo;. It&rsquo;s really very nice. So simple.&rdquo; Besides the gauze
+ veil, there was no preparation except in the stretch of black drapery
+ which hid the book-shelves at the farther wall of the library.
+ </p>
+ <p>
+ &ldquo;Mrs. Westangle&rsquo;s note is always simplicity,&rdquo; Verrian returned.
+ </p>
+ <p>
+ &ldquo;Oh yes, indeed! And you wish to keep up the Westangle convention?&rdquo;
+ </p>
+ <p>
+ &ldquo;I don&rsquo;t see any reason for dropping it.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, none in the world,&rdquo; she mocked.
+ </p>
+ <p>
+ He determined to push her, since she had tried to push him, and he asked,
+ &ldquo;What reason could there be?&rdquo;
+ </p>
+ <p>
+ &ldquo;Now, Mr. Verrian, asking a woman for a reason! I shall begin to think
+ some one else wrote your book, too! Perhaps she&rsquo;ll take up supplying ideas
+ to authors as well as hostesses. Of course, I mean Mrs. Westangle.&rdquo;
+ </p>
+ <p>
+ Verrian wished he had not tried to push Miss Macroyd, and he was still
+ grinding his teeth in a vain endeavor to get out some fit retort between
+ them, when he saw Bushwick shuffling to his feet, in the front row of the
+ spectators, and heard him beginning a sort of speech.
+ </p>
+ <p>
+ &ldquo;Ladies and gentlemen: Mrs. Westangle has chosen me, because a real-estate
+ broker is sometimes an auctioneer, and may be supposed to have the gift of
+ oratory, to make known the conditions on which you may interview the
+ ghosts which you are going to see. Anybody may do it who will comply with
+ the conditions. In the first place, you have got to be serious, and to
+ think up something that you would really like to know about your past,
+ present, or future. Remember, this is no joking matter, and the only
+ difference between the ghost that you will see here and a real
+ materialization under professional auspices is that the ghost won&rsquo;t charge
+ you anything. Of course, if any lady or gentleman&mdash;especially lady&mdash;wishes
+ to contribute to any charitable object, after a satisfactory interview
+ with the ghost, a hat will be found at the hall-door for the purpose, and
+ Mrs. Westangle will choose the object: I have put in a special plea for my
+ own firm, at a season when the real-estate business is not at its best.&rdquo;
+ By this time Bushwick had his audience laughing, perhaps the more easily
+ because they were all more or less in a hysterical mood, which, whether we
+ own it or not, is always induced by an approximation to the supernatural.
+ He frowned and said, &ldquo;NO laughing!&rdquo; and then they laughed the more. When
+ he had waited for them to be quiet he went on gravely, &ldquo;The conditions are
+ simply these: Each person who chooses may interview the ghost, keeping a
+ respectful distance, but not so far off but that the ghost can distinctly
+ hear a stage whisper. The question put must be seriously meant, and it
+ must be the question which the questioner would prefer to have answered
+ above everything else at the time being. Certain questions will be
+ absolutely ruled out, such as, &lsquo;Does Maria love me?&rsquo; or, &lsquo;Has Reuben ever
+ been engaged before?&rsquo; The laughter interrupted the speaker again, and
+ Verrian hung his head in rage and shame; this stupid ass was spoiling the
+ hope of anything beautiful in the spectacle and turning it into a gross
+ burlesque. Somehow he felt that the girl who had invented it had meant, in
+ the last analysis, something serious, and it was in her behalf that he
+ would have liked to choke Bushwick. All the time he believed that Miss
+ Macroyd, whose laugh sounded above the others, was somehow enjoying his
+ indignation and divining its reason.
+ </p>
+ <p>
+ &ldquo;Other questions, touching intemperance or divorce, the questioner will
+ feel must not be asked; though it isn&rsquo;t necessary to more than suggest
+ this, I hope; it will be left entirely to the good taste and good feeling
+ of the&mdash;party. We all know what the temptations of South Dakota and
+ the rum fiend are, and that to err is human, and forgive divine.&rdquo; He
+ paused, having failed to get a laugh, but got it by asking,
+ confidentially, &ldquo;Where was I? Oh!&rdquo;&mdash;he caught himself up&mdash;&ldquo;I
+ remember. Those of you who are in the habit of seeing ghosts need not be
+ told that a ghost never speaks first; and those who have never met an
+ apparition before, but are in the habit of going to the theatre, will
+ recall the fact that in W. Shakespeare&rsquo;s beautiful play of &lsquo;Hamlet&rsquo; the
+ play could not have gone on after the first scene if Horatio had not
+ spoken to the ghost of Hamlet&rsquo;s father and taken the chances of being
+ snubbed. Here there are no chances of that kind; the chances are that
+ you&rsquo;ll wish the ghost had not been entreated: I think that is the phrase.&rdquo;
+ </p>
+ <p>
+ In the laugh that followed a girl on Miss Macroyd&rsquo;s other hand audibly
+ asked her, &ldquo;Oh, isn&rsquo;t he too funny?&rdquo;
+ </p>
+ <p>
+ &ldquo;Delicious!&rdquo; Miss Macroyd agreed. Verrian felt she said it to vex him.
+ </p>
+ <p>
+ &ldquo;Now, there&rsquo;s just one other point,&rdquo; Bushwick resumed, &ldquo;and then I have
+ done. Only one question can be allowed to each person, but if the
+ questioner is a lady she can ask a question and a half, provided she is
+ not satisfied with the answer. In this case, however, she will only get
+ half an answer. Now I have done, and if my arguments have convinced any
+ one within the sound of my voice that our ghost really means business, I
+ shall feel fully repaid for the pains and expense of getting up these few
+ impromptu remarks, to which I have endeavored to give a humorous
+ character, in order that you may all laugh your laugh out, and no unseemly
+ mirth may interrupt the subsequent proceedings. We will now have a little
+ music, and those who can recall my words will be allowed to sing them.&rdquo;
+ </p>
+ <p>
+ In the giggling and chatter which ensued the chords softly played passed
+ into ears that might as well have been deaf; but at last there was a
+ general quiescence of expectation, in which every one&rsquo;s eyes were strained
+ to pierce through the gauze curtain to the sombre drapery beyond. The wait
+ was so long that the tension relaxed and a whispering began, and Verrian
+ felt a sickness of pity for the girl who was probably going to make a
+ failure of it. He asked himself what could have happened to her. Had she
+ lost courage? Or had her physical strength, not yet fully renewed, given
+ way under the stress? Or had she, in sheer disgust for the turn the affair
+ had been given by that brute Bushwick, thrown up the whole business? He
+ looked round for Mrs. Westangle; she was not there; he conjectured&mdash;he
+ could only conjecture&mdash;that she was absent conferring with Miss
+ Shirley and trying to save the day.
+ </p>
+ <p>
+ A long, deeply sighed &ldquo;Oh-h-h-h!&rdquo; shuddering from many lips made him turn
+ abruptly, and he saw, glimmering against the pall at the bottom of the
+ darkened library, a figure vaguely white, in which he recognized a pose, a
+ gesture familiar to him. For the others the figure was It, but for him it
+ was preciously She. It was she, and she was going to carry it through; she
+ was going to triumph, and not fail. A lump came into his 96 throat, and a
+ mist blurred his eyes, which, when it cleared again, left him staring at
+ nothing.
+ </p>
+ <p>
+ A girl&rsquo;s young voice uttered the common feeling, &ldquo;Why, is that all?&rdquo;
+ </p>
+ <p>
+ &ldquo;It is, till some one asks the ghost a question; then it will reappear,&rdquo;
+ Bushwick rose to say. &ldquo;Will Miss Andrews kindly step forward and ask the
+ question nearest her heart?&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh no!&rdquo; the girl answered, with a sincerity that left no one quite free
+ to laugh.
+ </p>
+ <p>
+ &ldquo;Some other lady, then?&rdquo; Bushwick suggested. No one moved, and he added,
+ &ldquo;This is a difficulty which had been foreseen. Some gentleman will step
+ forward and put the question next his heart.&rdquo; Again no one offered to go
+ forward, and there was some muted laughter, which Bushwick checked. &ldquo;This
+ difficulty had been foreseen, too. I see that I shall have to make the
+ first move, and all that I shall require of the audience is that I shall
+ not be supposed to be in collusion with the illusion. I hope that after my
+ experience, whatever it is, some young woman of courage will follow.&rdquo;
+ </p>
+ <p>
+ He passed into the foyer, and from that came into the library, where he
+ showed against the dark background in an attitude of entreaty slightly
+ burlesqued. The ghost reappeared.
+ </p>
+ <p>
+ &ldquo;Shall I marry the woman I am thinking of?&rdquo; he asked.
+ </p>
+ <p>
+ The phantom seemed to hesitate; it wavered like a pale reflection cast
+ against the pall. Then, in the tones which Verrian knew, the answer came:
+ </p>
+ <p>
+ &ldquo;Ask her. She will tell you.&rdquo;
+ </p>
+ <p>
+ The phantom had scored a hit, and the applause was silenced with
+ difficulty; but Verrian felt that Miss Shirley had lost ground. It could
+ not have been for the easy cleverness of such a retort that she had
+ planned the affair. Yet, why not? He was taking it too seriously. It was
+ merely business with her.
+ </p>
+ <p>
+ &ldquo;And I haven&rsquo;t even the right to half a question more!&rdquo; Bushwick lamented,
+ in a dramatized dejection, and crossed slowly back from the library to his
+ place.
+ </p>
+ <p>
+ &ldquo;Why, haven&rsquo;t you got enough?&rdquo; one of the men asked, amidst the gay clamor
+ of the women.
+ </p>
+ <p>
+ The ghost was gone again, and its evanescence was discussed with ready
+ wonder. Another of the men went round to tempt his fate, and the phantom
+ suddenly reappeared so near him that he got a laugh by his start of
+ dismay. &ldquo;I forgot what I was going to ask, he faltered.
+ </p>
+ <p>
+ &ldquo;I know what it was,&rdquo; the apparition answered. &ldquo;You had better sell.&rdquo;
+ </p>
+ <p>
+ &ldquo;But they say it will go to a hundred!&rdquo; the man protested.
+ </p>
+ <p>
+ &ldquo;No back&mdash;talk, Rogers!&rdquo; Bushwick interposed. &ldquo;That was the
+ understanding.
+ </p>
+ <p>
+ &ldquo;But we didn&rsquo;t understand,&rdquo; one of the girls said, coming to the rescue,
+ &ldquo;that the ghost was going to answer questions that were not asked. That
+ would give us all away.&rdquo;
+ </p>
+ <p>
+ &ldquo;Then the only thing is for you to go and ask before it gets a chance to
+ answer,&rdquo; Bushwick said.
+ </p>
+ <p>
+ &ldquo;Well, I will,&rdquo; the girl returned. And she swept round into the library,
+ where she encountered the phantom with a little whoop as it started into
+ sight before her. &ldquo;I&rsquo;m not going to be scared out of it!&rdquo; she said,
+ defiantly. &ldquo;It&rsquo;s simply this: Did the person I suspect really take the
+ ring.&rdquo;
+ </p>
+ <p>
+ The answer came, &ldquo;Look on the floor under your dressing-table!&rdquo;
+ </p>
+ <p>
+ &ldquo;Well, if I find it there,&rdquo; the girl addressed the company, &ldquo;I&rsquo;m a
+ spiritualist from this time forth.&rdquo; And she came back to her place, where
+ she remained for some time explaining to those near how she had lately
+ lost her ring and suspected her maid, whom she had dismissed.
+ </p>
+ <p>
+ Upon the whole, the effect was serious. The women, having once started,
+ needed no more urging. One after another they confronted and questioned
+ the oracle with increasing sincerity.
+ </p>
+ <p>
+ Miss Macroyd asked Verrian, &ldquo;Hadn&rsquo;t you better take your chance and stop
+ this flow of fatuity, Mr. Verrian?&rdquo;
+ </p>
+ <p>
+ &ldquo;I&rsquo;m afraid I should be fatuous, too,&rdquo; he said. &ldquo;But you?&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, thank you, I don&rsquo;t believe in ghosts, though this seems to be a very
+ pretty one&mdash;very graceful, I mean. I suppose a graceful woman would
+ be graceful even when a disembodied spirit. I should think she would be
+ getting a little tried with all this questioning; but perhaps we&rsquo;re only
+ reading the fatigue into her. The ghost may be merely overdone.&rdquo;
+ </p>
+ <p>
+ &ldquo;It might easily be that,&rdquo; Verrian assented.
+ </p>
+ <p>
+ &ldquo;Oh, may I ask it something now?&rdquo; a girl&rsquo;s voice appealed to Bushwick. It
+ was the voice of that Miss Andrews who had spoken first, and first refused
+ to question the ghost. She was the youngest of Mrs. Westangle&rsquo;s guests,
+ and Verrian had liked her, with a sense of something precious in the
+ prolongation of a child&rsquo;s unconsciousness into the consciousness of
+ girlhood which he found in her. She was always likelier than not to say
+ the thing she thought and felt, whether it was silly and absurd, or
+ whether, as also happened, there was a touch of inspired significance in
+ it, as there is apt to be in the talk of children. She was laughed at, but
+ she was liked, and the freshness of her soul was pleasant to the girls who
+ were putting on the world as hard as they could. She could be trusted to
+ do and say the unexpected. But she was considered a little morbid, and
+ certainly she had an exaltation of the nerves that was at times almost
+ beyond her control.
+ </p>
+ <p>
+ &ldquo;Oh, dear!&rdquo; Miss Macroyd whispered. &ldquo;What is that strange simpleton going
+ to do, I wonder?&rdquo;
+ </p>
+ <p>
+ Verrian did not feel obliged to answer a question not addressed to him,
+ but he, too, wondered and doubted.
+ </p>
+ <p>
+ The girl, having got her courage together, fluttered with it from her
+ place round to the ghost&rsquo;s in a haste that expressed a fear that it might
+ escape her if she delayed to put it to the test. The phantom was already
+ there, as if it had waited her in the curiosity that followed her. They
+ were taking each other seriously, the girl and the ghost, and if the ghost
+ had been a veridical phantom, in which she could have believed with her
+ whole soul, the girl could not have entreated it more earnestly, more
+ simply.
+ </p>
+ <p>
+ She bent forward, in her slim, tall figure, with her hands outstretched,
+ and with her tender voice breaking at times in her entreaty. &ldquo;Oh, I don&rsquo;t
+ know how to begin,&rdquo; she said, quite as if she and the phantom were alone
+ together, and she had forgotten its supernatural awfulness in a sense of
+ its human quality. &ldquo;But you will understand, won&rsquo;t you! You&rsquo;ll think it
+ very strange, and it is very unlike the others; but if I&rsquo;m going to be
+ serious&mdash;&rdquo;
+ </p>
+ <p>
+ The white figure stood motionless; but Verrian interpreted its quiet as a
+ kindly intelligence, and the girl made a fresh start in a note a little
+ more piteous than before. &ldquo;It&rsquo;s about the&mdash;the truth. Do you think if
+ sometimes we don&rsquo;t tell it exactly, but we wish we had very, very much, it
+ will come round somehow the same as if we had told it?&rdquo;
+ </p>
+ <p>
+ &ldquo;I don&rsquo;t understand,&rdquo; the phantom answered. &ldquo;Say it again&mdash;or
+ differently.&rdquo;
+ </p>
+ <p>
+ &ldquo;Can our repentance undo it, or make the falsehood over into the truth?&rdquo;
+ </p>
+ <p>
+ &ldquo;Never!&rdquo; the ghost answered, with a passion that thrilled to Verrian&rsquo;s
+ heart.
+ </p>
+ <p>
+ &ldquo;Oh, dear!&rdquo; the girl said; and then, as if she had been going to continue,
+ she stopped.
+ </p>
+ <p>
+ &ldquo;You&rsquo;ve still got your half-question, Miss Andrews,&rdquo; Bushwick interposed.
+ </p>
+ <p>
+ &ldquo;Even if we didn&rsquo;t mean it to deceive harmfully?&rdquo; the girl pursued. &ldquo;If it
+ was just on impulse, something we couldn&rsquo;t seem to help, and we didn&rsquo;t see
+ it in its true light at the time&mdash;&rdquo;
+ </p>
+ <p>
+ The ghost made no answer. It stood motionless.
+ </p>
+ <p>
+ &ldquo;It is offended,&rdquo; Bushwick said, without knowing the Shakespearian words.
+ &ldquo;You&rsquo;ve asked it three times half a question, Miss Andrews. Now, Mr.
+ Verrian, it&rsquo;s your turn. You can ask it just one-quarter of a question.
+ Miss Andrews has used up the rest of your share.&rdquo;
+ </p>
+ <p>
+ Verrian rose awkwardly and stood a long moment before his chair. Then he
+ dropped back again, saying, dryly, &ldquo;I don&rsquo;t think I want to ask it
+ anything.&rdquo;
+ </p>
+<div class="fig" style="width:50%;"> <img src="images/{0119}.jpg" alt="{0119}" width="100%" /><br /> </div> <h5> <a href="images/{0119}.jpg"> <img src="images/enlarge.jpg" alt="" /> </a> </h5>
+
+ <p>
+ The phantom sank straight down as if sinking through the floor, but lay
+ there like a white shawl trailed along the bottom of the dark curtain.
+ </p>
+ <p>
+ &ldquo;And is that all?&rdquo; Miss Macroyd asked Verrian. &ldquo;I was just getting up my
+ courage to go forward. But now, I suppose&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, dear!&rdquo; Miss Andrews called out. &ldquo;Perhaps it&rsquo;s fainted. Hadn&rsquo;t we
+ better&mdash;&rdquo;
+ </p>
+ <p>
+ There were formless cries from the women, and the men made a crooked rush
+ forward, in which Verrian did not join. He remained where he had risen,
+ with Miss Macroyd beside him.
+ </p>
+ <p>
+ &ldquo;Perhaps it&rsquo;s only a coup de theatre!&rdquo; she said, with her laugh. &ldquo;Better
+ wait.&rdquo;
+ </p>
+ <p>
+ Bushwick was gathering the prostrate figure up. &ldquo;She has fainted!&rdquo; he
+ called. &ldquo;Get some water, somebody!&rdquo;
+ </p>
+ <p>
+ <a name="link2H_4_0019" id="link2H_4_0019">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ XIX.
+ </h2>
+ <p>
+ The early Monday morning train which brought Verrian up to town was so
+ very early that he could sit down to breakfast with his mother only a
+ little later than their usual hour.
+ </p>
+ <p>
+ She had called joyfully to him from her room, when she heard the rattling
+ of his key as he let himself into the apartment, and, after an exchange of
+ greetings, shouted back and forth before they saw each other, they could
+ come at once to the history of his absence over their coffee. &ldquo;You must
+ have had a very good time, to stay so long. After you wrote that you would
+ not be back Thursday, I expected it would be Saturday till I got your
+ telegram. But I&rsquo;m glad you stayed. You certainly needed the rest.&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, if those things are ever a rest.&rdquo; He looked down at his cup while he
+ stirred the coffee in it, and she studied his attitude, since she could
+ not see his face fully, for the secret of any vital change that might have
+ come upon him. It could be that in the interval since she had seen him he
+ had seen the woman who was to take him from her. She was always preparing
+ herself for that, knowing that it must come almost as certainly as death,
+ and knowing that with all her preparation she should not be ready for it.
+ &ldquo;I&rsquo;ve got rather a long story to tell you and rather a strange story,&rdquo; he
+ said, lifting his head and looking round, but not so impersonally that his
+ mother did not know well enough to say to the Swedish serving-woman:
+ </p>
+ <p>
+ &ldquo;You needn&rsquo;t stay, Margit. I&rsquo;ll give Mr. Philip his breakfast. Well!&rdquo; she
+ added, when they were alone.
+ </p>
+ <p>
+ &ldquo;Well,&rdquo; he returned, with a smile that she knew he was forcing, &ldquo;I have
+ seen the girl that wrote that letter.&rdquo;
+ </p>
+ <p>
+ &ldquo;Not Jerusha Brown?&rdquo;
+ </p>
+ <p>
+ &ldquo;Not Jerusha Brown, but the girl all the same.&rdquo;
+ </p>
+ <p>
+ &ldquo;Now go on, Philip, and don&rsquo;t miss a single word!&rdquo; she commanded him, with
+ an imperious breathlessness. &ldquo;You know I won&rsquo;t hurry you or interrupt you,
+ but you must&mdash;you really must-tell me everything. Don&rsquo;t leave out the
+ slightest detail.&rdquo;
+ </p>
+ <p>
+ &ldquo;I won&rsquo;t,&rdquo; he said. But she was aware, from time to time, that she was
+ keeping her word better than he was keeping his, in his account of meeting
+ Miss Shirley and all the following events.
+ </p>
+ <p>
+ &ldquo;You can imagine,&rdquo; he said, &ldquo;what a sensation the swooning made, and the
+ commotion that followed it.&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, I can imagine that,&rdquo; she answered. But she was yet so faithful that
+ she would not ask him to go on.
+ </p>
+ <p>
+ He continued, unasked, &ldquo;I don&rsquo;t know just how, now, to account for its
+ coming into my head that it was Miss Andrews who was my unknown
+ correspondent. I suppose I&rsquo;ve always unconsciously expected to meet that
+ girl, and Miss Andrews&rsquo;s hypothetical case was psychologically so parallel&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, yes!&rdquo;
+ </p>
+ <p>
+ &ldquo;And I&rsquo;ve sometimes been afraid that I judged it too harshly&mdash;that it
+ was a mere girlish freak without any sort of serious import.&rdquo;
+ </p>
+ <p>
+ &ldquo;I was sometimes afraid so, Philip. But&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;And I don&rsquo;t believe now that the hypothetical case brought any
+ intolerable stress of conscience upon Miss Shirley, or that she fainted
+ from any cause but exhaustion from the general ordeal. She was still weak
+ from the sickness she had been through&mdash;too weak to bear the strain
+ of the work she had taken up. Of course, the catastrophe gave the whole
+ surface situation away, and I must say that those rather banal young
+ people behaved very humanely about it. There was nothing but interest of
+ the nicest kind, and, if she is going on with her career, it will be easy
+ enough for her to find engagements after this.&rdquo;
+ </p>
+ <p>
+ &ldquo;Why shouldn&rsquo;t she go on?&rdquo; his mother asked, with a suspicion which she
+ kept well out of sight.
+ </p>
+ <p>
+ &ldquo;Well, as well as she could explain afterwards, the catastrophe took her
+ work out of the category of business and made her acceptance in it a
+ matter of sentiment.&rdquo;
+ </p>
+ <p>
+ &ldquo;She explained it to you herself?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, the general sympathy had penetrated to Mrs. Westangle, though I
+ don&rsquo;t say that she had been more than negatively indifferent to Miss
+ Shirley&rsquo;s claim on her before. As it was, she sent for me to her room the
+ next morning, and I found Miss Shirley alone there. She said Mrs.
+ Westangle would be down in a moment.&rdquo;
+ </p>
+ <p>
+ Now, indeed, Mrs. Verrian could not govern herself from saying, &ldquo;I don&rsquo;t
+ like it, Philip.&rdquo;
+ </p>
+ <p>
+ &ldquo;I knew you wouldn&rsquo;t. It was what I said to myself at the time. You were
+ so present with me that I seemed to have you there chaperoning the
+ interview.&rdquo; His mother shrugged, and he went on: &ldquo;She said she wished to
+ tell me something first, and then she said, &lsquo;I want to do it while I have
+ the courage, if it&rsquo;s courage; perhaps it&rsquo;s just desperation. I am Jerusha
+ Brown.&rsquo;&rdquo;
+ </p>
+ <p>
+ His mother began, &ldquo;But you said&mdash;&rdquo; and then stopped herself.
+ </p>
+ <p>
+ &ldquo;I know that I said she wasn&rsquo;t, but she explained, while I sat there
+ rather mum, that there was really another girl, and that the other girl&rsquo;s
+ name was really Jerusha Brown. She was the daughter of the postmaster in
+ the village where Miss Shirley was passing the summer. In fact, Miss
+ Shirley was boarding in the postmaster&rsquo;s family, and the girls had become
+ very friendly. They were reading my story together, and talking about it,
+ and trying to guess how it would come out, just as the letter said, and
+ they simultaneously hit upon the notion of writing to me. It seemed to
+ them that it would be a good joke&mdash;I&rsquo;m not defending it, mother, and
+ I must say Miss Shirley didn&rsquo;t defend it, either&mdash;to work upon my
+ feelings in the way they tried, and they didn&rsquo;t realize what they had done
+ till Armiger&rsquo;s letter came. It almost drove them wild, she said; but they
+ had a lucid interval, and they took the letter to the girl&rsquo;s father and
+ told him what they had done. He was awfully severe with them for their
+ foolishness, and said they must write to Armiger at once and confess the
+ fact. Then they said they had written already, and showed him the second
+ letter, and explained they had decided to let Miss Brawn write it in her
+ person alone for the reason she gave in it. But Miss Shirley told him she
+ was ready to take her full share of the blame, and, if anything came of
+ it, she authorized him to put the whole blame on her.&rdquo;
+ </p>
+ <p>
+ Verrian made a pause which his mother took for invitation or permission to
+ ask, &ldquo;And was he satisfied with that?&rdquo;
+ </p>
+ <p>
+ &ldquo;I don&rsquo;t know. I wasn&rsquo;t, and it&rsquo;s only just to Miss Shirley to say that
+ she wasn&rsquo;t, either. She didn&rsquo;t try to justify it to me; she merely said
+ she was so frightened that she couldn&rsquo;t have done anything. She may have
+ realized more than the Brown girl what they had done.&rdquo;
+ </p>
+ <p>
+ &ldquo;The postmaster, did he regard it as anything worse than foolishness?&rdquo;
+ </p>
+ <p>
+ &ldquo;I don&rsquo;t believe he did. At any rate, he was satisfied with what his
+ daughter had done in owning up.&rdquo;
+ </p>
+ <p>
+ &ldquo;Well, I always liked that girl&rsquo;s letter. And did they show him your
+ letter?&rdquo;
+ </p>
+ <p>
+ &ldquo;It seems that they did.&rdquo;
+ </p>
+ <p>
+ &ldquo;And what did he say about that?&rdquo;
+ </p>
+ <p>
+ &ldquo;I suppose, what I deserved. Miss Shirley wouldn&rsquo;t say, explicitly. He
+ wanted to answer it, but they wouldn&rsquo;t let him. I don&rsquo;t know but I should
+ feel better if he had. I haven&rsquo;t been proud of that letter of mine as time
+ has gone on, mother; I think I behaved very narrow-mindedly, very
+ personally in it.&rdquo;
+ </p>
+ <p>
+ &ldquo;You behaved justly.&rdquo;
+ </p>
+ <p>
+ &ldquo;Justly? I thought you had your doubts of that. At any rate, I had when it
+ came to hearing the girl accusing herself as if she had been guilty of
+ some monstrous wickedness, and I realized that I had made her feel so.&rdquo;
+ </p>
+ <p>
+ &ldquo;She threw herself on your pity!&rdquo;
+ </p>
+ <p>
+ &ldquo;No, she didn&rsquo;t, mother. Don&rsquo;t make it impossible for me to tell you just
+ how it was.&rdquo;
+ </p>
+ <p>
+ &ldquo;I won&rsquo;t. Go on.&rdquo;
+ </p>
+ <p>
+ &ldquo;I don&rsquo;t say she was manly about it; that couldn&rsquo;t be, but she was
+ certainly not throwing herself on my pity, unless&mdash;unless&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;What?&rdquo;
+ </p>
+ <p>
+ &ldquo;Unless you call it so for her to say that she wanted to own up to me,
+ because she could have no rest till she had done so; she couldn&rsquo;t put it
+ behind her till she had acknowledged it; she couldn&rsquo;t work; she couldn&rsquo;t
+ get well.&rdquo;
+ </p>
+ <p>
+ He saw his mother trying to consider it fairly, and in response he renewed
+ his own resolution not to make himself the girl&rsquo;s advocate with her, but
+ to continue the dispassionate historian of the case. At the same time his
+ memory was filled with the vision of how she had done and said the things
+ he was telling, with what pathos, with what grace, with what beauty in her
+ appeal. He saw the tears that came into her eyes at times and that she
+ indignantly repressed as she hurried on in the confession which she was
+ voluntarily making, for there was no outward stress upon her to say
+ anything. He felt again the charm of the situation, the sort of warmth and
+ intimacy, but he resolved not to let that feeling offset the impartiality
+ of his story.
+ </p>
+ <p>
+ &ldquo;No, I don&rsquo;t say she threw herself on your mercy,&rdquo; his mother said,
+ finally. &ldquo;She needn&rsquo;t have told you anything.&rdquo;
+ </p>
+ <p>
+ &ldquo;Except for the reason she gave&mdash;that she couldn&rsquo;t make a start for
+ herself till she had done so. And she has got her own way to make; she is
+ poor. Of course, you may say her motive was an obsession, and not a
+ reason.&rdquo;
+ </p>
+ <p>
+ &ldquo;There&rsquo;s reality in it, whatever it is; it&rsquo;s a genuine motive,&rdquo; Mrs.
+ Verrian conceded.
+ </p>
+ <p>
+ &ldquo;I think so,&rdquo; Verrian said, in a voice which he tried to keep from
+ sounding too grateful.
+ </p>
+ <p>
+ Apparently his mother did not find it so. She asked, &ldquo;What had been the
+ matter with her, did she say?&rdquo;
+ </p>
+ <p>
+ &ldquo;In her long sickness? Oh! A nervous fever of some sort.&rdquo;
+ </p>
+ <p>
+ &ldquo;From worrying about that experience?&rdquo;
+ </p>
+ <p>
+ Verrian reluctantly admitted, &ldquo;She said it made her want to die. I don&rsquo;t
+ suppose we can quite realize&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;We needn&rsquo;t believe everything she said to realize that she suffered. But
+ girls exaggerate their sufferings. I suppose you told her not to think of
+ it any more?&rdquo;
+ </p>
+ <p>
+ Verrian gave an odd laugh. &ldquo;Well, not unconditionally. I tried to give her
+ my point of view. And I stipulated that she should tell Jerusha Brown all
+ about it, and keep her from having a nervous fever, too.&rdquo;
+ </p>
+ <p>
+ &ldquo;That was right. You must see that even cowardice couldn&rsquo;t excuse her
+ selfishness in letting that girl take all the chances.&rdquo;
+ </p>
+ <p>
+ &ldquo;And I&rsquo;m afraid I was not very unselfish myself in my stipulations,&rdquo;
+ Verrian said, with another laugh. &ldquo;I think that I wanted to stand well
+ with the postmaster.&rdquo;
+ </p>
+ <p>
+ There was a note of cynical ease in this which Mrs. Verrian found morally
+ some octaves lower than the pitch of her son&rsquo;s habitual seriousness in
+ what concerned himself, but she could not make it a censure to him. &ldquo;And
+ you were able to reassure her, so that she needn&rsquo;t think of it any more?&rdquo;
+ </p>
+ <p>
+ &ldquo;What would you have wished me to do?&rdquo; he returned, dryly. &ldquo;Don&rsquo;t you
+ think she had suffered enough?&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, in this sort of thing it doesn&rsquo;t seem the question of suffering. If
+ there&rsquo;s wrong done the penalty doesn&rsquo;t right it.&rdquo;
+ </p>
+ <p>
+ The notion struck Verrian&rsquo;s artistic sense. &ldquo;That&rsquo;s true. That would make
+ the &lsquo;donnee&rsquo; of a strong story. Or a play. It&rsquo;s a drama of fate. It&rsquo;s
+ Greek. But I thought we lived under another dispensation.&rdquo;
+ </p>
+ <p>
+ &ldquo;Will she try to get more of the kind of thing she was doing for Mrs.
+ Westangle at once? Or has she some people?&rdquo;
+ </p>
+ <p>
+ &ldquo;No; only friends, as I understand.&rdquo;
+ </p>
+ <p>
+ &ldquo;Where is she from? Up country?&rdquo;
+ </p>
+ <p>
+ &ldquo;No, she&rsquo;s from the South.&rdquo;
+ </p>
+ <p>
+ &ldquo;I don&rsquo;t like Southerners!&rdquo;
+ </p>
+ <p>
+ &ldquo;I know you don&rsquo;t, mother. But you must honor the way they work and get on
+ when they come North and begin doing for themselves. Besides, Miss
+ Shirley&rsquo;s family went South after the war&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, not even a REAL Southerner!&rdquo;
+ </p>
+ <p>
+ &ldquo;Mother!&rdquo;
+ </p>
+ <p>
+ &ldquo;I know! I&rsquo;m not fair. I ought to beg her pardon. And I ought to be glad
+ it&rsquo;s all over. Shall you see her again?&rdquo;
+ </p>
+ <p>
+ &ldquo;It might happen. But I don&rsquo;t know how or when. We parted friends, but we
+ parted strangers, so far as any prevision of the future is concerned,&rdquo;
+ Verrian said.
+ </p>
+ <p>
+ His mother drew a long breath, which she tried to render inaudible. &ldquo;And
+ the girl that asked her the strange questions, did you see her again?&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh yes. She had a curious fascination. I should like to tell you about
+ her. Do you think there&rsquo;s such a thing as a girl&rsquo;s being too innocent?&rdquo;
+ </p>
+ <p>
+ &ldquo;It isn&rsquo;t so common as not being innocent enough.&rdquo;
+ </p>
+ <p>
+ &ldquo;But it&rsquo;s more difficult?&rdquo;
+ </p>
+ <p>
+ &ldquo;I hope you&rsquo;ll never find it so, my son,&rdquo; Mrs. Verrian said. And for the
+ first time she was intentionally personal. &ldquo;Go on.&rdquo;
+ </p>
+ <p>
+ &ldquo;About Miss Andrews?&rdquo;
+ </p>
+ <p>
+ &ldquo;Whichever you please.&rdquo;
+ </p>
+ <p>
+ &ldquo;She waylaid me in the afternoon, as I was coming home from a walk, and
+ wanted to talk with me about Miss Shirley.&rdquo;
+ </p>
+ <p>
+ &ldquo;I suppose Miss Shirley was the day&rsquo;s heroine after what had happened?&rdquo;
+ </p>
+ <p>
+ &ldquo;The half-day&rsquo;s, or quarter-day&rsquo;s heroine, perhaps. She left on the church
+ train for town yesterday morning soon after I saw her. Miss Andrews seemed
+ to think I was an authority on the subject, and she approached me with a
+ large-eyed awe that was very amusing, though it was affecting, too. I
+ suppose that girls must have many worships for other girls before they
+ have any worship for a man. This girl couldn&rsquo;t separate Miss Shirley, on
+ the lookout for another engagement, from the psychical part she had
+ played. She raved about her; she thought she was beautiful, and she wanted
+ to know all about her and how she could help her. Miss Andrews&rsquo;s parents
+ are rich but respectable, I understand, and she&rsquo;s an only child. I came in
+ for a share of her awe; she had found out that I was not only not Verrian
+ the actor, but an author of the same name, and she had read my story with
+ passionate interest, but apparently in that unliterary way of many people
+ without noticing who wrote it; she seemed to have thought it was Harding
+ Davis or Henry James; she wasn&rsquo;t clear which. But it was a good deal to
+ have had her read it at all in that house; I don&rsquo;t believe anybody else
+ had, except Miss Shirley and Miss Macroyd.&rdquo;
+ </p>
+ <p>
+ Mrs. Verrian deferred a matter that would ordinarily have interested her
+ supremely to an immediate curiosity. &ldquo;And how came she to think you would
+ know so much about Miss Shirley?&rdquo;
+ </p>
+ <p>
+ Verrian frowned. &ldquo;I think from Miss Macroyd. Miss Macroyd seems to have
+ taken a grandmotherly concern in my affairs through the whole week.
+ Perhaps she resented having behaved so piggishly at the station the day we
+ came, and meant to take it out of Miss Shirley and myself. She had seen us
+ together in the woods, one day, and she must have told it about. Mrs.
+ Westangle wouldn&rsquo;t have spoken of us together, because she never speaks of
+ anything unless it is going to count; and there was no one else who knew
+ of our acquaintance.&rdquo;
+ </p>
+ <p>
+ &ldquo;Why, my son, if you went walking in the woods with the girl, any one
+ might have seen you.&rdquo;
+ </p>
+ <p>
+ &ldquo;I didn&rsquo;t. It was quite by accident that we met there. Miss Shirley was
+ anxious to keep her presence in the house a secret from everybody.&rdquo;
+ </p>
+ <p>
+ Mrs. Verrian would not take any but the open way, with this. She would not
+ deal indirectly, with it, or in any wise covertly or surreptitiously. &ldquo;It
+ seems to me that Miss Shirley has rather a fondness for secrecy,&rdquo; she
+ said.
+ </p>
+ <p>
+ &ldquo;I think she has,&rdquo; Verrian admitted. &ldquo;Though, in this case, it was
+ essential to the success of her final scheme. But she is a curious study.
+ I suppose that timidity is at the bottom of all fondness for secrecy,
+ isn&rsquo;t it?&rdquo;
+ </p>
+ <p>
+ &ldquo;I don&rsquo;t know. She doesn&rsquo;t seem to be timid in everything.&rdquo;
+ </p>
+ <p>
+ &ldquo;Say it out, mother!&rdquo; Verrian challenged her with a smile. &ldquo;You&rsquo;re not
+ timid, anyway!&rdquo;
+ </p>
+ <p>
+ &ldquo;She had the courage to join in that letter, but not the courage to own
+ her part in it. She was brave enough to confess that she had been sick of
+ a nervous fever from the answer you wrote to the Brown girl, but she
+ wouldn&rsquo;t have been brave enough to confess anything at all if she had
+ believed she would be physically or morally strong enough to keep it.&rdquo;
+ </p>
+ <p>
+ &ldquo;Perhaps nobody&mdash;nobody but you, mother&mdash;is brave in the right
+ time and place.&rdquo;
+ </p>
+ <p>
+ She knew that this was not meant in irony. &ldquo;I am glad you say that,
+ Philip.&rdquo;
+ </p>
+ <p>
+ &ldquo;It&rsquo;s only your due. But aren&rsquo;t you a little too hard upon cowards, at
+ times? For the sort of person she is, if you infer the sort from the worst
+ appearance she has made in the whole business, I think she has done pretty
+ well.&rdquo;
+ </p>
+ <p>
+ &ldquo;Why had she left the Brown girl to take all your resentment alone for the
+ last six or eight months?&rdquo;
+ </p>
+ <p>
+ &ldquo;She may have thought that she was getting her share of the punishment in
+ the fever my resentment brought on?&rdquo;
+ </p>
+ <p>
+ &ldquo;Philip, do you really believe that her fever, if she had one, came from
+ that?&rdquo;
+ </p>
+ <p>
+ &ldquo;I think she believes it, and there&rsquo;s no doubt but she was badly scared.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, there&rsquo;s no doubt of that!&rdquo;
+ </p>
+ <p>
+ &ldquo;But come, mother, why should we take her at the worst? Of course, she has
+ a complex nature. I see that as clearly as you do. I don&rsquo;t believe we look
+ at her diversely, in the smallest particular. But why shouldn&rsquo;t a complex
+ nature be credited with the same impulses towards the truth as a single
+ nature? Why shouldn&rsquo;t we allow that Miss Shirley had the same wish to set
+ herself right with me as Miss Andrews would have had in her place?&rdquo;
+ </p>
+ <p>
+ &ldquo;I dare say she wished to set herself right with you, but not from the
+ same wish that Miss Andrews would have had. Miss Andrews would not have
+ wished you to know the truth for her own sake. Her motive would have been
+ direct-straight.&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes; and we will describe her as a straight line, and Miss Shirley as a
+ waving line. Why shouldn&rsquo;t the waving line, at its highest points, touch
+ the same altitude as the straight line?&rdquo;
+ </p>
+ <p>
+ &ldquo;It wouldn&rsquo;t touch it all the time, and in character, or nature, as you
+ call it, that is the great thing. It&rsquo;s at the lowest points that the
+ waving line is dangerous.&rdquo;
+ </p>
+ <p>
+ &ldquo;Well, I don&rsquo;t deny that. But I&rsquo;m anxious to be just to a person who
+ hasn&rsquo;t experienced a great deal of mercy for what, after all, wasn&rsquo;t such
+ a very heinous thing as I used to think it. You must allow that she wasn&rsquo;t
+ obliged to tell me anything about herself.&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, she was, Philip. As I said before, she hadn&rsquo;t the physical or moral
+ strength to keep it from you when she was brought face to face with you.
+ Besides&mdash;&rdquo; Mrs. Verrian hesitated.
+ </p>
+ <p>
+ &ldquo;Out with it, mother! We, at least, won&rsquo;t have any concealments.&rdquo;
+ </p>
+ <p>
+ &ldquo;She may have thought, she could clinch it in that way.&rdquo;
+ </p>
+ <p>
+ &ldquo;Clinch what?&rdquo;
+ </p>
+ <p>
+ &ldquo;You know. Is she pretty?&rdquo;
+ </p>
+ <p>
+ &ldquo;She&rsquo;s&mdash;interesting.&rdquo;
+ </p>
+ <p>
+ &ldquo;That can always be managed. Is she tall?&rdquo;
+ </p>
+ <p>
+ &ldquo;NO, I think she&rsquo;s rather out of style there; she&rsquo;s rather petite.&rdquo;
+ </p>
+ <p>
+ &ldquo;And what&rsquo;s her face like?&rdquo;
+ </p>
+ <p>
+ &ldquo;Well, she has no particular complexion, but it&rsquo;s not thick. Her eyes are
+ the best of her, though there isn&rsquo;t much of them. They&rsquo;re the &lsquo;waters on a
+ starry night&rsquo; sort, very sweet and glimmering. She has a kind of
+ ground-colored hair and a nice little chin. Her mouth helps her eyes out;
+ it looks best when she speaks; it&rsquo;s pathetic in the play of the lips.&rdquo;
+ </p>
+ <p>
+ &ldquo;I see,&rdquo; Mrs. Verrian said.
+ </p>
+ <p>
+ <a name="link2H_4_0020" id="link2H_4_0020">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ XX.
+ </h2>
+ <p>
+ The following week Verrian and his mother were at a show of paintings, in
+ the gallery at the rear of a dealer&rsquo;s shop, and while they were bending
+ together to look at a picture he heard himself called to in a girlish
+ voice, &ldquo;Oh, Mr. Verrian!&rdquo; as if his being there was the greatest wonder in
+ the world.
+ </p>
+ <p>
+ His mother and he lifted themselves to encounter a tall, slim girl, who
+ was stretching her hand towards him, and who now cried out, joyously, &ldquo;Oh,
+ Mr. Verrian, I thought it must be you, but I was afraid it wasn&rsquo;t as soon
+ as I spoke. Oh, I&rsquo;m so glad to see you; I want so much to have you know my
+ mother&mdash;Mr. Verrian,&rdquo; she said, presenting him.
+ </p>
+ <p>
+ &ldquo;And I you mine,&rdquo; Verrian responded, in a violent ellipse, and introduced
+ his own mother, who took in the fact of Miss Andrews&rsquo;s tall thinness,
+ topped with a wide, white hat and waving white plumes, and her little
+ face, irregular and somewhat gaunt, but with a charm in the lips and eyes
+ which took the elder woman&rsquo;s heart with pathos. She made talk with Mrs.
+ Andrews, who affected one as having the materials of social severity in
+ her costume and manner.
+ </p>
+ <p>
+ &ldquo;Oh, I didn&rsquo;t believe I should ever see you again,&rdquo; the girl broke out
+ impulsively upon Verrian. &ldquo;Oh, I wanted to ask you so about Miss Shirley.
+ Have you seen her since you got back?&rdquo;
+ </p>
+ <p>
+ &ldquo;No,&rdquo; Verrian said, &ldquo;I haven&rsquo;t seen her.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, I thought perhaps you had. I&rsquo;ve been to the address that Mrs.
+ Westangle gave me, but she isn&rsquo;t there any more; she&rsquo;s gone up into Harlem
+ somewhere, and I haven&rsquo;t been able to call again. Oh, I do feel so anxious
+ about her. Oh, I do hope she isn&rsquo;t ill. Do you think she is?&rdquo;
+ </p>
+ <p>
+ &ldquo;I don&rsquo;t believe so,&rdquo; Verrian began. But she swept over his prostrate
+ remark.
+ </p>
+ <p>
+ &ldquo;Oh, Mr. Verrian, don&rsquo;t you think she&rsquo;s wonderful? I&rsquo;ve been telling
+ mother about it, and I don&rsquo;t feel at all the way she does. Do you?&rdquo;
+ </p>
+ <p>
+ &ldquo;How does she feel? I must know that before I say.&rdquo;
+ </p>
+ <p>
+ &ldquo;Why, of course! I hadn&rsquo;t told you! She thinks it was a make-up between
+ Miss Shirley and that Mr. Bushwick. But I say it couldn&rsquo;t have been. Do
+ you think it could?&rdquo;
+ </p>
+ <p>
+ Verrian found the suggestion so distasteful, for a reason which he did not
+ quite seize himself, that he answered, resentfully, &ldquo;It could have been,
+ but I don&rsquo;t think it was.&rdquo;
+ </p>
+ <p>
+ &ldquo;I will tell her what you say. Oh, may I tell her what you say?&rdquo;
+ </p>
+ <p>
+ &ldquo;I don&rsquo;t see why you shouldn&rsquo;t. It isn&rsquo;t very important, either way, is
+ it?&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, don&rsquo;t you think so? Not if it involved pretending what wasn&rsquo;t true?&rdquo;
+ </p>
+ <p>
+ She bent towards him in such anxious demand that he could not help
+ smiling.
+ </p>
+ <p>
+ &ldquo;The whole thing was a pretence, wasn&rsquo;t it?&rdquo; he suggested.
+ </p>
+ <p>
+ &ldquo;Yes, but that would have been a pretence that we didn&rsquo;t know of.&rdquo;
+ </p>
+ <p>
+ &ldquo;It would be incriminating to that extent, certainly,&rdquo; Verrian owned,
+ ironically. He found the question of Miss Shirley&rsquo;s blame for the
+ collusion as distasteful as the supposition of the collusion, but there
+ was a fascination in the innocence before him, and he could not help
+ playing with it.
+ </p>
+ <p>
+ Sometimes Miss Andrews apparently knew that he was playing with her
+ innocence, and sometimes she did not. But in either case she seemed to
+ like being his jest, from which she snatched a fearful joy. She was
+ willing to prolong the experience, and she drifted with him from picture
+ to picture, and kept the talk recurrently to Miss Shirley and the
+ phenomena of Seeing Ghosts.
+ </p>
+ <p>
+ Her mother and Mrs. Verrian evidently got on together better than either
+ of them at first expected. When it came to their parting, through Mrs.
+ Andrews&rsquo;s saying that she must be going, she shook hands with Mrs. Verrian
+ and said to Philip, &ldquo;I am so glad to have met you, Mr. Verrian. Will you
+ come and see us?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, thank you,&rdquo; he answered, taking the hand she now offered him, and
+ then taking Miss Andrews&rsquo;s hand, while the girl&rsquo;s eyes glowed with
+ pleasure. &ldquo;I shall be very glad.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, shall you?&rdquo; she said, with her transparent sincerity. &ldquo;And you won&rsquo;t
+ forget Thursdays! But any day at five we have tea.&rdquo;
+ </p>
+ <p>
+ &ldquo;Thank you,&rdquo; Verrian said. &ldquo;I might forget the Thursdays, but I couldn&rsquo;t
+ forget all the days of the week.&rdquo;
+ </p>
+ <p>
+ Miss Andrews laughed and blushed at once. &ldquo;Then we shall expect you every
+ day.&rdquo;
+ </p>
+ <p>
+ &ldquo;Well, every day but Thursday,&rdquo; he promised.
+ </p>
+ <p>
+ When the mother and daughter had gone Mrs. Verrian said, &ldquo;She is a great
+ admirer of yours, Philip. She&rsquo;s read your story, and I suspect she wants
+ an opportunity to talk with you about it.&rdquo;
+ </p>
+ <p>
+ &ldquo;You mean Mrs. Andrews?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes. I suppose the daughter hasn&rsquo;t waited for an opportunity. The mother
+ had read that publisher&rsquo;s paragraph about your invalid, and wanted to know
+ if you had ever heard from her again. Women are personal in their literary
+ interests.&rdquo;
+ </p>
+ <p>
+ Philip asked, in dismay, &ldquo;You didn&rsquo;t give it away did you, mother?&rdquo;
+ </p>
+ <p>
+ &ldquo;Certainly not, my dear. You have brought me up too carefully.&rdquo;
+ </p>
+ <p>
+ &ldquo;Of course. I didn&rsquo;t imagine you had.&rdquo;
+ </p>
+ <p>
+ Then, as they could not pretend to look at the pictures any longer, they
+ went away, too. Their issue into the open air seemed fraught with novel
+ emotion for Mrs. Verrian. &ldquo;Well, now,&rdquo; she said, &ldquo;I have seen the woman I
+ would be willing my son should marry.&rdquo;
+ </p>
+ <p>
+ &ldquo;Child, you mean,&rdquo; Philip said, not pretending that he did not know she
+ meant Miss Andrews.
+ </p>
+ <p>
+ &ldquo;That girl,&rdquo; his mother returned, &ldquo;is innocence itself. Oh, Philip, dear,
+ do marry her!&rdquo;
+ </p>
+ <p>
+ &ldquo;Well, I don&rsquo;t know. If her mother is behaving as sagely with her as you
+ are with me the chances are that she won&rsquo;t let me. Besides, I don&rsquo;t know
+ that I want to marry quite so much innocence.&rdquo;
+ </p>
+ <p>
+ &ldquo;She is conscience incarnate,&rdquo; his mother uttered, perfervidly. &ldquo;You could
+ put your very soul in her keeping.&rdquo;
+ </p>
+ <p>
+ &ldquo;Then you would be out of a job, mother.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, I am not worthy of the job, my dear. I have always felt that. I am
+ too complex, and sometimes I can&rsquo;t see the right alone, as she could.&rdquo;
+ </p>
+ <p>
+ Philip was silent a moment while he lost the personal point of view. &ldquo;I
+ suspect we don&rsquo;t see the right when we see it alone. We ought to see the
+ wrong, too.&rdquo;
+ </p>
+ <p>
+ &ldquo;Ah, Philip, don&rsquo;t let your fancy go after that girl!&rdquo;
+ </p>
+ <p>
+ &ldquo;Miss Andrews? I thought&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Don&rsquo;t you be complex, my dear. You know I mean Miss Shirley. What has
+ become of her, I wonder. I heard Miss Andrews asking you.&rdquo;
+ </p>
+ <p>
+ &ldquo;I wasn&rsquo;t able to tell her. Do you want me to try telling you?&rdquo;
+ </p>
+ <p>
+ &ldquo;I would rather you never could.&rdquo;
+ </p>
+ <p>
+ Philip laughed sardonically. &ldquo;Now, I shall forget Thursdays and all the
+ other days, too. You are a very unwise parent, mother.&rdquo;
+ </p>
+ <p>
+ They laughed with each other at each other, and treated her enthusiasm for
+ Miss Andrews as the joke it partly was. Mrs. Verrian did not follow him up
+ about her idol, and a week or so later she was able to affect a decent
+ surprise when he came in at the end of an afternoon and declined the cup
+ of tea she proposed on the ground that he had been taking a cup of tea
+ with the Andrewses. &ldquo;You have really been there?&rdquo;
+ </p>
+ <p>
+ &ldquo;Didn&rsquo;t you expect me to keep my promise?&rdquo;
+ </p>
+ <p>
+ &ldquo;But I was afraid I had put a stumbling-block in the way.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, I found I could turn the consciousness you created in me into
+ literary material, and so I was rather eager to go. I have got a point for
+ my new story out of it. I shall have my fellow suffer all I didn&rsquo;t suffer
+ in meeting the girl he knows his mother wants him to marry. I got on very
+ well with those ladies. Mrs. Andrews is the mother of innocence, but she
+ isn&rsquo;t innocence. She managed to talk of my story without asking about the
+ person who wanted to anticipate the conclusion. That was what you call
+ complex. She was insincere; it was the only thing she wanted to talk
+ about.&rdquo;
+ </p>
+ <p>
+ &ldquo;I don&rsquo;t believe it, Philip. But what did Miss Andrews talk about?&rdquo;
+ </p>
+ <p>
+ &ldquo;Well, she is rather an optimistic conscience. She talked about books and
+ plays that some people do not think are quite proper. I have a notion
+ that, where the point involved isn&rsquo;t a fact of her own experience, she is
+ not very severe about it. You think that would be quite safe for me?&rdquo;
+ </p>
+ <p>
+ &ldquo;Philip, I don&rsquo;t like your making fun of her!&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, she wasn&rsquo;t insipid; she was only limpid. I really like her, and, as
+ for reverencing her, of course I feel that in a way she is sacred.&rdquo; He
+ added, after a breath, &ldquo;Too sacred. We none of us can expect to marry Eve
+ before the Fall now; perhaps we have got over wanting to.&rdquo;
+ </p>
+ <p>
+ &ldquo;You are very perverse, my dear. But you will get over that.&rdquo;
+ </p>
+ <p>
+ &ldquo;Don&rsquo;t take away my last defence, mother.&rdquo;
+ </p>
+ <p>
+ Verrian began to go rather regularly to the Andrews house, or, at least,
+ he was accused of doing it by Miss Macroyd when, very irregularly, he went
+ one day to see her. &ldquo;How did you know it?&rdquo; he asked.
+ </p>
+ <p>
+ &ldquo;I didn&rsquo;t say I knew it. I only wished to know it. Now I am satisfied. I
+ met another friend of yours on Sunday.&rdquo; She paused for him to ask who; but
+ he did not ask. &ldquo;I see you are dying to know what friend: Mr. Bushwick.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, he&rsquo;s a good-fellow. I wonder I don&rsquo;t run across him.&rdquo;
+ </p>
+ <p>
+ &ldquo;Perhaps that&rsquo;s because you never call on Miss Shirley.&rdquo; Miss Macroyd
+ waited for this to take effect, but he kept a glacial surface towards her,
+ and she went on:
+ </p>
+ <p>
+ &ldquo;They were walking together in the park at noon. I suppose they had been
+ to church together.&rdquo;
+ </p>
+ <p>
+ Verrian manifested no more than a polite interest in the fact. He managed
+ so well that he confirmed Miss Macroyd in a tacit conjecture. She went on:
+ &ldquo;Miss Shirley was looking quite blooming for her. But so was he, for that
+ matter. Why don&rsquo;t you ask if they inquired for you?&rdquo;
+ </p>
+ <p>
+ &ldquo;I thought you would tell me without.&rdquo;
+ </p>
+ <p>
+ &ldquo;I will tell you if he did. He was very cordial in his inquiries; and I
+ had to pretend, to gratify him, that you were very well. I implied that
+ you came here every Tuesday, but your Thursdays were dedicated to Miss
+ Andrews.&rdquo;
+ </p>
+ <p>
+ &ldquo;You are a clever woman, Miss Macroyd. I should never have thought of so
+ much to say on such an uninteresting subject. And Miss Shirley showed no
+ curiosity?&rdquo;
+ </p>
+ <p>
+ &ldquo;Ah, she is a clever woman, too. She showed the prettiest kind of
+ curiosity&mdash;so perfectly managed. She has a studio&mdash;I don&rsquo;t know
+ just how she puts it to use&mdash;with a painter girl in one of those
+ studio apartment houses on the West Side: The Veronese, I believe. You
+ must go and see her; I&rsquo;ll let you have next Tuesday off; Tuesday&rsquo;s her
+ day, too.&rdquo;
+ </p>
+ <p>
+ &ldquo;You are generosity itself, Miss Macroyd.&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, there&rsquo;s nothing mean about me,&rdquo; she returned, in slang rather older
+ than she ordinarily used. &ldquo;If you&rsquo;re not here next Tuesday I shall know
+ where you are.&rdquo;
+ </p>
+ <p>
+ &ldquo;Then I must take a good many Tuesdays off, unless I want to give myself
+ away.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, don&rsquo;t do that, Mr. Verrian! Please! Or else I can&rsquo;t let you have any
+ Tuesday off.&rdquo;
+ </p>
+ <p>
+ <a name="link2H_4_0021" id="link2H_4_0021">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ XXI.
+ </h2>
+ <p>
+ Upon the whole, Verrian thought he would go to see Miss Shirley the next
+ Tuesday, but he did not say so to Miss Macroyd. Now that he knew where the
+ girl was, all the peculiar interest she had inspired in him renewed
+ itself. It was so vivid that he could not pay his usual Thursday call at
+ Miss Andrews&rsquo;s, and it filled his mind to the exclusion of the new story
+ he had begun to write. He loafed his mornings away at his club, and he
+ lunched there, leaving his mother to lunch alone, and was dreamily
+ preoccupied in the evenings which he spent at home, sitting at his desk,
+ with the paper before him, unable to coax the thoughts from his brain to
+ its alluring blank, but restive under any attempts of hers to talk with
+ him.
+ </p>
+ <p>
+ In his desperation he would have gone to the theatre, but the fact that
+ the ass who rightfully called himself Verrian was playing at one of them
+ blocked his way, through his indignation, to all of them. By Saturday
+ afternoon the tedious time had to be done something with, and he decided
+ to go and see what the ass was like.
+ </p>
+ <p>
+ He went early, and found himself in the end seat of a long row of many
+ rows of women, who were prolonging the time of keeping their hats on till
+ custom obliged them to take them off. He gave so much notice to the woman
+ next him as to see that she was deeply veiled as well as widely hatted,
+ and then he lapsed into a dreary muse, which was broken by the first
+ strains of the overture. Then he diverted himself by looking round at all
+ those ranks of women lifting their arms to take out them hat-pins and
+ dropping them to pin their hats to the seat-backs in front of them, or to
+ secure them somehow in their laps. Upon the whole, he thought the
+ manoeuvre graceful and pleasing; he imagined a consolation in it for the
+ women, who, if they were forced by public opinion to put off their
+ charming hats, would know how charmingly they did it. Each turned a
+ little, either her body or her head, and looked in any case out of the
+ corner of her eyes; and he was phrasing it all for a scene in his story,
+ when he looked round at his neighbor to see how she had managed, or was
+ managing, with her veil. At the same moment she looked at him, and their
+ eyes met.
+ </p>
+ <p>
+ &ldquo;Mr. Verrian!&rdquo;
+ </p>
+ <p>
+ &ldquo;Miss Shirley!&rdquo;
+ </p>
+ <p>
+ The stress of their voices fell upon different parts of the sentences they
+ uttered, but did not commit either of them to a special role.
+ </p>
+ <p>
+ &ldquo;How very strange we should meet here!&rdquo; she said, with pleasure in her
+ voice. &ldquo;Do you know, I have been wanting to come all winter to see this
+ man, on account of his name? And to think that I should meet the other Mr.
+ Verrian as soon as I yielded to the temptation.&rdquo;
+ </p>
+ <p>
+ &ldquo;I have just yielded myself,&rdquo; Verrian said. &ldquo;I hope you don&rsquo;t feel
+ punished for yielding.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, dear, no! It seems a reward.&rdquo;
+ </p>
+ <p>
+ She did not say why it seemed so, and he suggested, &ldquo;The privilege of
+ comparing the histrionic and the literary Verrian?&rdquo;
+ </p>
+ <p>
+ &ldquo;Could there be any comparison?&rdquo; she came back, gayly.
+ </p>
+ <p>
+ &ldquo;I don&rsquo;t know. I haven&rsquo;t seen the histrionic Verrian yet.&rdquo;
+ </p>
+ <p>
+ They were laughing when the curtain rose, and the histrionic Verrian had
+ his innings for a long, long first act. When the curtain fell she turned
+ to the literary Verrian and said, &ldquo;Well?&rdquo;
+ </p>
+ <p>
+ &ldquo;He lasted a good while,&rdquo; Verrian returned.
+ </p>
+ <p>
+ &ldquo;Yes. Didn&rsquo;t he?&rdquo; She looked at the little watch in her wristlet. &ldquo;A whole
+ hour! Do you know, Mr. Verrian, I am going to seem very rude. I am going
+ to leave you to settle this question of superiority; I know you&rsquo;ll be
+ impartial. I have an appointment&mdash;with the dressmaker, to be specific&mdash;at
+ half-past four, and it&rsquo;s half-past three now, and I couldn&rsquo;t well leave in
+ the middle of the next act. So I will say good-bye now&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Don&rsquo;t!&rdquo; he entreated. &ldquo;I couldn&rsquo;t bear to be left alone with this
+ dreadful double of mine. Let me go out with you.&rdquo;
+ </p>
+ <p>
+ &ldquo;Can I accept such self-sacrifice? Well!&rdquo;
+ </p>
+ <p>
+ She had put on her hat and risen, and he now stepped out of his place to
+ let her pass and then followed her. At the street entrance he suggested,
+ &ldquo;A hansom, or a simple trolley?&rdquo;
+ </p>
+ <p>
+ &ldquo;I don&rsquo;t know,&rdquo; she murmured, meditatively, looking up the street as if
+ that would settle it. &ldquo;If it&rsquo;s only half-past three now, I should have
+ time to get home more naturally.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh! And will you let me walk with you?&rdquo;
+ </p>
+ <p>
+ &ldquo;Why, if you&rsquo;re going that way.&rdquo;
+ </p>
+ <p>
+ &ldquo;I will say when I know which way it is.&rdquo;
+ </p>
+ <p>
+ They started on their walk so blithely that they did not sadden in the
+ retrospect of their joint experiences at Mrs. Westangle&rsquo;s. By the time
+ they reached the park gate at Columbus Circle they had come so distinctly
+ to the end of their retrospect that she made an offer of letting him leave
+ her, a very tacit offer, but unmistakable, if he chose to take it. He
+ interpreted her hesitation as he chose. &ldquo;No,&rdquo; he said, &ldquo;it won&rsquo;t be any
+ longer if we go up through the park.&rdquo;
+ </p>
+ <p>
+ She drew in her breath softly, smoothing down her muff with her right hand
+ while she kept her left in it. &ldquo;And it will certainly be pleasanter.&rdquo; When
+ they were well up the path, in that part of it where it deflects from the
+ drive without approaching the street too closely, and achieves something
+ of seclusion, she said:
+ </p>
+ <p>
+ &ldquo;Your speaking of him just now makes me want to tell you something, Mr.
+ Verrian. You would hear of it very soon, anyway, and I feel that it is
+ always best to be very frank with you; but you&rsquo;ll regard it as a secret
+ till it comes out.&rdquo;
+ </p>
+ <p>
+ The currents that had been playing so warmly in and out of Verrian&rsquo;s heart
+ turned suddenly cold. He said, with joyless mocking, &ldquo;You know, I&rsquo;m used
+ to keeping your secrets. I&mdash;shall feel honored, I&rsquo;m sure, if you
+ trust me with another.&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes,&rdquo; she returned, pathetically, &ldquo;you have always been faithful&mdash;even
+ in your wounds.&rdquo; It was their joint tribute to the painful past, and they
+ had paid no other. She was looking away from him, but he knew she was
+ aware of his hanging his head. &ldquo;That&rsquo;s all over now,&rdquo; she uttered,
+ passionately. &ldquo;What I wanted to say&mdash;to tell you&mdash;is that I am
+ engaged to Mr. Bushwick.&rdquo;
+ </p>
+ <p>
+ He could have answered that she had no need to tell him. The cold currents
+ in and out of his heart stiffened frozenly and ceased to flow; his heart
+ itself stood still for an eternal instant. It was in this instant that he
+ said, &ldquo;He is a fine fellow.&rdquo; Afterwards, amid the wild bounding of his
+ recovered pulse, he could add, &ldquo;I congratulate him; I congratulate you
+ both.&rdquo;
+ </p>
+ <p>
+ &ldquo;Thank you,&rdquo; she said. &ldquo;No one knows as I do how good he is&mdash;has
+ been, all through.&rdquo; Probably she had not meant to convey any reproach to
+ Verrian by Bushwick&rsquo;s praise, but he felt reproach in it. &ldquo;It only
+ happened last week. You do wish me happy, don&rsquo;t you? No one knows what a
+ winter I have had till now. Everything seeming to fail&mdash;&rdquo;
+ </p>
+ <p>
+ She choked, and did not say more. He said, aimlessly, &ldquo;I am sorry&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Let me sit down a moment,&rdquo; she begged. And she dropped upon the bench at
+ which she faltered, and rested there, as if from the exhaustion of
+ running. When she could get her breath she began again: &ldquo;There is
+ something else I want to tell you.&rdquo;
+ </p>
+ <p>
+ She stopped. And he asked, to prompt her, &ldquo;Yes?&rdquo;
+ </p>
+ <p>
+ &ldquo;Thank you,&rdquo; she answered, piteously. And she added, with superficial
+ inconsequence, &ldquo;I shall always think you were very cruel.&rdquo;
+ </p>
+ <p>
+ He did not pretend not to know what she meant, and he said, &ldquo;I shall
+ always think so, too. I tried to revenge myself for the hurt your harmless
+ hoax did my vanity. Of course, I made believe at the time that I was doing
+ an act of justice, but I never was able to brave it out afterwards.&rdquo;
+ </p>
+ <p>
+ &ldquo;But you were&mdash;you were doing an act of justice. I deserved what you
+ said, but I didn&rsquo;t deserve what has followed. I meant no harm&mdash;it was
+ a silly prank, and I have suffered for it as if it were a crime, and the
+ consequences are not ended yet. I should think that, if there is a moral
+ government of the universe, the Judge of all the earth would know when to
+ hold his hand. And now the worst of it is to come yet.&rdquo; She caught
+ Verrian&rsquo;s arm, as if for help.
+ </p>
+ <p>
+ &ldquo;Don&rsquo;t&mdash;don&rsquo;t!&rdquo; he besought her. &ldquo;What will people think?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, Yes!&rdquo; she owned, releasing him and withdrawing to the other end of
+ the seat.
+ </p>
+ <p>
+ &ldquo;But it almost drives me wild. What shall I do? You ought to know. It is
+ your fault. You have frightened me out of daring to tell the truth.&rdquo;
+ </p>
+ <p>
+ Had he, indeed, done that? Verrian asked himself, and it seemed to him
+ that he had done something like it. If it was so, he must help her over
+ her fear now. He answered, bluntly, harshly: &ldquo;You must tell him all about
+ it&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;But if he won&rsquo;t believe me? Do you think he will believe me? Would you
+ believe me?&rdquo;
+ </p>
+ <p>
+ &ldquo;You have nothing to do with that. There is nothing for you but to tell
+ him the whole story. You mustn&rsquo;t share such a secret with any one but your
+ husband. When you tell him it will cease to be my secret.&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, yes.&rdquo;
+ </p>
+ <p>
+ &ldquo;Well, then, you must tell him, unless&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes,&rdquo; she prompted.
+ </p>
+ <p>
+ Then they were both silent, looking intensely into each other&rsquo;s eyes. In
+ that moment all else of life seemed to melt and swim away from Verrian and
+ leave him stranded upon an awful eminence confronting her.
+ </p>
+ <p>
+ &ldquo;Hello, hello!&rdquo; a gay voice called, as if calling to them both. &ldquo;What are
+ you two conspiring?&rdquo; Bushwick, as suddenly as if he had fallen from the
+ sky or started up from the earth, stood before them, and gave a hand to
+ each&mdash;his right to Verrian, his left to Miss Shirley. &ldquo;How are you,
+ Verrian? How are you, Miss Shirley?&rdquo; He mocked her in the formality of his
+ address. &ldquo;I&rsquo;ve been shadowing you ever since you came into the park, but I
+ thought I wouldn&rsquo;t interrupt till you seemed to have got through your
+ conversation. May I ask what it was all about? It seemed very absorbing,
+ from a respectful distance.&rdquo;
+ </p>
+ <p>
+ &ldquo;Very absorbing, indeed,&rdquo; Miss Shirley said, making room for him between
+ them. &ldquo;Sit down and let me tell you. You&rsquo;re to be a partner in the
+ secret.&rdquo;
+ </p>
+ <p>
+ &ldquo;Silent partner,&rdquo; Bushwick suggested.
+ </p>
+ <p>
+ &ldquo;I hope you&rsquo;ll always be silent,&rdquo; the girl shared in his drolling. She
+ began and told the whole story to the last detail, sparing neither herself
+ nor Verrian, who listened as if he were some one else not concerned, and
+ kept saying to himself, &ldquo;what courage!&rdquo; Bushwick listened as mutely, with
+ a face that, to Verrian&rsquo;s eye, seemed to harden from its light jocosity
+ into a severity he had not seen in it before. &ldquo;It was something,&rdquo; she
+ ended towards Bushwick, with a catch in her breath, &ldquo;that you had to
+ know.&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes,&rdquo; he answered, tonelessly.
+ </p>
+ <p>
+ &ldquo;And now&rdquo;&mdash;she attempted a little forlorn playfulness&mdash;&ldquo;don&rsquo;t
+ you think he gave me what I deserved?&rdquo;
+ </p>
+ <p>
+ Bushwick rose up and took her hand under his arm, keeping his left hand
+ upon hers.
+ </p>
+ <p>
+ &ldquo;He! Who?&rdquo;
+ </p>
+ <p>
+ &ldquo;Mr. Verrian.&rdquo;
+ </p>
+ <p>
+ &ldquo;I don&rsquo;t know any Mr. Verrian. Come, you&rsquo;ll take cold here.&rdquo;
+ </p>
+ <p>
+ He turned his back on Verrian, who fancied a tremor in her hat, as if she
+ would look round at him; but then, as if she divined Bushwick&rsquo;s intention,
+ she did not look round, and together they left him.
+ </p>
+ <p>
+ It was days before Verrian could confess himself of the fact to his
+ mother, who listened with the justice instinctive in her. She still had
+ not spoken when he ended, and he said, &ldquo;I have thought it all over, and I
+ feel that he did right. He did the only thing that a man in love with her
+ could do. And I don&rsquo;t wonder he&rsquo;s in love with her. Yes&rdquo;&mdash;he stayed
+ his mother, imperatively&mdash;&ldquo;and such a man as he, though he ground me
+ in the dirt and stamped on me, I will say, it, is worthy of any woman. He
+ can believe in a woman, and that&rsquo;s the first thing that&rsquo;s needed to make a
+ woman like her, true. I don&rsquo;t envy his job.&rdquo; He was speaking
+ self-contradictorily, irrelevantly, illogically, as a man thinks. He went
+ on in that way, getting himself all out. &ldquo;She isn&rsquo;t single-hearted, but
+ she&rsquo;s faithful. She&rsquo;ll never betray him now. She&rsquo;s never given him any
+ reason to distrust her. She&rsquo;s the kind that can keep on straight with any
+ one she&rsquo;s begun straight with. She told him all that before me be cause
+ she wanted me to know&mdash;to realize&mdash;that she had told him. It
+ took courage.&rdquo;
+ </p>
+ <p>
+ Mrs. Verrian had thought of generalizing, but she seized a single point.
+ &ldquo;Perhaps not so much courage as you think. You mustn&rsquo;t let such bravado
+ impose upon you, Philip. I&rsquo;ve no doubt she knew her ground.&rdquo;
+ </p>
+ <p>
+ &ldquo;She took the chance of his casting her off.&rdquo;
+ </p>
+ <p>
+ &ldquo;She knew he wouldn&rsquo;t. She knew him, and she knew you. She knew that if he
+ cast her off&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Mother! Don&rsquo;t say it! I can&rsquo;t bear it!&rdquo;
+ </p>
+ <p>
+ His mother did not say it, or anything more, then. Late at night she came
+ to him. &ldquo;Are you asleep, Philip?&rdquo;
+ </p>
+ <p>
+ &ldquo;Asleep? I!&rdquo;
+ </p>
+ <p>
+ &ldquo;I didn&rsquo;t suppose you were. But I have had a note to-day which I must
+ answer. Mrs. Andrews has asked us to dinner on Saturday. Philip, if you
+ could see that sweet girl as I do, in all her goodness and sincerity&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;I think I do, mother. And I wouldn&rsquo;t be guilty of her unhappiness for the
+ world. You must decline.&rdquo;
+ </p>
+ <p>
+ &ldquo;Well, perhaps you are right.&rdquo; Mrs. Verrian went away, softly, sighing. As
+ she sealed her reply to Mrs. Andrews, she sighed again, and made the
+ reflection which a mother seldom makes with regard to her son, before his
+ marriage, that men do not love women for their goodness.
+ </p>
+ <p>
+ PG EDITOR&rsquo;S BOOKMARKS:
+ </p>
+<pre xml:space="preserve">
+ Almost incomparably ignorant woman
+ Almost to die of hunger for something to happen
+ Belief of immortality&mdash;without one jot of evidence
+ Brave in the right time and place
+ Continuity becomes the instinctive expectation
+ Found her too frankly disputatious
+ Girls who were putting on the world as hard as they could
+ If there&rsquo;s wrong done the penalty doesn&rsquo;t right it
+ Never wanted a holiday so much as the day after you had one
+ Personal view of all things and all persons which women take
+ Proof against the stupidest praise
+ Read too many stories to care for the plot
+ She laughed too much and too loud
+ Sick people are terribly, egotistical
+ The fad that fails is extinguished forever
+ Timidity is at the bottom of all fondness for secrecy
+</pre>
+<pre xml:space="preserve">
+
+
+
+
+
+End of the Project Gutenberg EBook of Fennel and Rue, by William Dean Howells
+
+*** END OF THIS PROJECT GUTENBERG EBOOK FENNEL AND RUE ***
+
+***** This file should be named 3363-h.htm or 3363-h.zip *****
+This and all associated files of various formats will be found in:
+ https://www.gutenberg.org/3/3/6/3363/
+
+Produced by David Widger
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase &ldquo;Project
+Gutenberg&rdquo;), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+https://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. &ldquo;Project Gutenberg&rdquo; is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation (&ldquo;the Foundation&rdquo;
+ or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase &ldquo;Project Gutenberg&rdquo; appears, or with which the phrase &ldquo;Project
+Gutenberg&rdquo; is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase &ldquo;Project Gutenberg&rdquo; associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+&ldquo;Plain Vanilla ASCII&rdquo; or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original &ldquo;Plain Vanilla ASCII&rdquo; or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, &ldquo;Information about donations to
+ the Project Gutenberg Literary Archive Foundation.&rdquo;
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+&ldquo;Defects,&rdquo; such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the &ldquo;Right
+of Replacement or Refund&rdquo; described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you &lsquo;AS-IS&rsquo; WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm&rsquo;s
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at https://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation&rsquo;s EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+https://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state&rsquo;s laws.
+
+The Foundation&rsquo;s principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation&rsquo;s web site and official
+page at https://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit https://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including including checks, online payments and credit card
+donations. To donate, please visit: https://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart was the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ https://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+
+</pre>
+ <p>
+ <br /><br /><br /><br />
+ </p>
+ </body>
+</html>