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+The Project Gutenberg EBook of A Lonely Flute, by Odell Shepard
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: A Lonely Flute
+
+Author: Odell Shepard
+
+Release Date: November 7, 2010 [EBook #34234]
+
+Language: English
+
+Character set encoding: ASCII
+
+*** START OF THIS PROJECT GUTENBERG EBOOK A LONELY FLUTE ***
+
+
+
+
+Produced by Al Haines
+
+
+
+
+
+
+
+
+A LONELY FLUTE
+
+
+BY
+
+ODELL SHEPARD
+
+
+
+
+BOSTON AND NEW YORK
+
+HOUGHTON MIFFLIN COMPANY
+
+_The Riverside Press Cambridge_
+
+1917
+
+
+
+
+COPYRIGHT, 1917, BY ODELL SHEPARD
+
+ALL RIGHTS RESERVED
+
+
+_Published April 1917_
+
+
+
+
+TO
+
+M. F. S.
+
+
+
+
+ _And now 't was like all instruments,
+ Now like a lonely flute;
+ And now it is an angel's song
+ That makes the Heavens be mute._
+
+ COLERIDGE.
+
+
+
+
+CONTENTS
+
+
+ PROEM
+ LAUS MARIAE
+ RECOLLECTION
+ NIGHTFALL
+ A BALLAD OF LOVE AND DEATH
+ BIRDS OF PASSAGE
+ WASTE
+ THE WATCHER IN THE SKY
+ HOUSEMATES
+ POMP AND CIRCUMSTANCE
+ THE HIDDEN WEAVER
+ VANITAS
+ SPENSER'S "FAERIE QUEENE"
+ MORNING ROAD SONG
+ EVENING ROAD SONG
+ WINDY MORNING
+ THE GRAVE OF THOREAU
+ EARTH-BORN
+ "WHENCE COMETH MY HELP"
+ UNITY
+ VISTAS
+ A NUN
+ LOVE AMONG THE CLOVER
+ CERTAIN AMERICAN POETS
+ THE SINGER'S QUEST
+ DEAD MAGDALEN
+ THE ADVENTURER
+ THE GOLDFINCH
+ ORIOLES
+ BY A MOUNTAIN STREAM
+ APRIL
+ A CHAPEL BY THE SEA
+ EPHEMEROS
+ WANDERLUST
+ THE IDEAL
+ THE FIRST CHRISTIAN
+
+
+
+
+ A LONELY FLUTE
+
+
+
+
+ PROEM
+
+ Beyond the pearly portal,
+ Beyond the last dim star,
+ Pale, perfect, and immortal,
+ The eternal visions are,
+ That never any rapture
+ Of sorrow or of mirth
+ Of any song shall capture
+ To dwell with men on earth.
+
+ Many a strange and tragic
+ Old sorrow still is mute
+ And melodies of magic
+ Still slumber in the flute,
+ Many a mighty vision
+ Has caught my yearning eye
+ And swept with calm derision
+ In robes of splendor by.
+
+ The rushing susurration
+ Of some eternal wing
+ Beats mighty variation
+ Through all the song I sing;
+ The vague, deep-mouthed commotion
+ From its ancestral home
+ Booms like the shout of ocean
+ Across the crumbling foam;
+ And these low lyric whispers
+ Make answer wistfully
+ As sea-shells ... dreaming lispers
+ Beside the eternal sea.
+
+
+
+
+ LAUS MARIAE
+
+ There is a name like some deep melody
+ Hallowed by sundown, delicate as the plash
+ Of lonely waves on solitary lakes
+ And rounded as the sudden-bursting bloom
+ Of bold, deep-throated notes in a midnight cloud
+ When shadowy belfries far away roll out
+ Across the dark their avalanche of sound.
+
+ It is a wild voice lost in the wail of the wind;
+ The silvery-twinkling plectrum of the rain
+ Plays in the poplar tree no other tune
+ And pines intone it softly as a prayer
+ In leafy litanies.
+ The name is raised
+ Even to God's ear from ancient arches dim
+ With caverned twilight and dull altar smoke
+ Where tapers weave athwart the azure haze
+ Innumerable pageantries of dusk.
+
+ Low-voiced and soft-eyed women must they live
+ Who bear that holy name. And now for one
+ Time has no other honor than to be
+ The meaning of an unremembered rhyme,
+ The breath of a forgotten singer's song.
+
+ (_October_, 1903)
+
+
+
+
+ RECOLLECTION
+
+ I must forget awhile the mellow flutes
+ And all the lyric wizardry of strings;
+ The fragile clarinet,
+ Tremulous over meadows rich with dawn,
+ Must knock against my vagrant heart
+ And throb and cry no more.
+
+ For I am shaken by the loveliness
+ And lights and laughter and beguiling song
+ Of all this siren world;
+ The regal beauty of women, round on round,
+ The swift, lithe slenderness of girls,
+ And children's loyal eyes,
+
+ Hill rivers and the lilac fringe of seas
+ Lazily plunging, glow of city nights
+ And faces in the glow--
+ These things have stolen my heart away, I lie
+ Parcelled abroad in sound and hue,
+ Dispersed through all I love.
+
+ I must go far away to a still place
+ And draw the shadows down across my eyes
+ And wait and listen there
+ For wings vibrating from beyond the stars,
+ Wide-ranging, swiftly winnowing wings
+ Bearing me back mine own.
+
+ So soon, now, I shall lie deep hidden away
+ From sound or sight, with hearing strangely dull
+ And heavy-lidded eyes,--
+ 'T is time, O passionate soul, for me to go
+ Some far, hill-folded road apart
+ And learn the ways of peace.
+
+
+
+
+ NIGHTFALL
+
+ In a crumbling glory sets
+ The unhastening sun;
+ The fishers draw their shining nets;
+ The day is done.
+
+ Across the ruddy wine
+ That brims the sea
+ Black boats drag shoreward through the brine
+ Dreamily,
+
+ And dark against the glow
+ Firing the west,
+ By three and two the great gulls go
+ Seaward to rest.
+
+ Beneath the gradual host
+ Of heaven, pale
+ And glimmering, rides a dim sea-ghost,
+ A large slow sail.
+
+ Slowly she cometh on
+ Day's last faint breath,
+ Drifting across the water, wan
+ And gray as death.
+
+ From what far-lying land
+ Swimmeth thy keel,
+ Dim ship? And what mysterious hand
+ Is at thy wheel?
+
+ What far-borne news for me?
+ What vast release?
+ Quiet is in my heart, and on the sea
+ Peace.
+
+ (_Balboa, California_)
+
+
+
+
+ A BALLAD OF LOVE AND DEATH
+
+ She winded on the castle horn,
+ She clamored long and bold,
+ For she was way-spent and forlorn
+ And she was sore a-cold.
+
+ And she stood lonely in the snow.
+ Vague quiet filled the air....
+ From heaven's roof looked down aloof
+ The stars, with steady stare.
+
+ She heard the droning drift of snow
+ And the wolf-wind on the hill....
+ No other sound.... For leagues around
+ The night was very still.
+
+ She cried aloud in sudden fright,
+ "Open! Warder ho!
+ Here is a pilgrim guest to-night
+ Who can no farther go."
+
+ The steady beat of mailed feet
+ In angry answer rang
+ Along the floor. The castle door
+ Gave in with iron clang
+
+ And the warder strode into his tower
+ And saw her standing there
+ Weary, like a storm-tossed flower,
+ And, like an angel, fair.
+
+ "Here is no lodging for the night,
+ No bread and wine for thee,
+ No ingle bright, no warm firelight,
+ No cheerful company.
+
+ "Here is no inn nor any kin
+ Of thine to harbor guest,
+ Nor thee to house will any rouse
+ Out of his ancient rest."
+
+ Unearthly, dark, nocturnal things
+ With faint and furtive stir
+ Hovered on feather-muffled wings
+ Round the fair face of her
+
+ As she made answer wearily:
+ "Ah! open now the gate.
+ Though I was fleet with willing feet,
+ I have come very late.
+
+ "Yea, though I came through flood and flame,
+ Through tempest, flood, and fire,
+ And left the wind to trail behind
+ The wings of my desire,
+
+ "And though I prayed the stars for aid
+ And seas for wind and tide,
+ And though God gave me goodly pave
+ And ran, Himself, beside...
+
+ "Aye, though my feet have been thus fleet,
+ Unto one heart, I know,
+ Whose sleep is still beneath the hill,
+ My coming has been slow."
+
+ And he bent gently down above,
+ A soft light in his eye...
+ "Is not the holy name of Love
+ The name men call thee by?
+
+ "Ah, Love, I know thee, for thy face
+ Is other-worldly fair;
+ A great light of some heavenly place
+ Is on thy shining hair.
+
+ "But thou, Love, who canst tread the stars,
+ Whose seat is by God's throne,
+ Why wilt thou bend thee to the dust
+ And walk the dark alone?
+
+ "Thy ways are not our mortal ways.
+ Hast thou nought else to do
+ Than wander with thy dream-lit face
+ Our glimmering darkness through?"
+
+ But Love made answer, and her voice
+ Was as God's voice to him;
+ As tall and fair she towered there
+ As heavenly seraphim...
+
+ "Open the gate! for Love shall dwell
+ Even among the dead
+ And in the darkest deeps of hell!
+ Open! For God hath said!"
+
+
+
+
+ BIRDS OF PASSAGE
+
+ Dropping round and clear across the still miles,
+ Ringing down the midnight's marble stair,
+ A bird's cry is falling through the darkness,
+ Falling from the fields of upper air.
+
+ Through the rainy fragrance of the April night
+ Slow it falls, circling in the fall,
+ And all the sheeted lake of sleeping silences
+ Is troubled by the solitary call.
+
+ Each human heart awake knows the loneliness
+ Of that strange voice clear and far,
+ That lost voice searching through the midnight,
+ That lonely star calling to a star.
+
+ Old memories are thronging through the darkness...
+ Slow tears are blinding sleepless eyes...
+ O lonely hearts remembering in the midnight!
+ O dark and empty skies!
+
+
+
+
+ WASTE
+
+ Reluctant, groping fog crept gray and cold
+ Up from the fields where now the guns were still;
+ Far off the thundering surge of battle rolled
+ And darkness brooded on the quiet hill;
+ Clearly, across the listening night, the shrill
+ And rhythmic cry of a lonely cricket fell
+ On ears long deafened by the scream of shot and shell.
+
+ And there were two who listened wistfully
+ To that glad voice, that sad last voice of all,
+ Who on the morrow after reveille
+ Would make no answer to the muster call;
+ Others would eat their mess, others would fall
+ When the lines formed again into their places,
+ And soon their marching comrades would forget their faces.
+
+ One moaned a little and the other turned
+ Painfully sidewise, peering up the bare
+ Shell-furrowed slope. Then, while his deep wound burned,
+ He crawled, slow inch by weary inch, to where
+ The boy lay,--young, he thought, and strangely fair.
+ "You see, I came," he said. "It was a wrench.
+ I thought I'd die. Let's have a light here. What! You're French!
+
+ "No matter ... we'll be going pretty soon...
+ Dying 's a lonesome business at the best,
+ And when there's nothing but a ghastly moon
+ And fog for company, I lose my zest.
+ There's a girl somewhere ... well... you know the rest.
+ I'm glad I came. It's hand in hand now, brother.
+ I think I laid you here. I wish 't had been another.
+
+ "I never meant it, and you did n't mean
+ For me this ugly gash along my side.
+ Something has pushed us on. Our slate is clean.
+ And long and long after we two have died
+ Some learnedest of doctors will decide
+ What thing it was. But we ... we'll never know.
+ Our business now 's to help make next year's harvest grow.
+
+ "You've been at school? College de France! You know
+ Next year I should have heard your Bergson there,--
+ Greatest since Hegel. Think of Haeckel, though,
+ At my own Jena! Mighty men they were.
+ Not mighty enough for what they had to bear.
+ They read and wrote and taught, but you and I,
+ How have we profited at last? Well, here we lie.
+
+ "If I had known you by the silver Rhine,
+ That dreamy country where I had my birth,
+ The land of golden corn and golden wine
+ And surely, I think, the world's most lovely earth,--
+ I should have loved you, brother, and known your worth.
+ But you were born beside the racing Rhone.
+ Ah, yes, that made the difference. That thing alone.
+
+ "We might have fronted this world's stormy weather
+ Hand clasped in hand and seeing eye to eye.
+ What was there we could not have done together?
+ Who dares to say we should have feared to die,
+ Shoulder to shoulder standing, you and I?
+ But now you are slain by me, your unknown friend.
+ I die by your unknowing hand. This ... this is the end!
+
+ "And all the love that might have been is blown
+ Far off like clouds that fade across the blue;
+ The game is over and the night shuts down,
+ Blotting the little dreams of me and you
+ And all our hope of all we longed to do.
+ But courage, comrade! It's not hard to die.
+ It's not so lonely now. If only we know why!"
+
+ The fog-damp folded closer round the hill
+ And stillness deepened, but the cricket's song
+ Tore at the heavy hem of silence still--
+ One small voice left of love in a world of wrong.
+ A few dim stars looked down. The yelling throng
+ Of guns had passed beyond the mountain's brow
+ When once again he spoke, but slowly, faintlier now.
+
+ "Something discovered that it didn't need us--
+ Me in the Fatherland and you in France.
+ We were less worth than what it took to feed us,
+ And so life gave us only a little glance.
+ It's true to say we never had a chance.
+ It's like this fog, around, above, below.
+ Reach out your hand to me. Good-night. We'll never know."
+
+ And then they lay so still they seemed asleep,
+ For death was near and they had little pain.
+ The midnight did not hear them moan or weep
+ For life and love and gladness lost in vain
+ And faces they would never see again,--
+ Old friends, old lovers. All seemed at a distance.
+ The minutes crept and crept. They made no strong resistance.
+
+ They only lay and looked up at the stars,
+ Feeling they had not known how fair they were.
+ I think their hearts were far from those loud wars
+ As they lay listening to the cricket's chirr
+ Until it faded to a drowsy blur,
+ Dwindled, and died, lost in the distant roar
+ Of waves that plunged and broke on some eternal shore.
+
+
+
+
+ THE WATCHER IN THE SKY
+
+ She has grown pale and spectral with our wounds
+ And she is worn with memories of woe
+ Older than Karnak. Multitudinous feet
+ Of all the phantom armies of the world
+ Resounding down the hollow halls of time,
+ Have kept their far-off rumor in her ear.
+ For she was old when Nineveh and Tyre
+ And Baalbec of the waste went down in blood;
+ Pompey and Tamburlaine and Genghis Khan
+ Are dreams of only yesternight to her.
+ And still she keeps, chained to a loathsome thing,
+ Her straining, distant paces up and down
+ The vaulted cell, but wistful of an end
+ When all our swarm of shuddering life shall drop
+ Like some dead cooling cinder down the void,
+ Leaving her clean, in blessed barrenness.
+
+ (_August_, 1914)
+
+
+
+
+ HOUSEMATES
+
+ This little flickering planet
+ Is such a lonely spark
+ Among the million mighty fires
+ That blaze in the outer dark,
+
+ The homeless waste about us
+ Leaves such a narrow span
+ To this dim lodging for a night,
+ This bivouac of man,
+
+ That all the heavens wonder
+ In all their alien stars
+ To see us wreck our fellowship
+ In mad fraternal wars.
+
+
+
+
+ POMP AND CIRCUMSTANCE
+
+ With a shout of trumpets and roll of drums,
+ Down the road the music comes
+ And all my heart leaps up to greet
+ The steady tread of the marching feet.
+
+ Blare of bugle and shriek of fife...
+ This is the triumphing wine of life!
+ My senses reel and my glad heart sings,
+ My spirit soars on jubilant wings.
+
+ Fluttering banners and gonfalons
+ Cover with beauty the murderous guns;
+ 'T is sweet to live, 't were great to die
+ With this vast music marching by.
+
+ For all my heart leaps up to greet
+ The steady tread of the marching feet
+ When down the road the music comes
+ With a shout of trumpets and roll of drums.
+
+
+
+
+ THE HIDDEN WEAVER
+
+ There where he sits in the cold, in the gloom,
+ Of his far-away place by his thundering loom,
+ He weaves on the shuttles of day and of night
+ The shades of our sorrow and shapes of delight.
+ He has wrought him a glimmering garment to fling
+ Over the sweet swift limbs of the Spring,
+ He has woven a fabric of wonder to be
+ For a blue and a billowy robe to the sea,
+ He has fashioned in sombre funereal dyes
+ A tissue of gold for the midnight skies.
+
+ But sudden the woof turns all to red.
+ Has he lost his craft? Has he snapped his thread?
+ Sudden the web all sanguine runs.
+ Does he hear the yell of the thirsting guns?
+ While the scarlet crimes and the crimson sins
+ Grow from the dizzying outs and ins
+ Of the shuttle that spins, does he see it and feel?
+ Or is he the slave of a tyrannous wheel?
+
+ Inscrutable faces, mysterious eyes,
+ Are watching him out of the drifting skies;
+ Exiles of chaos crowd through the gloom
+ Of the uttermost cold to that thundering room
+ And whisper and peer through the dusk to mark
+ What thing he is weaving there in the dark.
+ Will he leave the loom that he won from them
+ And rend his fabric from hem to hem?
+ Is he weaving with daring and skill sublime
+ A wonderful winding-sheet for time?
+
+ Ah, but he sits in a darkling place,
+ Hiding his hands, hiding his face,
+ Hiding his art behind the shine
+ Of the web that he weaves so long and fine.
+ Loudly the great wheel hums and rings
+ And we hear not even the song that he sings.
+ Over the whirr of the shuttles and all
+ The roar and the rush, does he hear when we call?
+
+ Only the colors that grow and glow
+ Swift as the hurrying shuttles go,
+ Only the figures vivid or dim
+ That flow from the hastening hands of him,
+ Only the fugitive shapes are we,
+ Wrought in the web of eternity.
+
+
+
+
+ VANITAS
+
+ Three queens of old in Yemen
+ Beside forgotten streams,
+ Three tall and stately women,
+ Dreamt three great stately dreams
+ Of love and power and pleasure and conquering quinqueremes.
+
+ They dreamt of love that squandered
+ All Egypt for a kiss,
+ They dreamt of fame and pondered
+ On proud Persepolis,
+ But most they yearned for the wild delights of pale Semiramis.
+
+ They had for lords and lovers
+ Dark kings of Araby,
+ Corsairs and wild sea-rovers
+ From many an alien lea,--
+ Black-bearded men who loved and fought and won them cruelly.
+
+ They reared a dreamlike palace
+ Stately and white and tall
+ As a lily's ivory chalice
+ Where every echoing hall
+ Was rumorous with rustling leaves and plashing water's fall.
+
+ There to the tinkling zither
+ And passionate guitars
+ They footed hence and hither
+ Beneath the breathless stars,
+ From bare round breast and shoulder waved their glimmering cymars.
+
+ Theirs was an empire's treasure
+ Of gems and rich attire,
+ Love had they beyond measure
+ And wine that burnt like fire;
+ Each stately queen in Yemen found verily her desire.
+
+ But beauty waned and smouldered,
+ Love languished into lust,
+ The centuries have mouldered
+ Their raven hair to rust,
+ The desert sand is over them, their darkling eyes are dust.
+
+ Their bosoms' pride is sunken
+ Beneath the purple pall,
+ Their smooth round limbs are shrunken,
+ Through clasp and anklet crawl
+ Lithe little snakes, upon their tombs lean lizards twitch and sprawl.
+
+
+
+
+ SPENSER'S "FAERIE QUEENE"
+
+ Like some clear well of water in the waste,
+ Some magic well beside the weary miles,
+ This beauty is. I turn aside and taste
+ The cool Lethean drink. Suddenly smiles
+ A leafy world upon me,--peristyles
+ Of flickering shade! The hush is only stirred
+ Where silver runlets brighten down the aisles,
+ From pool to pool rehearsing one low word
+ Answered at drowsy intervals by a lonely bird.
+
+ Along the rustling arches and through vast
+ Dim caverns of green solitude are rolled
+ The wintry leaves of all the withered past,
+ One confraternity of common mould.
+ From summers perished, autumn's tarnished gold
+ Long blown to dust in many a fallen glade
+ Is reared this rumorous temple million-boled,
+ This shrine of peace, this whispering colonnade
+ Trembling from court to court with restless sun and shade.
+
+ And here a while may weary Fancy turn
+ And loiter by the rote of guttural streams.
+ Brushing the skirts of silence, the stirred fern
+ Breathes softly "hush" and "hush"--a sound that seems
+ Only the fluttering sigh of deepest dreams.
+ Here comes no sound or sight of fevered things...
+ No sight or sound. Green-gold the daylight beams,
+ And deep in the heart of dusk a far bird sings
+ Faint as the feathered beat of her own wavering wings.
+
+ * * * * *
+
+ Calm singer in the chambers of the dawn,
+ Our hearts are weary singing in the heat
+ When all thy dewy matin hopes are gone
+ And all thy raptures, prophesyings sweet,
+ And fair, false dreams are flying in defeat.
+ O thou, the poet's poet, from thy sky
+ Of ancient morning look thou down and greet
+ Thy brothers of the noon with gentle eye.
+ Lift them from out the dust. Forlorn and low they lie!
+
+ Heart-easing poet, sing to us like bells
+ Across wide waters paven by the stains
+ Of sunset; like a vagrant breeze that swells
+ And rises lingering, fails and grows and wanes
+ Along a listening wood; like April rains
+ In which the anemones of dream are born.
+ And though you cannot save us from the pains
+ Of life,--the heat, the insensate noise, the scorn,--
+ Here may we find our rose, forget a while the thorn.
+
+
+
+
+ MORNING ROAD SONG
+
+ Let me have my fill of the wide blue air
+ And the emerald cup of the sea
+ And a wandering road blown bright and bare
+ And it is enough for me.
+
+ The love of a man is a goodly thing
+ And the love of a woman is true,
+ But give me a rollicking song to sing
+ And a love that is always new.
+
+ For I am a rover and cannot stay
+ And blithe at heart am I
+ When free and afoot on a winding way
+ Beneath the great blue sky.
+
+
+
+
+ EVENING ROAD SONG
+
+ It's a long road and a steep road
+ And a weary road to climb.
+ The air bites chill on the windy hill.
+ At home it is firelight time.
+
+ The sunset pales ... along the vales
+ The cottage candles shine
+ And twinkle through the early dew.
+ Thank God that one is mine!
+
+ And dark and late she'll watch and wait
+ Beyond the last long mile
+ For the weary beat of homing feet
+ With her wise and patient smile.
+
+
+
+
+ WINDY MORNING
+
+ Dawn with a jubilant shout
+ Leaps on the shivering sea
+ And puffs the last pale planet out
+ And scatters the flame-bright clouds about
+ Like the leaves of a frost-bitten tree.
+
+ Does a gold seed split the rosy husk?
+ Nay, a sword ... a shield ... a spear!
+ The kindler of all fires that burn
+ Deep in the day's cerulean urn
+ Rides up across the clear
+ And tramples down the cowering dusk
+ Like a strong-browed charioteer.
+
+ Blow out and far away
+ The dim, the dull, the dun;
+ Prosper the crimson, blight the gray,
+ And blow us clean of yesterday,
+ Stern morning fair begun,
+ Till the earth is an opal bathed in dew,
+ Flashing with emerald, gold, and blue,
+ Held where the skies wash through and through
+ High up against the sun.
+
+ (_Catalina Island_, 1913)
+
+
+
+
+ THE GRAVE OF THOREAU
+
+ Brown earth, blue sky, and solitude,--
+ Three things he loved, three things he wooed
+ Lifelong; and now no rhyme can tell
+ How ultimately all is well
+ With his wild heart that worshipped God's
+ Epiphany in crumbling sods
+ And like an oak brought all its worth
+ Back to the kindly mother earth.
+
+ But something starry, something bold,
+ Eludes the clutch of dark and mould,--
+ Something that will not wholly die
+ Out of the old familiar sky.
+ No spell in all the lore of graves
+ Can still the plash of Walden waves
+ Or wash away the azure stain
+ Of Concord skies from heart and brain.
+ Clear psalteries and faint citoles
+ Only recall the orioles
+ Fluting reveille to the morn
+ Across the acres of the corn
+ He wanders somewhere lonely still
+ Along a solitary hill
+ And sits by ever lonelier fires
+ Remote from heaven's bright rampires,
+ A hermit in the blue Beyond
+ Beside some dim celestial pond
+ With beans to hoe and wood to hew
+ And halcyon days to loiter through
+ And angel visitors, no doubt,
+ Who shut the air and sunlight out.
+ But he who scoffed at human ways
+ And, finding us unworthy of praise,
+ Sang misanthropic paeans to
+ The muskrat and the feverfew,
+ Will droop those archangelic wings
+ With praise of how we manage things,
+ Prefer his Walden tupelo
+ To even the Tree of Life, and grow
+ A little wistful looking down
+ Across the fields of Concord town.
+
+
+
+
+ EARTH-BORN
+
+ No lapidary's heaven, no brazier's hell for me,
+ For I am made of dust and dew and stream and plant and tree;
+ I'm close akin to boulders, I am cousin to the mud,
+ And all the winds of all the skies make music in my blood.
+
+ I want a brook and pine trees, I want a storm to blow
+ Loud-lunged across the looming hills with rain and sleet and snow;
+ Don't put me off with diadems and thrones of chrysoprase,--
+ I want the winds of northern nights and wild March days.
+
+ My blood runs red with sunset, my body is white with rain,
+ And on my heart auroral skies have set their scarlet stain,
+ My thoughts are green with spring time, among the meadow rue
+ I think my very soul is growing green and gold and blue.
+
+ What will be left, I wonder, when Death has washed me clean
+ Of dust and dew and sundown and April's virgin green?
+ If there's enough to make a ghost, I'll bring it back again
+ To the little lovely earth that bore me, body, soul, and brain.
+
+
+
+
+ "WHENCE COMETH MY HELP"
+
+ Let me sleep among the shadows of the mountains when I die,
+ In the murmur of the pines and sliding streams,
+ Where the long day loiters by
+ Like a cloud across the sky
+ And the moon-drenched night is musical with dreams.
+
+ Lay me down within a canyon of the mountains, far away,
+ In a valley filled with dim and rosy light,
+ Where the flashing rivers play
+ Out across the golden day
+ And a noise of many waters brims the night.
+
+ Let me lie where glinting rivers ramble down the slanted glade
+ Under bending alders garrulous and cool,
+ Where they gather in the shade
+ To the dazzling, sheer cascade,
+ Where they plunge and sleep within the pebbled pool.
+
+ All the wisdom, all the beauty, I have lived for unaware
+ Came upon me by the rote of highland rills;
+ I have seen God walking there
+ In the solemn soundless air
+ When the morning wakened wonder in the hills.
+
+ I am what the mountains made me of their green and gold and gray,
+ Of the dawnlight and the moonlight and the foam.
+ Mighty mothers far away,
+ Ye who washed my soul in spray,
+ I am coming, mother mountains, coming home.
+
+ When I draw my dreams about me, when I leave the darkling plain
+ Where my soul forgets to soar and learns to plod,
+ I shall go back home again
+ To the kingdoms of the rain,
+ To the blue purlieus of heaven, nearer God.
+
+ Where the rose of dawn blooms earlier across the miles of mist,
+ Between the tides of sundown and moonrise,
+ I shall keep a lover's tryst
+ With the gold and amethyst,
+ With the stars for my companions in the skies.
+
+
+
+
+ UNITY
+
+ Where the long valley slopes away
+ Five miles across the dreaming day
+ A maple sends a scarlet prayer
+ Into the still autumnal air,
+ Three golden-smouldering hickories
+ Are fanned to flame beneath the breeze
+ And one great crimson oak tree fires
+ The sky-line over the Concord spires.
+
+ In worship mystically sweet
+ The rimy asters at my feet
+ And spiring gentian bells that burn
+ Blue incense in an azure urn
+ Breathe softly from the aspiring sod:
+ "This is our utmost. Take it, God,--
+ This chant of green, this prayer of blue.
+ This is the best thy clay can do."
+
+ * * * * *
+
+ O lonely heart and widowed brain
+ Sick with philosophies that strain
+ Body from spirit, flesh from soul,--
+ Worship with asters and be whole;
+ Live simply as still water flows
+ Till soul shall border brain so close
+ No blade of wit can thrust between
+ And hearts are pure as grass is green;
+ Pray with the maple tree and trust
+ The ancient ritual of the dust.
+
+
+
+
+ VISTAS
+
+ As I walked through the rumorous streets
+ Of the wind-rustled, elm-shaded city
+ Where all of the houses were friends
+ And the trees were all lovers of her,
+ The spell of its old enchantment
+ Was woven again to subdue me
+ With magic of flickering shadows,
+ Blown branches and leafy stir.
+
+ Street after street, as I passed,
+ Lured me and beckoned me onward
+ With memories frail as the odor
+ Of lilac adrift on the air.
+ At the end of each breeze-blurred vista
+ She seemed to be watching and waiting,
+ With leaf shadows over her gown
+ And sunshine gilding her hair.
+
+ For there was a dream that the kind God
+ Withheld, while granting us many--
+ But surely, I think, we shall come
+ Sometime, at the end, she and I,
+ To the heaven He keeps for all tired souls,
+ The quiet suburban gardens
+ Where He Himself walks in the evening
+ Beneath the rose-dropping sky
+ And watches the balancing elm trees
+ Sway in the early starshine
+ When high in their murmurous arches
+ The night breeze ruffles by.
+
+
+
+
+ A NUN
+
+ One glance and I had lost her in the riot
+ Of tangled cries.
+ She trod the clamor with a cloistral quiet
+ Deep in her eyes
+ As though she heard the muted music only
+ That silence makes
+ Among dim mountain summits and on lonely
+ Deserted lakes.
+
+ There is some broken song her heart remembers
+ From long ago,
+ Some love lies buried deep, some passion's embers
+ Smothered in snow,
+ Far voices of a joy that sought and missed her
+ Fail now, and cease....
+ And this has given the deep eyes of God's sister
+ Their dreadful peace.
+
+
+
+
+ LOVE AMONG THE CLOVER
+
+ "If you dare," she said,
+ And oh, her breath was clover-sweet!
+ Clover nodded over her,
+ Her lips were clover red.
+ Blackbirds fluted down the wind,
+ The bobolinks were mad with joy,
+ The wind was playing in her hair,
+ And "If you dare," she said.
+
+ Clover billowed down the wind
+ Far across the happy fields,
+ Clover on the breezy hills
+ Leaned along the skies
+ And all the nodding clover heads
+ And little clouds with silver sails
+ And all the heaven's dreamy blue
+ Were mirrored in her eyes.
+
+ Her laughing lips were clover-red
+ When long ago I kissed her there
+ And made for one swift moment all
+ My heaven and earth complete.
+ I've loved among the roses since
+ And love among the lilies now,
+ But love among the clover...
+ Her breath was clover-sweet.
+
+ O wise, wise-hearted boy and girl
+ Who played among the clover bloom!
+ I think I was far wiser then
+ Than now I dare to be.
+ For I have lost that Eden now,
+ I cannot find my Eden now,
+ And even should I find it now,
+ I've thrown away the key.
+
+
+
+
+ CERTAIN AMERICAN POETS
+
+ They cowered inert before the study fire
+ While mighty winds were ranging wide and free,
+ Urging their torpid fancies to aspire
+ With "Euhoe! Bacchus! Have a cup of tea."
+
+ They tripped demure from church to lecture-hall,
+ Shunning the snare of farthingales and curls.
+ Woman they thought half angel and half doll,
+ The Muses' temple a boarding-school for girls.
+
+ Quaffing Pierian draughts from Boston pump,
+ They toiled to prove their homiletic art
+ Could match with nasal twang and pulpit thump
+ In maxims glib of meeting-house and mart.
+
+ Serenely their ovine admirers graze.
+ Apollo wears frock-coats, the Muses stays.
+
+
+
+
+ THE SINGER'S QUEST
+
+ I've been wandering, listening for a song,
+ Dreaming of a melody, all my life long ...
+ The lilting tune that God sang to rock the tides asleep
+ And crooned above the cradled stars before they learned to creep.
+
+ O, there was laughter in it and many a merry chime
+ Before He had turned moralist, grown old before His time,
+ And He was happy, trolling out His great blithe-hearted tune,
+ Before He slung the little earth beneath the sun and moon.
+
+ But I know that somewhere that song is rolling on,
+ Like flutes along the midnight, like trumpets in the dawn;
+ It throbs across the sunset and stirs the poplar tree
+ And rumbles in the long low thunder of the sea.
+
+ * * * * *
+
+ First-love sang me one note and heart-break taught me two,
+ A child has told me three notes, and soon I'll know it through;
+ And when I stand before the Throne I'll hum it low and sly,
+ Watching for a great light of welcome in His eye...
+
+ "Put a white raiment on him and a harp into his hand
+ And golden sandals on his feet and tell the saints to stand
+ A little farther off unless they wish to hear the truth,
+ For this blessed lucky sinner is going to sing about my youth!"
+
+
+
+
+ DEAD MAGDALEN
+
+ Cover her over with pallid white roses,
+ Her who had none but red roses to wear;
+ All that her last grim lover bestows is
+ Virginal white for her bosom and hair.
+ Cover the folds of the glimmering sheet
+ Clear from her eyelids weary and sweet
+ Down to her nevermore wayward feet.
+ Then They may find her fair.
+
+ Lovingly, tenderly, let us array her
+ Fair as a bride for the way she must go,
+ Leaving no lingering stain to betray her,
+ Letting them see we have sullied her so.
+ Over the curve of the fair young breast
+ Leave we this maidenly lily to rest
+ White as the snow in its snow-soft nest.
+ Now They will never know.
+
+
+
+
+ THE ADVENTURER
+
+ He came not in the red dawn
+ Nor in the blaze of noon,
+ And all the long bright highway
+ Lay lonely to the moon,
+
+ And nevermore, we know now,
+ Will he come wandering down
+ The breezy hollows of the hills
+ That gird the quiet town.
+
+ For he has heard a voice cry
+ A starry-faint "Ahoy!"
+ Far up the wind, and followed
+ Unquestioning after joy.
+
+ But we are long forgetting
+ The quiet way he went,
+ With looks of love and gentle scorn
+ So sweetly, subtly blent.
+
+ We cannot cease to wonder,
+ We who have loved him, how
+ He fares along the windy ways
+ His feet must travel now.
+
+ But we must draw the curtain
+ And fasten bolts and bars
+ And talk here in the firelight
+ Of him beneath the stars.
+
+
+
+
+ THE GOLDFINCH
+
+ Down from the sky on a sudden he drops
+ Into the mullein and juniper tops,
+ Flushed from his bath in the midsummer shine
+ Flooding the meadowland, drunk with the wine
+ Spilled from the urns of the blue, like a bold
+ Sky-buccaneer in his sable and gold.
+
+ Lightly he sways on the pendulous stem,
+ Vividly restless, a fluttering gem,
+ Then with a flash of bewildering wings
+ Dazzles away up and down, and he sings
+ Clear as a bell at each dip as he flies
+ Bounding along on the wave of the skies.
+
+ Sunlight and laughter, a winged desire,
+ Motion and melody married to fire,
+ Lighter than thistle-tuft borne on the wind,
+ Frailer than violets, how shall we find
+ Words that will match him, discover a name
+ Meet for this marvel, this lyrical flame?
+
+ How shall we fashion a rhythm to wing with him,
+ Find us a wonderful music to sing with him
+ Fine as his rapture is, free as the rollicking
+ Song that the harlequin drops in his frolicking
+ Dance through the summer sky, singing so merrily
+ High in the burning blue, winging so airily?
+
+ (_ Mount Vernon, New Hampshire_)
+
+
+
+
+ ORIOLES
+
+ Wings in a blur of gold
+ High in the elm trees,
+ Looping like tawny flame
+ Through the green shadows,
+ Now at an airy height
+ Pausing a heart beat
+ Quite at the twig's tip,
+ Pendulous, bending.
+
+ Golden against the blue,
+ Gold in an azure cup,
+ Golden wine bubbling
+ Out of blue goblets...
+ Cool, smooth and reedy notes
+ Fly low across the noon
+ While through the drowsy heat
+ Drums the cicada.
+
+ Tropical wing and song
+ Bound from Bolivia...
+ All the blue Amazon
+ Sings to New England....
+ Flute-noted orioles,
+ Flame-coated orioles,
+ Gold-throated orioles,
+ Spirits of summer.
+
+
+
+
+ BY A MOUNTAIN STREAM
+
+ Where the rivulet swept by a sycamore root
+ With a turbulent voice and a hurrying foot,
+ I bent by the water and spoke in my dream
+ To the wavering, restless, unlingering stream:
+ "Oh, turbulent rivulet hastening past,
+ For what wonderful goal do you hope at the last
+ That never you pause in the shimmering green
+ Of the undulant shade where the sycamores lean
+ Or rest in the moss-curtained, cool dripping halls
+ Hidden under the veils of your musical falls
+ Or loiter at peace by the tremulous fern--
+ White wandering waters that never return?"
+
+ And I dreamed by the rivulet's wavering side
+ That a myriad ripple of voices replied:
+ "Aloft on the mountain, afar on the steep,
+ A voice that we knew cried aloud in our sleep,
+ 'Come, hasten ye down to the vale and to me,
+ Your begetter, destroyer, preserver, the Sea!'
+ We must carry our feebleness down to the Strong,
+ We must mingle us deep in the Whole, and ere long
+ All the numberless host of the heaven shall ride
+ With the pale Lady Moon on our slumbering tide."
+
+ The voices swept out and away through the door
+ Of the canyon, and on to the infinite shore.
+
+ Oh, vast in thy destiny, slender of span,
+ Wild rivulet, how thou art like to a man!
+
+ (_Cold Brook, California_, 1912)
+
+
+
+
+ APRIL
+
+ (_To Bliss Carman_)
+
+ There's a murmur in the patient forest alleys,
+ There's an elfin echo whispering through the trees,
+ Lonely pipes are lifted softly in the valleys...
+ All the air is filled with waking melodies.
+
+ From the crucibles of Erebus and Endor,
+ Flame of emerald has fallen by the rills,
+ And it flashes up the slope and sits in splendor
+ In the glory of the beauty of the hills.
+
+ Now my heart will yearn again to voice its wonder
+ And my song must sing again between the words
+ With a mutter of unutterable thunder
+ And a twitter of inimitable birds.
+
+ (_April_, 1903)
+
+
+
+
+ A CHAPEL BY THE SEA
+
+ (_To Paul Dowling_)
+
+ There's a mouldering mountain chapel gazing out across the sea
+ From beneath the lisping shelter of a eucalyptus tree
+ That has drawn the ancient silence from the mountain's heart and fills
+ And subdues a fevered spirit with the quiet of the hills.
+
+ For silvery in the morning the chimes go dropping down
+ Across the vales of purple mist that gird the island town
+ And golden in the evening the vesper bells again
+ Call back the weary fishing folk along the leafy lane.
+
+ I'd like to be the father priest and call the folk to prayer
+ Up through the winding dewy ways that climb the morning air,
+ And send them down at even-song with all the silent sky
+ Of early starshine teaching them far deeper truth than I.
+
+ I'd like to lie at rest there beneath a mossy stone
+ Above the crooning sea's low distant monotone,
+ Lulled by the lisping whisper of the eucalyptus tree
+ That shades my mountain chapel gazing out across the sea.
+
+ (_Avalon, Christmas Day_, 1913)
+
+
+
+
+ EPHEMEROS
+
+ A firefly cried across the night:
+ "O lofty star, O streaming light,
+ Clear eye of heaven, immortal lamp
+ Set high above the dew and damp,
+ Thou great high-priest to heaven's King
+ And chief of all the choirs that sing
+ Their golden, endless antiphons
+ Of praise before the eternal thrones--
+ Hear thou my prayer of worship! Thine
+ The glory, all the dimness mine.
+ I am a feeble glimmering spark
+ Vagrant along the lower dark."
+
+ The star called down from heaven's roof
+ With a humble heart and mild reproof:
+ "The Power that made, the Breath that blew
+ My fire aglow has kindled you
+ With equal love and equal pain
+ And equal toil of heart and brain.
+ For I am only a wandering light,
+ Your elder comrade in the night.
+ We are two sisters, you and I,
+ And when we two burn out and die
+ It will be hardly known from far
+ Which was the firefly, which the star."
+
+
+
+
+ WANDERLUST
+
+ (_To Willard_)
+
+ The birds were beating north again with faint and starry cries
+ Along their ancient highway that spans the midnight skies,
+ And out across the rush of wings my heart went crying too,
+ Straight for the morning's windy walls and lakes of misted blue.
+
+ They gave me place among them, for well they understood
+ The magic wine of April working madness in my blood,
+ And we were kin in thought and dream as league by league together
+ We kept that pace of straining wings across the starry weather.
+
+ The dim blue tides of Fundy, green slopes of Labrador
+ Slid under us ... our course was set for earth's remotest shore;
+ But tingling through the ether and searching star by star
+ A lonely voice went crying that drew me down from far.
+
+ Farewell, farewell, my brothers! I see you far away
+ Go drifting down the sunset across the last green bay,
+ But I have found the haven of this lonely heart and wild--
+ My falconer has called me--I am prisoned by a child.
+
+ (_Easter Day_, 1916)
+
+
+
+
+ THE IDEAL
+
+ Serenely, from her mountain height sublime,
+ She mocks my hopeless labor as I creep
+ Each day a day's strength farther from the deep
+ And nearer to her side for which I climb.
+ So may she mock when for the sad last time
+ I fall, my face still upward, upon sleep,
+ With faithful hands still yearning up the steep
+ In patient and pathetic pantomime.
+
+ I am content, O ancient, young-eyed child
+ Of love and longing. Pity not our wars
+ Of frail-spun flesh, and keep thee undefiled
+ By all our strife that only breaks and mars.
+ But let us see from far thy footing, wild
+ And wayward still against the eternal stars!
+
+
+
+
+ THE FIRST CHRISTIAN
+
+ A little wandering wind went up the hill.
+ It had a lonely voice as though it knew
+ What it should find before it came to where
+ The broken body of him that had been Christ
+ Hung in the ruddy glow. A bowshot down
+ The bleak rock-shouldered hill the soldiery
+ Had piled a fire, and when the searching wind
+ Came stronger from the distant sea and dashed
+ The shadows and the gleam together, songs
+ Of battle and lust were blown along the slope
+ Mingled with clash of swords on cuisse and shield.
+ But of the women sitting by the cross
+ Even she whose life had been as gravely sweet
+ And sheltered as a lily's did not flinch.
+ Her face was buried in her shrouding cloak.
+ And she who knew too sorrowfully well
+ The cruelty and bitterness of life
+ Heard not. She sat erect, her shadowy hair
+ Blown back along the darkness and her eyes
+ That searched the distant spaces of the night
+ Splendid and glowing with an inward joy.
+ And at the darkest hour came three or four
+ From round the fire and would have driven them thence;
+ But one who knew them, gazing in their eyes,
+ Said: "Nay. It is his mother and his love,
+ The scarlet Magdalena. Let them be."
+ So, in the gloom beside that glimmering cross,
+ Beneath the broken body of him they loved,
+ They wept and watched--the lily and the rose.
+
+ At last the deep, low voice of Magdalen,
+ Toned like a distant bell, broke on the hush:
+ "We are so weak! What can poor women do?
+ So pitifully frail! God pity us!
+ How he did pity us! He understood...
+ Out of his own great strength he understood
+ How it might feel to be so very weak...
+ To be a tender lily of the field,
+ To be a lamb lost in the windy hills
+ Far from the fold and from the shepherd's voice,
+ To be a child with no strength, only love.
+ And ah, he knew, if ever a man can know,
+ What 't is to be a woman and to live,
+ Strive how she may to out-soar and overcome,
+ Tied to this too frail body of too fair earth!
+
+ "Oh, had I been a man to shield him then
+ In his great need with loving strong right arm!
+ One of the twelve--ha!--of that noble twelve
+ That ran away, and two made mock of him
+ Or else betrayed him ere they ran? Ah no!
+ And yet, a man's strength with a woman's love...
+ That might have served him somewhat ere the end."
+
+ Then with a weary voice the mother said:
+ "What can we do but only watch and weep,
+ Sit with weak hands and watch while strong men rend
+ And break and ruin, bringing all to nought
+ The beauty we have nearly died to make?
+
+ "It is not true to say that he was strong.
+ He did not claim the kingdom that was his,
+ He did not even seek for wealth and power,
+ He did not win a woman's love and get
+ Strong children to live after him, and all
+ That strong men strive for he passed heedless by.
+ Because that he was weak I loved him so...
+ For that and for his soft and gentle ways,
+ The tender patient calling of his voice
+ And that dear trick of smiling with his eyes.
+ Ah no! I have had dreams--a mother's dreams--
+ But now I cannot dream them any more.
+
+ "I sorrowed little as the happy days
+ Sped by and by that still the fair-haired lad
+ Who lay at first beside me in the stall,
+ The cattle stall outside Jerusalem,
+ Found no great throne to dazzle his mother's eye.
+ He was so good a workman ... axe and saw
+ Did surely suit him better than a sword.
+ I was content if only he would wed
+ Some village girl of little Nazareth
+ And get me children with his own slow smile,
+ Deep thoughtful eyes and golden kingly brow.
+
+ "It seems but yesterday he played among
+ The shavings strewn on Joseph's work-shop floor.
+ The sunlight of the morning slanted through
+ The window--'t was in springtime--and across
+ The bench where Joseph sat, and then it lay
+ In golden glory on the boy's bright hair
+ And on the shavings that were golden too.
+ I saw him through the open door. I thought,
+ 'My little king has found his golden crown.'
+ But unto Joseph I said nought at all.
+
+ "But now, ah me! he won no woman's love,
+ Nor loved one either as most men call love,
+ And so he had no child and he is gone
+ And I am left without him and alone."
+
+ So by her son's pale broken body mourned
+ The mother, dreaming on departed days.
+ And as with one who looks into the west,
+ Watching the embers of the outburned day
+ Crumble and cool and slowly droop and fade,
+ And will not take the darkling eastward path
+ Where lies his way until the last faint glow
+ Has left the sky and the early stars shine forth,
+ So did her dream cling to the ruined past
+ And all the joy they had in Nazareth
+ Before the years of doubt and trouble came.
+ Then, while loud laughter sounded up the hill
+ Where yet that ribald crew sang o'er the wine,
+ She bowed her head above her cradling arms
+ And softly sang, as to herself, the songs
+ Of Israel that once had served her well
+ To soothe the wakeful child.
+
+ But Magdalen
+ Arose upon her feet and tossed her cloak
+ Back from the midnight of her wind-blown hair
+ And lifted up her eyes into the dark
+ As though, beyond this circle of all our woe,
+ To read a hidden meaning in the stars.
+
+ "Aye, it is dark," she said. "The night comes on.
+ He was the sunshine of our little day.
+ The clouds unsettled softly and we saw
+ Ladders of glory climbing into light
+ Unspeakable, with dazzling interchange
+ Of Majesties and Powers. But suddenly
+ The tides of darkness whelm us round again
+ And this drear dwindled earth becomes once more
+ What it has ever been--a core of shade
+ And steaming vapor spinning in the dark,
+ A deeper clot of blackness in the void!
+
+ "The night comes on. 'T is hard to pierce the dark.
+ And if to me who loved him, whom he loved--
+ Though well thou sayest, 'Not as most men call love'--
+ Far harder will it be for those who hold
+ In memory no gesture of his hand,
+ No haunting echo of his patient voice,
+ Nor that dear trick of smiling with his eyes.
+
+ "O ceaseless tramp of armies down the years!
+ O maddened cries of 'Christ' and 'Son of Mary!'
+ While o'er the crying screams the hurtling death....
+ Thou gentle shepherd of the quiet fold,
+ Mild man of sorrows, hast thou done this thing,
+ Who camest not to bring peace but a sword?
+ Ah no, not thou, but only our childishness,
+ The pitifully childish heart of man
+ That cannot learn and know beyond a little.
+
+ "The priests and captains and the little kings
+ Will tear each other at the throat and cry:
+ 'Thus said he, lived he; swear it or thou diest!'
+ But these shall pass and perish in the dark
+ While the lorn strays and outcasts of the world,
+ The souls whose pain has seared their pride to dust
+ And burned a way for love to enter in--
+ These only know his meaning and shall live.
+
+ "So is it as with one whose feet have trod
+ The valley of the shadow, who has seen
+ His dearest lowered into endless night.
+ All music holds for him a deeper strain
+ Of nobler meaning, and the flush of dawn,
+ High wind at noonday, crumbling sunset gold,
+ And the dear pathetic look of children's eyes--
+ All beauty pierces closer to his heart.
+
+ "Yea, thou thyself, pale youth upon the cross--
+ The godlike strength of thee was rooted deep
+ In human weakness. Even she who bore thee,
+ Seeing the man too nearly, missed the God,
+ Erring as fits the mother. Some will say
+ In coming years, I feel it in my heart,
+ That thou didst face thy death a conscious God,
+ Knowing almighty hands were stretched to snatch
+ And lift thee from the greedy clutching grave.
+ Falsely! Forgetting dark Gethsemane,--
+ Not knowing, as I know, what doubt assailed
+ Thy human heart until the latest breath.
+ Ah, what a trumpery death, what mockery
+ And mere theatric mimicry of pain,
+ If thou didst surely know thou couldst not die!
+ Thou didst not know. And whether even now
+ Thy straying ghost, like some great moth of night
+ Blown seaward through the shadow, flies and drifts
+ Along dim coasts and headlands of the dark,
+ A homeless wanderer up and down the void,
+ Or whether indeed thou art enthroned above
+ In light and life, I know not. This I know--
+ That in the moment of sheer certainty
+ My soul will die.
+
+ "No! On thy spirit lay
+ All the dark weight and mystery of pain
+ And all our human doubt and flickering hope,
+ Deathless despairs and treasuries of tears,
+ Gropings of spirit blindfold by the flesh
+ And grapplings with the fiend. Else were thy death
+ Less like a God's than even mine may be.
+
+ "Thou broken mother who canst see in him
+ Only the quiet man, the needful child,
+ And most of all the Babe of Bethlehem,
+ Let it suffice thee. Thy reward is great.
+ Who loveth God that never hath loved man?
+ Who knoweth man but cometh to know God?
+ Thou sacred, sorrowing mother, canst thou learn--
+ Thou who hast gone so softly in God's sight--
+ Of me, the scarlet woman of old days?
+ Come, let us talk together, thou and I.
+ Apart, we see him darkly, through a glass;
+ Together, we shall surely see aright.
+ Bring thou thine innocence, thy stainless soul,
+ And I will bring deep lore of suffering,
+ My dear-bought wisdom of defeat and pain.
+ For out of these may come, believe it thou,
+ Sanctities not like thine, but fit to bear
+ The bitter storms and whirlwinds of this world.
+ Aye, out of evil often springeth good,
+ And sweetest honey from the lion's mouth.
+ And that he knew. That very thing he meant
+ When he withdrew me from the pits of shame.
+ 'T is I who see God shining through the man.
+ I see the deity, the godlike strength
+ In his supreme capacity for pain.
+ Nor have I known the cruel love of men
+ These many years to err when now I say
+ This man loved not like men but like a God.
+ Thou broken mother, weep not for the child,
+ Mourn not the man. Acclaim the risen Christ!"
+
+ She turned and touched the other lovingly,
+ Then stooped and peered into her darkened face.
+ The mother slept, forspent and overborne
+ By weariness and woe too great to bear.
+
+ She gently smiled. "So it is best," she said.
+
+ Tall and elate she stood, her shadowy hair
+ Blown back along the darkness and her eyes
+ That searched the distant spaces of the night
+ Splendid and glowing with an inward joy.
+ And over that dark hill of tragedy
+ And triumph, victory and dull despair,
+ Over the sleeping Roman soldiery,
+ Over the three stark crosses and the two
+ Who loved Him most, the lily and the rose,
+ Shone still and clear the great compassionate stars.
+
+
+
+
+ THE END
+
+
+
+
+NOTE
+
+Some of these poems have been published before in _The Sunset Magazine,
+The Smart Set, Munsey's Magazine, The Bellman, The International, The
+Overland Monthly, The Youth's Companion, Poetry--A Magazine of Verse,
+The Harvard Graduates' Magazine, The Book News Monthly, Current
+Opinion, The Literary Digest, The Boston Transcript_, and the
+_Anthologies of Magazine Verse_ for 1915 and 1916. I wish to thank the
+editors of those publications in which they originally appeared for
+permission to reprint.
+
+
+
+
+The Riverside Press
+
+CAMBRIDGE . MASSACHUSETTS
+
+U . S . A
+
+
+
+
+
+
+
+
+
+End of the Project Gutenberg EBook of A Lonely Flute, by Odell Shepard
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