diff options
Diffstat (limited to '3426-h')
| -rw-r--r-- | 3426-h/3426-h.htm | 1179 |
1 files changed, 1179 insertions, 0 deletions
diff --git a/3426-h/3426-h.htm b/3426-h/3426-h.htm new file mode 100644 index 0000000..e4d7421 --- /dev/null +++ b/3426-h/3426-h.htm @@ -0,0 +1,1179 @@ +<?xml version="1.0" encoding="us-ascii"?> + +<!DOCTYPE html + PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" + "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd" > + +<html xmlns="http://www.w3.org/1999/xhtml" lang="en"> + <head> + <title> + On Books and the Housing of Them, by William Ewart Gladstone + </title> + <style type="text/css" xml:space="preserve"> + + body { margin:5%; background:#faebd0; text-align:justify} + P { text-indent: 1em; margin-top: .25em; margin-bottom: .25em; } + H1,H2,H3,H4,H5,H6 { text-align: center; margin-left: 15%; margin-right: 15%; } + hr { width: 50%; text-align: center;} + .foot { margin-left: 20%; margin-right: 20%; text-align: justify; text-indent: -3em; font-size: 90%; } + blockquote {font-size: 97%; font-style: italic; margin-left: 10%; margin-right: 10%;} + .mynote {background-color: #DDE; color: #000; padding: .5em; margin-left: 10%; margin-right: 10%; font-family: sans-serif; font-size: 95%;} + .toc { margin-left: 10%; margin-bottom: .75em;} + .toc2 { margin-left: 20%;} + div.fig { display:block; margin:0 auto; text-align:center; } + div.middle { margin-left: 20%; margin-right: 20%; text-align: justify; } + .figleft {float: left; margin-left: 0%; margin-right: 1%;} + .figright {float: right; margin-right: 0%; margin-left: 1%;} + .pagenum {display:inline; font-size: 70%; font-style:normal; + margin: 0; padding: 0; position: absolute; right: 1%; + text-align: right;} + pre { font-style: italic; font-size: 90%; margin-left: 10%;} + +</style> + </head> + <body> +<pre xml:space="preserve"> + +The Project Gutenberg EBook of On Books and the Housing of Them, by +William Ewart Gladstone + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: On Books and the Housing of Them + +Author: William Ewart Gladstone + +Release Date: February 15, 2009 [EBook #3426] +Last Updated: February 4, 2013 + +Language: English + +Character set encoding: ASCII + +*** START OF THIS PROJECT GUTENBERG EBOOK ON BOOKS AND THE HOUSING OF THEM *** + + + + +Produced by Charles Hall, and David Widger + + + + + + +</pre> + <p> + <br /><br /> + </p> + <h1> + ON BOOKS AND THE HOUSING OF THEM + </h1> + <p> + <br /> + </p> + <h2> + By William Ewart Gladstone (1809-1898) + </h2> + <p> + <br /> <br /> + </p> + <hr /> + <p> + <br /> <br /> <a href="#link2H_FOOT"> FOOTNOTES: </a> <br /> <br /> + </p> + <hr /> + <p> + <br /> <br /> + </p> + <p> + In the old age of his intellect (which at this point seemed to taste a + little of decrepitude), Strauss declared <a href="#linknote-1" + name="linknoteref-1" id="linknoteref-1"><small>1</small></a> that the + doctrine of immortality has recently lost the assistance of a passable + argument, inasmuch as it has been discovered that the stars are inhabited; + for where, he asks, could room now be found for such a multitude of souls? + Again, in view of the current estimates of prospective population for this + earth, some people have begun to entertain alarm for the probable + condition of England (if not Great Britain) when she gets (say) seventy + millions that are allotted to her against six or eight hundred millions + for the United States. We have heard in some systems of the pressure of + population upon food; but the idea of any pressure from any quarter upon + space is hardly yet familiar. Still, I suppose that many a reader must + have been struck with the naive simplicity of the hyperbole of St. John, + <a href="#linknote-2" name="linknoteref-2" id="linknoteref-2"><small>2</small></a> + perhaps a solitary unit of its kind in the New Testament: "the which if + they should be written every one, I suppose that even the world itself + could not contain the books that should be written." + </p> + <p> + A book, even Audubon (I believe the biggest known), is smaller than a man; + but, in relation to space, I entertain more proximate apprehension of + pressure upon available space from the book population than from the + numbers of mankind. We ought to recollect, with more of a realized + conception than we commonly attain to, that a book consists, like a man, + from whom it draws its lineage, of a body and a soul. They are not always + proportionate to each other. Nay, even the different members of the + book-body do not sing, but clash, when bindings of a profuse costliness + are imposed, as too often happens in the case of Bibles and books of + devotion, upon letter-press which is respectable journeyman's work and + nothing more. The men of the Renascence had a truer sense of adaptation; + the age of jewelled bindings was also the age of illumination and of the + beautiful miniatura, which at an earlier stage meant side or margin art,<a + href="#linknote-3" name="linknoteref-3" id="linknoteref-3"><small>3</small></a> + and then, on account of the small portraitures included in it, gradually + slid into the modern sense of miniature. There is a caution which we ought + to carry with us more and more as we get in view of the coming period of + open book trade, and of demand practically boundless. Noble works ought + not to be printed in mean and worthless forms, and cheapness ought to be + limited by an instinctive sense and law of fitness. The binding of a book + is the dress with which it walks out into the world. The paper, type and + ink are the body, in which its soul is domiciled. And these three, soul, + body, and habilament, are a triad which ought to be adjusted to one + another by the laws of harmony and good sense. + </p> + <p> + Already the increase of books is passing into geometrical progression. And + this is not a little remarkable when we bear in mind that in Great + Britain, of which I speak, while there is a vast supply of cheap works, + what are termed "new publications" issue from the press, for the most + part, at prices fabulously high, so that the class of real purchasers has + been extirpated, leaving behind as buyers only a few individuals who might + almost be counted on the fingers, while the effective circulation depends + upon middle-men through the engine of circulating libraries. These are not + so much owners as distributers of books, and they mitigate the difficulty + of dearness by subdividing the cost, and then selling such copies as are + still in decent condition at a large reduction. It is this state of + things, due, in my opinion, principally to the present form of the law of + copyright, which perhaps may have helped to make way for the satirical + (and sometimes untrue) remark that in times of distress or pressure men + make their first economies on their charities, and their second on their + books. + </p> + <p> + The annual arrivals at the Bodleian Library are, I believe, some twenty + thousand; at the British Museum, forty thousand, sheets of all kinds + included. Supposing three-fourths of these to be volumes, of one size or + another, and to require on the average an inch of shelf space, the result + will be that in every two years nearly a mile of new shelving will be + required to meet the wants of a single library. But, whatever may be the + present rate of growth, it is small in comparison with what it is likely + to become. The key of the question lies in the hands of the United Kingdom + and the United States jointly. In this matter there rests upon these two + Powers no small responsibility. They, with their vast range of inhabited + territory, and their unity of tongue, are masters of the world, which will + have to do as they do. When the Britains and America are fused into one + book market; when it is recognized that letters, which as to their + material and their aim are a high-soaring profession, as to their mere + remuneration are a trade; when artificial fetters are relaxed, and + printers, publishers, and authors obtain the reward which well-regulated + commerce would afford them, then let floors beware lest they crack, and + walls lest they bulge and burst, from the weight of books they will have + to carry and to confine. + </p> + <p> + It is plain, for one thing, that under the new state of things specialism, + in the future, must more and more abound. But specialism means subdivision + of labor; and with subdivision labor ought to be more completely, more + exactly, performed. Let us bow our heads to the inevitable; the day of + encyclopaedic learning has gone by. It may perhaps be said that that sun + set with Leibnitz. But as little learning is only dangerous when it + forgets that it is little, so specialism is only dangerous when it forgets + that it is special. When it encroaches on its betters, when it claims + exceptional certainty or honor, it is impertinent, and should be rebuked; + but it has its own honor in its own province, and is, in any case, to be + preferred to pretentious and flaunting sciolism. + </p> + <p> + A vast, even a bewildering prospect is before us, for evil or for good; + but for good, unless it be our own fault, far more than for evil. Books + require no eulogy from me; none could be permitted me, when they already + draw their testimonials from Cicero<a href="#linknote-4" + name="linknoteref-4" id="linknoteref-4"><small>4</small></a> and Macaulay.<a + href="#linknote-5" name="linknoteref-5" id="linknoteref-5"><small>5</small></a> + But books are the voices of the dead. They are a main instrument of + communion with the vast human procession of the other world. They are the + allies of the thought of man. They are in a certain sense at enmity with + the world. Their work is, at least, in the two higher compartments of our + threefold life. In a room well filled with them, no one has felt or can + feel solitary. Second to none, as friends to the individual, they are + first and foremost among the compages, the bonds and rivets of the race, + onward from that time when they were first written on the tablets of + Babylonia and Assyria, the rocks of Asia minor, and the monuments of + Egypt, down to the diamond editions of Mr. Pickering and Mr. Frowde.<a + href="#linknote-6" name="linknoteref-6" id="linknoteref-6"><small>6</small></a> + </p> + <p> + It is in truth difficult to assign dimensions for the libraries of the + future. And it is also a little touching to look back upon those of the + past. As the history of bodies cannot, in the long run, be separated from + the history of souls, I make no apology for saying a few words on the + libraries which once were, but which have passed away. + </p> + <p> + The time may be approaching when we shall be able to estimate the quantity + of book knowledge stored in the repositories of those empires which we + call prehistoric. For the present, no clear estimate even of the great + Alexandrian Libraries has been brought within the circle of popular + knowledge; but it seems pretty clear that the books they contained were + reckoned, at least in the aggregate, by hundreds of thousands.<a + href="#linknote-7" name="linknoteref-7" id="linknoteref-7"><small>7</small></a> + The form of the book, however, has gone through many variations; and we + moderns have a great advantage in the shape which the exterior has now + taken. It speaks to us symbolically by the title on its back, as the roll + of parchment could hardly do. It is established that in Roman times the + bad institution of slavery ministered to a system under which books were + multiplied by simultaneous copying in a room where a single person read + aloud in the hearing of many the volume to be reproduced, and that so + produced they were relatively cheap. Had they not been so, they would + hardly have been, as Horace represents them, among the habitual spoils of + the grocer.<a href="#linknote-8" name="linknoteref-8" id="linknoteref-8"><small>8</small></a> + It is sad, and is suggestive of many inquiries, that this abundance was + followed, at least in the West, by a famine of more than a thousand years. + And it is hard, even after all allowances, to conceive that of all the + many manuscripts of Homer which Italy must have possessed we do not know + that a single parchment or papyrus was ever read by a single individual, + even in a convent, or even by a giant such as Dante, or as Thomas + Acquinas, the first of them unquestionably master of all the knowledge + that was within the compass of his age. There were, however, libraries + even in the West, formed by Charlemagne and by others after him. We are + told that Alcuin, in writing to the great monarch, spoke with longing of + the relative wealth of England in these precious estates. Mr. Edwards, + whom I have already quoted, mentions Charles the Fifth of France, in 1365, + as a collector of manuscripts. But some ten years back the Director of the + Bibliotheque Nationale informed me that the French King John collected + twelve hundred manuscripts, at that time an enormous library, out of which + several scores were among the treasures in his care. Mary of Medicis + appears to have amassed in the sixteenth century, probably with far less + effort, 5,800 volumes.<a href="#linknote-9" name="linknoteref-9" + id="linknoteref-9"><small>9</small></a> Oxford had before that time + received noble gifts for her University Library. And we have to recollect + with shame and indignation that that institution was plundered and + destroyed by the Commissioners of the boy King Edward the Sixth, acting in + the name of the Reformation of Religion. Thus it happened that opportunity + was left to a private individual, the munificent Sir Thomas Bodley, to + attach an individual name to one of the famous libraries of the world. It + is interesting to learn that municipal bodies have a share in the honor + due to monasteries and sovereigns in the collection of books; for the + Common Council of Aix purchased books for a public library in 1419.<a + href="#linknote-10" name="linknoteref-10" id="linknoteref-10"><small>10</small></a> + </p> + <p> + Louis the Fourteenth, of evil memory, has at least this one good deed to + his credit, that he raised the Royal Library at Paris, founded two + centuries before, to 70,000 volumes. In 1791 it had 150,000 volumes. It + profited largely by the Revolution. The British Museum had only reached + 115,000 when Panizzi became keeper in 1837. Nineteen years afterward he + left it with 560,000, a number which must now have more than doubled. By + his noble design for occupying the central quadrangle, a desert of gravel + until his time, he provided additional room for 1,200,000 volumes. All + this apparently enormous space for development is being eaten up with + fearful rapidity; and such is the greed of the splendid library that it + opens its jaws like Hades, and threatens shortly to expel the antiquities + from the building, and appropriate the places they adorn. + </p> + <p> + But the proper office of hasty retrospect in a paper like this is only to + enlarge by degrees, like the pupil of an eye, the reader's contemplation + and estimate of the coming time, and to prepare him for some practical + suggestions of a very humble kind. So I take up again the thread of my + brief discourse. National libraries draw upon a purse which is bottomless. + But all public libraries are not national. And the case even of private + libraries is becoming, nay, has become, very serious for all who are + possessed by the inexorable spirit of collection, but whose ardor is + perplexed and qualified, or even baffled, by considerations springing from + the balance-sheet. + </p> + <p> + The purchase of a book is commonly supposed to end, even for the most + scrupulous customer, with the payment of the bookseller's bill. But this + is a mere popular superstition. Such payment is not the last, but the + first term in a series of goodly length. If we wish to give to the block a + lease of life equal to that of the pages, the first condition is that it + should be bound. So at least one would have said half a century ago. But, + while books are in the most instances cheaper, binding, from causes which + I do not understand, is dearer, at least in England, than it was in my + early years, so that few can afford it.<a href="#linknote-11" + name="linknoteref-11" id="linknoteref-11"><small>11</small></a> We have, + however, the tolerable and very useful expedient of cloth binding (now in + some danger, I fear, of losing its modesty through flaring ornamentation) + to console us. Well, then, bound or not, the book must of necessity be put + into a bookcase. And the bookcase must be housed. And the house must be + kept. And the library must be dusted, must be arranged, should be + catalogued. What a vista of toil, yet not unhappy toil! Unless indeed + things are to be as they now are in at least one princely mansion of this + country, where books, in thousands upon thousands, are jumbled together + with no more arrangement than a sack of coals; where not even the + sisterhood of consecutive volumes has been respected; where undoubtedly an + intending reader may at the mercy of Fortune take something from the + shelves that is a book; but where no particular book can except by the + purest accident, be found. + </p> + <p> + Such being the outlook, what are we to do with our books? Shall we be + buried under them like Tarpeia under the Sabine shields? Shall we renounce + them (many will, or will do worse, will keep to the most worthless part of + them) in our resentment against their more and more exacting demands? + Shall we sell and scatter them? as it is painful to see how often the + books of eminent men are ruthlessly, or at least unhappily, dispersed on + their decease. Without answering in detail, I shall assume that the + book-buyer is a book-lover, that his love is a tenacious, not a transitory + love, and that for him the question is how best to keep his books. + </p> + <p> + I pass over those conditions which are the most obvious, that the building + should be sound and dry, the apartment airy, and with abundant light. And + I dispose with a passing anathema of all such as would endeavour to solve + their problem, or at any rate compromise their difficulties, by setting + one row of books in front of another. I also freely admit that what we + have before us is not a choice between difficulty and no difficulty, but a + choice among difficulties. + </p> + <p> + The objects further to be contemplated in the bestowal of our books, so + far as I recollect, are three: economy, good arrangement, and + accessibility with the smallest possible expenditure of time. + </p> + <p> + In a private library, where the service of books is commonly to be + performed by the person desiring to use them, they ought to be assorted + and distributed according to subject. The case may be altogether different + where they have to be sent for and brought by an attendant. It is an + immense advantage to bring the eye in aid of the mind; to see within a + limited compass all the works that are accessible, in a given library, on + a given subject; and to have the power of dealing with them collectively + at a given spot, instead of hunting them up through an entire + accumulation. It must be admitted, however, that distribution by subjects + ought in some degree to be controlled by sizes. If everything on a given + subject, from folio down to 32mo, is to be brought locally together, there + will be an immense waste of space in the attempt to lodge objects of such + different sizes in one and the same bookcase. And this waste of space will + cripple us in the most serious manner, as will be seen with regard to the + conditions of economy and of accessibility. The three conditions are in + truth all connected together, but especially the two last named. + </p> + <p> + Even in a paper such as this the question of classification cannot + altogether be overlooked; but it is one more easy to open than to close—one + upon which I am not bold enough to hope for uniformity of opinion and of + practice. I set aside on the one hand the case of great public libraries, + which I leave to the experts of those establishments. And, at the other + end of the scale, in small private libraries the matter becomes easy or + even insignificant. In libraries of the medium scale, not too vast for + some amount of personal survey, some would multiply subdivision, and some + restrain it. An acute friend asks me under what and how many general + headings subjects should be classified in a library intended for practical + use and reading, and boldly answers by suggesting five classes only: (1) + science, (2) speculation, (3) art, (4) history, and (5) miscellaneous and + periodical literature. But this seemingly simple division at once raises + questions both of practical and of theoretic difficulty. As to the last, + periodical literature is fast attaining to such magnitude, that it may + require a classification of its own, and that the enumeration which + indexes supply, useful as it is, will not suffice. And I fear it is the + destiny of periodicals as such to carry down with them a large proportion + of what, in the phraseology of railways, would be called dead weight, as + compared with live weight. The limits of speculation would be most + difficult to draw. The diversities included under science would be so vast + as at once to make sub-classification a necessity. The ologies are by no + means well suited to rub shoulders together; and sciences must include + arts, which are but country cousins to them, or a new compartment must be + established for their accommodation. Once more, how to cope with the + everlasting difficulty of 'Works'? In what category to place Dante, + Petrarch, Swedenborg, Burke, Coleridge, Carlyle, or a hundred more? Where, + again, is Poetry to stand? I apprehend that it must take its place, the + first place without doubt, in Art; for while it is separated from Painting + and her other 'sphere-born harmonious sisters' by their greater dependence + on material forms they are all more inwardly and profoundly united in + their first and all-enfolding principle, which is to organize the + beautiful for presentation to the perceptions of man. + </p> + <p> + But underneath all particular criticism of this or that method of + classification will be found to lie a subtler question—whether the + arrangement of a library ought not in some degree to correspond with and + represent the mind of the man who forms it. For my own part, I plead + guilty, within certain limits, of favoritism in classification. I am + sensible that sympathy and its reverse have something to do with + determining in what company a book shall stand. And further, does there + not enter into the matter a principle of humanity to the authors + themselves? Ought we not to place them, so far as may be, in the + neighborhood which they would like? Their living manhoods are printed in + their works. Every reality, every tendency, endures. Eadem sequitur + tellure sepultos. + </p> + <p> + I fear that arrangement, to be good, must be troublesome. Subjects are + traversed by promiscuous assemblages of 'works;' both by sizes; and all by + languages. On the whole I conclude as follows. The mechanical perfection + of a library requires an alphabetical catalogue of the whole. But under + the shadow of this catalogue let there be as many living integers as + possible, for every well-chosen subdivision is a living integer and makes + the library more and more an organism. Among others I plead for individual + men as centres of subdivision: not only for Homer, Dante, Shakespeare, but + for Johnson, Scott, and Burns, and whatever represents a large and + manifold humanity. + </p> + <p> + The question of economy, for those who from necessity or choice consider + it at all, is a very serious one. It has been a fashion to make bookcases + highly ornamental. Now books want for and in themselves no ornament at + all. They are themselves the ornament. Just as shops need no ornament, and + no one will think of or care for any structural ornament, if the goods are + tastefully disposed in the shop-window. The man who looks for society in + his books will readily perceive that, in proportion as the face of his + bookcase is occupied by ornament, he loses that society; and conversely, + the more that face approximates to a sheet of bookbacks, the more of that + society he will enjoy. And so it is that three great advantages come hand + in hand, and, as will be seen, reach their maximum together: the + sociability of books, minimum of cost in providing for them, and ease of + access to them. + </p> + <p> + In order to attain these advantages, two conditions are fundamental. + First, the shelves must, as a rule, be fixed; secondly, the cases, or a + large part of them, should have their side against the wall, and thus, + projecting into the room for a convenient distance, they should be of + twice the depth needed for a single line of books, and should hold two + lines, one facing each way. Twelve inches is a fair and liberal depth for + two rows of octavos. The books are thus thrown into stalls, but stalls + after the manner of a stable, or of an old-fashioned coffee-room; not + after the manner of a bookstall, which, as times go, is no stall at all, + but simply a flat space made by putting some scraps of boarding together, + and covering them with books. + </p> + <p> + This method of dividing the longitudinal space by projections at right + angles to it, if not very frequently used, has long been known. A great + example of it is to be found in the noble library of Trinity College, + Cambridge, and is the work of Sir Christopher Wren. He has kept these + cases down to very moderate height, for he doubtless took into account + that great heights require long ladders, and that the fetching and use of + these greatly add to the time consumed in getting or in replacing a book. + On the other hand, the upper spaces of the walls are sacrificed, whereas + in Dublin, All Souls, and many other libraries the bookcases ascend very + high, and magnificent apartments walled with books may in this way be + constructed. Access may be had to the upper portions by galleries; but we + cannot have stairs all round the room, and even with one gallery of books + a room should not be more than from sixteen to eighteen feet high if we + are to act on the principle of bringing the largest possible number of + volumes into the smallest possible space. I am afraid it must be admitted + that we cannot have a noble and imposing spectacle, in a vast apartment, + without sacrificing economy and accessibility; and vice versa. + </p> + <p> + The projections should each have attached to them what I rudely term an + endpiece (for want of a better name), that is, a shallow and extremely + light adhering bookcase (light by reason of the shortness of the shelves), + which both increases the accommodation, and makes one short side as well + as the two long ones of the parallelopiped to present simply a face of + books with the lines of shelf, like threads, running between the rows. + </p> + <p> + The wall-spaces between the projections ought also to be turned to account + for shallow bookcases, so far as they are not occupied by windows. If the + width of the interval be two feet six, about sixteen inches of this may be + given to shallow cases placed against the wall. + </p> + <p> + Economy of space is in my view best attained by fixed shelves. This dictum + I will now endeavor to make good. If the shelves are movable, each shelf + imposes a dead weight on the structure of the bookcase, without doing + anything to support it. Hence it must be built with wood of considerable + mass, and the more considerable the mass of wood the greater are both the + space occupied and the ornament needed. When the shelf is fixed, it + contributes as a fastening to hold the parts of the bookcase together; and + a very long experience enables me to say that shelves of from half- to + three-quarters of an inch worked fast into uprights of from three-quarters + to a full inch will amply suffice for all sizes of books except large and + heavy folios, which would probably require a small, and only a small, + addition of thickness. + </p> + <p> + I have recommended that as a rule the shelves be fixed, and have given + reasons for the adoption of such a rule. I do not know whether it will + receive the sanction of authorities. And I make two admissions. First, it + requires that each person owning and arranging a library should have a + pretty accurate general knowledge of the sizes of his books. Secondly, it + may be expedient to introduce here and there, by way of exception, a + single movable shelf; and this, I believe, will be found to afford a + margin sufficient to meet occasional imperfections in the computation of + sizes. Subject to these remarks, I have considerable confidence in the + recommendation I have made. + </p> + <p> + I will now exhibit to my reader the practical effect of such arrangement, + in bringing great numbers of books within easy reach. Let each projection + be three feet long, twelve inches deep (ample for two faces of octavos), + and nine feet high, so that the upper shelf can be reached by the aid of a + wooden stool of two steps not more than twenty inches high, and portable + without the least effort in a single hand. I will suppose the wall space + available to be eight feet, and the projections, three in number, with end + pieces need only jut out three feet five, while narrow strips of bookcase + will run up the wall between the projections. Under these conditions, the + bookcases thus described will carry above 2,000 octavo volumes. + </p> + <p> + And a library forty feet long and twenty feet broad, amply lighted, having + some portion of the centre fitted with very low bookcases suited to serve + for some of the uses of tables, will receive on the floor from 18,000 to + 20,000 volumes of all sizes, without losing the appearance of a room or + assuming that of a warehouse, and while leaving portions of space + available near the windows for purposes of study. If a gallery be added, + there will be accommodation for a further number of five thousand, and the + room need be no more than sixteen feet high. But a gallery is not suitable + for works above the octavo size, on account of inconvenience in carriage + to and fro. + </p> + <p> + It has been admitted that in order to secure the vital purpose of + compression with fixed shelving, the rule of arrangement according to + subjects must be traversed partially by division into sizes. This + division, however, need not, as to the bulk of the library, be more than + threefold. The main part would be for octavos. This is becoming more and + more the classical or normal size; so that nowadays the octavo edition is + professionally called the library edition. Then there should be deeper + cases for quarto and folio, and shallower for books below octavo, each + appropriately divided into shelves. + </p> + <p> + If the economy of time by compression is great, so is the economy of cost. + I think it reasonable to take the charge of provision for books in a + gentleman's house, and in the ordinary manner, at a shilling a volume. + This may vary either way, but it moderately represents, I think, my own + experience, in London residences, of the charge of fitting up with + bookcases, which, if of any considerable size, are often unsuitable for + removal. The cost of the method which I have adopted later in life, and + have here endeavored to explain, need not exceed one penny per volume. + Each bookcase when filled represents, unless in exceptional cases, nearly + a solid mass. The intervals are so small that, as a rule, they admit a + very small portion of dust. If they are at a tolerable distance from the + fireplace, if carpeting be avoided except as to small movable carpets + easily removed for beating, and if sweeping be discreetly conducted, dust + may, at any rate in the country, be made to approach to a quantite + negligeable. + </p> + <p> + It is a great matter, in addition to other advantages, to avoid the + endless trouble and the miscarriages of movable shelves; the looseness, + and the tightness, the weary arms, the aching fingers, and the broken + fingernails. But it will be fairly asked what is to be done, when the + shelves are fixed, with volumes too large to go into them? I admit that + the dilemma, when it occurs, is formidable. I admit also that no book + ought to be squeezed or even coaxed into its place: they should move + easily both in and out. And I repeat here that the plan I have recommended + requires a pretty exact knowledge by measurement of the sizes of books and + the proportions in which the several sizes will demand accommodation. The + shelf-spacing must be reckoned beforehand, with a good deal of care and no + little time. But I can say from experience that by moderate care and use + this knowledge can be attained, and that the resulting difficulties, when + measured against the aggregate of convenience, are really insignificant. + It will be noticed that my remarks are on minute details, and that they + savor more of serious handiwork in the placing of books than of lordly + survey and direction. But what man who really loves his books delegates to + any other human being, as long as there is breath in his body, the office + of inducting them into their homes? + </p> + <p> + And now as to results. It is something to say that in this way 10,000 + volumes can be placed within a room of quite ordinary size, all visible, + all within easy reach, and without destroying the character of the + apartment as a room. But, on the strength of a case with which I am + acquainted, I will even be a little more particular. I take as before a + room of forty feet in length and twenty in breadth, thoroughly lighted by + four windows on each side; as high as you please, but with only about nine + feet of height taken for the bookcases: inasmuch as all heavy ladders, all + adminicula requiring more than one hand to carry with care, are forsworn. + And there is no gallery. In the manner I have described, there may be + placed on the floor of such a room, without converting it from a room into + a warehouse, bookcases capable of receiving, in round numbers, 20,000 + volumes. + </p> + <p> + The state of the case, however, considered as a whole, and especially with + reference to libraries exceeding say 20,000 or 30,000 volumes, and + gathering rapid accretions, has been found to require in extreme cases, + such as those of the British Museum and the Bodleian (on its limited + site), a change more revolutionary in its departure from, almost reversal + of, the ancient methods, than what has been here described. + </p> + <p> + The best description I can give of its essential aim, so far as I have + seen the processes (which were tentative and initial), is this. The masses + represented by filled bookcases are set one in front of another; and, in + order that access may be had as it is required, they are set upon trams + inserted in the floor (which must be a strong one), and wheeled off and on + as occasion requires. + </p> + <p> + The idea of the society of books is in a case of this kind abandoned. But + even on this there is something to say. Neither all men nor all books are + equally sociable. For my part I find but little sociabilty in a huge wall + of Hansards, or (though a great improvement) in the Gentleman's Magazine, + in the Annual Registers, in the Edinburgh and Quarterly Reviews, or in the + vast range of volumes which represent pamphlets innumerable. Yet each of + these and other like items variously present to us the admissible, or the + valuable, or the indispensable. Clearly these masses, and such as these, + ought to be selected first for what I will not scruple to call interment. + It is a burial; one, however, to which the process of cremation will never + of set purpose be applied. The word I have used is dreadful, but also + dreadful is the thing. To have our dear old friends stowed away in + catacombs, or like the wine-bottles in bins: the simile is surely lawful + until the use of that commodity shall have been prohibited by the growing + movement of the time. But however we may gild the case by a cheering + illustration, or by the remembrance that the provision is one called for + only by our excess of wealth, it can hardly be contemplated without a + shudder at a process so repulsive applied to the best beloved among + inanimate objects. + </p> + <p> + It may be thought that the gloomy perspective I am now opening exists for + great public libraries alone. But public libraries are multiplying fast, + and private libraries are aspiring to the public dimensions. It may be + hoped that for a long time to come no grave difficulties will arise in + regard to private libraries, meant for the ordinary use of that great + majority of readers who read only for recreation or for general + improvement. But when study, research, authorship, come into view, when + the history of thought and of inquiry in each of its branches, or in any + considerable number of them, has to be presented, the necessities of the + case are terribly widened. Chess is a specialty and a narrow one. But I + recollect a statement in the Quarterly Review, years back, that there + might be formed a library of twelve hundred volumes upon chess. I think my + deceased friend, Mr. Alfred Denison, collected between two and three + thousand upon angling. Of living Englishmen perhaps Lord Acton is the most + effective and retentive reader; and for his own purposes he has gathered a + library of not less, I believe, than 100,000 volumes. + </p> + <p> + Undoubtedly the idea of book-cemeteries such as I have supposed is very + formidable. It should be kept within the limits of the dire necessity + which has evoked it from the underworld into the haunts of living men. But + it will have to be faced, and faced perhaps oftener than might be + supposed. And the artist needed for the constructions it requires will not + be so much a librarian as a warehouseman. + </p> + <p> + But if we are to have cemeteries, they ought to receive as many bodies as + possible. The condemned will live ordinarily in pitch darkness, yet so + that when wanted, they may be called into the light. Asking myself how + this can most effectively be done, I have arrived at the conclusion that + nearly two-thirds, or say three-fifths, of the whole cubic contents of a + properly constructed apartment<a href="#linknote-12" name="linknoteref-12" + id="linknoteref-12"><small>12</small></a> may be made a nearly solid mass + of books: a vast economy which, so far as it is applied, would probably + quadruple or quintuple the efficiency of our repositories as to contents, + and prevent the population of Great Britain from being extruded some + centuries hence into the surrounding waters by the exorbitant dimensions + of their own libraries. + </p> + <p> + <br /> <br /> —The End— <br /> <br /> + </p> + <hr /> + <p> + <br /> <br /> <a name="link2H_FOOT" id="link2H_FOOT"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + FOOTNOTES: + </h2> + <p> + <a name="linknote-1" id="linknote-1"> + <!-- Note --></a> + </p> + <p class="foot"> + 1 (<a href="#linknoteref-1">return</a>)<br /> [ In Der alte und der neue + Glaube] + </p> + <p> + <a name="linknote-2" id="linknote-2"> + <!-- Note --></a> + </p> + <p class="foot"> + 2 (<a href="#linknoteref-2">return</a>)<br /> [ xxi, 25.] + </p> + <p> + <a name="linknote-3" id="linknote-3"> + <!-- Note --></a> + </p> + <p class="foot"> + 3 (<a href="#linknoteref-3">return</a>)<br /> [ First of all it seems to + have referred to the red capital letters placed at the head of chapters or + other divisions of works.] + </p> + <p> + <a name="linknote-4" id="linknote-4"> + <!-- Note --></a> + </p> + <p class="foot"> + 4 (<a href="#linknoteref-4">return</a>)<br /> [ Cic. Pro Archia poeta, + vii.] + </p> + <p> + <a name="linknote-5" id="linknote-5"> + <!-- Note --></a> + </p> + <p class="foot"> + 5 (<a href="#linknoteref-5">return</a>)<br /> [ Essays Critical and + Historical, ii. 228.] + </p> + <p> + <a name="linknote-6" id="linknote-6"> + <!-- Note --></a> + </p> + <p class="foot"> + 6 (<a href="#linknoteref-6">return</a>)<br /> [ The Prayer Book recently + issued by Mr. Frowde at the Clarendon Press weighs, bound in morocco, less + than an once and a quarter. I see it stated that unbound it weighs + three-quarters of an ounce. Pickering's Cattullus, Tibullus, and + Propertius in leather binding, weighs an ounce and a quarter. His Dante + weighs less than a number of the Times.] + </p> + <p> + <a name="linknote-7" id="linknote-7"> + <!-- Note --></a> + </p> + <p class="foot"> + 7 (<a href="#linknoteref-7">return</a>)<br /> [ See Libraries and the + Founders of Libraries, by B. Edwards, 1864, p. 5. Hallam, Lit. Europe.] + </p> + <p> + <a name="linknote-8" id="linknote-8"> + <!-- Note --></a> + </p> + <p class="foot"> + 8 (<a href="#linknoteref-8">return</a>)<br /> [ Hor. Ep. II. i. 270; + Persius, i. 48; Martial, iv. lxxxvii. 8.] + </p> + <p> + <a name="linknote-9" id="linknote-9"> + <!-- Note --></a> + </p> + <p class="foot"> + 9 (<a href="#linknoteref-9">return</a>)<br /> [ Edwards.] + </p> + <p> + <a name="linknote-10" id="linknote-10"> + <!-- Note --></a> + </p> + <p class="foot"> + 10 (<a href="#linknoteref-10">return</a>)<br /> [ Rouard, Notice sur la + Bibliotheque d'Aix, p. 40. Quoted in Edwards, p. 34.] + </p> + <p> + <a name="linknote-11" id="linknote-11"> + <!-- Note --></a> + </p> + <p class="foot"> + 11 (<a href="#linknoteref-11">return</a>)<br /> [ The Director of the + Bibliotheque Nationale in Paris, which I suppose still to be the first + library in the world, in doing for me most graciously the honors of that + noble establishment, informed me that they full-bound annually a few + scores of volumes, while they half-bound about twelve hundred. For all the + rest they had to be contented with a lower provision. And France raises + the largest revenue in the world.] + </p> + <p> + <a name="linknote-12" id="linknote-12"> + <!-- Note --></a> + </p> + <p class="foot"> + 12 (<a href="#linknoteref-12">return</a>)<br /> [ Note in illustration. Let + us suppose a room 28 feet by 10, and a little over 9 feet high. Divide + this longitudinally for a passage 4 feet wide. Let the passage project 12 + to 18 inches at each end beyond the line of the wall. Let the passage ends + be entirely given to either window or glass door. Twenty-four pairs of + trams run across the room. On them are placed 56 bookcases, divided by the + passage, reaching to the ceiling, each 3 feet broad, 12 inches deep, and + separated from its neighbors by an interval of 2 inches, and set on small + wheels, pulleys, or rollers, to work along the trams. Strong handles on + the inner side of each bookcase to draw it out into the passage. Each of + these bookcases would hold 500 octavos; and a room of 28 feet by 10 would + receive 25,000 volumes. A room of 40 feet by 20 (no great size) would + receive 60,000, It would, of course, be not properly a room, but a + warehouse.] + </p> + <p> + <br /><br /><br /><br /> + </p> +<pre xml:space="preserve"> + + + + + +End of the Project Gutenberg EBook of On Books and the Housing of Them, by +William Ewart Gladstone + +*** END OF THIS PROJECT GUTENBERG EBOOK ON BOOKS AND THE HOUSING OF THEM *** + +***** This file should be named 3426-h.htm or 3426-h.zip ***** +This and all associated files of various formats will be found in: + http://www.gutenberg.org/3/4/2/3426/ + +Produced by Charles Hall, and David Widger + + + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution. + + + +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase "Project +Gutenberg"), you agree to comply with all the terms of the Full Project +Gutenberg-tm License (available with this file or online at +http://gutenberg.org/license). + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. "Project Gutenberg" is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" +or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase "Project Gutenberg" appears, or with which the phrase "Project +Gutenberg" is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase "Project Gutenberg" associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +"Plain Vanilla ASCII" or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.org), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original "Plain Vanilla ASCII" or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, "Information about donations to + the Project Gutenberg Literary Archive Foundation." + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +"Defects," such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right +of Replacement or Refund" described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need, are critical to reaching Project Gutenberg-tm's +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation web page at http://www.pglaf.org. + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation's EIN or federal tax identification +number is 64-6221541. Its 501(c)(3) letter is posted at +http://pglaf.org/fundraising. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state's laws. + +The Foundation's principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at +809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email +business@pglaf.org. Email contact links and up to date contact +information can be found at the Foundation's web site and official +page at http://pglaf.org + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit http://pglaf.org + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including checks, online payments and credit card donations. +To donate, please visit: http://pglaf.org/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart is the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For thirty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + + +Most people start at our Web site which has the main PG search facility: + + http://www.gutenberg.org + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. + + +</pre> + </body> +</html> |
