summaryrefslogtreecommitdiff
path: root/34515.txt
diff options
context:
space:
mode:
Diffstat (limited to '34515.txt')
-rw-r--r--34515.txt1833
1 files changed, 1833 insertions, 0 deletions
diff --git a/34515.txt b/34515.txt
new file mode 100644
index 0000000..9fe6652
--- /dev/null
+++ b/34515.txt
@@ -0,0 +1,1833 @@
+Project Gutenberg's Lady Daisy and Other Stories, by Caroline Stewart
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Lady Daisy and Other Stories
+
+Author: Caroline Stewart
+
+Release Date: December 1, 2010 [EBook #34515]
+
+Language: English
+
+Character set encoding: ASCII
+
+*** START OF THIS PROJECT GUTENBERG EBOOK LADY DAISY AND OTHER STORIES ***
+
+
+
+
+Produced by Steven desJardins and the Online Distributed
+Proofreading Team at http://www.pgdp.net
+
+
+
+
+
+
+Lady Daisy
+and Other Stories
+
+BY CAROLINE STEWART
+
+Author of "A Kitten's Adventures" &c.
+
+[Illustration]
+
+BLACKIE AND SON LIMITED
+LONDON GLASGOW DUBLIN BOMBAY
+
+
+
+
+CONTENTS.
+
+ Page
+"LADY DAISY," 7
+PAPA'S CHRISTMAS STORY, 26
+STORY OF A GLOWWORM, 52
+
+
+
+
+"LADY DAISY."
+
+A DOLL STORY.
+
+
+Little Flora's father gave her a small china doll on her fourth
+birthday. It was only a little one, but Flora's father said that his
+little girl was very small too, and he thought she could not carry a
+big doll yet. When Flora was five years old her father gave her a
+larger one, and when she was six her father presented her with a
+beautiful baby doll in long clothes, that was almost as tall as Baby
+Henry, her brother, in the nursery. Nurse even said the dollie's long
+gowns would fit Baby if they were only wider, for, of course, Baby
+Henry was much heavier and fatter than Dollie, though Dollie was
+almost as tall. Now came the question of a name. Nurse said that in
+the last house where she lived the little girl had had a doll called
+Lady Sarah Maria, but Flora said she was not going to call her doll by
+that name, because the funny old lady who lived opposite was Miss
+Sarah Maria Higginson, and her doll was far too pretty to be like that
+old lady. Miss Higginson had once looked very angrily at Flora when
+her ball had happened to bounce over the wall into her precious
+flower-garden, so Flora did not like her. Perhaps the old lady did not
+like Flora for spoiling her flowers! Well, at last, after much
+thinking, the doll had a name given to it. It was called Lady Emily
+Mary Julia Gwendoline. Nurse thought it was too long, but Flora
+reminded her that Emily was after her eldest sister, Mary after the
+parlour-maid, whom Flora liked very much, Julia after Flora's Aunt
+Julia, and Gwendoline after Flora's little sister; so that her doll
+was like them all in something, of course, or she would not have given
+her so many names. She had Emily's blue eyes, and Mary's pink cheeks,
+and Aunt Julia's sweet smile, and Gwendoline's pretty light hair.
+
+"And, Nurse, I do think she has fingers like yours, rather stumpy at
+the ends!" exclaimed Flora, after a pause.
+
+"No, no!" cried Nurse. "I won't have her called Ruth after me, that I
+won't; and you're a very rude little girl Miss Flora!"
+
+So Flora contented herself with four names, and wrote them in her
+copy-book lest she should forget them. After a while she grew tired of
+calling her doll by four names, and changed them all to Daisy, for
+short, she said; though Nurse said that Daisy was the short name for
+Margaret, and not for Emily.
+
+Lady Daisy went out for many a long walk in the tender arms of her
+little mother. Flora hardly ever let her out of her sight, except
+while she went to dinner and breakfast. At tea-time Lady Daisy always
+sat on a chair by her little mother, and was quite content to look at
+her bread and honey without wanting any of it.
+
+The doll led a very happy life till one day when the whole family set
+off to the seaside, and then her misfortunes began. Flora thought that
+she was as careful as ever of her dear Lady Daisy, but I am afraid she
+had grown a little tired of looking after her as much as before. At
+first she had carefully kept her out of Baby Henry's reach, because he
+pulled about everything till it was torn or spoiled; and also Snip,
+the terrier, had such a way of worrying anything that he was never
+allowed to go near Lady Daisy's cradle. Therefore, when the whole
+party set off for the seaside the doll was as fresh and beautiful as
+at first. But, alas, a change came! Little Flora was so excited about
+going to the seaside, that after she had put her favourite on the
+cushion of the railway carriage she forgot all about her in the
+delight of looking out of the window. When they at last came to a
+large station where the train was going to stop for ten minutes, half
+the party got out of the carriage to go and have some tea in the
+refreshment rooms. Little Flora begged to be allowed to go too; and
+though her mother meant her to stay with Nurse, Charlie, and Baby in
+the carriage, she let her come as a great treat for once in a way. So
+Flora jumped out in the highest spirits, and quite forgot Lady Daisy
+in her hurry.
+
+Nurse put Baby Henry on the cushion, as she wanted to untie the basket
+that held a bottle of milk and some biscuits. While she was busy doing
+this Baby Henry looked about him. He soon spied Lady Daisy sitting
+bolt upright against the cushions, staring with her blue eyes at
+Charlie. He stretched out his little hand and took her by the arm.
+Charlie looked up at this moment and saw him do it, and though Charlie
+was only a little boy himself he felt he ought to look after Baby
+Henry.
+
+"Give Dollie to me, Baby," he said sharply. "You're not to have her,
+bad boy!"
+
+But Baby only clasped Lady Daisy tighter by the arm.
+
+Charlie stretched out his hand and caught hold of Dollie by the hair
+and tried to pull her away from Baby. Charlie pulled and Baby pulled.
+They pulled and pulled, till poor Lady Daisy's hair came off in
+Charlie's hand and her arm broke off in Baby's hand, and then she
+tumbled right down on to the floor!
+
+"Oh, Nurse, see how naughty Baby has been!" cried Charlie.
+
+Nurse turned round, and when she saw the mischief that they had both
+done she gave Charlie a good shaking that made him cry, and scolded
+Baby Henry well till he roared out loudly.
+
+"Now, stop that noise, you bad children!" said Nurse angrily. "I can't
+do anything for a minute but directly my back is turned you behave as
+bad as bad can be. And now, what Miss Flora will say when she comes
+back I don't know. I think I had better hide away Dollie till we get
+to the seaside, and then we can get her mended, and trust to Miss
+Flora forgetting all about her till then."
+
+So Nurse picked up the bits of arm and all the small pieces of yellow
+hair, and stuffed them all together, with Lady Daisy, under the
+cushion of the railway carriage; and then she looked out of the window
+and said, "Here they all come back again. Ah, Master Charlie, you may
+well look ashamed!"
+
+Charlie was very much frightened at what he and Baby had done; but,
+of course, he thought it was all Baby's fault, being like so many
+people who prefer to put the blame on others, instead of bravely
+bearing a share of it themselves. He did so hope Nurse wouldn't tell.
+I think he ought to have told himself; don't you? But he did not. Just
+then Flora came running up to the carriage door with a huge Bath bun
+in her hand.
+
+"Oh, Charlie, it's so nice out here!" she cried; "and I've had a lot
+of refreshment. And, oh, I've bought you a big bun with my own money!"
+
+Charlie was just putting out his hand for the bun when his conscience
+pricked him, and told him he hardly deserved to take Flora's gift
+after what had happened.
+
+He suddenly withdrew his hand and said, "I'm not hungry, Flo, thank
+you."
+
+"Oh, but do take it!" cried Flora. "It cost twopence."
+
+Charlie put out his hand slowly and took the bun; but it tasted heavy
+to him, as he was not happy. Soon the rest of the party were settled
+back in their former seats, and the engine steamed on again. And poor
+Lady Daisy was quite forgotten! One by one the children dropped off to
+sleep, and only once did little Flora murmur her doll's name in her
+dreams. At last they came to the end of their journey, and everyone
+had to bustle out so quickly. Nurse had to carry the sleepy children
+into the waiting-room whilst the luggage was being got out, and in
+five minutes the engine gave a puff and a shriek and the train rolled
+on somewhere else, with Lady Daisy crushed under one of the cushions
+of a carriage. Nurse had quite forgotten her!
+
+Poor thing, she hardly deserved such a fate! I think we must follow
+her on her journey, for somebody must look after her. Well, at the
+next station an old gentleman got into that very carriage, and he sat
+down at the end by the window and began to curl himself up comfortably
+in the corner. But somehow something prevented him. He thought the
+cushion edged up-hill very oddly, and the seat seemed very hard. So he
+threw off his travelling rug again, in which he had wrapped himself,
+and stood up to search, thinking it might be crackers or squibs or
+something horrid. When he pulled up the seat and found poor Lady Daisy
+he was very angry.
+
+"I'll speak to the guard!" he muttered to himself, while he held the
+battered, crushed doll at arm's length. "Some wretched child has left
+this here for I don't know how long, and they never take the trouble
+to settle the cushions properly, these railway people. Lazy set!"
+
+By which remark he did the hard-working railway people a great
+injustice, so I am glad there was no one in the carriage to hear.
+
+He threw the doll roughly down on the opposite side, and composed
+himself once more to rest. When people are angry they are very often
+unjust. _We_ know--you and I--that it was not the guard's fault nor
+the porter's fault that poor Lady Daisy disturbed the rest of this
+grumbling old gentleman. _We_ know that she had only been left in that
+carriage ten minutes by herself. However, at the next station the
+guard was called to the door and shown the poor battered doll, and
+angrily asked why the cushions were not made smooth before the train
+started on its journey?
+
+The guard said he was sorry for any discomfort the gentleman might
+have had, but explained that he remembered a party of children had
+only just got out at the last station, so he was sure they must have
+left it there. In the meantime he would take "Miss Doll," as he
+called her, into his own van; and he lifted her up, and picked up the
+broken arm and all the yellow hair and rolled them into a big bundle,
+and went off to his part of the train.
+
+"It'll do for my little Polly," thought the guard to himself.
+
+All this while what was Flora doing? Hard-hearted little girl, she was
+thinking how hungry she was as they rolled along the streets in a cab
+to their lodgings. When the family were all seated at tea, and Flora
+was busy with a plateful of bread and jam, Nurse suddenly came into
+the room looking rather sad, and she whispered something to Flora's
+mother. Flora heard some of the words. They were, "Break it to her,
+please, ma'am; I'm afraid."
+
+All at once, like a flash, Flora remembered Lady Daisy. She darted up
+from her chair, crying out, "Oh, Nurse, where _is_ my doll? I've left
+her in the train! Oh, Mother, please send to the station and ask them
+for her! Oh, Mother, how could Nurse forget her? Nurse, Nurse, are you
+sure you haven't got her? I heard you say you were afraid! I know
+you've left her behind!" And thus Flora ran on--now accusing Nurse,
+now mourning the loss of her doll, now asking her mother to send for
+her--till her mother drew her calmly to herself, and said, "Flora,
+dear, do not blame Nurse for forgetting your doll when she had a
+hundred other things to think of. If you forgot her, don't accuse
+others of it. I am afraid my little girl forgot her Lady Daisy for
+many hours, too, in the train. Nurse tells me you left your dollie all
+alone when you got out of the train at B---- Station, and that Charlie
+and Baby Henry got hold of her, and pulled her very much about, so
+that she had to put the poor broken thing under the seat lest you
+should see it, and it would grieve you. She meant to act kindly to
+you, and it was hardly her fault if, when we got out, she should
+forget Lady Daisy was still there, since Lady Daisy's own mistress, my
+little Flora, never missed her at all; was it?"
+
+Flora hung her head. "No, Mother," she whispered. "But I _did_ love
+her."
+
+"Then my little girl must be more thoughtful," said her mother; "and I
+am afraid, as the train has gone on a long way, that Lady Daisy must
+have gone too, so she won't be at the station. But think of this:
+perhaps some other little girl may find her, and take care of her, and
+love her too."
+
+At which Flora burst into a flood of tears, and it took a long time
+for her to get over the idea that Lady Daisy was lost for ever!
+
+They stayed at the seaside for six weeks, and one day Nurse packed up
+all their things and said they were going home again. Flora watched
+her fastening all the boxes and bags. She had a sorrowful look on her
+face. Even now she had not forgotten Lady Daisy.
+
+"Nurse, I've nothing to carry in my hands _this_ time," she said, and
+then turned away to look out of the window. She did not try to blame
+anyone else now for her forgetfulness of her poor Lady Daisy. She saw
+it was her own fault having left her, alone and forgotten, so long
+that day when they first came to the sea.
+
+When they got to the station they had to cross over to the other side
+of the railway. There was a train just coming up, and they waited till
+it should go by. However, it was going to stop there altogether, and
+the guard got out and was walking towards them, when suddenly Nurse
+recognized his face as being that of the same man who had been with
+them in the train when they came down to the sea. She remembered faces
+very well, and as she was still sorry for poor Flora, she ran up to
+him, and said hastily:
+
+"Please, sir, did you happen to find a doll in your train some six
+weeks ago? My little lady's doll, that was!"
+
+The guard stood still with a puzzled face for a moment, then suddenly
+a smile lit up his face, and he answered quite briskly:
+
+"Oh! are _you_ the party as got out of my train about that time and
+left a doll under the seat?"
+
+"Yes, sure enough!" exclaimed Nurse.
+
+"Ah! I see _'twas_ you now!" replied the guard. "You know where it
+was; and there is the little missy, too, whom I remembers lifting out
+dead-asleep in my arms that day. Yes, yes. I found it right enough;
+not but what it were a bit crushed through an old party sitting on it
+at the next station; but, bless you, I took it home all right, and
+give it to my poor Poll in hospital. Not afore I'd mended it, though.
+I'm a good hand at carpentering, though sticking on the yellow hair
+was a bit of a puzzle." And he laughed loud.
+
+Flora had ran up to her nurse at this moment.
+
+"Dollie's found," said Nurse, quickly turning round to her.
+
+"Did you find her, please, guard?" inquired Flora rather shyly.
+
+"Yes, missy; and if I'd known where you lived I'd have fetched her
+back to you. As it is, my Poll's had a lot of fun out of her; but you
+shall have her back--you shall have her back."
+
+As Flora's mother just then came out of the ticket-office and joined
+the group, she heard the whole history. The end of it was that she
+gave the guard sixpence to send Lady Daisy back by parcel post, as he
+declared he wouldn't let his Polly keep her a day longer, no, "not if
+the lady wished it ever so." I think he had seen Flora's sorrowful
+face turn quite joyful when he had mentioned Lady Daisy.
+
+"And, Mother," whispered Flora, "if he so kindly sends dear Daisy
+back, will you take my four-and-sixpence out of my money-box and buy
+Polly another great big doll instead. You see, it won't matter to
+_her_ losing Daisy as it mattered to me, and if I buy her another doll
+she will be just as happy; don't you think so? You see, she didn't
+have her _always_, as I did."
+
+And so it was settled; and when poor little Poll in the hospital with
+the broken leg one day received a lovely new doll by the post, she
+said wonderingly to her father:
+
+"I can't think, Father, why that little lady liked that battered old
+thing instead of keeping this here lovely new one!"
+
+But you and I know why. We all like our old favourites best, don't we?
+And so Lady Daisy came back after all safe and sound to her first
+home at the Grange, and you may be sure Flora never lost sight of her
+again.
+
+
+
+
+PAPA'S CHRISTMAS STORY.
+
+
+"Papa, do please tell us one of your nice stories," said Clement
+Percival to his father, as the family drew their chairs round the fire
+after dinner one bitterly cold winter's evening just before Christmas
+Day.
+
+"Oh, do, do!" struck in a chorus of youthful voices.
+
+"I should like a funny tale," said Clement.
+
+"I don't mind rather a sad one," said Lucy. "I mean one about naughty
+children."
+
+"I like just what Papa likes to tell," said George, who had set
+himself down on a footstool at his father's feet.
+
+"Mamma, dear," said little Nelly, the youngest of the party, "do
+please shut your eyes and go to sleep, that you mayn't be able to say,
+'Nelly, it's time for you to go to bed' _just_ in the middle."
+
+"Well," said Mr. Percival laughing, "I will try what I can do to
+please you all. Let me think a minute. Oh, I know!
+
+"Once upon a time--"
+
+"_Once upon a time!_ That is the way you _always_ begin, Papa," said
+Lucy.
+
+"Well, then, will this do for you, young lady?"
+
+ * * * * *
+
+It was getting dusk on a September evening when a young traveller
+entered the village of Seely. Foot-sore and weary, he sank upon a
+grassy bank to rest.
+
+He had not been there long before a strange sound met his ears. At
+first it seemed to be nothing but one continued buzz. He listened
+closely.
+
+What could it be?
+
+The noise came from behind a garden wall at his back. He rose quietly,
+and climbing up into an oak-tree from which he could look over into
+that garden, he seated himself safely amongst the branches and held
+his breath, for--the fruit-trees and vegetables were talking! and he
+wished to hear what they could be saying.
+
+"It is no use asking me this evening," said a portly Cauliflower. "My
+head is so heavy I cannot take my turn. Ask the Scarlet-runner."
+
+"Me!" said the Scarlet-runner. "Don't ask me! I've been running all
+day, and have got to run all night, to get up to the top of these
+sticks. You may see by the colour of my flowers how hot and tired I
+am! Try the Parsley."
+
+"I'm sure _I_ have not a moment to tell a tale," said the Parsley.
+"I'm _so_ busy curling my leaves ready to make the dishes to-morrow,
+for I heard the gardener tell the cook I should have a place on the
+table, and I like to be pretty."
+
+"Vain creature!" said the Cauliflower. "Black Currant! what say you to
+taking your turn now?"
+
+"Better not ask me," drawled the Black Currant. "You see by my dress
+how dismal my story would be, and as for my sisters Red and White, the
+birds have been pecking at them all day, till there is nothing but
+their stalks left. It is no use to ask _them_."
+
+"I _would_ take my turn," said a large Pear hanging against the brick
+wall, "but I'm _so_ sleepy I am sure I should fall down with the
+exertion."
+
+"I am longing to speak," cried a Potato from under the ground, "but I
+can't make my voice heard through the mould. There are many wonderful
+things going on down here which I, with eyes about me, can see, that
+you have no idea of, but I must wait till I am dug up to take my
+turn."
+
+"You are all very tiresome to-night," said the Cauliflower. "I _would_
+ask the Cabbage, because I know it has a good heart, but I heard the
+Fig-tree say the other day it wouldn't give a fig for its stories,
+they are so vulgar. Who is that coughing?"
+
+"I," said the Artichoke. "I was thinking I might be the speaker
+to-night; but you see I could only get half through what I had to say
+before I was stopped by coughing, so it's no use _my_ trying."
+
+"French Bean! could not _you_ oblige us?"
+
+"If so, I must speak in French," said the French Bean.
+
+"Oh, that will never do!" cried several voices at once; "we cannot
+understand that language."
+
+The French Bean hung its head and was silent.
+
+"Did I not see a head peeping from that tall red pot?" said the
+Cauliflower. "Sea-kale! is that you? Come! it is really your turn
+to-night."
+
+"No, no!" said the Sea-kale. "The gardener can force me to grow; but
+you can't force me to tell a story. My stories are only fit for the
+shells and fishes to listen to. None of you land creatures would
+understand them."
+
+"_I_ could, for I--I have relations amongst the shells," said the
+Crab-apple proudly.
+
+"And I'm sure I'm _well_ known to one of the fishes," said the Fennel,
+"for whenever the Mackerel comes to dinner I'm always asked to meet
+him."
+
+"I see we must fall back upon the Mustard and Cress," said the
+Cauliflower.
+
+"Us, indeed!" cried hot angry voices from a box in a corner, "what
+could _we_ tell of, who live only for a few days, and can never look
+over the wall? Surely the old Apple-tree who has lived for so many
+years, and can stretch out its branches far enough to see what is
+going on outside, is the one to tell us something worth listening to."
+
+"Yes! yes! the Apple-tree!" cried all the vegetables at once, making a
+very loud confused noise.
+
+"My friend," said the Apple-tree, "my fruit is blushing rosy red with
+the compliment you pay me. What the Mustard and Cress say is quite
+true. I _can_ see the world beyond, and I have a tale to tell. It is
+not a merry one; but if you like to hear it you shall."
+
+"I'm quite ready to cry," said the Onion, "so pray begin."
+
+The Apple-tree shook off a few dead leaves and two over-ripe apples,
+and began as follows:--
+
+"The earliest thing that I can remember is standing in a neat row of
+young apple-trees in a nursery-garden. An old gentleman came and
+bought me, carried me off in his carriage and had me planted here. He
+lived in the house you see over the wall. No, by the by, you can
+hardly any of you see the house till your heads are cut off and the
+gardener carries you through the gate; but there _is_ a house, and I
+will tell you what it is like.
+
+"It is a large white house, with a roof of gray slates. There are only
+three windows on this side, but then this is not the grand side. I
+only saw the other sides once, and that was when I was taken out of
+the carriage and brought round here, and I passed plenty of windows
+and a large house-door then. Well, for many a long year I lived a dull
+quiet life, seeing nobody but the gardener. When first I had apples,
+beautiful rosy apples, I was in hopes the old gentleman would come and
+see them, but no--as soon as they were ripe the gardener took them all
+from me, or else they fell upon the grass below, and the slugs came
+and ate them. At last the old gentleman died.
+
+"I heard the gardener tell the bees this one fine morning, and he
+wiped the corner of his eyes with his coat sleeve as he did so, which
+showed he had been a good master to him. After this the place looked
+very lonely, with the windows of the house closed and not a creature
+to be seen about except the gardener, and he seldom appeared.
+
+"A fine battle with the wind now and then was the only fun I had. It
+would come gently at first and rock me to and fro as if it would lull
+me to sleep, then, suddenly it would rush at me in all its fury and
+try to tear me to pieces; but although it used to bend me down almost
+to touch the ground, I would start up again as if I didn't mind it a
+bit. Somehow or other I always gained the victory, for the poor wind
+died away while I was the stronger and better for the fight.
+
+"In course of time I became so stout and firm it couldn't shake me at
+all. When it did rise up and try to do its worst, it could only
+whistle round me and make my branches dance. Late one evening I was
+surprised by seeing a small head peering over the wall. At first there
+was only a pair of eyes, presently the whole head, and then the body
+of a small boy, who scrambled over and crept up to me.
+
+"He got up into my branches and filled his pockets as full as they
+could hold. Then he slid down and climbed back over the wall by which
+he came.
+
+"The next day the gardener happened to pay me a visit."
+
+"'Holloa! who's been here?' he said; 'this won't do!' and he went to
+his toolhouse and took out something which he laid in the grass at my
+roots, and went away.
+
+"When night came the same small head appeared again, and the boy was
+close upon me, when suddenly he was brought to a stand-still, and
+uttered a loud cry. He had been caught in a trap, and the harder he
+tried to get out the faster he was held, and there he stayed till the
+gardener came and gave him a good thrashing. You may be sure I never
+saw that little boy again!
+
+"Autumn, winter, and spring, all passed away very quietly, and then
+came a stir in the place. Windows were opened; workmen began to hammer
+and paint; the gardener made the walks and borders all so neat and
+trim; and one fine afternoon a carriage covered with boxes drove up to
+the door. Then the bustle was greater than ever. Servants ran about,
+horses clattered in the yard, dogs barked, and children's voices were
+louder than all. The next morning the garden gate opened and a lady
+and gentleman walked in, arm in arm, followed by two fine-grown lads.
+
+"They paced round the gravel walks, then came up to me and admired my
+beautiful blossoms. Then and there the gentleman told the boys they
+should each have a garden of their own, and he pointed to the piece of
+ground by the Sweet-brier, and made the gardener divide it into two
+equal portions. After this the boys seemed to live out of doors.
+
+"I soon found out that their names were 'Richard' and 'Joe,' although
+they called one another 'Dick' and 'Joey.' They dug, and planted, and
+sowed, and watered from morning till evening. The poor little
+trembling plants did not know what to be about. If they came above the
+ground, as often as not they were plucked up and thrown upon the
+dirt-heap as weeds. If they stayed below, the mould was grubbed up to
+see why they were so long coming. These boys often quarrelled, but
+their quarrels did not last long. They would begin with hard words,
+then go on to throwing mud and stones upon one another's ground; at
+last it would come to fighting, till Joey burst out crying, when they
+made up and were good friends again.
+
+"What I did feel pity for was that poor old Pump at the end of the
+terrace walk. She was _once_ a tidy-looking, green-coloured, upright
+Pump, with a stone basin to catch the water.
+
+"See what she is now--a broken-down, good-for-nothing ruin! The boys
+were for ever filling their watering-pots and soaking their
+flower-beds with water. Then they must needs sink wells made of large
+flower-pots with the hole at the bottom stopped up with clay. These
+they filled and refilled till they overflowed and made the gravel-walk
+a pond.
+
+"The gardener often got angry with them, and they begged pardon, but
+went on the same as ever.
+
+"At last the weather became very hot and sultry, and the Pump would
+only give a thin stream of water and that only with hard pumping. The
+boys couldn't stand this. They got upon the stone basin, lifted off
+her head, and threw a stone down to hear how much water there was in
+the well. The sound of the splash was so charming to their ears that
+nothing would satisfy them but that they must needs go on throwing in
+stone after stone, till the poor thing was quite choked and could only
+give a drop at a time, and that with a gurgle.
+
+"And then, what do you think they did? Why, they lifted up her handle
+as high as it could go and let it fall again with a sudden jerk. That
+almost shook the poor thing to pieces. At last, her arm slipped quite
+out of its socket, and dropped down useless!
+
+"No wonder that the Willow sprang up by her side to cry over her, and
+has been weeping there ever since, for she has never been pumped
+again.
+
+"The gardener became furious, and I think he must have had the boys
+punished, for it was weeks before they came to work in their little
+gardens again, and the weeds had a fine time of it then. They ran in
+and out, and up and down, and round and round about the plants just as
+they liked.
+
+"The Sweet-brier was of no sort of use in keeping them in order. She
+only looked down, and smiled to see them so wild.
+
+"As the boys grew bigger I saw less of them. They went away for long
+seasons, and only came home now and then.
+
+"I must say they always let me know directly they did return. I think
+they liked me the best of all the trees in the garden."
+
+"You think so," said a voice from behind a netting on the wall; "but
+that is because we wall-fruit are so rich and rare, young fingers are
+forbidden to touch us, while they are allowed to play with you; and
+besides, we keep a large army of wasps, in bright yellow uniforms, to
+protect us against thieves. Late one evening Master Richard came into
+the garden. He crept up to me and stared me full in the face. 'I know
+what you want, my young man,' thought I; and I gently dropped one of
+my very ripest to the ground. He looked round to see that no one was
+watching, then he made a dart forward; but no sooner had he picked it
+up than a wasp flew out and stung his hand so sharply he let it fall,
+and went back yelling into the house. But I beg your pardon,
+Apple-tree. Pray, go on with your story, for we are much interested in
+all you are telling us."
+
+"Yes, I must make haste," said the Apple-tree, "for the night is
+passing away very rapidly. Well, one bright afternoon the boys came
+with their books in their hands and threw themselves on the grass
+under me to learn their holiday tasks, which I heard them say must be
+perfect before they left home the next day.
+
+"They had not been there long before two splendid blackbirds flew up
+into the tree at the bottom of the garden. Every now and then they
+dived down into the gooseberry bushes and then flew back again,
+chattering to one another in a language which I did not understand,
+but which sounded very pretty and joyous.
+
+"'Oh!' exclaimed Dick, 'how I should like to have a shot at those
+birds! Wouldn't they be nice in a pie?'
+
+"'I'll set a trap,' said Joe.
+
+"'A trap?' said Dick. 'They won't be caught in a trap at this time of
+year. If I had only a gun I could pick them off so easily,' and he
+made as though he was holding a gun and pointing at them.
+
+"'I say, Joey, I'll go and get father's gun and have a shot,' he
+added.
+
+"'You mustn't,' said Joe. 'Father said we were never to touch his gun,
+or go out shooting without him.'
+
+"'Why, he taught me to shoot,' said Dick; 'and he says I'm a very good
+shot. I'm not a child now. I understand all about a gun, and I'm very
+careful. Besides, father is out for the whole day, and he won't know
+anything about it, if you don't tell, for I can load it again and put
+it back just as it was before. Oh, I _must_ have those birds!' and
+saying this he got up.
+
+"'Pray, pray, don't!' said Joe.
+
+"But Richard did go, and came back with the loaded gun.
+
+"'Now, Joe,' said he, 'keep out of the way. Get behind the tree and
+you'll be quite safe.'
+
+"Joe ran behind me, and Dick fired. One of the blackbirds fell into
+the bushes.
+
+"'Here, Joe,' said Dick, 'just hold the gun while I go and look for
+the bird. Wasn't it a fine shot! Take care, for the other barrel is
+loaded! Don't move an inch for fear you should pull the trigger, and
+I'll be back in one minute!' Joe came forward and took the gun from
+his brother. Away ran Dick, and there sat poor Joe, afraid almost to
+breathe for fear of what might happen. Presently Dick appeared at the
+end of the walk holding up the unfortunate blackbird by its extended
+wings.
+
+"Joe jumped up and went down to meet him. I couldn't see how it
+happened, but as they met there was a loud report, and I heard Dick
+call out, 'Oh, Joey, you have killed me!'
+
+"Joe threw away the gun which he had been carrying, and ran screaming
+into the house.
+
+"Then there _was_ a hubbub! All the servants ran out. The gardener
+picked up Dick, the footman picked up the gun, the housekeeper scolded
+at the pitch of her voice, and the housemaid shrieked, while Joe
+himself shed bitter tears of grief and wrung his hands in despair.
+
+"They all passed through the gate. If you remember, I told you there
+were three windows on this side of the house. Well, one of the rooms
+seemed seldom used; but now I saw people moving about in it till the
+housekeeper came and drew down the blind.
+
+"Then there was such a clattering of horses in the yard; the groom
+rode off in one direction, the coachman put the horses to and drove
+off in another, and then they all came back, and another carriage
+stood for ever so long at the door. I could just see the tips of the
+wheels round the corner till it got dusk.
+
+"Then lights appeared in the room, and figures passed and repassed
+behind the blind.
+
+"Now, the other windows belonged to the boys' rooms, and I thought I
+would just stretch out my highest branch and see if I could look into
+them. Richard's room was empty, but Joe was sitting in his.
+
+"There he was, poor fellow, with his arms upon the table and his head
+resting upon them. A plate was near him, but he didn't seem to have
+tasted the food.
+
+"While I was watching the door opened, and his mother came in. She
+leant over him and pointed to the bed. Then, putting down a candle,
+she left the room. Joe undressed and got into bed, but he seemed so
+restless he could not keep still for a minute. When the clock in the
+old church-tower struck ten I think he must have fallen asleep, for
+his mother crept in again softly, went up to him, and pushing back the
+hair from his forehead, gave him a kiss, and he didn't seem to notice
+it.
+
+"The clock in the old church-tower struck eleven, and everything about
+the house was so quiet.
+
+"The only light was in the room with the blind down, and on that blind
+the figure of the mother, sitting watching all through the long hours
+of the night, might be clearly seen.
+
+"The clock in the old church-tower struck twelve! The glimmering of a
+light in Joe's room drew my attention. I peeped in again. He was out
+of bed, had lit his candle, and was putting on his clothes! As soon as
+he was dressed, he went to his chest of drawers, took out a
+pocket-handkerchief, and spread it upon the table. Into this
+handkerchief he put a pair of boots, a brush and comb, and a clean
+shirt; then he tied it up with two knots, and proceeded to take down a
+desk from a shelf. Out of this he took some money, counted it, and put
+it into his purse."
+
+"I wonder how much he put in!" exclaimed the Mint from its bed of
+herbs.
+
+"As much as he had got, and no more, you may be sure," answered the
+Sage.
+
+"I hope it was not all silver," said the Pennyroyal.
+
+"Oh, pray, don't interrupt!" cried the Thyme, "for the moments are
+flying, the minutes are running so fast, and the half-hours declare
+the hours are about to strike! Do, please, go on, Apple-tree!"
+
+"Well, having put his purse in his pocket, Joe went to the fireplace,
+and unhooking a small picture from the wall, he wrapt it in a clean
+handkerchief and put it in another pocket. Then he came to the window,
+drew it gently up, and looked out. First, he threw his bundle down on
+the flower-border below, then he scrambled out upon the trellis-work
+and crept down by his hands and feet till he reached the ground.
+Picking up his bundle, he passed quietly through the gate into the
+yard, and going up to a rabbit-hutch, he took out a most beautiful
+large white rabbit. This he hugged in his arms and talked to, but I
+couldn't hear what he said. He rubbed his cheek several times up and
+down against its soft fur, then put it back, and taking his bundle
+under his arm, unlatched the gate leading into the fields, and set off
+running as fast as his legs could carry him.
+
+"When he came to the stile he jumped over, and stood still to take one
+long last look at the old white house standing out so clear in the
+bright moonshine.
+
+"I saw him kiss his hand towards it, then turn round and set off
+running again. He was soon quite out of sight, and from that day to
+this he has never been seen here again. And he needn't have gone after
+all. I heard the groom tell the gardener the foolish servants had
+frightened him by telling him 'he had murdered his brother, and must
+take the consequences.' But Dick wasn't killed. He got all right
+again, although he was ill for a very long time, and never looked the
+same bright lad he was before he lost his brother. But, hark! I hear a
+human being near--silence all!"
+
+At that moment there was a crash as of a bough of a tree snapping, and
+the young traveller was over the wall with a bound.
+
+"Tell me, tell me!" he cried, "are they all alive?"
+
+There was a dead silence.
+
+He stamped his foot, and implored the voices to speak once more, but
+no answer came.
+
+"Can I," he said, striking his forehead with his hand--"can I have
+been dreaming?"
+
+He rushed to the garden gate, passed through, and shut it with such a
+slam that the poor sleepy Pear fell at once to the ground.
+
+A very short time after, the sun came laughing up from behind the
+horizon, the birds began to sing, smoke danced merrily out of the
+kitchen chimney, the church-bells rang out a merry peal, and all to
+celebrate Joey's return to his home!
+
+That afternoon there was a grand feast in the old white house, to
+which all the fruit and vegetables were invited.
+
+ * * * * *
+
+"What a very strange story, Papa!" exclaimed Clement.
+
+"It is a very nice one," said Lucy; "only I suppose it isn't quite
+true."
+
+"I wish I had got Joey's soft white rabbit," murmured George.
+
+No words fell from little Nelly's lips, for she had fallen fast asleep
+on her mother's lap.
+
+
+
+
+STORY OF A GLOWWORM.
+
+
+Did you ever see a glowworm? There are plenty of them shining on the
+grass during the long nights of June and July. Shall we come out on to
+the lawn one evening and see them? Look! there they are! shining like
+little fairy lamps all over the grass. If you try to disturb them they
+will hide their light, for they like to keep quiet. Now you cannot
+find them, for they are all dark again. I do not think a glowworm is a
+pretty insect when it has no light. Shall we catch one very quietly
+while it is shining and place it on a leaf? In the morning you will
+see it is a rather long insect, with brown scales over its back and
+it has some tiny legs, in front. You must give it some lettuce leaf,
+and a few of those little dead flies we found on the window-sill this
+morning. Do you want to keep it altogether? I think you had better not
+do so, it would soon die. It can feed itself better than you can. And
+now, shall I tell you the story of a glowworm while you put this one
+carefully on a lettuce leaf which I have placed in a pot?
+
+Many years ago, when I was a little girl, I was very fond of pets of
+all sorts. I was a funny little girl, for I did not even dislike
+spiders! and I often wished I could catch and tame a little mouse for
+my very own. There were plenty of them behind the wainscot in our
+large London house; but the cat would eat them one by one, so that I
+never got a chance of keeping one to myself. Indeed I do not think old
+nurse would have let me do so. She hated all such horrid creepy
+things, she said; but I told her I was sure a mouse was anything but
+horrid, because I had just been watching one come out of his hole that
+the carpenter had forgot to stop up.
+
+"And indeed, Nurse," I said, "he ran so prettily about the room, and
+got into your basket of work. I was so happy to think he had found a
+warm snug corner this windy day, but directly you came in again he ran
+away."
+
+You may be sure old nurse looked very frightened on hearing about the
+mouse in her basket, and the carpenter had no peace till he had
+brought his tools and put a board neatly across the hole. So I never
+saw my little mouse again. And it had such a soft little coat of fur
+too! When I grumbled to Nurse she told me not to be a tiresome little
+girl; that mousey was all very well to look at, but he was very, very
+mischievous, and would eat up everything in the cupboard if we would
+let him.
+
+Well, to return to my story, one evening my eldest brother, who was a
+great tall fellow fresh from school, and much older than I was, came
+to the foot of the stairs and called out, "Elsie! I've brought
+something for you."
+
+Now, I knew he had just returned from a cricket match in the country,
+where he had gone that morning by train, and I thought it very kind of
+him to think of me at all.
+
+"What is it, George?" I asked eagerly as I bounded down the nursery
+stairs.
+
+George stood under the gas-lamp of the second landing waiting for me,
+and now he pulled out a pocket-handkerchief. Out of the handkerchief
+he drew a little cardboard box, with air holes pricked in it, and when
+he opened the lid I stood on tiptoe and looked into it.
+
+"Why, George, you've only brought me a caterpillar!" I said not quite
+pleased.
+
+"No, it isn't," replied George, "it's a glowworm. After the cricket
+match we went to supper at the squire's, and on the lawn there were
+hundreds of these pretty things, so I brought you one."
+
+"But I thought a glowworm had fire in its tail?" said I.
+
+"You are quite right," replied George. "It has; but then you can only
+see it in the dark, and there is the gas-lamp burning over us. Suppose
+we take it into the dark greenhouse and put it in a pot?"
+
+I thanked George very much for his trouble in bringing me such a
+treasure, and we hastened to a sort of glass place we had built out
+over an extra room, and in which my mother placed all her favourite
+plants. We put the little creature on to a flower-pot, and true enough
+when it was left quite quiet it began to shine.
+
+"What is that light for?" I asked George.
+
+"I believe it is a lamp for it to see its food by in the dark as it
+crawls over the grass. And another thing, nightingales are fond of
+glowworms, and nightingales too must live, so you see they can easily
+spy them out, can't they?"
+
+"I'm glad, George, you saved this one from the nightingale," I said.
+"Now it will shine here every night like a little fairy lamp, and when
+we give my party it will be of great use, won't it?"
+
+George laughed at me, and said he thought the glowworm would have to
+grow a good deal larger before it could do that. Nurse now called me
+to bed, so after we had put some leaves close to the glowworm we left
+it shining brightly.
+
+The next morning I ran to see if my glowworm was pretty or ugly by
+daylight, but it was gone!
+
+I looked in every pot, but I could not find anything like a
+caterpillar.
+
+"Of course it had crawled away somewhere!" said Nurse, and she gave a
+shudder as she felt sure it would come up to her bed-room. I was very
+unhappy at my loss. However, nothing could be done. But what was my
+surprise and delight when, that same evening, as it grew dark, my
+mother called to me as she was passing the greenhouse, "Elsie! Elsie!
+is not this your fairy lamp on the floor?"
+
+I ran down quickly, and found my dear little glowworm shining merrily
+on the stone pavement of the greenhouse. It was walking across to the
+other side of the wall, "only just to take an airing," as I said to
+mother.
+
+She said, "Look, it has saved itself because of its light, otherwise I
+would have put my foot on it when I came to shut the windows." I
+quickly got a leaf and put "Glowy" back again into the pot till I had
+got something else.
+
+"You are not going to run away again, my little dear," said I. "No,
+no, you must go into a cage now." So I got an old tumbler with a chip
+in it and put some leaves in it, and then tumbled my glowworm in,
+head-foremost, and covered up the top with a piece of paper.
+
+But my mother said that would not do, as there was no air; so she
+pricked the paper full of holes as I remembered George had done to his
+box, and we put on the lid again. The next morning I found my pet
+quite alive; but it had not eaten any of the lettuce leaf, and I was
+very sorry. Still it was alive, which was a great deal. I gave "Glowy"
+some fresh leaves and left it there. George said he thought "Glowy"
+would not like so much hot sun beating down upon him through the glass
+roof; but I reminded George that glowworms liked hot countries, for
+Uncle Bob told me he had seen splendid ones abroad when he went on
+voyages.
+
+That was all very well, said George, but did I not know that they
+came out when it was quite cool in the evenings? Still I had my way,
+and left my little friend in the blue glass tumbler, because he would
+look so pretty shining through it at night. I was so afraid he would
+run away again. When evening came there he was crawling on a leaf and
+shining so brightly. I gave him some mustard and cress to eat, for a
+change, and felt quite delighted.
+
+The next day I found he had not eaten anything. Perhaps he did not
+like the green food. I resolved to try him with flies; but after
+hunting I could not find any that were dead, so he had to go without.
+The next day I found little "Glowy" all curled up at the bottom of the
+glass as if he was going to faint. "Oh, George," I said, "I quite
+forgot he had no water to drink!" and I ran to fetch a few drops in a
+cup.
+
+"You'll drown him in all that," laughed George; but I was very
+careful and only dropped a few drops close to him on the leaf. But he
+would not move. I was so afraid he would get ill that I took him out
+and placed him on a pot of Virginian creeper to see if he would
+recover. To my delight he began to crawl again, so I left him to roam
+about.
+
+I knew I should find him again in the evening by his light, as I did
+before. But when I came in from my afternoon walk with Miss Smith, our
+governess, Nurse told me that John the man-servant had been watering
+all the plants that afternoon, and she hoped there was an end to my
+funny fancies.
+
+Oh, how silly I was not to tell everybody where "Glowy" was! for, of
+course, Nurse hoped he was drowned; but John wouldn't have done it if
+he had known. I hunted by daylight in vain for him; but when evening
+came to my joy I found him feebly shining, and perched on the edge of
+the earthenware saucer in which the Virginian creeper pot stood. The
+saucer was full of water, so I don't know how he had got across; I
+wondered if glowworms could swim. I pushed little "Glowy" gently on to
+a leaf with a piece of stick, and put the whole on an orange plant for
+him to get dry again.
+
+Alas, the next morning poor "Glowy" looked very ill--at least George
+said he must be, because he had not moved from the spot, and glowworms
+always like to crawl about in search of food. I looked forward to the
+evening to see if he would shine again; but no, poor "Glowy" was quite
+still and would not shine. George said he was dead because I did not
+feed him properly; but it was not my fault, it was John's for watering
+him. I was very sorry, because I had had a little pet for a week, and
+now I did not know where to find another one so pretty. But George
+after a while showed me it was my fault. You see I had not let the
+glowworm roam about in the back garden to look for his own food,
+because I thought I could feed him much better. But it was not so much
+that; it was the glass cage into which I put poor "Glowy" that he did
+not like. It was too hot in the greenhouse. So I made a mistake. We
+learn to do better by experience--we learn that we are often in the
+wrong. But I would not believe it when George told me so; when I lost
+my little glowworm I had to believe it, but it was too late, and my
+fairy lamp had gone out.
+
+George told me he had also learnt the same thing by experience, when
+he caught three very young blackbirds once. We were living in the
+country then. He thought he could feed them, though the gardener said
+they would die, because, while they could not feed themselves, the old
+blackbird could do it best and not George. So they did die one by one.
+The bread and milk George gave them was not enough to keep them alive.
+So I think now, it is very cruel of boys when they take little birds
+out of their nest, and besides it makes the mother-bird so unhappy.
+
+Well, I had lost my little glowworm. It was an ugly little insect in
+itself, but you get fond of a thing you have taken care of, and I felt
+quite sorry when I had no fairy lamp left.
+
+Now that is the end of my story. So, shall we profit by it and take
+this little one you have found and put it on the lawn again? If we
+want it to go on shining, night after night, we had better leave it to
+feed itself. In hot countries they are far more brilliant than in
+England. I remember them in India, where they are perfectly beautiful;
+but I never tried to catch one there, as I recalled my experience when
+I was a little girl in England.
+
+
+THE END.
+
+
+
+
+BLACKIE AND SON'S
+
+BOOKS FOR YOUNG PEOPLE
+
+
+EIGHTEENPENNY SERIES
+
+_With Illustrations. Crown 8vo, cloth extra_
+
+
+EXCELSIOR SERIES
+
+All the books of the _Excelsior Series_ contain inspiriting examples
+of lives of well-doing and unselfishness, while at the same time they
+are extremely interesting.
+
+In the Days of Prince Hal. By H. ELRINGTON.
+Tales of Daring and Danger. By G. A. HENTY.
+Yarns on the Beach. By G. A. HENTY.
+The "Saucy May". By HENRY FRITH.
+A Terrible Coward. By G. MANVILLE FENN.
+The Reign of Princess Naska. By A. H. STIRLING.
+
+
+PLAYTIME SERIES
+
+This is a series of amusing stories of children's pranks and
+escapades. All young readers will have a fellow-feeling for the high
+spirits and love of mischief shown by the merry boys and girls
+described in the _Playtime_ books.
+
+Town Mice in the Country. By M. E. FRANCIS.
+Penelope and the Others. By AMY WALTON.
+Joan's Adventures. By ALICE CORKRAN.
+An Africander Trio. By JANE H. SPETTIGUE.
+
+
+SUNBEAM SERIES
+
+In these stories of the joys and sorrows of children, amusement and
+instruction are so happily blended that they will be approved both by
+young people and by their elders.
+
+Tony Maxwell's Pluck. By GERALDINE MOCKLER.
+Twin Brothers. By FRANCES PALMER.
+A Chum Worth Having. By FLORENCE COOMBE.
+
+
+MARIGOLD SERIES
+
+The books of the _Marigold Series_ contain stories of girls' life
+under varied conditions, which will be appreciated by all girl readers
+for their lifelike descriptions and spirited writing.
+
+That Examination Paper! By EDITH KING HALL.
+The Whispering Winds. By MARY H. DEBENHAM.
+The Late Miss Hollingford. By ROSA MULHOLLAND (Lady Gilbert).
+The Mystery of the Manor House. By MRS. HENRY CLARKE.
+Doris's High School Days. By CLARICE MARCH.
+
+
+GOLDEN CHAIN SERIES
+
+These books inculcate, by means of interesting, well-written stories,
+those sound moral principles which, like links in a chain, help to
+form a strong and useful character.
+
+Hammond's Hard Lines. By SKELTON KUPPORD.
+Our Frank. By AMY WALTON.
+Phil and his Father. By ISMAY THORN.
+A Soldier's Son. By ANNETTE LYSTER.
+The Happy Lad. From the Norwegian.
+Down and Up Again. By GREGSON GOW.
+
+
+[Illustration: Reduced from an Illustration in "BLACKIE'S NATURE STORY
+PICTURE-BOOKS"]
+
+
+BLACKIE'S SHILLING SERIES
+
+_Each book contains 128 pages, Illustrated_
+_Neatly bound in cloth extra_
+
+Holidays at Sunnycroft. By A. S. SWAN.
+Elsie Wins. By E. DAVENPORT ADAMS.
+At Lathom's Siege. By SARAH TYTLER.
+Fleckie. By BESSIE MARCHANT.
+A Saxon Maid. By ELIZA F. POLLARD.
+Uncle Bob. By MEREDITH FLETCHER.
+Bears and Dacoits. By G. A. HENTY.
+Crusoes of the Frozen North. By G. STABLES.
+Miss Mary's Little Maid. By E. D. ADAMS.
+Betty the Bold. By E. DAVENPORT ADAMS.
+Jack of Both Sides. By FLORENCE COOMBE.
+The Skipper. By E. CUTHELL.
+Do Your Duty. By G. A. HENTY.
+Terry. By ROSA MULHOLLAND (Lady Gilbert).
+The Choir School. By FREDERICK HARRISON.
+What Mother Said. By L. E. TIDDEMAN.
+Little Miss Vanity. By Mrs. HENRY CLARKE.
+Two Girls and a Dog. By JENNIE CHAPPELL.
+Tony's Pains and Gains. By W. L. ROOPER.
+Jack's Victory.
+The Lost Dog. By ASCOTT R. HOPE.
+Rambles of Three Children. By G. MOCKLER.
+Red Umbrella. By E. KING HALL.
+Arthur's Temptation. By EMMA LESLIE.
+Eric Sinclair's Luck. By A. B. ROMNEY.
+Cynthia's Holiday. By S. E. BRAINE.
+Little Aunt Dorothy. By JENNIE CHAPPELL.
+Our Little Nan. By EMMA LESLIE.
+A Gipsy Against Her Will. By EMMA LESLIE.
+Only a Shilling. M. CORBET-SEYMOUR.
+Twin Pickles. By ELLEN CAMPBELL.
+Nell, Edie, and Toby. By GERALDINE MOCKLER.
+Jack's Two Sovereigns. By ANNIE S. FENN.
+Missy. By F. B. HARRISON.
+A Boy Musician.
+Cinderella's Cousin. By PENELOPE.
+Cubie's Adventures. By W. L. ROOPER.
+Piecrust Promises. By W. L. ROOPER.
+Ronald and Chryssie. By JENNIE CHAPPELL.
+Just Like a Girl. By PENELOPE LESLIE.
+Prince Alexis: A Tale of old Russia.
+In the Summer Holidays. By JENNETT HUMPHREYS.
+The Redfords. By G. CUPPLES.
+Marjorie. By L. E. TIDDEMAN.
+Long Time Ago. By M. CORBET-SEYMOUR.
+Brave Dorette. By JULIA GODDARD.
+Emigrant Boy's Story. By ASCOTT R. HOPE.
+The Cruise of the "Petrel". By F. M. HOLMES.
+The New Boy at Merriton. By JULIA GODDARD.
+Jon of Iceland: A True Story.
+The Children of Haycombe. By ANNIE S. FENN.
+Gladys. By EDITH JOHNSTONE.
+A Little Adventurer. By GREGSON GOW.
+Bogie and Fluff. By L. E. TIDDEMAN.
+Jock and his Friend. By CORA LANGTON.
+
+
+BLACKIE'S NINEPENNY SERIES
+
+_Square f'cap 8vo. Illustrated. Neatly bound in cloth extra_
+
+Gipsy Dick. By Mrs. HENRY CLARKE.
+Two to One. By FLORENCE COOMBE.
+Cherrythorpe Fair. By MABEL MACKNESS.
+Little Greycoat. By E. DAVENPORT ADAMS.
+Tommy's Trek. By BESSIE MARCHANT.
+That Boy Jim. By Mrs. HENRY CLARKE.
+The Adventures of Carlo. By K. TYNAN.
+The Shoeblack's Cat. By W. L. ROOPER.
+Three Troublesome Monkeys. By A. B. ROMNEY.
+Put to the Proof. By Mrs. HENRY CLARKE.
+Teddy's Ship. By A. B. ROMNEY.
+Irma's Zither. By EDITH KING HALL.
+The Island of Refuge. By MABEL MACKNESS.
+The Little Red Purse. By JENNIE CHAPPELL.
+Cross Purposes. By GEORGE MACDONALD.
+Little Ladybird. By L. E. TIDDEMAN.
+Up the Rainbow Stairs. By S. E. BRAINE.
+Prince Jon's Pilgrimage. By J. FLEMING.
+In the Gipsies' Van. By E. LESLIE.
+Little Hero. By Mrs. MUSGRAVE.
+Kitty Carroll. By L. E. TIDDEMAN.
+Shucks. By EMMA LESLIE.
+Doctor's Lass. By L. E. TIDDEMAN.
+The Finding of Nina. By C. R. SHAND.
+Walter's Feats. By A. R. HOPE.
+What Hilda Saw. By PENELOPE LESLIE.
+Sylvia Brooke. By H. M. CAPES.
+Aboard the "Mersey". By GEORGE CUPPLES.
+Max or Baby. By ISMAY THORN.
+Ella's Brown Gown. By W. L. ROOPER.
+The Adventures of a Leather Purse. By M. CORBET-SEYMOUR.
+Lost Thimble. By Mrs. MUSGRAVE.
+Jack and the Gypsies. By KATE WOOD.
+Tom in a Tangle. By T. SPARROW.
+The Golden Plums. By FRANCIS CLARE.
+Hollow Tree. By GERALDINE MOCKLER.
+Patty's Ideas. By L. E. TIDDEMAN.
+John Hawke's Fortune. By G. A. HENTY.
+Harold's Ambition. By JENNIE PERRETT.
+A Pair of Ducks. By W. PERCY SMITH.
+Little Miss Masterful. By L. E. TIDDEMAN.
+Bright Little Pair. By L. E. TIDDEMAN.
+Things will Take a Turn. By B. HARRADEN.
+The Little Cousin. By ANNIE S. FENN.
+Rosa's Repentance. By L. E. TIDDEMAN.
+My Aunt Nan. By E. K. HALL.
+
+
+BLACKIE'S SIXPENNY SERIES
+
+_F'cap 8vo. Illustrated. Neatly bound in cloth extra_
+
+Rita's Triumph. By ISMAY THORN.
+Hi-tum, Ti-tum, and Scrub. By J. CHAPPELL.
+Edie's Adventure. By GERALDINE MOCKLER.
+Two Little Crusoes. By A. B. ROMNEY.
+The Lost Doll. By JENNIE CHAPPELL.
+Bunny and Furry. By GERALDINE MOCKLER.
+Bravest of All. By MABEL MACKNESS.
+The Secret in the Loft. By MABEL MACKNESS.
+Winnie's White Frock. By JENNIE CHAPPELL.
+Lost Toby. By M. S. HAYCRAFT.
+Travels of Fuzz and Buzz. By G. MOCKLER.
+A Boy Cousin. By GERALDINE MOCKLER.
+Sahib's Birthday. By L. E. TIDDEMAN.
+Tony's Pets. By A. B. ROMNEY.
+Two Little Friends. By JENNIE CHAPPELL.
+Andy's Trust. By EDITH KING HALL.
+Teddy's Adventures. By MRS. H. CLARKE.
+Fairy Stories: told by PENELOPE.
+Tales from a Farmyard. By E. KING HALL.
+Her New Kitten. By GERALDINE MOCKLER.
+Flix and Flox. By MRS. STATHAM.
+The Kitchen Cat. By AMY WALTON.
+A New Friend. By GERALDINE MOCKLER.
+A Long Chase. By GERALDINE MOCKLER.
+Two is Company. By L. E. TIDDEMAN.
+From Over the Sea. By L. E. TIDDEMAN.
+King's Castle. By HILDA B. LEATHAM.
+Six in a Doll's House. By E. M. WATERWORTH.
+Big Brother Dick. By HILDA B. LEATHAM.
+Lady Patience. By F. S. HOLLINGS.
+Kitty's Cousin. By HANNAH B. MACKENZIE.
+Daisy's Visit to Uncle Jack. By GRACE MARA.
+Mrs. Holland's Peaches. By PENELOPE LESLIE.
+Top Brick off the Chimney. By J. CHAPPELL.
+Jake's Birthday Present. By G. MOCKLER.
+Mischievous Jack. By ALICE CORKRAN.
+Millie's Silk-Worms. By PENELOPE LESLIE.
+Nobody's Pet. By AIMEE DE VENOIX DAWSON.
+Lady Daisy. By CAROLINE STEWART.
+Little Dolly Forbes. By A. S. FENN.
+Mother's Little Lady. By EDITH KING HALL.
+Verta and Jaunette. By WYNYARD THORP.
+Chris's Old Violin. By J. LOCKHART.
+A New Year's Tale. By M. A. CURRIE.
+Jim: a Story of Child Life. By C. BURKE.
+The Twins. By L. E. TIDDEMAN.
+Little Neighbours. By ANNIE S. FENN.
+Uncle Ben the Whaler.
+Little Mop. By MRS. BRAY.
+Little Eric: a Story of Honesty.
+Wild Marsh Marigolds. By DARLEY DALE.
+Charcoal-Burner: or, Kindness Repaid.
+Year with Nellie. By A. S. FENN.
+Royal Eagle. By LOUISA THOMPSON.
+Pet's Project. By CORA LANGTON.
+Dew. By H. MARY WILSON.
+
+
+BLACKIE'S POPULAR PICTURE BOOKS
+
+_Crown quarto, picture boards. Coloured Illustrations throughout_
+_Also cloth extra, gilt edges, 2s._
+
+Robinson Crusoe.
+Gulliver's Travels.
+Out of Doors.
+Jumbo's Jolly Tales.
+My Book of Brave Men.
+Our Wonderful World.
+More Nursery Rhymes.
+The Good Old Nursery Rhymes.
+Road, Rail, and Sea.
+Round the World.
+A Picture Book of Animals.
+True Stories About Animals.
+My Book of True Stories.
+Our Darling's First Book.
+My Book of Nursery Stories.
+Faithful Friends.
+My Very Best Book.
+Arm-Chair Stories.
+Stories from the Life of Christ.
+Stories from the Bible.
+
+
+THE FAIRY STORY SERIES
+
+_Folio Picture Boards. Newly Illustrated
+in colour by Helen Stratton_
+
+Aladdin.
+Ali Baba.
+Sindbad.
+The Wild Swans.
+The Ugly Duckling.
+The Tinder-Box.
+Hansel and Grettel.
+Cherryblossom.
+Roland and Maybird.
+
+
+THE HASSALL PICTURE BOOKS
+
+_Newly Illustrated by John Hassall_
+
+Favourite Nursery Rhymes.
+A Story Book for Me.
+The Dear Old Nursery Tales.
+My Book of Nursery Tales.
+Favourite Nursery Tales.
+My Book of Nursery Rhymes.
+
+
+BLACKIE'S SIXPENNY PICTURE BOOKS
+
+_Crown quarto. Picture Boards. Coloured
+Illustrations throughout_
+
+Delightful Days.
+Happy Rambles.
+Out and About.
+What the Children Saw.
+Everyday Wonders.
+Things Great and Small.
+My Book of Brave Soldiers.
+My Book of Brave Sailors.
+My Book of Brave Firemen.
+Little Bo-Peep.
+Peter Piper.
+Little Boy Blue.
+Jack and Jill.
+Once Upon a Time.
+Long, Long Ago.
+Fairy Tales for Little Folk.
+Fun at the Seaside.
+Naughty Little Jumbos.
+Pussy-Cat Hunt.
+True Tales of Animal Life.
+True Stories of Bird and Beast.
+My Book of Animal Stories.
+Talks about Animals.
+Animals of all Lands.
+My Book of Animals.
+Bow-Wow Picture Book.
+Cats and Kits.
+Friends at the Farm.
+Children of Many Lands.
+Little Folks of Far Away.
+Little Folks of Other Lands.
+Children on the Road.
+Children on the Rail.
+Children on the Sea.
+For Kittie and Me.
+Little Bright-Eyes.
+Round the Mulberry Bush.
+Little Rosebud.
+Smiles and Dimples.
+As Nice as Nice Can Be.
+True Stories of Olden Days.
+True Stories of Great Deeds.
+My Book of Noble Deeds.
+Glad Tidings.
+Gentle Jesus.
+The Good Shepherd.
+Bible Stories for Little Folk.
+My Book of Bible Pictures.
+Scripture Stories.
+
+
+USEFUL PICTURE BOOKS FOR CHILDREN
+
+Over 30 coloured pages, and many full-page
+black-and-white Illustrations and Vignettes. Quarto,
+10 1/8 inches by 7 3/4 inches. Picture boards, 2_s._
+6_d._; cloth, gilt edges, 3_s._ 6_d._
+
+Most attractive books of stories, rhymes, and pictures
+for little readers. There is no double page without a
+picture, and the many colour pages in bright tints
+will prove specially acceptable to young folk.
+
+Tales and Talks in Nature's Garden.
+Tales and Talks about Children.
+Tales and Talks about Animals.
+The Little Ones' Book of Bible Stories.
+Story-Book Time.
+
+
+_THE BEST ANNUAL PUBLISHED_
+
+BLACKIE'S CHILDREN'S ANNUAL
+
+All the authors and artists who are most popular with
+children are among the contributors. Special features
+of this volume are stories by Evelyn Sharp, E. Nesbit,
+Alice Talwin Morris, May Byron, A. G. Herbertson, &c.;
+verses by Florence Harrison, W. Gurney Benham, Felix
+Leigh, &c. Such names as John Hassall, R.I., Gordon
+Browne, R.I., H. M. Brock, H. R. Millar, &c., are a
+guarantee that the artistic quality of the book is the
+highest possible.
+
+Picture boards, 3s. 6d.; cloth, gilt edges, 5s.
+
+
+LONDON: BLACKIE & SON, LIMITED, GLASGOW AND DUBLIN
+
+
+
+
+ * * * * *
+
+
+
+[Transcriber's Note: The following typographical errors present in the
+original book have been corrected. In "Papa's Christmas Story", "None
+of you land creatures would understand then" was changed to "None of
+you land creatures would understand them". In the advertisements,
+"Litttle Hero" was changed to "Little Hero".]
+
+
+
+
+
+End of Project Gutenberg's Lady Daisy and Other Stories, by Caroline Stewart
+
+*** END OF THIS PROJECT GUTENBERG EBOOK LADY DAISY AND OTHER STORIES ***
+
+***** This file should be named 34515.txt or 34515.zip *****
+This and all associated files of various formats will be found in:
+ http://www.gutenberg.org/3/4/5/1/34515/
+
+Produced by Steven desJardins and the Online Distributed
+Proofreading Team at http://www.pgdp.net
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+http://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, are critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at http://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+http://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at http://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit http://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations.
+To donate, please visit: http://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart is the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ http://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.