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+The Project Gutenberg EBook of Martine's Hand-book of Etiquette, and Guide
+to True Politeness, by Arthur Martine
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Martine's Hand-book of Etiquette, and Guide to True Politeness
+
+Author: Arthur Martine
+
+Release Date: May 6, 2011 [EBook #36048]
+
+Language: English
+
+Character set encoding: ISO-8859-1
+
+*** START OF THIS PROJECT GUTENBERG EBOOK MARTINE'S HAND-BOOK OF ETIQUETTE ***
+
+
+
+
+Produced by Julia Miller, Matthew Wheaton and the Online
+Distributed Proofreading Team at https://www.pgdp.net (This
+file was produced from images generously made available
+by The Internet Archive/American Libraries.)
+
+
+
+
+
+
+
+
+
+ MARTINE'S
+
+ HAND-BOOK OF ETIQUETTE,
+
+ AND
+
+ GUIDE TO TRUE POLITENESS.
+
+
+ A COMPLETE MANUAL FOR THOSE WHO DESIRE TO UNDERSTAND THE RULES OF GOOD
+ BREEDING, THE CUSTOMS OF GOOD SOCIETY, AND TO AVOID INCORRECT AND
+ VULGAR HABITS,
+
+
+ CONTAINING
+
+ _Clear and Comprehensive Directions for Correct Manners, Dress, and
+ Conversation_;
+
+ _Instructions for Good Behavior at Dinner Parties, and the Table, with
+ Hints on the Art of Carving and Taking Wine at Table_;
+
+ _Together with the Etiquette of the Ball and Assembly Room, Evening
+ Parties_;
+
+ _Deportment in the Street and when Travelling_;
+
+ _And the Usages to be Observed when Visiting or Receiving Calls_.
+
+
+ TO WHICH IS ADDED
+
+ THE ETIQUETTE OF COURTSHIP, MARRIAGE, DOMESTIC DUTIES, AND FIFTY-SIX
+ RULES TO BE OBSERVED IN GENERAL SOCIETY.
+
+ BY ARTHUR MARTINE.
+
+ NEW YORK:
+ DICK & FITZGERALD, PUBLISHERS.
+
+
+ Entered according to Act of Congress, in the year 1866, by
+
+ DICK & FITZGERALD,
+
+ In the Clerk's office of the District Court of the United States for
+ the Southern District of New York.
+
+
+
+
+ CONTENTS.
+
+
+ General Observations 5
+
+ The Art of Conversation 8
+
+ General Rules for Conversation 24
+
+ On Dress 48
+
+ Introductions 57
+
+ Letters of Introduction 61
+
+ Dinner Parties 63
+
+ Habits at Table 67
+
+ Wine at Table 74
+
+ Carving 82
+
+ Etiquette of the Ball and Assembly Room 93
+
+ Evening Parties 104
+
+ Visiting 113
+
+ Street Etiquette 127
+
+ Traveling 133
+
+ Marriage 136
+
+ Domestic Etiquette and Duties 144
+
+ On General Society 154
+
+
+
+
+GENERAL OBSERVATIONS.
+
+
+Politeness has been defined as an "artificial good-nature;" but it would
+be better said that _good-nature is natural politeness_. It inspires us
+with an unremitting attention, both to please others and to avoid giving
+them offence. Its code is a ceremonial, agreed upon and established
+among mankind, to give each other external testimonies of friendship or
+respect. _Politeness_ and _etiquette_ form a sort of supplement to the
+law, which enables society to protect itself against offences which the
+_law_ cannot touch. For instance, the law cannot punish a man for
+habitually staring at people in an insolent and annoying manner, but
+_etiquette_ can banish such an offender from the circles of good
+society, and fix upon him the brand of vulgarity. _Etiquette_ consists
+in certain forms, ceremonies, and rules which the _principle of
+politeness_ establishes and enforces for the regulation of the manners
+of men and women in their intercourse with each other.
+
+Many unthinking persons consider the observance of etiquette to be
+nonsensical and unfriendly, as consisting of unmeaning forms, practiced
+only by the _silly_ and the idle; an opinion which arises from their not
+having reflected on the _reasons_ that have led to the establishment of
+certain rules indispensable to the well-being of society, and without
+which, indeed, it would inevitably fall to pieces, and be destroyed.
+
+The true aim of politeness, is to make those with whom you associate as
+well satisfied with themselves as possible. It does not, by any means,
+encourage an impudent self-importance in them, but it does whatever it
+can to accommodate their feelings and wishes in social intercourse.
+Politeness is a sort of social benevolence, which avoids wounding the
+pride, or shocking the prejudices of those around you.
+
+The principle of politeness is the same among all nations, but the
+ceremonials which etiquette imposes differ according to the taste and
+habits of various countries. For instance, many of the minor rules of
+etiquette at Paris differ from those at London; and at New York they may
+differ from both Paris and London. But still the polite of every country
+have about the same manners.
+
+Of the manners and deportment of both ladies and gentlemen, we would
+remark that a proper consideration for the welfare and comfort of others
+will generally lead to a greater propriety of demeanor than any rules
+which the most rigid master of etiquette could supply. This feeling,
+however, is one that must be cultivated, for the promptings of nature
+are eminently selfish, and courtesy and good-breeding are only
+attainable by effort and discipline. But even courtesy has limits where
+dignity should govern it, for when carried to excess, particularly in
+manner, it borders on sycophancy, which is almost as despicable as
+rudeness. To overburden people with attention; to render them
+uncomfortable with a prodigality of proffered services; to insist upon
+obligations which they do not desire, is not only to render yourself
+disagreeable, but contemptible. This defect of manners is particularly
+prevalent in the rural districts, where the intense effort to render a
+visitor comfortable has exactly the contrary effect; besides, there are
+those whose want of refinement and good breeding often leads them to an
+unwarrantable familiarity, which requires coldness and indifference to
+subdue.
+
+Much misconstruction and unpleasant feeling arises, especially in
+country towns, from not knowing what is "_expected_," or necessary to be
+done on certain occasions, resulting sometimes from the prevalence of
+local customs, with which the world in general are not supposed to be
+acquainted. "To do in Rome as the Romans do," applies to every kind of
+society. At the same time, you can never be expected to commit a serious
+breach of manners because your neighbors do so.
+
+But what you should do, and what not, in particular cases, you will
+learn in the following chapters. I have only now to say, that if you
+wish to be agreeable, which is certainly a good and religious desire,
+you must both study how to be so, and take the trouble to put your
+studies into constant practice. The fruit you will soon reap. You will
+be generally liked and loved. The gratitude of those to whom you have
+devoted yourself will be shown in speaking well of you; you will become
+a desirable addition to every party, and whatever your birth, fortune,
+or position, people will say of you, "He is a most agreeable and
+well-bred man," and be glad to introduce you to good society. But you
+will reap a yet better reward. You will have in yourself the
+satisfaction of having taken trouble and made sacrifices in order to
+give pleasure and happiness for the time to others. How do you know what
+grief or care you may not obliterate, what humiliation you may not alter
+to confidence, what anxiety you may not soften, what--last, but really
+not least--what intense dullness you may not enliven? If this work
+assist you in becoming an agreeable member of good society, I shall
+rejoice at the labor it has given me.
+
+
+
+
+THE ART OF CONVERSATION.
+
+
+As the object of conversation is pleasure and improvement, those
+subjects only which are of universal interest can be made legitimate
+topics of pleasantry or discussion. And it is the gift of expressing
+thoughts and fancies in a quick, brilliant, and graceful manner on such
+topics,--of striking out new ideas, eliciting the views and opinions of
+others, of attaching the interest of all to the subject discussed,
+giving it, however trifling in itself, weight and importance in the
+estimation of the hearers, that constitutes the great talent for
+conversation. But this talent can never, we may safely aver, be
+displayed except in a good cause, and when conversation is carried on in
+a spirit of genuine charity and benevolence.
+
+We should meet in society to please and be pleased, and not to display
+cold and stately dignity, which is as much out of place, as all attempts
+to shine by a skillful adherence to the fantastic rules of the
+silver-fork school, are puerile and ludicrous. Such little things are
+great to little persons, who are proud of having acquired by rote, what
+the naturally elegant derive, in sufficient measure, from naturally just
+feeling.
+
+The power of preserving silence is the very first requisite to all who
+wish to shine, or even please in discourse; and those who cannot
+preserve it, have really no business to speak. Of course, I do not mean
+the dull, ignorant, sulky, or supercilious silence, of which we see
+enough in all conscience; but the graceful, winning and eloquent
+silence. The silence that, without any deferential air, listens with
+polite attention, is more flattering than compliments, and more
+frequently broken for the purpose of encouraging others to speak, than
+to display the listener's own powers. This is the really eloquent
+silence. It requires great genius--more perhaps than speaking--and few
+are gifted with the talent; but it is of such essential advantage, that
+I must recommend its study to all who are desirous to take a share in
+conversation, and beg they will learn to be silent, before they attempt
+to speak.
+
+Notwithstanding the praise here bestowed on silence, it must still be
+explained that there are various modes of being silently rude. There is
+the rude silence of disdain--of not hearing, of not even deeming your
+words deserving attention or reply. These are minor and mere passive
+modes of impertinence; the direct and active sort of silent rudeness is
+to listen with a fixed and attentive stare on the speaker, and without
+any necessity of raising the eyebrows--for that might be
+precarious--show your utter amazement, that any one should think of thus
+addressing a person of your rank, wealth, genius, or greatness. There
+are of course various styles and degrees in all these modes of
+impertinence, but they all originate in the same cause: ignorance of the
+real facility of being rude, and a wish to acquire distinction by the
+practice. It is idle to assert that every one can be rude if he likes;
+for, if such were the fact, we should not see hosts of persons belonging
+to what is termed good society, seeking fame and renown by various
+shades and degrees of mere impertinence.
+
+Never give short or sharp answers in ordinary conversation, unless you
+aspire to gain distinction by mere rudeness; for they have in fact no
+merit, and are only uncivil. "I do not know," "I cannot tell," are the
+most harmless words possible, and may yet be rendered very offensive by
+the tone and manner in which they are pronounced. Never reply, in answer
+to a question like the following, "Did Mrs. Spitewell tell you how Miss
+Rosebud's marriage was getting on?" "I did not ask." It is almost like
+saying, I never ask impertinent questions, though you do; we learn
+plenty of things in the world without having first inquired about them.
+If you must say, you did not ask, say, that "you forgot to ask,"
+"neglected it," or "did not think of it." We can always be ordinarily
+civil, even if we cannot always be absolutely wise.
+
+Except in mere sport and raillery, and where a little _extravaganza_ is
+the order of the moment, always when you answer, or speak in reply to an
+observation made, speak to the true and just import of what is said.
+Leave quibbling of every kind to lawyers pleading at the bar for the
+life of a culprit; in society and conversation it is invariably out of
+place, unless when Laughter is going his merry round. At all other times
+it is a proof of bad breeding.
+
+You must not overstretch a proposition, neither must you overstretch or
+spin out a jest, that has done its duty; for few can be made to rebound
+after they have once come to the ground.
+
+Another mode of being rude, is to collect, and have at command, all the
+set phrases used by uncivil persons, in order to say what they fancy
+very sharp and severe things. Such a collector, jealous perhaps of the
+attention with which a pleasant guest is listened to, may break in upon
+the most harmless discourse with the words, "I think you _lie_ under a
+mistake." The term may in itself be harmless, but its application is at
+all times rude, coarse and decidedly vulgar.
+
+La Bruyère tells us that "rudeness is not a fixed and inherent vice of
+the mind, but the result of other vices; it springs," he says, "from
+vanity, ignorance, laziness, stupidity, jealousy, and inattention. It is
+the more hateful from being constantly displayed in exterior deportment
+and from being thus always visible and manifest; and is offensive in
+character and degree according to the source from which it takes its
+rise."
+
+We next come to the loud talker, the man who silences a whole party by
+his sole power of lungs. All subjects are alike to him; he speaks on
+every topic with equal fluency, is never at a loss, quotes high
+authority for every assertion, and allows no one else to utter a word;
+he silences, without the least ceremony, every attempt at interruption,
+however cleverly managed;--calls out, "I beg your pardon," in a tone
+that shows how ill-used he thinks himself,--or shuts your mouth
+with--"One minute, if you please, sir!" as much as to say, you are
+surely a very ill-bred fellow. Great, and especially loud and positive
+talkers, have been denounced by all writers on manners as shallow and
+superficial persons. And P. André, the author of a French Essay on the
+Beautiful, declares distinctly, that "no man of sense was ever a great
+talker."
+
+Next to the talker, we have the man who gives an account of his dogs,
+horses, lands, books, and pictures. Whatever is his, must, he thinks,
+interest others; and listen they must, however resolutely they may
+attempt to change the current of his discourse.
+
+Women of this class are sometimes too fond of praising their children.
+It is no doubt an amiable weakness; but I would still advise them to
+indulge as little as possible in the practice; for however dear the
+rosy-cheeked, curly-headed prattlers may be to them, the chances are,
+that others will vote the darlings to be great bores; you that have
+children, never speak of them in company. You must not even praise your
+near relations; for the subject deprives the hearer of all power to
+dissent, and is therefore clearly objectionable.
+
+In the same line is the clever bore, who takes up every idle speech, to
+show his wisdom at a cheap rate. If you say, "Hang the weather!" before
+such a man, he immediately proves, by logical demonstrations, that the
+weather has no neck by which it can be suspended. The grave expounder of
+truisms belongs to this class. He cannot allow the simplest conversation
+to go on, without entering into proofs and details familiar to every
+child nine years of age; and the tenor of his discourse, however
+courteous in terms and manner, pays you the very indifferent compliment,
+of supposing that you have fallen from some other planet, in total and
+absolute ignorance of the most ordinary and every-day things connected
+with this little world of ours. All foreigners are particularly great at
+this style of boring.
+
+Then you have the indifferent and apathetic bore, who hardly condescends
+to pay the least attention to what you say; and who, if he refrains from
+the direct and absolute rudeness of yawning in your face, shows, by
+short and drawling answers, given at fits and starts, and completely at
+variance with the object of the conversation, that he affects at least a
+total indifference to the party present, and to the subject of
+discourse. In society, the absent man is uncivil; he who affects to be
+so, is rude and vulgar. All persons who speak of their ailings,
+diseases, or bodily infirmities, are offensive bores. Subjects of this
+sort should be addressed to doctors, who are paid for listening to them,
+and to no one else. Bad taste is the failing of these bores. Then we
+have the ladies and gentlemen who pay long visits, and who, meeting you
+at the door prepared to sally forth, keep you talking near the fire till
+the beauty of the day is passed; and then take their leave, "hoping they
+have not detained you." Bad feeling or want of tact here predominates.
+
+"Hobby-riders," who constantly speak on the same eternal subject,--who
+bore you at all times and at all hours,--whether you are in health or in
+sickness, in spirits or in sorrow, with the same endless topic, must not
+be overlooked in our list; though it is sufficient to denounce them.
+Their failing is occasioned by a total want of judgment.
+
+The _Malaprops_ are also a numerous and unhappy family, for they are
+constantly addressing the most unsuitable speeches to individuals or
+parties. To the blind they will speak of fine pictures and scenery; and
+will entertain a person in deep mourning with the anticipated pleasures
+of to-morrow's ball. A total want of ordinary thought and observation,
+is the general cause of the _Malaprop_ failing.
+
+Let us add to this very imperfect list the picture of a bore described
+by Swift. "Nothing," he says, "is more generally exploded than the folly
+of talking too much; yet I rarely remember to have seen five people
+together, where some one among them hath not been predominant in that
+kind, to the great constraint and disgust of all the rest. But among
+such as deal in multitudes of words, none are comparable to the sober,
+deliberate talker, who proceedeth with much thought and caution, maketh
+his preface, brancheth out into several digressions, findeth a hint that
+putteth him in mind of another story, which he promises to tell you when
+this is done, cometh back regularly to his subject, cannot readily call
+to mind some person's name, holdeth his head, complaineth of his memory;
+the whole company all this while in suspense; at last says, it is no
+matter, and so goes on. And to crown the business, it perhaps proveth at
+last a story the company has heard fifty times before, or at best some
+insipid adventure of the relater."
+
+To this we may add, that your cool, steady talkers, who speak with the
+care and attention of professors demonstrating mathematical
+problems,--who weigh, measure and balance every word they utter,--are
+all decided objectionables in society. It is needless to say, that such
+persons never blunder, and never "stumble over a potato;" a matter of
+little recommendation. In conversation there must be, as in love and in
+war, some hazarding, some rattling on; nor need twenty falls affect
+you, so long as you take cheerfulness and good humor for your guides;
+but the careful and measured conversation just described is always,
+though perfectly correct, extremely dull and tedious--a vast blunder
+from first to last.
+
+There are also many persons who commence speaking before they know what
+they are going to say. The ill-natured world, who never miss an
+opportunity of being severe, declare them to be foolish and destitute of
+brains. I shall not go so far; but hardly know what we should think of a
+sportsman who would attempt to bring down a bird before he had loaded
+his gun.
+
+I have purposely reserved the egotistical bore for the last on this
+short and imperfect list. It is truly revolting, indeed, to approach the
+very _Boa-constrictor_ of good society; the snake who comes upon us, not
+in the natural form of a huge, coarse, slow reptile, but Proteus-like,
+in a thousand different forms; though all displaying at the first sight
+the boa-bore, ready to slime over every subject of discourse with the
+vile saliva of selfish vanity. Pah! it is repulsive even to speak of the
+species, numerous, too, as the sands along the shore.
+
+Some of the class make no ceremony of immediately intruding themselves
+and their affairs on the attention of a whole party; of silencing every
+other subject started, however interesting to the company, merely that
+they may occupy the prominent and most conspicuous position. Others
+again are more dexterous, and with great art will lie on the watch to
+hook in their own praise. They will call a witness to remember they
+always foretold what would happen in such a case, but none would believe
+them; they advised such a man from the beginning, and told him the
+consequences just as they happened; but he would have his own way.
+Others make a vanity of telling their own faults; they are the strangest
+men in the world; they cannot dissemble; they own it is a folly; they
+have lost abundance of advantages by it; but if you would give them the
+world, they cannot help it; there is something in their nature that
+abhors insincerity and constraint, with many other insufferable topics
+of the same altitude. Thus, though bores find their account in speaking
+ill or well of themselves, it is the characteristic of a gentleman that
+he never speaks of himself at all.
+
+La Bruyère says, "The great charm of conversation consists less in the
+display of one's own wit and intelligence, than in the power to draw
+forth the resources of others; he who leaves you after a long
+conversation, pleased with himself and the part _he_ has taken in the
+discourse, will be your warmest admirer. Men do not care to admire you,
+they wish you to be pleased with them; they do not seek for instruction
+or even amusement from your discourse, but they do wish you to be made
+acquainted with their talents and powers of conversation; and the true
+man of genius will delicately make all who come in contact with him feel
+the exquisite satisfaction of knowing that they have appeared to
+advantage."
+
+I have no desire to condemn my readers to eternal silence; but must
+inform them that it is not so easy to _shine_ in conversation as many
+suppose. Fluency of tongue and a little modest assurance, though very
+well for imposing on the unwary, go but a short way when you have to
+deal with those who are really worth pleasing.
+
+How can a person _shine_ by conversation in elegant and educated
+society, whose thoughts have never ranged beyond the gratification of
+foolish vanity and mean selfishness; who has never reflected on life,
+men and manners; whose mind has not turned to the contemplation of the
+works and wonders of nature; and who, in the events of his own time, has
+not seen the results of the many deeds of sorrow, shame, greatness, and
+glory, that crowd the pages of the world's variegated annals? Whoever
+would _shine_ in polite discourse must at least be well versed in the
+philosophy of life, and possess a fair acquaintance with general and
+natural history, and the outlines of science. And though he need be
+neither a poet nor an artist, he must be well read in poetry and
+acquainted with fine arts; because it is only by their study that taste
+can be cultivated and fancy guided. A familiarity with the fine arts is
+necessary, in fact, to give him a just perception of the sublime and
+beautiful, the very foundation whence our emotions of delight must
+arise. Any one attempting to _shine_ in conversation, without possessing
+the trifling acquirements here mentioned,--for I have said nothing of
+learning and science,--will most assuredly make an indifferent figure,
+and had better therefore content himself with simply pleasing by
+unaffected cheerfulness and good humor, which is within reach of all.
+
+As to subjects for conversation, what difficulty can there be about
+them? Will not books, balls, bonnets and metaphysics furnish pleasant
+topics of discourse? Can you not speak of the
+
+ "Philosophy and science, and the springs
+ Of wonder, and the wisdom of the world?"--
+
+Are flirtations, traveling, love and speech-making at an end; or is the
+great globe itself and the weather on its surface so perfectly
+stationary that you can find nothing to say about them? No, no, let us
+not deceive ourselves; we never want subjects of conversation; but we
+often want the knowledge how to treat them; above all, how to bring them
+forward in a graceful and pleasing manner. We often want observation and
+a just estimate of character, and do not know how, in the present
+defective state of society, any passing remark intended to open a
+conversation may be received.
+
+Cheerfulness, unaffected cheerfulness, a sincere desire to please and be
+pleased, unchecked by any efforts to shine, are the qualities you must
+bring with you into society, if you wish to succeed in conversation.
+Under the influence of their recommendation, you may safely give the
+rein to fancy and hilarity, certain that, in a well-assorted party, you
+will make at least a favorable impression, if not a brilliant one. I do
+not of course mean by cheerfulness any outbreaking of loud and silly
+mirth, nor what the world sometimes calls a "high flow of spirits," but
+a light and airy equanimity of temper,--that spirit which never rises to
+boisterousness, and never sinks to immovable dullness; that moves
+gracefully from "grave to gay, from serious to serene," and by mere
+manner gives proof of a feeling heart and generous mind.
+
+Franklin says, that you must never contradict in conversation, nor
+correct facts if wrongly stated. This is going much too far; you must
+never contradict in a short, direct, or positive tone; but with
+politeness, you may easily, when necessary, express a difference of
+opinion in a graceful and even complimentary manner. And I would almost
+say, that the art of conversation consists in knowing _how_ to
+contradict, and _when_ to be silent; for, as to constantly acting a
+fawning and meanly deferential part in society, it is offensive to all
+persons of good sense and good feeling. In regard to facts wrongly
+stated, no well-bred man ever thinks of correcting them, merely to show
+his wisdom in trifles; but with politeness, it is perfectly easy to
+rectify an error, when the nature of the conversation demands the
+explanation.
+
+Whenever the lady or gentleman with whom you are discussing a point,
+whether of love, war, science or politics, begins to sophisticate, drop
+the subject instantly. Your adversary either wants the ability to
+maintain his opinion,--and then it would be uncivil to press it--or he
+wants the still more useful ability to yield the point with unaffected
+grace and good-humor; or what is also possible, his vanity is in some
+way engaged in defending views on which he may probably have acted, so
+that to demolish his opinions is perhaps to reprove his conduct, and no
+well-bred man goes into society for the purpose of sermonizing.
+
+All local wits, all those whose jests are understood only within the
+range of their own circle or coterie, are decided objectionables in
+general society. It is the height of ill-breeding, in fact, to converse,
+or jest, on subjects that are not perfectly understood by the party at
+large; it is a species of rude mystification, as uncivil as whispering,
+or as speaking in language that may not be familiar to some of the
+party. But you must not make a fool of yourself, even if others show
+themselves deficient in good manners; and must not, like inflated
+simpletons, fancy yourself the object of every idle jest you do not
+understand, or of every laugh that chance may have called forth. _Ladies
+and gentlemen_ feel that they are neither laughed at nor ridiculed.
+
+In society, the object of conversation is of course entertainment and
+improvement, and it must, therefore, be adapted to the circle in which
+it is carried on, and must be neither too high nor too deep for the
+party at large, so that every one may contribute his share, just at his
+pleasure, and to the best of his ability. Let no two or three old
+Indians, old school-fellows, or old brother campaigners, seize upon the
+conversation to themselves, discuss their former adventures, and keep
+the rest of a party listening silently to an animated conversation about
+exploded stories, of which they know nothing and care as little.
+
+Lord Chesterfield advises his son "to speak often, but not to speak much
+at a time; so that if he does not please, he will not at least displease
+to any great extent." A good observer should easily, I think, be able to
+discover whether he pleases or not.
+
+Rousseau tells us, that "persons who know little talk a great deal,
+while those who know a great deal say very little."
+
+If the discourse is of a grave or serious nature, and interesting to
+the party, or to any number of the party, never break in upon it with
+any display of idle wit or levity; for nothing shows so great a want of
+good manners; nor must you ever ridicule or doubt the existence of any
+noble enthusiasm that may have called forth expressions of admiration;
+for there is no want of high worth, patriotism, honor and
+disinterestedness on earth. Your incredulity might therefore be unjust,
+and it is at all times a proof of bad taste to ridicule what others
+admire.
+
+If you join in the graver conversation, intended to move the deeper
+feelings of the heart, do so without affectation, without overstretching
+sentiments, or bringing in far-fetched ideas for the sake of producing
+effect, otherwise you will be sure to fail. Avoid, above all, when on
+such topics, any stringing together of unmeaning words; for bad as the
+practice of substituting sound for sense is at all times, it is doubly
+so when conversation takes the direction of which we are speaking, as it
+then shows the _jingler_ to want feelings as well as ideas. Speak from
+the heart, when you speak _to_ the heart; only making judgment prune the
+expressions of deep feeling, without checking the noble sentiments that
+may have called them forth.
+
+The reason which renders this pruning system advisable is, that society
+swarms with worthy, respectable persons, possessing an ordinary share of
+superficial good-nature, but so destitute of actual feeling, as not even
+to understand its language; and who, without being scoffers, will be
+inclined to laugh at expressions that convey no ideas to their minds.
+
+The same reason should serve as a warning to all gentlemen against
+writing love-letters; for if a gentle swain is really and truly in love,
+he will write under excited feelings; and a letter written with a
+palpitating heart, threatening to break a rib at every throb, can hardly
+fail to appear a little ridiculous in the eyes of all who may not chance
+to be exactly in the same frame of mind, or possessed of the same degree
+of feeling with the writer.
+
+There is a giggling and laughing tone, in which ladies and gentlemen
+sometimes endeavor to speak,--an attempt to continue a series of jests
+from the first to last, which is not only foolish, but actually
+offensive. Conversation can never be kept up to the laughing point
+during a whole evening,--not even during a morning visit; and efforts to
+excite laughter by overstrained jests are as repulsive as overstrained
+efforts to groan and grimace it. The natural flow of discourse must be
+calm and serene; if wit, whim, fun and fire are present, they will not
+fail to flash brightly along its surface; but they can never constitute
+the main body of the stream itself.
+
+Different parties, different tones no doubt, and an assembly of grave
+doctors and professors, meeting to discuss some learned subject, may
+treat it in their own way; here we can only speak of general society. It
+is said, that the guests at a pleasant dinner party should never exceed
+the number of the Muses, nor fall below that of the Graces. And this may
+be true; but a party of three or four is already very different in
+character,--independent of the difference occasioned by the characters
+of the guests,--from what a party of eight or nine will be. In small
+parties of this kind, numbers alone exercise great influence. But large
+or small, always recollect that you can have no right to complain of the
+dullness of the conversation, unless you have contributed your best
+efforts to render it cheerful.
+
+Nor is it always right to condemn a person for being silent in company,
+as this often results from the nature of the party, which may be
+ill-assorted, though composed of deserving people. No one can maintain a
+conversation by himself; the very best speaker must still be aided by
+others, who must lend assistance in the _proper spirit_, _befitting_ the
+nature of the discourse; for a rude and forward person, wishing to
+shine, can easily crush the efforts of the most perfect gentleman, and
+give an unfavorable tone and turn to a pleasant conversation.
+
+In ordinary conversation, the modulation and proper management of the
+voice is a point to which I would particularly call the attention of
+young ladies; for a fine and melodious voice, "sweet as music on the
+waters," makes the heart-strings vibrate to their very core. This can
+only be done by a certain degree of confidence, and by a total absence
+of affectation; for uncertainty, agitation and striving for effect are
+always ruinous to the voice of the speaker, which is constantly running
+against breakers, or getting upon flats. I am certain that temper and
+disposition are far more generally, and more perfectly marked by the
+voice and manner of speaking, than we are at all willing to allow.
+
+The thin, small voice is the most difficult to manage, as it is liable
+to degenerate into shrillness; and ladies who have this kind of voice
+must keep strict guard over their temper, when within hearing of any one
+on whom they may wish to make a favorable impression; for the very idea
+of a shrill-voiced scold makes us place our hands to our ears. But with
+a sweet temper, a pretty, little, harmonious voice is pleasing enough.
+Always recollect, however, that affectation, constraint, or striving for
+effect, is the certain ruin of the prettiest voice in the world.
+
+The very deep-toned voice, though extremely effective when well
+controlled, has great difficulties; for unless backed by kind, cheerful
+and airy feeling, by "that bright spirit which is always gladness," it
+is liable to fall into a coarse, rude and vulgar tone, and should never
+be heard except at times of brilliant sunshine. The owners of such
+voices should never think of getting angry, nor even indulge in saying
+what they may fancy sharp or severe things, as the chances are that
+they will prove only rude ones.
+
+Stories, however good--and they are often to be recommended--suffer
+under one of the disadvantages to which anecdotes are liable,--they do
+not bear repetition; and no one can be expected to possess a stock that
+shall furnish new and acceptable wares on every occasion. They form in
+conversation the resource of those who want imagination, and must be
+received with indulgence; but to deserve this favor, they must be short,
+well told, well pointed, and judiciously adapted to the feelings and
+composition of the party. We have all of us at times known a good story
+or anecdote introduced under such inappropriate circumstances, as to
+make a whole party look grave and feel uncomfortable.
+
+The honor of demolishing the weavers of long tales shall be left to
+Cowper.
+
+ "But sedentary weavers of long tales
+ Give me the fidgets, and my patience fails.
+ 'Tis the most asinine employ on earth,
+ To hear them tell of parentage and birth;
+ And echo conversations dull and dry,
+ Embellished with _he said_ and _so said I_.
+ At every interview their route the same,
+ The repetition makes attention lame;
+ We bristle up with unsuccessful speed,
+ And in the saddest part, cry--_Droll, indeed_."
+
+Let the reader only get these verses by heart, and repeat a line
+occasionally to show that he recollects them, and we shall soon find
+society relieved from these spinners of dull yarns.
+
+Some gentlemen have a talent for placing things in a grotesque,
+exaggerated and ludicrous light; and of extemporizing burlesque
+anecdotes in a whimsical and amusing manner. It is a happy gift, of
+which excellent use can be made in society; but tact and taste must, as
+usual, keep a firm rein, for nothing that is seriously treated by others
+must ever be burlesqued and turned into ridicule. The grotesque style is
+only applicable when the ground is fairly open, or when jesting,
+bantering and exaggeration are the order of the minute; and then it may
+be rendered charming.
+
+Let no one suppose that mimicry is to be sanctioned under this head;
+far from it, indeed. A little graceful imitation of actors and public
+speakers may be allowed. National manners, and the peculiarities of
+entire classes, are fair game. French dandies, Yankee bargainers, and
+English exquisites, may be ridiculed at pleasure; you may even bring
+forward Irish porters, cab-drivers and bog-trotters,--_provided_ you can
+imitate their wit and humor; but I do not think I ever saw any mimicry
+of private individuals well received by well-bred persons. Nor is this
+to be wondered at, since mimicry borders so closely on buffoonery, as
+generally to end in absolute vulgarity. Ladies, however, may be
+permitted to mimic their friends a little, provided they rarely indulge
+in the practice, and never transgress the bounds of good taste and
+elegance.
+
+We meet occasionally in society with persons belonging to a class, not
+numerous indeed, but deserving notice, as they are mostly ladies, and
+often worth reclaiming; for want of a better term I shall call them
+_Icicles_, because they only shine and cannot warm. The _Icicles_ may be
+kind, clever, of cultivated mind, and in every respect well disposed to
+become agreeable,--but cannot speak or converse on any one subject. They
+are constantly witty and ingenious, place every proposition or general
+question asked, in some amusing, novel or extravagant light, but never
+answer or speak up to the point; so that you may converse with them for
+hours, and be acquainted with them for years, without knowing their
+opinion upon any one subject; without knowing even whether they have an
+opinion on any one subject. Nor does this always result from
+affectation, or from efforts to shine; it springs as often from a faulty
+tone, and the fear of not being sufficiently clever, when attempting to
+be rational, as from any other source. I have seen persons lose a great
+deal by this absurd system, and fall far short of what they might have
+been had they merely followed the beaten track; and as a maxim would
+have you recollect, that few good things are ever said by those who are
+constantly striving to say extraordinary ones.
+
+
+
+
+GENERAL RULES FOR CONVERSATION.
+
+
+As order or method are of very little consequence in treating of this
+subject, I will conclude by giving a series of rules upon the art of
+conversation, couched in a few words, from which the reader may furnish
+himself with a competent knowledge of what is to be studied, and what to
+be avoided. There are few of the following sentences that will not
+furnish a good deal of thought, or that are to be understood to their
+full extent without some consideration.
+
+Whatever passes in parties at your own or another's house is never
+repeated by well-bred people. Things of no moment, and which are meant
+only as harmless jokes, are liable to produce unpleasant consequences if
+repeated. To repeat, therefore, any conversation which passes on such
+occasions, is understood to be a breach of confidence, which should
+banish the offender from the pale of good society.
+
+Men of all sorts of occupations meet in society. As they go there to
+unbend their minds and escape from the fetters of business, you should
+never, in an evening, speak to a man about his profession. Do not talk
+of politics to a journalist, of fevers to a physician, of stocks to a
+broker,--nor, unless you wish to enrage him to the utmost, of education
+to a collegian. The error which is here condemned is often committed
+from mere good nature and a desire to be affable. But it betrays to a
+gentleman, ignorance of the world,--to a philosopher, ignorance of human
+nature.
+
+A gentleman will, by all means, avoid showing his learning and
+accomplishments in the presence of ignorant and vulgar people, who can,
+by no possibility, understand or appreciate them. It is a pretty sure
+sign of bad breeding to set people to staring and feeling uncomfortable.
+
+In England, it is regarded a breach of etiquette to repeat the name of
+any person with whom you are conversing. But the same rule does not hold
+in America. Here it is deemed no breach, if you are conversing with a
+lady by the name of Sherwood, to say, "Well, _Mrs. Sherwood_, do you not
+think," etc.
+
+In a mixed company, never speak to your friend of a matter which the
+rest do not understand, unless it is something which you can explain to
+them, and which may be made interesting to the whole party.
+
+If you wish to inquire about anything, do not do it by asking a
+question; but introduce the subject, and give the person an opportunity
+of saying as much as he finds it agreeable to impart. Do not even say,
+"How is your brother to-day?" but "I hope your brother is quite well."
+
+Never ask a lady a question about anything whatever.
+
+By all means, avoid the use of slang terms and phrases in polite
+company. No greater insult can be offered to polite society than to
+repeat the slang dictums of bar-rooms and other low places. If you are
+willing to have it known that you are familiar with such company
+yourself, you have no right to treat a party of ladies and gentlemen as
+though they were, too.
+
+Avoid the habit of employing French words in English conversation; it is
+extremely bad taste to be always using such expressions as _ci-devant_,
+_soi-disant_, _en masse_, _couleur de rose_, etc. Do not salute your
+acquaintances with _bon jour_, nor reply to every proposition,
+_volontiers_. In society, avoid having those peculiar preferences for
+some subjects which are vulgarly denominated "_hobby-horses_." They make
+your company a _bore_ to all your friends; and some kind-hearted
+creature will take advantage of them and _trot_ you, for the amusement
+of the company. Every attempt to obtrude on a company subjects either to
+which they are indifferent, or of which they are ignorant, is in bad
+taste.
+
+ "Man should be taught as though you taught him not,
+ And things unknown proposed as things forgot."
+
+A man is quite sure to show his good or bad breeding the instant he
+opens his mouth to talk in company. If he is _a gentleman_ he starts no
+subject of conversation that can possibly be displeasing to any person
+present. The ground is common to all, and no one has a right to
+monopolize any part of it for his own particular opinions, in politics
+or religion. No one is there to make proselytes, but every one has been
+invited, to be _agreeable_ and _to please_.
+
+He who knows the world, will not be too bashful. He who knows himself,
+will not be impudent.
+
+Do not endeavor to shine in all companies. Leave room for your hearers
+to imagine something within you beyond all you have said. And remember,
+the more you are praised, the more you will be envied.
+
+There is no surer sign of vulgarity than the perpetual boasting of the
+fine things you have at home. If you speak of your silver, of your
+jewels, of your costly apparel, it will be taken for a sign that you are
+either lying, or that you were, not long ago, somebody's washerwoman,
+and cannot forget to be reminding everybody that you are not so now.
+
+You need not tell all the truth, unless to those who have a right to
+know it all. But let all you tell be truth.
+
+Insult not another for his want of a talent you possess; he may have
+others, which you want. Praise your friends and let your friends praise
+you.
+
+If you treat your inferiors with familiarity, expect the same from them.
+If you give a jest, take one. Let all your jokes be truly jokes. Jesting
+sometimes ends in sad earnest.
+
+If a favor is asked of you, grant it, if you can. If not, refuse it in
+such a manner, as that one denial may be sufficient.
+
+If you are in company with a distinguished gentleman--as a governor, or
+senator--you will not be perpetually trying to trot out his titles, as
+it would make you appear like a lackey or parasite, who, conscious of no
+merits of your own, are trying to lift yourself by the company of
+others. In introducing such a gentleman, you will merely call him
+"governor," or "senator," and afterwards avoid all allusion to his rank.
+
+If you would render yourself pleasing in social parties, never speak to
+gratify any particular vanity or passion of your own, but always aim to
+interest or amuse others by themes which you know are in accordance with
+their tastes and understandings. Even a well-bred minister will avoid
+introducing his professional habits and themes at such places. He knows
+that the guests were not invited there to listen to a sermon, and there
+may be some who differ with him in opinions, who would have good reason
+to feel themselves insulted by being thus forced to listen to him.
+
+Reproof is a medicine like mercury or opium; if it be improperly
+administered, with report either to the adviser or the advised, it will
+do harm instead of good.
+
+Nothing is more unmannerly than to reflect on any man's profession,
+sect, or natural infirmity. He who stirs up against himself another's
+self-love, provokes the strongest passions in human nature.
+
+Be careful of your word, even in keeping the most trifling appointment.
+But do not blame another for a failure of that kind, till you have heard
+his excuse.
+
+Never offer advice, but where there is some probability of its being
+followed.
+
+If you find yourself in a company which violently abuses an absent
+friend of yours, you need not feel that you are called upon to take up
+the club for him. You will do better by saying mildly that they must
+have been misinformed--that you are proud to call him your friend, which
+you could not do if you did not know him to be incapable of such things
+as they had heard. After this, if they are gentlemen, they will
+stop--indeed, if they had been gentlemen, they would hardly have
+assailed an absent one in a mixed party; and if you feel constrained to
+quit their company, it will be no sacrifice to your own self-respect or
+honor.
+
+Fools pretend to foretell what will be the issue of things, and are
+laughed at for their awkward conjectures. Wise men, being aware of the
+uncertainty of human affairs, and having observed how small a matter
+often produces a great change, are modest in their conjectures.
+
+He who talks too fast, outruns his hearer's thoughts. He who speaks too
+slow, gives his hearer pain by hindering his thoughts, as a rider who
+frets his horse by reining him in too much.
+
+Never think to entertain people with what lies out of their way, be it
+ever so curious in its kind. Who would think of regaling a circle of
+ladies with the beauties of Homer's Greek, or a mixed company with Sir
+Isaac Newton's discoveries?
+
+Do well, but do not boast of it. For that will lessen the commendation
+you might otherwise have deserved.
+
+Never ask a question under any circumstances. In the first place, it is
+too proud; in the second place, it may be very inconvenient or very
+awkward to give a reply. A lady inquired of what branch of medical
+practice a certain gentleman was professor. He held the chair of
+_midwifery_!
+
+To offer advice to an angry man, is like blowing against a tempest.
+
+Too much preciseness and solemnity in pronouncing what one says in
+common conversation, as if one was preaching, is generally taken for an
+indication of self-conceit and arrogance.
+
+Make your company a rarity, and people will value it. Men despise what
+they can easily have.
+
+Value truth, however you come by it. Who would not pick up a jewel that
+lay on a dung-hill?
+
+The beauty of behavior consists in the manner, not the matter of your
+discourse.
+
+It is not in good taste for a lady to say "Yes, sir," and "No, sir," to
+a gentleman, or frequently to introduce the word "Sir," at the end of
+her sentence, unless she desire to be exceedingly reserved toward the
+person with whom she is conversing.
+
+If your superior treats you with familiarity, it will not therefore
+become you to treat him in the same manner.
+
+A good way to avoid impertinent and pumping inquiries, is by answering
+with another question. An evasion may also serve the purpose. But a lie
+is inexcusable on any occasion, especially when used to conceal the
+truth from one who has no authority to demand it.
+
+To reprove with success, the following circumstances are necessary,
+viz.: mildness, secrecy, intimacy, and the esteem of the person you
+would reprove.
+
+If you be nettled with severe raillery, take care never to show that you
+are stung, unless you choose to provoke more. The way to avoid being
+made a butt, is not to set up for an archer.
+
+To set up for a critic is bullying mankind.
+
+Reflect upon the different appearances things make to you from what they
+did some years ago, and don't imagine that your opinion will never
+alter, because you are extremely positive at present. Let the
+remembrance of your past changes of sentiment make you more flexible.
+
+If ever you were in a passion, did you not find reason afterwards to be
+sorry for it, and will you again allow your self to be guilty of a
+weakness, which will certainly be in the same manner followed by
+repentance, besides being attended with pain?
+
+Never argue with any but men of sense and temper.
+
+It is ill-manners to trouble people with talking too much either of
+yourself, or your affairs. If you are full of yourself, consider that
+you, and your affairs, are not so interesting to other people as to you.
+
+Keep silence sometimes, upon subjects which you are known to be a judge
+of. So your silence, where you are ignorant, will not discover you.
+
+To use phrases which admit of a double meaning is ungentlemanly, and, if
+addressed to a lady, they become positively insulting.
+
+There is a vulgar custom, too prevalent, of calling almost everybody
+"colonel" in this country, of which it is sufficient to say, that this
+false use of titles prevails most among the lower ranks of society--a
+fact which sufficiently stamps upon it its real character, and renders
+it, to say the least, a doubtful compliment to him who has no right to
+the title.
+
+Think like the wise; but talk like ordinary people. Never go out of the
+common road, but for somewhat.
+
+Don't dispute against facts well established, merely because there is
+somewhat unaccountable in them. That the world should be created of
+nothing is to us inconceivable but not therefore to be doubted.
+
+As you are going to a party of mirth, think of the hazard you run of
+misbehaving. While you are engaged, do not wholly forget yourself. And
+after all is over, reflect how you have behaved. If well, be thankful;
+it is more than you could have promised. If otherwise, be more careful
+for the future.
+
+It will never do to be ignorant of the names and approximate ages of
+great composers, especially in large cities, where music is so highly
+appreciated and so common a theme. It will be decidedly condemnatory if
+you talk of the _new_ opera "Don Giovanni," or Rossini's "Trovatore,"
+or are ignorant who composed "Fidelio," and in what opera occur such
+common pieces as "_Ciascun lo dice_," or "_Il Segreto_." I do not say
+that these trifles are indispensable, and when a man has better
+knowledge to offer, especially with genius or "cleverness" to back it,
+he will not only be pardoned for an ignorance of them, but can even take
+a high tone, and profess indifference or contempt of them. But, at the
+same time, such ignorance stamps an ordinary man, and hinders
+conversation.
+
+Don't talk of "the opera" in the presence of those who are not
+frequenters of it. They will imagine that you are showing off, or that
+you are _lying_, and that you have never been to the opera twice in your
+life. For the same reason, avoid too frequently speaking of your
+acquaintance with celebrated men, unless you are a public man yourself,
+who would be supposed to have such acquaintance.
+
+Do not sit dumb in company. That looks either like pride, cunning, or
+stupidity. Give your opinion modestly, but freely; hear that of others
+with candor; and ever endeavor to find out, and to communicate truth.
+
+In mixed company, be readier to hear than to speak, and put people upon
+talking of what is in their own way. For then you will both oblige them,
+and be most likely to improve by their conversation.
+
+Humanity will direct to be particularly cautious of treating with the
+least appearance of neglect those who have lately met with misfortunes,
+and are sunk in life. Such persons are apt to think themselves slighted,
+when no such thing is intended. Their minds being already sore, feel the
+least rub very severely. And who would be so cruel as to add affliction
+to the afflicted?
+
+To smother the generosity of those who have obliged you, is imprudent,
+as well as ungrateful. The mention of kindnesses received may excite
+those who hear it to deserve your good word, by imitating the example
+which they see does others so much honor.
+
+Learning is like bank-notes. Prudence and good behavior are like silver,
+useful upon all occasions.
+
+If you have been once in company with an idle person, it is enough. You
+need never go again. You have heard all he knows. And he has had no
+opportunity of learning anything new. For idle people make no
+improvements.
+
+Deep learning will make you acceptable to the learned; but it is only an
+easy and obliging behavior, and entertaining conversation, that will
+make you agreeable in all companies.
+
+Men repent speaking ten times for once that they repent keeping silence.
+
+It is an advantage to have concealed one's opinion. For by that means
+you may change your judgment of things (which every wise man finds
+reason to do) and not be accused of fickleness.
+
+There is hardly any bodily blemish, which a winning behavior will not
+conceal, or make tolerable; and there is no external grace, which
+ill-nature or affectation will not deform.
+
+If you mean to make your side of the argument appear plausible, do not
+prejudice people against what you think truth by your passionate manner
+of defending it.
+
+There is an affected humility more insufferable than downright pride, as
+hypocrisy is more abominable than libertinism. Take care that your
+virtues be genuine and unsophisticated.
+
+Never ask any one who is conversing with you to repeat his words.
+Nothing is ruder than to say, "Pardon me, will you repeat that sentence?
+I did not hear you at first," and thus imply that your attention was
+wandering when he first spoke.
+
+When we speak of ourselves and another person, whether he is absent or
+present, propriety requires us to mention ourselves last. Thus we should
+say, _he and I_, _you and I_.
+
+If a man is telling that which is as old as the hills, or which you
+believe to be false, the better way is to let him go on. Why should you
+refuse a man the pleasure of believing that he is telling you something
+which you never heard before? Besides, by refusing to believe him, or by
+telling him that his story is old, you not only mortify him, but the
+whole company is made uneasy, and, by sympathy, share his mortification.
+
+Never notice it if others make mistakes in language. To notice by word
+or look such errors in those around you, is excessively ill-bred.
+
+Avoid raillery and sarcasm in social parties. They are weapons which few
+can use; and because you happen to have a razor in your possession, that
+is no reason why you should be allowed to cut the throats of the rest
+who are unarmed. Malicious jests at the expense of those who are present
+or absent, show that he who uses them is devoid both of the instincts
+and habits of a _gentleman_. Where two individuals or the whole company
+agree to banter each other with good-natured sallies of wit, it is very
+pleasant, but the least taint of ill-nature spoils all.
+
+If upon the entrance of a visitor you continue a conversation begun
+before, you should always explain the subject to the new-comer.
+
+If there is any one in the company whom you do not know, be careful how
+you let off any epigrams or pleasant little sarcasms. You might be very
+witty upon halters to a man whose father had been hanged. The first
+requisite for successful conversation is to know your company well.
+
+Carefully avoid subjects which may be construed into personalities, and
+keep a strict reserve upon family matters. Avoid, if you can, seeing the
+skeleton in your friend's closet, but if it is paraded for your special
+benefit, regard it as a sacred confidence, and never betray your
+knowledge to a third party.
+
+Listen attentively and patiently to what is said. It is a great and
+difficult talent to be a good listener, but it is one which the
+well-bred man has to acquire, at whatever pains. Do not anticipate the
+point of a story which another person is reciting, or take it from his
+lips to finish it in your own language. To do this is a great breach of
+etiquette.
+
+Dr. Johnson, whose reputation as a _talker_ was hardly less than that
+which he acquired as a writer, prided himself on the appositeness of his
+quotations, the choice of his words, and the correctness of his
+expressions. Had he lived in this "age of progress," he would have
+discovered that his lexicon was not only incomplete, but required
+numerous emendations. We can fancy the irritable moralist endeavoring to
+comprehend the idea which a young lady wishes to convey when she
+expresses the opinion that a bonnet is "_awful_," or that of a young
+gentleman, when he asserts that his coat is "_played out_!"
+
+Avoid the use of proverbs in conversation, and all sorts of cant
+phrases. This error is, I believe, censured by Lord Chesterfield, and is
+one of the most offensively vulgar which a person can commit.
+
+It is bad manners to satirize lawyers in the presence of lawyers, or
+doctors in the presence of one of that calling, and so of all the
+professions. Nor should you rail against bribery and corruption in the
+presence of politicians, (especially of a New York politician,) or
+members of Congress, as they will have good reason to suppose that you
+are hinting at them. It is the aim of politeness to leave the arena of
+social intercourse untainted with any severity of language, or
+bitterness of feeling. There are places and occasions where wrong must
+be exposed and reproved, but it is an unpardonable piece of rudeness to
+attempt such things at your own or another's social party, where
+everything is carefully to be avoided that can in the least disturb the
+happiness of any one. For this reason all kinds of controversies are, as
+a general rule, to be avoided at such times.
+
+Any conversation (that is not interdicted by decency and propriety)
+which can be pleasing to the whole company, is desirable. Amusement,
+more than instruction even, is to be sought for in social parties.
+People are not supposed to come together on such occasions because they
+are ignorant and need teaching, but to seek amusement and relaxation
+from professional and daily cares. All the English books on etiquette
+tell you that "punning is scrupulously to be avoided as a species of
+ale-house wit," and a savage remark of Dr. Johnson is usually quoted on
+the subject. But punning is no more to be avoided than any other kind of
+wit; and if all wit is to be banished from the social circle, it will be
+left a stupid affair indeed. All kinds of wit, puns by no means
+excepted, give a delightful relish to social parties when they spring
+up naturally and spontaneously out of the themes of conversation. But
+for a man to be constantly straining himself to make jokes is to make
+himself ridiculous, and to annoy the whole company, and is, therefore,
+what no gentleman will be guilty of.
+
+Talk as little of yourself as possible, or of any science or business in
+which you have acquired fame. There is a banker in New York who is
+always certain to occupy the time of every party he gets into, by
+talking of his _per cents_, and boasting that he _began life without a
+cent_--which every one readily believes; and if he were to add that he
+_began life in a pig-pen_, they would believe that too.
+
+If you put on a proud carriage, people will want to know what there is
+in you to be proud of. And it is ten to one whether they value your
+accomplishments at the same rate as you. And the higher you aspire, they
+will be the more desirous to mortify you.
+
+Nothing is more nauseous than apparent self-sufficiency. For it shows
+the company two things, which are extremely disagreeable: that you have
+a high opinion of yourself, and that you have comparatively a mean
+opinion of them.
+
+It is the concussion of passions that produces a storm. Let an angry man
+alone, and he will cool off himself.
+
+It is but seldom that very remarkable occurrences fall out in life. The
+evenness of your temper will be in most danger of being troubled by
+trifles which take you by surprise.
+
+It is as obliging in company, especially of superiors, to listen
+attentively, as to talk entertainingly.
+
+Don't think of knocking out another person's brains, because he differs
+in opinion from you. It will be as rational to knock yourself on the
+head, because you differ from yourself ten years ago.
+
+If you want to gain any man's good opinion, take particular care how you
+behave, the first time you are in company with him. The light you appear
+in at first, to one who is neither inclined to think well or ill of you,
+will strongly prejudice him either for or against you.
+
+Good humor is the only shield to keep off the darts of the satirical
+railer. If you have a quiver well stored, and are sure of hitting him
+between the joints of the harness, do not spare him. But you had better
+not bend your bow than miss your aim.
+
+The modest man is seldom the object of envy.
+
+In the company of ladies, do not labor to establish learned points by
+long-winded arguments. They do not care to take too much pains to find
+out truth.
+
+You will forbear to interrupt a person who is telling a story, even
+though he is making historical mistakes in dates and facts. If he makes
+mistakes it is his own fault, and it is not your business to mortify him
+by attempting to correct his blunders in presence of those with whom he
+is ambitious to stand well.
+
+In a dispute, if you cannot reconcile the parties, withdraw from them.
+You will surely make one enemy, perhaps two, by taking either side in an
+argument when the speakers have lost their temper.
+
+Do not _dispute_ in a party of ladies and gentlemen. If a gentleman
+advances an opinion which is different from ideas you are known to
+entertain, either appear not to have heard it, or differ with him as
+gently as possible. You will not say, "Sir, you are mistaken!" "Sir, you
+are wrong!" or that you "happen to know better;" but you will rather
+use some such phrase as, "Pardon me--if I am not mistaken," etc. This
+will give him a chance to say some such civil thing as that he regrets
+to disagree with you; and if he has not the good manners to do it, you
+have, at any rate, established your own manners as those of a gentleman
+in the eyes of the company. And when you have done that, you need not
+trouble yourself about any opinions he may advance contrary to your own.
+
+If you talk sentences, do not at the same time give yourself a
+magisterial air in doing it. An easy conversation is the only agreeable
+one, especially in mixed company.
+
+Be sure of the fact, before you lose time in searching for a cause.
+
+If you have a friend that will reprove your faults and foibles, consider
+you enjoy a blessing, which the king upon the throne cannot have.
+
+In disputes upon moral or scientific points, ever let your aim be to
+come at truth, not to conquer your opponent. So you never shall be at a
+loss in losing the argument, and gaining a new discovery.
+
+What may be very entertaining in company with ignorant people, may be
+tiresome to those who know more of the matter than yourself.
+
+There is a sort of accidental and altogether equivocal type of city
+women, who never get into the country, but they employ their time in
+trying to astonish the country people with narrations of the fine things
+they left behind them in the city. If they have a dirty little closet,
+with ten valueless books in it, they will call it their _library_. If
+they have some small room, that is used as kitchen, parlor, and
+dining-room, they will magnify it into a _drawing-room_. And a hundred
+other _little_ signs of their _great_ vulgarity they will constantly
+insist on exhibiting to their country auditors.
+
+Put yourself on the same level as the person to whom you speak, and
+under penalty of being considered a pedantic idiot, refrain from
+explaining any expression or word that you may use.
+
+If you are really a wit, remember that in conversation its true office
+consists more in finding it in others, than showing off a great deal of
+it yourself. He who goes out of your company pleased with himself is
+sure to be pleased with you. Even as great a man as Dr. Johnson once
+retired from a party where everybody had spent the evening in listening
+to him, and remarked, as he went out, "We have had a pleasant evening,
+and much excellent conversation."
+
+If you happen to fall into company where the talk runs into party,
+obscenity, scandal, folly, or vice of any kind, you had better pass for
+morose or unsocial, among people whose good opinion is not worth having,
+than shock your own conscience by joining in conversation which you must
+disapprove of.
+
+If you would have a right account of things from illiterate people, let
+them tell their story in their own way. If you put them upon talking
+according to logical rules, you will quite confound them.
+
+I was much pleased with the saying of a gentleman, who was engaged in a
+friendly argument with another upon a point in morals. "You and I [says
+he to his antagonist] seem, as far as I hitherto understand, to differ
+considerably in our opinions. Let us, if you please, try wherein we can
+agree." The scheme in most disputes is to try who shall conquer, or
+confound the other. It is therefore no wonder that so little light is
+struck out in conversation, where a candid inquiry after truth is the
+least thing thought of.
+
+By all means, shun the vulgar habit of joking at the expense of women.
+All such tricks as refusing a lady a piece of tongue, because "_women
+already have tongue enough_," are as vulgar as they are old and stale.
+The man who does not respect woman, exposes himself to the suspicion of
+associating generally with the fallen portion of the sex. And besides,
+he has no right to make a respectable parlor or drawing-room the theater
+of such vulgar jokes and railing against the sex as go down in low
+society.
+
+If a man complains to you of his wife, a woman of her husband, a parent
+of a child, or a child of a parent, be very cautious how you meddle
+between such near relations, to blame the behavior of one to the other.
+You will only have the hatred of both parties, and do no good with
+either. But this does not hinder your giving both parties, or either,
+your best advice in a prudent manner.
+
+Be prudently secret. But don't affect to make a secret of what all the
+world may know, nor give yourself airs of being as close as a
+conspirator. You will better disappoint idle curiosity by seeming to
+have nothing to conceal.
+
+Never blame a friend without joining some commendation to make reproof
+go down.
+
+It is by giving free rein to folly, in conversation and action, that
+people expose themselves to contempt and ridicule. The modest man may
+deprive himself of some part of the applause of some sort of people in
+conversation, by not shining altogether so much as he might have done.
+Or he may deprive himself of some lesser advantages in life by his
+reluctancy in putting himself forward. But it is only the rash and
+impetuous talker, or actor, that effectually exposes himself in
+company, or ruins himself in life. It is therefore easy to determine
+which is the safest side to err on.
+
+It is a base temper in mankind, that they will not take the smallest
+slight at the hand of those who have done them the greatest kindness.
+
+If you fall into the greatest company, in a natural and unforced way,
+look upon yourself as one of them; and do not sneak, nor suffer any one
+to treat you unworthily, without just showing that you know behavior.
+But if you see them disposed to be rude, overbearing, or purse-proud, it
+will be more decent and less troublesome to retire, than to wrangle with
+them.
+
+There cannot be any practice more offensive than that of taking a person
+aside to whisper in a room with company; yet this rudeness is of
+frequent occurrence--and that with those who know it to be improper.
+
+If at any time you chance, in conversation, to get on a side of an
+argument which you find not to be tenable, or any other way over-shoot
+yourself, turn off the subject in as easy and good humored a way as you
+can. If you proceed still, and endeavor, right or wrong, to make your
+first point good, you will only entangle yourself the more, and in the
+end expose yourself.
+
+Never over-praise any absent person, especially ladies, in company of
+ladies. It is the way to bring envy and hatred upon those whom you wish
+well to.
+
+To try whether your conversation is likely to be acceptable to people of
+sense, imagine what you say written down, or printed, and consider how
+it would read; whether it would appear natural, improving and
+entertaining; or affected, unmeaning, or mischievous.
+
+It is better, in conversation with positive men, to turn off the subject
+in dispute with some merry conceit, than keep up the contention to the
+disturbance of the company.
+
+Don't give your advice upon any extraordinary emergency, nor your
+opinion upon any difficult point, especially in company of eminent
+persons, without first taking time to deliberate. If you say nothing, it
+may not be known whether your silence was owing to the ignorance of the
+subject, or to modesty. If you give a rash and crude opinion, you are
+effectually and irrecoverably exposed.
+
+If you fill your fancy, while you are in company, with suspicions of
+their thinking meanly of you; if you puff yourself up with imaginations
+of appearing to them a very witty, or profound person; if you discompose
+yourself with fears of misbehaving before them, or in any way put
+yourself out of yourself, you will not appear in your natural color, but
+in that of an affected, personated character, which is always
+disagreeable.
+
+It may be useful to study, at leisure, a variety of proper phrases for
+such occasions as are most frequent in life, as civilities to superiors,
+expressions of kindness to inferiors; congratulations, condolence,
+expressions of gratitude, acknowledgment of faults, asking or denying of
+favors, etc. I prescribe no particular phrases, because, our language
+continually fluctuating, they must soon become stiff and unfashionable.
+The best method of acquiring the accomplishment of graceful and easy
+manner of expression for the common occasions of life, is attention and
+imitation of well-bred people. Nothing makes a man appear more
+contemptible than barrenness, pedantry, or impropriety of expression.
+
+Avoid flattery. A delicate compliment is permissible in conversation,
+but flattery is broad, coarse, and to sensible people, disgusting. If
+you flatter your superiors, they will distrust you, thinking you have
+some selfish end; if you flatter ladies, they will despise you, thinking
+you have no other conversation.
+
+If you meet an ill-bred fellow in company, whose voice and manners are
+offensive to you, you cannot resent it at the time, because by so doing
+you compel the whole company to be spectators of your quarrel, and the
+pleasure of the party would be spoiled.
+
+If you must speak upon a difficult point, be the last speaker if you
+can.
+
+You will not be agreeable to company, if you strive to bring in or keep
+up a subject unsuitable to their capacities, or humor.
+
+You will never convince a man of ordinary sense by overbearing his
+understanding. If you dispute with him in such a manner as to show a due
+deference for his judgment, your complaisance may win him, though your
+saucy arguments could not.
+
+Avoid appearing dogmatical and too positive in any assertions you make,
+which can possibly be subject to any contradiction. He that is
+peremptory in his own story, may meet with another as positive as
+himself to contradict him, and then the two Sir Positives will be sure
+to have a skirmish.
+
+The frequent use of the name of God, or the Devil; allusions to passages
+of Scripture; mocking at anything serious and devout, oaths, vulgar
+by-words, cant phrases, affected hard words, when familiar terms will do
+as well; scraps of _Latin_, _Greek_ or _French_; quotations from plays
+spoke in a theatrical manner--all these, much used in conversation,
+render a person very contemptible to grave and wise men.
+
+If you send people away from your company well-pleased with themselves,
+you need not fear but they will be well enough pleased with you, whether
+they have received any instruction from you or not. Most people had
+rather be pleased than instructed.
+
+If you can express yourself to be perfectly understood in ten words,
+never use a dozen. Go not about to prove, by a long series of reasoning,
+what all the world is ready to own.
+
+If any one takes the trouble of finding fault with you, you ought in
+reason to suppose he has some regard for you, else he would not run the
+hazard of disobliging you, and drawing upon himself your hatred.
+
+Do not ruffle or provoke any man; why should any one be the worse for
+coming into company with you? Be not yourself provoked. Why should you
+give any man the advantage over you?
+
+To say that one has opinions very different from those commonly
+received, is saying that he either loves singularity, or that he thinks
+for himself. Which of the two is the case, can only be found by
+examining the grounds of his opinions.
+
+Don't appear to the public too sure, or too eager upon any project. If
+it should miscarry, which it is a chance but it does, you will be
+laughed at. The surest way to prevent which, is not to tell your designs
+or prospects in life.
+
+If you give yourself a loose tongue in company, you may almost depend on
+being pulled to pieces as soon as your back is turned, however they may
+seem entertained with your conversation.
+
+For common conversation, men of ordinary abilities will upon occasion do
+well enough. And you may always pick something out of any man's
+discourse, by which you may profit. For an intimate friend to improve
+by, you must search half a country over, and be glad if you can find him
+at last.
+
+Don't give your time to every superficial acquaintance: it is bestowing
+what is to you of inestimable worth, upon one who is not likely to be
+the better for it.
+
+If a person has behaved to you in an unaccountable manner, don't at once
+conclude him a bad man, unless you find his character given up by all
+who know him, nor then, unless the facts alleged against him be
+undoubtedly proved, and wholly inexcusable. But this is not advising you
+to trust a person whose character you have any reason to suspect.
+Nothing can be more absurd than the common way of fixing people's
+characters. Such a one has disobliged me, therefore he is a villain.
+Such another has done me a kindness, therefore he is a saint.
+
+Superficial people are more agreeable the first time you are in their
+company, than ever afterwards. Men of judgment improve every succeeding
+conversation; beware therefore of judging by one interview.
+
+You will not anger a man so much by showing him that you hate him, as by
+expressing a contempt of him.
+
+Most women had rather have any of their good qualities slighted, than
+their beauty. Yet that is the most inconsiderable accomplishment of a
+woman of real merit.
+
+You will be always reckoned by the world nearly of the same character
+with those whose company you keep.
+
+You will please so much the less, if you go into company determined to
+shine. Let your conversation appear to rise out of thoughts suggested by
+the occasion, not strained or premeditated: nature always pleases:
+affectation is always odious.
+
+
+
+
+ON DRESS.
+
+
+It is hardly necessary to remind the reader that dress, though often
+considered a trifling matter, is one of considerable importance, for a
+man's personal appearance is a sort of "index and obscure prologue" to
+his character.
+
+Lord Chesterfield has said, "I cannot help forming some opinion of a
+man's sense and character from his dress." Besides, the appearance of a
+well-dressed man commands a certain degree of respect which would never
+be shown to a sloven. As Shakspeare has written, "The world is still
+deceived by ornament;" and there are those who associate fine clothes
+with fine people so strongly, that they do not trouble themselves to
+ascertain whether the wearers are worthy of respect, as others form
+their opinions of books by the gilding of the leaves and beauty of the
+binding.
+
+The dress of a gentleman should be such as not to excite any special
+observation, unless it be for neatness and propriety. The utmost care
+should be exercised to avoid even the appearance of desiring to attract
+attention by the peculiar formation of any article of attire, or by the
+display of an immoderate quantity of jewelry, both being a positive
+evidence of vulgarity. His dress should be studiously neat, leaving no
+other impression than that of a well-dressed gentleman.
+
+Well-bred people do not often dress in what is called the "height of the
+fashion," as that is generally left to dandies and pretenders. But
+still it is undoubtedly a great point gained to be well dressed. To be
+fancifully dressed, in gaudy colors, is to be very badly dressed,
+however, and is an example of ill taste which is rarely met with among
+people of substantial good breeding.
+
+Cleanliness and neatness are the invariable accompaniments of good
+breeding. Every gentleman may not be dressed expensively, he may not be
+able to do so; but water is cheap, and no gentleman will ever go into
+company unmindful of cleanliness either in his person or apparel.
+
+A well-dressed man does not require so much an extensive as a varied
+wardrobe. He wants a different costume for every season and every
+occasion; but if what he selects is simple rather than striking, he may
+appear in the same clothes as often as he likes, as long as they are
+fresh and appropriate to the season and the object. There are four kinds
+of coats which he must have: a business coat, a frock-coat, a
+dress-coat, and an over-coat. A well dressed man may do well with four
+of the first, and one of each of the others per annum. An economical man
+can get along with less.
+
+Did any lady ever see a gentleman with an embroidered waistcoat, and a
+profusion of chains, rings, and trinkets adorning his person?
+
+Avoid affecting singularity in dress. Expensive dressing is no sign of a
+gentleman. If a gentleman is able to dress expensively it is very well
+for him to do so, but if _he is not able_ to wear ten-dollar broadcloth,
+he may comfort himself with the reflection that cloth which costs but
+five dollars a yard will look quite as well when made into a
+well-fitting coat. With this suit, and well-made shoes, clean gloves, a
+white pocket-handkerchief, and an easy and graceful deportment withal,
+he may pass muster as a gentleman. Manners do quite as much to set off
+a suit of clothes as clothes do to set off a graceful person.
+
+A dress perfectly suited to a tall, good-looking man, may render one who
+is neither, ridiculous; as although the former may wear a remarkable
+waistcoat or singular coat, _almost_ with impunity, the latter, by
+adopting a similar costume, exposes himself to the laughter of all who
+see him. An unassuming simplicity in dress should always be preferred,
+as it prepossesses every one in favor of the wearer.
+
+Avoid what is called the "ruffianly style of dress," or the _nonchalant_
+and _slouching_ appearance of a half-unbuttoned vest, and suspenderless
+pantaloons. That sort of affectation is if possible even more disgusting
+than the painfully elaborate frippery of the dandy.
+
+Gentlemen never make any display of jewelry; that is given up entirely
+to the dominion of female taste. But ladies of good taste seldom wear it
+in the morning. It is reserved for evening display and for brilliant
+parties.
+
+The native independence of American character regards with disdain many
+of the stringent social laws which are recognized in England and on the
+continent. Thus, the dress which many of our countryman adopt for the
+assembly-room and private parties would subject them to serious
+annoyance abroad. A frock-coat would not be tolerated a moment in any
+fashionable society in Europe, and whether it be esteemed a prejudice or
+otherwise, we are free to confess that in our opinion it is a violation
+of good taste, and unsuited either to a ball-room or private assembly.
+
+We should, however, be far from denying the claim of gentleman to any
+person, simply because he wore a frock-coat; for the fickle goddess,
+Fashion, tolerates it to a certain extent in America; but if the
+universal custom among the refined and polished members of society were
+to exclude it, as in Europe, its use would manifest a contempt for the
+opinion of others, of which no gentleman could be guilty.
+
+If the title of gentleman should depend entirely and solely on one's
+conformation to the laws of etiquette, the most unprincipled profligate
+or debauchee might successfully wear it; it is, however, but the finish
+and polish of the jewel--not the diamond itself.
+
+If we were allowed to say anything to the ladies concerning dress in a
+dictatorial way, and were sure of being obeyed, we should order them
+generally to dress _less_. How often do we see a female attired in the
+height of fashion, perfectly gorgeous in costume, sweeping along the
+dusty street, perspiring under the weight of her finery--dressed, in
+fact, in a manner fit only for a carriage. This is a very mistaken and
+absurd fashion, and such people would be astonished to see the
+simplicity of real aristocracy as regards dress.
+
+In our allusions to the dress of a gentleman, we have urged a studied
+simplicity of apparel; the same remarks are equally applicable to that
+of a lady. Indeed, _simplicity_ is the grand secret of a lady's toilet.
+When she burdens herself with a profusion of _bijouterie_ she rather
+detracts from than adds to her personal appearance, while all _outré_
+fashions and ultra styles of dress, though they excite attention,
+neither win respect nor enhance the attraction of the wearer.
+
+Some ladies, perhaps imagining that they are deficient in personal
+charms--and we are willing to believe that there are such, although the
+Chesterfieldian school of philosophers would ridicule the idea--endeavor
+to make their clothes the spell of their attraction. With this end in
+view, they labor by lavish expenditure to supply in expensive adornment
+what they lack in beauty of form or feature. Unfortunately for their
+success, elegant dressing does not depend upon expense. A lady might
+wear the costliest silks that Italy could produce, adorn herself with
+laces from Brussels which years of patient toil are required to
+fabricate; she might carry the jewels of an Eastern princess around her
+neck and upon her wrists and fingers, yet still, in appearance, be
+essentially vulgar. These were as nothing without grace, without
+adaptation, without a harmonious blending of colors, without the
+exercise of discrimination and good taste.
+
+The most appropriate and becoming dress is that which so harmonizes with
+the figure as to make the apparel unobserved. When any particular
+portion of it excites the attention, there is a defect, for the details
+should not present themselves first but the result of perfect dressing
+should be an _elegant woman_, the dress commanding no especial regard.
+Men are but indifferent judges of the material of a lady's dress; in
+fact, they care nothing about the matter. A modest countenance and
+pleasing figure, habited in an inexpensive attire, would win more
+attention from men, than awkwardness and effrontery, clad in the richest
+satins of Stewart and the costliest gems of Tiffany.
+
+There are occasionally to be found among both sexes, persons who neglect
+their dress through a ridiculous affectation of singularity, and who
+take pride in being thought utterly indifferent to their personal
+appearance. Millionaires are very apt to manifest this characteristic,
+but with them it generally arises through a miserly penuriousness of
+disposition; their imitators, however, are even more deficient than they
+in common sense.
+
+Lavater has urged that persons habitually attentive to their attire,
+display the same regularity in their domestic affairs. He also says:
+"Young women who neglect their toilet and manifest little concern about
+dress, indicate a general disregard of order--a mind but ill adapted to
+the details of housekeeping--a deficiency of taste and of the qualities
+that inspire love."
+
+Hence the desire of exhibiting an amiable exterior is essentially
+requisite in a young lady, for it indicates cleanliness, sweetness, a
+love of order and propriety, and all those virtues which are attractive
+to their associates, and particularly to those of the other sex.
+
+Chesterfield asserts that a sympathy goes through every action of our
+lives, and that he could not help conceiving some idea of people's sense
+and character from the dress in which they appeared when introduced to
+him.
+
+Another writer has remarked that he never yet met with a woman whose
+general style of dress was chaste, elegant and appropriate, that he did
+not find her on further acquaintance to be, in disposition and mind, an
+object to admire and love.
+
+The fair sex have the reputation of being passionately fond of dress,
+and the love of it has been said to be natural to women. We are not
+disposed to deny it, but we do not regard it as a weakness nor a
+peculiarity to be condemned. Dress is the appropriate finish of beauty.
+Some one has said that, "Without dress a handsome person is a gem, but a
+gem that is not set. But dress," he further remarks, "must be consistent
+with the graces and with nature."
+
+"Taste," says a celebrated divine, "requires a congruity between the
+internal character and the external appearance; the imagination will
+involuntarily form to itself an idea of such a correspondence. First
+ideas are, in general, of considerable consequence. I should therefore
+think it wise in the female world to take care that their _appearance_
+should not convey a forbidding idea to the most superficial observer."
+
+As we have already remarked, the secret of perfect dressing is
+simplicity, costliness being no essential element of real elegance. We
+have to add that everything depends upon the judgment and good taste of
+the wearer. These should always be a harmonious adaptation of one
+article of attire to another, as also to the size, figure and complexion
+of the wearer. There should be a correspondence in all parts of a lady's
+toilet, so as to present a perfect entirety. Thus, when we see a female
+of light, delicate complexion, penciling her eyebrows until they are
+positively black, we cannot but entertain a contempt for her lack of
+taste and good sense. There is a harmony in nature's tints which art can
+never equal, much less improve.
+
+A fair face is generally accompanied by blue eyes, light hair, eyebrows
+and lashes. There is a delicacy and harmonious blending of
+correspondences which are in perfect keeping; but if you sully the
+eyebrows with blackness, you destroy all similitude of feature and
+expression, and almost present a deformity.
+
+We cannot but allude to the practice of using white paints, a habit
+strongly to be condemned. If for no other reason than that poison lurks
+beneath every layer, inducing paralytic affections and premature death,
+they should be discarded--but they are a disguise which deceives no one,
+even at a distance; there is a ghastly deathliness in the appearance of
+the skin after it has been painted, which is far removed from the
+natural hue of health.
+
+The hostess should be particularly careful not to outshine her guests.
+We have seen many instances where a lady, fond of dress, (and what lady
+is not fond of dress?) and conscious that it is unbecoming to dress to
+excess when visitors are invited, yet so unable to restrain the desire
+of display, has made the whole of her guests look shabby, by the
+contrast of her own gay colors. To dress meanly is a mark of disrespect
+to the company, but it is equally so to make a very gay appearance. If
+you make a grand display yourself, you are apt to appear as if you
+wished to parade your appearance, and it is always safer to be under
+than over the mark.
+
+In going out, consider the sort of company you are likely to meet, and
+endeavor to assimilate to them as much as possible--for to make a great
+display elsewhere is an evidence of bad taste. But here if you miss the
+happy medium, dress above the mark rather than below it, for you may
+dress more out of doors than you may at home. Where dancing is expected
+to take place, no one should go without new kid gloves; nothing is so
+revolting as to see one person in an assembly ungloved, especially where
+the heat of the room, and the exercise together, are sure to make the
+hands redder than usual. Always wear your gloves in church or in a
+theater.
+
+We may add a few general maxims, applied to both sexes, and our task
+will be done.
+
+"All affectation in dress," says Chesterfield, "implies a flaw in the
+understanding." One should, therefore, avoid being singular, or
+attracting the notice, and the tongues of the sarcastic, by being
+eccentric.
+
+Never dress against any one. Choose those garments which suit you, and
+look well upon you, perfectly irrespective of the fact that a lady or
+gentleman in the same village or street may excel you.
+
+When dressed for company, strive to appear as easy and natural as if you
+were in undress. Nothing is more distressing to a sensitive person, or
+more ridiculous to one gifted with an _esprit moqueur_, than to see a
+lady laboring under the consciousness of a fine gown; or a gentleman who
+is stiff, awkward, and ungainly in a bran-new coat.
+
+Dress according to your age. It is both painful and ridiculous to see an
+old lady dressed as a belle of four-and-twenty, or an old fellow, old
+enough for a grandfather, affecting the costume and the manners of a
+_beau_.
+
+Young men should be _well_ dressed. Not foppishly, but neatly and well.
+An untidy person at five-and-twenty, degenerates, very frequently, into
+a sloven and a boor at fifty.
+
+Be not too negligent, nor too studied in your attire; and lastly, let
+your behavior and conversation suit the clothes you wear, so that those
+who know you may feel that, after all, dress and external appearance is
+the least portion of a LADY or GENTLEMAN.
+
+
+
+
+INTRODUCTIONS.
+
+
+The custom which prevails in country places of introducing everybody you
+meet to each other, is both an annoying and an improper one. As a
+general rule, introductions ought not to be made, except where there is
+undoubted evidence that the acquaintance would be mutually agreeable and
+proper.
+
+But if you should find an agreeable person in private society, who seems
+desirous of making your acquaintance, there cannot be any objection to
+your meeting his advances half way, although the ceremony of an
+"introduction" may not have taken place; his presence in your friend's
+house being a sufficient guarantee for his respectability, as of course
+if he were an improper person he would not be there.
+
+It is customary in introducing people, to present the youngest person to
+the oldest, or the humblest to the highest in position, if there is any
+distinction.
+
+In introducing a gentleman to a lady, address her first, thus: "Miss
+Mason, permit me to present you to Mr. Kent;" or, "Mr. Trevor, I have
+the pleasure of presenting to you Mr. Marlow." When one lady is married,
+and the other single, present the single lady to the matron--"Miss
+Harris, allow me to introduce you to Mrs. Martin."
+
+When you introduce parties whom you are quite sure will be pleased with
+each other, it is well to add, after the introduction, that you take
+great pleasure in making them acquainted, which will be an assurance to
+each that you think they are well matched, and thus they are prepared to
+be friends from the start.
+
+In introducing parties, be careful to pronounce each name distinctly, as
+there is nothing more awkward than to have one's name miscalled.
+
+In introducing a foreigner, it is proper to present him as "Mr. Leslie,
+from England;" "Mr. La Rue from France." Likewise when presenting an
+American who has recently returned after traveling in distant lands,
+make him known as "Mr. Dunlap, lately from France," or "Mr. Meadows,
+recently from Italy."
+
+It is very easy to make these slight specifications, and they at once
+afford an opening for conversation between the two strangers, for
+nothing will be more natural than to ask "the recently arrived"
+something about his voyage, or the places he has seen during his
+travels.
+
+When presenting a governor, designate the State he governs--as,
+"Governor Fenton of New York." In introducing a member of Congress,
+mention the State to which he belongs, as "Mr. Sherman of Ohio," or "Mr.
+Banks of Massachusetts." Do not forget that Congress includes the two
+legislative bodies.
+
+When introducing any of the members of your own family, mention the name
+in an audible tone. It is not considered sufficient to say "My father,"
+"My mother," "My sister," or "My brother." But say, "My father, Mr.
+Stanley," "My brother, Mr. Weston," "My sister, Miss or Mrs. Hope." It
+is best to be explicit in all these things, for there may be more than
+one surname in the family. The eldest daughter should be introduced by
+her surname only, as, "Miss Sherwood," her younger sisters, as "Miss
+Maud Sherwood," "Miss Mary Sherwood."
+
+In presenting a clergyman, do not neglect to put "Reverend" before his
+name. If he is a D. D. say, "The Reverend Doctor." If he is a bishop,
+then the word bishop is sufficient.
+
+When you are introduced to a person, be careful not to appear as though
+you had never heard of him before. If he happens to be a person of any
+distinction, such a mistake would be unpardonable, and no person is
+complimented by being reminded of the fact that his name is unknown.
+
+If by any misfortune you have been introduced to a person whose
+acquaintance you do not desire, you can merely make the formal bow of
+etiquette when you meet him, which, of itself, encourages no
+familiarity; but _the bow is indispensable_, for he cannot be thought a
+gentleman who would pass another with a vacant stare, after having been
+formally presented to him. By so doing, he would offer a slight which
+would justly make him appear contemptible even in the eyes of the person
+he means to humble.
+
+What is called "cutting" another is never practiced by gentlemen or
+ladies, except in some extraordinary instances of bad conduct on the
+part of the individual thus sacrificed. An increased degree of ceremony
+and formal politeness is the most delicate way of withdrawing from an
+unpleasant acquaintance. Indeed, what is called "cutting" is rarely ever
+practiced by well-bred ladies and gentlemen.
+
+On introduction in a room, a married lady generally offers her hand, a
+young lady not; in a ball-room, where the introduction is to dancing,
+not to friendship, you never shake hands; and as a general rule, an
+introduction is not followed by shaking hands--only by a bow. It may
+perhaps be laid down, that the more public the place of introduction,
+the less hand-shaking takes place; but if the introduction be
+particular, if it be accompanied by personal recommendation, such as, "I
+want you to know my friend Jones," then you give Jones your hand, and
+warmly too.
+
+It is understood in society, that a person who has been _properly_
+introduced to you, has some claim on your good offices in future; you
+cannot therefore slight him without good reason, and the chance of being
+called to an account for it.
+
+
+
+
+LETTERS OF INTRODUCTION.
+
+
+Letters of introduction are to be regarded as certificates of
+respectability, and are therefore never to be given where you do not
+feel sure on this point. To send a person of whom you know nothing into
+the confidence and family of a friend, is an unpardonable recklessness.
+In England, letters of introduction are called "tickets to soup,"
+because it is generally customary to invite a gentleman to dine who
+comes with a letter of introduction to you. Such is also the practice,
+to some extent, in this country, but etiquette _here_ does not make the
+dinner so essential as _there_.
+
+In England, the party holding a letter of introduction never takes it
+himself to the party to whom it is addressed, but he sends it with his
+card of address.
+
+In France, and on the continent of Europe generally, directly the
+reverse is the fashion. In America the English custom generally
+prevails; though where a young gentleman has a letter to one who is many
+years his senior, or to one whose aid he seeks in some enterprise, he
+takes it at once himself.
+
+When a gentleman, bearing a letter of introduction to you, leaves his
+card, you should call on him, or send a note, as early as possible.
+There is no greater insult than to treat a letter of introduction with
+indifference--it is a slight to the stranger as well as to the
+introducer, which no subsequent attentions will cancel. After you have
+made this call, it is, to some extent, optional with you as to what
+further attentions you shall pay the party. In this country everybody is
+supposed to be very busy, which is always a sufficient excuse for not
+paying elaborate attentions to visitors. It is not demanded that any man
+shall neglect his business to wait upon visitors or guests.
+
+Do not imagine these little ceremonies to be insignificant and beneath
+your attention; they are the customs of society; and if you do not
+conform to them, you will gain the unenviable distinction of being
+pointed out as an ignorant, ill-bred person. Not that you may _care_ the
+more for strangers by showing them civility, but you should scrupulously
+avoid the imputation of being deficient in good-breeding; and if you do
+not choose to be polite for _their_ sakes, you ought to be so for _your
+own_.
+
+Letters of introduction should only be given by actual friends of the
+persons addressed, and to actual friends of their own. Never, if you are
+wise, give a letter to a person whom you do not know, nor address one to
+one whom you know slightly. The letter of introduction, if actually
+given to its bearer, should be left unsealed, that he may not incur the
+fate of the Persian messenger, who brought tablets of introduction
+recommending the new acquaintance to cut his head off. A letter of this
+kind must therefore be carefully worded, stating in full the name of the
+person introduced, but with as few remarks about him as possible. It is
+generally sufficient to say that he is a friend of yours, whom you trust
+your other friend will receive with attention, etc. In traveling it is
+well to have as many letters as possible, but not to pin your faith on
+them.
+
+
+
+
+DINNER PARTIES.
+
+
+Invitations to dine, from a married party, are sent in some such form as
+the following:
+
+ Mr. and Mrs. A---- present their compliments to Mr. and Mrs. B----,
+ and request the honor, [or hope to have the pleasure] of their
+ company to dinner on Wednesday, the 10th of December next, at
+ seven.
+
+ A---- Street, November 18th, 18--.
+
+ R. S. V. P.
+
+The letters in the corner imply "_Répondez, s'il vous plait_;" meaning,
+"an answer will oblige." The reply, accepting the invitation, is
+concluded in the following terms:
+
+ Mr. and Mrs. B---- present their compliments to Mr. and Mrs. A----,
+ and will do themselves the honor, [or will have much pleasure in]
+ accepting their kind invitation to dinner on the 10th of December
+ next.
+
+ B---- Square, November 21st, 18--.
+
+The answer to invitations to dine, accepting or declining, should be
+sent immediately, and are always addressed to the lady. If, after you
+have accepted an invitation, anything occurs to render it impossible for
+you to go, the lady should be informed of it immediately. It is a great
+breach of etiquette not to answer an invitation as soon after it is
+received as possible, and it is an insult to disappoint when we have
+promised.
+
+Cards or invitations for a dinner party, should be issued at least two
+weeks beforehand, and care should be taken by the hostess, in the
+selection of the invited guests, that they should be suited to each
+other. Much also of the pleasure of the dinner-party will depend on the
+arrangement of the guests at table, so as to form a due admixture of
+talkers and listeners, the grave and the gay.
+
+Letters or cards of invitation should always name the hour of dinner;
+and well-bred people will arrive as nearly at the specified time as they
+can. Be sure and not be a minute behind the time, and you should not get
+there long before, unless the invitation requests you particularly to
+come early for a little chat before dinner.
+
+It is always best for the lady of the house, where a dinner-party is to
+come off, to be dressed and ready to appear in the drawing-room as early
+as possible, so that if any of the guests should happen to come a little
+early, she may be prepared to receive them. It is awkward for both
+parties where visitors arrive before the lady of the house is ready for
+them. If it is necessary for her to keep an eye upon the dinner, it is
+still best that she should familiarly receive her guests, and beg to be
+excused, if it is necessary for her to vanish occasionally to the
+kitchen. A real lady is not ashamed to have it known that she goes into
+the kitchen; on the contrary, it is more likely that she will be a
+little proud of being thought capable of superintending the preparing
+feast.
+
+It is not in good taste for the lady of the house, where a dinner-party
+is given, to dress very much. She leaves it for her lady-guests to make
+what display they please, and she offers no rivalry to their fine
+things. She contents herself with a tasty _négligé_, which often proves
+the most fascinating equipment after all, especially, if the cheeks
+become a little flushed with natural bloom, in consequence of the
+exercise and anxiety incident to the reception of the guests.
+
+The half hour before dinner has always been considered as the great
+ordeal through which the lady of the house, in giving a dinner-party,
+will either pass with flying colors, or lose many of her laurels. The
+anxiety to receive her guests, her hope that all will be present in good
+time, her trust in the skill of her cook, and the attention of the other
+domestics all tend to make the few minutes a trying time. The lady
+however, must display no kind of agitation, but show her tact in
+suggesting light and cheerful subjects of conversation, which will be
+much aided by the introduction of any particular new book, curiosity of
+art, or article of _virtu_, which may pleasantly engage the attention of
+the company.
+
+"Waiting for dinner," however, is a trying time, and there are few who
+have not felt----
+
+ "How sad it is to sit and pine,
+ The long _half-hour_ before we dine!
+ Upon our watches oft we look,
+ Then wonder at the clock and cook,
+
+ And strive to laugh in spite of Fate!
+ But laughter forced, soon quits the room,
+ And leaves it to its former gloom.
+ But lo! the dinner now appears,
+ The object of our hope and fears,
+ The end of all our pain!"
+
+In giving an entertainment of this kind, the lady should remember that
+it is her duty to make her guests feel happy, comfortable, and quite at
+their ease; and the guests should also consider that they have come to
+the house of their hostess to be happy.
+
+When dinner is on the table, the lady and gentleman of the house will
+have an opportunity of showing their tact by seeing that the most
+distinguished guests, or the _oldest_, are shown into the dining-room
+first, and by making those companions at the table who are most likely
+to be agreeable to each other. The lady of the house may lead the way,
+or follow her guests into the dining-room, as she pleases. Among those
+who delight to follow the etiquette of the English nobility, the latter
+practice is followed. But the practice must not be considered a test of
+good breeding in America. If the lady leads, the husband will follow
+behind the guests, with the lady on his arm who is to sit at his side.
+The old custom is still followed to some extent in this country, of the
+lady taking the head of the table, with the two most favored guests
+seated, the one at her right and the other at her left hand; while the
+gentleman of the house takes the foot of the table, supported on each
+side by the two ladies most entitled to consideration. But this old rule
+is by no means slavishly followed in polite society in this country.
+
+In order to be able to watch the course of the dinner, and to see that
+nothing is wanting to their guests, the lady and gentleman of the house
+usually seat themselves in the centre of the table, opposite each other.
+
+When all the guests are seated, the lady of the house serves in plates,
+from a pile at her left hand, the soup, which she sends round, beginning
+with her neighbors right and left, and continuing till all are helped.
+These first plates usually pass twice, for each guest endeavors to
+induce his neighbor to accept what was sent to him.
+
+The gentleman then carves, or causes to be carved by some expert guest,
+the large pieces, in order afterwards to do the other honors himself. If
+you have no skill in carving meats, do not attempt it; nor should you
+ever discharge this duty except when your good offices are solicited by
+him; neither can we refuse anything sent us from his hand.
+
+
+
+
+HABITS AT TABLE.
+
+
+As soon as dinner is announced, the host or hostess will give the signal
+for leaving the drawing-room, and in all probability you will be
+requested to escort one of the ladies to the table. If this should
+occur, offer the lady your left arm, and at the table remain standing
+until every lady is seated, then take the place assigned to you by the
+hostess. When you leave the parlor, pass out first, and the lady will
+follow you, still lightly holding your arm. At the door of the
+dining-room, the lady will drop your arm. You should then pass in, and
+wait at one side of the entrance till she passes you. Having arrived at
+the table, each gentleman respectfully salutes the lady whom he
+conducts, who in her turn, also bows and takes her seat.
+
+Nothing indicates the good breeding of a gentleman so much as his
+manners at table. There are a thousand little points to be observed,
+which, although not absolutely necessary, distinctly stamp the refined
+and well-bred man. A man may pass muster by _dressing well_, and may
+sustain himself tolerably in conversation; but if he be not perfectly
+_"au fait," dinner_ will betray him.
+
+Any unpleasant peculiarity, abruptness, or coarseness of manners, is
+especially offensive at table. People are more easily disgusted at that
+time than at any other. All such acts as leaning over on one side in
+your chair, placing your elbows on the table, or on the back of your
+neighbor's chair, gaping, twisting about restlessly in your seat, are
+to be avoided as heresies of the most infidel stamp at table.
+
+Though the body at table should always be kept in a tolerably upright
+and easy position, yet one need not sit bolt-upright, as stiff and prim
+as a poker. To be easy, to be natural, and to appear comfortable, is the
+deportment required.
+
+Always go to a dinner as neatly dressed as possible. The expensiveness
+of your apparel is not of much importance, but its freshness and
+cleanliness are indispensable. The hands and finger-nails require
+especial attention. It is a great insult to every lady at the table for
+a man to sit down to dinner with his hands in a bad condition.
+
+It is considered vulgar to take fish or soup twice. The _reason_ for not
+being helped twice to fish or soup at a large dinner-party is, because
+by doing so you keep three parts of the company staring at you whilst
+waiting for the second course, which is spoiling, much to the annoyance
+of the mistress of the house. The selfish greediness, therefore, of so
+doing constitutes its vulgarity. At a family dinner it is of less
+importance, and is consequently often done.
+
+You will sip your soup as quietly as possible from the side of the
+spoon, and you, of course, will not commit the vulgarity of blowing in
+it, or trying to cool it, after it is in your mouth, by drawing in an
+unusual quantity of air, for by so doing you would be sure to annoy, if
+you did not turn the stomach of the lady or gentleman next to you.
+
+Be careful and do not touch either your knife or your fork until after
+you have finished eating your soup. Leave your spoon in your soup plate,
+that the servant may remove them.
+
+Never _use your knife to convey_ your food to your mouth, _under any
+circumstances_; it is unnecessary, and glaringly vulgar. Feed yourself
+with a _fork_ or _spoon_, _nothing else_--a knife is only to be used for
+cutting.
+
+If at dinner you are requested to help any one to sauce, do not pour it
+over the meat or vegetables, but on one side. If you should have to
+carve and help a joint, do not load a person's plate--it is vulgar; also
+in serving soup, one ladleful to each plate is sufficient.
+
+Fish should always be helped with a silver fish-slice, and your own
+portion of it divided by the fork aided by a piece of bread. The
+application of a knife to fish is likely to destroy the delicacy of its
+flavor; besides which, fish sauces are often acidulated; acids corrode
+steel, and draw from it a disagreeable taste.
+
+The lady and gentleman of the house are, of course, helped last, and
+they are very particular to notice, every minute, whether the waiters
+are attentive to every guest. But they do not press people either to eat
+more than they appear to want, nor _insist_ upon their partaking of any
+particular dish. It is allowable for you to recommend, so far as to say
+that it is considered "excellent," but remember that tastes differ, and
+dishes which suit _you_, may be unpleasant to others; and that, in
+consequence of your urgency, some modest people might feel themselves
+compelled to partake of what is disagreeable to them.
+
+Neither ladies nor gentlemen ever wear gloves at table, unless their
+hands, from some cause, are not fit to be seen.
+
+Avoid too slow or too rapid eating; the one will appear as though you
+did not like your dinner, and the other as though you were afraid you
+would not get enough.
+
+Making a noise in chewing your food, or breathing hard in eating, are
+unseemly habits, which will be sure to get you a bad name at table,
+among people of good-breeding. Let it be a sacred rule that _you cannot
+use your knife, or fork, or teeth too quietly_.
+
+Avoid picking your teeth, if possible, at table, for however agreeable
+such a practice might be to yourself, it may be offensive to others. The
+habit which some have of holding one hand over the mouth, does not avoid
+the vulgarity of teeth-picking at table.
+
+Unless you are requested to do so, never select any particular part of a
+dish; but if your host asks you what part you prefer, name some part, as
+in this case the incivility would consist in making your host choose as
+well as carve for you.
+
+If your host or hostess passes you a plate, keep it, especially if you
+have chosen the food upon it, for others have also a choice, and by
+passing it, you may give your neighbor dishes distasteful to him, and
+take yourself those which he would much prefer.
+
+If a dish is distasteful to you, decline it, but make no remarks about
+it. It is sickening and disgusting to explain at a table how one article
+makes you sick, or why some other dish has become distasteful to you. I
+have seen a well-dressed tempting dish go from a table untouched,
+because one of the company told a most disgusting anecdote about finding
+vermin served in a similar dish.
+
+If the meat or fish upon your plate is too rare or too well-done, do not
+eat it; give for an excuse that you prefer some other dish before you;
+but never tell your host that his cook has made the dish uneatable.
+
+If a gentleman is seated by the side of a lady or elderly person,
+politeness requires him to save them all trouble of pouring out for
+themselves to drink, and of obtaining whatever they are in want of at
+the table. He should be eager to offer them whatever he thinks to be
+most to their taste.
+
+Never pare an apple or a pear for a lady unless she desire you, and then
+be careful to use your fork to hold it; you may sometimes offer to
+_divide a very large pear_ with or for a person.
+
+It is not good taste to praise extravagantly every dish that is set
+before you; but if there are some things that are really very nice, it
+is well to speak in their praise. But, above all things, avoid seeming
+indifferent to the dinner that is provided for you, as that might be
+construed into a dissatisfaction with it.
+
+Some persons, in helping their guests, or recommending dishes to their
+taste, preface every such action with a eulogy on its merits, and draw
+every bottle of wine with an account of its virtues; others, running
+into the contrary extreme, regret or fear that each dish is not exactly
+as it should be; that the cook, etc., etc. Both of these habits are
+grievous errors. You should leave it to your guests alone to approve, or
+suffer one of your intimate friends who is present, to vaunt your wine.
+
+If you ask the waiter for anything, you will be careful to speak to him
+gently in the tone of _request_, and not of _command_. To speak to a
+waiter in a driving manner will create, among well-bred people, the
+suspicion that you were sometime a servant yourself, and are putting on
+_airs_ at the thought of your promotion. Lord Chesterfield says: "If I
+tell a footman to bring me a glass of wine, in a rough, insulting
+manner, I should expect that, in obeying me, he would contrive to spill
+some of it upon me, and I am sure I should deserve it."
+
+Should your servants break anything while you are at table, never turn
+round, or inquire into the particulars, however annoyed you may feel.
+If your servants betray stupidity or awkwardness in waiting on your
+guests, avoid reprimanding them _publicly_, as it only draws attention
+to their errors, and adds to their embarrassment.
+
+Never commit the vulgarism of speaking when you have any food in your
+mouth.
+
+When you have occasion to change or pass your plate during dinner, be
+careful and remove your knife and fork, that the plate _alone_ may be
+taken, but after you have finished your dinner, cross the knife and fork
+on the plate, that the servant may take all away, before bringing you
+clean ones for dessert.
+
+Do not put butter on your bread at dinner, and avoid biting or cutting
+your bread from the slice, or roll; rather break off small pieces, and
+put these in your mouth with your fingers.
+
+It is considered vulgar to dip a piece of bread into the preserves or
+gravy upon your plate and then bite it. If you desire to eat them
+together, it is much better to break the bread in small pieces, and
+convey these to your mouth with your fork.
+
+Avoid putting bones, or the seeds of fruit, upon your table-cloth.
+Rather place them upon the edge of your plate.
+
+When you wish to help yourself to butter, salt, or sugar, use the
+butter-knife, salt-spoon and sugar-tongs; to use your own knife, spoon
+or fingers evinces great ignorance and ill-breeding.
+
+It is customary in some American families to serve their guests with
+coffee in the parlor after dinner. But this is a European custom which
+is not generally practiced in polite American society. When coffee is
+given at the close of the dinner, it is more usual to serve it before
+the guests leave the table. The practice of handing it round in the
+parlor or drawing-room, is an unnecessary inconvenience to the guests
+particularly, without any compensating advantages.
+
+Finger-glasses are generally handed round as soon as the viands are
+removed, but they are intended merely to wet the fingers and around the
+mouth. When the finger-glasses are passed, wet your fingers in them and
+then wipe them upon your napkin. The habit of rinsing the mouth at table
+is a disgusting piece of indelicacy, which is never practiced by any
+well-bred person.
+
+Upon leaving the table, lay your napkin beside your plate, but do not
+fold it.
+
+Do not leave the table until the lady of the house gives the signal, and
+when you leave offer your arm to the lady whom you escorted to the
+table.
+
+It is generally the custom in this country for ladies to retain their
+seats at table till the end of the feast, but if they withdraw, the
+gentlemen all rise when they leave the table, and remain standing until
+they have left the room.
+
+Politeness demands that you remain at least an hour in the parlor, after
+dinner; and, if you can dispose of an entire evening, it would be well
+to devote it to the person who has entertained you. It is excessively
+rude to leave the house as soon as dinner is over.
+
+
+
+
+WINE AT TABLE.
+
+
+Almost every gentleman has wine at his table whenever he has invited
+guests. Indeed, wine is considered an indispensable part of a good
+dinner, to which ladies and gentlemen have been formally invited. Even
+if you are a total-abstinence man yourself, you will not, if you are
+really a gentleman, attempt to compel all your guests to be so against
+their wish. If you are so fanatical that you have what is called
+"conscientious scruples" against furnishing wine, then you should invite
+none to dine who are not as fanatical and bigoted as yourself. You must
+consider that a gentleman may have "conscientious scruples" against
+dining with you on cold water, for there are even temperate and sober
+gentleman who would go without meat as soon as be deprived of their
+glass of wine at dinner. The vegetarian, who would force his guests to
+dine on cabbages and onions, is hardly guilty of a greater breach of
+etiquette than the total-abstinence fanatic who would compel his guests
+to go without wine.
+
+If there is a gentleman at the table who is known to be a
+total-abstinence man, you will not urge him to drink. He will suffer his
+glass to be filled at the first passage of the wine, and raising it to
+his lips, will bow his respects with the rest of the guests, and after
+that his glass will be allowed to remain untouched. As little notice as
+possible should be taken of his total-abstinence peculiarity. And, if he
+is a gentleman, he will carefully avoid drawing attention to it
+himself.
+
+It is not now the custom to ask a lady across the table to take wine
+with you. It is expected that every lady will be properly helped to wine
+by the gentleman who takes her to the table, or who sits next to her.
+But if you are in company where the old custom prevails, it would be
+better breeding to follow the custom of the place, rather than by an
+omission of what your entertainer considers civility, to prove him, in
+face of his guests, to be either ignorant or vulgar. If either a lady or
+gentleman is invited to take wine at table, they must _never refuse_; if
+they do not _drink_, they need only touch the wine to their lips. Do not
+offer to help a lady to wine until you see she has finished her soup or
+fish.
+
+Always wipe your mouth before drinking, as nothing is more ill-bred than
+to grease your glass with your lips.
+
+Do not propose to take wine with your host; it is his privilege to
+invite you.
+
+It is considered well bred to take the same wine as that selected by the
+person with whom you drink. When, however, the wine chosen by him is
+unpalatable to you, it is allowable to take that which you prefer, at
+the same time apologizingly saying, "Will you permit me to drink
+_claret_?" or whatever wine you have selected.
+
+In inviting a lady to take wine with you at table, you should politely
+say, "Shall I have the pleasure of a glass of wine with you?" You will
+then either hand her the bottle you have selected, or send it by the
+waiter, and afterwards fill your own glass, when you will politely and
+silently bow to each other, as you raise the wine to your lips. The same
+ceremony is to be observed when inviting a gentleman.
+
+On raising the first glass of wine to his lips, it is customary for a
+gentleman to bow to the lady of the house.
+
+It is not customary to propose _toasts_ or to drink deep at a
+gentleman's family table. Lord Byron describes "a largish party," as
+"first silent, then talky, then argumentative, then disputatious, then
+unintelligible, then altogethery, then drunk." But this was "a largish
+party," which, it is to be hoped, was given at a tavern; for the man who
+drinks to intoxication, or to any considerable degree of _elevation_, at
+a gentleman's family table, ought never to expect to be invited a second
+time.
+
+At dinner-parties which are given to gentlemen, for the purpose of
+conviviality, one may indulge in as much wine as he pleases, provided he
+does not get _drunk_, and make a nuisance of himself. Where drinking,
+and toasting, and bumpers, are the order of the feast, as at a public
+dinner, given in honor of a distinguished man, or at the inauguration of
+some public enterprise, far greater latitude is allowed, in all things,
+than on more private and select occasions.
+
+In conclusion of our article on table etiquette, we quote from a recent
+English work, some humorous, but valuable hints:
+
+"We now come to habits at table, which are very important. However
+agreeable a man may be in society, if he offends or disgusts by his
+table traits, he will soon be scouted from it, and justly so. There are
+some broad rules for behavior at table. Whenever there is a servant to
+help you, never help yourself. Never put a knife into your mouth, not
+even with cheese, which should be eaten with a fork. Never use a spoon
+for anything but liquids. Never touch anything edible with your fingers.
+
+"Forks were undoubtedly a later invention than fingers, but as we are
+not cannibals, I am inclined to think they were a good one. There are
+some few things which you may take up with your fingers. Thus an
+epicure will eat even macaroni with his fingers; and as sucking
+asparagus is more pleasant than chewing it, you may, as an epicure, take
+it up _au naturel_. But both these things are generally eaten with a
+fork. Bread is, of course, eaten with the fingers, and it would be
+absurd to carve it with your knife and fork. It must, on the contrary,
+always be broken when not buttered, and you should never put a slice of
+dry bread to your mouth to bite a piece off. Most fresh fruit, too, is
+eaten with the natural prongs, but when you have peeled an orange or
+apple, you should cut it with the aid of the fork, unless you can
+succeed in breaking it. Apropos of which, I may hint that no epicure
+ever yet put a knife to an apple, and that an orange should be peeled
+with a spoon. But the art of peeling an orange so as to hold its own
+juice, and its own sugar too, is one that can scarcely be taught in a
+book.
+
+"However, let us go to dinner, and I will soon tell you whether you are
+a well-bred man or not; and here let me premise that what is good
+manners for a small dinner is good manners for a large one, and _vice
+versa_. Now, the first thing you do is to sit down. Stop, sir! pray do
+not cram yourself into the table in that way; no, nor sit a yard from
+it, like that. How graceless, inconvenient, and in the way of
+conversation! Why, dear me! you are positively putting your elbows on
+the table, and now you have got your hands fumbling about with the
+spoons and forks, and now you are nearly knocking my new hock glasses
+over. Can't you take your hands down, sir? Didn't you, learn that in the
+nursery? Didn't your mamma say to you, "Never put your hands above the
+table except to carve or eat?" Oh! but come, no nonsense, sit up, if you
+please. I can't have your fine head of hair forming a side dish on my
+table; you must not bury your face in the plate; you came to show it,
+and it ought to be alive. Well, but there is no occasion to throw your
+head back like that, you look like an alderman, sir, _after_ dinner.
+Pray, don't lounge in that sleepy way. You are here to eat, drink, and
+be merry. You can sleep when you get home.
+
+"Well, then, I suppose you can see your napkin. Got none, indeed! Very
+likely, in _my_ house. You may be sure that I never sit down to a meal
+without napkins. I don't want to make my tablecloths unfit for use, and
+I don't want to make my trousers unwearable. Well, now, we are all
+seated, you can unfold it on your knees; no, no; don't tuck it into your
+waistcoat like an alderman; and what! what on earth do you mean by
+wiping your forehead with it? Do you take it for a towel? Well, never
+mind, I am consoled that you did not go farther, and use it as a
+pocket-handkerchief. So talk away to the lady on your right, and wait
+till soup is handed to you. By the way, that waiting is the most
+important part of table manners, and, as much as possible, you should
+avoid asking for anything or helping yourself from the table. Your soup
+you eat with a spoon--I don't know what else you _could_ eat it
+with--but then it must be one of good size. Yes, that will do, but I beg
+you will not make that odious noise in drinking your soup. It is louder
+than a dog lapping water, and a cat would be quite genteel to it. Then
+you need not scrape up the plate in that way, nor even tilt it to get
+the last drop. I shall be happy to send you some more; but I must just
+remark, that it is not the custom to take two helpings of soup, and it
+is liable to keep other people waiting, which, once for all, is a
+selfish and intolerable habit. But don't you hear the servant offering
+you sherry? I wish you would attend, for my servants have quite enough
+to do, and can't wait all the evening while you finish that very mild
+story to Miss Goggles. Come, leave that decanter alone. I had the wine
+put on the table to fill up; the servants will hand it directly, or, as
+we are a small party, I will tell you to help yourself; but pray, do
+not be so officious. (There, I have sent him some turbot to keep him
+quiet. I declare he cannot make up his mind.) You are keeping my servant
+again, sir. Will you, or will you not, do turbot? Don't examine it in
+that way; it is quite fresh, I assure you; take or decline it. Ah, you
+take it, but that is no reason why you should take up a knife too. Fish,
+I repeat, must never be touched with a knife. Take a fork in the right
+and a small piece of bread in the left hand. Good, but----? Oh! that is
+atrocious; of course you must not swallow the bones, but you should
+rather do so than spit them out in that way. Put up your napkin like
+this, and land the said bone on your plate. Don't rub your head in the
+sauce, my good man, nor go progging about after the shrimps or oysters
+therein. Oh! how horrid! I declare your mouth was wide open and full of
+fish. Small pieces, I beseech you; and once for all, whatever you eat,
+keep your mouth _shut_, and never attempt to talk with it full.
+
+"So now you have got a pâté. Surely you are not taking two on your
+plate! There is plenty of dinner to come, and one is quite enough. Oh!
+dear me, you are incorrigible. What! a knife to cut that light brittle
+pastry? No, nor fingers, never. Nor a spoon--almost as bad. Take your
+fork, sir, your fork; and, now you have eaten, oblige me by wiping your
+mouth and moustache with your napkin, for there is a bit of the pastry
+hanging to the latter, and looking very disagreeable. Well, you can
+refuse a dish if you like. There is no positive necessity for you to
+take venison if you don't want it. But, at any rate, do not be in that
+terrific hurry. You are not going off by the next train. Wait for the
+sauce and wait for the vegetables; but whether you eat them or not, do
+not begin before everybody else. Surely you must take my table for that
+of a railway refreshment-room, for you have finished before the person I
+helped first. Fast eating is bad for the digestion, my good sir, and not
+very good manners either. What! are you trying to eat meat with a fork
+alone? Oh! it is sweetbread; I beg your pardon, you are quite right. Let
+me give you a rule: Everything that can be cut without a knife, should
+be cut with a fork alone. Eat your vegetables, therefore, with a fork.
+No, there is no necessity to take a spoon for peas; a fork in the right
+hand will do. What! did I really see you put your knife into your mouth?
+Then I must give you up. Once for all, and ever, the knife is to cut,
+not to help with. Pray, do not munch in that noisy manner; chew your
+food well, but softly. _Eat slowly._ Have you not heard that Napoleon
+lost the battle of Leipsic by eating too fast? It is a fact though. His
+haste caused indigestion, which made him incapable of attending to the
+details of the battle. You see you are the last person eating at table.
+Sir, I will not allow you to speak to my servants in that way. If they
+are so remiss as to oblige you to ask for anything, do it gently, and in
+a low tone, and thank a servant just as much as you would his master.
+Ten to one he is as good a man; and because he is your inferior in
+position, is the very reason you should treat him courteously. Oh! it is
+of no use to ask me to take wine; far from pacifying me, it will only
+make me more angry, for I tell you the custom is quite gone out, except
+in a few country villages, and at a mess-table. Nor need you ask the
+lady to do so. However, there is this consolation, if you should ask any
+one to take wine with you, he or she _cannot_ refuse, so you have your
+own way. Perhaps next you will be asking me to hob and nob, or
+_trinquer_ in the French fashion with arms encircled. Ah! you don't
+know, perhaps, that when a lady _trinques_ in that way with you, you
+have a right to finish off with a kiss. Very likely, indeed! But it _is_
+the custom in familiar circles in France, but then we are not Frenchmen.
+_Will_ you attend to your lady, sir? You did not come merely to eat, but
+to make yourself agreeable. Don't sit as glum as the Memnon at Thebes;
+talk and be pleasant. Now you have some pudding. No knife--no, _no_. A
+spoon, if you like, but better still, a fork. Yes, ice requires a spoon;
+there is a small one handed you, take that.
+
+"Say 'no.' This is the fourth time wine has been handed to you, and I am
+sure you have had enough. Decline this time if you please. Decline that
+dish too. Are you going to eat of everything that is handed? I pity you
+if you do. No, you must not ask for more cheese, and you must eat it
+with your fork. Break the rusk with your fingers. Good. You are drinking
+a glass of old port. Do not quaff it down at a gulp in that way. Never
+drink a whole glassful of anything at once.
+
+"Well, here is the wine and dessert. Take whichever wine you like, but
+remember you must keep to that, and not change about. Before you go up
+stairs I will allow you a glass of sherry after your claret, but
+otherwise drink of one wine only! You don't mean to say you are helping
+yourself to wine before the ladies! At least, offer it to the one next
+to you, and then pass it on, gently, not with a push like that. Do not
+drink so fast; you will hurry me in passing the decanters, if I see that
+your glass is empty. You need not eat dessert till the ladies are gone,
+but offer them whatever is nearest to you. And now they are gone, draw
+your chair near mine, and I will try and talk more pleasantly to you.
+You will come out admirably at your next dinner with all my teaching.
+What! you are excited, you are talking loud to the colonel. Nonsense!
+Come and talk easily to me or to your nearest neighbor. There, don't
+drink any more wine, for I see you are getting romantic. You oblige me
+to make a move. You have had enough of those walnuts; you are keeping
+me, my dear sir. So now to coffee [one cup] and tea, which I beg you
+will not pour into your saucer to cool. Well, the dinner has done you
+good, and me too. Let us be amiable to the ladies, but not too much
+so."
+
+
+
+
+CARVING.
+
+
+Carving is an art which every parent should teach his sons and
+daughters. Nothing can be more disagreeable and unpleasant than to be
+placed before any particular dish without being able to help it
+properly. It is generally the case when the head of the family is a good
+carver; for he so objects to see things badly cut, that he prefers
+carving everything himself. We remember once, when very young, being
+invited to a large dinner, and we were placed before a ham. We began to
+hack this article, when the general, the founder of the feast, said to
+his servant, "Take that ham away from that young gentleman, and place it
+before some one who knows how to carve." From that moment we determined
+to achieve the art of carving, and after great difficulty we succeeded,
+and succeeded so well that once, in carving a hare, a clergyman, one of
+the guests, remarked what an excellent invention that of boning a hare
+was, we carved it with so much ease; but determined to have a joke at
+the expense of the clergyman, we laid down the knife and fork, and said,
+"Sir, we are surprised that you could express such an opinion, when it
+is well known that it has filled more jails and sent more men to the
+treadmill than any other thing you can name." "What, sir, taking the
+bones out of a hare?" "No, sir, 'boning' the hare first." No one can
+carve without practice, and consequently children ought to begin young,
+in order to acquire a thorough knowledge of the art. It is difficult to
+describe the method of carving, even with drawings or diagrams; but the
+reader who wishes to learn, may, by observing how good carvers proceed,
+and applying what he has seen to what he reads, with practice, soon
+become an adept.
+
+And first, never stand up to carve; this is the greatest vulgarity, and
+even a very short man need not stand up. A little, deformed, hump-back
+friend of ours, used to give very good dinners; he carved well, and
+delighted in showing it, but he had a failing--always to have very large
+joints of meat before him. One day a stranger guest arrived late, dinner
+had been served, even soup and fish had been removed; the host was
+absolutely hidden behind an enormous round of beef, and the stranger saw
+nothing at the head of the table but the monstrous joint, round which a
+knife was revolving with wonderful rapidity. Steam was the subject of
+talk at the moment, and he exclaimed, "I did not know that you had
+brought steam to this perfection." "What perfection?" "Why, don't you
+see that round of beef is carved by steam." This was enough; it got the
+hunchback's steam up, and, jumping on the chair, he demanded who dare
+insult him in his own house; and it was with great difficulty that his
+friends could appease his wrath, and turn his steam off. Ever since the
+time of Adam, men and women have been prone to excuse themselves and lay
+the blame on others. Thus, a person who could not swim, complained
+bitterly of the want of buoyancy in the water; and another, who had
+frightfully mangled a leg of mutton in attempting to carve, declared
+that the sheep was deformed and had a bandy leg.
+
+In France, at all large dinners, dishes are carved at the sideboard by a
+servant, and then handed round in small portions. It saves a great deal
+of trouble, and prevents the shower of gravy with which awkward carvers
+will often inundate the table-cloth, and sometimes their neighbors. It
+would be well if this custom was universal in America, where it is rare
+to find a good carver. In helping the soup, never say, "Will you let me
+assist you to some of this soup?" this is vulgar in the extreme. The
+word assist is not "selon les règles de la bonne société," but simply,
+"Shall I send you some?" Now, any one can help soup. But then there are
+two ways, the right and the wrong. First, then, your soup plates should
+be held by the servant near the tureen, and you should judge the number
+you have to help by the quantity of soup you have, to avoid the
+possibility of consuming all your soup before you have helped your
+guests; give one spoonful of soup to each plate, and avoid by all means
+slopping the soup either into the tureen or over the table-cloth, or
+over the side of the plate, all of which are extreme vulgarities. And
+here we beg to say--notwithstanding Brummel having said, in speaking of
+some one with whom he could find no other fault, that he was a sort of
+fellow who would come twice to soup,--that, if very good, it is not
+vulgar to eat twice of it; but, _au contraire_, if not good, the worst
+possible taste.
+
+The next thing in order is fish. Now, of fish there are several sorts;
+the first of the large sorts being
+
+SALMON, the shape of which every one knows; but few people have a whole
+salmon at table. The fish should be served always on a strainer, covered
+with a small dinner napkin, and the cook should be careful that it be
+sent to table whole and unbroken. It should be laid on its side, and
+garnished with fried smelts; it should be cut with the trowel, or
+fish-knife, immediately down the middle of the side, and helped from the
+centre to the back, one slice back and a small slice towards the belly,
+which is the richest and fattest part; care should be taken that the
+slices are not broken, and with each slice a fried smelt be given.
+
+COD-FISH should be helped differently. Cutting from the back to the
+thin part, crossways, and the sound divided so as to give each person a
+small portion.
+
+MACKEREL, if boiled, should be divided into four; that is, place your
+trowel or fish-knife under the flesh at the tail, and raise up the flesh
+to the head, then divide the side in the middle, giving half of the side
+to each person, and leaving the bone and head and tail in the dish.
+
+HERRINGS should be helped by giving one to each person.
+
+EELS are always cut in small pieces, and all the attention required is
+that those which are the largest are the best.
+
+PATTIES AND ENTREES ought to be so arranged that they can be served with
+a spoon, and require no carving. The roast is therefore the next thing
+that calls for observation.
+
+A LEG OF MUTTON is, or rather ought to be served exactly the reverse
+side to a haunch of mutton; that is, it ought to lie on the flat side,
+and so show the beveled side to the carver. A slice is cut in the
+center; and then the carver is to cut to the bone right and left, the
+thick side being most esteemed. The best fat is that which lies at the
+thick end, near to the bone; there is not much of it, but it is
+considered a delicacy.
+
+A SIRLOIN OF BEEF.--The most elegant way to cut this joint is by making
+an incision from the chine-bone to the flap, directly in the center, and
+helping from either side. However, this is not the most economical way;
+and therefore it is to be cut thin on the outside, from the chine-bone
+to the flaps, with fat from underneath. Many people like the under side,
+or inner loin. If this is eaten hot--and it is best hot--the joint
+should be turned, and the meat cut across in slices rather thicker than
+from the top side. Great care should be taken not to splash the gravy in
+turning, by placing the fork well into the flap, so as to secure a firm
+hold.
+
+A FORE QUARTER OF LAMB should be carved without removing the shoulder
+from the dish on which it is served. This is very difficult; but if well
+done, very elegant. First, then, let us give all the directions
+necessary for this dish. When it comes before the carver, he should
+place the carving-knife under the shoulder, and dexterously remove it.
+Having so done, he should place under the shoulder a slice of fresh
+butter, and then prepare some salt, cayenne pepper, and the juice of an
+orange or a lemon, which should be also poured over the part of the lamb
+from which the shoulder has been separated, and then pour the gravy with
+the gravy-spoon over the lamb, so that the butter, etc., may amalgamate
+well with the gravy. You have then the breast and the ribs, and the
+shoulder on the dish, ready to help your friends. Before separating the
+ribs, you must cut off the breast, the bones of which the butcher has
+previously broken, so as to enable you to do it with ease. As, however,
+many people cannot carve so much in one dish, perhaps the better plan is
+to place the shoulder on a separate dish, when it can be cut precisely
+as a shoulder of mutton, and the ribs and breast can be more easily
+divided and helped. Always take care that the butcher joints the meat,
+or no man can carve it.
+
+A HIND QUARTER OF LAMB should be carved both as a leg and a loin, giving
+either part to those who prefer it.
+
+A SADDLE OF LAMB must be carved like a saddle of mutton.
+
+A LOIN OF LAMB should always be divided at the chine end of the bone,
+and helped in chops.
+
+A HAUNCH OF VENISON OR MUTTON is the leg and part of the loin. It should
+be cut across, near the knuckle, and then another cut should pass down
+the center. The slices should be taken from the left and the right of
+this; those on the left, containing the most fat, are preferred by
+epicures. The fat and gravy must be equally distributed. These joints
+should always be served on a hot-water dish, or on a dish with a lamp
+under it, so as to keep the meat hot. Without one or other of these
+contrivances, no one should presume to give a haunch of venison to his
+friends. Before it is sent to table, the cook should pour over the
+haunch one wine-glassful of hot port wine.
+
+AN EDGE-BONE OF BEEF should be placed on the dish standing on the
+thickest end. The carver should first cut off a slice horizontally from
+the end to the fat, an inch thick; but in helping, it cannot be cut too
+thin, giving to each person hard and soft fat. If cut thick it is hard
+and indigestible.
+
+A ROUND OR BUTTOCK OF BEEF is cut like a fillet of veal; that is, a
+slice having been horizontally removed all round, the slices should be
+cut very thin and very even. To properly carve a large round of beef, a
+long carving-knife, such as is used in a cook-shop, is necessary.
+
+A FILLET OF VEAL is a solid piece of meat without bone; it is therefore
+easily carved by any one who possesses a sharp knife; the guard of the
+fork should be up, to prevent accidents. The veal should be well
+roasted; for if the gravy is in it, it is very unwholesome. The slices
+may be cut thicker than beef, and the stuffing should be found in the
+center, and in the flap which surrounds it.
+
+A BREAST OF VEAL.--The richest part of this is called the brisket. The
+knife must be put about four inches from this, and cut through it, which
+will separate the ribs from the brisket; serve whichever is liked.
+
+CALF'S HEAD is a dish much esteemed here; but, as generally eaten,
+plainly boiled, it is tasteless, insipid, and very objectionable--while
+cooked à la tortue, as in France, nothing can be better. It should
+always be boned and rolled; but if served whole, it is to be cut down
+the center, and helped in slices from either side. A portion of the
+sweetbread, which generally accompanies a boiled calf's head, should be
+given with each portion. If the flesh about the socket of the eye be
+preferred, the eye itself being always taken out, the knife should be
+inserted into the orifice, and the meat scooped out. The
+palate--generally esteemed a delicacy--is situated under the head. This
+should be cut into small portions, so that every one may have a share.
+
+SHOULDER OF MUTTON.--The joint being placed with the knuckle toward the
+right hand, observe that there is an angular piece of fat next you.
+Having helped your company from this part, you may, perhaps, imagine
+that your shoulder of mutton is exhausted, and will not yield a further
+dividend. However, you may get from both sides of a large shoulder
+enough to help ten people, provided your slices are not too thick, which
+they should not be. The fat is to be cut from the aforesaid angular bit
+in slices, longways. After the right and left sides are exhausted, and
+the carver stopped by the knuckle on one side and the blade-bone on the
+other, the end of the shoulder is to be turned, and cut straight down
+from the center bone to the end, comprising the three best slices of the
+joint. If more is required, the shoulder may be reversed on the dish,
+and four good slices will be found on the under side.
+
+SADDLE OF MUTTON.--This best joint of the sheep is carved in several
+ways; the usual way is to cut from the tail to the end close to the
+chine-bone, taking the slices horizontally. Another plan is to cut close
+to the back-bone, taking slices sideways, so as to help each person with
+a piece like a mutton chop, without the bone and very thin. Another way
+is to commence, not quite close to the back-bone, and so cut slices,
+rounding them a little that they will curl on the plate, cutting in such
+a way that the knife slants toward the flaps or fat, and so that the
+top of each slice is fat and the bottom lean; and for a small party,
+this is by far the most elegant and the best way to carve this excellent
+joint.
+
+HAM.--There perhaps is no joint about which there has been so much
+contention as the carving of this excellent dish. For family use, do not
+have the skin removed, but let it be sent to table as it is dressed. Cut
+from the thick end, where there is most fat; as a ham served hot is
+always eaten with veal or poultry, you can thus eat the fat. Continue
+cutting your ham in this way, and you will be able to eat it all;
+whereas, in any other way, all the lean will be eaten, and a large
+quantity of fat, which will become rancid, will be lost.
+
+CARVING HAM FOR A PARTY.--The best informed say, carve it like a leg of
+mutton, that is, beginning in the center, cut right and left in thin
+slices; we say, commence at the knuckle, and cut a thick slice off, and
+then cut thin slices as they do in the cook-shops--for, rely on it, by
+this time they have found out the most economical way of carving a ham.
+
+A SUCKING PIG must be divided down the middle, and decapitated. This
+ought to be done by the cook, and the two sides placed flat on the dish.
+Supposing, therefore, this to have been previously done, the carver is
+to take off the shoulders and the legs, and help the ribs in such pieces
+as he thinks convenient. The ribs are considered best, and you should
+give plenty of the sauce or gravy with each plate.
+
+HARE.--There are two ways of carving this difficult dish. The first is
+to cut close to the back-bone from the shoulder to the rump on either
+side, previously dividing the legs; take off the shoulders; cutting the
+back-bone in three or four pieces, and getting two slices on either
+side of the hare. The ear is considered the best part. Another way of
+carving a hare is by taking off the legs and shoulders, and cutting it
+round through the back-bone, dividing into seven or eight pieces. It is
+better to bone a hare.
+
+A RABBIT is carved very differently. The legs and shoulders are to be
+taken off, and the back divided into three or four pieces.
+
+FOWLS when boiled have their legs bent inwards, and tucked into the
+belly. A fowl must never be removed from the dish and placed upon the
+carver's plate; nothing can be more vulgar. The wing is to be removed
+with a good slice of the breast, the only difficulty being to hit the
+joint. To effect this, the knife is to be passed between the leg and the
+body, and the leg turned back with the fork. To take off the
+merrythought the carver must commence just above where the breast turns,
+and cut down slanting; then begin at the rump end, and cut the breast at
+either side, keeping the fork in that part of the breast nearest the
+rump, and turning it toward the carver; the side-bones may easily be
+removed, the back broken in half, and the two sides are then easily
+taken off. All this can only be learned by practice; and although we
+have endeavored to describe it, we feel that it requires practice to
+carry out the directions.
+
+A PHEASANT is carved precisely as a fowl. It is only necessary to say
+that ladies like the wings and breast.
+
+WILD DUCK.--This bird is only helped from the breast, which is to be
+first scored in such a way as afterward to form the slice. Lemon juice,
+cayenne, salt, and port wine made hot, should be ready to pour over it;
+then the previously scored slices are to be cut and helped. The breast
+is the only eatable part, except when hashed.
+
+PARTRIDGE.--This bird is carved precisely as a fowl. The legs and the
+back are the best parts; give them to the ladies, and let the rest of
+the company have the wings and breast.
+
+PIGEONS are usually cut straight down the middle, and a half sent to
+each person.
+
+TURKEYS are carved like geese. Never make a wing cut from the wing or
+pinion upward, and not from the breast downward. Give your knife a
+slight angle in cutting, and your slice will be larger and better.
+
+GOOSE.--To give a description of carving a goose is to say, simply,
+begin from the wing and cut the slices from the breast up to the breast
+bone, and serve each person with a slice, with some stuffing and gravy.
+To cut a wing or leg is vulgar in the extreme; for a large party, then,
+a second goose is necessary; but lest our readers should say, "That is
+an easy way to avoid telling us how we ought to dismember this bird," we
+will continue. If you wish to do a vulgar thing, and dismember a goose,
+put your fork into the small end of the pinion, and press it close to
+the body, then put in the knife and divide the joint down; to separate
+the leg, first put the fork into the small end of the bone, pressing it
+to the body, then pass your knife between the leg and the body, turn the
+leg back with your fork, and it will come off. It is impossible that
+anything but experience will teach a person how to do this expertly; but
+as we said before, it never should be done when served hot. It has been
+said frequently, that a goose is too much for one, and not enough for
+two. This means that the breast, which is the only eatable part of a
+roasted goose, is, supposing the person to eat nothing else, too much
+for one and not enough for two people's dinners; another reason for
+never cutting off or eating the legs hot, is that they make a most
+excellent "devil" for breakfast the next day--therefore, why destroy a
+dish fit for a king?
+
+WOODCOCKS AND SNIPES.--These are both carved alike--the necessary
+directions being: remove the sand-bag, which contains the gall: this
+generally protrudes; lift up the breast near the rump; spread the tail
+on your toast; cut the wing, leg, and part of the back, the wing being
+cut full, that is, with plenty of the breast attached thereto, and you
+have one portion with a third of the toast; serve the other side alike,
+with another third of the toast, and the breast and the rest of the back
+give to the person you esteem the least; in fact, the legs, wings, and
+back, as before described, are the best, and should be served together.
+Snipes should be cut in half, unless you have enough to give a bird to
+each person.
+
+
+
+
+ETIQUETTE OF THE BALL AND ASSEMBLY ROOM.
+
+
+Dancing has been defined as a "graceful movement of the body, adjusted
+by art to the measures or tunes of instruments, or of voice;" and again,
+"agreeable to the true genius of the art, dancing is the art of
+expressing the sentiments of the mind, or the passions, by measured
+steps or bounds made in cadence, by regulated motions of the figure and
+by graceful gestures; all performed to the sound of musical instruments
+or the voice."
+
+Lord Chesterfield, in his letters to his son, says: "Dancing is, in
+itself, a very trifling and silly thing: but it is one of those
+established follies to which people of sense are sometimes obliged to
+conform; and then they should be able to do it well. And though I would
+not have you a dancer, yet, when you do dance, I would have you dance
+well, as I would have you do everything you do well." In another letter,
+he writes: "Do you mind your dancing while your dancing master is with
+you? As you will be often under the necessity of dancing a minuet, I
+would have you dance it very well. Remember that the graceful motion of
+the arms, the giving of your hand, and the putting off and putting on of
+your hat genteelly, are the material parts of a gentleman's dancing. But
+the greatest advantage of dancing well is, that it necessarily teaches
+you to present yourself, to sit, stand, and walk genteelly; all of which
+are of real importance to a man of fashion."
+
+When a gentleman accompanies a lady to a ball he will at once proceed
+with her to the door of the ladies' dressing-room, there leaving her;
+and then repair to the gentlemen's dressing-room. In the mean time, the
+lady, after adjusting her toilet, will retire to the ladies'
+sitting-room or wait at the door of the dressing-room, according as the
+apartments may be arranged. After the gentleman has divested himself of
+hat, etc., and placed the same in the care of the man having charge of
+the hat-room, receiving therefor a check, and after arranging his
+toilet, he will proceed to the ladies' sitting-room, or wait at the
+entrance to the ladies' dressing-room for the lady whom he accompanies,
+and with her enter the ball-room.
+
+The ladies' dressing-room is a sacred precinct, into which no gentleman
+should ever presume to look; to enter it would be an outrage not to be
+overlooked or forgiven.
+
+With the etiquette of a ball-room, so far as it goes, there are but few
+people unacquainted. Certain persons are appointed to act as floor
+managers, or there will be a "Master of the Ceremonies," whose office it
+is to see that everything be conducted in a proper manner: if you are
+entirely a stranger, it is to _them_ you must apply for a partner, and
+point out (quietly) any young lady with whom you should like to dance,
+when, if there be no obvious inequality of position, they will present
+you for that purpose; should there be an objection, they will probably
+select some one they consider more suitable; but do not, on any account,
+go to a strange lady by yourself, and request her to dance, as she will
+unhesitatingly "decline the honor," and think you an impertinent fellow
+for your presumption.
+
+A gentleman introduced to a lady by a floor manager, or the Master of
+Ceremonies, should not be refused by the lady if she be not already
+engaged, for her refusal would be a breach of good manners: as the
+Master of Ceremonies is supposed to be careful to introduce only
+gentlemen who are unexceptionable. But a gentleman who is unqualified as
+a dancer should never seek an introduction.
+
+At a private party, a gentleman may offer to dance with a lady without
+an introduction, but at balls the rule is different. The gentleman
+should respectfully offer his arm to the lady who consents to dance with
+him, and lead her to her place. At the conclusion of the set he will
+conduct her to a seat, offer her any attention, or converse with her. A
+gentleman should not dance with his wife, and not too often with the
+lady to whom he is engaged.
+
+Any presentation to a lady in a public ball-room, for the mere purpose
+of dancing, does not entitle you to claim her acquaintance afterwards;
+therefore, should you meet her, at most you may lift your hat; but even
+that is better avoided--unless, indeed, she first bow--as neither she
+nor her friends can know who or _what_ you are.
+
+In inviting a lady to dance with you, the words, "Will you _honor_ me
+with your hand for a quadrille?" or, "Shall I have the _honor_ of
+dancing this set with you?" are more used now than "Shall I have the
+_pleasure_?" or, "Will you give me the _pleasure_ of dancing with you?"
+
+If she answers that she is engaged, merely request her to name the
+earliest dance for which she is _not_ engaged, and when she will do you
+the honor of dancing with you.
+
+When a young lady declines dancing with a gentleman, it is her duty to
+give him a reason why, although some thoughtless ones do not. No matter
+how frivolous it may be, it is simply an act of courtesy to offer him an
+excuse; while, on the other hand, no gentleman ought so far to
+compromise his self-respect as to take the slightest offence at seeing a
+lady by whom he has just been refused, dance immediately after with some
+one else.
+
+Never wait until the signal is given to take a partner, for nothing is
+more impolite than to invite a lady hastily, and when the dancers are
+already in their places; it can be allowed only when the set is
+incomplete.
+
+Be very careful not to forget an engagement. It is an unpardonable
+breach of politeness to ask a lady to dance with you, and neglect to
+remind her of her promise when the time to redeem it comes.
+
+If a friend be engaged when you request her to dance, and she promises
+to be your partner for the next or any of the following dances, do not
+neglect her when the time comes, but be in readiness to fulfill your
+office as her cavalier, or she may think that you have studiously
+slighted her, besides preventing her obliging some one else. Even
+inattention and forgetfulness, by showing how little you care for a
+lady, form in themselves a tacit insult.
+
+In a quadrille, or other dance, while awaiting the music, or while
+unengaged, a lady and gentleman should avoid long conversations, as they
+are apt to interfere with the progress of the dance; while, on the other
+hand, a gentleman should not stand like an automaton, as though he were
+afraid of his partner, but endeavor to render himself agreeable by those
+"airy nothings" which amuse for the moment, and are in harmony with the
+occasion.
+
+The customary honors of a bow and courtesy should be given at the
+commencement and conclusion of each dance.
+
+Lead the lady through the quadrille; do not _drag_ her, nor clasp her
+hand as if it were made of wood, lest she, not unjustly, think you a
+bear.
+
+You will not, if you are wise, stand up in a quadrille without knowing
+something of the figure; and if you are master of a few of the steps,
+_so much the better_. But dance quietly; do not kick and caper about,
+nor sway your body to and fro; dance only _from the hips downwards_; and
+lead the lady as lightly as you would tread a measure with a spirit of
+gossamer.
+
+Do not pride yourself on doing the "steps neatly," unless you are
+ambitious of being taken for a dancing-master; between whose motions and
+those of a _gentleman_ there is a great difference.
+
+Unless a man has a very graceful figure, and can use it with great
+elegance, it is better for him to _walk_ through the quadrilles, or
+invent some gliding movement for the occasion.
+
+When a lady is standing in a quadrille, though not engaged in dancing, a
+gentleman not acquainted with her partner should not converse with her.
+
+When an unpracticed dancer makes a mistake, we may apprise him of his
+error; but it would be very impolite to have the air of giving him a
+lesson.
+
+Immediate attention should be paid to any request made by the Master of
+Ceremonies, and all misunderstandings respecting the dance should be
+referred to him, his decision being deemed final. Otherwise his
+superintendence of the ball will be attended with great inconvenience.
+
+When forming for quadrilles, if by any oversight you should accidentally
+occupy another couple's place, on being informed of the intrusion, you
+should immediately apologize to the incommoded party, and secure another
+position.
+
+Contending for a position in quadrilles, at either head or sides,
+indicates an irritable and quarrelsome disposition altogether unsuited
+for an occasion where all should meet with kindly feelings.
+
+When a company is divided into different sets, persons should not
+attempt to change their places without permission from the Master of
+Ceremonies.
+
+No persons engaged in a quadrille or other dance that requires their
+assistance to complete the set, should leave the room or sit down before
+the dance is finished, unless on a very urgent occasion, and not even
+then without previously informing the Master of Ceremonies, that he may
+find substitutes.
+
+If a lady waltz with you, beware not to press her waist; you must only
+lightly touch it with the palm of your hand, lest you leave a
+disagreeable impression not only on her _ceinture_, but on her mind.
+
+Above all, do not be prone to quarrel in a ball-room; it disturbs the
+harmony of the company, and should be avoided if possible. Recollect
+that a thousand little derelictions from strict propriety may occur
+through the ignorance or stupidity of the aggressor, and not from any
+intention to annoy; remember, also, that the _really well-bred women_
+will not thank you for making them conspicuous by over-officiousness in
+their defence, unless, indeed, there be some serious or glaring
+violation of decorum. In small matters, ladies are both able and willing
+to take care of themselves, and would prefer being allowed to overwhelm
+the unlucky offender in their own way.
+
+When a gentleman has occasion to pass through an assemblage of ladies,
+where it is absolutely impossible to make his way without disturbing
+them; or when he is obliged to go in front, because he cannot get behind
+them, it is but common courtesy for him to express his regret at being
+compelled to annoy them.
+
+A gentleman having two ladies in charge may, in the absence of friends,
+address a stranger, and offer him a partner, asking his name previous to
+an introduction, and mentioning that of the lady to him or not, as he
+may think proper.
+
+It is improper to engage or reëngage a lady to dance without the
+permission of her partner.
+
+Never forget that ladies are to be first cared for, to have the best
+seats, the places of distinction, and are entitled in all cases to your
+courteous protection.
+
+Young ladies should avoid sauntering through an assembly-room alone;
+they should either be accompanied by their guardian or a gentleman.
+
+Neither married nor young ladies should leave a ball-room assemblage, or
+other party, unattended. The former should be accompanied by other
+married ladies, and the latter by their mother or guardian. Of course, a
+gentleman is a sufficient companion for either.
+
+Young ladies should avoid attempting to take part in a dance,
+particularly a quadrille, unless they are familiar with the figures.
+Besides rendering themselves awkward and confused, they are apt to
+create ill-feeling, by interfering with, and annoying others. It were
+better for them to forego the gratification of dancing than to risk the
+chances of making themselves conspicuous, and the subject of
+animadversion. As we have elsewhere said, modesty of deportment should
+be the shining and preëminent characteristic of woman. She should be
+modest in her attire, in language, in manners and general demeanor.
+Beauty becomes irresistible when allied to this lodestone of attraction;
+plainness of features is overlooked by it; even positive homeliness is
+rendered agreeable by its influence.
+
+When a gentleman escorts a lady to a ball, he should dance with _her_
+first, or offer so to do; and it should be his care to see that she is
+provided with a partner whenever she desires to dance.
+
+After dancing, a gentleman should invariably conduct a lady to a seat,
+unless she otherwise desires; and, in fact, a lady should not be
+unattended, at any time, in a public assembly.
+
+When you conduct your partner to her seat, thank her for the pleasure
+she has conferred upon you, and do not remain too long conversing with
+her.
+
+When that long and anxiously desiderated hour, the hour of supper, has
+arrived, you hand the lady you attend up or down to the supper-table.
+You remain with her while she is at the table, seeing that she has all
+that she desires, and then conduct her back to the dancing-rooms.
+
+If, while walking up and down a public promenade, you should meet
+friends or acquaintances whom you don't intend to join, it is only
+necessary to salute them the first time of passing; to bow or nod to
+them at every round would be tiresome, and therefore improper; have no
+fear that they will deem you odd or unfriendly, as, if they have any
+sense at all, they can appreciate your reasons. If you have anything to
+say to them, join them at once.
+
+We have already alluded to the necessity of discarding all cant terms
+and phrases from conversation, not only in assembly-rooms, but on all
+occasions; and we would particularly caution our young lady friends
+against even the recognition of those _équivoques_ and _double entendre_
+which the other sex sometimes inconsiderately, but oftener determinedly,
+introduce.
+
+Neither by smiles nor blushes should they betray any knowledge of the
+hidden meaning that lurks within a phrase of doubtful import, nor seem
+to recognize anything which they could not with propriety openly make a
+subject of discourse. All indelicate expressions should be to them as
+the Sanscrit language is to most people, incomprehensible. All wanton
+glances and grimaces, which are by libertines considered as but so many
+invitations to lewdness, should be strictly shunned.
+
+No lady can be too fastidious in her conduct, or too guarded in her
+actions. A bad reputation is almost as destructive of happiness to her
+as absolute guilt; and of her character we may say with the poet:
+
+ "A breath can make them, or a breath unmake."
+
+In dancing, generally, the performers of both sexes should endeavor to
+wear a pleasant countenance; and in presenting hands, a slight
+inclination of the head, in the manner of a salutation, is appropriate
+and becoming. Dancing is certainly supposed to be an enjoyment, but the
+sombre countenance of some who engage in it, might almost lead to the
+belief that it were a solemn duty being performed. If those who laugh in
+church would transfer their merriment to the assembly-room, and those
+who are sad in the assembly-room would carry their gravity to the
+church, they both might discover the appositeness of Solomon's
+declaration, that "there is a time to be merry and a time to be sad."
+
+We have already alluded to the importance of a correct use of language
+in conversation, and though we are aware that it is absolutely
+impossible to practice it without a certain degree of education, yet we
+would urge that the habit which many acquire, more through carelessness
+than ignorance, of disregarding it, is worthy of consideration. Many a
+young lady has lost a future husband by a wanton contempt for the rules
+of Lindley Murray.
+
+Though hardly a case in point, we cannot forego the opportunity of
+recording an incident in the career of a young man "about town," who,
+anxious to see life in all its phases, was induced to attend a public
+ball, the patrons of which were characterized more for their peculiarity
+of manners than their extraordinary refinement. On being solicited by
+an acquaintance, whom he respected for his kindness of heart and
+integrity rather than for his mental accomplishments, to dance with his
+daughter, he consented, and was accordingly introduced to a very
+beautiful young lady. Ere the dance commenced, and while the musicians
+were performing the "Anvil Chorus," from "Trovatore," the young lady
+asked: "Do you know what that _'ere_ is?"
+
+Supposing that she meant _air_, and wishing to give her an opportunity
+of making herself happy in the thought of imparting a valuable piece of
+information, in utter disregard of the principles of Mrs. Opie, he
+replied, "No." "Why," said she, "that's the Anvel Core-ri-ous."
+
+With an expletive more profane than polite, he suddenly found his
+admiration for the lady as much diminished by her ignorance, as it had
+before been exalted by her beauty.
+
+At private assemblies, it should be the effort of both ladies and
+gentlemen to render themselves as agreeable as possible to all parties.
+With this purpose in view, the latter should, therefore, avoid showing
+marked preferences to particular ladies, either by devoting their
+undivided attentions or dancing exclusively with them. Too often, the
+belle of the evening, with no other charms than beauty of form and
+feature, monopolizes the regards of a circle of admirers, while modest
+merit, of less personal attraction, is both overlooked and neglected. We
+honor the generous conduct of those, particularly the "well-favored,"
+who bestow their attentions on ladies who, from conscious lack of
+beauty, least expect them.
+
+On the other hand, no lady, however numerous the solicitations of her
+admirers, should consent to dance repeatedly, when, by so doing, she
+excludes other ladies from participating in the same amusement; still
+less, as we have elsewhere hinted, should she dance exclusively with
+the same gentleman, to the disadvantage of others.
+
+Both ladies and gentlemen should be careful about introducing persons to
+each other without being first satisfied that such a course will be
+mutually agreeable.
+
+The custom, in this country, particularly among gentlemen, of
+indiscriminate introductions, is carried to such a ridiculous extent,
+that it has often been made the subject of comment by foreigners, who
+can discover no possible advantage in being made acquainted with others
+with whom they are not likely to associate for three minutes, in whom
+they take not the slightest interest, and whom they probably will never
+again encounter, nor recognize if they should. Besides, every one has a
+right to exercise his own judgment and taste in the selection of
+acquaintances, and it is clearly a breach of politeness to thrust them
+upon your friend or associate, without knowing whether it will be
+agreeable to either party.
+
+
+
+
+EVENING PARTIES.
+
+
+The etiquette of the ball-room being disposed of, let us now enter
+slightly into that of an evening party.
+
+The invitations issued and accepted for an evening party will be written
+in the same style as those already described for a dinner-party. They
+should be sent out _at least_ three weeks before the day fixed for the
+event, and should be replied to within a week of their receipt,
+accepting or declining with regrets. By attending to these courtesies,
+the guests will have time to consider their engagements and prepare
+their dresses, and the hostess will also know what will be the number of
+her party.
+
+A lady, invited to an evening party, may request a gentleman to
+accompany her, even though he may not have received an invitation from
+the hostess.
+
+In most of the American cities nine o'clock is the hour which custom has
+established as the time for the lady to be in her parlor, ready to
+receive her guests, and by ten o'clock all the guests should arrive. It
+is an affectation, not entirely devoid of assumption and impudence, for
+people to purposely delay their appearance till a very late hour.
+
+As the ladies and gentlemen arrive, each should be shown to a room
+exclusively provided for their reception; and the gentleman conducts the
+lady in his charge to the door of the ladies' dressing-room, while he
+goes to the gentlemen's apartment, each to prepare their toilet
+suitably to entering the reception-room.
+
+In the room set apart for the ladies, attendants should be in waiting to
+assist in uncloaking, and helping to arrange the hair and toilet of
+those who require it.
+
+After completing her toilet, the lady waits at the door of her
+dressing-room till the gentleman joins her, and they make their _entrée_
+together.
+
+In large and formal parties, it is generally customary for the servant
+to announce the names of the guests as they enter the room, but this is
+a ceremony well enough dispensed with, except on occasions of very large
+and formal parties.
+
+It is the business of the lady of the house to be near the door to
+receive her guests; if she is not there, you need not go hunting through
+the crowd after her.
+
+As the guests enter the room, it is not necessary for the lady of the
+house to advance each time toward the door, but merely to rise from her
+seat to receive their courtesies and congratulations. If, indeed, the
+hostess wishes to show particular favor to some peculiarly honored
+guests, she may introduce them to others, whose acquaintance she may
+imagine will be especially suitable and agreeable.
+
+It is very often the practice of the gentleman of the house to introduce
+one gentleman to another, but occasionally the lady performs this
+office; when it will, of course, be polite for the persons thus
+introduced to take their seats together for the time being.
+
+When entering a private ball or party, the visitor should invariably bow
+to the company. No well-bred person would omit this courtesy in entering
+a drawing-room; and although the entrance to a large assembly may be
+unnoticed by all present, its observance is not the less necessary. It
+is the thoughtless absence of good manners in large and mixed companies,
+where a greater degree of studied politeness is indispensable, that
+renders them sometimes so unpleasant.
+
+A separate room or convenient buffet should be appropriated for
+refreshments, and to which the dancers may retire; and cakes and
+biscuits, with lemonade, handed round.
+
+Of course a supper is provided at all private parties; and this
+requires, on the part of the hostess, a great deal of attention and
+supervision. It usually takes place between the first and second parts
+of the programme of the dances, of which there should be several
+prettily written or printed copies distributed about the room.
+
+It will be well for the hostess, even if she be very partial to the
+amusement, and a graceful dancer, not to participate in it to any great
+extent, lest her lady guests should have occasion to complain of her
+monopoly of the gentlemen, and other causes of neglect.
+
+A few dances will suffice to show her interest in the entertainment,
+without unduly trenching on the attention due to her guests.
+
+The hostess or host, during the progress of a party, will courteously
+accost and chat with their friends, and take care that the ladies are
+furnished with seats, and that those who wish to dance are provided with
+partners. A gentle hint from the hostess, conveyed in a quiet ladylike
+manner, that certain ladies have remained unengaged during several
+dances, is sure not to be neglected by any gentleman. Thus will be
+studied the comfort and enjoyment of the guests, and no lady, in leaving
+the house, will be able to feel the chagrin and disappointment of not
+having been invited to "stand up" in a dance during the whole evening.
+
+For any of the members, either sons or daughters, of the family at whose
+house the party is given, to dance frequently or constantly, denotes
+decided ill-breeding. The ladies of the house should not occupy those
+places in a quadrille which others may wish to fill, and they should,
+moreover, be at leisure to attend to the rest of the company; and the
+gentlemen should be entertaining the married ladies and those who do not
+dance.
+
+In private parties, a lady is not to refuse the invitation of a
+gentleman to dance, unless she be previously engaged. The hostess must
+be supposed to have asked to her house only those persons whom she knows
+to be perfectly respectable and of unblemished character, as well as
+pretty equal in position; and thus, to decline the offer of any
+gentleman present, would be a tacit reflection on the gentleman or lady
+of the house.
+
+If one lady refuses you, do not ask another who is seated near her to
+dance the same set. Do not go immediately to another lady, but chat a
+few moments with the one whom you first invited, and then join a group
+or gentlemen friends for a few moments, before seeking another partner.
+
+In private parties, where dancing is the chief part of the evening's
+entertainment, it is not in conformity with the rules of etiquette for a
+young lady to dance with one gentleman repeatedly, to the exclusion of
+all others who may solicit her hand, even though the favored individual
+be her suitor. However complimentary to the lady, to be the recipient of
+a gentleman's undivided attentions, or however gratifying it may be for
+him to manifest his devotion to the lady of his choice, such a course is
+an exhibition of selfishness which ought not to be displayed in an
+assemblage of ladies and gentlemen who have congregated for mutual
+enjoyment.
+
+It is not considered _comme il faut_ to ask a married lady to dance,
+when her husband is present, without previously ascertaining whether it
+be agreeable to him.
+
+Gentlemen will not get together in groups to the neglect of the ladies.
+
+The members of an invited family should never be seen conversing with
+each other at a party.
+
+If you accompany your wife to a dancing party, be careful not to dance
+with her, except perhaps the first set.
+
+Where there are no programmes, engagements should not be made until the
+dance is announced.
+
+When the dance is over, the gentleman conducts his partner to her seat;
+and, unless he chooses to sit beside her, bows and withdraws.
+
+While dancing, a lady should consider herself engaged to her partner,
+and therefore not at liberty to hold a flirtation, between the figures,
+with another gentleman; and should recollect that it is the gentleman's
+part to lead her, and hers to follow his directions.
+
+In a circle, we should not pass before a lady; neither should we present
+anything by extending the arm over her, but pass round behind and
+present it. In case we cannot do it, we say, _I ask your pardon, etc_.
+
+In ascending a staircase with ladies, go at their side or before them.
+
+A correct ear for music does not pertain to every one, and those who are
+deficient in this respect should refrain from dancing. Let not the
+unpracticed dancer attempt quadrilles. A novice necessarily perplexes
+and annoys a partner. On the other hand, nowhere perhaps has a kindly
+disposition more pleasing opportunities of conferring small benefits
+than in a ball-room. Those who are expert in dancing may gently apprise
+the unskillful of an error, and this without giving the slightest
+offense, or seeming to dictate; while such as dance well, and are
+solicited to dance, should carefully avoid speaking of it. They ought
+rather to seek to contribute to less fortunate persons a full share in
+the evening's amusement. A lady may do this by gently hinting to a
+gentleman who solicits her hand for another dance, that such a lady has
+remained unengaged. No gentleman will neglect such a suggestion.
+
+There is a custom which is sometimes practiced both in the assembly room
+and at private parties, which cannot be too strongly reprehended; we
+allude to the habit of ridicule and ungenerous criticism of those who
+are ungraceful or otherwise obnoxious to censure, which is indulged in
+by the thoughtless, particularly among the dancers. Of its gross
+impropriety and vulgarity we need hardly express an opinion; but there
+is such an utter disregard for the feelings of others implied in this
+kind of negative censorship, that we cannot forbear to warn our young
+readers to avoid it. The "Koran" says: "Do not mock--the mocked may be
+better than the mocker." Those you condemn may not have had the same
+advantages as yourself in acquiring grace or dignity, while they may be
+infinitely superior in purity of heart and mental accomplishments. The
+advice of Chesterfield to his son, in his commerce with society, to _do
+as you would be done by_, is founded on the Christian precept, and
+worthy of commendation. Imagine yourself the victim of another's
+ridicule, and you will cease to indulge in a pastime which only gains
+for you the hatred of those you satirize, if they chance to observe you,
+and the contempt of others who have noticed your violation of
+politeness, and abuse of true sociality.
+
+We conclude our strictures on this subject with the following passage
+from the essays of Addison: "But what an absurd thing it is, to pass
+over all the valuable characteristics of individuals, and fix our
+attention on their infirmities--to observe their imperfections more than
+their virtues--and to make use of them for the sport of others, rather
+than for our own improvement."
+
+In whatever relation with the fair sex, and under whatsoever
+circumstances, it is the duty--we may add, the practice--of a gentleman
+to so deport himself as to avoid giving any cause of offense.
+
+In private parties, where people meet for the pleasure of conversation,
+remember occasionally to change your place. Opportunities will readily
+occur, such, for instance, as the opening of a portfolio of prints, or
+the showing of any article of taste or science. You will thus avoid the
+awkwardness of being either left alone, or constraining the master or
+mistress of the house to commiserate your isolated condition.
+
+If you are asked by the lady of the house, at an evening party, to sing,
+and you can really do so well, comply at once; but never sing at the
+request of another person. If you cannot or do not choose to sing, say
+so at once with seriousness and gravity, and put an end to the
+expectation promptly. After singing once or twice, cease and give place
+to others.
+
+When singing or playing is going on, if you have no taste for music, you
+should still be profoundly silent. To converse, is annoying to the rest
+of the company, rude to the mistress of the house, and cruel to the
+performer.
+
+Carefully avoid all peculiarities of manner; and every wish to show off,
+or to absorb conversation to yourself. Be also very careful not to
+appear to be wiser than the company. If a fact in history is mentioned,
+even if it be not quite correct, do not set the narrator right, unless
+in a very delicate and submissive manner. If an engraving of distant
+scenery or foreign buildings is shown, do not industriously point out
+inaccuracies. It may be that such occur, but finding fault is never
+acceptable; it conveys a censure on the taste or information of the
+possessor; or it suggests that he has been imposed upon--an idea which
+is always productive of mortification. Such attempts to appear wiser
+than the rest of the company, interfere with the pleasure of the party,
+and the person who falls into them is never long acceptable.
+
+People sometimes say, that they are not invited to parties; they
+complain of neglect, and are out of humor with the world. Let such
+persons consider whether they have not brought upon themselves the
+neglect which they deplore.
+
+Should the guests be numerous, and the space scarcely sufficient for
+their accommodation, it would be considered extremely ill-bred to take a
+place previously engaged; or, when joining a country dance, to push in
+at the middle or upper end. You must take your station below the last
+couple who are standing up.
+
+If there be a supper, the gentleman should conduct to the supper-room
+his last partner, unless he have a prior engagement, or is asked by the
+host to do otherwise. In the latter case, he should provide his partner
+with a substitute, at the same time making a handsome apology.
+
+No gentleman should offer his services to conduct a lady home, without
+being acquainted with her, unless he have been requested so to do by the
+host.
+
+When any of the carriages of the guests are announced, or the time for
+their departure arrived, they should make a slight intimation to the
+hostess, without, however, exciting any observation, that they are about
+to depart. If this cannot be done without creating too much bustle, it
+will be better for the visitors to retire quietly without saying
+good-night, for when people are seen to be leaving, it often breaks up
+the party. An opportunity, however, may previously be sought of
+intimating to the hostess your intention to retire, which is more
+respectful.
+
+During the course of the week, the hostess will expect to receive from
+every guest a call, where it is possible, or cards expressing the
+gratification experienced from her entertainment. This attention is due
+to every lady for the pains and trouble she has been at, and tends to
+promote social, kindly feelings.
+
+
+
+
+VISITING.
+
+
+Next in order to the ceremonials of dinner or evening parties, are
+customary calls, comprised under the general head of visiting. They are
+those of ceremony, friendship, or condolence, and occupy no small
+portion of time.
+
+Such visits are necessary, in order to maintain good feeling between the
+members of society; they are required by the custom of the age in which
+we live, and must be carefully attended to.
+
+First, then, are visits of ceremony, merging occasionally into those of
+friendship, but uniformly required after dining at a friend's house.
+Professional men are not however, in general, expected to pay such
+visits, because their time is preoccupied; but they form almost the only
+exception.
+
+Visits of ceremony must be necessarily short. They should on no account
+be made before the hour, nor yet during the time of luncheon. Persons
+who intrude themselves at unwonted hours are never welcome; the lady of
+the house does not like to be disturbed when she is perhaps dining with
+her children; and the servants justly complain of being interrupted at
+the hour when they assemble for their noon-day meal. Ascertain,
+therefore, which you can readily do, what is the family hour for
+luncheon, and act accordingly.
+
+Half an hour amply suffices for a visit of ceremony. If the visitor be a
+lady, she may remove her victorine, but on no account either the shawl
+or bonnet, even if politely requested to do so by the mistress of the
+house. Some trouble is necessarily required in replacing them, and this
+ought to be avoided. If, however, your visit of ceremony is to a
+particular friend, the case is different; but even then, it is best to
+wait till you are invited to do so; and when you rise for the purpose
+the lady of the house will assist you.
+
+Favorite dogs are never welcome visitors in a drawing-room. Many people
+have even a dislike to such animals. They require watching, lest they
+should leap upon a chair or sofa, or place themselves upon a lady's
+dress, and attentions of this kind are much out of place. Neither ought
+a mother, when paying a ceremonial visit, to be accompanied by young
+children. It is frequently difficult to amuse them, and, if not
+particularly well trained at home, they naturally seize hold of books,
+or those ornaments with which it is fashionable to decorate a
+drawing-room. The lady of the house trembles for the fate of a beautiful
+shell, or vase, or costly book. She does not like to express her
+uneasiness, and yet knows not how to refrain. Therefore leave the
+children at home; or, if they accompany you in the carriage, let them
+remain till your visit is over. If you have an infant, the nurse may
+await your return, or be left in an ante-room, unless a decided request
+be made to the contrary.
+
+If during your short visit the conversation begins to flag, it will be
+best to retire. The lady of the house may have some engagement at a
+fixed hour, and by remaining even a few minutes longer, she may be put
+to serious inconvenience. Do not, however, seem to notice any silent
+hint, by rising hastily; but take leave with quiet politeness, as if
+your time were fully expired. When other visitors are announced, retire
+as soon as possible, and yet without letting it appear that their
+arrival is the cause. Wait till the bustle of their entrance is over,
+and then rise from your chair, take leave of the hostess, and bow
+politely to the guests. By so doing you will save the lady of the house
+from being obliged to entertain two sets of visitors.
+
+Should you call by chance at an inconvenient hour, when perhaps the lady
+is going out, or sitting down to luncheon, retire as soon as possible,
+even if politely asked to remain. You need not let it appear that you
+feel yourself an intruder; every well-bred or even good-tempered person
+knows what to say on such an occasion; but politely withdraw, with a
+promise to call again, if the lady seems to be really disappointed.
+
+If your acquaintance or friend is from home, leave a card,[1] whether
+you call in a carriage or not. If in the latter, the servant will answer
+your inquiry, and receive your card; but on no account ask leave to go
+in and rest; neither urge your wish if you fancy that the lady whom you
+desire to see is really at home, or even if you flatter yourself that
+she would make an exception in your favor. Some people think that the
+form of words, "Not at home," is readily understood to mean that the
+master or mistress of the house have no wish to see even his or her most
+intimate friends. However this may be, take care that you do not attempt
+to effect an entrance.
+
+ [1] When the caller is about to leave the city for a protracted
+ absence, it is usual to put the letters P. P. C. in the left
+ hand corner of the card; they are the initials of the French
+ phrase, "_pour prendre congé_"--to take leave, and may with
+ equal propriety stand for _presents parting compliments_.
+
+Visits of courtesy or ceremony are uniformly paid at Christmas, or at
+the commencement of a new year, independently of family parties; a good
+old custom, the observance of which is always pleasing, and which should
+be carefully attended to. It is uniformly right to call on patrons, or
+those from whom kindness has been received.
+
+In visiting your intimate friends, ceremony may generally be dispensed
+with.
+
+Keep a strict account of your ceremonial visits. This is needful,
+because time passes rapidly; and take note how soon your calls are
+returned. You will thus be able, in most cases, to form an opinion
+whether or not your frequent visits are desired. Instances may however
+occur, when, in consequence of age or ill health, it is desirable that
+you should call, without any reference to your visits being returned.
+When desirous to act thus, remember that, if possible, nothing should
+interrupt the discharge of this duty.
+
+Among relations and intimate friends, visits of mere ceremony are
+unnecessary. It is, however, needful to call at suitable times, and to
+avoid staying too long if your friend is engaged. The courtesies of
+society, as already noticed, must ever be maintained, even in the
+domestic circle, or among the nearest friends.
+
+In leaving cards you must thus distribute them: one for the lady of the
+house and her daughters--the latter are sometimes represented by turning
+up the edge of the card--one for the master of the house, and if there
+be a grown up son or a near male relation staying in the house, one for
+him. But though cards are cheap, you must never leave more than three at
+a time at the same house. As married men have, or are supposed to have,
+too much to do to make ceremonial calls, it is the custom for a wife to
+take her husband's cards with her and to leave one or two of them with
+her own. If, on your inquiring for the lady of the house, the servant
+replies, "Mrs. So-and-so is not at home, but Miss So-and-so is," you
+should leave a card, because young ladies do not receive calls from
+gentlemen unless they are very intimate with them, or have passed the
+rubicon of thirty summers. It must be remembered, too, that where there
+is a lady of the house, your call is to her, not to her husband, except
+on business.
+
+Morning calls may be divided into three heads: Those paid at the time
+already specified; weekly visits to intimate friends, or by young
+persons to those advanced in life; and monthly visits, which are
+generally ceremonious.
+
+With respect to the first, be very careful that you do not acquire the
+character of a _day goblin_. A day goblin is one of those persons who,
+having plenty of leisure, and a great desire to hear themselves talk,
+make frequent inroads into their friends' houses. Though perhaps well
+acquainted with the rules of etiquette, they call at the most
+unseasonable hours. If the habits of the family are early, you will find
+them in the drawing-room at eleven o'clock. It may be they are agreeable
+and well-informed people; but who wishes for calls at such a strange
+hour! Most families have their rules and occupations. In one, the lady
+of the house attends to the education of her children; in another,
+domestic affairs engross a portion of the morning; some ladies are fond
+of gardening, others of music or painting. It is past endurance to have
+such pursuits broken in upon for the sake of a day goblin, who, having
+gained access, inflicts his or her presence till nearly luncheon time,
+and then goes off with saying, "Well, I have paid you a long visit;" or
+"I hope that I have not stayed too long."
+
+A well-bred person always receives visitors at whatever time they may
+call, or whoever they may be; but if you are occupied and cannot afford
+to be interrupted by a mere ceremony, you should instruct the servant
+_beforehand_ to say that you are "not at home." This form has often been
+denounced as a falsehood, but a lie is no lie unless intended to
+deceive; and since the words are universally understood to mean that you
+are engaged, it can be no harm to give such an order to a servant. But,
+on the other hand, if the servant once admits a visitor within the
+hall, you should receive him at any inconvenience to yourself. A lady
+should never keep a visitor waiting more than a minute, or two at the
+most, and if she cannot avoid doing so, must apologize on entering the
+drawing-room.
+
+In good society, a visitor, unless he is a complete stranger, does not
+wait to be invited to sit down, but takes a seat at once easily. A
+gentleman should never take the principal place in the room, nor, on the
+other hand, sit at an inconvenient distance from the lady of the house.
+He must hold his hat gracefully, not put it on a chair or table, or, if
+he wants to use both hands, must place it on the floor close to his
+chair. A well-bred lady, who is receiving two or three visitors at a
+time, pays equal attention to all, and attempts, as much as possible, to
+generalize the conversation, turning to all in succession. The last
+arrival, however, receives a little more attention at first than the
+others, and the latter, to spare her embarrasment, should leave as soon
+as convenient. People who out-sit two or three parties of visitors,
+unless they have some particular motive for doing so, come under the
+denomination of "bores." A "bore" is a person who does not know when you
+have had enough of his or her company.
+
+Be cautious how you take an intimate friend _uninvited_ even to the
+house of those with whom you may be equally intimate, as there is always
+a feeling of jealousy that another should share your thoughts and
+feelings to the same extent as themselves, although good breeding will
+induce them to behave _civilly_ to your friend on your account.
+
+Ladies in the present day are allowed considerable license in paying and
+receiving visits; subject, however, to certain rules, which it is
+needful to define.
+
+Young married ladies may visit their acquaintances alone; but they may
+not appear in any public places unattended by their husbands or elder
+ladies. This rule must never be infringed, whether as regards
+exhibitions, or public libraries, museums, or promenades; but a young
+married lady is at liberty to walk with her friends of the same age,
+whether married or single. Gentlemen are permitted to call on married
+ladies at their own houses. Such calls the usages of society permit, but
+never without the knowledge and full permission of husbands.
+
+Ladies may walk unattended in the streets, being careful to pass on as
+becomes their station--neither with a hurried pace, nor yet affecting to
+move slowly. Shop-windows, in New York especially, afford great
+attractions; but it is by no means desirable to be seen standing before
+them, and most assuredly not alone. Be careful never to look back, nor
+to observe too narrowly the dresses of such ladies as may pass you.
+Should any one venture to address you, take no heed, seem not to hear,
+but hasten your steps. Be careful to reach home in good time. Let
+nothing ever induce you to be out after dusk, or when the lamps are
+lighted. Nothing but unavoidable necessity can sanction such acts of
+impropriety.
+
+Lastly, a lady never calls on a gentleman, unless professionally or
+officially. It is not only ill-bred, but positively improper to do so.
+At the same time, there is a certain privilege in age, which makes it
+possible for an old bachelor like myself to receive a visit from any
+married lady whom I know very intimately, but such a call would
+certainly not be one of ceremony, and always presupposes a desire to
+consult me on some point or other. I should be guilty of shameful
+treachery, however, if I told any one that I had received such a visit,
+while I should certainly expect that my fair caller would let her
+husband know of it.
+
+When morning visitors are announced, rise and advance toward them. If a
+lady enters, request her to be seated on a sofa; but if advanced in
+life, or the visitor be an elderly gentleman, insist on their accepting
+an easy chair, and place yourself, by them. If several ladies arrive at
+the same time, pay due respect to age and rank, and seat them in the
+most honorable places; these, in winter, are beside the fire.
+
+Supposing that a young lady occupies such a seat, and a lady older than
+herself, or superior in condition, enters the room, she must rise
+immediately, and having courteously offered her place to the new comer,
+take another in a different part of the room.
+
+If a lady is engaged with her needle when a visitor arrives, she ought
+to discontinue her work, unless requested to do otherwise: and not even
+then must it be resumed, unless on very intimate terms with her
+acquaintance. When this, however, is the case, the hostess may herself
+request permission to do so. To continue working during a visit of
+ceremony would be extremely discourteous; and we cannot avoid hinting to
+our lady readers, that even when a particular friend is present for only
+a short time, it is somewhat inconsistent with etiquette to keep their
+eyes fixed on a crochet or knitting-book, apparently engaged in counting
+stitches, or unfolding the intricacies of a pattern. We have seen this
+done, and are, therefore, careful to warn them on the subject. There are
+many kinds of light and elegant, and even useful work, which do not
+require close attention, and may be profitably pursued; and such we
+recommend to be always on the work-table at those hours which, according
+to established practice, are given to social intercourse.
+
+It is generally customary in the country to offer refreshment to morning
+visitors. If they come from a considerable distance, and are on intimate
+terms, hospitality requires that you should invite them to take
+luncheon. In town it is otherwise, and you are not expected to render
+any courtesy of the kind, except to aged or feeble persons, or to some
+one who, perhaps, is in affliction, and to whom the utmost kindliness
+should be shown.
+
+When your visitor is about to take leave, rise, and accompany her to the
+door, mindful, at the same time, that the bell is rung, in order that a
+servant may be in attendance. If the master of the house is present, and
+a lady is just going away, he must offer her his arm, and lead her to
+the hall or passage door. If her carriage be in waiting, he will, of
+course, hand her into it. These attentions are slight, and some persons
+may think they are scarcely worth noticing. Nevertheless, they are
+important, and we are the more earnest to press them on the attention of
+our readers, because we have witnessed the omission of such acts of
+courtesy in families where a very different mode of conduct might be
+expected.
+
+And here, turning aside for a brief space from the subject-matter of our
+discourse, we desire earnestly to impress upon mothers who have sons
+growing up, the great importance of early imbuing them with the
+principles of true politeness, and consequent attention to its most
+trifling observances. What matters it if a tall lad pushes into a room
+before one of his mother's visitors; or, if he chance to see her going
+into church, instead of holding the door in a gentlemanly manner, he
+lets it swing in her face when he has himself entered; or whether he
+comes into the drawing-room with his hat on, unobservant of lady
+visitors, or lolls in an arm-chair reading the newspaper?
+
+"What signifies it?" some will say--"why tease a youth about such
+matters? He will learn manners as he grows up." We think otherwise, and
+do not scruple to affirm, that he can never learn real gentlemanly
+politeness from any one but his mother. The neglect of small courtesies
+in early life, and the outward or mental boorishness to which it leads,
+has been, to our certain knowledge, a more fruitful source of
+wretchedness in many homes, than we have either time or inclination to
+relate.
+
+In this changing world, visits of condolence must be also occasionally
+paid; and concerning such, a few necessary rules may be briefly stated.
+
+Visits of condolence should be paid within a week after the event which
+occasions them; but if the acquaintance be slight, immediately after the
+family appear at public worship. A card should be sent up; and if your
+friends are able to receive you, let your manners and conversation be in
+harmony with the character of your visit. It is courteous to send up a
+mourning card; and for ladies to make their calls in black silk or
+plain-colored apparel. It denotes that they sympathize with the
+afflictions of the family; and such attentions are always pleasing.
+
+Gentlemen will do well to bear in mind that, when they pay morning
+calls, they must carry their hats with them into the drawing-room; but
+on no account put them on the chairs or table. There is a graceful
+manner of holding a hat, which every well-bred man understands.
+
+When calling upon a friend who is boarding, do not go up till the
+servant returns with an invitation; and never enter a room without
+previously knocking at the door, and receiving an invitation to come in.
+Such observances are indispensable, even between the nearest friends.
+
+A gentleman when calling upon a lady, and finding that one of her lady
+friends is with her, must rise when the visitor takes her leave, and
+accompany her to the hall door; or if she has a carriage, he should hand
+her into it--supposing, however, that no gentleman related to the
+mistress of the house be present. If your visit has been of sufficient
+length, you can take your leave when accompanying the lady out of the
+room.
+
+It happens occasionally that two persons are visiting different members
+of the same family. When this occurs, and one visitor takes leave, the
+lady or gentleman whose visitor has just left should remain in the
+drawing-room. It is considered discourteous to do otherwise.
+
+In most families in this country, evening calls are the most usual.
+Should you chance to visit a family, and find that they have a party,
+present yourself, and converse for a few minutes with an unembarrassed
+air; after which you may retire, unless urged to remain. A slight
+invitation, given for the sake of courtesy, ought not to be accepted.
+Make no apology for your unintentional intrusion; but let it be known,
+in the course of a few days, that you were not aware that your friends
+had company.
+
+An excellent custom prevails in some families of inviting their guests
+for a given period. Thus, for example, an invitation is sent, stating
+that a friend's company is requested on a certain day, mentioning also
+for what length of time, and if a carriage cannot be offered to meet the
+visitor, stating expressly the best mode of coming and going. We
+recommend this admirable plan to the master and mistress of every
+dwelling which is sufficiently capacious to admit of receiving an
+occasional guest. A young lady is perhaps invited to spend a little time
+in the country, but she cannot possibly understand whether the
+invitation extends to a few days, or a week, or a month, and
+consequently is much puzzled with regard to the arrangement of her
+wardrobe. Domestic consultations are held; the letter is read over and
+over again; every one gives a different opinion, and when the visit is
+entered upon, somewhat of its pleasure is marred through the
+embarrassment occasioned by not knowing when to propose taking leave.
+
+In receiving guests, your first object should be to make them feel at
+home. Begging them to make themselves at home is not sufficient. You
+should display a genuine unaffected friendliness. Whether you are
+mistress of a mansion or a cottage, and invite a friend to share your
+hospitality, you must endeavor, by every possible means, to render the
+visit agreeable. This should be done without apparent effort, that the
+visitor may feel herself to be a partaker in your home enjoyments,
+instead of finding that you put yourself out of the way to procure
+extraneous pleasures. It is right and proper that you seek to make the
+time pass lightly; but if, on the other hand, you let a visitor perceive
+that the whole tenor of your daily concerns is altered on her account, a
+degree of depression will be felt, and the pleasant anticipations which
+she most probably entertained will fail to be realized. Let your friend
+be assured, from your manner, that her presence is a real enjoyment to
+you--an incentive to recreations which otherwise would not be thought of
+in the common routine of life. Observe your own feelings when you happen
+to be the guest of a person who, though he may be very much your friend,
+and really glad to see you, seems not to know what to do either with you
+or himself; and again, when in the house of another you feel as much at
+ease as in your own. Mark the difference, more easily felt than
+described, between the manners of the two, and deduce therefrom a lesson
+for your own improvement.
+
+If you have guests in your house, you are to appear to feel that they
+are all equal for the time, for they all have an equal claim upon your
+courtesies. Those of the humblest condition will receive _full as much
+attention_ as the rest, in order that you shall not painfully make them
+feel their inferiority.
+
+Always avoid the foolish practice of deprecating your own rooms,
+furniture, or viands, and expressing regrets that you have nothing
+better to offer. Neither should you go to the other extreme of extolling
+any particular thing or article of food. The best way is to say nothing
+about these matters. Neither is it proper to urge guests to eat, or to
+load their plates against their inclinations.
+
+Endeavor to retain your friends as long as they like to prolong their
+visit. When they intimate an intention to leave you, if you really
+desire their continuance somewhat longer, frankly say so. Should they,
+however, have fixed the time, and cannot prolong their stay, facilitate
+their going by every means in your power; and, while you kindly invite
+them to renew their visit, point out to them any places of interest on
+the road, and furnish such information as you possess.
+
+If invited to spend a few days at a friend's house, conform as much as
+possible to the habits of the family. When parting for the night,
+inquire respecting the breakfast hour, and ascertain at what time the
+family meet for prayers. If this right custom prevails, be sure to be in
+time; and obtain any necessary information from the servant who waits
+upon you. Give as little trouble as possible; and never think of
+apologizing for the extra trouble which your visit occasions. Such an
+apology implies that your friend cannot conveniently entertain you. Your
+own good sense and delicacy will teach you the desirability of keeping
+your room tidy, and your articles of dress and toilet as much in order
+as possible. If there is a deficiency of servants, a lady will certainly
+not hesitate to make her own bed and to do for herself as much as
+possible, and for the family all that is in her power.
+
+We presume that few people will leave a friend's house without some
+expression of regret, and some acknowledgment proffered for the pleasure
+that has been afforded them. Instances to the contrary have come within
+our knowledge, and therefore we remind our youthful readers especially,
+that this small act of politeness is indispensable, not in the form of a
+set speech, but by a natural flowing forth of right feeling. It is also
+proper, on returning home, to inform your friends of your safe arrival;
+the sense which you entertain of their hospitality, and the
+gratification derived from your visit, may be also gracefully alluded
+to.
+
+The chain which binds society together is formed of innumerable links.
+Let it be your part to keep those links uniformly bright; and to see
+that neither dust nor rust accumulate upon them.
+
+
+
+
+STREET ETIQUETTE.
+
+
+The books of etiquette tell you, that if you have been introduced to a
+lady and you afterward meet her in the street, you must not bow to her
+unless she bow first, in order, as the books say, that she may have an
+opportunity to cut you if she does not wish to continue the
+acquaintance. This is the English fashion. But on the continent of
+Europe the rule is reversed, and no lady, however intimate you may be
+with her, will acknowledge you in the street unless you first honor her
+with a bow of recognition. But the American fashion is not like either
+of them. For here the really well-bred man always politely and
+respectfully bows to every lady he knows, and, if she is a well-bred
+woman, she acknowledges the respect paid her. If she expects no further
+acquaintance, her bow is a mere formal, but _always respectful_,
+recognition of the good manners which have been shown her, and no
+gentleman ever takes advantage of such politeness to push a further
+acquaintance uninvited. But why should a lady and gentleman, who know
+who each other are, scornfully and doggedly pass each other in the
+streets as though they were enemies? There is no good reason for such
+_impoliteness_, in the practice of politeness. As compared with the
+English, the French or continental fashion is certainly more consonant
+with the rules of good breeding. But the American rule is better than
+either, for it is based upon the acknowledged general principle, that it
+is every gentleman's and lady's duty to be polite in all places. Unless
+parties have done something to forfeit the respect dictated by the
+common rules of politeness, there should be no deviation from this
+practice. It is a ridiculous idea that we are to practice ill-manners in
+the name of etiquette.
+
+While walking the street no one should be so absent-minded as to neglect
+to recognize his friends. If you do not stop, you should always bow,
+touch your hat, or bid your friend good day. If you stop, you can offer
+your hand without removing your glove. If you stop to talk, retire on
+one side of the walk. If your friend has a stranger with him and you
+have anything to say, you should apologize to the stranger. Never leave
+your friend abruptly to see another person without asking him to excuse
+your departure. If you meet a gentleman of your acquaintance walking
+with a lady whom you do not know, lift your hat as you salute them. If
+you know the lady, you should salute her first.
+
+Never _nod_ to a lady in the street, neither be satisfied with touching
+your hat, _but take it off_--it is a courtesy her sex demands.
+
+A gentleman should never omit a punctilious observance of the rules of
+politeness to his recognized acquaintances, from an apprehension that he
+will not be met with reciprocal marks of respect. For instance, he
+should not refuse to raise his hat to an acquaintance who is accompanied
+by a lady, lest her escort should, from ignorance or stolidity, return
+his polite salutation with a nod of the head. It is better not to see
+him, than to set the example of a rude and indecorous salutation. In all
+such cases, and in all cases, he who is most courteous has the
+advantage, and should never feel that he has made a humiliating
+sacrifice of his personal dignity. It is for the party whose behavior
+has been boorish to have a consciousness of inferiority.
+
+A gentleman meeting a lady acquaintance on the street, should not
+presume to join her in her walk without ascertaining that his company
+would be entirely agreeable. It might be otherwise, and she should
+frankly say so. A married lady usually leans upon the arm of her
+husband; but single ladies do not, in the day, take the arm of a
+gentleman, unless they are willing to acknowledge an engagement.
+Gentlemen always give place to ladies, and gentlemen accompanying
+ladies, in crossing the street.
+
+If you have anything to say to a lady whom you may happen to meet in the
+street, however intimate you may be, do not stop her, but turn round and
+walk in company; you can take leave at the end of the street.
+
+When you are passing in the street, and see coming toward you a person
+of your acquaintance, whether a lady or an elderly person, you should
+offer them the wall, that is to say, the side next the houses. If a
+carriage should happen to stop in such a manner as to leave only a
+narrow passage between it and the houses, beware of elbowing and rudely
+crowding the passengers, with a view to get by more expeditiously; wait
+your turn, and if any of the persons before mentioned come up, you
+should edge up to the wall, in order to give them the place. They also,
+as they pass, should bow politely to you.
+
+If stormy weather has made it necessary to lay a plank across the
+gutter, which has become suddenly filled with water, it is not proper
+to crowd before another, in order to pass over the frail bridge.
+
+In walking with a lady, it is customary to give her the right arm; but
+where circumstances render it more convenient to give her the left, it
+may properly be done. If you are walking with a lady on a crowded street
+like Broadway, by all means give her the outside, as that will prevent
+her from being perpetually jostled and run against by the hurrying
+crowd.
+
+You should offer your arm to a lady with whom you are walking whenever
+her safety, comfort, or convenience may seem to require such attention
+on your part. At night your arm should always be tendered, and also when
+ascending the steps of a public building. In walking with any person you
+should keep step with military precision, and with ladies and elderly
+people you should always accommodate your speed to theirs.
+
+If a lady with whom you are walking receives the salute of a person who
+is a stranger to you, you should return it, not for yourself, but for
+her.
+
+When a lady whom you accompany wishes to enter a store, you should hold
+the door open and allow her to enter first, if practicable; for you must
+never pass before a lady anywhere, if you can avoid it, or without an
+apology.
+
+In England, it is a mark of low breeding to smoke in the streets. But in
+America the rule does not hold to quite that extent; though, even here,
+it is not often that you catch "a gentleman of the strictest sect," in
+the street with a cigar or pipe in his mouth. For a man to go into the
+street with a lady on his arm and a cigar in his mouth is a shocking
+sight, which no gentleman will ever be guilty of exhibiting; for he
+inevitably subjects the woman to the very worst of suspicions.
+
+Avoid the disgusting habit of spitting.
+
+No gentleman will stand in the doors of hotels, nor on the corners of
+the streets, gazing impertinently at the ladies as they pass. That is
+such an unmistakable sign of a loafer, that one can hardly imagine a
+well-bred man doing such a thing.
+
+Never offer to shake hands with a lady in the street if you have on dark
+gloves, as you may soil her white ones. If you meet a lady friend with
+whom you wish to converse, you must not stop, but turn and walk along
+with her; and should she be walking with a gentleman, first assure
+yourself that you are not intruding before you attempt to join the two
+in their walk.
+
+After twilight, a young lady would not be conducting herself in a
+becoming manner, by walking alone; and if she passes the evening with
+any one, she ought, beforehand, to provide some one to come for her at a
+stated hour; but if this is not practicable, she should politely ask of
+the person whom she is visiting, to permit a servant to accompany her.
+But, however much this may be considered proper, and consequently an
+obligation, a married lady, well educated, will disregard it if
+circumstances prevent her being able, without trouble, to find a
+conductor.
+
+If the host wishes to accompany you himself, you must excuse yourself
+politely for giving him so much trouble, but finish, however, by
+accepting. On arriving at your house, you should offer him your thanks.
+In order to avoid these two inconveniences, it will be well to request
+your husband, or some one of your relatives, to come and wait upon you;
+you will, in this way, avoid all inconveniences, and be entirely free
+from that harsh criticism which is sometimes indulged in, especially in
+small towns, concerning even the most innocent acts.
+
+If, when on your way to fulfill an engagement, a friend stops you in the
+street, you may, without committing any breach of etiquette, tell him of
+your appointment, and release yourself from a long talk, but do so in a
+courteous manner, expressing regret for the necessity.
+
+In inquiring for goods at a shop or store, do not say, I want so and so,
+but say to the shopman--Show me such or such an article, if you
+please--or use some other polite form of address. If you are obliged to
+examine a number of articles before you are suited, apologize to the
+shopkeeper for the trouble you give him. If, after all, you cannot suit
+yourself, renew your apologies when you go away. If you make only small
+purchases, say to him--I am sorry for having troubled you for so
+trifling a thing.
+
+You need not stop to pull off your glove to shake hands with a lady or
+gentleman. If it is warm weather it is more agreeable to both parties
+that the glove should be on--especially if it is a lady with whom you
+shake hands, as the perspiration of your bare hand would be very likely
+to soil her glove.
+
+If a lady addresses an inquiry to a gentleman on the street, he will
+lift his hat, or at least touch it respectfully, as he replies. If he
+cannot give the information required, he will express his regrets.
+
+When tripping over the pavement, a lady should gracefully raise her
+dress a little above her ankle. With her right hand she should hold
+together the folds of her gown and draw them toward the right side. To
+raise the dress on both sides, and with both hands, is vulgar. This
+ungraceful practice can be tolerated only for a moment when the mud is
+very deep.
+
+Most American ladies in our cities wear too rich and expensive dresses
+in the street. Some, indeed, will sweep the side-walks with costly
+stuffs only fit for a drawing-room or a carriage. This is in bad taste,
+and is what ill-natured people would term snobbish.
+
+
+
+
+TRAVELING.
+
+
+As a general rule, travelers are selfish. They pay little attention
+either to the comforts or distresses of their fellow-travelers; and the
+commonest observances of politeness are often sadly neglected by them.
+In the scramble for tickets, for seats, for state-rooms, or for places
+at a public table, the courtesies of life seem to be trampled under
+foot. Even the ladies are sometimes rudely treated and shamefully
+neglected in the headlong rush for desirable seats in the railway cars.
+To see the behavior of American people on their travels, one would
+suppose that we were anything but a refined nation; and I have often
+wondered whether a majority of our travelers could really make a decent
+appearance in social society.
+
+When you are traveling, it is no excuse that because others outrage
+decency and propriety you should follow their example, and fight them
+with their own weapons. A rush and scramble at the railway ticket office
+is always unnecessary. The cars will not leave until every passenger is
+aboard, and if you have ladies with you, you can easily secure your
+seats and afterward procure the tickets at leisure. But suppose you do
+lose a favorite seat by your moderation! Is it not better to suffer a
+little inconvenience than to show yourself decidedly vulgar? Go to the
+cars half an hour before they start, and you will avoid all trouble of
+this kind.
+
+When seated, or about to seat yourself in the cars, never allow
+considerations of personal comfort or convenience to cause you to
+disregard the rights of fellow-travelers, or forget the respectful
+courtesy due to woman. The pleasantest or most comfortable seats belong
+to the ladies, and you should never refuse to resign such seats to them
+with a cheerful politeness. Sometimes a gentleman will go through a car
+and choose his seat, and afterward vacate it to procure his ticket,
+leaving his overcoat or carpet bag to show that the seat is taken.
+Always respect this token, and never seize upon a seat thus secured,
+without leave, even though you may want it for a lady. It is not always
+necessary for a gentleman to rise after he has seated himself and offer
+his seat to a lady, particularly if the lady is accompanied by another
+gentleman; for there may still be eligible vacant seats in the cars. But
+should you see a lady come alone, and if the seats in the car all appear
+to be filled, do not hesitate to offer her yours, if you have no ladies
+in your company. And should a lady motion to seat herself beside you,
+rise at once and offer her the choice of the two seats. These are but
+common courtesies that every well-bred man will at all times cheerfully
+offer to the other sex.
+
+Making acquaintances in the cars, although correct enough, is a measure
+of which travelers generally appear to be very shy. There is no reason
+for this, as acquaintances thus picked up need never be recognized again
+unless you please. If a stranger speaks to you, always answer him
+politely, and if his conversation proves disagreeable, you have no
+alternative but to change your seat.
+
+In steamers do not make a rush for the supper table, or make a glutton
+of yourself when you get there. Never fail to offer your seat on deck to
+a lady, if the seats all appear to be occupied, and always meet half way
+any fellow-passenger who wishes to enter into conversation with you.
+Some travelers are so exclusive that they consider it a presumption on
+the part of a stranger to address them; but such people are generally
+foolish, and of no account. Sociable intercourse while traveling is one
+of its main attractions. Who would care about sitting and moping for a
+dozen of hours on board a steamer without exchanging a word with
+anybody? and this must be the fate of the exclusives when they travel
+alone. Even ladies, who run greater risks in forming steamboat
+acquaintances than the men, are allowed the greatest privileges in that
+respect. It might not be exactly correct for a lady to make a speaking
+acquaintance of a gentleman; but she may address or question him for the
+time being without impropriety.
+
+Fellow-passengers, whether on a steamboat or in the cars, should at all
+times be sociable and obliging to one another. Those who are the reverse
+of this may be set down either as selfish, foolish, or conceited.
+
+In the cars you have no right to keep a window open for your
+accommodation, if the current of air thus produced annoys or endangers
+the health of another. There are a sufficient number of discomforts in
+traveling, at best, and it should be the aim of each passenger to lessen
+them as much as possible, and to cheerfully bear his own part. Life is a
+journey, and we are all fellow-travelers.
+
+If in riding in an omnibus, or crossing a ferry with a friend, he wishes
+to pay for you, never insist upon paying for yourself or for both. If he
+is before you, let the matter pass without remark.
+
+
+
+
+MARRIAGE.
+
+
+In speaking of marriage, it is not merely with reference to its social
+importance, but as regards certain observances, concerning which no work
+on Etiquette has yet given any explicit rules.
+
+First, then, with respect to the preliminary subject of courtship. That
+unseen monitor, who has already suggested many points for consideration
+to lady readers, would now say to them: Before you admit the attentions
+of a gentleman who wishes to pay you his addresses, very carefully
+examine your respective tastes and dispositions; and settle in your own
+mind what are the most important requisites of happiness in a married
+state. With this view, you must enter upon the consideration of the
+subject with a calm and decisive spirit, which will enable you to see
+where your true happiness lies, and to pursue it with determined
+resolution. In matters of business, follow the advice of such as are
+able to guide you; and as regards the subject of marriage, turn not away
+from the counsel of those who are appointed to watch over and direct
+you.
+
+If a gentleman gives you reason to believe that he wishes to engage your
+affections, seek the advice of your parents, that they may gain for you
+every necessary particular with regard to his morals and disposition,
+and means of suitably providing for you. If, unhappily, death has
+deprived you of parents, ask counsel of some one who will care for you,
+and on whose friendship you can rely. Remember that you have little
+knowledge of the world, and that your judgment has not arrived at full
+maturity. But however circumstanced, avoid, as you would the plague, any
+attentions from a gentleman whose moral character renders him
+undeserving your regard.
+
+Let neither rank nor fortune, nor the finest order of intellect, nor yet
+the most winning manners, induce you to accept the addresses of an
+irreligious man. You dare not ask the blessing of your Heavenly Father
+upon such addresses; and without His blessing, what happiness can you
+expect? Men often say, "that whatever their own opinions may be, they
+will marry religious women." This may be; but woe to a religious woman,
+if she allows herself to be thus beguiled! Supposing your admirer be a
+sensible man, he will like religion in you for his own sake; if, on the
+contrary, such is not the case, and you become his wife, he will often,
+though perhaps without intention, distress you by his remarks; and in
+either case, if you have children, you will suffer much in seeing that
+your endeavors to form their minds to virtue and piety, and to secure
+their present and eternal happiness, are regarded with indifference, or
+at least that you are not assisted in your efforts.
+
+Remember, also, that no happiness can be expected in the marriage state,
+unless the husband be worthy of respect. Do not marry a weak man; he is
+often intractable or capricious, and seldom listens to the voice of
+reason; and most painful must it be to any sensible woman to have to
+blush for her husband, and feel uneasy every time he opens his lips.
+Still worse, if it should please God to give her children, if she cannot
+point to the example of their father as leading to what is excellent and
+of good report; nor yet to his precepts and instructions as their rule
+of conduct. One thing is certain, that a weak man uniformly shows his
+consequence by contradicting his wife, because he will not have it
+supposed that he is under her influence.
+
+Advances, or offers of marriage, are made in a thousand different ways;
+but, however tendered, receive them courteously, and with dignity. If a
+letter comes to you, answer it as becomes a gentlewoman--your own heart
+will dictate what you ought to say. Questions have arisen with regard to
+the wording of such letters, but no certain rule can be laid down;
+whether it be answered in the first or third person, must depend upon
+the degree of acquaintance which has previously existed. No young lady
+would certainly head her letter with--"Dear Sir," to a suitor whom she
+scarcely knows, or to one whom she intends refusing. She ought, however,
+on no account, either to receive or answer letters of the kind without
+showing them to her mother; or, if unfortunately without parents, she
+will do well to consult some judicious female friend.
+
+Never trifle with the affections of a man who loves you; nor admit of
+marked attentions from one whose affection you cannot return. Some young
+ladies pride themselves upon the conquests which they make, and would
+not scruple to sacrifice the happiness of an estimable person to their
+reprehensible vanity. Let this be far from you. If you see clearly that
+you have become an object of especial regard to a gentleman, and do not
+wish to encourage his addresses, treat him honorably and humanely, as
+you hope to be used with generosity by the person who may engage your
+own heart. Do not let him linger in suspense, but take the earliest
+opportunity of carefully making known your feelings on the subject. This
+may be done in a variety of ways. A refined ease of manner will satisfy
+him, if he has any discernment, that his addresses will not be
+acceptable. Should your natural disposition render this difficult, show
+that you wish to avoid his company, and he will presently withdraw; but
+if even this is difficult--and who can lay down rules for
+another?--allow an opportunity for explanation to occur. You can then
+give him a polite and decisive answer; and be assured that, in whatever
+manner you convey your sentiments to him, if he be a man of delicacy and
+right feeling, he will trouble you no further. Let it never be said of
+you, that you permit the attentions of an honorable man when you have no
+heart to give him; or that you have trifled with the affections of one
+whom you perhaps esteem, although you resolve never to marry him. It may
+be that his preference gratifies, and his conversation interests you;
+that you are flattered by the attentions of a man whom some of your
+companions admire; and that, in truth, you hardly know your own mind on
+the subject. This will not excuse you. Every young woman ought to know
+the state of her own heart; and yet the happiness and future prospects
+of many an excellent man have been sacrificed by such unprincipled
+conduct.
+
+Remember that if a gentleman makes you an offer, you have no right to
+speak of it. If you possess either generosity or gratitude for offered
+affection, you will not betray a secret which does not belong to you. It
+is sufficiently painful to be refused, without incurring the additional
+mortification of being pointed out as a rejected lover.
+
+If, on the contrary, you encourage the addresses of a deserving man,
+behave honorably and sensibly. Do not lead him about as if in triumph,
+nor take advantage of the ascendency which you have gained by playing
+with his feelings. Do not seek for occasions to tease him, that you may
+try his temper; neither affect indifference, nor provoke lovers'
+quarrels, for the foolish pleasure of reconciliation. On your conduct
+during courtship will very much depend the estimation in which you will
+be held by your husband in after life.
+
+Assuming that the important day is fixed, and that the bidden guests
+have accepted the invitations, a few observations may be useful,
+especially to those who live retired in the country.
+
+The bride uniformly goes to church in the same carriage with her
+parents, or with those who stand in their place; as, for instance, if
+the father is deceased, an elder brother or uncle, or even guardian,
+accompanies her mother and herself. If, unhappily, she is an orphan, and
+has no relations, a middle-aged lady and gentleman, friends of her
+parents, should be requested to take their place. A bridesmaid will also
+occupy a seat in the same carriage.
+
+The bridegroom finds his way to church in a separate carriage with his
+friends, and he will show his gallantry by handing the bride from her
+carriage, and paying every attention to those who accompany her. Any
+omission in this respect cannot be too carefully avoided.
+
+When arrived at the altar, the father of the bride, or, in default of
+such relation, the nearest connexion, or some old friend, gives away the
+bride. The bridesmaids stand near the bride; and either her sister, or
+some favorite friend, will hold the gloves or handkerchief, as may be
+required, when she ungloves her hand for the wedding-ring. When the
+ceremony is completed, and the names of the bride and bridegroom are
+signed in the vestry, they first leave the church together, occupying by
+themselves the carriage that waits to convey them to the house of the
+bride's father and mother, or that of the guardian, or friend, by whom
+the bridal breakfast is provided.
+
+The wedding-cake uniformly occupies the center of the table. It is often
+tastefully surrounded with flowers, among which those of the fragrant
+orange ought to be conspicuous. After being cut according to the usages
+observed on such occasions, the oldest friend of the family proposes the
+lady's health; that of the bridegroom is generally proposed by some
+friend of his own, if present; but if this is not the case, by his
+father-in-law, or any of his new relatives, who will deem it incumbent
+upon them to say something gratifying to him while proposing his health,
+which courtesy he must acknowledge as best he can. After this the bride
+withdraws, in order to prepare for leaving the parental roof, by taking
+off her wedding, and putting on her traveling dress; although it happens
+not unfrequently that the bride remains in another apartment, and thus
+avoids the fatigue and embarrassment of appearing at the
+breakfast-table. When this occurs, her place beside the bridegroom must
+be occupied by a near relation or friend. But whether present, or
+remaining apart with a few friends, all who are invited to do honor to
+the bride must appear in full dress. Bracelets may be worn on one or
+both wrists. Black of any kind is wholly inadmissible; not even black
+satin can be allowed; and widows must attire themselves either in quiet
+colored suits, or else in silver gray.
+
+On such festive occasions, all appear in their best attire, and assume
+their best manners. Peculiarities that pertain to past days, or have
+been unwarily adopted, should be guarded against; mysteries concerning
+knives, forks, and plates, or throwing "an old shoe" after the bride,
+are highly reprehensible, and have long been exploded. Such practices
+may seem immaterial, but they are not so. Stranger guests often meet at
+a wedding breakfast; and the good breeding of the family may be somewhat
+compromised by neglect in small things.
+
+If the lady appears at breakfast, which is certainly desirable, she
+occupies, with her husband, the center of the table, and sits by his
+side--her father and mother taking the top and bottom, and showing all
+honor to their guests. When the cake has been cut, and every one is
+helped--when, too, the health of the bride and bridegroom has been
+drunk, and every compliment and kind wish has been duly proffered and
+acknowledged--the bride, attended by her friends, withdraws; and when
+ready for her departure the newly-married couple start off on their
+wedding journey, generally about two or three o'clock, and the rest of
+the company shortly afterward take their leave.
+
+In some circles it is customary to send cards almost immediately to
+friends and relations, mentioning at what time and hour the
+newly-married couple expect to be called upon. Some little inconvenience
+occasionally attends this custom, as young people may wish to extend
+their wedding tour beyond the time first mentioned, or, if they go
+abroad, delays may unavoidably occur. It is therefore better to postpone
+sending cards, for a short time at least.
+
+Fashions change continually with regard to wedding-cards. A few years
+since they were highly ornamented, and fantastically tied together; now
+silver-edged cards are fashionable; but, unquestionably, the plainer and
+more unostentatious a wedding-card, the more lady-like and becoming it
+will be.
+
+No one to whom a wedding-card has not been sent ought to call upon a
+newly-married couple.
+
+When the days named for seeing company arrive, remember to be punctual.
+Call, if possible, the first day, but neither before nor after the
+appointed hour. Wedding-cake and wine are handed round, of which every
+one partakes, and each expresses some kindly wish for the happiness of
+the newly-married couple.
+
+Taking possession of their home by young people is always a joyous
+period. The depressing influence of a wedding breakfast, where often the
+hearts of many are sad, is not felt, and every one looks forward to
+years of prosperity and happiness.
+
+If the gentleman is in a profession, and it happens that he cannot await
+the arrival of such as call, according to invitation on the
+wedding-card, an apology must be made, and, if possible, an old friend
+of the family should represent him. A bride must on no account receive
+her visitors without a mother, or sister, or some friend being present,
+not even if her husband is at home. This is imperative. To do otherwise
+is to disregard the usuages of society. We remember once calling on a
+very young bride, and found her alone. Conjectures were made by every
+visitor with regard to such a strange occurrence, and their surprise was
+still more increased, when it became known that the young lady returned
+her calls equally unattended.
+
+Wedding visits must be returned during the course of a few days, and
+parties are generally made for the newly-married couple, which they are
+expected to return. This does not, however, necessarily entail much
+visiting; neither is it expected from young people, whose resources may
+be somewhat limited, or when the husband has to make his way in the
+world.
+
+
+
+
+DOMESTIC ETIQUETTE AND DUTIES.
+
+
+"The little community to which I gave laws," said the Vicar of
+Wakefield, "was regulated in the following manner:--We all assembled
+early, and after we had saluted each other with proper ceremony, (for I
+always thought fit to keep up some mechanical forms of good breeding,
+without which, freedom ever destroys friendship,) we all knelt in
+gratitude to that Being who gave us another day. So also when we parted
+for the night."
+
+We earnestly recommend that the precepts and example of the good old
+Vicar should be followed and adopted by every newly-married couple. With
+regard to the first, the courtesies of society should never be omitted,
+in even the most trivial matters; and, as respects the second, what
+blessing can be reasonably expected to descend upon a house wherein the
+voice of thanksgiving is never heard, nor yet protection sought by its
+acknowledged head!
+
+On the wife especially devolves the privilege and pleasure of rendering
+home happy. We shall, therefore, speak of such duties and observances as
+pertain to her.
+
+When a young wife first settles in her home, many excellent persons,
+with more zeal, it may be, than discretion, immediately propose that she
+should devote some of her leisure time to charitable purposes: such, for
+instance, as clothing societies for the poor, or schools, or district
+visiting. We say with all earnestness to our young friend, engage in
+nothing of the kind, however laudable, without previously consulting
+your husband, and obtaining his full concurrence. Carefully avoid, also,
+being induced by any specious arguments to attend evening lectures,
+unless he accompanies you. Remember that your Heavenly Father, who has
+given you a home to dwell in, requires from you a right performance of
+its duties. Win your husband, by all gentle appliances, to love
+religion; but do not, for the sake even of a privilege and a blessing,
+leave him to spend his evenings alone. Look often on your marriage ring,
+and remember the sacred vows taken by you when the ring was given; such
+thoughts will go far toward allaying many of these petty vexations which
+circumstances call forth.
+
+Never let your husband have cause to complain that you are more
+agreeable abroad than at home; nor permit him to see in you an object of
+admiration, as respects your dress and manners, when in company, while
+you are negligent of both in the domestic circle. Many an unhappy
+marriage has been occasioned by neglect in these particulars. Nothing
+can be more senseless than the conduct of a young woman, who seeks to be
+admired in general society for her politeness and engaging manners, or
+skill in music, when, at the same time, she makes no effort to render
+her home attractive; and yet that home, whether a palace or a cottage,
+is the very center of her being--the nucleus around which her affections
+should revolve, and beyond which she has comparatively small concern.
+
+Beware of intrusting any individual whatever with small annoyances, or
+misunderstandings, between your husband and yourself, if they unhappily
+occur. Confidants are dangerous persons, and many seek to obtain an
+ascendency in families by gaining the good opinion of young married
+women. Be on your guard, and reject every overture that may lead to
+undesirable intimacy. Should any one presume to offer you advice with
+regard to your husband, or seek to lessen him by insinuations, shun that
+person as you would a serpent. Many a happy home has been rendered
+desolate by exciting coolness or suspicion, or by endeavors to gain
+importance in an artful and insidious manner.
+
+In all money matters, act openly and honorably. Keep your accounts with
+the most scrupulous exactness, and let your husband see that you take an
+honest pride in rightly appropriating the money which he intrusts to
+you. "My husband works hard for every dollar that he earns," said a
+young married lady, the wife of a professional man, to a friend who
+found her busily employed in sewing buttons on her husband's coat, "and
+it seems to me worse than cruel to lay out a dime unnecessarily." Be
+very careful, also, that you do not spend more than can be afforded in
+dress; and be satisfied with such carpets and curtains in your
+drawing-room as befit a moderate fortune, or professional income.
+Natural ornaments, and flowers tastefully arranged, give an air of
+elegance to a room in which the furniture is far from costly; and books
+judiciously placed, uniformly produce a good effect. A sensible woman
+will always seek to ornament her home, and to render it attractive, more
+especially as this is the taste of the present day. The power of
+association is very great; light, and air, and elegance, are important
+in their effects. No wife acts wisely who permits her sitting-room to
+look dull in the eyes of him whom she ought especially to please, and
+with whom she has to pass her days.
+
+In middle life, instances frequently occur of concealment with regard to
+money concerns; thus, for instance, a wife wishes to possess an article
+of dress which is too costly for immediate purchase, or a piece of
+furniture liable to the same objection. She accordingly makes an
+agreement with a seller, and there are many who call regularly at houses
+when the husband is absent on business, and who receive whatever the
+mistress of the house can spare from her expenses. A book is kept by the
+seller, in which payments are entered; but a duplicate is never
+retained by the wife, and therefore she has no check whatever. We have
+known an article of dress paid for in this manner, far above its value,
+and have heard a poor young woman, who has been thus duped, say to a
+lady, who remonstrated with her: "Alas! what can I do? I dare not tell
+my husband." It may be that the same system, though differing according
+to circumstances, is pursued in a superior class of life. We have reason
+to think that it is so, and therefore affectionately warn our younger
+sisters to beware of making purchases that require concealment. Be
+content with such things as you can honorably afford, and such as your
+husbands approve. You can then wear them with every feeling of
+self-satisfaction.
+
+Before dismissing this part of our subject, we beseech you to avoid all
+bickerings. What does it signify where a picture hangs, or whether a
+rose or a pink looks best on the drawing-room table? There is something
+inexpressibly endearing in small concessions, in gracefully giving up a
+favorite opinion, or in yielding to the will of another; and equally
+painful is the reverse. The mightiest rivers have their source in
+streams; the bitterest domestic misery has often arisen from some
+trifling difference of opinion. If, by chance, you marry a man of a
+hasty temper, great discretion is required. Much willingness, too, and
+prayer for strength to rule your own spirit are necessary. Three
+instances occur to us, in which, ladies have knowingly married men of
+exceeding violent tempers, and yet have lived happily. The secret of
+their happiness consisted in possessing a perfect command over
+themselves, and in seeking, by every possible means, to prevent their
+husbands from committing themselves in their presence.
+
+Lastly, remember your standing as a lady, and never approve a mean
+action, nor speak an unrefined word; let all your conduct be such as an
+honorable and right-minded man may look for in his wife, and the mother
+of his children. The slightest duplicity destroys confidence. The least
+want of refinement in conversation, or in the selection of books, lowers
+a woman, ay, and for ever! Follow these few simple precepts, and they
+shall prove to you of more worth than rubies; neglect them, and you will
+know what sorrow is. They apply to every class of society, in every
+place where man has fixed his dwelling; and to the woman who duly
+observes them may be given the beautiful commendation of Solomon, when
+recording the words which the mother of King Lemuel taught him:
+
+"The heart of her husband doth safely trust in her; she will do him
+good, and not evil, all the days of her life. Strength and honor are her
+clothing; and she shall rejoice in time to come. Her children rise up,
+and call her blessed; her husband also, and he praiseth her."--Prov.
+xxxi.
+
+We shall now address ourselves exclusively to our brethren; to them who
+have taken upon themselves the sacred and comprehensive names of husband
+and of master, who have formed homes to dwell in, and have placed
+therein, as their companions through life's pilgrimage, gentle and
+confiding ones, who have left for them all that was heretofore most
+dear, and whom they have sworn to love and to cherish.
+
+When a man marries, it is understood that all former acquaintanceship
+_ends_, unless he intimates a desire to renew it, by sending you his own
+and his wife's card, if near, or by letter, if distant. If this be
+neglected, be sure no further intercourse is desired.
+
+In the first place, a bachelor is seldom _very particular_ in the choice
+of his companions. So long as he is amused, he will associate freely
+enough with those whose morals and habits would point them out as
+highly dangerous persons to introduce into the sanctity of domestic
+life.
+
+Secondly, a married man has the tastes of _another_ to consult; and the
+friend of the _husband_ may not be equally acceptable to the _wife_.
+
+Besides, newly-married people may wish to limit the circle of their
+friends, from praiseworthy motives of economy. When a man first "_sets
+up_" in the world, the burden of an extensive and indiscriminate
+acquaintance may be felt in various ways. Many have had cause to regret
+the weakness of mind which allowed them to plunge into a vortex of
+gaiety and expense they could ill afford, from which they have found it
+difficult to extricate themselves, and the effects of which have proved
+a serious evil to them in after-life.
+
+Remember that you have now, as a married man, a very different standing
+in society from the one which you previously held, and that the
+happiness of another is committed to your charge. Render, therefore,
+your home happy by kindness and attention to your wife, and carefully
+watch over your words and actions. If small disputes arise, and your
+wife has not sufficient good sense to yield her opinion; nay, if she
+even seems determined to have her own way, and that tenaciously, do not
+get angry; rather be silent, and let the matter rest. An opportunity
+will soon occur of speaking affectionately, yet decidedly, on the
+subject, and much good will be effected. Master your own temper, and you
+will soon master your wife's; study her happiness without yielding to
+any caprices, and you will have no reason to regret your self-control.
+
+Never let your wife go to church alone on Sunday. You can hardly do a
+worse thing as regards her good opinion of you, and the well-being of
+your household. It is a pitiable sight to see a young wife going toward
+the church-door unattended, alone in the midst of a crowd, with her
+thoughts dwelling, it may be very sadly, on the time when you were proud
+to walk beside her. Remember that the condition of a young bride is
+often a very solitary one; and that for your sake she has left her
+parents' roof, and the companionship of her brothers and sisters. If you
+are a professional man, your wife may have to live in the neighborhood
+of a large city, where she scarcely knows any one, and without those
+agreeable domestic occupations, or young associates, among whom she had
+grown up. Her garden and poultry-yard are hers no longer, and the day
+passes without the light of any smile but yours. You go off, most
+probably after breakfast, to your business or profession, and do not
+return till a late dinner; perhaps even not then, if you are much
+occupied, or have to keep up professional connections. It seems unmanly,
+certainly most unkind, to let your young wife go to church on Sunday
+without you, for the common-place satisfaction of lounging at home. To
+act in this manner is certainly a breach of domestic etiquette. Sunday
+is the only day in which you can enable her to forget her father's
+house, and the pleasant associations of her girlhood days--in which you
+can pay her those attentions which prevent all painful comparisons as
+regards the past. Sunday is a day of rest, wisely and mercifully
+appointed to loose the bonds by which men are held to the world; let it
+be spent by you as becomes the head of a family. Let no temptation ever
+induce you to wish your wife to relinquish attending Divine service,
+merely that she may "idle at home with you." Religion is her safeguard
+amid the trials or temptations of this world. And woe may be to you if
+you seek to withdraw her from its protection!
+
+Much perplexity in the marriage state often arises from want of candor.
+Men conceal their affairs, and expect their wives to act with great
+economy, without assigning any reason why such should be the case; but
+the husband ought frankly to tell his wife the real amount of his
+income; for, unless this is done, she cannot properly regulate her
+expenses. They ought then to consult together as to the sum that can be
+afforded for housekeeping, which should be rather below than above the
+mark. When this is arranged he will find it advantageous to give into
+her hands, either weekly, monthly, or quarterly, the sum that is
+appropriated for daily expenditure, and above all things to avoid
+interfering without absolute necessity. The home department belongs
+exclusively to the wife; the province of the husband is to rule the
+house--hers to regulate its internal movements. True it is, that some
+inexperienced young creatures know but little of household concerns. If
+this occur, have patience, and do not become pettish or ill-humored. If
+too much money is laid out at first, give advice, kindly and firmly, and
+the young wife will soon learn how to perform her new duties.
+
+No good ever yet resulted, or ever will result from unnecessary
+interference. If a man unhappily marries an incorrigible simpleton, or
+spendthrift, he cannot help himself. Such, however, is rarely the case.
+Let a man preserve his own position, and assist his wife to do the same;
+all things will then move together, well and harmoniously.
+
+Much sorrow, and many heart-burnings, may be avoided by judicious
+conduct in the outset of life. Husbands should give their wives all
+confidence. They have intrusted to them their happiness, and should
+never suspect them of desiring to waste their money. Whenever a
+disposition is manifested to do right, express your approbation. Be
+pleased with trifles, and commend efforts to excel on every fitting
+occasion. If your wife is diffident, encourage her, and avoid seeing
+small mistakes. It is unreasonable to add to the embarrassments of her
+new condition, by ridiculing her deficiencies. Forbear extolling the
+previous management of your mother or your sisters. Many a wife has been
+alienated from her husband's family, and many an affectionate heart has
+been deeply wounded by such injudicious conduct; and, as a sensible
+woman will always pay especial attention to the relations of her
+husband, and entertain them with affectionate politeness, the husband on
+his part should always cordially receive and duly attend to her
+relations. The reverse of this, on either side, is often productive of
+unpleasant feelings.
+
+Lastly, we recommend every young married man, who wishes to render his
+home happy, to consider his wife as the light of his domestic circle,
+and to permit no clouds, however small, to obscure the region in which
+she presides. Most women are naturally amiable, gentle, and complying;
+and if a wife becomes perverse, and indifferent to her home, it is
+generally her husband's fault. He may have neglected her happiness; but
+nevertheless it is unwise in her to retort, and, instead of faithfully
+reflecting the brightness that still may shine upon her, to give back
+the dusky and cheerless hue which saddens her existence. Be not selfish,
+but complying, in small things. If your wife dislikes cigars--and few
+young women like to have their clothes tainted by tobacco--leave off
+smoking; for it is, at best, an ungentlemanly and dirty habit. If your
+wife asks you to read to her, do not put your feet upon a chair and go
+to sleep. If she is fond of music, accompany her as you were wont when
+you sought her for a bride. The husband may say that he is tired, and
+does not like music, or reading aloud. This may occasionally be true,
+and no amiable woman will ever desire her husband to do what would
+really weary him. We, however, recommend a young man to practice
+somewhat of self-denial, and to remember that no one acts with a due
+regard to his own happiness who lays aside, when married, those
+gratifying attentions which he was ever ready to pay the lady of his
+love; or those rational sources of home enjoyment which made her look
+forward with a bounding heart to become his companion through life.
+
+Etiquette is a comprehensive term; and its observances are nowhere more
+to be desired than in the domestic circle.
+
+
+
+
+ON GENERAL SOCIETY.
+
+
+To cultivate the art of pleasing is not only worthy of our ambition, but
+it is the dictate of humanity to render ourselves as agreeable as
+possible to those around us. While, therefore, we condemn that false
+system of philosophy which recommends the practice of flattery and
+deception for the purpose of winning the regard of those with whom we
+come in contact, we would rather urge the sincere and open conduct which
+is founded on moral principle, and which looks to the happiness of
+others, not through any sordid and selfish aim, but for the reward which
+virtuous actions bestow. Indeed, we do not discover the necessity of
+duplicity and hypocrisy in our intercourse with society. The virtues and
+the graces are not antagonistic. The sacrifice of personal convenience
+for the accommodation of others; the repression of our egotism and
+self-esteem; the occasional endurance of whatever is disagreeable or
+irksome to us through consideration for the infirmities of others, are
+not only some of the characteristics of true politeness, but are in the
+very spirit of benevolence, and, we might add, religion.
+
+The English have a rule of etiquette, that if you are introduced to a
+person of higher position in society than yourself, you must never
+recognize him when you meet, until you see whether he intends to notice
+you. The meaning of this rule is, that you should be polite to nobody
+until you see whether they mean to be polite to you, which is simply
+refusing politeness in the name of politeness itself. There is a story
+of an unfortunate clerk of the Treasury, who dined one day at the
+Beef-steak Club, where he sat next to a duke, who conversed freely with
+him at dinner. The next day, meeting the duke in the street, he saluted
+him. But his grace, drawing himself up, said: "May I know, sir, to whom
+I have the honor of speaking?" "Why, we dined together at the club
+yesterday--I am Mr. Timms, of the Treasury," was the reply. "Then," said
+the duke, turning on his heel, "Mr. Timms, of the Treasury, I wish you
+_a good morning_." Though this anecdote is related in the English books
+as an example of etiquette, it is undoubtedly true that Mr. Timms, of
+the Treasury, was the politest man of the two; for even if he had made a
+mistake in being a little familiar in his politeness, had the duke been
+really a polite man he would have made the best of it, by returning the
+salutation, instead of the brutal mortification which he heaped upon the
+clerk of the Treasury. Everybody has read the anecdote of Washington,
+who politely returned the salutation of a negro, which caused his friend
+to ask if he "bowed to a negro." "To be sure I do; do you think that I
+would allow a negro to outdo me in politeness?" said Washington. This is
+the American rule. Everybody in this country may be polite to
+everybody--and if any one is too haughty and too ill-bred to return the
+salutation, with him alone rests the responsibility and the shame.
+
+A lady in company should never exhibit any anxiety to sing or play; but
+if she intends to do so, she should not affect to refuse when asked, but
+obligingly accede at once. If you cannot sing, or do not choose to, say
+so with seriousness and gravity, and put an end to the expectation
+promptly. After singing once or twice, cease and give place to others.
+There is an old saying, that a singer can with the greatest difficulty
+be set agoing, and when agoing, cannot be stopped.
+
+Never commend a lady's musical skill to another lady who herself plays.
+
+Modern Chesterfields, who pretend to be superlatively well-bred, tell
+one never to be "in a hurry." "To be in a hurry," say they, "is
+ill-bred." The _dictum_ is absurd. It is sometimes necessary to be
+hurried. In the streets of the city one must hasten with the multitude.
+To walk or lounge, as people who have nothing else to do, in Wall
+Street, or Broadway, would be out of place and absurd. Judgment requires
+us, not less than manners, to conform slightly with the behavior of
+those with whom we associate or are forced to remain.
+
+Never lose your temper at cards, and particularly avoid the exhibition
+of anxiety or vexation at want of success. If you are playing whist, not
+only keep your temper, but hold your tongue; any intimation to your
+partner is decidedly ungentlemanly.
+
+Do not take upon yourself to do the honors in another man's house, nor
+constitute yourself master of the ceremonies, as you will thereby offend
+the host and hostess.
+
+Do not press before a lady at a theater or a concert. Always yield to
+her, if practicable, your seat and place. Do not sit when she is
+standing, without offering her your place. Consult not only your own
+ease, but also the comfort of those around you.
+
+Do not cross a room in an anxious manner, and force your way up to a
+lady merely to receive a bow, as by so doing you attract the eyes of the
+company toward her. If you are desirous of being noticed by any one in
+particular, put yourself in their way as if by accident, and do not let
+them _see_ that you have sought them out; unless, indeed, there be
+something very important to communicate.
+
+Gentlemen who attend ladies to the opera, to concerts, to lectures,
+etc., should take off their hats on entering the room, and while showing
+them their seats. Having taken your seats remain quietly in them, and
+avoid, unless absolute necessity requires it, incommoding others by
+crowding out and in before them. If obliged to do this, politely
+apologize for the trouble you cause them. To talk during the performance
+is an act of rudeness and injustice. You thus proclaim your own
+ill-breeding and invade the rights of others, who have paid for the
+privilege of hearing the performers, and not for listening to you.
+
+If you are in attendance upon a lady at any opera, concert, or lecture,
+you should retain your seat at her side; but if you have no lady with
+you, and have taken a desirable seat, you should, if need be, cheerfully
+relinquish it in favor of a lady, for one less eligible.
+
+To the opera, or theater, ladies should wear opera hoods, which are to
+be taken off on entering. In this country, custom permits the wearing of
+bonnets; but as they are neither convenient nor comfortable, ladies
+should dispense with their use whenever they can.
+
+Gloves should be worn by ladies in church, and in places of public
+amusement. Do not take them off to shake hands. Great care should be
+taken that they are well made and fit neatly.
+
+If you would have your children grow up beloved and respected by their
+elders as well as their contemporaries, teach them good manners in their
+childhood. The young sovereign should first learn to obey, that he may
+be the better fitted to command in his turn.
+
+Show, but do not show off, your children to strangers. Recollect, in the
+matter of children, how many are born every hour, each one almost as
+remarkable as yours in the eyes of its papa and mamma.
+
+Notwithstanding that good general breeding is easy of attainment, and
+is, in fact, attained by most people, yet we may enlarge upon a saying
+of Emerson's, by declaring that the world has never yet seen "a perfect
+gentleman."
+
+It is not deemed polite and respectful to smoke in the presence of
+ladies, even though they are amiable enough to permit it. A gentleman,
+therefore, is not in the habit of smoking in the parlor, for if there is
+nobody present to object, it leaves a smell in the room which the wife
+has good reason to be mortified at, if discovered by her guests.
+
+It is very common to see persons eat, drink, and smoke to excess. Such
+habits are vulgar in the lowest degree. Some men pride themselves on
+their abilities in drinking and smoking--more especially in the latter.
+These are blunders that need no reasoning to expose them. The man who
+exhibits a tendency to excesses will, sooner or later, be shunned by all
+except a few of his own stamp, and not even by them be respected. Guard
+against excess in all things, as neither gentlemanly nor human.
+
+Spitting is a filthy habit, and annoys one in almost every quarter,
+in-doors and out. Since vulgarity has had its way so extensively amongst
+us, every youth begins to smoke and spit before he has well cut his
+teeth. Smoking is unquestionably so great a pleasure to those accustomed
+to it, that it must not be condemned, yet the spitting associated with
+it detracts very much from the enjoyment. No refined person will spit
+where ladies are present, or in any public promenade; the habit is
+disgusting in the extreme, and one would almost wish that it could be
+checked in public by means of law.
+
+Never scratch your head, pick your teeth, clean your nails, or, worse
+than all, pick your nose in company; all these things are disgusting.
+
+To indulge in ridicule, whether the subject be present or absent, is to
+descend below the level of gentlemanly propriety. Your skill may excite
+laughter, but will not insure respect.
+
+A reverential regard for religious observances, and religious opinions,
+is a distinguishing trait of a refined mind. Whatever your opinions on
+the subject, you are not to intrude them on others, perhaps to the
+shaking of their faith and happiness. Religious topics should be avoided
+in conversation, except where all are prepared to concur in a respectful
+treatment of the subject. In mixed societies the subject should never be
+introduced.
+
+Frequent consultation of the watch or time-pieces is impolite, either
+when at home or abroad. If at home, it appears as if you were tired of
+your company and wished them to be gone; if abroad, as if the hours
+dragged heavily, and you were calculating how soon you would be
+released.
+
+Never read in company. A gentleman or lady may, however, look over a
+book of engravings with propriety.
+
+The simpler, and the more easy and unconstrained your manners, the more
+you will impress people of your good breeding. _Affectation_ is one of
+the brazen marks of vulgarity.
+
+It is very unbecoming to exhibit petulance, or angry feeling, though it
+is indulged in so largely in almost every circle. The true gentleman
+does not suffer his countenance to be easily ruffled; and we only look
+paltry when we suffer temper to hurry us into ill-judged expressions of
+feeling. "He that is soon angry dealeth foolishly."
+
+Commands should never be given in a commanding tone. A gentleman
+requests, he does not command. We are not to assume so much importance,
+whatever our station, as to give orders in the "imperative mood," nor
+are we ever justified in thrusting the consciousness of servitude on any
+one. The blunder of commanding sternly is most frequently committed by
+those who have themselves but just escaped servitude, and we should not
+exhibit to others a weakness so unbecoming.
+
+It is a great thing to be able to _walk like a gentleman_--that is, to
+get rid of the awkward, lounging, swinging gait of a clown, and stop
+before you reach the affected and flippant step of a dandy. In short,
+nothing but _being a gentleman_ can ever give you the air and step of
+one. A man who has a shallow or an impudent brain will be quite sure to
+show it in his heels, in spite of all that rules of manners can do for
+him.
+
+A gentleman never sits in the house with his hat on in the presence of
+ladies for a single moment. Indeed, so strong is the force of habit,
+that a gentleman will quite unconsciously remove his hat on entering a
+parlor, or drawing-room, even if there is no one present but himself.
+People who sit in the house with their hats on are to be suspected of
+having spent the most of their time in bar-rooms, and similar places. _A
+gentleman never sits with his hat on in the theater._ Gentlemen do not
+generally sit even in an eating-room with their hats on, if there is any
+convenient place to put them.
+
+The books on etiquette will tell you, that on waiting on a lady into a
+carriage, or the box of a theater, you are to take off your hat; but
+such _is not_ the custom among polite people in this country. The
+inconvenience of such a rule is a good reason against its observance in
+a country where the practice of politeness has in it nothing of the
+servility which is often attached to it in countries where the code of
+etiquette is dictated by the courts of monarchy. In handing a lady into
+a carriage, a gentleman _may_ need to employ both his hands, and he has
+no third hand to hold on to his hat.
+
+Cleanliness of person is a distinguishing trait of every well-bred
+person; and this not on state occasions only, but at all times, even at
+home. It is a folly to sit by the fire in a slovenly state, consoling
+oneself with the remark, "Nobody will call to-day." Should somebody call
+we are in no plight to receive them, and otherwise it is an injury to
+the character to allow slovenly habits to control us even when we are
+unseen.
+
+Chesterfield inveighs against holding a man by the button, "for if
+people are not willing to hear you, you had much better hold your tongue
+than them." Button-holing is not a common vice, but pointing, nudging,
+hitting a man in the side with your fist, or giving him a kick of
+recognition under the table, are too common not to be noticed here as
+terrible breaches of deportment. Significant looks and gestures are
+equally objectionable, and must be avoided by all who desire to soar
+above positive vulgarity. I have often been annoyed by hearing a friend
+discourse on some person's failings or excellences, the person referred
+to being only known to the speaker. It is a bad rule to talk of persons
+at all, but more especially if the person spoken of is not known to all
+the listeners.
+
+Do not offer a person the chair from which you have just risen, unless
+there be no other in the room.
+
+Never take the chair usually occupied by the lady or gentleman of the
+house, even though they be absent, nor use the snuff-box of another,
+unless he offer it.
+
+Do not lean your head against the wall. You will either soil the paper,
+or get your hair well powdered with lime.
+
+Do not touch any of the ornaments in the houses where you visit; they
+are meant only for the use of the lady of the house, and may be admired,
+but not touched.
+
+Lord Chesterfield, in his "Advice to his Son," justly characterizes an
+absent man as unfit for business or conversation. Absence of mind is
+usually affected, and springs in most cases from a desire to be thought
+abstracted in profound contemplations. The world, however, gives a man
+no credit for vast ideas who exhibits absence when he should be
+attentive, even to trifles. The world is right in this, and I would
+implore every studious youth to forget that he is studious when he
+enters company. I have seen many a man, who would have made a bright
+character otherwise, affect a foolish reserve, remove himself as far
+from others as possible, and in a mixed assembly, where social prattle
+or sincere conversation enlivened the hearts of the company, sit by
+himself abstracted in a book. It is foolish, and, what is worse for the
+absentee, it looks so. A hint on this subject is sufficient, and we do
+hint, that abstractedness of manner should never be exhibited; the
+greatest geniuses have ever been attentive to trifles when it so
+behooved them.
+
+Affectation of superiority galls the feelings of those to whom it is
+offered. In company with an inferior, never let him feel his
+inferiority. An employer, who invites his confidential clerk to his
+house, should treat him in every way the same as his most distinguished
+guest. No reference to business should be made, and anything in the
+shape of command avoided. It is very easy by a look, a word, the mode of
+reception, or otherwise, to advertise to the other guests, "This is my
+clerk," or, "The person I now treat as a guest was yesterday laboring in
+my service;" but such a thing would lower the host more than it would
+annoy the guest. Before Burns had arrived at his high popularity, he was
+once invited by some puffed-up lairds to dine, in order that they
+might have the gratification of hearing the poet sing one of his own
+songs. Burns was shown into the servants' hall, and left to dine with
+the menials. After dinner he was invited to the drawing-room, and a
+glass of wine being handed to him, requested to sing one of his own
+songs. He immediately gave his entertainers that thrilling assertion of
+independence, "A man's a man for a' that," and left the moment he had
+finished, his heart embittered at patronage offered in a manner so
+insulting to his poverty.
+
+People who have risen in the world are too apt to suppose they render
+themselves of consequence _in proportion to the pride they display_, and
+their want of attention toward those with whom they come in contact.
+This is a terrible mistake, as every ill-bred act recoils with triple
+violence against its perpetrators, by leading the offended parties to
+analyze them, and to question their right of assuming a superiority to
+which they are but rarely entitled.
+
+Punctuality is one of the characteristics of politeness. He who does not
+keep his appointments promptly is unfit for the society of gentlemen,
+and will soon find himself shut out from it.
+
+In private, watch your thoughts; in your family, watch your temper; in
+society, watch your tongue.
+
+Avoid restlessness in company, lest you make the whole party as fidgety
+as yourself. "Do not beat the 'Devil's tattoo' by drumming with your
+fingers on the table; it cannot fail to annoy every one within hearing,
+and is the index of a vacant mind. Neither read the newspaper in an
+audible whisper, as it disturbs the attention of those near you. Both
+these bad habits are particularly offensive where most common, that is,
+in a counting or news-room. Remember, that a carelessness as to what may
+incommode others is the sure sign of a coarse and ordinary mind;
+indeed, the essential part of good breeding is more in the avoidance of
+whatever may be disagreeable to others, than even an accurate observance
+of the customs of good society."
+
+Good sense must, in many cases, determine good breeding; because the
+same thing that would be civil at one time and to one person, may be
+quite otherwise at another time and to another person.
+
+Chesterfield says, "As learning, honor, and virtue are absolutely
+necessary to gain you the esteem and admiration of mankind, politeness
+and good breeding are equally necessary to make you welcome and
+agreeable in conversation and common life. Great talents, such as honor,
+virtue, learning, and parts, are above the generality of the world, who
+neither possess them themselves nor judge of them rightly in others; but
+all people are judges of the lesser talents, such as civility,
+affability, and an obliging, agreeable address and manner; because they
+feel the good effects of them, as making society easy and pleasing."
+
+If you are in a public room, as a library or reading-room, avoid loud
+conversation or laughing, which may disturb others. At the opera, or a
+concert, be profoundly silent during the performances; if you do not
+wish to hear the music, you have no right to interfere with the
+enjoyment of others.
+
+In accompanying ladies to any public place, as to a concert or lecture,
+you should precede them in entering the room, and procure seats for
+them.
+
+Never allow a lady to get a chair for herself, ring a bell, pick up a
+handkerchief or glove she may have dropped, or, in short, perform any
+service for herself which you can perform for her, when you are in the
+room. By extending such courtesies to your mother, sisters, or other
+members of your family, they become habitual, and are thus more
+gracefully performed when abroad.
+
+Etiquette in church is entirely out of place; but we may here observe
+that a conversation wantonly profligate always offends against good
+manners, nor can an irreligious man ever achieve that bearing which
+constitutes the true gentleman. He may be very polished and observant of
+form, and even if so, he will, out of respect for others, refrain from
+intruding his opinions and abstain from attacking those of others.
+
+Chesterfield says, "Civility is particularly due to all women; and,
+remember, that no provocation whatsoever can justify any man in not
+being civil to every woman; and the greatest man would justly be
+reckoned a brute if he were not civil to the meanest woman. It is due to
+their sex, and is the only protection they have against the superior
+strength of ours; nay, even a little is allowable with women; and a man
+may, without weakness, tell a woman she is either handsomer or wiser
+than she is."
+
+Keep your engagements. Nothing is ruder than to make an engagement, be
+it of business or pleasure, and break it. If your memory is not
+sufficiently retentive to keep all the engagements you make stored
+within it, carry a little memorandum book and enter them there.
+Especially keep any appointment made with a lady, for, depend upon it,
+the fair sex forgive any other fault in good breeding, sooner than a
+broken engagement.
+
+The right of privacy is sacred, and should always be respected. It is
+exceedingly improper to enter a private room anywhere without knocking.
+No relation, however intimate, will justify an abrupt intrusion upon a
+private apartment. So the trunks, boxes, packets, papers, and letters of
+every individual, locked or unlocked, sealed or unsealed, are sacred. It
+is ill-manners even to open a book-case, or to read a written paper
+lying open, without permission expressed or implied. Books in an open
+case or on a center-table, cards in a card-case, and newspapers, are
+presumed to be open for examination. Be careful where you go, what you
+read, and what you handle, particularly in private apartments.
+
+Avoid intermeddling with the affairs of others. This is a most common
+fault. A number of people seldom meet but they begin discussing the
+affairs of some one who is absent. This is not only uncharitable but
+positively unjust. It is equivalent to trying a _cause in the absence of
+the person implicated_. Even in the criminal code a prisoner is presumed
+to be innocent until he is found guilty. Society, however, is less just,
+and passes judgment without hearing the defence. Depend upon it, as a
+certain rule, _that the people who unite with you in discussing the
+affairs of others will proceed to scandalize you the moment that you
+depart_.
+
+Be well read also, for the sake of the general company and the ladies,
+in the literature of the day. You will thereby enlarge the regions of
+pleasurable talk. Besides, it is often necessary. Haslitt, who had
+entertained an unfounded prejudice against Dickens's works when they
+were first written, confesses that he was at last obliged to read them,
+because he could not enter a mixed company without hearing them admired
+and quoted.
+
+Always conform your conduct, as near as possible, to the company with
+whom you are associated. If you should be thrown among people who are
+vulgar, it is better to humor them than to set yourself up, then and
+there, for a model of politeness. It is related of a certain king that
+on a particular occasion he turned his tea into his saucer, contrary to
+the etiquette of society, because two country ladies, whose
+hospitalities he was enjoying, did so. That king was a gentleman; and
+this anecdote serves to illustrate an important principle: namely, that
+true politeness and genuine good manners often not only permit, but
+absolutely demand, a violation of some of the arbitrary rules of
+etiquette. Bear this fact in mind.
+
+Although these remarks will not be sufficient in themselves to _make_
+you a _gentleman_, yet they will enable you to avoid any glaring
+impropriety, and do much to render you easy and confident in society.
+
+Gentility is neither in birth, manner, nor fashion--but in _the_ MIND. A
+high sense of honor--a determination never to take a mean advantage of
+another--an adherence to truth, delicacy, and politeness toward those
+with whom you may have dealings--are the essential and distinguishing
+characteristics of A GENTLEMAN.
+
+
+THE END.
+
+
+
+
+TRANSCRIBER'S NOTES
+
+
+Italics indicated _like this_
+
+Small caps capitalized LIKE THIS
+
+Other than corrections listed below, inconsistent spellings and other
+anomalies are as in original.
+
+ p. 5 "withuot" corrected to "without"
+ p. 13 double word "heard" corrected
+ p. 21 "there" corrected to "their"
+ p. 22 closing quotation mark added to block quotation
+ p. 27 "sermom" corrected to "sermon"
+ p. 43 "fluctating" corrected to "fluctuating"
+ p. 49 "unmindul" corrected to "unmindful"
+ p. 50 missing comma supplied after "one who is neither"
+ p. 50 "similiar" corrected to "similar"
+ p. 50 "supenderless" corrected to "suspenderless"
+ p. 53 quotation mark supplied after "superficial observer."
+ p. 56 "four and-twenty" corrected to "four-and-twenty"
+ p. 61 "repectability" corrected to "respectability"
+ p. 62 "uneviable" corrected to "unenviable"
+ p. 70 "digusting" corrected to "disgusting"
+ p. 73 "you" corrected to "your"
+ p. 76 "alllowed" corrected to "allowed"
+ p. 76 "canibals" corrected to "cannibals"
+ p. 77 "you knife" corrected to "your knife"
+ p. 83 superfluous comma removed in "very, large"
+ p. 84 missing "a" supplied in "find good carver"
+ p. 108 period supplied after "each other at a party"
+ p. 115 "entranc" corrected to "entrance"
+ p. 115 final period supplied in footnote
+ p. 125 final period supplied after "been afforded them"
+ p. 146 "judicioulsy" corrected to "judiciously"
+ p. 148 "unless he intimate" corrected to "unless he intimates"
+ p. 148 "intercourse it desired" corrected to "intercourse is desired"
+ p. 149 double word "to" corrected
+ p. 151 "departmemt" corrected to "department"
+ p. 151 "husbands should" at start of sentence capitalized
+ p. 158 "digusting" corrected to "disgusting"
+ p. 159 "thought it is" corrected to "though it is"
+ p. 161 double word "call" corrected
+
+
+
+
+
+End of the Project Gutenberg EBook of Martine's Hand-book of Etiquette, and
+Guide to True Politeness, by Arthur Martine
+
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+<pre>
+
+The Project Gutenberg EBook of Martine's Hand-book of Etiquette, and Guide
+to True Politeness, by Arthur Martine
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Martine's Hand-book of Etiquette, and Guide to True Politeness
+
+Author: Arthur Martine
+
+Release Date: May 6, 2011 [EBook #36048]
+
+Language: English
+
+Character set encoding: ASCII
+
+*** START OF THIS PROJECT GUTENBERG EBOOK MARTINE'S HAND-BOOK OF ETIQUETTE ***
+
+
+
+
+Produced by Julia Miller, Matthew Wheaton and the Online
+Distributed Proofreading Team at https://www.pgdp.net (This
+file was produced from images generously made available
+by The Internet Archive/American Libraries.)
+
+
+
+
+
+
+</pre>
+
+<div>
+
+<h1 id="booktitle">
+MARTINE'S<br />
+HAND-BOOK OF ETIQUETTE,<br />
+AND<br />
+GUIDE TO TRUE POLITENESS.
+</h1>
+
+<p class="h5">A COMPLETE MANUAL FOR THOSE WHO DESIRE TO UNDERSTAND THE<br />
+RULES OF GOOD BREEDING, THE CUSTOMS OF GOOD SOCIETY,<br />
+AND TO AVOID INCORRECT AND VULGAR HABITS,</p>
+
+<p class="h5">CONTAINING</p>
+
+<div id="columns">
+ <div class="left column">
+ <p class="sinistra">
+ <i>Clear and Comprehensive Directions for Correct Manners, Dress, and Conversation</i>;
+ </p>
+ <p class="sinistra"><i>Instructions for Good Behavior at Dinner Parties, and the Table, with Hints on the Art of Carving and Taking Wine at Table</i>;
+ </p>
+ </div>
+
+ <div class="right column">
+ <p class="dextra">
+ <i>Together with the Etiquette of the Ball and Assembly Room, Evening Parties</i>;
+ </p>
+ <p class="dextra">
+ <i>Deportment in the Street and when Travelling</i>;
+ </p>
+ <p class="dextra"><i>And the Usages to be Observed when Visiting or Receiving Calls.</i></p>
+ </div>
+ </div>
+<p>&nbsp;</p>
+<p class="h5">TO WHICH IS ADDED</p>
+
+<p class="h6">THE ETIQUETTE OF COURTSHIP, MARRIAGE, DOMESTIC DUTIES,
+AND FIFTY-SIX RULES TO BE OBSERVED IN
+GENERAL SOCIETY.</p>
+
+<p class="h4"><span class="smcap">By</span> ARTHUR MARTINE.</p>
+
+<p class="spacer">&nbsp;</p>
+
+<p class="h4">NEW YORK:<br />
+DICK &amp; FITZGERALD, PUBLISHERS.</p>
+
+<p class="spacer">&nbsp;</p>
+
+<p class="h6">Entered according to Act of Congress, in the year 1866, by<br />
+<br />
+DICK &amp; FITZGERALD,<br />
+<br />
+In the Clerk's office of the District Court of the United States for the Southern
+District of New York.</p>
+
+<p class="spacer">&nbsp;</p>
+
+<div class="trnote">
+<p class="cen">Transcriber's Note:</p>
+<p class="noin">Obvious typographical
+errors have been corrected. For a
+complete list, please see the <a href="#TN"> end&nbsp;of&nbsp;this&nbsp;document</a>.</p>
+</div>
+
+<p class="spacer">&nbsp;</p>
+
+<p class="h3"><a name="ToC" id="ToC"></a>CONTENTS.</p>
+
+<div class="centered">
+<table border="0" cellpadding="4" cellspacing="0" width="80%" summary="Table of Contents">
+<tr>
+ <td class="tdl">General Observations</td>
+ <td class="tdr"><a href="#Page_5">5</a></td>
+</tr>
+<tr>
+ <td class="tdl">The Art of Conversation</td>
+ <td class="tdr"><a href="#Page_8">8</a></td>
+</tr>
+<tr>
+ <td class="tdl">General Rules for Conversation</td>
+ <td class="tdr"><a href="#Page_24">24</a></td>
+</tr>
+<tr>
+ <td class="tdl">On Dress</td>
+ <td class="tdr"><a href="#Page_48">48</a></td>
+</tr>
+<tr>
+ <td class="tdl">Introductions</td>
+ <td class="tdr"><a href="#Page_57">57</a></td>
+</tr>
+<tr>
+ <td class="tdl">Letters of Introduction</td>
+ <td class="tdr"><a href="#Page_61">61</a></td>
+</tr>
+<tr>
+ <td class="tdl">Dinner Parties</td>
+ <td class="tdr"><a href="#Page_63">63</a></td>
+</tr>
+<tr>
+ <td class="tdl">Habits at Table</td>
+ <td class="tdr"><a href="#Page_67">67</a></td>
+</tr>
+<tr>
+ <td class="tdl">Wine at Table</td>
+ <td class="tdr"><a href="#Page_74">74</a></td>
+</tr>
+<tr>
+ <td class="tdl">Carving</td>
+ <td class="tdr"><a href="#Page_82">82</a></td>
+</tr>
+<tr>
+ <td class="tdl">Etiquette of the Ball and Assembly Room</td>
+ <td class="tdr"><a href="#Page_93">93</a></td>
+</tr>
+<tr>
+ <td class="tdl">Evening Parties</td>
+ <td class="tdr"><a href="#Page_104">104</a></td>
+</tr>
+<tr>
+ <td class="tdl">Visiting</td>
+ <td class="tdr"><a href="#Page_113">113</a></td>
+</tr>
+<tr>
+ <td class="tdl">Street Etiquette</td>
+ <td class="tdr"><a href="#Page_127">127</a></td>
+</tr>
+<tr>
+ <td class="tdl">Traveling</td>
+ <td class="tdr"><a href="#Page_133">133</a></td>
+</tr>
+<tr>
+ <td class="tdl">Marriage</td>
+ <td class="tdr"><a href="#Page_136">136</a></td>
+</tr>
+<tr>
+ <td class="tdl">Domestic Etiquette and Duties</td>
+ <td class="tdr"><a href="#Page_144">144</a></td>
+</tr>
+<tr>
+ <td class="tdl">On General Society</td>
+ <td class="tdr"><a href="#Page_154">154</a></td>
+</tr>
+</table></div>
+
+<hr class="chapter" />
+
+<p><span class="pagenum"><a name="Page_5" id="Page_5">[5]</a></span></p>
+
+<h2>GENERAL OBSERVATIONS.</h2>
+<p><span class="smcap">Politeness</span> has been defined as an "artificial good-nature;"
+but it would be better said that <i>good-nature is natural
+politeness</i>. It inspires us with an unremitting attention, both
+to please others and to avoid giving them offence. Its code
+is a ceremonial, agreed upon and established among mankind,
+to give each other external testimonies of friendship
+or respect. <i>Politeness</i> and <i>etiquette</i> form a sort of supplement
+to the law, which enables society to protect itself
+against offences which the <i>law</i> cannot touch. For instance,
+the law cannot punish a man for habitually staring at people
+in an insolent and annoying manner, but <i>etiquette</i> can
+banish such an offender from the circles of good society,
+and fix upon him the brand of vulgarity. <i>Etiquette</i> consists
+in certain forms, ceremonies, and rules which the
+<i>principle of politeness</i> establishes and enforces for the
+regulation of the manners of men and women in their
+intercourse with each other.</p>
+
+<p>Many unthinking persons consider the observance of
+etiquette to be nonsensical and unfriendly, as consisting of
+unmeaning forms, practiced only by the <i>silly</i> and the idle;
+an opinion which arises from their not having reflected on
+the <i>reasons</i> that have led to the establishment of certain
+rules indispensable to the well-being of society, and without
+which, indeed, it would inevitably fall to pieces, and
+be destroyed.<span class="pagenum">[6]</span></p>
+<p>The true aim of politeness, is to make those with whom
+you associate as well satisfied with themselves as possible.
+It does not, by any means, encourage an impudent self-importance
+in them, but it does whatever it can to accommodate
+their feelings and wishes in social intercourse.
+Politeness is a sort of social benevolence, which avoids
+wounding the pride, or shocking the prejudices of those
+around you.</p>
+
+<p>The principle of politeness is the same among all nations,
+but the ceremonials which etiquette imposes differ according
+to the taste and habits of various countries. For
+instance, many of the minor rules of etiquette at Paris
+differ from those at London; and at New York they may
+differ from both Paris and London. But still the polite of
+every country have about the same manners.</p>
+
+<p>Of the manners and deportment of both ladies and gentlemen,
+we would remark that a proper consideration for
+the welfare and comfort of others will generally lead to a
+greater propriety of demeanor than any rules which the
+most rigid master of etiquette could supply. This feeling,
+however, is one that must be cultivated, for the promptings
+of nature are eminently selfish, and courtesy and good-breeding
+are only attainable by effort and discipline.
+But even courtesy has limits where dignity should govern
+it, for when carried to excess, particularly in manner, it
+borders on sycophancy, which is almost as despicable as
+rudeness. To overburden people with attention; to render
+them uncomfortable with a prodigality of proffered
+services; to insist upon obligations which they do not
+desire, is not only to render yourself disagreeable, but
+contemptible. This defect of manners is particularly prevalent
+in the rural districts, where the intense effort to
+render a visitor comfortable has exactly the contrary effect;
+besides, there are those whose want of refinement and
+good breeding often leads them to an unwarrantable familiarity,
+which requires coldness and indifference to subdue.<span class="pagenum">[7]</span></p>
+
+<p>Much misconstruction and unpleasant feeling arises,
+especially in country towns, from not knowing what is
+"<i>expected</i>," or necessary to be done on certain occasions,
+resulting sometimes from the prevalence of local customs,
+with which the world in general are not supposed to be
+acquainted. "To do in Rome as the Romans do," applies
+to every kind of society. At the same time, you can never
+be expected to commit a serious breach of manners because
+your neighbors do so.</p>
+
+<p>But what you should do, and what not, in particular
+cases, you will learn in the following chapters. I have
+only now to say, that if you wish to be agreeable, which is
+certainly a good and religious desire, you must both study
+how to be so, and take the trouble to put your studies into
+constant practice. The fruit you will soon reap. You
+will be generally liked and loved. The gratitude of those
+to whom you have devoted yourself will be shown in speaking
+well of you; you will become a desirable addition to
+every party, and whatever your birth, fortune, or position,
+people will say of you, "He is a most agreeable and well-bred
+man," and be glad to introduce you to good society.
+But you will reap a yet better reward. You will have in
+yourself the satisfaction of having taken trouble and made
+sacrifices in order to give pleasure and happiness for the
+time to others. How do you know what grief or care you
+may not obliterate, what humiliation you may not alter to
+confidence, what anxiety you may not soften, what&mdash;last,
+but really not least&mdash;what intense dullness you may not
+enliven? If this work assist you in becoming an agreeable
+member of good society, I shall rejoice at the labor it has
+given me.</p>
+
+<hr class="chapter" />
+
+<p><span class="pagenum"><a name="Page_8" id="Page_8">[8]</a></span></p>
+
+<h2>THE ART OF CONVERSATION.</h2>
+<p><span class="smcap">As</span> the object of conversation is pleasure and improvement,
+those subjects only which are of universal interest
+can be made legitimate topics of pleasantry or discussion.
+And it is the gift of expressing thoughts and fancies in a
+quick, brilliant, and graceful manner on such topics,&mdash;of
+striking out new ideas, eliciting the views and opinions
+of others, of attaching the interest of all to the subject discussed,
+giving it, however trifling in itself, weight and
+importance in the estimation of the hearers, that constitutes
+the great talent for conversation. But this talent
+can never, we may safely aver, be displayed except in a
+good cause, and when conversation is carried on in a spirit
+of genuine charity and benevolence.</p>
+
+<p>We should meet in society to please and be pleased, and
+not to display cold and stately dignity, which is as much
+out of place, as all attempts to shine by a skillful adherence
+to the fantastic rules of the silver-fork school,
+are puerile and ludicrous. Such little things are great
+to little persons, who are proud of having acquired
+by rote, what the naturally elegant derive, in sufficient
+measure, from naturally just feeling.</p>
+
+<p>The power of preserving silence is the very first requisite
+to all who wish to shine, or even please in discourse; and
+those who cannot preserve it, have really no business to
+speak. Of course, I do not mean the dull, ignorant, sulky,<span class="pagenum">[9]</span>
+or supercilious silence, of which we see enough in all conscience;
+but the graceful, winning and eloquent silence.
+The silence that, without any deferential air, listens with
+polite attention, is more flattering than compliments, and
+more frequently broken for the purpose of encouraging
+others to speak, than to display the listener's own powers.
+This is the really eloquent silence. It requires great genius&mdash;more
+perhaps than speaking&mdash;and few are gifted
+with the talent; but it is of such essential advantage, that
+I must recommend its study to all who are desirous to take
+a share in conversation, and beg they will learn to be
+silent, before they attempt to speak.</p>
+
+<p>Notwithstanding the praise here bestowed on silence, it
+must still be explained that there are various modes of being
+silently rude. There is the rude silence of disdain&mdash;of
+not hearing, of not even deeming your words deserving
+attention or reply. These are minor and mere passive
+modes of impertinence; the direct and active sort of silent
+rudeness is to listen with a fixed and attentive stare on the
+speaker, and without any necessity of raising the eyebrows&mdash;for
+that might be precarious&mdash;show your utter
+amazement, that any one should think of thus addressing
+a person of your rank, wealth, genius, or greatness. There
+are of course various styles and degrees in all these modes
+of impertinence, but they all originate in the same cause:
+ignorance of the real facility of being rude, and a wish to
+acquire distinction by the practice. It is idle to assert
+that every one can be rude if he likes; for, if such were
+the fact, we should not see hosts of persons belonging to
+what is termed good society, seeking fame and renown
+by various shades and degrees of mere impertinence.</p>
+
+<p>Never give short or sharp answers in ordinary conversation,
+unless you aspire to gain distinction by mere rudeness;
+for they have in fact no merit, and are only uncivil.
+"I do not know," "I cannot tell," are the most harmless
+words possible, and may yet be rendered very offensive by<span class="pagenum">[10]</span>
+the tone and manner in which they are pronounced.
+Never reply, in answer to a question like the following,
+"Did Mrs. Spitewell tell you how Miss Rosebud's marriage
+was getting on?" "I did not ask." It is almost like saying,
+I never ask impertinent questions, though you do; we
+learn plenty of things in the world without having first
+inquired about them. If you must say, you did not ask,
+say, that "you forgot to ask," "neglected it," or "did not
+think of it." We can always be ordinarily civil, even if we
+cannot always be absolutely wise.</p>
+
+<p>Except in mere sport and raillery, and where a little
+<i>extravaganza</i> is the order of the moment, always when you
+answer, or speak in reply to an observation made, speak
+to the true and just import of what is said. Leave quibbling
+of every kind to lawyers pleading at the bar for the
+life of a culprit; in society and conversation it is invariably
+out of place, unless when Laughter is going his merry
+round. At all other times it is a proof of bad breeding.</p>
+
+<p>You must not overstretch a proposition, neither must you
+overstretch or spin out a jest, that has done its duty; for
+few can be made to rebound after they have once come to
+the ground.</p>
+
+<p>Another mode of being rude, is to collect, and have at
+command, all the set phrases used by uncivil persons, in
+order to say what they fancy very sharp and severe things.
+Such a collector, jealous perhaps of the attention with
+which a pleasant guest is listened to, may break in upon
+the most harmless discourse with the words, "I think you
+<i>lie</i> under a mistake." The term may in itself be harmless,
+but its application is at all times rude, coarse and decidedly
+vulgar.</p>
+
+<p>La Bruy&egrave;re tells us that "rudeness is not a fixed and
+inherent vice of the mind, but the result of other vices;
+it springs," he says, "from vanity, ignorance, laziness,
+stupidity, jealousy, and inattention. It is the more hateful
+from being constantly displayed in exterior deportment<span class="pagenum">[11]</span>
+and from being thus always visible and manifest; and is
+offensive in character and degree according to the source
+from which it takes its rise."</p>
+
+<p>We next come to the loud talker, the man who silences a
+whole party by his sole power of lungs. All subjects are
+alike to him; he speaks on every topic with equal fluency,
+is never at a loss, quotes high authority for every assertion,
+and allows no one else to utter a word; he silences, without
+the least ceremony, every attempt at interruption, however
+cleverly managed;&mdash;calls out, "I beg your pardon," in a
+tone that shows how ill-used he thinks himself,&mdash;or shuts
+your mouth with&mdash;"One minute, if you please, sir!" as
+much as to say, you are surely a very ill-bred fellow.
+Great, and especially loud and positive talkers, have been
+denounced by all writers on manners as shallow and superficial
+persons. And P. Andr&eacute;, the author of a French
+Essay on the Beautiful, declares distinctly, that "no man
+of sense was ever a great talker."</p>
+
+<p>Next to the talker, we have the man who gives an account
+of his dogs, horses, lands, books, and pictures.
+Whatever is his, must, he thinks, interest others; and listen
+they must, however resolutely they may attempt to
+change the current of his discourse.</p>
+
+<p>Women of this class are sometimes too fond of praising
+their children. It is no doubt an amiable weakness; but I
+would still advise them to indulge as little as possible in the
+practice; for however dear the rosy-cheeked, curly-headed
+prattlers may be to them, the chances are, that others will
+vote the darlings to be great bores; you that have children,
+never speak of them in company. You must not even
+praise your near relations; for the subject deprives the
+hearer of all power to dissent, and is therefore clearly
+objectionable.</p>
+
+<p>In the same line is the clever bore, who takes up every
+idle speech, to show his wisdom at a cheap rate. If you
+say, "Hang the weather!" before such a man, he immedi<span class="pagenum">[12]</span>ately proves, by logical demonstrations, that the weather
+has no neck by which it can be suspended. The grave
+expounder of truisms belongs to this class. He cannot
+allow the simplest conversation to go on, without entering
+into proofs and details familiar to every child nine years of
+age; and the tenor of his discourse, however courteous in
+terms and manner, pays you the very indifferent compliment,
+of supposing that you have fallen from some other
+planet, in total and absolute ignorance of the most ordinary
+and every-day things connected with this little world of
+ours. All foreigners are particularly great at this style of
+boring.</p>
+
+<p>Then you have the indifferent and apathetic bore, who
+hardly condescends to pay the least attention to what you
+say; and who, if he refrains from the direct and absolute
+rudeness of yawning in your face, shows, by short and
+drawling answers, given at fits and starts, and completely
+at variance with the object of the conversation, that he
+affects at least a total indifference to the party present, and
+to the subject of discourse. In society, the absent man is
+uncivil; he who affects to be so, is rude and vulgar. All
+persons who speak of their ailings, diseases, or bodily infirmities,
+are offensive bores. Subjects of this sort should be
+addressed to doctors, who are paid for listening to them,
+and to no one else. Bad taste is the failing of these bores.
+Then we have the ladies and gentlemen who pay long visits,
+and who, meeting you at the door prepared to sally forth,
+keep you talking near the fire till the beauty of the day is
+passed; and then take their leave, "hoping they have not
+detained you." Bad feeling or want of tact here predominates.</p>
+
+<p>"Hobby-riders," who constantly speak on the same
+eternal subject,&mdash;who bore you at all times and at all hours,&mdash;whether
+you are in health or in sickness, in spirits
+or in sorrow, with the same endless topic, must not be overlooked
+in our list; though it is sufficient to denounce<span class="pagenum">[13]</span>
+them. Their failing is occasioned by a total want of judgment.</p>
+
+<p>The <i>Malaprops</i> are also a numerous and unhappy family,
+for they are constantly addressing the most unsuitable
+speeches to individuals or parties. To the blind they will
+speak of fine pictures and scenery; and will entertain a
+person in deep mourning with the anticipated pleasures of
+to-morrow's ball. A total want of ordinary thought and
+observation, is the general cause of the <i>Malaprop</i> failing.</p>
+
+<p>Let us add to this very imperfect list the picture of a
+bore described by Swift. "Nothing," he says, "is more
+generally exploded than the folly of talking too much; yet
+I rarely remember to have seen five people together,
+where some one among them hath not been predominant
+in that kind, to the great constraint and disgust of all the
+rest. But among such as deal in multitudes of words, none
+are comparable to the sober, deliberate talker, who proceedeth
+with much thought and caution, maketh his
+preface, brancheth out into several digressions, findeth a
+hint that putteth him in mind of another story, which he
+promises to tell you when this is done, cometh back regularly
+to his subject, cannot readily call to mind some
+person's name, holdeth his head, complaineth of his memory;
+the whole company all this while in suspense; at last
+says, it is no matter, and so goes on. And to crown the
+business, it perhaps proveth at last a story the company
+has heard fifty times before, or at best some insipid
+adventure of the relater."</p>
+
+<p>To this we may add, that your cool, steady talkers, who
+speak with the care and attention of professors demonstrating
+mathematical problems,&mdash;who weigh, measure and
+balance every word they utter,&mdash;are all decided objectionables
+in society. It is needless to say, that such persons
+never blunder, and never "stumble over a potato;" a
+matter of little recommendation. In conversation there
+must be, as in love and in war, some hazarding, some rat<span class="pagenum">[14]</span>tling on; nor need twenty falls affect you, so long as you
+take cheerfulness and good humor for your guides; but the
+careful and measured conversation just described is always,
+though perfectly correct, extremely dull and tedious&mdash;a
+vast blunder from first to last.</p>
+
+<p>There are also many persons who commence speaking
+before they know what they are going to say. The ill-natured
+world, who never miss an opportunity of being
+severe, declare them to be foolish and destitute of brains.
+I shall not go so far; but hardly know what we should
+think of a sportsman who would attempt to bring down a
+bird before he had loaded his gun.</p>
+
+<p>I have purposely reserved the egotistical bore for the
+last on this short and imperfect list. It is truly revolting,
+indeed, to approach the very <i>Boa-constrictor</i> of good society;
+the snake who comes upon us, not in the natural
+form of a huge, coarse, slow reptile, but Proteus-like, in a
+thousand different forms; though all displaying at the first
+sight the boa-bore, ready to slime over every subject of
+discourse with the vile saliva of selfish vanity. Pah! it is
+repulsive even to speak of the species, numerous, too, as
+the sands along the shore.</p>
+
+<p>Some of the class make no ceremony of immediately
+intruding themselves and their affairs on the attention of a
+whole party; of silencing every other subject started, however
+interesting to the company, merely that they may
+occupy the prominent and most conspicuous position.
+Others again are more dexterous, and with great art will lie
+on the watch to hook in their own praise. They will call
+a witness to remember they always foretold what would
+happen in such a case, but none would believe them; they
+advised such a man from the beginning, and told him the
+consequences just as they happened; but he would have
+his own way. Others make a vanity of telling their own
+faults; they are the strangest men in the world; they cannot
+dissemble; they own it is a folly; they have lost<span class="pagenum">[15]</span>
+abundance of advantages by it; but if you would give them
+the world, they cannot help it; there is something in their
+nature that abhors insincerity and constraint, with many
+other insufferable topics of the same altitude. Thus,
+though bores find their account in speaking ill or well of
+themselves, it is the characteristic of a gentleman that he
+never speaks of himself at all.</p>
+
+<p>La Bruy&egrave;re says, "The great charm of conversation consists
+less in the display of one's own wit and intelligence,
+than in the power to draw forth the resources of others;
+he who leaves you after a long conversation, pleased with
+himself and the part <i>he</i> has taken in the discourse, will be
+your warmest admirer. Men do not care to admire you,
+they wish you to be pleased with them; they do not seek
+for instruction or even amusement from your discourse,
+but they do wish you to be made acquainted with their
+talents and powers of conversation; and the true man of
+genius will delicately make all who come in contact with
+him feel the exquisite satisfaction of knowing that they
+have appeared to advantage."</p>
+
+<p>I have no desire to condemn my readers to eternal
+silence; but must inform them that it is not so easy to
+<i>shine</i> in conversation as many suppose. Fluency of tongue
+and a little modest assurance, though very well for imposing
+on the unwary, go but a short way when you have to
+deal with those who are really worth pleasing.</p>
+
+<p>How can a person <i>shine</i> by conversation in elegant and
+educated society, whose thoughts have never ranged beyond
+the gratification of foolish vanity and mean selfishness;
+who has never reflected on life, men and manners; whose
+mind has not turned to the contemplation of the works and
+wonders of nature; and who, in the events of his own time,
+has not seen the results of the many deeds of sorrow,
+shame, greatness, and glory, that crowd the pages of the
+world's variegated annals? Whoever would <i>shine</i> in polite
+discourse must at least be well versed in the philosophy of<span class="pagenum">[16]</span>
+life, and possess a fair acquaintance with general and
+natural history, and the outlines of science. And though
+he need be neither a poet nor an artist, he must be well
+read in poetry and acquainted with fine arts; because it is
+only by their study that taste can be cultivated and fancy
+guided. A familiarity with the fine arts is necessary, in
+fact, to give him a just perception of the sublime and beautiful,
+the very foundation whence our emotions of delight
+must arise. Any one attempting to <i>shine</i> in conversation,
+without possessing the trifling acquirements here mentioned,&mdash;for
+I have said nothing of learning and science,&mdash;will
+most assuredly make an indifferent figure, and had
+better therefore content himself with simply pleasing by
+unaffected cheerfulness and good humor, which is within
+reach of all.</p>
+
+<p>As to subjects for conversation, what difficulty can there
+be about them? Will not books, balls, bonnets and metaphysics
+furnish pleasant topics of discourse? Can you not
+speak of the</p>
+
+<div class="inset" style="width: 18em">
+<p class="noin">
+"Philosophy and science, and the springs<br />
+Of wonder, and the wisdom of the world?"&mdash;
+</p>
+</div>
+
+<p>Are flirtations, traveling, love and speech-making at an
+end; or is the great globe itself and the weather on its
+surface so perfectly stationary that you can find nothing to
+say about them? No, no, let us not deceive ourselves; we
+never want subjects of conversation; but we often want the
+knowledge how to treat them; above all, how to bring
+them forward in a graceful and pleasing manner. We often
+want observation and a just estimate of character, and do
+not know how, in the present defective state of society,
+any passing remark intended to open a conversation may
+be received.</p>
+
+<p>Cheerfulness, unaffected cheerfulness, a sincere desire to
+please and be pleased, unchecked by any efforts to shine,
+are the qualities you must bring with you into society, if<span class="pagenum">[17]</span>
+you wish to succeed in conversation. Under the influence
+of their recommendation, you may safely give the rein to
+fancy and hilarity, certain that, in a well-assorted party,
+you will make at least a favorable impression, if not a brilliant
+one. I do not of course mean by cheerfulness any
+outbreaking of loud and silly mirth, nor what the world
+sometimes calls a "high flow of spirits," but a light and
+airy equanimity of temper,&mdash;that spirit which never rises
+to boisterousness, and never sinks to immovable dullness;
+that moves gracefully from "grave to gay, from serious to
+serene," and by mere manner gives proof of a feeling heart
+and generous mind.</p>
+
+<p>Franklin says, that you must never contradict in conversation,
+nor correct facts if wrongly stated. This is going
+much too far; you must never contradict in a short, direct,
+or positive tone; but with politeness, you may easily, when
+necessary, express a difference of opinion in a graceful and
+even complimentary manner. And I would almost say,
+that the art of conversation consists in knowing <i>how</i> to
+contradict, and <i>when</i> to be silent; for, as to constantly acting
+a fawning and meanly deferential part in society, it is
+offensive to all persons of good sense and good feeling. In
+regard to facts wrongly stated, no well-bred man ever
+thinks of correcting them, merely to show his wisdom in
+trifles; but with politeness, it is perfectly easy to rectify
+an error, when the nature of the conversation demands the
+explanation.</p>
+
+<p>Whenever the lady or gentleman with whom you are
+discussing a point, whether of love, war, science or politics,
+begins to sophisticate, drop the subject instantly. Your
+adversary either wants the ability to maintain his opinion,&mdash;and
+then it would be uncivil to press it&mdash;or he wants
+the still more useful ability to yield the point with unaffected
+grace and good-humor; or what is also possible,
+his vanity is in some way engaged in defending views on
+which he may probably have acted, so that to demol<span class="pagenum">[18]</span>ish his opinions is perhaps to reprove his conduct, and no
+well-bred man goes into society for the purpose of sermonizing.</p>
+
+<p>All local wits, all those whose jests are understood only
+within the range of their own circle or coterie, are decided
+objectionables in general society. It is the height of ill-breeding,
+in fact, to converse, or jest, on subjects that are
+not perfectly understood by the party at large; it is a species
+of rude mystification, as uncivil as whispering, or as
+speaking in language that may not be familiar to some of
+the party. But you must not make a fool of yourself, even
+if others show themselves deficient in good manners; and
+must not, like inflated simpletons, fancy yourself the object
+of every idle jest you do not understand, or of every
+laugh that chance may have called forth. <i>Ladies and gentlemen</i>
+feel that they are neither laughed at nor ridiculed.</p>
+
+<p>In society, the object of conversation is of course entertainment
+and improvement, and it must, therefore, be
+adapted to the circle in which it is carried on, and must be
+neither too high nor too deep for the party at large, so
+that every one may contribute his share, just at his pleasure,
+and to the best of his ability. Let no two or three old
+Indians, old school-fellows, or old brother campaigners,
+seize upon the conversation to themselves, discuss their
+former adventures, and keep the rest of a party listening
+silently to an animated conversation about exploded stories,
+of which they know nothing and care as little.</p>
+
+<p>Lord Chesterfield advises his son "to speak often, but
+not to speak much at a time; so that if he does not please,
+he will not at least displease to any great extent." A good
+observer should easily, I think, be able to discover whether
+he pleases or not.</p>
+
+<p>Rousseau tells us, that "persons who know little talk a
+great deal, while those who know a great deal say very
+little."</p>
+
+<p>If the discourse is of a grave or serious nature, and inter<span class="pagenum">[19]</span>esting to the party, or to any number of the party, never
+break in upon it with any display of idle wit or levity; for
+nothing shows so great a want of good manners; nor must
+you ever ridicule or doubt the existence of any noble
+enthusiasm that may have called forth expressions of admiration;
+for there is no want of high worth, patriotism,
+honor and disinterestedness on earth. Your incredulity
+might therefore be unjust, and it is at all times a proof of
+bad taste to ridicule what others admire.</p>
+
+<p>If you join in the graver conversation, intended to move
+the deeper feelings of the heart, do so without affectation,
+without overstretching sentiments, or bringing in far-fetched
+ideas for the sake of producing effect, otherwise
+you will be sure to fail. Avoid, above all, when on such
+topics, any stringing together of unmeaning words; for bad
+as the practice of substituting sound for sense is at all
+times, it is doubly so when conversation takes the direction
+of which we are speaking, as it then shows the <i>jingler</i> to
+want feelings as well as ideas. Speak from the heart, when
+you speak <i>to</i> the heart; only making judgment prune the
+expressions of deep feeling, without checking the noble
+sentiments that may have called them forth.</p>
+
+<p>The reason which renders this pruning system advisable
+is, that society swarms with worthy, respectable persons,
+possessing an ordinary share of superficial good-nature, but
+so destitute of actual feeling, as not even to understand its
+language; and who, without being scoffers, will be inclined
+to laugh at expressions that convey no ideas to their minds.</p>
+
+<p>The same reason should serve as a warning to all gentlemen
+against writing love-letters; for if a gentle swain is
+really and truly in love, he will write under excited feelings;
+and a letter written with a palpitating heart,
+threatening to break a rib at every throb, can hardly fail to
+appear a little ridiculous in the eyes of all who may not
+chance to be exactly in the same frame of mind, or possessed
+of the same degree of feeling with the writer.<span class="pagenum">[20]</span></p>
+
+<p>There is a giggling and laughing tone, in which ladies
+and gentlemen sometimes endeavor to speak,&mdash;an attempt
+to continue a series of jests from the first to last, which is
+not only foolish, but actually offensive. Conversation can
+never be kept up to the laughing point during a whole
+evening,&mdash;not even during a morning visit; and efforts to
+excite laughter by overstrained jests are as repulsive as
+overstrained efforts to groan and grimace it. The natural
+flow of discourse must be calm and serene; if wit, whim,
+fun and fire are present, they will not fail to flash brightly
+along its surface; but they can never constitute the main
+body of the stream itself.</p>
+
+<p>Different parties, different tones no doubt, and an assembly
+of grave doctors and professors, meeting to discuss
+some learned subject, may treat it in their own way; here
+we can only speak of general society. It is said, that the
+guests at a pleasant dinner party should never exceed the
+number of the Muses, nor fall below that of the Graces.
+And this may be true; but a party of three or four is already
+very different in character,&mdash;independent of the
+difference occasioned by the characters of the guests,&mdash;from
+what a party of eight or nine will be. In small parties of
+this kind, numbers alone exercise great influence. But
+large or small, always recollect that you can have no right
+to complain of the dullness of the conversation, unless you
+have contributed your best efforts to render it cheerful.</p>
+
+<p>Nor is it always right to condemn a person for being
+silent in company, as this often results from the nature of
+the party, which may be ill-assorted, though composed of
+deserving people. No one can maintain a conversation by
+himself; the very best speaker must still be aided by
+others, who must lend assistance in the <i>proper spirit</i>, <i>befitting</i>
+the nature of the discourse; for a rude and forward
+person, wishing to shine, can easily crush the efforts of the
+most perfect gentleman, and give an unfavorable tone and
+turn to a pleasant conversation.<span class="pagenum">[21]</span></p>
+
+<p>In ordinary conversation, the modulation and proper
+management of the voice is a point to which I would particularly
+call the attention of young ladies; for a fine and
+melodious voice, "sweet as music on the waters," makes
+the heart-strings vibrate to their very core. This can only
+be done by a certain degree of confidence, and by a total
+absence of affectation; for uncertainty, agitation and striving
+for effect are always ruinous to the voice of the speaker,
+which is constantly running against breakers, or getting
+upon flats. I am certain that temper and disposition are
+far more generally, and more perfectly marked by the
+voice and manner of speaking, than we are at all willing to
+allow.</p>
+
+<p>The thin, small voice is the most difficult to manage, as
+it is liable to degenerate into shrillness; and ladies who
+have this kind of voice must keep strict guard over their
+temper, when within hearing of any one on whom they
+may wish to make a favorable impression; for the very
+idea of a shrill-voiced scold makes us place our hands to
+our ears. But with a sweet temper, a pretty, little, harmonious
+voice is pleasing enough. Always recollect, however,
+that affectation, constraint, or striving for effect, is the certain
+ruin of the prettiest voice in the world.</p>
+
+<p>The very deep-toned voice, though extremely effective
+when well controlled, has great difficulties; for unless
+backed by kind, cheerful and airy feeling, by "that bright
+spirit which is always gladness," it is liable to fall into a
+coarse, rude and vulgar tone, and should never be heard
+except at times of brilliant sunshine. The owners of such
+voices should never think of getting angry, nor even indulge
+in saying what they may fancy sharp or severe things,
+as the chances are that they will prove only rude ones.</p>
+
+<p>Stories, however good&mdash;and they are often to be recommended&mdash;suffer
+under one of the disadvantages to which
+anecdotes are liable,&mdash;they do not bear repetition; and no
+one can be expected to possess a stock that shall furnish<span class="pagenum">[22]</span>
+new and acceptable wares on every occasion. They form
+in conversation the resource of those who want imagination,
+and must be received with indulgence; but to deserve
+this favor, they must be short, well told, well pointed, and
+judiciously adapted to the feelings and composition of the
+party. We have all of us at times known a good story or
+anecdote introduced under such inappropriate circumstances,
+as to make a whole party look grave and feel
+uncomfortable.</p>
+
+<p>The honor of demolishing the weavers of long tales shall
+be left to Cowper.</p>
+
+<div class="inset" style="width: 18em">
+<p class="noin">
+"But sedentary weavers of long tales<br />
+Give me the fidgets, and my patience fails.<br />
+'Tis the most asinine employ on earth,<br />
+To hear them tell of parentage and birth;<br />
+And echo conversations dull and dry,<br />
+Embellished with <i>he said</i> and <i>so said I</i>.<br />
+At every interview their route the same,<br />
+The repetition makes attention lame;<br />
+We bristle up with unsuccessful speed,<br />
+And in the saddest part, cry&mdash;<i>Droll, indeed.</i>"<br />
+</p>
+</div>
+
+<p>Let the reader only get these verses by heart, and repeat
+a line occasionally to show that he recollects them, and we
+shall soon find society relieved from these spinners of dull
+yarns.</p>
+
+<p>Some gentlemen have a talent for placing things in a
+grotesque, exaggerated and ludicrous light; and of extemporizing
+burlesque anecdotes in a whimsical and amusing
+manner. It is a happy gift, of which excellent use can be
+made in society; but tact and taste must, as usual, keep a
+firm rein, for nothing that is seriously treated by others
+must ever be burlesqued and turned into ridicule. The
+grotesque style is only applicable when the ground is fairly
+open, or when jesting, bantering and exaggeration are the
+order of the minute; and then it may be rendered charming.</p>
+
+<p>Let no one suppose that mimicry is to be sanctioned<span class="pagenum">[23]</span>
+under this head; far from it, indeed. A little graceful
+imitation of actors and public speakers may be allowed.
+National manners, and the peculiarities of entire classes,
+are fair game. French dandies, Yankee bargainers, and
+English exquisites, may be ridiculed at pleasure; you may
+even bring forward Irish porters, cab-drivers and bog-trotters,&mdash;<i>provided</i>
+you can imitate their wit and humor; but
+I do not think I ever saw any mimicry of private individuals
+well received by well-bred persons. Nor is this to be
+wondered at, since mimicry borders so closely on buffoonery,
+as generally to end in absolute vulgarity. Ladies,
+however, may be permitted to mimic their friends a little,
+provided they rarely indulge in the practice, and never
+transgress the bounds of good taste and elegance.</p>
+
+<p>We meet occasionally in society with persons belonging
+to a class, not numerous indeed, but deserving notice, as
+they are mostly ladies, and often worth reclaiming; for
+want of a better term I shall call them <i>Icicles</i>, because they
+only shine and cannot warm. The <i>Icicles</i> may be kind,
+clever, of cultivated mind, and in every respect well disposed
+to become agreeable,&mdash;but cannot speak or converse
+on any one subject. They are constantly witty and ingenious,
+place every proposition or general question asked, in
+some amusing, novel or extravagant light, but never answer
+or speak up to the point; so that you may converse with
+them for hours, and be acquainted with them for years,
+without knowing their opinion upon any one subject;
+without knowing even whether they have an opinion on
+any one subject. Nor does this always result from affectation,
+or from efforts to shine; it springs as often from a
+faulty tone, and the fear of not being sufficiently clever,
+when attempting to be rational, as from any other source.
+I have seen persons lose a great deal by this absurd system,
+and fall far short of what they might have been had they
+merely followed the beaten track; and as a maxim would
+have you recollect, that few good things are ever said by
+those who are constantly striving to say extraordinary ones.</p>
+
+<hr class="chapter" />
+
+<p><span class="pagenum"><a name="Page_24" id="Page_24">[24]</a></span></p>
+
+<h2>GENERAL RULES FOR CONVERSATION.</h2>
+<p><span class="smcap">As</span> order or method are of very little consequence in
+treating of this subject, I will conclude by giving a series
+of rules upon the art of conversation, couched in a few
+words, from which the reader may furnish himself with a
+competent knowledge of what is to be studied, and what to
+be avoided. There are few of the following sentences that
+will not furnish a good deal of thought, or that are to be
+understood to their full extent without some consideration.</p>
+
+<p>Whatever passes in parties at your own or another's
+house is never repeated by well-bred people. Things of
+no moment, and which are meant only as harmless jokes,
+are liable to produce unpleasant consequences if repeated.
+To repeat, therefore, any conversation which passes on
+such occasions, is understood to be a breach of confidence,
+which should banish the offender from the pale of good
+society.</p>
+
+<p>Men of all sorts of occupations meet in society. As they
+go there to unbend their minds and escape from the fetters
+of business, you should never, in an evening, speak to a man
+about his profession. Do not talk of politics to a journalist,
+of fevers to a physician, of stocks to a broker,&mdash;nor,
+unless you wish to enrage him to the utmost, of education
+to a collegian. The error which is here condemned is often
+committed from mere good nature and a desire to be affa<span class="pagenum">[25]</span>ble. But it betrays to a gentleman, ignorance of the
+world,&mdash;to a philosopher, ignorance of human nature.</p>
+
+<p>A gentleman will, by all means, avoid showing his learning
+and accomplishments in the presence of ignorant and
+vulgar people, who can, by no possibility, understand or
+appreciate them. It is a pretty sure sign of bad breeding
+to set people to staring and feeling uncomfortable.</p>
+
+<p>In England, it is regarded a breach of etiquette to repeat
+the name of any person with whom you are conversing.
+But the same rule does not hold in America. Here it is
+deemed no breach, if you are conversing with a lady by the
+name of Sherwood, to say, "Well, <i>Mrs. Sherwood</i>, do you
+not think," etc.</p>
+
+<p>In a mixed company, never speak to your friend of a
+matter which the rest do not understand, unless it is something
+which you can explain to them, and which may be
+made interesting to the whole party.</p>
+
+<p>If you wish to inquire about anything, do not do it by
+asking a question; but introduce the subject, and give the
+person an opportunity of saying as much as he finds it
+agreeable to impart. Do not even say, "How is your
+brother to-day?" but "I hope your brother is quite well."</p>
+
+<p>Never ask a lady a question about anything whatever.</p>
+
+<p>By all means, avoid the use of slang terms and phrases
+in polite company. No greater insult can be offered to
+polite society than to repeat the slang dictums of bar-rooms
+and other low places. If you are willing to have it
+known that you are familiar with such company yourself,
+you have no right to treat a party of ladies and gentlemen
+as though they were, too.</p>
+
+<p>Avoid the habit of employing French words in English
+conversation; it is extremely bad taste to be always using<span class="pagenum">[26]</span>
+such expressions as <i>ci-devant</i>, <i>soi-disant</i>, <i>en masse</i>, <i>couleur de
+rose</i>, etc. Do not salute your acquaintances with <i>bon jour</i>,
+nor reply to every proposition, <i>volontiers</i>. In society, avoid
+having those peculiar preferences for some subjects which
+are vulgarly denominated "<i>hobby-horses</i>." They make your
+company a <i>bore</i> to all your friends; and some kind-hearted
+creature will take advantage of them and <i>trot</i> you, for the
+amusement of the company. Every attempt to obtrude on
+a company subjects either to which they are indifferent, or
+of which they are ignorant, is in bad taste.</p>
+
+<div class="inset" style="width: 20em">
+<p class="noin">
+"Man should be taught as though you taught him not,<br />
+And things unknown proposed as things forgot."
+</p>
+</div>
+
+<p>A man is quite sure to show his good or bad breeding
+the instant he opens his mouth to talk in company. If he
+is <i>a gentleman</i> he starts no subject of conversation that can
+possibly be displeasing to any person present. The
+ground is common to all, and no one has a right to monopolize
+any part of it for his own particular opinions, in
+politics or religion. No one is there to make proselytes,
+but every one has been invited, to be <i>agreeable</i> and <i>to
+please</i>.</p>
+
+<p>He who knows the world, will not be too bashful. He
+who knows himself, will not be impudent.</p>
+
+<p>Do not endeavor to shine in all companies. Leave room
+for your hearers to imagine something within you beyond
+all you have said. And remember, the more you are
+praised, the more you will be envied.</p>
+
+<p>There is no surer sign of vulgarity than the perpetual
+boasting of the fine things you have at home. If you
+speak of your silver, of your jewels, of your costly apparel,
+it will be taken for a sign that you are either lying, or that
+you were, not long ago, somebody's washerwoman, and<span class="pagenum">[27]</span>
+cannot forget to be reminding everybody that you are not
+so now.</p>
+
+<p>You need not tell all the truth, unless to those who have
+a right to know it all. But let all you tell be truth.</p>
+
+<p>Insult not another for his want of a talent you possess;
+he may have others, which you want. Praise your friends
+and let your friends praise you.</p>
+
+<p>If you treat your inferiors with familiarity, expect the
+same from them. If you give a jest, take one. Let all
+your jokes be truly jokes. Jesting sometimes ends in sad
+earnest.</p>
+
+<p>If a favor is asked of you, grant it, if you can. If not,
+refuse it in such a manner, as that one denial may be
+sufficient.</p>
+
+<p>If you are in company with a distinguished gentleman&mdash;as
+a governor, or senator&mdash;you will not be perpetually trying
+to trot out his titles, as it would make you appear like
+a lackey or parasite, who, conscious of no merits of your
+own, are trying to lift yourself by the company of
+others. In introducing such a gentleman, you will merely
+call him "governor," or "senator," and afterwards avoid
+all allusion to his rank.</p>
+
+<p>If you would render yourself pleasing in social parties,
+never speak to gratify any particular vanity or passion of
+your own, but always aim to interest or amuse others by
+themes which you know are in accordance with their tastes
+and understandings. Even a well-bred minister will avoid
+introducing his professional habits and themes at such
+places. He knows that the guests were not invited there
+to listen to a sermon, and there may be some who differ<span class="pagenum">[28]</span>
+with him in opinions, who would have good reason to feel
+themselves insulted by being thus forced to listen to him.</p>
+
+<p>Reproof is a medicine like mercury or opium; if it be
+improperly administered, with report either to the adviser
+or the advised, it will do harm instead of good.</p>
+
+<p>Nothing is more unmannerly than to reflect on any man's
+profession, sect, or natural infirmity. He who stirs up
+against himself another's self-love, provokes the strongest
+passions in human nature.</p>
+
+<p>Be careful of your word, even in keeping the most trifling
+appointment. But do not blame another for a failure of
+that kind, till you have heard his excuse.</p>
+
+<p>Never offer advice, but where there is some probability
+of its being followed.</p>
+
+<p>If you find yourself in a company which violently abuses
+an absent friend of yours, you need not feel that you are
+called upon to take up the club for him. You will do better
+by saying mildly that they must have been misinformed&mdash;that
+you are proud to call him your friend, which you
+could not do if you did not know him to be incapable of
+such things as they had heard. After this, if they are
+gentlemen, they will stop&mdash;indeed, if they had been gentlemen,
+they would hardly have assailed an absent one in
+a mixed party; and if you feel constrained to quit their
+company, it will be no sacrifice to your own self-respect or
+honor.</p>
+
+<p>Fools pretend to foretell what will be the issue of things,
+and are laughed at for their awkward conjectures. Wise
+men, being aware of the uncertainty of human affairs, and
+having observed how small a matter often produces a great
+change, are modest in their conjectures.<span class="pagenum">[29]</span></p>
+
+<p>He who talks too fast, outruns his hearer's thoughts.
+He who speaks too slow, gives his hearer pain by hindering
+his thoughts, as a rider who frets his horse by reining
+him in too much.</p>
+
+<p>Never think to entertain people with what lies out of
+their way, be it ever so curious in its kind. Who would
+think of regaling a circle of ladies with the beauties of
+Homer's Greek, or a mixed company with Sir Isaac Newton's
+discoveries?</p>
+
+<p>Do well, but do not boast of it. For that will lessen the
+commendation you might otherwise have deserved.</p>
+
+<p>Never ask a question under any circumstances. In the
+first place, it is too proud; in the second place, it may be
+very inconvenient or very awkward to give a reply. A lady
+inquired of what branch of medical practice a certain gentleman
+was professor. He held the chair of <i>midwifery</i>!</p>
+
+<p>To offer advice to an angry man, is like blowing against
+a tempest.</p>
+
+<p>Too much preciseness and solemnity in pronouncing
+what one says in common conversation, as if one was
+preaching, is generally taken for an indication of self-conceit
+and arrogance.</p>
+
+<p>Make your company a rarity, and people will value it.
+Men despise what they can easily have.</p>
+
+<p>Value truth, however you come by it. Who would not
+pick up a jewel that lay on a dung-hill?</p>
+
+<p>The beauty of behavior consists in the manner, not the
+matter of your discourse.</p>
+
+<p>It is not in good taste for a lady to say "Yes, sir," and
+"No, sir," to a gentleman, or frequently to introduce the
+word "Sir," at the end of her sentence, unless she desire<span class="pagenum">[30]</span>
+to be exceedingly reserved toward the person with whom
+she is conversing.</p>
+
+<p>If your superior treats you with familiarity, it will not
+therefore become you to treat him in the same manner.</p>
+
+<p>A good way to avoid impertinent and pumping inquiries,
+is by answering with another question. An evasion may
+also serve the purpose. But a lie is inexcusable on any
+occasion, especially when used to conceal the truth from
+one who has no authority to demand it.</p>
+
+<p>To reprove with success, the following circumstances are
+necessary, viz.: mildness, secrecy, intimacy, and the esteem
+of the person you would reprove.</p>
+
+<p>If you be nettled with severe raillery, take care never to
+show that you are stung, unless you choose to provoke
+more. The way to avoid being made a butt, is not to set
+up for an archer.</p>
+
+<p>To set up for a critic is bullying mankind.</p>
+
+<p>Reflect upon the different appearances things make to
+you from what they did some years ago, and don't imagine
+that your opinion will never alter, because you are extremely
+positive at present. Let the remembrance of your past
+changes of sentiment make you more flexible.</p>
+
+<p>If ever you were in a passion, did you not find reason
+afterwards to be sorry for it, and will you again allow your
+self to be guilty of a weakness, which will certainly be in
+the same manner followed by repentance, besides being
+attended with pain?</p>
+
+<p>Never argue with any but men of sense and temper.</p>
+
+<p>It is ill-manners to trouble people with talking too much
+either of yourself, or your affairs. If you are full of your<span class="pagenum">[31]</span>self, consider that you, and your affairs, are not so interesting
+to other people as to you.</p>
+
+<p>Keep silence sometimes, upon subjects which you are
+known to be a judge of. So your silence, where you are
+ignorant, will not discover you.</p>
+
+<p>To use phrases which admit of a double meaning is ungentlemanly,
+and, if addressed to a lady, they become
+positively insulting.</p>
+
+<p>There is a vulgar custom, too prevalent, of calling almost
+everybody "colonel" in this country, of which it is sufficient
+to say, that this false use of titles prevails most
+among the lower ranks of society&mdash;a fact which sufficiently
+stamps upon it its real character, and renders it, to say the
+least, a doubtful compliment to him who has no right to
+the title.</p>
+
+<p>Think like the wise; but talk like ordinary people.
+Never go out of the common road, but for somewhat.</p>
+
+<p>Don't dispute against facts well established, merely because
+there is somewhat unaccountable in them. That the
+world should be created of nothing is to us inconceivable
+but not therefore to be doubted.</p>
+
+<p>As you are going to a party of mirth, think of the hazard
+you run of misbehaving. While you are engaged, do not
+wholly forget yourself. And after all is over, reflect how
+you have behaved. If well, be thankful; it is more than
+you could have promised. If otherwise, be more careful
+for the future.</p>
+
+<p>It will never do to be ignorant of the names and approximate
+ages of great composers, especially in large
+cities, where music is so highly appreciated and so common
+a theme. It will be decidedly condemnatory if you<span class="pagenum">[32]</span>
+talk of the <i>new</i> opera "Don Giovanni," or Rossini's
+"Trovatore," or are ignorant who composed "Fidelio,"
+and in what opera occur such common pieces as "<i>Ciascun
+lo dice</i>," or "<i>Il Segreto</i>." I do not say that these trifles are
+indispensable, and when a man has better knowledge to
+offer, especially with genius or "cleverness" to back it,
+he will not only be pardoned for an ignorance of them, but
+can even take a high tone, and profess indifference or contempt
+of them. But, at the same time, such ignorance
+stamps an ordinary man, and hinders conversation.</p>
+
+<p>Don't talk of "the opera" in the presence of those who
+are not frequenters of it. They will imagine that you are
+showing off, or that you are <i>lying</i>, and that you have never
+been to the opera twice in your life. For the same reason,
+avoid too frequently speaking of your acquaintance with
+celebrated men, unless you are a public man yourself, who
+would be supposed to have such acquaintance.</p>
+
+<p>Do not sit dumb in company. That looks either like
+pride, cunning, or stupidity. Give your opinion modestly,
+but freely; hear that of others with candor; and ever endeavor
+to find out, and to communicate truth.</p>
+
+<p>In mixed company, be readier to hear than to speak, and
+put people upon talking of what is in their own way. For
+then you will both oblige them, and be most likely to improve
+by their conversation.</p>
+
+<p>Humanity will direct to be particularly cautious of treating
+with the least appearance of neglect those who have
+lately met with misfortunes, and are sunk in life. Such
+persons are apt to think themselves slighted, when no such
+thing is intended. Their minds being already sore, feel the
+least rub very severely. And who would be so cruel as to
+add affliction to the afflicted?<span class="pagenum">[33]</span></p>
+
+<p>To smother the generosity of those who have obliged
+you, is imprudent, as well as ungrateful. The mention of
+kindnesses received may excite those who hear it to deserve
+your good word, by imitating the example which they
+see does others so much honor.</p>
+
+<p>Learning is like bank-notes. Prudence and good behavior
+are like silver, useful upon all occasions.</p>
+
+<p>If you have been once in company with an idle person,
+it is enough. You need never go again. You have heard all
+he knows. And he has had no opportunity of learning
+anything new. For idle people make no improvements.</p>
+
+<p>Deep learning will make you acceptable to the learned;
+but it is only an easy and obliging behavior, and entertaining
+conversation, that will make you agreeable in all companies.</p>
+
+<p>Men repent speaking ten times for once that they repent
+keeping silence.</p>
+
+<p>It is an advantage to have concealed one's opinion. For
+by that means you may change your judgment of things
+(which every wise man finds reason to do) and not be accused
+of fickleness.</p>
+
+<p>There is hardly any bodily blemish, which a winning
+behavior will not conceal, or make tolerable; and there is
+no external grace, which ill-nature or affectation will not
+deform.</p>
+
+<p>If you mean to make your side of the argument appear
+plausible, do not prejudice people against what you think
+truth by your passionate manner of defending it.</p>
+
+<p>There is an affected humility more insufferable than
+downright pride, as hypocrisy is more abominable than<span class="pagenum">[34]</span>
+libertinism. Take care that your virtues be genuine and
+unsophisticated.</p>
+
+<p>Never ask any one who is conversing with you to repeat
+his words. Nothing is ruder than to say, "Pardon me,
+will you repeat that sentence? I did not hear you at first,"
+and thus imply that your attention was wandering when he
+first spoke.</p>
+
+<p>When we speak of ourselves and another person, whether
+he is absent or present, propriety requires us to mention
+ourselves last. Thus we should say, <i>he and I</i>, <i>you and I</i>.</p>
+
+<p>If a man is telling that which is as old as the hills, or
+which you believe to be false, the better way is to let him
+go on. Why should you refuse a man the pleasure of believing
+that he is telling you something which you never
+heard before? Besides, by refusing to believe him, or by
+telling him that his story is old, you not only mortify him,
+but the whole company is made uneasy, and, by sympathy,
+share his mortification.</p>
+
+<p>Never notice it if others make mistakes in language. To
+notice by word or look such errors in those around you, is
+excessively ill-bred.</p>
+
+<p>Avoid raillery and sarcasm in social parties. They are
+weapons which few can use; and because you happen to
+have a razor in your possession, that is no reason why you
+should be allowed to cut the throats of the rest who are
+unarmed. Malicious jests at the expense of those who are
+present or absent, show that he who uses them is devoid
+both of the instincts and habits of a <i>gentleman</i>. Where
+two individuals or the whole company agree to banter each
+other with good-natured sallies of wit, it is very pleasant,
+but the least taint of ill-nature spoils all.<span class="pagenum">[35]</span></p>
+
+<p>If upon the entrance of a visitor you continue a conversation
+begun before, you should always explain the subject
+to the new-comer.</p>
+
+<p>If there is any one in the company whom you do not
+know, be careful how you let off any epigrams or pleasant
+little sarcasms. You might be very witty upon halters to
+a man whose father had been hanged. The first requisite
+for successful conversation is to know your company well.</p>
+
+<p>Carefully avoid subjects which may be construed into
+personalities, and keep a strict reserve upon family matters.
+Avoid, if you can, seeing the skeleton in your
+friend's closet, but if it is paraded for your special benefit,
+regard it as a sacred confidence, and never betray your
+knowledge to a third party.</p>
+
+<p>Listen attentively and patiently to what is said. It is a
+great and difficult talent to be a good listener, but it is one
+which the well-bred man has to acquire, at whatever pains.
+Do not anticipate the point of a story which another person
+is reciting, or take it from his lips to finish it in
+your own language. To do this is a great breach of etiquette.</p>
+
+<p>Dr. Johnson, whose reputation as a <i>talker</i> was hardly less
+than that which he acquired as a writer, prided himself on
+the appositeness of his quotations, the choice of his words,
+and the correctness of his expressions. Had he lived in
+this "age of progress," he would have discovered that his
+lexicon was not only incomplete, but required numerous
+emendations. We can fancy the irritable moralist endeavoring
+to comprehend the idea which a young lady wishes
+to convey when she expresses the opinion that a bonnet is
+"<i>awful</i>," or that of a young gentleman, when he asserts
+that his coat is "<i>played out</i>!"<span class="pagenum">[36]</span></p>
+
+<p>Avoid the use of proverbs in conversation, and all sorts
+of cant phrases. This error is, I believe, censured by Lord
+Chesterfield, and is one of the most offensively vulgar
+which a person can commit.</p>
+
+<p>It is bad manners to satirize lawyers in the presence of
+lawyers, or doctors in the presence of one of that calling,
+and so of all the professions. Nor should you rail against
+bribery and corruption in the presence of politicians,
+(especially of a New York politician,) or members of Congress,
+as they will have good reason to suppose that you
+are hinting at them. It is the aim of politeness to leave
+the arena of social intercourse untainted with any severity
+of language, or bitterness of feeling. There are places and
+occasions where wrong must be exposed and reproved, but
+it is an unpardonable piece of rudeness to attempt such
+things at your own or another's social party, where everything
+is carefully to be avoided that can in the least disturb
+the happiness of any one. For this reason all kinds
+of controversies are, as a general rule, to be avoided at
+such times.</p>
+
+<p>Any conversation (that is not interdicted by decency
+and propriety) which can be pleasing to the whole company,
+is desirable. Amusement, more than instruction
+even, is to be sought for in social parties. People are not
+supposed to come together on such occasions because they
+are ignorant and need teaching, but to seek amusement
+and relaxation from professional and daily cares. All the
+English books on etiquette tell you that "punning is scrupulously
+to be avoided as a species of ale-house wit," and a
+savage remark of Dr. Johnson is usually quoted on the
+subject. But punning is no more to be avoided than any
+other kind of wit; and if all wit is to be banished from the
+social circle, it will be left a stupid affair indeed. All kinds
+of wit, puns by no means excepted, give a delightful relish<span class="pagenum">[37]</span>
+to social parties when they spring up naturally and spontaneously
+out of the themes of conversation. But for a
+man to be constantly straining himself to make jokes is to
+make himself ridiculous, and to annoy the whole company,
+and is, therefore, what no gentleman will be guilty of.</p>
+
+<p>Talk as little of yourself as possible, or of any science or
+business in which you have acquired fame. There is a
+banker in New York who is always certain to occupy the
+time of every party he gets into, by talking of his <i>per cents</i>,
+and boasting that he <i>began life without a cent</i>&mdash;which every
+one readily believes; and if he were to add that he <i>began
+life in a pig-pen</i>, they would believe that too.</p>
+
+<p>If you put on a proud carriage, people will want to know
+what there is in you to be proud of. And it is ten to one
+whether they value your accomplishments at the same rate
+as you. And the higher you aspire, they will be the more
+desirous to mortify you.</p>
+
+<p>Nothing is more nauseous than apparent self-sufficiency.
+For it shows the company two things, which are extremely
+disagreeable: that you have a high opinion of yourself,
+and that you have comparatively a mean opinion of them.</p>
+
+<p>It is the concussion of passions that produces a storm.
+Let an angry man alone, and he will cool off himself.</p>
+
+<p>It is but seldom that very remarkable occurrences fall
+out in life. The evenness of your temper will be in most
+danger of being troubled by trifles which take you by
+surprise.</p>
+
+<p>It is as obliging in company, especially of superiors, to
+listen attentively, as to talk entertainingly.</p>
+
+<p>Don't think of knocking out another person's brains, because
+he differs in opinion from you. It will be as rational<span class="pagenum">[38]</span>
+to knock yourself on the head, because you differ from
+yourself ten years ago.</p>
+
+<p>If you want to gain any man's good opinion, take particular
+care how you behave, the first time you are in company
+with him. The light you appear in at first, to one
+who is neither inclined to think well or ill of you, will
+strongly prejudice him either for or against you.</p>
+
+<p>Good humor is the only shield to keep off the darts of
+the satirical railer. If you have a quiver well stored, and
+are sure of hitting him between the joints of the harness,
+do not spare him. But you had better not bend your bow
+than miss your aim.</p>
+
+<p>The modest man is seldom the object of envy.</p>
+
+<p>In the company of ladies, do not labor to establish
+learned points by long-winded arguments. They do not
+care to take too much pains to find out truth.</p>
+
+<p>You will forbear to interrupt a person who is telling a
+story, even though he is making historical mistakes in
+dates and facts. If he makes mistakes it is his own fault,
+and it is not your business to mortify him by attempting
+to correct his blunders in presence of those with whom he
+is ambitious to stand well.</p>
+
+<p>In a dispute, if you cannot reconcile the parties, withdraw
+from them. You will surely make one enemy, perhaps
+two, by taking either side in an argument when the
+speakers have lost their temper.</p>
+
+<p>Do not <i>dispute</i> in a party of ladies and gentlemen. If a
+gentleman advances an opinion which is different from
+ideas you are known to entertain, either appear not to have
+heard it, or differ with him as gently as possible. You
+will not say, "Sir, you are mistaken!" "Sir, you are<span class="pagenum">[39]</span>
+wrong!" or that you "happen to know better;" but you
+will rather use some such phrase as, "Pardon me&mdash;if I am
+not mistaken," etc. This will give him a chance to say some
+such civil thing as that he regrets to disagree with you;
+and if he has not the good manners to do it, you have, at
+any rate, established your own manners as those of a gentleman
+in the eyes of the company. And when you have
+done that, you need not trouble yourself about any opinions
+he may advance contrary to your own.</p>
+
+<p>If you talk sentences, do not at the same time give yourself
+a magisterial air in doing it. An easy conversation is
+the only agreeable one, especially in mixed company.</p>
+
+<p>Be sure of the fact, before you lose time in searching for
+a cause.</p>
+
+<p>If you have a friend that will reprove your faults and
+foibles, consider you enjoy a blessing, which the king
+upon the throne cannot have.</p>
+
+<p>In disputes upon moral or scientific points, ever let
+your aim be to come at truth, not to conquer your opponent.
+So you never shall be at a loss in losing the argument,
+and gaining a new discovery.</p>
+
+<p>What may be very entertaining in company with ignorant
+people, may be tiresome to those who know more of the
+matter than yourself.</p>
+
+<p>There is a sort of accidental and altogether equivocal
+type of city women, who never get into the country, but
+they employ their time in trying to astonish the country
+people with narrations of the fine things they left behind
+them in the city. If they have a dirty little closet, with
+ten valueless books in it, they will call it their <i>library</i>. If
+they have some small room, that is used as kitchen, parlor,
+and dining-room, they will magnify it into a <i>drawing-<span class="pagenum">[40]</span>room</i>. And a hundred other <i>little</i> signs of their <i>great</i>
+vulgarity they will constantly insist on exhibiting to their
+country auditors.</p>
+
+<p>Put yourself on the same level as the person to whom
+you speak, and under penalty of being considered a pedantic
+idiot, refrain from explaining any expression or word
+that you may use.</p>
+
+<p>If you are really a wit, remember that in conversation
+its true office consists more in finding it in others, than
+showing off a great deal of it yourself. He who goes
+out of your company pleased with himself is sure to
+be pleased with you. Even as great a man as Dr. Johnson
+once retired from a party where everybody had spent
+the evening in listening to him, and remarked, as he went
+out, "We have had a pleasant evening, and much excellent
+conversation."</p>
+
+<p>If you happen to fall into company where the talk runs
+into party, obscenity, scandal, folly, or vice of any kind,
+you had better pass for morose or unsocial, among people
+whose good opinion is not worth having, than shock your
+own conscience by joining in conversation which you must
+disapprove of.</p>
+
+<p>If you would have a right account of things from illiterate
+people, let them tell their story in their own way. If
+you put them upon talking according to logical rules, you
+will quite confound them.</p>
+
+<p>I was much pleased with the saying of a gentleman, who
+was engaged in a friendly argument with another upon a
+point in morals. "You and I [says he to his antagonist]
+seem, as far as I hitherto understand, to differ considerably
+in our opinions. Let us, if you please, try wherein we
+can agree." The scheme in most disputes is to try who
+shall conquer, or confound the other. It is therefore no
+<span class="pagenum">[41]</span>
+wonder that so little light is struck out in conversation,
+where a candid inquiry after truth is the least thing
+thought of.</p>
+
+<p>By all means, shun the vulgar habit of joking at the expense
+of women. All such tricks as refusing a lady a piece
+of tongue, because "<i>women already have tongue enough</i>,"
+are as vulgar as they are old and stale. The man who does
+not respect woman, exposes himself to the suspicion of
+associating generally with the fallen portion of the sex.
+And besides, he has no right to make a respectable parlor
+or drawing-room the theater of such vulgar jokes and railing
+against the sex as go down in low society.</p>
+
+<p>If a man complains to you of his wife, a woman of her
+husband, a parent of a child, or a child of a parent, be very
+cautious how you meddle between such near relations, to
+blame the behavior of one to the other. You will only
+have the hatred of both parties, and do no good with
+either. But this does not hinder your giving both parties,
+or either, your best advice in a prudent manner.</p>
+
+<p>Be prudently secret. But don't affect to make a secret
+of what all the world may know, nor give yourself airs of
+being as close as a conspirator. You will better disappoint
+idle curiosity by seeming to have nothing to conceal.</p>
+
+<p>Never blame a friend without joining some commendation
+to make reproof go down.</p>
+
+<p>It is by giving free rein to folly, in conversation and action,
+that people expose themselves to contempt and
+ridicule. The modest man may deprive himself of some
+part of the applause of some sort of people in conversation,
+by not shining altogether so much as he might have done.
+Or he may deprive himself of some lesser advantages in
+life by his reluctancy in putting himself forward. But it
+is only the rash and impetuous talker, or actor, that effect<span class="pagenum">[42]</span>ually exposes himself in company, or ruins himself in life.
+It is therefore easy to determine which is the safest side to
+err on.</p>
+
+<p>It is a base temper in mankind, that they will not take
+the smallest slight at the hand of those who have done
+them the greatest kindness.</p>
+
+<p>If you fall into the greatest company, in a natural and
+unforced way, look upon yourself as one of them; and do
+not sneak, nor suffer any one to treat you unworthily, without
+just showing that you know behavior. But if you see
+them disposed to be rude, overbearing, or purse-proud, it
+will be more decent and less troublesome to retire, than to
+wrangle with them.</p>
+
+<p>There cannot be any practice more offensive than that of
+taking a person aside to whisper in a room with company;
+yet this rudeness is of frequent occurrence&mdash;and that with
+those who know it to be improper.</p>
+
+<p>If at any time you chance, in conversation, to get on a
+side of an argument which you find not to be tenable, or
+any other way over-shoot yourself, turn off the subject in
+as easy and good humored a way as you can. If you proceed
+still, and endeavor, right or wrong, to make your first
+point good, you will only entangle yourself the more, and
+in the end expose yourself.</p>
+
+<p>Never over-praise any absent person, especially ladies,
+in company of ladies. It is the way to bring envy and
+hatred upon those whom you wish well to.</p>
+
+<p>To try whether your conversation is likely to be acceptable
+to people of sense, imagine what you say written down,
+or printed, and consider how it would read; whether it
+would appear natural, improving and entertaining; or
+affected, unmeaning, or mischievous.<span class="pagenum">[43]</span></p>
+
+<p>It is better, in conversation with positive men, to turn
+off the subject in dispute with some merry conceit, than
+keep up the contention to the disturbance of the company.</p>
+
+<p>Don't give your advice upon any extraordinary emergency,
+nor your opinion upon any difficult point, especially
+in company of eminent persons, without first taking time
+to deliberate. If you say nothing, it may not be known
+whether your silence was owing to the ignorance of the
+subject, or to modesty. If you give a rash and crude
+opinion, you are effectually and irrecoverably exposed.</p>
+
+<p>If you fill your fancy, while you are in company, with
+suspicions of their thinking meanly of you; if you puff
+yourself up with imaginations of appearing to them a very
+witty, or profound person; if you discompose yourself
+with fears of misbehaving before them, or in any way put
+yourself out of yourself, you will not appear in your natural
+color, but in that of an affected, personated character,
+which is always disagreeable.</p>
+
+<p>It may be useful to study, at leisure, a variety of proper
+phrases for such occasions as are most frequent in life, as
+civilities to superiors, expressions of kindness to inferiors;
+congratulations, condolence, expressions of gratitude, acknowledgment
+of faults, asking or denying of favors, etc.
+I prescribe no particular phrases, because, our language
+continually fluctuating, they must soon become stiff and
+unfashionable. The best method of acquiring the accomplishment
+of graceful and easy manner of expression for
+the common occasions of life, is attention and imitation of
+well-bred people. Nothing makes a man appear more
+contemptible than barrenness, pedantry, or impropriety
+of expression.</p>
+
+<p>Avoid flattery. A delicate compliment is permissible
+in conversation, but flattery is broad, coarse, and to sensi<span class="pagenum">[44]</span>ble people, disgusting. If you flatter your superiors, they
+will distrust you, thinking you have some selfish end; if
+you flatter ladies, they will despise you, thinking you have
+no other conversation.</p>
+
+<p>If you meet an ill-bred fellow in company, whose voice
+and manners are offensive to you, you cannot resent it at
+the time, because by so doing you compel the whole company
+to be spectators of your quarrel, and the pleasure of
+the party would be spoiled.</p>
+
+<p>If you must speak upon a difficult point, be the last
+speaker if you can.</p>
+
+<p>You will not be agreeable to company, if you strive to
+bring in or keep up a subject unsuitable to their capacities,
+or humor.</p>
+
+<p>You will never convince a man of ordinary sense by overbearing
+his understanding. If you dispute with him in
+such a manner as to show a due deference for his judgment,
+your complaisance may win him, though your saucy
+arguments could not.</p>
+
+<p>Avoid appearing dogmatical and too positive in any assertions
+you make, which can possibly be subject to any
+contradiction. He that is peremptory in his own story,
+may meet with another as positive as himself to contradict
+him, and then the two Sir Positives will be sure to have a
+skirmish.</p>
+
+<p>The frequent use of the name of God, or the Devil;
+allusions to passages of Scripture; mocking at anything
+serious and devout, oaths, vulgar by-words, cant phrases,
+affected hard words, when familiar terms will do as well;
+scraps of <i>Latin</i>, <i>Greek</i> or <i>French</i>; quotations from plays
+spoke in a theatrical manner&mdash;all these, much used in con<span class="pagenum">[45]</span>versation, render a person very contemptible to grave and
+wise men.</p>
+
+<p>If you send people away from your company well-pleased
+with themselves, you need not fear but they will be well
+enough pleased with you, whether they have received any
+instruction from you or not. Most people had rather be
+pleased than instructed.</p>
+
+<p>If you can express yourself to be perfectly understood
+in ten words, never use a dozen. Go not about to prove,
+by a long series of reasoning, what all the world is ready
+to own.</p>
+
+<p>If any one takes the trouble of finding fault with you,
+you ought in reason to suppose he has some regard for
+you, else he would not run the hazard of disobliging you,
+and drawing upon himself your hatred.</p>
+
+<p>Do not ruffle or provoke any man; why should any one
+be the worse for coming into company with you? Be
+not yourself provoked. Why should you give any man
+the advantage over you?</p>
+
+<p>To say that one has opinions very different from those
+commonly received, is saying that he either loves singularity,
+or that he thinks for himself. Which of the two
+is the case, can only be found by examining the grounds
+of his opinions.</p>
+
+<p>Don't appear to the public too sure, or too eager upon
+any project. If it should miscarry, which it is a chance
+but it does, you will be laughed at. The surest way to
+prevent which, is not to tell your designs or prospects in
+life.</p>
+
+<p>If you give yourself a loose tongue in company, you may
+almost depend on being pulled to pieces as soon as your<span class="pagenum">[46]</span>
+back is turned, however they may seem entertained with
+your conversation.</p>
+
+<p>For common conversation, men of ordinary abilities
+will upon occasion do well enough. And you may always
+pick something out of any man's discourse, by which you
+may profit. For an intimate friend to improve by, you
+must search half a country over, and be glad if you can
+find him at last.</p>
+
+<p>Don't give your time to every superficial acquaintance:
+it is bestowing what is to you of inestimable worth, upon
+one who is not likely to be the better for it.</p>
+
+<p>If a person has behaved to you in an unaccountable
+manner, don't at once conclude him a bad man, unless you
+find his character given up by all who know him, nor
+then, unless the facts alleged against him be undoubtedly
+proved, and wholly inexcusable. But this is not advising
+you to trust a person whose character you have any
+reason to suspect. Nothing can be more absurd than the
+common way of fixing people's characters. Such a one
+has disobliged me, therefore he is a villain. Such another
+has done me a kindness, therefore he is a saint.</p>
+
+<p>Superficial people are more agreeable the first time you
+are in their company, than ever afterwards. Men of judgment
+improve every succeeding conversation; beware
+therefore of judging by one interview.</p>
+
+<p>You will not anger a man so much by showing him that
+you hate him, as by expressing a contempt of him.</p>
+
+<p>Most women had rather have any of their good qualities
+slighted, than their beauty. Yet that is the most inconsiderable
+accomplishment of a woman of real merit.<span class="pagenum">[47]</span></p>
+
+<p>You will be always reckoned by the world nearly of the
+same character with those whose company you keep.</p>
+
+<p>You will please so much the less, if you go into company
+determined to shine. Let your conversation appear to
+rise out of thoughts suggested by the occasion, not strained
+or premeditated: nature always pleases: affectation is
+always odious.</p>
+
+<hr class="chapter" />
+
+<p><span class="pagenum"><a name="Page_48" id="Page_48">[48]</a></span></p>
+
+<h2>ON DRESS.</h2>
+<p><span class="smcap">It</span> is hardly necessary to remind the reader that dress,
+though often considered a trifling matter, is one of considerable
+importance, for a man's personal appearance is a
+sort of "index and obscure prologue" to his character.</p>
+
+<p>Lord Chesterfield has said, "I cannot help forming some
+opinion of a man's sense and character from his dress."
+Besides, the appearance of a well-dressed man commands
+a certain degree of respect which would never be shown to
+a sloven. As Shakspeare has written, "The world is still
+deceived by ornament;" and there are those who associate
+fine clothes with fine people so strongly, that they do not
+trouble themselves to ascertain whether the wearers are
+worthy of respect, as others form their opinions of books
+by the gilding of the leaves and beauty of the binding.</p>
+
+<p>The dress of a gentleman should be such as not to excite
+any special observation, unless it be for neatness and propriety.
+The utmost care should be exercised to avoid even
+the appearance of desiring to attract attention by the peculiar
+formation of any article of attire, or by the display of
+an immoderate quantity of jewelry, both being a positive
+evidence of vulgarity. His dress should be studiously neat,
+leaving no other impression than that of a well-dressed
+gentleman.</p>
+
+<p>Well-bred people do not often dress in what is called the
+"height of the fashion," as that is generally left to dan<span class="pagenum">[49]</span>dies and pretenders. But still it is undoubtedly a great
+point gained to be well dressed. To be fancifully dressed,
+in gaudy colors, is to be very badly dressed, however, and
+is an example of ill taste which is rarely met with among
+people of substantial good breeding.</p>
+
+<p>Cleanliness and neatness are the invariable accompaniments
+of good breeding. Every gentleman may not be
+dressed expensively, he may not be able to do so; but water
+is cheap, and no gentleman will ever go into company unmindful
+of cleanliness either in his person or apparel.</p>
+
+<p>A well-dressed man does not require so much an extensive
+as a varied wardrobe. He wants a different costume
+for every season and every occasion; but if what he selects
+is simple rather than striking, he may appear in the same
+clothes as often as he likes, as long as they are fresh and
+appropriate to the season and the object. There are four
+kinds of coats which he must have: a business coat, a frock-coat,
+a dress-coat, and an over-coat. A well dressed man
+may do well with four of the first, and one of each of the
+others per annum. An economical man can get along
+with less.</p>
+
+<p>Did any lady ever see a gentleman with an embroidered
+waistcoat, and a profusion of chains, rings, and trinkets
+adorning his person?</p>
+
+<p>Avoid affecting singularity in dress. Expensive dressing
+is no sign of a gentleman. If a gentleman is able to dress
+expensively it is very well for him to do so, but if <i>he is not
+able</i> to wear ten-dollar broadcloth, he may comfort himself
+with the reflection that cloth which costs but five dollars a
+yard will look quite as well when made into a well-fitting
+coat. With this suit, and well-made shoes, clean gloves, a
+white pocket-handkerchief, and an easy and graceful deportment
+withal, he may pass muster as a gentleman. Man<span class="pagenum">[50]</span>ners do quite as much to set off a suit of clothes as clothes
+do to set off a graceful person.</p>
+
+<p>A dress perfectly suited to a tall, good-looking man, may
+render one who is neither, ridiculous; as although the former
+may wear a remarkable waistcoat or singular coat, <i>almost</i>
+with impunity, the latter, by adopting a similar costume,
+exposes himself to the laughter of all who see him.
+An unassuming simplicity in dress should always be preferred,
+as it prepossesses every one in favor of the wearer.</p>
+
+<p>Avoid what is called the "ruffianly style of dress," or
+the <i>nonchalant</i> and <i>slouching</i> appearance of a half-unbuttoned
+vest, and suspenderless pantaloons. That sort of affectation
+is if possible even more disgusting than the painfully
+elaborate frippery of the dandy.</p>
+
+<p>Gentlemen never make any display of jewelry; that is
+given up entirely to the dominion of female taste. But
+ladies of good taste seldom wear it in the morning. It is
+reserved for evening display and for brilliant parties.</p>
+
+<p>The native independence of American character regards
+with disdain many of the stringent social laws which are
+recognized in England and on the continent. Thus, the
+dress which many of our countryman adopt for the assembly-room
+and private parties would subject them to serious
+annoyance abroad. A frock-coat would not be tolerated a
+moment in any fashionable society in Europe, and whether
+it be esteemed a prejudice or otherwise, we are free to confess
+that in our opinion it is a violation of good taste, and
+unsuited either to a ball-room or private assembly.</p>
+
+<p>We should, however, be far from denying the claim of
+gentleman to any person, simply because he wore a frock-coat;
+for the fickle goddess, Fashion, tolerates it to a certain
+extent in America; but if the universal custom among
+the refined and polished members of society were to exclude<span class="pagenum">[51]</span>
+it, as in Europe, its use would manifest a contempt for the
+opinion of others, of which no gentleman could be guilty.</p>
+
+<p>If the title of gentleman should depend entirely and
+solely on one's conformation to the laws of etiquette, the
+most unprincipled profligate or debauchee might successfully
+wear it; it is, however, but the finish and polish of the
+jewel&mdash;not the diamond itself.</p>
+
+<p>If we were allowed to say anything to the ladies concerning
+dress in a dictatorial way, and were sure of being
+obeyed, we should order them generally to dress <i>less</i>. How
+often do we see a female attired in the height of fashion,
+perfectly gorgeous in costume, sweeping along the dusty
+street, perspiring under the weight of her finery&mdash;dressed,
+in fact, in a manner fit only for a carriage. This is a very
+mistaken and absurd fashion, and such people would be
+astonished to see the simplicity of real aristocracy as regards
+dress.</p>
+
+<p>In our allusions to the dress of a gentleman, we have
+urged a studied simplicity of apparel; the same remarks
+are equally applicable to that of a lady. Indeed, <i>simplicity</i>
+is the grand secret of a lady's toilet. When she burdens
+herself with a profusion of <i>bijouterie</i> she rather detracts from
+than adds to her personal appearance, while all <i>outr&eacute;</i> fashions
+and ultra styles of dress, though they excite attention,
+neither win respect nor enhance the attraction of the
+wearer.</p>
+
+<p>Some ladies, perhaps imagining that they are deficient
+in personal charms&mdash;and we are willing to believe that there
+are such, although the Chesterfieldian school of philosophers
+would ridicule the idea&mdash;endeavor to make their clothes the
+spell of their attraction. With this end in view, they labor
+by lavish expenditure to supply in expensive adornment
+what they lack in beauty of form or feature. Unfortunately
+for their success, elegant dressing does not depend upon<span class="pagenum">[52]</span>
+expense. A lady might wear the costliest silks that Italy
+could produce, adorn herself with laces from Brussels which
+years of patient toil are required to fabricate; she might
+carry the jewels of an Eastern princess around her neck and
+upon her wrists and fingers, yet still, in appearance, be
+essentially vulgar. These were as nothing without grace,
+without adaptation, without a harmonious blending of
+colors, without the exercise of discrimination and good
+taste.</p>
+
+<p>The most appropriate and becoming dress is that which
+so harmonizes with the figure as to make the apparel unobserved.
+When any particular portion of it excites the attention,
+there is a defect, for the details should not present
+themselves first but the result of perfect dressing should
+be an <i>elegant woman</i>, the dress commanding no especial regard.
+Men are but indifferent judges of the material of a
+lady's dress; in fact, they care nothing about the matter.
+A modest countenance and pleasing figure, habited in an
+inexpensive attire, would win more attention from men,
+than awkwardness and effrontery, clad in the richest satins
+of Stewart and the costliest gems of Tiffany.</p>
+
+<p>There are occasionally to be found among both sexes, persons
+who neglect their dress through a ridiculous affectation
+of singularity, and who take pride in being thought
+utterly indifferent to their personal appearance. Millionaires
+are very apt to manifest this characteristic, but with
+them it generally arises through a miserly penuriousness
+of disposition; their imitators, however, are even more deficient
+than they in common sense.</p>
+
+<p>Lavater has urged that persons habitually attentive to
+their attire, display the same regularity in their domestic
+affairs. He also says: "Young women who neglect their
+toilet and manifest little concern about dress, indicate a<span class="pagenum">[53]</span>
+general disregard of order&mdash;a mind but ill adapted to the
+details of housekeeping&mdash;a deficiency of taste and of the
+qualities that inspire love."</p>
+
+<p>Hence the desire of exhibiting an amiable exterior is essentially
+requisite in a young lady, for it indicates cleanliness,
+sweetness, a love of order and propriety, and all
+those virtues which are attractive to their associates, and
+particularly to those of the other sex.</p>
+
+<p>Chesterfield asserts that a sympathy goes through every
+action of our lives, and that he could not help conceiving
+some idea of people's sense and character from the dress in
+which they appeared when introduced to him.</p>
+
+<p>Another writer has remarked that he never yet met with
+a woman whose general style of dress was chaste, elegant
+and appropriate, that he did not find her on further acquaintance
+to be, in disposition and mind, an object to
+admire and love.</p>
+
+<p>The fair sex have the reputation of being passionately
+fond of dress, and the love of it has been said to be natural
+to women. We are not disposed to deny it, but we do not
+regard it as a weakness nor a peculiarity to be condemned.
+Dress is the appropriate finish of beauty. Some one has
+said that, "Without dress a handsome person is a gem,
+but a gem that is not set. But dress," he further remarks,
+"must be consistent with the graces and with nature."</p>
+
+<p>"Taste," says a celebrated divine, "requires a congruity
+between the internal character and the external appearance;
+the imagination will involuntarily form to itself an
+idea of such a correspondence. First ideas are, in general,
+of considerable consequence. I should therefore think
+it wise in the female world to take care that their <i>appearance</i>
+should not convey a forbidding idea to the most superficial
+observer.<span class="pagenum">[54]</span>"</p>
+
+<p>As we have already remarked, the secret of perfect dressing
+is simplicity, costliness being no essential element of
+real elegance. We have to add that everything depends
+upon the judgment and good taste of the wearer. These
+should always be a harmonious adaptation of one article of
+attire to another, as also to the size, figure and complexion
+of the wearer. There should be a correspondence in all
+parts of a lady's toilet, so as to present a perfect entirety.
+Thus, when we see a female of light, delicate complexion,
+penciling her eyebrows until they are positively black, we
+cannot but entertain a contempt for her lack of taste and
+good sense. There is a harmony in nature's tints which
+art can never equal, much less improve.</p>
+
+<p>A fair face is generally accompanied by blue eyes, light
+hair, eyebrows and lashes. There is a delicacy and harmonious
+blending of correspondences which are in perfect
+keeping; but if you sully the eyebrows with blackness,
+you destroy all similitude of feature and expression, and
+almost present a deformity.</p>
+
+<p>We cannot but allude to the practice of using white
+paints, a habit strongly to be condemned. If for no other
+reason than that poison lurks beneath every layer, inducing
+paralytic affections and premature death, they should
+be discarded&mdash;but they are a disguise which deceives no
+one, even at a distance; there is a ghastly deathliness in
+the appearance of the skin after it has been painted, which
+is far removed from the natural hue of health.</p>
+
+<p>The hostess should be particularly careful not to outshine
+her guests. We have seen many instances where
+a lady, fond of dress, (and what lady is not fond of dress?)
+and conscious that it is unbecoming to dress to excess
+when visitors are invited, yet so unable to restrain the desire
+of display, has made the whole of her guests look
+shabby, by the contrast of her own gay colors. To dress<span class="pagenum">[55]</span>
+meanly is a mark of disrespect to the company, but it is
+equally so to make a very gay appearance. If you make
+a grand display yourself, you are apt to appear as if you
+wished to parade your appearance, and it is always safer
+to be under than over the mark.</p>
+
+<p>In going out, consider the sort of company you are likely
+to meet, and endeavor to assimilate to them as much as
+possible&mdash;for to make a great display elsewhere is an evidence
+of bad taste. But here if you miss the happy medium,
+dress above the mark rather than below it, for you
+may dress more out of doors than you may at home.
+Where dancing is expected to take place, no one should go
+without new kid gloves; nothing is so revolting as to see
+one person in an assembly ungloved, especially where the
+heat of the room, and the exercise together, are sure to
+make the hands redder than usual. Always wear your
+gloves in church or in a theater.</p>
+
+<p>We may add a few general maxims, applied to both sexes,
+and our task will be done.</p>
+
+<p>"All affectation in dress," says Chesterfield, "implies a
+flaw in the understanding." One should, therefore, avoid
+being singular, or attracting the notice, and the tongues
+of the sarcastic, by being eccentric.</p>
+
+<p>Never dress against any one. Choose those garments
+which suit you, and look well upon you, perfectly irrespective
+of the fact that a lady or gentleman in the same
+village or street may excel you.</p>
+
+<p>When dressed for company, strive to appear as easy and
+natural as if you were in undress. Nothing is more distressing
+to a sensitive person, or more ridiculous to one
+gifted with an <i>esprit moqueur</i>, than to see a lady laboring
+under the consciousness of a fine gown; or a gentleman
+who is stiff, awkward, and ungainly in a bran-new coat.<span class="pagenum">[56]</span></p>
+
+<p>Dress according to your age. It is both painful and
+ridiculous to see an old lady dressed as a belle of four-and-twenty,
+or an old fellow, old enough for a grandfather,
+affecting the costume and the manners of a <i>beau</i>.</p>
+
+<p>Young men should be <i>well</i> dressed. Not foppishly, but
+neatly and well. An untidy person at five-and-twenty,
+degenerates, very frequently, into a sloven and a boor at
+fifty.</p>
+
+<p>Be not too negligent, nor too studied in your attire;
+and lastly, let your behavior and conversation suit the
+clothes you wear, so that those who know you may feel
+that, after all, dress and external appearance is the least
+portion of a <span class="smcap">Lady</span> or <span class="smcap">Gentleman</span>.</p>
+
+<hr class="chapter" />
+
+<p><span class="pagenum"><a name="Page_57" id="Page_57">[57]</a></span></p>
+
+<h2>INTRODUCTIONS.</h2>
+<p><span class="smcap">The</span> custom which prevails in country places of introducing
+everybody you meet to each other, is both an annoying
+and an improper one. As a general rule, introductions
+ought not to be made, except where there is undoubted
+evidence that the acquaintance would be mutually agreeable
+and proper.</p>
+
+<p>But if you should find an agreeable person in private
+society, who seems desirous of making your acquaintance,
+there cannot be any objection to your meeting his advances
+half way, although the ceremony of an "introduction"
+may not have taken place; his presence in your friend's
+house being a sufficient guarantee for his respectability, as
+of course if he were an improper person he would not be
+there.</p>
+
+<p>It is customary in introducing people, to present the
+youngest person to the oldest, or the humblest to the
+highest in position, if there is any distinction.</p>
+
+<p>In introducing a gentleman to a lady, address her first,
+thus: "Miss Mason, permit me to present you to Mr.
+Kent;" or, "Mr. Trevor, I have the pleasure of presenting
+to you Mr. Marlow." When one lady is married, and the
+other single, present the single lady to the matron&mdash;"Miss
+Harris, allow me to introduce you to Mrs. Martin."</p>
+
+<p>When you introduce parties whom you are quite sure
+will be pleased with each other, it is well to add, after the<span class="pagenum">[58]</span>
+introduction, that you take great pleasure in making them
+acquainted, which will be an assurance to each that you
+think they are well matched, and thus they are prepared
+to be friends from the start.</p>
+
+<p>In introducing parties, be careful to pronounce each
+name distinctly, as there is nothing more awkward than to
+have one's name miscalled.</p>
+
+<p>In introducing a foreigner, it is proper to present him
+as "Mr. Leslie, from England;" "Mr. La Rue from
+France." Likewise when presenting an American who has
+recently returned after traveling in distant lands, make
+him known as "Mr. Dunlap, lately from France," or "Mr.
+Meadows, recently from Italy."</p>
+
+<p>It is very easy to make these slight specifications, and
+they at once afford an opening for conversation between
+the two strangers, for nothing will be more natural than to
+ask "the recently arrived" something about his voyage, or
+the places he has seen during his travels.</p>
+
+<p>When presenting a governor, designate the State he governs&mdash;as,
+"Governor Fenton of New York." In introducing
+a member of Congress, mention the State to which he
+belongs, as "Mr. Sherman of Ohio," or "Mr. Banks of
+Massachusetts." Do not forget that Congress includes the
+two legislative bodies.</p>
+
+<p>When introducing any of the members of your own family,
+mention the name in an audible tone. It is not
+considered sufficient to say "My father," "My mother,"
+"My sister," or "My brother." But say, "My father,
+Mr. Stanley," "My brother, Mr. Weston," "My sister,
+Miss or Mrs. Hope." It is best to be explicit in all these
+things, for there may be more than one surname in the
+family. The eldest daughter should be introduced by her<span class="pagenum">[59]</span>
+surname only, as, "Miss Sherwood," her younger sisters,
+as "Miss Maud Sherwood," "Miss Mary Sherwood."</p>
+
+<p>In presenting a clergyman, do not neglect to put "Reverend"
+before his name. If he is a D. D. say, "The Reverend
+Doctor." If he is a bishop, then the word bishop is
+sufficient.</p>
+
+<p>When you are introduced to a person, be careful not to
+appear as though you had never heard of him before. If
+he happens to be a person of any distinction, such a mistake
+would be unpardonable, and no person is complimented
+by being reminded of the fact that his name is unknown.</p>
+
+<p>If by any misfortune you have been introduced to a person
+whose acquaintance you do not desire, you can merely
+make the formal bow of etiquette when you meet him,
+which, of itself, encourages no familiarity; but <i>the bow is
+indispensable</i>, for he cannot be thought a gentleman who
+would pass another with a vacant stare, after having been
+formally presented to him. By so doing, he would offer
+a slight which would justly make him appear contemptible
+even in the eyes of the person he means to humble.</p>
+
+<p>What is called "cutting" another is never practiced by
+gentlemen or ladies, except in some extraordinary instances
+of bad conduct on the part of the individual thus sacrificed.
+An increased degree of ceremony and formal
+politeness is the most delicate way of withdrawing from an
+unpleasant acquaintance. Indeed, what is called "cutting"
+is rarely ever practiced by well-bred ladies and
+gentlemen.</p>
+
+<p>On introduction in a room, a married lady generally
+offers her hand, a young lady not; in a ball-room, where
+the introduction is to dancing, not to friendship, you
+never shake hands; and as a general rule, an introduction
+is not followed by shaking hands&mdash;only by a bow. It may<span class="pagenum">[60]</span>
+perhaps be laid down, that the more public the place of
+introduction, the less hand-shaking takes place; but if the
+introduction be particular, if it be accompanied by personal
+recommendation, such as, "I want you to know my
+friend Jones," then you give Jones your hand, and warmly
+too.</p>
+
+<p>It is understood in society, that a person who has been
+<i>properly</i> introduced to you, has some claim on your good
+offices in future; you cannot therefore slight him without
+good reason, and the chance of being called to an account
+for it.</p>
+
+<hr class="chapter" />
+
+<p><span class="pagenum"><a name="Page_61" id="Page_61">[61]</a></span></p>
+
+<h2>LETTERS OF INTRODUCTION.</h2>
+<p><span class="smcap">Letters</span> of introduction are to be regarded as certificates
+of respectability, and are therefore never to be given where
+you do not feel sure on this point. To send a person of
+whom you know nothing into the confidence and family
+of a friend, is an unpardonable recklessness. In England,
+letters of introduction are called "tickets to soup," because
+it is generally customary to invite a gentleman to dine who
+comes with a letter of introduction to you. Such is also
+the practice, to some extent, in this country, but etiquette
+<i>here</i> does not make the dinner so essential as <i>there</i>.</p>
+
+<p>In England, the party holding a letter of introduction
+never takes it himself to the party to whom it is addressed,
+but he sends it with his card of address.</p>
+
+<p>In France, and on the continent of Europe generally,
+directly the reverse is the fashion. In America the English
+custom generally prevails; though where a young
+gentleman has a letter to one who is many years his senior,
+or to one whose aid he seeks in some enterprise, he takes
+it at once himself.</p>
+
+<p>When a gentleman, bearing a letter of introduction to
+you, leaves his card, you should call on him, or send a
+note, as early as possible. There is no greater insult than
+to treat a letter of introduction with indifference&mdash;it is a
+slight to the stranger as well as to the introducer, which
+no subsequent attentions will cancel. After you have<span class="pagenum">[62]</span>
+made this call, it is, to some extent, optional with you as
+to what further attentions you shall pay the party. In
+this country everybody is supposed to be very busy, which
+is always a sufficient excuse for not paying elaborate attentions
+to visitors. It is not demanded that any man shall
+neglect his business to wait upon visitors or guests.</p>
+
+<p>Do not imagine these little ceremonies to be insignificant
+and beneath your attention; they are the customs of society;
+and if you do not conform to them, you will gain the
+unenviable distinction of being pointed out as an ignorant,
+ill-bred person. Not that you may <i>care</i> the more for
+strangers by showing them civility, but you should scrupulously
+avoid the imputation of being deficient in good-breeding;
+and if you do not choose to be polite for <i>their</i>
+sakes, you ought to be so for <i>your own</i>.</p>
+
+<p>Letters of introduction should only be given by actual
+friends of the persons addressed, and to actual friends of
+their own. Never, if you are wise, give a letter to a person
+whom you do not know, nor address one to one whom
+you know slightly. The letter of introduction, if actually
+given to its bearer, should be left unsealed, that he may
+not incur the fate of the Persian messenger, who brought
+tablets of introduction recommending the new acquaintance
+to cut his head off. A letter of this kind must
+therefore be carefully worded, stating in full the name of
+the person introduced, but with as few remarks about
+him as possible. It is generally sufficient to say that he
+is a friend of yours, whom you trust your other friend
+will receive with attention, etc. In traveling it is well to
+have as many letters as possible, but not to pin your faith
+on them.</p>
+
+<hr class="chapter" />
+
+<p><span class="pagenum"><a name="Page_63" id="Page_63">[63]</a></span></p>
+
+<h2>DINNER PARTIES.</h2>
+<p><span class="smcap">Invitations</span> to dine, from a married party, are sent in
+some such form as the following:</p>
+
+<blockquote><p>Mr. and Mrs. A&mdash;&mdash; present their compliments to Mr. and Mrs. B&mdash;&mdash;,
+and request the honor, [or hope to have the pleasure] of their company to
+dinner on Wednesday, the 10th of December next, at seven.</p>
+
+<p>A&mdash;&mdash; Street, November 18th, 18&mdash;.</p>
+
+<p class="author">R. S. V. P.
+</p></blockquote>
+
+<p>The letters in the corner imply "<i>R&eacute;pondez, s'il vous
+plait</i>;" meaning, "an answer will oblige." The reply,
+accepting the invitation, is concluded in the following
+terms:</p>
+
+<blockquote><p>Mr. and Mrs. B&mdash;&mdash; present their compliments to Mr. and Mrs. A&mdash;&mdash;,
+and will do themselves the honor, [or will have much pleasure in] accepting
+their kind invitation to dinner on the 10th of December next.</p>
+
+<p>B&mdash;&mdash; Square, November 21st, 18&mdash;.</p></blockquote>
+
+<p>The answer to invitations to dine, accepting or declining,
+should be sent immediately, and are always addressed to
+the lady. If, after you have accepted an invitation, anything
+occurs to render it impossible for you to go, the lady
+should be informed of it immediately. It is a great breach
+of etiquette not to answer an invitation as soon after it is
+received as possible, and it is an insult to disappoint when
+we have promised.<span class="pagenum">[64]</span></p>
+
+<p>Cards or invitations for a dinner party, should be issued
+at least two weeks beforehand, and care should be taken
+by the hostess, in the selection of the invited guests, that
+they should be suited to each other. Much also of the
+pleasure of the dinner-party will depend on the arrangement
+of the guests at table, so as to form a due admixture
+of talkers and listeners, the grave and the gay.</p>
+
+<p>Letters or cards of invitation should always name the
+hour of dinner; and well-bred people will arrive as nearly
+at the specified time as they can. Be sure and not be a
+minute behind the time, and you should not get there
+long before, unless the invitation requests you particularly
+to come early for a little chat before dinner.</p>
+
+<p>It is always best for the lady of the house, where a
+dinner-party is to come off, to be dressed and ready to
+appear in the drawing-room as early as possible, so that if
+any of the guests should happen to come a little early, she
+may be prepared to receive them. It is awkward for both
+parties where visitors arrive before the lady of the house is
+ready for them. If it is necessary for her to keep an eye
+upon the dinner, it is still best that she should familiarly
+receive her guests, and beg to be excused, if it is necessary
+for her to vanish occasionally to the kitchen. A real lady
+is not ashamed to have it known that she goes into the
+kitchen; on the contrary, it is more likely that she will be
+a little proud of being thought capable of superintending
+the preparing feast.</p>
+
+<p>It is not in good taste for the lady of the house, where a
+dinner-party is given, to dress very much. She leaves it
+for her lady-guests to make what display they please, and
+she offers no rivalry to their fine things. She contents
+herself with a tasty <i>n&eacute;glig&eacute;</i>, which often proves the most
+fascinating equipment after all, especially, if the cheeks
+become a little flushed with natural bloom, in consequence<span class="pagenum">[65]</span>
+of the exercise and anxiety incident to the reception of
+the guests.</p>
+
+<p>The half hour before dinner has always been considered
+as the great ordeal through which the lady of the house,
+in giving a dinner-party, will either pass with flying colors,
+or lose many of her laurels. The anxiety to receive her
+guests, her hope that all will be present in good time, her
+trust in the skill of her cook, and the attention of the other
+domestics all tend to make the few minutes a trying time.
+The lady however, must display no kind of agitation, but
+show her tact in suggesting light and cheerful subjects of
+conversation, which will be much aided by the introduction
+of any particular new book, curiosity of art, or article
+of <i>virtu</i>, which may pleasantly engage the attention of
+the company.</p>
+
+<p>"Waiting for dinner," however, is a trying time, and
+there are few who have not felt&mdash;&mdash;</p>
+
+<div class="inset" style="width: 16em">
+<p class="noin">
+"How sad it is to sit and pine,<br />
+The long <i>half-hour</i> before we dine!<br />
+Upon our watches oft we look,<br />
+Then wonder at the clock and cook,<br />
+<br />
+And strive to laugh in spite of Fate!<br />
+But laughter forced, soon quits the room,<br />
+And leaves it to its former gloom.<br />
+But lo! the dinner now appears,<br />
+The object of our hope and fears,<br />
+&nbsp; &nbsp; &nbsp; &nbsp;The end of all our pain!"
+</p>
+</div>
+
+<p>In giving an entertainment of this kind, the lady should
+remember that it is her duty to make her guests feel happy,
+comfortable, and quite at their ease; and the guests should
+also consider that they have come to the house of their
+hostess to be happy.</p>
+
+<p>When dinner is on the table, the lady and gentleman of
+the house will have an opportunity of showing their tact<span class="pagenum">[66]</span>
+by seeing that the most distinguished guests, or the <i>oldest</i>,
+are shown into the dining-room first, and by making those
+companions at the table who are most likely to be agreeable
+to each other. The lady of the house may lead the
+way, or follow her guests into the dining-room, as she
+pleases. Among those who delight to follow the etiquette
+of the English nobility, the latter practice is followed.
+But the practice must not be considered a test of good
+breeding in America. If the lady leads, the husband will
+follow behind the guests, with the lady on his arm who is
+to sit at his side. The old custom is still followed to some
+extent in this country, of the lady taking the head of the
+table, with the two most favored guests seated, the one at
+her right and the other at her left hand; while the gentleman
+of the house takes the foot of the table, supported on
+each side by the two ladies most entitled to consideration.
+But this old rule is by no means slavishly followed in polite
+society in this country.</p>
+
+<p>In order to be able to watch the course of the dinner,
+and to see that nothing is wanting to their guests, the
+lady and gentleman of the house usually seat themselves
+in the centre of the table, opposite each other.</p>
+
+<p>When all the guests are seated, the lady of the house
+serves in plates, from a pile at her left hand, the soup,
+which she sends round, beginning with her neighbors right
+and left, and continuing till all are helped. These first
+plates usually pass twice, for each guest endeavors to induce
+his neighbor to accept what was sent to him.</p>
+
+<p>The gentleman then carves, or causes to be carved by
+some expert guest, the large pieces, in order afterwards to
+do the other honors himself. If you have no skill in
+carving meats, do not attempt it; nor should you ever
+discharge this duty except when your good offices are
+solicited by him; neither can we refuse anything sent us
+from his hand.</p>
+
+<hr class="chapter" />
+
+<p><span class="pagenum"><a name="Page_67" id="Page_67">[67]</a></span></p>
+
+<h2>HABITS AT TABLE.</h2>
+<p><span class="smcap">As</span> soon as dinner is announced, the host or hostess will
+give the signal for leaving the drawing-room, and in all
+probability you will be requested to escort one of the ladies
+to the table. If this should occur, offer the lady your left
+arm, and at the table remain standing until every lady is
+seated, then take the place assigned to you by the hostess.
+When you leave the parlor, pass out first, and the lady will
+follow you, still lightly holding your arm. At the door of
+the dining-room, the lady will drop your arm. You should
+then pass in, and wait at one side of the entrance till she
+passes you. Having arrived at the table, each gentleman
+respectfully salutes the lady whom he conducts, who in
+her turn, also bows and takes her seat.</p>
+
+<p>Nothing indicates the good breeding of a gentleman so
+much as his manners at table. There are a thousand little
+points to be observed, which, although not absolutely
+necessary, distinctly stamp the refined and well-bred
+man. A man may pass muster by <i>dressing well</i>, and may
+sustain himself tolerably in conversation; but if he be not
+perfectly <i>"au fait," dinner</i> will betray him.</p>
+
+<p>Any unpleasant peculiarity, abruptness, or coarseness of
+manners, is especially offensive at table. People are more
+easily disgusted at that time than at any other. All such
+acts as leaning over on one side in your chair, placing your
+elbows on the table, or on the back of your neighbor's<span class="pagenum">[68]</span>
+chair, gaping, twisting about restlessly in your seat, are to
+be avoided as heresies of the most infidel stamp at table.</p>
+
+<p>Though the body at table should always be kept in a
+tolerably upright and easy position, yet one need not sit
+bolt-upright, as stiff and prim as a poker. To be easy, to
+be natural, and to appear comfortable, is the deportment
+required.</p>
+
+<p>Always go to a dinner as neatly dressed as possible. The
+expensiveness of your apparel is not of much importance,
+but its freshness and cleanliness are indispensable. The
+hands and finger-nails require especial attention. It is a
+great insult to every lady at the table for a man to sit down
+to dinner with his hands in a bad condition.</p>
+
+<p>It is considered vulgar to take fish or soup twice. The
+<i>reason</i> for not being helped twice to fish or soup at a large
+dinner-party is, because by doing so you keep three parts
+of the company staring at you whilst waiting for the second
+course, which is spoiling, much to the annoyance of the
+mistress of the house. The selfish greediness, therefore,
+of so doing constitutes its vulgarity. At a family dinner
+it is of less importance, and is consequently often done.</p>
+
+<p>You will sip your soup as quietly as possible from the
+side of the spoon, and you, of course, will not commit the
+vulgarity of blowing in it, or trying to cool it, after it is in
+your mouth, by drawing in an unusual quantity of air, for
+by so doing you would be sure to annoy, if you did not
+turn the stomach of the lady or gentleman next to you.</p>
+
+<p>Be careful and do not touch either your knife or your
+fork until after you have finished eating your soup. Leave
+your spoon in your soup plate, that the servant may remove
+them.</p>
+
+<p>Never <i>use your knife to convey</i> your food to your mouth,
+<i>under any circumstances</i>; it is unnecessary, and glaringly<span class="pagenum">[69]</span>
+vulgar. Feed yourself with a <i>fork</i> or <i>spoon</i>, <i>nothing else</i>&mdash;a
+knife is only to be used for cutting.</p>
+
+<p>If at dinner you are requested to help any one to sauce,
+do not pour it over the meat or vegetables, but on one
+side. If you should have to carve and help a joint, do not
+load a person's plate&mdash;it is vulgar; also in serving soup,
+one ladleful to each plate is sufficient.</p>
+
+<p>Fish should always be helped with a silver fish-slice, and
+your own portion of it divided by the fork aided by a piece
+of bread. The application of a knife to fish is likely to
+destroy the delicacy of its flavor; besides which, fish sauces
+are often acidulated; acids corrode steel, and draw from
+it a disagreeable taste.</p>
+
+<p>The lady and gentleman of the house are, of course,
+helped last, and they are very particular to notice, every
+minute, whether the waiters are attentive to every guest.
+But they do not press people either to eat more than they
+appear to want, nor <i>insist</i> upon their partaking of any particular
+dish. It is allowable for you to recommend, so far
+as to say that it is considered "excellent," but remember
+that tastes differ, and dishes which suit <i>you</i>, may be unpleasant
+to others; and that, in consequence of your
+urgency, some modest people might feel themselves compelled
+to partake of what is disagreeable to them.</p>
+
+<p>Neither ladies nor gentlemen ever wear gloves at table,
+unless their hands, from some cause, are not fit to be seen.</p>
+
+<p>Avoid too slow or too rapid eating; the one will appear
+as though you did not like your dinner, and the other as
+though you were afraid you would not get enough.</p>
+
+<p>Making a noise in chewing your food, or breathing hard
+in eating, are unseemly habits, which will be sure to get
+you a bad name at table, among people of good-breeding.<span class="pagenum">[70]</span>
+Let it be a sacred rule that <i>you cannot use your knife, or
+fork, or teeth too quietly</i>.</p>
+
+<p>Avoid picking your teeth, if possible, at table, for however
+agreeable such a practice might be to yourself, it may
+be offensive to others. The habit which some have of
+holding one hand over the mouth, does not avoid the vulgarity
+of teeth-picking at table.</p>
+
+<p>Unless you are requested to do so, never select any particular
+part of a dish; but if your host asks you what
+part you prefer, name some part, as in this case the incivility
+would consist in making your host choose as well as
+carve for you.</p>
+
+<p>If your host or hostess passes you a plate, keep it,
+especially if you have chosen the food upon it, for others
+have also a choice, and by passing it, you may give your
+neighbor dishes distasteful to him, and take yourself those
+which he would much prefer.</p>
+
+<p>If a dish is distasteful to you, decline it, but make no
+remarks about it. It is sickening and disgusting to explain
+at a table how one article makes you sick, or why some
+other dish has become distasteful to you. I have seen a
+well-dressed tempting dish go from a table untouched,
+because one of the company told a most disgusting anecdote
+about finding vermin served in a similar dish.</p>
+
+<p>If the meat or fish upon your plate is too rare or too
+well-done, do not eat it; give for an excuse that you prefer
+some other dish before you; but never tell your host
+that his cook has made the dish uneatable.</p>
+
+<p>If a gentleman is seated by the side of a lady or elderly
+person, politeness requires him to save them all trouble of
+pouring out for themselves to drink, and of obtaining
+whatever they are in want of at the table. He should be<span class="pagenum">[71]</span>
+eager to offer them whatever he thinks to be most to their
+taste.</p>
+
+<p>Never pare an apple or a pear for a lady unless she desire
+you, and then be careful to use your fork to hold it; you
+may sometimes offer to <i>divide a very large pear</i> with or for
+a person.</p>
+
+<p>It is not good taste to praise extravagantly every dish
+that is set before you; but if there are some things that
+are really very nice, it is well to speak in their praise.
+But, above all things, avoid seeming indifferent to the
+dinner that is provided for you, as that might be construed
+into a dissatisfaction with it.</p>
+
+<p>Some persons, in helping their guests, or recommending
+dishes to their taste, preface every such action with a eulogy
+on its merits, and draw every bottle of wine with an
+account of its virtues; others, running into the contrary
+extreme, regret or fear that each dish is not exactly as it
+should be; that the cook, etc., etc. Both of these habits
+are grievous errors. You should leave it to your guests
+alone to approve, or suffer one of your intimate friends
+who is present, to vaunt your wine.</p>
+
+<p>If you ask the waiter for anything, you will be careful to
+speak to him gently in the tone of <i>request</i>, and not of <i>command</i>.
+To speak to a waiter in a driving manner will
+create, among well-bred people, the suspicion that you
+were sometime a servant yourself, and are putting on <i>airs</i>
+at the thought of your promotion. Lord Chesterfield says:
+"If I tell a footman to bring me a glass of wine, in a
+rough, insulting manner, I should expect that, in obeying
+me, he would contrive to spill some of it upon me, and I
+am sure I should deserve it."</p>
+
+<p>Should your servants break anything while you are at
+table, never turn round, or inquire into the particulars,<span class="pagenum">[72]</span>
+however annoyed you may feel. If your servants betray
+stupidity or awkwardness in waiting on your guests, avoid
+reprimanding them <i>publicly</i>, as it only draws attention to
+their errors, and adds to their embarrassment.</p>
+
+<p>Never commit the vulgarism of speaking when you have
+any food in your mouth.</p>
+
+<p>When you have occasion to change or pass your plate
+during dinner, be careful and remove your knife and fork,
+that the plate <i>alone</i> may be taken, but after you have finished
+your dinner, cross the knife and fork on the plate,
+that the servant may take all away, before bringing you
+clean ones for dessert.</p>
+
+<p>Do not put butter on your bread at dinner, and avoid
+biting or cutting your bread from the slice, or roll; rather
+break off small pieces, and put these in your mouth with
+your fingers.</p>
+
+<p>It is considered vulgar to dip a piece of bread into the
+preserves or gravy upon your plate and then bite it. If
+you desire to eat them together, it is much better to break
+the bread in small pieces, and convey these to your mouth
+with your fork.</p>
+
+<p>Avoid putting bones, or the seeds of fruit, upon your
+table-cloth. Rather place them upon the edge of your
+plate.</p>
+
+<p>When you wish to help yourself to butter, salt, or sugar,
+use the butter-knife, salt-spoon and sugar-tongs; to use
+your own knife, spoon or fingers evinces great ignorance
+and ill-breeding.</p>
+
+<p>It is customary in some American families to serve their
+guests with coffee in the parlor after dinner. But this is a
+European custom which is not generally practiced in polite
+American society. When coffee is given at the close<span class="pagenum">[73]</span>
+of the dinner, it is more usual to serve it before the guests
+leave the table. The practice of handing it round in the
+parlor or drawing-room, is an unnecessary inconvenience to
+the guests particularly, without any compensating advantages.</p>
+
+<p>Finger-glasses are generally handed round as soon as the
+viands are removed, but they are intended merely to wet
+the fingers and around the mouth. When the finger-glasses
+are passed, wet your fingers in them and then wipe
+them upon your napkin. The habit of rinsing the mouth
+at table is a disgusting piece of indelicacy, which is never
+practiced by any well-bred person.</p>
+
+<p>Upon leaving the table, lay your napkin beside your
+plate, but do not fold it.</p>
+
+<p>Do not leave the table until the lady of the house gives
+the signal, and when you leave offer your arm to the lady
+whom you escorted to the table.</p>
+
+<p>It is generally the custom in this country for ladies to
+retain their seats at table till the end of the feast, but if
+they withdraw, the gentlemen all rise when they leave the
+table, and remain standing until they have left the room.</p>
+
+<p>Politeness demands that you remain at least an hour in
+the parlor, after dinner; and, if you can dispose of an
+entire evening, it would be well to devote it to the person
+who has entertained you. It is excessively rude to leave
+the house as soon as dinner is over.</p>
+
+<hr class="chapter" />
+
+<p><span class="pagenum"><a name="Page_74" id="Page_74">[74]</a></span></p>
+
+<h2>WINE AT TABLE.</h2>
+<p><span class="smcap">Almost</span> every gentleman has wine at his table whenever
+he has invited guests. Indeed, wine is considered an indispensable
+part of a good dinner, to which ladies and
+gentlemen have been formally invited. Even if you are a
+total-abstinence man yourself, you will not, if you are
+really a gentleman, attempt to compel all your guests to be
+so against their wish. If you are so fanatical that you
+have what is called "conscientious scruples" against furnishing
+wine, then you should invite none to dine who are
+not as fanatical and bigoted as yourself. You must consider
+that a gentleman may have "conscientious scruples"
+against dining with you on cold water, for there are even
+temperate and sober gentleman who would go without
+meat as soon as be deprived of their glass of wine at dinner.
+The vegetarian, who would force his guests to dine on
+cabbages and onions, is hardly guilty of a greater breach
+of etiquette than the total-abstinence fanatic who would
+compel his guests to go without wine.</p>
+
+<p>If there is a gentleman at the table who is known to be
+a total-abstinence man, you will not urge him to drink.
+He will suffer his glass to be filled at the first passage of
+the wine, and raising it to his lips, will bow his respects
+with the rest of the guests, and after that his glass will be
+allowed to remain untouched. As little notice as possible
+should be taken of his total-abstinence peculiarity. And,
+if he is a gentleman, he will carefully avoid drawing attention
+to it himself.<span class="pagenum">[75]</span></p>
+
+<p>It is not now the custom to ask a lady across the table
+to take wine with you. It is expected that every lady will
+be properly helped to wine by the gentleman who takes her
+to the table, or who sits next to her. But if you are in
+company where the old custom prevails, it would be better
+breeding to follow the custom of the place, rather than
+by an omission of what your entertainer considers civility,
+to prove him, in face of his guests, to be either ignorant
+or vulgar. If either a lady or gentleman is invited to
+take wine at table, they must <i>never refuse</i>; if they do not
+<i>drink</i>, they need only touch the wine to their lips. Do
+not offer to help a lady to wine until you see she has finished
+her soup or fish.</p>
+
+<p>Always wipe your mouth before drinking, as nothing is
+more ill-bred than to grease your glass with your lips.</p>
+
+<p>Do not propose to take wine with your host; it is his
+privilege to invite you.</p>
+
+<p>It is considered well bred to take the same wine as that
+selected by the person with whom you drink. When, however,
+the wine chosen by him is unpalatable to you, it is allowable
+to take that which you prefer, at the same time
+apologizingly saying, "Will you permit me to drink <i>claret</i>?"
+or whatever wine you have selected.</p>
+
+<p>In inviting a lady to take wine with you at table, you
+should politely say, "Shall I have the pleasure of a glass
+of wine with you?" You will then either hand her the
+bottle you have selected, or send it by the waiter, and
+afterwards fill your own glass, when you will politely and
+silently bow to each other, as you raise the wine to your
+lips. The same ceremony is to be observed when inviting
+a gentleman.</p>
+
+<p>On raising the first glass of wine to his lips, it is customary
+for a gentleman to bow to the lady of the house.<span class="pagenum">[76]</span></p>
+
+<p>It is not customary to propose <i>toasts</i> or to drink deep at
+a gentleman's family table. Lord Byron describes "a
+largish party," as "first silent, then talky, then argumentative,
+then disputatious, then unintelligible, then altogethery,
+then drunk." But this was "a largish party,"
+which, it is to be hoped, was given at a tavern; for the man
+who drinks to intoxication, or to any considerable degree of
+<i>elevation</i>, at a gentleman's family table, ought never to expect
+to be invited a second time.</p>
+
+<p>At dinner-parties which are given to gentlemen, for the
+purpose of conviviality, one may indulge in as much wine
+as he pleases, provided he does not get <i>drunk</i>, and make a
+nuisance of himself. Where drinking, and toasting, and
+bumpers, are the order of the feast, as at a public dinner,
+given in honor of a distinguished man, or at the inauguration
+of some public enterprise, far greater latitude is
+allowed, in all things, than on more private and select occasions.</p>
+
+<p>In conclusion of our article on table etiquette, we quote
+from a recent English work, some humorous, but valuable
+hints:</p>
+
+<p>"We now come to habits at table, which are very important.
+However agreeable a man may be in society, if
+he offends or disgusts by his table traits, he will soon be
+scouted from it, and justly so. There are some broad rules
+for behavior at table. Whenever there is a servant to help
+you, never help yourself. Never put a knife into your
+mouth, not even with cheese, which should be eaten with
+a fork. Never use a spoon for anything but liquids.
+Never touch anything edible with your fingers.</p>
+
+<p>"Forks were undoubtedly a later invention than fingers,
+but as we are not cannibals, I am inclined to think they
+were a good one. There are some few things which you<span class="pagenum">[77]</span>
+may take up with your fingers. Thus an epicure will eat
+even macaroni with his fingers; and as sucking asparagus
+is more pleasant than chewing it, you may, as an epicure,
+take it up <i>au naturel</i>. But both these things are generally
+eaten with a fork. Bread is, of course, eaten with the fingers,
+and it would be absurd to carve it with your knife and
+fork. It must, on the contrary, always be broken when
+not buttered, and you should never put a slice of dry bread
+to your mouth to bite a piece off. Most fresh fruit, too, is
+eaten with the natural prongs, but when you have peeled
+an orange or apple, you should cut it with the aid of the
+fork, unless you can succeed in breaking it. Apropos of
+which, I may hint that no epicure ever yet put a knife to
+an apple, and that an orange should be peeled with a
+spoon. But the art of peeling an orange so as to hold its
+own juice, and its own sugar too, is one that can scarcely
+be taught in a book.</p>
+
+<p>"However, let us go to dinner, and I will soon tell you
+whether you are a well-bred man or not; and here let me
+premise that what is good manners for a small dinner is
+good manners for a large one, and <i>vice versa</i>. Now, the
+first thing you do is to sit down. Stop, sir! pray do not
+cram yourself into the table in that way; no, nor sit a yard
+from it, like that. How graceless, inconvenient, and in
+the way of conversation! Why, dear me! you are positively
+putting your elbows on the table, and now you have
+got your hands fumbling about with the spoons and forks,
+and now you are nearly knocking my new hock glasses
+over. Can't you take your hands down, sir? Didn't you,
+learn that in the nursery? Didn't your mamma say to
+you, "Never put your hands above the table except to
+carve or eat?" Oh! but come, no nonsense, sit up, if
+you please. I can't have your fine head of hair forming a
+side dish on my table; you must not bury your face in the
+plate; you came to show it, and it ought to be alive. Well,<span class="pagenum">[78]</span>
+but there is no occasion to throw your head back like that,
+you look like an alderman, sir, <i>after</i> dinner. Pray, don't
+lounge in that sleepy way. You are here to eat, drink, and
+be merry. You can sleep when you get home.</p>
+
+<p>"Well, then, I suppose you can see your napkin. Got
+none, indeed! Very likely, in <i>my</i> house. You may be
+sure that I never sit down to a meal without napkins. I
+don't want to make my tablecloths unfit for use, and I
+don't want to make my trousers unwearable. Well, now,
+we are all seated, you can unfold it on your knees; no, no;
+don't tuck it into your waistcoat like an alderman; and
+what! what on earth do you mean by wiping your forehead
+with it? Do you take it for a towel? Well, never
+mind, I am consoled that you did not go farther, and use
+it as a pocket-handkerchief. So talk away to the lady on
+your right, and wait till soup is handed to you. By the
+way, that waiting is the most important part of table manners,
+and, as much as possible, you should avoid asking
+for anything or helping yourself from the table. Your
+soup you eat with a spoon&mdash;I don't know what else you
+<i>could</i> eat it with&mdash;but then it must be one of good size.
+Yes, that will do, but I beg you will not make that odious
+noise in drinking your soup. It is louder than a dog lapping
+water, and a cat would be quite genteel to it. Then
+you need not scrape up the plate in that way, nor even tilt
+it to get the last drop. I shall be happy to send you some
+more; but I must just remark, that it is not the custom to
+take two helpings of soup, and it is liable to keep other
+people waiting, which, once for all, is a selfish and intolerable
+habit. But don't you hear the servant offering you
+sherry? I wish you would attend, for my servants have
+quite enough to do, and can't wait all the evening while
+you finish that very mild story to Miss Goggles. Come,
+leave that decanter alone. I had the wine put on the table
+to fill up; the servants will hand it directly, or, as we
+are a small party, I will tell you to help yourself; but pray,<span class="pagenum">[79]</span>
+do not be so officious. (There, I have sent him some turbot
+to keep him quiet. I declare he cannot make up his
+mind.) You are keeping my servant again, sir. Will you,
+or will you not, do turbot? Don't examine it in that way;
+it is quite fresh, I assure you; take or decline it. Ah, you
+take it, but that is no reason why you should take up a
+knife too. Fish, I repeat, must never be touched with a
+knife. Take a fork in the right and a small piece of bread
+in the left hand. Good, but&mdash;&mdash;? Oh! that is atrocious;
+of course you must not swallow the bones, but you should
+rather do so than spit them out in that way. Put up your
+napkin like this, and land the said bone on your plate.
+Don't rub your head in the sauce, my good man, nor go
+progging about after the shrimps or oysters therein. Oh!
+how horrid! I declare your mouth was wide open and full
+of fish. Small pieces, I beseech you; and once for all,
+whatever you eat, keep your mouth <i>shut</i>, and never attempt
+to talk with it full.</p>
+
+<p>"So now you have got a p&acirc;t&eacute;. Surely you are not taking
+two on your plate! There is plenty of dinner to come, and
+one is quite enough. Oh! dear me, you are incorrigible.
+What! a knife to cut that light brittle pastry? No, nor
+fingers, never. Nor a spoon&mdash;almost as bad. Take your
+fork, sir, your fork; and, now you have eaten, oblige me
+by wiping your mouth and moustache with your napkin,
+for there is a bit of the pastry hanging to the latter, and
+looking very disagreeable. Well, you can refuse a dish if
+you like. There is no positive necessity for you to take
+venison if you don't want it. But, at any rate, do not be
+in that terrific hurry. You are not going off by the next
+train. Wait for the sauce and wait for the vegetables;
+but whether you eat them or not, do not begin before
+everybody else. Surely you must take my table for that of
+a railway refreshment-room, for you have finished before
+the person I helped first. Fast eating is bad for the digestion,
+my good sir, and not very good manners either.<span class="pagenum">[80]</span>
+What! are you trying to eat meat with a fork alone? Oh!
+it is sweetbread; I beg your pardon, you are quite right.
+Let me give you a rule: Everything that can be cut without
+a knife, should be cut with a fork alone. Eat your
+vegetables, therefore, with a fork. No, there is no necessity
+to take a spoon for peas; a fork in the right hand will
+do. What! did I really see you put your knife into your
+mouth? Then I must give you up. Once for all, and
+ever, the knife is to cut, not to help with. Pray, do not
+munch in that noisy manner; chew your food well, but
+softly. <i>Eat slowly.</i> Have you not heard that Napoleon
+lost the battle of Leipsic by eating too fast? It is a fact
+though. His haste caused indigestion, which made him
+incapable of attending to the details of the battle. You
+see you are the last person eating at table. Sir, I will
+not allow you to speak to my servants in that way. If they
+are so remiss as to oblige you to ask for anything, do it
+gently, and in a low tone, and thank a servant just as
+much as you would his master. Ten to one he is as good
+a man; and because he is your inferior in position, is the
+very reason you should treat him courteously. Oh! it is
+of no use to ask me to take wine; far from pacifying me,
+it will only make me more angry, for I tell you the custom
+is quite gone out, except in a few country villages, and at a
+mess-table. Nor need you ask the lady to do so. However,
+there is this consolation, if you should ask any one to
+take wine with you, he or she <i>cannot</i> refuse, so you have
+your own way. Perhaps next you will be asking me to
+hob and nob, or <i>trinquer</i> in the French fashion with arms
+encircled. Ah! you don't know, perhaps, that when a
+lady <i>trinques</i> in that way with you, you have a right to
+finish off with a kiss. Very likely, indeed! But it <i>is</i> the
+custom in familiar circles in France, but then we are not
+Frenchmen. <i>Will</i> you attend to your lady, sir? You did
+not come merely to eat, but to make yourself agreeable.
+Don't sit as glum as the Memnon at Thebes; talk and be
+pleasant. Now you have some pudding. No knife&mdash;no,<span class="pagenum">[81]</span>
+<i>no</i>. A spoon, if you like, but better still, a fork. Yes, ice
+requires a spoon; there is a small one handed you, take
+that.</p>
+
+<p>"Say 'no.' This is the fourth time wine has been handed
+to you, and I am sure you have had enough. Decline this
+time if you please. Decline that dish too. Are you going
+to eat of everything that is handed? I pity you if you do.
+No, you must not ask for more cheese, and you must eat
+it with your fork. Break the rusk with your fingers.
+Good. You are drinking a glass of old port. Do not quaff
+it down at a gulp in that way. Never drink a whole glassful
+of anything at once.</p>
+
+<p>"Well, here is the wine and dessert. Take whichever
+wine you like, but remember you must keep to that, and
+not change about. Before you go up stairs I will allow you
+a glass of sherry after your claret, but otherwise drink of
+one wine only! You don't mean to say you are helping
+yourself to wine before the ladies! At least, offer it to the
+one next to you, and then pass it on, gently, not with a
+push like that. Do not drink so fast; you will hurry me
+in passing the decanters, if I see that your glass is empty.
+You need not eat dessert till the ladies are gone, but offer
+them whatever is nearest to you. And now they are gone,
+draw your chair near mine, and I will try and talk more
+pleasantly to you. You will come out admirably at your
+next dinner with all my teaching. What! you are excited,
+you are talking loud to the colonel. Nonsense! Come and
+talk easily to me or to your nearest neighbor. There,
+don't drink any more wine, for I see you are getting romantic.
+You oblige me to make a move. You have had
+enough of those walnuts; you are keeping me, my dear
+sir. So now to coffee [one cup] and tea, which I beg you
+will not pour into your saucer to cool. Well, the dinner
+has done you good, and me too. Let us be amiable to the
+ladies, but not too much so."</p>
+
+<hr class="chapter" />
+
+<p><span class="pagenum"><a name="Page_82" id="Page_82">[82]</a></span></p>
+
+<h2>CARVING.</h2>
+<p><span class="smcap">Carving</span> is an art which every parent should teach his
+sons and daughters. Nothing can be more disagreeable and
+unpleasant than to be placed before any particular dish
+without being able to help it properly. It is generally the
+case when the head of the family is a good carver; for he so
+objects to see things badly cut, that he prefers carving
+everything himself. We remember once, when very young,
+being invited to a large dinner, and we were placed before
+a ham. We began to hack this article, when the general,
+the founder of the feast, said to his servant, "Take that
+ham away from that young gentleman, and place it before
+some one who knows how to carve." From that moment
+we determined to achieve the art of carving, and after
+great difficulty we succeeded, and succeeded so well that
+once, in carving a hare, a clergyman, one of the guests, remarked
+what an excellent invention that of boning a hare
+was, we carved it with so much ease; but determined to
+have a joke at the expense of the clergyman, we laid down
+the knife and fork, and said, "Sir, we are surprised that you
+could express such an opinion, when it is well known
+that it has filled more jails and sent more men to the treadmill
+than any other thing you can name." "What, sir,
+taking the bones out of a hare?" "No, sir, 'boning' the
+hare first." No one can carve without practice, and consequently
+children ought to begin young, in order to acquire
+a thorough knowledge of the art. It is difficult to
+describe the method of carving, even with drawings or dia<span class="pagenum">[83]</span>grams; but the reader who wishes to learn, may, by observing
+how good carvers proceed, and applying what he
+has seen to what he reads, with practice, soon become an
+adept.</p>
+
+<p>And first, never stand up to carve; this is the greatest
+vulgarity, and even a very short man need not stand up.
+A little, deformed, hump-back friend of ours, used to give
+very good dinners; he carved well, and delighted in
+showing it, but he had a failing&mdash;always to have very large
+joints of meat before him. One day a stranger guest arrived
+late, dinner had been served, even soup and fish
+had been removed; the host was absolutely hidden behind
+an enormous round of beef, and the stranger saw
+nothing at the head of the table but the monstrous
+joint, round which a knife was revolving with wonderful
+rapidity. Steam was the subject of talk at the moment,
+and he exclaimed, "I did not know that you had brought
+steam to this perfection." "What perfection?" "Why,
+don't you see that round of beef is carved by steam." This
+was enough; it got the hunchback's steam up, and, jumping
+on the chair, he demanded who dare insult him in his
+own house; and it was with great difficulty that his friends
+could appease his wrath, and turn his steam off. Ever
+since the time of Adam, men and women have been prone
+to excuse themselves and lay the blame on others. Thus,
+a person who could not swim, complained bitterly of the
+want of buoyancy in the water; and another, who had
+frightfully mangled a leg of mutton in attempting to carve,
+declared that the sheep was deformed and had a bandy leg.</p>
+
+<p>In France, at all large dinners, dishes are carved at the
+sideboard by a servant, and then handed round in small
+portions. It saves a great deal of trouble, and prevents
+the shower of gravy with which awkward carvers will
+often inundate the table-cloth, and sometimes their neighbors.
+It would be well if this custom was universal in<span class="pagenum">[84]</span>
+America, where it is rare to find a good carver. In helping
+the soup, never say, "Will you let me assist you to
+some of this soup?" this is vulgar in the extreme. The
+word assist is not "selon les r&egrave;gles de la bonne soci&eacute;t&eacute;,"
+but simply, "Shall I send you some?" Now, any one can
+help soup. But then there are two ways, the right and the
+wrong. First, then, your soup plates should be held by
+the servant near the tureen, and you should judge the
+number you have to help by the quantity of soup you have,
+to avoid the possibility of consuming all your soup before
+you have helped your guests; give one spoonful of soup
+to each plate, and avoid by all means slopping the soup
+either into the tureen or over the table-cloth, or over the
+side of the plate, all of which are extreme vulgarities.
+And here we beg to say&mdash;notwithstanding Brummel having
+said, in speaking of some one with whom he could find
+no other fault, that he was a sort of fellow who would come
+twice to soup,&mdash;that, if very good, it is not vulgar to eat
+twice of it; but, <i>au contraire</i>, if not good, the worst possible
+taste.</p>
+
+<p>The next thing in order is fish. Now, of fish there are
+several sorts; the first of the large sorts being</p>
+
+<p><span class="smcap">Salmon</span>, the shape of which every one knows; but few
+people have a whole salmon at table. The fish should be
+served always on a strainer, covered with a small dinner
+napkin, and the cook should be careful that it be sent to
+table whole and unbroken. It should be laid on its side,
+and garnished with fried smelts; it should be cut with the
+trowel, or fish-knife, immediately down the middle of the
+side, and helped from the centre to the back, one slice
+back and a small slice towards the belly, which is the
+richest and fattest part; care should be taken that the
+slices are not broken, and with each slice a fried smelt
+be given.</p>
+
+<p><span class="smcap">Cod-fish</span> should be helped differently. Cutting from<span class="pagenum">[85]</span>
+the back to the thin part, crossways, and the sound divided
+so as to give each person a small portion.</p>
+
+<p><span class="smcap">Mackerel</span>, if boiled, should be divided into four; that is,
+place your trowel or fish-knife under the flesh at the tail,
+and raise up the flesh to the head, then divide the side in
+the middle, giving half of the side to each person, and
+leaving the bone and head and tail in the dish.</p>
+
+<p><span class="smcap">Herrings</span> should be helped by giving one to each person.</p>
+
+<p><span class="smcap">Eels</span> are always cut in small pieces, and all the attention
+required is that those which are the largest are the best.</p>
+
+<p><span class="smcap">Patties and Entrees</span> ought to be so arranged that they
+can be served with a spoon, and require no carving. The
+roast is therefore the next thing that calls for observation.</p>
+
+<p><span class="smcap">A Leg of Mutton</span> is, or rather ought to be served exactly
+the reverse side to a haunch of mutton; that is, it ought
+to lie on the flat side, and so show the beveled side to the
+carver. A slice is cut in the center; and then the carver
+is to cut to the bone right and left, the thick side being
+most esteemed. The best fat is that which lies at the thick
+end, near to the bone; there is not much of it, but it is
+considered a delicacy.</p>
+
+<p><span class="smcap">A Sirloin of Beef.</span>&mdash;The most elegant way to cut this
+joint is by making an incision from the chine-bone to the
+flap, directly in the center, and helping from either side.
+However, this is not the most economical way; and therefore
+it is to be cut thin on the outside, from the chine-bone
+to the flaps, with fat from underneath. Many people like
+the under side, or inner loin. If this is eaten hot&mdash;and it
+is best hot&mdash;the joint should be turned, and the meat cut
+across in slices rather thicker than from the top side.
+Great care should be taken not to splash the gravy in turning,
+by placing the fork well into the flap, so as to secure a
+firm hold.<span class="pagenum">[86]</span></p>
+
+<p><span class="smcap">A Fore Quarter of Lamb</span> should be carved without
+removing the shoulder from the dish on which it is served.
+This is very difficult; but if well done, very elegant.
+First, then, let us give all the directions necessary for this
+dish. When it comes before the carver, he should place
+the carving-knife under the shoulder, and dexterously remove
+it. Having so done, he should place under the
+shoulder a slice of fresh butter, and then prepare some
+salt, cayenne pepper, and the juice of an orange or a
+lemon, which should be also poured over the part of the
+lamb from which the shoulder has been separated, and
+then pour the gravy with the gravy-spoon over the lamb,
+so that the butter, etc., may amalgamate well with the
+gravy. You have then the breast and the ribs, and the
+shoulder on the dish, ready to help your friends. Before
+separating the ribs, you must cut off the breast, the bones
+of which the butcher has previously broken, so as to enable
+you to do it with ease. As, however, many people cannot
+carve so much in one dish, perhaps the better plan is to
+place the shoulder on a separate dish, when it can be cut
+precisely as a shoulder of mutton, and the ribs and breast
+can be more easily divided and helped. Always take care
+that the butcher joints the meat, or no man can carve it.</p>
+
+<p><span class="smcap">A Hind Quarter of Lamb</span> should be carved both as a
+leg and a loin, giving either part to those who prefer it.</p>
+
+<p><span class="smcap">A Saddle of Lamb</span> must be carved like a saddle of
+mutton.</p>
+
+<p><span class="smcap">A Loin of Lamb</span> should always be divided at the chine
+end of the bone, and helped in chops.</p>
+
+<p><span class="smcap">A Haunch of Venison or Mutton</span> is the leg and part
+of the loin. It should be cut across, near the knuckle,
+and then another cut should pass down the center. The
+slices should be taken from the left and the right of this;
+those on the left, containing the most fat, are preferred by<span class="pagenum">[87]</span>
+epicures. The fat and gravy must be equally distributed.
+These joints should always be served on a hot-water dish,
+or on a dish with a lamp under it, so as to keep the meat
+hot. Without one or other of these contrivances, no one
+should presume to give a haunch of venison to his friends.
+Before it is sent to table, the cook should pour over the
+haunch one wine-glassful of hot port wine.</p>
+
+<p><span class="smcap">An Edge-bone of Beef</span> should be placed on the dish
+standing on the thickest end. The carver should first cut
+off a slice horizontally from the end to the fat, an inch
+thick; but in helping, it cannot be cut too thin, giving
+to each person hard and soft fat. If cut thick it is hard
+and indigestible.</p>
+
+<p><span class="smcap">A Round or Buttock of Beef</span> is cut like a fillet of veal;
+that is, a slice having been horizontally removed all round,
+the slices should be cut very thin and very even. To
+properly carve a large round of beef, a long carving-knife,
+such as is used in a cook-shop, is necessary.</p>
+
+<p><span class="smcap">A Fillet of Veal</span> is a solid piece of meat without
+bone; it is therefore easily carved by any one who possesses
+a sharp knife; the guard of the fork should be up,
+to prevent accidents. The veal should be well roasted;
+for if the gravy is in it, it is very unwholesome. The slices
+may be cut thicker than beef, and the stuffing should be
+found in the center, and in the flap which surrounds it.</p>
+
+<p><span class="smcap">A Breast of Veal.</span>&mdash;The richest part of this is called
+the brisket. The knife must be put about four inches from
+this, and cut through it, which will separate the ribs from
+the brisket; serve whichever is liked.</p>
+
+<p><span class="smcap">Calf's Head</span> is a dish much esteemed here; but, as
+generally eaten, plainly boiled, it is tasteless, insipid, and
+very objectionable&mdash;while cooked &agrave; la tortue, as in France,
+nothing can be better. It should always be boned and<span class="pagenum">[88]</span>
+rolled; but if served whole, it is to be cut down the center,
+and helped in slices from either side. A portion of the
+sweetbread, which generally accompanies a boiled calf's
+head, should be given with each portion. If the flesh
+about the socket of the eye be preferred, the eye itself being
+always taken out, the knife should be inserted into the
+orifice, and the meat scooped out. The palate&mdash;generally
+esteemed a delicacy&mdash;is situated under the head. This
+should be cut into small portions, so that every one may
+have a share.</p>
+
+<p><span class="smcap">Shoulder of Mutton.</span>&mdash;The joint being placed with the
+knuckle toward the right hand, observe that there is an
+angular piece of fat next you. Having helped your company
+from this part, you may, perhaps, imagine that your
+shoulder of mutton is exhausted, and will not yield a further
+dividend. However, you may get from both sides of
+a large shoulder enough to help ten people, provided your
+slices are not too thick, which they should not be.
+The fat is to be cut from the aforesaid angular bit in slices,
+longways. After the right and left sides are exhausted,
+and the carver stopped by the knuckle on one side and the
+blade-bone on the other, the end of the shoulder is to be
+turned, and cut straight down from the center bone to the
+end, comprising the three best slices of the joint. If more
+is required, the shoulder may be reversed on the dish, and
+four good slices will be found on the under side.</p>
+
+<p><span class="smcap">Saddle of Mutton.</span>&mdash;This best joint of the sheep is
+carved in several ways; the usual way is to cut from the
+tail to the end close to the chine-bone, taking the slices
+horizontally. Another plan is to cut close to the back-bone,
+taking slices sideways, so as to help each person
+with a piece like a mutton chop, without the bone and very
+thin. Another way is to commence, not quite close to the
+back-bone, and so cut slices, rounding them a little that
+they will curl on the plate, cutting in such a way that the<span class="pagenum">[89]</span>
+knife slants toward the flaps or fat, and so that the top of
+each slice is fat and the bottom lean; and for a small
+party, this is by far the most elegant and the best way to
+carve this excellent joint.</p>
+
+<p><span class="smcap">Ham.</span>&mdash;There perhaps is no joint about which there has
+been so much contention as the carving of this excellent
+dish. For family use, do not have the skin removed, but
+let it be sent to table as it is dressed. Cut from the thick
+end, where there is most fat; as a ham served hot is always
+eaten with veal or poultry, you can thus eat the fat.
+Continue cutting your ham in this way, and you will be
+able to eat it all; whereas, in any other way, all the lean
+will be eaten, and a large quantity of fat, which will become
+rancid, will be lost.</p>
+
+<p><span class="smcap">Carving Ham for a Party.</span>&mdash;The best informed say,
+carve it like a leg of mutton, that is, beginning in the center,
+cut right and left in thin slices; we say, commence
+at the knuckle, and cut a thick slice off, and then cut thin
+slices as they do in the cook-shops&mdash;for, rely on it, by this
+time they have found out the most economical way of carving
+a ham.</p>
+
+<p><span class="smcap">A Sucking Pig</span> must be divided down the middle, and
+decapitated. This ought to be done by the cook, and the
+two sides placed flat on the dish. Supposing, therefore,
+this to have been previously done, the carver is to take off
+the shoulders and the legs, and help the ribs in such pieces
+as he thinks convenient. The ribs are considered best,
+and you should give plenty of the sauce or gravy with each
+plate.</p>
+
+<p><span class="smcap">Hare.</span>&mdash;There are two ways of carving this difficult dish.
+The first is to cut close to the back-bone from the shoulder
+to the rump on either side, previously dividing the legs;
+take off the shoulders; cutting the back-bone in three or<span class="pagenum">[90]</span>
+four pieces, and getting two slices on either side of the
+hare. The ear is considered the best part. Another way
+of carving a hare is by taking off the legs and shoulders,
+and cutting it round through the back-bone, dividing into
+seven or eight pieces. It is better to bone a hare.</p>
+
+<p><span class="smcap">A Rabbit</span> is carved very differently. The legs and
+shoulders are to be taken off, and the back divided into
+three or four pieces.</p>
+
+<p><span class="smcap">Fowls</span> when boiled have their legs bent inwards, and
+tucked into the belly. A fowl must never be removed from
+the dish and placed upon the carver's plate; nothing can be
+more vulgar. The wing is to be removed with a good slice
+of the breast, the only difficulty being to hit the joint. To
+effect this, the knife is to be passed between the leg and
+the body, and the leg turned back with the fork. To take
+off the merrythought the carver must commence just above
+where the breast turns, and cut down slanting; then begin
+at the rump end, and cut the breast at either side,
+keeping the fork in that part of the breast nearest the
+rump, and turning it toward the carver; the side-bones
+may easily be removed, the back broken in half, and the
+two sides are then easily taken off. All this can only be
+learned by practice; and although we have endeavored to
+describe it, we feel that it requires practice to carry out
+the directions.</p>
+
+<p><span class="smcap">A Pheasant</span> is carved precisely as a fowl. It is only
+necessary to say that ladies like the wings and breast.</p>
+
+<p><span class="smcap">Wild Duck.</span>&mdash;This bird is only helped from the breast,
+which is to be first scored in such a way as afterward to
+form the slice. Lemon juice, cayenne, salt, and port wine
+made hot, should be ready to pour over it; then the previously
+scored slices are to be cut and helped. The breast
+is the only eatable part, except when hashed.<span class="pagenum">[91]</span></p>
+
+<p><span class="smcap">Partridge.</span>&mdash;This bird is carved precisely as a fowl.
+The legs and the back are the best parts; give them to the
+ladies, and let the rest of the company have the wings and
+breast.</p>
+
+<p><span class="smcap">Pigeons</span> are usually cut straight down the middle, and a
+half sent to each person.</p>
+
+<p><span class="smcap">Turkeys</span> are carved like geese. Never make a wing cut
+from the wing or pinion upward, and not from the breast
+downward. Give your knife a slight angle in cutting, and
+your slice will be larger and better.</p>
+
+<p><span class="smcap">Goose.</span>&mdash;To give a description of carving a goose is to
+say, simply, begin from the wing and cut the slices from
+the breast up to the breast bone, and serve each person
+with a slice, with some stuffing and gravy. To cut a wing
+or leg is vulgar in the extreme; for a large party, then, a
+second goose is necessary; but lest our readers should say,
+"That is an easy way to avoid telling us how we ought to
+dismember this bird," we will continue. If you wish to
+do a vulgar thing, and dismember a goose, put your fork
+into the small end of the pinion, and press it close to the
+body, then put in the knife and divide the joint down; to
+separate the leg, first put the fork into the small end of the
+bone, pressing it to the body, then pass your knife between
+the leg and the body, turn the leg back with your
+fork, and it will come off. It is impossible that anything
+but experience will teach a person how to do this expertly;
+but as we said before, it never should be done when served
+hot. It has been said frequently, that a goose is too much
+for one, and not enough for two. This means that the
+breast, which is the only eatable part of a roasted goose,
+is, supposing the person to eat nothing else, too much for
+one and not enough for two people's dinners; another
+reason for never cutting off or eating the legs hot, is that
+they make a most excellent "devil" for breakfast the next
+day&mdash;therefore, why destroy a dish fit for a king?<span class="pagenum">[92]</span></p>
+
+<p><span class="smcap">Woodcocks and Snipes.</span>&mdash;These are both carved alike&mdash;the
+necessary directions being: remove the sand-bag,
+which contains the gall: this generally protrudes; lift up
+the breast near the rump; spread the tail on your toast;
+cut the wing, leg, and part of the back, the wing being cut
+full, that is, with plenty of the breast attached thereto,
+and you have one portion with a third of the toast; serve
+the other side alike, with another third of the toast, and
+the breast and the rest of the back give to the person you
+esteem the least; in fact, the legs, wings, and back, as before
+described, are the best, and should be served together.
+Snipes should be cut in half, unless you have enough to
+give a bird to each person.</p>
+
+<hr class="chapter" />
+
+<p><span class="pagenum"><a name="Page_93" id="Page_93">[93]</a></span></p>
+
+<h2>ETIQUETTE OF THE BALL AND ASSEMBLY ROOM.</h2>
+<p><span class="smcap">Dancing</span> has been defined as a "graceful movement of
+the body, adjusted by art to the measures or tunes of instruments,
+or of voice;" and again, "agreeable to the
+true genius of the art, dancing is the art of expressing the
+sentiments of the mind, or the passions, by measured
+steps or bounds made in cadence, by regulated motions of
+the figure and by graceful gestures; all performed to the
+sound of musical instruments or the voice."</p>
+
+<p>Lord Chesterfield, in his letters to his son, says:
+"Dancing is, in itself, a very trifling and silly thing: but
+it is one of those established follies to which people of sense
+are sometimes obliged to conform; and then they should
+be able to do it well. And though I would not have you a
+dancer, yet, when you do dance, I would have you dance
+well, as I would have you do everything you do well."
+In another letter, he writes: "Do you mind your dancing
+while your dancing master is with you? As you will be
+often under the necessity of dancing a minuet, I would
+have you dance it very well. Remember that the graceful
+motion of the arms, the giving of your hand, and the putting
+off and putting on of your hat genteelly, are the material
+parts of a gentleman's dancing. But the greatest
+advantage of dancing well is, that it necessarily teaches
+you to present yourself, to sit, stand, and walk genteelly;
+all of which are of real importance to a man of fashion."</p>
+
+<p>When a gentleman accompanies a lady to a ball he will at
+once proceed with her to the door of the ladies' dressing-<span class="pagenum">[94]</span>room, there leaving her; and then repair to the gentlemen's
+dressing-room. In the mean time, the lady, after adjusting
+her toilet, will retire to the ladies' sitting-room or wait
+at the door of the dressing-room, according as the apartments
+may be arranged. After the gentleman has divested
+himself of hat, etc., and placed the same in the care of the
+man having charge of the hat-room, receiving therefor a
+check, and after arranging his toilet, he will proceed to the
+ladies' sitting-room, or wait at the entrance to the ladies'
+dressing-room for the lady whom he accompanies, and with
+her enter the ball-room.</p>
+
+<p>The ladies' dressing-room is a sacred precinct, into which
+no gentleman should ever presume to look; to enter it
+would be an outrage not to be overlooked or forgiven.</p>
+
+<p>With the etiquette of a ball-room, so far as it goes, there
+are but few people unacquainted. Certain persons are appointed
+to act as floor managers, or there will be a "Master
+of the Ceremonies," whose office it is to see that everything
+be conducted in a proper manner: if you are entirely
+a stranger, it is to <i>them</i> you must apply for a partner, and
+point out (quietly) any young lady with whom you should
+like to dance, when, if there be no obvious inequality of
+position, they will present you for that purpose; should
+there be an objection, they will probably select some one
+they consider more suitable; but do not, on any account,
+go to a strange lady by yourself, and request her to dance,
+as she will unhesitatingly "decline the honor," and think
+you an impertinent fellow for your presumption.</p>
+
+<p>A gentleman introduced to a lady by a floor manager,
+or the Master of Ceremonies, should not be refused by the
+lady if she be not already engaged, for her refusal would
+be a breach of good manners: as the Master of Ceremonies
+is supposed to be careful to introduce only gentlemen
+who are unexceptionable. But a gentleman who is unqualified
+as a dancer should never seek an introduction.<span class="pagenum">[95]</span></p>
+
+<p>At a private party, a gentleman may offer to dance with a
+lady without an introduction, but at balls the rule is different.
+The gentleman should respectfully offer his arm to
+the lady who consents to dance with him, and lead her to
+her place. At the conclusion of the set he will conduct
+her to a seat, offer her any attention, or converse with her.
+A gentleman should not dance with his wife, and not too
+often with the lady to whom he is engaged.</p>
+
+<p>Any presentation to a lady in a public ball-room, for
+the mere purpose of dancing, does not entitle you to claim
+her acquaintance afterwards; therefore, should you meet
+her, at most you may lift your hat; but even that is better
+avoided&mdash;unless, indeed, she first bow&mdash;as neither she
+nor her friends can know who or <i>what</i> you are.</p>
+
+<p>In inviting a lady to dance with you, the words, "Will
+you <i>honor</i> me with your hand for a quadrille?" or, "Shall
+I have the <i>honor</i> of dancing this set with you?" are more
+used now than "Shall I have the <i>pleasure</i>?" or, "Will
+you give me the <i>pleasure</i> of dancing with you?"</p>
+
+<p>If she answers that she is engaged, merely request her
+to name the earliest dance for which she is <i>not</i> engaged,
+and when she will do you the honor of dancing with you.</p>
+
+<p>When a young lady declines dancing with a gentleman,
+it is her duty to give him a reason why, although some
+thoughtless ones do not. No matter how frivolous it may
+be, it is simply an act of courtesy to offer him an excuse;
+while, on the other hand, no gentleman ought so far to
+compromise his self-respect as to take the slightest offence
+at seeing a lady by whom he has just been refused, dance
+immediately after with some one else.</p>
+
+<p>Never wait until the signal is given to take a partner,
+for nothing is more impolite than to invite a lady hastily,
+and when the dancers are already in their places; it can
+be allowed only when the set is incomplete.<span class="pagenum">[96]</span></p>
+
+<p>Be very careful not to forget an engagement. It is an
+unpardonable breach of politeness to ask a lady to dance
+with you, and neglect to remind her of her promise when
+the time to redeem it comes.</p>
+
+<p>If a friend be engaged when you request her to dance,
+and she promises to be your partner for the next or any of
+the following dances, do not neglect her when the time
+comes, but be in readiness to fulfill your office as her cavalier,
+or she may think that you have studiously slighted
+her, besides preventing her obliging some one else. Even
+inattention and forgetfulness, by showing how little you
+care for a lady, form in themselves a tacit insult.</p>
+
+<p>In a quadrille, or other dance, while awaiting the music,
+or while unengaged, a lady and gentleman should avoid
+long conversations, as they are apt to interfere with the
+progress of the dance; while, on the other hand, a gentleman
+should not stand like an automaton, as though he
+were afraid of his partner, but endeavor to render himself
+agreeable by those "airy nothings" which amuse for the
+moment, and are in harmony with the occasion.</p>
+
+<p>The customary honors of a bow and courtesy should be
+given at the commencement and conclusion of each dance.</p>
+
+<p>Lead the lady through the quadrille; do not <i>drag</i> her,
+nor clasp her hand as if it were made of wood, lest she, not
+unjustly, think you a bear.</p>
+
+<p>You will not, if you are wise, stand up in a quadrille
+without knowing something of the figure; and if you are
+master of a few of the steps, <i>so much the better</i>. But dance
+quietly; do not kick and caper about, nor sway your body
+to and fro; dance only <i>from the hips downwards</i>; and lead
+the lady as lightly as you would tread a measure with a
+spirit of gossamer.<span class="pagenum">[97]</span></p>
+
+<p>Do not pride yourself on doing the "steps neatly," unless
+you are ambitious of being taken for a dancing-master;
+between whose motions and those of a <i>gentleman</i> there is a
+great difference.</p>
+
+<p>Unless a man has a very graceful figure, and can use it
+with great elegance, it is better for him to <i>walk</i> through
+the quadrilles, or invent some gliding movement for the
+occasion.</p>
+
+<p>When a lady is standing in a quadrille, though not engaged
+in dancing, a gentleman not acquainted with her
+partner should not converse with her.</p>
+
+<p>When an unpracticed dancer makes a mistake, we may
+apprise him of his error; but it would be very impolite to
+have the air of giving him a lesson.</p>
+
+<p>Immediate attention should be paid to any request made
+by the Master of Ceremonies, and all misunderstandings
+respecting the dance should be referred to him, his decision
+being deemed final. Otherwise his superintendence of
+the ball will be attended with great inconvenience.</p>
+
+<p>When forming for quadrilles, if by any oversight you
+should accidentally occupy another couple's place, on being
+informed of the intrusion, you should immediately
+apologize to the incommoded party, and secure another
+position.</p>
+
+<p>Contending for a position in quadrilles, at either head
+or sides, indicates an irritable and quarrelsome disposition
+altogether unsuited for an occasion where all should meet
+with kindly feelings.</p>
+
+<p>When a company is divided into different sets, persons
+should not attempt to change their places without permission
+from the Master of Ceremonies.<span class="pagenum">[98]</span></p>
+
+<p>No persons engaged in a quadrille or other dance that
+requires their assistance to complete the set, should leave
+the room or sit down before the dance is finished, unless
+on a very urgent occasion, and not even then without previously
+informing the Master of Ceremonies, that he may
+find substitutes.</p>
+
+<p>If a lady waltz with you, beware not to press her waist;
+you must only lightly touch it with the palm of your hand,
+lest you leave a disagreeable impression not only on her
+<i>ceinture</i>, but on her mind.</p>
+
+<p>Above all, do not be prone to quarrel in a ball-room; it
+disturbs the harmony of the company, and should be avoided
+if possible. Recollect that a thousand little derelictions
+from strict propriety may occur through the ignorance
+or stupidity of the aggressor, and not from any intention
+to annoy; remember, also, that the <i>really well-bred women</i>
+will not thank you for making them conspicuous by over-officiousness
+in their defence, unless, indeed, there be some
+serious or glaring violation of decorum. In small matters,
+ladies are both able and willing to take care of themselves,
+and would prefer being allowed to overwhelm the unlucky
+offender in their own way.</p>
+
+<p>When a gentleman has occasion to pass through an assemblage
+of ladies, where it is absolutely impossible to make
+his way without disturbing them; or when he is obliged to
+go in front, because he cannot get behind them, it is but
+common courtesy for him to express his regret at being
+compelled to annoy them.</p>
+
+<p>A gentleman having two ladies in charge may, in the
+absence of friends, address a stranger, and offer him a partner,
+asking his name previous to an introduction, and mentioning
+that of the lady to him or not, as he may think
+proper.<span class="pagenum">[99]</span></p>
+
+<p>It is improper to engage or re&euml;ngage a lady to dance
+without the permission of her partner.</p>
+
+<p>Never forget that ladies are to be first cared for, to have
+the best seats, the places of distinction, and are entitled in
+all cases to your courteous protection.</p>
+
+<p>Young ladies should avoid sauntering through an assembly-room
+alone; they should either be accompanied by their
+guardian or a gentleman.</p>
+
+<p>Neither married nor young ladies should leave a ball-room
+assemblage, or other party, unattended. The former
+should be accompanied by other married ladies, and the
+latter by their mother or guardian. Of course, a gentleman
+is a sufficient companion for either.</p>
+
+<p>Young ladies should avoid attempting to take part in a
+dance, particularly a quadrille, unless they are familiar
+with the figures. Besides rendering themselves awkward
+and confused, they are apt to create ill-feeling, by interfering
+with, and annoying others. It were better for them
+to forego the gratification of dancing than to risk the
+chances of making themselves conspicuous, and the subject
+of animadversion. As we have elsewhere said, modesty
+of deportment should be the shining and pre&euml;minent characteristic
+of woman. She should be modest in her attire,
+in language, in manners and general demeanor. Beauty
+becomes irresistible when allied to this lodestone of attraction;
+plainness of features is overlooked by it; even positive
+homeliness is rendered agreeable by its influence.</p>
+
+<p>When a gentleman escorts a lady to a ball, he should
+dance with <i>her</i> first, or offer so to do; and it should be his
+care to see that she is provided with a partner whenever
+she desires to dance.</p>
+
+<p>After dancing, a gentleman should invariably conduct a
+lady to a seat, unless she otherwise desires; and, in fact, a<span class="pagenum">[100]</span>
+lady should not be unattended, at any time, in a public assembly.</p>
+
+<p>When you conduct your partner to her seat, thank her
+for the pleasure she has conferred upon you, and do not
+remain too long conversing with her.</p>
+
+<p>When that long and anxiously desiderated hour, the
+hour of supper, has arrived, you hand the lady you attend
+up or down to the supper-table. You remain with her
+while she is at the table, seeing that she has all that she
+desires, and then conduct her back to the dancing-rooms.</p>
+
+<p>If, while walking up and down a public promenade, you
+should meet friends or acquaintances whom you don't
+intend to join, it is only necessary to salute them the first
+time of passing; to bow or nod to them at every round
+would be tiresome, and therefore improper; have no fear
+that they will deem you odd or unfriendly, as, if they have
+any sense at all, they can appreciate your reasons. If you
+have anything to say to them, join them at once.</p>
+
+<p>We have already alluded to the necessity of discarding all
+cant terms and phrases from conversation, not only in
+assembly-rooms, but on all occasions; and we would particularly
+caution our young lady friends against even the
+recognition of those <i>&eacute;quivoques</i> and <i>double entendre</i> which
+the other sex sometimes inconsiderately, but oftener determinedly,
+introduce.</p>
+
+<p>Neither by smiles nor blushes should they betray any
+knowledge of the hidden meaning that lurks within a phrase
+of doubtful import, nor seem to recognize anything which
+they could not with propriety openly make a subject of
+discourse. All indelicate expressions should be to them as
+the Sanscrit language is to most people, incomprehensible.
+All wanton glances and grimaces, which are by lib<span class="pagenum">[101]</span>ertines considered as but so many invitations to lewdness,
+should be strictly shunned.</p>
+
+<p>No lady can be too fastidious in her conduct, or too
+guarded in her actions. A bad reputation is almost as destructive
+of happiness to her as absolute guilt; and of her
+character we may say with the poet:</p>
+
+<div class="inset" style="width: 18em">
+<p class="noin">
+"A breath can make them, or a breath unmake."
+</p>
+</div>
+
+<p>In dancing, generally, the performers of both sexes
+should endeavor to wear a pleasant countenance; and in
+presenting hands, a slight inclination of the head, in the
+manner of a salutation, is appropriate and becoming.
+Dancing is certainly supposed to be an enjoyment, but the
+sombre countenance of some who engage in it, might almost
+lead to the belief that it were a solemn duty being
+performed. If those who laugh in church would transfer
+their merriment to the assembly-room, and those who are
+sad in the assembly-room would carry their gravity to the
+church, they both might discover the appositeness of
+Solomon's declaration, that "there is a time to be merry
+and a time to be sad."</p>
+
+<p>We have already alluded to the importance of a correct
+use of language in conversation, and though we are aware
+that it is absolutely impossible to practice it without a certain
+degree of education, yet we would urge that the habit
+which many acquire, more through carelessness than ignorance,
+of disregarding it, is worthy of consideration.
+Many a young lady has lost a future husband by a wanton
+contempt for the rules of Lindley Murray.</p>
+
+<p>Though hardly a case in point, we cannot forego the
+opportunity of recording an incident in the career of a
+young man "about town," who, anxious to see life in all
+its phases, was induced to attend a public ball, the patrons
+of which were characterized more for their peculiarity of<span class="pagenum">[102]</span>
+manners than their extraordinary refinement. On being
+solicited by an acquaintance, whom he respected for his
+kindness of heart and integrity rather than for his mental
+accomplishments, to dance with his daughter, he consented,
+and was accordingly introduced to a very beautiful
+young lady. Ere the dance commenced, and while the
+musicians were performing the "Anvil Chorus," from
+"Trovatore," the young lady asked: "Do you know what
+that <i>'ere</i> is?"</p>
+
+<p>Supposing that she meant <i>air</i>, and wishing to give her
+an opportunity of making herself happy in the thought of
+imparting a valuable piece of information, in utter disregard
+of the principles of Mrs. Opie, he replied, "No."
+"Why," said she, "that's the Anvel Core-ri-ous."</p>
+
+<p>With an expletive more profane than polite, he suddenly
+found his admiration for the lady as much diminished by
+her ignorance, as it had before been exalted by her
+beauty.</p>
+
+<p>At private assemblies, it should be the effort of both
+ladies and gentlemen to render themselves as agreeable as
+possible to all parties. With this purpose in view, the
+latter should, therefore, avoid showing marked preferences
+to particular ladies, either by devoting their undivided
+attentions or dancing exclusively with them. Too often,
+the belle of the evening, with no other charms than beauty
+of form and feature, monopolizes the regards of a circle of
+admirers, while modest merit, of less personal attraction,
+is both overlooked and neglected. We honor the generous
+conduct of those, particularly the "well-favored," who
+bestow their attentions on ladies who, from conscious lack
+of beauty, least expect them.</p>
+
+<p>On the other hand, no lady, however numerous the solicitations
+of her admirers, should consent to dance repeatedly,
+when, by so doing, she excludes other ladies from
+participating in the same amusement; still less, as we have<span class="pagenum">[103]</span>
+elsewhere hinted, should she dance exclusively with the
+same gentleman, to the disadvantage of others.</p>
+
+<p>Both ladies and gentlemen should be careful about introducing
+persons to each other without being first satisfied
+that such a course will be mutually agreeable.</p>
+
+<p>The custom, in this country, particularly among gentlemen,
+of indiscriminate introductions, is carried to such a
+ridiculous extent, that it has often been made the subject
+of comment by foreigners, who can discover no possible
+advantage in being made acquainted with others with
+whom they are not likely to associate for three minutes, in
+whom they take not the slightest interest, and whom they
+probably will never again encounter, nor recognize if they
+should. Besides, every one has a right to exercise his own
+judgment and taste in the selection of acquaintances, and
+it is clearly a breach of politeness to thrust them upon
+your friend or associate, without knowing whether it will
+be agreeable to either party.</p>
+
+<hr class="chapter" />
+
+<p><span class="pagenum"><a name="Page_104" id="Page_104">[104]</a></span></p>
+
+<h2>EVENING PARTIES.</h2>
+<p><span class="smcap">The</span> etiquette of the ball-room being disposed of, let us
+now enter slightly into that of an evening party.</p>
+
+<p>The invitations issued and accepted for an evening party
+will be written in the same style as those already described
+for a dinner-party. They should be sent out <i>at least</i> three
+weeks before the day fixed for the event, and should be
+replied to within a week of their receipt, accepting or declining
+with regrets. By attending to these courtesies,
+the guests will have time to consider their engagements
+and prepare their dresses, and the hostess will also know
+what will be the number of her party.</p>
+
+<p>A lady, invited to an evening party, may request a gentleman
+to accompany her, even though he may not have
+received an invitation from the hostess.</p>
+
+<p>In most of the American cities nine o'clock is the hour
+which custom has established as the time for the lady to
+be in her parlor, ready to receive her guests, and by ten
+o'clock all the guests should arrive. It is an affectation,
+not entirely devoid of assumption and impudence, for people
+to purposely delay their appearance till a very late
+hour.</p>
+
+<p>As the ladies and gentlemen arrive, each should be shown
+to a room exclusively provided for their reception; and
+the gentleman conducts the lady in his charge to the door
+of the ladies' dressing-room, while he goes to the gentle<span class="pagenum">[105]</span>men's apartment, each to prepare their toilet suitably to
+entering the reception-room.</p>
+
+<p>In the room set apart for the ladies, attendants should
+be in waiting to assist in uncloaking, and helping to
+arrange the hair and toilet of those who require it.</p>
+
+<p>After completing her toilet, the lady waits at the door
+of her dressing-room till the gentleman joins her, and they
+make their <i>entr&eacute;e</i> together.</p>
+
+<p>In large and formal parties, it is generally customary for
+the servant to announce the names of the guests as they
+enter the room, but this is a ceremony well enough dispensed
+with, except on occasions of very large and formal
+parties.</p>
+
+<p>It is the business of the lady of the house to be near the
+door to receive her guests; if she is not there, you need
+not go hunting through the crowd after her.</p>
+
+<p>As the guests enter the room, it is not necessary for the
+lady of the house to advance each time toward the door,
+but merely to rise from her seat to receive their courtesies
+and congratulations. If, indeed, the hostess wishes to
+show particular favor to some peculiarly honored guests,
+she may introduce them to others, whose acquaintance
+she may imagine will be especially suitable and agreeable.</p>
+
+<p>It is very often the practice of the gentleman of the
+house to introduce one gentleman to another, but occasionally
+the lady performs this office; when it will, of course,
+be polite for the persons thus introduced to take their
+seats together for the time being.</p>
+
+<p>When entering a private ball or party, the visitor should
+invariably bow to the company. No well-bred person
+would omit this courtesy in entering a drawing-room; and
+although the entrance to a large assembly may be unnoticed<span class="pagenum">[106]</span>
+by all present, its observance is not the less necessary. It
+is the thoughtless absence of good manners in large and
+mixed companies, where a greater degree of studied politeness
+is indispensable, that renders them sometimes so
+unpleasant.</p>
+
+<p>A separate room or convenient buffet should be appropriated
+for refreshments, and to which the dancers may
+retire; and cakes and biscuits, with lemonade, handed
+round.</p>
+
+<p>Of course a supper is provided at all private parties; and
+this requires, on the part of the hostess, a great deal of
+attention and supervision. It usually takes place between
+the first and second parts of the programme of the dances,
+of which there should be several prettily written or printed
+copies distributed about the room.</p>
+
+<p>It will be well for the hostess, even if she be very partial
+to the amusement, and a graceful dancer, not to participate
+in it to any great extent, lest her lady guests should have
+occasion to complain of her monopoly of the gentlemen,
+and other causes of neglect.</p>
+
+<p>A few dances will suffice to show her interest in the entertainment,
+without unduly trenching on the attention
+due to her guests.</p>
+
+<p>The hostess or host, during the progress of a party, will
+courteously accost and chat with their friends, and take
+care that the ladies are furnished with seats, and that those
+who wish to dance are provided with partners. A gentle
+hint from the hostess, conveyed in a quiet ladylike manner,
+that certain ladies have remained unengaged during
+several dances, is sure not to be neglected by any gentleman.
+Thus will be studied the comfort and enjoyment of
+the guests, and no lady, in leaving the house, will be able
+to feel the chagrin and disappointment of not having been<span class="pagenum">[107]</span>
+invited to "stand up" in a dance during the whole
+evening.</p>
+
+<p>For any of the members, either sons or daughters, of
+the family at whose house the party is given, to dance frequently
+or constantly, denotes decided ill-breeding. The
+ladies of the house should not occupy those places in a
+quadrille which others may wish to fill, and they should,
+moreover, be at leisure to attend to the rest of the company;
+and the gentlemen should be entertaining the
+married ladies and those who do not dance.</p>
+
+<p>In private parties, a lady is not to refuse the invitation
+of a gentleman to dance, unless she be previously engaged.
+The hostess must be supposed to have asked to her house
+only those persons whom she knows to be perfectly respectable
+and of unblemished character, as well as pretty
+equal in position; and thus, to decline the offer of any
+gentleman present, would be a tacit reflection on the gentleman
+or lady of the house.</p>
+
+<p>If one lady refuses you, do not ask another who is seated
+near her to dance the same set. Do not go immediately
+to another lady, but chat a few moments with the one
+whom you first invited, and then join a group or gentlemen
+friends for a few moments, before seeking another partner.</p>
+
+<p>In private parties, where dancing is the chief part of the
+evening's entertainment, it is not in conformity with the
+rules of etiquette for a young lady to dance with one gentleman
+repeatedly, to the exclusion of all others who may solicit
+her hand, even though the favored individual be her
+suitor. However complimentary to the lady, to be the
+recipient of a gentleman's undivided attentions, or however
+gratifying it may be for him to manifest his devotion
+to the lady of his choice, such a course is an exhibition of
+selfishness which ought not to be displayed in an assem<span class="pagenum">[108]</span>blage of ladies and gentlemen who have congregated for
+mutual enjoyment.</p>
+
+<p>It is not considered <i>comme il faut</i> to ask a married lady
+to dance, when her husband is present, without previously
+ascertaining whether it be agreeable to him.</p>
+
+<p>Gentlemen will not get together in groups to the neglect
+of the ladies.</p>
+
+<p>The members of an invited family should never be seen
+conversing with each other at a party.</p>
+
+<p>If you accompany your wife to a dancing party, be careful
+not to dance with her, except perhaps the first set.</p>
+
+<p>Where there are no programmes, engagements should
+not be made until the dance is announced.</p>
+
+<p>When the dance is over, the gentleman conducts his
+partner to her seat; and, unless he chooses to sit beside
+her, bows and withdraws.</p>
+
+<p>While dancing, a lady should consider herself engaged
+to her partner, and therefore not at liberty to hold a flirtation,
+between the figures, with another gentleman; and
+should recollect that it is the gentleman's part to lead her,
+and hers to follow his directions.</p>
+
+<p>In a circle, we should not pass before a lady; neither
+should we present anything by extending the arm over her,
+but pass round behind and present it. In case we cannot
+do it, we say, <i>I ask your pardon, etc.</i></p>
+
+<p>In ascending a staircase with ladies, go at their side or
+before them.</p>
+
+<p>A correct ear for music does not pertain to every one,
+and those who are deficient in this respect should refrain
+from dancing. Let not the unpracticed dancer attempt<span class="pagenum">[109]</span>
+quadrilles. A novice necessarily perplexes and annoys a
+partner. On the other hand, nowhere perhaps has a
+kindly disposition more pleasing opportunities of conferring
+small benefits than in a ball-room. Those who are
+expert in dancing may gently apprise the unskillful of an
+error, and this without giving the slightest offense, or
+seeming to dictate; while such as dance well, and are
+solicited to dance, should carefully avoid speaking of it.
+They ought rather to seek to contribute to less fortunate
+persons a full share in the evening's amusement. A lady
+may do this by gently hinting to a gentleman who solicits
+her hand for another dance, that such a lady has remained
+unengaged. No gentleman will neglect such a suggestion.</p>
+
+<p>There is a custom which is sometimes practiced both in
+the assembly room and at private parties, which cannot be
+too strongly reprehended; we allude to the habit of ridicule
+and ungenerous criticism of those who are ungraceful
+or otherwise obnoxious to censure, which is indulged in by
+the thoughtless, particularly among the dancers. Of its
+gross impropriety and vulgarity we need hardly express an
+opinion; but there is such an utter disregard for the feelings
+of others implied in this kind of negative censorship,
+that we cannot forbear to warn our young readers to avoid
+it. The "Koran" says: "Do not mock&mdash;the mocked
+may be better than the mocker." Those you condemn
+may not have had the same advantages as yourself in
+acquiring grace or dignity, while they may be infinitely
+superior in purity of heart and mental accomplishments.
+The advice of Chesterfield to his son, in his commerce with
+society, to <i>do as you would be done by</i>, is founded on the
+Christian precept, and worthy of commendation. Imagine
+yourself the victim of another's ridicule, and you will cease
+to indulge in a pastime which only gains for you the
+hatred of those you satirize, if they chance to observe you,
+and the contempt of others who have noticed your violation
+of politeness, and abuse of true sociality.<span class="pagenum">[110]</span></p>
+
+<p>We conclude our strictures on this subject with the following
+passage from the essays of Addison: "But what
+an absurd thing it is, to pass over all the valuable characteristics
+of individuals, and fix our attention on their
+infirmities&mdash;to observe their imperfections more than their
+virtues&mdash;and to make use of them for the sport of others,
+rather than for our own improvement."</p>
+
+<p>In whatever relation with the fair sex, and under whatsoever
+circumstances, it is the duty&mdash;we may add, the
+practice&mdash;of a gentleman to so deport himself as to avoid
+giving any cause of offense.</p>
+
+<p>In private parties, where people meet for the pleasure of
+conversation, remember occasionally to change your place.
+Opportunities will readily occur, such, for instance, as the
+opening of a portfolio of prints, or the showing of any
+article of taste or science. You will thus avoid the awkwardness
+of being either left alone, or constraining the
+master or mistress of the house to commiserate your isolated
+condition.</p>
+
+<p>If you are asked by the lady of the house, at an evening
+party, to sing, and you can really do so well, comply at
+once; but never sing at the request of another person. If
+you cannot or do not choose to sing, say so at once with
+seriousness and gravity, and put an end to the expectation
+promptly. After singing once or twice, cease and give
+place to others.</p>
+
+<p>When singing or playing is going on, if you have no
+taste for music, you should still be profoundly silent. To
+converse, is annoying to the rest of the company, rude to
+the mistress of the house, and cruel to the performer.</p>
+
+<p>Carefully avoid all peculiarities of manner; and every
+wish to show off, or to absorb conversation to yourself. Be
+also very careful not to appear to be wiser than the com<span class="pagenum">[111]</span>pany. If a fact in history is mentioned, even if it be not
+quite correct, do not set the narrator right, unless in a very
+delicate and submissive manner. If an engraving of
+distant scenery or foreign buildings is shown, do not industriously
+point out inaccuracies. It may be that such occur,
+but finding fault is never acceptable; it conveys a censure
+on the taste or information of the possessor; or it suggests
+that he has been imposed upon&mdash;an idea which is always
+productive of mortification. Such attempts to appear
+wiser than the rest of the company, interfere with the
+pleasure of the party, and the person who falls into them
+is never long acceptable.</p>
+
+<p>People sometimes say, that they are not invited to parties;
+they complain of neglect, and are out of humor with
+the world. Let such persons consider whether they have
+not brought upon themselves the neglect which they
+deplore.</p>
+
+<p>Should the guests be numerous, and the space scarcely
+sufficient for their accommodation, it would be considered
+extremely ill-bred to take a place previously engaged; or,
+when joining a country dance, to push in at the middle or
+upper end. You must take your station below the last
+couple who are standing up.</p>
+
+<p>If there be a supper, the gentleman should conduct to
+the supper-room his last partner, unless he have a prior
+engagement, or is asked by the host to do otherwise. In
+the latter case, he should provide his partner with a substitute,
+at the same time making a handsome apology.</p>
+
+<p>No gentleman should offer his services to conduct a lady
+home, without being acquainted with her, unless he have
+been requested so to do by the host.</p>
+
+<p>When any of the carriages of the guests are announced,
+or the time for their departure arrived, they should make<span class="pagenum">[112]</span>
+a slight intimation to the hostess, without, however, exciting
+any observation, that they are about to depart. If this
+cannot be done without creating too much bustle, it will
+be better for the visitors to retire quietly without saying
+good-night, for when people are seen to be leaving, it often
+breaks up the party. An opportunity, however, may previously
+be sought of intimating to the hostess your intention
+to retire, which is more respectful.</p>
+
+<p>During the course of the week, the hostess will expect
+to receive from every guest a call, where it is possible, or
+cards expressing the gratification experienced from her
+entertainment. This attention is due to every lady for the
+pains and trouble she has been at, and tends to promote
+social, kindly feelings.</p>
+
+<hr class="chapter" />
+
+<p><span class="pagenum"><a name="Page_113" id="Page_113">[113]</a></span></p>
+
+<h2>VISITING.</h2>
+<p><span class="smcap">Next</span> in order to the ceremonials of dinner or evening
+parties, are customary calls, comprised under the general
+head of visiting. They are those of ceremony, friendship,
+or condolence, and occupy no small portion of time.</p>
+
+<p>Such visits are necessary, in order to maintain good feeling
+between the members of society; they are required by
+the custom of the age in which we live, and must be carefully
+attended to.</p>
+
+<p>First, then, are visits of ceremony, merging occasionally
+into those of friendship, but uniformly required after dining
+at a friend's house. Professional men are not however,
+in general, expected to pay such visits, because their time
+is preoccupied; but they form almost the only exception.</p>
+
+<p>Visits of ceremony must be necessarily short. They
+should on no account be made before the hour, nor yet
+during the time of luncheon. Persons who intrude themselves
+at unwonted hours are never welcome; the lady of
+the house does not like to be disturbed when she is perhaps
+dining with her children; and the servants justly
+complain of being interrupted at the hour when they
+assemble for their noon-day meal. Ascertain, therefore,
+which you can readily do, what is the family hour for
+luncheon, and act accordingly.</p>
+
+<p>Half an hour amply suffices for a visit of ceremony. If
+the visitor be a lady, she may remove her victorine, but on
+no account either the shawl or bonnet, even if politely<span class="pagenum">[114]</span>
+requested to do so by the mistress of the house. Some
+trouble is necessarily required in replacing them, and this
+ought to be avoided. If, however, your visit of ceremony
+is to a particular friend, the case is different; but even
+then, it is best to wait till you are invited to do so; and
+when you rise for the purpose the lady of the house will
+assist you.</p>
+
+<p>Favorite dogs are never welcome visitors in a drawing-room.
+Many people have even a dislike to such animals.
+They require watching, lest they should leap upon a chair
+or sofa, or place themselves upon a lady's dress, and attentions
+of this kind are much out of place. Neither ought a
+mother, when paying a ceremonial visit, to be accompanied
+by young children. It is frequently difficult to amuse
+them, and, if not particularly well trained at home, they
+naturally seize hold of books, or those ornaments with
+which it is fashionable to decorate a drawing-room. The
+lady of the house trembles for the fate of a beautiful shell,
+or vase, or costly book. She does not like to express her
+uneasiness, and yet knows not how to refrain. Therefore
+leave the children at home; or, if they accompany you in
+the carriage, let them remain till your visit is over. If you
+have an infant, the nurse may await your return, or be left
+in an ante-room, unless a decided request be made to the
+contrary.</p>
+
+<p>If during your short visit the conversation begins to flag,
+it will be best to retire. The lady of the house may have
+some engagement at a fixed hour, and by remaining even a
+few minutes longer, she may be put to serious inconvenience.
+Do not, however, seem to notice any silent hint,
+by rising hastily; but take leave with quiet politeness, as
+if your time were fully expired. When other visitors are
+announced, retire as soon as possible, and yet without letting
+it appear that their arrival is the cause. Wait till the
+bustle of their entrance is over, and then rise from your<span class="pagenum">[115]</span>
+chair, take leave of the hostess, and bow politely to the
+guests. By so doing you will save the lady of the house
+from being obliged to entertain two sets of visitors.</p>
+
+<p>Should you call by chance at an inconvenient hour, when
+perhaps the lady is going out, or sitting down to luncheon,
+retire as soon as possible, even if politely asked to remain.
+You need not let it appear that you feel yourself an
+intruder; every well-bred or even good-tempered person
+knows what to say on such an occasion; but politely withdraw,
+with a promise to call again, if the lady seems to be
+really disappointed.</p>
+
+<p>If your acquaintance or friend is from home, leave a
+card,<a name="FNanchor_A_1" id="FNanchor_A_1"></a><a href="#Footnote_A_1" class="fnanchor">1</a> whether you call in a carriage or not. If in the
+latter, the servant will answer your inquiry, and receive
+your card; but on no account ask leave to go in and rest;
+neither urge your wish if you fancy that the lady whom
+you desire to see is really at home, or even if you flatter
+yourself that she would make an exception in your favor.
+Some people think that the form of words, "Not at home,"
+is readily understood to mean that the master or mistress
+of the house have no wish to see even his or her most intimate
+friends. However this may be, take care that you do
+not attempt to effect an entrance.</p>
+
+<div class="footnote">
+ <p class="noin">
+ <a name="Footnote_A_1" id="Footnote_A_1"></a>
+ <a href="#FNanchor_A_1">
+ <span class="label">1</span>
+ </a>
+ When the caller is about to leave the city for a protracted absence, it is
+ usual to put the letters P. P. C. in the left hand corner of the card; they are
+ the initials of the French phrase, "<i>pour prendre cong&eacute;</i>"&mdash;to take leave,
+ and may with equal propriety stand for <i>presents parting compliments</i>.
+ <span class="pagenum">[116]</span>
+ </p>
+</div>
+
+<p>Visits of courtesy or ceremony are uniformly paid at
+Christmas, or at the commencement of a new year, independently
+of family parties; a good old custom, the
+observance of which is always pleasing, and which should
+be carefully attended to. It is uniformly right to call
+on patrons, or those from whom kindness has been received.</p>
+
+<p>In visiting your intimate friends, ceremony may generally
+be dispensed with.</p>
+
+<p>Keep a strict account of your ceremonial visits. This is
+needful, because time passes rapidly; and take note how
+soon your calls are returned. You will thus be able, in
+most cases, to form an opinion whether or not your frequent
+visits are desired. Instances may however occur,
+when, in consequence of age or ill health, it is desirable
+that you should call, without any reference to your visits
+being returned. When desirous to act thus, remember
+that, if possible, nothing should interrupt the discharge of
+this duty.</p>
+
+<p>Among relations and intimate friends, visits of mere
+ceremony are unnecessary. It is, however, needful to
+call at suitable times, and to avoid staying too long if your
+friend is engaged. The courtesies of society, as already
+noticed, must ever be maintained, even in the domestic
+circle, or among the nearest friends.</p>
+
+<p>In leaving cards you must thus distribute them: one for
+the lady of the house and her daughters&mdash;the latter are
+sometimes represented by turning up the edge of the card&mdash;one
+for the master of the house, and if there be a grown
+up son or a near male relation staying in the house, one
+for him. But though cards are cheap, you must never
+leave more than three at a time at the same house. As
+married men have, or are supposed to have, too much to
+do to make ceremonial calls, it is the custom for a wife
+to take her husband's cards with her and to leave one or
+two of them with her own. If, on your inquiring for the
+lady of the house, the servant replies, "Mrs. So-and-so is
+not at home, but Miss So-and-so is," you should leave a
+card, because young ladies do not receive calls from gentlemen
+unless they are very intimate with them, or
+have passed the rubicon of thirty summers. It must be
+remembered, too, that where there is a lady of the house,<span class="pagenum">[117]</span>
+your call is to her, not to her husband, except on business.</p>
+
+<p>Morning calls may be divided into three heads: Those
+paid at the time already specified; weekly visits to intimate
+friends, or by young persons to those advanced in
+life; and monthly visits, which are generally ceremonious.</p>
+
+<p>With respect to the first, be very careful that you do not
+acquire the character of a <i>day goblin</i>. A day goblin is one
+of those persons who, having plenty of leisure, and a great
+desire to hear themselves talk, make frequent inroads into
+their friends' houses. Though perhaps well acquainted
+with the rules of etiquette, they call at the most unseasonable
+hours. If the habits of the family are early, you will
+find them in the drawing-room at eleven o'clock. It may
+be they are agreeable and well-informed people; but who
+wishes for calls at such a strange hour! Most families
+have their rules and occupations. In one, the lady of the
+house attends to the education of her children; in another,
+domestic affairs engross a portion of the morning; some
+ladies are fond of gardening, others of music or painting.
+It is past endurance to have such pursuits broken in upon
+for the sake of a day goblin, who, having gained access,
+inflicts his or her presence till nearly luncheon time, and
+then goes off with saying, "Well, I have paid you a long
+visit;" or "I hope that I have not stayed too long."</p>
+
+<p>A well-bred person always receives visitors at whatever
+time they may call, or whoever they may be; but if you
+are occupied and cannot afford to be interrupted by a mere
+ceremony, you should instruct the servant <i>beforehand</i> to
+say that you are "not at home." This form has often been
+denounced as a falsehood, but a lie is no lie unless intended
+to deceive; and since the words are universally understood
+to mean that you are engaged, it can be no harm to
+give such an order to a servant. But, on the other hand,<span class="pagenum">[118]</span>
+if the servant once admits a visitor within the hall, you
+should receive him at any inconvenience to yourself. A
+lady should never keep a visitor waiting more than a minute,
+or two at the most, and if she cannot avoid doing so,
+must apologize on entering the drawing-room.</p>
+
+<p>In good society, a visitor, unless he is a complete stranger,
+does not wait to be invited to sit down, but takes
+a seat at once easily. A gentleman should never take the
+principal place in the room, nor, on the other hand, sit at
+an inconvenient distance from the lady of the house. He
+must hold his hat gracefully, not put it on a chair or
+table, or, if he wants to use both hands, must place
+it on the floor close to his chair. A well-bred lady, who is
+receiving two or three visitors at a time, pays equal attention
+to all, and attempts, as much as possible, to generalize
+the conversation, turning to all in succession. The
+last arrival, however, receives a little more attention at first
+than the others, and the latter, to spare her embarrasment,
+should leave as soon as convenient. People who out-sit
+two or three parties of visitors, unless they have some particular
+motive for doing so, come under the denomination
+of "bores." A "bore" is a person who does not know
+when you have had enough of his or her company.</p>
+
+<p>Be cautious how you take an intimate friend <i>uninvited</i>
+even to the house of those with whom you may be equally
+intimate, as there is always a feeling of jealousy that another
+should share your thoughts and feelings to the same extent
+as themselves, although good breeding will induce
+them to behave <i>civilly</i> to your friend on your account.</p>
+
+<p>Ladies in the present day are allowed considerable
+license in paying and receiving visits; subject, however, to
+certain rules, which it is needful to define.</p>
+
+<p>Young married ladies may visit their acquaintances alone;
+but they may not appear in any public places unattended<span class="pagenum">[119]</span>
+by their husbands or elder ladies. This rule must never
+be infringed, whether as regards exhibitions, or public
+libraries, museums, or promenades; but a young married
+lady is at liberty to walk with her friends of the same age,
+whether married or single. Gentlemen are permitted to
+call on married ladies at their own houses. Such calls the
+usages of society permit, but never without the knowledge
+and full permission of husbands.</p>
+
+<p>Ladies may walk unattended in the streets, being careful
+to pass on as becomes their station&mdash;neither with a hurried
+pace, nor yet affecting to move slowly. Shop-windows,
+in New York especially, afford great attractions; but it is
+by no means desirable to be seen standing before them,
+and most assuredly not alone. Be careful never to look
+back, nor to observe too narrowly the dresses of such ladies
+as may pass you. Should any one venture to address you,
+take no heed, seem not to hear, but hasten your steps. Be
+careful to reach home in good time. Let nothing ever induce
+you to be out after dusk, or when the lamps are lighted.
+Nothing but unavoidable necessity can sanction such
+acts of impropriety.</p>
+
+<p>Lastly, a lady never calls on a gentleman, unless professionally
+or officially. It is not only ill-bred, but positively
+improper to do so. At the same time, there is a certain
+privilege in age, which makes it possible for an old
+bachelor like myself to receive a visit from any married
+lady whom I know very intimately, but such a call would
+certainly not be one of ceremony, and always presupposes
+a desire to consult me on some point or other. I should
+be guilty of shameful treachery, however, if I told any one
+that I had received such a visit, while I should certainly
+expect that my fair caller would let her husband know of it.</p>
+
+<p>When morning visitors are announced, rise and advance
+toward them. If a lady enters, request her to be seated
+on a sofa; but if advanced in life, or the visitor be an elder<span class="pagenum">[120]</span>ly gentleman, insist on their accepting an easy chair, and
+place yourself, by them. If several ladies arrive at the
+same time, pay due respect to age and rank, and seat them
+in the most honorable places; these, in winter, are beside
+the fire.</p>
+
+<p>Supposing that a young lady occupies such a seat, and a
+lady older than herself, or superior in condition, enters
+the room, she must rise immediately, and having courteously
+offered her place to the new comer, take another in a different
+part of the room.</p>
+
+<p>If a lady is engaged with her needle when a visitor arrives,
+she ought to discontinue her work, unless requested to do
+otherwise: and not even then must it be resumed, unless
+on very intimate terms with her acquaintance. When
+this, however, is the case, the hostess may herself request
+permission to do so. To continue working during a visit
+of ceremony would be extremely discourteous; and we cannot
+avoid hinting to our lady readers, that even when a
+particular friend is present for only a short time, it is
+somewhat inconsistent with etiquette to keep their eyes
+fixed on a crochet or knitting-book, apparently engaged in
+counting stitches, or unfolding the intricacies of a pattern.
+We have seen this done, and are, therefore, careful to warn
+them on the subject. There are many kinds of light and
+elegant, and even useful work, which do not require close
+attention, and may be profitably pursued; and such we
+recommend to be always on the work-table at those hours
+which, according to established practice, are given to
+social intercourse.</p>
+
+<p>It is generally customary in the country to offer refreshment
+to morning visitors. If they come from a considerable
+distance, and are on intimate terms, hospitality requires
+that you should invite them to take luncheon. In town it
+is otherwise, and you are not expected to render any<span class="pagenum">[121]</span>
+courtesy of the kind, except to aged or feeble persons, or
+to some one who, perhaps, is in affliction, and to whom the
+utmost kindliness should be shown.</p>
+
+<p>When your visitor is about to take leave, rise, and accompany
+her to the door, mindful, at the same time, that
+the bell is rung, in order that a servant may be in attendance.
+If the master of the house is present, and a lady
+is just going away, he must offer her his arm, and lead her
+to the hall or passage door. If her carriage be in waiting,
+he will, of course, hand her into it. These attentions
+are slight, and some persons may think they are scarcely
+worth noticing. Nevertheless, they are important, and we
+are the more earnest to press them on the attention of our
+readers, because we have witnessed the omission of such
+acts of courtesy in families where a very different mode of
+conduct might be expected.</p>
+
+<p>And here, turning aside for a brief space from the subject-matter
+of our discourse, we desire earnestly to impress
+upon mothers who have sons growing up, the great importance
+of early imbuing them with the principles of true politeness,
+and consequent attention to its most trifling observances.
+What matters it if a tall lad pushes into a room
+before one of his mother's visitors; or, if he chance to see
+her going into church, instead of holding the door in a
+gentlemanly manner, he lets it swing in her face when he
+has himself entered; or whether he comes into the drawing-room
+with his hat on, unobservant of lady visitors, or
+lolls in an arm-chair reading the newspaper?</p>
+
+<p>"What signifies it?" some will say&mdash;"why tease a youth
+about such matters? He will learn manners as he grows
+up." We think otherwise, and do not scruple to affirm,
+that he can never learn real gentlemanly politeness from
+any one but his mother. The neglect of small courtesies
+in early life, and the outward or mental boorishness to<span class="pagenum">[122]</span>
+which it leads, has been, to our certain knowledge, a more
+fruitful source of wretchedness in many homes, than we
+have either time or inclination to relate.</p>
+
+<p>In this changing world, visits of condolence must be also
+occasionally paid; and concerning such, a few necessary
+rules may be briefly stated.</p>
+
+<p>Visits of condolence should be paid within a week after
+the event which occasions them; but if the acquaintance
+be slight, immediately after the family appear at public
+worship. A card should be sent up; and if your friends
+are able to receive you, let your manners and conversation
+be in harmony with the character of your visit. It is courteous
+to send up a mourning card; and for ladies
+to make their calls in black silk or plain-colored apparel.
+It denotes that they sympathize with the afflictions of the
+family; and such attentions are always pleasing.</p>
+
+<p>Gentlemen will do well to bear in mind that, when they
+pay morning calls, they must carry their hats with them
+into the drawing-room; but on no account put them on
+the chairs or table. There is a graceful manner of holding
+a hat, which every well-bred man understands.</p>
+
+<p>When calling upon a friend who is boarding, do not go
+up till the servant returns with an invitation; and never
+enter a room without previously knocking at the door, and
+receiving an invitation to come in. Such observances are
+indispensable, even between the nearest friends.</p>
+
+<p>A gentleman when calling upon a lady, and finding that
+one of her lady friends is with her, must rise when the
+visitor takes her leave, and accompany her to the hall door;
+or if she has a carriage, he should hand her into it&mdash;supposing,
+however, that no gentleman related to the mistress
+of the house be present. If your visit has been of sufficient<span class="pagenum">[123]</span>
+length, you can take your leave when accompanying the
+lady out of the room.</p>
+
+<p>It happens occasionally that two persons are visiting
+different members of the same family. When this occurs,
+and one visitor takes leave, the lady or gentleman whose
+visitor has just left should remain in the drawing-room.
+It is considered discourteous to do otherwise.</p>
+
+<p>In most families in this country, evening calls are the
+most usual. Should you chance to visit a family, and find
+that they have a party, present yourself, and converse for a
+few minutes with an unembarrassed air; after which you
+may retire, unless urged to remain. A slight invitation,
+given for the sake of courtesy, ought not to be accepted.
+Make no apology for your unintentional intrusion; but let
+it be known, in the course of a few days, that you were not
+aware that your friends had company.</p>
+
+<p>An excellent custom prevails in some families of inviting
+their guests for a given period. Thus, for example, an
+invitation is sent, stating that a friend's company is
+requested on a certain day, mentioning also for what length
+of time, and if a carriage cannot be offered to meet the
+visitor, stating expressly the best mode of coming and
+going. We recommend this admirable plan to the master
+and mistress of every dwelling which is sufficiently capacious
+to admit of receiving an occasional guest. A young
+lady is perhaps invited to spend a little time in the country,
+but she cannot possibly understand whether the
+invitation extends to a few days, or a week, or a month,
+and consequently is much puzzled with regard to the
+arrangement of her wardrobe. Domestic consultations are
+held; the letter is read over and over again; every one
+gives a different opinion, and when the visit is entered
+upon, somewhat of its pleasure is marred through the embarrassment
+occasioned by not knowing when to propose
+taking leave.<span class="pagenum">[124]</span></p>
+
+<p>In receiving guests, your first object should be to make
+them feel at home. Begging them to make themselves at
+home is not sufficient. You should display a genuine unaffected
+friendliness. Whether you are mistress of a
+mansion or a cottage, and invite a friend to share your
+hospitality, you must endeavor, by every possible means,
+to render the visit agreeable. This should be done without
+apparent effort, that the visitor may feel herself to be a
+partaker in your home enjoyments, instead of finding that
+you put yourself out of the way to procure extraneous
+pleasures. It is right and proper that you seek to make
+the time pass lightly; but if, on the other hand, you let a
+visitor perceive that the whole tenor of your daily concerns
+is altered on her account, a degree of depression will be
+felt, and the pleasant anticipations which she most probably
+entertained will fail to be realized. Let your friend
+be assured, from your manner, that her presence is a real
+enjoyment to you&mdash;an incentive to recreations which otherwise
+would not be thought of in the common routine of
+life. Observe your own feelings when you happen to be
+the guest of a person who, though he may be very much
+your friend, and really glad to see you, seems not to know
+what to do either with you or himself; and again, when in
+the house of another you feel as much at ease as in your
+own. Mark the difference, more easily felt than described,
+between the manners of the two, and deduce therefrom a
+lesson for your own improvement.</p>
+
+<p>If you have guests in your house, you are to appear to
+feel that they are all equal for the time, for they all have
+an equal claim upon your courtesies. Those of the humblest
+condition will receive <i>full as much attention</i> as the
+rest, in order that you shall not painfully make them feel
+their inferiority.</p>
+
+<p>Always avoid the foolish practice of deprecating your
+own rooms, furniture, or viands, and expressing regrets<span class="pagenum">[125]</span>
+that you have nothing better to offer. Neither should you
+go to the other extreme of extolling any particular thing
+or article of food. The best way is to say nothing about
+these matters. Neither is it proper to urge guests to eat,
+or to load their plates against their inclinations.</p>
+
+<p>Endeavor to retain your friends as long as they like to
+prolong their visit. When they intimate an intention to
+leave you, if you really desire their continuance somewhat
+longer, frankly say so. Should they, however, have fixed
+the time, and cannot prolong their stay, facilitate their
+going by every means in your power; and, while you kindly
+invite them to renew their visit, point out to them any
+places of interest on the road, and furnish such information
+as you possess.</p>
+
+<p>If invited to spend a few days at a friend's house, conform
+as much as possible to the habits of the family. When
+parting for the night, inquire respecting the breakfast hour,
+and ascertain at what time the family meet for prayers.
+If this right custom prevails, be sure to be in time; and
+obtain any necessary information from the servant who
+waits upon you. Give as little trouble as possible; and
+never think of apologizing for the extra trouble which your
+visit occasions. Such an apology implies that your friend
+cannot conveniently entertain you. Your own good sense
+and delicacy will teach you the desirability of keeping
+your room tidy, and your articles of dress and toilet as
+much in order as possible. If there is a deficiency of servants,
+a lady will certainly not hesitate to make her own
+bed and to do for herself as much as possible, and for the
+family all that is in her power.</p>
+
+<p>We presume that few people will leave a friend's house
+without some expression of regret, and some acknowledgment
+proffered for the pleasure that has been afforded them.
+Instances to the contrary have come within our knowledge,<span class="pagenum">[126]</span>
+and therefore we remind our youthful readers especially,
+that this small act of politeness is indispensable, not in the
+form of a set speech, but by a natural flowing forth of
+right feeling. It is also proper, on returning home, to inform
+your friends of your safe arrival; the sense which
+you entertain of their hospitality, and the gratification
+derived from your visit, may be also gracefully alluded to.</p>
+
+<p>The chain which binds society together is formed of
+innumerable links. Let it be your part to keep those links
+uniformly bright; and to see that neither dust nor rust
+accumulate upon them.</p>
+
+<hr class="chapter" />
+
+<p><span class="pagenum"><a name="Page_127" id="Page_127">[127]</a></span></p>
+
+<h2>STREET ETIQUETTE.</h2>
+<p><span class="smcap">The</span> books of etiquette tell you, that if you have been
+introduced to a lady and you afterward meet her in the
+street, you must not bow to her unless she bow first, in
+order, as the books say, that she may have an opportunity
+to cut you if she does not wish to continue the acquaintance.
+This is the English fashion. But on the continent
+of Europe the rule is reversed, and no lady, however intimate
+you may be with her, will acknowledge you in the
+street unless you first honor her with a bow of recognition.
+But the American fashion is not like either of them. For
+here the really well-bred man always politely and respectfully
+bows to every lady he knows, and, if she is a well-bred
+woman, she acknowledges the respect paid her. If
+she expects no further acquaintance, her bow is a mere
+formal, but <i>always respectful</i>, recognition of the good manners
+which have been shown her, and no gentleman ever
+takes advantage of such politeness to push a further
+acquaintance uninvited. But why should a lady and gentleman,
+who know who each other are, scornfully and
+doggedly pass each other in the streets as though they
+were enemies? There is no good reason for such <i>impoliteness</i>,
+in the practice of politeness. As compared with the
+English, the French or continental fashion is certainly
+more consonant with the rules of good breeding. But the
+American rule is better than either, for it is based upon
+the acknowledged general principle, that it is every gentle<span class="pagenum">[128]</span>man's and lady's duty to be polite in all places. Unless
+parties have done something to forfeit the respect dictated
+by the common rules of politeness, there should be no
+deviation from this practice. It is a ridiculous idea that
+we are to practice ill-manners in the name of etiquette.</p>
+
+<p>While walking the street no one should be so absent-minded
+as to neglect to recognize his friends. If you do
+not stop, you should always bow, touch your hat, or bid
+your friend good day. If you stop, you can offer your
+hand without removing your glove. If you stop to talk,
+retire on one side of the walk. If your friend has a stranger
+with him and you have anything to say, you should
+apologize to the stranger. Never leave your friend abruptly
+to see another person without asking him to excuse
+your departure. If you meet a gentleman of your acquaintance
+walking with a lady whom you do not know, lift your
+hat as you salute them. If you know the lady, you should
+salute her first.</p>
+
+<p>Never <i>nod</i> to a lady in the street, neither be satisfied
+with touching your hat, <i>but take it off</i>&mdash;it is a courtesy her
+sex demands.</p>
+
+<p>A gentleman should never omit a punctilious observance
+of the rules of politeness to his recognized acquaintances,
+from an apprehension that he will not be met with reciprocal
+marks of respect. For instance, he should not refuse
+to raise his hat to an acquaintance who is accompanied by
+a lady, lest her escort should, from ignorance or stolidity,
+return his polite salutation with a nod of the head.
+It is better not to see him, than to set the example of a
+rude and indecorous salutation. In all such cases, and in
+all cases, he who is most courteous has the advantage, and
+should never feel that he has made a humiliating sacrifice
+of his personal dignity. It is for the party whose behavior
+has been boorish to have a consciousness of inferiority.<span class="pagenum">[129]</span></p>
+
+<p>A gentleman meeting a lady acquaintance on the street,
+should not presume to join her in her walk without ascertaining
+that his company would be entirely agreeable. It
+might be otherwise, and she should frankly say so. A
+married lady usually leans upon the arm of her husband;
+but single ladies do not, in the day, take the arm of a
+gentleman, unless they are willing to acknowledge an engagement.
+Gentlemen always give place to ladies, and
+gentlemen accompanying ladies, in crossing the street.</p>
+
+<p>If you have anything to say to a lady whom you may
+happen to meet in the street, however intimate you may
+be, do not stop her, but turn round and walk in company;
+you can take leave at the end of the street.</p>
+
+<p>When you are passing in the street, and see coming toward
+you a person of your acquaintance, whether a lady
+or an elderly person, you should offer them the wall, that
+is to say, the side next the houses. If a carriage should
+happen to stop in such a manner as to leave only a narrow
+passage between it and the houses, beware of elbowing and
+rudely crowding the passengers, with a view to get by more
+expeditiously; wait your turn, and if any of the persons
+before mentioned come up, you should edge up to
+the wall, in order to give them the place. They also, as
+they pass, should bow politely to you.</p>
+
+<p>If stormy weather has made it necessary to lay a plank
+across the gutter, which has become suddenly filled with
+water, it is not proper to crowd before another, in order to
+pass over the frail bridge.</p>
+
+<p>In walking with a lady, it is customary to give her the
+right arm; but where circumstances render it more convenient
+to give her the left, it may properly be done. If
+you are walking with a lady on a crowded street like
+Broadway, by all means give her the outside, as that will<span class="pagenum">[130]</span>
+prevent her from being perpetually jostled and run against
+by the hurrying crowd.</p>
+
+<p>You should offer your arm to a lady with whom you are
+walking whenever her safety, comfort, or convenience may
+seem to require such attention on your part. At night
+your arm should always be tendered, and also when ascending
+the steps of a public building. In walking with any
+person you should keep step with military precision, and
+with ladies and elderly people you should always accommodate
+your speed to theirs.</p>
+
+<p>If a lady with whom you are walking receives the salute
+of a person who is a stranger to you, you should return it,
+not for yourself, but for her.</p>
+
+<p>When a lady whom you accompany wishes to enter a
+store, you should hold the door open and allow her to enter
+first, if practicable; for you must never pass before a lady
+anywhere, if you can avoid it, or without an apology.</p>
+
+<p>In England, it is a mark of low breeding to smoke in the
+streets. But in America the rule does not hold to quite
+that extent; though, even here, it is not often that you
+catch "a gentleman of the strictest sect," in the street
+with a cigar or pipe in his mouth. For a man to go into
+the street with a lady on his arm and a cigar in his mouth
+is a shocking sight, which no gentleman will ever be guilty
+of exhibiting; for he inevitably subjects the woman to the
+very worst of suspicions.</p>
+
+<p>Avoid the disgusting habit of spitting.</p>
+
+<p>No gentleman will stand in the doors of hotels, nor on
+the corners of the streets, gazing impertinently at the
+ladies as they pass. That is such an unmistakable sign of
+a loafer, that one can hardly imagine a well-bred man doing
+such a thing.<span class="pagenum">[131]</span></p>
+
+<p>Never offer to shake hands with a lady in the street if
+you have on dark gloves, as you may soil her white ones.
+If you meet a lady friend with whom you wish to converse,
+you must not stop, but turn and walk along with her; and
+should she be walking with a gentleman, first assure yourself
+that you are not intruding before you attempt to join
+the two in their walk.</p>
+
+<p>After twilight, a young lady would not be conducting
+herself in a becoming manner, by walking alone; and if
+she passes the evening with any one, she ought, beforehand,
+to provide some one to come for her at a stated hour;
+but if this is not practicable, she should politely ask of
+the person whom she is visiting, to permit a servant to
+accompany her. But, however much this may be considered
+proper, and consequently an obligation, a married
+lady, well educated, will disregard it if circumstances prevent
+her being able, without trouble, to find a conductor.</p>
+
+<p>If the host wishes to accompany you himself, you must
+excuse yourself politely for giving him so much trouble,
+but finish, however, by accepting. On arriving at your
+house, you should offer him your thanks. In order to
+avoid these two inconveniences, it will be well to request
+your husband, or some one of your relatives, to come and
+wait upon you; you will, in this way, avoid all inconveniences,
+and be entirely free from that harsh criticism which
+is sometimes indulged in, especially in small towns, concerning
+even the most innocent acts.</p>
+
+<p>If, when on your way to fulfill an engagement, a friend
+stops you in the street, you may, without committing any
+breach of etiquette, tell him of your appointment, and
+release yourself from a long talk, but do so in a courteous
+manner, expressing regret for the necessity.</p>
+
+<p>In inquiring for goods at a shop or store, do not say, I
+want so and so, but say to the shopman&mdash;Show me such or<span class="pagenum">[132]</span>
+such an article, if you please&mdash;or use some other polite
+form of address. If you are obliged to examine a number
+of articles before you are suited, apologize to the shopkeeper
+for the trouble you give him. If, after all, you
+cannot suit yourself, renew your apologies when you go
+away. If you make only small purchases, say to him&mdash;I
+am sorry for having troubled you for so trifling a thing.</p>
+
+<p>You need not stop to pull off your glove to shake hands
+with a lady or gentleman. If it is warm weather it is more
+agreeable to both parties that the glove should be on&mdash;especially
+if it is a lady with whom you shake hands, as the
+perspiration of your bare hand would be very likely to soil
+her glove.</p>
+
+<p>If a lady addresses an inquiry to a gentleman on the
+street, he will lift his hat, or at least touch it respectfully,
+as he replies. If he cannot give the information required,
+he will express his regrets.</p>
+
+<p>When tripping over the pavement, a lady should gracefully
+raise her dress a little above her ankle. With her
+right hand she should hold together the folds of her gown
+and draw them toward the right side. To raise the dress
+on both sides, and with both hands, is vulgar. This ungraceful
+practice can be tolerated only for a moment when
+the mud is very deep.</p>
+
+<p>Most American ladies in our cities wear too rich and
+expensive dresses in the street. Some, indeed, will sweep
+the side-walks with costly stuffs only fit for a drawing-room
+or a carriage. This is in bad taste, and is what ill-natured
+people would term snobbish.</p>
+
+<hr class="chapter" />
+
+<p><span class="pagenum"><a name="Page_133" id="Page_133">[133]</a></span></p>
+
+<h2>TRAVELING.</h2>
+<p><span class="smcap">As</span> a general rule, travelers are selfish. They pay little
+attention either to the comforts or distresses of their fellow-travelers;
+and the commonest observances of politeness
+are often sadly neglected by them. In the scramble for
+tickets, for seats, for state-rooms, or for places at a public
+table, the courtesies of life seem to be trampled under foot.
+Even the ladies are sometimes rudely treated and shamefully
+neglected in the headlong rush for desirable seats in
+the railway cars. To see the behavior of American people
+on their travels, one would suppose that we were anything
+but a refined nation; and I have often wondered whether
+a majority of our travelers could really make a decent
+appearance in social society.</p>
+
+<p>When you are traveling, it is no excuse that because
+others outrage decency and propriety you should follow
+their example, and fight them with their own weapons. A
+rush and scramble at the railway ticket office is always unnecessary.
+The cars will not leave until every passenger is
+aboard, and if you have ladies with you, you can easily
+secure your seats and afterward procure the tickets at leisure.
+But suppose you do lose a favorite seat by your
+moderation! Is it not better to suffer a little inconvenience
+than to show yourself decidedly vulgar? Go to the
+cars half an hour before they start, and you will avoid all
+trouble of this kind.</p>
+
+<p>When seated, or about to seat yourself in the cars, never
+allow considerations of personal comfort or convenience<span class="pagenum">[134]</span>
+to cause you to disregard the rights of fellow-travelers, or
+forget the respectful courtesy due to woman. The pleasantest
+or most comfortable seats belong to the ladies, and
+you should never refuse to resign such seats to them with
+a cheerful politeness. Sometimes a gentleman will go
+through a car and choose his seat, and afterward vacate it
+to procure his ticket, leaving his overcoat or carpet bag to
+show that the seat is taken. Always respect this token,
+and never seize upon a seat thus secured, without leave,
+even though you may want it for a lady. It is not always
+necessary for a gentleman to rise after he has seated himself
+and offer his seat to a lady, particularly if the lady is
+accompanied by another gentleman; for there may still be
+eligible vacant seats in the cars. But should you see a
+lady come alone, and if the seats in the car all appear to
+be filled, do not hesitate to offer her yours, if you have no
+ladies in your company. And should a lady motion to seat
+herself beside you, rise at once and offer her the choice
+of the two seats. These are but common courtesies that
+every well-bred man will at all times cheerfully offer to the
+other sex.</p>
+
+<p>Making acquaintances in the cars, although correct
+enough, is a measure of which travelers generally appear
+to be very shy. There is no reason for this, as acquaintances
+thus picked up need never be recognized again
+unless you please. If a stranger speaks to you, always
+answer him politely, and if his conversation proves disagreeable,
+you have no alternative but to change your seat.</p>
+
+<p>In steamers do not make a rush for the supper table, or
+make a glutton of yourself when you get there. Never fail
+to offer your seat on deck to a lady, if the seats all appear
+to be occupied, and always meet half way any fellow-passenger
+who wishes to enter into conversation with you.
+Some travelers are so exclusive that they consider it a
+presumption on the part of a stranger to address them;<span class="pagenum">[135]</span>
+but such people are generally foolish, and of no account.
+Sociable intercourse while traveling is one of its main
+attractions. Who would care about sitting and moping for
+a dozen of hours on board a steamer without exchanging a
+word with anybody? and this must be the fate of the exclusives
+when they travel alone. Even ladies, who run
+greater risks in forming steamboat acquaintances than the
+men, are allowed the greatest privileges in that respect. It
+might not be exactly correct for a lady to make a speaking
+acquaintance of a gentleman; but she may address or
+question him for the time being without impropriety.</p>
+
+<p>Fellow-passengers, whether on a steamboat or in the
+cars, should at all times be sociable and obliging to one
+another. Those who are the reverse of this may be set
+down either as selfish, foolish, or conceited.</p>
+
+<p>In the cars you have no right to keep a window open for
+your accommodation, if the current of air thus produced
+annoys or endangers the health of another. There are a
+sufficient number of discomforts in traveling, at best, and
+it should be the aim of each passenger to lessen them as
+much as possible, and to cheerfully bear his own part.
+Life is a journey, and we are all fellow-travelers.</p>
+
+<p>If in riding in an omnibus, or crossing a ferry with a
+friend, he wishes to pay for you, never insist upon paying
+for yourself or for both. If he is before you, let the matter
+pass without remark.</p>
+
+<hr class="chapter" />
+
+<p><span class="pagenum"><a name="Page_136" id="Page_136">[136]</a></span></p>
+
+<h2>MARRIAGE.</h2>
+<p><span class="smcap">In</span> speaking of marriage, it is not merely with reference
+to its social importance, but as regards certain observances,
+concerning which no work on Etiquette has yet given any
+explicit rules.</p>
+
+<p>First, then, with respect to the preliminary subject of
+courtship. That unseen monitor, who has already suggested
+many points for consideration to lady readers, would
+now say to them: Before you admit the attentions of a
+gentleman who wishes to pay you his addresses, very carefully
+examine your respective tastes and dispositions; and
+settle in your own mind what are the most important
+requisites of happiness in a married state. With this view,
+you must enter upon the consideration of the subject with
+a calm and decisive spirit, which will enable you to see
+where your true happiness lies, and to pursue it with determined
+resolution. In matters of business, follow the
+advice of such as are able to guide you; and as regards the
+subject of marriage, turn not away from the counsel of
+those who are appointed to watch over and direct you.</p>
+
+<p>If a gentleman gives you reason to believe that he wishes
+to engage your affections, seek the advice of your parents,
+that they may gain for you every necessary particular with
+regard to his morals and disposition, and means of suitably
+providing for you. If, unhappily, death has deprived you
+of parents, ask counsel of some one who will care for you,
+and on whose friendship you can rely. Remember that
+you have little knowledge of the world, and that your<span class="pagenum">[137]</span>
+judgment has not arrived at full maturity. But however
+circumstanced, avoid, as you would the plague, any attentions
+from a gentleman whose moral character renders him
+undeserving your regard.</p>
+
+<p>Let neither rank nor fortune, nor the finest order of
+intellect, nor yet the most winning manners, induce you to
+accept the addresses of an irreligious man. You dare not
+ask the blessing of your Heavenly Father upon such
+addresses; and without His blessing, what happiness can
+you expect? Men often say, "that whatever their own
+opinions may be, they will marry religious women." This
+may be; but woe to a religious woman, if she allows herself
+to be thus beguiled! Supposing your admirer be a
+sensible man, he will like religion in you for his own sake;
+if, on the contrary, such is not the case, and you become
+his wife, he will often, though perhaps without intention,
+distress you by his remarks; and in either case, if you have
+children, you will suffer much in seeing that your endeavors
+to form their minds to virtue and piety, and to secure
+their present and eternal happiness, are regarded with
+indifference, or at least that you are not assisted in your
+efforts.</p>
+
+<p>Remember, also, that no happiness can be expected in
+the marriage state, unless the husband be worthy of respect.
+Do not marry a weak man; he is often intractable or
+capricious, and seldom listens to the voice of reason; and
+most painful must it be to any sensible woman to have to
+blush for her husband, and feel uneasy every time he opens
+his lips. Still worse, if it should please God to give her
+children, if she cannot point to the example of their father
+as leading to what is excellent and of good report; nor yet
+to his precepts and instructions as their rule of conduct.
+One thing is certain, that a weak man uniformly shows his
+consequence by contradicting his wife, because he will not
+have it supposed that he is under her influence.<span class="pagenum">[138]</span></p>
+
+<p>Advances, or offers of marriage, are made in a thousand
+different ways; but, however tendered, receive them courteously,
+and with dignity. If a letter comes to you, answer
+it as becomes a gentlewoman&mdash;your own heart will dictate
+what you ought to say. Questions have arisen with regard
+to the wording of such letters, but no certain rule can be
+laid down; whether it be answered in the first or third
+person, must depend upon the degree of acquaintance
+which has previously existed. No young lady would certainly
+head her letter with&mdash;"Dear Sir," to a suitor whom
+she scarcely knows, or to one whom she intends refusing.
+She ought, however, on no account, either to receive or
+answer letters of the kind without showing them to her
+mother; or, if unfortunately without parents, she will do
+well to consult some judicious female friend.</p>
+
+<p>Never trifle with the affections of a man who loves you;
+nor admit of marked attentions from one whose affection
+you cannot return. Some young ladies pride themselves
+upon the conquests which they make, and would not scruple
+to sacrifice the happiness of an estimable person to
+their reprehensible vanity. Let this be far from you. If
+you see clearly that you have become an object of especial
+regard to a gentleman, and do not wish to encourage his
+addresses, treat him honorably and humanely, as you hope
+to be used with generosity by the person who may engage
+your own heart. Do not let him linger in suspense, but
+take the earliest opportunity of carefully making known
+your feelings on the subject. This may be done in a variety
+of ways. A refined ease of manner will satisfy him, if
+he has any discernment, that his addresses will not be
+acceptable. Should your natural disposition render this
+difficult, show that you wish to avoid his company, and he
+will presently withdraw; but if even this is difficult&mdash;and
+who can lay down rules for another?&mdash;allow an opportunity
+for explanation to occur. You can then give him a polite<span class="pagenum">[139]</span>
+and decisive answer; and be assured that, in whatever
+manner you convey your sentiments to him, if he be a man
+of delicacy and right feeling, he will trouble you no further.
+Let it never be said of you, that you permit the
+attentions of an honorable man when you have no heart to
+give him; or that you have trifled with the affections of
+one whom you perhaps esteem, although you resolve never
+to marry him. It may be that his preference gratifies, and
+his conversation interests you; that you are flattered by
+the attentions of a man whom some of your companions
+admire; and that, in truth, you hardly know your own
+mind on the subject. This will not excuse you. Every
+young woman ought to know the state of her own heart;
+and yet the happiness and future prospects of many an
+excellent man have been sacrificed by such unprincipled
+conduct.</p>
+
+<p>Remember that if a gentleman makes you an offer, you
+have no right to speak of it. If you possess either generosity
+or gratitude for offered affection, you will not betray
+a secret which does not belong to you. It is sufficiently
+painful to be refused, without incurring the additional
+mortification of being pointed out as a rejected lover.</p>
+
+<p>If, on the contrary, you encourage the addresses of a
+deserving man, behave honorably and sensibly. Do not
+lead him about as if in triumph, nor take advantage of the
+ascendency which you have gained by playing with his
+feelings. Do not seek for occasions to tease him, that you
+may try his temper; neither affect indifference, nor provoke
+lovers' quarrels, for the foolish pleasure of reconciliation.
+On your conduct during courtship will very much
+depend the estimation in which you will be held by your
+husband in after life.</p>
+
+<p>Assuming that the important day is fixed, and that the
+bidden guests have accepted the invitations, a few obser<span class="pagenum">[140]</span>vations may be useful, especially to those who live retired
+in the country.</p>
+
+<p>The bride uniformly goes to church in the same carriage
+with her parents, or with those who stand in their place;
+as, for instance, if the father is deceased, an elder brother
+or uncle, or even guardian, accompanies her mother and
+herself. If, unhappily, she is an orphan, and has no relations,
+a middle-aged lady and gentleman, friends of her
+parents, should be requested to take their place. A bridesmaid
+will also occupy a seat in the same carriage.</p>
+
+<p>The bridegroom finds his way to church in a separate
+carriage with his friends, and he will show his gallantry by
+handing the bride from her carriage, and paying every
+attention to those who accompany her. Any omission in
+this respect cannot be too carefully avoided.</p>
+
+<p>When arrived at the altar, the father of the bride, or,
+in default of such relation, the nearest connexion, or some
+old friend, gives away the bride. The bridesmaids stand
+near the bride; and either her sister, or some favorite
+friend, will hold the gloves or handkerchief, as may be
+required, when she ungloves her hand for the wedding-ring.
+When the ceremony is completed, and the names of
+the bride and bridegroom are signed in the vestry, they
+first leave the church together, occupying by themselves
+the carriage that waits to convey them to the house of the
+bride's father and mother, or that of the guardian, or
+friend, by whom the bridal breakfast is provided.</p>
+
+<p>The wedding-cake uniformly occupies the center of the
+table. It is often tastefully surrounded with flowers,
+among which those of the fragrant orange ought to be conspicuous.
+After being cut according to the usages observed
+on such occasions, the oldest friend of the family proposes
+the lady's health; that of the bridegroom is generally
+proposed by some friend of his own, if present; but if this<span class="pagenum">[141]</span>
+is not the case, by his father-in-law, or any of his new
+relatives, who will deem it incumbent upon them to say
+something gratifying to him while proposing his health,
+which courtesy he must acknowledge as best he can. After
+this the bride withdraws, in order to prepare for leaving
+the parental roof, by taking off her wedding, and putting
+on her traveling dress; although it happens not unfrequently
+that the bride remains in another apartment, and
+thus avoids the fatigue and embarrassment of appearing at
+the breakfast-table. When this occurs, her place beside
+the bridegroom must be occupied by a near relation or
+friend. But whether present, or remaining apart with a
+few friends, all who are invited to do honor to the bride
+must appear in full dress. Bracelets may be worn on one
+or both wrists. Black of any kind is wholly inadmissible;
+not even black satin can be allowed; and widows must
+attire themselves either in quiet colored suits, or else in
+silver gray.</p>
+
+<p>On such festive occasions, all appear in their best attire,
+and assume their best manners. Peculiarities that pertain
+to past days, or have been unwarily adopted, should be
+guarded against; mysteries concerning knives, forks, and
+plates, or throwing "an old shoe" after the bride, are
+highly reprehensible, and have long been exploded. Such
+practices may seem immaterial, but they are not so.
+Stranger guests often meet at a wedding breakfast; and
+the good breeding of the family may be somewhat compromised
+by neglect in small things.</p>
+
+<p>If the lady appears at breakfast, which is certainly desirable,
+she occupies, with her husband, the center of the
+table, and sits by his side&mdash;her father and mother taking
+the top and bottom, and showing all honor to their
+guests. When the cake has been cut, and every one is
+helped&mdash;when, too, the health of the bride and bridegroom<span class="pagenum">[142]</span>
+has been drunk, and every compliment and kind wish has
+been duly proffered and acknowledged&mdash;the bride, attended
+by her friends, withdraws; and when ready for her departure
+the newly-married couple start off on their wedding
+journey, generally about two or three o'clock, and the rest
+of the company shortly afterward take their leave.</p>
+
+<p>In some circles it is customary to send cards almost
+immediately to friends and relations, mentioning at what
+time and hour the newly-married couple expect to be called
+upon. Some little inconvenience occasionally attends this
+custom, as young people may wish to extend their wedding
+tour beyond the time first mentioned, or, if they go abroad,
+delays may unavoidably occur. It is therefore better to
+postpone sending cards, for a short time at least.</p>
+
+<p>Fashions change continually with regard to wedding-cards.
+A few years since they were highly ornamented,
+and fantastically tied together; now silver-edged cards are
+fashionable; but, unquestionably, the plainer and more
+unostentatious a wedding-card, the more lady-like and
+becoming it will be.</p>
+
+<p>No one to whom a wedding-card has not been sent ought
+to call upon a newly-married couple.</p>
+
+<p>When the days named for seeing company arrive, remember
+to be punctual. Call, if possible, the first day,
+but neither before nor after the appointed hour. Wedding-cake
+and wine are handed round, of which every one
+partakes, and each expresses some kindly wish for the
+happiness of the newly-married couple.</p>
+
+<p>Taking possession of their home by young people is
+always a joyous period. The depressing influence of a
+wedding breakfast, where often the hearts of many are
+sad, is not felt, and every one looks forward to years of
+prosperity and happiness.<span class="pagenum">[143]</span></p>
+
+<p>If the gentleman is in a profession, and it happens that
+he cannot await the arrival of such as call, according to
+invitation on the wedding-card, an apology must be made,
+and, if possible, an old friend of the family should represent
+him. A bride must on no account receive her visitors
+without a mother, or sister, or some friend being present,
+not even if her husband is at home. This is imperative.
+To do otherwise is to disregard the usuages of society.
+We remember once calling on a very young bride, and
+found her alone. Conjectures were made by every visitor
+with regard to such a strange occurrence, and their surprise
+was still more increased, when it became known that
+the young lady returned her calls equally unattended.</p>
+
+<p>Wedding visits must be returned during the course of a
+few days, and parties are generally made for the newly-married
+couple, which they are expected to return. This
+does not, however, necessarily entail much visiting;
+neither is it expected from young people, whose resources
+may be somewhat limited, or when the husband has to
+make his way in the world.</p>
+
+<hr class="chapter" />
+
+<p><span class="pagenum"><a name="Page_144" id="Page_144">[144]</a></span></p>
+
+<h2>DOMESTIC ETIQUETTE AND DUTIES.</h2>
+<p>"<span class="smcap">The</span> little community to which I gave laws," said the
+Vicar of Wakefield, "was regulated in the following manner:&mdash;We
+all assembled early, and after we had saluted
+each other with proper ceremony, (for I always thought fit
+to keep up some mechanical forms of good breeding, without
+which, freedom ever destroys friendship,) we all knelt
+in gratitude to that Being who gave us another day. So
+also when we parted for the night."</p>
+
+<p>We earnestly recommend that the precepts and example
+of the good old Vicar should be followed and adopted by
+every newly-married couple. With regard to the first, the
+courtesies of society should never be omitted, in even the
+most trivial matters; and, as respects the second, what
+blessing can be reasonably expected to descend upon a
+house wherein the voice of thanksgiving is never heard,
+nor yet protection sought by its acknowledged head!</p>
+
+<p>On the wife especially devolves the privilege and pleasure
+of rendering home happy. We shall, therefore, speak of
+such duties and observances as pertain to her.</p>
+
+<p>When a young wife first settles in her home, many
+excellent persons, with more zeal, it may be, than discretion,
+immediately propose that she should devote some of
+her leisure time to charitable purposes: such, for instance,
+as clothing societies for the poor, or schools, or district
+visiting. We say with all earnestness to our young friend,
+engage in nothing of the kind, however laudable, without<span class="pagenum">[145]</span>
+previously consulting your husband, and obtaining his full
+concurrence. Carefully avoid, also, being induced by any
+specious arguments to attend evening lectures, unless he
+accompanies you. Remember that your Heavenly Father,
+who has given you a home to dwell in, requires from you a
+right performance of its duties. Win your husband, by all
+gentle appliances, to love religion; but do not, for the sake
+even of a privilege and a blessing, leave him to spend his
+evenings alone. Look often on your marriage ring, and
+remember the sacred vows taken by you when the ring was
+given; such thoughts will go far toward allaying many of
+these petty vexations which circumstances call forth.</p>
+
+<p>Never let your husband have cause to complain that you
+are more agreeable abroad than at home; nor permit him
+to see in you an object of admiration, as respects your dress
+and manners, when in company, while you are negligent
+of both in the domestic circle. Many an unhappy marriage
+has been occasioned by neglect in these particulars.
+Nothing can be more senseless than the conduct of a
+young woman, who seeks to be admired in general society
+for her politeness and engaging manners, or skill in music,
+when, at the same time, she makes no effort to render her
+home attractive; and yet that home, whether a palace or a
+cottage, is the very center of her being&mdash;the nucleus around
+which her affections should revolve, and beyond which she
+has comparatively small concern.</p>
+
+<p>Beware of intrusting any individual whatever with small
+annoyances, or misunderstandings, between your husband
+and yourself, if they unhappily occur. Confidants are dangerous
+persons, and many seek to obtain an ascendency
+in families by gaining the good opinion of young married
+women. Be on your guard, and reject every overture that
+may lead to undesirable intimacy. Should any one presume
+to offer you advice with regard to your husband, or
+seek to lessen him by insinuations, shun that person as you<span class="pagenum">[146]</span>
+would a serpent. Many a happy home has been rendered
+desolate by exciting coolness or suspicion, or by endeavors
+to gain importance in an artful and insidious manner.</p>
+
+<p>In all money matters, act openly and honorably. Keep
+your accounts with the most scrupulous exactness, and let
+your husband see that you take an honest pride in rightly
+appropriating the money which he intrusts to you. "My
+husband works hard for every dollar that he earns," said a
+young married lady, the wife of a professional man, to a
+friend who found her busily employed in sewing buttons
+on her husband's coat, "and it seems to me worse than
+cruel to lay out a dime unnecessarily." Be very careful,
+also, that you do not spend more than can be afforded in
+dress; and be satisfied with such carpets and curtains in
+your drawing-room as befit a moderate fortune, or professional
+income. Natural ornaments, and flowers tastefully
+arranged, give an air of elegance to a room in which the
+furniture is far from costly; and books judiciously placed,
+uniformly produce a good effect. A sensible woman will
+always seek to ornament her home, and to render it attractive,
+more especially as this is the taste of the present day.
+The power of association is very great; light, and air, and
+elegance, are important in their effects. No wife acts
+wisely who permits her sitting-room to look dull in the
+eyes of him whom she ought especially to please, and with
+whom she has to pass her days.</p>
+
+<p>In middle life, instances frequently occur of concealment
+with regard to money concerns; thus, for instance, a wife
+wishes to possess an article of dress which is too costly for
+immediate purchase, or a piece of furniture liable to the
+same objection. She accordingly makes an agreement with
+a seller, and there are many who call regularly at houses
+when the husband is absent on business, and who receive
+whatever the mistress of the house can spare from her expenses.
+A book is kept by the seller, in which payments<span class="pagenum">[147]</span>
+are entered; but a duplicate is never retained by the wife,
+and therefore she has no check whatever. We have known
+an article of dress paid for in this manner, far above its
+value, and have heard a poor young woman, who has been
+thus duped, say to a lady, who remonstrated with her:
+"Alas! what can I do? I dare not tell my husband." It
+may be that the same system, though differing according
+to circumstances, is pursued in a superior class of life.
+We have reason to think that it is so, and therefore affectionately
+warn our younger sisters to beware of making
+purchases that require concealment. Be content with such
+things as you can honorably afford, and such as your husbands
+approve. You can then wear them with every feeling
+of self-satisfaction.</p>
+
+<p>Before dismissing this part of our subject, we beseech
+you to avoid all bickerings. What does it signify where a
+picture hangs, or whether a rose or a pink looks best on
+the drawing-room table? There is something inexpressibly
+endearing in small concessions, in gracefully giving up
+a favorite opinion, or in yielding to the will of another;
+and equally painful is the reverse. The mightiest rivers
+have their source in streams; the bitterest domestic misery
+has often arisen from some trifling difference of opinion.
+If, by chance, you marry a man of a hasty temper, great
+discretion is required. Much willingness, too, and prayer
+for strength to rule your own spirit are necessary. Three
+instances occur to us, in which, ladies have knowingly married
+men of exceeding violent tempers, and yet have lived
+happily. The secret of their happiness consisted in possessing
+a perfect command over themselves, and in seeking,
+by every possible means, to prevent their husbands from
+committing themselves in their presence.</p>
+
+<p>Lastly, remember your standing as a lady, and never
+approve a mean action, nor speak an unrefined word; let
+all your conduct be such as an honorable and right-minded<span class="pagenum">[148]</span>
+man may look for in his wife, and the mother of his children.
+The slightest duplicity destroys confidence. The
+least want of refinement in conversation, or in the selection
+of books, lowers a woman, ay, and for ever! Follow these
+few simple precepts, and they shall prove to you of more
+worth than rubies; neglect them, and you will know what
+sorrow is. They apply to every class of society, in every
+place where man has fixed his dwelling; and to the woman
+who duly observes them may be given the beautiful commendation
+of Solomon, when recording the words which
+the mother of King Lemuel taught him:</p>
+
+<p>"The heart of her husband doth safely trust in her; she
+will do him good, and not evil, all the days of her life.
+Strength and honor are her clothing; and she shall rejoice
+in time to come. Her children rise up, and call her
+blessed; her husband also, and he praiseth her."&mdash;Prov.
+xxxi.</p>
+
+<p>We shall now address ourselves exclusively to our brethren;
+to them who have taken upon themselves the sacred
+and comprehensive names of husband and of master, who
+have formed homes to dwell in, and have placed therein, as
+their companions through life's pilgrimage, gentle and
+confiding ones, who have left for them all that was heretofore
+most dear, and whom they have sworn to love and to
+cherish.</p>
+
+<p>When a man marries, it is understood that all former
+acquaintanceship <i>ends</i>, unless he intimates a desire to renew
+it, by sending you his own and his wife's card, if near, or
+by letter, if distant. If this be neglected, be sure no further
+intercourse is desired.</p>
+
+<p>In the first place, a bachelor is seldom <i>very particular</i>
+in the choice of his companions. So long as he is amused,
+he will associate freely enough with those whose morals<span class="pagenum">[149]</span>
+and habits would point them out as highly dangerous persons
+to introduce into the sanctity of domestic life.</p>
+
+<p>Secondly, a married man has the tastes of <i>another</i>
+to consult; and the friend of the <i>husband</i> may not be
+equally acceptable to the <i>wife</i>.</p>
+
+<p>Besides, newly-married people may wish to limit the circle
+of their friends, from praiseworthy motives of economy.
+When a man first "<i>sets up</i>" in the world, the burden of
+an extensive and indiscriminate acquaintance may be felt
+in various ways. Many have had cause to regret the weakness
+of mind which allowed them to plunge into a vortex
+of gaiety and expense they could ill afford, from which
+they have found it difficult to extricate themselves, and the
+effects of which have proved a serious evil to them in
+after-life.</p>
+
+<p>Remember that you have now, as a married man, a very
+different standing in society from the one which you previously
+held, and that the happiness of another is committed
+to your charge. Render, therefore, your home happy
+by kindness and attention to your wife, and carefully
+watch over your words and actions. If small disputes
+arise, and your wife has not sufficient good sense to yield
+her opinion; nay, if she even seems determined to have
+her own way, and that tenaciously, do not get angry;
+rather be silent, and let the matter rest. An opportunity
+will soon occur of speaking affectionately, yet decidedly,
+on the subject, and much good will be effected. Master
+your own temper, and you will soon master your wife's;
+study her happiness without yielding to any caprices, and
+you will have no reason to regret your self-control.</p>
+
+<p>Never let your wife go to church alone on Sunday. You
+can hardly do a worse thing as regards her good opinion of
+you, and the well-being of your household. It is a pitiable
+sight to see a young wife going toward the church-door<span class="pagenum">[150]</span>
+unattended, alone in the midst of a crowd, with her
+thoughts dwelling, it may be very sadly, on the time when
+you were proud to walk beside her. Remember that the
+condition of a young bride is often a very solitary one;
+and that for your sake she has left her parents' roof, and
+the companionship of her brothers and sisters. If you are
+a professional man, your wife may have to live in the
+neighborhood of a large city, where she scarcely knows any
+one, and without those agreeable domestic occupations, or
+young associates, among whom she had grown up. Her
+garden and poultry-yard are hers no longer, and the day
+passes without the light of any smile but yours. You go
+off, most probably after breakfast, to your business or profession,
+and do not return till a late dinner; perhaps even
+not then, if you are much occupied, or have to keep up
+professional connections. It seems unmanly, certainly
+most unkind, to let your young wife go to church on Sunday
+without you, for the common-place satisfaction of
+lounging at home. To act in this manner is certainly a
+breach of domestic etiquette. Sunday is the only day in
+which you can enable her to forget her father's house, and
+the pleasant associations of her girlhood days&mdash;in which
+you can pay her those attentions which prevent all painful
+comparisons as regards the past. Sunday is a day of rest,
+wisely and mercifully appointed to loose the bonds by
+which men are held to the world; let it be spent by you as
+becomes the head of a family. Let no temptation ever induce
+you to wish your wife to relinquish attending Divine
+service, merely that she may "idle at home with you."
+Religion is her safeguard amid the trials or temptations of
+this world. And woe may be to you if you seek to withdraw
+her from its protection!</p>
+
+<p>Much perplexity in the marriage state often arises from
+want of candor. Men conceal their affairs, and expect
+their wives to act with great economy, without assigning<span class="pagenum">[151]</span>
+any reason why such should be the case; but the husband
+ought frankly to tell his wife the real amount of his income;
+for, unless this is done, she cannot properly regulate
+her expenses. They ought then to consult together
+as to the sum that can be afforded for housekeeping, which
+should be rather below than above the mark. When this
+is arranged he will find it advantageous to give into her
+hands, either weekly, monthly, or quarterly, the sum that
+is appropriated for daily expenditure, and above all things
+to avoid interfering without absolute necessity. The home
+department belongs exclusively to the wife; the province
+of the husband is to rule the house&mdash;hers to regulate its
+internal movements. True it is, that some inexperienced
+young creatures know but little of household concerns. If
+this occur, have patience, and do not become pettish or ill-humored.
+If too much money is laid out at first, give
+advice, kindly and firmly, and the young wife will soon
+learn how to perform her new duties.</p>
+
+<p>No good ever yet resulted, or ever will result from unnecessary
+interference. If a man unhappily marries an
+incorrigible simpleton, or spendthrift, he cannot help himself.
+Such, however, is rarely the case. Let a man preserve
+his own position, and assist his wife to do the same;
+all things will then move together, well and harmoniously.</p>
+
+<p>Much sorrow, and many heart-burnings, may be avoided
+by judicious conduct in the outset of life. Husbands
+should give their wives all confidence. They have intrusted
+to them their happiness, and should never suspect
+them of desiring to waste their money. Whenever a disposition
+is manifested to do right, express your approbation.
+Be pleased with trifles, and commend efforts to excel
+on every fitting occasion. If your wife is diffident, encourage
+her, and avoid seeing small mistakes. It is unreasonable
+to add to the embarrassments of her new condition, by<span class="pagenum">[152]</span>
+ridiculing her deficiencies. Forbear extolling the previous
+management of your mother or your sisters. Many a wife
+has been alienated from her husband's family, and many
+an affectionate heart has been deeply wounded by such
+injudicious conduct; and, as a sensible woman will always
+pay especial attention to the relations of her husband, and
+entertain them with affectionate politeness, the husband
+on his part should always cordially receive and duly attend
+to her relations. The reverse of this, on either side, is
+often productive of unpleasant feelings.</p>
+
+<p>Lastly, we recommend every young married man, who
+wishes to render his home happy, to consider his wife as
+the light of his domestic circle, and to permit no clouds,
+however small, to obscure the region in which she presides.
+Most women are naturally amiable, gentle, and complying;
+and if a wife becomes perverse, and indifferent to her
+home, it is generally her husband's fault. He may have
+neglected her happiness; but nevertheless it is unwise in
+her to retort, and, instead of faithfully reflecting the
+brightness that still may shine upon her, to give back the
+dusky and cheerless hue which saddens her existence. Be
+not selfish, but complying, in small things. If your wife
+dislikes cigars&mdash;and few young women like to have their
+clothes tainted by tobacco&mdash;leave off smoking; for it is, at
+best, an ungentlemanly and dirty habit. If your wife asks
+you to read to her, do not put your feet upon a chair and
+go to sleep. If she is fond of music, accompany her as
+you were wont when you sought her for a bride. The
+husband may say that he is tired, and does not like music,
+or reading aloud. This may occasionally be true, and no
+amiable woman will ever desire her husband to do what
+would really weary him. We, however, recommend a
+young man to practice somewhat of self-denial, and to
+remember that no one acts with a due regard to his own
+happiness who lays aside, when married, those gratifying<span class="pagenum">[153]</span>
+attentions which he was ever ready to pay the lady of his
+love; or those rational sources of home enjoyment which
+made her look forward with a bounding heart to become
+his companion through life.</p>
+
+<p>Etiquette is a comprehensive term; and its observances
+are nowhere more to be desired than in the domestic
+circle.</p>
+
+<hr class="chapter" />
+
+<p><span class="pagenum"><a name="Page_154" id="Page_154">[154]</a></span></p>
+
+<h2>ON GENERAL SOCIETY.</h2>
+<p><span class="smcap">To</span> cultivate the art of pleasing is not only worthy of our
+ambition, but it is the dictate of humanity to render ourselves
+as agreeable as possible to those around us. While,
+therefore, we condemn that false system of philosophy
+which recommends the practice of flattery and deception
+for the purpose of winning the regard of those with whom
+we come in contact, we would rather urge the sincere and
+open conduct which is founded on moral principle, and
+which looks to the happiness of others, not through any
+sordid and selfish aim, but for the reward which virtuous
+actions bestow. Indeed, we do not discover the necessity
+of duplicity and hypocrisy in our intercourse with society.
+The virtues and the graces are not antagonistic. The sacrifice
+of personal convenience for the accommodation of
+others; the repression of our egotism and self-esteem; the
+occasional endurance of whatever is disagreeable or irksome
+to us through consideration for the infirmities of
+others, are not only some of the characteristics of true
+politeness, but are in the very spirit of benevolence, and,
+we might add, religion.</p>
+
+<p>The English have a rule of etiquette, that if you are
+introduced to a person of higher position in society than
+yourself, you must never recognize him when you meet,
+until you see whether he intends to notice you. The
+meaning of this rule is, that you should be polite to nobody
+until you see whether they mean to be polite to you,
+which is simply refusing politeness in the name of polite<span class="pagenum">[155]</span>ness itself. There is a story of an unfortunate clerk of the
+Treasury, who dined one day at the Beef-steak Club, where
+he sat next to a duke, who conversed freely with him at
+dinner. The next day, meeting the duke in the street, he
+saluted him. But his grace, drawing himself up, said:
+"May I know, sir, to whom I have the honor of speaking?"
+"Why, we dined together at the club yesterday&mdash;I am Mr.
+Timms, of the Treasury," was the reply. "Then," said
+the duke, turning on his heel, "Mr. Timms, of the Treasury,
+I wish you <i>a good morning</i>." Though this anecdote
+is related in the English books as an example of etiquette,
+it is undoubtedly true that Mr. Timms, of the Treasury,
+was the politest man of the two; for even if he had made a
+mistake in being a little familiar in his politeness, had the
+duke been really a polite man he would have made the best
+of it, by returning the salutation, instead of the brutal
+mortification which he heaped upon the clerk of the Treasury.
+Everybody has read the anecdote of Washington,
+who politely returned the salutation of a negro, which
+caused his friend to ask if he "bowed to a negro." "To
+be sure I do; do you think that I would allow a negro to
+outdo me in politeness?" said Washington. This is the
+American rule. Everybody in this country may be polite
+to everybody&mdash;and if any one is too haughty and too ill-bred
+to return the salutation, with him alone rests the
+responsibility and the shame.</p>
+
+<p>A lady in company should never exhibit any anxiety to
+sing or play; but if she intends to do so, she should not
+affect to refuse when asked, but obligingly accede at once.
+If you cannot sing, or do not choose to, say so with seriousness
+and gravity, and put an end to the expectation
+promptly. After singing once or twice, cease and give
+place to others. There is an old saying, that a singer can
+with the greatest difficulty be set agoing, and when agoing,
+cannot be stopped.<span class="pagenum">[156]</span></p>
+
+<p>Never commend a lady's musical skill to another lady
+who herself plays.</p>
+
+<p>Modern Chesterfields, who pretend to be superlatively
+well-bred, tell one never to be "in a hurry." "To be in a
+hurry," say they, "is ill-bred." The <i>dictum</i> is absurd.
+It is sometimes necessary to be hurried. In the streets of
+the city one must hasten with the multitude. To walk or
+lounge, as people who have nothing else to do, in Wall
+Street, or Broadway, would be out of place and absurd.
+Judgment requires us, not less than manners, to conform
+slightly with the behavior of those with whom we associate
+or are forced to remain.</p>
+
+<p>Never lose your temper at cards, and particularly avoid
+the exhibition of anxiety or vexation at want of success.
+If you are playing whist, not only keep your temper, but
+hold your tongue; any intimation to your partner is decidedly
+ungentlemanly.</p>
+
+<p>Do not take upon yourself to do the honors in another
+man's house, nor constitute yourself master of the ceremonies,
+as you will thereby offend the host and hostess.</p>
+
+<p>Do not press before a lady at a theater or a concert.
+Always yield to her, if practicable, your seat and place.
+Do not sit when she is standing, without offering her your
+place. Consult not only your own ease, but also the comfort
+of those around you.</p>
+
+<p>Do not cross a room in an anxious manner, and force
+your way up to a lady merely to receive a bow, as by so
+doing you attract the eyes of the company toward her. If
+you are desirous of being noticed by any one in particular,
+put yourself in their way as if by accident, and do not let
+them <i>see</i> that you have sought them out; unless, indeed,
+there be something very important to communicate.<span class="pagenum">[157]</span></p>
+
+<p>Gentlemen who attend ladies to the opera, to concerts,
+to lectures, etc., should take off their hats on entering the
+room, and while showing them their seats. Having taken
+your seats remain quietly in them, and avoid, unless absolute
+necessity requires it, incommoding others by crowding
+out and in before them. If obliged to do this, politely
+apologize for the trouble you cause them. To talk during
+the performance is an act of rudeness and injustice. You
+thus proclaim your own ill-breeding and invade the rights
+of others, who have paid for the privilege of hearing the
+performers, and not for listening to you.</p>
+
+<p>If you are in attendance upon a lady at any opera, concert,
+or lecture, you should retain your seat at her side;
+but if you have no lady with you, and have taken a desirable
+seat, you should, if need be, cheerfully relinquish it
+in favor of a lady, for one less eligible.</p>
+
+<p>To the opera, or theater, ladies should wear opera hoods,
+which are to be taken off on entering. In this country,
+custom permits the wearing of bonnets; but as they are
+neither convenient nor comfortable, ladies should dispense
+with their use whenever they can.</p>
+
+<p>Gloves should be worn by ladies in church, and in places
+of public amusement. Do not take them off to shake
+hands. Great care should be taken that they are well made
+and fit neatly.</p>
+
+<p>If you would have your children grow up beloved and
+respected by their elders as well as their contemporaries,
+teach them good manners in their childhood. The young
+sovereign should first learn to obey, that he may be the
+better fitted to command in his turn.</p>
+
+<p>Show, but do not show off, your children to strangers.
+Recollect, in the matter of children, how many are born<span class="pagenum">[158]</span>
+every hour, each one almost as remarkable as yours in the
+eyes of its papa and mamma.</p>
+
+<p>Notwithstanding that good general breeding is easy of
+attainment, and is, in fact, attained by most people, yet we
+may enlarge upon a saying of Emerson's, by declaring that
+the world has never yet seen "a perfect gentleman."</p>
+
+<p>It is not deemed polite and respectful to smoke in the
+presence of ladies, even though they are amiable enough
+to permit it. A gentleman, therefore, is not in the habit
+of smoking in the parlor, for if there is nobody present to
+object, it leaves a smell in the room which the wife has
+good reason to be mortified at, if discovered by her
+guests.</p>
+
+<p>It is very common to see persons eat, drink, and smoke
+to excess. Such habits are vulgar in the lowest degree.
+Some men pride themselves on their abilities in drinking
+and smoking&mdash;more especially in the latter. These are
+blunders that need no reasoning to expose them. The
+man who exhibits a tendency to excesses will, sooner or
+later, be shunned by all except a few of his own stamp,
+and not even by them be respected. Guard against excess
+in all things, as neither gentlemanly nor human.</p>
+
+<p>Spitting is a filthy habit, and annoys one in almost every
+quarter, in-doors and out. Since vulgarity has had its
+way so extensively amongst us, every youth begins to
+smoke and spit before he has well cut his teeth. Smoking
+is unquestionably so great a pleasure to those accustomed
+to it, that it must not be condemned, yet the spitting associated
+with it detracts very much from the enjoyment. No
+refined person will spit where ladies are present, or in any
+public promenade; the habit is disgusting in the extreme,
+and one would almost wish that it could be checked in
+public by means of law.<span class="pagenum">[159]</span></p>
+
+<p>Never scratch your head, pick your teeth, clean your
+nails, or, worse than all, pick your nose in company; all
+these things are disgusting.</p>
+
+<p>To indulge in ridicule, whether the subject be present or
+absent, is to descend below the level of gentlemanly propriety.
+Your skill may excite laughter, but will not insure
+respect.</p>
+
+<p>A reverential regard for religious observances, and religious
+opinions, is a distinguishing trait of a refined mind.
+Whatever your opinions on the subject, you are not to
+intrude them on others, perhaps to the shaking of their
+faith and happiness. Religious topics should be avoided
+in conversation, except where all are prepared to concur in
+a respectful treatment of the subject. In mixed societies
+the subject should never be introduced.</p>
+
+<p>Frequent consultation of the watch or time-pieces is impolite,
+either when at home or abroad. If at home, it
+appears as if you were tired of your company and wished
+them to be gone; if abroad, as if the hours dragged heavily,
+and you were calculating how soon you would be
+released.</p>
+
+<p>Never read in company. A gentleman or lady may, however,
+look over a book of engravings with propriety.</p>
+
+<p>The simpler, and the more easy and unconstrained your
+manners, the more you will impress people of your good
+breeding. <i>Affectation</i> is one of the brazen marks of vulgarity.</p>
+
+<p>It is very unbecoming to exhibit petulance, or angry
+feeling, though it is indulged in so largely in almost every
+circle. The true gentleman does not suffer his countenance
+to be easily ruffled; and we only look paltry when we suffer
+temper to hurry us into ill-judged expressions of feeling.
+"He that is soon angry dealeth foolishly."<span class="pagenum">[160]</span></p>
+
+<p>Commands should never be given in a commanding tone.
+A gentleman requests, he does not command. We are not
+to assume so much importance, whatever our station, as to
+give orders in the "imperative mood," nor are we ever
+justified in thrusting the consciousness of servitude on any
+one. The blunder of commanding sternly is most frequently
+committed by those who have themselves but just
+escaped servitude, and we should not exhibit to others a
+weakness so unbecoming.</p>
+
+<p>It is a great thing to be able to <i>walk like a gentleman</i>&mdash;that
+is, to get rid of the awkward, lounging, swinging gait
+of a clown, and stop before you reach the affected and flippant
+step of a dandy. In short, nothing but <i>being a gentleman</i>
+can ever give you the air and step of one. A man
+who has a shallow or an impudent brain will be quite sure
+to show it in his heels, in spite of all that rules of manners
+can do for him.</p>
+
+<p>A gentleman never sits in the house with his hat on in
+the presence of ladies for a single moment. Indeed, so
+strong is the force of habit, that a gentleman will quite
+unconsciously remove his hat on entering a parlor, or
+drawing-room, even if there is no one present but himself.
+People who sit in the house with their hats on are to be
+suspected of having spent the most of their time in bar-rooms,
+and similar places. <i>A gentleman never sits with his
+hat on in the theater.</i> Gentlemen do not generally sit even
+in an eating-room with their hats on, if there is any convenient
+place to put them.</p>
+
+<p>The books on etiquette will tell you, that on waiting on
+a lady into a carriage, or the box of a theater, you are to
+take off your hat; but such <i>is not</i> the custom among polite
+people in this country. The inconvenience of such a rule
+is a good reason against its observance in a country where
+the practice of politeness has in it nothing of the servility<span class="pagenum">[161]</span>
+which is often attached to it in countries where the code of
+etiquette is dictated by the courts of monarchy. In handing
+a lady into a carriage, a gentleman <i>may</i> need to employ
+both his hands, and he has no third hand to hold on to his
+hat.</p>
+
+<p>Cleanliness of person is a distinguishing trait of every
+well-bred person; and this not on state occasions only, but
+at all times, even at home. It is a folly to sit by the fire
+in a slovenly state, consoling oneself with the remark,
+"Nobody will call to-day." Should somebody call we
+are in no plight to receive them, and otherwise it is an
+injury to the character to allow slovenly habits to control
+us even when we are unseen.</p>
+
+<p>Chesterfield inveighs against holding a man by the button,
+"for if people are not willing to hear you, you had
+much better hold your tongue than them." Button-holing
+is not a common vice, but pointing, nudging, hitting a
+man in the side with your fist, or giving him a kick of
+recognition under the table, are too common not to be
+noticed here as terrible breaches of deportment. Significant
+looks and gestures are equally objectionable, and must
+be avoided by all who desire to soar above positive vulgarity.
+I have often been annoyed by hearing a friend discourse
+on some person's failings or excellences, the person
+referred to being only known to the speaker. It is a bad
+rule to talk of persons at all, but more especially if the
+person spoken of is not known to all the listeners.</p>
+
+<p>Do not offer a person the chair from which you have just
+risen, unless there be no other in the room.</p>
+
+<p>Never take the chair usually occupied by the lady or
+gentleman of the house, even though they be absent, nor
+use the snuff-box of another, unless he offer it.</p>
+
+<p>Do not lean your head against the wall. You will either
+soil the paper, or get your hair well powdered with lime.
+<span class="pagenum">[162]</span></p>
+
+<p>Do not touch any of the ornaments in the houses where
+you visit; they are meant only for the use of the lady of
+the house, and may be admired, but not touched.</p>
+
+<p>Lord Chesterfield, in his "Advice to his Son," justly
+characterizes an absent man as unfit for business or conversation.
+Absence of mind is usually affected, and springs
+in most cases from a desire to be thought abstracted in
+profound contemplations. The world, however, gives a
+man no credit for vast ideas who exhibits absence when he
+should be attentive, even to trifles. The world is right in
+this, and I would implore every studious youth to forget
+that he is studious when he enters company. I have seen
+many a man, who would have made a bright character
+otherwise, affect a foolish reserve, remove himself as far
+from others as possible, and in a mixed assembly, where
+social prattle or sincere conversation enlivened the hearts
+of the company, sit by himself abstracted in a book. It is
+foolish, and, what is worse for the absentee, it looks so. A
+hint on this subject is sufficient, and we do hint, that abstractedness
+of manner should never be exhibited; the
+greatest geniuses have ever been attentive to trifles when
+it so behooved them.</p>
+
+<p>Affectation of superiority galls the feelings of those to
+whom it is offered. In company with an inferior, never
+let him feel his inferiority. An employer, who invites his
+confidential clerk to his house, should treat him in every
+way the same as his most distinguished guest. No reference
+to business should be made, and anything in the
+shape of command avoided. It is very easy by a look, a
+word, the mode of reception, or otherwise, to advertise to
+the other guests, "This is my clerk," or, "The person I
+now treat as a guest was yesterday laboring in my service;"
+but such a thing would lower the host more than it would
+annoy the guest. Before Burns had arrived at his high
+popularity, he was once invited by some puffed-up lairds
+<span class="pagenum">[163]</span>
+to dine, in order that they might have the gratification of
+hearing the poet sing one of his own songs. Burns was
+shown into the servants' hall, and left to dine with the
+menials. After dinner he was invited to the drawing-room,
+and a glass of wine being handed to him, requested to sing
+one of his own songs. He immediately gave his entertainers
+that thrilling assertion of independence, "A man's a
+man for a' that," and left the moment he had finished, his
+heart embittered at patronage offered in a manner so insulting
+to his poverty.</p>
+
+<p>People who have risen in the world are too apt to suppose
+they render themselves of consequence <i>in proportion
+to the pride they display</i>, and their want of attention toward
+those with whom they come in contact. This is a terrible
+mistake, as every ill-bred act recoils with triple violence
+against its perpetrators, by leading the offended parties to
+analyze them, and to question their right of assuming a
+superiority to which they are but rarely entitled.</p>
+
+<p>Punctuality is one of the characteristics of politeness.
+He who does not keep his appointments promptly is unfit
+for the society of gentlemen, and will soon find himself
+shut out from it.</p>
+
+<p>In private, watch your thoughts; in your family, watch
+your temper; in society, watch your tongue.</p>
+
+<p>Avoid restlessness in company, lest you make the whole
+party as fidgety as yourself. "Do not beat the 'Devil's
+tattoo' by drumming with your fingers on the table; it
+cannot fail to annoy every one within hearing, and is the
+index of a vacant mind. Neither read the newspaper in an
+audible whisper, as it disturbs the attention of those near
+you. Both these bad habits are particularly offensive
+where most common, that is, in a counting or news-room.
+Remember, that a carelessness as to what may incommode
+others is the sure sign of a coarse and ordinary mind;
+<span class="pagenum">[164]</span>
+indeed, the essential part of good breeding is more in the
+avoidance of whatever may be disagreeable to others, than
+even an accurate observance of the customs of good society."</p>
+
+<p>Good sense must, in many cases, determine good breeding;
+because the same thing that would be civil at one
+time and to one person, may be quite otherwise at another
+time and to another person.</p>
+
+<p>Chesterfield says, "As learning, honor, and virtue are
+absolutely necessary to gain you the esteem and admiration
+of mankind, politeness and good breeding are equally
+necessary to make you welcome and agreeable in conversation
+and common life. Great talents, such as honor,
+virtue, learning, and parts, are above the generality of the
+world, who neither possess them themselves nor judge of
+them rightly in others; but all people are judges of the
+lesser talents, such as civility, affability, and an obliging,
+agreeable address and manner; because they feel the good
+effects of them, as making society easy and pleasing."</p>
+
+<p>If you are in a public room, as a library or reading-room,
+avoid loud conversation or laughing, which may disturb
+others. At the opera, or a concert, be profoundly silent
+during the performances; if you do not wish to hear the
+music, you have no right to interfere with the enjoyment
+of others.</p>
+
+<p>In accompanying ladies to any public place, as to a concert
+or lecture, you should precede them in entering the
+room, and procure seats for them.</p>
+
+<p>Never allow a lady to get a chair for herself, ring a bell,
+pick up a handkerchief or glove she may have dropped, or,
+in short, perform any service for herself which you can
+perform for her, when you are in the room. By extending
+such courtesies to your mother, sisters, or other members
+<span class="pagenum">[165]</span>
+of your family, they become habitual, and are thus more
+gracefully performed when abroad.</p>
+
+<p>Etiquette in church is entirely out of place; but we may
+here observe that a conversation wantonly profligate always
+offends against good manners, nor can an irreligious
+man ever achieve that bearing which constitutes the true
+gentleman. He may be very polished and observant of
+form, and even if so, he will, out of respect for others,
+refrain from intruding his opinions and abstain from attacking
+those of others.</p>
+
+<p>Chesterfield says, "Civility is particularly due to all
+women; and, remember, that no provocation whatsoever
+can justify any man in not being civil to every woman;
+and the greatest man would justly be reckoned a brute if
+he were not civil to the meanest woman. It is due to their
+sex, and is the only protection they have against the superior
+strength of ours; nay, even a little is allowable with
+women; and a man may, without weakness, tell a woman
+she is either handsomer or wiser than she is."</p>
+
+<p>Keep your engagements. Nothing is ruder than to
+make an engagement, be it of business or pleasure, and
+break it. If your memory is not sufficiently retentive to
+keep all the engagements you make stored within it, carry
+a little memorandum book and enter them there. Especially
+keep any appointment made with a lady, for, depend
+upon it, the fair sex forgive any other fault in good breeding,
+sooner than a broken engagement.</p>
+
+<p>The right of privacy is sacred, and should always be
+respected. It is exceedingly improper to enter a private
+room anywhere without knocking. No relation, however
+intimate, will justify an abrupt intrusion upon a private
+apartment. So the trunks, boxes, packets, papers, and
+letters of every individual, locked or unlocked, sealed or
+unsealed, are sacred. It is ill-manners even to open a<span class="pagenum">[166]</span>
+book-case, or to read a written paper lying open, without
+permission expressed or implied. Books in an open case
+or on a center-table, cards in a card-case, and newspapers,
+are presumed to be open for examination. Be careful
+where you go, what you read, and what you handle, particularly
+in private apartments.</p>
+
+<p>Avoid intermeddling with the affairs of others. This is
+a most common fault. A number of people seldom meet
+but they begin discussing the affairs of some one who is
+absent. This is not only uncharitable but positively unjust.
+It is equivalent to trying a <i>cause in the absence of the
+person implicated</i>. Even in the criminal code a prisoner is
+presumed to be innocent until he is found guilty. Society,
+however, is less just, and passes judgment without hearing
+the defence. Depend upon it, as a certain rule, <i>that the
+people who unite with you in discussing the affairs of others
+will proceed to scandalize you the moment that you depart</i>.</p>
+
+<p>Be well read also, for the sake of the general company
+and the ladies, in the literature of the day. You will
+thereby enlarge the regions of pleasurable talk. Besides,
+it is often necessary. Haslitt, who had entertained an unfounded
+prejudice against Dickens's works when they were
+first written, confesses that he was at last obliged to read
+them, because he could not enter a mixed company without
+hearing them admired and quoted.</p>
+
+<p>Always conform your conduct, as near as possible, to the
+company with whom you are associated. If you should be
+thrown among people who are vulgar, it is better to humor
+them than to set yourself up, then and there, for a model
+of politeness. It is related of a certain king that on a particular
+occasion he turned his tea into his saucer, contrary
+to the etiquette of society, because two country ladies,
+whose hospitalities he was enjoying, did so. That king
+was a gentleman; and this anecdote serves to illustrate an<span class="pagenum">[167]</span>
+important principle: namely, that true politeness and
+genuine good manners often not only permit, but absolutely
+demand, a violation of some of the arbitrary rules of
+etiquette. Bear this fact in mind.</p>
+
+<p>Although these remarks will not be sufficient in themselves
+to <i>make</i> you a <i>gentleman</i>, yet they will enable you to
+avoid any glaring impropriety, and do much to render you
+easy and confident in society.</p>
+
+<p>Gentility is neither in birth, manner, nor fashion&mdash;but
+in <i>the</i> <span class="smcap">Mind</span>. A high sense of honor&mdash;a determination
+never to take a mean advantage of another&mdash;an adherence
+to truth, delicacy, and politeness toward those with whom
+you may have dealings&mdash;are the essential and distinguishing
+characteristics of <span class="smcap">a Gentleman</span>.</p>
+
+<p class="h3">THE END.<span class="pagenum">[168]</span></p>
+
+<p class="spacer">&nbsp;</p>
+
+<div class="trnote">
+
+<p class="cen">
+ <a name="TN" id="TN"></a>Typographical errors corrected in text:
+ <span class="totoc"><a href="#ToC">ToC</a></span>
+</p>
+
+
+<p><br />
+p. 5 "withuot" corrected to "without"<br />
+p. 13 double word "heard" corrected<br />
+p. 21 "there" corrected to "their"<br />
+p. 22 closing quotation mark added to block quotation<br />
+p. 27 "sermom" corrected to "sermon"<br />
+p. 43 "fluctating" corrected to "fluctuating"<br />
+p. 49 "unmindul" corrected to "unmindful"<br />
+p. 50 missing comma supplied after "one who is neither"<br />
+p. 50 "similiar" corrected to "similar"<br />
+p. 50 "supenderless" corrected to "suspenderless"<br />
+p. 53 quotation mark supplied after "superficial observer."<br />
+p. 56 "four and-twenty" corrected to "four-and-twenty"<br />
+p. 61 "repectability" corrected to "respectability"<br />
+p. 62 "uneviable" corrected to "unenviable"<br />
+p. 70 "digusting" corrected to "disgusting"<br />
+p. 73 "you" corrected to "your"<br />
+p. 76 "alllowed" corrected to "allowed"<br />
+p. 76 "canibals" corrected to "cannibals"<br />
+p. 77 "you knife" corrected to "your knife"<br />
+p. 83 superfluous comma removed in "very, large"<br />
+p. 84 missing "a" supplied in "find good carver"<br />
+p. 108 period supplied after "each other at a party"<br />
+p. 115 "entranc" corrected to "entrance"<br />
+p. 115 final period supplied in footnote<br />
+p. 125 final period supplied after "been afforded them"<br />
+p. 146 "judicioulsy" corrected to "judiciously"<br />
+p. 148 "unless he intimate" corrected to "unless he intimates"<br />
+p. 148 "intercourse it desired" corrected to "intercourse is desired"<br />
+p. 149 double word "to" corrected<br />
+p. 151 "departmemt" corrected to "department"<br />
+p. 151 "husbands should" at start of sentence capitalized<br />
+p. 158 "digusting" corrected to "disgusting"<br />
+p. 159 "thought it is" corrected to "though it is"<br />
+p. 161 double word "call" corrected</p>
+
+<p><span class="totoc"><a href="#ToC">ToC</a></span>
+Inconsistent spellings and other anomalies are left as in the original.</p>
+
+
+</div>
+
+</div>
+
+
+
+
+
+
+
+<pre>
+
+
+
+
+
+End of the Project Gutenberg EBook of Martine's Hand-book of Etiquette, and
+Guide to True Politeness, by Arthur Martine
+
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+The Project Gutenberg EBook of Martine's Hand-book of Etiquette, and Guide
+to True Politeness, by Arthur Martine
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Martine's Hand-book of Etiquette, and Guide to True Politeness
+
+Author: Arthur Martine
+
+Release Date: May 6, 2011 [EBook #36048]
+
+Language: English
+
+Character set encoding: ASCII
+
+*** START OF THIS PROJECT GUTENBERG EBOOK MARTINE'S HAND-BOOK OF ETIQUETTE ***
+
+
+
+
+Produced by Julia Miller, Matthew Wheaton and the Online
+Distributed Proofreading Team at https://www.pgdp.net (This
+file was produced from images generously made available
+by The Internet Archive/American Libraries.)
+
+
+
+
+
+
+
+
+
+ MARTINE'S
+
+ HAND-BOOK OF ETIQUETTE,
+
+ AND
+
+ GUIDE TO TRUE POLITENESS.
+
+
+ A COMPLETE MANUAL FOR THOSE WHO DESIRE TO UNDERSTAND THE RULES OF GOOD
+ BREEDING, THE CUSTOMS OF GOOD SOCIETY, AND TO AVOID INCORRECT AND
+ VULGAR HABITS,
+
+
+ CONTAINING
+
+ _Clear and Comprehensive Directions for Correct Manners, Dress, and
+ Conversation_;
+
+ _Instructions for Good Behavior at Dinner Parties, and the Table, with
+ Hints on the Art of Carving and Taking Wine at Table_;
+
+ _Together with the Etiquette of the Ball and Assembly Room, Evening
+ Parties_;
+
+ _Deportment in the Street and when Travelling_;
+
+ _And the Usages to be Observed when Visiting or Receiving Calls_.
+
+
+ TO WHICH IS ADDED
+
+ THE ETIQUETTE OF COURTSHIP, MARRIAGE, DOMESTIC DUTIES, AND FIFTY-SIX
+ RULES TO BE OBSERVED IN GENERAL SOCIETY.
+
+ BY ARTHUR MARTINE.
+
+ NEW YORK:
+ DICK & FITZGERALD, PUBLISHERS.
+
+
+ Entered according to Act of Congress, in the year 1866, by
+
+ DICK & FITZGERALD,
+
+ In the Clerk's office of the District Court of the United States for
+ the Southern District of New York.
+
+
+
+
+ CONTENTS.
+
+
+ General Observations 5
+
+ The Art of Conversation 8
+
+ General Rules for Conversation 24
+
+ On Dress 48
+
+ Introductions 57
+
+ Letters of Introduction 61
+
+ Dinner Parties 63
+
+ Habits at Table 67
+
+ Wine at Table 74
+
+ Carving 82
+
+ Etiquette of the Ball and Assembly Room 93
+
+ Evening Parties 104
+
+ Visiting 113
+
+ Street Etiquette 127
+
+ Traveling 133
+
+ Marriage 136
+
+ Domestic Etiquette and Duties 144
+
+ On General Society 154
+
+
+
+
+GENERAL OBSERVATIONS.
+
+
+Politeness has been defined as an "artificial good-nature;" but it would
+be better said that _good-nature is natural politeness_. It inspires us
+with an unremitting attention, both to please others and to avoid giving
+them offence. Its code is a ceremonial, agreed upon and established
+among mankind, to give each other external testimonies of friendship or
+respect. _Politeness_ and _etiquette_ form a sort of supplement to the
+law, which enables society to protect itself against offences which the
+_law_ cannot touch. For instance, the law cannot punish a man for
+habitually staring at people in an insolent and annoying manner, but
+_etiquette_ can banish such an offender from the circles of good
+society, and fix upon him the brand of vulgarity. _Etiquette_ consists
+in certain forms, ceremonies, and rules which the _principle of
+politeness_ establishes and enforces for the regulation of the manners
+of men and women in their intercourse with each other.
+
+Many unthinking persons consider the observance of etiquette to be
+nonsensical and unfriendly, as consisting of unmeaning forms, practiced
+only by the _silly_ and the idle; an opinion which arises from their not
+having reflected on the _reasons_ that have led to the establishment of
+certain rules indispensable to the well-being of society, and without
+which, indeed, it would inevitably fall to pieces, and be destroyed.
+
+The true aim of politeness, is to make those with whom you associate as
+well satisfied with themselves as possible. It does not, by any means,
+encourage an impudent self-importance in them, but it does whatever it
+can to accommodate their feelings and wishes in social intercourse.
+Politeness is a sort of social benevolence, which avoids wounding the
+pride, or shocking the prejudices of those around you.
+
+The principle of politeness is the same among all nations, but the
+ceremonials which etiquette imposes differ according to the taste and
+habits of various countries. For instance, many of the minor rules of
+etiquette at Paris differ from those at London; and at New York they may
+differ from both Paris and London. But still the polite of every country
+have about the same manners.
+
+Of the manners and deportment of both ladies and gentlemen, we would
+remark that a proper consideration for the welfare and comfort of others
+will generally lead to a greater propriety of demeanor than any rules
+which the most rigid master of etiquette could supply. This feeling,
+however, is one that must be cultivated, for the promptings of nature
+are eminently selfish, and courtesy and good-breeding are only
+attainable by effort and discipline. But even courtesy has limits where
+dignity should govern it, for when carried to excess, particularly in
+manner, it borders on sycophancy, which is almost as despicable as
+rudeness. To overburden people with attention; to render them
+uncomfortable with a prodigality of proffered services; to insist upon
+obligations which they do not desire, is not only to render yourself
+disagreeable, but contemptible. This defect of manners is particularly
+prevalent in the rural districts, where the intense effort to render a
+visitor comfortable has exactly the contrary effect; besides, there are
+those whose want of refinement and good breeding often leads them to an
+unwarrantable familiarity, which requires coldness and indifference to
+subdue.
+
+Much misconstruction and unpleasant feeling arises, especially in
+country towns, from not knowing what is "_expected_," or necessary to be
+done on certain occasions, resulting sometimes from the prevalence of
+local customs, with which the world in general are not supposed to be
+acquainted. "To do in Rome as the Romans do," applies to every kind of
+society. At the same time, you can never be expected to commit a serious
+breach of manners because your neighbors do so.
+
+But what you should do, and what not, in particular cases, you will
+learn in the following chapters. I have only now to say, that if you
+wish to be agreeable, which is certainly a good and religious desire,
+you must both study how to be so, and take the trouble to put your
+studies into constant practice. The fruit you will soon reap. You will
+be generally liked and loved. The gratitude of those to whom you have
+devoted yourself will be shown in speaking well of you; you will become
+a desirable addition to every party, and whatever your birth, fortune,
+or position, people will say of you, "He is a most agreeable and
+well-bred man," and be glad to introduce you to good society. But you
+will reap a yet better reward. You will have in yourself the
+satisfaction of having taken trouble and made sacrifices in order to
+give pleasure and happiness for the time to others. How do you know what
+grief or care you may not obliterate, what humiliation you may not alter
+to confidence, what anxiety you may not soften, what--last, but really
+not least--what intense dullness you may not enliven? If this work
+assist you in becoming an agreeable member of good society, I shall
+rejoice at the labor it has given me.
+
+
+
+
+THE ART OF CONVERSATION.
+
+
+As the object of conversation is pleasure and improvement, those
+subjects only which are of universal interest can be made legitimate
+topics of pleasantry or discussion. And it is the gift of expressing
+thoughts and fancies in a quick, brilliant, and graceful manner on such
+topics,--of striking out new ideas, eliciting the views and opinions of
+others, of attaching the interest of all to the subject discussed,
+giving it, however trifling in itself, weight and importance in the
+estimation of the hearers, that constitutes the great talent for
+conversation. But this talent can never, we may safely aver, be
+displayed except in a good cause, and when conversation is carried on in
+a spirit of genuine charity and benevolence.
+
+We should meet in society to please and be pleased, and not to display
+cold and stately dignity, which is as much out of place, as all attempts
+to shine by a skillful adherence to the fantastic rules of the
+silver-fork school, are puerile and ludicrous. Such little things are
+great to little persons, who are proud of having acquired by rote, what
+the naturally elegant derive, in sufficient measure, from naturally just
+feeling.
+
+The power of preserving silence is the very first requisite to all who
+wish to shine, or even please in discourse; and those who cannot
+preserve it, have really no business to speak. Of course, I do not mean
+the dull, ignorant, sulky, or supercilious silence, of which we see
+enough in all conscience; but the graceful, winning and eloquent
+silence. The silence that, without any deferential air, listens with
+polite attention, is more flattering than compliments, and more
+frequently broken for the purpose of encouraging others to speak, than
+to display the listener's own powers. This is the really eloquent
+silence. It requires great genius--more perhaps than speaking--and few
+are gifted with the talent; but it is of such essential advantage, that
+I must recommend its study to all who are desirous to take a share in
+conversation, and beg they will learn to be silent, before they attempt
+to speak.
+
+Notwithstanding the praise here bestowed on silence, it must still be
+explained that there are various modes of being silently rude. There is
+the rude silence of disdain--of not hearing, of not even deeming your
+words deserving attention or reply. These are minor and mere passive
+modes of impertinence; the direct and active sort of silent rudeness is
+to listen with a fixed and attentive stare on the speaker, and without
+any necessity of raising the eyebrows--for that might be
+precarious--show your utter amazement, that any one should think of thus
+addressing a person of your rank, wealth, genius, or greatness. There
+are of course various styles and degrees in all these modes of
+impertinence, but they all originate in the same cause: ignorance of the
+real facility of being rude, and a wish to acquire distinction by the
+practice. It is idle to assert that every one can be rude if he likes;
+for, if such were the fact, we should not see hosts of persons belonging
+to what is termed good society, seeking fame and renown by various
+shades and degrees of mere impertinence.
+
+Never give short or sharp answers in ordinary conversation, unless you
+aspire to gain distinction by mere rudeness; for they have in fact no
+merit, and are only uncivil. "I do not know," "I cannot tell," are the
+most harmless words possible, and may yet be rendered very offensive by
+the tone and manner in which they are pronounced. Never reply, in answer
+to a question like the following, "Did Mrs. Spitewell tell you how Miss
+Rosebud's marriage was getting on?" "I did not ask." It is almost like
+saying, I never ask impertinent questions, though you do; we learn
+plenty of things in the world without having first inquired about them.
+If you must say, you did not ask, say, that "you forgot to ask,"
+"neglected it," or "did not think of it." We can always be ordinarily
+civil, even if we cannot always be absolutely wise.
+
+Except in mere sport and raillery, and where a little _extravaganza_ is
+the order of the moment, always when you answer, or speak in reply to an
+observation made, speak to the true and just import of what is said.
+Leave quibbling of every kind to lawyers pleading at the bar for the
+life of a culprit; in society and conversation it is invariably out of
+place, unless when Laughter is going his merry round. At all other times
+it is a proof of bad breeding.
+
+You must not overstretch a proposition, neither must you overstretch or
+spin out a jest, that has done its duty; for few can be made to rebound
+after they have once come to the ground.
+
+Another mode of being rude, is to collect, and have at command, all the
+set phrases used by uncivil persons, in order to say what they fancy
+very sharp and severe things. Such a collector, jealous perhaps of the
+attention with which a pleasant guest is listened to, may break in upon
+the most harmless discourse with the words, "I think you _lie_ under a
+mistake." The term may in itself be harmless, but its application is at
+all times rude, coarse and decidedly vulgar.
+
+La Bruyere tells us that "rudeness is not a fixed and inherent vice of
+the mind, but the result of other vices; it springs," he says, "from
+vanity, ignorance, laziness, stupidity, jealousy, and inattention. It is
+the more hateful from being constantly displayed in exterior deportment
+and from being thus always visible and manifest; and is offensive in
+character and degree according to the source from which it takes its
+rise."
+
+We next come to the loud talker, the man who silences a whole party by
+his sole power of lungs. All subjects are alike to him; he speaks on
+every topic with equal fluency, is never at a loss, quotes high
+authority for every assertion, and allows no one else to utter a word;
+he silences, without the least ceremony, every attempt at interruption,
+however cleverly managed;--calls out, "I beg your pardon," in a tone
+that shows how ill-used he thinks himself,--or shuts your mouth
+with--"One minute, if you please, sir!" as much as to say, you are
+surely a very ill-bred fellow. Great, and especially loud and positive
+talkers, have been denounced by all writers on manners as shallow and
+superficial persons. And P. Andre, the author of a French Essay on the
+Beautiful, declares distinctly, that "no man of sense was ever a great
+talker."
+
+Next to the talker, we have the man who gives an account of his dogs,
+horses, lands, books, and pictures. Whatever is his, must, he thinks,
+interest others; and listen they must, however resolutely they may
+attempt to change the current of his discourse.
+
+Women of this class are sometimes too fond of praising their children.
+It is no doubt an amiable weakness; but I would still advise them to
+indulge as little as possible in the practice; for however dear the
+rosy-cheeked, curly-headed prattlers may be to them, the chances are,
+that others will vote the darlings to be great bores; you that have
+children, never speak of them in company. You must not even praise your
+near relations; for the subject deprives the hearer of all power to
+dissent, and is therefore clearly objectionable.
+
+In the same line is the clever bore, who takes up every idle speech, to
+show his wisdom at a cheap rate. If you say, "Hang the weather!" before
+such a man, he immediately proves, by logical demonstrations, that the
+weather has no neck by which it can be suspended. The grave expounder of
+truisms belongs to this class. He cannot allow the simplest conversation
+to go on, without entering into proofs and details familiar to every
+child nine years of age; and the tenor of his discourse, however
+courteous in terms and manner, pays you the very indifferent compliment,
+of supposing that you have fallen from some other planet, in total and
+absolute ignorance of the most ordinary and every-day things connected
+with this little world of ours. All foreigners are particularly great at
+this style of boring.
+
+Then you have the indifferent and apathetic bore, who hardly condescends
+to pay the least attention to what you say; and who, if he refrains from
+the direct and absolute rudeness of yawning in your face, shows, by
+short and drawling answers, given at fits and starts, and completely at
+variance with the object of the conversation, that he affects at least a
+total indifference to the party present, and to the subject of
+discourse. In society, the absent man is uncivil; he who affects to be
+so, is rude and vulgar. All persons who speak of their ailings,
+diseases, or bodily infirmities, are offensive bores. Subjects of this
+sort should be addressed to doctors, who are paid for listening to them,
+and to no one else. Bad taste is the failing of these bores. Then we
+have the ladies and gentlemen who pay long visits, and who, meeting you
+at the door prepared to sally forth, keep you talking near the fire till
+the beauty of the day is passed; and then take their leave, "hoping they
+have not detained you." Bad feeling or want of tact here predominates.
+
+"Hobby-riders," who constantly speak on the same eternal subject,--who
+bore you at all times and at all hours,--whether you are in health or in
+sickness, in spirits or in sorrow, with the same endless topic, must not
+be overlooked in our list; though it is sufficient to denounce them.
+Their failing is occasioned by a total want of judgment.
+
+The _Malaprops_ are also a numerous and unhappy family, for they are
+constantly addressing the most unsuitable speeches to individuals or
+parties. To the blind they will speak of fine pictures and scenery; and
+will entertain a person in deep mourning with the anticipated pleasures
+of to-morrow's ball. A total want of ordinary thought and observation,
+is the general cause of the _Malaprop_ failing.
+
+Let us add to this very imperfect list the picture of a bore described
+by Swift. "Nothing," he says, "is more generally exploded than the folly
+of talking too much; yet I rarely remember to have seen five people
+together, where some one among them hath not been predominant in that
+kind, to the great constraint and disgust of all the rest. But among
+such as deal in multitudes of words, none are comparable to the sober,
+deliberate talker, who proceedeth with much thought and caution, maketh
+his preface, brancheth out into several digressions, findeth a hint that
+putteth him in mind of another story, which he promises to tell you when
+this is done, cometh back regularly to his subject, cannot readily call
+to mind some person's name, holdeth his head, complaineth of his memory;
+the whole company all this while in suspense; at last says, it is no
+matter, and so goes on. And to crown the business, it perhaps proveth at
+last a story the company has heard fifty times before, or at best some
+insipid adventure of the relater."
+
+To this we may add, that your cool, steady talkers, who speak with the
+care and attention of professors demonstrating mathematical
+problems,--who weigh, measure and balance every word they utter,--are
+all decided objectionables in society. It is needless to say, that such
+persons never blunder, and never "stumble over a potato;" a matter of
+little recommendation. In conversation there must be, as in love and in
+war, some hazarding, some rattling on; nor need twenty falls affect
+you, so long as you take cheerfulness and good humor for your guides;
+but the careful and measured conversation just described is always,
+though perfectly correct, extremely dull and tedious--a vast blunder
+from first to last.
+
+There are also many persons who commence speaking before they know what
+they are going to say. The ill-natured world, who never miss an
+opportunity of being severe, declare them to be foolish and destitute of
+brains. I shall not go so far; but hardly know what we should think of a
+sportsman who would attempt to bring down a bird before he had loaded
+his gun.
+
+I have purposely reserved the egotistical bore for the last on this
+short and imperfect list. It is truly revolting, indeed, to approach the
+very _Boa-constrictor_ of good society; the snake who comes upon us, not
+in the natural form of a huge, coarse, slow reptile, but Proteus-like,
+in a thousand different forms; though all displaying at the first sight
+the boa-bore, ready to slime over every subject of discourse with the
+vile saliva of selfish vanity. Pah! it is repulsive even to speak of the
+species, numerous, too, as the sands along the shore.
+
+Some of the class make no ceremony of immediately intruding themselves
+and their affairs on the attention of a whole party; of silencing every
+other subject started, however interesting to the company, merely that
+they may occupy the prominent and most conspicuous position. Others
+again are more dexterous, and with great art will lie on the watch to
+hook in their own praise. They will call a witness to remember they
+always foretold what would happen in such a case, but none would believe
+them; they advised such a man from the beginning, and told him the
+consequences just as they happened; but he would have his own way.
+Others make a vanity of telling their own faults; they are the strangest
+men in the world; they cannot dissemble; they own it is a folly; they
+have lost abundance of advantages by it; but if you would give them the
+world, they cannot help it; there is something in their nature that
+abhors insincerity and constraint, with many other insufferable topics
+of the same altitude. Thus, though bores find their account in speaking
+ill or well of themselves, it is the characteristic of a gentleman that
+he never speaks of himself at all.
+
+La Bruyere says, "The great charm of conversation consists less in the
+display of one's own wit and intelligence, than in the power to draw
+forth the resources of others; he who leaves you after a long
+conversation, pleased with himself and the part _he_ has taken in the
+discourse, will be your warmest admirer. Men do not care to admire you,
+they wish you to be pleased with them; they do not seek for instruction
+or even amusement from your discourse, but they do wish you to be made
+acquainted with their talents and powers of conversation; and the true
+man of genius will delicately make all who come in contact with him feel
+the exquisite satisfaction of knowing that they have appeared to
+advantage."
+
+I have no desire to condemn my readers to eternal silence; but must
+inform them that it is not so easy to _shine_ in conversation as many
+suppose. Fluency of tongue and a little modest assurance, though very
+well for imposing on the unwary, go but a short way when you have to
+deal with those who are really worth pleasing.
+
+How can a person _shine_ by conversation in elegant and educated
+society, whose thoughts have never ranged beyond the gratification of
+foolish vanity and mean selfishness; who has never reflected on life,
+men and manners; whose mind has not turned to the contemplation of the
+works and wonders of nature; and who, in the events of his own time, has
+not seen the results of the many deeds of sorrow, shame, greatness, and
+glory, that crowd the pages of the world's variegated annals? Whoever
+would _shine_ in polite discourse must at least be well versed in the
+philosophy of life, and possess a fair acquaintance with general and
+natural history, and the outlines of science. And though he need be
+neither a poet nor an artist, he must be well read in poetry and
+acquainted with fine arts; because it is only by their study that taste
+can be cultivated and fancy guided. A familiarity with the fine arts is
+necessary, in fact, to give him a just perception of the sublime and
+beautiful, the very foundation whence our emotions of delight must
+arise. Any one attempting to _shine_ in conversation, without possessing
+the trifling acquirements here mentioned,--for I have said nothing of
+learning and science,--will most assuredly make an indifferent figure,
+and had better therefore content himself with simply pleasing by
+unaffected cheerfulness and good humor, which is within reach of all.
+
+As to subjects for conversation, what difficulty can there be about
+them? Will not books, balls, bonnets and metaphysics furnish pleasant
+topics of discourse? Can you not speak of the
+
+ "Philosophy and science, and the springs
+ Of wonder, and the wisdom of the world?"--
+
+Are flirtations, traveling, love and speech-making at an end; or is the
+great globe itself and the weather on its surface so perfectly
+stationary that you can find nothing to say about them? No, no, let us
+not deceive ourselves; we never want subjects of conversation; but we
+often want the knowledge how to treat them; above all, how to bring them
+forward in a graceful and pleasing manner. We often want observation and
+a just estimate of character, and do not know how, in the present
+defective state of society, any passing remark intended to open a
+conversation may be received.
+
+Cheerfulness, unaffected cheerfulness, a sincere desire to please and be
+pleased, unchecked by any efforts to shine, are the qualities you must
+bring with you into society, if you wish to succeed in conversation.
+Under the influence of their recommendation, you may safely give the
+rein to fancy and hilarity, certain that, in a well-assorted party, you
+will make at least a favorable impression, if not a brilliant one. I do
+not of course mean by cheerfulness any outbreaking of loud and silly
+mirth, nor what the world sometimes calls a "high flow of spirits," but
+a light and airy equanimity of temper,--that spirit which never rises to
+boisterousness, and never sinks to immovable dullness; that moves
+gracefully from "grave to gay, from serious to serene," and by mere
+manner gives proof of a feeling heart and generous mind.
+
+Franklin says, that you must never contradict in conversation, nor
+correct facts if wrongly stated. This is going much too far; you must
+never contradict in a short, direct, or positive tone; but with
+politeness, you may easily, when necessary, express a difference of
+opinion in a graceful and even complimentary manner. And I would almost
+say, that the art of conversation consists in knowing _how_ to
+contradict, and _when_ to be silent; for, as to constantly acting a
+fawning and meanly deferential part in society, it is offensive to all
+persons of good sense and good feeling. In regard to facts wrongly
+stated, no well-bred man ever thinks of correcting them, merely to show
+his wisdom in trifles; but with politeness, it is perfectly easy to
+rectify an error, when the nature of the conversation demands the
+explanation.
+
+Whenever the lady or gentleman with whom you are discussing a point,
+whether of love, war, science or politics, begins to sophisticate, drop
+the subject instantly. Your adversary either wants the ability to
+maintain his opinion,--and then it would be uncivil to press it--or he
+wants the still more useful ability to yield the point with unaffected
+grace and good-humor; or what is also possible, his vanity is in some
+way engaged in defending views on which he may probably have acted, so
+that to demolish his opinions is perhaps to reprove his conduct, and no
+well-bred man goes into society for the purpose of sermonizing.
+
+All local wits, all those whose jests are understood only within the
+range of their own circle or coterie, are decided objectionables in
+general society. It is the height of ill-breeding, in fact, to converse,
+or jest, on subjects that are not perfectly understood by the party at
+large; it is a species of rude mystification, as uncivil as whispering,
+or as speaking in language that may not be familiar to some of the
+party. But you must not make a fool of yourself, even if others show
+themselves deficient in good manners; and must not, like inflated
+simpletons, fancy yourself the object of every idle jest you do not
+understand, or of every laugh that chance may have called forth. _Ladies
+and gentlemen_ feel that they are neither laughed at nor ridiculed.
+
+In society, the object of conversation is of course entertainment and
+improvement, and it must, therefore, be adapted to the circle in which
+it is carried on, and must be neither too high nor too deep for the
+party at large, so that every one may contribute his share, just at his
+pleasure, and to the best of his ability. Let no two or three old
+Indians, old school-fellows, or old brother campaigners, seize upon the
+conversation to themselves, discuss their former adventures, and keep
+the rest of a party listening silently to an animated conversation about
+exploded stories, of which they know nothing and care as little.
+
+Lord Chesterfield advises his son "to speak often, but not to speak much
+at a time; so that if he does not please, he will not at least displease
+to any great extent." A good observer should easily, I think, be able to
+discover whether he pleases or not.
+
+Rousseau tells us, that "persons who know little talk a great deal,
+while those who know a great deal say very little."
+
+If the discourse is of a grave or serious nature, and interesting to
+the party, or to any number of the party, never break in upon it with
+any display of idle wit or levity; for nothing shows so great a want of
+good manners; nor must you ever ridicule or doubt the existence of any
+noble enthusiasm that may have called forth expressions of admiration;
+for there is no want of high worth, patriotism, honor and
+disinterestedness on earth. Your incredulity might therefore be unjust,
+and it is at all times a proof of bad taste to ridicule what others
+admire.
+
+If you join in the graver conversation, intended to move the deeper
+feelings of the heart, do so without affectation, without overstretching
+sentiments, or bringing in far-fetched ideas for the sake of producing
+effect, otherwise you will be sure to fail. Avoid, above all, when on
+such topics, any stringing together of unmeaning words; for bad as the
+practice of substituting sound for sense is at all times, it is doubly
+so when conversation takes the direction of which we are speaking, as it
+then shows the _jingler_ to want feelings as well as ideas. Speak from
+the heart, when you speak _to_ the heart; only making judgment prune the
+expressions of deep feeling, without checking the noble sentiments that
+may have called them forth.
+
+The reason which renders this pruning system advisable is, that society
+swarms with worthy, respectable persons, possessing an ordinary share of
+superficial good-nature, but so destitute of actual feeling, as not even
+to understand its language; and who, without being scoffers, will be
+inclined to laugh at expressions that convey no ideas to their minds.
+
+The same reason should serve as a warning to all gentlemen against
+writing love-letters; for if a gentle swain is really and truly in love,
+he will write under excited feelings; and a letter written with a
+palpitating heart, threatening to break a rib at every throb, can hardly
+fail to appear a little ridiculous in the eyes of all who may not chance
+to be exactly in the same frame of mind, or possessed of the same degree
+of feeling with the writer.
+
+There is a giggling and laughing tone, in which ladies and gentlemen
+sometimes endeavor to speak,--an attempt to continue a series of jests
+from the first to last, which is not only foolish, but actually
+offensive. Conversation can never be kept up to the laughing point
+during a whole evening,--not even during a morning visit; and efforts to
+excite laughter by overstrained jests are as repulsive as overstrained
+efforts to groan and grimace it. The natural flow of discourse must be
+calm and serene; if wit, whim, fun and fire are present, they will not
+fail to flash brightly along its surface; but they can never constitute
+the main body of the stream itself.
+
+Different parties, different tones no doubt, and an assembly of grave
+doctors and professors, meeting to discuss some learned subject, may
+treat it in their own way; here we can only speak of general society. It
+is said, that the guests at a pleasant dinner party should never exceed
+the number of the Muses, nor fall below that of the Graces. And this may
+be true; but a party of three or four is already very different in
+character,--independent of the difference occasioned by the characters
+of the guests,--from what a party of eight or nine will be. In small
+parties of this kind, numbers alone exercise great influence. But large
+or small, always recollect that you can have no right to complain of the
+dullness of the conversation, unless you have contributed your best
+efforts to render it cheerful.
+
+Nor is it always right to condemn a person for being silent in company,
+as this often results from the nature of the party, which may be
+ill-assorted, though composed of deserving people. No one can maintain a
+conversation by himself; the very best speaker must still be aided by
+others, who must lend assistance in the _proper spirit_, _befitting_ the
+nature of the discourse; for a rude and forward person, wishing to
+shine, can easily crush the efforts of the most perfect gentleman, and
+give an unfavorable tone and turn to a pleasant conversation.
+
+In ordinary conversation, the modulation and proper management of the
+voice is a point to which I would particularly call the attention of
+young ladies; for a fine and melodious voice, "sweet as music on the
+waters," makes the heart-strings vibrate to their very core. This can
+only be done by a certain degree of confidence, and by a total absence
+of affectation; for uncertainty, agitation and striving for effect are
+always ruinous to the voice of the speaker, which is constantly running
+against breakers, or getting upon flats. I am certain that temper and
+disposition are far more generally, and more perfectly marked by the
+voice and manner of speaking, than we are at all willing to allow.
+
+The thin, small voice is the most difficult to manage, as it is liable
+to degenerate into shrillness; and ladies who have this kind of voice
+must keep strict guard over their temper, when within hearing of any one
+on whom they may wish to make a favorable impression; for the very idea
+of a shrill-voiced scold makes us place our hands to our ears. But with
+a sweet temper, a pretty, little, harmonious voice is pleasing enough.
+Always recollect, however, that affectation, constraint, or striving for
+effect, is the certain ruin of the prettiest voice in the world.
+
+The very deep-toned voice, though extremely effective when well
+controlled, has great difficulties; for unless backed by kind, cheerful
+and airy feeling, by "that bright spirit which is always gladness," it
+is liable to fall into a coarse, rude and vulgar tone, and should never
+be heard except at times of brilliant sunshine. The owners of such
+voices should never think of getting angry, nor even indulge in saying
+what they may fancy sharp or severe things, as the chances are that
+they will prove only rude ones.
+
+Stories, however good--and they are often to be recommended--suffer
+under one of the disadvantages to which anecdotes are liable,--they do
+not bear repetition; and no one can be expected to possess a stock that
+shall furnish new and acceptable wares on every occasion. They form in
+conversation the resource of those who want imagination, and must be
+received with indulgence; but to deserve this favor, they must be short,
+well told, well pointed, and judiciously adapted to the feelings and
+composition of the party. We have all of us at times known a good story
+or anecdote introduced under such inappropriate circumstances, as to
+make a whole party look grave and feel uncomfortable.
+
+The honor of demolishing the weavers of long tales shall be left to
+Cowper.
+
+ "But sedentary weavers of long tales
+ Give me the fidgets, and my patience fails.
+ 'Tis the most asinine employ on earth,
+ To hear them tell of parentage and birth;
+ And echo conversations dull and dry,
+ Embellished with _he said_ and _so said I_.
+ At every interview their route the same,
+ The repetition makes attention lame;
+ We bristle up with unsuccessful speed,
+ And in the saddest part, cry--_Droll, indeed_."
+
+Let the reader only get these verses by heart, and repeat a line
+occasionally to show that he recollects them, and we shall soon find
+society relieved from these spinners of dull yarns.
+
+Some gentlemen have a talent for placing things in a grotesque,
+exaggerated and ludicrous light; and of extemporizing burlesque
+anecdotes in a whimsical and amusing manner. It is a happy gift, of
+which excellent use can be made in society; but tact and taste must, as
+usual, keep a firm rein, for nothing that is seriously treated by others
+must ever be burlesqued and turned into ridicule. The grotesque style is
+only applicable when the ground is fairly open, or when jesting,
+bantering and exaggeration are the order of the minute; and then it may
+be rendered charming.
+
+Let no one suppose that mimicry is to be sanctioned under this head;
+far from it, indeed. A little graceful imitation of actors and public
+speakers may be allowed. National manners, and the peculiarities of
+entire classes, are fair game. French dandies, Yankee bargainers, and
+English exquisites, may be ridiculed at pleasure; you may even bring
+forward Irish porters, cab-drivers and bog-trotters,--_provided_ you can
+imitate their wit and humor; but I do not think I ever saw any mimicry
+of private individuals well received by well-bred persons. Nor is this
+to be wondered at, since mimicry borders so closely on buffoonery, as
+generally to end in absolute vulgarity. Ladies, however, may be
+permitted to mimic their friends a little, provided they rarely indulge
+in the practice, and never transgress the bounds of good taste and
+elegance.
+
+We meet occasionally in society with persons belonging to a class, not
+numerous indeed, but deserving notice, as they are mostly ladies, and
+often worth reclaiming; for want of a better term I shall call them
+_Icicles_, because they only shine and cannot warm. The _Icicles_ may be
+kind, clever, of cultivated mind, and in every respect well disposed to
+become agreeable,--but cannot speak or converse on any one subject. They
+are constantly witty and ingenious, place every proposition or general
+question asked, in some amusing, novel or extravagant light, but never
+answer or speak up to the point; so that you may converse with them for
+hours, and be acquainted with them for years, without knowing their
+opinion upon any one subject; without knowing even whether they have an
+opinion on any one subject. Nor does this always result from
+affectation, or from efforts to shine; it springs as often from a faulty
+tone, and the fear of not being sufficiently clever, when attempting to
+be rational, as from any other source. I have seen persons lose a great
+deal by this absurd system, and fall far short of what they might have
+been had they merely followed the beaten track; and as a maxim would
+have you recollect, that few good things are ever said by those who are
+constantly striving to say extraordinary ones.
+
+
+
+
+GENERAL RULES FOR CONVERSATION.
+
+
+As order or method are of very little consequence in treating of this
+subject, I will conclude by giving a series of rules upon the art of
+conversation, couched in a few words, from which the reader may furnish
+himself with a competent knowledge of what is to be studied, and what to
+be avoided. There are few of the following sentences that will not
+furnish a good deal of thought, or that are to be understood to their
+full extent without some consideration.
+
+Whatever passes in parties at your own or another's house is never
+repeated by well-bred people. Things of no moment, and which are meant
+only as harmless jokes, are liable to produce unpleasant consequences if
+repeated. To repeat, therefore, any conversation which passes on such
+occasions, is understood to be a breach of confidence, which should
+banish the offender from the pale of good society.
+
+Men of all sorts of occupations meet in society. As they go there to
+unbend their minds and escape from the fetters of business, you should
+never, in an evening, speak to a man about his profession. Do not talk
+of politics to a journalist, of fevers to a physician, of stocks to a
+broker,--nor, unless you wish to enrage him to the utmost, of education
+to a collegian. The error which is here condemned is often committed
+from mere good nature and a desire to be affable. But it betrays to a
+gentleman, ignorance of the world,--to a philosopher, ignorance of human
+nature.
+
+A gentleman will, by all means, avoid showing his learning and
+accomplishments in the presence of ignorant and vulgar people, who can,
+by no possibility, understand or appreciate them. It is a pretty sure
+sign of bad breeding to set people to staring and feeling uncomfortable.
+
+In England, it is regarded a breach of etiquette to repeat the name of
+any person with whom you are conversing. But the same rule does not hold
+in America. Here it is deemed no breach, if you are conversing with a
+lady by the name of Sherwood, to say, "Well, _Mrs. Sherwood_, do you not
+think," etc.
+
+In a mixed company, never speak to your friend of a matter which the
+rest do not understand, unless it is something which you can explain to
+them, and which may be made interesting to the whole party.
+
+If you wish to inquire about anything, do not do it by asking a
+question; but introduce the subject, and give the person an opportunity
+of saying as much as he finds it agreeable to impart. Do not even say,
+"How is your brother to-day?" but "I hope your brother is quite well."
+
+Never ask a lady a question about anything whatever.
+
+By all means, avoid the use of slang terms and phrases in polite
+company. No greater insult can be offered to polite society than to
+repeat the slang dictums of bar-rooms and other low places. If you are
+willing to have it known that you are familiar with such company
+yourself, you have no right to treat a party of ladies and gentlemen as
+though they were, too.
+
+Avoid the habit of employing French words in English conversation; it is
+extremely bad taste to be always using such expressions as _ci-devant_,
+_soi-disant_, _en masse_, _couleur de rose_, etc. Do not salute your
+acquaintances with _bon jour_, nor reply to every proposition,
+_volontiers_. In society, avoid having those peculiar preferences for
+some subjects which are vulgarly denominated "_hobby-horses_." They make
+your company a _bore_ to all your friends; and some kind-hearted
+creature will take advantage of them and _trot_ you, for the amusement
+of the company. Every attempt to obtrude on a company subjects either to
+which they are indifferent, or of which they are ignorant, is in bad
+taste.
+
+ "Man should be taught as though you taught him not,
+ And things unknown proposed as things forgot."
+
+A man is quite sure to show his good or bad breeding the instant he
+opens his mouth to talk in company. If he is _a gentleman_ he starts no
+subject of conversation that can possibly be displeasing to any person
+present. The ground is common to all, and no one has a right to
+monopolize any part of it for his own particular opinions, in politics
+or religion. No one is there to make proselytes, but every one has been
+invited, to be _agreeable_ and _to please_.
+
+He who knows the world, will not be too bashful. He who knows himself,
+will not be impudent.
+
+Do not endeavor to shine in all companies. Leave room for your hearers
+to imagine something within you beyond all you have said. And remember,
+the more you are praised, the more you will be envied.
+
+There is no surer sign of vulgarity than the perpetual boasting of the
+fine things you have at home. If you speak of your silver, of your
+jewels, of your costly apparel, it will be taken for a sign that you are
+either lying, or that you were, not long ago, somebody's washerwoman,
+and cannot forget to be reminding everybody that you are not so now.
+
+You need not tell all the truth, unless to those who have a right to
+know it all. But let all you tell be truth.
+
+Insult not another for his want of a talent you possess; he may have
+others, which you want. Praise your friends and let your friends praise
+you.
+
+If you treat your inferiors with familiarity, expect the same from them.
+If you give a jest, take one. Let all your jokes be truly jokes. Jesting
+sometimes ends in sad earnest.
+
+If a favor is asked of you, grant it, if you can. If not, refuse it in
+such a manner, as that one denial may be sufficient.
+
+If you are in company with a distinguished gentleman--as a governor, or
+senator--you will not be perpetually trying to trot out his titles, as
+it would make you appear like a lackey or parasite, who, conscious of no
+merits of your own, are trying to lift yourself by the company of
+others. In introducing such a gentleman, you will merely call him
+"governor," or "senator," and afterwards avoid all allusion to his rank.
+
+If you would render yourself pleasing in social parties, never speak to
+gratify any particular vanity or passion of your own, but always aim to
+interest or amuse others by themes which you know are in accordance with
+their tastes and understandings. Even a well-bred minister will avoid
+introducing his professional habits and themes at such places. He knows
+that the guests were not invited there to listen to a sermon, and there
+may be some who differ with him in opinions, who would have good reason
+to feel themselves insulted by being thus forced to listen to him.
+
+Reproof is a medicine like mercury or opium; if it be improperly
+administered, with report either to the adviser or the advised, it will
+do harm instead of good.
+
+Nothing is more unmannerly than to reflect on any man's profession,
+sect, or natural infirmity. He who stirs up against himself another's
+self-love, provokes the strongest passions in human nature.
+
+Be careful of your word, even in keeping the most trifling appointment.
+But do not blame another for a failure of that kind, till you have heard
+his excuse.
+
+Never offer advice, but where there is some probability of its being
+followed.
+
+If you find yourself in a company which violently abuses an absent
+friend of yours, you need not feel that you are called upon to take up
+the club for him. You will do better by saying mildly that they must
+have been misinformed--that you are proud to call him your friend, which
+you could not do if you did not know him to be incapable of such things
+as they had heard. After this, if they are gentlemen, they will
+stop--indeed, if they had been gentlemen, they would hardly have
+assailed an absent one in a mixed party; and if you feel constrained to
+quit their company, it will be no sacrifice to your own self-respect or
+honor.
+
+Fools pretend to foretell what will be the issue of things, and are
+laughed at for their awkward conjectures. Wise men, being aware of the
+uncertainty of human affairs, and having observed how small a matter
+often produces a great change, are modest in their conjectures.
+
+He who talks too fast, outruns his hearer's thoughts. He who speaks too
+slow, gives his hearer pain by hindering his thoughts, as a rider who
+frets his horse by reining him in too much.
+
+Never think to entertain people with what lies out of their way, be it
+ever so curious in its kind. Who would think of regaling a circle of
+ladies with the beauties of Homer's Greek, or a mixed company with Sir
+Isaac Newton's discoveries?
+
+Do well, but do not boast of it. For that will lessen the commendation
+you might otherwise have deserved.
+
+Never ask a question under any circumstances. In the first place, it is
+too proud; in the second place, it may be very inconvenient or very
+awkward to give a reply. A lady inquired of what branch of medical
+practice a certain gentleman was professor. He held the chair of
+_midwifery_!
+
+To offer advice to an angry man, is like blowing against a tempest.
+
+Too much preciseness and solemnity in pronouncing what one says in
+common conversation, as if one was preaching, is generally taken for an
+indication of self-conceit and arrogance.
+
+Make your company a rarity, and people will value it. Men despise what
+they can easily have.
+
+Value truth, however you come by it. Who would not pick up a jewel that
+lay on a dung-hill?
+
+The beauty of behavior consists in the manner, not the matter of your
+discourse.
+
+It is not in good taste for a lady to say "Yes, sir," and "No, sir," to
+a gentleman, or frequently to introduce the word "Sir," at the end of
+her sentence, unless she desire to be exceedingly reserved toward the
+person with whom she is conversing.
+
+If your superior treats you with familiarity, it will not therefore
+become you to treat him in the same manner.
+
+A good way to avoid impertinent and pumping inquiries, is by answering
+with another question. An evasion may also serve the purpose. But a lie
+is inexcusable on any occasion, especially when used to conceal the
+truth from one who has no authority to demand it.
+
+To reprove with success, the following circumstances are necessary,
+viz.: mildness, secrecy, intimacy, and the esteem of the person you
+would reprove.
+
+If you be nettled with severe raillery, take care never to show that you
+are stung, unless you choose to provoke more. The way to avoid being
+made a butt, is not to set up for an archer.
+
+To set up for a critic is bullying mankind.
+
+Reflect upon the different appearances things make to you from what they
+did some years ago, and don't imagine that your opinion will never
+alter, because you are extremely positive at present. Let the
+remembrance of your past changes of sentiment make you more flexible.
+
+If ever you were in a passion, did you not find reason afterwards to be
+sorry for it, and will you again allow your self to be guilty of a
+weakness, which will certainly be in the same manner followed by
+repentance, besides being attended with pain?
+
+Never argue with any but men of sense and temper.
+
+It is ill-manners to trouble people with talking too much either of
+yourself, or your affairs. If you are full of yourself, consider that
+you, and your affairs, are not so interesting to other people as to you.
+
+Keep silence sometimes, upon subjects which you are known to be a judge
+of. So your silence, where you are ignorant, will not discover you.
+
+To use phrases which admit of a double meaning is ungentlemanly, and, if
+addressed to a lady, they become positively insulting.
+
+There is a vulgar custom, too prevalent, of calling almost everybody
+"colonel" in this country, of which it is sufficient to say, that this
+false use of titles prevails most among the lower ranks of society--a
+fact which sufficiently stamps upon it its real character, and renders
+it, to say the least, a doubtful compliment to him who has no right to
+the title.
+
+Think like the wise; but talk like ordinary people. Never go out of the
+common road, but for somewhat.
+
+Don't dispute against facts well established, merely because there is
+somewhat unaccountable in them. That the world should be created of
+nothing is to us inconceivable but not therefore to be doubted.
+
+As you are going to a party of mirth, think of the hazard you run of
+misbehaving. While you are engaged, do not wholly forget yourself. And
+after all is over, reflect how you have behaved. If well, be thankful;
+it is more than you could have promised. If otherwise, be more careful
+for the future.
+
+It will never do to be ignorant of the names and approximate ages of
+great composers, especially in large cities, where music is so highly
+appreciated and so common a theme. It will be decidedly condemnatory if
+you talk of the _new_ opera "Don Giovanni," or Rossini's "Trovatore,"
+or are ignorant who composed "Fidelio," and in what opera occur such
+common pieces as "_Ciascun lo dice_," or "_Il Segreto_." I do not say
+that these trifles are indispensable, and when a man has better
+knowledge to offer, especially with genius or "cleverness" to back it,
+he will not only be pardoned for an ignorance of them, but can even take
+a high tone, and profess indifference or contempt of them. But, at the
+same time, such ignorance stamps an ordinary man, and hinders
+conversation.
+
+Don't talk of "the opera" in the presence of those who are not
+frequenters of it. They will imagine that you are showing off, or that
+you are _lying_, and that you have never been to the opera twice in your
+life. For the same reason, avoid too frequently speaking of your
+acquaintance with celebrated men, unless you are a public man yourself,
+who would be supposed to have such acquaintance.
+
+Do not sit dumb in company. That looks either like pride, cunning, or
+stupidity. Give your opinion modestly, but freely; hear that of others
+with candor; and ever endeavor to find out, and to communicate truth.
+
+In mixed company, be readier to hear than to speak, and put people upon
+talking of what is in their own way. For then you will both oblige them,
+and be most likely to improve by their conversation.
+
+Humanity will direct to be particularly cautious of treating with the
+least appearance of neglect those who have lately met with misfortunes,
+and are sunk in life. Such persons are apt to think themselves slighted,
+when no such thing is intended. Their minds being already sore, feel the
+least rub very severely. And who would be so cruel as to add affliction
+to the afflicted?
+
+To smother the generosity of those who have obliged you, is imprudent,
+as well as ungrateful. The mention of kindnesses received may excite
+those who hear it to deserve your good word, by imitating the example
+which they see does others so much honor.
+
+Learning is like bank-notes. Prudence and good behavior are like silver,
+useful upon all occasions.
+
+If you have been once in company with an idle person, it is enough. You
+need never go again. You have heard all he knows. And he has had no
+opportunity of learning anything new. For idle people make no
+improvements.
+
+Deep learning will make you acceptable to the learned; but it is only an
+easy and obliging behavior, and entertaining conversation, that will
+make you agreeable in all companies.
+
+Men repent speaking ten times for once that they repent keeping silence.
+
+It is an advantage to have concealed one's opinion. For by that means
+you may change your judgment of things (which every wise man finds
+reason to do) and not be accused of fickleness.
+
+There is hardly any bodily blemish, which a winning behavior will not
+conceal, or make tolerable; and there is no external grace, which
+ill-nature or affectation will not deform.
+
+If you mean to make your side of the argument appear plausible, do not
+prejudice people against what you think truth by your passionate manner
+of defending it.
+
+There is an affected humility more insufferable than downright pride, as
+hypocrisy is more abominable than libertinism. Take care that your
+virtues be genuine and unsophisticated.
+
+Never ask any one who is conversing with you to repeat his words.
+Nothing is ruder than to say, "Pardon me, will you repeat that sentence?
+I did not hear you at first," and thus imply that your attention was
+wandering when he first spoke.
+
+When we speak of ourselves and another person, whether he is absent or
+present, propriety requires us to mention ourselves last. Thus we should
+say, _he and I_, _you and I_.
+
+If a man is telling that which is as old as the hills, or which you
+believe to be false, the better way is to let him go on. Why should you
+refuse a man the pleasure of believing that he is telling you something
+which you never heard before? Besides, by refusing to believe him, or by
+telling him that his story is old, you not only mortify him, but the
+whole company is made uneasy, and, by sympathy, share his mortification.
+
+Never notice it if others make mistakes in language. To notice by word
+or look such errors in those around you, is excessively ill-bred.
+
+Avoid raillery and sarcasm in social parties. They are weapons which few
+can use; and because you happen to have a razor in your possession, that
+is no reason why you should be allowed to cut the throats of the rest
+who are unarmed. Malicious jests at the expense of those who are present
+or absent, show that he who uses them is devoid both of the instincts
+and habits of a _gentleman_. Where two individuals or the whole company
+agree to banter each other with good-natured sallies of wit, it is very
+pleasant, but the least taint of ill-nature spoils all.
+
+If upon the entrance of a visitor you continue a conversation begun
+before, you should always explain the subject to the new-comer.
+
+If there is any one in the company whom you do not know, be careful how
+you let off any epigrams or pleasant little sarcasms. You might be very
+witty upon halters to a man whose father had been hanged. The first
+requisite for successful conversation is to know your company well.
+
+Carefully avoid subjects which may be construed into personalities, and
+keep a strict reserve upon family matters. Avoid, if you can, seeing the
+skeleton in your friend's closet, but if it is paraded for your special
+benefit, regard it as a sacred confidence, and never betray your
+knowledge to a third party.
+
+Listen attentively and patiently to what is said. It is a great and
+difficult talent to be a good listener, but it is one which the
+well-bred man has to acquire, at whatever pains. Do not anticipate the
+point of a story which another person is reciting, or take it from his
+lips to finish it in your own language. To do this is a great breach of
+etiquette.
+
+Dr. Johnson, whose reputation as a _talker_ was hardly less than that
+which he acquired as a writer, prided himself on the appositeness of his
+quotations, the choice of his words, and the correctness of his
+expressions. Had he lived in this "age of progress," he would have
+discovered that his lexicon was not only incomplete, but required
+numerous emendations. We can fancy the irritable moralist endeavoring to
+comprehend the idea which a young lady wishes to convey when she
+expresses the opinion that a bonnet is "_awful_," or that of a young
+gentleman, when he asserts that his coat is "_played out_!"
+
+Avoid the use of proverbs in conversation, and all sorts of cant
+phrases. This error is, I believe, censured by Lord Chesterfield, and is
+one of the most offensively vulgar which a person can commit.
+
+It is bad manners to satirize lawyers in the presence of lawyers, or
+doctors in the presence of one of that calling, and so of all the
+professions. Nor should you rail against bribery and corruption in the
+presence of politicians, (especially of a New York politician,) or
+members of Congress, as they will have good reason to suppose that you
+are hinting at them. It is the aim of politeness to leave the arena of
+social intercourse untainted with any severity of language, or
+bitterness of feeling. There are places and occasions where wrong must
+be exposed and reproved, but it is an unpardonable piece of rudeness to
+attempt such things at your own or another's social party, where
+everything is carefully to be avoided that can in the least disturb the
+happiness of any one. For this reason all kinds of controversies are, as
+a general rule, to be avoided at such times.
+
+Any conversation (that is not interdicted by decency and propriety)
+which can be pleasing to the whole company, is desirable. Amusement,
+more than instruction even, is to be sought for in social parties.
+People are not supposed to come together on such occasions because they
+are ignorant and need teaching, but to seek amusement and relaxation
+from professional and daily cares. All the English books on etiquette
+tell you that "punning is scrupulously to be avoided as a species of
+ale-house wit," and a savage remark of Dr. Johnson is usually quoted on
+the subject. But punning is no more to be avoided than any other kind of
+wit; and if all wit is to be banished from the social circle, it will be
+left a stupid affair indeed. All kinds of wit, puns by no means
+excepted, give a delightful relish to social parties when they spring
+up naturally and spontaneously out of the themes of conversation. But
+for a man to be constantly straining himself to make jokes is to make
+himself ridiculous, and to annoy the whole company, and is, therefore,
+what no gentleman will be guilty of.
+
+Talk as little of yourself as possible, or of any science or business in
+which you have acquired fame. There is a banker in New York who is
+always certain to occupy the time of every party he gets into, by
+talking of his _per cents_, and boasting that he _began life without a
+cent_--which every one readily believes; and if he were to add that he
+_began life in a pig-pen_, they would believe that too.
+
+If you put on a proud carriage, people will want to know what there is
+in you to be proud of. And it is ten to one whether they value your
+accomplishments at the same rate as you. And the higher you aspire, they
+will be the more desirous to mortify you.
+
+Nothing is more nauseous than apparent self-sufficiency. For it shows
+the company two things, which are extremely disagreeable: that you have
+a high opinion of yourself, and that you have comparatively a mean
+opinion of them.
+
+It is the concussion of passions that produces a storm. Let an angry man
+alone, and he will cool off himself.
+
+It is but seldom that very remarkable occurrences fall out in life. The
+evenness of your temper will be in most danger of being troubled by
+trifles which take you by surprise.
+
+It is as obliging in company, especially of superiors, to listen
+attentively, as to talk entertainingly.
+
+Don't think of knocking out another person's brains, because he differs
+in opinion from you. It will be as rational to knock yourself on the
+head, because you differ from yourself ten years ago.
+
+If you want to gain any man's good opinion, take particular care how you
+behave, the first time you are in company with him. The light you appear
+in at first, to one who is neither inclined to think well or ill of you,
+will strongly prejudice him either for or against you.
+
+Good humor is the only shield to keep off the darts of the satirical
+railer. If you have a quiver well stored, and are sure of hitting him
+between the joints of the harness, do not spare him. But you had better
+not bend your bow than miss your aim.
+
+The modest man is seldom the object of envy.
+
+In the company of ladies, do not labor to establish learned points by
+long-winded arguments. They do not care to take too much pains to find
+out truth.
+
+You will forbear to interrupt a person who is telling a story, even
+though he is making historical mistakes in dates and facts. If he makes
+mistakes it is his own fault, and it is not your business to mortify him
+by attempting to correct his blunders in presence of those with whom he
+is ambitious to stand well.
+
+In a dispute, if you cannot reconcile the parties, withdraw from them.
+You will surely make one enemy, perhaps two, by taking either side in an
+argument when the speakers have lost their temper.
+
+Do not _dispute_ in a party of ladies and gentlemen. If a gentleman
+advances an opinion which is different from ideas you are known to
+entertain, either appear not to have heard it, or differ with him as
+gently as possible. You will not say, "Sir, you are mistaken!" "Sir, you
+are wrong!" or that you "happen to know better;" but you will rather
+use some such phrase as, "Pardon me--if I am not mistaken," etc. This
+will give him a chance to say some such civil thing as that he regrets
+to disagree with you; and if he has not the good manners to do it, you
+have, at any rate, established your own manners as those of a gentleman
+in the eyes of the company. And when you have done that, you need not
+trouble yourself about any opinions he may advance contrary to your own.
+
+If you talk sentences, do not at the same time give yourself a
+magisterial air in doing it. An easy conversation is the only agreeable
+one, especially in mixed company.
+
+Be sure of the fact, before you lose time in searching for a cause.
+
+If you have a friend that will reprove your faults and foibles, consider
+you enjoy a blessing, which the king upon the throne cannot have.
+
+In disputes upon moral or scientific points, ever let your aim be to
+come at truth, not to conquer your opponent. So you never shall be at a
+loss in losing the argument, and gaining a new discovery.
+
+What may be very entertaining in company with ignorant people, may be
+tiresome to those who know more of the matter than yourself.
+
+There is a sort of accidental and altogether equivocal type of city
+women, who never get into the country, but they employ their time in
+trying to astonish the country people with narrations of the fine things
+they left behind them in the city. If they have a dirty little closet,
+with ten valueless books in it, they will call it their _library_. If
+they have some small room, that is used as kitchen, parlor, and
+dining-room, they will magnify it into a _drawing-room_. And a hundred
+other _little_ signs of their _great_ vulgarity they will constantly
+insist on exhibiting to their country auditors.
+
+Put yourself on the same level as the person to whom you speak, and
+under penalty of being considered a pedantic idiot, refrain from
+explaining any expression or word that you may use.
+
+If you are really a wit, remember that in conversation its true office
+consists more in finding it in others, than showing off a great deal of
+it yourself. He who goes out of your company pleased with himself is
+sure to be pleased with you. Even as great a man as Dr. Johnson once
+retired from a party where everybody had spent the evening in listening
+to him, and remarked, as he went out, "We have had a pleasant evening,
+and much excellent conversation."
+
+If you happen to fall into company where the talk runs into party,
+obscenity, scandal, folly, or vice of any kind, you had better pass for
+morose or unsocial, among people whose good opinion is not worth having,
+than shock your own conscience by joining in conversation which you must
+disapprove of.
+
+If you would have a right account of things from illiterate people, let
+them tell their story in their own way. If you put them upon talking
+according to logical rules, you will quite confound them.
+
+I was much pleased with the saying of a gentleman, who was engaged in a
+friendly argument with another upon a point in morals. "You and I [says
+he to his antagonist] seem, as far as I hitherto understand, to differ
+considerably in our opinions. Let us, if you please, try wherein we can
+agree." The scheme in most disputes is to try who shall conquer, or
+confound the other. It is therefore no wonder that so little light is
+struck out in conversation, where a candid inquiry after truth is the
+least thing thought of.
+
+By all means, shun the vulgar habit of joking at the expense of women.
+All such tricks as refusing a lady a piece of tongue, because "_women
+already have tongue enough_," are as vulgar as they are old and stale.
+The man who does not respect woman, exposes himself to the suspicion of
+associating generally with the fallen portion of the sex. And besides,
+he has no right to make a respectable parlor or drawing-room the theater
+of such vulgar jokes and railing against the sex as go down in low
+society.
+
+If a man complains to you of his wife, a woman of her husband, a parent
+of a child, or a child of a parent, be very cautious how you meddle
+between such near relations, to blame the behavior of one to the other.
+You will only have the hatred of both parties, and do no good with
+either. But this does not hinder your giving both parties, or either,
+your best advice in a prudent manner.
+
+Be prudently secret. But don't affect to make a secret of what all the
+world may know, nor give yourself airs of being as close as a
+conspirator. You will better disappoint idle curiosity by seeming to
+have nothing to conceal.
+
+Never blame a friend without joining some commendation to make reproof
+go down.
+
+It is by giving free rein to folly, in conversation and action, that
+people expose themselves to contempt and ridicule. The modest man may
+deprive himself of some part of the applause of some sort of people in
+conversation, by not shining altogether so much as he might have done.
+Or he may deprive himself of some lesser advantages in life by his
+reluctancy in putting himself forward. But it is only the rash and
+impetuous talker, or actor, that effectually exposes himself in
+company, or ruins himself in life. It is therefore easy to determine
+which is the safest side to err on.
+
+It is a base temper in mankind, that they will not take the smallest
+slight at the hand of those who have done them the greatest kindness.
+
+If you fall into the greatest company, in a natural and unforced way,
+look upon yourself as one of them; and do not sneak, nor suffer any one
+to treat you unworthily, without just showing that you know behavior.
+But if you see them disposed to be rude, overbearing, or purse-proud, it
+will be more decent and less troublesome to retire, than to wrangle with
+them.
+
+There cannot be any practice more offensive than that of taking a person
+aside to whisper in a room with company; yet this rudeness is of
+frequent occurrence--and that with those who know it to be improper.
+
+If at any time you chance, in conversation, to get on a side of an
+argument which you find not to be tenable, or any other way over-shoot
+yourself, turn off the subject in as easy and good humored a way as you
+can. If you proceed still, and endeavor, right or wrong, to make your
+first point good, you will only entangle yourself the more, and in the
+end expose yourself.
+
+Never over-praise any absent person, especially ladies, in company of
+ladies. It is the way to bring envy and hatred upon those whom you wish
+well to.
+
+To try whether your conversation is likely to be acceptable to people of
+sense, imagine what you say written down, or printed, and consider how
+it would read; whether it would appear natural, improving and
+entertaining; or affected, unmeaning, or mischievous.
+
+It is better, in conversation with positive men, to turn off the subject
+in dispute with some merry conceit, than keep up the contention to the
+disturbance of the company.
+
+Don't give your advice upon any extraordinary emergency, nor your
+opinion upon any difficult point, especially in company of eminent
+persons, without first taking time to deliberate. If you say nothing, it
+may not be known whether your silence was owing to the ignorance of the
+subject, or to modesty. If you give a rash and crude opinion, you are
+effectually and irrecoverably exposed.
+
+If you fill your fancy, while you are in company, with suspicions of
+their thinking meanly of you; if you puff yourself up with imaginations
+of appearing to them a very witty, or profound person; if you discompose
+yourself with fears of misbehaving before them, or in any way put
+yourself out of yourself, you will not appear in your natural color, but
+in that of an affected, personated character, which is always
+disagreeable.
+
+It may be useful to study, at leisure, a variety of proper phrases for
+such occasions as are most frequent in life, as civilities to superiors,
+expressions of kindness to inferiors; congratulations, condolence,
+expressions of gratitude, acknowledgment of faults, asking or denying of
+favors, etc. I prescribe no particular phrases, because, our language
+continually fluctuating, they must soon become stiff and unfashionable.
+The best method of acquiring the accomplishment of graceful and easy
+manner of expression for the common occasions of life, is attention and
+imitation of well-bred people. Nothing makes a man appear more
+contemptible than barrenness, pedantry, or impropriety of expression.
+
+Avoid flattery. A delicate compliment is permissible in conversation,
+but flattery is broad, coarse, and to sensible people, disgusting. If
+you flatter your superiors, they will distrust you, thinking you have
+some selfish end; if you flatter ladies, they will despise you, thinking
+you have no other conversation.
+
+If you meet an ill-bred fellow in company, whose voice and manners are
+offensive to you, you cannot resent it at the time, because by so doing
+you compel the whole company to be spectators of your quarrel, and the
+pleasure of the party would be spoiled.
+
+If you must speak upon a difficult point, be the last speaker if you
+can.
+
+You will not be agreeable to company, if you strive to bring in or keep
+up a subject unsuitable to their capacities, or humor.
+
+You will never convince a man of ordinary sense by overbearing his
+understanding. If you dispute with him in such a manner as to show a due
+deference for his judgment, your complaisance may win him, though your
+saucy arguments could not.
+
+Avoid appearing dogmatical and too positive in any assertions you make,
+which can possibly be subject to any contradiction. He that is
+peremptory in his own story, may meet with another as positive as
+himself to contradict him, and then the two Sir Positives will be sure
+to have a skirmish.
+
+The frequent use of the name of God, or the Devil; allusions to passages
+of Scripture; mocking at anything serious and devout, oaths, vulgar
+by-words, cant phrases, affected hard words, when familiar terms will do
+as well; scraps of _Latin_, _Greek_ or _French_; quotations from plays
+spoke in a theatrical manner--all these, much used in conversation,
+render a person very contemptible to grave and wise men.
+
+If you send people away from your company well-pleased with themselves,
+you need not fear but they will be well enough pleased with you, whether
+they have received any instruction from you or not. Most people had
+rather be pleased than instructed.
+
+If you can express yourself to be perfectly understood in ten words,
+never use a dozen. Go not about to prove, by a long series of reasoning,
+what all the world is ready to own.
+
+If any one takes the trouble of finding fault with you, you ought in
+reason to suppose he has some regard for you, else he would not run the
+hazard of disobliging you, and drawing upon himself your hatred.
+
+Do not ruffle or provoke any man; why should any one be the worse for
+coming into company with you? Be not yourself provoked. Why should you
+give any man the advantage over you?
+
+To say that one has opinions very different from those commonly
+received, is saying that he either loves singularity, or that he thinks
+for himself. Which of the two is the case, can only be found by
+examining the grounds of his opinions.
+
+Don't appear to the public too sure, or too eager upon any project. If
+it should miscarry, which it is a chance but it does, you will be
+laughed at. The surest way to prevent which, is not to tell your designs
+or prospects in life.
+
+If you give yourself a loose tongue in company, you may almost depend on
+being pulled to pieces as soon as your back is turned, however they may
+seem entertained with your conversation.
+
+For common conversation, men of ordinary abilities will upon occasion do
+well enough. And you may always pick something out of any man's
+discourse, by which you may profit. For an intimate friend to improve
+by, you must search half a country over, and be glad if you can find him
+at last.
+
+Don't give your time to every superficial acquaintance: it is bestowing
+what is to you of inestimable worth, upon one who is not likely to be
+the better for it.
+
+If a person has behaved to you in an unaccountable manner, don't at once
+conclude him a bad man, unless you find his character given up by all
+who know him, nor then, unless the facts alleged against him be
+undoubtedly proved, and wholly inexcusable. But this is not advising you
+to trust a person whose character you have any reason to suspect.
+Nothing can be more absurd than the common way of fixing people's
+characters. Such a one has disobliged me, therefore he is a villain.
+Such another has done me a kindness, therefore he is a saint.
+
+Superficial people are more agreeable the first time you are in their
+company, than ever afterwards. Men of judgment improve every succeeding
+conversation; beware therefore of judging by one interview.
+
+You will not anger a man so much by showing him that you hate him, as by
+expressing a contempt of him.
+
+Most women had rather have any of their good qualities slighted, than
+their beauty. Yet that is the most inconsiderable accomplishment of a
+woman of real merit.
+
+You will be always reckoned by the world nearly of the same character
+with those whose company you keep.
+
+You will please so much the less, if you go into company determined to
+shine. Let your conversation appear to rise out of thoughts suggested by
+the occasion, not strained or premeditated: nature always pleases:
+affectation is always odious.
+
+
+
+
+ON DRESS.
+
+
+It is hardly necessary to remind the reader that dress, though often
+considered a trifling matter, is one of considerable importance, for a
+man's personal appearance is a sort of "index and obscure prologue" to
+his character.
+
+Lord Chesterfield has said, "I cannot help forming some opinion of a
+man's sense and character from his dress." Besides, the appearance of a
+well-dressed man commands a certain degree of respect which would never
+be shown to a sloven. As Shakspeare has written, "The world is still
+deceived by ornament;" and there are those who associate fine clothes
+with fine people so strongly, that they do not trouble themselves to
+ascertain whether the wearers are worthy of respect, as others form
+their opinions of books by the gilding of the leaves and beauty of the
+binding.
+
+The dress of a gentleman should be such as not to excite any special
+observation, unless it be for neatness and propriety. The utmost care
+should be exercised to avoid even the appearance of desiring to attract
+attention by the peculiar formation of any article of attire, or by the
+display of an immoderate quantity of jewelry, both being a positive
+evidence of vulgarity. His dress should be studiously neat, leaving no
+other impression than that of a well-dressed gentleman.
+
+Well-bred people do not often dress in what is called the "height of the
+fashion," as that is generally left to dandies and pretenders. But
+still it is undoubtedly a great point gained to be well dressed. To be
+fancifully dressed, in gaudy colors, is to be very badly dressed,
+however, and is an example of ill taste which is rarely met with among
+people of substantial good breeding.
+
+Cleanliness and neatness are the invariable accompaniments of good
+breeding. Every gentleman may not be dressed expensively, he may not be
+able to do so; but water is cheap, and no gentleman will ever go into
+company unmindful of cleanliness either in his person or apparel.
+
+A well-dressed man does not require so much an extensive as a varied
+wardrobe. He wants a different costume for every season and every
+occasion; but if what he selects is simple rather than striking, he may
+appear in the same clothes as often as he likes, as long as they are
+fresh and appropriate to the season and the object. There are four kinds
+of coats which he must have: a business coat, a frock-coat, a
+dress-coat, and an over-coat. A well dressed man may do well with four
+of the first, and one of each of the others per annum. An economical man
+can get along with less.
+
+Did any lady ever see a gentleman with an embroidered waistcoat, and a
+profusion of chains, rings, and trinkets adorning his person?
+
+Avoid affecting singularity in dress. Expensive dressing is no sign of a
+gentleman. If a gentleman is able to dress expensively it is very well
+for him to do so, but if _he is not able_ to wear ten-dollar broadcloth,
+he may comfort himself with the reflection that cloth which costs but
+five dollars a yard will look quite as well when made into a
+well-fitting coat. With this suit, and well-made shoes, clean gloves, a
+white pocket-handkerchief, and an easy and graceful deportment withal,
+he may pass muster as a gentleman. Manners do quite as much to set off
+a suit of clothes as clothes do to set off a graceful person.
+
+A dress perfectly suited to a tall, good-looking man, may render one who
+is neither, ridiculous; as although the former may wear a remarkable
+waistcoat or singular coat, _almost_ with impunity, the latter, by
+adopting a similar costume, exposes himself to the laughter of all who
+see him. An unassuming simplicity in dress should always be preferred,
+as it prepossesses every one in favor of the wearer.
+
+Avoid what is called the "ruffianly style of dress," or the _nonchalant_
+and _slouching_ appearance of a half-unbuttoned vest, and suspenderless
+pantaloons. That sort of affectation is if possible even more disgusting
+than the painfully elaborate frippery of the dandy.
+
+Gentlemen never make any display of jewelry; that is given up entirely
+to the dominion of female taste. But ladies of good taste seldom wear it
+in the morning. It is reserved for evening display and for brilliant
+parties.
+
+The native independence of American character regards with disdain many
+of the stringent social laws which are recognized in England and on the
+continent. Thus, the dress which many of our countryman adopt for the
+assembly-room and private parties would subject them to serious
+annoyance abroad. A frock-coat would not be tolerated a moment in any
+fashionable society in Europe, and whether it be esteemed a prejudice or
+otherwise, we are free to confess that in our opinion it is a violation
+of good taste, and unsuited either to a ball-room or private assembly.
+
+We should, however, be far from denying the claim of gentleman to any
+person, simply because he wore a frock-coat; for the fickle goddess,
+Fashion, tolerates it to a certain extent in America; but if the
+universal custom among the refined and polished members of society were
+to exclude it, as in Europe, its use would manifest a contempt for the
+opinion of others, of which no gentleman could be guilty.
+
+If the title of gentleman should depend entirely and solely on one's
+conformation to the laws of etiquette, the most unprincipled profligate
+or debauchee might successfully wear it; it is, however, but the finish
+and polish of the jewel--not the diamond itself.
+
+If we were allowed to say anything to the ladies concerning dress in a
+dictatorial way, and were sure of being obeyed, we should order them
+generally to dress _less_. How often do we see a female attired in the
+height of fashion, perfectly gorgeous in costume, sweeping along the
+dusty street, perspiring under the weight of her finery--dressed, in
+fact, in a manner fit only for a carriage. This is a very mistaken and
+absurd fashion, and such people would be astonished to see the
+simplicity of real aristocracy as regards dress.
+
+In our allusions to the dress of a gentleman, we have urged a studied
+simplicity of apparel; the same remarks are equally applicable to that
+of a lady. Indeed, _simplicity_ is the grand secret of a lady's toilet.
+When she burdens herself with a profusion of _bijouterie_ she rather
+detracts from than adds to her personal appearance, while all _outre_
+fashions and ultra styles of dress, though they excite attention,
+neither win respect nor enhance the attraction of the wearer.
+
+Some ladies, perhaps imagining that they are deficient in personal
+charms--and we are willing to believe that there are such, although the
+Chesterfieldian school of philosophers would ridicule the idea--endeavor
+to make their clothes the spell of their attraction. With this end in
+view, they labor by lavish expenditure to supply in expensive adornment
+what they lack in beauty of form or feature. Unfortunately for their
+success, elegant dressing does not depend upon expense. A lady might
+wear the costliest silks that Italy could produce, adorn herself with
+laces from Brussels which years of patient toil are required to
+fabricate; she might carry the jewels of an Eastern princess around her
+neck and upon her wrists and fingers, yet still, in appearance, be
+essentially vulgar. These were as nothing without grace, without
+adaptation, without a harmonious blending of colors, without the
+exercise of discrimination and good taste.
+
+The most appropriate and becoming dress is that which so harmonizes with
+the figure as to make the apparel unobserved. When any particular
+portion of it excites the attention, there is a defect, for the details
+should not present themselves first but the result of perfect dressing
+should be an _elegant woman_, the dress commanding no especial regard.
+Men are but indifferent judges of the material of a lady's dress; in
+fact, they care nothing about the matter. A modest countenance and
+pleasing figure, habited in an inexpensive attire, would win more
+attention from men, than awkwardness and effrontery, clad in the richest
+satins of Stewart and the costliest gems of Tiffany.
+
+There are occasionally to be found among both sexes, persons who neglect
+their dress through a ridiculous affectation of singularity, and who
+take pride in being thought utterly indifferent to their personal
+appearance. Millionaires are very apt to manifest this characteristic,
+but with them it generally arises through a miserly penuriousness of
+disposition; their imitators, however, are even more deficient than they
+in common sense.
+
+Lavater has urged that persons habitually attentive to their attire,
+display the same regularity in their domestic affairs. He also says:
+"Young women who neglect their toilet and manifest little concern about
+dress, indicate a general disregard of order--a mind but ill adapted to
+the details of housekeeping--a deficiency of taste and of the qualities
+that inspire love."
+
+Hence the desire of exhibiting an amiable exterior is essentially
+requisite in a young lady, for it indicates cleanliness, sweetness, a
+love of order and propriety, and all those virtues which are attractive
+to their associates, and particularly to those of the other sex.
+
+Chesterfield asserts that a sympathy goes through every action of our
+lives, and that he could not help conceiving some idea of people's sense
+and character from the dress in which they appeared when introduced to
+him.
+
+Another writer has remarked that he never yet met with a woman whose
+general style of dress was chaste, elegant and appropriate, that he did
+not find her on further acquaintance to be, in disposition and mind, an
+object to admire and love.
+
+The fair sex have the reputation of being passionately fond of dress,
+and the love of it has been said to be natural to women. We are not
+disposed to deny it, but we do not regard it as a weakness nor a
+peculiarity to be condemned. Dress is the appropriate finish of beauty.
+Some one has said that, "Without dress a handsome person is a gem, but a
+gem that is not set. But dress," he further remarks, "must be consistent
+with the graces and with nature."
+
+"Taste," says a celebrated divine, "requires a congruity between the
+internal character and the external appearance; the imagination will
+involuntarily form to itself an idea of such a correspondence. First
+ideas are, in general, of considerable consequence. I should therefore
+think it wise in the female world to take care that their _appearance_
+should not convey a forbidding idea to the most superficial observer."
+
+As we have already remarked, the secret of perfect dressing is
+simplicity, costliness being no essential element of real elegance. We
+have to add that everything depends upon the judgment and good taste of
+the wearer. These should always be a harmonious adaptation of one
+article of attire to another, as also to the size, figure and complexion
+of the wearer. There should be a correspondence in all parts of a lady's
+toilet, so as to present a perfect entirety. Thus, when we see a female
+of light, delicate complexion, penciling her eyebrows until they are
+positively black, we cannot but entertain a contempt for her lack of
+taste and good sense. There is a harmony in nature's tints which art can
+never equal, much less improve.
+
+A fair face is generally accompanied by blue eyes, light hair, eyebrows
+and lashes. There is a delicacy and harmonious blending of
+correspondences which are in perfect keeping; but if you sully the
+eyebrows with blackness, you destroy all similitude of feature and
+expression, and almost present a deformity.
+
+We cannot but allude to the practice of using white paints, a habit
+strongly to be condemned. If for no other reason than that poison lurks
+beneath every layer, inducing paralytic affections and premature death,
+they should be discarded--but they are a disguise which deceives no one,
+even at a distance; there is a ghastly deathliness in the appearance of
+the skin after it has been painted, which is far removed from the
+natural hue of health.
+
+The hostess should be particularly careful not to outshine her guests.
+We have seen many instances where a lady, fond of dress, (and what lady
+is not fond of dress?) and conscious that it is unbecoming to dress to
+excess when visitors are invited, yet so unable to restrain the desire
+of display, has made the whole of her guests look shabby, by the
+contrast of her own gay colors. To dress meanly is a mark of disrespect
+to the company, but it is equally so to make a very gay appearance. If
+you make a grand display yourself, you are apt to appear as if you
+wished to parade your appearance, and it is always safer to be under
+than over the mark.
+
+In going out, consider the sort of company you are likely to meet, and
+endeavor to assimilate to them as much as possible--for to make a great
+display elsewhere is an evidence of bad taste. But here if you miss the
+happy medium, dress above the mark rather than below it, for you may
+dress more out of doors than you may at home. Where dancing is expected
+to take place, no one should go without new kid gloves; nothing is so
+revolting as to see one person in an assembly ungloved, especially where
+the heat of the room, and the exercise together, are sure to make the
+hands redder than usual. Always wear your gloves in church or in a
+theater.
+
+We may add a few general maxims, applied to both sexes, and our task
+will be done.
+
+"All affectation in dress," says Chesterfield, "implies a flaw in the
+understanding." One should, therefore, avoid being singular, or
+attracting the notice, and the tongues of the sarcastic, by being
+eccentric.
+
+Never dress against any one. Choose those garments which suit you, and
+look well upon you, perfectly irrespective of the fact that a lady or
+gentleman in the same village or street may excel you.
+
+When dressed for company, strive to appear as easy and natural as if you
+were in undress. Nothing is more distressing to a sensitive person, or
+more ridiculous to one gifted with an _esprit moqueur_, than to see a
+lady laboring under the consciousness of a fine gown; or a gentleman who
+is stiff, awkward, and ungainly in a bran-new coat.
+
+Dress according to your age. It is both painful and ridiculous to see an
+old lady dressed as a belle of four-and-twenty, or an old fellow, old
+enough for a grandfather, affecting the costume and the manners of a
+_beau_.
+
+Young men should be _well_ dressed. Not foppishly, but neatly and well.
+An untidy person at five-and-twenty, degenerates, very frequently, into
+a sloven and a boor at fifty.
+
+Be not too negligent, nor too studied in your attire; and lastly, let
+your behavior and conversation suit the clothes you wear, so that those
+who know you may feel that, after all, dress and external appearance is
+the least portion of a LADY or GENTLEMAN.
+
+
+
+
+INTRODUCTIONS.
+
+
+The custom which prevails in country places of introducing everybody you
+meet to each other, is both an annoying and an improper one. As a
+general rule, introductions ought not to be made, except where there is
+undoubted evidence that the acquaintance would be mutually agreeable and
+proper.
+
+But if you should find an agreeable person in private society, who seems
+desirous of making your acquaintance, there cannot be any objection to
+your meeting his advances half way, although the ceremony of an
+"introduction" may not have taken place; his presence in your friend's
+house being a sufficient guarantee for his respectability, as of course
+if he were an improper person he would not be there.
+
+It is customary in introducing people, to present the youngest person to
+the oldest, or the humblest to the highest in position, if there is any
+distinction.
+
+In introducing a gentleman to a lady, address her first, thus: "Miss
+Mason, permit me to present you to Mr. Kent;" or, "Mr. Trevor, I have
+the pleasure of presenting to you Mr. Marlow." When one lady is married,
+and the other single, present the single lady to the matron--"Miss
+Harris, allow me to introduce you to Mrs. Martin."
+
+When you introduce parties whom you are quite sure will be pleased with
+each other, it is well to add, after the introduction, that you take
+great pleasure in making them acquainted, which will be an assurance to
+each that you think they are well matched, and thus they are prepared to
+be friends from the start.
+
+In introducing parties, be careful to pronounce each name distinctly, as
+there is nothing more awkward than to have one's name miscalled.
+
+In introducing a foreigner, it is proper to present him as "Mr. Leslie,
+from England;" "Mr. La Rue from France." Likewise when presenting an
+American who has recently returned after traveling in distant lands,
+make him known as "Mr. Dunlap, lately from France," or "Mr. Meadows,
+recently from Italy."
+
+It is very easy to make these slight specifications, and they at once
+afford an opening for conversation between the two strangers, for
+nothing will be more natural than to ask "the recently arrived"
+something about his voyage, or the places he has seen during his
+travels.
+
+When presenting a governor, designate the State he governs--as,
+"Governor Fenton of New York." In introducing a member of Congress,
+mention the State to which he belongs, as "Mr. Sherman of Ohio," or "Mr.
+Banks of Massachusetts." Do not forget that Congress includes the two
+legislative bodies.
+
+When introducing any of the members of your own family, mention the name
+in an audible tone. It is not considered sufficient to say "My father,"
+"My mother," "My sister," or "My brother." But say, "My father, Mr.
+Stanley," "My brother, Mr. Weston," "My sister, Miss or Mrs. Hope." It
+is best to be explicit in all these things, for there may be more than
+one surname in the family. The eldest daughter should be introduced by
+her surname only, as, "Miss Sherwood," her younger sisters, as "Miss
+Maud Sherwood," "Miss Mary Sherwood."
+
+In presenting a clergyman, do not neglect to put "Reverend" before his
+name. If he is a D. D. say, "The Reverend Doctor." If he is a bishop,
+then the word bishop is sufficient.
+
+When you are introduced to a person, be careful not to appear as though
+you had never heard of him before. If he happens to be a person of any
+distinction, such a mistake would be unpardonable, and no person is
+complimented by being reminded of the fact that his name is unknown.
+
+If by any misfortune you have been introduced to a person whose
+acquaintance you do not desire, you can merely make the formal bow of
+etiquette when you meet him, which, of itself, encourages no
+familiarity; but _the bow is indispensable_, for he cannot be thought a
+gentleman who would pass another with a vacant stare, after having been
+formally presented to him. By so doing, he would offer a slight which
+would justly make him appear contemptible even in the eyes of the person
+he means to humble.
+
+What is called "cutting" another is never practiced by gentlemen or
+ladies, except in some extraordinary instances of bad conduct on the
+part of the individual thus sacrificed. An increased degree of ceremony
+and formal politeness is the most delicate way of withdrawing from an
+unpleasant acquaintance. Indeed, what is called "cutting" is rarely ever
+practiced by well-bred ladies and gentlemen.
+
+On introduction in a room, a married lady generally offers her hand, a
+young lady not; in a ball-room, where the introduction is to dancing,
+not to friendship, you never shake hands; and as a general rule, an
+introduction is not followed by shaking hands--only by a bow. It may
+perhaps be laid down, that the more public the place of introduction,
+the less hand-shaking takes place; but if the introduction be
+particular, if it be accompanied by personal recommendation, such as, "I
+want you to know my friend Jones," then you give Jones your hand, and
+warmly too.
+
+It is understood in society, that a person who has been _properly_
+introduced to you, has some claim on your good offices in future; you
+cannot therefore slight him without good reason, and the chance of being
+called to an account for it.
+
+
+
+
+LETTERS OF INTRODUCTION.
+
+
+Letters of introduction are to be regarded as certificates of
+respectability, and are therefore never to be given where you do not
+feel sure on this point. To send a person of whom you know nothing into
+the confidence and family of a friend, is an unpardonable recklessness.
+In England, letters of introduction are called "tickets to soup,"
+because it is generally customary to invite a gentleman to dine who
+comes with a letter of introduction to you. Such is also the practice,
+to some extent, in this country, but etiquette _here_ does not make the
+dinner so essential as _there_.
+
+In England, the party holding a letter of introduction never takes it
+himself to the party to whom it is addressed, but he sends it with his
+card of address.
+
+In France, and on the continent of Europe generally, directly the
+reverse is the fashion. In America the English custom generally
+prevails; though where a young gentleman has a letter to one who is many
+years his senior, or to one whose aid he seeks in some enterprise, he
+takes it at once himself.
+
+When a gentleman, bearing a letter of introduction to you, leaves his
+card, you should call on him, or send a note, as early as possible.
+There is no greater insult than to treat a letter of introduction with
+indifference--it is a slight to the stranger as well as to the
+introducer, which no subsequent attentions will cancel. After you have
+made this call, it is, to some extent, optional with you as to what
+further attentions you shall pay the party. In this country everybody is
+supposed to be very busy, which is always a sufficient excuse for not
+paying elaborate attentions to visitors. It is not demanded that any man
+shall neglect his business to wait upon visitors or guests.
+
+Do not imagine these little ceremonies to be insignificant and beneath
+your attention; they are the customs of society; and if you do not
+conform to them, you will gain the unenviable distinction of being
+pointed out as an ignorant, ill-bred person. Not that you may _care_ the
+more for strangers by showing them civility, but you should scrupulously
+avoid the imputation of being deficient in good-breeding; and if you do
+not choose to be polite for _their_ sakes, you ought to be so for _your
+own_.
+
+Letters of introduction should only be given by actual friends of the
+persons addressed, and to actual friends of their own. Never, if you are
+wise, give a letter to a person whom you do not know, nor address one to
+one whom you know slightly. The letter of introduction, if actually
+given to its bearer, should be left unsealed, that he may not incur the
+fate of the Persian messenger, who brought tablets of introduction
+recommending the new acquaintance to cut his head off. A letter of this
+kind must therefore be carefully worded, stating in full the name of the
+person introduced, but with as few remarks about him as possible. It is
+generally sufficient to say that he is a friend of yours, whom you trust
+your other friend will receive with attention, etc. In traveling it is
+well to have as many letters as possible, but not to pin your faith on
+them.
+
+
+
+
+DINNER PARTIES.
+
+
+Invitations to dine, from a married party, are sent in some such form as
+the following:
+
+ Mr. and Mrs. A---- present their compliments to Mr. and Mrs. B----,
+ and request the honor, [or hope to have the pleasure] of their
+ company to dinner on Wednesday, the 10th of December next, at
+ seven.
+
+ A---- Street, November 18th, 18--.
+
+ R. S. V. P.
+
+The letters in the corner imply "_Repondez, s'il vous plait_;" meaning,
+"an answer will oblige." The reply, accepting the invitation, is
+concluded in the following terms:
+
+ Mr. and Mrs. B---- present their compliments to Mr. and Mrs. A----,
+ and will do themselves the honor, [or will have much pleasure in]
+ accepting their kind invitation to dinner on the 10th of December
+ next.
+
+ B---- Square, November 21st, 18--.
+
+The answer to invitations to dine, accepting or declining, should be
+sent immediately, and are always addressed to the lady. If, after you
+have accepted an invitation, anything occurs to render it impossible for
+you to go, the lady should be informed of it immediately. It is a great
+breach of etiquette not to answer an invitation as soon after it is
+received as possible, and it is an insult to disappoint when we have
+promised.
+
+Cards or invitations for a dinner party, should be issued at least two
+weeks beforehand, and care should be taken by the hostess, in the
+selection of the invited guests, that they should be suited to each
+other. Much also of the pleasure of the dinner-party will depend on the
+arrangement of the guests at table, so as to form a due admixture of
+talkers and listeners, the grave and the gay.
+
+Letters or cards of invitation should always name the hour of dinner;
+and well-bred people will arrive as nearly at the specified time as they
+can. Be sure and not be a minute behind the time, and you should not get
+there long before, unless the invitation requests you particularly to
+come early for a little chat before dinner.
+
+It is always best for the lady of the house, where a dinner-party is to
+come off, to be dressed and ready to appear in the drawing-room as early
+as possible, so that if any of the guests should happen to come a little
+early, she may be prepared to receive them. It is awkward for both
+parties where visitors arrive before the lady of the house is ready for
+them. If it is necessary for her to keep an eye upon the dinner, it is
+still best that she should familiarly receive her guests, and beg to be
+excused, if it is necessary for her to vanish occasionally to the
+kitchen. A real lady is not ashamed to have it known that she goes into
+the kitchen; on the contrary, it is more likely that she will be a
+little proud of being thought capable of superintending the preparing
+feast.
+
+It is not in good taste for the lady of the house, where a dinner-party
+is given, to dress very much. She leaves it for her lady-guests to make
+what display they please, and she offers no rivalry to their fine
+things. She contents herself with a tasty _neglige_, which often proves
+the most fascinating equipment after all, especially, if the cheeks
+become a little flushed with natural bloom, in consequence of the
+exercise and anxiety incident to the reception of the guests.
+
+The half hour before dinner has always been considered as the great
+ordeal through which the lady of the house, in giving a dinner-party,
+will either pass with flying colors, or lose many of her laurels. The
+anxiety to receive her guests, her hope that all will be present in good
+time, her trust in the skill of her cook, and the attention of the other
+domestics all tend to make the few minutes a trying time. The lady
+however, must display no kind of agitation, but show her tact in
+suggesting light and cheerful subjects of conversation, which will be
+much aided by the introduction of any particular new book, curiosity of
+art, or article of _virtu_, which may pleasantly engage the attention of
+the company.
+
+"Waiting for dinner," however, is a trying time, and there are few who
+have not felt----
+
+ "How sad it is to sit and pine,
+ The long _half-hour_ before we dine!
+ Upon our watches oft we look,
+ Then wonder at the clock and cook,
+
+ And strive to laugh in spite of Fate!
+ But laughter forced, soon quits the room,
+ And leaves it to its former gloom.
+ But lo! the dinner now appears,
+ The object of our hope and fears,
+ The end of all our pain!"
+
+In giving an entertainment of this kind, the lady should remember that
+it is her duty to make her guests feel happy, comfortable, and quite at
+their ease; and the guests should also consider that they have come to
+the house of their hostess to be happy.
+
+When dinner is on the table, the lady and gentleman of the house will
+have an opportunity of showing their tact by seeing that the most
+distinguished guests, or the _oldest_, are shown into the dining-room
+first, and by making those companions at the table who are most likely
+to be agreeable to each other. The lady of the house may lead the way,
+or follow her guests into the dining-room, as she pleases. Among those
+who delight to follow the etiquette of the English nobility, the latter
+practice is followed. But the practice must not be considered a test of
+good breeding in America. If the lady leads, the husband will follow
+behind the guests, with the lady on his arm who is to sit at his side.
+The old custom is still followed to some extent in this country, of the
+lady taking the head of the table, with the two most favored guests
+seated, the one at her right and the other at her left hand; while the
+gentleman of the house takes the foot of the table, supported on each
+side by the two ladies most entitled to consideration. But this old rule
+is by no means slavishly followed in polite society in this country.
+
+In order to be able to watch the course of the dinner, and to see that
+nothing is wanting to their guests, the lady and gentleman of the house
+usually seat themselves in the centre of the table, opposite each other.
+
+When all the guests are seated, the lady of the house serves in plates,
+from a pile at her left hand, the soup, which she sends round, beginning
+with her neighbors right and left, and continuing till all are helped.
+These first plates usually pass twice, for each guest endeavors to
+induce his neighbor to accept what was sent to him.
+
+The gentleman then carves, or causes to be carved by some expert guest,
+the large pieces, in order afterwards to do the other honors himself. If
+you have no skill in carving meats, do not attempt it; nor should you
+ever discharge this duty except when your good offices are solicited by
+him; neither can we refuse anything sent us from his hand.
+
+
+
+
+HABITS AT TABLE.
+
+
+As soon as dinner is announced, the host or hostess will give the signal
+for leaving the drawing-room, and in all probability you will be
+requested to escort one of the ladies to the table. If this should
+occur, offer the lady your left arm, and at the table remain standing
+until every lady is seated, then take the place assigned to you by the
+hostess. When you leave the parlor, pass out first, and the lady will
+follow you, still lightly holding your arm. At the door of the
+dining-room, the lady will drop your arm. You should then pass in, and
+wait at one side of the entrance till she passes you. Having arrived at
+the table, each gentleman respectfully salutes the lady whom he
+conducts, who in her turn, also bows and takes her seat.
+
+Nothing indicates the good breeding of a gentleman so much as his
+manners at table. There are a thousand little points to be observed,
+which, although not absolutely necessary, distinctly stamp the refined
+and well-bred man. A man may pass muster by _dressing well_, and may
+sustain himself tolerably in conversation; but if he be not perfectly
+_"au fait," dinner_ will betray him.
+
+Any unpleasant peculiarity, abruptness, or coarseness of manners, is
+especially offensive at table. People are more easily disgusted at that
+time than at any other. All such acts as leaning over on one side in
+your chair, placing your elbows on the table, or on the back of your
+neighbor's chair, gaping, twisting about restlessly in your seat, are
+to be avoided as heresies of the most infidel stamp at table.
+
+Though the body at table should always be kept in a tolerably upright
+and easy position, yet one need not sit bolt-upright, as stiff and prim
+as a poker. To be easy, to be natural, and to appear comfortable, is the
+deportment required.
+
+Always go to a dinner as neatly dressed as possible. The expensiveness
+of your apparel is not of much importance, but its freshness and
+cleanliness are indispensable. The hands and finger-nails require
+especial attention. It is a great insult to every lady at the table for
+a man to sit down to dinner with his hands in a bad condition.
+
+It is considered vulgar to take fish or soup twice. The _reason_ for not
+being helped twice to fish or soup at a large dinner-party is, because
+by doing so you keep three parts of the company staring at you whilst
+waiting for the second course, which is spoiling, much to the annoyance
+of the mistress of the house. The selfish greediness, therefore, of so
+doing constitutes its vulgarity. At a family dinner it is of less
+importance, and is consequently often done.
+
+You will sip your soup as quietly as possible from the side of the
+spoon, and you, of course, will not commit the vulgarity of blowing in
+it, or trying to cool it, after it is in your mouth, by drawing in an
+unusual quantity of air, for by so doing you would be sure to annoy, if
+you did not turn the stomach of the lady or gentleman next to you.
+
+Be careful and do not touch either your knife or your fork until after
+you have finished eating your soup. Leave your spoon in your soup plate,
+that the servant may remove them.
+
+Never _use your knife to convey_ your food to your mouth, _under any
+circumstances_; it is unnecessary, and glaringly vulgar. Feed yourself
+with a _fork_ or _spoon_, _nothing else_--a knife is only to be used for
+cutting.
+
+If at dinner you are requested to help any one to sauce, do not pour it
+over the meat or vegetables, but on one side. If you should have to
+carve and help a joint, do not load a person's plate--it is vulgar; also
+in serving soup, one ladleful to each plate is sufficient.
+
+Fish should always be helped with a silver fish-slice, and your own
+portion of it divided by the fork aided by a piece of bread. The
+application of a knife to fish is likely to destroy the delicacy of its
+flavor; besides which, fish sauces are often acidulated; acids corrode
+steel, and draw from it a disagreeable taste.
+
+The lady and gentleman of the house are, of course, helped last, and
+they are very particular to notice, every minute, whether the waiters
+are attentive to every guest. But they do not press people either to eat
+more than they appear to want, nor _insist_ upon their partaking of any
+particular dish. It is allowable for you to recommend, so far as to say
+that it is considered "excellent," but remember that tastes differ, and
+dishes which suit _you_, may be unpleasant to others; and that, in
+consequence of your urgency, some modest people might feel themselves
+compelled to partake of what is disagreeable to them.
+
+Neither ladies nor gentlemen ever wear gloves at table, unless their
+hands, from some cause, are not fit to be seen.
+
+Avoid too slow or too rapid eating; the one will appear as though you
+did not like your dinner, and the other as though you were afraid you
+would not get enough.
+
+Making a noise in chewing your food, or breathing hard in eating, are
+unseemly habits, which will be sure to get you a bad name at table,
+among people of good-breeding. Let it be a sacred rule that _you cannot
+use your knife, or fork, or teeth too quietly_.
+
+Avoid picking your teeth, if possible, at table, for however agreeable
+such a practice might be to yourself, it may be offensive to others. The
+habit which some have of holding one hand over the mouth, does not avoid
+the vulgarity of teeth-picking at table.
+
+Unless you are requested to do so, never select any particular part of a
+dish; but if your host asks you what part you prefer, name some part, as
+in this case the incivility would consist in making your host choose as
+well as carve for you.
+
+If your host or hostess passes you a plate, keep it, especially if you
+have chosen the food upon it, for others have also a choice, and by
+passing it, you may give your neighbor dishes distasteful to him, and
+take yourself those which he would much prefer.
+
+If a dish is distasteful to you, decline it, but make no remarks about
+it. It is sickening and disgusting to explain at a table how one article
+makes you sick, or why some other dish has become distasteful to you. I
+have seen a well-dressed tempting dish go from a table untouched,
+because one of the company told a most disgusting anecdote about finding
+vermin served in a similar dish.
+
+If the meat or fish upon your plate is too rare or too well-done, do not
+eat it; give for an excuse that you prefer some other dish before you;
+but never tell your host that his cook has made the dish uneatable.
+
+If a gentleman is seated by the side of a lady or elderly person,
+politeness requires him to save them all trouble of pouring out for
+themselves to drink, and of obtaining whatever they are in want of at
+the table. He should be eager to offer them whatever he thinks to be
+most to their taste.
+
+Never pare an apple or a pear for a lady unless she desire you, and then
+be careful to use your fork to hold it; you may sometimes offer to
+_divide a very large pear_ with or for a person.
+
+It is not good taste to praise extravagantly every dish that is set
+before you; but if there are some things that are really very nice, it
+is well to speak in their praise. But, above all things, avoid seeming
+indifferent to the dinner that is provided for you, as that might be
+construed into a dissatisfaction with it.
+
+Some persons, in helping their guests, or recommending dishes to their
+taste, preface every such action with a eulogy on its merits, and draw
+every bottle of wine with an account of its virtues; others, running
+into the contrary extreme, regret or fear that each dish is not exactly
+as it should be; that the cook, etc., etc. Both of these habits are
+grievous errors. You should leave it to your guests alone to approve, or
+suffer one of your intimate friends who is present, to vaunt your wine.
+
+If you ask the waiter for anything, you will be careful to speak to him
+gently in the tone of _request_, and not of _command_. To speak to a
+waiter in a driving manner will create, among well-bred people, the
+suspicion that you were sometime a servant yourself, and are putting on
+_airs_ at the thought of your promotion. Lord Chesterfield says: "If I
+tell a footman to bring me a glass of wine, in a rough, insulting
+manner, I should expect that, in obeying me, he would contrive to spill
+some of it upon me, and I am sure I should deserve it."
+
+Should your servants break anything while you are at table, never turn
+round, or inquire into the particulars, however annoyed you may feel.
+If your servants betray stupidity or awkwardness in waiting on your
+guests, avoid reprimanding them _publicly_, as it only draws attention
+to their errors, and adds to their embarrassment.
+
+Never commit the vulgarism of speaking when you have any food in your
+mouth.
+
+When you have occasion to change or pass your plate during dinner, be
+careful and remove your knife and fork, that the plate _alone_ may be
+taken, but after you have finished your dinner, cross the knife and fork
+on the plate, that the servant may take all away, before bringing you
+clean ones for dessert.
+
+Do not put butter on your bread at dinner, and avoid biting or cutting
+your bread from the slice, or roll; rather break off small pieces, and
+put these in your mouth with your fingers.
+
+It is considered vulgar to dip a piece of bread into the preserves or
+gravy upon your plate and then bite it. If you desire to eat them
+together, it is much better to break the bread in small pieces, and
+convey these to your mouth with your fork.
+
+Avoid putting bones, or the seeds of fruit, upon your table-cloth.
+Rather place them upon the edge of your plate.
+
+When you wish to help yourself to butter, salt, or sugar, use the
+butter-knife, salt-spoon and sugar-tongs; to use your own knife, spoon
+or fingers evinces great ignorance and ill-breeding.
+
+It is customary in some American families to serve their guests with
+coffee in the parlor after dinner. But this is a European custom which
+is not generally practiced in polite American society. When coffee is
+given at the close of the dinner, it is more usual to serve it before
+the guests leave the table. The practice of handing it round in the
+parlor or drawing-room, is an unnecessary inconvenience to the guests
+particularly, without any compensating advantages.
+
+Finger-glasses are generally handed round as soon as the viands are
+removed, but they are intended merely to wet the fingers and around the
+mouth. When the finger-glasses are passed, wet your fingers in them and
+then wipe them upon your napkin. The habit of rinsing the mouth at table
+is a disgusting piece of indelicacy, which is never practiced by any
+well-bred person.
+
+Upon leaving the table, lay your napkin beside your plate, but do not
+fold it.
+
+Do not leave the table until the lady of the house gives the signal, and
+when you leave offer your arm to the lady whom you escorted to the
+table.
+
+It is generally the custom in this country for ladies to retain their
+seats at table till the end of the feast, but if they withdraw, the
+gentlemen all rise when they leave the table, and remain standing until
+they have left the room.
+
+Politeness demands that you remain at least an hour in the parlor, after
+dinner; and, if you can dispose of an entire evening, it would be well
+to devote it to the person who has entertained you. It is excessively
+rude to leave the house as soon as dinner is over.
+
+
+
+
+WINE AT TABLE.
+
+
+Almost every gentleman has wine at his table whenever he has invited
+guests. Indeed, wine is considered an indispensable part of a good
+dinner, to which ladies and gentlemen have been formally invited. Even
+if you are a total-abstinence man yourself, you will not, if you are
+really a gentleman, attempt to compel all your guests to be so against
+their wish. If you are so fanatical that you have what is called
+"conscientious scruples" against furnishing wine, then you should invite
+none to dine who are not as fanatical and bigoted as yourself. You must
+consider that a gentleman may have "conscientious scruples" against
+dining with you on cold water, for there are even temperate and sober
+gentleman who would go without meat as soon as be deprived of their
+glass of wine at dinner. The vegetarian, who would force his guests to
+dine on cabbages and onions, is hardly guilty of a greater breach of
+etiquette than the total-abstinence fanatic who would compel his guests
+to go without wine.
+
+If there is a gentleman at the table who is known to be a
+total-abstinence man, you will not urge him to drink. He will suffer his
+glass to be filled at the first passage of the wine, and raising it to
+his lips, will bow his respects with the rest of the guests, and after
+that his glass will be allowed to remain untouched. As little notice as
+possible should be taken of his total-abstinence peculiarity. And, if he
+is a gentleman, he will carefully avoid drawing attention to it
+himself.
+
+It is not now the custom to ask a lady across the table to take wine
+with you. It is expected that every lady will be properly helped to wine
+by the gentleman who takes her to the table, or who sits next to her.
+But if you are in company where the old custom prevails, it would be
+better breeding to follow the custom of the place, rather than by an
+omission of what your entertainer considers civility, to prove him, in
+face of his guests, to be either ignorant or vulgar. If either a lady or
+gentleman is invited to take wine at table, they must _never refuse_; if
+they do not _drink_, they need only touch the wine to their lips. Do not
+offer to help a lady to wine until you see she has finished her soup or
+fish.
+
+Always wipe your mouth before drinking, as nothing is more ill-bred than
+to grease your glass with your lips.
+
+Do not propose to take wine with your host; it is his privilege to
+invite you.
+
+It is considered well bred to take the same wine as that selected by the
+person with whom you drink. When, however, the wine chosen by him is
+unpalatable to you, it is allowable to take that which you prefer, at
+the same time apologizingly saying, "Will you permit me to drink
+_claret_?" or whatever wine you have selected.
+
+In inviting a lady to take wine with you at table, you should politely
+say, "Shall I have the pleasure of a glass of wine with you?" You will
+then either hand her the bottle you have selected, or send it by the
+waiter, and afterwards fill your own glass, when you will politely and
+silently bow to each other, as you raise the wine to your lips. The same
+ceremony is to be observed when inviting a gentleman.
+
+On raising the first glass of wine to his lips, it is customary for a
+gentleman to bow to the lady of the house.
+
+It is not customary to propose _toasts_ or to drink deep at a
+gentleman's family table. Lord Byron describes "a largish party," as
+"first silent, then talky, then argumentative, then disputatious, then
+unintelligible, then altogethery, then drunk." But this was "a largish
+party," which, it is to be hoped, was given at a tavern; for the man who
+drinks to intoxication, or to any considerable degree of _elevation_, at
+a gentleman's family table, ought never to expect to be invited a second
+time.
+
+At dinner-parties which are given to gentlemen, for the purpose of
+conviviality, one may indulge in as much wine as he pleases, provided he
+does not get _drunk_, and make a nuisance of himself. Where drinking,
+and toasting, and bumpers, are the order of the feast, as at a public
+dinner, given in honor of a distinguished man, or at the inauguration of
+some public enterprise, far greater latitude is allowed, in all things,
+than on more private and select occasions.
+
+In conclusion of our article on table etiquette, we quote from a recent
+English work, some humorous, but valuable hints:
+
+"We now come to habits at table, which are very important. However
+agreeable a man may be in society, if he offends or disgusts by his
+table traits, he will soon be scouted from it, and justly so. There are
+some broad rules for behavior at table. Whenever there is a servant to
+help you, never help yourself. Never put a knife into your mouth, not
+even with cheese, which should be eaten with a fork. Never use a spoon
+for anything but liquids. Never touch anything edible with your fingers.
+
+"Forks were undoubtedly a later invention than fingers, but as we are
+not cannibals, I am inclined to think they were a good one. There are
+some few things which you may take up with your fingers. Thus an
+epicure will eat even macaroni with his fingers; and as sucking
+asparagus is more pleasant than chewing it, you may, as an epicure, take
+it up _au naturel_. But both these things are generally eaten with a
+fork. Bread is, of course, eaten with the fingers, and it would be
+absurd to carve it with your knife and fork. It must, on the contrary,
+always be broken when not buttered, and you should never put a slice of
+dry bread to your mouth to bite a piece off. Most fresh fruit, too, is
+eaten with the natural prongs, but when you have peeled an orange or
+apple, you should cut it with the aid of the fork, unless you can
+succeed in breaking it. Apropos of which, I may hint that no epicure
+ever yet put a knife to an apple, and that an orange should be peeled
+with a spoon. But the art of peeling an orange so as to hold its own
+juice, and its own sugar too, is one that can scarcely be taught in a
+book.
+
+"However, let us go to dinner, and I will soon tell you whether you are
+a well-bred man or not; and here let me premise that what is good
+manners for a small dinner is good manners for a large one, and _vice
+versa_. Now, the first thing you do is to sit down. Stop, sir! pray do
+not cram yourself into the table in that way; no, nor sit a yard from
+it, like that. How graceless, inconvenient, and in the way of
+conversation! Why, dear me! you are positively putting your elbows on
+the table, and now you have got your hands fumbling about with the
+spoons and forks, and now you are nearly knocking my new hock glasses
+over. Can't you take your hands down, sir? Didn't you, learn that in the
+nursery? Didn't your mamma say to you, "Never put your hands above the
+table except to carve or eat?" Oh! but come, no nonsense, sit up, if you
+please. I can't have your fine head of hair forming a side dish on my
+table; you must not bury your face in the plate; you came to show it,
+and it ought to be alive. Well, but there is no occasion to throw your
+head back like that, you look like an alderman, sir, _after_ dinner.
+Pray, don't lounge in that sleepy way. You are here to eat, drink, and
+be merry. You can sleep when you get home.
+
+"Well, then, I suppose you can see your napkin. Got none, indeed! Very
+likely, in _my_ house. You may be sure that I never sit down to a meal
+without napkins. I don't want to make my tablecloths unfit for use, and
+I don't want to make my trousers unwearable. Well, now, we are all
+seated, you can unfold it on your knees; no, no; don't tuck it into your
+waistcoat like an alderman; and what! what on earth do you mean by
+wiping your forehead with it? Do you take it for a towel? Well, never
+mind, I am consoled that you did not go farther, and use it as a
+pocket-handkerchief. So talk away to the lady on your right, and wait
+till soup is handed to you. By the way, that waiting is the most
+important part of table manners, and, as much as possible, you should
+avoid asking for anything or helping yourself from the table. Your soup
+you eat with a spoon--I don't know what else you _could_ eat it
+with--but then it must be one of good size. Yes, that will do, but I beg
+you will not make that odious noise in drinking your soup. It is louder
+than a dog lapping water, and a cat would be quite genteel to it. Then
+you need not scrape up the plate in that way, nor even tilt it to get
+the last drop. I shall be happy to send you some more; but I must just
+remark, that it is not the custom to take two helpings of soup, and it
+is liable to keep other people waiting, which, once for all, is a
+selfish and intolerable habit. But don't you hear the servant offering
+you sherry? I wish you would attend, for my servants have quite enough
+to do, and can't wait all the evening while you finish that very mild
+story to Miss Goggles. Come, leave that decanter alone. I had the wine
+put on the table to fill up; the servants will hand it directly, or, as
+we are a small party, I will tell you to help yourself; but pray, do
+not be so officious. (There, I have sent him some turbot to keep him
+quiet. I declare he cannot make up his mind.) You are keeping my servant
+again, sir. Will you, or will you not, do turbot? Don't examine it in
+that way; it is quite fresh, I assure you; take or decline it. Ah, you
+take it, but that is no reason why you should take up a knife too. Fish,
+I repeat, must never be touched with a knife. Take a fork in the right
+and a small piece of bread in the left hand. Good, but----? Oh! that is
+atrocious; of course you must not swallow the bones, but you should
+rather do so than spit them out in that way. Put up your napkin like
+this, and land the said bone on your plate. Don't rub your head in the
+sauce, my good man, nor go progging about after the shrimps or oysters
+therein. Oh! how horrid! I declare your mouth was wide open and full of
+fish. Small pieces, I beseech you; and once for all, whatever you eat,
+keep your mouth _shut_, and never attempt to talk with it full.
+
+"So now you have got a pate. Surely you are not taking two on your
+plate! There is plenty of dinner to come, and one is quite enough. Oh!
+dear me, you are incorrigible. What! a knife to cut that light brittle
+pastry? No, nor fingers, never. Nor a spoon--almost as bad. Take your
+fork, sir, your fork; and, now you have eaten, oblige me by wiping your
+mouth and moustache with your napkin, for there is a bit of the pastry
+hanging to the latter, and looking very disagreeable. Well, you can
+refuse a dish if you like. There is no positive necessity for you to
+take venison if you don't want it. But, at any rate, do not be in that
+terrific hurry. You are not going off by the next train. Wait for the
+sauce and wait for the vegetables; but whether you eat them or not, do
+not begin before everybody else. Surely you must take my table for that
+of a railway refreshment-room, for you have finished before the person I
+helped first. Fast eating is bad for the digestion, my good sir, and not
+very good manners either. What! are you trying to eat meat with a fork
+alone? Oh! it is sweetbread; I beg your pardon, you are quite right. Let
+me give you a rule: Everything that can be cut without a knife, should
+be cut with a fork alone. Eat your vegetables, therefore, with a fork.
+No, there is no necessity to take a spoon for peas; a fork in the right
+hand will do. What! did I really see you put your knife into your mouth?
+Then I must give you up. Once for all, and ever, the knife is to cut,
+not to help with. Pray, do not munch in that noisy manner; chew your
+food well, but softly. _Eat slowly._ Have you not heard that Napoleon
+lost the battle of Leipsic by eating too fast? It is a fact though. His
+haste caused indigestion, which made him incapable of attending to the
+details of the battle. You see you are the last person eating at table.
+Sir, I will not allow you to speak to my servants in that way. If they
+are so remiss as to oblige you to ask for anything, do it gently, and in
+a low tone, and thank a servant just as much as you would his master.
+Ten to one he is as good a man; and because he is your inferior in
+position, is the very reason you should treat him courteously. Oh! it is
+of no use to ask me to take wine; far from pacifying me, it will only
+make me more angry, for I tell you the custom is quite gone out, except
+in a few country villages, and at a mess-table. Nor need you ask the
+lady to do so. However, there is this consolation, if you should ask any
+one to take wine with you, he or she _cannot_ refuse, so you have your
+own way. Perhaps next you will be asking me to hob and nob, or
+_trinquer_ in the French fashion with arms encircled. Ah! you don't
+know, perhaps, that when a lady _trinques_ in that way with you, you
+have a right to finish off with a kiss. Very likely, indeed! But it _is_
+the custom in familiar circles in France, but then we are not Frenchmen.
+_Will_ you attend to your lady, sir? You did not come merely to eat, but
+to make yourself agreeable. Don't sit as glum as the Memnon at Thebes;
+talk and be pleasant. Now you have some pudding. No knife--no, _no_. A
+spoon, if you like, but better still, a fork. Yes, ice requires a spoon;
+there is a small one handed you, take that.
+
+"Say 'no.' This is the fourth time wine has been handed to you, and I am
+sure you have had enough. Decline this time if you please. Decline that
+dish too. Are you going to eat of everything that is handed? I pity you
+if you do. No, you must not ask for more cheese, and you must eat it
+with your fork. Break the rusk with your fingers. Good. You are drinking
+a glass of old port. Do not quaff it down at a gulp in that way. Never
+drink a whole glassful of anything at once.
+
+"Well, here is the wine and dessert. Take whichever wine you like, but
+remember you must keep to that, and not change about. Before you go up
+stairs I will allow you a glass of sherry after your claret, but
+otherwise drink of one wine only! You don't mean to say you are helping
+yourself to wine before the ladies! At least, offer it to the one next
+to you, and then pass it on, gently, not with a push like that. Do not
+drink so fast; you will hurry me in passing the decanters, if I see that
+your glass is empty. You need not eat dessert till the ladies are gone,
+but offer them whatever is nearest to you. And now they are gone, draw
+your chair near mine, and I will try and talk more pleasantly to you.
+You will come out admirably at your next dinner with all my teaching.
+What! you are excited, you are talking loud to the colonel. Nonsense!
+Come and talk easily to me or to your nearest neighbor. There, don't
+drink any more wine, for I see you are getting romantic. You oblige me
+to make a move. You have had enough of those walnuts; you are keeping
+me, my dear sir. So now to coffee [one cup] and tea, which I beg you
+will not pour into your saucer to cool. Well, the dinner has done you
+good, and me too. Let us be amiable to the ladies, but not too much
+so."
+
+
+
+
+CARVING.
+
+
+Carving is an art which every parent should teach his sons and
+daughters. Nothing can be more disagreeable and unpleasant than to be
+placed before any particular dish without being able to help it
+properly. It is generally the case when the head of the family is a good
+carver; for he so objects to see things badly cut, that he prefers
+carving everything himself. We remember once, when very young, being
+invited to a large dinner, and we were placed before a ham. We began to
+hack this article, when the general, the founder of the feast, said to
+his servant, "Take that ham away from that young gentleman, and place it
+before some one who knows how to carve." From that moment we determined
+to achieve the art of carving, and after great difficulty we succeeded,
+and succeeded so well that once, in carving a hare, a clergyman, one of
+the guests, remarked what an excellent invention that of boning a hare
+was, we carved it with so much ease; but determined to have a joke at
+the expense of the clergyman, we laid down the knife and fork, and said,
+"Sir, we are surprised that you could express such an opinion, when it
+is well known that it has filled more jails and sent more men to the
+treadmill than any other thing you can name." "What, sir, taking the
+bones out of a hare?" "No, sir, 'boning' the hare first." No one can
+carve without practice, and consequently children ought to begin young,
+in order to acquire a thorough knowledge of the art. It is difficult to
+describe the method of carving, even with drawings or diagrams; but the
+reader who wishes to learn, may, by observing how good carvers proceed,
+and applying what he has seen to what he reads, with practice, soon
+become an adept.
+
+And first, never stand up to carve; this is the greatest vulgarity, and
+even a very short man need not stand up. A little, deformed, hump-back
+friend of ours, used to give very good dinners; he carved well, and
+delighted in showing it, but he had a failing--always to have very large
+joints of meat before him. One day a stranger guest arrived late, dinner
+had been served, even soup and fish had been removed; the host was
+absolutely hidden behind an enormous round of beef, and the stranger saw
+nothing at the head of the table but the monstrous joint, round which a
+knife was revolving with wonderful rapidity. Steam was the subject of
+talk at the moment, and he exclaimed, "I did not know that you had
+brought steam to this perfection." "What perfection?" "Why, don't you
+see that round of beef is carved by steam." This was enough; it got the
+hunchback's steam up, and, jumping on the chair, he demanded who dare
+insult him in his own house; and it was with great difficulty that his
+friends could appease his wrath, and turn his steam off. Ever since the
+time of Adam, men and women have been prone to excuse themselves and lay
+the blame on others. Thus, a person who could not swim, complained
+bitterly of the want of buoyancy in the water; and another, who had
+frightfully mangled a leg of mutton in attempting to carve, declared
+that the sheep was deformed and had a bandy leg.
+
+In France, at all large dinners, dishes are carved at the sideboard by a
+servant, and then handed round in small portions. It saves a great deal
+of trouble, and prevents the shower of gravy with which awkward carvers
+will often inundate the table-cloth, and sometimes their neighbors. It
+would be well if this custom was universal in America, where it is rare
+to find a good carver. In helping the soup, never say, "Will you let me
+assist you to some of this soup?" this is vulgar in the extreme. The
+word assist is not "selon les regles de la bonne societe," but simply,
+"Shall I send you some?" Now, any one can help soup. But then there are
+two ways, the right and the wrong. First, then, your soup plates should
+be held by the servant near the tureen, and you should judge the number
+you have to help by the quantity of soup you have, to avoid the
+possibility of consuming all your soup before you have helped your
+guests; give one spoonful of soup to each plate, and avoid by all means
+slopping the soup either into the tureen or over the table-cloth, or
+over the side of the plate, all of which are extreme vulgarities. And
+here we beg to say--notwithstanding Brummel having said, in speaking of
+some one with whom he could find no other fault, that he was a sort of
+fellow who would come twice to soup,--that, if very good, it is not
+vulgar to eat twice of it; but, _au contraire_, if not good, the worst
+possible taste.
+
+The next thing in order is fish. Now, of fish there are several sorts;
+the first of the large sorts being
+
+SALMON, the shape of which every one knows; but few people have a whole
+salmon at table. The fish should be served always on a strainer, covered
+with a small dinner napkin, and the cook should be careful that it be
+sent to table whole and unbroken. It should be laid on its side, and
+garnished with fried smelts; it should be cut with the trowel, or
+fish-knife, immediately down the middle of the side, and helped from the
+centre to the back, one slice back and a small slice towards the belly,
+which is the richest and fattest part; care should be taken that the
+slices are not broken, and with each slice a fried smelt be given.
+
+COD-FISH should be helped differently. Cutting from the back to the
+thin part, crossways, and the sound divided so as to give each person a
+small portion.
+
+MACKEREL, if boiled, should be divided into four; that is, place your
+trowel or fish-knife under the flesh at the tail, and raise up the flesh
+to the head, then divide the side in the middle, giving half of the side
+to each person, and leaving the bone and head and tail in the dish.
+
+HERRINGS should be helped by giving one to each person.
+
+EELS are always cut in small pieces, and all the attention required is
+that those which are the largest are the best.
+
+PATTIES AND ENTREES ought to be so arranged that they can be served with
+a spoon, and require no carving. The roast is therefore the next thing
+that calls for observation.
+
+A LEG OF MUTTON is, or rather ought to be served exactly the reverse
+side to a haunch of mutton; that is, it ought to lie on the flat side,
+and so show the beveled side to the carver. A slice is cut in the
+center; and then the carver is to cut to the bone right and left, the
+thick side being most esteemed. The best fat is that which lies at the
+thick end, near to the bone; there is not much of it, but it is
+considered a delicacy.
+
+A SIRLOIN OF BEEF.--The most elegant way to cut this joint is by making
+an incision from the chine-bone to the flap, directly in the center, and
+helping from either side. However, this is not the most economical way;
+and therefore it is to be cut thin on the outside, from the chine-bone
+to the flaps, with fat from underneath. Many people like the under side,
+or inner loin. If this is eaten hot--and it is best hot--the joint
+should be turned, and the meat cut across in slices rather thicker than
+from the top side. Great care should be taken not to splash the gravy in
+turning, by placing the fork well into the flap, so as to secure a firm
+hold.
+
+A FORE QUARTER OF LAMB should be carved without removing the shoulder
+from the dish on which it is served. This is very difficult; but if well
+done, very elegant. First, then, let us give all the directions
+necessary for this dish. When it comes before the carver, he should
+place the carving-knife under the shoulder, and dexterously remove it.
+Having so done, he should place under the shoulder a slice of fresh
+butter, and then prepare some salt, cayenne pepper, and the juice of an
+orange or a lemon, which should be also poured over the part of the lamb
+from which the shoulder has been separated, and then pour the gravy with
+the gravy-spoon over the lamb, so that the butter, etc., may amalgamate
+well with the gravy. You have then the breast and the ribs, and the
+shoulder on the dish, ready to help your friends. Before separating the
+ribs, you must cut off the breast, the bones of which the butcher has
+previously broken, so as to enable you to do it with ease. As, however,
+many people cannot carve so much in one dish, perhaps the better plan is
+to place the shoulder on a separate dish, when it can be cut precisely
+as a shoulder of mutton, and the ribs and breast can be more easily
+divided and helped. Always take care that the butcher joints the meat,
+or no man can carve it.
+
+A HIND QUARTER OF LAMB should be carved both as a leg and a loin, giving
+either part to those who prefer it.
+
+A SADDLE OF LAMB must be carved like a saddle of mutton.
+
+A LOIN OF LAMB should always be divided at the chine end of the bone,
+and helped in chops.
+
+A HAUNCH OF VENISON OR MUTTON is the leg and part of the loin. It should
+be cut across, near the knuckle, and then another cut should pass down
+the center. The slices should be taken from the left and the right of
+this; those on the left, containing the most fat, are preferred by
+epicures. The fat and gravy must be equally distributed. These joints
+should always be served on a hot-water dish, or on a dish with a lamp
+under it, so as to keep the meat hot. Without one or other of these
+contrivances, no one should presume to give a haunch of venison to his
+friends. Before it is sent to table, the cook should pour over the
+haunch one wine-glassful of hot port wine.
+
+AN EDGE-BONE OF BEEF should be placed on the dish standing on the
+thickest end. The carver should first cut off a slice horizontally from
+the end to the fat, an inch thick; but in helping, it cannot be cut too
+thin, giving to each person hard and soft fat. If cut thick it is hard
+and indigestible.
+
+A ROUND OR BUTTOCK OF BEEF is cut like a fillet of veal; that is, a
+slice having been horizontally removed all round, the slices should be
+cut very thin and very even. To properly carve a large round of beef, a
+long carving-knife, such as is used in a cook-shop, is necessary.
+
+A FILLET OF VEAL is a solid piece of meat without bone; it is therefore
+easily carved by any one who possesses a sharp knife; the guard of the
+fork should be up, to prevent accidents. The veal should be well
+roasted; for if the gravy is in it, it is very unwholesome. The slices
+may be cut thicker than beef, and the stuffing should be found in the
+center, and in the flap which surrounds it.
+
+A BREAST OF VEAL.--The richest part of this is called the brisket. The
+knife must be put about four inches from this, and cut through it, which
+will separate the ribs from the brisket; serve whichever is liked.
+
+CALF'S HEAD is a dish much esteemed here; but, as generally eaten,
+plainly boiled, it is tasteless, insipid, and very objectionable--while
+cooked a la tortue, as in France, nothing can be better. It should
+always be boned and rolled; but if served whole, it is to be cut down
+the center, and helped in slices from either side. A portion of the
+sweetbread, which generally accompanies a boiled calf's head, should be
+given with each portion. If the flesh about the socket of the eye be
+preferred, the eye itself being always taken out, the knife should be
+inserted into the orifice, and the meat scooped out. The
+palate--generally esteemed a delicacy--is situated under the head. This
+should be cut into small portions, so that every one may have a share.
+
+SHOULDER OF MUTTON.--The joint being placed with the knuckle toward the
+right hand, observe that there is an angular piece of fat next you.
+Having helped your company from this part, you may, perhaps, imagine
+that your shoulder of mutton is exhausted, and will not yield a further
+dividend. However, you may get from both sides of a large shoulder
+enough to help ten people, provided your slices are not too thick, which
+they should not be. The fat is to be cut from the aforesaid angular bit
+in slices, longways. After the right and left sides are exhausted, and
+the carver stopped by the knuckle on one side and the blade-bone on the
+other, the end of the shoulder is to be turned, and cut straight down
+from the center bone to the end, comprising the three best slices of the
+joint. If more is required, the shoulder may be reversed on the dish,
+and four good slices will be found on the under side.
+
+SADDLE OF MUTTON.--This best joint of the sheep is carved in several
+ways; the usual way is to cut from the tail to the end close to the
+chine-bone, taking the slices horizontally. Another plan is to cut close
+to the back-bone, taking slices sideways, so as to help each person with
+a piece like a mutton chop, without the bone and very thin. Another way
+is to commence, not quite close to the back-bone, and so cut slices,
+rounding them a little that they will curl on the plate, cutting in such
+a way that the knife slants toward the flaps or fat, and so that the
+top of each slice is fat and the bottom lean; and for a small party,
+this is by far the most elegant and the best way to carve this excellent
+joint.
+
+HAM.--There perhaps is no joint about which there has been so much
+contention as the carving of this excellent dish. For family use, do not
+have the skin removed, but let it be sent to table as it is dressed. Cut
+from the thick end, where there is most fat; as a ham served hot is
+always eaten with veal or poultry, you can thus eat the fat. Continue
+cutting your ham in this way, and you will be able to eat it all;
+whereas, in any other way, all the lean will be eaten, and a large
+quantity of fat, which will become rancid, will be lost.
+
+CARVING HAM FOR A PARTY.--The best informed say, carve it like a leg of
+mutton, that is, beginning in the center, cut right and left in thin
+slices; we say, commence at the knuckle, and cut a thick slice off, and
+then cut thin slices as they do in the cook-shops--for, rely on it, by
+this time they have found out the most economical way of carving a ham.
+
+A SUCKING PIG must be divided down the middle, and decapitated. This
+ought to be done by the cook, and the two sides placed flat on the dish.
+Supposing, therefore, this to have been previously done, the carver is
+to take off the shoulders and the legs, and help the ribs in such pieces
+as he thinks convenient. The ribs are considered best, and you should
+give plenty of the sauce or gravy with each plate.
+
+HARE.--There are two ways of carving this difficult dish. The first is
+to cut close to the back-bone from the shoulder to the rump on either
+side, previously dividing the legs; take off the shoulders; cutting the
+back-bone in three or four pieces, and getting two slices on either
+side of the hare. The ear is considered the best part. Another way of
+carving a hare is by taking off the legs and shoulders, and cutting it
+round through the back-bone, dividing into seven or eight pieces. It is
+better to bone a hare.
+
+A RABBIT is carved very differently. The legs and shoulders are to be
+taken off, and the back divided into three or four pieces.
+
+FOWLS when boiled have their legs bent inwards, and tucked into the
+belly. A fowl must never be removed from the dish and placed upon the
+carver's plate; nothing can be more vulgar. The wing is to be removed
+with a good slice of the breast, the only difficulty being to hit the
+joint. To effect this, the knife is to be passed between the leg and the
+body, and the leg turned back with the fork. To take off the
+merrythought the carver must commence just above where the breast turns,
+and cut down slanting; then begin at the rump end, and cut the breast at
+either side, keeping the fork in that part of the breast nearest the
+rump, and turning it toward the carver; the side-bones may easily be
+removed, the back broken in half, and the two sides are then easily
+taken off. All this can only be learned by practice; and although we
+have endeavored to describe it, we feel that it requires practice to
+carry out the directions.
+
+A PHEASANT is carved precisely as a fowl. It is only necessary to say
+that ladies like the wings and breast.
+
+WILD DUCK.--This bird is only helped from the breast, which is to be
+first scored in such a way as afterward to form the slice. Lemon juice,
+cayenne, salt, and port wine made hot, should be ready to pour over it;
+then the previously scored slices are to be cut and helped. The breast
+is the only eatable part, except when hashed.
+
+PARTRIDGE.--This bird is carved precisely as a fowl. The legs and the
+back are the best parts; give them to the ladies, and let the rest of
+the company have the wings and breast.
+
+PIGEONS are usually cut straight down the middle, and a half sent to
+each person.
+
+TURKEYS are carved like geese. Never make a wing cut from the wing or
+pinion upward, and not from the breast downward. Give your knife a
+slight angle in cutting, and your slice will be larger and better.
+
+GOOSE.--To give a description of carving a goose is to say, simply,
+begin from the wing and cut the slices from the breast up to the breast
+bone, and serve each person with a slice, with some stuffing and gravy.
+To cut a wing or leg is vulgar in the extreme; for a large party, then,
+a second goose is necessary; but lest our readers should say, "That is
+an easy way to avoid telling us how we ought to dismember this bird," we
+will continue. If you wish to do a vulgar thing, and dismember a goose,
+put your fork into the small end of the pinion, and press it close to
+the body, then put in the knife and divide the joint down; to separate
+the leg, first put the fork into the small end of the bone, pressing it
+to the body, then pass your knife between the leg and the body, turn the
+leg back with your fork, and it will come off. It is impossible that
+anything but experience will teach a person how to do this expertly; but
+as we said before, it never should be done when served hot. It has been
+said frequently, that a goose is too much for one, and not enough for
+two. This means that the breast, which is the only eatable part of a
+roasted goose, is, supposing the person to eat nothing else, too much
+for one and not enough for two people's dinners; another reason for
+never cutting off or eating the legs hot, is that they make a most
+excellent "devil" for breakfast the next day--therefore, why destroy a
+dish fit for a king?
+
+WOODCOCKS AND SNIPES.--These are both carved alike--the necessary
+directions being: remove the sand-bag, which contains the gall: this
+generally protrudes; lift up the breast near the rump; spread the tail
+on your toast; cut the wing, leg, and part of the back, the wing being
+cut full, that is, with plenty of the breast attached thereto, and you
+have one portion with a third of the toast; serve the other side alike,
+with another third of the toast, and the breast and the rest of the back
+give to the person you esteem the least; in fact, the legs, wings, and
+back, as before described, are the best, and should be served together.
+Snipes should be cut in half, unless you have enough to give a bird to
+each person.
+
+
+
+
+ETIQUETTE OF THE BALL AND ASSEMBLY ROOM.
+
+
+Dancing has been defined as a "graceful movement of the body, adjusted
+by art to the measures or tunes of instruments, or of voice;" and again,
+"agreeable to the true genius of the art, dancing is the art of
+expressing the sentiments of the mind, or the passions, by measured
+steps or bounds made in cadence, by regulated motions of the figure and
+by graceful gestures; all performed to the sound of musical instruments
+or the voice."
+
+Lord Chesterfield, in his letters to his son, says: "Dancing is, in
+itself, a very trifling and silly thing: but it is one of those
+established follies to which people of sense are sometimes obliged to
+conform; and then they should be able to do it well. And though I would
+not have you a dancer, yet, when you do dance, I would have you dance
+well, as I would have you do everything you do well." In another letter,
+he writes: "Do you mind your dancing while your dancing master is with
+you? As you will be often under the necessity of dancing a minuet, I
+would have you dance it very well. Remember that the graceful motion of
+the arms, the giving of your hand, and the putting off and putting on of
+your hat genteelly, are the material parts of a gentleman's dancing. But
+the greatest advantage of dancing well is, that it necessarily teaches
+you to present yourself, to sit, stand, and walk genteelly; all of which
+are of real importance to a man of fashion."
+
+When a gentleman accompanies a lady to a ball he will at once proceed
+with her to the door of the ladies' dressing-room, there leaving her;
+and then repair to the gentlemen's dressing-room. In the mean time, the
+lady, after adjusting her toilet, will retire to the ladies'
+sitting-room or wait at the door of the dressing-room, according as the
+apartments may be arranged. After the gentleman has divested himself of
+hat, etc., and placed the same in the care of the man having charge of
+the hat-room, receiving therefor a check, and after arranging his
+toilet, he will proceed to the ladies' sitting-room, or wait at the
+entrance to the ladies' dressing-room for the lady whom he accompanies,
+and with her enter the ball-room.
+
+The ladies' dressing-room is a sacred precinct, into which no gentleman
+should ever presume to look; to enter it would be an outrage not to be
+overlooked or forgiven.
+
+With the etiquette of a ball-room, so far as it goes, there are but few
+people unacquainted. Certain persons are appointed to act as floor
+managers, or there will be a "Master of the Ceremonies," whose office it
+is to see that everything be conducted in a proper manner: if you are
+entirely a stranger, it is to _them_ you must apply for a partner, and
+point out (quietly) any young lady with whom you should like to dance,
+when, if there be no obvious inequality of position, they will present
+you for that purpose; should there be an objection, they will probably
+select some one they consider more suitable; but do not, on any account,
+go to a strange lady by yourself, and request her to dance, as she will
+unhesitatingly "decline the honor," and think you an impertinent fellow
+for your presumption.
+
+A gentleman introduced to a lady by a floor manager, or the Master of
+Ceremonies, should not be refused by the lady if she be not already
+engaged, for her refusal would be a breach of good manners: as the
+Master of Ceremonies is supposed to be careful to introduce only
+gentlemen who are unexceptionable. But a gentleman who is unqualified as
+a dancer should never seek an introduction.
+
+At a private party, a gentleman may offer to dance with a lady without
+an introduction, but at balls the rule is different. The gentleman
+should respectfully offer his arm to the lady who consents to dance with
+him, and lead her to her place. At the conclusion of the set he will
+conduct her to a seat, offer her any attention, or converse with her. A
+gentleman should not dance with his wife, and not too often with the
+lady to whom he is engaged.
+
+Any presentation to a lady in a public ball-room, for the mere purpose
+of dancing, does not entitle you to claim her acquaintance afterwards;
+therefore, should you meet her, at most you may lift your hat; but even
+that is better avoided--unless, indeed, she first bow--as neither she
+nor her friends can know who or _what_ you are.
+
+In inviting a lady to dance with you, the words, "Will you _honor_ me
+with your hand for a quadrille?" or, "Shall I have the _honor_ of
+dancing this set with you?" are more used now than "Shall I have the
+_pleasure_?" or, "Will you give me the _pleasure_ of dancing with you?"
+
+If she answers that she is engaged, merely request her to name the
+earliest dance for which she is _not_ engaged, and when she will do you
+the honor of dancing with you.
+
+When a young lady declines dancing with a gentleman, it is her duty to
+give him a reason why, although some thoughtless ones do not. No matter
+how frivolous it may be, it is simply an act of courtesy to offer him an
+excuse; while, on the other hand, no gentleman ought so far to
+compromise his self-respect as to take the slightest offence at seeing a
+lady by whom he has just been refused, dance immediately after with some
+one else.
+
+Never wait until the signal is given to take a partner, for nothing is
+more impolite than to invite a lady hastily, and when the dancers are
+already in their places; it can be allowed only when the set is
+incomplete.
+
+Be very careful not to forget an engagement. It is an unpardonable
+breach of politeness to ask a lady to dance with you, and neglect to
+remind her of her promise when the time to redeem it comes.
+
+If a friend be engaged when you request her to dance, and she promises
+to be your partner for the next or any of the following dances, do not
+neglect her when the time comes, but be in readiness to fulfill your
+office as her cavalier, or she may think that you have studiously
+slighted her, besides preventing her obliging some one else. Even
+inattention and forgetfulness, by showing how little you care for a
+lady, form in themselves a tacit insult.
+
+In a quadrille, or other dance, while awaiting the music, or while
+unengaged, a lady and gentleman should avoid long conversations, as they
+are apt to interfere with the progress of the dance; while, on the other
+hand, a gentleman should not stand like an automaton, as though he were
+afraid of his partner, but endeavor to render himself agreeable by those
+"airy nothings" which amuse for the moment, and are in harmony with the
+occasion.
+
+The customary honors of a bow and courtesy should be given at the
+commencement and conclusion of each dance.
+
+Lead the lady through the quadrille; do not _drag_ her, nor clasp her
+hand as if it were made of wood, lest she, not unjustly, think you a
+bear.
+
+You will not, if you are wise, stand up in a quadrille without knowing
+something of the figure; and if you are master of a few of the steps,
+_so much the better_. But dance quietly; do not kick and caper about,
+nor sway your body to and fro; dance only _from the hips downwards_; and
+lead the lady as lightly as you would tread a measure with a spirit of
+gossamer.
+
+Do not pride yourself on doing the "steps neatly," unless you are
+ambitious of being taken for a dancing-master; between whose motions and
+those of a _gentleman_ there is a great difference.
+
+Unless a man has a very graceful figure, and can use it with great
+elegance, it is better for him to _walk_ through the quadrilles, or
+invent some gliding movement for the occasion.
+
+When a lady is standing in a quadrille, though not engaged in dancing, a
+gentleman not acquainted with her partner should not converse with her.
+
+When an unpracticed dancer makes a mistake, we may apprise him of his
+error; but it would be very impolite to have the air of giving him a
+lesson.
+
+Immediate attention should be paid to any request made by the Master of
+Ceremonies, and all misunderstandings respecting the dance should be
+referred to him, his decision being deemed final. Otherwise his
+superintendence of the ball will be attended with great inconvenience.
+
+When forming for quadrilles, if by any oversight you should accidentally
+occupy another couple's place, on being informed of the intrusion, you
+should immediately apologize to the incommoded party, and secure another
+position.
+
+Contending for a position in quadrilles, at either head or sides,
+indicates an irritable and quarrelsome disposition altogether unsuited
+for an occasion where all should meet with kindly feelings.
+
+When a company is divided into different sets, persons should not
+attempt to change their places without permission from the Master of
+Ceremonies.
+
+No persons engaged in a quadrille or other dance that requires their
+assistance to complete the set, should leave the room or sit down before
+the dance is finished, unless on a very urgent occasion, and not even
+then without previously informing the Master of Ceremonies, that he may
+find substitutes.
+
+If a lady waltz with you, beware not to press her waist; you must only
+lightly touch it with the palm of your hand, lest you leave a
+disagreeable impression not only on her _ceinture_, but on her mind.
+
+Above all, do not be prone to quarrel in a ball-room; it disturbs the
+harmony of the company, and should be avoided if possible. Recollect
+that a thousand little derelictions from strict propriety may occur
+through the ignorance or stupidity of the aggressor, and not from any
+intention to annoy; remember, also, that the _really well-bred women_
+will not thank you for making them conspicuous by over-officiousness in
+their defence, unless, indeed, there be some serious or glaring
+violation of decorum. In small matters, ladies are both able and willing
+to take care of themselves, and would prefer being allowed to overwhelm
+the unlucky offender in their own way.
+
+When a gentleman has occasion to pass through an assemblage of ladies,
+where it is absolutely impossible to make his way without disturbing
+them; or when he is obliged to go in front, because he cannot get behind
+them, it is but common courtesy for him to express his regret at being
+compelled to annoy them.
+
+A gentleman having two ladies in charge may, in the absence of friends,
+address a stranger, and offer him a partner, asking his name previous to
+an introduction, and mentioning that of the lady to him or not, as he
+may think proper.
+
+It is improper to engage or reengage a lady to dance without the
+permission of her partner.
+
+Never forget that ladies are to be first cared for, to have the best
+seats, the places of distinction, and are entitled in all cases to your
+courteous protection.
+
+Young ladies should avoid sauntering through an assembly-room alone;
+they should either be accompanied by their guardian or a gentleman.
+
+Neither married nor young ladies should leave a ball-room assemblage, or
+other party, unattended. The former should be accompanied by other
+married ladies, and the latter by their mother or guardian. Of course, a
+gentleman is a sufficient companion for either.
+
+Young ladies should avoid attempting to take part in a dance,
+particularly a quadrille, unless they are familiar with the figures.
+Besides rendering themselves awkward and confused, they are apt to
+create ill-feeling, by interfering with, and annoying others. It were
+better for them to forego the gratification of dancing than to risk the
+chances of making themselves conspicuous, and the subject of
+animadversion. As we have elsewhere said, modesty of deportment should
+be the shining and preeminent characteristic of woman. She should be
+modest in her attire, in language, in manners and general demeanor.
+Beauty becomes irresistible when allied to this lodestone of attraction;
+plainness of features is overlooked by it; even positive homeliness is
+rendered agreeable by its influence.
+
+When a gentleman escorts a lady to a ball, he should dance with _her_
+first, or offer so to do; and it should be his care to see that she is
+provided with a partner whenever she desires to dance.
+
+After dancing, a gentleman should invariably conduct a lady to a seat,
+unless she otherwise desires; and, in fact, a lady should not be
+unattended, at any time, in a public assembly.
+
+When you conduct your partner to her seat, thank her for the pleasure
+she has conferred upon you, and do not remain too long conversing with
+her.
+
+When that long and anxiously desiderated hour, the hour of supper, has
+arrived, you hand the lady you attend up or down to the supper-table.
+You remain with her while she is at the table, seeing that she has all
+that she desires, and then conduct her back to the dancing-rooms.
+
+If, while walking up and down a public promenade, you should meet
+friends or acquaintances whom you don't intend to join, it is only
+necessary to salute them the first time of passing; to bow or nod to
+them at every round would be tiresome, and therefore improper; have no
+fear that they will deem you odd or unfriendly, as, if they have any
+sense at all, they can appreciate your reasons. If you have anything to
+say to them, join them at once.
+
+We have already alluded to the necessity of discarding all cant terms
+and phrases from conversation, not only in assembly-rooms, but on all
+occasions; and we would particularly caution our young lady friends
+against even the recognition of those _equivoques_ and _double entendre_
+which the other sex sometimes inconsiderately, but oftener determinedly,
+introduce.
+
+Neither by smiles nor blushes should they betray any knowledge of the
+hidden meaning that lurks within a phrase of doubtful import, nor seem
+to recognize anything which they could not with propriety openly make a
+subject of discourse. All indelicate expressions should be to them as
+the Sanscrit language is to most people, incomprehensible. All wanton
+glances and grimaces, which are by libertines considered as but so many
+invitations to lewdness, should be strictly shunned.
+
+No lady can be too fastidious in her conduct, or too guarded in her
+actions. A bad reputation is almost as destructive of happiness to her
+as absolute guilt; and of her character we may say with the poet:
+
+ "A breath can make them, or a breath unmake."
+
+In dancing, generally, the performers of both sexes should endeavor to
+wear a pleasant countenance; and in presenting hands, a slight
+inclination of the head, in the manner of a salutation, is appropriate
+and becoming. Dancing is certainly supposed to be an enjoyment, but the
+sombre countenance of some who engage in it, might almost lead to the
+belief that it were a solemn duty being performed. If those who laugh in
+church would transfer their merriment to the assembly-room, and those
+who are sad in the assembly-room would carry their gravity to the
+church, they both might discover the appositeness of Solomon's
+declaration, that "there is a time to be merry and a time to be sad."
+
+We have already alluded to the importance of a correct use of language
+in conversation, and though we are aware that it is absolutely
+impossible to practice it without a certain degree of education, yet we
+would urge that the habit which many acquire, more through carelessness
+than ignorance, of disregarding it, is worthy of consideration. Many a
+young lady has lost a future husband by a wanton contempt for the rules
+of Lindley Murray.
+
+Though hardly a case in point, we cannot forego the opportunity of
+recording an incident in the career of a young man "about town," who,
+anxious to see life in all its phases, was induced to attend a public
+ball, the patrons of which were characterized more for their peculiarity
+of manners than their extraordinary refinement. On being solicited by
+an acquaintance, whom he respected for his kindness of heart and
+integrity rather than for his mental accomplishments, to dance with his
+daughter, he consented, and was accordingly introduced to a very
+beautiful young lady. Ere the dance commenced, and while the musicians
+were performing the "Anvil Chorus," from "Trovatore," the young lady
+asked: "Do you know what that _'ere_ is?"
+
+Supposing that she meant _air_, and wishing to give her an opportunity
+of making herself happy in the thought of imparting a valuable piece of
+information, in utter disregard of the principles of Mrs. Opie, he
+replied, "No." "Why," said she, "that's the Anvel Core-ri-ous."
+
+With an expletive more profane than polite, he suddenly found his
+admiration for the lady as much diminished by her ignorance, as it had
+before been exalted by her beauty.
+
+At private assemblies, it should be the effort of both ladies and
+gentlemen to render themselves as agreeable as possible to all parties.
+With this purpose in view, the latter should, therefore, avoid showing
+marked preferences to particular ladies, either by devoting their
+undivided attentions or dancing exclusively with them. Too often, the
+belle of the evening, with no other charms than beauty of form and
+feature, monopolizes the regards of a circle of admirers, while modest
+merit, of less personal attraction, is both overlooked and neglected. We
+honor the generous conduct of those, particularly the "well-favored,"
+who bestow their attentions on ladies who, from conscious lack of
+beauty, least expect them.
+
+On the other hand, no lady, however numerous the solicitations of her
+admirers, should consent to dance repeatedly, when, by so doing, she
+excludes other ladies from participating in the same amusement; still
+less, as we have elsewhere hinted, should she dance exclusively with
+the same gentleman, to the disadvantage of others.
+
+Both ladies and gentlemen should be careful about introducing persons to
+each other without being first satisfied that such a course will be
+mutually agreeable.
+
+The custom, in this country, particularly among gentlemen, of
+indiscriminate introductions, is carried to such a ridiculous extent,
+that it has often been made the subject of comment by foreigners, who
+can discover no possible advantage in being made acquainted with others
+with whom they are not likely to associate for three minutes, in whom
+they take not the slightest interest, and whom they probably will never
+again encounter, nor recognize if they should. Besides, every one has a
+right to exercise his own judgment and taste in the selection of
+acquaintances, and it is clearly a breach of politeness to thrust them
+upon your friend or associate, without knowing whether it will be
+agreeable to either party.
+
+
+
+
+EVENING PARTIES.
+
+
+The etiquette of the ball-room being disposed of, let us now enter
+slightly into that of an evening party.
+
+The invitations issued and accepted for an evening party will be written
+in the same style as those already described for a dinner-party. They
+should be sent out _at least_ three weeks before the day fixed for the
+event, and should be replied to within a week of their receipt,
+accepting or declining with regrets. By attending to these courtesies,
+the guests will have time to consider their engagements and prepare
+their dresses, and the hostess will also know what will be the number of
+her party.
+
+A lady, invited to an evening party, may request a gentleman to
+accompany her, even though he may not have received an invitation from
+the hostess.
+
+In most of the American cities nine o'clock is the hour which custom has
+established as the time for the lady to be in her parlor, ready to
+receive her guests, and by ten o'clock all the guests should arrive. It
+is an affectation, not entirely devoid of assumption and impudence, for
+people to purposely delay their appearance till a very late hour.
+
+As the ladies and gentlemen arrive, each should be shown to a room
+exclusively provided for their reception; and the gentleman conducts the
+lady in his charge to the door of the ladies' dressing-room, while he
+goes to the gentlemen's apartment, each to prepare their toilet
+suitably to entering the reception-room.
+
+In the room set apart for the ladies, attendants should be in waiting to
+assist in uncloaking, and helping to arrange the hair and toilet of
+those who require it.
+
+After completing her toilet, the lady waits at the door of her
+dressing-room till the gentleman joins her, and they make their _entree_
+together.
+
+In large and formal parties, it is generally customary for the servant
+to announce the names of the guests as they enter the room, but this is
+a ceremony well enough dispensed with, except on occasions of very large
+and formal parties.
+
+It is the business of the lady of the house to be near the door to
+receive her guests; if she is not there, you need not go hunting through
+the crowd after her.
+
+As the guests enter the room, it is not necessary for the lady of the
+house to advance each time toward the door, but merely to rise from her
+seat to receive their courtesies and congratulations. If, indeed, the
+hostess wishes to show particular favor to some peculiarly honored
+guests, she may introduce them to others, whose acquaintance she may
+imagine will be especially suitable and agreeable.
+
+It is very often the practice of the gentleman of the house to introduce
+one gentleman to another, but occasionally the lady performs this
+office; when it will, of course, be polite for the persons thus
+introduced to take their seats together for the time being.
+
+When entering a private ball or party, the visitor should invariably bow
+to the company. No well-bred person would omit this courtesy in entering
+a drawing-room; and although the entrance to a large assembly may be
+unnoticed by all present, its observance is not the less necessary. It
+is the thoughtless absence of good manners in large and mixed companies,
+where a greater degree of studied politeness is indispensable, that
+renders them sometimes so unpleasant.
+
+A separate room or convenient buffet should be appropriated for
+refreshments, and to which the dancers may retire; and cakes and
+biscuits, with lemonade, handed round.
+
+Of course a supper is provided at all private parties; and this
+requires, on the part of the hostess, a great deal of attention and
+supervision. It usually takes place between the first and second parts
+of the programme of the dances, of which there should be several
+prettily written or printed copies distributed about the room.
+
+It will be well for the hostess, even if she be very partial to the
+amusement, and a graceful dancer, not to participate in it to any great
+extent, lest her lady guests should have occasion to complain of her
+monopoly of the gentlemen, and other causes of neglect.
+
+A few dances will suffice to show her interest in the entertainment,
+without unduly trenching on the attention due to her guests.
+
+The hostess or host, during the progress of a party, will courteously
+accost and chat with their friends, and take care that the ladies are
+furnished with seats, and that those who wish to dance are provided with
+partners. A gentle hint from the hostess, conveyed in a quiet ladylike
+manner, that certain ladies have remained unengaged during several
+dances, is sure not to be neglected by any gentleman. Thus will be
+studied the comfort and enjoyment of the guests, and no lady, in leaving
+the house, will be able to feel the chagrin and disappointment of not
+having been invited to "stand up" in a dance during the whole evening.
+
+For any of the members, either sons or daughters, of the family at whose
+house the party is given, to dance frequently or constantly, denotes
+decided ill-breeding. The ladies of the house should not occupy those
+places in a quadrille which others may wish to fill, and they should,
+moreover, be at leisure to attend to the rest of the company; and the
+gentlemen should be entertaining the married ladies and those who do not
+dance.
+
+In private parties, a lady is not to refuse the invitation of a
+gentleman to dance, unless she be previously engaged. The hostess must
+be supposed to have asked to her house only those persons whom she knows
+to be perfectly respectable and of unblemished character, as well as
+pretty equal in position; and thus, to decline the offer of any
+gentleman present, would be a tacit reflection on the gentleman or lady
+of the house.
+
+If one lady refuses you, do not ask another who is seated near her to
+dance the same set. Do not go immediately to another lady, but chat a
+few moments with the one whom you first invited, and then join a group
+or gentlemen friends for a few moments, before seeking another partner.
+
+In private parties, where dancing is the chief part of the evening's
+entertainment, it is not in conformity with the rules of etiquette for a
+young lady to dance with one gentleman repeatedly, to the exclusion of
+all others who may solicit her hand, even though the favored individual
+be her suitor. However complimentary to the lady, to be the recipient of
+a gentleman's undivided attentions, or however gratifying it may be for
+him to manifest his devotion to the lady of his choice, such a course is
+an exhibition of selfishness which ought not to be displayed in an
+assemblage of ladies and gentlemen who have congregated for mutual
+enjoyment.
+
+It is not considered _comme il faut_ to ask a married lady to dance,
+when her husband is present, without previously ascertaining whether it
+be agreeable to him.
+
+Gentlemen will not get together in groups to the neglect of the ladies.
+
+The members of an invited family should never be seen conversing with
+each other at a party.
+
+If you accompany your wife to a dancing party, be careful not to dance
+with her, except perhaps the first set.
+
+Where there are no programmes, engagements should not be made until the
+dance is announced.
+
+When the dance is over, the gentleman conducts his partner to her seat;
+and, unless he chooses to sit beside her, bows and withdraws.
+
+While dancing, a lady should consider herself engaged to her partner,
+and therefore not at liberty to hold a flirtation, between the figures,
+with another gentleman; and should recollect that it is the gentleman's
+part to lead her, and hers to follow his directions.
+
+In a circle, we should not pass before a lady; neither should we present
+anything by extending the arm over her, but pass round behind and
+present it. In case we cannot do it, we say, _I ask your pardon, etc_.
+
+In ascending a staircase with ladies, go at their side or before them.
+
+A correct ear for music does not pertain to every one, and those who are
+deficient in this respect should refrain from dancing. Let not the
+unpracticed dancer attempt quadrilles. A novice necessarily perplexes
+and annoys a partner. On the other hand, nowhere perhaps has a kindly
+disposition more pleasing opportunities of conferring small benefits
+than in a ball-room. Those who are expert in dancing may gently apprise
+the unskillful of an error, and this without giving the slightest
+offense, or seeming to dictate; while such as dance well, and are
+solicited to dance, should carefully avoid speaking of it. They ought
+rather to seek to contribute to less fortunate persons a full share in
+the evening's amusement. A lady may do this by gently hinting to a
+gentleman who solicits her hand for another dance, that such a lady has
+remained unengaged. No gentleman will neglect such a suggestion.
+
+There is a custom which is sometimes practiced both in the assembly room
+and at private parties, which cannot be too strongly reprehended; we
+allude to the habit of ridicule and ungenerous criticism of those who
+are ungraceful or otherwise obnoxious to censure, which is indulged in
+by the thoughtless, particularly among the dancers. Of its gross
+impropriety and vulgarity we need hardly express an opinion; but there
+is such an utter disregard for the feelings of others implied in this
+kind of negative censorship, that we cannot forbear to warn our young
+readers to avoid it. The "Koran" says: "Do not mock--the mocked may be
+better than the mocker." Those you condemn may not have had the same
+advantages as yourself in acquiring grace or dignity, while they may be
+infinitely superior in purity of heart and mental accomplishments. The
+advice of Chesterfield to his son, in his commerce with society, to _do
+as you would be done by_, is founded on the Christian precept, and
+worthy of commendation. Imagine yourself the victim of another's
+ridicule, and you will cease to indulge in a pastime which only gains
+for you the hatred of those you satirize, if they chance to observe you,
+and the contempt of others who have noticed your violation of
+politeness, and abuse of true sociality.
+
+We conclude our strictures on this subject with the following passage
+from the essays of Addison: "But what an absurd thing it is, to pass
+over all the valuable characteristics of individuals, and fix our
+attention on their infirmities--to observe their imperfections more than
+their virtues--and to make use of them for the sport of others, rather
+than for our own improvement."
+
+In whatever relation with the fair sex, and under whatsoever
+circumstances, it is the duty--we may add, the practice--of a gentleman
+to so deport himself as to avoid giving any cause of offense.
+
+In private parties, where people meet for the pleasure of conversation,
+remember occasionally to change your place. Opportunities will readily
+occur, such, for instance, as the opening of a portfolio of prints, or
+the showing of any article of taste or science. You will thus avoid the
+awkwardness of being either left alone, or constraining the master or
+mistress of the house to commiserate your isolated condition.
+
+If you are asked by the lady of the house, at an evening party, to sing,
+and you can really do so well, comply at once; but never sing at the
+request of another person. If you cannot or do not choose to sing, say
+so at once with seriousness and gravity, and put an end to the
+expectation promptly. After singing once or twice, cease and give place
+to others.
+
+When singing or playing is going on, if you have no taste for music, you
+should still be profoundly silent. To converse, is annoying to the rest
+of the company, rude to the mistress of the house, and cruel to the
+performer.
+
+Carefully avoid all peculiarities of manner; and every wish to show off,
+or to absorb conversation to yourself. Be also very careful not to
+appear to be wiser than the company. If a fact in history is mentioned,
+even if it be not quite correct, do not set the narrator right, unless
+in a very delicate and submissive manner. If an engraving of distant
+scenery or foreign buildings is shown, do not industriously point out
+inaccuracies. It may be that such occur, but finding fault is never
+acceptable; it conveys a censure on the taste or information of the
+possessor; or it suggests that he has been imposed upon--an idea which
+is always productive of mortification. Such attempts to appear wiser
+than the rest of the company, interfere with the pleasure of the party,
+and the person who falls into them is never long acceptable.
+
+People sometimes say, that they are not invited to parties; they
+complain of neglect, and are out of humor with the world. Let such
+persons consider whether they have not brought upon themselves the
+neglect which they deplore.
+
+Should the guests be numerous, and the space scarcely sufficient for
+their accommodation, it would be considered extremely ill-bred to take a
+place previously engaged; or, when joining a country dance, to push in
+at the middle or upper end. You must take your station below the last
+couple who are standing up.
+
+If there be a supper, the gentleman should conduct to the supper-room
+his last partner, unless he have a prior engagement, or is asked by the
+host to do otherwise. In the latter case, he should provide his partner
+with a substitute, at the same time making a handsome apology.
+
+No gentleman should offer his services to conduct a lady home, without
+being acquainted with her, unless he have been requested so to do by the
+host.
+
+When any of the carriages of the guests are announced, or the time for
+their departure arrived, they should make a slight intimation to the
+hostess, without, however, exciting any observation, that they are about
+to depart. If this cannot be done without creating too much bustle, it
+will be better for the visitors to retire quietly without saying
+good-night, for when people are seen to be leaving, it often breaks up
+the party. An opportunity, however, may previously be sought of
+intimating to the hostess your intention to retire, which is more
+respectful.
+
+During the course of the week, the hostess will expect to receive from
+every guest a call, where it is possible, or cards expressing the
+gratification experienced from her entertainment. This attention is due
+to every lady for the pains and trouble she has been at, and tends to
+promote social, kindly feelings.
+
+
+
+
+VISITING.
+
+
+Next in order to the ceremonials of dinner or evening parties, are
+customary calls, comprised under the general head of visiting. They are
+those of ceremony, friendship, or condolence, and occupy no small
+portion of time.
+
+Such visits are necessary, in order to maintain good feeling between the
+members of society; they are required by the custom of the age in which
+we live, and must be carefully attended to.
+
+First, then, are visits of ceremony, merging occasionally into those of
+friendship, but uniformly required after dining at a friend's house.
+Professional men are not however, in general, expected to pay such
+visits, because their time is preoccupied; but they form almost the only
+exception.
+
+Visits of ceremony must be necessarily short. They should on no account
+be made before the hour, nor yet during the time of luncheon. Persons
+who intrude themselves at unwonted hours are never welcome; the lady of
+the house does not like to be disturbed when she is perhaps dining with
+her children; and the servants justly complain of being interrupted at
+the hour when they assemble for their noon-day meal. Ascertain,
+therefore, which you can readily do, what is the family hour for
+luncheon, and act accordingly.
+
+Half an hour amply suffices for a visit of ceremony. If the visitor be a
+lady, she may remove her victorine, but on no account either the shawl
+or bonnet, even if politely requested to do so by the mistress of the
+house. Some trouble is necessarily required in replacing them, and this
+ought to be avoided. If, however, your visit of ceremony is to a
+particular friend, the case is different; but even then, it is best to
+wait till you are invited to do so; and when you rise for the purpose
+the lady of the house will assist you.
+
+Favorite dogs are never welcome visitors in a drawing-room. Many people
+have even a dislike to such animals. They require watching, lest they
+should leap upon a chair or sofa, or place themselves upon a lady's
+dress, and attentions of this kind are much out of place. Neither ought
+a mother, when paying a ceremonial visit, to be accompanied by young
+children. It is frequently difficult to amuse them, and, if not
+particularly well trained at home, they naturally seize hold of books,
+or those ornaments with which it is fashionable to decorate a
+drawing-room. The lady of the house trembles for the fate of a beautiful
+shell, or vase, or costly book. She does not like to express her
+uneasiness, and yet knows not how to refrain. Therefore leave the
+children at home; or, if they accompany you in the carriage, let them
+remain till your visit is over. If you have an infant, the nurse may
+await your return, or be left in an ante-room, unless a decided request
+be made to the contrary.
+
+If during your short visit the conversation begins to flag, it will be
+best to retire. The lady of the house may have some engagement at a
+fixed hour, and by remaining even a few minutes longer, she may be put
+to serious inconvenience. Do not, however, seem to notice any silent
+hint, by rising hastily; but take leave with quiet politeness, as if
+your time were fully expired. When other visitors are announced, retire
+as soon as possible, and yet without letting it appear that their
+arrival is the cause. Wait till the bustle of their entrance is over,
+and then rise from your chair, take leave of the hostess, and bow
+politely to the guests. By so doing you will save the lady of the house
+from being obliged to entertain two sets of visitors.
+
+Should you call by chance at an inconvenient hour, when perhaps the lady
+is going out, or sitting down to luncheon, retire as soon as possible,
+even if politely asked to remain. You need not let it appear that you
+feel yourself an intruder; every well-bred or even good-tempered person
+knows what to say on such an occasion; but politely withdraw, with a
+promise to call again, if the lady seems to be really disappointed.
+
+If your acquaintance or friend is from home, leave a card,[1] whether
+you call in a carriage or not. If in the latter, the servant will answer
+your inquiry, and receive your card; but on no account ask leave to go
+in and rest; neither urge your wish if you fancy that the lady whom you
+desire to see is really at home, or even if you flatter yourself that
+she would make an exception in your favor. Some people think that the
+form of words, "Not at home," is readily understood to mean that the
+master or mistress of the house have no wish to see even his or her most
+intimate friends. However this may be, take care that you do not attempt
+to effect an entrance.
+
+ [1] When the caller is about to leave the city for a protracted
+ absence, it is usual to put the letters P. P. C. in the left
+ hand corner of the card; they are the initials of the French
+ phrase, "_pour prendre conge_"--to take leave, and may with
+ equal propriety stand for _presents parting compliments_.
+
+Visits of courtesy or ceremony are uniformly paid at Christmas, or at
+the commencement of a new year, independently of family parties; a good
+old custom, the observance of which is always pleasing, and which should
+be carefully attended to. It is uniformly right to call on patrons, or
+those from whom kindness has been received.
+
+In visiting your intimate friends, ceremony may generally be dispensed
+with.
+
+Keep a strict account of your ceremonial visits. This is needful,
+because time passes rapidly; and take note how soon your calls are
+returned. You will thus be able, in most cases, to form an opinion
+whether or not your frequent visits are desired. Instances may however
+occur, when, in consequence of age or ill health, it is desirable that
+you should call, without any reference to your visits being returned.
+When desirous to act thus, remember that, if possible, nothing should
+interrupt the discharge of this duty.
+
+Among relations and intimate friends, visits of mere ceremony are
+unnecessary. It is, however, needful to call at suitable times, and to
+avoid staying too long if your friend is engaged. The courtesies of
+society, as already noticed, must ever be maintained, even in the
+domestic circle, or among the nearest friends.
+
+In leaving cards you must thus distribute them: one for the lady of the
+house and her daughters--the latter are sometimes represented by turning
+up the edge of the card--one for the master of the house, and if there
+be a grown up son or a near male relation staying in the house, one for
+him. But though cards are cheap, you must never leave more than three at
+a time at the same house. As married men have, or are supposed to have,
+too much to do to make ceremonial calls, it is the custom for a wife to
+take her husband's cards with her and to leave one or two of them with
+her own. If, on your inquiring for the lady of the house, the servant
+replies, "Mrs. So-and-so is not at home, but Miss So-and-so is," you
+should leave a card, because young ladies do not receive calls from
+gentlemen unless they are very intimate with them, or have passed the
+rubicon of thirty summers. It must be remembered, too, that where there
+is a lady of the house, your call is to her, not to her husband, except
+on business.
+
+Morning calls may be divided into three heads: Those paid at the time
+already specified; weekly visits to intimate friends, or by young
+persons to those advanced in life; and monthly visits, which are
+generally ceremonious.
+
+With respect to the first, be very careful that you do not acquire the
+character of a _day goblin_. A day goblin is one of those persons who,
+having plenty of leisure, and a great desire to hear themselves talk,
+make frequent inroads into their friends' houses. Though perhaps well
+acquainted with the rules of etiquette, they call at the most
+unseasonable hours. If the habits of the family are early, you will find
+them in the drawing-room at eleven o'clock. It may be they are agreeable
+and well-informed people; but who wishes for calls at such a strange
+hour! Most families have their rules and occupations. In one, the lady
+of the house attends to the education of her children; in another,
+domestic affairs engross a portion of the morning; some ladies are fond
+of gardening, others of music or painting. It is past endurance to have
+such pursuits broken in upon for the sake of a day goblin, who, having
+gained access, inflicts his or her presence till nearly luncheon time,
+and then goes off with saying, "Well, I have paid you a long visit;" or
+"I hope that I have not stayed too long."
+
+A well-bred person always receives visitors at whatever time they may
+call, or whoever they may be; but if you are occupied and cannot afford
+to be interrupted by a mere ceremony, you should instruct the servant
+_beforehand_ to say that you are "not at home." This form has often been
+denounced as a falsehood, but a lie is no lie unless intended to
+deceive; and since the words are universally understood to mean that you
+are engaged, it can be no harm to give such an order to a servant. But,
+on the other hand, if the servant once admits a visitor within the
+hall, you should receive him at any inconvenience to yourself. A lady
+should never keep a visitor waiting more than a minute, or two at the
+most, and if she cannot avoid doing so, must apologize on entering the
+drawing-room.
+
+In good society, a visitor, unless he is a complete stranger, does not
+wait to be invited to sit down, but takes a seat at once easily. A
+gentleman should never take the principal place in the room, nor, on the
+other hand, sit at an inconvenient distance from the lady of the house.
+He must hold his hat gracefully, not put it on a chair or table, or, if
+he wants to use both hands, must place it on the floor close to his
+chair. A well-bred lady, who is receiving two or three visitors at a
+time, pays equal attention to all, and attempts, as much as possible, to
+generalize the conversation, turning to all in succession. The last
+arrival, however, receives a little more attention at first than the
+others, and the latter, to spare her embarrasment, should leave as soon
+as convenient. People who out-sit two or three parties of visitors,
+unless they have some particular motive for doing so, come under the
+denomination of "bores." A "bore" is a person who does not know when you
+have had enough of his or her company.
+
+Be cautious how you take an intimate friend _uninvited_ even to the
+house of those with whom you may be equally intimate, as there is always
+a feeling of jealousy that another should share your thoughts and
+feelings to the same extent as themselves, although good breeding will
+induce them to behave _civilly_ to your friend on your account.
+
+Ladies in the present day are allowed considerable license in paying and
+receiving visits; subject, however, to certain rules, which it is
+needful to define.
+
+Young married ladies may visit their acquaintances alone; but they may
+not appear in any public places unattended by their husbands or elder
+ladies. This rule must never be infringed, whether as regards
+exhibitions, or public libraries, museums, or promenades; but a young
+married lady is at liberty to walk with her friends of the same age,
+whether married or single. Gentlemen are permitted to call on married
+ladies at their own houses. Such calls the usages of society permit, but
+never without the knowledge and full permission of husbands.
+
+Ladies may walk unattended in the streets, being careful to pass on as
+becomes their station--neither with a hurried pace, nor yet affecting to
+move slowly. Shop-windows, in New York especially, afford great
+attractions; but it is by no means desirable to be seen standing before
+them, and most assuredly not alone. Be careful never to look back, nor
+to observe too narrowly the dresses of such ladies as may pass you.
+Should any one venture to address you, take no heed, seem not to hear,
+but hasten your steps. Be careful to reach home in good time. Let
+nothing ever induce you to be out after dusk, or when the lamps are
+lighted. Nothing but unavoidable necessity can sanction such acts of
+impropriety.
+
+Lastly, a lady never calls on a gentleman, unless professionally or
+officially. It is not only ill-bred, but positively improper to do so.
+At the same time, there is a certain privilege in age, which makes it
+possible for an old bachelor like myself to receive a visit from any
+married lady whom I know very intimately, but such a call would
+certainly not be one of ceremony, and always presupposes a desire to
+consult me on some point or other. I should be guilty of shameful
+treachery, however, if I told any one that I had received such a visit,
+while I should certainly expect that my fair caller would let her
+husband know of it.
+
+When morning visitors are announced, rise and advance toward them. If a
+lady enters, request her to be seated on a sofa; but if advanced in
+life, or the visitor be an elderly gentleman, insist on their accepting
+an easy chair, and place yourself, by them. If several ladies arrive at
+the same time, pay due respect to age and rank, and seat them in the
+most honorable places; these, in winter, are beside the fire.
+
+Supposing that a young lady occupies such a seat, and a lady older than
+herself, or superior in condition, enters the room, she must rise
+immediately, and having courteously offered her place to the new comer,
+take another in a different part of the room.
+
+If a lady is engaged with her needle when a visitor arrives, she ought
+to discontinue her work, unless requested to do otherwise: and not even
+then must it be resumed, unless on very intimate terms with her
+acquaintance. When this, however, is the case, the hostess may herself
+request permission to do so. To continue working during a visit of
+ceremony would be extremely discourteous; and we cannot avoid hinting to
+our lady readers, that even when a particular friend is present for only
+a short time, it is somewhat inconsistent with etiquette to keep their
+eyes fixed on a crochet or knitting-book, apparently engaged in counting
+stitches, or unfolding the intricacies of a pattern. We have seen this
+done, and are, therefore, careful to warn them on the subject. There are
+many kinds of light and elegant, and even useful work, which do not
+require close attention, and may be profitably pursued; and such we
+recommend to be always on the work-table at those hours which, according
+to established practice, are given to social intercourse.
+
+It is generally customary in the country to offer refreshment to morning
+visitors. If they come from a considerable distance, and are on intimate
+terms, hospitality requires that you should invite them to take
+luncheon. In town it is otherwise, and you are not expected to render
+any courtesy of the kind, except to aged or feeble persons, or to some
+one who, perhaps, is in affliction, and to whom the utmost kindliness
+should be shown.
+
+When your visitor is about to take leave, rise, and accompany her to the
+door, mindful, at the same time, that the bell is rung, in order that a
+servant may be in attendance. If the master of the house is present, and
+a lady is just going away, he must offer her his arm, and lead her to
+the hall or passage door. If her carriage be in waiting, he will, of
+course, hand her into it. These attentions are slight, and some persons
+may think they are scarcely worth noticing. Nevertheless, they are
+important, and we are the more earnest to press them on the attention of
+our readers, because we have witnessed the omission of such acts of
+courtesy in families where a very different mode of conduct might be
+expected.
+
+And here, turning aside for a brief space from the subject-matter of our
+discourse, we desire earnestly to impress upon mothers who have sons
+growing up, the great importance of early imbuing them with the
+principles of true politeness, and consequent attention to its most
+trifling observances. What matters it if a tall lad pushes into a room
+before one of his mother's visitors; or, if he chance to see her going
+into church, instead of holding the door in a gentlemanly manner, he
+lets it swing in her face when he has himself entered; or whether he
+comes into the drawing-room with his hat on, unobservant of lady
+visitors, or lolls in an arm-chair reading the newspaper?
+
+"What signifies it?" some will say--"why tease a youth about such
+matters? He will learn manners as he grows up." We think otherwise, and
+do not scruple to affirm, that he can never learn real gentlemanly
+politeness from any one but his mother. The neglect of small courtesies
+in early life, and the outward or mental boorishness to which it leads,
+has been, to our certain knowledge, a more fruitful source of
+wretchedness in many homes, than we have either time or inclination to
+relate.
+
+In this changing world, visits of condolence must be also occasionally
+paid; and concerning such, a few necessary rules may be briefly stated.
+
+Visits of condolence should be paid within a week after the event which
+occasions them; but if the acquaintance be slight, immediately after the
+family appear at public worship. A card should be sent up; and if your
+friends are able to receive you, let your manners and conversation be in
+harmony with the character of your visit. It is courteous to send up a
+mourning card; and for ladies to make their calls in black silk or
+plain-colored apparel. It denotes that they sympathize with the
+afflictions of the family; and such attentions are always pleasing.
+
+Gentlemen will do well to bear in mind that, when they pay morning
+calls, they must carry their hats with them into the drawing-room; but
+on no account put them on the chairs or table. There is a graceful
+manner of holding a hat, which every well-bred man understands.
+
+When calling upon a friend who is boarding, do not go up till the
+servant returns with an invitation; and never enter a room without
+previously knocking at the door, and receiving an invitation to come in.
+Such observances are indispensable, even between the nearest friends.
+
+A gentleman when calling upon a lady, and finding that one of her lady
+friends is with her, must rise when the visitor takes her leave, and
+accompany her to the hall door; or if she has a carriage, he should hand
+her into it--supposing, however, that no gentleman related to the
+mistress of the house be present. If your visit has been of sufficient
+length, you can take your leave when accompanying the lady out of the
+room.
+
+It happens occasionally that two persons are visiting different members
+of the same family. When this occurs, and one visitor takes leave, the
+lady or gentleman whose visitor has just left should remain in the
+drawing-room. It is considered discourteous to do otherwise.
+
+In most families in this country, evening calls are the most usual.
+Should you chance to visit a family, and find that they have a party,
+present yourself, and converse for a few minutes with an unembarrassed
+air; after which you may retire, unless urged to remain. A slight
+invitation, given for the sake of courtesy, ought not to be accepted.
+Make no apology for your unintentional intrusion; but let it be known,
+in the course of a few days, that you were not aware that your friends
+had company.
+
+An excellent custom prevails in some families of inviting their guests
+for a given period. Thus, for example, an invitation is sent, stating
+that a friend's company is requested on a certain day, mentioning also
+for what length of time, and if a carriage cannot be offered to meet the
+visitor, stating expressly the best mode of coming and going. We
+recommend this admirable plan to the master and mistress of every
+dwelling which is sufficiently capacious to admit of receiving an
+occasional guest. A young lady is perhaps invited to spend a little time
+in the country, but she cannot possibly understand whether the
+invitation extends to a few days, or a week, or a month, and
+consequently is much puzzled with regard to the arrangement of her
+wardrobe. Domestic consultations are held; the letter is read over and
+over again; every one gives a different opinion, and when the visit is
+entered upon, somewhat of its pleasure is marred through the
+embarrassment occasioned by not knowing when to propose taking leave.
+
+In receiving guests, your first object should be to make them feel at
+home. Begging them to make themselves at home is not sufficient. You
+should display a genuine unaffected friendliness. Whether you are
+mistress of a mansion or a cottage, and invite a friend to share your
+hospitality, you must endeavor, by every possible means, to render the
+visit agreeable. This should be done without apparent effort, that the
+visitor may feel herself to be a partaker in your home enjoyments,
+instead of finding that you put yourself out of the way to procure
+extraneous pleasures. It is right and proper that you seek to make the
+time pass lightly; but if, on the other hand, you let a visitor perceive
+that the whole tenor of your daily concerns is altered on her account, a
+degree of depression will be felt, and the pleasant anticipations which
+she most probably entertained will fail to be realized. Let your friend
+be assured, from your manner, that her presence is a real enjoyment to
+you--an incentive to recreations which otherwise would not be thought of
+in the common routine of life. Observe your own feelings when you happen
+to be the guest of a person who, though he may be very much your friend,
+and really glad to see you, seems not to know what to do either with you
+or himself; and again, when in the house of another you feel as much at
+ease as in your own. Mark the difference, more easily felt than
+described, between the manners of the two, and deduce therefrom a lesson
+for your own improvement.
+
+If you have guests in your house, you are to appear to feel that they
+are all equal for the time, for they all have an equal claim upon your
+courtesies. Those of the humblest condition will receive _full as much
+attention_ as the rest, in order that you shall not painfully make them
+feel their inferiority.
+
+Always avoid the foolish practice of deprecating your own rooms,
+furniture, or viands, and expressing regrets that you have nothing
+better to offer. Neither should you go to the other extreme of extolling
+any particular thing or article of food. The best way is to say nothing
+about these matters. Neither is it proper to urge guests to eat, or to
+load their plates against their inclinations.
+
+Endeavor to retain your friends as long as they like to prolong their
+visit. When they intimate an intention to leave you, if you really
+desire their continuance somewhat longer, frankly say so. Should they,
+however, have fixed the time, and cannot prolong their stay, facilitate
+their going by every means in your power; and, while you kindly invite
+them to renew their visit, point out to them any places of interest on
+the road, and furnish such information as you possess.
+
+If invited to spend a few days at a friend's house, conform as much as
+possible to the habits of the family. When parting for the night,
+inquire respecting the breakfast hour, and ascertain at what time the
+family meet for prayers. If this right custom prevails, be sure to be in
+time; and obtain any necessary information from the servant who waits
+upon you. Give as little trouble as possible; and never think of
+apologizing for the extra trouble which your visit occasions. Such an
+apology implies that your friend cannot conveniently entertain you. Your
+own good sense and delicacy will teach you the desirability of keeping
+your room tidy, and your articles of dress and toilet as much in order
+as possible. If there is a deficiency of servants, a lady will certainly
+not hesitate to make her own bed and to do for herself as much as
+possible, and for the family all that is in her power.
+
+We presume that few people will leave a friend's house without some
+expression of regret, and some acknowledgment proffered for the pleasure
+that has been afforded them. Instances to the contrary have come within
+our knowledge, and therefore we remind our youthful readers especially,
+that this small act of politeness is indispensable, not in the form of a
+set speech, but by a natural flowing forth of right feeling. It is also
+proper, on returning home, to inform your friends of your safe arrival;
+the sense which you entertain of their hospitality, and the
+gratification derived from your visit, may be also gracefully alluded
+to.
+
+The chain which binds society together is formed of innumerable links.
+Let it be your part to keep those links uniformly bright; and to see
+that neither dust nor rust accumulate upon them.
+
+
+
+
+STREET ETIQUETTE.
+
+
+The books of etiquette tell you, that if you have been introduced to a
+lady and you afterward meet her in the street, you must not bow to her
+unless she bow first, in order, as the books say, that she may have an
+opportunity to cut you if she does not wish to continue the
+acquaintance. This is the English fashion. But on the continent of
+Europe the rule is reversed, and no lady, however intimate you may be
+with her, will acknowledge you in the street unless you first honor her
+with a bow of recognition. But the American fashion is not like either
+of them. For here the really well-bred man always politely and
+respectfully bows to every lady he knows, and, if she is a well-bred
+woman, she acknowledges the respect paid her. If she expects no further
+acquaintance, her bow is a mere formal, but _always respectful_,
+recognition of the good manners which have been shown her, and no
+gentleman ever takes advantage of such politeness to push a further
+acquaintance uninvited. But why should a lady and gentleman, who know
+who each other are, scornfully and doggedly pass each other in the
+streets as though they were enemies? There is no good reason for such
+_impoliteness_, in the practice of politeness. As compared with the
+English, the French or continental fashion is certainly more consonant
+with the rules of good breeding. But the American rule is better than
+either, for it is based upon the acknowledged general principle, that it
+is every gentleman's and lady's duty to be polite in all places. Unless
+parties have done something to forfeit the respect dictated by the
+common rules of politeness, there should be no deviation from this
+practice. It is a ridiculous idea that we are to practice ill-manners in
+the name of etiquette.
+
+While walking the street no one should be so absent-minded as to neglect
+to recognize his friends. If you do not stop, you should always bow,
+touch your hat, or bid your friend good day. If you stop, you can offer
+your hand without removing your glove. If you stop to talk, retire on
+one side of the walk. If your friend has a stranger with him and you
+have anything to say, you should apologize to the stranger. Never leave
+your friend abruptly to see another person without asking him to excuse
+your departure. If you meet a gentleman of your acquaintance walking
+with a lady whom you do not know, lift your hat as you salute them. If
+you know the lady, you should salute her first.
+
+Never _nod_ to a lady in the street, neither be satisfied with touching
+your hat, _but take it off_--it is a courtesy her sex demands.
+
+A gentleman should never omit a punctilious observance of the rules of
+politeness to his recognized acquaintances, from an apprehension that he
+will not be met with reciprocal marks of respect. For instance, he
+should not refuse to raise his hat to an acquaintance who is accompanied
+by a lady, lest her escort should, from ignorance or stolidity, return
+his polite salutation with a nod of the head. It is better not to see
+him, than to set the example of a rude and indecorous salutation. In all
+such cases, and in all cases, he who is most courteous has the
+advantage, and should never feel that he has made a humiliating
+sacrifice of his personal dignity. It is for the party whose behavior
+has been boorish to have a consciousness of inferiority.
+
+A gentleman meeting a lady acquaintance on the street, should not
+presume to join her in her walk without ascertaining that his company
+would be entirely agreeable. It might be otherwise, and she should
+frankly say so. A married lady usually leans upon the arm of her
+husband; but single ladies do not, in the day, take the arm of a
+gentleman, unless they are willing to acknowledge an engagement.
+Gentlemen always give place to ladies, and gentlemen accompanying
+ladies, in crossing the street.
+
+If you have anything to say to a lady whom you may happen to meet in the
+street, however intimate you may be, do not stop her, but turn round and
+walk in company; you can take leave at the end of the street.
+
+When you are passing in the street, and see coming toward you a person
+of your acquaintance, whether a lady or an elderly person, you should
+offer them the wall, that is to say, the side next the houses. If a
+carriage should happen to stop in such a manner as to leave only a
+narrow passage between it and the houses, beware of elbowing and rudely
+crowding the passengers, with a view to get by more expeditiously; wait
+your turn, and if any of the persons before mentioned come up, you
+should edge up to the wall, in order to give them the place. They also,
+as they pass, should bow politely to you.
+
+If stormy weather has made it necessary to lay a plank across the
+gutter, which has become suddenly filled with water, it is not proper
+to crowd before another, in order to pass over the frail bridge.
+
+In walking with a lady, it is customary to give her the right arm; but
+where circumstances render it more convenient to give her the left, it
+may properly be done. If you are walking with a lady on a crowded street
+like Broadway, by all means give her the outside, as that will prevent
+her from being perpetually jostled and run against by the hurrying
+crowd.
+
+You should offer your arm to a lady with whom you are walking whenever
+her safety, comfort, or convenience may seem to require such attention
+on your part. At night your arm should always be tendered, and also when
+ascending the steps of a public building. In walking with any person you
+should keep step with military precision, and with ladies and elderly
+people you should always accommodate your speed to theirs.
+
+If a lady with whom you are walking receives the salute of a person who
+is a stranger to you, you should return it, not for yourself, but for
+her.
+
+When a lady whom you accompany wishes to enter a store, you should hold
+the door open and allow her to enter first, if practicable; for you must
+never pass before a lady anywhere, if you can avoid it, or without an
+apology.
+
+In England, it is a mark of low breeding to smoke in the streets. But in
+America the rule does not hold to quite that extent; though, even here,
+it is not often that you catch "a gentleman of the strictest sect," in
+the street with a cigar or pipe in his mouth. For a man to go into the
+street with a lady on his arm and a cigar in his mouth is a shocking
+sight, which no gentleman will ever be guilty of exhibiting; for he
+inevitably subjects the woman to the very worst of suspicions.
+
+Avoid the disgusting habit of spitting.
+
+No gentleman will stand in the doors of hotels, nor on the corners of
+the streets, gazing impertinently at the ladies as they pass. That is
+such an unmistakable sign of a loafer, that one can hardly imagine a
+well-bred man doing such a thing.
+
+Never offer to shake hands with a lady in the street if you have on dark
+gloves, as you may soil her white ones. If you meet a lady friend with
+whom you wish to converse, you must not stop, but turn and walk along
+with her; and should she be walking with a gentleman, first assure
+yourself that you are not intruding before you attempt to join the two
+in their walk.
+
+After twilight, a young lady would not be conducting herself in a
+becoming manner, by walking alone; and if she passes the evening with
+any one, she ought, beforehand, to provide some one to come for her at a
+stated hour; but if this is not practicable, she should politely ask of
+the person whom she is visiting, to permit a servant to accompany her.
+But, however much this may be considered proper, and consequently an
+obligation, a married lady, well educated, will disregard it if
+circumstances prevent her being able, without trouble, to find a
+conductor.
+
+If the host wishes to accompany you himself, you must excuse yourself
+politely for giving him so much trouble, but finish, however, by
+accepting. On arriving at your house, you should offer him your thanks.
+In order to avoid these two inconveniences, it will be well to request
+your husband, or some one of your relatives, to come and wait upon you;
+you will, in this way, avoid all inconveniences, and be entirely free
+from that harsh criticism which is sometimes indulged in, especially in
+small towns, concerning even the most innocent acts.
+
+If, when on your way to fulfill an engagement, a friend stops you in the
+street, you may, without committing any breach of etiquette, tell him of
+your appointment, and release yourself from a long talk, but do so in a
+courteous manner, expressing regret for the necessity.
+
+In inquiring for goods at a shop or store, do not say, I want so and so,
+but say to the shopman--Show me such or such an article, if you
+please--or use some other polite form of address. If you are obliged to
+examine a number of articles before you are suited, apologize to the
+shopkeeper for the trouble you give him. If, after all, you cannot suit
+yourself, renew your apologies when you go away. If you make only small
+purchases, say to him--I am sorry for having troubled you for so
+trifling a thing.
+
+You need not stop to pull off your glove to shake hands with a lady or
+gentleman. If it is warm weather it is more agreeable to both parties
+that the glove should be on--especially if it is a lady with whom you
+shake hands, as the perspiration of your bare hand would be very likely
+to soil her glove.
+
+If a lady addresses an inquiry to a gentleman on the street, he will
+lift his hat, or at least touch it respectfully, as he replies. If he
+cannot give the information required, he will express his regrets.
+
+When tripping over the pavement, a lady should gracefully raise her
+dress a little above her ankle. With her right hand she should hold
+together the folds of her gown and draw them toward the right side. To
+raise the dress on both sides, and with both hands, is vulgar. This
+ungraceful practice can be tolerated only for a moment when the mud is
+very deep.
+
+Most American ladies in our cities wear too rich and expensive dresses
+in the street. Some, indeed, will sweep the side-walks with costly
+stuffs only fit for a drawing-room or a carriage. This is in bad taste,
+and is what ill-natured people would term snobbish.
+
+
+
+
+TRAVELING.
+
+
+As a general rule, travelers are selfish. They pay little attention
+either to the comforts or distresses of their fellow-travelers; and the
+commonest observances of politeness are often sadly neglected by them.
+In the scramble for tickets, for seats, for state-rooms, or for places
+at a public table, the courtesies of life seem to be trampled under
+foot. Even the ladies are sometimes rudely treated and shamefully
+neglected in the headlong rush for desirable seats in the railway cars.
+To see the behavior of American people on their travels, one would
+suppose that we were anything but a refined nation; and I have often
+wondered whether a majority of our travelers could really make a decent
+appearance in social society.
+
+When you are traveling, it is no excuse that because others outrage
+decency and propriety you should follow their example, and fight them
+with their own weapons. A rush and scramble at the railway ticket office
+is always unnecessary. The cars will not leave until every passenger is
+aboard, and if you have ladies with you, you can easily secure your
+seats and afterward procure the tickets at leisure. But suppose you do
+lose a favorite seat by your moderation! Is it not better to suffer a
+little inconvenience than to show yourself decidedly vulgar? Go to the
+cars half an hour before they start, and you will avoid all trouble of
+this kind.
+
+When seated, or about to seat yourself in the cars, never allow
+considerations of personal comfort or convenience to cause you to
+disregard the rights of fellow-travelers, or forget the respectful
+courtesy due to woman. The pleasantest or most comfortable seats belong
+to the ladies, and you should never refuse to resign such seats to them
+with a cheerful politeness. Sometimes a gentleman will go through a car
+and choose his seat, and afterward vacate it to procure his ticket,
+leaving his overcoat or carpet bag to show that the seat is taken.
+Always respect this token, and never seize upon a seat thus secured,
+without leave, even though you may want it for a lady. It is not always
+necessary for a gentleman to rise after he has seated himself and offer
+his seat to a lady, particularly if the lady is accompanied by another
+gentleman; for there may still be eligible vacant seats in the cars. But
+should you see a lady come alone, and if the seats in the car all appear
+to be filled, do not hesitate to offer her yours, if you have no ladies
+in your company. And should a lady motion to seat herself beside you,
+rise at once and offer her the choice of the two seats. These are but
+common courtesies that every well-bred man will at all times cheerfully
+offer to the other sex.
+
+Making acquaintances in the cars, although correct enough, is a measure
+of which travelers generally appear to be very shy. There is no reason
+for this, as acquaintances thus picked up need never be recognized again
+unless you please. If a stranger speaks to you, always answer him
+politely, and if his conversation proves disagreeable, you have no
+alternative but to change your seat.
+
+In steamers do not make a rush for the supper table, or make a glutton
+of yourself when you get there. Never fail to offer your seat on deck to
+a lady, if the seats all appear to be occupied, and always meet half way
+any fellow-passenger who wishes to enter into conversation with you.
+Some travelers are so exclusive that they consider it a presumption on
+the part of a stranger to address them; but such people are generally
+foolish, and of no account. Sociable intercourse while traveling is one
+of its main attractions. Who would care about sitting and moping for a
+dozen of hours on board a steamer without exchanging a word with
+anybody? and this must be the fate of the exclusives when they travel
+alone. Even ladies, who run greater risks in forming steamboat
+acquaintances than the men, are allowed the greatest privileges in that
+respect. It might not be exactly correct for a lady to make a speaking
+acquaintance of a gentleman; but she may address or question him for the
+time being without impropriety.
+
+Fellow-passengers, whether on a steamboat or in the cars, should at all
+times be sociable and obliging to one another. Those who are the reverse
+of this may be set down either as selfish, foolish, or conceited.
+
+In the cars you have no right to keep a window open for your
+accommodation, if the current of air thus produced annoys or endangers
+the health of another. There are a sufficient number of discomforts in
+traveling, at best, and it should be the aim of each passenger to lessen
+them as much as possible, and to cheerfully bear his own part. Life is a
+journey, and we are all fellow-travelers.
+
+If in riding in an omnibus, or crossing a ferry with a friend, he wishes
+to pay for you, never insist upon paying for yourself or for both. If he
+is before you, let the matter pass without remark.
+
+
+
+
+MARRIAGE.
+
+
+In speaking of marriage, it is not merely with reference to its social
+importance, but as regards certain observances, concerning which no work
+on Etiquette has yet given any explicit rules.
+
+First, then, with respect to the preliminary subject of courtship. That
+unseen monitor, who has already suggested many points for consideration
+to lady readers, would now say to them: Before you admit the attentions
+of a gentleman who wishes to pay you his addresses, very carefully
+examine your respective tastes and dispositions; and settle in your own
+mind what are the most important requisites of happiness in a married
+state. With this view, you must enter upon the consideration of the
+subject with a calm and decisive spirit, which will enable you to see
+where your true happiness lies, and to pursue it with determined
+resolution. In matters of business, follow the advice of such as are
+able to guide you; and as regards the subject of marriage, turn not away
+from the counsel of those who are appointed to watch over and direct
+you.
+
+If a gentleman gives you reason to believe that he wishes to engage your
+affections, seek the advice of your parents, that they may gain for you
+every necessary particular with regard to his morals and disposition,
+and means of suitably providing for you. If, unhappily, death has
+deprived you of parents, ask counsel of some one who will care for you,
+and on whose friendship you can rely. Remember that you have little
+knowledge of the world, and that your judgment has not arrived at full
+maturity. But however circumstanced, avoid, as you would the plague, any
+attentions from a gentleman whose moral character renders him
+undeserving your regard.
+
+Let neither rank nor fortune, nor the finest order of intellect, nor yet
+the most winning manners, induce you to accept the addresses of an
+irreligious man. You dare not ask the blessing of your Heavenly Father
+upon such addresses; and without His blessing, what happiness can you
+expect? Men often say, "that whatever their own opinions may be, they
+will marry religious women." This may be; but woe to a religious woman,
+if she allows herself to be thus beguiled! Supposing your admirer be a
+sensible man, he will like religion in you for his own sake; if, on the
+contrary, such is not the case, and you become his wife, he will often,
+though perhaps without intention, distress you by his remarks; and in
+either case, if you have children, you will suffer much in seeing that
+your endeavors to form their minds to virtue and piety, and to secure
+their present and eternal happiness, are regarded with indifference, or
+at least that you are not assisted in your efforts.
+
+Remember, also, that no happiness can be expected in the marriage state,
+unless the husband be worthy of respect. Do not marry a weak man; he is
+often intractable or capricious, and seldom listens to the voice of
+reason; and most painful must it be to any sensible woman to have to
+blush for her husband, and feel uneasy every time he opens his lips.
+Still worse, if it should please God to give her children, if she cannot
+point to the example of their father as leading to what is excellent and
+of good report; nor yet to his precepts and instructions as their rule
+of conduct. One thing is certain, that a weak man uniformly shows his
+consequence by contradicting his wife, because he will not have it
+supposed that he is under her influence.
+
+Advances, or offers of marriage, are made in a thousand different ways;
+but, however tendered, receive them courteously, and with dignity. If a
+letter comes to you, answer it as becomes a gentlewoman--your own heart
+will dictate what you ought to say. Questions have arisen with regard to
+the wording of such letters, but no certain rule can be laid down;
+whether it be answered in the first or third person, must depend upon
+the degree of acquaintance which has previously existed. No young lady
+would certainly head her letter with--"Dear Sir," to a suitor whom she
+scarcely knows, or to one whom she intends refusing. She ought, however,
+on no account, either to receive or answer letters of the kind without
+showing them to her mother; or, if unfortunately without parents, she
+will do well to consult some judicious female friend.
+
+Never trifle with the affections of a man who loves you; nor admit of
+marked attentions from one whose affection you cannot return. Some young
+ladies pride themselves upon the conquests which they make, and would
+not scruple to sacrifice the happiness of an estimable person to their
+reprehensible vanity. Let this be far from you. If you see clearly that
+you have become an object of especial regard to a gentleman, and do not
+wish to encourage his addresses, treat him honorably and humanely, as
+you hope to be used with generosity by the person who may engage your
+own heart. Do not let him linger in suspense, but take the earliest
+opportunity of carefully making known your feelings on the subject. This
+may be done in a variety of ways. A refined ease of manner will satisfy
+him, if he has any discernment, that his addresses will not be
+acceptable. Should your natural disposition render this difficult, show
+that you wish to avoid his company, and he will presently withdraw; but
+if even this is difficult--and who can lay down rules for
+another?--allow an opportunity for explanation to occur. You can then
+give him a polite and decisive answer; and be assured that, in whatever
+manner you convey your sentiments to him, if he be a man of delicacy and
+right feeling, he will trouble you no further. Let it never be said of
+you, that you permit the attentions of an honorable man when you have no
+heart to give him; or that you have trifled with the affections of one
+whom you perhaps esteem, although you resolve never to marry him. It may
+be that his preference gratifies, and his conversation interests you;
+that you are flattered by the attentions of a man whom some of your
+companions admire; and that, in truth, you hardly know your own mind on
+the subject. This will not excuse you. Every young woman ought to know
+the state of her own heart; and yet the happiness and future prospects
+of many an excellent man have been sacrificed by such unprincipled
+conduct.
+
+Remember that if a gentleman makes you an offer, you have no right to
+speak of it. If you possess either generosity or gratitude for offered
+affection, you will not betray a secret which does not belong to you. It
+is sufficiently painful to be refused, without incurring the additional
+mortification of being pointed out as a rejected lover.
+
+If, on the contrary, you encourage the addresses of a deserving man,
+behave honorably and sensibly. Do not lead him about as if in triumph,
+nor take advantage of the ascendency which you have gained by playing
+with his feelings. Do not seek for occasions to tease him, that you may
+try his temper; neither affect indifference, nor provoke lovers'
+quarrels, for the foolish pleasure of reconciliation. On your conduct
+during courtship will very much depend the estimation in which you will
+be held by your husband in after life.
+
+Assuming that the important day is fixed, and that the bidden guests
+have accepted the invitations, a few observations may be useful,
+especially to those who live retired in the country.
+
+The bride uniformly goes to church in the same carriage with her
+parents, or with those who stand in their place; as, for instance, if
+the father is deceased, an elder brother or uncle, or even guardian,
+accompanies her mother and herself. If, unhappily, she is an orphan, and
+has no relations, a middle-aged lady and gentleman, friends of her
+parents, should be requested to take their place. A bridesmaid will also
+occupy a seat in the same carriage.
+
+The bridegroom finds his way to church in a separate carriage with his
+friends, and he will show his gallantry by handing the bride from her
+carriage, and paying every attention to those who accompany her. Any
+omission in this respect cannot be too carefully avoided.
+
+When arrived at the altar, the father of the bride, or, in default of
+such relation, the nearest connexion, or some old friend, gives away the
+bride. The bridesmaids stand near the bride; and either her sister, or
+some favorite friend, will hold the gloves or handkerchief, as may be
+required, when she ungloves her hand for the wedding-ring. When the
+ceremony is completed, and the names of the bride and bridegroom are
+signed in the vestry, they first leave the church together, occupying by
+themselves the carriage that waits to convey them to the house of the
+bride's father and mother, or that of the guardian, or friend, by whom
+the bridal breakfast is provided.
+
+The wedding-cake uniformly occupies the center of the table. It is often
+tastefully surrounded with flowers, among which those of the fragrant
+orange ought to be conspicuous. After being cut according to the usages
+observed on such occasions, the oldest friend of the family proposes the
+lady's health; that of the bridegroom is generally proposed by some
+friend of his own, if present; but if this is not the case, by his
+father-in-law, or any of his new relatives, who will deem it incumbent
+upon them to say something gratifying to him while proposing his health,
+which courtesy he must acknowledge as best he can. After this the bride
+withdraws, in order to prepare for leaving the parental roof, by taking
+off her wedding, and putting on her traveling dress; although it happens
+not unfrequently that the bride remains in another apartment, and thus
+avoids the fatigue and embarrassment of appearing at the
+breakfast-table. When this occurs, her place beside the bridegroom must
+be occupied by a near relation or friend. But whether present, or
+remaining apart with a few friends, all who are invited to do honor to
+the bride must appear in full dress. Bracelets may be worn on one or
+both wrists. Black of any kind is wholly inadmissible; not even black
+satin can be allowed; and widows must attire themselves either in quiet
+colored suits, or else in silver gray.
+
+On such festive occasions, all appear in their best attire, and assume
+their best manners. Peculiarities that pertain to past days, or have
+been unwarily adopted, should be guarded against; mysteries concerning
+knives, forks, and plates, or throwing "an old shoe" after the bride,
+are highly reprehensible, and have long been exploded. Such practices
+may seem immaterial, but they are not so. Stranger guests often meet at
+a wedding breakfast; and the good breeding of the family may be somewhat
+compromised by neglect in small things.
+
+If the lady appears at breakfast, which is certainly desirable, she
+occupies, with her husband, the center of the table, and sits by his
+side--her father and mother taking the top and bottom, and showing all
+honor to their guests. When the cake has been cut, and every one is
+helped--when, too, the health of the bride and bridegroom has been
+drunk, and every compliment and kind wish has been duly proffered and
+acknowledged--the bride, attended by her friends, withdraws; and when
+ready for her departure the newly-married couple start off on their
+wedding journey, generally about two or three o'clock, and the rest of
+the company shortly afterward take their leave.
+
+In some circles it is customary to send cards almost immediately to
+friends and relations, mentioning at what time and hour the
+newly-married couple expect to be called upon. Some little inconvenience
+occasionally attends this custom, as young people may wish to extend
+their wedding tour beyond the time first mentioned, or, if they go
+abroad, delays may unavoidably occur. It is therefore better to postpone
+sending cards, for a short time at least.
+
+Fashions change continually with regard to wedding-cards. A few years
+since they were highly ornamented, and fantastically tied together; now
+silver-edged cards are fashionable; but, unquestionably, the plainer and
+more unostentatious a wedding-card, the more lady-like and becoming it
+will be.
+
+No one to whom a wedding-card has not been sent ought to call upon a
+newly-married couple.
+
+When the days named for seeing company arrive, remember to be punctual.
+Call, if possible, the first day, but neither before nor after the
+appointed hour. Wedding-cake and wine are handed round, of which every
+one partakes, and each expresses some kindly wish for the happiness of
+the newly-married couple.
+
+Taking possession of their home by young people is always a joyous
+period. The depressing influence of a wedding breakfast, where often the
+hearts of many are sad, is not felt, and every one looks forward to
+years of prosperity and happiness.
+
+If the gentleman is in a profession, and it happens that he cannot await
+the arrival of such as call, according to invitation on the
+wedding-card, an apology must be made, and, if possible, an old friend
+of the family should represent him. A bride must on no account receive
+her visitors without a mother, or sister, or some friend being present,
+not even if her husband is at home. This is imperative. To do otherwise
+is to disregard the usuages of society. We remember once calling on a
+very young bride, and found her alone. Conjectures were made by every
+visitor with regard to such a strange occurrence, and their surprise was
+still more increased, when it became known that the young lady returned
+her calls equally unattended.
+
+Wedding visits must be returned during the course of a few days, and
+parties are generally made for the newly-married couple, which they are
+expected to return. This does not, however, necessarily entail much
+visiting; neither is it expected from young people, whose resources may
+be somewhat limited, or when the husband has to make his way in the
+world.
+
+
+
+
+DOMESTIC ETIQUETTE AND DUTIES.
+
+
+"The little community to which I gave laws," said the Vicar of
+Wakefield, "was regulated in the following manner:--We all assembled
+early, and after we had saluted each other with proper ceremony, (for I
+always thought fit to keep up some mechanical forms of good breeding,
+without which, freedom ever destroys friendship,) we all knelt in
+gratitude to that Being who gave us another day. So also when we parted
+for the night."
+
+We earnestly recommend that the precepts and example of the good old
+Vicar should be followed and adopted by every newly-married couple. With
+regard to the first, the courtesies of society should never be omitted,
+in even the most trivial matters; and, as respects the second, what
+blessing can be reasonably expected to descend upon a house wherein the
+voice of thanksgiving is never heard, nor yet protection sought by its
+acknowledged head!
+
+On the wife especially devolves the privilege and pleasure of rendering
+home happy. We shall, therefore, speak of such duties and observances as
+pertain to her.
+
+When a young wife first settles in her home, many excellent persons,
+with more zeal, it may be, than discretion, immediately propose that she
+should devote some of her leisure time to charitable purposes: such, for
+instance, as clothing societies for the poor, or schools, or district
+visiting. We say with all earnestness to our young friend, engage in
+nothing of the kind, however laudable, without previously consulting
+your husband, and obtaining his full concurrence. Carefully avoid, also,
+being induced by any specious arguments to attend evening lectures,
+unless he accompanies you. Remember that your Heavenly Father, who has
+given you a home to dwell in, requires from you a right performance of
+its duties. Win your husband, by all gentle appliances, to love
+religion; but do not, for the sake even of a privilege and a blessing,
+leave him to spend his evenings alone. Look often on your marriage ring,
+and remember the sacred vows taken by you when the ring was given; such
+thoughts will go far toward allaying many of these petty vexations which
+circumstances call forth.
+
+Never let your husband have cause to complain that you are more
+agreeable abroad than at home; nor permit him to see in you an object of
+admiration, as respects your dress and manners, when in company, while
+you are negligent of both in the domestic circle. Many an unhappy
+marriage has been occasioned by neglect in these particulars. Nothing
+can be more senseless than the conduct of a young woman, who seeks to be
+admired in general society for her politeness and engaging manners, or
+skill in music, when, at the same time, she makes no effort to render
+her home attractive; and yet that home, whether a palace or a cottage,
+is the very center of her being--the nucleus around which her affections
+should revolve, and beyond which she has comparatively small concern.
+
+Beware of intrusting any individual whatever with small annoyances, or
+misunderstandings, between your husband and yourself, if they unhappily
+occur. Confidants are dangerous persons, and many seek to obtain an
+ascendency in families by gaining the good opinion of young married
+women. Be on your guard, and reject every overture that may lead to
+undesirable intimacy. Should any one presume to offer you advice with
+regard to your husband, or seek to lessen him by insinuations, shun that
+person as you would a serpent. Many a happy home has been rendered
+desolate by exciting coolness or suspicion, or by endeavors to gain
+importance in an artful and insidious manner.
+
+In all money matters, act openly and honorably. Keep your accounts with
+the most scrupulous exactness, and let your husband see that you take an
+honest pride in rightly appropriating the money which he intrusts to
+you. "My husband works hard for every dollar that he earns," said a
+young married lady, the wife of a professional man, to a friend who
+found her busily employed in sewing buttons on her husband's coat, "and
+it seems to me worse than cruel to lay out a dime unnecessarily." Be
+very careful, also, that you do not spend more than can be afforded in
+dress; and be satisfied with such carpets and curtains in your
+drawing-room as befit a moderate fortune, or professional income.
+Natural ornaments, and flowers tastefully arranged, give an air of
+elegance to a room in which the furniture is far from costly; and books
+judiciously placed, uniformly produce a good effect. A sensible woman
+will always seek to ornament her home, and to render it attractive, more
+especially as this is the taste of the present day. The power of
+association is very great; light, and air, and elegance, are important
+in their effects. No wife acts wisely who permits her sitting-room to
+look dull in the eyes of him whom she ought especially to please, and
+with whom she has to pass her days.
+
+In middle life, instances frequently occur of concealment with regard to
+money concerns; thus, for instance, a wife wishes to possess an article
+of dress which is too costly for immediate purchase, or a piece of
+furniture liable to the same objection. She accordingly makes an
+agreement with a seller, and there are many who call regularly at houses
+when the husband is absent on business, and who receive whatever the
+mistress of the house can spare from her expenses. A book is kept by the
+seller, in which payments are entered; but a duplicate is never
+retained by the wife, and therefore she has no check whatever. We have
+known an article of dress paid for in this manner, far above its value,
+and have heard a poor young woman, who has been thus duped, say to a
+lady, who remonstrated with her: "Alas! what can I do? I dare not tell
+my husband." It may be that the same system, though differing according
+to circumstances, is pursued in a superior class of life. We have reason
+to think that it is so, and therefore affectionately warn our younger
+sisters to beware of making purchases that require concealment. Be
+content with such things as you can honorably afford, and such as your
+husbands approve. You can then wear them with every feeling of
+self-satisfaction.
+
+Before dismissing this part of our subject, we beseech you to avoid all
+bickerings. What does it signify where a picture hangs, or whether a
+rose or a pink looks best on the drawing-room table? There is something
+inexpressibly endearing in small concessions, in gracefully giving up a
+favorite opinion, or in yielding to the will of another; and equally
+painful is the reverse. The mightiest rivers have their source in
+streams; the bitterest domestic misery has often arisen from some
+trifling difference of opinion. If, by chance, you marry a man of a
+hasty temper, great discretion is required. Much willingness, too, and
+prayer for strength to rule your own spirit are necessary. Three
+instances occur to us, in which, ladies have knowingly married men of
+exceeding violent tempers, and yet have lived happily. The secret of
+their happiness consisted in possessing a perfect command over
+themselves, and in seeking, by every possible means, to prevent their
+husbands from committing themselves in their presence.
+
+Lastly, remember your standing as a lady, and never approve a mean
+action, nor speak an unrefined word; let all your conduct be such as an
+honorable and right-minded man may look for in his wife, and the mother
+of his children. The slightest duplicity destroys confidence. The least
+want of refinement in conversation, or in the selection of books, lowers
+a woman, ay, and for ever! Follow these few simple precepts, and they
+shall prove to you of more worth than rubies; neglect them, and you will
+know what sorrow is. They apply to every class of society, in every
+place where man has fixed his dwelling; and to the woman who duly
+observes them may be given the beautiful commendation of Solomon, when
+recording the words which the mother of King Lemuel taught him:
+
+"The heart of her husband doth safely trust in her; she will do him
+good, and not evil, all the days of her life. Strength and honor are her
+clothing; and she shall rejoice in time to come. Her children rise up,
+and call her blessed; her husband also, and he praiseth her."--Prov.
+xxxi.
+
+We shall now address ourselves exclusively to our brethren; to them who
+have taken upon themselves the sacred and comprehensive names of husband
+and of master, who have formed homes to dwell in, and have placed
+therein, as their companions through life's pilgrimage, gentle and
+confiding ones, who have left for them all that was heretofore most
+dear, and whom they have sworn to love and to cherish.
+
+When a man marries, it is understood that all former acquaintanceship
+_ends_, unless he intimates a desire to renew it, by sending you his own
+and his wife's card, if near, or by letter, if distant. If this be
+neglected, be sure no further intercourse is desired.
+
+In the first place, a bachelor is seldom _very particular_ in the choice
+of his companions. So long as he is amused, he will associate freely
+enough with those whose morals and habits would point them out as
+highly dangerous persons to introduce into the sanctity of domestic
+life.
+
+Secondly, a married man has the tastes of _another_ to consult; and the
+friend of the _husband_ may not be equally acceptable to the _wife_.
+
+Besides, newly-married people may wish to limit the circle of their
+friends, from praiseworthy motives of economy. When a man first "_sets
+up_" in the world, the burden of an extensive and indiscriminate
+acquaintance may be felt in various ways. Many have had cause to regret
+the weakness of mind which allowed them to plunge into a vortex of
+gaiety and expense they could ill afford, from which they have found it
+difficult to extricate themselves, and the effects of which have proved
+a serious evil to them in after-life.
+
+Remember that you have now, as a married man, a very different standing
+in society from the one which you previously held, and that the
+happiness of another is committed to your charge. Render, therefore,
+your home happy by kindness and attention to your wife, and carefully
+watch over your words and actions. If small disputes arise, and your
+wife has not sufficient good sense to yield her opinion; nay, if she
+even seems determined to have her own way, and that tenaciously, do not
+get angry; rather be silent, and let the matter rest. An opportunity
+will soon occur of speaking affectionately, yet decidedly, on the
+subject, and much good will be effected. Master your own temper, and you
+will soon master your wife's; study her happiness without yielding to
+any caprices, and you will have no reason to regret your self-control.
+
+Never let your wife go to church alone on Sunday. You can hardly do a
+worse thing as regards her good opinion of you, and the well-being of
+your household. It is a pitiable sight to see a young wife going toward
+the church-door unattended, alone in the midst of a crowd, with her
+thoughts dwelling, it may be very sadly, on the time when you were proud
+to walk beside her. Remember that the condition of a young bride is
+often a very solitary one; and that for your sake she has left her
+parents' roof, and the companionship of her brothers and sisters. If you
+are a professional man, your wife may have to live in the neighborhood
+of a large city, where she scarcely knows any one, and without those
+agreeable domestic occupations, or young associates, among whom she had
+grown up. Her garden and poultry-yard are hers no longer, and the day
+passes without the light of any smile but yours. You go off, most
+probably after breakfast, to your business or profession, and do not
+return till a late dinner; perhaps even not then, if you are much
+occupied, or have to keep up professional connections. It seems unmanly,
+certainly most unkind, to let your young wife go to church on Sunday
+without you, for the common-place satisfaction of lounging at home. To
+act in this manner is certainly a breach of domestic etiquette. Sunday
+is the only day in which you can enable her to forget her father's
+house, and the pleasant associations of her girlhood days--in which you
+can pay her those attentions which prevent all painful comparisons as
+regards the past. Sunday is a day of rest, wisely and mercifully
+appointed to loose the bonds by which men are held to the world; let it
+be spent by you as becomes the head of a family. Let no temptation ever
+induce you to wish your wife to relinquish attending Divine service,
+merely that she may "idle at home with you." Religion is her safeguard
+amid the trials or temptations of this world. And woe may be to you if
+you seek to withdraw her from its protection!
+
+Much perplexity in the marriage state often arises from want of candor.
+Men conceal their affairs, and expect their wives to act with great
+economy, without assigning any reason why such should be the case; but
+the husband ought frankly to tell his wife the real amount of his
+income; for, unless this is done, she cannot properly regulate her
+expenses. They ought then to consult together as to the sum that can be
+afforded for housekeeping, which should be rather below than above the
+mark. When this is arranged he will find it advantageous to give into
+her hands, either weekly, monthly, or quarterly, the sum that is
+appropriated for daily expenditure, and above all things to avoid
+interfering without absolute necessity. The home department belongs
+exclusively to the wife; the province of the husband is to rule the
+house--hers to regulate its internal movements. True it is, that some
+inexperienced young creatures know but little of household concerns. If
+this occur, have patience, and do not become pettish or ill-humored. If
+too much money is laid out at first, give advice, kindly and firmly, and
+the young wife will soon learn how to perform her new duties.
+
+No good ever yet resulted, or ever will result from unnecessary
+interference. If a man unhappily marries an incorrigible simpleton, or
+spendthrift, he cannot help himself. Such, however, is rarely the case.
+Let a man preserve his own position, and assist his wife to do the same;
+all things will then move together, well and harmoniously.
+
+Much sorrow, and many heart-burnings, may be avoided by judicious
+conduct in the outset of life. Husbands should give their wives all
+confidence. They have intrusted to them their happiness, and should
+never suspect them of desiring to waste their money. Whenever a
+disposition is manifested to do right, express your approbation. Be
+pleased with trifles, and commend efforts to excel on every fitting
+occasion. If your wife is diffident, encourage her, and avoid seeing
+small mistakes. It is unreasonable to add to the embarrassments of her
+new condition, by ridiculing her deficiencies. Forbear extolling the
+previous management of your mother or your sisters. Many a wife has been
+alienated from her husband's family, and many an affectionate heart has
+been deeply wounded by such injudicious conduct; and, as a sensible
+woman will always pay especial attention to the relations of her
+husband, and entertain them with affectionate politeness, the husband on
+his part should always cordially receive and duly attend to her
+relations. The reverse of this, on either side, is often productive of
+unpleasant feelings.
+
+Lastly, we recommend every young married man, who wishes to render his
+home happy, to consider his wife as the light of his domestic circle,
+and to permit no clouds, however small, to obscure the region in which
+she presides. Most women are naturally amiable, gentle, and complying;
+and if a wife becomes perverse, and indifferent to her home, it is
+generally her husband's fault. He may have neglected her happiness; but
+nevertheless it is unwise in her to retort, and, instead of faithfully
+reflecting the brightness that still may shine upon her, to give back
+the dusky and cheerless hue which saddens her existence. Be not selfish,
+but complying, in small things. If your wife dislikes cigars--and few
+young women like to have their clothes tainted by tobacco--leave off
+smoking; for it is, at best, an ungentlemanly and dirty habit. If your
+wife asks you to read to her, do not put your feet upon a chair and go
+to sleep. If she is fond of music, accompany her as you were wont when
+you sought her for a bride. The husband may say that he is tired, and
+does not like music, or reading aloud. This may occasionally be true,
+and no amiable woman will ever desire her husband to do what would
+really weary him. We, however, recommend a young man to practice
+somewhat of self-denial, and to remember that no one acts with a due
+regard to his own happiness who lays aside, when married, those
+gratifying attentions which he was ever ready to pay the lady of his
+love; or those rational sources of home enjoyment which made her look
+forward with a bounding heart to become his companion through life.
+
+Etiquette is a comprehensive term; and its observances are nowhere more
+to be desired than in the domestic circle.
+
+
+
+
+ON GENERAL SOCIETY.
+
+
+To cultivate the art of pleasing is not only worthy of our ambition, but
+it is the dictate of humanity to render ourselves as agreeable as
+possible to those around us. While, therefore, we condemn that false
+system of philosophy which recommends the practice of flattery and
+deception for the purpose of winning the regard of those with whom we
+come in contact, we would rather urge the sincere and open conduct which
+is founded on moral principle, and which looks to the happiness of
+others, not through any sordid and selfish aim, but for the reward which
+virtuous actions bestow. Indeed, we do not discover the necessity of
+duplicity and hypocrisy in our intercourse with society. The virtues and
+the graces are not antagonistic. The sacrifice of personal convenience
+for the accommodation of others; the repression of our egotism and
+self-esteem; the occasional endurance of whatever is disagreeable or
+irksome to us through consideration for the infirmities of others, are
+not only some of the characteristics of true politeness, but are in the
+very spirit of benevolence, and, we might add, religion.
+
+The English have a rule of etiquette, that if you are introduced to a
+person of higher position in society than yourself, you must never
+recognize him when you meet, until you see whether he intends to notice
+you. The meaning of this rule is, that you should be polite to nobody
+until you see whether they mean to be polite to you, which is simply
+refusing politeness in the name of politeness itself. There is a story
+of an unfortunate clerk of the Treasury, who dined one day at the
+Beef-steak Club, where he sat next to a duke, who conversed freely with
+him at dinner. The next day, meeting the duke in the street, he saluted
+him. But his grace, drawing himself up, said: "May I know, sir, to whom
+I have the honor of speaking?" "Why, we dined together at the club
+yesterday--I am Mr. Timms, of the Treasury," was the reply. "Then," said
+the duke, turning on his heel, "Mr. Timms, of the Treasury, I wish you
+_a good morning_." Though this anecdote is related in the English books
+as an example of etiquette, it is undoubtedly true that Mr. Timms, of
+the Treasury, was the politest man of the two; for even if he had made a
+mistake in being a little familiar in his politeness, had the duke been
+really a polite man he would have made the best of it, by returning the
+salutation, instead of the brutal mortification which he heaped upon the
+clerk of the Treasury. Everybody has read the anecdote of Washington,
+who politely returned the salutation of a negro, which caused his friend
+to ask if he "bowed to a negro." "To be sure I do; do you think that I
+would allow a negro to outdo me in politeness?" said Washington. This is
+the American rule. Everybody in this country may be polite to
+everybody--and if any one is too haughty and too ill-bred to return the
+salutation, with him alone rests the responsibility and the shame.
+
+A lady in company should never exhibit any anxiety to sing or play; but
+if she intends to do so, she should not affect to refuse when asked, but
+obligingly accede at once. If you cannot sing, or do not choose to, say
+so with seriousness and gravity, and put an end to the expectation
+promptly. After singing once or twice, cease and give place to others.
+There is an old saying, that a singer can with the greatest difficulty
+be set agoing, and when agoing, cannot be stopped.
+
+Never commend a lady's musical skill to another lady who herself plays.
+
+Modern Chesterfields, who pretend to be superlatively well-bred, tell
+one never to be "in a hurry." "To be in a hurry," say they, "is
+ill-bred." The _dictum_ is absurd. It is sometimes necessary to be
+hurried. In the streets of the city one must hasten with the multitude.
+To walk or lounge, as people who have nothing else to do, in Wall
+Street, or Broadway, would be out of place and absurd. Judgment requires
+us, not less than manners, to conform slightly with the behavior of
+those with whom we associate or are forced to remain.
+
+Never lose your temper at cards, and particularly avoid the exhibition
+of anxiety or vexation at want of success. If you are playing whist, not
+only keep your temper, but hold your tongue; any intimation to your
+partner is decidedly ungentlemanly.
+
+Do not take upon yourself to do the honors in another man's house, nor
+constitute yourself master of the ceremonies, as you will thereby offend
+the host and hostess.
+
+Do not press before a lady at a theater or a concert. Always yield to
+her, if practicable, your seat and place. Do not sit when she is
+standing, without offering her your place. Consult not only your own
+ease, but also the comfort of those around you.
+
+Do not cross a room in an anxious manner, and force your way up to a
+lady merely to receive a bow, as by so doing you attract the eyes of the
+company toward her. If you are desirous of being noticed by any one in
+particular, put yourself in their way as if by accident, and do not let
+them _see_ that you have sought them out; unless, indeed, there be
+something very important to communicate.
+
+Gentlemen who attend ladies to the opera, to concerts, to lectures,
+etc., should take off their hats on entering the room, and while showing
+them their seats. Having taken your seats remain quietly in them, and
+avoid, unless absolute necessity requires it, incommoding others by
+crowding out and in before them. If obliged to do this, politely
+apologize for the trouble you cause them. To talk during the performance
+is an act of rudeness and injustice. You thus proclaim your own
+ill-breeding and invade the rights of others, who have paid for the
+privilege of hearing the performers, and not for listening to you.
+
+If you are in attendance upon a lady at any opera, concert, or lecture,
+you should retain your seat at her side; but if you have no lady with
+you, and have taken a desirable seat, you should, if need be, cheerfully
+relinquish it in favor of a lady, for one less eligible.
+
+To the opera, or theater, ladies should wear opera hoods, which are to
+be taken off on entering. In this country, custom permits the wearing of
+bonnets; but as they are neither convenient nor comfortable, ladies
+should dispense with their use whenever they can.
+
+Gloves should be worn by ladies in church, and in places of public
+amusement. Do not take them off to shake hands. Great care should be
+taken that they are well made and fit neatly.
+
+If you would have your children grow up beloved and respected by their
+elders as well as their contemporaries, teach them good manners in their
+childhood. The young sovereign should first learn to obey, that he may
+be the better fitted to command in his turn.
+
+Show, but do not show off, your children to strangers. Recollect, in the
+matter of children, how many are born every hour, each one almost as
+remarkable as yours in the eyes of its papa and mamma.
+
+Notwithstanding that good general breeding is easy of attainment, and
+is, in fact, attained by most people, yet we may enlarge upon a saying
+of Emerson's, by declaring that the world has never yet seen "a perfect
+gentleman."
+
+It is not deemed polite and respectful to smoke in the presence of
+ladies, even though they are amiable enough to permit it. A gentleman,
+therefore, is not in the habit of smoking in the parlor, for if there is
+nobody present to object, it leaves a smell in the room which the wife
+has good reason to be mortified at, if discovered by her guests.
+
+It is very common to see persons eat, drink, and smoke to excess. Such
+habits are vulgar in the lowest degree. Some men pride themselves on
+their abilities in drinking and smoking--more especially in the latter.
+These are blunders that need no reasoning to expose them. The man who
+exhibits a tendency to excesses will, sooner or later, be shunned by all
+except a few of his own stamp, and not even by them be respected. Guard
+against excess in all things, as neither gentlemanly nor human.
+
+Spitting is a filthy habit, and annoys one in almost every quarter,
+in-doors and out. Since vulgarity has had its way so extensively amongst
+us, every youth begins to smoke and spit before he has well cut his
+teeth. Smoking is unquestionably so great a pleasure to those accustomed
+to it, that it must not be condemned, yet the spitting associated with
+it detracts very much from the enjoyment. No refined person will spit
+where ladies are present, or in any public promenade; the habit is
+disgusting in the extreme, and one would almost wish that it could be
+checked in public by means of law.
+
+Never scratch your head, pick your teeth, clean your nails, or, worse
+than all, pick your nose in company; all these things are disgusting.
+
+To indulge in ridicule, whether the subject be present or absent, is to
+descend below the level of gentlemanly propriety. Your skill may excite
+laughter, but will not insure respect.
+
+A reverential regard for religious observances, and religious opinions,
+is a distinguishing trait of a refined mind. Whatever your opinions on
+the subject, you are not to intrude them on others, perhaps to the
+shaking of their faith and happiness. Religious topics should be avoided
+in conversation, except where all are prepared to concur in a respectful
+treatment of the subject. In mixed societies the subject should never be
+introduced.
+
+Frequent consultation of the watch or time-pieces is impolite, either
+when at home or abroad. If at home, it appears as if you were tired of
+your company and wished them to be gone; if abroad, as if the hours
+dragged heavily, and you were calculating how soon you would be
+released.
+
+Never read in company. A gentleman or lady may, however, look over a
+book of engravings with propriety.
+
+The simpler, and the more easy and unconstrained your manners, the more
+you will impress people of your good breeding. _Affectation_ is one of
+the brazen marks of vulgarity.
+
+It is very unbecoming to exhibit petulance, or angry feeling, though it
+is indulged in so largely in almost every circle. The true gentleman
+does not suffer his countenance to be easily ruffled; and we only look
+paltry when we suffer temper to hurry us into ill-judged expressions of
+feeling. "He that is soon angry dealeth foolishly."
+
+Commands should never be given in a commanding tone. A gentleman
+requests, he does not command. We are not to assume so much importance,
+whatever our station, as to give orders in the "imperative mood," nor
+are we ever justified in thrusting the consciousness of servitude on any
+one. The blunder of commanding sternly is most frequently committed by
+those who have themselves but just escaped servitude, and we should not
+exhibit to others a weakness so unbecoming.
+
+It is a great thing to be able to _walk like a gentleman_--that is, to
+get rid of the awkward, lounging, swinging gait of a clown, and stop
+before you reach the affected and flippant step of a dandy. In short,
+nothing but _being a gentleman_ can ever give you the air and step of
+one. A man who has a shallow or an impudent brain will be quite sure to
+show it in his heels, in spite of all that rules of manners can do for
+him.
+
+A gentleman never sits in the house with his hat on in the presence of
+ladies for a single moment. Indeed, so strong is the force of habit,
+that a gentleman will quite unconsciously remove his hat on entering a
+parlor, or drawing-room, even if there is no one present but himself.
+People who sit in the house with their hats on are to be suspected of
+having spent the most of their time in bar-rooms, and similar places. _A
+gentleman never sits with his hat on in the theater._ Gentlemen do not
+generally sit even in an eating-room with their hats on, if there is any
+convenient place to put them.
+
+The books on etiquette will tell you, that on waiting on a lady into a
+carriage, or the box of a theater, you are to take off your hat; but
+such _is not_ the custom among polite people in this country. The
+inconvenience of such a rule is a good reason against its observance in
+a country where the practice of politeness has in it nothing of the
+servility which is often attached to it in countries where the code of
+etiquette is dictated by the courts of monarchy. In handing a lady into
+a carriage, a gentleman _may_ need to employ both his hands, and he has
+no third hand to hold on to his hat.
+
+Cleanliness of person is a distinguishing trait of every well-bred
+person; and this not on state occasions only, but at all times, even at
+home. It is a folly to sit by the fire in a slovenly state, consoling
+oneself with the remark, "Nobody will call to-day." Should somebody call
+we are in no plight to receive them, and otherwise it is an injury to
+the character to allow slovenly habits to control us even when we are
+unseen.
+
+Chesterfield inveighs against holding a man by the button, "for if
+people are not willing to hear you, you had much better hold your tongue
+than them." Button-holing is not a common vice, but pointing, nudging,
+hitting a man in the side with your fist, or giving him a kick of
+recognition under the table, are too common not to be noticed here as
+terrible breaches of deportment. Significant looks and gestures are
+equally objectionable, and must be avoided by all who desire to soar
+above positive vulgarity. I have often been annoyed by hearing a friend
+discourse on some person's failings or excellences, the person referred
+to being only known to the speaker. It is a bad rule to talk of persons
+at all, but more especially if the person spoken of is not known to all
+the listeners.
+
+Do not offer a person the chair from which you have just risen, unless
+there be no other in the room.
+
+Never take the chair usually occupied by the lady or gentleman of the
+house, even though they be absent, nor use the snuff-box of another,
+unless he offer it.
+
+Do not lean your head against the wall. You will either soil the paper,
+or get your hair well powdered with lime.
+
+Do not touch any of the ornaments in the houses where you visit; they
+are meant only for the use of the lady of the house, and may be admired,
+but not touched.
+
+Lord Chesterfield, in his "Advice to his Son," justly characterizes an
+absent man as unfit for business or conversation. Absence of mind is
+usually affected, and springs in most cases from a desire to be thought
+abstracted in profound contemplations. The world, however, gives a man
+no credit for vast ideas who exhibits absence when he should be
+attentive, even to trifles. The world is right in this, and I would
+implore every studious youth to forget that he is studious when he
+enters company. I have seen many a man, who would have made a bright
+character otherwise, affect a foolish reserve, remove himself as far
+from others as possible, and in a mixed assembly, where social prattle
+or sincere conversation enlivened the hearts of the company, sit by
+himself abstracted in a book. It is foolish, and, what is worse for the
+absentee, it looks so. A hint on this subject is sufficient, and we do
+hint, that abstractedness of manner should never be exhibited; the
+greatest geniuses have ever been attentive to trifles when it so
+behooved them.
+
+Affectation of superiority galls the feelings of those to whom it is
+offered. In company with an inferior, never let him feel his
+inferiority. An employer, who invites his confidential clerk to his
+house, should treat him in every way the same as his most distinguished
+guest. No reference to business should be made, and anything in the
+shape of command avoided. It is very easy by a look, a word, the mode of
+reception, or otherwise, to advertise to the other guests, "This is my
+clerk," or, "The person I now treat as a guest was yesterday laboring in
+my service;" but such a thing would lower the host more than it would
+annoy the guest. Before Burns had arrived at his high popularity, he was
+once invited by some puffed-up lairds to dine, in order that they
+might have the gratification of hearing the poet sing one of his own
+songs. Burns was shown into the servants' hall, and left to dine with
+the menials. After dinner he was invited to the drawing-room, and a
+glass of wine being handed to him, requested to sing one of his own
+songs. He immediately gave his entertainers that thrilling assertion of
+independence, "A man's a man for a' that," and left the moment he had
+finished, his heart embittered at patronage offered in a manner so
+insulting to his poverty.
+
+People who have risen in the world are too apt to suppose they render
+themselves of consequence _in proportion to the pride they display_, and
+their want of attention toward those with whom they come in contact.
+This is a terrible mistake, as every ill-bred act recoils with triple
+violence against its perpetrators, by leading the offended parties to
+analyze them, and to question their right of assuming a superiority to
+which they are but rarely entitled.
+
+Punctuality is one of the characteristics of politeness. He who does not
+keep his appointments promptly is unfit for the society of gentlemen,
+and will soon find himself shut out from it.
+
+In private, watch your thoughts; in your family, watch your temper; in
+society, watch your tongue.
+
+Avoid restlessness in company, lest you make the whole party as fidgety
+as yourself. "Do not beat the 'Devil's tattoo' by drumming with your
+fingers on the table; it cannot fail to annoy every one within hearing,
+and is the index of a vacant mind. Neither read the newspaper in an
+audible whisper, as it disturbs the attention of those near you. Both
+these bad habits are particularly offensive where most common, that is,
+in a counting or news-room. Remember, that a carelessness as to what may
+incommode others is the sure sign of a coarse and ordinary mind;
+indeed, the essential part of good breeding is more in the avoidance of
+whatever may be disagreeable to others, than even an accurate observance
+of the customs of good society."
+
+Good sense must, in many cases, determine good breeding; because the
+same thing that would be civil at one time and to one person, may be
+quite otherwise at another time and to another person.
+
+Chesterfield says, "As learning, honor, and virtue are absolutely
+necessary to gain you the esteem and admiration of mankind, politeness
+and good breeding are equally necessary to make you welcome and
+agreeable in conversation and common life. Great talents, such as honor,
+virtue, learning, and parts, are above the generality of the world, who
+neither possess them themselves nor judge of them rightly in others; but
+all people are judges of the lesser talents, such as civility,
+affability, and an obliging, agreeable address and manner; because they
+feel the good effects of them, as making society easy and pleasing."
+
+If you are in a public room, as a library or reading-room, avoid loud
+conversation or laughing, which may disturb others. At the opera, or a
+concert, be profoundly silent during the performances; if you do not
+wish to hear the music, you have no right to interfere with the
+enjoyment of others.
+
+In accompanying ladies to any public place, as to a concert or lecture,
+you should precede them in entering the room, and procure seats for
+them.
+
+Never allow a lady to get a chair for herself, ring a bell, pick up a
+handkerchief or glove she may have dropped, or, in short, perform any
+service for herself which you can perform for her, when you are in the
+room. By extending such courtesies to your mother, sisters, or other
+members of your family, they become habitual, and are thus more
+gracefully performed when abroad.
+
+Etiquette in church is entirely out of place; but we may here observe
+that a conversation wantonly profligate always offends against good
+manners, nor can an irreligious man ever achieve that bearing which
+constitutes the true gentleman. He may be very polished and observant of
+form, and even if so, he will, out of respect for others, refrain from
+intruding his opinions and abstain from attacking those of others.
+
+Chesterfield says, "Civility is particularly due to all women; and,
+remember, that no provocation whatsoever can justify any man in not
+being civil to every woman; and the greatest man would justly be
+reckoned a brute if he were not civil to the meanest woman. It is due to
+their sex, and is the only protection they have against the superior
+strength of ours; nay, even a little is allowable with women; and a man
+may, without weakness, tell a woman she is either handsomer or wiser
+than she is."
+
+Keep your engagements. Nothing is ruder than to make an engagement, be
+it of business or pleasure, and break it. If your memory is not
+sufficiently retentive to keep all the engagements you make stored
+within it, carry a little memorandum book and enter them there.
+Especially keep any appointment made with a lady, for, depend upon it,
+the fair sex forgive any other fault in good breeding, sooner than a
+broken engagement.
+
+The right of privacy is sacred, and should always be respected. It is
+exceedingly improper to enter a private room anywhere without knocking.
+No relation, however intimate, will justify an abrupt intrusion upon a
+private apartment. So the trunks, boxes, packets, papers, and letters of
+every individual, locked or unlocked, sealed or unsealed, are sacred. It
+is ill-manners even to open a book-case, or to read a written paper
+lying open, without permission expressed or implied. Books in an open
+case or on a center-table, cards in a card-case, and newspapers, are
+presumed to be open for examination. Be careful where you go, what you
+read, and what you handle, particularly in private apartments.
+
+Avoid intermeddling with the affairs of others. This is a most common
+fault. A number of people seldom meet but they begin discussing the
+affairs of some one who is absent. This is not only uncharitable but
+positively unjust. It is equivalent to trying a _cause in the absence of
+the person implicated_. Even in the criminal code a prisoner is presumed
+to be innocent until he is found guilty. Society, however, is less just,
+and passes judgment without hearing the defence. Depend upon it, as a
+certain rule, _that the people who unite with you in discussing the
+affairs of others will proceed to scandalize you the moment that you
+depart_.
+
+Be well read also, for the sake of the general company and the ladies,
+in the literature of the day. You will thereby enlarge the regions of
+pleasurable talk. Besides, it is often necessary. Haslitt, who had
+entertained an unfounded prejudice against Dickens's works when they
+were first written, confesses that he was at last obliged to read them,
+because he could not enter a mixed company without hearing them admired
+and quoted.
+
+Always conform your conduct, as near as possible, to the company with
+whom you are associated. If you should be thrown among people who are
+vulgar, it is better to humor them than to set yourself up, then and
+there, for a model of politeness. It is related of a certain king that
+on a particular occasion he turned his tea into his saucer, contrary to
+the etiquette of society, because two country ladies, whose
+hospitalities he was enjoying, did so. That king was a gentleman; and
+this anecdote serves to illustrate an important principle: namely, that
+true politeness and genuine good manners often not only permit, but
+absolutely demand, a violation of some of the arbitrary rules of
+etiquette. Bear this fact in mind.
+
+Although these remarks will not be sufficient in themselves to _make_
+you a _gentleman_, yet they will enable you to avoid any glaring
+impropriety, and do much to render you easy and confident in society.
+
+Gentility is neither in birth, manner, nor fashion--but in _the_ MIND. A
+high sense of honor--a determination never to take a mean advantage of
+another--an adherence to truth, delicacy, and politeness toward those
+with whom you may have dealings--are the essential and distinguishing
+characteristics of A GENTLEMAN.
+
+
+THE END.
+
+
+
+
+TRANSCRIBER'S NOTES
+
+
+Italics indicated _like this_
+
+Small caps capitalized LIKE THIS
+
+Other than corrections listed below, inconsistent spellings and other
+anomalies are as in original.
+
+ p. 5 "withuot" corrected to "without"
+ p. 13 double word "heard" corrected
+ p. 21 "there" corrected to "their"
+ p. 22 closing quotation mark added to block quotation
+ p. 27 "sermom" corrected to "sermon"
+ p. 43 "fluctating" corrected to "fluctuating"
+ p. 49 "unmindul" corrected to "unmindful"
+ p. 50 missing comma supplied after "one who is neither"
+ p. 50 "similiar" corrected to "similar"
+ p. 50 "supenderless" corrected to "suspenderless"
+ p. 53 quotation mark supplied after "superficial observer."
+ p. 56 "four and-twenty" corrected to "four-and-twenty"
+ p. 61 "repectability" corrected to "respectability"
+ p. 62 "uneviable" corrected to "unenviable"
+ p. 70 "digusting" corrected to "disgusting"
+ p. 73 "you" corrected to "your"
+ p. 76 "alllowed" corrected to "allowed"
+ p. 76 "canibals" corrected to "cannibals"
+ p. 77 "you knife" corrected to "your knife"
+ p. 83 superfluous comma removed in "very, large"
+ p. 84 missing "a" supplied in "find good carver"
+ p. 108 period supplied after "each other at a party"
+ p. 115 "entranc" corrected to "entrance"
+ p. 115 final period supplied in footnote
+ p. 125 final period supplied after "been afforded them"
+ p. 146 "judicioulsy" corrected to "judiciously"
+ p. 148 "unless he intimate" corrected to "unless he intimates"
+ p. 148 "intercourse it desired" corrected to "intercourse is desired"
+ p. 149 double word "to" corrected
+ p. 151 "departmemt" corrected to "department"
+ p. 151 "husbands should" at start of sentence capitalized
+ p. 158 "digusting" corrected to "disgusting"
+ p. 159 "thought it is" corrected to "though it is"
+ p. 161 double word "call" corrected
+
+
+
+
+
+End of the Project Gutenberg EBook of Martine's Hand-book of Etiquette, and
+Guide to True Politeness, by Arthur Martine
+
+*** END OF THIS PROJECT GUTENBERG EBOOK MARTINE'S HAND-BOOK OF ETIQUETTE ***
+
+***** This file should be named 36048.txt or 36048.zip *****
+This and all associated files of various formats will be found in:
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