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authorRoger Frank <rfrank@pglaf.org>2025-10-14 20:06:17 -0700
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+Project Gutenberg's R. Caldecott's Picture Book (No. 1), by Various
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: R. Caldecott's Picture Book (No. 1)
+
+Author: Various
+
+Illustrator: Randolph Caldecott
+
+Release Date: July 8, 2011 [EBook #36665]
+
+Language: English
+
+Character set encoding: ASCII
+
+*** START OF THIS PROJECT GUTENBERG EBOOK R. CALDECOTT'S PICTURE BOOK ***
+
+
+
+
+Produced by David Edwards, Matthew Wheaton and the Online
+Distributed Proofreading Team at http://www.pgdp.net (This
+file was produced from images generously made available
+by The Internet Archive)
+
+
+
+
+
+
+
+ [Illustration: R. Caldecott's PICTURE BOOK
+
+ John GILPIN
+ The HOUSE that JACK built.
+ The MAD DOG
+ The BABES in the WOOD
+
+ Frederick Warne & Co Ltd.]
+
+
+
+
+ R. CALDECOTT'S PICTURE BOOK (No. 1)
+
+
+ CONTAINING
+
+ THE DIVERTING HISTORY OF JOHN GILPIN
+
+ THE HOUSE THAT JACK BUILT
+
+ AN ELEGY ON THE DEATH OF A MAD DOG
+
+ THE BABES IN THE WOOD
+
+ LONDON
+ FREDERICK WARNE AND CO., LTD.
+ AND NEW YORK
+
+ _Printed in Great Britain_
+
+
+
+
+THE DIVERTING HISTORY OF JOHN GILPIN:
+
+ _Showing how he went farther than he intended, and came safe home
+ again._
+
+ [Illustration: WRITTEN BY Wm. COWPER WITH DRAWINGS BY R. CALDECOTT]
+
+
+ John Gilpin was a citizen
+ Of credit and renown,
+ A train-band captain eke was he,
+ Of famous London town.
+
+ John Gilpin's spouse said to her dear,
+ "Though wedded we have been
+ These twice ten tedious years, yet we
+ No holiday have seen.
+
+ "To-morrow is our wedding-day,
+ And we will then repair
+ Unto the 'Bell' at Edmonton,
+ All in a chaise and pair.
+
+ "My sister, and my sister's child,
+ Myself, and children three,
+ Will fill the chaise; so you must ride
+ On horseback after we."
+
+ [Illustration: The Linendraper bold]
+
+ He soon replied, "I do admire
+ Of womankind but one,
+ And you are she, my dearest dear,
+ Therefore it shall be done.
+
+ "I am a linendraper bold,
+ As all the world doth know,
+ And my good friend the calender
+ Will lend his horse to go."
+
+ Quoth Mrs. Gilpin, "That's well said;
+ And for that wine is dear,
+ We will be furnished with our own,
+ Which is both bright and clear."
+
+ John Gilpin kissed his loving wife.
+ O'erjoyed was he to find,
+ That though on pleasure she was bent,
+ She had a frugal mind.
+
+ The morning came, the chaise was brought,
+ But yet was not allowed
+ To drive up to the door, lest all
+ Should say that she was proud.
+
+ So three doors off the chaise was stayed,
+ Where they did all get in;
+ Six precious souls, and all agog
+ To dash through thick and thin.
+
+ Smack went the whip, round went the wheels,
+ Were never folks so glad!
+ The stones did rattle underneath,
+ As if Cheapside were mad.
+
+ John Gilpin at his horse's side
+ Seized fast the flowing mane,
+ And up he got, in haste to ride,
+ But soon came down again;
+
+ For saddletree scarce reached had he,
+ His journey to begin,
+ When, turning round his head, he saw
+ Three customers come in.
+
+ So down he came; for loss of time,
+ Although it grieved him sore,
+ Yet loss of pence, full well he knew,
+ Would trouble him much more.
+
+ [Illustration: The 3 customers]
+
+ 'Twas long before the customers
+ Were suited to their mind,
+ When Betty screaming came downstairs,
+ "The wine is left behind!"
+
+ "Good lack!" quoth he, "yet bring it me,
+ My leathern belt likewise,
+ In which I bear my trusty sword
+ When I do exercise."
+
+ Now Mistress Gilpin (careful soul!)
+ Had two stone bottles found,
+ To hold the liquor that she loved,
+ And keep it safe and sound.
+
+ Each bottle had a curling ear,
+ Through which the belt he drew,
+ And hung a bottle on each side,
+ To make his balance true.
+
+ Then over all, that he might be
+ Equipped from top to toe,
+ His long red cloak, well brushed and neat,
+ He manfully did throw.
+
+ Now see him mounted once again
+ Upon his nimble steed,
+ Full slowly pacing o'er the stones,
+ With caution and good heed.
+
+ But finding soon a smoother road
+ Beneath his well-shod feet,
+ The snorting beast began to trot,
+ Which galled him in his seat.
+
+ "So, fair and softly!" John he cried,
+ But John he cried in vain;
+ That trot became a gallop soon,
+ In spite of curb and rein.
+
+ So stooping down, as needs he must
+ Who cannot sit upright,
+ He grasped the mane with both his hands,
+ And eke with all his might.
+
+ His horse, who never in that sort
+ Had handled been before,
+ What thing upon his back had got,
+ Did wonder more and more.
+
+ Away went Gilpin, neck or nought;
+ Away went hat and wig;
+ He little dreamt, when he set out,
+ Of running such a rig.
+
+ The wind did blow, the cloak did fly
+ Like streamer long and gay,
+ Till, loop and button failing both,
+ At last it flew away.
+
+ Then might all people well discern
+ The bottles he had slung;
+ A bottle swinging at each side,
+ As hath been said or sung.
+
+ The dogs did bark, the children screamed,
+ Up flew the windows all;
+ And every soul cried out, "Well done!"
+ As loud as he could bawl.
+
+ Away went Gilpin--who but he?
+ His fame soon spread around;
+ "He carries weight! he rides a race
+ 'Tis for a thousand pound!"
+
+ And still as fast as he drew near,
+ 'Twas wonderful to view
+ How in a trice the turnpike-men
+ Their gates wide open threw.
+
+ And now, as he went bowing down
+ His reeking head full low,
+ The bottles twain behind his back
+ Were shattered at a blow.
+
+ Down ran the wine into the road,
+ Most piteous to be seen,
+ Which made the horse's flanks to smoke,
+ As they had basted been.
+
+ But still he seemed to carry weight,
+ With leathern girdle braced;
+ For all might see the bottle-necks
+ Still dangling at his waist.
+
+ Thus all through merry Islington
+ These gambols he did play,
+ Until he came unto the Wash
+ Of Edmonton so gay;
+
+ And there he threw the wash about
+ On both sides of the way,
+ Just like unto a trundling mop,
+ Or a wild goose at play.
+
+ At Edmonton his loving wife
+ From the balcony spied
+ Her tender husband, wondering much
+ To see how he did ride.
+
+ "Stop, stop, John Gilpin!--Here's the house!"
+ They all at once did cry;
+ "The dinner waits, and we are tired;"
+ Said Gilpin--"So am I!"
+
+ But yet his horse was not a whit
+ Inclined to tarry there;
+ For why?--his owner had a house
+ Full ten miles off, at Ware.
+
+ So like an arrow swift he flew,
+ Shot by an archer strong;
+ So did he fly--which brings me to
+ The middle of my song.
+
+ Away went Gilpin, out of breath,
+ And sore against his will,
+ Till at his friend the calender's
+ His horse at last stood still.
+
+ The calender, amazed to see
+ His neighbour in such trim,
+ Laid down his pipe, flew to the gate,
+ And thus accosted him:
+
+ "What news? what news? your tidings tell;
+ Tell me you must and shall--
+ Say why bareheaded you are come,
+ Or why you come at all?"
+
+ Now Gilpin had a pleasant wit,
+ And loved a timely joke;
+ And thus unto the calender
+ In merry guise he spoke:
+
+ "I came because your horse would come:
+ And, if I well forebode,
+ My hat and wig will soon be here,
+ They are upon the road."
+
+ The calender, right glad to find
+ His friend in merry pin,
+ Returned him not a single word,
+ But to the house went in;
+
+ Whence straight he came with hat and wig,
+ A wig that flowed behind,
+ A hat not much the worse for wear,
+ Each comely in its kind.
+
+ He held them up, and in his turn
+ Thus showed his ready wit:
+ "My head is twice as big as yours,
+ They therefore needs must fit."
+
+ "But let me scrape the dirt away,
+ That hangs upon your face;
+ And stop and eat, for well you may
+ Be in a hungry case."
+
+ Said John, "It is my wedding-day,
+ And all the world would stare
+ If wife should dine at Edmonton,
+ And I should dine at Ware."
+
+ So turning to his horse, he said
+ "I am in haste to dine;
+ 'Twas for your pleasure you came here,
+ You shall go back for mine."
+
+ Ah! luckless speech, and bootless boast!
+ For which he paid full dear;
+ For while he spake, a braying ass
+ Did sing most loud and clear;
+
+ Whereat his horse did snort, as he
+ Had heard a lion roar,
+ And galloped off with all his might,
+ As he had done before.
+
+ Away went Gilpin, and away
+ Went Gilpin's hat and wig;
+ He lost them sooner than at first,
+ For why?--they were too big.
+
+ Now Mistress Gilpin, when she saw
+ Her husband posting down
+ Into the country far away,
+ She pulled out half-a-crown;
+
+ And thus unto the youth she said
+ That drove them to the "Bell,"
+ "This shall be yours when you bring back
+ My husband safe and well."
+
+ The youth did ride, and soon did meet
+ John coming back amain;
+ Whom in a trice he tried to stop,
+ By catching at his rein.
+
+ But not performing what he meant,
+ And gladly would have done,
+ The frighted steed he frighted more,
+ And made him faster run.
+
+ Away went Gilpin, and away
+ Went postboy at his heels,
+ The postboy's horse right glad to miss
+ The lumbering of the wheels.
+
+ Six gentlemen upon the road,
+ Thus seeing Gilpin fly,
+ With postboy scampering in the rear,
+ They raised the hue and cry.
+
+ "Stop thief! stop thief! a highwayman!"
+ Not one of them was mute;
+ And all and each that passed that way
+ Did join in the pursuit.
+
+ And now the turnpike-gates again
+ Flew open in short space;
+ The toll-man thinking, as before,
+ That Gilpin rode a race.
+
+ And so he did, and won it too,
+ For he got first to town;
+ Nor stopped till where he had got up,
+ He did again get down.
+
+ Now let us sing, Long live the King.
+ And Gilpin, long live he;
+ And when he next doth ride abroad,
+ May I be there to see.
+
+
+
+
+THE HOUSE THAT JACK BUILT
+
+
+ This is the House that Jack built.
+
+ This is the Malt,
+ That lay in the House that Jack built.
+
+ This is the Rat,
+ That ate the Malt,
+ That lay in the House that Jack built.
+
+ This is the Cat,
+ That killed the Rat,
+ That ate the Malt,
+ That lay in the House that Jack built.
+
+ This is the Dog,
+ That worried the Cat,
+ That killed the Rat,
+ That ate the Malt,
+ That lay in the House that Jack built.
+
+ This is the Cow with the crumpled horn,
+ That tossed the Dog,
+ That worried the Cat,
+ That killed the Rat,
+ That ate the Malt,
+ That lay in the House that Jack built.
+
+ This is the Maiden all forlorn,
+ That milked the Cow with the crumpled horn,
+ That tossed the Dog,
+ That worried the Cat,
+ That killed the Rat,
+ That ate the Malt,
+ That lay in the House that Jack built.
+
+ This is the Man all tattered and torn,
+ That kissed the Maiden all forlorn,
+ That milked the Cow with the crumpled horn,
+ That tossed the Dog,
+ That worried the Cat,
+ That killed the Rat,
+ That ate the Malt,
+ That lay in the House
+ that Jack built.
+
+ This is the Priest, all shaven and shorn,
+ That married the Man all tattered and torn,
+ That kissed the Maiden all forlorn,
+ That milked the Cow with the crumpled horn,
+ That tossed the Dog,
+ That worried the Cat,
+ That killed the Rat,
+ That ate the Malt,
+ That lay in the House that Jack built.
+
+ This is the Cock that crowed in the morn;
+ That waked the Priest all shaven and shorn,
+ That married the Man all tattered and torn,
+ That kissed the Maiden all forlorn,
+ That milked the Cow with the crumpled horn,
+ That tossed the Dog,
+ That worried the Cat,
+ That killed the Rat,
+ That ate the Malt,
+ That lay in the House that Jack built.
+
+ This is the Farmer who sowed the corn,
+ That fed the Cock that crowed in the morn,
+ That waked the Priest all shaven and shorn,
+ That married the Man all tattered and torn,
+ That kissed the Maiden all forlorn,
+ That milked the Cow with the crumpled horn,
+ That tossed the Dog,
+ That worried the Cat,
+ That killed the Rat,
+ That ate the Malt,
+ That lay in the House that Jack built.
+
+
+
+
+AN ELEGY ON THE DEATH OF A MAD DOG
+
+ [Illustration: An ELEGY on the DEATH of a MAD DOG.
+ WRITTEN By Dr GOLDSMITH
+ PICTURED By R. Caldecott
+ SUNG By Master BILL PRIMROSE
+ IN MEMORY OF TOBY]
+
+
+ Good people all, of every sort,
+ Give ear unto my song;
+ And if you find it wondrous short,
+ It cannot hold you long.
+
+ In Islington there lived a man,
+ Of whom the world might say,
+ That still a godly race he ran,
+ Whene'er he went to pray.
+
+ A kind and gentle heart he had,
+ To comfort friends and foes;
+ The naked every day he clad,
+ When he put on his clothes.
+
+ And in that town a dog was found:
+ As many dogs there be--
+ Both mongrel, puppy, whelp, and hound,
+ And curs of low degree.
+
+ This dog and man at first were friends;
+ But, when a pique began,
+ The dog, to gain some private ends,
+ Went mad, and bit the man.
+
+ Around from all the neighbouring streets
+ The wondering neighbours ran;
+ And swore the dog had lost his wits,
+ To bite so good a man.
+
+ The wound it seem'd both sore and sad
+ To every christian eye;
+ And while they swore the dog was mad,
+ They swore the man would die.
+
+ But soon a wonder came to light,
+ That show'd the rogues they lied--
+ The man recover'd of the bite;
+ The dog it was that died.
+
+
+
+
+THE BABES IN THE WOOD
+
+ [Illustration: SORE SICKE THEY WERE AND LIKE TO DYE]
+
+
+ Now ponder well, you parents deare,
+ These wordes which I shall write;
+ A doleful story you shall heare,
+ In time brought forth to light.
+
+ A gentleman of good account
+ In Norfolke dwelt of late,
+ Who did in honour far surmount
+ Most men of his estate.
+
+ Sore sicke he was, and like to dye,
+ No helpe his life could save;
+ His wife by him as sicke did lye,
+ And both possest one grave.
+
+ No love between these two was lost,
+ Each was to other kinde;
+ In love they liv'd, in love they dyed,
+ And left two babes behinde:
+
+ The one a fine and pretty boy,
+ Not passing three yeares olde;
+ The other a girl more young than he
+ And fram'd in beautye's molde.
+
+ The father left his little son,
+ As plainlye doth appeare,
+ When he to perfect age should come
+ Three hundred poundes a yeare.
+
+ And to his little daughter Jane
+ Five hundred poundes in gold,
+ To be paid downe on marriage-day,
+ Which might not be controll'd:
+
+ But if the children chanced to dye,
+ Ere they to age should come,
+ Their uncle should possesse their wealth;
+ For so the wille did run.
+
+ [Illustration: NOW, BROTHER, said the dying man, LOOK TO MY CHILDREN
+ DEARE.]
+
+ "Now, brother," said the dying man,
+ "Look to my children deare;
+ Be good unto my boy and girl,
+ No friendes else have they here:
+
+ "To God and you I do commend
+ My children deare this daye;
+ But little while be sure we have
+ Within this world to staye.
+
+ "You must be father and mother both,
+ And uncle all in one;
+ God knowes what will become of them,
+ When I am dead and gone."
+
+ With that bespake their mother deare:
+ "O brother kinde," quoth shee,
+ "You are the man must bring our babes
+ To wealth or miserie:
+
+ "And if you keep them carefully,
+ Then God will you reward;
+ But if you otherwise should deal,
+ God will your deedes regard."
+
+ [Illustration: WITH LIPPES AS COLD AS ANY STONE, THEY KIST THE
+ CHILDREN SMALL]
+
+ With lippes as cold as any stone,
+ They kist the children small:
+ "God bless you both, my children deare:"
+ With that the teares did fall.
+
+ These speeches then their brother spake
+ To this sicke couple there:
+ "The keeping of your little ones,
+ Sweet sister, do not feare:
+
+ "God never prosper me nor mine,
+ Nor aught else that I have,
+ If I do wrong your children deare,
+ When you are layd in grave."
+
+ [Illustration: THEIR PARENTS BEING DEAD & GONE, THE CHILDREN HOME HE
+ TAKES.]
+
+ The parents being dead and gone,
+ The children home he takes,
+ And bringes them straite unto his house,
+ Where much of them he makes.
+
+ He had not kept these pretty babes
+ A twelvemonth and a daye,
+ But, for their wealth, he did devise
+ To make them both awaye.
+
+ He bargain'd with two ruffians strong,
+ Which were of furious mood,
+ That they should take the children young,
+ And slaye them in a wood.
+
+ He told his wife an artful tale,
+ He would the children send
+ To be brought up in faire London,
+ With one that was his friend.
+
+ Away then went those pretty babes,
+ Rejoycing at that tide,
+ Rejoycing with a merry minde,
+ They should on cock-horse ride.
+
+ [Illustration: AWAY THEN WENT THE PRETTY BABES REJOYCING AT THAT
+ TIDE.]
+
+ They prate and prattle pleasantly
+ As they rode on the waye,
+ To those that should their butchers be,
+ And work their lives' decaye:
+
+ So that the pretty speeche they had,
+ Made murderers' heart relent:
+ And they that undertooke the deed,
+ Full sore did now repent.
+
+ Yet one of them, more hard of heart,
+ Did vow to do his charge,
+ Because the wretch, that hired him,
+ Had paid him very large.
+
+ The other would not agree thereto,
+ So here they fell to strife;
+ With one another they did fight,
+ About the children's life:
+
+ And he that was of mildest mood,
+ Did slaye the other there,
+ Within an unfrequented wood,
+ Where babes did quake for feare!
+
+ [Illustration: AND HE THAT WAS OF MILDEST MOOD DID SLAYE THE OTHER
+ THERE]
+
+ He took the children by the hand,
+ While teares stood in their eye,
+ And bade them come and go with him,
+ And look they did not crye:
+
+ And two long miles he ledd them on,
+ While they for food complaine:
+ "Stay here," quoth he, "I'll bring ye bread,
+ When I come back againe."
+
+ These prettye babes, with hand in hand,
+ Went wandering up and downe;
+ But never more they sawe the man
+ Approaching from the town.
+
+ Their prettye lippes with blackberries
+ Were all besmear'd and dyed;
+ And when they sawe the darksome night,
+ They sat them downe and cryed.
+
+ Thus wandered these two prettye babes,
+ Till death did end their grief;
+ In one another's armes they dyed,
+ As babes wanting relief.
+
+ No burial these prettye babes
+ Of any man receives,
+ Till Robin-redbreast painfully
+ Did cover them with leaves.
+
+ [Illustration: IN ONE ANOTHER'S ARMS THEY DYED.]
+
+
+
+
+
+End of Project Gutenberg's R. Caldecott's Picture Book (No. 1), by Various
+
+*** END OF THIS PROJECT GUTENBERG EBOOK R. CALDECOTT'S PICTURE BOOK ***
+
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