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      A Woman-hater, by Charles Reade
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<pre>

The Project Gutenberg EBook of The Woman-Hater, by Charles Reade

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org


Title: The Woman-Hater

Author: Charles Reade


Release Date: January, 2003  [Etext #3669]
The actual date this file first posted: July 11, 2001
Last Updated: March 5, 2018

Language: English

Character set encoding: UTF-8

*** START OF THIS PROJECT GUTENBERG EBOOK THE WOMAN-HATER ***




Produced by James Rusk and David Widger





</pre>

    <div style="height: 8em;">
      <br /><br /><br /><br /><br /><br /><br /><br />
    </div>
    <h1>
      A WOMAN-HATER.
    </h1>
    <h2>
      By Charles Reade
    </h2>
    <p>
      <br /> <br />
    </p>
    <blockquote>
      <p>
        Italics are indicated by the underscore character. Accent marks are
        indicated by a single quote (') after the vowel for acute accents and
        before the vowel for grave accents. Other accent marks are ignored.
      </p>
    </blockquote>
    <p>
      <br /> <br />
    </p>
    <hr />
    <p>
      <br /> <br />
    </p>
    <p>
      <b>CONTENTS</b>
    </p>
    <p class="toc">
      <a href="#link2HCH0001"> CHAPTER I. </a>
    </p>
    <p class="toc">
      <a href="#link2HCH0002"> CHAPTER II. </a>
    </p>
    <p class="toc">
      <a href="#link2HCH0003"> CHAPTER III. </a>
    </p>
    <p class="toc">
      <a href="#link2HCH0004"> CHAPTER IV. </a>
    </p>
    <p class="toc">
      <a href="#link2HCH0005"> CHAPTER V. </a>
    </p>
    <p class="toc">
      <a href="#link2HCH0006"> CHAPTER VI. </a>
    </p>
    <p class="toc">
      <a href="#link2HCH0007"> CHAPTER VII. </a>
    </p>
    <p class="toc">
      <a href="#link2HCH0008"> CHAPTER VIII. </a>
    </p>
    <p class="toc">
      <a href="#link2HCH0009"> CHAPTER IX. </a>
    </p>
    <p class="toc">
      <a href="#link2HCH0010"> CHAPTER X. </a>
    </p>
    <p class="toc">
      <a href="#link2HCH0011"> CHAPTER XI. </a>
    </p>
    <p class="toc">
      <a href="#link2HCH0012"> CHAPTER XII. </a>
    </p>
    <p class="toc">
      <a href="#link2HCH0013"> CHAPTER XIII. </a>
    </p>
    <p class="toc">
      <a href="#link2HCH0014"> CHAPTER XIV. </a>
    </p>
    <p class="toc">
      <a href="#link2HCH0015"> CHAPTER XV. </a>
    </p>
    <p class="toc">
      <a href="#link2HCH0016"> CHAPTER XVI. </a>
    </p>
    <p class="toc">
      <a href="#link2HCH0017"> CHAPTER XVII. </a>
    </p>
    <p class="toc">
      <a href="#link2HCH0018"> CHAPTER XVIII. </a>
    </p>
    <p class="toc">
      <a href="#link2HCH0019"> CHAPTER XIX. </a>
    </p>
    <p class="toc">
      <a href="#link2HCH0020"> CHAPTER XX. </a>
    </p>
    <p class="toc">
      <a href="#link2HCH0021"> CHAPTER XXI. </a>
    </p>
    <p class="toc">
      <a href="#link2HCH0022"> CHAPTER XXII. </a>
    </p>
    <p class="toc">
      <a href="#link2HCH0023"> CHAPTER XXIII. </a>
    </p>
    <p class="toc">
      <a href="#link2HCH0024"> CHAPTER XXIV. </a>
    </p>
    <p class="toc">
      <a href="#link2HCH0025"> CHAPTER XXV. </a>
    </p>
    <p class="toc">
      <a href="#link2HCH0026"> CHAPTER XXVI. </a>
    </p>
    <p class="toc">
      <a href="#link2HCH0027"> CHAPTER XXVII. </a>
    </p>
    <p class="toc">
      <a href="#link2HCH0028"> CHAPTER XXVIII. </a>
    </p>
    <p class="toc">
      <a href="#link2HCH0029"> CHAPTER XXIX. </a>
    </p>
    <p class="toc">
      <a href="#link2HCH0030"> CHAPTER XXX. </a>
    </p>
    <p class="toc">
      <a href="#link2HCH0031"> CHAPTER XXXI. </a>
    </p>
    <p class="toc">
      <a href="#link2HCH0032"> CHAPTER XXXII. </a>
    </p>
    <p>
      <br /> <br />
    </p>
    <hr />
    <p>
      <a name="link2HCH0001" id="link2HCH0001">
      <!--  H2 anchor --> </a>
    </p>
    <div style="height: 4em;">
      <br /><br /><br /><br />
    </div>
    <h2>
      CHAPTER I.
    </h2>
    <p>
      &ldquo;THE Golden Star,&rdquo; Homburg, was a humble hotel, not used by gay gamblers,
      but by modest travelers.
    </p>
    <p>
      At two o'clock, one fine day in June, there were two strangers in the <i>salle
      a' manger,</i> seated at small tables a long way apart, and wholly
      absorbed in their own business.
    </p>
    <p>
      One was a lady about twenty-four years old, who, in the present repose of
      her features, looked comely, sedate, and womanly, but not the remarkable
      person she really was. Her forehead high and white, but a little broader
      than sculptors affect; her long hair, coiled tight, in a great many smooth
      snakes, upon her snowy nape, was almost flaxen, yet her eyebrows and long
      lashes not pale but a reddish brown; her gray eyes large and profound; her
      mouth rather large, beautifully shaped, amiable, and expressive, but full
      of resolution; her chin a little broad; her neck and hands admirably white
      and polished. She was an Anglo-Dane&mdash;her father English.
    </p>
    <p>
      If you ask me what she was doing, why&mdash;hunting; and had been, for
      some days, in all the inns of Homburg. She had the visitors' book, and was
      going through the names of the whole year, and studying each to see
      whether it looked real or assumed. Interspersed were flippant comments,
      and verses adapted to draw a smile of amusement or contempt; but this
      hunter passed them all over as nullities: the steady pose of her head, the
      glint of her deep eye, and the set of her fine lips showed a soul not to
      be diverted from its object.
    </p>
    <p>
      The traveler at her back had a map of the district and blank telegrams,
      one of which he filled in every now and then, and scribbled a hasty letter
      to the same address. He was a sharp-faced middle-aged man of business;
      Joseph Ashmead, operatic and theatrical agent&mdash;at his wits' end; a
      female singer at the Homburg Opera had fallen really ill; he was
      commissioned to replace her, and had only thirty hours to do it in. So he
      was hunting a singer. What the lady was hunting can never be known, unless
      she should choose to reveal it.
    </p>
    <p>
      Karl, the waiter, felt bound to rouse these abstracted guests, and
      stimulate their appetites. He affected, therefore, to look on them as
      people who had not yet breakfasted, and tripped up to Mr. Ashmead with a
      bill of fare, rather scanty.
    </p>
    <p>
      The busiest Englishman can eat, and Ashmead had no objection to snatch a
      mouthful; he gave his order in German with an English accent. But the
      lady, when appealed to, said softly, in pure German, &ldquo;I will wait for the
      <i>table-d'hote.&rdquo;</i>
    </p>
    <p>
      &ldquo;The <i>table-d'hote!</i> It wants four hours to that.&rdquo;
     </p>
    <p>
      The lady looked Karl full in the face, and said, slowly, and very
      distinctly, &ldquo;Then, I&mdash;will&mdash;wait&mdash;four&mdash;hours.&rdquo;
     </p>
    <p>
      These simple words, articulated firmly, and in a contralto voice of
      singular volume and sweetness, sent Karl skipping; but their effect on Mr.
      Ashmead was more remarkable. He started up from his chair with an
      exclamation, and bent his eyes eagerly on the melodious speaker. He could
      only see her back hair and her figure; but, apparently, this quick-eared
      gentleman had also quick eyes, for he said aloud, in English, &ldquo;Her hair,
      too&mdash;it must be;&rdquo; and he came hurriedly toward her. She caught a word
      or two, and turned and saw him. &ldquo;Ah!&rdquo; said she, and rose; but the points
      of her fingers still rested on the book.
    </p>
    <p>
      &ldquo;It is!&rdquo; cried Ashmead. &ldquo;It is!&rdquo;
     </p>
    <p>
      &ldquo;Yes, Mr. Ashmead,&rdquo; said the lady, coloring a little, but in pure English,
      and with a composure not easily disturbed; &ldquo;it is Ina Klosking.&rdquo;
     </p>
    <p>
      &ldquo;What a pleasure,&rdquo; cried Ashmead; and what a surprise! Ah, madam, I never
      hoped to see you again. When I heard you had left the Munich Opera so
      sudden, I said, 'There goes one more bright star quenched forever.' And
      you to desert us&mdash;you, the risingest singer in Germany!&rdquo;
     </p>
    <p>
      &ldquo;Mr. Ashmead!&rdquo;
     </p>
    <p>
      &ldquo;You can't deny it. You know you were.&rdquo;
     </p>
    <p>
      The lady, thus made her own judge, seemed to reflect a moment, and said,
      &ldquo;I was a well-grounded musician, thanks to my parents; I was a very
      hard-working singer; and I had the advantage of being supported, in my
      early career, by a gentleman of judgment and spirit, who was a manager at
      first, and brought me forward, afterward a popular agent, and talked
      managers into a good opinion of me.&rdquo;
     </p>
    <p>
      &ldquo;Ah, madam,&rdquo; said Ashmead, tenderly, &ldquo;it is a great pleasure to hear this
      from you, and spoken with that mellow voice which would charm a
      rattlesnake; but what would my zeal and devotion have availed if you had
      not been a born singer?&rdquo;
     </p>
    <p>
      &ldquo;Why&mdash;yes,&rdquo; said Ina, thoughtfully; &ldquo;I was a singer.&rdquo; But she seemed
      to say this not as a thing to be proud of, but only because it happened to
      be true; and, indeed, it was a peculiarity of this woman that she appeared
      nearly always to think&mdash;if but for half a moment&mdash;before she
      spoke, and to say things, whether about herself or others, only because
      they were the truth. The reader who shall condescend to bear this in mind
      will possess some little clew to the color and effect of her words as
      spoken. Often, where they seem simple and commonplace&mdash;on paper, they
      were weighty by their extraordinary air of truthfulness as well as by the
      deep music of her mellow, bell-like voice.
    </p>
    <p>
      &ldquo;Oh, you do admit that,&rdquo; said Mr. Ashmead, with a chuckle; &ldquo;then why jump
      off the ladder so near the top? Oh, of course I know&mdash;the old story&mdash;but
      you might give twenty-two hours to love, and still spare a couple to
      music.&rdquo;
     </p>
    <p>
      &ldquo;That seems a reasonable division,&rdquo; said Ina, naively. &ldquo;But&rdquo;
       (apologetically) &ldquo;he was jealous.&rdquo;
     </p>
    <p>
      &ldquo;Jealous!&mdash;more shame for him. I'm sure no lady in public life was
      ever more discreet.&rdquo;
     </p>
    <p>
      &ldquo;No, no; he was only jealous of the public.&rdquo;
     </p>
    <p>
      &ldquo;And what had the poor public done?&rdquo;
     </p>
    <p>
      &ldquo;Absorbed me, he said.&rdquo;
     </p>
    <p>
      &ldquo;Why, he could take you to the opera, and take you home from the opera,
      and, during the opera, he could make one of the public, and applaud you as
      loud as the best.&rdquo;
     </p>
    <p>
      &ldquo;Yes, but rehearsals!&mdash;and&mdash;embracing the tenor.&rdquo;
     </p>
    <p>
      &ldquo;Well, but only on the stage?&rdquo;
     </p>
    <p>
      &ldquo;Oh, Mr. Ashmead, where else does one embrace the tenor?&rdquo;
     </p>
    <p>
      &ldquo;And was that a grievance? Why, I'd embrace fifty tenors&mdash;if I was
      paid proportionable.&rdquo;
     </p>
    <p>
      &ldquo;Yes; but he said I embraced one poor stick, with a fervor&mdash;an <i>abandon</i>&mdash;Well,
      I dare say I did; for, if they had put a gate-post in the middle of the
      stage, and it was in my part to embrace the thing, I should have done it
      honestly, for love of my art, and not of a post. The next time I had to
      embrace the poor stick it was all I could do not to pinch him savagely.&rdquo;
     </p>
    <p>
      &ldquo;And turn him to a counter-tenor&mdash;make him squeak.&rdquo;
     </p>
    <p>
      Ina Klosking smiled for the first time. Ashmead, too, chuckled at his own
      wit, but turned suddenly grave the next moment, and moralized. He
      pronounced it desirable, for the interests of mankind, that a great and
      rising singer should not love out of the business; outsiders were
      wrong-headed and absurd, and did not understand the true artist. However,
      having discoursed for some time in this strain, he began to fear it might
      be unpalatable to her; so he stopped abruptly, and said, &ldquo;But there&mdash;what
      is done is done. We must make the best of it; and you mustn't think I
      meant to run <i>him</i> down. He loves you, in his way. He must be a noble
      fellow, or he never could have won such a heart as yours. He won't be
      jealous of an old fellow like me, though I love you, too, in my humdrum
      way, and always did. You must do me the honor to present me to him at
      once.&rdquo;
     </p>
    <p>
      Ina stared at him, but said nothing.
    </p>
    <p>
      &ldquo;Oh,&rdquo; continued Ashmead, &ldquo;I shall be busy till evening; but I will ask him
      and you to dine with me at the Kursaal, and then adjourn to the Royal Box.
      You are a queen of song, and that is where you and he shall sit, and
      nowhere else.&rdquo;
     </p>
    <p>
      Ina Klosking was changing color all this time, and cast a grateful but
      troubled look on him. &ldquo;My kind, old faithful friend!&rdquo; said she, then shook
      her head. &ldquo;No, we are not to dine with you; nor sit together at the opera,
      in Homburg.&rdquo;
     </p>
    <p>
      Ashmead looked a little chagrined. &ldquo;So be it,&rdquo; he said dryly. &ldquo;But at
      least introduce me to him. I'll try and overcome his prejudices.&rdquo;
     </p>
    <p>
      &ldquo;It is not even in my power to do that.&rdquo;
     </p>
    <p>
      &ldquo;Oh, I see. I'm not good enough for him,&rdquo; said Ashmead, bitterly.
    </p>
    <p>
      &ldquo;You do yourself injustice, and him too,&rdquo; said Ina, courteously.
    </p>
    <p>
      &ldquo;Well, then?&rdquo;
     </p>
    <p>
      &ldquo;My friend,&rdquo; said she, deprecatingly, &ldquo;he is not here.&rdquo;
     </p>
    <p>
      &ldquo;Not here? That is odd. Well, then, you will be dull till he comes back.
      Come without him; at all events, to the opera.&rdquo;
     </p>
    <p>
      She turned her tortured eyes away. &ldquo;I have not the heart.&rdquo;
     </p>
    <p>
      This made Ashmead look at her more attentively. &ldquo;Why, what is the matter?&rdquo;
       said he. &ldquo;You are in trouble. I declare you are trembling, and your eyes
      are filling. My poor lady&mdash;in Heaven's name, what is the matter?&rdquo;
     </p>
    <p>
      &ldquo;Hush!&rdquo; said Ina; &ldquo;not so loud.&rdquo; Then she looked him in the face a little
      while, blushed, hesitated, faltered, and at last laid one white hand upon
      her bosom, that was beginning to heave, and said, with patient dignity,
      &ldquo;My old friend&mdash;I&mdash;am&mdash;deserted.&rdquo;
     </p>
    <p>
      Ashmead looked at her with amazement and incredulity. &ldquo;Deserted!&rdquo; said he,
      faintly. &ldquo;You&mdash;deserted!!!&rdquo;
     </p>
    <p>
      &ldquo;Yes,&rdquo; said she, &ldquo;deserted; but perhaps not forever.&rdquo; Her noble eyes
      filled to the brim, and two tears stood ready to run over.
    </p>
    <p>
      &ldquo;Why, the man must be an idiot!&rdquo; shouted Ashmead.
    </p>
    <p>
      &ldquo;Hush! not so loud. That waiter is listening: let me come to your table.&rdquo;
     </p>
    <p>
      She came and sat down at his table, and he sat opposite her. They looked
      at each other. He waited for her to speak. With all her fortitude, her
      voice faltered, under the eye of sympathy. &ldquo;You are my old friend,&rdquo; she
      said. &ldquo;I'll try and tell you all.&rdquo; But she could not all in a moment, and
      the two tears trickled over and ran down her cheeks; Ashmead saw them, and
      burst out, &ldquo;The villain!&mdash;the villain!&rdquo;
     </p>
    <p>
      &ldquo;No, no,&rdquo; said she, &ldquo;do not call him that. I could not bear it. Believe
      me, he is no villain.&rdquo; Then she dried her eyes, and said, resolutely, &ldquo;If
      I am to tell you, you must not apply harsh words to him. They would close
      my mouth at once, and close my heart.&rdquo;
     </p>
    <p>
      &ldquo;I won't say a word,&rdquo; said Ashmead, submissively; &ldquo;so tell me all.&rdquo;
     </p>
    <p>
      Ina reflected a moment, and then told her tale. Dealing now with longer
      sentences, she betrayed her foreign half.
    </p>
    <p>
      &ldquo;Being alone so long,&rdquo; said she, &ldquo;has made me reflect more than in all my
      life before, and I now understand many things that, at the time, I could
      not. He to whom I have given my love, and resigned the art in which I was
      advancing&mdash;with your assistance&mdash;is, by nature, impetuous and
      inconstant. He was born so, and I the opposite. His love for me was too
      violent to last forever in any man, and it soon cooled in him, because he
      is inconstant by nature. He was jealous of the public: he must have all my
      heart, and all my time, and so he wore his own passion out. Then his great
      restlessness, having now no chain, became too strong for our happiness. He
      pined for change, as some wanderers pine for a fixed home. Is it not
      strange? I, a child of the theater, am at heart domestic. He, a gentleman
      and a scholar, born, bred, and fitted to adorn the best society, is by
      nature a Bohemian.
    </p>
    <p>
      &ldquo;One word: is there another woman?&rdquo;
     </p>
    <p>
      &ldquo;No, not that I know of; Heaven forbid!&rdquo; said Ina. &ldquo;But there is something
      very dreadful: there is gambling. He has a passion for it, and I fear I
      wearied him by my remonstrances. He dragged me about from one
      gambling-place to another, and I saw that if I resisted he would go
      without me. He lost a fortune while we were together, and I do really
      believe he is ruined, poor dear.&rdquo;
     </p>
    <p>
      Ashmead suppressed all signs of ill-temper, and asked, grimly, &ldquo;Did he
      quarrel with you, then?&rdquo;
     </p>
    <p>
      &ldquo;Oh, no; he never said an unkind word to me; and I was not always so
      forbearing, for I passed months of torment. I saw that affection, which
      was my all, gliding gradually away from me; and the tortured will cry out.
      I am not an ungoverned woman, but sometimes the agony was intolerable, and
      I complained. Well, that agony, I long for it back; for now I am
      desolate.&rdquo;
     </p>
    <p>
      &ldquo;Poor soul! How could a man have the heart to leave you? how could he have
      the face?&rdquo;
     </p>
    <p>
      &ldquo;Oh, he did not do it shamelessly. He left me for a week, to visit friends
      in England. But he wrote to me from London. He had left me at Berlin. He
      said that he did not like to tell me before parting, but I must not expect
      to see him for six weeks; and he desired me to go to my mother in Denmark.
      He would send his next letter to me there. Ah! he knew I should need my
      mother when his second letter came. He had planned it all, that the blow
      might not kill me. He wrote to tell me he was a ruined man, and he was too
      proud to let me support him: he begged my pardon for his love, for his
      desertion, for ever having crossed my brilliant path like a dark cloud. He
      praised me, he thanked me, he blessed me; but he left me. It was a
      beautiful letter, but it was the death-warrant of my heart. I was
      abandoned.&rdquo;
     </p>
    <p>
      Ashmead started up and walked very briskly, with a great appearance of
      business requiring vast dispatch, to the other end of the <i>salle;</i>
      and there, being out of Ina's hearing, he spoke his mind to a candlestick
      with three branches. &ldquo;D&mdash;n him! Heartless, sentimental scoundrel! D&mdash;n
      him! D&mdash;n him!&rdquo;
     </p>
    <p>
      Having relieved his mind with this pious ejaculation, he returned to Ina
      at a reasonable pace and much relieved, and was now enabled to say,
      cheerfully, &ldquo;Let us take a business view of it. He is gone&mdash;gone of
      his own accord. Give him your blessing&mdash;I have given him mine&mdash;and
      forget him.&rdquo;
     </p>
    <p>
      &ldquo;Forget him! Never while I live. Is that your advice? Oh, Mr. Ashmead! And
      the moment I saw your friendly face, I said to myself, 'I am no longer
      alone: here is one that will help me.'&rdquo;
     </p>
    <p>
      &ldquo;And so I will, you may be sure of that,&rdquo; said Ashmead, eagerly. &ldquo;What is
      the business?&rdquo;
     </p>
    <p>
      &ldquo;The business is to find him. That is the first thing.&rdquo;
     </p>
    <p>
      &ldquo;But he is in England.&rdquo;
     </p>
    <p>
      &ldquo;Oh, no; that was eight months ago. He could not stay eight months in any
      country; besides, there are no gambling-houses there.&rdquo;
     </p>
    <p>
      &ldquo;And have you been eight months searching Europe for this madman?&rdquo;
     </p>
    <p>
      &ldquo;No. At first pride and anger were strong, and I said, 'Here I stay till
      he comes back to me and to his senses.'&rdquo;
     </p>
    <p>
      &ldquo;Brava!&rdquo;
     </p>
    <p>
      &ldquo;Yes; but month after month went by, carrying away my pride and my anger,
      and leaving my affection undiminished. At last I could bear it no longer;
      so, as he would not come to his senses&mdash;&rdquo;
     </p>
    <p>
      &ldquo;You took leave of yours, and came out on a wild-goose chase,&rdquo; said
      Ashmead, but too regretfully to affront her.
    </p>
    <p>
      &ldquo;It <i>was,&rdquo;</i> said Ina; &ldquo;I feel it. But it is not one <i>now,</i>
      because I have <i>you</i> to assist me with your experience and ability.
      You will find him for me, somehow or other. I know you will.&rdquo;
     </p>
    <p>
      Let a woman have ever so little guile, she must have tact, if she is a
      true woman. Now, tact, if its etymology is to be trusted, implies a fine
      sense and power of touch; so, in virtue of her sex, she pats a horse
      before she rides him, and a man before she drives him. There, ladies,
      there is an indictment in two counts; traverse either of them if you can.
    </p>
    <p>
      Joseph Ashmead, thus delicately but effectually manipulated, swelled with
      gratified vanity and said, &ldquo;You are quite right; you can't do this sort of
      thing yourself; you want an agent.&rdquo;
     </p>
    <p>
      &ldquo;Of course I do.&rdquo;
     </p>
    <p>
      &ldquo;Well, you have got one. Now let me see&mdash;fifty to one he is not at
      Homburg at all. If he is, he most likely stays at Frankfort. He is a
      swell, is he not?&rdquo;
     </p>
    <p>
      &ldquo;Swell!&rdquo; said the Anglo-Dane, puzzled. &ldquo;Not that I am aware of.&rdquo; She was
      strictly on her guard against vituperation of her beloved scamp.
    </p>
    <p>
      &ldquo;Pooh, pooh!&rdquo; said Ashmead; &ldquo;of course he is, and not the sort to lodge in
      Homburg.&rdquo;
     </p>
    <p>
      &ldquo;Then behold my incompetence!&rdquo; said Ina.
    </p>
    <p>
      &ldquo;But <i>the</i> place to look for him is the gambling-saloon. Been there?&rdquo;
     </p>
    <p>
      &ldquo;Oh, no.&rdquo;
     </p>
    <p>
      &ldquo;Then you must.&rdquo;
     </p>
    <p>
      &ldquo;What! Me! Alone?&rdquo;
     </p>
    <p>
      &ldquo;No; with your agent.&rdquo;
     </p>
    <p>
      &ldquo;Oh, my friend; I said you would find him.&rdquo;
     </p>
    <p>
      &ldquo;What a woman! She will have it he is in Homburg. And suppose we do find
      him, and you should not be welcome?&rdquo;
     </p>
    <p>
      &ldquo;I shall not be unwelcome. <i>I shall be a change.&rdquo;</i>
    </p>
    <p>
      &ldquo;Shall I tell you how to draw him to Homburg, wherever he is?&rdquo; said
      Ashmead, very demurely.
    </p>
    <p>
      &ldquo;Yes, tell me that.&rdquo;
     </p>
    <p>
      &ldquo;And do <i>me</i> a good turn into the bargain.&rdquo;
     </p>
    <p>
      &ldquo;Is it possible? Can I be so fortunate?&rdquo;
     </p>
    <p>
      &ldquo;Yes; and <i>as you say,</i> it <i>is</i> a slice of luck to be able to
      kill two birds with one stone. Why, consider&mdash;the way to recover a
      man is not to run after him, but to make him run to you. It is like
      catching moths; you don't run out into the garden after them; you light
      the candle and open the window, and <i>they</i> do the rest&mdash;as he
      will.&rdquo;
     </p>
    <p>
      &ldquo;Yes, yes; but what am I to do for <i>you?&rdquo;</i> asked Ina, getting a
      little uneasy and suspicious.
    </p>
    <p>
      &ldquo;What! didn't I tell you?&rdquo; said Ashmead, with cool effrontery. &ldquo;Why, only
      to sing for me in this little opera, that is all.&rdquo; And he put his hands in
      his pockets, and awaited thunder-claps.
    </p>
    <p>
      &ldquo;Oh, that is all, is it?&rdquo; said Ina, panting a little, and turning two
      great, reproachful eyes on him.
    </p>
    <p>
      &ldquo;That is all,&rdquo; said he, stoutly. &ldquo;Why, what attracted him at first? Wasn't
      it your singing, the admiration of the public, the bouquets and bravas?
      What caught the moth once will catch it again 'moping' won't. And surely
      you will not refuse to draw him, merely because you can pull me out of a
      fix into the bargain. Look here, I have undertaken to find a singer by
      to-morrow night; and what chance is there of my getting even a third-rate
      one? Why, the very hour I have spent so agreeably, talking to you, has
      diminished my chance.&rdquo;
     </p>
    <p>
      &ldquo;Oh!&rdquo; said Ina, &ldquo;this is <i>driving</i> me into your net.&rdquo;
     </p>
    <p>
      &ldquo;I own it,&rdquo; said Joseph, cheerfully; &ldquo;I'm quite unscrupulous, because I
      know you will thank me afterward.&rdquo;
     </p>
    <p>
      &ldquo;The very idea of going back to the stage makes me tremble,&rdquo; said Ina.
    </p>
    <p>
      &ldquo;Of course it does; and those who tremble succeed. In a long experience I
      never knew an instance to the contrary. It is the conceited fools, who
      feel safe, that are in danger.&rdquo;
     </p>
    <p>
      &ldquo;What is the part?&rdquo;
     </p>
    <p>
      &ldquo;One you know&mdash;Siebel in 'Faust,' with two new songs.&rdquo;
     </p>
    <p>
      &ldquo;Excuse me, I do not know it.&rdquo;
     </p>
    <p>
      &ldquo;Why, everybody knows it.&rdquo;
     </p>
    <p>
      &ldquo;You mean everybody has heard it sung. I know neither the music nor the
      words, and I cannot sing incorrectly even for you.&rdquo;
     </p>
    <p>
      &ldquo;Oh, you can master the airs in a day, and the cackle in half an hour.&rdquo;
     </p>
    <p>
      &ldquo;I am not so expeditious. If you are serious, get me the book&mdash;oh! he
      calls the poet's words the cackle&mdash;and the music of the part
      directly, and borrow me the score.&rdquo;
     </p>
    <p>
      &ldquo;Borrow you the score! Ah! that shows the school you were bred in. I gaze
      at you with admiration.&rdquo;
     </p>
    <p>
      &ldquo;Then please don't, for we have not a moment to waste. You have terrified
      me out of my senses. Fly!&rdquo;
     </p>
    <p>
      &ldquo;Yes; but before I fly, there is something to be settled&mdash;salary!&rdquo;
     </p>
    <p>
      &ldquo;As much as they will give.&rdquo;
     </p>
    <p>
      &ldquo;Of course; but give me a hint.&rdquo;
     </p>
    <p>
      &ldquo;No, no; you will get me some money, for I am poor. I gave all my savings
      to my dear mother, and settled her on a farm in dear old Denmark. But I
      really sing for <i>you</i> more than for Homburg, so make no difficulties.
      Above all, do not discuss salary with me. Settle it and draw it for me,
      and let me hear no more about that. I am on thorns.&rdquo;
     </p>
    <p>
      He soon found the director, and told him, excitedly, there was a way out
      of his present difficulty. Ina Klosking was in the town. He had implored
      her to return to the opera. She had refused at first; but he had used all
      his influence with her, and at last had obtained a half promise on
      conditions&mdash;a two months' engagement; certain parts, which he
      specified out of his own head; salary, a hundred thalers per night, and a
      half clear benefit on her last appearance.
    </p>
    <p>
      The director demurred to the salary.
    </p>
    <p>
      Ashmead said he was mad: she was the German Alboni; her low notes like a
      trumpet, and the compass of a mezzo-soprano besides.
    </p>
    <p>
      The director yielded, and drew up the engagement in duplicate. Ashmead
      then borrowed the music and came back to the inn triumphant. He waved the
      agreement over his head, then submitted it to her. She glanced at it, made
      a wry face, and said, &ldquo;Two months! I never dreamed of such a thing.&rdquo;
     </p>
    <p>
      &ldquo;Not worth your while to do it for less,&rdquo; said Ashmead. &ldquo;Come,&rdquo; said he,
      authoritatively, &ldquo;you have got a good bargain every way; so sign.&rdquo;
     </p>
    <p>
      She lifted her head high, and looked at him like a lioness, at being
      ordered.
    </p>
    <p>
      Ashmead replied by putting the paper before her and giving her the pen.
    </p>
    <p>
      She cast one more reproachful glance, then signed like a lamb.
    </p>
    <p>
      &ldquo;Now,&rdquo; said she, turning fretful, &ldquo;I want a piano.&rdquo;
     </p>
    <p>
      &ldquo;You shall have one,&rdquo; said he coaxingly. He went to the landlord and
      inquired if there was a piano in the house.
    </p>
    <p>
      &ldquo;Yes, there is one,&rdquo; said he.
    </p>
    <p>
      &ldquo;And it is mine,&rdquo; said a sharp female voice.
    </p>
    <p>
      &ldquo;May I beg the use of it?&rdquo;
     </p>
    <p>
      &ldquo;No,&rdquo; said the lady, a tall, bony spinster. &ldquo;I cannot have it strummed on
      and put out of tune by everybody.&rdquo;
     </p>
    <p>
      &ldquo;But this is not everybody. The lady I want it for is a professional
      musician. Top of the tree.&rdquo;
     </p>
    <p>
      &ldquo;The hardest strummers going.&rdquo;
     </p>
    <p>
      &ldquo;But, mademoiselle, this lady is going to sing at the opera. She <i>must</i>
      study. She <i>must</i> have a piano.
    </p>
    <p>
      &ldquo;But [grimly] she need not have mine.
    </p>
    <p>
      &ldquo;Then she must leave the hotel.&rdquo;
     </p>
    <p>
      &ldquo;Oh [haughtily], <i>that</i> is as she pleases.&rdquo;
     </p>
    <p>
      Ashmead went to Ina Klosking in a rage and told her all this, and said he
      would take her to another hotel kept by a Frenchman: these Germans were
      bears. But Ina Klosking just shrugged her shoulders, and said, &ldquo;Take me to
      her.&rdquo;
     </p>
    <p>
      He did so; and she said, in German, &ldquo;Madam, I can quite understand your
      reluctance to have your piano strummed. But as your hotel is quiet and
      respectable, and I am unwilling to leave it, will you permit me to play to
      you? and then you shall decide whether I am worthy to stay or not.&rdquo;
     </p>
    <p>
      The spinster drank those mellow accents, colored a little, looked keenly
      at the speaker, and, after a moment's reflection, said, half sullenly,
      &ldquo;No, madam, you are polite. I must risk my poor piano. Be pleased to come
      with me.&rdquo;
     </p>
    <p>
      She then conducted them to a large, unoccupied room on the first-floor,
      and unlocked the piano, a very fine one, and in perfect tune.
    </p>
    <p>
      Ina sat down, and performed a composition then in vogue.
    </p>
    <p>
      &ldquo;You play correctly, madam,&rdquo; said the spinster; &ldquo;but your music&mdash;what
      stuff! Such things are null. They vex the ear a little, but they never
      reach the mind.&rdquo;
     </p>
    <p>
      Ashmead was wroth, and could hardly contain himself; but the Klosking was
      amused, and rather pleased. &ldquo;Mademoiselle has positive tastes in music,&rdquo;
       said she; &ldquo;all the better.&rdquo;
     </p>
    <p>
      &ldquo;Yes,&rdquo; said the spinster, &ldquo;most music is mere noise. I hate and despise
      forty-nine compositions out of fifty; but the fiftieth I adore. Give me
      something simple, with a little soul in it&mdash;if you can.&rdquo;
     </p>
    <p>
      Ina Klosking looked at her, and observed her age and her dress, the latter
      old-fashioned. She said, quietly, &ldquo;Will mademoiselle do me the honor to
      stand before me? I will sing her a trifle my mother taught me.&rdquo;
     </p>
    <p>
      The spinster complied, and stood erect and stiff, with her arms folded.
      Ina fixed her deep eyes on her, playing a liquid prelude all the time,
      then swelled her chest and sung the old Venetian cauzonet, &ldquo;Il pescatore
      de'll' onda.&rdquo; It is a small thing, but there is no limit to the genius of
      song. The Klosking sung this trifle with a voice so grand, sonorous, and
      sweet, and, above all, with such feeling, taste, and purity, that somehow
      she transported her hearers to Venetian waters, moonlit, and thrilled them
      to the heart, while the great glass chandelier kept ringing very audibly,
      so true, massive, and vibrating were her tones in that large, empty room.
    </p>
    <p>
      At the first verse that cross-grained spinster, with real likes and
      dislikes, put a bony hand quietly before her eyes. At the last, she made
      three strides, as a soldier marches, and fell all of a piece, like a
      wooden <i>mannequin,</i> on the singer's neck. &ldquo;Take my piano,&rdquo; she
      sobbed, &ldquo;for you have taken the heart out of my body.&rdquo;
     </p>
    <p>
      Ina returned her embrace, and did not conceal her pleasure. &ldquo;I am very
      proud of such a conquest,&rdquo; said she.
    </p>
    <p>
      From that hour Ina was the landlady's pet. The room and piano were made
      over to her, and, being in a great fright at what she had undertaken, she
      studied and practiced her part night and day. She made Ashmead call a
      rehearsal next day, and she came home from it wretched and almost
      hysterical.
    </p>
    <p>
      She summoned her slave Ashmead; he stood before her with an air of
      hypocritical submission.
    </p>
    <p>
      &ldquo;The Flute was not at rehearsal, sir,&rdquo; said she, severely, &ldquo;nor the Oboe,
      nor the Violoncello.&rdquo;
     </p>
    <p>
      &ldquo;Just like 'em,&rdquo; said Ashmead, tranquilly.
    </p>
    <p>
      &ldquo;The tenor is a quavering stick. He is one of those who think that an
      unmanly trembling of the voice represents every manly passion.&rdquo;
     </p>
    <p>
      &ldquo;Their name is legion.&rdquo;
     </p>
    <p>
      &ldquo;The soprano is insipid. And they are all imperfect&mdash;contentedly
      imperfect, How can people sing incorrectly? It is like lying.&rdquo;
     </p>
    <p>
      &ldquo;That is what makes it so common&mdash;he! he!&rdquo;
     </p>
    <p>
      &ldquo;I do not desire wit, but consolation. I believe you are Mephistopheles
      himself in disguise; for ever since I signed that diabolical compact you
      made me, I have been in a state of terror, agitation, misgiving, and
      misery&mdash;and I thank and bless you for it; for these thorns and
      nettles they lacerate me, and make me live. They break the dull, lethargic
      agony of utter desolation.&rdquo;
     </p>
    <p>
      Then, as her nerves were female nerves, and her fortitude female
      fortitude, she gave way, for once, and began to cry patiently.
    </p>
    <p>
      Ashmead the practical went softly away and left her, as we must leave her
      for a time, to battle her business with one hand and her sorrow with the
      other.
    </p>
    <p>
      <a name="link2HCH0002" id="link2HCH0002">
      <!--  H2 anchor --> </a>
    </p>
    <div style="height: 4em;">
      <br /><br /><br /><br />
    </div>
    <h2>
      CHAPTER II.
    </h2>
    <p>
      IN the Hotel Russie, at Frankfort, there was a grand apartment, lofty,
      spacious, and richly furnished, with a broad balcony overlooking the
      Platz, and roofed, so to speak, with colored sun-blinds, which softened
      the glare of the Rhineland sun to a rosy and mellow light.
    </p>
    <p>
      In the veranda, a tall English gentleman was leaning over the balcony,
      smoking a cigar, and being courted by a fair young lady. Her light-gray
      eyes dwelt on him in a way to magnetize a man, and she purred pretty
      nothings at his ear, in a soft tone she reserved for males. Her voice was
      clear, loud, and rather high-pitched whenever she spoke to a person of her
      own sex; a comely English blonde, with pale eyelashes; a keen, sensible
      girl, and not a downright wicked one; only born artful. This was Fanny
      Dover; and the tall gentleman&mdash;whose relation she was, and whose wife
      she resolved to be in one year, three years, or ten, according to his
      power of resistance&mdash;was Harrington Vizard, a Barfordshire squire,
      with twelve thousand acres and a library.
    </p>
    <p>
      As for Fanny, she had only two thousand pounds in all the world; so
      compensating Nature endowed her with a fair complexion, gray, mesmeric
      eyes, art, and resolution&mdash;qualities that often enable a poor girl to
      conquer landed estates, with their male incumbrances.
    </p>
    <p>
      Beautiful and delicate&mdash;on the surface&mdash;as was Miss Dover's
      courtship of her first cousin once removed, it did not strike fire; it
      neither pleased nor annoyed him; it fell as dead as a lantern firing on an
      iceberg. Not that he disliked her by any means. But he was thirty-two, had
      seen the world, and had been unlucky with women. So he was now a <i>divorce',</i>
      and a declared woman-hater; railed on them, and kept them at arm's-length,
      Fanny Dover included. It was really comical to see with what perfect
      coolness and cynical apathy he parried the stealthy advances of this
      cat-like girl, a mistress in the art of pleasing&mdash;when she chose.
    </p>
    <p>
      Inside the room, on a couch of crimson velvet, sat a young lady of rare
      and dazzling beauty. Her face was a long but perfect oval, pure forehead,
      straight nose, with exquisite nostrils; coral lips, and ivory teeth. But
      what first struck the beholder were her glorious dark eyes, and
      magnificent eyebrows as black as jet. Her hair was really like a raven's
      dark-purple wing.
    </p>
    <p>
      These beauties, in a stern character, might have inspired awe; the more so
      as her form and limbs were grand and statuesque for her age; but all was
      softened down to sweet womanhood by long, silken lashes, often lowered,
      and a gracious face that blushed at a word, blushed little, blushed much,
      blushed pinky, blushed pink, blushed roseate, blushed rosy; and, I am
      sorry to say, blushed crimson, and even scarlet, in the course of those
      events I am about to record, as unblushing as turnip, and cool as
      cucumber. This scale of blushes arose not out of modesty alone, but out of
      the wide range of her sensibility. On hearing of a noble deed, she blushed
      warm approbation; at a worthy sentiment, she blushed heart-felt sympathy.
      If you said a thing at the fire that might hurt some person at the
      furthest window, she would blush for fear it should be overheard, and
      cause pain.
    </p>
    <p>
      In short, it was her peculiarity to blush readily for matters quite
      outside herself, and to show the male observer (if any) the amazing
      sensibility, apart from egotism, that sometimes adorns a young,
      high-minded woman, not yet hardened by the world.
    </p>
    <p>
      This young lady was Zoe Vizard, daughter of Harrington's father by a Greek
      mother, who died when she was twelve years of age. Her mixed origin showed
      itself curiously. In her figure and face she was all Greek, even to her
      hand, which was molded divinely, but as long and large as befitted her
      long, grand, antique arm; but her mind was Northern&mdash;not a grain of
      Greek subtlety in it. Indeed, she would have made a poor hand at dark
      deceit, with a transparent face and eloquent blood, that kept coursing
      from her heart to her cheeks and back again, and painting her thoughts
      upon her countenance.
    </p>
    <p>
      Having installed herself, with feminine instinct, in a crimson couch that
      framed her to perfection, Zoe Vizard was at work embroidering. She had
      some flowers, and their leaves, lying near her on a little table, and,
      with colored silks, chenille, etc., she imitated each flower and its leaf
      very adroitly without a pattern. This was clever, and, indeed, rather a
      rare talent; but she lowered her head over this work with a demure,
      beaming complacency embroidery alone never yet excited without external
      assistance. Accordingly, on a large stool, or little ottoman, at her feet,
      but at a respectful distance, sat a young man, almost her match in beauty,
      though in quite another style. In height about five feet ten,
      broad-shouldered, clean-built, a model of strength, agility, and grace.
      His face fair, fresh, and healthy-looking; his large eyes hazel; the crisp
      curling hair on his shapely head a wonderful brown in the mass, but with
      one thin streak of gold above the forehead, and all the loose hairs
      glittering golden. A short clipped mustache saved him from looking too
      feminine, yet did not hide his expressive mouth. He had white hands, as
      soft and supple as a woman's, a mellow voice, and a winning tongue. This
      dangerous young gentleman was gazing softly on Zoe Vizard and purring in
      her ear; and she was conscious of his gaze without looking at him, and was
      sipping the honey, and showed it, by seeming more absorbed in her work
      than girls ever really are.
    </p>
    <p>
      Matters, however, had not gone openly very far. She was still on her
      defense: so, after imbibing his flatteries demurely a long time, she
      discovered, all in one moment, that they were objectionable. &ldquo;Dear me, Mr.
      Severne,&rdquo; said she, &ldquo;you do nothing but pay compliments.&rdquo;
     </p>
    <p>
      &ldquo;How can I help it, sitting here?&rdquo; inquired he.
    </p>
    <p>
      &ldquo;There&mdash;there,&rdquo; said she: then, quietly, &ldquo;Does it never occur to you
      that only foolish people are pleased with flatteries?&rdquo;
     </p>
    <p>
      &ldquo;I have heard that; but I don't believe it. I know it makes me awfully
      happy whenever you say a kind word of me.&rdquo;
     </p>
    <p>
      &ldquo;That is far from proving your wisdom,&rdquo; said Zoe; &ldquo;and, instead of
      dwelling on my perfections, which do not exist, I wish you would <i>tell</i>
      me things.&rdquo;
     </p>
    <p>
      &ldquo;What things?&rdquo;
     </p>
    <p>
      &ldquo;How can I tell till I hear them? Well, then, things about yourself.&rdquo;
     </p>
    <p>
      &ldquo;That is a poor subject.&rdquo;
     </p>
    <p>
      &ldquo;Let me be the judge.&rdquo;
     </p>
    <p>
      &ldquo;Oh, there are lots of fellows who are always talking about themselves:
      let me be an exception.&rdquo;
     </p>
    <p>
      This answer puzzled Zoe, and she was silent, and put on a cold look. She
      was not accustomed to be refused anything reasonable.
    </p>
    <p>
      Severne examined her closely, and saw he was expected to obey her. He then
      resolved to prepare, in a day or two, an autobiography full of details
      that should satisfy Zoe's curiosity, and win her admiration and her love.
      But he could not do it all in a moment, because his memory of his real
      life obstructed his fancy. Meantime he operated a diversion. He said, &ldquo;Set
      a poor fellow an example. Tell me something about <i>yourself&mdash;</i>since
      I have the bad taste, and the presumption, to be interested in you, and
      can't help it. Did you spring from the foam of the Archipelago? or are you
      descended from Bacchus and Ariadne?&rdquo;
     </p>
    <p>
      &ldquo;If you want sensible answers, ask sensible questions,&rdquo; said Zoe, trying
      to frown him down with her black brows; but her sweet cheek would tint
      itself, and her sweet mouth smile and expose much intercoral ivory.
    </p>
    <p>
      &ldquo;Well, then,&rdquo; said he, &ldquo;I will ask you a prosaic question, and I only hope
      you won't think it impertinent. How&mdash;ever&mdash;did such a strangely
      assorted party as yours come to travel together? And if Vizard has turned
      woman-hater, as he pretends, how comes he to be at the head of a female
      party who are not <i>all</i> of them&mdash;&rdquo; he hesitated.
    </p>
    <p>
      &ldquo;Go on, Mr. Severne; not all of them what?&rdquo; said Zoe, prepared to stand up
      for her sex.
    </p>
    <p>
      &ldquo;Not perfect?&rdquo;
     </p>
    <p>
      &ldquo;That is a very cautious statement, and&mdash;there&mdash;you are as
      slippery as an eel; there is no getting hold of you. Well, never mind, I
      will set you an example of communicativeness, and reveal this mystery
      hidden as yet from mankind.&rdquo;
     </p>
    <p>
      &ldquo;Speak, dread queen; thy servant heareth.&rdquo;
     </p>
    <p>
      &ldquo;Ha! ha! ha! Mr. Severne, you amuse <i>me.&rdquo;</i>
    </p>
    <p>
      &ldquo;You only interest <i>me,&rdquo;</i> was the soft reply.
    </p>
    <p>
      Zoe blushed pink, but turned it off. &ldquo;Then why do you not attend to my
      interesting narrative, instead of&mdash;Well, then, it began with my
      asking the dear fellow to take me a tour, especially to Rome.&rdquo;
     </p>
    <p>
      &ldquo;You wanted to see the statues of your ancestors, and shame them.&rdquo;
     </p>
    <p>
      &ldquo;Much obliged; I was not quite such a goose. I wanted to see the Tiber,
      and the Colosseum, and Trajan's Pillar, and the Tarpeian Rock, and the one
      everlasting city that binds ancient and modern history together.&rdquo;
     </p>
    <p>
      She flashed her great eyes on him, and he was dumb. She had risen above
      the region of his ideas. Having silenced her commentator, she returned to
      her story, &ldquo;Well, dear Harrington said 'yes' directly. So then I told
      Fanny, and she said, 'Oh, do take me with you?' Now, of course I was only
      too glad to have Fanny; she is my relation, and my friend.&rdquo;
     </p>
    <p>
      &ldquo;Happy girl!&rdquo;
     </p>
    <p>
      &ldquo;Be quiet, please. So I asked Harrington to let me have Fanny with us, and
      you should have seen his face. What, he travel with a couple of us! He&mdash;I
      don't see why I should tell you what the monster said.&rdquo;
     </p>
    <p>
      &ldquo;Oh, yes, please do.&rdquo;
     </p>
    <p>
      &ldquo;You won't go telling anybody else, then?&rdquo;
     </p>
    <p>
      &ldquo;Not a living soul, upon my honor.&rdquo;
     </p>
    <p>
      &ldquo;Well, then,&rdquo; he said&mdash;she began to blush like a rose&mdash;&ldquo;that he
      looked on me as a mere female in embryo; I had not yet developed the vices
      of my sex. But Fanny Dover was a ripe flirt, and she would set me
      flirting, and how could he manage the pair? In short, sir, he refused to
      take us, and gave his reasons, such as they were, poor dear! Then I had to
      tell Fanny. Then she began to cry, and told me to go without her. But I
      would not do that, when I had once asked her. Then she clung round my
      neck, and kissed me, and begged me to be cross and sullen, and tire out
      dear Harrington.&rdquo;
     </p>
    <p>
      &ldquo;That is like her.&rdquo;
     </p>
    <p>
      &ldquo;How do you know?&rdquo; said Zoe sharply.
    </p>
    <p>
      &ldquo;Oh, I have studied her character.&rdquo;
     </p>
    <p>
      &ldquo;When, pray?&rdquo; said Zoe, ironically, yet blushing a little, because her
      secret meaning was, &ldquo;You are always at my apron strings, and have no time
      to fathom Fanny.&rdquo;
     </p>
    <p>
      &ldquo;When I have nothing better to do&mdash;when you are out of the room.&rdquo;
     </p>
<pre xml:space="preserve">
 &ldquo;Well, I shall be out of the room very soon, if you say another word.&rdquo;
 </pre>
    <p>
      &ldquo;And serve me right, too. I am a fool to talk when you allow me to
      listen.&rdquo;
     </p>
    <p>
      &ldquo;He is incorrigible!&rdquo; said Zoe, pathetically. &ldquo;Well, then, I refused to
      pout at Harrington. It is not as if he had no reason to distrust women,
      poor dear darling. I invited Fanny to stay a month with us; and, when once
      she was in the house, she soon got over me, and persuaded me to play sad,
      and showed me how to do it. So we wore long faces, and sweet resignation,
      and were never cross, but kept turning tearful eyes upon our victim.&rdquo;
     </p>
    <p>
      &ldquo;Ha! ha! How absurd of Vizard to tell you that two women would be too much
      for one man.&rdquo;
     </p>
    <p>
      &ldquo;No, it was the truth; and girls are artful creatures, especially when
      they put their heads together. But hear the end of all our cunning. One
      day, after dinner, Harrington asked us to sit opposite him; so we did, and
      felt guilty. He surveyed us in silence a little while, and then he said,
      'My young friends, you have played your little game pretty well,
      especially you, Zoe, that are a novice in the fine arts compared with Miss
      Dover.' Histrionic talent ought to be rewarded; he would relent, and take
      us abroad, on one condition: there must be a chaperone. 'All the better,'
      said we hypocrites, eagerly; 'and who?'&rdquo;
     </p>
    <p>
      &ldquo;'Oh, a person equal to the occasion&mdash;an old maid as bitter against
      men as ever grapes were sour. She would follow us upstairs, downstairs,
      and into my lady's chamber. She would have an eye at the key-hole by day,
      and an ear by night, when we went up to bed and talked over the events of
      our frivolous day.' In short, he enumerated our duenna's perfections till
      our blood ran cold; and it was ever so long before he would tell us who it
      was&mdash;Aunt Maitland. We screamed with surprise. They are like cat and
      dog, and never agree, except to differ. We sought an explanation of this
      strange choice. He obliged us. It was not for his gratification he took
      the old cat; it was for us. She would relieve him of a vast
      responsibility. The vices of her character would prove too strong for the
      little faults of ours, which were only volatility, frivolity, flirtation&mdash;I
      will <i>not</i> tell you what he said.&rdquo;
     </p>
    <p>
      &ldquo;I seem to hear Harrington talking,&rdquo; said Severne. &ldquo;What on earth makes
      him so hard upon women? Would you mind telling me that?&rdquo;
     </p>
    <p>
      &ldquo;Never ask me that question again,&rdquo; said Zoe, with sudden gravity.
    </p>
    <p>
      &ldquo;Well, I won't; I'll get it out of him.&rdquo;
     </p>
    <p>
      &ldquo;If you say a word to him about it, I shall be shocked and offended.&rdquo;
     </p>
    <p>
      She was pale and red by turns; but Severne bowed his head with a
      respectful submission that disarmed her directly. She turned her head
      away, and Severne, watching her, saw her eyes fill.
    </p>
    <p>
      &ldquo;How is it,&rdquo; said she thoughtfully, and looking away from him, &ldquo;that men
      leave out their sisters when they sum up womankind? Are not we women too?
      My poor brother quite forgets he has one woman who will never, never
      desert nor deceive him; dear, darling fellow!&rdquo; and with these three last
      words she rose and kissed the tips of her fingers, and waved the kiss to
      Vizard with that free magnitude of gesture which belonged to antiquity: it
      struck the Anglo-Saxon flirt at her feet with amazement. Not having good
      enough under his skin to sympathize with that pious impulse, he first
      stagnated a little while; and then, not to be silent altogether, made his
      little, stale, commonplace comment on what she had told him. &ldquo;Why, it is
      like a novel.&rdquo;
     </p>
    <p>
      &ldquo;A very unromantic one,&rdquo; replied Zoe.
    </p>
    <p>
      &ldquo;I don't know that. I have read very interesting novels with fewer new
      characters than this: there's a dark beauty, and a fair, and a duenna with
      an eagle eye and an aquiline nose.&rdquo;
     </p>
    <p>
      &ldquo;Hush!&rdquo; said Zoe: &ldquo;that is her room;&rdquo; and pointed to a chamber door that
      opened into the apartment.
    </p>
    <p>
      Oh, marvelous female instinct! The duenna in charge was at that moment
      behind that very door, and her eye and her ear at the key-hole, turn
      about.
    </p>
    <p>
      Severne continued his remarks, but in a lower voice.
    </p>
    <p>
      &ldquo;Then there's a woman-hater and a man-hater: good for dialogue.&rdquo;
     </p>
    <p>
      Now this banter did not please Zoe; so she fixed her eyes upon Severne,
      and said, &ldquo;You forget the principal figure&mdash;a mysterious young
      gentleman who looks nineteen, and is twenty-nine, and was lost sight of in
      England nine years ago. He has been traveling ever since, and where-ever
      he went he flirted; we gather so much from his accomplishment in the art;
      fluent, not to say voluble at times, but no egotist, for he never tells
      you anything about himself, nor even about his family, still less about
      the numerous <i>affaires de coeur</i> in which he has been engaged.
      Perhaps he is reserving it all for the third volume.&rdquo;
     </p>
    <p>
      The attack was strong and sudden, but it failed. Severne, within the
      limits of his experience, was a consummate artist, and this situation was
      not new to him. He cast one gently reproachful glance on her, then lowered
      his eyes to the carpet, and kept them there. &ldquo;Do you think,&rdquo; said he, in a
      low, dejected voice, &ldquo;it can be any pleasure to a man to relate the
      follies of an idle, aimless life? and to you, who have given me higher
      aspirations, and made me awfully sorry, I cannot live my whole life over
      again. I can't bear to think of the years I have wasted,&rdquo; said he; &ldquo;and
      how can I talk to you, whom I reverence, of the past follies I despise?
      No, pray don't ask me to risk your esteem. It is so dear to me.&rdquo;
     </p>
    <p>
      Then this artist put in practice a little maneuver he had learned of
      compressing his muscles and forcing a little unwilling water into his
      eyes. So, at the end of his pretty little speech, he raised two gentle,
      imploring eyes, with half a tear in each of them. To be sure, Nature
      assisted his art for once; he did bitterly regret, but out of pure
      egotism, the years he had wasted, and wished with all his heart he had
      never known any woman but Zoe Vizard.
    </p>
    <p>
      The combination of art and sincerity was too much for the guileless and
      inexperienced Zoe. She was grieved at the pain she had given, and rose to
      retire, for she felt they were both on dangerous ground; but, as she
      turned away, she made a little, deprecating gesture, and said, softly,
      &ldquo;Forgive me.&rdquo;
     </p>
    <p>
      That soft tone gave Severne courage, and that gesture gave him an
      opportunity. He seized her hand, murmured, &ldquo;Angel of goodness!&rdquo; and
      bestowed a long, loving kiss on her hand that made it quiver under his
      lips.
    </p>
    <p>
      &ldquo;Oh!&rdquo; cried Miss Maitland, bursting into the room at the nick of time, yet
      feigning amazement.
    </p>
    <p>
      Fanny heard the ejaculations, and whipped away from Harrington into the
      window. Zoe, with no motive but her own coyness, had already snatched her
      hand away from Severne.
    </p>
    <p>
      But both young ladies were one moment too late. The eagle eye of a
      terrible old maid had embraced the entire situation, and they saw it had.
    </p>
    <p>
      Harrington Vizard, Esq., smoked on, with his back to the group. But the
      rest were a picture&mdash;the mutinous face and keen eyes of Fanny Dover,
      bristling with defense, at the window; Zoe blushing crimson, and newly
      started away from her too-enterprising wooer; and the tall, thin, grim old
      maid, standing stiff, as sentinel, at the bedroom door, and gimleting both
      her charges alternately with steel-gray orbs; she seemed like an owl, all
      eyes and beak.
    </p>
    <p>
      When the chaperon had fixed the situation thoroughly, she stalked erect
      into the room, and said, very expressively, &ldquo;I am afraid I disturb you.&rdquo;
     </p>
    <p>
      Zoe, from crimson, blushed scarlet, and hung her head; but Fanny was
      ready.
    </p>
    <p>
      &ldquo;La! aunt,&rdquo; said she, ironically, and with pertness infinite, &ldquo;you know
      you are always welcome. Where ever have you been all this time? We were
      afraid we had lost you.&rdquo;
     </p>
    <p>
      Aunt fired her pistol in reply: &ldquo;I was not far off&mdash;most
      fortunately.&rdquo;
     </p>
    <p>
      Zoe, finding that, even under crushing circumstances, Fanny had fight in
      her, glided instantly to her side, and Aunt Maitland opened battle all
      round.
    </p>
    <p>
      &ldquo;May I ask, sir,&rdquo; said she to Severne, with a horrible smile, &ldquo;what you
      were doing when I came in?&rdquo;
     </p>
    <p>
      Zoe clutched Fanny, and both awaited Mr. Severne's reply for one moment
      with keen anxiety.
    </p>
    <p>
      &ldquo;My dear Miss Maitland,&rdquo; said that able young man, very respectfully, yet
      with a sort of cheerful readiness, as if he were delighted at her deigning
      to question him, &ldquo;to tell you the truth, I was admiring Miss Vizard's
      diamond ring.&rdquo;
     </p>
    <p>
      Fanny tittered; Zoe blushed again at such a fib and such <i>aplomb.</i>
    </p>
    <p>
      &ldquo;Oh, indeed,&rdquo; said Miss Maitland; &ldquo;you were admiring it very close, sir.&rdquo;
     </p>
    <p>
      &ldquo;It is like herself&mdash;it will bear inspection.&rdquo;
     </p>
    <p>
      This was wormwood to Miss Maitland. &ldquo;Even in our ashes live their wonted
      fires;&rdquo; and, though she was sixty, she disliked to hear a young woman
      praised. She bridled, then returned to the attack.
    </p>
    <p>
      &ldquo;Next time you wish to inspect it, you had better ask her <i>to take it
      off,</i> and show you.&rdquo;
     </p>
    <p>
      &ldquo;May I, Miss Maitland?&rdquo; inquired the ingenuous youth. &ldquo;She would not think
      that a liberty?&rdquo;
     </p>
    <p>
      His mild effrontery staggered her for a moment, and she glared at him,
      speechless, but soon recovered, and said, bitterly, &ldquo;Evidently <i>not.&rdquo;</i>
      With this she turned her back on him rather ungraciously, and opened fire
      on her own sex.
    </p>
    <p>
      &ldquo;Zoe!&rdquo; (sharply).
    </p>
    <p>
      &ldquo;Yes, aunt.&rdquo; (faintly)
    </p>
    <p>
      &ldquo;Tell your brother&mdash;if he can leave off smoking&mdash;I wish to speak
      to him.&rdquo;
     </p>
    <p>
      Zoe hung her head, and was in no hurry to bring about the proposed
      conference.
    </p>
    <p>
      While she deliberated, says Fanny, with vast alacrity, &ldquo;I'll tell him,
      aunt.&rdquo;
     </p>
    <p>
      &ldquo;Oh, Fanny!&rdquo; murmured Zoe, in a reproachful whisper.
    </p>
    <p>
      &ldquo;All right!&rdquo; whispered Fanny in reply, and whipped out on to the balcony.
      &ldquo;Here's Aunt Maitland wants to know if you ever leave off smoking;&rdquo; and
      she threw a most aggressive manner into the query.
    </p>
    <p>
      The big man replied, composedly, &ldquo;Tell her I do&mdash;at meals and
      prayers; but I always <i>sleep</i> with a pipe in my mouth&mdash;heavily
      insured!&rdquo;
     </p>
    <p>
      &ldquo;Well, then, you mustn't; for she has something very particular to say to
      you when you've done smoking.&rdquo;
     </p>
    <p>
      &ldquo;Something particular! That means something disagreeable. Tell her I shall
      be smoking all day to-day.&rdquo;
     </p>
    <p>
      Fanny danced into the room and said, &ldquo;He says he shall be smoking all day,
      <i>under the circumstances.&rdquo;</i>
    </p>
    <p>
      Miss Maitland gave this faithful messenger the look of a basilisk, and
      flounced to her own room. The young ladies instantly stepped out on the
      balcony, and got one on each side of Harrington, with the feminine
      instinct of propitiation; for they felt sure the enemy would tell, soon or
      late.
    </p>
    <p>
      &ldquo;What does the old cat want to talk to me about?&rdquo; said Harrington, lazily,
      to Fanny.
    </p>
    <p>
      It was Zoe who replied:
    </p>
    <p>
      &ldquo;Can't you guess, dear?&rdquo; said she, tenderly&mdash;&ldquo;our misconduct.&rdquo; Then
      she put her head on his shoulder, as much as to say, &ldquo;But we have a more
      lenient judge here.&rdquo;
     </p>
    <p>
      &ldquo;As if I could not see <i>that</i> without her assistance!&rdquo; said
      Harrington Vizard. (Puff!) At which comfortable reply Zoe looked very
      rueful, and Fanny burst out laughing.
    </p>
    <p>
      Soon after this Fanny gave Zoe a look, and they retired to their rooms;
      and Zoe said she would never come out again, and Fanny must stay with her.
      Fanny felt sure <i>ennui</i> would thaw that resolve in a few hours; so
      she submitted, but declared it was absurd, and the very way to give a
      perfect trifle importance.
    </p>
    <p>
      &ldquo;Kiss your hand!&rdquo; said she, disdainfully&mdash;&ldquo;that is nothing. If I was
      the man, I'd have kissed both your cheeks long before this.&rdquo;
     </p>
    <p>
      &ldquo;And I should have boxed your ears and made you cry,&rdquo; said Zoe, with calm
      superiority.
    </p>
    <p>
      So she had her way, and the deserted Severne felt dull, but was too good a
      general to show it. He bestowed his welcome company on Mr. Vizard, walked
      with him, talked with him, and made himself so agreeable, that Vizard, who
      admired him greatly, said to him, &ldquo;What a good fellow you are, to bestow
      your sunshine on me. I began to be afraid those girls had got you, and
      tied you to their apron-strings altogether.&rdquo;
     </p>
    <p>
      &ldquo;Oh, no!&rdquo; said Severne: &ldquo;they are charming; but, after all, one can't do
      without a male friend: there are so few things that interest ladies.
      Unless you can talk red-hot religion, you are bound to flirt with them a
      little. To be sure, they look shy, if you do, but if you don't&mdash;&rdquo;
     </p>
    <p>
      &ldquo;They <i>are</i> bored; whereas they only <i>looked</i> shy. I know 'em.
      Call another subject, please.&rdquo;
     </p>
    <p>
      &ldquo;Well, I will; but perhaps it may not be so agreeable a one.&rdquo;
     </p>
    <p>
      &ldquo;That is very unlikely,&rdquo; said the woman-hater, dryly.
    </p>
    <p>
      &ldquo;Well, it is Tin. I'm rather short. You see, when I fell in with you at
      Monaco, I had no idea of coming this way; but, meeting with an old college
      friend&mdash;what a tie college is, isn't it? There is nothing like it;
      when you have been at college with a man, you seem never to wear him out,
      as you do the acquaintances you make afterward.&rdquo;
     </p>
    <p>
      &ldquo;That is very true,&rdquo; said Vizard warmly.
    </p>
    <p>
      &ldquo;Isn't it? Now, for instance, if I had only known you of late years, I
      should feel awfully shy of borrowing a few hundreds of you&mdash;for a
      month or two.&rdquo;
     </p>
    <p>
      &ldquo;I don't know why you should, old fellow.&rdquo;
     </p>
    <p>
      &ldquo;I should, though. But having been at college together makes all the
      difference. I don't mind telling you that I have never been at Homburg
      without taking a turn at the table, and I am grizzling awfully now at not
      having sent to my man of business for funds.&rdquo;
     </p>
    <p>
      &ldquo;How much do you want? That is the only question.&rdquo;
     </p>
    <p>
      &ldquo;Glad to hear it,&rdquo; thought Severne. &ldquo;Well, let me see, you can't back your
      luck with less than five hundred.&rdquo;
     </p>
    <p>
      &ldquo;Well, but we have been out two months; I am afraid I haven't so much
      left. Just let me see.&rdquo; He took out his pocket-book, and examined his
      letter of credit. &ldquo;Do you want it to-day?&rdquo;
     </p>
    <p>
      &ldquo;Why, yes; I do.&rdquo;
     </p>
    <p>
      &ldquo;Well, then, I am afraid you can only have three hundred. But I will
      telegraph Herries, and funds will be here to-morrow afternoon.&rdquo;
     </p>
    <p>
      &ldquo;All right,&rdquo; said Severne.
    </p>
    <p>
      Vizard took him to the bank, and exhausted his letter of credit: then to
      the telegraph-office, and telegraphed Herries to enlarge his credit at
      once. He handed Severne the three hundred pounds. The young man's eye
      flashed, and it cost him an effort not to snatch them and wave them over
      his head with joy: but he controlled himself, and took them like
      two-pence-halfpenny. &ldquo;Thank you, old fellow,&rdquo; said he. Then, still more
      carelessly, &ldquo;Like my I O U?&rdquo;
     </p>
    <p>
      &ldquo;As you please,&rdquo; said Vizard, with similar indifference; only real.
    </p>
    <p>
      After he had got the money, Severne's conversational powers relaxed&mdash;short
      answers&mdash;long reveries.
    </p>
    <p>
      Vizard observed, stopped short, and eyed him. &ldquo;I remember something at
      Oxford, and I am afraid you are a gambler; if you are, you won't be good
      for much till you have lost that three hundred. It will be a dull evening
      for me without you: I know what I'll do&mdash;I'll take my hen-party to
      the opera at Homburg. There are stalls to be got here. I'll get one for
      you, on the chance of your dropping in.&rdquo;
     </p>
    <p>
      The stalls were purchased, and the friends returned at once to the hotel,
      to give the ladies timely intimation. They found Fanny and Zoe seated,
      rather disconsolate, in the apartment Zoe had formally renounced: at sight
      of the stall tickets, the pair uttered joyful cries, looked at each other,
      and vanished.
    </p>
    <p>
      &ldquo;You won't see <i>them</i> any more till dinner-time,&rdquo; said Vizard. &ldquo;They
      will be discussing dress, selecting dress, trying dresses, and changing
      dresses, for the next three hours.&rdquo; He turned round while speaking, and
      there was Severne slipping away to his own bedroom.
    </p>
    <p>
      Thus deserted on all sides, he stepped into the balcony and lighted a
      cigar. While he was smoking it, he observed an English gentleman, with a
      stalwart figure and a beautiful brown beard, standing on the steps of the
      hotel. &ldquo;Halloo!&rdquo; said he, and hailed him. &ldquo;Hi, Uxmoor! is that you?&rdquo;
     </p>
    <p>
      Lord Uxmoor looked up, and knew him. He entered the hotel, and the next
      minute the waiter ushered him into Vizard's sitting-room.
    </p>
    <p>
      Lord Uxmoor, like Mr. Vizard, was a landed proprietor in Barfordshire. The
      county is large, and they lived too many miles apart to visit; but they
      met, and agreed, at elections and county business, and had a respect for
      each other.
    </p>
    <p>
      Meeting at Frankfort, these two found plenty to say to each other about
      home; and as Lord Uxmoor was alone, Vizard asked him to dine. &ldquo;You will
      balance us,&rdquo; said he: &ldquo;we are terribly overpetticoated, and one of them is
      an old maid. We generally dine at the <i>table-d'hote,</i> but I have
      ordered dinner <i>here</i> to-day: we are going to the opera at Homburg.
      You are not obliged to do that, you know. You are in for a bad dinner,
      that is all.&rdquo;
     </p>
    <p>
      &ldquo;To tell the truth,&rdquo; said Lord Uxmoor, &ldquo;I don't care for music.&rdquo;
     </p>
    <p>
      &ldquo;Then you deserve a statue for not pretending to love it. I adore it, for
      my part, and I wish I was going alone, for my hens will be sure to cackle
      <i>mal 'a propos,</i> and spoil some famous melody with talking about it,
      and who sung it in London, instead of listening to it, and thanking God
      for it in deep silence.&rdquo;
     </p>
    <p>
      Lord Uxmoor stared a little at this sudden sally, for he was unacquainted
      with Vizard's one eccentricity, having met him only on county business, at
      which he was extra rational, and passed for a great scholar. He really did
      suck good books as well as cigars.
    </p>
    <p>
      After a few more words, they parted till dinner-time.
    </p>
    <p>
      Lord Uxmoor came to his appointment, and found his host and Miss Maitland,
      whom he knew; and he was in languid conversation with them, when a
      side-door opened, and in walked Fanny Dover, fair and bright, in Cambridge
      blue, her hair well dressed by Zoe's maid in the style of the day. Lord
      Uxmoor rose, and received his fair country-woman with respectful zeal; he
      had met her once before. She, too, sparkled with pleasure at meeting a
      Barfordshire squire with a long pedigree, purse, and beard&mdash;three
      things she admired greatly.
    </p>
    <p>
      In the midst of this, in glided Zoe, and seemed to extinguish everybody,
      and even to pale the lights, with her dark yet sunlike beauty. She was
      dressed in a creamy-white satin that glinted like mother-of-pearl, its
      sheen and glory unfrittered with a single idiotic trimming; on her breast
      a large diamond cross. Her head was an Athenian sculpture&mdash;no
      chignon, but the tight coils of antiquity; at their side, one diamond star
      sparkled vivid flame, by its contrast with those polished ebon snakes.
    </p>
    <p>
      Lord Uxmoor was dazzled, transfixed, at the vision, and bowed very low
      when Vizard introduced him in an off-hand way, saying, &ldquo;My sister, Miss
      Vizard; but I dare say you have met her at the county balls.&rdquo;
     </p>
    <p>
      &ldquo;I have never been so fortunate,&rdquo; said Uxmoor, humbly.
    </p>
    <p>
      &ldquo;I have,&rdquo; said Zoe; &ldquo;that is, I saw you waltzing with Lady Betty Gore at
      the race ball two years ago.&rdquo;
     </p>
    <p>
      &ldquo;What!&rdquo; said Vizard, alarmed. &ldquo;Uxmoor, were you waltzing with Lady Betty
      Gore?&rdquo;
     </p>
    <p>
      &ldquo;You have it on too high an authority for me to contradict.&rdquo;
     </p>
    <p>
      Finding Zoe was to be trusted as a county chronicle, Vizard turned sharply
      to her, and said, &ldquo;And was he flirting with her?&rdquo;
     </p>
    <p>
      Zoe colored a little, and said, &ldquo;Now, Harrington, how can I tell?&rdquo;
     </p>
    <p>
      &ldquo;You little hypocrite,&rdquo; said Vizard, &ldquo;who can tell better?&rdquo;
     </p>
    <p>
      At this retort Zoe blushed high, and the water came into her eyes.
    </p>
    <p>
      Nobody minded that but Uxmoor, and Vizard went on to explain, &ldquo;That Lady
      Betty Gore is as heartless a coquette as any in the county; and don't you
      flirt with her, or you will get entangled.&rdquo;
     </p>
    <p>
      &ldquo;You disapprove her,&rdquo; said Uxmoor, coolly; &ldquo;then I give her up forever.&rdquo;
       He looked at Zoe while he said this, and felt how easy it would be to
      resign Lady Betty and a great many more for this peerless creature. He did
      not mean her to understand what was passing in his mind; he did not know
      how subtle and observant the most innocent girl is in such matters. Zoe
      blushed, and drew away from him. Just then Ned Severne came in, and Vizard
      introduced him to Uxmoor with great geniality and pride. The charming
      young man was in a black surtout, with a blue scarf, the very tint for his
      complexion.
    </p>
    <p>
      The girls looked at one another, and in a moment Fanny was elected Zoe's
      agent. She signaled Severne, and when he came to her she said, for Zoe,
      &ldquo;Don't you know we are going to the opera at Homburg?&rdquo;
     </p>
    <p>
      &ldquo;Yes, I know,&rdquo; said he, &ldquo;and I hope you will have a pleasanter evening
      than I shall.&rdquo;
     </p>
    <p>
      &ldquo;You are not coming with us?&rdquo;
     </p>
    <p>
      &ldquo;No,&rdquo; said he, sorrowfully.
    </p>
    <p>
      &ldquo;You had better,&rdquo; said Fanny, with a deal of quiet point, more, indeed,
      than Zoe's pride approved.
    </p>
    <p>
      &ldquo;Not if Mr. Severne has something more attractive,&rdquo; said she, turning
      palish and pinkish by turns.
    </p>
    <p>
      All this went on <i>sotto voce,</i> and Uxmoor, out of good-breeding,
      entered into conversation with Miss Maitland and Vizard. Severne availed
      himself of this diversion, and fixed his eyes on Zoe with an air of gentle
      reproach, then took a letter out of his pocket, and handed it to Fanny.
      She read it, and gave it to Zoe.
    </p>
    <p>
      It was dated from &ldquo;The Golden Star,&rdquo; Homburg.
    </p>
    <p>
      &ldquo;DEAR NED&mdash;I am worse to-day, and all alone. Now and then I almost
      fear I may not pull through. But perhaps that is through being so hipped.
      Do come and spend this evening with me like a good, kind fellow.
    </p>
    <p>
      &ldquo;Telegraph reply.
    </p>
    <h3>
      &ldquo;S. T.&rdquo;
     </h3>
    <p>
      &ldquo;Poor fellow,&rdquo; said Ned; &ldquo;my heart bleeds for him.&rdquo;
     </p>
    <p>
      Zoe was affected by this, and turned liquid and loving eyes on &ldquo;dear Ned.&rdquo;
       But Fanny stood her ground. &ldquo;Go to 'S. T.' to-morrow morning, but don't
      desert 'Z. V.' and 'F. D.' to-night.&rdquo; Zoe smiled.
    </p>
    <p>
      &ldquo;But I have telegraphed!&rdquo; objected Ned.
    </p>
    <p>
      &ldquo;Then telegraph again&mdash;<i>not,&rdquo;</i> said Fanny firmly.
    </p>
    <p>
      Now, this was unexpected. Severne had set his heart upon <i>rouge et noir,</i>
      but still he was afraid of offending Zoe; and, besides, he saw Uxmoor,
      with his noble beard and brown eyes, casting rapturous glances at her.
      &ldquo;Let Miss Vizard decide,&rdquo; said he. &ldquo;Don't let me be so unhappy as to
      offend her twice in one day.&rdquo;
     </p>
    <p>
      Zoe's pride and goodness dictated her answer, in spite of her wishes. She
      said, in a low voice, &ldquo;Go to your sick friend.&rdquo;
     </p>
    <p>
      &ldquo;There,&rdquo; said Severne.
    </p>
    <p>
      &ldquo;I hear,&rdquo; said Fanny. &ldquo;She means 'go;' but you shall repent it.&rdquo;
     </p>
    <p>
      &ldquo;I mean what I say,&rdquo; said Zoe, with real dignity. &ldquo;It is my habit.&rdquo; And
      the next moment she quietly left the room.
    </p>
    <p>
      She sat down in her bedroom, mortified and alarmed. What! Had it come to
      this, that she felt her heart turn cold just because that young man said
      he could not accompany her&mdash;on a single evening! Then first she
      discovered that it was for him she had dressed, and had, for once,
      beautified her beauty&mdash;for <i>him;</i> that with Fanny she had dwelt
      upon the delights of the music, but had secretly thought of appearing
      publicly on <i>his</i> arm, and dazzling people by their united and
      contrasted beauty.
    </p>
    <p>
      She rose, all of a sudden, and looked keenly at herself in the glass, to
      see if she had not somehow overrated her attractions. But the glass was
      reassuring. It told her not one man in a million could go to a sick friend
      that night, when he might pass the evening by her side, and visit his
      friend early in the morning. Best loved is best served. Tears of mortified
      vanity were in her eyes; but she smiled through them at the glass; then
      dried them carefully, and went back to the dining-room radiant, to all
      appearance.
    </p>
    <p>
      Dinner was just served, and her brother, to do honor to the new-comer,
      waved his sister to a seat by Lord Uxmoor. He looked charmed at the
      arrangement, and showed a great desire to please her, but at first was
      unable to find good topics. After several timid overtures on his part, she
      assisted him, out of good-nature, She knew by report that he was a very
      benevolent young man, bent on improving the home, habits, wages, and
      comforts of the agricultural poor. She led him to this, and his eyes
      sparkled with pleasure, and his homely but manly face lighted, and was
      elevated by the sympathy she expressed in these worthy objects. He could
      not help thinking: &ldquo;What a Lady Uxmoor this would make! She and I and her
      brother might leaven the county.&rdquo;
     </p>
    <p>
      And all this time she would not even bestow a glance on Severne. She was
      not an angel. She had said, &ldquo;Go to your sick friend;&rdquo; but she had not
      said, &ldquo;I will smart alone if you <i>do.&rdquo;</i>
    </p>
    <p>
      Severne sat by Fanny, and seemed dejected, but, as usual, polite and
      charming. She was smilingly cruel; regaled him with Lord Uxmoor's wealth
      and virtues, and said he was an excellent match, and all she-Barfordshire
      pulling caps for him. Severne only sighed; he offered no resistance; and
      at last she could not go on nagging a handsome fellow, who only sighed, so
      she said, &ldquo;Well, <i>there;</i> I advise you to join us before the opera is
      over, that is all.&rdquo;
     </p>
    <p>
      &ldquo;I will, I will!&rdquo; said he, eagerly. &ldquo;Oh, thank you.&rdquo;
     </p>
    <p>
      Dinner was dispatched rather rapidly, because of the opera.
    </p>
    <p>
      When the ladies got their cloaks and lace scarfs, to put over their heads
      coming home, the party proved to be only three, and the tickets five; for
      Miss Maitland pleaded headache.
    </p>
    <p>
      On this, Lord Uxmoor said, rather timidly, he should like to go.
    </p>
    <p>
      &ldquo;Why, you said you hated music,&rdquo; said Vizard.
    </p>
    <p>
      Lord Uxmoor colored. &ldquo;I recant,&rdquo; said he, bluntly; and everybody saw what
      had operated his conversion. That is a pun.
    </p>
    <p>
      It is half an hour, by rail, from Frankfort to Homburg, and the party
      could not be seated together. Vizard bestowed Zoe and Lord Uxmoor in one
      carriage, Fanny and Severne in another, and himself and a cigar in the
      third. Severne sat gazing piteously on Fanny Dover, but never said a word.
      She sat and eyed him satirically for a good while, and then she said,
      cheerfully, &ldquo;Well, Mr. Severne, how do you like the turn things are
      taking?&rdquo;
     </p>
    <p>
      &ldquo;Miss Dover, I am very unhappy.&rdquo;
     </p>
    <p>
      &ldquo;Serves you right.&rdquo;
     </p>
    <p>
      &ldquo;Oh, pray don't say that. It is on you I depend.&rdquo;
     </p>
    <p>
      &ldquo;On me, sir! What have I to do with your flirtations?&rdquo;
     </p>
    <p>
      &ldquo;No; but you are so clever, and so good. If for once you will take a poor
      fellow's part with Miss Vizard, behind my back; oh, please do&mdash;pray
      do,&rdquo; and, in the ardor of entreaty, he caught Fanny's white hand and
      kissed it with warm but respectful devotion. Indeed, he held it and kissed
      it again and again, till Fanny, though she minded it no more than marble,
      was going to ask him satirically whether he had not almost done with it,
      when at last he contrived to squeeze out one of his little hysterical
      tears, and drop it on her hand.
    </p>
    <p>
      Now, the girl was not butter, like some of her sex; far from it: but
      neither was she wood&mdash;indeed, she was not old enough for that&mdash;so
      this crocodile tear won her for the time being. &ldquo;There&mdash;there,&rdquo; said
      she; &ldquo;don't be a baby. I'll be on your side tonight; only, if you care for
      her, come and look after her yourself. Beautiful women with money won't
      stand neglect, Mr. Severne; and why should they? They are not like poor
      me; they have got the game in their hands.&rdquo; The train stopped. Vizard's
      party drove to the opera, and Severne ordered a cab to The Golden Star,
      meaning to stop it and get out; but, looking at his watch, he found it
      wanted half an hour to gambling time, so he settled to have a cup of
      coffee first, and a cigar. With this view he let the man drive him to The
      Golden Star.
    </p>
    <p>
      <a name="link2HCH0003" id="link2HCH0003">
      <!--  H2 anchor --> </a>
    </p>
    <div style="height: 4em;">
      <br /><br /><br /><br />
    </div>
    <h2>
      CHAPTER III.
    </h2>
    <p>
      INA KLOSKING worked night and day upon Siebel, in Gounod's &ldquo;Faust,&rdquo; and
      upon the songs that had been added to give weight to the part.
    </p>
    <p>
      She came early to the theater at night, and sat, half dressed, fatigued,
      and nervous, in her dressing-room.
    </p>
    <p>
      Crash!&mdash;the first <i>coup d'archet</i> announced the overture, and
      roused her energy, as if Ithuriel's spear had pricked her. She came down
      dressed, to listen at one of the upper entrances, to fill herself with the
      musical theme, before taking her part in it, and also to gauge the
      audience and the singers.
    </p>
    <p>
      The man Faust was a German; but the musical part Faust seems better suited
      to an Italian or a Frenchman. Indeed, some say that, as a rule, the German
      genius excels in creation and the Italian in representation or
      interpretation. For my part, I am unable to judge nations in the lump, as
      some fine fellows do, because nations are composed of very different
      individuals, and I know only one to the million; but I do take on me to
      say that the individual Herr who executed Doctor Faustus at Homburg that
      night had everything to learn, except what he had to unlearn. His person
      was obese; his delivery of the words was mouthing, chewing, and gurgling;
      and he uttered the notes in tune, but without point, pathos, or passion; a
      steady lay-clerk from York or Durham Cathedral would have done a little
      better, because he would have been no colder at heart, and more exact in
      time, and would have sung clean; whereas this gentleman set his windpipe
      trembling, all through the business, as if palsy were passion. By what
      system of leverage such a man came to be hoisted on to such a pinnacle of
      song as &ldquo;Faust&rdquo; puzzled our English friends in front as much as it did the
      Anglo-Danish artist at the wing; for English girls know what is what in
      opera.
    </p>
    <p>
      The Marguerite had a voice of sufficient compass, and rather sweet, though
      thin. The part demands a better <i>actress</i> than Patti, and this
      Fraulein was not half as good: she put on the painful grin of a
      prize-fighter who has received a staggerer, and grinned all through the
      part, though there is little in it to grin at.
    </p>
    <p>
      She also suffered by having to play to a Faust milked of his poetry, and
      self-smitten with a <i>tremolo</i> which, as I said before, is the voice
      of palsy, and is not, nor ever was, nor ever will be, the voice of
      passion. Bless your heart, passion is a manly thing, a womanly thing, a
      grand thing, not a feeble, quavering, palsied, anile, senile thing. Learn
      that, ye trembling, quavering idiots of song!
    </p>
    <p>
      &ldquo;They let me down,&rdquo; whispered Ina Klosking to her faithful Ashmead. &ldquo;I
      feel all out of tune. I shall never be able. And the audience so cold. It
      will be like singing in a sepulcher.&rdquo;
     </p>
    <p>
      &ldquo;What would you think of them, if they applauded?&rdquo; said Ashmead.
    </p>
    <p>
      &ldquo;I should say they were good, charitable souls, and the very audience I
      shall want in five minutes.&rdquo;
     </p>
    <p>
      &ldquo;No, no,&rdquo; said Ashmead, &ldquo;all you want is a discriminating audience; and
      this is one. Remember they have all seen Patti in Marguerite. Is it likely
      they would applaud this tin stick?&rdquo;
     </p>
    <p>
      Ina turned the conversation with feminine quickness. &ldquo;Mr. Ashmead, have
      you kept your promise; my name is not in the programme?&rdquo;
     </p>
    <p>
      &ldquo;It is not; and a great mistake too.&rdquo;
     </p>
    <p>
      &ldquo;I have not been announced by name in any way?&rdquo;
     </p>
    <p>
      &ldquo;No. But, of course, I have nursed you a bit.&rdquo;
     </p>
    <p>
      &ldquo;Nursed me? What is that? Oh, what have you been doing? No <i>charlatanerie,</i>
      I hope.&rdquo;
     </p>
    <p>
      &ldquo;Nothing of the kind,&rdquo; said Ashmead, stoutly; &ldquo;only the regular business.&rdquo;
     </p>
    <p>
      &ldquo;And pray what is the regular business?&rdquo; inquired Ina, distrustfully.
    </p>
    <p>
      &ldquo;Why, of course, I sent on the manager to say that Mademoiselle Schwaub
      had been taken seriously ill; that we had been fearing we must break faith
      with the public for the first time; but that a cantatrice, who had left
      the stage, appreciating our difficulty, had, with rare kindness, come to
      our aid for this one night: we felt sure a Humbug audience&mdash;what am I
      saying?&mdash;a Homburg audience would appreciate this, and make due
      allowance for a performance undertaken in such a spirit, and with
      imperfect rehearsals, etc.&mdash;in short, the usual patter; and the usual
      effect, great applause. Indeed, the only applause that I have heard in
      this theater to-night. Ashmead ahead of Gounod, so far.&rdquo;
     </p>
    <p>
      Ina Klosking put both hands before her face, and uttered a little moan.
      She had really a soul above these artifices. &ldquo;So, then,&rdquo; said she, &ldquo;if
      they do receive me, it will be out of charity.&rdquo;
     </p>
    <p>
      &ldquo;No, no; but on your first night you must have two strings to your bow.&rdquo;
     </p>
    <p>
      &ldquo;But I have only one. These cajoling speeches are a waste of breath. A
      singer can sing, or she can <i>not</i> sing, and they find out which it is
      as soon as she opens her mouth.&rdquo;
     </p>
    <p>
      &ldquo;Well, then, you open your mouth&mdash;that is just what half the singers
      can't do&mdash;and they will soon find out you can sing.&rdquo;
     </p>
    <p>
      &ldquo;I hope they may. I do not know. I am discouraged. I'm terrified. I think
      it is stage-fright,&rdquo; and she began to tremble visibly, for the time drew
      near.
    </p>
    <p>
      Ashmead ran off and brought her some brandy-and-water. She put up her hand
      against it with royal scorn. &ldquo;No, sir! If the theater, and the lights, and
      the people, the mind of Goethe, and the music of Gounod, can't excite me
      without <i>that,</i> put me at the counter of a cafe', for I have no
      business here.&rdquo;
     </p>
    <p>
      The power, without violence, and the grandeur with which she said this
      would have brought down the house had she spoken it in a play without a
      note of music; and Ashmead drew back respectfully, but chuckled internally
      at the idea of this Minerva giving change in a cafe'.
    </p>
    <p>
      And now her cue was coming. She ordered everybody out of the entrance not
      very ceremoniously, and drew well back. Then, at her cue, she made a
      stately rush, and so, being in full swing before she cleared the wing, she
      swept into the center of the stage with great rapidity and resolution; no
      trace either of her sorrowful heart or her quaking limbs was visible from
      the front.
    </p>
    <p>
      There was a little applause, all due to Ashmead's preliminary apology, but
      there was no real reception; for Germany is large and musical, and she was
      not immediately recognized at Homburg. But there was that indescribable
      flutter which marks a good impression and keen expectation suddenly
      aroused. She was beautiful on the stage for one thing; her figure rather
      tall and stately, and her face full of power: and then the very way she
      came on showed the step and carriage of an artist at home upon the boards.
    </p>
    <p>
      She cast a rapid glance round the house, observed its size, and felt her
      way. She sung her first song evenly, but not tamely, yet with restrained
      power; but the tones were so full and flexible, the expression so easy yet
      exact, that the judges saw there was no effort, and suspected something
      big might be yet in store to-night. At the end of her song she did let out
      for a moment, and, at this well-timed foretaste of her power, there was
      applause, but nothing extravagant.
    </p>
    <p>
      She was quite content, however. She met Ashmead, as she came off, and
      said, &ldquo;All is well, my friend, so far. They are sitting in judgment on me,
      like sensible people, and not in a hurry. I rather like that.&rdquo;
     </p>
    <p>
      &ldquo;Your own fault,&rdquo; said Joseph. &ldquo;You should have been announced. Prejudice
      is a surer card than judgment. The public is an ass.&rdquo;
     </p>
    <p>
      &ldquo;It must come to the same thing in the end,&rdquo; said the Klosking firmly.
      &ldquo;One can sing, or one cannot.&rdquo;
     </p>
    <p>
      Her next song was encored, and she came off flushed with art and gratified
      pride. &ldquo;I have no fears now,&rdquo; said she, to her Achates, firmly. &ldquo;I have my
      barometer; a young lady in the stalls. Oh, such a beautiful creature, with
      black hair and eyes! She applauds me fearlessly. Her glorious eyes speak
      to mine, and inspire me. She is <i>happy,</i> she is. I drink sunbeams at
      her. I shall act and sing 'Le Parlate d'Amor' for <i>her</i>&mdash;and you
      will see.&rdquo;
     </p>
    <p>
      Between the acts, who should come in but Ned Severne, and glided into the
      vacant stall by Zoe's side.
    </p>
    <p>
      She quivered at his coming near her; he saw it, and felt a thrill of
      pleasure himself.
    </p>
    <p>
      &ldquo;How is 'S. T.'?&rdquo; said she, kindly.
    </p>
    <p>
      &ldquo;'S. T.'?&rdquo; said he, forgetting.
    </p>
    <p>
      &ldquo;Why, your sick friend, to be sure.&rdquo;
     </p>
    <p>
      &ldquo;Oh, not half so bad as he thought. I was a fool to lose an hour of you
      for <i>him.</i> He was hipped; had lost all his money at <i>rouge et noir.</i>
      So I lent him fifty pounds, and that did him more good than the doctor.
      You forgive me?&rdquo;
     </p>
    <p>
      &ldquo;Forgive you? I approve. Are you going back to him?&rdquo; said she, demurely.
    </p>
    <p>
      &ldquo;No, thank you, I have made sacrifices enough.&rdquo;
     </p>
    <p>
      And so indeed he had, having got cleaned out of three hundred pounds
      through preferring gambling to beauty.
    </p>
    <p>
      &ldquo;Singers good?&rdquo; he inquired.
    </p>
    <p>
      &ldquo;Wretched, all but one; and she is divine.&rdquo;
     </p>
    <p>
      &ldquo;Indeed. Who is she?&rdquo;
     </p>
    <p>
      &ldquo;I don't know. A gentleman in black came out&mdash;&rdquo;
     </p>
    <p>
      &ldquo;Mephistopheles?&rdquo;
     </p>
    <p>
      &ldquo;No&mdash;how dare you?&mdash;and said a singer that had retired would
      perform the part of 'Siebel, to oblige; and she has obliged me for one.
      She is, oh, so superior to the others! Such a heavenly contralto; and her
      upper notes, honey dropping from the comb. And then she is so modest, so
      dignified, <i>and</i> so beautiful. She is fair as a lily; and such a
      queen-like brow, and deep, gray eyes, full of sadness and soul. I'm afraid
      she is not happy. Once or twice she fixed them on me, and they magnetized
      me, and drew me to her. So I magnetized her in return. I should know her
      anywhere fifty years hence. Now, if I were a man, I should love that woman
      and make her love me.&rdquo;
     </p>
    <p>
      &ldquo;Then I am very glad you are not a man,&rdquo; said Severne, tenderly.
    </p>
    <p>
      &ldquo;So am I,&rdquo; whispered Zoe, and blushed. The curtain rose.
    </p>
    <p>
      &ldquo;Listen now, Mr. Chatterbox,&rdquo; said Zoe.
    </p>
    <p>
      Ned Severne composed himself to listen; but Fraulein Graas had not sung
      many bars before he revolted. &ldquo;Listen to what?&rdquo; said he; &ldquo;and look at
      what? The only Marguerite in the place is by my side.&rdquo;
     </p>
    <p>
      Zoe colored with pleasure; but her good sense was not to be blinded. &ldquo;The
      only good black Mephistophe-<i>less</i> you mean,&rdquo; said she. &ldquo;To be
      Marguerite, one must be great, and sweet, and tender; yes, and far more
      lovely than ever woman was. That lady is a better color for the part than
      I am; but neither she nor I shall ever be Marguerite.&rdquo;
     </p>
    <p>
      He murmured in her ear. &ldquo;You are Marguerite, for you could fire a man's
      heart so that he would sell his soul to gain you.&rdquo;
     </p>
    <p>
      It was the accent of passion and the sensitive girl quivered. Yet she
      defended herself&mdash;in words, &ldquo;Hush!&rdquo; said she. &ldquo;That is wicked&mdash;out
      of an opera. Fanny would laugh at you, if she heard.&rdquo;
     </p>
    <p>
      Here were two reasons for not making such hot love in the stalls of an
      opera. Which of the two weighed most with the fair reasoner shall be left
      to her own sex.
    </p>
    <p>
      The brief scene ended with the declaration of the evil spirit that
      Marguerite is lost.
    </p>
    <p>
      &ldquo;There,&rdquo; said Zoe, naively, &ldquo;that is over, thank goodness: now you will
      hear <i>my</i> singer.&rdquo;
     </p>
    <p>
      Siebel and Marta came on from opposite sides of the stage. &ldquo;See!&rdquo; said
      Zoe, &ldquo;isn't she lovely?&rdquo; and she turned her beaming face full on Severne,
      to share her pleasure with him. To her amazement the man seemed
      transformed: a dark cloud had come over his sunny countenance. He sat,
      pale, and seemed to stare at the tall, majestic, dreamy singer, who stood
      immovable, dressed like a velvet youth, yet looking like no earthly boy,
      but a draped statue of Mercury,
    </p>
    <p>
      &ldquo;New lighted on a heaven-kissing hill.&rdquo;
     </p>
    <p>
      The blood left his lips, and Zoe thought he was faint; but the next moment
      he put his handkerchief hastily to his nose, and wriggled his way out,
      with a rush and a crawl, strangely combined, at the very moment when the
      singer delivered her first commanding note of recitative.
    </p>
    <p>
      Everybody about looked surprised and disgusted at so ill-timed an exit;
      but Zoe, who had seen his white face, was seriously alarmed, and made a
      movement to rise too, and watch, or even follow him; but, when he got to
      the side, he looked back to her, and made her a signal that his nose was
      bleeding, but it was of no great consequence. He even pointed with his
      finger out and then back again, indicating he should not be long gone.
    </p>
    <p>
      This re-assured her greatly; for she had always been told a little
      bleeding of that sort was good for hot-headed young people. Then the
      singer took complete hold of her. The composer, to balance the delightful
      part of Marguerite, has given Siebel a melody with which wonders can be
      done; and the Klosking had made a considerable reserve of her powers for
      this crowning effort. After a recitative that rivaled the silver trumpet,
      she flung herself with immediate and electrifying ardor into the melody;
      the orchestra, taken by surprise, fought feebly for the old ripple; but
      the Klosking, resolute by nature, was now mighty as Neptune, and would
      have her big waves. The momentary struggle, in which she was loyally
      seconded by the conductor, evoked her grand powers. Catgut had to yield to
      brains, and the whole orchestra, composed, after all, of good musicians,
      soon caught the divine afflatus, and the little theater seemed on fire
      with music; the air, sung with a large rhythm, swelled and rose, and
      thrilled every breast with amazement and delight; the house hung
      breathless: by-and-by there were pale cheeks, panting bosoms, and wet
      eyes, the true, rare triumphs of the sovereigns of song; and when the last
      note had pealed and ceased to vibrate, the pent-up feelings broke forth in
      a roar of applause, which shook the dome, followed by a clapping of hands,
      like a salvo, that never stopped till Ina Klosking, who had retired, came
      forward again.
    </p>
    <p>
      She courtesied with admirable dignity, modesty, and respectful gravity,
      and the applause thundered, and people rose at her in clusters about the
      house, and waved their hats and handkerchiefs at her, and a little Italian
      recognized her, and cried out as loud as he could, &ldquo;Viva la Klosking!
      viva!&rdquo; and she heard that, and it gave her a thrill; and Zoe Vizard, being
      out of England, and, therefore, brave as a lioness, stood boldly up at her
      full height, and, taking her bouquet in her right hand, carried it swiftly
      to her left ear, and so flung it, with a free back-handed sweep, more
      Oriental than English, into the air, and it lighted beside the singer; and
      she saw the noble motion, and the bouquet fly, and, when she made her last
      courtesy at the wing, she fixed her eyes on Zoe, and then put her hand to
      her heart with a most touching gesture that said, &ldquo;Most of all I value
      your bouquet and your praise.&rdquo;
     </p>
    <p>
      Then the house buzzed, and ranks were leveled; little people spoke to big
      people, and big to little, in mutual congratulation; for at such rare
      moments (except in Anglo-Saxony) instinct seems to tell men that true art
      is a sunshine of the soul, and blesses the rich and the poor alike.
    </p>
    <p>
      One person was affected in another way. Harrington Vizard sat rapt in
      attention, and never took his eyes off her, yet said not a word.
    </p>
    <p>
      Several Russian and Prussian grandees sought an introduction to the new
      singer. But she pleaded fatigue.
    </p>
    <p>
      The manager entreated her to sup with him, and meet the Grand Duke of
      Hesse. She said she had a prior engagement.
    </p>
    <p>
      She went quietly home, and supped with her faithful Ashmead, and very
      heartily too; for nature was exhausted, and agitation had quite spoiled
      her dinner.
    </p>
    <p>
      Joseph Ashmead, in the pride of his heart, proposed a bottle of champagne.
      The Queen of Song, with triumph flushed, looked rather blue at that. &ldquo;My
      friend,&rdquo; said she, in a meek, deprecating way, &ldquo;we are working-people: is
      not Bordeaux good enough for <i>us?&rdquo;</i>
    </p>
    <p>
      &ldquo;Yes; but it is not good enough for the occasion,&rdquo; said Joseph, a little
      testily. &ldquo;Well, never mind;&rdquo; and he muttered to himself, &ldquo;that is the
      worst of <i>good</i> women: they are so terribly stingy.&rdquo;
     </p>
    <p>
      The Queen of Song, with triumph flushed, did not catch these words, but
      only a little growling. However, as supper proceeded, she got uneasy. So
      she rang the bell, and ordered a <i>pint:</i> of this she drank one
      spoonful. The remainder, co-operating with triumph and claret, kept
      Ashmead in a great flow of spirits. He traced her a brilliant career. To
      be photographed tomorrow morning as Siebel, and in plain dress. Paragraphs
      in <i>Era, Figaro, Galignani, Inde'pendance Belge,</i> and the leading
      dailies. Large wood-cuts before leaving Homburg for Paris, London, Vienna,
      St. Petersburg, and New York.&rdquo;
     </p>
    <p>
      &ldquo;I'm in your hands,&rdquo; said she, and smiled languidly, to please him.
    </p>
    <p>
      But by-and-by he looked at her, and found she was taking a little cry all
      to herself.
    </p>
    <p>
      &ldquo;Dear me!&rdquo; said he, &ldquo;what is the matter?&rdquo;
     </p>
    <p>
      &ldquo;My friend, forgive me. <i>He</i> was not there to share my triumph.&rdquo;
     </p>
    <p>
      <a name="link2HCH0004" id="link2HCH0004">
      <!--  H2 anchor --> </a>
    </p>
    <div style="height: 4em;">
      <br /><br /><br /><br />
    </div>
    <h2>
      CHAPTER IV.
    </h2>
    <p>
      AS the opera drew to an end, Zoe began to look round more and more for
      Severne; but he did not come, and Lord Uxmoor offered his arm earnestly.
      She took it; but hung back a moment on his very arm, to tell Harrington
      Mr. Severne had been taken ill.
    </p>
    <p>
      At the railway station the truant emerged suddenly, just as the train was
      leaving; but Lord Uxmoor had secured three seats, and the defaulter had to
      go with Harrington. On reaching the hotel, the ladies took their
      bed-candles; but Uxmoor found time to propose an excursion next day,
      Sunday, to a lovely little lake&mdash;open carriage, four horses. The
      young ladies accepted, but Mr. Severne declined; he thanked Lord Uxmoor
      politely, but he had arrears of correspondence.
    </p>
    <p>
      Zoe cast a mortified and rather a haughty glance on him, and Fanny
      shrugged her shoulders incredulously.
    </p>
    <p>
      These two ladies brushed hair together in Zoe's room. That is a soothing
      operation, my masters, and famous for stimulating females to friendly
      gossip; but this time there was, for once, a guarded reserve. Zoe was
      irritated, puzzled, mortified, and even grieved by Severne's conduct.
      Fanny was gnawed by jealousy, and out of temper. She had forgiven Zoe Ned
      Severne. But that young lady was insatiable; Lord Uxmoor, too, had fallen
      openly in love with her&mdash;openly to a female eye. So, then, a blonde
      had no chance, with a dark girl by: thus reasoned she, and it was
      intolerable. It was some time before either spoke an atom of what was
      uppermost in her mind. They each doled out a hundred sentences that missed
      the mind and mingled readily with the atmosphere, being, in fact, mere
      preliminary and idle air. So two deer, in duel, go about and about, and
      even affect to look another way, till they are ripe for collision. There
      be writers would give the reader all the preliminary puffs of articulated
      wind, and everybody would say, &ldquo;How clever! That is just the way girls
      really talk.&rdquo; But I leave the glory of photographing nullities to the
      geniuses of the age, and run to the first words which could, without
      impiety, be called dialogue.
    </p>
    <p>
      &ldquo;Don't you think his conduct a little mysterious?&rdquo; said Zoe, <i>mal 'a
      propos</i> of anything that had been said hitherto.
    </p>
    <p>
      &ldquo;Well, yes; rather,&rdquo; said Fanny, with marked carelessness.
    </p>
    <p>
      &ldquo;First, a sick friend; then a bleeding at the nose; and now he won't drive
      to the lake with us. Arrears of correspondence? Pooh!&rdquo;
     </p>
    <p>
      Now, Fanny's suspicions were deeper than Zoe's; she had observed Severne
      keenly: but it was not her cue to speak. She yawned and said, &ldquo;What <i>does</i>
      it matter?&rdquo;
     </p>
    <p>
      &ldquo;Don't be unkind, Fanny. It matters to <i>me.&rdquo;</i>
    </p>
    <p>
      &ldquo;Not it. You have another ready.&rdquo;
     </p>
    <p>
      &ldquo;What other? There is no one that I&mdash;Fanny.&rdquo;
     </p>
    <p>
      &ldquo;Oh, nonsense! The man is evidently smitten, and you keep encouraging
      him.&rdquo;
     </p>
    <p>
      &ldquo;No, I don't; I am barely civil. And don't be ill-natured. What <i>can</i>
      I do?&rdquo;
     </p>
    <p>
      &ldquo;Why, be content with one at a time.&rdquo;
     </p>
    <p>
      &ldquo;It is very rude to talk so. Besides, I haven't got one, much less two. I
      begin to doubt <i>him;</i> and, Lord Uxmoor! you know I cannot possibly
      care for him&mdash;an acquaintance of yesterday.&rdquo;
     </p>
    <p>
      &ldquo;But you know all about him&mdash;that he is an excellent <i>parti,&rdquo;</i>
      said Fanny, with a provoking sneer.
    </p>
    <p>
      This was not to be borne.
    </p>
    <p>
      &ldquo;Oh!&rdquo; said Zoe, &ldquo;I see; you want him for yourself. It is <i>you</i> that
      are not content with one. You forget how poor Harrington would miss your
      attentions. He would <i>begin</i> to appreciate them&mdash;when he had
      lost them.&rdquo;
     </p>
    <p>
      This stung, and Fanny turned white and red by turns. &ldquo;I deserve this,&rdquo;
       said she, &ldquo;for wasting advice on a coquette.&rdquo;
     </p>
    <p>
      &ldquo;That is not true. I'm no coquette; and here I am, asking your advice, and
      you only snub me. You are a jealous, cross, unreasonable thing.&rdquo;
     </p>
    <p>
      &ldquo;Well, I'm not a hypocrite.&rdquo;
     </p>
    <p>
      &ldquo;I never was called so before,&rdquo; said Zoe, nobly and gently.
    </p>
    <p>
      &ldquo;Then you were not found out, that is all. You look so simple and
      ingenuous, and blush if a man says half a word to you; and all the time
      you are a greater flirt than I am.&rdquo;
     </p>
    <p>
      &ldquo;Oh, Fanny!&rdquo; screamed Zoe, with horror.
    </p>
    <p>
      It seems a repartee may be conveyed in a scream; for Fanny now lost her
      temper altogether. &ldquo;Your conduct with those two men is abominable,&rdquo; said
      she. &ldquo;I won't speak to you any more.&rdquo;
     </p>
    <p>
      &ldquo;I beg you will <i>not,</i> in your present temper,&rdquo; said Zoe, with
      unaffected dignity, and rising like a Greek column.
    </p>
    <p>
      Fanny flounced out of the room.
    </p>
    <p>
      Zoe sat down and sighed, and her glorious eyes were dimmed. Mystery&mdash;doubt&mdash;and
      now a quarrel. What a day! At her age, a little cloud seems to darken the
      whole sky.
    </p>
    <p>
      Next morning the little party met at breakfast. Lord Uxmoor, anticipating
      a delightful day, was in high spirits, and he and Fanny kept up the ball.
      She had resolved, in the silent watches of the night, to contest him with
      Zoe, and make every possible use of Severne, in the conflict.
    </p>
    <p>
      Zoe was silent and <i>distraite,</i> and did not even try to compete with
      her sparkling rival. But Lord Uxmoor's eyes often wandered from his
      sprightly companion to Zoe, and it was plain he longed for a word from her
      mouth.
    </p>
    <p>
      Fanny observed, bit her lip, and tacked internally, &ldquo;'bout ship,&rdquo; as the
      sailors say. Her game now, conceived in a moment, and at once put in
      execution, was to encourage Uxmoor's attentions to Zoe. She began by
      openly courting Mr. Severne, to make Zoe talk to Uxmoor, and also make him
      think that Severne and she were the lovers.
    </p>
    <p>
      Her intentions were to utilize the coming excursion: she would attach
      herself to Harrington, and so drive Zoe and Uxmoor together; and then Lord
      Uxmoor, at his present rate of amorous advance, would probably lead Zoe to
      a detached rock, and make her a serious declaration. This good, artful
      girl felt sure such a declaration, made a few months hence in
      Barfordshire, would be accepted, and herself left in the cold. Therefore
      she resolved it should be made prematurely, and in Prussia, with Severne
      at hand, and so in all probability come to nothing. She even glimpsed a
      vista of consequences, and in that little avenue discerned the figure of
      Fanny Dover playing the part of consoler, friend, and ultimately spouse to
      a wealthy noble.
    </p>
    <p>
      <a name="link2HCH0005" id="link2HCH0005">
      <!--  H2 anchor --> </a>
    </p>
    <div style="height: 4em;">
      <br /><br /><br /><br />
    </div>
    <h2>
      CHAPTER V.
    </h2>
    <p>
      THE letters were brought in; one was to Vizard, from Herries, announcing a
      remittance; one to Lord Uxmoor. On reading it, he was surprised into an
      exclamation, and his face expressed great concern.
    </p>
    <p>
      &ldquo;Oh!&rdquo; said Zoe&mdash;&ldquo;Harrington!&rdquo;
     </p>
    <p>
      Harrington's attention being thus drawn, he said, &ldquo;No bad news, I hope?&rdquo;
     </p>
    <p>
      &ldquo;Yes,&rdquo; said Uxmoor, in a low voice, &ldquo;very bad. My oldest, truest, dearest
      friend has been seized with small-pox, and his life is in danger. He has
      asked for me, poor fellow. This is from his sister. I must start by the
      twelve o'clock train.&rdquo;
     </p>
    <p>
      &ldquo;Small-pox! Why, it is contagious,&rdquo; cried Fanny; &ldquo;and so disfiguring!&rdquo;
     </p>
    <p>
      &ldquo;I can't help that,&rdquo; said the honest fellow; and instantly rang the bell
      for his servant, and gave the requisite orders.
    </p>
    <p>
      Zoe, whose eye had never left him all the time, said, softly, &ldquo;It is brave
      and good of you. We poor, emotional, cowardly girls should sit down and
      cry.&rdquo;
     </p>
    <p>
      <i>&ldquo;You</i> would not, Miss Vizard,&rdquo; said he, firmly, looking full at her.
      &ldquo;If you think you would, you don't know yourself.&rdquo;
     </p>
    <p>
      Zoe colored high, and was silent.
    </p>
    <p>
      Then Lord Uxmoor showed the true English gentleman. &ldquo;I do hope,&rdquo; said he,
      earnestly, though in a somewhat broken voice, &ldquo;that you will not let this
      spoil the pleasure we had planned together. Harrington will be my deputy.&rdquo;
     </p>
    <p>
      &ldquo;Well, I don't know,&rdquo; said Harrington, sympathizingly. Mr. Severne
      remarked, &ldquo;Such an occurrence puts pleasure out of one's head.&rdquo; This he
      said, with his eyes on his plate, like one repeating a lesson. &ldquo;Vizard, I
      entreat you,&rdquo; said Uxmoor, almost vexed. &ldquo;It will only make me more
      unhappy if you don't.&rdquo;
     </p>
    <p>
      &ldquo;We will go,&rdquo; cried Zoe, earnestly; &ldquo;we promise to go. What does it
      matter? We shall think of you and your poor friend wherever we are. And I
      shall pray for him. But, ah, I know how little prayers avail to avert
      these cruel bereavements.&rdquo; She was young, but old enough to have prayed
      hard for her sick mother's life, and, like the rest of us, prayed in vain.
      At this remembrance the tears ran undisguised down her cheeks.
    </p>
    <p>
      The open sympathy of one so young and beautiful, and withal rather
      reserved, made Lord Uxmoor gulp, and, not to break down before them all,
      he blurted out that he must go and pack: with this he hurried away.
    </p>
    <p>
      He was unhappy. Besides the calamity he dreaded, it was grievous to be
      torn away from a woman he loved at first sight, and just when she had come
      out so worthy of his love: she was a high-minded creature; she had been
      silent and reserved so long as the conversation was trivial; but, when
      trouble came, she was the one to speak to him bravely and kindly. Well,
      what must be, must. All this ran through his mind, and made him sigh; but
      it never occurred to him to shirk&mdash;to telegraph instead of going&mdash;nor
      yet to value himself on his self-denial.
    </p>
    <p>
      They did not see him again till he was on the point of going, and then he
      took leave of them all, Zoe last. When he came to her, he ignored the
      others, except that he lowered his voice in speaking to her. &ldquo;God bless
      you for your kindness, Miss Vizard. It is a little hard upon a fellow to
      have to run away from such an acquaintance, just when I have been so
      fortunate as to make it.&rdquo;
     </p>
    <p>
      &ldquo;Oh, Lord Uxmoor,&rdquo; said Zoe, innocently, &ldquo;never mind that. Why, we live in
      the same county, and we are on the way home. All I think of is your poor
      friend; and do please telegraph&mdash;to Harrington.&rdquo;
     </p>
    <p>
      He promised he would, and went away disappointed somehow at her last
      words.
    </p>
    <p>
      When he was gone, Severne went out on the balcony to smoke, and Harrington
      held a council with the young ladies. &ldquo;Well, now,&rdquo; said he, &ldquo;about this
      trip to the lake.&rdquo;
     </p>
    <p>
      &ldquo;I shall not go, for one,&rdquo; said Zoe, resolutely.
    </p>
    <p>
      &ldquo;La!&rdquo; said Fanny, looking carefully away from her to Harrington; &ldquo;and she
      was the one that insisted.&rdquo;
     </p>
    <p>
      Zoe ignored the speaker and set her face stiffly toward Harrington. &ldquo;She
      only <i>said</i> that to <i>him.&rdquo;</i>
    </p>
    <p>
      <i>Fanny.</i> &ldquo;But, unfortunately, ears are not confined to the noble.&rdquo;
     </p>
    <p>
      <i>Zoe.</i> &ldquo;Nor tongues to the discreet.&rdquo;
     </p>
    <p>
      Both these remarks were addressed pointedly to Harrington.
    </p>
    <p>
      &ldquo;Halloo!&rdquo; said he, looking from one flaming girl to the other; &ldquo;am I to be
      a shuttlecock, and your discreet tongues the battledoors? What is up?&rdquo;
     </p>
    <p>
      &ldquo;We don't speak,&rdquo; said the frank Zoe; &ldquo;that is up.&rdquo;
     </p>
    <p>
      &ldquo;Why, what is the row?&rdquo;'
    </p>
    <p>
      &ldquo;No matter&rdquo; (stiffly).
    </p>
    <p>
      &ldquo;No great matter, I'll be bound. 'Toll, toll the bell.' Here goes one more
      immortal friendship&mdash;quenched in eternal silence.&rdquo;
     </p>
    <p>
      Both ladies bridled. Neither spoke.
    </p>
    <p>
      &ldquo;And dead silence, as ladies understand it, consists in speaking <i>at</i>
      one another instead of <i>to.&rdquo;</i>
    </p>
    <p>
      No reply.
    </p>
    <p>
      &ldquo;That is well-bred taciturnity.&rdquo;
     </p>
    <p>
      No answer.
    </p>
    <p>
      &ldquo;The dignified reserve that distinguishes an estrangement from a
      squabble.&rdquo;
     </p>
    <p>
      No reply.
    </p>
    <p>
      &ldquo;Well, I admire permanent sentiments, good or bad; constant resolves, etc.
      Your friendship has not proved immortal; so, now let us see how long you
      can hold spite&mdash;SIEVES!&rdquo; Then he affected to start. &ldquo;What is this? I
      spy a rational creature out on yonder balcony. I hasten to join him.
      'Birds of a feather, you know;&rdquo; and with that he went out to his favorite,
      'and never looked behind him.
    </p>
    <p>
      The young ladies, indignant at the contempt the big man had presumed to
      cast upon the constant soul of woman, turned two red faces and four
      sparkling eyes to each other, with the instinctive sympathy of the jointly
      injured; but remembering in time, turned sharply round again, and
      presented napes, and so sat sullen.
    </p>
    <p>
      By-and-by a chilling thought fell upon them both at the same moment of
      time. The men were good friends as usual, safe, by sex, from tiffs, and
      could do without them; and a dull day impended over the hostile fair.
    </p>
    <p>
      Thereupon the ingenious Fanny resolved to make a splash of some sort and
      disturb stagnation. She suddenly cried out, &ldquo;La! and the man is gone away:
      so what is the use?&rdquo; This remark she was careful to level at bare space.
    </p>
    <p>
      Zoe, addressing the same person&mdash;space, to wit&mdash;inquired of him
      if anybody in his parts knew to whom this young lady was addressing
      herself.
    </p>
    <p>
      &ldquo;To a girl that is too sensible not to see the folly of quarreling about a
      man&mdash;<i>when he is gone,&rdquo;</i> said Fanny.
    </p>
    <p>
      &ldquo;If it is me you mean,&rdquo; said Zoe stiffly, <i>&ldquo;really</i> I am <i>surprised.</i>
      You forget we are at daggers drawn.&rdquo;
     </p>
    <p>
      &ldquo;No, I don't, dear; and parted forever.&rdquo;
     </p>
    <p>
      Zoe smiled at that against her will.
    </p>
    <p>
      &ldquo;Zoe!&rdquo; (penitentially).
    </p>
    <p>
      &ldquo;Frances!&rdquo; (archly).
    </p>
    <p>
      &ldquo;Come cuddle me quick!&rdquo;
     </p>
    <p>
      Zoe was all round her neck in a moment, like a lace scarf, and there was
      violent kissing, with a tear or two.
    </p>
    <p>
      Then they put an arm round each other's waist, and went all about the
      premises intertwined like snakes; and Zoe gave Fanny her cameo brooch, the
      one with the pearls round it.
    </p>
    <p>
      The person to whom Vizard fled from the tongue of beauty was a delightful
      talker: he read two or three newspapers every day, and recollected the
      best things. Now, it is not everybody can remember a thousand disconnected
      facts and recall them apropos. He was various, fluent, and, above all,
      superficial; and such are your best conversers. They have something good
      and strictly ephemeral to say on everything, and don't know enough of
      anything to impale their hearers. In my youth there talked in Pall Mall a
      gentleman known as &ldquo;Conversation Sharpe.&rdquo; He eclipsed everybody. Even
      Macaulay paled. Sharpe talked all the blessed afternoon, and grave men
      listened, enchanted; and, of all he said, nothing stuck. Where be now your
      Sharpiana? The learned may be compared to mines. These desultory charmers
      are more like the ornamental cottage near Staines, forty or fifty rooms,
      and the whole structure one story high. The mine teems with solid wealth;
      but you must grope and trouble to come to it: it is easier and pleasanter
      to run about the cottage with a lot of rooms. all on the ground-floor.
    </p>
    <p>
      The mind and body both get into habits&mdash;sometimes apart, sometimes in
      conjunction. Nowadays we seat the body to work the intellect, even in its
      lower form of mechanical labor: it is your clod that toddles about
      laboring. The Peripatetics did not endure: their method was not suited to
      man's microcosm. Bodily movements fritter mental attention. We <i>sit</i>
      at the feet of Gamaliel, or, as some call him, Tyndal; and we sit to Bacon
      and Adam Smith. But, when we are standing or walking, we love to take
      brains easy. If this delightful chatterbox had been taken down shorthand
      and printed, and Vizard had been set down to Severni Opuscula, ten volumes&mdash;and,
      mind you, Severne had talked all ten by this time&mdash;the Barfordshire
      squire and old Oxonian would have cried out for &ldquo;more matter with less
      art,&rdquo; and perhaps have even fled for relief to some shorter treatise&mdash;Bacon's
      &ldquo;Essays,&rdquo; Browne's &ldquo;Religio Medici,&rdquo; or Buckle's &ldquo;Civilization.&rdquo; But
      lounging in a balcony, and lazily breathing a cloud, he could have
      listened all day to his desultory, delightful friend, overflowing with
      little questions, little answers, little queries, little epigrams, little
      maxims <i>'a la Rochefoucauld,</i> little histories, little anecdotes,
      little gossip, and little snapshots at every feather flying.
    </p>
    <p>
      &ldquo;Quicquid agunt homines, votum, timor, ira, voluptas, Gaudia, discursus,
      nostri farrago Severni.&rdquo;
     </p>
    <p>
      But, alas! after an hour of touch-and-go, of superficiality and soft
      delight, the desultory charmer fell on a subject he had studied. So then
      he bored his companion for the first time in all the tour.
    </p>
    <p>
      But, to tell the honest truth, Mr. Severne had hitherto been pleasing his
      friend with a cold-blooded purpose. His preliminary gossip, that made the
      time fly so agreeably, was intended to oil the way to lubricate the
      passage of a premeditated pill. As soon as he had got Vizard into perfect
      good humor, he said, apropos of nothing that had passed, &ldquo;By-the-by, old
      fellow, that five hundred pounds you promised to lend me!&rdquo;
     </p>
    <p>
      Vizard was startled by this sudden turn of a conversation, hitherto
      agreeable.
    </p>
    <p>
      &ldquo;Why, you have had three hundred and lost it,&rdquo; said he. &ldquo;Now, take my
      advice, and don't lose any more.&rdquo;
     </p>
    <p>
      &ldquo;I don't mean to. But I am determined to win back the three hundred, and a
      great deal more, before I leave this. I have discovered a system, an
      infallible one.&rdquo;
     </p>
    <p>
      &ldquo;I am sorry to hear it,&rdquo; said Harrington, gravely. &ldquo;That is the second
      step on the road to ruin; the gambler with a system is the confirmed
      maniac.&rdquo;
     </p>
    <p>
      &ldquo;What! because <i>other</i> systems have been tried, and proved to be
      false? Mine is untried, and it is mere prejudice to condemn it unheard.&rdquo;
     </p>
    <p>
      &ldquo;Propound it, then,&rdquo; said Vizard. &ldquo;Only please observe the bank has got
      its system; you forget that: and the bank's system is to take a positive
      advantage, which must win in the long run; therefore, all counter-systems
      must lose in the long run.&rdquo;
     </p>
    <p>
      &ldquo;But the bank is tied to a long run, the individual player is not.&rdquo;
     </p>
    <p>
      This reply checked Vizard for a moment and the other followed up his
      advantage. &ldquo;Now, Vizard, be reasonable. What would the trifling advantage
      the bank derives from an incident, which occurs only once in twenty-eight
      deals, avail against a player who could foresee at any given deal whether
      the card that was going to come up the nearest thirty would be on the red
      or black?&rdquo;
     </p>
    <p>
      &ldquo;No avail at all. God Almighty could break the bank every afternoon. <i>Apre's?</i>
      as we say in France. Do you pretend to omniscience?&rdquo;
     </p>
    <p>
      &ldquo;Not exactly.&rdquo;
     </p>
    <p>
      &ldquo;Well, but prescience of isolated events, preceded by no <i>indicia,</i>
      belongs only to omniscience. Did they not teach you that much at Oxford?&rdquo;
     </p>
    <p>
      &ldquo;They taught me very little at Oxford.&rdquo;
     </p>
    <p>
      &ldquo;Fault of the place, eh? You taught <i>them</i> something, though; and the
      present conversation reminds me of it. In your second term, when every
      other man is still quizzed and kept down as a freshman, you, were already
      a leader; a chief of misrule. You founded a whist-club in Trinity, the
      primmest college of all. The Dons rooted you out in college; but you did
      not succumb; you fulfilled the saying of Sydney Smith, that 'Cribbage
      should be played in caverns, and sixpenny-whist in the howling
      wilderness.' Ha! ha! how well I remember riding across Bullington Green
      one fine afternoon, and finding four Oxford hacks haltered in a row, and
      the four undergraduates that had hired them on long tick, sitting
      cross-legged under the hedge like Turks or tailors, round a rude table
      with the legs sawed down to stumps. You had two packs, and a portable
      inkstand, and were so hard at it that I put my mare's nose right over the
      quartet before you saw either her or me. That hedge was like a drift of
      odoriferous snow the hawthorn bloom, and primroses sparkled on its bank
      like topazes. The birds chirruped, the sky smiled, the sun burned
      perfumes; and there sat my lord and his fellow-maniacs, snick-snack&mdash;pit-pat&mdash;cutting,
      dealing, playing, revoking, scoring, and exchanging I. O. U. 's not worth
      the paper.&rdquo;
     </p>
    <p>
      &ldquo;All true, but the revoking,&rdquo; said Severne, merrily. &ldquo;Monster! by the
      memory of those youthful days, I demand a fair hearing.&rdquo; Then, gravely,
      &ldquo;Hang it all, Vizard, I am not a fellow that is always intruding his
      affairs and his theories upon other men.&rdquo;
     </p>
    <p>
      &ldquo;No, no, no,&rdquo; said Vizard, hastily, and half apologetically; &ldquo;go on.&rdquo;
     </p>
    <p>
      &ldquo;Well, then, of course I don't pretend to foreknowledge; but I do to
      experience, and you know experience teaches the wise.&rdquo;
     </p>
    <p>
      &ldquo;Not to fling five hundred after three. There&mdash;I beg pardon. Proceed,
      instructor of youth.&rdquo;
     </p>
    <p>
      &ldquo;Do listen, then: experience teaches us that luck has its laws; and I
      build my system on one of them. If two opposite accidents are sure to
      happen equally often in a total of fifty times, people, who have not
      observed, expect them to happen turn about, and bet accordingly. But they
      don't happen turn about; they make short runs, and sometimes long ones.
      They positively avoid alternation. Have you not observed this at <i>trente
      et quarante?&rdquo;</i>
    </p>
    <p>
      &ldquo;No.&rdquo;
     </p>
    <p>
      &ldquo;Then you have not watched the cards.&rdquo;
     </p>
    <p>
      &ldquo;Not much. The faces of the gamblers were always my study. They are
      instructive.&rdquo;
     </p>
    <p>
      &ldquo;Well, then, I'll give you an example outside&mdash;for the principle runs
      through all equal chances&mdash;take the university boat-race: you have
      kept your eye on that?&rdquo;
     </p>
    <p>
      &ldquo;Rather. Never missed one yet. Come all the way from Barfordshire to see
      it.&rdquo;
     </p>
    <p>
      &ldquo;Well, there's an example.&rdquo;
     </p>
    <p>
      &ldquo;Of chance? No, thank you. That goes by strength, skill, wind, endurance,
      chaste living, self-denial, and judicious training. Every winning boat is
      manned by virtues.&rdquo; His eye flashed, and he was as earnest all in a moment
      as he had been listless. A continental cynic had dubbed this insular cynic
      mad.
    </p>
    <p>
      The professor of chances smiled superior. &ldquo;Those things decide each
      individual race, and the best men win, because it happens to be the only
      race that is never sold. But go further back, and you find it is chance.
      It is pure chance that sends the best men up to Cambridge two or three
      years running, and then to Oxford. With this key, take the facts my system
      rests on. There are two. The first is that in thirty and odd races and
      matches, the university luck has come out equal on the river and at
      Lord's: the second is, the luck has seldom alternated. I don't say, never.
      But look at the list of events; it is published every March. You may see
      there the great truth that even chances shun direct alternation. In this,
      properly worked, lies a fortune at Homburg, where the play is square. Red
      gains once; you back red next time, and stop. You are on black, and win;
      you double. This is the game, if you have only a few pounds. But with five
      hundred pounds you can double more courageously, and work the short run
      hard; and that is how losses are averted and gains secured. Once at
      Wiesbaden I caught a croupier, out on a holiday. It was Good-Friday, you
      know. I gave him a stunning dinner. He was close as wax, at first&mdash;that
      might be the salt fish; but after the <i>rognons 'a la brochette,</i> and
      a bottle of champagne, he let out. I remember one thing he said: Monsieur,
      ce que fait la fortune de la banque ce n'est pas le petit avantage qu'elle
      tire du refait&mdash;quoique cela y est pour quelquechose&mdash;c'est la
      te'me'rite' de ceux qui perdent, et la timidite' de ceux qui gagnent.'&rdquo;
     </p>
    <p>
      &ldquo;And,&rdquo; says Vizard, &ldquo;there is a French proverb founded on <i>experience:</i>
    </p>
    <p>
      &ldquo;C'est encore rouge qui perd, Et encore noir. Mais toujours blanc qui
      gagne.'&rdquo;
     </p>
    <p>
      Severne, for the first time, looked angry and mortified; he turned his
      back and was silent. Vizard looked at him uneasily, hesitated a moment,
      then flung the remainder of his cigar away and seemed to rouse himself
      body and soul. He squared his shoulders, as if he were going to box the
      Demon of play for his friend, and he let out good sense right and left,
      and, indeed, was almost betrayed into eloquence. &ldquo;What!&rdquo; he cried, &ldquo;you,
      who are so bright and keen and knowing in everything else, are you really
      so blinded by egotism and credulity as to believe that you can invent any
      method of betting at <i>rouge et noir</i> that has not been tried before
      you were born? Do you remember the first word in La Bruy'ere's famous
      work?&rdquo;
     </p>
    <p>
      &ldquo;No,&rdquo; said Ned, sulkily. &ldquo;Read nothing but newspapers.&rdquo;
     </p>
    <p>
      &ldquo;Good lad. Saves a deal of trouble. Well, he begins 'Tout est dit'&mdash;'everything
      has been said;' and I say that, in your business, 'Tout est fait'&mdash;'everything
      has been done.' Every move has been tried before you existed, and the
      result of all is that to bet against the bank, wildly or systematically,
      is to gamble against a rock. <i>Si monumenta quoeris, circumspice.</i> Use
      your eyes, man. Look at the Kursaal, its luxuries, its gardens, its
      gilding, its attractions, all of them cheap, except the one that pays for
      all; all these delights, and the rents, and the croupiers, and the
      servants, and the income and liveries of an unprincipled prince, who would
      otherwise be a poor but honest gentleman with one <i>bonne,</i> instead of
      thirty blazing lackeys, all come from the gains of the bank, which are the
      losses of the players, especially of those that have got a system.&rdquo;
     </p>
    <p>
      Severne shot in, &ldquo;A bank was broken last week.&rdquo;
     </p>
    <p>
      &ldquo;Was it? Then all it lost has returned to it, or will return to it
      to-night; for gamblers know no day of rest.&rdquo;
     </p>
    <p>
      &ldquo;Oh, yes, they do. It is shut on Good-Friday.&rdquo;
     </p>
    <p>
      &ldquo;You surprise me. Only three hundred and sixty-four days in the year!
      Brainless avarice is more reasonable than I thought. Severne, yours is a
      very serious case. You have reduced your income, that is clear; for an
      English gentleman does not stay years and years abroad unless he has out
      run the constable; and I feel sure gambling has done it. You had the fever
      from a boy. Bullington Green! 'As the twig's bent the tree's inclined.'
      Come, come, make a stand. We are friends. Let us help one another against
      our besetting foibles. Let us practice antique wisdom; let us 'know
      ourselves,' and leave Homburg to-morrow, instead of Tuesday.&rdquo;
     </p>
    <p>
      Severne looked sullen, but said nothing; then Vizard gave him too hastily
      credit for some of that sterling friendship, bordering on love, which
      warmed his own faithful breast: under this delusion he made an
      extraordinary effort; he used an argument which, with himself, would have
      been irresistible. &ldquo;Look here,&rdquo; said he, &ldquo;I'll&mdash;won't you have a
      cigar?&mdash;there; now I'll tell you something: I have a mania as bad as
      yours; only mine is intermittent, thank Heaven! I'm told a million women
      are as good, or better, than a million men. It may be so. But when I, an
      individual, stake my heart on lovely woman, she always turns out unworthy.
      With me, the sex avoids alternation. Therefore I rail on it wholesale. It
      is not philosophical; but I don't do it to instruct mankind; it is to
      soothe my spleen. Well&mdash;would you believe it?&mdash;once in every
      three years, in spite of my experience, I am always bitten again. After my
      lucid interval has expired, I fall in with some woman, who seems not like
      the rest, but an angel. Then I, though I'm averse to the sex, fall an
      easy, an immediate victim to the individual.&rdquo;
     </p>
    <p>
      &ldquo;Love at first sight.&rdquo;
     </p>
    <p>
      &ldquo;Not a bit of it. If she is as beautiful as an angel, with the voice of a
      peacock or a guinea-hen&mdash;and, luckily for me, that is a frequent
      arrangement&mdash;she is no more to me than the fire-shovel. If she has a
      sweet voice and pale eyes, I'm safe. Indeed, I am safe against Juno,
      Venus, and Minerva for two years and several months after the last; but
      when two events coincide, when my time is up, and the lovely, melodious
      female comes, then I am lost. Before I have seen her and heard her five
      minutes, I know my fate, and I never resist it. I never can; that is a
      curious part of the mania. Then commences a little drama, all the acts of
      which are stale copies; yet each time they take me by surprise, as if they
      were new. In spite of past experience, I begin all confidence and trust:
      by-and-by come the subtle but well-known signs of deceit; so doubt is
      forced on me; and then I am all suspicion, and so darkly vigilant that
      soon all is certainty; for 'les fourberies des femmes' are diabolically
      subtle, but monotonous. They seem to vary only on the surface. One looks
      too gentle and sweet to give any creature pain; I cherish her like a
      tender plant; she deceives me for the coarsest fellow she can find.
      Another comes the frank and candid dodge; she is so off-handed she shows
      me it is not worth her while to betray. She deceives me, like the other,
      and with as little discrimination. The next has a face of beaming
      innocence, and a limpid eye that looks like transparent candor; she gazes
      long and calmly in my face, as if her eye loved to dwell on me, gazes with
      the eye of a gazelle or a young hare, and the baby lips below outlie the
      hoariest male fox in the Old Jewry. But, to complete the delusion, all my
      sweethearts and wives are romantic and poetical skin-deep&mdash;or they
      would not attract me&mdash;and all turn out vulgar to the core. By their
      lovers alone can you ever know them. By the men they can't love, and the
      men they do love, you find these creatures that imitate sentiment so
      divinely are hard, prosaic, vulgar little things, thinly gilt and double
      varnished.&rdquo;
     </p>
    <p>
      &ldquo;They are much better than we are; but you don't know how to take them,&rdquo;
       said Severne, with the calm superiority of success.
    </p>
    <p>
      &ldquo;No,&rdquo; replied Vizard, dryly, &ldquo;curse me if I do. Well, I did hope I had
      outgrown my mania, as I have done the toothache; for this time I had
      passed the fatal period, the three years. It is nearly four years now
      since I went through the established process&mdash;as fixed beforehand as
      the dyer's or the cotton-weaver's&mdash;adored her, trusted her blindly,
      suspected her, watched her, detected her, left her. By-the-by, she was my
      wife, the last; but that made no difference; she was neither better nor
      worse than the rest, and her methods and idiotic motives of deceit
      identical. Well, Ned, I was mistaken. Yesterday night I met my Fate once
      more.&rdquo;
     </p>
    <p>
      &ldquo;Where? In Frankfort?&rdquo;
     </p>
    <p>
      &ldquo;No: at Homburg; at the opera. You must give me your word not to tell a
      soul.&rdquo;
     </p>
    <p>
      &ldquo;I pledge you my word of honor.&rdquo;
     </p>
    <p>
      &ldquo;Well, the lady who sung the part of Siebel.&rdquo;
     </p>
    <p>
      &ldquo;Siebel?&rdquo; muttered Severne.
    </p>
    <p>
      &ldquo;Yes,&rdquo; said Vizard, dejectedly.
    </p>
    <p>
      Severne fixed his eyes on his friend with a strange expression of
      confusion and curiosity, as if he could not take it all in. But he said
      nothing, only looked very hard all the time.
    </p>
    <p>
      Vizard burst out, &ldquo;'O miserae hominum mentes, O pectora caeca!' There I
      sat, in the stalls, a happy man comparatively, because my heart, though
      full of scars, was at peace, and my reason, after periodical abdications,
      had resumed its throne, for good; so I, weak mortal, fancied. Siebel
      appeared; tall, easy, dignified, and walking like a wave; modest, fair,
      noble, great, dreamy, and, above all, divinely sad; the soul of womanhood
      and music poured from her honey lips; she conquered all my senses: I felt
      something like a bolt of ice run down my back. I ought to have jumped up
      and fled the theater. I wish I had. But I never do. I am incurable. The
      charm deepened; and when she had sung 'Le Parlate d'Amor' as no mortal
      ever sung and looked it, she left the stage and carried my heart and soul
      away with her. What chance had I? Here shone all the beauties that adorn
      the body, all the virtues and graces that embellish the soul; they were
      wedded to poetry and ravishing music, and gave and took enchantment. I saw
      my paragon glide away, like a goddess, past the scenery, and I did not see
      her meet her lover at the next step&mdash;a fellow with a wash-leather
      face, greasy locks in a sausage roll, and his hair shaved off his forehead&mdash;and
      snatch a pot of porter from his hands, and drain it to the dregs, and say,
      'It is all right, Harry: <i>that</i> fetched 'em.' But I know, by
      experience, she did; so <i>sauve qui peut.</i> Dear friend and
      fellow-lunatic, for my sake and yours, leave Frankfort with me to-morrow.&rdquo;
     </p>
    <p>
      Severne hung his head, and thought hard. Here was a new and wonderful
      turn. He felt all manner of strange things&mdash;a pang of jealousy, for
      one. He felt that, on every account, it would be wise to go, and, indeed,
      dangerous to stay. But a mania is a mania, and so he could not. &ldquo;Look
      here, old fellow,&rdquo; he said, &ldquo;if the opera were on to-morrow, I would leave
      my three hundred behind me and sacrifice myself to you, sooner than expose
      you to the fascinations of so captivating a woman as Ina Klosking.&rdquo;
     </p>
    <p>
      &ldquo;Ina Klosking? Is that her name? How do <i>you</i> know?&rdquo;
     </p>
    <p>
      &ldquo;I&mdash;I&mdash;fancy I heard so.&rdquo;
     </p>
    <p>
      &ldquo;Why, she was not announced. Ina Klosking! It is a sweet name;&rdquo; and he
      sighed.
    </p>
    <p>
      &ldquo;But you are quite safe from her for one day,&rdquo; continued Severne, &ldquo;so you
      must be reasonable. I will go with you, Tuesday, as early as you like; but
      do be a good fellow, and let me have the five hundred, to try my system
      with to-morrow.&rdquo;
     </p>
    <p>
      Vizard looked sad, and made no reply.
    </p>
    <p>
      Severne got impatient. &ldquo;Why, what is it to a rich fellow like you? If I
      had twelve thousand acres in a ring fence, no friend would ask me twice
      for such a trifling sum.&rdquo;
     </p>
    <p>
      Vizard, for the first time, wore a supercilious smile at being so
      misunderstood, and did not deign a reply.
    </p>
    <p>
      Severne went on mistaking his man: &ldquo;I can give you bills for the money,
      and for the three hundred you did lend me.&rdquo;
     </p>
    <p>
      Vizard did not receive this as expected. &ldquo;Bills?&rdquo; said he, gravely. &ldquo;What,
      do you do that sort of thing as well?&rdquo;
     </p>
    <p>
      &ldquo;Why not, pray? So long as I'm the holder, not the drawer, nor the
      acceptor. Besides, they are not accommodation bills, but good commercial
      paper.&rdquo;
     </p>
    <p>
      &ldquo;You are a merchant, then; are you?&rdquo;
     </p>
    <p>
      &ldquo;Yes; in a small way. If you will allow me, I will explain.&rdquo;
     </p>
    <p>
      He did so; and, to save comments, yet enable the reader to appreciate his
      explanation, the true part of it is printed in italics, the mendacious
      portion in ordinary type.
    </p>
    <p>
      <i>&ldquo;My estate in Huntingdonshire is not very large; and there are
      mortgages on it,</i> for the benefit of other members of my family. I was
      always desirous to pay off these mortgages; and took the best advice I
      could. <i>I have got an uncle:</i> he lives in the city. He put me on to a
      good thing. I bought a share in a trading vessel; she makes short trips,
      and turns her cargo often. She will take out paper to America, and bring
      back raw cotton: she will land that at Liverpool, and ship English
      hardware and cotton fabrics for the Mediterranean and Greece, and bring
      back currants from Zante and lemons from Portugal. She goes for the nimble
      shilling. Well, you know ships wear out: <i>and if you varnish them
      rotten, and insure them high, and they go to glory, Mr. Plimsoll is down
      on you like a hammer.</i> So, when she had paid my purchase-money three
      times over, some fellows in the city made an offer for <i>The Rover</i>&mdash;that
      was her name. My share came to twelve hundred, and my uncle said I was to
      take it. <i>Now I always feel bound by what he decides.</i> They gave me
      four bills, for four hundred, three hundred, three hundred, and two
      hundred. The four hundred was paid at maturity. <i>The others are not due
      yet.</i> I have only to send them to London, and I can get the money back
      by Thursday: but you want me to start on Tuesday.&rdquo;
     </p>
    <p>
      &ldquo;That is enough,&rdquo; said Vizard, wearily, &ldquo;I will be your banker, and&mdash;&rdquo;
     </p>
    <p>
      &ldquo;You are a good fellow!&rdquo; said Severne warmly.
    </p>
    <p>
      &ldquo;No, no; I am a weak fellow, and an injudicious one. But it is the old
      story: when a friend asks you what he thinks a favor, the right thing is
      to grant it at once. He doesn't want your advice; he wants the one thing
      he asks for. There, get me the bills, and I'll draw a check on Muller:
      Herries advised him by Saturday's post; so we can draw on Monday.&rdquo;
     </p>
    <p>
      &ldquo;All right, old man,&rdquo; said Severne, and went away briskly for the bills.
    </p>
    <p>
      When he got from the balcony into the room, his steps flagged a little; it
      struck him that ink takes time to dry, and more time to darken.
    </p>
    <p>
      As <i>The Rover,</i> with her nimble cargoes, was first cousin to <i>The
      Flying Dutchman,</i> with his crew of ghosts, so the bills received by
      Severne, as purchase-money for his ship, necessarily partook of that
      ship's aerial character. Indeed they existed, as the schoolmen used to
      say, in <i>posse,</i> but not in <i>esse.</i> To be less pedantic and more
      exact, they existed as slips of blank paper, with a Government stamp. To
      give them a mercantile character for a time&mdash;viz., until presented
      for payment&mdash;they must be drawn by an imaginary ship-owner or a
      visionary merchant, and indorsed by at least one shadow, and a man of
      straw.
    </p>
    <p>
      The man of straw sat down to inscribe self and shadows, and became a
      dishonest writer of fiction; for the art he now commenced appears to fall
      short of forgery proper, but to be still more distinct from justifiable
      fiction. The ingenious Mr. De Foe's certificate by an aeial justice of the
      peace to the truth of his ghostly narrative comes nearest to it, in my
      poor reading.
    </p>
    <p>
      Qualms he had, but not deep. If the bills were drawn by Imagination,
      accepted by Fancy, and indorsed by Impudence, what did it matter to Ned
      Straw, since his system would enable him to redeem them at maturity? His
      only real concern was to conceal their recent origin. So he wrote them
      with a broad-nibbed pen, that they might be the blacker, and set them to
      dry in the sun.
    </p>
    <p>
      He then proceeded to a change of toilet.
    </p>
    <p>
      While thus employed, there was a sharp tap at his door and Vizard's voice
      outside. Severne started with terror, snapped up the three bills with the
      dexterity of a conjurer&mdash;the handle turned&mdash;he shoved them into
      a drawer&mdash;Vizard came in&mdash;he shut the drawer, and panted.
    </p>
    <p>
      Vizard had followed the custom of Oxonians among themselves, which is to
      knock, and then come in, unless forbidden.
    </p>
    <p>
      &ldquo;Come,&rdquo; said he, cheerfully, &ldquo;those bills. I'm in a hurry to cash them
      now, and end the only difference we have ever had, old fellow.&rdquo;
     </p>
    <p>
      The blood left Severne's cheek and lips for a moment, and he thought
      swiftly and hard. The blood returned, along with his ready wit. &ldquo;How good
      you are!&rdquo; said he; &ldquo;but no. It is Sunday.&rdquo;
     </p>
    <p>
      &ldquo;Sunday!&rdquo; ejaculated Vizard. &ldquo;What is that to you, a fellow who has been
      years abroad?&rdquo;
     </p>
    <p>
      &ldquo;I can't help it,&rdquo; said Severne, apologetically. &ldquo;I am superstitious&mdash;don't
      like to do business on a Sunday. I would not even shunt at the tables on a
      Sunday&mdash;I don't think.&rdquo;
     </p>
    <p>
      &ldquo;Ah, you are not quite sure of that. There <i>is</i> a limit to your
      superstition! Well, will you listen to a story on a Sunday?&rdquo;
     </p>
    <p>
      &ldquo;Rather!&rdquo;
     </p>
    <p>
      &ldquo;Then, once on a time there was a Scotch farmer who had a bonny cow; and
      another farmer coveted her honestly. One Sunday they went home together
      from kirk and there was the cow grazing. Farmer Two stopped, eyed her, and
      said to Farmer One, 'Gien it were Monday, as it is the Sabba' day, what
      would ye tak' for your coow?' The other said the price would be nine
      pounds, <i>if it were Monday.</i> And so they kept the Sabbath; and the
      cow changed hands, though, to the naked eye, she grazed on <i>in situ.</i>
      Our negotiation is just as complete. So what does it matter whether the
      actual exchange of bills and cash takes place to-day or to-morrow?&rdquo;
     </p>
    <p>
      &ldquo;Do you really mean to say it does not matter to you?&rdquo; asked Severne.
    </p>
    <p>
      &ldquo;Not one straw.&rdquo;
     </p>
    <p>
      &ldquo;Then, as it does not matter to you, and does to me, give me my foolish
      way, like a dear good fellow.&rdquo;
     </p>
    <p>
      &ldquo;Now, that is smart,&rdquo; said Vizard&mdash;&ldquo;very smart;&rdquo; then, with a look of
      parental admiration, &ldquo;he gets his own way in everything. He <i>will</i>
      have your money&mdash;he <i>won't</i> have your money. I wonder whether he
      <i>will</i> consent to walk those girls out, and disburden me of their too
      profitable discourse.&rdquo;
     </p>
    <p>
      &ldquo;That I will, with pleasure.&rdquo;
     </p>
    <p>
      &ldquo;Well, they are at luncheon&mdash;with their bonnets on.&rdquo;
     </p>
    <p>
      &ldquo;I will join them in five minutes.&rdquo;
     </p>
    <p>
      After luncheon, Miss Vizard, Miss Dover, and Mr. Severne started for a
      stroll.
    </p>
    <p>
      Miss Maitland suggested that Vizard should accompany them.
    </p>
    <p>
      &ldquo;Couldn't think of deserting you,&rdquo; said he dryly.
    </p>
    <p>
      The young ladies giggled, because these two rarely opened their mouths to
      agree, one being a professed woman-hater, and the other a man-hater, in
      words.
    </p>
    <p>
      Says Misander, in a sourish way, &ldquo;Since you value my conversation so,
      perhaps you will be good enough not to smoke for the next ten minutes.&rdquo;
     </p>
    <p>
      Misogyn consented, but sighed. That sigh went unpitied, and the lady
      wasted no time.
    </p>
    <p>
      &ldquo;Do you see what is going on between your sister and that young man?&rdquo;
     </p>
    <p>
      &ldquo;Yes; a little flirtation.&rdquo;
     </p>
    <p>
      &ldquo;A great deal more than that. I caught them, in this very room, making
      love.&rdquo;
     </p>
    <p>
      &ldquo;You alarm me,&rdquo; said Vizard, with marked tranquillity.
    </p>
    <p>
      &ldquo;I saw him&mdash;kiss&mdash;her&mdash;hand.&rdquo;
     </p>
    <p>
      &ldquo;You relieve me,&rdquo; said Vizard, as calmly as he had been alarmed. &ldquo;There's
      no harm in that. I've kissed the queen's hand, and the nation did not rise
      upon me. However, I object to it. The superior sex should not play the
      spaniel. I will tell him to drop that. But, permit me to say, all this is
      in your department, not mine.
    </p>
    <p>
      &ldquo;But what can I do against three of them, unless you support me? There you
      have let them go out together.&rdquo;
     </p>
    <p>
      &ldquo;Together with Fanny Dover, you mean?&rdquo;
     </p>
    <p>
      &ldquo;Yes; and if Fanny had any designs on him, Zoe would be safe&mdash;&rdquo;
     </p>
    <p>
      &ldquo;And poor Ned torn in two.&rdquo;
     </p>
    <p>
      &ldquo;But Fanny, I am grieved to say, seems inclined to assist this young man
      with Zoe; that is, because it does not matter to her. She has other views&mdash;serious
      ones.&rdquo;
     </p>
    <p>
      &ldquo;Serious! What? A nunnery? Then I pity my lady abbess.&rdquo;
     </p>
    <p>
      &ldquo;Her views are plain enough to anybody but you.&rdquo;
     </p>
    <p>
      &ldquo;Are they? Then make me as wise as my neighbors.&rdquo;
     </p>
    <p>
      &ldquo;Well, then, she means to marry <i>you.&rdquo;</i>
    </p>
    <p>
      &ldquo;What! Oh, come!&mdash;that is too good a joke!&rdquo;
     </p>
    <p>
      &ldquo;It is sober earnest. Ask Zoe&mdash;ask your friend, Mr. Severne&mdash;ask
      the chambermaids&mdash;ask any creature with an eye in its head. Oh, the
      blindness of you men!&rdquo;
     </p>
    <p>
      The Misogyn was struck dumb. When he recovered, it was to repine at the
      lot of man.
    </p>
    <p>
      &ldquo;Even my own familiar cousin&mdash;once removed&mdash;in whom I trusted! I
      depute you to inform her that I think her <i>adorable,</i> and that
      matrimony is no longer a habit of mine. Set her on to poor Severne; he is
      a ladies' man, and 'the more the merrier' is his creed.&rdquo;
     </p>
    <p>
      &ldquo;Such a girl as Fanny is not to be diverted from a purpose of that sort.
      Besides, she has too much sense to plunge into the Severne and&mdash;pauperism!
      She is bent on a rich husband, not a needy adventurer.&rdquo;
     </p>
    <p>
      &ldquo;Madam, in my friend's name, I thank you.&rdquo;
     </p>
    <p>
      &ldquo;You are very welcome, sir&mdash;it is only the truth.&rdquo; Then, with a swift
      return to her original topic: &ldquo;No; I know perfectly well what Fanny Dover
      will do this afternoon. She sketches.&rdquo;
     </p>
    <p>
      &ldquo;It is too true,&rdquo; said Vizard dolefully: &ldquo;showed me a ship in full sail,
      and I praised it <i>in my way.</i> I said, 'That rock is rather well
      done.'&rdquo;
     </p>
    <p>
      &ldquo;Well, she will be seized with a desire to sketch. She will sit down
      apart, and say, 'Please don't watch me&mdash;it makes me nervous.' The
      other two will take the hint and make love a good way off; and Zoe will go
      greater lengths, with another woman in sight&mdash;but only just in sight,
      and slyly encouraging her&mdash;than if she were quite alone with her <i>mauvais
      sujet.&rdquo;</i>
    </p>
    <p>
      Vizard was pleased with the old lady. &ldquo;This is sagacious,&rdquo; said he, &ldquo;and
      shows an eye for detail. I recognize in your picture the foxy sex. But, at
      this moment, who can foretell which way the wind will blow? You are not
      aware, perhaps, that Zoe and Fanny have had a quarrel. They don't speak.
      Now, in women, you know, vices are controlled by vices&mdash;see Pope. The
      conspiracy you dread will be averted by the other faults of their
      character, their jealousy and their petulant tempers. Take my word for it,
      they are sparring at this moment; and that poor, silly Severne meditating
      and moderating, and getting scratched on both sides for trying to be
      just.&rdquo;
     </p>
    <p>
      At this moment the door opened, and Fanny Dover glittered on the threshold
      in Cambridge blue.
    </p>
    <p>
      &ldquo;There,&rdquo; said Vizard; &ldquo;did not I tell you? They are come home.&rdquo;
     </p>
    <p>
      &ldquo;Only me,&rdquo; said Fanny gayly.
    </p>
    <p>
      &ldquo;Where are the others?&rdquo; inquired Miss Maitland sharply.
    </p>
    <p>
      &ldquo;Not far off&mdash;only by the riverside.&rdquo;
     </p>
    <p>
      &ldquo;And you left those two alone!&rdquo;
     </p>
    <p>
      &ldquo;Now, don't be cross, aunt,&rdquo; cried Fanny, and limped up to her. &ldquo;These new
      boots are so tight that I really couldn't bear them any longer. I believe
      I shall be lame, as it is.&rdquo;
     </p>
    <p>
      &ldquo;You ought to be ashamed of yourself. What will the people say?&rdquo;
     </p>
    <p>
      &ldquo;La! aunt, it is abroad. One does what one likes&mdash;out of England.&rdquo;
     </p>
    <p>
      &ldquo;Here's a code of morals!&rdquo; said Vizard, who must have his slap.
    </p>
    <p>
      &ldquo;Nonsense,&rdquo; said Miss Maitland: &ldquo;she will be sure to meet somebody. All
      England is on the Rhine at this time of the year; and, whether or no, is
      it for you to expose that child to familiarity with a person nobody knows,
      nor his family either? You are twenty-five years old; you know the world;
      you have as poor an opinion of the man as I have, or you would have set
      your own cap at him&mdash;you know you would&mdash;and you have let out
      things to me when you were off your guard. Fanny Dover, you are behaving
      wickedly; you are a false friend to that poor girl.&rdquo;
     </p>
    <p>
      Upon this, lo! the pert Fanny, hitherto so ready with her answers, began
      to cry bitterly. The words really pricked her conscience, and to be
      scolded is one thing, to be severely and solemnly reproached is another;
      and before a man!
    </p>
    <p>
      The official woman-hater was melted in a moment by the saucy girl's tears.
      &ldquo;There&mdash;there,&rdquo; said he, kindly, &ldquo;have a little mercy. Hang it all!
      Don't make a mountain of a mole-hill.&rdquo;
     </p>
    <p>
      The official man-hater never moved a muscle. &ldquo;It is no use her crying to
      <i>me:</i> she must give me a <i>proof</i> she is sorry. Fanny, if you are
      a respectable girl, and have any idea of being my heir, go you this moment
      and bring them home.&rdquo;
     </p>
    <p>
      &ldquo;Yes, aunt,&rdquo; said Fanny, eagerly; and went off with wonderful alacrity.
    </p>
    <p>
      It was a very long apartment, full forty feet; and while Fanny bustled
      down it, Miss Maitland extended a skinny finger, like one of Macbeth's
      witches, and directed Vizard's eye to the receding figure so pointedly
      that he put up his spyglass the better to see the phenomenon.
    </p>
    <p>
      As Fanny skipped out and closed the door, Miss Maitland turned to Vizard,
      with lean finger still pointing after Fanny, and uttered a monosyllable:
    </p>
    <h3>
      &ldquo;LAME!&rdquo;
     </h3>
    <p>
      Vizard burst out laughing. &ldquo;La fourbe!&rdquo; said he. &ldquo;Miss Maitland, accept my
      compliments; you possess the key to a sex no fellow can unlock. And, now I
      have found an interpreter, I begin to be interested in this little comedy.
      The first act is just over. There will be half an hour's wait till the
      simulatrix of infirmity comes running back with the pilgrims of the Rhine.
      Are they 'the pilgrims of the Rhine' or 'the pilgrims of Love?' Time will
      show. Play to recommence with a verbal encounter; you will be one against
      three; for all that, I don't envy the greater number.&rdquo;
     </p>
    <p>
      &ldquo;Three to one? No. Surely you will be on the right side for once.
    </p>
    <p>
      &ldquo;Well, you see, I am the audience. We can't be all <i>dramatis personae,</i>
      and no spectator. During the wait, I wonder whether the audience, having
      nothing better to do, may be permitted to smoke a cigar.&rdquo;
     </p>
    <p>
      &ldquo;So long a lucid interval is irksome, of course. Well, the balcony is your
      smoking-room. You will see them coming; please tap at my door the moment
      you do.&rdquo;
     </p>
    <p>
      Half an hour elapsed, an hour, and the personages required to continue the
      comedy did not return.
    </p>
    <p>
      Vizard, having nothing better to do, fell to thinking of Ina Klosking, and
      that was not good for him. Solitude and <i>ennui</i> fed his mania, and at
      last it took the form of action. He rang, and ordered up his man Harris, a
      close, discreet personage, and directed him to go over to Homburg, and
      bring back all the information he could about the new singer; her address
      in Homburg, married or single, prude or coquette. Should information be
      withheld, Harris was to fee the porter at the opera-house, the waiter at
      her hotel, and all the human commodities that knew anything about her.
      Having dismissed Harris, he lighted his seventh cigar, and said to
      himself, &ldquo;It is all Ned Severne's fault. I wanted to leave for England
      to-day.&rdquo;
     </p>
    <p>
      The day had been overcast for some time and now a few big drops fell, by
      way of warning. Then it turned cool: then came a light drizzling rain,
      and, in the middle of this, Fanny Dover appeared, almost flying home.
    </p>
    <p>
      Vizard went and tapped at Miss Maitland's door. She came out.
    </p>
    <p>
      &ldquo;Here's Miss Dover coming, but she is alone.&rdquo;
     </p>
    <p>
      The next moment Fanny bounced into the room, and started a little at the
      picture of the pair ready to receive her. She did not wait to be taken to
      task, but proceeded to avert censure by volubility and self-praise. &ldquo;Aunt,
      I went down to the river, where I left them, and looked all along it, and
      they were not in sight. Then I went to the cathedral, because that seemed
      the next likeliest place. Oh, I have had such a race!&rdquo;
     </p>
    <p>
      &ldquo;Why did you come back before you had found them?&rdquo;
     </p>
    <p>
      &ldquo;Aunt, it was going to rain; and it is raining now, hard.&rdquo;
     </p>
    <p>
      <i>&ldquo;She</i> does not mind that.&rdquo;
     </p>
    <p>
      &ldquo;Zoe? Oh, she has got nothing on!&rdquo;
     </p>
    <p>
      &ldquo;Bless me!&rdquo; cried Vizard. &ldquo;Godiva <i>rediviva.&rdquo;</i>
    </p>
    <p>
      &ldquo;Now, Harrington, don't! Of course, I mean nothing to spoil; only her
      purple alpaca, and that is two years old. But my blue silk, I can't afford
      to ruin <i>it.</i> Nobody would give me another, <i>I</i> know.&rdquo;
     </p>
    <p>
      &ldquo;What a heartless world!&rdquo; said Vizard dryly.
    </p>
    <p>
      &ldquo;It is past a jest, the whole thing,&rdquo; objected Miss Maitland; &ldquo;and, now we
      are together, please tell me, if you can, either of you, who is this man?
      What are his means? I know 'The Peerage,' 'The Baronetage,' and 'The
      Landed Gentry,' but not Severne. That is a river, not a family.&rdquo;
     </p>
    <p>
      &ldquo;Oh,&rdquo; said Vizard, &ldquo;family names taken from rivers are never <i>parvenues.</i>
      But we can't all be down in Burke. Ned is of a good stock, the old English
      yeoman, the country's pride.&rdquo;
     </p>
    <p>
      &ldquo;Yeoman!&rdquo; said the Maitland, with sovereign contempt.
    </p>
    <p>
      Vizard resisted. &ldquo;Is this the place to sneer at an English yeoman, where
      you see an unprincely prince living by a gambling-table? What says the old
      stave?
    </p>
    <p>
      &ldquo;'A German prince, a marquis of France, And a laird o' the North Countrie;
      A yeoman o' Kent, with his yearly rent, Would ding 'em out, all three.&rdquo;'
    </p>
    <p>
      &ldquo;Then,&rdquo; said Misander, with a good deal of malicious, intent, &ldquo;you are
      quite sure your yeoman is not a&mdash;<i>pauper&mdash;</i>an <i>adventurer&mdash;&rdquo;</i>
    </p>
    <p>
      &ldquo;Positive.&rdquo;
     </p>
    <p>
      &ldquo;And a <i>gambler.&rdquo;</i>
    </p>
    <p>
      &ldquo;No; I am not at all sure of that. But nobody is all-wise. I am not, for
      one. He is a fine fellow; as good as gold; as true as steel. Always
      polite, always genial; and never speaks ill of any of you behind your
      backs.&rdquo;
     </p>
    <p>
      Miss Maitland bridled at that. &ldquo;What I have said is not out of dislike to
      the young man. I am warning a brother to take a little more care of his
      sister, that is all. However, after your sneer, I shall say no more behind
      Mr. Severne's back, but to his face&mdash;that is, if we ever see his face
      again, or Zoe's either.&rdquo;
     </p>
    <p>
      &ldquo;Oh, aunt!&rdquo; said Fanny, reproachfully. &ldquo;It is only the rain. La! poor
      things, they will be wet to the skin. Just see how it is pouring!&rdquo;
     </p>
    <p>
      &ldquo;That it is: and let me tell you there is nothing so dangerous as a <i>te'te-'a-te'te</i>
      in the rain.&rdquo;
     </p>
    <p>
      &ldquo;A thunder-storm is worse, aunt,&rdquo; said Fanny, eagerly; &ldquo;because then she
      is frightened to death, and clings to him&mdash;<i>if he is nice.&rdquo;</i>
    </p>
    <p>
      Having galloped into this revelation, through speaking first and thinking
      afterward, Fanny pulled up short the moment the words were out, and turned
      red, and looked askant, under her pale lashes at Vizard. Observing several
      twinkles in his eyes, she got up hastily and said she really must go and
      dry her gown.
    </p>
    <p>
      &ldquo;Yes,&rdquo; said Miss Maitland; &ldquo;come into my room, dear.&rdquo;
     </p>
    <p>
      Fanny complied, with rather a rueful face, not doubting that the public
      &ldquo;dear&rdquo; was to get it rather hot in private.
    </p>
    <p>
      Her uneasiness was not lessened when the old maid said to her, grimly,
      &ldquo;Now, sit you down there, and never mind your dress.&rdquo;
     </p>
    <p>
      However, it came rather mildly, after all. &ldquo;Fanny, you are not a bad girl,
      and you have shown you were sorry; so I am not going to be hard on you:
      only you must be a good girl now, and help me to undo the mischief, and
      then I will forgive you.&rdquo;
     </p>
    <p>
      &ldquo;Aunt,&rdquo; said Fanny, piteously, &ldquo;I am older than she is, and I know I have
      done rather wrong, and I won't do it any more; but pray, pray, don't ask
      me to be unkind to her to-day; it is brooch-day.&rdquo;
     </p>
    <p>
      Miss Maitland only stared at this obscure announcement: so Fanny had to
      explain that Zoe and she had tiffed, and made it up, and Zoe had given her
      a brooch. Hereupon she went for it, and both ladies forgot the topic they
      were on, and every other, to examine the brooch.
    </p>
    <p>
      &ldquo;Aunt,&rdquo; says Fanny, handling the brooch, and eyeing it, &ldquo;you were a poor
      girl, like me, before grandpapa left you the money, and you know it is
      just as well to have a tiff now and then with a rich one, because, when
      you kiss and make it up, you always get some reconciliation-thing or
      other.&rdquo;
     </p>
    <p>
      Miss Maitland dived into the past and nodded approval.
    </p>
    <p>
      Thus encouraged, Fanny proceeded to more modern rules. She let Miss
      Maitland know it was always understood at her school that on these
      occasions of tiff, reconciliation, and present, the girl who received the
      present was to side in everything with the girl who gave it, for that one
      day. &ldquo;That is the real reason I put on my tight boots&mdash;to earn my
      brooch. Isn't it a duck?&rdquo;
     </p>
    <p>
      <i>&ldquo;Are</i> they tight, then?&rdquo;
     </p>
    <p>
      &ldquo;Awfully. See&mdash;new on to-day.&rdquo;
     </p>
    <p>
      &ldquo;But you could shake off your lameness in a moment.&rdquo;
     </p>
    <p>
      &ldquo;La, aunt, you know one can fight <i>with</i> that sort of thing, or fight
      <i>against</i> it. It is like colds, and headaches, and fevers, and all
      that. You are in bed, too ill to see anybody you don't much care for.
      Night comes, and then you jump up and dress, and go to a ball, and leave
      your cold and your fever behind you, because the ball won't wait till you
      are well, and the bores will. So don't ask me to be unkind to Zoe,
      brooch-day,&rdquo; said Fanny, skipping back to her first position with singular
      pertinacity.
    </p>
    <p>
      &ldquo;Now, Fanny,&rdquo; said Miss Maitland, &ldquo;who wants you to be unkind to her? But
      you must and shall promise me not to lend her any more downright
      encouragement, and to watch the man well.&rdquo;
     </p>
    <p>
      &ldquo;I promise that faithfully,&rdquo; said Fanny&mdash;an adroit concession, since
      she had been watching him like a cat a mouse for many days.
    </p>
    <p>
      &ldquo;Then you are a good girl; and, to reward you, I will tell you in
      confidence all the strange stories I have discovered today.&rdquo;
     </p>
    <p>
      &ldquo;Oh, do, aunt!&rdquo; cried Fanny; and now her eyes began to sparkle with
      curiosity.
    </p>
    <p>
      Miss Maitland then bid her observe that the bedroom window was not a
      French casement, but a double-sash window&mdash;closed at present because
      of the rain; but it had been wide open at the top all the time.
    </p>
    <p>
      &ldquo;Those two were smoking, and talking secrets; and, child,&rdquo; said the old
      lady, very impressively, &ldquo;if you&mdash;want&mdash;to&mdash;know&mdash;what
      gentlemen really are, you must be out of sight, and listen to them,
      smoking. When I was a girl, the gentlemen came out in their true colors
      over their wine. Now they are as close as wax, drinking; and even when
      they are tipsy they keep their secrets. But once let them get by
      themselves and smoke, the very air is soon filled with scandalous secrets
      none of the ladies in the house ever dreamed of. Their real characters,
      their true histories, and their genuine sentiments, are locked up like
      that genius in 'The Arabian Nights,' and come out in smoke as he did.&rdquo; The
      old lady chuckled at her own wit, and the young one laughed to humor her.
      &ldquo;Well, my dear, those two smoked, and revealed themselves&mdash;their real
      selves; and I listened and heard every word on the top of those drawers.&rdquo;
     </p>
    <p>
      Fanny looked at the drawers. They were high.
    </p>
    <p>
      &ldquo;La, aunt! how ever did you get up there?&rdquo;
     </p>
    <p>
      &ldquo;By a chair.&rdquo;
     </p>
    <p>
      &ldquo;Oh, fancy you perched up there, listening, at your age!&rdquo;
     </p>
    <p>
      &ldquo;You need not keep throwing my age in my teeth. I am not so very old. Only
      I don't paint and whiten and wear false hair. There are plenty of
      coquettes about, ever so much older than I am. I have a great mind not to
      tell you; and then much you will ever know about either of these men!&rdquo;
     </p>
    <p>
      &ldquo;Oh, aunt, don't be cruel! I am dying to hear it.&rdquo;
     </p>
    <p>
      As aunt was equally dying to tell it, she passed over the skit upon her
      age, though she did not forget nor forgive it; and repeated the whole
      conversation of Vizard and Severne with rare fidelity; but as I abhor what
      the evangelist calls &ldquo;battology,&rdquo; and Shakespeare &ldquo;damnable iteration,&rdquo; I
      must draw upon the intelligence of the reader (if any), and he must be
      pleased to imagine the whole dialogue of those two unguarded smokers
      repeated to Fanny, and interrupted, commented on at every salient point,
      scrutinized, sifted, dissected, and taken to pieces by two keen women,
      sharp by nature, and sharper now by collision of their heads. No candor,
      no tolerance, no allowance for human weakness, blunted the scalpel in
      their dexterous hands.
    </p>
    <p>
      Oh, Gossip! delight of ordinary souls, and more delightful still when you
      furnish food for detraction!
    </p>
    <p>
      To Fanny, in particular, it was exciting, ravishing, and the time flew by
      so unheeded that presently there came a sharp knock and an impatient voice
      cried, &ldquo;Chatter! chatter! chatter! How long are we to be kept waiting for
      dinner, all of us?&rdquo;
     </p>
    <p>
      <a name="link2HCH0006" id="link2HCH0006">
      <!--  H2 anchor --> </a>
    </p>
    <div style="height: 4em;">
      <br /><br /><br /><br />
    </div>
    <h2>
      CHAPTER VI.
    </h2>
    <p>
      AT the very commencement of the confabulation, so barbarously interrupted
      before it had lasted two hours and a half, the Misogyn rang the bell, and
      asked for Rosa, Zoe's maid.
    </p>
    <p>
      She came, and he ordered her to have up a basket of wood, and light a
      roaring fire in her mistress's room, and put out garments to air. He also
      inquired the number of Zoe's bedroom. The girl said it was &ldquo;No. 74.&rdquo;
     </p>
    <p>
      The Misogyn waited half an hour, and then visited &ldquo;No. 74.&rdquo; He found the
      fire burned down to one log, and some things airing at the fire, as
      domestics air their employers' things, but not their own, you may be sure.
      There was a chemise carefully folded into the smallest possible compass,
      and doubled over a horse at a good distance from the cold fire. There were
      other garments and supplementaries, all treated in the same way.
    </p>
    <p>
      The Misogyn looked, and remarked as follows, &ldquo;Idiots! at everything but
      taking in the men.&rdquo;
     </p>
    <p>
      Having relieved his spleen with this courteous and comprehensive
      observation, he piled log upon log till the fire was half up the chimney.
      Then he got all the chairs and made a semi-circle, and spread out the
      various garments to the genial heat; and so close that, had a spark flown,
      they would have been warmed with a vengeance, and the superiority of the
      male intellect demonstrated. This done, he retired, with a guilty air; for
      he did not want to be caught meddling in such frivolities by Miss Dover or
      Miss Maitland. However, he was quite safe; those superior spirits were
      wholly occupied with the loftier things of the mind, especially the
      characters of their neighbors.
    </p>
    <p>
      I must now go for these truants that are giving everybody so much trouble.
    </p>
    <p>
      When Fanny fell lame and said she was very sorry, but she must go home and
      change her boots, Zoe was for going home too. But Fanny, doubting her
      sincerity, was peremptory, and said they had only to stroll slowly on, and
      then turn; she should meet them coming back. Zoe colored high, suspecting
      they had seen the last of this ingenious young lady.
    </p>
    <p>
      &ldquo;What a good girl!&rdquo; cried Severne.
    </p>
    <p>
      &ldquo;I am afraid she is a very naughty girl,&rdquo; said Zoe, faintly; and the first
      effect of Fanny's retreat was to make her a great deal more reserved and
      less sprightly.
    </p>
    <p>
      Severne observed, and understood, and saw he must give her time. He was so
      respectful, as well as tender, that, by degrees, she came out again, and
      beamed with youth and happiness.
    </p>
    <p>
      They strolled very slowly by the fair river, and the pretty little
      nothings they said to each other began to be mere vehicles for those soft
      tones and looks, in which love is made, far more than by the words
      themselves.
    </p>
    <p>
      When they started on this walk, Severne had no distinct nor serious views
      on Zoe. But he had been playing with fire for some time, and so now he got
      well burned.
    </p>
    <p>
      Walking slowly by his side, and conscious of being wooed, whatever the
      words might be, Zoe was lovelier than ever. Those lowered lashes, that
      mantling cheek, those soft, tender murmurs, told him he was dear, and
      thrilled his heart, though a cold one compared with hers.
    </p>
    <p>
      He was in love; as much as he could be, and more than he had ever been
      before. He never even asked himself whether permanent happiness was likely
      to spring from this love: he was self-indulgent, reckless, and in love.
    </p>
    <p>
      He looked at her, wished he could recall his whole life, and sighed.
    </p>
    <p>
      &ldquo;Why do you sigh?&rdquo; said she, gently.
    </p>
    <p>
      &ldquo;I don't know. Yes, I do. Because I am not happy.&rdquo;
     </p>
    <p>
      &ldquo;Not happy?&rdquo; said she. &ldquo;You ought to be; and I am sure you deserve to be.&rdquo;
     </p>
    <p>
      &ldquo;I don't know that. However, I think I shall be happier in a few minutes,
      or else very unhappy indeed. That depends on you.&rdquo;
     </p>
    <p>
      &ldquo;On me, Mr. Severne?&rdquo; and she blushed crimson, and her bosom began to
      heave. His words led her to expect a declaration and a proposal of
      marriage.
    </p>
    <p>
      He saw her mistake; and her emotion spoke so plainly and sweetly, and
      tried him so, that it cost him a great effort not to clasp her in his
      arms. But that was not his cue at present. He lowered his eyes, to give
      her time, and said, sadly, &ldquo;I cannot help seeing that, somehow, there is
      suspicion in the air about me. Miss Maitland puts questions, and drops
      hints. Miss Dover watches me like a lynx. Even you gave me a hint the
      other day that I never talk to you about my relations, and my past life.&rdquo;
     </p>
    <p>
      &ldquo;Pray do not confound me with other people,&rdquo; said Zoe proudly. &ldquo;If I am
      curious, it is because I know you must have done many good things and
      clever things; but you have too little vanity, or too much pride, to tell
      them even to one who&mdash;esteems you, and could appreciate.&rdquo;
     </p>
    <p>
      &ldquo;I know you are as generous and noble as most people are narrow-minded,&rdquo;
       said Severne, enthusiastically; &ldquo;and I have determined to tell you all
      about myself.&rdquo;
     </p>
    <p>
      Zoe's cheeks beamed with gratified pride and her eyes sparkled.
    </p>
    <p>
      &ldquo;Only, as I would not tell it to anybody but you, I must stipulate that
      you will receive it in sacred confidence, and not repeat it to a living
      soul.&rdquo;
     </p>
    <p>
      &ldquo;Not even to my brother, who loves you so?&rdquo;
     </p>
    <p>
      &ldquo;Not even to him.&rdquo;
     </p>
    <p>
      This alarmed the instinctive delicacy and modesty of a truly virgin soul.
    </p>
    <p>
      &ldquo;I am not experienced,&rdquo; said she. &ldquo;But I feel I ought not to yield to
      curiosity and hear from you anything I am forbidden to tell my brother.
      You might as well say I must not tell my mother; for dear Harrington is
      all the mother I have; and I am sure he is a true friend to you&rdquo; (this
      last a little reproachfully).
    </p>
    <p>
      But for Severne's habitual self-command, he would have treated this
      delicacy as ridiculous prudery; but he was equal to greater difficulties.
    </p>
    <p>
      &ldquo;You are right, by instinct, in everything. Well, then, I shall tell you,
      and you shall see at once whether it ought to be repeated, or to remain a
      sacred deposit between me and the only creature I have the courage to tell
      it to.&rdquo;
     </p>
    <p>
      Zoe lowered her eyes, and marked the sand with her parasol. She was a
      little puzzled now, and half conscious that, somehow, he was tying her to
      secrecy with silk instead of rope; but she never suspected the deliberate
      art and dexterity with which it was done.
    </p>
    <p>
      Severne then made the revelation which he had been preparing for a day or
      two past; and, to avoid eternal comments by the author, I must once more
      call in the artful aid of the printers. The true part of Mr. Severne's
      revelation is in italics; the false in ordinary type.
    </p>
    <p>
      <i>&ldquo;When my father died, I inherited an estate in Huntingdonshire. It was
      not so large as Vizard's, but it was clear. Not a mortgage nor incumbrance
      on it. I had a younger brother;</i> a fellow with charming manners, and
      very accomplished. These were his ruin: he got into high society in
      London; <i>but high society is not always good society.</i> He became
      connected with a fast lot, some of the young nobility. Of course he could
      not vie with them. He got deeply in debt. Not but what they were in debt
      too, every one of them. He used to send to me for money oftener than I
      liked; but I never suspected the rate he was going at. I was anxious, too,
      about him; but I said to myself he was just sowing his wild oats, like
      other fellows. Well, it went on, until&mdash;to his misfortune and mine&mdash;he
      got entangled in some disgraceful transactions; the general features are
      known to all the world. I dare say you have heard of one or two young
      noblemen who committed forgeries on their relations and friends some years
      ago. <i>One of them, the son of an earl, took his sister's whole fortune
      out of her bank, with a single forged check. I believe the sum total of
      his forgeries was over one hundred thousand pounds. His father could not
      find half the money. A number of the nobility had to combine to repurchase
      the documents; many of them were in the hands of the Jews; and I believe a
      composition was effected, with the help of a very powerful barrister, an
      M. P. He went out of his line on this occasion, and mediated between the
      parties.</i> What will you think when I tell you that my brother, the son
      of my father and my mother, was one of these forgers&mdash;a criminal?&rdquo;
     </p>
    <p>
      &ldquo;My poor friend!&rdquo; cried Zoe, clasping her innocent hands.
    </p>
    <p>
      &ldquo;It was a thunder-clap. I had a great mind to wash my hands of it, and let
      him go to prison. But how could I? The struggle ended in my doing like the
      rest. Only poor, I had no noble kinsmen with long purses to help me, and
      no solicitor-general to mediate <i>sub rosa.</i> The total amount would
      have swamped my family acres. I got them down to sixty per cent, and that
      only crippled my estate forever. As for my brother, he fell on his knees
      to me. But I could not forgive him. <i>He left the country with a hundred
      pounds</i> I gave him. <i>He is in Canada; and only known there as a most
      respectable farmer.</i> He talks of paying me back. That I shall believe
      when I see it. All I know for certain is that his crime has mortgaged my
      estate, and left me poor&mdash;and suspected.&rdquo;
     </p>
    <p>
      While Severne related this, there passed a somewhat notable thing in the
      world of mind. The inventor of this history did not understand it; the
      hearer did, and accompanied it with innocent sympathetic sighs. Her
      imagination, more powerful and precise than the inventor's, pictured the
      horror of the high-minded brother, his agony, his shame, his respect for
      law and honesty, his pity for his own flesh and blood, his struggle, and
      the final triumph of fraternal affection. Every line of the figment was
      alive to her, and she <i>realized</i> the tale. Severne only repeated it.
    </p>
    <p>
      At the last touch of his cold art, the warm-hearted girl could contain no
      longer.
    </p>
    <p>
      &ldquo;Oh, poor Mr. Severne!&rdquo; she cried; &ldquo;poor Mr. Severne!&rdquo; And the tears ran
      down her cheeks.
    </p>
    <p>
      He looked at her first with a little astonishment&mdash;fancy taking his
      little narrative to heart like that&mdash;then with compunction, and then
      with a momentary horror at himself, and terror at the impassable gulf
      fixed between them, by her rare goodness and his depravity.
    </p>
    <p>
      Then for a moment he felt, and felt all manner of things at once. &ldquo;Oh,
      don't cry,&rdquo; he blurted out, and began to blubber himself at having made
      her cry at all, and so unfairly. It was his lucky hour; this hysterical
      effusion, undignified by a single grain of active contrition, or even
      penitent resolve, told in his favor. They mingled their tears; and hearts
      cannot hold aloof when tears come together. Yes, they mingled their tears,
      and the crocodile tears were the male's, if you please, and the woman's
      tears were pure holy drops, that angels might have gathered and carried
      them to God for pearls of the human soul.
    </p>
    <p>
      After they had cried together over the cool figment, Zoe said: &ldquo;I do not
      repent my curiosity now. You did well to tell me. Oh, no, you were right,
      and I will never tell anybody. People are narrow-minded. They shall never
      cast your brother's crime in your teeth, nor your own losses I esteem you
      for&mdash;oh, so much more than ever! I wonder you could tell me.&rdquo;
     </p>
    <p>
      &ldquo;You would not wonder if you knew how superior you are to all the world:
      how noble, how generous, and how I&mdash;&rdquo;
     </p>
    <p>
      &ldquo;Oh, Mr. Severne, it is going to rain! We must get home as fast as ever we
      can.&rdquo;
     </p>
    <p>
      They turned, and Zoe, with true virgin coyness, and elastic limbs, made
      the coming rain an excuse for such swift walking that Severne could not
      make tender love to her. To be sure, Apollo ran after Daphne, with his
      little proposals; but, I take it, he ran mute&mdash;till he found he
      couldn't catch her. Indeed, it was as much as Severne could do to keep up
      with her &ldquo;fair heel and toe.&rdquo; But I ascribe this to her not wearing high
      heels ever since Fanny told her she was just a little too tall, and she
      was novice enough to believe her.
    </p>
    <p>
      She would not stop for the drizzle; but at last it came down with such a
      vengeance that she was persuaded to leave the path and run for a
      cattle-shed at some distance. Here she and Severne were imprisoned.
      Luckily for them &ldquo;the kye had not come hame,&rdquo; and the shed was empty. They
      got into the farthest corner of it; for it was all open toward the river;
      and the rain pattered on the roof as if it would break it.
    </p>
    <p>
      Thus driven together, was it wonderful that soon her hand was in his, and
      that, as they purred together, and murmured soft nothings, more than once
      she was surprised into returning the soft pressure which he gave it so
      often?
    </p>
    <p>
      The plump declaration she had fled from, and now seemed deliciously
      resigned to, did not actually come. But he did what she valued more, he
      resumed his confidences: told her he had vices; was fond of gambling.
      Excused it on the score of his loss by his brother; said he hoped soon to
      hear good news from Canada; didn't despair; was happy now, in spite of
      all; had been happy ever since he had met <i>her.</i> What declaration was
      needed? The understanding was complete. Neither doubted the other's love;
      and Zoe would have thought herself a faithless, wicked girl, if, after
      this, she had gone and accepted any other man.
    </p>
    <p>
      But presently she had a misgiving, and looked at her watch. Yes, it wanted
      but one hour to dinner. Now, her brother was rather a Tartar about
      punctuality at dinner. She felt she was already in danger of censure for
      her long <i>te'te-'a-te'te</i> with Severne, though the rain was the
      culprit. She could not afford to draw every eye upon her by being late for
      dinner along with him.
    </p>
    <p>
      She told Severne they must go home now, rain or no rain, and she walked
      resolutely out into the weather.
    </p>
    <p>
      Severne did not like it at all, but he was wise enough to deplore it only
      on her account; and indeed her light alpaca was soon drenched, and began
      to cling to her. But the spirited girl only laughed at his condolences, as
      she hurried on. &ldquo;Why, it is only warm water,&rdquo; said she; &ldquo;this is no more
      than a bath in the summer sea. Bathing is getting wet through in blue
      flannel. Well, I am bathing in blue alpaca.&rdquo;
     </p>
<pre xml:space="preserve">
 &ldquo;But it will ruin your dress.&rdquo;
 </pre>
    <p>
      &ldquo;My dress! Why, it is as old as the hills. When I get home I'll give it to
      Rosa, ready washed&mdash;ha-ha!&rdquo;
     </p>
    <p>
      The rain pelted and poured, and long before they reached the inn, Zoe's
      dress had become an external cuticle, an alpaca skin.
    </p>
    <p>
      But innocence is sometimes very bold. She did not care a bit; and, to tell
      the truth, she had little need to care. Beauty so positive as hers is
      indomitable. The petty accidents that are the terrors of homely charms
      seem to enhance Queen Beauty. Disheveled hair adorns it: close bound hair
      adorns it. Simplicity adorns it. Diamonds adorn it. Everything seems to
      adorn it, because, the truth is, it adorns everything. And so Zoe,
      drenched with rain, and her dress a bathing-gown, was only a Greek goddess
      tinted blue, her bust and shoulders and her molded figure covered, yet
      revealed. What was she to an artist's eye? Just the Townly Venus with her
      sculptor's cunning draperies, and Juno's gait.
    </p>
    <p>
      &ldquo;Et vera incessa patuit Dea.&rdquo;
     </p>
    <p>
      When she got to the hotel she held up her finger to Severne with a pretty
      peremptoriness. She had shown him so much tenderness, she felt she had a
      right to order him now: &ldquo;I must beg of you,&rdquo; said she, &ldquo;to go straight to
      your rooms and dress very quickly, and present yourself to Harrington five
      minutes before dinner at least.&rdquo;
     </p>
    <p>
      &ldquo;I will obey,&rdquo; said he, obsequiously.
    </p>
    <p>
      That pleased her, and she kissed her hand to him and scudded to her own
      room.
    </p>
    <p>
      At sight of the blazing fire and provident preparations, she started, and
      said, aloud, &ldquo;Oh, how nice of them!&rdquo; and, all dripping as she was, she
      stood there with her young heart in a double glow.
    </p>
    <p>
      Such a nature as hers has too little egotism and low-bred vanity to
      undervalue worthy love. The infinite heart of a Zoe Vizard can love but
      one with passion, yet ever so many more with warm and tender affection.
    </p>
    <p>
      She gave Aunt Maitland credit for this provident affection. It was out of
      the sprightly Fanny's line; and she said to herself, &ldquo;Dear old thing!
      there, I thought she was bottling up a lecture for me, and all the time
      her real anxiety was lest I should be wet through.&rdquo; Thereupon she settled
      in her mind to begin loving Aunt Maitland from that hour. She did not ring
      for her maid till she was nearly dressed, and, when Rosa came and
      exclaimed at the condition of her cast-off robes, she laughed and told her
      it was nothing&mdash;the Rhine was nice and warm&mdash;pretending she had
      been in it. She ordered her to dry the dress, and iron it.
    </p>
    <p>
      &ldquo;Why, la, miss; you'll never wear it again, to be sure?&rdquo; said Rosa,
      demurely.
    </p>
    <p>
      &ldquo;I don't know,&rdquo; said the young lady, archly; &ldquo;but I mean to take great
      care of it,&rdquo; and burst out laughing like a peal of silver bells, because
      she was in high spirits, and saw what Rosa would be at.
    </p>
    <p>
      Give away the gown she had been wooed and wet through in&mdash;no, thank
      you! Such gowns as these be landmarks, my masters.
    </p>
    <p>
      Vizard, unconscious of her arrival, was walking up and down the room,
      fidgeting more and more, when in came Zoe, dressed high in black silk and
      white lace, looking ever so cozy, and blooming like a rose.
    </p>
    <p>
      &ldquo;What!&rdquo; said he; &ldquo;in, and dressed.&rdquo; He took her by the shoulders and gave
      her a great kiss. &ldquo;You young monkey!&rdquo; said he, &ldquo;I was afraid you were
      washed away.&rdquo;
     </p>
    <p>
      Zoe suggested that would only have been a woman obliterated.
    </p>
    <p>
      &ldquo;That is true,&rdquo; said he, with an air of hearty conviction. &ldquo;I forgot
      that.&rdquo;
     </p>
    <p>
      He then inquired if she had had a nice walk.
    </p>
    <p>
      &ldquo;Oh, beautiful! Imprisoned half the time in a cow-shed, and then drenched.
      But I'll have a nice walk with you, dear, up and down the room.&rdquo;
     </p>
    <p>
      &ldquo;Come on, then.&rdquo;
     </p>
    <p>
      So she put her right hand on his left shoulder, and gave him her left
      hand, and they walked up and down the room, Zoe beaming with happiness and
      affection for everybody and walking at a graceful bend.
    </p>
    <p>
      Severne came in, dressed as perfect as though just taken out of a bandbox.
      He sat down at a little table, and read a little journal unobtrusively. It
      was his cue to divest his late <i>te'te-'a-te'te</i> of public importance.
    </p>
    <p>
      Then came dinner, and two of the party absent. Vizard heard their voices
      going like mill-clacks at this sacred hour, and summoned them rather
      roughly, as stated above. His back was to Zoe, and she rubbed her hands
      gayly to Severne, and sent him a flying whisper: &ldquo;Oh, what fun! We are the
      culprits, and they are the ones scolded.&rdquo;
     </p>
    <p>
      Dinner waited ten minutes, and then the defaulters appeared. Nothing was
      said, but Vizard looked rather glum; and Aunt Maitland cast a vicious look
      at Severne and Zoe: they had made a forced march, and outflanked her. She
      sat down, and bided her time, like a fowler waiting till the ducks come
      within shot.
    </p>
    <p>
      But the conversation was commonplace, inconsecutive, shifty, and vague,
      and it was two hours before anything came within shot: all this time not a
      soul suspected the ambushed fowler.
    </p>
    <p>
      At last, Vizard, having thrown out one of his hints that the fair sex are
      imperfect, Fanny, being under the influence of Miss Maitland's
      revelations, ventured to suggest that they had no more faults than men,
      and <i>certainly</i> were not more deceitful.
    </p>
    <p>
      &ldquo;Indeed?&rdquo; said Vizard. &ldquo;Not&mdash;more&mdash;<i>deceitful!</i> Do you
      speak from experience?&rdquo;
     </p>
    <p>
      &ldquo;Oh, no, no,&rdquo; said Fanny, getting rather frightened. &ldquo;I only think so,
      somehow.&rdquo;
     </p>
    <p>
      &ldquo;Well, but you must have a reason. May I respectfully inquire whether more
      men have jilted you than you have jilted?&rdquo;
     </p>
    <p>
      &ldquo;You may inquire as respectfully as you like; but I shan't tell you.&rdquo;
     </p>
    <p>
      &ldquo;That is right, Miss Dover,&rdquo; said Severne; &ldquo;don't you put up with his
      nonsense. He knows nothing about it: women are angels, compared with men.
      The wonder is, how they can waste so much truth and constancy and beauty
      upon the foul sex. To my mind, there is only one thing we beat you in; we
      do stick by each other rather better than you do. You are truer to us. We
      are a little truer to each other.&rdquo;
     </p>
    <p>
      &ldquo;Not a little,&rdquo; suggested Vizard, dryly.
    </p>
    <p>
      &ldquo;For my part,&rdquo; said Zoe, blushing pink at her boldness in advancing an
      opinion on so large a matter, &ldquo;I think these comparisons are rather
      narrow-minded. What have we to do with bad people, male or female? A good
      man is good, and a good woman is good. Still, I do think that women have
      greater hearts to love, and men, perhaps, greater hearts for friendship:&rdquo;
       then, blushing roseate, &ldquo;even in the short time we have been here we have
      seen two gentlemen give up pleasure for self-denying friendship. Lord
      Uxmoor gave us all up for a sick friend. Mr. Severne did more, perhaps;
      for he lost that divine singer. You will never hear her now, Mr. Severne.&rdquo;
     </p>
    <p>
      The Maitland gun went off: &ldquo;A sick friend! Mr. Severne? Ha, ha, ha! You
      silly girl, he has got no sick friend. He was at the gaming-table. That
      was his sick friend.&rdquo;
     </p>
    <p>
      It was an effective discharge. It winged a duck or two. It killed, as
      follows: the tranquillity&mdash;the good humor&mdash;and the content of
      the little party.
    </p>
    <p>
      Severne started, and stared, and lost color, and then cast at Vizard a
      venomous look never seen on his face before; for he naturally concluded
      that Vizard had betrayed him.
    </p>
    <p>
      Zoe was amazed, looked instantly at Severne, saw it was true, and turned
      pale at his evident discomfiture. Her lover had been guilty of deceit&mdash;mean
      and rather heartless deceit.
    </p>
    <p>
      Even Fanny winced at the pointblank denunciation of a young man, who was
      himself polite to everybody. She would have done it in a very different
      way&mdash;insinuations, innuendo, etc.
    </p>
    <p>
      &ldquo;They have found you out, old fellow,&rdquo; said Vizard, merrily; &ldquo;but you need
      not look as if you had robbed a church. Hang it all! a fellow has got a
      right to gamble, if he chooses. Anyway, he paid for his whistle; for he
      lost three hundred pounds.&rdquo;
     </p>
    <p>
      &ldquo;Three hundred pounds!&rdquo; cried the terrible old maid. &ldquo;Where ever did he
      get them to lose?&rdquo;
     </p>
    <p>
      Severne divined that he had nothing to gain by fiction here; so he said,
      sullenly, &ldquo;I got them from Vizard; but I gave him value for them.&rdquo;
     </p>
    <p>
      &ldquo;You need not publish our private transactions, Ned,&rdquo; said Vizard. &ldquo;Miss
      Maitland, this is really not in your department.&rdquo;
     </p>
    <p>
      &ldquo;Oh, yes, it is,&rdquo; said she; &ldquo;and so you'll find.&rdquo;
     </p>
    <p>
      This pertinacity looked like defiance. Vizard rose from his chair, bowed
      ironically, with the air of a man not disposed for a hot argument.
    </p>
    <p>
      &ldquo;In that case&mdash;with permission&mdash;I'll withdraw to my veranda and,
      in that [he struck a light] peaceful&mdash;[here he took a suck] shade&mdash;&rdquo;
     </p>
    <p>
      &ldquo;You will meditate on the charms of Ina Klosking.&rdquo;
     </p>
    <p>
      Vizard received this poisoned arrow in the small of the back, as he was
      sauntering out. He turned like a shot, as if a man had struck him, and,
      for a single moment, he looked downright terrible and wonderfully unlike
      the easy-going Harrington Vizard. But he soon recovered himself. &ldquo;What!
      you listen, do you?&rdquo; said he; and turned contemptuously on his heel
      without another word.
    </p>
    <p>
      There was an uneasy, chilling pause. Miss Maitland would have given
      something to withdraw her last shot. Fanny was very uncomfortable and
      fixed her eyes on the table. Zoe, deeply shocked at Severne's deceit, was
      now amazed and puzzled about her brother. &ldquo;Ina Klosking!&rdquo; inquired she;
      &ldquo;who is that?&rdquo;
     </p>
    <p>
      &ldquo;Ask Mr. Severne,&rdquo; said Miss Maitland, sturdily.
    </p>
    <p>
      Now Mr. Severne was sitting silent, but with restless eyes, meditating how
      he should get over that figment of his about the sick friend.
    </p>
    <p>
      Zoe turned round on him, fixed her glorious eyes full upon his face, and
      said, rather imperiously, &ldquo;Mr. Severne, who is Ina Klosking?&rdquo;
     </p>
    <p>
      Mr. Severne looked up blankly in her face, and said nothing.
    </p>
    <p>
      She colored at not being answered, and repeated her question (all this
      time Fanny's eyes were fixed on the young man even more keenly than
      Zoe's), &ldquo;Who&mdash;and what&mdash;is Ina Klosking?&rdquo;
     </p>
    <p>
      &ldquo;She is a public singer.&rdquo;
     </p>
    <p>
      &ldquo;Do you know her?&rdquo;
     </p>
    <p>
      &ldquo;Yes; I heard her sing at Vienna.&rdquo;
     </p>
    <p>
      &ldquo;Yes, yes; but do you know her to speak to?&rdquo;
     </p>
    <p>
      He considered half a moment, and then said he had not that honor. &ldquo;But,&rdquo;
       said he, rather hurriedly, &ldquo;somebody or other told me she had come out at
      the opera here and made a hit.&rdquo;
     </p>
    <p>
      &ldquo;What in&mdash;Siebel?&rdquo;
     </p>
    <p>
      &ldquo;I don't know. But I saw large bills out with her name. She made her <i>de'but</i>
      in Gounod's 'Faust.'&rdquo;
     </p>
    <p>
      &ldquo;It is <i>my</i> Siebel!&rdquo; cried Zoe, rapturously. &ldquo;Why, aunt, no wonder
      Harrington admires her. For my part, I adore her.&rdquo;
     </p>
    <p>
      <i>&ldquo;You,</i> child! That is quite a different matter.&rdquo;
     </p>
    <p>
      &ldquo;No, it is not. He is like me; he has only seen her once, as I have, and
      on the stage.&rdquo;
     </p>
    <p>
      &ldquo;Fiddle-dee-dee. I tell you he is in love with her, over head and ears. He
      is wonderfully inflammable for a woman-hater. Ask Mr. Severne: he knows.&rdquo;
     </p>
    <p>
      &ldquo;Mr. Severne, is my brother in love with that lady?&rdquo;
     </p>
    <p>
      Severne's turn had come; that able young man saw his chance, and did as
      good a bit of acting as ever was extemporized even by an Italian mime.
    </p>
    <p>
      &ldquo;Miss Vizard,&rdquo; said he, fixing his hazel eyes on her for the first time,
      in a way that made her feel his power, &ldquo;what passed in confidence between
      two friends ought to be sacred. Don't&mdash;you&mdash;think so?&rdquo; (The girl
      quivered, remembering the secret he had confessed to her.) &ldquo;Miss Maitland
      has done your brother and me the honor to listen to our secrets. She shall
      repeat them, if she thinks it delicate; but I shall not, without Vizard's
      consent; and, more than that, the conversation seems to me to be taking
      the turn of casting blame and ridicule and I don't know what on the
      best-hearted, kindest-hearted, truest-hearted, noblest, and manliest man I
      know. I decline to take any further share in it.&rdquo;
     </p>
    <p>
      With these last words in his mouth, he stuck his hands defiantly into his
      pockets and stalked out into the veranda, looking every inch a man.
    </p>
    <p>
      Zoe folded her arms and gazed after him with undisguised admiration. How
      well everything he did became him; his firing up&mdash;his <i>brusquerie&mdash;</i>the
      very movements of his body, all so piquant, charming, and unwomanly! As he
      vanished from her admiring eyes, she turned, with flaming cheeks, on Miss
      Maitland, and said, &ldquo;Well, aunt, you have driven them both out at the
      window; now, say something pretty to Fanny and me, and drive us out at the
      door.&rdquo;
     </p>
    <p>
      Miss Maitland hung her head; she saw she had them all against her but
      Fanny, and Fanny was a trimmer. She said, sorrowfully, &ldquo;No, Zoe. I feel
      how unattractive I have made the room. I have driven away the gods of your
      idolatry&mdash;they are only idols of clay; but that you can't believe. I
      will banish nobody else, except a cross-grained, but respectable old
      woman, who is too experienced, and too much soured by it, to please young
      people when things are going wrong.&rdquo;
     </p>
    <p>
      With this she took her bed-candle, and retired.
    </p>
    <p>
      Zoe had an inward struggle. As Miss Maitland opened her bedroom door, she
      called to her: &ldquo;Aunt! one word. Was it you that ordered the fire in my
      bedroom?&rdquo;
     </p>
    <p>
      Now, if she had received the answer she expected, she meant to say, &ldquo;Then
      please let me forget everything else you have said or done to-day.&rdquo; But
      Miss Maitland stared a little, and said, &ldquo;Fire in your bedroom? no.&rdquo;
     </p>
    <p>
      &ldquo;Oh! Then I have nothing to thank you for this day,&rdquo; said Zoe, with all
      the hardness of youth; though, as a general rule, she had not her share of
      it.
    </p>
    <p>
      The old lady winced visibly, but she made a creditable answer. &ldquo;Then, my
      dear, you shall have my prayers this night; and it does not matter much
      whether you thank me for them or not.&rdquo;
     </p>
    <p>
      As she disappeared, Zoe flung herself wearily on a couch, and very soon
      began to cry. Fanny ran to her and nestled close to her, and the two had a
      rock together, Zoe crying, and Fanny coaxing and comforting.
    </p>
    <p>
      &ldquo;Ah!&rdquo; sighed Zoe, &ldquo;this was the happiest day of my life; and see how it
      ends. Quarreling; and deceit! the one I hate, the other I despise. No,
      never again, until I have said my prayers, and am just going to sleep,
      will I cry 'O giorno felice!' as I did this afternoon, when the rain was
      pouring on me, but my heart was all in a glow.&rdquo;
     </p>
    <p>
      These pretty little lamentations of youth were interrupted by Mr. Severne
      slipping away from his friend, to try and recover lost ground.
    </p>
    <p>
      He was coolly received by Zoe; then he looked dismayed, but affected not
      to understand; then Zoe pinched Fanny, which meant &ldquo;I don't choose to put
      him on his defense; but I am dying to hear if he has anything to say.&rdquo;
       Thereupon Fanny obeyed that significant pinch, and said, &ldquo;Mr. Severne, my
      cousin is not a woman of the world; she is a country girl, with
      old-fashioned romantic notions that a man should be above telling fibs. I
      have known her longer than you, and I see she can't understand your
      passing off the gambling-table for a sick friend.&rdquo;
     </p>
    <p>
      &ldquo;Why, I never did,&rdquo; said he, as bold as brass.
    </p>
    <p>
      &ldquo;Mr. Severne!&rdquo;
     </p>
    <p>
      &ldquo;Miss Dover, my sick friend was at 'The Golden Star.' That's a small hotel
      in a different direction from the Kursaal. I was there from seven o'clock
      till nine. You ask the waiter, if you don't believe me.&rdquo;
     </p>
    <p>
      Fanny giggled at this inadvertent speech; but Zoe's feelings were too
      deeply engaged to shoot fun flying. &ldquo;Fanny&rdquo; cried she, eagerly, &ldquo;I heard
      him tell the coachman to drive him to that very place, 'The Golden Star.'&rdquo;
     </p>
    <p>
      &ldquo;Really?&rdquo; said Fanny, mystified.
    </p>
    <p>
      &ldquo;Indeed I did, dear. I remember 'The Golden Star' distinctly.
    </p>
    <p>
      &ldquo;Ladies, I was there till nine o'clock. Then I started for the theater.
      Unfortunately the theater is attached to the Kursaal. I thought I would
      just look in for a few minutes. In fact, I don't think I was there half an
      hour. But Miss Maitland is quite right in one thing. I lost more than two
      hundred pounds, all through playing on a false system. Of course, I know I
      had no business to go there at all, when I might have been by your side.&rdquo;
     </p>
    <p>
      &ldquo;And heard La Klosking.&rdquo;
     </p>
    <p>
      &ldquo;It was devilish bad taste, and you may well be surprised and offended.&rdquo;
     </p>
    <p>
      &ldquo;No, no; not at that,&rdquo; said Zoe.
    </p>
    <p>
      &ldquo;But hang it all, don't make a fellow worse than he is! Why should I
      invent a sick friend? I suppose I have a right to go to the Kursaal if I
      choose. At any rate, I mean to go to-morrow afternoon, and win a pot of
      money. Hinder me who can.&rdquo;
     </p>
    <p>
      Zoe beamed with pleasure. &ldquo;That spiteful old woman! I am ashamed of
      myself. Of course you <i>have.</i> It becomes a man to say <i>je veux;</i>
      and it becomes a woman to yield. Forgive our unworthy doubts. We will all
      go to the Kursaal to-morrow.&rdquo;
     </p>
    <p>
      The reconciliation was complete; and, to add to Zoe's happiness, she made
      a little discovery. Rosa came in to see if she wanted anything. That, you
      must know, was Rosa's way of saying, &ldquo;It is very late. <i>I</i>'m tired;
      so the sooner <i>you</i> go to bed, the better.&rdquo; And Zoe was by nature so
      considerate that she often went to bed more for Rosa's convenience than
      her own inclination.
    </p>
    <p>
      But this time she said, sharply, &ldquo;Yes, I do. I want to know who had my
      fire lighted for me in the middle of summer.&rdquo;
     </p>
    <p>
      &ldquo;Why, squire, to be sure,&rdquo; said Rosa.
    </p>
    <p>
      &ldquo;What&mdash;<i>my</i> brother!&rdquo;
     </p>
    <p>
      &ldquo;Yes, miss; and seen to it all hisself: leastways, I found the things
      properly muddled. 'Twas to be seen a man had been at 'em.&rdquo;
     </p>
    <p>
      Rosa retired, leaving Zoe's face a picture.
    </p>
    <p>
      Just then Vizard put his head cautiously in at the window, and said, in a
      comic whisper, &ldquo;Is she gone?&rdquo;
     </p>
    <p>
      &ldquo;Yes, she is gone,&rdquo; cried Zoe, &ldquo;and you are wanted in her place.&rdquo; She ran
      to meet him. &ldquo;Who ordered a fire in my room, and muddled all my things?&rdquo;
       said she, severely.
    </p>
    <p>
      &ldquo;I did. What of that?&rdquo;
     </p>
    <p>
      &ldquo;Oh, nothing. Only now I know who is my friend. Young people, here's a
      lesson for you. When a lady is out in the rain, don't prepare a lecture
      for her, like Aunt Maitland, but light her fire, like this dear old duck
      of a woman-hating impostor. Kiss me!&rdquo; (violently).
    </p>
    <p>
      &ldquo;There&mdash;pest!&rdquo;
     </p>
    <p>
      &ldquo;That is not enough, nor half. There, and there, and there, and there, and
      there, and there.&rdquo;
     </p>
    <p>
      &ldquo;Now look here, my young friend,&rdquo; said Vizard, holding her lovely head by
      both ears, &ldquo;you are exciting yourself about nothing, and that will end in
      one of your headaches. So, just take your candle, and go to bed, like a
      good little girl.&rdquo;
     </p>
    <p>
      &ldquo;Must I? Well, then, I will. Goodby, tyrant dear. Oh, how I love you!
      Come, Fanny.&rdquo;
     </p>
    <p>
      She gave her hand shyly to Severne, and soon they were both in Zoe's room.
    </p>
    <p>
      Rosa was dismissed, and they had their chat; but it was nearly all on one
      side. Fanny had plenty to say, but did not say it. She had not the heart
      to cloud that beaming face again so soon; she temporized: Zoe pressed her
      with questions too; but she slurred things, Zoe asked her why Miss
      Maitland was so bitter against Mr. Severne. Fanny said, in an off-hand
      way, &ldquo;Oh, it is only on your account she objects to him.&rdquo;
     </p>
    <p>
      &ldquo;And what are her objections?&rdquo;
     </p>
    <p>
      &ldquo;Oh, only grammatical ones, dear. She says his <i>antecedents</i> are
      obscure, and his <i>relatives</i> unknown, ha! ha! ha!&rdquo; Fanny laughed, but
      Zoe did not see the fun. Then Fanny stroked her down.
    </p>
    <p>
      &ldquo;Never mind that old woman. I shall interfere properly, if I see you in
      danger. It was monstrous her making an <i>esclandre</i> at the very
      dinner-table, and spoiling your happy day.&rdquo;
     </p>
    <p>
      &ldquo;But she hasn't!&rdquo; cried Zoe, eagerly. &ldquo;'All's well that ends well.' I am
      happy&mdash;oh, so happy! You love me. Harrington loves me. <i>He</i>
      loves me. What more can any woman ask for than to be <i>ambata bene?&rdquo;</i>
    </p>
    <p>
      This was the last word between Zoe and Fanny upon St. Brooch's day.
    </p>
    <p>
      As Fanny went to her own room, the vigilant Maitland opened her door that
      looked upon the corridor and beckoned her in. &ldquo;Well,&rdquo; said she, &ldquo;did you
      speak to Zoe?&rdquo;
     </p>
    <p>
      &ldquo;Just a word before dinner. Aunt, she came in wet, to the skin, and in
      higher spirits than Rosa ever knew her.&rdquo;
     </p>
    <p>
      Aunt groaned.
    </p>
    <p>
      &ldquo;And what do you think? Her spoiled dress, she ordered it to be ironed and
      put by. <i>It is a case.&rdquo;</i>
    </p>
    <p>
      Next day they all met at a late breakfast, and good humor was the order of
      the day. This encouraged Zoe to throw out a feeler about the
      gambling-tables. Then Fanny said it must be nice to gamble, because it was
      so naughty. &ldquo;In a long experience,&rdquo; said Miss Dover, with a sigh, &ldquo;I have
      found that whatever is nice is naughty, and whatever is naughty is nice.&rdquo;
     </p>
    <p>
      &ldquo;There's a short code of morals,&rdquo; observed Vizard, &ldquo;for the use of
      seminaries. Now let us hear Severne; he knows all the defenses of gambling
      lunacy has discovered.&rdquo;
     </p>
    <p>
      Severne, thus appealed to, said play was like other things, bad only when
      carried to excess. &ldquo;At Homburg, where the play is fair, what harm can
      there be in devoting two or three hours of a long day to <i>trente et
      quarante?</i> The play exercises memory, judgment, <i>sangfroid,</i> and
      other good qualities of the mind. Above all, it is on the square. Now,
      buying and selling shares without delivery, bulling, and bearing, and
      rigging, and Stock Exchange speculations in general, are just as much
      gambling; but with cards all marked, and dice loaded, and the fair player
      has no chance. The world,&rdquo; said this youthful philosopher, &ldquo;is taken in by
      words. The truth is, that gambling with cards is fair, and gambling
      without cards a swindle.&rdquo;
     </p>
    <p>
      &ldquo;He is hard upon the City,&rdquo; said the Vizard; &ldquo;but no matter. Proceed,
      young man. Develop your code of morals for the amusement of mankind, while
      duller spirits inflict instruction.&rdquo;
     </p>
    <p>
      &ldquo;You have got my opinion,&rdquo; said Severne. &ldquo;Oblige us with yours.&rdquo;
     </p>
    <p>
      &ldquo;No; mine would not be popular just now: I reserve it till we are there,
      and can see the lunatics at work.&rdquo;
     </p>
    <p>
      &ldquo;Oh, then we are to go,&rdquo; cried Fanny. &ldquo;Oh, be joyful!&rdquo;
     </p>
    <p>
      &ldquo;That depends on Miss Maitland. It is not in my department.&rdquo;
     </p>
    <p>
      Instantly four bright eyes were turned piteously on the awful Maitland.
    </p>
    <p>
      &ldquo;Oh, aunt,&rdquo; said Zoe, pleadingly, &ldquo;do you think there would be any great
      harm in our&mdash;just for once in a way?&rdquo;
     </p>
    <p>
      &ldquo;My dear,&rdquo; said Miss Maitland, solemnly, &ldquo;I cannot say that I approve of
      public gambling in general. But at Homburg the company is select. I have
      seen a German prince, a Russian prince, and two English countesses, the
      very <i>e'lite</i> of London society, seated at the same table in the
      Kursaal. I think, therefore, there can be no harm in your going, under the
      conduct of older persons&mdash;myself, for example, and your brother.&rdquo;
     </p>
    <p>
      &ldquo;Code three,&rdquo; suggested Vizard&mdash;&ldquo;the chaperonian code.&rdquo;
     </p>
    <p>
      &ldquo;And a very good one, too,&rdquo; said Zoe. &ldquo;But, aunt, must we look on, or may
      we play just a little, little?&rdquo;
     </p>
    <p>
      &ldquo;My dear, there can be no great harm in playing a little, in <i>good
      company</i>&mdash;if you play with your own money.&rdquo; She must have one dig
      at Severne.
    </p>
    <p>
      &ldquo;I shan't play very deep, then,&rdquo; said Fanny; &ldquo;for I have got no money
      hardly.&rdquo;
     </p>
    <p>
      Vizard came to the front, like a man. &ldquo;No more should I,&rdquo; said he, &ldquo;but
      for Herries &amp; Co. As it is, I am a Croesus, and I shall stand one
      hundred pounds, which you three ladies must divide; and between you, no
      doubt, you will break the bank.&rdquo;
     </p>
    <p>
      Acclamations greeted this piece of misogyny. When they had subsided,
      Severne was called on to explain the game, and show the young ladies how
      to win a fortune with thirty-three pounds six shillings and eight pence.
    </p>
    <p>
      The table was partly cleared, two packs of cards sent for, and the
      professor lectured.
    </p>
    <p>
      &ldquo;This,&rdquo; said he, &ldquo;is the cream of the game. Six packs are properly
      shuffled, and properly cut; the players put their money on black or red,
      which is the main event, and is settled thus: The dealer deals the cards
      in two rows. He deals the <i>first</i> row for black, and stops the moment
      the cards pass thirty. That deal determines how near <i>noir</i> can get
      to thirty-one.&rdquo;
     </p>
    <p>
      Severne then dealt for <i>noir,</i> and the cards came as follows:
    </p>
    <p>
      &ldquo;Queen of hearts&mdash;four of clubs&mdash;ten of spades&mdash;nine of
      diamonds: total, thirty-three.&rdquo;
     </p>
    <p>
      He then dealt for red:
    </p>
    <p>
      Knave of clubs&mdash;ace of diamonds&mdash;two of spades&mdash;king of
      spades&mdash;nine of hearts: total, thirty-two.
    </p>
    <p>
      &ldquo;Red wins, because the cards dealt for red come nearer thirty-one. Besides
      that,&rdquo; said he, &ldquo;you can bet on the color, or against it. The actual color
      of the first card the player turns up on the black line must be black or
      red. Whichever happens to be it is called 'the color.' Say it is red;
      then, if the black line of cards wins, color loses. Now, I will deal again
      for both events.
    </p>
    <p>
      &ldquo;I deal for <i>noir.&rdquo;</i>
    </p>
    <p>
      &ldquo;Nine of diamonds. Red, then, is the actual color turned up on the black
      line. Do you bet for it, or against it?&rdquo;
     </p>
    <p>
      &ldquo;I bet for it,&rdquo; cried Zoe. &ldquo;It's my favorite color.&rdquo;
     </p>
    <p>
      &ldquo;And what do you say on the main event?&rdquo;
     </p>
    <p>
      &ldquo;Oh, red on that too.&rdquo;
     </p>
    <p>
      &ldquo;Very good. I go on dealing for <i>noir.</i> Queen of diamonds, three of
      spades, knave of hearts&mdash;nine of spades: thirty-two. That looks ugly
      for your two events, black coming so near as thirty-two. Now for red. Four
      of hearts, knave of spades, seven of diamonds, queen of clubs&mdash;thirty-one,
      by Jove! <i>Rouge gagne, et couleur.</i> There is nothing like courage.
      You have won both events.&rdquo;
     </p>
    <p>
      &ldquo;Oh, what a nice game!&rdquo; cried Zoe.
    </p>
    <p>
      He then continued to deal, and they all bet on the main event and the
      color, staking fabulous sums, till at last both numbers came up
      thirty-one.
    </p>
    <p>
      Thereupon Severne informed them that half the stakes belonged to him. That
      was the trifling advantage accorded to the bank.
    </p>
    <p>
      &ldquo;Which trifling advantage,&rdquo; said Vizard, &ldquo;has enriched the man-eating
      company, and their prince, and built the Kursaal, and will clean you all
      out, if you play long enough.&rdquo;
     </p>
    <p>
      &ldquo;That,&rdquo; said Severne, &ldquo;I deny. It is more than balanced by the right the
      players have of doubling, till they gain, and by the maturity of the
      chances: I will explain this to the ladies. You see experience proves that
      neither red nor black can come up more than nine times running. When,
      therefore, either color has come up four times, you can put a moderate
      stake on the other color, and double on it till it <i>must</i> come, by
      the laws of nature. Say red has turned four times. You put a napoleon on
      black; red gains. You lose a napoleon. You don't remove it, but double on
      it. The chances are now five to one you gain: but if you lose, you double
      on the same, and, when you have got to sixteen napoleons, the color must
      change; uniformity has reached its physical limit. That is called the
      maturity of the chances. Begin as unluckily as possible with five francs,
      and lose. If you have to double eight times before you win, it only comes
      to twelve hundred and eighty francs. Given, therefore, a man to whom fifty
      napoleons are no more than five francs to us, he can never lose if he
      doubles, like a Trojan, till the chances are mature. This is called 'the
      Martingale:' but, observe, it only secures against loss. Heavy gains are
      made by doubling judiciously on the <i>winning</i> color, or by simply
      betting on short runs of it. When red comes up, back red, and double twice
      on it. Thus you profit by the remarkable and observed fact that colors do
      not, as a rule, alternate, but reach ultimate equality by avoiding
      alternation, and making short runs, with occasional long runs; the latter
      are rare, and must be watched with a view to the balancing run of the
      other color. This is my system.&rdquo;
     </p>
    <p>
      &ldquo;And you really think you have invented it?&rdquo; asked Vizard.
    </p>
    <p>
      &ldquo;I am not so conceited. My system was communicated to me, in the Kursaal
      itself&mdash;by an old gentleman.&rdquo;
     </p>
    <p>
      <i>&ldquo;An</i> old gentleman, or <i>the</i>&mdash;?&rdquo;
     </p>
    <p>
      &ldquo;Oh, Harrington,&rdquo; cried Zoe, &ldquo;fie!&rdquo;
     </p>
    <p>
      &ldquo;My wit is appreciated at its value. Proceed, Ned.&rdquo;
     </p>
    <p>
      Severne told him, a little defiantly, it was an old gentleman, with a
      noble head, a silvery beard, and the most benevolent countenance he ever
      saw.
    </p>
    <p>
      &ldquo;Curious place for his reverence to be in,&rdquo; hazarded Vizard.
    </p>
    <p>
      &ldquo;He saw me betting, first on the black, then on the red, till I was
      cleaned out, and then he beckoned me.&rdquo;
     </p>
    <p>
      &ldquo;Not a man of premature advice anyway.&rdquo;
     </p>
    <p>
      &ldquo;He told me he had observed my play. I had been relying on the
      alternations of the colors, which alternation chance persistently avoids,
      and arrives at equality by runs. He then gave me a better system.&rdquo;
     </p>
    <p>
      &ldquo;And, having expounded his system, he illustrated it? Tell the truth now;
      he sat down and lost the coat off his back? It followed his family acres.&rdquo;
     </p>
    <p>
      &ldquo;You are quite wrong again. He never plays. He has heart-disease, and his
      physician has forbidden him all excitement.&rdquo;
     </p>
    <p>
      &ldquo;His nation?&rdquo;
     </p>
    <p>
      &ldquo;Humph! French.&rdquo;
     </p>
    <p>
      &ldquo;Ah! the nation that produced <i>'Le philosophe sans le savoir.'</i> And
      now it has added, <i>'Le philosophe sans le vouloir,''</i> and you have
      stumbled on him. What a life for an aged man! <i>Fortunatus ille senex qui
      ludicola vivit.</i> Tantalus handcuffed and glowering over a
      gambling-table; a hell in a hell.&rdquo;
     </p>
    <p>
      &ldquo;Oh, Harrington!&mdash;&rdquo;
     </p>
    <p>
      &ldquo;Exclamations not allowed in sober argument, Zoe.&rdquo;
     </p>
    <p>
      &ldquo;Come, Ned, it is not heart-disease, it is purse disease. Just do me a
      favor. Here are five sovereigns; give those to the old beggar, and let him
      risk them.&rdquo;
     </p>
    <p>
      &ldquo;I could hardly take such a liberty with an old gentleman of his age and
      appearance&mdash;a man of honor too, and high sentiments. Why, I'd bet
      seven to four he is one of Napoleon's old soldiers.&rdquo;
     </p>
    <p>
      The ladies sided unanimously with Severne. &ldquo;What! offer a <i>vieux de
      l'Empire</i> five pounds? Oh, fie!&rdquo;
     </p>
    <p>
      &ldquo;Fiddle-dee-dee!&rdquo; said the indomitable Vizard. &ldquo;Besides, he will do it
      with his usual grace. He will approach the son of Mars with that feigned
      humility which sits so well on youth, and ask him, as a personal favor, to
      invest five pounds for him at <i>rouge-et-noir.</i> The old soldier will
      stiffen into double dignity at first, then give him a low wink, and end by
      sitting down and gambling. He will be cautious at starting, as one who
      opens trenches for the siege of Mammon; but soon the veteran will get
      heated, and give battle; he will fancy himself at Jena, since the
      croupiers are Prussians. If he loses, you cut him dead, being a humdrum
      Englishman; and if he wins, he cuts you, and pockets the cash, being a
      Frenchman that talks sentiment.&rdquo;
     </p>
    <p>
      This sally provoked a laugh, in which Severne joined, and said, &ldquo;Really,
      for a landed proprietor, you know a thing or two.&rdquo; He consented at last,
      with some reluctance, to take the money; and none of the persons present
      doubted that he would execute the commission with a grace and delicacy all
      his own. Nevertheless, to run forward a little with the narrative, I must
      tell you that he never did hand that five pound to the venerable sire; a
      little thing prevented him&mdash;the old man wasn't born yet.
    </p>
    <p>
      &ldquo;And now,&rdquo; said Vizard, &ldquo;it is our last day in Homburg. You are all going
      to gratify your mania&mdash;lunacy is contagious. Suppose I gratify mine.&rdquo;
     </p>
    <p>
      &ldquo;Do dear,&rdquo; said Zoe; &ldquo;and what is it?&rdquo;
     </p>
    <p>
      &ldquo;I like your asking that; when it was publicly announced last night, and I
      fled discomfited to my balcony, and, in my confusion, lighted a cigar. My
      mania is&mdash;the Klosking.&rdquo;
     </p>
    <p>
      &ldquo;That is not a mania; it is good taste. She is admirable.&rdquo;
     </p>
<pre xml:space="preserve">
 &ldquo;Yes, in an opera; but I want to know how she looks and talks in a room;
and that is insane of me.&rdquo;
 </pre>
    <p>
      &ldquo;Then so you <i>shall,</i> insane or not. I will call on her this morning,
      and take you in my hand.&rdquo;
     </p>
    <p>
      &ldquo;What an ample palm! and what juvenile audacity! Zoe, you take my breath
      away.&rdquo;
     </p>
    <p>
      &ldquo;No audacity at all. I am sure of my welcome. How often must I tell you
      that we have mesmerized each other, that lady and I, and only waiting an
      opportunity to rush into each other's arms. It began with her singling me
      out at the opera. But I dare say that was owing, <i>at first,</i> only to
      my being in full dress.
    </p>
    <p>
      &ldquo;No, no; to your being, like Agamemnon, a head taller than all the other
      Greeks.&rdquo;
     </p>
    <p>
      &ldquo;Harrington! I am not a Greek. I am a thorough English girl at heart,
      though I am as black as a coal.&rdquo;
     </p>
    <p>
      &ldquo;No apology needed in our present frame. You are all the more like the ace
      of spades.&rdquo;
     </p>
    <p>
      &ldquo;Do you want me to take you to the Klosking, sir? Then you had better not
      make fun of me. I tell you she sung to <i>me,</i> and smiled on <i>me,</i>
      and courtesied to <i>me;</i> and, now you have put it into my head, I mean
      to call upon her, and I will take you with me. What I shall do, I shall
      send in my card. I shall be admitted, and you will wait outside. As soon
      as she sees me, she will run to me with both hands out, and say, in
      excellent <i>French,</i> I hope, <i>'How,</i> mademoiselle! you have
      deigned to remember me, and to honor me with a visit.' Then I shall say,
      in school-French, 'Yes, madame; excuse the intrusion, but I was so charmed
      with your performance. We leave Homburg to-morrow, and as, unfortunately
      for myself, I cannot have the pleasure of seeing you again upon the stage&mdash;'
      then I shall stop, for her to interrupt me. Then she will interrupt me,
      and say charming things, as only foreigners can; and then I shall say,
      still in school-French, 'Madame, I am not alone. I have my brother with
      me. He adores music, and was as fascinated with your Siebel as myself. May
      I present him?' Then she will say, 'Oh, yes, by all means;' and I shall
      introduce you. Then you can make love to her. That will be droll. Fanny,
      I'll tell you every word he says.&rdquo;
     </p>
    <p>
      &ldquo;Make love to her!&rdquo; cried Vizard. &ldquo;Is this your estimate of a brother's
      motives. My object in visiting this lady is, not to feed my mania, but to
      cure it. I have seen her on the stage, looking like the incarnation of a
      poet's dream. I am <i>extasie''</i> with her. Now let me catch her <i>en
      de'shabille,</i> with her porter on one side, and her lover on the other:
      and so to Devonshire, relieved of a fatal illusion.&rdquo;
     </p>
    <p>
      &ldquo;If that is your view, I'll go by myself; for I know she is a noble woman,
      and as much a lady off the stage as on it. My only fear is she will talk
      that dreadful guttural German, with its 'oches' and its 'aches,' and then
      where shall we all be? We must ask Mr. Severne to go with us.&rdquo;
     </p>
    <p>
      &ldquo;A good idea. No&mdash;a vile one. He is abominably handsome, and has the
      gift of the gab&mdash;in German, and other languages. He is sure to cut me
      out, the villain! Look him up, somebody, till we come back.&rdquo;
     </p>
    <p>
      &ldquo;Now, Harrington, don't be absurd. He must, and shall, be of the party. I
      have my reasons. Mr. Severne,&rdquo; said she, turning on him with a blush and a
      divine smile, &ldquo;you will oblige me, I am sure.&rdquo;
     </p>
    <p>
      Severne's face turned as blank as a doll's, and he said nothing, one way
      or other.
    </p>
    <p>
      It was settled that they should all meet at the Kursaal at four, to dine
      and play. But Zoe and her party would go on ahead by the one-o'clock
      train; and so she retired to put on her bonnet&mdash;a technical
      expression, which implies a good deal.
    </p>
    <p>
      Fanny went with her, and, as events more exciting than the usual routine
      of their young lives were ahead, their tongues went a rare pace. But the
      only thing worth presenting to the reader came at the end, after the said
      business of the toilet had been dispatched.
    </p>
    <p>
      Zoe said, &ldquo;I must go now, or I shall keep them waiting.&rdquo;
     </p>
    <p>
      &ldquo;Only one, dear,&rdquo; said Fanny dryly.
    </p>
    <p>
      &ldquo;Why only one?&rdquo;
     </p>
    <p>
      &ldquo;Mr. Severne will not go.&rdquo;
     </p>
    <p>
      &ldquo;That he will: I made a point of it.&rdquo;
     </p>
    <p>
      &ldquo;You did, dear? but still he will not go.&rdquo;
     </p>
    <p>
      There was something in this, and in Fanny's tone, that startled Zoe, and
      puzzled her sorely. She turned round upon her with flashing eye, and said,
      &ldquo;No mysteries, please, dear. Why won't he go with me wherever I ask him to
      go? or, rather, what makes you think he won't?&rdquo;
     </p>
    <p>
      Said Fanny, thoughtfully: &ldquo;I could not tell you, all in a moment, why I
      feel so positive. One puts little things together that are nothing apart:
      one observes faces; I do, at least. You don't seem, to me, to be so quick
      at that as most girls. But, Zoe dear, you know very well one often knows a
      thing for certain, yet one doesn't know exactly what makes one know it.&rdquo;
     </p>
    <p>
      Now Zoe's <i>amour propre</i> was wounded by Fanny's suggestion that
      Severne would not go to Homburg, or, indeed, to the world's end with her;
      so she drew herself up in her grand way, and folded her arms and said, a
      little haughtily, &ldquo;Then tell me what is it you know about <i>him</i> and
      me, without knowing how on earth you know it.&rdquo;
     </p>
    <p>
      The supercilious tone and grand manner nettled Fanny, and it wasn't
      &ldquo;brooch day;&rdquo; she stood up to her lofty cousin like a little game-cock. &ldquo;I
      know this,&rdquo; said she, with heightened cheek, and flashing eyes and a voice
      of steel, &ldquo;you will never get Mr. Edward Severne into one room with Zoe
      Vizard and Ina Klosking.&rdquo;
     </p>
    <p>
      Zoe Vizard turned very pale, but her eyes flashed defiance on her friend.
    </p>
    <p>
      &ldquo;That I'll know!&rdquo; said she, in a deep voice, with a little gasp, but a
      world of pride and resolution.
    </p>
    <p>
      <a name="link2HCH0007" id="link2HCH0007">
      <!--  H2 anchor --> </a>
    </p>
    <div style="height: 4em;">
      <br /><br /><br /><br />
    </div>
    <h2>
      CHAPTER VII.
    </h2>
    <p>
      THE ladies went down together, and found Vizard ready. Mr. Severne was not
      in the room. Zoe inquired after him.
    </p>
    <p>
      &ldquo;Gone to get a sun-shade,&rdquo; said Vizard.
    </p>
    <p>
      &ldquo;There!&rdquo; said Zoe to Fanny, in a triumphant whisper. &ldquo;What is that for but
      to go with us?&rdquo;
     </p>
    <p>
      Fanny made no reply.
    </p>
    <p>
      They waited some time for Severne and his sun-shade.
    </p>
    <p>
      At last Vizard looked at his watch, and said they had only five minutes to
      spare. &ldquo;Come down, and look after him. He <i>must</i> be somewhere about.&rdquo;
     </p>
    <p>
      They went down and looked for him all over the Platz. He was not to be
      seen. At last Vizard took out his watch, and said, &ldquo;It is some
      misunderstanding: we can't wait any longer.&rdquo;
     </p>
    <p>
      So he and Zoe went to the train. Neither said much on the way to Homburg;
      for they were both brooding. Vizard's good sense and right feeling were
      beginning to sting him a little for calling on the Klosking at all, and a
      great deal for using the enthusiasm of an inexperienced girl to obtain an
      introduction to a public singer. He sat moody in his corner, taking
      himself to task. Zoe's thoughts ran in quite another channel; but she was
      no easier in her mind. It really seemed as if Severne had given her the
      slip. Probably he would explain his conduct; but, then, that Fanny should
      foretell he would avoid her company, rather than call on Mademoiselle
      Klosking, and that Fanny should be right&mdash;this made the thing
      serious, and galled Zoe to the quick: she was angry with Fanny for
      prophesying truly; she was rather angry with Severne for not coming, and
      more angry with him for making good Fanny's prediction.
    </p>
    <p>
      Zoe Vizard was a good girl and a generous girl, but she was not a humble
      girl: she had a great deal of pride, and her share of vanity, and here
      both were galled. Besides that, it seemed to her most strange and
      disheartening that Fanny, who did not love Severne, should be able to
      foretell his conduct better than she, who did love him: such foresight
      looked like greater insight. All this humiliated and also puzzled her
      strangely; and so she sat brooding as deeply as her brother.
    </p>
    <p>
      As for Vizard, by the time they got to Homburg he had made up his mind. As
      they got out of the train, he said, &ldquo;Look here, I am ashamed of myself. I
      have a right to play the fool alone; but I have no business to drag my
      sister into it. We will go somewhere else. There are lots of things to
      see. I give up the Klosking.&rdquo;
     </p>
    <p>
      Zoe stared at him a moment, and then answered, with cold decision, &ldquo;No,
      dear; you must allow me to call on her, now I am here. She won't bite <i>me.&rdquo;</i>
    </p>
    <p>
      &ldquo;Well, but it is a strange thing to do.&rdquo;
     </p>
    <p>
      &ldquo;What does that matter? We are abroad.&rdquo;
     </p>
    <p>
      &ldquo;Come, Zoe, I am much obliged to you; but give it up.&rdquo;
     </p>
    <p>
      &ldquo;No, dear.&rdquo;
     </p>
    <p>
      Harrington smiled at her pretty peremptoriness, and misunderstood it.
      &ldquo;This is carrying sisterly love a long way,&rdquo; said he. &ldquo;I must try and rise
      to your level. I won't go with you.&rdquo;
     </p>
    <p>
      &ldquo;Then I shall go alone.&rdquo;
     </p>
    <p>
      &ldquo;What if I forbid you, miss?&rdquo;
     </p>
    <p>
      She tapped him on the cheek with her fingers. &ldquo;Don't affect the tyrant,
      dear; you can't manage it. Fanny said something that has mortified me. I
      shall go. You can do as you like. But, stop; where does she live?&rdquo;
     </p>
    <p>
      &ldquo;Suppose I decline to tell you? I am seized with a virtuous fit&mdash;a
      regular paroxysm.&rdquo;
     </p>
    <p>
      &ldquo;Then I shall go to the opera and inquire, dear. But&rdquo; (coaxingly) &ldquo;you
      will tell me, dear.&rdquo;
     </p>
    <p>
      &ldquo;There,&rdquo; said Harrington, &ldquo;you wicked, tempting girl, my sham virtue has
      oozed away, and my real mania triumphs. She lives at 'The Golden Star.' I
      was weak enough to send Harris in last night to learn.&rdquo; Zoe smiled.
    </p>
    <p>
      He hailed a conveyance; and they started at once for &ldquo;The Golden Star.&rdquo;
     </p>
    <p>
      &ldquo;Zoe,&rdquo; said Harrington gravely, &ldquo;something tells me I am going to meet my
      fate.&rdquo;
     </p>
    <p>
      &ldquo;All the better,&rdquo; said Zoe. &ldquo;I wish you to meet your fate. My love for my
      brother is not selfish. I am sure she is a good woman. Perhaps I may find
      out something.&rdquo;
     </p>
    <p>
      &ldquo;About what?&rdquo;
     </p>
    <p>
      &ldquo;Oh, never mind.&rdquo;
     </p>
    <p>
      <a name="link2HCH0008" id="link2HCH0008">
      <!--  H2 anchor --> </a>
    </p>
    <div style="height: 4em;">
      <br /><br /><br /><br />
    </div>
    <h2>
      CHAPTER VIII.
    </h2>
    <p>
      ALL this time Ina Klosking was rehearsing at the theater, quite
      unconscious of the impending visit. A royal personage had commanded &ldquo;Il
      Barbiere,&rdquo; the part of Rosina to be restored to the original key. It was
      written for a contralto, but transposed by the influence of Grisi.
    </p>
    <p>
      Having no performance that night, they began to rehearse rather later than
      usual, and did not leave off till a quarter to four o'clock. Ina, who
      suffered a good deal at rehearsals from the inaccuracy and apathy of the
      people, went home fagged, and with her throat parched&mdash;so does a bad
      rehearsal affect all good and earnest artists.
    </p>
    <p>
      She ordered a cutlet, with potato chips, and lay down on the sofa. While
      she was reposing, came Joseph Ashmead, to cheer her, with good photographs
      of her, taken the day before. She smiled gratefully at his zeal. He also
      reminded her that he had orders to take her to the Kursaal: he said the
      tables would be well filled from five o'clock till quite late, there being
      no other entertainment on foot that evening.
    </p>
    <p>
      Ina thanked him, and said she would not miss going on any account; but she
      was rather fatigued and faint.
    </p>
    <p>
      &ldquo;Oh, I'll wait for you as long as you like,&rdquo; said Ashmead, kindly.
    </p>
    <p>
      &ldquo;No, my good comrade,&rdquo; said Ina. &ldquo;I will ask you to go to the manager and
      get me a little money, and then to the Kursaal and secure me a place at
      the table in the largest room. There I will join you. If <i>he</i> is not
      there&mdash;and I am not so mad as to think he will be there&mdash;I shall
      risk a few pieces myself, to be nearer him in mind.&rdquo;
     </p>
    <p>
      This amazed Ashmead; it was so unlike her. &ldquo;You are joking,&rdquo; said he.
      &ldquo;Why, if you lose five napoleons at play, it will be your death; you will
      grizzle so.&rdquo;
     </p>
    <p>
      &ldquo;Yes; but I shall not lose. I am too unlucky in love to lose at cards. I
      mean to play this afternoon; and never again in all my life. Sir, I am
      resolved.&rdquo;
     </p>
    <p>
      &ldquo;Oh, if you are resolved, there is no more to be said. I won't run my head
      against a brick wall.&rdquo;
     </p>
    <p>
      Ina, being half a foreigner, thought this rather brusk. She looked at him
      askant, and said, quietly, &ldquo;Others, besides me, can be stubborn, and get
      their own way, while speaking the language of submission. Not I invented
      volition.&rdquo;
     </p>
    <p>
      With this flea in his ear, the faithful Joseph went off, chuckling, and
      obtained an advance from the manager, and then proceeded to the principal
      gaming-table, and, after waiting some time, secured a chair, which he kept
      for his chief.
    </p>
    <p>
      An hour went by; an hour and a half. He was obliged, for very shame, to
      bet. This he did, five francs at a time; and his risk was so small, and
      his luck so even, that by degrees he was drawn into conversation with his
      neighbor, a young swell, who was watching the run of the colors, and
      betting in silver, and pricking a card, preparatory to going in for a
      great <i>coup.</i> Meantime he favored Mr. Ashmead with his theory of
      chances, and Ashmead listened very politely to every word; because he was
      rather proud of the other's notice: he was so handsome, well dressed, and
      well spoken.
    </p>
    <p>
      Meantime Ina Klosking snatched a few minutes' sleep, as most artists can
      in the afternoon, and was awakened by the servant bringing in her frugal
      repast, a cutlet and a pint of Bordeaux.
    </p>
    <p>
      On her plate he brought her a large card, on which was printed &ldquo;Miss Zoe
      Vizard.&rdquo; This led to inquiries, and he told her a lady of superlative
      beauty had called and left that card. Ina asked for a description.
    </p>
    <p>
      &ldquo;Ah, madame,&rdquo; said Karl, &ldquo;do not expect details from me. I was too
      dazzled, and struck by lightning, to make an inventory of her charms.&rdquo;
     </p>
    <p>
      &ldquo;At least you can tell me was she dark or fair.&rdquo;
     </p>
    <p>
      &ldquo;Madame, she was dark as night; but glorious as the sun. Her earthly abode
      is the Russie, at Frankfort; blest hotel!&rdquo;
     </p>
    <p>
      &ldquo;Did she tell you so?&rdquo;
     </p>
    <p>
      &ldquo;Indirectly. She wrote on the card with the smallest pencil I have
      hitherto witnessed: the letters are faint, the pencil being inferior to
      the case, which was golden. Nevertheless, as one is naturally curious to
      learn whence a bright vision has emerged, I permitted myself to decipher.&rdquo;
     </p>
    <p>
      &ldquo;Your curiosity was natural,&rdquo; said Ina, dryly. &ldquo;I will detain you with no
      more questions.&rdquo;
     </p>
    <p>
      She put the card carefully away, and eat her modest repast. Then she made
      her afternoon toilet, and walked, slowly and pensively, to the Kursaal.
    </p>
    <p>
      Nothing there was new to her, except to be going to the table without the
      man on whom it was her misfortune to have wasted her heart of gold.
    </p>
    <p>
      I think, therefore, it would be better for me to enter the place in
      company with our novices; and, indeed, we must, or we shall derange the
      true order of time and sequence of incidents; for, please observe, all the
      English ladies of our story met at the Kursaal while Ina was reposing on
      her sofa.
    </p>
    <p>
      The first-comers were Zoe and Harrington. They entered the noble hall,
      inscribed their names, and, by that simple ceremony, were members of a
      club, compared with which the greatest clubs in London are petty things: a
      club with spacious dining-rooms, ball-rooms, concert-rooms,
      gambling-rooms, theater, and delicious gardens. The building, that
      combined so many rich treats, was colossal in size, and glorious with rich
      colors and gold laid on with Oriental profusion, and sometimes with
      Oriental taste.
    </p>
    <p>
      Harrington took his sister through the drawing-rooms first; and she
      admired the unusual loftiness of the rooms, the blaze of white and gold,
      and of <i>ce'ladon</i> and gold, and the great Russian lusters, and the
      mighty mirrors. But when they got to the dining-room she was enchanted.
      That lofty and magnificent <i>salon,</i> with its daring mixture of red
      and black, and green and blue, all melted into harmony by the rivers of
      gold that ran boldly among them, went to her very heart. A Greek is half
      an Oriental; and Zoe had what may be called the courage of color.
      &ldquo;Glorious!&rdquo; she cried, and clasped her hands. &ldquo;And see! what a background
      to the emerald grass outside and the ruby flowers. They seem to come into
      the room through those monster windows.&rdquo;
     </p>
    <p>
      &ldquo;Splendid!&rdquo; said Harrington, to whom all this was literally Greek. &ldquo;I'm so
      excited, I'll order dinner.&rdquo;
     </p>
    <p>
      &ldquo;Dinner!&rdquo; said Zoe, disdainfully; and sat down and eyed the Moresque walls
      around her, and the beauties of nature outside, and brought them together
      in one picture.
    </p>
    <p>
      Harrington was a long time in conclave with M. Chevet. Then Zoe became
      impatient.
    </p>
    <p>
      &ldquo;Oh, do leave off ordering dinner,&rdquo; said she, &ldquo;and take me out to that
      other paradise.&rdquo;
     </p>
    <p>
      The Chevet shrugged his shoulders with pity. Vizard shrugged his too, to
      soothe him; and, after a few more hurried words, took the lover of color
      into the garden. It was delicious, with green slopes, and rich foliage,
      and flowers, and enlivened by bright silk dresses, sparkling fitfully
      among the green leaves, or flaming out boldly in the sun; and, as luck
      would have it, before Zoe had taken ten steps upon the greensward, the
      band of fifty musicians struck up, and played as fifty men rarely play
      together out of Germany.
    </p>
    <p>
      Zoe was enchanted. She walked on air, and beamed as bright as any flower
      in the place.
    </p>
    <p>
      After her first ejaculation at the sudden music, she did not speak for a
      good while; her content was so great. At last she said, &ldquo;And do they leave
      this paradise to gamble in a room?&rdquo;
     </p>
    <p>
      &ldquo;Leave it? They shun it. The gamblers despise the flowers.&rdquo;
     </p>
    <p>
      &ldquo;How perverse people are! Excitement! Who wants any more than this?&rdquo;
     </p>
    <p>
      &ldquo;Zoe,&rdquo; said Vizard, &ldquo;innocent excitement can never compete with vicious.&rdquo;
     </p>
    <p>
      &ldquo;What, is it really wicked to play?&rdquo;
     </p>
    <p>
      &ldquo;I don't know about wicked; you girls always run to the biggest word. But,
      if avarice is a vice, gambling cannot be virtuous; for the root of
      gambling is mere avarice, weak avarice. Come, my young friend, <i>as we're
      quite alone,</i> I'll drop Thersites, and talk sense to you, for once.
      Child, there are two roads to wealth; one is by the way of industry,
      skill, vigilance, and self-denial; and these are virtues, though sometimes
      they go with tricks of trade, hardness of heart, and taking advantage of
      misfortune, to buy cheap and sell dear. The other road to wealth is by
      bold speculation, with risk of proportionate loss; in short, by gambling
      with cards, or without them. Now, look into the mind of the gambler&mdash;he
      wants to make money, contrary to nature, and unjustly. He wants to be
      rewarded without merit, to make a fortune in a moment, and without
      industry, vigilance, true skill, or self-denial. 'A penny saved is a penny
      gained' does not enter his creed. Strip the thing of its disguise, it is
      avarice, sordid avarice; and I call it weak avarice, because the gambler
      relies on chance alone, yet accepts uneven chances, and hopes that Fortune
      will be as much in love with him as he is with himself. What silly
      egotism! You admire the Kursaal, and you are right; then do just ask
      yourself why is there nothing to pay for so many expensive enjoyments: and
      very little to pay for concerts and balls; low prices at the opera, which
      never pays its own expenses; even Chevet's dinners are reasonable, if you
      avoid his sham Johannisberg. All these cheap delights, the gold, the
      colors, the garden, the music, the lights, are paid for by the losses of
      feeble-minded Avarice. But, there&mdash;I said all this to Ned Severne,
      and I might as well have preached sense to the wind.&rdquo;
     </p>
    <p>
      &ldquo;Harrington, I will not play. I am much happier walking with my good
      brother&mdash;&rdquo;
     </p>
    <p>
      &ldquo;Faute de mieux.&rdquo;
     </p>
    <p>
      Zoe blushed, but would not hear&mdash;&ldquo;And it is so good of you to make a
      friend of me, and talk sense. Oh! see&mdash;a lady with two blues! Come
      and look at her.&rdquo;
     </p>
    <p>
      Before they had taken five steps, Zoe stopped short and said, &ldquo;It is Fanny
      Dover, I declare. She has not seen us yet. She is short-sighted. Come
      here.&rdquo; And the impetuous maid dragged him off behind a tuft of foliage.
    </p>
    <p>
      When she had got him there she said hotly that it was too bad.
    </p>
    <p>
      &ldquo;Oh, is it?&rdquo; said he, very calmly. &ldquo;What?&rdquo;
     </p>
    <p>
      &ldquo;Why, don't you see what she has done? You, so sensible, to be so slow
      about women's ways; and you are always pretending to know them. Why, she
      has gone and bought that costume with the money you gave her to play
      with.&rdquo;
     </p>
    <p>
      &ldquo;Sensible girl!&rdquo;
     </p>
    <p>
      &ldquo;Dishonest girl, <i>I</i> call her.&rdquo;
     </p>
    <p>
      &ldquo;There you go to your big words. No, no. A little money was given her for
      a bad purpose. She has used it for a frivolous one. That is 'a step in the
      right direction'&mdash;jargon of the day.&rdquo;
     </p>
    <p>
      &ldquo;But to receive money for one purpose, and apply it to another, is&mdash;what
      do you call it&mdash;<i>chose?&mdash;de'tournement des fonds</i>&mdash;what
      is the English word? I've been abroad till I've forgotten English. Oh, I
      know&mdash;embezzlement.&rdquo;
     </p>
    <p>
      &ldquo;Well, that is a big word for a small transaction; you have not dug in the
      mine of the vernacular for nothing.&rdquo;
     </p>
    <p>
      &ldquo;Harrington, if you don't mind, I do; so please come. I'll talk to her.&rdquo;
     </p>
    <p>
      &ldquo;Stop a moment,&rdquo; said Vizard, very gravely. &ldquo;You will not say one word to
      her.&rdquo;
     </p>
    <p>
      &ldquo;And why not, pray?&rdquo;
     </p>
    <p>
      &ldquo;Because it would be unworthy of us, and cruel to her; barbarously cruel.
      What! call her to account before that old woman and me?&rdquo;
     </p>
    <p>
      &ldquo;Why not? She is flaunting her blues before you two, and plenty more.&rdquo;
     </p>
    <p>
      &ldquo;Feminine logic, Zoe. The point is this&mdash;she is poor. You must know
      that. This comes of poverty and love of dress; not of dishonesty and love
      of dress; and just ask yourself, is there a creature that ought to be
      pitied more and handled more delicately than a <i>poor lady?</i> Why, you
      would make her writhe with shame and distress! Well, I do think there is
      not a single wild animal so cruel to another wild animal as a woman is to
      a woman. You are cruel to one another by instinct. But I appeal to your
      reason&mdash;if you have any.&rdquo;
     </p>
    <p>
      Zoe's eyes filled. &ldquo;You are right,&rdquo; said she, humbly. &ldquo;Thank you for
      thinking for me. I will not say a word to her before <i>you.&rdquo;</i>
    </p>
    <p>
      &ldquo;That is a good girl. But, come now, why say a word at all?&rdquo;
     </p>
    <p>
      &ldquo;Oh, it is no use your demanding impossibilities, dear. I could no more
      help speaking to her than I could fly; and don't go fancying she will care
      a pin what I say, if I don't say it before <i>a gentleman.&rdquo;</i>
    </p>
    <p>
      Having given him this piece of information, she left her ambush, and
      proceeded to meet the all-unconscious blue girl; but, even as they went,
      Vizard returned to his normal condition, and doled out, rather indolently,
      that they were out on pleasure, and might possibly miss the object of the
      excursion if they were to encourage a habit of getting into rages about
      nothing.
    </p>
    <p>
      Zoe was better than her word. She met Fanny with open admiration: to be
      sure, she knew that apathy, or even tranquillity, on first meeting the
      blues, would be instantly set down to envy.
    </p>
    <p>
      &ldquo;And where did you get it, dear?&rdquo;
     </p>
    <p>
      &ldquo;At quite a small shop.&rdquo;
     </p>
    <p>
      &ldquo;French?&rdquo;
     </p>
    <p>
      &ldquo;Oh, no; I think she was an Austrian. This is not a French mixture: loud,
      discordant colors, that is the French taste.&rdquo;
     </p>
    <p>
      &ldquo;Here is heresy,&rdquo; said Vizard. &ldquo;Why, I thought the French beat the world
      in dress.&rdquo;
     </p>
    <p>
      &ldquo;Yes, dear,&rdquo; said Zoe, &ldquo;in form and pattern. But Fanny is right; they make
      mistakes in color. They are terribly afraid of scarlet; but they are
      afraid of nothing else: and many of their mixtures are as discordant to
      the eye as Wagner's music to the ear. Now, after all, scarlet is the king
      of colors; and there is no harm in King Scarlet, if you treat him with
      respect and put a modest subject next to him.&rdquo;
     </p>
    <p>
      &ldquo;Gypsy locks, for instance,&rdquo; suggested Fanny, slyly.
    </p>
    <p>
      Miss Maitland owned herself puzzled. &ldquo;In my day,&rdquo; said she, &ldquo;no one ever
      thought of putting blue upon blue; but really, somehow, it looks well.&rdquo;
     </p>
    <p>
      &ldquo;May I tell you why, aunt?&mdash;because the dress-maker had a real eye,
      and has chosen the right tints of blue. It is all nonsense about one color
      not going with another. Nature defies that; and how? by choosing the very
      tints of each color that will go together. The sweetest room I ever saw
      was painted by a great artist; and, do you know, he had colored the
      ceiling blue and the walls green: and I assure you the effect was
      heavenly: but, then, he had chosen the exact tints of green and blue that
      would go together. The draperies were between crimson and maroon. But
      there's another thing in Fanny's dress; it is velvet. Now, blue velvet is
      blue to the mind; but it is not blue to the eye. You try and paint blue
      velvet; you will be surprised how much white you must lay on. The high
      lights of all velvets are white. This white helps to blend the two tints
      of blue.&rdquo;
     </p>
    <p>
      &ldquo;This is very instructive,&rdquo; said Vizard. &ldquo;I was not aware I had a sister,
      youthful, but profound. Let us go in and dine.&rdquo;
     </p>
    <p>
      Fanny demurred. She said she believed Miss Maitland wished to take one
      turn round the grounds first.
    </p>
    <p>
      Miss Maitland stared, but assented in a mechanical way; and they commenced
      their promenade.
    </p>
    <p>
      Zoe hung back and beckoned her brother. &ldquo;Miss Maitland!&rdquo; said she, with
      such an air. <i>&ldquo;She</i> wants to show her blues to all the world and his
      wife.&rdquo;
     </p>
    <p>
      &ldquo;Very natural,&rdquo; said Vizard. &ldquo;So would you, if you were in a scarlet gown,
      with a crimson cloak.&rdquo;
     </p>
    <p>
      Zoe laughed heartily at this, and forgave Fanny her new dress: but she had
      a worse bone than that to pick with her.
    </p>
    <p>
      It was a short but agreeable promenade to Zoe, for now they were alone,
      her brother, instead of sneering, complimented her.
    </p>
    <p>
      &ldquo;Never you mind my impertinence,&rdquo; said he; &ldquo;the truth is, I am proud of
      you. You are an observer.&rdquo;
     </p>
    <p>
      &ldquo;Me? Oh&mdash;in color.&rdquo;
     </p>
    <p>
      &ldquo;Never mind: an observer is an observer; and genuine observation is not so
      common. Men see and hear with their prejudices and not their senses. Now
      we are going to those gaming-tables. At first, of course, you will play;
      but, as soon as ever you are cleaned out, observe! Let nothing escape that
      woman's eye of yours: and so we'll get something for our money.&rdquo;
     </p>
    <p>
      &ldquo;Harrington,&rdquo; said the girl proudly, &ldquo;I will be all eye and ear.&rdquo;
     </p>
    <p>
      Soon after this they went in to dinner. Zoe cast her eyes round for
      Severne, and was manifestly disappointed at his not meeting them even
      there.
    </p>
    <p>
      As for Fanny, she had attracted wonderful attention in the garden, and was
      elated; her conscience did not prick her in the least, for such a trifle
      as <i>de'tournement des fonds;</i> and public admiration did not improve
      her: she was sprightly and talkative as usual; but now she was also a
      trifle brazen, and pert all round.
    </p>
    <p>
      And so the dinner passed, and they proceeded to the gaming-tables.
    </p>
    <p>
      Miss Maitland and Zoe led. Fanny and Harrington followed: for Miss Dover,
      elated by the blues&mdash;though, by-the-by, one hears of them as
      depressing&mdash;and encouraged by admiration and Chevet's violet-perfumed
      St. Peray, took Harrington's arm, really as if it belonged to her.
    </p>
    <p>
      They went into the library first, and, after a careless inspection, came
      to the great attraction of the place. They entered one of the
      gambling-rooms.
    </p>
    <p>
      The first impression was disappointing. There were two very long tables,
      rounded off at the ends: one for <i>trente et quarante</i> and one for <i>roulette.</i>
      At each table were seated a number of persons, and others standing behind
      them. Among the persons seated was the dealer, or, in roulette, the
      spinner. This official sat in the center, flanked on each side by
      croupiers with rakes; but at each end of the table there was also a
      croupier with his rake.
    </p>
    <p>
      The rest were players or lookers-on; most of whom, by well-known
      gradations of curiosity and weakness, to describe which minutely would be
      to write a little comedy that others have already written, were drawn into
      playing at last. So fidgets the moth about the candle before he makes up
      what, no doubt, the poor little soul calls his mind.
    </p>
    <p>
      Our little party stopped first at <i>trente et quarante,</i> and Zoe
      commenced her observations. Instead of the wild excitement she had heard
      of, there was a subdued air, a forced quiet, especially among the seated
      players. A stern etiquette presided, and the gamblers shrouded themselves
      in well-bred stoicism&mdash;losing without open distress or ire, winning
      without open exultation. The old hands, especially, began play with a
      padlock on the tongue and a mask upon the face. There are masks, however,
      that do not hide the eye; and Miss Vizard caught some flashes that escaped
      the masks even then at the commencement of the play. Still, external
      stoicism prevailed, on the whole, and had a fixed example in the <i>tailleur</i>
      and the croupiers. Playing many hours every day in the year but
      Good-Friday, and always with other people's money, these men had parted
      with passion, and almost with sensation; they had become skillful
      automata, chanting a stave, and raking up or scattering hay-cocks of gold,
      which to them were counters.
    </p>
    <p>
      It was with the monotonous voice of an automaton they intoned:
    </p>
    <p>
      &ldquo;Faites le jeu, messieu, messieu.&rdquo;
     </p>
    <p>
      Then, after a pause of ten seconds:
    </p>
    <p>
      &ldquo;Le jeu est fait, messieu.&rdquo;
     </p>
    <p>
      Then, after two seconds:
    </p>
    <p>
      &ldquo;Rien ne va plus.&rdquo;
     </p>
    <p>
      Then mumble&mdash;mumble&mdash;mumble.
    </p>
    <p>
      Then, &ldquo;La' Rouge perd et couleur,&rdquo; or whatever might be the result.
    </p>
    <p>
      Then the croupiers first raked in the players' losses with vast
      expedition; next, the croupiers in charge of the funds chucked the precise
      amount of the winnings on to each stake with unerring dexterity and the
      indifference of machines; and the chant recommenced, &ldquo;Faites le jeu,
      messieu.&rdquo;
     </p>
    <p>
      Pause, ten seconds.
    </p>
    <p>
      &ldquo;Le jeu est fait, messieu.&rdquo;
     </p>
    <p>
      Pause, two seconds.
    </p>
    <p>
      &ldquo;Rien ne va plus.&rdquo;
     </p>
    <p>
      The <i>tailleur</i> dealt, and the croupier intoned, &ldquo;La'! Rouge gagne et
      couleur perd:&rdquo; the mechanical raking and dexterous chucking followed.
    </p>
    <p>
      This, with a low buzzing, and the deadened jingle of gold upon green
      cloth, and the light grating of the croupiers' rakes, was the first
      impression upon Zoe's senses; but the mere game did not monopolize her
      attention many seconds. There were other things better worth noting: the
      great varieties of human type that a single passion had brought together
      in a small German town. Her ear was regaled with such a polyglot murmur as
      she had read of in Genesis, but had never witnessed before.
    </p>
    <p>
      Here were the sharp Tuscan and the mellow Roman; the sibilation of
      England, the brogue of Ireland, the shibboleth of the Minories, the twang
      of certain American States, the guttural expectoration of Germany, the
      nasal emphasis of France, and even the modulated Hindoostanee, and the
      sonorous Spanish, all mingling.
    </p>
    <p>
      The types of face were as various as the tongues.
    </p>
    <p>
      Here were the green-eyed Tartar, the black-eyed Italian, and the gray-eyed
      Saxon; faces all cheek-bones, and faces no cheek-bones; the red Arabian,
      the fair Dane, and the dark Hindoo.
    </p>
    <p>
      Her woman's eye seized another phenomenon&mdash;the hands. Not nations
      only, but varieties of the animal kingdom were represented. Here were the
      white hands of fair women, and the red paws of obese shop-keepers, and the
      yellow, bird-like claws of old withered gamesters, all stretched out, side
      by side, in strange contrast, to place the stakes or scratch in the
      winnings; and often the winners put their palms or paws on their heap of
      gold, just as a dog does on a bone when other dogs are nigh.
    </p>
    <p>
      But what Zoe's eye rested on longest were the costume and deportment of
      the ladies. A few were in good taste; others aimed at a greater variety of
      beautiful colors than the fair have, up to this date, succeeded in
      combining, without inflicting more pain on the beholders than a beneficent
      Creator&mdash;so far as we can judge by his own system of color&mdash;intended
      the cultivated eye to suffer. Example&mdash;as the old writers used to say&mdash;one
      lady fired the air in primrose satin, with red-velvet trimming. This mild
      mixture re-appeared on her head in a primrose hat with a red feather. A
      gold chain, so big that it would have done for a felon instead of a fool,
      encircled her neck, and was weighted with innumerable lockets, which in
      size and inventive taste resembled a poached egg, and betrayed the insular
      goldsmith. A train three yards long completed this gorgeous figure. She
      had commenced life a shrimp-girl, and pushed a dredge before her, instead
      of pulling a silken besom after her. Another stately queen (with an &ldquo;a&rdquo;)
      heated the atmosphere with a burnous of that color the French call <i>flamme
      d'enfer,</i> and cooled it with a green bonnet. A third appeared to have
      been struck with the beauty of a painter's palette, and the skill with
      which its colors mix before the brush spoils them. Green body, violet
      skirts, rose-colored trimmings, purple sleeves, light green boots,
      lavender gloves. A shawl all gauze and gold, flounced like a petticoat; a
      bonnet so small, and red feather so enormous and all-predominant, that a
      peacock seemed to be sitting on a hedge sparrow's nest.
    </p>
    <p>
      Zoe suspected these polychromatic ladies at a glance, and observed their
      manners, in a mistrustful spirit, carefully. She was little surprised,
      though a good deal shocked, to find that some of them seemed familiar, and
      almost jocular, with the croupiers; and that, although they did not talk
      loud, being kept in order by the general etiquette, they rustled and
      fidgeted and played in a devil-may-care sort of manner. This was in great
      measure accounted for by the circumstance that they were losing other
      people's money: at all events, they often turned their heads over their
      shoulders, and applied for fresh funds to their male companions.
    </p>
    <p>
      Zoe blushed at all this, and said to Vizard, &ldquo;I should like to see the
      other rooms.&rdquo; She whispered to Miss Maitland, &ldquo;Surely they are not very
      select in this one.&rdquo;
     </p>
    <p>
      &ldquo;Lead on,&rdquo; said Vizard; &ldquo;that is the way.&rdquo;
     </p>
    <p>
      Fanny had not parted with his arm all this time. As they followed the
      others, he said, &ldquo;But she will find it is all the same thing.&rdquo;
     </p>
    <p>
      Fanny laughed in his face. &ldquo;Don't you <i>see?</i> C'est la chasse au
      Severne qui commence.&rdquo;
     </p>
    <p>
      &ldquo;En voil'a un se'v'ere,&rdquo; replied he.
    </p>
    <p>
      She was mute. She had not learned that sort of French in her
      finishing-school. I forgive it.
    </p>
    <p>
      The next room was the same thing over again.
    </p>
    <p>
      Zoe stood a moment and drank everything in, then turned to Vizard,
      blushed, and said, &ldquo;May we play a little now?&rdquo;
     </p>
    <p>
      &ldquo;Why, of course.&rdquo;
     </p>
    <p>
      &ldquo;Fanny!&rdquo;
     </p>
    <p>
      &ldquo;No; you begin, dear. We will stand by and wish you success.&rdquo;
     </p>
    <p>
      &ldquo;You are a coward,&rdquo; said Zoe, loftily; and went to the table with more
      changes of color than veteran lancers betray in charging infantry. It was
      the <i>roulette</i> table she chose. That seems a law of her sex. The true
      solution is not so profound as some that have been offered. It is this: <i>trente
      et quarante</i> is not only unintelligible, but uninteresting. At <i>roulette</i>
      there is a pictorial object and dramatic incident; the board, the turning
      of the <i>moulinet,</i> and the swift revolutions of an ivory ball, its
      lowered speed, its irregular bounds, and its final settlement in one of
      the many holes, numbered and colored. Here the female understanding sees
      something it can grasp, and, above all, the female eye catches something
      pictorial and amusing outside the loss or gain; and so she goes, by her
      nature, to <i>roulette,</i> which is a greater swindle than the other.
    </p>
    <p>
      Zoe staked five pounds on No. 21, for an excellent reason; she was in her
      twenty-first year. The ball was so illogical as to go into No. 3, and she
      lost. She stood by her number and lost again. She lost thirteen times in
      succession.
    </p>
    <p>
      The fourteenth time the ball rolled into 21, and the croupier handed her
      thirty-five times her stake, and a lot more for color.
    </p>
    <p>
      Her eye flashed, and her cheek flushed, and I suppose she was tempted to
      bet more heavily, for she said, &ldquo;No. That will never happen to me again, I
      know;&rdquo; and she rose, the richer by several napoleons, and said, &ldquo;Now let
      us go to another.&rdquo;
     </p>
    <p>
      &ldquo;Humph!&rdquo; said Vizard. &ldquo;What an extraordinary girl! She will give the devil
      more trouble than most of you. Here's precocious prudence.&rdquo;
     </p>
    <p>
      Fanny laughed in his face. &ldquo;C'est la chasse qui recommence,&rdquo; said she.
    </p>
    <p>
      I ought to explain that when she was in England she did not interlard her
      discourse with French scraps. She was not so ill-bred. But abroad she had
      got into a way of it, through being often compelled to speak French.
    </p>
    <p>
      Vizard appreciated the sagacity of the remark, but he did not like the
      lady any the better for it. He meditated in silence. He remembered that,
      when they were in the garden. Zoe had hung behind, and interpreted Fanny
      ill-naturedly; and here was Fanny at the same game, literally backbiting,
      or back-nibbling, at all events. Said he to himself, &ldquo;And these two are
      friends! female friends.&rdquo; And he nursed his misogyny in silence.
    </p>
    <p>
      They came into a very noble room, the largest of all, with enormous
      mirrors down to the ground, and a ceiling blazing with gold, and the air
      glittering with lusters. Two very large tables, and a distinguished
      company at each, especially at the <i>trente et quarante.</i>
    </p>
    <p>
      Before our little party had taken six steps into the room, Zoe stood like
      a pointer; and Fanny backed.
    </p>
    <p>
      Should these terms seem disrespectful, let Fanny bear the blame. It is her
      application of the word &ldquo;chasse&rdquo; that drew down the simile.
    </p>
    <p>
      Yes, there sat Ned Severne, talking familiarly to Joseph Ashmead, and
      preparing to &ldquo;put the pot on,&rdquo; as he called it.
    </p>
    <p>
      Now Zoe was so far gone that the very sight of Severne was a balsam to
      her. She had a little bone to pick with him; and when he was out of sight,
      the bone seemed pretty large. But when she saw his adorable face,
      unconscious, as it seemed, of wrong, the bone faded and the face shone.
    </p>
    <p>
      Her own face cleared at the sight of him: she turned back to Fanny and
      Vizard, arch and smiling, and put her finger to her mouth, as much as to
      say, &ldquo;Let us have some fun. We have caught our truant: let us watch him,
      unseen, a little, before we burst on him.&rdquo;
     </p>
    <p>
      Vizard enjoyed this, and encouraged her with a nod.
    </p>
    <p>
      The consequence was that Zoe dropped Miss Maitland's arm, who took that
      opportunity to turn up her nose, and began to creep up like a young cat
      after a bird; taking a step, and then pausing; then another step, and a
      long pause; and still with her eye fixed on Severne. He did not see her,
      nor her companions, partly because they were not in front of him, but
      approaching at a sharp angle, and also because he was just then beginning
      to bet heavily on his system. By this means, two progressive events went
      on contemporaneously: the arch but cat-like advance of Zoe, with pauses,
      and the betting of Severne, in which he gave himself the benefit of his
      system.
    </p>
    <p>
      <i>Noir</i> having been the last to win, he went against the alternation
      and put fifty pounds on <i>noir.</i> Red won. Then, true to his system, he
      doubled on the winning color. One hundred pounds on red. Black won. He
      doubled on black, and red won; and there were four hundred pounds of his
      five hundred gone in five minutes.
    </p>
    <p>
      On this proof that the likeliest thing to happen&mdash;viz., alternation
      of the color&mdash;does <i>sometime</i> happen, Severne lost heart.
    </p>
    <p>
      He turned to Ashmead, with all the superstition of a gambler, &ldquo;For God's
      sake, bet for me!&rdquo; said he. He clutched his own hair convulsively, in a
      struggle with his mania, and prevailed so far as to thrust fifty pounds
      into his own pocket, to live on, and gave Ashmead five tens.
    </p>
    <p>
      &ldquo;Well, but,&rdquo; said Ashmead, &ldquo;you must tell me what to do.&rdquo;
     </p>
    <p>
      &ldquo;No, no. Bet your own way, for me.&rdquo; He had hardly uttered these words,
      when he seemed to glare across the table at the great mirror, and,
      suddenly putting his handkerchief to his mouth, he made a bolt sidewise,
      plunged amid the bystanders, and emerged only to dash into a room at the
      side.
    </p>
    <p>
      As he disappeared, a lady came slowly and pensively forward from the outer
      door; lifted her eyes as she neared the table, saw a vacant chair, and
      glided into it, revealing to Zoe Vizard and her party a noble face, not so
      splendid and animated as on the stage, for its expression was slumbering;
      still it was the face of Ina Klosking.
    </p>
    <p>
      No transformation trick was ever done more neatly and smoothly than this,
      in which, nevertheless, the performers acted without concert.
    </p>
    <p>
      Severne fled out, and the Klosking came slowly in; yet no one had time to
      take the seat, she glided into it so soon after Severne had vacated it.
    </p>
    <p>
      Zoe Vizard and her friends stared after the flying Severne, then stared at
      the newcomer, and then turned round and stared at each other, in mutual
      amazement and inquiry.
    </p>
    <p>
      What was the meaning of this double incident, that resembled a conjurer's
      trick? Having looked at her companions, and seen only her own surprise
      reflected, Zoe Vizard fixed her eyes, like burning-glasses, upon Ina
      Klosking.
    </p>
    <p>
      Then that lady thickened the mystery. She seemed very familiar with the
      man Severne had been so familiar with.
    </p>
    <p>
      That man contributed his share to the multiplying mystery. He had a muddy
      complexion, hair the color of dirt, a long nose, a hatchet face, mean
      little eyes, and was evidently not a gentleman. He wore a brown velveteen
      shooting-coat, with a magenta tie that gave Zoe a pain in the eye. She had
      already felt sorry to see her Severne was acquainted with such a man. He
      seemed to her the <i>ne plus ultra</i> of vulgarity; and now, behold, the
      artist, the woman she had so admired, was equally familiar with the same
      objectionable person.
    </p>
    <p>
      To appreciate the hopeless puzzle of Zoe Vizard, the reader must be on his
      guard against his own knowledge. He knows that Severne and Ashmead were
      two Bohemians, who had struck up acquaintance, all in a minute, that very
      evening. But Zoe had not this knowledge, and she could not possibly divine
      it. The whole thing was presented to her senses thus: a vulgar man, with a
      brown velveteen shooting-coat and a red-hot tie was a mutual friend of the
      gentlemanly Severne and the dignified Klosking. Severne left the mutual
      friend; Mademoiselle Klosking joined the mutual friend; and there she sat,
      where Severne had sat a moment ago, by the side of their mutual friend.
    </p>
    <p>
      All manner of thoughts and surmises thronged upon Zoe Vizard; but each way
      of accounting for the mystery contradicted some plain fact or other; so
      she was driven at last to a woman's remedy. She would wait, and watch.
      Severne would probably come back, and somehow furnish the key. Meantime
      her eye was not likely to leave the Klosking, nor her ear to miss a
      syllable the Klosking might utter.
    </p>
    <p>
      She whispered to Vizard, in a very peculiar tone, &ldquo;I will play at this
      table,&rdquo; and stepped up to it, with the word.
    </p>
    <p>
      The duration of such beauty as Zoe's is proverbially limited; but the
      limit to its power, while it does last, has not yet been discovered. It is
      a fact that, as soon as she came close to the table two male gamblers
      looked up, saw her, wondered at her, and actually jumped up and offered
      their seats: she made a courteous inclination of the head, and installed
      Miss Maitland in one seat, without reserve. She put a little gold on the
      table, and asked Miss Maitland, in a whisper, to play for her. She herself
      had neither eye nor ear except for Ina Klosking. That lady was having a
      discussion, <i>sotto voce,</i> with Ashmead; and if she had been one of
      your mumblers whose name is legion, even Zoe's swift ear could have caught
      little or nothing. But when a voice has volume, and the great habit of
      articulation has been brought to perfection, the words travel
      surprisingly.
    </p>
    <p>
      Zoe heard the lady say to Ashmead, scarcely above her breath, &ldquo;Well, but
      if he requested you to bet for him, how can he blame you?&rdquo;
     </p>
    <p>
      Zoe could not catch Ashmead's reply, but it was accompanied by a shake of
      the head; so she understood him to object.
    </p>
    <p>
      Then, after a little more discussion, Ina Klosking said, &ldquo;What money have
      you of mine?&rdquo;
     </p>
    <p>
      Ashmead produced some notes.
    </p>
    <p>
      &ldquo;Very well,&rdquo; said the Klosking. &ldquo;Now, I shall take my twenty-five pounds,
      and twenty-five pounds of his, and play. When he returns, we shall, at all
      events, have twenty-five pounds safe for him. I take the responsibility.&rdquo;
     </p>
    <p>
      &ldquo;Oh,&rdquo; thought Zoe; &ldquo;then he <i>is</i> coming back. Ah, I shall see what
      all this means.&rdquo; She felt sick at heart.
    </p>
    <p>
      Zoe Vizard was on the other side, but not opposite Mademoiselle Klosking;
      she was considerably to the right hand; and as the new-comer was much
      occupied, just at first, with Ashmead, who sat on her left, Zoe had time
      to dissect her, which she did without mercy. Well, her costume was
      beautifully made, and fitted on a symmetrical figure; but as to color, it
      was neutral&mdash;a warm French gray, and neither courted admiration nor
      risked censure: it was unpretending. Her lace collar was valuable, but not
      striking. Her hair was beautiful, both in gloss and color, and
      beautifully, but neatly, arranged. Her gloves and wristbands were perfect.
    </p>
    <p>
      As every woman aims at appearance, openly or secretly, and every other
      woman knows she does, Zoe did not look at this meek dress with male
      simplicity, unsuspicious of design, but asked herself what was the leading
      motive; and the question was no sooner asked than answered. &ldquo;She has
      dressed for her golden hair and her white throat. Her hair, her deep gray
      eyes, and her skin, are just like a flower: she has dressed herself as the
      modest stalk. She is an artist.&rdquo;
     </p>
    <p>
      At the same table were a Russian princess, an English countess, and a
      Bavarian duchess&mdash;all well dressed, upon the whole. But their dresses
      showed off their dresses; the Klosking's showed off herself. And there was
      a native dignity, and, above all, a wonderful seemliness, about the
      Klosking that inspired respect. Dress and deportment were all of a piece&mdash;decent
      and deep.
    </p>
    <p>
      While Zoe was picking her to pieces, Ina, having settled matters with
      Ashmead, looked up, and, of course, took in every other woman who was in
      sight at a single sweep. She recognized Zoe directly, with a flush of
      pleasure; a sweet, bright expression broke over her face, and she bowed to
      her with a respectful cordiality that was captivating.
    </p>
    <p>
      Zoe yielded to the charm of manner, and bowed and smiled in return,
      though, till that moment, she had been knitting her black brows at her in
      wonder and vague suspicion.
    </p>
    <p>
      Ina trifled with the game, at first. Ashmead was still talking to her of
      the young swell and his system. He explained it to her, and how it had
      failed. &ldquo;Not but what,&rdquo; said he, &ldquo;there is a great deal in it most
      evenings. But to-day there are no runs; it is all turn and turn about. If
      it would rain, now, you would see a change.&rdquo;
     </p>
    <p>
      &ldquo;Well,&rdquo; said Ina, &ldquo;I will bet a few pounds on red, then on black, till
      these runs begin.&rdquo;
     </p>
    <p>
      During the above conversation, of which Zoe caught little, because Ashmead
      was the chief speaker, she cast her eyes all round the table and saw a
      curious assemblage of figures.
    </p>
    <p>
      There was a solemn Turk melting his piasters with admirable gravity; there
      was the Russian princess; and there was a lady, dressed in loud,
      incongruous colors, such as once drew from a horrified modiste the cry,
      &ldquo;Ah, Dieu! quelle immoralite'!&rdquo; and that's a fact. There was a Popish
      priest, looking sheepish as he staked his silver, and an Anglican rector,
      betting flyers, and as <i>nonchalant,</i> in the blest absence of his
      flock and the Baptist minister, as if he were playing at whist with the
      old Bishop of Norwich, who played a nightly rubber in my father's day&mdash;and
      a very bad one. There was a French count, nearly six feet high, to whom
      the word &ldquo;old&rdquo; would have been unjust: he was antique, and had turned into
      bones and leather; but the hair on that dilapidated trunk was its own; and
      Zoe preferred him much to the lusty old English beau beside him, with
      ivory teeth and ebon locks that cost a pretty penny.
    </p>
    <p>
      There was a fat, livid Neapolitan betting heavily; there was a creole
      lady, with a fine oval face, rather sallow, and eyes and hair as black as
      Zoe's own. Indeed, the creole excelled her, by the addition of a little
      black fringe upon her upper lip that, prejudice apart, became her very
      well. Her front hair was confined by two gold threads a little way apart,
      on which were fixed a singular ornament, the vivid eyes of a peacock's
      tail set close together all round. It was glorious, regal. The hussy
      should have been the Queen of Sheba, receiving Solomon, and showing her
      peacock's eyes against his crown-jewels. Like the lilies of the field,
      these products of nature are bad to beat, as we say on Yorkshire turf.
    </p>
    <p>
      Indeed that frontlet was so beautiful and well placed, it drew forth
      glances of marked disdain from every lady within sight of it, Zoe
      excepted. She was placable. This was a lesson in color; and she managed to
      forgive the teacher, in consideration of the lesson.
    </p>
    <p>
      Amid the gaudier birds, there was a dove&mdash;a young lady, well dressed,
      with Quaker-like simplicity, in gray silk dress with no trimmings, a white
      silk bonnet and veil. Her face was full of virtues. Meeting her elsewhere,
      you would say &ldquo;That is a good wife, a good daughter, and the making of a
      good mother.&rdquo; Her expression at the table was thoughtful and a little
      anxious; but every now and then she turned her head to look for her
      husband, and gave him so sweet a smile of conjugal sympathy and affection
      as made Zoe almost pray they might win. The husband was an officer, a
      veteran, with grizzled hair and mustache, a colonel who had commanded a
      brigade in action, but could only love and spoil his wife. He ought to
      have been her father, her friend, her commander, and marched her out of
      that &ldquo;curse-all&rdquo; to the top of Cader Idris, if need was. Instead of that,
      he stood behind her chair like her lackey all day: for his dove was as
      desperate a gambler as any in Europe. It was not that she bet very
      heavily, but that she bet every day and all day. She began in the
      afternoon, and played till midnight if there was a table going. She knew
      no day of religion&mdash;no day of rest. She won, and she lost: her own
      fortune and her husband's stood the money drain; but how about the golden
      hours? She was losing her youth and wasting her soul. Yet the
      administration gave her a warning; they did not allow the irretrievable
      hours to be stolen from her with a noiseless hand. At All Souls' College,
      Oxford, in the first quadrangle, grave, thoughtful men raised to the top
      story, two hundred years ago, a grand sundial, the largest, perhaps, and
      noblest in the kingdom. They set it on the face of the Quad, and wrote
      over the long pointer in large letters of gold, these words, &ldquo;Pereunt et
      imputantur,&rdquo; which refer to the hours indicated below, and mean literally,
      &ldquo;They perish, and go down to our account;&rdquo; but really imply a little more,
      viz., that &ldquo;they are wasted, and go to our debit.&rdquo; These are true words
      and big words&mdash;bigger than any royal commissioner has uttered up to
      date&mdash;and reach the mind through the senses, and have warned the
      scholars of many a generation not to throw away the seed-time of their
      youth, which never can come twice to any man. Well, the administration of
      the Kursaal conveyed to that lost English dove and others a note of
      warning which struck the senses, as does the immortal warning emblazoned
      on the fair brow of that beautiful college; only, in the Kursaal the
      warning struck the ear, not the eye. They provided French clocks with a
      singularly clear metallic striking tick; their blows upon the life of Time
      rang sharp above the chant, the mumble, and the jingle. These clocks
      seemed to cry aloud, and say of the hours, whose waste they recorded,
      &ldquo;Pereunt - et - impu-tantur, pere - unt - et - imputantur.&rdquo;
     </p>
    <p>
      Reckless of this protest, the waves of play rolled on, and ere long sucked
      all our characters but Vizard into the vortex. Zoe hazarded a sovereign on
      red, and won; then two on black, and won; then four on red, and won. She
      was launched, and Fanny too. They got excited, and bet higher; the
      croupiers pelted them with golden coins, and they began to pant and flush,
      and their eyes to gleam. The old gamblers' eyes seem to have lost this
      power&mdash;they have grown fishy; but the eyes of these female novices
      were a sight. Fanny's, being light gray, gleamed like a panther's whose
      prey is within leap. Zoe's dark orbs could not resemble any wild beast's;
      but they glowed with unholy fire; and, indeed, all down the table was now
      seen that which no painter can convey&mdash;for his beautiful but
      contracted art confines him to a moment of time&mdash;and writers have
      strangely neglected to notice, viz., the <i>progress of the countenance</i>
      under play. Many of the masks melted, as if they had been of wax, and the
      natural expressions forced their way; some got flushed with triumph,
      others wild and haggard with their losses. One ghastly, glaring loser sat
      quite quiet, when his all was gone, but clinched his hands so that the
      nails ran into the flesh, and blood trickled: discovering which, a friend
      dragged him off like something dead. Nobody minded.
    </p>
    <p>
      The fat old beau got worried by his teeth and pulled them out in a pet and
      pocketed them.
    </p>
    <p>
      Miss Maitland, who had begun with her gray hair in neat little curls,
      deranged one so with convulsive hand that it came all down her cheek, and
      looked most rakish and unbecoming. Even Zoe and Fanny had turned from
      lambs to leopardesses&mdash;patches of red on each cheek, and eyes like
      red-hot coals.
    </p>
    <p>
      The colors had begun to run, and at first the players lost largely to the
      bank, with one exception.
    </p>
    <p>
      Ina Klosking discerned the change, and backed the winning color, then
      doubled on it twice. She did this so luckily three or four times that,
      though her single stake was at first only forty pounds, gold seemed to
      grow around her, and even notes to rise and make a cushion. She, too, was
      excited, though not openly; her gloves were off, and her own lovely hand,
      the whitest in the room, placed the stakes. You might see a red spot on
      her cheek-bone, and a strange glint in her deep eye; but she could not do
      anything that was not seemly.
    </p>
    <p>
      She played calmly, boldly, on the system that had cleared out Ned Severne,
      and she won heavily, because she was in luck. It was her hour and her
      vein.
    </p>
    <p>
      By this time Zoe and Fanny were cleaned out; and looked in amazement at
      the Klosking, and wondered how she did it.
    </p>
    <p>
      Miss Maitland, at her last sovereign, began to lean on the victorious
      Klosking, and bet as she did: her pile increased. The dove caught sight of
      her game, and backed her luck. The creole backed her heavily.
    </p>
    <p>
      Presently there was an extraordinary run on black. Numbers were caught.
      The Klosking won three times, and lost three times; but the bets she won
      were double bets, and those she lost were single.
    </p>
    <p>
      Then came a <i>refait,</i> and the bank swept off half her stake; but even
      here she was lucky. She had only forty pounds on.
    </p>
    <p>
      By-and-by came the event of the night. Black had for some time appeared to
      rule the roost, and thrust red off the table, and the Klosking lost two
      hundred pounds.
    </p>
    <p>
      The Klosking put two hundred pounds on red: it won. She doubled: red won.
      She doubled: there was a dead silence. The creole lady put the maximum on
      red, three hundred pounds: red won. Ina Klosking looked a little pale;
      but, driven by some unaccountable impulse, she doubled. So did the creole.
      Red won. The automata chucked sixteen hundred pounds to the Klosking, and
      six hundred pounds to the other lady. Ina bet forty pounds on black. Red
      won again. She put two hundred pounds on black: black won. She doubled:
      black won again. She doubled: black won. Doubled again: black won.
    </p>
    <p>
      The creole and others stood with her in that last run, and the money was
      chucked. But the settlement was followed by a short whisper, and a
      croupier, in a voice as mechanical as ever, chanted that the sum set apart
      for that table was exhausted for that day.
    </p>
    <p>
      The Klosking and her backers had broken the bank.
    </p>
    <p>
      <a name="link2HCH0009" id="link2HCH0009">
      <!--  H2 anchor --> </a>
    </p>
    <div style="height: 4em;">
      <br /><br /><br /><br />
    </div>
    <h2>
      CHAPTER IX.
    </h2>
    <h3>
      THERE was a buzzing, and a thronging round the victorious player.
    </h3>
    <p>
      Ina rose, and, with a delicate movement of her milk-white hand, turned the
      mountain of gold and column of notes toward Ashmead. &ldquo;Make haste, please,&rdquo;
       she whispered; then put on her gloves deliberately, while Ashmead shoved
      the gold and the notes anyhow into the inner pockets of his
      shooting-jacket, and buttoned it well up.
    </p>
    <p>
      <i>&ldquo;Allons,&rdquo;</i> said she, calmly, and took his arm; but, as she moved
      away, she saw Zoe Vizard passing on the other side of the table. Their
      eyes met: she dropped Ashmead's arm and made her a sweeping courtesy full
      of polite consideration, and a sort of courteous respect for the person
      saluted, coupled with a certain dignity, and then she looked wistfully at
      her a moment. I believe she would have spoken to her if she had been
      alone; but Miss Maitland and Fanny Dover had, both of them, a trick of
      putting on <i>noli-me-tangere</i> faces among strangers. It did not mean
      much; it is an unfortunate English habit. But it repels foreigners: they
      neither do it nor understand it.
    </p>
    <p>
      Those two faces, not downright forbidding, but uninviting, turned the
      scale; and the Klosking, who was not a forward woman, did not yield to her
      inclination and speak to Zoe. She took Ashmead's arm again and moved away.
    </p>
    <p>
      Then Zoe turned back and beckoned Vizard. He joined her. &ldquo;There she is,&rdquo;
       said Zoe; &ldquo;shall I speak to her?&rdquo;
     </p>
    <p>
      Would you believe it? He thought a moment, and then said, gloomily, &ldquo;Well,
      no. Half cured now. Seen the lover in time.&rdquo; So that opportunity was
      frittered away.
    </p>
    <p>
      Before the English party left the Kursaal, Zoe asked, timidly, if they
      ought not to make some inquiry about Mr. Severne. He had been taken ill
      again.
    </p>
    <p>
      &ldquo;Ay, taken ill, and gone to be cured at another table,&rdquo; said Vizard,
      ironically. &ldquo;I'll make the tour, and collar him.&rdquo;
     </p>
    <p>
      He went off in a hurry; Miss Maitland faced a glass and proceeded to
      arrange her curl.
    </p>
    <p>
      Fanny, though she had offered no opposition to Vizard's going, now seized
      Zoe's arm with unusual energy, and almost dragged her aside. &ldquo;The idea of
      sending Harrington on that fool's errand!&rdquo; said she, peevishly. &ldquo;Why, Zoe!
      where are your eyes?&rdquo;
     </p>
    <p>
      Zoe showed her by opening them wide. &ldquo;What <i>do</i> you mean?&rdquo;
     </p>
    <p>
      &ldquo;What&mdash;do&mdash;I&mdash;mean? No matter. Mr. Severne is not in this
      building, and you know it.&rdquo;
     </p>
    <p>
      &ldquo;How can I know? All is so mysterious,&rdquo; faltered Zoe. &ldquo;How do <i>you</i>
      know?&rdquo;
     </p>
    <p>
      &ldquo;Because&mdash;there&mdash;least said is soonest mended.&rdquo;
     </p>
    <p>
      &ldquo;Fanny, you are older than me, and ever so much cleverer. Tell me, or you
      are not my friend.&rdquo;
     </p>
    <p>
      &ldquo;Wait till you get home, then. Here he is.&rdquo;
     </p>
    <p>
      Vizard told them he had been through all the rooms; the only chance now
      was the dining-room. &ldquo;No,&rdquo; said Fanny, &ldquo;we wish to get home; we are rather
      tired.&rdquo;
     </p>
    <p>
      They went to the rail, and at first Vizard was rather talkative, making
      his comments on the players; but the ladies were taciturn, and brought him
      to a stand. &ldquo;Ah,&rdquo; thought he, &ldquo;nothing interests them now; Adonis is not
      here.&rdquo; So he retired within himself.
    </p>
    <p>
      When they reached the Russie, he ordered a <i>petit souper</i> in an hour,
      and invited the ladies. Meantime they retired&mdash;Miss Maitland to her
      room, and Fanny, with Zoe, to hers. By this time Miss Dover had lost her
      alacrity, and would, I verily believe, have shunned a <i>te'te-'a-te'te</i>
      if she could; but there was a slight paleness in Zoe's cheek, and a
      compression of the lips, which told her plainly that young lady meant to
      have it out with her. They both knew so well what was coming, that Zoe
      merely waved her to a chair and leaned herself against the bed, and said,
      &ldquo;Now, Fanny.&rdquo; So Fanny was brought to bay.
    </p>
    <p>
      &ldquo;Dear me,&rdquo; said she piteously, &ldquo;I don't know what to do, between you and
      Aunt Maitland. If I say all I think, I suppose you will hate me; and if I
      don't, I shall be told I'm wicked, and don't warn an orphan girl. She flew
      at me like a bull-dog before your brother: she said I was twenty-five, and
      I only own to twenty-three. And, after all, what could I say? for I do
      feel I ought to give you the benefit of my experience, and make myself as
      disagreeable as <i>she</i> does. And I <i>have</i> given you a hint, and a
      pretty broad one, but you want such plain speaking.&rdquo;
     </p>
    <p>
      &ldquo;I do,&rdquo; said Zoe. &ldquo;So please speak plainly, if you can.&rdquo;
     </p>
    <p>
      &ldquo;Ah, you <i>say</i> that.&rdquo;
     </p>
    <p>
      &ldquo;And I mean it. Never mind consequences; tell me the truth.&rdquo;
     </p>
    <p>
      &ldquo;Like a man, eh? and get hated.&rdquo;
     </p>
    <p>
      &ldquo;Men are well worth imitating, in some things. Tell me the truth, pleasant
      or not, and I shall always respect you.&rdquo;
     </p>
    <p>
      &ldquo;Bother respect. I am like the rest of us; I want to be loved a little
      bit. But there&mdash;I'm in for it. I have said too much, or too little. I
      know that. Well, Zoe, the long and the short is&mdash;you have a rival.&rdquo;
     </p>
    <p>
      Zoe turned rather pale, but was not so much shaken as Fanny expected.
    </p>
    <p>
      She received the blow in silence. But after a while she said, with some
      firmness, &ldquo;Mademoiselle Klosking?&rdquo;
     </p>
    <p>
      &ldquo;Oh, you are not quite blind, then.&rdquo;
     </p>
    <p>
      &ldquo;And pray which does he prefer?&rdquo; asked Zoe, a little proudly.
    </p>
    <p>
      &ldquo;It is plain he likes you the best. But why does he fear her so? This is
      where you seem all in the dark. He flew out of the opera, lest she should
      see him.&rdquo;
     </p>
    <p>
      &ldquo;Oh! Absurd!&rdquo;
     </p>
    <p>
      &ldquo;He cut you and Vizard, rather than call upon her with you.&rdquo;
     </p>
    <p>
      &ldquo;And so he did.&rdquo;
     </p>
    <p>
      &ldquo;He flew from the gambling-table the moment she entered the room.&rdquo;
     </p>
    <p>
      &ldquo;Behind him. She came in behind him.&rdquo;
     </p>
    <p>
      &ldquo;There was a large mirror in front of him.&rdquo;
     </p>
    <p>
      &ldquo;Oh, Fanny! oh!&rdquo; and Zoe clasped her hands piteously. But she recovered
      herself, and said, &ldquo;After all, appearances are deceitful.&rdquo;
     </p>
    <p>
      &ldquo;Not so deceitful as men,&rdquo; said Fanny, sharply.
    </p>
    <p>
      But Zoe clung to her straw. &ldquo;Might not two things happen together? He is
      subject to bleeding at the nose. It is strange it should occur twice so,
      but it is possible.&rdquo;
     </p>
    <p>
      &ldquo;Zoe,&rdquo; said Fanny, gravely, &ldquo;he is not subject to bleeding at the nose.&rdquo;
     </p>
    <p>
      &ldquo;Oh, <i>then</i>&mdash;but how can you know that? What right have you to
      say that?&rdquo;
     </p>
    <p>
      &ldquo;I'll show you,&rdquo; said Fanny, and left the room.
    </p>
    <p>
      She soon came back, holding something behind her back. Even at the last
      moment she was half unwilling. However, she looked down, and said, in a
      very peculiar tone, &ldquo;Here is the handkerchief he put before his face at
      the opera; there!&rdquo; and she threw it into Zoe's lap.
    </p>
    <p>
      Zoe's nature revolted against evidence so obtained. She did not even take
      up the handkerchief. &ldquo;What!&rdquo; she cried; &ldquo;you took it out of his pocket?&rdquo;
     </p>
    <p>
      &ldquo;No.&rdquo;
     </p>
    <p>
      &ldquo;Then you have been in his room and got it.&rdquo;
     </p>
    <p>
      <i>&ldquo;Nothing of the kind!</i> I sent Rosa.&rdquo;
     </p>
    <p>
      &ldquo;My maid!&rdquo;
     </p>
    <p>
      &ldquo;Mine, for that job. I gave her half a crown to borrow it for a pattern.&rdquo;
     </p>
    <p>
      Zoe seized the handkerchief and ran her eye over it in a moment. There was
      no trace of blood on it, and there were his initials, &ldquo;E. S.,&rdquo; in the
      corner. Her woman's eye fastened instantly on these. &ldquo;Silk?&rdquo; said she, and
      held it up to the light. &ldquo;No. Hair!&mdash;golden hair. It is <i>hers!&rdquo;</i>
      And she flung the handkerchief from her as if it were a viper, and even
      when on the ground eyed it with dilating orbs and a hostile horror.
    </p>
    <p>
      &ldquo;La!&rdquo; said Fanny; &ldquo;fancy that! You are not blind now. You have seen more
      than I. I made sure it was yellow silk.&rdquo;
     </p>
    <p>
      But this frivolous speech never even entered Zoe's ear. She was too deeply
      shocked. She went, feebly, and sat down in a chair, and covered her face
      with her hands.
    </p>
    <p>
      Fanny eyed her with pity. &ldquo;There!&rdquo; said she, almost crying, &ldquo;I never tell
      the truth but I bitterly repent it.&rdquo;
     </p>
    <p>
      Zoe took no notice of this droll apothegm. Her hands began to work. &ldquo;What
      shall I do!&rdquo; she said. &ldquo;What shall I do!&rdquo;
     </p>
    <p>
      &ldquo;Oh, don't go on like that, Zoe!&rdquo; cried Fanny. &ldquo;After all, it is you he
      prefers. He ran away from her.&rdquo;
     </p>
    <p>
      &ldquo;Ah, yes. But why?&mdash;why? What has he done?&rdquo;
     </p>
    <p>
      &ldquo;Jilted her. I suppose. Aunt Maitland thinks he is after money; and, you
      know, you have got money.&rdquo;
     </p>
    <p>
      &ldquo;Have I nothing else?&rdquo; said the proud beauty, and lifted her bowed head
      for a moment.
    </p>
    <p>
      &ldquo;You have everything. But you should look things in the face. Is that
      singer an unattractive woman?&rdquo;
     </p>
    <p>
      &ldquo;Oh, no. But she is not poor. Her kind of talent is paid enormously.&rdquo;
     </p>
    <p>
      &ldquo;That is true,&rdquo; said Fanny. &ldquo;But perhaps she wastes it. She is a gambler,
      like himself.&rdquo;
     </p>
    <p>
      &ldquo;Let him go to her,&rdquo; said Zoe, wildly; &ldquo;I will share no man's heart.&rdquo;
     </p>
    <p>
      &ldquo;He will never go to her, unless&mdash;well, unless we tell him that she
      has broken the bank with his money.&rdquo;
     </p>
    <p>
      &ldquo;If you think so badly of him, tell him, then, and let him go. Oh, I am
      wretched&mdash;I am wretched!&rdquo; She lifted her hands in despair, and began
      to cry and sob bitterly.
    </p>
    <p>
      Fanny was melted at her distress, and knelt to her, and cried with her.
    </p>
    <p>
      Not being a girl of steady principle, she went round with the wind. &ldquo;Dear
      Zoe,&rdquo; said she, &ldquo;it is deeper than I thought. La! if you love him, why
      torment yourself?&rdquo;
     </p>
    <p>
      &ldquo;No,&rdquo; said Zoe; &ldquo;it is deceit and mystery that torment me. Oh, what shall
      I do! what shall I do!&rdquo;
     </p>
    <p>
      Fanny interpreted this vague exclamation of sorrow as asking advice, and
      said, &ldquo;I dare not advise you; I can only tell you what I should do in your
      place. I should make up my mind at once whether I loved the man, or only
      liked him. If I only liked him, I would turn him up at once.&rdquo;
     </p>
    <p>
      &ldquo;Turn him up! What is that?&rdquo;
     </p>
    <p>
      &ldquo;Turn him off, then. If I loved him, I would not let any other woman have
      the least little bit of a chance to get him. For instance, I would not let
      him know this old sweetheart of his has won three thousand pounds at
      least, for I noted her winnings. Diamond cut diamond, my dear. He is
      concealing from you something or other about him and this Klosking; hide
      you this one little thing about the Klosking from him, till you get my
      gentleman safe to England.&rdquo;
     </p>
    <p>
      &ldquo;And this is love! I call it warfare.&rdquo;
     </p>
    <p>
      &ldquo;And love is warfare, three times out of four. Anyway, it is for you to
      decide, Zoe. I do wish you had never seen the man. He is not what he
      seems. He is a poor adventurer, and a bundle of deceit.&rdquo;
     </p>
    <p>
      &ldquo;You are very hard on him. You don't know all.&rdquo;
     </p>
    <p>
      &ldquo;No, nor a quarter; and you know less. There, dear, dry your eyes and
      fight against it. After all, you know you are mistress of the situation.
      I'll settle it for you, which way you like.&rdquo;
     </p>
    <p>
      &ldquo;You will? Oh, Fanny, you are very good!&rdquo;
     </p>
    <p>
      &ldquo;Say indulgent, please. I'm not good, and never will be, if <i>I can
      possibly help.</i> I despise good people; they are as weak as water. But I
      do like you, Zoe Vizard, better than any other woman in the world. That is
      not saying very much; my taste is for men. I think them gods and devils
      compared with us; and I do admire gods and devils. No matter, dear. Kiss
      me, and say, 'Fanny, act for me,' and I'll do it.&rdquo;
     </p>
    <p>
      Zoe kissed her, and then, by a truly virginal impulse, hid her burning
      face in her hands, and said nothing at all.
    </p>
    <p>
      Fanny gave her plenty of time, and then said, kindly, &ldquo;Well, dear?&rdquo;
     </p>
    <p>
      Then Zoe murmured, scarce audibly, &ldquo;Act&mdash;<i>as if</i>&mdash;I loved
      him.&rdquo;
     </p>
    <p>
      And still she kept her face covered with her hands. Fanny was anything but
      surprised at this conclusion of the struggle. She said, with a certain
      alacrity, &ldquo;Very well, I will: so now bathe your eyes and come in to
      supper.&rdquo;
     </p>
    <p>
      &ldquo;No, no; please go and make an excuse for me.&rdquo;
     </p>
    <p>
      &ldquo;I shall do nothing of the kind. I won't be told by-and-by I have done
      wrong. I will do your business, but it shall be in your hearing. Then you
      can interfere, if you choose. Only you had better not put your word in
      till you see what I am driving at.&rdquo;
     </p>
    <p>
      With a little more encouragement, Zoe was prevailed on to sponge her
      tearful eyes and compose herself, and join Harrington at supper.
    </p>
    <p>
      Miss Maitland soon retired, pleading fatigue and packing; and she had not
      been gone long, when Fanny gave her friend a glance and began upon
      Harrington.
    </p>
    <p>
      &ldquo;You are very fond of Mr. Severne, are you not?&rdquo; said she.
    </p>
    <p>
      &ldquo;I am,&rdquo; said Vizard, stoutly, preparing for battle. &ldquo;You are not,
      perhaps.&rdquo;
     </p>
    <p>
      Fanny laughed at this prompt pugnacity. &ldquo;Oh, yes, I am,&rdquo; said she;
      &ldquo;devoted. But he has a weakness, you must own. He is rather fond of
      gambling.&rdquo;
     </p>
    <p>
      &ldquo;He is, I am sorry to say. It is his one fault. Most of us have two or
      three.&rdquo;
     </p>
    <p>
      &ldquo;Don't you think it would be a pity if he were to refuse to go with us
      tomorrow&mdash;were to prefer to stay here and gamble?&rdquo;
     </p>
    <p>
      &ldquo;No fear of that: he has given me his word of honor.&rdquo;
     </p>
    <p>
      &ldquo;Still, I think it would be hardly safe to tempt him. If you go and tell
      him that friend of his won such a lot of money, he will want to stop; and
      if he does not stop, he will go away miserable. You know they began
      betting with his money, though they went on with their own.&rdquo;
     </p>
    <p>
      &ldquo;Oh, did they? What was his own money?&rdquo;
     </p>
    <p>
      &ldquo;How much was it, Zoe?&rdquo;
     </p>
    <p>
      &ldquo;Fifty pounds.&rdquo;
     </p>
    <p>
      &ldquo;Well,&rdquo; said Vizard, &ldquo;you must admit it is hard he should lose his own
      money. And yet I own I am most anxious to get him away from this place.
      Indeed, I have a project; I want him to rusticate a few months at our
      place, while I set my lawyer to look into his affairs and see if his
      estate cannot be cleared. I'll be bound the farms are underlet. What does
      the Admirable Crichton know about such trifles?&rdquo;
     </p>
    <p>
      Fanny looked at Zoe, whose color was rising high at all this. &ldquo;Well!&rdquo; said
      she, &ldquo;when you gentlemen fall in love <i>with each other,</i> you
      certainly are faithful creatures.&rdquo;
     </p>
    <p>
      &ldquo;Because we can count on fidelity in return,&rdquo; said Vizard. He thought a
      little, and said, &ldquo;Well, as to the other thing&mdash;you leave it to me.
      Let us understand one another. Nothing we saw at the gambling-table is to
      be mentioned by us.&rdquo;
     </p>
    <p>
      &ldquo;No.&rdquo;
     </p>
    <p>
      &ldquo;Crichton is to be taken to England for his good.&rdquo;
     </p>
    <p>
      &ldquo;Yes.&rdquo;
     </p>
    <p>
      &ldquo;And I am to be grateful to you for your co-operation in this.&rdquo;
     </p>
    <p>
      &ldquo;You can, if you like.&rdquo;
     </p>
    <p>
      &ldquo;And you will secure an agreeable companion for the rest of the tour, eh?&mdash;my
      diplomatic cousin and my silent sister.&rdquo;
     </p>
    <p>
      &ldquo;Yes; but it is too bad of you to see through a poor girl, and her little
      game, like that. I own he is a charming companion.&rdquo;
     </p>
    <p>
      Fanny's cunning eyes twinkled, and Zoe blushed crimson to see her noble
      brother manipulated by this artful minx and then flattered for his
      perspicacity.
    </p>
    <p>
      From that moment a revulsion took place in her mind, and pride fought
      furiously with love&mdash;for a time.
    </p>
    <p>
      This was soon made apparent to Fanny Dover. When they retired, Zoe looked
      very gloomy; so Fanny asked, rather sharply, &ldquo;Well, what is the matter
      now? Didn't I do it cleverly?&rdquo;
     </p>
    <p>
      &ldquo;Yes, yes, too cleverly. Oh, Fanny, I begin to revolt against myself.&rdquo;
     </p>
    <p>
      &ldquo;This is nice!&rdquo; said Fanny. &ldquo;Go on, dear. It is just what I ought to have
      expected. You were there. You had only to interfere. You didn't. And now
      you are discontented.&rdquo;
     </p>
    <p>
      &ldquo;Not with you. Spare me. You are not to blame, and I am very unhappy. I am
      losing my self-respect. Oh, if this goes on, I shall hate him!&rdquo;
     </p>
    <p>
      &ldquo;Yes, dear&mdash;for five minutes, and then love him double. Come, don't
      deceive yourself, and don't torment yourself. All your trouble, we shall
      leave it behind us to-morrow, and every hour will take us further from
      it.&rdquo;
     </p>
    <p>
      With this practical view of matters, she kissed Zoe and hurried to bed.
    </p>
    <p>
      But Zoe scarcely closed her eyes all night.
    </p>
    <p>
      Severne did not reach the hotel till past eleven o'clock, and went
      straight to his own room.
    </p>
    <p>
      <a name="link2HCH0010" id="link2HCH0010">
      <!--  H2 anchor --> </a>
    </p>
    <div style="height: 4em;">
      <br /><br /><br /><br />
    </div>
    <h2>
      CHAPTER X.
    </h2>
    <p>
      ASHMEAD accompanied Mademoiselle Klosking to her apartment. It was
      lighted, and the cloth laid for supper under the chandelier, a snow-white
      Hamburg damask. Ashmead took the winnings out of his pocket, and proudly
      piled the gold and crumpled notes in one prodigious mass upon the linen,
      that shone like satin, and made the gold look doubly inviting. Then he
      drew back and gloated on it. The Klosking, too, stood and eyed the pile of
      wealth with amazement and a certain reverence. &ldquo;Let me count it,&rdquo; said
      Ashmead. He did so, and it came to four thousand nine hundred and
      eighty-one pounds, English money. &ldquo;And to think,&rdquo; said he, &ldquo;if you had
      taken my advice you would not have a penny of this!&rdquo;
     </p>
    <p>
      &ldquo;I'll take your advice now,&rdquo; said she. &ldquo;I will never gamble again.&rdquo;
     </p>
    <p>
      &ldquo;Well, take my advice, and lock up the swag before a creature sees it.
      Homburg is full of thieves.&rdquo;
     </p>
    <p>
      She complied, and took away the money in a napkin.
    </p>
    <p>
      Ashmead called after her to know might he order supper.
    </p>
    <p>
      &ldquo;If you will be so kind.&rdquo;
     </p>
    <p>
      Ashmead rejoiced at this unguarded permission, and ordered a supper that
      made Karl stare.
    </p>
    <p>
      The Klosking returned in about half an hour, clad in a crisp <i>peignoir.</i>
    </p>
    <p>
      Ashmead confronted her. &ldquo;I have ordered a bottle of champagne,&rdquo; said he.
      Her answer surprised him. &ldquo;You have done well. We must now begin to prove
      the truth of the old proverb, 'Ce qui vient de la flute s'en va au
      tambour.'&rdquo;
     </p>
    <p>
      At supper Mr. Ashmead was the chief drinker, and, by a natural
      consequence, the chief speaker: he held out brilliant prospects; he
      favored the Klosking with a discourse on advertising. No talent availed
      without it; large posters, pictures, window-cards, etc.; but as her talent
      was superlative, he must now endeavor to keep up with it by invention in
      his line&mdash;the puff circumstantial, the puff poetic, the puff
      anecdotal, the puff controversial, all tending to blow the fame of the
      Klosking in every eye, and ring it in every ear. &ldquo;You take my advice,&rdquo;
       said he, &ldquo;and devote this money, every penny of it, to Publicity. Don't
      you touch a single shiner for anything that does not return a hundred per
      cent. Publicity does, when the article is prime.&rdquo;
     </p>
    <p>
      &ldquo;You forget,&rdquo; said she, &ldquo;this money does not all belong to me. Another can
      claim half; the gentleman with whom we are in partnership.&rdquo;
     </p>
    <p>
      Ashmead looked literally blue. &ldquo;Nonsense!&rdquo; said he, roughly. &ldquo;He can only
      claim his fifty pounds.&rdquo;
     </p>
    <p>
      &ldquo;Nay, my friend. I took two equal sums: one was his, one mine.&rdquo;
     </p>
    <p>
      &ldquo;That has nothing to do with it. He told me to bet for him. I didn't; and
      I shall take him back his fifty pounds and say so. I know where to find
      him.&rdquo;
     </p>
    <p>
      &ldquo;Where?&rdquo;
     </p>
    <p>
      &ldquo;That is my business. Don't you go mad now, and break my heart.&rdquo;
     </p>
    <p>
      &ldquo;Well, my friend, we will talk of it tomorrow morning. It certainly is not
      very clear; and perhaps, after I have prayed and slept, I may see more
      plainly what is right.&rdquo;
     </p>
    <p>
      Ashmead observed she was pale, and asked her, with concern, if she was
      ill.
    </p>
    <p>
      &ldquo;No, not ill,&rdquo; said she, &ldquo;but worn out. My friend, I knew not at the time
      how great was my excitement; but now I am conscious that this afternoon I
      have lived a week. My very knees give way under me.&rdquo;
     </p>
    <p>
      Upon this admission, Ashmead hurried her to bed.
    </p>
    <p>
      She slept soundly for some hours; but, having once awakened, she fell into
      a half-sleepless state, and was full of dreams and fancies. These preyed
      on her so, that she rose and dispatched a servant to Ashmead, with a line
      in pencil begging him to take an early breakfast with her, at nine
      o'clock.
    </p>
    <p>
      As soon as ever he came she began upon the topic of last night. She had
      thought it over, and said, frankly, she was not without hopes the
      gentleman, if he was really a gentleman, might be contented with something
      less than half. But she really did not see how she could refuse him some
      share of her winnings, should he demand it. &ldquo;Think of it,&rdquo; said she. &ldquo;The
      poor man loses&mdash;four hundred pounds, I think you said. Then he says,
      'Bet you for me,' and goes away, trusting to your honor. His luck changes
      in my hands. Is he to lose all when he loses, and win nothing when he
      wins, merely because I am so fortunate as to win much? However, we shall
      hear what <i>he</i> says. You gave him your address.&rdquo;
     </p>
    <p>
      &ldquo;I said I was at 'The Golden Star,'&rdquo; growled Ashmead, in a tone that
      plainly showed he was vexed with himself for being so communicative.
    </p>
    <p>
      &ldquo;Then he will pay us a visit as soon as he hears: so I need give myself no
      further trouble.&rdquo;
     </p>
    <p>
      &ldquo;Why should you? Wait till he comes,&rdquo; said crafty Ashmead.
    </p>
    <p>
      Ina Klosking colored. She felt her friend was tempting her, and felt she
      was not quite beyond the power of temptation.
    </p>
    <p>
      &ldquo;What was he like?&rdquo; said she, to turn the conversation.
    </p>
    <p>
      &ldquo;The handsomest young fellow I ever saw.&rdquo;
     </p>
    <p>
      &ldquo;Young, of course?&rdquo;
     </p>
    <p>
      &ldquo;Yes, quite a boy. At least, he looked a boy. To be sure, his talk was not
      like a boy's; very precocious, I should say.&rdquo;
     </p>
    <p>
      &ldquo;What a pity, to begin gambling so young!&rdquo;
     </p>
    <p>
      &ldquo;Oh, he is all right. If he loses every farthing of his own, he will marry
      money. Any woman would have him. You never saw such a curled darling.&rdquo;
     </p>
    <p>
      &ldquo;Dark or fair?&rdquo;
     </p>
    <p>
      &ldquo;Fair. Pink-and-white, like a girl; a hand like a lady.&rdquo;
     </p>
    <p>
      &ldquo;Indeed. Fine eyes?&rdquo;
     </p>
    <p>
      &ldquo;Splendid!&rdquo;
     </p>
    <p>
      &ldquo;What color?&rdquo;
     </p>
    <p>
      &ldquo;I don't know. Lord bless you, a man does not examine another man's eyes,
      like you ladies. However, now I think of it, there was one curious thing I
      should know him by anywhere.&rdquo;
     </p>
    <p>
      &ldquo;And what was that?&rdquo;
     </p>
    <p>
      &ldquo;Well, you see, his hair was brown; but just above the forehead he had got
      one lock that was like your own&mdash;gold itself.&rdquo;
     </p>
    <p>
      While he said this, the Klosking's face underwent the most rapid and
      striking changes, and at last she sat looking at him wildly.
    </p>
    <p>
      It was some time before he noticed her, and then he was quite alarmed at
      her strange expression. &ldquo;What is the matter?&rdquo; said he. &ldquo;Are you ill?&rdquo;
     </p>
    <p>
      &ldquo;No, no, no. Only a little&mdash;astonished. Such a thing as that is very
      rare.&rdquo;
     </p>
    <p>
      &ldquo;That it is. I never saw a case before.&rdquo;
     </p>
    <p>
      &ldquo;Not one, in all your life?&rdquo; asked she, eagerly.
    </p>
    <p>
      &ldquo;Well, no; not that I remember.&rdquo;
     </p>
    <p>
      &ldquo;Excuse me a minute,&rdquo; said Ina Klosking, and went hurriedly from the room.
    </p>
    <p>
      Ashmead thought her manner very strange, but concluded she was a little
      unhinged by yesterday's excitement. Moreover, there faced him an omelet of
      enormous size, and savory. He thought this worthy to divide a man's
      attention even with the great creature's tantrums. He devoted himself to
      it, and it occupied him so agreeably that he did not observe the conduct
      of Mademoiselle Klosking on her return. She placed three photographs
      softly on the table, not very far from him, and then resumed her seat; but
      her eye never left him: and she gave monosyllabic and almost impatient
      replies to everything he mumbled with his mouth full of omelet.
    </p>
    <p>
      When he had done his omelet, he noticed the photographs. They were all
      colored. He took one up. It was an elderly woman, sweet, venerable, and
      fair-haired. He looked at Ina, and at the photograph, and said, &ldquo;This is
      your mother.&rdquo;
     </p>
    <p>
      &ldquo;It is.&rdquo;
     </p>
    <p>
      &ldquo;It is angelic&mdash;as might be expected.&rdquo;
     </p>
    <p>
      He took up another.
    </p>
    <p>
      &ldquo;This is your brother, I suppose. Stop. Haloo!&mdash;what is this? Are my
      eyes making a fool of me?&rdquo;
     </p>
    <p>
      He held out the photograph at arm's length, and stared from it to her.
      &ldquo;Why, madam,&rdquo; said he, in an awestruck voice, &ldquo;this is the gentleman&mdash;the
      player&mdash;I'd swear to him.&rdquo;
     </p>
    <p>
      Ina started from her seat while he spoke. &ldquo;Ah!&rdquo; she cried, &ldquo;I thought so&mdash;my
      Edward!&rdquo; and sat down, trembling violently.
    </p>
    <p>
      Ashmead ran to her, and sprinkled water in her face, for she seemed ready
      to faint: but she murmured, &ldquo;No, no!&rdquo; and soon the color rushed into her
      face, and she clasped her hands together, and cried, &ldquo;I have found him!&rdquo;
       and soon the storm of varying emotions ended in tears that gave her
      relief.
    </p>
    <p>
      It was a long time before she spoke; but when she did, her spirit and her
      natural strength of character took the upper hand.
    </p>
    <p>
      &ldquo;Where is he?&rdquo; said she, firmly.
    </p>
    <p>
      &ldquo;He told me he was at the 'Russie.'&rdquo;
     </p>
    <p>
      &ldquo;We will go there at once. When is the next train?&rdquo;
     </p>
    <p>
      Ashmead looked at his watch. &ldquo;In ten minutes. We can hardly do it.&rdquo;
     </p>
    <p>
      &ldquo;Yes, we can. Order a carriage this instant. I will be ready in one
      minute.&rdquo;
     </p>
    <p>
      They caught the train, and started.
    </p>
    <p>
      As they glided along, Ashmead begged her not to act too hurriedly, and
      expose herself to insult.
    </p>
    <p>
      &ldquo;Who will dare insult me?&rdquo;
     </p>
    <p>
      &ldquo;Nobody, I hope. Still, I cannot bear you to go into a strange hotel
      hunting this man. It is monstrous; but I am afraid you will not be
      welcome. Something has just occurred to me; the reason he ran off so
      suddenly was, he saw you coming. There was a mirror opposite. Ah, we need
      not have feared he would come back for his winnings. Idiot&mdash;villain!&rdquo;
     </p>
    <p>
      &ldquo;You stab me to the heart,&rdquo; said Ina. &ldquo;He ran away at sight of me? Ah,
      Jesu, pity me! What have I done to him?&rdquo;
     </p>
    <p>
      Honest Ashmead had much ado not to blubber at this patient cry of anguish,
      though the woman herself shed no tear just then. But his judgment was
      undimmed by passion, and he gave her the benefit. &ldquo;Take my advice,&rdquo; said
      he, &ldquo;and work it this way. Come in a close carriage to the side street
      that is nearest the Russie. I'll go in to the hotel and ask for him by his
      name&mdash;what is his name?&rdquo;
     </p>
    <p>
      &ldquo;Mr. Edward Severne.&rdquo;
     </p>
    <p>
      &ldquo;And say that I was afraid to stake his money, but a friend of mine, that
      is a bold player, undertook it, and had a great run of luck. 'There is
      money owing you,' says I, 'and my friend has brought it.' Then he is sure
      to come. You will have your veil down, I'll open the carriage-door, and
      tell him to jump in, and, when you have got him you must make him hear
      reason. I'll give you a good chance&mdash;I'll shut the carriage-door.&rdquo;
     </p>
    <p>
      Ina smiled at his ingenuity&mdash;her first smile that day. &ldquo;You are
      indeed a friend,&rdquo; said she. &ldquo;He fears reproaches, but, when he finds he is
      welcome, he will stay with me; and he shall have money to play with, and
      amuse himself how he likes. I kept too tight a rein on him, poor fellow!
      My good mother taught me prudence.&rdquo;
     </p>
    <p>
      &ldquo;Yes, but,&rdquo; said Ashmead, &ldquo;you must promise me one thing: not to let him
      know how much money you have won, and not to go, like a goose, and give
      him a lot at once. It never pays to part with power in this wicked world.
      You give him twenty pounds a day to play with whenever he is cleaned out.
      Then the money will last your time, and he will never leave you.&rdquo;
     </p>
    <p>
      &ldquo;Oh, how cold-hearted and wise you are!&rdquo; said she. &ldquo;But such a humiliating
      position for <i>him!&rdquo;</i>
    </p>
    <p>
      &ldquo;Don't you be silly. You won't keep him any other way.&rdquo;
     </p>
    <p>
      &ldquo;I will be as wise as I can,&rdquo; sighed Ina. &ldquo;I have had a bitter lesson.
      Only bring him to me, and then, who knows? I am a change: my love may
      revive his, and none of these pitiable precautions may be needed. They
      would lower us both.&rdquo;
     </p>
    <p>
      Ashmead groaned aloud. &ldquo;I see,&rdquo; said he. &ldquo;He'll soon clean you out. Ah,
      well! he can't rob you of your voice, and he can't rob you of your
      Ashmead.&rdquo;
     </p>
    <p>
      They soon reached Frankfort. Ashmead put her into a carriage as agreed,
      and went to the Russie.
    </p>
    <p>
      Ina sat, with her veil down, in the carriage, and waited Ashmead's return
      with Severne. He was a long time coming. She began to doubt, and then to
      fear, and wonder why he was so long.
    </p>
    <p>
      At last he came in sight.
    </p>
    <p>
      He was alone.
    </p>
    <p>
      As he drew nearer she saw his face was thoroughly downcast.
    </p>
    <p>
      &ldquo;My dear friend,&rdquo; he faltered, &ldquo;you are out of luck to-day.&rdquo;
     </p>
    <p>
      &ldquo;He will not come with you?&rdquo;
     </p>
    <p>
      &ldquo;Oh, he would come fast enough, if he was there; but he is gone.&rdquo;
     </p>
    <p>
      &ldquo;Gone! To Homburg?&rdquo;
     </p>
    <p>
      &ldquo;No. Unfortunately, he is gone to England. Went off, by the fast train, an
      hour ago.&rdquo;
     </p>
    <p>
      Ina fell back in silence, just as if she had been struck in the face.
    </p>
    <p>
      &ldquo;He is traveling with an English family, and they have gone straight home.
      Here are their names. I looked in the visitors' book, and talked to the
      servant, and all. Mr. Vizard, Miss Vizard&mdash;&rdquo;
     </p>
    <p>
      &ldquo;Vizard?&rdquo;
     </p>
    <p>
      &ldquo;Yes&mdash;Miss Maitland, Miss Dover. See, I wrote them all down.&rdquo;
     </p>
    <p>
      &ldquo;Oh, I am unfortunate! Why was I ever born?&rdquo;
     </p>
    <p>
      &ldquo;Don't say that, don't say that. It is annoying: but we shall be able to
      trace him now; and, besides, I see other ways of getting hold of him.&rdquo;
     </p>
    <p>
      Ina broke in upon his talk. &ldquo;Take me to the nearest church,&rdquo; she cried.
      &ldquo;Man's words are vain. Ah, Jesu, let me cry to thee!&rdquo;
     </p>
    <p>
      He took her to the nearest church. She went in, and prayed for full two
      hours. She came out, pale and listless, and Ashmead got her home how he
      could. Her very body seemed all crushed and limp. Ashmead left her, sad at
      heart himself.
    </p>
    <p>
      So long as she was in sight Ashmead could think only of her misery: but
      the moment she was out of sight, he remembered the theater. She was
      announced for Rosina that very night. He saw trouble of all sorts before
      him. He ran to the theater, in great alarm, and told the manager she had
      been taken very ill. He must change the bill.
    </p>
    <p>
      &ldquo;Impossible!&rdquo; was the reply. &ldquo;If she can't sing, I close.&rdquo;
     </p>
    <p>
      Ashmead went back to &ldquo;The Star.&rdquo;
     </p>
    <p>
      Ina was in her bedroom.
    </p>
    <p>
      He sent in a line, &ldquo;Can you sing tonight? If not he says he must close.&rdquo;
     </p>
    <p>
      The reply came back in rather a trembling hand. &ldquo;I suffer too much by
      falsehood to break faith myself. I shall pray till night: and then I shall
      sing. If I die on the stage, all the better for me.&rdquo;
     </p>
    <p>
      Was not this a great soul?
    </p>
    <p>
      <a name="link2HCH0011" id="link2HCH0011">
      <!--  H2 anchor --> </a>
    </p>
    <div style="height: 4em;">
      <br /><br /><br /><br />
    </div>
    <h2>
      CHAPTER XI.
    </h2>
    <p>
      THAT same morning our English party snatched a hasty breakfast in
      traveling attire. Severne was not there; but sent word to Vizard he should
      be there in time.
    </p>
    <p>
      This filled the cup. Zoe's wounded pride had been rising higher and higher
      all the night, and she came down rather pale, from broken rest, and
      sternly resolved. She had a few serious words with Fanny, and sketched her
      out a little map of conduct, which showed that she had thought the matter
      well over.
    </p>
    <p>
      But her plan bid fair to be deranged: Severne was not at the station: then
      came a change. Zoe was restless, and cast anxious glances.
    </p>
    <p>
      But at the second bell he darted into the carriage, as if he had just
      dispatched some wonderful business to get there in time. While the train
      was starting, he busied himself in arranging his things; but, once
      started, he put on his sunny look and prepared to be, as usual, the life
      and soul of the party.
    </p>
    <p>
      But, for once, he met a frost. Zoe was wrapped in impenetrable <i>hauteur,</i>
      and Fanny in polite indifference. Never was loss of favor more ably marked
      without the least ill-breeding, and no good handle given to seek an
      explanation.
    </p>
    <p>
      No doubt a straightforward man, with justice on his side, would have asked
      them plumply whether he had been so unfortunate as to offend, and how; and
      this was what Zoe secretly wished, however she might seem to repel it. But
      Severne was too crafty for that. He had learned the art of waiting.
    </p>
    <p>
      After a few efforts at conversation and smooth rebuffs, he put on a
      surprised, mortified, and sorrowful air, and awaited the attack, which he
      felt would come soon or late.
    </p>
    <p>
      This skillful inertia baffled the fair, in a man; in a woman, they might
      have expected it; and, after a few hours, Zoe's patience began to wear
      out.
    </p>
    <p>
      The train stopped for twenty minutes, and, even while they were snatching
      a little refreshment, the dark locks and the blonde came very close
      together; and Zoe, exasperated by her own wounded pride and the sullen
      torpor of her lover, gave Fanny fresh instructions, which nobody was
      better qualified to carry out than that young lady, as nobody was better
      able to baffle female strategy than the gentleman.
    </p>
    <p>
      This time, however, the ladies had certain advantages, to balance his
      subtlety and his habit of stating anything, true or false, that suited his
      immediate purpose.
    </p>
    <p>
      They opened very cat-like. Fanny affected to be outgrowing her ill-humor,
      and volunteered a civil word or two to Severne. Thereupon Zoe turned
      sharply away from Fanny, as if she disapproved her conduct, and took a
      book. This was pretty sly, and done, I suppose, to remove all idea of
      concert between the fair assailants; whereas it was a secret signal for
      the concert to come into operation, it being Fanny's part to play upon
      Severne, and Zoe's to watch, from her corner, every lineament of his face
      under fire.
    </p>
    <p>
      &ldquo;By-the-way, Mr. Severne,&rdquo; said Fanny, apropos of a church on a hill they
      were admiring, &ldquo;did you get your winnings?&rdquo;
     </p>
    <p>
      &ldquo;My winnings! You are sarcastical.&rdquo;
     </p>
    <p>
      &ldquo;Am I? Really I did not intend to be.&rdquo;
     </p>
    <p>
      &ldquo;No, no; forgive me; but that did seem a little cruel. Miss Dover, I was a
      heavy loser.&rdquo;
     </p>
    <p>
      &ldquo;Not while we were there. The lady and gentleman who played with your
      money won, oh, such a deal!&rdquo;
     </p>
    <p>
      &ldquo;The devil they did!&rdquo;
     </p>
    <p>
      &ldquo;Yes. Did you not stay behind, last night, to get it? We never saw you at
      the Russie.&rdquo;
     </p>
    <p>
      &ldquo;I was very ill.&rdquo;
     </p>
    <p>
      &ldquo;Bleeding at the nose?&rdquo;
     </p>
    <p>
      &ldquo;No. That always relieves me when it comes. I am subject to fainting fits:
      once I lay insensible so long they were going to bury me. Now, do pray
      tell me what makes you fancy anybody won a lot with my money.&rdquo;
     </p>
    <p>
      &ldquo;Well, I will. You know you left fifty pounds for a friend to bet with.&rdquo;
     </p>
    <p>
      Severne stared; but was too eager for information to question her how she
      knew this. &ldquo;Yes, I did,&rdquo; said he.
    </p>
    <p>
      &ldquo;And you really don't know what followed?&rdquo;
     </p>
    <p>
      &ldquo;Good heavens! how can I?&rdquo;
     </p>
    <p>
      &ldquo;Well, then, as you ran out&mdash;to faint, Mademoiselle Klosking came in,
      just as she did at the opera, you know, the time before, when you ran out&mdash;to
      bleed. She slipped into your chair, the very moment you left it; and your
      friend with the flaming neck-tie told her you had set him to bet with your
      money. By-the-by, Mr. Severne, how on earth do you and Mademoiselle
      Klosking, who have both so much taste in dress, come to have a mutual
      friend, vulgarity in person, with a velveteen coat and an impossible
      neck-tie?&rdquo;
     </p>
    <p>
      &ldquo;What are you talking about, Miss Dover? I do just know Mademoiselle
      Klosking; I met her in society in Vienna, two years ago: but that cad I
      commissioned to bet for me I never saw before in my life. You are keeping
      me on tenter-hooks. My money&mdash;my money&mdash;my money! If you have a
      heart in your bosom, tell me what became of my money.&rdquo;
     </p>
    <p>
      He was violent, for the first time since they had known him, and his eyes
      flashed fire.
    </p>
    <p>
      &ldquo;Well,&rdquo; said Fanny, beginning to be puzzled and rather frightened, &ldquo;this
      man, who you <i>say</i> was a new acquaintance&mdash;&rdquo;
     </p>
    <p>
      &ldquo;Whom I <i>say?</i> Do you mean to tell me I am a liar?&rdquo; He fumbled
      eagerly in his breast-pocket, and produced a card. &ldquo;There,&rdquo; said he, &ldquo;this
      is the card he gave me, 'Mr. Joseph Ashmead.' Now, may this train dash
      over the next viaduct, and take you and Miss Vizard to heaven, and me to
      hell, if I ever saw Mr. Joseph Ashmead's face before. THE MONEY!&mdash;THE
      MONEY!&rdquo;
     </p>
    <p>
      He uttered this furiously, and, it is a curious fact; but Zoe turned red,
      and Fanny pale. It was really in quite a cowed voice Miss Dover went on to
      say, &ldquo;La! don't fly out like that. Well, then, the man refused to bet with
      your money; so then Mademoiselle Klosking said she would; and she played&mdash;oh,
      how she did play! She doubled, and doubled, and doubled, hundreds upon
      hundreds. She made a mountain of gold and a pyramid of bank-notes; and she
      never stopped till she broke the bank&mdash;there!&rdquo;
     </p>
    <p>
      &ldquo;With my money?&rdquo; gasped Severne.
    </p>
    <p>
      &ldquo;Yes; with your money. Your friend with the loud tie pocketed it; I beg
      your pardon, not your friend&mdash;only hers. Harrington says he is her <i>cher
      ami.&rdquo;</i>
    </p>
    <p>
      &ldquo;The money is mine!&rdquo; he shrieked. &ldquo;I don't care who played with it, it is
      mine. And the fellow had the impudence to send me back my fifty pounds to
      the Russie.&rdquo;
     </p>
    <p>
      &ldquo;What! you gave him your address?&rdquo; this with an involuntary glance of
      surprise at Zoe.
    </p>
    <p>
      &ldquo;Of course. Do you think I leave a man fifty pounds to play with, and
      don't give him my address? He has won thousands with my money, and sent me
      back my fifty, for a blind, the thief!&rdquo;
     </p>
    <p>
      &ldquo;Well, really it is too bad,&rdquo; said Fanny. &ldquo;But, there&mdash;I'm afraid you
      must make the best of it. Of course, their sending back your fifty pounds
      shows they mean to keep their winnings.&rdquo;
     </p>
    <p>
      &ldquo;You talk like a woman,&rdquo; said he; then, grinding his teeth, and stretching
      out a long muscular arm, he said, &ldquo;I'll take the blackguard by the throat
      and tear it out of him, though I tear his life out along with it.&rdquo;
     </p>
    <p>
      All this time Zoe had been looking at him with concern, and even with
      admiration. He seemed more beautiful than ever, to her, under the
      influence of passion, and more of a man.
    </p>
    <p>
      &ldquo;Mr. Severne,&rdquo; said she, &ldquo;be calm. Fanny has misled you, without intending
      it. She did not hear all that passed between those two; I did. The
      velveteen and neck-tie man refused to bet with your money. It was
      Mademoiselle Klosking who bet, and with her own money. She took
      twenty-five pounds of her own, and twenty-five pounds of yours, and won
      two or three hundred in a few moments. Surely, as a gentleman, you cannot
      ask a lady to do more than repay you your twenty-five pounds.&rdquo;
     </p>
    <p>
      Severne was a little cowed by Zoe' s interference. He stood his ground;
      but sullenly, instead of violently.
    </p>
    <p>
      &ldquo;Miss Vizard, if I were weak enough to trust a lady with my money at a
      gambling table, I should expect foul play; for I never knew a lady yet who
      would not cheat <i>at cards,</i> if she could. I trusted my money to a
      tradesman to bet with. If he takes a female partner, that is no business
      of mine; he is responsible all the same, and I'll have my money.&rdquo;
     </p>
    <p>
      He jumped up at the word, and looked out at the window; he even fumbled
      with the door, and tried to open it.
    </p>
    <p>
      &ldquo;You had better jump out,&rdquo; said Fanny.
    </p>
    <p>
      &ldquo;And then they would keep my money for good. No;&rdquo; said he, &ldquo;I'll wait for
      the nearest station.&rdquo; He sunk back into his seat, looking unutterable
      things.
    </p>
    <p>
      Fanny looked rather rueful at first; then she said, spitefully, &ldquo;You must
      be very sure of your influence with your old sweetheart. You forget she
      has got another now&mdash;a tradesman, too. He will stick to the money,
      and make her stick to it. Their sending the fifty pounds shows that.&rdquo;
     </p>
    <p>
      Zoe's eyes were on him with microscopic power, and, with all his
      self-command, she saw him wince and change color, and give other signs
      that this shaft had told in many ways.
    </p>
    <p>
      He shut his countenance the next moment; but it had opened, and Zoe was on
      fire with jealousy and suspicion.
    </p>
    <p>
      Fluctuating Fanny regretted the turn things had taken. She did not want to
      lose a pleasant male companion, and she felt sure Zoe would be unhappy,
      and cross to her, if he went. &ldquo;Surely, Mr. Severne,&rdquo; she said, &ldquo;you will
      not desert us and go back for so small a chance. Why, we are a hundred and
      fifty miles from Homburg, and all the nearer to dear old England. There,
      there&mdash;we must be kinder to you, and make you forget this
      misfortune.&rdquo;
     </p>
    <p>
      Thus spoke the trimmer. The reply took her by surprise.
    </p>
    <p>
      &ldquo;And whose fault is it that I am obliged to get out a hundred and fifty
      miles from Homburg? You knew all this. You could have got me a delay of a
      few hours to go and get my due. You know I am a poor man. With all your
      cleverness, you don't know what made me poor, or you would feel some
      remorse, perhaps; but you know I am poor when most I could wish I were
      rich. You have heard that old woman there fling my poverty in my teeth;
      yet you could keep this from me&mdash;just to assist a cheat and play upon
      the feelings of a friend. Now, what good has that done you, to inflict
      misery on me in sport, on a man who never gave you a moment's pain if he
      could help it?&rdquo;
     </p>
    <p>
      Fanny looked ruefully this way and that, her face began to work, and she
      laid down her arms, if a lady can be said to do that who lays down a
      strong weapon and takes up a stronger; in other words, she burst out
      crying, and said no more. You see, she was poor herself.
    </p>
    <p>
      Severne took no notice of her; he was accustomed to make women cry. He
      thrust his head out of the window in hopes of seeing a station near, and
      his whole being was restless as if he would like to jump out.
    </p>
    <p>
      While he was in this condition of mind and body, the hand he had once
      kissed so tenderly, and shocked Miss Maitland, passed an envelope over his
      shoulder, with two lines written on it in pencil:
    </p>
    <p>
      &ldquo;If you GO BACK TO HOMBURG, oblige ME BY REMAINING there.&rdquo;
     </p>
    <p>
      This demands an explanation; but it shall be brief.
    </p>
    <p>
      Fanny's shrewd hint, that the money could only be obtained from Mdlle.
      Klosking, had pierced Zoe through and through. Her mind grasped all that
      had happened, all that impended, and, wisely declining to try and account
      for, or reconcile, all the jarring details, she settled, with a woman's
      broad instinct, that, somehow or other, his going back to Homburg meant
      going back to Mademoiselle Klosking. Whether that lady would buy him or
      not, she did not know. But going back to her meant going a journey to see
      a rival, with consequences illimitable.
    </p>
    <p>
      She had courage; she had pride; she had jealousy. She resolved to lose her
      lover, or have him all to herself. Share him she would not, nor even
      endure the torture of the doubt.
    </p>
    <p>
      She took an envelope out of her satchel, and with the pencil attached to
      her chatelaine wrote the fatal words, &ldquo;If you go back to Homburg, oblige
      me by remaining there.&rdquo;
     </p>
    <p>
      At this moment she was not goaded by pique or any petty feeling. Indeed,
      his reproach to Fanny had touched her a little, and it was with the tear
      in her eye she came to the resolution, and handed him that line, which
      told him she knew her value, and, cost what it might, would part with any
      man forever rather than share him with the Klosking or any other woman.
    </p>
    <p>
      Severne took the line, eyed it, realized it, fell back from the window,
      and dropped into his seat. This gave Zoe a consoling sense of power. She
      had seen her lover raging and restless, and wanting to jump out, yet now
      beheld him literally felled with a word from her hand.
    </p>
    <p>
      He leaned his head in his hand in a sort of broken-down, collapsed, dogged
      way that moved her pity, though hardly her respect.
    </p>
    <p>
      By-and-by it struck her as a very grave thing that he did not reply by
      word, nor even by look. He could decide with a glance, and why did he
      hesitate? Was he really balancing her against Mademoiselle Klosking
      weighted with a share of his winnings?
    </p>
    <p>
      This doubt was wormwood to her pride and self-respect; but his crushed
      attitude allayed in some degree the mere irritation his doubt caused.
    </p>
    <p>
      The minutes passed and the miles: still that broken figure sat before her,
      with his face hidden by his white hand.
    </p>
    <p>
      Zoe's courage began to falter. Misgivings seized her. She had made that a
      matter of love which, after all, to a man, might be a mere matter of
      business. He was poor, too, and she had thrust her jealousy between him
      and money. He might have his pride too, and rebel against her affront.
    </p>
    <p>
      As for his thoughts, under that crushed exterior, which he put on for a
      blind, they were so deliberate and calculating that I shall not mix them
      on this page with that pure and generous creature's. Another time will do
      to reveal his sordid arithmetic. As for Zoe, she settled down into
      wishing, with all her heart, she had not submitted her lover so
      imperiously to a test, the severity of which she now saw she had
      underrated.
    </p>
    <p>
      Presently the speed of the train began to slacken&mdash;all too soon. She
      now dreaded to learn her fate. Was she, or was she not, worth a few
      thousand pounds ready money?
    </p>
    <p>
      A signal-post was past, proving that they were about to enter a station.
      Yet another. Now the wheels were hardly turning. Now the platform was
      visible. Yet he never moved his white, delicate, womanish fingers from his
      forehead, but remained still absorbed, and looked undecided.
    </p>
    <p>
      At last the motion entirely ceased. Then, as she turned her head to glean,
      if possible, the name of the place, he stole a furtive glance at her. She
      was pallid, agitated. He resolved upon his course.
    </p>
    <p>
      As soon as the train stopped, he opened the door and jumped out, without a
      word to Zoe, or even a look.
    </p>
    <p>
      Zoe turned pale as death. &ldquo;I have lost him,&rdquo; said she.
    </p>
    <p>
      &ldquo;No, no,&rdquo; cried Fanny. &ldquo;See, he has not taken his cane and umbrella.&rdquo;
     </p>
    <p>
      <i>&ldquo;They</i> will not keep him from flying to his money and her,&rdquo; moaned
      Zoe. &ldquo;Did you not see? He never once looked at me. He could not. I am sick
      at heart.&rdquo;
     </p>
    <p>
      This set Fanny fluttering. &ldquo;There, let me out to speak to him.&rdquo;
     </p>
    <p>
      &ldquo;Sit quiet,&rdquo; said Zoe, sternly.
    </p>
    <p>
      &ldquo;No; no. If you love him&mdash;&rdquo;
     </p>
    <p>
      &ldquo;I do love him&mdash;passionately. And <i>therefore</i> I'll die rather
      than share him with any one.&rdquo;
     </p>
    <p>
      &ldquo;But it is dreadful to be fixed here, and not allowed to move hand or
      foot.&rdquo;
     </p>
    <p>
      &ldquo;It is the lot of women. Let me feel the hand of a friend, that is all;
      for I am sick at heart.&rdquo;
     </p>
    <p>
      Fanny gave her her hand, and all the sympathy her shallow nature had to
      bestow.
    </p>
    <p>
      Zoe sat motionless, gripping her friend's hand almost convulsively, a
      statue of female fortitude.
    </p>
    <p>
      This suspense could not last long. The officials ordered the travelers to
      the carriages; doors were opened and slammed; the engine gave a snort, and
      only at that moment did Mr. Edward Severne tear the door open and bolt
      into the carriage.
    </p>
    <p>
      Oh, it was pitiable, but lovely, to see the blood rush into Zoe's face,
      and the fire into her eye, and the sweet mouth expand in a smile of joy
      and triumph!
    </p>
    <p>
      She sat a moment, almost paralyzed with pleasure, and then cast her eyes
      down, lest their fire should proclaim her feelings too plainly.
    </p>
    <p>
      As for Severne, he only glanced at her as he came in, and then shunned her
      eye. He presented to her the grave, resolved countenance of a man who has
      been forced to a decision, but means to abide by it.
    </p>
    <p>
      In reality he was delighted at the turn things had taken. The money was
      not necessarily lost, since he knew where it was; and Zoe had compromised
      herself beyond retreating. He intended to wear this anxious face a long
      while. But his artificial snow had to melt, so real a sun shone full on
      it. The moment he looked full at Zoe, she repaid him with such a
      point-blank beam of glorious tenderness and gratitude as made him thrill
      with passion as well as triumph. He felt her whole heart was his, and from
      that hour his poverty would never be allowed to weigh with her. He cleared
      up, and left off acting, because it was superfluous; he had now only to
      bask in sunshine. Zoe, always tender, but coy till this moment, made love
      to him like a young goddess. Even Fanny yielded to the solid proof of
      sincerity he had given, and was downright affectionate.
    </p>
    <p>
      He was king. And from one gradation to another, they entered Cologne with
      Severne seated between the two girls, each with a hand in his, and a great
      disposition to pet him and spoil him; more than once, indeed, a delicate
      head just grazed each of his square shoulders; but candor compels me to
      own that their fatigue and the yawing of the carriage at the time were
      more to blame than the tired girls; for at the enormity there was a prompt
      retirement to a distance. Miss Maitland had been a long time in the land
      of Nod; and Vizard, from the first, had preferred male companions and
      tobacco.
    </p>
    <p>
      At Cologne they visited the pride of Germany, that mighty cathedral which
      the Middle Ages projected, commenced, and left to decay of old age before
      completion, and our enterprising age will finish; but they departed on the
      same day.
    </p>
    <p>
      Before they reached England, the love-making between Severne and Zoe,
      though it never passed the bounds of good taste, was so apparent to any
      female eye that Miss Maitland remonstrated severely with Fanny.
    </p>
    <p>
      But the trimmer was now won to the other side. She would not offend Aunt
      Maitland by owning her conversion. She said, hypocritically, &ldquo;I am afraid
      it is no use objecting at present, aunt. The attachment is too strong on
      both sides. And, whether he is poor or not, he has sacrificed his money to
      her feelings, and so, now, she feels bound in honor. I know her; she won't
      listen to a word now, aunt: why irritate her? She would quarrel with both
      of us in a moment.&rdquo;
     </p>
    <p>
      &ldquo;Poor girl!&rdquo; said Miss Maitland; and took the hint. She had still an arrow
      in her quiver&mdash;Vizard.
    </p>
    <p>
      In mid-channel, ten miles south of Dover, she caught him in a lucid
      interval of non-smoke. She reminded, him he had promised her to give Mr.
      Severne a hint about Zoe.
    </p>
    <p>
      &ldquo;So I did,&rdquo; said he.
    </p>
    <p>
      &ldquo;And have you?&rdquo;
     </p>
    <p>
      &ldquo;Well, no; to tell the truth, I forgot.&rdquo;
     </p>
    <p>
      &ldquo;Then please do it now; for they are going on worse than ever.&rdquo;
     </p>
    <p>
      &ldquo;I'll warn the fool,&rdquo; said he.
    </p>
    <p>
      He did warn him, and in the following terms:
    </p>
    <p>
      &ldquo;Look here, old fellow. I hear you are getting awfully sweet on my sister
      Zoe.&rdquo;
     </p>
    <p>
      No answer. Severne on his guard.
    </p>
    <p>
      &ldquo;Now, you had better mind your eye. She is a very pretty girl, and you may
      find yourself entangled before you know where you are.&rdquo;
     </p>
    <p>
      Severne hung his head. &ldquo;Of course, I know it is great presumption in me.&rdquo;
     </p>
    <p>
      &ldquo;Presumption? fiddlestick! Such a man as you are ought not to be tied to
      any woman, or, if you must be, you ought not to go cheap. Mind, Zoe is a
      poor girl; only ten thousand in the world. Flirt with whom you like&mdash;there
      is no harm in that; but don't get seriously entangled with any of them.
      Good sisters, and good daughters, and good flirts make bad wives.&rdquo;
     </p>
    <p>
      &ldquo;Oh, then,&rdquo; said Severne, &ldquo;it is only on my account you object.&rdquo;
     </p>
    <p>
      &ldquo;Well, principally. And I don't exactly object. I warn. In the first
      place, as soon as ever we get into Barfordshire, she will most likely jilt
      you. You may be only her Continental lover. How can I tell, <i>or you
      either?</i> And if not, and you were to be weak enough to marry her, she
      would develop unexpected vices directly&mdash;they all do. And you are not
      rich enough to live in a house of your own; you would have to live in mine&mdash;a
      fine fate for a rising blade like you.&rdquo;
     </p>
    <p>
      &ldquo;What a terrible prospect&mdash;to be tied to the best friend in England
      as well as the loveliest woman!&rdquo;
     </p>
    <p>
      &ldquo;Oh, if that is the view you take,&rdquo; said Vizard, beaming with delight, &ldquo;it
      is no use talking reason to <i>you.&rdquo;</i>
    </p>
    <p>
      When they reached London, Vizard gave Miss Maitland an outline of this
      conversation; and, so far from seeing the humor of it, which,
      nevertheless, was pretty strong and characteristic of the man and his one
      foible, she took the huff, and would not even stay to dinner at the hotel.
      She would go into her own county by the next train, bag and baggage.
    </p>
    <p>
      Mr. Severne was the only one who offered to accompany her to the Great
      Western Railway. She declined. He insisted; went with her; got her ticket,
      numbered and arranged her packages, and saw her safely off, with an air of
      profound respect and admirably feigned regret.
    </p>
    <p>
      That she was the dupe of his art, may be doubted: that he lost nothing by
      it, is certain. Men are not ruined by civility. As soon as she was seated,
      she said, &ldquo;I beg, sir, you will waste no more time with me. Mr. Severne,
      you have behaved to me like a gentleman, and that is very unusual in a man
      of your age nowadays. I cannot alter my opinion about my niece and you:
      but I <i>am</i> sorry you are a poor gentleman&mdash;much too poor to
      marry her, and I wish I could make you a rich one; but I cannot. There is
      my hand.&rdquo;
     </p>
    <p>
      You should have seen the air of tender veneration with which the young
      Machiavel bowed over her hand, and even imprinted a light touch on it with
      his velvet lips.
    </p>
    <p>
      Then he retired, disconsolate, and, once out of sight, whipped into a
      gin-palace and swallowed a quartern of neat brandy, to take the taste out
      of his mouth. &ldquo;Go it, Ned,&rdquo; said he, to himself; &ldquo;you can't afford to make
      enemies.&rdquo;
     </p>
    <p>
      The old lady went off bitter against the whole party <i>except Mr.
      Severne;</i> and he retired to his friends, disembarrassed of the one foe
      he had not turned into a downright friend, but only disarmed. Well does
      the great Voltaire recommend what he well calls &ldquo;le grand art de plaire.&rdquo;
     </p>
    <p>
      Vizard sent Harris into Barfordshire, to prepare for the comfort of the
      party; and to light fires in all the bedrooms, though it was summer; and
      to see the beds, blankets and sheets aired at the very fires of the very
      rooms they were to be used in. This sacred office he never trusted to a
      housekeeper; he used even to declare, as the result of experience, that it
      was beyond the intellect of any woman really to air mattresses, blankets,
      and sheets&mdash;all three. He had also a printed list he used to show
      about, of five acquaintances, stout fellows all, whom &ldquo;little bits of
      women&rdquo; (such was his phraseology) had laid low with damp beds, having
      crippled two for life with rheumatism and lumbago, and sent three to their
      long home.
    </p>
    <p>
      Meantime Severne took the ladies to every public attraction by day and
      night, and Vizard thanked him, before the fair, for his consideration in
      taking them off his hands; and Severne retorted by thanking him for
      leaving them on his.
    </p>
    <p>
      It may seem, at first, a vile selection; but I am going to ask the ladies
      who honor me with their attention to follow, not that gay, amorous party
      of three, but this solitary cynic on his round.
    </p>
    <p>
      Taking a turn round the garden in Leicester Square, which was new to him,
      Harrington Vizard's observant eye saw a young lady rise up from a seat to
      go, but turn pale directly, and sit down again upon the arm of the seat,
      as if for support.
    </p>
    <p>
      &ldquo;Halloo!&rdquo; said Vizard, in his blunt way, <i>&ldquo;you</i> are not well. What
      can I do for you?&rdquo;
     </p>
    <p>
      &ldquo;I am all right,&rdquo; said she. &ldquo;Please go on;&rdquo; the latter words in a tone
      that implied she was not a novice, and the attentions of gentlemen to
      strange ladies were suspected.
    </p>
    <p>
      &ldquo;I beg your pardon,&rdquo; said Vizard, coolly. &ldquo;You are not all right. You look
      as if you were going to faint.&rdquo;
     </p>
    <p>
      &ldquo;What, are my lips blue?&rdquo;
     </p>
    <p>
      &ldquo;No; but they are pale.&rdquo;
     </p>
    <p>
      &ldquo;Well, then it is not a case of fainting. It <i>may</i> be exhaustion.&rdquo;
     </p>
    <p>
      &ldquo;You know best. What shall we do?&rdquo;
     </p>
    <p>
      &ldquo;Why, nothing. Yes; mind our own business.&rdquo;
     </p>
    <p>
      &ldquo;With all my heart; my business just now is to offer you some restorative&mdash;a
      glass of wine.&rdquo;
     </p>
    <p>
      &ldquo;Oh, yes! I think I see myself going into a public-house with you.
      Besides, I don't believe in stimulants. Strength can only enter the human
      body one way. I know what is the matter with me.&rdquo;
     </p>
    <p>
      &ldquo;What is it?&rdquo;
     </p>
    <p>
      &ldquo;I am not obliged to tell <i>you.&rdquo;</i>
    </p>
    <p>
      &ldquo;Of course you are not obliged; but you might as well.&rdquo;
     </p>
    <p>
      &ldquo;Well, then, it is Hunger.&rdquo;
     </p>
    <p>
      &ldquo;Hunger!&rdquo;
     </p>
    <p>
      &ldquo;Hunger&mdash;famine&mdash;starvation. Don't you know English?&rdquo;
     </p>
    <p>
      &ldquo;I hope you are not serious, madam,&rdquo; said Vizard, very gravely. &ldquo;However,
      if ladies will say such things as that, men with stomachs in their bosoms
      must act accordingly. Oblige me by taking my arm, as you are weak, and we
      will adjourn to that eating-house over the way.&rdquo;
     </p>
    <p>
      &ldquo;Much obliged,&rdquo; said the lady, satirically, &ldquo;our acquaintance is not <i>quite</i>
      long enough for that.&rdquo;
     </p>
    <p>
      He looked at her; a tall, slim, young lady, black merino, by no means new,
      clean cuffs and collar leaning against the chair for support, and yet
      sacrificing herself to conventional propriety, and even withstanding him
      with a pretty little air of defiance that was pitiable, her pallor and the
      weakness of her body considered.
    </p>
    <p>
      The poor Woman-hater's bowels began to yearn. &ldquo;Look here, you little
      spitfire,&rdquo; said he, &ldquo;if you don't instantly take my arm, I'll catch you up
      and carry you over, with no more trouble than you would carry a
      thread-paper.&rdquo;
     </p>
    <p>
      She looked him up and down very keenly, and at last with a slight
      expression of feminine approval, the first she had vouchsafed him. Then
      she folded her arms, and cocked her little nose at him, &ldquo;You daren't. I'll
      call the police.&rdquo;
     </p>
    <p>
      &ldquo;If you do, I'll tell them you are my little cousin, mad as a March hare:
      starving, and won't eat. Come, how is it to be?&rdquo; He advanced upon her.
    </p>
    <p>
      &ldquo;You can't be in earnest, sir,&rdquo; said she, with sudden dignity.
    </p>
    <p>
      &ldquo;Am I not, though? You don't know <i>me.</i> I am used to be obeyed. If
      you don't go with me like a sensible girl, I'll carry you&mdash;to your
      dinner&mdash;like a ruffian.&rdquo;
     </p>
    <p>
      &ldquo;Then I'll go&mdash;like a lady,&rdquo; said she, with sudden humility.
    </p>
    <p>
      He offered her his arm. She passed hers within; but leaned as lightly as
      possible on it, and her poor pale face was a little pink as they went.
    </p>
    <p>
      He entered the eating-house, and asked for two portions of cold roast
      beef, not to keep her waiting. They were brought.
    </p>
    <p>
      &ldquo;Sir,&rdquo; said she, with a subjugated air, &ldquo;will you be so good as cut up the
      meat small, and pass it to me a bit or two at a time.&rdquo;
     </p>
    <p>
      He was surprised, but obeyed her orders.
    </p>
    <p>
      &ldquo;And if you could make me talk a little? Because, at sight of the meat so
      near me, I feel like a tigress&mdash;poor human nature! Sir, I have not
      eaten meat for a week, nor food of any kind this two days.&rdquo;
     </p>
    <p>
      &ldquo;Good God!&rdquo;
     </p>
    <p>
      &ldquo;So I must be prudent. People have gorged themselves with furious eating
      under those circumstances; that is why I asked you to supply me slowly.
      Thank you. You need not look at me like that. Better folk than I have <i>died</i>
      of hunger. Something tells me I have reached the lowest spoke, when I have
      been indebted to a stranger for a meal.&rdquo;
     </p>
    <p>
      Vizard felt the water come into his eyes; but he resisted that pitiable
      weakness. &ldquo;Bother that nonsense!&rdquo; said he. &ldquo;I'll introduce myself, and
      then you can't throw <i>stranger</i> in my teeth. I am Harrington Vizard,
      a Barfordshire squire.&rdquo;
     </p>
    <p>
      &ldquo;I thought you were not a Cockney.&rdquo;
     </p>
    <p>
      &ldquo;Lord forbid! Does that information entitle me to any in return?&rdquo;
     </p>
    <p>
      &ldquo;I don't know; but, whether or no, my name is Rhoda Gale.&rdquo;
     </p>
    <p>
      &ldquo;Have another plate, Miss Gale?&rdquo;
     </p>
    <p>
      &ldquo;Thanks.&rdquo;
     </p>
    <p>
      He ordered another.
    </p>
    <p>
      &ldquo;I am proud of your confiding your name to me, Miss Gale; but, to tell the
      truth, what I wanted to know is how a young lady of your talent and
      education could be so badly off as you must be. It is not impertinent
      curiosity.&rdquo;
     </p>
    <p>
      The young lady reflected a moment. &ldquo;Sir,&rdquo; said she, &ldquo;I don't think it is;
      and I would not much mind telling you. Of course I studied you before I
      came here. Even hunger would not make me sit in a tavern beside a fool, or
      a snob, or (with a faint blush) a libertine. But to tell one's own story,
      that is so egotistical, for one thing.
    </p>
    <p>
      &ldquo;Oh, it is never egotistical to oblige.&rdquo;
     </p>
    <p>
      &ldquo;Now, that is sophistical. Then, again, I am afraid I could not tell it to
      you without crying, because you seem rather a manly man, and some of it
      might revolt you, and you might sympathize right out, and then I should
      break down.&rdquo;
     </p>
    <p>
      &ldquo;No matter. Do us both good.&rdquo;
     </p>
    <p>
      &ldquo;Yes, but before the waiters and people! See how they are staring at us
      already.&rdquo;
     </p>
    <p>
      &ldquo;We will have another go in at the beef, and then adjourn to the garden
      for your narrative.&rdquo;
     </p>
    <p>
      &ldquo;No: as much garden as you like, but no more beef. I have eaten one
      sirloin, I reckon. Will you give me one cup of black tea without sugar or
      milk?&rdquo;
     </p>
    <p>
      Vizard gave the order.
    </p>
    <p>
      She seemed to think some explanation necessary, though he did not.
    </p>
    <p>
      &ldquo;One cup of tea agrees with my brain and nerves,&rdquo; said she. &ldquo;It steadies
      them. That is a matter of individual experience. I should not prescribe it
      to others any the more for that.&rdquo;
     </p>
    <p>
      Vizard sat wondering at the girl. He said to himself, &ldquo;What is she? A <i>lusus
      naturoe?&rdquo;</i>
    </p>
    <p>
      When the tea came, and she had sipped a little, she perked up wonderfully.
      Said she, &ldquo;Oh, the magic effect of food eaten judiciously! Now I am a
      lioness, and do not fear the future. Yes; I will tell you my story&mdash;and,
      if you think you are going to hear a love-story, you will be nicely caught&mdash;ha-ha!
      No, <i>sir;&rdquo;</i> said she, with rising fervor and heightened color, &ldquo;you
      will hear a story the public is deeply interested in and does not know it;
      ay, a story that will certainly be referred to with wonder and shame,
      whenever civilization shall become a reality, and law cease to be a tool
      of injustice and monopoly.&rdquo; She paused a moment; then said a little
      doggedly, as one used to encounter prejudice, &ldquo;I am a medical student; a
      would-be doctor.&rdquo;
     </p>
    <p>
      &ldquo;Ah!&rdquo;
     </p>
    <p>
      &ldquo;And so well qualified by genuine gifts, by study from my infancy, by
      zeal, quick senses, and cultivated judgment, that, were all the leading
      London physicians examined to-morrow by qualified persons at the same
      board as myself, most of those wealthy practitioners&mdash;not all, mind
      you&mdash;would cut an indifferent figure in modern science compared with
      me, whom you have had to rescue from starvation&mdash;because I am a
      woman.&rdquo;
     </p>
    <p>
      Her eye flashed. But she moderated herself, and said, &ldquo;That is the
      outline; and it is a grievance. Now, grievances are bores. You can escape
      this one before it is too late.&rdquo;
     </p>
    <p>
      &ldquo;If it lies with me, I demand the minutest details,&rdquo; said Vizard, warmly.
    </p>
    <p>
      &ldquo;You shall have them; and true to the letter.&rdquo;
     </p>
    <p>
      Vizard settled the small account, and adjourned, with his companion, to
      the garden. She walked by his side, with her face sometimes thoughtfully
      bent on the ground, and sometimes confronting him with ardor, and told him
      a true story, the simplicity of which I shall try not to spoil with any
      vulgar arts of fiction.
    </p>
    <h3>
      A LITTLE NARRATIVE OF DRY FACTS TOLD TO A WOMAN-HATER BY A WOMAN.
    </h3>
    <p>
      <a name="link2HCH0012" id="link2HCH0012">
      <!--  H2 anchor --> </a>
    </p>
    <div style="height: 4em;">
      <br /><br /><br /><br />
    </div>
    <h2>
      CHAPTER XII.
    </h2>
    <p>
      &ldquo;My father was an American, my mother English. I was born near Epsom and
      lived there ten years. Then my father had property left him in
      Massachusetts, and we went to Boston. Both my parents educated me, and
      began very early. I observe that most parents are babies at teaching,
      compared with mine. My father was a linguist, and taught me to lisp
      German, French, and English; my mother was an ideaed woman: she taught me
      three rarities&mdash;attention, observation, and accuracy. If I went a
      walk in the country, I had to bring her home a budget: the men and women
      on the road, their dresses, appearance, countenances, and words; every
      kind of bird in the air, and insect and chrysalis in the hedges; the crops
      in the fields, the flowers and herbs on the banks. If I walked in the
      town, I must not be eyes and no eyes; woe betide me if I could only report
      the dresses! Really, I have known me, when I was but eight, come home to
      my mother laden with details, when perhaps an untrained girl of eighteen
      could only have specified that she had gone up and down a thoroughfare.
      Another time mother would take me on a visit: next day, or perhaps next
      week, she would expect me to describe every article of furniture in her
      friend's room, and the books on the table, and repeat the conversation,
      the topics at all events. She taught me to master history <i>accurately.</i>
      To do this she was artful enough to turn sport into science. She utilized
      a game: young people in Boston play it. A writes an anecdote on paper, or
      perhaps produces it in print. She reads it off to B. B goes away, and
      writes it down by memory; then reads her writing out to C. C has to
      listen, and convey her impression to paper. This she reads to D, and D
      goes and writes it. Then the original story and D's version are compared;
      and, generally speaking, the difference of the two is a caution&mdash;against
      oral tradition. When the steps of deviation are observed, it is quite a
      study.
    </p>
    <p>
      &ldquo;My mother, with her good wit, saw there was something better than fun to
      be got out of this. She trained my memory of great things with it. She
      began with striking passages of history, and played the game with father
      and me. But as my power of retaining, and repeating correctly, grew by
      practice, she enlarged the business, and kept enriching my memory, so that
      I began to have tracts of history at my fingers' ends. As I grew older,
      she extended the sport to laws and the great public controversies in
      religion, politics, and philosophy that have agitated the world. But here
      she had to get assistance from her learned friends. She was a woman valued
      by men of intellect, and she had no mercy&mdash;milked jurists,
      physicians, and theologians and historians all into my little pail. To be
      sure, they were as kind about it as she was unscrupulous. They saw I was a
      keen student, and gave my mother many a little gem in writing. She read
      them out to me: I listened hard, and thus I fixed many great and good
      things in my trained memory; and repeated them against the text: I was
      never allowed to see <i>that.</i>
    </p>
    <p>
      &ldquo;With this sharp training, school subjects were child's play to me, and I
      won a good many prizes very easily. My mother would not let me waste a
      single minute over music. She used to say 'Music extracts what little
      brains a girl has. Open the piano, you shut the understanding.' I am
      afraid I bore you with my mother.&rdquo;
     </p>
    <p>
      &ldquo;Not at all, not at all. I admire her.&rdquo;
     </p>
    <p>
      &ldquo;Oh, thank you! thank you, sir! She never uses big words; so it is only of
      late I have had the <i>nous</i> to see how wise she is. She corrected the
      special blots of the female character in me, and it is sweet to me to talk
      of that dear friend. What would I give to see her here!&rdquo;
     </p>
    <p>
      &ldquo;Well, then, sir, she made me, as far as she could, a&mdash;what shall I
      say? a kind of little intellectual gymnast, fit to begin any study; but
      she left me to choose my own line. Well, I was for natural history first;
      began like a girl; gathered wild flowers and simples at Epsom, along with
      an old woman; she discoursed on their traditional virtues, and knew little
      of their real properties: <i>that</i> I have discovered since.
    </p>
    <p>
      &ldquo;From herbs to living things; never spared a chrysalis, but always took it
      home and watched it break into wings. Hung over the ponds in June,
      watching the eggs of the frog turn to tadpoles, and the tadpoles to Johnny
      Crapaud. I obeyed Scripture in one thing, for I studied the ants and their
      ways.
    </p>
    <p>
      &ldquo;I collected birds' eggs. At nine, not a boy in the parish could find more
      nests in a day than I could. With birdnesting, buying, and now and then
      begging, I made a collection that figures in a museum over the water, and
      is entitled 'Eggs of British Birds.' The colors attract, and people always
      stop at it. But it does no justice whatever to the great variety of
      sea-birds' eggs on the coast of Britain.
    </p>
    <p>
      &ldquo;When I had learned what little they teach in schools, especially drawing,
      and that is useful in scientific pursuits, I was allowed to choose my own
      books, and attend lectures. One blessed day I sat and listened to Agassiz&mdash;ah!
      No tragedy well played, nor opera sung, ever moved a heart so deeply as he
      moved mine, that great and earnest man, whose enthusiasm for nature was as
      fresh as my own, and his knowledge a thousand times larger. Talk of heaven
      opening to the Christian pilgrim as he passes Jordan! Why, God made earth
      as well as heaven, and it is worthy of the Architect; and it is a joy
      divine when earth opens to the true admirer of God's works. Sir, earth
      opened to me, as Agassiz discoursed.
    </p>
    <p>
      &ldquo;I followed him about like a little bloodhound, and dived into the
      libraries after each subject he treated or touched.
    </p>
    <p>
      &ldquo;It was another little epoch in my life when I read 'White's Letters to
      Pennant' about natural history in Selborne. Selborne is an English
      village, not half so pretty as most; and, until Gilbert White came, nobody
      saw anything there worth printing. His book showed me that the humblest
      spot in nature becomes extraordinary the moment extraordinary observation
      is applied to it. I must mimic Gilbert White directly. I pestered my poor
      parents to spend a month or two in the depths of the country, on the verge
      of a forest. They yielded, with groans; I kissed them, and we rusticated.
      I pried into every living thing, not forgetting my old friends, the insect
      tribe. Here I found ants with grander ideas than they have to home, and
      satisfied myself they have more brains than apes. They co-operate more,
      and in complicated things. Sir, there are ants that make greater marches,
      for their size, than Napoleon's invasion of Russia. Even the less nomad
      tribes will march through fields of grass, where each blade is a high
      gum-tree to them, and never lose the track. I saw an army of red ants,
      with generals, captains, and ensigns, start at daybreak, march across a
      road, through a hedge, and then through high grass till noon, and surprise
      a fortification of black ants, and take it after a sanguinary resistance.
      All that must have been planned beforehand, you know, and carried out to
      the letter. Once I found a colony busy on some hard ground, preparing an
      abode. I happened to have been microscoping a wasp, so I threw him down
      among the ants. They were disgusted. They ran about collecting opinions.
      Presently half of them burrowed into the earth below and undermined him,
      till he lay on a crust of earth as thin as a wafer, and a deep grave
      below. Then they all got on him except one, and He stood pompous on a
      pebble, and gave orders. The earth broke&mdash;the wasp went down into his
      grave&mdash;and the ants soon covered him with loose earth, and resumed
      their domestic architecture. I concluded that though the monkey resembles
      man most in body, the ant comes nearer him in mind. As for dogs, I don't
      know where to rank them in <i>nature,</i> because they have been pupils of
      man for centuries. I bore you?&rdquo;
     </p>
    <p>
      &ldquo;No.&rdquo;
     </p>
    <p>
      &ldquo;Oh, yes, I do: an enthusiast is always a bore. 'Les facheux,' of Moliere
      are just enthusiasts. Well, sir, in one word, I was a natural philosopher&mdash;very
      small, but earnest; and, in due course, my studies brought me to the
      wonders of the human body. I studied the outlines of anatomy in books, and
      plates, and prepared figures; and from that, by degrees, I was led on to
      surgery and medicine&mdash;in books, you understand; and they are only
      half the battle. Medicine is a thing one can do. It is a noble science, a
      practical science, and a subtle science, where I thought my powers of
      study and observation might help me to be keen at reading symptoms, and do
      good to man, and be a famous woman; so I concluded to benefit mankind and
      myself. Stop! that sounds like self-deception. It must have been myself
      and mankind I concluded to benefit. Anyway, I pestered that small section
      of mankind which consisted of my parents, until they consented to let me
      study medicine in Europe.&rdquo;
     </p>
    <p>
      &ldquo;What, all by yourself?&rdquo;
     </p>
    <p>
      &ldquo;Yes. Oh, girls are very independent in the States, and govern the old
      people. Mine said 'No' a few dozen times; but they were bound to end in
      'Yes,' and I went to Zurich. I studied hard there, and earned the
      approbation of the professors. But the school deteriorated; too many
      ladies poured in from Russia: some were not in earnest, and preferred
      flirting to study, and did themselves no good, and made the male students
      idle, and wickeder than ever&mdash;if possible.&rdquo;
     </p>
    <p>
      &ldquo;What else could you expect?&rdquo; said Vizard.
    </p>
    <p>
      &ldquo;Nothing else from <i>unpicked</i> women. But when all the schools in
      Europe shall be open&mdash;as they ought to be, and must, and shall&mdash;there
      will be no danger of shallow girls crowding to any particular school.
      Besides, there will be a more strict and rapid routine of examination then
      to sift out the female flirts and the male dunces along with them, I hope.
    </p>
    <p>
      &ldquo;Well, sir, we few, that really meant medicine, made inquiries, and heard
      of a famous old school in the south of France, where women had graduated
      of old; and two of us went there to try&mdash;an Italian lady and myself.
      We carried good testimonials from Zurich, and, not to frighten the
      Frenchmen at starting, I attacked them alone. Cornelia was my elder, and
      my superior in attainments. She was a true descendant of those learned
      ladies who have adorned the chairs of philosophy, jurisprudence, anatomy,
      and medicine in her native country; but she has the wisdom of the serpent,
      as well as of the sage; and she put me forward because of my red hair. She
      said that would be a passport to the dark philosophers of France.&rdquo;
     </p>
    <p>
      &ldquo;Was not that rather foxy, Miss Gale?&rdquo;
     </p>
    <p>
      &ldquo;Foxy as my hair itself, Mr. Vizard.
    </p>
    <p>
      &ldquo;Well, I applied to a professor. He received me with profound courtesy and
      feigned respect, but was staggered at my request to matriculate. He
      gesticulated and bowed <i>'a la Francaise,</i> and begged the permission
      of his foxy-haired invader from Northern climes to consult his colleagues.
      Would I do him the great honor to call again next day at twelve? I did and
      met three other polished authorities. One spoke for all, and said, If I
      had not brought with me proofs of serious study, they should have
      dissuaded me very earnestly from a science I could not graduate in without
      going through practical courses of anatomy and clinical surgery. That,
      however (with a regular French shrug), was my business, not theirs. It was
      not for them to teach me delicacy, but rather to learn it from me. That
      was a French sneer. The French are <i>un gens moqueur,</i> you know. I
      received both shrug and sneer like marble. He ended it all by saying the
      school had no written law excluding doctresses; and the old records proved
      women had graduated, and even lectured, there. I had only to pay my fees,
      and enter upon my routine of studies. So I was admitted on sufferance; but
      I soon earned the good opinion of the professors, and of this one in
      particular; and then Cornelia applied for admission, and was let in too.
      We lived together, and had no secrets; and I think, sir, I may venture to
      say that we showed some little wisdom, if you consider our age, and all
      that was done to spoil us. As to parrying their little sly attempts at
      flirtation, that is nothing; we came prepared. But, when our
      fellow-students found we were in earnest, and had high views, the
      chivalrous spirit of a gallant nation took fire, and they treated us with
      a delicate reverence that might have turned any woman's head. But we had
      the credit of a sneered-at sex to keep up, and felt our danger, and warned
      each other; and I remember I told Cornelia how many young ladies in the
      States I had seen puffed up by the men's extravagant homage, and become
      spoiled children, and offensively arrogant and discourteous; so I
      entreated her to check those vices in me the moment she saw them coming.
    </p>
    <p>
      &ldquo;When we had been here a year, attending all the lectures&mdash;clinical
      medicine and surgery included&mdash;news came that one British school,
      Edinburgh, had shown symptoms of yielding to Continental civilization and
      relaxing monopoly. That turned me North directly. My mother is English: I
      wanted to be a British doctress, not a French. Cornelia had misgivings,
      and even condescended to cry over me. But I am a mule, and always was.
      Then that dear friend made terms with me: I must not break off my
      connection with the French school, she said. No; she had thought it well
      over; I must ask leave of the French professors to study in the North, and
      bring back notes about those distant Thulians. Says she, 'Your studies in
      that savage island will be allowed to go for something here, if you
      improve your time&mdash;and you will be sure to, sweetheart&mdash;that I
      may be always proud of you.' Dear Cornelia!&rdquo;
     </p>
    <p>
      &ldquo;Am I to believe all this?&rdquo; said Vizard. &ldquo;Can women be such true friends?&rdquo;
     </p>
    <p>
      &ldquo;What cannot women be? What! are you one of those who take us for a <i>clique?</i>
      Don't you know more than half mankind are women?&rdquo;
     </p>
    <p>
      &ldquo;Alas!&rdquo;
     </p>
    <p>
      &ldquo;Alas for them!&rdquo; said Rhoda, sharply.
    </p>
    <p>
      &ldquo;Well, well,&rdquo; said Vizard, putting on sudden humility, &ldquo;don't let us
      quarrel. I hate quarreling&mdash;where I'm sure to get the worst. Ay,
      friendship is a fine thing, in men or women; a far nobler sentiment than
      love. You will not admit that, of course, being a woman.&rdquo;
     </p>
    <p>
      &ldquo;Oh, yes, I will,&rdquo; said she. &ldquo;Why, I have observed love attentively; and I
      pronounce it a fever of the mind. It disturbs the judgment and perverts
      the conscience. You side with the beloved, right or wrong. What personal
      degradation! I observe, too, that a grand passion is a grand misfortune:
      they are always in a storm of hope, fears, doubt, jealousy, rapture, rage,
      and the end deceit, or else satiety. Friendship is steady and peaceful;
      not much jealousy, no heart-burnings. It strengthens with time, and
      survives the small-pox and a wooden leg. It doubles our joys, and divides
      our grief, and lights and warms our lives with a steady flame. <i>Solem e
      mundo tollunt, qui tollunt amicitiam.&rdquo;</i>
    </p>
    <p>
      &ldquo;Halloo!&rdquo; cried Vizard. &ldquo;What! you know Latin too?&rdquo;
     </p>
    <p>
      &ldquo;Why, of course&mdash;a smattering; or how could I read Pliny, and Celsus,
      and ever so much more rubbish that custom chucks down before the gates of
      knowledge, and says, 'There&mdash;before you go the right road, you ought
      to go the wrong; <i>it is usual.</i> Study now, with the reverence they
      don't deserve, the non-observers of antiquity.'&rdquo;
     </p>
    <p>
      &ldquo;Spare me the ancients, Miss Gale,&rdquo; said Vizard, &ldquo;and reveal me the girl
      of the period. When I was so ill-bred as to interrupt you, you had left
      France, crowned with laurels, and were just invading Britain.&rdquo;
     </p>
    <p>
      Something in his words or his tone discouraged the subtle observer, and
      she said, coldly, &ldquo;Excuse me: I have hardly the courage. My British
      history is a tale of injustice, suffering, insult, and, worst of all,
      defeat. I cannot promise to relate it with that composure whoever pretends
      to science ought: the wound still bleeds.&rdquo;
     </p>
    <p>
      Then Vizard was vexed with himself, and looked grave and concerned. He
      said, gently, &ldquo;Miss Gale, I am sorry to give you pain; but what you have
      told me is so new and interesting, I shall be disappointed if you withhold
      the rest: besides, you know it gives no lasting pain to relate our griefs.
      Come, come&mdash;be brave, and tell me.&rdquo;
     </p>
    <p>
      &ldquo;Well, I will,&rdquo; said she. &ldquo;Indeed, some instinct moves me. Good may come
      of my telling it you. I think&mdash;somehow&mdash;you are&mdash;a&mdash;just&mdash;man.&rdquo;
     </p>
    <p>
      In the act of saying this, she fixed her gray eyes steadily and
      searchingly upon Vizard's face, so that he could scarcely meet them, they
      were so powerful; then, suddenly, the observation seemed to die out of
      them, and reflection to take its place: those darting eyes were turned
      inward. It was a marked variety of power. There was something wizard-like
      in the vividness with which two distinct mental processes were presented
      by the varied action of a single organ; and Vizard then began to suspect
      that a creature stood before him with a power of discerning and digesting
      truth, such as he had not yet encountered either in man or woman. She
      entered on her British adventures in her clear silvery voice. It was not,
      like Ina Klosking's, rich, and deep, and tender; yet it had a certain
      gentle beauty to those who love truth, because it was dispassionate, yet
      expressive, and cool, yet not cold. One might call it truth's silver
      trumpet.
    </p>
    <p>
      On the brink of an extraordinary passage, I pause to make no fewer than
      three remarks in my own person: 1st. Let no reader of mine allow himself
      to fancy Rhoda Gale and her antecedents are a mere excrescence of my
      story. She was rooted to it even before the first scene of it&mdash;the
      meeting of Ashmead and the Klosking&mdash;and this will soon appear. 2d.
      She is now going into a controverted matter; and, though she is sincere
      and truthful, she is of necessity a <i>partisan.</i> Do not take her for a
      judge. You be the judge. 3d. But, as a judge never shuts his mind to
      either side, do not refuse her a fair hearing. Above all, do not underrate
      the question. Let not the balance of your understanding be so upset by
      ephemeral childishness as to fancy that it matters much whether you break
      an egg top or bottom, because Gulliver's two nations went to war about it;
      or that it matters much whether your queen is called queen of India or
      empress, because two parties made a noise about it, and the country has
      wasted ten thousand square miles of good paper on the subject, trivial as
      the dust on a butterfly's wing. Fight against these illusions of petty and
      ephemeral minds. It does not matter the millionth of a straw to <i>mankind</i>
      whether any one woman is called queen, or empress, of India; and it
      matters greatly to mankind whether the whole race of women are to be
      allowed to study medicine and practice it, if they can rival the male, or
      are to be debarred from testing their scientific ability, and so outlawed,
      <i>though taxed</i> in defiance of British liberty, and all justice, human
      and divine, by eleven hundred lawgivers&mdash;most of 'em fools.
    </p>
    <p>
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    </p>
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      <br /><br /><br /><br />
    </div>
    <h2>
      CHAPTER XIII.
    </h2>
    <p>
      &ldquo;WHEN I reached Great Britain, the right of women to medicine was in this
      condition&mdash;a learned lawyer explained it carefully to me. I will give
      you his words: The unwritten law of every nation admits all mankind, and
      not the male half only, to the study and practice of medicine and the sale
      of drugs. In Great Britain this law is called the common law and is deeply
      respected. Whatever liberty it allows to men or women is held sacred in
      our courts until <i>directly</i> and <i>explicitly</i> withdrawn by some
      act of the Legislature. Under this ancient liberty, women have
      occasionally practiced general medicine and surgery up to the year 1858.
      But for centuries they <i>monopolized,</i> by custom, one branch of
      practice, the obstetric; and that, together with the occasional treatment
      of children, and the nursing of both sexes, which is semi-medical, and is
      their <i>monopoly,</i> seems, on the whole, to have contented them, till
      late years, when their views were enlarged by wider education and other
      causes. But their abstinence from general practice, like their monopoly of
      obstetrics, lay with women themselves, and not with the law of England.
      That law is the same in this respect as the common law of Italy and
      France; and the constitution of Bologna, where so many doctresses have
      filled the chairs of medicine and other sciences, makes no more direct
      provision for female students than does the constitution of any Scotch or
      English university.&mdash;The whole thing lay with the women themselves,
      and with local civilization. Years ago, Italy was far more civilized than
      England; so Italian women took a large sphere. Of late the Anglo-Saxon has
      gone in for civilization with his usual energy, and is eclipsing Italy;
      therefore his women aspire to larger spheres of intellect and action,
      beginning in the States, because American women are better educated than
      English. The advance of <i>women</i> in useful attainments is the most
      infallible sign in any country of advancing civilization. All this about
      civilization is my observation, sir, and not the lawyer's. Now for the
      lawyer again: Such being the law of England, the British Legislature
      passed an act in 1858, the real object of which was to protect the public
      against incapable doctors, not against capable doctresses or doctors. The
      act excludes from medical practice all persons whatever, male or female,
      unless registered in a certain register; and to get upon that register the
      person, male or female, must produce a license or diploma, granted by one
      of the British examining boards specified in a schedule attached to the
      act.
    </p>
    <p>
      &ldquo;Now, these examining boards were all members of the leading medical
      schools. If the Legislature had taken the usual precaution, and had added
      a clause <i>compelling</i> those boards to examine worthy applicants, the
      act would have been a sound public measure; but for want of that foresight&mdash;and
      without foresight a lawgiver is an impostor and a public pest&mdash;the
      State robbed women of their old common-law rights with one hand, and with
      the other enabled a respectable trades-union to thrust them out of their
      new statutory rights. Unfortunately, the respectable union, to whom the
      Legislature delegated an unconstitutional power they did not claim
      themselves, of excluding qualified persons from examination, and so
      robbing them of their license and their bread, had an overpowering
      interest to exclude qualified women from medicine. They had the same
      interest as the watchmakers' union, the printers', the painters' on china,
      the calico-engravers', and others have to exclude qualified women from
      those branches, though peculiarly fitted for them; but not more so than
      they are for the practice of medicine, God having made <i>them,</i> and
      not <i>men,</i> the medical, and unmusical, sex.
    </p>
    <p>
      &ldquo;Wherever there's a trades-union, the weakest go to the wall. Those vulgar
      unions I have mentioned exclude women from skilled labor they excel in, by
      violence and conspiracy, though the law threatens them with imprisonment
      for it. Was it in nature, then, that the medical union would be infinitely
      forbearing, when the Legislature went and patted it on the back, and said,
      you can conspire with safety against your female rivals. Of course the
      clique were tempted more than any clique could bear by the unwariness of
      the Legislature, and closed the doors of the medical schools to female
      applicants. Against unqualified female practitioners they never acted with
      such zeal and consent; and why? The female quack is a public pest, and a
      good foil to the union; the qualified doctress is a public good, and a
      blow to the union.
    </p>
    <p>
      &ldquo;The British medical union was now in a fine attitude by act of
      Parliament. It could talk its contempt of medical women, and act its
      terror of them, and keep both its feigned contempt and its real alarm safe
      from the test of a public examination&mdash;that crucible in which cant,
      surmise, and mendacity are soon evaporated or precipitated, and only the
      truth stands firm.
    </p>
    <p>
      &ldquo;For all that, two female practitioners got upon the register, and stand
      out, living landmarks of experience and the truth, in the dead wilderness
      of surmise and prejudice.
    </p>
    <p>
      &ldquo;I will tell you how they got in. The act of Parliament makes two
      exceptions: first, it lets in, <i>without examination</i>&mdash;and that
      is very unwise&mdash;any foreign doctor who shall be practicing in England
      at the date of the act, although, with equal incapacity, it omits to
      provide that any future foreign doctor shall be able to <i>demand
      examination</i> (in with the old foreign fogies, blindfold, right or
      wrong; out with the rising foreign luminaries of an ever-advancing
      science, right or wrong); and, secondly, it lets in, without examination,
      to experiment on the vile body of the public, any person, qualified or
      unqualified, who may have been made a doctor by a very venerable and
      equally irrelevant functionary. Guess, now, who it is that a British
      Parliament sets above the law, as a doctor-maker for that public it
      professes to love and protect!&rdquo;
     </p>
    <p>
      &ldquo;The Regius Professor of Medicine?&rdquo;
     </p>
    <p>
      &ldquo;No.&rdquo;
     </p>
    <p>
      &ldquo;Tyndall?&rdquo;
     </p>
    <p>
      &ldquo;No.&rdquo;
     </p>
    <p>
      &ldquo;Huxley?&rdquo;
     </p>
    <p>
      &ldquo;No.&rdquo;
     </p>
    <p>
      &ldquo;Then I give it up.&rdquo;
     </p>
    <p>
      &ldquo;The Archbishop of Canterbury.&rdquo;
     </p>
    <p>
      &ldquo;Oh, come! a joke is a joke.&rdquo;
     </p>
    <p>
      &ldquo;This is no joke. Bright monument of British funkyism and imbecility,
      there stands the clause setting that reverend and irrelevant doctor-maker
      above the law, which sets his grace's female relations below the law, and,
      in practice, outlaws the whole female population, starving those who
      desire to practice medicine learnedly, and oppressing those who, out of
      modesty, not yet quite smothered by custom and monopoly, desire to consult
      a learned female physician, instead of being driven, like sheep, by iron
      tyranny&mdash;in a country that babbles Liberty&mdash;to a male physician
      or a female quack.
    </p>
    <p>
      &ldquo;Well, sir, in 1849 Miss Elizabeth Blackwell fought the good fight in the
      United States, and had her troubles; because the States were not so
      civilized then as now. She graduated doctor at Geneva, in the State of New
      York.
    </p>
    <p>
      &ldquo;She was practicing in England in 1858, and demanded her place on the
      register. She is an Englishwoman by birth; but she is an English M.D. only
      through America having more brains than Britain. This one islander sings,
      'Hail, Columbia!' as often as 'God save the Queen!' I reckon.
    </p>
    <p>
      &ldquo;Miss Garrett, an enthusiastic student, traveled north, south, east, and
      west, and knocked in vain at the doors of every great school and
      university in Britain, but at last found a chink in the iron shutters of
      the London Apothecaries'. It seems Parliament was wiser in 1815 than in
      1858, for it inserted a clause in the Apothecaries Act of 1815 <i>compelling</i>
      them to examine all persons who should apply to them for examination after
      proper courses of study. Their charter contained no loop-hole to evade the
      act, and substitute 'him' for 'person;' so they let Miss Garrett in as a
      student. Like all the students, she had to attend lectures on chemistry
      botany, materia medica, zoology, natural philosophy, and clinical surgery.
      In the collateral subjects they let her sit with the male students; but in
      anatomy and surgery she had to attend the same lectures privately, and pay
      for lectures all to herself. This cost her enormous fees. However, it is
      only fair to say that, if she had been one of a dozen female students, the
      fees would have been diffused; as it was, she had to gild the pill out of
      her private purse.
    </p>
    <p>
      &ldquo;In the hospital teaching she met difficulties and discouragement, though
      she asked for no more opportunities than are granted readily to
      professional nurses and female amateurs. But the whole thing is a mere
      money question; that is the key to every lock in it.
    </p>
    <p>
      &ldquo;She was freely admitted at last to one great hospital, and all went
      smoothly till some surgeon examined the students <i>viva voce;</i> then
      Miss Garrett was off her guard, and displayed too marked a superiority;
      thereupon the male students played the woman, and begged she might be
      excluded; and, I am sorry to say, for the credit of your sex, this unmanly
      request was complied with by the womanish males in power.
    </p>
    <p>
      &ldquo;However, at her next hospital, Miss Garrett was more discreet, and took
      pains to conceal her galling superiority.
    </p>
    <p>
      &ldquo;All her trouble ended&mdash;where her competitors' began&mdash;at the
      public examination. She passed brilliantly, and is an English apothecary.
      In civilized France she is a learned physician.
    </p>
    <p>
      &ldquo;She had not been an apothecary a week, before the Apothecaries' Society
      received six hundred letters from the medical small-fry in town and
      country; they threatened to send no more boys to the Apothecaries', but to
      the College of Surgeons, if ever another woman received an apothecary's
      license. Now, you know, all men tremble in England at the threats of a
      trades-union; so the apothecaries instantly cudgeled their brains to find
      a way to disobey the law, and obey the union. The medical press gave them
      a hint, and they passed a by-law, forbidding their students to receive any
      part of their education <i>privately,</i> and made it known, at the same
      time, that their female students would not be allowed to study the leading
      subjects <i>publicly.</i> And so they baffled the Legislature, and
      outlawed half the nation, by a juggle which the press and the public would
      have risen against, if a single grown-up man had been its victim, instead
      of four million adult women. Now, you are a straightforward man; what do
      you think of that?&rdquo;
     </p>
    <p>
      &ldquo;Humph!&rdquo; said Vizard. &ldquo;I do not altogether approve it. The strong should
      not use the arts of the weak in fighting the weak. But, in spite of your
      eloquence, I mean to forgive them anything. Shakespeare has provided there
      with an excuse that fits all time:
    </p>
    <p>
      &ldquo;'Our poverty, but not our will, consents.'&rdquo;
     </p>
    <p>
      &ldquo;Poverty! the poverty of a company in the city of London! <i>Allons donc.</i>
      Well, sir, for years after this all Europe, even Russia, advanced in
      civilization, and opened their medical schools to women; so did the United
      States: only the pig-headed Briton stood stock-still, and gloried in his
      minority of one; as if one small island is likely to be right in its
      monomania, and all civilized nations wrong.
    </p>
    <p>
      &ldquo;But while I was studying in France, one lion-hearted Englishwoman was
      moving our native isle. First she tried the University of London; and that
      sets up for a liberal foundation. Answer&mdash;'Our charter is expressly
      framed to exclude women from medical instruction.'
    </p>
    <p>
      &ldquo;Then she sat down to besiege Edinburgh. Now, Edinburgh is a very
      remarkable place. It has only half the houses, but ten times the
      intellect, of Liverpool or Manchester. And the university has two
      advantages as a home of <i>science</i> over the English universities: it
      is far behind them in Greek, which is the language of error and nescience,
      and before them in English, and that is a tongue a good deal of knowledge
      is printed in. Edinburgh is the only center of British literature, except
      London.
    </p>
    <p>
      &ldquo;One medical professor received the pioneer with a concise severity, and
      declined to hear her plead her cause, and one received her almost
      brutally. He said, 'No respectable woman would apply to him to study
      medicine.' Now, respectable women were studying it all over Europe.&rdquo;
     </p>
    <p>
      &ldquo;Well, but perhaps his soul lived in an island.&rdquo;
     </p>
    <p>
      &ldquo;That is so. However, personal applicants must expect a rub or two; and
      most of the professors, in and out of medicine, treated her with kindness
      and courtesy.
    </p>
    <p>
      &ldquo;Still, she found even the friendly professors alarmed at the idea of a
      woman matriculating, and becoming <i>Civis Edinensis;</i> so she made a
      moderate application to the Senate, viz., for leave to attend medical
      lectures. This request was indorsed by a majority of the medical
      professors, and granted. But on the appeal of a few medical professors
      against it, the Senate suspended its resolution, on the ground that there
      was only one applicant.
    </p>
    <p>
      &ldquo;This got wind, and other ladies came into the field directly, your humble
      servant among them. Then the Senate felt bound to recommend the University
      Court to admit such female students to matriculate as could pass the
      preliminary examination; this is in history, logic, languages, and other
      branches; and we prepared for it in good faith. It was a happy time: after
      a good day's work, I used to go up the Calton Hill, or Arthur's Seat, and
      view the sea, and the Piraens, and the violet hills, and the romantic
      undulations of the city itself, and my heart glowed with love of
      knowledge, and with honorable ambition. I ran over the names of worthy
      women who had adorned medicine at sundry times and in divers places, and
      resolved to deserve as great a name as any in history. Refreshed by my
      walk&mdash;I generally walked eight miles, and practiced gymnastics to
      keep my muscles hard&mdash;I used to return to my little lodgings; and
      they too were sweet to me, for I was learning a new science&mdash;logic.&rdquo;
     </p>
    <p>
      &ldquo;That was a nut to crack.&rdquo;
     </p>
    <p>
      &ldquo;I have met few easier or sweeter. One non-observer had told me it was a
      sham science, and mere pedantry; another, that it pretended to show men a
      way to truth without observing. I found, on the contrary, that it was a
      very pretty little science, which does not affect to discover phenomena,
      but simply to guard men against rash generalization, and false deductions
      from true data; it taught me the untrained world is brimful of fallacies
      and verbal equivoques that ought not to puzzle a child, but, whenever they
      creep into an argument, do actually confound the learned and the simple
      alike, and all for want of a month's logic.
    </p>
    <p>
      &ldquo;Yes, I was happy on the hill, and happy by the hearth; and so things went
      on till the preliminary examination came. It was not severe; we ladies all
      passed with credit, though many of the male aspirants failed.&rdquo;
     </p>
    <p>
      &ldquo;How do you account for that?&rdquo; asked Vizard.
    </p>
    <p>
      &ldquo;With my eyes. I <i>observe</i> that the average male is very superior in
      intellect to the average female; and I <i>observe</i> that the picked
      female is immeasurably more superior to the average male, than the average
      male is to the average female.&rdquo;
     </p>
    <p>
      &ldquo;Is it so simple as that?&rdquo;
     </p>
    <p>
      &ldquo;Ay; why not? What! are you one of those who believe that Truth is obscure&mdash;hides
      herself&mdash;and lies in a well? I tell you, <i>sir,</i> Truth lies in no
      well. The place Truth lies in is&mdash;<i>the middle of the turnpike road.</i>
      But one old fogy puts on his green spectacles to look for her, and another
      his red, and another his blue; and so they all miss her, because she is a
      colorless diamond. Those spectacles are preconceived notions, <i>'a priori</i>
      reasoning, cant, prejudice, the depth of Mr. Shallow's inner
      consciousness, etc., etc. Then comes the observer, opens the eyes that God
      has given him, tramples on all colored spectacles, and finds Truth as
      surely as the spectacled theorists miss her. Say that the intellect of the
      average male is to the average female as ten to six, it is to the
      intellect of the picked female as ten to a hundred and fifty, or even
      less. Now, the intellect of the male Edinburgh student was much above that
      of the average male, but still it fell far below that of the picked
      female. All the examinations at Edinburgh showed this to all God's
      unspectacled creatures that used their eyes.&rdquo;
     </p>
    <p>
      These remarks hit Vizard hard. They accorded with his own good sense and
      method of arguing; but perhaps my more careful readers may have already
      observed this. He nodded hearty approval for once, and she went on:
    </p>
    <p>
      &ldquo;We had now a right to matriculate and enter on our medical course. But,
      to our dismay, the right was suspended. The proofs of our general
      proficiency, which we hoped would reconcile the professors to us as
      students of medicine, alarmed people, and raised us unscrupulous enemies
      in some who were justly respected, and others who had influence, though
      they hardly deserved it.
    </p>
    <p>
      &ldquo;A general council of the university was called to reconsider the pledge
      the Senate had given us, and overawe the university court by the weight of
      academic opinion. The court itself was fluctuating, and ready to turn
      either way. A large number of male students co-operated against us with a
      petition. They, too, were a little vexed at our respectable figure in the
      preliminary examination.
    </p>
    <p>
      &ldquo;The assembly met and the union orator got up; he was a preacher of the
      Gospel, and carried the weight of that office. Christianity, as well as
      science, seemed to rise against us in his person. He made a long and
      eloquent speech, based on the intelligent surmises and popular prejudices
      that were diffused in a hundred leading articles, and in letters to the
      editor by men and women, to whom history was a dead letter in modern
      controversies; for the Press battled this matter for two years, and
      furnished each party with an artillery of reasons, <i>pro</i> and <i>con.</i>
    </p>
    <p>
      &ldquo;He said, 'Woman's sphere is the hearth and the home: to impair her
      delicacy is to take the bloom from the peach: she could not qualify for
      medicine without mastering anatomy and surgery&mdash;branches that must
      unsex her. Providence, intending her to be man's helpmate, not his rival,
      had given her a body unfit for war or hard labor, and a brain four ounces
      lighter than a man's, and unable to cope with long study and practical
      science. In short, she was too good, and too stupid, for medicine.'
    </p>
    <p>
      &ldquo;It was eloquent, but it was <i>'a priori</i> reasoning, and conjecture <i>versus</i>
      evidence: yet the applause it met with showed one how happy is the orator
      'qui hurle avec les loups.' Taking the scientific preacher's whole theory
      in theology and science, woman was high enough in creation to be the
      mother of God, but not high enough to be a sawbones.
    </p>
    <p>
      &ldquo;Well, a professor of <i>belles-lettres</i> rose on our side, not with a
      rival theory, but with facts. He was a pupil of Lord Bacon, and a man of
      the nineteenth century; so he objected to <i>'a priori</i> reasoning on a
      matter of experience. To settle the question of capacity he gave a long
      list of women who had been famous in science. Such as Bettesia Gozzadini,
      Novella Andrea, Novella Calderini, Maddelena Buonsignori, and many more,
      who were doctors of law and university professors: Dorotea Bocohi, who was
      professor both of philosophy and medicine; Laura Bassi, who was elected
      professor of philosophy in 1732 by acclamation, and afterward professor of
      experimental physics; Anna Manzolini, professor of anatomy in 1760;
      Gaetaua Agnesi, professor of mathematics; Christina Roccati, doctor of
      philosophy in 1750; Clotilde Tambroni, professor of Greek in 1793; Maria
      Dalle Donne, doctor of medicine in 1799; Zaffira Ferretti, doctor of
      medicine in 1800; Maria Sega, doctor of medicine in 1799; Madalena Noe,
      graduate of civil law in 1807. Ladies innumerable, who graduated in law
      and medicine at Pavia, Ferrara, and Padua, including Elena Lucrezia
      Cornaro of Padua, a very famous woman. Also in Salamanca, Alcala',
      Cordova, he named more than one famous doctress. Also in Heidelberg,
      Gottingen, Giessen, Wurzburg, etc., and even at Utrect, with numberless
      graduates in the arts and faculties at Montpellier and Paris in all ages.
      Also outside reputations, as of Doctor Bouvin and her mother, acknowledged
      celebrities in their branch of medicine. This chain, he said, has never
      been really broken. There was scarcely a great foreign university without
      some female student of high reputation. There were such women at Vienna
      and Petersburg; many such at Zurich. At Montpellier Mademoiselle Doumergue
      was carrying all before her, and Miss Garrett and Miss Mary Putnam at
      Paris, though they were weighted in the race by a foreign language. Let
      the male English physician pass a stiff examination in scientific French
      before he brayed so loud. He had never done it yet. This, he said, is not
      an age of chimeras; it is a wise and wary age, which has established in
      all branches of learning a sure test of ability in man or woman&mdash;public
      examination followed by a public report. These public examinations are all
      conducted by males, and women are passing them triumphantly all over
      Europe and America, and graduate as doctors in every civilized country,
      and even in half-civilized Russia.
    </p>
    <p>
      &ldquo;He then went into our own little preliminary examination, and gave the
      statistics: In Latin were examined 55 men and 3 women: 10 men were
      rejected, but no women; 7 men were respectable, 7 <i>optimi,</i> or
      first-rate, 1 woman <i>bona,</i> and 1 <i>optima.</i> In mathematics were
      examined 67 men and 4 women, of whom 1 woman was <i>optima,</i> and 1 <i>bona:</i>
      10 men were <i>optimi,</i> and 25 <i>boni;</i> the rest failed. In German
      2 men were examined, and 1 woman: 1 man was good, and 1 woman. In logic 28
      men were examined, and 1 woman: the woman came out fifth in rank, and she
      had only been at it a month. In moral philosophy 16 men were examined; and
      1 woman: the woman came out third. In arithmetic, 51 men and 3 women: 2
      men were <i>optimi,</i> and 1 woman <i>optima;</i> several men failed, and
      not one woman. In mechanics, 81 men and 1 woman: the woman passed with
      fair credit, as did 13 men; the rest failing. In French were examined 58
      men and 4 women: 3 men and 1 woman were respectable; 8 men and 1 woman
      passed; two women attained the highest excellence, <i>optimoe,</i> and not
      one man. In English, 63 men and 3 women: 3 men were good, and 1 woman; but
      2 women were <i>optimoe,</i> and only 1 man.&rdquo;
     </p>
    <p>
      &ldquo;Fancy you remembering figures like that,&rdquo; said Vizard.
    </p>
    <p>
      &ldquo;It is all training and habit,&rdquo; said she, simply.
    </p>
    <p>
      &ldquo;As to the study and practice of medicine degrading women, he asked if it
      degraded men. No; it elevated them. They could not contradict him on that
      point. He declined to believe, without a particle of evidence, that any
      science could elevate the higher sex and degrade the lower. What evidence
      we had ran against it. Nurses are not, as a class, unfeminine, yet all
      that is most appalling, disgusting, horrible, and <i>unsexing</i> in the
      art of healing is monopolized by them., Women see worse things than
      doctors. Women nurse all the patients of both sexes, often under horrible
      and sickening conditions, and lay out all the corpses. No doctor objects
      to this on sentimental grounds; and why? Because the nurses get only a
      guinea a week, and not a guinea a flying visit: to women the loathsome
      part of medicine; to man the lucrative! The noble nurses of the Crimea
      went to attend <i>males only,</i> yet were not charged with indelicacy.
      They worked gratis. The would-be doctresses look <i>mainly to attending
      women,</i> but then they want to be paid for it: there was the rub&mdash;it
      was a mere money question, and all the attempts of the union to hide this
      and play the sentimental shop-man were transparent hypocrisy and humbug.
    </p>
    <p>
      &ldquo;A doctor justly revered in Edinburgh answered him, but said nothing new
      nor effective; and, to our great joy, the majority went with us.
    </p>
    <p>
      &ldquo;Thus encouraged, the university court settled the matter. We were
      admitted to matriculate and study medicine, under certain conditions, to
      which I beg your attention.
    </p>
    <p>
      &ldquo;The instruction of women for the profession of medicine was to be
      conducted in separate classes confined entirely to women.
    </p>
    <p>
      &ldquo;The professors of the Faculty of Medicine should, for this purpose, be
      permitted to have separate classes for women.
    </p>
    <p>
      &ldquo;All these regulations were approved by the chancellor, and are to this
      day a part of the law of that university.
    </p>
    <p>
      &ldquo;We ladies, five in number, but afterward seven, were matriculated and
      registered professional students of medicine, and passed six delightful
      months we now look back upon as if it was a happy dream.
    </p>
    <p>
      &ldquo;We were picked women, all in earnest. We deserved respect, and we met
      with it. The teachers were kind, and we attentive and respectful: the
      students were courteous, and we were affable to them, but discreet.
      Whatever seven young women could do to earn esteem, and reconcile even our
      opponents to the experiment, we did. There was not an anti-student, or
      downright flirt, among us; and, indeed, I have observed that an earnest
      love of study and science controls the amorous frivolity of women even
      more than men's. Perhaps our heads are really <i>smaller</i> than men's,
      and we haven't room in them to be like Solomon&mdash;extremely wise and
      arrant fools.
    </p>
    <p>
      &ldquo;This went on until the first professional examination; but, after the
      examination, the war, to our consternation, recommenced. Am I, then,
      bad-hearted for thinking there must have been something in that
      examination which roused the sleeping spirit of trades-unionism?&rdquo;
     </p>
    <p>
      &ldquo;It seems probable.&rdquo;
     </p>
    <p>
      &ldquo;Then view that probability by the light of fact:
    </p>
    <p>
      &ldquo;In physiology the male students were 127; in chemistry, 226; 25 obtained
      honors in physiology; 31 in chemistry.
    </p>
    <p>
      &ldquo;In physiology and chemistry there were five women. One obtained honors in
      physiology alone; four obtained honors in both physiology and chemistry.
    </p>
    <p>
      &ldquo;So, you see, the female students beat the male students in physiology at
      the rate of five to one; and in chemistry, seven and three-quarters to
      one.
    </p>
    <p>
      &ldquo;But, horrible to relate, one of the ladies eclipsed twenty-nine out of
      the thirty-one gentlemen who took <i>honors</i> in chemistry. In capacity
      she surpassed them all; for the two, who were above her, obtained only two
      marks more than she did, yet they had been a year longer at the study.
      This entitled her to 'a Hope Scholarship' for that year.
    </p>
    <p>
      &ldquo;Would you believe it? the scholarship was refused her&mdash;in utter
      defiance of the founder's conditions&mdash;on the idle pretext that she
      had studied at a different hour from the male students, and therefore was
      not a member of the chemistry class.&rdquo;
     </p>
    <p>
      &ldquo;Then why admit her to the competition?&rdquo; said Vizard.
    </p>
    <p>
      &ldquo;Why? because the <i>'a priori</i> reasoners took for granted she would be
      defeated. Then the cry would have been, 'You had your chance; we let you
      try for the Hope Scholarship; but you could not win it.' Having won it,
      she was to be cheated out of it somehow, or anyhow. The separate-class
      system was not that lady's fault; she would have preferred to pay the
      university lecturer lighter fees, and attend a better lecture with the
      male students. The separate class was an unfavorable condition of study,
      which the university imposed on us, as the condition of admitting us to
      the professional study of medicine? Surely, then, to cheat that lady out
      of her Hope Scholarship, when she had earned it under conditions of study
      enforced and unfavorable, was perfidious and dishonest. It was even a
      little ungrateful to the injured sex; for the money which founded these
      scholarships was women's money, every penny of it. The good Professor Hope
      had lectured to ladies fifty years ago; had taken their fees, and founded
      his scholarships with their money: and it would have done his heart good
      to see a lady win and wear that prize which, but for his female pupils,
      would never have existed. But it is easy to trample on a dead man: as easy
      as on living women.
    </p>
    <p>
      &ldquo;The perfidy was followed by ruthless tyranny. They refused to admit the
      fair criminal to the laboratory, 'else,' said they, 'she'll defeat more
      men.
    </p>
    <p>
      &ldquo;That killed her, as a chemist. It gave inferior male students too great
      an advantage over her. And so the public and Professor Hope were
      sacrificed to a trades-union, and lost a great analytical chemist, and
      something more&mdash;she had, to my knowledge, a subtle diagnosis. Now we
      have at present no <i>great</i> analyst, and the few competent analysts we
      have do not possess diagnosis in proportion. They can find a few poisons
      in the dead, but they are slow to discover them in the living; so they are
      not to be counted on to save a life, where crime is administering poison.
      That woman could, and would, I think.
    </p>
    <p>
      &ldquo;They drove her out of chemistry, wherein she was a genius, into surgery,
      in which she was only a talent. She is now house-surgeon in a great
      hospital, and the public has lost a great chemist and diagnostic physician
      combined.
    </p>
    <p>
      &ldquo;Up to the date of this enormity, the Press had been pretty evenly divided
      for and against us. But now, to their credit, they were unanimous, and
      reprobated the juggle as a breach of public faith and plain morality.
      Backed by public opinion, one friendly professor took this occasion to
      move the university to relax the regulation of separate classes since it
      had been abused. He proposed that the female students should be admitted
      to the ordinary classes.
    </p>
    <p>
      &ldquo;This proposal was negatived by 58 to 47.
    </p>
    <p>
      &ldquo;This small majority was gained by a characteristic maneuver. The queen's
      name was gravely dragged in as disapproving the proposal, when, in fact,
      it could never have been submitted to her, or her comment, if any, must
      have been in writing; and as to the general question, she has never said a
      public word against medical women. She has too much sense not to ask
      herself how can any woman be fit to be a queen, with powers of life and
      death, if no woman is fit to be so small a thing, by comparison, as a
      physician or a surgeon.
    </p>
    <p>
      &ldquo;We were victims of a small majority, obtained by imagination playing upon
      flunkyism, and the first result was we were not allowed to sit down to
      botany with males. Mind you, we might have gathered blackberries with them
      in umbrageous woods from morn till dewy eve, and not a professor shocked
      in the whole faculty; but we must not sit down with them to an
      intellectual dinner of herbs, and listen, in their company, to the
      pedantic terms and childish classifications of botany, in which kindred
      properties are ignored. Only the male student must be told in public that
      a fox-glove is <i>Digitalis purpurea</i> in the improved nomenclature of
      science, and crow-foot is <i>Ranunculus sceleratus,</i> and the buck-bean
      is <i>Menyanthis trifoliata,</i> and mugwort is <i>Artemesia Judaica;</i>
      that, having lost the properties of hyssop known to Solomon, we regain our
      superiority over that learned Hebrew by christening it <i>Gratiola
      officinalis.</i> The sexes must not be taught in one room to discard such
      ugly and inexpressive terms as snow-drop, meadow-sweet, heart's-ease,
      fever-few, cowslip, etc., and learn to know the cowslip as <i>Primula
      veris</i>&mdash;by class, <i>Pentandria monogynia;</i> and the buttercup
      as <i>Ranunculus acnis</i>&mdash;<i>Polyandria monogynia;</i> the
      snow-drop as <i>Galanthus nivalis</i>&mdash;<i>Hexandria monogynia;</i>
      and the meadow-sweet as <i>Ulnaria;</i> the heart's ease as <i>Viola
      tricolor;</i> and the daisy as <i>Bellis perennis</i>&mdash;<i>Syngenesia
      superflua.&rdquo;</i>
    </p>
    <p>
      &ldquo;Well,&rdquo; said Vizard, &ldquo;I think the individual names can only hurt the jaws
      and other organs of speech. But the classification! Is the mild luster of
      science to be cast over the natural disposition of young women toward <i>Polyandria
      monogynia?</i> Is trigamy to be identified in their sweet souls with
      floral innocence, and their victims sitting by?&rdquo;
     </p>
    <p>
      &ldquo;Such classifications are puerile and fanciful,&rdquo; said Miss Gale; &ldquo;but, for
      that very reason, they don't infect <i>animals</i> with trigamy. Novels
      are much more likely to do that.&rdquo;
     </p>
    <p>
      &ldquo;Especially ladies' novels,&rdquo; suggested Vizard, meekly.
    </p>
    <p>
      &ldquo;Some,&rdquo; suggested the accurate Rhoda. &ldquo;But the sexes will never lose
      either morals or delicacy through courses of botany endured together. It
      will not hurt young ladies a bit to tell them in the presence of young
      gentlemen that a cabbage is a thalamifioral exogen, and its stamens are
      tetradynamous; nor that the mushroom, <i>Psalliata campestris,</i> and the
      toad-stool, <i>Myoena campestris,</i> are confounded by this science in
      one class, <i>Cryptogamia.</i> It will not even hurt them to be told that
      the properties of the <i>Arum maculatum</i> are little known, but that the
      males are crowded round the center of the spadix, and the females seated
      at the base.&rdquo;
     </p>
    <p>
      Said Vizard, pompously, &ldquo;The pulpit and the tea-table are centers of
      similar phenomena. Now I think of it, the pulpit is a very fair calyx, but
      the tea-table is sadly squat.&rdquo;
     </p>
    <p>
      &ldquo;Yes, sir. But, more than that, not one of these pedants who growled at
      promiscuous botany has once objected to promiscuous dancing, not even with
      the gentleman's arm round the lady's waist, which the custom of centuries
      cannot render decent. Yet the professors of delicacy connive, and the
      Mother Geese sit smirking at the wall. Oh, world of hypocrites and
      humbugs!&rdquo;
     </p>
    <p>
      &ldquo;I am afraid you are an upsetter general,&rdquo; said Vizard. &ldquo;But you are
      abominably sincere; and all this is a curious chapter of human nature.
      Pray proceed.&rdquo;
     </p>
    <p>
      Miss Gale nodded gravely, and resumed.
    </p>
    <p>
      &ldquo;So much public ridicule fell on the union for this, and the blind
      flunkyism which could believe the queen had meddled in the detail, that
      the professors melted under it, and threw open botany and natural history
      to us, with other collateral sciences.
    </p>
    <p>
      &ldquo;Then came the great fight, which is not ended yet.
    </p>
    <p>
      &ldquo;To qualify for medicine and pass the stiff examination, by which the
      public is very properly protected, you must be versed in anatomy and
      clinical surgery. Books and lectures do not suffice for this, without the
      human subject&mdash;alive and dead. The university court knew that very
      well when it matriculated us, and therefore it provided for our
      instruction by promising us separate classes.
    </p>
    <p>
      &ldquo;Backed by this public pledge, we waited on the university professor of
      anatomy to arrange our fees for a separate lecture. He flatly refused to
      instruct us separately for love or money, or to permit his assistants.
      That meant, 'The union sees a way to put you in a cleft stick and cheat
      you out of your degree, in spite of the pledge the university has given
      you; in spite of your fees, and of your time given to study in reliance on
      the promise.'
    </p>
    <p>
      &ldquo;This was a heavy blow. But there was an extramural establishment called
      Surgeons' Hall, and the university formally recognized all the lecturers
      in this Hall; so we applied to those lecturers, and they were shocked at
      the illiberality of the university professors, and admitted us at once to
      mixed classes. We attended lectures with the male students on anatomy and
      surgery, and <i>of all the anticipated evils, not one took place, sir.</i>
    </p>
    <p>
      &ldquo;The objections to mixed classes proved to be idle words; yet the
      old-fashioned minds opposed to us shut their eyes and went on reasoning <i>'a
      priori,</i> and proving that the evils which they saw did not arise <i>must</i>
      arise should the experiment of mixed classes, which was then succeeding,
      ever he tried.
    </p>
    <p>
      &ldquo;To qualify us for examination we now needed but one thing more&mdash;hospital
      practice. The infirmary is supported not so much by the university as the
      town. We applied, therefore, with some confidence, for the permission
      usually conceded to medical students. The managers refused us the <i>town
      infirmary.</i> Then we applied to the subscribers. The majority, not
      belonging to a trades-union, declared in our favor, and intimated plainly
      that they would turn out the illiberal managers at the next election of
      managers.
    </p>
    <p>
      &ldquo;But by this time the war was hot and general, and hard blows dealt on
      both sides. It was artfully suppressed by our enemies in the profession
      and in the Press that we had begged hard for the separate class which had
      been promised us in anatomy, and permission to attend, by ourselves, a
      limited number of wards in the infirmary; and on this falsehood by
      suppression worse calumnies were built.
    </p>
    <p>
      &ldquo;I shall tell you what we really were, and what foul mouths and pens
      insinuated we must be.
    </p>
    <p>
      &ldquo;Two accomplished women had joined us, and we were now the seven wise
      virgins of a half-civilized nation, and, if I know black from white, we
      were seven of its brightest ornaments. We were seven ladies, who wished to
      be doctresses, especially devoted to our own sex; seven good students, who
      went on our knees to the university for those separate classes in anatomy
      and clinical surgery which the university was bound in honor to supply us;
      but, our prayer rejected, said to the university, 'Well, use your own
      discretion about separate or mixed classes; but for your own credit, and
      that of human nature, do not willfully tie a hangman's noose to throttle
      the weak and deserving, and don't cheat seven poor, hard-working,
      meritorious women, your own matriculated students, out of our
      entrance-fees, which lie to this day in the university coffers, out of the
      exceptionally heavy fees we have paid to your professors, out of all the
      fruit of our hard study, out of our diplomas, and our bread. Solve the
      knot your own way. We will submit to mixed classes, or anything, except
      professional destruction.'
    </p>
    <p>
      &ldquo;In this spirit our lion-hearted leader wrote the letter of an uninjured
      dove, and said there were a great many more wards in the infirmary than
      any male student could or did attend; we would be content to divide the
      matter thus: the male students to have the monopoly of two-thirds, we to
      have the bare right of admission to one-third. By this the male students
      (if any) who had a sincere objection to study the sick, and witness
      operations, in our company, could never be troubled with us; and we,
      though less favored than the male students, could just manage to qualify
      for that public examination, which was to prove whether we could make able
      physicians or not.
    </p>
    <p>
      &ldquo;Sir, this gentle proposal was rejected with rude scorn, and in aggressive
      terms. Such is the spirit of a trades-union.
    </p>
    <p>
      &ldquo;Having now shown you what we were, I will now tell you what our enemies,
      declining to observe our conduct, though it was very public, suggested we
      <i>must</i> be&mdash;seven shameless women, who pursued medicine as a
      handle for sexuality; who went into the dissecting-room to dissect males,
      and into the hospital to crowd round the male patient, and who <i>demanded</i>
      mixed classes, that we might have male companions in those studies which
      every feminine woman would avoid altogether.
    </p>
    <p>
      &ldquo;This key-note struck, the public was regaled with a burst of hypocrisy
      such as Moli'ere never had the luck to witness, or oh, what a comedy he
      would have written!
    </p>
    <p>
      &ldquo;The immodest sex, taking advantage of Moli'ere's decease without heirs of
      his brains, set to work in public to teach the modest sex modesty.
    </p>
    <p>
      &ldquo;In the conduct of this pleasant paradox, the representatives of that sex,
      which has much courage and little modesty, were two professors&mdash;who
      conducted the paradox so judiciously that the London Press reprimanded
      them for their foul insinuations&mdash;and a number of young men called
      medical students.
    </p>
    <p>
      &ldquo;Now, the medical student surpasses most young men in looseness of life,
      and indecency of mind and speech.
    </p>
    <p>
      &ldquo;The representatives of womanhood to be instructed in modesty by these
      animals, old and young, were seven prudes, whose minds were devoted to
      study and honorable ambition. These women were as much above the average
      of their sex in feminine reserve and independence of the male sex as they
      were in intellect.
    </p>
    <p>
      &ldquo;The average girl, who throughout this discussion was all of a sudden
      puffed as a lily, because she ceased to be <i>observed,</i> can attend to
      nothing if a man is by; she can't work, she can't play, she is so eaten up
      with sexuality. The frivolous soul can just manage to play croquet with
      females; but, enter a man upon the scene, and she does even that very ill,
      and can hardly be got to take her turn in the only thing she has really
      given her mind to. We were angels compared with this paltry creature, and
      she was the standing butt of public censure, until it was found that an
      imaginary picture of her could be made the handle for insulting her
      betters.
    </p>
    <p>
      &ldquo;Against these seven prudes, decent dotards and their foul-mouthed allies
      flung out insinuations which did not escape public censure; and the
      medical students declared their modesty was shocked at our intrusion into
      anatomy and surgery, and petitioned against us. Some of the Press were
      deceived by this for a time, and <i>hurlaient avec les loups.</i>
    </p>
    <p>
      &ldquo;I took up, one day, my favorite weekly, in which nearly every writer
      seems to me a scholar, and was regaled with such lines as these:
    </p>
    <p>
      &ldquo;'It appears that girls are to associate with boys as medical students, in
      order that, when they become women, they may be able to speak to men with
      entire plainness upon all the subjects of a doctor's daily practice.
    </p>
    <p>
      &ldquo;'In plain words, the aspirants to medicine and surgery desire to rid
      themselves speedily and effectually of that modesty which nature has
      planted in women.' And then the writer concludes: 'We beg to suggest that
      there are other places besides dissecting-rooms and hospitals where those
      ladies may relieve themselves of the modesty which they find so
      troublesome. But fathers naturally object to this being done at their
      sons' expense.&rdquo;
     </p>
    <p>
      &ldquo;Infamous!&rdquo; cried Vizard. &ldquo;One comfort, no man ever penned that. That is
      some old woman writing down young ones.&rdquo;
     </p>
    <p>
      &ldquo;I don't know,&rdquo; said Rhoda. &ldquo;I have met so many womanish men in this
      business. All I know is, that my cheeks burned, and, for once in the
      fight, scalding tears ran down them. It was as if a friend had spat upon
      me.
    </p>
    <p>
      &ldquo;What a chimera! What a monstrous misinterpretation of pure minds by minds
      impure! To <i>us</i> the dissecting-room was a temple, and the dead an
      awe, revolting to all our senses, until the knife revealed to our minds
      the Creator's hand in structural beauties that the trained can appreciate,
      if wicked dunces can't.
    </p>
    <p>
      &ldquo;And as to the infirmary, we should have done just what we did at Zurich.
      We held a little aloof from the male patients, unless some good-natured
      lecturer, or pupil, gave us a signal, and then we came forward. If we came
      uninvited, we always stood behind the male students: but we did crowd
      round the beds of the female patients, and claimed the inner row: AND,
      SIR, THEY THANKED GOD FOR US OPENLY.
    </p>
    <p>
      &ldquo;A few awkward revelations were made during this discussion. A medical
      student had the candor to write and say that he had been at a lecture, and
      the professor had told an indelicate story, and, finding it palatable to
      his modest males, had said, 'There, gentlemen: now, if female students
      were admitted here, I could not have told you this amusing circumstance.'
      So that it was our purifying influence he dreaded in secret, though he
      told the public he dreaded the reverse.
    </p>
    <p>
      &ldquo;Again, female patients wrote to the journals to beg that female students
      might be admitted to come between them and the brutal curiosity of the
      male students, to which they were subjected in so offensive a way that
      more than one poor creature declared she had felt agonies of shame, even
      in the middle of an agonizing operation.
    </p>
    <p>
      &ldquo;This being a cry from that public for whose sake the whole clique of
      physicians&mdash;male and female&mdash;exists, had, of course, no great
      weight in the union controversy.
    </p>
    <p>
      &ldquo;But, sir, if grave men and women will sit calmly down and fling dirt upon
      every woman who shall aspire to medicine in an island, though she can do
      so on a neighboring continent with honor, and choose their time when the
      dirt can only fall on seven known women&mdash;since the female students in
      that island are only seven&mdash;the pretended generality becomes a
      cowardly personality, and wounds as such, and excites less cold-hearted,
      and more hot-headed blackguards to outrage. It was so at Philadelphia, and
      it was so at Edinburgh.
    </p>
    <p>
      &ldquo;Our extramural teacher in anatomy was about to give a competitive
      examination. Now, on these occasions, we were particularly obnoxious.
      Often and clearly as it had been proved, by <i>'a priori</i> reasoning,
      that we <i>must</i> be infinitely inferior to the average male, we
      persisted in proving, by hard fact, that we were infinitely his superior;
      and every examination gave us an opportunity of crushing solid reasons
      under hollow fact.
    </p>
    <p>
      &ldquo;A band of medical students determined that for once <i>'a priori</i>
      reasoning should have fair play, and not be crushed by a thing so illusory
      as fact. Accordingly, they got the gates closed, and collected round them.
      We came up, one after another, and were received with hisses, groans, and
      abusive epithets.
    </p>
    <p>
      &ldquo;This mode of reasoning must have been admirably adapted to my weak
      understanding; for it convinced me at once I had no business there, and I
      was for private study directly.
    </p>
    <p>
      &ldquo;But, sir, you know the ancients said, 'Better is an army of stags with a
      lion for their leader, than an army of lions with a stag for their
      leader.' Now, it so happened that we had a lioness for our leader. She
      pushed manfully through the crowd, and hammered at the door: then we crept
      quaking after. She ordered those inside to open the gates; and some
      student took shame, and did. In marched our lioness, crept after by her&mdash;her&mdash;&rdquo;
     </p>
    <p>
      &ldquo;Her cubs.&rdquo;
     </p>
    <p>
      &ldquo;A thousand thanks, good sir. Her does. On second thoughts, 'her hinds.'
      Doe is the female of buck. Now, I said stags. Well, the ruffians who had
      undertaken to teach us modesty swarmed in too. They dragged a sheep into
      the lecture-room, lighted pipes, produced bottles, drank, smoked, and
      abused us ladies to our faces, and interrupted the lecturer at intervals
      with their howls and ribaldry: that was intended to show the professor he
      should not be listened to any more if he admitted the female students. The
      affair got wind, and other students, not connected with medicine, came
      pouring in, with no worse motive, probably, than to see the lark. Some of
      these, however, thought the introduction of the sheep unfair to so
      respected a lecturer, and proceeded to remove her; but the professor put
      up his hand, and said, 'Oh, don't remove <i>her:</i> she is superior in
      intellect to many persons here present.'
    </p>
    <p>
      &ldquo;At the end of the lecture, thinking us in actual danger from these
      ruffians, he offered to let us out by a side door; but our lioness stood
      up and said, in a voice that rings in my ear even now, 'Thank you, sir;
      no. There are <i>gentlemen</i> enough here to escort us safely.'
    </p>
    <p>
      &ldquo;The magic of a great word from a great heart, at certain moments when
      minds are heated! At that word, sir, the scales fell from a hundred eyes;
      manhood awoke with a start, ay, and chivalry too; fifty manly fellows were
      round us in a moment, with glowing cheeks and eyes, and they carried us
      all home to our several lodgings in triumph. The cowardly caitiffs of the
      trades-union howled outside, and managed to throw a little dirt upon our
      gowns, and also hurled epithets, most of which were new to me; but it has
      since been stated by persons more versed in the language of the <i>canaille</i>
      that no fouler terms are known to the dregs of mankind.
    </p>
    <p>
      &ldquo;Thus did the immodest sex, in the person of the medical student, outrage
      seven fair samples of the modest sex&mdash;to teach them modesty.
    </p>
    <p>
      &ldquo;Next morning the police magistrates dealt with a few of our teachers,
      inflicted severe rebukes on them, and feeble fines.
    </p>
    <p>
      &ldquo;The craftier elders disowned the riot in public, but approved it in
      private; and continued to act in concert with it, only with cunning, not
      violence. <i>It caused no honest revulsion of feeling,</i> except in the
      disgusted public, and they had no power to help us.
    </p>
    <p>
      &ldquo;The next incident was a stormy debate by the subscribers to the
      infirmary; and here we had a little feminine revenge, which, outraged as
      we had been, I hope you will not grudge us.
    </p>
    <p>
      &ldquo;Our lioness subscribed five pounds, and became entitled to vote and
      speech. As the foulest epithets had been hurled at her by the union, and a
      certain professor had told her, to her face, no respectable woman would
      come to him and propose to study medicine, she said, publicly, that she
      had come to his opinion, and respectable women would avoid him&mdash;which
      caused a laugh.
    </p>
    <p>
      &ldquo;She also gave a venerable old physician, our bitter opponent, a slap that
      was not quite so fair. His attendant had been concerned in that outrage,
      and she assumed&mdash;in which she was not justified&mdash;that the old
      doctor approved. 'To be sure,' said she, 'they say he was intoxicated, and
      that is the only possible excuse.'
    </p>
    <p>
      &ldquo;The old doctor had only to say that he did not control his assistants in
      the street; and his own mode of conducting the opposition, and his long
      life of honor, were there to correct this young woman's unworthy surmises,
      and she would have had to apologize for going too far on mere surmise.
      But, instead of that, he was so injudicious as to accuse her of foul
      language, and say, 'My attendant is a perfect gentleman; he would not be
      my attendant if he were not.'
    </p>
    <p>
      &ldquo;Our lioness had him directly. 'Oh,' said she, 'if Dr. So-and-so prefers
      to say that his attendant committed that outrage on decency when in his
      sober senses, I am quite content.'
    </p>
    <p>
      &ldquo;This was described as violent invective by people with weak memories, who
      had forgotten the nature of the outrage our lioness was commenting on; but
      in truth it was only superior skill in debate, with truth to back it.
    </p>
    <p>
      &ldquo;For my part, I kept the police report at the time, and have compared it
      with her speech. The judicial comments on those rioters are far more
      severe than hers. The truth is it was her facts that hit too hard, not her
      expressions.
    </p>
    <p>
      &ldquo;Well, sir, she obtained a majority; and those managers of the infirmary
      who objected to female students were dismissed, and others elected. At the
      same meeting the Court of Contributors passed a statute, making it the law
      of the infirmary that students should be admitted without regard to sex.
    </p>
    <p>
      &ldquo;But as to the mere election of managers, the other party demanded a
      scrutiny of the votes, and instructive figures came out. There voted with
      us twenty-eight firms, thirty-one ladies, seven doctors.
    </p>
    <p>
      &ldquo;There voted with the union fourteen firms, two ladies, <i>thirty-seven
      doctors,</i> and three <i>druggists.</i>
    </p>
    <p>
      &ldquo;Thereupon the trades-union, as declared by the figures, alleged that
      firms ought not to vote. <i>Nota bene,</i> they always had voted
      unchallenged till they voted for fair play to women.
    </p>
    <p>
      &ldquo;The union served the provost with an interdict not to declare the new
      managers elected.
    </p>
    <p>
      &ldquo;We applied for our tickets under the new statute, but were impudently
      refused, under the plea that the managers must first be consulted: so did
      the servants of the infirmary defy the masters in order to exclude us.
    </p>
    <p>
      &ldquo;By this time the great desire of women to practice medicine had begun to
      show itself. Numbers came in and matriculated; and the pressure on the
      authorities to keep faith, and relax the dead-lock they had put us in, was
      great.
    </p>
    <p>
      &ldquo;Thereupon the authorities, instead of saying, 'We have pledged ourselves
      to a great number of persons, and pocketed their fees,' took fright, and
      cast about for juggles. They affected to discover all of a sudden that
      they had acted illegally in matriculating female students. They would,
      therefore, not give back their fees, and pay them two hundred pounds
      apiece for breach of contract, but detain their fees and stop their
      studies until compelled by judicial decision to keep faith. Observe, it
      was under advice of the lord-justice-general they had matriculated us, and
      entered into a contract with us, <i>for fulfilling which it was not, and
      is not, in the power of any mortal man to punish them.</i>
    </p>
    <p>
      &ldquo;But these pettifoggers said this: <i>'We</i> have acted illegally, and
      therefore not we, but <i>you,</i> shall suffer: <i>we</i> will <i>profit</i>
      by our illegal act, for we will cheat you out of your fees to the
      university and your fees to its professors, as well as the seed-time of
      your youth that we have wasted.'
    </p>
    <p>
      &ldquo;Now, in that country they can get the opinions of the judges by raising
      what they call an action of declarator.
    </p>
    <p>
      &ldquo;One would think it was their business to go to the judges, and meantime
      give us the benefit of the legal doubt, while it lasted, and of the moral
      no-doubt, which will last till the day of judgment, and a day after.
    </p>
    <p>
      &ldquo;Not a bit of it. They deliberately broke their contract with us, kept our
      fees, and cheated us out of the article we had bought of them, disowned
      all sense of morality, yet shifted the burden of law on to our shoulders.
      Litigation is long. Perfidy was in possession. Possession is nine points.
      The female students are now sitting with their hands before them, juggled
      out of their studies, in plain defiance of justice and public faith,
      waiting till time shall show them whether provincial lawyers can pettifog
      as well as trades-union doctors.
    </p>
    <p>
      &ldquo;As for me, I had retired to civilized climes long before this. I used to
      write twice a week to my parents, but I withheld all mention of the
      outrage at Surgeons' Hall. I knew it would give them useless pain. But in
      three weeks or so came a letter from my father, unlike any other I ever
      knew him to write. It did not even begin, 'My dear child.' This was what
      he said (the words are engraved in my memory): 'Out of that nation of
      cowards and skunks! out of it this moment, once and forever! The States
      are your home. Draft on London inclosed. Write to me from France next
      week, or write to me no more. Graduate in France. Then come North, and
      sail from Havre to New York. You have done with Britain, and so have I,
      till our next war. Pray God that mayn't be long!'
    </p>
    <p>
      &ldquo;It was like a lion's roar of anguish. I saw my dear father's heart was
      bursting with agony and rage at the insult to his daughter, and I shed
      tears for him those wretches had never drawn from me.
    </p>
    <p>
      &ldquo;I had cried at being insulted by scholars in the Press; but what was it
      to me that the scum of the medical profession, which is the scum of God's
      whole creation, called me words I did not know the meaning of, and flung
      the dirt of their streets, and the filth of their souls, after me? I was
      frightened a little, that is all. But that these reptiles could wound my
      darling old lion's heart across the ocean! Sir, he was a man who could be
      keen and even severe with men, but every virtuous woman was a sacred thing
      to him. Had he seen one, though a stranger, insulted as we were, he would
      have died in her defense. He was a true American. And to think the dregs
      of mankind could wound him for his daughter, and so near the end of his
      own dear life. Oh!&rdquo; She turned her head away.
    </p>
    <p>
      &ldquo;My poor girl!&rdquo; said Vizard, and his own voice was broken.
    </p>
    <p>
      When he said that, she gave him her hand, and seemed to cling to his a
      little; but she turned her head away from him and cried, and even trembled
      a little.
    </p>
    <p>
      But she very soon recovered herself, and said she would try to end her
      story. It had been long enough.
    </p>
    <p>
      &ldquo;Sir, my father had often obeyed me; but now I knew I must obey him. I got
      testimonials in Edinburgh, and started South directly. In a week I was in
      the South of France. Oh, what a change in people's minds by mere change of
      place! The professors received me with winning courtesy; some hats were
      lifted to me in the street, with marked respect; flowers were sent to my
      lodgings by gentlemen who never once intruded, on me in person. I was in a
      civilized land. Yet there was a disappointment for me. I inquired for
      Cornelia. The wretch had just gone and married a professor. I feared she
      was up to no good, by her writing so seldom of late.
    </p>
    <p>
      &ldquo;I sent her a line that an old friend had returned, and had not forgotten
      her, nor our mutual vows.
    </p>
    <p>
      &ldquo;She came directly, and was for caressing away her crime, and dissolving
      it in crocodile tears; but I played the injured friend and the tyrant.
    </p>
    <p>
      &ldquo;Then she curled round me, and coaxed, and said, 'Sweetheart, I can
      advance your interests all the better. You shall be famous for us both. I
      shall be happier in your success than in my own.'
    </p>
    <p>
      &ldquo;In short, she made it very hard to hold spite; and it ended in
      feeble-minded embraces. Indeed, she <i>was</i> of service to me. I had a
      favor to ask: I wanted leave to count my Scotch time in France.
    </p>
    <p>
      &ldquo;My view was tenable; and Cornelia, by her beauty and her popularity,
      gained over all the professors to it but one. He stood out.
    </p>
    <p>
      &ldquo;Well, sir, an extraordinary occurrence befriended me; no, not
      extraordinary&mdash;unusual.
    </p>
    <p>
      &ldquo;I lodged on a second floor. The first floor was very handsome. A young
      Englishman and his wife took it for a week. She was musical&mdash;a real
      genius. The only woman I ever heard sing without whining; for we are, by
      nature, the medical and unmusical sex.&rdquo;
     </p>
    <p>
      &ldquo;So you said before.&rdquo;
     </p>
    <p>
      &ldquo;I know I did; and I mean to keep saying it till people see it. Well, the
      young man was taken violently and mysteriously ill; had syncope after
      syncope, and at last ceased to breathe.
    </p>
    <p>
      &ldquo;The wife was paralyzed, and sat stupefied, and the people about feared
      for her reason.
    </p>
    <p>
      &ldquo;After a time they begged me to come down and talk to her. Of course I
      went. I found her with her head upon his knees. I sat down quietly, and
      looked at him. He was young and beautiful, but with a feminine beauty; his
      head finely shaped, with curly locks that glittered in the sun, and one
      golden lock lighter than the rest; his eyes and eyelashes, his oval face,
      his white neck, and his white hand, all beautiful. His left hand rested on
      the counterpane. There was an emerald ring on one finger. He was like some
      beautiful flower cut down. I can see him now.
    </p>
    <p>
      &ldquo;The woman lifted her head and saw me. She had a noble face, though now
      distorted and wild.
    </p>
    <p>
      &ldquo;She cried, 'Tell me he is not dead! tell me he is not dead!' and when I
      did not reply, the poor creature gave a wild cry, and her senses left her.
      We carried her into another room.
    </p>
    <p>
      &ldquo;While the women were bringing her to, an official came to insist on the
      interment taking place. They are terribly expeditious in the South of
      France.
    </p>
    <p>
      &ldquo;This caused an altercation, and the poor lady rushed out; and finding the
      officer peremptory, flung her arms round the body, and said they should
      not be parted&mdash;she would be buried with him.
    </p>
    <p>
      &ldquo;The official was moved, but said the law was strict, and the town must
      conduct the funeral unless she could find the sad courage to give the
      necessary instructions. With this he was going out, inexorable, when all
      of a sudden I observed something that sent my heart into my mouth, and I
      cried 'Arretez!' so loud that everybody stared.
    </p>
    <p>
      &ldquo;I said, 'You must wait till a physician has seen him; he has moved a
      finger.'
    </p>
    <p>
      &ldquo;I stared at the body, and they all stared at me.
    </p>
    <p>
      &ldquo;He <i>had</i> moved a finger. When I first saw him, his fingers were all
      close together; but now the little finger was quite away from the third
      finger&mdash;the one with the ring on.
    </p>
    <p>
      &ldquo;I felt his heart, and found a little warmth about it, but no perceptible
      pulse. I ordered them to take off his sheet and put on blankets, but not
      to touch him till I came back with a learned physician. The wife embraced
      me, all trembling, and promised obedience. I got a <i>fiacre</i> and drove
      to Dr. Brasseur, who was my hostile professor, but very able. I burst on
      him, and told him I had a case of catalepsy for him&mdash;it wasn't
      catalepsy, you know, but physicians are fond of Greek; they prefer the
      wrong Greek word to the right English. So I called it 'catalepsy,' and
      said I believed they were going to bury a live man. He shrugged his
      shoulders, and said that was one of the customs of the country. He would
      come in an hour. I told him that would not do, the man would be in his
      coffin; he must come directly. He smiled at my impetuosity, and yielded.
    </p>
    <p>
      &ldquo;I got him to the patient. He examined him, and said he might be alive,
      but feared the last spark was going out. He dared not venture on friction.
      We must be wary.
    </p>
    <p>
      &ldquo;Well, we tried this stimulant and that, till at last we got a sigh out of
      the patient; and I shall not forget the scream of joy at that sigh, which
      made the room ring, and thrilled us all.
    </p>
    <p>
      &ldquo;By-and-by I was so fortunate as to suggest letting a small stream of
      water fall from a height on his head and face. We managed that, and
      by-and-by were rewarded with a sneeze.
    </p>
    <p>
      &ldquo;I think a sneeze must revivify the brain wonderfully, for he made rapid
      progress, and then we tried friction, and he got well very quick. Indeed,
      as he had nothing the matter with him, except being dead, he got
      ridiculously well, and began paying us fulsome compliments, the doctor and
      me.
    </p>
    <p>
      &ldquo;So then we handed him to his joyful wife.
    </p>
    <p>
      &ldquo;They talk of crying for joy, as if it was done every day. I never saw it
      but once, and she was the woman. She made a curious gurgle; but it was
      very pretty. I was glad to have seen it, and very proud to be the cause.&rdquo;
     </p>
    <p>
      The next day that pair left. He was English and so many good-natured
      strangers called on him that he fled swiftly, and did not even bid me
      good-by. However, I was told they both inquired for me, and were sorry I
      was out when they went.
    </p>
    <p>
      &ldquo;How good of them!&rdquo; said Vizard, turning red.
    </p>
    <p>
      &ldquo;Oh, never mind, sir; I made use of <i>him.</i> I scribbled an article
      that very day, entitled it, 'While there's life there's hope,' and rushed
      with it to the editor of a journal. He took it with delight. I wrote it <i>'a
      la Francaise:</i> picture of the dead husband, mourning wife, the
      impending interment; effaced myself entirely, and said the wife had
      refused to bury him until Dr. Brasseur, whose fame had reached her ears,
      had seen the body. To humor her, the doctor was applied to, and, his
      benevolence being equal to his science, he came: when, lo! a sudden
      surprise; the swift, unerring eye of science detected some subtle sign
      that had escaped the lesser luminaries. He doubted the death. He applied
      remedies; he exhausted the means of his art, with little avail at first,
      but at last a sigh was elicited, then a sneeze; and, marvelous to relate,
      in one hour the dead man was sitting up, not convalescent, but well. I
      concluded with some reflections on this <i>most important case of
      suspended animation</i> very creditable to the profession of medicine, and
      Dr. Brasseur.&rdquo;
     </p>
    <p>
      &ldquo;There was a fox!&rdquo;
     </p>
    <p>
      &ldquo;Well, look at my hair. What else could you expect? I said that before,
      too.
    </p>
    <p>
      &ldquo;My notice published, I sent it to the doctor, with my respects, but did
      not call on him. However, one day he met me, and greeted me with a low
      bow. 'Mademoiselle,' said he, 'you were always a good student; but now you
      show the spirit of a <i>confr'ere,</i> and so gracefully, that we are all
      agreed we must have you for one as soon as possible.'
    </p>
    <p>
      &ldquo;I courtesied, and felt my face red, and said I should be the proudest
      woman in France.
    </p>
    <p>
      &ldquo;'Grand Dieu,' said he, 'I hope not; for your modesty is not the least of
      your charms.'
    </p>
    <p>
      &ldquo;So, the way was made smooth, and I had to work hard, and in about
      fourteen months I was admitted to my final examination. It was a severe
      one, but I had some advantages. Each nation has its wisdom, and I had
      studied in various schools.
    </p>
    <p>
      &ldquo;Being a linguist, with a trained memory, I occasionally backed my replies
      with a string of French, German, English, and Italian authorities that
      looked imposing.
    </p>
    <p>
      &ldquo;In short, I did pass with public applause and cordial felicitation; they
      quite <i>fe'ted</i> me. The old welcomed me; the young escorted me home
      and flung flowers over me at my door. I reappeared in the balcony, and
      said a few words of gratitude to them and their noble nation. They
      cheered, and dispersed.
    </p>
    <p>
      &ldquo;My heart was in a glow. I turned my eyes toward New York: a fortnight
      more, and my parents should greet me as a European doctress, if not a
      British.
    </p>
    <p>
      &ldquo;The excitement had been too great; I sunk, a little exhausted, on the
      sofa. They bought me a letter. It was black-edged. I tore it open with a
      scream. My father was dead.&rdquo;
     </p>
    <p>
      <a name="link2HCH0014" id="link2HCH0014">
      <!--  H2 anchor --> </a>
    </p>
    <div style="height: 4em;">
      <br /><br /><br /><br />
    </div>
    <h2>
      CHAPTER XIV.
    </h2>
    <p>
      &ldquo;I WAS prostrated, stupefied. I don't know what I did, or how long I sat
      there. But Cornelia came to congratulate me, and found me there like
      stone, with the letter in my hand. She packed up my clothes, and took me
      home with her. I made no resistance. I seemed all broken and limp, soul
      and body, and not a tear that day.
    </p>
    <p>
      &ldquo;Oh, sir, how small everything seems beside bereavement! My troubles, my
      insults, were nothing now; my triumph nothing; for I had no father left to
      be proud of it with me.
    </p>
    <p>
      &ldquo;I wept with anguish a hundred times a day. Why had I left New York? Why
      had I not foreseen this every-day calamity, and passed every precious hour
      by his side I was to lose?
    </p>
    <p>
      &ldquo;Terror seized me. My mother would go next. No life of any value was safe
      a day. Death did not wait for disease. It killed because it chose, and to
      show its contempt of hearts.
    </p>
    <p>
      &ldquo;But just as I was preparing to go to Havre, they brought me a telegram. I
      screamed at it, and put up my hands. I said 'No, no;' I would not read it,
      to be told my mother was dead. I would have her a few minutes longer.
      Cornelia read it, and said it was from her. I fell on it, and kissed it.
      The blessed telegram told she was coming home. I was to go to London and
      wait for her.
    </p>
    <p>
      &ldquo;I started. Cornelia paid my fees, and put my diploma in my box. <i>I</i>
      cared for nothing now but my own flesh and blood&mdash;what was left of it&mdash;my
      mother.
    </p>
    <p>
      &ldquo;I reached London, and telegraphed my address to my mother, and begged her
      to come at once and ease my fears. I told her my funds were exhausted;
      but, of course, that was not the thing I poured out my heart about; so I
      dare say she hardly realized my deplorable condition&mdash;listless and
      bereaved, alone in a great city, with no money.
    </p>
    <p>
      &ldquo;In her next letter she begged me to be patient. She had trouble with her
      husband's executors; she would send me a draft as soon as she could; but
      she would not leave, and let her child be robbed.
    </p>
    <p>
      &ldquo;By-and-by the landlady pressed me for money. I gave her my gowns and
      shawls to sell for me.&rdquo;
     </p>
    <p>
      &ldquo;Goose!&rdquo;
     </p>
    <p>
      &ldquo;And just now I was a fox.&rdquo;
     </p>
    <p>
      &ldquo;You are both. But so is every woman.&rdquo;
     </p>
    <p>
      &ldquo;She handed me a few shillings, by way of balance. I lived on them till
      they went. Then I starved a little.&rdquo;
     </p>
    <p>
      &ldquo;With a ring on your finger you could have pawned for ten guineas!&rdquo;
     </p>
    <p>
      &ldquo;Pawn my ring! My father gave it me.&rdquo; She kissed it tenderly, yet, to
      Vizard, half defiantly.
    </p>
    <p>
      &ldquo;Pawning is not selling, goose!&rdquo; said he, getting angry.
    </p>
    <p>
      &ldquo;But I must have parted with it.&rdquo;
     </p>
    <p>
      &ldquo;And you preferred to <i>starve?&rdquo;</i>
    </p>
    <p>
      &ldquo;I preferred to starve,&rdquo; said she, steadily.
    </p>
    <p>
      He looked at her. Her eyes faced his. He muttered something, and walked
      away, three steps to hide unreasonable sympathy. He came back with a grand
      display of cheerfulness. &ldquo;Your mother will be here next month,&rdquo; said he,
      &ldquo;with money in both pockets. Meantime I wish you would let me have a
      finger in the pie&mdash;or, rather my sister. She is warm-hearted and
      enthusiastic; she shall call on you, if you will permit it.&rdquo;
     </p>
    <p>
      &ldquo;Is she like you?&rdquo;
     </p>
    <p>
      &ldquo;Not a bit. We are by different mothers. Hers was a Greek, and she is a
      beautiful, dark girl.&rdquo;
     </p>
    <p>
      &ldquo;I admire beauty; but is she like you&mdash;in&mdash;in&mdash;disposition?&rdquo;
     </p>
    <p>
      &ldquo;Lord! no; very superior. Not abominably clever like you, but absurdly
      good. You shall judge for yourself. Oblige me with your address.&rdquo;
     </p>
    <p>
      The doctress wrote her address with a resigned air, as one who had found
      somebody she had to obey; and, as soon as he had got it, Vizard gave her a
      sort of nervous shake of the hand, and seemed almost in a hurry to get
      away from her. But this was his way.
    </p>
    <p>
      She would have been amazed if she had seen his change of manner the moment
      he got among his own people.
    </p>
    <p>
      He burst in on them, crying, &ldquo;There&mdash;the prayers of this congregation
      are requested for Harrington Vizard, saddled with a virago.&rdquo;
     </p>
    <p>
      &ldquo;Saddled with a virago!&rdquo; screamed Fanny.
    </p>
    <p>
      &ldquo;Saddled with a&mdash;!&rdquo; sighed Zoe, faintly.
    </p>
    <p>
      &ldquo;Saddled with a virago FOR LIFE!&rdquo; shouted Vizard, with a loud defiance
      that seemed needless, since nobody was objecting violently to his being
      saddled.
    </p>
    <p>
      &ldquo;Look here!&rdquo; said he, descending all of a sudden to a meek, injured air,
      which, however, did not last very long, &ldquo;I was in the garden of Leicester
      Square, and a young lady turned faint. I observed it, and, instead of
      taking the hint and cutting, I offered assistance&mdash;off my guard, as
      usual. She declined. I persisted; proposed a glass of wine, or spirit. She
      declined, but at last let out she was starving.&rdquo;
     </p>
    <p>
      &ldquo;Oh!&rdquo; cried Zoe.
    </p>
    <p>
      &ldquo;Yes, Zoe&mdash;starving. A woman more learned, more scientific, more
      eloquent, more offensive to a fellow's vanity, than I ever saw, or even
      read of&mdash;a woman of <i>genius,</i> starving, like a genius and a
      ninny, with a ring on her finger worth thirty guineas. But my learned
      goose would not raise money on that, because it was her father's, and he
      is dead.&rdquo;
     </p>
    <p>
      &ldquo;Poor thing!&rdquo; said Zoe, and her eyes glistened directly.
    </p>
    <p>
      &ldquo;It <i>is</i> hard, Zoe, isn't it? She is a physician&mdash;an able
      physician; has studied at Zurich and at Edinburgh, and in France, and has
      a French diploma; but must not practice in England, because we are behind
      the Continent in laws and civilization&mdash;so <i>she</i> says, confound
      her impudence, and my folly for becoming a woman's echo! But if I were to
      tell you her whole story, your blood would boil at the trickery, and
      dishonesty, and oppression of the trades-union which has driven this
      gifted creature to a foreign school for education; and, now that a foreign
      nation admits her ability and crowns her with honor, still she must not
      practice in this country, because she is a woman, and we are a nation of
      half-civilized men. That is <i>her</i> chat, you understand, not mine. We
      are not obliged to swallow all that; but, turn it how you will, here are
      learning, genius, and virtue starving. We must get her to accept a little
      money; that means, in her case, a little fire and food. Zoe, shall that
      woman go to bed hungry to-night?&rdquo;
     </p>
    <p>
      &ldquo;No, never!&rdquo; said Zoe, warmly. &ldquo;'Let me think. Offer her a <i>loan.&rdquo;</i>
    </p>
    <p>
      &ldquo;Well done; that is a good idea. Will <i>you</i> undertake it? She will be
      far more likely to accept. She is a bit of a prude and all, is my virago.&rdquo;
     </p>
    <p>
      &ldquo;Yes, dear, she will. Order the carriage. She shall not go to bed hungry&mdash;nobody
      shall that you are interested in.&rdquo;
     </p>
    <p>
      &ldquo;Oh, after dinner will do.&rdquo;
     </p>
    <p>
      Dinner was ordered immediately, and the brougham an hour after.
    </p>
    <p>
      At dinner, Vizard gave them all the outline of the Edinburgh struggle, and
      the pros and cons; during which narrative his female hearers might have
      been observed to get cooler and cooler, till they reached the zero of
      perfect apathy. They listened in dead silence; but when Harrington had
      done, Fanny said aside to Zoe, &ldquo;It is all her own fault. What business
      have women to set up for doctors?&rdquo;
     </p>
    <p>
      &ldquo;Of course not,&rdquo; said Zoe; &ldquo;only we must not say so. He indulges <i>us</i>
      in our whims.&rdquo;
     </p>
    <p>
      Warm partisan of immortal justice, when it was lucky enough to be backed
      by her affections, Miss Vizard rose directly after dinner, and, with a
      fine imitation of ardor, said she could lose no more time&mdash;she must
      go and put on her bonnet. &ldquo;You will come with me, Fanny?&rdquo;
     </p>
    <p>
      When I was a girl, or a boy&mdash;I forget which, it is so long ago&mdash;a
      young lady thus invited by an affectionate friend used to do one of two
      things; nine times out of ten she sacrificed her inclination, and went;
      the tenth, she would make sweet, engaging excuses, and beg off. But the
      girls of this day have invented &ldquo;silent volition.&rdquo; When you ask them to do
      anything they don't quite like, they look you in the face, bland but full,
      and neither speak nor move. Miss Dover was a proficient in this graceful
      form of refusal by dead silence, and resistance by placid inertia. She
      just looked like the full moon in Zoe's face, and never budged. Zoe, being
      also a girl of the day, needed no interpretation. &ldquo;Oh, very well,&rdquo; said
      she, &ldquo;disobliging thing!&rdquo;&mdash;with perfect good humor, mind you.
    </p>
    <p>
      Vizard, however, was not pleased.
    </p>
    <p>
      &ldquo;You go with her, Ned,&rdquo; said he. &ldquo;Miss Dover prefers to stay and smoke a
      cigar with me.&rdquo;
     </p>
    <p>
      Miss Dover's face reddened, but she never budged. And it ended in Zoe
      taking Severne with her to call on Rhoda Gale.
    </p>
    <p>
      Rhoda Gale stayed in the garden till sunset, and then went to her lodgings
      slowly, for they had no attraction&mdash;a dark room; no supper; a hard
      landlady, half disposed to turn her out.
    </p>
    <p>
      Dr. Rhoda Gale never reflected much in the streets; they were to her a
      field of minute observation; but, when she got home she sat down and
      thought over what she had been saying and doing, and puzzled over the
      character of the man who had relieved her hunger and elicited her
      autobiography. She passed him in review; settled in her mind that he was a
      strong character; a manly man, who did not waste words; wondered a little
      at the way he had made her do whatever he pleased; blushed a little at the
      thought of having been so communicative; yet admired the man for having
      drawn her out so; and wondered whether she should see him again. She hoped
      she should. But she did not feel sure.
    </p>
    <p>
      She sat half an hour thus&mdash;with one knee raised a little, and her
      hands interlaced&mdash;by a fire-place with a burned-out coal in it; and
      by-and-by she felt hungry again. But she had no food, and no money.
    </p>
    <p>
      She looked hard at her ring, and profited a little by contact with the
      sturdy good sense of Vizard.
    </p>
    <p>
      She said to herself, &ldquo;Men understand one another. I believe father would
      be angry with me for not.&rdquo;
     </p>
    <p>
      Then she looked tenderly and wistfully at the ring, and kissed it, and
      murmured, &ldquo;Not to-night.&rdquo; You see she hoped she might have a letter in the
      morning, and so respite her ring.
    </p>
    <p>
      Then she made light of it, and said to herself, &ldquo;No matter; 'qui dort,
      dine.'&rdquo;
     </p>
    <p>
      But as it was early for bed, and she could not be long idle, sipping no
      knowledge, she took up the last good German work that she had bought when
      she had money, and proceeded to read. She had no candle, but she had a
      lucifer-match or two, and an old newspaper. With this she made long
      spills, and lighted one, and read two pages by that paper torch, and
      lighted another before it was out, and then another, and so on in
      succession, fighting for knowledge against poverty, as she had fought for
      it against perfidy.
    </p>
    <p>
      While she was thus absorbed, a carriage drew up at the door. She took no
      notice of that; but presently there was a rustling of silk on the stairs,
      and two voices, and then a tap at the door. &ldquo;Come in,&rdquo; said she; and Zoe
      entered just as the last spill burned out.
    </p>
    <p>
      Rhoda Gale rose in a dark room; but a gas-light over the way just showed
      her figure. &ldquo;Miss Gale?&rdquo; said Zoe, timidly.
    </p>
    <p>
      &ldquo;I am Miss Gale,&rdquo; said Rhoda, quietly, but firmly.
    </p>
    <p>
      &ldquo;I am Miss Vizard&mdash;the gentleman's sister that you met in Leicester
      Square to-day;&rdquo; and she took a cautious step toward her.
    </p>
    <p>
      Rhoda's cheeks burned.
    </p>
    <p>
      &ldquo;Miss Vizard,&rdquo; she said, &ldquo;excuse my receiving you so; but you may have
      heard I am very poor. My last candle is gone. But perhaps the landlady
      would lend me one. I don't know. She is very disobliging, and very cruel.&rdquo;
     </p>
    <p>
      &ldquo;Then she shall not have the honor of lending you a candle,&rdquo; said Zoe,
      with one of her gushes. &ldquo;Now, to tell the truth,&rdquo; said she, altering to
      the cheerful, &ldquo;I'm rather glad. I would rather talk to you in the dark for
      a little, just at first. May I?&rdquo; By this time she had gradually crept up
      to Rhoda.
    </p>
    <p>
      &ldquo;I am afraid you <i>must,&rdquo;</i> said Rhoda. &ldquo;But at least I can offer you a
      seat.&rdquo;
     </p>
    <p>
      Zoe sat down, and there was an awkward silence.
    </p>
    <p>
      &ldquo;Oh, dear,&rdquo; said Zoe; &ldquo;I don't know how to begin. I wish you would give me
      your hand, as I can't see your face.&rdquo;
     </p>
    <p>
      &ldquo;With all my heart: there.&rdquo;
     </p>
    <p>
      (Almost in a whisper) &ldquo;He has told me.&rdquo;
     </p>
    <p>
      Rhoda put the other hand to her face, though it was so dark.
    </p>
    <p>
      &ldquo;Oh, Miss Gale, how <i>could</i> you? Only think! Suppose you had killed
      yourself, or made yourself very ill. Your mother would have come directly
      and found you so; and only think how unhappy you would have made her.&rdquo;
     </p>
    <p>
      &ldquo;Can I have forgotten my mother?&rdquo; asked Rhoda of herself, but aloud.
    </p>
    <p>
      &ldquo;Not willfully, I am sure. But you know geniuses are not always wise in
      these little things. They want some good humdrum soul to advise them in
      the common affairs of life. That want is supplied you now; for <i>I</i> am
      here&mdash;ha-ha!&rdquo;
     </p>
    <p>
      &ldquo;You are no more commonplace than I am; much less now, I'll be bound.&rdquo;
     </p>
    <p>
      &ldquo;We will put that to the test,&rdquo; said Zoe, adroitly enough. <i>&ldquo;My</i> view
      of all this is&mdash;that here is a young lady in want of money <i>for a
      time,</i> as everybody is now and then, and that the sensible course is to
      borrow some till your mother comes over with her apronful of dollars. Now,
      I have twenty pounds to lend, and, if you are so mighty sensible as you
      say, you won't refuse to borrow it.&rdquo;
     </p>
    <p>
      &ldquo;Oh, Miss Vizard, you are very good; but I am afraid and ashamed to
      borrow. I never did such a thing.&rdquo;
     </p>
    <p>
      &ldquo;Time you began, then. <i>I</i> have&mdash;often. But it is no use
      arguing. You <i>must&mdash;</i>or you will get poor me finely scolded.
      Perhaps he was on his good behavior with you, being a stranger; but at
      home they expect to be obeyed. He will be sure to say it was my stupidity,
      and that <i>he</i> would have made you directly.&rdquo;
     </p>
    <p>
      &ldquo;Do tell!&rdquo; cried Rhoda, surprised into an idiom; &ldquo;as if I'd have taken
      money from <i>him!&rdquo;</i>
    </p>
    <p>
      &ldquo;Why, of course not; but between <i>us</i> it is nothing at all. There:&rdquo;
       and she put the money into Rhoda's hand, and then held both hand and money
      rather tightly imprisoned in her larger palm, and began to chatter, so as
      to leave the other no opening. &ldquo;Oh, blessed darkness! how easy it makes
      things! does it not? I am glad there was no candle; we should have been
      fencing and blushing ever so long, and made such a fuss about nothing&mdash;and&mdash;&rdquo;
     </p>
    <p>
      This prattle was interrupted by Rhoda Gale putting her right wrist round
      Zoe's neck, and laying her forehead on her shoulder with a little sob. So
      then they both distilled the inevitable dew-drops.
    </p>
    <p>
      But as Rhoda was not much given that way, she started up, and said,
      &ldquo;Darkness? No; I must see the face that has come here to help me, and not
      humiliate me. That is the first use I'll make of the money. I am afraid
      you are rather plain, or you couldn't be so good as all this.&rdquo;
     </p>
    <p>
      &ldquo;No,&rdquo; said Zoe. &ldquo;I'm not reckoned plain; only as black as a coal.&rdquo;
     </p>
    <p>
      &ldquo;All the more to my taste,&rdquo; said Rhoda, and flew out of the room, and
      nearly stumbled over a figure seated on a step of the staircase. &ldquo;Who are
      you?&rdquo; said she, sharply.
    </p>
    <p>
      &ldquo;My name is Severne.&rdquo;
     </p>
    <p>
      &ldquo;And what are you doing there?&rdquo;
     </p>
    <p>
      &ldquo;Waiting for Miss Vizard.&rdquo;
     </p>
    <p>
      &ldquo;Come in, then.&rdquo;
     </p>
    <p>
      &ldquo;She told me not.&rdquo;
     </p>
    <p>
      &ldquo;Then I tell you <i>to.</i> The idea! Miss Vizard!&rdquo;
     </p>
    <p>
      &ldquo;Yes!&rdquo;
     </p>
    <p>
      &ldquo;Please have Mr. Severne in. Here he is sitting&mdash;like Grief&mdash;on
      the steps. I will soon be back.&rdquo;
     </p>
    <p>
      She flew to the landlady. &ldquo;Mrs. Grip, I want a candle.&rdquo;
     </p>
    <p>
      &ldquo;Well, the shops are open,&rdquo; said the woman, rudely.
    </p>
    <p>
      &ldquo;Oh, I have no time. Here is a sovereign. Please give me two candles
      directly, candlesticks and all.&rdquo;
     </p>
    <p>
      The woman's manner changed directly.
    </p>
    <p>
      &ldquo;You shall have them this moment, miss, and my own candlesticks, which
      they are plated.&rdquo;
     </p>
    <p>
      She brought them, and advised her only to light one. &ldquo;They don't carry
      well, miss,&rdquo; said she. &ldquo;They are wax&mdash;or summat.&rdquo;
     </p>
    <p>
      &ldquo;Then they are summat,&rdquo; said Miss Gale, after a single glance at their
      composition.
    </p>
    <p>
      &ldquo;I'll make you a nice hot supper, miss, in half an hour,&rdquo; said the woman,
      maternally, as if she were going to <i>give</i> it her.
    </p>
    <p>
      &ldquo;No, thank you. Bring me a two-penny loaf, and a scuttle of coals.&rdquo;
     </p>
    <p>
      &ldquo;La, miss, no more than that&mdash;out of a sov'?&rdquo;
     </p>
    <p>
      &ldquo;Yes&mdash;THE CHANGE.&rdquo;
     </p>
    <p>
      Having shown Mrs. Grip her father was a Yankee, she darted upstairs, with
      her candles. Zoe came to meet her, and literally dazzled her.
    </p>
    <p>
      Rhoda stared at her with amazement and growing rapture. &ldquo;Oh, you beauty!&rdquo;
       she cried, and drank her in from head to foot.
    </p>
    <p>
      &ldquo;Well,&rdquo; said she, drawing a long breath, &ldquo;Nature, you have turned out a <i>com-</i>plete
      article this time, I reckon.&rdquo; Then, as Severne laughed merrily at this,
      she turned her candle and her eyes full on him very briskly. She looked at
      him for a moment, with a gratified eye at his comeliness; then she
      started. &ldquo;Oh!&rdquo; she cried.
    </p>
    <p>
      He received the inspection merrily, till she uttered that ejaculation,
      then he started a little, and stared at her.
    </p>
    <p>
      &ldquo;We have met before,&rdquo; said she, almost tenderly.
    </p>
    <p>
      &ldquo;Have we?&rdquo; said he, putting on a mystified air.
    </p>
    <p>
      She fixed him, and looked him through and through. &ldquo;You&mdash;don't&mdash;remember&mdash;me?&rdquo;
       asked she. Then, after giving him plenty of time to answer, &ldquo;Well, then, I
      must be mistaken;&rdquo; and her words seemed to freeze themselves and her as
      they fell.
    </p>
    <p>
      She turned her back on him, and said to Zoe, with a good deal of sweetness
      and weight, &ldquo;I have lived to see goodness and beauty united. I will never
      despair of human nature.&rdquo;
     </p>
    <p>
      This was too pointblank for Zoe; she blushed crimson, and said archly, &ldquo;I
      think it is time for me to run. Oh, but I forgot; here is my card. We are
      all at that hotel. If I am so very attractive, you will come and see me&mdash;we
      leave town very soon&mdash;will you?&rdquo;
     </p>
    <p>
      &ldquo;I will,&rdquo; said Rhoda.
    </p>
    <p>
      &ldquo;And since you took me for an old acquaintance, I hope you will treat me
      as one,&rdquo; said Severne, with consummate grace and assurance.
    </p>
    <p>
      &ldquo;I will, <i>sir,&rdquo;</i> said she, icily, and with a marvelous curl of the
      lip that did not escape him.
    </p>
    <p>
      She lighted them down the stairs, gazed after Zoe, and ignored Severne
      altogether.
    </p>
    <p>
      <a name="link2HCH0015" id="link2HCH0015">
      <!--  H2 anchor --> </a>
    </p>
    <div style="height: 4em;">
      <br /><br /><br /><br />
    </div>
    <h2>
      CHAPTER XV.
    </h2>
    <p>
      GOING home in the carriage, Zoe was silent, but Severne talked nineteen to
      the dozen. Had his object been to hinder his companion's mind from
      dwelling too long on one thing, he could not have rattled the dice of
      small talk more industriously. His words would fill pages; his topics
      were, that Miss Gale was an extraordinary woman, but too masculine for his
      taste, and had made her own troubles setting up doctress, when her true
      line was governess&mdash;for boys. He was also glib and satirical upon
      that favorite butt, a friend.
    </p>
    <p>
      &ldquo;Who but a <i>soi-disant</i> woman-hater would pick up a strange virago
      and send his sister to her with twenty pounds? I'll tell you what it is,
      Miss Vizard&mdash;&rdquo;
     </p>
    <p>
      Here Miss Vizard, who had sat dead silent under a flow of words, which is
      merely indicated above, laid her hand on his arm to stop the flux for a
      moment, and said, quietly, <i>&ldquo;Do</i> you know her? tell me.&rdquo;
     </p>
    <p>
      &ldquo;Know her! How should I?&rdquo;
     </p>
    <p>
      &ldquo;I thought you might have met her&mdash;abroad.&rdquo;
     </p>
    <p>
      &ldquo;Well, it is possible, of course, but very unlikely. If I did, I never
      spoke to her, or I should have remembered her. <i>Don't you think so?&rdquo;</i>
    </p>
    <p>
      &ldquo;She seemed very positive; and I think she is an accurate person. She
      seemed quite surprised and mortified when you said 'No.'&rdquo;
     </p>
    <p>
      &ldquo;Well, you know, of course it is a mortifying thing when a lady claims a
      gentleman's acquaintance, and the gentleman doesn't admit it. But what
      could I do? I couldn't tell a lie about it&mdash;could I?&rdquo;
     </p>
    <p>
      &ldquo;Of course not.&rdquo;
     </p>
    <p>
      &ldquo;I was off my guard, and rudish; but you were not. What tact! what
      delicacy! what high breeding and angelic benevolence! And so clever, too!&rdquo;
     </p>
    <p>
      &ldquo;Oh, fie! you listened!&rdquo;
     </p>
    <p>
      &ldquo;You left the door ajar, and I could not bear to lose a word that dropped
      from those lips so near me. Yes, I listened, and got such a lesson as only
      a noble, gentle lady could give. I shall never forget your womanly art,
      and the way you contrived to make the benefaction sound nothing. 'We are
      all of us at low water in turns, and for a time, especially me, Zoe
      Vizard; so here's a trifling loan.' A loan! you'll never see a shilling of
      it again! No matter. What do angels want of money?&rdquo;
     </p>
    <p>
      &ldquo;Oh, pray,&rdquo; said Zoe, &ldquo;you make me blush!&rdquo;
     </p>
    <p>
      &ldquo;Then I wish there was more light to see it&mdash;yes, an angel. Do you
      think I can't see you have done all this for a lady you do not really
      approve? Fancy&mdash;a she doctor!&rdquo;
     </p>
    <p>
      &ldquo;My dear friend,&rdquo; said Zoe, with a little juvenile pomposity, &ldquo;one ought
      not to judge one's intellectual superiors hastily, and this lady is ours&rdquo;&mdash;then,
      gliding back to herself, &ldquo;and it is my nature to approve what those I love
      approve&mdash;when it is not downright wrong, you know.&rdquo;
     </p>
    <p>
      &ldquo;Oh, of course it is not wrong; but is it wise?&rdquo;
     </p>
    <p>
      Zoe did not answer: the question puzzled her.
    </p>
    <p>
      &ldquo;Come,&rdquo; said he, &ldquo;I'll be frank, and speak out in time. I don't think you
      know your brother Harrington. He is very inflammable.&rdquo;
     </p>
    <p>
      &ldquo;Inflammable! What! Harrington? Well, yes; for I've seen smoke issue from
      his mouth&mdash;ha! ha!&rdquo;
     </p>
    <p>
      &ldquo;Ha! ha! I'll pass that off for mine, some day when you are not by. But,
      seriously, your brother is the very man to make a fool of himself with a
      certain kind of woman. He despises the whole sex&mdash;in theory, and he
      is very hard upon ordinary women, and does not appreciate their good
      qualities. But, when he meets a remarkable woman, he catches fire like
      tow. He fell in love with Mademoiselle Klosking.&rdquo;
     </p>
    <p>
      &ldquo;Oh, not in love!&rdquo;
     </p>
    <p>
      &ldquo;I beg your pardon. Now, this is between you and me&mdash;he was in love
      with her, madly in love. He was only saved by our coming away. If those
      two had met and made acquaintance, he would have been at her mercy. I
      don't say any harm would have come of it; but I do say that would have
      depended on the woman, and not on the man.&rdquo;
     </p>
    <p>
      Zoe looked very serious, and said nothing. But her long silence showed him
      his words had told.
    </p>
    <p>
      &ldquo;And now,&rdquo; said he, after a judicious pause, &ldquo;here is another remarkable
      woman; the last in the world I should fancy, or Vizard either, perhaps, if
      he met her in society. But the whole thing occurs in the way to catch him.
      He finds a lady fainting with hunger; he feeds her; and that softens his
      heart to her. Then she tells him the old story&mdash;victim of the world's
      injustice&mdash;and he is deeply interested in her. She can see that; she
      is as keen as a razor. If those two meet a few more times, he will be at
      her mercy; and then won't she throw physic to the dogs, and jump at a
      husband six feet high, and twelve thousand acres! I don't study women with
      a microscope, as our woman-hater does, but I notice a few things about
      them; and one is, that their eccentricities all give way at the first
      offer of marriage. I believe they are only adopted in desperation, to get
      married. What beautiful woman is ever eccentric? catch her! she can get a
      husband without. That doctress will prescribe Harrington a wedding-ring;
      and, if he swallows it, it will be her last prescription. She will send
      out for the family doctor after that, like other wives.&rdquo;
     </p>
    <p>
      &ldquo;You alarm me,&rdquo; said Zoe. &ldquo;Pray do not make me unjust. This is a lady with
      a fine mind, and, not a designing woman.&rdquo;
     </p>
    <p>
      &ldquo;Oh, I don't say she has laid any plans; but these things are always
      extemporized the moment the chance comes. You can count beforehand on the
      instinct of every woman who is clever and needy, and on Vizard's peculiar
      weakness for women out of the common. He is hard upon the whole sex; but
      he is no match for individuals. He owned as much himself to me one day.
      You are not angry with me!&rdquo;
     </p>
    <p>
      &ldquo;No, no. Angry with <i>you?&rdquo;</i>
    </p>
    <p>
      &ldquo;It is you I think of in all this. He is a fine fellow, and you are proud
      of him. I wouldn't have him marry to mortify you. For myself, while the
      sister honors me with her regard, I really don't much care who has the
      brother and the acres. I have the best of the bargain.&rdquo;
     </p>
    <p>
      Zoe disputed this&mdash;in order to make him say it several times.
    </p>
    <p>
      He did, and proved it in terms that made her cheeks red with modesty and
      gratified pride; and by the time they had got home, he had flattered
      everything but pride, love, and happiness out of her heart, poor girl.
    </p>
    <p>
      The world is like the Law, full of implied contracts: we give and take,
      without openly agreeing to. Subtle Severne counted on this, and was not
      disappointed. Zoe rewarded him for his praises, and her happiness, by
      falling into his views about Rhoda Gale. Only she did it in her own
      lady-like way, and not plump.
    </p>
    <p>
      She came up to Harrington and kissed him, and said, &ldquo;Thank you, dear, for
      sending me on a good errand. I found her in a very mean apartment, without
      fire or candle.&rdquo;
     </p>
    <p>
      &ldquo;I thought as much,&rdquo; said Vizard.
    </p>
    <p>
      &ldquo;Did she take the money?&rdquo;
     </p>
    <p>
      &ldquo;Yes&mdash;as a loan.&rdquo;
     </p>
    <p>
      &ldquo;Make any difficulties?&rdquo;
     </p>
    <p>
      &ldquo;A little, dear.&rdquo;
     </p>
    <p>
      Severne put in his word. &ldquo;Now, if you want to know all the tact and
      delicacy with which it was done, you must come to me; for Miss Vizard is
      not going to give you any idea of it.&rdquo;
     </p>
    <p>
      &ldquo;Be quiet, sir, or I shall be very angry. I lent her the money, dear, and
      her troubles are at an end; for her mother will certainly join her before
      she has spent your twenty pounds. Oh! and she had not parted with her
      ring; that is a comfort, is it not?&rdquo;
     </p>
    <p>
      &ldquo;You are a good-hearted girl, Zoe,&rdquo; said Vizard, approvingly; then,
      recovering himself, &ldquo;But don't you be blinded by sentiment. She deserves a
      good hiding for not parting with her ring. Where is the sense of starving,
      with thirty pounds on your finger?&rdquo;
     </p>
    <p>
      Zoe smiled, and said his words were harder than his deeds.
    </p>
    <p>
      &ldquo;Because he doesn't mean a word he says,&rdquo; put in Fanny Dover, uneasy at
      the long cessation of her tongue, for all conversation with Don Cigar had
      proved impracticable.
    </p>
    <p>
      &ldquo;Are you there still, my Lady Disdain?&rdquo; said Vizard. &ldquo;I thought you were
      gone to bed.&rdquo;
     </p>
    <p>
      &ldquo;You might well think that. I had nothing to keep me up.&rdquo;
     </p>
    <p>
      Said Zoe, rather smartly, &ldquo;Oh, yes, you had&mdash;Curiosity;&rdquo; then,
      turning to her brother, &ldquo;In short, you make your mind quite easy. You have
      lent your money, or given it, to a worthy person, but a little
      wrong-headed. However&rdquo;&mdash;with a telegraphic glance at Severne&mdash;&ldquo;she
      is very accomplished; a linguist: she need never be in want; and she will
      soon have her mother to help her and advise her. Perhaps Mrs. Gale has an
      income; if not, Miss Gale, with her abilities, will easily find a place in
      some house of business, or else take to teaching. If I was them, I would
      set up a school.&rdquo;
     </p>
    <p>
      Unanimity is rare in this world; but Zoe's good sense carried every vote.
      Her prompter, Severne, nodded approval. Fanny said, &ldquo;Why, of course;&rdquo; and
      Vizard, who it was feared might prove refractory, assented even more
      warmly than the others. &ldquo;Yes,&rdquo; said he, &ldquo;that will be the end of it. You
      relieve me of a weight. Really, when she told me that fable of learning
      maltreated, honorable ambition punished, justice baffled by trickery, and
      virtue vilified, and did not cry like the rest of you, except at her
      father dying in New York the day she won her diploma at Montpelier, I
      forgave the poor girl her petticoats; indeed, I lost sight of them. She
      seemed to me a very brave little fellow, damnably ill used, and I said,
      'This is not to be borne. Here is a fight, and justice down under dirty
      feet.' What, ho!&rdquo; (roaring at the top of his voice).
    </p>
    <p>
      <i>Zoe and Fanny</i> (screaming, and pinching Ned Severne right and left).
      &ldquo;Ah! ah!&rdquo;
     </p>
    <p>
      &ldquo;Vizard to the rescue!&rdquo;
     </p>
    <p>
      &ldquo;But, with the evening, cool reflection came. A sister, youthful, but
      suddenly sagacious (with a gleam of suspicion), very suddenly has stilled
      the waves of romance, and the lips of beauty have uttered common sense.
      Shall they utter it in vain? Never! It may be years before they do it
      again. We must not slight rare phenomena. Zoe <i>locuta est&mdash;</i>Eccentricity
      must be suppressed. Doctresses, warned by a little starvation, must take
      the world as it is, and teach little girls and boys languages, and physic
      them with arithmetic and the globes: these be drugs that do not kill; they
      only make life a burden. I don't think we have laid out our twenty pounds
      badly, Zoe, and there is an end of it. The incident is emptied, as the
      French say, and (lighting bed-candles) the ladies retire with the honors
      of war. Zoe has uttered good sense, and Miss Dover has done the next best
      thing; she has said very little&mdash;&rdquo;
     </p>
    <p>
      Miss Dover shot in contemptuously, &ldquo;I had no companion&mdash;&rdquo;
     </p>
    <p>
      &mdash;&ldquo;For want of a fool to speak her mind to.&rdquo;
     </p>
    <p>
      <a name="link2HCH0016" id="link2HCH0016">
      <!--  H2 anchor --> </a>
    </p>
    <div style="height: 4em;">
      <br /><br /><br /><br />
    </div>
    <h2>
      CHAPTER XVI.
    </h2>
    <p>
      INGENIOUS Mr. Severne having done his best to detach the poor doctress
      from Vizard and his family, in which the reader probably discerns his true
      motive, now bent his mind on slipping back to Homburg and looking after
      his money. Not that he liked the job. To get hold of it, he knew he must
      condense rascality; he must play the penitent, the lover, and the
      scoundrel over again, all in three days.
    </p>
    <p>
      Now, though his egotism was brutal, he was human in this, that he had
      plenty of good nature skin-deep, and superficial sensibilities, which made
      him shrink a little from this hot-pressed rascality and barbarity. On the
      other hand, he was urged by poverty, and, laughable as it may appear, by
      jealousy. He had observed that the best of women, if they are not only
      abandoned by him they love, but also flattered and adored by scores, will
      some times yield to the joint attacks of desolation, pique, vanity, etc.
    </p>
    <p>
      In this state of fluctuation he made up his mind so far as this: he would
      manage so as to be able to go.
    </p>
    <p>
      Even this demanded caution. So he began by throwing out, in a seeming
      careless way, that he ought to go down into Huntingdonshire.
    </p>
    <p>
      &ldquo;Of course you ought,&rdquo; said Vizard.
    </p>
    <p>
      No objection was taken, and they rather thought he would go next day. But
      that was not his game. It would never do to go while they were in London.
      So he kept postponing, and saying he would not tear himself away; and at
      last, the day before they were to go down to Barfordshire, he affected to
      yield to a remonstrance of Vizard, and said he would see them off, and
      then run down to Huntingdonshire, look into his affairs, and cross the
      country to Barfordshire.
    </p>
    <p>
      &ldquo;You might take Homburg on the way,&rdquo; said Fanny, out of fun&mdash;<i>her</i>
      fun&mdash;not really meaning it.
    </p>
    <p>
      Severne cast a piteous look at Zoe. &ldquo;For shame, Fanny!&rdquo; said she. &ldquo;And why
      put Homburg into his head?&rdquo;
     </p>
    <p>
      &ldquo;When I had forgotten there was such a place,&rdquo; said Mr. Severne, taking
      his cue dexterously from Zoe, and feigning innocent amazement. Zoe colored
      with pleasure. This was at breakfast. At afternoon tea something happened.
      The ladies were upstairs packing, an operation on which they can bestow as
      many hours as the thing needs minutes. One servant brought in the tea;
      another came in soon after with a card, and said it was for Miss Vizard;
      but he brought it to Harrington. He read it:
    </p>
    <h3>
      &ldquo;MISS RHODA GALE, M.D.&rdquo;
     </h3>
    <p>
      &ldquo;Send it up to Miss Vizard,&rdquo; said he. The man was going out: he stopped
      him, and said, &ldquo;You can show the lady in here, all the same.&rdquo;
     </p>
    <p>
      Rhoda Gale was ushered in. She had a new gown and bonnet, not showy, but
      very nice. She colored faintly at sight of the two gentlemen; but Vizard
      soon put her at her ease. He shook hands with her, and said, &ldquo;Sit down,
      Miss Gale; my sister will soon be here. I have sent your card up to her.&rdquo;
     </p>
    <p>
      &ldquo;Shall I tell her?&rdquo; said Severne, with the manner of one eager to be
      agreeable to the visitor.
    </p>
    <p>
      &ldquo;If you please, sir,&rdquo; said Miss Gale.
    </p>
    <p>
      Severne went out zealously, darted up to Zoe's room, knocked, and said,
      &ldquo;Pray come down: here is that doctress.&rdquo;
     </p>
    <p>
      Meantime, Jack was giving Gill the card, and Gill was giving it Mary to
      give to the lady. It got to Zoe's room in a quarter of an hour.
    </p>
    <p>
      &ldquo;Any news from mamma?&rdquo; asked Vizard, in his blunt way.
    </p>
    <p>
      &ldquo;Yes, sir.&rdquo;
     </p>
    <p>
      &ldquo;Good news?&rdquo;
     </p>
    <p>
      &ldquo;No. My mother writes me that I must not expect her. She has to fight with
      a dishonest executor. Oh, money, money!&rdquo;
     </p>
    <p>
      At that moment Zoe entered the room, but Severne paced the landing. He did
      not care to face Miss Gale; and even in that short interval of time he had
      persuaded Zoe to protect her brother against this formidable young lady,
      and shorten the interview if she could.
    </p>
    <p>
      So Zoe entered the room bristling with defense of her brother. At sight of
      her, Miss Gale rose, and her features literally shone with pleasure. This
      was rather disarming to one so amiable as Zoe, and she was surprised into
      smiling sweetly in return; but still her quick, defensive eye drank Miss
      Gale on the spot, and saw, with alarm, the improvement in her appearance.
      She was very healthy, as indeed she deserved to be; for she was singularly
      temperate, drank nothing but water and weak tea without sugar, and never
      eat nor drank except at honest meals. Her youth and pure constitution had
      shaken off all that pallor, and the pleasure of seeing Zoe lent her a
      lovely color. Zoe microscoped her in one moment: not one beautiful feature
      in her whole face; eyes full of intellect, but not in the least
      love-darting; nose, an aquiline steadily reversed; mouth, vastly
      expressive, but large; teeth, even and white, but ivory, not pearl; chin,
      ordinary; head symmetrical, and set on with grace. I may add, to complete
      the picture, that she had a way of turning this head, clean, swift, and
      birdlike, without turning her body. That familiar action of hers was fine&mdash;so
      full of fire and intelligence.
    </p>
    <p>
      Zoe settled in one moment that she was downright plain, but might probably
      be that mysterious and incomprehensible and dangerous creature, &ldquo;a
      gentleman's beauty,&rdquo; which, to women, means no beauty at all, but a
      witch-like creature, that goes and hits foul, and eclipses real beauty&mdash;dolls,
      to wit&mdash;by some mysterious magic.
    </p>
    <p>
      &ldquo;Pray sit down,&rdquo; said Zoe, formally. Rhoda sat down, and hesitated a
      moment. She felt a frost.
    </p>
    <p>
      Vizard helped her, &ldquo;Miss Gale has heard from her mother.&rdquo;
     </p>
    <p>
      &ldquo;Yes, Miss Vizard,&rdquo; said Rhoda, timidly; &ldquo;and very bad news. She cannot
      come at present; and I am so distressed at what I have done in borrowing
      that money of you; and see, I have spent nearly three pounds of it in
      dress; but I have brought the rest back.&rdquo;
     </p>
    <p>
      Zoe looked at her brother, perplexed.
    </p>
    <p>
      &ldquo;Stuff and nonsense!&rdquo; said Vizard. &ldquo;You will not take it, Zoe.&rdquo;
     </p>
    <p>
      &ldquo;Oh, yes; if you please, do,&rdquo; said Rhoda still to Zoe. &ldquo;When I borrowed
      it, I felt sure I could repay it; but it is not so now. My mother says it
      may be months before she can come, and she forbids me positively to go to
      her. Oh! but for that, I'd put on boy's clothes, and go as a common sailor
      to get to her.&rdquo;
     </p>
    <p>
      Vizard fidgeted on his chair.
    </p>
    <p>
      &ldquo;I suppose I mustn't go in a passion,&rdquo; said he, dryly.
    </p>
    <p>
      &ldquo;Who cares?&rdquo; said Miss Gale, turning her head sharply on him in the way I
      have tried to describe.
    </p>
    <p>
      &ldquo;I care,&rdquo; said Vizard. &ldquo;I find wrath interfere with my digestion. Please
      go on, and tell us what your mother says. She has more common sense than
      somebody else I won't name&mdash;politeness forbids.&rdquo;
     </p>
    <p>
      &ldquo;Well, who doubts that?&rdquo; said the lady, with frank good humor. &ldquo;Of course
      she has more sense than any of us. Well, my mother says&mdash;oh, Miss
      Vizard!&rdquo;
     </p>
    <p>
      &ldquo;No, she doesn't now. She never heard the name of Vizard.&rdquo;
     </p>
    <p>
      Miss Gale was in no humor for feeble jokes. She turned half angrily away
      from him to Zoe. &ldquo;She says I have been well educated, and know languages;
      and we are both under a cloud, and I had better give up all thought of
      medicine, and take to teaching.&rdquo;
     </p>
    <p>
      &ldquo;Well, Miss Gale,&rdquo; said Zoe, &ldquo;if you ask <i>me,</i> I must say I think it
      is good advice. With all your gifts, how can you fight the world? We are
      all interested in you here; and it is a curious thing, but do you know we
      agreed the other day you would have to give up medicine, and fall into
      some occupation in which there are many ladies already to keep you in
      countenance. Teaching was mentioned, I think; was it not, Harrington?&rdquo;
     </p>
    <p>
      Rhoda Gale sighed deeply.
    </p>
    <p>
      &ldquo;I am not surprised,&rdquo; said she. &ldquo;Most women of the world think with you.
      But oh, Miss Vizard, please take into account all that I have done and
      suffered for medicine! Is all that to go for <i>nothing?</i> Think what a
      bitter thing it must be to do, and then to undo; to labor and study, and
      then knock it all down&mdash;to cut a slice out of one's life, out of the
      very heart of it&mdash;and throw it clean away. I know it is hard for you
      to enter into the feelings of any one who loves science, and is told to
      desert it. But suppose you had loved a <i>man</i> you were proud of&mdash;loved
      him for five years&mdash;and then they came to you and said, 'There are
      difficulties in the way; he is as worthy as ever, and he will never desert
      <i>you;</i> but you must give <i>him</i> up, and try and get a taste for
      human rubbish: it will only be five years of wasted life, wasted youth,
      wasted seed-time, wasted affection, and then a long vegetable life of
      unavailing regrets.' I love science as other women love men. If I am to
      give up science, why not die? Then I shall not feel my loss; and I know
      how to die without pain. Oh, the world is cruel! Ah! I am too unfortunate!
      Everybody else is rewarded for patience, prudence, temperance, industry,
      and a life with high and almost holy aims; but I am punished, afflicted,
      crushed under the injustice of the day. Do not make me a nurse-maid. I <i>won't</i>
      be a governess; and I must not die, because that would grieve my mother.
      Have pity on me! have pity!&rdquo;
     </p>
    <p>
      She trembled all over, and stretched out her hands to Zoe with truly
      touching supplication.
    </p>
    <p>
      Zoe forgot her part, or lost the power to play it well. She turned her
      head away and would not assent; but two large tears rolled out of her
      beautiful eyes. Miss Gale, who had risen in the ardor of her appeal, saw
      that, and it set her off. She leaned her brow against the mantel-piece,
      not like a woman, but a brave boy, that does not want to be seen crying,
      and she faltered out, &ldquo;In France I am a learned physician; and here to be
      a house-maid! For I won't live on borrowed money. I am very unfortunate.&rdquo;
     </p>
    <p>
      Severne, who had lost patience, came swiftly in, and found them in this
      position, and Vizard walking impatiently about the room in a state of
      emotion which he was pleased to call anger.
    </p>
    <p>
      Zoe, in a tearful voice, said, &ldquo;I am unable to advise you. It is very hard
      that any one so deserving should be degraded.&rdquo;
     </p>
    <p>
      Vizard burst out, &ldquo;It is harder the world should be so full of
      conventional sneaks; and that I was near making one of them. The last
      thing we ever think of, in this paltry world, is justice, and it ought to
      be the first. Well, for once I've got the power to be just, and just I'll
      be, by God! Come, leave off sniveling, you two, and take a lesson in
      justice&mdash;from a beginner: converts are always the hottest, you know.
      Miss Gale, you shall not be driven out of science, and your life and labor
      wasted. You shall doctor Barfordshire, and teach it English, too, if any
      woman can. This is the programme. I farm two hundred acres&mdash;<i>vicariously,</i>
      of course. Nobody in England has brains to do anything <i>himself.</i>
      That weakness is confined to your late father's country, and they suffer
      for it by outfighting, outlying, outmaneuvering, outbullying, and
      outwitting us whenever we encounter them. Well, the farmhouse is large.
      The bailiff has no children. There is a wing furnished, and not occupied.
      You shall live there, with the right of cutting vegetables, roasting
      chickens, sucking eggs, and riding a couple of horses off their legs.&rdquo;
     </p>
    <p>
      &ldquo;But what am I to do for all that?&rdquo;
     </p>
    <p>
      &ldquo;Oh, only the work of two men. You must keep my house in perfect health.
      The servants have a trick of eating till they burst. You will have to sew
      them up again. There are only seven hundred people in the village. You
      must cure them all; and, if you do, I promise you their lasting
      ingratitude. Outside the village, you must make them pay&mdash;<i>if you
      can.</i> We will find you patients of every degree. But whether you will
      ever get any fees out of them, this deponent sayeth not. However, I can
      answer for the <i>ladies</i> of our county, that they will all cheat you&mdash;if
      they can.&rdquo;
     </p>
    <p>
      Miss Gale's color came and went, and her eyes sparkled. &ldquo;Oh, how good you
      are! Is there a hospital?&rdquo;
     </p>
    <p>
      &ldquo;County hospital, and infirmary, within three miles. Fine country for
      disease. Intoxication prevalent, leading to a bountiful return of
      accidents. I promise you wounds, bruises, and putrefying sores, and
      everything to make you comfortable.&rdquo;
     </p>
    <p>
      &ldquo;Oh, don't laugh at me. I am so afraid I shall&mdash;no, I hope I shall
      not disgrace you. And, then, it is against the law; but I don't mind
      that.&rdquo;
     </p>
    <p>
      &ldquo;Of course not. What is the law to ladies with elevated views? By-the-by,
      what is the penalty&mdash;six months?&rdquo;
     </p>
    <p>
      &ldquo;Oh, no. Twenty pounds. Oh, dear! another twenty pounds!&rdquo;
     </p>
    <p>
      &ldquo;Make your mind easy. Unjust laws are a dead letter on a soil so primitive
      as ours. I shall talk to Uxmoor and a few more, and no magistrate will
      ever summons you, nor jury convict you, in Barfordshire. You will be as
      safe there as in Upper Canada. Now then&mdash;attend. We leave for
      Barfordshire to-morrow. You will go down on the first of next month. By
      that time all will be ready: start for Taddington, eleven o'clock. You
      will be met at the Taddington Station, and taken to your farmhouse. You
      will find a fire ten days old, and, for once in your life, young lady, you
      will find an aired bed; because my man Harris will be house-maid, and not
      let one of your homicidal sex set foot in the crib.&rdquo;
     </p>
    <p>
      Miss Gale looked from Vizard to his sister, like a person in a dream. She
      was glowing with happiness; but it did not spoil her. She said, humbly and
      timidly, &ldquo;I hope I may prove worthy.&rdquo;
     </p>
    <p>
      &ldquo;That is <i>your</i> business,&rdquo; said Vizard, with supreme indifference;
      &ldquo;mine is to be just. Have a cup of tea?&rdquo;
     </p>
    <p>
      &ldquo;Oh, no, thank you; and it will be a part of my duty to object to
      afternoon tea. But I am afraid none of you will mind me.&rdquo;
     </p>
    <p>
      After a few more words, in which Severne, seeing Vizard was in one of his
      iron moods, and immovable as him of Rhodes, affected now to be a partisan
      of the new arrangement, Miss Gale rose to retire. Severne ran before her
      to the door, and opened it, as to a queen. She bowed formally to him as
      she went out. When she was on the other side the door, she turned her head
      in her sharp, fiery way, and pointed with her finger to the emerald ring
      on his little finger, a very fine one. &ldquo;Changed hands,&rdquo; said she: &ldquo;it was
      on the third finger of your left hand when we met last;&rdquo; and she passed
      down the stairs with a face half turned to him, and a cruel smile.
    </p>
    <p>
      Severne stood fixed, looking after her; cold crept among his bones: he was
      roused by a voice above him saying, very inquisitively, &ldquo;What does she
      say?&rdquo; He looked up, and it was Fanny Dover leaning over the balusters of
      the next landing. She had evidently seen all, and heard some. Severne had
      no means of knowing how much. His heart beat rapidly. Yet he told her,
      boldly, that the doctress had admired his emerald ring: as if to give
      greater force to this explanation, he took it off, and showed it her, very
      amicably. He calculated that she could hardly, at that distance, have
      heard every syllable, and, at the same time, he was sure she had seen Miss
      Gale point at the ring.
    </p>
    <p>
      &ldquo;Hum!&rdquo; said Fanny; and that was all she said.
    </p>
    <p>
      Severne went to his own room to think. He was almost dizzy. He dreaded
      this Rhoda Gale. She was incomprehensible, and held a sword over his head.
      Tongues go fast in the country. At the idea of this keen girl and Zoe
      Vizard sitting under a tree for two hours, with nothing to do but talk,
      his blood ran cold. Surely Miss Gale must hate him. She would not always
      spare him. For once he could not see his way clear. Should he tell her
      half the truth, and throw himself on her mercy? Should he make love to
      her? Or what should he do? One thing he saw clear enough: he must not quit
      the field. Sooner or later, all would depend on his presence, his tact,
      and his ready wit.
    </p>
    <p>
      He felt like a man who could not swim, and wades in deepening water. He
      must send somebody to Homburg, or abandon all thought of his money. Why
      abandon it? Why not return to Ina Klosking? His judgment, alarmed at the
      accumulating difficulties, began to intrude its voice. What was he turning
      his back on? A woman, lovely, loving, and celebrated, who was very likely
      pining for him, and would share, not only her winnings at play with him,
      but the large income she would make by her talent. What was he following?
      A woman divinely lovely and good, but whom he could not possess, or, if he
      did, could not hold her long, and whose love must end in horror.
    </p>
    <p>
      But nature is not so unfair to honest men as to give wisdom to the
      cunning. Rarely does reason prevail against passion in such a mind as
      Severne's. It ended, as might have been expected, in his going down to
      Vizard Court with Zoe.
    </p>
    <p>
      An express train soon whirled them down to Taddington, in Barfordshire.
      There was Harris, with three servants, waiting for them, one with a light
      cart for their luggage, and two with an open carriage and two spanking
      bays, whose coats shone like satin. The servants, liveried, and
      top-booted, and buckskin-gloved, and spruce as if just out of a bandbox,
      were all smartness and respectful zeal. They got the luggage out in a
      trice, with Harris's assistance. Mr. Harris then drove away like the wind
      in his dog-cart; the traveling party were soon in the barouche. It glided
      away, and they rolled on easy springs at the rate of twelve miles an hour
      till they came to the lodge-gate. It was opened at their approach, and
      they drove full half a mile over a broad gravel path, with rich grass on
      each side, and grand old patriarchs, oak and beech, standing here and
      there, and dappled deer, grazing or lying, in mottled groups, till they
      came to a noble avenue of lofty lime-trees, with stems of rare size and
      smoothness, and towering piles on piles of translucent leaves, that glowed
      in the sun like flakes of gold.
    </p>
    <p>
      At the end of this avenue was seen an old mansion, built of that beautiful
      clean red brick&mdash;which seems to have died out&mdash;and white-stone
      facings and mullions, with gables and oriel windows by the dozen; but
      between the avenue and the house was a large oval plot of turf, with a
      broad gravel road running round it; and attached to the house, but thrown
      a little back, were the stables, which formed three sides of a good-sized
      quadrangle, with an enormous clock in the center. The lawn,
      kitchen-garden, ice-houses, pineries, green houses, revealed themselves
      only in peeps as the carriage swept round the spacious plot and drew up at
      the hall door.
    </p>
    <p>
      No ringing of bells nor knocking. Even as the coachman tightened his
      reins, the great hall door was swung open, and two footmen appeared.
      Harris brought up a rear-guard, and received the party in due state.
    </p>
    <p>
      A double staircase, about ten feet broad, rose out of the hall, and up
      this Mr. Harris conducted Severne, the only stranger, into a bedroom with
      a great oriel window looking west.
    </p>
    <p>
      &ldquo;This is your room, sir,&rdquo; said he. &ldquo;Shall I unpack your things when they
      come?&rdquo;
     </p>
    <p>
      Severne assented, and that perfect major-domo informed him that luncheon
      was ready, and retired cat-like, and closed the door so softly no sound
      was heard.
    </p>
    <p>
      Mr. Severne looked about him, and admitted to himself that, with all his
      experiences of life, this was his first bedroom. It was of great size, to
      begin. The oriel window was twenty feet wide, and had half a dozen
      casements, each with rose-colored blinds, though some of them needed no
      blinds, for green creepers, with flowers like clusters of grapes, curled
      round the mullions, and the sun shone mellowed through their leaves.
      Enormous curtains of purple cloth, with cold borders, hung at each side in
      mighty folds, to be drawn at night-time when the eye should need repose
      from feasting upon color.
    </p>
    <p>
      There were three brass bedsteads in a row, only four feet broad, with
      spring-beds, hair mattresses a foot thick, and snowy sheets for coverlets,
      instead of counter-panes; so that, if you were hot, feverish, or sleepless
      in one bed, you might try another, or two.
    </p>
    <p>
      Thick carpets and rugs, satin-wood wardrobes, prodigious wash-hand stands,
      with china backs four feet high. Towel-horses, nearly as big as a donkey,
      with short towels, long towels, thick towels, thin towels, bathing sheets,
      etc.; baths of every shape; and cans of every size; a large knee-hole
      table; paper and envelopes of every size. In short, a room to sleep in,
      study in, live in, and stick fast in, night and day.
    </p>
    <p>
      But what is this? A Gothic arch, curtained with violet merino. He draws
      the curtain. It is an ante-room. One half of it is a bathroom, screened,
      and paved with encaustic tiles that run up the walls, so you may splash to
      your heart's content. The rest is a studio, and contains a choice little
      library of well-bound books in glass cases, a piano-forte, and a
      harmonium. Severne tried them; they were both in perfect tune. Two clocks,
      one in each room, were also in perfect time. Thereat he wondered. But the
      truth is, it was a house wherein precision reigned: a tuner and a
      clockmaker visited by contract every month.
    </p>
    <p>
      This, and two more guest-chambers, and the great dining-hall, were built
      under the Plantagenets, when all large landowners entertained kings and
      princes with their retinues. As to that part of the house which was built
      under the Tudors, there are hundreds of country houses as important, only
      Mr. Severne had not been inside them, and was hardly aware to what
      perfection rational luxury is brought in the houses of our large landed
      gentry. He sat down in an antique chair of enormous size; the back went
      higher than his head, the seat ran out as far as his ankle, when seated;
      there was room in it for two, and it was stuffed&mdash;ye gods, how it was
      stuffed! The sides, the back, and the seat were all hair mattresses, a
      foot thick at least. Here nestled our sybarite; with the sun shining
      through leaves, and splashing his beautiful head with golden tints and
      transparent shadows, and felt in the temple of comfort, and incapable of
      leaving it alive.
    </p>
    <p>
      He went down to luncheon. It was distinguishable from dinner in this, that
      they all got up after it, and Zoe said, &ldquo;Come with me, children.&rdquo;
     </p>
    <p>
      Fanny and Severne rose at the word. Vizard said he felt excluded from that
      invitation, having cut his wise-teeth; so he would light a cigar instead;
      and he did. Zoe took the other two into the kitchen garden&mdash;four
      acres, surrounded with a high wall, of orange-red brick, full of little
      holes where the nails had been. Zoe, being now at home, and queen, wore a
      new and pretty deportment. She was half maternal, and led her friend and
      lover about like two kids. She took them to this and that fruit tree, set
      them to eat, and looked on, superior. By way of climax, she led them to
      the south wall, crimson with ten thousand peaches and nectarines; she
      stepped over the border, took superb peaches and nectarines from the
      trees, and gave them with her own hand to Fanny and Severne. The head
      gardener glared in dismay at the fair spoliator. Zoe observed him, and
      laughed. &ldquo;Poor Lucas,&rdquo; said she; &ldquo;he would like them all to hang on the
      tree till they fell off with a wasp inside. Eat as many as ever you can,
      young people; Lucas is amusing.&rdquo;
     </p>
    <p>
      &ldquo;I never had peaches enough off the tree before,&rdquo; said Fanny.
    </p>
    <p>
      &ldquo;No more have I,&rdquo; said Severne. &ldquo;This must be the Elysian fields, and I
      shall spoil my dinner.&rdquo;
     </p>
    <p>
      &ldquo;Who cares?&rdquo; said Fanny, recklessly. &ldquo;Dinner comes every day, and always
      at the only time when one has no appetite. But this eating of peaches&mdash;Oh,
      what a beauty!&rdquo;
     </p>
    <p>
      &ldquo;Children,&rdquo; said Zoe, gravely, &ldquo;I advise you not to eat above a dozen. Do
      not enter on a fatal course, which in one brief year will reduce you to a
      hapless condition. There&mdash;I was let loose among them at sixteen, and
      ever since they pall. But I do like to see you eat them, and your eyes
      sparkle.&rdquo;
     </p>
    <p>
      &ldquo;That is too bad of you,&rdquo; said Fanny, driving her white teeth deep into a
      peach. &ldquo;The idea! Now, Mr. Severne, do my eyes sparkle?&rdquo;
     </p>
    <p>
      &ldquo;Like diamonds. But that proves nothing: it is their normal condition.&rdquo;
     </p>
    <p>
      &ldquo;There, make him a courtesy,&rdquo; said Zoe, &ldquo;and come along.&rdquo;
     </p>
    <p>
      She took them into the village. It was one of the old sort; little
      detached houses with little gardens in front, in all of which were a few
      humble flowers, and often a dark rose of surpassing beauty. Behind each
      cottage was a large garden, with various vegetables, and sometimes a few
      square yards of wheat. There was one little row of new brick houses
      standing together; their number five, their name Newtown. This town of
      five houses was tiled; the detached houses were thatched, and the walls
      plastered and whitewashed like snow. Such whitewash seems never to be made
      in towns, or to lose its whiteness in a day. This broad surface of vivid
      white was a background, against which the clinging roses, the clustering,
      creeping honeysuckles, and the deep young ivy with its tender green and
      polished leaves, shone lovely; wood smoke mounted, thin and silvery, from
      a cottage or two, that were cooking, and embroidered the air, not fouled
      it. The little windows had diamond panes, as in the Middle Ages, and every
      cottage door was open, suggesting hospitality and dearth of thieves. There
      was also that old essential, a village green&mdash;a broad strip of sacred
      turf, that was everybody's by custom, though in strict law Vizard's. Here
      a village cow and a donkey went about grazing the edges, for the turf in
      general was smooth as a lawn. By the side of the green was the village
      ale-house. After the green other cottages; two of them
    </p>
<pre xml:space="preserve">
     &ldquo;Quite overcanopied with lush woodbine,
     With sweet musk-roses and with eglantine.&rdquo;
 </pre>
    <p>
      One of these was called Marks's cottage, and the other Allen's. The rustic
      church stood in the middle of a hill nearly half a mile from the village.
      They strolled up to it. It had a tower built of flint, and clad on two
      sides with ivy three feet deep, and the body of the church was as snowy as
      the cottages, and on the south side a dozen swallows and martins had
      lodged their mortar nests under the eaves; they looked, against the white,
      like rugged gray stone bosses. Swallows and martins innumerable wheeled,
      swift as arrows, round the tower, chirping, and in and out of the church
      through an open window, and added their music and their motion to the
      beauty of the place.
    </p>
    <p>
      Returning from the church to the village, Miss Dover lagged behind, and
      then Severne infused into his voice those tender tones, which give amorous
      significance to the poorest prose.
    </p>
    <p>
      &ldquo;What an Arcadia!&rdquo; said he.
    </p>
    <p>
      &ldquo;You would not like to be banished to it,&rdquo; said Zoe, demurely.
    </p>
    <p>
      &ldquo;That depends,&rdquo; said he, significantly. Instead of meeting him half way
      and demanding an explanation, Zoe turned coy and fell to wondering what
      Fanny was about.
    </p>
    <p>
      &ldquo;Oh, don't compel her to join us,&rdquo; said Severne. &ldquo;She is meditating.&rdquo;
     </p>
    <p>
      &ldquo;On what? She is not much given that way.&rdquo;
     </p>
    <p>
      &ldquo;On her past sins; and preparing new ones.&rdquo;
     </p>
    <p>
      &ldquo;For shame! She is no worse than we are. Do you really admire Islip?&rdquo;
     </p>
    <p>
      &ldquo;Indeed I do, if this is Islip?&rdquo;
     </p>
    <p>
      &ldquo;It is then; and this cottage with the cluster-rose tree all over the
      walls is Marks's cottage. We are rather proud of Marks's cottage,&rdquo; said
      she, timidly.
    </p>
    <p>
      &ldquo;It is a bower,&rdquo; said he, warmly.
    </p>
    <p>
      This encouraged Zoe, and she said, &ldquo;Is there not a wonderful charm in
      cottages? I often think I should like to live in Marks's. Have you ever
      had that feeling?&rdquo;
     </p>
    <p>
      &ldquo;Never. But I have it now. I should like to live in it&mdash;with you.&rdquo;
     </p>
    <p>
      Zoe blushed like a rose, but turned it off. &ldquo;You would soon wish yourself
      back again at Vizard Court,&rdquo; said she. &ldquo;Fanny&mdash;Fanny!&rdquo; and she stood
      still.
    </p>
    <p>
      Fanny came up. &ldquo;Well, what is the matter now?&rdquo; said she, with pert, yet
      thoroughly apathetic, indifference.
    </p>
    <p>
      &ldquo;The matter is&mdash;extravagances. Here is a man of the world pretending
      he would like to end his days in Marks's cottage.&rdquo;
     </p>
    <p>
      &ldquo;Stop a bit. It was to be with somebody I loved. And wouldn't you, Miss
      Dover?&rdquo;
     </p>
    <p>
      &ldquo;Oh dear, no. We should be sure to quarrel, cooped up in such a mite of a
      place. No; give me Vizard Court, and plenty of money, and the man of my
      heart.&rdquo;
     </p>
    <p>
      &ldquo;You have not got one, I'm afraid,&rdquo; said Zoe, &ldquo;or you would not put him
      last.&rdquo;
     </p>
    <p>
      &ldquo;Why not? when he is of the last importance,&rdquo; said Fanny, flippantly, and
      turned the laugh her way.
    </p>
    <p>
      They strolled through the village together, but in the grounds of Vizard
      Court Fanny fairly gave them the slip. Severne saw his chance, and said,
      tenderly, &ldquo;Did you hear what she said about a large house being best for
      lovers?&rdquo;
     </p>
    <p>
      &ldquo;Yes, I heard her,&rdquo; said Zoe, defensively; &ldquo;but very likely she did not
      mean it. That young lady's words are air. She will say one thing one day
      and another the next.&rdquo;
     </p>
    <p>
      &ldquo;I don't know. There is one thing every young lady's mind is made up
      about, and that is, whether it is to be love or money.&rdquo;
     </p>
    <p>
      &ldquo;She was for both, if I remember,&rdquo; said Zoe, still coldly.
    </p>
    <p>
      &ldquo;Because she is not in love.&rdquo;
     </p>
    <p>
      &ldquo;Well, I really believe she is not&mdash;for once.&rdquo;
     </p>
    <p>
      &ldquo;There, you see. She is in an unnatural condition.&rdquo;
     </p>
    <p>
      &ldquo;For her, very.&rdquo;
     </p>
    <p>
      &ldquo;So she is no judge. No; I should prefer Marks's cottage. The smaller the
      better; because then the woman I love could not ever be far from me.&rdquo;
     </p>
    <p>
      He lowered his voice, and drove the insidious words into her tender bosom.
      She began to tremble and heave, and defend herself feebly.
    </p>
    <p>
      &ldquo;What have I to do with that? You mustn't.&rdquo;
     </p>
    <p>
      &ldquo;How can I help it? You know the woman I love&mdash;I adore&mdash;and
      would not the smallest cottage in England be a palace if I was blessed
      with her sweet love and her divine company? Oh, Zoe, Zoe!&rdquo;
     </p>
    <p>
      Then she did defend herself, after a fashion: &ldquo;I won't listen to such&mdash;Edward!&rdquo;
       Having uttered his name with divine tenderness, she put her hands to her
      blushing face, and fled from him. At the head of the stairs she
      encountered Fanny, looking satirical. She reprimanded her.
    </p>
    <p>
      &ldquo;Fanny,&rdquo; said she, &ldquo;you really must not do <i>that&rdquo;</i>&mdash;[pause]&mdash;&ldquo;out
      of our own grounds. Kiss me, darling. I am a happy girl.&rdquo; And she curled
      round Fanny, and panted on her shoulder.
    </p>
    <p>
      Miss Artful, known unto men as Fanny Dover, had already traced out in her
      own mind a line of conduct, which the above reprimand, minus the above
      kisses, taken at their joint algebraical value, did not disturb. The fact
      is, Fanny hated home; and liked Vizard Court above all places. But she was
      due at home, and hanging on to the palace of comfort by a thread. Any day
      her mother, out of natural affection and good-breeding, might write for
      her; and unless one of her hosts interfered, she should have to go. But
      Harrington went for nothing in this, unfortunately. His hospitality was
      unobtrusive, but infinite. It came to him from the Plantagenets through a
      long line of gentlemen who shone in vices; but inhospitality was unknown
      to the whole chain, and every human link in it. He might very likely
      forget to invite Fanny Dover unless reminded; but, when she was there, she
      was welcome to stay forever if she chose. It was all one to him. He never
      bothered himself to amuse his guests, and so they never bored him. He
      never let them. He made them at home; put his people and his horses at
      their service; and preserved his even tenor. So, then, the question of
      Fanny's stay lay with Zoe; and Zoe would do one of two things: she would
      either say, with well-bred hypocrisy, she ought not to keep Fanny any
      longer from her mother&mdash;and so get rid of her; or would interpose,
      and give some reason or other. What that reason would be, Fanny had no
      precise idea. She was sure it would not be the true one; but there her
      insight into futurity and females ceased. Now, Zoe was thoroughly
      fascinated by Severne, and Fanny saw it; and yet Zoe was too high-bred a
      girl to parade the village and the neighborhood with him alone&mdash;and
      so placard her attachment&mdash;before they were engaged, and the
      engagement sanctioned by the head of the house. This consideration enabled
      Miss Artful to make herself necessary to Zoe. Accordingly, she showed, on
      the very first afternoon, that she was prepared to play the convenient
      friend, and help Zoe to combine courtship with propriety.
    </p>
    <p>
      This plan once conceived, she adhered to it with pertinacity and skill.
      She rode and walked with them, and in public put herself rather forward,
      and asserted the leader; but sooner or later, at a proper time and place,
      she lagged behind, or cantered ahead, and manipulated the wooing with tact
      and dexterity.
    </p>
    <p>
      The consequence was that Zoe wrote of her own accord to Mrs. Dover, asking
      leave to detain Fanny, because her brother had invited a college friend,
      and it was rather awkward for her without Fanny, there being no other lady
      in the house at present.
    </p>
    <p>
      She showed this to Fanny, who said, earnestly,
    </p>
    <p>
      &ldquo;As long as ever you like, dear. Mamma will not miss me a bit. Make your
      mind easy.&rdquo;
     </p>
    <p>
      Vizard, knowing his sister, and entirely deceived in Severne, exercised no
      vigilance; for, to do Zoe justice, none was necessary, if Severne had been
      the man he seemed.
    </p>
    <p>
      There was no mother in the house to tremble for her daughter, to be
      jealous, to watch, to question, to demand a clear explanation&mdash;in
      short, to guard her young as only the mothers of creation do.
    </p>
    <p>
      The Elysian days rolled on. Zoe was in heaven, and Severne in a fool's
      paradise, enjoying everything, hoping everything, forgetting everything,
      and fearing nothing. He had come to this, with all his cunning; he was
      intoxicated and blinded with passion.
    </p>
    <p>
      Now it was that the idea of marrying Zoe first entered his head. But he
      was not mad enough for that. He repelled it with terror, rage, and
      despair. He passed an hour or two of agony in his own room, and came down,
      looking pale and exhausted. But, indeed, the little Dumas, though he does
      not pass for a moralist, says truly and well, &ldquo;Les amours ille'gitimes
      portent toujours des fruits amers;&rdquo; and Ned Severne's turn was come to
      suffer a few of the pangs he had inflicted gayly on more than one woman
      and her lover.
    </p>
    <p>
      One morning at breakfast Vizard made two announcements. &ldquo;Here's news,&rdquo;
       said he; &ldquo;Dr. Gale writes to postpone her visit. She is ill, poor girl!&rdquo;
     </p>
    <p>
      &ldquo;Oh, dear! what is the matter?&rdquo; inquired Zoe, always kind-hearted.
    </p>
    <p>
      &ldquo;Gastritis&mdash;so she says.&rdquo;
     </p>
    <p>
      &ldquo;What is that?&rdquo; inquired Fanny.
    </p>
    <p>
      Mr. Severne, who was much pleased at this opportune illness, could not
      restrain his humor, and said it was a disorder produced by the fumes of
      gas.
    </p>
    <p>
      Zoe, accustomed to believe this gentleman's lies, and not giving herself
      time to think, said there was a great escape in the passage the night she
      went there.
    </p>
    <p>
      Then there was a laugh at her simplicity. She joined in it, but shook her
      finger at Master Severne.
    </p>
    <p>
      Vizard then informed Zoe that Lord Uxmoor had been staying some time at
      Basildon Hall, about nine miles off; so he had asked him to come over for
      a week, and he had accepted. &ldquo;He will be here to dinner,&rdquo; said Vizard. He
      then rang the bell, and sent for Harris, and ordered him to prepare the
      blue chamber for Lord Uxmoor, and see the things aired himself. Harris
      having retired, cat-like, Vizard explained, &ldquo;My womankind shall not kill
      Uxmoor. He is a good fellow, and his mania&mdash;we have all got a mania,
      my young friends&mdash;is a respectable one. He wants to improve the
      condition of the poor&mdash;against their will.&rdquo;
     </p>
    <p>
      &ldquo;His friend! that was so ill. I hope he has not lost him,&rdquo; said Zoe.
    </p>
    <p>
      &ldquo;He hasn't lost him in this letter, Miss Gush,&rdquo; said Vizard. &ldquo;But you can
      ask him when he comes.&rdquo;
     </p>
    <p>
      &ldquo;Of course I shall ask him,&rdquo; said Zoe.
    </p>
    <p>
      Half an hour before dinner there was a grating of wheels on the gravel.
      Severne looked out of his bedroom window, and saw Uxmoor drive up. Dark
      blue coach; silver harness, glittering in the sun; four chestnuts, glossy
      as velvet; two neat grooms as quick as lightning. He was down in a moment,
      and his traps in the hall, and the grooms drove the trap round to the
      stables.
    </p>
    <p>
      They were all in the drawing-room when Lord Uxmoor appeared; greeted Zoe
      with respectful warmth, Vizard with easy friendship, Severne and Miss
      Dover with well-bred civility. He took Zoe out, and sat at her right hand
      at dinner.
    </p>
    <p>
      As the new guest, he had the first claim on her attention and they had a
      topic ready&mdash;his sick friend. He told her all about him, and his
      happy recovery, with simple warmth. Zoe was interested and sympathetic;
      Fanny listened, and gave Severne short answers. Severne felt dethroned.
    </p>
    <p>
      He was rather mortified, and a little uneasy, but too brave to show it. He
      bided his time. In the drawing-room Lord Uxmoor singled out Zoe, and
      courted her openly with respectful admiration. Severne drew Fanny apart,
      and exerted himself to amuse her. Zoe began to cast uneasy glances.
      Severne made common cause with Fanny. &ldquo;We have no chance against a lord,
      or a lady, you and I, Miss Dover.&rdquo;
     </p>
    <p>
      &ldquo;I haven't,&rdquo; said she; &ldquo;but you need not complain. She wishes she were
      here.&rdquo;
     </p>
    <p>
      &ldquo;So do I. Will you help me?&rdquo;
     </p>
    <p>
      &ldquo;No, I shall not. You can make love to me. I am tired of never being made
      love to.&rdquo;
     </p>
    <p>
      &ldquo;Well,&rdquo; said this ingenuous youth, &ldquo;you certainly do not get your deserts
      in this house. Even I am so blinded by my passion for Zoe, that I forget
      she does not monopolize all the beauty and grace and wit in the house.&rdquo;
     </p>
    <p>
      &ldquo;Go on,&rdquo; said Fanny. &ldquo;I can bear a good deal of it&mdash;after such a
      fast.&rdquo;
     </p>
    <p>
      &ldquo;I have no doubt you can bear a good deal. You are one of those that
      inspire feelings, but don't share them. Give me a chance; let me sing you
      a song.&rdquo;
     </p>
    <p>
      &ldquo;A love song?&rdquo;
     </p>
    <p>
      &ldquo;Of course.&rdquo;
     </p>
    <p>
      &ldquo;Can you sing it as well as you can talk it?&rdquo;
     </p>
    <p>
      &ldquo;With a little encouragement. If you would kindly stand at the end of the
      piano, and let me see your beautiful eyes fixed on me.&rdquo;
     </p>
    <p>
      &ldquo;With disdain?&rdquo;
     </p>
    <p>
      &ldquo;No, no.&rdquo;
     </p>
    <p>
      &ldquo;With just suspicion?&rdquo;
     </p>
    <p>
      &ldquo;No; with unmerited pity.&rdquo; And he began to open the piano.
    </p>
    <p>
      &ldquo;What! do you accompany yourself?&rdquo;
     </p>
    <p>
      &ldquo;Yes, after a fashion; by that means I don't get run over.&rdquo;
     </p>
    <p>
      Then this accomplished person fixed his eyes on Fanny Dover, and sung her
      an Italian love song in the artificial passionate style of that nation;
      and the English girl received it pointblank with complacent composure. But
      Zoe started and thrilled at the first note, and crept up to the piano as
      if drawn by an irresistible cord. She gazed on the singer with amazement
      and admiration. His voice was a low tenor, round, and sweet as honey. It
      was a real voice, a musical instrument.
    </p>
    <p>
      &ldquo;More tunable than lark to shepherd's ear When wheat is green, when
      hawthorn buds appear.&rdquo;
     </p>
    <p>
      And the Klosking had cured him of the fatal whine which stains the
      amateur, male or female, and had taught him climax, so that he articulated
      and sung with perfect purity, and rang out his final notes instead of
      slurring them. In short, in plain passages he was a reflection, on a small
      scale, of that great singer. He knew this himself, and had kept clear of
      song: it was so full of reminiscence and stings. But now jealousy drove
      him to it.
    </p>
    <p>
      It was Vizard's rule to leave the room whenever Zoe or Fanny opened the
      piano. So in the evening that instrument of torture was always mute.
    </p>
    <p>
      But hearing a male voice, the squire, who doted on good music, as he
      abhorred bad, strolled in upon the chance; and he stared at the singer.
    </p>
    <p>
      When the song ended, there was a little clamor of ladies' voices calling
      him to account for concealing his talent from them.
    </p>
    <p>
      &ldquo;I was afraid of Vizard,&rdquo; said he; &ldquo;he hates bad music.&rdquo;
     </p>
    <p>
      &ldquo;None of your tricks,&rdquo; said the squire; &ldquo;yours is not bad music; you speak
      your words articulately, and even eloquently. Your accompaniment is a
      little queer, especially in the bass; but you find out your mistakes, and
      slip out of them Heaven knows how. Zoe, you are tame, but accurate.
      Correct his accompaniments some day&mdash;when I'm out of hearing.
      Practice drives me mad. Give us another.&rdquo;
     </p>
    <p>
      Severne laughed good-humoredly. &ldquo;Thus encouraged, who could resist?&rdquo; said
      he. &ldquo;It is so delightful to sing in a shower bath of criticism.&rdquo;
     </p>
    <p>
      He sung a sprightly French song, with prodigious spirit and dash.
    </p>
    <p>
      They all applauded, and Vizard said, &ldquo;I see how it is. We were not good
      enough. He would not come out for us. He wanted the public. Uxmoor, you
      are the public. It is to you we owe this pretty warbler. Have you any
      favorite song, Public? Say the word, and he shall sing it you.&rdquo;
     </p>
    <p>
      Severne turned rather red at that, and was about to rise slowly, when
      Uxmoor, who was instinctively a gentleman, though not a courtier, said, &ldquo;I
      don't presume to choose Mr. Severne' s songs; but if we are not tiring
      him, I own I should like to hear an English song; for I am no musician,
      and the words are everything with me.&rdquo;
     </p>
    <p>
      Severne assented dryly, and made him a shrewd return for his courtesy.
    </p>
    <p>
      Zoe had a brave rose in her black hair. He gave her one rapid glance of
      significance, and sung a Scotch song, almost as finely as it could be sung
      in a room:
    </p>
    <p>
      &ldquo;My love is like the red, red rose That's newly sprung in June; My love is
      like a melody That's sweetly played in tune.&rdquo;
     </p>
    <p>
      The dog did not slur the short notes and howl upon the long ones, as did a
      little fat Jew from London, with a sweet voice and no brains, whom I last
      heard howl it in the Theater Royal, Edinburgh. No; he retained the pure
      rhythm of the composition, and, above all, sung it with the gentle
      earnestness and unquavering emotion of a Briton.
    </p>
    <p>
      It struck Zoe's heart pointblank. She drew back, blushing like the rose in
      her hair and in the song, and hiding her happiness from all but the keen
      Fanny. Everybody but Zoe applauded the song. She spoke only with her
      cheeks and eyes.
    </p>
    <p>
      Severne rose from the piano. He was asked to sing another, but declined
      laughingly. Indeed, soon afterward he glided out of the room and was seen
      no more that night.
    </p>
    <p>
      Consequently he became the topic of conversation; and the three, who
      thought they knew him, vied in his praises.
    </p>
    <p>
      In the morning an expedition was planned, and Uxmoor proffered his
      &ldquo;four-in-hand.&rdquo; It was accepted. All young ladies like to sit behind four
      spanking trotters; and few object to be driven by a viscount with a
      glorious beard and large estates.
    </p>
    <p>
      Zoe sat by Uxmoor. Severne sat behind them with Fanny, a spectator of his
      open admiration. He could not defend himself so well as last night, and he
      felt humiliated by the position.
    </p>
    <p>
      It was renewed day after day. Zoe often cast a glance back, and drew him
      into the conversation; yet, on the whole, Uxmoor thrust him aside by his
      advantages and his resolute wooing.
    </p>
    <p>
      The same thing at dinner. It was only at night he could be number one. He
      tuned Zoe's guitar; and one night when there was a party, he walked about
      the room with this, and, putting his left leg out, serenaded one lady
      after another. Barfordshire was amazed and delighted at him, but Uxmoor
      courted Zoe as if he did not exist. He began to feel that he was the man
      to amuse women in Barfordshire, but Uxmoor the man to marry them. He began
      to sulk. Zoe's quick eyes saw and pitied. She was puzzled what to do. Lord
      Uxmoor gave her no excuse for throwing cold water on him, because his
      adoration was implied, not expressed; and he followed her up so closely,
      she could hardly get a word with Severne. When she did, there was
      consolation in every tone; and she took care to let drop that Lord Uxmoor
      was going in a day or two. So he was, but he altered his mind, and asked
      leave to stay.
    </p>
    <p>
      Severne looked gloomy at this, and he became dejected. He was miserable,
      and showed it, to see what Zoe would do. What she did was to get rather
      bored by Uxmoor, and glance from Fanny to Severne. I believe Zoe only
      meant, &ldquo;Do pray say things to comfort him;&rdquo; but Fanny read these gentle
      glances <i>'a la</i> Dover. She got hold of Severne one day, and said,
    </p>
    <p>
      &ldquo;What is the matter with you?&rdquo;
     </p>
    <p>
      &ldquo;Of course you can't divine,&rdquo; said he, sarcastically.
    </p>
    <p>
      &ldquo;Oh yes, I can; and it is your own fault.&rdquo;
     </p>
    <p>
      &ldquo;My fault! That is a good joke. Did I invite this man with all his
      advantages? That was Vizard's doing, who calls himself my friend.&rdquo;
     </p>
    <p>
      &ldquo;If it was not this one, it would be some other. Can you hope to keep Zoe
      Vizard from being courted? Why, she is the beauty of the county! and her
      brother not married. It is no use your making love by halves to her. She
      will go to some man who is in earnest.&rdquo;
     </p>
    <p>
      &ldquo;And am I not in earnest?&rdquo;
     </p>
    <p>
      &ldquo;Not so much as he is. You have known her four months, and never once
      asked her to marry you.&rdquo;
     </p>
    <p>
      &ldquo;So I am to be punished for my self-denial.&rdquo;
     </p>
    <p>
      &ldquo;Self-denial! Nonsense. Men have no self-denial. It is your cowardice.&rdquo;
     </p>
    <p>
      &ldquo;Don't be cruel. You know it is my poverty.&rdquo;
     </p>
    <p>
      &ldquo;Your poverty of spirit. You gave up money for her, and that is as good as
      if you had it still, and better. If you love Zoe, scrape up an income
      somehow, and say the word. Why, Harrington is bewitched with you, and he
      is rolling in money. I wouldn't lose her by cowardice, if I were you.
      Uxmoor will offer marriage before he goes. He is staying on for that. Now,
      take my word for it, when one man offers marriage, and the other does not,
      there is always a good chance of the girl saying this one is in earnest,
      and the other is not. We don't expect self-denial in a man; we don't
      believe in it. We see you seizing upon everything else you care for; and,
      if you don't seize on us, it wounds our vanity, the strongest passion we
      have. Consider, Uxmoor has title, wealth, everything to bestow with the
      wedding-ring. If he offers all that, and you don't offer all you have, how
      much more generous he looks to her than you do!&rdquo;
     </p>
    <p>
      &ldquo;In short, you think she will doubt my affection, if I don't ask her to
      share my poverty.&rdquo;
     </p>
    <p>
      &ldquo;If you don't, and a rich man asks her to share his all, I'm sure she
      will. And so should I. Words are only words.&rdquo;
     </p>
    <p>
      &ldquo;You torture me. I'd rather die than lose her.&rdquo;
     </p>
    <p>
      &ldquo;Then live and win her. I've told you the way.&rdquo;
     </p>
    <p>
      &ldquo;I will scrape an income together, and ask her.&rdquo;
     </p>
    <p>
      &ldquo;Upon your honor?&rdquo;
     </p>
    <p>
      &ldquo;Upon my soul.&rdquo;
     </p>
    <p>
      &ldquo;Then, in my opinion, you will have her in spite of Lord Uxmoor.&rdquo;
     </p>
    <p>
      Hot from this, Edward Severne sat down and wrote a moving letter to a
      certain cousin of his in Huntingdonshire.
    </p>
    <p>
      &ldquo;MY DEAR COUSIN&mdash;I have often heard you say you were under
      obligations to my father, and had a regard for me. Indeed, you have shown
      the latter by letting the interest on my mortgage run out many years and
      not foreclosing. Having no other friend, I now write to you, and throw
      myself on your pity. I have formed a deep attachment to a young lady of
      infinite beauty and virtue. She is above me in everything, especially in
      fortune. Yet she deigns to love me. I can't ask her hand as a pauper; and
      by my own folly, now deeply repented, I am little more. Now, all depends
      on you&mdash;my happiness, my respectability. Sooner or later, I shall be
      able to repay you all. For God's sake come to the assistance of your
      affectionate cousin,
    </p>
    <h3>
      &ldquo;EDWARD SEVERNE.&rdquo;
     </h3>
    <p>
      &ldquo;The brother, a man of immense estates, is an old friend, and warmly
      attached to me. If I could only, through your temporary assistance or
      connivance, present my estate as clear, all would be well, and I could
      repay you afterward.&rdquo;
     </p>
    <p>
      To this letter he received an immediate reply:
    </p>
    <p>
      &ldquo;DEAR EDWARD&mdash;I thought you had forgotten my very existence. Yes, I
      owe much to your father, and have always said so, and acted accordingly.
      While you have been wandering abroad, deserting us all, I have improved
      your estate. I have bought all the other mortgages, and of late the rent
      has paid the interest, within a few pounds. I now make you an offer. Give
      me a long lease of the two farms at three hundred pounds a year&mdash;they
      will soon be vacant&mdash;and two thousand pounds out of hand, and I will
      cancel all the mortgages, and give you a receipt for them, as paid in
      full. This will be like paying you several thousand pounds for a
      beneficial lease. The two thousand pounds I must insist on, in justice to
      my own family.
    </p>
    <p>
      &ldquo;Your affectionate cousin,
    </p>
    <h3>
      &ldquo;GEORGE SEVERNE.&rdquo;
     </h3>
    <p>
      This munificent offer surprised and delighted Severne, and, indeed, no
      other man but Cousin George, who had a heart of gold, and was grateful to
      Ned's father, and also loved the scamp himself, as everybody did, would
      have made such an offer.
    </p>
    <p>
      Our adventurer wrote, and closed with it, and gushed gratitude. Then he
      asked himself how to get the money. Had he been married to Zoe, or not
      thinking of her, he would have gone at once to Vizard, for the security
      was ample. But in his present delicate situation this would not do. No; he
      must be able to come and say, &ldquo;My estate is small, but it is clear. Here
      is a receipt for six thousand pounds' worth of mortgages I have paid off.
      I am poor in land but rich in experience, regrets, and love. Be my friend,
      and trust me with Zoe.&rdquo;
     </p>
    <p>
      He turned and twisted it in his mind, and resolved on a bold course. He
      would go to Homburg, and get that sum by hook or by crook out of Ina
      Klosking's winnings. He took Fanny into his confidence; only he
      substituted London for Homburg.
    </p>
    <p>
      &ldquo;And oh, Miss Dover,&rdquo; said he, &ldquo;do not let me suffer by going away and
      leaving a rival behind.&rdquo;
     </p>
    <p>
      &ldquo;Suffer by it!&rdquo; said she. &ldquo;No, I mean to reward you for taking my advice.
      Don't you say a word to <i>her.</i> It will come better from me. I'll let
      her know what you are gone for; and she is just the girl to be upon honor,
      and ever so much cooler to Lord Uxmoor because you are unhappy, but have
      gone away trusting her.&rdquo;
     </p>
    <p>
      And his artful ally kept her word. She went into Zoe's room before dinner
      to have it out with her.
    </p>
    <p>
      In the evening Severne told Vizard he must go up to London for a day or
      two.
    </p>
    <p>
      &ldquo;All right,&rdquo; said Vizard. &ldquo;Tell some of them to order the dog-cart for
      your train.&rdquo;
     </p>
    <p>
      But Zoe took occasion to ask him for how long, and murmured, &ldquo;Remember how
      we shall miss you,&rdquo; with such a look that he was in Elysium that evening.
    </p>
    <p>
      But at night he packed his bag for Homburg, and that chilled him. He lay
      slumbering all night, but not sleeping, and waking with starts and a sense
      of horror.
    </p>
    <p>
      At breakfast, after reading his letters, Vizard asked him what train he
      would go by.
    </p>
    <p>
      He said, the one o'clock.
    </p>
    <p>
      &ldquo;All right,&rdquo; said Vizard. Then he rang the bell, countermanded the
      dog-cart, and ordered the barouche.
    </p>
    <p>
      &ldquo;A barouche for me!&rdquo; said Severne. &ldquo;Why, I am not going to take the ladies
      to the station.&rdquo;
     </p>
    <p>
      &ldquo;No; it is to bring one here. She comes down from London five minutes
      before you take the up train.&rdquo;
     </p>
    <p>
      There was a general exclamation: Who was it? Aunt Maitland?
    </p>
    <p>
      &ldquo;No,&rdquo; said Vizard, tossing a note to Zoe&mdash;&ldquo;it is Doctress Gale.&rdquo;
     </p>
    <p>
      Severne's countenance fell.
    </p>
    <p>
      <a name="link2HCH0017" id="link2HCH0017">
      <!--  H2 anchor --> </a>
    </p>
    <div style="height: 4em;">
      <br /><br /><br /><br />
    </div>
    <h2>
      CHAPTER XVII.
    </h2>
    <p>
      EDWARD SEVERNE, master of arts, dreaded Rhoda Gale, M.D. He had deluded,
      in various degrees, several ladies that were no fools; but here was one
      who staggered and puzzled him. Bright and keen as steel, quick and
      spirited, yet controlled by judgment and always mistress of herself, she
      seemed to him a new species. The worst of it was, he felt himself in the
      power of this new woman, and, indeed, he saw no limit to the mischief she
      might possibly do him if she and Zoe compared notes. He had thought the
      matter over, and realized this more than he did when in London. Hence the
      good youth's delight at her illness, noticed in a former chapter.
    </p>
    <p>
      He was very thoughtful all breakfast time, and as soon as it was over drew
      Vizard apart, and said he would postpone his visit to London until he had
      communicated with his man of business. He would go to the station and
      telegraph him, and by that means would do the civil and meet Miss Gale.
      Vizard stared at him.
    </p>
    <p>
      &ldquo;You meet my virago? Why, I thought you disapproved her entirely.&rdquo;
     </p>
    <p>
      &ldquo;No, no; only the idea of a female doctor, not the lady herself. Besides,
      it is a rule with me, my dear fellow, never to let myself disapprove my
      friends' friends.&rdquo;
     </p>
    <p>
      &ldquo;That is a bright idea, and you are a good fellow,&rdquo; said Vizard. &ldquo;Go and
      meet the pest, by all means, and bring her here to luncheon. After
      luncheon we will drive her up to the farm and ensconce her.&rdquo;
     </p>
    <p>
      Edward Severne had this advantage over most impostors, that he was
      masculine or feminine as occasion required. For instance, he could be
      hysterical or bold to serve the turn. Another example&mdash;he watched
      faces like a woman, and yet he could look you in the face like a man,
      especially when he was lying. In the present conjuncture a crafty woman
      would have bristled with all the arts of self-defense, but stayed at home
      and kept close to Zoe. Not so our master of arts; he went manfully to meet
      Rhoda Gale, and so secure a <i>te'te-'a-te'te,</i> and learn, if possible,
      what she meant to do, and whether she could be cannily propitiated. He
      reached the station before her, and wired a very intelligent person who,
      he knew, conducted delicate inquiries, and had been very successful in a
      divorce case, public two years before. Even as he dispatched this message
      there was a whistling and a ringing, and the sound of a coming train, and
      Ned Severne ran to meet Rhoda Gale with a heart palpitating a little, and
      a face beaming greatly to order. He looked for her in the first-class
      carriages, but she was in the second, and saw him. He did not see her till
      she stepped out on the platform. Then he made toward her. He took off his
      hat, and said, with respectful zeal, &ldquo;If you will tell me what luggage you
      have, the groom shall get it out.&rdquo;
     </p>
    <p>
      Miss Gale's eyes wandered over him loftily. &ldquo;I have only a box and a bag,
      sir, both marked 'R. G.'&rdquo;
     </p>
    <p>
      &ldquo;Joe,&rdquo; said he&mdash;for he had already made friends with all the
      servants, and won their hearts&mdash;&ldquo;box and bag marked 'R. G.' Miss
      Gale, you had better take your seat in the carriage.&rdquo;
     </p>
    <p>
      Miss Gale gave a little supercilious nod, and he showed her obsequiously
      into the carriage. She laid her head back, and contemplated vacancy ahead
      in a manner anything but encouraging to this new admirer Fate had sent
      her. He turned away, a little discomfited, and when the luggage was
      brought up, he had the bag placed inside, and the box in a sort of boot,
      and then jumped in and seated himself inside. &ldquo;Home,&rdquo; said he to the
      coachman, and off they went. When he came in she started with well-feigned
      surprise, and stared at him.
    </p>
    <p>
      &ldquo;Oh,&rdquo; said she, &ldquo;I have met you before. Why, it is Mr. Severne. Excuse me
      taking you for one of the servants. Some people have short memories, you
      know.&rdquo;
     </p>
    <p>
      This deliberate affront was duly felt, but parried with a master-hand.
    </p>
    <p>
      &ldquo;Why, I <i>am</i> one of the servants,&rdquo; said he; &ldquo;only I am not Vizard's.
      I'm yours.&rdquo;
     </p>
    <p>
      &ldquo;In-deed!&rdquo;
     </p>
    <p>
      &ldquo;If you will let me.&rdquo;
     </p>
    <p>
      &ldquo;I am too poor to have fine servants.&rdquo;
     </p>
    <p>
      &ldquo;Say too haughty. You are not too poor, for I shan't cost you anything but
      a gracious word now and then.&rdquo;
     </p>
    <p>
      &ldquo;Unfortunately I don't deal in gracious words, only true ones.&rdquo;
     </p>
    <p>
      &ldquo;I see that.&rdquo;
     </p>
    <p>
      &ldquo;Then suppose you imitate me, and tell me why you came to meet me?&rdquo;
     </p>
    <p>
      This question came from her with sudden celerity, like lightning out of a
      cloud, and she bent her eyes on him with that prodigious keenness she
      could throw into those steel gray orbs, when her mind put on its full
      power of observation.
    </p>
    <p>
      Severne colored a little, and hesitated.
    </p>
    <p>
      &ldquo;Come now,&rdquo; said this keen witch, &ldquo;don't wait to make up a reason. Tell
      the truth for once&mdash;quick!&mdash;quick!&mdash;why did <i>you</i> come
      to meet <i>me?&rdquo;</i>
    </p>
    <p>
      &ldquo;I didn't come to be bullied,&rdquo; replied supple Severne, affecting
      sullenness.
    </p>
    <p>
      &ldquo;You didn't!&rdquo; cried the other, acting vast surprise. &ldquo;Then what <i>did</i>
      you come for?&rdquo;
     </p>
    <p>
      &ldquo;I don't know; and I wish I hadn't come.&rdquo;
     </p>
    <p>
      &ldquo;That I believe.&rdquo; Rhoda shot this in like an arrow.
    </p>
    <p>
      &ldquo;But,&rdquo; continued Severne, &ldquo;if I hadn't, nobody would; for it is Vizard's
      justicing day, and the ladies are too taken up with a lord to come and
      meet such vulgar trifles as genius and learning and sci&mdash;&rdquo;
     </p>
    <p>
      &ldquo;Come, come!&rdquo; said Rhoda, contemptuously; &ldquo;you care as little about
      science and learning and genius as I possess them. You won't tell me?
      Well, I shall find you out.&rdquo; Then, after a pause, &ldquo;Who is this lord?&rdquo;
     </p>
    <p>
      &ldquo;Lord Uxmoor.&rdquo;
     </p>
    <p>
      &ldquo;What kind of a lord is he?&rdquo;
     </p>
    <p>
      &ldquo;A very bushy lord.&rdquo;
     </p>
    <p>
      &ldquo;Bushy?&mdash;oh, bearded like the pard! Now tell me,&rdquo; said she, &ldquo;is he
      cutting you out with Miss Vizard?&rdquo;
     </p>
    <p>
      &ldquo;You shall judge for yourself. Please spare me on that one topic&mdash;if
      you ever spared anybody in your life.&rdquo;
     </p>
    <p>
      &ldquo;Oh, dear me!&rdquo; said Rhoda, coolly. &ldquo;I'm not so very cruel. I'm only a
      little vindictive and cat-like. If people offend me, I like to play with
      them a bit, and amuse myself, and then kill them&mdash;kill them&mdash;kill
      them; that is all.&rdquo;
     </p>
    <p>
      This pretty little revelation of character was accompanied with a cruel
      smile that showed a long row of dazzling white teeth. They seemed capable
      of killing anything from a liar up to a hickory-nut.
    </p>
    <p>
      Severne looked at her and gave a shudder. &ldquo;Then Heaven forbid you should
      ever be my enemy!&rdquo; said he, sadly, &ldquo;for I am unhappy enough already.&rdquo;
     </p>
    <p>
      Having delivered this disarming speech, he collapsed, and seemed to be
      overpowered with despondency. Miss Gale showed no signs of melting. She
      leaned back and eyed him with steady and composed curiosity, as a
      zoologist studying a new specimen and all its little movements.
    </p>
    <p>
      They drove up to the Hall door, and Miss Gale was conducted to the
      drawing-room, where she found Lord Uxmoor and the two young ladies. Zoe
      shook hands with her. Fanny put a limp paw into hers, which made itself
      equally limp directly, so Fanny's dropped out. Lord Uxmoor was presented
      to her, at his own request. Soon after this luncheon was announced. Vizard
      joined them, welcomed Rhoda genially, and told the party he had ordered
      the break, and Uxmoor would drive them to the farm round by Hillstoke and
      the Common. &ldquo;And so,&rdquo; said he, &ldquo;by showing Miss Gale our most picturesque
      spot at once, we may perhaps blind her to the horrors of her situation&mdash;for
      a time.&rdquo;
     </p>
    <p>
      The break was driven round in due course, with Uxmoor's team harnessed to
      it. It was followed by a dog-cart crammed with grooms, Uxmoorian and
      Vizardian. The break was padded and cushioned, and held eight or nine
      people very comfortably.. It was, indeed, a sort of picnic van, used only
      in very fine weather. It rolled on beautiful springs. Its present contents
      were Miss Gale and her luggage and two hampers full of good things for
      her; Vizard, Severne, and Miss Dover. Zoe sat on the box beside Lord
      Uxmoor. They drove through the village, and Mr. Severne was so obliging as
      to point out its beauties to Miss Gale. She took little notice of his
      comments, except by a stiff nod every now and then, but eyed each house
      and premises with great keenness.
    </p>
    <p>
      At last she stopped his fluency by inquiring whether he had been into them
      all; and when he said he had not, she took advantage of that admission to
      inform him that in two days' time she should be able to tell him a great
      deal more than he was likely to tell her, upon his method of inspecting
      villages.
    </p>
    <p>
      &ldquo;That is right,&rdquo; said Vizard; &ldquo;snub him: he gets snubbed too little here.
      How dare he pepper science with his small-talk? But it is our fault&mdash;we
      admire his volubility.&rdquo;
     </p>
    <p>
      &ldquo;Oh,&rdquo; said Fanny, with a glance of defiance at Miss Gale, &ldquo;if we are to
      talk nothing but science, it <i>will</i> be a weary world.&rdquo;
     </p>
    <p>
      After the village there was a long, gradual ascent of about a mile, and
      then they entered a new country. It was a series of woods and clearings,
      some grass, some arable. Huge oaks, flung their arms over a road lined on
      either side by short turf, close-cropped by the gypsies' cattle. Some band
      or other of them was always encamped by the road-side, and never two bands
      at once. And between these giant trees, not one of which was ever felled,
      you saw here and there a glade, green as an emerald; or a yellow stubble,
      glowing in the sun. After about a mile of this, still mounting, but
      gradually, they emerged upon a spacious table-land&mdash;a long, broad,
      open, grass plateau, studded with cottages. In this lake of grass Uxmoor
      drew up at a word from Zoe, to show Miss Gale the scene. The cottages were
      white as snow, and thatched as at Islip; but instead of vegetable-gardens
      they all had orchards. The trees were apple and cherry: of the latter not
      less than a thousand in that small hamlet. It was literally a lawn, a
      quarter of a mile long and about two hundred yards broad, bordered with
      white cottages and orchards. The cherries, red and black, gleamed like
      countless eyes among the cool leaves. There was a little church on the
      lawn that looked like a pigeon-house. A cow or two grazed peacefully.
      Pigs, big and little, crossed the lawn, grunting and squeaking
      satisfaction, and dived into the adjacent woods after acorns, and here and
      there a truffle the villagers knew not the value of. There was a pond or
      two in the lawn; one had a wooden plank fixed on uprights, that went in
      some way. A woman was out on the board, bare-armed, dipping her bucket in
      for water. In another pond an old knowing horse stood gravely cooling his
      heels up to the fetlocks. These, with shirts, male and female, drying on a
      line, and whiteheaded children rolling in the dust, and a donkey braying
      his heart out for reasons known only to himself, if known at all, were the
      principal details of the sylvan hamlet; but on a general survey there were
      grand beauties. The village and its turf lay in the semicircular sweep of
      an unbroken forest; but at the sides of the leafy basin glades had been
      cut for drawing timber, stacking bark, etc., and what Milton calls so
      happily &ldquo;the checkered shade&rdquo; was seen in all its beauty; for the hot sun
      struggled in at every aperture, and splashed the leaves and the path with
      fiery flashes and streaks, and topaz brooches, all intensified in fire and
      beauty by the cool adjacent shadows.
    </p>
    <p>
      Looking back, the view was quite open in most places. The wooded lanes and
      strips they had passed were little more in so vast a panorama than the
      black stripes on a backgammon board. The site was so high that the eye
      swept over all, and rested on a broad valley beyond, with a patchwork
      pattern of variegated fields and the curling steam of engines flying
      across all England; then swept by a vast incline up to a horizon of faint
      green hills, the famous pastures of the United Kingdom. So that it was a
      deep basin of foliage in front; but you had only to turn your body, and
      there was a forty-mile view, with all the sweet varieties of color that
      gem our fields and meadows, as they bask in the afternoon sun of that
      golden time when summer melts into autumn, and mellows without a chill.
    </p>
    <p>
      &ldquo;Oh,&rdquo; cried Miss Gale, &ldquo;don't anybody speak, please! It is too beautiful!&rdquo;
     </p>
    <p>
      They respected an enthusiasm so rare in this young lady, and let her
      contemplate the scene at her ease.
    </p>
    <p>
      &ldquo;I reckon,&rdquo; said she, dogmatically, and nodding that wise little head,
      &ldquo;that this is Old England&mdash;the England my ancestors left in search of
      liberty, and that's a plant that ranks before cherry-trees, I rather
      think. No, I couldn't have gone; I'd have stayed and killed a hundred
      tyrants. But I wouldn't have chopped their heads off&rdquo; (to Vizard, very
      confidentially); &ldquo;I'd have poisoned 'em.&rdquo;
     </p>
    <p>
      &ldquo;Don't, Miss Gale!&rdquo; said Fanny; &ldquo;you make my blood run cold.&rdquo;
     </p>
    <p>
      As it was quite indifferent to Miss Gale whether she made Miss Dover's
      blood run cold or not, she paid no attention, but proceeded with her
      reflections. &ldquo;The only thing that spoils it is the smoke of those engines,
      reminding one that in two hours you or I, or that pastoral old hermit
      there in a smock-frock, and a pipe&mdash;and oh, what bad tobacco!&mdash;can
      be wrenched out of this paradise, and shrieked and rattled off and flung
      into that wilderness of brick called London, where the hearts are as hard
      as the pavement&mdash;except those that have strayed there from
      Barfordshire.&rdquo;
     </p>
    <p>
      The witch changed face and tone and everything like lightning, and threw
      this last in with a sudden grace and sweetness that contrasted strangely
      with her usual sharpness.
    </p>
    <p>
      Zoe heard, and turned round to look down on her with a smile as sweet as
      honey. &ldquo;I hardly think that is a drawback,&rdquo; said she, amicably. &ldquo;Does not
      being able to leave a place make it sweeter? for then we are free in it,
      you know. But I must own there <i>is</i> a drawback&mdash;the boys' faces,
      Miss Gale, they <i>are</i> so pasty.&rdquo;
     </p>
    <p>
      &ldquo;Indeed!&rdquo; says Rhoda, pricking up her ears.
    </p>
    <p>
      &ldquo;Form no false hopes of an epidemic. This is not an infirmary in a wood,
      Miss Gale,&rdquo; said Vizard. &ldquo;My sister is a great colorist, and pitches her
      expectations too high. I dare say their faces are not more pasty than
      usual; but this is a show place, and looks like a garden; so Zoe wants the
      boys to be poppies and pansies, and the girls roses and lilies. Which&mdash;they&mdash;are&mdash;not.&rdquo;
     </p>
    <p>
      &ldquo;All I know is,&rdquo; said Zoe, resolutely, &ldquo;that in Islip the children's faces
      are rosy, but here they are pasty&mdash;dreadfully pasty.&rdquo;
     </p>
    <p>
      &ldquo;Well, you have got a box of colors. We will come up some day and tint all
      the putty-faced boys.&rdquo; It was to Miss Dover the company owed this
      suggestion.
    </p>
    <p>
      &ldquo;No,&rdquo; said Rhoda. &ldquo;Their faces are my business; I'll soon fix them. She
      didn't say putty-faced; she said pasty.&rdquo;
     </p>
    <p>
      &ldquo;Grateful to you for the distinction, Miss Gale,&rdquo; said Zoe.
    </p>
    <p>
      Miss Gale proceeded to insist that boys are not pasty-faced without a
      cause, and it is to be sought lower down. &ldquo;Ah!&rdquo; cried she, suddenly, &ldquo;is
      that a cherry that I see before me? No, a million. They steal them and eat
      them by the thousand, and that's why. Tell the truth, now, everybody&mdash;they
      eat the stones.&rdquo;
     </p>
    <p>
      Miss Vizard said she did not know, but thought them capable.
    </p>
    <p>
      &ldquo;Children know nothing,&rdquo; said Vizard. &ldquo;Please address all future
      scientific inquiries to an 'old inhabitant.' Miss Gale, the country
      abounds in curiosities; but, among those curiosities, even Science, with
      her searching eye, has never yet discovered an unswallowed cherry stone in
      Hillstoke village.&rdquo;
     </p>
    <p>
      &ldquo;What! not on the trees?&rdquo;
     </p>
    <p>
      &ldquo;She is too much for me. Drive on, coachman, and drown her replies in the
      clatter of hoofs. Round by the Stag, Zoe. I am uneasy till I have locked
      Fair Science up. I own it is a mean way of getting rid of a troublesome
      disputant.&rdquo;
     </p>
    <p>
      &ldquo;Now I think it is quite fair,&rdquo; said Fanny. &ldquo;She shuts you up, and so you
      lock her up.&rdquo;
     </p>
    <p>
      &ldquo;'Tis well,&rdquo; said Vizard, dolefully. &ldquo;Now I am No. 3&mdash;I who used to
      retort and keep girls in their places&mdash;with difficulty. Here is Ned
      Severne, too, reduced to silence. Why, where's your tongue? Miss Gale, you
      would hardly believe it, this is our chatterbox. We have been days and
      days, and could not get in a word edgewise for him. But now all he can do
      is to gaze on you with canine devotion, and devour the honey&mdash;I beg
      pardon, the lime-juice&mdash;of your lips. I warn you of one thing,
      though; there is such a thing as a threatening silence. He is evidently
      booking every word you utter; and he will deliver it all for his own
      behind your back some fine day.&rdquo;
     </p>
    <p>
      With this sort of banter and small talk, not worth deluging the reader
      dead with, they passed away the time till they reached the farm.
    </p>
    <p>
      &ldquo;You stay here,&rdquo; said Vizard&mdash;&ldquo;all but Zoe. Tom and George, get the
      things out.&rdquo; The grooms had already jumped out of the dog-cart, and two
      were at the horses' heads. The step-ladder was placed for Zoe, and Vizard
      asked her to go in and see the rooms were all right, while he took Miss
      Gale to the stables. He did so, and showed her a spirited Galloway and a
      steady old horse, and told her she could ride one and drive the other all
      over the country.
    </p>
    <p>
      She thanked him, but said her attention would be occupied by the two
      villages first, and she should make him a report in forty-eight hours.
    </p>
    <p>
      &ldquo;As you please,&rdquo; said he. &ldquo;You are terribly in earnest.&rdquo;
     </p>
    <p>
      &ldquo;What should I be worth if I was not?'
    </p>
    <p>
      &ldquo;Well, come and see your shell; and you must tell me if we have forgotten
      anything essential to your comfort.&rdquo;
     </p>
    <p>
      She followed him, and he led her to a wing of the farmhouse comparatively
      new, and quite superior to the rest. Here were two good sunny rooms, with
      windows looking south and west, and they were both papered with a white
      watered pattern, and a pretty French border of flowers at the upper part,
      to look gay and cheerful.
    </p>
    <p>
      Zoe was in the bedroom, arranging things with a pretty air of hospitality.
      It was cheerily fitted up, and a fire of beech logs blazing.
    </p>
    <p>
      &ldquo;How good you are!&rdquo; said Rhoda, looking wistfully at her. But Zoe checked
      all comments by asking her to look at the sitting-room and see if it would
      do. Rhoda would rather have stayed with Zoe; but she complied, and found
      another bright, cheerful room, and Vizard standing in the middle of it.
      There was another beech fire blazing, though it was hot weather. Here was
      a round table, with a large pot full of flowers, geraniums and musk
      flowers outside, with the sun gilding their green leaves most amiably, and
      everything unpretending, but bright and comfortable; well padded sofa,
      luxurious armchair, stand-up reading desk, and a very large knee-hole
      table; a fine mirror from the ceiling to the dado; a book-case with choice
      books, and on a pembroke table near the wall were several periodicals.
      Rhoda, after a cursory survey of the room, flew to the books. &ldquo;Oh!&rdquo; said
      she, &ldquo;what good books! all standard works; and several on medicine; and, I
      declare, the last numbers of the <i>Lancet</i> and the <i>Medical Gazette,</i>
      and the very best French and German periodicals! Oh, what have I done? and
      what can I ever do?&rdquo;
     </p>
    <p>
      &ldquo;What! Are <i>you</i> going to gush like the rest&mdash;and about
      nothing?&rdquo; said Vizard. &ldquo;Then I'm off. Come along, Zoe;&rdquo; and he hurried his
      sister away.
    </p>
    <p>
      She came at the word; but as soon as they were out of the house, asked him
      what was the matter.
    </p>
    <p>
      &ldquo;I thought she was going to gush. But I dare say it was a false alarm.&rdquo;
     </p>
    <p>
      &ldquo;And why shouldn't she gush, when you have been so kind?&rdquo;
     </p>
    <p>
      &ldquo;Pooh&mdash;nonsense! I have not been kind to her, and don't mean to be
      kind to her, or to any woman; besides, she must not be allowed to gush;
      she is the parish virago&mdash;imported from vast distances as such&mdash;and
      for her to play the woman would be an abominable breach of faith. We have
      got our gusher, likewise our flirt; and it was understood from the first
      that this was to be a new <i>dramatis persona</i>&mdash;was not to be a
      repetition of you or <i>la</i> Dover, but&mdash;ahem&mdash;the third
      Grace, a virago: solidified vinegar.&rdquo;
     </p>
    <p>
      Rhoda Gale felt very happy. She was young, healthy, ambitious, and
      sanguine. She divined that, somehow, her turning point had come; and when
      she contrasted her condition a month ago, and the hardness of the world,
      with the comfort and kindness that now surrounded her, and the magnanimity
      which fled, not to be thanked for them, she felt for once in a way humble
      as well as grateful, and said to herself, &ldquo;It is not to myself nor any
      merit of mine I owe such a change as all this is.&rdquo; What some call
      religion, and others superstition, overpowered her, and she kneeled down
      and held communion with that great Spirit which, as she believed, pervades
      the material universe, and probably arises from it, as harmony from the
      well strung harp. Theory of the day, or Plato redivivus&mdash;which is it?
    </p>
    <p>
      &ldquo;O great creative element, and stream of tendencies in the universe,
      whereby all things struggle toward perfection, deign to be the recipient
      of that gratitude which fills me, and cannot be silent; and since
      gratitude is right in all, and most of all in me at this moment, forgive
      me if, in the weakness of my intellect, I fall into the old error of
      addressing you as an individual. It is but the weakness of the heart; we
      are persons, and so we cry out for a personal God to be grateful to. Pray
      receive it so&mdash;if, indeed, these words of mine have any access to
      your infinitely superior nature. And if it is true that you influence the
      mind of man, and are by any act of positive volition the cause of these
      benefits I now profit by, then pray influence my mind in turn, and make me
      a more worthy recipient of all these favors; above all, inspire me to keep
      faithfully to my own sphere, which is on earth; to be good and kind and
      tolerant to my fellow creatures, perverse as they are sometimes, and not
      content myself with saying good words to you, to whose information I can
      add nothing, nor yet to your happiness, by any words of mine. Let no
      hollow sentiment of religion keep me long prating on my knees, when life
      is so short, and&rdquo; (jumping suddenly up) &ldquo;my duties can only be discharged
      afoot.&rdquo;
     </p>
    <p>
      Refreshed by this aspiration, the like of which I have not yet heard
      delivered in churches&mdash;but the rising generation will perhaps be more
      fortunate in that respect&mdash;she went into the kitchen, ordered tea,
      bread and butter, and one egg for dinner at seven o'clock, and walked
      instantly back to Hillstoke to inspect the village, according to her ideas
      of inspection.
    </p>
    <p>
      Next morning down comes the bailiff's head man in his light cart, and a
      note is delivered to Vizard at the breakfast table. He reads it to
      himself, then proclaims silence, and reads it aloud:
    </p>
    <p>
      &ldquo;DEAR SIR&mdash;As we crossed your hall to luncheon, there was the door of
      a small room half open, and I saw a large mahogany case standing on a
      marble table with one leg, but three claws gilt. I saw 'Micro' printed on
      the case. So I hope it is a microscope, and a fine one. To enable you to
      find it, if you don't know, the room had crimson curtains, and is papered
      in green flock. That is the worst of all the poisonous papers, because the
      texture is loose, and the poisonous stuff easily detached, and always
      flying about the room. I hope you do not sit in it, nor Miss Vizard,
      because sitting in that room is courting death. Please lend me the
      microscope, if it is one, and I'll soon show you why the boys are putty
      faced. I have inspected them, and find Miss Dover's epithet more exact
      than Miss Vizard's, which is singular. I will take great care of it. Yours
      respectfully,
    </p>
    <h3>
      &ldquo;RHODA GALE.&rdquo;
     </h3>
    <p>
      Vizard ordered a servant to deliver the microscope to Miss Gale's
      messenger with his compliments. Fanny wondered what she wanted with it.
      &ldquo;Not to inspect our little characters, it is to be hoped,&rdquo; said Vizard.
      &ldquo;Why not pay her a visit, you ladies? then she will tell you, perhaps.&rdquo;
       The ladies instantly wore that bland look of inert but rocky resistance I
      have already noted as a characteristic of &ldquo;our girls.&rdquo; Vizard saw, and
      said, &ldquo;Try and persuade them, Uxmoor.&rdquo;
     </p>
    <p>
      &ldquo;I can only offer Miss Vizard my escort,&rdquo; said Lord Uxmoor.
    </p>
    <p>
      &ldquo;And I offer both ladies mine,&rdquo; said Ned Severne, rather loud and with a
      little sneer, to mark his superior breeding. The gentleman was so
      extremely polite in general that there was no mistaking his hostile
      intentions now. The inevitable war had begun, and the first shot was
      fired. Of course the wonder was it had not come long before; and perhaps I
      ought to have drawn more attention to the delicacy and tact of Zoe Vizard,
      which had averted it for a time. To be sure, she had been aided by the
      size of the house and its habits. The ladies had their own sitting rooms;
      Fanny kept close to Zoe by special orders; and nobody could get a chance
      <i>te'te-'a-te'te</i> with Zoe unless she chose. By this means, her native
      dignity and watchful tact, by her frank courtesy to Uxmoor, and by the
      many little quiet ways she took to show Severne her sentiments remained
      unchanged, she had managed to keep the peace, and avert that open
      competition for her favor which would have tickled the vanity of a Fanny
      Dover, but shocked the refined modesty of a Zoe Vizard.
    </p>
    <p>
      But nature will have her way soon or late, and it is the nature of males
      to fight for the female.
    </p>
    <p>
      At Severne's shot Uxmoor drew up a little haughtily, but did not feel sure
      anything was intended. He was little accustomed to rubs. Zoe, on the other
      hand, turned a little pale&mdash;just a little, for she was sorry, but not
      surprised; so she proved equal to the occasion. She smiled and made light
      of it. &ldquo;Of course we are <i>all</i> going,&rdquo; said she.
    </p>
    <p>
      &ldquo;Except one,&rdquo; said Vizard, dryly.
    </p>
    <p>
      &ldquo;That is too bad,&rdquo; said Fanny. &ldquo;Here he drives us all to visit his
      blue-stocking, but he takes good care not to go himself.&rdquo;
     </p>
    <p>
      &ldquo;Perhaps he prefers to visit her alone,&rdquo; suggested Severne. Zoe looked
      alarmed.
    </p>
    <p>
      &ldquo;That is <i>so,&rdquo;</i> said Vizard. &ldquo;Observe, I am learning her very
      phrases. When you come back, tell me every word she says; pray let nothing
      be lost that falls from my virago.&rdquo;
     </p>
    <p>
      The party started after luncheon; and Severne, true to his new policy,
      whipped to Zoe's side before Uxmoor, and engaged her at once in
      conversation.
    </p>
    <p>
      Uxmoor bit his lip, and fell to Fanny. Fanny saw at once what was going
      on, and made herself very agreeable to Uxmoor. He was polite and a little
      gratified, but cast uneasy glances at the other pair.
    </p>
    <p>
      Meantime Severne was improving his opportunity. &ldquo;Sorry to disturb Lord
      Uxmoor's monopoly,&rdquo; said he, sarcastically, &ldquo;but I could not bear it any
      longer.&rdquo;
     </p>
    <p>
      &ldquo;I do not object to the change,&rdquo; said Zoe, smiling maternally on him; &ldquo;but
      you will be good enough to imitate me in one thing&mdash;you will always
      be polite to Lord Uxmoor.&rdquo;
     </p>
    <p>
      &ldquo;He makes it rather hard.&rdquo;
     </p>
    <p>
      &ldquo;It is only for a time; and we must learn to be capable of self-denial. I
      assure you I have exercised quite as much as I ask of you. Edward, he is a
      gentleman of great worth, universally respected, and my brother has a
      particular wish to be friends with him. So pray be patient; be
      considerate. Have a little faith in one who&mdash;&rdquo;
     </p>
    <p>
      She did not end the sentence.
    </p>
    <p>
      &ldquo;Well, I will,&rdquo; said he. &ldquo;But please think of me a little. I am beginning
      to feel quite thrust aside, and degraded in my own eyes for putting up
      with it.&rdquo;
     </p>
    <p>
      &ldquo;For shame, to talk so,&rdquo; said Zoe; but the tears came into her eyes.
    </p>
    <p>
      The master of arts saw, and said no more. He had the art of not overdoing:
      he left the arrow to rankle. He walked by her side in a silence for ever
      so long. Then, suddenly, as if by a mighty effort of unselfish love, went
      off into delightful discourse. He cooed and wooed and flattered and
      fascinated; and by the time they reached the farm had driven Uxmoor out of
      her head.
    </p>
    <p>
      Miss Gale was out. The farmer's wife said she had gone into the town&mdash;meaning
      Hillstoke&mdash;which was, strictly speaking, a hamlet or tributary
      village. Hillstoke church was only twelve years old, and the tithes of the
      place went to the parson of Islip.
    </p>
    <p>
      When Zoe turned to go, Uxmoor seized the opportunity, and drew up beside
      her, like a soldier falling into the ranks. Zoe felt hot; but as Severne
      took no open notice, she could not help smiling at the behavior of the
      fellows; and Uxmoor got his chance.
    </p>
    <p>
      Severne turned to Fanny with a wicked sneer. &ldquo;Very well, my lord,&rdquo; said
      he; &ldquo;but I have put a spoke in your wheel.&rdquo;
     </p>
    <p>
      &ldquo;As if I did not see, you clever creature!&rdquo; said Fanny, admiringly.
    </p>
    <p>
      &ldquo;Ah, Miss Dover, I need to be as clever as you! See what I have against
      me: a rich lord, with the bushiest beard.&rdquo;
     </p>
    <p>
      &ldquo;Never you mind,&rdquo; said Fanny. &ldquo;Good wine needs no bush, ha! ha! You are
      lovely, and have a wheedling tongue, and you were there first. Be good,
      now&mdash;and you can flirt with me to fill up the time. I hate not being
      flirted at all. It is stagnation.&rdquo;
     </p>
    <p>
      &ldquo;Yes, but it is not so easy to flirt with you just a little. You are so
      charming.&rdquo; Thereupon he proceeded to flatter her, and wonder how he had
      escaped a passionate attachment to so brilliant a creature. &ldquo;What saved
      me,&rdquo; said he, oracularly, &ldquo;is, that I never could love two at once; and
      Zoe seized my love at sight. She left me nothing to lay at your feet but
      my admiration, the tenderest friendship man can feel for woman, and my
      lifelong gratitude for fighting my battle. Oh, Miss Dover, I must be quite
      serious a moment. What other lady but you would be so generous as to
      befriend a poor man with another lady, when there's wealth and title on
      the other side?&rdquo;
     </p>
    <p>
      Fanny blushed and softened, but turned it off. &ldquo;There&mdash;no heroics,
      please,&rdquo; said she. &ldquo;You are a dear little fellow; and don't go and be
      jealous, for he shan't have her. He would never ask me to his house, you
      know. Now I think you would perhaps&mdash;who knows? Tell me, fascinating
      monster, are you going to be ungrateful?&rdquo;
     </p>
    <p>
      &ldquo;Not to you. My home would always be yours; and you know it.&rdquo; And he
      caught her hand and kissed it in an ungovernable transport, the strings of
      which be pulled himself. He took care to be quick about it, though, and
      not let Zoe or Uxmoor see, who were walking on before and behaving
      sedately.
    </p>
    <p>
      In Hillstoke lived, on a pension from Vizard, old Mrs. Greenaway,
      rheumatic about the lower joints, so she went on crutches; but she went
      fast, being vigorous, and so did her tongue. At Hillstoke she was Dame
      Greenaway, being a relic of that generation which applied the word dame to
      every wife, high and low; but at Islip she was &ldquo;Sally,&rdquo; because she had
      started under that title, fifty-five years ago, as house-maid at Vizard
      Court; and, by the tenacity of oral tradition, retained it ever since, in
      spite of two husbands she had wedded and buried with equal composure.
    </p>
    <p>
      Her feet were still springy, her arms strong as iron, and her crutches
      active. At sight of our party she came out with amazing wooden strides,
      agog for gossip, and met them at the gate. She managed to indicate a
      courtesy, and said, &ldquo;Good day, miss; your sarvant, all the company. Lord,
      how nice you be dressed, all on ye, to&mdash;be&mdash;sure! Well, miss,
      have ye heerd the news?&rdquo;
     </p>
    <p>
      &ldquo;No, Sally. What is it?&rdquo;
     </p>
    <p>
      &ldquo;What! haant ye heerd about the young 'oman at the farm?&rdquo;
     </p>
    <p>
      &ldquo;Oh yes; we came to see her.&rdquo;
     </p>
    <p>
      &ldquo;No, did ye now? Well, she was here not half an hour agone. By the same
      toaken, I did put her a question, and she answered me then and there.&rdquo;
     </p>
    <p>
      &ldquo;And may I ask what the question was?&rdquo;
     </p>
    <p>
      &ldquo;And welcome, miss. I said, says I, 'Young 'oman, where be you come from?'
      so says she, 'Old 'oman, I be come from forin parts.' 'I thought as much,'
      says I. 'And what be 'e come <i>for?''</i> 'To sojourn here,' says she,
      which she meant to bide a time. 'And what do 'e count to do whilst here
      you be?' says I. Says she, 'As much good as ever I can do, and as little
      harm.' 'That is no answer,' says I. She said it would do for the present;
      'and good day to you, ma'am,' says she. 'Your sarvant, miss,' says I; and
      she was off like a flash. But I called my grandson Bill, and I told him he
      must follow her, go where she would, and let us know what she was up to
      down in Islip. Then I went round the neighbors, and one told me one tale,
      and another another. But it all comes to one&mdash;we have gotten A
      BUSYBODY; that's the name I gives her. She don't give in to that, ye know;
      she is a Latiner, and speaks according. She gave Master Giles her own
      description. Says she, 'I'm suspector-general of this here districk.' So
      then Giles he was skeared a bit&mdash;he have got an acre of land of his
      own, you know&mdash;and he up and asked her did she come under the taxes,
      or was she a fresh imposition; 'for we are burdened enough a'ready, no
      offense to you, miss,' says Josh Giles. 'Don't you be skeared, old man,'
      says she, 'I shan't cost <i>you</i> none; your betters pays for I.' So
      says Giles, 'Oh, if you falls on squire, I don't vally that; squire's back
      is broad enough to bear the load, but I'm a poor man.' That's how a' goes
      on, ye know. Poverty is always in his mouth, but the old chap have got a
      hatful of money hid away in the thatch or some're, only he haan't a got
      the heart to spend it.&rdquo;
     </p>
    <p>
      &ldquo;Tell us more about the young lady,&rdquo; asked Uxmoor.
    </p>
    <p>
      &ldquo;What young lady? Oh, <i>her.</i> She is not a young lady&mdash;leastways
      she is not dressed like one, but like a plain, decent body. She was all of
      a piece&mdash;blue serge! Bless your heart, the peddlers bring it round
      here at elevenpence half-penny the yard, and a good breadth too; and plain
      boots, not heeled like your'n, miss, nor your'n, ma'am; and a felt hat
      like a boy. You'd say the parish had dressed her for ten shillings, and
      got a pot of beer out on't.&rdquo;
     </p>
    <p>
      &ldquo;Well, never mind that,&rdquo; said Zoe; &ldquo;I must tell you she is a very worthy
      young lady, and my brother has a respect for her. Dress? Why, Sally, you
      know it is not the wisest that spend most on dress. You might tell us what
      she <i>does.&rdquo;</i>
    </p>
    <p>
      Dame Greenaway snatched the word out of her mouth. &ldquo;Well, then, miss, what
      she have done, she have suspected everything. She have suspected the
      ponds; she have suspected the houses; she have suspected the folk; she
      must know what they eat and drink and wear next their very skin, and what
      they do lie down on. She have been at the very boys and forebade 'em to
      swallow the cherry stones, poor things; but old Mrs. Nash&mdash;which her
      boys lives on cherries at this time o' year, and to be sure they are a
      godsend to keep the children hereabout from starving&mdash;well, Dame Nash
      told her the Almighty knew best; he had put 'em together on the tree, so
      why not in the boys' insides; and that was common sense to my mind. But
      la! she wouldn't heed it. She said, 'Then you'd eat the peach stones by
      that rule, and the fish bones and all.' Says she, quite resolute like, 'I
      forbid 'em to swallow the stones;' and says she, 'Ye mawnt gainsay me,
      none on ye, for I be the new doctor.' So then it all come out. She isn't
      suspector-general; she is a wench turned doctor, which it is against
      reason. Shan't doctor <i>me</i> for one; but that there old Giles, he says
      he is agreeable, if so be she wool doctor him cheap&mdash;cussed old fool!&mdash;as
      if any doctoring was cheap that kills a body and doan't cure 'em. Dear
      heart, I forgot to tell ye about the ponds. Well, you know there be no
      wells here. We makes our tea out of the ponds, and capital good tea to
      drink, far before well water, for I mind that one day about twenty years
      agone some interfering body did cart a barrel up from Islip; and if we
      wants water withouten tea, why, we can get plenty on't, and none too much
      malt and hops, at 'The Black Horse.' So this here young 'oman she suspects
      the poor ponds and casts a hevil-eye on them, and she borrows two mugs of
      Giles, and carries the water home to suspect it closer. That is all she
      have done at present, but, ye see, she haan't been here so very long. You
      mark my words, miss, that young 'oman will turn Hillstoke village
      topsy-turvy or ever she goes back to London town.&rdquo;
     </p>
    <p>
      &ldquo;Nonsense, Sally,&rdquo; said Zoe; &ldquo;how can anybody do that while my brother and
      I are alive?&rdquo; She then slipped half a crown into Sally's hand, and led the
      way to Islip.
    </p>
    <p>
      On the road her conversation with Oxmoor took a turn suggestive of this
      interview. I forget which began it; but they differed a little in opinion,
      Uxmoor admiring Miss Gale's zeal and activity, and Zoe fearing that she
      would prove a rash reformer, perhaps a reckless innovator.
    </p>
    <p>
      &ldquo;And really,&rdquo; said she, &ldquo;why disturb things? for, go where I will, I see
      no such Paradise as these two villages.&rdquo;
     </p>
    <p>
      &ldquo;They are indeed lovely,&rdquo; said Uxmoor; &ldquo;but my own village is very pretty.
      Yet on nearer inspection I have found so many defects, especially in the
      internal arrangements of the cottages, that I am always glad to hear of a
      new eye having come to bear on any village.&rdquo;
     </p>
    <p>
      &ldquo;I know you are very good,&rdquo; said Zoe, &ldquo;and wish all the poor people about
      you to be as healthy and as happy as possible.&rdquo;
     </p>
    <p>
      &ldquo;I really do,&rdquo; said, warmly. &ldquo;I often think of the strange inequality in
      the lot of men. Living in the country, I see around me hundreds of men who
      are by nature as worthy as I am, or thereabouts. Yet they must toil and
      labor, and indeed fight, for bare food and clothing, all their lives, and
      worse off at the close of their long labor. That is what grieves me to the
      heart. All this time I revel in plenty and luxuries&mdash;not forgetting
      the luxury of luxuries, the delight of giving to those who need and
      deserve. What have I done for all this? I have been born of the right
      parents. My merit, then, is the accident of an accident. But having done
      nothing meritorious before I was born, surely I ought to begin afterward.
      I think a man born to wealth ought to doubt his moral title to it, and
      ought to set to work to prove it&mdash;ought to set himself to repair the
      injustice of fortune by which he profits. Yes, such a man should be a sort
      of human sunshine, and diffuse blessings all round him. The poor man that
      encounters him ought to bless the accident. But there, I am not eloquent.
      You know how much more I mean than I can say.&rdquo;
     </p>
    <p>
      &ldquo;Indeed I do,&rdquo; said Zoe, &ldquo;and I honor you.&rdquo;
     </p>
    <p>
      &ldquo;Ah, Miss Vizard,&rdquo; said Uxmoor, &ldquo;that is more than I can ever deserve.&rdquo;
     </p>
    <p>
      &ldquo;You are praising me at your own expense,&rdquo; said Zoe. &ldquo;Well, then,&rdquo; said
      she, sweetly, &ldquo;please accept my sympathy. It is so rare to find a
      gentleman of your age thinking so little of himself and so much of poor
      people. Yet that is a Divine command. But somehow we forget our religion
      out of church&mdash;most of us. I am sure I do, for one.&rdquo;
     </p>
    <p>
      This conversation brought them to the village, and there they met Vizard,
      and Zoe repeated old Sally's discourse to him word for word. He shook his
      head solemnly, and said he shared her misgivings. &ldquo;We have caught a
      Tartar.&rdquo;
     </p>
    <p>
      On arriving at Vizard Court, they found Miss Gale had called and left two
      cards.
    </p>
    <p>
      Open rivalry having now commenced between Uxmoor and Severne, his lordship
      was adroit enough to contrive that the drag should be in request next day.
    </p>
    <p>
      Then Severne got Fanny to convey a note to Zoe, imploring her to open her
      bedroom window and say good-night to him the last. &ldquo;For,&rdquo; said he, &ldquo;I have
      no coach and four, and I am very unhappy.&rdquo;
     </p>
    <p>
      This and his staying sullenly at home spoiled Zoe's ride, and she was cool
      to Uxmoor, and spoiled his drive.
    </p>
    <p>
      At night Zoe peeped through the curtain and saw Severne standing in the
      moonlight. She drank him in for some time in silence, then softly opened
      her window and looked out. He took a step nearer.
    </p>
    <p>
      She said, very softly and tenderly, &ldquo;You are very naughty, and very
      foolish. Go to bed <i>di-</i>rectly.&rdquo; And she closed her window with a
      valiant slam; then sat down and sighed.
    </p>
    <p>
      Same game next day. Uxmoor driving, Zoe wonderfully polite, but chill,
      because he was separating her and Severne. At night, Severne on the wet
      grass, and Zoe remonstrating severely, but not sincerely, and closing the
      window peremptorily she would have liked to keep open half the night.
    </p>
    <p>
      It has often been remarked that great things arise out of small things,
      and sometimes, when in full motion, depend on small things. History offers
      brilliant examples upon its large stage. Fiction has imitated history in
      <i>un verre d'eau</i> and other compositions. To these examples, real or
      feigned, I am now about to add one; and the curious reader may, if he
      thinks it worth while, note the various ramifications at home and abroad
      of a seemingly trivial incident.
    </p>
    <p>
      They were all seated at luncheon, when a servant came in with a salver,
      and said, &ldquo;A gentleman to see you, sir.&rdquo; He presented his salver with a
      card upon it. Severne clutched the card, and jumped up, reddening.
    </p>
    <p>
      &ldquo;Show him in here,&rdquo; said the hospitable Vizard.
    </p>
    <p>
      &ldquo;No, no,&rdquo; cried Severne, rather nervously; &ldquo;it is my lawyer on a little
      private business.&rdquo;
     </p>
    <p>
      Vizard told the servant to show the visitor into the library, and take in
      the Madeira and some biscuits.
    </p>
    <p>
      &ldquo;It is about a lease,&rdquo; said Ned Severne, and went out rather hurriedly.
    </p>
    <p>
      &ldquo;La!&rdquo; said Fanny, &ldquo;what a curious name&mdash;Poikilus. And what does S. I.
      mean, I wonder?&rdquo;
     </p>
    <p>
      &ldquo;This is enigmatical discourse,&rdquo; said Vizard, dryly. &ldquo;Please explain.&rdquo;
     </p>
    <p>
      &ldquo;Why, the card had Poikilus on it.&rdquo;
     </p>
    <p>
      &ldquo;You are very inquisitive,&rdquo; said Zoe, coloring.
    </p>
    <p>
      &ldquo;No more than my neighbors. But the man put his salver right between our
      noses, and how could I help seeing Poikilus in large letters, and S. I. in
      little ones up in the corner?&rdquo;
     </p>
    <p>
      Said Vizard, &ldquo;The female eye is naturally swift. She couldn't help seeing
      all that in <i>half a minute of time;</i> for Ned Severne snatched up the
      card with vast expedition.&rdquo;
     </p>
    <p>
      &ldquo;I saw that too,&rdquo; said Fanny, defiantly.
    </p>
    <p>
      Uxmoor put in his word. &ldquo;Poikilus! That is a name one sees in the papers.&rdquo;
     </p>
    <p>
      &ldquo;Of course you do. He is one of the humbugs of the day. Pretends to find
      things out; advertises mysterious disappearances; offers a magnificent
      reward&mdash;with perfect safety, because he has invented the lost girl's
      features and dress, and her disappearance into the bargain; and I hold
      with the schoolmen that she who does not exist cannot disappear. Poikilus,
      a puffing detective. S. I., Secret Inquiry. <i>I</i> spell Enquiry with an
      E&mdash;but Poikilus is a man of the day. What the deuce can Ned Severne
      want of him? I suppose I ought not to object. I have established a female
      detective at Hillstoke. So Ned sets one up at Islip. I shall make my own
      secret arrangements. If Poikilus settles here, he will be drawn through
      the horse-pond by small-minded rustics once a week.&rdquo;
     </p>
    <p>
      While he was going on like this, Zoe felt uncomfortable, and almost
      irritated by his volubility, and it was a relief to her when Severne
      returned. He had confided a most delicate case to the detective, given him
      written instructions, and stipulated for his leaving the house without a
      word to any one, and, indeed, seen him off&mdash;all in seven minutes. Yet
      he returned to our party cool as a cucumber, to throw dust in everybody's
      eyes.
    </p>
    <p>
      &ldquo;I must apologize for this intrusion,&rdquo; he said to Vizard; &ldquo;but my lawyer
      wanted to consult me about the lease of one of my farms, and, finding
      himself in the neighborhood, he called instead of writing.&rdquo;
     </p>
    <p>
      &ldquo;Your lawyer, eh?&rdquo; said Vizard, slyly. &ldquo;What is your lawyer's name?&rdquo;
     </p>
    <p>
      &ldquo;Jackson,&rdquo; said Ned, without a moment's hesitation.
    </p>
    <p>
      Fanny giggled in her own despite.
    </p>
    <p>
      Instead of stopping here, Severne must go on; it was his unlucky day.
    </p>
    <p>
      &ldquo;Not quite a gentleman, you know, or I would have inflicted his society on
      you.&rdquo;
     </p>
    <p>
      &ldquo;Not quite&mdash;eh?&rdquo; said Harrington, so dryly that Fanny Dover burst
      into a fit of uncontrollable laughter.
    </p>
    <p>
      But Zoe turned hot and cold to see him blundering thus, and telling lie
      upon lie.
    </p>
    <p>
      Severne saw there was something wrong, and buried his nose in pigeon pie.
      He devoured it with an excellent appetite, while every eye rested on him;
      Zoe's with shame and misery, Uxmoor's with open contempt, Vizard's with
      good humored satire.
    </p>
    <p>
      The situation became intolerable to Zoe Vizard. Indignant and deeply
      shocked herself, she still could not bear to see him the butt of others'
      ridicule and contempt. She rose haughtily and marched to the door. He
      raised his head for a moment as she went out. She turned, and their eyes
      met. She gave him such a glance of pity and disdain as suspended the meat
      upon his fork, and froze him into comprehending that something very
      serious indeed had happened.
    </p>
    <p>
      He resolved to learn from Fanny what it was, and act accordingly. But
      Zoe's maid came in and whispered Fanny. She went out, and neither of the
      young ladies was seen till dinner-time. It was conveyed to Uxmoor that
      there would be no excursion of any kind this afternoon; and therefore he
      took his hat, and went off to pay a visit. He called on Rhoda Gale. She
      was at home. He intended merely to offer her his respects, and to side
      with her generally against these foolish rustics; but she was pleased with
      him for coming, and made herself so agreeable that he spent the whole
      afternoon comparing notes with her upon village life, and the amelioration
      it was capable of. Each could give the other valuable ideas; and he said
      he hoped she would visit his part of the country ere long; she would find
      many defects, but also a great desire to amend them.
    </p>
    <p>
      This flattered her, naturally; and she began to take an interest in him.
      That interest soon took the form of curiosity. She must know whether he
      was seriously courting Zoe Vizard or not. The natural reserve of a
      well-bred man withstood this at first; but that armor could not resist for
      two mortal hours such a daughter of Eve as this, with her insidious
      questions, her artful statements, her cat-like retreats and cat-like
      returns. She learned&mdash;though he did not see how far he had committed
      himself&mdash;that he admired Zoe Vizard and would marry her to-morrow if
      she would have him; his hesitation to ask her, because he had a rival,
      whose power he could not exactly measure; but a formidable and permitted
      rival.
    </p>
    <p>
      They parted almost friends; and Rhoda settled quietly in her mind he
      should have Zoe Vizard, since he was so fond of her.
    </p>
    <p>
      Here again it was Severne's unlucky day, and Uxmoor's lucky. To carry this
      same day to a close, Severne tried more than once to get near Zoe and ask
      if he had offended her, and in what. But no opportunity occurred. So then
      he sat and gazed at her, and looked unhappy. She saw, and was not unmoved,
      but would not do more than glance at him. He resigned himself to wait till
      night.
    </p>
    <p>
      Night came. He went on the grass. There was a light in Zoe's room. It was
      eleven o'clock. He waited, shivering, till twelve. Then the light was put
      out; but no window opened. There was a moon; and her windows glared black
      on him, dark and bright as the eyes she now averted from him. He was in
      disgrace.
    </p>
    <p>
      The present incident I have recorded did not end here; and I must now
      follow Poikilus on his mission to Homburg; and if the reader has a sense
      of justice, methinks he will not complain of the journey, for see how long
      I have neglected the noblest figure in this story, and the most to be
      pitied. To desert her longer would be too unjust, and derange entirely the
      balance of this complicated story.
    </p>
    <p>
      <a name="link2HCH0018" id="link2HCH0018">
      <!--  H2 anchor --> </a>
    </p>
    <div style="height: 4em;">
      <br /><br /><br /><br />
    </div>
    <h2>
      CHAPTER XVIII.
    </h2>
    <p>
      A CRUEL mental stroke, like a heavy blow upon the body, sometimes benumbs
      and sickens at first, but does not torture; yet that is to follow.
    </p>
    <p>
      It was so with Ina Klosking. The day she just missed Edward Severne, and
      he seemed to melt away from her very grasp into the wide world again, she
      could drag herself to the theater and sing angelically, with a dull and
      aching heart. But next day her heart entered on sharper suffering. She was
      irritated, exasperated; chained to the theater, to Homburg, yet wild to
      follow Severne to England without delay. She told Ashmead she must and
      would go. He opposed it stoutly, and gave good reasons. She could not
      break faith with the management. England was a large place. They had, as
      yet, no clew but a name. By waiting, the clew would come. The sure course
      was to give publicity in England to her winnings, and so draw Severne to
      her. But for once she was too excited to listen to reason. She was
      tempest-tossed. &ldquo;I will go&mdash;I will go,&rdquo; she repeated, as she walked
      the room wildly, and flung her arms aloft with reckless abandon, and yet
      with a terrible majesty, an instinctive grace, and all the poetry of a
      great soul wronged and driven wild.
    </p>
    <p>
      She overpowered Ashmead and drove him to the director. He went most
      unwillingly; but once there, was true to her, and begged off the
      engagement eagerly. The director refused this plump. Then Ashmead, still
      true to his commission, offered him (most reluctantly) a considerable sum
      down to annul the contract, and backed this with a quiet hint that she
      would certainly fall ill if refused. The director knew by experience what
      this meant, and how easily these ladies can command the human body to
      death's door <i>pro re nata,</i> and how readily a doctor's certificate
      can be had to say or swear that the great creature cannot sing or act
      without peril to life, though really both these arts are grand medicines,
      and far less likely to injure the <i>bona fide</i> sick than are the
      certifying doctor's draughts and drugs. The director knew all this; but he
      was furious at the disappointment threatened him. &ldquo;No,&rdquo; said he; &ldquo;this is
      always the way; a poor devil of a manager is never to have a success. It
      is treacherous, it is ungrateful: I'll close. You tell her if she is
      determined to cut all our throats and kick her own good fortune down, she
      can; but, by &mdash;&mdash;, I'll make her smart for it! Mind, now; she
      closes the theater and pays the expenses, if she plays me false.&rdquo;
     </p>
    <p>
      &ldquo;But if she is ill?&rdquo;
     </p>
    <p>
      &ldquo;Let her die and be &mdash;&mdash;, and then I'll believe her. She is the
      healthiest woman in Germany. I'll go and take steps to have her arrested
      if she offers to leave the town.&rdquo;
     </p>
    <p>
      Ashmead reported the manager's threats, and the Klosking received them as
      a lioness the barking of a cur. She drew herself swiftly up, and her great
      eye gleamed imperial disdain at all his menaces but one.
    </p>
    <p>
      &ldquo;He will not really close the theater,&rdquo; said she, loftily; but uneasiness
      lurked in her manner.
    </p>
    <p>
      &ldquo;He will,&rdquo; said Ashmead. &ldquo;He is desperate: and you know it <i>is</i> hard
      to go on losing and losing, and then the moment luck turns to be done out
      of it, in spite of a written bargain. I've been a manager myself.&rdquo;
     </p>
    <p>
      &ldquo;So many poor people!&rdquo; said Ina, with a sigh; and her defiant head sunk a
      little.
    </p>
    <p>
      &ldquo;Oh, bother <i>them!&rdquo;</i> said Ashmead, craftily. &ldquo;Let 'em starve.&rdquo;
     </p>
    <p>
      &ldquo;God forbid!&rdquo; said Ina. Then she sighed again, and her queenly head sunk
      lower. Then she faltered out, &ldquo;I have the will to break faith and ruin
      poor people, but I have not the courage.&rdquo;
     </p>
    <p>
      Then a tear or two began to trickle, carrying with them all the
      egotistical resolution Ina Klosking possessed at that time. Perhaps we
      shall see her harden: nothing stands still.
    </p>
    <p>
      This time the poor conquered.
    </p>
    <p>
      But every now and then for many days there were returns of torment and
      agitation and wild desire to escape to England.
    </p>
    <p>
      Ashmead made head against these with his simple arts. For one thing, he
      showed her a dozen paragraphs in MS. he was sending to as many English
      weekly papers, describing her heavy gains at the table. &ldquo;With these
      stones,&rdquo; said he, &ldquo;I kill two birds: extend your fame, and entice your
      idol back to you.&rdquo; Here a growl, which I suspect was an inarticulate
      curse. Joseph, fi!
    </p>
    <p>
      The pen of Joseph on such occasions was like his predecessor's coat,
      polychromatic. The Klosking read him, and wondered. &ldquo;Alas!&rdquo; said she,
      &ldquo;with what versatile skill do you descant on a single circumstance not
      very creditable.&rdquo;
     </p>
    <p>
      &ldquo;Creditable!&rdquo; said Ashmead; &ldquo;it was very naughty, but it is very nice.&rdquo;
       And the creature actually winked, forgetting, of course, whom he was
      winking at, and wasting his vulgarity on the desert air; for the
      Klosking's eye might just manage to blink&mdash;at the meridian sun, or so
      forth; but it never winked once in all its life.
    </p>
    <p>
      One of the paragraphs ran thus, with a heading in small capitals:
    </p>
    <h3>
      &ldquo;A PRIMA DONNA AT THE GAMBLING TABLE.
    </h3>
    <p>
      &ldquo;Mademoiselle Klosking, the great contralto, whose success has been
      already recorded in all the journals, strolled, on one of her off nights,
      into the Kursaal at Homburg, and sat down to <i>trente et quarante.</i>
      Her melodious voice was soon heard betting heavily, with the most engaging
      sweetness of manner; and doubling seven times upon the red, she broke the
      bank, and retired with a charming courtesy and eight thousand pounds in
      gold and notes.&rdquo;
     </p>
    <p>
      Another dealt with the matter thus:
    </p>
    <h3>
      &ldquo;ROUGE ET NOIR.
    </h3>
    <p>
      &ldquo;The latest coup at Homburg has been made by a cantatrice whose praises
      all Germany are now ringing. Mademoiselle Klosking, successor and rival of
      Alboni, went to the Kursaal, <i>pour passer le temps;</i> and she passed
      it so well that in half an hour the bank was broken, and there was a pile
      of notes and gold before La Klosking amounting to ten thousand pounds and
      more. The lady waved these over to her agent, Mr. Joseph Ashmead, with a
      hand which, <i>par parenthe'se,</i> is believed to be the whitest in
      Europe, and retired gracefully.&rdquo;
     </p>
    <p>
      On perusing this, La Klosking held <i>two</i> white hands up to heaven in
      amazement at the skill and good taste which had dragged this feature into
      the incident.
    </p>
    <h3>
      &ldquo;A DRAMATIC SITUATION.
    </h3>
    <p>
      &ldquo;A circumstance has lately occurred here which will infallibly be seized
      on by the novelists in search of an incident. Mademoiselle Klosking, the
      new contralto, whose triumphant progress through Europe will probably be
      the next event in music, walked into the Kursaal the other night, broke
      the bank, and walked out again with twelve thousand pounds, and that
      charming composure which is said to distinguish her in private life.
    </p>
    <p>
      &ldquo;What makes it more remarkable is that the lady is not a gamester, has
      never played before, and is said to have declared that she shall never
      play again. It is certain that, with such a face, figure, and voice as
      hers, she need never seek for wealth at the gambling-table. Mademoiselle
      Klosking is now in negotiation with all the principal cities of the
      Continent. But the English managers, we apprehend, will prove awkward
      competitors.&rdquo;
     </p>
    <p>
      Were I to reproduce the nine other paragraphs, it would be a very curious,
      instructive, and tedious specimen of literature; and, who knows? I might
      corrupt some immaculate soul, inspire some actor or actress, singer or
      songstress, with an itch for public self-laudation, a foible from which
      they are all at present so free. Witness the <i>Era,</i> the <i>Hornet,</i>
      and <i>Figaro.</i>
    </p>
    <p>
      Ina Klosking spotted what she conceived to be a defect in these histories.
      &ldquo;My friend,&rdquo; said she meekly, &ldquo;the sum I won was under five thousand
      pounds.&rdquo;
     </p>
    <p>
      &ldquo;Was it? Yes, to be sure. But, you see, these are English advertisements.
      Now England is so rich that if you keep down to any <i>Continental</i>
      sum, you give a false impression in England of the importance on the
      spot.&rdquo;
     </p>
    <p>
      &ldquo;And so we are to falsify figures? In the first of these legends it was
      double the truth; and, as I read, it enlarges&mdash;oh, but it enlarges,&rdquo;
       said Ina, with a Gallicism we shall have to forgive in a lady who spoke
      five languages.
    </p>
    <p>
      &ldquo;Madam,&rdquo; said Ashmead, dryly, &ldquo;you must expect your capital to increase
      rapidly, so long as I conduct it.&rdquo;
     </p>
    <p>
      Not being herself swift to shed jokes, Ina did not take them rapidly. She
      stared at him. He never moved a muscle. She gave a slight shrug of her
      grand shoulders, and resigned that attempt to reason with the creature.
    </p>
    <p>
      She had a pill in store for him, though. She told him that, as she had
      sacrificed the longings of her heart to the poor of the theater, so she
      should sacrifice a portion of her ill-gotten gains to the poor of the
      town.
    </p>
    <p>
      He made a hideously wry face at that, asked what poor-rates were for, and
      assured her that &ldquo;pauper&rdquo; meant &ldquo;drunkard.&rdquo;
     </p>
    <p>
      &ldquo;It is not written so in Scripture,&rdquo; said Ina; &ldquo;and I need their prayers,
      for I am very unhappy.&rdquo;
     </p>
    <p>
      In short, Ashmead was driven out from the presence chamber with a thousand
      thalers to distribute among the poor of Homburg; and, once in the street,
      his face did not shine like an angel of mercy's, but was very pinched and
      morose; hardly recognizable&mdash;poor Joe!
    </p>
    <p>
      By-and-by he scratched his head. Now it is unaccountable, but certain
      heads often yield an idea in return for that. Joseph's did, and his
      countenance brightened.
    </p>
    <p>
      Three days after this Ina was surprised by a note from the burgomaster,
      saying that he and certain of the town council would have the honor of
      calling on her at noon.
    </p>
    <p>
      What might this mean?
    </p>
    <p>
      She sent to ask for Mr. Ashmead; he was not to be found; he had hidden
      himself too carefully.
    </p>
    <p>
      The deputation came and thanked her for her munificent act of charity.
    </p>
    <p>
      She looked puzzled at first, then blushed to the temples. &ldquo;Munificent act,
      gentlemen! Alas! I did but direct my agent to distribute a small sum among
      the deserving poor. He has done very ill to court your attention. My
      little contribution should have been as private as it is insignificant.&rdquo;
     </p>
    <p>
      &ldquo;Nay, madam,&rdquo; said the clerk of the council, who was a recognized orator,
      &ldquo;your agent did well to consult our worthy burgomaster, who knows the
      persons most in need and most deserving. We do not doubt that you love to
      do good in secret. Nevertheless, we have also our sense of duty, and we
      think it right that so benevolent an act should be published, as an
      example to others. In the same view, we claim to comment publicly on your
      goodness.&rdquo; Then he looked to the burgomaster, who took him up.
    </p>
    <p>
      &ldquo;And we comment thus: Madam, since the Middle Ages the freedom of this
      town has not been possessed by any female. There is, however, no law
      forbidding it, and therefore, madam, the civic authorities, whom I
      represent, do hereby present to you the freedom of this burgh.&rdquo;
     </p>
    <p>
      He then handed her an emblazoned vellum giving her citizenship, with the
      reasons written plainly in golden letters.
    </p>
    <p>
      Ina Klosking, who had remained quite quiet during the speeches, waited a
      moment or two, and then replied, with seemly grace and dignity:
    </p>
    <p>
      &ldquo;Mr. Burgomaster and gentlemen, you have paid me a great and unexpected
      compliment, and I thank you for it. But one thing makes me uneasy: it is
      that I have done so little to deserve this. I console myself, however, by
      reflecting that I am still young, and may have opportunities to show
      myself grateful, and even to deserve, in the future, this honor, which at
      present overpays me, and almost oppresses me. On that understanding,
      gentlemen, be pleased to bestow, and let me receive, the rare compliment
      you have paid me by admitting me to citizenship in your delightful town.&rdquo;
       (To herself:) &ldquo;I'll scold him well for this.&rdquo;
     </p>
    <p>
      Low courtesy; profound bows; exit deputation enchanted with her; <i>manet</i>
      Klosking with the freedom of the city in her hand and ingratitude in her
      heart; for her one idea was to get hold of Mr. Joseph Ashmead directly and
      reproach him severely for all this, which she justly ascribed to his
      machinations.
    </p>
    <p>
      The cunning Ashmead divined her project, and kept persistently out of her
      way. That did not suit her neither. She was lonely. She gave the waiter a
      friendly line to bring him to her.
    </p>
    <p>
      Now, mind you, she was too honest to pretend she was not going to scold
      him. So this is what she wrote:
    </p>
    <p>
      &ldquo;MY FRIEND&mdash;Have you deserted me? Come to me, and be remonstrated.
      What have you to fear? You know so well how to defend yourself.
    </p>
    <h3>
      &ldquo;INA KLOSKING.&rdquo;
     </h3>
    <p>
      Arrived in a very few minutes Mr. Ashamed, jaunty, cheerful, and
      defensive.
    </p>
    <p>
      Ina, with a countenance from which all discontent was artfully extracted,
      laid before him, in the friendliest way you can imagine, an English Bible.
      It was her father's, and she always carried it with her. &ldquo;I wish,&rdquo; said
      she, insidiously, &ldquo;to consult you on a passage or two of this book. How do
      you understand this:
    </p>
    <p>
      &ldquo;'When thou doest thine alms, do not send a trumpet before thee, as the
      hypocrites do.'
    </p>
    <p>
      &ldquo;And this:
    </p>
    <p>
      &ldquo;'When thou doest thine alms, let not thy right hand know what thy left
      hand doeth, that thine alms may be in secret; and thy Father, which seeth
      in secret, shall reward thee openly.'&rdquo;
     </p>
    <p>
      Having pointed out these sentences with her finger, she looked to him for
      his interpretation. Joseph, thus erected into a Scripture commentator,
      looked at the passages first near, and then afar off, as if the true
      interpretation depended on perspective. Having thus gained a little time,
      he said, &ldquo;Well, I think the meaning is clear enough. We are to hide our
      own light under a bushel. But it don't say an agent is to hide his
      employer's.'
    </p>
    <p>
      &ldquo;Be serious, sir. This is a great authority.&rdquo;
     </p>
    <p>
      &ldquo;Oh, of course, of course. Still&mdash;if you won't be offended, ma'am&mdash;times
      are changed since then. It was a very small place, where news spread of
      itself; and all that cannot be written for theatrical agents, because
      there wasn't one in creation.&rdquo;
     </p>
    <p>
      &ldquo;And so now their little customs, lately invented, like themselves, are to
      prevail against God's im-mor-tal law!&rdquo; It was something half way between
      Handel and mellowed thunder the way her grand contralto suddenly rolled
      out these three words. Joseph was cunning. He put on a crushed appearance,
      deceived by which the firm but gentle Klosking began to soften her tone
      directly.
    </p>
    <p>
      &ldquo;It has given me pain,&rdquo; said she, sorrowfully. &ldquo;And I am afraid God will
      be angry with us both for our ostentation.&rdquo;
     </p>
    <p>
      &ldquo;Not He,&rdquo; said Joseph, consolingly. &ldquo;Bless your heart, He is not half so
      irritable as the parsons fancy; they confound Him with themselves.&rdquo;
     </p>
    <p>
      Ina ignored this suggestion with perfect dignity and flowed on: &ldquo;All I
      stipulate now is that I may not see this pitiable parade in print.&rdquo;
     </p>
    <p>
      &ldquo;That is past praying for, then,&rdquo; said Ashmead, resolutely. &ldquo;You might as
      well try to stop the waves as check publicity&mdash;in our day. Your
      munificence to the poor&mdash;confound the lazy lot!&mdash;and the
      gratitude of those pompous prigs, the deputation&mdash;the presentation&mdash;your
      admirable reply&mdash;&rdquo;
     </p>
    <p>
      &ldquo;You never heard it, now&mdash;&rdquo;
     </p>
    <p>
      &ldquo;Which, as you say, I was not so fortunate as to hear, and so must content
      myself with describing it&mdash;all this is flying north, south, east, and
      west.&rdquo;
     </p>
    <p>
      &ldquo;Oh no, no, no! You have not <i>advertised</i> it?&rdquo;
     </p>
    <p>
      &ldquo;Not advertised it! For what do you take me? Wait till you see the bill I
      am running up against you. Madam, you must take people as they are. Don't
      try to un-Ashmead <i>me;</i> it is impossible. Catch up that knife and
      kill me. I'll not resist; on the contrary, I'll sit down and prepare an
      obituary notice for the weeklies, and say I did it. BUT WHILE I BREATHE I
      ADVERTISE.&rdquo;
     </p>
    <p>
      And Joseph was defiant; and the Klosking shrugged her noble shoulders, and
      said, &ldquo;You best of creatures, you are incurable.&rdquo;
     </p>
    <p>
      To follow this incident to its conclusion, not a week after this scene,
      Ina Klosking detected, in an English paper,
    </p>
    <h3>
      &ldquo;A CHARITABLE ACT.
    </h3>
    <p>
      &ldquo;Mademoiselle Klosking, the great contralto, having won a large sum of
      money at the Kursaal, has given a thousand pounds to the poor of the
      place. The civic authorities hearing of this, and desirous to mark their
      sense of so noble a donation, have presented her with the freedom of the
      burgh, written on vellum and gold. Mademoiselle Klosking received the
      compliment with charming grace and courtesy; but her modesty is said to
      have been much distressed at the publicity hereby given to an act she
      wished to be known only to the persons relieved by her charity.&rdquo;
     </p>
    <p>
      Ina caught the culprit and showed him this. &ldquo;A thousand pounds!&rdquo; said she.
      &ldquo;Are you not ashamed? Was ever a niggardly act so embellished and
      exaggerated? I feel my face very red, sir.&rdquo;
     </p>
    <p>
      &ldquo;Oh, I'll explain that in a moment,&rdquo; said Joseph, amicably. &ldquo;Each nation
      has a coin it is always quoting. France counts in francs, Germany in
      thalers, America in dollars, England in pounds. When a thing costs a
      million francs in France, or a million dollars in the States, that is
      always called a million pounds in the English journals: otherwise it would
      convey no distinct idea at all to an Englishman. Turning thalers and
      francs into pounds&mdash;<i>that</i> is not <i>exaggeration;</i> it is
      only <i>translation.&rdquo;</i>
    </p>
    <p>
      Ina gave him such a look. He replied with an unabashed smile.
    </p>
    <p>
      She shrugged her shoulders in silence this time, and, to the best of my
      belief, made no more serious attempts to un-Ashmead her Ashmead.
    </p>
    <p>
      A month had now passed, and that was a little more than half the dreary
      time she had to wade through. She began to count the days, and that made
      her pine all the more. Time is like a kettle. Be blind to him, he flies;
      watch him, he lags. Her sweet temper was a little affected, and she even
      reproached Ashmead for holding her out false hopes that his advertisements
      of her gains would induce Severne to come to her, or even write. &ldquo;No,&rdquo;
       said she; &ldquo;there must be some greater attraction. Karl says that Miss
      Vizard, who called upon me, was a beauty, and dark. Perhaps she was the
      lovely girl I saw at the opera. She has never been there since: and he is
      gone to England with people of that name.&rdquo;
     </p>
    <p>
      &ldquo;Well, but that Miss Vizard called on you. She can't intend to steal him
      from you.&rdquo;
     </p>
    <p>
      &ldquo;But she may not know; a woman may injure another without intending. He
      may deceive her; he has betrayed me. Her extraordinary beauty terrifies
      me. It enchanted me; and how much more a man?&rdquo;
     </p>
    <p>
      Joseph said he thought this was all fancy; and as for his advertisements,
      it was too early yet to pronounce on their effect.
    </p>
    <p>
      The very day after this conversation he bounced into her room in great
      dudgeon. &ldquo;There, madam! the advertisements <i>have</i> produced an effect;
      and not a pleasant one. Here's a detective on to us. He is feeling his way
      with Karl. I knew the man in a moment; calls himself Poikilus in print,
      and Smith to talk to; but he is Aaron at the bottom of it all, and can
      speak several languages. Confound their impudence! putting a detective on
      to <i>us,</i> when it is they that are keeping dark.&rdquo;
     </p>
    <p>
      &ldquo;Who do you think has sent him?&rdquo; asked Ina, intently.
    </p>
    <p>
      &ldquo;The party interested, I suppose.&rdquo;
     </p>
    <p>
      &ldquo;Interested in what?&rdquo;
     </p>
    <p>
      &ldquo;Why, in the money you won; for he was drawing Karl about that.&rdquo;
     </p>
    <p>
      &ldquo;Then <i>he</i> sent the man!&rdquo; And Ina began to pant and change color.
    </p>
    <p>
      &ldquo;Well, now you put it to me, I think so. Come to look at it, it is
      certain. Who else <i>could</i> it be? Here is a brace of sweeps. They
      wouldn't be the worse for a good kicking. You say the word, and Smith
      shall have one, at all events.&rdquo;
     </p>
    <p>
      &ldquo;Alas! my friend,&rdquo; said Ina, &ldquo;for once you are slow. What! a messenger
      comes here direct from <i>him;</i> and are we so dull we can learn nothing
      from him who comes to question us? Let me think.&rdquo;
     </p>
    <p>
      She leaned her forehead on her white hand, and her face seemed slowly to
      fill with intellectual power.
    </p>
    <p>
      &ldquo;That man,&rdquo; said she at last, &ldquo;is the only link between him and me. I must
      speak to him.&rdquo;
     </p>
    <p>
      Then she thought again.
    </p>
    <p>
      &ldquo;No, not yet. He must be detained in the house. Letters may come to him,
      and their postmarks may give us some clew.&rdquo;
     </p>
    <p>
      &ldquo;I'll recommend the house to him.&rdquo;
     </p>
    <p>
      &ldquo;Oh, that is not necessary. He will lodge here of his own accord. Does he
      know you?&rdquo;
     </p>
    <p>
      &ldquo;I think not.&rdquo;
     </p>
    <p>
      &ldquo;Do not give him the least suspicion that you know he is a detective.&rdquo;
     </p>
    <p>
      &ldquo;All right, I won't.&rdquo;
     </p>
    <p>
      &ldquo;If he sounds you about the money, say nobody knows much about it, except
      Mademoiselle Klosking. If you can get the matter so far, come and tell me.
      But be <i>you</i> very reserved, for you are not clear.&rdquo;
     </p>
    <p>
      Ashmead received these instructions meekly, and went into the <i>salle 'a
      manger</i> and ordered dinner. Smith was there, and had evidently got some
      information from Karl, for he opened an easy conversation with Ashmead,
      and it ended in their dining together.
    </p>
    <p>
      Smith played the open-handed country man to the life&mdash;stood
      champagne. Ashmead chattered, and seemed quite off his guard. Smith
      approached the subject cautiously. &ldquo;Gamble here as much as ever?&rdquo;
     </p>
    <p>
      &ldquo;All day, some of them.&rdquo;
     </p>
    <p>
      &ldquo;Ladies and all?&rdquo;
     </p>
    <p>
      &ldquo;Why, the ladies are the worst.&rdquo;
     </p>
<pre xml:space="preserve">
 &ldquo;No; are they now? Ah, that reminds me. I heard there was a lady in this
very house won a pot o' money.&rdquo;
 </pre>
    <p>
      &ldquo;It is true. I am her agent.&rdquo;
     </p>
    <p>
      &ldquo;I suppose she lost it all next day?&rdquo;
     </p>
    <p>
      &ldquo;Well, not all, for she gave a thousand pounds to the poor.&rdquo;
     </p>
    <p>
      &ldquo;The dressmakers collared the rest?&rdquo;
     </p>
    <p>
      &ldquo;I cannot say. I have nothing to do except with her theatrical business.
      She will make more by that than she ever made at play.&rdquo;
     </p>
    <p>
      &ldquo;What, is she tip-top?&rdquo;
     </p>
    <p>
      &ldquo;The most rising singer in Europe.&rdquo;
     </p>
    <p>
      &ldquo;I should like to see her.&rdquo;
     </p>
    <p>
      &ldquo;That you can easily do. She sings tonight. I'll pass you in.&rdquo;
     </p>
    <p>
      &ldquo;You are a good fellow. Have a bit of supper with me afterward. Bottle of
      fizz.&rdquo;
     </p>
    <p>
      These two might be compared to a couple of spiders, each taking the other
      for a fly. Smith was enchanted with Ina's singing, or pretended. Ashmead
      was delighted with him, or pretended.
    </p>
    <p>
      &ldquo;Introduce me to her,&rdquo; said Smith.
    </p>
    <p>
      &ldquo;I dare not do that. You are not professional, are you?&rdquo;
     </p>
    <p>
      &ldquo;No, but you can say I am, for a lark.&rdquo;
     </p>
    <p>
      Ashmead said he should like to; but it would not do, unless he was very
      wary.
    </p>
    <p>
      &ldquo;Oh, I'm fly,&rdquo; said the other. &ldquo;She won't get anything out of me. I've
      been behind the scenes often enough.&rdquo;
     </p>
    <p>
      Then Ashmead said he would go and ask her if he might present a London
      manager to her.
    </p>
    <p>
      He soon brought back the answer. &ldquo;She is too tired to-night: but I pressed
      her, and she says she will be charmed if you will breakfast with her
      to-morrow at eleven.&rdquo; He did not say that he was to be with her at
      half-past ten for special instructions. They were very simple. &ldquo;My
      friend,&rdquo; said she, &ldquo;I mean to tell this man something which he will think
      it his duty to telegraph or write to <i>him</i> immediately. It was for
      this I would not have the man to supper, being after post-time. This
      morning he shall either write or telegraph, and then, if you are as clever
      in this as you are in some things, you will watch him, and find out the
      address he sends to.&rdquo;
     </p>
    <p>
      Ashmead listened very attentively, and fell into a brown study.
    </p>
    <p>
      &ldquo;Madam,&rdquo; said he at last, &ldquo;this is a first-rate combination. You make him
      communicate with England, and I will do the rest. If he telegraphs, I'll
      be at his heels. If he goes to the post, I know a way. If he posts in the
      house, he makes it too easy.&rdquo;
     </p>
    <p>
      At eleven Ashmead introduced his friend &ldquo;Sharpus, manager of Drury Lane
      Theater,&rdquo; and watched the fencing match with some anxiety, Ina being
      little versed in guile. But she had tact and self-possession; and she was
      not an angel, after all, but a woman whose wits were sharpened by love and
      suffering.
    </p>
    <p>
      Sharpus, alias Smith, played his assumed character to perfection. He gave
      the Klosking many incidents of business and professional anecdotes, and
      was excellent company. The Klosking was gracious, and more <i>bonne enfant</i>
      than Ashmead had ever seen her. It was a fine match between her and the
      detective. At last he made his approaches.
    </p>
    <p>
      &ldquo;And I hear we are to congratulate you on success at <i>rouge et noir</i>
      as well as opera. Is it true that you broke the bank?&rdquo;
     </p>
    <p>
      &ldquo;Perfectly,&rdquo; was the frank reply.
    </p>
    <p>
      &ldquo;And won a million?&rdquo;
     </p>
    <p>
      &ldquo;More or less,&rdquo; said the Klosking, with an open smile.
    </p>
    <p>
      &ldquo;I hope it was a good lump, for our countrymen leave hundreds of thousands
      here every season.&rdquo;
     </p>
    <p>
      &ldquo;It was four thousand nine hundred pounds, sir.&rdquo;
     </p>
    <p>
      &ldquo;Phew! Well, I wish it had been double. You are not so close as our friend
      here, madam.&rdquo;
     </p>
    <p>
      &ldquo;No, sir; and shall I tell you why?&rdquo;
     </p>
    <p>
      &ldquo;If you like, madam,&rdquo; said Smith, with assumed indifference.
    </p>
    <p>
      &ldquo;Mr. Ashmead is a model agent; he never allows himself to see anybody's
      interests but mine. Now the truth is, another person has an interest in my
      famous winnings. A gentleman handed 25 pounds to Mr. Ashmead to play with.
      He did not do so; but I came in and joined 25 pounds of my own to that 25
      pounds, and won an enormous sum. Of course, if the gentleman chooses to be
      chivalrous and abandon his claim, he can; but that is not the way of the
      world, you know. I feel sure he will come to me for his share some day;
      and the sooner the better, for money burns the pocket.&rdquo;
     </p>
    <p>
      Sharpus, alias Smith, said this was really a curious story. &ldquo;Now suppose,&rdquo;
       said he, &ldquo;some fine day a letter was to come asking you to remit that
      gentleman his half, what should you do?&rdquo;
     </p>
    <p>
      &ldquo;I should decline; it might be an <i>escroc.</i> No. Mr. Ashmead here
      knows the gentleman. Do you not?&rdquo;
     </p>
    <p>
      &ldquo;I'll swear to him anywhere.&rdquo;
     </p>
    <p>
      &ldquo;Then to receive his money he must face the eye of Ashmead. Ha! ha!&rdquo;
     </p>
    <p>
      The detective turned the conversation, and never came back to the subject;
      but shortly he pleaded an engagement, and took his leave.
    </p>
    <p>
      Ashmead lingered behind, but Ina hurried him off, with an emphatic command
      not to leave this man out of his sight a moment.
    </p>
    <p>
      He violated this order, for in five minutes he ran back to tell her, in an
      agitated whisper, that Smith was, at that moment, writing a letter in the
      <i>salle 'a manger.</i>
    </p>
    <p>
      &ldquo;Oh, pray don't come here!&rdquo; cried Ina, in despair. &ldquo;Do not lose sight of
      him for a moment.&rdquo;
     </p>
    <p>
      &ldquo;Give me that letter to post, then,&rdquo; said Ashmead, and snatched one up Ina
      had directed overnight.
    </p>
    <p>
      He went to the hotel door, and lighted a cigar; out came Smith with a
      letter in his very hand. Ashmead peered with all his eyes; but Smith held
      the letter vertically in his hand and the address inward. The letter was
      sealed.
    </p>
    <p>
      Ashmead watched him, and saw he was going to the General Post. He knew a
      shorter cut, ran, and took it, and lay in wait. As Smith approached the
      box, letter in hand, he bustled up in a furious hurry, and posted his own
      letter so as to stop Smith's hand at the very aperture before he could
      insert his letter. He saw, apologized, and drew back. Smith laughed, and
      said, &ldquo;All right, old man. That is to your sweetheart, or you wouldn't be
      in such a hurry.&rdquo;
     </p>
    <p>
      &ldquo;No; it was to my grandmother,&rdquo; said Ashmead.
    </p>
    <p>
      &ldquo;Go on,&rdquo; said Smith, and poked the ribs of Joseph. They went home jocular;
      but the detective was no sooner out of the way than Ashmead stole up to
      Ina Klosking, and put his finger to his lips; for Karl was clearing away,
      and in no hurry.
    </p>
    <p>
      They sat on tenter-hooks and thought he never would go. He did go at last,
      and then the Klosking and Ashmead came together like two magnets.
    </p>
    <p>
      &ldquo;Well?&rdquo;
     </p>
    <p>
      &ldquo;All right! Letter to post. Saw address quite plain&mdash;Edward Severne,
      Esq.&rdquo;
     </p>
    <p>
      &ldquo;Yes.&rdquo;
     </p>
    <p>
      &ldquo;Vizard Court.&rdquo;
     </p>
    <p>
      &ldquo;Ah!&rdquo;
     </p>
    <p>
      &ldquo;Taddington&mdash;Barfordshire&mdash;England.&rdquo;
     </p>
    <p>
      Ina, who was standing all on fire, now sat down and interlaced her hands.
      &ldquo;Vizard!&rdquo; said she, gloomily.
    </p>
    <p>
      &ldquo;Yes; Vizard Court,&rdquo; said Ashmead, triumphantly; &ldquo;that means he is a large
      landed proprietor, and you will easily find him if he is there in a
      month.&rdquo;
     </p>
    <p>
      &ldquo;He will be there,&rdquo; said Ina. &ldquo;She is very beautiful. She is dark, too,
      and he loves change. Oh, if to all I have suffered he adds <i>that</i>&mdash;&rdquo;
     </p>
    <p>
      &ldquo;Then you will forgive him <i>that,&rdquo;</i> said Ashmead, shaking his head.
    </p>
    <p>
      &ldquo;Never. Look at me, Joseph Ashmead.&rdquo;
     </p>
    <p>
      He looked at her with some awe, for she seemed transformed, and her Danish
      eye gleamed strangely.
    </p>
    <p>
      &ldquo;You who have seen my torments and my fidelity, mark what I say: If he is
      false to me with another woman, I shall kill him&mdash;or else I shall
      hate him.&rdquo;
     </p>
    <p>
      She took her desk and wrote, at Ashmead's dictation,
    </p>
    <p>
      &ldquo;Vizard Court, Taddington, Barfordshire.&rdquo;
     </p>
    <p>
      <a name="link2HCH0019" id="link2HCH0019">
      <!--  H2 anchor --> </a>
    </p>
    <div style="height: 4em;">
      <br /><br /><br /><br />
    </div>
    <h2>
      CHAPTER XIX.
    </h2>
    <p>
      THE next morning Vizard carried Lord Uxmoor away to a magistrates'
      meeting, and left the road clear to Severne; but Zoe gave him no
      opportunity until just before luncheon, and then she put on her bonnet and
      came downstairs; but Fanny was with her.
    </p>
    <p>
      Severne, who was seated patiently in his bedroom with the door ajar, came
      out to join them, feeling sure Fanny would openly side with him, or slip
      away and give him his opportunity.
    </p>
    <p>
      But, as the young ladies stood on the broad flight of steps at the hall
      door, an antique figure drew nigh&mdash;an old lady, the shape of an egg,
      so short and stout was she. On her head she wore a black silk bonnet
      constructed many years ago, with a droll design, viz., to keep off sun,
      rain, and wind; it was like an iron coal scuttle, slightly shortened; yet
      have I seen some very pretty faces very prettily framed in such a bonnet.
      She had an old black silk gown that only reached to her ankle, and over it
      a scarlet cloak of superfine cloth, fine as any colonel or queen's
      outrider ever wore, and looking splendid, though she had used it forty
      years, at odd times. This dame had escaped the village ill, rheumatics,
      and could toddle along without a staff at a great, and indeed a fearful,
      pace; for, owing to her build, she yawed so from side to side at every
      step that, to them who knew her not, a capsize appeared inevitable.
    </p>
    <p>
      &ldquo;Mrs. Judge, I declare,&rdquo; cried Zoe.
    </p>
    <p>
      &ldquo;Ay, Miss Hannah Judge it is. Your sarvant, ma'am;&rdquo; and she dropped two
      courtesies, one for each lady.
    </p>
    <p>
      Mrs. Judge was Harrington's old nurse. Zoe often paid a visit to her
      cottage, but she never came to Vizard Court except on Harrington's
      birthday, when the servants entertained all the old pensioners and
      retainers at supper. Her sudden appearance, therefore, and in gala
      costume, astonished Zoe. Probably her face betrayed this, for the old lady
      began, &ldquo;You wonder to see me here, now, doan't ye?&rdquo;
     </p>
    <p>
      &ldquo;Well, Mrs. Judge,&rdquo; said Zoe, diplomatically, &ldquo;nobody has a better right
      to come.&rdquo;
     </p>
    <p>
      &ldquo;You be very good, miss. I don't doubt my welcome nohow.&rdquo;
     </p>
    <p>
      &ldquo;But,&rdquo; said Zoe, playfully, &ldquo;you seldom do us the honor; so I <i>am</i> a
      little surprised. What can I do for you?&rdquo;
     </p>
    <p>
      &ldquo;You does enough for me, miss, you and young squire. I bain't come to ask
      no favors. I ain't one o' that sort. I'll tell ye why I be come. 'Tis to
      warn you all up here.&rdquo;
     </p>
    <p>
      &ldquo;This is alarming,&rdquo; said Zoe to Fanny.
    </p>
    <p>
      &ldquo;That is as may be,&rdquo; said Mrs. Judge; &ldquo;forwarned, forearmed, the by-word
      sayeth. There is a young 'oman a-prowling about this here parish as don't
      belong to <i>hus.&rdquo;</i>
    </p>
    <p>
      &ldquo;La,&rdquo; said Fanny, &ldquo;mustn't we visit your parish if we were not born
      there?&rdquo;
     </p>
    <p>
      &ldquo;Don't you take me up before I be down, miss,&rdquo; said the old nurse, a
      little severely. &ldquo;'Tain't for the likes of you I speak, which you are a
      lady, and visits the Court by permission of squire; but what I objects to
      is&mdash;hinterlopers.&rdquo; She paused to see the effect of so big a word, and
      then resumed, graciously, &ldquo;You see, most of our hills comes from that
      there Hillstoke. If there's a poacher, or a thief, he is Hillstoke; they
      harbors the gypsies as ravage the whole country, mostly; and now they have
      let loose this here young 'oman on to us. She is a POLL PRY: goes about
      the town a-sarching: pries into their housen and their vittels, and their
      very beds. Old Marks have got a muck-heap at his door for his garden, ye
      know. Well, miss, she sticks her parasole into this here, and turns it
      about, as if she was agoing to spread it: says she, 'I must know the
      de-com-po-si-tion of this 'ere, as you keeps under the noses of your young
      folk.' Well, I seed her agoing her rounds, and the folk had told me her
      ways; so I did set me down to my knitting and wait for her, and when she
      came to me I offered her a seat; so she sat down, and says she 'This is
      the one clean house in the village,' says she: 'you might eat your dinner
      off the floor, let alone the chairs and tables.' 'You are very good,
      miss,' says I. Says she, 'I wonder whether upstairs is as nice as this?'
      'Well,' says I, 'them as keep it downstairs keeps it hup; I don't drop
      cleanliness on the stairs, you may be sure.' 'I suppose not,' says she,
      'but I should like to see.' That was what I was a-waiting for, you know,
      so I said to her, 'Curiosity do breed curiosity,' says I. 'Afore you
      sarches this here house from top to bottom I should like to see the
      warrant.' 'What warrant?' says she. 'I've no warrant. Don't take me for an
      enemy,' says she. 'I'm your best friend,' says she. 'I'm the new doctor.'
      I told her I had heard a whisper of that too; but we had got a parish
      doctor already, and one was enough. 'Not when he never comes anigh you,'
      says she, 'and lets you go half way to meet your diseases.' 'I don't know
      for that,' says I, and indeed I haan't a notion what she meant, for my
      part; but says I, 'I don't want no women folk to come here a-doctoring o'
      me, that's sartin.' So she said, 'But suppose you were very ill, and the
      he-doctor three miles off, and fifty others to visit afore you?' 'That is
      no odds,' says I; 'I would not be doctored by a woman.' Then she says to
      me, says she, 'Now you look me in the face.' 'I can do that,' says I;
      'you, or anybody else. I'm an honest woman, <i>I</i> am;' so I up and
      looked her in the face as bold as brass. 'Then,' says she, 'am I to
      understand that, if you was to be ill to-morrow, you would rather die than
      be doctored by a woman?' She thought to daant me, you see, so I says,
      'Well, I don't know as I oodn't.' You do laugh, miss. Well, that is what
      she did. 'All right,' says she. 'Make haste and die, my good soul,' says
      she, 'for, while you live, you'll be a hobelisk to reform.' So she went
      off, but I made to the door, and called after her I should die when God
      pleased, and I had seen a good many young folk laid out, that looked as
      like to make old bones as ever she does&mdash;chalk-faced&mdash;skinny&mdash;-to-a-d!
      And I called after her she was no lady. No more she ain't, to come into my
      own house and call a decent woman 'a hobelisk!' Oh! oh! Which I never <i>was,</i>
      not even in my giddy days, but did work hard in my youth, and am respect
      for my old age.&rdquo;
     </p>
    <p>
      &ldquo;Yes, nurse, yes; who doubts it?&rdquo;
     </p>
    <p>
      &ldquo;And nursed young squire, and, Lord bless your heart, a was a poor puny
      child when I took him to my breast, and in six months the finest,
      chubbiest boy in all the parish; and his dry-nurse for years arter, and
      always at his heels a-keeping him out of the stable and the ponds, and
      consorting with the village boys; and a proper resolute child he was, and
      hard to manage: and my own man that is gone, and my son 'that's not so
      clever as some,' * I always done justice by them both, and arter all to be
      called a hobelisk&mdash;oh! oh! oh!&rdquo;
     </p>
<pre xml:space="preserve">
     * Paraphrase for the noun substantive &ldquo;idiot.&rdquo; It is also a
     specimen of the Greek figure &ldquo;litotes.&rdquo;
 </pre>
    <p>
      Then behold the gentle Zoe with her arm round nurse's neck, and her
      handkerchief to nurse's eyes, murmuring, &ldquo;There&mdash;there&mdash;don't
      cry, nurse; everybody esteems you, and that lady did not mean to affront
      you; she did not say 'obelisk;' she said 'obstacle.' That only means that
      you stand in the way of her improvements; there was not much harm in that,
      you know. And, nurse, please give that lady her way, to oblige me; for it
      is by my brother's invitation she is here.&rdquo;
     </p>
    <p>
      &ldquo;Ye doan't say so! What, does he hold with female she-doctoresses?&rdquo;
     </p>
    <p>
      &ldquo;He wishes to <i>try</i> one. She has his authority.&rdquo;
     </p>
    <p>
      &ldquo;Ye doan't say so!&rdquo;
     </p>
    <p>
      &ldquo;Indeed I do.&rdquo;
     </p>
    <p>
      &ldquo;Con&mdash;sarn the wench! why couldn't she says so, 'stead o'
      hargefying?&rdquo;
     </p>
    <p>
      &ldquo;She is a stranger, and means well; so she did not think it necessary. You
      must take my word for it.&rdquo;
     </p>
    <p>
      &ldquo;La, miss, I'll take your'n before hers, you <i>may</i> be sure,&rdquo; said
      Mrs. Judge, with a decided remnant of hostility.
    </p>
    <p>
      And now a proverbial incident happened. Miss Rhoda Gale came in sight, and
      walked rapidly into the group.
    </p>
    <p>
      After greeting the ladies, and ignoring Severne, who took off his hat to
      her, with deep respect, in the background, she turned to Mrs. Judge.
      &ldquo;Well, old lady,&rdquo; said she cheerfully, &ldquo;and how do you do?&rdquo;
     </p>
    <p>
      Mrs. Judge replied, in fawning accents, &ldquo;Thank you, miss, I be well enough
      to get about. I was a-telling 'em about you&mdash;and, to be sure, it is
      uncommon good of a lady like you to trouble so much about poor folk.&rdquo;
     </p>
    <p>
      &ldquo;Don't mention it; it is my duty and my inclination. You see, my good
      woman, it is not so easy to cure diseases as people think; therefore it is
      a part of medicine to prevent them: and to prevent them you must remove
      the predisposing causes, and to find out all those causes you must have
      eyes, and use them.&rdquo;
     </p>
    <p>
      &ldquo;You are right, miss,&rdquo; said La Judge, obsequiously. &ldquo;Prevention is better
      nor cure, and they say 'a stitch in time saves nine.'&rdquo;
     </p>
    <p>
      &ldquo;That is capital good sense, Mrs. Judge; and pray tell the villagers that,
      and make them as full of 'the wisdom of nations' as you seem to be, and
      their houses as clean&mdash;if you can.&rdquo;
     </p>
    <p>
      &ldquo;I'll do my best, miss,&rdquo; said Mrs. Judge, obsequiously; &ldquo;it is the least
      we can all do for a young lady like you that leaves the pomps and
      vanities, and gives her mind to bettering the condishing of poor folk.&rdquo;
     </p>
    <p>
      Having once taken this cue and entered upon a vein of flattery, she would
      have been extremely voluble&mdash;for villages can vie with cities in
      adulation as well as in detraction&mdash;but she was interrupted by a
      footman announcing luncheon.
    </p>
    <p>
      Zoe handed Mrs. Judge over to the man with a request that he would be kind
      to her, and have her to dine with the servants.
    </p>
    <p>
      Yellowplush saw the gentlefolks away, and then, parting his legs, and
      putting his thumbs into his waistcoat pockets, delivered himself thus:
      &ldquo;Well, old girl, am I to give you my harm round to the kitchen, or do you
      know the way by yourself?&rdquo;
     </p>
    <p>
      &ldquo;Young chap,&rdquo; said Mrs. Judge, and turned a glittering eye, &ldquo;I did know
      the way afore you was born, and I should know it all one if so be you was
      to be hung, or sent to Botany Bay&mdash;to larn manners.&rdquo;
     </p>
    <p>
      Having delivered this shot, she rolled away in the direction of Roast
      Beef.
    </p>
    <p>
      The little party had hardly settled at the table when they were joined by
      Vizard and Uxmoor: both gentlemen welcomed Miss Gale more heartily than
      the ladies had done, and before luncheon ended Vizard asked her if her
      report was ready. She said it was.
    </p>
    <p>
      &ldquo;Have you got it with you?&rdquo;
     </p>
    <p>
      &ldquo;Yes.&rdquo;
     </p>
    <p>
      &ldquo;Then please hand it to me.&rdquo;
     </p>
    <p>
      &ldquo;Oh! it is in my head. I don't write much down; that weakens the memory.
      If you would give me half an hour after luncheon&mdash;&rdquo; She hesitated a
      little.
    </p>
    <p>
      Zoe jealoused a <i>te'te-'a-te'te,</i> and parried it skillfully. &ldquo;Oh,&rdquo;
       said she, &ldquo;but we are all much interested: are not you, Lord Uxmoor?&rdquo;
     </p>
    <p>
      &ldquo;Indeed I am,&rdquo; said Uxmoor.
    </p>
    <p>
      &ldquo;So am I,&rdquo; said Fanny, who didn't care a button.
    </p>
    <p>
      &ldquo;Yes, but,&rdquo; said Rhoda, &ldquo;truths are not always agreeable, and there are
      some that I don't like&mdash;&rdquo; She hesitated again, and this time actually
      blushed a little.
    </p>
    <p>
      The acute Mr. Severne, who had been watching her slyly, came to her
      assistance.
    </p>
    <p>
      &ldquo;Look here, old fellow,&rdquo; said he to Vizard, &ldquo;don't you see that Miss Gale
      has discovered some spots in your paradise? but, out of delicacy, does not
      want to publish them, but to confide them to your own ear. Then you can
      mend them or not.&rdquo;
     </p>
    <p>
      Miss Gale turned her eyes full on Severne. &ldquo;You are very keen at reading
      people, sir,&rdquo; said she, dryly.
    </p>
    <p>
      &ldquo;Of course he is,&rdquo; said Vizard. &ldquo;He has given great attention to your sex.
      Well, if that is all, Miss Gale, pray speak out and gratify their
      curiosity. You and I shall never quarrel over the truth.&rdquo;
     </p>
    <p>
      &ldquo;I'm not so sure of that,&rdquo; said Miss Gale. &ldquo;However, I suppose I must risk
      it. I never do get my own way; that's a fact.&rdquo;
     </p>
    <p>
      After this little ebullition of spleen, she opened her budget. &ldquo;First of
      all, I find that these villages all belong to one person; so does the
      soil. Nobody can build cottages on a better model, nor make any other
      improvement. You are an absolute monarch. This is a piece of Russia, not
      England. They are all serfs, and you are the czar.&rdquo;
     </p>
    <p>
      &ldquo;It is true,&rdquo; said Vizard, &ldquo;and it sounds horrid, but it works benignly.
      Every snob who can grind the poor does grind them; but a gentleman never,
      and he hinders others. Now, for instance, an English farmer is generally a
      tyrant; but my power limits his tyranny. He may discharge his laborer, but
      he can't drive him out of the village, nor rob him of parish relief, for
      poor Hodge is <i>my</i> tenant, not a snob's. Nobody can build a beershop
      in Islip. That is true. But if they could, they would sell bad beer, give
      credit in the ardor of competition, poison the villagers, and demoralize
      them. Believe me, republican institutions are beautiful on paper; but they
      would not work well in Barfordshire villages. However, you profess to go
      by experience in everything. There are open villages within five miles.
      I'll give you a list. Visit them. You will find that liberty can be the
      father of tyranny. Petty tradesmen have come in and built cottages, and
      ground the poor down with rents unknown in Islip; farmers have built
      cottages, and turned their laborers into slaves. Drunkenness, dissipation,
      poverty, disaffection, and misery&mdash;that is what you will find in the
      open villages. Now, in Islip you have an omnipotent squire, and that is an
      abomination in theory, a mediaeval monster, a blot on modern civilization;
      but practically the poor monster is a softener of poverty, an incarnate
      buffer between the poor and tyranny, the poor and misery.&rdquo;
     </p>
    <p>
      &ldquo;I'll inspect the open villages, and suspend my opinion till then,&rdquo; said
      Miss Gale, heartily; &ldquo;but, in the meantime, you must admit that where
      there is great power there is great responsibility.&rdquo;
     </p>
    <p>
      &ldquo;Oh, of course.&rdquo;
     </p>
    <p>
      &ldquo;Well, then, your little outlying province of Hillstoke is full of
      rheumatic adults and putty-faced children. The two phenomena arise from
      one cause&mdash;the water. No lime in it, and too many reptiles. It was
      the children gave me the clew. I suspected the cherry stones at first: but
      when I came to look into it, I found they eat just as many cherry stones
      in the valley, and are as rosy as apples; but, then, there is well water
      in the valleys. So I put this and that together, and I examined the water
      they drink at Hillstoke. Sir, it is full of animalcula. Some of these
      cannot withstand the heat of the human stomach; but others can, for I
      tried them in mud artificially heated. [A giggle from Fanny Dover.] Thanks
      to your microscope, I have made sketches of several amphibia who live in
      those boys' stomachs, and irritate their membranes, and share their scanty
      nourishment, besides other injuries.&rdquo; Thereupon she produced some
      drawings.
    </p>
    <p>
      They were handed round, and struck terror in gentle bosoms. &ldquo;Oh,
      gracious!&rdquo; cried Fanny, &ldquo;one ought to drink nothing but champagne.&rdquo; Uxmoor
      looked grave. Vizard affected to doubt their authenticity. He said, &ldquo;You
      may not know it, but I am a zoologist, and these are antediluvian
      eccentricities that have long ceased to embellish the world we live in.
      Fie! Miss Gale. Down with anachronisms.&rdquo;
     </p>
    <p>
      Miss Gale smiled, and admitted that one or two of the prodigies resembled
      antediluvian monsters, but said oracularly that nature was fond of
      producing the same thing on a large scale and a small scale, and it was
      quite possible the small type of antediluvian monster might have survived
      the large.
    </p>
    <p>
      &ldquo;That is most ingenious,&rdquo; said Vizard; &ldquo;but it does not account for this
      fellow. He is not an antediluvian; he is a barefaced modern, for he is A
      STEAM ENGINE.&rdquo;
     </p>
    <p>
      This caused a laugh, for the creature had a perpendicular neck, like a
      funnel, that rose out of a body like a horizontal cylinder.
    </p>
    <p>
      &ldquo;At any rate,&rdquo; said Miss Gale, &ldquo;the little monster was in the world first;
      so he is not an imitation of man's work.&rdquo;
     </p>
    <p>
      &ldquo;Well,&rdquo; said Vizard, &ldquo;after all, we have had enough of the monsters of the
      deep. Now we can vary the monotony, and say the monsters of the shallow.
      But I don't see how they can cause rheumatism.&rdquo;
     </p>
    <p>
      &ldquo;I never said they did,&rdquo; retorted Miss Gale, sharply: &ldquo;but the water which
      contains them is soft water. There is no lime in it, and that is bad for
      the bones in every way. Only the children drink it as it is: the wives
      boil it, and so drink soft water and dead reptiles in their tea. The men
      instinctively avoid it and drink nothing but beer. Thus, for want of a
      pure diluent with lime in solution, an acid is created in the blood which
      produces gout in the rich, and rheumatism in the poor, thanks to their
      meager food and exposure to the weather.&rdquo;
     </p>
    <p>
      &ldquo;Poor things!&rdquo; said womanly Zoe. &ldquo;What is to be done?&rdquo;
     </p>
    <p>
      &ldquo;La!&rdquo; said Fanny, &ldquo;throw lime into the ponds. That will kill the monsters,
      and cure the old people's bones into the bargain.&rdquo;
     </p>
    <p>
      This compendious scheme struck the imagination, but did not satisfy the
      judgment of the assembly.
    </p>
    <p>
      &ldquo;Fanny!&rdquo; said Zoe, reproachfully.
    </p>
    <p>
      &ldquo;That <i>would</i> be killing two birds with one stone,&rdquo; suggested Uxmoor,
      satirically.
    </p>
    <p>
      &ldquo;The tender mercies of the wicked are cruel,&rdquo; explained Vizard,
      composedly.
    </p>
    <p>
      Zoe reiterated her question, What was to be done?
    </p>
    <p>
      Miss Gale turned to her with a smile. <i>&ldquo;We</i> have got nothing to do
      but to point out these abominations. The person to act is the Russian
      autocrat, the paternal dictator, the monarch of all he surveys, and
      advocate of monarchial institutions. He is the buffer between the poor and
      all their ills, especially poison: he must dig a well.&rdquo;
     </p>
    <p>
      Every eye being turned on Vizard to see how he took this, he said, a
      little satirically, &ldquo;What! does Science bid me bore for water at the top
      of a hill?&rdquo;
     </p>
    <p>
      &ldquo;She does <i>so,&rdquo;</i> said the virago. &ldquo;Now look here, good people.&rdquo;
     </p>
    <p>
      And although they were not all good people, yet they all did look there,
      she shone so with intelligence, being now quite on her mettle.
    </p>
    <p>
      &ldquo;Half-civilized man makes blunders that both the savage and the civilized
      avoid. The savage builds his hut by a running stream. The civilized man
      draws good water to his door, though he must lay down pipes from a
      highland lake to a lowland city. It is only half-civilized man that builds
      a village on a hill, and drinks worms, and snakes, and efts, and
      antediluvian monsters in limeless water. Then I say, if great but half
      civilized monarchs would consult Science <i>before</i> they built their
      serf huts, Science would say, 'Don't you go and put down human habitations
      far from pure water&mdash;the universal diluent, the only cheap diluent,
      and the only liquid which does not require digestion, and therefore must
      always assist, and never chemically resist, the digestion of solids.' But
      when the mischief is done, and the cottages are built on a hill three
      miles from water, then all that Science can do is to show the remedy, and
      the remedy is&mdash;boring.&rdquo;
     </p>
    <p>
      &ldquo;Then the remedy is like the discussion,&rdquo; said Fanny Dover, very pertly.
    </p>
    <p>
      Zoe was amused, but shocked. Miss Gale turned her head on the offender as
      sharp as a bird. &ldquo;Of course it is, to <i>children,&rdquo;</i> said she; &ldquo;and
      that is why I wished to confine it to mature minds. It is to you I speak,
      sir. Are your subjects to drink poison, or will you bore me a well?&mdash;Oh,
      please!&rdquo;
     </p>
    <p>
      &ldquo;Do you hear that?&rdquo; said Vizard, piteously, to Uxmoor. &ldquo;Threatened and
      cajoled in one breath. Who can resist this fatal sex?&mdash;Miss Gale, I
      will bore a well on Hillstoke common. Any idea how deep we must go&mdash;to
      the antipodes, or only to the center?&rdquo;
     </p>
    <p>
      &ldquo;Three hundred and thirty feet, or thereabouts.&rdquo;
     </p>
    <p>
      &ldquo;No more? Any idea what it will cost?&rdquo;
     </p>
    <p>
      &ldquo;Of course I have. The well, the double windlass, the iron chain, the two
      buckets, a cupola over the well, and twenty-three keys&mdash;one for every
      head of a house in the hamlet&mdash;will cost you about 315 pounds.&rdquo;
     </p>
    <p>
      &ldquo;Why, this is Detail made woman. How do you know all this?&rdquo;
     </p>
    <p>
      &ldquo;From Tom Wilder.&rdquo;
     </p>
    <p>
      &ldquo;Who is he?&rdquo;
     </p>
    <p>
      &ldquo;What, don't you know? He is the eldest son of the Islip blacksmith, and a
      man that will make his mark. He casts every Thursday night. He is the only
      village blacksmith in all the county who <i>casts.</i> You know that, I
      suppose.&rdquo;
     </p>
    <p>
      &ldquo;No, I had not the honor.&rdquo;
     </p>
    <p>
      &ldquo;Well, he is, then: and I thought you would consent, because you are so
      good: and so I thought there could be no harm in sounding Tom Wilder. He
      offers to take the whole contract, if squire's agreeable; bore the well;
      brick it fifty yards down: he says that ought to be done, if she is to
      have justice. 'She' is the well: and he will also construct the gear; he
      says there must be two iron chains and two buckets going together; so then
      the empty bucket descending will help the man or woman at the windlass to
      draw the full bucket up. 315 pounds: one week's income, your Majesty.&rdquo;
     </p>
    <p>
      &ldquo;She has inspected our rent-roll, now,&rdquo; said Vizard, pathetically: &ldquo;and
      knows nothing about the matter.&rdquo;
     </p>
    <p>
      &ldquo;Except that it is a mere flea-bite to you to bore through a hill for
      water. For all that, I hope you will leave me to battle it with Tom
      Wilder. Then you won't be cheated, for once. <i>You always are,</i> and it
      is abominable. It would have been five hundred if you had opened the
      business.&rdquo;
     </p>
    <p>
      &ldquo;I am sure that is true,&rdquo; said Zoe. She added this would please Mrs.
      Judge: she was full of the superiority of Islip to Hillstoke.
    </p>
    <p>
      &ldquo;Stop a bit,&rdquo; said Vizard. &ldquo;Miss Gale has not reported on Islip yet.&rdquo;
     </p>
    <p>
      &ldquo;No, dear; but she has looked into everything, for Mrs. Judge told me. You
      have been into the cottages?&rdquo;
     </p>
    <p>
      &ldquo;Yes.&rdquo;
     </p>
    <p>
      &ldquo;Into Marks's?&rdquo;
     </p>
    <p>
      &ldquo;Yes, I have been into Marks's.&rdquo;
     </p>
    <p>
      She did not seem inclined to be very communicative; so Fanny, out of
      mischief, said, pertly, &ldquo;And what did you see there, with your Argus eye?&rdquo;
     </p>
    <p>
      &ldquo;I saw&mdash;three generations.&rdquo;
     </p>
    <p>
      &ldquo;Ha! ha! La! did you now? And what were they all doing?&rdquo;
     </p>
    <p>
      &ldquo;They were all living together, night and day, in one room.&rdquo;
     </p>
    <p>
      This conveyed no very distinct idea to the ladies; but Vizard, for the
      first time, turned red at this revelation before Uxmoor, improver of
      cottage life. &ldquo;Confound the brutes!&rdquo; said he. &ldquo;Why, I built them a new
      room; a larger one: didn't you see it?&rdquo;
     </p>
    <p>
      &ldquo;Yes. They stack their potatoes in it.&rdquo;
     </p>
    <p>
      &ldquo;Just like my people,&rdquo; said Uxmoor. &ldquo;That is the worst of it: they resist
      their own improvement.&rdquo;
     </p>
    <p>
      &ldquo;Yes, but,&rdquo; said the doctress, &ldquo;with monarchial power we can trample on
      them for their good. Outside Marks's door at the back there is a
      muck-heap, as he calls it; all the refuse of the house is thrown there; it
      is a horrible melange of organic matter and decaying vegetables, a hot-bed
      of fever and malaria. Suffocated and poisoned with the breath of a dozen
      persons, they open the window for fresh air, and in rushes typhoid from
      the stronghold its victims have built. Two children were buried from that
      house last year. They were both killed by the domestic arrangements as
      certainly as if they had been shot with a double-barreled pistol. The
      outside roses you admire so are as delusive as flattery; their sweetness
      covers a foul, unwholesome den.&rdquo;
     </p>
    <p>
      &ldquo;Marks's cottage! The show place of the village!&rdquo; Zoe Vizard flushed with
      indignation at the bold hand of truth so rudely applied to a pleasant and
      cherished illusion.
    </p>
    <p>
      Vizard, more candid and open to new truths, shrugged his shoulders, and
      said, &ldquo;What can I do more than I have done?&rdquo;
     </p>
    <p>
      &ldquo;Oh, it is not your fault,&rdquo; said the doctress, graciously. &ldquo;It is theirs.
      Only, as you are their superior in intelligence and power, you might do
      something to put down indecency, immorality, and disease.&rdquo;
     </p>
    <p>
      &ldquo;May I ask what?&rdquo;
     </p>
    <p>
      &ldquo;Well, you might build a granary for the poor people's potatoes. No room
      can keep them dry; but you build your granary upon four pillars: then that
      is like a room over a cellar.&rdquo;
     </p>
    <p>
      &ldquo;Well, I'll build it so&mdash;if I build it at all,&rdquo; said Vizard, dryly.
      &ldquo;What next?&rdquo;
     </p>
    <p>
      &ldquo;Then you could make them stack their potatoes in the granary, and use the
      spare room, and so divide their families, and give morality a chance. The
      muck-heap you should disperse at once with the strong hand of power.&rdquo;
     </p>
    <p>
      At this last proposal, Squire Vizard&mdash;the truth must be told&mdash;delivered
      a long, plowman's whistle at the head of his own table.
    </p>
    <p>
      &ldquo;Pheugh!&rdquo; said he; &ldquo;for a lady that is more than half republican, you seem
      to be taking very kindly to monarchial tyranny.&rdquo;
     </p>
    <p>
      &ldquo;Well, now, I'll tell you the truth,&rdquo; said she. &ldquo;You have converted me.
      Ever since you promised me the well, I have discovered that the best form
      of government is a good-hearted tyrant.&rdquo;
     </p>
    <p>
      &ldquo;With a female viceroy over him, eh?&rdquo;
     </p>
    <p>
      &ldquo;Only in these little domestic matters,&rdquo; said Rhoda, deprecatingly. &ldquo;Women
      are good advisers in such things. The male physician relies on drugs.
      Medical women are wanted to moderate that delusion; to prevent disease by
      domestic vigilance, and cure it by selected esculents and pure air. These
      will cure fifty for one that medicine can; besides drugs kill ever so
      many: these never killed a creature. You will give me the granary, won't
      you? Oh, and there's a black pond in the center of the village. Your
      tenant Pickett, who is a fool&mdash;begging his pardon&mdash;lets all his
      liquid manure run out of his yard into the village till it accumulates in
      a pond right opposite the five cottages they call New Town, and its
      exhalations taint the air. There are as many fevers in Islip as in the
      back slums of a town. You might fill the pond up with chalk, and compel
      Pickett to sink a tank in his yard, and cover it; then an agricultural
      treasure would be preserved for its proper use, instead of being perverted
      into a source of infection.&rdquo;
     </p>
    <p>
      Vizard listened civilly, and, as she stopped, requested her to go on.
    </p>
    <p>
      &ldquo;I think we have had enough,&rdquo; said Zoe, bitterly.
    </p>
    <p>
      Rhoda, who was in love with Zoe, hung her head, and said, &ldquo;Yes; I have
      been very bold.&rdquo;
     </p>
    <p>
      &ldquo;Fiddlestick!&rdquo; said Vizard. &ldquo;Never mind those girls. <i>You</i> speak out
      like a man: a stranger's eye always discovers things that escape the
      natives. Proceed.&rdquo;
     </p>
    <p>
      &ldquo;No; I won't proceed till I have explained to Miss Vizard.&rdquo;
     </p>
    <p>
      &ldquo;You may spare yourself the trouble. Miss Vizard thought Islip was a
      paradise. You have dispelled the illusion, and she will never forgive you.
      Miss Dover will; because she is like Gallio&mdash;she careth for none of
      these things.&rdquo;
     </p>
    <p>
      &ldquo;Not a pin,&rdquo; said Fanny, with admirable frankness.
    </p>
    <p>
      &ldquo;Well, but,&rdquo; said Rhoda, naively, &ldquo;I can't bear Miss Vizard to be angry
      with me; I admire her so. Please let me explain. Islip is no paradise&mdash;quite
      the reverse; but the faults of Islip are not <i>your</i> faults. The
      children are ignorant; but you pay for a school. The people are poor from
      insufficient wages; but you are not paymaster. <i>Your</i> gardeners, <i>your</i>
      hinds, and all your outdoor people have enough. You give them houses. You
      let cottages and gardens to the rest at half their value; and very often
      they don't pay that, but make excuses; and you accept them, though they
      are all stories; for they can pay everybody but you, and their one good
      bargain is with you. Miss Vizard has carried a basket all her life with
      things from your table for the poor.&rdquo;
     </p>
    <p>
      Miss Vizard blushed crimson at this sudden revelation.
    </p>
    <p>
      &ldquo;If a man or a woman has served your house long, there's a pension for
      life. You are easy, kind, and charitable. It is the faults of others I ask
      you to cure, because you have such power. Now, for instance, if the boys
      at Hillstoke are putty-faced, the boys at Islip have no calves to their
      legs. That is a sure sign of deteriorating species. The lower type of
      savage has next to no calf. The calf is a sign of civilization and due
      nourishment. This single phenomenon was my clew, and led me to others; and
      I have examined the mothers and the people of all ages, and I tell you it
      is a village of starvelings. Here a child begins life a starveling, and
      ends as he began. The nursing mother has not food enough for one, far less
      for two. The man's wages are insufficient, and the diet is not only
      insufficient, but injudicious. The race has declined. There are only five
      really big, strong men&mdash;Josh Grace, Will Hudson, David Wilder,
      Absalom Green, and Jack Greenaway; and they are all over fifty&mdash;men
      of another generation. I have questioned these men how they were bred, and
      they all say milk was common when they were boys. Many poor people kept a
      cow; squire doled it; the farmers gave it or sold it cheap; but nowadays
      it is scarcely to be had. Now, that is not your fault, but you are the man
      who can mend it. New milk is meat and drink especially to young and
      growing people. You have a large meadow at the back of the village. If you
      could be persuaded to start four or five cows, and let somebody sell the
      new milk to the poor at cost price&mdash;say, five farthings the quart.
      You must not give it, or they will water their muckheaps with it. With
      those cows alone you will get rid, in the next generation, of the
      half-grown, slouching men, the hollow-eyed, narrow-chested, round-backed
      women, and the calfless boys one sees all over Islip, and restore the
      stalwart race that filled the little village under your sires and have
      left proofs of their wholesome food on the tombstones: for I have read
      every inscription, and far more people reached eighty-five between 1750
      and 1800 than between 1820 and 1870. Ah, how I envy you to be able to do
      such great things so easily! Water to poisoned Hillstoke with one hand;
      milk to starved Islip with the other. This is to be indeed a king!&rdquo;
     </p>
    <p>
      The enthusiast rose from the table in her excitement, and her face was
      transfigured; she looked beautiful for the moment.
    </p>
    <p>
      &ldquo;I'll do it,&rdquo; shouted Vizard; &ldquo;and you are a trump.&rdquo;
     </p>
    <p>
      Miss Gale sat down, and the color left her cheek entirely.
    </p>
    <p>
      Fanny Dover, who had a very quick eye for passing events, cried out, &ldquo;Oh
      dear! she is going to faint <i>now.&rdquo;</i> The tone implied, what a plague
      she is!
    </p>
    <p>
      Thereupon Severne rushed to her, and was going to sprinkle her face; but
      she faltered, &ldquo;No! no! a glass of wine.&rdquo; He gave her one with all the
      hurry and empressement in the world. She fixed him with a strange look as
      she took it from him: she sipped it; one tear ran into it. She said she
      had excited herself; but she was all right now. Elastic Rhoda!
    </p>
    <p>
      &ldquo;I am very glad of it,&rdquo; said Vizard. &ldquo;You are quite strong enough without
      fainting. For Heaven's sake, don't add woman's weakness to your artillery,
      or you will be irresistible; and I shall have to divide Vizard Court among
      the villagers. At present I get off cheap, and Science on the Rampage: let
      me see&mdash;only a granary, a well, and six cows.&rdquo;
     </p>
    <p>
      &ldquo;They'll give as much milk as twelve cows without the well,&rdquo; said Fanny.
      It was her day for wit.
    </p>
    <p>
      This time she was rewarded with a general laugh.
    </p>
    <p>
      It subsided, as such things will, and then Vizard said, solemnly, &ldquo;New
      ideas are suggested to me by this charming interview; and permit me to
      give them a form, which will doubtless be new to these accomplished
      ladies:
    </p>
    <p>
      &ldquo;'Gin there's a hole in a' your coats, I rede ye tent it; A chiel's amang
      ye takin' notes, And, faith, he'll prent it.'&rdquo;
     </p>
    <p>
      Zoe looked puzzled, and Fanny inquired what language that was.
    </p>
    <p>
      &ldquo;Very good language.&rdquo;
     </p>
    <p>
      &ldquo;Then perhaps you will translate it into language one can understand.&rdquo;
     </p>
    <p>
      &ldquo;The English of the day, eh?&rdquo;
     </p>
    <p>
      &ldquo;Yes.&rdquo;
     </p>
    <p>
      &ldquo;You think that would improve it, do you? Well, then:
    </p>
    <p>
      'If there is a defect in any one of your habilimeats, Let me earnestly
      impress on you the expediency of repairing it; An individual is among you
      with singular powers of observation, Which will infallibly result in
      printing and publication.'
    </p>
    <p>
      Zoe, you are an affectionate sister; take this too observant lady into the
      garden, poison her with raw fruit, and bury her under a pear tree.&rdquo;
     </p>
    <p>
      Zoe said she would carry out part of the programme, if Miss Gale would
      come.
    </p>
    <p>
      Then the ladies rose and rustled away, and the rivals would have followed,
      but Vizard detained them on the pretense of consulting them about the
      well; but, when the ladies had gone, he owned he had done it out of his
      hatred to the sex. He said he was sure both girls disliked his virago in
      their hearts, so he had compelled them to spend an hour together, without
      any man to soften their asperity.
    </p>
    <p>
      This malicious experiment was tolerably successful. The three ladies
      strolled together, dismal as souls in purgatory. One or two little
      attempts at conversation were made, but died out for want of sympathy.
      Then Fanny tried personalities, the natural topic of the sex in general.
    </p>
    <p>
      &ldquo;Miss Gale, which do you admire most, Lord Uxmoor or Mr. Severne?&rdquo;
     </p>
    <p>
      &ldquo;For their looks?&rdquo;
     </p>
    <p>
      &ldquo;Oh, of course.&rdquo;
     </p>
    <p>
      &ldquo;Mr. Severne.&rdquo;
     </p>
    <p>
      &ldquo;You don't admire beards, then?&rdquo;
     </p>
    <p>
      &ldquo;That depends. Where the mouth is well shaped and expressive, the beard
      spoils it. Where it is commonplace, the beard hides its defect, and gives
      a manly character. As a general rule, I think the male bird looks well
      with his crest and feathers.&rdquo;
     </p>
    <p>
      &ldquo;And so do I,&rdquo; said Fanny, warmly; &ldquo;and yet I should not like Mr. Severne
      to have a beard. Don't you think he is very handsome?&rdquo;
     </p>
    <p>
      &ldquo;He is something more,&rdquo; said Rhoda. &ldquo;He is beautiful. If he was dressed as
      a woman, the gentlemen would all run after him. I think his is the most
      perfect oval face I ever saw.&rdquo;
     </p>
    <p>
      &ldquo;But you must not fall in love with him,&rdquo; said Fanny.
    </p>
    <p>
      &ldquo;I do not mean to,&rdquo; said Rhoda. &ldquo;Falling in love is not my business: and
      if it was, I should not select Mr. Severne.&rdquo;
     </p>
    <p>
      &ldquo;Why not, pray?&rdquo; inquired Zoe haughtily. Her manner was so menacing that
      Rhoda did not like to say too much just then. She felt her way. &ldquo;I am a
      physiognomist,&rdquo; said she, &ldquo;and I don't think he can be very truthful. He
      is old of his age, and there are premature marks under his eyes that
      reveal craft, and perhaps dissipation. These are hardly visible in the
      room, but they are in the open air, when you get the full light of day. To
      be sure, just now his face is marked with care and anxiety; that young man
      has a good deal on his mind.&rdquo;
     </p>
    <p>
      Here the observer discovered that even this was a great deal too much. Zoe
      was displeased, and felt affronted by her remarks, though she did not
      condescend to notice them; so Rhoda broke off and said, &ldquo;It is not fair of
      you, Miss Dover, to set me giving my opinion of people you must know
      better than I do. Oh, what a garden!&rdquo; And she was off directly on a tour
      of inspection. &ldquo;Come along,&rdquo; said she, &ldquo;and I will tell you their names
      and properties.&rdquo;
     </p>
    <p>
      They could hardly keep up with her, she was so eager. The fruits did not
      interest her, but only the simples. She was downright learned in these,
      and found a surprising number. But the fact is, Mr. Lucas had a respect
      for his predecessors. What they had planted, he seldom uprooted&mdash;at
      least, he always left a specimen. Miss Gale approved his system highly,
      until she came to a row of green leaves like small horseradish, which was
      planted by the side of another row that really was horseradish.
    </p>
    <p>
      &ldquo;This is too bad, even for Islip,&rdquo; said Miss Gale. &ldquo;Here is one of our
      deadliest poisons planted by the very side of an esculent herb, which it
      resembles. You don't happen to have hired the devil for gardener at any
      time, do you? Just fancy! any cook might come out here for horseradish,
      and gather this plant, and lay you all dead at your own table. It is the
      Aconitum of medicine, the Monk's-hood or Wolf's-bane' of our ancestors.
      Call the gardener, please, and have every bit of it pulled up by the
      roots. None of your lives are safe while poisons and esculents are planted
      together like this.&rdquo;
     </p>
    <p>
      And she would not budge till Zoe directed a gardener to dig up all the
      Aconite. A couple of them went to work and soon uprooted it. The gardeners
      then asked if they should burn it.
    </p>
    <p>
      &ldquo;Not for all the world,&rdquo; said Miss Gale. &ldquo;Make a bundle of it for me to
      take home. It is only poison in the hands of ignoramuses. It is most
      sovereign medicine. I shall make tinctures, and check many a sharp ill
      with it. Given in time, it cuts down fever wonderfully; and when you check
      the fever, you check the disease.&rdquo;
     </p>
    <p>
      Soon after this Miss Gale said she had not come to stop; she was on her
      way to Taddington to buy lint and German styptics, and many things useful
      in domestic surgery. &ldquo;For,&rdquo; said she, &ldquo;the people at Hillstoke are
      relenting; at least, they run to me with their cut fingers and black eyes,
      though they won't trust me with their sacred rheumatics. I must also
      supply myself with vermifuges till the well is dug, and so mitigate
      puerile puttiness and internal torments.&rdquo;
     </p>
    <p>
      The other ladies were not sorry to get rid of an irrelevant zealot, who
      talked neither love, nor dress, nor anything that reaches the soul.
    </p>
    <p>
      So Zoe said, &ldquo;What, going already?&rdquo; and having paid that tax to
      politeness, returned to the house with alacrity.
    </p>
    <p>
      But the doctress would not go without her Wolf's-bane, Aconite ycleped.
    </p>
    <p>
      The irrelevant zealot being gone, the true business of the mind was
      resumed; and that is love-making, or novelists give us false pictures of
      life, and that is impossible.
    </p>
    <p>
      As the doctress drove from the front door, Lord Uxmoor emerged from the
      library&mdash;a coincidence that made both girls smile; he hoped Miss
      Vizard was not too tired to take another turn.
    </p>
    <p>
      &ldquo;Oh no!&rdquo; said Zoe: &ldquo;are you, Fanny?&rdquo;
     </p>
    <p>
      At the first step they took, Severne came round an angle of the building
      and joined them. He had watched from the balcony of his bedroom.
    </p>
    <p>
      Both men looked black at each other, and made up to Zoe. She felt
      uncomfortable, and hardly knew what to do. However, she would not seem to
      observe, and was polite, but a little stiff, to both.
    </p>
    <p>
      However, at last, Severne, having asserted his rights, as he thought, gave
      way, but not without a sufficient motive, as may be gathered from his
      first word to Fanny.
    </p>
    <p>
      &ldquo;My dear friend, for Heaven's sake, what is the matter? She is angry with
      me about something. What is it? has she told you?&rdquo;
     </p>
    <p>
      &ldquo;Not a word. But I see she is in a fury with you; and really it is too
      ridiculous. You told a fib; that is the mighty matter, I do believe. No,
      it isn't; for you have told her a hundred, no doubt, and she liked you all
      the better; but this time you have been naughty enough to be found out,
      and she is romantic, and thinks her lover ought to be the soul of truth.&rdquo;
     </p>
    <p>
      &ldquo;Well, and so he ought,&rdquo; said Ned.
    </p>
    <p>
      &ldquo;He isn't, then;&rdquo; and Fanny burst out laughing so loud that Zoe turned
      round and enveloped them both in one haughty glance, as the exaggerating
      Gaul would say.
    </p>
    <p>
      &ldquo;La! there was a look for you!&rdquo; said Fanny, pertly: &ldquo;as if I cared for her
      black brows.&rdquo;
     </p>
    <p>
      &ldquo;I do, though: pray remember that.&rdquo;
     </p>
    <p>
      &ldquo;Then tell no more fibs. Such a fuss about nothing! What is a fib?&rdquo; and
      she turned up her little nose very contemptuously at all such trivial
      souls as minded a little mendacity.
    </p>
    <p>
      Indeed, she disclaimed the importance of veracity so imperiously that
      Severne was betrayed into saying, &ldquo;Well, not much, between you and me; and
      I'll be bound I can explain it.&rdquo;
     </p>
    <p>
      &ldquo;Explain it to me, then.&rdquo;
     </p>
    <p>
      &ldquo;Well, but I don't know&mdash;&rdquo;
     </p>
    <p>
      &ldquo;Which of your fibs it was.&rdquo;
     </p>
    <p>
      Another silver burst of laughter. But Zoe only vouchsafed a slightly
      contemptuous movement of her shoulders.
    </p>
    <p>
      &ldquo;Well, no,&rdquo; said Severne, half laughing himself at the sprightly jade's
      smartness.
    </p>
    <p>
      &ldquo;Well, then, that friend of yours that called at luncheon.&rdquo;
     </p>
    <p>
      Severne turned grave directly. &ldquo;Yes,&rdquo; said he.
    </p>
    <p>
      &ldquo;You said he was your lawyer, and came about a lease.&rdquo;
     </p>
    <p>
      &ldquo;So he did.&rdquo;
     </p>
    <p>
      &ldquo;And his name was Jackson.
    </p>
    <p>
      &ldquo;So it was.&rdquo;
     </p>
    <p>
      &ldquo;This won't do. You mustn't fib to <i>me!</i> It was Poikilus, a Secret
      Inquiry; and they all know it; now tell me, without a fib&mdash;if you can&mdash;what
      ever did you want with Poikilus?&rdquo;
     </p>
    <p>
      Severne looked aghast. He faltered out, &ldquo;Why, how could they know?&rdquo;
     </p>
    <p>
      &ldquo;Why, he advertises, stupid! and Lord Uxmoor and Harrington had seen it.
      Gentlemen <i>read</i> advertisements. That is one of their peculiarities.&rdquo;
     </p>
    <p>
      &ldquo;Of course he advertises: that is not what I mean. I did not drop his
      card, did I? No; I am sure I pocketed it directly. What mischief-making
      villain told them it was Poikilus?&rdquo;
     </p>
    <p>
      Fanny colored a little, but said, hastily, &ldquo;Ah, that I could not tell
      you.&rdquo;
     </p>
    <p>
      &ldquo;The footman, perhaps?&rdquo;
     </p>
    <p>
      &ldquo;I should not wonder.&rdquo; (What is a fib?)
    </p>
    <p>
      &ldquo;Curse him!&rdquo;
     </p>
    <p>
      &ldquo;Oh, don't swear at the servants; that is bad taste.&rdquo;
     </p>
    <p>
      &ldquo;Not when he has ruined me?&rdquo;
     </p>
    <p>
      &ldquo;Ruined you?&mdash;nonsense! Make up some other fib, and excuse the
      first.&rdquo;
     </p>
    <p>
      &ldquo;I can't. I don't know what to do; and before my rival, too! This accounts
      for the air of triumph he has worn ever since, and her glances of scorn
      and pity. She is an angel, and I have lost her.&rdquo;
     </p>
    <p>
      &ldquo;Stuff and nonsense!&rdquo; said Fanny Dover. &ldquo;Be a man, and tell me the truth.&rdquo;
     </p>
    <p>
      &ldquo;Well, I will,&rdquo; said he; &ldquo;for I am in despair. It is all that cursed money
      at Homburg. I could not clear my estate without it. I dare not go for it.
      She forbade me; and indeed I can't bear to leave her for anything; so I
      employed Poikilus to try and learn whether that lady has the money still,
      and whether she means to rob me of it or not.&rdquo;
     </p>
    <p>
      Fanny Dover reflected a moment, then delivered herself thus: &ldquo;You were
      wrong to tell a fib about it. What you must do now&mdash;brazen it out.
      Tell her you love her, but have got your pride and will not come into her
      family a pauper. Defy her, to be sure; we like to be defied now and then,
      when we are fond of the fellow.&rdquo;
     </p>
    <p>
      &ldquo;I will do it,&rdquo; said he; &ldquo;but she shuns me. I can't get a word with her.&rdquo;
     </p>
    <p>
      Fanny said she would try and manage that for him; and as the rest of their
      talk might not interest the reader, and certainly would not edify him, I
      pass on to the fact that she did, that very afternoon, go into Zoe's room,
      and tell her Severne was very unhappy: he had told a fib; but it was not
      intended to deceive her, and he wished to explain the whole thing.
    </p>
    <p>
      &ldquo;Did he explain it to you?&rdquo; asked Zoe, rather sharply.
    </p>
    <p>
      &ldquo;No; but he said enough to make me think you are using him very hardly. To
      be sure, you have another string to your bow.&rdquo;
     </p>
    <p>
      &ldquo;Oh, that is the interpretation you put.&rdquo;
     </p>
    <p>
      &ldquo;It is the true one. Do you think you can make <i>me</i> believe you would
      have shied him so long if Lord Uxmoor had not been in the house?&rdquo;
     </p>
    <p>
      Zoe bridled, but made no reply, and Fanny went to her own room, laughing.
    </p>
    <p>
      Zoe was much disturbed. She secretly longed to hear Severne justify
      himself. She could not forgive a lie, nor esteem a liar. She was one of
      those who could pardon certain things in a woman she would not forgive in
      a man. Under a calm exterior, she had suffered a noble distress; but her
      pride would not let her show it. Yet now that he had appealed to her for a
      hearing, and Fanny knew he had appealed, she began to falter.
    </p>
    <p>
      Still Fanny was not altogether wrong: the presence of a man incapable of a
      falsehood, and that man devoted to her, was a little damaging to Severne,
      though not so much as Miss Artful thought.
    </p>
    <p>
      However, this very afternoon Lord Uxmoor had told her he must leave Vizard
      Court to-morrow morning.
    </p>
    <p>
      So Zoe said to herself, &ldquo;I need not make opportunities; after to-morrow he
      will find plenty.&rdquo;
     </p>
    <p>
      She had an instinctive fear he would tell more falsehoods to cover those
      he had told; and then she should despise him, and they would both be
      miserable; for she felt for a moment a horrible dread that she might both
      love and despise the same person, if it was Edward Severne.
    </p>
    <p>
      There were several people to dinner, and, as hostess, she managed not to
      think too much of either of her admirers.
    </p>
    <p>
      However, a stolen glance showed her they were both out of spirits.
    </p>
    <p>
      She felt sorry. Her nature was very pitiful. She asked herself was it her
      fault, and did not quite acquit herself. Perhaps she ought to have been
      more open and declared her sentiments. Yet would that have been modest in
      a lady who was not formally engaged? She was puzzled. She had no
      experience to guide her: only her high breeding and her virginal
      instincts.
    </p>
    <p>
      She was glad when the night ended.
    </p>
    <p>
      She caught herself wishing the next day was gone too.
    </p>
    <p>
      When she retired Uxmoor was already gone, and Severne opened the door to
      her. He fixed his eyes on her so imploringly, it made her heart melt; but
      she only blushed high, and went away sad and silent.
    </p>
    <p>
      As her maid was undressing her she caught sight of a letter on her table.
      &ldquo;What is that?&rdquo; said she.
    </p>
    <p>
      &ldquo;It is a letter,&rdquo; said Rosa, very demurely.
    </p>
    <p>
      Zoe divined that the girl had been asked to put it there.
    </p>
    <p>
      Her bosom heaved, but she would not encourage such proceedings, nor let
      Rosa see how eager she was to hear those very excuses she had evaded.
    </p>
    <p>
      But, for all that, Rosa knew she was going to read it, for she only had
      her gown taken off and a peignoir substituted, and her hair let down and
      brushed a little. Then she dismissed Rosa, locked the door, and pounced on
      the letter. It lay on her table with the seal uppermost. She turned it
      round. It was not from <i>him:</i> it was from Lord Uxmoor.
    </p>
    <p>
      She sat down and read it.
    </p>
<pre xml:space="preserve">
 &ldquo;DEAR MISS VIZARD&mdash;I have had no opportunities of telling you all I feel
for you, without attracting an attention that might have been unpleasant
to you; but I am sure you must have seen that I admired you at first
sight. That was admiration of your beauty and grace, though even then you
showed me a gentle heart and a sympathy that made me grateful. But, now I
have had the privilege of being under the same roof with you, it is
admiration no longer&mdash;it is deep and ardent love; and I see that my
happiness depends on you. Will you confide <i>your</i> happiness to me? I
don't know that I could make you as proud and happy as I should be
myself; but I should try very hard, out of gratitude as well as love. We
have also certain sentiments in common. That would be one bond more.
</pre>
    <p>
      &ldquo;But indeed I feel I cannot make my love a good bargain to you, for you
      are peerless, and deserve a much better lot in every way than I can offer.
      I can only kneel to you and say, 'Zoe Vizard, if your heart is your own to
      give, pray be my lover, my queen, my wife.'
    </p>
    <p>
      &ldquo;Your faithful servant and devoted admirer,
    </p>
    <h3>
      &ldquo;UXMOOR.&rdquo;
     </h3>
    <p>
      &ldquo;Poor fellow!&rdquo; said Zoe, and her eyes filled. She sat quite quiet, with
      the letter open in her hand. She looked at it, and murmured, &ldquo;A pearl is
      offered me here: wealth, title, all that some women sigh for, and&mdash;what
      I value above all&mdash;a noble nature, a true heart, and a soul above all
      meanness. No; Uxmoor will never tell a falsehood. He <i>could</i> not.&rdquo;
     </p>
    <p>
      She sighed deeply, and closed her eyes. All was still. The light was
      faint; yet she closed her eyes, like a true woman, to see the future
      clearer.
    </p>
    <p>
      Then, in the sober and deep calm, there seemed to be faint peeps of coming
      things: It appeared a troubled sea, and Uxmoor's strong hand stretched out
      to rescue her. If she married him, she knew the worst&mdash;an honest man
      she esteemed, and had almost an affection for, but no love.
    </p>
    <p>
      As some have an impulse to fling themselves from a height, she had one to
      give herself to Uxmoor, quietly, irrevocably, by three written words
      dispatched that night.
    </p>
    <p>
      But it was only an impulse. If she had written it, she would have torn it
      up.
    </p>
    <p>
      Presently a light thrill passed through her: she wore a sort of
      half-furtive, guilty look, and opened the window.
    </p>
    <p>
      Ay, there he stood in the moonlight, waiting to be heard.
    </p>
    <p>
      She did not start nor utter any exclamation. Somehow or other she almost
      knew he was there before she opened the window.
    </p>
    <p>
      &ldquo;Well?&rdquo; said she, with a world of meaning.
    </p>
    <p>
      &ldquo;You grant me a hearing at last.&rdquo;
     </p>
    <p>
      &ldquo;I do. But it is no use. You cannot explain away a falsehood.&rdquo;
     </p>
    <p>
      &ldquo;Of course not. I am here to confess that I told a falsehood. But it was
      not you I wished to deceive. I was going to explain the whole thing to
      you, and tell you all; but there is no getting a word with you since that
      lord came.&rdquo;
     </p>
    <p>
      &ldquo;He had nothing to do with it. I should have been just as much shocked.&rdquo;
     </p>
    <p>
      &ldquo;But it would only have been for five minutes. Zoe!&rdquo;
     </p>
    <p>
      &ldquo;Well?&rdquo;
     </p>
    <p>
      &ldquo;Just put yourself in my place. A detective, who ought to have written to
      me in reply to my note, surprises me with a call. I was ashamed that such
      a visitor should enter your brother's house to see me. There sat my rival&mdash;an
      aristocrat. I was surprised into disowning the unwelcomed visitor, and
      calling him my solicitor.&rdquo;
     </p>
    <p>
      Now if Zoe had been an Old Bailey counsel, she would have kept him to the
      point, reminded him that his visitor was unseen, and fixed a voluntary
      falsehood on him; but she was not an experienced cross-examiner, and
      perhaps she was at heart as indignant at the detective as at the
      falsehood: so she missed her advantage, and said, indignantly, &ldquo;And what
      business had you with a detective? You having one at all, and then calling
      him your solicitor, makes one think all manner of things.&rdquo;
     </p>
    <p>
      &ldquo;I should have told you all about it that afternoon, only our intercourse
      is broken off to please a rival. Suppose I gave you a rival, and used you
      for her sake as you use me for his, what would you say? That would be a
      worse infidelity than sending for a detective, would it not?&rdquo;
     </p>
    <p>
      Zoe replied, haughtily, &ldquo;You have no right to say you have a rival; how
      dare you? Besides,&rdquo; said she, a little ruefully, &ldquo;it is you who are on
      your defense, not me.&rdquo;
     </p>
    <p>
      &ldquo;True; I forgot that. Recrimination is not convenient, is it?&rdquo;
     </p>
    <p>
      &ldquo;I can escape it by shutting the window,&rdquo; said Zoe, coldly.
    </p>
    <p>
      &ldquo;Oh, don't do that. Let me have the bliss of seeing you, and I will submit
      to a good deal of injustice without a murmur.&rdquo;
     </p>
    <p>
      &ldquo;The detective?&rdquo; said Zoe, sternly.
    </p>
    <p>
      &ldquo;I sent for him, and gave him his instructions, and he is gone for me to
      Homburg.&rdquo;
     </p>
    <p>
      &ldquo;Ah! I thought so. What for?&rdquo;
     </p>
    <p>
      &ldquo;About my money. To try and find out whether they mean to keep it.&rdquo;
     </p>
    <p>
      &ldquo;Would you really take it if they would give it you?&rdquo;
     </p>
    <p>
      &ldquo;Of course I would.&rdquo;
     </p>
    <p>
      &ldquo;Yet you know my mind about it.&rdquo;
     </p>
    <p>
      &ldquo;I know you forbade me to go for it in person: and I obeyed you, did I
      not?&rdquo;
     </p>
    <p>
      &ldquo;Yes, you did&mdash;at the time.&rdquo;
     </p>
    <p>
      &ldquo;I do now. You object to my going in person to Homburg. You know I was
      once acquainted with that lady, and you feel about her a little of what I
      feel about Lord Uxmoor; about a tenth part of what I feel, I suppose, and
      with not one-tenth so much reason. Well, I know what the pangs of jealousy
      are: I will never inflict them on you, as you have on me. But I <i>will</i>
      have my money, whether you like or not.&rdquo;
     </p>
    <p>
      Zoe looked amazed at being defied. It was new to her. She drew up, but
      said nothing.
    </p>
    <p>
      Severne went on: &ldquo;And I will tell you why: because without money I cannot
      have you. My circumstances have lately improved; with my money that lies
      in Homburg I can now clear my family estate of all incumbrance, and come
      to your brother for your hand. Oh, I shall be a very bad match even then,
      but I shall not be a pauper, nor a man in debt. I shall be one of your own
      class, as I was born&mdash;a small landed gentleman with an unencumbered
      estate.&rdquo;
     </p>
    <p>
      &ldquo;That is not the way to my affection. I do not care for money.&rdquo;
     </p>
    <p>
      &ldquo;But other people do. Dear Zoe, you have plenty of pride yourself; you
      must let me have a little. Deeply as I love you, I could not come to your
      brother and say, 'Give me your sister, and maintain us both.' No, Zoe, I
      cannot ask your hand till I have cleared my estate; and I cannot clear it
      without that money. For once I must resist you, and take my chance. There
      is wealth and a title offered you. I won't ask you to dismiss them and
      take a pauper. If you don't like me to try for my own money, give your
      hand to Lord Uxmoor; then I shall recall my detective, and let all go; for
      poverty or wealth will matter nothing to me: I shall have lost the angel I
      love: and she once loved me.&rdquo;
     </p>
    <p>
      He faltered, and the sad cadence of his voice melted her. She began to
      cry. He turned his head away and cried too.
    </p>
    <p>
      There was a silence. Zoe broke it first.
    </p>
    <p>
      &ldquo;Edward,&rdquo; said she, softly.
    </p>
    <p>
      &ldquo;Zoe!&rdquo;
     </p>
    <p>
      &ldquo;You need not defy me. I would not humiliate you for all the world. Will
      it comfort you to know that I have been very unhappy ever since you
      lowered yourself so? I will try and accept your explanation.&rdquo;
     </p>
    <p>
      He clasped his hands with gratitude.
    </p>
    <p>
      &ldquo;Edward, will you grant me a favor?&rdquo;
     </p>
    <p>
      &ldquo;Can you ask?&rdquo;
     </p>
    <p>
      &ldquo;It is to have a little more confidence in one who&mdash;Now you must obey
      me implicitly, and perhaps we may both be happier to-morrow night than we
      are to-night. Directly after breakfast take your hat and walk to
      Hillstoke. You can call on Miss Gale, if you like, and say something
      civil.&rdquo;
     </p>
    <p>
      &ldquo;What! go and leave you alone with Lord Uxmoor?&rdquo;
     </p>
    <p>
      &ldquo;Yes.&rdquo;
     </p>
    <p>
      &ldquo;Ah, Zoe, you know your power. Have a little mercy.&rdquo;
     </p>
    <p>
      &ldquo;Perhaps I may have a great deal&mdash;if you obey me.&rdquo;
     </p>
    <p>
      &ldquo;I <i>will</i> obey you.&rdquo;
     </p>
    <p>
      &ldquo;Then go to bed this minute.&rdquo;
     </p>
    <p>
      She gave him a heavenly smile, and closed the window.
    </p>
    <p>
      Next morning, as soon as breakfast was over, Ned Severne said, &ldquo;Any
      messages for Hillstoke? I am going to walk up there this morning.&rdquo;
     </p>
    <p>
      &ldquo;Embrace my virago for me,&rdquo; said Vizard.
    </p>
    <p>
      Severne begged to be excused.
    </p>
    <p>
      He hurried off, and Lord Uxmoor felt a certain relief.
    </p>
    <p>
      The Master of Arts asked himself what he could do to propitiate the female
      M. D. He went to the gardener and got him to cut a huge bouquet, choice
      and fragrant, and he carried it all the way to Hillstoke. Miss Gale was at
      home. As he was introduced rather suddenly, she started and changed color,
      and said, sharply, &ldquo;What do you want?&rdquo; Never asked him to sit down, rude
      Thing!
    </p>
    <p>
      He stood hanging his head like a culprit, and said, with well-feigned
      timidity, that he came, by desire of Miss Vizard, to inquire how she was
      getting on, and to hope the people were beginning to appreciate her.
    </p>
    <p>
      &ldquo;Oh! that alters the case; any messenger from Miss Vizard is welcome. Did
      she send me those flowers, too? They are beautiful.&rdquo;
     </p>
    <p>
      &ldquo;No. I gathered them myself. I have always understood ladies loved
      flowers.&rdquo;
     </p>
    <p>
      &ldquo;It is only by report you know that, eh? Let me add something to your
      information: a good deal depends on the giver; and you may fling these out
      of the window.&rdquo; She tossed them to him.
    </p>
    <p>
      The Master of Arts gave a humble, patient sigh, and threw the flowers out
      of the window, which was open. He then sunk into a chair and hid his face
      in his hands.
    </p>
    <p>
      Miss Gale colored, and bit her lip. She did not think he would have done
      that, and it vexed her economical soul. She cast a piercing glance at him,
      then resumed her studies, and ignored his presence.
    </p>
    <p>
      But his patience exhausted hers. He sat there twenty minutes, at least, in
      a state of collapse that bid fair to last forever.
    </p>
    <p>
      So presently she looked up and affected to start. &ldquo;What! are you there
      still?&rdquo; said she.
    </p>
    <p>
      &ldquo;Yes,&rdquo; said be; &ldquo;you did not dismiss me; only my poor flowers.&rdquo;
     </p>
    <p>
      &ldquo;Well,&rdquo; said she, apologetically, &ldquo;the truth is, I'm not strong enough to
      dismiss you by the same road.&rdquo;
     </p>
    <p>
      &ldquo;It is not necessary. You have only to say, 'Go.'&rdquo;
     </p>
    <p>
      &ldquo;Oh, that would be rude. Could not you go without being told right out?&rdquo;
     </p>
    <p>
      &ldquo;No, I could not. Miss Gale, I can't account for it, but there is some
      strange attraction. You hate me, and I fear you, yet I could follow you
      about like a dog. Let me sit here a little longer and see you work.&rdquo;
     </p>
    <p>
      Miss Gale leaned her head upon her hand, and contemplated him at great
      length. Finally she adopted a cat-like course. &ldquo;No,&rdquo; said she, at last; &ldquo;I
      am going my rounds: you can come with me, if I am so attractive.&rdquo;
     </p>
    <p>
      He said he should be proud, and she put on her hat in thirty seconds.
    </p>
    <p>
      They walked together in silence. He felt as if he were promenading a tiger
      cat, that might stop any moment to fall upon him.
    </p>
    <p>
      She walked him into a cottage: there was a little dead wood burning on
      that portion of the brick floor called the hearth. A pale old man sat
      close to the fire, in a wooden armchair. She felt his pulse, and wrote him
      a prescription.
    </p>
    <p>
      &ldquo;To Mr. Vizard's housekeeper, Vizard Court:
    </p>
    <p>
      &ldquo;Please give the bearer two pounds of good roast beef or mutton, not
      salted, and one pint port wine,
    </p>
    <h3>
      &ldquo;RHODA GALE, M. D.&rdquo;
     </h3>
    <p>
      &ldquo;Here, Jenny,&rdquo; she said to a sharp little girl, the man's grandniece,
      &ldquo;take this down to Vizard Court, and if the housekeeper objects, go to the
      front-door and demand in my name to see the squire or Miss Vizard, and
      give <i>them</i> the paper. Don't you give it up without the meat. Take
      this basket on your arm.&rdquo;
     </p>
    <p>
      Then she walked out of the cottage, and Severne followed her: he ventured
      to say that was a novel prescription.
    </p>
    <p>
      She explained. &ldquo;Physicians are obliged to send the rich to the chemist, or
      else the fools would think they were slighted. But we need not be so nice
      with the poor; we can prescribe to do them good. When you inflicted your
      company on me, I was sketching out a treatise, to be entitled, 'Cure of
      Disorders by Esculents.' That old man is nearly exsanguis. There is not a
      drug in creation that could do him an atom of good. Nourishing food may.
      If not, why, he is booked for the long journey. Well, he has had his
      innings. He is fourscore. Do you think <i>you</i> will ever see fourscore&mdash;you
      and your vices?&rdquo;
     </p>
    <p>
      &ldquo;Oh, no. But I think <i>you</i> will; and I hope so; for you go about
      doing good.&rdquo;
     </p>
    <p>
      &ldquo;And some people one could name go about doing mischief?&rdquo;
     </p>
    <p>
      Severne made no reply.
    </p>
    <p>
      Soon after they discovered a little group, principally women and children.
      These were inspecting something on the ground, and chattering excitedly.
      The words of dire import, &ldquo;She have possessed him with a devil,&rdquo; struck
      their ear. But soon they caught sight of Miss Gale, and were dead silent.
      She said, &ldquo;What is the matter? Oh, I see, the vermifuge has acted.&rdquo;
     </p>
    <p>
      It was so: a putty-faced boy had been unable to eat his breakfast; had
      suffered malaise for hours afterward, and at last had been seized with a
      sort of dry retching, and had restored to the world they so adorn a number
      of amphibia, which now wriggled in a heap, and no doubt bitterly regretted
      the reckless impatience with which they had fled from an unpleasant
      medicine to a cold-hearted world.
    </p>
    <p>
      &ldquo;Well, good people,&rdquo; said Miss Gale, &ldquo;what are you making a fuss about?
      Are they better in the boy or out of him?&rdquo;
     </p>
    <p>
      The women could not find their candor at a moment's notice, but old Giles
      replied heartily, &ldquo;Why, hout! better an empty house than a bad tenant.&rdquo;
     </p>
    <p>
      &ldquo;That is true,&rdquo; said half a dozen voices at once. They could resist common
      sense in its liquid form, but not when solidified into a proverb.
    </p>
    <p>
      &ldquo;Catch me the boy,&rdquo; said Miss Gale, severely.
    </p>
    <p>
      Habitual culpability destroys self-confidence; so the boy suspected
      himself of crime, and instantly took to flight. His companions loved
      hunting; so three swifter boys followed him with a cheerful yell, secured
      him, and brought him up for sentence.
    </p>
    <p>
      &ldquo;Don't be frightened, Jacob,&rdquo; said the doctress. &ldquo;I only want to know
      whether you feel better or worse.&rdquo;
     </p>
    <p>
      His mother put in her word: &ldquo;He was ever so bad all the morning.&rdquo;
     </p>
    <p>
      &ldquo;Hold your jaw,&rdquo; said old Giles, &ldquo;and let the boy tell his own tale.&rdquo;
     </p>
    <p>
      &ldquo;Well, then,&rdquo; said Jacob, &ldquo;I was mortal bad, but now do I feel like a
      feather; wust on't is, I be so blessed hungry now. Dall'd if I couldn't
      eat the devil&mdash;stuffed with thunder and lightning.&rdquo;
     </p>
    <p>
      &ldquo;I'll prescribe accordingly,&rdquo; said Miss Gale, and wrote in pencil an order
      on a beefsteak pie they had sent her from the Court.
    </p>
    <p>
      The boy's companions put their heads together over this order, and offered
      their services to escort him.
    </p>
    <p>
      &ldquo;No, thank you,&rdquo; said the doctress. &ldquo;He will go alone, you young monkeys.
      Your turn will come.&rdquo;
     </p>
    <p>
      Then she proceeded on her rounds, with Mr. Severne at her heels, until it
      was past one o'clock.
    </p>
    <p>
      Then she turned round and faced him. &ldquo;We will part here,&rdquo; said she, &ldquo;and I
      will explain my conduct to you, as you seem in the dark. I have been
      co-operating with Miss Vizard all this time. I reckon she sent you out of
      the way to give Lord Uxmoor his opportunity, so I have detained you. While
      you have been studying medicine, he has been popping the question, of
      course. Good-by, Mr. Villain.&rdquo;
     </p>
    <p>
      Her words went through the man like cold steel. It was one woman reading
      another. He turned very white, and put his hand to his heart. But he
      recovered himself, and said, &ldquo;If she prefers another to me, I must submit.
      It is not my absence for a few hours that will make the difference. You
      cannot make me regret the hours I have passed in your company. Good-by,&rdquo;
       and he seemed to leave her very reluctantly.
    </p>
    <p>
      &ldquo;One word,&rdquo; said she, softening a little. &ldquo;I'm not proof against your
      charm. Unless I see Zoe Vizard in danger, you have nothing to fear from
      me. But I love <i>her,</i> you understand.&rdquo;
     </p>
    <p>
      He returned to her directly, and said, in most earnest, supplicating
      tones, &ldquo;But will you ever forgive me?&rdquo;
     </p>
    <p>
      &ldquo;I will try.&rdquo;
     </p>
    <p>
      And so they parted.
    </p>
    <p>
      He went home at a great rate; for Miss Gale's insinuations had raised some
      fear in his breast.
    </p>
    <p>
      Meantime this is what had really passed between Zoe and Lord Uxmoor.
      Vizard went to his study, and Fanny retired at a signal from Zoe. She
      rose, but did not go; she walked slowly toward the window; Uxmoor joined
      her: for he saw he was to have his answer from her mouth.
    </p>
    <p>
      Her bosom heaved a little, and her cheeks flushed. &ldquo;Lord Uxmoor,&rdquo; she
      said, &ldquo;you have done me the greatest honor any man can pay a woman, and
      from you it is indeed an honor. I could not write such an answer as I
      could wish; and, besides, I wish to spare you all the mortification I
      can.&rdquo;
     </p>
    <p>
      &ldquo;Ah!&rdquo; said Uxmoor, piteously.
    </p>
    <p>
      &ldquo;You are worthy of any lady's love; but I have only my esteem to give you,
      and that was given long ago.&rdquo;
     </p>
    <p>
      Uxmoor, who had been gradually turning very white, faltered, &ldquo;I had my
      fears. Good-by.&rdquo;
     </p>
    <p>
      She gave him her hand. He put it respectfully to his lips: then turned and
      left her, sick at heart, but too brave to let it be seen. He preferred her
      esteem to her pity.
    </p>
    <p>
      By this means he got both. She put her handkerchief to her eyes without
      disguise. But he only turned at the door to say, in a pretty firm voice,
      &ldquo;God bless you!&rdquo;
     </p>
    <p>
      In less than an hour he drove his team from the door, sitting heartbroken
      and desolate, but firm and unflinching as a rock.
    </p>
    <p>
      So then, on his return from Hillstoke, Severne found them all at luncheon
      except Uxmoor. He detailed his visit to Miss Gale, and, while he talked,
      observed. Zoe was beaming with love and kindness. He felt sure she had not
      deceived him. He learned, by merely listening, that Lord Uxmoor was gone,
      and he exulted inwardly.
    </p>
    <p>
      After luncheon, Elysium. He walked with the two girls, and Fanny lagged
      behind; and Zoe proved herself no coquette. A coquette would have been a
      little cross and shown him she had made a sacrifice. Not so Zoe Vizard.
      She never told him, nor even Fanny, she had refused Lord Uxmoor. She
      esteemed the great sacrifice she had made for him as a little one, and so
      loved him a little more that he had cost her an earl's coronet and a large
      fortune.
    </p>
    <p>
      The party resumed their habits that Uxmoor had interrupted, and no warning
      voice was raised.
    </p>
    <p>
      The boring commenced at Hillstoke, and Doctress Gale hovered over the
      work. The various strata and their fossil deposits were an endless study,
      and kept her microscope employed. With this, and her treatise on &ldquo;Cure by
      Esculents&rdquo; she was so employed that she did not visit the Court for some
      days: then came an invitation from Lord Uxmoor to stay a week with him,
      and inspect his village. She accepted it, and drove herself in the
      bailiff's gig, all alone. She found her host attending to his duties, but
      dejected; so then she suspected, and turned the conversation to Zoe
      Vizard, and soon satisfied herself he had no hopes in that quarter. Yet he
      spoke of her with undisguised and tender admiration. Then she said to
      herself, &ldquo;This is a man, and he shall have her.&rdquo;
     </p>
    <p>
      She sat down and wrote a letter to Vizard, telling him all she knew, and
      what she thought, viz., that another woman, and a respectable one, had a
      claim on Mr. Severne, which ought to be closely inquired into, and <i>the
      lady's version heard.</i> &ldquo;Think of it,&rdquo; said she. &ldquo;He disowned the woman
      who had saved his life, he was so afraid I should tell Miss Vizard under
      what circumstances I first saw him.&rdquo;
     </p>
    <p>
      She folded and addressed the letter.
    </p>
    <p>
      But having relieved her mind in some degree by this, she asked herself
      whether it would not be kinder to all parties to try and save Zoe without
      an exposure. Probably Severne benefited by his grace and his disarming
      qualities; for her ultimate resolution was to give him a chance, offer him
      an alternative: he must either quietly retire, or be openly exposed.
    </p>
    <p>
      So then she put the letter in her desk, made out her visit, of which no
      further particulars can be given at present, returned home, and walked
      down to the Court next morning to have it out with Edward Severne.
    </p>
    <p>
      But, unfortunately, from the very day she offered him terms up at
      Hillstoke, the tide began to run in Severne's favor with great rapidity.
    </p>
    <p>
      A letter came from the detective. Severne received it at breakfast, and
      laid it before Zoe, which had a favorable effect on her mind to begin.
    </p>
    <p>
      Poikilus reported that the money was in good hands. He had seen the lady.
      She made no secret of the thing&mdash;the sum was 4,900 pounds, and she
      said half belonged to her and half to a gentleman. She did not know him,
      but her agent, Ashmead, did. Poikilus added that he had asked her would
      she honor that gentleman's draft? She had replied she should be afraid to
      do that; but Mr. Ashmead should hand it to him on demand. Poikilus summed
      up that the lady was evidently respectable, and the whole thing square.
    </p>
    <p>
      Severne posted this letter to his cousin, under cover, to show him he was
      really going to clear his estate, but begged him to return it immediately
      and lend him 50 pounds. The accommodating cousin sent him 50 pounds, to
      aid him in wooing his heiress. He bought her a hoop ring, apologized for
      its small value, and expressed his regret that all he could offer her was
      on as small a scale, except his love.
    </p>
    <p>
      She blushed, and smiled on him, like heaven opening. &ldquo;Small and great, I
      take them,&rdquo; said she; and her lovely head rested on his shoulder.
    </p>
    <p>
      They were engaged.
    </p>
    <p>
      From that hour he could command a <i>te'te-'a-te'te</i> with her whenever
      he chose, and his infernal passion began to suggest all manner of wild,
      wicked and unreasonable hopes.
    </p>
    <p>
      Meantime there was no stopping. He soon found he must speak seriously to
      Vizard. He went into his study and began to open the subject. Vizard
      stopped him. &ldquo;Fetch the other culprit,&rdquo; said he; and when Zoe came,
      blushing, he said, &ldquo;Now I am going to make shorter work of this than you
      have done. Zoe has ten thousand pounds. What have you got?&rdquo;
     </p>
    <p>
      &ldquo;Only a small estate, worth eight thousand pounds, that I hope to clear of
      all incumbrances, if I can get my money.&rdquo;
     </p>
    <p>
      &ldquo;Fond of each other? Well, don't strike me dead with your eyes. I have
      watched you, and I own a prettier pair of turtledoves I never saw. Well,
      you have got love and I have got money. I'll take care of you both. But
      you must live with me. I promise never to marry.&rdquo;
     </p>
    <p>
      This brought Zoe round his neck, with tears and kisses of pure affection.
      He returned them, and parted her hair paternally.
    </p>
    <p>
      &ldquo;This is a beautiful world, isn't it?&rdquo; said he, with more tenderness than
      cynicism this time.
    </p>
    <p>
      &ldquo;Ah, that it is!&rdquo; cried Zoe, earnestly. &ldquo;But I can't have you say you will
      never be as happy as I am. There are true hearts in this heavenly world;
      for I have found one.&rdquo;
     </p>
    <p>
      &ldquo;I have not, and don't mean to try again. I am going in for the paternal
      now. You two are my children. I have a talisman to keep me from marrying.
      I'll show it you.&rdquo; He drew a photograph from his drawer, set round with
      gold and pearls. He showed it them suddenly. They both started. A fine
      photograph of Ina Klosking. She was dressed as plainly as at the
      gambling-table, but without a bonnet, and only one rose in her hair. Her
      noble forehead was shown, and her face, a model of intelligence,
      womanliness, and serene dignity.
    </p>
    <p>
      He gazed at it, and they at him and it.
    </p>
    <p>
      He kissed it. &ldquo;Here is my Fate,&rdquo; said he. &ldquo;Now mark the ingenuity of a
      parent. I keep out of my Fate's way. But I use her to keep off any other
      little Fates that may be about. No other humbug can ever catch me while I
      have such a noble humbug as this to contemplate. Ah! and here she is as
      Siebel. What a goddess! Just look at her. Adorable! There, this shall
      stand upon my table, and the other shall be hung in my bedroom. Then, my
      dear Zoe, you will be safe from a stepmother. For I am your father now.
      Please understand that.&rdquo;
     </p>
    <p>
      This brought poor Zoe round his neck again with such an effusion that at
      last he handed her to Severne, and he led her from the room, quite
      overcome, and, to avoid all conversation about what had just passed, gave
      her over to Fanny, while he retired to compose himself.
    </p>
    <p>
      By dinner-time he was as happy as a prince again and relieved of all
      compunction.
    </p>
    <p>
      He heard afterward from Fanny that Zoe and she had discussed the incident
      and Vizard's infatuation, Fanny being specially wroth at Vizard's abuse of
      pearls; but she told him she had advised Zoe not to mention that lady's
      name, but let her die out.
    </p>
    <p>
      And, in point of fact, Zoe did avoid the subject.
    </p>
    <p>
      There came an eventful day. Vizard got a letter, at breakfast, from his
      bankers, that made him stare, and then knit his brows. It was about Edward
      Severne' s acceptances. He said nothing, but ordered his horse and rode
      into Taddington.
    </p>
    <p>
      The day was keen but sunny, and, seeing him afoot so early, Zoe said she
      should like a drive before luncheon. She would show Severne and Fanny some
      ruins on Pagnell Hill. They could leave the trap at the village inn and
      walk up the hill. Fanny begged off, and Severne was very glad. The
      prospect of a long walk up a hill with Zoe, and then a day spent in utter
      seclusion with her, fired his imagination and made his heart beat. Here
      was one of the opportunities he had long sighed for of making passionate
      love to innocence and inexperience.
    </p>
    <p>
      Zoe herself was eager for the drive, and came down, followed by Rosa with
      some wraps, and waited in the morning-room for the dog-cart. It was behind
      time for once, because the careful coachman had insisted on the axle being
      oiled. At last the sound of wheels was heard. A carriage drew up at the
      door.
    </p>
    <p>
      &ldquo;Tell Mr. Severne,&rdquo; said Zoe. &ldquo;He is in the dining-room, I think.&rdquo;
     </p>
    <p>
      But it was not the dog-cart.
    </p>
    <p>
      A vigilant footman came hastily out and opened the hall door. A lady was
      on the steps, and spoke to him, but, in speaking, she caught sight of Zoe
      in the hall. She instantly slipped pass the man and stood within the great
      door.
    </p>
    <p>
      &ldquo;Miss Vizard?&rdquo; said she.
    </p>
    <p>
      Zoe took a step toward her and said, with astonishment, &ldquo;Mademoiselle
      Klosking!&rdquo;
     </p>
    <p>
      The ladies looked at each other, and Zoe saw something strange was coming;
      for the Klosking was very pale, yet firm, and fixed her eyes upon her as
      if there was nothing else in sight.
    </p>
    <p>
      &ldquo;You have a visitor&mdash;Mr. Severne?&rdquo;
     </p>
    <p>
      &ldquo;Yes,&rdquo; said Zoe, drawing up.
    </p>
    <p>
      &ldquo;Can I speak with him?&rdquo;
     </p>
    <p>
      &ldquo;He will answer for himself. EDWARD!&rdquo;
     </p>
    <p>
      At her call Severne came out hastily behind Ina Klosking.
    </p>
    <p>
      She turned, and they faced each other.
    </p>
    <p>
      &ldquo;Ah!&rdquo; she cried; and in spite of all, there was more of joy than any other
      passion in the exclamation.
    </p>
    <p>
      Not so he. He uttered a scream of dismay, and staggered, white as a ghost,
      but still glared at Ina Klosking.
    </p>
    <p>
      Zoe's voice fell on him like a clap of thunder: &ldquo;What!&mdash;Edward!&mdash;Mr.
      Severne!&mdash;Has this lady still any right&mdash;&rdquo;
     </p>
    <p>
      &ldquo;No, none whatever!&rdquo; he cried; &ldquo;it is all past and gone.&rdquo;
     </p>
    <p>
      &ldquo;What is past?&rdquo; said Ina Klosking, grandly. &ldquo;Are you out of your senses?&rdquo;
     </p>
    <p>
      Then she was close to him in a moment, by one grand movement, and took him
      by both lapels of his coat, and held him firmly. &ldquo;Speak before this lady,&rdquo;
       she cried. &ldquo;Have&mdash;I&mdash;no&mdash;rights&mdash;over you?&rdquo; and her
      voice was majestic, and her Danish eyes gleamed lightning.
    </p>
    <p>
      The wretch's knees gave way a moment and he shook in her hands. Then,
      suddenly, he turned wild. &ldquo;Fiend! you have ruined me!&rdquo; he yelled; and
      then, with his natural strength, which was great, and the superhuman power
      of mad excitement, he whirled her right round and flung her from him, and
      dashed out of the door, uttering cries of rage and despair.
    </p>
    <p>
      The unfortunate lady, thus taken by surprise, fell heavily, and, by cruel
      ill luck, struck her temple, in falling, against the sharp corner of a
      marble table. It gashed her forehead fearfully, and she lay senseless,
      with the blood spurting in jets from her white temple.
    </p>
    <p>
      Zoe screamed violently, and the hall and the hall staircase seemed to fill
      by magic.
    </p>
    <p>
      In the terror and confusion, Harrington Vizard strode into the hall, from
      Taddington. &ldquo;What is the matter?&rdquo; he cried. &ldquo;A woman killed?&rdquo;
     </p>
    <p>
      Some one cried out she had fallen.
    </p>
    <p>
      &ldquo;Water, fools&mdash;a sponge&mdash;don't stand gaping!&rdquo; and he flung
      himself on his knees, and raised the woman's head from the floor. One
      eager look into her white face&mdash;one wild cry&mdash;&ldquo;Great God! it is&mdash;&rdquo;
       He had recognized her.
    </p>
    <p>
      <a name="link2HCH0020" id="link2HCH0020">
      <!--  H2 anchor --> </a>
    </p>
    <div style="height: 4em;">
      <br /><br /><br /><br />
    </div>
    <h2>
      CHAPTER XX.
    </h2>
    <p>
      IT was piteous to see and hear. The blood would not stop; it spurted no
      longer, but it flowed alarmingly. Vizard sent Harris off in his own fly
      for a doctor, to save time. He called for ice. He cried out in agony to
      his servants, &ldquo;Can none of you think of anything? There&mdash;that hat.
      Here, you women; tear me the nap off with your fingers. My God! what is to
      be done? She'll bleed to death!&rdquo; And he held her to his breast, and almost
      moaned with pity over her, as he pressed the cold sponge to her wound&mdash;in
      vain; for still the red blood would flow.
    </p>
    <p>
      Wheels ground the gravel. Servants flew to the door, crying, &ldquo;The doctor!
      the doctor!&rdquo;
     </p>
    <p>
      As if he could have been fetched in five minutes from three miles off.
    </p>
    <p>
      Yet it was a doctor. Harris had met Miss Gale walking quietly down from
      Hillstoke. He had told her in a few hurried words, and brought her as fast
      as the horses could go.
    </p>
    <p>
      She glided in swiftly, keen, but self-possessed, and took it all in
      directly.
    </p>
    <p>
      Vizard saw her, and cried, &ldquo;Ah! Help!&mdash;she is bleeding to death!&rdquo;
     </p>
    <p>
      &ldquo;She shall not,&rdquo; said Rhoda. Then to one footman, &ldquo;Bring a footstool, <i>you;&rdquo;</i>
      to another, <i>&ldquo;You</i> bring me a cork;&rdquo; to Vizard, <i>&ldquo;You</i> hold her
      toward me so. Now sponge the wound.&rdquo;
     </p>
    <p>
      This done, she pinched the lips of the wound together with her neat,
      strong fingers. &ldquo;See what I do,&rdquo; she said to Vizard. &ldquo;You will have to do
      it, while I&mdash;Ah, the stool! Now lay her head on that; the other side,
      man. Now, sir, compress the wound as I did, vigorously. Hold the cork, <i>you,</i>
      till I want it.&rdquo;
     </p>
    <p>
      She took out of her pocket some adhesive plaster, and flakes of some
      strong styptic, and a piece of elastic. &ldquo;Now,&rdquo; said she to Vizard, &ldquo;give
      me a little opening in the middle to plaster these strips across the
      wound.&rdquo; He did so. Then in a moment she passed the elastic under the
      sufferer's head, drew it over with the styptic between her finger and
      thumb, and crack! the styptic was tight on the compressed wound. She
      forced in more styptic, increasing the pressure, then she whipped out a
      sort of surgical housewife, and with some cutting instrument reduced the
      cork, then cut it convex, and fastened it on the styptic by another
      elastic. There was no flutter, yet it was all done in fifty seconds.
    </p>
    <p>
      &ldquo;There,&rdquo; said she, &ldquo;she will bleed no more, to speak of. Now seat her
      upright. Why! I have seen her before. This is&mdash;sir, you can send the
      men away.&rdquo;'
    </p>
    <p>
      &ldquo;Yes; and, Harris, pack up Mr. Severne's things, and bring them down here
      this moment.&rdquo;
     </p>
    <p>
      The male servants retired, the women held aloof. Fanny Dover came forward,
      pale and trembling, and helped to place Ina Klosking in the hall porter's
      chair. She was insensible still, but moaned faintly.
    </p>
    <p>
      Her moans were echoed: all eyes turned. It was Zoe, seated apart, all
      bowed and broken&mdash;ghastly pale, and glaring straight before her.
    </p>
    <p>
      &ldquo;Poor girl!&rdquo; said Vizard. &ldquo;We forgot her. It is her heart that bleeds.
      Where is the scoundrel, that I may kill him?&rdquo; and he rushed out at the
      door to look for him. The man's life would not have been worth much if
      Squire Vizard could have found him then.
    </p>
    <p>
      But he soon came back to his wretched home, and eyed the dismal scene, and
      the havoc one man had made&mdash;the marble floor all stained with blood&mdash;Ina
      Klosking supported in a chair, white, and faintly moaning&mdash;Zoe still
      crushed and glaring at vacancy, and Fanny sobbing round her with pity and
      terror; for she knew there must be worse to come than this wild stupor.
    </p>
    <p>
      &ldquo;Take her to her room, Fanny dear,&rdquo; said Vizard, in a hurried, faltering
      voice, &ldquo;and don't leave her. Rosa, help Miss Dover. Do not leave her
      alone, night nor day.&rdquo; Then to Miss Gale, &ldquo;She will live? Tell me she will
      live.&rdquo;
     </p>
    <p>
      &ldquo;I hope so,&rdquo; said Rhoda Gale. &ldquo;Oh, the blow will not kill her, nor yet the
      loss of blood. But I fear there will be distress of mind added to the
      bodily shock. And such a noble face! My own heart bleeds for her. Oh, sir,
      do not send her away to strangers! Let me take her up to the farm. It is
      nursing she will need, and tact, when she comes to herself.&rdquo;
     </p>
    <p>
      &ldquo;Send here away to strangers!&rdquo; cried Vizard. &ldquo;Never! No. Not even to the
      farm. Here she received her wound; here all that you and I can do shall be
      done to save her. Ah, here's Harris, with the villain's things. Get the
      lady's boxes out, and put Mr. Severne's into the fly. Give the man two
      guineas, and let him leave them at the 'Swan,' in Taddington.&rdquo;
     </p>
    <p>
      He then beckoned down the women, and had Ina Klosking carried upstairs to
      the very room Severne had occupied.
    </p>
    <p>
      He then convened the servants, and placed them formally under Miss Gale's
      orders, and one female servant having made a remark, he turned her out of
      the house, neck and crop, directly with her month's wages. The others had
      to help her pack, only half an hour being allowed for her exit.
    </p>
    <p>
      The house seemed all changed. Could this be Vizard Court? Dead gloom&mdash;hurried
      whispers&mdash;and everybody walking softly, and scared&mdash;none knowing
      what might be the next calamity.
    </p>
    <p>
      Vizard felt sick at heart and helpless. He had done all he could, and was
      reduced to that condition women bear far better than men&mdash;he must
      wait, and hope, and fear. He walked up and down the carpeted landing,
      racked with anxiety.
    </p>
    <p>
      At last there came a single scream of agony from Ina Klosking's room.
    </p>
    <p>
      It made the strong man quake.
    </p>
    <p>
      He tapped softly at the door.
    </p>
    <p>
      Rhoda opened it.
    </p>
    <p>
      &ldquo;What is it?&rdquo; he faltered.
    </p>
    <p>
      She replied, gravely, &ldquo;Only what must be. She is beginning to realize what
      has befallen her. Don't come here. You can do no good. I will run down to
      you whenever I dare. Give me a nurse to help, this first night.&rdquo;
     </p>
    <p>
      He went down and sent into the village for a woman who bore a great name
      for nursing. Then he wandered about disconsolate.
    </p>
    <p>
      The leaden hours passed. He went to dress, and discovered Ina Klosking's
      blood upon his clothes. It shocked him first, and then it melted him: he
      felt an inexpressible tenderness at sight of it. The blood that had flowed
      in her veins seemed sacred to him. He folded that suit, and tied it up in
      a silk handkerchief, and locked it away.
    </p>
    <p>
      In due course he sat down to dinner&mdash;we are all such creatures of
      habit. There was everything as usual, except the familiar faces. There was
      the glittering plate on the polished sideboard, the pyramid of flowers
      surrounded with fruits. There were even chairs at the table, for the
      servants did not know he was to be quite alone. But he was. One delicate
      dish after another was brought him, and sent away untasted. Soon after
      dinner Rhoda Gale came down and told him her patient was in a precarious
      condition, and she feared fever and delirium. She begged him to send one
      servant up to the farm for certain medicaments she had there, and another
      to the chemist at Taddington. These were dispatched on swift horses, and
      both were back in half an hour.
    </p>
    <p>
      By-and-by Fanny Dover came down to him, with red eyes, and brought him
      Zoe's love. &ldquo;But,&rdquo; said she, &ldquo;don't ask her to come down. She is ashamed
      to look anybody in the face, poor girl.&rdquo;
     </p>
    <p>
      &ldquo;Why? what has <i>she</i> done?&rdquo;
     </p>
    <p>
      &ldquo;Oh, Harrington, she has made no secret of her affection; and now, at
      sight of that woman, he has abandoned her.&rdquo;
     </p>
    <p>
      &ldquo;Tell her I love her more than I ever did, and respect her more. Where is
      her pride?&rdquo;
     </p>
    <p>
      &ldquo;Pride! she is full of it; and it will help her&mdash;by-and-by. But she
      has a bitter time to go through first. You don't know how she loves him.&rdquo;
     </p>
    <p>
      &ldquo;What! love him still, after what he has done?&rdquo;
     </p>
    <p>
      &ldquo;Yes! She interprets it this way and that. She cannot bear to believe
      another woman has any real right to separate them.&rdquo;
     </p>
    <p>
      &ldquo;Separate them! The scoundrel knocked <i>her</i> down for loving him
      still, and fled from them both. Was ever guilt more clear? If she doubts
      that he is a villain, tell her from me he is a forger, and has given me
      bills with false names on them. The bankers gave me notice to-day, and I
      was coming home to order him out of the house when this miserable business
      happened.&rdquo;
     </p>
    <p>
      &ldquo;A forger! is it possible?&rdquo; said Fanny. &ldquo;But it is no use my telling her
      that sort of thing. If he had committed murder, and was true to her, she
      would cling to him. She never knew till now how she loved him, nor I
      neither. She put him in Coventry for telling a lie; but she was far more
      unhappy all the time than he was. There is nothing to do but to be kind to
      her, and let her hide her face. Don't hurry her.&rdquo;
     </p>
    <p>
      &ldquo;Not I. God help her! If she has a wish, it shall be gratified. I am
      powerless. She is young. Surely time will cure her of a villain, now he is
      detected.&rdquo;
     </p>
    <p>
      Fanny said she hoped so.
    </p>
    <p>
      The truth is, Zoe had not opened her heart to Fanny. She clung to her, and
      writhed in her arms; but she spoke little, and one broken sentence
      contradicted the other. But mental agony, like bodily, finds its vent, not
      in speech, the brain's great interpreter, but in inarticulate cries, and
      moans, and sighs, that prove us animals even in the throes of mind. Zoe
      was in that cruel stage of suffering.
    </p>
    <p>
      So passed that miserable day.
    </p>
    <p>
      <a name="link2HCH0021" id="link2HCH0021">
      <!--  H2 anchor --> </a>
    </p>
    <div style="height: 4em;">
      <br /><br /><br /><br />
    </div>
    <h2>
      CHAPTER XXI.
    </h2>
    <p>
      INA KLOSKING recovered her senses that evening, and asked Miss Gale where
      she was. Miss Gale told her she was in the house of a friend.
    </p>
    <p>
      &ldquo;What friend?&rdquo;
     </p>
    <p>
      &ldquo;That,&rdquo; said Miss Gale, &ldquo;I will tell you by-and-by. You are in good hands,
      and I am your physician.&rdquo;
     </p>
    <p>
      &ldquo;I have heard your voice before,&rdquo; said Ina, &ldquo;but I know not where; and it
      is so dark! Why is it so dark?&rdquo;
     </p>
    <p>
      &ldquo;Because too much light is not good for you. You have met with an
      accident.&rdquo;
     </p>
    <p>
      &ldquo;What accident, madam?&rdquo;
     </p>
    <p>
      &ldquo;You fell and hurt your poor forehead. See, I have bandaged it, and now
      you must let me wet the bandage&mdash;to keep your brow cool.&rdquo;
     </p>
    <p>
      &ldquo;Thank you, madam,&rdquo; said Ina, in her own sweet but queenly way. &ldquo;You are
      very good to me. I wish I could see your face more clearly. I know your
      voice.&rdquo; Then, after a silence, during which Miss Gale eyed her with
      anxiety, she said, like one groping her way to the truth, &ldquo;I&mdash;fell&mdash;and&mdash;hurt&mdash;my
      forehead?&mdash;<i>Ah!&rdquo;</i>
    </p>
    <p>
      Then it was she uttered the cry that made Vizard quake at the door, and
      shook for a moment even Rhoda's nerves, though, as a rule, they were iron
      in a situation of this kind.
    </p>
    <p>
      It had all come back to Ina Klosking.
    </p>
    <p>
      After that piteous cry she never said a word. She did nothing but think,
      and put her hand to her head.
    </p>
    <p>
      And soon after midnight she began to talk incoherently.
    </p>
    <p>
      The physician could only proceed by physical means. She attacked the
      coming fever at once, with the remedies of the day, and also with an
      infusion of monk's-hood. That poison, promptly administered, did not
      deceive her. She obtained a slight perspiration, which was so much gained
      in the battle.
    </p>
    <p>
      In the morning she got the patient shifted into another bed, and she slept
      a little after that. But soon she was awake, restless, and raving: still
      her character pervaded her delirium. No violence. Nothing any sore injured
      woman need be ashamed to have said: only it was all disconnected. One
      moment she was speaking to the leader of the orchestra, at another to Mr.
      Ashmead, at another, with divine tenderness, to her still faithful
      Severne. And though not hurried, as usual in these cases, it was almost
      incessant and pitiable to hear, each observation was so wise and good;
      yet, all being disconnected, the hearer could not but feel that a noble
      mind lay before him, overthrown and broken into fragments like some Attic
      column.
    </p>
    <p>
      In the middle of this the handle was softly turned, and Zoe Vizard came
      in, pale and somber.
    </p>
    <p>
      Long before this she had said to Fanny several times, &ldquo;I ought to go and
      see her;&rdquo; and Fanny had said, &ldquo;Of course you ought.&rdquo;
     </p>
    <p>
      So now she came. She folded her arms and stood at the foot of the bed, and
      looked at her unhappy rival, unhappy as possible herself.
    </p>
    <p>
      What contrary feelings fought in that young breast! Pity and hatred. She
      must hate the rival who had come between her and him she loved; she must
      pity the woman who lay there, pale, wounded, and little likely to recover.
    </p>
    <p>
      And, with all this, a great desire to know whether this sufferer had any
      right to come and seize Edward Severne by the arm, and so draw down
      calamity on both the women who loved him.
    </p>
    <p>
      She looked and listened, and Rhoda Gale thought it hard upon her patient.
    </p>
    <p>
      But it was not in human nature the girl should do otherwise; so Rhoda said
      nothing.
    </p>
    <p>
      What fell from Ina's lips was not of a kind to make Zoe more her friend.
    </p>
    <p>
      Her mind seemed now like a bird tied by a long silken thread. It made
      large excursions, but constantly came back to her love. Sometimes that
      love was happy, sometimes unhappy. Often she said &ldquo;Edward!&rdquo; in the
      exquisite tone of a loving woman; and whenever she did, Zoe received it
      with a sort of shiver, as if a dagger, fine as a needle, had passed
      through her whole body.
    </p>
    <p>
      At last, after telling some tenor that he had sung F natural instead of F
      sharp, and praised somebody's rendering of a song in &ldquo;Il Flauto Magico,&rdquo;
       and told Ashmead to make no more engagements for her at present, for she
      was going to Vizard Court, the poor soul paused a minute, and uttered a
      deep moan.
    </p>
    <p>
      <i>&ldquo;Struck down by the very hand that was vowed to protect me!&rdquo;</i> said
      she. Then was silent again. Then began to cry, and sob, and wring her
      hands.
    </p>
    <p>
      Zoe put her hand to her heart and moved feebly toward the door. However,
      she stopped a moment to say, &ldquo;I am no use here. You would soon have me
      raving in the next bed. I will send Fanny.&rdquo; Then she drew herself up.
      &ldquo;Miss Gale, everybody here is at your command. Pray spare nothing you can
      think of to save&mdash;<i>my brother's guest.&rdquo;</i>
    </p>
    <p>
      There came out the bitter drop.
    </p>
    <p>
      When she had said that, she stalked from the room like some red Indian
      bearing a mortal arrow in him, but too proud to show it.
    </p>
    <p>
      But when she got to her own room she flung herself on her sofa, and
      writhed and sobbed in agony.
    </p>
    <p>
      Fanny Dover came in and found her so, and flew to her.
    </p>
    <p>
      But she ordered her out quite wildly. &ldquo;No, no; go to <i>her,</i> like all
      the rest, and leave poor Zoe all alone. She <i>is</i> alone.&rdquo;
     </p>
    <p>
      Then Fanny clung to her, and tried hard to comfort her.
    </p>
    <p>
      This young lady now became very zealous and active. She divided her time
      between the two sufferers, and was indefatigable in their service. When
      she was not supporting Zoe, she was always at Miss Gale's elbow offering
      her services. &ldquo;Do let me help you,&rdquo; she said. &ldquo;Do pray let me help. We are
      poor at home, and there is nothing I cannot do. I'm worth any three
      servants.&rdquo;
     </p>
    <p>
      She always helped shift the patient into a fresh bed, and that was done
      very often. She would run to the cook or the butler for anything that was
      wanted in a hurry. She flung gentility and humbug to the winds. Then she
      dressed in ten minutes, and went and dined with Vizard, and made excuses
      for Zoe's absence, to keep everything smooth; and finally she insisted on
      sitting up with Ina Klosking till three in the morning, and made Miss Gale
      go to bed in the room. &ldquo;Paid nurses!&rdquo; said she; &ldquo;they are no use except to
      snore and drink the patient's wine. You and I will watch her every moment
      of the night; and if I'm ever at a loss what to do, I will call you.&rdquo;
     </p>
    <p>
      Miss Gale stared at her once, and then accepted this new phase of her
      character.
    </p>
    <p>
      The fever was hot while it lasted; but it was so encountered with tonics,
      and port wine, and strong beef soup (not your rubbishy beef tea), that in
      forty-eight hours it began to abate. Ina recognized Rhoda Gale as the lady
      who had saved Severne's life at Montpellier, and wept long and silently
      upon her neck. In due course, Zoe, hearing there was a great change, came
      in again to look at her. She stood and eyed her. Soon Ina Klosking caught
      sight of her, and stared at her.
    </p>
    <p>
      &ldquo;You here!&rdquo; said she. &ldquo;Ah! you are Miss Vizard. I am in your house. I will
      get up and leave it;&rdquo; and she made a feeble attempt to rise, but fell
      back, and the tears welled out of her eyes at her helplessness.
    </p>
    <p>
      Zoe was indignant, but for the moment more shocked than anything else. She
      moved away a little, and did not know what to say.
    </p>
    <p>
      &ldquo;Let me look at you,&rdquo; said the patient. &ldquo;Ah! you are beautiful. When I saw
      you at the theater, you fascinated me. How much more a man? I will resist
      no more. You are too beautiful to be resisted. Take him, and let me die.&rdquo;
     </p>
    <p>
      &ldquo;I do her no good,&rdquo; said Zoe, half sullenly, half trembling.
    </p>
    <p>
      &ldquo;Indeed you do not,&rdquo; said Rhoda, bluntly, and almost bitterly. She was all
      nurse.
    </p>
    <p>
      &ldquo;I'll come here no more,&rdquo; said Zoe, sadly but sternly, and left the room.
    </p>
    <p>
      Then Ina turned to Miss Gale and said, patiently, &ldquo;I hope I was not rude
      to that lady&mdash;who has broken my heart.&rdquo;
     </p>
    <p>
      Fanny and Rhoda took each a hand and told her she could not be rude to
      anybody.
    </p>
    <p>
      &ldquo;My friends,&rdquo; said Ina, looking piteously to each in turn, &ldquo;it is her
      house, you know, and she is very good to me now&mdash;after breaking my
      heart.&rdquo;
     </p>
    <p>
      Then Fanny showed a deal of tact. <i>&ldquo;Her</i> house!&rdquo; said she. &ldquo;It is no
      more hers than mine. Why, this house belongs to a gentleman, and he is mad
      after music. He knows you very well, though you don't know him, and he
      thinks you the first singer in Europe.&rdquo;
     </p>
    <p>
      &ldquo;You flatter me,&rdquo; said Ina, sadly.
    </p>
    <p>
      &ldquo;Well, he thinks so; and he is reckoned a very good judge. Ah! now I think
      of it, I will show you something, and then you will believe me.&rdquo;
     </p>
    <p>
      She ran off to the library, snatched up Ina's picture set round with
      pearls, and came panting in with it. &ldquo;There,&rdquo; said she; &ldquo;now you look at
      that!&rdquo; and she put it before her eyes. &ldquo;Now, who is that, if you please?&rdquo;
     </p>
    <p>
      &ldquo;Oh! It is Ina Klosking that was. Please bring me a glass.&rdquo;
     </p>
    <p>
      The two ladies looked at each other. Miss Gale made a negative signal, and
      Fanny said, &ldquo;By-and-by. This will do instead, for it is as like as two
      peas. Now ask yourself how this comes to be in the house, and set in
      pearls. Why, they are worth three hundred pounds. I assure you that the
      master of this house is <i>fanatico per la musica;</i> heard you sing
      Siebel at Homburg&mdash;raved about you&mdash;wanted to call on you. We
      had to drag him away from the place; and he declares you are the first
      singer in the world; and you cannot doubt his sincerity, for <i>here are
      the pearls.&rdquo;</i>
    </p>
    <p>
      Ina Klosking's pale cheek colored, and then she opened her two arms wide,
      and put them round Fanny's neck and kissed her: her innocent vanity was
      gratified, and her gracious nature suggested gratitude to her who had
      brought her the compliment, instead of the usual ungrateful bumptiousness
      praise elicits from vanity.
    </p>
    <p>
      Then Miss Gale put in her word&mdash;&ldquo;When you met with this unfortunate
      accident, I was for taking you up to my house. It is three miles off; but
      he would not hear of it. He said, 'No; here she got her wound, and here
      she must be cured.'&rdquo;
     </p>
    <p>
      &ldquo;So,&rdquo; said Fanny, &ldquo;pray set your mind at ease. My cousin Harrington is a
      very good soul, but rather arbitrary. If you want to leave this place, you
      must get thoroughly well and strong, for he will never let you go till you
      are.&rdquo;
     </p>
    <p>
      Between these two ladies, clever and cooperating, Ina smiled, and seemed
      relieved; but she was too weak to converse any more just then.
    </p>
    <p>
      Some hours afterward she beckoned Fanny to her, and said, &ldquo;The master of
      the house&mdash;what is his name?&rdquo;
     </p>
    <p>
      &ldquo;Harrington Vizard.&rdquo;
     </p>
    <p>
      &ldquo;What!&mdash;<i>her</i> father?&rdquo;
     </p>
    <p>
      &ldquo;La, no; only her half-brother.&rdquo;
     </p>
    <p>
      &ldquo;If he is so kind to me because I sing, why comes he not to see me? <i>She</i>
      has come.&rdquo;
     </p>
    <p>
      Fanny smiled. &ldquo;It is plain you are not an Englishwoman, though you speak
      it so beautifully. An English gentleman does not intrude into a lady's
      room.&rdquo;
     </p>
    <p>
      &ldquo;It is his room.&rdquo;
     </p>
    <p>
      &ldquo;He would say that, while you occupy it, it is yours, and not his.&rdquo;
     </p>
    <p>
      &ldquo;He awaits my invitation, then.&rdquo;
     </p>
    <p>
      &ldquo;I dare say he would come if you were to invite him, but certainly not
      without.&rdquo;
     </p>
    <p>
      &ldquo;I wish to see him who has been so kind to me, and so loves music; but not
      to-day&mdash;I feel unable.&rdquo;
     </p>
    <p>
      The next day she asked for a glass, and was distressed at her appearance.
      She begged for a cap.
    </p>
    <p>
      &ldquo;What kind of a cap?&rdquo; asked Fanny.
    </p>
    <p>
      &ldquo;One like that,&rdquo; said she, pointing to a portrait on the wall. It was of a
      lady in a plain brown silk dress and a little white shawl, and a neat cap
      with a narrow lace border all round her face.
    </p>
    <p>
      This particular cap was out of date full sixty years; but the house had a
      storeroom of relics, and Fanny, with Vizard's help, soon rummaged out a
      cap of the sort, with a narrow frill all round.
    </p>
    <p>
      Her hair was smoothed, a white silk band passed over the now closed wound,
      and the cap fitted on her. She looked pale, but angelic.
    </p>
    <p>
      Fanny went down to Vizard, and invited him to come and see Mademoiselle
      Klosking&mdash;by her desire. &ldquo;But,&rdquo; she added, &ldquo;Miss Gale is very anxious
      lest you should get talking of Severne. She says the fever and loss of
      blood have weakened her terribly; and if we bring the fever on again, she
      cannot answer for her life.&rdquo;
     </p>
    <p>
      &ldquo;Has she spoken of him to you?&rdquo;
     </p>
    <p>
      &ldquo;Not once.&rdquo;
     </p>
    <p>
      &ldquo;Then why should she to me?&rdquo;
     </p>
    <p>
      &ldquo;Because you are a man, and she may think to get the <i>truth</i> out of
      you: she knows <i>we</i> shall only say what is for the best. She is very
      deep, and we don't know her mind yet.&rdquo;
     </p>
    <p>
      Vizard said he would be as guarded as he could; but if they saw him going
      wrong, they must send him away.
    </p>
    <p>
      &ldquo;Oh, Miss Gale will do that, you may be sure,&rdquo; said Fanny.
    </p>
    <p>
      Thus prepared, Vizard followed Fanny up the stairs to the sick-room.
    </p>
    <p>
      Either there is such a thing as love at first sight, or it is something
      more than first sight, when an observant man gazes at a woman for an hour
      in a blaze of light, and drinks in her looks, her walk, her voice, and all
      the outward signs of a beautiful soul; for the stout cynic's heart beat at
      entering that room as it had not beat for years. To be sure, he had not
      only seen her on the stage in all her glory, but had held her, pale and
      bleeding, to his manly breast, and his heart warmed to her all the more,
      and, indeed, fairly melted with tenderness.
    </p>
    <p>
      Fanny went in and announced him. He followed softly, and looked at her.
    </p>
    <p>
      Wealth can make even a sick-room pretty. The Klosking lay on snowy pillows
      whose glossy damask was edged with lace; and upon her form was an
      eider-down quilt covered with violet-colored satin, and her face was set
      in that sweet cap which hid her wound, and made her eloquent face less
      ghastly.
    </p>
    <p>
      She turned to look at him, and he gazed at her in a way that spoke
      volumes.
    </p>
    <p>
      &ldquo;A seat,&rdquo; said she, softly.
    </p>
    <p>
      Fanny was for putting one close to her. &ldquo;No,&rdquo; said Miss Gale, &ldquo;lower down;
      then she need not to turn her head.&rdquo;
     </p>
    <p>
      So he sat down nearer her feet.
    </p>
    <p>
      &ldquo;My good host,&rdquo; said she, in her mellow voice, that retained its quality,
      but not its power, &ldquo;I desire to thank you for your goodness to a poor
      singer, struck down&mdash;by the hand that was bound to protect her.&rdquo;
     </p>
    <p>
      Vizard faltered out that there was nothing to thank him for. He was proud
      to have her under his roof, though deeply grieved at the cause.
    </p>
    <p>
      She looked at him, and her two nurses looked at her and at each other, as
      much as to say, &ldquo;She is going upon dangerous ground.&rdquo;
     </p>
    <p>
      They were right. But she had not the courage, or, perhaps, as most women
      are a little cat-like in this, that they go away once or twice from the
      subject nearest their heart before they turn and pounce on it, she must
      speak of other things first. Said she, &ldquo;But if I was unfortunate in that,
      I was fortunate in this, that I fell into good hands. These ladies are
      sisters to me,&rdquo; and she gave Miss Gale her hand, and kissed the other hand
      to Fanny, though she could scarcely lift it; &ldquo;and I have a host who loves
      music, and overrates my poor ability.&rdquo; Then, after a pause, &ldquo;What have you
      heard me sing?&rdquo;
     </p>
    <p>
      &ldquo;Siebel.&rdquo;
     </p>
    <p>
      &ldquo;Only Siebel! why, that is a poor little thing.&rdquo;
     </p>
    <p>
      &ldquo;So <i>I</i> thought, till I heard you sing it.&rdquo;
     </p>
    <p>
      &ldquo;And, after Siebel, you bought my photograph.&rdquo;
     </p>
    <p>
      &ldquo;Instantly.&rdquo;
     </p>
    <p>
      &ldquo;And wasted pearls on it.&rdquo;
     </p>
    <p>
      &ldquo;No, madam. I wasted it on pearls.&rdquo;
     </p>
    <p>
      &ldquo;If I were well, I should call that extravagant. But it is permitted to
      flatter the sick&mdash;it is kind. Me you overrate, I fear; but you do
      well to honor music. Ay, I, who lie here wounded and broken-hearted, do
      thank God for music. Our bodies are soon crushed, our loves decay or turn
      to hate, but art is immortal.&rdquo;
     </p>
    <p>
      She could no longer roll this out in her grand contralto, but she could
      still raise her eyes with enthusiasm, and her pale face was illuminated. A
      grand soul shone through her, though she was pale, weak, and prostrate.
    </p>
    <p>
      They admired her in silence.
    </p>
    <p>
      After a while she resumed, and said, &ldquo;If I live, I must live for my art
      alone.&rdquo;
     </p>
    <p>
      Miss Gale saw her approaching a dangerous topic, so she said, hastily,
      &ldquo;Don't say <i>if</i> you live, please, because that is arranged. You have
      been out of danger this twenty-four hours, provided you do not relapse;
      and I must take care of that.&rdquo;
     </p>
    <p>
      &ldquo;My kind friend,&rdquo; said Ina, &ldquo;I shall not relapse; only my weakness is
      pitiable. Sometimes I can scarcely forbear crying, I feel so weak. When
      shall I be stronger?&rdquo;
     </p>
    <p>
      &ldquo;You shall be a little stronger every three days. There are always ups and
      downs in convalescence.&rdquo;
     </p>
    <p>
      &ldquo;When shall I be strong enough to move?&rdquo;
     </p>
    <p>
      &ldquo;Let me answer that question,&rdquo; said Vizard. &ldquo;When you are strong enough to
      sing us Siebel's great song.&rdquo;
     </p>
    <p>
      &ldquo;There,&rdquo; said Fanny Dover; &ldquo;there is a mercenary host for you. He means to
      have a song out of you. Till then you are his prisoner.&rdquo;
     </p>
    <p>
      &ldquo;No, no, she is mine,&rdquo; said Miss Gale; &ldquo;and she shan't go till she has
      sung me 'Hail, Columbia.' None of your Italian trash for me.&rdquo;
     </p>
    <p>
      Ina smiled, and said it was a fair condition, provided that &ldquo;Hail,
      Columbia,&rdquo; with which composition, unfortunately, she was unacquainted,
      was not beyond her powers. &ldquo;I have often sung for money,&rdquo; said she; &ldquo;but
      this time&rdquo;&mdash;here she opened her grand arms and took Rhoda Gale to her
      bosom&mdash;&ldquo;I shall sing for love.&rdquo;
     </p>
    <p>
      &ldquo;Now we have settled that,&rdquo; said Vizard, &ldquo;my mind is more at ease, and I
      will retire.&rdquo;
     </p>
    <p>
      &ldquo;One moment,&rdquo; said Ina, turning to him. Then, in a low and very meaning
      voice, <i>&ldquo;There is something else.&rdquo;</i>
    </p>
    <p>
      &ldquo;No doubt there is plenty,&rdquo; said Miss Gale, sharply; &ldquo;and, by my
      authority, I postpone it all till you are stronger. Bid us good-by for the
      present, Mr. Vizard.&rdquo;
     </p>
    <p>
      &ldquo;I obey,&rdquo; said he. &ldquo;But, madam, please remember I am always at your
      service. Send for me when you please, and the oftener the better for me.&rdquo;
     </p>
    <p>
      &ldquo;Thank you, my kind host. Oblige me with your hand.&rdquo;
     </p>
    <p>
      He gave her his hand. She took it, and put her lips to it with pure and
      gentle and seemly gratitude, and with no loss of dignity, though the act
      was humble.
    </p>
    <p>
      He turned his head away, to hide the emotion that act and the touch of her
      sweet lips caused him; Miss Gale hurried him out of the room.
    </p>
    <p>
      &ldquo;You naughty patient,&rdquo; said she; &ldquo;you must do nothing to excite yourself.&rdquo;
     </p>
    <p>
      &ldquo;Sweet physician, loving nurse, I am not excited.&rdquo;
     </p>
    <p>
      Miss Gale felt her heart to see.
    </p>
    <p>
      &ldquo;Gratitude does not excite,&rdquo; said Ina. &ldquo;It is too tame a feeling in the
      best of us.&rdquo;
     </p>
    <p>
      &ldquo;That is a fact,&rdquo; said Miss Gale; &ldquo;so let us all be grateful, and avoid
      exciting topics. Think what I should feel if you had a relapse. Why, you
      would break my heart.&rdquo;
     </p>
    <p>
      &ldquo;Should I?&rdquo;
     </p>
    <p>
      &ldquo;I really think you would, tough as it is. One gets so fond of an
      unselfish patient. You cannot think how rare they are, dear. You are a
      pearl. I cannot afford to lose you.&rdquo;
     </p>
    <p>
      &ldquo;Then you shall not,&rdquo; said Ina, firmly. &ldquo;Know that I, who seem so weak, am
      a woman of great resolution. I will follow good counsel; I will postpone
      all dangerous topics till I am stronger; I will live. For I will not
      grieve the true friends calamity has raised me.&rdquo;
     </p>
    <p>
      Of course Fanny told Zoe all about this interview. She listened gloomily;
      and all she said was, &ldquo;Sisters do not go for much when a man is in love.&rdquo;
     </p>
    <p>
      &ldquo;Do brothers, when a woman is?&rdquo; said Fanny.
    </p>
    <p>
      &ldquo;I dare say they go for as much as they are worth.&rdquo;
     </p>
    <p>
      &ldquo;Zoe, that is not fair. Harrington is full of affection for you. But you
      will not go near him. Any other man would be very angry. Do pray make an
      effort, and come down to dinner to-day.&rdquo;
     </p>
    <p>
      &ldquo;No, no. He has you and his Klosking. And I have my broken heart. I <i>am</i>
      alone; and so will be all alone.&rdquo;
     </p>
    <p>
      She cried and sobbed, but she was obstinate, and Fanny could only let her
      have her own way in that.
    </p>
    <p>
      Another question was soon disposed of. When Fanny invited her into the
      sickroom, she said, haughtily, &ldquo;I go there no more. Cure her, and send her
      away&mdash;if Harrington will let her go. I dare say she is to be pitied.&rdquo;
     </p>
    <p>
      &ldquo;Of course she is. She is your fellow-victim, if you would only let
      yourself see it.&rdquo;
     </p>
    <p>
      &ldquo;Unfortunately, instead of pitying her, I hate her. She has destroyed my
      happiness, and done herself no good. He does not love her, and never
      will.&rdquo;
     </p>
    <p>
      Fanny found herself getting angry, so she said no more; for she was
      determined nothing should make her quarrel with poor Zoe; but after
      dinner, being <i>te'te-'a-te'te</i> with Vizard, she told him she was
      afraid Zoe could not see things as they were; and she asked him if he had
      any idea what had become of Severne.
    </p>
    <p>
      &ldquo;Fled the country, I suppose.&rdquo;
     </p>
    <p>
      &ldquo;Are you sure he is not lurking about?&rdquo;
     </p>
    <p>
      &ldquo;What for?&rdquo;
     </p>
    <p>
      &ldquo;To get a word with Zoe&mdash;alone.&rdquo;
     </p>
    <p>
      &ldquo;He will not come near this. I will break every bone in his skin if he
      does.&rdquo;
     </p>
    <p>
      &ldquo;But he is so sly; he might hang about.&rdquo;
     </p>
    <p>
      &ldquo;What for? She never goes out; and if she did, have you so poor an opinion
      of her as to think she would speak to him?&rdquo;
     </p>
    <p>
      &ldquo;Oh, no! and she would forbid him to speak to her. But he would be sure to
      persist; and he has such wonderful powers of explanation, and she is
      blinded by love, I think he would make her believe black was white, if he
      had a chance; and if he is about, he will get a chance some day. She is
      doing the very worst thing she could&mdash;shutting herself up so. Any
      moment she will turn wild, and rush out reckless. She is in a dangerous
      state, you mark my words; she is broken-hearted, and yet she is bitter
      against everybody, except that young villain, and he is the only enemy she
      has in the world. I don't believe Mademoiselle Klosking ever wronged her,
      nor ever will. Appearances are against her; but she is a good woman, or I
      am a fool. Take my advice, Harrington, and be on your guard. If he had
      written a penitent letter to Mademoiselle Klosking, that would be a
      different thing; but he ignores her, and that frightens me for Zoe.&rdquo;
     </p>
    <p>
      Harrington would not admit that Zoe needed any other safeguard against a
      detected scoundrel than her own sense of dignity. He consented, however,
      to take precautions, if Fanny would solemnly promise not to tell Zoe, and
      so wound her. On that condition, he would see his head-keeper tomorrow,
      and all the keepers and watchers should be posted so as to encircle the
      parish with vigilance. He assured Fanny these fellows had a whole system
      of signals to the ear and eye, and Severne could not get within a mile of
      the house undetected. &ldquo;But,&rdquo; said he, &ldquo;I will not trust to that alone. I
      will send an advertisement to the local papers and the leading London
      journals, so worded that the scoundrel shall know his forgery is detected,
      and that he will be arrested on a magistrate's warrant if he sets foot in
      Barfordshire.&rdquo;
     </p>
    <p>
      Fanny said that was capital, and, altogether, he had set her mind at rest.
    </p>
    <p>
      &ldquo;Then do as much for me,&rdquo; said Vizard. &ldquo;Please explain a remarkable
      phenomenon. You were always a bright girl, and no fool; but not exactly
      what humdrum people would call a good girl. You are not offended?&rdquo;
     </p>
    <p>
      &ldquo;The idea! Why, I have publicly disowned goodness again and again. You
      have heard me.&rdquo;
     </p>
    <p>
      &ldquo;So I have. But was not that rather deceitful of you? for you have turned
      out as good as gold. Anxiety has kept me at home of late, and I have
      watched you. You live for others; you are all over the house to serve two
      suffering <i>women.</i> That is real charity, not sexual charity, which
      humbugs the world, but not me. You are cook, housemaid, butler, nurse, and
      friend to both of them. In an interval of your time, so creditably
      employed, you come and cheer me up with your bright little face, and give
      me wise advice. I know that women are all humbugs; only you are a humbug
      reversed, and deserve a statue&mdash;and trimmings. You have been passing
      yourself off for a naughty girl, and all the time you were an extra good
      one.&rdquo;
     </p>
    <p>
      &ldquo;And that puzzles the woman-hater, the cynical student, who says he has
      fathomed woman. My poor dear Harrington, if you cannot read so shallow a
      character as I am, how will you get on with those ladies upstairs&mdash;Zoe,
      who is as deep as the sea, and turbid with passion, and the Klosking, who
      is as deep as the ocean?&rdquo;
     </p>
    <p>
      She thought a moment and said, &ldquo;There, I will have pity on you. You shall
      understand one woman before you die, and that is me. I'll give you the
      clew to my seeming inconsistencies&mdash;if <i>you</i> will give <i>me</i>
      a cigarette.&rdquo;
     </p>
    <p>
      &ldquo;What! another hidden virtue? You smoke?&rdquo;
     </p>
    <p>
      &ldquo;Not I, except when I happen to be with a noble soul who won't tell.&rdquo;
     </p>
    <p>
      Vizard found her a Russian cigarette, and lighted his own cigar, and she
      lectured as follows:
    </p>
    <p>
      &ldquo;What women love, and can't do without, if they are young and healthy and
      spirited, is&mdash;Excitement. I am one who pines for it. Now, society is
      so constructed that to get excitement you must be naughty. Waltzing all
      night and flirting all day are excitement. Crochet, and church, and
      examining girls in St. Matthew, and dining <i>en famille,</i> and going to
      bed at ten, are stagnation. Good girls&mdash;that means stagnant girls: I
      hate and despise the tame little wretches, and I never was one, and never
      will be. But now look here: We have two ladies in love with one villain&mdash;that
      is exciting. One gets nearly killed in the house&mdash;that is gloriously
      exciting. The other is broken-hearted. If I were to be a bad girl, and
      say, 'It is not my business; I will leave them to themselves, and go my
      little mill-round of selfishness as before,' why, what a fool I must be! I
      should lose Excitement. Instead of that, I run and get thinks for the
      Klosking&mdash;Excitement. I cook for her, and nurse her, and sit up half
      the night&mdash;Excitement. Then I run to Zoe, and do my best for her&mdash;and
      get snubbed&mdash;Excitement. Then I sit at the head of your table, and
      order you&mdash;Excitement. Oh, it is lovely!&rdquo;
     </p>
    <p>
      &ldquo;Shall you not be sorry when they both get well, and Routine recommences?&rdquo;
     </p>
    <p>
      &ldquo;Of course I shall. That is the sort of good girl I am. And, oh! when that
      fatal day comes, how I shall flirt. Heaven help my next flirtee! I shall
      soon flirt out the stigma of a good girl. You mark my words, I shall flirt
      with some <i>married man</i> after this. I never did that yet. But I
      shall; I know I shall.&mdash;Ah!&mdash;there, I have burned my finger.&rdquo;
     </p>
    <p>
      &ldquo;Never mind. That is exciting.&rdquo;
     </p>
    <p>
      &ldquo;As such I accept it. Good-by. I must go and relieve Miss Gale. Exit the
      good girl on her mission of charity&mdash;ha! ha!&rdquo; She hummed a <i>valse
      'a deux temps,</i> and went dancing out with such a whirl that her
      petticoats, which were ample, and not, as now, like a sack tied at the
      knees, made quite a cool air in the room.
    </p>
    <p>
      She had not been gone long when Miss Gale came down, full of her patient.
      She wanted to get her out of bed during the daytime, but said she was not
      strong enough to sit up. Would he order an invalid couch down from London?
      She described the article, and where it was to be had.
    </p>
    <p>
      He said Harris should go up in the morning and bring one down with him.
    </p>
    <p>
      He then put her several questions about her patient; and at last asked
      her, with an anxiety he in vain endeavored to conceal, what she thought
      was the relation between her and Severne.
    </p>
    <p>
      Now it may be remembered that Miss Gale had once been on the point of
      telling him all she knew, and had written him a letter. But at that time
      the Klosking was not expected to appear on the scene in person. Were she
      now to say she had seen her and Severne living together, Rhoda felt that
      she should lower her patient. She had not the heart to do that.
    </p>
    <p>
      Rhoda Gale was not of an amorous temperament, and she was all the more
      open to female attachments. With a little encouragement she would have
      loved Zoe, but she had now transferred her affection to the Klosking. She
      replied to Vizard almost like a male lover defending the object of his
      affection.
    </p>
    <p>
      &ldquo;The exact relation is more than I can tell; but I think he has lived upon
      her, for she was richer than he was; and I feel sure he has promised her
      marriage. And my great fear now is lest he should get hold of her and keep
      his promise. He is as poor as a rat or a female physician; and she has a
      fortune in her voice, and has money besides, Miss Dover tells me. Pray
      keep her here till she is quite well, please.&rdquo;
     </p>
    <p>
      &ldquo;I will.&rdquo;
     </p>
    <p>
      &ldquo;And then let me have her up at Hillstoke. She is beginning to love me,
      and I dote on her.&rdquo;
     </p>
    <p>
      &ldquo;So do I.&rdquo;
     </p>
    <p>
      &ldquo;Ah, but you must not.&rdquo;
     </p>
    <p>
      &ldquo;Why not?&rdquo;
     </p>
    <p>
      &ldquo;Because.&rdquo;
     </p>
    <p>
      &ldquo;Well, why not?&rdquo;
     </p>
    <p>
      &ldquo;She is not to love any man again who will not marry her. I won't let her.
      I'll kill her first, I love her so. A rogue she shan't marry, and I can't
      let you marry her, because, her connection with that Severne is
      mysterious. She seems the soul of virtue, but I could not let <i>you</i>
      marry her until things are clearer.&rdquo;
     </p>
    <p>
      &ldquo;Make your mind easy. I will not marry her&mdash;nor anybody else&mdash;till
      things are a great deal clearer than I have ever found them, where your
      sex is concerned.&rdquo;
     </p>
    <p>
      Miss Gale approved the resolution.
    </p>
    <p>
      Next day Vizard posted his keepers, and sent his advertisements to the
      London and country journals.
    </p>
    <p>
      Fanny came into his study to tell him there was more trouble&mdash;Miss
      Maitland taken seriously ill, and had written to Zoe.
    </p>
    <p>
      &ldquo;Poor old soul!&rdquo; said Vizard. &ldquo;I have a great mind to ride over and see
      her.&rdquo;
     </p>
    <p>
      &ldquo;Somebody ought to go,&rdquo; said Fanny.
    </p>
    <p>
      &ldquo;Well, you go.&rdquo;
     </p>
    <p>
      &ldquo;How can I&mdash;with Zoe, and Mademoiselle Klosking, and you, to look
      after?&rdquo;
     </p>
    <p>
      &ldquo;Instead of one old woman. Not much excitement in that.&rdquo;
     </p>
    <p>
      &ldquo;No, cousin. To think of your remembering! Why, you must have gone to bed
      sober.&rdquo;
     </p>
    <p>
      &ldquo;I often do.&rdquo;
     </p>
    <p>
      &ldquo;You were always an eccentric landowner.&rdquo;
     </p>
    <p>
      &ldquo;Don't you talk. You are a caricature.&rdquo;
     </p>
    <p>
      This banter was interrupted by Miss Gale, who came to tell Harrington
      Mademoiselle Klosking desired to see him, at his leisure.
    </p>
    <p>
      He said he would come directly.
    </p>
    <p>
      &ldquo;Before you go,&rdquo; said Miss Gale, &ldquo;let us come to an understanding. She had
      only two days' fever; but that fever, and the loss of blood, and the shock
      to her nerves, brought her to death's door by exhaustion. Now she is
      slowly recovering her strength, because she has a healthy stomach, and I
      give her no stimulants to spur and then weaken her, but choice and simple
      esculents, the effect of which I watch, and vary them accordingly. But the
      convalescent period is always one of danger, especially from chills to the
      body, and excitements to the brain. At no period are more patients thrown
      away for want of vigilance. Now I can guard against chills and other
      bodily things, but not against excitements&mdash;unless you co-operate.
      The fact is, we must agree to avoid speaking about Mr. Severne. We must be
      on our guard. We must parry; we must evade; we must be deaf, stupid,
      slippery; but no Severne&mdash;for five or six days more, at all events.&rdquo;
     </p>
    <p>
      Thus forewarned, Vizard, in due course, paid his second visit to Ina
      Klosking.
    </p>
    <p>
      He found her propped up with pillows this time. She begged him to be
      seated.
    </p>
    <p>
      She had evidently something on her mind, and her nurses watched her like
      cats.
    </p>
    <p>
      &ldquo;You are fond of music, sir?&rdquo;
     </p>
    <p>
      &ldquo;Not of all music. I adore good music, I hate bad, and I despise mediocre.
      Silence is golden, indeed, compared with poor music.&rdquo;
     </p>
    <p>
      &ldquo;You are right, sir. Have you good music in the house?&rdquo;
     </p>
    <p>
      &ldquo;A little. I get all the operas, and you know there are generally one or
      two good things in an opera&mdash;among the rubbish. But the great bulk of
      our collection is rather old-fashioned. It is sacred music&mdash;oratorios,
      masses, anthems, services, chants. My mother was the collector. Her tastes
      were good, but narrow. Do you care for that sort of music?&rdquo;
     </p>
    <p>
      &ldquo;Sacred music? Why, it is, of all music, the most divine, and soothes the
      troubled soul. Can I not see the books? I read music like words. By
      reading I almost hear.&rdquo;
     </p>
    <p>
      &ldquo;We will bring you up a dozen books to begin on.&rdquo;
     </p>
    <p>
      He went down directly; and such was his pleasure in doing anything for the
      Klosking that he executed the order in person, brought up a little pile of
      folios and quartos, beautifully bound and lettered, a lady having been the
      collector.
    </p>
    <p>
      Now, as he mounted the stairs, with his very chin upon the pile, who
      should he see looking over the rails at him but his sister Zoe.
    </p>
    <p>
      She was sadly changed. There was a fixed ashen pallor on her cheek, and a
      dark circle under her eyes.
    </p>
    <p>
      He stopped to look at her. &ldquo;My poor child,&rdquo; said he, &ldquo;you look very ill.&rdquo;
     </p>
    <p>
      &ldquo;I am very ill, dear.&rdquo;
     </p>
    <p>
      &ldquo;Would you not be better for a change?&rdquo;
     </p>
    <p>
      &ldquo;I might.&rdquo;
     </p>
    <p>
      &ldquo;Why coop yourself up in your own room? Why deny yourself a brother's
      sympathy?&rdquo;
     </p>
    <p>
      The girl trembled, and tears came to her eyes.
    </p>
    <p>
      &ldquo;Is it with me you sympathize?&rdquo; said she.
    </p>
    <p>
      &ldquo;Can you doubt it, Zoe?&rdquo;
     </p>
    <p>
      Zoe hung her head a moment, and did not reply. Then she made a diversion.
      &ldquo;What are those books? Oh, I see&mdash;your mother's music-books. Nothing
      is too good for <i>her.&rdquo;</i>
    </p>
    <p>
      &ldquo;Nothing in the way of music-books is too good for her. For shame! are you
      jealous of that unfortunate lady?&rdquo;
     </p>
    <p>
      Zoe made no reply.
    </p>
    <p>
      She put her hands before her face, that Vizard might not see her mind.
    </p>
    <p>
      Then he rested his books on a table, and came and took her head in his
      hands paternally. &ldquo;Do not shut yourself up any longer. Solitude is
      dangerous to the afflicted. Be more with me than ever, and let this cruel
      blow bind us more closely, instead of disuniting us.&rdquo;
     </p>
    <p>
      He kissed her lovingly, and his kind words set her tears flowing; but they
      did her little good&mdash;they were bitter tears. Between her and her
      brother there was now a barrier sisterly love could not pass. He hated and
      despised Edward Severne; and she only distrusted him, and feared he was a
      villain. She loved him still with every fiber of her heart, and pined for
      his explanation of all that seemed so dark.
    </p>
    <p>
      So then he entered the sick-room with his music-books; and Zoe, after
      watching him in without seeming to do so, crept away to her own room.
    </p>
    <p>
      Then there was rather a pretty little scene. Miss Gale and Miss Dover, on
      each side of the bed, held a heavy music-book, and Mademoiselle Klosking
      turned the leaves and read, when the composition was worth reading. If it
      was not, she quietly passed it over, without any injurious comment.
    </p>
    <p>
      Vizard watched her from the foot of the bed, and could tell in a moment,
      by her face, whether the composition was good, bad, or indifferent. When
      bad, her face seemed to turn impassive, like marble; when good, to expand;
      and when she lighted on a masterpiece, she was almost transfigured, and
      her face shone with elevated joy.
    </p>
    <p>
      This was a study to the enamored Vizard, and it did not escape the
      quick-sighted doctress. She despised music on its own merits, but she
      despised nothing that could be pressed into the service of medicine; and
      she said to herself, &ldquo;I'll cure her with esculents and music.&rdquo;
     </p>
    <p>
      The book was taken away to make room for another.
    </p>
    <p>
      Then said Ina Klosking, &ldquo;Mr. Vizard, I desire to say a word to you. Excuse
      me, my dear friends.&rdquo;
     </p>
    <p>
      Miss Gale colored up. She had not foreseen a <i>te'te-'a-te'te</i> between
      Vizard and her patient. However, there was no help for it, and she
      withdrew to a little distance with Fanny; but she said to Vizard, openly
      and expressively, &ldquo;Remember!&rdquo;
     </p>
    <p>
      When they had withdrawn a little way, Ina Klosking fixed her eyes on
      Vizard, and said, in a low voice, &ldquo;Your sister!&rdquo;
     </p>
    <p>
      Vizard started a little at the suddenness of this, but he said nothing: he
      did not know what to say.
    </p>
    <p>
      When she had waited a little, and he said nothing, she spoke again. &ldquo;Tell
      me something about her. Is she good? Forgive me: it is not that I doubt.&rdquo;
     </p>
    <p>
      &ldquo;She is good, according to her lights.&rdquo;
     </p>
    <p>
      &ldquo;Is she proud?&rdquo;
     </p>
    <p>
      &ldquo;Yes.&rdquo;
     </p>
    <p>
      &ldquo;Is she just?&rdquo;
     </p>
    <p>
      &ldquo;No. And I never met a woman that was.&rdquo;
     </p>
    <p>
      &ldquo;Indeed it is rare. Why does she not visit me?&rdquo;
     </p>
    <p>
      &ldquo;I don't know&rdquo;
     </p>
    <p>
      &ldquo;She blames me for all that has happened.&rdquo;
     </p>
    <p>
      &ldquo;I don't know, madam. My sister looks very ill, and keeps her own room. If
      she does not visit you, she holds equally aloof from us all. She has not
      taken a single meal with me for some days.&rdquo;
     </p>
    <p>
      &ldquo;Since I was your patient and your guest.&rdquo;
     </p>
    <p>
      &ldquo;Pray do not conclude from that&mdash;Who can interpret a woman?&rdquo;
     </p>
    <p>
      &ldquo;Another woman. Enigmas to you, we are transparent to each other. Sir,
      will you grant me a favor? Will you persuade Miss Vizard to see me here
      alone&mdash;all alone? It will be a greater trial to me than to her, for I
      am weak. In this request I am not selfish. She can do nothing for me; but
      I can do a little for her, to pay the debt of gratitude I owe this
      hospitable house. May Heaven bless it, from the roof to the foundation
      stone!&rdquo;
     </p>
    <p>
      &ldquo;I will speak to my sister, and she shall visit you&mdash;with the consent
      of your physician.&rdquo;
     </p>
    <p>
      &ldquo;It is well,&rdquo; said Ina Klosking, and beckoned her friends, one of whom,
      Miss Gale, proceeded to feel her pulse, with suspicious glances at Vizard.
      But she found the pulse calm, and said so.
    </p>
    <p>
      Vizard took his leave and went straight to Zoe's room. She was not there.
      He was glad of that, for it gave him hopes she was going to respect his
      advice and give up her solitary life.
    </p>
    <p>
      He went downstairs and on to the lawn to look for her. He could not see
      her anywhere.
    </p>
    <p>
      At last, when he had given up looking for her, he found her in his study
      crouched in a corner.
    </p>
    <p>
      She rose at sight of him and stood before him. &ldquo;Harrington,&rdquo; said she, in
      rather a commanding way, &ldquo;Aunt Maitland is ill, and I wish to go to her.&rdquo;
     </p>
    <p>
      Harrington stared at her with surprise. &ldquo;You are not well enough
      yourself.&rdquo;
     </p>
    <p>
      &ldquo;Quite well enough in body to go anywhere.&rdquo;
     </p>
    <p>
      &ldquo;Well, but&mdash;&rdquo; said Harrington.
    </p>
    <p>
      She caught him up impatiently. &ldquo;Surely you cannot object to my visiting
      Aunt Maitland. She is dangerously ill. I had a second letter this morning&mdash;see.&rdquo;
       And she held him out a letter.
    </p>
    <p>
      Harrington was in a difficulty. He felt sure this was not her real motive;
      but he did not like to say so harshly to an unhappy girl. He took a
      moderate course. &ldquo;Not just now, dear,&rdquo; said he.
    </p>
    <p>
      &ldquo;What! am I to wait till she dies?&rdquo; cried Zoe, getting agitated at his
      opposition.
    </p>
    <p>
      &ldquo;Be reasonable, dear. You know you are the mistress of this house. Do not
      desert me just now. Consider the position. It is a very chattering county.
      I entertain Mademoiselle Klosking; I could not do otherwise when she was
      nearly killed in my hall. But for my sister to go away while she remains
      here would have a bad effect.&rdquo;
     </p>
    <p>
      &ldquo;It is too late to think of that, Harrington. The mischief is done, and
      you must plead your eccentricity. Why should I bear the blame? I never
      approved it.&rdquo;
     </p>
    <p>
      &ldquo;You would have sent her to an inn, eh?&rdquo;
     </p>
    <p>
      &ldquo;No; but Miss Gale offered to take her.&rdquo;
     </p>
    <p>
      &ldquo;Then I am to understand that you propose to mark your reprobation of my
      conduct by leaving my house.&rdquo;
     </p>
    <p>
      &ldquo;What! publicly? Oh no. You may say to yourself that your sister could not
      bear to stay under the same roof with Mr. Severne's mistress. But this
      chattering county shall never know my mind. My aunt is dangerously ill.
      She lives but thirty miles off. She is a fit object of pity. She is a&mdash;respectable&mdash;lady;
      she is all alone; no female physician, no flirt turned Sister of Charity,
      no woman-hater, to fetch and carry for her. And so I shall go to her. I am
      your sister, not your slave. If you grudge me your horses, I will go on
      foot.&rdquo;
     </p>
    <p>
      Vizard was white with wrath, but governed himself like a man. &ldquo;Go on,
      young lady!&rdquo; said he; &ldquo;go on! Jeer, and taunt, and wound the best brother
      any young madwoman ever had. But don't think I'll answer you as you
      deserve. I'm too cunning. If I was to say an unkind word to you, I should
      suffer the tortures of the damned. So go on!&rdquo;
     </p>
    <p>
      &ldquo;No, no. Forgive me, Harrington. It is your opposition that drives me
      wild. Oh, have pity on me! I shall go mad if I stay here. Do, pray, pray,
      pray let me go to Aunt Maitland!&rdquo;
     </p>
    <p>
      &ldquo;You shall go, Zoe. But I tell you plainly, this step will be a blow to
      our affection&mdash;the first.&rdquo;
     </p>
    <p>
      Zoe cried at that. But as she did not withdraw her request, Harrington
      told her, with cold civility, that she must be good enough to be ready
      directly after breakfast to-morrow, and take as little luggage as she
      could with convenience to herself.
    </p>
    <p>
      Horses were sent on that night to the &ldquo;Fox,&rdquo; an inn half-way between
      Vizard Court and Miss Maitland's place.
    </p>
    <p>
      In the morning a light barouche, with a sling for luggage, came round, and
      Zoe was soon seated in it. Then, to her surprise, Harrington came out and
      sat beside her.
    </p>
    <p>
      She was pleased at this and said, &ldquo;What! are you going with me, dear, all
      that way?&rdquo;
     </p>
    <p>
      &ldquo;Yes, to save appearances,&rdquo; said he; and took out a newspaper to read.
    </p>
    <p>
      This froze Zoe, and she retired within herself.
    </p>
    <p>
      It was a fine fresh morning; the coachman drove fast; the air fanned her
      cheek; the motion was enlivening; the horses's hoofs rang quick and clear
      upon the road. Fresh objects met the eye every moment. Her heart was as
      sad and aching as before, but there arose a faint encouraging sense that
      some day she might be better, or things might take some turn.
    </p>
    <p>
      When they had rolled about ten miles she said, in a low voice,
      &ldquo;Harrington.&rdquo;
     </p>
    <p>
      &ldquo;Well?&rdquo;
     </p>
    <p>
      &ldquo;You were right. Cooping one's self up is the way to go mad.&rdquo;
     </p>
    <p>
      &ldquo;Of course it is.&rdquo;
     </p>
    <p>
      &ldquo;I feel a little better now&mdash;a very little.&rdquo;
     </p>
    <p>
      &ldquo;I am glad of it.&rdquo;
     </p>
    <p>
      But he was not hearty, and she said no more.
    </p>
    <p>
      He was extremely attentive to her all the journey, and, indeed, had never
      been half so polite to her.
    </p>
    <p>
      This, however, led to a result he did not intend nor anticipate. Zoe,
      being now cool, fell into a state of compunction and dismay. She saw his
      affection leaving her for <i>her,</i> and stiff politeness coming instead.
    </p>
    <p>
      She leaned forward, put her hands on his knees, and looked, all scared, in
      his face. &ldquo;Harrington,&rdquo; she cried, &ldquo;I was wrong. What is Aunt Maitland to
      me? You are my all. Bid him turn the horses' heads and go home.&rdquo;
     </p>
    <p>
      &ldquo;Why, we are only six miles from the place.&rdquo;
     </p>
    <p>
      &ldquo;What does that matter? We shall have had a good long drive together, and
      I will dine with you after it; and I will ride or drive with you every
      day, if you will let me.&rdquo;
     </p>
    <p>
      Vizard could not help smiling. He was disarmed. &ldquo;You impulsive young
      monkey,&rdquo; said he, &ldquo;I shall do nothing of the kind. In the first place, I
      couldn't turn back from anything; I'm only a man. In the next place, I
      have been thinking it over, as you have; and this is a good move of ours,
      though I was a little mortified at first. Occupation is the best cure of
      love, and this old lady will find you plenty. Besides, nursing improves
      the character. Look at that frivolous girl Fanny, how she has come out.
      And you know, Zoe, if you get sick of it in a day or two, you have only to
      write to me, and I will send for you directly. A short absence, with so
      reasonable a motive as visiting a sick aunt, will provoke no comments. It
      is all for the best.&rdquo;
     </p>
    <p>
      This set Zoe at her ease, and brother and sister resumed their usual
      manners.
    </p>
    <p>
      They reached Miss Maitland's house, and were admitted to her sick-room.
      She was really very ill, and thanked them so pathetically for coming to
      visit a poor lone old woman that now they were both glad they had come.
    </p>
    <p>
      Zoe entered on her functions with an alacrity that surprised herself, and
      Vizard drove away. But he did not drive straight home. He had started from
      Vizard Court with other views. He had telegraphed Lord Uxmoor the night
      before, and now drove to his place, which was only five miles distant. He
      found him at home, and soon told him his errand. &ldquo;Do you remember meeting
      a young fellow at my house, called Severne?&rdquo;
     </p>
    <p>
      &ldquo;I do,&rdquo; said Lord Uxmoor, dryly enough.
    </p>
    <p>
      &ldquo;Well, he has turned out an impostor.&rdquo;
     </p>
    <p>
      Uxmoor's eye flashed. He had always suspected Severne of being his rival
      and a main cause of his defeat. &ldquo;An impostor?&rdquo; said he: &ldquo;that is rather a
      strong word. Certainly I never heard a gentleman tell such a falsehood as
      he volunteered about&mdash;what's the fellow's name?&mdash;a detective.&rdquo;
     </p>
    <p>
      &ldquo;Oh, Poikilus. That is nothing. That was one of his white lies. He is a
      villain all round, and a forger by way of climax.&rdquo;
     </p>
    <p>
      &ldquo;A forger! What, a criminal?&rdquo;
     </p>
    <p>
      &ldquo;Rather! Here are his drafts. The drawer and acceptor do not exist. The
      whole thing was written by Edward Severne, whose indorsement figures on
      the bill. He got me to cash these bills. I deposit them with you, and I
      ask you for a warrant to commit him&mdash;if he should come this way.&rdquo;
     </p>
    <p>
      &ldquo;Is that likely?&rdquo;
     </p>
    <p>
      &ldquo;Not at all; it is a hundred to one he never shows his nose again in
      Barfordshire. When he was found out, he bolted, and left his very clothes
      in my house. I packed them off to the 'Swan' at Taddington. He has never
      been heard of since; and I have warned him, by advertisement, that he will
      be arrested if ever he sets foot in Barfordshire.&rdquo;
     </p>
    <p>
      &ldquo;Well, then?&rdquo;
     </p>
    <p>
      &ldquo;Well, then, I am not going to throw away a chance. The beggar had the
      impudence to spoon on my sister Zoe. That was my fault, not hers. He was
      an old college acquaintance, and I gave him opportunities&mdash;I deserve
      to be horsewhipped. However, I am not going to commit the same blunder
      twice. My sister is in your neighborhood for a few days.&rdquo;
     </p>
    <p>
      &ldquo;Ah!&rdquo;
     </p>
    <p>
      &ldquo;And perhaps you will be good enough to keep your eye on her.&rdquo;
     </p>
    <p>
      &ldquo;I feel much honored by such a commission. But you have not told me where
      Miss Vizard is.&rdquo;
     </p>
    <p>
      &ldquo;With her aunt, Miss Maitland, at Somerville Villa, near Bagley. Apropos,
      I had better tell you what she is there for, or your good dowager will be
      asking her to parties. She has come to nurse her aunt Maitland. The old
      lady is seriously ill, and all our young coquettes are going in for
      nursing. We have a sick lady at our house, I am sorry to say, and she is
      nursed like a queen by Doctress Gale and ex Flirt Fanny Dover. Now is
      fulfilled the saying that was said,
    </p>
    <p>
      'O woman! in our hours of ease&mdash;'
    </p>
    <p>
      I spare you the rest, and simply remark that our Zoe, fired by the example
      of those two ladies, has devoted herself to nursing Aunt Maitland. It is
      very good of her, but experience tells me she will very soon find it
      extremely trying; and as she is a very pretty girl, and therefore a fit
      subject of male charity, you might pay her a visit now and then, and show
      her that this best of all possible worlds contains young gentlemen of
      distinction, with long and glossy beards, as well as peevish old women,
      who are extra selfish and tyrannical when they happen to be sick.&rdquo;
     </p>
    <p>
      Uxmoor positively radiated as this programme was unfolded to him. Vizard
      observed that, and chuckled inwardly.
    </p>
    <p>
      He then handed him the forged acceptances.
    </p>
    <p>
      Lord Uxmoor begged him to write down the facts on paper, and also his
      application for the warrant. He did so. Lord Uxmoor locked the paper up,
      and the friends parted. Vizard drove off, easy in his mind, and
      congratulating himself, not unreasonably, on his little combination, by
      means of which he had provided his sister with a watch-dog, a companion,
      and an honorable lover all in one.
    </p>
    <p>
      Uxmoor put on his hat and strode forth into his own grounds, with his
      heart beating high at this strange turn of things in favor of his love.
    </p>
    <p>
      Neither foresaw the strange combinations which were to arise out of an
      event that appeared so simple and one-sided.
    </p>
    <p>
      <a name="link2HCH0022" id="link2HCH0022">
      <!--  H2 anchor --> </a>
    </p>
    <div style="height: 4em;">
      <br /><br /><br /><br />
    </div>
    <h2>
      CHAPTER XXII.
    </h2>
    <p>
      INA KLOSKING'S cure was retarded by the state of her mind. The excitement
      and sharp agony her physician had feared died away as the fever of the
      brain subsided; but then there settled down a grim, listless lethargy,
      which obstructed her return to health and vigor. Once she said to Rhoda
      Gale, &ldquo;But I have nothing to get well for.&rdquo;
     </p>
    <p>
      As a rule, she did not speak her mind, but thought a great deal. She often
      asked after Zoe; and her nurses could see that her one languid anxiety was
      somehow connected with that lady. Yet she did not seem hostile to her now,
      nor jealous. It was hard to understand her; she was reserved, and very
      deep.
    </p>
    <p>
      The first relief to the deadly languor of her mind came to her from Music.
      That was no great wonder; but, strange to say, the music that did her good
      was neither old enough to be revered, nor new enough to be fashionable. It
      was English music too, and <i>passe''</i> music. She came across a
      collection of Anglican anthems and services&mdash;written, most of it,
      toward the end of the last century and the beginning of this. The
      composers' names promised little: they were Blow, Nares, Green, Kent,
      King, Jackson, etc. The words and the music of these compositions seemed
      to suit one another; and, as they were all quite new to her, she went
      through them almost eagerly, and hummed several of the strains, and with
      her white but now thin hand beat time to others. She even sent for Vizard,
      and said to him, &ldquo;You have a treasure here. Do you know these
      compositions?&rdquo;
     </p>
    <p>
      He inspected his treasure. &ldquo;I remember,&rdquo; said he, &ldquo;my mother used to sing
      this one, 'When the Eye saw Her, then it blessed Her;' and parts of this
      one, 'Hear my Prayer;' and, let me see, she used to sing this psalm,
      'Praise the Lord,' by Jackson. I am ashamed to say I used to ask for
      'Praise the Lord Jackson,' meaning to be funny, not devout.&rdquo;
     </p>
    <p>
      &ldquo;She did not choose ill,&rdquo; said Ina. &ldquo;I thought I knew English music, yet
      here is a whole stream of it new to me. Is it esteemed?&rdquo;
     </p>
    <p>
      &ldquo;I think it was once, but it has had its day.&rdquo;
     </p>
    <p>
      &ldquo;That is strange; for here are some immortal qualities. These composers
      had brains, and began at the right end; they selected grand and tuneful
      words, great and pious thoughts; they impregnated themselves with those
      words and produced appropriate music. The harmonies are sometimes thin,
      and the writers seem scarcely to know the skillful use of discords; but
      they had heart and invention; they saw their way clear before they wrote
      the first note; there is an inspired simplicity and fervor: if all these
      choice things are dead, they must have fallen upon bad interpreters.&rdquo;
     </p>
    <p>
      &ldquo;No doubt,&rdquo; said Vizard; &ldquo;so please get well, and let me hear these pious
      strains, which my poor dear mother loved so well, interpreted worthily.&rdquo;
     </p>
    <p>
      The Klosking's eyes filled. &ldquo;That is a temptation,&rdquo; said she, simply. Then
      she turned to Rhoda Gale. &ldquo;Sweet physician, he has done me good. He has
      given me something to get well for.&rdquo;
     </p>
    <p>
      Vizard's heart yearned. &ldquo;Do not talk like that,&rdquo; said he, buoyantly; then,
      in a broken voice, &ldquo;Heaven forbid you should have nothing better to live
      for than that.&rdquo;
     </p>
    <p>
      &ldquo;Sir,&rdquo; said she, gravely, &ldquo;I have nothing better to live for now than to
      interpret good music worthily.&rdquo;
     </p>
    <p>
      There was a painful silence.
    </p>
    <p>
      Ina broke it. She said, quite calmly, &ldquo;First of all, I wish to know how
      others interpret these strains your mother loved, and I have the honor to
      agree with her.&rdquo;
     </p>
    <p>
      &ldquo;Oh,&rdquo; said Vizard, &ldquo;we will soon manage that for you. These things are not
      defunct, only unfashionable. Every choir in England has sung them, and can
      sing them, after a fashion; so, at twelve o'clock to-morrow, look out&mdash;for
      squalls!&rdquo;
     </p>
    <p>
      He mounted his horse, rode into the cathedral town&mdash;distant eight
      miles&mdash;and arranged with the organist for himself, four leading boys,
      and three lay clerks. He was to send a carriage in for them after the
      morning service, and return them in good time for vespers.
    </p>
    <p>
      Fanny told Ina Klosking, and she insisted on getting up.
    </p>
    <p>
      By this time Doctress Gale had satisfied herself that a little excitement
      was downright good for her patient, and led to refreshing sleep. So they
      dressed her loosely but very warmly, and rolled her to the window on her
      invalid couch, set at a high angle. It was a fine clear day in October,
      keen but genial; and after muffling her well, they opened the window.
    </p>
    <p>
      While she sat there, propped high, and inhaling the pure air, Vizard
      conveyed his little choir, by another staircase, into the antechamber;
      and, under his advice, they avoided preludes and opened in full chorus
      with Jackson's song of praise.
    </p>
    <p>
      At the first burst of sacred harmony, Ina Klosking was observed to quiver
      all over.
    </p>
    <p>
      They sung it rather coarsely, but correctly and boldly, and with a certain
      fervor. There were no operatic artifices to remind her of earth; the
      purity and the harmony struck her full. The great singer and sufferer
      lifted her clasped hands to God, and the tears flowed fast down her
      cheeks.
    </p>
    <p>
      These tears were balm to that poor lacerated soul, tormented by many
      blows.
    </p>
    <p>
      &ldquo;O lacrymarum fons, tenero sacros Ducemtium ortus ex animo, quater Felix,
      in imo qui scatentem Pectore, te, pia nympha, sensit.&rdquo;
     </p>
    <p>
      Rhoda Gale, who hated music like poison, crept up to her, and, infolding
      her delicately, laid a pair of wet eyes softly on her shoulder.
    </p>
    <p>
      Vizard now tapped at the door, and was admitted from the music-room. He
      begged Ina to choose another composition from her book. She marked a
      service and two anthems, and handed him the volume, but begged they might
      not be done too soon, one after the other. That would be quite enough for
      one day, especially if they would be good enough to repeat the hymn of
      praise to conclude; &ldquo;for,&rdquo; said she, &ldquo;these are things to be digested.&rdquo;
     </p>
    <p>
      Soon the boys' pure voices rose again and those poor dead English
      composers, with prosaic names, found their way again to the great foreign
      singer's soul.
    </p>
    <p>
      They sung an anthem, which is now especially despised by those great
      critics, the organists of the country&mdash;&ldquo;My Song shall be of Mercy and
      Judgment.&rdquo;
     </p>
    <p>
      The Klosking forgave the thinness of the harmony, and many little faults
      in the vocal execution. The words, no doubt, went far with her, being
      clearly spoken. She sat meditating, with her moist eyes raised, and her
      face transfigured, and at the end she murmured to Vizard, with her eyes
      still raised, &ldquo;After all, they are great and pious words, and the music
      has at least this crowning virtue&mdash;it means the words.&rdquo; Then she
      suddenly turned upon him and said, &ldquo;There is another person in this house
      who needs this consolation as much as I do. Why does she not come? But
      perhaps she is with the musicians.&rdquo;
     </p>
    <p>
      &ldquo;Whom do you mean?&rdquo;
     </p>
    <p>
      &ldquo;Your sister.&rdquo;
     </p>
    <p>
      &ldquo;Why, she is not in the house.&rdquo;
     </p>
    <p>
      Ina Klosking started at that information, and bent her eyes keenly and
      inquiringly on him.
    </p>
    <p>
      &ldquo;She left two days ago.&rdquo;
     </p>
    <p>
      &ldquo;Indeed!&rdquo;
     </p>
    <p>
      &ldquo;To nurse a sick aunt.&rdquo;
     </p>
    <p>
      &ldquo;Indeed! Had she no other reason?&rdquo;
     </p>
    <p>
      &ldquo;Not that I know of,&rdquo; said Vizard; but he could not help coloring a
      little.
    </p>
    <p>
      The little choir now sung a service, King in F. They sung &ldquo;The Magnificat&rdquo;
       rudely, and rather profanely, but recovered themselves in the &ldquo;Dimittis.&rdquo;
     </p>
    <p>
      When it was over, Ina whispered, &ldquo;'To be a light to lighten the Gentiles.'
      That is an inspired duet. Oh, how it might be sung!&rdquo;
     </p>
    <p>
      &ldquo;Of course it might,&rdquo; whispered Vizard; &ldquo;so you have something to get well
      for.&rdquo;
     </p>
    <p>
      &ldquo;Yes, my friend&mdash;thanks to you and your sainted mother.&rdquo;
     </p>
    <p>
      This, uttered in a voice which, under the healing influence of music,
      seemed to have regained some of its rich melody, was too much for our
      cynic, and he bustled off to hide his emotion, and invited the musicians
      to lunch.
    </p>
    <p>
      All the servants had been listening on the stairs, and the hospitable old
      butler plied the boys with sparkling Moselle, which, being himself reared
      on mighty Port; he thought a light and playful wine&mdash;just the thing
      for women and children. So after luncheon they sung rather wild, and the
      Klosking told Vizard, dryly, that would do for the present.
    </p>
    <p>
      Then he ordered the carriage for them, and asked Mademoiselle Klosking
      when she would like them again.
    </p>
    <p>
      &ldquo;When <i>can</i> I?&rdquo; she inquired, rather timidly.
    </p>
    <p>
      &ldquo;Every day, if you like&mdash;Sundays and all.&rdquo;
     </p>
    <p>
      &ldquo;I must be content with every other day.&rdquo;
     </p>
    <p>
      Vizard said he would arrange it so, and was leaving her; but she begged
      him to stay a moment.
    </p>
    <p>
      &ldquo;She would be safer here,&rdquo; said she, very gravely.
    </p>
    <p>
      Vizard was taken aback by the suddenness of this return to a topic he was
      simple enough to think she had abandoned. However, he said, &ldquo;She is safe
      enough. I have taken care of that, you may be sure.&rdquo;
     </p>
    <p>
      &ldquo;You have done well, sir,&rdquo; said Ina, very gravely.
    </p>
    <p>
      She said no more to him; but just before dinner Fanny came in, and Miss
      Gale went for a walk in the garden. Ina pinned Fanny directly. &ldquo;Where is
      Miss Vizard?&rdquo; said she, quietly.
    </p>
    <p>
      Fanny colored up; but seeing in a moment that fibs would be dangerous,
      said, mighty carelessly, &ldquo;She is at Aunt Maitland's.&rdquo;
     </p>
    <p>
      &ldquo;Where does <i>she</i> live, dear?&rdquo;
     </p>
    <p>
      &ldquo;In a poky little place called 'Somerville Villa.'&rdquo;
     </p>
    <p>
      &ldquo;Far from this?&rdquo;
     </p>
    <p>
      &ldquo;Not very. It is forty miles by the railway, but not thirty by the road;
      and Zoe went in the barouche all the way.&rdquo;
     </p>
    <p>
      Mademoiselle Klosking thought a little, and then taking Fanny Dover's
      hand, said to her, very sweetly, &ldquo;I beg you to honor me with your
      confidence, and tell me something. Believe me, it is for no selfish motive
      I ask you; but I think Miss Vizard is in danger. She is too far from her
      brother, and too far from me. Mr. Vizard says she is safe. Now, can you
      tell me what he means? How can she be safe? Is her heart turned to stone,
      like mine?&rdquo;
     </p>
    <p>
      &ldquo;No, indeed,&rdquo; said Fanny. &ldquo;Yes, I will be frank with you; for I believe
      you are wiser than any one of us. Zoe is not safe, left to herself. Her
      heart is anything but stone; and Heaven knows what wild, mad thing she
      might be led into. But I know perfectly well what Vizard means: no, I
      don't like to tell it you all; it will give you pain.&rdquo;
     </p>
    <p>
      &ldquo;There is little hope of that. I am past pain.&rdquo;
     </p>
    <p>
      &ldquo;Well, then&mdash;Miss Gale will scold me.&rdquo;
     </p>
    <p>
      &ldquo;No, she shall not.&rdquo;
     </p>
    <p>
      &ldquo;Oh, I know you have got the upper hand even of her; so if you promise I
      shall not be scolded, I'll tell you. You see, I had my misgivings about
      this very thing; and as soon as Vizard came home&mdash;it was he who took
      her to Aunt Maitland&mdash;I asked him what precautions he had taken to
      hinder that man from getting hold of her again. Well, then&mdash;oh, I
      ought to have begun by telling you Mr. Severne forged bills to get money
      out of Harrington.&rdquo;
     </p>
    <p>
      &ldquo;Good Heavens!&rdquo;
     </p>
    <p>
      &ldquo;Oh, Harrington will never punish him, if he keeps his distance; but he
      has advertised in all the papers, warning him that if he sets foot in
      Barfordshire he will be arrested and sent to prison.&rdquo;
     </p>
    <p>
      Ina Klosking shook her head. &ldquo;When a man is in love with such a woman as
      that, dangers could hardly deter him.&rdquo;
     </p>
    <p>
      &ldquo;That depends upon the man, I think. But Harrington has done better than
      that. He has provided her with a watch-dog&mdash;the best of all
      watch-dogs&mdash;another lover. Lord Uxmoor lives near Aunt Maitland, and
      he adores Zoe; so Harrington has commissioned him to watch her, and cure
      her, and all. I wish he'd cure <i>me</i>&mdash;an earl's coronet and
      twenty thousand a year!&rdquo;
     </p>
    <p>
      &ldquo;You relieve my mind,&rdquo; said Ina. Then after a pause&mdash;&ldquo;But let me ask
      you one question more. Why did you not tell me Miss Vizard was gone?&rdquo;
     </p>
    <p>
      &ldquo;I don't know,&rdquo; said Fanny, coloring up. <i>&ldquo;She</i> told me not.&rdquo;
     </p>
    <p>
      &ldquo;Who?&rdquo;
     </p>
    <p>
      &ldquo;Why, the Vixen in command. She orders everybody.&rdquo;
     </p>
    <p>
      &ldquo;And why did she forbid you?&rdquo;
     </p>
    <p>
      &ldquo;Don't know.&rdquo;
     </p>
    <p>
      &ldquo;Yes, you do. Kiss me, dear. There, I will distress you with no more
      questions. Why should I? Our instincts seldom deceive us. Well, so be it:
      I have something more to get well for, and I will.&rdquo;
     </p>
    <p>
      Fanny looked up at her inquiringly.
    </p>
    <p>
      &ldquo;Yes,&rdquo; said she; &ldquo;the daughter of this hospitable house will never return
      to it while I am in it. Poor girl; she thinks <i>she</i> is the injured
      woman. So be it. I will get well&mdash;and leave it.&rdquo;
     </p>
    <p>
      Fanny communicated this to Miss Gale, and all she said was, &ldquo;She shall go
      no further than Hillstoke then; for I love her better than any man can
      love her.&rdquo;
     </p>
    <p>
      Fanny did not tell Vizard; and he was downright happy, seeing the woman he
      loved recover, by slow degrees, her health, her strength, her color, her
      voice. Parting was not threatened. He did not realize that they should
      ever part at all. He had vague hopes that, while she was under his roof,
      opportunity might stand his friend, and she might requite his affection.
      All this would not bear looking into very closely: for that very reason he
      took particular care not to look into it very closely; but hoped all
      things, and was happy. In this condition he received a little shock.
    </p>
    <p>
      A one-horse fly was driven up to the door, and a card brought in&mdash;
    </p>
    <h3>
      &ldquo;MR. JOSEPH ASHMEAD.&rdquo;
     </h3>
    <p>
      Vizard was always at home at Vizard Court, except to convicted Bores. Mr.
      Ashmead was shown into his study.
    </p>
    <p>
      Vizard knew him at a glance. The velveteen coat had yielded to tweed; but
      another loud tie had succeeded to the one &ldquo;that fired the air at Homburg.&rdquo;
       There, too, was the wash-leather face, and other traits Vizard professed
      to know an actress's lover by. Yes, it was the very man at sight of whom
      he had fought down his admiration of La Klosking, and declined an
      introduction to her. Vizard knew the lady better now. But still he was a
      little jealous even of her acquaintances, and thought this one unworthy of
      her; so he received him with stiff but guarded politeness, leaving him to
      open his business.
    </p>
    <p>
      Ashmead, overawed by the avenue, the dozen gables, four-score chimneys,
      etc., addressed him rather obsequiously, but with a certain honest
      trouble, that soon softened the bad impression caused by his appearance.
    </p>
    <p>
      &ldquo;Sir,&rdquo; said he, &ldquo;pray excuse this intrusion of a stranger, but I am in
      great anxiety. It is not for myself, but for a lady, a very distinguished
      lady, whose interests I am charged with. It is Mademoiselle Klosking, the
      famous singer.&rdquo;
     </p>
    <p>
      Vizard maintained a grim silence.
    </p>
    <p>
      &ldquo;You may have heard of her.&rdquo;
     </p>
    <p>
      &ldquo;I have.&rdquo;
     </p>
    <p>
      &ldquo;I almost fancy you once heard her sing&mdash;at Homburg.&rdquo;
     </p>
    <p>
      &ldquo;I did.&rdquo;
     </p>
    <p>
      &ldquo;Then I am sure you must have admired her, being a gentleman of taste.
      Well, sir, it is near a fortnight since I heard from her.&rdquo;
     </p>
    <p>
      &ldquo;Well, sir?&rdquo;
     </p>
    <p>
      &ldquo;You will say what is that to you? But the truth is, she left me, in
      London, to do certain business for her, and she went down to this very
      place. I offered to come with her, but she declined. To be sure, it was a
      delicate matter, and not at all in my way. She was to write to me and
      report progress, and give me her address, that I might write to her; but
      nearly a fortnight has passed. I have not received a single letter. I am
      in real distress and anxiety. A great career awaits her in England, sir;
      but this silence is so mysterious, so alarming, that I begin actually to
      hope she has played the fool, and thrown it all up, and gone abroad with
      that blackguard.&rdquo;
     </p>
    <p>
      &ldquo;What blackguard, sir?&rdquo;
     </p>
    <p>
      Joseph drew in his horns. &ldquo;I spoke too quick, sir,&rdquo; said he; &ldquo;it is no
      business of mine. But these brilliant women are as mad as the rest in
      throwing away their affections. They prefer a blackguard to a good man. It
      is the rule. Excuse my plain speaking.&rdquo;
     </p>
    <p>
      &ldquo;Mr. Ashmead,&rdquo; said Vizard, &ldquo;I may be able to answer your questions about
      this lady; but, before I do so, it is right I should know how far you
      possess her confidence. To speak plainly, have you any objection to tell
      me what is the precise relation between you and her?&rdquo;
     </p>
    <p>
      &ldquo;Certainly not, sir. I am her theatrical agent.&rdquo;
     </p>
    <p>
      &ldquo;Is that all?&rdquo;
     </p>
    <p>
      &ldquo;Not quite. I have been a good deal about her lately, and have seen her in
      deep distress. I think I may almost say I am her friend, though a very
      humble one.&rdquo;
     </p>
    <p>
      Vizard did not yet quite realize the truth that this Bohemian had in his
      heart one holy spot&mdash;his pure devotion and unsexual friendship for
      that great artist. Still, his prejudices were disarmed, and he said,
      &ldquo;Well, Mr. Ashmead, excuse my cross-questioning you. I will now give
      myself the pleasure of setting your anxieties at rest. Mademoiselle
      Klosking is in this house.&rdquo;
     </p>
    <p>
      Ashmead stared at him, and then broke out, &ldquo;In this house! O Lord! How can
      that be?&rdquo;
     </p>
    <p>
      &ldquo;It happened in a way very distressing to us all, though the result is now
      so delightful. Mademoiselle Klosking called here on a business with which,
      perhaps, you are acquainted.&rdquo;
     </p>
    <p>
      &ldquo;I am, sir.&rdquo;
     </p>
    <p>
      &ldquo;Unfortunately she met with an accident in my very hall, an accident that
      endangered her life, sir; and of course we took charge of her. She has had
      a zealous physician and good nurses, and she is recovering slowly. She is
      quite out of danger, but still weak. I have no doubt she will be delighted
      to see you. Only, as we are all under the orders of her physician, and
      that physician is a woman, and a bit of a vixen, you must allow me to go
      and consult her first.&rdquo; Vizard retired, leaving Joseph happy, but
      mystified.
    </p>
    <p>
      He was not long alone. In less than a minute he had for companions some
      well-buttered sandwiches made with smoked ham, and a bottle of old
      Madeira. The solids melted in his mouth, the liquid ran through his veins
      like oil charged with electricity and <i>elixir vitoe.</i>
    </p>
    <p>
      By-and-by a female servant came for him, and ushered him into Ina
      Klosking's room.
    </p>
    <p>
      She received him with undisguised affection, and he had much ado to keep
      from crying. She made him sit down near her in the vast embrasure of the
      window, and gave him a letter to read she had just written to him.
    </p>
    <p>
      They compared notes very rapidly; but their discourse will not be given
      here, because so much of it would be repetition.
    </p>
    <p>
      They were left alone to talk, and they did talk for more than an hour. The
      first interruption, indeed, was a recitativo with chords, followed by a
      verse from the leading treble.
    </p>
    <p>
      Mr. Ashmead looked puzzled; the Klosking eyed him demurely.
    </p>
    <p>
      Before the anthem concluded, Vizard tapped, and was admitted from the
      music-room. Ina smiled, and waved him to a chair. Both the men saw, by her
      manner, they were not to utter a sound while the music was going on. When
      it ceased, she said, &ldquo;Do you approve that, my friend?&rdquo;
     </p>
    <p>
      &ldquo;If it pleases you, madam,&rdquo; replied the wary Ashmead.
    </p>
    <p>
      &ldquo;It does more than please me; it does me good.&rdquo;
     </p>
    <p>
      &ldquo;That reconciles me to it at once.&rdquo;
     </p>
    <p>
      &ldquo;Oh, then you do not admire it for itself.&rdquo;
     </p>
    <p>
      &ldquo;Not&mdash;very&mdash;much.&rdquo;
     </p>
    <p>
      &ldquo;Pray, speak plainly. I am not a tyrant, to impose my tastes.&rdquo;
     </p>
    <p>
      &ldquo;Well then, madam, I feel very grateful to anything that does you good:
      otherwise, I should say the music was&mdash;rather dreary; and the singing&mdash;very
      insipid.&rdquo;
     </p>
    <p>
      The open struggle between Joseph's honesty and his awe of the Klosking
      tickled Vizard so that he leaned back in his chair and laughed heartily.
    </p>
    <p>
      The Klosking smiled superior. &ldquo;He means,&rdquo; said she, &ldquo;that the music is not
      operatic, and the boys do not clasp their hands, and shake their
      shoulders, and sing passionately, as women do in a theater. Heaven forbid
      they should! If this world is all passion, there is another which is all
      peace; and these boys' sweet, artless tones are the nearest thing we shall
      get in this world to the unimpassioned voices of the angels. They are fit
      instruments for pious words set by composers, who, however obscure they
      may be, were men inspired, and have written immortal strains, which, as I
      hear them, seem hardly of this world&mdash;they are so free from all
      mortal dross.&rdquo;
     </p>
    <p>
      Vizard assented warmly. Ashmead asked permission to hear another. They
      sung the &ldquo;Magnificat&rdquo; by King, in F.
    </p>
    <p>
      &ldquo;Upon my word,&rdquo; said Ashmead, &ldquo;there is a deal of 'go' in that.&rdquo;
     </p>
    <p>
      Then they sung the &ldquo;Nuno Dimittis.&rdquo; He said, a little dryly, there was
      plenty of repose in that.
    </p>
    <p>
      &ldquo;My friend,&rdquo; said she, &ldquo;there is&mdash;to the honor of the composer: the
      'Magnificat' is the bright and lofty exultation of a young woman who has
      borne the Messiah, and does not foresee His sufferings, only the boon to
      the world and the glory to herself. But the 'Dimittis' is the very
      opposite. It is a gentle joy, and the world contentedly resigned by a good
      old man, fatigued, who has run his race, and longs to sleep after life's
      fever. When next you have the good fortune to hear that song, think you
      see the sun descending red and calm after a day of storms, and an aged
      Christian saying, 'Good-night,' and you will honor poor dead King as I do.
      The music that truly reflects great words was never yet small music, write
      it who may.&rdquo;
     </p>
    <p>
      &ldquo;You are right, madam.&rdquo; said Ashmead. &ldquo;When I doubted its being good
      music, I suppose I meant salable.&rdquo;
     </p>
    <p>
      &ldquo;Ah, <i>voil'a!&rdquo;</i> said the Klosking. Then, turning to Vizard for
      sympathy, &ldquo;What this faithful friend understands by good music is music
      that can be sold for a good deal of money.&rdquo;
     </p>
    <p>
      &ldquo;That is so,&rdquo; said Ashmead, stoutly. &ldquo;I am a theatrical agent. You can't
      make a silk purse out of a sow's ear. You have tried it more than once,
      you know, but it would not work.&rdquo;
     </p>
    <p>
      Ashmead amused Vizard, and he took him into his study, and had some more
      conversation with him. He even asked him to stay in the house; but Ashmead
      was shy, and there was a theater at Taddington. So he said he had a good
      deal of business to do; he had better make the &ldquo;Swan&rdquo; his headquarters. &ldquo;I
      shall be at your service all the same, sir, or Mademoiselle Klosking's.&rdquo;
     </p>
    <p>
      &ldquo;Have a glass of Madeira, Mr. Ashmead.&rdquo;
     </p>
    <p>
      &ldquo;Well, sir, to tell the truth, I have had one or two.&rdquo;
     </p>
    <p>
      &ldquo;Then it knows the road.&rdquo;
     </p>
    <p>
      &ldquo;You are very good, sir. What Madeira! Is this the wine the doctors ran
      down a few years ago? They couldn't have tasted it.&rdquo;
     </p>
    <p>
      &ldquo;Well, it is like ourselves, improved by traveling. That has been twice to
      India.&rdquo;
     </p>
    <p>
      &ldquo;It will never go again past me,&rdquo; said Ashmead, gayly. &ldquo;My mouth is a cape
      it will never weather.&rdquo;
     </p>
    <p>
      He went to his inn.
    </p>
    <p>
      Before he had been there ten minutes, up rattled a smart servant in a
      smart dogcart.
    </p>
    <p>
      &ldquo;Hamper&mdash;for Joseph Ashmead, Esquire.&rdquo;
     </p>
    <p>
      &ldquo;Anything to pay?&rdquo;
     </p>
    <p>
      &ldquo;What for?&mdash;it's from Vizard Court.&rdquo;
     </p>
    <p>
      And the dog-cart rattled away.
    </p>
    <p>
      Joseph was in the hall, and witnessed this phenomenon. He said to himself,
      &ldquo;I wish I had a vast acquaintance&mdash;ALL COUNTRY GENTLEMEN.&rdquo;
     </p>
    <p>
      That afternoon Ina Klosking insisted on walking up and down the room,
      supported by Mesdemoiselles Gale and Dover. The result was fatigue and
      sleep; that is all.
    </p>
    <p>
      &ldquo;To-morrow,&rdquo; said she, &ldquo;I will have but one live crutch. I must and will
      recover my strength.&rdquo;
     </p>
    <p>
      In the evening she insisted on both ladies dining with Mr. Vizard. Here,
      too, she had her way.
    </p>
    <p>
      Vizard was in very good spirits, and, when the servants were gone,
      complimented Miss Gale on her skill.
    </p>
    <p>
      <i>&ldquo;Our</i> skill, you mean,&rdquo; said she. &ldquo;It was you who prescribed this
      new medicine of the mind, the psalms and hymns and spiritual songs; and it
      was you who administered the Ashmead, and he made her laugh, or nearly&mdash;and
      that <i>we</i> have never been able to do. She must take a few grains of
      Ashmead every day. The worst of it is, I am afraid we shall cure her too
      quickly; and then we shall lose her. But that was to be expected. I am
      very unfortunate in my attachments; I always was. If I fall in love with a
      woman, she is sure to hate me, or else die, or else fly away. I love this
      one to distraction, so she is sure to desert me, because she couldn't
      misbehave, and I won't <i>let</i> her die.&rdquo;
     </p>
    <p>
      &ldquo;Well,&rdquo; said Vizard, &ldquo;you know what to do&mdash;retard the cure. That is
      one of the arts of your profession.&rdquo;
     </p>
    <p>
      &ldquo;And so it is; but how can I, when I love her? No, we must have recourse
      to our benevolent tyrant again. He must get Miss Vizard back here, before
      my goddess is well enough to spread her wings and fly.&rdquo;
     </p>
    <p>
      Vizard looked puzzled. &ldquo;This,&rdquo; said he &ldquo;sounds like a riddle, or female
      logic.&rdquo;
     </p>
    <p>
      &ldquo;It is both,&rdquo; said Rhoda. &ldquo;Miss Dover, give him the <i>mot d'e'nigme.</i>
      I'm off&mdash;to the patient I adore.&rdquo;
     </p>
    <p>
      She vanished swiftly, and Vizard looked to Fanny for a solution. But Fanny
      seemed rather vexed with Miss Gale, and said nothing. Then he pressed her
      to explain.
    </p>
    <p>
      She answered him, with a certain reluctance, &ldquo;Mademoiselle Klosking has
      taken into her head that Zoe will never return to this house while she is
      in it.&rdquo;
     </p>
    <p>
      &ldquo;Who put that into her head, now?&rdquo; said Vizard, bitterly.
    </p>
    <p>
      &ldquo;Nobody, upon my honor. A woman's instinct.&rdquo;
     </p>
    <p>
      &ldquo;Well?&rdquo;
     </p>
    <p>
      &ldquo;She is horrified at the idea of keeping your sister out of her own house,
      so she is getting well to go; and the strength of her will is such that
      she <i>will</i> get well.&rdquo;
     </p>
    <p>
      &ldquo;All the better; but Zoe will soon get tired of Somerville Villa. A little
      persuasion will bring her home, especially if you were to offer to take
      her place.&rdquo;
     </p>
    <p>
      &ldquo;Oh, I would do that, to oblige you, Harrington, if I saw any good at the
      end of it. But please think twice. How can Zoe and that lady ever stay
      under the same roof? How can they meet at your table, and speak to each
      other? They are rivals.&rdquo;
     </p>
    <p>
      &ldquo;They are both getting cured, and neither will ever see the villain
      again.&rdquo;
     </p>
    <p>
      &ldquo;I hope not; but who can tell? Well, never mind <i>them.</i> If their eyes
      are not opened by this time, they will get no pity from me. It is you I
      think of now.&rdquo; Then, in a hesitating way, and her cheeks mantling higher
      and higher with honest blushes&mdash;&ldquo;You have suffered enough already
      from women. I know it is not my business, but it does grieve me to see you
      going into trouble again. What good can come of it? Her connection with
      that man, so recent, and so&mdash;strange. The world <i>will</i> interpret
      its own way. Your position in the county&mdash;every eye upon you. I see
      the way in&mdash;no doubt it is strewed with flowers; but I see no way
      out. Be brave in time, Harrington. It will not be the first time. She must
      be a good woman, somehow, or faces, eyes and voices, and ways, are all a
      lie. But if she is good, she is very unfortunate; and she will give you a
      sore heart for life, if you don't mind. I'd clinch my teeth and shut my
      eyes, and let her go in time.&rdquo;
     </p>
    <p>
      Vizard groaned aloud, and at that a tear or two rolled down Fanny's
      burning cheeks.
    </p>
    <p>
      &ldquo;You are a good little girl,&rdquo; said Vizard, affectionately; &ldquo;but I <i>cannot.&rdquo;</i>
    </p>
    <p>
      He hung his head despondently and muttered, &ldquo;I see no way out either. But
      I yield to fate. I feared her, and fled from her. She has followed me. I
      can resist no more. I drift. Some men never know happiness. I shall have
      had a happy fortnight, at all events. I thank you, and respect you for
      your advice; but I can't take it. So now I suppose you will be too much
      offended to oblige me.&rdquo;
     </p>
    <p>
      &ldquo;Oh dear, no.&rdquo;
     </p>
    <p>
      &ldquo;Would you mind writing to Aunt Maitland, and saying you would like to
      take Zoe's place?&rdquo;
     </p>
    <p>
      &ldquo;I will do it with pleasure to oblige you. Besides, it will be a fib, and
      it is so long since I have told a good fib. When shall I write?&rdquo;
     </p>
    <p>
      &ldquo;Oh, about the end of the week.&rdquo;
     </p>
    <p>
      &ldquo;Yes, that will be time enough. Miss Gale won't <i>let</i> her go till
      next week. Ah, after all, how nice and natural it is to be naughty! Fibs
      and flirtation, welcome home! This is the beauty of being good&mdash;and I
      shall recommend it to all my friends on this very account&mdash;you can
      always leave it off at a moment's notice, without any trouble. Now,
      naughtiness sticks to you like a burr.&rdquo;
     </p>
    <p>
      So, with no more ado, this new Mentor became Vizard's accomplice, and they
      agreed to get Zoe back before the Klosking could get strong enough to move
      with her physician's consent.
    </p>
    <p>
      As the hamper of Madeira was landed in the hall of the &ldquo;Swan&rdquo; inn, a
      genial voice cried, &ldquo;You are in luck.&rdquo; Ashmead turned, and there was
      Poikilus peering at him from the doorway of the commercial room.
    </p>
    <p>
      &ldquo;What is the game now?&rdquo; thought Ashmead. But what he said was, &ldquo;Why, I
      know that face. I declare, it is the gent that treated me at Homburg.
      Bring in the hamper, Dick.&rdquo; Then to Poikilus, &ldquo;Have ye dined yet?&rdquo;
     </p>
    <p>
      &ldquo;No. Going to dine in half an hour. Roast gosling. Just enough for two.&rdquo;
     </p>
    <p>
      &ldquo;We'll divide it, if you like, and I'll stand a bottle of old Madeira. My
      old friend, Squire Vizard, has just sent it me. I'll just have a splash;
      dinner will be ready by then.&rdquo; He bustled out of the room, but said, as he
      went, &ldquo;I say, old man, open the hamper, and put two bottles just within
      the smile of the fire.&rdquo;
     </p>
    <p>
      He then went upstairs, and plunged his head in cold water, to clear his
      faculties for the encounter.
    </p>
    <p>
      The friends sat down to dinner, and afterward to the Madeira, both gay and
      genial outside, but within full of design&mdash;their object being to pump
      one another.
    </p>
    <p>
      In the encounter at Homburg, Ashmead had an advantage; Poikilus thought
      himself unknown to Ashmead. But this time there was a change. Poikilus
      knew by this time that La Klosking had gone to Vizard Court. How she had
      known Severne was there puzzled him a good deal; but he had ended by
      suspecting Ashmead, in a vague way.
    </p>
    <p>
      The parties, therefore, met on even terms. Ashmead resolved to learn what
      he could about Severne, and Poikilus to learn what he could about Zoe
      Vizard and Mademoiselle Klosking.
    </p>
    <p>
      Ashmead opened the ball: &ldquo;Been long here?&rdquo;
     </p>
    <p>
      &ldquo;Just come.&rdquo;
     </p>
    <p>
      &ldquo;Business?&rdquo;
     </p>
    <p>
      &ldquo;Yes. Want to see if there's any chance of my getting paid for that job.&rdquo;
     </p>
    <p>
      &ldquo;What job?&rdquo;
     </p>
    <p>
      &ldquo;Why, the Homburg job. Look here&mdash;I don't know why I should have any
      secrets from a good fellow like you; only you must not tell anybody else.&rdquo;
     </p>
    <p>
      &ldquo;Oh, honor bright!&rdquo;
     </p>
    <p>
      &ldquo;Well, then, I am a detective.&rdquo;
     </p>
    <p>
      &ldquo;Ye don't mean that?&rdquo;
     </p>
    <p>
      &ldquo;I'm Poikilus.&rdquo;
     </p>
    <p>
      &ldquo;Good heavens! Well, I don't care. I haven't murdered anybody. Here's your
      health, Poikilus. I say, you could tell a tale or two.&rdquo;
     </p>
    <p>
      &ldquo;That I could. But I'm out of luck this time. The gentleman that employed
      me has mizzled, and he promised me fifty pounds. I came down here in hopes
      of finding him. Saw him once in this neighborhood.&rdquo;
     </p>
    <p>
      &ldquo;Well, you won't find him here, I don't think. You must excuse me, but
      your employer is a villain. He has knocked a lady down, and nearly killed
      her.&rdquo;
     </p>
    <p>
      &ldquo;You don't say that?&rdquo;
     </p>
    <p>
      &ldquo;Yes; that beautiful lady, the singer, you saw in Homburg.&rdquo;
     </p>
    <p>
      &ldquo;What! the lady that said he should have his money?&rdquo;
     </p>
    <p>
      &ldquo;The same.&rdquo;
     </p>
    <p>
      &ldquo;Why, he must be mad.&rdquo;
     </p>
    <p>
      &ldquo;No. A scoundrel. <i>That is all.&rdquo;</i>
    </p>
    <p>
      &ldquo;Then she won't give him his money after that.&rdquo;
     </p>
    <p>
      &ldquo;Not if I can help it. But if she likes to pay you your commission, I
      shall not object to that.&rdquo;
     </p>
    <p>
      &ldquo;You are a good fellow.&rdquo;
     </p>
    <p>
      &ldquo;What is more, I shall see her to-morrow, and I will put the question to
      her for you.&rdquo;
     </p>
    <p>
      Poikilus was profuse in his thanks, and said he began to think it was his
      only chance. Then he had a misgiving. &ldquo;I have no claim on the lady,&rdquo; said
      he; &ldquo;and I am afraid I have been a bad friend to her. I did not mean it,
      though, and the whole affair is dark to me.&rdquo;
     </p>
    <p>
      &ldquo;You are not very sharp, then, for a detective,&rdquo; said Ashmead. &ldquo;Well, shut
      your mouth and open your eyes. Your Mr. Severne was the lady's lover, and
      preyed upon her. He left her; she was fool enough to love him still, and
      pined for him. He is a gambler, and was gambling by my side when
      Mademoiselle Klosking came in; so he cut his lucky, and left me fifty
      pounds to play for him, and she put the pot on, and broke the bank. I
      didn't know who he was, but we found it out by his photograph. Then you
      came smelling after the money, and we sold you nicely, my fine detective.
      We made it our business to know where you wrote to&mdash;Vizard Court. She
      went down there, and found him just going to be married to a beautiful
      young lady. She collared him. He flung her down, and cut her temple open&mdash;nearly
      killed her. She lies ill in the house, and the other young lady is gone
      away broken-hearted.&rdquo;
     </p>
    <p>
      &ldquo;Where to?&rdquo;
     </p>
    <p>
      &ldquo;How should I know? What is that to you?&rdquo;
     </p>
    <p>
      &ldquo;Why don't you see? Wherever she is, he won't be far off. He likes her
      best, don't he?&rdquo;
     </p>
    <p>
      &ldquo;It don't follow that she likes him, now she has found him out. He had
      better not go after her, or he'll get a skinful of broken bones. My
      friend, Squire Vizard, is the man to make short work with him, if he
      caught the blackguard spooning after his sister.&rdquo;
     </p>
    <p>
      &ldquo;And serve him right. Still, I wish I knew where that young lady is.&rdquo;
     </p>
    <p>
      &ldquo;I dare say I could learn if I made it my business.&rdquo;
     </p>
    <p>
      Having brought the matter to that point, Poikilus left it, and simply made
      himself agreeable. He told Ashmead his experiences; and as they were, many
      of them, strange and dramatic, he kept him a delighted listener till
      midnight.
    </p>
    <p>
      The next day Ashmead visited Mademoiselle Klosking, and found her walking
      up and down the room, with her hand on Miss Gale's shoulder.
    </p>
    <p>
      She withdrew into the embrasure, and had some confidential talk with him.
      As a matter of course, he told her about Poikilus, and that he was hunting
      down Severne for his money.
    </p>
    <p>
      &ldquo;Indeed!&rdquo; said the Klosking. &ldquo;Please tell me every word that passed
      between you.&rdquo;
     </p>
    <p>
      He did so, as nearly as he could remember.
    </p>
    <p>
      Mademoiselle Klosking leaned her brow upon her hand a considerable time in
      thought. Then she turned on Ashmead, and said, quietly, &ldquo;That Poikilus is
      still acting for <i>him,</i> and the one thing they desire to learn is
      where to find Miss Vizard, and delude her to her ruin.&rdquo;
     </p>
    <p>
      &ldquo;No, no,&rdquo; cried Ashmead violently; but the next moment his countenance
      fell. &ldquo;You are wiser than I am,&rdquo; said he; &ldquo;it may be. Confound the sneak!
      I'll give it him next time I see him! Why, he must love villainy for its
      own sake. I as good as said you would pay him his fifty pounds.&rdquo;
     </p>
    <p>
      &ldquo;What fifty pounds? His fifty pounds is a falsehood, like himself. Now, my
      friend, please take my instructions, my positive instructions.&rdquo;
     </p>
    <p>
      &ldquo;Yes, madam.&rdquo;
     </p>
    <p>
      &ldquo;You will not change your friendly manner: show no suspicion nor anger. If
      they are cunning, we must be wise; and the wise always keep their temper.
      You will say Miss Vizard has gone to Ireland, but to what part is only
      known to her brother. Tell him this, and be very free and communicative on
      all other subjects; for this alone has any importance now. As for me, I
      can easily learn where Somerville Villa is, and in a day or two shall send
      you to look after her. One thing is clear&mdash;I had better lose no time
      in recovering my strength. Well, my will is strong. I will lose no time&mdash;your
      arm, monsieur;&rdquo; and she resumed her promenade.
    </p>
    <p>
      Ashmead, instructed as above, dined again with the detective; but out of
      revenge gave him but one bottle of Madeira. As they sipped it, he
      delivered a great many words; and in the middle of them said, &ldquo;Oh,
      by-the-by, I asked after that poor young lady. Gone to Ireland, but they
      didn't know what part.&rdquo;
     </p>
    <p>
      After dinner Ashmead went to the theater. When he came back Poikilus was
      gone.
    </p>
    <p>
      So did Wisdom baffle Cunning that time.
    </p>
    <p>
      But Cunning did not really leave the field: that very evening an aged man,
      in green spectacles, was inquiring about the postal arrangements to Vizard
      Court; and next day he might have been seen, in a back street of
      Taddington, talking to the village postman, and afterward drinking with
      him. It was Poikilus groping his way.
    </p>
    <p>
      <a name="link2HCH0023" id="link2HCH0023">
      <!--  H2 anchor --> </a>
    </p>
    <div style="height: 4em;">
      <br /><br /><br /><br />
    </div>
    <h2>
      CHAPTER XXIII.
    </h2>
    <p>
      A FEW words avail to describe the sluggish waters of the Dead Sea, but
      what pen can portray the Indian Ocean lashed and tormented by a cyclone?
    </p>
    <p>
      Even so a few words have sufficed to show that Ina Klosking's heart was
      all benumbed and deadened; and, with the help of insult, treachery, loss
      of blood, brain-fever, and self-esteem rebelling against villainy, had
      outlived its power of suffering poignant torture.
    </p>
    <p>
      But I cannot sketch in a few words, nor paint in many, the tempest of
      passion in Zoe Vizard. Yet it is my duty to try and give the reader some
      little insight into the agony, the changes, the fury, the grief, the
      tempest of passion, in a virgin heart; in such a nature, the great
      passions of the mind often rage as fiercely, or even more so, than in
      older and experienced women.
    </p>
    <p>
      Literally, Zoe Vizard loved Edward Severne one minute and hated him the
      next; gave him up for a traitor, and then vowed to believe nothing until
      she had heard his explanation; burned with ire at his silence, sickened
      with dismay at his silence. Then, for a while, love and faith would get
      the upper hand, and she would be quite calm. Why should she torment
      herself? An old sweetheart, abandoned long ago, had come between them; he
      had, unfortunately, done the woman an injury, in his wild endeavor to get
      away from her. Well, what business had she to use force? No doubt he was
      ashamed, afflicted at what he had done, being a man; or was in despair,
      seeing that lady installed in her brother's house, and <i>her</i> story,
      probably a parcel of falsehoods, listened to.
    </p>
    <p>
      Then she would have a gleam of joy; for she knew he had not written to Ina
      Klosking. But soon Despondency came down like a dark cloud; for she said
      to herself, &ldquo;He has left us both. He sees the woman he does not love will
      not let him have the one he does love; and so he has lost heart, and will
      have no more to say to either.&rdquo;
     </p>
    <p>
      When her thoughts took this turn she would cry piteously; but not for
      long. She would dry her eyes, and burn with wrath all round; she would
      still hate her rival, but call her lover a coward&mdash;a contemptible
      coward.
    </p>
    <p>
      After her day of raging, and grieving, and doubting, and fearing, and
      hoping, and despairing, night overtook her with an exhausted body, a
      bleeding heart, and weeping eyes. She had been so happy&mdash;on the very
      brink of paradise; and now she was deserted. Her pillow was wet every
      night. She cried in her very sleep; and when she woke in the morning her
      body was always quivering; and in the very act of waking came a horror,
      and an instinctive reluctance to face the light that was to bring another
      day of misery.
    </p>
    <p>
      Such is a fair, though loose, description of her condition.
    </p>
    <p>
      The slight fillip given to her spirits by the journey did her a morsel of
      good, but it died away. Having to nurse Aunt Maitland did her a little
      good at first. But she soon relapsed into herself, and became so <i>distraite</i>
      that Aunt Maitland, who was all self, being an invalid, began to speak
      sharply to her.
    </p>
    <p>
      On the second day of her visit to Somerville Villa, as she sat brooding at
      the foot of her aunt's bed, suddenly she heard horses' feet, and then a
      ring at the hall-door. Her heart leaped. Perhaps he had come to explain
      all. He might not choose to go to Vizard Court. What if he had been
      watching as anxiously as herself, and had seized the first opportunity! In
      a moment her pale cheek rivaled carmine.
    </p>
    <p>
      The girl brought up a card&mdash;
    </p>
    <h3>
      &ldquo;LORD UXMOOR.&rdquo;
     </h3>
    <p>
      The color died away directly. &ldquo;Say I am very sorry, but at this moment I
      cannot leave my aunt.&rdquo;
     </p>
    <p>
      The girl stared with amazement, and took down the message.
    </p>
    <p>
      Uxmoor rode away.
    </p>
    <p>
      Zoe felt a moment's pleasure. No, if she could not see the right man, she
      would not see the wrong. That, at least, was in her power.
    </p>
    <p>
      Nevertheless, in the course of the day, remembering Uxmoor's worth, and
      the pain she had already given him, she was almost sorry she had indulged
      herself at his expense.
    </p>
    <p>
      Superfluous contrition! He came next day, as a matter of course. She liked
      him none the better for coming, but she went downstairs to him.
    </p>
    <p>
      He came toward her, but started back and uttered an exclamation. &ldquo;You are
      not well,&rdquo; he said, in tones of tenderness and dismay.
    </p>
    <p>
      &ldquo;Not very,&rdquo; she faltered; for his open manly concern touched her.
    </p>
    <p>
      &ldquo;And you have come here to nurse this old lady? Indeed, Miss Vizard, you
      need nursing yourself. You know it is some time since I had the pleasure
      of seeing you, and the change is alarming. May I send you Dr. Atkins, my
      mother's physician?&rdquo;
     </p>
    <p>
      &ldquo;I am much obliged to you. No.&rdquo;
     </p>
    <p>
      &ldquo;Oh, I forgot. You have a physician of your own sex. Why is she not
      looking after you?&rdquo;
     </p>
    <p>
      &ldquo;Miss Gale is better employed. She is at Vizard Court in attendance on a
      far more brilliant person&mdash;Mademoiselle Klosking, a professional
      singer. Perhaps you know her?&rdquo;
     </p>
    <p>
      &ldquo;I saw her at Homburg.&rdquo;
     </p>
    <p>
      &ldquo;Well, she met with an accident in our hall&mdash;a serious one; and
      Harrington took her in, and has placed all his resources&mdash;his lady
      physician and all&mdash;at her service: he is so fond of <i>Music.&rdquo;</i>
    </p>
    <p>
      A certain satirical bitterness peered through these words, but honest
      Uxmoor did not notice it. He said, &ldquo;Then I wish you would let me be your
      doctor&mdash;for want of a better.&rdquo;
     </p>
    <p>
      &ldquo;And you think <i>you</i> can cure me?&rdquo; said Zoe, satirically.
    </p>
    <p>
      &ldquo;It does seem presumptuous. But, at least, I could do you a little good if
      you could be got to try my humble prescription.&rdquo;
     </p>
    <p>
      &ldquo;What is it?&rdquo; asked Zoe, listlessly.
    </p>
    <p>
      &ldquo;It is my mare Phillis. She is the delight of every lady who mounts her.
      She is thorough-bred, lively, swift, gentle, docile, amiable, perfect.
      Ride her on these downs an hour or two very day. I'll send her over
      to-morrow. May I?&rdquo;
     </p>
    <p>
      &ldquo;If you like. Rosa <i>would</i> pack up my riding-habit.&rdquo;
     </p>
    <p>
      &ldquo;Rosa was a prophetess.&rdquo;
     </p>
    <p>
      Next day came Phillis, saddled and led by a groom on horseback, and Uxmoor
      soon followed on an old hunter. He lifted Zoe to her saddle, and away they
      rode, the groom following at a respectful distance.
    </p>
    <p>
      When they got on the downs they had a delightful canter; but Zoe, in her
      fevered state of mind, was not content with that. She kept increasing the
      pace, till the old hunter could no longer live with the young filly; and
      she galloped away from Lord Uxmoor, and made him ridiculous in the eyes of
      his groom.
    </p>
    <p>
      The truth is, she wanted to get away from him.
    </p>
    <p>
      He drew the rein, and stood stock-still. She made a circuit of a mile, and
      came up to him with heightened color and flashing eyes, looking beautiful.
    </p>
    <p>
      &ldquo;Well?&rdquo; said she. &ldquo;Don't you like galloping?&rdquo;
     </p>
    <p>
      &ldquo;Yes, but I don't like cruelty.&rdquo;
     </p>
    <p>
      &ldquo;Cruelty?&rdquo;
     </p>
    <p>
      &ldquo;Look at the mare's tail how it is quivering, and her flanks panting! And
      no wonder. You have been over twice the Derby course at a racing pace.
      Miss Vizard, a horse is not a steam engine.&rdquo;
     </p>
    <p>
      &ldquo;I'll never ride her again,&rdquo; said Zoe. &ldquo;I did not come here to be scolded.
      I will go home.&rdquo;
     </p>
    <p>
      They walked slowly home in silence. Uxmoor hardly knew what to say to her;
      but at last he murmured, apologetically, &ldquo;Never mind the poor mare, if you
      are better for galloping her.&rdquo;
     </p>
    <p>
      She waited a moment before she spoke, and then she said, &ldquo;Well, yes; I am
      better. I'm better for my ride, and better for my scolding. Good-by.&rdquo;
       (Meaning forever.)
    </p>
    <p>
      &ldquo;Good-by,&rdquo; said he, in the same tone. Only he sent the mare next day, and
      followed her on a young thorough-bred.
    </p>
    <p>
      &ldquo;What!&rdquo; said Zoe; &ldquo;am I to have another trial?&rdquo;
     </p>
    <p>
      &ldquo;And another after that.&rdquo;
     </p>
    <p>
      So this time she would only canter very slowly, and kept stopping every
      now and then to inquire, satirically, if that would distress the mare.
    </p>
    <p>
      But Uxmoor was too good-humored to quarrel for nothing. He only laughed,
      and said, &ldquo;You are not the only lady who takes a horse for a machine.&rdquo;
     </p>
    <p>
      These rides did her bodily health some permanent good; but their effect on
      her mind was fleeting. She was in fair spirits when she was actually
      bounding through the air, but she collapsed afterward.
    </p>
    <p>
      At first, when she used to think that Severne never came near her, and
      Uxmoor was so constant, she almost hated Uxmoor&mdash;so little does the
      wrong man profit by doing the right thing for a woman. I admit that,
      though not a deadly woman-hater myself.
    </p>
    <p>
      But by-and-by she was impartially bitter against them both; the wrong man
      for doing the right thing, and the right man for not doing it.
    </p>
    <p>
      As the days rolled by, and Severne did not appear, her indignation and
      wounded pride began to mount above her love. A beautiful woman counts upon
      pursuit, and thinks a man less than man if he does not love her well
      enough to find her, though hid in the caves of ocean or the labyrinths of
      Bermondsey.
    </p>
    <p>
      She said to herself, &ldquo;Then he has no explanation to offer. Another woman
      has frightened him away from me. I have wasted my affections on a coward.&rdquo;
       Her bosom boiled with love, and contempt, and wounded pride; and her mind
      was tossed to and fro like a leaf in a storm. She began, by force of will,
      to give Uxmoor some encouragement; only, after it she writhed and wept.
    </p>
    <p>
      At last, finding herself driven to and fro like a leaf, she told Miss
      Maitland all, and sought counsel of her. She must have something to lean
      on.
    </p>
    <p>
      The old lady was better by this time, and spoke kindly to her. She said
      Mr. Severne was charming, and she was not bound to give him up because
      another lady had past claims on him. But it appeared to her that Mr.
      Severne himself had deserted her. He had not written to her. Probably he
      knew something that had not yet transpired, and had steeled himself to the
      separation for good reasons. It was a decision she must accept. Let her
      then consider how forlorn is the condition of most deserted women compared
      with hers. Here was a devoted lover, whom she esteemed, and who could
      offer her a high position and an honest love. If she had a mother, that
      mother would almost force her to engage herself at once to Lord Uxmoor.
      Having no mother, the best thing she could do would be to force herself&mdash;to
      say some irrevocable words, and never look back. It was the lot of her sex
      not to marry the first love, and to be all the happier in the end for that
      disappointment, though at the time it always seemed eternal.
    </p>
    <p>
      All this, spoken in a voice of singular kindness by one who used to be so
      sharp, made Zoe's tears flow gently and somewhat cooled her raging heart.
    </p>
    <p>
      She began now to submit, and only cry at intervals, and let herself drift;
      and Uxmoor visited her every day, and she found it impossible not to
      esteem and regard him. Nevertheless, one afternoon, just about his time,
      she was seized with such an aversion to his courtship, and such a revolt
      against the slope she seemed gliding down, that she flung on her bonnet
      and shawl, and darted out of the house to escape him. She said to the
      servant, &ldquo;I am gone for a walk, if anybody calls.&rdquo;
     </p>
    <p>
      Uxmoor did call, and, receiving this message, he bit his lip, sent the
      horse home and walked up to the windmill, on the chance of seeing her
      anywhere. He had already observed she was never long in one mood; and as
      he was always in the same mind, he thought perhaps he might be tolerably
      welcome, if he could meet her unexpected.
    </p>
    <p>
      Meantime Zoe walked very fast to get away from the house as soon as
      possible, and she made a round of nearly five miles, walking through two
      villages, and on her return lost her way. However, a shepherd showed her a
      bridle-road which, he told her, would soon take her to Somerville Villa,
      through &ldquo;the small pastures;&rdquo; and, accordingly, she came into a succession
      of meadows not very large. They were all fenced and gated; but the gates
      were only shut, not locked. This was fortunate; for they were new
      five-barred gates, and a lady does not like getting over these, even in
      solitude. Her clothes are not adapted.
    </p>
    <p>
      There were sheep in some of these, cows in others, and the pastures
      wonderfully green and rich, being always well manured, and fed down by
      cattle.
    </p>
    <p>
      Zoe's love of color was soothed by these emerald fields, dotted with white
      sheep and red cows.
    </p>
    <p>
      In the last field, before the lane that led to the village, a single beast
      was grazing. Zoe took no notice of him, and walked on; but he took
      wonderful notice of her, and stared, then gave a disagreeable snort. He
      took offense at her Indian shawl, and, after pawing the ground and
      erecting his tail, he came straight at her at a tearing trot, and his tail
      out behind him.
    </p>
    <p>
      Zoe saw, and screamed violently, and ran for the gate ahead, which, of
      course, was a few yards further from her than the gate behind. She ran for
      her life; but the bull, when he saw that, broke into a gallop directly,
      and came up fast with her. She could not escape.
    </p>
    <p>
      At that moment a man vaulted clean over the gate, tore a pitchfork out of
      a heap of dung that luckily stood in the corner, and boldly confronted the
      raging bull just in time; for at that moment Zoe lost heart, and crouched,
      screaming, in the side ditch, with her hands before her eyes.
    </p>
    <p>
      The new-comer, rash as his conduct seemed, was country-bred and knew what
      he was about: he drove one of the prongs clean through the great cartilage
      of the bull's mouth, and was knocked down like a nine-pin, with the broken
      staff of the pitch-fork in his hand; and the bull reared in the air with
      agony, the prong having gone clean through his upper lip in two places,
      and fastened itself, as one fastens a pin, in that leathery but sensitive
      organ.
    </p>
    <p>
      Now Uxmoor was a university athlete; he was no sooner down than up. So,
      when the bull came down from his rearing, and turned to massacre his
      assailant, he was behind him, and seizing his tail, twisted it, and
      delivered a thundering blow on his backbone, and followed it up by a
      shower of them on his ribs. &ldquo;Run to the gate, Zoe!&rdquo; he roared. Whack!
      whack! whack!&mdash;&ldquo;Run to the gate, I tell you!&rdquo;&mdash;whack!&mdash;whack!&mdash;whack!&mdash;whack!&mdash;whack!
    </p>
    <p>
      Thus ordered, Zoe Vizard, who would not have moved of herself, being in a
      collapse of fear, scudded to the gate, got on the right side of it, and
      looked over, with two eyes like saucers. She saw a sight incredible to
      her. Instead of letting the bull alone, now she was safe, Uxmoor was
      sticking to him like a ferret. The bull ran, tossing his nose with pain
      and bellowing: Uxmoor dragged by the tail and compelled to follow in
      preposterous, giant strides, barely touching the ground with the point of
      his toe, pounded the creature's ribs with such blows as Zoe had never
      dreamed possible. They sounded like flail on wooden floor, and each blow
      was accompanied with a loud jubilant shout. Presently, being a five's
      player, and ambidexter, he shifted his hand, and the tremendous whacks
      resounded on the bull's left side. The bull, thus belabored, and
      resounding like the big drum, made a circuit of the field, but found it
      all too hot: he knew his way to a certain quiet farmyard; he bolted, and
      came bang at Zoe once more, with furious eyes and gore-distilling
      nostrils.
    </p>
    <p>
      But this time she was on the right side of the gate.
    </p>
    <p>
      Yet she drew back in dismay as the bull drew near: and she was right; for,
      in his agony and amazement, the unwieldy but sinewy brute leaped the
      five-barred gate, and cleared it all but the top rail; that he burst
      through, as if it had been paper, and dragged Uxmoor after him, and pulled
      him down, and tore him some yards along the hard road on his back, and
      bumped his head against a stone, and so got rid of him: then pounded away
      down the lane, snorting, and bellowing, and bleeding; the prong still
      stuck through his nostrils like a pin.
    </p>
    <p>
      Zoe ran to Uxmoor with looks of alarm and tender concern, and lifted his
      head to her tender bosom; for his clothes were torn, and his cheeks and
      hands bleeding. But he soon shook off his confusion, and rose without
      assistance.
    </p>
    <p>
      &ldquo;Have you got over your fright?&rdquo; said he; &ldquo;that is the question.&rdquo;
     </p>
    <p>
      &ldquo;Oh yes! yes! It is only you I am alarmed for. It is much better I should
      be killed than you.&rdquo;
     </p>
    <p>
      &ldquo;Killed! I never had better fun in my life. It was glorious. I stuck to
      him, and hit&mdash;there, I have not had anything I could hit as hard as I
      wanted to, since I used to fight with my cousin Jack at Eton. Oh, Miss
      Vizard, it was a whirl of Elysium! But I am sorry you were frightened. Let
      me take you home.&rdquo;
     </p>
    <p>
      &ldquo;Oh, yes, but not that way; that is the way the monster went!&rdquo; quivered
      Zoe.
    </p>
    <p>
      &ldquo;Oh, he has had enough of us.&rdquo;
     </p>
    <p>
      &ldquo;But I have had too much of him. Take me some other road&mdash;a hundred
      miles round. How I tremble!&rdquo;
     </p>
    <p>
      &ldquo;So you do. Take my arm.&mdash;No, putting the tips of your fingers on it
      is no use; take it really&mdash;you want support. Be courageous, now&mdash;we
      are very near home.&rdquo;
     </p>
    <p>
      Zoe trembled, and cried a little, to conclude the incident, but walked
      bravely home on Uxmoor's arm.
    </p>
    <p>
      In the hall at Somerville Villa she saw him change color, and insisted on
      his taking some port wine.
    </p>
    <p>
      &ldquo;I shall be very glad,&rdquo; said he.
    </p>
    <p>
      A decanter was brought. He filled a large tumbler and drank it off like
      water.
    </p>
    <p>
      This was the first intimation he gave Zoe that he was in pain, and his
      nerves hard tried; nor did she indeed arrive at that conclusion until he
      had left her.
    </p>
    <p>
      Of course, she carried all this to Aunt Maitland. That lady was quite
      moved by the adventure. She sat up in bed, and listened with excitement
      and admiration. She descanted on Lord Uxmoor's courage and chivalry, and
      congratulated Zoe that such a pearl of manhood had fallen at her feet.
      &ldquo;Why, child,&rdquo; said she, &ldquo;surely, after this, you will not hesitate between
      this gentleman and a beggarly adventurer, who has nothing, not even the
      courage of a man. Turn your back on all such rubbish, and be the queen of
      the county. I'd be content to die to-morrow if I could see you Countess of
      Uxmoor.&rdquo;
     </p>
    <p>
      &ldquo;You shall live, and see it, dear aunt,&rdquo; said Zoe, kissing her.
    </p>
    <p>
      &ldquo;Well,&rdquo; said Miss Maitland, &ldquo;if anything can cure me, that will. And
      really,&rdquo; said she, &ldquo;I feel better ever since that brave fellow began to
      bring you to your senses.&rdquo;
     </p>
    <p>
      Admiration and gratitude being now added to esteem, Zoe received Lord
      Uxmoor next day with a certain timidity and half tenderness she had never
      shown before; and, as he was by nature a rapid wooer, he saw his chance,
      and stayed much longer than usual, and at last hazarded a hope that he
      might be allowed to try and win her heart.
    </p>
    <p>
      Thereupon she began to fence, and say that love was all folly. He had her
      esteem and her gratitude, and it would be better for both of them to
      confine their sentiments within those rational bounds.
    </p>
    <p>
      &ldquo;That I cannot do,&rdquo; said Uxmoor; &ldquo;so I must ask your leave to be
      ambitious. Let me try and conquer your affection.&rdquo;
     </p>
    <p>
      &ldquo;As you conquered the bull?&rdquo;
     </p>
    <p>
      &ldquo;Yes; only not so rudely, nor so quickly, I'll be bound.&rdquo;
     </p>
    <p>
      &ldquo;Well, I don't know why I should object. I esteem you more than anybody in
      the world. You are my beau ideal of a man. If you can <i>make</i> me love
      you, all the better for me. Only, I am afraid you cannot.&rdquo;
     </p>
    <p>
      &ldquo;May I try?&rdquo;
     </p>
    <p>
      &ldquo;Yes,&rdquo; said Zoe, bushing carnation.
    </p>
    <p>
      &ldquo;May I come every day?&rdquo;
     </p>
    <p>
      &ldquo;Twice a day, if you like.&rdquo;
     </p>
    <p>
      &ldquo;I think I shall succeed&mdash;in time.&rdquo;
     </p>
    <p>
      &ldquo;I hope you may.&rdquo;
     </p>
    <p>
      Then he kissed her hand devotedly&mdash;the first time in his life&mdash;and
      went away on wings.
    </p>
    <p>
      Zoe flew up to her aunt Maitland, flushed and agitated. &ldquo;Aunt, I am as
      good as engaged to him. I have said such unguarded things. I'm sure <i>he</i>
      will understand it that I consent to receive his addresses as my lover.
      Not that I really said so.&rdquo;
     </p>
    <p>
      &ldquo;I hope,&rdquo; said Aunt Maitland, &ldquo;that you have committed yourself somehow or
      other, and cannot go back.&rdquo;
     </p>
    <p>
      &ldquo;I think I have. Yes; it is all over. I cannot go back now.&rdquo;
     </p>
    <p>
      Then she burst out crying. Then she was near choking, and had to smell her
      aunt's salts, while still the tears ran fast.
    </p>
    <p>
      Miss Maitland received this with perfect composure. She looked on them as
      the last tears of regret given to a foolish attachment at the moment of
      condemning it forever. She was old, and had seen these final tears shed by
      more than one loving woman just before entering on her day of sunshine.
    </p>
    <p>
      And now Zoe must be alone, and vent her swelling heart. She tied a
      handkerchief round her head and darted into the garden. She went round and
      round it with fleet foot and beating pulses.
    </p>
    <p>
      The sun began to decline, and a cold wind to warn her in. She came, for
      the last time, to a certain turn of the gravel walk, where there was a
      little iron gate leading into the wooded walk from the meadows.
    </p>
    <p>
      At that gate she found a man. She started back, and leaned against the
      nearest tree, with her hands behind her.
    </p>
    <p>
      It was Edward Severne&mdash;all in black, and pale as death; but not paler
      than her own face turned in a moment.
    </p>
    <p>
      Indeed, they looked at each other like two ghosts.
    </p>
    <p>
      <a name="link2HCH0024" id="link2HCH0024">
      <!--  H2 anchor --> </a>
    </p>
    <div style="height: 4em;">
      <br /><br /><br /><br />
    </div>
    <h2>
      CHAPTER XXIV.
    </h2>
    <h3>
      ZOE was the first to speak, or rather to gasp. &ldquo;Why do you come here?&rdquo;
     </h3>
    <p>
      &ldquo;Because <i>you</i> are here.&rdquo;
     </p>
    <p>
      &ldquo;And how dare you come where I am?&mdash;now your falsehood is found out
      and flung into my very face!&rdquo;
     </p>
    <p>
      &ldquo;I have never been false to you. At this moment I suffer for my fidelity.&rdquo;
     </p>
    <p>
      <i>&ldquo;You</i> suffer? I am glad of it. How?&rdquo;
     </p>
    <p>
      &ldquo;In many ways: but they are all light, compared with my fear of losing
      your love.&rdquo;
     </p>
    <p>
      &ldquo;I will listen to no idle words,&rdquo; said Zoe sternly. &ldquo;A lady claimed you
      before my face; why did you not stand firm like a man, and say, 'You have
      no claim on me now; I have a right to love another, and I do?' Why did you
      fly?&mdash;because you were guilty.&rdquo;
     </p>
    <p>
      &ldquo;No,&rdquo; said he, doggedly. &ldquo;Surprised and confounded, but not guilty. Fool!
      idiot! that I was. I lost my head entirely. Yes, it is hopeless. You <i>must</i>
      despise me. You have a right to despise me.&rdquo;
     </p>
    <p>
      &ldquo;Don't tell me,&rdquo; said Zoe: &ldquo;you never lose your head. You are always
      self-possessed and artful. Would to Heaven I had never seen you!&rdquo; She was
      violent.
    </p>
    <p>
      He gave her time. &ldquo;Zoe,&rdquo; said he, after a while, &ldquo;if I had not lost my
      head, should I have ill-treated a lady and nearly killed her?&rdquo;
     </p>
    <p>
      &ldquo;Ah!&rdquo; said Zoe, sharply, &ldquo;that is what you have been suffering from&mdash;remorse.
      And well you may. You ought to go back to her, and ask her pardon on your
      knees. Indeed, it is all you have left to do now.&rdquo;
     </p>
    <p>
      &ldquo;I know I ought.&rdquo;
     </p>
    <p>
      &ldquo;Then do what you ought. Good-by.&rdquo;
     </p>
    <p>
      &ldquo;I cannot. I hate her.&rdquo;
     </p>
    <p>
      &ldquo;What, because you have broken her heart, and nearly killed her?&rdquo;
     </p>
    <p>
      &ldquo;No; but because she has come between me and the only woman I ever really
      loved, or ever can.&rdquo;
     </p>
    <p>
      &ldquo;She would not have done that if you had not given her the right. I see
      her now; she looked justice, and you looked guilt. Words are idle, when I
      can see her face before me still. No woman could look like that who was in
      the wrong. But you&mdash;guilt made you a coward: you were false to her
      and false to me; and so you ran away from us both. You would have talked
      either of us over, alone; but we were together: so you ran away. You have
      found me alone now, so you are brave again; but it is too late. I am
      undeceived. I decline to rob Mademoiselle Klosking of her lover; so
      good-by.&rdquo;
     </p>
    <p>
      And this time she was really going, but he stopped her. &ldquo;At least don't go
      with a falsehood on your lips,&rdquo; said he, coldly.
    </p>
    <p>
      &ldquo;A falsehood!&mdash;Me!&rdquo;
     </p>
    <p>
      &ldquo;Yes, it is a falsehood. How can you pretend I left that lady for you,
      when you know my connection with her had entirely ceased ten months before
      I ever saw your face?&rdquo;
     </p>
    <p>
      This staggered Zoe a moment; so did the heat and sense of injustice he
      threw into his voice.
    </p>
    <p>
      &ldquo;I forgot that,&rdquo; said she, naively. Then, recovering herself, &ldquo;You may
      have parted with her; but it does not follow that she consented. Fickle
      men desert constant women. It is done every day.&rdquo;
     </p>
    <p>
      &ldquo;You are mistaken again,&rdquo; said he. &ldquo;When I first saw you, I had ceased to
      think of Mademoiselle Klosking; but it was not so when I first left her. I
      did not desert her. I tore myself from her. I had a great affection for
      her.&rdquo;
     </p>
    <p>
      &ldquo;You dare to tell me that. Well, at all events, it is the truth. Why did
      you leave her, then?&rdquo;
     </p>
    <p>
      &ldquo;Out of self-respect. I was poor, she was rich and admired. Men sent her
      bouquets and bracelets, and flattered her behind the scenes, and I was
      lowered in my own eyes: so I left her. I was unhappy for a time; but I had
      my pride to support me, and the wound was healed long before I knew what
      it was to love, really to love.&rdquo;
     </p>
    <p>
      There was nothing here that Zoe could contradict. She kept silence, and
      was mystified.
    </p>
    <p>
      Then she attacked him on another quarter. &ldquo;Have you written to her since
      you behaved like a ruffian to her?&rdquo;
     </p>
    <p>
      &ldquo;No. And I never will, come what may. It is wicked of me; but I hate her.
      I am compelled to esteem her. But I hate her.&rdquo;
     </p>
    <p>
      Zoe could quite understand that; but in spite of that she said, &ldquo;Of course
      you do. Men always hate those they have used ill. Why did you not write to
      <i>me?</i> Had a mind to be impartial, I suppose?&rdquo;
     </p>
    <p>
      &ldquo;I had reason to believe it would have been intercepted.&rdquo;
     </p>
    <p>
      &ldquo;For shame! Vizard is incapable of such a thing.&rdquo;
     </p>
    <p>
      &ldquo;Ah, you don't know how he is changed. He looks on me as a mad dog.
      Consider, Zoe: do, pray, take the real key to it all. He is in love with
      Mademoiselle Klosking, madly in love with her: and I have been so
      unfortunate as to injure her&mdash;nearly to kill her. I dare say he
      thinks it is on your account he hates me; but men deceive themselves. It
      is for <i>her</i> he hates me.&rdquo;
     </p>
    <p>
      &ldquo;Oh!&rdquo;
     </p>
    <p>
      &ldquo;Ay. Think for a moment, and you will see it is. <i>You</i> are not in his
      confidence. I am sure he has never told <i>you</i> that he ordered his
      keepers to shoot me down if I came about the house at night.&rdquo;
     </p>
    <p>
      &ldquo;Oh no, no!&rdquo; cried Zoe.
    </p>
    <p>
      &ldquo;Do you know he has raised the country against me, and has warrants out
      against me for forgery, because I was taken in by a rogue who gave me
      bills with sham names on them, and I got Vizard to cash them? As soon as
      we found out how I had been tricked, my uncle and I offered at once to pay
      him back his money. But no! he prefers to keep the bills as a weapon.&rdquo;
     </p>
    <p>
      Zoe began to be puzzled a little. But she said, &ldquo;You have been a long time
      discovering all these grievances. Why have you held no communication all
      this time?&rdquo;
     </p>
    <p>
      &ldquo;Because you were inaccessible. Does not your own heart tell you that I
      have been all these weeks trying to communicate, and unable? Why, I came
      three times under your window at night, and you never, never would look
      out.&rdquo;
     </p>
    <p>
      &ldquo;I did look out ever so often.&rdquo;
     </p>
    <p>
      &ldquo;If I had been you, I should have looked ten thousand times. I only left
      off coming when I heard the keepers were ordered to shoot me down. Not
      that I should have cared much, for I am desperate. But I had just sense
      enough left to see that, if my dead body had been brought bleeding into
      your hall some night, none of you would ever have been happy again. Your
      eyes would have been opened, all of you. Well, Zoe, you left Vizard Court;
      that I learned: but it was only this morning I could find out where you
      were gone: and you see I am here&mdash;with a price upon my head. Please
      read Vizard's advertisements.&rdquo;
     </p>
    <p>
      She took them and read them. A hot flush mounted to her cheek.
    </p>
    <p>
      &ldquo;You see,&rdquo; said he, &ldquo;I am to be imprisoned if I set my foot in
      Barfordshire. Well, it will be false imprisonment, and Mademoiselle
      Klosking's lover will smart for it. At all events, I shall take no orders
      but from you. You have been deceived by appearances. I shall do all I can
      to undeceive you, and if I cannot, there will be no need to imprison me
      for a deceit of which I was the victim, nor to shoot me like a dog for
      loving <i>you.</i> I will take my broken heart quietly away, and leave
      Barfordshire, and England, and the world, for aught I care.&rdquo;
     </p>
    <p>
      Then he cried: and that made her cry directly.
    </p>
    <p>
      &ldquo;Ah!&rdquo; she sighed, &ldquo;we are unfortunate. Appearances are so deceitful. I see
      I have judged too hastily, and listened too little to my own heart, that
      always made excuses. But it is too late now.&rdquo;
     </p>
    <p>
      &ldquo;Why too late?&rdquo;
     </p>
    <p>
      &ldquo;It is.&rdquo;
     </p>
    <p>
      &ldquo;But why?&rdquo;
     </p>
    <p>
      &ldquo;It all looked so ugly, and you were silent. We are unfortunate. My
      brother would never let us marry; and, besides&mdash;Oh, why did you not
      come before?&rdquo;
     </p>
    <p>
      &ldquo;I might as well say, Why did you not look out of your window? You could
      have done it without risking your life, as I did. Or why did you not
      advertise. You might have invited an explanation from 'E. S.,' under cover
      to so-and-so.&rdquo;
     </p>
    <p>
      &ldquo;Ladies never think of such things. You know that very well.&rdquo;
     </p>
    <p>
      &ldquo;Oh, I don't complain; but I do say that those who love should not be
      ready to reproach; they should put a generous construction. You might have
      known, and you ought to have known, that I was struggling to find you, and
      torn with anguish at my impotence.&rdquo;
     </p>
    <p>
      &ldquo;No, no. I am so young and inexperienced, and all my friends against you.
      It is they who have parted us.&rdquo;
     </p>
    <p>
      &ldquo;How can they part us, if you love me still as I love you?&rdquo;
     </p>
    <p>
      &ldquo;Because for the last fortnight I have not loved you, but hated you, and
      doubted you, and thought my only chance of happiness was to imitate your
      indifference: and while I was thinking so, another person has come
      forward; one whom I have always esteemed: and now, in my pity and despair,
      I have given him hopes.&rdquo; She hid her burning face in her hands.
    </p>
    <p>
      &ldquo;I see; you are false to me, and therefore you have suspected me of being
      false to you.&rdquo;
     </p>
    <p>
      At that she raised her head high directly. &ldquo;Edward, you are unjust. Look
      in my face, and you may see what I have suffered before I could bring
      myself to condemn you.&rdquo;
     </p>
    <p>
      &ldquo;What! your paleness, that dark rim under your lovely eyes&mdash;am I the
      cause?&rdquo;
     </p>
    <p>
      &ldquo;Indeed you are. But I forgive you. You are sadly pale and worn too. Oh,
      how unfortunate we are!&rdquo;
     </p>
    <p>
      &ldquo;Do not cry, dearest,&rdquo; said he. &ldquo;Do not despair. Be calm, and let me know
      the worst. I will not reproach you, though you have reproached me. I love
      you as no woman can love. Come, tell me.&rdquo;
     </p>
    <p>
      &ldquo;Then the truth is, Lord Uxmoor has renewed his attention to me.&rdquo;
     </p>
    <p>
      &ldquo;Ah!&rdquo;
     </p>
    <p>
      &ldquo;He has been here every day.&rdquo;
     </p>
    <p>
      Severne groaned.
    </p>
    <p>
      &ldquo;Aunt Maitland was on his side, and spoke so kindly to me, and he saved my
      life from a furious bull. He is brave, noble, good, and he loves me. I
      have committed myself. I cannot draw back with honor.&rdquo;
     </p>
    <p>
      &ldquo;But from me you can, because I am poor and hated, and have no title. If
      you are committed to him, you are engaged to me.&rdquo;
     </p>
    <p>
      &ldquo;I am; so now I can go neither way. If I had poison, I would take it this
      moment, and end all.&rdquo;
     </p>
    <p>
      &ldquo;For God's sake, don't talk so. I am sure you exaggerate. You cannot, in
      those few days, have pledged your faith to another. Let me see your
      finger. Ah! there's my ring on it still: bless you, my own darling Zoe&mdash;bless
      you;&rdquo; and he covered her hand with kisses, and bedewed it with his
      ever-ready tears.
    </p>
    <p>
      The girl began to melt, and all power to ooze out of her, mind and body.
      She sighed deeply and said, &ldquo;What can I do&mdash;I don't say with honor
      and credit, but with decency. What <i>can</i> I do?&rdquo;
     </p>
    <p>
      &ldquo;Tell me, first, what you have said to him that you consider so
      compromising.&rdquo;
     </p>
    <p>
      Zoe, with many sighs, replied: &ldquo;I believe&mdash;I said&mdash;I was
      unhappy. And so I was. And I owned&mdash;that I admired&mdash;and esteemed
      him. And so I do. And then of course he wanted more, and I could not give
      more; and he asked might he try and make me love him; and&mdash;I said&mdash;I
      am afraid I said&mdash;he might, if he could.&rdquo;
     </p>
    <p>
      &ldquo;And a very proper answer, too.&rdquo;
     </p>
    <p>
      &ldquo;Ah! but I said he might come every day. It is idle to deceive ourselves:
      I have encouraged his addresses. I can do nothing now with credit but die,
      or go into a convent.&rdquo;
     </p>
    <p>
      &ldquo;When did you say this?&rdquo;
     </p>
    <p>
      &ldquo;This very day.&rdquo;
     </p>
    <p>
      &ldquo;Then he has never acted on it.&rdquo;
     </p>
    <p>
      &ldquo;No, but he will. He will be here tomorrow for certain.&rdquo;
     </p>
    <p>
      &ldquo;Then your course is plain. You must choose to-night between him and me.
      You must dismiss him by letter, or me upon this spot. I have not much
      fortune to offer you, and no coronet; but I love you, and you have seen me
      reject a lovely and accomplished woman, whom I esteem as much as you do
      this lord. Reject him? Why, you have seen me fling her away from me like a
      dog sooner than leave you in a moment's doubt of my love: if you cannot
      write a civil note declining an earl for me, your love in not worthy of
      mine, and I will begone with my love. I will not take it to Mademoiselle
      Klosking, though I esteem her as you do this lord; but, at all events, I
      will take it away from you, and leave you my curse instead, for a false,
      fickle girl that could not wait one little month, but must fall, with her
      engaged ring on her finger, into another man's arms. Oh, Zoe! Zoe! who
      could have believed this of you?&rdquo;
     </p>
    <p>
      &ldquo;Don't reproach <i>me.</i> I won't bear it,&rdquo; she cried, wildly.
    </p>
    <p>
      &ldquo;I hope not to have to reproach you,&rdquo; said he, firmly; &ldquo;I cannot conceive
      your hesitating.&rdquo;
     </p>
    <p>
      &ldquo;I am worn out. Love has been too great a torment. Oh, if I could find
      peace!&rdquo;
     </p>
    <p>
      Again her tears flowed.
    </p>
    <p>
      He put on a sympathizing air. &ldquo;You shall have peace. Dismiss <i>him</i> as
      I tell you, and he will trouble you no more; shake hands with me, and say
      you prefer <i>him,</i> and I will trouble you no more. But with two
      lovers, peace is out of the question, and so is self-respect. I know I
      could not vacillate between you and Mademoiselle Klosking or any other
      woman.&rdquo;
     </p>
    <p>
      &ldquo;Ah, Edward, if I do this, you ought to love me very dearly.&rdquo;
     </p>
    <p>
      &ldquo;I shall. Better than ever&mdash;if possible.&rdquo;
     </p>
    <p>
      &ldquo;And never make me jealous again.&rdquo;
     </p>
    <p>
      &ldquo;I never shall, dearest. Our troubles are over.&rdquo;
     </p>
    <p>
      &ldquo;Edward, I have been very unhappy. I could not bear these doubts again.&rdquo;
     </p>
    <p>
      &ldquo;You shall never be unhappy again.&rdquo;
     </p>
    <p>
      &ldquo;I must do what you require, I suppose. That is how it always ends. Oh
      dear! oh dear!&rdquo;
     </p>
    <p>
      &ldquo;Zoe, it must be done. You know it must.&rdquo;
     </p>
    <p>
      &ldquo;I warn you I shall do it as kindly as I can.&rdquo;
     </p>
    <p>
      &ldquo;Of course you will. You ought to.&rdquo;
     </p>
    <p>
      &ldquo;I must go in now. I feel very cold.&rdquo;
     </p>
    <p>
      &ldquo;How soon to-morrow will you meet me here?&rdquo;
     </p>
    <p>
      &ldquo;When you please,&rdquo; said she, languidly.
    </p>
    <p>
      &ldquo;At ten o'clock?&rdquo;
     </p>
    <p>
      &ldquo;Yes.&rdquo;
     </p>
    <p>
      Then there was a tender parting, and Zoe went slowly in. She went to her
      own room, just to think it all over alone. She caught sight of her face in
      the glass. Her cheeks had regained color, and her eyes were bright as
      stars. She stopped and looked at herself. &ldquo;There now,&rdquo; said she, &ldquo;and I
      seem to myself to live again. I was mad to think I could ever love any man
      but him. He is my darling, my idol.&rdquo;
     </p>
    <p>
      There was no late dinner at Somerville Villa. Indeed, ladies, left to
      themselves, seldom dine late. Nature is strong in them, and they are
      hungriest when the sun is high. At seven o'clock Zoe Vizard was seated at
      her desk trying to write to Lord Uxmoor. She sighed, she moaned, she
      began, and dropped the pen and hid her face. She became almost wild; and
      in that state she at last dashed off what follows:
    </p>
    <p>
      &ldquo;DEAR LORD UXMOOR&mdash;For pity's sake, forgive the mad words I said to
      you today. It is impossible. I can do no more than admire and esteem you.
      My heart is gone from me forever. Pray forgive me, though I do not deserve
      it; and never see me nor look at me again. I ask pardon for my
      vacillation. It has been disgraceful; but it has ended, and I was under a
      great error, which I cannot explain to you, when I led you to believe I
      had a heart to give you. My eyes are opened. Our paths lie asunder. Pray,
      pray forgive me, if it is possible. I will never forgive myself, nor cease
      to bless and revere you, whom I have used so ill.
    </p>
    <h3>
      &ldquo;ZOE VIZARD.&rdquo;
     </h3>
    <p>
      That day Uxmoor dined alone with his mother, for a wonder, and he told her
      how Miss Vizard had come round; he told her also about the bull, but so
      vilely that she hardly comprehended he had been in any danger: these
      encounters are rarely described to the life, except by us who avoid them&mdash;except
      on paper.
    </p>
    <p>
      Lady Uxmoor was much pleased. She was a proud, politic lady, and this was
      a judicious union of two powerful houses in the county, and one that would
      almost command the elections. But, above all, she knew her son's heart was
      in the match, and she gave him a mother's sympathy.
    </p>
    <p>
      As she retired, she kissed him and said, &ldquo;When you are quite sure of the
      prize, tell me, and I will call upon her.&rdquo;
     </p>
    <p>
      Being alone, Lord Uxmoor lighted a cigar and smoked it in measureless
      content. The servant brought him a note on a salver. It had come by hand.
      Uxmoor opened it and read every word straight through, down to &ldquo;Zoe
      Vizard;&rdquo; read it, and sat petrified.
    </p>
    <p>
      He read it again. He felt a sort of sickness come over him. He swallowed a
      tumbler of port, a wine he rarely touched; but he felt worse now than
      after the bullfight. This done, he rose and stalked like a wounded lion
      into the drawing-room, which was on the same floor, and laid the letter
      before his mother.
    </p>
    <p>
      &ldquo;You are a woman too,&rdquo; said he, a little helplessly. &ldquo;Tell me&mdash;what
      on earth does this mean?&rdquo;
     </p>
    <p>
      The dowager read it slowly and keenly, and said, &ldquo;It means&mdash;another
      man.&rdquo;
     </p>
    <p>
      &ldquo;Ah!&rdquo; said Uxmoor, with a sort of snarl.
    </p>
    <p>
      &ldquo;Have you seen any one about her?&rdquo;
     </p>
    <p>
      &ldquo;No; not lately. At Vizard Court there was. But that is all over now, I
      conclude. It was a Mr. Severne, an adventurer, a fellow that was caught
      out in a lie before us all. Vizard tells me a lady came and claimed him
      before Miss Vizard, and he ran away.&rdquo;
     </p>
    <p>
      &ldquo;An unworthy attachment, in short?&rdquo;
     </p>
    <p>
      &ldquo;Very unworthy, if it was an attachment at all.&rdquo;
     </p>
    <p>
      &ldquo;Was he at Vizard Court when she declined your hand?&rdquo;
     </p>
    <p>
      &ldquo;Yes.&rdquo;
     </p>
    <p>
      &ldquo;Did he remain, after you went?&rdquo;
     </p>
    <p>
      &ldquo;I suppose so. Yes, he must have.&rdquo;
     </p>
    <p>
      &ldquo;Then the whole thing is clear: that man has come forward again
      unexpectedly, or written, and she dismisses you. My darling, there is but
      one thing for you to do. Leave her, and thank her for telling you in time.
      A less honorable fool would have hidden it, and then we might have had a
      Countess of Uxmoor in the Divorce Court some day or other.
    </p>
    <p>
      &ldquo;I had better go abroad,&rdquo; said Uxmoor, with a groan. &ldquo;This country is
      poisoned for me.&rdquo;
     </p>
    <p>
      &ldquo;Go, by all means. Let Janneway pack up your things to-morrow.&rdquo;
     </p>
    <p>
      &ldquo;I should like to kill that fellow first.&rdquo;
     </p>
    <p>
      &ldquo;You will not even waste a thought on him, if you are my son.&rdquo;
     </p>
    <p>
      &ldquo;You are right, mother. What am I to say to her?&rdquo;
     </p>
    <p>
      &ldquo;Not a word.&rdquo;
     </p>
    <p>
      &ldquo;What, not answer her letter? It is humble enough, I am sure&mdash;poor
      soul! Mother, I am wretched, but I am not bitter, and my rival will
      revenge me.&rdquo;
     </p>
    <p>
      &ldquo;Uxmoor, your going abroad is the only answer she shall have. The wisest
      man, in these matters, who ever lived has left a rule of conduct to every
      well-born man&mdash;a rule which, believe me, is wisdom itself:
    </p>
    <p>
      &ldquo;Le bruit est pour le fat, la plainte est pour le sot; L'honnete homme
      trompe'; s'e'loigne, et ne dit mot.&rdquo;
     </p>
    <p>
      &ldquo;You will make a tour, and not say a word to Miss Vizard, good, bad, nor
      indifferent. I insist upon that.&rdquo;
     </p>
    <p>
      &ldquo;Very well. Thank you, dear mother; you guide me, and don't let me make a
      fool of myself, for I am terribly cut up. You will be the only Countess of
      Uxmoor in my day.&rdquo;
     </p>
    <p>
      Then he knelt at her feet, and she kissed his head and cried over him; but
      her tears only made this proud lady stronger.
    </p>
    <p>
      Next day he started on his travels.
    </p>
    <p>
      Now, but for Zoe, he would on no account have left England just then; for
      he was just going to build model cottages in his own village, upon designs
      of his own, each with a little plot, and a public warehouse or granary,
      with divisions for their potatoes and apples, etc. However, he turned this
      over in his mind while he was packing; he placed certain plans and papers
      in his dispatch box, and took his ticket to Taddington, instead of going
      at once to London. From Taddington he drove over to Hillstoke and asked
      for Miss Gale. They told him she was fixed at Vizard Court. That vexed
      him: he did not want to meet Vizard. He thought it the part of a Jerry
      Sneak to go and howl to a brother against his sister. Yet if Vizard
      questioned him, how could he conceal there was something wrong? However,
      he went down to Vizard Court; but said to the servant who opened the door,
      &ldquo;I am rather in a hurry, sir: do you think you could procure me a few
      minutes with Miss Gale? You need not trouble Mr. Vizard.&rdquo;
     </p>
    <p>
      &ldquo;Yes, my laud. Certainly, my laud. Please step in the morning-room, my
      laud. Mr. Vizard is out.&rdquo;
     </p>
    <p>
      That was fortunate, and Miss Gale came down to him directly.
    </p>
    <p>
      Fanny took that opportunity to chatter and tell Mademoiselle Klosking all
      about Lord Uxmoor and his passion for Zoe. &ldquo;And he will have her, too,&rdquo;
       said she, boldly.
    </p>
    <p>
      Lord Uxmoor told Miss Gale he had called upon business. He was obliged to
      leave home for a time, and wished to place his projects under the care of
      a person who could really sympathize with them, and make additions to
      them, if necessary. &ldquo;Men,&rdquo; said he, &ldquo;are always making oversights in
      matters of domestic comfort: besides, you are full of ideas. I want you to
      be viceroy with full power, and act just as you would if the village
      belonged to you.&rdquo;
     </p>
    <p>
      Rhoda colored high at the compliment.
    </p>
    <p>
      &ldquo;Wells, cows, granary, real education&mdash;what you like&rdquo; said he. &ldquo;I
      know your mind. Begin abolishing the lower orders in the only way they can
      be got rid of&mdash;by raising them in comfort, cleanliness, decency, and
      knowledge. Then I shall not be missed. I'm going abroad.&rdquo;
     </p>
    <p>
      &ldquo;Going abroad?&rdquo;
     </p>
    <p>
      &ldquo;Yes. Here are my plans: alter them for the better if you can. All the
      work to be done by the villagers. Weekly wages. We buy materials. They
      will be more reconciled to improved dwellings when they build them
      themselves. Here are the addresses of the people who will furnish money.
      It will entail traveling; but my people will always meet you at the
      station, if you telegraph from Taddington. You accept? A thousand thanks.
      I am afraid I must be off.&rdquo;
     </p>
    <p>
      She went into the hall with him, half bewildered, and only at the door
      found time to ask after Zoe Vizard.
    </p>
    <p>
      &ldquo;A little better, I think, than when she came.&rdquo;
     </p>
    <p>
      &ldquo;Does she know you are going abroad?&rdquo;
     </p>
    <p>
      &ldquo;No; I don't think she does, yet. It was settled all in a hurry.&rdquo;
     </p>
    <p>
      He escaped further questioning by hurrying away.
    </p>
    <p>
      Miss Gale was still looking after him, when Ina Klosking came down,
      dressed for a walk, and leaning lightly on Miss Dover's arm. This was by
      previous consent of Miss Gale.
    </p>
    <p>
      &ldquo;Well, dear,&rdquo; said Fanny, &ldquo;what did he say to you?&rdquo;
     </p>
    <p>
      &ldquo;Something that has surprised and puzzled me very much.&rdquo; She then related
      the whole conversation, with her usual precision.
    </p>
    <p>
      Ina Klosking observed quietly to Fanny that this did not look like
      successful wooing.
    </p>
    <p>
      &ldquo;I don't know that,&rdquo; said Fanny, stoutly. &ldquo;Oh, Miss Gale, did you not ask
      him about her?&rdquo;
     </p>
    <p>
      &ldquo;Certainly I did; and he said she was better than when she first came.&rdquo;
     </p>
    <p>
      &ldquo;There!&rdquo; said Fanny, triumphantly.
    </p>
    <p>
      Miss Gale gave her a little pinch, and she dropped the subject.
    </p>
    <p>
      Vizard returned, and found Mademoiselle Klosking walking on his gravel. He
      offered her his arm, and was a happy man, parading her very slowly, and
      supporting her steps, and purring his congratulations into her ear.
      &ldquo;Suppose I were to invite you to dinner, what would you say?&rdquo;
     </p>
    <p>
      &ldquo;I think I should say, 'To-morrow.'&rdquo;
     </p>
    <p>
      &ldquo;And a very good answer, too. To-morrow shall be a <i>fete.&rdquo;</i>
    </p>
    <p>
      &ldquo;You spoil me?&rdquo;
     </p>
    <p>
      &ldquo;That is impossible.&rdquo;
     </p>
    <p>
      It was strange to see them together; he so happy, she so apathetic, yet
      gracious.
    </p>
    <p>
      Next morning came a bit of human nature&mdash;a letter from Zoe to Fanny,
      almost entirely occupied with praises of Lord Uxmoor. She told the bull
      story better than I have&mdash;if possible&mdash;and, in short, made
      Uxmoor a hero of romance.
    </p>
    <p>
      Fanny carried this in triumph to the other ladies, and read it out.
      &ldquo;There!&rdquo; said she. &ldquo;Didn't I tell you?&rdquo;
     </p>
    <p>
      Rhoda read the letter, and owned herself puzzled. &ldquo;I am not, then,&rdquo; said
      Fanny: &ldquo;they are engaged&mdash;over the bull; like Europa and I forgot who&mdash;and
      so he is not afraid to go abroad now. That is just like the men. They cool
      directly the chase is over.&rdquo;
     </p>
    <p>
      Now the truth was that Zoe was trying to soothe her conscience with
      elegant praises of the man she had dismissed, and felt guilty.
    </p>
    <p>
      Ina Klosking said little. She was puzzled too at first. She asked to see
      Zoe's handwriting. The letter was handed to her. She studied the
      characters. &ldquo;It is a good hand,&rdquo; she said; &ldquo;nothing mean there.&rdquo; And she
      gave it back.
    </p>
    <p>
      But, with a glance, she had read the address, and learned that the post
      town was Bagley.
    </p>
    <p>
      All that day, at intervals, she brought her powerful understanding to bear
      on the paradox; and though she had not the facts and the clew I have given
      the reader, she came near the truth in an essential matter. She satisfied
      herself that Lord Uxmoor was not engaged to Zoe Vizard. Clearly, if so, he
      would not leave England for months. She resolved to know more; and just
      before dinner she wrote a line to Ashmead, and requested him to call on
      her immediately.
    </p>
    <p>
      That day she dined with Vizard and the ladies. She sat at Vizard's right
      hand, and he told her how proud, and happy he was to see her there.
    </p>
    <p>
      She blushed faintly, but made no reply.
    </p>
    <p>
      She retired soon after dinner.
    </p>
    <p>
      All next day she expected Ashmead.
    </p>
    <p>
      He did not come.
    </p>
    <p>
      She dined with Vizard next day, and retired to the drawing-room. The piano
      was opened, and she played one or two exquisite things, and afterward
      tried her voice, but only in scales, and somewhat timidly, for Miss Gale
      warned her she might lose it or spoil it if she strained the vocal chord
      while her whole system was weak.
    </p>
    <p>
      Next day Ashmead came with apologies.
    </p>
    <p>
      He had spent a day in the cathedral town on business. He did not tell her
      how he had spent that day, going about puffing her as the greatest singer
      of sacred music in the world, and paving the way to her engagement at the
      next festival. Yet the single-hearted Joseph had really raised that
      commercial superstructure upon the sentiments she had uttered on his first
      visit to Vizard Court.
    </p>
    <p>
      Ina now held a private conference with him. &ldquo;I think,&rdquo; said she, &ldquo;I have
      heard you say you were once an actor.&rdquo;
     </p>
    <p>
      &ldquo;I was, madam, and a very good one, too.&rdquo;
     </p>
    <p>
      <i>&ldquo;Cela va sans dire.</i> I never knew one that was not. At all events,
      you can disguise yourself.&rdquo;
     </p>
    <p>
      &ldquo;Anything, madam, from Grandfather Whitehead to a boy in a pinafore.
      Famous for my make-ups.&rdquo;
     </p>
    <p>
      &ldquo;I wish you to watch a certain house, and not be recognized by a person
      who knows you.&rdquo;
     </p>
    <p>
      &ldquo;Well, madam, nothing is <i>infra dig,</i> if done for you; nothing is
      distasteful if done for you.&rdquo;
     </p>
    <p>
      &ldquo;Thank you, my friend. I have thought it well to put my instructions on
      paper.&rdquo;
     </p>
    <p>
      &ldquo;Ay, that is the best way.&rdquo;
     </p>
    <p>
      She handed him the instructions. He read them, and his eyes sparkled. &ldquo;Ah,
      this is a commission I undertake with pleasure, and I'll execute it with
      zeal.&rdquo;
     </p>
    <p>
      He left her, soon after, to carry out these instructions, and that very
      evening he was in the wardrobe of the little theater, rummaging out a
      suitable costume, and also in close conference with the wigmaker.
    </p>
    <p>
      Next day Vizard had his mother's sables taken out and aired, and drove
      Mademoiselle Klosking into Taddington in an open carriage. Fanny told her
      they were his mother's sables, and none to compare with them in the
      country.
    </p>
    <p>
      On returning, she tried her voice to the harmonium in her own antechamber,
      and found it was gaining strength&mdash;like herself.
    </p>
    <p>
      Meantime Zoe Vizard met Severne in the garden, and told him she had
      written to Lord Uxmoor, and he would never visit her again. But she did
      not make light of the sacrifice this time. She had sacrificed her own
      self-respect as well as Uxmoor's, and she was sullen and tearful.
    </p>
    <p>
      He had to be very wary and patient, or she would have parted with him too,
      and fled from both of them to her brother.
    </p>
    <p>
      Uxmoor's wounded pride would have been soothed could he have been present
      at the first interview of this pair. He would have seen Severne treated
      with a hauteur and a sort of savageness he himself was safe from, safe in
      her unshaken esteem.
    </p>
    <p>
      But the world is made for those who can keep their temper, especially the
      female part of the world.
    </p>
    <p>
      Sad, kind, and loving, but never irritable, Severne smoothed down and
      soothed and comforted the wounded girl; and, seeing her two or three times
      a day&mdash;for she was completely mistress of her time&mdash;got her
      completely into his power again.
    </p>
    <p>
      Uxmoor did not reply.
    </p>
    <p>
      She had made her selection. Love beckoned forward. It was useless to look
      back.
    </p>
    <p>
      Love was omnipotent. They both began to recover their good looks as if by
      magic; and as Severne's passion, though wicked, was earnest, no poor bird
      was ever more completely entangled by bird-lime than Zoe was caught by
      Edward Severne.
    </p>
    <p>
      Their usual place of meeting was the shrubbery attached to Somerville
      Villa. The trees, being young, made all the closer shade, and the
      gravel-walk meandered, and shut them out from view.
    </p>
    <p>
      Severne used to enter this shrubbery by a little gate leading from the
      meadow, and wait under the trees till Zoe came to him. Vizard's
      advertisements alarmed him, and he used to see the coast clear before he
      entered the shrubbery, and also before he left it. He was so particular in
      this that, observing one day an old man doddering about with a basket, he
      would not go in till he had taken a look at him. He found it was an
      ancient white-haired villager gathering mushrooms. The old fellow was so
      stiff, and his hand so trembling, that it took him about a minute to
      gather a single fungus.
    </p>
    <p>
      To give a reason for coming up to him, Severne said, &ldquo;How old are you, old
      man?&rdquo;
     </p>
    <p>
      &ldquo;I be ninety, measter, next Martinmas-day.&rdquo;
     </p>
    <p>
      &ldquo;Only ninety?&rdquo; said our Adonis, contemptuously; &ldquo;you look a hundred and
      ninety.&rdquo;
     </p>
    <p>
      He would have been less contemptuous had he known that the mushrooms were
      all toad-stools, and the village centenaire was Mr. Joseph Ashmead,
      resuming his original arts, and playing Grandfather Whitehead on the green
      grass.
    </p>
    <p>
      <a name="link2HCH0025" id="link2HCH0025">
      <!--  H2 anchor --> </a>
    </p>
    <div style="height: 4em;">
      <br /><br /><br /><br />
    </div>
    <h2>
      CHAPTER XXV.
    </h2>
    <p>
      MADEMOISELLE KLOSKING told Vizard the time drew near when she must leave
      his hospitable house.
    </p>
    <p>
      &ldquo;Say a month hence,&rdquo; said he.
    </p>
    <p>
      She shook her head.
    </p>
    <p>
      &ldquo;Of course you will not stay to gratify me,&rdquo; said he, half sadly, half
      bitterly. &ldquo;But you will have to stay a week or two longer <i>par
      ordonnance du me'decin.&rdquo;</i>
    </p>
    <p>
      &ldquo;My physician is reconciled to my going. We must all bow to necessity.&rdquo;
     </p>
    <p>
      This was said too firmly to admit a reply. &ldquo;The old house will seem very
      dark again whenever you do go,&rdquo; said Vizard, plaintively.
    </p>
    <p>
      &ldquo;It will soon be brightened by her who is its true and lasting light,&rdquo; was
      the steady reply.
    </p>
    <p>
      A day or two passed with nothing to record, except that Vizard hung about
      Ina Klosking, and became, if possible, more enamored of her and more
      unwilling to part with her.
    </p>
    <p>
      Mr. Ashmead arrived one afternoon about three o'clock, and was more than
      an hour with her. They conversed very earnestly, and when he went, Miss
      Gale found her agitated.
    </p>
    <p>
      &ldquo;This will not do,&rdquo; said she.
    </p>
    <p>
      &ldquo;It will pass, my friend,&rdquo; said Ina. &ldquo;I will sleep.&rdquo;
     </p>
    <p>
      She laid herself down and slept three hours before dinner.
    </p>
    <p>
      She arose refreshed, and dined with the little party; and on retiring to
      the drawing-room, she invited Vizard to join them at his convenience. He
      made it his convenience in ten minutes.
    </p>
    <p>
      Then she opened the piano, played an introduction, and electrified them
      all by singing the leading song in Siebel. She did not sing it so
      powerfully as in the theater; she would not have done that even if she
      could: but still she sung it out, and nobly. It seemed a miracle to hear
      such singing in a room.
    </p>
    <p>
      Vizard was in raptures.
    </p>
    <p>
      They cooled suddenly when she reminded him what he had said, that she must
      stay till she could sing Siebel's song. &ldquo;I keep to the letter of the
      contract,&rdquo; said she. &ldquo;My friends, this is my last night at Vizard Court.&rdquo;
     </p>
    <p>
      &ldquo;Please try and shake that resolution,&rdquo; said Vizard, gravely, to
      Mesdemoiselles Dover and Gale.
    </p>
    <p>
      &ldquo;They cannot,&rdquo; said Ina. &ldquo;It is my destiny. And yet,&rdquo; said she, after a
      pause, &ldquo;I would not have you remember me by that flimsy thing. Let me sing
      you a song your mother loved; let me be remembered in this house, as a
      singer, by that.&rdquo;
     </p>
    <p>
      Then she sung Handel's song:
    </p>
    <p>
      &ldquo;What though I trace each herb and flower That decks the morning dew? Did
      I not own Jehovah's power, How vain were all I knew.&rdquo;
     </p>
    <p>
      She sung it with amazing purity, volume, grandeur, and power; the lusters
      rang and shook, the hearts were thrilled, and the very souls of the
      hearers ravished. She herself turned a little pale in singing it, and the
      tears stood in her eyes.
    </p>
    <p>
      The song and its interpretation were so far above what passes for music
      that they all felt compliments would be an impertinence. Their eyes and
      their long drawn breath paid the true homage to that great master rightly
      interpreted&mdash;a very rare occurrence.
    </p>
    <p>
      &ldquo;Ah!&rdquo; said she; &ldquo;that was the hand could brandish Goliath's spear.&rdquo;
     </p>
    <p>
      &ldquo;And this is how you reconcile us to losing you,&rdquo; said Vizard. &ldquo;You might
      stay, at least, till you had gone through my poor mother's collection.&rdquo;
     </p>
    <p>
      &ldquo;Ah! I wish I could. But I cannot. I must not. My Fate forbids it.&rdquo;
     </p>
    <p>
      &ldquo;'Fate' and 'destiny,'&rdquo; said Vizard, &ldquo;stuff and nonsense. We make our own
      destiny. Mine is to be eternally disappointed, and happiness snatched out
      of my hands.&rdquo;
     </p>
    <p>
      He had no sooner made this pretty speech than he was ashamed of it, and
      stalked out of the room, not to say any more unwise things.
    </p>
    <p>
      This burst of spleen alarmed Fanny Dover. &ldquo;There,&rdquo; said she, &ldquo;now you
      cannot go. He is very angry.&rdquo;
     </p>
    <p>
      Ina Klosking said she was sorry for that; but he was too just a man to be
      angry with her long: the day would come when he would approve her conduct.
      Her lip quivered a little as she said this, and the water stood in her
      eyes: and this was remembered and understood, long after, both by Miss
      Dover and Rhoda Gale.
    </p>
    <p>
      &ldquo;When does your Royal Highness propose to start?&rdquo; inquired Rhoda Gale,
      very obsequiously, and just a little bitterly.
    </p>
    <p>
      &ldquo;To-morrow at half-past nine o'clock, dear friend,&rdquo; said Ina.
    </p>
    <p>
      &ldquo;Then you will not go without me. You will get the better of Mr. Vizard,
      because he is only a man; but I am a woman, and have a will as well as
      you. If you make a journey to-morrow, I go with you. Deny me, and you
      shan't go at all.&rdquo; Her eyes flashed defiance.
    </p>
    <p>
      Ina moved one step, took Rhoda's little defiant head, and kissed her
      cheek. &ldquo;Sweet physician and kind friend, of course you shall go with me,
      if you will, and be a great blessing to me.&rdquo;
     </p>
    <p>
      This reconciled Miss Gale to the proceedings. She packed up a carpet-bag,
      and was up early, making provisions of every sort for her patient's
      journey: air pillows, soft warm coverings, medicaments, stimulants, etc.,
      in a little bag slung across her shoulders. Thus furnished, and equipped
      in a uniform suit of gray cloth and wideawake hat, she cut a very
      sprightly and commanding figure, but more like Diana than Hebe.
    </p>
    <p>
      The Klosking came down, a pale Juno, in traveling costume; and a quarter
      of an hour before the time a pair-horse fly was at the door and Mr.
      Ashmead in the hall.
    </p>
    <p>
      The ladies were both ready.
    </p>
    <p>
      But Vizard had not appeared.
    </p>
    <p>
      This caused an uneasy discussion.
    </p>
    <p>
      &ldquo;He must be very angry,&rdquo; said Fanny, in a half whisper.
    </p>
    <p>
      &ldquo;I cannot go while he is,&rdquo; sighed La Klosking. &ldquo;There is a limit even to
      my courage.&rdquo;
     </p>
    <p>
      &ldquo;Mr. Harris,&rdquo; said Rhoda, &ldquo;would you mind telling Mr. Vizard?&rdquo;
     </p>
    <p>
      &ldquo;Well, miss,&rdquo; said Harris, softly, &ldquo;I did step in and tell him. Which he
      told me to go to the devil, miss&mdash;a hobservation I never knew him to
      make before.&rdquo;
     </p>
    <p>
      This was not encouraging. Yet the Klosking quietly inquired where he was.
    </p>
    <p>
      &ldquo;In there, ma'am,&rdquo; said Harris. &ldquo;In his study.&rdquo;
     </p>
    <p>
      Mademoiselle Klosking, placed between two alternatives, decided with her
      usual resolution. She walked immediately to the door and tapped at it;
      then, scarcely waiting for an instant, opened it and walked in with
      seeming firmness, though her heart was beating rather high.
    </p>
    <p>
      The people outside looked at one another. &ldquo;I wonder whether he will tell
      <i>her</i> to go to the devil,&rdquo; said Fanny, who was getting tired of being
      good.
    </p>
    <p>
      &ldquo;No use,&rdquo; said Miss Gale; &ldquo;she doesn't know the road.&rdquo;
     </p>
    <p>
      When La Klosking entered the study, Vizard was seated, disconsolate, with
      two pictures before him. His face was full of pain, and La Klosking's
      heart smote her. She moved toward him, hanging her head, and said, with
      inimitable sweetness and tenderness, &ldquo;Here is a culprit come to try and
      appease you.&rdquo;
     </p>
    <p>
      There came a time that he could hardly think of these words and her
      penitent, submissive manner with dry eyes. But just then his black dog had
      bitten him, and he said, sullenly, &ldquo;Oh, never mind me. It was always so.
      Your sex have always made me smart for&mdash;If flying from my house
      before you are half recovered gives you half the pleasure it gives me pain
      and mortification, say no more about it.&rdquo;
     </p>
    <p>
      &ldquo;Ah! why say it gives me pleasure? my friend, you cannot really think so.&rdquo;
     </p>
    <p>
      &ldquo;I don't know what to think. You ladies are all riddles.&rdquo;
     </p>
    <p>
      &ldquo;Then I must take you into my confidence, and, with some reluctance, I
      own, let you know why I leave this dear, kind roof to-day.&rdquo;
     </p>
    <p>
      Vizard's generosity took the alarm. &ldquo;No,&rdquo; said, &ldquo;I will not extort your
      reasons. It is a shame of me. Your bare will ought to be law in this
      house; and what reasons could reconcile me to losing you so suddenly? You
      are the joy of our eyes, the delight of our ears, the idol of all our
      hearts. You will leave us, and there will be darkness and gloom, instead
      of sunshine and song. Well, go; but you cannot soften the blow with
      reasons.&rdquo;
     </p>
    <p>
      Mademoiselle Klosking flushed, and her bosom heaved; for this was a strong
      man, greatly moved. With instinctive tact, she saw the best way to bring
      him to his senses was to give him a good opening to retreat.
    </p>
    <p>
      &ldquo;Ah, monsieur,&rdquo; said she, &ldquo;you are <i>trop grand seigneur.</i> You
      entertain a poor wounded singer in a chamber few princes can equal. You
      place everything at her disposal; such a physician and nurse as no queen
      can command; a choir to sing to her; royal sables to keep the wind from
      her, and ladies to wait on her. And when you have brought her back to
      life, you say to yourself, She is a woman; she will not be thoroughly
      content unless you tell her she is adorable. So, out of politeness, you
      descend to the language of gallantry. This was not needed. I dispense with
      that kind of comfort. I leave your house because it is my duty, and leave
      it your grateful servant and true friend to my last hour.&rdquo;
     </p>
    <p>
      She had opened the door, and Vizard could now escape. His obstinacy and
      his heart would not let him.
    </p>
    <p>
      &ldquo;Do not fence with me,&rdquo; said he. &ldquo;Leave that to others. It is beneath you.
      If you had been content to stay, I would have been content to show my
      heart by halves. But when you offer to leave me, you draw from me an
      avowal I can no longer restrain, and you must and shall listen to it. When
      I saw you on the stage at Homburg, I admired you and loved you that very
      night. But I knew from experience how seldom in women outward graces go
      with the virtues of the soul. I distrusted my judgment. I feared you and I
      fled you. But our destiny brought you here, and when I held you, pale and
      wounded, in my very arms, my heart seemed to go out of my bosom.&rdquo;
     </p>
    <p>
      &ldquo;Oh, no more! no more, pray!&rdquo; cried Mademoiselle Klosking.
    </p>
    <p>
      But the current of love was not to be stemmed. &ldquo;Since that terrible hour I
      have been in heaven, watching your gradual and sure recovery; but you have
      recovered only to abandon me, and your hurry to leave me drives me to
      desperation. No, I cannot part with you. You must not leave me, either
      this day or any day. Give me your hand, and stay here forever, and be the
      queen of my heart and of my house.&rdquo;
     </p>
    <p>
      For some time La Klosking had lost her usual composure. Her bosom heaved
      tumultuously, and her hands trembled. But at this distinct proposal the
      whole woman changed. She drew herself up, with her pale cheek flushing and
      her eyes glittering.
    </p>
    <p>
      &ldquo;What, sir?&rdquo; said she. &ldquo;Have you read me so ill? Do you not know I would
      rather be the meanest drudge that goes on her knees and scrubs your
      floors, than be queen of your house, as you call it? Ah, Jesu, are all men
      alike, then; that he whom I have so revered, whose mother's songs I have
      sung to him, makes me a proposal dishonorable to me and to himself?&rdquo;
     </p>
    <p>
      &ldquo;Dishonorable!&rdquo; cried Vizard. &ldquo;Why, what can any man offer to any woman
      more honorable than I offer you? I offer you my heart and my hand, and I
      say, do not go, my darling. Stay here forever, and be my queen, my
      goddess, my wife!&rdquo;
     </p>
    <p>
      &ldquo;YOUR WIFE?&rdquo; She stared wildly at him. &ldquo;Your wife? Am I dreaming, or are
      you?&rdquo;
     </p>
    <p>
      &ldquo;Neither. Do you think I can be content with less than that? Ina, I adore
      you.&rdquo;
     </p>
    <p>
      She put her hand to her head. &ldquo;I know not who is to blame for this,&rdquo; said
      she, and she trembled visibly.
    </p>
    <p>
      &ldquo;I'll take the blame,&rdquo; said he, gayly.
    </p>
    <p>
      Said Ina, very gravely. &ldquo;You, who do me the honor to offer me your name,
      have you asked yourself seriously what has been the nature of my relation
      with Edward Severne?&rdquo;
     </p>
    <p>
      &ldquo;No!&rdquo; cried Vizard, violently; &ldquo;and I do not mean to. I see you despise
      him now; and I have my eyes and my senses to guide me in choosing a wife.
      I choose you&mdash;if you will have me.&rdquo;
     </p>
    <p>
      She listened, then turned her moist eyes full upon him, and said to him,
      &ldquo;This is the greatest honor ever befell me. I cannot take it.&rdquo;
     </p>
    <p>
      &ldquo;Not take it?&rdquo;
     </p>
    <p>
      &ldquo;No; but that is my misfortune. Do not be mortified. You have no rival in
      my esteem. What shall I say, my friend?&mdash;at least I may call you
      that. If I explain now, I shall weep much, and lose my strength. What
      shall I do? I think&mdash;yes, that will be best&mdash;<i>you shall go
      with me to-day.&rdquo;</i>
    </p>
    <p>
      &ldquo;To the end of the world!&rdquo;
     </p>
    <p>
      &ldquo;Something tells me you will know all, and forgive me.&rdquo;
     </p>
    <p>
      &ldquo;Shall I take my bag?&rdquo;
     </p>
    <p>
      &ldquo;You might take an evening dress and some linen.&rdquo;
     </p>
    <p>
      &ldquo;Very well. I won't keep you a moment,&rdquo; said he, and went upstairs with
      great alacrity.
    </p>
    <p>
      She went into the hall, with her eyes bent on the ground, and was
      immediately pinned by Rhoda Gale, whose piercing eye, and inquisitive
      finger on her pulse, soon discovered that she had gone through a trying
      scene. &ldquo;This is a bad beginning of an imprudent journey,&rdquo; said she: &ldquo;I
      have a great mind to countermand the carriage.&rdquo;
     </p>
    <p>
      &ldquo;No, no,&rdquo; said Ina; &ldquo;I will sleep in the railway and recover myself.&rdquo;
     </p>
    <p>
      The ladies now got into the carriage; Ashmead insisted on going upon the
      box; and Vizard soon appeared, and took his seat opposite Miss Gale and
      Mademoiselle Klosking. The latter whispered her doctress: &ldquo;It would be
      wise of me not to speak much at present.&rdquo; La Gale communicated this to
      Vizard, and they drove along in dead silence. But they were naturally
      curious to know where they were going; so they held some communication
      with their eyes. They very soon found they were going to Taddington
      Station.
    </p>
    <p>
      Then came a doubt&mdash;were they going up or down?
    </p>
    <p>
      That was soon resolved.
    </p>
    <p>
      Mr. Ashmead had hired a saloon carriage for them, with couches and
      conveniences.
    </p>
    <p>
      They entered it; and Mademoiselle Klosking said to Miss Gale, &ldquo;It is
      necessary that I should sleep.&rdquo;
     </p>
    <p>
      &ldquo;You shall,&rdquo; said Miss Gale.
    </p>
    <p>
      While she was arranging the pillows and things, La Klosking said to
      Vizard, &ldquo;We artists learn to sleep when we have work to do. Without it I
      should not be strong enough this day.&rdquo; She said this in a half-apologetic
      tone, as one anxious not to give him any shadow of offense.
    </p>
    <p>
      She was asleep in five minutes; and Miss Gale sat watching her at first,
      but presently joined Vizard at the other end, and they whispered together.
      Said she, &ldquo;What becomes of the theory that women have no strength of will?
      There is Mademoiselle <i>Je le veux</i> in person. When she wants to
      sleep, she sleeps; and look at you and me&mdash;do you know where we are
      going?&rdquo;
     </p>
    <p>
      &ldquo;No.&rdquo;
     </p>
    <p>
      &ldquo;No more do I. The motive power is that personification of divine repose
      there. How beautiful she is with her sweet lips parted, and her white
      teeth peeping, and her upper and lower lashes wedded, and how graceful!&rdquo;
     </p>
    <p>
      &ldquo;She is a goddess,&rdquo; said Vizard. &ldquo;I wish I had never seen her. Mark my
      words, she will give me the sorest heart of all.&rdquo;
     </p>
    <p>
      &ldquo;I hope not,&rdquo; said Rhoda, very seriously.
    </p>
    <p>
      Ina slept sweetly for nearly two hours, and all that time her friends
      could only guess where they were going.
    </p>
    <p>
      At last the train stopped, for the sixth time, and Ashmead opened the
      door.
    </p>
    <p>
      This worthy, who was entirely in command of the expedition, collected the
      luggage, including Vizard's bag, and deposited it at the station. He then
      introduced the party to a pair-horse fly, and mounted the box.
    </p>
    <p>
      When they stopped at Bagley, Vizard suspected where they were going.
    </p>
    <p>
      When he saw the direction the carriage took, he knew it, and turned very
      grave indeed.
    </p>
    <p>
      He even regretted that he had put himself so blindly under the control of
      a woman. He cast searching glances at Mademoiselle Klosking to try and
      discover what on earth she was going to do. But her face was as
      impenetrable as marble. Still, she never looked less likely to do anything
      rash or in bad taste. Quietness was the main characteristic of her face,
      when not rippled over by a ravishing sweetness; but he had never seen her
      look so great, and lofty, and resolute as she looked now; a little stern,
      too, as one who had a great duty to do, and was inflexible as iron. When
      truly feminine features stiffen into marble like this, beauty is indeed
      imperial, and worthy of epic song; it rises beyond the wing of prose.
    </p>
    <p>
      My reader is too intelligent not to divine that she was steeling herself
      to a terrible interview with Zoe Vizard&mdash;terrible mainly on account
      of the anguish she knew she must inflict.
    </p>
    <p>
      But we can rarely carry out our plans exactly as we trace them&mdash;unexpected
      circumstances derange them or expand them; and I will so far anticipate as
      to say that in this case a most unexpected turn of events took La Klosking
      by surprise.
    </p>
    <p>
      Whether she proved equal to the occasion these pages will show very soon.
    </p>
    <p>
      <a name="link2HCH0026" id="link2HCH0026">
      <!--  H2 anchor --> </a>
    </p>
    <div style="height: 4em;">
      <br /><br /><br /><br />
    </div>
    <h2>
      CHAPTER XXVI.
    </h2>
    <p>
      POIKILUS never left Taddington&mdash;only the &ldquo;Swan.&rdquo; More than once he
      was within sight of Ashmead unobserved. Once, indeed, that gentleman, who
      had a great respect for dignitaries, saluted him; for at that moment
      Poikilus happened to be a sleek dignitary of the Church of England.
      Poikilus, when quite himself, wore a mustache, and was sallow, and lean as
      a weasel; but he shaved and stuffed and colored for the dean. Shovel-hat,
      portly walk, and green spectacles did the rest. Grandfather Whitehead
      saluted. His reverence chuckled.
    </p>
    <p>
      Poikilus kept Severne posted by letter and wire as to many things that
      happened outside Vizard Court; but he could not divine the storm that was
      brewing inside Ina Klosking's room. Yet Severne defended himself exactly
      as he would have done had he known all. He and Zoe spent Elysian hours,
      meeting twice a day in the shrubbery, and making love as if they were the
      only two creatures in the world; but it was blind Elysium only to one of
      them&mdash;Severne was uneasy and alarmed the whole time. His sagacity
      showed him it could not last, and there was always a creeping terror on
      him. Would not Uxmoor cause inquiries? Would he not be sure to tell
      Vizard? Would not Vizard come there to look after Zoe, or order her back
      to Vizard Court? Would not the Klosking get well, and interfere once more?
      He passed the time between heaven and hell; whenever he was not under the
      immediate spell of Zoe's presence, a sort of vague terror was always on
      him. He looked all round him, wherever he went.
    </p>
    <p>
      This terror, and his passion, which was now as violent as it was wicked,
      soon drove him to conceive desperate measures. But, by masterly
      self-government, he kept them two days to his own bosom. He felt it was
      too soon to raise a fresh and painful discussion with Zoe. He must let her
      drink unmixed delight, and get a taste for it; and then show her on what
      conditions alone it could be had forever.
    </p>
    <p>
      It was on the third day after their reconciliation she found him seated on
      a bench in the shrubbery, lost in thought, and looking very dejected. She
      was close to him before he noticed; then he sprung up, stared at her, and
      began to kiss her hands violently, and even her very dress.
    </p>
    <p>
      &ldquo;It is you,&rdquo; said he, &ldquo;once more.&rdquo;
     </p>
    <p>
      &ldquo;Yes, dear,&rdquo; said Zoe, tenderly; &ldquo;did you think I would not come?&rdquo;
     </p>
    <p>
      &ldquo;I did not know whether you could come. I feel that my happiness cannot
      last long. And, Zoe dear, I have had a dream. I dreamed we were taken
      prisoners, and carried to Vizard Court, and on the steps stood Vizard and
      Mademoiselle Klosking arm-in-arm; I believe they were man and wife. And
      you were taken out and led, weeping, into the house, and I was left there
      raging with agony. And then that lady put out her finger in a commanding
      way, and I was whirled away into utter darkness, and I heard you moan, and
      I fought, and dashed my head against the carriage, and I felt my heart
      burst, and my whole body filled with some cold liquid, and I went to
      sleep, and I heard a voice say, 'It is all over; his trouble is ended.' I
      was dead.&rdquo;
     </p>
    <p>
      This narrative, and his deep dejection, set Zoe's tears flowing. &ldquo;Poor
      Edward!&rdquo; she sighed. &ldquo;I would not survive you. But cheer up, dear; it was
      only a dream. We are not slaves. I am not dependent on any one. How can we
      be parted?&rdquo;
     </p>
    <p>
      &ldquo;We shall, unless we use our opportunity, and make it impossible to part
      us. Zoe, do not slight my alarm and my misgivings; such warnings are
      prophetic. For Heaven's sake, make one sacrifice more, and let us place
      our happiness beyond the reach of man!&rdquo;
     </p>
    <p>
      &ldquo;Only tell me how.&rdquo;
     </p>
    <p>
      &ldquo;There is but one way&mdash;marriage.&rdquo;
     </p>
    <p>
      Zoe blushed high, and panted a little, but said nothing.
    </p>
    <p>
      &ldquo;Ah!&rdquo; said he, piteously, &ldquo;I ask too much.&rdquo;
     </p>
    <p>
      &ldquo;How can you say that?&rdquo; said Zoe. &ldquo;Of course I shall marry you, dearest.
      What! do you think I could do what I <i>have</i> done for anybody but my
      husband that is to be?&rdquo;
     </p>
    <p>
      &ldquo;I was mad to think otherwise,&rdquo; said he, &ldquo;but I am in low spirits, and
      full of misgivings. Oh, the comfort, the bliss, the peace of mind, the
      joy, if you would see our hazardous condition, and make all safe by
      marrying me to-morrow.&rdquo;
     </p>
    <p>
      &ldquo;To-morrow! Why, Edward, are you mad? How can we be married, so long as my
      brother is so prejudiced against you?&rdquo;
     </p>
    <p>
      &ldquo;If we wait his consent, we are parted forever. He would forgive us after
      it&mdash;that is certain. But he would never consent. He is too much under
      the influence of his&mdash;of Mademoiselle Klosking.&rdquo;
     </p>
    <p>
      &ldquo;Indeed, I cannot hope he will consent beforehand,&rdquo; sighed Zoe; &ldquo;but I
      have not the courage to defy him; and if I had, we could not marry all in
      a moment, like that. We should have to be cried in church.&rdquo;
     </p>
    <p>
      &ldquo;That is quite gone out among ladies and gentlemen.&rdquo;
     </p>
    <p>
      &ldquo;Not in our family. Besides, even a special license takes time, I suppose.
      Oh no, I could not be married in a clandestine, discreditable way. I am a
      Vizard&mdash;please remember that. Would you degrade the woman you honor
      with your choice?&rdquo;
     </p>
    <p>
      And her red cheeks and flashing eyes warned him to desist.
    </p>
    <p>
      &ldquo;God forbid!&rdquo; said he. &ldquo;If that is the alternative, I consent to lose her&mdash;and
      lose her I shall.&rdquo;
     </p>
    <p>
      He then affected to dismiss the subject, and said, &ldquo;Let me enjoy the hours
      that are left me. Much misery or much bliss can be condensed in a few
      days. I will enjoy the blessed time, and we will wait for the chapter of
      accidents that is sure to part us.&rdquo; Then he acted reckless happiness, and
      broke down at last.
    </p>
    <p>
      She cried, but showed no sign of yielding. Her pride and self-respect were
      roused and on their defense.
    </p>
    <p>
      The next day he came to her quietly sad. He seemed languid and listless,
      and to care for nothing. He was artful enough to tell her, on the
      information of Poikilus, that Vizard had hired the cathedral choir three
      times a week to sing to his inamorata; and that he had driven her about
      Taddington, dressed like a duchess, in a whole suit of sables.
    </p>
    <p>
      At that word the girl turned pale.
    </p>
    <p>
      He observed, and continued: &ldquo;And it seems these sables are known
      throughout the county. There were several carriages in the town, and my
      informant heard a lady say they were Mrs. Vizard's sables, worth five
      hundred guineas&mdash;a Russian princess gave them her.&rdquo;
     </p>
    <p>
      &ldquo;It is quite true,&rdquo; said Zoe. &ldquo;His mother's sables! Is it possible!&rdquo;
     </p>
    <p>
      &ldquo;They all say he is caught at last, and this is to be the next Mrs.
      Vizard.&rdquo;
     </p>
    <p>
      &ldquo;They may well say so, if he parades her in his mother's sables,&rdquo; said
      Zoe, and could not conceal her jealousy and her indignation. &ldquo;I never
      dared so much as ask his permission to wear them,&rdquo; said she.
    </p>
    <p>
      &ldquo;And if you had, he would have told you the relics of a saint were not to
      be played with.&rdquo;
     </p>
    <p>
      &ldquo;That is just what he would have said, I do believe.&rdquo; The female heart was
      stung.
    </p>
    <p>
      &ldquo;Ah, well,&rdquo; said Severne, &ldquo;I am sure I should not grudge him his
      happiness, if you would see things as he does, and be as brave as he is.&rdquo;
     </p>
    <p>
      &ldquo;Thank you,&rdquo; said Zoe. &ldquo;Women cannot defy the world as men do.&rdquo; Then,
      passionately, &ldquo;Why do you torment me so? why do you urge me so? a poor
      girl, all alone, and far from advice. What on earth would you have me do?&rdquo;
     </p>
    <p>
      &ldquo;Secure us against another separation, unite us in bliss forever.&rdquo;
     </p>
    <p>
      &ldquo;And so I would if I could; you know I would. But it is impossible.&rdquo;
     </p>
    <p>
      &ldquo;No, Zoe; it is easy. There are two ways: we can reach Scotland in eight
      hours; and there, by a simple writing and declaration before witnesses, we
      are man and wife.&rdquo;
     </p>
    <p>
      &ldquo;A Gretna Green marriage?&rdquo;
     </p>
    <p>
      &ldquo;It is just as much a legal marriage as if a bishop married us at St.
      Paul's. However, we could follow it up immediately by marriage in a
      church, either in Scotland or the North of England But there is another
      way: we can be married at Bagley, any day, before the registrar.&rdquo;
     </p>
    <p>
      &ldquo;Is that a marriage&mdash;a real marriage?&rdquo;
     </p>
    <p>
      &ldquo;As real, as legal, as binding as a wedding in St. Paul's.&rdquo;
     </p>
    <p>
      &ldquo;Nobody in this county has ever been married so. I should blush to be seen
      about after it.&rdquo;
     </p>
    <p>
      &ldquo;Our first happy year would not be passed in this country. We should go
      abroad for six months.&rdquo;
     </p>
    <p>
      &ldquo;Ay, fly from shame.&rdquo;
     </p>
    <p>
      &ldquo;On our return we should be received with open arms by my own people in
      Huntingdonshire, until your people came round, as they always do.&rdquo;
     </p>
    <p>
      He then showed her a letter, in which his pearl of a cousin said they
      would receive his wife with open arms, and make her as happy as they
      could. Uncle Tom was coming home from India, with two hundred thousand
      pounds; he was a confirmed old bachelor, and Edward his favorite, etc.
    </p>
    <p>
      Zoe faltered a little: so then he pressed her hard with love, and
      entreaties, and promises, and even hysterical tears; then she began to cry&mdash;a
      sure sign of yielding. &ldquo;Give me time,&rdquo; she said&mdash;&ldquo;give me time.&rdquo;
     </p>
    <p>
      He groaned, and said there was no time to lose. Otherwise he never would
      have urged her so.
    </p>
    <p>
      For all that, she could not be drawn to a decision. She must think over
      such a step. Next morning, at the usual time, he came to know his fate.
      But she did not appear. He waited an hour for her. She did not come. He
      began to rage and storm, and curse his folly for driving her so hard.
    </p>
    <p>
      At last she came, and found him pale with anxiety, and looking utterly
      miserable. She told him she had passed a sleepless night, and her head had
      ached so in the morning she could not move.
    </p>
    <p>
      &ldquo;My poor darling!&rdquo; said he; &ldquo;and I am the cause. Say no more about it,
      dear one. I see you do not love me as I love you, and I forgive you.&rdquo;
     </p>
    <p>
      She smiled sadly at that, for she was surer of her own love than his.
    </p>
    <p>
      Zoe had passed a night of torment and vacillation; and but for her brother
      having paraded Mademoiselle Klosking in his mother's sables, she would, I
      think, have held out. But this turned her a little against her brother;
      and, as he was the main obstacle to her union with Severne, love and pity
      conquered. Yet still Honor and Pride had their say. &ldquo;Edward,&rdquo; said she, &ldquo;I
      love you with all my heart, and share your fears that accident may
      separate us. I will let you decide for both of us. But, before you decide,
      be warned of one thing. I am a girl no longer, but a woman who has been
      distracted with many passions. If any slur rests on my fair name, deeply
      as I love you now, I shall abhor you then.&rdquo;
     </p>
    <p>
      He turned pale, for her eye flashed dismay into his craven soul.
    </p>
    <p>
      He said nothing; and she continued: &ldquo;If you insist on this hasty,
      half-clandestine marriage, then I consent to this&mdash;I will go with you
      before the registrar, and I shall come back here directly. Next morning
      early we will start for Scotland, and be married that other way before
      witnesses. Then your fears will be at an end, for you believe in these
      marriages; only as I do not&mdash;for I look on these <i>legal</i>
      marriages merely as solemn betrothals&mdash;I shall be Miss Zoe Vizard,
      and expect you to treat me so, until I have been married in a church, like
      a lady.&rdquo;
     </p>
    <p>
      &ldquo;Of course you shall,&rdquo; said he; and overwhelmed her with expressions of
      gratitude, respect, and affection.
    </p>
    <p>
      This soothed her troubled mind, and she let him take her hand and pour his
      honeyed flatteries into her ear, as he walked her slowly up and down.
    </p>
    <p>
      She could hardly tear herself away from the soft pressure of his hand and
      the fascination of his tongue, and she left him, more madly in love with
      him than ever, and ready to face anything but dishonor for him. She was to
      come out at twelve o'clock, and walk into Bagley with him to betroth
      herself to him, as she chose to consider it, before the stipendiary
      magistrate, who married couples in that way. Of the two marriages she had
      consented to, merely as preliminaries to a real marriage, Zoe despised
      this the most; for the Scotch marriage was, at all events, ancient, and
      respectable lovers had been driven to it again and again.
    </p>
    <p>
      She was behind her time, and Severne thought her courage had failed her,
      after all. But no: at half-past twelve she came out, and walked briskly
      toward Bagley.
    </p>
    <p>
      He was behind her, and followed her. She took his arm nervously. &ldquo;Let me
      feel you all the way,&rdquo; she said, &ldquo;to give me courage.&rdquo;
     </p>
    <p>
      So they walked arm-in-arm; and, as they went, his courage secretly
      wavered, her's rose at every step.
    </p>
    <p>
      About half a mile from the town they met a carriage and pair.
    </p>
    <p>
      At sight of them a gentleman on the box tapped at the glass window, and
      said, hurriedly, &ldquo;Here they are <i>together.&rdquo;</i>
    </p>
    <p>
      Mademoiselle Klosking said, &ldquo;Stop the carriage&rdquo;: then, pausing a little,
      &ldquo;Mr. Vizard&mdash;on your word of honor, no violence.&rdquo;
     </p>
    <p>
      The carriage was drawn up, Ashmead opened the door in a trice, and La
      Klosking, followed by Vizard, stepped out, and stood like a statue before
      Edward Severne and Zoe Vizard.
    </p>
    <p>
      Severne dropped her arm directly, and was panic-stricken.
    </p>
    <p>
      Zoe uttered a little scream at the sight of Vizard; but the next moment
      took fire at her rival's audacity, and stepped boldly before her lover,
      with flashing eyes and expanded nostrils that literally breathed defiance.
    </p>
    <p>
      <a name="link2HCH0027" id="link2HCH0027">
      <!--  H2 anchor --> </a>
    </p>
    <div style="height: 4em;">
      <br /><br /><br /><br />
    </div>
    <h2>
      CHAPTER XXVII.
    </h2>
    <p>
      &ldquo;YOU infernal scoundrel!&rdquo; roared Vizard, and took a stride toward Severne.
    </p>
    <p>
      &ldquo;No violence,&rdquo; said Ina Klosking, sternly: &ldquo;it will be an insult to this
      lady and me.&rdquo;
     </p>
    <p>
      &ldquo;Very well, then,&rdquo; said Vizard, grimly, &ldquo;I must wait till I catch him
      alone.&rdquo;
     </p>
    <p>
      &ldquo;Meantime, permit me to speak, sir,&rdquo; said Ina. &ldquo;Believe me, I have a
      better right than even you.&rdquo;
     </p>
    <p>
      &ldquo;Then pray ask my sister why I find her on that villain's arm.&rdquo;
     </p>
    <p>
      &ldquo;I should not answer her,&rdquo; said Zoe, haughtily. &ldquo;But my brother I will.
      Harrington, all this vulgar abuse confirms me in my choice: I take his arm
      because I have accepted his hand. I am going into Bagley with him to
      become his wife.&rdquo;
     </p>
    <p>
      This announcement took away Vizard's breath for a moment, and Ina Klosking
      put in her word. &ldquo;You cannot do that: pray he warned. He is leading you to
      infamy.&rdquo;
     </p>
    <p>
      &ldquo;Infamy! What, because he cannot give me a suit of sables? Infamy! because
      we prefer virtuous poverty to vice and wealth?&rdquo;
     </p>
    <p>
      &ldquo;No, young lady,&rdquo; said Ina, coloring faintly at the taunt; &ldquo;but because
      you could only be his paramour; not his wife. He is married already.&rdquo;
     </p>
    <p>
      At these words, spoken with that power Ina Klosking could always command,
      Zoe Vizard turned ashy pale. But she fought on bravely.
    </p>
    <p>
      &ldquo;Married? It is false! To whom?&rdquo;
     </p>
    <p>
      &ldquo;To me.&rdquo;
     </p>
    <p>
      &ldquo;I thought so. Now I know it is not true. He left you months before we
      ever knew him.&rdquo;
     </p>
    <p>
      &ldquo;Look at him. He does not say it is false.&rdquo;
     </p>
    <p>
      Zoe turned on Severne, and at his face her own heart quaked. &ldquo;Are you
      married to this lady?&rdquo; she asked; and her eyes, dilated to their full
      size, searched his every feature.
    </p>
    <p>
      &ldquo;Not that I know of,&rdquo; said he, impudently.
    </p>
    <p>
      &ldquo;Is that the serious answer you expected, Miss Vizard?&rdquo; said Ina, keenly:
      then to Severne, &ldquo;You are unwise to insult the woman on whom, from this
      day, you must depend for bread. Miss Vizard, to you I speak, and not to
      this shameless man. For your mother's sake, do me justice. I have loved
      him dearly; but now I abhor him. Would I could break the tie that binds us
      and give him to you, or to any lady who would have him! But I cannot. And
      shall I hold my tongue, and let you be ruined and dishonored? I am an
      older woman than you, and bound by gratitude to all your house. Dear lady,
      I have taxed my strength to save you. I feel that strength waning. Pray
      read this paper, and consent to save <i>yourself.&rdquo;</i>
    </p>
    <p>
      &ldquo;I will read it,&rdquo; said Rhoda Gale, interfering. &ldquo;I know German. It is an
      authorized duplicate certifying the marriage of Edward Severne, of
      Willingham, in Huntingdonshire, England, to Ina Ferris, daughter of Walter
      Ferris and Eva Klosking, of Zutzig, in Denmark. The marriage was
      solemnized at Berlin, and here are the signatures of several witnesses:
      Eva Klosking; Fraulein Graafe; Zug, the Capellmeister; Vicomte Meurice,
      French <i>attache';</i> Count Hompesch, Bavarian plenipotentiary; Herr
      Formes.&rdquo;
     </p>
    <p>
      Ina explained, in a voice that was now feeble, &ldquo;I was a public character;
      my marriage was public: not like the clandestine union which is all he
      dared offer to this well-born lady.&rdquo;
     </p>
    <p>
      &ldquo;The Bavarian and French ministers are both in London,&rdquo; said Vizard,
      eagerly. &ldquo;We can easily learn if these signatures are forged, like <i>your</i>
      acceptances.&rdquo;
     </p>
    <p>
      But, if one shadow of doubt remained, Severne now removed it; he uttered a
      scream of agony, and fled as if the demons of remorse and despair were
      spurring him with red-hot rowels.
    </p>
    <p>
      &ldquo;There, you little idiot!&rdquo; roared Vizard; &ldquo;does that open you eyes?&rdquo;
     </p>
    <p>
      &ldquo;Oh, Mr. Vizard,&rdquo; said Ina, reproachfully, &ldquo;for pity's sake, think only of
      her youth, and what she has to suffer. I can do no more for her: I feel&mdash;so&mdash;faint.&rdquo;
     </p>
    <p>
      Ashmead and Rhoda supported her into the carriage. Vizard, touched to the
      heart by Ina's appeal, held out his eloquent arms to his stricken sister,
      and she tottered to him, and clung to him, all limp and broken, and
      wishing she could sink out of the sight of all mankind. He put his strong
      arm round her, and, though his own heart was desolate and broken, he
      supported that broken flower of womanhood, and half led, half lifted her
      on, until he laid her on a sofa in Somerville Villa. Then, for the first
      time, he spoke to her. &ldquo;We are both desolate, now, my child. Let us love
      one another. I will be ten times tenderer to you than I ever have been.&rdquo;
       She gave a great sob, but she was past speaking.
    </p>
    <p>
      Ina Klosking, Miss Gale, and Ashmead returned in the carriage to Bagley.
      Half a mile out of the town they found a man lying on the pathway, with
      his hat off, and white as a sheet. It was Edward Severne. He had run till
      he dropped.
    </p>
    <p>
      Ashmead got down and examined him. He came back to the carriage door,
      looking white enough himself. &ldquo;It is all over,&rdquo; said he; &ldquo;the man is
      dead.&rdquo;
     </p>
    <p>
      Miss Gale was out in a moment and examined him. &ldquo;No,&rdquo; said she. &ldquo;The heart
      does not beat perceptibly; but he breathes. It is another of those
      seizures. Help me get him into the carriage.&rdquo;
     </p>
    <p>
      This was done, and the driver ordered to go a foot's pace.
    </p>
    <p>
      The stimulants Miss Gale had brought for Ina Klosking were now applied to
      revive this malefactor; and both ladies actually ministered to him with
      compassionate faces. He was a villain; but he was superlatively handsome,
      and a feather might turn the scale of life or death.
    </p>
    <p>
      The seizure, though really appalling to look at, did not last long. He
      revived a little in the carriage, and was taken, still insensible, but
      breathing hard, into a room in the railway hotel. When he was out of
      danger, Miss Gale felt Ina Klosking's pulse, and insisted on her going to
      Taddington by the next train and leaving Severne to the care of Mr.
      Ashmead.
    </p>
    <p>
      Ina, who, in truth, was just then most unfit for any more trials, feebly
      consented, but not until she had given Ashmead some important instructions
      respecting her malefactor, and supplied him with funds. Miss Gale also
      instructed Ashmead how to proceed in case of a relapse, and provided him
      with materials.
    </p>
    <p>
      The ladies took a train, which arrived soon after; and, being so fortunate
      as to get a lady's carriage all to themselves, they sat intertwined and
      rocking together, and Ina Klosking found relief at last in a copious flow
      of tears.
    </p>
    <p>
      Rhoda got her to Hillstoke, cooked for her, nursed her, lighted fires,
      aired her bed, and these two friends slept together in each other's arms.
    </p>
    <p>
      Ashmead had a hard time of it with Severne. He managed pretty well with
      him at first, because he stupefied him with brandy before he had come to
      his senses, and in that state got him into the next train. But as the
      fumes wore off, and Severne realized his villainy, his defeat, and his
      abject condition between the two women he had wronged, he suddenly uttered
      a yell and made a spring at the window. Ashmead caught him by his calves,
      and dragged him so powerfully down that his face struck the floor hard and
      his nose bled profusely. The hemorrhage and the blow quieted him for a
      time, and then Ashmead gave him more brandy, and got him to the &ldquo;Swan&rdquo; in
      a half-lethargic lull. This faithful agent, and man of all work, took a
      private sitting room with a double bedded room adjoining it, and ordered a
      hot supper with champagne and madeira. Severne lay on a sofa moaning.
    </p>
    <p>
      The waiter stared. &ldquo;Trouble!&rdquo; whispered Ashmead, confidentially. &ldquo;Take no
      notice. Supper as quick as possible.&rdquo;
     </p>
    <p>
      By-and-by Severne started up and began to rave and tear about the room,
      cursing his hard fate, and ended in a kind of hysterical fit. Ashmead,
      being provided by Miss Gale with salts and aromatic vinegar, etc., applied
      them, and ended by dashing a tumbler of water right into his face, which
      did him more good than chemistry.
    </p>
    <p>
      Then he tried to awaken manhood in the fellow. &ldquo;What are <i>you</i>
      howling about?&rdquo; said he. &ldquo;Why, you are the only sinner, and you are the
      least sufferer. Come, drop sniveling, and eat a bit. Trouble don't do on
      an empty stomach.&rdquo;
     </p>
    <p>
      Severne said he would try, but begged the waiter might not be allowed to
      stare at a broken-hearted man.
    </p>
    <p>
      &ldquo;Broken fiddlesticks!&rdquo; said honest Joe.
    </p>
    <p>
      Severne tried to eat, but could not. But he could drink, and said so.
    </p>
    <p>
      Ashmead gave him champagne in tumblers, and that, on his empty stomach,
      set him raving, and saying life was hell to him now. But presently he fell
      to weeping bitterly. In which condition Ashmead forced him to bed, and
      there he slept heavily. In the morning Ashmead sat by his bedside, and
      tried to bring him to reason. &ldquo;Now, look here,&rdquo; said he, &ldquo;you are a lucky
      fellow, if you will only see it. You have escaped bigamy and a jail, and,
      as a reward for your good conduct to your wife, and the many virtues you
      have exhibited in a short space of time, I am instructed by that lady to
      pay you twenty pounds every Saturday at twelve o'clock. It is only a
      thousand a year; but don't you be down-hearted; I conclude she will raise
      your salary as you advance. You must forge her name to a heavy check, rob
      a church, and abduct a schoolgirl or two&mdash;misses in their teens and
      wards of Chancery preferred&mdash;and she will make it thirty, no doubt;&rdquo;
       and Joe looked very sour.
    </p>
    <p>
      &ldquo;That for her twenty pounds a week!&rdquo; cried this injured man. &ldquo;She owes me
      two thousand pounds and more. She has been my enemy, and her own. The
      fool!&mdash;to go and peach! She had only to hold her tongue, and be Mrs.
      Vizard, and then she would have had a rich husband that adores her, and I
      should have had my darling beautiful Zoe, the only woman I ever loved or
      ever shall.&rdquo;
     </p>
    <p>
      &ldquo;Oh,&rdquo; said Ashmead, &ldquo;then you expected your wife to commit bigamy, and so
      make it smooth to you.&rdquo;
     </p>
    <p>
      <i>&ldquo;Of course I did,&rdquo;</i> was the worthy Severne' s reply; &ldquo;and so she
      would, if she had had a grain of sense. See what a contrast now. We are
      all unhappy&mdash;herself included&mdash;and it is all her doing.&rdquo;
     </p>
    <p>
      &ldquo;Well, young man,&rdquo; said Ashmead, drawing a long breath; &ldquo;didn't I tell you
      you are a lucky fellow? You have got twenty pounds a week, and that blest
      boon, 'a conscience void of offense.' You are a happy man. Here's a strong
      cup of tea for you: just you drink it, and then get up and take the train
      to the little village. There kindred spirits and fresh delights await you.
      You are not to adorn Barfordshire any longer: that is the order.&rdquo;
     </p>
    <p>
      &ldquo;Well, I'll go to London&mdash;but not without you.&rdquo;
     </p>
    <p>
      &ldquo;Me! What do you want of <i>me?&rdquo;</i>
    </p>
    <p>
      &ldquo;You are a good fellow, and the only friend I have left. But for you, I
      should be dead, or mad. You have pulled me through.&rdquo;
     </p>
    <p>
      &ldquo;Through the window I did. Lord, forgive me for it,&rdquo; said Joseph. &ldquo;Well,
      I'll go up to town with you; but I can't be always tied to your tail. I
      haven't got twenty pounds a week. To be sure,&rdquo; he added, dryly, &ldquo;I haven't
      earned it. That is one comfort.&rdquo;
     </p>
    <p>
      He telegraphed Hillstoke, and took Severne up to London.
    </p>
    <p>
      There the Bohemian very soon found he could live, and even derive some
      little enjoyment from his vices&mdash;without Joseph Ashmead. He visited
      him punctually every Saturday, and conversed delightfully. If he came any
      other day, it was sure to be for an advance: he never got it.
    </p>
    <p>
      <a name="link2HCH0028" id="link2HCH0028">
      <!--  H2 anchor --> </a>
    </p>
    <div style="height: 4em;">
      <br /><br /><br /><br />
    </div>
    <h2>
      CHAPTER XXVIII.
    </h2>
    <p>
      FANNY DOVER was sent for directly to Somerville Villa; and, three days
      after the distressing scene I have endeavored to describe, Vizard brought
      his wrecked sister home. Her condition was pitiable; and the moment he
      reached Vizard Court he mounted his horse and rode to Hillstoke to bring
      Miss Gale down to her.
    </p>
    <p>
      There he found Ina Klosking, with her boxes at the door, waiting for the
      fly that was to take her away.
    </p>
    <p>
      It was a sad interview. He thanked her deeply for her noble conduct to his
      sister, and then he could not help speaking of his own disappointment.
    </p>
    <p>
      Mademoiselle Klosking, on this occasion, was simple, sad, and even tender,
      within prudent limits. She treated this as a parting forever, and
      therefore made no secret of her esteem for him. &ldquo;But,&rdquo; said she, &ldquo;I hope
      one day to hear you have found a partner worthy of you. As for me, who am
      tied for life to one I despise, and can never love again, I shall seek my
      consolation in music, and, please God, in charitable actions.&rdquo;
     </p>
    <p>
      He kissed her hand at parting, and gave her a long, long look of miserable
      regret that tried her composure hard, and often recurred to her memory.
    </p>
    <p>
      She went up to London, took a small suburban house, led a secluded life,
      and devoted herself to her art, making a particular study now of sacred
      music; she collected volumes of it, and did not disdain to buy it at
      bookstalls, or wherever she could find it.
    </p>
    <p>
      Ashmead worked for her, and she made her first appearance in a new
      oratorio. Her songs proved a principal feature in the performance.
    </p>
    <p>
      Events did not stand still in Barfordshire; but they were tame, compared
      with those I have lately related, and must be dispatched in fewer words.
    </p>
    <p>
      Aunt Maitland recovered unexpectedly from a severe illness, and was a
      softened woman: she sent Fanny off to keep Zoe company. That poor girl had
      a bitter time, and gave Doctress Gale great anxiety. She had no brain
      fever, but seemed quietly, insensibly, sinking into her grave. No
      appetite, and indeed was threatened with atrophy at one time. But she was
      so surrounded with loving-kindness that her shame diminished, her pride
      rose, and at last her agony was blunted, and only a pensive languor
      remained to show that she had been crushed, and could not be again the
      bright, proud, high-spirited beauty of Barfordshire.
    </p>
    <p>
      For many months she never mentioned either Edward Severne, Ina Klosking,
      or Lord Uxmoor.
    </p>
    <p>
      It was a long time before she went outside the gates of her own park. She
      seemed to hate the outer world.
    </p>
    <p>
      Her first visit was to Miss Gale; that young lady was now very happy. She
      had her mother with her. Mrs. Gale had defeated the tricky executor, and
      had come to England with a tidy little capital, saved out of the fire by
      her sagacity and spirit.
    </p>
    <p>
      Mrs. Gale's character has been partly revealed by her daughter. I have
      only to add she was a homely, well-read woman, of few words, but those few&mdash;grape-shot.
      Example&mdash;she said to Zoe, &ldquo;Young lady, excuse an old woman's freedom,
      who might be your mother: the troubles of young folk have a deal of self
      in them; more than you could believe. Now just you try something to take
      you out of self, and you will be another creature.&rdquo;
     </p>
    <p>
      &ldquo;Ah,&rdquo; sighed Zoe, &ldquo;would to Heaven I could!&rdquo;
     </p>
    <p>
      &ldquo;Oh,&rdquo; said Mrs. Gale, &ldquo;anybody with money can do it, and the world so full
      of real trouble. Now, my girl tells me you are kind to the poor: why not
      do something like Rhoda is doing for this lord she is overseer, or
      goodness knows what, to?&rdquo;
     </p>
    <p>
      Rhoda (defiantly), &ldquo;Viceroy.&rdquo;
     </p>
    <p>
      &ldquo;You have money, and your brother will not refuse you a bit o' land. Why
      not build some of these new-fangled cottages, with fancy gardens, and
      dwarf palaces for a cow and a pig? Rhoda, child, if I was a poor woman, I
      could graze a cow in the lanes hereabouts, and feed a pig in the woods.
      Now you do that for the poor, Miss Vizard, and don't let my girl think for
      you. Breed your own ideas. That will divert you from self, my dear, and
      you will begin to find it&mdash;there&mdash;just as if a black cloud was
      clearing away from your mind, and letting your heart warm again.&rdquo;
     </p>
    <p>
      Zoe caught at the idea, and that very day asked Vizard timidly whether he
      would let her have some land to build a model cottage or two on.
    </p>
    <p>
      Will it be believed that the good-natured Vizard made a wry face? &ldquo;What,
      two proprietors in Islip!&rdquo; For a moment or two he was all squire. But soon
      the brother conquered. &ldquo;Well,&rdquo; said he, &ldquo;I can't give you a fee-simple; I
      must think of my heirs: but I will hold a court, and grant you a
      copy-hold; or I'll give you a ninety-nine years' lease at a pepper-corn.
      There's a slip of three acres on the edge of the Green. You shall amuse
      yourself with that.&rdquo; He made it over to her directly, for a century, at
      ten shillings a year; and, as he was her surviving trustee, he let her
      draw in advance on her ten thousand pounds.
    </p>
    <p>
      Mapping out the ground with Rhoda, settling the gardens and the miniature
      pastures, and planning the little houses and outhouses, and talking a
      great deal, compared with what she transacted, proved really a certain
      antidote to that lethargy of woe which oppressed her: and here, for a
      time, I must leave her, returning slowly to health of body, and some
      tranquillity of mind; but still subject to fits of shame, and gnawed by
      bitter regrets.
    </p>
    <p>
      <a name="link2HCH0029" id="link2HCH0029">
      <!--  H2 anchor --> </a>
    </p>
    <div style="height: 4em;">
      <br /><br /><br /><br />
    </div>
    <h2>
      CHAPTER XXIX.
    </h2>
    <p>
      THE reputation Mademoiselle Klosking gained in the new oratorio, aided by
      Ashmead's exertions, launched her in a walk of art that accorded with her
      sentiments.
    </p>
    <p>
      She sung in the oratorio whenever it could be performed, and also sung
      select songs from it, and other sacred songs at concerts.
    </p>
    <p>
      She was engaged at a musical festival in the very cathedral town whose
      choir had been so consoling to her. She entered with great zeal into this
      engagement, and finding there was a general desire to introduce the
      leading chorister-boy to the public in a duet, she surprised them all by
      offering to sing the second part with him, if he would rehearse it
      carefully with her at her lodgings. He was only too glad, as might be
      supposed. She found he had a lovely voice, but little physical culture. He
      read correctly, but did not even know the nature of the vocal instrument
      and its construction, which is that of a bagpipe. She taught him how to
      keep his lungs full in singing, yet not to gasp, and by this simple means
      enabled him to sing with more than twice the power he had ever exercised
      yet. She also taught him the swell, a figure of music he knew literally
      nothing about.
    </p>
    <p>
      When, after singing a great solo, to salvos of applause, Mademoiselle
      Klosking took the second part with this urchin, the citizens and all the
      musical people who haunt a cathedral were on the tiptoe of expectation.
      The boy amazed them, and the rich contralto that supported him and rose
      and swelled with him in ravishing harmony enchanted them. The vast
      improvement in the boy's style did not escape the hundreds of persons who
      knew him, and this duet gave La Klosking a great personal popularity.
    </p>
    <p>
      Her last song, by her own choice, was, &ldquo;What though I trace&rdquo; (Handel), and
      the majestic volume that rang through the echoing vault showed with what a
      generous spirit she had subdued that magnificent organ not to crush her
      juvenile partner in the preceding duet.
    </p>
    <p>
      Among the persons present was Harrington Vizard. He had come there against
      his judgment; but he could not help it.
    </p>
    <p>
      He had been cultivating a dull tranquillity, and was even beginning his
      old game of railing on women, as the great disturbers of male peace. At
      the sight of her, and the sound of her first notes, away went his
      tranquillity, and he loved her as ardently as ever. But when she sung his
      mother's favorite, and the very roof rang, and three thousand souls were
      thrilled and lifted to heaven by that pure and noble strain, the rapture
      could not pass away from this one heart; while the ear ached at the
      cessation of her voice, the heart also ached, and pined, and yearned.
    </p>
    <p>
      He ceased to resist. From that day he followed her about to her public
      performances all over the Midland Counties; and she soon became aware of
      his presence. She said nothing till Ashmead drew her attention; then,
      being compelled to notice it, she said it was a great pity. Surely he must
      have more important duties at home.
    </p>
    <p>
      Ashmead wanted to recognize him, and put him into the best place vacant;
      but La Klosking said, &ldquo;No. I will be more his friend than to lend him the
      least encouragement.&rdquo;
     </p>
    <p>
      At the end of that tour she returned to London.
    </p>
    <p>
      While she was there in her little suburban house, she received a visit
      from Mr. Edward Severne. He came to throw himself at her feet and beg
      forgiveness. She said she would try and forgive him. He then implored her
      to forget the past. She told him that was beyond her power. He persisted,
      and told her he had come to his senses; all his misconduct now seemed a
      hideous dream, and he found he had never really loved any one but her. So
      then he entreated her to try him once more; to give him back the treasure
      of her love.
    </p>
    <p>
      She listened to him like a woman of marble. &ldquo;Love where I despise!&rdquo; said
      she. &ldquo;Never. The day has gone by when these words can move me. Come to me
      for the means of enjoying yourself&mdash;gambling, drinking, and your
      other vices&mdash;and I shall indulge you. But do not profane the name of
      love. I forbid you ever to enter my door on that errand. I presume you
      want money. There is a hundred pounds. Take it; and keep out of my sight
      till you have wasted it.&rdquo;
     </p>
    <p>
      He dashed the notes proudly down. She turned her back on him, and glided
      into another room.
    </p>
    <p>
      When she returned, he was gone, and the hundred pounds had managed to
      accompany him.
    </p>
    <p>
      He went straight from her to Ashmead and talked big. He would sue for
      restitution of conjugal rights.
    </p>
    <p>
      &ldquo;Don't do that, for my sake,&rdquo; said Ashamed. &ldquo;She will fly the country like
      a bird, and live in some village on bread and milk.&rdquo;
     </p>
    <p>
      &ldquo;Oh, I would not do you an ill turn for the world,&rdquo; said the Master of
      Arts. &ldquo;You have been a kind friend to me. You saved my life. It is
      imbittered by remorse, and recollections of the happiness I have thrown
      away, and the heart I have wronged. No matter!&rdquo;
     </p>
    <p>
      This visit disturbed La Klosking, and disposed her to leave London. She
      listened to a brilliant offer that was made her, through Ashmead, by the
      manager of the Italian Opera, who was organizing a provincial tour. The
      tour was well advertised in advance, and the company opened to a grand
      house at Birmingham.
    </p>
    <p>
      Mademoiselle Klosking had not been long on the stage when she discovered
      her discarded husband in the stalls, looking the perfection of youthful
      beauty. The next minute she saw Vizard in a private box. Mr. Severne
      applauded her loudly, and flung her a bouquet. Mr. Vizard fixed his eyes
      on her, beaming with admiration, but made no public demonstration.
    </p>
    <p>
      The same incident repeated itself every night she sung, and at every town.
    </p>
    <p>
      At last she spoke about it to Ashmead, in the vague, suggestive way her
      sex excels in. &ldquo;I presume you have observed the people in front.&rdquo;
     </p>
    <p>
      &ldquo;Yes, madam. Two in particular.&rdquo;
     </p>
    <p>
      &ldquo;Could you not advise him to desist?&rdquo;
     </p>
    <p>
      &ldquo;Which of 'em, madam?&rdquo;
     </p>
    <p>
      &ldquo;Mr. Vizard, of course. He is losing his time, and wasting sentiments it
      is cruel should be wasted.&rdquo;
     </p>
    <p>
      Ashmead said he dared not take any liberty with Mr. Vizard.
    </p>
    <p>
      So the thing went on.
    </p>
    <p>
      Severne made acquaintance with the manager, and obtained the <i>entre'e</i>
      behind the scenes. He brought his wife a bouquet every night, and
      presented it to her with such reverence and grace, that she was obliged to
      take it and courtesy, or seem rude to the people about.
    </p>
    <p>
      Then she wrote to Miss Gale and begged her to come if she could.
    </p>
    <p>
      Miss Gale, who had all this time been writing her love-letters twice a
      week, immediately appointed her mother viceroy, and went to her friend.
      Ina Klosking explained the situation to her with a certain slight timidity
      and confusion not usual to her; and said, &ldquo;Now, dear, you have more
      courage than the rest of us; and I know he has a great respect for you;
      and, indeed, Miss Dover told me he would quite obey you. Would it not be
      the act of a friend to advise him to cease this unhappy&mdash;What good
      can come of it? He neglects his own duties, and disturbs me in mine. I
      sometimes ask myself would it not be kinder of me to give up my business,
      or practice it elsewhere&mdash;Germany, or even Italy.
    </p>
    <p>
      &ldquo;Does he call on you?&rdquo;
     </p>
    <p>
      &ldquo;No.&rdquo;
     </p>
    <p>
      &ldquo;Does he write to you?&rdquo;
     </p>
    <p>
      &ldquo;Oh no. I wish he would. Because then I should be able to reply like a
      true friend, and send him away. Consider, dear, it is not like a nobody
      dangling after a public singer; that is common enough. We are all run
      after by idle men; even Signorina Zubetta, who has not much voice, nor
      appearance, and speaks a Genoese patois when she is not delivering a
      libretto. But for a gentleman of position, with a heart of gold and the
      soul of an emperor, that he should waste his time and his feelings so, on
      a woman who can never be anything to him, it is pitiable.&rdquo;
     </p>
    <p>
      &ldquo;Well, but, after all, it is his business; and he is not a child: besides,
      remember he is really very fond of music. If I were you I'd look another
      way, and take no notice.&rdquo;
     </p>
    <p>
      &ldquo;But I cannot.&rdquo;
     </p>
    <p>
      &ldquo;Ah! And why not, pray?&rdquo;
     </p>
    <p>
      &ldquo;Because he always takes a box on my left hand, two from the stage. I
      can't think how he gets it at all the theaters. And then he fixes his eyes
      on me so, I cannot help stealing a look. He never applauds, nor throws me
      bouquets. He looks: oh, you cannot conceive how he looks, and the strange
      effect it is beginning to produce on me.&rdquo;
     </p>
    <p>
      &ldquo;He mesmerizes you?&rdquo;
     </p>
    <p>
      &ldquo;I know not. But it is a growing fascination. Oh, my dear physician,
      interfere. If it goes on, we shall be more wretched than ever.&rdquo; Then she
      enveloped Rhoda in her arms, and rested a hot cheek against hers.
    </p>
    <p>
      &ldquo;I see,&rdquo; said Rhoda. &ldquo;You are afraid he will make you love him.&rdquo;
     </p>
    <p>
      &ldquo;I hope not. But artists are impressionable; and being looked at so, by
      one I esteem, night after night, when my nerves are strung&mdash;<i>cela
      m'agace;&rdquo;</i> and she gave a shiver, and then was a little hysterical; and
      that was very unlike her.
    </p>
    <p>
      Rhoda kissed her, and said resolutely she would stop it.
    </p>
    <p>
      &ldquo;Not unkindly?&rdquo;
     </p>
    <p>
      &ldquo;Oh no.&rdquo;
     </p>
    <p>
      &ldquo;You will not tell him it is offensive to me?&rdquo;
     </p>
    <p>
      &ldquo;No.&rdquo;
     </p>
    <p>
      &ldquo;Pray do not give him unnecessary pain.&rdquo;
     </p>
    <p>
      &ldquo;No.&rdquo;
     </p>
    <p>
      &ldquo;He is not to be mortified.&rdquo;
     </p>
    <p>
      &ldquo;No.&rdquo;
     </p>
    <p>
      &ldquo;I shall miss him sadly.&rdquo;
     </p>
    <p>
      &ldquo;Shall you?&rdquo;
     </p>
    <p>
      &ldquo;Naturally. Especially at each new place. Only conceive: one is always
      anxious on the stage; and it is one thing to come before a public all
      strangers, and nearly all poor judges; it is another to see, all ready for
      your first note, a noble face bright with intelligence and admiration&mdash;the
      face of a friend. Often that one face is the only one I allow myself to
      see. It hides the whole public.&rdquo;
     </p>
    <p>
      &ldquo;Then don't you be silly and send it away. I'll tell you the one fault of
      your character: you think too much of other people, and too little of
      yourself. Now, that is contrary to the scheme of nature. We are sent into
      the world to take care of number one.&rdquo;
     </p>
    <p>
      &ldquo;What!&rdquo; said Ina; &ldquo;are we to be all self-indulgence? Is there to be no
      principle, no womanly prudence, foresight, discretion? No; I feel the
      sacrifice: but no power shall hinder me from making it. If you cannot
      persuade him, I'll do like other singers. I will be ill, and quit the
      company.&rdquo;
     </p>
    <p>
      &ldquo;Don't do that,&rdquo; said Rhoda. &ldquo;Now you have put on your iron look, it is no
      use arguing&mdash;I know that to my cost. There&mdash;I will talk to him.
      Only don't hurry me; let me take my opportunity.&rdquo;
     </p>
    <p>
      This being understood, Ina would not part with her for the present, but
      took her to the theater. She dismissed her dresser, at Rhoda's request,
      and Rhoda filled that office. So they could talk freely.
    </p>
    <p>
      Rhoda had never been behind the scenes of a theater before, and she went
      prying about, ignoring the music, for she was almost earless. Presently,
      whom should she encounter but Edward Severne. She started and looked at
      him like a basilisk. He removed his hat and drew back a step with a great
      air of respect and humility. She was shocked and indignant with Ina for
      letting him be about her. She followed her off the stage into her dressing
      room, and took her to task. &ldquo;I have seen Mr. Severne here.&rdquo;
     </p>
    <p>
      &ldquo;He comes every night.&rdquo;
     </p>
    <p>
      &ldquo;And you allow him?&rdquo;
     </p>
    <p>
      &ldquo;It is the manager.&rdquo;
     </p>
    <p>
      &ldquo;But he would not admit him, if you objected.&rdquo;
     </p>
    <p>
      &ldquo;I am afraid to do that.&rdquo;
     </p>
    <p>
      &ldquo;Why?&rdquo;
     </p>
    <p>
      &ldquo;We should have an <i>esclandre.</i> I find he has had so much
      consideration for me as to tell no one our relation; and as he has never
      spoken to me, I do the most prudent thing I can, and take no notice.
      Should he attempt to intrude himself on me, then it will be time to have
      him stopped in the hall, and I shall do it <i>cou'te que cou'te.</i> Ah,
      my dear friend, mine is a difficult and trying position.&rdquo;
     </p>
    <p>
      After a very long wait, Ina went down and sung her principal song, with
      the usual bravas and thunders of applause. She was called on twice, and as
      she retired, Severne stepped forward, and, with a low, obsequious bow,
      handed her a beautiful bouquet. She took it with a stately courtesy, but
      never looked nor smiled.
    </p>
    <p>
      Rhoda saw that and wondered. She thought to herself, &ldquo;That is carrying
      politeness a long way. To be sure, she is half a foreigner.&rdquo;
     </p>
    <p>
      Having done his nightly homage, Severne left the theater, and soon
      afterward the performance concluded, and Ina took her friend home. Ashmead
      was in the hall to show his patroness to her carriage&mdash;a duty he
      never failed in. Rhoda shook hands with him, and he said, &ldquo;Delighted to
      see you here, miss. You will be a great comfort to her.&rdquo;
     </p>
    <p>
      The two friends communed till two o'clock in the morning: but the limits
      of my tale forbid me to repeat what passed.
    </p>
    <p>
      Suffice it to say that Rhoda was fairly puzzled by the situation; but,
      having a great regard for Vizard, saw clearly enough that he ought to be
      sent back to Islip. She thought that perhaps the very sight of her would
      wound his pride, and, finding his mania discovered by a third person, he
      would go of his own accord: so she called on him.
    </p>
    <p>
      My lord received her with friendly composure, and all his talk was about
      Islip. He did not condescend to explain his presence at Carlisle. He knew
      that <i>qui s'excuse s'accuse,</i> and left her to remonstrate. She had
      hardly courage for that, and hoped it might be unnecessary.
    </p>
    <p>
      She told Ina what she had done. But her visit was futile: at night there
      was Vizard in his box.
    </p>
    <p>
      Next day the company opened in Manchester. Vizard was in his box there&mdash;Severne
      in front, till Ina's principal song. Then he came round and presented his
      bouquet. But this time he came up to Rhoda Gale, and asked her whether a
      penitent man might pay his respects to her in the morning.
    </p>
    <p>
      She said she believed there were very few penitents in the world.
    </p>
    <p>
      &ldquo;I know one,&rdquo; said he.
    </p>
    <p>
      &ldquo;Well, I don't, then,&rdquo; said the virago. &ldquo;But <i>you</i> can come, if you
      are not afraid.&rdquo;
     </p>
    <p>
      Of course Ina Klosking knew of this appointment two minutes after it was
      made. She merely said, &ldquo;Do not let him talk you over.&rdquo;
     </p>
    <p>
      &ldquo;He is not so likely to talk me over as you,&rdquo; said Rhoda.
    </p>
    <p>
      &ldquo;You are mistaken,&rdquo; was Ina's reply. &ldquo;I am the one person he will never
      deceive again.&rdquo;
     </p>
    <p>
      Rhoda Gale received his visit: he did not beat about the bush, nor fence
      at all. He declared at once what he came for. He said, &ldquo;At the first sight
      of you, whom I have been so ungrateful to, I could not speak; but now I
      throw myself on your forgiveness. I think you must have seen that my
      ingratitude has never sat light on me.&rdquo;
     </p>
    <p>
      &ldquo;I have seen that you were terribly afraid of me,&rdquo; said she.
    </p>
    <p>
      &ldquo;I dare say I was. But I am not afraid of you now; and here, on my knees,
      I implore you to forgive my baseness, my ingratitude. Oh, Miss Gale, you
      don't know what it is to be madly in love; one has no principle, no right
      feeling, against a real passion: and I was madly in love with her. It was
      through fear of losing her I disowned my physician, my benefactress, who
      had saved my life. Miserable wretch! It was through fear of losing her
      that I behaved like a ruffian to my angel wife, and would have committed
      bigamy, and been a felon. What was all this but madness? You, who are so
      wise, will you not forgive me a crime that downright insanity was the
      cause of?&rdquo;
     </p>
    <p>
      &ldquo;Humph! if I understand right, you wish me to forgive you for looking in
      my face, and saying to the woman who had saved your life, 'I don't know
      you?'&rdquo;
     </p>
    <p>
      &ldquo;Yes&mdash;if you can. No: now you put it in plain words, I see it is not
      to be forgiven.&rdquo;
     </p>
    <p>
      &ldquo;You are mistaken. It was like a stab to my heart, and I cried bitterly
      over it.&rdquo;
     </p>
    <p>
      &ldquo;Then I deserve to be hanged; that is all.&rdquo;
     </p>
    <p>
      &ldquo;But, on consideration, I believe it is as much your nature to be wicked
      as it is my angel Ina's to be good. So I forgive you that one thing, you
      charming villain.&rdquo; She held out her hand to him in proof of her good
      faith.
    </p>
    <p>
      He threw himself on his knees directly, and kissed and mumbled her hand,
      and bedewed it with hysterical tears.
    </p>
    <p>
      &ldquo;Oh, don't do that,&rdquo; said she; &ldquo;or I'm bound to give you a good kick. I
      hate she men.&rdquo;
     </p>
    <p>
      &ldquo;Give me a moment,&rdquo; said he, &ldquo;and I will be a man again.&rdquo;
     </p>
    <p>
      He sat with his face in his hands, gulping a little.
    </p>
    <p>
      &ldquo;Come,&rdquo; said she, cocking her head like a keen jackdaw; &ldquo;now let us have
      the real object of your visit.&rdquo;
     </p>
    <p>
      &ldquo;No, no,&rdquo; said he, inadvertently&mdash;&ldquo;another time will do for that. I
      am content with your forgiveness. Now I can wait.&rdquo;
     </p>
    <p>
      &ldquo;What for?&rdquo;
     </p>
    <p>
      &ldquo;Can you ask? Do you consider this a happy state of things?&rdquo;
     </p>
    <p>
      &ldquo;Certainly not. But it can't be helped: and we have to thank you for it.&rdquo;
     </p>
    <p>
      &ldquo;It could be helped in time. If you would persuade her to take the first
      step.&rdquo;
     </p>
    <p>
      &ldquo;What step?&rdquo;
     </p>
    <p>
      &ldquo;Not to disown her husband. To let him at least be her friend&mdash;her
      penitent, humble friend. We are man and wife. If I were to say so
      publicly, she would admit it. In this respect at least I have been
      generous: will she not be generous too? What harm could it do her if we
      lived under the same roof, and I took her to the theater, and fetched her
      home, and did little friendly offices for her?&rdquo;
     </p>
    <p>
      &ldquo;And so got the thin edge of the wedge in, eh? Mr. Severne, I decline all
      interference in a matter so delicate, and in favor of a person who would
      use her as ill as ever, if he once succeeded in recovering her
      affections.&rdquo;
     </p>
    <p>
      So then she dismissed him peremptorily.
    </p>
    <p>
      But, true to Vizard's interest, she called on him again, and, after a few
      preliminaries, let him know that Severne was every night behind the
      scenes.
    </p>
    <p>
      A spasm crossed his face. &ldquo;I am quite aware of that,&rdquo; said he. &ldquo;But he is
      never admitted into her house.&rdquo;
     </p>
    <p>
      &ldquo;How do you know?&rdquo;
     </p>
    <p>
      &ldquo;He is under constant surveillance.&rdquo;
     </p>
    <p>
      &ldquo;Spies?&rdquo;
     </p>
    <p>
      &ldquo;No. Thief-takers. All from Scotland Yard.&rdquo;
     </p>
    <p>
      &ldquo;And love brings men down to this. What is it for?&rdquo;
     </p>
    <p>
      &ldquo;When I am sure of your co-operation, I will let you know my hopes.&rdquo;
     </p>
    <p>
      &ldquo;He doubts my friendship,&rdquo; said Rhoda sorrowfully.
    </p>
    <p>
      &ldquo;No; only your discretion.&rdquo;
     </p>
    <p>
      &ldquo;I will be discreet.&rdquo;
     </p>
    <p>
      &ldquo;Well, then, sooner or later, he is sure to form some improper connection
      or other; and then I hope you will aid me in persuading her to divorce
      him.&rdquo;
     </p>
    <p>
      &ldquo;That is not so easy in this country. It is not like our Western States,
      where, the saying is, they give you five minutes at a railway station for
      di&mdash;vorce.&rdquo;
     </p>
    <p>
      &ldquo;You forget she is a German Protestant and the marriage was in that
      country. It will be easy enough.&rdquo;
     </p>
    <p>
      &ldquo;Very well; dismiss it from your mind. She will never come before the
      public in that way. Nothing you nor I could urge would induce her.&rdquo;
     </p>
    <p>
      Vizard replied, doggedly, &ldquo;I will never despair, so long as she keeps him
      out of her house.&rdquo;
     </p>
    <p>
      Rhoda told Ina Klosking this, and said, &ldquo;Now it is in your own hands. You
      have only to let your charming villain into your house, and Mr. Vizard
      will return to Islip.&rdquo;
     </p>
    <p>
      Ina Klosking buried her face in her hands, and thought.
    </p>
    <p>
      At night, Vizard in his box, as usual. Severne behind the scenes with his
      bouquet. But this night he stayed for the ballet, to see a French danseuse
      who had joined them. He was acquainted with her before, and had a
      sprightly conversation with her. In other words, he renewed an old
      flirtation.
    </p>
    <p>
      The next opera night all went as usual. Vizard in the box, looking sadder
      than usual. Rhoda's good sense had not been entirely wasted. Severne, with
      his bouquet, and his grave humility, until the play ended, and La Klosking
      passed out into the hall. Her back was hardly turned when Mademoiselle
      Lafontaine, dressed for the ballet, in a most spicy costume, danced up to
      her old friend, and slapped his face very softly with a rose, then sprung
      away and stood on her defense.
    </p>
    <p>
      &ldquo;I'll have that rose,&rdquo; cried Severne.
    </p>
    <p>
      &ldquo;Nenni.&rdquo;
     </p>
    <p>
      &ldquo;And a kiss into the bargain.&rdquo;
     </p>
    <p>
      &ldquo;Jamais.&rdquo;
     </p>
    <p>
      &ldquo;C'est ce que nous verrons.&rdquo;
     </p>
    <p>
      He chased her. She uttered a feigned &ldquo;Ah!&rdquo; and darted away. He followed
      her; she crossed the scene at the back, where it was dark, bounded over an
      open trap, which she saw just in time, but Severne, not seeing it, because
      she was between him and it, fell through it, and, striking the mazarine,
      fell into the cellar, fifteen feet below the stage.
    </p>
    <p>
      The screams of the dancers soon brought a crowd round the trap, and
      reached Mademoiselle Klosking just as she was going out to her carriage.
      &ldquo;There!&rdquo; she cried. &ldquo;Another accident!&rdquo; and she came back, making sure it
      was some poor carpenter come to grief, as usual. On such occasions her
      purse was always ready.
    </p>
    <p>
      They brought Severne up sensible, but moaning, and bleeding at the temple,
      and looking all streaky about the face.
    </p>
    <p>
      They were going to take him to the infirmary; but Mademoiselle Klosking,
      with a face of angelic pity, said, &ldquo;No; he bleeds, he bleeds. He must go
      to my house.&rdquo;
     </p>
    <p>
      They stared a little; but it takes a good deal to astonish people in a
      theater.
    </p>
    <p>
      Severne was carried out, his head hastily bandaged, and he was lifted into
      La Klosking's carriage. One of the people of the theater was directed to
      go on the box, and La Klosking and Ashmead supported him, and he was taken
      to her lodgings. She directed him to be laid on a couch, and a physician
      sent for, Miss Gale not having yet returned from Liverpool, whither she
      had gone to attend a lecture.
    </p>
    <p>
      Ashmead went for the physician. But almost at the door he met Miss Gale
      and Mr. Vizard.
    </p>
    <p>
      &ldquo;Miss,&rdquo; said he, &ldquo;you are wanted. There has been an accident. Mr. Severne
      has fallen through a trap, and into the cellar.&rdquo;
     </p>
    <p>
      &ldquo;No bones broken?&rdquo;
     </p>
    <p>
      &ldquo;Not he: he has only broken his head; and that will cost her a broken
      heart.&rdquo;
     </p>
    <p>
      &ldquo;Where is he?&rdquo;
     </p>
    <p>
      &ldquo;Where I hoped never to see him again.
    </p>
    <p>
      &ldquo;What! in her house?&rdquo; said Rhoda and, hurried off at once.
    </p>
    <p>
      &ldquo;Mr. Ashmead,&rdquo; said Vizard, &ldquo;a word with you.&rdquo;
     </p>
    <p>
      &ldquo;By all means, sir,&rdquo; said Ashmead, &ldquo;as we go for the doctor. Dr. Menteith
      has a great name. He lives close by your hotel, sir.&rdquo;
     </p>
    <p>
      As they went, Vizard asked him what he meant by saying this accident would
      cost her a broken heart.
    </p>
    <p>
      &ldquo;Why, sir,&rdquo; said Ashmead, &ldquo;he is on his good behavior to get back; has
      been for months begging and praying just to be let live under the same
      roof. She has always refused. But some fellows have such luck. I don't say
      he fell down a trap on purpose; but he has done it, and no broken bones,
      but plenty of blood. That is the very thing to overcome a woman's
      feelings; and she is not proof against pity. He will have her again. Why,
      she is his nurse now; and see how that will work. We have a week's more
      business here; and, by bad luck, a dead fortnight, all along of Dublin
      falling through unexpectedly. He is as artful as Old Nick; he will spin
      out that broken head of his and make it last all the three weeks; and she
      will nurse him, and he will be weak, and grateful, and cry, and beg her
      pardon six times a day, and she is only a woman, after all: and they are
      man and wife, when all is done: the road is beaten. They will run upon it
      again, till his time is up to play the rogue as bad as ever.&rdquo;
     </p>
    <p>
      &ldquo;You torture me,&rdquo; said Vizard.
    </p>
    <p>
      &ldquo;I am afraid I do, sir. But I feel it my duty. Mr. Vizard, you are a noble
      gentleman, and I am only what you see; but the humblest folk will have
      their likes and dislikes, and I have a great respect for you, sir. I can't
      tell you the mixture of things I feel when I see you in the same box every
      night. Of course, I am her agent, and the house would not be complete
      without you; but as a man I am sorry. Especially now that she has let him
      into her house. Take a humble friend's advice, sir, and cut it. Don't you
      come between any woman and her husband, especially a public lady. She will
      never be more to you than she is. She is a good woman, and he must keep
      gaining ground. He has got the pull. Rouse all your pride, sir, and your
      manhood, and you have got plenty of both, and cut it; don't look right nor
      left, but cut it&mdash;and forgive my presumption.&rdquo;
     </p>
    <p>
      Vizard was greatly moved. &ldquo;Give me your hand,&rdquo; he said; &ldquo;you are a worthy
      man. I'll act on your advice, and never forget what I owe you. Stick to me
      like a leech, and see me off by the next train, for I am going to tear my
      heart out of my bosom.&rdquo;
     </p>
    <p>
      Luckily there was a train in half an hour, and Ashmead saw him off; then
      went to supper. He did not return to Ina's lodgings. He did not want to
      see Severne nursed. He liked the fellow, too; but he saw through him
      clean; and he worshiped Ina Klosking.
    </p>
    <p>
      <a name="link2HCH0030" id="link2HCH0030">
      <!--  H2 anchor --> </a>
    </p>
    <div style="height: 4em;">
      <br /><br /><br /><br />
    </div>
    <h2>
      CHAPTER XXX.
    </h2>
    <p>
      AT one o'clock next day, Ashmead received a note from Mademoiselle
      Klosking, saying, &ldquo;Arrange with Mr. X&mdash;&mdash;to close my tour with
      Manchester. Pay the fortnight, if required.&rdquo; She was with the company at a
      month's notice on either side, you must understand.
    </p>
    <p>
      Instead of going to the manager, he went at once, in utter dismay, to
      Mademoiselle Klosking, and there learned in substance what I must now
      briefly relate.
    </p>
    <p>
      Miss Gale found Edward Severne deposited on a sofa. Ina was on her knees
      by his side, sponging his bleeding temple, with looks of gentle pity.
      Strange to say, the wound was in the same place as his wife's, but more
      contused, and no large vein was divided. Miss Gale soon stanched that. She
      asked him where his pain was. He said it was in his head and his back; and
      he cast a haggard, anxious look on her.
    </p>
    <p>
      &ldquo;Take my arm,&rdquo; said she. &ldquo;Now, stand up.&rdquo;
     </p>
    <p>
      He tried, but could not, and said his legs were benumbed. Miss Gale looked
      grave.
    </p>
    <p>
      &ldquo;Lay him on my bed,&rdquo; said La Klosking. &ldquo;That is better than these hard
      couches.&rdquo;
     </p>
    <p>
      &ldquo;You are right,&rdquo; said Miss Gale. &ldquo;Ring for the servants. He must be moved
      gently.&rdquo;
     </p>
    <p>
      He was carried in, and set upon the edge of the bed, and his coat and
      waistcoat taken off. Then he was laid gently down on the bed, and covered
      with a down quilt.
    </p>
    <p>
      Doctress Gale then requested Ina to leave the room, while she questioned
      the patient.
    </p>
    <p>
      Ina retired. In a moment or two Miss Gale came out to her softly.
    </p>
    <p>
      At sight of her face, La Klosking said, &ldquo;Oh, dear; it is more serious than
      we thought.&rdquo;
     </p>
    <p>
      &ldquo;Very serious.
    </p>
    <p>
      &ldquo;Poor Edward!&rdquo;
     </p>
    <p>
      &ldquo;Collect all your courage, for I cannot lie, either to patient or friend.&rdquo;
     </p>
    <p>
      &ldquo;And you are right,&rdquo; said La Klosking, trembling. &ldquo;I see he is in danger.&rdquo;
     </p>
    <p>
      &ldquo;Worse than that. Where there's danger there is hope. Here there is none.
      HE IS A DEAD MAN!&rdquo;
     </p>
    <p>
      &ldquo;Oh, no! no!&rdquo;
     </p>
    <p>
      &ldquo;He has broken his back, and nothing can save him. His lower limbs have
      already lost sensation. Death will creep over the rest. Do not disturb
      your mind with idle hopes. You have two things to thank God for&mdash;that
      you took him into your own house, and that he will die easily. Indeed,
      were he to suffer, I should stupefy him at once, for nothing can <i>hurt</i>
      him.&rdquo;
     </p>
    <p>
      Ina Klosking turned faint and her knees gave way under her. Rhoda
      ministered to her; and while she was so employed, Dr. Menteith was
      announced. He was shown in to the patient, and the accident described to
      him. He questioned the patient, and examined him alone.
    </p>
    <p>
      He then came out, and said he would draw a prescription. He did so.
    </p>
    <p>
      &ldquo;Doctor,&rdquo; said La Klosking, &ldquo;tell me the truth. It cannot be worse than I
      fear.&rdquo;
     </p>
    <p>
      &ldquo;Madam,&rdquo; said the doctor, &ldquo;medicine can do nothing for him. The spinal
      cord is divided. Give him anything he fancies, and my prescription if he
      suffers pain, not otherwise. Shall I send you a nurse?&rdquo;
     </p>
    <p>
      &ldquo;No,&rdquo; said Mademoiselle Klosking, <i>&ldquo;we</i> will nurse him night and
      day.&rdquo;
     </p>
    <p>
      He retired, and the friends entered on their sad duties.
    </p>
    <p>
      When Severne saw them both by his bedside, with earnest looks of pity, he
      said, &ldquo;Do not worry yourselves. I'm booked for the long journey. Ah, well,
      I shall die where I ought to have lived, and might have, if I had not been
      a fool.&rdquo;
     </p>
    <p>
      Ina wept bitterly.
    </p>
    <p>
      They nursed him night and day. He suffered little, and when he did, Miss
      Gale stupefied the pain at once; for, as she truly said, &ldquo;Nothing can hurt
      him.&rdquo; Vitality gradually retired to his head, and lingered there a whole
      day. But, to his last moment, the art of pleasing never abandoned him.
      Instead of worrying for this or that every moment, he showed in this
      desperate condition singular patience and well-bred fortitude. He checked
      his wife's tears; assured her it was all for the best, and that he was
      reconciled to the inevitable. &ldquo;I have had a happier time than I deserve,&rdquo;
       said he, &ldquo;and now I have a painless death, nursed by two sweet women. My
      only regret is that I shall not be able to repay your devotion, Ina, nor
      become worthy of your friendship, Miss Gale.&rdquo;
     </p>
    <p>
      He died without fear, it being his conviction that he should return after
      death to the precise condition in which he was before birth; and when they
      begged him to see a clergyman, he said, &ldquo;Pray do not give yourselves or
      him that trouble. I can melt back into the universe without his
      assistance.&rdquo;
     </p>
    <p>
      He even died content; for this polished Bohemian had often foreseen that,
      if he lived long, he should die miserably.
    </p>
    <p>
      But the main feature of his end was his extraordinary politeness. He paid
      Miss Gale compliments just as if he were at his ease on a sofa: and scarce
      an hour before his decease he said, faintly, &ldquo;I declare&mdash;I have been
      so busy&mdash;dying&mdash;I have forgotten to send my kind regards to good
      Mr. Ashmead. Pray tell him I did not forget his kindness to me.&rdquo;
     </p>
    <p>
      He just ceased to live, so quiet was his death, and a smile rested on his
      dead features, and they were as beautiful as ever.
    </p>
    <p>
      So ended a fair, pernicious creature, endowed too richly with the art of
      pleasing, and quite devoid of principle. Few bad men knew right so well,
      and went so wrong. Ina buried her face for hours on his bed, and kissed
      his cold features and hand. She had told him before he died she would
      recall all her resolutions, if he would live. But he was gone. Death
      buries a man's many faults, and his few virtues rise again. She mourned
      him sincerely, and would not be comforted; she purchased a burying place
      forever, and laid him in it; then she took her aching heart far away, and
      was lost to the public and to all her English friends.
    </p>
    <p>
      The faithful Rhoda accompanied her half way to London; then returned to
      her own duties in Barfordshire.
    </p>
    <p>
      <a name="link2HCH0031" id="link2HCH0031">
      <!--  H2 anchor --> </a>
    </p>
    <div style="height: 4em;">
      <br /><br /><br /><br />
    </div>
    <h2>
      CHAPTER XXXI.
    </h2>
    <p>
      I MUST now retrograde a little to relate something rather curious, and I
      hope not uninteresting.
    </p>
    <p>
      Zoe Vizard had been for some time acting on Mrs. Gale's advice; building,
      planning for the good of the poor, and going out of herself more and more.
      She compared notes constantly with Miss Gale, and conceived a friendship
      for her. It had been a long time coming, because at first she disliked
      Miss Gale's manners very much. But that lady had nursed her tenderly, and
      now advised her, and Zoe, who could not do anything by halves, became
      devoted to her.
    </p>
    <p>
      As she warmed to her good work, she gave signs of clearer judgment. She
      never mentioned Severne; but she no longer absolutely avoided Ina
      Klosking's name; and one day she spoke of her as a high-principled woman;
      for which the Gale kissed her on the spot.
    </p>
    <p>
      One name she often uttered, and always with regret and self-reproach&mdash;Lord
      Uxmoor's. I think that, now she was herself building and planning for the
      permanent improvement of the poor, she felt the tie of a kindred
      sentiment. Uxmoor was her predecessor in this good work, too; and would
      have been her associate, if she had not been so blind. This thought struck
      deep in her. Her mind ran more and more on Uxmoor, his manliness, his
      courage in her defense, and his gentlemanly fortitude and bravery in
      leaving her, without a word, at her request. Running over all these, she
      often blushed with shame, and her eyes filled with sorrow at thinking of
      how she had treated him; and lost him forever by not deserving him.
    </p>
    <p>
      She even made oblique and timid inquiries, but could learn nothing of him,
      except that he sent periodical remittances to Miss Gale, for managing his
      improvements. These, however, came in through a country agent from a town
      agent, and left no clew.
    </p>
    <p>
      But one fine day, with no warning except to his own people, Lord Uxmoor
      came home; and the next day rode to Hillstoke to talk matters over with
      Miss Gale. He was fortunate enough to find her at home. He thanked her for
      the zeal and enthusiasm she had shown, and the progress his works had made
      under her supervision.
    </p>
    <p>
      He was going away without even mentioning the Vizard family.
    </p>
    <p>
      But the crafty Gale detained him. &ldquo;Going to Vizard Court?&rdquo; said she.
    </p>
    <p>
      &ldquo;No,&rdquo; said he, very dryly.
    </p>
    <p>
      &ldquo;Ah, I understand; but perhaps you would not mind going with me as far as
      Islip. There is something there I wish you to see.&rdquo;
     </p>
    <p>
      &ldquo;Humph? Is it anything very particular? Because&mdash;&rdquo;
     </p>
    <p>
      &ldquo;It is. Three cottages rising, with little flower gardens in front. Square
      plots behind, and arrangements for breeding calves, with other ingenious
      novelties. A new head come into our business, my lord.&rdquo;
     </p>
    <p>
      &ldquo;You have converted Vizard? I thought you would. He is a satirical fellow,
      but he will listen to reason.&rdquo;
     </p>
    <p>
      &ldquo;No, it is not Mr. Vizard; indeed, it is no convert of mine. It is an
      independent enthusiast. But I really believe your work at home had some
      hand in firing her enthusiasm.&rdquo;
     </p>
    <p>
      &ldquo;A lady! Do I know her?&rdquo;
     </p>
    <p>
      &ldquo;You may. I suppose you know everybody in Barfordshire. Will you come?
      Do!&rdquo;
     </p>
    <p>
      &ldquo;Of course I will come, Miss Gale. Please tell one of your people to walk
      my horse down after us.&rdquo;
     </p>
    <p>
      She had her hat on in a moment, and walked him down to Islip.
    </p>
    <p>
      Her tongue was not idle on the road. &ldquo;You don't ask after the people,&rdquo;
       said she. &ldquo;There's poor Miss Vizard. She had a sad illness. We were almost
      afraid we should lose her.&rdquo;
     </p>
    <p>
      &ldquo;Heaven forbid!&rdquo; said Uxmoor, startled by this sudden news.
    </p>
    <p>
      &ldquo;Mademoiselle Klosking got quite well; and oh! what do you think? Mr.
      Severne turned out to be her husband.&rdquo;
     </p>
    <p>
      &ldquo;What is that?&rdquo; shouted Uxmoor, and stopped dead short. &ldquo;Mr. Severne a
      married man!&rdquo;
     </p>
    <p>
      &ldquo;Yes; and Mademoiselle Klosking a married woman.&rdquo;
     </p>
    <p>
      &ldquo;You amaze me. Why, that Mr. Severne was paying his attentions to Miss
      Vizard.&rdquo;
     </p>
    <p>
      &ldquo;So I used to fancy,&rdquo; said Rhoda carelessly. &ldquo;But you see it came out he
      was married, and so of course she packed him off with a flea in his ear.&rdquo;
     </p>
    <p>
      &ldquo;Did she? When was that?&rdquo;
     </p>
    <p>
      &ldquo;Let me see, it was the 17th of October.&rdquo;
     </p>
    <p>
      &ldquo;Why, that was the very day I left England.&rdquo;
     </p>
    <p>
      &ldquo;How odd! Why did you not stay another week? Gentlemen are so impatient.
      Never mind, that is an old story now. Here we are; those are the cottages.
      The workmen are at dinner. Ten to one the enthusiast is there: this is her
      time. You stay here. I'll go and see.&rdquo;
     </p>
    <p>
      She went off on tiptoe, and peeped and pried here and there, like a young
      witch. Presently she took a few steps toward him, with her finger
      mysteriously to her lips, and beckoned him. He entered into the pantomime&mdash;she
      seemed so earnest in it&mdash;and came to her softly.
    </p>
    <p>
      &ldquo;Do just take a peep in at that opening for a door,&rdquo; said she, &ldquo;then
      you'll see her; her back is turned. She is lovely; only, you know, she has
      been ill, and I don't think she is very happy.&rdquo;
     </p>
    <p>
      Uxmoor thought this peeping at enthusiasts rather an odd proceeding, but
      Miss Gale had primed his curiosity, and he felt naturally proud of a
      female pupil. He stepped up lightly, looked in at the door, and, to his
      amazement, saw Zoe Vizard sitting on a carpenter's bench, with her lovely
      head in the sun's rays. He started, then gazed, then devoured her with his
      eyes.
    </p>
    <p>
      What! was this his pupil?
    </p>
    <p>
      How gentle and sad she seemed! All his stoicism melted at the sight of
      her. She sat in a sweet, pensive attitude, pale and drooping, but, to his
      fancy, lovelier than ever. She gave a little sigh. His heart yearned. She
      took out a letter, read it slowly, and said, softly and slowly, &ldquo;Poor
      fellow!&rdquo; He thought he recognized his own handwriting, and could stand no
      more. He rushed, in, and was going to speak to her; but she screamed, and
      no conjurer ever made a card disappear quicker than she did that letter,
      as she bounded away like a deer, and stood, blushing scarlet, and
      palpitating all over.
    </p>
    <p>
      Uxmoor was ashamed of his <i>brusquerie.</i> &ldquo;What a brute I am to
      frighten you like this!&rdquo; said he. &ldquo;Pray forgive me; but the sight of you,
      after all these weary months&mdash;and you said 'Poor fellow!'&rdquo;
     </p>
    <p>
      &ldquo;Did I?&rdquo; said Zoe, faintly, looking scared.
    </p>
    <p>
      &ldquo;Yes, sweet Zoe, and you were reading a letter.&rdquo;
     </p>
    <p>
      No reply.
    </p>
    <p>
      &ldquo;I thought the poor fellow might be myself. Not that I am to be pitied, if
      you think of me still.&rdquo;
     </p>
    <p>
      &ldquo;I do, then&mdash;very often. Oh, Lord Uxmoor, I want to go down on my
      knees to you.&rdquo;
     </p>
    <p>
      &ldquo;That is odd, now; for it is exactly what I should like to do to you.&rdquo;
     </p>
    <p>
      &ldquo;What for? It is I who have behaved so ill.&rdquo;
     </p>
    <p>
      &ldquo;Never mind that; I love you.&rdquo;
     </p>
    <p>
      &ldquo;But you mustn't. You must love some worthy person.&rdquo;
     </p>
    <p>
      &ldquo;Oh, you leave that to me. I have no other intention. But may I just see
      whose letter you were reading?&rdquo;
     </p>
    <p>
      &ldquo;Oh, pray don't ask me.&rdquo;
     </p>
    <p>
      &ldquo;I insist on knowing.&rdquo;
     </p>
    <p>
      &ldquo;I will not tell you. There it is.&rdquo; She gave it to him with a guilty air,
      and hid her face.
    </p>
    <p>
      &ldquo;Dear Zoe, suppose I were to repeat the offer I made here?&rdquo;
     </p>
    <p>
      &ldquo;I advise you not,&rdquo; said she, all in a flurry.
    </p>
    <p>
      &ldquo;Why?&rdquo;
     </p>
    <p>
      &ldquo;Because. Because&mdash;I might say 'Yes.'&rdquo;
     </p>
    <p>
      &ldquo;Well, then I'll take my chance once more. Zoe, will you try and love me?&rdquo;
     </p>
    <p>
      &ldquo;Try? I believe I do love you, or nearly. I think of you very often.&rdquo;
     </p>
    <p>
      &ldquo;Then you will do something to make me happy.&rdquo;
     </p>
    <p>
      &ldquo;Anything; everything.&rdquo;
     </p>
    <p>
      &ldquo;Will you marry me?&rdquo;
     </p>
    <p>
      &ldquo;Yes, that I will,&rdquo; said Zoe, almost impetuously; &ldquo;and then,&rdquo; with a grand
      look of conscious beauty, &ldquo;I can <i>make</i> you forgive me.&rdquo;
     </p>
    <p>
      Uxmoor, on this, caught her in his arms, and kissed her with such fire
      that she uttered a little stifled cry of alarm; but it was soon followed
      by a sigh of complacency, and she sunk, resistless, on his manly breast.
    </p>
    <p>
      So, after two sieges, he carried that fair citadel by assault.
    </p>
    <p>
      Then let not the manly heart despair, nor take a mere brace of &ldquo;Noes&rdquo; from
      any woman. Nothing short of three negatives is serious.
    </p>
    <p>
      They walked out in arm-in-arm and very close to each other; and he left
      her, solemnly engaged.
    </p>
    <p>
      Leaving this pair to the delights of courtship, and growing affection on
      Zoe's side&mdash;for a warm attachment of the noblest kind did grow, by
      degrees, out of her penitence, and esteem, and desire to repair her fault&mdash;I
      must now take up the other thread of this narrative, and apologize for
      having inverted the order of events; for it was, in reality, several days
      after this happy scene that Mademoiselle Klosking sent for Miss Gale.
    </p>
    <p>
      <a name="link2HCH0032" id="link2HCH0032">
      <!--  H2 anchor --> </a>
    </p>
    <div style="height: 4em;">
      <br /><br /><br /><br />
    </div>
    <h2>
      CHAPTER XXXII.
    </h2>
    <p>
      VIZARD, then, with Ashmead, returned home in despair; and Zoe, now happy
      in her own mind, was all tenderness and sisterly consolation. They opened
      their hearts to each other, and she showed her wish to repay the debt she
      owed him. How far she might have succeeded, in time, will never be known.
      For he had hardly been home a week, when Miss Gale returned, all in black,
      and told him Severne was dead and buried.
    </p>
    <p>
      He was startled, and even shocked, remembering old times; but it was not
      in human nature he should be sorry. Not to be indecorously glad at so
      opportune an exit was all that could be expected from him.
    </p>
    <p>
      When she had given him the details, his first question was, &ldquo;How did she
      bear it?&rdquo;
     </p>
    <p>
      &ldquo;She is terribly cut up&mdash;more than one would think possible; for she
      was ice and marble to him before he was hurt to death.&rdquo;
     </p>
    <p>
      &ldquo;Where is she?&rdquo;
     </p>
    <p>
      &ldquo;Gone to London. She will write to me, I suppose&mdash;poor dear. But one
      must give her time.&rdquo;
     </p>
    <p>
      From that hour Vizard was in a state of excitement, hoping to hear from
      Ina Klosking, or about her; but unwilling, from delicacy, to hurry
      matters.
    </p>
    <p>
      At last he became impatient, and wrote to Ashmead, whose address he had,
      and said, frankly, he had a delicacy in intruding on Mademoiselle
      Klosking, in her grief. Yet his own feelings would not allow him to seem
      to neglect her. Would Mr. Ashmead, then, tell him where she was, as she
      had not written to any one in Barfordshire&mdash;not even to her tried
      friend, Miss Gale.
    </p>
    <p>
      He received an answer by return of post.
    </p>
    <p>
      &ldquo;DEAR SIR&mdash;I am grieved to tell you that Mademoiselle Klosking has
      retired from public life. She wrote to me, three weeks ago, from Dover,
      requesting me to accept, as a token of her esteem, the surplus money I
      hold in hand for her&mdash;I always drew her salary&mdash;and bidding me
      farewell. The sum included her profits by psalmody, minus her expenses,
      and was so large it could never have been intended as a mere recognition
      of my humble services; and I think I have seldom felt so down-hearted as
      on receiving this princely donation. It has enabled me to take better
      offices, and it may be the foundation of a little fortune; but I feel that
      I have lost the truly great lady who has made a man of me. Sir, the relish
      is gone for my occupation: I can never be so happy as I was in working the
      interests of that great genius, whose voice made our leading soprani sound
      like whistles, and who honored me with her friendship. Sir, she was not
      like other leading ladies. She never bragged, never spoke ill of any one;
      and <i>you</i> can testify to her virtue and her discretion.
    </p>
    <p>
      &ldquo;I am truly sorry to learn from you that she has written to no one in
      Barfordshire. I saw, by her letter to me, she had left the stage; but her
      dropping you all looks as if she had left the world. I do hope she has not
      been so mad as to go into one of those cursed convents.
    </p>
    <p>
      &ldquo;Mr. Vizard, I will now write to friends in all the Continental towns
      where there is good music. She will not be able to keep away from that
      long. I will also send photographs; and hope we may hear something. If
      not, perhaps a <i>judicious advertisement</i> might remind her that she is
      inflicting pain upon persons to whom she is dear. I am, sir, your obliged
      and grateful servant,
    </p>
    <h3>
      &ldquo;JOSEPH ASHMEAD.&rdquo;
     </h3>
    <p>
      Here was a blow. I really believe Vizard felt this more deeply than all
      his other disappointments.
    </p>
    <p>
      He brooded over it for a day or two; and then, as he thought Miss Gale a
      very ill-used person, though not, of course, so ill-used as himself, he
      took her Ashmead's letter.
    </p>
    <p>
      &ldquo;This is nice!&rdquo; said she. &ldquo;There&mdash;I must give up loving women.
      Besides, they throw me over the moment a man comes, if it happens to be
      the right one.&rdquo;
     </p>
    <p>
      &ldquo;Unnatural creatures!&rdquo; said Vizard.
    </p>
    <p>
      &ldquo;Ungrateful, at all events.&rdquo;
     </p>
    <p>
      &ldquo;Do you think she has gone into a convent?&rdquo;
     </p>
    <p>
      &ldquo;Not she. In the first place, she is a Protestant; and, in the second, she
      is not a fool.&rdquo;
     </p>
    <p>
      &ldquo;I will advertise.&rdquo;
     </p>
    <p>
      &ldquo;The idea!&rdquo;
     </p>
    <p>
      &ldquo;Do you think I am going to sit down with my hands before me, and lose her
      forever?&rdquo;
     </p>
    <p>
      &ldquo;No, indeed; I don't think you are that sort of a man at all, ha! ha!&rdquo;
     </p>
    <p>
      &ldquo;Oh, Miss Gale, pity me. Tell me how to find her. That Fanny Dover says
      women are only enigmas to men; they understand one another.&rdquo;
     </p>
    <p>
      &ldquo;What,&rdquo; said Rhoda, turning swiftly on him; &ldquo;does that little chit pretend
      to read my noble Ina?&rdquo;
     </p>
    <p>
      &ldquo;If she cannot, perhaps you can. You are so shrewd. Do tell me, what does
      it all mean?&rdquo;
     </p>
    <p>
      &ldquo;It means nothing at all, I dare say; only a woman's impulse. They are
      such geese at times, every one of them.&rdquo;
     </p>
    <p>
      &ldquo;Oh, if I did but know what country she is in, I would ransack it.&rdquo;
     </p>
    <p>
      &ldquo;Hum!&mdash;countries are biggish places.&rdquo;
     </p>
    <p>
      &ldquo;I don't care.&rdquo;
     </p>
    <p>
      &ldquo;What will you give me to tell you where she is at this moment?&rdquo;
     </p>
    <p>
      &ldquo;All I have in the world.&rdquo;
     </p>
    <p>
      &ldquo;That is sufficient. Well, then, first assign me your estates; then fetch
      me an ordnance map of creation, and I will put my finger on her.&rdquo;
     </p>
    <p>
      &ldquo;You little mocking fiend, you!&rdquo;
     </p>
    <p>
      &ldquo;I am not. I'm a tall, beneficent angel; and I'll tell you where she is&mdash;for
      nothing. Keep your land: who wants it?&mdash;it is only a bother.&rdquo;
     </p>
    <p>
      &ldquo;For pity's sake, don't trifle with me.&rdquo;
     </p>
    <p>
      &ldquo;I never will, where your heart is interested. She is at Zutzig.&rdquo;
     </p>
    <p>
      &ldquo;Ah, you good girl! She has written to you.&rdquo;
     </p>
    <p>
      &ldquo;Not a line, the monster! And I'll serve her out. I'll teach her to play
      hide-and-seek with Gale, M.D.!&rdquo;
     </p>
    <p>
      &ldquo;Zutzig!&rdquo; said Vizard; &ldquo;how can you know?&rdquo;
     </p>
    <p>
      &ldquo;What does that matter? Well, yes&mdash;I will reveal the mental process.
      First of all, she has gone to her mother.&rdquo;
     </p>
    <p>
      &ldquo;How do you know that?&rdquo;
     </p>
    <p>
      &ldquo;Oh, dear, dear, dear! Because that is where every daughter goes in
      trouble. I should&mdash;she <i>has.</i> Fancy you not seeing that&mdash;why,
      Fanny Dover would have told you that much in a moment. But now you will
      have to thank <i>my</i> mother for teaching me Attention, the parent of
      Memory. Pray, sir, who were the witnesses to that abominable marriage of
      hers?&rdquo;
     </p>
    <p>
      &ldquo;I remember two, Baron Hompesch&mdash;&rdquo;
     </p>
    <p>
      &ldquo;No, Count Hompesch.&rdquo;
     </p>
    <p>
      &ldquo;And Count Meurice.&rdquo;
     </p>
    <p>
      &ldquo;Viscount. What, have you forgotten Herr Formes, Fraulein Graafe, Zug the
      Capellmeister, and her very mother? Come now, whose daughter is she?&rdquo;
     </p>
    <p>
      &ldquo;I forget, I'm sure.&rdquo;
     </p>
    <p>
      &ldquo;Walter Ferris and Eva Klosking, of Zutzig, in Denmark. Pack&mdash;start
      for Copenhagen. Consult an ordnance map there. Find out Zutzig. Go to
      Zutzig, and you have got her. It is some hole in a wilderness, and she
      can't escape.&rdquo;
     </p>
    <p>
      &ldquo;You clever little angel! I'll be there in three days. Do you really think
      I shall succeed?&rdquo;
     </p>
    <p>
      &ldquo;Your own fault if you don't. She has run into a <i>cul-de-sac</i> through
      being too clever; and, besides, women sometimes run away just to be
      caught, and hide on purpose to be found. I should not wonder if she has
      said to herself, 'He will find me if he loves me so very, very much&mdash;I'll
      try him.'&rdquo;
     </p>
    <p>
      &ldquo;Not a word more, angelic fox,&rdquo; said Vizard; &ldquo;I'm off to Zutzig.&rdquo;
     </p>
    <p>
      He went out on fire. She opened the window and screeched after him,
      &ldquo;Everything is fair after her behavior to me. Take her a book of those
      spiritual songs she is so fond of. 'Johnny comes marching home,' is worth
      the lot, I reckon.&rdquo;
     </p>
    <p>
      Away went Vizard; found Copenhagen with ease; Zutzig with difficulty,
      being a small village. But once there, he soon found the farmhouse of Eva
      Klosking. He drove up to the door. A Danish laborer came out from the
      stable directly; and a buxom girl, with pale golden hair, opened the door.
      These two seized his luggage, and conveyed it into the house, and the
      hired vehicle to the stable. Vizard thought it must be an inn.
    </p>
    <p>
      The girl bubbled melodious sounds, and ran off and brought a sweet,
      venerable name. Vizard recognized Eva Klosking at once. The old lady said,
      &ldquo;Few strangers come here&mdash;are you not English?&rdquo;
     </p>
    <p>
      &ldquo;Yes, madam.&rdquo;
     </p>
    <p>
      &ldquo;It is Mr. Vizard&mdash;is it not?&rdquo;
     </p>
    <p>
      &ldquo;Yes, madam.&rdquo;
     </p>
    <p>
      &ldquo;Ah, sir, my daughter will welcome you, but not more heartily than I do.
      My child has told me all she owes to you&rdquo;&mdash;then in Danish, &ldquo;God bless
      the hour you come under this roof.&rdquo;
     </p>
    <p>
      Vizard's heart beat tumultuously, wondering how Ina Klosking would receive
      him. The servant had told her a tall stranger was come. She knew in a
      moment who it was; so she had the advantage of being prepared.
    </p>
    <p>
      She came to him, her cheeks dyed with blushes, and gave him both hands.
      &ldquo;You here!&rdquo; said she; &ldquo;oh, happy day! Mother, he must have the south
      chamber. I will go and prepare it for him. Tecla!&mdash;Tecla!&rdquo;&mdash;and
      she was all hostess. She committed him to her mother, while she and the
      servant went upstairs.
    </p>
    <p>
      He felt discomfited a little. He wanted to know, all in a moment, whether
      she would love him.
    </p>
    <p>
      However, Danish hospitality has its good side. He soon found out he might
      live the rest of his days there if he chose.
    </p>
    <p>
      He soon got her alone, and said, &ldquo;You knew I should find you, cruel one.&rdquo;
     </p>
    <p>
      &ldquo;How could I dream of such a thing?&rdquo; said she, blushing.
    </p>
    <p>
      &ldquo;Oh, Love is a detective. You said to yourself, 'If he loves me as I ought
      to be loved, he will search Europe for me; but he will find me.'&rdquo;
     </p>
    <p>
      &ldquo;Oh, then it was not to be at peace and rest on my mother's bosom I came
      here; it was to give you the trouble of running after me. Oh, fie!&rdquo;
     </p>
    <p>
      &ldquo;You are right. I am a vain fool.&rdquo;
     </p>
    <p>
      &ldquo;No, that you are not. After all, how do I know all that was in my heart?
      (Ahem!) Be sure of this, you are very welcome. I must go and see about
      your dinner.&rdquo;
     </p>
    <p>
      In that Danish farmhouse life was very primitive. Eva Klosking, and both
      her daughters, helped the two female servants, or directed them, in every
      department. So Ina, who was on her defense, had many excuses for escaping
      Vizard, when he pressed her too hotly. But at last she was obliged to say,
      &ldquo;Oh, pray, my friend&mdash;we are in Denmark: here widows are expected to
      be discreet.&rdquo;
     </p>
    <p>
      &ldquo;But that is no reason why the English fellows who adore them should be
      discreet.&rdquo;
     </p>
    <p>
      &ldquo;Perhaps not: but then the Danish lady runs away.&rdquo;
     </p>
    <p>
      Which she did.
    </p>
    <p>
      But, after the bustle of the first day, he had so many opportunities. He
      walked with her, sat with her while she worked, and hung over her,
      entranced, while she sung. He produced the book from Vizard Court without
      warning, and she screamed with delight at sight of it, and caught his hand
      in both hers and kissed it. She reveled in those sweet strains which had
      comforted her in affliction: and oh, the eyes she turned on him after
      singing any song in this particular book! Those tender glances thrilled
      him to the very marrow.
    </p>
    <p>
      To tell the honest truth, his arrival was a godsend to Ina Klosking. When
      she first came home to her native place, and laid her head on her mother's
      bosom, she was in Elysium. The house, the wood fires, the cooing doves,
      the bleating calves, the primitive life, the recollections of childhood&mdash;all
      were balm to her, and she felt like ending her days there. But, as the
      days rolled on, came a sense of monotony and excessive tranquillity. She
      was on the verge of <i>ennui</i> when Vizard broke in upon her.
    </p>
    <p>
      From that moment there was no stagnation. He made life very pleasant to
      her; only her delicacy took the alarm at his open declarations; she
      thought them so premature.
    </p>
    <p>
      At last he said to her, one day, &ldquo;I begin to fear you will never love me
      as I love you.&rdquo;
     </p>
    <p>
      &ldquo;Who knows?&rdquo; said she. &ldquo;Time works wonders.&rdquo;
     </p>
    <p>
      &ldquo;I wonder,&rdquo; said he, &ldquo;whether you will ever marry any other man?&rdquo;
     </p>
    <p>
      Ina was shocked at that. &ldquo;Oh, my friend, how could I&mdash;unless,&rdquo; said
      she, with a sly side-glance, &ldquo;you consented.&rdquo;
     </p>
    <p>
      &ldquo;Consent? I'd massacre him.&rdquo;
     </p>
    <p>
      Ina turned toward him. &ldquo;You asked my hand at a time when you thought me&mdash;I
      don't know what you thought&mdash;that is a thing no woman could forget.
      And now you have come all this way for me. I am yours, if you can wait for
      me.&rdquo;
     </p>
    <p>
      He caught her in his arms. She disengaged herself, gently, and her hand
      rested an unnecessary moment on his shoulder. &ldquo;Is that how you understand
      'waiting?'&rdquo; said she, with a blush, but an indulgent smile.
    </p>
    <p>
      &ldquo;What is the use waiting?&rdquo;
     </p>
    <p>
      &ldquo;It is a matter of propriety.&rdquo;
     </p>
    <p>
      &ldquo;How long are we to wait?&rdquo;
     </p>
    <p>
      &ldquo;Only a few months. My friend, it is like a boy to be too impatient. Alas!
      would you marry me in my widow's cap?&rdquo;
     </p>
    <p>
      &ldquo;Of course I would. Now, Ina, love, a widow who has been two years
      separated from her husband!&rdquo;
     </p>
    <p>
      &ldquo;Certainly, that makes a difference&mdash;in one's own mind. But one must
      respect the opinion of the world. Dear friend, it is of you I think,
      though I speak of myself.&rdquo;
     </p>
    <p>
      &ldquo;You are an angel. Take your own time. After all, what does it matter? I
      don't leave Zutzig without you.&rdquo;
     </p>
    <p>
      Ina's pink tint and sparkling eyes betrayed anything but horror at that
      insane resolution. However, she felt it her duty to say that it was
      unfortunate she should always be the person to distract him from his home
      duties.
    </p>
    <p>
      &ldquo;Oh, never mind them,&rdquo; said this single-hearted lover. &ldquo;I have appointed
      Miss Gale viceroy.&rdquo;
     </p>
    <p>
      However, one day he had a letter from Zoe, telling him that Lord Uxmoor
      was now urging her to name the day; but she had declined to do that, not
      knowing when it might suit him to be at Vizard Court. &ldquo;But, dearest,&rdquo; said
      she, &ldquo;mind, you are not to hurry home for me. I am very happy as I am, and
      I hope you will soon be as happy, love. She is a noble woman.&rdquo;
     </p>
    <p>
      The latter part of this letter tempted Vizard to show it to Ina. He soon
      found his mistake. She kissed it, and ordered him off. He remonstrated.
      She put on, for the first time in Denmark, her marble look, and said, &ldquo;You
      will lessen my esteem, if you are cruel to your sister. Let her name the
      wedding-day at once; and you must be there to give her away, and bless her
      union, with a brother's love.&rdquo;
     </p>
    <p>
      He submitted, but a little sullenly, and said it was very hard.
    </p>
    <p>
      He wrote to his sister, accordingly, and she named the day, and Vizard
      settled to start for home, and be in time.
    </p>
    <p>
      As to the proprieties, he had instructed Miss Maitland and Fanny Dover,
      and given them and La Gale <i>carte blanche.</i> It was to be a
      magnificent wedding.
    </p>
    <p>
      This being excitement, Fanny Dover was in paradise. Moreover, a
      rosy-cheeked curate had taken the place of the venerable vicar, and Miss
      Dover's threat to flirt out the stigma of a nun was executed with
      promptitude, zeal, pertinacity, and the dexterity that comes of practice.
      When the day came for his leaving Zutzig, Vizard was dejected. &ldquo;Who knows
      when we may meet again?&rdquo; said he.
    </p>
    <p>
      Ina consoled him. &ldquo;Do not be sad, dear friend. You are doing your duty;
      and as you do it partly to please me, I ought to try and reward you; ought
      I not?&rdquo; And she gave him a strange look.
    </p>
    <p>
      &ldquo;I advise you not to press that question,&rdquo; said he.
    </p>
    <p>
      At the very hour of parting, Ina's eyes were moist with tenderness, but
      there was a smile on her face very expressive; yet he could not make out
      what it meant. She did not cry. He thought that hard. It was his opinion
      that women could always cry. She might have done the usual thing just to
      gratify him.
    </p>
    <p>
      He reached home in good time: and played the <i>grand seigneur</i>&mdash;nobody
      could do it better when driven to it&mdash;to do honor to his sister. She
      was a peerless bride: she stood superior with ebon locks and coal black
      eyes, encircled by six bridemaids&mdash;all picked blondes. The bevy, with
      that glorious figure in the middle, seemed one glorious and rare flower.
    </p>
    <p>
      After the wedding, the breakfast; and then the traveling carriage; the
      four liveried postilions bedecked with favors.
    </p>
    <p>
      But the bride wept on Vizard's neck; and a light seemed to leave the house
      when she was gone. The carriages kept driving away one after another till
      four o'clock: and then Vizard sat disconsolate in his study, and felt very
      lonely.
    </p>
    <p>
      Yet a thing no bigger than a leaf sufficed to drive away this somber mood,
      a piece of amber-colored paper scribbled on with a pencil: a telegram from
      Ashmead: &ldquo;Good news: lost sheep turned up. Is now with her mother at
      Claridge's Hotel.&rdquo;
     </p>
    <p>
      Then Vizard was in raptures. Now he understood Ina's composure, and the
      half sly look she had given him, and her dry eyes at parting, and other
      things. He tore up to London directly, with a telegram flying ahead: burst
      in upon her, and had her in his arms in a moment, before her mother: she
      fenced no longer, but owned he had gained her love, as he had deserved it
      in every way.
    </p>
    <p>
      She consented to be married that week in London: only she asked for a
      Continental tour before entering Vizard Court as his wife; but she did not
      stipulate even for that&mdash;she only asked it submissively, as one whose
      duty it now was to obey, not dictate.
    </p>
    <p>
      They were married in St. George's Church very quietly, by special license.
      Then they saw her mother off, and crossed to Calais. They spent two happy
      months together on the Continent, and returned to London.
    </p>
    <p>
      But Vizard was too old-fashioned, and too proud of his wife, to sneak into
      Vizard Court with her. He did not make it a county matter; but he gave the
      village such a <i>fete</i> as had not been seen for many a day. The
      preparations were intrusted to Mr. Ashmead, at Ina's request. &ldquo;He will be
      sure to make it theatrical,&rdquo; she said; &ldquo;but perhaps the simple villagers
      will admire that, and it will amuse you and me, love: and the poor dear
      old Thing will be in his glory&mdash;I hope he will not drink too much.&rdquo;
     </p>
    <p>
      Ashmead was indeed in his glory. Nothing had been seen in a play that he
      did not electrify Islip with, and the surrounding villages. He pasted
      large posters on walls and barn doors, and his small bills curled round
      the patriarchs of the forest and the roadside trees, and blistered the
      gate posts.
    </p>
    <p>
      The day came. A soapy pole, with a leg of mutton on high for the
      successful climber. Races in sacks. Short blindfold races with
      wheelbarrows. Pig with a greasy tail, to be won by him who could catch him
      and shoulder him, without touching any other part of him; bowls of treacle
      for the boys to duck heads in and fish out coins; skittles, nine pins,
      Aunt Sally, etc., etc., etc.
    </p>
    <p>
      But what astonished the villagers most was a May-pole, with long ribbons,
      about which ballet girls, undisguised as Highlanders, danced, and wound
      and unwound the party-colored streamers, to the merry fiddle, and then
      danced reels upon a platform, then returned to their little tent: but out
      again and danced hornpipes undisguised as Jacky Tars.
    </p>
    <p>
      Beer flowed from a sturdy regiment of barrels. &ldquo;The Court&rdquo; kitchen and the
      village bakehouse kept pouring forth meats, baked, boiled, and roast;
      there was a pile of loaves like a haystack; and they roasted an ox whole
      on the Green; and, when they found they were burning him raw, they fetched
      the butcher, like sensible fellows, and dismembered the giant, and so
      roasted him reasonably.
    </p>
    <p>
      In the midst of the reveling and feasting, Vizard and Mrs. Vizard were
      driven into Islip village in the family coach, with four horses streaming
      with ribbons.
    </p>
    <p>
      They drove round the Green, bowing and smiling in answer to the
      acclamations and blessings of the poor, and then to Vizard Court. The
      great doors flew open. The servants, male and female, lined the hall on
      both sides, and received her bowing and courtesying low, on the very spot
      where she had nearly met her death; her husband took her hand and
      conducted her in state to her own apartment.
    </p>
    <p>
      It was open house to all that joyful day, and at night magnificent
      fireworks on the sweep, seen from the drawing-room by Mrs. Vizard, Miss
      Maitland, Miss Gale, Miss Dover, and the rosy-cheeked curate, whom she had
      tied to her apron-strings.
    </p>
    <p>
      At two in the morning, Mr. Harris showed Mr. Ashmead to his couch. Both
      gentlemen went upstairs a little graver than any of our modern judges, and
      firm as a rock; but their firmness resembled that of a roof rather than a
      wall; for these dignities as they went made one inverted V&mdash;so, A.
    </p>
    <p>
      It is time the &ldquo;Woman-hater&rdquo; drew to a close, for the woman-hater is
      spoiled. He begins sarcastic speeches, from force of habit, but stops
      short in the middle. He is a very happy man, and owes it to a woman, and
      knows it. He adores her; and to love well is to be happy. But, besides
      that, she watches over his happiness and his good with that unobtrusive
      but minute vigilance which belongs to her sex, and is often misapplied,
      but not so very often as cynics say. Even the honest friendship between
      him and the remarkable woman he calls his &ldquo;viragos&rdquo; gives him many a
      pleasant hour. He is still a humorist, though cured of his fling at the
      fair sex. His last tolerable hit was at the monosyllabic names of the
      immortal composers his wife had disinterred in his library. Says he to
      parson Denison, hot from Oxford, &ldquo;They remind me of the Oxford poets in
      the last century:
    </p>
    <p>
      &ldquo;Alma novem celebres genuit Rhedyeina poetas. Bubb, Stubb, Grubb, Crabbe,
      Trappe. Brome, Carey, Tickell, Evans.&rdquo;
     </p>
    <p>
      As for Ina Vizard, La Klosking no longer, she has stepped into her new
      place with her native dignity, seemliness and composure. At first, a few
      county ladies put their little heads together, and prepared to give
      themselves airs; but the beauty, dignity, and enchanting grace of Mrs.
      Vizard swept this little faction away like small dust. Her perfect
      courtesy, her mild but deep dislike of all feminine back-biting, her dead
      silence about the absent, except when she can speak kindly&mdash;these
      rare traits have forced, by degrees, the esteem and confidence of her own
      sex. As for the men, they accepted her at once with enthusiasm. She and
      Lady Uxmoor are the acknowledged belles of the county. Lady Uxmoor's face
      is the most admired; but Mrs. Vizard comes next, and her satin shoulders,
      statuesque bust and arms, and exquisite hand, turn the scale with some.
      But when she speaks, she charms; and when she sings, all competition dies.
    </p>
    <p>
      She is faithful to music, and especially to sacred music. She is not very
      fond of singing at parties, and sometimes gives offense by declining.
      Music sets fools talking, because it excites them, and then their folly
      comes out by the road nature has provided. But when Mrs. Vizard has to
      sing in one key, and people talk in five other keys, that gives this
      artist such physical pain that she often declines, merely to escape it. It
      does not much mortify her vanity, she has so little.
    </p>
    <p>
      She always sings in church, and sings out, too, when she is there; and
      plays the harmonium. She trains the villagers&mdash;girls, boys and adults&mdash;with
      untiring good humor and patience.
    </p>
    <p>
      Among her pupils are two fine voices&mdash;Tom Wilder, a grand bass, and
      the rosy-cheeked curate, a greater rarity still, a genuine counter-tenor.
    </p>
    <p>
      These two can both read music tolerably; but the curate used to sing
      everything, however full of joy, with a pathetic whine, for which Vizard
      chaffed him in vain; but Mrs. Vizard persuaded him out of it, where
      argument and satire failed.
    </p>
    <p>
      People come far and near to hear the hymns at Islip Church, sung in full
      harmony&mdash;trebles, tenors, counter-tenor, and bass.
    </p>
    <p>
      A trait&mdash;she allows nothing to be sung in church unrehearsed. The
      rehearsals are on Saturday night, and never shirked, such is the respect
      for &ldquo;Our Dame.&rdquo; To be sure, &ldquo;Our Dame&rdquo; fills the stomachs and wets the
      whistles of her faithful choir on Saturday nights.
    </p>
    <p>
      On Sunday nights there are performances of sacred music in the great
      dining-hall. But these are rather more ambitious than those in the village
      church. The performers meet on that happy footing of camaraderie the fine
      arts create, the superior respect shown to Mrs. Vizard being mainly paid
      to her as the greater musician. They attack anthems and services; and a
      trio, by the parson, the blacksmith, and &ldquo;Our Dame,&rdquo; is really an
      extraordinary treat, owing to the great beauty of the voices. It is also
      piquant to hear the female singer constantly six, and often ten, notes
      below the male counter-tenor; but then comes Wilder with his diapason, and
      the harmony is noble; the more so that Mrs. Vizard rehearses her pupils in
      the swell&mdash;a figure too little practiced in music, and nowhere
      carried out as she does it.
    </p>
    <p>
      One night the organist of Barford was there. They sung Kent's service in
      F, and Mrs. Vizard still admired it. She and the parson swelled in the
      duet, &ldquo;To be a Light to lighten the Gentiles,&rdquo; etc. Organist approved the
      execution, but said the composition was a meager thing, quite out of date.
      &ldquo;We have much finer things now by learned men of the day.&rdquo;
     </p>
    <p>
      &ldquo;Ah,&rdquo; said she, &ldquo;bring me one.&rdquo;
     </p>
    <p>
      So, next Sunday, he brought her a learned composition, and played it to
      her, preliminary to their singing it. But she declined it on the spot.
      &ldquo;What!&rdquo; said she. &ldquo;Mr. X., would you compare this meaningless stuff with
      Kent in F? Why, in Kent, the dominant sentiment of each composition is
      admirably preserved. His 'Magnificat' is lofty jubilation, with a free,
      onward rush. His 'Dimittis' is divine repose after life's fever. But this
      poor pedant's 'Magnificat' begins with a mere crash, and then falls into
      the pathetic&mdash;an excellent thing in its place, but not in a song of
      triumph. As to his 'Dimittis,' it simply defies the words. This is no
      Christian sunset. It is not good old Simeon gently declining to his rest,
      content to close those eyes which had seen the world's salvation. This is
      a tempest, and all the windows rattling, and the great Napoleon dying,
      amid the fury of the elements, with 'te'te d'arme'e!' on his dying lips,
      and 'battle' in his expiring soul. No, sir; if the learned Englishmen of
      this day can do nothing nearer the mark than DOLEFUL MAGNIFICATS and
      STORMY NUNC DIMITTISES, I shall stand faithful to poor dead Kent, and his
      fellows&mdash;they were my solace in sickness and sore trouble.&rdquo;
     </p>
    <p>
      In accordance with these views of vocal music, and desirous to expand its
      sphere, Mrs. Vizard has just offered handsome prizes in the county for the
      best service, in which the dominant sentiment of the words shall be as
      well preserved as in Kent's despised service; and another prize to whoever
      can set any famous short secular poem, or poetical passage (not in ballad
      meter), to good and appropriate music.
    </p>
    <p>
      This has elicited several pieces. The composers have tried their hands on
      Dryden's Ode; on the meeting of Hector and Andromache (Pope's &ldquo;Homer&rdquo;); on
      two short poems of Tennyson; etc., etc.
    </p>
    <p>
      But it is only the beginning of a good thing. The pieces, are under
      consideration. Vizard says the competitors are trifiers. <i>He</i> shall
      set Mr. Arnold's version of &ldquo;Hero and Leander&rdquo; to the harp, and sing it
      himself. This, he intimates, will silence competition and prove an era. I
      think so too, if his music should <i>happen</i> to equal the lines in
      value. But I hardly think it will, because the said Vizard, though he has
      taste and ear, does not know one note from another. So I hope &ldquo;Hero and
      Leander&rdquo; will fall into abler hands; and in any case, I trust Mrs. Vizard
      will succeed in her worthy desire to enlarge, very greatly, the sphere and
      the nobility of vocal music. It is a desire worthy of this remarkable
      character, of whom I now take my leave with regret.
    </p>
    <p>
      I must own that regret is caused in part by my fear that I may not have
      done her all the justice I desired.
    </p>
    <p>
      I have long felt and regretted that many able female writers are doing
      much to perpetuate the petty vices of a sex, which, after all, is at
      present but half educated, by devoting three thick volumes to such empty
      women as Biography, though a lower art than Fiction, would not waste three
      pages on. They plead truth and fidelity to nature. &ldquo;We write the average
      woman, for the average woman to read,&rdquo; say they. But they are not
      consistent; for the average woman is under five feet, and rather ugly. Now
      these paltry women are all beautiful&mdash;[Greek], as Homer hath it.
    </p>
    <p>
      Fiction has just as much right to select large female souls as Biography
      or Painting has; and to pick out a selfish, shallow, illiterate creature,
      with nothing but beauty, and bestow three enormous volumes on her, is to
      make a perverse selection, beauty being, after all, rarer in women than
      wit, sense, and goodness. It is as false and ignoble in art, as to marry a
      pretty face without heart and brains is silly in conduct.
    </p>
    <p>
      Besides, it gives the female <i>reader</i> a low model instead of a high
      one, and so does her a little harm; whereas a writer ought to do good&mdash;or
      try, at all events.
    </p>
    <p>
      Having all this in my mind, and remembering how many noble women have
      shone like stars in every age and every land, and feeling sure that, as
      civilization advances, such women will become far more common, I have
      tried to look ahead and paint La Klosking.
    </p>
    <p>
      But such portraiture is difficult. It is like writing a statue.
    </p>
    <p>
      &ldquo;Qui mihi non credit faciat licet ipse periclum, Mox fuerit studis aequior
      ille meis.&rdquo;
     </p>
    <p>
      Harrington Vizard, Esq., caught Miss Fanny Dover on the top round but one
      of the steps of his library. She looked down, pinkish, and said she was
      searching for &ldquo;Tillotson's Sermons.&rdquo;
     </p>
    <p>
      &ldquo;What on earth can you want of them?&rdquo;
     </p>
    <p>
      &ldquo;To improve my mind, to be sure,&rdquo; said the minx.
    </p>
    <p>
      Vizard said, &ldquo;Now you stay there, miss&mdash;don't you move;&rdquo; and he sent
      for Ina. She came directly, and he said, &ldquo;Things have come to a climax. My
      lady is hunting for 'Tillotson's Sermons.' Poor Denison!&rdquo; (That was the
      rosy curate's name.)
    </p>
    <p>
      &ldquo;Well,&rdquo; said Fanny, turning red, &ldquo;I told you I <i>should.</i> Why should I
      be good any longer? All the sick are cured one way or other, and I am
      myself again.&rdquo;
     </p>
    <p>
      &ldquo;Humph!&rdquo; said Vizard. &ldquo;Unfortunately for your little plans of conduct, the
      heads of this establishment, here present, have sat in secret committee,
      and your wings are to be clipped&mdash;by order of council.&rdquo;
     </p>
    <p>
      &ldquo;La!&rdquo; said Fanny, pertly.
    </p>
    <p>
      Vizard imposed silence with a lordly wave. &ldquo;It is a laughable thing; but
      this divine is in earnest. He has revealed his hopes and fears to me.&rdquo;
     </p>
    <p>
      &ldquo;Then he is a great baby,&rdquo; said Fanny, coming down the steps. &ldquo;No, no; we
      are both too poor.&rdquo; And she vented a little sigh.
    </p>
    <p>
      &ldquo;Not you. The vicar has written to vacate. Now, I don't like you much,
      because you never make me laugh; but I'm awfully fond of Denison; and, if
      you will marry my dear Denison, you shall have the vicarage; it is a fat
      one.&rdquo;
     </p>
    <p>
      &ldquo;Oh, cousin!&rdquo;
     </p>
    <p>
      &ldquo;And,&rdquo; said Mrs. Vizard, &ldquo;he permits me to furnish it for you. You and I
      will make it 'a bijou.'&rdquo;
     </p>
<pre xml:space="preserve">
Fanny kissed them both, impetuously: then said she would have a little
cry. No sooner said than done. In due course she was Mrs. Denison, and
broke a solemn vow that she never would teach girls St. Matthew.

 Like coquettes in general, who have had their fling at the proper time,
she makes a pretty good wife; but she has one fault&mdash;she is too hard upon
girls who flirt.

 Mr. Ashmead flourishes. Besides his agency she sometimes treats for a
new piece, collects a little company, and tours the provincial theaters.
He always plays them a week at Taddington, and with perfect gravity loses
six pounds per night. Then he has a &ldquo;bespeak,&rdquo; Vizard or Uxmoor turn
about. There is a line of carriages; the snobs crowd in to see the
gentry. Vizard pays twenty pounds for his box, and takes twenty pounds'
worth of tickets, and Joseph is in his glory, and stays behind the
company to go to Islip Church next day, and spend a happy night at the
Court. After that he says he feels <i>good</i> for three or four days.
</pre>
    <p>
      Mrs. Gale now leases the Hillstoke farm of Vizard, and does pretty well.
      She breeds a great many sheep and cattle. The high ground and sheltering
      woods suit them. She makes a little money every year, and gets a very good
      house for nothing. Doctress Gale is still all eyes, and notices
      everything. She studies hard, and practices a little. They tried to keep
      her out of the Taddington infirmary; but she went, almost crying, to
      Vizard, and he exploded with wrath. He consulted Lord Uxmoor, and between
      them the infirmary was threatened with the withdrawal of eighty annual
      subscriptions if they persisted. The managers caved directly, and Doctress
      Gale is a steady visitor.
    </p>
    <p>
      A few mothers are coming to their senses and sending for her to their
      unmarried daughters. This is the main source of her professional income.
      She has, however, taken one enormous fee from a bon vivant, whose life she
      saved by esculents. She told him at once he was beyond the reach of
      medicine, and she could do nothing for him unless he chose to live in her
      house, and eat and drink only what she should give him. He had a horror of
      dying, though he had lived so well; so he submitted, and she did actually
      cure that one glutton. But she says she will never do it again. &ldquo;After
      forty years of made dishes they ought to be content to die; it is bare
      justice,&rdquo; quoth Rhoda Gale, M.D.
    </p>
    <p>
      An apothecary in Barford threatened to indict this Gallic physician. But
      the other medical men dissuaded him, partly from liberality, partly from
      discretion: the fine would have been paid by public subscription twenty
      times over and nothing gained but obloquy. The doctress would never have
      yielded.
    </p>
    <p>
      She visits, and prescribes, and laughs at the law, as love is said to
      laugh at locksmiths.
    </p>
    <p>
      To be sure, in this country, a law is no law, when it has no foundation in
      justice, morality, or public policy.
    </p>
    <p>
      Happy in her position, and in her friends, she now reviews past events
      with the candor of a mind that loves truth sincerely. She went into
      Vizard's study one day, folded her arms, and delivered herself as follows:
      &ldquo;I guess there's something I ought to say to you. When I told you about
      our treatment at Edinburgh, the wound still bled, and I did not measure my
      words as I ought, professing science. Now I feel a call to say that the
      Edinburgh school was, after all, more liberal to us than any other in
      Great Britain or Ireland. The others closed the door in our faces. This
      school opened it half. At first there was a liberal spirit; but the
      friends of justice got frightened, and the unionists stronger. We were
      overpowered at every turn. But what I omitted to impress on you, is, that
      when we were defeated, it was always by very small majorities. That was so
      even with the opinions of the judges, which have been delivered since I
      told you my tale. There were six jurists, and only seven pettifoggers. It
      was so all through. Now, for practical purposes, the act of a majority is
      the act of a body. It must be so. It is the way of the world: but when an
      accurate person comes to describe a business, and deal with the character
      of a whole university, she is not to call the larger half the whole, and
      make the matter worse than it was. That is not scientific. Science
      discriminates.&rdquo;
     </p>
    <p>
      I am not sorry the doctress offered this little explanation; it accords
      with her sober mind and her veneration of truth. But I could have
      dispensed with it for one. In Britain, when we are hurt, we howl; and the
      deuce is in it if the weak may not howl when the strong overpower them by
      the arts of the weak.
    </p>
    <p>
      Should that part of my tale rouse any honest sympathy with this English
      woman who can legally prescribe, consult, and take fees, in France, but
      not in England, though she could eclipse at a public examination
      nine-tenths of those who can, it may be as well to inform them that, even
      while her narrative was in the press, our Government declared it would do
      something for the relief of medical women, but would sleep upon it.
    </p>
    <p>
      This is, on the whole, encouraging. But still, where there is no stimulus
      of faction or personal interest to urge a measure, but only such
      &ldquo;unconsidered trifles&rdquo; as public justice and public policy, there are
      always two great dangers: 1. That the sleep may know no waking; 2. That
      after too long a sleep the British legislator may jump out of bed all in a
      hurry, and do the work ineffectually; for nothing leads oftener to
      reckless haste than long delay.
    </p>
    <p>
      I hope, then, that a few of my influential readers will be vigilant, and
      challenge a full discussion by the whole mind of Parliament, so that no
      temporary, pettifogging half-measure may slip into a thin house&mdash;like
      a weasel into an empty barn&mdash;and so obstruct for many years
      legislation upon durable principle. The thing lies in a nutshell. The
      Legislature has been entrapped. It never intended to outlaw women in the
      matter. The persons who have outlawed them are all subjects, and the
      engines of outlawry have been &ldquo;certificates of attendance on lectures,&rdquo;
       and &ldquo;public examinations.&rdquo; By closing the lecture room and the examination
      hall to all women&mdash;learned or unlearned&mdash;a clique has outlawed a
      population, under the letter, not the spirit, of a badly written statute.
      But it is for the three estates of the British realm to leave off
      scribbling statutes, and learn to write them, and to bridle the egotism of
      cliques, and respect the nation. The present form of government exists on
      that understanding, and so must all forms of government in England. And it
      is so easy. It only wants a little singleness of mind and common sense.
      Years ago certificates of attendance on various lectures were reasonably
      demanded. They were a slight presumptive evidence of proficiency, and had
      a supplementary value, because the public examinations were so loose and
      inadequate; but once establish a stiff, searching, sufficient,
      incorruptible, public examination, and then to have passed that
      examination is not presumptive, but demonstrative, proof of proficiency,
      and swallows up all minor and merely presumptive proofs.
    </p>
    <p>
      There is nothing much stupider than anachronism. What avail certificates
      of lectures in our day? either the knowledge obtained at the lectures
      enables the pupil to pass the great examination, or it does not. If it
      does, the certificate is superfluous; if it does not, the certificate is
      illusory.
    </p>
    <p>
      What the British legislator, if for once he would rise to be a lawgiver,
      should do, and that quickly, is to throw open the medical schools to all
      persons for matriculation. To throw open all hospitals and infirmaries to
      matriculated students, without respect of sex, as they are already open,
      by shameless partiality and transparent greed, to unmatriculated women,
      provided they confine their ambition to the most repulsive and unfeminine
      part of medicine, the nursing of both sexes, and laying out of corpses.
    </p>
    <p>
      Both the above rights, as independent of sex as other natural rights,
      should be expressly protected by &ldquo;mandamus,&rdquo; and &ldquo;suit for damages.&rdquo; The
      lecturers to be compelled to lecture to mixed classes, or to give separate
      lectures to matriculated women for half fees, whichever those lecturers
      prefer. Before this clause all difficulties would melt, like hail in the
      dog days. Male modesty is a purely imaginary article, set up for a trade
      purpose, and will give way to justice the moment it costs the proprietors
      fifty per cent. I know my own sex from hair to heel, and will take my
      Bible oath of <i>that.</i>
    </p>
    <p>
      Of the foreign matriculated student, British or European, nothing should
      be demanded but the one thing, which matters one straw&mdash;viz.,
      infallible proofs of proficiency in anatomy, surgery, medicine, and its
      collaterals, under public examination. This, which is the only real
      safeguard, and the only necessary safeguard to the public, and the only
      one <i>the public</i> ask, should be placed, in some degree, under <i>the
      sure control of Government</i> without respect of cities; and much greater
      vigilance exercised than ever has been yet. Why, under the system which
      excludes learned women, male dunces have been personated by able students,
      and so diplomas stolen again and again. The student, male or female,
      should have power to compel the examiners, by mandamus and other stringent
      remedies, to examine at fit times and seasons. In all the <i>paper work</i>
      of these examinations, the name, and of course the sex, of the student
      should be concealed from the examiners. There is a very simple way of
      doing it.
    </p>
    <p>
      Should a law be passed on this broad and simple basis, that law will stand
      immortal, with pettifogging acts falling all around, according to the
      custom of the country. The larger half of the population will no longer be
      unconstitutionally juggled, under cover of law, out of their right to take
      their secret ailments to a skilled physician of their own sex, and
      compelled to go, blushing, writhing, and, after all, concealing and
      fibbing, to a male physician; the picked few no longer robbed of their
      right to science, reputation, and Bread.
    </p>
    <p>
      The good effect on the whole mind of woman would be incalculable. Great
      prizes of study and genius offered to the able few have always a salutary
      and wonderful operation on the many who never gain them; it would be great
      and glad tidings to our whole female youth to say, &ldquo;You need not be
      frivolous idlers; you need not give the colts fifty yards' start for the
      Derby&mdash;I mean, you need not waste three hours of the short working
      day in dressing and undressing, and combing your hair. You need not throw
      away the very seed&mdash;time of life on music, though you are unmusical
      to the backbone; nor yet on your three 'C's'&mdash;croquet, crochet, and
      coquetry: for Civilization and sound Law have opened to you one great,
      noble, and difficult profession with three branches, two of which Nature
      intended you for. The path is arduous, but flowers grow beside it, and the
      prize is great.&rdquo;
     </p>
    <p>
      I say that this prize, and frequent intercourse with those superior women
      who have won it, would leaven the whole sex with higher views of life than
      enter their heads at present; would raise their self-respect, and set
      thousands of them to study the great and noble things that are in
      medicine, and connected with it, instead of childish things.
    </p>
    <p>
      Is there really one manly heart that would grudge this boon to a sex which
      is the nurse and benefactress of every man in his tender and most
      precarious years?
    </p>
    <p>
      Realize the hard condition of women. Among barbarians their lot is unmixed
      misery; with us their condition is better, but not what it ought to be,
      because we are but half civilized, and so their lot is still very unhappy
      compared with ours.
    </p>
    <p>
      And we are so unreasonable. We men cannot go straight ten yards without <i>rewards</i>
      as well as punishments. Yet we could govern our women by punishments
      alone. They are eternally tempted to folly, yet snubbed the moment they
      would be wise. A million shops spread their nets, and entice them by their
      direst foible. Their very mothers&mdash;for want of medical knowledge in
      the sex&mdash;clasp the fatal, idiotic corset on their growing bodies,
      though thin as a lath. So the girl grows up, crippled in the ribs and
      lungs by her own mother; and her life, too, is in stays&mdash;cabined,
      cribbed, confined: unless she can paint, or act, or write novels, every
      path of honorable ambition is closed to her. We treat her as we do our
      private soldiers&mdash;the lash, but no promotion; and our private
      soldiers are the scum of Europe for that very reason, and no other.
    </p>
    <p>
      I say that to open the study and practice of medicine to women folk, under
      the infallible safeguard of a stiff public examination, will be to rise in
      respect for human rights to the level of European nations, who do not brag
      about just freedom half as loud as we do, and to respect the
      constitutional rights of many million citizens, who all pay the taxes like
      men, and, by the contract with the State implied in that payment, buy the
      clear human right they have yet to go down on their knees for. It will
      also import into medical science a new and less theoretical, but cautious,
      teachable, observant kind of intellect; it will give the larger half of
      the nation an honorable ambition, and an honorable pursuit, toward which
      their hearts and instincts are bent by Nature herself; it will tend to
      elevate this whole sex, and its young children, male as well as female,
      and so will advance the civilization of the world, which in ages past, in
      our own day, and in all time, hath, and doth, and will, keep step exactly
      with the progress of women toward mental equality with men.
    </p>
    <div style="height: 6em;">
      <br /><br /><br /><br /><br /><br />
    </div>







<pre>





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