diff options
Diffstat (limited to '36707.txt')
| -rw-r--r-- | 36707.txt | 1006 |
1 files changed, 1006 insertions, 0 deletions
diff --git a/36707.txt b/36707.txt new file mode 100644 index 0000000..eb9cf15 --- /dev/null +++ b/36707.txt @@ -0,0 +1,1006 @@ +The Project Gutenberg eBook, Charles' Journey to France, and Other Tales, +by Anna Laetitia Barbauld + + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + + + + +Title: Charles' Journey to France, and Other Tales + + +Author: Anna Laetitia Barbauld + + + +Release Date: July 11, 2011 [eBook #36707] + +Language: English + +Character set encoding: ISO-646-US (US-ASCII) + + +***START OF THE PROJECT GUTENBERG EBOOK CHARLES' JOURNEY TO FRANCE, AND +OTHER TALES*** + + +E-text prepared by Larry B. Harrison and the Online Distributed +Proofreading Team (http://www.pgdp.net) from page images generously made +available by the Digital Media Repository, Archives and Special +Collections, Ball State University Libraries +(http://libx.bsu.edu/index.php) + + + +Note: Project Gutenberg also has an HTML version of this + file which includes the original illustrations. + See 36707-h.htm or 36707-h.zip: + (http://www.gutenberg.org/files/36707/36707-h/36707-h.htm) + or + (http://www.gutenberg.org/files/36707/36707-h.zip) + + + Images of the original pages are available through the + Digital Media Repository, Archives and Special Collections, + Ball State University Libraries. See + http://libx.bsu.edu/cdm4/item_viewer.php?CISOROOT=/chapbks&CISOPTR=268&CISOBOX=1&REC=2 + + + + + +UNCLE THOMAS' STORIES FOR GOOD CHILDREN. + +[Illustration: UNCLE THOMAS.] + + +CHARLES' JOURNEY TO FRANCE, +AND OTHER TALES. + +[Illustration] + +BY MRS. BARBAULD. + + + + + + +Worcester: +Edward Livermore. +1847. + +Entered according to Act of Congress, in the year 1847, +By Edward Livermore, +In the Clerk's Office of the District Court of Massachusetts. + +Greenfield: +Merriam and Mirick, Printers. + + + + +INTRODUCTION. + +Uncle Thomas' Stories for Good Children. + + +The design of this Series of unpretending little books, is, to give to +the Young, information, joined with amusement. + +They are prepared for young children, and if, from the reading of +these stories, they acquire a love for good books, the compiler's +object will be accomplished. + + + + +Contents. + + + CHARLES' JOURNEY TO FRANCE, 9 + + THE BALL PLAYERS, 32 + + THE LITTLE BOY WHO WAS A COWARD, 39 + + MY MOTHER, 44 + + STORIES OF DOGS, 49 + + A NAUGHTY BOY, 59 + + THE SILLY LAMB, 63 + + LUCY AND HER LAMB, 71 + + + + +STORY OF A JOURNEY TO FRANCE. + + +Well, Charles, we will take a journey. We will go to France. We will +see some of the world besides home. + +Bring your hat. Good-bye, Papa. Farewell, Billy, and Harry, and every +body. We are going a great way off. And we shall go down the lane, and +through the church-yard and by the corner-house, and over the stile, +till we have got quite into the fields. How pretty the fields will +look! for it will be summer days again before we go. And there will be +yellow flowers, and white flowers, and grass, and trees, and hedges; +and the grasshoppers, will chirp, chirp, under our feet. Do not try to +catch them; it will only hinder us, and we have a great way to go. + +Pray what are those pretty creatures that look so meek and +good-natured, and have soft thick white wool upon their backs, like a +greatcoat, and make a noise like the little baby when it cries? Those +are sheep and lambs. And what are those creatures with horns, that +are bigger than the sheep? Some of them are black, and some red: they +make a loud noise, but they do not look as if they would hurt any +body. Those are cows that give milk. Stroke them. Poor cows! stand +still and look back. Now we cannot see papa's house at all; and we can +see only the top of the church steeple. Let us go a little farther. +Now look back. Now we cannot see the church at all. Farewell! We are +going a great way. Shall we ever come back again? Yes, we shall come +back again; but we must go on now. Come, make haste. + +What is that tall thing that has four great arms which move very fast? +I believe, if I was near it, they would strike me down. It is a +wind-mill. Those arms are the sails. The wind turns them round. And +what is a wind-mill for? It is to grind corn. You could have no bread +if the corn were not ground. Well, but here is a river; how shall we +do to get over it? Why, do you not see how those ducks do? they swim +over. But I cannot swim. Then you must learn to swim, I believe: it is +too wide to jump over. O, here is a Bridge! Somebody has made a +bridge for us quite over the river. That somebody was very good, for I +do not know what we should have done without it; and he was very clever +too. I wonder how he made it. I am sure I could not make such a bridge. + +[Illustration: Well, but here is a river.--_Page 12._] + +Well, we must go on, on, on; and we shall see more rivers, and more +fields, and towns bigger than our town a great deal--large towns, and +fine churches, streets, and people--more than there is at the fair. +And we shall have a great many high hills to climb. I believe I must +get somebody to carry the little boy up those high hills. And +sometimes we shall go through dusty sandy roads; and sometimes through +green lanes, where we shall hear the birds sing. + +[Illustration] + +Sometimes we shall go over wide commons, where we shall see no trees, +nor any house; and large heaths, where there is hardly any +grass--only some purple flowers, and a few black nosed little sheep. +Ha! did you see that pretty brown creature that ran across the path? +Here is another; and look! there is another; there are a great many. +They are rabbits. They live here, and make themselves houses in the +ground. This is a rabbit-warren. + +Now we are come amongst a great many trees--more trees than there are +in the orchard by a great many, and taller trees. There is oak, and +ash, and elm. This is a wood. What great boughs the trees have! like +thick arms. The sun cannot shine amongst the trees, they are so +thick. Look, there is a squirrel! Jumping from one tree to another. He +is very nimble. What a pretty tail he has! + +Well; when we have gone on a great many days, through a great many +fields and towns, we shall come to a great deep water, bigger a great +many times than the river, for you can see over the river, you +know--you can see fields on the other side; but this is so large, and +so wide, you can see nothing but water, water, as far as ever you can +carry your eyes. And it is not smooth, like the river; it is all +rough, like the great pot in the kitchen when it is boiling; and it is +so deep, it would drown you, if you were as tall as two church +steeples. I wonder what they call this great water? There is an old +fisherman sitting upon a stone drying himself; for he is very wet. I +think we will ask him. Pray, fisherman, what is this great water? It +is the sea: did you never hear of the sea? What! is this great water +the same sea that is on our map at home? Yes, it is. Well, this is +very strange! we are come to the sea that is in our map. But it is +very little in the map. I can lay my finger over it. Yes; it is +little in the map, because every thing is little in the map, the towns +are little, and the houses are little. + +Pray, fisherman, is there any thing on the other side of this sea? +Yes; fields, and towns, and people. Will you go and see them? I should +like to go very well; but how must we do to get over? for there is no +bridge here. Do not you see those great wooden boxes that swim upon +the water? They are bigger than all papa's house. There are tall poles +in the middle, as high as a tree. Those are masts. See! now they are +spreading the sails. Those white sheets are the sails. They are like +wings. These wooden boxes are like houses with wings. Yes, and I will +tell you what, little boy! they are made on purpose to go over the +sea; and the wind blows them along faster than a horse can trot. What +do they call them? They call them ships. You have seen a ship in a +picture. Shall we get in? What have those men in the ship got on? They +have jackets and trowsers on, and checked shirts. They are sailors. I +think we will make you a sailor; and then instead of breeches you must +have a pair of trowsers. Do you see that sailor, how he climbs up the +ropes? He runs up like a monkey. Now he is at the top of the mast. How +little he looks! but we must get in. Come, make haste: they will not +stay for us. What are you doing? picking up shells! We must get into a +boat first, because the ship is not near enough. Now we are in. + +Now we are upon the great sea. Blow, blow, wind! Sail away, ship! +There are little rooms in the ship. Those little rooms are called +cabins. Let us walk about, and look at the ship. Why, you cannot walk +steady; I am afraid you are tipsy! because the ship rolls about. But +the sailors can walk steady. The sea is not like the river; it is +greenish. Well, here is water enough if we should be thirsty. Yes, +here is water enough; but you would not like to drink it. It is salt +and bitter. You could not drink it. How fast we go! Now the fields are +a great way off. Now we cannot see any green fields at all, nor any +houses, nor any thing but the great deep water. It is water, all round +as far as ever we can see. Yes, and sky; we can see the sky too. All +sky over our heads, and all water every where round us! Do not be +afraid, little boy! blow, blow, wind! sail away, ship! I see some +things in the sea at a great distance. Those are more ships and boats. +How very small they are! they look like nut shells in a great pond. O, +now we are coming to the green fields and towns on the other side of +the sea! I can see them a little. Now I can see them very plain. And +here is a little piece of green land, with the water running all round +it. That is an island. A piece of land with water all round it, is an +island. But we are not going there; we are going to the great land. + +Now we are at the land. Get out of the ship. Pray, what country is +this? This is France. France! why France is in the map too. + +And pray what is the name of that country we came from, where we live, +and where papa lives? It is England. And the deep sea is between +France and England? Yes, you know it is so in the map. + +[Illustration: THE SHIP CHARLES CAME HOME IN.] + +O, France is a pretty place! it is warmer than our country: and here +are pretty flowers and fine fruit, and large grapes. I never saw such +large grapes in all my life. And the vines grow in the fields; they do +not grow against walls, as our vines do. And there are a great many +people, men and women, and little boys and girls, singing, and dancing +about, and so merry! nothing can be like it. I think we will live +here, and send for papa and Arthur. Let us go and talk with those +people. Here, you little girl! pray give us some of your nice fruit. +_Serviteur Monsieur._ What do you say, little girl? I do not +understand you. I cannot help that. Here is an old man cutting vines; +we will speak to him. Pray, old man, will you give us some of your +fruit? We are come a great way to see you. _Serviteur Monsieur._ What +do you say? We do not know what _Serviteur Monsieur_ is. It is French. +But we do not understand French. I cannot help that; you must go home +and learn. And why do you speak French? Because this is France. Did +not you know that every body speaks French in France! Ha, ha, ha! He, +he, he! Ho, ho, ho! Here is a foolish little boy come a great way over +the sea, and does not know that every body speaks French in France. +Ha, ha, ha! He, he he! Ho, ho, ho! Here is a foolish little boy come +a great way over the sea, and does not know that every body speaks +French in France. Ha, ha, ha! He, he, he! Ho, ho, ho! Here is a +foolish little boy come a great way over the sea, and does not know +that every body speaks French in France. Ha, ha, ha! He, he, he! Ho, +ho, ho!--What shall we do, little boy? every body laughs at us; and +all the little birds twitter and chirp at us. We will go home again. +Farewell, France! We will not go to France again till papa has taught +us to talk French. Let us go into the ship again. Blow, wind, sail +away ship! Now we are got back again. Pray, papa, teach the little boy +French before he goes a great way abroad again. + +[Illustration] + + + + +THE BALL PLAYERS. + + + Up goes the ball with might and main, + And soon it cometh down again; + Ups and down, I've heard them say + For many a year, is the world's way! + + Up goes the ball,--like a goblet-cup; + Hold your hand as you send it up! + Down it comes,--ere it reach the ground, + Catch the ball so firm and round. + + An up and down, that is the way, + With a good round ball, that you must play; + Up, high as you can, then down again, + Five and five, and a double ten. + +[Illustration] + + The world is a ball, and every star, + And the sun himself, great balls they are; + Round they go, and round about, + Ever and ever, yet ne'er are out! + + Up goes the ball! Oh, if I threw + Up to the very sky so blue, + Up to the moon, or to Charles Wain, + 'Twould be long ere the ball came down again! + + An up and down--that is the way, + With a good round ball, that you must play; + Up, high as you can, and down again, + Ten and ten, and six times ten! + + Face to the shade, and back to the shine; + Send up your balls with a toss like mine, + Straight as a dart, as if 't were cast + From the spring of a mighty arbalast. + +[Illustration] + + There it goes! good luck to the ball! + Here it comes, with a plumping fall; + How merry it is, our balls to throw, + Standing together thus in a row! + + An up and a down, that is the way, + With a good round ball, that you must play; + Up, high as you can, and down again, + Now, we have counted ten times ten. + +[Illustration] + + + + +[Illustration: He was afraid of dogs, too.--_Page 40._] + +THE LITTLE BOY WHO WAS A COWARD. + + +There was once a little boy, who was a sad coward. He was afraid of +every thing almost. He was afraid of the two kids, Nanny and Billy, +when they came and put their noses through the pales of the court; and +he would not pluck Billy by the beard. What a silly boy he was! Pray +what was his name? Nay, indeed, I shall not tell you his name; for I +am ashamed of him. Well, he was much afraid of dogs, too: he always +cried if a dog barked, and ran away, and took hold of his mamma's +apron like a baby. What a foolish fellow he was! for the dogs do not +hurt, you know; they love little boys and play with them. Did you ever +see a dog eat up a little boy? No, never, I dare say. Well; so this +simple little boy was walking by himself one day, and a pretty black +dog came out of a house, and said, bow, wow, bow, wow; and came to the +little boy, and jumped upon him, and wanted to play with him; but the +little boy ran away. The dog ran after him, and cried louder, bow, +bow, wow; but he only meant to say, Good-morrow, how do you do? but +this little boy was sadly frightened, and ran away as fast as ever he +could, without looking before him, and he tumbled into a very dirty +ditch, and there he lay crying at the bottom of the ditch, for he +could not get out: and I believe he would have laid there all day, but +the dog was so good-natured that he went to the house where the little +boy lived, on purpose to tell them where he was. So, when he came to +the house, he scratched at the door, and said, Bow, wow; for he could +not speak any plainer. So they opened the door. + +What do you want, you black dog? We do not know you. Then the dog went +to Ralph the servant, and pulled him by the coat, and pulled him till +he brought him to the ditch; and the dog and Ralph together got the +little boy out of the ditch; but he was all over mud, and quite wet, +and every body laughed at him because he was a coward. + +Now, Charles, my pen is tired, I cannot write any more at present; but +if you are a good boy, perhaps I may write you some more stories +another time. Farewell. + + + + +[Illustration] + +MY MOTHER. + + + My own mamma! + My dear mamma! + How happy I shall be, + To-morrow night + At candle light, + When she comes home to me. + + 'Tis just a week, + Since on my cheek, + She pressed a parting kiss, + It seems like two, + I never knew, + So long a week as this. + + My tangled hair + She smoothed with care, + With water bathed my brow, + And all with such + A gentle touch-- + There's none to do so now. + + I cannot play + When she's away, + There's none to laugh with me, + And much I miss + The tender kiss-- + The seat upon her knee. + + When up to bed + I'm sorrowing led, + I linger on the stairs; + I lie and weep; + I cannot sleep; + I scarce can say my prayers. + + But she will come, + She'll be at home + To-morrow night, and then + I hope that she + Will never be + So long away again. + + + + +[Illustration] + +STORIES OF DOGS. + + +Dogs are very useful creatures, and they are much attached to man. +Some of them will play with little boys, will run after a ball and +bring it back to their playfellow. Spaniels or water dogs will bring +sticks which are thrown into the water. Some carry baskets. They do +many useful and amusing things for their masters. + +There is a large house upon the top of a mountain, in Italy, in which +a great many people live, called monks. The house is called a convent. +These monks have a very fine breed of dogs, called the dogs of St. +Bernard. They are a very large fine looking dog, very strong and very +bold, and yet very kind. Not cross, like some of the little curs, we +see every day. These dogs are trained to go down the mountains, and if +they find any travelers, who have lost their way in the deep snow, or +who are unable to get to the convent, these dogs help them. One of +them in ranging about the mountain a few years ago, met with a poor +little boy, almost dead with cold and hunger, and so benumbed that he +could not walk. + +[Illustration] + +The dog made signs to him, so as to make him understand, that he wanted +him to get up upon his back, which after much trouble, the poor little +boy did, and the dog carried him to the convent, where he was put into a +warm bed, and taken so good care of, that he was soon quite well. + +All dogs, however, are not like the good dogs of St. Bernard. Some are +very vicious. Such dogs are dangerous animals, and certainly should +not be permitted to go unchained. + +[Illustration: He rushed into the parlor, where all the family were at +tea. _Page 55._] + +There was an instance of great ferocity on the part of a dog exhibited +not long since, in the streets of New York. A horse belonging to a poor +drayman, got free from the halter with which he was fastened, and +started for home. The drayman as soon as he found the horse gone, +went in pursuit and called upon the people in the streets to stop his +horse. A bull-dog also taking the alarm pursued the horse, and soon +coming up with him, seized the poor animal by the upper lip. The horse, +terribly frightened, ran along several streets, the dog all the time +hanging to his lip. At length a crowd collecting prevented his farther +progress; and to escape being caught, and frantic with pain and fear, he +rushed into a hardware shop, and thence into the parlor where all the +family were at tea. After turning over the chairs and table, they were +driven back into the shop, when every exertion was made in vain by the +owner of the horse, and several others to release the animal from the +gripe of the tormentor. At last one of the company with a knife put an +end to the dog's existence, thus releasing the poor horse. + +[Illustration] + + + + +[Illustration] + +STORY OF A NAUGHTY BOY. + + +There was a naughty boy; I do not know what his name was, but it was +not Charles, nor George, nor Arthur, for those are all very pretty +names: but there was a robin came in at his window one very cold +morning--shiver--shiver; and its poor little heart was almost frozen +to death. And he would not give it the least little crumb of bread in +the world, but pulled it about by the tail, and hurt it sadly, and it +died. Now a little while after, the naughty boy's papa and mamma went +away and left him, and then he could get no victuals at all, for you +know he could not take care of himself. So he went about to every +body--Pray give me something to eat, I am very hungry. And every body +said, No, we shall give you none, for we do not love cruel, naughty +boys. So he went about from one place to another, till at last he got +into a thick wood of trees, for he did not know how to find his way +any where; and then it grew dark, quite a dark night. So he sat down +and cried sadly; and he could not get out of the wood; and I believe +the bears came and eat him up in the wood, for I never heard any thing +about him afterwards. + +[Illustration] + + + + +[Illustration] + +STORY OF THE SILLY LAMB. + + +I will tell you a story about a lamb. There was once a shepherd, who +had a great many sheep and lambs. He took a great deal of care of +them, and gave them sweet fresh grass to eat, and clear water to +drink; and if they were sick he was very good to them, and when they +climbed up a steep hill, and the lambs were tired, he used to carry +them in his arms; and when they were all eating their suppers in the +field, he used to sit upon a stile, and play them a tune, and sing to +them; and so they were the happiest sheep and lambs in the whole +world. But every night this shepherd used to pen them up in a fold. Do +you know what a sheepfold is? Well, I will tell you. It is a place +like the court; but instead of pales there are hurdles, which are made +of sticks that will bend, such as osier twigs; and they are twisted +and made very fast, so that nothing can creep in, and nothing can get +out. Well, and so every night, when it grew dark and cold, the +shepherd called all his flock, sheep and lambs, together, and drove +them into the fold, and penned them up, and there they lay, as snug +and warm and as comfortable as could be, and nothing could get into +and hurt them, and the dogs lay round on the outside to guard them, +and to bark if any body came near; and in the morning the shepherd +unpenned the fold, and let them all out again. + +Now they were all very happy, as I told you, and loved the shepherd +dearly that was so good to them--all except one foolish little lamb. And +this lamb did not like to be shut up every night in the fold; and she +came to her mother, who was a wise old sheep, and said to her, I wonder +why we are shut up so every night! the dogs are not shut up, and why +should we be shut up? I think it is very hard, and I will get away if I +can, I am resolved, for I like to run about where I please, and I think +it is very pleasant in the woods by moonlight. Then the old sheep said +to her, you are very silly, you little lamb, you had better stay in the +fold. The shepherd is so good to us, that we should always do as he bids +us; and if you wander about by yourself, I dare say you will come to +some harm. I dare say not, said the little lamb: and so when the evening +came, and the shepherd called them all to come into the fold, she would +not come, but crept slily under a hedge and hid herself; and when the +rest of the lambs were all in the fold and fast asleep, she came out and +jumped, and frisked, and danced about; and she got out of the field, and +got into a forest full of trees, and a very fierce wolf came rushing out +of a cave and howled very loud. Then the silly lamb wished she had been +shut up in the fold; but the fold was a great way off,--and the wolf +saw her, and seized her, and carried her away to a dismal dark den, all +covered with bones and blood; and there the wolf had two cubs, and the +wolf said to them, Here, I have brought you a young fat lamb--and so the +cubs took her, and growled over her a little while, and then tore her to +pieces, and ate her up. + +[Illustration] + + + + +[Illustration] + +LUCY AND HER LAMB. + + + Lucy had a little lamb, + Its fleece was white as snow, + And every where that Lucy went, + The lamb was sure to go. + + He followed her to school one day; + That was against the rule; + It made the children laugh and play, + To see the lamb at school. + + And so the teacher turned him out, + But still he lingered near: + And waited patiently about, + Till Lucy did appear. + + And then he ran to her, and laid + His head upon her arm, + As if he said, "I'm not afraid; + You'll shield me from all harm." + + "What makes the lamb love Lucy so?" + The little children cried; + "Because she loves the lamb, you know," + The teacher quick replied. + + "And you, each gentle animal, + In confidence may bind, + And make them follow at your call, + If you are always kind." + + + + + UNCLE THOMAS' STORIES FOR + GOOD CHILDREN. + + + POETICAL TALES. BY MARY HOWITT. + + STORIES ABOUT ANIMALS. BY UNCLE THOMAS. + + STORIES OF THE MONTHS. BY MRS. BARBAULD. + + CHARLES' JOURNEY TO FRANCE. BY MRS. BARBAULD. + + PHEBE, THE BLACKBERRY GIRL. + + GRIMALKIN AND LITTLE FIDO. + + +[Illustration] + + + +***END OF THE PROJECT GUTENBERG EBOOK CHARLES' JOURNEY TO FRANCE, AND +OTHER TALES*** + + +******* This file should be named 36707.txt or 36707.zip ******* + + +This and all associated files of various formats will be found in: +http://www.gutenberg.org/dirs/3/6/7/0/36707 + + + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution. + + + +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase "Project +Gutenberg"), you agree to comply with all the terms of the Full Project +Gutenberg-tm License (available with this file or online at +http://www.gutenberg.org/license). + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. "Project Gutenberg" is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" +or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase "Project Gutenberg" appears, or with which the phrase "Project +Gutenberg" is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase "Project Gutenberg" associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +"Plain Vanilla ASCII" or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.org), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original "Plain Vanilla ASCII" or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, "Information about donations to + the Project Gutenberg Literary Archive Foundation." + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +"Defects," such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right +of Replacement or Refund" described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need are critical to reaching Project Gutenberg-tm's +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation web page at http://www.gutenberg.org/fundraising/pglaf. + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation's EIN or federal tax identification +number is 64-6221541. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state's laws. + +The Foundation's principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at +809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email +business@pglaf.org. Email contact links and up to date contact +information can be found at the Foundation's web site and official +page at http://www.gutenberg.org/about/contact + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit http://www.gutenberg.org/fundraising/donate + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including checks, online payments and credit card donations. +To donate, please visit: +http://www.gutenberg.org/fundraising/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart is the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For thirty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + +Most people start at our Web site which has the main PG search facility: + + http://www.gutenberg.org + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. + |
