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diff --git a/36731-h/36731-h.htm b/36731-h/36731-h.htm new file mode 100644 index 0000000..9a57106 --- /dev/null +++ b/36731-h/36731-h.htm @@ -0,0 +1,9488 @@ +<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" + "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd"> + +<html xmlns="http://www.w3.org/1999/xhtml"> + <head> + <meta http-equiv="Content-Type" content="text/html;charset=iso-8859-1" /> + <title> + The Project Gutenberg eBook of Tales of The Wonder Club, by Dryasdust. + </title> + <style type="text/css"> + + p { margin-top: .75em; + text-align: justify; + margin-bottom: .25em; + } + h1,h2,h3,h4,h5,h6 { + margin-top: 2em; + text-align: center; /* all headings centered */ + clear: both; + } + hr { width: 70%; + margin-top: 2em; + margin-bottom: 2em; + margin-left: auto; + margin-right: auto; + clear: both; + } + + table {margin-left: auto; margin-right: auto;} + + body{margin-left: 5em; + min-width: 50em; + margin-right: 5em; + } + + .pagenum { /* uncomment the next line for invisible page numbers */ + /* visibility: hidden; */ + position: absolute; + left: 1em; + font-size: smaller; + color: gray; + text-align: left; + } /* page numbers */ + + .charnam {position: absolute; top: auto; left: 5em; font-variant: small-caps;} + .ralign {position: absolute; top: auto; left: 35em;} + .blockquot{margin-top: 1.25em; margin-bottom: .75em; text-indent: 2.5em;} + .bblockquot{margin-top: 1.5em; margin-bottom: 1.5em;} + .iblockquot{margin-left:5em; margin-right:5em; text-indent: -5em; margin-top: 2em; margin-bottom: 1em;} + + .center {text-align: center;} + .right {text-align: justify; margin-left:12em; margin-right: 2em; text-indent: -2em; margin-top: 0em;} + .smcap {font-variant: small-caps;} + .u {text-decoration: underline;} + + .caption {font-weight: bold;} + + .figcenter {margin: auto; text-align: center;} + + .poem {margin-left:10em; text-align: left;} + .notebox {border: solid 2px; padding: 1em; margin-left: 10em; margin-right: 10em; background: #CCCCB2; font-size: smaller;} + + </style> + </head> +<body> + + +<pre> + +The Project Gutenberg EBook of Tales of the Wonder Club, Volume III, by +M. Y. Halidom (pseud. Dryasdust) + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: Tales of the Wonder Club, Volume III + +Author: M. Y. Halidom (pseud. Dryasdust) + +Release Date: July 14, 2011 [EBook #36731] + +Language: English + +Character set encoding: ISO-8859-1 + +*** START OF THIS PROJECT GUTENBERG EBOOK TALES OF THE WONDER CLUB *** + + + + +Produced by Greg Weeks and the Online Distributed +Proofreading Team at http://www.pgdp.net + + + + + + +</pre> + + + +<div class="figcenter" style="width: 1024px;"> +<a name="Frontispiece" id="Frontispiece"></a> +<img src="images/dtwc000p0.jpg" width="1024" height="667" alt="The Abduction" title="The Abduction" /> +</div> + +<hr style="width: 80%;" /> +<div class="figcenter" style="width: 670px;"> +<a name="Title" id="Title"></a> +<img src="images/dtwc000p1.jpg" width="670" height="1024" alt="The Fire" title="The Fire" /> +</div> + +<hr style="width: 80%;" /> + +<h1>TALES OF<br /> +THE WONDER CLUB.</h1> + +<p> </p> +<h5>BY</h5> +<h2>DRYASDUST.</h2> + +<p> </p> +<h2>VOL. III.</h2> +<p> </p> + +<h5>ILLUSTRATED BY</h5> + +<h3><span class="smcap">JOHN JELLICOE and VAL PRINCE,</span></h3> + +<h4><span class="smcap">After Designs by the Author.</span></h4> + +<p> </p> +<h4>HARRISON & SONS, 59, PALL MALL,<br /> +<small><i>Booksellers to the Queen and H.R.H. the Prince of Wales.</i><br /> +<br /> +<i>All rights reserved.</i></small></h4> + + +<hr style="width: 80%;" /> +<p> </p> +<h5>LONDON:<br /> +PRINTED BY A. HUDSON AND CO.,<br /> +160 WANDSWORTH ROAD, S.W.</h5> +<p> </p> + + +<hr style="width: 80%;" /> +<h2>LIST OF ILLUSTRATIONS.</h2> + + +<div class='center'> +<table border="0" cellpadding="2" cellspacing="0" summary=""> +<tr><td align='left'> </td><td align='right'><small>PAGE</small></td></tr> +<tr><td align='left'><span class="smcap">The Abduction</span></td><td align='right'><a href="#Frontispiece"><i>Frontispiece</i></a></td></tr> +<tr><td align='left'><span class="smcap">The Fire</span></td><td align='right'><a href="#Title"><i>Title Page</i></a></td></tr> +<tr><td align='left'><span class="smcap">The Curiosity Shop</span></td><td align='right'><a href="#Preface"><i>Preface</i></a></td></tr> +<tr><td align='left'><span class="smcap">The Gipsy Queen</span></td><td align='right'><a href="#p389">389</a></td></tr> +<tr><td align='left'><span class="smcap">The Duel</span></td><td align='right'><a href="#p603">603</a></td></tr> +<tr><td align='left'><span class="smcap">The Quaker</span></td><td align='right'><a href="#p658">658</a></td></tr> +</table></div> + + +<hr style="width: 80%;" /> +<div class="figcenter" style="width: 683px;"> +<a name="Preface" id="Preface"></a> +<img src="images/dtwc005p.jpg" width="683" height="1024" alt="The Curiosity Shop" title="The Curiosity Shop" /> +</div> + + +<hr style="width: 80%;" /> +<p><span class='pagenum'>v</span></p> +<h2>PREFACE TO VOL. III.</h2> + + +<p>Before taking leave of his readers, the author would +inform them that at the commencement of these +"Tales," the earlier ones dating some thirty years back, +nothing was further from his intentions than rushing +into print, although repeatedly persuaded to do so by +certain well-meaning friends, who from time to time +were permitted to peruse the hidden MSS. The tales, +nearly all of them, were written when the author was +living abroad, and to beguile a period of enforced +idleness, which otherwise would have been intolerable.</p> + +<p>Never in his wildest dreams did he meditate inflicting +them on the public mind. Partly, it may be, that he +thought with Lord Tennyson, that "fame is half disfame," +and that "in making many books there is no +end," as Solomon teaches. Or it may be that he didn't +care to augment that already numerous class who are +said "to rush on where angels fear to tread." However +this might be, time passed and the tales began to +accumulate, when the author conceived the idea of +stringing them together in a decameron, and later still<span class='pagenum'>vi</span> +of illustrating them with his own designs. Still years +rolled on, and the tales, long abandoned, were consigned +to the limbo of a mysterious black box, where they +remained all but forgotten till many years later.</p> + +<p>"Why on earth don't you publish them?" was the +constant cry of those few who were taken into the +writer's confidence.</p> + +<p>The author answered by a modest shrug of self-depreciation, +and still the unfinished MSS. lay at the +bottom of the black box. The fact was that a weight +of inertia oppressed him, added to a total lack of +experience in business matters of this kind, which prevented +him from taking the first step. He recoiled +from the thought of calling on a publisher and presenting +his own MSS., and being occupied in other +ways besides writing, he begrudged the time lost in +hunting up printers, publishers, and engravers, together +with all the delays <i>contretemps</i>, and disappointments +attendant on red tape.</p> + +<p>What he wanted was a factotum, "an all round +man," who would take, so to speak, the dirty work off +his hands. Where was such a man to be found? He +knew of none. The author is a man of unusually +retired habits, and associates with but few of his kind. +By proclaiming his want openly, doubtless, many would +have presented themselves for the task, but in matters +of this sort a certain amount of intimacy with the +person employed seems to be necessary; at least, so +the author thought, and thus time rolled on, and the<span class='pagenum'>vii</span> +"Tales" were no nearer publication than they were +years ago, and might still have remained in this state +for years longer but for an unforeseen incident. One +morning, whilst taking a constitutional in a neighbouring +suburb, the author's attention was attracted by +a strange-looking stringed instrument of undoubted +antiquity, in the window of an old curiosity shop. He +would enquire the price of it. The proprietor, a weasel-faced +little man, with a polished bald head, foxy beard +streaked with grey, and a nose rather red at the tip, +stood at the door of his shop. His ferret eyes spotted +a customer.</p> + +<p>"What is the price of that instrument?"</p> + +<p>"One guinea."</p> + +<p>"I'll take it. Wrap it up in paper."</p> + +<p>"Right you are, sir. Good morning, sir. Thank +you."</p> + +<p>And off trudged the author with this new acquisition +to his collection of curios.</p> + +<p>Little did he imagine at the time what an important +part this same weasely little man was destined to play in +the drama of his every day life. Soon after this a +second visit was paid to the shop. It was a strange +place, choked with odd lumber, where any curio might +be obtained, from a mermaid to a mummy. A stuffed +crocodile hung in the window. There were cases of +stuffed birds and animals, dummies in costume, old +pictures, antique furniture, armour, weapons, coins, and +postage stamps. A third and fourth visit succeeded,<span class='pagenum'>viii</span> +and after almost every visit the author's collection was +enriched by some new curio. At length, so frequent +became these visits to the curio shop, that hardly a day +passed without the author putting in an appearance. +Some two years may thus have passed away, during +which time the author had ample opportunity of studying +this human weasel. He learned that he was a +bum-bailiff, a commission agent, etc., ready to undertake +any odd job for money.</p> + +<p>Here, then, at last, was the very man. The author +accordingly propounded his plan of publishing the +"Tales." That weasel nose sniffed business. With +alacrity he seized the MSS., and donning a new top +hat, which he did whenever he desired to create an +impression of respectability, he climbed to the top of a +'bus, and was soon landed in the thick of our metropolis. +From that time all has been comparatively plain +sailing. "<i>Ce n' est que le premier pas qui coûte</i>," and +cost it did, readers, you may be certain of that.</p> + +<p style='text-align: right'> +<span class="smcap">The Author</span>.</p> + + +<hr style="width: 80%;" /> +<div class="figcenter" style="width: 1024px;"> +<a name="p389" id="p389"></a> +<img src="images/dtwc389p.jpg" width="1024" height="707" alt="The Gipsy Queen" title="The Gipsy Queen" /> +</div> + + +<hr style="width: 80%;" /> +<p><span class='pagenum'>389</span></p> +<h2>CHAPTER VI.</h2> + +<h4><span class="smcap">The Gipsy Queen.—Mr. Blackdeed's New Play.</span></h4> + + +<p>It was Monday morning. Our members assembled +as usual at the breakfast table, after which the host +entered with the newspaper, to show his guests an +account of some political event of great importance. +The appearance of a newspaper in the club was a thing +of great rarity, as we have already hinted that politics +were only permitted occasionally on sufferance. As +Mr. Oldstone was commonly looked up to as the head +of the club, if not altogether on account of his age, +still as one who was most rigid against any infringement +of discipline and decorum, each member glanced +timidly towards this worthy, as if to ask his consent +and absolution, which having given with a solemn +nod of his head, the other members seized with eagerness +the mystic folio, and having spread it out upon +the table, huddled one behind the other to get the first +look at its contents.</p> + +<p>As for our artist, he had "metal more attractive," as +Mr. Blackdeed might have observed. Nothing would +satisfy him but a good long sitting from his enchantress,<span class='pagenum'>390</span> +Helen. So stealing from the company, engrossed as +they were with their politics, he retired to his chamber, +where he set his palette; and, placing Helen's portrait +on the easel, he called his model, who came without +much pressing, and having placed her in the old carved +high-backed chair, he commenced work. The portrait +waxes apace. Our host's daughter is in her very best +looks. The painter's hand is inspired not merely by +the love of art—great, though that love undoubtedly is +with all artists—but spurred on by another, perhaps +more powerful feeling, which lends such temper to our +artist's ordinary faculties, as to render the painter himself, +a rare occurrence, utterly amazed at his own powers. +The first hour passes away like five minutes. Scarce a +word has been spoken on either side. To those who +feel they love, few words are necessary, and in many +cases, perhaps the fewer the better. This was a case in +point. Our couple loved. Why should we deny it? +How futile, indeed, for lovers themselves to deny it to +the world? How utterly hopeless a task it is for lovers +to attempt to conceal their love one for the other, even +<i>when</i> they intend to do so! Murder will out sooner or +later. In this, as in many other cases, love given vent +to in words could be productive of no good to either +party; and, therefore, as we said before, the fewer +words spoken, the better.</p> + +<p>But what do I say? Will nature be subdued by +mere obstinate silence? Will not the trampled down +heart rebel and burst its fetters, seeking an outlet in the<span class='pagenum'>391</span> +powerful upheavings of the breast; the electric flashes +of the impassioned eye that the strongest efforts of our +feeble will in vain endeavour to render cold and indifferent; +the involuntary blush, the haggard cheek, the +pensive look; the smothered sigh—have they no language? +Nay, your very silence speaks for itself. Oh, +youth! if you would hide your passion, do so by flight, +there is no other way.</p> + +<p>This is what McGuilp felt. As for Helen, poor +child, her virgin heart was a stranger to the tender +passion. She had heard of love, but just heard of it +vaguely as the world speaks of it, without being able to +realise its power. She would have been incapable of +analysing her own feelings, but a mysterious languishing +softness welled forth from her large blue eyes, which +whispered to the painter's heart things that it dare not +acknowledge to her own. Strange, awful, mysterious +passion; instilling thy subtle poison into the veins of +thy willing victims. Merciless poisoned dart! Swift as +thou art deep, inextricable as thou art unerring—who +can escape thee?</p> + +<p>But let us leave the enamoured couple to themselves +for a while. Far be it from us to play the spy upon +their actions, and let us return to the club-room, where +the members, having exhausted their newspaper, are +interrupted in the midst of a political discussion by an +authorative thump on the table from Mr. Oldstone, who +reminds the company that Mr. Blackdeed has not yet +discharged his debt to the club—viz., the recital of his<span class='pagenum'>392</span> +new play, that he had just finished preparing for the +stage.</p> + +<p>"Ay, ay, the play, the play!" shouted several voices.</p> + +<p>"Now then. Blackdeed," said Parnassus, "the play +is the thing, you know."</p> + +<p>Our dramatist, with some show of modest reluctance, +or, as Mr Parnassus observed, "with sweet reluctant +amorous delay," produced his manuscript from his +ample pocket, inwardly, nothing loath to declaim his +late effusion before the august assembly, seated himself +with an air of dignity, and having waited till the whole +club was fairly settled, and all attention, he thus began:</p> + + + +<h3>THE GIPSY QUEEN.</h3> + + +<h4>DRAMATIS PERSONÆ.</h4> + + +<div class='center'> +<table border="0" cellpadding="2" cellspacing="0" summary=""> +<tr><td align='left'><span class="smcap">Don Diego</span>.</td></tr> +<tr><td align='left'><span class="smcap">Don Silvio</span>.</td></tr> +<tr><td align='left'><span class="smcap">Don Pascual</span>, son of Don Diego, in love with Inez.</td></tr> +<tr><td align='left'><span class="smcap">Pedro</span>, servant to Don Silvio.</td></tr> +<tr><td align='left'><span class="smcap">Juan</span>, servant to Don Diego.</td></tr> +<tr><td align='left'><span class="smcap">Don Alfonso</span>, friend to Don Pascual, and student of Salamanca.</td></tr> +<tr><td align='left'><span class="smcap">Donna Inez</span>, only daughter of Don Silvio.</td></tr> +<tr><td align='left'><span class="smcap">Donna Rodriguez</span>, nurse to Donna Inez.</td></tr> +<tr><td align='left'><span class="smcap">Lady Abbess</span>, sister to Don Silvio.</td></tr> +<tr><td align='left'><span class="smcap">Gipsy Queen</span>, Pepa.</td></tr> +<tr><td align='left'><span class="smcap">Miguel</span>, a Priest.</td></tr> +<tr><td align='left'>Another Priest, Gipsies, Soldiers, Guests, Attendants, and Populace.</td></tr> +<tr><td align='left'>The Scene is laid in Spain in the mountains of Grenada. In Scene III. of Act I., in Salamanca.</td></tr> +</table></div> + +<p><span class='pagenum'>393</span></p> + +<h4>ACT I.</h4> + +<p class="iblockquot"><span class="smcap">Scene I.</span>—<i>Study of Don Silvio, with large open window, +through which is seen the castle of Don Diego on +the opposite mountain peak. Don Silvio is discovered +at a table covered with books, papers, and scientific +instruments. Strewn about the floor and on shelves +are various objects of natural science. Don Silvio +closes a book he has been reading and advances.</i></p> + +<div class="poem"> +<p> +<span class="charnam">D. Sil.</span> In vain the consolations of deep science,<br /> +The chiding voice of grave philosophy,<br /> +To wean us from our earthly fond affections,<br /> +When once deep-rooted in our bosom's core.<br /> +Paternal love, surviving youthful passion,<br /> +As autumn's deep'ning tints the summer's green,<br /> +Remains mature till the cold wintry blast<br /> +Of death hath scattered its last quivering leaf,<br /> +And driven us, whither? I have a daughter,<br /> +Than whom no saint in heaven purer is.<br /> +Fair and virtuous Inez! Sole object left<br /> +Me now to love on earth of all my kin.<br /> +An old man's pride, and only legacy<br /> +Of my late spouse, the sainted Dorothea.<br /> +Who, giving birth to this fair angel, left,<br /> +After ten years of childless married life,<br /> +This, my poor helpless babe, but in exchange<br /> +For her own precious self. Long unconsoled<br /> +For this, my doleful loss, I sought once more<br /> +<span class='pagenum'>394</span>Relief from sorrow in those studies deep,<br /> +Abandoned since my manhood's prime, when I<br /> +In Salamanca's university,<br /> +Did strive for honors, my child consigning<br /> +To a certain faithful old retainer,<br /> +The good Rodriguez, who in lieu of mother<br /> +Did rear the tender babe until it grew<br /> +To years maturer, when I thought it fit<br /> +To rescue her from out the hands of one<br /> +Who, whatsoe'er her care maternal be,<br /> +Is yet too full of vanity to make<br /> +A good instructress to my only child,<br /> +Whom I designed to educate in mode<br /> +Far different from that in which Rodriguez<br /> +And all her worldly tribe would seek to do.<br /> +With this my aim in view, I took the child<br /> +Away from home whilst yet her mind was tender,<br /> +And placing her under my sister's care,<br /> +The Lady Abbess of Saint Ursula—<br /> +A convent distant thirty miles from hence—<br /> +I left her until she should reach such age<br /> +As maidens having made due preparations<br /> +Are deemed fit to marry. Scarce sixteen<br /> +Is now my daughter Inez; far too young<br /> +To face without a guide the many wiles<br /> +And dire temptations of this giddy world;<br /> +I fain would keep her longer there, but then,<br /> +<span class='pagenum'>395</span>Then comes the thought that harasses my soul.<br /> +Having in youth squandered my patrimony,<br /> +Wasting my substance that I might procure<br /> +Expensive books and likewise instruments<br /> +I needed in the fond pursuits of science,<br /> +In gratifiying literary tastes,<br /> +And other fancies, thus I soon became<br /> +Deeply indebted to my richer neighbour,<br /> +The valiant Don Diego, who, much loath<br /> +To see an old house ruined, hath full oft<br /> +From time to time with liberal hand advanced<br /> +Such sums as I could ne'er hope to repay.<br /> +This knew he, too, full well, and having seen<br /> +Once my little daughter at the castle,<br /> +And fancying much her beauty, thereupon<br /> +Did make what he then doubtless did consider<br /> +An offer fair and not to be refused<br /> +By me, a desperate man—his debtor, too—<br /> +An offer, namely, for my daughter's hand<br /> +When she should have attained her sixteenth year;<br /> +And this he gave me well to understand<br /> +Would be the only way that he'd consent<br /> +To counsel all my former debts to him;<br /> +Refusing this, I knew th' alternative.<br /> +Don Diego is a soldier fierce and proud<br /> +As he is courageous, stern and merciless<br /> +Towards those who thwart his will. What could I do?<br /> +<span class='pagenum'>396</span>Unable to pay and in his power,<br /> +Groaning 'neath a sense of obligation;<br /> +Allured, too, perhaps, by prospects flattering<br /> +In worldly sense to her, a poor man's daughter,<br /> +I e'en consented. In an evil hour<br /> +I gave my word to friend Diego,<br /> +A man of my own years, whose castle stands<br /> +Upon the opposite peak. Behold it.<br /> +A man, I say, who might be her grandsire;<br /> +Nor is it mere disparity of years<br /> +That makes the gap to gape between the pair.<br /> +Besides his age, and now decaying health,<br /> +Don Diego all his youth has led a life<br /> +The most licentious. Rumours strange and wild<br /> +Are busy with his name, for it is known<br /> +That he esteems the holy love of woman<br /> +But as a flower to pluck and cast aside.<br /> +He hath no reverence for religious rites,<br /> +And thinks of matrimony but as a bond,<br /> +Of all bonds easiest broke. With thoughts like these<br /> +How shall it fare then with my poor daughter<br /> +When once the knot is tied? His temper then<br /> +Is stern and imperious, blunt and rude.<br /> +Accustomed to command, he reigns alone<br /> +Amidst a flattering troup of followers,<br /> +Like petty tyrant, treating men as serfs.<br /> +In boasting moods he vaunts of ancestry<br /> +<span class='pagenum'>397</span>Who never thwarted were in lust or hate,<br /> +And to this man shall I consign my daughter?<br /> +No, no, it was an evil hour when I<br /> +O'er hastily did consent to sacrifice<br /> +My lovely Inez, purest of her sex,<br /> +To this man's savage and rapacious lust.<br /> +Repentance came too late, for he doth hold<br /> +Me still to my promise, and all in vain<br /> +Are pleadings of my daughter's tender age.<br /> +The promise of her hand at some time hence,<br /> +When she to riper womanhood hath grown,<br /> +Excuse or promise unavailing both,<br /> +For he, with military punctilio<br /> +And lustful hot impatience, doth demand<br /> +Her hand at once, and will brook no delay.<br /> +He called on me of late, and from his mien<br /> +I saw there was but little left to hope.<br /> +A father's tears, as ever, failed to soften<br /> +His all too stubborn nature, and at length<br /> +He threatened me with ruin or with death<br /> +And forcible abduction of my daughter<br /> +If on a certain day ('tis now at hand)<br /> +I gave not him my daughter for his wife.<br /> +As yet my child knows nothing of this plan,<br /> +But now the time draws near when she must know.<br /> +How can I face my daughter? How can I<br /> +With humble, piteous whine, say, "Inez,<br /> +Thy father is ruined, an thou heed him not?<br /> +<span class='pagenum'>398</span>Save him by the sacrifice of thyself."<br /> +Or else, with imperious and austere brow,<br /> +Say, "Inez, I command thee as a father<br /> +To wed the man I've chosen thee—Don Diego.<br /> +Obedience is a filial duty, and<br /> +Thy father better knows what's for thy good<br /> +Than thou thyself. At once prepare, obey!"<br /> +Or should I, contrary to precepts taught<br /> +Once by myself when she was yet a child,<br /> +When I have preached 'gainst vanities and pomps,<br /> +Empty frivolities and lust of greed,<br /> +Can I now plead thus, and say, "Daughter mine,<br /> +Behold what a grand thing it is to be<br /> +One of the great ones of the earth, and move<br /> +For ever midst the gay and high-born throng<br /> +Of lords and ladies without care or pain,<br /> +With means at hand to gratify each wish,<br /> +To live the mistress of a noble castle,<br /> +With serfs at thy command, with gold, with jewels,<br /> +Dress at thy caprice, and hear around thee<br /> +Ravishing strains of music in thy halls;<br /> +Thy gardens, parks, and pleasure grounds rivalling<br /> +Those of the noblest peers, exciting envy<br /> +Of all thy neighbours, and this, yes, all this,<br /> +Thou hast but to reach out thy hand to take;<br /> +<span class='pagenum'>399</span>Accept the old Don Diego for thy spouse,<br /> +His castle's thine, and all that therein is;<br /> +Don't be a fool and throw this chance away<br /> +Because, forsooth, he's old, somewhat infirm,<br /> +Unfair to view, irascible and stern,<br /> +And recklessly give up thy giddy heart<br /> +To some young spendthrift, all because he's fair;<br /> +Throw not such a glorious chance away,<br /> +But make thy father's fortune and thine own?"<br /> +Is this the strain that I could use to her<br /> +After my virtuous lessons and wise saws?<br /> +Could she not answer, "Father, is it thou—<br /> +Thou who dids't ever counsel me to shun<br /> +The whispered words of gallants with the wiles<br /> +And impious vanities of this base world,<br /> +Dids't inculcate obedience, filial love,<br /> +As primary virtues ever with the young?<br /> +Was it that I might blindly, passively<br /> +Submit my will to thine? Shunning fresh youth;<br /> +That at thy bidding I might give my hand,<br /> +Loathing, yet passively, unto a man<br /> +Whose years do full quadruple mine, and all<br /> +Because this man has wealth and I have none?<br /> +Is this thy virtue, father? This the end<br /> +Of all thy teachings, that I should become<br /> +The minion, yes, the minion of a dotard?"<br /> +And would she not be right? Could I look up<br /> +<span class='pagenum'>400</span>Into her angel's face unblushingly,<br /> +And with a base hypocrisy reply,<br /> +"My child, 'tis for thy good. Such is the world."<br /> +Would she believe me? Would she not despise<br /> +Me and my words, see through my selfishness?<br /> +Yet what to do I know not. I am lost.<br /> +Would not the world itself proclaim me base?<br /> +Would not the mockers say, "Behold the sage,<br /> +The philosophic, wise Don Silvio,<br /> +He who despises wealth and this world's pomp,<br /> +Yet sells his daughter for Don Diego's gold?"<br /> +Thus run I counter both to God and man,<br /> +And mine own conscience. Crushing my child's heart<br /> +That I might save my own grey head from ruin.<br /> +Help me, ye saints! for I have need of guidance. <span class="ralign">[<i>Kneeling.</i></span><br /> +Soul of my blest departed Dorothea!<br /> +Assist me with thy counsels, and send down<br /> +From that high heaven where thou in peace doth dwell<br /> +A blessing on thy daughter and her sire;<br /> +It cannot, sure, be that our Inez shall<br /> +Unwillingly and loathingly consent<br /> +To wed a vicious dotard for his gold. <span class="ralign">[<i>Rising.</i></span><br /> +<span class='pagenum'>401</span>Time wanes, and with my part I must go through;<br /> +Then, as to the rest, let heaven think on't.<br /> +I know not if I meditate aright;<br /> +Nay, I know I am wrong, but I've no choice.<br /> +Hola! Rodriguez!—Rodriguez, I say!</p> + +<p class="blockquot"><i>Enter</i> <span class="smcap">Rodriguez</span>.</p> +<p>How now, Rodriguez, did'st not hear me call?<br /> +<br /> +<span class="charnam">Rod.</span> Indeed, my lord, I came as soon as I<br /> +Did hear you, but it may be that of late<br /> +I have grown a little hard of hearing;<br /> +Rodriguez now is getting old. How many<br /> +Years is it I have served your lordship here?<br /> +<br /> +<span class="charnam">D. Sil.</span> Cease thy prating tongue, and now lend thine ear.<br /> +<br /> +<span class="charnam">Rod.</span> I'm all attention, good my lord, proceed.<br /> +<br /> +<span class="charnam">D. Sil.</span> Well then, here is a letter I have written<br /> +To thy young mistress, bidding her return<br /> +With fullest speed to the paternal roof.<br /> +<br /> +<span class="charnam">Rod.</span> What! my young mistress Inez coming home<br /> +After full five years' stay within the walls,<br /> +The gloomy walls, of grim St. Ursula!<br /> +Poor soul! she'll scarce remember old Rodriguez.<br /> +How I long to see her! How she'll have grown.<br /> +Time will have wrought great changes. But a child<br /> +She was when first she left her father's hall,<br /> +And now returns a woman. Pretty dear!<br /> +Shall I ever forget how she did cry<br /> +<span class='pagenum'>402</span>At leaving me? For you must know, Señor,<br /> +That ever with a mother's tender care<br /> +I've cherished her as were she child of mine,<br /> +And she, sweet soul, ne'er having known her mother,<br /> +Looked for no other mother than myself.<br /> +And mother she would call me when a babe,<br /> +Until she grew and first began to learn<br /> +The death of your good lady Dorothea—<br /> +Peace be to her soul, the dear sweet lady—<br /> +Then she learned to call me Nurse Rodriguez.<br /> +Dear little soul! When I did see her last<br /> +She had her mother's brow, her mother's hair,<br /> +Her eyes, too, and her tiny foot and hand;<br /> +Her smile was all her mother's, yet methinks<br /> +Something about the nose and mouth and chin<br /> +Was from your lordship. How I wonder now<br /> +If she be changed, if she do remember<br /> +How I was wont to dance her on my knee<br /> +To still her cries with sweets, and how she'd ask<br /> +Me to tell her all about her mother—<br /> +How she looked and spoke, and how she dressed?<br /> +I told her all I knew. What I knew not<br /> +That straight I did invent to please the child,<br /> +And oftimes on a chilly wintry night<br /> +Of storm and tempest, when the lightning's flash<br /> +<span class='pagenum'>403</span>Lit up with lurid glare the outward gloom,<br /> +And the loud thunder, like to wake the dead,<br /> +Shook the old castle walls to their foundation,<br /> +On such nights as these, when sleep would desert<br /> +Her downy pillow, I would lift her thus,<br /> +And wrapping her up in my ample shawl,<br /> +I'd draw her to the fire. Then, whilst the warmth<br /> +Of the genial element diffused<br /> +Itself throughout the chamber, rendering<br /> +By the contrast of the black storm without<br /> +Its growing blaze more grateful, then would I<br /> +Beguile the night with tales of ghosts and ghouls,<br /> +Of elves and fairies, and hobgoblins grim,<br /> +Of witches, wizards, vampires, dwarfs, and giants,<br /> +Pirates, brigands, and unburied corpses,<br /> +Whose restless spirits, ever hovering near,<br /> +Render the place accursed, and bring ill<br /> +To happen unto those who wander there.<br /> +Wraiths and doubles, and corpse candles glim'ring<br /> +O'er unhallowed graves. Of secret murders,<br /> +Of spells, enchantment, and of hidden treasure,<br /> +Fights of knights and dragons, Christian damsels<br /> +Rescued from Moorish captors by their lovers,<br /> +<span class='pagenum'>404</span>Tales of the Inquisition and its tortures,<br /> +Of dungeons dark and drear, and skeletons<br /> +Found bleak and bare, laden with rusty chains<br /> +That ever and anon at midnight's hour<br /> +Were heard to move and shake, with many a tale<br /> +Of the wild gipsy tribes that roam these mountains,<br /> +Of haunted houses and weird palaces,<br /> +That at the magician's word sink 'neath the ground,<br /> +Of devils and of fiends—<br /> +<br /> +<span class="charnam">D. Sil.</span> <span style="margin-left: 10em;">And all the lore</span><br /> +That gossips love to frighten children with.<br /> +Wretch and most wicked beldam! Is it thus<br /> +By giving reins to thine accursed tongue<br /> +That thou hast sought to poison my child's mind?<br /> +Is this why every eve when it grew dark<br /> +I've seen her shudder and look o'er her shoulder?<br /> +Why she would never enter a dark room?<br /> +Why, as I've watched beside her tiny crib,<br /> +I've seen her start in sleep with stifled sob?<br /> +When I have watched her wan and haggard cheek,<br /> +Her thoughtful mien, her dreamy vacant stare,<br /> +Until I've fancied her in a decline,<br /> +And feared she would not long be left to cheer<br /> +<span class='pagenum'>405</span>My gloomy hearth; then was it this, I say,<br /> +Thy foolish wicked lies, torturing thus<br /> +Her tender infant brain? I say, for shame!<br /> +In good time I rescued her from thy hands.<br /> +<br /> +<span class="charnam">Rod.</span> I'm sure my lord, I've always sought to—<br /> +<br /> +<br /> +<span class="charnam">D. Sil.</span> <span style="margin-left: 14em;">Hush!</span><br /> +And give me no more of thy silly prate,<br /> +I've some affairs on hand, and must away,<br /> +O'er long thou hast detained me with thy cant.<br /> +Here, take this note, bid Pedro start at once<br /> +And bear this safely to my daughter there,<br /> +For to-night at the hostel he must sleep,<br /> +To-morrow early he must start towards home,<br /> +Accompanying my daughter by the way. <span class="ralign">[<i>Going.</i></span><br /> +<br /> +<span class="charnam">Rod.</span> My lord, I'll see to't.<br /> +<br /> +<span class="charnam">D. Sil.</span> <span style="margin-left: 9em;">And hark! Rodriguez,</span><br /> +There's one thing I would caution you against.<br /> +<br /> +<span class="charnam">Rod.</span> And that is, my lord?<br /> +<br /> +<span class="charnam">D. Sil.</span> <span style="margin-left: 10em;">And that is, I say,</span><br /> +That when my daughter home arrives to-morrow,<br /> +You fill not her head with foolish stories<br /> +And antiquated superstitions.<br /> +Above all, talk to her not of gallants,<br /> +Of tournaments, elopements, serenades,<br /> +Or anecdotes of thine own frivolous life.<br /> +<br /> +<span class="charnam">Rod.</span> My lord! my lord!<br /> +<br /> +<span class="charnam">D. Sil.</span> <span style="margin-left: 8em;">Once for all, I repeat,</span><br /> +<span class='pagenum'>406</span>Detail not all the follies of thy youth;<br /> +Talk to her not of dress or finery,<br /> +Nor all the gilded pageantries of courts,<br /> +Or such like vanities; and now, adieu,<br /> +I must go hence. Think well of what I've said. <span class="ralign">[<i>Exit.</i></span><br /> +<br /> +<span class="charnam">Rod.</span> (<i>Alone.</i>) Poor, poor gentleman, I fear he's going;<br /> +He's growing old now, is my poor master,<br /> +And folks when they grow old are ever childish.<br /> +He ne'er has been the same since the departure<br /> +Of my poor mistress, Lady Dorothea.<br /> +What said he about my frivolous life?<br /> +Who can cast a stone at Dame Rodriguez?<br /> +Oh, his head's gone; that's very clear, alas!<br /> +<i>My</i> life! 'Twere well he thought about his own,<br /> +Spent here mid dusty books and parchments old,<br /> +With dirty bottles and queer instruments.<br /> +As no one ever saw the like before.<br /> +What he does with them, who can understand?<br /> +Shut up here like a hermit all day long.<br /> +A plague on him, and all his crotchety ways!<br /> +Wait till my mistress Inez doth return;<br /> +She will enliven him, and 'twixt us two,<br /> +We'll make a clearance of this dusty cell.<br /> +"Talk to her not of dress!" Poor silly man!<br /> +Why, how on earth is the poor child to know,<br /> +Shut up these five years in those convent walls,<br /> +<span class='pagenum'>407</span>Of all the latest fashions of the day?<br /> +How should she dress herself without the aid<br /> +Of old Rodriguez? See how these men are.<br /> +Do we live in a world or do we not?<br /> +I should not do my duty to his child<br /> +Were I to listen to him. No I must,<br /> +The instant she arrives, take her in hand.<br /> +"Talk to her not of gallants!" Why, forsooth?<br /> +Must the poor child see no society?<br /> +Is this hall a convent or a desert?<br /> +Was she not born to marry and to mix<br /> +With other ladies of her state and rank?<br /> +How should she find a husband without me?<br /> +She's growing up now, and has no mother,<br /> +And as for her poor father, he'd as soon<br /> +Think of flying as of his daughter's weal.<br /> +No, no; but I will teach her how to cut<br /> +A figure in this world as best becomes<br /> +Her rank and station. I will teach her, too,<br /> +What colours best become her, and how I,<br /> +I, Rodriguez, figured once in youth,<br /> +When I with train of yellow and scarlet silk,<br /> +And stomacher of green, sleeves of sky-blue,<br /> +First did meet my Carlos at the bull-fight.<br /> +I'll teach her how to dress, to use the fan—<br /> +Thus, also thus, and thus, and how to draw,<br /> +With well-feigned coyness, the mantilla, thus,<br /> +Across her face, leaving one eye exposed,<br /> +And ogle, so, the gallants as they pass.<br /> +<span class='pagenum'>408</span>A few good lessons taken from an adept<br /> +Will soon prepare her for society.<br /> +<br /> +<span class="charnam">Pedro.</span> (<i>Without.</i>) Rodriguez, Hola! Rodriguez, What ho!<br /> +</p> + +<p class="blockquot"><i>Enter</i> <span class="smcap">Pedro</span>.</p> + +<p> +<span class="charnam">Rod.</span> Donna Rodriguez, an it please you, sir.<br /> +<br /> +<span class="charnam">Ped.</span> Well then, be it so, Donna Rodriguez,<br /> +I've just met master coming from the castle,<br /> +Apparently in no good humour. He<br /> +Asked me if you'd given me a letter<br /> +Addressed to Donna Inez at the convent,<br /> +And bid me thither haste without delay,<br /> +Threatening me with mine instant dismissal<br /> +Should Mistress Inez fail to arrive to-morrow,<br /> +And thus with hasty step and moody brow<br /> +He passed me by, as if old retainers<br /> +Had not their privileges, eh? Rodriguez—<br /> +Donna Rodriguez, I should say. Pardon me.<br /> +<br /> +<span class="charnam">Rod.</span> Here is the letter; you had best be off.<br /> +Stay, Pedro. Did master look so savage?<br /> +<br /> +<span class="charnam">Ped.</span> Even so.<br /> +<br /> +<span class="charnam">Rod.</span> <span style="margin-left: 3em;">Something must have angered him.</span><br /> +Prithee, good Pedro, hast thou not of late<br /> +Noted a change in poor Don Silvio?<br /> +<br /> +<span class="charnam">Ped.</span> Faith, I cannot tell. Since I have known him<br /> +He hath been always the same moody man.<br /> +<br /> +<span class="charnam">Rod.</span> But has he not of late seemed more estranged,<br /> +More dull, more gloomy, just as if there were<br /> +Something of unusual import that<br /> +Were hanging o'er him?<br /> +<span class='pagenum'>409</span><br /> +<span class="charnam">Ped.</span> <span style="margin-left: 8em;">In truth I know not.</span><br /> +<br /> +<span class="charnam">Rod.</span> He sees no company.<br /> +<br /> +<span class="charnam">Ped.</span> <span style="margin-left: 7em;">That's nothing new.</span><br /> +<br /> +<span class="charnam">Rod.</span> I mean—save that of that old haughty Don,<br /> +Old Don Diego from the neighbouring castle,<br /> +Who ne'er vouchsafes me word, but when he comes<br /> +Passes me by as the veriest slut,<br /> +With not so much as "Good-day, Rodriguez,"<br /> +But asks me sternly if my master's in.<br /> +His visits have been frequent here of late.<br /> +What think'st thou is the meaning of all this?<br /> +<br /> +<span class="charnam">Ped.</span> In faith, I know not, and do not much care.<br /> +<br /> +<span class="charnam">Rod.</span> Ha! thou carest not? Come now, good Pedro,<br /> +Wilt thou that I confide a secret to thee?<br /> +<br /> +<span class="charnam">Ped.</span> A secret that shall increase my wages,<br /> +Take more work off my shoulders? Then declare 't;<br /> +If it be ought else, then keep your secret.<br /> +I am tired of ever being the slave and drudge<br /> +Of my old master for such paltry pay.<br /> +I've served here now some twenty years and more.<br /> +But matters were not always thus. I've seen<br /> +The castle walls look handsomer in my day.<br /> +In Lady Dorothea's time I never<br /> +Had to wait for my wages, and my suit<br /> +<span class='pagenum'>410</span>Was always clean and new. Then were there more<br /> +Servants in the castle who took near all<br /> +The work off my hands. Now that they're dismissed<br /> +The burden of the household falls on me,<br /> +And the wages, 'stead of waxing more,<br /> +I have to wait for. I know not how long 'tis<br /> +I have not seen the colour of his gold.<br /> +Why, the castle's gone to rack and ruin.<br /> +I am ashamed to meet my former friends,<br /> +The well-fed menials of Don Diego's hall,<br /> +When they with grave and supercilious smile<br /> +Do thus accost me, "Ha! good man, Pedro,<br /> +How fares it with thee and thy poor master?<br /> +Thy suit, methinks, grows musty, like his castle,<br /> +And, to speak truth, I once have seen thee fatter."<br /> +Then straight they talk about their master's bounty.<br /> +"Look how we fare," say they; "an I were thou<br /> +I'd strike for higher wages or else leave."<br /> +And all these taunts I have to bear—for what?<br /> +<br /> +<span class="charnam">Rod.</span> Well, well, I fare but as yourself; but hark—<br /> +Something's astir within the castle.<br /> +<br /> +<span class="charnam">Ped.</span> (<i>Turning round timidly.</i>) <span style="margin-left: 2em;">Where?</span><br /> +<br /> +<span class="charnam">Rod.</span> Bah! I mean something's about to happen<br /> +In this old hall, an I do not mistake.<br /> +A <i>change</i>.<br /> +<span class='pagenum'>411</span><br /> +<span class="charnam">Ped.</span> <span style="margin-left: 2em;">For the better? Out with it, Rodriguez.</span><br /> +Be quick, for with this note I must away. <span class="ralign">[<i>Going.</i></span><br /> +<br /> +<span class="charnam">Rod.</span> Just so; the letter. What think'st thou there's in 't?<br /> +<br /> +<span class="charnam">Ped.</span> I never play the spy. Money, think you? <span class="ralign">[<i>Holding it up to the light.</i></span><br /> +<br /> +<span class="charnam">Rod.</span> I trow not. I spoke but of it's import.<br /> +<br /> +<span class="charnam">Ped.</span> Marry, what should it be but just to bid<br /> +Young Mistress Inez home without delay?<br /> +<br /> +<span class="charnam">Rod.</span> Exactly; and canst divine the motive?<br /> +<br /> +<span class="charnam">Ped.</span> Faith! Perhaps the charges of the convent<br /> +Have grown too costly for the miser's purse,<br /> +Or 't may be having stayed there her full time,<br /> +She now returns unto her father's hall.<br /> +<br /> +<span class="charnam">Rod.</span> Not altogether that, for I well know<br /> +Don Silvio would fain have kept her longer.<br /> +Hark, Pedro! thou know'st that I've always been<br /> +A faithful follower of this ancient house,<br /> +And no time-server as some others are.<br /> +<br /> +<span class="charnam">Ped.</span> (<i>Aside.</i>) Humph! That's meant for me. Time-server, forsooth!<br /> +<br /> +<span class="charnam">Rod.</span> Ill would 't become a faithful old retainer<br /> +Not to take interest in her lord's affairs,<br /> +So with this sense of duty upmost, aye,<br /> +And marking something most unusual<br /> +In these frequent visits of Don Diego,<br /> +Then hearing once his voice in angry tones,<br /> +<span class='pagenum'>412</span>And that of our poor master, trembling, meek,<br /> +I naturally bent my ear until<br /> +It level stood with the chamber's keyhole.<br /> +<br /> +<span class="charnam">Ped.</span> Naturally, Donna Rodriguez. Well?<br /> +<br /> +<span class="charnam">Rod.</span> Ha! Now you take more interest in my tale.<br /> +Well, then I heard the whining piteous tones<br /> +Of our old master's voice in broken sobs.<br /> +"Think of her tender age, and your own years.<br /> +Can this disparity between you both,<br /> +This forced consent on her part, bring to her<br /> +Ought but unhappiness? Prithee, reflect.<br /> +Think of a father's feelings, and forbear."<br /> +"Think of your debts, old man, and of your past,"<br /> +Now said a sterner voice; "and if you fail<br /> +To have your daughter all in readiness<br /> +The next time that I call, so the wedding<br /> +May be solemnised within my private chapel<br /> +At whatsoever hour I please, hark ye!<br /> +I'll sell your ruined castle o'er your head,<br /> +Drive you houseless into the open air<br /> +To beg your bread; by force abduct your daughter,<br /> +And——<br /> +<br /> +<span class="charnam">Ped.</span> <span style="margin-left: 3em;">Did he say that?</span><br /> +<br /> +<span class="charnam">Rod.</span> <span style="margin-left: 8em;">Ay, he did, indeed.</span><br /> +</p> + +<p class="blockquot"><i>Enter</i> <span class="smcap">Don Silvio</span> <i>musingly behind—he stops and listens</i>.</p> + +<p> +<span class="charnam">Ped.</span> Why then he'll do 't; that is, if our old lord<br /> +Do not peaceably give up his daughter.<br /> +<br /> +<span class="charnam">Rod.</span> Oh, it's horrible, horrible. Poor child!<br /> +<span class='pagenum'>413</span><br /> +<span class="charnam">Ped.</span> Horrible for us to be turned adrift.<br /> +Poor child, indeed! the best thing that could hap,<br /> +I wish the little jade no better luck.<br /> +The daughter of a threadbare miser. <i>She</i><br /> +Turn up her nose at such a match as this!<br /> +I can't think what our master's scruples are<br /> +To such a union. Luck seems on his side.<br /> +<br /> +<span class="charnam">Rod.</span> Hush. You forget her age, the poor dear child<br /> +Has scarce arrived at puberty, and then<br /> +Knows nothing of the world, but cometh straight<br /> +From that old convent without time to taste<br /> +The sweets of life, or choose from out the crowd<br /> +Of motley youths who <i>should</i> encompass her<br /> +One of her choice, befitting more her age<br /> +Than this grey, grim, and surly Don Diego.<br /> +<br /> +<span class="charnam">Ped.</span> Don Diego is a proper gentleman.<br /> +A trifle old, perhaps; so much the better,<br /> +He will but die the sooner, and so leave<br /> +Our Inez mistress of his lordly hall.<br /> +Once left a widow, young and rich, she then<br /> +May marry any gallant that she likes.<br /> +First let her fill her mouth and clothe her back,<br /> +Then indulge her own caprice at leisure.<br /> +I'm for Don Diego, and will help his plan<br /> +With all my power.<br /> +<span class='pagenum'>414</span><br /> +<span class="charnam">Rod.</span> <span style="margin-left: 6em;">Oh! you men, you men,</span><br /> +You're all alike, and have no sentiments.<br /> +Just such a one is master, who would sell<br /> +His only child to pay his debts withal.<br /> +<br /> +<span class="charnam">Ped.</span> Why, how can he help it? Debts must be paid.<br /> +And when the debt is cancelled in this way<br /> +I fancy I can see the old miser chuckle<br /> +To himself at having got off so cheap.<br /> +</p> + +<p class="blockquot"><span class="smcap">Don Silvio</span> <i>advances in their midst</i>.</p> + +<p> +<span class="charnam">D. Sil.</span> Discussing matters that concern ye not,<br /> +Eavesdropping hounds, unmannered miscreants!<br /> +Is this your duty and your gratitude?<br /> +Knaves that ye are, and base-born time-servers,<br /> +Off with ye both! Thou, Pedro, lazy lout,<br /> +Off to the convent, as I bade thee. Fly!<br /> +Rouse not my wrath; and thou, thou gossiping hag,<br /> +Back to thy room and give thy tongue a rest,<br /> +Else it will swell and choke thee. Would it might.<br /> +</p> + +<p class="right">[<i>Exeunt severally Pedro and Rodriguez. +Don Silvio throws himself into an +armchair, and covers his face with +his hands.</i></p> +</div> + +<p><span class='pagenum'>415</span></p> + +<p class="iblockquot"> +<span class="smcap">Scene II.</span>—<i>Interior of the Convent of St. Ursula. +Inez discovered pacing up and down dejectedly.</i></p> + +<div class="poem"> +<p> +<span class="charnam">Inez.</span> 'Tis passing strange that all these five long years<br /> +That I have lived within these convent walls,<br /> +A stranger to the world without, unless<br /> +To the narrow limits of our garden.<br /> +I ne'er remember to have passed a night<br /> +Like last night was. Most strange and fearful dreams<br /> +Disturbed my slumber, robbing me of rest;<br /> +Confused they were, and I can scarce recall<br /> +Aught of their substance, but methought that I<br /> +Was caught and roughly handled by rude men<br /> +With dark ferocious faces. By their dress<br /> +I should have deemed them gipsies; then methought<br /> +I saw a female—tall, majestic, old,<br /> +Or middle-aged, in strange and wild attire,<br /> +Who spoke to me, and questioned me in proud,<br /> +Yet calm and kindly accents, and that she<br /> +Rebuked the ruffians, so that they fell back<br /> +And did no harm to me; yet still I sat<br /> +Surrounded by the band, which kept close guard.<br /> +My fear was very great, so that I think<br /> +I must have fainted, for I knew no more.<br /> +It was a dream most unaccountable.<br /> +<span class='pagenum'>416</span>My aunt, the Lady Abbess, says that dreams<br /> +Are sent us oftimes by the saints to warn,<br /> +Guide, and admonish us. That holy men,<br /> +Ay, and women, too, have had many things<br /> +Revealed to them in dreams and visions.<br /> +Old nurse Rodriguez, too, I can recall,<br /> +Oft would relate me hers, and would declare<br /> +They all came true, or bore some hidden sense<br /> +That none save gifted sybils could explain.<br /> +And now, although my memory's much confused,<br /> +Methinks Rodriguez formed part of my dream.<br /> +</p> + +<p class="blockquot"><i>Enter</i> <span class="smcap">Lady Abbess</span>.</p> + +<p> +<span class="charnam">Lady Ab.</span> What! Inez, musing—art not well, my child?<br /> +<br /> +<span class="charnam">Inez.</span> I've slept badly, aunt, and have a headache.<br /> +<br /> +<span class="charnam">Lady Ab.</span> Here's that will cure it.<br /> +<br /> +<span class="charnam">Inez.</span> <span style="margin-left: 6em;">What! A letter?</span><br /> +<br /> +<span class="charnam">Lady Ab.</span> Ay, from thy father; it was hither brought<br /> +By an old servitor.<br /> +<br /> +<span class="charnam">Inez.</span> <span style="margin-left: 5em;">The good Pedro?</span><br /> +<br /> +<span class="charnam">Lady Ab.</span> I think the same; I've seen his face before.<br /> +Thou know'st, Inez, that it is my custom<br /> +To break the seal of all the letters that<br /> +Come here directed to my novices,<br /> +To prevent clandestine correspondence;<br /> +But knowing well my brother's handwriting,<br /> +And being well informed of the contents<br /> +By this same Pedro, I deemed it useless.<br /> +Read it then, dear, thyself.<br /> +<span class='pagenum'>417</span><br /> +<span class="charnam">Inez.</span> (<i>Reads.</i>) <span style="margin-left: 5em;">"My dearest child,</span><br /> +The time has now come round when thou should'st end<br /> +Thy course of studies at St. Ursula's.<br /> +It is my wish that thou at once take leave<br /> +For ever of thy aunt, the Lady Abbess,<br /> +And without more delay prepare to start<br /> +In the company of my servant Pedro.<br /> +See that thou be not tardy, but straightway,<br /> +Quick after the perusal of these lines,<br /> +Set off upon thy journey, for I have<br /> +Much to say to thee. Greet my good sister.<br /> +<span style="margin-left: 6em;">Your loving father,</span><br /> +<span style="margin-left: 11em;">Silvio."</span><br /> +<span style="margin-left: 12em;">Dearest aunt,</span><br /> +I know not if I should laugh for joy or weep,<br /> +For, returning home to see my father,<br /> +I needs must bid farewell to you, who e'er<br /> +Have been a mother to me.<br /> +<br /> +<span class="charnam">Lady Ab.</span> <span style="margin-left: 8em;">Dearest child!</span><br /> +I am full loath to part with thee, but still,<br /> +In obedience to thy father's orders,<br /> +Thou must not tarry. Take my blessing then,<br /> +And may the blessed Virgin and the saints<br /> +Protect thee from all harm upon the road.<br /> +Kiss me, my Inez, and now straight commence<br /> +To get thy baggage ready.<br /> +<br /> +<span class="charnam">Inez.</span> <span style="margin-left: 8em;">And Pedro?</span><br /> +<br /> +<span class="charnam">Lady Ab.</span> He is without. I'll call him. What! Pedro.<br /> +<span class='pagenum'>418</span></p> + +<p class="blockquot"><i>Enter</i> <span class="smcap">Pedro</span>.</p> + +<p> +<span class="charnam">Ped.</span> Gracious Donna Inez, I kiss your hands.<br /> +<br /> +<span class="charnam">Inez.</span> Ah, good Pedro, sure thou scarce knowest me;<br /> +These many years have wrought a change in us.<br /> +How leftest thou my father? Well, I hope;<br /> +And nurse Rodriguez, she, I hope, is well.<br /> +<br /> +<span class="charnam">Ped.</span> Excellent well, most gracious lady, both.<br /> +<br /> +<span class="charnam">Inez.</span> I'm glad of 't. And thou thyself, good Pedro?<br /> +<br /> +<span class="charnam">Ped.</span> I thank the Lord, good lady, I'm not worse—<br /> +I'm getting old.<br /> +<br /> +<span class="charnam">Lady Ab.</span> <span style="margin-left: 5em;">That is the fate of all;</span><br /> +We cannot aye be young.<br /> +<br /> +<span class="charnam">Ped.</span> <span style="margin-left: 8em;">True, good lady.</span><br /> +<br /> +<span class="charnam">Inez.</span> And now, Pedro, do thou wait here until<br /> +I shall return. I'll try not to be long;<br /> +I've my baggage yet to pack, and to say<br /> +Some words in private to our Lady Abbess. <span class="ralign">[<i>Exeunt Inez and Lady Abbess.</i></span><br /> +<br /> +<span class="charnam">Ped.</span> Why, how the little wench has grown, i' faith!<br /> +But I'd have known her anywhere, I would,<br /> +So strong is the resemblance to her mother—<br /> +Her voice, her very manner too's the same<br /> +As Lady Dorothy's when first I knew her.<br /> +Ah, those were merry days. Would I could live<br /> +Them o'er again. Let me see. What was it<br /> +The gipsy beldam told me by the road?<br /> +Ha! I remember. When about half-way<br /> +<span class='pagenum'>419</span>Between the castle and St. Ursula,<br /> +While jogging through a bleak and bare ravine<br /> +Upon my mule, and leading on the other,<br /> +A crone stood in my path—a gipsy crone.<br /> +I know not how old; but past middle age.<br /> +Still, from her mien, which was majestic, proud,<br /> +I think she had been handsome in her youth.<br /> +"Good morrow, Pedro," said the crone. "Speed well"<br /> +"Good morrow, Dame," said I. "You know me, then?"<br /> +"And have done long. Gipsies know everything.<br /> +Wilt have a proof of it? Wilt know thy fortune?<br /> +Show me thy palm," she said. "My palm!" said I,<br /> +"Know thou, good gipsy, I have nought withal<br /> +To pay thee." "Never mind for that," she said;<br /> +"I love to gossip with an old retainer.<br /> +Thy gossip shall repay me. Quick, thy palm."<br /> +Then tracing with her gaunt and taloned finger<br /> +A mystic sign across the line of life,<br /> +"Not always thus, good Pedro, hast thou been.<br /> +Thou hast a master who but ill repays<br /> +Thy manifold and useful services.<br /> +Thou hadst a mistress once, but she is gone;<br /> +With her decease good luck hath fled the house,<br /> +<span class='pagenum'>420</span>But times will change, and luck will reappear,<br /> +And thou shalt live content to good old age."<br /> +I recollect no more of what she said,<br /> +But mighty promises she made of luck.<br /> +Then straightway she did ask me of my lord—<br /> +How he fared, and also of Don Diego.<br /> +"Excellent well," said I, and here I laughed.<br /> +"Too well, too well, for one with head so white."<br /> +"How mean'st thou?" she said, with searching gaze.<br /> +"Why, marry thus!" said I; "they say Don Diego——<br /> +Hush, but this is a secret (here I winked)<br /> +That old Don Diego, spite his years, doth think<br /> +To take to him a young and pretty wife."<br /> +Here the crone started somewhat, as I thought,<br /> +And o'er her bronzed features came a flush<br /> +Like burnished copper, and her eagle eye<br /> +Flashed as with fire; but in an instant<br /> +Her cheeks grew ashen pale and her lips trembled.<br /> +Why I know not; but deeming her unwell,<br /> +I offered her a sip of wine from out<br /> +The gourd I carried at my saddle's flank;<br /> +But she declined. "No wine," saith she, "hath ever<br /> +Passed my lips since I was born. Shall I<br /> +<span class='pagenum'>421</span>Break through my abstinence in hoary age?"<br /> +Then seeming quite recovered, "Well," she said,<br /> +"What was it of Don Diego, thou wert saying?<br /> +Thou saidst, he thought to take to him a wife.<br /> +Can this be true? Who may the lady be?"<br /> +Then, mocking her, I said, "Thou knowest all things,<br /> +Know'st thou not, the lady is our Inez,<br /> +The daughter of my old lord Don Silvio.<br /> +Still in her teens, and staying with her aunt,<br /> +Lady Superior at St Ursula's,<br /> +From here some fifteen miles, whither I go<br /> +By order of her father, at full speed<br /> +To carry back his daughter to his hall?<br /> +And know'st thou not the wedding day is fixed,<br /> +And all in readiness, but that our Inez<br /> +As yet knows nought o't; but that to-morrow,<br /> +When at eve I bring her to her father,<br /> +She will soon learn it all, and willy, nilly,<br /> +Will have to wed the old man for his gold?"'<br /> +All this I told her. Then she said, "True, true,<br /> +The stars already have revealed so much;<br /> +But mark me, Pedro, mark me well, I say,<br /> +For I know all things. It shall never be<br /> +It will not happen. The stars forbid it."<br /> +"What! Don Diego's wedding," said I. "We'll see."<br /> +And off I trotted till I reached the convent.<br /> +<span class='pagenum'>422</span></p> + +<p class="blockquot"><i>Re-enter</i> <span class="smcap">Lady Abbess</span> <i>and</i> <span class="smcap">Inez</span>.</p> + +<p> +<span class="charnam">Lady Ab.</span> And now, dear Inez, now that all's prepared<br /> +For thy long homeward journey, one more kiss.<br /> +Salute thy father, and bear well in mind<br /> +All I have taught thee. When thou hast arrived<br /> +Write to me straight to say that thou art safe.<br /> +Thou, Pedro, do thy duty towards thy charge.<br /> +And, Inez, love, thou'lt think of me sometimes,<br /> +And should chance ever bring thee by this way,<br /> +Thou'lt come and see me, eh? And now farewell.<br /> +I dare not keep thee longer. Bless thee, Inez.<br /> +Adieu; the saints protect thee. Go in peace. <span class="ralign">[<i>Embracing her.</i></span><br /> +<br /> +<span class="charnam">Inez.</span> Farewell, kind aunt, farewell.</p> + +<p class="right">[<i>Exeunt Lady Abbess and Inez weeping, Pedro following.</i></p> +</div> + + +<hr style="width: 15%;" /> +<h3>ACT II.</h3> + + +<p class="iblockquot"><span class="smcap">Scene I.</span>—<i>A country inn in the Sierra Nevada. A table +spread under a vine.</i></p> + +<div class="poem"> +<p class="blockquot"><i>Enter</i> <span class="smcap">Don Alfonso</span> <i>and</i> <span class="smcap">Don Pascual</span>.</p> + +<p> +<span class="charnam">D. Pas.</span> Must thou then really leave me and return<br /> +<span class='pagenum'>423</span>To Salamanca to resume thy studies?<br /> +Alas! to think that thou shouldst go alone,<br /> +And that I dare not bear thee company.<br /> +Tell me, Alfonso, think'st thou the police<br /> +Are ever on my track, or else that they<br /> +Have now given up all strict and diligent search,<br /> +Some weeks having passed o'er since the fatal deed?<br /> +<br /> +<span class="charnam">D. Alf.</span> I would not counsel thee yet to return.<br /> +Too many rash deeds have been done of late<br /> +For the law to lie much longer passive;<br /> +Besides, the man you murdered was a count,<br /> +A great hidalgo, and of haughty race;<br /> +His family will leave no stone unturned<br /> +Until this murdered member is avenged.<br /> +<br /> +<span class="charnam">D. Pas.</span> Murdered! say'st thou again? 'Twas in a duel.<br /> +<br /> +<span class="charnam">D. Alf.</span> Murder or homicide, 'twill go ill with thee,<br /> +An thou fall'st in the clutches of the law.<br /> +In good time thou leftest Salamanca.<br /> +But live and learn; I did ever tell thee<br /> +Thou wast over ready with thy weapon.<br /> +What! For a hasty word said in hot blood<br /> +Must thou be ever quarte, and tierce, and thrust?<br /> +<br /> +<span class="charnam">D. Pas.</span> Hold, friend, but you must know the case was thus—<br /> +I met Count Pablo——<br /> +<br /> +<span class="charnam">D. Alf.</span> <span style="margin-left: 8em;">I know the story.</span><br /> +<span class='pagenum'>424</span>The count was stern and haughty as thyself,<br /> +Nor made allowances for others' pride;<br /> +He could not brook the independent gaze<br /> +Of one whom, perhaps, he deemed of lower birth;<br /> +This led to altercation and fierce looks<br /> +(I own him wrong, for he began the quarrel),<br /> +But it was thou who wast the first to challenge;<br /> +And all for a word, too.<br /> +<br /> +<span class="charnam">D. Pas.</span> <span style="margin-left: 7em;">And was that nought?</span><br /> +Nought, the being called a gipsy bastard?<br /> +What! Call'st thou that a trifle? Bastard! Ugh!<br /> +I swear, that had he been ten times my friend,<br /> +I would have slain him. Bastard! Gipsy, too!<br /> +What! Are we Spaniards of so fair a skin<br /> +That he would have me pale-eyed, flaxen-haired,<br /> +Like the barbarians of northern climes?<br /> +May not a Spaniard have an olive skin<br /> +And jetty eye without being gipsy called?<br /> +A mystery, I know, hangs o'er my birth;<br /> +I ne'er knew my parents. Some secret hand<br /> +Doth forward me remittances at times,<br /> +That I might be enabled to pursue<br /> +My studies at the university.<br /> +I cannot think it is my spurious father,<br /> +For I do well remember me of one—<br /> +Indeed, I think that she was not my mother.<br /> +Although she treated me as her own son—<br /> +<span class='pagenum'>425</span>A lady of high rank and ample means,<br /> +A widow, too, with kind and gentle ways.<br /> +I knew not then that she was not my mother;<br /> +But dying when I yet was but a child,<br /> +I was put early to a seminary.<br /> +It may be I inherited her fortune,<br /> +And out of this expenses are disbursed.<br /> +When young I made no strict inquiries<br /> +As to my origin. Those around me<br /> +Told me but little, but I think I heard<br /> +I was adopted by this widow lady.<br /> +More I ne'er cared to know, until of late,<br /> +Being stung by the count's taunt of spurious birth,<br /> +I challenged him and killed him in a duel.<br /> +And now I fain would have the myst'ry cleared,<br /> +E'en should the certain knowledge gall my soul<br /> +And I in truth should be a gipsy bastard.<br /> +It may be that he spoke the truth. But how<br /> +Did he come to know of it? Or, if truth,<br /> +That truth was spoke in insult, and so ta'en.<br /> +He who would call me gipsy, let him fear<br /> +My gipsy blood. Let who would call me bastard<br /> +Prepare to feel the sting a bastard feels. <span class="ralign">[<i>Touching his sword hilt.</i></span><br /> +<br /> +<span class="charnam">D. Alf.</span> Chafe not thyself; the deed is done. No more<br /> +Mar not the precious moments of our parting<br /> +<span class='pagenum'>426</span>With fiery words, like braggadocio,<br /> +Or vain lamentings of the fatal past,<br /> +But let us rather draw unto the table,<br /> +And o'er a merry flask of Val de Peñas<br /> +Strive to forget all sorrow.<br /> +<br /> +<span class="charnam">D. Pas.</span> <span style="margin-left: 7em;">So say I;</span> <span class="ralign">[<i>Seating themselves at the table.</i></span><br /> +And here's to thy safe journey and return<br /> +To thy most beloved Salamanca.<br /> +And here's to the eyes that await thee there.<br /> +Here's also to the delicate moustache——<br /> +<br /> +<span class="charnam">D. Alf.</span> Enough, enough, my friend. Such toasts as these<br /> +Keep for thyself. I've other ends in view.<br /> +I have to carve my passage through the world,<br /> +To which no syren's eyes must be a hindrance.<br /> +Wish me but success in all my studies.<br /> +<br /> +<span class="charnam">D. Pas.</span> Ay, so I do, Alfonso, from my heart.<br /> +<br /> +<span class="charnam">D. Alf.</span> As to thyself, Pascual, as it seems<br /> +Thou art but little formed for study, being<br /> +Of a too warm and hasty temperament<br /> +To find much solace in the student's page,<br /> +Preferring lone rambles and sylvan sports<br /> +To the uncertain fame a scholar seeks.<br /> +To thee, and such as thee, the love of woman<br /> +Thy ardent nature will not fail to find<br /> +Out of the many one whom thou canst love.<br /> +May she be virtuous as she is fair,<br /> +And worthy of thy love as thou of hers.<br /> +<br /> +<span class='pagenum'>427</span><span class="charnam">D. Pas.</span> I thank thee, but as yet my heart is whole.<br /> +May I dare hope yet that a time may come<br /> +When a woman's love and a happy home<br /> +To thee may not be all contemptible.<br /> +Heigho!<br /> +<br /> +<span class="charnam">D. Alf.</span> <span style="margin-left: 3em;">Thou sighest. Sure thou art in love.</span><br /> +<br /> +<span class="charnam">D. Pas.</span> Not so, my friend, not yet.<br /> +<br /> +<span class="charnam">D. Alf.</span> <span style="margin-left: 7em;">Then wherefore sigh?</span><br /> +<br /> +<span class="charnam">D. Pas.</span> Thou hast awoke strange mem'ries in my mind—<br /> +Events long past that I'd but all forgot.<br /> +'Tis nothing, thou'lt say—mere childish fancy.<br /> +Prithee, friend Alfonso, tell me one thing.<br /> +Dost really think I come of gipsy blood?<br /> +<br /> +<span class="charnam">D. Alf.</span> What! Is it there the shoe still pinches? Ha!<br /> +Fill up another bumper of this wine<br /> +And wash down the word, else it will choke thee.<br /> +<br /> +<span class="charnam">D. Pas.</span> Nay, I am serious, and would have thy word.<br /> +Tell me in honour, now, what thou dost think.<br /> +<br /> +<span class="charnam">D. Alf.</span> Bah! What matters it? Thou art somewhat dark;<br /> +But, as thou well sayst, so are all our race.<br /> +<br /> +<span class="charnam">D. Pas.</span> True. But what think'st thou?<br /> +<br /> +<span class="charnam">D. Alf.</span> <span style="margin-left: 6em;">Faith! I cannot tell.</span><br /> +Perhaps over dark for a Castilian.<br /> +<br /> +<span class="charnam">D. Pas.</span> Ha! Say'st thou so? I've long thought so myself.<br /> +And what confirms me in the thought is this,<br /> +<span class='pagenum'>428</span>That ever since my earliest youth I've felt<br /> +A strange affection for these gipsy tribes—<br /> +A sympathy for their wild wandering life<br /> +And fierce impatience at the cold restraints<br /> +By which well-bred society doth cramp<br /> +Our fervid passions. Friend, thou knowest me well.<br /> +Thou sayest well I am not formed for study,<br /> +That is to say, such studies as thine own—<br /> +Th' intricacies of law, philosophy,<br /> +The mysteries of theology, and all<br /> +The lore for which you students sap your youth.<br /> +My book is nature. In the open fields<br /> +I've loved to lie at night and watch the stars,<br /> +The various aspects of the changing moon,<br /> +Or on the giddy mountain peak at morn<br /> +To view the first beams of the rising sun<br /> +As from the rosy horizon it climbs<br /> +Up towards the purple zenith. At midday<br /> +I love to rest me in the sylvan shade<br /> +And watch the deer grazing on the rich turf,<br /> +Or else in company of some jovial friends,<br /> +Hunt these poor denizens from their peaceful haunts,<br /> +And, heated with the chase, dismount and slake<br /> +My parching thirst from out the neighbouring brook.<br /> +<span class='pagenum'>429</span>Full oft in my wild wanderings I have passed<br /> +Through desert places, where no dwelling was,<br /> +And, overcome by hunger and fatigue,<br /> +Have well nigh fainted, but in such cases,<br /> +When human hospitality doth fail<br /> +Nature comes to the rescue and procures<br /> +Its roots and berries, sometimes luscious fruit:<br /> +And thus I've journeyed often from my youth,<br /> +Encountering many dangers in my path.<br /> +Twice captured by the brigands, nor set free<br /> +Without heavy ransom. More than once<br /> +I've 'scaped unaided from the blades of ruffians,<br /> +But not unscathed, and fighting hand to hand.<br /> +I've also fallen in with the gipsy tribes,<br /> +And lived among them, too, in early youth,<br /> +Till I became familiar with their tongue,<br /> +Their life and customs, for when yet a child<br /> +They stole me from my friends, whoe'er they were,<br /> +But I was rescued, and the dusky tribe<br /> +Were driven out from that part of the land.<br /> +Among my early reminiscences<br /> +I can recall the tall and bronzed form<br /> +Of one who should have been the queen of them,<br /> +For so I've heard her styled. I met her oft;<br /> +And when I first remember her she bore<br /> +A countenance as beautiful as day.<br /> +I have not seen her now for many years.<br /> +<span class='pagenum'>430</span>When last I met her I could plainly see<br /> +That time and trouble and a roving life<br /> +Had left their stamp upon her dusky brow.<br /> +But I had nought to fear from <i>her</i>. The crone<br /> +Would call me to her and caress me, too;<br /> +Call me endearing names, and, as a proof<br /> +Of further love, she gave this ring to me;<br /> +Made me swear it ne'er should leave my finger,<br /> +And that some day it would protect my life.<br /> +For should I fall in with the gipsy band,<br /> +On seeing this token they would let me pass<br /> +Without let or hindrance, so she said.<br /> +For years I have not seen the gipsy band,<br /> +And therefore have not put it to the proof;<br /> +But still I've kept my vow, and from that time<br /> +I ne'er have doffed it. And now tell me, friend,<br /> +If what I've just told you does not prove<br /> +Me sprung from gipsy blood?<br /> +<br /> +<span class="charnam">D. Alf.</span> <span style="margin-left: 10em;">We cannot help</span><br /> +Our birth. What matters it our parentage?<br /> +<br /> +<span class="charnam">D. Pas.</span> Thou seest not, then, what it is that galls me.<br /> +List. If I be of gipsy origin,<br /> +I must be likewise bastard, for whoe'er<br /> +Did hear of legal marriage in a case<br /> +Of love 'twixt Christian and a gipsy maid?<br /> +Knowest thou not what the term "bastard" means?<br /> +<span class='pagenum'>431</span>Could I once but meet my spurious father,<br /> +He should account for sending me adrift<br /> +And nameless through the world, or I'd know why.<br /> +For know, whate'er my origin may be,<br /> +I have been brought up as a gentleman,<br /> +And hope to marry one of gentle blood.<br /> +What proud Castilian family would mate<br /> +A cherished daughter to a lineage soiled?<br /> +<br /> +<span class="charnam">D. Alf.</span> I do acknowledge thy perplexity.<br /> +But bastard though thou beest, thou'rt still a man.<br /> +Would'st 'rase the bar sinister from thy shield,<br /> +Or, what is much the same, cast it i' the shade,<br /> +So that it appear not for the lustre<br /> +Of thy many and resplendent virtues?<br /> +Make thy name famous. Fame, however bought,<br /> +Hath ne'er failed to win the heart of woman.<br /> +A woman's heart being once securely won,<br /> +The vict'ry's thine. Th' obstacles that follow<br /> +Thou'lt find will not be insurmountable;<br /> +I mean, to gain the parents' full consent.<br /> +But he must fight who'd win. And now, adieu<br /> +I have no time to tarry longer. See,<br /> +My mule is saddled, and I must away.<br /> +Detain me not, my friend, for I would fain<br /> +Reach the adjacent township ere nightfall.<br /> +<br /> +<span class='pagenum'>432</span><span class="charnam">D. Pas.</span> Bless thee, Alfonso, and fortune speed thee.<br /> +<br /> +<span class="charnam">D. Alf.</span> The like to thee, Pascual, from my heart.<br /> +</p> + +<p class="right">[<i>They embrace. Exit Alfonso. Pascual +remains behind and waves his handkerchief +from the terrace.</i></p> + +<p> +<span class="charnam">D. Pas.</span> Adios! He is gone. His ambling mule<br /> +Has borne its gallant freight far out of sight.<br /> +Farewell, Alfonso. Fortune be thy guide,<br /> +Truest of comrades, best of counsellors,<br /> +Ride <i>thou</i>, my friend, towards fame, whilst I, Pascual,<br /> +Like Cain, must roam the earth, a vagabond,<br /> +Flying the face of man, by man pursued;<br /> +A price set on my head. Not merely bastard,<br /> +But vagabond! What was't he said of fame?<br /> +He mocked me. Fame for an outlawed gipsy!<br /> +An it be not such fame the gallows brings,<br /> +Write me down lucky. Would not an attempt<br /> +To bring my name to light sign my death warrant?<br /> +My friend thought not of this. For such as I<br /> +The monast'ry's sequestered cell were good,<br /> +Rather than fame. But courage yet! I feel<br /> +The blood of our dark race boil in my veins,<br /> +And cry shame on my fears. Then fame be it,<br /> +But not that fame Alfonso wrings from books.<br /> +Not that for me. The valour of my arm,<br /> +The patient wasting of my hardy frame<br /> +<span class='pagenum'>433</span>Shall win the fame I seek. For I recall<br /> +The words long spoken, and but all forgot,<br /> +By that same gipsy queen when first she gazed<br /> +Into my infant palm. "Hail to thee, child!<br /> +For thou beneath a lucky star was born.<br /> +Fortune," she said, "hath marked thee for her own."<br /> +These are the words. I cannot choose, but trust.<br /> +Shine out, my star, since thou dost lead me on,<br /> +For as the loadstone draws the unwilling steel<br /> +Unto itself, so man is led by fate.<br /> +Avaunt, base fear, and fortune, thus I seize thee. <span class="ralign">[<i>Exit.</i></span><br /> +</p> +</div> + + +<p class="iblockquot"><span class="smcap">Scene II.</span>—<i>A wild ravine. Gipsies, headed by the +Gipsy Queen, in ambush.</i></p> + +<div class="poem"> +<p> +<span class="charnam">Gip. Q.</span> This way she comes. Now to your work; but mark!<br /> +Exceed not my commands. Do her no harm,<br /> +Show yourselves loyal to your queen, as men,<br /> +And not wild beasts.<br /> +<br /> +<span class="charnam">Several Gipsies.</span> <span style="margin-left: 6em;">Queen, thou shalt be obeyed.</span><br /> +</p> + +<p class="blockquot"><i>Enter</i> <span class="smcap">Donna Inez</span> <i>and</i> <span class="smcap">Pedro</span>, <i>on mules</i>.</p> + +<p> +<span class="charnam">Ped.</span> Cheer up, fair mistress. Banish idle fears.<br /> +Already we've accomplished half our journey.<br /> +Ere sundown we'll have reached your father's castle.<br /> +<span class='pagenum'>434</span>So follow me. Fear not. And as for dreams,<br /> +They are all vain, and bred of convent fare—<br /> +Sickly disease engendered in the mind<br /> +By monkish legends and low superstition,<br /> +Unworthy ladies of your rank. Look ye!<br /> +I, Pedro, now am old, and yet I never<br /> +Have known a dream of mine that did come true.<br /> +No, my young mistress, take Pedro's word for't,<br /> +All dreaming is unhealthy—a bad sign.<br /> +Live well, sleep soundly, and you'll dream no more.<br /> +Dreams proceed but from impaired digestion.<br /> +Take my advice and give no heed to them.</p> +<p class="right">[<i>Gipsies advance suddenly and seize the +bridles.</i></p> + +<p> +<span class="charnam">First Gipsy.</span> Hola! there, good people. Halt and dismount!</p> +<p class="right">[<i>Inez screams and falls against Pedro.</i></p> + +<p> +<span class="charnam">Inez.</span> Pedro, protect me. Oh, holy Virgin!<br /> +Oh, blessed saints and souls in purgatory!<br /> +Have mercy on us, or we're lost, O God!<br /> +Pedro, dost hear? Assist me. Fly! Call. Help!<br /> +<br /> +<span class="charnam">Ped.</span> Help, help! To the rescue, I say. What ho!<br /> +<br /> +<span class="charnam">Second Gipsy.</span> Any attempt at flight or cry for help<br /> +Is vain, and may prove fatal. Come, dismount.<br /> +<br /> +<span class="charnam">Inez.</span> Oh, saints! The very faces, I declare,<br /> +<span class='pagenum'>435</span>That I saw in my dream—and dreams are false.<br /> +Holy Virgin, protect us. Help, I say!<br /> +<br /> +<span class="charnam">Third Gipsy.</span> Ay, call upon your saints. Call on, call on!<br /> +And see if they'll come to your assistance.<br /> +<br /> +<span class="charnam">First Gipsy.</span> An you cease not your screaming, you'll be gagged.</p> + +<p class="right">[<i>Pedro and Inez dismount.</i></p> + +<p> +<span class="charnam">Gip. Q.</span> Come, no rough treatment to this young lady,<br /> +Or it will be the worse for some of you.<br /> +Tie up the mules and bind the serving man,<br /> +That he escape not, and so call for help.<br /> +As to this damsel, leave her all to me.<br /> +(<i>To Inez</i>) Young lady, have no fear, for I am one<br /> +Who can command th' entire gipsy band,<br /> +Who are my serfs and tremble at my frown.<br /> +An you be docile, they shall do no harm.<br /> +Raise but your voice, and I will have you bound.<br /> +But I, the gipsy queen, would be your friend;<br /> +And soon you shall acknowledge me as such;<br /> +But not just now. (<i>To the gipsies</i>) Bind not the young lady<br /> +Unless she call for help or attempt to escape.<br /> +(<i>To Inez</i>) And you, young lady, courage. Tremble not.<br /> +Think not I crave your pelf or trinkets rare.<br /> +I have no need. Thyself 'tis I'ld detain.<br /> +<br /> +<span class="charnam">Inez.</span> And why, O strange, O dread, mysterious queen,<br /> +All powerful amongst thy dusky band,<br /> +<span class='pagenum'>436</span>If, as thou sayst, thou hast no need of pelf,<br /> +And canst and wilt protect me from the hands<br /> +Of thy half-savage subjects, wherefore then<br /> +Detain a poor and simple maiden bound<br /> +For her paternal castle, having left<br /> +The Convent of St. Ursula this morn?<br /> +<br /> +<span class="charnam">Gip. Q.</span> Oh, of your story I am well informed.<br /> +Better, perchance, than what you are yourself.<br /> +For am I not a gipsy? Know we not<br /> +By the aspect of the heavenly bodies<br /> +All events that are about to happen?<br /> +As to my object in detaining you<br /> +Let it suffice you I have an object,<br /> +Which you shall know hereafter. (<i>To gipsies</i>) Guard her close.<br /> +Methought I did hear footsteps, but 'tis nought.<br /> +</p> + +<p class="blockquot"><i>Enter hastily</i> <span class="smcap">Pascual</span> <i>with a drawn sword</i>.</p> + +<p> +<span class="charnam">Pas.</span> This way I heard the cries. How now! What's this?<br /> +Hell and furies! A chaste and lovely maid<br /> +Attacked by dusky ruffians! Halt! Forbear!<br /> +For, by my soul, I swear I will not leave<br /> +One black hide whole among ye, an ye dare<br /> +To touch a single hair of her fair head.<br /> +<br /> +<span class="charnam">Gip. Q.</span> Disarm that vain and too hot-headed youth.<br /> +</p> + +<p class="right">[<i>Gipsies surround Pascual, who defends +himself desperately, killing and wounding +some of the nearest. Gipsies back +a few paces. Pascual follows, and +cuts through them.</i></p> + +<p><span class='pagenum'>437</span> +Unto him, cowards! Seize the presumptuous fool.<br /> +Hear ye not, slaves? What! Is a single arm,<br /> +And that, too, of a pampered gentleman,<br /> +Too much for ye? Shame on ye, cowards, slaves!<br /> +<br /> +<span class="charnam">First Gipsy.</span> Yield, fellow! and put up thy silly skewer,<br /> +An thou be not a-weary of thy life.<br /> +<br /> +<span class="charnam">Pas.</span> Never! Whilst yet a drop of my heart's blood<br /> +Flows freely in my veins. By heaven, I swear<br /> +I will release yon damsel ere I die!<br /> +<br /> +<span class="charnam">Second Gipsy.</span> Why, who is this, though clad in costly gear,<br /> +Doth fight as desperately as one of us?<br /> +<br /> +<span class="charnam">Third Gipsy.</span> Beware, young man! We do not seek thy life;<br /> +Yield up thyself. Ask pardon of our queen,<br /> +And we will let thee live.<br /> +<br /> +<span class="charnam">Pas.</span> (<i>Still fighting.</i>) <span style="margin-left: 3em;">Base curs, avaunt!</span><br /> +My life is nothing. Take it an ye list,<br /> +Though ye shall buy it dearly. 'Twill console<br /> +My parting spirit somewhat but to know<br /> +That it hath rid the surface of the earth<br /> +Of even a few of such vile scum as ye.<br /> +<br /> +<span class="charnam">First Gipsy.</span> Such words to us! Have at thee then, proud youth.<br /> +</p> + +<p class="right">[<i>Wounds Pascual on the head, whilst +others attempt to bind him, but he +liberates himself and continues fighting.</i></p> + +<p><span class='pagenum'>438</span> +<span class="charnam">Inez.</span> He bleeds! he bleeds! Saints, help the noble youth<br /> +Who, at the cost of his young precious life,<br /> +Would save us both. I fear he's killed. Oh, help! <span class="ralign">[<i>Screams and faints.</i></span><br /> +<br /> +<span class="charnam">Gip. Q.</span> Hush! minion, or that cry will be thy last.<br /> +<br /> +<span class="charnam">A Wounded Gipsy.</span> Look, she faints!<br /> +<br /> +<span class="charnam">Another Gipsy.</span> <span style="margin-left: 6em;">Bah! 'tis but a trick to 'scape</span><br /> +The easier in the confusion.<br /> +Look well to her.<br /> +<br /> +<span class="charnam">Gip. Q.</span> <span style="margin-left: 6em;">Make room for me, ye slaves.</span><br /> +I fear no mortal man. Leave him to me.<br /> +Sirrah! put down your sword.<br /> +<br /> +<span class="charnam">Pas.</span> <span style="margin-left: 10em;">Never, vile crone.</span><br /> +<br /> +<span class="charnam">Gip. Q.</span> (<i>Disarming him with her staff.</i>)<br /> +Then there it lies, thou vain, presumptuous youth.</p> +<p class="right">[<i>Murmurs of applause among the gipsies.</i></p> + +<p> +<span class="charnam">Pas.</span> Disarmed! And by a woman! Ha! I faint. <span class="ralign">[<i>Staggers and falls.</i></span><br /> +<br /> +<span class="charnam">Gip. Q.</span> He faints from loss of blood. Bind up his wounds.<br /> +He hath fought well. I tell ye, dusky slaves,<br /> +This youth to-day hath put ye all to shame.<br /> +Do him no hurt. I e'er respect the brave.<br /> +He in a sacred cause fought valiantly;<br /> +And, faithful to his generous Christian creed,<br /> +Did seek to wrest the innocent from wrong.<br /> +<br /> +<span class="charnam">First Gipsy.</span> Thou wert not wont to praise the Christians, Queen,<br /> +<span class='pagenum'>439</span><br /> +<span class="charnam">Gip. Q.</span> I praise that creed that shows forth in its works<br /> +The principles of manhood. Would that thine<br /> +Had taught thee what this Christian's has taught him.<br /> +<br /> +<span class="charnam">First Gipsy.</span> (<i>To Second Gipsy</i>). The queen doth mock us, calls us cowards, slaves;<br /> +And yet we did our best; but, to say sooth,<br /> +He set upon us in such furious haste,<br /> +Such blind and desperate rage, that we did gape<br /> +With sheer wonder, and stand aghast with awe<br /> +At's prowess, when we should have been fighting.<br /> +<br /> +<span class="charnam">Second Gipsy.</span> Ay, none but a madman tired of his life<br /> +Had fought so desperately.<br /> +<br /> +<span class="charnam">Third Gipsy.</span> <span style="margin-left: 9em;">The maid recovers.</span><br /> +<br /> +<span class="charnam">Inez.</span> (<i>Recovering.</i>) Where am I? Ah! then 'tis no dream; 'tis true.<br /> +Where's my preserver? Let me straight to him,<br /> +That I may thank him on my bended knees<br /> +For all his deeds to-day.<br /> +<br /> +<span class="charnam">A Gipsy.</span> <span style="margin-left: 6em;">There, low he lies.</span><br /> +<br /> +<span class="charnam">Inez.</span> (<i>Rising and advancing towards Pascual</i>). What! dead! Oh, heavens! Grant it be not so.<br /> +Look, now he moves; then life is not extinct.<br /> +Thank God for this! Hail, generous friend! What cheer?<br /> +<br /> +<span class="charnam">Pas.</span> 'Tis but a bruise, fair maid; 'twill soon be well.<br /> +<br /> +<span class="charnam">Inez.</span> God grant it may.<br /> +<span class='pagenum'>440</span><br /> +<span class="charnam">Gip. Q.</span> <span style="margin-left: 5em;">Here, girl, take this balsam.</span><br /> +It is a gipsy cure for all such wounds.<br /> +One fair action doth demand another:<br /> +For you he shed his blood, thinking that we<br /> +Did mean you harm. (How should he tell, poor youth?)<br /> +Return now you the courtesy, fair maid;<br /> +Bind up his wounds. Anon I will assist. +</p> + +<p class="right">[<i>Inez commences binding up Pascual's head. +The gipsies retire a few paces. The +Gipsy Queen fetches water in a gourd.</i></p> + +<p> +Quaff from this gourd, young man. The flowing rill<br /> +Doth yield thee medicine. <span class="ralign">[<i>Pascual drinks.</i></span><br /> +<span style="margin-left: 2em;">Ha! what is this?</span><br /> +Shade of my father Djâbel! it is <i>he</i>!<br /> +My long lost son! my own, my valiant boy:<br /> +Methought I knew that semi-gipsy form.<br /> +The very ring, too, wrought in virgin gold<br /> +And graven o'er with mystic hieroglyphics—<br /> +An heirloom of our tribe that I him gave<br /> +With my maternal blessing years gone by,<br /> +And he hath kept till now. God, I thank thee.<br /> +Oh, how I long to press him to this breast!<br /> +This breast that nurtured him and gave him strength!<br /> +But patience; too precipitous a step<br /> +<span class='pagenum'>441</span>May mar my plans. Enough, I've found my son.<br /> +Oh, ye great Powers that move earth and heaven,<br /> +Accept a mother's thanks! I faint for joy.<br /> +<br /> +<span class="charnam">First Gipsy.</span> How far'st thou, noble Queen? Thou art not well.<br /> +<br /> +<span class="charnam">Gip. Q.</span> Nay, marry, I am well. I'm over well. <span class="ralign">[<i>Staggering.</i></span><br /> +<br /> +<span class="charnam">Second Gipsy.</span> Look to our queen. She faints. Art wounded, queen?<br /> +<br /> +<span class="charnam">Gip. Q.</span> (<i>Mastering herself.</i>) Nay, look, I faint not. I am very well.<br /> +<br /> +<span class="charnam">Third Gipsy.</span> Some strong emotion seems to have stirred our Queen<br /> +But yet she masters it. How brave a spirit!<br /> +</p> + +<p class="right">[<i>Gipsies retire some paces and converse in +groups. Gipsy Queen remains a +little distance off, watching Inez and +Pascual. A hunter passes above unseen.</i></p> + +<p> +<span class="charnam">Hunter.</span> (<i>Aside.</i>) What's this? Whom have the gipsies captured now?<br /> +A fair maid and a gallant cavalier;<br /> +And who is he, yon serving-man, bound there?<br /> +I ought to know his face. Why is not he<br /> +Don Silvio's servant Pedro? Sure it is,<br /> +For oft I've parleyed with him when at times<br /> +I've brought the game up to his master's hall.<br /> +And these two gentle-folks I ween must be<br /> +<span class='pagenum'>442</span>Guests at Don Silvio's castle. Ah, the knaves!<br /> +The arrant gipsy knaves! I'll dog them yet.<br /> +I've my own private wrongs that seek redress:<br /> +And I'll be even with them, by the saints!<br /> +At once I'll off unto Don Silvio's hall,<br /> +And warn him of the danger to his guests.<br /> +It may be he'll reward me slightly, though<br /> +They say that his is but a stingy house.<br /> +Still, this much for humanity I'll do. <span class="ralign">[<i>Exit.</i></span><br /> +<br /> +<span class="charnam">D. Pas.</span> (<i>to Inez.</i>) Nay, I assure you, dearest——<br /> +<br /> +<span class="charnam">Inez.</span> <span style="margin-left: 12em;">Hush! Señor.</span><br /> +It ill becomes a maid of gentle blood<br /> +Unblushingly to listen to the vows<br /> +And fervid protestations of a knight<br /> +Upon such slight acquaintance.<br /> +<br /> +<span class="charnam">D. Pas.</span> <span style="margin-left: 10em;">Lovely child!</span><br /> +Bid me but hope, and I will rest content.<br /> +<br /> +<span class="charnam">Inez.</span> Nay, talk not thus, Señor. Pray calm yourself.<br /> +Bethink you that your wound is not yet healed.<br /> +You're faint from loss of blood. These ecstacies<br /> +May e'en prove fatal. Do thyself no harm.<br /> +<br /> +<span class="charnam">D. Pas.</span> I feel recovered in that thou bidst me live;<br /> +And so will do thy bidding, fairest maid,<br /> +And live but for thy service and thy love.<br /> +<br /> +<span class="charnam">Inez.</span> Good saints in Heaven! Will nothing calm thy tongue?<br /> +Hush, hush, Señor, I pray. I may not listen.<br /> +I am your debtor, or I'd take offence<br /> +At too much boldness.<br /> +<br /> +<span class="charnam">D. Pas.</span> <span style="margin-left: 7em;">Be not harsh, fair maid,</span><br /> +<span class='pagenum'>443</span>I meant not to be overbold. I swear<br /> +I would the tongue that could give thee offence<br /> +Were wrenched from out my throat. Oh, pity me!<br /> +It was thy beauty that inflamed me so.<br /> +<br /> +<span class="charnam">Inez.</span> If so, I must retire, and leave you to<br /> +The care and guidance of the gipsy queen.<br /> +<br /> +<span class="charnam">D. Pas.</span> Thou couldst not be so cruel. What! debar<br /> +Your wounded knight, in this wild barren spot,<br /> +From the sunshine of those heavenly orbs.<br /> +Then bid me bleed to death. My life is thine.<br /> +<br /> +<span class="charnam">Inez.</span> (<i>Aside</i>) Poor youth! How full of passion are his words!<br /> +I feel he loves me, and I do repent<br /> +That I have spoke too harshly. Woe is me!<br /> +(<i>Aloud.</i> ) Fret not. I did but threaten, gentle youth!<br /> +I will not leave thee.<br /> +<br /> +<span class="charnam">D. Pas.</span> <span style="margin-left: 6em;">Oh, say that again.</span><br /> +Thou wilt not leave me.<br /> +<br /> +<span class="charnam">Inez.</span> (<i>Confused.</i>) <span style="margin-left: 3em;">That is, not yet.</span><br /> +I mean——<br /> +<br /> +<span class="charnam">D. Pas.</span> Nay, qualify not what was once well said;<br /> +I hold thee to thy word. Thou must not leave me.<br /> +<br /> +<span class="charnam">Inez.</span> Thou wouldst extort a promise. Be but calm,<br /> +Obey my orders until thou be well,<br /> +And I know not what I may not promise.<br /> +<span class='pagenum'>444</span><br /> +<span class="charnam">D. Pas.</span> I will obey thee, maid.<br /> +<br /> +<span class="charnam">Inez.</span> <span style="margin-left: 5em;">Then now be still.</span><br /> +<br /> +<span class="charnam">Gip. Q.</span> (<i>Aside.</i>) Drift on, young turtle doves, adown the stream<br /> +The balmy course the stars map out for ye.<br /> +Pepa can look on at the joys of others<br /> +That were denied herself, unenvying.<br /> +But mark, Pascual, if thou dost inherit<br /> +But one drop of thy hated father's blood,<br /> +Whose cursed name shall ne'er more pass my lips,<br /> +And thou, with subtle wile, like to thy sire,<br /> +Should first attempt to gain the trusting love<br /> +Of this fair damsel, and then betray her,<br /> +I, Pepa, though thy mother, with this hand<br /> +Will quench that spark of life I gave to thee.<br /> +</p></div> + + +<p class="iblockquot"><span class="smcap">Scene III.</span>—<i>Study of Don Silvio. D. Silvio is discovered +pacing up and down dejectedly.</i></p> + +<div class="poem"> +<p> +<span class="charnam">D. Sil.</span> The day wears on, and still there is no sign<br /> +Of Pedro and my daughter. 'Tis full time.<br /> +It wants an hour to sundown; and ere then<br /> +I dread another visit from Don Diego;<br /> +Before this sand is spent he will be here.<br /> +He never yet did come behind his time.<br /> +Hark! I hear footsteps in the corridor.<br /> +<span class='pagenum'>445</span>'Tis he. He's come for news about my daughter.<br /> +This the very night, too, of the wedding.<br /> +What shall I say to him, or how shall I——?<br /> +</p> + +<p class="blockquot"><i>An abrupt knock at the door of the study, and enter</i> <span class="smcap">Don Diego</span>.</p> + +<p> +<span class="charnam">D. Die.</span> Well, friend Silvio, well. Art thou nigh prepared?<br /> +Where is the gentle Inez? Bring her forth.<br /> +<br /> +<span class="charnam">D. Sil.</span> (<i>Humbly.</i>) Worthy Don Diego, I do much regret<br /> +My daughter Inez has not yet arrived.<br /> +<br /> +<span class="charnam">D. Die.</span> Not yet arrived! Why it's long past the time.<br /> +<br /> +<span class="charnam">D. Sil.</span> I doubt not but what she will soon be here.<br /> +<br /> +<span class="charnam">D. Die.</span> Soon! Didst thou say soon? Ay, marry ought she,<br /> +An she left St. Ursula's at daybreak.<br /> +Stay, this casement that opens towards the west<br /> +Ought to command a wide extensive view.<br /> +Lo! yonder lies the road that she should come;<br /> +My sight is good, an yet I see no one.<br /> +(<i>Suspiciously</i>) Hark ye, Don Silvio. Some new wile is this.<br /> +<br /> +<span class="charnam">D. Sil.</span> Nay, on mine honour, Diego. Think not thus.<br /> +Be patient yet awhile and thou shalt see——<br /> +<br /> +<span class="charnam">D. Die.</span> Patience! What, patience! But I'll have my bond.<br /> +</p> + +<p class="blockquot"><i>Enter</i> <span class="smcap">Rodriguez</span> <i>frantically</i>.</p> + +<p> +<span class='pagenum'>446</span><span class="charnam">Rod.</span> Oh, holy Virgin and good saints in Heaven!<br /> +Oh, blessed martyrs! Souls in Purgatory!<br /> +Would that Rodriguez ne'er had seen this day!<br /> +Oh, holy saints! Have mercy on us now!<br /> +<br /> +<span class="charnam">D. Sil.</span> How now, Rodriguez! What means all this riot?<br /> +<br /> +<span class="charnam">Rod.</span> Oh, peace! my master! Hold me ere I faint.<br /> +<br /> +<span class="charnam">D. Sil.</span> Speak! Rodriguez.<br /> +<br /> +<span class="charnam">Rod.</span> <span style="margin-left: 7em;">Alack! Alack! the day.</span><br /> +<br /> +<span class="charnam">D. Sil.</span> Nay, cease thy sobs, and more explicit be.<br /> +<br /> +<span class="charnam">Rod.</span> Oh, holy San Antonio be our guide!<br /> +My master, what ill luck's befallen the house!<br /> +<br /> +<span class="charnam">D. Die.</span> Explain thyself, vile hag, and prate no more!<br /> +<br /> +<span class="charnam">Rod.</span> Oh, mercy on us! I can't speak for sobbing.<br /> +Oh, what disaster! Oh, what dire mishap!<br /> +Help us, ye saints.<br /> +<br /> +<span class="charnam">D. Die.</span> <span style="margin-left: 7em;">This is past all bearing!</span><br /> +Speak out, thou limb of Satan, or I swear<br /> +By the foul fiend that 'gat thee, I will force<br /> +The lying words from out thy strumpet's throat.<br /> +<br /> +<span class="charnam">Rod.</span> Nay, good my liege, be calm. I'll tell you all.<br /> +The Lady Inez——<br /> +<br /> +<span class="charnam">D. Die.</span> <span style="margin-left: 6em;">Ha! and what of her?</span><br /> +<br /> +<span class="charnam">Rod.</span> In sooth, my lord, but I am very faint.<br /> +<br /> +<span class="charnam">D. Sil. and D. Die.</span> (<i>Angrily.</i>) Speak out! Speak out!<br /> +<span style="margin-left: 2.5em;">Alack! and well-a-day!</span><br /> +<br /> +<span class="charnam">D. Die.</span> Zounds!<br /> +<br /> +<span class="charnam">Rod.</span> <span style="margin-left: 3em;">The Lady Inez and good Pedro</span><br /> +Started from St. Ursula's this morning<br /> +<span class='pagenum'>447</span>Upon their mules, and were about half-way<br /> +Upon their journey, when from ambush sprang<br /> +Some dusky ruffians of the gipsy band,<br /> +Who, having bound, robbed, and detained the pair——<br /> +<br /> +<span class="charnam">D. Sil.</span> My daughter captured by the gipsies! Oh! <span class="ralign">[<i>Groans bitterly.</i></span><br /> +<br /> +<span class="charnam">D. Die.</span> Foul hag, thou liest. Now hark ye, Silvio.<br /> +This is some farce got up to play me false.<br /> +But think not, sirrah, to elude me thus.</p> +<p class="right">[<i>Drawing his sword and seizing Don Silvio by the throat.</i></p> +<p>Traitor! tell me where hast hid thy daughter.<br /> +<br /> +<span class="charnam">Rod.</span> (<i>Rallying, and throwing herself between them.</i>)<br /> +Help! Murder! Help! Oh, help! What ho! Help! Help!<br /> +Don Silvio to the rescue! Help! I say.<br /> +<br /> +<span class="charnam">D. Die.</span> (<i>Leaving hold of Don Silvio, fells Rodriguez +with the pommel of his sword.</i>)<br /> +Peace, harlot, or this blade shall make thee dumb.<br /> +Arise, and tell me whence thou hadst this news.<br /> +Beware now how thou tell me aught but truth,<br /> +For by this hand! an thou dost play me false,<br /> +I'll have thee burnt alive, or gibbetted<br /> +From the highest turret of this castle.<br /> +<br /> +<span class="charnam">Rod.</span> My noble liege, would that it were not true.<br /> +A hunter, an eye-witness of the scene,<br /> +Did bring the news unto your servant Juan.<br /> +<br /> +<span class='pagenum'>448</span> +<span class="charnam">D. Die.</span> My servant Juan! Why, then the tale is true!<br /> +No serf of mine would dare tell <i>me</i> a lie.<br /> +Go, call him hither.<br /> +<br /> +<span class="charnam">Rod.</span> <span style="margin-left: 7em;">He is at the door.</span> <span class="ralign">[<i>Exit Rodriguez.</i></span><br /> +</p> + +<p class="blockquot"><i>Enter</i> <span class="smcap">Juan</span>.</p> + +<p> +<span class="charnam">D. Die.</span> How now, Juan! Say, can this wild tale be true?<br /> +What has happened to the Lady Inez?<br /> +<br /> +<span class="charnam">Juan.</span> My lord, as I heard it you shall hear it.<br /> +A certain hunter——<br /> +<br /> +<span class="charnam">D. Die.</span> <span style="margin-left: 8em;">Stay, where is this man?</span><br /> +<br /> +<span class="charnam">Juan.</span> He is without, my lord.<br /> +<br /> +<span class="charnam">D. Die.</span> <span style="margin-left: 9em;">Then call him here.</span></p> +<p class="right">[<i>Exit Juan and re-enter with hunter.</i></p> + +<p> +<span class="charnam">Hunter.</span> (<i>Bowing to Don, Diego and Don Silvio.</i>) My noble lords——<br /> +<br /> +<span class="charnam">D. Die.</span> <span style="margin-left: 6em;">Hold! sirrah. Say, can'st thou</span><br /> +Upon thy oath affirm, thy hopes of Heaven,<br /> +That thou wert an eye-witness to this scene?<br /> +If so, relate to us in fewest words<br /> +How the case happened, and the where, the when.<br /> +<br /> +<span class="charnam">Hunt.</span> Then thus it came about, my liege. As I<br /> +Was wandering, towards mid-day, among the<br /> +Many rocks and fissures of these mountainous ranges,<br /> +Armed with my carbine, in search of game,<br /> +As is my daily wont, I came upon<br /> +<span class='pagenum'>449</span>A deep ravine, yet hidden from my sight<br /> +By thorns and bushes and like obstacles,<br /> +When soon I heard the hum of human voices.<br /> +The spot, if I may judge well, I should say<br /> +Was half-way 'twixt St. Ursula's and here.<br /> +Well, trampling down the brambles, I stood firm<br /> +Upon the brink of a steep precipice;<br /> +And lo! beneath me was the gipsy gang,<br /> +And chief amongst them, one tall stately form,<br /> +A woman's that would seem to be their queen.<br /> +<br /> +<span class="charnam">D. Die.</span> (<i>Confused</i>) Ahem! Didst say the queen?<br /> +<br /> +<span class="charnam">Hunt.</span> <span style="margin-left: 7em;">Ay, my good lord.</span><br /> +And 'mongst the tribe I saw as captives, soon,<br /> +A gentle damsel and young cavalier.<br /> +<br /> +<span class="charnam">D. Die.</span> How, sayest thou, Sirrah? A young cavalier!<br /> +Sure, 'twas an aged servitor you saw.<br /> +<br /> +<span class="charnam">Hunt.</span> An aged serving-man, 'tis true, there was,<br /> +And tightly-bound that he could not escape;<br /> +I knew him instantly. 'Twas Pedro here,<br /> +Don Silvio's servant.<br /> +<br /> +<span class="charnam">D. Sil.</span> Alas! alas! 'tis true. I was in hopes,<br /> +When the hunter spoke of a young gallant,<br /> +That he had mistaken some other travellers<br /> +For my daughter Inez and my servant.<br /> +But since he saith he knoweth Pedro——<br /> +<br /> +<span class="charnam">D. Die.</span> <span style="margin-left: 14em;">Hold!</span><br /> +The case is not quite clear to me e'en now,<br /> +Silvio! Who's this gallant, as ye term him?<br /> +Speak, for ye ought to know.<br /> +<span class='pagenum'>450</span><br /> +<span class="charnam">D. Sil.</span> <span style="margin-left: 8em;">No, faith, not I.</span><br /> +<br /> +<span class="charnam">D. Die.</span> Proceed then, hunter, with thy story. Quick.<br /> +<br /> +<span class="charnam">Hunt.</span> Well then, my lord, knowing good Pedro's face,<br /> +I did presume that the young gentle pair<br /> +Were visitors, bound for Don Silvio's castle.<br /> +<br /> +<span class="charnam">D. Die.</span> (<i>Musingly.</i>) Young gentle pair—ahem! Well, man, proceed.<br /> +<br /> +<span class="charnam">Hunt.</span> I watched in silence, and they saw me not;<br /> +But still, from out my ambush I did take<br /> +The whole scene in, and it appeared to me<br /> +That the young knight must have resistance made,<br /> +For low he lay, sore wounded in the head,<br /> +While ever and anon the gentle maid<br /> +Would dress his wound, and gaze with tearful eye<br /> +And such a fond affection on her knight.<br /> +<br /> +<span class="charnam">D. Die.</span> (<i>Aside to Don Silvio.</i>) Traitor, thou shalt account to me for this.<br /> +(<i>Aloud to Hunter.</i>) Well, man, proceed. Hast thou ought more to say?<br /> +<br /> +<span class="charnam">Hunt.</span> But little good, my lord; but as I stood<br /> +Watching this trusting, loving, pair——<br /> +<br /> +<span class="charnam">D. Die.</span> (<i>Aside.</i>) <span style="margin-left: 9em;">Damnation!</span><br /> +<br /> +<span class="charnam">Hunt.</span> I thought my heart would bleed from tenderness.<br /> +<br /> +<span class="charnam">D. Die.</span> (<i>Laughs diabolically</i>). Ha, ha! Ha, ha!<br /> +<br /> +<span class="charnam">Hunt.</span> <span style="margin-left: 9em;">So, rising to my feet,</span><br /> +<span class='pagenum'>451</span>But still unseen of any, I did haste,<br /> +As was my bounden duty, to this castle,<br /> +T'inform my lord, Don Silvio, of the fate<br /> +Impending both his servant and his guests.<br /> +<br /> +<span class="charnam">D. Die.</span> Good; look ye, fellow. An thy tale be true,<br /> +Prepare to marshal me the way thyself,<br /> +Without loss of a moment, and may be<br /> +That thou shalt taste my bounty.<br /> +<br /> +<span class="charnam">Hunt.</span> <span style="margin-left: 11em;">Good, my lord;</span><br /> +The sun hath set, and it is growing dark.<br /> +<br /> +<span class="charnam">D. Die.</span> No matter, thou shalt have the better pay.<br /> +<br /> +<span class="charnam">Hunt.</span> As my lord wills.<br /> +<br /> +<span class="charnam">D. Die.</span> <span style="margin-left: 5em;">And Juan, see my charger</span><br /> +Be forthwith saddled. Bid my men-at-arms<br /> +To mount, armed cap-à-pie; whilst such amongst<br /> +The populace as thou canst muster, quick<br /> +Arm thou with pikes and loaded carabines,<br /> +And bid them follow me, their lord, Don Diego.<br /> +Lose not one precious moment, but set forth. <span class="ralign">[<i>Exeunt Juan and Hunter.</i></span><br /> +What, gipsies! vagrants! bastard heathen dogs!<br /> +<i>I'll</i> clear the country of this filthy scum,<br /> +Were it but for the sake of Christendom;<br /> +Maybe that some day they will dub me saint. <span class="ralign">[<i>Exit.</i></span></p> + +<p class="right">[<i>Don Silvio makes a gesture of despair, and +curtain falls.</i></p> + +</div> + +<h4><span class="smcap">End of Act II.</span></h4> + + +<hr style="width: 15%;" /> +<p><span class='pagenum'>452</span></p> +<h3>ACT III.</h3> + +<p class="iblockquot"><span class="smcap">Scene I.</span>—<i>Outside the castle of Don Silvio. The castle +of Don Diego seen in the background, upon the +opposite peak of the mountain. Time: Sunrise. +Don Silvio and Donna Rodriguez.</i></p> + +<div class="poem"> +<p> +<span class="charnam">D. Sil.</span> My tears still blind my eyes. Look out, Rodriguez,<br /> +And see if there be traces of my daughter.<br /> +Alas! alas! this hoary head is bowed<br /> +As 'neath the weight of yet a score of years.<br /> +Oh, Inez, Inez! What a fate is thine!<br /> +An thy young life be spared, could ought repay<br /> +Th' injury done thine honour at the hands<br /> +Of these bold, lawless, gipsies? Woe is me!<br /> +Let me not think on't, or I shall go mad.<br /> +<br /> +<span class="charnam">Rod.</span> My lord, as I stand gazing towards the west,<br /> +Methinks I see a dusty cloud advance;<br /> +As were't a troup of horsemen at full speed,<br /> +And bearing towards the castle. Now I see<br /> +The limbs of horses and the arms of men;<br /> +The sound of human voices, too, I hear,<br /> +And, as they still approach, the distant tramp<br /> +Of horses' hoofs is plainly audible.<br /> +And now, unless my eyesight play me false,<br /> +Foremost among a file of glittering pikes,<br /> +I do discern Don Diego's waving plume.<br /> +'Tis he! and bearing at his saddle bow<br /> +<span class='pagenum'>453</span>My mistress Inez. Oh, thank God! she's safe.<br /> +Do you not hear, my master, what I say?<br /> +Your daughter's safe! Come, cheer up, good my lord.<br /> +<br /> +<span class="charnam">D. Sil.</span> (<i>Musingly</i>). Safe! didst thou say! My daughter's honour safe?<br /> +<br /> +<span class="charnam">Rod.</span> How say you, sir? Her honor! Nay, her life?<br /> +<br /> +<span class="charnam">D. Sil.</span> (<i>Musingly</i>). Life without honor!<br /> +<br /> +<span class="charnam">Rod.</span> <span style="margin-left: 7em;">Sure, my lord's not well!</span><br /> +(<i>Aside.</i>) The blow has been too much for him, and turned<br /> +His aged head. Oh, my poor, poor master!<br /> +I tell him of his daughter's safe return,<br /> +And straight he 'gins to prate about her honor.<br /> +(<i>Aloud.</i>) Look! look! Señor, at yonder cavalcade,<br /> +How it sweeps along; and now, behold,<br /> +Next to Don Diego is his servant Juan;<br /> +And there is Pedro. Bless his good old soul!<br /> +There the valiant hunter. Then all the crowd<br /> +Of vassals and retainers, and the guard, <span class="ralign">[<i>Cheers without.</i></span><br /> +With the armed populace. Hark! What cheering!<br /> +<br /> +<span class="charnam">D. Sil.</span> Is it, indeed, my daughter? Let me see;<br /> +'Tis she, 'tis she; Oh, Inez!<br /> +</p> + +<p class="blockquot"><i>Enter</i> <span class="smcap">Inez</span>, <i>accompanied by</i> <span class="smcap">Don Diego</span>. <i>Behind</i>, +<span class="smcap">Pedro</span>, <span class="smcap">Juan</span>, <span class="smcap">Hunter</span>, <i>and</i> <span class="smcap">Attendants</span>.</p> + +<p><span class='pagenum'>454</span> +<span class="charnam">Inez.</span> (<i>Embracing Don Silvio.</i>) <span style="margin-left: 1em;">Father! Father!</span><br /> +<br /> +<span class="charnam">Rod.</span> My little mistress, Inez! What, no kiss<br /> +For poor old nurse Rodriguez!<br /> +<br /> +<span class="charnam">Inez.</span> (<i>Embracing Rodriguez.</i>) <span style="margin-left: 1em;">Good Rodriguez!</span><br /> +</p> + +<p class="right">[<i>Don Diego comes forward, whilst Inez in +the background appears to be relating +her adventures to Don Silvio and +Donna Rodriguez.</i></p> + +<p> +<span class="charnam">D. Die.</span> (<i>Sotto.</i>) What work I had to quell the dusky band,<br /> +And carry off my prize. God only knows<br /> +How the black caitiffs fought! Like demons damned;<br /> +Incited on by their own swarthy queen,<br /> +My former love. Bah! why recall the past,<br /> +The ebullitions of a youthful lust,<br /> +Now five-and-twenty years agone and more?<br /> +And that at such a moment, too, as this,<br /> +When, acting bridegroom for the second time,<br /> +I now do lay my heart and hand, my wealth,<br /> +My land, and castle, all my fair domain<br /> +At fair Inez' feet. Poor Silvio's daughter!<br /> +A few hour's more, and she will be my own.<br /> +In my own private chapel at midnight,<br /> +And not one minute later, there a priest<br /> +Of my own choice, shall join our hands together.<br /> +'Twixt this and then, I must so use the time<br /> +<span class='pagenum'>455</span>To win her fairly, and by wiles t'efface<br /> +The prejudice young hearts by Nature have<br /> +Against old age. If needs be, I must use<br /> +Dissimulation and well act the saint,<br /> +That she may not give credit to the tales<br /> +That idle gossip may have crammed her with<br /> +Against my moral character. And now<br /> +I do bethink me that the readiest way<br /> +Of all to win her over to my will<br /> +Would be to tempt with goodly bribe her nurse<br /> +(What will not such a woman do for gold?)<br /> +To speak some little word in praise of me;<br /> +Talk of my love for her, my name, my fame,<br /> +My wealth, my virtues. How this match of hers<br /> +Will please her aged father. And again,<br /> +Should she be coy, and wickedly refuse<br /> +The fortune heaven has strewed along her path,<br /> +Let her reflect upon the consequences.<br /> +I would act fair with her, for I'd be loath<br /> +To lead to the altar an unwilling bride<br /> +In sight of all my vassals and retainers.<br /> +Yet, an she yield not (for as yet it seems<br /> +She looks with cold suspicion on my suit),<br /> +Why, then; why, then, however loath to use it,<br /> +Force must accomplish all when goodwill fails.<br /> +I cannot well expect much help at sixty<br /> +From youthful graces, as when first I wooed<br /> +My gipsy queen. <i>There!</i> ever and anon<br /> +From out the past these memories will arise,<br /> +<span class='pagenum'>456</span>Like phantoms, threatening whether I will or no.<br /> +Avaunt! begone! And yet I cannot choose<br /> +But call to mind how, middle in the fray,<br /> +The dead and wounded lying all around,<br /> +Her dusky form arose before my path,<br /> +And all undaunted stood with staff in hand<br /> +And glance so terrible, I would as lief<br /> +Meet with the King of Terrors face to face<br /> +As that same virago. Yet there she stood,<br /> +And with uplifted arm, in clear tones cried,<br /> +"Traitor, beware! Thy star is on the wane,<br /> +Think not to conquer always, for a hand<br /> +Mightier than thine shall yet subdue thee.<br /> +Blood is on thy hand. Thine own blood shall flow.<br /> +The stars foretell thy downfall, so look to it."<br /> +I heard no more, for I had barely placed<br /> +My Lady Inez at my saddle bow,<br /> +Mid smoke of carbines and the clash of arms:<br /> +Myself with drawn sword cutting right and left,<br /> +So could but pay slight heed to what she said,<br /> +And set off homeward with my goodly prize,<br /> +Leaving the baffled foe behind to moan.<br /> +Yet, through the smoke and dust of horses' hoofs,<br /> +Still, for a time, I heard the hellish cry:<br /> +"Vengeance on the traitor! Vengeance, vengeance!"<br /> +I know not why her words cut deeper than<br /> +<span class='pagenum'>457</span>Had they been the words of any other;<br /> +But from <i>her</i> lips they came with such a force,<br /> +They seemed to rend the air, and enter deep<br /> +Into the very caverns of my soul,<br /> +Turning my blood to milk, so that my arm<br /> +Fell nerveless to my side, and my good blade<br /> +Did well-nigh drop from out my hand. But hush!<br /> +It never must be known that Don Diego,<br /> +Though old in years, quailed before tongue of woman.<br /> +Bah! away with all fear of childish threats.<br /> +And, swarthy hag! do thou thy devilmost.<br /> +</p> + +<p class="right">[<i>Inez comes forward, between Don Silvio +and Rodriguez. Don Silvio motions +for Rodriguez to retire. Exeunt Rodriguez +and attendants.</i></p> + +<p> +<span class="charnam">Inez.</span> Nay, one thing still doth mar the joy I feel<br /> +At having passed the dangers of last night.<br /> +Though I stand safely on my father's hearth,<br /> +And see him 'live and well, and know that I<br /> +Have henceforth naught to fear, yet still my thoughts<br /> +Will ever wander towards the gipsy camp,<br /> +Close by the couch of that brave youth who fought<br /> +At cost of his own life, to rescue me<br /> +From out their hands.<br /> +<br /> +<span class="charnam">D. Die.</span> <span style="margin-left: 8em;">How say you, lady fair?</span><br /> +<span class='pagenum'>458</span>What youth? You dream. 'Twas I who rescued you.<br /> +<br /> +<span class="charnam">Inez.</span> Your pardon, sir; but I was safe already.<br /> +I thank you for your courtesy, the same.<br /> +You thought to rescue me.<br /> +<br /> +<span class="charnam">D. Die.</span> <span style="margin-left: 8em;">How now? <i>Thought to?</i></span><br /> +<br /> +<span class="charnam">D. Sil.</span> Friend Diego, the tale runs thus: My daughter,<br /> +Accompanied by our old serving man,<br /> +Had hardly been attacked by the gang<br /> +And forced to dismount, when a comely youth<br /> +Of gentle blood——<br /> +<br /> +<span class="charnam">D. Die.</span> <span style="margin-left: 7em;">Ay, ay, the hunter's story!</span><br /> +<br /> +<span class="charnam">D. Sil.</span> Just so. Well, my daughter says the gipsies<br /> +Meant her no harm. Merely would detain her.<br /> +<br /> +<span class="charnam">D. Die.</span> <i>Meant her no harm!</i> Ha, ha! Gipsies ne'er do.<br /> +<i>Merely detain her!</i> Good again! Ha, ha!<br /> +Only so long as they might hope to get<br /> +A pretty ransom. Why, friend Silvio?<br /> +<br /> +<span class="charnam">D. Sil.</span> The pelf and trinkets that she had upon her<br /> +Were not demanded.<br /> +<br /> +<span class="charnam">D. Die.</span> <span style="margin-left: 7em;">No; 'twas nought to what</span><br /> +They looked forward to as goodly ransom.<br /> +<br /> +<span class="charnam">Inez.</span> Of their motives I know nothing; but she<br /> +Who seemed to be the queen of all the tribe<br /> +Did use to me such courtesy and kindness<br /> +As had she been my mother. Even when<br /> +That noble youth, thinking us in danger,<br /> +<span class='pagenum'>459</span>Rushed in upon them, killing and maiming<br /> +All who dared withstand him, till at length<br /> +Himself, poor soul! fell wounded in my cause.<br /> +E'en then the queen herself had pity on him,<br /> +And helped me bind his wounds.<br /> +<br /> +<span class="charnam">D. Die.</span> <span style="margin-left: 11em;">What of all this?</span><br /> +<br /> +<span class="charnam">Inez.</span> To show you gipsies have good qualities<br /> +E'en as Christians.<br /> +<br /> +<span class="charnam">D. Die.</span> <span style="margin-left: 6em;">Bah! traitors, all of them.</span><br /> +But, what of this young man? This—this——<br /> +<br /> +<span class="charnam">Inez.</span> <span style="margin-left: 14em;">Ah! <i>he</i>,</span><br /> +The noble youth whose bandaged head I still<br /> +Was tending when you did separate us,<br /> +And bore me off? Did you not see him then?<br /> +<br /> +<span class="charnam">D. Die.</span> Ay, some such bastard gipsy dog I saw.<br /> +What! <i>he</i> of noble blood! <i>He</i> a Castilian!<br /> +Some half-bred gipsy. Lady, sure it was<br /> +A worse breed, far, than the pure gipsy born.<br /> +What! think you, that because of borrowed plumes<br /> +The jay will pass for peacock? Or that he,<br /> +A base-born mongrel gipsy, just because<br /> +Decked in the garments of some plundered lord,<br /> +Could e'er deceive the eyes of men like us?<br /> +Nay, lady, I do compassionate you.<br /> +You are young, and the world to you is fresh,<br /> +You know not of its wiles, its vice, its crimes,<br /> +But take all men to be just as they seem.<br /> +Take my experience, lady. I am old.<br /> +<span class='pagenum'>460</span>Not <i>old</i>; but old enough to know the world<br /> +And all its hollowness; and so most fit<br /> +To guide and counsel inexperienced youth.<br /> +Lean then on me, lady. I'll be your staff;<br /> +And trust me faithfully when I tell you<br /> +Not all the learning of the convent cell<br /> +Is worth one ace of that we gain by age.<br /> +<br /> +<span class="charnam">Inez.</span> Enough, sir. That the world is full of sin<br /> +And treachery I ever have been told.<br /> +My aunt, the Lady Abbess, oft would say<br /> +We ever should distrust the tongue of men<br /> +When most persuasive, be they young or old.<br /> +<br /> +<span class="charnam">D. Sil.</span> Come, Inez, thou art tired, and need rest<br /> +After thy troubles and fatigues. (<i>To Don Diego.</i>) My friend,<br /> +You will excuse my daughter for a while,<br /> +I've much to say to her in private.<br /> +<br /> +<span class="charnam">D. Die.</span> <span style="margin-left: 11em;">Good.</span> <span class="ralign">[<i>Exeunt Don Silvio and Inez.</i></span><br /> +Now for my ally. What ho! Rodriguez!<br /> +</p> + +<p class="blockquot"><i>Enter</i> <span class="smcap">Rodriguez</span>.</p> + +<p> +<span class="charnam">Rod.</span> Here I am, good my lord.<br /> +<br /> +<span class="charnam">D. Die.</span> (<i>Caressingly.</i>) <span style="margin-left: 4em;">Good Rodriguez,</span><br /> +I know that thou'rt a good and trusty friend<br /> +Unto this house. That thou lov'st well thy lord<br /> +And also thy young mistress, unto whom<br /> +From childhood thou hast acted as a mother.<br /> +<br /> +<span class="charnam">Rod.</span> Well, sir, I've always tried to do my best.<br /> +<br /> +<span class='pagenum'>461</span><span class="charnam">D. Die.</span> I know it. I know it both by report<br /> +And mine own observation. Wherefore, now<br /> +Full persuaded of thy many virtues——<br /> +<br /> +<span class="charnam">Rod.</span> Oh, my lord!<br /> +<br /> +<span class="charnam">D. Die.</span> <span style="margin-left: 5em;">Nay, 'tis nothing but the truth.</span><br /> +I say, once more, persuaded beyond doubt<br /> +Of thy rare merits and good qualities<br /> +And of the value of one such as thou<br /> +To my old and long loved friend Don Silvio,<br /> +I do repent me of the hasty words<br /> +That lately 'scaped my too impatient tongue.<br /> +<br /> +<span class="charnam">Rod.</span> My lord, pray say no more. Rodriguez ever<br /> +Remains your humble servant. (<i>Aside.</i>) Really he<br /> +Is not so bad as once I thought he was.<br /> +<br /> +<span class="charnam">D. Die.</span> Believe me, that those words but rose in haste,<br /> +From o'er anxiety about the fate<br /> +Of thy young mistress, whom thou lovest so well.<br /> +Whom I, too, love so well. I, too, Don Diego.<br /> +<br /> +<span class="charnam">Rod.</span> I doubt not, sir, with a true father's love.<br /> +<br /> +<span class="charnam">D. Die.</span> Hark ye! Rodriguez, I must not waste time<br /> +In coming to the point; but silence keep.<br /> +<br /> +<span class="charnam">Rod.</span> Ay, my lord. Who better than Rodriguez<br /> +At a secret.<br /> +<br /> +<span class="charnam">D. Die.</span> <span style="margin-left: 3em;">Ha! Sayest thou so, brave wench?</span><br /> +Then list to me, and thou shalt never want<br /> +For bit or sup, kirtel, or farthingale,<br /> +As long thou livest. First accept this purse. <span class="ralign">[<i>Gives a heavy purse.</i></span><br /> +<span class='pagenum'>462</span><br /> +<span class="charnam">Rod.</span> Oh, my good lord! My generous, noble, lord!<br /> +What can I do to deserve your bounty?<br /> +(<i>Aside.</i>) Well, I remember to have heard folks say,<br /> +"The devil's not so black as he is painted."<br /> +<br /> +<span class="charnam">D. Die.</span> Rodriguez, hark! What thou hast in that purse<br /> +Is nothing unto that which thou may'st earn,<br /> +If thou succeedest in the task I set.<br /> +<br /> +<span class="charnam">Rod.</span> Proceed, my lord. I'm all attention. Speak.<br /> +<br /> +<span class="charnam">D. Die.</span> Know then that I love thy mistress Inez.<br /> +Ay, with the passion of a younger man.<br /> +Count not my age—the heart is never old.<br /> +I've sought her of her father, and 'twas settled<br /> +She should be mine on her arrival home<br /> +After her studies at St. Ursula's,<br /> +Ay, on the very day. So ran the 'pact.<br /> +The marriage, therefore, I have said takes place<br /> +This very night, at midnight, in my chapel.<br /> +All is prepared.<br /> +<br /> +<span class="charnam">Rod.</span> <span style="margin-left: 5em;">'Tis over soon, my lord.</span><br /> +<br /> +<span class="charnam">D. Die.</span> Peace! peace! I'll brook no waiting, no delay;<br /> +I've sworn it shall be so, and it shall be.<br /> +What care I, think'st thou, if the wedding dress,<br /> +Or this or that be ready, so <i>I</i> be?<br /> +Thou knowest our acquaintance is but short;<br /> +She scarce has seen my face. No matter that.<br /> +Now listen. What I ask of thee is this:<br /> +<span class='pagenum'>463</span>Do thou use all thy influence with the child,<br /> +T'induce her to look kindly on my suit,<br /> +And to her father's prayers and tears add thine.<br /> +But leave her not until she do consent.<br /> +And should she e'en at the eleventh hour<br /> +Be obdurate, why then, as last resource,<br /> +Tell her her father's life hangs on a thread.<br /> +Say that his castle and all that he hath<br /> +Will instantly be sold over his head;<br /> +And he and she, and you two servants both<br /> +Sent all adrift at once, to beg your bread.<br /> +If that work not, then must I fain use force,<br /> +And that were against me. So, Rodriguez,<br /> +Kind Rodriguez, I pray thee do thy best.<br /> +<br /> +<span class="charnam">Rod.</span> My lord, you ever shall have my good word<br /> +What I can do I will. Albeit, I think<br /> +Your grace is over hasty in the matter.<br /> +A little time——<br /> +<br /> +<span class="charnam">D. Die.</span> <span style="margin-left: 6em;">No, faith, not one minute</span><br /> +Past the hour fixed. So see to't. I will now<br /> +Off to the castle, leaving thee one hour<br /> +T'exercise thy powers of persuasion<br /> +On thy young noble mistress. After that<br /> +I shall appear again and try what I<br /> +Myself can do to win her virgin heart.<br /> +Use all thy art and strength. Till then, adieu. <span class="ralign">[<i>Exit.</i></span><br /> +<br /> +<span class="charnam">Rod.</span> A pretty fix, forsooth! <i>Use all my art!</i><br /> +I love the dear child well, and would, I'm sure,<br /> +<span class='pagenum'>464</span>Do all I could to help her to a state<br /> +Worthy the better days of this old house.<br /> +The Lady of Don Diego! That sounds well.<br /> +Mistress of his castle and his servants,<br /> +But wedded to a man who's old enough<br /> +To be her grandsire! Had he been a gallant—<br /> +Yet his money's good. Humph! I suppose I must.</p> +<p class="right">[<i>Exit slowly; counting her money.</i></p> +</div> + +<p class="iblockquot"><span class="smcap">Scene II.</span>—<i>The Ravine. Time: Sunrise. Don Pascual +sleeping. The Gipsy Queen standing near, watching +him. The Gipsy Camp in the background.</i></p> + +<div class="poem"> +<p> +<span class="charnam">D. Pas.</span> (<i>In his sleep.</i>) Oh, Inez, Inez! (<i>Waking with a start.</i>) Ha! was that a dream?<br /> +<br /> +<span class="charnam">Gip. Q.</span> He wakes.<br /> +<br /> +<span class="charnam">D. Ped.</span> <span style="margin-left: 3em;">Oh, that I had thus slumbered on,</span><br /> +Feeling her soothing presence, and so died,<br /> +Rather than waken to this cold, bleak, world.<br /> +<br /> +<span class="charnam">Gip. Q.</span> (<i>Aside.</i>) How I do long to open all my heart!<br /> +Unmask this stern exterior, and make<br /> +Him master of the secret of his birth.<br /> +His wound's but slight, I think he'll bear the news.<br /> +I'll try. (<i>To Don Pascual</i>) Young man! Say, how goes it with thee?<br /> +<br /> +<span class="charnam">D. Pas.</span> I thank thee, mother, I have soundly slept;<br /> +My wound's already healed. The gipsy balm<br /> +Hath wrought a miracle.<br /> +<span class='pagenum'>465</span><br /> +<span class="charnam">Gip. Q.</span> (<i>Aside.</i>) <span style="margin-left: 4em;">He calls me mother.</span><br /> +See how the native gipsy blood's instinct<br /> +Speaks through the lips of half-unconscious sense.<br /> +I'll wager he already half divines<br /> +His occult parentage.<br /> +<br /> +<span class="charnam">D. Pas.</span> (<i>Looking around him.</i>) Mother, where's Inez?<br /> +<br /> +<span class="charnam">Gip. Q.</span> (<i>Aside.</i>) Mother again; but Inez fills his thoughts.<br /> +Hast thou no mem'ry, youth, of last nights fray? <span class="ralign">[<i>Aloud.</i></span><br /> +<br /> +<span class="charnam">D. Pas.</span> But little, mother; all is still confused.<br /> +<br /> +<span class="charnam">Gip. Q.</span> Then be thou patient, for I've much to tell.<br /> +But say, how is't, thou ever call'st me mother?<br /> +<br /> +<span class="charnam">D. Pas.</span> In faith I know not how my careless tongue<br /> +Could shape a word so tender to thee, Queen,<br /> +Who art a stranger to me. Yet I feel,<br /> +And felt from the first moment that I gazed<br /> +Upon thy dusky brow, a mother's heart<br /> +Did beat for me within that hardy breast.<br /> +Why I know not. I, too, who never knew<br /> +A mother's love, whose infant steps were led<br /> +By other than a mother's hand. A good<br /> +Kind lady, long since dead, adopted me,<br /> +And dying, left me all her patrimony,<br /> +Which hitherto has been doled out to me<br /> +By guardians, until I should come of age.<br /> +One Father Miguel, whom I seldom saw,<br /> +<span class='pagenum'>466</span>Paid my expenses at the seminary;<br /> +But when I asked him questions of my birth<br /> +I never got intelligent response,<br /> +So that I long have thought some mystery<br /> +Doth underly the subject of my birth.<br /> +<br /> +<span class="charnam">Gip. Q.</span> I knew the Lady Angela, and loved her.<br /> +<br /> +<span class="charnam">D. Pas.</span> Good Heavens! What, that name! The lady who——<br /> +<br /> +<span class="charnam">Gip. Q.</span> Adopted thee and Father Miguel too.<br /> +<br /> +<span class="charnam">D. Pas.</span> And Father Miguel!<br /> +<br /> +<span class="charnam">Gip. Q.</span> <span style="margin-left: 6em;">Does that surprise thee?</span><br /> +I could tell thee more.<br /> +<br /> +<span class="charnam">D. Pas.</span> <span style="margin-left: 6em;">More than that! Ay, then</span><br /> +Who knows thou may'st not discover<br /> +The secret of my birth.<br /> +<br /> +<span class="charnam">Gip. Q.</span> <span style="margin-left: 6em;">Secrets as strange</span><br /> +Have often been discovered by gipsies.<br /> +Am I not a gipsy? Can I not read<br /> +The destinies of all, mapped out for thee<br /> +By the great heavenly bodies? Think'st thou that<br /> +Our meeting was not fashioned by the stars<br /> +And known to me beforehand?<br /> +<br /> +<span class="charnam">D. Pas.</span> <span style="margin-left: 10em;">Even that!</span><br /> +<br /> +<span class="charnam">Gip. Q.</span> Ay, and your meeting with the Lady Inez.<br /> +<br /> +<span class="charnam">D. Pas.</span> That, too! Nay, tell me more. I fain would hear.<br /> +<br /> +<span class="charnam">Gip. Q.</span> Not so fast. Thou'rt o'er excitable.<br /> +Calm thyself first an thou wouldst hear more<br /> +Of that young damsel. But of her anon.<br /> +<span class='pagenum'>467</span><br /> +<span class="charnam">D. Pas.</span> Weird and mysterious being, as I read<br /> +Thy mystic brow a whisper seems to say<br /> +I've seen thee once before. Say, art thou not<br /> +That crone who ever haunts me in my dreams,<br /> +Known in my youth, who once gave me this ring?<br /> +<br /> +<span class="charnam">Gip. Q.</span> The same, the same! I've watched thee from a child.<br /> +<br /> +<span class="charnam">D. Pas.</span> And by that ring thou knowest me.<br /> +<br /> +<span class="charnam">Gip. Q.</span> <span style="margin-left: 9em;">'Tis true.</span><br /> +<br /> +<span class="charnam">D. Pas.</span> Ay, now I know thee. Tell me now, O Queen,<br /> +Why tookest thou an interest in my fate?<br /> +<br /> +<span class="charnam">Gip. Q.</span> The tale is long and sad, but thou must hear.<br /> +Be patient and lend an attentive ear.<br /> +Know, then, that in Grenada's lofty range<br /> +There stands a twin-peaked mountain doubly-crowned,<br /> +With two grim feudal castles, old, yet strong.<br /> +The owners of these fortresses of yore<br /> +Were aye at feud, until at last the one<br /> +Subdued the other. Ever since that day<br /> +The victor's star in the ascendant seemed,<br /> +For though in later times they turned to friends,<br /> +Who had been foes, and were allied together<br /> +In skirmishes with castles neighbouring,<br /> +In which they came off gainers, still, the one—<br /> +The larger and the richer one, I mean,<br /> +<span class='pagenum'>468</span>The whilom victor of the other peak—<br /> +Did e'er with haughty overbearing sneer<br /> +Upon his humbler neighbour, and would bind<br /> +The poorer lord with obligations strong,<br /> +For favours often granted, till at last<br /> +The lesser lord became dependent on<br /> +The greater one, and ever poorer grew<br /> +And more dependent, and so stands the case.<br /> +Things will not long be thus. A change will come.<br /> +The Fates predict it, and the proud one's star<br /> +Already's on the wane.<br /> +<br /> +<span class="charnam">D. Pas.</span> <span style="margin-left: 5em;">In sooth, good Queen!</span><br /> +But tell me what has this to do with me?<br /> +<br /> +<span class="charnam">Gip. Q.</span> Peace! It concerns thee much, as thou shalt hear.<br /> +The father of the present owner of<br /> +The richer castle, Don Fernando height,<br /> +I do remember well when but a child.<br /> +A warrior proud was he, like all his race.<br /> +His son, the present lord, is like him. He<br /> +Whose name I've vowed shall ne'er more pass my lips.<br /> +<br /> +<span class="charnam">D. Pas.</span> Ha!<br /> +<br /> +<span class="charnam">Gip. Q.</span> <span style="margin-left: 2em;">Interrupt me not. Thou soon shalt hear.</span><br /> +This lord, who shall be nameless, in his youth<br /> +(He now is old) did love a gipsy maid,<br /> +Who, in the freshness of her virgin heart,<br /> +Returned his passion, being but a child,<br /> +<span class='pagenum'>469</span>Whilst he, the villain, was a full-grown man<br /> +Of forty years and over. Still he bore<br /> +His years so lightly that he younger seemed.<br /> +With passion fierce he wooed the gipsy maid,<br /> +And pleaded in such moving tropes his love,<br /> +That the young gipsy's heart—not then of stone,<br /> +Though long since turned to flint—did melt, and he,<br /> +Seeing his prey secure, did plot her ruin.<br /> +But the child had a father, old and wise,<br /> +Of royal blood, too, known as King Djâbel,<br /> +And proud, too, of his lineage and his race.<br /> +He thought it lowering to true gipsy blood<br /> +To mate with pale-faced Christians, even though<br /> +'Twere to a Christian king and by the church,<br /> +Drawn up with legal document and signed<br /> +In all due form, and when he heard that I<br /> +Did to a Christian's love lend listening ear.<br /> +<br /> +<span class="charnam">D. Pas.</span> You? <i>You</i>, O Queen, then, were the gipsy maid.<br /> +You're speaking of yourself. I understand.<br /> +<br /> +<span class="charnam">Gip. Q.</span> (<i>Starting</i>) My tongue has tripped, and traitor turned. Why then<br /> +Pursue my tale under false colours? Aye,<br /> +Know that I, Pepa, was the gipsy maid<br /> +Once beloved of that false Don Diego.<br /> +<br /> +<span class="charnam">D. Pas.</span> <span style="margin-left: 3em;">Don Diego.</span><br /> +<span class='pagenum'>470</span><br /> +<span class="charnam">Gip. Q.</span> <span style="margin-left: 4em;">Ha! My tongue has tripped again.</span><br /> +I vowed that name should ne'er more pass my lips.<br /> +Well, this false lord, with subtle wiles and arts<br /> +Did so win my young heart, that King Djâbel,<br /> +Furious at first at what he deemed a stain<br /> +Upon his lineage, threatened me with death,<br /> +And would have killed me, had I brought dishonour<br /> +On his fair name. But deem not that I fell.<br /> +I loved him—and how dearly! But he found<br /> +That the proud gipsy maid, though young, would not<br /> +Barter her honour. Not for wealth untold.<br /> +He then made promises that I should be<br /> +Mistress of all his castle and his lands<br /> +After his father's death. Till then, he said,<br /> +Our match must be clandestine, as his father<br /> +Would disinherit him were he to know<br /> +That his son were wedded to a gipsy.<br /> +Our plans were well nigh ripe, for oft we met<br /> +In secret, and had full time to discuss<br /> +Our future prospects, left quite undisturbed.<br /> +But one day King Djâbel, suspecting guile,<br /> +Did lie in wait for us, and with drawn blade<br /> +From ambush out did spring upon the pair,<br /> +And straight did fall upon this haughty lord,<br /> +The would-be dishonourer of his child.<br /> +But Pepa threw herself between her lover<br /> +<span class='pagenum'>471</span>And angered father, and so stayed the blow<br /> +And clinging to him, ever called upon<br /> +Her furious sire to spare the gentle lord,<br /> +And bid him smite <i>her</i> breast if <i>one</i> must die.<br /> +But Djâbel loved his daughter, and did pause,<br /> +Touched for a moment with her pleading prayer.<br /> +When, seeing him more calm, the wily don<br /> +Did straight, in full and flowing courteous speech,<br /> +Declare his love for me, and how he sought<br /> +Not to make me his minion, but his wife.<br /> +But Djâbel, answering with haughty scorn,<br /> +Said: "Go back to thy castle, Christian lord,<br /> +And wed some damsel of the pale-faced herd.<br /> +No blood of thine must mar our gipsy race."<br /> +The don's eye flashed. He would have spoken words<br /> +Full of wild fury and deep bitterness;<br /> +But Pepa interposed again, and flung<br /> +Herself on bended knees before her sire,<br /> +And begged her knight kneel too, and join her prayer.<br /> +The don at first loathing much to grovel<br /> +Down in the dust before a gipsy chief,<br /> +Whom he esteemed a savage, yet did yield,<br /> +And for my sake did bend his haughty knee.<br /> +And thus we knelt together, clinging to<br /> +<span class='pagenum'>472</span>King Djâbel's robe and choked with sobs and tears,<br /> +Did pray and plead, and plead and pray for long,<br /> +But all in vain our pleading and our prayers,<br /> +For dark as midnight grew King Djâbel's brow,<br /> +And stern his glance of cold and deep disdain,<br /> +Saying: "Humblest thou thyself, O haughty don?<br /> +Methinks thou might'st have spared thyself the pains.<br /> +Rise from the dust. Thy prayers are but as the wind<br /> +That blows against the granite mountain's side,<br /> +Yet harms it not, nor will it budge an inch,<br /> +E'en though it blow a hurricane. So I<br /> +Remain unmoved by all thy puny prayers."<br /> +Stung to the quick, and rendered desperate,<br /> +The haughty don with one bound sprang erect,<br /> +And darting lightning flashes from his eye,<br /> +Blushing the while at having bent the knee,<br /> +Humbling himself in vain, now cried aloud,<br /> +"Have at thee, then, dark chief, for <i>one</i> must die.<br /> +I fear thee not, and will not lose my hold<br /> +Upon thy daughter, whom I love as life.<br /> +Give her me, an it please thee, but if not<br /> +I'll wrest her from thee, so do thou thy worst."<br /> +Then straight the fray began. Each drew his blade<br /> +<span class='pagenum'>473</span>And fell upon the other, whilst my tears<br /> +And screams availed not, for the two were locked<br /> +Firm in each other's grasp, and tugged and pulled<br /> +In equal match, whilst I with streaming hair,<br /> +Torn robe, and tearful eyes, did cry aloud<br /> +For help in vain, till this poor frame, o'erwrought<br /> +With multiplex emotions, did give way,<br /> +And, swooning, I fell heavily at their feet,<br /> +Grasping my father's garment in my fall.<br /> +The fight was stayed awhile, and each took breath.<br /> +"Look to your daughter, chieftain," were the first<br /> +Words that I heard on wakening from my swoon.<br /> +And soon as e'er my tongue was loose, I cried,<br /> +In accents feeble still, "Oh, father, stay<br /> +This wicked brawl. Say, dost thou love thy child?"<br /> +With heaving breast and eyes suffused with tears,<br /> +And choking sobs, I seized his hand, and cried,<br /> +"Spare my young life. I love this Christian lord,<br /> +An thou do aught to him, 'twill be my death.<br /> +Canst see thy darling wither, droop, and die,<br /> +<span class='pagenum'>474</span>Or, stung to madness, seek a violent death?<br /> +Now mark well what I say, O most dread King.<br /> +Shouldst thou be guilty of this Señor's blood,<br /> +Know me no more for daughter, for I vow<br /> +Or him or none to wed, and should he fall,<br /> +And by thy hand, I too will follow next.<br /> +The oath is sworn." Then from my father's eye<br /> +A tear fell, which he brushing soon away,<br /> +As if he deemed it shame for man to weep,<br /> +And changing to a lighter mood, he cried:<br /> +"Girl, thou hast conquered. Christian knight, thy hand.<br /> +Let all broils cease between us. Thou hast fought<br /> +And won my daughter fairly, showing courage<br /> +Worthy a gipsy born. Therefore no more<br /> +Will I withhold consent unto this match.<br /> +But, mark me well, Sir Knight, this marriage must<br /> +Be, though clandestine, legally up-drawn,<br /> +That no base shuffling subterfuge may e'er<br /> +In after years crop up to thwart the bond."<br /> +Thus spake the king Djâbel. My Christian knight<br /> +Did vow upon his honour all should be<br /> +Exact as nicest lawyer could require.<br /> +Alas, for human villainy! What snares<br /> +<span class='pagenum'>475</span>And wiles beset the simple, trusting heart.<br /> +I loved him, and did lend a willing ear<br /> +To all his schemes, spite my father's counsel,<br /> +Suspecting nothing. What should I, poor child,<br /> +Know of the world and all its hollowness?<br /> +But King Djâbel, suspecting treachery<br /> +E'en from the first, and well upon his guard—<br /> +For little trust he placed in Christian wight—<br /> +Did stand aloof, and watched things from afar.<br /> +"Now will I try the faith of this same knight,"<br /> +He said, and with a frankness ably feigned,<br /> +He bid my lord take all things in <i>his</i> hands,<br /> +Saying he trusted him in all, but he,<br /> +For his part, was a very simple man,<br /> +Unskilled in the world's usances and all<br /> +That appertains to life 'neath governments,<br /> +'Pon seeing which, the wily Christian lord<br /> +Straight sought to profit by his innocence;<br /> +Betray the hand that trusted him, and thought<br /> +The dusky king, the dark barbarian,<br /> +Would fall an easy prey into his hands.<br /> +Howbeit, King Djâbel, like crafty foe,<br /> +Though simple seeming, sent abroad his spies,<br /> +Whilst he himself was absent. From these men—<br /> +Men whom he trusted—he was well informed<br /> +That this proud don had formed the fell design<br /> +That a false priest should join our hands together.<br /> +<span class='pagenum'>476</span><br /> +<span class="charnam">D. Pas.</span> Villain!<br /> +<br /> +<span class="charnam">Gip. Q.</span> <span style="margin-left: 2em;">Thou speakest sooth, for villainy</span><br /> +More base or perjured never sprang from hell.<br /> +I thought he loved me, but I found too late<br /> +He sought to spurn me from him soon as e'er<br /> +His lust was sated. So he straightway wrote<br /> +To some base profligate and spendthrift friend<br /> +Who owed him money, promising that he<br /> +Would cancel all his debt and yet advance<br /> +Another round sum, if, peradventure,<br /> +He should so aid him in his hellish plot<br /> +As to enact the part of holy priest,<br /> +And satisfy the claims of King Djâbel,<br /> +Whilst he himself should be no longer bound<br /> +To me by law than it should seem him fit,<br /> +E'en as I were but his base concubine.<br /> +You see, he loved me not, e'en from the first,<br /> +Despite his protestations, since he could<br /> +In base cold blood conceive such dire deceit.<br /> +But this I knew not at the time, nor all<br /> +The foul devices of his reptile heart.<br /> +But fondly thinking that he loved me as<br /> +I then loved him, I listened to his suit;<br /> +Nor was I undeceived, till, ah! too late.<br /> +<br /> +<span class="charnam">D. Pas.</span> This is most monstrous! Noble Queen, I vow<br /> +Your sorrows move me to forget mine own.<br /> +I would I had the traitor by the throat,<br /> +That I might show him once how I esteem<br /> +<span class='pagenum'>477</span>Him and his villainy. Nay, 'tis a crime<br /> +That calls aloud to Heaven for vengeance.<br /> +Thou art nought to me Queen, but yet I feel<br /> +The wrong done towards thee e'en as though thou wert<br /> +My own true flesh and blood. I'd do as much<br /> +E'en wert thou thrice mine enemy. I swear<br /> +That should this traitor ever cross my path,<br /> +Or he or the false priest (I care not which—<br /> +Aye, both together, for 'tis nought to me),<br /> +By Heaven I swear——<br /> +<br /> +<span class="charnam">Gip. Q.</span> <span style="margin-left: 6em;">Hold! Heaven's instruments</span><br /> +Are ever preordained. Thou canst not move<br /> +One single step; nay, more, not e'en thy pulse<br /> +Could throb again but for the will of Heaven.<br /> +Leave him to Fate, for vengeance due will fall<br /> +In time, and from that quarter Heaven wills.<br /> +<br /> +<span class="charnam">D. Pas.</span> True Queen, but tell me more, I fain would know,<br /> +What said your royal sire King Djâbel?<br /> +<br /> +<span class="charnam">Gip. Q.</span> Then list, and thou shalt hear how Djâbel's spies<br /> +Did intercept the lines that this false lord<br /> +Wrote to his profligate and perjured friend,<br /> +So that he received them not. But now mark<br /> +What did my royal father? First he went<br /> +To seek a Christian priest, long known to him,<br /> +Albeit, unknown to this same haughty don;<br /> +To him he showed the lines, and through his aid.<br /> +<span class='pagenum'>478</span>Was writ an answer to this foul epistle,<br /> +As coming from the friend of this false lord.<br /> +This priest was father Miguel.<br /> +<br /> +<span class="charnam">D. Pas.</span> <span style="margin-left: 8em;">Ha! that name.</span><br /> +Why beats my heart as it ne'er throbbed before?<br /> +Say, what is this new light that bursts upon<br /> +My whilom darkened soul? What power is this<br /> +That stirs my thoughts within me? But proceed.<br /> +I must, and will know more. Proceed, O Queen.<br /> +My frame doth tremble in expectancy<br /> +For thy next word. Tell me, oh, tell me if——<br /> +<br /> +<span class="charnam">Gip. Q.</span> (<i>Aside.</i>) Already he doth divine what I would say;<br /> +Be still, my heart, and give me strength to tell it.<br /> +(<i>Aloud.</i>) This letter, then, by Father Miguel forged,<br /> +Ran thus in substance. Making first excuse<br /> +That sudden illness made him keep his bed,<br /> +But though unable to oblige his friend,<br /> +Did, ne'ertheless, not to disappoint him,<br /> +(Hearing the case was urgent, and not knowing<br /> +How long it might be e'er he should recover)<br /> +He thought to do not wrong in sending one,<br /> +<span class='pagenum'>479</span>A trusty friend and boon companion,<br /> +One, Don Elviro hight, to act as proxy;<br /> +This was the name that Father Miguel bore<br /> +To mask his own. Then straightway he set forth<br /> +T'wards the inn, from which the letter dated,<br /> +The while my lord, who, reading in hot haste<br /> +The letter through, and doubting not that he<br /> +Were aught else than what the letter stated<br /> +(To wit, Elviro, and no priest at all).<br /> +So sure was he of this, suspecting nought,<br /> +He fondly welcomed him, and many a joke<br /> +They cracked together o'er the heartless scheme.<br /> +Don Miguel acting well his part throughout<br /> +With ribald jest, and oft full merrily<br /> +Alluding to his tonsure newly shorn,<br /> +Asked of his patron how he liked his garb,<br /> +And if he did not look a priest indeed.<br /> +At this his lord laughed heartily, and thus<br /> +Time passed away till I should don the veil,<br /> +And we were married before witnesses.<br /> +The ceremony over, all passed o'er<br /> +Right merrily, nor knows my lord e'en now,<br /> +Not even to this day, that he is married.<br /> +<br /> +<span class="charnam">D. Pas.</span> Well done, by Heaven! And Father Miguel hail!<br /> +So was the base would-be seducer paid<br /> +Back in his own base coin. This should e'er be.<br /> +<span class='pagenum'>480</span><br /> +<span class="charnam">Gip. Q.</span> Ay, but thinkest thou I knew aught of this,<br /> +Or was partaker in Don Miguel's scheme?<br /> +Oh, no; of this my father told me nought,<br /> +Nor knew I aught of all this base intrigue,<br /> +This would-be marriage false, by false priest blessed,<br /> +Till later years; in fact, until the time<br /> +That King Djâbel upon his death bed lay.<br /> +He then confessed to me the foul design<br /> +By him so ably thwarted. But e'en then<br /> +The traitor had abandoned me already.<br /> +He thought his marriage false, and told me plain<br /> +I had no hold on him. I sought my sire,<br /> +And then the truth came out. The blow was great,<br /> +To find myself abandoned and deceived<br /> +By him I loved and trusted, e'en though I<br /> +Knew well that I stood right before the law,<br /> +He had no right to leave me, that I knew.<br /> +'Twas heartless, as I then was big with child;<br /> +His father, too, was dead, old Don Fernand,<br /> +And I, by rights, his castle should have shared,<br /> +As he had promised, but old King Djâbel<br /> +Did counsel me, "Be patient yet awhile;<br /> +A day will come when thou shalt vengeance take.<br /> +<span class='pagenum'>481</span>Nature hath made me prophet. I can see<br /> +Now that my sun is sinking far beyond<br /> +This earthly sphere, all that shall come to pass<br /> +In future years. Delay thy vengeance, then,<br /> +Still a few years, and I will be thy guide;<br /> +I, Djâbel, from over this side the grave<br /> +Will guide thy steps and shape thy destinies<br /> +Until the hour arrive." Thus spake Djâbel,<br /> +And falling back upon his rugged couch,<br /> +Did breathe his last, clasping my hand in his;<br /> +He now sleeps with his fathers. Rest his soul!<br /> +And I, now left an orphan, and so young;<br /> +Abandoned, too, by the base man I loved,<br /> +How fared it with me, being then with child?<br /> +The days of mourning for my father o'er,<br /> +I could not keep my mind from wandering back<br /> +To our first days of courtship, when my lord<br /> +First wooed me, and did win my virgin heart.<br /> +I dwelt upon the memory of his words—<br /> +How he had promised me in days of yore,<br /> +His father being dead, old Don Fernand,<br /> +That I should mistress of his castle be.<br /> +How had he kept his promise? Don Fernand<br /> +Was long since dead, yet he no offer made<br /> +About his castle, but did keep me e'er<br /> +Within a little cottage that he built<br /> +During his father's lifetime for me, when<br /> +We first were married. Here I lived content,<br /> +<span class='pagenum'>482</span>For he then oft would visit me, and when<br /> +He came not, yet I had full trust in him,<br /> +And waited patiently, beguiling time<br /> +By tending flowers in my garden home,<br /> +For this was aye my passion from a child,<br /> +And thus the hours passed full happily.<br /> +But one day, seeing my lord with murky brow,<br /> +And not divining what the cause mote be,<br /> +I, with fond heart and young simplicity,<br /> +Did offer all that consolation<br /> +That loving wife will offer to her lord<br /> +In moments of deep sadness. But he spurned<br /> +Me coldly from him, and when I did ask<br /> +In what way I had my lord offended,<br /> +Deigning no direct reply, made answer,<br /> +He loved me not. I had no hold on him,<br /> +Should ne'er be mistress of his father's hall,<br /> +Our marriage being but a mockery,<br /> +To last as long as it should please himself.<br /> +He left me with a laugh of bitter scorn,<br /> +Whilst I, as if by lightning struck, did fall<br /> +Flat to the earth, and waking, sought my sire.<br /> +Thou knowest how my father, dying, left<br /> +A promise he would ever guide my steps<br /> +In hour of vengeance; so I patience kept.<br /> +Meanwhile our son was born. That son <i>art thou</i>!<br /> +<br /> +<span class="charnam">D. Pas.</span> Oh, mother! mother!</p> +<p class="right">[<i>They embrace and weep on each others' necks.</i></p> + +<p><span class='pagenum'>483</span>(<i>On recovering.</i>) <span style="margin-left: 3em;">I did half divine</span><br /> +The truth from the beginning of thy tale,<br /> +But at the name of Father Miguel<br /> +My heart did smite so loud against my ribs<br /> +As like to burst them; e'en as were it charged<br /> +From Heaven with joyful tidings to my soul.<br /> +I ever knew that man in some strange way<br /> +Was mixed up in the mystery of my birth.<br /> +<br /> +<span class="charnam">Gip. Q.</span> 'Twas he that christened thee, abandoned by<br /> +Thy all unworthy father. He that holds<br /> +Proofs that our marriage valid is by law,<br /> +Without which proofs thou'dst been born a bastard,<br /> +A stray, an outcast, slave to this world's scorn.<br /> +The Lady Angela, that kind, good soul,<br /> +Whose counsellor and priest Don Miguel was,<br /> +Knew all thy history, and pitied thee.<br /> +She was thy godmother while at the font.<br /> +Don Miguel marked thee with the Christian's sign,<br /> +And being a widow lady without heirs,<br /> +And rich withal, she straightway did resolve<br /> +T'adopt thee, and 'neath Father Miguel's care<br /> +To have thee educated as a priest.<br /> +Poor pious soul! But thou know'st best of all<br /> +How thine own wilful temper at the school—<br /> +Thy wild, impatient, roving gipsy blood,—<br /> +Did give small promise for a like career,<br /> +Which Father Miguel seeing from the first<br /> +<span class='pagenum'>484</span>(Though not until repeated efforts made<br /> +To tame thy stubborn nature proved in vain)<br /> +Did finally, now weary of his charge,<br /> +Abandon thee unto thine own wild ways,<br /> +Doling the money out from time to time,<br /> +Till thou should'st come of age. That time has come.<br /> +<br /> +<span class="charnam">D. Pas.</span> Ha! ha! I well do call to mind the time<br /> +When Father Miguel, with church dogmas sought<br /> +To warp my stubborn brain, and if I asked<br /> +Him to explain some of that lore he taught,<br /> +And fain would burden my poor skull withal,<br /> +Then straight it was a mystery. I must<br /> +Have faith, he said; nor ask the reason why.<br /> +Against this answer my young soul rebelled.<br /> +And long and fierce the battles that we fought.<br /> +He called me insubordinate and rude.<br /> +Said I lacked discipline, humility,<br /> +That I must subjugate my intellect<br /> +Unto the church's dictates, threatening me<br /> +With purgatory and everlasting fire<br /> +Unless I thought as he did, branding me<br /> +As atheist, Jew, or heretic, whilst I<br /> +Called him a fool. Then losing all control<br /> +Over his passions, this good, holy man<br /> +Did raise his hand to strike me, seeing which<br /> +I seized a knife and threw it at his head,<br /> +Leaving a scar upon his cheek; then laughed.<br /> +<span class='pagenum'>485</span>As I grew older matters mended not,<br /> +So he sent me to a seminary,<br /> +Thinking to curb my will by discipline;<br /> +But they soon found the worse they treated me<br /> +The worse was I, and so all gave me up.<br /> +'Tis years since we have met. We were not formed<br /> +To live together. Greater opposites<br /> +In character Nature ne'er formed from clay.<br /> +I owe the holy man no grudge; not I.<br /> +He did his best, I mine to understand him.<br /> +We were formed differently from our birth.<br /> +<br /> +<span class="charnam">Gip. Q.</span> A wild boy thou wert ever. That is true.<br /> +I've watched thee oft when thou thought'st me afar.<br /> +Thou knew'st me not for mother, nor would I<br /> +Unveil the myst'ry of thy parentage,<br /> +Nor bring disgrace on Lady Angela,<br /> +Who had so kindly offered to adopt<br /> +Thee, the poor outcast gipsy's mongrel son,<br /> +And rear him like the proudest of the land.<br /> +Why should I, with my narrow, selfish love,<br /> +Oppose a barrier to my son's advance,<br /> +Refuse the lady's bounty, and drag down<br /> +My son unto the level of myself.<br /> +A wand'ring gipsy! Yet I loved thee. Ay,<br /> +I loved thee e'en with more than mother's love.<br /> +I would that all should love thee. As for those<br /> +<span class='pagenum'>486</span>Who loved thee not, these I vowed should fear thee.<br /> +I'ld see thee feared and envied, proud and great<br /> +High up above thy fellows; and for this<br /> +I smothered in my heart all outward show<br /> +Of my affection, and so hid myself.<br /> +Still, I was near and watched thee day by day<br /> +Expand as the young plant before the sun.<br /> +And I was happy in my heart of hearts<br /> +To know that thou wert happy, and to know<br /> +I was thy mother, though thou knew'st it not.<br /> +And so for years I've watched thee, till thine own<br /> +Wild wand'ring nature bid thee roam abroad.<br /> +'Twas then for years that I lost sight of thee;<br /> +This also was predicted by the stars,<br /> +And so I gave to thee this gipsy ring<br /> +That I might know thee when we met again.<br /> +<br /> +<span class="charnam">D. Pas.</span> Ay, I do mind me well, when yet a child,<br /> +How once a gipsy gave it me, and bid<br /> +Me wear it ever, and 'twould bring me luck;<br /> +And how I, childlike, straight returned home,<br /> +Pleased with the gift, to show my mother, or<br /> +The lady whom I thought my mother then.<br /> +But tell me, queen or mother, which thou wilt,<br /> +Why, if as I think, all thy tale be true<br /> +And thou wert really married to Don Diego,<br /> +Knowing the law to be upon thy side,<br /> +Why didst thou not at once set up thy claim<br /> +Of lawful wife, instead of waiting now,<br /> +A score of years and more! Thou could'st have claimed——<br /> +<span class='pagenum'>487</span><br /> +<span class="charnam">Gip. Q.</span> Thou askest me why I did not avail<br /> +Myself of that protection that the law<br /> +In my case would enforce. I'll tell thee, then.<br /> +I was, indeed, then counselled so to do<br /> +By Father Miguel and some other friends,<br /> +Who knew that legal marriage was performed;<br /> +But being mindful of the promise made<br /> +Unto my father on his bed of death,<br /> +And having strict confidence in his words,<br /> +Those deep prophetic words which never erred,<br /> +Then finding, too, when I did scan the stars<br /> +Good reason his for bidding me postpone<br /> +My vengeance for a season less ill-starred.<br /> +<br /> +<span class="charnam">D. Pas.</span> What saw'st thou, mother, in the stars to make<br /> +Thee to abandon all thy rightful claims<br /> +And crave the charity of an alien?<br /> +<br /> +<span class="charnam">Gip. Q.</span> I craved no charity. The lady who<br /> +Did stand to thee in lieu of mother, came<br /> +Herself and craved of me permission<br /> +To take thee home and rear thee as her child;<br /> +Which offer I, though with much reluctance,<br /> +At length accepted, ever mindful of<br /> +The brilliant future that the stars foretold.<br /> +<br /> +<span class="charnam">D. Pas.</span> What sign was that that caused thee then such fear?<br /> +<br /> +<span class="charnam">Gip. Q.</span> A star malefic in thy house of life;<br /> +Threatening thee with speedy violent death<br /> +<span class='pagenum'>488</span>From some traitor's hand. That hand, thy father's.<br /> +Had I ta'en counsel of well-meaning friends<br /> +And urged my rights, ay, had I moved a step,<br /> +Thy life and mine had dearly paid for it.<br /> +<br /> +<span class="charnam">D. Pas.</span> How this may be, I know not. If the stars<br /> +Do really rule our destinies, or if<br /> +Thy woman's fears but made thee dread contact<br /> +With men in power. Have we not the law?<br /> +<br /> +<span class="charnam">Gip. Q.</span> Justice may be bought. The oppressor's star<br /> +Was then in the ascendant. 'Tis no more.<br /> +Now mark, and I will show thee how the stars<br /> +Have worked and ripened for my just revenge.<br /> +Thou knowest well, 'tis now full many years<br /> +I have lost sight of thee, though I have learned<br /> +From Father Miguel thou wast still alive;<br /> +The stars foretold our meeting. Until now<br /> +I've waited for thee, and the stars likewise<br /> +Predicted that almost at the same time<br /> +Another I should meet, whose destiny<br /> +Did figure so in thy young house of life.<br /> +<br /> +<span class="charnam">D. Pas.</span> What! The Lady Inez?<br /> +<br /> +<span class="charnam">Gip. Q.</span> <span style="margin-left: 8em;">Ay, even she.</span><br /> +<br /> +<span class="charnam">D. Pas.</span> Then Heav'n be praised for happier destiny<br /> +Ne'er fell to lot of man.<br /> +<br /> +<span class="charnam">Gip. Q.</span> <span style="margin-left: 7em;">Nay, not so fast;</span><br /> +There're dangers still to pass, and thou must bear<br /> +Thyself right bravely if thou would'st succeed.<br /> +<br /> +<span class="charnam">D. Pas.</span> Dost doubt my courage, mother? My good blade<br /> +Shall carve me fortune wheresoe'er it turns.<br /> +<span class='pagenum'>489</span><br /> +<span class="charnam">Gip. Q.</span> Hot headed youth! Guard well thy strength until<br /> +'Tis needed. Thou art weak from loss of blood,<br /> +And need'st repose e'er thou set forth to work.<br /> +The sun is high in heaven. Ere nightfall<br /> +Thou wilt have need of all thy youthful strength.<br /> +Ere midnight I will lead thee to a wood,<br /> +Accompanied by all my followers,<br /> +From thence we must ascend a rugged path<br /> +That leads to the tyrant's stronghold.<br /> +<br /> +<span class="charnam">D. Pas.</span> <span style="margin-left: 10em;">What tyrant?</span><br /> +<br /> +<span class="charnam">Gip. Q.</span> The nameless. Thy rival and thy father.<br /> +<br /> +<span class="charnam">D. Pas.</span> Don Diego! 'Twas he, then, that yester-eve<br /> +Did snatch the Lady Inez from my breast<br /> +As I lay faint and bleeding?<br /> +<br /> +<span class="charnam">Gip. Q.</span> <span style="margin-left: 7em;">Ay, e'en he;</span><br /> +And now he fain would marry her perforce,<br /> +With or without her answer; he has sworn<br /> +To wed her straight, scarce struck the midnight hour,<br /> +And hurries on with most indecent haste<br /> +This mockery of a marriage 'gainst the will<br /> +And inclinations of the girl herself,<br /> +And also 'gainst the wishes of her sire,<br /> +Whom, poor man, the tyrant holds in 's power,<br /> +As hawk doth hold a dove, obliging him<br /> +To give consent to this most monstrous match<br /> +<span class='pagenum'>490</span>With his fair daughter, only late arrived<br /> +Home from the convent of St. Ursula<br /> +(Albeit he knows not, I've the proofs in hand<br /> +Of our real marriage. Read them an you list)</p> +<p class="right">[<i>Handing papers to Don Pascual.</i></p> +<p>He needs must hasten on his base design,<br /> +For fear of interruption. Be it ours<br /> +To baulk this rabid eagle of his prey,<br /> +Snatch from his reeking claws the innocent lamb,<br /> +And rescue chastity from guilt's device.<br /> +Let this be Pepa's mission upon earth,<br /> +To succour virtue and avenge the wrong,<br /> +And thou, Pascual, stand thou me true in this,<br /> +Let no wrong pass, but quickly search it out,<br /> +And boldly in the light of day proclaim<br /> +The tyrant's wrong, in spite of odds or force.<br /> +<br /> +<span class="charnam">D. Pas.</span> Mother, I swear. Fear not thou'lt find me apt;<br /> +My sword is at thy service, e'en had I<br /> +No more incentive to avenge thee than<br /> +The sense of wrong that ever stirs my blood.<br /> +But now I have my own more selfish ends<br /> +To serve. The maid 'fore all most near my heart<br /> +To rescue from the talons of a foe;<br /> +The mother, too, who gave me birth to shield<br /> +From foul dishonour, and the tyrant who<br /> +Begat me, yet fain would dub me bastard,<br /> +<span class='pagenum'>491</span>Still to chastise. With these wrongs to redress,<br /> +Or e'en the half, what coward would not turn brave?<br /> +What mouse would not turn lion? Rest in peace,<br /> +This night thou art avenged. Pascual doth swear it.<br /> +<br /> +<span class="charnam">Gip. Q.</span> Spoke like my own true son. And now to rest;<br /> +Thou needest sleep, to calm thy jaded nerves,<br /> +And brace thee for the work thou hast to-night.<br /> +</p> + +<p class="right">[<i>They embrace. Pascual throws himself +upon his couch. Gipsy Queen sits +watching him. Scene changes.</i></p> +</div> + +<p class="iblockquot"><span class="smcap">Scene III.</span>—<i>Inez' bedchamber in Don Silvio's castle; an +old four posted bed, with faded hangings—old faded +tapestry. A prie-dieu in front of a picture of our +Lady of Pain. Crucifixes and pious relics adorn +the chambers. Don Silvio is discovered pleading +earnestly. Inez weeping.</i></p> + +<div class="poem"> +<p> +<span class="charnam">Inez.</span> (<i>Tearing herself away.</i>) Cease, father, cease; I cannot, dare not yield.<br /> +How can you ask me, after all you've said?<br /> +What! Wed a man I never saw before,<br /> +A man whose age, too, full quadruples mine!<br /> +And at a moment's notice! Fie! for shame!<br /> +Was it for this then that you call'dst me home,<br /> +To barter soul and body for mere gold?<br /> +Is it not thus the lowest of our sex,<br /> +Led on by glitter to fill Satan's ranks,<br /> +<span class='pagenum'>492</span>Fall, ne'er to rise again? Ah! woe is me.<br /> +Think, father, think. What could such union be<br /> +Before the eyes of Heaven? Would it not<br /> +Be foul adultery, base, incestuous lust?<br /> +And this you'ld have from me, your only child?<br /> +Oh, father! 'twas not thus that you once spake.<br /> +Where are your noble maxims, father, now?<br /> +Alas! alas! all scattered to the winds<br /> +Before the first blast of the tempting fiend.<br /> +<br /> +<span class="charnam">D. Sil.</span> (<i>Aside.</i>) Now this is most just, by Heav'n! that I be<br /> +Thus by my own child humbled and reproved,<br /> +For falling back from truth in hour of trial.<br /> +Dear inn'cent soul! How could she yield to terms<br /> +Alike repugnant to her virgin heart<br /> +As mine own conscience? But, then, what to do?<br /> +Ah! cursed be the hour I gave consent<br /> +Unto that monstrous pact! What would I give<br /> +Now to undo the same, were't in my power?<br /> +But my inexorable foe has sworn<br /> +To have his bond, and Diego never jests.<br /> +Most dire necessity doth bid me save<br /> +Myself and household from disgrace and death.<br /> +Ay, from starvation. Nothing short of that<br /> +Should make me recreant to my conscience law.<br /> +<span class='pagenum'>493</span>She, young and hopeful, realises not<br /> +The want and misery that must ensue<br /> +To us on her refusal. Be it so.<br /> +Occasion presses. Time must not be lost.<br /> +I will try again, though conscience brand me.<br /> +(<i>Aloud.</i>) <span style="margin-left: 1em;">Inez!</span><br /> +<br /> +<span class="charnam">Inez.</span> <span style="margin-left: 6em;">Father!</span><br /> +<br /> +<span class="charnam">D. Sil.</span> <span style="margin-left: 8em;">Bethink thee, yet, my child.</span><br /> +<br /> +<span class="charnam">Inez.</span> Parent, no more!<br /> +<br /> +<span class="charnam">D. Sil.</span> What am I, then, to do?<br /> +I, thy poor agèd father, sent abroad<br /> +To beg my bread. No shelter from the wind<br /> +And rain. No food; no hospitable roof.<br /> +Our servants, too, must all our ills endure;<br /> +And all through thee, through thine own obdurate heart.<br /> +But 'twill not serve thee. Not one whit, for though<br /> +Thou still resist, Don Diego will use force;<br /> +His myrmidons——<br /> +<br /> +<span class="charnam">Inez.</span> I fear them not, when God is on our side.<br /> +This is a trial, and we must have faith.<br /> +<br /> +<span class="charnam">D. Sil.</span> (<i>Desperate.</i>) My child! Will nothing move thee? On thy head<br /> +Will be thy father's blood. My life's at stake.<br /> +<br /> +<span class="charnam">Inez.</span> Think of thy soul, old man, and trust in God.<br /> +Thou, who didst teach mine infant lips to pray,<br /> +Canst thou not pray, or wilt thou learn of me<br /> +Now thou art old? Hast thou no faith, father?<br /> +<br /> +<span class='pagenum'>494</span><span class="charnam">D. Sil.</span> Alas! alas! 'Tis many years these knees<br /> +Have bowed no more in prayer. When I was young,<br /> +And yet had faith, 'twas then I used to pray.<br /> +<br /> +<span class="charnam">Inez.</span> But now; Oh, father! Heaven! What can have caused<br /> +This falling off of piety in age?<br /> +For years not bent the knee unto thy God!<br /> +I wonder not He hath abandoned thee.<br /> +Come, learn of me. Look here. Gaze on this form,</p> +<p class="right">[<i>Snatches a crucifix from the wall, and thrusts it into Don Silvio's unwilling +hands.</i></p> +<p>This bleeding image. See this crown of thorns,<br /> +These nails, that side thrust; and then learn how He<br /> +Suffered and died for us. Canst thou not bear<br /> +One little pang an 't be the will of Heaven?<br /> +What is thy grief to His, who suffered more<br /> +Than mortal man e'er suffered? Father, pray<br /> +God will not desert those who trust in Him.<br /> +<br /> +<span class="charnam">D. Sil.</span> Nay, thou art young and hopeful. I am old.<br /> +<br /> +<span class="charnam">Inez.</span> Kneel, father, kneel; and look not so downcast.<br /> +Behold the blessed Virgin Mary, pierced<br /> +And sorrowing for our sins. Come, father, kneel.<br /> +<span class='pagenum'>495</span>Do as I do, and throw thyself before<br /> +This blessed image, and repeat these words.</p> + +<p class="right">[<i>Throws herself on the prie-dieu, and clasps her hands together +in front of the picture of our Lady of Pain. Don Silvio still standing.</i></p> + +<p> +Oh! Holy Virgin, Mother of our Lord;<br /> +Chosen of God, immaculate, Divine;<br /> +Thou, who hast promised aye to intercede<br /> +With thy dear Son, the living God of Heaven<br /> +For us poor mortals when oppressed with woe,<br /> +From that high heaven where thou sittest enthroned<br /> +'Midst glorious angels, mercifully look down<br /> +Upon thy humble votaries, who groan<br /> +'Neath the oppression of a tyrant world.<br /> +Oh! thou who never turnest a deaf ear<br /> +Unto a suppliant's prayer, send down thy grace,<br /> +And succour her from evil men's designs<br /> +Who puts her trust in thee. Thwart thou their schemes,<br /> +And, for the glory of thy holy name,<br /> +Avenge thy handmaid's wrongs, and punish those<br /> +Who, strong in the abuse of worldly power,<br /> +Would fain defile the virgin chastity<br /> +Of her who seeks thy aid; rain down thy grace.<br /> +Oh! Holy Mother, who canst never see<br /> +<span class='pagenum'>496</span>The wrong to triumph and the right to fall,<br /> +Soften my father's heart, and let him kneel<br /> +To thee, and join with me in heartfelt prayer<br /> +And supplication, that the evils which<br /> +Do threaten us alike may be withdrawn.<br /> +</p> + +<p class="right">[<i>Don Silvio drops crucifix, and exit slowly +and moodily.</i></p> + +<p> +Oh, Holy Saints! Oh, Holy Virgin Mother!<br /> +Look down in pity on this suppliant pair,<br /> +Who all unworthy are to raise our eyes<br /> +To that high Heaven, whence thou art, and seek<br /> +Thy aid and guidance, strengthen us, O Lord!<br /> +Strengthen our faith, and let our trust in Thee<br /> +Never abate, e'en in temptation's hour.<br /> +</p> + +<p class="right">[<i>Draws forth a rosary, and remains for +some time counting her beads. Then +rises.</i></p> + +<p> +I thank thee, Holy Virgin. Thou hast heard<br /> +The prayer of faith, and——(<i>looking round her</i>) What! my father gone!<br /> +Too proud to pray, alas! Oh, Heaven grant<br /> +My doting father more humility,<br /> +More faith, more hope; and aye within this breast<br /> +Keep thou <i>my</i> faith alive, lest Satan send<br /> +Some emissary forth to thwart thy will.<br /> +</p> + +<p class="blockquot"><i>Enter</i> <span class="smcap">Rodriguez</span>, <i>smiling towards</i> <span class="smcap">Inez</span>, <i>who starts, +looks suspiciously at her, and shudders</i>.</p> + +<p><span class='pagenum'>497</span> +<span class="charnam">Rod.</span> What! my young mistress taken by surprise,<br /> +And scared at poor Rodriguez! I've no doubt<br /> +Some transient fever, brought on by the shock<br /> +You late have suffered, made you shiver so.<br /> +Come to old Rodriguez, my pretty bird,<br /> +Pour forth into old nurse's willing ear<br /> +All its past troubles. Did the gipsy gang<br /> +Run off with pretty darling, and insult<br /> +Her and old Pedro! Sweetest, grieve no more<br /> +Now all is over, but take courage from<br /> +Old nurse Rodriguez, who was ever wont<br /> +To smooth its pillow, and to share its griefs.<br /> +<br /> +<span class="charnam">Inez.</span> Good nurse, Rodriguez, 'tis not, as you think,<br /> +The gipsy tribe that causes me this dread.<br /> +I have another and a secret grief<br /> +I daren't divulge to thee. Nay, leave me, pray.<br /> +<br /> +<span class="charnam">Rod.</span> What! my young mistress has a secret grief;<br /> +And I, poor old Rodriguez, am debarred<br /> +From sharing it. Leave you alone, forsooth!<br /> +Leave my young mistress Inez all alone,<br /> +To brood and mope over her secret grief!<br /> +Never! You ill know nurse Rodriguez, child.<br /> +<br /> +<span class="charnam">Inez.</span> (<i>Aside.</i>) This is intolerable.<br /> +<br /> +<span class="charnam">Rod.</span> <span style="margin-left: 10em;">As you say,</span><br /> +It cannot be about the gipsy tribe<br /> +My darling frets. The danger's gone and past,<br /> +Thanks to the noble conduct of my lord,<br /> +The brave and gallant Don Diego, who<br /> +<span class='pagenum'>498</span>At risk of his own life, with sword in hand,<br /> +Did rescue you from the dark gipsy gang.<br /> +'Twas bravely done. And how he wears his years!<br /> +Just like a stripling—and how fine a man;<br /> +How courteous, too, and what a merry eye<br /> +He has for all his favourites. I'm sure<br /> +That you yourself are one, judging from how <span class="ralign">[<i>Inez draws back scornfully.</i></span><br /> +He looks at you askance, then turns away<br /> +And sighs so deeply, little thinking that<br /> +Rodriguez guesses what he bears within.<br /> +<br /> +<span class="charnam">Inez.</span> Rodriguez, silence! Of this trash no more.<br /> +<br /> +<span class="charnam">Rod.</span> Nay, Mistress Inez; pray not angered be<br /> +With poor old nurse. She loves a jest at times.<br /> +<br /> +<span class="charnam">Inez.</span> I'm in no jesting mood, I promise you.<br /> +I pray you, leave me.<br /> +<br /> +<span class="charnam">Rod.</span> <span style="margin-left: 6em;">There you are again,</span><br /> +Wishing me to leave you alone to mope;<br /> +But, dear, Rodriguez better knows than leave<br /> +Her little mistress all uncomforted.<br /> +Away with nasty grief, and courage take<br /> +From kind old nurse, and, like her, merry be.<br /> +<br /> +<span class="charnam">Inez.</span> Your consolation, nurse, is, perhaps, well meant.<br /> +Albeit, at present, 'tis superfluous.<br /> +<br /> +<span class="charnam">Rod.</span> What! Hoity, toity! child; would'st have me see<br /> +My little Inez pining and downcast,<br /> +<span class='pagenum'>499</span>E'en though it be for nought at all; and ne'er<br /> +Say word to cheer her? Nay, 'tis my duty<br /> +To my mistress. So here I mean to stick<br /> +Until I've made you laugh. Come now, madam.<br /> +<br /> +<span class="charnam">Inez.</span> (<i>Aside.</i>) She's insupportable.<br /> +<br /> +<span class="charnam">Rod.</span> Were I a maid once more, I'd show you how<br /> +I'd laugh and enjoy the world. Not as you,<br /> +Pent up these years within a convent cell,<br /> +Till you've grown musty. A pest on convents all!<br /> +Keep them for cripples and incurables.<br /> +For those who from birth so ill-favoured are,<br /> +They find not husbands. These may chant and sing,<br /> +And moan and fast, an't please them; but, for you,<br /> +A maid of Lady Inez's beauty, jammed<br /> +Within these walls—'tis sacrilege, I ween.<br /> +<br /> +<span class="charnam">Inez.</span> Rodriguez, now you must not lightly talk<br /> +Against those holy women, who have fled<br /> +All worldly joys to win the peace of Heaven.<br /> +<br /> +<span class="charnam">Rod.</span> Each to their taste. For me, I love the world.<br /> +<br /> +<span class="charnam">Inez.</span> I know it, nurse; but at your age 'twere fit<br /> +You'd higher thoughts.<br /> +<br /> +<span class="charnam">Rod.</span> <span style="margin-left: 6em;">At <i>my</i> age! Pooh! tut, tut!</span><br /> +Those with a merry heart are never old.<br /> +Look at Don Diego, how he bears himself,<br /> +And all because he has a merry heart.<br /> +<span class='pagenum'>500</span>Had he been priest or monk, he had been old<br /> +At thirty. But just look how proud his step,<br /> +How clear his eye, how red his manly cheek.<br /> +Were I a maid once more, just of your age,<br /> +I straight should lose my heart, and that's a fact.<br /> +Heigh ho!<br /> +<br /> +<span class="charnam">Inez.</span> A truce to this unseemly banter.<br /> +Nor dare to name that man to me again.<br /> +<br /> +<span class="charnam">Rod.</span> That man! What, poor Don Diego? In what way<br /> +Hath he offended, that you treat him thus?<br /> +I'm sure he is not conscious of his fault,<br /> +Or he would die with grief; the dear, good man,<br /> +Fond of you as he is, as all can see.<br /> +<br /> +<span class="charnam">Inez.</span> Rodriguez, cease! I'll hear no more, I've said.<br /> +And let me tell you, nurse, now once for all,<br /> +It ill becomes thy years and sex, t'enact<br /> +A part, of all parts most contemptible.<br /> +<br /> +<span class="charnam">Rod.</span> What part, my pretty child? Don't so misjudge<br /> +Poor nurse Rodriguez as to think that she<br /> +Could counsel you for aught but for your good<br /> +Remember, you are young, my mistress dear,<br /> +And have yet to unlearn your convent life,<br /> +That so ill fits you for our merry world.<br /> +Your father, poor mistaken man——<br /> +<br /> +<span class="charnam">Inez.</span> <span style="margin-left: 13em;">Hold there,</span><br /> +And reverence my father as thy lord.<br /> +<br /> +<span class='pagenum'>501</span><span class="charnam">Rod.</span> Ne'er doubt me, mistress mine, but e'en my lord<br /> +Would counsel you as I would counsel you.<br /> +<br /> +<span class="charnam">Inez.</span> Thou speak'st of counsel. How would'st counsel me?<br /> +<br /> +<span class="charnam">Rod.</span> Nay, then, nought 'gainst your interests; that's clear.<br /> +Had I your youth and beauty, and your chance,<br /> +I'd have a care, nor throw such chance away.<br /> +Lend not the ear to ev'ry stripling, child,<br /> +Because he's smooth of mien, but look behind<br /> +The outer gloss, and seek for solid gold.<br /> +<br /> +<span class="charnam">Inez.</span> Your counsel, nurse, is mercenary.<br /> +<br /> +<span class="charnam">Rod.</span> <span style="margin-left: 12em;">Tut, tut.</span><br /> +We've got to live; to live we've got to eat;<br /> +Then comes our dress, our servants, and what else<br /> +May appertain unto a lady born,<br /> +As was your mother, Lady Dorothea,—<br /> +Of blessed mem'ry,—when this ancient hall<br /> +Looked livelier than at the present day.<br /> +Now hark! my dear young mistress, and attend<br /> +To these my words, as were they from the lips<br /> +Of your own sainted mother, who looks down<br /> +From her high post, and sees all that we do.<br /> +What, think you, would your fondest mother say,<br /> +To see this castle go to rack and ruin,<br /> +Her darling child descend in social scale,<br /> +Because she would espouse some popinjay.<br /> +<span class='pagenum'>502</span>Whose wealth was all he carried on his back?<br /> +When she could get a chance to marry one<br /> +(A goodly man, if more mature in years)<br /> +A great hidalgo, and of wealth untold,<br /> +By means of which she could redeem this hall,<br /> +And make it worthy of its better days;<br /> +Pay off her father's debts, and thus content<br /> +Him and his household, and all else beside.<br /> +Why, marry, 'twere rank madness to let slip<br /> +Such glorious chance, and such a chance have you.<br /> +<br /> +<span class="charnam">Inez.</span> Enough.<br /> +<br /> +<span class="charnam">Rod.</span> <span style="margin-left: 3em;">Nay, I <i>will</i> speak in duty bound,</span><br /> +And tell you, willy-nilly, that the man<br /> +Who thus would lay his riches at the feet<br /> +Of my poor master's daughter is none else<br /> +Than noble Lord Don Diego.<br /> +<br /> +<span class="charnam">Inez.</span> <span style="margin-left: 11em;">I have said</span><br /> +I will not have thee mention that man's name;<br /> +I did divine thy mission from the first,<br /> +And doubt me not that thou wert amply paid<br /> +To play the go-between; but learn for once,<br /> +Base woman, that my heart must not be bought;<br /> +The purest gift of Heaven was not made<br /> +To be an article of merchandise.<br /> +My heart's in mine own keeping, and must ne'er<br /> +Be given up save to the man I love.<br /> +Though this pile fall to ruins o'er our heads;<br /> +<span class='pagenum'>503</span>Though hunger threaten; though my father's life<br /> +And other lives at stake be; nay, e'en though<br /> +This robe be turned to rags and I be sent<br /> +Abroad to beg my bread, and from the cold<br /> +Night storm or tempest ne'er a shelter find;<br /> +Nay, come what will, nought 'gainst the will of Heaven<br /> +Must e'er be done to suit the present hour.<br /> +<br /> +<span class="charnam">Rod.</span> Nay, speak not thus, young mistress, but be calm;<br /> +Rodriguez, too, was once a girl and thought,<br /> +E'en as you do now.<br /> +<br /> +<span class="charnam">Inez.</span> <span style="margin-left: 8em;">More's the pity then</span><br /> +That years, instead of bringing purer thoughts,<br /> +Should cancel all the purity of youth.<br /> +<br /> +<span class="charnam">Rod.</span> Nay, mistress mine, what I would say is this:<br /> +That being in youth, even as yourself,<br /> +More swayed by my heart than my interests,<br /> +I gave my heart unto the man I loved,<br /> +Disdaining higher offer, but soon found<br /> +Cause to repent for having thrown away<br /> +A better chance; for Carlos, when he saw<br /> +That I had nought, and he had nought, he 'gan<br /> +To lose the love he had for me, and then<br /> +He beat me, and we quarrelled. Soon he died.<br /> +And being left destitute, was fain t'accept<br /> +The place of servant in your father's house.<br /> +<br /> +<span class="charnam">Inez.</span> And by this tale of sorrows thou would'st prove<br /> +That we in this life are in duty bound<br /> +<span class='pagenum'>504</span>To sell our souls unto the highest bidder.<br /> +Away with such foul subtleties, with which<br /> +The arch-fiend baits his hook to tempt God's own.<br /> +Give me the quiet of a convent cell,<br /> +Rather than rank and splendour with disgrace.<br /> +<br /> +<span class="charnam">Rod.</span> Disgrace! Nay, honour. When the knot is tied<br /> +You will be held in honour by the world.<br /> +It is not mere protection that is offered,<br /> +But legal marriage. There's the difference.<br /> +<br /> +<span class="charnam">Inez.</span> The marriage that 'fore Heaven legal is,<br /> +Is that in which two souls are joined in one,<br /> +And not the forced and bitter mockery<br /> +Born of man's interest, by him approved.<br /> +Such match as thou would'st counsel were no match,<br /> +But lust and policy combined in one;<br /> +Most foul adultery in Heaven's eyes,<br /> +Ay, e'en despite the blessing of the church.<br /> +But, to cut short this most distasteful theme,<br /> +Perhaps thou'lt tell me, as an after-clause<br /> +Included in the pact, should I accept<br /> +This offer that Don Diego deigns to make,<br /> +'Twere necessary that this match take place<br /> +This night at midnight, without more delay.<br /> +<br /> +<span class="charnam">Rod.</span> Why, some such clause there is, I must confess,<br /> +A mere caprice. What matters it? But then<br /> +The offer is so splendid. Only think!<br /> +<br /> +<span class='pagenum'>505</span><span class="charnam">Inez.</span> In case of my refusing him. What then?<br /> +<br /> +<span class="charnam">Rod.</span> You surely would not think of such a thing,<br /> +If you knew how he loved you.<br /> +<br /> +<span class="charnam">Inez.</span> <span style="margin-left: 11em;">Still I ask,</span><br /> +What's the alternative should I refuse?<br /> +<br /> +<span class="charnam">Rod.</span> I would not counsel you to brave his ire.<br /> +He loves you most devotedly, I know,<br /> +And 'tis for that he'd hasten on the match,<br /> +'Tis over-eagerness and fear to lose<br /> +His prize. A groundless fear, I do admit.<br /> +But he was ever an eccentric man:<br /> +A good man though.<br /> +<br /> +<span class="charnam">Inez.</span> <span style="margin-left: 7em;">So all I have to fear</span><br /> +Is but his ire?<br /> +<br /> +<span class="charnam">Rod.</span> <span style="margin-left: 5em;">I know not though what form</span><br /> +His ire might take. He's powerful and great,<br /> +Accustomed to obedience, to command,<br /> +Like all great military leaders who<br /> +Hold up their heads above their fellow-men.<br /> +He <i>might</i> use force. I would not you advise<br /> +To thwart his will, but quietly to yield.<br /> +<br /> +<span class="charnam">Inez.</span> And art thou woman, who would'st counsel me,<br /> +Through fear of violence of mortal man,<br /> +To so offend against all chastity<br /> +As yield obedience to this man's lust?<br /> +A veteran full four times mine own age,<br /> +And that, in all hot haste this very night,<br /> +When I have scarce had time to see his face!<br /> +<span class='pagenum'>506</span>Is't this that thou call'st love? Now fie! Now fie!<br /> +I did think better of thee, nurse Rodriguez,<br /> +Than that thy tongue could have been bought for gold<br /> +In such base cause. But since 'tis come to this—<br /> +Away from me! and tell the fiend who sent thee,<br /> +Inez would rather die a thousand deaths<br /> +Than barter her virtue for all his gold.<br /> +<br /> +<span class="charnam">Rod.</span> I dare not tell him so, my pretty bird.<br /> +<br /> +<span class="charnam">Inez.</span> Then send him here, I'll tell him so myself.<br /> +I fear no man when God is on my side.<br /> +<br /> +<span class="charnam">Rod.</span> Nay, mistress, dear, forbear. You know him not.<br /> +<br /> +<span class="charnam">Inez.</span> Yet thou would'st have me marry him. For shame!<br /> +<br /> +<span class="charnam">Rod.</span> I know not what to say. 'Twas urgency,<br /> +Most dire necessity, that made me speak;<br /> +Fear for your father's life, mine own, and Pedro's,<br /> +And last, not least, yourself, my darling child.<br /> +I am bewildered and half gone mad.<br /> +What shall we do? Oh, Heaven grant us help.<br /> +<br /> +<span class="charnam">Inez.</span> I trust as ever in the help of Heaven.<br /> +Sustain us, Lord, in our adversity,<br /> +And let us lack not faith. <span class="ralign">[<i>A knock at the door.</i></span><br /> +<span style="margin-left: 10em;">Oh, holy saints!</span><br /> +<span class='pagenum'>507</span><br /> +<span class="charnam">Pedro.</span> (<i>Without.</i>) Rodriguez! What ho! Donna Rodriguez!<br /> +My lord Don Diego awaiteth thee below.<br /> +<br /> +<span class="charnam">Rod.</span> I come, I come. (<i>Aside.</i>) Ah me! what shall I say? <span class="ralign">[<i>Exit.</i></span><br /> +<br /> +<span class="charnam">Inez.</span> Now, saints protect us! Holy Virgin, thou<br /> +Be still my guide, nor let me pray in vain.</p> + +<p class="right">[<i>Inez throws herself half fainting on the +prie-dieu, and the scene closes.</i></p> +</div> + +<p class="iblockquot"><span class="smcap">Scene IV.</span>—<i>A Wood of chestnuts. Moonlight. Gipsies +in ambush. Don Diego's castle seen towering above +the trees.</i></p> + +<div class="poem"> +<p class="blockquot"><i>Enter</i> <span class="smcap">Gipsy Queen</span> <i>and</i> <span class="smcap">Pascual</span>.</p> + +<p> +<span class="charnam">Gip. Q.</span> Behold the spot I told thee of, from whence<br /> +We must begin th' ascent. (<i>To Gipsies.</i>) Is all prepared?<br /> +<br /> +<span class="charnam">Gipsies Together.</span> Ay, Queen.<br /> +<br /> +<span class="charnam">Gip. Q.</span> And Father Miguel?<br /> +<br /> +<span class="charnam">A Gipsy.</span> <span style="margin-left: 7em;">He comes anon.</span><br /> +<br /> +<span class="charnam">D. Pas.</span> What, even Father Miguel! Will he join?<br /> +<br /> +<span class="charnam">Gip. Q.</span> He is, as ever, our most staunch ally,<br /> +And doth possess a keen and ready wit<br /> +In time of need. A soft and oily tongue<br /> +And gentle manner, that may well disarm<br /> +All base suspicion. Such sound policy<br /> +As may enable him to win the day,<br /> +When all such brainless braggadocio<br /> +As thine might fail.<br /> +<span class='pagenum'>508</span><br /> +<span class="charnam">D. Pas.</span> <span style="margin-left: 6em;">Bravo, Father Miguel!</span><br /> +An he be practised in the use of 's tongue,<br /> +As I am in the use of my good blade<br /> +We shall do well together.<br /> +<br /> +<span class="charnam">Gip. Q.</span> <span style="margin-left: 9em;">See, he comes.</span><br /> +</p> + +<p class="blockquot"><i>Enter</i> <span class="smcap">Father Miguel</span>. <i>He walks straight up to</i> +<span class="smcap">Gipsy Queen</span>.</p> + +<p> +<span class="charnam">F'th. M.</span> Pepa, well met. Is this young man your son?<br /> +<br /> +<span class="charnam">D. Pas.</span> (<i>Stepping forward.</i>) Ay, holy father. Dost remember me?<br /> +<br /> +<span class="charnam">F'th. M.</span> But little, son. It is so many years<br /> +We have not met, and thou art altered much.<br /> +Thou wert then but a lad—a naughty lad,<br /> +A very naughty lad.<br /> +<br /> +<span class="charnam">D. Pas.</span> <span style="margin-left: 6em;">Ha, ha! Ha, ha!</span><br /> +The accusation, I admit, is just,<br /> +But hope, after to-night, that we may learn<br /> +To know each other better.<br /> +<br /> +<span class="charnam">F'th. M.</span> <span style="margin-left: 9em;">So say I.</span><br /> +And now, for what doth most concern us all.<br /> +<br /> +<span class="charnam">To Gipsy Queen.</span> I doubt not this youth's courage. Nay, his fault,<br /> +An I remember right in days gone by.<br /> +Was being too precipitous and rash.<br /> +Now listen, both of ye, to what I say;<br /> +We must not mar our plot with useless show<br /> +Of ill-timed valour, but hoard well our strength<br /> +<span class='pagenum'>509</span>Till needed, and if possible dispense<br /> +With blood and slaughter, which God grant we may.<br /> +<br /> +<span class="charnam">D. Pas.</span> How, holy father? I don't understand.<br /> +Are we not here assembled to attack<br /> +The tyrant's stronghold. Are the men-at-arms<br /> +That guard the castle made of such poor stuff,<br /> +As let a powerful and armed band<br /> +Approach without resistance. Think you, <i>he</i><br /> +The man that I blush to call my father,<br /> +Is so utterly without resources<br /> +As let us tamely rob him of his prize,<br /> +Under his very nose, and not resent?<br /> +Too old a fox, I ween, our veteran foe,<br /> +For to be caught asleep.<br /> +<br /> +<span class="charnam">F'th. M.</span> <span style="margin-left: 8em;">Nay, hear me, son.</span><br /> +<br /> +<span class="charnam">Gip. Q.</span> Ay, true my, son. Have patience and attend<br /> +To the good father's counsel.<br /> +<br /> +<span class="charnam">D. Pas.</span> <span style="margin-left: 10em;">Father, speak.</span><br /> +<br /> +<span class="charnam">F'th. M.</span> I have bethought me of a scheme, which, if<br /> +Well carried out, will bring us through the guard<br /> +Without the loss of blood. Once entered in,<br /> +And passed the threshold, let me lead the way.<br /> +Your mother will present herself anon,<br /> +Assert her rights in presence of them all;<br /> +<i>You</i> then will follow, ready to protect<br /> +Yourself and us, should an assault be made<br /> +Upon our persons. (<i>To Gipsies.</i>) You bold gipsies all,<br /> +<span class='pagenum'>510</span>Keep close at hand a little in the rear<br /> +Ready for action, but beware to lift<br /> +A finger until called upon to fight<br /> +Through grim necessity. D'ye hear me all?<br /> +<br /> +<span class="charnam">Gipsies</span> (<i>Together.</i>) Ay, ay, Sir Priest.<br /> +<br /> +<span class="charnam">D. Pas.</span> <span style="margin-left: 7em;">You have not told us yet</span><br /> +The means you will adopt to pass the guards<br /> +Without resistance.<br /> +<br /> +<span class="charnam">F'th. M.</span> <span style="margin-left: 4em;">Listen, then, awhile.</span><br /> +I have to aid me in this daring plot<br /> +A tried and trusty friend, a mountaineer;<br /> +This peasant hath across his shoulders slung<br /> +A keg of choicest wine, by me well drugged<br /> +With such a potent powder, that one drop<br /> +But taken on the tongue were full enough<br /> +In a few minutes to induce a sleep<br /> +So dull, lethargic, heavy, and profound,<br /> +That earth might quake, winds blow, and thunder growl,<br /> +And yet the victims of this potent drug<br /> +Would still sleep on, their long and death-like sleep,<br /> +And much I doubt me if the archangel's trump<br /> +Would fully wake them.<br /> +<br /> +<span class="charnam">D. Pas.</span> <span style="margin-left: 8em;">'Tis not poison, father?</span><br /> +<br /> +<span class="charnam">F'th. M.</span> Nay, 'tis harmless. How could you think that I,<br /> +As priest, could do aught to take human life?<br /> +I come to hinder carnage, not to slay.<br /> +<br /> +<span class='pagenum'>511</span><span class="charnam">D. Pas.</span> This may be difficult, though, nevertheless,<br /> +The men are many. There are always dogs<br /> +That bark and bellow at the foe's approach.<br /> +<br /> +<span class="charnam">F'th. M.</span> Leave all to me, my son. As for the dogs,<br /> +I've poison brought, most instantaneous,<br /> +With which I've baited meat, that I have now<br /> +About my person, whilst this peasant here.<br /> +What ho! Felipe!</p> + +<p class="blockquot"><i>Enter a</i> <small>PEASANT</small> <i>with a keg of wine slung round him</i>.</p> + +<p> +<span style="margin-left: 5em;">This same honest man</span><br /> +Will go ahead with me, but as we near<br /> +The castle we will separate, and choose<br /> +Two divers paths, so that in case we meet<br /> +With any man we seem not to belong<br /> +One to the other. He will chant an air<br /> +Such as our mountaineers are wont to sing,<br /> +And go his way, as one who's light of heart;<br /> +Myself, will pass on by another route,<br /> +To meet the peasant at a given point<br /> +Close to the castle and within the hearing<br /> +Of all the soldiers; and if accosted,<br /> +I have my answer ready. Do not fear.<br /> +When within hearing of the men-at-arms,<br /> +I shall call out to this same mountaineer,<br /> +As to a stranger: "Hold, friend. Where bound?"<br /> +"To the next village, father," shall he say?<br /> +"Trav'lling with wine. A buyer wants to try<br /> +A sample, and I bring him of the best."<br /> +<span class='pagenum'>512</span>"Ha!" shall I say, "then, prithee, let me taste.<br /> +I, too, would buy a barrel, but for <i>me</i><br /> +It must be good indeed, else, keep your wine."<br /> +Then shall I feign to drink and smack my lips,<br /> +Swearing 'tis nectar worthy of a king,<br /> +And straight make offer to buy all he has,<br /> +While trudging on together by the way.<br /> +Presently we will come upon the guards,<br /> +Some of whom know me well. Suspecting nought,<br /> +These men will easily be lured to try<br /> +The vaunted liquor. Having gone the round<br /> +Of seneschal and warder and the rest,<br /> +I shall find access to the castle hall<br /> +Without much trouble, offr'ing as excuse,<br /> +I come to let Don Diego taste the wine.<br /> +Once entered fairly in the castle hall,<br /> +Ere long all hands will sound as dead men sleep,<br /> +Then shall I blow this whistle. At the sound,<br /> +March on, and fear not, for the game is ours.<br /> +<br /> +<span class="charnam">D. Pas.</span> Hail! Father Miguel! once again I say.<br /> +<br /> +<span class="charnam">F'th. M.</span> Now to our task. 'Tis just about the hour,<br /> +And better be too early than too late.<br /> +<br /> +<span class="charnam">D. Pas.</span> True, holy father.<br /> +<br /> +<span class="charnam">F'th. M.</span> <span style="margin-left: 6em;">Well, go softly on</span><br /> +Ahead, whilst you all keep well in the rear,<br /> +Advance ye not until ye hear this call.</p> +<p class="right">[<i>Exeunt</i> <span class="smcap">Father Miguel</span> <i>and</i> <span class="smcap">Felipe</span>.</p> + +<p><span class='pagenum'>513</span> +<span class="charnam">D. Pas.</span> Why, what an acquisition to our cause<br /> +Is this same priest! I vow I know not how<br /> +We should have done without him.<br /> +<br /> +<span class="charnam">Gip. Q.</span> <span style="margin-left: 9em;">You say well.</span><br /> +Besides our cause, that he has much at heart,<br /> +He revels in all plotting and intrigue.<br /> +<br /> +<span class="charnam">D. Pas.</span> It suits his peculiar genius. Why,<br /> +He might have been prime minister of Spain,<br /> +This same poor unknown priest.</p> +<p class="right">[<i>A distant mountaineer's chant is heard.</i></p> + +<p> +<span class="charnam">Gip. Q.</span> <span style="margin-left: 7em;">Hark! Do you hear?</span><br /> +<br /> +<span class="charnam">D. Pas.</span> Ay. The mountaineer's chant. The game's begun.<br /> +<br /> +<span class="charnam">Gip. Q.</span> List patiently, and we shall hear anon<br /> +Don Miguel's whistle. Silence, all of ye.<br /> +</p> + +<p class="right">[<i>A long pause. All place themselves in +listening attitude. Gipsy Queen advances +slowly. Pascual in the background, +still listening.</i></p> + +<p> +<span class="charnam">Gip. Q.</span> The hour fast draws near when my intent,<br /> +That purpose that the heav'ns have writ in blood,<br /> +Must be accomplished. Be still, my heart.<br /> +Shade of my father Djâbel, stand thou near;<br /> +Nerve thou this arm so that it shall not fail,<br /> +For work is to be done, and that right soon.<br /> +That man is doomed, and by this hand he dies;<br /> +Heav'n hear my oath! Respond, ye elements. +<span class='pagenum'>514</span></p> + +<p class="right">[<i>Sky grows dark. Thunder and lightning. +Owls and bats flit about. Commotion +in the camp.</i></p> + +<p> +The oath is writ in Heav'n. Recording sprites<br /> +Have taken down the gipsy's oath of blood;<br /> +And now shall all men see, all nations tell,<br /> +How, from the ashes of this trampled heart<br /> +Did all triumphant rise the gipsy queen.</p> +<p class="right">[<i>A distant whistle heard.</i></p> +<p> +<span class="charnam">D. Pas.</span> The signal, mother! Didst hear the signal?<br /> +<br /> +<span class="charnam">Gip. Q.</span> <span style="margin-left: 4em;">Ay, son. Onward, then;</span><br /> +I'll lead the way myself. Be firm and true.</p> +<p class="right">[<i>The ascent begins, led by the Gipsy Queen, +and the scene closes.</i></p> +</div> + +<p class="iblockquot"><span class="smcap">Scene V.</span>—<i>A hall in Don Diego's castle communicating +with the chapel. The chapel is in the centre of the +background. Through curtains is disclosed the altar +lighted up, and a priest ready to officiate. In the +hall, which is illuminated, a long table is spread +with fruit and other delicacies. Music. Enter +guests, discoursing animatedly and laughing.</i></p> + +<div class="poem"> +<p> +<span class="charnam">First Guest.</span> (<i>To his Partner.</i>) Have you yet seen the bride? They say she's fair.<br /> +<br /> +<span class="charnam">Partner.</span> They say so, but I have not seen her yet.<br /> +Howbeit, a friend of mine who knew her well<br /> +When at the Convent of Saint Ursula,<br /> +<span class='pagenum'>515</span>Says she is over young. Just turned sixteen;<br /> +And how a man of Lord Don Diego's years<br /> +Could fall in love with such a chit, beats me.</p> +<p class="right">[<i>They pass on. Two other guests advance.</i></p> + +<p> +<span class="charnam">Lady of Second Guest.</span> (<i>To her Partner.</i>) Ay, true, I think it would more seemly be<br /> +Were he to marry one of years more ripe.<br /> +<br /> +<span class="charnam">Second Guest.</span> (<i>To his Lady.</i>) The older that men grow the more they're pleased<br /> +With youth. I'm sure I should be so myself.</p> +<p class="right">[<i>They pass on. Third couple advance.</i></p> + +<p> +<span class="charnam">Third Guest.</span> (<i>To his Lady.</i>) Nay, who'd have thought that poor Don Silvio<br /> +Could thus so easily pay off his debts?<br /> +He's in luck's way. As for the blushing bride,<br /> +Not every day doth heaven rain such fortune.<br /> +<br /> +<span class="charnam">Lady.</span> (<i>To Third Guest.</i>) Yet they say that she is most unwilling.<br /> +<br /> +<span class="charnam">Third Guest.</span> <span style="margin-left: 7em;">Then, she's a fool.</span></p> +<p class="right">[<i>They pass on. Fourth couple advance.</i></p> + +<p> +<span class="charnam">Lady.</span> (<i>To Fourth Guest.</i>) Nay; I have heard it said<br /> +She weeps and frets, and hath so desp'rate grown,<br /> +That nought save violence could aught avail<br /> +To lead her to the altar.<br /> +<br /> +<span class="charnam">Fourth Guest.</span> <span style="margin-left: 8em;">What a girl!</span><br /> +To throw away so glorious a chance!</p> +<p class="right">[<i>They pass on. Two gentlemen meeting.</i></p> + +<p> +<span class="charnam">First Gent.</span> What, comrade, you invited! Ha, ha, ha!<br /> +The old boy's got some life in him as yet.<br /> +<span class='pagenum'>516</span><br /> +<span class="charnam">Second Gent.</span> And good taste, too. I just now caught a glimpse<br /> +Of the fair bride; and, zounds! I do begrudge<br /> +Her to the veteran. I myself would choose<br /> +Just such an one, and were it not her face<br /> +Were marred by excess of weeping.<br /> +<br /> +<span class="charnam">First Gent.</span> <span style="margin-left: 11em;">Indeed!</span><br /> +Ha! ha! I never could make out why girls<br /> +Cry at their wedding. Just the very thing<br /> +They've looked for, prayed for, schemed for all their lives;<br /> +Yet, when it comes to don the bridal veil<br /> +And figure at the altar, then comes straight<br /> +A bucketful of tears. Hypocrisy!<br /> +</p> + +<p class="blockquot"><i>Enter</i> <span class="smcap">Don Diego</span>, <i>followed by</i> <span class="smcap">Don Silvio</span> <i>pleading</i>.</p> + +<p> +<span class="charnam">Second Gent.</span> Here comes the bridegroom; and, as it would seem,<br /> +Not in the best of humours. Let's withdraw.</p> +<p class="right">[<i>They pass on.</i></p> +<p> +<span class="charnam">D. Die.</span> (<i>To Don Silvio.</i>) Silvio, no more! I'll not be flouted thus<br /> +Before my guests, in mine own castle, too.<br /> +I've said that it shall be, and it <i>shall</i> be.<br /> +I ne'er take back my word. So bid her haste,<br /> +And put a better face upon the matter.<br /> +The time is up, and all my guests attend.<br /> +Go, bring her, then. (<i>To Guests.</i>) Friends! welcome to this hall.<br /> +<span class='pagenum'>517</span><br /> +<span class="charnam">Guests All.</span> Long live Lord Don Diego, with much happiness!<br /> +<br /> +<span class="charnam">D. Die.</span> Thank ye, my friends. I do regret to say,<br /> +'Fore this august and gracious company,<br /> +That we are likely to experience,<br /> +This night, some difficulty on the part<br /> +Of our fair bride. Some singular caprice;<br /> +Transient, no doubt, but not the less unfit<br /> +For gay festivity. The fact is that<br /> +My youthful bride is of a temperament<br /> +Too highly wrought and o'er hysterical.<br /> +She only late hath left her convent cell;<br /> +Her education, therefore, until now<br /> +Hath rendered her unfit to face the world.<br /> +Impressionable natures, as we know,<br /> +Recoil before aught that can cause a strong<br /> +And powerful emotion. 'Tis the shock<br /> +They dread. 'Tis nothing. Nay, I do condole<br /> +With her; ay, from the bottom of my heart.<br /> +But yet I think it not well to indulge<br /> +Young folk in such caprice. Therefore, should I,<br /> +My honoured guests, be forced to assume<br /> +An air of stern severity unmeet<br /> +This gay assembly, deem it but as naught;<br /> +'Tis firmness that is needed in this case.<br /> +We men must not be conquered by caprice.<br /> +As for the girl herself, she loves me well;<br /> +Nay, passionately.<br /> +<span class='pagenum'>518</span><br /> +<span class="charnam">Inez.</span> (<i>Within, distractedly.</i>) No! 'tis false, 'tis false.</p> +<p class="right">[<i>Titter and commotion among the guests.</i></p> + +<p> +<span class="charnam">D. Die.</span> (<i>To Don Silvio.</i>) Silvio! Why stand you there, with folded hands?<br /> +Did I not tell you to lead forth the bride?<br /> +<br /> +<span class="charnam">D. Sil.</span> She says she <i>will</i> not come.<br /> +<br /> +<span class="charnam">D. Die.</span> <span style="margin-left: 9em;"><i>Will</i> not? Ha! ha!</span><br /> +This to my face! <i>Will</i> not, indeed. We'll see.<br /> +My worthy guests, bear with me if I lose<br /> +My wonted patience, and in haste let slip<br /> +Some casual word that may seem unfit<br /> +The presence of guests so illustrious.<br /> +My temper's somewhat choleric, and if<br /> +My will is thwarted I may lose restraint.<br /> +Silvio, bring forth the maiden straight, I say,<br /> +Or I will have her dragged to me by force.<br /> +<br /> +<span class="charnam">Inez.</span> (<i>Within.</i>) Oh, mercy! Mercy! Heaven hear my prayer.<br /> +<br /> +<span class="charnam">A Gentleman.</span> Poor little jade! How I do pity her.<br /> +<br /> +<span class="charnam">A Lady.</span> And so do I. It makes my heart quite bleed.<br /> +<br /> +<span class="charnam">D. Die.</span> A truce to this. Ho! pages, drag her forth.<br /> +</p> + +<p class="right">[<i>Exeunt two pages, who re-enter, dragging +Inez in, who utters a piercing scream. +She is dressed in a white dressing +gown, her hair dishevelled, and grasping +a crucifix. Father Miguel and +Gipsy Queen appear at the open door +cautiously. Behind lurk Don Pascual +and Gipsies.</i></p> + +<p><span class='pagenum'>519</span> +<span class="charnam">Inez.</span> "Oh, Holy Virgin! Save me; save me yet.<br /> +Thou wilt not thus abandon me."<br /> +<br /> +<span class="charnam">D. Die.</span> (<i>Seizing her by the hair, and dragging her towards the Chapel.</i>) <span style="margin-left: 2em;">So jade,</span><br /> +Since thou hast deemed fit to flout me thus<br /> +Before my guests, and spurn'st my tenderness,<br /> +Learn how obedience can be enforced.<br /> +Come priest. Be ready.<br /> +<br /> +<span class="charnam">A Guest.</span> <span style="margin-left: 8em;">Nay, but this is rape!</span><br /> +I cannot stay and see injustice done.<br /> +I repent me that I was invited.<br /> +<br /> +<span class="charnam">Another Guest.</span> True, and so do I. This is no marriage,<br /> +But filthy lust and mere abuse of power.<br /> +<br /> +<span class="charnam">D. Die.</span> (<i>To Guards.</i>) Help! Hell and Furies! or I'll have her drugged.<br /> +<br /> +<span class="charnam">Guests All.</span> Shame! Shame! Down with Don Diego.<br /> +Seize the tyrant.<br /> +<br /> +<span class="charnam">D. Die.</span> What! Flouted by my very guests. What next?<br /> +<br /> +<span class="charnam">Guests All.</span> Virtue to the rescue! Save the maiden!<br /> +</p> + +<p class="blockquot"><i>Enter</i> <span class="smcap">Gipsy Queen</span> <i>hurriedly, and stands fixing</i> <span class="smcap">Don +Diego</span> <i>with her eye, who recoils</i>.</p> + +<p> +<span class="charnam">Gip. Q.</span> Hold! I forbid the banns.<br /> +<br /> +<span class="charnam">Inez.</span> <span style="margin-left: 8em;">Thanks, Holy Virgin,</span><br /> +That hast heard my prayer, and sent an angel<br /> +<span class='pagenum'>520</span>Down from your high Heaven in hour of need.<br /> +What glorious halo do I see around<br /> +That sainted vision!</p> +<p class="right">[<i>Inez falls fainting into the arms of Don Silvio.</i></p> + +<p> +<span class="charnam">D. Die.</span> <span style="margin-left: 7em;">Nay, this is madness.</span><br /> +<br /> +<span class="charnam">Gip. Q.</span> Hear me, swarthy hag. This castle is mine,<br /> +And not for such as thee. Begone, I say,<br /> +Or I will have thee hanged, ere breaks the dawn,<br /> +From the loftiest turret of this pile.<br /> +<br /> +<span class="charnam">Gip. Q.</span> Villain, I fear no threats.<br /> +<span style="margin-left: 6em;">Look on this bond.</span><br /> +<br /> +<span class="charnam">D. Die.</span> What folly's this? Say, who let these men in?<br /> +<br /> +<span class="charnam">F'th. M.</span> (<i>Advancing.</i>) I, Don Miguel, whom you basely thought<br /> +To use as instrument in your foul plot,<br /> +Twenty-two years ago, when you did plan<br /> +The mockery of a marriage to induce<br /> +This trusting gipsy to accede to what<br /> +Your own dark soul did lust for; thinking that<br /> +'Twere easy work to dupe the innocent.<br /> +So, writing to a worthless boon companion,<br /> +Already in your debt, you promised him<br /> +To cancel all his debt, and further add<br /> +Another sum in recompense, were he<br /> +To condescend to sink himself so low<br /> +As to enact the part of priest in this<br /> +False marriage. But that letter never reached<br /> +<span class='pagenum'>521</span>Its destination. Djâbel, gipsy king,<br /> +This woman's father, once suspecting guile,<br /> +As well he might, did send his spies abroad,<br /> +And so this letter, fell into my hands.<br /> +I quick conceived the plan to pen reply,<br /> +As coming from the tool you sought to use,<br /> +In which 'twas stated that he lay in bed,<br /> +Ill of a fever, and so could not come,<br /> +And therefore he would send a substitute<br /> +To act for him. That substitute was I.<br /> +I, Father Miguel, with dissembling mien,<br /> +By you too fully trusted, had access<br /> +Unto your presence, as you fondly thought,<br /> +To help you in your plot of the feigned match.<br /> +But know, base villain, you alone were duped,<br /> +Your marriage was a real one, and holds good.<br /> +<br /> +<span class="charnam">D. Die.</span> This is some false concocted tale, got up<br /> +For some hellish purpose.<br /> +<br /> +<span class="charnam">Priest.</span> (<i>At the altar, advances.</i>) Lord Don Diego,<br /> +I tell you this is no invented tale,<br /> +This Father Miguel is well known to me,<br /> +A worthy priest of our most holy Church.<br /> +The bond is valid.<br /> +<br /> +<span class="charnam">D. Die.</span> <span style="margin-left: 5em;">Flouted on all sides!</span><br /> +How now! Do I dream? Am I master here,<br /> +Or am I not?<br /> +<br /> +<span class="charnam">F'th. M.</span> <span style="margin-left: 5em;">Another Master there's</span><br /> +Above us all, more powerful than thou,<br /> +Dispensing justice and avenging wrong.<br /> +<span class='pagenum'>522</span><br /> +<span class="charnam">D. Die.</span> What cant is this? Ho! guards, cut down the rabble.</p> +<p class="right">[<i>Some halberdiers advance. D. Pascual +and gipsies put themselves on the +defensive.</i></p> + +<p> +<span class="charnam">F'th. M.</span> Raise but a finger, or cause to be raised<br /> +An arm in thy defence, and dread the worst.<br /> +<br /> +<span class="charnam">D. Die.</span> This from a shaven crown! A pretty plight<br /> +For feudal lord to be in! What ho! guards.</p> +<p class="right">[<i>A skirmish ensues, and guards are beaten +back by gipsies.</i></p> +<p>On, cowards, on! Where are my men-at-arms?<br /> +<br /> +<span class="charnam">F'th. M.</span> All drugged, and powerless by my device.<br /> +They sleep like dead men. Seek no help from them.<br /> +<br /> +<span class="charnam">D. Die.</span> Damnation! Am I worsted by a priest<br /> +And gang of squalid gipsies? Ho! my men,<br /> +Go, rouse the sluggards! Bring my armour, quick.<br /> +<br /> +<span class="charnam">F'th. M.</span> (<i>To Guards.</i>) Budge but an inch, and not a man of ye shall see to-morrow's sun.<br /> +<br /> +<span class="charnam">D. Die.</span> <span style="margin-left: 7em;">How now! Who's he</span><br /> +That threatens and gives orders in my hall?<br /> +Have I no friends among these honoured guests<br /> +To save me from these insults? Who am I?<br /> +<br /> +<span class="charnam">F'th. M.</span> A sinner, made amenable to law.<br /> +<br /> +<span class="charnam">D. Die.</span> (<i>Laughs diabolically.</i>) Ha, ha! This craven's insolence is such<br /> +<span class='pagenum'>523</span>It well nigh moves my laughter. How now! guests,<br /> +Not one sword drawn! No single arm upraised.<br /> +<br /> +<span class="charnam">A Guest.</span> My Lord Don Diego, in a cause that's just<br /> +My sword is at your service. So say all<br /> +The others. But we will not fight for wrong.<br /> +Let us be first persuaded if this priest<br /> +Have right upon his side. Show us the bond.<br /> +<br /> +<span class="charnam">D. Die.</span> The bond is but a forgery.<br /> +<br /> +<span class="charnam">D. Pas.</span> <span style="margin-left: 8em;">'Tis false,</span><br /> +Thou lying knave. I'll make thee eat thy words.<br /> +<br /> +<span class="charnam">D. Die.</span> Who is this mongrel gipsy, bold of tongue,<br /> +Who beards us with drawn sword.<br /> +<br /> +<span class="charnam">F'th. M.</span> <span style="margin-left: 8em;">Your lawful son,</span><br /> +Of this poor gipsy born in holy marriage.<br /> +<br /> +<span class="charnam">D. Die.</span> The tale is too preposterous.<br /> +<br /> +<span class="charnam">Officiating Priest.</span> <span style="margin-left: 8em;">Nay, look</span><br /> +Well on the bond, Don Diego.<br /> +<br /> +<span class="charnam">Guests All.</span> <span style="margin-left: 8em;">Ay, the bond.</span><br /> +<br /> +<span class="charnam">D. Die</span> (<i>To Officiating Priest.</i>) And thou, Sir Shaveling, didst thou not come here<br /> +To-night to draw up deed of legal marriage?<br /> +And dost thou now come forward and take part<br /> +With this base priest, who for some plan of his——<br /> +<br /> +<span class='pagenum'>524</span><span class="charnam">Off. Priest.</span> My compliance was but in appearance.<br /> +I came, well knowing of your former marriage,<br /> +Twenty-two years ago, as saith the bond,<br /> +With her they call the Gipsy Queen. All this<br /> +I had from Father Miguel; and besides,<br /> +Have well perused the bond, which, being valid,<br /> +I could not undertake to tie the knot<br /> +In conscience, and have no intent to do 't.<br /> +<br /> +<span class="charnam">D. Die.</span> I was but mocked, then?<br /> +<br /> +<span class="charnam">Guests All.</span> <span style="margin-left: 6em;">Come, the bond! the bond!</span><br /> +<br /> +<span class="charnam">D. Die.</span> Give me the bond. I'll soon cut short this work.<br /> +</p> + +<p class="right">[<i>Snatches the bond from the hands of Gipsy +Queen. Glances hastily over it, and +proceeds to tear it.</i></p> + +<p> +'Tis false. This is no signature of mine.<br /> +<br /> +<span class="charnam">Gip. Q.</span> Darest to deny thy bond? Die, villain, then,<br /> +In this thy perjury! <span class="ralign">[<i>Stabs Don Diego.</i></span><br /> +<br /> +<span class="charnam">D. Die.</span> <span style="margin-left: 5em;">Help! help! I bleed.</span> <span class="ralign">[<i>Falls.</i></span><br /> +<br /> +<span class="charnam">Guards.</span> Don Diego to the rescue! Seize the hag.</p> +<p class="right">[<i>Guards and a few guests lay hands on Gipsy Queen.</i></p> + +<p> +<span class="charnam">D. Pas.</span> (<i>Furiously.</i>) Leave go, my mother. He that lays a hand<br /> +Upon her person, I'll send straight to hell.<br /> +<br /> +<span class="charnam">A Guest.</span> (<i>Advancing with drawn sword.</i>) Secure this furious and audacious youth.<br /> +<br /> +<span class="charnam">D. Pas.</span> Have at thee, then. <span class="ralign">[<i>Kills guest.</i></span><br /> +<br /> +<span class="charnam">Guest</span> <span style="margin-left: 8em;">I die.</span> <span class="ralign">[<i>Dies.</i></span><br /> +<span class='pagenum'>525</span><br /> +<span class="charnam">Two Guests.</span> (<i>Advancing.</i>) <span style="margin-left: 2em;">Hold him! hold him!</span></p> + +<p class="right">[<i>Both guests attack Pascual at once, but +are driven back. Guards come up +and attempt to seize him. Gipsies +attack guards, and a general skirmish +ensues. Two guards are killed by +gipsies. One gipsy falls. Don Silvio +bears off Inez in the confusion.</i></p> + +<p><span class="charnam">F'th. M.</span> Peace, brethren, for a while, and no more blood.<br /> +<br /> +<span class="charnam">A Guest.</span> Look to Don Diego, friends, and seize the hag.</p> + +<p class="right">[<i>All surround Gipsy Queen, who stabs +herself and falls. All draw back.</i></p> + +<p> +<span class="charnam">Gip. Q.</span> This life is forfeit. I for vengeance lived;<br /> +My mission is accomplished upon earth.<br /> +I vowed to heaven. Heaven has heard my prayer.<br /> +And I depart.<br /> +<br /> +<span class="charnam">D. Pas.</span> (<i>Rushes up, and throws himself beside the Gipsy Queen.</i>) Oh, mother! dear mother.<br /> +<br /> +<span class="charnam">D. Die.</span> Help! help! Who has put out the lights and left<br /> +Me all in darkness?<br /> +<br /> +<span class="charnam">A Guest.</span> <span style="margin-left: 7em;">No one, noble lord.</span><br /> +<br /> +<span class="charnam">F'th. M.</span> 'Tis but the darkness of thine own dark soul,<br /> +Now upon the brink of eternity;<br /> +I counsel thee, confess, and then receive<br /> +The consolation that the Church affords.<br /> +<span class='pagenum'>526</span><br /> +<span class="charnam">D. Die.</span> Water! I thirst. Alas! how grim is death!<br /> +I am afraid to die. I burn! I burn!<br /> +How hideous all the forms that flit around;<br /> +<br /> +<span class="charnam">Officiating Priest.</span> My lord Don Diego, prithee die not thus;<br /> +But ask forgiveness first, of all you've wronged.<br /> +<br /> +<span class="charnam">D. Die.</span> Good father, willingly; but who would grant<br /> +Forgiveness unto such a wretch as I?<br /> +<br /> +<span class="charnam">Gip. Q.</span> I, Pepa, thy true wife, forgiveness grants,<br /> +And craves the like from thee.<br /> +<br /> +<span class="charnam">D. Die.</span> <span style="margin-left: 8em;">What! Pepa, <i>thou</i>;</span><br /> +Thou canst forgive me? Thou, my poor wronged wife.<br /> +Let us exchange forgiveness then, for I<br /> +Have well deserved this blow. Come round me, friends,<br /> +Whilst breath yet lasts, and witness bear to this.<br /> +I leave my castle, all my lands and goods,<br /> +Unto my lawful son. How is he called?<br /> +<br /> +<span class="charnam">F'th. M.</span> Pascual.<br /> +<br /> +<span class="charnam">D. Die.</span> Son Pascual, thy hand. Forgive the wrongs<br /> +I've done thee, e'en as thou thyself wouldst hope<br /> +In thy last hour to be forgiven. Hold,<br /> +There's still another I have deeply wronged,<br /> +From whom I'd crave forgiveness. Bring her here.<br /> +<br /> +<span class='pagenum'>527</span><span class="charnam">F'th. M.</span> (<i>To Attendant.</i>) Don Diego means the Lady Inez. Haste<br /> +And bring her hither, with Don Silvio. <span class="ralign">[<i>Exit Attendants.</i></span><br /> +</p> + +<p class="blockquot"><i>Enter</i> <span class="smcap">Don Silvio</span>, <i>supporting</i> <span class="smcap">Inez</span>.</p> + +<p> +<span class="charnam">D. Die.</span> Behold me, Inez, penitent, subdued.<br /> +Art thou content that heaven hath heard thy prayer?<br /> +I've wronged thee much. I frankly do confess.<br /> +Forgive me, Inez child, ere I depart<br /> +An thou canst.<br /> +<br /> +<span class="charnam">Inez.</span> <span style="margin-left: 4em;">I do.</span></p> + <p class="right">[<i>Giving her hand and sobbing.</i></p> +<p> +<span class="charnam">D. Die.</span> <span style="margin-left: 3.5em;">And friend Silvio,</span><br /> +The like I'd have from thee, and all I've wronged.<br /> +<br /> +<span class="charnam">D. Sil.</span> Friend Diego, take his hand. I would not add<br /> +One pang to that which thine own heart must feel,<br /> +By holding back my pardon at the last.<br /> +Therefore, with all my heart I pardon thee.<br /> +<br /> +<span class="charnam">D. Die.</span> Thanks, old friend, Silvio; I already feel<br /> +Better prepared to die. Farewell, my friends.</p> +<p class="right">[<i>Inez for the first time perceiving Pascual.</i></p> +<p> +<span class="charnam">Inez.</span> Pascual!<br /> +<br /> +<span class="charnam">D. Pas.</span> <span style="margin-left: 3em;">Inez!</span><br /> +<br /> +<span class="charnam">D. Die.</span> <span style="margin-left: 5em;">Come now, my children both,</span><br /> +I know your minds. Come let me join your hands.</p> +<p class="right">[<i>Pascual and Inez kneel beside Don Diego, +who joins their hands.</i></p> +<p><span class='pagenum'>528</span> +Receive my blessing, children, and forgive<br /> +A poor old sinner when he is no more.<br /> +Pray for my soul, and ere this clay be cold,<br /> +Let this hand clasp thy mother's, son Pascual.<br /> +Pepa, thy hand.<br /> +<br /> +<span class="charnam">Gip. Q.</span> <span style="margin-left: 5em;">Diego, with all my heart.</span></p> +<p class="right">[<i>Pascual joins their hands.</i></p> +<p>Let us die thus, and hand in hand to heaven<br /> +Let our souls soar. Kiss me, my children, both.<br /> +Look how my father Djâbel smiles on us,<br /> +And beckons us away from earth. Adios.</p> + +<p class="right">[<i>Don Diego and Gipsy Queen expire.</i></p> + +<p class="right">[<i>Guests kneel and pray. Curtain.</i></p> +</div> + + +<h4><span class="smcap">End of the Gipsy Queen.</span></h4> + +<hr style='width: 25%;' /> + +<p>At the conclusion of the play our tragedian rolled +up his MS. and returned it to his pocket, while various +were the expressions of approval from the members of +the club.</p> + +<p>All now seemed to look towards Mr. Oldstone for +his criticism of the play before pronouncing any decided +opinion of their own. This was a deference they paid +him as chairman, and because he was the oldest +member present. It was evident that this worthy was +accustomed to be appealed to in matters of importance, +and expected it in the present instance in particular,<span class='pagenum'>529</span> +for he had already stretched out his legs, thrown himself +back in his arm-chair, closed his eyes, and clasped his +hands together over his comely paunch, while his +thumbs performed a rotary motion, one round the +other, a sure sign with him that whatever his lips might +utter would be the result of deep thought and mature +deliberation. Our members awaited in silence the words +of wisdom about to issue from the lips of the oracle.</p> + +<p>To fill up the time in the interim, Professor Cyanite +filled up a pipe of tobacco, and was about to light it. +Mr. Crucible drew out his snuff box, and was preparing +to take a copious pinch. Dr. Bleedem looked at his +watch, when suddenly a knock at the door caused the +members to raise their heads.</p> + +<p>"Come in!" cried several voices at once. The +door opened, and Helen stood in the doorway.</p> + +<p>"If you please, gentlemen," said the girl, blushing, +and with charming modesty, "Mr. McGuilp says that +he has finished my portrait, and would the gentlemen +of the club like to look at it before it gets too dark."</p> + +<p>"Of course we will, my dear, of course we will," +answered Mr. Oldstone, his fingers immediately unclasping +themselves and grasping the arms of the chair, +preparatory to rising to his feet.</p> + +<p>"Come along, gentlemen." No further invitation +was needed. Professor Cyanite laid down his pipe +unlighted. Mr. Crucible replaced the grains of snuff, he +had intended conveying to his nose, back into his snuff +box, which he closed with a snap and returned to his<span class='pagenum'>530</span> +pocket. There was a general stir among the members, +who rose and followed Helen to the room upstairs, that +our artist had <i>pro tem.</i> transformed into a studio.</p> + +<p>Jack Hearty and his spouse were already in the +room when the members of the club appeared at the +door.</p> + +<p>"Yes, that's our Helen, to a T, and no mistake," +he was saying. "Well, its just wonderful, and as like +her mother, when she was her age, as one egg is to +another. Eh? Molly," said he, addressing his spouse.</p> + +<p>"Beg pardon, sir. I hope no offence," continued +the landlord, turning deferentially towards our artist.</p> + +<p>"But what might such a picture be worth, if I might +ask?"</p> + +<p>"The wealth of the universe wouldn't purchase +it, my good host," replied McGuilp. "It is the best +thing I ever did, and that perhaps I ever shall do. No, +this one is not for sale. I do not say but that at some +future time I might do another from it, and then——"</p> + +<p>At this juncture, the members of the club, headed +by Mr. Oldstone, entered the studio. Our host and +hostess respectfully withdrew, in order to give the +gentlemen a better chance of examining the picture, but +even then the room was as crowded as an exhibition on +a private view day. Mr. Oldstone had placed himself +in front of the easel, and was soon loud in his expressions +of enthusiasm.</p> + +<p>"Excellent! most excellent! Beautiful! beautiful! +beautiful! What flesh tints! What colouring! What<span class='pagenum'>531</span> +refinement of drawing and expression! As a likeness +it is perfect, there is no gainsaying. Then, +the pose—simple, graceful, and natural. My dear +young friend," he said, shaking our artist by the hand, +and seeming overcome by emotion, "Do you know +<i>what</i> you have realised? Why, it is the hand of a +master!" etc., etc.</p> + +<p>Then each of the members in turn made their own +remarks upon the portrait.</p> + +<p>"What a picture of life and health!" cried Dr. +Bleedem.</p> + +<p>"What a face for the stage!" remarked the +tragedian.</p> + +<p>"Ah! why was not I born a painter?" sighed Mr. +Parnassus.</p> + +<p>The analytical chemist made a few scientific +remarks upon the properties of pigments, in which +Professor Cyanite joined, whilst our artist silently +removed the colours from his palette.</p> + +<p>"And what do you propose doing with the portrait, +Mr.—er—Mr. McGuilp?" inquired Mr. Hardcase. +"Keep it," replied our artist, laconically.</p> + +<p>"What! <i>keep</i> it all to yourself!" exclaimed Mr. +Oldstone. "For your own selfish gratification, thereby +depriving others of the pleasure to be derived therefrom! +Mr. McGuilp, I am surprised at you. Gentlemen," +proceeded the antiquary, addressing his fellow members, +"I protest against this decision of our young +friend. That picture does not leave this inn if <i>I</i> can<span class='pagenum'>532</span> +help it. Mr. McGuilp, your price. What is it? We +will all club together and buy it, won't we gentlemen?"</p> + +<p>"Ay, ay! so say we all," cried several voices at +once.</p> + +<p>"Impossible, my dear sir—impossible," remonstrated +our artist.</p> + +<p>"<i>Impossible!</i> Why?"</p> + +<p>"I feel I shall never surpass this," answered McGuilp. +"It is a sample work. I can make use of it in many ways +as a study. But this I will do. I will protract my stay +yet a few days, though I have already remained longer +than I intended, and I will make a copy of the picture, +which it shall be my pleasure to present to the honoured +members of this club." Murmurs of applause and +thanks followed this speech, after which the company +dispersed until dinner-time.</p> + + + +<hr style="width: 80%;" /> +<p><span class='pagenum'>533</span></p> +<h2>CHAPTER VIII.</h2> + + +<p>The next morning broke dark and gloomy. Our artist +rose from his couch languid and unrefreshed. His face +was pale and haggard, with dark circles round his eyes. +What had transpired? Had he received a second visit +from the headless lady? Not so. What then? He +had slept indifferently, having been kept awake by his +own distracting thoughts. If he chanced to close his +eyes for a moment his peace was disturbed by the +most chaotic and depressing dreams. Was he unwell? +Did the fare at the inn disagree with him? He made +no complaints. Then why this strange squeamishness—these +wild chaotic dreams, through all of which <i>one</i> face +in particular seemed always to the fore? Sometimes +happy and smiling, full of life and health, then sad and +downcast—again looking at him with pleading eyes, +yet always the same face. Whose face this was we will +leave our readers to conjecture.</p> + +<p>"Bah!" soliloquised our artist, as he placed one +foot upon the floor, "a chit of a girl like that, and at <i>my</i> +age too."<span class='pagenum'>534</span></p> + +<p>He wasn't much past eight and twenty, true, but +then the girl running in his thoughts was barely +sixteen. In love? Not he. She was a dear, sweet +child, it was true, and pure as an angel; but her +education, her extreme youth, her position, her +surroundings—no, no.</p> + +<p>Now he was quite out of bed. His shaving water +stood ready for him outside. He opened the door ajar, +and took it in. Then placing the jug on the table, he +proceeded to strop his razors. As he did so, he caught +a glimpse of his face in the mirror, and started.</p> + +<p>"I'll tell you what it is, Vandyke, my boy," he said, +accosting his own reflection in the glass, "you are +looking worse than I thought. Come, cheer up, and +make the best of things. It would never do for the +members of the club to notice anything, and by putting +two and two together, guess at the reason <i>why</i>. No, I +must dissemble."</p> + +<p>Now, men of the world are shrewd observers, and a +very slight clue is often enough. Here, for instance, +was a case of two young persons, both good looking, +being thrown together under circumstances peculiarly +favourable for a flirtation, being alone and unobserved. +Well, what then? Need they necessarily fall in love +with each other? Not <i>necessarily</i> perhaps, says the +world, but in all probability they <i>will</i>. Time and +opportunity alone being necessary to bring the matter +about. So the world may perhaps not be so very far +wrong in its deductions.<span class='pagenum'>535</span></p> + +<p>Having now mixed up an abundant lather, McGuilp +rubbed it well over his chin and lower part of his face. +Then inserting his razor in the hot water, he, with as +steady a hand as possible under the circumstances, +proceeded to reap the hirsute stubble from its native +habitat until the operation was completed to his +satisfaction. Having at length finished his toilet with +even more than usual precision, he called up a cheerful +look to his countenance, and joined the rest of the +members at the breakfast-table, with an hilarity and +jocoseness of manner which took them all in.</p> + +<p>The breakfast was sumptuous as usual. The table +groaned under every delicacy of the season, and our +members, having seated themselves, did ample honour +to the repast. A yule log blazed on the hearth, and a +general air of comfort pervaded the inn, as if to make up +for the murky weather without. Yet, despite these +creature comforts, and the hearty appreciation of them +by our members, there was one present whose appetite +failed him. In spite of his forced hilarity, which he +now found it difficult to sustain, for sad thoughts would +obtrude themselves, our artist but pecked at his food.</p> + +<p>The fumes of the eggs and bacon sickened him. +The kippered herrings were an offence unto his nostrils. +He loathed such gross cheer. His toast and roll were but +nibbled at, his cup of coffee barely sipped, yet keep up +appearances he must. So he talked a good deal of +vapid nonsense, made trivial remarks about the weather, +etc., which served to put the rest of the members off<span class='pagenum'>536</span> +the scent, engrossed as each was with his own favourite +dish. The professional eye of Dr. Bleedem, however, +was more on the alert, and not so easily deceived.</p> + +<p>"You are not looking so well this morning, Mr. +McGuilp," he said, eyeing his patient critically.</p> + +<p>Our artist hastened to assure him that he never +felt better in his life. This remark, however, fell flat +upon the doctor's ears, and he proceeded as if he had +not heard him.</p> + +<p>"You have eaten nothing. I notice that you only +play with your food. Now, when a patient plays with +his food, it is a sure sign that there is something wrong. +You should take——"</p> + +<p>"Oh! I don't want any medicine, thank you," +interrupted McGuilp. "I assure you I am all right. A +little loss of appetite, as you say; perhaps from the +sudden change in the weather, which always affects me +more or less. The fact is, I didn't sleep very well last +night, and——"</p> + +<p>"Yes, I can see <i>that</i>," continued Dr. Bleedem.</p> + +<p>By this time the other members were getting interested, +and our artist found himself suddenly the cynosure for all +the scrutiny of the club. How he cursed the doctor's +officiousness! Why couldn't he mind his own business?</p> + +<p>"Yes, now you mention it, doctor, I can see that our +young friend does <i>not</i> seem quite up to the mark to-day," +remarked Mr. Oldstone.</p> + +<p>"By his appearance I should say the young gentleman +had something on his mind," suggested Mr.<span class='pagenum'>537</span> +Hardcase. "His countenance seems sicklied o'er with +the pale cast of thought," quoted Mr. Blackdeed from +his favourite author.</p> + +<p>Then each member had something to say in turn, +till our artist felt himself blushing up to the roots of his +hair. In vain did he give himself a twisted pinch in +the fleshy part of his leg under the table. The blush +would rise, and there was no checking it. He fancied +he could see the members give side glances one to the +other, or trying to conceal a smile; but this may have +been imagination.</p> + +<p>Breakfast being now over, each member rose from +the table, some gathering round the fire, one or two of +them peering out into the murky gloom. Then Helen +entered to clear away the breakfast things. She, too, +seemed less lively than her wont, her face paler, and she +went about her domestic duties mechanically, with +downcast eyes.</p> + +<p>"Why, Helen, my girl," exclaimed Dr. Bleedem, +"you don't look as bright as usual. Have <i>you</i> been +having a sleepless night? Have <i>you</i> been losing your +appetite?"</p> + +<p>The girl looked up confusedly, and a deep blush +suffused her face and neck. The fame of Dr. Bleedem +was great in the neighbourhood. She believed herself +to be in the presence of a man who could read the +secrets of her inmost soul, and that all attempts to mask +them from his scrutinising gaze would be worse than +useless.<span class='pagenum'>538</span></p> + +<p>"What has come to you young people of late, I +don't know," continued Dr. Bleedem. "Now, here is +Mr. McGuilp, he, too, has been losing his appetite, and +suffering from insomnia."</p> + +<p>Oh! how our artist wished that the ground would open +at his feet and swallow him up. In vain he trod on his +toes and turned his face towards the window, as if peering +into the snow that was now falling fast. His ears +continued to burn like fire, and all he could do, by +mopping his forehead with his pocket-handkerchief, was +inadequate to keep back the traitor blush.</p> + +<p>"Oh! oh!" muttered Dr. Bleedem to himself, +whilst gazing from one to the other. "Is that the way +the wind lies?"</p> + +<p>The members now began to look sideways, one +at the other. One of them raised his eyebrows; +another winked; a third suppressed a titter; but as this +all took place behind our artist's back, who was still +looking out intently at the snow, there was nothing to +wound his sensibilities.</p> + +<p>At length Mr. Oldstone broke the silence. "When +are you thinking of beginning the copy of our Helen's +picture, Mr. McGuilp?"</p> + +<p>"I? Oh yes, just so," replied our artist, waking up +out of a reverie. "Well, the fact is, we are most +unfortunate in the weather. It is impossible to begin +if it continues like this. Should it clear up later, I +will at once set to work."</p> + +<p>"Good. And now gentlemen, what do you all<span class='pagenum'>539</span> +propose doing to while away the time? A rubber of +whist, a game of chess, backgammon, or what?" inquired +the antiquary.</p> + +<p>After a little discussion, it was decided that Dr. +Bleedem, Professor Cyanite, Mr. Crucible, and Mr. +Oldstone, should form a party at whist. Mr. Blackdeed +and Mr. Hardcase played a game of chess, while the +poet and the painter, not being disposed to join in any +game, retired into a corner together, and were soon deep +in a discussion upon the arts of painting and poetry. +A couple of hours passed away, and still the members +were absorbed, each in his favourite pursuit, when the +weather began to clear up, and the sun shone brightly.</p> + +<p>This decided our artist to set about his allotted +task; so breaking off the conversation with his poet +friend, he repaired to the studio, and placing a clean +canvas, the same size as that of the portrait, upon the +easel, he commenced his copy; and here we will leave +him to continue his task for the present.</p> + +<hr style='width: 25%;' /> + +<p>Over a fortnight had passed since we left our artist +at his work. The task was now completed. He had +found it necessary to have one or two extra sittings from +Helen herself on the copy, just to give more truth to it, +as he said. However, as everything on this earth comes +to an end, there was an end also to these sittings.</p> + +<p>"Helen," said our artist to his model at the last,<span class='pagenum'>540</span> +"I must go. My affairs call me back to Italy. I have +been keeping my studio on all this time, and I have +certain business to settle which will brook no delay."</p> + +<p>Helen's countenance fell, and her lip quivered. +Her eyes grew moist and downcast. In a voice that +she endeavoured to render firm, she ventured to inquire: +"And will it be for long, sir?"</p> + +<p>"For very long, Helen? Perhaps for ever."</p> + +<p>Helen had no answer to this. Her sobs were +choking her. The tears stole silently down her cheeks, +but she whisked them away with her handkerchief, and +did her best to appear outwardly calm.</p> + +<p>Our artist, too, felt a lump in his throat, and his +eyes suffused with tears.</p> + +<p>"Perhaps, sir," meekly suggested the girl, "when +you have settled all your affairs abroad, you may think +of taking a holiday, and be paying us a flying visit, +just to see Mr. Oldstone and the other gentlemen, +you know. I'm sure both father and mother will be +glad to see you again."</p> + +<p>"I am afraid not, Helen. I am afraid not," and +our artist slowly and sadly shook his head.</p> + +<p>"What! <i>never</i>—never again!" almost shrieked the +child.</p> + +<p>Here she broke down completely. All restraint +and propriety flew to the winds. Nature, till now +trampled upon and held in abeyance, at this point +rebelled and relieved herself in a torrent of the bitterest +sobs and tears.<span class='pagenum'>541</span></p> + +<p>"Helen! dear Helen! What is this?" cried +McGuilp, running to her assistance, his own tears +falling fast the while!</p> + +<p>"Oh! what a brute I have been! Quick, rouse +yourself. There are footsteps in the passage. Somebody +is coming." Thus warned, there was a sudden +mopping of eyes and blowing of noses, when the door +opened, and Dame Hearty presented herself to ask if +Helen could be spared to assist her in the kitchen.</p> + +<p>"Oh! certainly," replied our artist, averting his face +and busying himself with putting away his palette and +brushes, whilst assuming a firm voice. "Yes," continued +he, still turning his back, "I think I may say that I have +finished with her now. This is the last sitting in fact. +There is the copy I intend to present to the club. +This one here is the first one, which I am going to keep +for myself. Which of the two do you prefer, Dame +Hearty?"</p> + +<p>In this way he rattled on to hide his confusion. +Helen had slipped noiselessly away, bathed her face in +cold water, and returned to the kitchen.</p> + +<p>"Well, sir," replied Dame Hearty, in answer to our +artist's question, "I really don't know what to say. +They are both so lovely, there's not a pin to choose +between them."</p> + +<p>Then, scanning our artist's countenance, she observed:</p> + +<p>"You appear to have a bad cold, sir."</p> + +<p>"I am afraid I have, Dame Hearty," said McGuilp;<span class='pagenum'>542</span> +"the weather has been very uncertain, and I think I +must have committed some imprudence."</p> + +<p>"Let me make you a basin of gruel, sir. No? It's +a capital thing, and you should keep out of all draughts, +and——"</p> + +<p>"And keep my bed, perhaps you'll tell me, my +good woman," interrupted McGuilp. "No, no; I've no +time to coddle. Do you know, Dame Hearty, I must +be off to-morrow to London by the stage, as I have to +return to Rome without further delay. Already I am +long after my time."</p> + +<p>"So soon! Why, you <i>have</i> paid us a short visit," +exclaimed the hostess. "Well, sir, you knows best. All +I can say is that my husband and I will be most glad to +see you again, when next you be passing this way."</p> + +<p>A knock at the door, and our host entered to ask if +he might be allowed to see the copy.</p> + +<p>"Certainly, my good host, here it is," said McGuilp.</p> + +<p>Jack Hearty went into ecstacies over it, saying he +didn't know which he liked best.</p> + +<p>"Mr. McGuilp says he is off again to-morrow, Jack," +began our hostess.</p> + +<p>"Yes," broke in McGuilp. "What time does the +stage start? Early? I'd better begin my packing at +once," and off he went to his bedroom to make preparations.</p> + +<p>The fact was, he wanted to be alone, for it was an +effort to keep up a cheerful appearance with a sad heart. +He locked himself within his room, and having collected<span class='pagenum'>543</span> +together a few articles of clothing—enough to fill his +valise, he threw himself into an arm-chair and gave +himself up to meditation.</p> + +<p>It will be remembered a few pages back that our +artist accused himself of behaving like a brute towards +his model. In this he did himself injustice. He had +never deliberately set about gaining the affections of this +simple village maiden. Any base design against her +was the farthest from his thoughts. He admired her +innocence and beauty, and wished that it might never +lose its unsullied purity. He had never dreamed of +actually falling in love with her, child as she was, and +his conduct had been always that of a fond parent +towards a pretty child. He little recked of any danger, +either to her or to himself, but he found her beauty +gain upon him day by day, till at length he was fairly in +the toils. Yet he had never spoken to her of love. No, +not a word. He <i>would</i> not. He had no desire that +the girl should fall in love with him, nor would it be +politic for him to fall in love with her. Wrong her he +would not. Marry her he could not. For, besides +hampering himself as a struggling artist with a wife and +family, he dreaded quarrelling with almost the only +relation he had living: a rich uncle; from whom he +had expectations, and who would most decidedly consider +that he had dragged the family name in the mire +by marrying the daughter of a country innkeeper. In +what way, then, it will be asked, did he think he had +acted brutally towards the girl? This is what he blamed<span class='pagenum'>544</span> +himself for: First, for allowing himself to be carried +away with feelings of love towards the girl, however +secretly; and then for incautiously allowing her to discover +his secret. For, although he had not spoken of +love, you may depend upon it that he had <i>looked</i> it, and +it was not difficult for her to read in his burning glances +the secret of his soul. Love leads to love. He, too, +read in the soft eyes, the heaving bosom, the stifled sigh, +the deepening blush, and other tell-tale signs that she +loved <i>him</i>. Thus, each had learned the other's secret. +They had spoken to each other with their eyes, and +thus just as much mischief had been wrought as if the +most courtly phrases had been used. He had not +intended that his glances should be understood, but +they <i>were</i>. Thus he blamed himself.</p> + +<p>Matters being thus, there was no other remedy but +flight. It would be a wrench, both for himself and for +the girl, but the kindest thing in the end. In fact, it +was his only course. So, having hurriedly finished his +packing, he went downstairs to inform the members of +the club of his intention.</p> + +<p>It may easily be conceived how unwelcome was the +news, for our artist had made himself extremely popular +with all, and was looked upon as a great acquisition as +a story-teller. Mr. Oldstone, in particular, exhausted all +his powers of persuasion to yet delay his departure, but +he found him obdurate. The good antiquary, who was +an old bachelor, had grown to love our artist as a son; and +now that the hour of parting had come, it rent him sore.<span class='pagenum'>545</span></p> + +<p>In the evening a farewell carousal was given in his +honour, in which several bowls of punch were discussed; +much tobacco smoked; a few speeches made; several +anecdotes related; a song or two; besides some atrocious +puns, with much laughter and witty conversation, +until the utterance of all grew somewhat thick; and we +regret to add that the worthy chairman, in his laudable +attempts to do honour to his young protégé, had to be +assisted upstairs and put to bed in a state decidedly +mellow.</p> + + + +<hr style="width: 80%;" /> +<p><span class='pagenum'>546</span></p> +<h2>CHAPTER IX.</h2> + + +<p>The next morning broke clear and frosty, without a +cloud in the sky.</p> + +<p>"What bitter mockery!" thought McGuilp, as he +looked on the beaming face of Nature, and contrasted it +with the feelings he bore hidden in his breast. "A day +like yesterday would have been more in harmony with +my soul." The sun actually smiled on his departure.</p> + +<p>"Good morning, my young friend!" cried the +cheery voice of Mr. Oldstone as they entered the +breakfast room together; "it is a fine day for you."</p> + +<p>Our artist nodded assent, and having shaken hands +with all the members in turn, seated himself at the +breakfast table, and tried to keep up a cheerful appearance, +but his smile was hollow, and his face was pale.</p> + +<p>"I wish you would let me give you a little opening +medicine, Mr. McGuilp," broke in Dr. Bleedem, in the +midst of a lull in the conversation; "it would soon set +you to rights."</p> + +<p>Our artist persisted that he <i>was</i> all right, and +required nothing.<span class='pagenum'>547</span></p> + +<p>"H'm, h'm," muttered the doctor to himself with a +shake of the head, as much as to say, "You don't fool +<i>me</i>."</p> + +<p>Conversation then took a general turn, and our +artist was allowed to finish his meal unmolested.</p> + +<p>Breakfast was hardly concluded when a horn was +heard in the distance. "There's the stage!" cried one +of the members.</p> + +<p>"'The horn, the horn, the lusty horn,'" quoted Mr. +Blackdeed from his great poet; but the quotation fell +flat on the ears of our artist, who had grown a shade +paler.</p> + +<p>"I am quite sure, Mr. McGuilp," went on the +irrepressible Doctor Bleedem, "that if you were to +follow my advice——"</p> + +<p>"There, that's enough, Bleedem. Leave the boy +alone," broke in Mr. Oldstone. "Here comes the +stage. God bless you, my boy. Take an old man's +blessing with you. I know I shan't see you again this +side of Time. I'm getting old; I know it; I feel it. +But write me as soon as you get to Rome to say you +have arrived safely; and here is a letter to my old +friend Rustcoin, which please give him with your own +hands when you see him. There, good-bye, good-bye." +Here the kind old antiquary mopped his eyes, gave our +artist a fatherly pat on the back, and followed him to +the door.</p> + +<p>"Good-bye, sir, and I hope we shall meet again." +This was all our artist could find to say.<span class='pagenum'>548</span></p> + +<p>The coach had now driven up, and McGuilp had to +undergo once more the ordeal of shaking hands. This +was rather a trial, for although there could be no doubt +as to the sincerity of the regret that each member felt at +his departure, and the cordiality of their good wishes, +yet there was one thought alone that now occupied his +mind, viz., that of tearing himself away from his fair +model.</p> + +<p>Whether the members guessed this, and out of bare +humanity wished to give him a chance to say a few +words alone with his lady-love, we know not; but, +having wished their guest God-speed, they left him, and +surrounded the coach. Some of them patted the +smoking horses; one had a word with the driver; +others seemed to scrutinise the travellers and the +vehicle. Our host and hostess stood at the door of +the inn, and wished their late guest a happy journey +and a speedy return, to which our artist responded by a +hearty shake of the hand and a few appropriate words.</p> + +<p>The landlord was then called off to serve the driver +with a mug of ale, but before he went he called out to +his daughter, who was hiding herself behind her mother +in the passage, "Now, then, Helen, my girl, the gentleman +is going, and wants to bid you good-bye."</p> + +<p>Helen now came forward, pale and trembling, while +Dame Hearty, perhaps guessing the state of things, +prudently retired, thus leaving the young couple to say +a word to each other in private.</p> + +<p>"Good-bye, Helen, my girl, and may God bless<span class='pagenum'>549</span> +you," was all our artist could trust himself to say at the +last; but his sad glance and the tender squeeze he gave +her dimpled hand spoke volumes.</p> + +<p>"Good-bye, sir," faltered the child, now choking +with sobs; "good-bye, and may you be happy." Then +breaking down altogether, she rushed inside and was +seen no more. Our artist looked after her for a moment +as if dazed.</p> + +<p>"Now, then, sir," cried the driver, "come along if +you're coming; we're off."</p> + +<p>McGuilp, thus roused, threw his cloak around him, +pressed his hat over his eyes, and hastily mounted. +Crack went the whip, off went the horses, and our artist +was swiftly borne from the scene where he had passed +so many happy hours, midst cheering and waving of +hats, to which he graciously, but with an aching heart, +responded. He was now alone with his own thoughts, +and barely glancing at the shifting wintry landscape as +it flashed passed him, was in no humour to exchange +commonplaces with his fellow passengers. Here we +will leave him for the present, and return to our inn.</p> + +<p>The members of the club, with the exception of our +antiquary, who had remained behind to finish a letter +for the post, had resolved upon a woodland ramble, and +were chatting lightly by the way.</p> + +<p>"Yes, yes; there is no doubt about the poor lad +being hard hit," said one. "I noticed it from the first."</p> + +<p>"So did I," put in another. "In good time he +bolted, for these sort of things never end well when +allowed to go on ahead."<span class='pagenum'>550</span></p> + +<p>"Of course, marrying her would be out of the question +altogether, looking at it from any point of view," +remarked a third; "besides, there's her age. Why, +she's a mere child."</p> + +<p>"True," observed a fourth, "and even supposing +her to have been of a marriageable age, he, being but a +struggling artist, wholly dependent on his profession, +and doomed to eke out a precarious living by the sale +of his pictures, what else but misery could there be in +store for either of them by such a union?"</p> + +<p>But here we will leave them to continue their +ramble and their gossip.</p> + +<p>It has been stated above that our antiquary had +remained behind to finish a letter. Having waved his +last adieus to his young protégé, and waited till the +coach had disappeared in the distance, he returned to +the breakfast room with a sigh, muttering to himself, +"Poor boy! poor boy!" He then collected his writing +materials, but the breakfast things had not yet been +cleared away.</p> + +<p>Presently Helen entered, and proceeded to clear +the table. Her face was pale, but calm; her eyes +downcast. Our antiquary appeared not to notice her +overmuch, but was secretly scanning her countenance. +At length, when the table was quite clear, and Helen +returned with a fresh log for the fire, he slowly advanced +towards her, and placing his right hand on her head +and his left on her right shoulder, whilst he toyed for a +moment with her bright curls, he remained for some<span class='pagenum'>551</span> +moments in silence. The action was that of one invoking +a blessing. Then seizing her right hand in both of his, +and raising it to his breast, he gave it a gentle squeeze; +then dropped it and turned away, still without a word.</p> + +<p>Now, poor Helen's heart was full to overflowing, in +spite of her outwardly calm demeanour. She was in +possession of a weighty secret, which seemed too heavy +for her to bear alone. Yet who was there to share it +with her? She had no friend of her own age to whom +she could open her heart and into whose sympathetic +ears she could pour forth her woes. Her parents, +much as she loved and respected them, did not seem to +her to be the sort of people likely to give her that +sympathy she yearned for. They would laugh at her, +reprove her perhaps, and tell her roughly to get all that +rubbish out of her head at once, etc. Not a soul had +she in the world to whom she could cling, or from whom +she could expect one ray of comfort. As to her secret +being discovered by the other members of the club, +this she dreaded most of all. She could imagine their +banter, their coldness, or their sneers. Dr. Bleedem, +too, who would prescribe her physic, and promise to +make her all right again, provided she followed his +course of treatment.</p> + +<p>Love is by nature reticent, and not willing to make +its secret common property. Rather than divulge its +sacred feelings to the first light-hearted outsider it will +prefer—oh, how infinitely!—to bear its own burden +alone—aye, if need be, even to the grave.<span class='pagenum'>552</span></p> + +<p>Never before in all her life did Helen need a friend +and comforter as she did now, when, lo, in the very nick +of time, there came to her this kindly old man whom +she had known from her earliest childhood, who had +dandled her on his knee, and never passed her without +a kind word. He, who seemed to have read her heart, +now came forward with his silent blessing, like an angel +sent from Heaven to comfort her. This was just what +she needed. This mute expression of sympathy from +someone whom she felt could understand her. She +construed his silence thus: "There, there, my pretty +child; we understand each other, don't we? You see, +I've guessed your secret, and you may be sure that it +will be safe in my keeping. I am not surprised. These +things are common to youth, and very hard to bear for +the time, but take comfort. Everything has its day. +This, too, will pass in time. Cheer up; try and forget +it. What! you can't? Oh, yes you will—not all at +once—no; but take courage. This is your first great +grief; but the world is full of trials, and we are sent +here on purpose to bear them. No one escapes them +altogether; but rest assured that you will always find a +friend and comforter in Obadiah Oldstone."</p> + +<p>This, and much more, did the child understand by +the antiquary's silent magnetic touch. Her heart overflowed +with gratitude, and she was unable longer to control +herself, but, bursting into the most passionate sobs, +she covered her face with her hands and was making +for the door when Oldstone called her back.<span class='pagenum'>553</span></p> + +<p>A Spanish proverb says, "He who loves you will +make you weep." Helen had proved the truth of this +adage.</p> + +<p>"Come, my girl," said Oldstone; "am I such an +ogre that I need scare you? Come to an old man, +and pour forth all its pretty griefs. We used to be such +friends, you know. Did you think I didn't guess your +secret all along? We old men of the world have sharp +eyes, and very little escapes us. Well, well; I am not +surprised, you know. The young man who left this +morning was comely, and a gentleman, besides a man +of talent and resources. It is not difficult to understand +how a young and susceptible child like yourself, having +never seen anyone else but old fogies like us, should +suddenly take a fancy to a smart young——</p> + +<p>"Oh! sir," broke in Helen, in agony, "he is gone—gone +for ever, and I <i>did</i> love him so."</p> + +<p>"Love! my child! why, at your age you oughtn't to +know the meaning of the word."</p> + +<p>"I didn't, sir, till quite lately. I had heard of it +from others, and read about it in books; but, oh! Mr. +Oldstone, I didn't know it was like this."</p> + +<p>Here the poor distracted girl began beating her +breast with her clenched fist, and gazing upwards with +tearful eyes, in which there was an expression of the +wildest despair, till the kind old man began to be +seriously alarmed for her sanity.</p> + +<p>"Hush! hush! my girl," he said in soothing tones; +"don't give way so. Calm yourself."<span class='pagenum'>554</span></p> + +<p>"How can I be calm," screamed the girl, "when +he has gone for ever, and I shall never, never see him +again!"</p> + +<p>"Well, my dear, and a good job too. The best +thing that could happen to you both," said the antiquary, +"though you won't think so now; but mark my word, +Helen, this will pass over, and the sooner the better for +you both, for these sort of cases lead to no good, you +may depend upon it."</p> + +<p>"Why, sir," asked the girl, "is it then a sin to +love?"</p> + +<p>"A sin, my precious!" exclaimed Oldstone; "no, I +can't say that. But—but—there is always danger in it."</p> + +<p>"What danger, sir?"</p> + +<p>"Well, my dear, there are certain things that are +very difficult to explain to one so young. When you +grow older——"</p> + +<p>"Oh! sir, why cannot you tell me now—you, who +know the danger?"</p> + +<p>"Yes, my dear, I should just think I did," observed +the antiquary. "There are shoals and pitfalls that +beset the young, and they would do well to listen to the +voice of warning ere it is too late, and profit by the +experience of others, rather than trouble themselves +about the <i>why</i> and the <i>wherefore</i> of everything."</p> + +<p>"Then you mean to say that love <i>is</i> wrong after all," +observed Helen.</p> + +<p>"Not as long as it remains love," replied Oldstone, +"but people may <i>make</i> it so."<span class='pagenum'>555</span></p> + +<p>"How? I don't understand."</p> + +<p>"Perhaps not, my dear. You have much to learn +yet. I mean, people <i>will</i> talk, and you can't stop them. +The world can only judge by appearances. It <i>might</i> +misjudge you. It might put a false construction on +your conduct, however innocent."</p> + +<p>"But that would be wrong, unjust, and cruel."</p> + +<p>"Perhaps so, my dear. It very often is."</p> + +<p>"Are the gentlemen of the club the world?"</p> + +<p>"Yes, part of it."</p> + +<p>"Would they tell stories about me?"</p> + +<p>"If they thought they saw anything suspicious in +your conduct."</p> + +<p>Helen reflected for a moment and then said, "I don't +know what they could find suspicious in my conduct."</p> + +<p>"No, my pet, neither do I," answered the kind old +man with a benevolent smile. "The fact is, there are +so many people in the world who find other people's +business more interesting than their own; and even +when they are unable to find a flaw in their neighbour's +character, they will make one. Therefore, avoid the +appearance of evil."</p> + +<p>"Still, I don't understand," began Helen.</p> + +<p>"No, my dear, and what's more, I can't explain," +observed the old man. "But <i>this</i> I can tell you. The +brute world, in cases of love, exacts marriage as the +hallmark of respectability. It can see nothing but +harm in the love of two young pure souls, however +platonic—I mean innocent. They look upon it as<span class='pagenum'>556</span> +dangerous, to say the least, and the only way to satisfy +them and avoid scandal is to <i>marry</i>."</p> + +<p>"I never thought about marrying," said Helen. +"Cannot two persons love each other just the same +without either thinking of marriage?"</p> + +<p>"They <i>could</i> I suppose, but the world would soon +make it hot for them. They would have to pay for +defying the world."</p> + +<p>"Pay!"</p> + +<p>"Yes, and dearly too. Pay for it by seeing the +finger of scorn directed towards them—the cold shoulder +of respectability and self-righteousness; by being forced +to listen to vile gossip and scandalous reports; shunned +by those far viler than themselves; bear up against the +ribald jeers of the vile populace, till their lives become +a burden to them, and they would finally be compelled +to confess that they would have done better for their +own peace and comfort if they had humoured the vile +rabble and <i>married</i>."</p> + +<p>"Does love without marriage mean all that?"</p> + +<p>"I am afraid it does, my girl; I am afraid it does. +At least, I wouldn't advise you to brave the world. It +isn't worth it. If you can't marry, you had better not +encourage love."</p> + +<p>"I don't see that it matters to them if I love or if I +don't," observed the girl.</p> + +<p>"Neither do I, my dear," answered her counsellor, +"and if people would mind their own business, the +world would be happier."<span class='pagenum'>557</span></p> + +<p>"It seems so mean and paltry to be always prying +into other people's affairs. I can't tell why they do it. +I am sure I should never take the trouble. How is it, +Mr. Oldstone?"</p> + +<p>"My dear," replied the old man, "I can't tell you +how these things are, but so they are."</p> + +<p>At this juncture the voice of Dame Hearty was +heard calling for her daughter. The door then opened, +and the head of our hostess appeared.</p> + +<p>"Come now, Helen," cried our worthy dame, rather +petulantly, "I have been looking for you all over the +house. You knew I was waiting for you in the kitchen."</p> + +<p>"Don't blame her, mother," interceded the kind +antiquary. "It is all <i>my</i> fault. I have been detaining +her perhaps over long, just for a friendly chat."</p> + +<p>"Oh, very well, sir," replied the landlady with a +bland smile, "but if you don't mind me taking her +away now, as I am rather behind-hand with the work."</p> + +<p>"Certainly, Dame Hearty," said Mr. Oldstone, with +a wave of the hand.</p> + +<p>Helen followed her mother, and the door closed +behind them. Then our antiquary occupied himself +vigorously with his writing, until the other members of +the club returned from their ramble, hungry for their +mid-day meal.</p> + + + +<hr style="width: 80%;" /> +<p><span class='pagenum'>558</span></p> +<h2>CHAPTER X.</h2> + + +<p>It is not our object to weary the reader with superfluous +details relating to the doings and sayings of the +members of the club, nor to follow up the story of their +lives from day to day. We will, therefore, suppose +some two years to have passed away since our artist's +departure for Rome. In two years' time much may +transpire, <i>i.e.</i>, in a large town where there is much +business and traffic. In this ancient hostelry, however, +situated about a mile from any habitable dwelling, things +went on from year to year in much the same monotonous +way. Jack Hearty was just as genial and attentive +as ever, and looked no older. Dame Hearty was just +as active, bustling, and good-humoured. And Helen, +what of her? Ah! here <i>was</i> a change. Was she +falling into a decline? Did her cheek grow paler and +paler, her step listless, her eye vacant, her manner distracted? +No; nothing of the sort. All these signs had +vanished long ago, thanks to a course of steel that Dr. +Bleedem had prescribed for her, and insisted on her +taking. What a feather in the good doctor's cap it was +when he saw the sallow, sunken face fill out, the rose of +perfect health once more return to her cheek, the<span class='pagenum'>559</span> +elasticity to her step, and the merry ring to her voice. +No wonder he blew his own trumpet. Who would not +have done the same?</p> + +<p>But there was one among the members who smiled +quietly, and with an air of superiority, whenever the +doctor vaunted himself.</p> + +<p>"I don't know what you mean, sir," said Dr. +Bleedem, one day, irritated at what he conceived to be +an expression of incredulity on our antiquary's countenance, +"but if you think that my medicine did not effect +the marvellous cure we have been discussing, I should +like to know what did, that's all."</p> + +<p>"Well, sir," replied Mr. Oldstone, still with a +quizzical look in his eye, "I said nothing."</p> + +<p>The doctor, far from being pacified, gave a snort, +then resumed severely, "And I'll tell you what it is, +Oldstone, if you don't take more care of your constitution, +you won't last much longer. You may depend +upon that. If you pass many more nights like that one +on the eve of Mr. McGuilp's departure, and think that you +know better than I do, your sand will run speedily down. +Then will follow a state of utter prostration—the death +rattle—the silent tomb. Ha! ha! how will you like +that?"</p> + +<p>Having thus delivered himself, this son of Æsculapius +felt better, and deeming he had completely vanquished +his antagonist, he proceeded to fill his yard of clay with +some of his most pungent tobacco, lighted it, and +throwing himself back in his chair, and crossing his<span class='pagenum'>560</span> +legs, gave several defiant puffs at his pipe, causing the +smoke to stream through his nostrils, which gave him +somewhat the appearance of a fiery dragon.</p> + +<p>"Well, man," said Mr. Oldstone, meekly, "don't +croak like a bird of ill omen. It is like having the +skeleton at the feast, as was the custom amongst the +ancient Egyptians."</p> + +<p>"Yes, by Gumdragon! it is," assented the leech, +"and it would be good for several of you if you profited +by the lesson, for I could mention some who have progressed +precious little since those times."</p> + +<p>"Come, come, doctor," insisted Oldstone, "I've +seen you yourself take very kindly to your little glass of +punch at our convivial meetings." (Here the antiquary +winked furtively at some of the older members, as if he +had scored something.)</p> + +<p>"No, sir; never to the extent of being carried to bed +helplessly drunk, as I have seen you, sir—not unfrequently, +I regret to say," replied the doctor, indignantly.</p> + +<p>A general laugh from all the members of the club, +in which our antiquary heartily joined, was a signal for a +cessation of hostilities, and good humour was restored.</p> + +<p>It may interest our readers, before we go further, to +learn some news of our artist since his departure. According +to his promise he had written, first from London and +later from Rome, to announce his safe arrival. He had +written many times since, and always to Mr. Oldstone. +His first letters had been short, and contained little more +than the bare news we have stated; desiring, at the same<span class='pagenum'>561</span> +time, to be remembered to all the inmates of the hostel, +including our landlord and his family.</p> + +<p>These letters were promptly and voluminously replied +to by our antiquary, who, besides local news, of which +there was certainly a dearth, managed to fill up his +letters with wise saws and some fatherly advice, +delicately, not obtrusively given—such as is not unbecoming +from an elderly man towards one considerably +his junior. The tone of these letters seemed to call for +a reply something in the same spirit. It was impossible +for our artist to ignore the fact that the old man had +taken a prodigious liking to him—loved him, in fact, as +we have said, like a son. He could not reply curtly or +coldly to words that so evidently came from the good +man's heart, so he sat him down and penned equally +long epistles, relating his adventures, the people he had +met, and the places he had seen; thanking our antiquary at +the same time for the kindly interest he had always +taken in him.</p> + +<p>It soon became apparent to our artist, from sundry +hints carefully worded by his antiquarian friend, that the +latter was no stranger to the secret he held within his +breast. He doubted not but that all the members of +the club knew it, and this thought caused him some +annoyance; but there was something in the veiled +sympathy of this fatherly old man, with his covert +innuendos, his tact and discretion, that touched him +deeply, and made it impossible not to open his heart to +him and pour forth the secrets of his soul.<span class='pagenum'>562</span></p> + +<p>The ice was broken. Letters poured in thicker than +ever, and the other members, recognising always the +same handwriting, wondered what there could be so +much in common between a young man like McGuilp +and one of Mr. Oldstone's years. Moreover, they +noticed that the antiquary never vouchsafed to read +these letters aloud, merely certain portions here and +there, where it referred to themselves, and these were +short enough, while they watched their aged member as +he gloated over page after page of close writing with +evident satisfaction. There seemed a certain want of +confidence in this, which each secretly resented; but +they said nothing, merely venting their spleen among +themselves by alluding to our artist as "the old un's +protégé."</p> + +<p>Now, about a year previous, Mr. Oldstone had +received some important news from his young friend in +Rome. He had lately completed a life-size half-length +portrait, in which he had made use of the study he had +taken of our landlord's daughter. The head he had +copied from this study, but he had added a figure, +which made it more interesting as a picture. The work +had been finished in Rome, and sent to England to be +exhibited at the Royal Academy, then held at Somerset +House. It had not only been accepted, but hung upon +the line, besides receiving high eulogiums from the +President, Sir Joshua Reynolds, who, on a private view +day, had been observed holding forth before a knot of +students and expatiating upon the merits of this <i>chef +d'œuvre</i>.<span class='pagenum'>563</span></p> + +<p>One of the students, a friend of our artist, had +written to him to congratulate him on his success, at +the same time enclosing him a slip from the <i>Athenæum</i>, +being a critique in which his work was extolled to the +skies, and alluded to as <i>the</i> picture of the season, and +the painter as "a great genius who had taken the world +by storm, and had already reached the temple of fame."</p> + +<p>This excerpt our artist in his turn enclosed to his +friend Oldstone, and wound up his letter by saying that +the picture had already been sold for a considerable +sum to Lord Landborough, a great patron of art, who +possessed a magnificent gallery at his country seat, +Feathernest, in Middleshire, filled with the choicest +specimens of ancient and modern art, in which company +our artist's picture, which he had chosen to +designate "The Landlord's Daughter," was destined to +find a place. In a postscript he referred to having just +read an account of a visit from their Majesties King +George III. and Queen Charlotte to Somerset House. +They had taken their eldest son, George, Prince of +Wales, with them to see the pictures. It is reported +that the young prince was so enamoured of the portrait +entitled "The Landlord's Daughter," that he cried when +they took him away, and said that he wanted her for his +nurse. His Majesty, ever indulgent towards his children, +suggested that to discover the original of the portrait +would not be impossible, in which case——. But here +his royal spouse interposed, and with a vicious tap at +her snuff-box declared she would never allow such a face<span class='pagenum'>564</span> +in <i>her</i> household—not <i>she</i>. So the King of England +caved in.</p> + +<p>Now, our antiquary affected no secrecy with regard +to this particular letter. There was no reason for it. +On the contrary, it treated of a public event which, in +all probability, the members of the club would read for +themselves in the papers, so calling our host and hostess +as well as their daughter together, he began thus in the +presence of all:</p> + +<p>"You remember Mr. McGuilp, Jack?"</p> + +<p>"Ay, sir, sure enough," responded our host. "I +hope he is very well."</p> + +<p>"I believe so, Jack," said Oldstone. "Now listen +to this, all of you."</p> + +<p>Here he read the letter aloud, from beginning to +end, adding, at its conclusion, on his own account, +"There, I knew my boy had it in him. I saw it from +the first, as soon as I set eyes on the portrait he +painted of our Helen."</p> + +<p>"Never blush, girl!" ventured Mr. Parnassus, but +a stern look from Mr. Oldstone checked further banter.</p> + +<p>"Well, well, well!" muttered our landlord. "To +think that <i>our</i> daughter should have her portrait +exhibited at the Royal Academy. That the Royal +family should see it, and, moreover, that it should have +been bought by a peer of the realm, and paid for +money down. Why! it passes belief. Don't it Molly?" +Our hostess thus appealed to by her spouse, admitted +that it <i>did</i> seem strange, and suggested that perhaps all<span class='pagenum'>565</span> +that got into the papers might not be true. The +suggestion was instantly howled down. Cries of "Yes, +yes, every word of it," from Mr. Crucible. "Especially +that part where the Queen wouldn't have such a face +about her at any price," chimed in Professor Cyanite.</p> + +<p>"Just like the old cat, jealous of her husband," +added Mr. Blackdeed.</p> + +<p>"Exactly so," agreed Dr. Bleedem.</p> + +<p>"Gentlemen, gentlemen, a truce to this," now interrupted +Mr. Oldstone. "I propose that we meet together +this evening at eight o'clock, over a steaming bowl of +rum punch, such as our good host here understands so +well how to brew, and that we drink to the health of +our artist friend, with a three times three." This +proposition was unanimously applauded, and subsequently +carried out. We much fear that on this +occasion our worthy chairman was again carried away +rather too much by his—emotion.</p> + +<p>The next morning our antiquary came down late for +breakfast, rather muddled in the upper regions, with, +moreover, several sharp twinges of gout, which reminded +him that he was not so young as he used to be. His +coffee had got cold, and he had been left to finish his +breakfast alone, all the other members having been +drawn away to their several avocations.</p> + +<p>"Do you want anything, sir?" asked Helen, +appearing at the door.</p> + +<p>"Well, yes, my girl," answered Oldstone. "I want +you to sit down here, and keep me company."<span class='pagenum'>566</span></p> + +<p>"I can't stay for long, sir," replied Helen. "Mother +is sure to be calling me."</p> + +<p>"No matter. Wait till she calls. Now, Helen, tell +me, what do you think of that letter I read out to you +yesterday—eh?"</p> + +<p>For answer Helen rubbed her hands together for +joy, and flushed all over her face. Then clasping her +hands upon her breast, and looking upwards, muttered +as if unconscious of anyone's presence, "I <i>knew</i>, I +knew he loved me!"</p> + +<p>"Yes, I am afraid he does, you dangerous young +puss," observed Oldstone. "Too much so for his +peace of mind, poor boy!"</p> + +<p>"Perhaps, but not more than <i>I</i> love <i>him</i>. <i>That</i> +were impossible."</p> + +<p>"And you're not afraid of confessing as much to <i>me</i>, +you brazen hussy?" demanded the old man, playfully +chucking her under the chin.</p> + +<p>"To <i>you</i>, you know I am not," replied the girl. "To +you, sir, I feel I could, nay, I <i>must</i>, tell everything, and +oh! it <i>is</i> such a comfort to have a real true friend from +whom one need hide nothing!"</p> + +<p>"Well, well, my dear," said Oldstone, "I am sure I +have always wished to be your true friend, but whether +I am doing right in encouraging you in a passion which +cannot end wisely——"</p> + +<p>"It need never end," interrupted Helen. "I will +love him eternally, even if he should cease to love <i>me</i>."</p> + +<p>"You would!" exclaimed the antiquary with +surprise, looking at her curiously.<span class='pagenum'>567</span></p> + +<p>"Yes, sir, I would. What of that?"</p> + +<p>"But if he could not marry you," rejoined her +counsellor.</p> + +<p>"Didn't I tell you that the thought of marriage +never entered my head," persisted the girl.</p> + +<p>"You did, my child, but it won't do in this world," +and the old man shook his head.</p> + +<p>"What! can I not love the man of my choice—especially +if I know that he loves me? Who will +prevent me loving him, thinking of him, praying for +him, <i>dying</i> for him, if need be? Who shall tear his +image from my heart, through whatever trials I may +have to pass for <i>his</i> sake?"</p> + +<p>"Helen, you are a noble girl?" cried our antiquary +with enthusiasm. I have no more arguments to use. I +wish there were a few more like you in the world. But +hark ye, my child, there are others who have felt like +yourself for a time—but how long has it lasted?</p> + +<p>"The greater part of your sex, I fear, find it easy to +overthrow an old love for a new one. Then follow +other new ones in succession, till they end perhaps in +marrying someone they don't love, and can't love; all +for wealth, title, or position."</p> + +<p>"You surely don't think <i>I</i> could be so base, Mr. +Oldstone," cried the girl, recoiling in horror.</p> + +<p>"No, my dear. That is the very last thing I should +believe of <i>you</i>," replied her friend.</p> + +<p>"I am glad of that," said the girl.</p> + +<p>"Helen!" cried the voice of Dame Hearty, outside;<span class='pagenum'>568</span> +"Where are you?" "Here, mother," answered her +daughter. "I was only having a word with Mr. +Oldstone," and she hurried away, leaving the antiquary +alone with his writing materials.</p> + +<p>The breakfast having been cleared away, Oldstone +drew his chair up to the table and proceeded to pen a +reply to his young protégé. When the letter was +concluded, our antiquary reperused it, carefully dotting +each <i>i</i> and crossing each <i>t</i>, until he found no more to +correct.</p> + +<p>If our reader is not more scrupulous than we are +ourselves, he will join us, in imagination, in an act not +generally considered respectable—viz., that of playing +the spy on the old man, by peering over his shoulder, +and reading what he has written, before he folds it up, +seals it, and sends it to the post.</p> + +<div class="bblockquot"> + +<p class="center"><i>Letter from Mr. Oldstone to Mr. Vandyke McGuilp.</i></p> +<p>"<span class="smcap">My Dear Boy</span>,</p> + +<p> "I cannot express to you the joy and pride I +felt in perusing your last letter, and I hasten to offer you +my best congratulations, and I think I may add those +of the rest of our members, on having achieved what I +must needs call such unprecedented success. I read +your letter, together with the critique from the +<i>Athenæum</i> enclosed, aloud, before the whole club, our +worthy host and his family being also present. You +should have seen the blush that suffused our dear +Helen's cheek at the mention of the success of her<span class='pagenum'>569</span> +portrait. It was as if she had said, 'Lo, he has become +great, and all through <i>me</i>. <i>My</i> face it was that +inspired him to achieve such fame. <i>My</i> prayers and +good wishes that buoyed him up with energy to thus +distinguish himself!' Some such thoughts must have +passed through her mind, if I am any reader of faces—and +I think I am.</p> + +<p>"One of the younger members seemed disposed to +offer some banter, but I frowned him down. I never +will sanction any unseemly levity towards that girl, or +allow her to be treated as if she were a mere hackneyed +barmaid, used to the coarse jokes of any Tom, Dick or +Harry. To me she is something very precious, and I +love her as my own child. Poor little one! She +always comes to me for sympathy in her troubles. Not +even to her own parents will she confide everything—much +less to the other members. If you were to see +the change that has come over her of late! She has +lost all that raw awkwardness so common to growing +girls, and has now developed into mature womanhood.</p> + +<p>"Since your departure, young man, I could not but +pity the poor child with her sunken cheek, her downcast +eyes, and listless manner. I knew she had a secret +that weighed upon her, and I guessed what it was. I +came forward to offer her my friendship and advice, +and encouraged her to open her heart to me. The +poor child's gratitude was so touching! There <i>must</i> be +an outburst when the heart is full, and she could +confide in no one else.</p> + +<p><span class='pagenum'>570</span>"Ever +since she found she had a true friend to lean +on, I have noticed a marked change in the girl. The +rose returned to her cheek, the light to her eye, an +expression came into her face that I never observed +before—nay, a variety of expressions which seem to +chase each other with marvellous rapidity over a +countenance lovely, intelligent, and pure.</p> + +<p>"Dr. Bleedem, poor man! seeing her looking mopish, +prescribed her a course of steel medicine. She declares +that he only gave her one dose, which he made her +take in his presence. The rest of the medicine he left +her to take by herself. Now the girl insists positively +that, not liking the medicine, she threw it all away.</p> + +<p>"Dr. Bleedem, of course, is under the impression +that she took it all, and naturally attributes her sudden +change of health for the better to his drugs. I am of +opinion that it was medicine of another sort that +brought back the roses to her cheek. She is now +eighteen, and by our peasantry would be considered of +a marriageable age; but oh! I <i>do</i> begrudge her to any +of these country bumpkins, who come in for their mug +of ale and their chaff. There is no one for miles round +anything like good enough for her. Of one thing, +however, I feel quite certain, and that is, that she would +never allow herself to be coaxed, cajoled, or threatened +into marrying any man whom she did not love, however +advantageous the match might appear in the eyes of the +world. No, the girl has character, and would never +give her hand where she had not set her affections.<span class='pagenum'>571</span> +She would far sooner not marry at all. Whoever +should win her affections will be a lucky man, for he +will get a treasure in such a wife.</p> + +<p>"Excuse the wanderings of an old dotard, my friend, +but when I once get upon this topic, I am inexhaustible; +and as for local news, there simply is none. When last +I spoke to Helen about writing to you, she desired me +to send her duty to you. Pretty soul! <i>duty</i> indeed. +Now, my dear boy, I must really draw this epistle to a +close. Trusting that you are enjoying the best of health +and spirits, and wishing you continued and ever +increasing success in your art.</p> + +<p style='text-align: right'> +"I remain, <br /> +"Your doting but affectionate old friend,<br /> +"<span class="smcap">Obadiah Oldstone</span>." <br /> +</p> +</div> + +<p>We have said that Mr. Oldstone was prompt in +answering the letters of his protégé. Neither was our +artist, as a rule, tardy in answering those of his aged +friend. Seldom more than a month passed between a +letter and its answer, on either side. Yet to this letter +no reply came. Month followed month, and no +tidings arrived of our artist. Such delay was most +unusual, and Mr. Oldstone now began to be seriously +alarmed. What had happened to the boy? Was he +ill? He knew by experience that the summer months +in Rome were extremely unhealthy, on account of +the malaria. Was he laid up with Roman fever? Had +he met with an accident? Or was there anything in<span class='pagenum'>572</span> +the tone of his letter that had given offence? He tried +to recollect. No, he thought not; in fact, he did not +know what to think. The gloomiest fancies rushed +across his mind as he paced the breakfast room alone.</p> + +<p>Presently his eye caught the portrait of Helen, that +McGuilp had presented to the club, and which he, +Oldstone, had with his own hands hung up over the +mantel. "Ah! my pretty puss," said he, addressing +the painted canvas smiling down at him, "I dare not +infect you with my fears. I don't want to make <i>you</i> +unhappy."</p> + +<p>Just then the door gaped ajar, and the original of +the portrait appeared at the opening. As the antiquary +had not yet noticed her, his eyes being still fixed on the +portrait, Helen stepped into the room and closed the +door behind her. Then, walking straight up to Oldstone, +she said, "Please sir, has anything happened?"</p> + +<p>"Happened, my dear! What should happen in this +dead-and-alive place? Nothing ever happens here."</p> + +<p>"Ah! sir," rejoined Helen, "you but evade my +question. You know what I would ask."</p> + +<p>"My dear, how should I?" demanded her friend +and counsellor, with most provoking <i>sang froid</i>.</p> + +<p>A gesture of impatience escaped the girl. Then +fixing her eyes steadily on those of the antiquary, as if +to read his inmost soul, she said with some approach to +severity in her tone, "Mr. Oldstone, you are keeping +something from me. Something has happened to Mr. +McGuilp, and you won't tell me what it is."<span class='pagenum'>573</span></p> + +<p>"On my honour, my sweet child," replied her +friend, "I know no more than you do yourself. I wish +I did. Here have I been waiting now about six months +for a reply to my letter, when he used often to write by +return of post. I can't make head or tail of it."</p> + +<p>"Then something <i>is</i> wrong, you may depend upon +it," cried the girl. "Oh, dear! oh, dear! Surely he is +laid up with some dreadful illness—away from me, and +in a strange country, with no one to attend upon him. +Oh, merciful Heaven! help him! Oh, help him. Whatever +it is, let me know the worst!"</p> + +<p>"I don't want to frighten you, my pet," broke in +Oldstone; "but I own I am much perplexed myself. +Perhaps he never received the letter. Sometimes letters +get lost. At any rate, we'll hope for the best."</p> + +<p>"Oh, sir, sir!" cried the girl in agony, "do you +think that likely?"</p> + +<p>"Certainly, my dear. Why not? All sorts of things +happen to prevent letters arriving—especially those sent +abroad. Vessels go down at sea; the mail may be +detained by an accident. Who can tell? Come, cheer +up, girl; there is no good in brooding. If I don't hear +from him in another week I'll write again."</p> + +<p>"Why not write at once, sir?"</p> + +<p>"Not a bad idea, Helen; so I will."</p> + +<p>At this juncture voices and footsteps were heard outside. +The other members of the club had just returned +in time for their mid-day meal. So the letter was postponed.<span class='pagenum'>574</span></p> + +<p>Helen ran to lay the cloth, and the repast was served. +The meal being over, pipes were lit, and some desultory +conversation ensued, interspersed with wonderments +about our artist's long silence and suggestions as to the +reason of it. The weather still being fine, the members +suggested a stroll, so off they went together, Mr. Oldstone +being also of the party. Thus, what with one +interruption and what with another, the writing of the +letter was put off for that day.</p> + + + +<hr style="width: 80%;" /> +<p><span class='pagenum'>575</span></p> +<h2>CHAPTER XI.</h2> + + +<p>Next morning, in the middle of breakfast, a knock +was heard at the door, and our landlord let himself in +with the newspaper in his hand and an expression like +a sphinx on his face. He closed the door quietly after +him, and walking up to Mr. Oldstone presented him +with the paper, at the same time silently pointing out to +him a paragraph that he had already marked with his +thumb-nail. The door was no sooner closed than it +silently re-opened, apparently by itself, and remained +some three or four inches ajar. Few noticed this, or +would have given it a thought if they had. Their +attention was rivetted on Mr. Oldstone, as he settled his +spectacles on his nose preparatory to reading out some +tit-bit of news.</p> + +<p>"Eh! What!" exclaimed the antiquary, trembling, +and turning pale with extreme emotion. "Just listen to +this, gentlemen, all of you:—</p> + +<div class="bblockquot"> +<p class="center"> +"'<span class="smcap">Captured by the Brigands.</span><br /> +</p> + +<p>"'The well-known artist, Mr. Vandyke McGuilp, +whose picture of "The Landlord's Daughter" caused +such a <i>furore</i> last exhibition at the Royal Academy, +whilst taking a trip in the Sabine Mountains, in the<span class='pagenum'>576</span> +vicinity of Rome, to recuperate his health, was suddenly +surrounded by a band of brigands, about twelve in +number, who sprang upon him from an ambush and +compelled him to surrender. The painter was alone +and unarmed, besides being hampered by the materials +of his art. All resistance would have been worse than +useless, so, finding himself perfectly defenceless, he had +no choice but to "stand and deliver." They seized his +gold watch and other trinkets, as well as all the coin +that he carried about him. Not satisfied with this, they +forced him to tramp with them high up in the fastnesses +of the mountains, where he still remains in daily and +hourly peril of his life. The brigand chief has demanded +an exorbitant ransom, and threatens that if it does not +arrive within five days they will cut off his ears and send +them to his friends in a letter. Any attempt at rescue, +they declare, will at once seal the fate of their captive. +His position is one to cause the greatest anxiety to his +friends, as the barbarity of these desperadoes is well +known.'"</p></div> + +<p>Our antiquary had proceeded thus far when all +present were startled by a smothered shriek, which was +followed by a dull thud, as from a heavy fall. All rushed +to the door, and flung it open. Helen had fainted.</p> + +<p>Need we relate with what agility Dr. Bleedem leapt +to the fore; how carefully he raised the slim form in his +arms, cut her stay lace, and applied restoratives; then, +finally, with the assistance of our host, carried his +patient upstairs, where he deposited her on her own<span class='pagenum'>577</span> +little bed, administering in every way to her comfort—this +we will leave to the imagination of the reader—whilst, +in the breakfast-room below, the various members +talked to each other in subdued tones, and Mr. +Oldstone looked thoughtful.</p> + +<p>"Humph! I think I can see through the spoke of +<i>that</i> wheel," muttered Mr. Hardcase to his neighbour.</p> + +<p>"Yes, a dreadful blow though, poor girl!" sighed +Mr. Parnassus.</p> + +<p>"Quite dramatic in its effect," remarked Mr. +Blackdeed.</p> + +<p>A snort came from Mr. Oldstone, who had turned +his back on the group and begun reperusing the +newspaper that he had thrust into his capacious pocket, +when Dr. Bleedem re-entered the room.</p> + +<p>"Well, doctor," inquired Professor Cyanite, "and +what of your patient?"</p> + +<p>"Recovered now, of course, but dreadfully shaken," +replied our medico. "The nervous system has sustained +a terrible shock. Luckily, she has suffered no injuries +from her fall."</p> + +<p>"Poor young thing!" observed Mr. Crucible, +compassionately. "Well, who can wonder at it?"</p> + +<p>During these remarks, to which Mr. Oldstone paid +no attention whatever, being absorbed in the reperusal +of his newspaper, he was suddenly observed to flush as +with pleasure. His brow cleared, his eye sparkled. +Then, suddenly rising from his chair, he crumpled +up his paper, thrust it again into his pocket, rubbed his<span class='pagenum'>578</span> +hands with satisfaction, then with a relieved expression +in his face he slowly left the room without a word.</p> + +<p>"Wonder what's come over Oldstone!" muttered +one of them. "He seems quite himself again."</p> + +<p>No sooner was our antiquary outside the door than +he beckoned the landlord aside, who was still looking +grave, and asked him how he had left his daughter.</p> + +<p>"Dreadful cut up like, sir, 'bout somethin' or other," +replied that worthy, "but Dr. Bleedem says as how we +ain't got no call to be afeared, and that when she has +finished the cordial she'll come round agin as right as +a trivet."</p> + +<p>"Now look here, Jack," began our antiquary, +rubbing his hands together cheerily, and with difficulty +repressing his delight. "What'll you bet that in five +minutes time I don't bring her round again, cordial or +no cordial?"</p> + +<p>"Do you think you could, sir?" asked our host, +somewhat incredulously, yet becoming infected, in spite +of himself, by Mr. Oldstone's assurance and good humour.</p> + +<p>"I do, mine host, most certainly I do," replied the +antiquary.</p> + +<p>"Can I see the patient?"</p> + +<p>"Willingly, sir," rejoined the landlord. "There is +her room," and pointed to the door.</p> + +<p>"Now, Jack, you shall see which is the best doctor, +Bleedem or I. If in five minutes I don't lead her out +by the hand, smiling and in her right mind, my name's +not Obadiah Oldstone."<span class='pagenum'>579</span></p> + +<p>Here, he opened Helen's chamber door, and for the +space of five minutes was closeted with her, leaving our +host completely bewildered. The girl started at seeing +her friend and adviser enter her chamber, and looked at +him inquiringly. "Helen, my pet," he began, "I am +the bearer of good news—news that will do you more +good than any cordial Dr. Bleedem can give you."</p> + +<p>The girl looked hopeful, seeing her counsellor's +cheerful manner, though her eyes were still red and +swollen with weeping. "Tell me, tell me!" she cried +in agony.</p> + +<p>"Patience, patience," replied the antiquary, in the +most provoking manner; "all in due time. Well, my +dear," he continued, "all that I read out in the paper +this morning, and which you unfortunately overheard +(Oh! you wicked puss, for playing the eavesdropper); +well, child, all that happened a fortnight ago. Since +then there is later news. The boy has been rescued +by a band of carabineers who have long been on the +track of the brigands, who were taken completely by +surprise. A skirmish took place, and the brigands +were exterminated to a man; a few only of the +carabineers being wounded. Your friend, Mr. Vandyke +McGuilp, was at once set at liberty, and he is now +enjoying the best of health and spirits. So cheer up, +girl."</p> + +<p>"Oh! sir," cried Helen, half laughing and half +crying, "you are not trying to comfort me by——."</p> + +<p>"By a false report," broke in Oldstone. "Certainly<span class='pagenum'>580</span> +not, child. Here, read for yourself. Can't you believe +me?"</p> + +<p>Helen took up the paper with trembling hands, and +ran her eyes eagerly over the column. Then with a +sweet smile and sign of relief she sank back on her +cushions, crying, "Thank God." She then burst out +again into a fresh fit of weeping, from sheer weakness, +which, however, soon changed into a laugh. Then +rousing herself, she leapt from her bed, bathed her face +with cold water, and having dried it, she seized the hand +of her aged friend and counsellor and kissed it, saying, +"God bless you, sir. You were ever my good angel."</p> + +<p>"Then follow me downstairs, and look as beaming +as you can. Your parents will wonder at the change, but +I shall say nothing." Seizing her hand, Oldstone led +her down the flight of steps, at the foot of which stood +her father, watch in hand.</p> + +<p>"There, Jack," said the antiquary in triumph, +"What did I say? Have I been successful? Look at +her, and tell me if I am a good doctor or no."</p> + +<p>Our host scanned his daughter's now happy features, +then turning to Mr. Oldstone, he said, "Well, sir, its +just wonderful! It's like witchcraft a'most. I don't +know what you have been doing to her, sir, but I never +see such a change in my life."</p> + +<p>Here Dame Hearty made her appearance, caressed +her daughter, and began to ask questions.</p> + +<p>"Now, no questions, Dame Hearty, from either you +or your husband," broke in Oldstone. "That's our secret.<span class='pagenum'>581</span> +You may, if you like, set it down to Dr. Bleedem's +cordial."</p> + +<p>"Well, we won't bother her, if as how you don't +wish it, sir," answered her father. Helen then followed +her mother into the kitchen, and was soon slaving +away harder than she had ever done before in her life.</p> + +<p>"Well, boys," said Mr. Oldstone, cheerily, addressing +his fellow-members as they looked enquiringly at +him on his return, "I suppose you want to know the +reason of the change in my countenance since the +morning. Well, take this paper and read for yourselves. +You will see where I have marked it." Here he handed +the paper to Mr. Hardcase, who, taking it from him, +proceeded to read the account of our artist's fortunate +rescue from the brigands by the carabineers, which we +need not repeat.</p> + +<p>"Ah!" observed the lawyer, at the conclusion, +"this accounts for everything. Now, Oldstone, if you +had read this article first, and the other afterwards, we +should have been spared a scene."</p> + +<p>Oldstone answered with something like a snort, +"Bah! who could tell that the girl was eavesdropping?" +Then noticing the quizzical expression on the faces of +some of the members, and guessing that they were +about to make Helen's little love episode a subject for +discussion or banter, he raised his hand as if in prohibition, +being determined to nip it in the bud, and +bringing it down with a bang on the table, he began, +"Gentlemen, to change the conversation, I propose<span class='pagenum'>582</span> +that we celebrate our young friend McGuilp's miraculous +escape from his captors by assembling this evening +round a merry bowl of punch—eh, doctor?—and drinking +his health with a three times three."</p> + +<p>"Take care, Oldstone!" remonstrated Dr. Bleedem; +but the rest of the members applauded the proposition +of the chairman, and prevailed. In fact, a merry evening +was spent, when our artist's health was drunk, as +proposed, as well as that of all his family and belongings. +Our host was then called in, and had to drain a +glass to the health and prosperity of our artist. Dame +Hearty was next called in, and had to do the same. One +of the members voted for Helen also drinking the toast.</p> + +<p>Before Oldstone could offer any opposition, our +landlord called out, "Now, then, Helen, my girl, come +and drink to the health and prosperity of Mr. McGuilp, +your portrait painter, with a hip, hip, hip, hurrah!—d'ye +hear? Come, now, you can't get out of it."</p> + +<p>The girl would willingly have hidden herself, and +had literally to be dragged in by her father, blushing +and timid. Loud cheers greeted the girl's appearance, +and a glass was filled for her from the punch-bowl by +Mr. Oldstone himself with the silver ladle, at the bottom +of which a golden guinea had been inlaid.</p> + +<p>"All right, my girl," said Mr. Oldstone, "toss it off. +No harm in just one glass. Now, then, all—to the +health of our absent artist friend, Mr. Vandyke +McGuilp, and all his belongings—also to his speedy +return—with a hip, hip, hip, hurrah!"<span class='pagenum'>583</span></p> + +<p>With a charming modesty and grace, like that of a +high-born lady, did this simple country girl join in the +toast proposed; then, putting down her glass on the +table, she curtseyed elegantly to the company, and +wishing them all good-night retired.</p> + +<p>Loud applause followed this flying visit of Helen to +their orgie, and they would have recalled her; but a +glance from Mr. Oldstone kept them in check. At +midnight the party broke up, and each returned to his +bed comfortable, without having indulged to excess, +and even Mr. Oldstone walked bravely off to his bed +unassisted.</p> + + + +<hr style="width: 80%;" /> +<p><span class='pagenum'>584</span></p> +<h2>CHAPTER XII.</h2> + + +<p>A week had passed since our last chapter. Our +antiquary, finding himself once more alone, had brought +out his writing materials, determined no longer to put off +his much-delayed letter to his friend, when a smart tap +at the door, and immediately afterwards the entry of our +host's pretty daughter, caused him to look up. She +appeared more radiant than ever, and held up a bulky +epistle with a foreign post mark. Full well she knew +the handwriting. It was addressed to Mr. Oldstone, as +usual, so she placed it in his hands.</p> + +<p>"At last!" exclaimed the antiquary. "Now we +shall see for ourselves. Sit down, my girl, sit down."</p> + +<p>The invitation had been hardly given when the +daughter of our host had already seated herself, and +leaning her elbow on the table and her head in her +hand, looked all attention.</p> + +<p>Oldstone broke the seal, put on his spectacles, and +thus began:—</p> + +<div class="bblockquot"> +<p class="center"><i>Letter from Mr. Vandyke McGuilp to Mr. Oldstone.</i></p> + +<p style='text-align: right'>"Rome, Oct. —, 17—. </p> +<p>"<span class="smcap">My Esteemed Friend</span>,</p> + +<p> "I offer you my most humble apologies for my<span class='pagenum'>585</span> +delay in answering your interesting and most welcome +letter, which, in fact, I have only just received. You +will see by what follows that there were some extenuating +circumstances, which may go far towards exculpating +my apparent neglect. Your letter arrived at the +'Café Greco,' where I usually have my letters directed, +the day after my departure from Rome. They could +not forward it, not knowing my whereabouts, so I did +not get it until after my return.</p> + +<p>"I must now go back some months to explain to +you how, from over anxiety about finishing a picture, I +had put off my trip for the summer so late as to be about +the last man left in Rome; for all those who can abandon +the Eternal City before the great heat comes on. At +the time I speak of I actually believe there were more +statues in Rome than living men. The models even +had all returned to their respective villages, and the steps +of the Spanish Staircase in the Piazza di Spagna were +deserted. You may remember, sir, how even in your +day they congregated in groups on this broad and +elegant flight of steps, waiting for custom, lighting up +the scene with their bright costumes. Well, the heat +grew at length unbearable, till, what with over-work and +the climate, I found myself prostrate with Roman fever. +I was necessarily confined to my bed, and it was with +difficulty that I could find a doctor. At last they sent +me a Capuchin friar, who professed to have some knowledge +of medical science—very limited, I should imagine, +though perhaps enough for my purpose. He prescribed<span class='pagenum'>586</span> +me medicine, and sent to attend upon me the cobbler's +wife, who lives on the ground floor, and who makes my +bed and sweeps out my room for me. The poor old +woman has a sick husband, and looks far from healthy +herself. She is yellow, almost toothless, with a strong +beard, very far from clean—and oh! her breath! There, +I will say no more. The poor old thing did her best, no +doubt, and I don't want to be ungrateful. I couldn't +help wishing, I remember, that instead of being laid up +here I could have been laid up in England—somewhere +in the country—say at the 'Headless Lady,' and had the +pretty Helen to wait upon me. It would be worth +while getting ill then."</p></div> + +<p>"Stay," broke in Helen; "does he say that? Let +me see. You are not joking with me, sir?"</p> + +<p>"No, my dear," answered Oldstone, "I am not +joking. You may see for yourself; but I don't know if +I ought to read you all this nonsense. Won't it content +you just to know that he is alive and well?"</p> + +<p>Without heeding her friend and counsellor, Helen +rubbed her hands together with glee, and laughed, saying, +"Oh! I <i>do</i> wish he would come and be ill in our +house—oh! no, I don't mean that, do I? I mean +that he would come and live here altogether, without +being ill, and that I could be with him always, all day +long, and never leave him."</p> + +<p>"Yes, my dear," replied Oldstone; "I know what +you mean. You would like—there, never mind. The +thing can't be, so what is the use of thinking about him?"<span class='pagenum'>587</span></p> + +<p>"Why not, if it makes me happy?" was the rejoinder.</p> + +<p>"There, there, I can never argue with a woman," +muttered Oldstone. "I've a good mind not to read +you any more of his nonsense."</p> + +<p>"Mr. Oldstone," cried Helen, "you know you +couldn't be so cruel."</p> + +<p>"Well, my dear," asked her friend, "what more do +you want to know? I can't wade knee-deep through +all this. There isn't time. Your mother will be calling +you soon."</p> + +<p>"Oh, yes, sir, please. Just a little more before +mother calls. Then I'll go at once," pleaded Helen, +coaxingly.</p> + +<p>The antiquary was as wax in her hands. "Well, +then, he goes on to say:"</p> + +<div class="bblockquot"> +<p>"As soon as I was fairly recovered, I thought I +would delay my holiday no longer, and accordingly took +the diligence, only too glad to leave the infected city +behind me, and to breathe a little fresh mountain air. +What a complete change of climate I experienced high +up in these mountain regions! And, oh! I cannot +describe to you the extreme beauty and wildness of the +scenery; the quaintness of some of these mountain +villages, and the primitive state of their inhabitants! +I had not been long in one of these out-of-the-way +places when one morning I was tramping along in search +of the picturesque, laden with my painting materials, +when from behind some rocky crags some dozen +brigands surrounded me.<span class='pagenum'>588</span></p> + +<p>"'<i>Faccia in terra</i>' (face on the ground), cried the +brigand chief and the rest of the band in chorus, as +they levelled their carbines at me.</p> + +<p>"I was alone and unarmed, so had no choice but to +do as I was commanded, so I prostrated myself, face to +the ground. Several brigands came forward to search +me, robbed me of my gold watch and all my loose cash. +Then they opened my pocket-book, where, besides finding +paper money, they came upon my passport. This +they handed to their chief.</p> + +<p>"'So,' said he, after perusing it; 'so it seems you +are an Englishman. Good. The English are rich. +You must put up with our company until your friends +can disburse the sum of ten thousand pounds sterling.'</p> + +<p>"In vain I tried to explain to him that I was only a +poor artist, who earned his living by the sweat of his +brow. I saw I was not believed.</p> + +<p>"'But you have rich friends,' he persisted. 'I know +it by your face; so you don't fool me.'</p> + +<p>"He then made a sign for me to follow them, so I +had to tramp higher and higher up into the mountains, +till I was ready to drop, while these well trained +mountaineers leapt from crag to crag with the agility +of a chamois, till they reached a cave, where they halted."</p> +</div> + +<p>"There, Helen, run along," said Mr. Oldstone, as he +had got thus far. "There's your mother calling you."</p> + +<p>Off rushed Helen to her mother, who was waiting +for her at the door of the kitchen.</p> + +<p>"Come, girl," cried Dame Hearty, "I can't think<span class='pagenum'>589</span> +what you find to talk about with Mr. Oldstone every +day. You are quite losing your head. Now, set to +work, for we are terribly behind-hand."</p> + +<p>The door once closed upon Helen, our antiquary +read his friend's letter slowly through to the end. It +gave an elaborate account of our artist's experience with +the brigands, which we need not relate. Stay!—here +was something at the end of the letter, marked "Private," +that promised to be interesting. What could it be?</p> + +<div class="bblockquot"><p>"(<i>Private.</i>)—I must now touch upon a subject +which causes me the greatest anxiety. A report has +reached me through an artist friend, who was staying on +a visit to Lord Landborough, who, you will remember, +bought my picture entitled 'The Landlord's Daughter.' +Amongst other visitors at his country seat who were there +at the time was one Lord Scampford, a young sprig of +nobility, rich, accomplished, but of infamous character; +a gamester, and a profligate of the first water, who had +become so enamoured of my portrait of Helen, then +hanging on the walls of the Academy, that in his cups +he swore, by Gumdragon, that he would search the +world over to find out the original, and that, willy-nilly, +he would make her his paramour. Likewise, he would +shoot any man dead who dared to stand in his way. +Turning to my friend, he asked him if he knew the +painter of the work: and upon his answering in the +affirmative, he next asked him if he knew the model who +had sat for the picture. This my friend was unable to +tell him, as he was ignorant himself who it was. He<span class='pagenum'>590</span> +then asked for my address, and being informed I lived +in Rome, he at once set out for Italy, and, in fact, +arrived here, and called upon me at my studio, but was +denied admittance, as I was then laid up with the fever. +After I had recovered, I heard that he had been the +round of all the studios, and that of every artist he had +been asking if, perchance, they could tell him where I had +got my model from. Not one of them knew. Shortly +after his arrival I heard that he had received a letter +which necessitated his immediate return to England.</p> + +<p>"This letter, it seems, was from his valet, a big +powerful man, who generally accompanied him as his +bully, and who aids him in his nefarious schemes. This +man he had left behind him in England, with orders to +scour the country for miles round about London, and +to inform himself at every wayside inn, if the original +of the picture on the Academy walls lived there. For a +long time his search was fruitless. At last chance +came to his aid. On one of his visits to the Royal +Academy, just to refresh his memory of the features in +the picture, he overheard a broadbacked old farmer, just +up from the country, say to his wife,</p> + +<p>"'Why, dash my wig, Sally, if here ain't the face of +dear little Helen Hearty, daughter of my old friend, Jack +Hearty, as keeps the 'Headless Lady,' at the cross-roads.'</p> + +<p>"Upon hearing this, the valet stepped forward. 'Do +I understand you to say that you know the original of +this portrait?' he asked.</p> + +<p>"'Know her!' exclaimed the farmer, 'Ay, marry<span class='pagenum'>591</span> +do I. Why she is my God-daughter? I've danced her +on my knee since she were a kid, bless her heart! And +now I remember, I did hear as how one o' them paintin' +fellers—limners, they call 'em, was a puttin' up at the +'Headless Lady,' and a paintin' 'er likeness. Well, +now, I never!—eh Sally?'</p> + +<p>"'Dear me!' remarked the valet, 'How <i>very</i> +strange! Really, this is <i>most</i> interesting. Tell me, good +man, what part of the country is this you speak of?'</p> + +<p>"'What! the hostel of the 'Headless Lady'? +Why, at the cross-roads-parish of Littleboro', near +Muddleton, on Slush Slopshire.'</p> + +<p>"'Ah, in that part, I see. Fine country they tell +me, about there. Bracing air, good shooting—eh?' +inquired the valet, as he opened his pocket-book and +jotted down all the farmer told him.</p> + +<p>"'Yes, sir, good air, good shooting, and as fine a +bit of country, though I ses it, as shouldn't, seeing as +how its my birthplace.'</p> + +<p>"Here, the valet took out his watch, and exclaimed, +'God bless my soul! How time flies! Why, it's just +upon one o'clock, and I had an appointment at twelve, +on urgent business. Good-day, my friend. Good-day, +Ma'am,' addressing himself to the farmer's wife, and off +he goes.</p> + +<p>"'A pleasant, affable gentleman,' remarked the +countryman to the wife of his bosom.</p> + +<p>"'Ah, just ain't un,' acquiesced his spouse.</p> + +<p>"That very day the valet penned a note to his lord +<span class='pagenum'>592</span> +and master, who returned to England in a great hurry +at the news. You may imagine, my friend, what anxiety +I feel, knowing that villain to be at large, and ready at +any time to swoop down like a vulture into your peaceful +dovecot and carry on his work of destruction, whilst I, +being so far away, am unable to strike a blow in her +defence. Though, God knows, I would willingly lay +down my life, rather than that dear child should come +to any harm. I write at once, having only just heard +the news. God grant I may be in time for my warning +to be of some avail. For all I know, the villain may be +there before this letter arrives. I tremble at the +thought. He is sure to travel in his own private coach, +accompanied by his bully, and, doubtless, both of them +will be armed to the teeth. You had better warn Jack +Hearty at once, in order that he may put his daughter +out of harm's way, until he has taken his departure. +His lordship will stick at nothing—even at drugging +her, and carrying her off insensible, and being armed, it +will be dangerous work to oppose him. I would advise +Jack Hearty, as soon as he can find an opportunity to +extract the bullets from his horse pistols, for depend +upon it he means mischief. This is all the advice I +can give him. Do whatever you can to frustrate the +plot of this villian, and write me the result. No time +for more. With kind remembrances to all your friends, +as well as to our worthy host and family,</p> + +<p style='text-align: right'> +"Your anxious friend, <br /> +"<span class="smcap">Vandyke McGuilp</span>." <br /> +</p> +</div> + + +<p><span class='pagenum'>593</span></p> + +<p>"Dear! dear! dear!" muttered Oldstone to himself. +"This is terrible news indeed. I must seek Jack Hearty +at once, and inform him." Then, thrusting the letter +into his pocket, and with a troubled expression on his +face, he left the room, and beckoning to the landlord, +whom he found outside, he took him by the arm and +walked with him some considerable distance down one +of the cross-roads, and read to him the latter part of our +artist's letter. The landlord looked grave and stern.</p> + +<p>"Humph," he grunted at length, "and this is all +through me allowin' my daughter's portrait to be +exhibited at the Royal Academy. If I had only +known!"</p> + +<p>"Look here, Jack," said Oldstone. "This is a +thing that no one could foresee. Let us now think of +the remedy."</p> + +<p>"What remedy?" asked Jack, gloomily. "Can I +refuse to take a traveller in—a nobleman, too, with a +handle to his name?"</p> + +<p>"It is a desperate case, and we must be on the +alert," observed Oldstone. "I would suggest that we +take Dr. Bleedem into our confidence."</p> + +<p>"Why?"</p> + +<p>"Perhaps he may be able to administer to them +both a sleeping draught on going to bed, and whilst +they are both sound asleep, you can enter their rooms +and extract the bullets from their pistols, so that if perchance +they should attempt to use them against us, we +shall have nothing to fear on that score."<span class='pagenum'>594</span></p> + +<p>"The very thing!" exclaimed our host. "Let us +seek the doctor at once."</p> + +<p>This was done. At first the man of medicine +hummed and hawed, put on a look of importance, and +talked of his reputation, etc., but at length allowed himself +to be over-ruled, seeing the extreme urgency of the +case, and consented to give the landlord a little harmless +sleeping dose, which he could mix with their wine +or whatever they called for.</p> + +<p>Dr. Bleedem now went inside, presumably to concoct +the charm by which occult power the evil designs +of their enemies were to be frustrated, leaving our host +and the antiquary discoursing together outside in low +tones. As these two individuals were gazing towards +the horizon, a small cloud of dust was presently discernible.</p> + +<p>"Seems to be coming this way," said our host, after +a pause. "Wonder if——"</p> + +<p>"Ah, just so," broke in Oldstone. "Shouldn't +wonder if it <i>were</i> our expected guest. He won't make +any unnecessary delay, I warrant."</p> + +<p>"Sure enough it's a carriage and pair with a liveried +coachman and footman," observed the landlord. "How +they tear along! Oh, it's his lordship, without doubt. +I must go and warn my daughter."</p> + +<p>Our host was somewhat tardy in arriving at this +decision, for a stately carriage emblazoned with an +escutcheon with innumerable quarterings, and surmounted +by a coronet, had now driven up to the door<span class='pagenum'>595</span> +of the inn, and both Dame Hearty and Helen were on +the doorstep to welcome the new arrivals.</p> + +<p>A gorgeous footman descended to open the carriage +door, and out stepped a young man of middle height, +slim and somewhat graceful of figure, dressed in the +very height of fashion. Behind him stepped a powerfully-built +man, respectably dressed in black, with a +plebeian and repulsive countenance.</p> + +<p>Our landlord came forward and saluted both guests +gravely.</p> + +<p>"We want two bedrooms and a sitting-room, landlord, +and should like to dine in an hour," said Lord +Scampford; for it was none other. Then putting up +his spy-glass, he gazed at Helen from head to foot in +an impertinent manner, and the two men exchanged a +look of intelligence. The coachman and footman likewise +followed their lord's gaze, and smiled approvingly.</p> + +<p>Our antiquary was making his observations in the +background whilst Jack Hearty was busying himself +with the luggage. As our host passed his daughter in +the passage he found time to say, <i>sotto voce</i>, "Helen, +my girl, shut yourself up in your room till I call you. +I want to speak to you."</p> + +<p>Now it was not often that her father spoke to her in +so serious a tone, and these words, coupled with the +impression she had already formed of Lord Scampford +and his companion, which was not a favourable one, +caused her to tremble and turn pale. She knew there +was much in the world that she could not understand,<span class='pagenum'>596</span> +and it seemed to be considered wise not to make +enquiries. She asked no question therefore, but shut +herself up within her room as desired. No sooner was +the landlord able to break away from his new customers, +than he ascended to his daughter's chamber and +knocked at the door. Helen unlocked it, and her +father entered.</p> + +<p>"My daughter," he said, "I wish you to keep as +much to yourself as possible during the stay of these +gentlemen below. I have my reasons. I know more than +you do, so do not ask why. Enough that it is my wish."</p> + +<p>In the good old times, parents' commands were not +disputed, but humbly and reverently obeyed. So Helen, +with downcast eyes and hands crossed upon her breast, +answered respectfully, "It is well, sir."</p> + +<p>"If, by any chance, they should cross your path +while you are engaged in your household duties," continued +her father, "and should address you, let your +answers be short, though civil. Remain not long +in their presence, but speedily withdraw. Moreover, +if they should be sitting over their wine and should +invite you to drink, to pledge them in a toast, drink not. +No, not even a <i>sip</i> to please them. My daughter, there +is danger ahead, and I warn you beforehand. You are +young and unversed in the wickedness of the world, +but obey me to the letter and you are safe. Heed not +their advances or their flattery, but shun them as a pest."</p> + +<p>Having thus delivered himself, our worthy host +turned on his heel and left the chamber.<span class='pagenum'>597</span></p> + +<p>"I understand nothing, sir, but I obey," answered +Helen, dutifully.</p> + +<p>That evening Dame Hearty herself served his +lordship and the man whom he was pleased to represent +as his friend. Many were the questions that were put +to our hostess about her daughter, and many the +subterfuges she had to resort to in order to prevent +Helen from putting in an appearance. Whilst thus +engaged in conversation with the landlady, Jack Hearty +found it no difficult task to enter the sleeping room of +his guests and to extract all the bullets from their +pistols, without having recourse to Dr. Bleedem's +potent charm. The evening passed over quietly, and +there was no appearance of Helen.</p> + +<p>A week now passed by, and neither Lord Scampford +nor his man seemed to be able to make any headway. +"Tell you what it is, Tuppings," said his lordship one +day to his bully, deeming himself unheard, although +every word fell distinctly on the ears of our host, "I +am getting tired of these eternal subterfuges. It's +enough to kill a man outright with <i>ennui</i>, to vegetate +day after day in this wilderness; yet leave the place +without her I <i>will</i> not."</p> + +<p>"You may depend upon it, my lord," said the man +in black, "that they knew of our coming beforehand, +and have been forewarned."</p> + +<p>"I wish I knew who it was," rejoined his lordship; +"I'ld be even with him. The only person interested in +the matter would be Lord Dodgemore, who naturally<span class='pagenum'>598</span> +would do all in his power to make me lose my wager. +I laid him a thousand pounds that I would make her +my mistress within a fortnight, and I don't intend to +become the laughing-stock of my friends on my +return."</p> + +<p>"Then your lordship has not a moment to lose. +Half the time has already slipped by, and we are no +nearer than on the evening of our arrival," murmured +the bully.</p> + +<p>"That we are being hoaxed is as plain as a pike-staff," +observed his lordship.</p> + +<p>"On our first evening the girl was engaged serving +the members of the club. The next day she was +indisposed and confined to her room. After that she +was on a visit to her aunt, who is ill, and what with one +excuse and then another—oh! it's sickening. I came +across the little jade unexpectedly the other day, and +tried to detain her with a little pleasant chat. You +should have seen the dignified air she put on, as with a +'by your leave, my lord, I am overpressed for time,' +she curtesyed and passed by. What has come to these +simple seeming rustics of late I am at a loss to +imagine."</p> + +<p>"If your lordship should deign to follow my +advice——"</p> + +<p>"Well."</p> + +<p>"I would suggest that we should take the bull by the +horns and make short work of it."</p> + +<p>"How?"<span class='pagenum'>599</span></p> + +<p>"Pick the lock of her bedroom door. Gag her +and carry her out of bed downstairs, wrap a warm +cloak around her, and lift her into the carriage, which +must be waiting for us only a few paces off. Then, +head for the nearest township, and so on, to London. +In case of opposition on the way, we have our pistols. +But hush! I thought I heard footsteps."</p> + +<p>"Tut! the walls are thick enough in this antique +hostelry," said his lordship. "Never fear."</p> + +<p>They little knew that there was a sliding panel high +up over the bedstead his lordship occupied, which was +covered by a bad picture of His Majesty George II. +on horseback, and which could be reached by a secret +staircase within the thickness of the wall.</p> + +<p>"So that is their little game, is it?" muttered our +host to himself, who had been eavesdropping. "All +right, my men, all right."</p> + + + +<hr style="width: 80%;" /> +<p><span class='pagenum'>600</span></p> +<h2>CHAPTER XIII.</h2> + + +<p>It was the midnight hour, and the sky dark as pitch. +The wind howled dismally through the trees, and +seemed to shake the very foundations of this ancient +hostelry. All the inmates of the 'Headless Lady' had +retired to rest; that is to say, all the members of the +club. Our host above was stirring, and had not yet +made up his mind to go to roost. In fact, he seemed +disposed to make a night of it, and enjoy himself as +much as circumstances would permit.</p> + +<p>The wind dashed the sleet against the window +panes, and the ground was getting fast covered with +snow. But our host stirred the fire, put on a fresh log, +and filled himself up a glass of his own home brewed +ale. First he took a sip, then setting his glass down, +he next walked leisurely into the room adjoining for +his tobacco box, with the intention of filling his yard of +clay. His back was no sooner turned than the bulky +figure of a man, in his stockinged feet, tripped lightly +across the hall, and, quick as thought, dexterously +emptied a white powder into the glass our host had +left standing, then as speedily vanished.<span class='pagenum'>601</span></p> + +<p>He had hardly disappeared, when our host, suspecting +nothing, re-appeared upon the scene, and proceeded +to fill his churchwarden with some of his strongest +tobacco. He then lighted his pipe by the fire, and +throwing himself into an easy chair, puffed away +complacently for a time. He was apparently musing, +when, as if suddenly recollecting that his glass was at +his elbow, he raised it to his lips and drained it to the +dregs; making a wry face, as if he had just tossed off a +dose of physic. He was on the point of filling up again +from the jug close at hand, when a yawn escaped him. +He had grown unaccountably sleepy. This feeling he +at first endeavored to combat by having recourse to his +snuff box, but the effect of the pungent herb was only +temporary, for soon his eyelids fell, as if weighed down +with lead, and he was now snoring loud, and as utterly +oblivious as a corpse.</p> + +<p>"I've drugged the old boy," said the man in black +to his master, with a chuckle. "It's all plain sailing +now. We've only got to pick the lock of the lady's +room, stuff a handkerchief in her mouth, and carry her +downstairs. The carriage is in readiness outside. +Quick! Let's up and be doing."</p> + +<p>Upstairs tripped the ruffianly bully as lightly and +noiselessly as a grasshopper, followed closely by his +aristocratic patron, and in a moment the two men stood +before the chamber of the unconscious sleeper. It was +locked, as they had anticipated; but with a deftness that +argued much practice in this art, the bully soon<span class='pagenum'>602</span> +succeeded in causing the lock to yield, and the door +swung noiselessly back on its hinges. Aided by the +light of a taper, which his lordship carried, the ruffian +was enabled to make straight for the bed, and seizing +the fair sleeper roughly in his powerful arms, was in the +act of rushing downstairs with her when a shriek, so +loud and piercing that it bid fair to waken the dead, +resounded through the walls of this ancient hostel, +startling from their sleep all its inmates, save our host, +who was still as fast in the arms of Morpheus as when +we left him.</p> + +<p>"Damnation!" cried the bully, between his teeth, +as he thrust a handkerchief into his victim's mouth, +and hurried with her towards the hall door, whilst Lord +Scampford followed close at his heels, a horse pistol in +either hand.</p> + +<p>The door of the inn was soon unbolted, and before +any of the household could hurry to the spot, the pair +of scoundrels were already outside in the bleak night air, +and hailing his lordship's carriage, which now drew up. +The liveried footman had opened the door of the +carriage, and in another moment it would have closed +securely upon these two arrant scoundrels and their helpless +victim, while a crack of the coachman's whip would +have carried them miles out of reach of all human +opposition, had not at this juncture something quite +unforeseen occurred.</p> + +<p>From out the darkness a cloaked figure, with broad +sombrero drawn down tightly over his eyes, suddenly +<span class='pagenum'>603</span> +emerged, and with a well-directed blow from a leaden-headed +cane upon the bare head of the man in black, +felled the gigantic bully, who measured his full length +upon the ground covered with snow, still clasping in his +arms the terrified and trembling form of our heroine, +whose shrieks of "murder" and cries for help at length +brought all the members of the club to the spot.</p> + +<div class="figcenter" style="width: 1024px;"> +<a name="p603" id="p603"></a> +<img src="images/dtwc603p.jpg" width="1024" height="688" alt="The Duel" title="The Duel" /> +</div> + +<p>Before they arrived, however, the mysterious stranger, +who had so opportunely come to the rescue, had +succeeded in releasing Helen from the clasp of the +unconscious ruffian, and carried her inside, but not +before Lord Scampford had discharged his brace of +horse pistols at him—we need not say without any +effect, save that of startling the horses so terribly that +they became perfectly unmanageable, and bolted with +the carriage, before the footman had time to spring to the +box. His lordship, finding his pistols useless, flung them +from him, and drawing his rapier, made for the stranger, +who likewise drew <i>his</i> sword, and a skirmish ensued.</p> + +<p>At this moment all the inmates of "The Headless +Lady" hurried downstairs, half dressed, with lighted +candles, and armed with what weapons of offence they +could first lay their hands upon. One carried a +torch, by the light of which the spectators could clearly +note the position of affairs. Lord Scampford and the +Unknown were still in the thick of the fray, and appeared +well matched, when suddenly an opening presented +itself, and the sword of the Unknown pierced the heart +of his lordship, who fell back lifeless on the snow.<span class='pagenum'>604</span></p> + +<p>The greatest confusion reigned. Questions were +asked on all hands, and no one seemed to be wiser +than his neighbour, yet the main facts of the case were +apparent to all. Helen had retreated hurriedly to her +chamber, and locked herself in afresh. Our host seemed +not yet sufficiently conscious to be able to take in the +situation. It was not till the small hours of the morning +that each returned to his bed. On looking round +for the stranger he had vanished.</p> + +<hr style='width: 25%;' /> + +<p>Now, it will readily be imagined that at the breakfast +table next morning, at which our members assembled +rather late, little else was discussed save the adventures +of the previous night.</p> + +<p>"The scoundrels!" thundered out Mr. Oldstone, +with an indignant snort.</p> + +<p>"The villains!" chimed in Professor Cyanite and +Mr. Crucible together.</p> + +<p>"The world is well rid of such a pair of jail birds," +said Mr. Hardcase; "only it is a pity that they were +allowed to cheat the gallows."</p> + +<p>"Poor Helen!" sighed Parnassus; "I think there +is matter for an epic poem in her misadventure."</p> + +<p>"You are right," agreed Mr. Blackdeed. "The +incident was pre-eminently dramatic; just suited to +the stage, and would certainly bring down the house. +I intend to dramatise it at my earliest convenience."<span class='pagenum'>605</span></p> + +<p>"And how is our patient, Dame Hearty?" enquired +Dr. Bleedem of our hostess, who was waiting upon the +members at table this morning instead of her daughter.</p> + +<p>"Still very feverish, doctor," was the reply. "The +poor child has caught a dreadful cold from being turned +out of her warm bed and carried into the cold night air +and the snow by those ruffians, and she with scarce a +stitch of clothing on."</p> + +<p>"Poor dear!" cried Dr. Bleedem, compassionately. +"I'll come and see how she is getting on after breakfast."</p> + +<p>"Why, doctor," observed Mr. Crucible, "you've got +your work pretty well cut out for you. There's his lordship—well, +you can dissect him; and his man, too, for +the matter of that. Then there's the coachman, who +was brought back here in his lordship's carriage early +this morning, with his shoulder-blade broken; then the +horses, with their knees broken: and now it's our sweet +Helen——"</p> + +<p>"Say, doctor," broke in Professor Cyanite, "was +that rascally bully sufficiently conscious before his death +to give an account of himself?"</p> + +<p>"Oh, yes, he was conscious, though he hadn't time +to say much. I saw from the first that the case was +fatal. He admitted that he had been a d——d +scoundrel, but added that his lordship was every whit +as bad—and worse. He alleged that had he taken a +situation as servant under an honest man, instead of +entering the service of an unprincipled rake and<span class='pagenum'>606</span> +debauchee like Lord Scampford, that he himself might +have become an honest man. He showed some contrition +for the part he had played last night, and begged +me to ask the lady's forgiveness for the same, as well as +to pray for his soul. Then his mind seemed to wander, +and he called out: 'There's his lordship! I see him +enveloped in a sheet of flame, with fire issuing from his +eyes and mouth, and from the tips of his fingers. He +is beckoning to me! He is calling me down to Hell! +How horrible the forms that hover round me. Mercy! +mercy! Oh! my God,' Here he uttered a despairing +groan, and spoke no more."</p> + +<p>"Ha! Quite dramatic again," remarked the +tragedian, who had no thought but what had reference +to the stage; "the repentant sinner on his +death-bed—excellent! I will take a note of that, and +introduce it into my next play."</p> + +<p>"Then there is the rescuer; you forget him," +observed the poet. "The mysterious stranger, with +cloak and slouched hat, appearing on the spot in the +very nick of time to succour Beauty in distress."</p> + +<p>"True, true," assented the tragedian; "I had nigh +forgot. If this episode wouldn't bring down the house +I don't know what would."</p> + +<p>"I wonder who he was," observed Mr. Oldstone. +"His sudden appearance was most remarkable; his disappearance +no less so."</p> + +<p>In the middle of this discussion, the door opened, +and our host entered with a letter, which he handed to<span class='pagenum'>607</span> +the antiquary, who mechanically put it in his pocket as +of no immediate importance, without even looking at the +handwriting, while he joined in the merry banter of the +other members, who, as soon as our landlord made his +appearance fixed upon him at once as the butt of their +satire.</p> + +<p>"Hullo, Jack!" cried one, "got over your little nap +at last, eh?"</p> + +<p>"That last glass of your home-brewed ale, by way +of a night cap was most effectual," jeered another.</p> + +<p>Our host, however, did not view the matter by any +means in the light of a joke, and answered savagely, +"Ah! the dastardly cowards! They <i>did</i> me at last. +Can't make out how they found time to do it. Such a +trick was never played me before, and I'll take jolly +good care they don't catch me again."</p> + +<p>"Well, that's not likely under the circumstances, +is it, Jack?" replied Mr. Hardcase.</p> + +<p>"Just like these lawyer fellows," observed Professor +Cyanite, "they are always tripping one up."</p> + +<p>"Nor yet anyone else," persisted the landlord. Then +added, "To think that <i>my</i> daughter who has been +brought up from a kid under my very eyes, and never +seen no one save her parents and you gentlemen of the +club, who have always treated her with courtesy as +though she were a high born lady—she, what's never +heard a word in her life as she didn't oughter have +heard—what never knowed nothink of the ways of this +wicked world—that <i>she</i>, poor child, should be subjected<span class='pagenum'>608</span> +to outrage from two ruffianly bullies—one o' them a +peer of the realm, forsooth, and all on account of her +picter being exhibited at that d——d Royal Academy!" +He concluded with a thump of his fist on the breakfast +table that set all the cups and saucers rattling, and felt +better afterwards.</p> + +<p>"Yes, it was a narrow shave. Wasn't it, Jack?" +remarked Parnassus. "If it hadn't been for that +stranger——"</p> + +<p>"Ah! I'ld like to find out who <i>he</i> was. <i>That</i> I +would. Can any of you gentlemen guess?" demanded +our host.</p> + +<p>"Not I."</p> + +<p>"Nor I," replied several voices at once.</p> + +<p>"Why on earth don't he show hisself?" asked +Jack. "Well, he's a trump, whoever he is, say I."</p> + +<p>The company now broke up, and the members of +the club began to set about their several avocations. +Dr. Bleedem went upstairs to visit his fair patient, and +Mr. Oldstone found himself once more alone. He +paced the room slowly, with his hands clasped behind +his back and his chin upon his breast, as if lost in a +reverie. Then suddenly blurted out, with a snort, "The +d——d rascals! The double-dyed sons of Belial! +To dare to carry off <i>my</i> Helen! That sweet child that +I love as if she were my own flesh and blood. And how +nearly they succeeded!" Here his eyes filled with +tears, and thrusting his hand into his large pocket in +search of his handkerchief, his fingers clutched something +<span class='pagenum'>609</span> +crisp, and he recollected the letter that Jack +Hearty had put into his hand at breakfast. "Some +shoemaker's bill, I suppose," he muttered, as he mopped +his eyes with his handkerchief. "Hullo!" he exclaimed, +glancing at the handwriting. "What! am I dreaming? +Isn't this the writing of my young friend Vandyke +McGuilp? But how? I am only just in possession of +his letter from Rome, and this letter bears no postmark, +being brought here by some casual messenger. Then +he must be <i>here</i>! Don't understand it at all." Here +he broke the seal and read as follows:</p> + +<div class="bblockquot"> +<p class="center">"<i>Letter from Mr. Vandyke McGuilp to Mr. Oldstone</i></p> + +<p>"<span class="smcap">My Dear Friend</span>,</p> + +<p> "I am nearer to you than you imagine. I +send these lines by a boy from a neighbouring village, +where I slept last night, but which I leave this morning, +without being able to call upon you, as I have important +family business in the adjacent county of —— which +I cannot afford to neglect. I had no sooner +sent off to you my last letter, dated from Rome, when I +received orders to return post haste to England at all +costs, as my uncle had been taken suddenly ill, and +now lies on his death-bed. He is not expected to last +long, and I must be in the house when he dies, and +remain till the funeral is over.</p> + +<p>"I daren't risk seeing you even for a moment, but I +<i>had</i> to be very near you last night, though you knew +me not. I had heard from the gossip of the village that<span class='pagenum'>610</span> +a grand carriage and pair with liveried coachman and +footman were putting up at 'The Headless Lady,' and +I guessed the worst and prepared myself accordingly to +frustrate the diabolical plans of those villains. If I were +to be hanged to-morrow for it, I should die happy in +the consciousness of having rescued innocence from the +clutches of vice.</p> + +<p>"Immediately after the fray I reported myself to +the authorities, who will by this time have sent over a +constable to the hostel to interview his lordship's coachman +and footman. For the present I am free, but I am +bound to appear when called for at the next assizes. +Matters are apt to go hard with a commoner like +myself when the slain man happens to be a person of +title; but I have hopes, as both the serving men are +bound to give evidence that my act was to protect +innocence; also that Lord Scampford first drew his +sword upon me, having previously attempted to shoot +me. No more for the present. With kind remembrances +to all,—I remain,</p> + +<p style='text-align: right'> +"Your very faithful friend, <br /> +"<span class="smcap">Vandyke McGuilp</span>." <br /> +</p> +</div> + +<p>Our antiquary had hardly finished reading the letter, +and thrust it into his pocket, when Dr. Bleedem re-entered +the room with a very serious expression on his +face.</p> + +<p>"Well, doctor," said Mr. Oldstone cheerily, not +noticing his countenance, "What news?"<span class='pagenum'>611</span></p> + +<p>"Bad, bad, very bad indeed," replied the leech +gravely. "She is in a high fever and delirious. Quite +off her head. If I ever get her through this——"</p> + +<p>"Good heavens! doctor," ejaculated Oldstone, "you +don't mean to say that there is any actual danger of her +life?"</p> + +<p>"Very considerable danger, I am afraid," responded +the physician. "She will require the most careful +nursing, such as I am afraid she is not likely to get +even from her own mother."</p> + +<p>"Doctor, you frighten me," cried Oldstone. "Surely +someone can be found to attend upon her to relieve her +mother."</p> + +<p>"They are a rough lot about here, and not always +dependable," answered Bleedem. "It must be someone +who will remain with her all night long without going to +sleep. If she ever <i>should</i> get over it——"</p> + +<p>"Nonsense! doctor. She <i>must</i> get over it, if <i>I</i> myself +have to sit up to attend upon her."</p> + +<p>"Well, well, we must see how we can manage; but +it is a very bad case, for besides the chill she caught, +which was of itself enough, there was, in addition, the +mental shock to the nervous system. She is so delicately +organised."</p> + +<p>"Poor dear! poor dear!" whimpered Oldstone. +"If <i>she</i> dies under your treatment, doctor, I shall +never——"</p> + +<p>"Under <i>my</i> treatment!" exclaimed Dr. Bleedem, +with vehemence. "God bless the man! She'ld die<span class='pagenum'>612</span> +all the sooner under anyone else's. Do you think I +shan't do my best to bring her round—if it were only +for my reputation. If <i>I</i> fail, no man in the whole wide +world will be able to save her."</p> + +<p>Our antiquary then, by way of changing the conversation, +fearing he had somewhat nettled the physician, +inquired, "By the way, doctor, did she discourse much +during her delirium?"</p> + +<p>"Lord, yes; a lot of rubbish, of course," replied the +leech. "Imagined she was undergoing again the adventure +of last night. Thought Lord Scampford was after +her with his bully. Stretched out her arms for succour +towards an imaginary angel, whom she said had been +sent down from heaven to protect her; ever and anon +confounding him with Mr. McGuilp."</p> + +<p>Here the man of medicine indulged in the ghost of +a smile.</p> + +<p>"Did she indeed, doctor? Well, this is most +interesting. Now, while you have a moment of leisure, +oblige me by reading this letter."</p> + +<p>Here the antiquary handed over the epistle of our +artist to Dr. Bleedem.</p> + +<p>The physician seized it gravely, read it through in +silence to the end; re-read it, slowly folded it up, and +returned it to Oldstone.</p> + +<p>"Humph! remarkable—very," he observed, after a +pause.</p> + +<p>Further discussion on the subject was checked by +the entry of the other members for their mid-day meal,<span class='pagenum'>613</span> +during which no secret was made as to the identity of +the mysterious stranger.</p> + +<p>"Well, well, well," cried our host, when the mystery +had been cleared up. "If I didn't half suspect it all +along. Why, bless my soul, if I think there could be +found another man in the world capable of it. Eh, +Molly?"</p> + +<p>As for our hostess, she went right off into hysterics, +and Mr. Oldstone was not the only member of the club +who was visibly affected.</p> + +<p>A month had passed over, and it was now time for +the case of that memorable night to be tried at the +assizes. Our host, the two serving men, and every +member of the club had received a summons to appear +as witnesses. Helen herself would have been obliged +to put in an appearance, had not Dr. Bleedem signed a +certificate that her state of health prevented her from +attending. The greatest excitement prevailed when +our artist appeared in court. Nearly all were prepossessed +in his favour, and several women were overheard +to express hopes that they would not hang so +good-looking a man. The two serving men were then +called, one after the other, and both deposed that their +deceased master, Lord Scampford, had first drawn his +sword on the gentleman, who was forced to act on the +defensive.</p> + +<p>The case was soon settled. The jury brought it in +as justifiable homicide, and in spite of some ineffectual +opposition on the part of the family of the defunct Lord<span class='pagenum'>614</span> +Scampford, who wondered what had come of nobility +in these times, when a mere commoner like the defendant +could waylay and assassinate a peer of the realm +and get off unscathed, etc., etc. In spite, however, of +all opposition, our artist was acquitted and left the court +without a stain on his character, amid the cheers and +congratulations of the crowd. As he left the court +house he was accompanied to the "Headless Lady" by +all the members of the club, who vied with each other +in the cordiality of their welcome.</p> + +<p>Many changes of importance had taken place of +late. Our artist's relative had long since breathed his +last, and he now slept with his fathers. His nephew had +sat up with him to the end, and was chief mourner at +his funeral. The will of deceased had been read, and +our friend Vandyke McGuilp was known to have +inherited his entire fortune, which was considerable, so +that the once struggling limner was now little short of a +millionaire.</p> + +<p>A sudden change for the better had taken place in +the health of our heroine, which now mended apace in +a way that surprised the doctor. Still, it was deemed +advisable, for the present, to keep her in ignorance of +her hero's arrival on the scene.</p> + +<p>After some discussion on the subject, <i>i.e.</i>, when her +medical attendant pronounced her out of all danger, it +was generally agreed upon that considering the great +confidence which had always existed between Mr. Oldstone +and the daughter of our host, that he should be<span class='pagenum'>615</span> +the man entrusted to break the joyful news to the +patient.</p> + +<p>Our antiquary accordingly bent him to the task; so +mounting the staircase, he tapped at the patient's door. +On entering the chamber, he was greeted by a beaming +smile from its fair occupant.</p> + +<p>"Why! my pretty pet!" cried the old man, cheerily, +"what a time it seems since I saw you last! Why! +you <i>are</i> pulled down, poor dear."</p> + +<p>"Am I?" answered Helen. "I am feeling much +better now, though; and I am getting tired of lying in +bed all day. I feel quite well now, and want to get up."</p> + +<p>"Don't do anything without Dr. Bleedem's permission," +remonstrated Oldstone, "or you may throw +yourself back, and then what should we all do without +you?"</p> + +<p>"Yes, Dr. Bleedem says I have been most seriously +ill—that he has just rescued me from the jaws of death."</p> + +<p>"Ah!" remarked the antiquary with a quiet smile, +"and someone else rescued you quite lately from something +very like the jaws of death—only worse," he added, +in a low tone.</p> + +<p>"Oh!" she cried, covering her face with her hands, +as if to shut out some horrible vision; "don't mention +those two villainous men, or I shall go mad."</p> + +<p>"No, no; we won't mention them again. They +have gone to their account at last—and—there, there, +let us not judge, but try to forgive, as we ourselves +would wish to be forgiven," said Oldstone.<span class='pagenum'>616</span></p> + +<p>"But what harm had I done them? Why should +they—I mean, what did they want to do to me?" asked +the girl, ingenuously.</p> + +<p>"<i>Do</i> to you, silly child! He! he! What all +wicked men seek to do when they get the chance," +replied her friend. "Let us not talk of them, but +rather of the brave man who rescued you in the very +nick of time from a living death."</p> + +<p>"I understand nothing of their object, and I can't +get anyone to explain to me; but I want to know more +of the brave man who, at the risk of his own life, came +to my assistance."</p> + +<p>"Perhaps I can tell you something of <i>him</i>, too," said +Oldstone, mysteriously. "Did you note him well?"</p> + +<p>"Not I. How could I? I was half fainting when +he carried me into the hall. Besides, he was so muffled +up in a cloak and hat that I was unable to see his face."</p> + +<p>"True; neither could any of us—he was so successfully +disguised. But we have discovered since who he +was, for all that."</p> + +<p>"Then you have seen him—spoken to him? Please +convey him my most sincere thanks and blessings for +his heroic conduct towards a perfect stranger."</p> + +<p>"Perhaps you would like to thank him yourself—some +day—when you are able to get up, and feel quite +well again," suggested Oldstone.</p> + +<p>"I suppose I ought," replied Helen. "I feel most +grateful to him, I am sure; for don't I owe him my +life? But I am so shy with strangers—and—and I<span class='pagenum'>617</span> +don't know what to say," pleaded the girl. Then, at +length, "Tell me what manner of man he is?"</p> + +<p>"Oh! he's a gentleman," replied Oldstone; "you +may depend upon that—and, what is more, he's young, +and, <i>I</i> think, very good-looking. I am sure you would +say so, too."</p> + +<p>Here a knowing look came into the antiquary's +face, which puzzled the patient, who, with eyes and +mouth wide open, appeared to scan his countenance as +if to read the very secrets of his soul. Then, like a +Pythoness of old, suddenly inspired, she exclaimed, +"I have it! In vain you try to keep it from me. Mr. +McGuilp has returned. It was <i>he</i>——"</p> + +<p>Oldstone marvelled at her penetration, but replied +only by a succession of little nods of his head, fixing his +eyes steadily, yet laughingly, upon her the while.</p> + +<p>"I knew it; I knew it!" she exclaimed. "My +dreams confirmed it. Oh, God be praised," and she +clasped her hands in ecstasy.</p> + +<p>"Calm yourself; calm yourself, my sweet one," +began Oldstone, now seriously alarmed lest the patient +should suffer a relapse, "What would Dr. Bleedem +say to me if he knew I had been so precipitate?"</p> + +<p>"Dr. Bleedem! Does <i>he</i> then know of our——?"</p> + +<p>"Oh! I never said anything to him about it, you +may be sure. What I mean is—he wishes you to be +spared all emotion, lest you should throw yourself back, +and all his care be in vain."</p> + +<p>"Oh! no fear of that," replied Helen. "I feel so<span class='pagenum'>618</span> +much better since you told me. Stay!—if you have seen +him, he is here. Perhaps in this very inn—tell me!"</p> + +<p>"Well, not very far off, I dare say," said Oldstone, +cautiously.</p> + +<p>"Mr. Oldstone!" cried the girl, "you can hide +nothing from me. I <i>know</i> he is here, and I <i>insist</i> upon +seeing him."</p> + +<p>"My dear! my dear! How can you? Just think! +You must wait till you are well enough to get up," +protested her friend and counsellor. "Dr. Bleedem +will decide all that."</p> + +<p>"I want to see him <i>now</i>, <i>this instant</i>."</p> + +<p>"What! In your bedroom!" exclaimed Oldstone. +"My dear child! It's not proper."</p> + +<p>"Then why do you come yourself, and Dr. +Bleedem?"</p> + +<p>"That is a very different matter? I am an old +man, and Dr. Bleedem is your medical attendant," +replied the antiquary. "Mr. McGuilp is young—and +people <i>might</i> talk."</p> + +<p>"Nonsense! If you don't let me see him, I'll make +myself ill and die," exclaimed the patient, petulantly.</p> + +<p>The antiquary began to be alarmed, but tried to +pacify her by saying he would see Dr. Bleedem, and +consult with him as to what were best to be done.</p> + +<p>As he did so, the doctor mounted the stairs. He +came to administer a cordial.</p> + +<p>"She seems much better now, doctor," remarked +Mr. Oldstone.<span class='pagenum'>619</span></p> + +<p>Here a muttered consultation took place just +outside the patient's door. After which the physician +entered the sick-room, and finding his patient's nerves +somewhat excited, administered a calm soothing dose +which sent her off into a peaceful sleep, while our +antiquary sought his young protégé, and explained that, +owing to the patient having taken a composing draught, +the doctor's advice was, that he had better postpone +his visit till the morrow.</p> + +<p>Our artist's disappointment at being refused an +interview with his <i>inamorata</i> after so long an absence +may be imagined, but he was consoled in a measure by +the doctor's promise that she would be well enough to +see him on the following day. On one thing he had +thoroughly made up his mind, and that was to ask her +in marriage of her father. He had never ceased to +love her all the time he had been absent, but up to the +present he had no position to offer her. Were she to +marry one of the many country bumpkins who flocked +around her, it would be affluence to what he could have +offered her. He could not afford to have quarrelled +with his only relative. The consequences would have +been fatal. Now everything had changed. He was +rich, and could afford to please himself. Therefore on +the morrow he was resolved to speak to her father.</p> + +<p>It will readily be imagined that our artist's return to +his native land, to say nothing of the chain of events +that followed—his heroism, his trial and acquittal, were +events that could not be passed over without celebration.<span class='pagenum'>620</span> +Therefore it is needless to say that the evening was spent +round the merry punch bowl, as usual on festive occasions.</p> + +<p>Mr. Oldstone was again elected chairman, which +post none of the members felt inclined to dispute with +him. The evening opened with a congratulatory speech +from the chairman, addressed to our artist, to which he +replied with brevity and grace. To say that his health +was drunk with the usual three times three would be +superfluous.</p> + +<p>Jack Hearty was called in to join in the toast and +invited to take a seat, while our artist was called upon +by the members of the club to give an account of his +adventures among the brigands, which he did in a +manner so graphic, and with such grace and easy +command of language, that the company remained +spellbound, drinking in every detail of his narrative, +whether it were a description of natural scenery or +climate—the dress or physiognomy of his captors—their +attitudes, their language, or what not. Nothing was +forgotten. His trials and privations, his thoughts of +home, and the friends he had left behind him. (He +mentioned nothing of the girl he left behind him). +Then he described the final tussle with the carabineers, +and his subsequent rescue. Thus he rambled on in +one continual flow of diction like a mill stream without +interruption, carried away by his enthusiasm in such a +manner as to leave no doubt in the minds of his hearers +as to his having taken part himself in the adventures he +described.<span class='pagenum'>621</span></p> + +<p>"Now, mine host," said the chairman, at the +conclusion of this somewhat prolonged narrative, "what +do you say to that?"</p> + +<p>"Well, well, well," replied that worthy, musingly. +"To think that all that should have happened to one +of my gentlemen customers, what's been in furren parts. +Why, it beats the story books out and out. Blessed if +I can't see it all a goin' on before my very eyes."</p> + +<p>"True, Jack," agreed Mr. Oldstone, "such is the +power of our young friend's eloquence, that one feels +that we ourselves have taken part in it."</p> + +<p>"Might I point out to the company," began Mr. +Blackdeed, "the intensely dramatic situation of——"</p> + +<p>"Also the highly poetical episode——" broke in +Mr. Parnassus.</p> + +<p>"And if you had been there," interrupted our +artist in his turn, "you would have noticed the vivid +colouring, the fine grouping of the figures, the chiaroscuro—the +fantastic light and shade that would have +impressed the scene upon your memory in a way never +to be forgotten."</p> + +<p>"Hark at him! Hark at him!" cried several members +at once, as they refilled their glasses from the +punch-bowl.</p> + +<p>The conversation then drifted towards more recent +adventures, and our artist explained in full his sudden +appearance on the spot in time to frustrate the designs +of the ravishers, and rescue innocence from pollution.</p> + +<p>"And to think that you rescued <i>my</i> daughter from<span class='pagenum'>622</span> +those ruffians, sir, and at the risk of your own life, too. +Why it was admirable! But there, sir, I can't find +no words to thank you with—that I can't."</p> + +<p>Here our worthy host became very moist; but the +chairman filled up his glass again for him, which he +tossed off at a gulp, and felt better.</p> + +<p>"And now, gentlemen," said the chairman, rising, +"just one more toast before I dismiss this honourable +meeting, which I am sure you will all join in. Here is +'Health, long life, and happiness, both to the rescuer +and the rescued!'"—(Shouts of "Hear, hear!" and +"Yes; none but the brave deserve the fair.")—"Then, +here goes with a 'Hip! hip! hip!—hurrah!'"</p> + +<p>Our artist, somewhat taken aback, blushed up to his +scalp, and drank off the toast good humouredly, after +which there was shaking of hands all round, and every +one retired to his dormitory in a comfortable frame of +mind and body.</p> + + + +<hr style="width: 80%;" /> +<p><span class='pagenum'>623</span></p> +<h2>CHAPTER XIV.</h2> + + +<p>Need it be told how, on the following morning, as +soon after breakfast as convenient, our artist—and now +rich land-proprietor—beckoned to our host of the +"Headless Lady," and with trembling lips and palpitating +heart seized him by the arm, and walked with +him for a good pace down the long, straight road leading +up to the door of the inn? Or how the members +of the club, who happened to be looking through the +diamond-shaped panes of the old-fashioned bow window +in that direction, remarked one to the other how mighty +intimate our hero had suddenly become with his landlord, +and their wonderments as to what he could find to +talk to him about so confidentially?</p> + +<p>Suddenly our host was observed to start, slap his +thigh, then, with a hand upon each bent knee, he peers +steadily into the face of his interlocutor, who is placing +a hand upon his shoulder. Our host, now changing his +position, extends a broad, fleshy palm towards his customer, +which our artist clasps in his long, slender fingers +with a more than usual hearty shake.</p> + +<p>"Why, if they are not patting each other on the<span class='pagenum'>624</span> +back, and laughing," exclaimed Parnassus. "What <i>can</i> +be up?"</p> + +<p>"Well, that's queer," observed the Professor. "Um—m—m—m?"</p> + +<hr style="width: 25%;" /> + +<p>Whilst this dumb show was being enacted Dame +Hearty entered her daughter's bedroom to announce to +her that she had Dr. Bleedem's full permission to get +up and dress herself; which permission, we may easily +guess, was promptly taken advantage of. So jumping +suddenly out of bed with the agility of youth, she +quickly set about her toilet and ablutions.</p> + +<p>"There is one thing," began her parent, "I wish to +speak to you about."</p> + +<p>"Yes, mother," responded Helen, absently, brushing +out her curls before the glass with unusual despatch, +and without turning towards her parent.</p> + +<p>"Nay, hear me, girl," continued Dame Hearty; "it +is seriously I would speak."</p> + +<p>"Say on, then, madam; I am listening."</p> + +<p>"I am aware—ahem!—I have long taken note," +continued her mother, "of a growing intimacy—a +friendship, I may say, and perhaps something more—between +you and this Mr. McGuilp, our guest. I know +that he has done us all a great service—a service that +none of us can ever forget, and you in particular, since +he saved your life. It is therefore only natural and +proper that you should feel grateful towards him, and<span class='pagenum'>625</span> +regard him in the light of a friend, and as a friend, +I hope, we shall ever esteem him; but listen, now, my +girl, to what I say. A <i>too</i> intimate friendship between a +young couple, out of different stations in life, such as in +the case of yourself, who are only the daughter of a +country inn-keeper, and a gentleman born and educated +like Mr. McGuilp, who is, besides, enormously rich, +having inherited all his uncle's fortune and estates, and +consequently moves in the very best society. Such +intimacies are dangerous, and may lead on to trouble +before you are aware."</p> + +<p>"How, mother?"</p> + +<p>"Bless the child!" answered her mother, impatiently, +"must I tell you everything? Must I make you as +wise as myself? No; there are things I can't discuss +with you. What I want of you is to be patient, and obey."</p> + +<p>"You—all of you—treat me like a child," broke in +Helen, reproachfully.</p> + +<p>"And so you are," retorted her mother; "therefore +take advice. The feeling that the world calls <i>love</i>—love, +I say, that speaks not of marriage is denounced as +<i>sin</i> by the laws of God and man."</p> + +<p>"Well, that's strange," mused Helen. "Then, one +may not love a friend, a parent, a child, without marrying +them?"</p> + +<p>"I have no time to quibble," replied her mother, +with some asperity, "but would simply remark that +whatever your feelings may be towards Mr. McGuilp, or +his towards <i>you</i>, nothing but harm and unhappiness can<span class='pagenum'>626</span> +be the lot of you both—without marriage. Now, you +can't well expect a rich gentleman like Mr. McGuilp to +displease all his friends by marrying a penniless girl +like yourself—country bred, without education, who +knows nothing of the world and society, when he could +marry some high-born lady out of his own class—some +rich heiress, educated and accomplished, who would +grace the society to which he belongs. He might be a +great man in the county, and enter Parliament, with +such a wife, while you would only drag him down to +your level."</p> + +<p>Helen had already hidden her face in her hands, and +her bare shoulders heaved convulsively, while the hot +tears trickled through her fingers.</p> + +<p>"Cease, mother! Oh! cease, in pity!" she cried. +"I cannot bear it."</p> + +<p>Her anguish would have wrung the heart of a stone, +and her parent being a really tender-hearted woman, +deeply sympathised with her daughter, though she felt +it her duty to be firm, "For what could it all end in?" +she argued.</p> + +<p>At this juncture, the voice of our host was heard at +the bottom of the staircase calling out, "Molly, my +dear! Mr. McGuilp wants to speak to you."</p> + +<p>"In one moment, Jack," answered his spouse. Then +to her daughter, "Dry your eyes, my girl. Bathe your +face and follow me. Mr. McGuilp doubtless wants to +see you. You have much to thank him for, and do it +with grace, but mind what I have said."<span class='pagenum'>627</span></p> + +<p>With this parting admonition she left the room and +hurried downstairs, whilst Helen deftly finished her +toilet, and with one last look at the glass to ascertain +that her eyes bore no traces of weeping, she was preparing +to descend the stairs, when her attention was +attracted by sounds from below that she was at a loss +to account for. There was a jumble of human voices, +but above them all was the voice of her mother, now +screaming, now half laughing and half crying, whilst +that of Dr. Bleedem was heard giving orders to her +father, and all seemed bustle and confusion. Dame +Hearty was in hysterics.</p> + +<hr style='width: 25%;' /> + +<p>"And you really do mean it, Mr. McGuilp?" asked, +in a sweet voice, a bright-faced country girl of eighteen +summers of a slim young man in the garb of a gentleman, +who followed her through the narrow mossy pathway +of a wood adjacent to the inn at the cross roads.</p> + +<p>"Mean it, my angel! Why, of course I do, and +feel proud at the very thought of you being all my own. +Only don't call me any more 'Mr. McGuilp,' or 'Sir.' +It hurts my feelings. Call me 'Van'—just 'Van' as +my friends and relatives have ever called me."</p> + +<p>"Van, let it be then," quoth the maiden, "<i>dear</i> Van, +my own sweet love for ever and ever! Oh! Van, you +<i>have</i> made me so happy! And my parents, how you +must have surprised them when you told them! Poor +mother! No wonder she went into highstrikes!"<span class='pagenum'>628</span></p> + +<p>"Hysterics," corrected her lover.</p> + +<p>"Well, that's what they call them here," answered +the girl; "but you will correct me every time I make a +mistake, won't you Van?"</p> + +<p>"With pleasure, dearest," replied her suitor.</p> + +<p>"And nothing can ever come between us now? +Nothing can part us?"</p> + +<p>"Nothing but death," was the reply.</p> + +<p>A shade of sadness passed momentarily over the +girl's features as she asked, "Must it all end with that?"</p> + +<p>"Death ends everything," replied the young man: +"that is to say, everything earthly."</p> + +<p>"Then is there <i>no</i> love beyond the grave?" asked +Helen.</p> + +<p>"Oh! let us hope so," responded our artist. "I, for +one, have the very strongest persuasion that there is. +Love such as ours is not merely of earth."</p> + +<p>"Dear, <i>dear</i> Van!" cried the maiden, in ecstasy, "I +will believe all you tell me. <i>I</i> know nothing, but I <i>feel</i> +you are right. Yes, we shall still continue to love even +beyond the grave. Oh! Van, how have I deserved all +this happiness?"</p> + +<p>"Your sweetness, your goodness, your beauty, your +love, amply counterpoise anything <i>I</i> can give you, my +angel," said her lover.</p> + +<p>"How kind you are to talk like that Van! How +you <i>must</i> love me to go against the wishes of your +friends and leave everything and everybody for me!" +exclaimed the girl. Then added, "You are <i>quite</i> sure<span class='pagenum'>629</span> +that you won't be ashamed of me before all the grand +people you will meet? That you will be able to pardon +any little slip of the tongue, my country manners, and +everything else?"</p> + +<p>"Everything, everything, dear. Besides, your education +will begin from to-day. You will improve yourself +in the arts of reading and writing. Learn grammar, +history, geography, and other things. I will have you +well taught at once, whilst I am away in town to make +preparations for our wedding. I must go about the +licence, and through other formalities; buy the wedding-ring; +your dress—for, of course, as <i>my</i> wife, you must +now dress as beseems a lady, and leave off this simple +garb; and yet it seems a pity, for I have always known +you thus. Still, for the sake of public opinion—to +avoid misunderstanding——"</p> + +<p>"I care nothing about all that," broke in Helen.</p> + +<p>"No, my darling; not yet. You do not understand. +But in time you will find that you have to."</p> + +<p>"Well, I will do anything to please you, Van."</p> + +<p>"My own darling!" said her lover, encircling his +arm around her waist.</p> + +<p>Well, my readers, and if their lips <i>did</i> meet; what of +it? It is a way that lips have under the circumstances.</p> + +<hr style='width: 25%;' /> + +<p>"And now, gentlemen, and members of the Wonder +Club, let me introduce you to the future Mrs. Vandyke +McGuilp," said our artist, on his return from his walk,<span class='pagenum'>630</span> +as he entered the club room, leading his fiancée by +the hand.</p> + +<p>Taken completely by surprise, each member rose +from his chair, bowed, smiled, and offered his congratulations. +Mr. Oldstone was particularly moist on this +occasion.</p> + +<p>"Oh! my dear boy, how I congratulate you; and +you too, my pretty child! Bless you, my children, +both!"</p> + +<p>Then he took out his handkerchief and mopped his +eyes.</p> + +<p>"Dear me, what an old fool I am!" he muttered, in +parenthesis.</p> + +<p>Chairs were immediately placed for the engaged +couple, amid boisterous cheering and banter from all the +members of the club at once, whilst the bride elect +laughed, blushed, and looked very happy. The father +and mother of the bride next entered, and joined in the +general hubbub.</p> + +<p>Of course, this was too great an event not to be +celebrated with all due honours. Therefore Mr. +Oldstone proposed that they should all meet once again +that evening round the steaming punch-bowl; Helen +and her parents being also of the company.</p> + +<p>"Just to drink to the health of the bride elect," +explained Mr. Oldstone with an appealing look towards +Dr. Bleedem. And it was so.</p> + +<p>That the bride's health was drunk that evening with +a "Hip, hip, hurrah!" goes without saying. How Mr.<span class='pagenum'>631</span> +McGuilp started on the morrow for town on business +connected with his approaching marriage; his return; +his sojourn at the "Headless Lady" until the grand +event came off; how he occupied his spare time partly +in painting a portrait of his friend Mr. Oldstone, which +was followed in due time by portraits of his future father +and mother-in-law, and in imparting instruction to his +fair bride; likewise, how, when unavoidably absent on +business, Mr. Oldstone would enact the rôle of instructor +to the fair bride of his protégé, so that no time should +be lost in fitting her for her exalted station; how +Helen improved daily in intelligence and knowledge +under such careful tuition, are matters of history.</p> + +<p>All unpleasant experiences of the past had been +forgotten in the joy attending the great approaching +event.</p> + +<p>Coffins had been made for the bodies of the two +malefactors. The corpse of Lord Scampford had been +placed in his lordship's carriage and driven by his +coachman (whose shoulder blade was now quite well), +and accompanied by his footman to London, where it +was consigned to the family vault of the Scampfords, +while that of his partner in crime filled a nameless grave +in a corner of the old churchyard at Littleboro'.</p> + +<p>Some procrastination and unexpected delays <i>would</i> +occur, however, in spite of all our hero could do to +hurry on the event, for we know that "the course of +true love never <i>did</i> run smooth," but at length the +happy day arrived. How merrily pealed the bells from<span class='pagenum'>632</span> +the ruined tower of the picturesque old parish church +of Littleboro' on that sunny morn! How gay the +peasantry looked in their holiday attire! Proud, +indeed, were our host and hostess as a splendid +equipage with coachman and footman, each adorned +with a huge nosegay, drove up to the door of the +"Headless Lady" to convey the fair bride, who was +attired in the most approved fashion of the period, and +accompanied by her father and mother, both clad in +gala, to the church.</p> + +<p>How the yokels did gape as they recognised in the +magnificently attired bride poor Nell Hearty, maid of +the inn at the cross roads, whom they had seen full oft +to feed the pigs, milk the cows, scrub the steps, wash +and hang out the clothes, and who had served them +with many a pint of her father's home brewed ale. It +was a thing not well understood—had no right to be, +doubtless they thought. The little church was crammed. +Needless to say that every member of the Wonder Club +was present, and, lo, here comes the vicar of Littleboro', +that aged and somewhat infirm cleric of benevolent +aspect, and all the aristocracy of the place.</p> + +<p>The service begins. Mr. Parnassus has been chosen +as best man, and has composed an ode for the occasion. +Mr. Oldstone has begged the honour of giving away the +bride, which duty he performs with great dignity. A +dead silence reigns as the bridegroom places the ring +on the chubby finger of his bride. The benediction is +given, the register is signed, <i>et c'est une affaire fini</i>. The<span class='pagenum'>633</span> +bridal pair march out of church to the joyous strains of +the organ, treading beneath their feet along the aisle the +flowers that friendly rustics have strewn across their +path. Bride and bridegroom then step into their +carriage and drive back to the house of the bride, where +a sumptuous wedding breakfast awaits them. Nor were +the wedding presents wanting. The members of the +club had subscribed, and presented the pair with a +handsome punch-bowl and silver ladle with the usual +golden guinea inlaid in the scoop. The parents of the +bride presented their daughter with a handsome piece +of carved oak furniture called a "brideswain," dating +back as far as the commonwealth, which contained +linen, goblets, and other useful articles.</p> + +<p>The old broadbacked farmer, the bride's godfather, +who was present, and whom our readers will recollect +was the innocent cause of the disasters that followed, +in that, in his simplicity, he had put Lord Scampford's +bully into possession of the secret of Helen's address, +that day at the Royal Academy; well, the bride's godfather +and his spouse between them presented the +couple with a metal dish and cover, besides a case containing +a carving knife, fork, and steel. The bride's +aunt, whom we have mentioned as an invalid, sent an +expensive old-fashioned china tea service and sundry +chimney ornaments, while her friends in humbler circumstances +each contributed their little mite.</p> + +<p>The breakfast went off merrily. The speeches and +the toasts, who shall describe?<span class='pagenum'>634</span></p> + +<p>At length the hour of parting arrived. The carriage +drove up, and the bridal pair entered amid showers of +rice and old slippers. Our hero and heroine were +about to set out on a continental tour for their honeymoon, +and intended visiting the eternal city.</p> + +<p>Perhaps the most touching incident of all occurred +at the last moment, just as the happy pair were entering +their carriage.</p> + +<p>Mr. Oldstone, who had been very moist on the +occasion, drew off his antique ring, of which we have +heard so much, from his forefinger and placed it on +that of his protégé, saying with much emotion: +"Take it, my son; take it with an old man's blessing. +Preserve it as an heirloom, for I shall never wear it +more."</p> + +<hr style='width: 25%;' /> + +<p>"Poor old man!" said our artist with some emotion, +when they had left the home of the bride a mile behind. +"To think that he should make <i>me</i> this valuable +present, and that I hadn't time to thank him at the last. +I must write to him on the very first opportunity. Why, +Helen, can you guess the value of this gem? I would +sooner possess this ring than all the money he has in +the world. I never thought he would give it away to +anyone during his lifetime. Did you ever hear the +legend attached to it?"</p> + +<p>"Well, yes; I think I <i>was</i> present when Mr. +Oldstone told his story," said Helen; "but I am sure I<span class='pagenum'>635</span> +don't recollect anything about it now. You shall tell it +to me over again some other time, darling."</p> + +<p>"With pleasure, dearest," replied her husband. "It +is a long story, and at present we have so many other +things to think of, haven't we, love?"</p> + +<p>"Yes, dear," was the reply.</p> + +<p>"And you think you will continue to love me as +much as you did at first, darling?" demanded the newly +married man of his young wife.</p> + +<p>"Oh! Van; how can you ask such a question?" +exclaimed the bride. "Why, I love you more and more +every minute."</p> + +<p>"Then give hubby a pretty kiss," was the rejoinder.</p> + +<p>Two pouting rosebuds were thrust upwards into the +husband's face, upon which he settled like a bee upon +a flower extracting nectar and ambrosia; and thus we +will leave them.</p> + + + +<hr style="width: 80%;" /> +<p><span class='pagenum'>636</span></p> +<h2>L'ENVOI.</h2> + + +<p>A universal gloom pervaded the precincts of the +Wonder Club since the departure of the happy pair, +which none felt more than Mr. Oldstone. Not but that +he was delighted at the union of his protégé with the +landlord's pretty daughter, whom he begrudged to anyone +short of a gentleman. That his dear Helen, whom +he loved as his own child, should have had the good +fortune to marry, not only a gentleman, but the very +one that he himself would have singled out for her, was +the realization of his happiest dreams. He knew they +were happy, and revelled in the thought of their happiness. +Still, they had gone out of his life and formed +one of their own, apart. Her sunny smile would no +more light up the dingy walls of the old hostel. He +would hear no more the ring of her merry laugh, could +no longer peer into her deep blue eyes, nor delight in +her exquisitely white teeth, her rosy cheeks or coral lips; +and added to this, his health that had for some time +past been failing him, now thoroughly broke down, and +he knew his end was not far off. So he penned a letter +to his friend Rustcoin, who was still living in Rome, to +come over to see him before he died, as he had much +to say to him.<span class='pagenum'>637</span></p> + +<p>Besides the breaking down of our antiquary's health, +the club itself, as if by one accord, began to break up. +Mr. Blackdeed went to London and became manager of +a large theatre. Dr. Bleedem also retired to a fashionable +quarter of the metropolis, where he soon had an +extensive practice. Mr. Parnassus became editor of a +paper at Bath, and published a volume of poems. +Professor Cyanite and Mr. Crucible likewise disappeared. +The former travelled about the country +giving lectures on geology. The latter bought a house +near town, where he pursued his studies in chemistry.</p> + +<p>Thus our antiquary was now left quite alone; <i>i.e.</i>, +with the exception of Mr. Hardcase. He managed to +pass the time by writing voluminously, as if he intended +to finish some important work before he died. In his +intervals of rest from his labours, he would frequently +take solitary rambles in the woods adjacent to the inn, +or along one of the cross roads. On one of these +excursions his footsteps led him to the old churchyard +of Littleboro' with its old yews and cypress. As he +entered the gate, the sexton was at work digging a +grave. The man ceased his labour at his approach; +and, seating himself on the edge, began to fill his pipe, +which he next lighted and began puffing at, apparently +oblivious of anybody's presence.</p> + +<p>It must be stated that the sexton was looked upon +as a character in the village. Certainly he was a strange +looking object. He was very old and decrepit, exceedingly +bow-legged, had a bald, mis-shapen head. Was<span class='pagenum'>638</span> +toothless, hollow-eyed, with features that suggested a +skull. He was stone deaf, and had, moreover, acquired +a habit of uttering his thoughts aloud, whoever might be +present, perfectly unconscious that he could be overheard. +If addressed, he never gave himself any trouble +to catch the meaning of his interlocutor, but always fluked +an answer such as he deemed ought to fit the question.</p> + +<p>Thus, when our antiquary approached with a "Good +morning, Delves. Hard at work, I see. Whose grave +may you be working at, now?" he received for answer, +"Thank you, sir; I'm very well. Yes, as you say, it <i>be</i> +remarkable fine weather for this time o' the year, sure<i>ly</i>."</p> + +<p>"But I didn't make any remark about the weather, +Delves," persisted Oldstone. "You didn't understand +me."</p> + +<p>The sexton made no reply, nor looked the antiquary +in the face, but muttered very audibly to himself, "That +be one o' them old fools of the Wonder Club—<i>Wonder +Club</i>, indeed; ha! ha!" Here he gave vent to a +mocking laugh. Then, "He should see some o' my +wonders."</p> + +<p>Our antiquary was accustomed to the eccentricities +of this worthy, who was generally looked upon as a +harmless idiot; but when he heard the Wonder Club +sneered at, he took deep offence, and was about to utter +some rebuke, when the grave-digger began muttering +again to himself, and Oldstone, whose curiosity was +being roused, forbore to speak, and thought he would +listen instead.<span class='pagenum'>639</span></p> + +<p>"A little knows I seed un's corpse candle last night, +he, he! Ay, he'll be the next. They can't, none o' +them, fool me. Whenever they've got to die, old Delves +allers sees their corpse candles fust. Wasn't I right +before Lord Scampford and his bully met with their +death, eh? Didn't I say that only one on' o' 'em ud be +buried in this here churchyard, and wasn't one on 'em +buried in that there corner just as I prognosticated, and +didn't I see the corpse candle of 'is lordship go along +the road towards London? They allers lets me know +beforehand, my customers. Now, there's this here gent, +the <i>h</i>antiquary, as they calls him—if I didn't see 'uns +corpse candle last night a leavin' the <i>h</i>inn o' the +''Eadless Lady,' and settle down on this wery spot +where 'e's a standin', I'll be shot, that's all. If a's not +doo to-morrer, or next day, 'e's doo within this week. +I never knowed one live more nor a week after I'd seen +'uns corpse candle."</p> + +<p>Our antiquary, now intensely interested, determined +to interrogate him anew, so he bawled out as loud as he +could in his ear, making a trumpet of his hands, "Whose +grave did you say that was?"</p> + +<p>"Yourn, zur," replied the sexton, with a grin.</p> + +<p>"Mine!" exclaimed the antiquary, starting back: +"but I'm not dead yet."</p> + +<p>"Not dead yet—ain't ye; he, he! Well, you soon +will be; ho, ho! I'll give ye three days. I don't think +ye'll last longer nor that; but there's where you've got +to lie, willy-nilly," said the sexton, pointing to the grave.<span class='pagenum'>640</span></p> + +<p>"You are making very sure of me," remarked the +antiquary, with a grim smile.</p> + +<p>"Ay, by ——, I am," rejoined the grave-digger, +"for when I've once seen a man's corpse candle——"</p> + +<p>There is no knowing how much longer the conversation +might have lasted, if at this moment two villagers +had not entered the churchyard, so Oldstone, not wishing +to be overheard, nodded to the sexton, and added, +"Till we meet again." He then bent his steps towards +the inn, and, arriving there, was greeted by his friend +Rustcoin, who had just arrived. It was years since +these two friends had met, and doubtless each found +the other vastly changed.</p> + +<p>"Why, surely, old friend, you are not so bad as you +try to make out," observed Rustcoin. "You look hale +and hearty still. You are up, and walking about."</p> + +<p>"Well, do you know how much longer they give me +to live?" asked Oldstone.</p> + +<p>"No. Who?" inquired Rustcoin. "The doctor?"</p> + +<p>"Well, not exactly. A prophet."</p> + +<p>"A prophet, eh? That's interesting; and who +may this prophet be, if I might ask?"</p> + +<p>"The grave-digger."</p> + +<p>"The grave-digger! What does he know about it?"</p> + +<p>"Says he saw my corpse candle last night, and he +is at this moment digging my grave on the strength +of it."</p> + +<p>"My dear fellow, you're joking. Pray, don't give +these sort of people any encouragement in their anti<span class='pagenum'>641</span>quated +superstitions. You were always given a little +that way yourself, I remember."</p> + +<p>"Come, let's go inside, and have lunch together. +You are, doubtless, hungry," said Oldstone. "We'll +have a good long chat over our meal." Then leaning +on his friend's arm, both entered the inn.</p> + +<p>Our host and hostess were, of course, delighted at +the arrival of the long-absent member, and many +allusions were made to old times. Dame Hearty +hastily laid the cloth, brought in the lunch of cold beef +and pickles, the remains of a rabbit pie, some bread +and cheese, with a jug of nut-brown ale, home-brewed +and left the two companions to themselves.</p> + +<p>"And so our young friend, Vandyke McGuilp, has +gone and made a d——d fool of himself," said Rustcoin, +after a pause in the conversation. "Well, I thought +him a more sensible man. What! one of <i>his</i> talent +and position to sink himself to the level of a dish-clout! +Why! it's sheer madness."</p> + +<p>"My dear fellow; don't talk like that," cried Oldstone. +"If you'd only seen the girl, I assure you——"</p> + +<p>"Bah! I make no doubt but that she's pretty—that's +not the point. You won't pretend that she was +any better educated than the rest of her class," maintained +Rustcoin.</p> + +<p>"Educated! <i>educated!</i>" exclaimed Oldstone. "She +had something in her far beyond what <i>you</i> would call +education—by which you probably mean book learning, +or that flimsy social veneer which anyone can acquire<span class='pagenum'>642</span> +who chooses to move within the radius of a certain +narrow circle, where all is artificial, unreal, cold, hypocritical, +and false. This is a girl of character, truth-loving, +sweet, and unselfish—pure as an angel—intelligent, +and with fine sensibilities."</p> + +<p>"Nonsense," broke in Rustcoin, testily. "These +country wenches are ever stubborn, hard-headed, self-interested, +exacting, undocile, unteachable. Peasant +she was born, and peasant she will remain to the end of +her days. God help the poor idiot with such a one for +a mate! She may be well enough as a wife to some +country bumpkin, but for any rational being to hamper +himself with one of these clods——"</p> + +<p>"But she's not one of these clods," persisted +Oldstone. "I tell you this is quite an exceptional +case."</p> + +<p>"Just because she is pretty, forsooth," interposed +Rustcoin. "I believe you are gone on her yourself."</p> + +<p>"Oh! as for me—I love her as my own daughter," +replied Oldstone. "I've seen her grow up from a child, +and have had plenty of time to study her disposition. +I have ever found her dutiful to her parents, diligent in +her duties, naturally intelligent, and of the highest +principle. Her surroundings have not been altogether +those that fall to the lot of a girl of that class, and she +possesses all the qualities that any rational man should +expect in a wife."</p> + +<p>"Such a paragon as you describe, I confess, never +came within my experience, and I have gone through<span class='pagenum'>643</span> +something in my youth. More than once I have been +on the point of making a fool of myself. At the time, +I thought my goddess the most perfect being in creation, +but I was soon undeceived in every case, and now I +thank my stars that I have always managed to steer +clear of trouble, and have remained an old bachelor."</p> + +<p>It was the third day since Rustcoin had appeared +upon the scene, since which time Oldstone had been +sinking fast. At this moment he was seated, propped +up by cushions, in an easy chair, in dressing gown +and night cap. His friend Rustcoin was by his side, +receiving instructions as to the publication of a pile +of MSS, whilst Mr. Hardcase, the lawyer, whom we +have mentioned as still being on the spot after the +others had left, was now engaged in putting the +antiquary's will into legal form.</p> + +<p>Dr. Bleedem having retired to London, his successor, +Dr. Dosemore, had been called in to attend the patient. +He could do no more however than his predecessor +had done—viz., to warn him of his approaching end +informing him that he would succumb to internal +gout, which would encroach upon his system, until it +reached the heart, when it would take him off suddenly. +The new doctor had just left the room, and the +antiquary was addressing his old friend in feeble tones, +as follows:—</p> + +<p>"This pile of MSS," he said, "is a collection of +tales, which I have jotted down from memory as +nearly as possible in the words of the narrators, and<span class='pagenum'>644</span> +which I desire to be bound and published, under the +title of 'Tales of the Wonder Club, by Dryasdust.' I +believe I am conferring a boon upon society in rescuing +these precious documents from oblivion, and publishing +them broadcast, for the benefit of humanity at large. +See that they be illustrated by the first artists of the +day, so that the book may obtain all the readier sale. +So shall my soul rest in peace, and my blessing remain +with those I leave behind. Tell my young friend +Vandyke that my last thoughts were of him and +his fair bride." Then extending one hand to his friend +Rustcoin and the other to the lawyer, he sank back on +his cushions and spoke no more.</p> + +<p>"So he has gone at last, the poor old gentleman," +said Hardcase, disengaging his hand from that of the +corpse.</p> + +<p>"Ay, just <i>three days</i> from my arrival, as predicted +by the sexton—strange, isn't it?" remarked Rustcoin. +"What a fine old head it is. It's a pity a cast should +not be taken of it. I should so like to possess a bust of +my old friend."</p> + +<p>"Nothing is easier," said the lawyer. "I will get +the new doctor to take one. I know he can, because +he told me so."</p> + +<p>Dr. Dosemore was immediately recalled, and before +the day was over, a successful mould was taken of the +face, which, with as little delay as possible, Rustcoin +despatched to Rome, to a sculptor friend of his of +some renown, with injunctions to execute for him a<span class='pagenum'>645</span> +bust of his old friend, in the best Carrara marble, with +pedestal of scagliola.</p> + +<hr style='width: 25%;' /> + +<p>The bell was tolling at the old church of Littleboro'. +A solemn procession, all clad in deep +mourning, entered the churchyard gate, and followed +the coffin to the grave. The sexton was at his post, +bearing a certain air of triumph about him, as if he +were saying to himself, "There, I told you so. They +can't none of 'em fool me. What I perdicts is <i>sartin</i>."</p> + +<p>The same old vicar who so lately had joined together +the hands of our hero and heroine in holy matrimony +has now a sadder task to perform. Our host and +hostess, of course, are present, as well as our friends +Hardcase, Rustcoin, and the new doctor, besides several +strangers. All stand reverently bareheaded during the +reading of the burial service, until the usual three handfuls +of earth are strewn upon the coffin, after which the +sexton, with a deft and businesslike, though hardly a +reverent manner, tumbles the earth hurriedly on to the +top of the coffin, and all is over.</p> + +<p>Soon after the ceremony Rustcoin and Hardcase +take leave of each other, and likewise of our host and +hostess, when each departs by a different route. Rustcoin +returns no more to Rome, but settles in York, his +native town, where he purchased a house, which he has +been at some pains to fit up according to his tastes. +Over the mantelpiece in his study hangs the portrait of<span class='pagenum'>646</span> +his brother antiquary, painted by our artist, Vandyke +McGuilp, while in a corner of the room is a well +executed bust in the best Carrara white marble, representing +the same features. He has also inherited the +whole of his friend Oldstone's collection of antiquities, +which are now added to his own, and make, together, a +very respectable museum, which he is ever proud of +showing to his visitors when they call.</p> + +<hr style='width: 25%;' /> + +<p>Let us now return to the hostel of the "Headless +Lady," where our host and hostess are left alone in their +glory, for even Mr. Hardcase has at length taken his +departure and settled in some neighbouring town. They +are seated at some distance apart from each other, no +longer looking tenderly and lovingly into each others' +faces as of yore, but askance, as if they had had some +matrimonial quarrel, which neither felt inclined to be the +first to make up. Jack Hearty's hands are thrust deeply +into his pockets, his legs extended, his brows knit, and +his eyes fixed upon the ground; while his spouse, +usually so active and so busy, to whom nothing was +greater pain than being forced to be idle, was now +lolling in a listless attitude, her arms dangling idly at +her sides with an expression on her face of the most +intense boredom. One who knew them both would no +longer recognise in these two melancholy persons our +jovial host and hostess of former days.<span class='pagenum'>647</span></p> + +<p>"Tell you what it is, Molly," began Jack, at length, +"D——d if I don't think this house is haunted."</p> + +<p>"Why so, Jack?" enquired the dame, wearily.</p> + +<p>"Have you not noticed since Mr. Oldstone's death—nay, +before—ever since our dear Helen left her home, +that a curse seems to have fallen upon this house?" +demanded Jack.</p> + +<p>"True, I feel an unaccountable depression of spirits, +but still I thought it nothing but the weather," rejoined +his spouse.</p> + +<p>"It's not that only," persisted her husband. "Fair +or foul weather, it is just the same to me. See how +our custom has fallen off."</p> + +<p>"Naturally; now that the members of the club have +all departed," replied Molly. "It's lonely like, not +seeing a human face all day long."</p> + +<p>"It's worse than that," continued Jack. "Haven't +you felt—well, I don't know how to say it—as if—as +if—some danger were hanging over our heads?"</p> + +<p>"Lor, Jack!" cried our hostess, "Who'ld ever have +thought to hear <i>you</i> talk like that? Well, Jack, to tell +you the truth—though I never liked to mention the +matter before, for fear you should laugh at me—I confess +I never <i>have</i> felt quite myself since the night of that +tragedy."</p> + +<p>"That's it. Depend upon it," said her husband. +"The spot has become accursed. I lose my appetite +and sleep; feel weak and nervous; start at the merest +sound, while ever and anon I have the sensation as if<span class='pagenum'>648</span> +someone were looking over my shoulder. If perchance +I shut my eyes, I see before me all that took place upon +that fearful night. I hear the stairs creak, and see that +ruffian clasping our dear Helen in his arms. I hear her +screams for help, whilst I seem to see myself lying +drugged and helpless, incapable of running to her +assistance."</p> + +<p>"Oh, Jack! and so have I," replied his spouse. +"I too have dreamed that dream. It will not go from +me. Each time I close my eyes—— Hark! What was +that? A footstep, I'll be sworn."</p> + +<p>"Ay, ay," assented Jack; "I hear them oft, myself."</p> + +<p>It was now growing late, and our host went to fetch +a jug of his own nut brown ale, and filled himself up a +glass, which he drained at a draught, then filled himself +up another.</p> + +<p>"You drink more than you used to, Jack," remarked +the wife of his bosom. "I've seen you look very muddled +of late. Don't let it grow upon you. Don't, now, +there's a dear."</p> + +<p>But to his wife's tender injunctions he turned a deaf +ear, and continued to fill up again and again, and yet +again, until he was perfectly mellow.</p> + +<p>"Oh! Jack, Jack," cried Dame Hearty, despairingly, +"I knew how it would be. Don't, don't; you'll break +my heart."</p> + +<p>"What the —— does it matter to you?" demanded +her husband, "'s long 's I leave you alone (hic)."</p> + +<p>Here some altercation took place between the two<span class='pagenum'>649</span> +which we will not record; as, in such moods, our +landlord was rarely very choice in his language. It +was with considerable difficulty that Dame Hearty +succeeded at length in getting her worse half upstairs +and to bed.</p> + +<p>We grieve to be obliged to record that on the +following night there was a repetition of this painful +scene, and the night after that, too. In spite of his +poor wife's prayers and entreaties, he grew from bad to +worse. Jack Hearty had become a confirmed drunkard. +When in his cups his nature appeared completely +changed. He who, up to the present, had enjoyed the +reputation of being the kindest and most loving of +husbands, the most genial of men, had now become +morose, coarse, blasphemous, cantankerous, and cruel. +His poor wife was in despair, and could do nothing but +cry or go into hysterics.</p> + +<p>It was one stormy night, when our host of the +"Headless Lady" had dragged himself upstairs more +intoxicated than ever, that he let fall the candle, which +immediately set fire to the bed curtains, and in an +instant the room was in flames. Our host was so dazed +as to be incapable of saving himself, and if it had not +been for Dame Hearty's presence of mind, who managed +to drag her husband downstairs in time, both might +have perished in the flames.</p> + +<p>The position of the inn, as we know, was isolated. +Before help could be procured the fine old hostel, that +had stood for centuries, and whose walls had resounded<span class='pagenum'>650</span> +so long with the mirth and laughter of our jovial +members, was now a charred and shapeless ruin.</p> + +<hr style='width: 25%;' /> + +<p>"Well, Jack, I hope you're satisfied now," said his +better-half, as the loving couple tucked themselves into +a spare bed at the house of a neighbour, who had taken +them in out of charity.</p> + +<p>Our host was now quite sober, having had to walk a +mile at least through the bleak wind and driving snow, +so he turned, in a humbled and penitent manner, +towards his wife, crying, "Oh, Molly, Molly, how can +you ever forgive me? Oh! what a fool I have been! +If I had only listened to you at first. But, there—it's +the drink—the cursed drink—that makes a beast of a +man. I vow I will never touch a drop of drink again +as long as I live."</p> + +<p>"Dear Jack, I believe you," replied his spouse. +"Be your old self again," and with one loving kiss all +past troubles were forgotten.</p> + +<p>"Ah! Molly, Molly, you're something like a wife. +Never will I for the future give you any cause for complaint."</p> + +<p>And he kept his word. Jack Hearty was a reformed +man.</p> + +<hr style='width: 25%;' /> + +<p>We now approach the end of our story. Our hero +and heroine, after a prolonged honeymoon in the sunny<span class='pagenum'>651</span> +south, which to Helen was like a dream of Paradise, +found themselves reluctantly compelled to return to +England in order to superintend certain matters of +business connected with their country house and estate. +Soon after their return, our married couple, wishing to +give the old people an agreeable surprise, proposed paying +them a visit in their carriage and pair, at their old +home, the "Headless Lady." What was their surprise +and dismay, on their arrival, to find, in lieu of the time +honoured hostel, <i>a blackened ruin</i>!</p> + +<p>"Good Heavens!" cried husband and wife, simultaneously, +"what can have become of the old people?" +Tears started to the eyes of Helen at the thought of the +scenes of her childhood and of the many happy hours +she had spent within those old walls; but anxiety for +the fate of her parents filled her soul. Enquiries having +been made, Jack Hearty and his wife were tracked to +the house of a neighbour in the village.</p> + +<p>"Father! Mother!" cried the grand lady, stepping +out of her carriage; and, throwing all ceremony to the +winds, she embraced them both with the fondest +affection, while the liveried coachman and footman +exchanged glances together.</p> + +<p>"Tell us how all this has happened," said our artist; +"but first step into the carriage, and we will drive +home. You must come and stay with us."</p> + +<p>Neither his father nor his mother-in-law possessed +anything but what they stood upright in, and were not +long in making up their minds, so stepping into the<span class='pagenum'>652</span> +carriage, and waving an adieu to their hospitable neighbours, +were soon borne out of sight.</p> + +<p>"Well, Jack," said our artist to his father-in-law, +after he had listened to a detailed account of the latter's +misadventure, as they were sitting together that evening +in the cosy parlour of our hero's country house, the two +ladies having retired to the drawing-room to enjoy their +own private gossip, "of course I am sorry for your loss, +and for the old inn itself, which I had calculated making +a picture of some day; but really, under the circumstances, +I look upon it as providential."</p> + +<p>"Providential!" exclaimed the <i>ci-devant</i> landlord, +in astonishment. "What! the destruction of the home +of my fathers by fire, through my idiotic folly and +besotted drunkenness, providential!"</p> + +<p>"Jack, my boy, you were but the instrument, and +no responsible agent," continued his son-in-law. "From +what you tell me, the house was most undoubtedly +haunted—the air vitiated and poisoned as by a pestilence, +from having been the seat of deep crime. I know +something of these phenomena, and I have always heard +and read that there is no thorough or lasting purification +in such cases save by <i>fire</i>. Take, for example, the Fire +of London. That broke out, providentially, after the +Plague, in order to purify the City. The burning of +your inn was a necessity, as it had been rendered +uninhabitable through being haunted, and you were +chosen as the instrument."</p> + +<p>"Why! Good Heavens!" cried Jack Hearty,<span class='pagenum'>653</span> +drawing his chair suddenly back, and looking straight +into the face of his son-in-law, while a fat hand rested +on each stout knee. "To think that that should never +have occurred to me before! Why, of course, it must +have been so. I see it all as plain as a pike-staff."</p> + +<p>"You were not yourself, Jack, on that occasion," +pursued our artist. "You were <i>beside</i> yourself, which +means that your will, already unfeebled, was subjugated +by some outside power—viz., the will of some disembodied +spirit stronger than your own, who made use +of you as his instrument."</p> + +<p>"It is quite true, sir," replied Jack, "I was <i>not</i> myself +at the time. Well, well—it is some consolation to think +it <i>had</i> to be done, and that there was no way out of it."</p> + +<p>Here the ladies re-entered the room, and the +conversation took another turn.</p> + +<p>"Now, Jack," proposed McGuilp, before all present, +"since matters have turned out thus, what do you say to +becoming steward of my estate—my man of business—caretaker +of my house when I am away, and live here +with the missus to the end of your days?"</p> + +<p>"Oh, sir!" exclaimed Jack Hearty and his wife +together, "you overwhelm us with kindness. How +can we ever repay you our debt of gratitude?" and +tears started to the eyes of the old couple.</p> + +<p>"Then so be it," said the now rich landowner.</p> + +<p>"Dear, <i>dear</i>, Van!" exclaimed his young wife, as +she threw herself upon his neck and covered him with +kisses. "You have made me <i>so</i> happy."<span class='pagenum'>654</span></p> + +<p>And so it was that the little family party jogged on +from day to day as united as birds in a nest.</p> + +<p>Jack Hearty was a good man of business, and an +honest, and the post suited him to a T. Dame Hearty's +delight was naturally to cook and to wash, or in undertaking +any of those rough duties that she had been +accustomed to in her former life, but as these were +not necessary—others having been engaged for that +purpose, she was entrusted with the keys of the house, +and became an excellent housekeeper, loved and +respected by those under her.</p> + +<p>Had our artist entirely abandoned art now that he +had succeeded to his uncle's fortune and estate? Far +from it. First and foremost among the improvements +that he made was the building of a spacious studio, +which he fitted up in a manner worthy of his taste and +his means. In this he executed his great picture, which +created such a <i>furore</i> on the following year at the Royal +Academy, entitled, "Captured by the Brigands." The +English captive in the composition was a faithful likeness +of our artist himself, whilst the bronzed features of his +captors, which were deeply impressed upon his memory +were as like to the originals, our artist assures us, as if +they had sat for them. The time is represented as +towards evening. The light and shade powerful. The +whole effect of the picture weird and unearthly. An +offer had been made for it, but the would-be buyer was +informed that it was not for sale. So it was hung up in +the parlour of the artist's own country house, according<span class='pagenum'>655</span> +to the wish of his loving wife, who liked constantly to be +reminded of this weird episode in the life of the man +she loved.</p> + +<p>Time wore on, and not a quarrel, not a difference +of opinion even arose to mar the happiness of this +loving pair, when one fine morning a great event +transpired. The lady of this household presented her +liege lord with a son and heir, a fine healthy boy, who +was christened John, after his grandfather, and never +called other than Jack by his parents. Despite her +household duties, Mrs. Vandyke McGuilp always +managed to find time to pursue her studies, while her +natural intelligence and application were such that +the progress she made under her husband's tuition, +was simply marvellous. In a few years the McGuilps +purchased a house in town in a fashionable quarter, +and the "at homes" or "conversaziones," as they were +called in those days, of Mrs. Vandyke McGuilp, were +the talk of all the <i>elite</i>. Helen now felt herself called +upon to enact the <i>rôle</i> of a grand lady, and in this her +natural dignity, intelligence, and sweetness of disposition, +enabled her to succeed to perfection.</p> + +<p>Little more remains to be told. After a few seasons +in town, and having run the usual curriculum of operas, +balls, parties, concerts, visiting, and even presentation +at court, the sameness and artificiality of such an existence +palled upon these two artless and ingenuous lovers +of nature, so the house in town was at length given up, +and our artist retired into the country, where he gave<span class='pagenum'>656</span> +up his time more thoroughly to the study of his art, +working ever with increased ardour through the kind +encouragement and sympathy of his loving wife.</p> + +<p>Nor was Mrs. Vandyke McGuilp forgetful of her old +friends. She fondly cherished the memory of her dear +Mr. Oldstone, her friend and adviser, and it grieved her +that she had not been able to be near him and attend +upon him during his last moments on earth. She had +also made the acquaintance of Mr. Rustcoin, who frequently +called upon them. Had even been to their +"at homes" when they lived in London. This gentleman +had become quite reconciled to the idea of his +friend Vandyke McGuilp's marriage with the daughter +of a country innkeeper, and agreed with his friend +Oldstone that this was quite an exceptional case. He +had even been heard to declare before a company of +friends that the most charming woman he had ever +met for intelligence, natural grace, sound sense, good +heartedness, tact, and <i>savoir faire</i>, was the wife of his +friend Mr. Vandyke McGuilp.</p> + +<p>A few years later, when it fell to Mr. Rustcoin's turn +to pay the debt of nature, this gentleman recollecting +how fondly the memory of his friend Oldstone was +cherished by those two charming people, the McGuilps, +having presented his large collection of antiquities to his +native city of York, bequeathed to our friends both the +bust and the oil picture of his brother antiquary, which +latter, our readers will remember, was painted by the +hand of our artist himself<span class='pagenum'>657</span>.</p> + +<p>Our friend Rustcoin has now long gone to his rest, +and both bust and portrait of Mr. Oldstone adorn the +country mansion of the McGuilps. Among other +cherished relics of their friend is a bound and illustrated +work conspicuously placed in their library, entitled: +"Tales of the Wonder Club," by Dryasdust, out of +which volume little Jack McGuilp often pesters his +mother to read a story to him.</p> + + + +<hr style="width: 80%;" /> +<p><span class='pagenum'>658</span></p> +<h2>CONCLUSION.</h2> + + +<p>In conclusion, let me beg the reader to accompany +me in imagination to the site of the once far-famed old +Elizabethan hostelry, "The Headless Lady" and what +do we see? Alas! not even the old blackened ruin is +there to mark the spot. All, <i>all</i>, has been swept away +by the ruthless hand of modern civilisation.</p> + +<div class='center'> +<table border="0" cellpadding="1" cellspacing="0" summary=""> +<tr><td align='left'>"She cries, a thousand types are gone,</td></tr> +<tr><td align='left'>I care for nothing, all shall go."</td></tr> +<tr><td align='right'><span class="smcap">Tennyson.</span></td></tr> +</table></div> + +<div class="figcenter" style="width: 657px;"> +<a name="p658" id="p658"></a> +<img src="images/dtwc658p.jpg" width="657" height="1024" alt="The Quaker" title="The Quaker" /> +</div> + +<p>How is the whole face of the country changed! +The stately elms and beeches, with the rooks' nests +lodging in their branches, have been cut down to satisfy +the greed of this utilitarian age. The land has been +bought up in our time by a railway company, and +crowded trains, with their screeching railway whistle, +rush over the very site of this ancient hostelry, whose +walls once resounded with the songs and applause of +our friends of the "Wonder Club." Not even the +picturesque old church of Littleborough has been spared. +Being pronounced unsafe, it was pulled down, and on +<span class='pagenum'>659</span> +its site erected a modern Baptist chapel, in all that +unsightly ugliness of style so cherished by dissenters. +How strange that religious bodies should have such +execrable taste. Telegraph lines cross and recross each +other in every direction, and railway bridges, tunnels +and aqueducts abound on all hands.</p> + +<p>The town of Muddleton-upon-Slush, once little more +than a village, has swelled to the proportions of a +prosperous factory town, with its smoky chimneys, its +gasometers, its rows upon rows of jerry-built houses, its +new town hall, its salvation army barracks, its police +station, its chapels of every conceivable denomination, to +say nothing of its numerous public-houses, young men's +Christian association, its baths and wash-houses, its low +theatre, where questionable pieces are represented by +indifferent actors to pander to the modern taste. Then +its placards and pictorial advertisements, who shall tell? +But, enough. As for the old fashioned honest English +rustic of the past, with his sturdiness of character and +devout unquestioning faith in matters of religion, <i>his</i> +genus is quite extinct; you may possibly stumble upon +his fossil in a stratum of London blue clay. He has +been superseded by quite a distinct species—the modern +blackguard, with his blatant scepticism and blasphemous +irreligion.</p> + +<p>It might have been some forty years ago since the +author, who was travelling on a matter of urgent business +on this line, was roused in the midst of a reverie +by the guard calling out, "Muddleton-upon-Slush!<span class='pagenum'>660</span> +Any passengers for Muddleton?" As this was my +destination I descended, and was about to cross the +railway bridge when I observed an aged and reverend +looking individual, whose low crowned hat with its +broad brim, and the severe cut of whose sad coloured +clothes proclaimed him a member of the "Society of +Friends," a genuine quaker of the true old fashioned +stamp, long since extinct. He was in earnest discourse +with the porter, and as I passed him I caught these +words, uttered in tones deliberate and slow, as one who +has the whole day before him, and sees no necessity for +hurry, and which contrasted strangely with the bustle +and confusion going on around him.</p> + +<p>"Prithee, friend, canst thou direct me to the ancient +hostel of the 'Headless Lady'?"</p> + +<p>"The <i>what</i>? The ''Eadless Lady.' No, sir. +There ain't no public 'ouse about 'ere of that name," +was the porter's curt reply. "But if it's a glass of <i>h</i>ale +you want, sir, there's the '<i>H</i>angel and the <i>H</i>eagle,' the +'<i>H</i>elephant and Castle,' and the——"</p> + +<p>"Doubtless, friend," interrupted the reverend individual, +"there are enough and to spare of those abominations, +those dens of iniquity that the lost sheep of the +house of Israel denominate public houses; but know, +friend, that it is not ale I seek, seeing that I am a +follower of one Rechab, who, as doubtless thou wilt +have read in Holy Writ, indulged neither in wine nor +strong drink."</p> + +<p>The porter's face throughout this sententious speech<span class='pagenum'>661</span> +was a study. His eyes and mouth gradually opened +till they reached their utmost limit. Then suddenly +recollecting that his manner might appear rude, he +broke in with:</p> + +<p>"Well, sir, if you should prefer a good rump steak +and a cup of tea, I could recommend——"</p> + +<p>"Verily, friend," again interrupted the quaker, +"thou comprehendest me not, for neither doth my soul +hanker after the fleshpots of Egypt, but having a taste +for antiquarian lore, I would fain revisit that spot of +historic interest once seen in my youth, but of which I +have now no clear recollection, namely the hostel of the +'Headless Lady.'"</p> + +<p>"''Eadless Lady'! ''<i>Eadless Lady</i>'! Why, God +bless my soul, sir, where <i>h</i>ever do you 'ail from? Why, +now I come to think of it, I remember to have 'eerd +my grandfather speak of it. Lor, sir, it's been burnt +down this 'alf a century ago."</p> + +<p>"Burnt down!" exclaimed the antiquary, in extreme +vexation.</p> + +<p>"Yessir," replied the porter, briskly, "burnt down +by the landlord hisself, when in his cups, as I've heered +say—down to the wery ground. There, sir, is the spot, +where I'm p'inting. Yessir, that's where it stood. +This here line runs right bang over the wery site of it."</p> + +<p>"Bless me!" cried the disappointed quaker in +dismay, "and have I left my peaceful home, that I +havn't stirred out of for years to hear this? Verily, all +is vanity."<span class='pagenum'>662</span></p> + +<p>Here he would have begun a homily on the evils of +intemperance, had not the guard interrupted him with:</p> + +<p>"Yessir, I remember to have 'eerd my grandfather +say, when I was a kid, on'y so high" (here he lowered +the palm of his hand to within a couple of feet of the +platform), "as 'ow the 'ouse was 'aunted by the ghost of +a nun, as valked about vith 'er 'ead <i>h</i>under 'er <i>h</i>arm, +but that's a long while ago, that is. No, sir, you may +depend upon it, there <i>h</i>ain't no 'eadless ladies valking +about now, sir. <i>Ve</i> don't believe in 'em nowadays."</p> + +<p>With this, he took up a rasping iron bell, which he +rang so vigorously that the peaceful quaker was fain to +stop his ears and hurry from the spot as fast as his legs +could carry him.</p> + +<p>"Poor old gent," muttered the porter, to himself, as +he looked after him, "'e <i>h</i>ain't <i>h</i>up to date, no 'ow."</p> + + +<h4><span class="smcap">Finis.</span></h4> + + + +<hr style="width: 80%;" /> +<div class="notebox"> +<h4>TRANSCRIBER'S NOTES:</h4> + +<p>1. Images have been moved from the middle of a paragraph to the closest +paragraph break.</p> + +<p>2. Punctuation has been normalized.</p> + +<p>3. Other than the corrections listed below, printer's inconsistencies in +spelling, hyphenation, and ligature usage have been retained:</p> + +<p> + "importaut" corrected to "important" (page vii)<br /> + "Ron" corrected to "Rod" (page 405)<br /> + "litttle" corrected to "little" (page 441)<br /> + "Senor" corrected to "Señor" (page 453)<br /> + "vengance" corrected to "vengeance" (page 487)<br /> + "portégé" corrected to "protégé" (page 562)<br /> + "my" corrected to "may" (page 597)<br /> + "upon upon" corrected to "upon" (page 603)<br /> + "physican" corrected to "physician" (page 619) +</p> +</div> + + + + + + + + +<pre> + + + + + +End of the Project Gutenberg EBook of Tales of the Wonder Club, Volume III, by +M. Y. Halidom (pseud. 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