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+The Project Gutenberg EBook of The Cries of London, by John Thomas Smith
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: The Cries of London
+ Exhibiting Several of the Itinerant Traders of Antient and Modern Times
+
+Author: John Thomas Smith
+
+Release Date: October 22, 2011 [EBook #37817]
+
+Language: English
+
+Character set encoding: ASCII
+
+*** START OF THIS PROJECT GUTENBERG EBOOK THE CRIES OF LONDON ***
+
+
+
+
+Produced by the Online Distributed Proofreading Team at
+https://www.pgdp.net (This file was produced from images
+generously made available by The Internet Archive/American
+Libraries.)
+
+
+
+
+
+
+
+
+
+ Vagabondiana;
+
+ OR,
+ ANECDOTES OF
+ ITINERANT TRADERS
+ THROUGH THE STREETS OF
+ LONDON,
+ IN ANTIENT AND MODERN TIMES.
+
+
+ VOLUME II.
+
+
+ BY
+ JOHN THOMAS SMITH.
+
+
+ London:
+ J. B. NICHOLS AND SON.
+
+ 1839.
+
+
+
+
+Printed by J. B. Nichols and Son, 25, Parliament-street.
+
+
+
+
+ THE CRIES OF LONDON:
+
+ EXHIBITING SEVERAL OF THE
+ ITINERANT TRADERS OF ANTIENT AND MODERN TIMES.
+ COPIED FROM RARE ENGRAVINGS, OR DRAWN FROM THE LIFE,
+
+
+ BY JOHN THOMAS SMITH,
+ LATE KEEPER OF THE PRINTS IN THE BRITISH MUSEUM.
+ WITH A MEMOIR AND PORTRAIT OF THE AUTHOR.
+
+
+ LONDON:
+ JOHN BOWYER NICHOLS AND SON, 25, PARLIAMENT STREET.
+
+ 1839.
+
+
+
+
+Printed by J. B. Nichols and Son, 25, Parliament-street.
+
+
+
+
+ADVERTISEMENT.
+
+
+The present work was some years since prepared for the press by its late
+ingenious author, who engraved all the plates for it himself, thirteen of
+which are copied from early prints, and the rest sketched from the life.
+It will easily be perceived how much superior the latter are to the
+former.
+
+The descriptions of the plates were also prepared by Mr. Smith, and had
+the benefit of revision by the late Francis Douce, Esq. F.S.A.
+
+These spirited etchings having become the property of the present Editor,
+they are now for the first time submitted to the public; who will, it is
+hoped, consider this volume an appropriate companion to Mr. Smith's
+"Vagabondiana; or, Anecdotes of Mendicant Wanderers through the Streets of
+London," which work was honoured by a masterly Introduction from the pen
+of Mr. Douce.
+
+The Editor has taken the liberty, occasionally, to adapt the letter-press
+to the present day; but the reader will kindly bear in mind that the work
+was written several years since; and that in the interval many changes
+have taken place, which it was not thought necessary to point out.
+
+J. B. NICHOLS.
+
+_May_, 1839.
+
+
+
+
+CONTENTS, AND LIST OF PLATES.
+
+
+ Page
+
+ MEMOIR OF THE AUTHOR, with a Portrait ix
+
+ INTRODUCTION 1
+
+ Plates. ANTIENT TRADES.
+
+ I. WATCHMAN, from a rare woodcut temp. James I. 13
+
+ II. BELLMAN, from a work entitled "Villanies discovered by
+ Lanthorne and Candle Light" 14
+
+ III. BILL-MAN, from a print published by Overton, temp.
+ Charles II. 16
+
+ IV. WATER-CARRIER, from a print published by Overton 17
+
+ V. CORPSE-BEARER, in the time of a plague at London 20
+
+ VI. HACKNEY-COACHMAN, from a print published by Overton 25
+
+ VII. JAILOR, from a tract, entitled "Essayes and Characters
+ of a Prison and Prisoners, by Geffray Mynshul, 1638" 27
+
+ VIII. PRISON BASKET-MAN, from a print published by Overton,
+ temp. Charles II. 30
+
+ IX. RAT-CATCHER 33
+
+ X. MARKING-STONES, from a rare woodcut, temp. James I. 37
+
+ XI. BUY A BRUSH, OR A TABLE BOOK, from a print published
+ by Overton 39
+
+ XII. FIRE-SCREENS, from a print published by Overton 42
+
+ XIII. SAUSAGES, from a print temp. Charles II. 44
+
+
+ MODERN TRADERS.
+
+ XIV. NEW ELEGY 47
+
+ XV. ALL IN FULL BLOOM 50
+
+ XVI. OLD CHAIRS TO MEND--Portrait of Israel Potter 53
+
+ XVII. THE BASKET OR PRICKLE MAKER 55
+
+ XVIII. THE POTTER 58
+
+ XIX. STAFFORDSHIRE WARE 61
+
+ XX. HARD METAL SPOONS--Portrait of William Conway 63
+
+ XXI. DANCING DOLLS 65
+
+ XXII. SPRIG OF SHILLELAH AND SHAMROCK SO GREEN--Portrait
+ of Thomas McConwick, the dancing ballad singer 67
+
+ XXIII. GINGERBREAD NUTS, OR JACK'S LAST SHIFT--Portrait of
+ Daniel Clarey 69
+
+ XXIV. CHICKWEED--Portrait of George Smith 73
+
+ XXV. BILBERRIES 75
+
+ XXVI. Three female SIMPLERS 77
+
+ XXVII. WASHERWOMAN, CHAR-WOMAN, and STREET NURSES 81
+
+ XXVIII. SMITHFIELD BARGAINS--Saloop 85
+
+ XXIX. SMITHFIELD-PUDDING 88
+
+ XXX. THE BLADDER-MAN--Portrait of Bernardo Millano 92
+
+ POSTSCRIPT, by the Editor 96
+
+
+
+
+[Illustration: JOHN THOMAS SMITH,
+
+Late Keeper of the Prints in the British Museum.
+
+Author of Nollekens and his Times, Antient Topography, &c. &c.
+
+Engraved by W. Skelton, from an Original Drawing by J. Jackson, Esqr.
+R.A.
+
+Published by J. B. Nichols & Son, May 1st, 1839.]
+
+
+
+
+BIOGRAPHICAL MEMOIR OF THE AUTHOR.
+
+
+John Thomas Smith was the son of Nathaniel Smith, sculptor, and afterwards
+a well-known printseller, living at Rembrandt's Head, 18 Great
+May's-buildings, St. Martin's-lane; and we have his own authority, written
+in the album of Mr. Upcott of Upper Street, Islington, for stating, he was
+literally "born in a hackney coach, June 23, 1766, on its way from his
+uncle's old Ned Tarr, a wealthy glass-grinder, of Great Earl Street, Seven
+Dials, to his father's house in Great Portland-street, Oxford Street;
+whilst Maddox was balancing a straw at the Little Theatre in the Hay
+Market, and Marylebone Gardens re-echoed the melodious notes of the famed
+Tommy Lowe."
+
+He was christened John, after his grandfather (a simple Shropshire
+clothier, and whose bust was the first model _publicly_ exhibited at
+Spring Gardens), and Thomas, after his great uncle Admiral Smith, better
+known under the appellation of "Tom of Ten Thousand" (who died in 1762),
+and of whom Mr. Smith had a most excellent portrait painted by the
+celebrated Richard Wilson, the landscape painter, before that artist
+visited Rome, and of which there is a good engraving by Faber. The
+original Painting has lately been purchased by an honourable Admiral, to
+be presented by him to the Naval Gallery at Greenwich Hospital.
+
+His father, Nathaniel Smith, was born in Eltham Palace, and was the
+playfellow of Joseph Nollekens, R.A. They both learned drawing together at
+William Shipley's school, then kept in the Strand, at the eastern corner
+of Castle-court, the house where the Society of Arts held its first
+meetings.
+
+On the 7th August, 1755, Nathaniel Smith was placed with Roubiliac, and
+had the honour of working with him on some of the monuments in
+Westminster Abbey; Nollekens was put, in 1750, under the instruction of
+Scheemakers. These young sculptors, about 1759 and 1760, carried off some
+of the first and best prizes offered by the Society of Arts. Smith settled
+himself in Great Portland-street; and his friend Nollekens in
+Mortimer-street, Cavendish-square, where he resided till his death.
+
+Three of the heads of River Gods that adorn the arches of Somerset House,
+designed by Cipriani, were carved by Mr. N. Smith. Many proofs of his
+genius are recorded in the "Transactions of the Society of Arts." In 1758,
+for the best model in clay, 5_l._ 5_s._; in 1759, for the best drawing
+from a plaster cast, 5_l._ 5_s._; and for the first best drawing of
+animals, 3_l._ 3_s._; in 1760, for the first best model of animals, 9_l._
+9_s._ (this model is in the possession of Viscount Maynard); in 1761, for
+the first best model, in clay, of the Continence of Scipio, 15_l._ 15_s._
+(in the possession of the Marquis of Rockingham); in 1762, for the first
+best model in clay, 21_l._--the subject, Coriolanus supplicated by his
+Mother. Mr. N. Smith died in 1811. There is a portrait of him, etched by
+De Wilde; and a small painting on panel by the same artist, is also
+preserved. Three portraits of him by Howard are now in the family; as is
+also a fine portrait of his sister, by Cotes.
+
+The friendship between Nollekens and Nath. Smith naturally introduced
+young Smith, the author of this work, to the notice of that celebrated
+sculptor. Whilst a boy, his intercourse with Nollekens was frequent, who
+often took him to walk with him in various parts of London, and seemed to
+feel a pleasure in pointing out curious remains and alterations of
+buildings to his notice, as well as shewing him some remarkable vestiges
+of former times. Perhaps these communications gave the first impetus to
+that love for metropolitan antiquities which he continued unabated through
+life. Upon the death of his mother in 1779, young Smith was invited into
+the studio of Mr. Nollekens, who had seen and approved of some of his
+attempts in wax-modelling. At that time Nathaniel Smith was Nollekens's
+principal assistant; and there his son was employed in making drawings
+from his models of monuments, assisting in casting, and finally, though
+with little talent, in carving. Whilst with Nollekens, young Smith often
+stood to him as a model, but left him after three years. He then became a
+student in the Royal Academy, and was celebrated for his pen and ink
+imitations of Rembrandt and Ostade's etchings; he copied several of the
+small pictures of Gainsborough, by whom he was kindly noticed. He
+afterwards was placed by his honoured friend Dr. Hinchliffe, then Bishop
+of Peterborough, as a pupil to John Keyse Sherwin, the celebrated
+engraver; but appears for a time to have given up the burin for the
+pencil, and was for many years a drawing master, and at one time resided
+at Edmonton. At the early age of 22 he married "the girl of his heart,"
+Miss Anne Maria Pickett (of the respectable family of Keighley, at
+Streatham, in Surrey), who, after a union of 45 years, was left his widow.
+
+The name of John Thomas Smith will descend to posterity connected with the
+Topographical History of the Metropolis. His first work, published in
+numbers, was entitled, "Antiquities of London and its Environs; dedicated
+to Sir James Winter Lake, Bart. F.S.A.; containing Views of Houses,
+Monuments, Statues, and other curious remains of antiquity, engraved from
+the original subjects, and from original drawings communicated by several
+members of the Society of Antiquaries." There was no letter-press
+description of these plates; but under the subjects were engraved copious
+"Remarks, and References to the Historical Works of Pennant, Lysons, Stow,
+Weever, Camden, and Maitland." The publication commenced in January 1791.
+About this period it became the fashion to illustrate with prints the
+pleasant "Account of London," by Mr. Pennant; and Mr. Smith's series of
+plates was a great acquisition to the collector. This work was ten years
+in progress, and finally consisted of twelve numbers and ninety-six
+plates; for a list of them, see Upcott's Bibliographical Account of
+English Topography, vol. ii. p. 886.
+
+In June, 1797, Mr. Smith published "Remarks on Rural Scenery; with twenty
+Etchings of Cottages, from Nature; and some Observations and Precepts
+relative to the Picturesque." The etchings were chiefly of cottages in the
+neighbourhood of the metropolis.
+
+In June, 1807, Mr. Smith published "Antiquities of Westminster; the old
+Palace; and St. Stephen's Chapel (now the House of Commons); containing
+246 Engravings of Topographical Objects, of which 122 no longer remain.
+This work contains copies of MSS. which throw new and unexpected light on
+the ancient History of the Arts in England." This history appears to have
+been determined on in the year 1800: when, on occasion of the Union with
+Ireland, it becoming necessary to remove the wainscotting for the
+enlargement of the House of Commons, some very curious paintings were
+discovered on the 11th of August in that year. The next day Dr. Charles
+Gower and Mr. Smith visited the paintings: when the latter immediately
+determined to publish engravings from them; and on the 14th, permission
+having been obtained, Mr. Smith commenced his drawings. It was his custom
+to go there as soon as it was light, and to work till nine o'clock in the
+morning, when he was obliged to give way to the workmen, who often
+followed him so close in their operations, as to remove, in the course of
+the day on which he had made his sketch, the painting which he had been
+employed in copying that very morning. Six weeks, day by day, was Mr.
+Smith thus occupied in making drawings and memoranda from the pictures
+themselves, scrupulously matching the tint of the different colours on the
+spot. On the 26th of September, the permission which had been granted to
+him was withdrawn (on Mr. Robert Smirke, the more favoured draughtsman,
+undertaking to make drawings for the Society of Antiquaries); but
+fortunately by that time Mr. Smith had completed details of every thing he
+wished. An opinion having been entertained that Mr. Smith's work was
+intended as a rival to the one published by the Society of Antiquaries,
+from Mr. Smirke's drawings, the transaction was explained in some letters
+to the Gentleman's Magazine from Mr. J. Sidney Hawkins, Mr. Smith, and Mr.
+Smirke. See vol. LXXIII. pp. 32, 118, 204, 318, 423.
+
+The description of the Plates was begun by John Sidney Hawkins, Esq.
+F.S.A., who wrote the preface and the first 144 pages, besides other
+portions, as enumerated in Mr. Smith's advertisement to the volume; but an
+unfortunate dispute arising between these gentlemen (a circumstance much
+to be regretted) the work was completed by the latter. Mr. Hawkins wrote
+and published a pamphlet in answer to Mr. Smith's Preface; this produced a
+"Vindication," in reply, which is occasionally to be found bound at the
+end of the volume. Before this "Vindication" was published, a fire at Mr.
+Bensley's printing office destroyed 400 remaining copies of the work, with
+5,600 prints, 2000 of which were coloured and elaborately gilt by Mr.
+Smith and his wife. By this fire Mr. Smith sustained a severe loss
+(estimated at L3,000) as the work was his entire property, having been
+published at his sole expense, aided by an unusually liberal subscription;
+Mr. Hawkins having no further interest or concern in it than furnishing
+gratuitously the greater portion of the descriptions. Mr. Smith afterwards
+published "Sixty-two additional Plates" to his "Antiquities of
+Westminster;"[1] but without any description, or even a list of them; for
+which however see Upcott's Account of English Topography, vol. ii. p. 839.
+
+The "Antiquities of London, &c." was followed by another work on the same
+subject, in a larger and more splendid quarto, entitled, "Ancient
+Topography of London, embracing specimens of sacred, public and domestic
+Architecture, from the earliest period to the time of the great Fire,
+1666. Drawn and etched by John Thomas Smith, intended as an Accompaniment
+to the celebrated Histories of Stow, Pennant, and others." This work was
+begun in October 1810, and completed in 1815, when the title was altered
+as follows: "Ancient Topography of London; containing not only Views of
+Buildings which in many instances no longer exist, and for the most part
+were never before published, but some Account of Places and Customs either
+unknown or overlooked by the London Historians." He was assisted in the
+descriptions by Francis Douce, Esq. F.S.A. and other friends. This volume
+consists of 32 Plates, boldly and masterly etched by Mr. Smith, much in
+the style of Piranesi, and explained in 82 pages of letter-press. To the
+subscribers Mr. Smith intimated his intention to extend his work to 100
+pages, with several other plates; but this was never executed; he at the
+same time solicited communications for his intended "Account of the Parish
+of St. Paul, Covent Garden." The Manuscript is still possessed by his
+widow.
+
+Mr. Smith happily escaped the necessity and drudgery of continuing his
+labours as an artist, being appointed in 1816, Keeper of the Prints and
+Drawings in the British Museum.
+
+In 1817 he published "Vagabondiana; or, Anecdotes of Mendicant Wanderers
+through the Streets of London; with Portraits of the most remarkable,
+drawn from the life;" preceded by a masterly introduction, from the pen of
+Francis Douce, Esq. The present Volume, which was prepared for the press
+by Mr. Smith, but never before published, may be considered as a
+continuation of the same subject.
+
+In 1828 Mr. Smith published two volumes, entitled, "Nollekens and his
+Times; comprehending a Life of that celebrated Sculptor; and Memoirs of
+several contemporary Artists, from the time of Roubiliac, Hogarth, and
+Reynolds, to that of Fuseli, Flaxman, and Blake," 2 vols. 8vo. These
+volumes abound with anecdotes of his venerable master, his wife, and their
+connexions, and of many of the artists of the last century. The
+publication passed through two editions.[2]
+
+Mr. Smith had been employed on a work, which he intended to call "Walks
+through London;" and in which he was to describe the Residences, with
+anecdotes of eminent persons. He announced a "History of his own Life and
+Times," the materials for which have been purchased by Mr. Bentley. He had
+also at one time a very extensive and curious illustrated series of the
+Royal Academy Catalogues. The greater part of his collection of Autographs
+and Letters was purchased a few years since by Mr. Upcott; and it is
+believed others were sold by Mr. Christie. His remaining collection of
+pictures, books, models, and casts in terra-cotta and plaster, were sold
+at his house, 22, University-street, Tottenham Court Road, on Tuesday the
+23d of April, 1833.
+
+Mr. Smith was very generally known, both from the importance of his
+publications and the public situation he held at the British Museum, where
+he evinced much cordiality of disposition. Many an instance might be
+mentioned of his charitable and friendly assistance to young artists who
+sought his advice. He had good judgment to discover merit where it
+existed, inherent good feeling to encourage it in a deserving object, and
+sufficient candour to deter from the pursuit where he found there was no
+indication of talent. In short, he was a very warm and sincere friend; and
+has been greatly regretted by many who had enjoyed his good-humoured
+conversation and ever amusing fund of anecdote; more particularly by the
+frequenters of the print-room of the Museum, where his unremitting
+attentions ensured for him the regard and respect of some of the first
+characters of the country.
+
+In Mr. Upcott's album he wrote a playful account of himself, in which is
+the following paragraph. "I can boast of seven _events_, some of which
+_great_ men would be proud of. I received a kiss _when a boy_ from the
+beautiful Mrs. Robinson,--was patted on the head by Dr. Johnson,--have
+frequently held Sir Joshua Reynolds's spectacles,--partook of a pot of
+porter with an elephant,--saved Lady Hamilton from falling when the
+melancholy news arrived of Lord Nelson's death,--three times conversed
+with King George the Third,--and was shut up in a room with Mr. Kean's
+lion."[3]
+
+Mr. Smith's last illness, an inflammation of the lungs, was but of one
+week's duration. He was fully conscious of his approaching dissolution,
+and died in the possession of all his faculties, surrounded by his family,
+on the 8th of March 1833, at No. 22, University Street, Tottenham Court
+Road. He was privately interred on the 16th in the burial ground of St.
+George's Chapel, near Tyburn Turnpike, attended to the grave by a few old
+friends and brother artists.
+
+Besides his widow Mr. Smith left one son, who died at the Cape of Good
+Hope three months after his father; and two daughters; one of whom is
+married to Mr. Smith, the sculptor; the other to Mr. Fischer, the
+miniature-painter, a native of Hanover.
+
+Of Mr. Smith there is a three-quarters portrait by J. Jackson, R.A.; and
+also a drawing of him by the same artist, from which the engraving given
+in this work, by Skelton, is copied.
+
+J. B. NICHOLS.
+
+
+
+
+INTRODUCTION.
+
+
+There are few subjects, perhaps, so eagerly attended to by the young as
+those related by their venerable parents when assembled round the
+fire-side, but more particularly descriptions of the customs and habits of
+ancient times. Now as the Cries of London are sometimes the topic of
+conversation, the author of the present work is not without the hope of
+finding, amongst the more aged as well as juvenile readers, many to whom
+it may prove acceptable, inasmuch as it not only exhibits several
+Itinerant Traders and other persons of various callings of the present
+day, but some of those of former times, collected from engravings executed
+in the reigns of James I., Charles I. and during the Usurpation of Oliver
+Cromwell, and which, on account of their extreme rarity, are seldom to be
+seen but in the most curious and expensive Collections.
+
+In the perusal of this volume the collector of English Costume, as well as
+the Biographer, may find something to his purpose, particularly in the
+old dresses, as it was the custom for our forefathers to wear habits
+peculiar to their station, and not, as in the present times, when a
+linen-draper's apprentice, or a gentleman's butler, may, in the boxes of
+the theatre, by means of his dress, and previously to uttering a word, be
+mistaken for the man of fashion.
+
+Of all the itinerant callings the Watchman, the Water Carrier, the Vender
+of Milk, the Town Crier, and the Pedlar, are most probably of the highest
+antiquity.
+
+When the Suburbs of London were infested with wolves and other
+depredators, and the country at large in a perpetual state of warfare, it
+was found expedient for the inhabitants to protect themselves, and for
+that purpose they surrounded their city by a wall, and according to the
+most ancient custom erected barbicans or watch-towers at various
+distances, commanding a view of the country, so that those on guard might
+see the approach of an enemy. This is an extremely ancient custom, as we
+find in the Second Book of Kings, chapter ix. verse 17, "And there stood a
+watchman on the Tower in Jezreel."
+
+With respect to water, it is natural to suppose that before conduits were
+established in London, the inhabitants procured it from the River Thames,
+and that infirm people, and the more opulent citizens, compensated others
+for the trouble of bringing it.
+
+This must have also been the practice as to milk, in consequence of the
+farm-houses always being situated in the suburbs for the purpose of
+grazing the cattle. Stowe, the historian, has informed us that in his
+boyish days he had his three quarts of milk hot from the cow for his
+halfpenny.
+
+The Water Carrier will be described and delineated in the course of this
+work.
+
+As the city increased in population, a Town Crier became expedient, so
+that an article to be sold, or any thing lost, might be in the shortest
+possible time made known to the inhabitants of the remotest dwelling.
+Shakspeare has marked the character of a Crier of his time in Hamlet, Act
+iii. scene 2, "But if you mouth it, as many of our players do, I had as
+lieve the Town-crier spoke my lines." Lazarello de Tormes, in the very
+entertaining history of his life, describes his having been a Crier at
+Madrid, and that by blowing a horn he announced the sale of some wine.
+
+Sometimes the criers of country towns afford instances of the grossest
+flattery and ignorance. We have an instance in the Crier of Cowbridge,
+Glamorganshire, who, after announcing the loss of an "all black cow, with
+a white face and a white tail," concluded with the usual exclamation of
+"God save the King and the Lord of the Manor!" adding, "and Master Billy!"
+well knowing that the Lord of the Manor or his Lady would remember him for
+recollecting their infant son.
+
+It may be inferred from an ancient stained glass picture of a pedlar with
+his pack at his back, still to be seen in a South-east window of Lambeth
+Church,[4] a representation of which has been given by the author in a
+work entitled, "Antiquities of London," that itinerant trades must have
+been of long standing.
+
+It appears from the celebrated Comedy of Ignoramus, by George Ruggle,
+performed before King James the First on March the 8th, 1614, of which
+there is an English translation by Robert Codrington, published 1662, that
+books were at that period daily cried in the streets.
+
+In the third scene of the second act, _Cupes_ the itinerant Bibliopole
+exclaims,
+
+ Libelli, belli, belli; lepidi, novi libelli; belli, belli, libelli!
+
+ _Trico._ Heus, libelli belli.
+
+ _Cupes._ O Trico, mox tibi operam do. Ita vivam, ut pessimi sunt
+ libelli.
+
+In the time of Charles II. ballad singers and _sellers of small books_
+were required to be licensed. John Clarke, bookseller, rented the
+licensing of all ballad-singers of Charles Killigrew, Esq. master of the
+revels, for five years, which term expired in 1682. "These, therefore, are
+to give notice (saith the latter gentleman in the London Gazette) to all
+ballad-singers, that they take out licenses at the office of the Revels at
+Whitehall, for singing and selling of ballads and small books, according
+to an antient custom. And all persons concerned are hereby desired to take
+notice of, and to suppress, all mountebanks, rope-dancers, prize-players,
+ballad-singers, and such as make shew of motions and strange sights, that
+have not a license in red and black letters, under the hand and seal of
+the said Charles Killigrew, Esq. Master of the Revels to his Majesty; and
+in particular, to suppress one Mr. Irish, Mr. Thomas Varney, and Thomas
+Yeats, mountebank, who have no license, that they may be proceeded against
+according to law."
+
+The Gazette of April 14, 1684, contains another order relative to these
+licenses: "All persons concerned are hereby desired to take notice of and
+suppress all mountebanks, rope-dancers, ballad-singers, &c. that have not
+a license from the Master of his Majesty's Revels (which, for this present
+year, are all printed with black letters, and the King's Arms in red) and
+particularly Samuel Rutherford and ---- Irish, mountebanks, and William
+Bevel and Richard Olsworth; and all those that have licenses with red and
+black letters, are to come to the office to change them for licenses as
+they are now altered."
+
+The origin of our early cries might be ascribed to the parent of
+invention. An industrious man finding perhaps his trade running slack,
+might have ventured abroad with his whole stock, and by making his case
+known, invited his neighbours to purchase; and this mode of vending
+commodities being adopted by others, probably established the custom of
+itinerant hawkers, to the great and truly serious detriment of those
+housekeepers who contributed to support their country by the payment of
+their taxes. An Act was passed in the reign of James the First, and is
+thus noticed in a work entitled, "Legal Provisions for the Poor, by S. C.
+of the Inner Temple, 1713." "All Pedlars, Petty-chapmen, Tinkers, and
+Glass-men, _per Statute_ 21 _Jac._ 28, _abroad_, especially if they be
+unknown, or have not a sufficient testimonial, and though a man have a
+certain habitation, yet if he goes about from place to place selling small
+wares, he is punishable by the 39 Eliz."
+
+Hawkers and Pedlars are obliged at this time, in consequence of an Act
+passed in the reign of King George the Third, to take out a license.
+
+Originally the common necessaries of life were only sold in the _streets_,
+but we find as early as the reign of Elizabeth that cheese-cakes were to
+be had at the small _house_ near the Serpentine River in Hyde Park. It is
+a moated building, and to this day known under the appellation of the
+"Queen's Cheese-cake House."[5] There were also other houses for the sale
+of cheese-cakes, and those at Hackney and Holloway were particularly
+famous. The landlord of the latter employed people to cry them about the
+streets of London; and within the memory of the father of the present
+writer an old man delivered his cry of "Holloway Cheese-cakes," in a tone
+so whining and slovenly, that most people thought he said "All my teeth
+ache." Indeed among persons who have been long accustomed to cry the
+articles they have for sale, it is often impossible to guess at what they
+say.
+
+An instance occurs in an old woman who has for a length of time sold
+mutton dumplings in the neighbourhood of Gravel Lane. She may be followed
+for a whole evening, and all that can be conjectured from her utterance is
+"Hot mutton trumpery."
+
+In another instance, none but those who have heard the man, would for a
+moment believe that his cry of "Do you want a brick or brick dust?" could
+have been possibly mistaken for "Do you want a lick on the head?"
+
+An inhabitant of the Adelphi, when an invalid, was much annoyed by the
+peevish and lengthened cry of "Venny," proceeding every morning and
+evening from a muffin-man whenever he rang his bell.
+
+Many of the old inhabitants of Cavendish Square must recollect the
+mournful manner in which a weather-beaten Hungerford fisherman cried his
+"Large silver Eels, live Eels." This man's tones were so melancholy to the
+ears of a lady in Harley Street that she allowed the fellow five shillings
+a week to discontinue his cry in that neighbourhood; and there is at the
+present time a slip-shod wretch who annoys Portland Place and its vicinity
+generally twice, and sometimes three times a day, with what may be
+strictly called the braying of an ass, and all his vociferation is to
+inform the public that he sells water-cresses, though he appears to call
+"Chick-weed." Another Stentorian bawler, and even a greater nuisance in
+the same neighbourhood, seems to his unfortunate hearers to deal in
+"Cats'-meat," though his real cry is "Cabbage-plants."
+
+The witty author of a tract entitled, "An Examination of certain Abuses,
+Corruptions, and Enormities, in the City of Dublin," written in the year
+1732, says, "I would advise all new comers to look out at their garret
+windows, and there see whether the thing that is cried be _Tripes_ or
+_Flummery_, _Buttermilk_ or _Cowheels_; for, as things are now managed,
+how is it possible for an honest countryman just arrived, to find out what
+is meant, for instance, by the following words, '_Muggs, Juggs, and
+Porringers, up in the Garret, and down in the Cellar?_' I say, how is it
+possible for a stranger to understand that this jargon is meant as an
+invitation to buy a farthing's worth of milk for his breakfast or supper?"
+
+Captain Grose, in his very entertaining little work, entitled "An Olio,"
+in which there are many interesting anecdotes, notices several perversions
+of this kind, particularly one of a woman who sold milk.
+
+Farthing mutton pies were made and continued to be sold within the memory
+of persons now living at a house which was then called the "Farthing Pie
+House," in Marylebone Fields, before the New Road was made between
+Paddington and Islington, and which house remains in its original state at
+the end of Norton Street, New Road, bearing the sign of the Green Man.
+
+Hand's Bun House at Chelsea was established about one hundred and twenty
+years since, and probably was the first of its kind. There was also a
+famous bun-house at the time of George the Second in the Spa Fields, near
+the New River Head, on the way to Islington, but this was long since
+pulled down to make way for the sheep-pens, the site of which is now
+covered with houses.
+
+The first notice which the writer has been able to obtain of the hot
+apple-dumpling women is in Ned Ward's very entertaining work, entitled
+"The London Spy," first published in 1698. He there states that Pancakes
+and "Diddle, diddle dumplings O!" were then cried in Rosemary Lane and its
+vicinity, commonly called Rag Fair. The representation of a
+dumpling-woman, in the reign of Queen Anne, is given by Laroon in his
+Cries of London, published 1711.[6]
+
+With respect to hot potatoes, they must have been considerably more
+modern, as there are persons now living who declare them to have been
+eaten with great caution, and very rarely admitted to the table. The
+potatoe is a native of Peru in South America; it has been introduced into
+England about a century and a half; the Irish seem to have been the first
+general cultivators of it in the western parts of Europe.
+
+Rice milk, furmety, and barley-broth were in high request at the time of
+Hogarth, about 1740. Boitard, a French artist, who was in England at that
+time, has left us a most spirited representation of the follies of the day
+in his print entitled "Covent Garden Morning Frolic," in which the
+barley-broth woman is introduced. Without detracting from the merit of the
+immortal Hogarth, this print, which is extremely rare, exhibits as much
+humour as any of his wonderful productions. A copy of this engraving with
+an explanatory account of the portraits which it exhibits, will be given
+by the author in his Topographical History of Covent Garden, a work for
+which he has been collecting materials for upwards of thirty years.[7]
+
+The use of saloop is of very recent date. It was brought into notice, and
+first sold in Fleet Street one hundred years ago, at the house now No.
+102, where lines in its praise were painted upon a board and hung up in
+the first room from the street, a copy of which will precede a print
+representing a saloop stall, given in this work.
+
+Formerly strong waters were publicly sold in the streets, but since the
+duty has been laid on spirits, and an Act passed to oblige persons to take
+out a license for dealing in liquors, the custom of hawking such
+commodities has been discontinued.
+
+The town, from the vigilance of the Police, has fortunately got rid of a
+set of people called Duffers, who stood at the corners of streets,
+inviting the unsuspicious countryman to lay out his money in silk
+handkerchiefs or waistcoat pieces, which they assured him in a whisper to
+have been smuggled. A notorious fellow of this class, who had but one eye,
+took his stand regularly near the gin-shop at the corner of Hog Lane,
+Oxford Street. The mode adopted by such men to draw the ignorant higgler
+into a dark room, where he was generally fleeced, was by assuring him that
+no one could see them, and as for a glass of old Tom, he would pay for
+that himself, merely for the pleasure of shewing his goods.
+
+Though this custom of accosting passengers at the corners of streets is
+very properly done away with, yet the tormenting importunities of the
+barking shopkeeper is still permitted, as all can witness as they pass
+through Monmouth Street, Rosemary Lane, Houndsditch, and Moorfields. The
+public were annoyed in this way so early as 1626, as appears from the
+following passage in "Greene's Ghost:" "There are another sort of
+Prentices, that when they see a gentlewoman or a countriman minded to buy
+any thing, they will fawne upon them, with cap in hand, with 'What lacke
+you, gentlewoman? what lacke you, countriman? see what you lacke.'"
+
+
+
+
+[Illustration: _"Watchman"_]
+
+[Illustration: _"Bellman & Billman"_]
+
+[Illustration: _"Watchman"_]
+
+
+WATCHMAN, BELLMAN, and BILLMAN.
+
+PLATES I. II. III.
+
+
+It has been observed in the Introduction, that of all the callings, that
+of the Watchman is perhaps of the highest antiquity; and as few writers
+can treat on any subject without a quotation from honest John Stowe, the
+following extract is inserted from that valuable and venerable author:
+
+"Then had yee, besides the standing watches, all in bright harnesse, in
+every ward and streete of this citie and suburbs, a marching watch that
+passed thro' the principal streets thereof, to wit, from the Little
+Conduit by Paule's gate, thro' West Cheape, by the Stocks, thro'
+Cornehill, by Leadenhall to Aldgate, then backe downe Fen-church Street,
+by Grasse Church, about Grasse-church Conduit, and by Grasse Church
+Streete into Cornehill, and through it into Cheape again, and so broke up.
+The whole way ordered for this marching watch extended to 3200 taylors
+yards of assize. For the furniture thereof with lights there were
+appointed 700 cressets, 500 of them being found by the Companies, and the
+other 200 by the Chamber of London.[8] Besides the which lights, every
+Constable in London, in number more then 240, had his cresset; the charge
+of every cresset was in light two shillings and four pence, and every
+cresset had two men, one to beare or hold it, another to beare a bagge
+with light, and to serve it; so that the poore men pertaining to the
+cressets, taking wages, besides that every one had a strawne hat, with a
+badge painted, and his breakfast in the morning, amounted in number to
+almost 2000. The marching watch contained in number 2000 men, part of them
+being old souldiers, of skill to be captaines, lieutenants, serjeants,
+corporals, &c. Wiflers, drummers, and fifes, standard and ensigne bearers,
+sword-players, trumpeters on horsebacke, demilaunces on great horses,
+gunners with hand-guns, or halfe hakes, archers in coates of white
+fustian, signed on the breast and backe with the armes of the City, their
+bowes bent in their hands, with sheafes of arrowes by their sides, pikemen
+in bright corslets, burganets, &c. holbards, the like Billmen in Almaine
+rivets, and apernes of mayle, in great number."[9]
+
+Mr. Douce observes, that these watches were "laid down 20 Henry VIII.;"
+and that "the Chronicles of Stow and Byddel assign the sweating sickness
+as a cause for discontinuing the watch."
+
+"Anno 1416. Sir Henry Barton being maiar, ordained lanthorns and lights to
+be hang'd out on the winter evenings, betwixt Alhallows and Candlemas."
+
+Mr. Warton, in his notes to Milton's Poems, observes, that anciently the
+Watchmen who cried the hours used the following or the like benedictions,
+which are to be found in a little poem called "The Bellman," inserted in
+Robert Herrick's Hesperides:
+
+ "From noise of scare-fires rest ye free,
+ From murder, Benedicite.
+ From all mischances, that may fright
+ Your pleasing slumbers in the night;
+ Mercie secure ye all, and keep
+ The goblin from ye while ye sleep." 1647.
+
+The First Plate of the Watchman, introduced in this work, is copied from
+a rare woodcut sheet-print engraved at the time of James the First,
+consisting of twelve distinct figures of trades and callings, six men and
+six women. Under this Watchman the following verses are introduced, but
+they are evidently of a more modern date than that of the woodcut:
+
+ "Maids in your smocks, look to your locks,
+ Your fire and candle light;
+ For well 'tis known, much mischief's done
+ By both in dead of night.
+ Your locks and fire do not neglect,
+ And so you may good rest expect."
+
+Under another Watchman, in the same set of figures, are the following
+lines, of the same type and orthography as the preceding:
+
+ "A light here, maids, hang out your light,
+ And see your horns be clear and bright,
+ That so your candle clear may shine,
+ Continuing from six till nine;
+ That honest men that walk along,
+ May see to pass safe without wrong."
+
+There were not only Watchmen, but Bellmen and Billmen. These people were
+armed with a long bill in case of fire, so that they could, as the houses
+were mostly of timber, stop the progress of the flames by cutting away
+connections of fuel.
+
+Of this description of men, the Second Plate, copied from a rare print
+prefixed to a work, entitled, "Villanies discovered by Lanthorne and
+Candle-light,"[10] by T. Deckar, or Dekker, 1616, is given as a specimen.
+The Bellman is stiled "The Childe of Darkness, a common Night-walker, a
+man that had no man to waite uppon him, but onely a dog, one that was a
+disordered person, and at midnight would beate at men's doores, bidding
+them (in meere mockerie) to look to their candles when they themselves
+were in their dead sleeps, and albeit he was an officer, yet he was but of
+light carriage, being knowne by the name of the Bellman of London."
+
+In Strype's edition of Stowe's London, 1756, (vol. ii. 489,) it is
+observed, "Add to this government of the nightly watches, there is
+belonging to each ward a Bellman, who, especially in the long nights,
+goeth thro' the streets and lanes, ringing a bell; and when his bell
+ceaseth, he salutes his masters and mistresses with some rhimes, suitable
+to the festivals and seasons of the year; and bids them look to their
+lights. The beginning of which custom seems to be in the reign of Queen
+Mary, in January 1556; and set up first in Cordwainer-street Ward, by
+Alderman Draper, Alderman of that ward; then and there, as I find in an
+old Journal, one began to go all night with a bell; and at every lane's
+end, and at the ward's end, gave warning of fire and candle, and to helpe
+the poor, and pray for the dead."
+
+It appears from the Bellman's Epistle, prefixed to the London Bellman,
+published in 1640, that he came on at midnight, and remained ringing his
+bell till the rising up of the morning. He says, "I will wast out mine
+eies with my candles, and watch from midnight till the rising up of the
+morning: my bell shall ever be ringing, and that faithfull servant of mine
+(the dog that follows me) be ever biting."
+
+Leases of houses, and household furniture stuff, were sold in 1564 by an
+out-cryer and bellman for the day, who retained one farthing in the
+shilling for his pains.
+
+The friendly Mr. George Dyer, late a printseller of Compton-street,
+presented to the writer a curious sheet print containing twelve Trades and
+Callings, published by Overton, without date, but evidently of the time of
+Charles the Second, from which engraving the Third Plate of a Watchman was
+copied.
+
+
+
+
+[Illustration: _"A Tankard Bearer"_]
+
+
+WATER-CARRIER.
+
+PLATE IV.
+
+
+The Conduits of London and its environs, which were established at an
+early period, supplied the metropolis with water until Sir Hugh Middleton
+brought the New River from Amwell to London, and then the Conduits
+gradually fell into disuse, as the New River water was by degrees laid on
+in pipes to the principal buildings in the City, and, in the course of
+time, let into private houses.
+
+When the above Conduits supplied the inhabitants, they either carried
+their vessels, or sent their servants for the water as they wanted it; but
+we may suppose that at an early period there were a number of men who for
+a fixed sum carried the water to the adjoining houses. The first
+delineation the writer has been able to discover of a Water-carrier, is in
+Hoefnagle's print of Nonsuch, published in the reign of Queen Elizabeth.
+
+The next is in the centre of that truly-curious and more rare sheet
+wood-cut, entitled, "Tittle-Tattle," which from the dresses of the figures
+must have been engraved either in the latter part of the reign of Queen
+Elizabeth, or the beginning of that of James the First. In this wood-cut
+the maid servants are at a Conduit, where they hold their tittle-tattle,
+while the Water-carriers are busily engaged in filling their buckets and
+conveying them on their shoulders to the places of destination.
+
+The figure of a Water-carrier, introduced in the Fourth Plate, is copied
+from one of a curious and rare set of cries and callings of London,
+published by Overton, at the White Horse without Newgate. The figure
+retains the dress of Henry the Eighth's time; his cap is similar to that
+usually worn by Sir Thomas More, and also to that given in the portrait of
+Albert Durer, engraved by Francis Stock. It appears by this print, that
+the tankard was borne upon the shoulder, and, to keep the carrier dry, two
+towels were fastened over him, one to fall before him, the other to cover
+his back. His pouch, in which we are to conclude he carried his money, has
+been thus noticed in a very curious and rare tract, entitled, "_Green's
+Ghost_, with the merry Conceits of Doctor Pinch-backe," published 1626:
+"To have some store of crownes in his purse, coacht in a faire trunke
+flop, like a boulting hutch."
+
+Ben Jonson, in his admirable comedy of "Every Man in his Humour," first
+performed in 1598, has made Cob the water-carrier of the Old Jewry, at
+whose house Captain Bobadil lodges, a very leading and entertaining
+character. Speaking of himself before the Justice, he says, "I dwell, Sir,
+at the sign of the Water-tankard, hard by the Green Lattice; I have paid
+scot and lot there many time this eighteen years."
+
+The first notice which the writer has been able to obtain of the
+introduction of the New River water into public buildings in London, he
+found in the Archives of Old Bethlem, in which it appears, that "on the
+26th of February, 1626, Mr. Middleton conveyed water into Bethlem." This
+must have been, according to its date, the old Bethlem Hospital that stood
+in Bishopsgate-street, near St. Botolph's Church, on the site of the
+streets which are at this time under the denomination of Old Bethlem; as
+the building lately taken down in London Wall, Moorfields, was begun in
+April 1675, and finished in July 1676. It should seem therefore that this
+magnificent building, which had more the appearance of a palace than a
+place of confinement, most substantially built with a centre and two
+wings, extending in length to upwards of 700 feet, was only one year in
+building; a most extraordinary instance of manual application.
+
+In 1698, when Cheapside Conduit was no longer used for its original
+purpose, it became the place of call for chimney-sweepers, who hung up
+their brooms and shovels against it, and there waited for hire.
+
+It appears that even in 1711 the New River water was not generally let
+into houses; for in Laroon's Cries of London, which were published at that
+time, there is a man with two tubs suspended across his shoulders,
+according to the present mode of carrying milk, at the foot of which plate
+is engraved "Any New River Water, water here."[11]
+
+
+
+
+CORPS-BEARER.
+
+PLATE V.
+
+
+Of all the calamities with which a great city is infested, there can be
+none so truly awful as that of a plague, when the street-doors of the
+houses that were visited with the dreadful pest were padlocked up, and
+only accessible to the surgeons and medical men, whose melancholy duty
+frequently exposed them even to death itself; and when the fronts of the
+houses were pasted over with large bills exhibiting red crosses, to denote
+that in such houses the pestilence was raging, and requesting the solitary
+passenger to pray that the Lord might have mercy upon those who were
+confined within. Of these bills there are many extant in the libraries of
+the curious, some of which have borders engraved on wood, printed in
+black, displaying figures of skeletons, bones, and coffins. They also
+contain various recipes for the cure of the distemper. The Lady Arundell,
+and other persons of distinction, published their methods for making what
+was then called plague-water, and which are to be found in many of the
+rare books on cookery of the time; but happily for London, it has not been
+visited by this affliction since 1665, a circumstance owing probably to
+the Great Fire in the succeeding year, which consumed so many old and
+deplorable buildings, then standing in narrow streets and places so
+confined that it was hardly possible to know where any pest would stop.
+
+Every one who inspects Aggas's Plan of London, engraved in the reign of
+Elizabeth, as well as those published subsequently to the rebuilding of
+the City after the fire, must acknowledge the great improvements as to
+the houses, the widening of the streets, and the free admission of fresh
+air. It is to be hoped, and indeed we may conclude from the very great and
+daily improvements on that most excellent plan of widening streets, that
+this great City will never again witness such visitations.
+
+[Illustration: _"Corpse Bearer"_]
+
+When the plague was at its height, perhaps nothing could have been more
+silently or solemnly conducted than the removal of the dead to the various
+pits round London, that were opened for their reception; and it was the
+business of Corpse Bearers, such as the one exhibited in the Fifth Plate,
+to give directions to the Car-men, who went through the City with bells,
+which they rang, at the same time crying "Bring out your Dead." This
+melancholy description may be closed, by observing that many parts of
+London, particularly those leading to the Courts of Westminster, were so
+little trodden down, that the grass grew in the middle of the streets. Few
+persons would believe the truth of the following extract:
+
+"A profligate wretch had taken up a new way of thieving (yet 'tis said too
+much practised in those times), of robbing the dead, notwithstanding the
+horror that is naturally concomitant. This trade he followed so long, till
+he furnished a warehouse with the spoils of the dead; and had gotten into
+his possession (some say) to the number of a thousand winding-sheets." See
+Memoirs of the Life and Death of Sir Edmundbury Godfrey, published 1682.
+
+It is remarkable, and shows the great advantage of our River Thames, that
+during the Plague of 1665, according to a remark made by Lord Clarendon,
+not one house standing upon London Bridge was visited by the plague.
+
+Although the subject of Funerals has been so often treated of by various
+authors, yet the following extracts will not, it is hoped, be deemed
+irrelevant by the reader. They may serve too as a contrast to the
+confusion and mingling of dust which must have taken place during the
+plague, in the burial of so many thousands in so short a space of time,
+and they may show likewise the vanity of human nature.
+
+In "Chamberlain's Imitation of Holbein's Drawings," in his Majesty's
+collection, is the following passage alluding to the great care Lady Hobye
+took as to the arrangement of her funeral.
+
+"Her fondness for those pompous soothings, which it was usual at that time
+for grief to accept at the hands of pride, scarcely died with her; for, a
+letter is extant from her to Sir William Dethick, Garter King of Arms,
+desiring to know 'what number of mourners were due to her calling; what
+number of waiting women, pages, and gentlemen ushers; of chief mourners,
+lords, and gentlemen; the manner of her hearse, of the heralds, and
+church?' &c. This remarkable epistle concludes thus: 'Good Mr. Garter, do
+it exactly, for I find forewarnings that bid me provide a pick-axe,' &c.
+The time of her death is not exactly known, but it is supposed to have
+been about 1596. She is buried at Bisham, with her first husband.[12] It
+was this Lady's daughter, Elizabeth Russell, that was said to have died
+with a pricked finger."
+
+It was usual at funerals to use rosemary, even to the time of Hogarth, who
+has introduced it in a pewter plate on the coffin-lid of the funeral scene
+in his Harlot's Progress. Shakspeare notices it in Romeo and Juliet, "And
+stick your _rosemary_ on this fair corse." "This plant," says Mr. Douce,
+in his "Illustrations of Shakspeare and Ancient Manners," page 216, vol.
+i. "was used in various ways at funerals. Being an evergreen, it was
+regarded as an emblem of the soul's immortality." Thus in Cartwright's
+"Ordinary," Act 5, scene 1:
+
+ "----------------If there be
+ Any so kind as to accompany
+ My body to the earth, let them not want
+ For entertainment; pr'ythee see they have
+ _A sprig of rosemary_ dip'd in common water,
+ To smell to as they walk along the streets."
+
+In an obituary kept by Mr. Smith, secondary of one of the Compters, and
+preserved among the Sloanian MSS. in the British Museum, No. 886, is the
+following entry: "Jan. 2, 1671, Mr. Cornelius Bee, Bookseller in Little
+Britain, died; buried Jan. 4, at Great St. Bartholomew's, without a
+sermon, without wine or wafers, only gloves and _rosemary_." And Mr. Gay,
+when describing Blowselinda's funeral, records that "Sprigg'd rosemary the
+lads and lasses bore."
+
+Suicides were buried on the north side of the church, in ground purposely
+_unconsecrated_.
+
+The custom of burial observed by that truly respectable class of the
+community denominated Friends, commonly called Quakers, may be deemed the
+most rational, as it is conducted with the utmost simplicity.
+
+The corpse is kept the usual time; it is then put into a plain coffin
+uncovered. Afterwards it is placed in a plain hearse, also uncovered, and
+without feathers; the attendants accompanying the funeral in their family
+carriages, or hackney coaches. The corpse is then placed by the side of
+the grave where sometimes they offer a prayer, or deliver an exhortation,
+after which the coffin is lowered, the earth put over it, and thus the
+ceremony closes. Should the deceased have been a minister, then the corpse
+on the day of its interment is carried into the meeting house, and remains
+there in the midst of the congregation during their meditations.
+
+The orthodox members of this society never wear any kind of mourning.
+Relatives are never designedly placed by each other, but are buried
+indiscriminately, as death may visit each member.
+
+They begin at the left hand upper corner, placing them in rows till they
+have filled the ground to the lower right hand corner, after which they
+commence again as before. They make no distinction whatever between male
+and female, nor young and old, nor have they even so much as a
+coffin-plate.
+
+The Jews bury their dead within four and twenty hours, adhering to the
+custom of the East, where the body would putrify beyond that time. The
+great burial-ground at Mile End was made at the sole expense of the famous
+Moses Hart, who, after losing an immense sum in the South Sea bubble, died
+worth 5000_l._ _per annum_. This munificent Jew also built the Dutch
+Synagogue in Duke's-place. The squib prints of the day designate Moses
+Hart by the introduction of the Knave of Hearts. The Knave of Clubs in the
+same plate was meant for the ancestor of the Gideon family. The Jews bury
+their poor by a collection made at the funerals of the better part of the
+community. Several boys go about to the mourners and other Jews assembled
+upon the occasion, with tin boxes padlocked up, at the top of which there
+is a small slit to admit of the contributions, and every Jew present,
+however humble his station, is eager to drop in his mite.
+
+
+
+
+[Illustration: _"Hackney Coachman"_]
+
+
+HACKNEY COACHMAN.
+
+PLATE VI.
+
+
+From the writer's extensive knowledge of prints, and his intimate
+acquaintance with the various collections in England, he has every reason
+to conclude that the original print of a Hackney Coachman, from which this
+Plate has been copied, is perhaps the only representation of the earliest
+character of that calling. The print from which it was taken is one of a
+Set published by Overton, at the sign of the White Horse without Newgate;
+and its similarity to the figures given by Francis Barlow in his AEsop's
+Fables, and particularly in a most curious sheet-print etched by that
+artist, exhibiting Charles the Second, the Duke of York, &c. viewing the
+Races on Dorset Ferry near Windsor, in 1687, sufficiently proves this
+Hackney Coachman to have been of the reign of that monarch.
+
+The early Hackney Coachman did not sit upon the box as the present drivers
+do, but upon the horse, like a postilion; his whip is short for that
+purpose; his boots, which have large open broad tops, must have been much
+in his way, and exposed to the weight of the rain. His coat was not
+according to the fashion of the present drivers as to the numerous capes,
+which certainly are most rational appendages, as the shoulders never get
+wet; the front of the coat has not the advantage of the present folding
+one, as it is single breasted.
+
+His hat was pretty broad, and so far he was screened from the weather.
+Another convincing proof that he rode as a postilion is, that his boots
+are spurred. In that truly curious print representing the very interesting
+Palace of Nonsuch, engraved by Hoefnagle, in the reign of Queen
+Elizabeth, the coachman who drives the royal carriage in which the Queen
+is seated, is placed on a low seat behind the horses, and has a long whip
+to command those he guides. How soon after Charles the Second's time the
+Hackney Coachmen rode on a box the writer has not been able to learn, but
+in all the prints of King William's time the Coachmen are represented upon
+the box, though by no means so high as at present; nor was it the fashion
+at the time of Queen Anne to be so elevated as to deprive the persons in
+the carriage of the pleasure of looking over their shoulders.
+
+Brewer, in his "Beauties of Middlesex," observes in a note, that "It is
+familiarly said, that Hackney, on account of its numerous respectable
+inhabitants, was the first place near London provided with Coaches for
+hire, for the accommodation of families, and that thence arises the term
+Hackney Coaches."
+
+This appears quite futile; the word Hackney, as applied to a hireling, is
+traced to a remote British origin, and was certainly used in its present
+sense long before that village became conspicuous for wealth or
+population.
+
+In 1637 the number of Hackney Coaches in London was confined to 50, in
+1652 to 200, in 1654 to 300, in 1662 to 400, in 1694 to 700, in 1710 to
+800, in 1771 to 1000, and in 1802 to 1100. In imitation of our Hackney
+Coaches, Nicholas Sauvage introduced the Fiacres at Paris, in the year
+1650. The hammer-cloth is an ornamental covering of the coach-box. Mr. S.
+Pegge says, "The Coachman formerly used to carry a hammer, pincers, a few
+nails, &c. in a leathern pouch hanging to his box, and this cloth was
+devised for the hiding of them from public view." See Pegge's
+"Anonymiana," p. 181.
+
+It is said that the sum of L1500, arising from the duty on Hackney
+Coaches, was applied in part of the expense in rebuilding Temple Bar.
+
+
+
+
+[Illustration: _"Jailor"_]
+
+
+JAILOR.
+
+PLATE VII.
+
+
+Those persons who remember old Newgate, the Gate House at Westminster, and
+other places of confinement, will recollect how small and inconvenient
+those buildings were, and must acknowledge the very great improvements as
+to the extensive accommodation of all our Prisons, not only in London, but
+in almost every county in England; and for these very great improvements
+no one could have stood more forward than the benevolent Howard. It is to
+him the public owe extensiveness of building, separations in the prisons
+for the various criminals, and most liberal supply of fresh water. Since
+his time there have been few jail distempers, as the prisoners have
+spacious yards to walk in, and by thus being exposed to fresh air are kept
+free from fevers and other disorders incidental to places of confinement.
+Let any one who recollects old Newgate survey the present structure, and
+he will be highly gratified with the respectable order kept up in that
+edifice. In some of the counties the jails may be looked upon as asylums,
+for neatness and good management, particularly that of Cambridge, where,
+instead of the whole of the prisoners for every sort of crime being
+huddled together in the tower of the Castle, they have now a building
+which affords separate apartments for men, women, and children, and this
+on the most elevated spot, commanding views of the adjacent country from
+every window. Whoever has visited Chelmsford Jail must have been delighted
+with its humane and sensible construction. Those who do not recollect the
+old prisons will, upon an inspection of Fox's Book of Martyrs, perceive in
+the Prisons of Lambeth Palace, the Bishop of London's House, Aldersgate
+Street, &c. how very small and confined those prisons were, having been
+not above eight feet square, with low ceilings and hardly an opening to
+let in the light. In addition to these miseries each room had its stocks,
+in which the prisoners were placed. The residences of our sovereigns in
+former days had likewise their prisons. Three of these were in the old
+palace of Westminster, viz. Heaven, Purgatory, and Hell. Heaven was a
+place where, if the prisoners could afford to pay, they had
+accommodations. Purgatory was a place with a ceiling so low that they
+could not walk without bending the head into the chest; and Hell was a
+dungeon with little or no light, where they had only bread and water. The
+pump lately standing in the street close by the Exchequer Coffee House,
+and now carried to the opposite side of the way, was the pump of this last
+prison, and to this day goes under the appellation of "Hell Pump."
+
+To the credit of present manners, our modern jailors are in general men of
+feeling, and wherever it is discovered that they act with cruelty they are
+immediately dismissed from their office. This was not the case in former
+days, for they were in general the most hard-hearted of men, and callous
+even to the distresses of the aged, and crying infant at the breast.
+
+The following Plate, pourtraying a Jailor of those times, will
+sufficiently convey an idea of the morose gluttony of such a character. It
+was copied from a rare tract, entitled, "Essayes and Characters of a
+Prison and Prisoners, by Geffray Mynshul, of Grayes Inne, Gent. with new
+additions, 1638." On the right side of the figure is written, "Those that
+keepe me, I keepe; if can, will still." On the left hand, "Hee's a true
+Jaylor strips the Divell in ill." The following extracts from this curious
+work will shew the estimation in which the author held a Jailor:
+
+"As soone as thou commest before the gate of the prison, doe but think
+thou art entring into Hell, and it will extenuate somewhat of thy misery,
+for thou shalt be sure not only to find Hell, but fiends and ugly
+monsters, which with continuall torments will afflict thee; for at the
+gate there stands Cerberus, a man in shew, but a dogge in nature, who at
+thy entrance will fawne upon thee, bidding thee welcome, in respect of the
+golden croft which he must have cast him; then he opens the doore with all
+gentlenes, shewing thee the way to misery is very facile, and being once
+in, he shuts it with such fury, that it makes the foundation shake, and
+the doore and windows so barricadoed, that a man so loseth himself with
+admiration that he can hardly finde the way out and be a sound man.
+
+"Now for the most part your porter is either some broken cittizen who hath
+plaid jack of all trades, some pander, broker, or hangman, that hath plaid
+the knave with all men; and for the more certainty his emblem is a red
+beard, to which sacke hath made his nose cousin-german.
+
+"If marble-hearted Jaylors were so haplesse happy as to be mistaken, and
+be made Kings, they would, instead of iron to their grates, have barres
+made of men's ribs, Death should stand at doore for porter, and the Divell
+every night come gingling of keyes, and rapping at doores to lock men up.
+
+"The broker useth to receive pawnes, but when he hath the feathers he lets
+the bird flye at liberty: but the Jaylor when he hath beene plum'd with
+the prisoner's pawnes, detaines him for his last morsell.
+
+"He feedes very strangely, for some say he eates cloakes, hats, shirts,
+beds, and bedsteds, brasse, or pewter, or gold rings, plate, and the like;
+but I say he is in his dyet more greedy than Cannibals, for they eate but
+some parts of a man, but this devoures the whole body. The tenne-peny and
+nine-peny ordinaries should never bee in the Fleet, Gatehouse, or the two
+infernal Compters, for Hunger would lay the cloth, and Famine would play
+the leane-fac'd serving-man to take away the trenchers."
+
+
+
+
+A PRISON BASKET-MAN.
+
+PLATE VIII.
+
+
+This Plate exhibits one of those men who were sent out to beg broken meat
+for the poor prisoners. It was copied from one of the sets published by
+Overton in the reign of King Charles the Second. This custom, which
+perhaps was as ancient as our Religious Houses, has been long done away by
+an allowance of meat and bread having been made to those prisoners who are
+destitute of support.
+
+It was the business of such men to claim the attention of the public by
+their cry of "Some broken breade and meate for ye poore prisonors! for the
+Lord's sake pitty the poore!" This mendicant for the prisoners is also
+noticed with the following London Cries, in a play entitled, "Tarquin and
+Lucrece," viz. "A Marking Stone." "Breade and Meate for the poor
+Prisoners." "Rock Samphire." "A Hassoc for your pew, or a Pesocke to
+thrust your feet in." In former days the passenger was solicited in the
+most melancholy and piteous manner by the poor prisoners. A tin box was
+lowered by a wire from the windows of their prisons into the street, so as
+to be even with the eye of the passenger. The confined persons, in hoarse,
+but sometimes solemn tones, solicited the public to "Remember the poor
+prisoners!" Not many persons can now recollect the tin boxes of this
+description, suspended from the Gatehouse at Westminster, and under the
+gloomy postern of old Newgate; but the custom was till lately continued at
+the Fleet Prison: where a box of the above description was put out from a
+grated window, even with the street, where one of the prisoners, who took
+it by turns, implored the public to "Remember the poor Insolvent Debtors;"
+but as the person was seen, and so near the street, the impression made
+on the passenger had not that gloomy and melancholy air of supplication as
+when uttered from a hollow voice at a distance, and in darkness; so that
+hundreds passed by without attending to the supplicant.
+
+[Illustration: _"Prison Basket Man"_]
+
+Few of those gentlemen who come into office of Sheriff with a dashing
+spirit quit their station without doing some, and, indeed, to do them
+justice, essential service to the community. Sir Richard Phillips, when
+sheriff, established the poor boxes put up on the outside of Newgate, with
+a restriction that they should be opened in the presence of the Sheriffs,
+and distributed by them to the poor prisoners, so that there could be no
+embezzlement, and the donations thus rendered certain of being equally and
+fairly divided among the proper objects, according to their distressing
+claims.
+
+The following extract is from a work published by Mr. Murray in 1815,
+entitled, "Collections relative to Systematic Relief of the Poor," and
+which perhaps may be the earliest notice of mendicants by proxy. Plutarch
+notices a Rhodian custom, which is particularly mentioned by Phoenix of
+Colophon, a writer of Iambics, who describes certain men going about to
+collect donations for the crow, and singing or saying,
+
+ "My good worthy masters, a pittance bestow,
+ Some oatmeal, or barley, or wheat, for the crow;
+ A loaf, or a penny, or e'en what you will,
+ As fortune your pockets may happen to fill.
+ From the poor man a grain of his salt may suffice,
+ For your crow swallows all and is not over nice.
+ And the man who can now give his grain and no more,
+ May another day give from a plentiful store.
+ Come, my lad, to the door, Plutus nods to our wish,
+ And our sweet little mistress comes out with a dish.
+ She gives us her figs, and she gives us a smile,
+ Heav'n bless her! and guard her from sorrow and guile,
+ And send her a husband of noble degree,
+ And a boy to be danced on his grand-daddy's knee;
+ And a girl like herself, all the joy of her mother,
+ Who may one day present her with just such another.
+ God bless your dear hearts all a thousand times o'er,
+ Thus we carry our crow-song to door after door;
+ Alternately chaunting we ramble along,
+ And we treat all who give, or give not, with a song."
+
+And the song ever concludes:
+
+ "My good worthy masters, your pittance bestow,
+ Your bounty, my good worthy mistresses, throw.
+ Remember the crow! he is not over nice;
+ Do but give as you can, and the gift will suffice."
+
+
+
+
+[Illustration: _"Rats or Mice to kill"_]
+
+
+RAT-CATCHER.
+
+PLATE IX.
+
+
+There are two kinds of rats known in this country, the black, which was
+formerly very common, but is now rarely seen, being superseded by the
+large brown kind, commonly called the Norway rat. The depredations
+committed by this little animal, which is about nine inches long, can be
+well attested by the millers and feeders of poultry, as in addition to its
+mischief it frequently carries off large quantities to its hiding place.
+
+In 1813 the following computation was made: "The annual value of the
+European Empire cannot be less than 25 millions sterling, and of this at
+least one fiftieth part, upon the lowest calculation, is eaten and
+destroyed by rats and mice; the public loss therefore is at least
+500,000_l._ _per annum_, exclusive of the damage done in ships, in store
+houses, and buildings of every kind."
+
+The bite of the rat is keen, and the wound it inflicts painful and
+difficult to heal, owing to the form of its teeth, which are long, sharp,
+and irregular. It produces from twelve to eighteen at a litter, and were
+it not that these animals destroy each other, the country would soon be
+overrun with them.
+
+Mr. Bewick observes, "It is a singular fact in the history of these
+animals, that the skins of such of them as have been devoured in their
+holes, have frequently been found curiously turned inside out, every part
+being completely inverted, even to the ends of the toes."
+
+In addition to this remark of Mr. Bewick, it may be mentioned, that though
+the destruction of rats is so great among themselves, yet they are in some
+degree attached to each other, and have even their sports and pastimes.
+It is well known that a herd of rats will be defenders of their own holes,
+and that when a strange brood trespass upon their premises, they are sure
+to be set upon and devoured. They are active as the squirrel, and will,
+like that animal, sit up and eat their food. They play at hide and seek
+with each other, and have been known to hide themselves in the folds of
+linen, where they have remained quite still until their playmates have
+discovered them, in the same manner as kittens. Most readers will
+recollect the fable where a young mouse suggests that the cat should have
+a bell fastened to his neck, so that his companions might be aware of his
+approach. This idea was scouted by one of their wiseheads, who asked who
+was to tye the bell round the cat's neck? This experiment has actually
+been tried upon a rat. A bell was fastened round his neck, and he was
+replaced in his hole, with full expectation of his frightening the rest
+away, but it turned out that instead of their continuing to be alarmed at
+his approach, he was heard for the space of a year to frolick and scamper
+with them. In China the Jugglers cause their rats and mice to dance
+together to music, and oblige them to take leaps as we teach our cats. The
+following is a copy of a handbill distributed in Cornhill a few years ago:
+
+"A most wonderful Rat, the greatest natural curiosity ever seen in London.
+
+"A gigantic Female Rat, taken near Somerset House: it is truly worthy the
+inspection of the curious, its length being three feet three inches, and
+its weight ten pounds three quarters; and twenty-four inches in
+circumference. Any lady or gentleman purchasing goods to the amount of one
+shilling or upwards, will have an opportunity of seeing it gratis, at No.
+5, Sweeting's Alley, Cornhill."
+
+Rats were made use of as a plague, see 1st Book of Kings, chap. v. Nich.
+Poussin painted this subject, which has been engraved by Stephen Picart of
+Rome, 1677.
+
+In a curious tract, entitled "Green's Ghost," published in 1626, Watermen
+are nicknamed water-rats; an appellation also bestowed on pirates by the
+immortal bard of Avon.
+
+The down of the musk-rat of Canada is used in the manufacture of hats.
+From the tail of the Muscovy musk-rat is extracted a kind of musk, very
+much resembling the genuine sort, and their skins are frequently laid
+among clothes to preserve them from moths.
+
+"The musk-rat is of all the small species larger and whiter than the
+common. He exhales, as he moves, a very strong smell of musk, which
+penetrates even the best inclosures. If, for example, one of the animals
+pass over a row of bottles, the liquor they contain will be so strongly
+scented with musk that it cannot be drunk. The writer has known tons of
+wine touched by them so strongly infected, that it was with the greatest
+difficulty, and by a variety of process, that they could be purged of this
+smell. These rats are a great plague to all the country, and, if they once
+get into a cellar or magazine, are very hard to destroy. Cats will not
+venture to attack them, for fear probably of being suffocated by the
+smell; nor will the European terrier hurt them." See Les Hindous, par E.
+Baltazard Solvyns, tom. 4. Paris, 1812, folio.
+
+The Norwegians of late years have the following effectual mode of getting
+rid of their rats:
+
+They singe the hair of one of them over a fire, and then let it loose; the
+stench is so offensive to his comrades that they all immediately quit the
+house, and are eventually destroyed by combating with other broods. This
+expedient has become so general, that Norway is relieved of one of its
+greatest pests. The above method was communicated to the writer by a
+native, who wondered that our farmers had not adopted it.
+
+It appears in that very masterly set of etchings by Simon Guillain, or
+Guilini, from drawings made by Annibal Caracci, of the Cries of Bologna,
+published in 1646, that the Rat-catcher had representations of rats and
+mice painted upon a square cloth fastened to a pole like a flag, which he
+carried across his shoulder.
+
+The Chinese Rat and Mouse-killer carries a cat in a bag. In Ben Jonson's
+time, the King's most excellent Mole-catcher lived in Tothill Street.
+
+
+
+
+[Illustration: _"Marking Stones"_]
+
+
+MARKING STONES.
+
+PLATE X.
+
+
+The rare wood-cut, from which the present etching was made, is one of the
+curious set of twelve figures engraved in wood of the time of James the
+First. Under the figure are the following lines:
+
+ "Buy Marking Stones, Marking Stones buy,
+ Much profit in their use doth lie:
+ I've marking stones of colour red,
+ Passing good,--or else black lead."
+
+The cry of Marking Stones is also noticed in the play of "Tarquin and
+Lucrece." These Marking Stones, as the verses above state, are either of a
+red colour, or composed of black lead. They were used in marking of linen,
+so that washing could not take the mark out. Every one knows that water
+will not take effect upon black lead, particularly if the stick of that
+material, which is denominated "a Marking Stone," be heated before it be
+stamped. The stone, of a red colour, was probably of a material
+impregnated with the red called "ruddle," a colour never to be washed out.
+It is used by the graziers for the marking of their sheep, is of an oily
+nature, and made in immense quantities, for the use of graziers, at the
+Ruddle Manufactory, near the Nine Elms, on the Battersea Road. It was a
+red known in the reign of Edward the Third, and much used by the painters
+employed in the decorations of St. Stephen's Chapel, Westminster.
+
+About fifty years ago it was the custom of those persons who let lodgings
+in St. Giles's, above the Two-penny admission, where sheets were afforded
+at sixpence the night, to stamp their linen with sticks of marking stones
+of ruddle, with the words "Stop Thief," so that, if stolen, the thief
+should at once be detected and detained. For this, and many other curious
+particulars respecting the lowest classes of the inhabitants of St. Giles
+in the Fields, the writer is much indebted to his truly respectable
+friend, the late William Packer, Esq. of Charlotte Street, Bloomsbury, and
+afterwards of Great Baddow, in Essex, who was born, and resided for the
+great part of his life, upon the spot. For the honour of this gentleman's
+family, it may be here acknowledged that his father, who was also a truly
+respectable man, was one of the promoters of the building of Middlesex
+Hospital, which, before the erection of the present building, was an
+establishment held in Windmill Street, leading from Tottenham Court Road
+to Percy Chapel, in Charlotte Street, Rathbone Place. The house which the
+Hospital occupied, standing on the South side of the street, has since
+been made use of as a French charity school.
+
+
+
+
+[Illustration: _"Buy a Brush"_]
+
+
+BUY A BRUSH, OR A TABLE BOOK.
+
+PLATE XI.
+
+
+The Engraving from which the accompanying Plate was copied was one of a
+set published by Overton, but without date. Judging from the dress, it
+must have been made either in the reign of King James the First or in that
+of the succeeding monarch. The inscription over the figure is, "Buy a
+Brush or a Table Book." The floors were not wetted, but rubbed dry, even
+until they bore a very high polish, particularly when it was the fashion
+to inlay staircases and floors of rooms with yellow, black, and brown
+woods. On the landing places of the great staircase in the house built by
+Lord Orford, now the Grand Hotel, at the end of King Street in Covent
+Garden, such inlaid specimens are still remaining, in a beautiful state of
+preservation. There are many houses of the nobility where the floors
+consist of small pieces of oak arranged in tessellated forms. The room now
+occupied by the servants in waiting, and that part of the house formerly a
+portion of the old gallery, at Cleveland House, St. James's; the floors of
+the state rooms of Montagu House, now the British Museum; and the floor of
+the Library in St. Paul's Cathedral, all retain their tessellated forms.
+These floors were rubbed by the servants, who wore brushes on their feet,
+and they were, and indeed are, so highly polished, in some of the country
+mansions, that in some instances they are dangerous to walk upon. This
+mode of dry-rubbing rooms by affixing the brush to the feet, is still
+practised in France, chiefly by men-servants.
+
+The Table Book is of very ancient use. Shakspeare thus notices it in his
+play of Hamlet:
+
+ _Ham._ My tables: meet it is
+ I set it down.
+
+It was a book consisting of several small pieces of slate set in frames of
+wood, fastened together with hinges, and closed, as a book for the pocket:
+for a representation of one, with a pencil attached to a string, as used
+in 1565, see Douce's "Illustrations of Shakspeare and of Ancient Manners,"
+vol. II. p. 227. It was taken, says that writer, from Gesner's Treatise De
+rerum fossilium figuris, &c. Tigur. 1565. The Almanacs of that time
+likewise contained tables of a composition like asses skin. One of these
+was in the possession of Mr. Douce.
+
+It is a very curious fact that the farmers, graziers, and horse dealers,
+use at this day a Table Book consisting of slates bound in wood, with a
+pencil attached to it, exactly of the same make as that referred to as
+used in 1565, and such are now regularly sold at the toy shops. We may
+conclude that persons in the higher ranks of life used sheets of ivory put
+together as a book, for we frequently meet with such, elegantly adorned
+with clasps, of very old workmanship.
+
+Howell, in his "Familiar Letters," 4to. p. 7, published 1645, says, "This
+return of Sir Walter Raleigh from Guiana puts me in minde of a facetious
+tale I read lately in Italian, (for I have a little of that language
+already,) how Alphonso King of Naples sent a Moor, who had been his
+captive a long time, to Barbary, to buy horses, and to return by such a
+time. Now there was about the King a kinde of buffon or jester who had a
+Table Book, wherein he was used to register any absurdity, or
+impertinence, or merry passage, that happened about the Court. That day
+the Moor was dispatched for Barbary, the said jester waiting upon the King
+at supper, the King called for his journall, and askt what he had observed
+that day; thereupon he produced his Table Book, and amongst other things
+he read how Alphonso King of Naples had sent Beltran the Moor, who had
+been a long time his prisoner, to Morocco, his own country, with so many
+thousand crowns to buy horses. The King asked him 'why he inserted that?'
+'Because,' said he, 'I think he will never come back to be a prisoner
+again, and so you have lost both man and money.' 'But, if he do come, then
+your jest is marr'd,' quoth the King. 'No, sir; for if he return, I will
+blot out your name, and put him in for a fool.'"
+
+
+
+
+FIRE-SCREENS.
+
+PLATE XII.
+
+
+The next plate is a copy from the same set of prints from which the
+preceding one was taken, and has the following inscription engraved above
+it:
+
+ "I have screenes if you desier,
+ To keepe yr butey from ye fire."
+
+It appears from the extreme neatness of this man, and the goods which he
+exhibits for sale, that they were of a very superior quality, probably of
+foreign manufacture, and possibly from Leghorn, from whence hats similar
+to those on his head were first brought into England. These Leghorn hats
+were originally imported and sold by our Turners, who generally had the
+Leghorn hat for their sign. England certainly can boast of superiority in
+almost every description of manufacture, over those of most parts of the
+world; but it never successfully rivalled the Basket-makers and
+Willow-workers of France and Holland, either for bleaching or weaving; nor
+perhaps is it possible for any skill to exceed that of the French in their
+present mode of making baskets and other such ware. Even the children's
+rattles of the Dutch and French, surpass anything of the kind made in this
+country. The willow is common in most parts of Holland, so that they have
+a great choice of a selection of wood, and the females are taught the art
+of twisting it at a very early age. It must be acknowledged, that the
+natives of Hudson's Bay are very curious workers of baskets and other
+useful articles made of the barks of trees, and even the most uncultivated
+nations often display exquisite neatness in their modes of making them.
+The French carry their basket ware either in small barrows or in little
+carts, and sell them at so cheap a rate, by reason of the few duties they
+have to pay to Government, that it would be impossible for an Englishman,
+were he master of the art of producing them, to sell them for less than
+ten times the sum.
+
+[Illustration: _"I have Screenes if you desier to keepe yr Buty from ye
+fire."_]
+
+That very wonderful people the Chinese probably were the first who thought
+of hand-screens to protect the face from the sun. We find them introduced
+in their earliest delineations of costume. The feathered fans of our
+Elizabeth might occasionally have been used as fire screens, in like
+manner as those now imported from the East Indies, also composed of
+feathers, and which frequently adorn our chimney pieces. It is possible,
+however, that as our vendor of Fire-screens has particularly acquainted us
+with the use of his screens, they might have been the first that were
+introduced decidedly for that purpose.
+
+
+
+
+SAUSAGES.
+
+PLATE XIII.
+
+
+The female vendor of Sausages exhibited in the following Plate, is of the
+time of Charles II. and has here been preferred to a similar character
+belonging to the preceding reign, her dress and general appearance being
+far more picturesque. Under the original print are the following lines:
+
+ "Who buys my Sausages! Sausages fine!
+ I ha' fine Sausages of the best,
+ As good they are as e'er was eat,
+ If they be finely drest.
+ Come, Mistris, buy this daintie pound,
+ About a Capon rost them round."
+
+Almost every county has some peculiar mode of making sausages, but as to
+their general appearance they are tied up in links. There are several
+sorts which have for many years upheld their reputation, such as those
+made at Bewdley in Oxfordshire, at Epping, and at Cambridge, places
+particularly famous for them. The sausages from Bewdley, Epping, and
+Cambridge, are mostly sold by the poulterers, who are in general very
+attentive in having them genuine. They are brought to Leadenhall, Newgate,
+and other markets, neatly put up in large flat baskets, similar to those
+in which fresh butter is sent to town. The Oxford gentlemen frequently
+present their London friends with some of the sausage meat put up in neat
+brown pans; this is fried in cakes, and is remarkably good.
+
+The pork-shops of Fetter Lane have been for upwards of 150 years famous
+for their sausages; indeed the pork-shops throughout London are
+principally supported by a most extensive sale of sausages.
+
+[Illustration: _"Sausages"_]
+
+Ben Jonson, in his play of Bartholomew Fair, exhibits sausage stalls,
+their contents being prime articles of refreshment at that very ancient
+festival. In a very curious tract, entitled, "A Narrative of the Life of
+Mrs. Charlotte Charke, (_youngest daughter_ of Colley Cibber, Esq.)
+written by herself, the second edition, printed for W. Reeve, in Fleet
+Street, 1759," the authoress, after experiencing some of the most curious
+vicissitudes, in the midst of her greatest distress, says, "I took a neat
+lodging in a street facing _Red Lyon Square_, and wrote a letter to Mr.
+_Beard_, intimating to him the sorrowful plight I was in; and, in a
+quarter of an hour after, my request was obligingly complied with by that
+worthy gentleman, whose bounty enabled me to set forward to _Newgate
+Market_, and bought a considerable quantity of pork at the best hand,
+which I converted into sausages, and with my daughter set out laden with
+each a burden as weighty as we could well bear; which, not having been
+used to luggages of that nature, we found extremely troublesome. But
+_Necessitas non habeat legem_, we were bound to that or starve.
+
+"Thank heaven, our loads were like AEsop's, when he chose to carry the
+bread, which was the weightiest burden, to the astonishment of his
+fellow-travellers; not considering that his wisdom preferred it, because
+he was sure it would lighten as it went: so did ours, for as I went only
+where I was known, I soon disposed, among my friends, of my whole cargo;
+and was happy in the thought, that the utmost excesses of my misfortunes
+had no worse effect on me, than an industrious inclination to get a small
+livelihood, without shame or reproach; though the Arch-Dutchess of our
+family, who would not have relieved me with a halfpenny roll or a draught
+of small-beer, imputed this to me as a crime; I suppose she was possessed
+with the same dignified sentiments Mrs. Peachum is endowed with, and
+THOUGHT THE HONOUR OF THEIR FAMILY WAS CONCERNED; if so, she knew the way
+to have prevented the disgrace, and in a humane, justifiable manner, have
+preserved her own from that taint of cruelty I doubt she will never
+overcome."
+
+The wretched vendors of sausages, who cared not what they made them of,
+such as those about forty years back who fried them in cellars in St.
+Giles's, and under gateways in Drury Lane, Field Lane, commonly called
+"Food and Raiment Alley, or Thieving Lane, alias Sheep's Head Alley," with
+all its courts and ramifications of Black Boy Alley, Saffron Hill,
+Bleeding Heart Yard, and Cow Cross, were continually persecuting their
+unfortunate neighbours, to whom they were as offensive as the melters of
+tallow, bone burners, soap boilers, or cat-gut cleaners. This "Food and
+Raiment Alley," so named from the cook and old clothes shops, was in
+former days so dangerous to go through, that it was scarcely possible for
+a person to possess his watch or his handkerchief by the time he had
+passed this ordeal of infamy; and it is a fact, that a man after losing
+his pocket-handkerchief, might, on his immediate return through the Lane,
+see it exposed for sale, and purchase it at half the price it originally
+cost him, of the mother of the young gentleman who had so dextrously
+deprived him of it. Watches were, as they are now in many places in
+London, immediately put into the crucible to evade detection.
+
+
+
+
+[Illustration: _"New Elegy"_]
+
+
+NEW ELEGY.
+
+PLATE XIV.
+
+
+This figure was drawn and etched by the writer from an itinerant vendor of
+Elegies, Christmas Carols, and Love Songs. His father and grandfather had
+followed the same calling.
+
+When this man was asked what particular event he recollected, his
+information was principally confined to the Elegies he had sold. He seemed
+anxious, however, to inform the public that in the year 1753 the quartern
+loaf was sold at fourpence halfpenny, mutton was two-pence halfpenny a
+pound, that porter was then three-pence a pot, and that the National Debt
+was twenty-four millions. Notwithstanding this man's memory served him in
+the above particulars, which perhaps he had repeated so often that he
+could not forget them, yet he positively did not know his age; he said he
+never troubled his head with that, for that his father told him if he only
+mentioned the year of his birth any scholar could tell it. His father, he
+observed, cried the Elegy of that notorious magistrate Sir Thomas de
+Veil,[13] which went through nine editions, as there was hardly a thief or
+strumpet that did not purchase one.
+
+Hogarth is supposed to have introduced this magistrate in his "Woman
+swearing a Child to a grave Citizen." In his Plate of "Night," the drunken
+Freemason has also been supposed to be Sir Thomas de Veil. This man had
+rendered himself so obnoxious by his intrigues with women, and his
+bare-faced partialities in screening the opulent, that the executors, who
+were afraid of the coffin being torn to pieces by the mob, privately
+conveyed it to a considerable distance from Bow Street by three o'clock in
+the morning.
+
+It was formerly not only the custom to print Elegies on the great people,
+but on all those in the lowest class of life who had rendered themselves
+conspicuous as public characters. Indeed we may recollect the Elegies to
+the memory of Sam House, the political tool of Mr. Fox among the vulgar
+part of his voters, and also that to the memory of Henry Dimsdale, the
+muffin man, nicknamed Sir Harry Dimsdale, the Mayor of Garratt, who
+succeeded the renowned Sir Jeffrey Dunstan, commonly called Old Wigs, from
+his being a purchaser of those articles. The last Elegy was to the memory
+of the lamented Princess Charlotte, and it was then that the portrait of
+the above-mentioned Elegy-vender was taken.
+
+With respect to his Christmas Carols, he said they had varied almost every
+year in their bordered ornaments; and the writer regrets the loss of a
+collection of Christmas Carols from the time of this man's grandfather,
+which, had he been fortunate enough to have made his drawing of the above
+vendor only three days before, he could have purchased for five shillings.
+The collectors in general of early English woodcuts may not be aware that
+there were printed Christmas Carols so early as Queen Mary the First. The
+writer, when a boy, detected several patches of one that had been fastened
+against the wall of the Chapel of St. Edmond in Westminster Abbey. It had
+marginal woodcut illustrations, which reminded him of those very
+interesting blocks engraved for "Hollinshed's Chronicle." It appears that
+some part of this curious Carol was remaining when Mr. Malcolm wrote his
+description of the above Chapel for his Work on London. (Vol. I. p. 144.)
+
+Love Songs, however old they might be, were pronounced by our
+Elegy-vender to be always saleable among the country people. Robert
+Burton, in his "Anatomy of Melancholy," part 3, sect. 2, speaking of love
+songs, says, "As Carmen, Boyes, and Prentises, when a new song is
+published with us, go singing that new tune still in the streets, they
+continually acted that tragical part of _Perseus_, and in every man's
+mouth was _O, Cupid! Prince of Gods and Men!_ pronouncing still like
+stage-players, _O, Cupid!_ they were so possessed all with that rapture,
+and thought of that pathetical love speech, they could not a long time
+after forget, or drive it out of their minds, but, _O, Cupid! Prince of
+Gods and Men!_ was ever in their mouths."
+
+In the second volume, page 141, of Shenstone's Works, the author says,
+"The ways of ballad singers, and the cries of halfpenny pamphlets,
+appeared so extremely humourous, from my lodgings in Fleet Street, that it
+gave me pain to observe them without a companion to partake. For, alas!
+laughter is by no means a solitary entertainment."
+
+
+
+
+ALL IN FULL BLOOM.
+
+PLATE XV.
+
+
+The repeated victories gained by England over her enemies, and her
+unbounded liberality to them when in distress, not only by her pecuniary
+contributions, but by allowing this country to be their general seat of
+refuge during their own commotions, encouraged the ignorant among them
+still to continue in their belief that the streets of our great city were
+paved with gold. The consequence has been, that the number of idle
+foreigners who have been tempted to quit their homes have increased the
+vagrants who now infest our streets with their learned mice and chattering
+monkies, to the great annoyance of those passengers who do not contribute
+to their exhibitions; for it is their practice not only to let the animals
+loose to the extent of a long string, but to encourage them to run up to
+the balconies, oftentimes to the great terror of the families who have
+disregarded their impertinent importunities.
+
+The writer of this work once reprimanded a French organist for throwing
+his dancing mice upon a nursery maid, because she did not contribute to
+reward him for the amusement they afforded her young master.
+
+Among the various foreigners thus visiting us to make their fortunes is
+Anatony Antonini, a native of Lucca in Tuscany, from which place come most
+of those fellows who carry images and play the organ about our streets. He
+is exhibited in the annexed etching, with his show board of artificial
+flowers, "All in full bloom!" constructed of silk and paper, with wires
+for their stalks. The birds perched on their branches are made of wax,
+cast from plaster of Paris moulds. They are gaily painted and
+varnished, and in some instances so thin that their bodies are quite
+transparent.
+
+[Illustration: _All in full bloom_]
+
+The custom of casting figures in wax is very ancient, especially in Roman
+Catholic countries, where they represent the Virgin and Child and other
+sacred subjects as articles of devotion for the poorer sort of people who
+cannot afford to purchase those carved in ivory. It is said that Mrs.
+Salmon's exhibition of wax-work in Fleet Street, whose sign of a Salmon
+was noticed by Addison in the Spectator, owes its origin to a
+schoolmistress, the wife of one of Henry the Seventh's body guards. This
+woman distributed little wax dolls as rewards to the most deserving of her
+scholars, and, it is reported, brought the art from Holland.
+
+Some few years ago a very interesting exhibition of artificial flowers was
+made in Suffolk Street, Charing Cross, by a female of the name of Dards,
+who had most ingeniously produced many hundreds of the most beautiful
+flowers from fishes' bones, which, when warm, she twisted into shapes. The
+leaves were made from the skins of soles, eels, &c. which were stained
+with proper colours. The flowers of the lily of the valley were
+represented by the bones of the turbot which contain the brain, and were
+so complete a deception that they were often mistaken for a bunch of the
+real flowers. This exhibition did not answer the expectation of Mrs.
+Dards, as few persons could believe it possible that fishes' bones were
+capable of being converted into articles of such elegance.
+
+The ribs of the whale were frequently erected at the entrances of our tea
+gardens, and many remained within memory at the Spring Gardens, Chelsea;
+Cromwell's Gardens, Brompton; Copenhagen House, &c. The inhabitants of the
+coast of Mechran, who live mostly upon fish, build their houses of the
+rudest materials, frequently of the large fish that are thrown on the
+shore.
+
+About thirty-five years ago, there was another very singular "All
+blooming" man, a black with wooden legs, who carried natural flowers about
+the streets. His trick to claim attention was remarkable, as he generally
+contrived to startle passengers with his last vociferation. His cry was,
+"All blooming! blooming! blooming!!! all alive! alive!! alive!!!"
+
+It is notable fact that blacks, when they become public characters in our
+streets, as they are more or less masters of humour, display their wit to
+the amusement of the throng, and thereby make a great deal of money. They
+always invent some novelty to gain the attention of the crowd. One of
+these fellows, under the name of Peter, held a dialogue between himself
+and his master, nearly to the following effect:
+
+_Master._ "Oh, Peter, you very bad boy; you no work; you lazy
+dog."--_Peter._ "Oh massa, 'give me this time, Peter Peter do so no more;
+Peter Peter no more run away."--This duet he accompanied with a guitar, in
+so humourous a style, that he was always sure to please his audience. He
+would, at the completion of his song, pass himself through a hoop, and,
+while holding a stick, twist his arms round his body in a most
+extraordinary manner. His last performance was that of placing his head
+backwards between his legs and picking up a pin with his mouth from the
+ground, without any assistance from hands, his arms being folded round his
+body before he commenced his exhibition.
+
+The Chinese florist carries his flowers in two flat baskets suspended from
+a pole placed across his shoulders, the whole being similar to our scales
+with their beam.
+
+
+
+
+[Illustration: _Old Chairs to mend_]
+
+
+OLD CHAIRS TO MEND.
+
+PLATE XVI.
+
+
+The Plate exhibits the figure of Israel Potter, one of the oldest menders
+of chairs now living, who resides in Compton's Buildings, Burton Crescent,
+and sallies forth by eight o'clock in the morning, not with a view of
+getting chairs to mend; for, from the matted mass of dirty rushes which
+have sometimes been thrown across his shoulders for months together,
+without ever being once opened, it must be concluded that his cry of "Old
+chairs to mend" avails him but little; the fact is, that like many other
+itinerants, he goes his rounds and procures broken meat and subsistence
+thus early in the morning for his daily wants.
+
+The seating of chairs with rushes cannot be traced further back than a
+century, as the chairs in common as well as public use in the reign of
+Queen Anne had cane seats and backs. Previously to that time, and even in
+the days of Elizabeth, cushion seats and stuffed backs were made use of.
+
+In the reign of Henry the Eighth, and in remoter times, the chairs were
+made entirely of wood, and in many instances the backs were curiously
+carved, either with figures, grotesque heads, or foliage. Most of the
+early chairs had arms for supporting elbows, and which were also carved.
+In the Archaeologia, published by the Society of Antiquaries, several
+representations of ancient chairs are given.[14] Of the Royal thrones, the
+reader will find a curious succession, from the time of Edward the
+Confessor to that of James the First, exhibited in the great seals of
+England, representations of most of which have been published by Speed in
+his History of Great Britain, and in Sandford's Genealogical History of
+England.
+
+The cry of "Old Chairs to mend!" is frequently uttered with great
+clearness, and occasionally with some degree of melody. Suett, the late
+facetious Comedian, took the cry of "Old Chairs to mend," in an interlude,
+entitled, the "Cries of London," performed some years since in the Little
+Theatre in the Haymarket, and repeated the old lines of
+
+ "Old Chairs to mend! Old Chairs to mend!
+ If I had the money that I could spend,
+ I never would cry Old Chairs to mend."[15]
+
+The late John Bannister, who performed in the same piece, took the cry of
+"Come here's your scarlet ware, long and strong scarlet garters, twopence
+a pair, twopence a pair, twopence a pair!" which was a close imitation of
+a little fellow who made a picturesque appearance about the streets with
+his long scarlet garters streaming from the end of a pole.
+
+The late eccentric actor Baddeley, who left a sum of money to purchase a
+cake to be eaten by his successors every Twelfth Night, in the Green-room
+of Drury Lane Theatre, took the cry of "Come buy my shrimps, come buy my
+shrimps, prawns, very large prawns, a wine-quart a penny periwinkles."
+
+The late Dr. Owen informed the present writer that he had heard that the
+author of "God save the King" caught the tones either from a man who cried
+"Old Chairs to mend," or from another who cried "Come buy my door-mats;"
+and it is well known that one of Storace's most favourite airs in "No Song
+no Supper," was almost wholly constructed from a common beggar's chaunt.
+
+
+
+
+[Illustration: _Prickle Maker_]
+
+
+THE BASKET-MAKER.
+
+PLATE XVII.
+
+
+The man whose figure affords the subject of the next Plate is a journeyman
+Prickle-maker, and works in a cellar on the western side of the Haymarket.
+A prickle is a basket used by the wine-merchants for their empty bottles;
+it is made of osiers unpeeled and in their natural state, and the basket
+is made loose with open work, so that when it is filled with bottles it
+may ride easy in the wine-merchant's caravan, and without the least risk
+of breaking them. The maker of prickles begins the formation of the bottom
+of the basket by placing the osier twigs in the form of a star flat upon
+the ground; he then with another twig commences his weaving by twisting it
+under and over the ends of the twigs which meet in the centre of the star,
+and so he goes on to the extent of the circumference of the intended
+prickle; he then bends up the surrounding twigs, which are in a moist
+state, and binds them in the middle and the top, and thus the prickle is
+finished. The formation of hampers for wine-merchants' sieves, and baskets
+for the gardeners and fishmongers, and indeed that of all other basket
+work, is begun in the same way as the prickle. The basket-maker is seated
+upon a broad flat stage consisting of at least four boards clamped
+together, touching the ground at one end, on which his feet are placed,
+but elevated about six feet. Upon the end where he is seated free air
+passes under him, and thus he takes less cold from the ground of the
+cellar.
+
+In Lapland large baskets are made by two persons, a man and a woman. Their
+mode of forming their baskets in every particular is similar to that of
+the English. On the banks of the Thames, from Fulham to Staines, there
+were formerly numerous basket-makers' huts, but opulent persons, anxious
+to have houses on those delightful spots, purchased the ground on the
+expiration of the leases, and erected fashionable villas on their site.
+The inducement for the basket-makers occupying the sides of the Thames,
+was the great supply of osiers or young willows which grow on the aits,
+particularly at Twickenham and Staines.
+
+The usual price of each prickle is two shillings and three pence.
+Notwithstanding the numbers of osiers grown in this country, the produce
+is not sufficient, as an extensive importation of twigs is annually made
+from Holland, where immense quantities of baskets of every description are
+made. The Dutch are particularly neat and famous for their willow sieves,
+which find a ready market in every country.
+
+The reader may probably be amused with a list of those trades exercised in
+Holland, which in their pronunciation and meaning resemble the same in
+this country, beginning with the
+
+ Sieve Maker, which in Dutch is Zeevmaker.
+ Baker Bakker.
+ Scale Maker Balansmaker.
+ Book Binder Boekbinder.
+ Brewer Broonwer.
+ Glass-blower Glasblazer.
+ Glazier Glazemaker.
+ Goldsmith Goudsmit.
+ Musical Instrument Maker Instrumentmaker.
+ Lanthorn Maker Lantaarnmaker.
+ Paper Maker Papiermaker.
+ Perriwig Maker Paruikmaker.
+ Pump Maker Pompemaker.
+ Potter, Pottebaker.
+ Shoemaker Schoenmaker.
+ Smith Smit.
+ Schoolmaster Schoolmeester.
+ Waggon Maker Wagenmaker.
+ Weaver Weever.
+ Sail Maker Zailmaker.
+
+
+
+
+THE POTTER.
+
+PLATE XVIII.
+
+
+At about a mile from the back of Jack Straw's Castle, Hampstead Heath,
+through one of the prettiest lanes near London, the traveller will find
+that beautifully rural spot called "Child's Hill." This was the favourite
+walk of Gainsborough and Loutherburgh, both of whom occasionally had
+lodgings near the Heath for the purpose of study; and perhaps no place
+within one hundred miles of London affords better materials for the
+landscape painter's purpose than Hampstead Heath and its vicinity,
+particularly that most delightful spot above described, where the Pottery
+stands, which afforded the subject of the ensuing Plate.
+
+At this Pottery, which is placed in a sequestered dell, the moulds used by
+the sugar bakers for casting their loaves of sugar in, are made. They are
+of different sizes, turned by the moulder, with the assistance of a boy,
+who is employed in keeping the lathe in motion. The clay is remarkably
+good, and burns to a rich red colour.
+
+[Illustration: _Sugar-Mould Pottery Child's Hill, Hendon_]
+
+The following is a list of the places where sugar bakers' moulds are made,
+for they are not to be had at the Potteries in general; viz. that
+above-mentioned, at Child's Hill, near Hampstead Heath, in the parish of
+Hendon; one at Brentford; one at Clapham; one at Greenwich; three at
+Deptford; and two at Plumsted. Though the clay varies in texture, and
+likewise in colour in some slight degree, when baked, on almost every spot
+where a Pottery is erected, yet in no instance does it so peculiarly
+differ as at the Pottery in High Street, Lambeth, leading to Vauxhall. The
+clay principally used at that place is preferred by the sculptors for
+their models of busts, figures, and monuments. It never stains the
+fingers, and is of so beautiful a texture that all parts of the model may
+be executed with it, in the most minute degree of sharpness and spirit;
+and, when baked, it is not of that fiery red colour, like a tile, but
+approaches nearer to the tone of flesh, has a beautiful bloom with it, and
+is very similar, though not quite so dark, as those fine specimens of
+Terracottas in the Towneley Gallery, in the British Museum. The great
+sculptors Roubiliac and Rysbrach not only constantly preferred it, but
+brought it into general use among the artists.
+
+At the Lambeth Pottery, the first imitations of the Dutch square white
+glazed tiles, decorated with figures of animals and other ornaments,
+painted in blue, and sometimes purple, were made in England. The fashion
+of thus decorating the backs of chimnies was introduced into this country
+soon after the arrival of William the Third, and continued till about
+fifty years ago. Chimnies thus ornamented are frequently to be met with in
+country houses, particularly in bed-rooms; but in London, where almost
+every body enters on a new fashion as soon as it appears, there are fewer
+specimens left. The chimney of the room in Bolt Court, in which Dr.
+Johnson died, was decorated with these tiles, most of the subjects of
+which were taken from Barlow's etchings of AEsop's Fables. Dinner services
+were produced of the same material, and painted blue or purple, like the
+above tiles. Sir James Thornhill, the painter of the pictures which adorn
+the dome of St. Paul's, and Paul Ferg, when young men, were employed at
+the Chelsea China manufactory, and there are specimens of plates and
+dishes painted by them now and then to be met with in the cabinets of the
+curious. At Mrs. Hogarth's sale (Sir James Thornhill's daughter), Lord
+Orford purchased twelve dinner plates painted by her father; the subjects
+were the Signs of the Zodiac, and they are preserved at Strawberry Hill.
+
+In common ware, jugs, handbasins, dinner services, &c. are not painted,
+but printed, the mode of executing which is rather curious. Trees,
+hay-makers, cows, farm-houses, windmills, &c. are engraved on
+copper-plates, which are filled with blue colour (smalt). Impressions from
+them are taken on common blotting paper, through the rolling press. These
+impressions are immediately put on the earthen ware, and when the
+blotting-paper is dry, it is washed off, and the blue colour remains upon
+the dish, &c.
+
+
+
+
+[Illustration: _Staffordshire Ware_]
+
+
+STAFFORDSHIRE WARE.
+
+PLATE XIX.
+
+
+Of all the tradesmen who supply the domestic table, there are none more
+frequently called upon than the earthen-ware man. In great families, where
+constant cooking is going on, the dust-bin seldom passes a day without
+receiving the accidents to which a scullery is liable, nor is there, upon
+an average, a private family in England that passes a week without some
+misfortune to their crockery. Many householders set down at least ten
+pounds a year for culinary restorations; so that the itinerant
+Staffordshire Ware vendor, exhibited in the following plate, is sure to
+sell something in every street he enters, particularly since that ware has
+been brought by water to Paddington, whence he and many others, who go all
+over the town to dispose of their stock in baskets, are regularly
+supplied; and in consequence of the safety and cheapness of the passage,
+they are enabled to dispose of their goods at so moderate a rate that they
+can undersell the regular shopkeeper.
+
+Staffordshire is the principal place in England for the produce of earthen
+ware; the manufactories cover miles of land, and the minds of the people
+appear to be solely absorbed in their business. Coals cost them little but
+the labour of fetching; they work from twelve to fourteen hours a day, and
+those who choose to perform what they call over-time, are employed sixteen
+hours in each day. The men have for twelve hours in each day, being common
+time, seven shillings per week; the women four shillings, and the
+children, who turn the lathes, two shillings and sixpence. These people
+are so constantly at work and perpetually calling out "turn," when they
+wish it to go faster, to the boy who gives motion to the lathe, that it is
+said that those who fall into intoxication are sure, however drunk they
+may be, to call to the boy to turn, whether at work or not. There are men
+who make plates, others who make basins, &c.; and those who make jugs, tea
+and milkpots, have what they call handle-men, persons whose sole business
+it is to prepare the handles and stick them on. Their divisions of land,
+similar to banks or hedges, as well as their roads, for miles, are wholly
+constructed of their broken earthen-ware.
+
+They have their regular packers, who pique themselves on getting in a
+dozen of plates more than usual in an immense basket.
+
+When they meet with a clay that differs in colour from that they have been
+using, they will apply themselves most readily to make up a batch of
+plates, basins, or tea-cups, well knowing the public are pleased with a
+new colour; and it is a curious fact that there are hundreds of varieties
+of tints produced from the different pits used by these Staffordshire
+manufactories. There are men whose business it is to glaze the articles,
+and others who pencil and put on the brown or white enamel with which the
+common yellow jug is streaked or ornamented. In the brown or yellow baking
+dishes used by the common people, the dabs of colour of brown and yellow
+are laid on by children, with sticks, in the quickest way imaginable. The
+profits of earthen-ware in general are very great, as indeed they ought to
+be, considering the brittleness of the article, and the number of
+accidents they are continually meeting with, as is demonstrated by their
+hedge-rows and roads.
+
+An article that is sold for fourpence in London, costs but one penny at
+the manufactory.
+
+
+
+
+[Illustration: _Hard Metal Spoons_]
+
+
+HARD METAL SPOONS TO SELL OR CHANGE.
+
+PLATE XX.
+
+
+William Conway, of Crab Tree Row, Bethnall Green, is the person from whom
+the following etching was made. He was born in 1752, in Worship Street,
+which spot was called Windmill Hill, and first started with or rather
+followed his father as an itinerant trader, forty-seven years ago. This
+man has walked on an average twenty-five miles a day six days in the week,
+never knew a day's illness, nor has he once slept out of his own bed. His
+shoes are made from the upper leather of old boots, and a pair will last
+him six weeks. He has eleven walks, which he takes in turn, and these are
+all confined to the environs of London; no weather keeps him within, and
+he has been wet and dry three times in a day without taking the least
+cold.
+
+His spoons are made of hard metal, which he sells, or exchanges for the
+old ones he had already sold; the bag in which he carries them is of the
+thickest leather, and he has never passed a day without taking some money.
+His eyes are generally directed to the ground, and the greatest treasure
+he ever found was a one pound note; when quarters of guineas were in
+currency, he once had the good fortune to pick up one of them.
+
+He never holds conversation with any other itinerant, nor does he drink
+but at his dinner; and it is pleasant to record, that Conway in his walks,
+by his great regularity, has acquired friends, several of whom employ him
+in small commissions.
+
+His memory is good, and among other things he recollects Old Vinegar, a
+surly fellow so called from his brutal habits. This man provided sticks
+for the cudgel players, whose sports commenced on Easter Monday, and were
+much frequented by the Bridewell-boys. He was the maker of the rings for
+the boxers in Moorfields, and would cry out, after he had arranged the
+spectators by beating their shins, "Mind your pockets all round." The name
+of Vinegar has been frequently given to crabbed ringmakers and boxers.
+Ward, in his "London Spy," thus introduces a Vinegar champion:
+
+ "Bred up i' th' fields of Lincoln's Inn,
+ Where _Vinegar_ reigns master;
+ The forward youth doth thence begin
+ A broken head to loose or win,
+ For shouts, or for a plaister."
+
+It is to be hoped that this industrious man has saved some little to
+support him when his sinews are unable to do their duty; for it would be
+extremely hard, that a man who has conducted himself with such honesty,
+punctuality, and rigid perseverance, should be dependent on the parish,
+particularly as he declares, and Conway may be believed, that he never got
+drunk in his life. The present writer was much obliged to this man for a
+deliverance from a mob. He had when at Bow commenced a drawing of a
+Lascar, and before he had completed it, he found himself surrounded by
+several of their leaders, who were much enraged, conceiving that he was
+taking a description of the man's person in order to complain of him.
+Conway happened to come up at the moment, and immediately exclaimed, "Dear
+heart, no, this gentleman took my picture off the other day, he only does
+it for his amusement; I know where he lives; he don't want to hurt the
+man;" on hearing which speech, a publican kindly took upon him to appease
+the Lascars.
+
+
+
+
+[Illustration: _Dancing Dolls_]
+
+
+DANCING DOLLS.
+
+PLATE XXI.
+
+
+By all the aged persons with whom the author has conversed, it is agreed
+that from the time of Hogarth to the present day the street strollers with
+their Dancing Dolls on a board have not appeared.
+
+The above artist, whose eye glanced at every description of nature, and
+whose mind was perpetually alive to those scenes which would in any way
+illustrate his various subjects, has introduced, in his inimitable print
+of Southwark Fair, the figure of a little man, at that time extremely well
+known in London, who performed various tricks with two dancing dolls
+strung to a flat board; his music was the bagpipes, on which he played
+quick or slow tunes, according to the expression he wished to give his
+puppets. These dolls were fastened to a board, and moved by a string
+attached to his knee, as appears in the figure of the boy represented in
+the present Plate. Since the late Peace, London has been infested with ten
+or twelve of these lads, natives of Lucca, whose importunities were at
+first made with all their native impudence and effrontery, for they
+attempted to thrash the English boys that stood between their puppets and
+the spectators, but in this they so frequently were mistaken that they
+behave now with a little more propriety.
+
+The sounds they produce from their drums during the action of their dolls
+are full of noise and discord, nor are they masters of three notes of
+their flute. Lucca is also the birth place of most of those people who
+visit England to play the street organ, carry images, or attend dancing
+bears or dolls. In Italy there are many places which retain their
+peculiar trades and occupations; as for example, one village is inhabited
+by none but shoemakers, whose ancestors resided in the same place and
+followed a similar employment.
+
+
+
+
+[Illustration: _The Dancing Ballad-Singer with his Sprig of Sillelah and
+Shamrock so green_]
+
+
+SPRIG OF SHILLELAH AND SHAMROCK SO GREEN.
+
+PLATE XXII.
+
+
+The annexed etching was taken from Thomas M'Conwick, an Irishman, who
+traverses the western streets of London, as a vendor of matches, and, like
+most of his good-tempered countrymen, has his joke or repartee at almost
+every question put to him, duly attempered with native wit and humour.
+M'Conwick sings many of the old Irish songs with excellent effect, but
+more particularly that of the "Sprig of Shillelah and Shamrock so green,"
+dances to the tunes, and seldom fails of affording amusement to a crowded
+auditory.
+
+The throne at St. James's was first used on the Birth Day of Queen
+Charlotte, after the union of the Kingdoms of Great Britain and Ireland,
+and the Shamrock, the badge of the Irish nation, is introduced among the
+decorations upon it.
+
+M'Conwick assured me, when he came to London, that the English populace
+were taken with novelty, and that by either moving his feet, snapping his
+fingers, or passing a joke upon some one of the surrounding crowd, he was
+sure of gaining money. He carries matches as an article of sale, and
+thereby does not come under the denomination of a pauper. Now and then, to
+please his benefactors, he will sport a bull or two, and when the laugh is
+increasing a little too much against him, will, in a low tone, remind them
+that bulls are not confined to the lower orders of Irish. The truth of
+this assertion may be seen in Miss Edgworth's Essay on Irish bulls,
+published 1803, from which the following is an extract:
+
+"When Sir Richard Steele was asked how it happened that his countrymen
+made so many bulls, he replied, 'It is the effect of climate, sir; if an
+Englishman were born in Ireland, he would make as many.'" However, great
+mistakes are sometimes made by the wisest of the English; for it is
+reported of Sir Isaac Newton, that after he had caused a great hole to be
+made in his study door for his cat to creep through, he had a small one
+for the kitten.
+
+When the present writer gave this Irishman a shilling for standing for his
+portrait, he exclaimed, "Thanks to your honour, an acre of performance is
+worth the whole land of promise."
+
+
+
+
+[Illustration: _"Ginger Bread Nuts"_]
+
+
+GINGERBREAD NUTS, OR JACK'S LAST SHIFT.
+
+PLATE XXIII.
+
+
+The etching in front of the present Plate, was taken from Daniel Clarey,
+an industrious Irishman, well known to the London schoolboy as a
+gingerbread-nut lottery office keeper. Dan had fought for his country as a
+seaman, and though from some unlucky circumstance he is not entitled to
+the comforts of Greenwich Hospital, still he boasts of the honour of
+losing his leg in an engagement on the "Salt Seas." Rendered almost
+destitute by the loss of his limb, he was nevertheless not wanting in wit
+to gain a livelihood, and became a vendor of gingerbread-nuts, which he
+disposed of by way of lottery, and humourously calls this employment,
+"Jack's last Shift." Though Dan is inferior in some respects to his lively
+countryman McConwick, who has afforded theme for the preceding pages, yet
+he is blessed with a sufficient memory to recollect what he has heard, and
+has persuasive eloquence enough to assure the boys that his lottery is no
+"South Sea Bubble," where, as he tells them, "not even saw-dust was
+produced, when deal boards were promised; but that every adventurer in his
+scheme is sure of having a prize from seven to one hundred nuts, there
+being no blanks to damp the courage of any enterprizing youth; that some
+of his gingerbread shot are so highly seasoned that they are as hot as the
+noble Nelson's balls when he last peppered the jackets of England's foes."
+The manner of obtaining these gingerbread prizes is as follows:--The
+hollow box held by Clarey has twenty-seven holes variously numbered, and
+any one of the strings at the bottom of the box being pulled, causes a
+doll's head to appear at the hole, which decides, according to its number,
+the good or ill fortune of the halfpenny adventurer. He acknowledges to
+his surrounding visitors that he "knows nothing of the lingo of his
+predecessors, the famed Tiddy Dolls of their day, but that he is quite
+certain that if _their_ gingerbread rolled down the throat like a
+wheel-barrow, _his_ nuts are far superior, for that, should any one of his
+noble friends prove so fortunate as to draw a prize of one hundred of
+them, he would be entitled to those of half the usual size, so delicately
+small that they would be no bigger than the quack doctor's pills, who
+chalks his name on the walls far and near about London; and as for the
+innocency of these little pills, he had been assured by a leading member
+of the Society for the Suppression of Vice, who was very fond of tasting
+them, that they would do no harm to an _infant babe_, no, not even if they
+were given it on a Sunday within church time." This mode of gulling the
+boys with nuts of half the size, if they won a double prize, was equalled
+by a well-known churchwarden, within these few years, who, upon his coming
+into office, ordered threepenny loaves to be made instead of sixpenny, so
+that he might be respectfully saluted by as many more poor people as he
+passed through the church-yard on a Sunday after his distribution, and
+thereby obtain popularity. Nor is the device in question very dissimilar
+to the mode adopted in some modern private lotteries, where there are no
+blanks to chagrin the purchasers.
+
+The simpleton who attempts to sell gingerbread-nuts gains but little
+custom compared with the man of dashing wit; and there have been many of
+the latter description on the town within memory, particularly, about
+thirty-five years ago, a short red-nosed fellow in a black bushy wig, who
+trundled a wheel-barrow through St. Martin's Court, Cranbourn Alley, and
+the adjacent passages. This man, who was attended by a drab of a wife to
+take the money, was master of much drollery; he would contrast the heated
+polities of the day with the mildness of his gingerbread, to the no small
+amusement of Mr. Sheridan, who, when on his way to the election meetings
+held at the Shakspeare tavern, in favour of his friend Mr. Fox, was once
+seen to smile and pouch this fellow a shilling; that distinguished mark of
+approbation from the author of the "School for Scandal" being gained by
+this gingerbread man by means of the following couplet:
+
+ "May Curtis, with his "Speedy Peace, and soon,"
+ Send gingerbread up to the man in the moon."
+
+This fellow would frequently boast of his having danced Horne Tooke upon
+his knee when he was shopman to that gentleman's father, then a poulterer,
+or, in genteeler terms, a "Turkey Merchant," called by the vulgar a
+"Feather Butcher," at the time he lived in Newport Market.
+
+This humourist had his pensioners like the dog and cat's meat man, nor
+would he ever pass any of them without distributing his broken gingerbread
+and bits of biscuit: he was particularly kind to one man, who may yet be
+within the recollection of many persons; he was short in stature carried a
+wallet, and wore a red cap, and would begin his walk through May's
+Buildings at six in the evening and arrive safely by nine at Bedford Bury.
+In his progress he would repeat the song of "Taffy was a Welchman," upon
+an average, eight times within an hour; and, in order that his singing
+might be of a piece with his crawling movements, his lengthened tones were
+made to pass through his nose in so inarticulate a manner as frequently to
+induce boys to shake him from a supposed slumber. His name was Richard
+Richards, but from his extreme sloth he was nicknamed by his
+broken-biscuit benefactor "Mr. Step-an-hour." The money made by the
+gingerbread heroes is hardly credible; however, it is of little use, as
+the profits are generally spent in gin and hot suppers.
+
+
+
+
+[Illustration: _Chick Weed_]
+
+
+CHICKWEED AND GROUNDSEL.
+
+PLATE XXIV.
+
+
+The subject of this Plate is George Smith, a Brush-maker out of employ, in
+consequence of frequent visitations of the rheumatism. This man, finding
+affliction increase upon him in so great a degree as to render him
+incapable of pursuing his usual occupation, determined on selling
+chickweed, an article easily procured without money, and for which there
+is a certainty of meeting at least one customer in almost every street, as
+there are scarcely three houses together without their singing birds.
+
+After a very short trial of his new calling, he found he had no occasion
+to cry his chickweed, for that if he only stood with it before the house,
+so that the birds could see it, the noise they made was sufficient, as
+they generally attracted the notice of some one of the family, who soon
+perceived that the little songsters were chirping at the chickweed man.
+This can readily be believed by all those who keep birds, for the breaking
+of a single seed will elate them.
+
+Bryant, in his "Flora Diaetetica," p. 94, speaking of the article in
+question, says, "This is a small annual plant, and a very troublesome weed
+in gardens. The stalks are weak, green, hairy, succulent, branched, about
+eight inches long, and lodge on the ground. The leaves are numerous,
+nearly oval, sharp-pointed, juicy, of the colour of the stalks, and stand
+on longish footstalks, having membranous bases, which are furnished with
+long hairs at their edges. The flowers are produced at the bosoms of the
+leaves, on long slender pedicles; they are small and white, consist of
+five split petals each, and contain five stamina and three styles. The
+leaves of this plant have much the flavour of corn-sallad, and are eaten
+in the same manner. They are deemed refrigorating and nutritive, and
+excellent for those of a consumptive habit of body. The plant formerly
+stood recommended in the shops as a vulnerary."
+
+Buchan says of groundsel, "This weed grows commonly in gardens, fields,
+and upon walls, and bears small yellow flowers and downy seeds; it does
+not often grow above eight inches high: the stalk is round, fleshy,
+tolerably straight, and green or reddish; the leaves are oblong,
+remarkably broad at the bases, blunt, and deeply indented at the edges;
+the flowers grow in a kind of long cups, at the top of the stalks and
+branches. It flowers through all the milder months of the year. The juice
+of this herb, taken in ale, is esteemed a gentle and very good emetic,
+bringing on vomiting without any great irritation or pain. It assists
+pains in the stomach, evacuates phlegm, cures the jaundice, and destroys
+worms. Applied externally, it is said to cleanse the skin of foul
+eruptions."
+
+
+
+
+[Illustration: _"Bilberries"_]
+
+
+BILBERRIES.
+
+PLATE XXV.
+
+
+Bilberries are a modern article of sale, and were first brought to London
+about forty years ago by countrymen, who appeared in their smock-frocks,
+with every character of rusticity. In the course of a little time,
+bilberries were so eagerly bought that it induced many persons to become
+vendors, and they are now brought to the markets as a regular article of
+consumption for the season.
+
+These berries mostly grow in Hertfordshire, from whence indeed they are
+brought to town in very high perfection, and are esteemed by the housewife
+as wholesome food when made into a pudding; and, though usually sold at
+fourpence a pint, they are sometimes admitted to the genteel table in a
+tart.
+
+Dr. Buchan has the following remarks on the Bilberry-bush: he says that it
+is "a little tough shrubby plant, common in our boggy woods, and upon wet
+heaths. The stalks are tough, angular, and green; the leaves are small;
+they stand singly, not in pairs, and are broad, short, and indented about
+the edges. The flowers are small but pretty, their colour is a faint red,
+and they are hollow like a cup. The berries are as large as the biggest
+pea; they are of a blackish colour, and of a pleasant taste. A syrup made
+of the juice of bilberries, when not over ripe, is cooling and binding."
+
+Among the former Cries of London, those of Elderberries, Dandelion, &c.
+were not unfrequent, and each had in its turn physicians as well as
+village doctresses to recommend them. "The inner part of the
+Elderberry-tree," says Dr. Buchan, "is reputed to cure dropsies, when
+taken in time, frequently repeated and long persevered in; a cooling
+ointment is made by boiling the flowers in lard till they are crisp, and
+then straining it off; the juice of the berries boiled down with sugar, or
+without, till it comes to the consistence of honey, is the celebrated rob
+of elder, highly extolled in colds and sore throats, though of late years
+it seems to have yielded to the preparations of black currants. Wine is
+made from elderberries, which somewhat resembles Frontiniac in flavour."
+
+The same author says of Dandelion, that "the root is long, large, and
+white within; every part of the plant is full of milky juice, but most of
+all the root, from which, when it is broken, it flows plentifully, and is
+bitterish, but not disagreeable to the taste."
+
+The leaves are sometimes eaten as sallad when very young, and in some
+parts of the Continent they are blanched like celery for this purpose;
+taken this way, in sufficient quantity, they are a remedy for the scurvy.
+
+Bryant, in his "Flora Diaetetica," page 103, says, "The young tender leaves
+are eaten in the spring as lettuce, they being much of the same nature,
+except that they are rather more detergent and diuretic. Boerhaave greatly
+recommended the use of dandelion in most chronical distempers, and held it
+capable of resolving all kinds of coagulations, and most obstinate
+obstructions of the viscera, if it were duly continued. For these purposes
+the stalks may be blanched and eaten as celery."
+
+There is a fashion in the Cries of London as there are "tides in the
+affairs of men," particularly in articles that are used as purifiers of
+the blood. About fifty years ago, nothing but Scurvy-grass was thought of,
+and the best scurvy-grass ale was sold in Covent Garden, at the
+public-house at the corner of Henrietta Street.
+
+
+
+
+[Illustration: _"Simplers"_]
+
+
+SIMPLERS.
+
+PLATE XXVI.
+
+
+Those persons who live in the country and rise with the sun can bear
+testimony to the activity of the Simpler, who commences his selections
+from the ditches and swampy grounds at that early period of the day, and,
+after he has filled a large pack for his back, trudges for fifteen miles
+to the London markets, where perhaps he is the first who offers goods for
+sale; he then returns back and sleeps in some barn until the next
+succeeding sun. Such an instance of rustic simplicity is William Friday,
+whose portrait is exhibited in the annexed plate. This man starts from
+Croydon, with champignons, mushrooms, &c. and is alternately snail-picker,
+leech-bather, and viper-catcher. Simpling is not confined to men; but
+women, particularly in some counties, often constitute a greater part of
+the community, and they appear to be a distinct class of beings. The plate
+which accompanies this description exhibits three women Simplers returning
+from market to Croydon; they were sketched on the Stockwell Road, and are
+sufficient to shew their gait.
+
+The Simplers, particularly the women, are much attached to brass rings,
+which they display in great profusion upon almost every finger: their
+faces and arms are sunburnt and freckled, and they live to a great age,
+notwithstanding their constant wet and heavy burthens, which are always
+earned on the loins.
+
+To the exertions of these poor people the public are much indebted, as
+they supply our wants every day; indeed the extensive sale of their
+commodities, which they dispose of to the herb-shops in Covent Garden,
+Fleet, and Newgate Markets, must at once declare them to be a most useful
+set of people. Among the numerous articles culled from the hedges and the
+springs, the following are a few in constant consumption: water-cresses,
+dandelions, scurvy-grass, nettles, bitter-sweet, cough-grass, feverfew,
+hedge mustard, Jack by the hedge, or sauce-alone.
+
+Dr. Buchan observes, that "Bitter-sweet is a common wild plant, with weak
+but woody stalks, that runs among our hedges, and bears bunches of pretty
+blue flowers in summer, and in autumn red berries; the stalks run to ten
+feet in length, but they cannot support themselves upright; they are of a
+bluish colour, and, when broken, have a very disagreeable smell like
+rotten eggs. The leaves are oval, but sharp-pointed, and have each two
+little ones near the base; they are of a dusky green and indented, and
+they grow singly on the stalks. The flowers are small and of a fine
+purplish blue, with yellow threads in the middle; the berries are oblong."
+
+The same author, speaking of Cough-grass, says, "However offensive this
+weed may be in the fields and gardens, it is said to have its uses in
+medicine, and should teach us that the most common things are not
+therefore despicable, since it is certain that nothing was made in vain."
+
+The Doctor observes, that "Jack by the hedge, or sauce alone, is an annual
+plant, which perishes every year, but makes a figure in the spring, and is
+common in our hedges. The root is small, white, and woody, the stalks rise
+to the height of three feet, and are slender, channelled, hairy, and very
+straight. The leaves, which stand on long foot-stalks, are large, broad,
+short, and roundish; and those which grow on the stalk somewhat pointed at
+the extremities, and waved at the edges. They are of a pale yellow green
+colour, thin and slender, and being bruised, smell like onions or garlic.
+The flowers, which stand ten or a dozen together at the tops of the
+branches, are small and white, consisting each of four leaves; these are
+followed by slender pods, containing small longish seeds. It is found in
+hedges, and on bank sides, and flowers in May."
+
+Many of the simples of England are peculiar to particular spots, as the
+following extract from Gerarde's Herbal, fol. 1633, Lond. edited by Thomas
+Johnson, will demonstrate. "Navelwort, or wall penniwoort. The first kind
+of penniwoort groweth plentifully in Northampton upon every stone wall
+about the towne, at Bristow, Bathe, Wells, and most places of the West
+Countrie, upon stone walls. It groweth upon Westminster Abbey, over the
+doore that leadeth from Chaucer's tombe to the old palace." From an
+address to his courteous readers, it appears that Gerarde first
+established his Herbal in the year 1597, in the month of December, and
+that he then resided in Holborn. Thomas Johnson, Gerarde's editor, dates
+his address to his reader from his house on Snow Hill, Oct. 22, 1633.
+Hence it will appear that any thing these writers may have said respecting
+the structure of the buildings or topography of the suburbs in which they
+herbarized, is to be depended upon.
+
+Snails are brought to market by the Simpler, and continue to be much used
+by consumptive persons. There are various sorts which are peculiar to
+particular spots; for instance, at Gayhurst, in Buckinghamshire, the Helix
+Pomoeria were there turned down for the use of Lady Venetia Digby when
+in a weak state. The house now belongs to Miss Wright, a descendant of
+Lord Keeper Wright, where these snails continue in great profusion. Near
+the old green-houses built by Kent in Kensington Gardens, the same snail
+is frequently found; it has a yellow shell, and was prescribed and placed
+there for William the Third.
+
+Vipers formerly were sold in quantities at the Simpling Shops, but of late
+years they are so little called for that not above one in a month is sold
+in Covent Garden Market. There were regular viper catchers, who had a
+method of alluring them with a bit of scarlet cloth tied to the end of a
+long stick.
+
+The following lines are extracted from a curious half-sheet print,
+entitled, "The Cries of London," to the tune of "Hark, the merry merry
+Christ Church bells," printed and sold at the printing office in Bow
+Church Yard, London. To this plate are prefixed two very curious old
+wood-blocks, one of a Galantie-show man, of the time of King William the
+Third, and the other of the time of James the First, representing a
+Salt-box man, and is perhaps one of the earliest specimens of that
+character. The lines alluded to are:
+
+ "Here's fine rosemary, sage, and thyme!
+ Come buy my ground ivy.
+ Here's fetherfew, gilliflowers, and rue,
+ Come buy my knotted marjorum, ho!
+ Come buy my mint, my fine green mint,
+ Here's fine lavender for your clothes,
+ Here's parsley and winter-savory,
+ And hearts-ease, which all do choose.
+ Here's balm and hissop, and cinquefoil,
+ All fine herbs, it is well known.
+ Let none despise the merry merry Cries
+ Of famous London Town!
+
+ Here's pennyroyal and marygolds!
+ Come buy my nettle-tops.
+ Here's water-cresses and scurvy-grass!
+ Come buy my sage of virtue ho!
+ Come buy my wormwood and mugwort,
+ Here's all fine herbs of every sort.
+ Here's southernwood that's very good,
+ Dandelion and houseleek.
+ Here's dragon's tongue and wood sorrel,
+ With bear's foot and horehound.
+ Let none despise the merry merry Cries
+ Of famous London Town!"
+
+
+
+
+[Illustration: _"Washerwomen"_]
+
+
+WASHER-WOMEN, CHAR-WOMEN, AND STREET NURSES.
+
+PLATE XXVII.
+
+
+Perhaps there is not a class of people who work harder than those
+washer-women who go out to assist servants in what is called a heavy wash;
+they may be seen in the winter time, shivering at the doors, at three and
+four o'clock in the morning, and are seldom dismissed before ten at night,
+this hard treatment being endured for two shillings and sixpence a day.
+They may be divided into two classes, the industrious, who labour
+cheerfully to support their little ones, and, too often, an idle and cruel
+husband; and those that take snuff, drink gin, and propagate the scandal
+of the neighbourhood, seldom quitting the house of their employer without
+gaining the secrets of the family, which they acquire by pretending to
+tell the fortunes of every one in the house to the servants of the family,
+by the manner in which the grouts of the tea adhere to the sides of the
+tea-cup. Most of these people, who are generally round-shouldered and
+lop-sided, are so accustomed to chatter with the servants, that they
+acquire a habit of keeping their mouths open, either horizontally or
+perpendicularly; and it is evident from Hollar's etchings of Leonardo da
+Vinci's caricatures that the latter must have studied the grimaces of this
+class of people. Some of these old washer-women, when they happen to meet
+with a discreet and silent domestic, will speak to the cat or the dog, and
+even hold conversation with themselves rather than lose the privilege of
+utterance.
+
+These wretches are always full of complaints of their coughs, asthmas, or
+pains in the stomach, but these are mere efforts to procure an extra glass
+of cordial.
+
+The Char-women are that description of people who go about to clean
+houses, either by washing the wainscot, scrubbing the floors, or
+brightening the pots and kettles; they are generally worse drabs, if
+possible, than the lowest order of washer-women; they will either filch
+the soap, steal the coals, or borrow a plate, which they never return; and
+yet the women of this calling who conduct themselves with sobriety and
+honesty, are great acquisitions to single gentlemen, particularly students
+in the law.
+
+Few families, however watchful they may be over the conduct of their
+servants, are aware of the extreme idleness and profligacy of some of
+them.
+
+If the mistress of a house would for once rise at five o'clock, she might
+behold a set of squalid beings engaged in whitening the steps of the
+doors; she may even observe some of them, who have procured keys of the
+area gates, descend the steps to procure from the kitchen pails of
+hog-wash, with meat and bread wrapped up in tattered aprons; so that their
+servants, by thus getting rid of the door-cleaning business, remain in bed
+after the milkwoman, by the help of a string, has lowered her can into the
+area. This dishonesty of the servants has been extended, from a few broken
+crusts, to the more generous gift of half a loaf in a morning.
+
+On the contrary, it is a fact too well known, that there are many servants
+who rise too early, particularly those who attend to the flattery of men
+who sneak into houses, pretending to be in love with their charming
+persons, merely for the purpose of obtaining the surest mode of robbing
+the house, either then or in future.
+
+There are hundreds of old women who take charge of the children of those
+who go out for daily hire. These Nurses drag the infants in all sorts of
+ways about the streets for the whole day, and sometimes treat them very
+ill, and, imitating the mode usually adopted by the vulgar part of nurses
+in families, to pacify the squalling and too often hungry infants, terrify
+them with a threat that Tom Poker, David Stumps, or Bonaparte, are coming
+to take them away. This custom of frightening children, which was
+practised in very early times, was made use of by the Spanish nurses after
+the defeat of the Armada. Burton, in his "Anatomy of Melancholy," part I,
+sec. 2: "Education a cause of Melancholy. There is a great moderation to
+be had in such things as matters of so great moment, to the making or
+marring of a childe. Some fright their children with beggars, bugbears,
+and hobgoblins, if they cry or be otherways unruly."
+
+Among the very few single prints published in the reign of Queen
+Elizabeth, there is one engraved on wood, measuring twenty inches by
+thirteen; it contains multitudes of figures, and is so great a rarity,
+that the author has seen only one impression of it, which is in the truly
+valuable and interesting collection of prints presented in the most
+liberal manner to the British Museum by Sir Joseph and Lady Banks.
+
+This print, which has escaped the notice of all the writers on the Graphic
+Art, is entitled, "Tittle-Tattle, or the several Branches of Gossipping;"
+at the foot of the print are the following verses, evidently in a type and
+orthography of a later time:
+
+ 1.
+
+ At childbed when the gossips meet,
+ Fine stories we are told;
+ And if they get a cup too much,
+ Their tongues they cannot hold.
+
+ 2.
+
+ At market when good housewives meet,
+ Their market being done,
+ Together they will crack a pot
+ Before they can get home.
+
+ 3.
+
+ The bakehouse is a place, you know,
+ Where maids a story hold,
+ And if their mistresses will prate,
+ They must not be controll'd.
+
+ 4.
+
+ At alehouse you see how jovial they be,
+ With every one her noggin;
+ For till the skull and belly be full
+ None of them will be jogging.
+
+ 5.
+
+ To Church fine ladies do resort,
+ New fashions for to spy,
+ And others go to Church sometimes,
+ To shew their bravery.
+
+ 6.
+
+ Hot-house makes a rough skin smooth,
+ And doth it beautify;
+ Fine gossips use it every week,
+ Their skins to purify.
+
+ 7.
+
+ At the conduit striving for their turn,
+ The quarrel it grows great,
+ That up in arms they are at last,
+ And one another beat.
+
+ 8.
+
+ Washing at the river's side
+ Good housewives take delight;
+ But scolding sluts care not to work,
+ Like wrangling queens they fight.
+
+ 9.
+
+ Then gossips all a warning take,
+ Pray cease your tongue to rattle;
+ Go knit, and sew, and brew, and bake,
+ And leave off TITTLE-TATTLE.
+
+
+
+
+[Illustration: _"Smithfield Saloop"_]
+
+
+SMITHFIELD SALOOP.
+
+PLATE XXVIII.
+
+
+About a century ago, almost every corner of the more public streets was
+occupied at midnight, until six or seven in the morning, by the sellers of
+frumenty, barley broth, cow-heel soup, and baked ox-cheek; and in those
+days when several hundreds of chairmen were nightly waiting in the
+metropolis, and it was the fashion for the bloods of the day to beat the
+rounds, as they termed it, there was a much greater consumption of such
+refreshments.
+
+The scenes of vice at the above period were certainly far more frequent
+than they are at present, for hard drinking, and the visitation of
+brothels were then esteemed as the completion of what was termed genteel
+education; and it was no unusual thing to see the famous Quin, with his
+inseparable associate Frank Hayman, the painter, swearing at each other in
+the kennel, but both with a full determination to remain there until the
+watchman went his round.
+
+The numerous songs of the day, and the incomparable plates by Hogarth,
+will sufficiently show the folly and vice of those drinking times, when
+the courtier, after attending the drawing-room of St. James's, would walk
+in his full dress, with bag and sword, from the palace, to the diabolical
+coffee-room of Moll King, in Covent Garden, where he would mix, sit, and
+converse with every description of character.
+
+Moll King's was the house now the sign of the Green Man, and was a mere
+hovel, so destitute of accommodation that the principal chamber of vice
+was immediately over the coffee room, and could only be ascended by a drop
+ladder.
+
+Saloop, the subject of this etching, has superseded almost every other
+midnight street refreshment, being a beverage easily made, and a long time
+considered as a sovereign cure for head-ache arising from drunkenness. But
+no person, unless he has walked through the streets from the hour of
+twelve, can duly paint the scenes of the saloop stall with its variety of
+customers.
+
+Whoever may be desirous of tasting saloop in the highest perfection, may
+be gratified at Reid's Coffee House,[16] No. 102, Fleet Street, which was
+the first respectable house where it was to be had, and established in the
+year 1719. The following lines are painted on a board, and suspended in
+the coffee room:
+
+ "Come all degrees now passing by,
+ My charming liquor taste and try;
+ To Lockyer[17] come, and drink your fill;
+ Mount Pleasant[18] has no kind of ill.
+ The fumes of wine, punch, drams, and beer,
+ It will expell; your spirits cheer;
+ From drowsiness your spirits free.
+ Sweet as a rose your breath shall be.
+ Come taste and try, and speak your mind;
+ Such rare ingredients here are joined,
+ Mount Pleasant pleases all mankind."
+
+The following extract respecting saloop, is taken from p. 38 of "Flora
+Diaetetica, or History of Esculent Plants," by Charles Bryant, of Norwich,
+1783. "Orchis Mascula. This is very common in our woods, meadows, and
+pastures, and the powdered roots of it are said to be the saloop which is
+sold in the shops; but the shop roots come from Turkey.
+
+"The flowers of most of the plants of this genus are indiscriminately
+called cuckoo-flowers by the country people. Though it has been affirmed
+that saloop is the root of the mascula only, yet those of the morio, and
+of some other species of orchis, will do equally as well, as I can affirm
+from my own experience; consequently, to give a description of the mascula
+in particular will be useless. As most country people are acquainted with
+these plants by the name of cuckoo-flowers, it certainly would be worth
+their while to employ their children to collect the roots for sale; and
+though they may not be quite so large as those that come from abroad, yet
+they may be equally as good, and as they are exceedingly plentiful, enough
+might annually be gathered for our own consumption, and thus a new article
+of employment would be added to the poorer sort of people.
+
+"The time for taking them up is when the seed is about ripe, as then the
+new bulbs are fully grown; and all the trouble of preparing them is, to
+put them, fresh taken up, into scalding hot water for about half a minute;
+and on taking them out, to rub off the outer skin; which done, they must
+be laid on tin plates, and set in a pretty fierce oven for eight or ten
+minutes, according to the size of the roots; after this, they should be
+removed to the top of the oven, and left there till they are dry enough to
+pound.
+
+"Saloop is a celebrated restorative among the Turks, and with us it stands
+recommended in consumptions, bilious cholics, and all disorders proceeding
+from an acrimony in the juices.
+
+"Some people have a method of candying the roots, and thus prepared they
+are very pleasant, and may be eaten with good success against coughs and
+inward soreness."
+
+
+
+
+SMITHFIELD PUDDING.
+
+PLATE XXIX.
+
+
+It would be almost criminal to proceed in my account of the present cry
+without passing a due encomium on the subject of it. The good qualities of
+an English pudding, more especially when it happens to be enriched with
+the due portion of enticing plums, are well known to most of us. It is a
+luxury to which our Gallic neighbours are entire strangers, and an article
+of cookery worth any dozen of their harlequin kick-shaws.
+
+The justly-celebrated comedian, Ned Shuter, was so passionately fond of
+this article that he would never dine without it, and anything that led to
+the bare mention of a pudding would burst the silence of a couple of
+hours' smoking; he was on one occasion known to lay down his pipe, and to
+exclaim, that the dinner the gentleman had just described would have been
+a very good one if there had but been a plum-pudding. The places where
+this excellent commodity is chiefly exposed to sale in the manner
+described in the engraving, are those of the greatest traffic or
+publicity, such as Smithfield on a market morning, where waggoners,
+butchers, and drovers, are sure to find their pence for a slice of hot
+pudding. Fleet Market, Leadenhall, Honey Lane, and Spital Fields, have
+each their hot-pudding men. In the lowest neighbourhoods in Westminster,
+where the soldiers reside, cook-shops find great custom for their pudding.
+The stalls, near the Horse Guards always have large quantities ready
+cut into penny slices, piled up like boards in a timber-yard.
+
+[Illustration: _Smithfield Pudding_]
+
+At the time of relieving guard, vendors of pudding are always to be found
+on the parade. There is a black man, a handsome, well-made fellow,
+remarkably clean in his person, and always drest in the neatest manner,
+who never fails to sell his pudding; he also frequents the Regent's Park
+on a Sunday afternoon, and, though he has no wit, his nonsense pleases the
+crowd. This person, who is now at the top of his calling, had a
+predecessor of the name of Eglington, who likewise carried on the business
+of a tailor.
+
+He was a well-made and very active man, and by reason of his being seen in
+various parts of London nearly at the same time, was denominated the
+"Flying Pudding Man." His principal walk was in the neighbourhood of Fleet
+Market and Holborn Bridge, and his smartness of dress and quickness of
+repartee gained the attention of his customers; he seldom appeared but in
+a state of perfect sobriety, and many curious anecdotes are related of
+him.
+
+On the approach of Edmonton Fair, wishing to see the sports and pastimes
+of the place, he ordered his wife to make as many puddings as to fill a
+hackney coach. This being done, on the morning of the opening of the fair
+a coach was hired for the puddings, and the pudding man and pudding lady
+took their seats by the side of the coachman. On their arrival at the fair
+he put on his well-known dress, and instantly commenced his cry of
+"pudding," whilst the lady supplied him from the coach. In a few hours'
+time, when his stock was all disposed of, he resumed his best attire, and
+with his fair spouse proceeded to visit the various shows.
+
+His well-known features were soon recognized by thousands who frequented
+the fair, and their jeers of "hot, hot, smoking hot," resounded from booth
+to booth. At the close of the day this constant couple walked home well
+laden with the profits they had made. There is hardly a fight on the
+Scrubs,[19] nor a walking match on Blackheath, that are not visited by the
+pudding men.
+
+When malefactors were executed at Tyburn, the pudding men of the day were
+sure to be there, and indeed so many articles were sold, and the cries of
+new milk, curds and whey, spice cakes, barley sugar, and hot spice
+gingerbread, were so numerous and loud, that this place on the day of
+execution was usually designated by the thousands of blackguards who
+attended it under the appellation of Tyburn Fair. The reader may see a
+faithful representation of this melancholy and humourous scene by the
+inimitable Hogarth, in the Execution Plate of his Idle Apprentice. In this
+engraving he will also find a correct figure of the triangular gallows,
+commonly called the "Three-legged Mare," and which stood upon the site
+afterwards occupied by the turnpike house, at the end of Oxford Street.
+
+In many instances the pudding sold in the streets has a favourable aspect,
+and under some circumstances perhaps proves a delicious treat to the
+purchaser.
+
+Nothing can be more gratifying than to enable a poor little
+chimney-sweeper to indulge his appetite with a luxury before which he has
+for some minutes been standing with a longing inclination; and as this
+gratification can be accomplished at a very trifling expense, it were
+surely much better to behold it realized than to see the canting
+Tabernacle beggar carry away the pennies he has obtained to the gin shop.
+It gives the writer great pleasure to state to the readers of Jonas
+Hanway's little tract in defence of chimney-sweepers, that, after
+witnessing with the most painful sensations the great and wanton cruelty
+which has for years been exercised upon that defenceless object the infant
+chimney-sweeper, he has of late frequently visited several houses of their
+masters, where he found in some instances that they had much better
+treatment than formerly, and, to the credit of many of the masters, that
+the boys had been as well taken care of, as to bedding and food, as the
+nature of their wretched calling could possibly admit of. By three or four
+of the principal master chimney-sweepers, the boys were regaled on Sundays
+with the old English fare of roast beef and plum pudding. Whatever may be
+the opinion of grave and elderly persons with respect to the lads of the
+present day, who as soon as they are indulged with a dandy coat by their
+silly mothers strut about like jackdaws and attempt to look big, even upon
+their grandfathers, yet we must declare, and perhaps to the satisfaction
+of these little men of sixteen, that they do not stand alone, for even
+some of the chimney-sweepers' boys, particularly those of the higher
+masters, regard the custom of dancing about the streets on May-day as low
+and vulgar, and prefer visiting the tea gardens, where they can display
+their shirt collars drawn up to their eyes.
+
+Certain it is that the greater number of those who now perambulate the
+streets as chimney-sweeps on May-day, are in reality disguised gypsies,
+cinder-sifters, and nightmen. Nor is the protraction of this ceremony in
+modern times from one to three days, even by its legitimate owners,
+unworthy of notice in this place; inasmuch as there is good reason for
+supposing that the money collected during the first two of those days is
+transferred to the pockets of the masters, instead of being applied for
+the benefit of the poor boys, whilst the well-meant benevolence of the
+public is shamefully deluded.
+
+
+
+
+THE BLADDER MAN.
+
+PLATE XXX.
+
+
+Within the memory of the author's oldest friends, London has been visited
+by men similar to Bernardo Millano, whose figure is pourtrayed in the
+following Plate. About sixty years ago there was a Turk, of a most pompous
+appearance, who entertained crowds in the street by playing on an
+instrument of five strings passed over a bladder, and drawn up to the ends
+of a long stick, something like that exhibited in the etching, and which
+instrument is said to have been the original hurdy-gurdy. This Turk
+contrived by the assistance of his nose, which was a pretty large one, to
+produce a noise with which most of the spectators seemed to be pleased.
+The splendour of his dress, and the pomposity of his manner, procured him
+a livelihood for some years. His success induced other persons to imitate
+him; the most remarkable of whom was the famous Matthew Skeggs, who
+actually played a concerto on a broomstick, at the Little Theatre in the
+Haymarket, in the character of Signor Bumbasto. His portrait was painted
+by Thomas King, a particular friend of Hogarth, and engraved by Houston.
+Skeggs, who then kept a public-house, the sign of the "Hoop and Bunch of
+Grapes," in St. Alban's Street, now a part of Waterloo Place, published it
+himself. Skeggs's celebrity is noticed in the following extract from G. A.
+Stevens: "The choice spirits have ever been famous for their talents as
+musical artists. They usually met at the harvest-homes of grape gathering.
+There, exhilarated by the pressings of the vintage, they were wont to
+sing songs, tell stories, and show tricks, from their first emerging until
+their perihelion under the presidentship of Mr. George Alexander Stevens,
+Ballad-Laureat to the Society of Choice Spirits, and who appeared at
+Ranelagh in the character of Comus, supported by those drolls of merry
+memory. Unparalleled were their performances, as _first fists_ upon the
+salt-box, and inimitable the variations they would twang upon the _forte_
+and _piano_ Jew's harp; excellent was _Howard_ in the chin concerto, whose
+nose also supplied the unrivalled tones of the bagpipe. Upon the sticcado,
+_Matt. Skeggs_ remains still unrivalled. And we cannot now boast of one
+real genius upon the genuine hurdy-gurdy. Alas! these stars are all
+extinguished; and the remains of ancient British harmony are now confined
+to the manly music of the marrow-bones and cleavers. Everything must sink
+into oblivion. Corn now grows where Troy town stood; Ranelagh may be
+metamorphosed into a methodists' meeting-house; Vaux-Hall cut into skittle
+alleys; the two Theatres converted into auction rooms; and the New
+Pantheon become the stately habitation of some Jew pawnbroker: nay, the
+Sons of Liberty themselves, &c."
+
+[Illustration: _Itinerant Musician_]
+
+Much about this time another Bladder-man was in high estimation, whose
+portrait has been handed down to us in an etching by Miller, from a most
+spirited drawing by Gravelot. The following verses, which set forth his
+woful situation, are placed at the foot of the Plate:
+
+ 1.
+
+ "No musick ever charm'd my mind
+ So much as bladder fill'd with wind;
+ But as no mortal's free from fate,
+ Nor nothing keeps its first estate,
+ A pamper'd prodigal unkind
+ One day with sword let out the wind!
+ My bladder ceas'd its pleasing sound,
+ While boys stood tantalizing round.
+
+ 2.
+
+ "They well may laugh who always win,
+ But, had I not then thought on tin,
+ My misery had been compleat;
+ I must have begg'd about the street:
+ But none to grief should e'er give way:
+ This canister, ne'er fill'd with tea!
+ Can please my audience as well,
+ And charm their ears with, O Brave Nell."
+
+Some few years since a whimsical fellow attracted public notice by passing
+strings over the skull of a horse, upon which he played as a fidler.
+Another man, remarkably tall and thin, made a square violin, upon which he
+played for several years, particularly within the centre arches of
+Westminster Bridge.
+
+To the eternal honour of the street-players of former times, it will ever
+be remembered that the great Purcell condescended to set one of their
+elegies to music. "Thomas Farmer, in 1684, lived in Martlet Court, in Bow
+Street, Covent Garden. He was originally one of the London street waits,
+and his elegy was set to music by Purcell." See Hawkins's History of
+Music, Vol. V. p. 18.
+
+The Guardian, No. 1, March 12, 1713, notices the famous John Gale. "There
+was, I remember, some years ago, one John Gale, a fellow that played upon
+a pipe, and diverted the multitude by dancing in a ring they made about
+him, whose face became generally known, and the artists employed their
+skill in delineating his features, because every man was judge of the
+similitude of them."
+
+A sort of guitar or cittern, and also the fiddle, were used in this
+country so early as the year 1364, and may be seen upon a brass monumental
+plate to the memory of Robert Braunche and his two wives, in the choir of
+St. Margaret's Church at Lynn. The subject alluded to is the
+representation of a Peacock feast, consisting of a long table with twelve
+persons, besides musicians and other attendants. Engravings of this very
+curious monument may be seen in Gough's Sepulchral Monuments, vol. i. p.
+115; in Carter's Specimens of Ancient Sculpture, vol. ii. plate 15; and in
+Cotman's Norfolk Brasses, Pl. III. p. 4.
+
+
+
+
+POSTSCRIPT. BY THE EDITOR.
+
+
+The interest of the Plates in Mr. Smith's "Antient Topography of London,"
+is much increased by numerous spirited little sketches of remarkable
+characters well known in the streets of the Metropolis; several of whom
+would have formed valuable additions, either to his work on the London
+Beggars, intituled, "Vagabondiana," or the present volume: a few of these
+shall be here noticed.
+
+1. In the View of the Old Houses in London Wall, p. 63, the man with two
+baskets is JOHN BRYSON, well known in London, particularly in rainy
+weather. He had been an opulent fishmonger in Bloomsbury Market, but
+became, by several losses, so reduced, that he latterly carried nothing
+except nuts in his basket; but his custom to the last was to cry every
+sort of fish from the turbot to the perriwinkle, never heeding the calls
+of those unacquainted with his humour. In the same Plate is WILLIAM
+CONWAY, whose cry of "Hard metal Spoons to sell or change," was familiar
+to the inhabitants of London and its environs. This man's portrait is also
+given by Mr. Smith in the present work, p. 63.
+
+2. In the View of old Houses at the West end of Chancery Lane, p. 48, are
+several figures drawn from the life. The woman with crutches represents
+ANNE SIGGS. She was remarkable for her cleanliness, a rare quality for her
+fraternity. Slander, from whose sting the most amiable persons are not
+invulnerable, tempted this woman to spread a report of her being the
+sister of the celebrated tragedian, Mrs. Siddons. From a work of singular
+character by Mr. James Parry, it appears that she was a daughter of an
+industrious breeches-maker at Dorking in Surrey. Another back view of this
+woman occurs in the Plate of Duke Street, Smithfield, in p. 54.
+
+3. The man without legs, in the same print, is SAMUEL HORSEY, well known
+in Holborn, Fleet Street, and the Strand. In 1816 this man had been a
+London beggar for thirty-one years. He had a most Herculean trunk, and his
+weather-beaten ruddy face was the picture of health. Mr. Smith has given a
+back view of this beggar in "Vagabondiana," p. 37, where are some further
+anecdotes of him.
+
+4. The dwarf hobbling up Chancery Lane was JEREMIAH DAVIES, a native of
+Wales. He was frequently shewn at fairs, and supported a miserable
+existence by performing sleight-of-hand tricks. He was also very strong,
+and would lift a considerable weight, though not above three feet high.
+
+5. The tall slender figure next to Davies was a Mr. CREUSE, a truly
+singular man, who never begged of any one, but would not refuse money when
+offered. He died in Middlesex Court, Drury Lane, and was attended to the
+burial ground in that street by friends in two mourning coaches. It is
+said he left money to a considerable amount behind him.
+
+6. In the View of Houses in Sweedon's Passage, p. 42, is a portrait of
+JOSEPH CLINCH, a noisy bow-legged ballad-singer, who was particularly
+famous, about 1795, for his song upon Whittington and his Cat. He likewise
+sold a coarse old woodcut of the animal, with its history and that of its
+master printed in the back ground.
+
+7. In the view of Winchester Street, p. 68, the person with the umbrella
+went under the name of Count VERDION, well known to Book Collectors. This
+person was a professor of languages; for several years frequented
+Furnival's Inn Coffee-House; and was a member of a man's benefit society
+held at the Genoa Arms public house, in Hays's Court, Newport Market. This
+supposed Count eventually proved to be a female, and died of a cancer on
+the 16th July 1802, at her lodgings in Charles Street, Hatton Garden, in
+the 58th year of her age.
+
+8. The short figure, carrying a little box, was sketched from the
+celebrated corn-cutter, Mr. CORDEROY, who married a lady five feet six
+inches high.
+
+9. The figure beyond Mr. Corderoy, is that of the respectable Bishop of
+St. POL DE LEON; of whom a portrait and memoir by Mr. Eardley Wilmot, will
+be found in the Gentleman's Magazine for 1807.
+
+10. In the view of Leadenhall Street, p. 52, the figure with a wig-box in
+his hands represents JOSEPH WATKINS, born in 1739 at Richmond, in
+Yorkshire; by trade a barber, and a man of retentive memory. He frequently
+shaved Hogarth, whom he knew well, and said he was the last person in
+London who wore a scarlet roquelaure. He had gathered blackberries on the
+north side of the road now Oxford Street, and remembered the old
+triangular gallows at Tyburn, as represented in the Execution Plate of the
+Idle Apprentice.
+
+11. The next figure is that of a draggle-tailed bawler of dying speeches,
+horrid murders, elegies, &c.
+
+12. The female in a morning jacket was sketched from the celebrated Mrs.
+ELIZABETH CARTER, the learned translator of Epictetus. She died Feb. 19,
+1806.
+
+13. The clumsy figure in a white coat, holding a goose, was well known
+about town as a vender of aged poultry.
+
+14. The figure with a cocked hat, was a dealer in old iron, a man well
+known at auctions of building materials, and was nicknamed by the brokers
+as OLD RUSTY.
+
+In 1815 Mr. Smith published a separate whole-length portrait of "Henry
+Dinsdale, nicknamed Sir Harry Dimsdale, mayor of the mock Borough of
+Garret, aged 38, anno 1800." It forms a good companion to his
+Vagabondiana. Dinsdale was by trade a muffin-man. There is also a spirited
+head of Dinsdale by Mr. Smith; and his portrait, in his court dress, is
+copied into Hone's Every Day Book, vol. II. p. 829, where, by mistake, it
+is called Sir Jeffrey Dunstan.
+
+P. 9. Hand's Bun-house at Chelsea was pulled down April 18, 1839. See
+Gentleman's Magazine for May 1839.
+
+In p. 54 the cry of "Young Lambs to Sell" is noticed. It may be added,
+that in Hone's Table Book, p. 396, is a spirited engraving of William
+Liston, an old soldier, with one arm and one leg, who, in 1821, carried
+about "Young Lambs to Sell." The _first_ crier of "Young Lambs to Sell,"
+Mr. Hone says, "was a maimed sailor, and with him originated the
+manufacture."
+
+
+THE END.
+
+
+J. B. Nichols and Son, Printers, 25, Parliament-street.
+
+
+
+
+FOOTNOTES:
+
+[1] The remaining copies of this curious work having fallen into the hands
+of Messrs. Nichols, it may now be had, with all the supplementary Plates
+properly arranged, and with others added to them.
+
+[2] A copy of the Life of Nollekens, enriched with the greater portion of
+the autograph correspondence mentioned therein, and with numerous
+drawings, portraits, and prints, is in the possession of Mr. Upcott; a
+nearly similar copy is also in the library of William Knight, of
+Canonbury-house, Islington, esq. who possesses by far the most complete
+and valuable series of Mr. Smith's graphic and literary labours. His copy
+of the History and Antiquities of Westminster, with numerous drawings of
+St. Stephen's Chapel, taken by the Bucklers after the recent
+conflagration, is at once unique and unrivalled.
+
+[3] Mr. Smith went to breakfast with Mr. Kean, who met him in the Hall,
+and asked him if he would like to see his lion; at the same moment
+introduced him to the beast in the parlour, who fawned about him; Mr. Kean
+became alarmed, and enticed the animal to the window, whilst Mr. Smith
+went up to Mrs. Kean in the drawing-room, who, on hearing of the
+circumstance, exclaimed, "Is Edmund mad?" Mr. Smith that morning made a
+sketch of the lion in his den.
+
+[4] This painted glass, 24 inches by 16, commemorates a very valuable
+benefaction to the parish of Lambeth, by a person unknown, of a piece of
+land, called, in 1504, Church Hope; in 1623, the Church Oziers, or Ozier
+Hope; and in 1690, Pedlar's Acre; let in 1504 at 2_s._ 8_d._, and now
+covered with houses and wharfs. Hope or Hoope signifies an isthmus or neck
+of land projecting into the river, or an inclosed piece of low marsh land.
+By the Churchwardens' Accounts, in 1607, it appears there was then a
+picture of the Pedlar; but the present pane is thus noticed: "1703. March
+6. Paid Mr. Price for a new glass Pedler L2." Nichols's Lambeth Parish,
+pp. 30, 31, 39; Allen's Lambeth, p. 62; in both which works are also
+representations of this painted glass. N.
+
+[5] A view of this house is given in the Gentleman's Magazine for May
+1801. Dr. Swift, in his Journal to Stella, Nov. 15, 1712, mentioning the
+death of the Duke of Hamilton, in a duel with Lord Mahon, says, "the Duke
+was helped towards the Cake-house by the Ring in Hyde Park (where the duel
+was fought), and died on the grass before he could reach the house." N.
+
+[6] This curious series of the Cries of London, drawn after the life, was
+engraved on 74 copper-plates by Tempesta, after Laroon. It is noticed in
+Hone's Table Book, vol. ii. p. 131, where twenty of these Cries not now
+heard in the streets are described, and the following figures are copied.
+1. "Buy a fine singing bird," vol. i. p. 510; 2. "Six pence a pound, fair
+cherries;" and 3. "Troop every one!" the seller of hobby-horses, toys for
+children, i. 686; 4. "Any New-River water here," p. 733; 5. "Fine Writing
+Ink;" and 6. "Buy an Iron Fork, or a Spoon," vol. ii. p. 431. The Set of
+Cries by Paul Sandby, consists of twelve. Both these have many real
+portraits. (Gough's Brit. Top. i. 689.) N.
+
+[7] It is much to be regretted that Mr. Smith never completed this work,
+for which he had collected valuable materials, which we fear are
+dispersed. N.
+
+[8] Representations of these cressets are given in Douce's "Illustrations
+of Shakspeare," and in "Hone's Every Day Book," i. 831. N.
+
+[9] Stowe, edit. 1618, p. 160. These extracts from Stowe attracted the
+notice of Mr. Hone, who has inserted them, with many suitable remarks, in
+his "Every Day Book," i. 827. N.
+
+[10] This work was very popular. The eighth edition bears this title:
+"English Villanies, eight several times prest to Death by the Printers,
+but still reviving again, are now the eighth time (as at the first)
+discovered by Lanthorne and Candlelight, &c. Lond. 1618." N.
+
+[11] Copied in Hone's "Table Book," vol. i. p. 733. N.
+
+[12] Elizabeth, one of the learned and accomplished daughters of Sir
+Anthony Cooke, Knt. was first married to Sir Thomas Hobye, (who died at
+Paris in 1566.) She was afterwards married to John Lord Russell, (who died
+in 1584); and having lived his widow 25 years, was buried at Bisham, June
+2, 1609.--Nichols's Progresses of Queen Elizabeth, III. 132. N.
+
+[13] Sir Thomas de Veil died Oct. 7, 1746, in his 63d year, and was buried
+at Denham, Bucks. A good memoir of him will be found in Gent. Mag. for
+1747, p. 562. N.
+
+[14] Since this work was written, an excellent work on Ancient Furniture
+has been published, the plates engraved by Henry Shaw, F.S.A. and
+described by Sir Samuel R. Meyrick, K.H. F.S.A.
+
+[15] This appears to have been an adaptation from--
+
+ Young Lambs to sell! Young Lambs to sell!
+ If I'd as much money as I could _tell_
+ I never would cry, Young Lambs to sell!
+
+[16] The lovers of saloop can no longer enjoy their favourite beverage at
+this the original shop, it having been closed as a coffee-house in June
+1833, the proprietor having been unfortunately too fond of liquor more
+spirituous than his own saloop. It is now a shoe-warehouse. N.
+
+[17] Lockyer was the name of the first proprietor of the house.
+
+[18] Mount Pleasant is in America, and produces the sassafras, from which
+the proprietor of the above coffee-house made the saloop.
+
+[19] Wormholt or Wormwood Scrubs, in the parish of Hammersmith. The
+following is extracted from the Sporting Magazine, Oct. 1802, p. 15. "On
+Thursday a pitched battle, for twenty guineas a side, was fought between
+O'Donnel and Pardo Wilson, brother-in-law to Belcher; and the ground fixed
+upon for the combat was the _Scrubs_, through which the Paddington canal
+runs, about four miles from Hyde Park Corner." Wormholt Scrubs has long
+been rented of the parish of Hammersmith by the Government as an exercise
+ground for the cavalry. At the present time Wormholt Scrubs is traversed
+by three railways, the London and Birmingham, the Great Western, and one
+now making to join the two former ones with the Thames. N.
+
+
+
+
+ _Of Nichols and Son, may be had, Price 5l. 5s._
+
+ A NEW EDITION OF
+ THE ANTIQUITIES OF WESTMINSTER,
+ THE OLD PALACE, ST. STEPHEN'S CHAPEL, &c.
+
+ ILLUSTRATED BY
+ THREE HUNDRED AND THIRTY ENGRAVINGS
+ OF TOPOGRAPHICAL SUBJECTS,
+ OF WHICH THE GREATER PART NO LONGER EXIST.
+
+ DRAWN ON THE SPOT, OR COLLECTED FROM SCARCE DRAWINGS
+ OR PAINTINGS,
+
+ BY JOHN THOMAS SMITH.
+
+
+_In this Edition the "Sixty-two additional Plates," published subsequently
+to the original Work, are inserted in their proper places; together with
+twenty-two other Plates strictly illustrative of Mr. Smith's publication;
+forming together a collection of Engravings illustrative of the antient
+City of Westminster unequalled in any other work._
+
+
+
+
+
+
+End of Project Gutenberg's The Cries of London, by John Thomas Smith
+
+*** END OF THIS PROJECT GUTENBERG EBOOK THE CRIES OF LONDON ***
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