summaryrefslogtreecommitdiff
path: root/37873.txt
diff options
context:
space:
mode:
Diffstat (limited to '37873.txt')
-rw-r--r--37873.txt13385
1 files changed, 13385 insertions, 0 deletions
diff --git a/37873.txt b/37873.txt
new file mode 100644
index 0000000..c52ed04
--- /dev/null
+++ b/37873.txt
@@ -0,0 +1,13385 @@
+Project Gutenberg's Alone with the Hairy Ainu, by A. H. Savage Landor
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Alone with the Hairy Ainu
+ or, 3,800 miles on a pack saddle in Yezo and a cruise to
+ the Kurile Islands.
+
+Author: A. H. Savage Landor
+
+Release Date: October 28, 2011 [EBook #37873]
+
+Language: English
+
+Character set encoding: ASCII
+
+*** START OF THIS PROJECT GUTENBERG EBOOK ALONE WITH THE HAIRY AINU ***
+
+
+
+
+Produced by Steven Gibbs, LN Yaddanapudi and the Online
+Distributed Proofreading Team at https://www.pgdp.net
+
+
+
+
+
+
+
+
+
+ [Illustration: _Frontispiece_. PORTRAIT OF THE AUTHOR.
+ "When my clothes came to an end I did without them."]
+
+
+
+
+ ALONE WITH THE
+ HAIRY AINU.
+
+ OR,
+
+ 3,800 MILES ON A PACK SADDLE IN YEZO AND
+ A CRUISE TO THE KURILE ISLANDS.
+
+ BY
+ A. H. SAVAGE LANDOR.
+
+ [Illustration]
+
+ WITH MAP AND ILLUSTRATIONS BY THE AUTHOR.
+
+ LONDON:
+ JOHN MURRAY, ALBEMARLE STREET.
+ 1893.
+
+
+ LONDON:
+ PRINTED BY WILLIAM CLOWES AND SONS, LIMITED,
+ STAMFORD STREET AND CHARING CROSS.
+
+
+
+
+PREFACE.
+
+
+This book is not meant as a literary work, for I am not and do not
+pretend to be a literary man. It is but a record--an amplified log-book,
+as it were--of what befell me during my solitary peregrinations in
+Hokkaido, and a collection of notes and observations which I hope will
+prove interesting to anthropologists and ethnologists as well as to the
+general public.
+
+Without any claim to infallibility I have tried to take an open-minded
+and sensible view of everything I have attempted to describe; in most
+cases, however, I have given facts without passing an opinion at all,
+and all I have said I have tried to express as simply and plainly as
+possible, so as not to give rise to misunderstandings.
+
+There are a few points which I want to make quite clear.
+
+First, that I went to Hokkaido entirely on my own account and for my own
+satisfaction. Next, that I accomplished the whole journey (some 4200
+miles, out of which 3800 were ridden on horseback and on a rough
+pack-saddle) perfectly alone. By alone I mean that I had with me no
+friends, no servants, and no guides. My baggage consisted of next to
+nothing, so far as articles for my own convenience or comfort were
+concerned. I carried no provisions and no tent.
+
+I am endowed with a very sensitive nature, and I pride myself in
+possessing the gift of adaptability to an extreme degree, and this may
+partly explain why and how I could live so long with and like the Ainu,
+whose habits and customs, as my readers will see, are somewhat different
+to ours.
+
+When I go to a country I do my best to be like one of the natives
+themselves, and, whether they are savage or not, I endeavour to show
+respect for them and their ideas, and to conform to their customs for
+the time being. I make up my mind that what is good for them must be
+good enough for me, and though I have occasionally had to swear at
+myself for "doing in Ainuland as the Ainu does," especially as regards
+the food, I was not much the worse for it in the end. I never use force
+when I can win with kindness, and in my small experience in Hokkaido and
+other countries I have always found that real savages in their
+simplicity are most "gentleman-like" people. With few exceptions they
+are good-natured, dignified, and sensible, and the chances are that if
+you are fair to them they will be fair to you. Civilised savages and
+barbarians I always found untrustworthy and dangerous.
+
+The Island of Yezo, with the smaller islands near its coast, and the
+Kurile group, taken together, are called "the Hokkaido." The Hokkaido
+extends roughly from 41 deg. to 51 deg. latitude north, and between 139 deg. and
+157 deg. longitude east of Greenwich.
+
+My view of the origin of the word Ainu is this: _Ainu_ is but a
+corruption or abbreviation of _Ai-num_, "they with hair," or "hairy
+men," or else of _Hain-num_, "come with hair," or "descended hairy."
+Considering that the Ainu pride themselves above all things on their
+hairiness, it does not seem improbable to me that this may be the
+correct origin of the word, and that they called themselves after the
+distinguishing characteristic of their race.
+
+The word Ainu is a generic term, and is used both in the singular and
+plural; but when specifying, the words _Kuru_ (people, men), _utaragesh_
+(woman), etc., are generally added to it: viz., _Ainu kuru_, Ainu
+people, Ainu men; _Ainu utaragesh_, an Ainu woman; _Ainu utaragesh
+utara_, several Ainu women.
+
+The Ainu population of Yezo is roughly reckoned by the Japanese at about
+15,000 or 17,000 souls, but at least half this number are half-castes,
+and in my opinion (and I have visited nearly every Ainu village in Yezo)
+the number of thoroughbred Ainu does not exceed 8000 souls.
+
+The illustrations in this book are my own, and are the reproductions
+from sketches which I took on the spot. They may not show much artistic
+merit, but they seem to me to be characteristic of the country and the
+people, and I hope that my readers will be impressed with them in the
+same way.
+
+A. HENRY SAVAGE LANDOR.
+
+
+
+
+CONTENTS.
+
+
+ CHAPTER I.
+ From Hakodate to Mororran--Volcano Bay--The first Ainu--A
+ strange institution among them 1
+
+ CHAPTER II.
+ From Mororran to the Saru River 12
+
+ CHAPTER III.
+ Up the Saru River--Piratori and its chief 22
+
+ CHAPTER IV.
+ An Ainu Festival 30
+
+ CHAPTER V.
+ From the Saru River to Cape Erimo 35
+
+ CHAPTER VI.
+ From Cape Erimo to the Tokachi River 44
+
+ CHAPTER VII.
+ The Tokachi Region--Pure Ainu Types--Curious Mode of River
+ Fishing 50
+
+ CHAPTER VIII.
+ From the Tokachi River to the Kutcharo River 68
+
+ CHAPTER IX.
+ The Koro-pok-kuru, or Pit-dwellers 78
+
+ CHAPTER X.
+ The Kutcharo River and Lake--A Sulphur Mine--Akkeshi and
+ its Bay 95
+
+ CHAPTER XI.
+ From Akkeshi to Nemuro--A Horse Station--Nemuro and its
+ People 106
+
+ CHAPTER XII.
+ The Kurile Islands 121
+
+ CHAPTER XIII.
+ On the East and North-East Coast--From Nemuro to Shari-Mombets 133
+
+ CHAPTER XIV.
+ Along the Lagoons of the North-East Coast--From Shari-Mombets
+ to Poronai 145
+
+ CHAPTER XV.
+ On the North-East Coast--From Poronai to Cape Soya 157
+
+ CHAPTER XVI.
+ From Cape Soya to the Ishikari River 167
+
+ CHAPTER XVII.
+ The Ishikari River 179
+
+ CHAPTER XVIII.
+ Nearing Civilisation 187
+
+ CHAPTER XIX.
+ Completing the Circuit of Yezo--The End of my Journey 196
+
+ CHAPTER XX.
+ Ainu Habitations, Storehouses, Trophies, Furniture--Conservatism 207
+
+ CHAPTER XXI.
+ Ainu Art, Ainu Marks, Ornamentations, Weapons--Graves and
+ Tattoos 218
+
+ CHAPTER XXII.
+ Ainu Heads, and their Physiognomy 229
+
+ CHAPTER XXIII.
+ Movements and Attitudes 236
+
+ CHAPTER XXIV.
+ Ainu Clothes, Ornaments, and Tattooing 245
+
+ CHAPTER XXV.
+ Ainu Music, Poetry, and Dancing 255
+
+ CHAPTER XXVI.
+ Heredity--Crosses--Psychological Observations 266
+
+ CHAPTER XXVII.
+ Physiological Observations--Pulse-beat and Respiration--Exposure--
+ Odour of the Ainu--The Five Senses 274
+
+ CHAPTER XXVIII.
+ The Ainu Superstitions--Morals--Laws and Punishments 281
+
+ CHAPTER XXIX.
+ Marital Relations, and Causes that limit Population 293
+
+ APPENDIX.
+
+ I.--Measurements of the Ainu Body, and Descriptive Characters 298
+
+ II.--Glossary of Ainu Words, many of which are found in
+ Geographical Names in Yezo and the Kurile Islands 304
+
+ INDEX 313
+
+
+
+
+LIST OF ILLUSTRATIONS.
+
+
+ Portrait of the Author _Frontispiece._
+ Aputa 1
+ Ainu Woman saluting 6
+ Toya Lake, near Aputa 11
+ Fisherman's Hut 12
+ Pack-Saddle 18
+ Norboribets Volcano 19
+ Horobets 21
+ Storehouses at Piratori 22
+ Benry, the Ainu Chief of Piratori 25
+ Ainu Man waving his Moustache-lifter before drinking 29
+ Ainu Festival, An 30
+ Ainu Women dancing 33
+ Piratori Woman in Costume 34
+ Utarop Rocks 35
+ Ainu Lashed Canoe 37
+ Front View of Lashed Canoe 38
+ Ainu Oars 38
+ Sailing Canoe 38
+ Ainu Wooden Anchors 39
+ Ainu Canoe, Top View of an 39
+ Erimo Cape 43
+ Natural Stone Archway, A 44
+ Iwa Rocks at Biru 49
+ Ainu Houses and Storehouse, Frishikobets, Tokachi River 50
+ Madwoman of Yammakka 55
+ Ainu Woman of Frishikobets, on the Tokachi River 60
+ Shikarubets Otchirsh, The 67
+ Ainu Man of the Upper Tokachi 68
+ Ainu Hook for Smoking Bear-Meat 77
+ Koro-pok-kuru Fort 78
+ Flint Arrow-Heads 78
+ Flint Knives 79
+ Koro-pok-kuru Pottery and Fragments of Designs 86
+ Stone Adzes and Hammer 94
+ Ainu Huts and Storehouses on Kutcharo Lake 95
+ Kutcharo Lake from Mount Yuzan 98
+ Sulphur Mine 100
+ Akkeshi in a Fog 105
+ Ainu Man and Woman on Horseback 106
+ Ainu Bits 110
+ Semi-Ainu Rat Trap 120
+ Ainu Woman of the Kurile Islands 121
+ Shikotan Ainu 126
+ Woman of the Kurile Islands 132
+ Abashiri Island 133
+ Ainu Belle, An 140
+ Saruma Lagoon 144
+ Eagle-displayed Sable, An 145
+ My Host, the Madman 148
+ Sarubuts, showing River-Course altered by Drift Sand 157
+ Ainu Village on the East Coast of Yezo 166
+ Mashike Mountain 167
+ Ishikari Kraftu Ainu 178
+ Kamui Kotan Rapids, The 179
+ Woman of Ishikari River 186
+ Ainu Bark Water Jugs 187
+ Ainu Half-caste Child of Volcano Bay 194
+ Komatage Volcano, Volcano Bay 196
+ Wooden Drinking Vessels 207
+ Kammakappe, The, &c. 209
+ Ahunkanitte, The, &c. 210
+ Atzis-Cloth in process of Weaving 210
+ Roasting Hook 211
+ Ape-Kilai, The, or Earth-Rake 214
+ Pestle, Mortar, Spoon, &c. 215
+ Ainu Pipe Holder and Tobacco Pouch 217
+ Ainu Knife, with ornamented Sheath, &c. 218
+ Kike-ush-bashui, or Moustache-Lifters 220
+ Suggestions of Leaves, &c. 221
+ Elaborations of Chevrons, Wave Patterns, &c. 222
+ Tchutti, or War-Clubs, &c. 223
+ Ainu Knives 224
+ Monuments for Women 225
+ Wooden Monuments over Men's Grave 225
+ Wooden Blade 226
+ Ainu Pipe, An 228
+ Ainu Man walking with Snow-Shoes 236
+ Thiaske-Tarra, The 238
+ Atzis, The 245
+ Atzis, after Japanese Pattern 245
+ Winter Bear-skin Coat 245
+ Atzis, Back of 246
+ "Hoshi," The 247
+ Boots, Deer-Skin Shoe, &c. 248
+ Tattoo-marks on Women's Arms 253
+ Snow-Shoes 254
+ Ainu Salutation 255
+ "Mukko," A, or Musical Instrument 258
+ Wooden Pipe, A 265
+ Naked Ainu Man from the North-East Coast of Yezo 274
+ Trophy of Bears' Skulls 281
+ Inao-netuba, &c. 292
+
+
+
+
+[Illustration: APUTA.]
+
+CHAPTER I.
+
+From Hakodate to Mororran--Volcano Bay--The first Ainu--A strange
+Institution among them.
+
+
+I have often asked myself _why_ I went to Yezo; and, when there, what
+possessed me to undertake the laborious task of going round the island,
+up its largest rivers, travelling through jungles and round lakes,
+climbing its highest peaks, and then proceeding to the Kuriles. There
+are certain things in one's life that cannot be accounted for, and the
+journey which I am going to relate is one of them.
+
+Pleasure and rest were the two principal objects which had primarily
+induced me to steer northwards; but it was my fate not to get either the
+one or the other.
+
+I was on the Japanese ship the _Satsuma Maru_. Rapidly nearing the
+Hakodate Head, which we soon passed, we entered the well-protected bay
+and the town of Hakodate at the foot of the Peak came into view. It
+looked extremely pretty, with its paper-walled houses and its tiled
+roofs, set against the background of brown rock with its fringe of green
+at the foot. As we cast anchor, hundreds of coolies, carrying on their
+backs loads of dried fish and seaweed, were running along the _bund_ or
+wharf. A few _musemes_ (girls), in their pretty _kimonos_ (gowns) and
+with oil-paper umbrellas, were toddling along on their wooden clogs, and
+a crowd of loafers stood gazing at the ship as she came to anchor. The
+Peak, more than 1000 feet high, was towering on our south side, forming
+a peninsula, joined to the mainland by a sandy isthmus, and the large
+bay swept round us, forming nearly a circle. The place has a striking
+resemblance to Gibraltar.
+
+I landed, and put up at a tea-house, where I was in hopes of learning
+something regarding the island from the Japanese settlers, but no one
+knew anything. The reports that there were no roads extending beyond a
+few miles; that there was but very poor and scarce accommodation along
+the coast; that the Ainu, who lived further north, were dirty people;
+and that the country was full of bears, were certainly not encouraging
+to an intending traveller.
+
+I must confess that my first day in Yezo was a dull one; but the second
+day I had the pleasure of meeting a Mr. H., a resident, who kindly
+offered me his hospitality, and the next two were pleasantly spent at
+his house. In conversation with a friend of his, I heard the remark that
+no man alone could possibly complete the circuit of the island of Yezo,
+owing to the difficulties of travel; and my readers can imagine the
+astonishment of my interlocutors when I meekly said, that if no one had
+ever done it, I was going to do it; and, indeed, that I intended to set
+out alone the next morning.
+
+"Impossible!" said one, "you are too young and too delicate."
+
+"Absurd!" said my kind host, "it would take a very strong man to do
+it--a man who could stand any amount of hardships and roughing." At the
+same time he gave me a pitiful look, which undoubtedly meant, "You are a
+mere bag of skin and bones."
+
+However, the bag of skin and bones kept his word, notwithstanding the
+poor opinion that his new friends had formed of him.
+
+The preparations for my journey were simple. In two large Japanese
+baskets I packed three hundred small wooden panels for oil-painting, a
+large supply of oil colours and brushes, a dozen small sketch-books, my
+diary, three pairs of boots, three shirts, an equal number of pairs of
+woollen stockings, a revolver, and a hundred cartridges. The remainder
+of my luggage was left in charge of Mr. H. till my return. I did not
+burden myself with either provisions or a tent.
+
+I rose early the following morning and bade good-bye to my kind host.
+"Good-bye," said he, "I expect we shall see you back to-night to
+dinner." The word "dinner" was the last English word I heard from the
+mouth of an Englishman, and it was five long months before I heard
+another.
+
+The first thirty miles of my journey were ridden in a _basha_, a covered
+cart built on four wheels that ought to have been round, but were not.
+There were no springs for the comfort of the traveller, and no cushions
+on the seats. The conveyance was public, and was drawn by two sturdy
+ponies. The driver, a Japanese, carried a brass trumpet, on which he
+continually played.
+
+I might have begun my story by the usual "One fine day," if,
+unfortunately, the day on which I started the rain had not poured
+in torrents. A Japanese policeman and a girl were my only
+fellow-passengers. Travelling at full gallop, on a rough road, in a trap
+with unsymmetrical wheels and with no springs, during a heavy storm, is
+scarcely what one would call a pleasant mode of progression; but after
+some hours of "being knocked about," we went zig-zag fashion, first up a
+steep hill, then down on the other side, giving the horses a rest at a
+roadside tea-house by the famous lakes of Zenzai. The larger of these
+two lakes--the Ko-numa--is extremely picturesque, with its numerous
+little islands wooded with deciduous trees. In shape it is very
+irregular, and many points, which project into the lake, add to the
+loveliness of the scene, while the high ridge over which I had come, on
+the one side, and the rugged volcano of Komagatake on the other, form a
+beautiful background to the limpid sheet of water. The outlet of this
+lake empties itself into Volcano Bay, S.E. of the Komagatake Volcano.
+The other lake, though smaller, is quite as striking, and possesses the
+same characteristics of its larger brother. It goes by the name of
+Ono-numa. A peculiarity of these lakes is that they abound in a smallish
+fish--the _funa_--which is greatly appreciated by the Japanese.
+
+I sat down in the tea-house on the soft mats, and my _bento_--Japanese
+lunch--was served to me on a tiny table. There was water soup; there was
+sea-weed; there was a bowl of rice, and raw fish. The fish--a small
+_funa_--was in a diminutive dish and its back was covered by a leaf; the
+head projected over the side of the plate. On the leaf were placed
+several neatly-cut pieces of the raw flesh, which had apparently been
+removed from the back of the underlying animal. As I had been long
+accustomed to Japanese food of this kind I ate to my heart's content,
+when, to my great horror, the _funa_, which had been staring at me with
+its round eyes, relieved of the weight that had passed from its back
+into my digestive organs, leaped up, leaf and all, from the dish and
+fell on the mat. All the vital parts had carefully been left in the
+fish, and the wretched creature was still alive!
+
+"Horrible!" I cried, violently pushing away the table and walking out
+disgusted, to the great surprise of the people present, who expected me
+to revel in the deliciousness of the dish.
+
+For days and days after I could see in my mind the staring eyes of the
+_funa_, watching each movement of my chopsticks, and its own back being
+eaten piecemeal! Wherever I went this big eye stood before me, and
+increased or diminished in size according to my being more or less
+lonely, more or less hungry. I had often eaten raw fish before, but
+never had I eaten live fish!
+
+The journey in the _basha_ was resumed that afternoon, and, more dead
+than alive, I alighted in the evening at Mori, a small Japanese village
+at the foot of the Komagatake Volcano. The peak of this mountain is 4000
+feet above the level of the sea, but its basin-like crater is at a
+somewhat lower altitude. Up to a certain height it is thickly wooded
+with deciduous trees and firs, thence its slopes are bare of vegetation,
+rugged in form, and very rich in colour. It makes part of a volcanic
+mass which extends from the Esan Volcano, further south, to the limit of
+the Shiribeshi province, crossing straight through the province of
+Oshima as far as the Yurapdake Mountain. Komagatake is one of the most
+majestic and picturesque mountains I have ever seen, as it possesses
+lovely lines on nearly every side. Its isolation and sudden sharp
+elevation, rising as it does directly from the sea, gives, of course, a
+grand appearance to its weird and sterile slopes, which are covered with
+warmly-tinted cinders, pumice, and lava.
+
+I went over to Mororran, across Volcano Bay, and the following morning I
+risked my life on a small craft, which took me over to Mombets. From
+this place I rode on to Uso and Aputa, two Ainu villages at a short
+distance from each other.
+
+Coming from Japan the first thing that strikes a traveller in the Ainu
+country is the odour of dried fish, which one can smell everywhere; the
+next is the great number of crows--the scavengers of the country;
+lastly, the volcanic nature of the island. On visiting an Ainu village
+what impressed me most were the miserable and filthy huts, compared with
+the neat and clean Japanese houses; the poverty and almost appalling
+dirt of the people and their gentle, submissive nature.
+
+I shall not dwell at length on these Volcano Bay Ainu, as this part of
+the country is comparatively civilised, and has been travelled over by
+many people previous to my going there. Besides, most of them have
+intermarried with Japanese, and have consequently adopted many Japanese
+customs and manners.
+
+The Ainu of the coast build their huts generally on a single line, near
+the shore, and each family has its "dug out" canoe drawn up on the
+beach, ready to hand when wanted. The huts are small and
+miserable-looking, and they have no furniture or bedding to speak of.
+The roof and walls are thatched with _arundinaria_, but so imperfectly
+that wind and rain find easy access through their reedy covering.
+Curiosity is the only good quality which I ever possessed, and in
+obedience to it I poked my nose into several of the huts along the
+beach. This was a mistake on my part, for in the Ainu country the nose
+is the last thing one ought to poke in anywhere. I was more than
+astonished to see how human beings could live in such filth! The natives
+kindly asked me to enter, and I of course did so, stooping low through
+the small door and raising the mat which protects the aperture. When I
+was in I could smell a great deal more than I could see, for the east
+window--the size of a small handkerchief, and the only one in the
+hut--did not give light enough to illuminate the premises. However, I
+soon got accustomed to the dimness, and then I could make out my
+surroundings clearly enough. There was an old man, perfectly naked, with
+a fine head, long white hair and beard, sitting on the ground among a
+mass of seaweeds, which he was disentangling and packing. Two young
+women and two young men, with bright, intelligent eyes and high
+cheek-bones, were helping him in his work. In their quiet, gentle way
+they all brought their hands forward, each rubbed the palms together,
+and, lifting the arms, slowly stroked their hair, and the men their
+beard with the backs of their hands, while the women rubbed the first
+finger under the nose from the left to the right. This is their
+salutation, and it is most graceful. They seemed pleased to see me, and
+asked me to sit down. As there were neither chairs nor sofas, stools nor
+cushions, I squatted on the ground.
+
+[Illustration: AINU WOMAN SALUTING.]
+
+Most Ainu of Volcano Bay understand Japanese, and they also speak it,
+interpolating Ainu words when necessary, so I began a conversation. My
+presence did not seem to disturb them or arouse their curiosity, and,
+beyond gazing at the mother-of-pearl buttons on my white coat, they did
+not appear to be struck by me. Evidently the buttons were much more
+interesting to them than the person who wore them. Now and then they
+uttered a few words, but whenever one spoke some of the company seemed
+to be angry, as at an impertinence or a breach of etiquette. Men and
+women wore large ear-rings or pieces of red or black cloth, which added
+a great deal to their picturesqueness; but the women were disfigured by
+a long moustache tattooed across the face from ear to ear. Rough
+drawings adorn the arms and hands of the women, and some of the younger
+females would undoubtedly be fine-looking if not disfigured by the
+tattoos, for they carry themselves well when walking, and possess comely
+features. Judging from appearances, I should think them very passionate.
+
+Coming out of the hut I saw a scene which I shall never forget. Two
+naked boys, covered with horrible skin eruptions, had got hold of a
+large fish-bone, out of which they were endeavouring to make a meal.
+Round them were gathered about thirty dogs, wild with hunger, barking
+furiously at the frightened children, and attacking and fighting them
+for that miserable repast.
+
+I walked along the beach, and endeavoured to make friends with some of
+the Ainu who were less shy than the others. One little girl was
+especially picturesque. She was only about ten, and her large eyes,
+tanned complexion, white teeth, the tiny bluish-black tattoo on her
+upper lip, her uncombed long black hair flying around her, and her red
+cloth ear-rings, made her indeed one of the quaintest studies of colour
+that I have seen in my life. I got her to sit for me; and while I was
+painting her, an old man, the chief of the village, dressed up in a
+gaudy costume, with a crown of willow shavings on his head, came to me
+and made his "salaams." He bore the name of Angotsuro, and before all
+his salaams were over he found himself "caught in the action" in my
+sketch-book. Many of the villagers had collected round, and one of them,
+a half-caste, expressed the wish that I should paint the chief in
+colours, like the picture of the girl. I asked for nothing better, and
+started an oil-sketch of him. The excitement of the natives who were
+witnessing the operation grew greater and greater as each new ornament
+in the chief's dress was put in the picture. Some seemed to approve of
+it, others were grumpy, and apparently objected to the picture being
+taken at all. The _seance_ was indeed a stormy one; and though the chief
+had his regal crown knocked off his head two or three times by the
+anti-artistic party, he sat well for his likeness, especially as I
+promised him in Japanese, that when the picture was completed he should
+be given a few coins and two buttons off my coat.
+
+It was while portraying him that I noticed what extraordinary effects
+colours produce on those whose eyes are unaccustomed to them. A man in
+the crowd would get excited, and open his eyes wide and show his teeth
+every time I happened to touch with my brush the cobalt blue on my
+palette. Other colours had not the same effect on him. His eyes were
+continually fixed on the blue, anxiously waiting for the brush to dip in
+it, and this would then send him into fits of merriment. I squeezed some
+blue paint from a tube on to the palm of his hand, and he nearly went
+off his head with delight. He sprang and jumped and yelled, and then ran
+some way off, where he squatted on the sand, still in admiration of the
+blue dab on his hand, still grinning at intervals with irrepressible
+enjoyment. Where the point of the joke was no one but himself ever knew.
+
+When the picture was finished I had no little trouble to keep the many
+fingers of my audience off the wet painting. Moreover, some person
+endowed with kindly feelings threw a handful of sand in my face, which
+nearly blinded me for the moment and partly ruined the two pictures I
+had painted. The money and the buttons were duly paid to Angotsuro and I
+moved on.
+
+That same evening I went out for a walk. It was a very dark night, and I
+love dark nights. When for some years you have done nothing but see
+strange things and new places there is indeed a great fascination in
+going about in complete darkness; it rests both your eyes and your
+brain. I walked for some time along the beach, stumbling against the
+canoes drawn on shore and against anything that was in my way. Hut after
+hut was passed, but everything was silent; there was not a sound to be
+heard, not a light to be seen. The Ainu are early people; they retire
+with the sun. I walked on yet farther and farther afield, till through
+the thatched wall of one of the huts I discerned a faint light. I stood
+and listened. The sad voice of a man was singing a weird, weird song,
+the weirdest song I have ever heard. Then came a pause, and another
+voice, even more plaintive than the first, continued the same air.
+
+What with the strange melody in the hut, the soothing noise of the waves
+gently breaking on the shingle, and the distant howling of dogs or
+wolves, the mystic effect was such that I could not resist the
+temptation, and I crept into the hut. A fire was burning in the centre,
+but it had almost gone out, leaving a lot of smoke. Three old men were
+sitting on the ground. They decidedly looked as if they did not expect
+me, but, after their first astonishment was over, they asked me to squat
+down in a corner, and there I was left to amuse myself, while they
+resumed their singing and drinking. Of the latter they seemed to have
+had enough already; but, all the same, several wooden bowls, about five
+inches in diameter and two deep, were passed round and emptied in no
+time. The more they drank, the wilder and more melancholy the song
+became. Only one at a time sang, and he would begin in a very low tone
+of voice and go up in a _crescendo_, gradually getting awfully excited;
+then all at once he would stop, as if the effort had been too great for
+him. His head drooped, and he seemed to sleep. Then, suddenly waking up,
+coming back to his full senses in a startling manner, he drained one of
+the bowls, which meantime had been refilled, and resumed the song. The
+three men were facing each other, and so absorbed were they in their
+music that, though I was not more than four feet away from them, they
+seemed to have forgotten me altogether.
+
+I was so impressed with the strangeness of the song that I pulled out my
+pencil and paper to write down the air. As there was no light but the
+flicker of the fire, I turned the white leaf of my sketch-book toward it
+to see what I was writing. This caught the eye of one of the men. He
+woke up, startled from his musical dream, jumped to his feet, and made a
+dash for me, yelling some words which I did not understand, and holding
+over my head something that I could not distinguish at the moment owing
+to the dimness of the light. Standing thus he paused, evidently waiting
+for an answer to something he had said. It came from one of the other
+fellows, who pushed him so violently as to send him sprawling on the
+floor, while, what he held in his hand--a big, heavy, pointed
+knife--fell and stuck deep in the ground about an inch from my toes. A
+dispute arose among themselves, but among the Ainu everything ends up in
+a drink. The large wooden bowls were again refilled; grand bows were
+made to me, and they all stroked their hair and beard several times--a
+sign of great respect. I was then handed one of the bowls and made to
+swallow the contents. But, heavens! never have I felt any liquid work
+its way down so far. Had I swallowed fire it could not have been as bad;
+and, indeed, it was neither more nor less than liquid fire.
+
+As the night was wearing fast, and the old fellows had got on well with
+their drink, the sing-song became rather too languid and monotonous; and
+I crept out of the hut as quietly as I had entered it, not without first
+giving the inmates something for their trouble. I had some difficulty
+in finding my way back to my less musical quarters; and passing too
+close to some of the other huts, the dogs--which infest all Ainu
+villages--barked furiously and roused the whole place.
+
+I learned afterwards that it is an Ainu fashion to try a man's courage.
+This is done in the way in which my musical friends tried mine, namely,
+by making a sudden rush with a knife as if death and destruction were
+imminent, which to a perfect stranger, unconscious of the strain of
+"bluff" in the action, is not very reassuring. If the person to be
+tested is aware of this fashion he has to submit to an unlimited number
+of whacks, administered to him on his bare back, with a heavy war-club.
+These tests of a man's courage and endurance are called the _Ukorra_.
+
+In the first instance it is done, in a certain sense, good-naturedly,
+and not meaning to hurt one. Should, however, the person apparently so
+dangerously threatened show fright or signs of cowardice, he loses the
+respect of the Ainu, unless he has the happy thought of giving them a
+sufficient quantity of some intoxicating liquor to make them all
+drunk--which is a sure means of turning the most inimical Ainu you may
+meet into your fast friend, even if you have had a deadly feud with him.
+
+The second way--with the war-club--of course is a painful process, and
+the Ainu have recourse to it when it is necessary to determine the
+relative amount of courage possessed by certain members of a community.
+The one that can stand the greater number of blows is naturally entitled
+to the respect and admiration of his neighbours, and he is elected
+leader in bear-hunts or similar expeditions. At the election of a new
+chief--when the chief's line of descendants dies out--this process, I
+was told, is often practised; for bravery is the first quality which an
+Ainu chief must possess.
+
+At Aputa, through some of the half-castes, I was able to pick up a great
+number of Ainu words, which were most useful to me afterwards; and from
+that, gradually increasing my stock of words, I soon knew enough to
+understand a little and also to make myself understood.
+
+One day I went along the coast to the next village of Repun, and then
+retraced my steps to Aputa, as there was nothing of interest at the
+former place.
+
+An excursion which I enjoyed more was to the Toya Lake, with its three
+pretty islands in the centre and the magnificent Uso Volcano on its
+southern shores. The walk there and back was hardly fifteen miles, over
+a mountain track and through forests of pine-trees and oaks. The lake is
+about 250 feet above the level of the sea, and is about five miles in
+diameter. Its shores are surrounded with thickly-wooded hills, which
+have grassy terraces at a certain altitude, extending especially towards
+the north-western shores of the lake. The barren Uso Volcano, with its
+sterile slopes, is a great contrast to the beautiful green of the
+comparatively luxuriant vegetation of the lower altitudes. The lake
+finds an outlet into the Osaru River by means of a high waterfall.
+
+The following day I rode back to Mombets, and the next on to
+Shin-Mororran (the _new_ Mororran, distinguished by this affix from
+Kiu-Mororran, the _old_ settlement on the northern shore).
+
+Mororran has a well-protected harbour, and it would be the best future
+port in Hokkaido if the anchorage were of a larger capacity. In more
+speculative hands than the Japanese this port would be a great rival to
+Hakodate. It consists of a thickly-wooded peninsula, which forms a
+well-sheltered bay, at the entrance of which the picturesque island of
+Daikuku stands high above the sea-level. In the harbour itself, smaller
+islets and huge rocks contribute to its beauty.
+
+The village of Mororran is a mere streak of fourth-rate tea-houses along
+the road by the side of the cliffs. Apart from the natural loveliness of
+the harbour, it has, indeed, no claims to consideration at present. In
+former days it was called by the Ainu, Tokri-moi, "the home of the
+seals," for these valuable amphibious animals were said to be then
+plentiful in the bay.
+
+[Illustration: TOYA LAKE, NEAR APUTA.]
+
+
+
+
+[Illustration: FISHERMAN'S HUT.]
+
+CHAPTER II.
+
+From Mororran to the Saru River.
+
+
+Thirteen more miles in a _basha_--for I was still in civilised
+regions--took me to Horobets--a village half Ainu and half Japanese.
+
+The Ainu often name their villages after rivers, and this word Horobets,
+which in English means "large river," is an instance of this custom. In
+Southern Japan, previous to my visiting Yezo, I was told that nearly all
+the Ainu of Horobets had become "good Christians." If such were the
+case, which I do not wish my readers to doubt, the small experience
+which I had here, led me to believe that "good Christians" often make
+"very bad heathens."
+
+I left all my baggage in a tea-house at the entrance of the village,
+and, taking my paint-box with me, I went for a walk along the beach. I
+saw a crowd of Ainu in the distance, and I hurried up to them. They were
+busy skinning a large Ushi-sakana (cow-fish), cutting it into pieces
+with their long knives. They did not pay much attention to me, and this
+disregard of what would be to others a cause of curiosity and
+interruption I afterwards found to be a characteristic of the Ainu. They
+are seldom distracted from any particular idea that occupies their mind
+at a certain moment. In fact, they are so little accustomed to reflect
+at all, that it seems almost impossible for them to think of two things
+at the same time. Of all the existing races of mankind they may be said
+to be the most purely one-idea'd.
+
+Stark naked, with their long hair streaming in the wind, they formed a
+picturesque group. What a chance for a sketch! I sat down on the sand,
+opened my paint-box, and dashed off a picture, when a young lad, who had
+taken his share of the fish, came over to see what I was doing. "What is
+it?" he asked me in broken Japanese, to which question I answered that I
+was painting the group of them. The news seemed to give him a shock. He
+rejoined the others, excitedly muttered some words, and apparently told
+them that I had painted the whole group, fish and all. Had anyone among
+them been struck by lightning, they could certainly not have looked more
+dismayed. I never knew until then that painting could have such an
+overpowering effect on people, except, perhaps, when one has sat to an
+amateur artist for one's own likeness, the result of which is often one
+of dumb and blank amazement. Anger and disgust naturally followed. The
+fish was thrown aside, but not the knives, armed with which they all
+rushed at my back. The sudden change of ideas had evidently made them
+exceedingly angry. The grumbling became very loud, and louder still when
+they saw me complacently giving the finishing touches to the fish, which
+was now left alone, and not as before shifted about every second. They
+grew wilder and wilder, until one of the crowd shouted in my ears some
+words which sounded remarkably like swearing. Nevertheless it takes more
+than that to stop me from sketching; but ... "By Jove!" I exclaimed,
+when, all of a sudden, a rush was made on me. My paint-box, picture,
+palette and brushes were snatched out of my hands and smashed or flung
+away, and I found myself stretched on the sand, my late involuntary
+sitters holding me down fast by the legs and arms. A big knife was kept
+well over my head, so that I should not attempt to move, while the
+painting, on a heavy wooden panel, was being mercilessly destroyed by
+others. "If these are Christians, well I am ..." were, I must confess,
+the first words that rose to my lips.
+
+It is, indeed, difficult to describe how and what one feels when, to all
+appearance, one is going to be murdered--for painting a fish! My first
+thought, of course, went to my parents. My next was, what a nuisance it
+was to be murdered with the sun shining in my eyes, so that I could not
+even see who would give me the "finishing touch." All the events of my
+life, the bad ones first, flashed across my mind in those few seconds,
+and then I almost began to feel as if I had made my first steps into the
+other world, and I could see angels and devils disputing for my
+company--the devils, of course, having by far the largest claims. The
+bitterness of death had in some sense passed, when, to my great
+astonishment, and with a few, but very sound, kicks I was made to
+understand that I could get up and go.
+
+The sensation of being brought back to life, when one has made up one's
+mind to be dead, notwithstanding the abrupt manner in which it was
+produced, was indeed a pleasant one. I did get up, and pretty quick, I
+can tell you; but only to see my poor wooden paint-box floating
+half-smashed in the sea, my brushes stuck here and there in the sand,
+and the sketch utterly destroyed.
+
+My assailants were about fifteen or twenty, and I was alone. Stupidly
+enough, and relying on the Christianity of the people, I had not
+burdened myself with the extra weight of my revolver; I had left it with
+my heavy luggage in the small Japanese tea-house where I had put up,
+nearly a mile away. The Japanese police-station was at Washibets,
+another village some miles off. Nothing was left for me but to pick up
+the few unbroken brushes which were within easy reach and retire; but I
+was neither frightened nor conquered, and I swore to myself that I would
+have my revenge. I hurried to the tea-house, took my revolver, and
+filled my pocket with cartridges, then I ran back to the spot where I
+had sketched and been assaulted. There they all were as I had left them,
+one of them mimicking me with the broken palette, which he had fished
+out of the sea. I had kept well behind some thick brushwood, so that
+they should not see me, and for some time watched them unobserved. The
+imitation was perfect. The impromptu Raphael's hair was long enough to
+give him the look of an artist, and he was sufficiently brave to carry
+on his imitation sketching under a shower of missiles and sand thrown at
+him by his friends and companions. As he turned his head I recognised in
+my brother-artist the man who had been holding the knife over my head
+about an hour before, and also the very person who had given me the
+soundest kick. Just like a brother-artist! If my sketching had not
+lasted long, his parody was even shorter. I sprang out from the
+brushwood screen and caught him by the throat, pointing my revolver at
+his head, and telling him in Japanese to follow me to the
+police-station. Another man, attacking me from behind, stabbed me in my
+left arm, but not very severely, as I saw him just in time to avoid his
+blow. The sight of my revolver had a salutary effect on my hairy
+friends, and they were done out of their fun when, keeping them at bay,
+I told them that if they did not follow me they would all be dead men
+before they knew where they were. They had seen guns of the Japanese,
+and they knew the effects of them, so the saucy gentlemen stroked their
+hair and beard and made signs of submission and obedience. However, I
+was not to be easily appeased, as it was necessary to give them a lesson
+to prevent the same thing happening to future travellers; so I made them
+march in front of me, not caring to have them at my back, and thus took
+them all to the Japanese police-station, where they were duly arrested.
+The Japanese are very severe with recalcitrant Ainu, and my assailants
+would have been unmercifully dealt with had it not been for their wives
+and children, who came to me begging me to forgive their husbands and
+fathers for what they had done. I willingly did so, on condition that
+they should all come and prostrate themselves at my feet, imploring
+pardon and forgiveness and offering submission, as well as confessing
+their sorrow. This penitential function was reluctantly fixed by the
+Japanese policeman--the only one in the place--at a late hour in the
+afternoon. During the interval, as I fortunately had a large supply of
+painting materials, I managed to repaint from memory the scene
+represented in the sketch destroyed. The evening came, and the little
+Japanese policeman brought the resigned and humbled Ainu to the inn.
+Their wives and relatives followed, and they all looked supremely
+mournful and sad. I sat, Japanese fashion, on the small verandah on the
+ground-floor, and the policeman placed the Ainu on a line in front of
+me, and then came to sit by my side. He then addressed them, partly in
+the Ainu language, partly in Japanese, and bestowed on them names which
+went well to the point. He scolded them harshly, and asked them why they
+had assaulted me.
+
+One of them, as grave as a judge, with his eyes cast down, and in a
+half-broken voice, came forward and said, that if once you have your
+likeness taken you have to give up your life to it, and it brings
+illness to yourself, to your children, your parents, and your
+neighbours. Not only that, but as I had _taken_ many people together,
+famine was sure to fall on the country. "Then," he added--and he seemed
+positive of what he was talking about--"then there was a fish the
+stranger _made_"--the Ainu have no word for painting--"and had we not
+destroyed his _makings_ all the fish would have disappeared from the
+sea, and all the Ainu would have died of starvation"--which was a
+terrible contingency, as the Ainu live mainly by fishing. "We have not
+hurt the stranger," continued this hairy representative of Master
+Eustache de St. Pierre, "and now that all the Ainu and the fish he made
+are destroyed we are safe."
+
+"You are mistaken," said I, when, by the aid of the policeman, I
+understood the meaning of this long harangue, and I produced the large
+sketch of the scene which I had repainted from memory. This certainly
+beat them. They could hardly believe their own eyes, and looked at each
+other as if some great calamity were approaching. I have no doubt that
+they considered me an evil spirit, and, as such, too powerful to be
+contended with. Discretion was their best part of valour, as they
+proved. One by one they approached the verandah, sat cross-legged in
+front of me, rubbed their hands together, stroked their hair and beard
+three times, and three times each put his head down to my feet, begging
+my pardon. The Ainu women and children who had assembled in the back
+yard, where the function took place, were crying and moaning piteously.
+The most trying part for me was, of course, to keep serious during this
+long tragi-comic performance, and I was indeed glad when it was all
+over; when my supremacy was acknowledged, and my immunity from further
+insult secured; when submission had been made, and such whips and stings
+of outrageous fortune as might come from the painting of a fish had been
+humbly accepted.
+
+The Ainu are gentle and mild by nature, but, like all ignorant people,
+they are extremely superstitious, and superstition is a powerful
+excitant. Nevertheless, they are good people in their own way, and it
+must not be inferred from this small experience of mine that they are
+bullies, for they are not. The superstition regarding the reproduction
+of images is common all through the East, with the exception of the
+Japanese, and in many parts of Europe itself strange ideas are connected
+with portrait-painting. In Spain or Italy many a girl of the lower
+classes would think herself dishonoured if she happened to be sketched
+unawares, or if her picture were shown without the consent of her
+parents, brothers, relatives, and the parish priest.
+
+However, these Horobets Ainu are said, since civilisation has set in in
+that part of Yezo, of late years to have become untrustworthy and
+violent. They are more given to drunkenness than their neighbours, as
+they can procure from the Japanese stronger beverages than their own.
+_Sake_ (Japanese wine) of inferior quality is sold and exchanged in
+large quantities, and has the same fatal effects on them as rum--our
+fire-water--had on the American Indians.
+
+I was not sorry to leave a village which had displayed so little
+appreciation of my art. I took two ponies and two pack-saddles, to one
+of which was lashed my baggage, while I sat on the other. Riding is a
+delightful pastime when you have a good horse and a good saddle; but not
+when you have to look after two vicious animals, and are yourself
+perched on a rough wooden pack-saddle. Moreover, Ainu pack-saddles are
+perhaps the most uncomfortable of their kind. The illustration shows one
+of them. It is made with a rough, solid wooden frame, of which the front
+and back parts are semicircular. One large hole is perforated in each of
+these to allow ropes to be passed through. Under this frame are two mat
+cushions or pads, which are somehow supposed to fit the pony's back; and
+by means of three ropes, one of which is passed under the pony's body
+and fastened on each side of the saddle, while the others hang loose
+across its chest and under its tail respectively, the pack-saddle is
+made to remain in position either going uphill, downhill, or on level
+ground. Stirrups, of course, there are none; and mounting involves some
+difficulties at first. One has to face one's pony and place the left
+foot on the breast-piece, lift oneself up and swing right round,
+describing three-quarters of a circle before attaining one's seat in the
+saddle. If distances are miscalculated in this gymnastic feat, it is a
+common occurrence to find oneself seated on the pony's neck, or else
+landed heavily on either of the two hard wooden arches of the saddle,
+instead of gracefully falling between them. Keeping your equilibrium
+when you are on is also a trying exercise to anybody not born and bred a
+circus rider, and balancing your baggage perfectly on each side of the
+saddle is somewhat more difficult than it sounds.
+
+[Illustration: PACK-SADDLE.]
+
+Nine miles from Horobets one comes across the Nobori-bets[1]
+hot-springs. There was, formerly, a _geiser_ here, but it is seldom
+active now. These hot-springs are situated two-and-a-half miles from the
+sea-coast, and a miserable building, which is a mere shanty, is built in
+the vicinity of them, where people who wish to be cured of different
+complaints put up and take the waters.
+
+ [1] _Nobori_, mountain, volcano; _bets_, river, stream.
+
+I rode on to the Noboribets village, consisting of a few houses only;
+and, though I reached it late in the evening, I had to ride fourteen
+miles further to Shiraoi, "a place of horse-flies."[2]
+
+ [2] _Shirao_, horse-fly; _i_, a suffix meaning _a place_.
+
+At sunrise I was up again and on my way to Tomakomai,[3] the largest
+Japanese fishing village between Mororran and Cape Erimo.
+
+ [3] _To_, lake, swamp; _mak_, behind; _oma_, inside; _i_, a suffix
+ meaning _a place_, or "a place behind which a hidden swamp is
+ found."
+
+[Illustration: NOBORIBETS VOLCANO.]
+
+Sardine fishing is the principal and, indeed, the only industry of the
+place. It is carried on in a practical way. When the long nets are
+ready, and one end of them is fastened to the shore, they launch the
+boat, which is rowed rapidly by twenty or thirty strong men, while the
+net is dropped as the boat goes along. Having thus described a
+semicircle, the boat is beached. All on board jump out, and the net is
+pulled on shore amid the shrieks and yells of the excited fishermen.
+Myriads of sardines are caught each time the net is hauled in; and it is
+a fantastic scene to see the naked crowd which, in clearing the nets
+from the beheaded fish, get covered with silver scales, which stick to
+their arms, legs, and body, and give them a strange appearance.
+
+_Look-out_ towers are built on four high posts, where a watchman is
+posted to signal the arrival and approach of the shoals. The sea is so
+dense with them that it changes its colour, and these moving banks of
+sardines are distinguishable four or five miles from the coast. This
+method is the same as that adopted in Cornwall when the pilchards are
+expected, and the same discoloration of the sea takes place.
+
+From Tomakomai a road branches to the north leading to Sappro, the
+capital of Hokkaido, and it is the last place on the southern coast
+which is visited by that rare specimen of the globe-trotter who ventures
+to Yezo. He hastily makes his way from here to Sappro and Otaru on the
+northern coast, and waits for a ship to be conveyed back to Hakodate. He
+then, of course, tells his friends that he has been round and about and
+through Yezo, while in fact he has seen absolutely nothing of Yezo or
+its inhabitants. About half-a-dozen Europeans, however, have been
+further on--as far as the Saru River; and each one has written a book on
+the Ainu, for the most part copying what the previous author had
+written.
+
+As far as Tomakomai there is a road--a sure sign of civilisation--but
+nothing but a horse-track is to be found all along the southern coast
+after this place has been passed.
+
+Changing my ponies at Yuhuts,[4] nine miles east, and again at Mukawa
+and Saru-buto, I was able to reach Saru Mombets that same night. Many
+Ainu and Japanese fishermen's huts are scattered between Horohuts[5] and
+Yuhuts, on the sandy track along the sea.
+
+ [4] _Yu_, springs; _huts_, mouth of river.
+
+ [5] _Horo_, large; _hut_, _huts_, _put_, the mouth of a river.
+
+The traveller then leaves the sea on the right, and by a very uneven
+track, and after fording several rivers of little importance comes to
+Mukawa, a dirty little village fourteen miles from Yuhuts. My lunch that
+day consisted of a large piece of raw salmon, which was easily digested
+in riding nine more miles to Saru-buto. Sharu in Ainu, corrupted into
+Saru, means a grassy plain; and _buto_ is a Japanese corruption of the
+Ainu word _huts_, the mouth of a river. My ponies must have known of
+this "grassy plain," for they went remarkably well, and I reached the
+latter village some time before dark, so that I was able to push on to
+Saru Mombets, a larger village nearly four miles further. Saru Mombets
+translated means "a tranquil river in a grassy plain," a name thoroughly
+appropriate to the locality.
+
+There is nothing to interest the traveller along the coast, unless he be
+a geologist. Almost the whole of the western part of the Iburi district
+is of volcanic formation. The eastern part is abundant in sandstones,
+breccias, and shales. In the neighbourhood of Yuhuts, and all along the
+coast as far west as Horobets, pumice forms the surface soil, showing
+that in former days frequent eruptions must have taken place. Vegetable
+mould alternates with pumice. Sand, clay, tufa, with beds of peat and
+gravel, are the components of the soil which is found filling up the
+declivities of mountains, covering low-lands and sea-beaches in this
+part of the island. Specimens of the palaeozoic group are found in the
+pebbles of the Mukawa River and valley, like amphibolite, limestone,
+phyllite, sandstone, and clay-slate, besides variegated quartzite of
+greenish and red layers. Primary rocks are common all through Iburi and
+Hidaka.
+
+The terraces surrounding the Saru valley are mostly wooded with oak, and
+the swampy region between the Mukawa and Sarubuto has many patches of
+green grass, and a thick growth of high swamp reeds.
+
+[Illustration: HOROBETS.]
+
+
+
+
+[Illustration: STOREHOUSES AT PIRATORI.]
+
+CHAPTER III.
+
+Up the Saru River--Piratori and its chief.
+
+
+A large number of Ainu have taken up their abode on the banks of the
+River Saru, or Sharu, as it is called by them, and Piratori, nearly
+fifteen miles from the coast, is the largest village of the whole
+series.
+
+The scenery from the coast to this village is not grand, but pretty,
+through a thickly-wooded country and along grassy plains. The Ainu give
+to the plain itself the name of Sharu-Ru, which corresponds in English
+to a "track in a grassy plain." Along this water-way, or not far from
+it, one meets with numerous small Ainu villages and scattered huts until
+Piratori is reached.
+
+Piratori is a string or succession of many villages on undulating
+ground, the last of them being situated on a high cliff overlooking the
+river. In the Ainu language _Pira_ means "a cliff," and _Tori_ "a
+residence." As in all Ainu villages, the huts are in one line, some few
+yards one from the other. Each has a separate structure--a small
+storehouse built on piles--generally at the west end of the hut.
+
+On my arrival at Piratori, I was welcomed by Benry, the _Ottena_ (chief)
+of the village, who invited me to his hut and _salaamed_ me in the most
+solemn manner, not forgetting to mention incidentally that "his throat
+was very dry," and that _sake_ (Japanese wine) could be obtained from a
+Japanese who lives opposite to his hut.
+
+"He is a bad man," said Benry confidentially; "but he sells very good
+_sake_."
+
+The _sake_ was procured, and Benry, beaming with joy, poured it with his
+shaky, drunken hands into a large bowl. He then produced a wooden stick,
+shaped like a paper-knife, about five inches in length, and waved it in
+the air five or six times with his right hand, dipping the point of it
+each time into the fluid. "_Nishpa_"--sir, master--said he. Then,
+leaning forwards and lifting up his heavy moustache with the small
+stick, he swallowed the contents of the bowl at a draught. The same
+performance took place each time that some fresh _sake_ was poured into
+his bowl, and then Benry, with an inimitable cunning, and a comically
+self-sacrificing expression on his face, meekly enquired whether I would
+care to see "how much an Ainu could drink."
+
+"Yes," said I, "we will go down to the river, and you shall show me
+there if you can drink it dry."
+
+"Yie, yie, yie"--no, no, no--hurriedly replied in Japanese the Ainu
+chief; "water is too heavy, and I meant wine." Owing to this small
+difference of opinion, and having no wish to encourage him in his
+drunkenness, Benry's capacity for intoxicating fluids is yet unknown to
+the civilised world.
+
+Benry's house is a palace compared to other Ainu huts. It is much larger
+than most of them, and boasts of a wooden floor, in the centre of which
+a rectangular fire-place is cut out. The hut has two windows, one toward
+the east, the other opening to the south; but no chimney is provided as
+an outlet for the smoke. A hole in the west corner of the roof answers
+this purpose. The rough wooden frame is thatched with tall reeds and
+_arundinaria_, and the roof is shaped like a prism. The different huts
+of Piratori vary in size, but not in type. The larger ones cover an area
+of about sixteen or eighteen feet square. Most of them, however, do not
+measure more than ten or twelve feet square. Benry's house was
+exceptionally large, and being such a "swell" one, two rough _kinna_
+(mats) were spread on the floor and a number of Japanese rice boxes and
+_shokuji_ tables[6] adorned one side of the dwelling. Over these were
+hung a number of swords, knives, etc., most of them with no blade at
+all, or with only a wooden one. The few old blades which Benry possessed
+were of Japanese workmanship, probably obtained by the Ainu in their
+former wars with the Japanese. A few Ainu spears and arrows with bone
+and bamboo poisoned points were fastened to the roof.
+
+ [6] Small Japanese dinner tables.
+
+These Ainu of Piratori have frequent intercourse with the Japanese, who
+get from them furs and other articles in exchange for _sake_ or a few
+worthless beads. A few half-castes are also found at Piratori. The
+Piratori Ainu, with those of Volcano Bay, as we have seen, are those
+best known to the civilised world, as a few foreigners have travelled so
+far to see them. I may mention that as types the inhabitants of Piratori
+are a great deal better than the residents of Volcano Bay, most of whom
+are half-breeds; but even they themselves cannot be taken as fair
+specimens of their race, for they have adopted several customs and
+habits of the Japanese, which the incautious traveller has then reported
+as purely Ainu customs. For instance, the pure Ainu diet consists almost
+entirely of fish, meat, and seaweeds. Only occasionally are the roots of
+certain trees eaten. At Piratori I found that many grow and eat millet,
+and corn and bad rice are also sometimes procured from the Japanese.
+Benry has also gone so far in the way of civilisation as to invest his
+small fortune in buying half-a-dozen hens and a cock, with whom he
+shares his regal home. These hens lay eggs according to custom, and
+Benry and his "wife" eat them. As the Ainu language has no special word
+for this imported kind of bird, they are known by the name of "kikkiri."
+
+[Illustration: BENRY, THE AINU CHIEF OF PIRATORI.]
+
+After the experience which I had had at Horobets I decided to be more
+careful with my sketching. I broached the subject to Benry, and asked
+him to sit to me for his portrait. At first he was very reluctant, but
+the prospect of receiving a present finally overcame his scruples--for
+he was indeed civilised in this respect, and understood the worth of his
+version of the almighty dollar to perfection--and, consenting to be
+sketched, he sat--at the outset with as much courage as docility. He
+produced a crown of shavings and seaweed, which he solemnly placed on
+his head, whilst his better-half helped him on with his regal _imi_
+(garments), as well as a large sword, which also made part of his regal
+insignia. The crown had in front a small bear's head roughly carved in
+wood, and the clothes were very gaudy. They were made of strips of blue,
+white, and red cloth sewn together. The materials used were Japanese,
+but they were cut and arranged in a thoroughly Ainu pattern. Though he
+began well, Benry was not a good sitter, and, like most animals, he did
+not like to be stared at. He felt the weight of a look, as it were, and
+it made him uncomfortable. Not many minutes had elapsed before he became
+openly impatient; he even showed his temper by flinging away his crown
+and his wooden sword. On the other hand, sketching in Benry's house was
+no easy matter for me. With all the respect due to the chief of
+Piratori, I am bound to say that his house was not a model of
+cleanliness. Those of his hairy brothers and subjects were no better
+than his, and many were a great deal worse. Fleas and other insects were
+so numerous that in a few minutes I was literally covered with them,
+each one of them having a peaceful and hearty meal at my expense, while
+I, for the sake of art, had to go on with my sketch and leave them
+undisturbed. Notwithstanding all this Benry was immortalised twice that
+day, and his maid, housekeeper, or wife--three words which have the same
+meaning to the Ainu--was also handed down to posterity while in the act
+of spinning the inner fibre of the _Ulmus campestris_ bark, destined to
+form a new garment for her lord, master, and husband.
+
+When I went out to sketch the houses and storehouses in the village
+Benry and another man followed me everywhere; but neither he nor his
+fellow-shadow seemed to take any interest in the sketching. In Japan,
+Corea, and China I have often been surrounded by hundreds of people
+attentively watching every stroke of the brush, and I have always found
+them clever and quick in making out the meaning of each line or
+brush-mark. I can assert, without fear of being contradicted, that the
+majority of Japanese, Coreans, and Chinese are even quicker than
+Europeans in that respect, owing to the fact that lines constitute for
+them the study of a lifetime. Chinese characters, which are nothing but
+a deep study of lines, are adopted by the three above-mentioned nations,
+and I consider this to be the original cause why this artistic insight
+is to be found even among the lowest classes. The Ainu have no such
+insight; they have no characters, no writing of any kind, no books, and
+it is therefore not astonishing that they are not trained to understand
+art, bad as it may have been in my case. Their appreciation of lines is
+yet in the rudest form, and they possess no more than what is
+instinctive with them. For instance, while I was sketching, Benry and
+his friend either sat or crouched down by my side like two dogs, and
+when my sketch was finished I showed it to them.
+
+"Pirika, Pirika! Nishpa!" ("Very pretty, very pretty, sir!") Benry
+exclaimed with perfect self-assurance; but when I asked him what he
+thought the sketch represented, he cut me short by saying that _I_ had
+done the picture and _I_ ought to know what it was meant for; he did
+not. His friend agreed with him.
+
+When my work was done we three walked back to Benry's house, my two Ainu
+friends being very anxious that I should get something to eat. From
+their conversation and gestures I caught that it seemed incomprehensible
+to them that I should sit in front of an Ainu hut and--to use their
+expression--"make all sorts of signs on a wooden panel." After a lengthy
+discussion the two came to the conclusion that houses in our country
+were so bad that I had been sent to the Ainu country to "copy" the
+pattern of Ainu huts!
+
+Benry seemed excited about something, and hurried us back with curious
+haste and eagerness. When we left the house in the morning I saw Benry's
+better-half placing a few eggs in water to boil over the fire. When we
+entered the hut, nearly two hours afterwards, the eggs were still
+boiling, and no fair maid within yelling reach. In order that the fire
+might not go out during her absence the thoughtful girl had placed the
+largest portion of the trunk of a tree in the fireplace!
+
+Taken altogether, Benry and all his Saru Ainu are very good-natured.
+They gradually got accustomed to being sketched, seeing that after all
+it really did not bring on them "immediate death."
+
+The more one sees of the Ainu the dirtier they appear, but as dirt to a
+great extent contributes to picturesqueness, I was indeed sorry when
+Benry, exercising his authority, sent several of my sitters to dress up
+in their best clothes--often Japanese--while I should have preferred to
+sketch them in their every-day rags. I must say, for their sake, that
+they were never sent to wash. Being a rapid sketcher, I had recourse to
+a trick. I pretended to sketch one given person, who, of course, was
+sent at once to "dress up," and while he or she, after having returned,
+posed patiently for half an hour or more, I in the meantime took
+sketches of four or five different natives, who were not aware that they
+were being portrayed. As the Ainu--and they are probably not the only
+people--could not make either head or tail of my sketches, my trick was
+never found out.
+
+One day, old Benry led me by the hand in the most affectionate manner to
+a hut some way off, and confidentially told me that we were going to see
+his favourite girl and her boy.
+
+"This," said the chief triumphantly as we went in, "this is Benry's
+_Pirika menoko_" (pretty girl), "and that"--pointing to a youth--"her
+only son."
+
+"And what about the old hairy lady in your own hut?" I inquired.
+
+"That is my _Poromachi_" (great wife), said he, qualifying matters with
+a compliment to the elder woman, "and this is my _Pon-machi_" (small
+wife).
+
+"Why should you have two wives, you old Mormon?"
+
+"Nishpa," retorted he, "my great wife is old, and she is only fit to do
+all the rough work in the house and out. My hair is white, but I am
+strong, and I wanted yet a young wife."
+
+Indeed, there was enough mother-wit in Benry to have made him either a
+scamp or a philosopher. His theories were as remarkable as they were
+accommodating, particularly to himself.
+
+Returning from the house of his love, the chief was in a very talkative
+mood, and he related two or three Japanese stories, which he wanted me
+to believe to be pure Ainu legends. A learned missionary and two or
+three travellers before him, who had visited Piratori previous to
+myself, have accepted these so-called legends wholesale, taking Benry's
+word for their accuracy, which, as the old chief speaks very good
+Japanese, of course simplified the task of understanding and
+transcribing them. I was, however, much surprised to find that such
+learned Europeans could yield such ready credence to a barbarian Ainu
+chief.
+
+Thinking that it would please me, Benry told me the story of a deluge
+and a big flood, in which nearly all the Ainu were drowned. The few that
+escaped did so by finding refuge on a high mountain.
+
+"Where did you learn this story, Benry?" I asked sternly.
+
+"Nishpa, it is an old Ainu story, and all strangers who come to Piratori
+write it in their books."
+
+"Oh, no, Benry, you know well that _one_ stranger did not write it in
+his book," said I quickly, as if I knew all about it.
+
+"Oh, yes, nishpa; _that_ was the stranger who told me the story!"
+
+This small anecdote shows how careful one ought to be in accepting
+information which may sound extremely interesting at first, but is
+absolutely worthless in the end.
+
+[Illustration: AINU MAN WAVING HIS MOUSTACHE-LIFTER PREVIOUS TO
+DRINKING.]
+
+
+
+
+[Illustration: AN AINU FESTIVAL.]
+
+CHAPTER IV.
+
+An Ainu Festival.
+
+
+The Ainu have few public performances, and no special time of the year
+is fixed for them. As it so happened, a festival--a "Iyomanrei"--took
+place while I was at Piratori.
+
+The performance was held in a large hut belonging to the heir apparent
+to the chieftainship of Piratori. I went to the hut and asked whether I
+could attend the performance. The host, in answer, came to meet me at
+the door, and, taking me by the hand, led me in. I was shown where to
+sit, on the southern side of the hut, the place of honour for strangers,
+and my host sat in front of me and saluted me in Ainu fashion.
+
+Benry and several old men were squatting on the floor, Benry in the
+middle, and he was again gorgeous in his regal clothes. Some of the
+others, who wore a crown like Benry's, were chiefs of the neighbouring
+villages, who had come up for the grand occasion.
+
+One by one all the men present rose and came to stroke their hair and
+beard before me, and I returned the compliment as well as I could in
+Ainu fashion. The hut was gradually getting filled, and each man that
+entered first saluted the landlord, then Benry, then myself, and
+ultimately the two guests between whom he sat. Women and children
+occupied the darker west end of the hut, and they took no active part in
+the function. Other chiefs came in, and Benry was surrounded by many of
+them and by elderly men.
+
+The whole group of these chiefs, with their long white beards, lighted
+up by a brilliant ray of sunshine, which penetrated through the small
+east window, was extremely picturesque.
+
+In its savagery it was almost grand, with a barbaric quasi-animal sense
+of power and irresponsibility. In truth, it was a wonderful sight to see
+all these hairy people assembled in this small place--men, yet not men
+like ourselves--men, and not brutes, yet still having curiously brutish
+traits athwart their humanity.
+
+The performance was simple, but really fine in its simplicity. A fire
+burning in the centre of the hut, and filling the place with smoke,
+added, by its suggestive dimness, to the picturesqueness of the scene.
+It was strange that the only ray of sun which came in should fall on the
+most interesting group. Was it chance or design? Rembrandt himself would
+have delighted in painting that scene.
+
+Benry looked every inch a king, and several of the younger men were
+busily engaged lighting his pipe and refilling it with tobacco. He
+puffed away at such a rate that no sooner was the pipe filled than it
+was smoked and handed over again to undergo the same process.
+
+Two large casks of Japanese _sake_ were brought in, and each man
+produced his wooden bowl.
+
+The host came slowly forward, and planted an _Inao_--a willow wand with
+overhanging shavings--in one corner of the fireplace; then muttered a
+few words, which implied that the _sake_ could now be poured out. A
+Japanese lacquer rice-box was filled with the intoxicating liquid, and
+no sooner had this been done than old Benry, forgetting his dignity,
+jumped up and made a rush for it, filled a large bowl, and retired to a
+corner to drink it. All the men present followed his example. Benry was
+never selfish when he had had enough for himself. He filled his bowl
+again and brought it to me, saying that I was a friend of the Ainu, and
+must join them in the drinking.
+
+My attention was suddenly drawn to three old chiefs, who, half drunk,
+stood in front of the small east window. They dipped their
+moustache-lifters in their bowls, waving them towards the sun as a
+salutation to the "Chop Kamui," the "Great Sun." There was no religious
+character attached to this libation offered to the sun, no more than
+when we take off our hats passing a respected friend in the street. It
+is a mere sign of respect, not of worship. Besides, it must be clearly
+understood that no "offerings" of wine are ever made by the Ainu to the
+"Great Sun," and that the "libations" offered are invariably consumed by
+the offerer.
+
+I managed to get several sketches of the assembly, and every moment I
+expected to get into trouble again; but this time they took it most
+kindly.
+
+The hut became very stuffy, owing to the large number of persons and the
+smoke. There were nearly two hundred people in it, packed closely
+together, and there was nothing in the show to interest one--certainly
+not the disgusting sight of this drunkenness, which, moreover, became
+monotonous as well as disgusting.
+
+I stroked my hair and beard--the latter only figuratively--in sign of
+salute, to the host, Benry, and the other drowsy chiefs, and, carefully
+avoiding pushing or treading on any member of the unsteady crowd, I made
+my exit.
+
+Oh, what a treat it was to breathe fresh air again!
+
+Outside the hut the pretty _menokos_ (girls) of Piratori were having a
+lot of fun all to themselves. They were all dressed in long yellowish
+gowns, with rough white and red ornamentations on a patch of blue cloth,
+on their backs; and each girl took a very active part in a game, or a
+kind of savage dance, called Tapkara. They all ranged themselves in a
+circle, and a child or two was sometimes placed in the centre. The game
+consisted in collectively hopping an indefinite number of times, calling
+out either the name, or the accompanying sound, of some of their
+everyday occupations, and clapping the hands so as to keep time. For
+instance, one sound was "Ouye, ouye" ("Fire, fire"), and they all blew
+as when making a fire, and hopped till they were nearly senseless.
+
+Then the next was "R-r-r, r-r-r, r-r-r," and with this they imitated the
+pulling of a rope.
+
+Then "Pirrero, pirrero; pirrero, pirrero," was the sound accompanying
+the action of rowing, imitating the squeaking of the paddle produced by
+the friction on the canoe.
+
+The movement of the arms changed according to the sounds uttered, but
+the hopping was kept up continuously. The game reminded me much of our
+Sir Roger de Coverley, in a more barbarous form, but certainly not less
+pretty than our old country dance.
+
+[Illustration: AINU WOMEN DANCING, PIRATORI.]
+
+Late in the afternoon all the men came out of the hut, and by a winding
+path I was taken to the valley along the river, at the foot of the cliff
+on which Piratori is built. Benry and all the other chiefs remained on
+the cliff. Bareback races formed the next and last event in the
+programme, and the chiefs were to witness them from their "high point of
+view."
+
+There was great excitement as to who should ride the ponies. The Ainu
+are fond of sports, and I noticed that ultimately they were sharp enough
+to select their jockeys from among the lightest men. The winner of each
+race had a good time of it, but the other unfortunate jockeys were
+pulled off the ponies by the angry mob, and knocked about as worthless
+beings.
+
+The evening came, and with the dying sun ended that memorable day of
+festivities. I retired. Distant sounds of the _menokos_, still enjoying
+themselves, came to me with the wind, but fainter and fainter they grew
+as it was getting darker.
+
+"Pirrero! Pirrero! Pirrero!" I heard again, till at last the sounds
+faded away into a mere murmur, and I fell asleep.
+
+The morning that I left Piratori, old Benry put on his regal clothes and
+crown to bid me good-bye.
+
+"Nishpa, Popka-no-okkayan" ("Sir, may you be preserved warm"), said the
+old chief, in the Ainu fashion of bidding farewell; "I have a pain in my
+chest, owing to your leaving Piratori, but I shall accompany you part of
+the way."
+
+[Illustration: PIRATORI WOMAN IN COSTUME.]
+
+I dissuaded the old chief from doing that, but he went on, with his
+plaintive voice: "Nishpa, you must tell in your country that Piratori is
+a nice place, and all the Ainu are good people. Not like the Shamo"
+(Japanese; also half-breeds), "for they are bad. You must return soon,"
+he added, and, taking my hand, he pressed it to his hairy chest. He then
+took me to his hut again, and there renewed his farewells, and I renewed
+mine to him, to his _great_ wife, and to his house, for it is part of
+the Ainu etiquette to bid good-bye to the house of a friend as well as
+to the owner of it.
+
+The return journey to Saru Mombets was accomplished without much
+difficulty.
+
+
+
+
+[Illustration: UTAROP ROCKS.]
+
+CHAPTER V.
+
+From the Saru River to Cape Erimo.
+
+
+After quitting Saru Mombets I was altogether out of the beaten tracks.
+The twenty-two miles to Shimokebo were monotonous in the extreme. High
+cliffs towered above me on the one side, and the sea stretched into
+infinity on the other. River after river had to be waded, the
+At-pets,[7] the Nii-pak-pets,[8] and the Shibe-gari-pets.[9] The
+Nii-pak-pets is wide and fairly deep. Near the At-pets river the
+Japanese Government has established a horse farm, in order to improve
+the breed of Yezo ponies. A few miserable Ainu huts are scattered along
+the coast, and millions of scavenger crows, with their monotonous cries,
+seem to claim sovereignty over these shores. Near the Takae village, on
+the Nii-kap-pets, is an enormous perpendicular cliff, which, jutting out
+into the sea, bars the way to the traveller; therefore I had to abandon
+the sandy shore, and with considerable trouble get the ponies to climb
+over the steep banks, which was no easy task for them. Shimokebo is a
+peculiar-looking place. It is entirely a fishermen's village, and I put
+up at the Ogingawa Zunubi yadoya--a tea-house owned by a Japanese
+fisherman.
+
+ [7] At-pets--Elm-tree river (_at_, elm-tree; _pets_, river).
+
+ [8] Nii-pak-pets--also called Nakap-pets. _Nii_, a wood; _pak_,
+ under; _na_, more; _kap_, bark of tree.
+
+ [9] Shibe-gari-pets--Salmon-trout river.
+
+Japanese will be Japanese wherever they go, and people who have had
+anything to do with them know how difficult it is to satisfy their
+curiosity.
+
+"How old are you?" inquired the _occamisan_--the landlady. "Where do you
+come from? What is your country? Why are you travelling? Have you a wife
+and children? Can you eat Japanese food; also Ainu food? Can you sleep
+in _foutangs_?" (Japanese bedding). "Also with a _makura_?" (a wooden
+pillow).
+
+About fifty more personal and indiscreet questions were also asked, and
+all my belongings were examined with ever-increasing astonishment as one
+thing after another was handled and investigated. I was tired, and felt
+as if I could have kicked the whole crowd of them out of my room; but I
+was unintentionally polite to them to such an extent that the
+_occamisan_ loudly exclaimed--
+
+"_Honto Danna, Anata Nihonno shto, onaji koto!_"--"Really, sir, you are
+just like a Japanese!"
+
+"_Domo neh!_" rose up in a chorus from the large assembly, "_nandemo
+dannasan wakarimas!_"--"The gentleman really understands everything!"
+This was a decided compliment, and I was bound to accept it as it was
+intended. When they heard that I was indeed "_Taihen kutabire mashita_"
+(very tired), they reluctantly left the room, and closed the _shoji_
+(sliding doors of tissue paper on a wooden frame). Each bowed
+gracefully, drawing in his breath at the same time. This is the Japanese
+polite way of leaving a room. Their conversation was resumed in the next
+apartment, regardless of the fact that tissue paper walls are not
+sound-proof. Remarks on me, not quite in harmony with their courteous
+bearing, were passed freely about, and the politest thing I heard them
+say was that I must be a _lunatic_ to travel alone in these inhospitable
+regions, and what a pity it was for a man _so young_ to be so fearfully
+afflicted.
+
+"Oh, those _seyono shto_ (foreigners) are all born lunatics," said the
+voice of one who knew better.
+
+The Shibegari River, at the mouth of which Shimokebo is situated, is
+also called Shibe-chari--"sprinkled salmon river." Very minute traces of
+gold are found in the river-sands and gravels, and also some
+well-developed brown garnet crystals and quartzite and phyllite pebbles.
+The gold, however, is not in sufficient quantity to enable it to be
+worked profitably. Seven and a half miles from Shimokebo the Japanese
+Government has another horse farm similar to that of the At-pets.
+
+The travelling along the coast was heavy, and I could ride but slowly. I
+had to make the ponies go where the sand was wet along the beach, as
+there it was harder and they did not sink. This had its drawbacks, for
+the sea was very rough, and once or twice my ponies and I came very near
+being washed against the cliffs by some extra large wave. Instead of
+green banks, as between Tomakomai and Shimokebo, here were high cliffs
+of volcanic formation, with a narrow strip of sand at their foot.
+
+The few Ainu along the coast were decidedly ugly. It was only now and
+then that in a sheltered nook I came across a hut or two of seaweed
+gatherers; and, still following the cliffs, I passed two or three small
+villages of a few houses each. After fifteen miles of this heavy track I
+reached the fishing station of Ubahu, where I was able to obtain some
+fresh horses. Prowling along the beach, I examined some of the Ainu
+canoes that had been drawn on shore. They might be divided into three
+classes--(_a_) the "dug-outs," used mostly for river navigation; (_b_)
+the lashed canoe; and (_c_) a larger kind used for sailing. The
+"dug-out" does not require explanation, as everyone knows that it is a
+trunk of a tree hollowed out in the shape of a boat, and propelled
+either by paddling or punting.
+
+[Illustration: AINU LASHED CANOE.]
+
+[Illustration: FRONT VIEW OF LASHED CANOE.]
+
+[Illustration: AINU OARS.]
+
+The lashed canoes are made of nine pieces of wood lashed together with
+the fibre of a kind of vine. The concave bottom is all of one piece--a
+partial "dug-out"--to which are added the side pieces, of three planks
+each, sewn together at an angle of about 170 deg., and made to fit the sides
+of the "dug-out." Two more pieces, one aft and one forward, meet the
+side planks at right angles. The length of these canoes varies from 10
+to 15 feet, the width from 3 to 3-1/2 feet. Two pieces of wood are then
+lashed horizontally, which answer the double purpose of strengthening
+the sides of the canoe and, being provided with pins outside the canoe,
+of allowing it to be used as an outrigger when rowing. Canoes are either
+rowed or sailed. The oars are made of two pieces firmly lashed together.
+A hole is bored in the part which is to be passed through the pin in the
+outrigger. One person is generally sufficient to row an Ainu canoe, and
+he does so standing. There is no steering gear or rudder, and when
+rowing the oars are used for that purpose. Ainu canoes are not decked,
+and therefore cannot stand heavy seas. They are alike on both sides, and
+in most cases the two ends of the canoe are also shaped alike. There
+are, however, certain canoes which, in my opinion, have been suggested
+to the Ainu by Japanese boats, and which are flat at the stern. These
+are generally larger, and used for sailing. A square mat sail is rigged
+on a short mast forward, and the steering is done with one of the oars
+at the stern. The sailing qualities of these canoes, however, are not
+very great, and the slightest squall causes them to capsize and "turn
+turtle." The anchors used by the Ainu are very ingenious; they are cut
+out of a piece of wood, with either one or two barbs, and two stones are
+fastened on the sides of the stem so as to carry the anchor to the
+bottom. No compass is either known or used by the Ainu, and the natives
+shape their course by sight of land. They very seldom go long distances
+out at sea, as they are fully aware of the dangers of the ocean and of
+the imperfection of their own methods of navigation, though they are
+wholly incapable of making any improvements by their own judgment. The
+canoes are always beached when not used, and each family possesses its
+own. There are none which are the property of companies or are common to
+certain villages.
+
+[Illustration: SAILING CANOE.]
+
+[Illustration: AINU WOODEN ANCHORS.]
+
+[Illustration: TOP VIEW OF AN AINU CANOE.]
+
+The track between Ubahu and Urakawa is rough, and the rivers are
+somewhat troublesome. Not far from the Mitsuashi river one has to pass a
+tunnel which has been made through a rock projecting into the sea. In
+rough weather it is difficult and dangerous to get through, as the waves
+wash right through the tunnel. In fair weather it affords a safe passage
+to the traveller.
+
+The Matourabets (the winter fishing river) was successfully waded, and
+the Ikantai[10] village passed. Then at Urakawa or Urapets (the fish
+river) I made a halt for the night. There are many half-breeds at
+Urakawa, and a few real Ainu, but the small population is composed
+mostly of Japanese fishermen.
+
+ [10] _Ikan_, a canal made by salmon on river-beds to lay their
+ spawn; _tai_ thick.
+
+Seven and a half miles further, at Shama-ne--a corruption of _Shuna_,
+stones, and _ne_, together--there are some magnificent granite pillars
+boldly standing out of the sea. The sandy beach came to an end, and huge
+cliffs barred my way in front. I could see that the water was not very
+deep round these rocks, as the waves were breaking a long distance from
+the cliff, a sure sign of shallow water, though even then it might have
+been too deep for my ponies to go through. With great difficulty I got
+the two brutes into the sea, trying to round the large rocks for the
+better ground, which I hoped to find on the other side. The tide was
+low, but the sea was still rough, and nearly every wave as it came in
+went right over my ponies, frightening them, and made them extremely
+difficult to hold. The instinct of self-preservation made them rush for
+the cliff, with the only result that they missed their footing, and they
+and I were both swept away by the next receding wave. I was carried off
+the saddle, but I had sufficient presence of mind to hold on to the
+bridle. An awful struggle ensued between my ponies and myself. Each wave
+that came carried and knocked us one way, each wave that retired carried
+and knocked us the other. In the midst of all this danger I suddenly
+remembered that some years ago a lady who knew all about palmistry
+prophesied that I should one day be drowned.
+
+Had the day come now? Not if energy and perseverance would avert the
+doom! After a long struggle, I succeeded in pulling my horses where the
+water was a little shallower, and there we three stood for some minutes,
+trembling with cold, my two ponies looking reproachfully at me with
+those half-human eyes of animals when forced into positions of danger
+which they can neither understand nor overcome. It is wonderful the
+amount of expression that horses have in their eyes, and how plainly one
+can read their dumb thoughts and formless emotions!
+
+From the point where I was standing I could see that I had to go on but
+a few hundred feet more, and that then my ponies and I would be safe.
+Sure enough, the water grew shallower and shallower, and, to my delight,
+I was soon on the other side of the cliff. At high tide, and in very
+rough weather, it is impossible to pass by this ocean-ford.
+
+Shamane is a picturesque little fishing village, built on the side of a
+promontory jutting out into the sea. From there, looking towards
+Urakawa, there is a lovely view of all the small islands and
+picturesque rocks, standing like huge jewels in the water, while on the
+Horoizumi side, as far as the eye can see, there are only cliffs of
+peculiar shapes, and marvellously rich in colour.
+
+I got two fresh animals, and pursued my journey towards Horoizumi.
+Rocks, rocks, nothing but rocks! My ponies stumbled and slipped all the
+time, and for eighteen miles the riding was hard and intricate. I had to
+lead my ponies most of the way, and help them, pull them, or push them,
+from one rock on to another, and down the next, and so on.
+
+The scenery all along was magnificent and grand. A short distance from
+Shamane a large natural archway emerges from the sea, which is called by
+the Ainu, Shui-shma, "a hole in stone."
+
+Holes have been pierced through the rocks in several places, to give
+comparative safe passage, and to prevent wayfarers from being carried
+away by the waves. Over the entrance of one of these tunnels a pretty
+waterfall, descending from a great height, gives a poetic effect to the
+scene, while it obliges the unfortunate traveller to take an extremely
+cold shower-bath, should he wish to push forward on his journey.
+
+As if all these discomforts combined were not enough, it is to be added
+that the rivers in this part of the coast, though not wide, are
+extremely swift and dangerous to cross. My second pony was carried away
+by the strong current when I crossed the Poro-nam-bets,[11] and I had
+great difficulty in rescuing him.
+
+ [11] _Poro_, large; _nam_, cold; _bets_, river.
+
+At Shamane there are a few Ainu, but from there to Horoizumi I saw none.
+
+Sardines are very plentiful all along this coast, and long seaweeds also
+abound. The latter is used for export, chiefly to China. Horoizumi, a
+nice little village of one hundred and fifty houses, is the most
+picturesque in Yezo. It is built on the slopes of a high cliff, and it
+reminds one much of the pretty villages in the Gulf of Spezia. I arrived
+at sunset, and the warm red and yellow tints which the dying orb of day
+was shedding on the weather-beaten brownish houses, gave a heavenly
+appearance to this very earthly place. As I got nearer, a good deal of
+the heavenly had to be discarded, for the odours of fish-manure and of
+seaweed are two smells which can hardly claim to be classed under that
+heading. The inhabitants of the place themselves seem to feel the
+ill-effects of constantly living in that corrupted atmosphere and on a
+fish and seaweed diet; for, indeed, it is revolting to see the amount of
+horrible cutaneous diseases which affect them. One hardly sees one
+creature out of ten that is not covered with a repulsive eruption of
+some sort. Leprosy, too, has found its way among the fishermen; and my
+readers can easily imagine how pleasant it was for me, when I was
+sketching, to be surrounded by a crowd of these loathsome people, who
+all wished to touch my clothes and all my belongings, and who would even
+lean on my back and rub their heads against mine, when trying to get a
+better view of the sketch.
+
+Poor things! I never had the courage to scold and send them away. It was
+enough that they were afflicted, and I did not like to add humiliation
+to their other sorrows by showing them my disgust.
+
+I rode on to Erimo-zaki, or Rat Cape. Thick fogs are prevalent during
+the summer months along the whole of the south-east coast, of which
+Erimo-zaki is the most southern cape. It is the terminating point of the
+backbone of the main portion of Yezo, which extends from Cape Soya to
+Cape Erimo from N.NW. to S.SE. A lighthouse has lately been erected on
+the cliffs by the Japanese Maritime Department, and a steam fog-horn has
+also been provided for the greater safety of navigation, as a reef of
+rocks and a stretch of shallow water extend out in the sea for about two
+and a half miles from the coast.
+
+The foghorn, I was informed, was only blown when the lighthouse-keeper
+suspected some ship was likely to make for the rocks! A likely thing,
+indeed!
+
+"But how are you to know, especially when there is a thick fog on?" I
+asked.
+
+"So few ships pass near here," was the reply; "and it would not be much
+use keeping steam up all the time to blow the horn, considering that we
+have fog during nearly four months in the year."
+
+"Then," I could not help remarking, "I expect you only light the
+lighthouse when there is going to be a wreck?"
+
+"Oh, no; we show the light every night."
+
+This was just like the Japanese! Owing to the imperfectness of
+charts--none delineating correctly that part of the coast--the strong
+currents, the thick fogs, and the dangerous reefs, there could not be a
+more perilous coast for navigation than that which terminates in Cape
+Erimo. The ships which go from Shanghai, or some of the ports in the
+Petchili Gulf in China, to North American ports, often steer this course
+through the Tsugaru Strait and pass directly south of Cape Erimo. Thus
+the _Mary Tatham_ (an English screw-steamer), while on her journey from
+Shanghai to Oregon, was lost in 1882, with nearly all lives on board,
+about two miles from this cape.
+
+At the foot of the Erimo cliffs is a small fishing village called Okos.
+The sea is shallow at this place, and there are many low-lying reefs
+which afford abundance of kelp and seaweeds.
+
+A short time before I arrived at Okos a man had gone out in his boat to
+save some nets in which a large fish had got entangled. His boat
+capsized, and he was drowned. His wife was in a dreadful state of mind,
+not for the loss of her better half, but for the more irreparable loss
+of the nets.
+
+The distance between Horoizumi and Cape Erimo is seven and a half miles,
+and the track is exceedingly rough in many places. Nearly half-way
+between the last-mentioned village and the cape are the three high
+pillars called _Utarop_, which are represented in the illustration at
+the head of the chapter.
+
+As it was impossible to take my ponies along the few miles between Cape
+Erimo and Shoya, following the precipitous coast, I retraced my steps to
+Horoizumi, meaning to attempt the mountain pass the next morning.
+
+[Illustration: ERIMO CAPE.]
+
+
+
+
+[Illustration: A NATURAL STONE ARCHWAY NEAR SHOYA.]
+
+CHAPTER VI.
+
+From Cape Erimo to the Tokachi River
+
+
+The mountain pass between Horoizumi and Shoya is supposed to be very
+dangerous on account of bears. I rode the ten miles quietly, but failed
+to meet or see any. The way through thick woods is exceedingly pretty.
+After traversing a small valley with a dense growth of scrub-bamboo, it
+climbs a small hill, from the top of which a lovely view of Cape Erimo
+lies like a picture before one's eyes. There are only thirty houses at
+Shoya, and the place could not be better described than by the words "a
+miserable hole." The rough weather, as well as several landslips, had
+some time before my arrival broken all communication between Shoya and
+the next village east of it. There is a rough mountain trail as far as
+Saruru, but my ponies could not possibly get through the scrub-wood and
+heavy climbing, and none of the natives could be induced to carry my
+luggage. They all positively refused to follow me on account of the
+multitude of bears which they said were on the mountains.
+
+"If the sea goes down," said an old fisherman, "you may be able to get
+through early to-morrow morning at low tide; and, if you are careful,
+you will not be washed away by the waves." The cliffs near Shoya are
+remarkable for their beauty. They are mostly older eruptive rocks which
+nature has carved into hundreds of rugged and fantastic forms. About a
+mile from the village is a huge natural archway, and from this point
+begin the precipitous cliffs, pillars, and rocks which make the journey
+so difficult.
+
+At Shoya there are no pure Ainu, but some of the fishermen exhibit
+traces of Ainu blood. My recollection of Shoya is decidedly not of a
+pleasant character. I put up in the house of a fisherman, which also
+answers the purpose of a tea-house for the few stranded native
+travellers.
+
+"We are so poor," said the landlord when I asked for something to eat,
+"and we have finished our provisions of rice. The other people in the
+village are poorer than we are, and they also have none; and as for
+fish, the sea has been so rough for several days that we have not been
+able to catch any. We ate the last scrap of fish we had just before you
+arrived! If you gave me a fortune, I could not give you anything to
+eat."
+
+When the landlord confessed this to me in the evening, I had already
+been fourteen hours without food. The prospect of not getting any more
+for at least the next eighteen or twenty hours was not an agreeable
+look-out. I was very hungry, but, failing a meal, the next best thing
+was to try and go to sleep. Even that did not prove successful, for
+hunger keeps you awake, and in its first stages sharpens all your senses
+considerably.
+
+The night I spent at Shoya is worthy of a description. From top to
+bottom the corners of my room were filled with webs, which the spiders
+had spun undisturbed in all directions across the room. Hundreds of
+flies and horseflies rose buzzing when I entered the room, and I had to
+engage in a very unequal war against them before I could settle down on
+the hard planks. In one corner of the ceiling a big, long-legged spider,
+too high for me to reach, was enjoying a good meal out of a huge
+horsefly which he had captured in his net. I almost envied the
+long-legged epicure. Nature will be ironical sometimes. When night came,
+and I was still sleepless, the planks on which I was lying seemed harder
+than any planks I had ever slept on before. I turned round one way,
+then the other, then another, till all my bones were aching. Finally,
+through exhaustion, I fell asleep, and even had a nightmare. In my
+dreams, the ghosts of all the spiders I had killed, magnified to the
+size of human beings, were dancing round me, while one fat old
+fellow--fatter than any two others put together--was gravely sitting on
+my chest watching the performance. His weight was such that I was nearly
+suffocated. Sometimes he would seize me by the throat and almost choke
+me, while the dancing spiders would choke themselves with laughing ...
+when--
+
+"_Hayaku Danna!_"--"Quick, sir!" said a Japanese voice, waking me
+suddenly; "get up, or else the tide will rise, and you will not be able
+to get to Saruru."
+
+I opened my eyes; the dream passed, and the monstrous spiders vanished;
+but the pain caused by the emptiness of my stomach was still there, and
+my throat was dry and aching.
+
+It was before sunrise, and it was almost in complete darkness that I
+left Shoya. I was weak and chilly. The monotonous sound of the waves
+breaking over the shore added melancholy to _malaise_, and made me very
+doleful and limp. Nevertheless, as I was in for it, I pushed my way with
+my ponies along high cliffs and among rocks, and got on as best I could.
+
+Where the sea had receded the stones were slippery, and my two animals
+were no sooner on their feet than they were down again on their knees.
+The hollow sound of their hoofs on the rocks was echoed from cliff to
+cliff, and awakened the sleepy crows from their night's repose. I had to
+walk most of the way, and urge on my ponies with howls, as well as stir
+them up with the whip. Though the tide was low, the waves often washed
+up to my waist. Daylight came, and I went along, following the high,
+rugged cliffs, through tunnels occasionally, among rocks continually.
+The scenery was really magnificent, seen as it was in the mysterious
+morning light of the rising sun. My horses were done up when I got to
+Saruru, and I exchanged them for fresh ones. By this time the tide had
+risen, and it was not possible to proceed any further along the
+sea-shore. I was glad of it, as I should thus be forced to try the
+mountain track, which I was told was not so very rough from this point.
+A half-caste offered to show me the way. It was a very stiff climb among
+thick shrub, but it was comparatively smooth work after the experience
+of my journey from Shoya. I came across many tracks and footprints of
+bears on the mountain. In some places the marks were quite fresh and of
+different sizes, varying in length from one foot to four inches. The
+half-caste told me that black bears seldom attack men unless they are
+hungry. They often attack horses.
+
+"But if they hear that a man is near they will not dare to attack even
+the horses," he said, and then began to sing at the top of his voice.
+His singing, half Japanese, half Ainu, was so excruciating that it was
+no wonder to me that it kept the bears away.
+
+We crossed two rapid streams before reaching the summit of the mountain
+range. The view from the summit was lovely. In the distance I could
+distinguish two headlands, while an immense stretch of stormy sea and a
+high mountain were in the foreground. I began to descend, and again I
+got into the region of thick forest and scrub. I perceived a few houses
+near the coast, and we made for them. It was the village of Moyoro,[12]
+or Biru, as it is called by others.
+
+ [12] Moyoro. _Moy_, a bay; _oro_, to be in.
+
+Between Saruru and Biru, where the mountain track sometimes descends to
+the shore, I found many Ainu and half-breeds, especially in the two
+villages of Onnito[13] and Bitatannuki.[14] They are said to be very
+bad, and what I saw of them, even at Biru, corroborated this assertion.
+
+ [13] Onnito. _Onni_ or _Onne_, great, large; _to_, lake, swamp.
+
+ [14] Bitatannuki. _Bita_, to undo; _tannu_, long; _ki_, rushes,
+ reeds.
+
+Biru is situated on a small bay, in the centre of which some gigantic
+pillars stand out at a great height. The rough sea dashes against them,
+and thousands of crows and sea-birds have chosen these rocks for their
+abode. Biru is not a large village. There are only forty fishermen's
+huts, most of which are on the high cliff surrounding the small bay; the
+others are down on the beach. Kelp, seaweed, and sardines are as
+abundant here as on the south-west coast, and maintain the staple
+industries of the inhabitants. The sea-weed is of great length but small
+width. Fourteen more miles over the cliffs brought me to Perohune.[15]
+There were four large deltas to cross, that of the Toyoi-pets[16] being
+the largest. The current in all these rivers is extremely swift.
+
+ [15] _Pero_ or _Pira_, cliff; _Hune_, _Hun_, a particle indicating
+ the existence of something at a place.
+
+ [16] _Toy_, earth; _o_, (?) _i_, a place; _pets,_ river.
+
+Perohune enjoys a big name, but there is only one house in the place. I
+was, however, fortunate enough to get two good ponies there. The fog was
+settling down thicker and thicker, and I could not see more than a yard
+or two in front of me; but at times it lifted up for a few moments, and
+showed me either the dangers I was nearing or the landscape I was
+losing. I passed two lakes, the Tobuts,[17] otherwise called Oputs, and
+the Yuto. Both are divided from the sea by a narrow sand-ridge. There is
+but little of human interest along this deserted coast. There are no
+houses and no people, but many small rivers, and now and then high
+cliffs. My ponies, driven mad by the _abus_, the terrible horseflies of
+Yezo, constantly threw themselves down and rolled on the sand.
+
+ [17] _To_, lake, swamp; _buts_, mouth of a river. _O_, a meaningless
+ prefix; _puts_, mouth of a river.
+
+From Perohune to Yuto Lake the distance is about eleven miles, and from
+Yuto to Otsu it is eleven more miles, on a very easy track. I saw some
+large sea-birds and penguins, and I was struck by the great number of
+drift logs which had been washed on shore by the sea. The last
+thirty-eight miles of the coast was literally covered with this drift
+wood. During the summer months the fog is always dense along this coast,
+greatly owing to a cold current which comes from the Otkoshk Sea, passes
+through the strait between Kunashiri and Etorofu, in the Kuriles, and
+then turns south, following a great part of the south-east coast of
+Yezo. Not far from Erimo Cape it meets a warm current from the China
+Sea, which passes through the Tsugaru Strait, and which in all
+probability is the Kuro-shiwo, or Japan current. This Japan current
+parts from the main stream near the south-western extremity of Japan,
+goes through the Corean Strait, and follows the north-west coast of
+Nippon, passing then through the Tsugaru Strait. As will be seen later,
+a branch of this current runs along the north-west coast of Yezo, and
+through the La Perouse Strait.
+
+[Illustration: IWA ROCKS AT BIRU.]
+
+
+
+
+[Illustration: AINU HOUSES AND STOREHOUSE, FRISHIKOBETS, TOKACHI RIVER.]
+
+CHAPTER VII.
+
+The Tokachi Region--Pure Ainu Types--Curious Mode of River Fishing.
+
+
+The Tokachi River is one of the largest and most important in Yezo.
+Knowing that the Ainu either settle on the sea-shore or up
+river-courses, I formed an idea that some good types were to be found up
+this river. On reaching Otsu, a small settlement at the mouth of the
+Otsugawa--a branch of the large delta formed by the Tokachi--my idea was
+confirmed by the report that there were no Japanese villages in the
+interior. The expedition up the Tokachi River was by no means easy from
+the accounts I heard at Otsu. None of the Japanese ever dare to
+penetrate into the interior from Otsu, and, so far as foreigners are
+concerned, the Tokachi River was utterly unexplored. There is a certain
+charm in being the first man to do something, and I decided to attempt
+the experiment. The Japanese of Otsu dissuaded me strongly from carrying
+out my plan; for they said the grass and reeds were so high that I could
+not possibly get through.
+
+"It is a kind of a jungle, in fact," said they, "in which yellow and
+black bears are plentiful. The rivers, which are numerous, are swollen
+by the heavy rains that have fallen lately. The natives up the river are
+unsociable and bad, and they will kill you. Then in the high grass
+horse-flies, black-flies, and mosquitoes abound."
+
+"If you attempt it alone," said the wise man of the party, "you will not
+come back alive."
+
+These reports were not encouraging, but, anyhow, I determined that,
+Irish as it may sound, _dead_ or _alive_, if there were any Ainu up the
+stream I would see them. Owing to the difficulty of taking even my usual
+baggage, and not wishing to burden my ponies with more than was
+necessary, I decided to carry with me only a paint-box, many wooden
+sketching panels, my diary, and my revolver. I left all my other things
+at Otsu to wait for my return.
+
+"Should you not come back again, can I keep all your belongings as my
+property?" kindly enquired the landlord of the tea-house, when I bade
+good-bye to him and to all the villagers who had collected round early
+in the morning to see me start.
+
+I took two ponies, as usual. I left Otsu at dawn, and followed as well
+as I could the winding course of the river. Not far from Otsu I came to
+the thick jungle of high reeds and tall grass of which I had already
+heard. I made my way through the first obstructions; but I had not been
+in the jungle more than a few minutes when I was simply devoured by
+horse-flies, mosquitoes, and black-flies. My ponies were kicking,
+bucking, and trying to bolt, as they also were literally covered with
+horse-flies, sucking their blood and stinging them to madness. The reeds
+and grass were about ten or twelve feet high, so that, being higher than
+myself on my horse, I could not see where I was going. I kept along the
+river bank as much as I could; but in many places it was difficult to
+get through the ravines which one invariably finds along rivers, so I
+kept a little way off on the west side, and had the noise of the running
+river to guide me. For many wearisome hours I rode through this jungle,
+the dividing reeds continually rubbing against my face, arms, and legs,
+sometimes making pretty deep cuts with their razor-edged long leaves.
+The huge _shirau_--the horse-flies--grew more and more tiresome as the
+sun got warmer, and my head and hands were swollen and bleeding. The sun
+was by this time high in the sky, but there were no signs of the jungle
+coming to an end, no indications of huts anywhere near--no other noise
+but the sound of the crashing reeds and the running water of the river.
+My ponies were feeding well, as grass was plentiful; but I was faring
+badly. What with the exertion of keeping the ponies in order, while the
+densely-entangled reeds nearly dragged me off the saddle--what with the
+plague of mosquitoes and horse-flies, added to the sense of weakness
+caused by fatigue and hunger--it was really a terrible time for me--one
+of the worst episodes in my life. Nevertheless, I persevered, and went
+on and on, determined to reach my destination. I came upon two very
+large swamps, which forced me to make a wide _detour_. The ponies were
+very tired, and so was I. When darkness set in I halted, took the heavy
+pack-saddles off the ponies, and tied the animals to them, so that they
+could not bolt during the night; and wearied, disheartened, and
+discouraged as I was, I began to think how stupid I had been to start on
+such an expedition without carrying any provisions with me--without
+having provided myself with even a tent or a covering of any kind.
+
+Circumstances made me a philosopher. What is the use of worrying about
+things that cannot be helped? After all, when you get accustomed to it,
+starving is really not so bad as people think. One of my ponies was of a
+sentimental disposition, and he seemed to understand my troubles. He
+came close and rubbed himself against me, placing his head near mine. It
+was touching, and in the solitude in which I was the sympathy of the
+dumb beast was as precious as that of a human being. Had he been able to
+speak, he might have been taken for a Christian, and a good one, too! He
+had been fearfully stung by horse-flies, and my petting him seemed to
+alleviate his pain. There is nothing like sympathy and a little personal
+kindness if one wants to make friends with animals. The last few rays of
+light were spent in putting together the notes which I had taken during
+the day, and which enabled me to draw a sketch-map of the river. At
+Horoizumi some days previously I was able to buy myself a compass from
+a Japanese fisherman, and on this occasion it was extremely useful to
+me.
+
+By the soft, or rather shrill, music of a full orchestra of mosquitoes I
+fell asleep. It was poetic, but not comfortable. Strange noises woke me
+several times during the night. My ponies also were very restless, and
+repeatedly tried to get loose while I was lying down on the two saddles
+to which they were fastened.
+
+It was some time after sunrise when I woke up, and with stiff bones set
+off again. A heavy dew had fallen during the night, and had made my
+clothes very damp. The reeds and grass also were saturated with water,
+and riding through them caused a continuous shower to fall over me,
+giving me an uncomfortable and by no means efficient kind of shower
+bath.
+
+I rode in a westerly direction till about two or three in the afternoon,
+when suddenly the jungle came to an end. Not only that, but a short
+distance away I saw some Ainu huts. I soon reached them, dismounted, and
+tied my ponies to a tree. I went to the first hut, and previous to going
+in I called out: "Hem, hem, hem, hem!" which in the Ainu country is the
+polite preliminary when a stranger wishes to enter a hut. The usual
+practice of _knocking_ at the door is dispensed with, for Ainu doorways
+have no doors.
+
+"Hem, hem, hem, hem, hem!" called I again much louder, but I heard no
+answer; so I lifted the mat and entered the hut. It was empty. No one
+was there. I came out again, and went into the next hut, into another,
+and yet another; but nobody was to be found. I supposed that they were
+all out fishing. From the roof in each hut was hanging some dried and
+half-dried salmon. I could not resist the temptation after nearly
+thirty-four hours of involuntary fasting; and I stole--I mean
+"conveyed," or helped myself to the largest fish. I was greedily eating
+it--and how good it was!--when I thought I heard a groan inside the hut.
+I listened, and I distinctly heard some one sniffing in a corner of the
+dark dwelling. Had I been caught stealing? The crime I had committed
+would be called felony at home, but in the Ainu country it has not
+nearly so bad a name as that. However, felony or not, I dropped the
+fish, or rather what remained of it, and made for the corner whence the
+noise came. As I got closer I discerned a mass of white hair and two
+claws, almost like thin human feet with long hooked nails. A few
+fish-bones scattered on the ground and a lot of filth were massed
+together in that corner; and the disgusting odours these exhaled were
+beyond measure horrible.
+
+"What the devil is that!" I said aloud in my own native tongue. I could
+hear someone breathing heavily under that mass of white hair, but I
+could not make out the shape of a human body. I touched the hair, I
+pulled it, and with a groan, and movements similar to those of a snake
+uncoiling itself, two thin bony arms suddenly stretched out and clasped
+my hand. As my eyes were getting accustomed to the dim light I thought I
+saw some almost worn-out tattoo marks on her arms. Yes, it was a woman
+in that corner, though her limbs were merely skin and bone, and her long
+hair and long nails gave her a ghastly appearance. Indeed, crouched as
+she was, doubled up, with her head on her knees, and the long hair
+falling over her face and shoulders, it was really difficult to make out
+what she was.
+
+I asked her to come out, but she was apparently deaf and dumb. I dragged
+her out, and she made but little resistance; only she preferred crawling
+on her hands and knees to walking upright on her feet. There is no
+accounting for people's tastes, and I let her please herself in her
+manner of locomotion. When she was fairly out in the light I shivered as
+I looked at the miserable being before me. I lifted up her hair to see
+the face. Her eyebrows were thick and shaggy, and were joined over the
+nose. Her eyes were half closed, and dead-looking. The strong light
+seemed to affect her, and with her hands she was feeling the ground,
+probably in order to retrace her steps back to the dark spot. Nature
+could not have inflicted more evils on that wretched creature. She was
+nearly blind, deaf, and dumb; she apparently suffered from rheumatism,
+which had doubled up her body and stiffened her bony arms and legs; and,
+moreover, she showed many of the symptoms of leprosy. Altogether, she
+was painful, horrible, disgusting, and humiliating to contemplate.
+
+I went back to my ponies to fetch my paint-box. During my absence there
+had collected round them half-a-dozen Ainu. They did not know what to
+think of the appearance of the two animals, and the few articles
+fastened to the pack-saddle were regarded with suspicion. When I
+appeared on the scene their astonishment was even greater, and it
+reached its climax when I saluted them in the Ainu fashion, and told
+them that I was a friend of the Ainu. I unfastened my paint-box and went
+back to the old woman. She was still where I had left her. All the Ainu
+present followed me, and when I squatted down they did the same in a
+semicircle round me. My wretched model attempted several times to crawl
+inside the hut, but as I was sitting close to her, I prevented her from
+doing so. There she sat in the most extraordinary position, with her
+head resting on her left hand, and the stiff fingers of her right hand
+pressed on the ground. One leg was bent up and the other was folded,
+resting on the ground and on the foot of the first. She was sniffing the
+wind, and making efforts to see with her half-blind eyes.
+
+[Illustration: MADWOMAN OF YAMMAKKA.]
+
+It is hardly necessary to say that I did not keep my model longer than
+was strictly necessary, and when the sketch was finished I took her by
+the arm, brought her back into the hut, and led her to her favourite
+corner. There she crouched herself again, as I had found her; and there
+I left her, to bear the miseries of her life, till death, the cure of
+all woes, shall take away her soul, if not her body, from the filth she
+had lived in. She was neither ill-treated nor taken care of by the
+villagers or by her son, who lived in the same hut; but she was regarded
+as a worthless object, and treated accordingly. A fish was occasionally
+flung to her, as one would to a beast, and in such a condition this
+human being had lived, or rather existed, apparently for several years.
+Not a word was uttered by the villagers during the few minutes I took to
+paint the sketch. I turned round to inspect my new friends. Others had
+come up, and these men and women, hairy and partly naked, squatting down
+amidst filth, and driven half mad by the horse-flies and black-flies,
+looked just like a large family of restless monkeys. They were gentle
+and kind--much more so than any of their more civilised brethren; and
+one of them, a fine old man, came forward when I came out of the hut and
+wished me to go and see a big yellow bear they had captured. I went, and
+near the man's hut, in a rough square cage made of crossed branches of
+trees, was Bruin grinding his teeth as we drew near. In a sing-song
+monotone the man told me the story of the hunt, and how the bear had
+been captured. Then we went from one hut to another all through the
+village. Yamakubiro is the name given to the huts taken collectively,
+but the man took good care to explain to me that one part of the village
+(numbering only seven houses) was called Tchiota, and the other, a short
+distance away, was named Yammakka. Tchiota in the Ainu language means
+"dead-sand," and Yammakka is "land in behind."
+
+Yammakka has ten huts. The hut in which I had to put up was more than
+filthy, and I had a sort of presentiment that my landlord was a
+scoundrel. He saw me giving a small silver Japanese coin to a girl I had
+painted. From that moment I noticed his eyes were continually fixed on
+my waistcoat pocket, out of which I had taken the coin. However, I did
+not think much of that, as all Ainu are fond of beads, metals, or
+anything that shines. When the evening came I tried to go to sleep on
+the hard planks, as usual. There is undoubtedly more _board_ than
+_lodging_ about Ainu accommodation. Myriads of Taikkis, the tiny but
+troublesome and uninvited guests of all dirty dwellings, did me the
+honour to sup off the few drops of blood which remained in my veins. I
+owed it to a bottle of Keating's Powder that I was not carried away
+bodily by them. I felt cold and feverish, and having no civilised
+bed-clothes to cover me, I slept with my clothes on; and this the more
+willingly, as I felt an instinctive mistrust of my host, and I thought
+it was as well to be ready for any emergency.
+
+A few salmon were hanging right over my nose. They hung low, but they
+smelt high. I had been given a place in the south-west corner of the
+hut, and my landlord retired to the north-east corner. Though this may
+sound very far, my host was really not more than a few feet away from
+me. He apparently thought that I had gone to sleep, for I heard him
+creep to my side. I could not see him, being in absolute darkness, but
+though he was evidently holding his breath, I could feel the warmth of
+his face near mine. He was listening to hear if I were asleep. I kept
+quiet, and pretended to snore. This gave him courage, and sliding his
+hand gently along my arm, he came to a pocket in my coat. He began to
+explore it--but the Ainu are an unfortunate people even when they try to
+steal. He had got hold of a pocket with no bottom to it--a common
+occurrence in my coats. The more he explored, the more he found there
+was to explore. I am fond myself of explorations, and I have no
+objection to a fellow-being, hairy or not hairy, "prospecting" my empty
+pockets or my pockets which have no bottom to them. However, my host was
+not satisfied with the first results of his researches, and with his
+hand still through the torn lining of the coat-pocket proceeded to
+investigate the contents of my waistcoat pockets. This was a different
+matter altogether, and catching hold of him before he was able to
+disentangle himself, I swung his arm away and hit him hard on the head
+with my right fist.
+
+"Wooi!" cried he in despair, and half stunned, as he scrambled away as
+best he could to his north-east corner. By way of apology and excuse,
+and with a trembling voice, the man from his corner said that he had
+only come to sleep on my side of the hut, as the wind was blowing strong
+where he had lain down, and that my side was warmer. A good excuse
+indeed when you are caught _flagrante delicto_ pickpocketing!
+
+The salmon which my host gave me last night for dinner and this morning
+for breakfast was so rotten, that, hungry as I was, I could not eat it.
+From Yammakka, in a westerly direction, the way begins with a gentle
+incline; therefore there is a complete absence of the high and
+troublesome reeds which I had found in the vast marshy plain I had
+crossed on my way here from the coast. I intended pushing on to
+Frishikobets, a larger village some miles off. The old scoundrel wanted
+to accompany me part of the way, saying that there were two dangerous
+rivers to cross, and he would show me where to wade them. I fancied that
+they were as dangerous as they were imaginary, and I started off
+declining his offer. I came across several Ainu huts on my way, passed
+the village of Pensatsunai--six Ainu huts--on the Satsunai river, an
+affluent of the Tokachi, and then arrived at Obishiro in the afternoon.
+There are seven houses at Obishiro. I entered one of them, and to my
+astonishment I found myself in front of an old man and a pretty woman,
+whose appearance and manners were as refined as those of the better
+classes in Japan. A younger man also came in. Their astonishment was as
+great as mine, as they had not seen any civilised beings since they had
+been there. Though the outside of their dwelling was not prepossessing,
+the inside was so clean that I felt as if I had dropped into heaven.
+After what I had gone through, this unexpected _rencontre_ brought me
+back to life and a belief in the proprieties of a civilised existence,
+almost forgotten by now!
+
+These people had a romantic history. Watanabe Masaru--the younger
+man--was a Japanese gentleman by birth and education, but he had no
+fortune. Of an adventurous disposition, clever, sensitive, and tired of
+the conventionalities of his fatherland, he decided eight or ten years
+ago to emigrate to Hokkaido, and there lead the life of a colonist. The
+woman he loved was as brave and constant as he. She sailed with him and
+her father from Japan, and after a long and perilous journey in a junk
+(sailing boat), they landed at the mouth of the Tokachi River. In Ainu
+canoes they went up the river, and established themselves at Obishiro,
+far from civilisation, nearly in the centre of Yezo. At first they had a
+great deal of trouble with the natives, but now they are loved by all.
+There, with two lovely children, they lead an ideal life, far from the
+madding crowd and noise of the world, and freed from the vulgarity of
+society.
+
+I rode on to Frishikobets village, situated on the Frishiko, "old
+river," and in the midst of a beautiful plain. There are only
+twenty-eight houses, and they are scattered about in the plain at a
+distance of several hundred yards one from the other. Some of the huts
+were hidden in the forest. A peculiarity of the Ainu of the Upper
+Tokachi River is, that they frequently cover their dwellings and
+storehouses with the bark of trees, instead of with reeds, as is the
+custom among the Ainu of the Saru River and Volcano Bay.
+
+I was told here again that Ainu women often suckle small bears at their
+breasts so as to fatten them up for the festival; and one not
+infrequently sees the women in Ainu households chewing food, and letting
+the young cub take it from their lips.
+
+These Ainu are much more interesting as types, and also much purer in
+race, than either the Piratori or the Volcano Bay Ainu. A learned
+missionary, who has not himself visited these people, writes as follows
+regarding them:--"The Ainu of the Tokapchi district, in Yezo, are spoken
+of as having been particularly addicted to this kind of warfare (night
+raids against each other, in which the men were murdered, and the women
+stolen and used as slaves or kept as concubines), and are even now held
+in abhorrence by the people of some villages. They are said not only to
+have murdered people, but also to have eaten some of them. They were,
+therefore, cannibals, and I have heard them spoken of as 'eaters of
+their own kind.'"[18]
+
+ [18] Rev. John Batchelor, 'The Ainu of Japan,' chap. xx.
+
+From my own personal experience--and I may add I am the only foreigner
+who has seen these Tokachi, or as others call them, Tokapchi Ainu--I
+came to a conclusion very different from this. I found that not only
+were they not cannibals, but that, taken altogether, they were the most
+peaceable, gentle, and kind Ainu I came across during my peregrinations
+through the land of the hairy people. Indeed, I am sorry to say that it
+is not savagery that makes the Ainu bad, but it is civilisation that
+demoralises them. The only place in Yezo where I was actually
+ill-treated by Ainu, as my readers will remember, is the village where
+they were said to be "very civilised."
+
+I have no wish to force my opinion on the public as the correct one. I
+do but describe what I have actually seen in a district in which others
+who have written on this subject have never set foot, and I leave it to
+my readers to judge who has most claim to be heard.
+
+The language of the Tokachi Ainu varies considerably from the language
+spoken in more civilised districts, and none of the natives up the river
+could speak Japanese when I was there.
+
+[Illustration: AINU WOMAN OF FRISHIKOBETS, ON THE TOKACHI RIVER.]
+
+Unfortunately, the Ainu of this region are not very numerous, and
+constant intermarriage among near relations has proved detrimental to
+the race. However, a glance at them is quite sufficient to show the
+difference between them and Ainu of other tribes. They are not so
+picturesquely arrayed as their more western brothers, and the large
+Japanese brass and silver earrings, as well as the glass bead necklaces
+which make such a brave show yonder, are replaced here by rough bone or
+wooden ornaments. Men and women in summer are almost entirely naked, and
+all children are clad in their own bare skins only. Their winter
+garments are made of bear and deer skins. Some peculiar snow-sandals,
+made of the bark of a kind of ash-tree called _shina_, are sometimes
+worn over the winter salmon-skin boots or moccasins. The Ainu make their
+ropes out of the bark of this _shina_, though often young vine stems are
+used for the same purpose. River fishing-nets are generally made of
+young vines twisted. They are of the roughest description, and are only
+fit for rivers where fish is abundant, as in the Yezo watercourses. The
+Ainu at Frishikobets took very kindly to sitting for their portraits,
+and one after the other--all the best types--were immortalised either in
+oils or in pencil. Strange to say, I came across another old woman, a
+lunatic, very similar to the one I saw at Yammakka. Her face was that of
+a witch, her eyebrows joining downwards somewhat in the shape of an
+owl's beak. Her long pale hands and face, and the long wild hair
+covering half her face, gave her a striking appearance. She had,
+however, not yet reached the stage of imbecility which her Yammakka
+sister had attained. Lunacy is very common among the Ainu, and the
+unfortunate creature thus afflicted seems to lose not only the respect,
+but also the pity, as well as care, of all the others, and is treated by
+them as a worthless animal.
+
+After crossing the Frishikobets River, some distance off, on the east
+side of the Tokachi River, are the villages of Upar-penai,[19]
+twenty-one Ainu huts, Memuro-puto,[20] sixteen huts, and Ottoinnai,[21]
+fourteen huts. Then comes Kinney, with seven houses; and finally
+Nitumap,[22] the last village on the Tokachi River, has as many as
+thirty-six houses.
+
+ [19] _U_, place; _par_, mouth; _pe_, undrinkable water; _nai_,
+ stream; _Upar-penai_, a place at the mouth of a stream of
+ undrinkable water.
+
+ [20] _Me_, in front; _mu_, sheltered spot in a river; _ro_, track;
+ _puto_, mouth of river; _Memuro-puto_, track in front of a
+ sheltered spot at the mouth of a river.
+
+ [21] _Otto_, into; _i_, a place; _nai_, stream; _Ottoinnai_, a place
+ in a stream.
+
+ [22] _Nitumap_, open trunk of a tree.
+
+The huts of the Tokachi region are much smaller than those on the Saru
+River, and near many of them is a cage, in which a big yellow or black
+bear is confined. The natives told me that yellow and black bears were
+numerous in the neighbourhood. Deer (the _yuk_, male deer, and
+_mowambe_, female), were formerly plentiful, but now are very scarce. A
+few years ago a pestilence killed great numbers of them, and since then
+they have dwindled away.
+
+Not many miles from Frishikobets a huge cliff rises perpendicularly
+along the Shikarubets River. A landslip seems to have taken place, which
+leaves one side of the cliff perfectly bare and rugged, showing the
+strata composing the soil. It is of a light yellowish colour, and it is
+called by the Ainu the _Shikarubets Otchirsh_, which translated into
+English means "the white cliff on the bend of the river." This cliff
+stands very high, and can be seen from a great distance, especially in a
+north-east, east, or southerly direction. In winter, when the rushes and
+reeds are not so high in the south-eastern portion of the plain, the
+white cliff can be distinguished from the whole of the Tokachi valley.
+The Ainu themselves use the Shikarubets Otchirsh as a landmark when out
+hunting bears. Owing to its light colour it is visible even at night. I
+was anxious to ascend it, as I was sure no European foot had ever
+trodden on it before. Accompanied by Watanabe Masaru, I started out on
+horseback and crossed the Frishikobets village and river. Here we left
+our horses under the care of an Ainu till our return. We had to cross
+the Tokachi in an Ainu "dug-out," and then, proceeding for several miles
+in a northerly direction, we arrived at the foot of the mountain. It
+would have been impossible to climb it on the east side, as it is quite
+perpendicular; but we were fortunate in getting an Ainu called Unacharo,
+who said he knew a point from which we could ascend, and that he would
+show us the way. He had been hunting bears on that mountain, and he knew
+its slopes well; but as to the way which he was to show us, we had to
+make it for ourselves. With our large knives we were forced to break,
+cut, and tear the entangled branches of trees and shrubs before we could
+get on. We actually had to cut our way through the dense scrubwood until
+we reached the summit. The ascent was rather dangerous in some places,
+and extremely rough when going through the brushwood. We had to keep as
+much as possible near the edge of the cliff, for though it involved more
+danger if we slipped or stumbled, the entangled shrubs were not so thick
+on the edge as farther inland. Finally, after several hours' hard work,
+we reached the top, and were well repaid for our fatigues. The whole of
+the Tokachi valley was stretched before us as far as the sea, and almost
+the whole course of the winding river, with all its numerous affluents,
+could be distinguished like so many shining silver ribbons on the green
+background formed by the tall grass and reeds. As a farming region the
+Tokachi valley and high plains are certainly the most fertile in
+Hokkaido. All the requisites for successful agriculture can be found
+there. The absence of the mountain masses of volcanic rocks, so common
+all over Hokkaido, the richness of the soil, the quantity of water for
+irrigation or for motive power, besides the comparative facility of
+making roads on such flat ground, are qualities that good farmers do not
+generally despise. It is therefore a great pity to see all that Tokachi
+valley practically deserted and so much good land wasted. Hemp, wheat,
+corn, potatoes, beans, and all kinds of vegetables and cereals, could be
+grown with advantage, and the produce carried down the river to the sea
+without much difficulty and at little expense. At Yamakubiro the land
+begins to rise in a gentle slope, but only to form a plateau, of which
+the top is another large plain reaching to the foot of the Oputateishike
+mountain mass. The Otopke Mountain is the highest peak, and resembles in
+shape the Fujiama of Japan. On the north-east side of this mountain are
+the hot springs of Ni-piri-bets.[23] A kind of wood is said by the Ainu
+to be found near these hot springs which is good for curing wounds,
+cuts, rheumatism, and other ailments. These hot springs are not of much
+importance, and it is but seldom that even the Ainu themselves visit
+them. In going to and returning from these springs the Shikarubets
+Otchirsh is never lost sight of by the Ainu, and by the aid of this
+landmark they return safely to their homes.
+
+ [23] _Ni_, wood; _piri_, wound; _bets_, river.
+
+All the Oputateishike mountain mass is volcanic, and forms the backbone
+of the island of Yezo. From the Shikarubets Otchirsh I was able to draw
+a bird's-eye view of the course of the Tokachi River and its affluents,
+which afterwards helped me much in delineating a sketch-map of the
+Tokachi region, with its complicated watercourses. The two high
+mountains of Satsumai and Ghifzan could also be plainly seen from there.
+Coming down was much easier than going up, and when we had again reached
+the bottom of the mountain we turned northward until we came to the
+Shorui-washi River, an affluent of the Tokachi. Previous to this, while
+following the course of the Otsu River, I saw a strange sight. When on
+the summit of the Shikarubets Otchirsh I had seen two Ainu "dug-outs"
+pass up the river, and the Ainu who accompanied us said we should soon
+see them coming back again. We were not far from the river banks when
+shouts and cries of excitement reached my ears. I hurried on to the
+water-side and saw the two "dug-outs" swiftly coming down with the
+strong current, parallel with each other at a distance of about seven
+feet apart. There were three people in each "dug-out," viz., a woman
+with a paddle steering at the prow; another woman crouched up at the
+stern, and a man in the middle. A coarse net made of young vines, and
+about five feet square, was fastened to two poles seven or eight feet
+long. The man who stood in the centre of each canoe held one of the
+poles, to the upper end of which the net was attached, and attentively
+watched the water.
+
+"They are catching salmon--look!" said Unacharo to me; "the salmon are
+coming up the stream from the sea." The small net was plunged into the
+water between the two canoes, and nearly each time a large salmon was
+scooped out and flung into one or other of the "dug-outs," where the
+woman sitting at the stern crushed its head with a large stone. If a
+fish escaped, yells of indignation, especially from the women folk,
+broke out from the boats, to be echoed by the high white cliff. Both men
+and women were naked, and the dexterity and speed with which they
+paddled their canoes down the stream, working the coarse net at the same
+time, seldom missing a fish, was simply marvellous. On the other hand,
+it must be remembered that fish were so plentiful in the river, that it
+was really easier to catch than to miss. In wading the Shikarubets
+(river) I could see large salmon passing me by the dozen, and I felt
+quite uncomfortable when some large fish either rubbed itself against or
+passed between my legs. We got across the Shorui-washi--literally "very
+burning a place to stand"--and having then gone far enough from the
+Shikarubets Otchirsh to see the whole of it, I managed to take a good
+sketch of it. Near this river are some hot springs, called Nishibets,
+from which the river has taken its peculiar name. The easiest way to the
+Otopke Mountain is to follow the valley between the Shikarubets and the
+Otopke River, and then climb the mountain on the north-east side. The
+latter part of the journey is extremely rough and difficult. Watanabe
+and I returned to Obishiro. It is not often that one anywhere meets with
+such simple, straightforward people as these Watanabes. They have lived
+alone at Obishiro for eight years among savages, but never in my life
+have I met with more civilised, kind, thoughtful, gentle beings than
+Watanabe and his wife. As civilisation makes savages bad, I dare say
+savage life makes civilised people good! I go away carrying with me a
+deep affection for these gentle strangers, whose kindness to me has made
+them my friends.
+
+The day came for me to return to the coast. My ponies, probably
+frightened by bears, broke loose during the night, and one of them ran
+away; and I was rather in a difficulty as to how I should get back
+whence I had come. Watanabe, adding kindness to kindness, allowed me to
+have one of his ponies, and after repeated good-byes I started on my
+journey back to the coast. About four miles east of Yammakka the Tokachi
+River receives a large affluent, the Toshibets, or "river of high
+swamps." The Tunnui Puto is the largest of these swamps, about four
+miles north of the mouth of the Toshibets. _Tunnui_ means a kind of
+tree, probably the _Quercus dentata_; _puto_ or _put_ means the mouth of
+a river. The course of the Toshibets River is almost from due north to
+south from its source, then for about six or seven miles from north-west
+to south-east, and, sharply turning again from north to south, continues
+in this direction winding continually for eighteen or twenty miles, till
+it throws itself with a large body of water in the Tokachi River. On the
+southern side of the latter part of the watercourse are found the Ainu
+villages of Pombets, twenty-two huts; Purokenashpa,[24] three huts;
+Kenashpa,[25] twelve huts; and Beppo,[26] eleven huts. The
+characteristics of the natives of these villages and their habitations
+are similar to those already described at Frishikobets. The journey down
+was much the same as that coming up. Tobuts, on the north side of the
+Tokachi, is the largest Ainu village in the district, and has as many as
+sixty huts. The inhabitants are possessed of a somewhat fiery temper in
+this particular village, and the day previous to my going through two
+men were killed in a row. I felt awfully annoyed at being just one day
+too late to see it, as then I might have described how the Ainu die.
+However, I reached the other side of the Tokachi again. A way through
+the same tall rushes and reeds had to be forced, and the same army of
+mosquitoes and horse-flies had to be met and endured. It was my
+intention to push on and reach the coast as soon as possible. At
+Yammakka the natives had seen my runaway pony galloping at full speed
+towards the coast, but no one had caught it. Probably no one had tried.
+
+ [24] _Puro_, great; _ke_, I; _nashpa_, deafening noise.
+
+ [25] _Ke_, I; _nashpa_, deafening noise.
+
+ [26] _Beppo_ or _pet put_, at the mouth of a river.
+
+My ponies went well. I could plainly see where I had already come
+through the jungle, by the long trail of crushed and broken reeds I had
+left behind me. Everything was calm, but for the monotonous sound of
+crashing leaves produced by my forcing my way through the reeds.
+Suddenly my ponies stopped, shied, and began to back. They sniffed the
+ground, then the air. Their ears were straight up, their eyes were
+restless, and their nostrils widely distended. They were certainly under
+some great excitement, and showed unmistakable signs of terror. "What
+could be the cause of it?" I asked myself, but all the same gave the
+ponies a sound thrashing to make them go. It was useless--they would not
+stir. The second pony came by the side of mine, and they both put their
+heads together, in their own way consulting and concerting. They were
+utterly demoralised, and were kicking awfully. It was getting dark, and
+this riotous conduct on the part of my ponies was annoying.
+Unexpectedly, and with a tremendous growl, a huge black bear sprang
+towards us, and tried to seize the baggage pony. However, he and the
+beast I was riding bolted, and ran a desperate race for life; and though
+Bruin followed us clumsily for some time, we soon were far ahead, and
+lost sight of him. It was more than I could do to stop the frightened
+brutes; but finally, after a reckless steeplechase of many miles, after
+jumping over brooks and splashing across torrents, flying over the
+ground and through the jungle, without omitting to anathematise a
+horsefly that had settled on the back of my neck, and was amusing itself
+by boring holes in different parts of it to find a suitable spot for
+feeding, finally we came to a halt. It was about time. During the
+violent ride the reeds had cut my face and neck and hands, and I was
+bleeding all over. I went on and on, and, as my ponies did not seem to
+be very tired, I tried to reach the coast that night. It grew dark, but
+the night was fine, and I let the noise of the running river guide me.
+Each minute seemed an hour, each hour an age. I rode and rode, and still
+rode, till I was nearly exhausted; and still I was surrounded by the
+tall reeds and rushes. "Thank God!" I heartily exclaimed, when finally,
+at a small hour of the morning, I found myself in open ground again, and
+the wind brought in waves the salt smell of the sea.
+
+An hour or so afterwards two tired ponies were easily pulled up at the
+tea-house at Otsu, the landlord was roused, and a wearied and
+half-starved traveller was let in.
+
+[Illustration: THE SHIKARUBETS OTCHIRSH.]
+
+
+
+
+[Illustration: AINU MAN OF THE UPPER TOKACHI.]
+
+CHAPTER VIII.
+
+From the Tokachi River to the Kutcharo River.
+
+
+I decided to stop a day at Otsu, so as to recover from the fatigue of my
+late travels and adventures, and I chose my quarters in the _yadoya_ of
+a Japanese called Inomata Yoshitaro. I was told that he was an
+ex-convict. Be that as it may, he had now turned into a fisherman and
+innkeeper. Like all Japanese, he was an inexhaustible talker, and his
+politeness was so great that it became a bore.
+
+It was about three in the morning when I reached Otsu. I had taken off
+my boots on entering his house--for it is an insult to enter Japanese
+houses with one's boots on--and I had seated myself on the soft mat in
+order to rest my aching limbs, when Yoshitaro made me get up to place a
+small square cushion under me, on which he said I should be more
+comfortable. I had not been on it one minute before Yoshitaro, wanting
+to increase my comforts, made me rise again to exchange the first
+cushion covered with cotton for one covered with silk--a detail to which
+a man is not likely to pay much attention when tired to death, and only
+anxious to be left alone. It followed as a matter of course that before
+I was allowed to go to sleep I had to sip several cups of tea, which
+Yoshitaro's wife had hurriedly made, and I had to relate the result of
+my expedition to the sleepy fishermen who had crept out of their
+_foutangs_ at the news of my arrival. In spite of all this, when I had
+got rid of my audience I had a good night's rest; but when I woke up the
+next day at noon I found myself surrounded by a crowd of fishermen of
+Otsu, who had invaded the _yadoya_ to have a peep at the young
+foreigner, while in the back yard I recognised the voices of Yoshitaro
+and his wife, who evidently were occupied in the exciting chase of a
+fowl.
+
+A few minutes later Yoshitaro triumphantly entered the room with a large
+dish, on which the same fowl, uncooked, and cut into a thousand little
+bits, was served to me, together with pieces of raw salmon, _daikon_ (a
+vegetable), and boiled rice. This he called a European dinner! I did my
+best to roast the chicken bits on the _hibachi_ (the brazier); but I was
+never well up in the culinary art, and, as my landlord remarked, he had
+brought up the meat for me to eat, not to "burn."
+
+Fowls are very scarce indeed in Hokkaido, and the few found have been
+imported; therefore the landlord did not fail to explain, in a
+roundabout manner, under what great obligation I was to him for killing
+such a precious bird.
+
+I said that I had not asked him to do this, and with his perfect
+Japanese politeness, bowing gracefully down to the ground, he said:
+
+"Sayo de gozarimas" ("Yes, your honourable sir"). "But," he added, "the
+bird was so old that if I had not killed it I fear it would have died by
+itself ere long." Such a sacrifice undoubtedly deserved a reward, and he
+assured me that we should be "quite even" if I, being an artist, would
+condescend to paint twelve portraits of him. I had no little trouble to
+make him understand that he was mistaking me for a photographic camera,
+but I offered to paint him a small sketch the next morning if he would
+leave me alone all that day.
+
+Punctually at sunrise he entered my room. He had his best clothes on,
+and his anxiety to be painted was such that he had not been able to
+sleep all night. I painted the sketch, and Yoshitaro and his male and
+female friends joined in exclamations of admiration at the good result
+of the _abura e_ (oil painting). He professed to be very grateful, and
+carefully packed the picture in a box, which he carried into another
+room.
+
+I took advantage of his absence to pack up my traps, as I wished to
+leave for Shaubets that same morning. In a short time Yoshitaro came
+back to my room, but a different man. He was rude, and tried to bully
+me. He presented a bill for the sum of sixteen _yen_, equivalent to L3
+in English money, which I considered exorbitant for two nights' rest, a
+few bowls of rice, and the "European dinner." The highest charge made by
+the very best tea-houses in Hokkaido never exceeds one yen--two
+shillings and tenpence a day--including all meals. I quietly told the
+landlord that he was a thief, and that I would punish him by taking the
+picture away from him; but he swore that he would not surrender it, and
+that he would fight for it if necessary.
+
+I seldom refuse a challenge when I know that I am going to get the best
+of it, and as it so happened that my arms were a great deal longer than
+those of Yoshitaro, I caught him by the throat and shook him so
+violently that he was nearly strangled. His friends came to his rescue,
+and when I dropped him he fell heavily on the mats, and had to be
+carried away. Some minutes elapsed, and while I was hastily taking my
+heavier luggage out of the house I heard Yoshitaro in the next room call
+out to his wife to bring him a sword, as he wanted to kill the "_ijinsan
+bakka_"--"the fool of a foreigner." I entered his room. Yoshitaro, pale
+with rage, was sitting by his _hibachi_, and round him were eight or ten
+of his men. They were apparently holding a congress on what to do, and
+each one of them, as is usual on all occasions in Japan, had pulled out
+his little pipe, and was continually refilling it with tobacco as they
+all discussed the matter on hand. I had my boots on this time, as I
+wished to show the scorn I had for him, his friends, and his house. In
+my coat pocket--the only sound one--I had my revolver, but it was not
+loaded.
+
+"Yoshitaro," I said, "deliver the picture at once."
+
+"I will not," said he.
+
+"Good!" said his friends in a chorus.
+
+"Yoshitaro," I said again, producing the revolver and pointing it at
+him, "if I have not the picture before I count twenty you will be a dead
+man."
+
+I never in my life saw a crowd of bullies so scared. Covering their
+faces with their hands, Yoshitaro's friends bolted in all directions,
+some jumping out of the semi-European window, some dashing through the
+violently-opened paper _shojis_ (sliding doors), leaving eight or ten
+pipes and as many tobacco pouches scattered on the mats. The landlord, a
+moment ago so brave, had not strength to get up, so great was his
+terror. Pale as death, and with a trembling voice, he called imploringly
+to his wife, servants, and friends to come and deliver up the picture.
+
+I had counted up to number fourteen, and no one had put in an
+appearance. Then I incidentally mentioned to Yoshitaro that time was
+nearly up, and enquired if he preferred to be shot through the head or
+the heart, at the same time cocking my revolver. Yoshitaro shuddered.
+
+At number sixteen a little girl, the only brave one of the lot, was sent
+to his help.
+
+"Dutchera Danna?" ("Where is it, sir?") she asked him, quite perplexed.
+
+"Hatchera, hayaku, hayaku nesan!" ("It is there; quick, quick, girl!")
+pointing to a closet in which a pile of _foutangs_ (small mattresses)
+were kept rolled during the day.
+
+Yoshitaro had hidden the sketch so well in the closet that the little
+_nesan_[27] could not find it, and when I called out number nineteen the
+poor girl, discomfited, cried out, "Mi-imasen" ("I do not see it!")
+
+ [27] _Nesan_, a corruption of _annesan_.
+
+Yoshitaro was more dead than alive; his lips were white, and he tried to
+articulate some words, but could not. His eyes, fixed on the closet,
+were glazed and set. His body was beginning to collapse, and every
+moment I thought that he would faint.
+
+In the meantime the _nesan_ hurriedly pulled out all the _foutangs_ and
+unrolled them, and the box with the sketch fell out just as I was about
+to call out number twenty. She gave me the box and sketch, and I told
+Yoshitaro that he must now come out with me, and, putting my revolver in
+my pocket, I pulled the man to the entrance door.
+
+Several villagers had collected at a respectful distance on the road,
+waiting for the report of the revolver. Yoshitaro's wife was the
+farthest of all.
+
+I signed to them to come nearer, and seeing that the revolver was no
+longer in my hands, they came, though very reluctantly. Yoshitaro was
+beginning to breathe again; and when a sufficient crowd had collected, I
+compelled him to accuse himself before them all of being a thief, and to
+confess that he was glad to have been punished. Also I made him promise
+that he would not play such tricks again on any other traveller.
+
+The Japanese are fond of a good joke, even when it is played off on one
+of themselves; and when I had seen all my baggage safe on my
+pack-saddles, I gave Yoshitaro the sixteen dollars he had asked me: "Two
+dollars," I said, "in settlement of my bill, and fourteen to go to your
+doctor for restoring you to good health after the fright you have had
+to-day."
+
+To show how shabby Yoshitaro's nature was, it is enough to state that
+out of the sum received his munificence went to the extent of five _sen_
+(2-1/2_d._) as a present to the girl who had come to save his life!
+
+When my ponies were ready, I showed Yoshitaro and his knavish friends
+how I had sold them. I brought out my revolver again, and they all saw
+that not a single cartridge was in any of its chambers. This done, I
+bade them good-bye, and left them to reflect that it is not always the
+quietest persons who can be imposed on with most impunity, but that
+sometimes such quiet persons get the best of it, even against ten
+bullies or more banded together. I have no doubt that a good many of my
+readers will think me cruel for carrying a joke so far; but, on the
+other hand, if placed in similar circumstances, when no redress from
+without is to be obtained, and one must defend oneself by main force,
+very few would treat such a serious imposition and offence as a joke.
+
+In going through the village more than one fisherman came to tell me
+that I had done right in dealing severely with Yoshitaro, as he was
+known to be a scoundrel and a thief, and they all detested him.
+
+There was little of interest between Otsu and Shaubets, with the
+exception of the beautiful delta formed in the low alluvial valley by
+the Otsu River and the Tokachi River, two large estuaries nearly two
+miles apart, by which the Tokachi River enters the sea. The Tokachi is a
+river of large volume and considerable length, and even when divided,
+the body of water carried by both outlets is so great as to make it
+necessary to cross in boats, fording on foot being quite impossible.
+
+The Urahoro River was successfully crossed, but for the twenty miles on
+to Shahubets the track was flat and sandy, lying mostly under high clay
+banks, some of which form picturesque headlands. The country is not
+mountainous in the proximity of the coast, but it is of a moderate
+elevation all through, and wooded with deciduous trees. The formation of
+the south-east coast from Cape Erimo to Cape Noshafu is in many ways
+unlike that of the south-west coast. The south-western part is more
+mountainous, and is further characterised by the absence of extensive
+plains. The coast-line is indented, and there is a striking want of
+broad beaches. Precipitous rocks are also frequent along the south-west
+coast, and thick deposits of pumice--as we have seen--are lying over
+quaternary rocks, filling up the declivities of mountain lands and river
+shores.
+
+In the western part the tertiaries are more tufaceous than on the
+south-east coast, and they are distinguished mainly by the presence of
+shales and andesite breccia. The south-eastern part is characterized by
+the almost entire absence of volcanic rocks and older eruptive rocks.
+After leaving the range of mountains forming the _Sparti acque_, east
+and west of Cape Erimo, high land is met all the way along the
+south-east coast. Nevertheless, pumice is found in the basin of the
+Tokachi River, and also in that of the Kushiro River, but it does not
+form the surface soil, covering large areas of ground, as in many places
+on the south-western portion of the coast.
+
+The different aspect in the tertiaries of the south-east and south-west
+coast may be accounted for by the presence of breccia and conglomerate,
+shales and sandstones, on the western part, while on the eastern coast
+beds of lignite, coal of inferior quality, and diatom earth form the
+tertiary strata. If it were not for the total want of harbours, or even
+moderately sheltered anchorages for ships, this south-west portion of
+Yezo, with its agricultural resources, its milder climate, and the
+facilities that it offers for the construction of roads and railways,
+ought to support a large population. As things stand now, there are no
+colonists inland, and the coast is deserted and desolate-looking. As I
+have mentioned before, the only drawbacks are the thick fogs prevailing
+during the summer months along the south-east coast, and I believe that
+this in some measure accounts for the Japanese not wishing to settle in
+a part of the country so depressing to their spirits and so trying to
+their nerves. I have often noticed how easily affected the Mikado's
+subjects are by atmospheric and geographical conditions, and how, before
+settling to do business, they make a point of finding some pleasant spot
+where to cast anchor, thinking more of the amenities of physical
+existence than of the facilities for successful trade. I did not see a
+single house for twenty miles until I reached Shaubets, a village of
+eleven Ainu huts and one Japanese house. Thousands of sea-gulls and
+penguins lined the sandy shore, and I saw several large black
+sea-eagles. A pretty waterfall, gently descending from the high grey
+cliff, was decidedly ornamental to the scenery and useful to the
+wayfarer, as it afforded my ponies and myself a good drink of
+deliciously fresh water. Far off in the distance I could distinguish a
+long tongue of land. At Shaubets I was told that it was the peninsula on
+which _Kossuri_, or _Kushiro_, as the Japanese call it, is situated. I
+left Shaubets early in the morning, with the intention of pushing on to
+Kushiro, thirty-one miles distant. At Shiranuka, only ten miles from
+Shaubets, I changed my ponies. Shiranuka is an Ainu village, the
+inhabitants of which employ themselves in collecting and drying seaweed.
+There are also seven or eight Japanese shanties besides the Ainu huts.
+At the mouth of the Tcharo-bets, near the latter village, coal and
+lignite of inferior quality are found; but this coalfield was not worked
+at the time I passed through Shiranuka. The remaining twenty-one miles
+were monotonous and uninteresting. The long _Kossuri_ peninsula was
+before me, increasing in size as I drew nearer; and after having gone
+through the two small villages of To'tori and Akan-gawa, in the
+neighbourhood of Kossuri, I crossed the Kutcharo River, on a
+nicely-built wooden bridge, and found myself at Kushiro, an important
+Japanese settlement on the south-east coast. From its favourable
+situation Kushiro is likely to become one of the chief towns in Yezo,
+though unfortunately it does not possess a good harbour, and is much
+exposed to westerly winds. The largest number of the houses are situated
+on a slight elevation above the reef-harbour, immediately south of the
+river mouth. In the proximity of Kushiro, and just beyond the range of
+hills which stretches for about three miles from the entrance of the
+harbour in a northerly, and for about two miles in an easterly
+direction, is a lagoon, called by the Ainu "Harutori." This lagoon is
+nearly two miles long, and certainly not more than a quarter of a mile
+wide. It is divided from the sea by a very narrow strip of sand, through
+which the water of the lagoon finds its outlet. On the east side of the
+Harutori coal has been discovered, and it seems to be of fairly good
+quality; and three miles further, quite close to the sea-coast, coal was
+dug out some years ago, but the quality was so inferior that the works
+had to be abandoned.
+
+There is a considerable area of good land in the neighbourhood of
+Kushiro, and here again it is to be regretted that Japanese farmers do
+not emigrate to work it. Yezo has a very small population for its size,
+and I was surprised that emigration from the mainland was not carried
+out on a larger scale. Yezo is a rich country in many ways. Why do not
+all the troublesome students, the fiery _soshi_ of Japan, abandon
+politics and futile rows and go and do men's work in that northern
+region of the empire? They would profit by it, and so would their
+country. An immense loss occurs every year simply because no one is
+there to take the profit; and it is a great pity, and almost a shame, to
+see so much waste and neglect in a region which, after all, is not
+difficult of access from the main island of Nippon. To the mineral
+products of the Kushiro district must be added the exports of fish
+(salmon and herrings), fish manure, and seaweed, which could be greatly
+increased if more practical processes were used.
+
+The town of Kushiro itself is not picturesque. There are, I dare say, as
+many as five hundred houses, some built in Japanese, some in
+semi-foreign style. The streets are very wide, and along the main street
+rails have been laid to carry coal trucks from the Harutori mine down to
+the shipping point. Thus the town has a civilised appearance, which was
+artistically ugly enough, but refreshing to my eyes after my experiences
+along the south-west and south-east coasts. There are Ainu huts along
+the river banks, on the high lands, and on the strip of sand between
+Lake Harutori and the sea. Unfortunately, most of the Ainu here, being
+in the employ of the Japanese, have adopted Japanese clothes, customs,
+manners, and language. Nearly all the younger folks are half-castes. A
+select few have even gone so far as to forget their strongest national
+characteristic of dirt; and, to my great amazement, one day I saw an
+Ainu half-caste actually taking a hot bath. It may amuse the reader to
+learn of what this Japanese bathing accommodation generally consists. It
+is one of the features in nearly all fishing stations in Yezo, and it is
+worth describing.
+
+When the day's work is over, one or more of the iron fish-kettles or
+caldrons used for extracting the oil from herrings are filled with
+water. These caldrons rest each on a cylindrical base of stones and
+clay, thus allowing a big fire of wood to be lighted under them. When
+the water has reached a high temperature, the bather either provides
+himself with an old pair of straw sandals (_waraji_), and steps in, or,
+placing a small board on the water, places his foot on it, and forces it
+down to the bottom of the caldron by his own weight. He thus avoids
+scalding his feet, which otherwise he would do severely. I have often
+seen two or three men (Japanese) placidly sitting up to their necks in
+the steaming water of the same caldron, with a huge fire burning under
+it; and several times I have been _warmly_ invited by the bathers to
+join them, which _very warm_ invitation, however, I invariably _coolly_
+considered and declined with thanks.
+
+As regards the Ainu, they are not fond of bathing or washing, and they
+share the Chinese idea that it is only dirty people who need continual
+washing. They do not regard themselves as dirty, and therefore dispense
+with such an "uncleanly habit."
+
+"You white people must be very dirty," once said an Ainu to me, as I was
+taking a plunge into a limpid river, "as you tell me that you bathe in
+the river every day."
+
+"And what about yourself?" I asked him.
+
+"Oh, Nishpa," he replied with an air of contempt, "I am very clean, and
+have never needed washing!"
+
+If Kushiro is not interesting to an artist, it is decidedly so from an
+archaeological point of view. Numerous pits, forts, and camps, flint
+implements, and fragments of pottery, are found in the immediate
+neighbourhood of the town, both on the range of hills and along the west
+shore of Lake Harutori. The pits are found in such numbers as to lead
+one to believe that the old "Kossuri" of the Ainu was once the capital
+of a race of pit-dwellers previous to the conquest of the whole of Yezo
+by the hairy race. The Ainu gave these people the name of
+_Koro-pok-kuru_--men of the holes. A few words on them may not be out of
+place, though, unfortunately, little is to be learned from the Ainu as
+to who their predecessors were, and it is merely by a close examination
+of their pits, and relics found in different parts of Yezo and the
+Kuriles, that we can to a certain extent trace the existence of such a
+race of people, and also prove that they were in no way connected with
+the present Ainu.
+
+[Illustration: AINU HOOK FOR SMOKING BEAR-MEAT.]
+
+
+
+
+[Illustration: KORO-POK-KURU FORT.]
+
+CHAPTER IX.
+
+The Koro-pok-kuru, or Pit-dwellers.
+
+
+[Illustration: FLINT ARROW-HEADS.]
+
+All over Yezo and the Kurile Islands remains of an extinct race of
+pit-dwellers are to be seen. It is especially near lakes and swamps or
+along the coast that rectangular, circular, and elliptical pits are
+numerous, but square pits are not so common. None of these pits have yet
+been discovered on the main island of Nippon, but many are still to be
+found as far south as Hakodate, in Yezo. On the east and north-east side
+of the peak, at the latter port, these pits, flint implements, and rude
+pottery, mostly in fragments, are met with in great abundance. The
+implements consist mostly of arrow-heads, stone adzes, hammers, flint
+knives, and round pebbles, which were used as war ammunition. The
+arrow-heads vary in size, length, and breadth. The larger ones I saw
+measured an inch and three-quarters in length by an inch and
+five-eighths in breadth, while the smaller were seven-eighths of an inch
+by half an inch. They were triangular, with the angle at the point
+sometimes more, sometimes less acute, or lozenge-shaped; they are
+chipped, and not ground. Most of the arrow-heads and a good many of the
+knives were made of a dark reddish siliceous rock. The adzes also, of
+course, varied in size and shape, some being oblong in section, others
+almost rectangular, while others again were oval. They were ground, and
+always made so that the hand could have a good grip on them. The average
+length from the sharp edge to the other end would be about four inches,
+and the sides were rounded. It is apparent that most of these adzes were
+not originally fastened to a stick or club, but were held in the hand.
+They usually have a smooth surface, while the knives, as well as the
+arrow-points, exhibit marks of chipping quite plainly; their edges are
+very sharp. Hard stones are often found on which the people of the Stone
+Age used to grind their implements. The knives are mostly rectangular,
+with very sharp edges, sometimes on both sides. Then there are some in
+the shape of a sword-blade, rounded at the top, and with a rounded place
+at the other end, where they were held. Those with two sharp edges were
+triangular in shape, and were held by the upper part of the triangle,
+which point ends with a kind of knob. It is a curious fact that bone and
+bamboo arrow-points--probably Ainu--are sometimes found in pits, and
+this would lead me to believe, either that the conquering Ainu used
+these weapons in their attacks upon the pit-dwellers, or, supposing for
+a moment that the Ainu themselves were the pit-dwellers in former days,
+that they had abandoned their stone implements and had adopted bone and
+wood, which they found easier to work. I am inclined to the first
+supposition as the correct one. The pits are numerous in Yezo, and,
+following the southern coast from south-west to north-east, we find that
+they increase in number towards the north. Though stone implements and
+fragments of pottery are numerous nearly all along the southern coast,
+but few pits are found either on Volcano Bay or on the south-west part
+of the coast as far as Erimo Cape. As we pass this cape and go north, on
+the south-east coast the pits become more numerous, and at Kushiro--or
+Kossuri, as the Ainu call it--they are found in great quantities.
+Further on are some at Akkeshi, and they are plentiful nearly all along
+that stretch of the coast as far as Nemuro, and on Bentenjima, the small
+island which forms one side of the harbour at that place. North-east of
+that, in the Kuriles, at Kunashiri and Etorofu, we have abundant
+evidence that a large population of these pit-dwellers once existed
+there. In Etorofu particularly the pits, besides being frequent, are in
+much better preservation than any on the island of Yezo.
+
+[Illustration: FLINT KNIVES.]
+
+The pit-dwellers do not seem to have been particular as to the shape of
+their dwellings, though they evidently had a certain predilection for
+the elliptical and rectangular forms. The pits at Kushiro are nearly all
+rectangular, while those from Akkeshi to Nemuro are either rectangular
+or circular.
+
+The average dimensions of rectangular pits are about twelve feet by nine
+feet, but I have seen some as large as sixteen feet by twelve feet. The
+sides slope inwards, and the average depth is from three to six feet.
+Pits which are situated on cliffs, or at any height, are generally
+deeper, probably for the extra shelter required by those living at an
+altitude, compared with those living on the sea-level. The round pits
+are from ten to fourteen feet in diameter, and the elliptical have a
+length of about sixteen feet, and are about eight feet at the widest
+part of the ellipse. The pits which I found on the north-east coast of
+Yezo, from Shari to Cape Soya, were not so numerous as those on the
+southern coast; but some of them were larger in size, as probably, owing
+to the greater severity of the climate, more people lived in the same
+hut for the purpose of creating natural heat. At Tobuts, on the Saruma
+Lake, are three of elliptical shape. Near Abashiri several
+well-preserved specimens of pottery have been found, especially in the
+mud of swamps or lakes; but after leaving Lake Saruma, I did not see any
+traces of the pit-dwellers till I approached Soya Cape. When these pits
+are excavated, a stratum of sand is generally found, and beneath it a
+large quantity of charcoal in the centre of the pit. Under the charcoal
+the earth is burnt, showing that the hearth was in the centre of the
+dwelling, as it is now in the Ainu huts. This goes to prove that there
+was one fire, and not, as some travellers have endeavoured to show, five
+or six burning at the same time, round which, or, rather, between which,
+the pit-dwellers slept. I have often dug in different parts of pits, and
+have invariably come upon this burnt charcoal in or near the middle. I
+never saw any signs of more than one fire in the same pit. Digging in a
+large pit at Kushiro, I found some stag-horns, and numerous bits of
+black and red pottery. Some of the fragments had rough line
+ornamentations on them. There was also a large quantity of war
+ammunition, in the shape of big pebbles and round stones. Most pits
+contain heaps of rubbish and bones of animals. Sometimes there are heaps
+of oyster shells, as near the pits on Saruma Lake; and these shell-heaps
+are similar to those found on the main island of Nippon. In another pit
+on one of the forts at Kushiro I found what I thought was part of a
+human skull; but on a closer examination it turned out to be the skull
+of an animal--probably a fox or a stag. A bone arrow-point also came to
+light in the same pit, and several stone defensive weapons. It was
+interesting to note that this pit was built on the top of a small
+conical hill, and that the hill itself was surrounded by a ditch only a
+few feet wide, thus forming a kind of fort. On the side and at the
+bottom of the fort I saw numbers of stones, which had in all probability
+been used by the pit-dwellers as missiles against the attacking Ainu
+during a battle. Besides forts, the pit-dwellers had camps, generally
+situated in a commanding position above a river, a lake, or a harbour.
+Single pits also are found only under similar conditions.
+
+Near Kushiro, on the Lake Harutori, which is divided from the sea by a
+sand isthmus, are several camps and one or two forts, the first of
+which overlooks the sea. Along the Kutcharo River are forts and camps.
+These camps are on the crowns of the hills, and each is surrounded by a
+small ditch. In the last, about three miles from the coast, were several
+square pits, larger than those on the other three forts. This last fort
+stands some distance back from the river, and is situated in a little
+plain at the summit of a detached mound, which has the appearance of
+having been artificially cut from the larger remaining portion of the
+hill itself. The shape of the fort is a broken cone, and the base
+measures about nine hundred feet in circumference, while the upper one
+is about three hundred. From the top, where there is only a small pit,
+the entrance of the river can easily be watched; and it must have been
+almost impregnable, as the walls of the fort, or, rather, the sides of
+the conical hill, rise nearly perpendicularly from the plain. A small
+stream runs at the foot of the fort.
+
+On the Lake Harutori the range of hills which stretches from the sea for
+three or four miles along its eastern shores is literally covered with
+these pits, and on the sandy isthmus separating the sea from the lake
+some very large pits can be observed. The fort near the sea is called
+_Shirito_ by the Ainu, and that at the other end of the range goes by
+the name of _Moshiriya_. It was in the latter fort that the well-shaped
+bone arrow-point was found, as well as one or two stone adzes, which
+were so shaped as to fit the hand, and evidently had been used as
+hammers, or weapons of offence at close quarters. In the same fort I
+found two stags' horns in good preservation, and many bones of different
+animals. It is doubtful whether these heaps of horns and bones were
+brought into the pits for the purpose of making arrow-points and other
+weapons, or whether the stags had been used merely for food. The bone
+arrow-point found in the same pit was not in such a decayed condition as
+most of the bones I found there, which led me to believe that it was not
+made out of the same kind of bone, or that the bone out of which it was
+made had been cured before its conversion into an arrow-point. I believe
+that in the neighbourhood of Kusuri--or Kushiro, as it is now called by
+the Japanese--there are as many as a thousand or fifteen hundred pits.
+In Etorofu, at Bet-to-bu, on the north-west coast of the island, nearly
+as many are to be found along the seashore, mostly on the plain at the
+top of the cliffs overlooking the sea, while the rest are situated on
+the banks of a narrow stream and along what appears to have been a river
+course. On the same island, at Ru-pets, are several pits of a similar
+description, and a fort.
+
+As the pit-dwellers have disappeared from Yezo and the Kuriles, and only
+pre-historic remains and relics have been left behind to indicate their
+former existence, the questions naturally arise: Who were these
+pit-dwellers? Whence did they come? and whither have they gone? We can
+place no reliance on the accounts given by the Ainu or by the highly
+imaginative Japanese, who, moreover, are perfectly ignorant on this
+subject. Some Ainu say that Yezo was formerly peopled by a race of
+dwarfs, who were their enemies, and were extirpated by them after many
+sanguinary battles. The Ainu are very vague as to when and where these
+battles were fought, but according to their accounts these pit-dwellers,
+whom they call the _Koro-pok-kuru_--literally "men of holes"--once
+inhabited Yezo and the Kuriles. They were only three or four feet in
+height, and some semi-Ainu stories represent them as being only a few
+inches tall. This of course might be taken to mean that they were very
+small by comparison. A few Ainu, yet more imaginative than others, go so
+far as to say gravely that the Koro-pok-kuru were so tiny that when a
+shower of rain came they hid under burdock leaves for shelter. Others,
+however, tell us that these Koro-pok-kuru were their ancestors, and much
+more hairy than the Ainu of the present day. They were strong, fond of
+hunting, and able to cross the mountains with great facility and speed.
+According to Mr. Batchelor, some Ainu state that they themselves
+formerly lived in huts over pits, and that they changed their method of
+house-building on coming in contact with the Japanese; but if this were
+the case it seems unaccountable that they should distinguish their
+predecessors as pit-dwellers. Moreover, if the influence of the Japanese
+was sufficiently strong to cause them to make this most important change
+in their habitations and mode of living, how comes it that in other
+matters they have not adopted Japanese customs? I was unable to trace
+the slightest resemblance between Ainu huts and Japanese edifices of any
+kind, either in their general appearance or in any of the smaller
+details, and I was always struck by the small extent to which the Ainu
+have adopted the customs of the dominant race. Indeed, the character of
+Ainu buildings is peculiar to the Ainu themselves, and, far from
+constructing their dwellings over pits, they go to the other extreme,
+and perch their storehouses on piles or posts. It is a remarkable
+coincidence that on the Lake Kutcharo, not many miles from Kusuri, where
+the Koro-pok-kuru pits are numerous, the roofs of the Ainu huts and
+storehouses are not angular, but circular, which gives them the
+appearance of half a cylinder resting on the ground. This struck me as
+being in all probability the shape of structures built over rectangular
+pits, while the coverings of round pits must have been shaped like half
+a sphere, similar to the snow houses of the Esquimaux, and the
+elliptical like the longer half of an egg.
+
+The present houses of the Kutcharo Lake Ainu, however, are not built on
+pits; and on my questioning the few inhabitants of the village, all were
+perfectly ignorant of the existence of the Koro-pok-kuru, and they knew
+nothing of their own ancestors, nor whether they had built structures
+over pits or not. The idea seemed to them highly ludicrous, and afforded
+them a great deal of amusement.
+
+On the north-east coast of Yezo, where pits are found, some Ainu huts
+have round and others angular roofs; but even in the latter instance,
+the angle of the two sides of the roof is not as acute as with the huts
+on the Saru and the Tokachi River; but both slant in a more gentle way,
+forming an obtuse angle of about 135 deg. In fact, these variations in the
+Ainu architecture have not yet been accounted for, and whether they
+copied their roofs from their foes the Koro-pok-kuru, or whether it is a
+mere chance that the roofs bear a certain resemblance, cannot be
+discovered from tradition or hearsay. I may mention incidentally my own
+theory, which may afford an explanation of this point. As the Saru, the
+Tokachi, and the Ishikari districts have no very severe weather in
+winter, and only a comparatively small quantity of snow falls during the
+colder months, the Ainu build huts with very slanting roofs, so that the
+snow should not remain on them in winter, while during the summer months
+the rain should fall off the steep incline of the roof before it could
+filter through into the hut. On the Kutcharo Lake and on the north-east
+coast, where strong winds are prevalent, the huts have round roofs, so
+as to offer the least possible resistance to the gales, and thus escape
+the danger of being blown down.
+
+With regard to the snow, the opposite of the Saru Ainu method is
+practised. Instead of preventing the snow from resting on their roofs,
+the Ainu of the colder regions do all they can to let it remain, for by
+thus forming an air-tight vault it renders the hut much warmer in
+winter. In other words, the system is the same as that adopted by the
+Esquimaux, with the exception that the latter, I believe, have no frame
+to their huts, and the vault is entirely of snow and ice; while with the
+Ainu of the north-east coast the snow vault is directly over the hut
+itself. I invariably noticed on the north-east coast, where the Ainu
+have a mixed architecture, that wherever a hut was built in an exposed
+position it had a round roof, while those built under the shelter of a
+cliff or a hill had angular ones, and this is what led me to the above
+conclusion.
+
+To return to the Koro-pok-kuru, they undoubtedly must have had
+semi-spherical and semi-cylindrical roofs over their pits, whether the
+vault was constructed of mud, sticks, and reeds, or simply of snow and
+ice, like the Esquimaux dwellings. For all that we know, the
+Koro-pok-kuru huts may have had conical roofs, like those of the present
+American Indians; but one fact is certain, that whatever shape the roof
+may have had, it was not supported by a central pole, for the hearth is
+invariably in the centre of the pit.
+
+The curious fact already mentioned, that in every pit we find a thick
+layer of sand, seems to prove that it was certainly intended to render
+the ground less damp; and it is my own impression that these
+pit-dwellers, having snow or ice vaults over their heads, resorted to
+that expedient to keep the floor of their huts dry under the continuous
+dripping of the vault, melted by the heat of the fire inside.
+Undoubtedly Yezo was a much colder country in bygone years than it is
+now; and though we cannot implicitly rely on the information given by
+the Ainu, they are all of one opinion in believing that their country
+was all ice and snow in former days, and to give a proof of it they say:
+"Why should we be as hairy as a bear if not to keep the cold out?"
+
+The Japanese know the pit-dwellers by the name of "Ko-bito," or
+"Ko-shto," the latter word meaning "men of the lakes,"[28] but they know
+nothing of their history.
+
+ [28] _Ko_, lake; _shto_, man. _Ko_ is probably a corruption of the
+ Ainu word _to_, a lake or a swamp, and it is used by the
+ Japanese of Yezo for "lake," instead of the word "_numa_."
+
+One fact still remains to be explained, namely, who made the pottery
+that is disinterred in almost every pit and by the shores of lakes. The
+present Ainu do not know how to make pottery, and they have never been
+known to manufacture anything of the kind. All Ainu implements are made
+of wood, though of course the more civilised tribes have now purchased
+iron or porcelain implements from the Japanese. The question, then, is,
+supposing that the Ainu were formerly the pit-dwellers, have they lost
+the art of making pottery, or did the pottery belong to a different race
+of people?
+
+[Illustration: KORO-POK-KURU POTTERY AND FRAGMENTS OF DESIGNS.]
+
+It seemed singular to me that, conservative as the Ainu are of their
+relics, even allowing for its brittle nature, no pottery of the kind
+found in pits is ever to be seen in any Ainu hut. Had they made the
+pottery themselves, surely some specimens or parts of specimens would
+have been preserved.
+
+Comparing facts, we find, then, that the Koro-pok-kuru built their huts
+over pits, made pottery, and used stone and flint implements; while the
+Ainu have never been known to dwell in pits, have never made pottery,
+and have always used bone or bamboo implements. Moreover, Ainu
+traditions of internecine wars, vague as they are, and their designating
+the enemy by the name of Koro-pok-kuru, are further proofs that the Ainu
+themselves do not regard the pit-dwellers as their forefathers. As,
+then, the few facts collected tend to prove that the Ainu and the
+Koro-pok-kuru were two distinct races, it would be interesting to know
+who the latter really were, and what became of them. A learned
+missionary, Mr. Batchelor, writing on this subject, says:--"But I am of
+opinion that these pit-dwellers were closely allied to the Ainu in
+descent, and that the remains of them may now be seen in Shikotan and
+other islands of the Kurile Group. The inhabitants of Shikotan are much
+shorter in stature than the Ainu of Yezo. They are not so good-looking,
+and are said to be a very improvident race. The Ainu look upon the
+Kurile Islanders as the remnants of the Koro-pok-gurus; but this is a
+mere opinion, to be adopted or rejected at pleasure. That they are
+pit-dwellers _is quite certain_, for _they live in pits_ at the present
+day."
+
+Before being so certain as to what he was stating, it would have been
+well had the writer of the above lines visited the island in question.
+He would not then have committed so many blunders in so few lines. The
+inhabitants of Shikotan are _not_ shorter than the Ainu of Yezo, and I
+cannot give a better proof of this than by asking my readers to compare
+the measurements which I took while there with the measurements of the
+Yezo Ainu. The medium height of the Shikotan Ainu is between sixty-one
+inches and sixty-two and three-quarter inches; the medium height of the
+Yezo Ainu is between sixty-one inches and sixty-two and three-quarters,
+or exactly the same. The chest inflated measures thirty-seven and a half
+inches with the Shikotan Ainu, and thirty-seven and a half with the Yezo
+Ainu, while the spinal column is only twenty-four inches with the
+Shikotan Ainu, and about twenty-six and three-quarters with the Yezo
+Ainu.
+
+The Shikotan Ainu have the same structural peculiarity as the Yezo Ainu,
+namely, the length of their arms, which peculiarity, by the way, is
+greatly accentuated with them. The humerus is much longer than with the
+Yezo Ainu, while the ulna and radius are shorter; the hand is the same
+length. A Shikotan Ainu with outstretched arms is generally the length
+of one hand longer than his own height, which is more than is usually
+found with the Yezo Ainu. The medium foot is nine and a half inches with
+both Ainu. In the Ainu the tibia is rather flattened at its angular
+part, but the Shikotan Ainu have a nearly circular tibia. I do not know
+of any other existing race in the world in which such an extraordinary
+phenomenon occurs, and the tibia struck me also as being extremely long,
+while the femur appeared proportionately short. However, with the
+exception that the tibia is more circular than with the Ainu of Yezo, I
+could not see any material difference between them and the other Ainu.
+As we have already seen, each tribe in Yezo has certain characteristics
+which other tribes have not; each tribe has conformed its habits to the
+climate of the district in which it lives, as well as to other
+circumstances; and each of these tribes has adopted a slightly different
+architecture for its dwellings; but it is plain that all belong to the
+same original race. The same might be said of the Shikotan Ainu. At this
+point it is well to explain that the Kurile Islands not many years ago
+belonged to Russia; but they were exchanged for the southern half of
+Sakhalin, then belonging to Japan, and now form part of the Japanese
+Empire. The two larger islands--Kunashiri and Etorofu--are inhabited
+mainly by Ainu and a few Japanese, who migrate there from Yezo during
+the fishing season; while the Island of Shikotan is inhabited by sixty
+Ainu, brought there from the northern islands of Shirajima or Shimushir,
+and Urup, leaving thus all the islands north-east of Etorofu
+uninhabited.
+
+Of Kunashiri and Etorofu I shall say no more in connection with the
+pit-dwellers, but a few more words on the Shikotan inhabitants may prove
+interesting, especially as people have been led to believe that they are
+the descendants of the Koro-pok-kuru, and not really Ainu.
+
+I shall begin by saying that the Shikotan people call themselves
+Kurilsky _Ainu_, and that they speak both Ainu and Russian. Their
+features are not very massive, and their cheek and temple bones slightly
+project. They have strong mouths, and eyes identical in shape and colour
+with those of the Yezo Ainu. They are as hairy; they live by fishing and
+hunting; they clothe themselves in skins; and they are fond of beads and
+shining ornaments. Their huts have angular roofs, and are built in the
+same style as those of the Yezo Ainu, but on a smaller scale. The
+interiors are also alike, and equally dirty, if not more so. The Ainu
+huts at Shikotan are sixteen in number, and _not one_ of them is built
+over a pit, thus showing that Mr. Batchelor was a little rash, when,
+relying on mistaken information, he drew a conclusion which is not in
+accordance with the facts. One thing that has misled most people as
+regards these Kurilsky Ainu is, that they were compelled to cut their
+hair and shave their beards. To the superficial observer this naturally
+gives them a different physiognomy from that of the Yezo Ainu, who let
+their hair grow long, and have flowing beards. Prof. Milne, who some
+years ago visited the Island of Shumshu,[29] relates that he saw there a
+small group of Kurilsky Ainu, who, all included, numbered twenty-two.
+Their dress, although made of skins, was European in form, and the upper
+garment, shaped like a shirt, was made of bird-skins (puffins) with the
+feathers inside. The back was ornamented with the plumes of the yellow
+puffin, and the edge was trimmed with seal-fur. The men wore garments
+tied at the waist with a belt of sea-lion hide. Their feet and legs up
+to the knee were covered with moccasins, also made of sea-lion skin, and
+their food consisted of a few berries, the eggs and flesh of sea-birds,
+seals, and other meat. They were few and migratory, and carried with
+them all their property when migrating. Prof. Milne, in a paper
+contributed to the Asiatic Society of Japan, thinks that the chief point
+in connection with these people is, that they constructed houses by
+making shallow excavations in the ground, which were then roofed over
+with turf, and that these excavations had a striking resemblance to the
+pits now found further south. I believe, however, that Prof. Milne never
+saw them excavating these pits, and the fact that hardly two dozen
+people in the extreme north-east Kuriles having temporarily adopted
+shallow excavations which they roofed over, is barely sufficient proof
+that they were pit-dwellers, and, as will be seen later, I had ample
+evidence afterwards that they were not. It is probable that this
+wandering band, owing to the scarcity or difficulty of procuring timber
+in those regions--the smallness of their canoes not permitting them to
+transport the materials for above-ground structures from one island to
+another--it is probable, I say, that, having come upon pits already dug,
+they had roofed them over and lived in them, finding them suitable to
+the severe climate. When I visited Shikotan (September, 1890), where not
+only these Shimushir people, but all the Kurilsky Ainu, numbering sixty,
+are now collected, and where they have built dwellings in their own
+style, the architecture and mode of construction were identical with
+those of the Yezo Ainu, and there were _no_ pits whatever to their huts.
+
+ [29] The correct name and pronunciation is _Shimushir_.
+
+Had they been pit-dwellers, why should they have so suddenly modified
+their habits as to construct huts wholly above-ground without any reason
+for so doing? Supposing they were actually pit-dwellers, and had lived
+generation after generation in pits, why should they abandon this chief
+structural characteristic in a place where the climate is as severe as
+in the islands they formerly inhabited? I am willing to admit that the
+Kurilsky Ainu, like all barbarians, made the best of what they found in
+their migrations from one island to another, and that, having found pits
+already dug, they had lived in them simply for convenience, and to
+protect themselves from the cold. The impossibility of constructing
+their own style of dwellings, which would have required too much time
+and a great amount of timber and reeds--two articles scarce in the
+north-east Kuriles--may account for their being driven to occupy pits
+already dug; but I am certainly not inclined to admit that therefore the
+few remaining Kurilsky Ainu are in any way connected with or related to
+the Koro-pok-kuru. I believe that I have given sufficient evidence to
+prove this. At any rate, I have given such evidence as it was in my
+power to collect, and I have based my statements on what I actually saw,
+and not on what I heard people say. As others have speculated on this
+subject, I shall now ask the forgiveness of the reader if I am also
+dragged into a little pre-historic speculation as to who the
+Koro-pok-kuru were, and whence they came.
+
+As I remarked at the beginning of this chapter, we find that pits are
+more numerous as we go in a north-east direction. Thus, few are found at
+Hakodate; and though none or few have been found along the south-west
+coast of Yezo, still, flint arrow-heads, pottery, and stone adzes
+collected here and there, show us that the Koro-pok-kuru had travelled
+along that coast, probably journeying in their canoes, landing to hunt,
+or to fight the Ainu.
+
+Along the south-east coast the pits increase in number as we approach
+Kusuri, and at this place the largest number of pits in Hokkaido is
+found; then they are numerous all along the coast as far as Nemuro; and
+in the islands of Kunashiri and Etorofu the population must have been
+large, as there are numerous pits throughout. Pits are found in the
+smaller islands of the Kurile group, and I believe also in Kamschatka.
+From Nemuro, following the coast-line of Yezo, we find some along the
+north-east coast of Yezo, and none down the west coast until we reach
+the narrower part of the island near Sappro. This said, we have two
+points to consider:--
+
+(1.) That the pit-dwellers moved from north-east to south-west.
+
+(2.) That the main bulk of the population settled in Etorofu, Kunashiri,
+and at Kushiro. Few went further south to settle.
+
+All evidence tends to show that they came either from Kamschatka, or
+perhaps more probably from the Aleutian Islands. It seems not
+improbable, looking at the volcanic formation of the Kurile group, that
+in bygone days Yezo was joined to Kamschatka, affording a land passage
+to the migratory people; but this we need not take into consideration.
+
+From what one can gather of this race, the habits and customs of the
+Koro-pok-kuru must have had many points in common with the present
+Esquimaux. Very likely their pits were roofed over with a snow vault.
+They evidently lived by fishing and hunting, like the Esquimaux, and all
+that we know identifies them more with the latter race than with the
+Ainu.
+
+I believe that the present Aleuts have a striking resemblance to the
+Esquimaux; and if this were the case, there is no reason why we should
+not suppose that they in former days inhabited the Kuriles, part of
+Kamschatka and the north-east portion of Yezo. It is a well-known fact
+that the Esquimaux formerly lived in corresponding latitudes on the east
+coast of America, and that they withdrew little by little to the more
+inhospitable regions of the north, and the same might have occurred here
+after the Ainu invasion of Yezo. The Koro-pok-kuru were apparently more
+civilised than their conquerors the Ainu, for they made pottery and
+worked stone; but owing to their retiring nature and weaker physique,
+and outnumbered by the savage hairy people, they became extinct. As to
+the Ainu, they also are undoubtedly a race of the north. Their music,
+their decorations, their habits, display characteristics of northern
+origin; but the Ainu, as we have seen from their structures and customs,
+were by no means accustomed to so cold a climate as their predecessors
+the pit-dwellers. In my opinion they did not invade Yezo from the
+Kuriles, but came from the continent of Asia, probably across Siberia,
+and descended as far as Sakhalin Island, where many Ainu are still to be
+found. As the Koro-pok-kuru resemble the Esquimaux, the Ainu have a
+striking resemblance in many ways to the Northmen of Europe, and this is
+what makes me suppose that they came across the northern part of the
+continent, and not from the northern islands of the Pacific. They made
+their way south, probably crossing over the La Perouse Strait, and the
+main contingent of them came down the north-east coast of Yezo. I base
+this theory on the fact that the strong current which passes through the
+La Perouse Strait from west to east would have made it impossible for
+the Ainu in their light "dug-outs" to navigate against it, or straight
+across from Sakhalin to Soya Cape, and in crossing they were undoubtedly
+drifted far south-east on the north-east coast, probably landing near
+Abashiri or Shari. Another evidence which made me think that the Ainu
+came from Sakhalin is, that all knew of another island besides Yezo,
+which they called Krafto, by which name they designate Sakhalin. Of the
+Kuriles no one knew except those in the immediate neighbourhood. At one
+time the Ainu are said to have inhabited the whole of Japan as far south
+as Satsuma. Archaeologists are puzzled by the discovery in the main
+island of Nippon of various kitchen-middens, which include fragments of
+pottery identical with those attributed to the Koro-pok-kuru, and also
+of shell heaps, which some consider of Ainu origin, others as pre-Ainu.
+No pits, however, have been found near these shell heaps, nor on any
+part of Nippon. Thus another question is raised as to who the
+originators of these shell heaps and kitchen-middens were. Is it not
+likely that, as the Ainu proceeded south, they encountered the
+Koro-pok-kuru at Nemuro and then at Kushiro, and, having easily defeated
+them, forced some of them to retreat in the direction of the Kuriles,
+while the rest went towards the south? They probably fled along the
+coastline in their "dug-outs," those who moved south occasionally
+landing to hunt or to attack their pursuers. Thus we can account for the
+occurrence along that coast of some of their implements, but of no pits,
+which they were not likely to dig in such circumstances. Having then
+retreated as far south as Ushongosh (Hakodate), and with the conquering
+Ainu still at their heels, there was nothing more natural than that they
+should cross the Tsugaru Strait,[30] only a few miles in width, carrying
+with them their kitchen-middens and pottery.
+
+ [30] The opposite coast of Nippon can be seen plainly from Hakodate.
+
+The Ainu crossed after them, and, pushing the retreating Koro-pok-kuru
+further and further south, exterminated them, and became the masters of
+the whole of Japan, the Kuriles, and Sakhalin. As they were thus pursued
+by the Ainu, whom they knew as a warlike people, and stronger than
+themselves, there seems to me no cause for wonder that the Koro-pok-kuru
+did not dig any pits while on the main island of Nippon, first, because
+these pits would have been the sure means of bringing the Ainu on their
+track, to their certain annihilation; next, because the climate, being a
+great deal warmer, they had no need for them. On the other hand, it is
+more than probable that the retreaters carried with them their
+kitchen-middens and pottery, which constituted their treasures, and
+without which they could not have prepared their food. The barbarous
+Ainu then came in contact with the Japanese, at whose hands they
+received the same treatment as that which they had inflicted on the
+Koro-pok-kuru. Little by little the land so easily conquered was lost
+again, and the conquering Ainu were ere long in retreat towards the
+north. They were beaten and defeated by the more civilised Japanese, and
+the few who survived had to cross over the Tsugaru Strait back to Yezo.
+There is not a single Ainu now to be found in Nippon, with the exception
+of a child, a half-caste, whose mother was an Ainu, and who lives about
+sixty miles south of Awomori. The mother of this child was the last of
+her race who was born on and who inhabited the main island of Nippon.
+
+Ainu blood can be traced in many of the Japanese in the northern part of
+Nippon, especially between Shiranoka to Awomori, and also some corrupted
+Ainu words are still in use in the dialect spoken in that part of
+Japan. Names of places, rivers, towns, etc., of Ainu origin, are common
+all over Japan. It was this former occupation of Japan by the Ainu that
+for some time led people to believe that the Ainu were the forefathers
+of the Japanese; and when pits were found in Yezo, the same
+hastily-judging people attributed them to the Ainu; and then, when
+mention was made of the Koro-pok-kuru and the Ko-shto, they affixed this
+name to the Kurilsky Ainu whom they had never seen nor studied.
+
+I am not prepared to say whether or not traces of these Koro-pok-kuru
+are to be found in the Aleutian Islands, as I have not visited them; but
+it would prove interesting to trace a connection between them and some
+existing race, in case my supposition be not correct, though I am sure
+that it is nearer the mark than any of the conjectures made by others
+with regard either to the Ainu or the Koro-pok-kuru. At any rate, as I
+do not pretend to infallibility; should my supposition be wrong, the
+facts given above will remain, and a more successful student and
+investigator will be able to work on them with a decided advantage over
+the writer, who had to start from the very beginning, and work on
+information which was more of an obstacle than a help.
+
+[Illustration: STONE ADZES AND HAMMERS.]
+
+
+
+
+[Illustration: AINU HUTS AND STOREHOUSES ON KUTCHARO LAKE.]
+
+CHAPTER X.
+
+The Kutcharo River and Lake--A Sulphur Mine--Akkeshi and its Bay.
+
+
+The Kutcharo River is of some importance, for though not of great
+length, it is navigable by small boats for nearly twenty miles from its
+mouth.
+
+I left Kushiro one morning, and made my way up the river, not by boat
+but along its banks on horseback, so as to get a better idea of the
+surrounding country and its inhabitants. At Kushiro I left more than
+half my luggage, to be sent down to Hakodate by the first ship that
+happened to call, and this greatly changed my mode of travelling.
+Instead of two ponies, one pony would now be quite sufficient to carry
+my baggage and myself; and where ponies were not obtainable, I could
+carry all my paraphernalia on my own back with no very great difficulty,
+and in this way I should not be hindered on my journey.
+
+I daresay the baggage I was carrying now weighed about forty-five
+pounds. It mostly consisted of painting materials, and wooden panels, on
+which I usually paint my sketches when travelling.
+
+As to clothes and boots, I was beginning to be rather "hard up." No
+weaver's work, no tailor's garments, nor tanner's hides, can stand the
+wear and tear of such rough travelling as I had had, and the old saying,
+that a "light heart and a thin pair of breeches carry you a long way,"
+is most decidedly not to be applied to anyone journeying to and fro on a
+pack-saddle in Yezo. My coat and trousers were showing signs of rapid
+decay, and I thought with vain desire of needle and thread, buttons and
+hooks. My boots were falling to pieces owing to their continual
+immersion in salt water. The impossibility of cleaning or greasing them
+added to the original damage; and, worse luck of all, they could not be
+replaced. Altogether, what with frayed garments, leaky boots, a battered
+hat, and a general out-at-elbows air, I was scarcely presentable in any
+society a grade above that of the hairy Ainu.
+
+A road has been cut between Kushiro and Shibetcha, a distance of thirty
+miles; but though quite new, it is already out of repair, and it will
+not be long before it is washed away entirely. The Japanese Government
+does its best to open roads near the largest settlements, but Japanese
+officials do not seem to understand that after a road has been made it
+has to be kept in repair.
+
+The country all along is good, and the soil seems rich and fertile.
+Nearly half-way up, on the east side of the Kutcharo River, are three
+lakes,--the Takkobe, the Tori Lake, and the Shirin. The Tori is the
+largest. Its length is five miles, its width about one mile. On the
+southern shore of this lake is a picturesque Ainu village, with its old
+tumble-down huts, and close to it is a group of Japanese houses. The
+contrast between the dirty and neglected old hovels of the Ainu and the
+clean, spruce, and somewhat finikin houses of the Japanese is very
+striking. In this difference we read an epitome of the way in which
+civilisation has travelled from primitive barbarism. The road runs
+through dense forests; but in several places, especially on its highest
+level, we come to lovely views of mountain scenery, towering over the
+shimmering water of the underlying lakes.
+
+In the evening I reached Shibetcha, a nice little place, constructed on
+each side of a large road which rises considerably as it goes through
+the village. The village lies in a small valley surrounded by moderately
+high mountains, and is on the western side of the Kutcharo River, which
+intersects the valley. A wooden bridge and a three-storied Japanese
+tea-house are the two main structures in the place. There are
+sixty-eight houses in the village, and nearly half of them are houses of
+ill-fame, the three-storied tea-house being the principal.
+
+At a distance of twenty-five miles from here is a sulphur mine, and the
+miners, after having amassed sufficient money, come and squander it at
+Shibetcha, thus supporting this nook of demoralization in the wilderness
+of these mountains. As the river becomes very shallow, the mineral from
+the sulphur mine of Yuzan was carried until quite recently on
+pack-saddles as far as here, whence it was brought down by boat to
+Kushiro for shipment; but a small railway, on which only a "truck train"
+is now running once a day from the mine to Shibetcha, has greatly
+simplified matters, and increased the export returns of the mine.
+
+By the kind permission of the Mitsui Company I was allowed to travel on
+one of the trucks (no passenger carriages being provided), and the two
+and a half hours' journey was thus accomplished much more comfortably
+than if I had ridden the twenty-five miles on my pack-saddle. The
+railway took me to the foot of Mount Yuzan, and that same afternoon I
+made the ascent of the mountain. The most valuable sulphur deposits in
+Japan are found on this mountain, the quantity of the mineral being
+practically unlimited. The ascent was hard work, but it was interesting
+to see the _fumaroles_, whence the sulphur is extracted, and whence a
+dense smoke shoots out with great force. The whole mountain is covered
+with thick layers of sulphur of very good quality, and when more
+practical processes are employed for the extraction and carriage of the
+mineral there is no doubt that the sulphur trade will assume a very
+prominent place in the exports of Yezo. Dozens of men are employed now
+to carry the sulphur from the mountain to the railway, but there is work
+enough for hundreds and hundreds more. All the sulphur is at present
+carried on small wheelbarrows, which each man slings on to his shoulders
+when empty and he is going up the mountain. When the sulphur is reached
+the workman sits down, pulls out his pipe, which he fills from the folds
+of his tobacco-pouch, has a quiet smoke and a good rest, then he slowly
+fills his wheelbarrow with the primrose-yellow blocks, and comfortably
+wheels it down hill to the station, a considerable distance. Such a
+primitive fashion of carriage involves great loss of time, and a simple
+mechanical contrivance, by which a large quantity of mineral could be
+brought down at one time, would save an enormous amount of labour, and
+therefore expense. A cable railway would answer the purpose to
+perfection, and the cost of running the steam motor would be
+insignificant, owing to the amount of wood and coal found within easy
+reach. I passed through a large gorge in the mountain, and finally
+reached the summit of Yuzan. Walking on sulphur beds is like walking on
+ice, and many a time in the climb I landed on my knees. Near the summit
+is a huge pinnacle of volcanic rock, standing up perpendicularly, and of
+impossible access. From the foot of this pinnacle a lovely view of the
+Kutcharo Lake is obtained, and it has as a background chain after chain
+of thickly-wooded mountains, beyond which are visible Oakan and Moyokan,
+two volcanic peaks, respectively four thousand and three thousand four
+hundred feet above the level of the sea. On Moyokan are some hot springs
+and accumulations of sulphur. Both these peaks can be seen from the
+coast on a clear day. A small lake lies between Moyokan and Oakan, which
+takes its name from the latter mountain, and finds an outlet in the
+Oakan River. The Oakan joins the Kutcharo River not far from the sea.
+
+[Illustration: KUTCHARO LAKE FROM MOUNT YUZAN.]
+
+The descent was easier than the ascent, and I put up at a small
+tea-house, the only one in the place. The landlord promised to get me a
+good pony early the next morning, but, like a true Japanese, he did not
+keep his promise. He called me at 5 A.M., saying that the pony would be
+ready in a few minutes, and at 9 A.M. the quadruped had not put in an
+appearance; and after numberless excuses, compliments, bows, and lies,
+the landlord acknowledged that no ponies were to be had. I gave my
+luggage to a railway _employe_, who undertook to bring it back to
+Shibetcha, and I started on foot for Lake Kutcharo. From Yuzan a track
+across the mountains goes due north to Abashiri, on the north-east
+coast. I went in a south-westerly direction, and as on the previous day
+from the summit of Yuzan I had noted the position of Lake Kutcharo, I
+had no difficulty in finding my way there; in fact, I came upon a small
+Ainu track leading to it. A delightful walk of ten miles in the forest
+took me to the Ainu village of Kutcharo, on the borders of the lake of
+the same name. The village is a miserable one; it differs from all other
+Ainu villages in its huts, which have semicircular roofs instead of
+angular ones, as is the case with the Ainu of Volcano Bay and of the
+Saru and Tokachi Rivers. I entered some of the huts, and in a few
+minutes I was surrounded by the small population--I daresay about twenty
+souls, all included--whom I led out into the open air to see what they
+were like. They appeared to me smaller than other Ainu, and their bones
+were less massive; they were not so hairy, and more inclined to
+baldness. Their garments were wretched, and resembled those worn by the
+Tokachi Ainu; namely, a few rags held together one could scarcely say
+how. Women were tattooed on their lips and arms, but less extensively
+than are those of other tribes, and the tattooing was not so accurately
+done.
+
+Other Ainu whom I met in the forest in the neighbourhood of this village
+bore the same characteristics, and everyone seemed to be curiously
+melancholy and depressed. An Ainu existence is certainly not one's ideal
+of comfort and hilarity, but their gloom and melancholy seem to me to be
+purely racial and congenital.
+
+The Lake Kutcharo is very large--too large to be seen to advantage from
+its borders, as one can see only parts, and not the whole of it at once.
+It has a pretty island in the centre, and on the west side is a
+peninsula projecting almost as far as the island. On this peninsula a
+small active geyser is found, which rises to a height of about twelve
+feet, and acts spasmodically. The high mountains which surround the lake
+would make the latter a pleasant summer resort were the place within the
+circle of civilisation. The scenery is very similar to that of Norway or
+the Scotch lakes. The Kutcharo River, as can be seen on the map, is an
+outlet of the Lake Kutcharo, into which the waters of the latter
+discharge themselves a few hundred yards west of the Ainu village.
+
+[Illustration: SULPHUR MINE.]
+
+An Ainu pointed out to me the track leading to Tetcha, or Tetchkanga,
+and I directed my steps in that direction, the Ainu having informed me
+that it was very far, and that I could only reach it at night. I crossed
+the stream in a "dug-out," and found the track on the other side. I
+walked fast, for the most part through a thickly-wooded country, and at
+about sunset I reached Tetcha. The distance from Kutcharo, I should
+think, is about ten or twelve miles. Tetcha is an Ainu village, near
+which a few Japanese houses have been built. The Kutcharo River
+intersects it, and the sulphur train from Yuzan stops here to take water
+on its way to Shibetcha. The train had gone through some hours
+previously, and I was left the alternative of walking on to Shibetcha,
+twenty miles further, or of sleeping at Tetcha. I had walked twenty or
+twenty-two miles already that day, and I felt in very good form. I knew
+that it would be full moon that night; and walking through a forest by
+moonlight has always had a great charm for me. Watching the shadows,
+with their thousand different fantastic forms, running in and out
+through the trees and playing round them, has the same weird fascination
+for me as one of Tieck's tales, or the suggestive music of an aeolian
+harp. Some of the Ainu and a Jap entreated me not to attempt to cross
+the forest at night, for wolves and bears were numerous, they said, and
+in all probability I should be attacked by them. This last announcement,
+which I was destined to hear every day in Yezo, and which, of course, I
+did not believe, decided me to go, and I started.
+
+"But," cried after me the astonished Japanese, "_anata micci
+wakarimasen_!"--"You do not know the way!"
+
+"_Kamaimasen, Sayonara!_"--"It little matters; good-bye!" was my reply;
+and I left him standing there perplexed, looking after me as if I had
+been a phenomenon.
+
+The Japanese in Yezo and the Ainu never on any account travel far at
+night; and as for going through a forest alone, unprotected, and without
+knowing the way, they evidently regarded it as something more
+reprehensible than folly. Two days previously, when in the train, I had
+noticed that the railway described a curve several miles long, and I
+knew then that by cutting across I could considerably shorten my way.
+When I entered the forest, the sun with its last rays was casting warm
+tints on the tops of the pine-trees. Everything was still, and only now
+and then some huge owl, awakened by the noise of my steps from its day's
+long sleep, would fly away, starting off on its night's peregrinations
+and depredations. I walked mile after mile, and finally struck the rails
+again. On a white post I saw a cipher in Chinese characters, which
+brought me back to the reality that I was still seventeen miles away
+from Shibetcha. I followed the line of rail as closely as I could, and
+late at night I reached Shibetcha. I roused the people at the _Marui
+yadoya_, and, having eaten some salmon and water soup, I retired to my
+_foutangs_, between which, it is useless to say, I slept well. I had
+walked forty-two odd miles that day, and it had been a pleasant change
+from the continuous riding on pack-saddles.
+
+The next day I rode down to the coast to the bay of Akkeshi, about
+forty-two miles east of Kushiro. The road is very good all the way, and
+has on each side woods of oak and pine trees. The traffic on it is at
+present very small, and the only living creatures I saw during the
+twenty-eight or thirty miles were a beautiful long-tailed red fox and a
+number of Japanese convicts led by a policeman. These were dressed in
+red trousers and a short red coat made of coarse material. They were
+walking in a row, and they were chained two by two, and, moreover, a
+long rope joined the chain of each couple to that of the next, so that
+all couples were tied together. The end of this rope was held by the
+policeman. Some of them wore large hats entirely covering their face;
+others wore no hat at all, and had their head shaved in a peculiar
+manner. They were mostly bare-footed, but a few wore straw sandals. The
+Government wisely makes use of these convicts in opening roads and other
+public works, and after their term of punishment is expired, these men
+almost invariably become fishermen. A great part of the Japanese
+population of Yezo is composed of exiles and ex-convicts; in other
+words, Yezo is nothing more or less to Japan than what Australia was to
+England some years ago.
+
+Nearing the coast I passed the "Tonden" of Hondemura, a colonial militia
+farming settlement. A long line of new houses, all exactly alike in
+shape and size, and built at intervals, stretches on each side of the
+wide road. Each of these houses is inhabited by a man who has served his
+time as a soldier, and who has now his family about him, and does work
+as a farmer in this settlement assigned to him. These "Tondens" were
+established by the Government, and I believe that the farmer-soldiers
+give fairly good results in the zeal and industry with which they
+cultivate the land, and the honesty and morality of their lives. I saw
+most of them occupied in stubbing up the scrub, and tearing or cutting
+down the trees, burning the more worthless parts; but it will be some
+years yet before they have cleared an area of cultivable land
+sufficiently large for profit, as the country is very thickly wooded in
+that neighbourhood.
+
+Soon after I had passed the settlement, going down a steep hill I came
+upon a small and dirty semi-Ainu village, and ultimately reached the
+seashore.
+
+The distance from Shibetcha is thirty miles, and the riding was
+beginning to be unpleasant, owing to the gathering darkness, which made
+my pony shy at everything it passed. At the mouth of the Pehambe Ushi
+River I had great difficulty in getting my pony on the ferry-boat, which
+was to take me across the mouth of the lagoon to Akkeshi. Several
+drunken fishermen came on board, and were disagreeably noisy. One of
+these fellows had a pony, which he tied to mine when on board. The ferry
+was to take us across the entrance of the Akkeshi lagoon, and it was
+more than a quarter of an hour before we reached the opposite shore.
+When we were still nearly twenty feet from _terra firma_, my pony,
+frightened at the cries of the drunken crowd, jumped overboard, carrying
+with him his companion steed. The sudden shock and lurch of the boat
+knocked down everybody on board, and nearly capsized us. As it was we
+shipped a lot of water. The ponies found the water deeper than they
+expected, and they had to swim for it. Having landed before he came
+ashore, I recaptured mine, gave him a sound thrashing, and rode on to
+Akkeshi, a few hundred yards from the landing-place. Akkeshi lies at the
+north-east side of the large bay which goes by the same name, and which,
+by the way, is probably one of the best anchorages on the south coast of
+Yezo. The mouth of the bay is to the southward; it extends seven miles
+in a northerly direction, and is about six miles wide in its widest
+part. The bay is prolonged further inland by a large lagoon, called
+Se-Cherippe, which contains many shoals and low islands, near which are
+beds of oysters of enormous size, the shells of some measuring as much
+as eighteen inches in length. The Koro-pok-kuru, by whom this district
+was formerly thickly populated, seem to have relished this diet, as we
+find thick beds of discarded shells on the top of some of the lower
+hills, and in many places, especially in the vicinity of pits. These
+shell heaps are similar to those found on the main island of Nippon, and
+attributed to the Ainu. (_See_ Chapter IX.)
+
+The country round the bay and the lagoon forms a high land or plateau
+between two hundred and three hundred feet above the level of the sea,
+and the higher ground is thickly wooded, thus supplying Akkeshi with
+abundance of timber, mostly of evergreen trees, as Todo and Yezo-matzu,
+two spruces common in other parts of Yezo as well. With its good
+harbour, its large export of oysters, salmon, herrings, fish-manure, and
+seaweed, besides its seal-fishery and the quantity of good timber easily
+cut and transported down the lagoon and across the bay for shipment, it
+is not surprising that Akkeshi has become, after Hakodate, the most
+important centre on the southern coast. It is nearly half as large again
+as Kushiro, and has as many as nine hundred Japanese houses, besides
+sixty or seventy Ainu huts.
+
+The Ainu were formerly extremely numerous in this district; but few of
+them are left now, and those few are indeed poor specimens of their
+race. They have nearly all become bald, and they seem to suffer very
+severely from rheumatism. Thick fogs are very prevalent along the coast,
+and it is but seldom that one can obtain a view of the whole bay. These
+fogs naturally render navigation unsafe, and are one of the great
+drawbacks to the prosperity of the place. However, our good Londoners
+could tell us that greater evils than fogs can exist. I have no doubt
+that at some future date we shall hear of Akkeshi as being the most
+important port in Yezo, when a railway to join it to Shibetcha shall
+have been constructed. The sulphur of Mount Yuzan will probably then be
+taken direct to this place instead of Kushiro, owing to the safety of
+its harbour, an advantage which Kushiro does not possess. The Akkeshi
+Bay is also interesting from a picturesque point of view, when fogs give
+one a chance of seeing the surrounding scenery. Some fine headlands are
+found near the town of Akkeshi, and also on each side of the opening of
+the bay into the ocean. On the eastern side, the two islands of Daikuku
+and Kodaikuku, joined to the mainland by the low reef, slightly under
+water-level, which goes round the bay, are of some importance for an
+artist. This is especially true of the larger island of Daikuku, which
+rises at a considerable height above the sea, forming majestic cliffs,
+beautiful in shape and colour, on which myriads of seagulls,
+albatrosses, and penguins have chosen their abode, finding in these
+almost untrodden and picturesque cliffs a safe place in which to lay
+their eggs and rear their young. Here they live undisturbed, save for
+the dashing waves of the ocean, which make the earth tremble and the
+rock crumble to pieces, but only meet with a blithesome welcome from the
+screaming, light-hearted, fat, and lazy-winged inhabitants, to whom
+those waves bring good stores of daily food.
+
+[Illustration: AKKESHI IN A FOG.]
+
+
+
+
+[Illustration: AINU MAN AND WOMAN ON HORSEBACK.]
+
+CHAPTER XI.
+
+From Akkeshi to Nemuro--A Horse Station--Nemuro and its People.
+
+
+The road in the proximity of Akkeshi was extremely muddy and slippery,
+owing to the continuous fogs and rain. A north wind was blowing hard the
+day I left for Kiritap, and it drove the mist and drizzly rain right
+through one's skin into one's bones. The fogs, which are prevalent all
+along the coast, seem to excel between Akkeshi and Kiritap; so much so
+that the Japanese in the neighbourhood make them answerable for their
+baldness, and the local Ainu say they are so scantily hirsute because of
+the everlasting dampness in which they live. They clinch their argument
+by reminding you that when their forefathers came to this part of the
+coast they were as hairy as the bear, so what can have caused their own
+comparative smoothness but these everlasting fogs? I believe that to a
+great extent they are right, for when, after a day's wet ride, I have
+sat near a fire even for some hours, I have felt as if my skin were
+soaking with wet--as if I had been too long in a bath--and neither
+rubbing with cotton towels nor the warmth of the fire seemed thoroughly
+to dry it; and perhaps such an extraordinary dampness, constantly
+saturating the pores of the skin, may have an injurious effect upon the
+hair, and cause it to decay and fall off. It was in a thick fog like
+this that I had to find my way to Riruran, the next horse station, about
+eight miles further east. The road soon became a mere track, running
+through an undulating country, chiefly pasture land. As luck would have
+it, I had hired a pony which belonged to the Riruran station, and the
+beast was as anxious to get there as I was. He knew the way and I did
+not, so I let him guide me. Now and then, when the wind blew with
+increased strength, the fog lifted for a few minutes, and disclosed some
+pretty bits of landscape. The country all around was grassy, with the
+familiar densely-wooded hills in the background. It somewhat resembled
+the slopes and high lands of Cornwall, without, however, the herds of
+sheep and cattle, which in our country are connected with green fields;
+without the trim fences and stiles, the ploughed fields and meadows, the
+trim hedges and park-like trees, the bye-lanes and well-kept roads.
+
+Hill after hill was ascended and descended, the sturdy little pony going
+well towards his former home; but as yet I had come on no signs of any
+living creature. No labourers are here to work and plough the dark rich
+soil. Potato fields; cottages with their plots of vegetable grounds;
+cows and sheep scattered over the green pastures--all signs of vigorous
+and successful husbandry--are things that an intending traveller to Yezo
+will miss. Everywhere are solitude and monotony. Still, even solitude
+and monotony are not always to be abhorred, and if they have their
+drawbacks they also have their advantages. You can go undisturbed for
+mile after mile; you can think; you can dream; you can sing; you can
+keep to the track or go across country; you can go fast or slow, and
+there is no one to object, to obstruct, or to comment. You breathe air
+that no one has breathed before, and you quench your thirst in a limpid
+stream unpolluted by sewage, chemical refuse, or poisonous dye-stuffs.
+You lead a simple life, and, what is more, an independent life. Many a
+time, when I woke up to the real state of my new condition, I could not
+help laughing at our civilised conceptions of what constitutes a free
+man in a free country, viz. that he can have a voice in choosing which
+of two men shall be sent as a member to Parliament.
+
+Absorbed, now in my own thoughts on many subjects, and now in gazing at
+the monotonous scenes, which, as if reflected from a magic-lantern,
+suddenly appeared and as suddenly faded away, I had not seen how far my
+pony had hurried on, when, rapidly descending a steep hill, I discerned
+through the grey fog a solitary shed in the small valley below. The
+neighing of my steed, responded to by the neighing of his compatriots in
+the valley, told me that I had reached the horse station of Riruran, and
+a few minutes later my baggage and pack-saddle were removed from my
+steaming quadruped, and a fresh animal was burdened with my possessions.
+These horse stations generally consist of one shed, in which the owner
+and his family live; near it is a rough enclosure formed of branches and
+trunks of trees laid down horizontally, and strengthened at intervals by
+poles stuck in the ground. The ponies are kept in this enclosure during
+the day, but are let loose at sunset, when they go for their food
+wherever they can get it--generally on the near hills. Early in the
+morning one or two Ainu employed in the stations start off to recapture
+the ponies, and after a struggle bring back the herd to the paddock. My
+readers, who may not be well acquainted with the habits of semi-wild
+horses, will wonder that the ponies, once free in an unenclosed country,
+do not bolt away altogether inland, thus making it impossible to
+recapture them; and, moreover, these readers will think what a difficult
+task it must be for the Ainu horsemen to recover all the ponies, each
+one of which, they probably imagine, has bolted in an independent and
+different direction. This is not the case. When a herd of ponies is let
+loose they invariably all go together in one direction, generally
+following those of the older animals which have bells hanging to their
+necks. When they come to a proper feeding-ground they all graze within a
+few yards of one another; and the chances are that the herd will not go
+a step further than is necessary, as they are terribly afraid of bears,
+their most dreaded enemy, by which they well know the more distant
+hills are infested. When their hunger is satisfied they shoulder up
+together and form a circle, in the centre of which the young colts are
+placed, these being thus well protected from bears, who would find a
+sturdy resistance in the hind hoofs of the outstanding guard should they
+come to close quarters. The Ainu are good trackers, and have little
+difficulty in finding in which direction the herd has moved. When this
+preliminary is ascertained, the horseman, mounted on a swift pony, which
+he has taken good care to keep behind, starts from the station about an
+hour before sunrise, so as to allow himself ample time to reach the herd
+before the sun is up. He finds the ponies in this circular position of
+defence. With a long stick he breaks their ranks, and by shouting, and
+wildly galloping to and fro, drives them on in front till the station
+and the pen are reached. When they have all entered the latter, a heavy
+wooden bar is rested on two biforked poles, one on each side of the
+entrance, thus barring their way out; and there they are kept all day,
+waiting for such native travellers or traders as may require their
+services along the coast.
+
+Most of the stations are owned by Japanese and by Ainu half-castes. Some
+have large numbers of ponies; some only a few, according to the wants of
+the neighbourhood.
+
+The average market value of a beast is between five and ten _yen_, or
+about fifteen to thirty shillings in English currency.
+
+At stations where the ponies are but little worked, good animals can
+sometimes be obtained for a small sum of money; but at stations near
+large settlements--where trade with other villages is carried on
+entirely by pack-ponies--they are mostly sorry beasts, with their backs
+one mass of sores, produced by the friction of the rough pack-saddles.
+Moreover, the cruel habit of letting colts follow mares for long
+distances--sometimes forty or fifty miles--is as painful a sight to
+witness as it is injurious to the breed. The Yezo ponies are
+characterised by their long hair and mane. They are short, sturdy,
+punchy brutes, not more than ten or twelve hands high, with a rather
+large and massive head, and thick, crooked legs. They are by no means
+fine-looking animals, nor are they well groomed--in fact, they are not
+groomed at all--but they serve capitally for the rough tracks and
+precipitous wastes of Hokkaido. They have none of the good qualities we
+require in our horses, but they possess others which fit them for the
+country they are in. Their enormous power of endurance, and the
+wonderful way in which they can go over the steepest tracks--almost
+unclimbable on foot; their sure step when going along precipices; and
+the marvellous manner in which they pick their way over rocky coasts,
+which the waves would seem to make impassable, and where none of our
+good horses could go without breaking their legs, are all endowments
+which I feel bound to quote in honour of the Yezo ponies. They are not
+shod, and they can hardly be called trained. Indeed, if a traveller be a
+good rider, it is advisable to obtain a perfectly unbroken animal, as
+from my own personal experience I can say that, though the riding was a
+little more exciting, I could invariably make better time with a totally
+unbroken beast, than with one of the worn-out, sore-backed "quiet
+ponies," which needed any amount of thrashing to make him go.
+
+[Illustration: AINU BITS.]
+
+A curious method is adopted for directing the animal. It is as simple as
+it is ingenious. The necessary "bit" by which we control our horses is
+dispensed with, and it is replaced by two wooden wands about twelve
+inches long and two inches wide, tied together at one end, allowing a
+distance of three inches between them. In the middle of these wands a
+rope is passed which goes over the pony's head behind its ears; while
+the wands themselves, thus supported by it, rest one on each side of the
+pony's nose. Another rope, five or six feet in length, and acting as a
+rein, is fastened at the lower end of one of the wands, and passes
+through a hole in the other, thus allowing this simple contrivance,
+based on the lever principle, to be worked exactly in the same way as a
+nut-cracker, the pony's nose being the nut. The disadvantage of the
+system is, that having only one rein, this has to be passed over the
+pony's head each time one wishes to turn to the right or to the left,
+as by pulling the rope hard, and thus squeezing the animal's nose, its
+head is turned in the direction in which it is pulled, and it is soon
+taught that this is the way it must go. Furthermore, should the pony
+bolt, it can be stopped by pulling its head close to its haunches,
+thereby making it impossible to continue its race. In the latter case it
+often happens, especially with an untrained pony, that it will spin
+round, trying to stretch its twisted neck by pushing its head away from
+the side of its body, and the result is generally a bad fall of horse
+and rider.
+
+Another thing of which one ought to be careful is to keep one's legs out
+of the reach of the brute's teeth; for it is not infrequent that instead
+of the man punishing the animal, the animal revenges itself on the man;
+and the incautious traveller realises Sydney Smith's position, and finds
+that to a Yezo pony, as well as to an English cart-horse, "all flesh is
+grass."
+
+From Riruran, for about fifteen miles, the way is merely a mountain
+track; and I dare say that in fine weather the scenery along it is
+picturesque. Unfortunately, when I went through, the fog had become more
+and more intense, and I saw very little of the landscape. At places the
+track led down to the sea, and then mounted up again over cliffs and
+high lands. As the mist, which came in gusts and waves, deepened or
+lightened in intensity, the rugged precipitous rocks, formed mostly of
+conglomerate, sandstone, and breccia, took all sorts of fantastic forms.
+Along the coast were many Ainu huts inhabited by half-castes and by
+Japanese. The Ainu were once very numerous in this district, but few of
+them are to be found now. The few remaining ones have yielded to the
+more civilised Japanese, and have become their servants. They are used
+as menials in most of the fishing stations, always acting under the
+directions of Japanese masters. Very frequently they are employed as
+tenders of horses, and in some places as guides for traders and
+travellers from one station to another.
+
+Not far from Riruran the mouths of two lagoons have to be crossed, the
+larger of which is called Saruffo-Ko, or "Lake in a grassy plain."
+Cranes, swans, and ducks are numerous in these lagoons.
+
+The track continues mostly over cliffs and mountains till Birvase, a
+small village of seaweed gatherers, is reached, and the next two and a
+half miles are along a sandy beach as far as Hammanaka. A short bridge
+joins this place to the island of Kiritap, which is separated from the
+mainland by a channel only a few feet wide. Towards the evening the fog
+lifted, and I caught a glimpse of the village.
+
+The ponies of the Kiritap village had just been let loose, and were
+running over the small wooden bridge with great clamour. The houses,
+which number about a hundred and twenty, are all poor and dirty. There
+is a main street, and most of the houses are on each side of it. The
+people are fishermen, seaweed gatherers, and small traders; for
+Hammanaka Bay, being a good anchorage for junks and small craft under
+the lee of Kiritap Island, is a place of some importance for its export
+trade of seaweeds, fish-oil, and herring guano; these products being
+sent down to Hakodate.
+
+If a few Ainu have adopted the Japanese language, clothes, and customs,
+there are also many Japanese who have taken up the Ainu language and
+ways. I noticed this more particularly in this district, where the Ainu
+have almost entirely disappeared. The older Japanese and many of the
+younger folks have Ainu features; and not only have they adopted a great
+number of Ainu words, but when talking Japanese they speak it with the
+peculiar intonation and accent pertaining to the Ainu. This is not
+surprising, nor yet peculiar to the Japanese or the Chinese; for we find
+that almost all English residents in Chinese ports adopt many of the
+words of our pig-tailed brothers, and have thus formed a kind of local
+English, besides the "pidgeon-English"--a corruption of "business
+English"--which almost constitutes a language of its own.
+
+The Ainu, like the Scotch or the French, give a rolling sound to the
+"r." Thus, for instance, if I had written the word "Riruran" as it is
+pronounced I should have spelt it "Rrirrurran." Then the Ainu almost
+sing their words--the women in a falsetto voice, ending in a singularly
+mournful kind of cadenza. On his return from a journey, a hunt, or a
+fishing expedition, the Ainu squats down cross-legged in his hut, and,
+after the conventional introductory ceremony of rubbing the palms of his
+hands together and then repeatedly stroking his hair and beard, proceeds
+to relate the adventures that have befallen him during his absence.
+This he does by singing out his story in a sort of monotone, or
+sometimes chanting it. When conversing with Japanese the Ainu have
+slightly modified this habit, which gave rise to much mirth to the
+light-hearted sons of the Mikado's empire. However, like all people who
+are ready to laugh at everything novel, the local Japanese have now
+themselves fallen into that same manner of speaking, which, after all,
+has its charms, as it is rather sentimental in spirit, and so far
+pleasant to the ear. What is more, they have also acquired the slow ways
+of the Ainu.
+
+All along the beach between Hammanaka and Hattaushi, a distance of
+nearly twenty miles, there are fishermen's and seaweed gatherers' huts;
+but none of them is inhabited by Ainu. Men, women, and children are all
+occupied in the seaweed gathering industry; and it is when the sea is
+stormy that the largest quantity of kelp is collected. The numerous
+reefs and rocks all along the shore-line afford suitable ground and
+bottom for its growth and production; and during a stormy sea quantities
+of kelp float on the breaking waves, to be finally thrown on shore. The
+industrious gatherers seldom wait for this "jetsam," as the long weeds,
+after they are washed off the rock, and before they are finally swept on
+shore, are apt to be damaged by the waves, and are therefore of less
+value for the export market than when long and fresh; wherefore, each
+gatherer provides himself with a long pole or hook, and from morning
+till night these half-naked "toilers of the sea" can be seen running to
+and fro in and out of the waves dragging bunches of long ribbon-like
+seaweeds, which are then carefully disentangled, stretched on the sands
+to dry, and, after several days of exposure, are packed for the market.
+
+Some huge cliffs towering over the sandy beach make the track
+interesting; and here and there, scattered in the Hammanaka Bay, are
+some oyster-banks before reaching the single shed of Hattaushi. The
+following twelve miles were on an extremely bad track, partly over steep
+hills and partly on tiresome soft sand. Then I arrived at
+Otchishi--without exception the loveliest little spot in Yezo. It lies
+in the centre of a small bay, on the two sides of which are magnificent
+headlands with precipitous cliffs and rocks of volcanic formation. On a
+pretty bit of green grass in the foreground, only a few feet above the
+sea-level, were a shed and a storehouse. A reef and shallow water closed
+the entrance of the bay to the foaming waves of the Pacific. In the
+sheltered water, which was as smooth as a mirror, the dark rich colour
+of the overhanging rocks, caressed by the last warm rays of the dying
+sun, was reflected with absolute fidelity and almost increased
+loveliness. A cold whitish sky, and the _white horses_ breaking on the
+reef, completed the _ensemble_ of that lovely scene; and it was with
+great regret, after having attempted a sketch, that I was told my horse
+was ready, and I had to leave this poetical and exquisite scene.
+
+On the slight elevations near Otchishi, and in the valley, pits are
+still to be seen, showing that the pit-dwellers were once numerous in
+this district. They are found both along the coast as well as slightly
+inland by the side of small rivers, and on the shores of the Saruffu
+lagoon. A well-kept road begins at Otchishi, and goes on to Nemuro. At
+first it runs over hilly ground and through an oak-wooded country, then
+through thick forests of spruce trees, the trees standing very
+close together. About four miles from Nemuro a military
+settlement--"Hanasaki"--similar to the one on the Shibetcha-Akkeshi
+road, has been established by the Japanese Government. Here, again, I
+was struck by the difficulty and the amount of labour involved in
+clearing the trees off the ground. It will take many years before the
+industrious farmers will have any return for their hard labour. I do not
+know what the object of the Japanese Government may have been in
+starting these two militia settlements in spots so unfit for
+cultivation, but it seems a great pity to see the Tokachi region, which
+has all the requisites for successful agriculture, quite deserted, while
+hundreds of men are wasting their strength and time at other places,
+where it will take several years to open enough ground for even a
+kitchen-garden.
+
+Past the long row of houses at Hanasaki the road descends gently, and I
+arrived at Nemuro, a thriving place of about fifteen hundred houses, on
+the south-west coast of the plateau-like peninsula ending at Cape
+Noshafu. The general elevation of the plateau is between sixty and one
+hundred and twenty feet above the sea-level, and the high land is
+covered with undergrowth and stunted trees, such as scrub bamboo, oak,
+birch, and alder, the east winds and fogs no doubt preventing the latter
+from attaining a larger growth. Some low islands and reefs lie north and
+south off Cape Noshafu, and make navigation very unsafe for the small
+coasting crafts which sometimes during the summer call at Nemuro for
+sea-weed, herring, salt, salmon, and herring guano; the first exported
+chiefly to China, the others to Tokio and Southern Japan. Herrings are
+caught in large numbers during the spring and summer, and the export of
+fish-manure would be considerably increased if the harbour at Nemuro
+could be safely entered by larger ships. As it is now, though well
+sheltered by the small island of Bentenjima, it can only harbour small
+ships, as, besides not being deep, its entrance is narrow and of
+difficult access during the thick fogs of the summer. In the winter and
+part of the spring the harbour and the coast as far as Noshafu Cape are
+blocked with drift ice, thus stopping navigation altogether. The trade
+from the adjoining coast and the Kurile Islands concentrates at this
+port, and as a farming region the small portion of available land
+north-west of the town has given fairly good results. Horse-breeding has
+proved a success for the local wants, but hardly so in producing a fine
+breed of horses. Cattle-breeding, on the other hand, has been a failure
+all through, owing to the severe weather in winter, which the imported
+animals could not stand. In spite of strong easterly winds, heavy fogs,
+ice, and snow, fair crops of _daikon_, potatoes, turnips, barley, beans,
+wheat, and hemp are successfully raised here, as the soil is of
+extremely good quality. As to the town itself, it is prettily laid out,
+the streets crossing each other at right angles, while some of the
+houses are built in semi-European style, to meet the severity of the
+climate. A Shinto temple is erected on the high level; and from this is
+obtained a fine bird's-eye view of the harbour and town, with the
+numerous storehouses overlooking the sea.
+
+As I have given a short description of the town--uninteresting save from
+a commercial point of view--I feel that I owe a few lines to its
+go-ahead inhabitants. Belonging, nearly all, to a young and adventurous
+generation, they reminded me of the same type of Englishmen who have
+abandoned their fatherland and settled in America and Australia,
+striving, and often succeeding, in making a fortune. Such men are
+invariably of a different "make" from that of the young fellows who are
+satisfied to drudge for life in a bank, a merchant's office, or a
+shop--vegetating rather than living; following their day's routine in a
+mechanical sort of way; grumbling continually, but never bold enough to
+attempt any improvement of their position. As one is born an artist, a
+musician, or a literary man, one has to be born a colonist to be a
+successful one.
+
+The young Japanese whom I met at Nemuro impressed me as being thoroughly
+different from any I had come across in my one year's stay in Southern
+Japan; and I was agreeably surprised when I found that I was dealing
+with a lot of young, clever, and serious men, willing to improve their
+country and themselves, and anxious to accept any practical hint that
+would enable them to accomplish this in the shortest time possible. In
+other words, they had lost the slow, phlegmatic way of transacting
+business of the "stay-at-homes," and had accepted the quick perception
+of the true colonist, who is always ready to catch all the chances which
+will help him to get on in life.
+
+I had been struck with this energy, this go-ahead faculty, several times
+along the south-west and south-east coasts, when conversing with the
+Japanese with whom I came in contact; but I was never so much impressed
+as at Nemuro, where, indeed, the men are of a superior class,
+well-educated, and belonging to good families, while most of the
+Japanese at fishing stations along the coast are taken from the scum of
+the towns. They are often escaped or ex-convicts, or else people who
+found it advisable to abandon the livelier shores of Nippon, leaving no
+trace of themselves rather than end their days in a prison cell.
+
+Nemuro is a progressive place in every way, and had it been built five
+miles further west it would have been intersected by the Onnetto
+River--a short outlet of the Onnetto Lagoon, which would have formed a
+larger and safer harbour than the present Nemuro anchorage. As it is,
+prosperity showed itself in the usual way, by the number of
+eating-houses for all classes, a theatre, numerous _guechas_--singers
+and dancers--and a whole street of houses of light morals, in which,
+behind a wooden grating similar to a huge cage, dozens of girls are
+shown in their gaudy red and gold embroidered _kimonos_, with elaborate
+_obis_ round their waist, and expensive long tortoise-shell hairpins
+artistically surrounding their heads like a halo. There in a line the
+pretty girls sit for several hours on their heels in front of a
+_hibachi_--brazier--smoking their diminutive pipes. They are fair game
+for now the compliments and now the jokes of the crowd promenading up
+and down the street in the evening. Every now and then, when an admirer
+approaches the cage, one of the girls gets up, refills her tiny pipe
+with tobacco, and offers it to him, not forgetting to wipe the
+mouthpiece with the palm of her hand before so doing. He (the admirer)
+puffs away, and returns the empty pipe with thanks, shifting on to
+another cage to have his next smoke. Japanese men cannot live without
+_guechas_, and it follows as a matter of course that Nemuro, being a
+prosperous place, there are many of them.
+
+A _guecha_ is a singer or dancer (posturing), or both, and one or more
+generally attend dinner-parties and festivities of any kind. Some sing
+with self-accompaniment of _shamesen;_ others display their wonderful
+powers of mimicking and posturising, in which grace is never lacking. A
+long _kimono_, a carefully-arranged _obi_, and a pretty pair of white
+_tabi_--short socks with split toes--make up the graceful and simple
+attire in which they appear in the house. Their hair, plastered down
+with camelia oil, is a veritable work of art. It is carefully combed,
+oiled, and flattened behind the ears. A metal fastener at the lowest
+point of the curve keeps it in this flat position, and it is then raised
+again and fastened at the back of the head, first in a most elaborate
+twist, and then rolled up in graceful curves. A pretty, tasteful
+_kanzashi_--a long hairpin--is placed on the left side of the head, thus
+completing that part of a _guecha's_ toilette.
+
+The sallow complexion characteristic of the race is despised by the
+womankind of Japan, and all women are given to "painting" themselves.
+With us such a custom is not uncommon, but it is disregarded by most
+sensible women. In Japan it is part of the ordinary woman's daily
+toilette. A thick layer of white chalk is first smeared with a soft
+brush over the face, neck, shoulders, arms, and hands; then the pretty
+_mouseme_, dipping her first finger in red paint, gently rubs this on
+her cheeks, her temples, and over the upper eyelids. The middle finger
+is the "black brush," and adds sentiment to the expression by blackening
+under the eyes; and sometimes when the eyebrows are not shaved it is
+also used to accentuate them. A piece of burnt cork is often used as a
+substitute for black paint. The fourth finger has no occupation, but the
+little finger is for finishing touches, brightening up the mouth with
+carmine, and adding a bit of gold on the lower lip. A _guecha_ paints
+herself to a much greater extent than other women, and with brighter
+colours. As to her moral qualities, a _guecha_ is usually not immoral
+enough to be called "fast," yet too fast to be qualified as "moral."
+Their music and posturing have a great charm for Japanese; and when
+money is made, a good quantity of it goes to keeping up these feminine
+musicians and their establishments.
+
+ * * * * *
+
+To show how enterprising and Americanised the Nemuro people are, I shall
+ask the reader's forgiveness for again relating a personal experience
+which at the time greatly amused me.
+
+I was in the midst of my simple Japanese dinner in the Jamaruru
+tea-house, when four youths entered my room and offered to shake hands
+with me--a most unusual thing with Japanese. One of them handed me his
+card, on which I read, "K. Sato, _Nemuro Shimbun_" (Nemuro newspaper).
+
+"Oh," I said in Japanese, "you have even a newspaper at Nemuro."
+
+"Yes," answered in English one of his friends, a Mr. Yuasa, handing me
+his own card.
+
+"You speak English, then, Mr. Yuasa?"
+
+"Yes."
+
+"Can I offer you and your friends anything to drink or to eat?"
+
+"Yes."
+
+"What will you have?"
+
+"Yes."
+
+"Will you have some _sake_?"
+
+"No, no; I come to speak to you."
+
+"Thank you."
+
+"No, no; I come to _take your life_ in Nemuro newspaper. Please speak
+where come? How old? Where go?"
+
+When I had sufficiently recovered from the shock of his announcement
+that he had come to take my life, and understood what he meant by it, I
+had a most pleasant conversation in English with him, and in Japanese
+with the others. Mr. Yuasa's English improved as his shyness wore off,
+showing that he had a very fair knowledge of the language. The interview
+lasted many hours, continually interrupted by the _nara honto_ and the
+_sajo deska_--"really" and "indeed" of my visitors--while notes were
+taken by the editor and his staff. They finally departed, and early the
+next morning I received the following letter:--
+
+ "SIR,--I long that you will correspond to me any events wherever
+ you have met them in your journey when you are not so awful busy,
+ as I have to translate and write on the Nemuro _News_. I meet the
+ first time here, and I hope to have your friendly favor hitherto,
+ and thanks for your kindness I have received ever, believe me, your
+ humble servant, F. YUASA."
+
+The same afternoon the editor and his staff called again, accompanied by
+the two Mr. Nakamuras, the richest merchants in Nemuro, and they
+insisted on giving me a European dinner. After my experience at Otsu as
+regards European cooking by Japanese, I was rather loth to accept their
+kind invitation, but I had to yield. The feast began with biscuits and
+jam,[31] and the soup was brought immediately after; then vegetables
+were followed by roast chicken, and the latter by salad and fried fish.
+With the exception of the somewhat inverted order of the courses, this
+time it was actually a European dinner, and even well-cooked; but my
+hosts were seen at a great disadvantage when using a knife and fork. As
+for the anatomy of the chicken, that was decidedly their weakest point.
+Those of the party who were shy gave up the carving as a bad job; the
+bolder only fought bravely; and every now and then a knife gave a
+terrible squeak on the plate, and half a leg, a wing, or a carcase was
+fired right across the table into one's plate, if not in one's face, or
+on one's lap.
+
+ [31] The Japanese always begin their meals with sweets.
+
+"_Honto taihen muskashi_"--"Really it is very difficult"--said the wit
+of the party, helplessly putting down his knife and fork after trying to
+separate the two parts of a wing. "This bird's bones have lost all their
+joints in the cooking."
+
+My hosts were extremely kind, and were, besides, so clever and bright
+that I enjoyed their good company immensely. At the same time I gained
+from them valuable information as regards the neighbouring country and
+the Kurile Islands.
+
+[Illustration: SEMI-AINU RAT TRAP.]
+
+
+
+
+[Illustration: AINU WOMAN OF KURILE ISLANDS.]
+
+CHAPTER XII.
+
+The Kurile Islands.
+
+
+From Nemuro I put to sea in a miserable little Japanese craft--a kind of
+tug-boat--which once or twice a year goes to the principal islands of
+the Kurile group, and brings back their products to Nemuro. It is
+needless to say that I was the only passenger on board, though it is
+fair to add that the saloon was large enough to "accommodate" two, but
+not more. As for the only cabin, it had two berths, one over the other,
+but no available space for dressing or undressing, which therefore had
+to be got through outside, unless it was to be done by instalments,
+lying down in the berth itself. I shall spare my readers a minute
+description of this "ocean clipper," her tonnage, and horse-power, and I
+shall not attempt to narrate the many disadvantages of travelling in a
+ship engaged in the fish-manure, dried-fish, and sea-weed trade. These
+three very strongly scented articles speak for themselves without the
+need of words.
+
+The Kuriles are the islands which stretch like a row of beads from the
+most north-easterly coast of Yezo to the most southerly point of
+Kamschatka. They extend from 145 deg. to 158 deg. longitude east of Greenwich,
+and between 42 deg. and 51 deg. latitude north.
+
+The archipelago forms part of the Japanese Empire, having been exchanged
+by Russia not many years ago for the southern half of Saghalien Island,
+then belonging to Japan. This group of islands is characterised mainly
+by the great extent of its volcanic rocks and tertiaries, showing marked
+evidence that it is only a continuation of the volcanic mountain-range
+forming the backbone of Yezo, and extending from Yubaridake, in the
+upper Ishikari province, to Cape Shiretoko; which volcanic region
+embraces a large portion of the Tokachi, Kitami, and Nemuro provinces.
+In this chain of islands there are many beautiful volcanic cones,
+especially in Kunashiri and Etorofu. Iron, copper, and other metal veins
+are found in small quantities in tuffs and andesites, but more important
+here, moreover, are the large sulphur accumulations near and in craters,
+both extinct and active; as on Mount Rahush, in Kunashiri, and the
+Ichibishinai, in Etorofu, the largest island of the Kuriles. At Pontoo,
+in Kunashiri, sulphur bubbles out from the bottom of a volcanic lake,
+which is probably an extinct crater.
+
+Beside being rich in minerals, the larger islands of the Kuriles abound
+in game; but fishing is the main industry practised by the sparse
+population of these rugged regions. The origin of the word "Kuriles" is
+not certain, but in all probability it is from the Russian _kuril_,
+smoke, as there are many active volcanoes in the islands. The more
+poetical Japanese call them _Chishima_, or the "Thousand Islands,"
+meaning that they are numberless, and the _nonchalant_ Ainu of Yezo
+profess entire ignorance as to their existence, and only some of the
+better informed give them the name of _Krafto_, by which they really
+mean Sakhalin. The hairy people are emphatically poor geographers, and
+have but little faculty for locating islands or any other places. In
+fact, how could they, having no maps, and no idea even of what a map is?
+The Chishima group and the island of Yezo, with all the smaller islands
+along and near its coast, when taken collectively, are called by the
+Japanese "The Hokkaido." The nearest of the Kuriles to Yezo is
+Kunashiri, and south of it lies the smaller island of Shikotan; then
+comes Etorofu, the largest of the group; then Urup; after this a number
+of unhabited islets, reefs, and rocks form a barrier separating the
+Otkoshk Sea from the Pacific Ocean. Shimushir, at the south-western end
+of this barrier, and Onekotan, at the north-eastern, are the two
+largest, Shimushir being about thirty miles in length and four or five
+wide, and Onekotan about twenty-five miles long and eight wide.
+Paromushir (a corruption of the Ainu words _poro_, large, and _mushiri_,
+island) is the last island of the group. It has a large reef on its
+south-east coast, and is divided by a channel six or seven miles wide
+from Cape Lopatka, the most southern point of the Kamschatkan peninsula.
+Paromushir is about twice the size of Urup, and is very mountainous,
+with rugged cliffs of volcanic formation, and high picturesque peaks,
+bearing the same characteristics as the scenery in Etorofu and
+Kunashiri, and also of Kamschatka. I have mentioned this last island, as
+it is of some interest, being the most northern point of the Japanese
+empire; and also to a certain extent it is interesting from a geological
+point of view, but, as far as I know, it is not inhabited now, and the
+few Kurilsky Ainu who formerly lived there migrated further south from
+one island to another, till Shimushir[32] and Urup[33] afforded them a
+more hospitable home. However, they were not to live there for long, for
+the Japanese Government, asserting that subjects of the empire who chose
+to live so far could not be properly looked after, sent the small ship
+on which I was now travelling on a mission with orders to bring them all
+down to the formerly deserted island of Shikotan. The orders had to be
+obeyed; and reluctantly setting fire to the huts which they were about
+to abandon and never to see again, ninety souls, all that remained of
+that nomad tribe of Ainu, were embarked and carried into exile at
+Shikotan. The quiet life on the Shikotan rocks little suits the roaming
+disposition of the Kurilsky Ainu; and though even formerly they were
+rapidly dying out, the rate of mortality has increased since their
+exile. Having thus verified the fact that of the "Thousand Islands" of
+the Chishima group only three are inhabited, I shall avoid giving a
+monotonous description of each bare-looking islet and rock, and I shall
+land my readers at Shikotan, on a visit to the Kurilsky Ainu, who are
+important to us in connection with the Ainu of Yezo.
+
+ [32] _Shimushir_, High Island.
+
+ [33] _Urup_, name given to a kind of salmon.
+
+It was early in the morning when I looked out of the porthole, and by a
+fine moonlight saw that we were close to the coast. Huge cliffs and
+peaks, ending in a sharp point, some converging towards one another,
+some standing upright against the whitish cold sky, were reflected in
+the smooth water under the lee of the island. The moon, surrounded by a
+yellowish halo, shone bright over the rugged scene, giving delicate
+bluish tints to all the shadows; while the water, disturbed and cut by
+the prow of our craft, rose in gentle waves, pursuing one another, as if
+running for a place of refuge in the mysterious dark shadows of the
+cliffs. So weird, so enchanted and wild was the scene, that I jumped out
+of my stuffy bunk and went on deck. There I stood, notwithstanding the
+cold, gazing at the gigantic overhanging black rocks, at the precipices,
+crevices, and natural openings through which now and then the radiant
+moon peeped, covering the dark green water with a long undulating streak
+of silver dashes. There I stood, listening to the voices of the waves,
+which rippled on the shingle, contemplating this strange and poetic work
+of nature. I am certain that if sirens there ever were in this world,
+their home must have been among the whimsical and _bizarre_ rocks of
+Shikotan Island. The old "tub" on which I was "ploughing the waves"
+moved slowly through this heavenly spectacle of ever-increasing beauty.
+When the sun rose, enchantment was added to enchantment. The cold bluish
+colour of the rocks became gradually warmer; and, as the light grew
+stronger, the tops of the cliffs turned into a mass of brilliant
+colours. Nature was waking slowly from her torpid sleep, and, in the
+freshness of the morning, a light breeze, caressing the shore, brought
+with it the smell of land.
+
+The captain, a Japanese, informed me that we should soon enter the
+harbour of Shikotan, and, pointing to some huge pillars, said that was
+the entrance. We drew nearer and nearer to it, and the nearer we drew
+the more I became convinced that the captain was under an
+hallucination. I could only see rock after rock, huge pillar after huge
+pillar; but no entrance whatever.
+
+"We are just going in," said the captain, laughing at my astonishment,
+and he gave orders to the quartermaster at the wheel to steer straight
+for one of the pillars. We were but a few yards from it when our craft
+was made to swing rapidly on her starboard side, and we turned round a
+gigantic shoulder of rock, to find ourselves in a narrow channel. One
+minute later we were in a pretty circular harbour, surrounded by high
+peaks--in fact, a kind of "fiord." The access to this harbour is
+certainly difficult to find, but when you are fairly in, it is seen to
+afford a well-sheltered anchorage. It has more the appearance of a small
+mountain lake than that of a sea-harbour; and undoubtedly it is a
+submerged crater. It is perfectly circular, and very deep, but not of
+large capacity. Directly opposite the entrance, on the shore, is a small
+narrow valley, on which is situated the village of the Kurilsky Ainu.
+Four men rowed me ashore, and I went to the village.
+
+When the Japanese imported these Kurilsky Ainu to Shikotan, they allowed
+them to build their huts in their own way; but this done, a railing with
+a gate was erected, closing the entrance of the valley which overlooks
+the harbour, thus preventing the poor wretches from abandoning the
+island to resume their migratory habits, and return to their more
+northern homes. Inside this gate two rows of huts, exactly similar to
+those of the Yezo Ainu, have been constructed by the exiles. There are
+sixteen huts altogether, and not a single one of them is built over a
+pit. In Chapter IX, I have fully explained the characteristics and mode
+of living, which leaves no doubt as to these people being proper Ainu,
+and not pit-dwellers, as some have asserted; though of course their type
+is slightly modified by external conditions--a common occurrence in all
+races. Take a Londoner, a provincial, and a seaman, and though they be
+all three Englishmen, one will have a washed-out look, the other will be
+healthy and strong, but not so sturdy, wiry, and weather-beaten as the
+sailor. The same natural process is at work with this tribe of Ainu.
+They conform their life according to circumstances and places; and
+though they possess the same general characteristics as the rest of the
+Ainu, in some small details they cannot but differ from them.
+
+Shikotan was a deserted island previous to these poor wretches being
+transplanted there by the Japanese Government. It does not abound in
+game, like Shimushir, Urup, or Poromushir, whence they were taken.
+
+[Illustration: SHIKOTAN AINU.]
+
+The story of this tribe of Ainu is a sad one. Hunting, sealing, and
+fishing were their only aims in life, their only pastimes, the only
+things they lived for. At Shikotan they have none of these things. There
+is no big game; the only animal found being a beautiful species of white
+long-tailed fox. There are no large rivers at Shikotan; there is hardly
+any vegetation, and the whole island is nothing but a mass of barren
+rocks.
+
+The food of the Kurilsky Ainu consisted chiefly of meat of bear and
+seals, berries, and eggs of sea-birds. They were a migratory people, and
+in their small cranky canoes they often crossed from one island to
+another, carrying with them all their property, consisting of skin
+garments and fishing and hunting implements, these latter the same as
+those employed by other Ainu. The dress of the men is shaped like a
+short tunic, made of sea-birds' skins, with the feathers inside. Some of
+the smart ones are trimmed with seal, and they are worn fastened round
+the waist with a girdle of sealskin or a belt of sea-lion hide, often
+ornamented with molten lead buttons or Chinese cash. The women's garment
+is much longer, and reaches nearly to the feet; it falls loosely, and
+has long sleeves covering the hands; it is fastened with a girdle in bad
+weather, and the gown is then pulled up to the knee, showing the long
+yellow boots. When carrying water or working this is also done, as it
+gives greater freedom to the limbs, making walking and all movement much
+easier. A red, yellow, or brightly-coloured handkerchief, of Russian
+manufacture, is tied round the neck and another round the back of the
+head, and this makes the women look like Italian peasants. As the gown
+is worn usually loose it has the identical shape of a dressing-gown; it
+is ornamented with yellow feathers of puffins round the neck and the
+edge. Both men and women wear either moccasins, or long boots made of
+sealskin, with the fur inside, or else they wear salmon-skin boots, like
+the Ainu of Yezo. No woman that I saw at Shikotan had a moustache
+tattooed round her lips, or any tattoo marks on her arms. Very few of
+them wore earrings, though all had the ears bored for that purpose, and
+had worn them. The earrings which they possessed were mostly strings of
+coral beads and metal ornaments of Russian manufacture, which, like the
+brightly-coloured handkerchiefs, they had received in bartering with the
+crew of a sealing schooner. Since they have been at Shikotan the men
+have been presented with old caps and overcoats, similar to those of the
+Japanese police. Previous to this, however, when the Kuriles were under
+the rigid Russian _regime_, the Kurilsky Ainu men were compelled to trim
+their hair and beard, which was the first step taken by the priests of
+the Coptic Church in Christianising these nomadic barbarians. When this
+hair-dressing order was complied with, as the first link of the chain,
+the Coptic creed was enforced on them, and the barbarous Kurilsky Ainu
+became well-trimmed orthodox Christians.
+
+At Shikotan, as it is, fishing on a small scale is their main
+occupation, praying the next, and Jacko, the chief of the village, is
+the high priest. Jacko's predecessor, in fulfilling the duties of this
+high post, was a man who had dropped his Ainu name, and had been
+baptized as Alexandrovitch. His house is now occupied by Jacko. It is
+the first on the right-hand side when the village is entered from the
+harbour side, and it is larger than any of the others; it is built of
+wood instead of rushes and reeds. The interior is divided into two
+rooms, and in the second are three stands, the middle one of which has a
+cross on it. On each of these stands is a Russian Bible, with images
+hanging on the page-marks. Several rough stools and a couple of benches
+are placed in rows in front of these stands, and on the walls hang two
+or three Russian religious images. Taken altogether, and compared with
+other Ainu huts, Jacko's chapel had quite a stately appearance.
+
+Just as the Ainu of Yezo have partly acquired the Japanese language, the
+Kurilsky Ainu have learned to talk Russian, besides speaking an Ainu
+dialect.
+
+On Sundays, or on any day which Jacko thinks is a Sunday, the chief
+reads the mass before a congregation of the other fifty-nine hairy
+Christians of the Russian Orthodox Church; he does not spare them a
+sermon, which sometimes lasts half the day, and his audience are most
+attentive and well behaved. None of them would think of leaving church
+before service is over; but one detail in which these hairy Christians
+are not yet fully Christianised is, that no collection plate is ever
+sent round! The Kurilsky Ainu have undoubtedly accepted the form of
+their adopted religion, but I rather doubt whether they have fallen in
+with the principle. Their former barbarian ideas and superstitions are
+still well rooted in their brain, and each individual was a curious and
+enviable combination of a perfect heathen and a thorough Christian,
+according to what suited him or her better at the time being. In other
+words, they believed in two diametrically opposed principles, one of
+which fitted in with every phase of their life when the other was
+deficient.
+
+As many as ninety people, all told, were landed at Shikotan, but thirty
+had already succumbed when I visited the island. A graveyard on a hill
+on the west side of the village was indeed a sad reminder of this fact.
+It will not be long before all the others will pass away, for
+consumption and rheumatism have a great hold on most of the wretches. In
+ten years from now, I dare say, not one of the Kurilsky tribe of Ainu
+will be left on this earth. It is pitiful that the last remains of these
+independent people will end their days secluded and in exile on the
+barren rocks of Shikotan.
+
+As it is, they seem to take life easily, and, with a characteristic
+proper to all nomadic peoples, they make the best of what they can get.
+They are not shy, and they have dropped the formalities and grand
+salutations of other Ainu. They are, however, as dirty, especially in
+their homes. The women dress their hair in small tresses.
+
+The children wear long gowns similar to those of the women, and one or
+two of the children I saw had very fair hair. As will be seen by the
+illustrations, some of the men and women possess good features, more
+resembling those of European races than those of Mongolian type. They
+are gentle and quiet, like all other Ainu. They are submissive, and
+resigned to their sad fate.
+
+The island of Skikotan is almost circular in shape, and it has one or
+two small anchorages on its north coast. I judged its diameter to be
+about twelve or thirteen miles. Etorofu and Kunashiri, though much
+larger in size, are of less interest to us in connection with the Ainu,
+as most of that race found there migrate from Yezo during the fishing
+season; therefore, nothing is to be added about them.
+
+Etorofu is a long, narrow, but irregular island, over one hundred miles
+in length, and varying in breadth from five or six to twenty miles. It
+is very mountainous, and has some bold, rugged scenery, owing to its
+volcanic formation. Etorofu is by far the largest island of the Kurile
+group, and it possesses many safe anchorages, especially on its
+north-west coast, where several mountainous capes branch off the narrow
+strip of land, and afford small ships a fairly safe harbourage from west
+and south-westerly winds. Unfortunately, however, they are open to
+northerly and north-east gales, during the prevalence of which, should a
+ship happen to be cruising about in those latitudes, she would have to
+run for a shelter to the south-east coast. The south-east coast is not
+peopled, with the exception of a very few huts near Moyorotake, or "Bear
+Bay," at its most south-eastern point. A better shelter, however, is to
+be found in the bay, nearly in the middle of the island, on the shores
+of which are a few huts at Onembets and Imotsuto. Most of the coast is
+deserted, and the south-east portion is very rocky, huge cliffs, with
+high richly-coloured mountains in the background, ending like an
+impassable wall into the sea. Where the island is narrower there are
+some low terraces with scrub bamboo and stunted trees. Larch is found in
+Etorofu, while it is seldom found in Yezo. Heather-like plants are also
+indigenous in Etorofu, and cranberry bushes are frequent near the coast.
+From Betoya or Bettobu Bay down to its most south-western point Etorofu
+is all mountainous, with the exception of a small valley near Rubets.
+It is along the banks of the Bettobu River, in that small valley and on
+those terraces, that the numerous pits of the Koro-pok-kuru are found,
+and also at Rupets, further south on the same coast. This, however, I
+have already explained in connection with the pit-dwellers. The two
+small fishing-stations above mentioned are respectively under the lee of
+the headlands ending in Cape Ikahasonets and Notoro Cape. On the first
+headland the mountain of Tsiriju rises to a great altitude. The largest
+fishing-station is at Shana, on the western side of this headland, and
+further north, besides Bettobu, is the small station of Shibets.
+South-west of Shana one finds Rubets, Furubets, Oitoi, and Naibo, the
+latter in the bay of the same name. There are five lakes in Etorofu, two
+of which are between Shana and Bettobu, one near Rubets, the other close
+to Naibo; the fifth is a very small one, fifteen or sixteen miles
+north-east of Bettobu. The country has a rugged look, and in some
+places, as near Rubets, where the volcanic mountain masses leave space
+for low terraces the scrub-bamboo is very thick, as in Yezo, and small
+and stunted trees form the chief vegetation. Larch is more common on the
+north-west coast than on the south-east. Good timber is rather scarce in
+Etorofu, but a fair quantity of it is to be found inland, and also at
+the south-western portion of the island about Naipo.
+
+Accumulations of sulphur are found at Ichibishinai, and there is an
+active volcano south-east of Bettobu, besides the beautiful volcanic
+cone of Atzosa, three or four thousand feet above sea-level. All this
+volcanic mountain mass, with its warmly-tinted peaks, bears the
+characteristics of the central portion of Yezo; and there seems to be
+little doubt that all this row of islands, with the frequent submerged
+craters and volcanic cones, is nothing but the continuation of the
+volcanic zone in Yezo. The main resource of Etorofu is the fishing. Four
+different kinds of salmon and salmon-trout are found, one similar to the
+salmon common in Yezo, the others somewhat differently marked. Salmon is
+extremely plentiful, and in July and August enormous catches are made,
+especially at the mouths of the rivers, where the fish are closely
+packed together.
+
+The Pico Strait, between Etorofu and Kunashiri, is about fourteen miles
+wide, and a strong current from the Okhotsk Sea passes through it,
+causing the sea to break in heavy tide-rips and overfalls similar to
+those observed in the La Perouse Strait, between Yezo and Sakhalin.
+Similar tide-rips are observed also in the channel between Etorofu and
+Urup, but, being much wider (about twenty-four miles), they seem there
+less formidable.
+
+Kunashiri is the next largest island in the Kuriles after Etorofu. It is
+about sixty-five miles long, and very narrow; varying from three to
+eight miles in width. The north-east portion is somewhat wider, and
+extremely mountainous. The highest peak of this mountain range is the
+Tcha-Tcha-Nobori (the old-old-mountain), which is said to be about seven
+thousand five hundred feet above the level of the sea. From this volcano
+starts a chain of hills--some pyramidal in form, others somewhat rounder
+at the top--which forms the backbone of the island. Two more active
+volcanoes besides the Tcha-Tcha are on the south-west portion of
+Kunashiri, but they do not rise to a very great altitude. On Horanaho or
+Rausu volcano sulphur accumulations are found, and at Pontoo (small
+lake) sulphur bubbles out from the lake bottom, and seems to be worked
+with profit. The Tcha-Tcha-Nobori is curiously shaped. It is like a
+large cone cut about half-way up in a section, to which a smaller cone
+has been attached, leaving a wide ring right round. It is extremely
+picturesque, and a worthy finish to the strange outline of Kunashiri
+Island.
+
+Vegetation and products are the same as in Etorofu. Salmon is plentiful,
+and a few fishing-stations are spread out here and there at long
+intervals on the coast. As in Etorofu, the population of Kunashiri
+migrates there from Yezo during the fishing season, and leaves the
+island almost deserted in winter. The strait separating it from Yezo is
+only ten or twelve miles wide. Bears and foxes are said to be very
+numerous in all the larger islands of the Kuriles, and seals are
+captured in large quantities during the winter months, more especially
+in the islands nearer Kamschatka. Small game, as ducks, snipes, and
+sandpipers, is abundant. Besides the ruggedness and strange aspect of
+its numerous volcanic peaks, the bareness and the loneliness of the
+coast, there is nothing in the Kurile group to entice the sightseer and
+the pleasure-seeker to a cruise among the islands. The geologist and
+zoologist, however, would find in the Kuriles a very rough but very
+interesting field for their investigations, and a "good shot," who does
+not mind a self-sacrificing and lonely life, would find some good sport
+among the bears, especially in Kunashiri and Etorofu.
+
+[Illustration: WOMAN OF THE KURILE ISLANDS]
+
+
+
+
+[Illustration: ABASHIRI ISLAND.]
+
+CHAPTER XIII.
+
+On the East and North-East Coast--From Nemuro to Shari-Mombets.
+
+
+I did not remain long at Nemuro after my return from the Kuriles; in
+fact, I remained only a few hours, and again my baggage was lashed to
+the pack-saddle, again I was perched on the top of this instrument of
+torture, and soon was rapidly moving north towards the inhospitable
+coast of the Okhotsk Sea.
+
+The first few days of the lonely life of a peripatetic Robinson Crusoe
+are unmistakably disagreeable, but after that initiation there is no
+doubt that it is a fascinating life. I was more than glad when the gay
+Nemuro was out of sight, and the noise and rumble of semi-civilisation
+out of hearing. The editor and seven gentlemen of Nemuro accompanied me
+for a few miles--then I was left to myself and my own resources.
+Crossing the Onnetto River, the outlet of a large lagoon of the same
+name, I passed through Nishibets and then Bitskai, where in former days
+the Japanese had established a salmon-canning factory, which proved a
+failure, owing to the incapacity of its directors and workmen. Salmon is
+very abundant in the Nishibets River, and a well-managed canning factory
+would be a great success. About ten or eleven miles north of Bitskai a
+peculiar peninsula stretches out from north-east to south-west, which
+affords a shelter for small junks from northerly winds. It is called
+Noshike, and is not more than a few feet above the sea-level. The soil
+all along is very marshy, and the numerous little rivulets and rivers
+are extremely troublesome to cross. My pony was continually sinking into
+and struggling out of mud-holes, into which it had fallen when wading
+across these small watercourses, sometimes not more than a few feet
+wide. I pushed on as far as Shimbets, where there are only a shed and a
+couple of Ainu huts inhabited by half-castes. I had to put up here for
+the night, and by the light of a wick burning in a large oyster-shell
+filled with fish-oil I wrote a few notes in my diary. The fleas in that
+house were something appalling. The next morning I had some fun with a
+wild pony, which I received in exchange for the tired animal I had
+brought.
+
+"Nobody can get on him," said the Ainu half-caste, "but if you think you
+can ride him he will go like the wind."
+
+It took all hands in the small village to get the pack-saddle and
+baggage on to his back, and after we had tied him to a post and lashed
+his fore legs together I mounted. By instalments he was untied, let
+loose, and then afforded us some real fun. He revolved, bucked, kicked,
+stood on his hind legs, and did his very best to bite my legs and knock
+me off the saddle. A small fence was kicked and smashed into a thousand
+bits, and he even attempted to enter the huts--anything to get rid of
+his rider; but he did not succeed. His next trick was to plunge into the
+river close by, and when he reached the middle to shake himself
+violently. He then came out on the other side, and, turning his head,
+saw as well as felt that I was still on his back; then he neighed as if
+in great distress, and bolted. He galloped along the small track, and
+really did go "like the wind." As a punishment I made him keep up the
+pace even when he was tired of his contumacy, and in less than no time I
+reached Shibets, ten miles distant from where I had started.
+
+Shibets is a village of one hundred Japanese houses and twenty Ainu
+huts. The Ainu here have almost altogether adopted Japanese clothes, as
+well as something of the Japanese style of living. The river which goes
+by the same name is notable for the quantity and good quality of salmon
+caught in it, and it is the best salmon-fishing river on the north-east
+coast of Yezo. Herrings are also abundant, but not to the same extent
+as on the south-east coast. A peculiarity of the river is that before
+entering the sea it turns sharply south and runs along a bank of sand
+and mud, which is growing larger every year, which shows that a current
+from the Okhotsk Sea must travel down in that direction through the
+strait between Kunashiri and Yezo. The same peculiarity is noticeable in
+nearly all the rivers of the north-east coast.
+
+From Shibets to Wembets the track is fairly even, but from Wembets round
+Cape Shiretoko it is in many places impassable even on foot. The
+Peninsula, ending in Cape Shiretoko, is a mass of high volcanic
+mountains towards the interior, while scabrous cliffs and huge rocks
+fringe the line of coast. However, from Shibets there is a small
+mountain track inland which brings the traveller across to the
+north-east coast near Shari. The track was through beautiful forests of
+pine trees, oak, birch, and elm, and during the first few miles it is on
+almost level ground. After that, hill after hill is ascended and
+descended, and one goes ever onwards at a higher altitude, until Rubets,
+a small shed, is reached. From here the track follows a zig-zag
+direction till it reaches the summit of the mountain range, and one then
+begins to descend on the other side. From the summit there is a lovely
+view of beautiful blue mountains in the distant west, one of which is
+called Oakan, and the other Moyokan. The mountainous part of the track
+from Igiani, three miles from Shibets, as far as the north-east coast,
+reminded me much of the scenery in Switzerland, with its rapid and
+limpid fresh-water rivers, thickly-wooded country, and green grass,
+which last was replaced here by an undergrowth of scrub bamboo. When I
+went across this mountain pass the rain was pouring in torrents, and the
+road, such as it was, being very slippery and heavy, I only reached the
+north-east coast at dark. The moon would not rise till late, there were
+heavy black clouds, and I was more than puzzled how to find my way.
+
+To add to my bad luck, my pony this time was a sorry beast, with his
+back a mass of sores. I was simply drenched with the rain that never
+ceased. Now and then, by the blinding flash of lightning, I could see a
+long stretch of sand and a line of sand-hills; I could also see the
+reeds bending low under the squalls, and then everything was darkness
+again. I was leading my tired beast, and dragging him along as well as
+I could. Every few yards the wretched creature collapsed, and it took a
+lot of petting, caressing, encouraging and beating to make him get up
+again. I had ridden and walked about fourteen hours in the rain, and was
+nearly frozen to death.
+
+Since I had got out of the forest a bitterly cold north wind chilled me
+through and through, and added the last touch to my weariness and
+discomfort. Again the pony fell, and all my efforts to make him get up
+were useless. The storm, if anything, seemed to increase in violence,
+while my own strength was decreasing every minute. I lay down by the
+side of the pony, trying to warm myself by his heat, and, shivering and
+rattling my teeth together, I tried to go to sleep.
+
+A couple of hours were spent in this way, and when the moon rose I could
+see a little clearer. I climbed with hands and feet on to the
+sand-hills, and I fancied I saw some dark spots in the distance. Could
+they be Shari? First one end of my whip, then the other, was reduced
+into pulp on my pony's back, and with a great effort he again stood on
+all four legs. I had to support the wretch all the way, as you would a
+drunken man, and we went at the rate of less than a mile an hour. The
+spots grew bigger and bigger, and took the shape of huts.
+
+"Hem, hem, hem, hem!" I called out at the first hut, while three or four
+dogs barked furiously and went for my legs. "Will you let a stranger
+sleep here to-night?"
+
+"This is no house for strangers; go elsewhere!" answered a drowsy hoarse
+voice from inside.
+
+"May you be kept--hot!" said I, in pure Ainu fashion, though in my heart
+I attached quite a different meaning to the sentence from that which the
+hairy people give it; and wearily I pulled myself together and passed
+on.
+
+A shadow crept out of one of the huts, and thanks to that shadow I found
+a shelter for the night. There are fifty Ainu huts at Shari, and ten
+Japanese, with an Ainu population of about one hundred souls. The Ainu
+here have adopted Japanese clothes, and many of them eat Japanese food
+when they can get it. The Ainu women of Shari are exceedingly pretty,
+as they do not tattoo the long moustache across their faces, like other
+Ainu. Some of them have a small semicircular tattoo on the upper lip,
+which is not very displeasing to the eye; and in some cases is even
+becoming. The girls have also given up tattooing their arms. The men are
+much taller than the Ainu men of other regions, and they seem to be
+rather ill-natured. Japanese blood can be detected in many of them, and
+that may account for it. While the women are prettier, the men have
+repulsive faces, possessing all the characteristics of purely criminal
+types.
+
+One young fellow who sat for me was the very image of Robespierre in his
+worst moments, and an old man who sat for me afterwards would, according
+to Phrenology, prove to be a murderer of the first water. This gentleman
+was a troublesome sitter, and excelled in making the most awful faces,
+which were accompanied by sounds imitating those of wild beasts. The
+Shari Ainu build their storehouses with cylindrical roofs, similar to
+those of their brethren on the Kutcharo Lake.
+
+After the heavy storm of the previous night the weather cleared up for
+the rest of the day, and the sunset, reflected in the limpid waters of
+the river, was simply magnificent. On the other side, sheltered by the
+sand-hills, were a few Ainu huts standing out against the brilliant red
+and yellow sky, and here and there a large fish jumped out of the water,
+leaving circle after circle of concentric rings to break for the moment
+the reflection in the water.
+
+From Shari to Abashiri the road is for some distance among trees, mostly
+fir and spruce, and then the Tobuts Lake is reached, half of which is a
+mere marsh. It is picturesquely situated, and I followed its borders for
+about three miles, having the sea on one side, the lake on the other.
+The track was easy and mostly on sand. At the outlet of the lake into
+the sea is the Ainu village of Tobuts, access to which is to be had only
+by boat, as the river is extremely deep, and its current very swift.
+
+In the proximity of Tobuts another and smaller lake, the Opoto, with its
+short and winding estuary, is on the left of the traveller, while a long
+way ahead the Abashiri rocks stand high on the horizon. A few Ainu huts
+are scattered along the coast, and some of them have peculiarly shaped
+storehouses. They are small, built entirely of wood, and roofed with
+shingles. Some have two floors, and in this case, though built on piles,
+the first floor is only a few inches above the ground. The "mat" was
+supplanted by a wooden door at the entrance of the storehouse.
+
+The Abashiri cliffs are grand, and from a distance have all the
+appearance of, though they are not in reality, basaltic rocks. They are
+scarred, riven, and fractured in all directions, as if by excessive
+heat. The upper portion of the cliffs is of a beautiful grey-whitish
+colour, blending into yellow and red at their warm brown bases. The
+small cylindrical islet which I give in the illustration is on the north
+side of this cliff, and is of the same volcanic formation. It has
+certain traces of sulphur as a further evidence of its origin. Flocks of
+sea-gulls, penguins, and cormorants have chosen this island for their
+abode.
+
+Abashiri is the only place on the north-east coast which may eventually
+be of some importance, as it has a fair anchorage for small craft under
+the lee of the islet and outstretching cliff. No other place on the
+north-east coast possesses such an advantage. On the Shiretoko Peninsula
+sulphur accumulations are found at Itashibeoni; but, unfortunately, the
+want of a safe harbour, the ruggedness of the coast, and the lack of
+drinkable water in the vicinity, are all facts which make it improbable
+that it could be worked with profit for some years to come. The Ainu at
+Abashiri are repulsive creatures, especially the men, and have more the
+appearance of wild beasts than human beings. Their faces are almost
+square, the mouth large, with narrow lips, the ends of which converge
+towards the ears. The nose is short and stumpy, they have very heavy
+eyebrows, and the eyes are almost lost under the shadow of their
+projecting forehead.
+
+Ponies are scarce and bad along this coast, and the further north one
+goes the more difficult the travelling becomes; the huts are rarer; the
+human beings more uncouth and solitary. The north-east coast is a region
+of swamps, lagoons, and quicksand rivers.
+
+Not far inland from Abashiri there is a large lagoon, the Abashiri-ko;
+then, a few miles further north, another as large--the Notoro-ko. The
+Abashiri Lake finds an outlet in a river which goes by the same name of,
+and falls into the pretty Bay of Abashiri; but the Notoro-ko, as well as
+the larger lagoon of Saruma-ko, which one comes upon after having passed
+the two villages of Tukoro and Tobuts, open directly into the sea. The
+strong current and the tide often block the entrance of these lagoons,
+and the rising water finds an outlet in a different spot. These lagoons
+are separated from the sea by a long and narrow strip of sand-hill; and
+crossing the outlet always involves great danger if the unwary traveller
+does not choose the right moment. The tide creating a great inequality
+of level between the sea and the lake, it follows that at the opening of
+the lagoon the water either throws itself from the sea into the lagoon,
+or _vice versa_, according to the ebb or flow, and makes a kind of
+whirlpool. The Saruma Lake being much larger than any of the others,
+while its mouth is much smaller, and underlaid with quicksands, the
+danger is even greater, and the safest way is always to get across in a
+boat at slack water. The Saruma Lake is about fifteen miles in length
+and from two to three miles wide. Its water is salt, and large
+oyster-banks are found in it. It is also a favourite resort for seal and
+mallard. In winter they can be killed in great numbers, but in the
+warmer months they are shy, and very difficult to approach. The
+south-western shore of the lake is thickly wooded, and has as a
+background a long range of high mountains with smaller mountains in
+front of it.
+
+At Tobuts, a small village of a few huts, situated at the mouth of the
+Saruma lagoon, I halted for the night. There was a change in my diet
+that day, and I was entertained, or rather I entertained myself, to an
+oyster supper. They were enormous oysters, similar to those found at
+Akkeshi, but not very palatable. However, I was in luck that day, and
+not only did I have this oyster supper, but I actually was the hero of a
+tender little idyll. In this country surprises never come alone, and
+while I was sketching in the twilight to pass away the time, a tall slim
+figure of a girl came out of one of the huts. She had slipped her arms
+out of her robe, leaving the latter to hang from the girdle, and her
+breasts, arms, and the lower half of her legs were uncovered. She was
+pretty and quaint with her tattooed arms and a semicircular black spot
+on her upper lip. She walked a few steps forward, and when she saw me
+she stopped. She looked at me and I looked at her. Hers, with her soft
+eyes, was one of those looks which a man feels right through his body,
+notwithstanding all the self-control he may possess. There she stood, a
+graceful silhouette, with a bucket made of tree-bark in one hand and a
+vine-tree rope in the other, her supple figure almost motionless, and
+her eyes fixed on me. She was the most lovely Ainu girl I had ever come
+across, and not nearly so hairy as most of them. Indeed, in that soft
+twilight, and her wavy long hair blown by the fresh breeze, she was a
+perfect dream.
+
+[Illustration: AN AINU BELLE.]
+
+"Wakka!" ("Water!") cried an angry old voice from inside the hut,
+interrupting the beginning of our romance, and she sadly went to the
+brook, filled her bucket with water, and took it into the hut. It was
+only a few seconds before she reappeared, and came closer, and I
+finished the sketch somewhat hurriedly.
+
+"Let me see the tattoo on your arm," I asked her, and to my surprise the
+pretty maid took my hand in both her own, gave me one of those looks
+that I shall never forget, and her head fell on my shoulder. She
+clutched my hand tightly, and pressed it to her chest, and a force
+stronger than myself brought her and myself to the neighbouring forest.
+There we wandered and wandered till it grew very dark; we sat down, we
+chattered, we made love to each other; then we returned. I would not
+have mentioned this small episode if her ways of flirting had not been
+so extraordinary and funny. Loving and biting went together with her.
+She could not do the one without doing the other. As we sat on a stone
+in the semi-darkness she began by gently biting my fingers, without
+hurting me, as affectionate dogs often do to their masters; she then bit
+my arm, then my shoulder, and when she had worked herself up into a
+passion she put her arms round my neck and bit my cheeks. It was
+undoubtedly a curious way of making love, and when I had been bitten all
+over, and was pretty tired of the new sensation, we retired to our
+respective homes.
+
+In the evening, as I was writing my diary by the light of one of the
+oyster-shell primitive lamps, somebody noiselessly crept by my side. I
+turned my head round. It was she! She grew more and more sentimental as
+it grew later, and she bestowed on me caresses and bites in profusion.
+Kissing, apparently, was an unknown art to her. The old woman, in whose
+house I was, slept soundly all through this, as old women generally do
+on such occasions. By the mysterious light of the dying wick, casting
+heavy shadows, which marked her features strongly, with her jet-black
+wild hair fading away into the black background, with her passionate
+eyes, and her round, statue-like arms, the girl was more like a strange
+fairy than a human being.
+
+I sketched her twice in pencil, and the wick--that wretched wick!--grew
+feeble, and, for the lack of oil, began to dwindle away. I persuaded her
+to return to her hut, and with a few "bites" my hairy maid and I parted.
+
+The morning came, and I was up early. In the vicinity of the huts I
+found three Koro-pok-kuru pits similar to those we have already seen;
+and previous to arriving at Tobuts I also found a fort belonging to the
+pre-Ainu race. From Tobuts, continuing my journey north, on the stretch
+of sand between the water of the sea and that of the Saruma lake the
+travelling was fairly easy but monotonous. The long chain of mountains
+on the other side of the lake was magnificent in the morning light. For
+twenty-two miles this went on; then I had to cross the Yubets River in
+the picturesque spot where its waters divide before again uniting close
+to the sea. North of this river there are three more lagoons--the
+Komuki, the Shibumotzunai, and the Yassuchi, the first two of which have
+direct estuaries into the sea, generally blocked by drift-sand, and both
+are as dangerous as the Saruma lagoon when the water unexpectedly
+overflows. Owing to the heavy rains on the mountains the level of the
+lakes had risen considerably when I went through, and crossing the mouth
+of the first in a flat-bottomed boat, I was nearly swamped. The Ainu who
+was ferrying me across did not lose his presence of mind, and after a
+long struggle and violent efforts we reached the opposite shore. Yubets
+is a village of eighteen Ainu and three Japanese huts. The Ainu along
+these shores are extremely hairy, and some of them have red beards,
+while others are bald. Near some of their huts you may see cages where
+foxes and eagles are kept in captivity.
+
+The women, all the way to Soya Cape, the most northern point of Yezo,
+have given up tattooing a long moustache and their arms. A small
+semicircular spot, similar to the tattoo of the Shari women, is
+nevertheless not uncommon. Bears, yellow and black, again are said to be
+in huge quantities on the thickly-wooded mountains at the back of the
+Saruma and other lagoons.
+
+The coast is most desolate-looking. One may travel mile after mile
+without seeing a hut or meeting a single human being. Now and then, when
+I came to a lonely fisherman's hut, I was civilly treated; and, riding
+from morn till night, I reached Shari Mombets, where there are forty
+Ainu huts and about the same number of Japanese fishermen's shanties. It
+has a small anchorage for small junks only; but, unfortunately, it is
+not well protected, as the reef of rocks which runs in a north-east
+direction does not extend far out to sea. I was roughly treated here at
+first, for some Russian convicts, who had escaped from Sakhalin in an
+open boat, had been drifted by the current down this coast, and
+previously to my arrival had landed in the vicinity of this village.
+They were half starved, and could not speak a word of the language. They
+had no money and no clothes, and none of the natives seemed willing to
+help them in any way. Now that the long-wished-for freedom was obtained
+after years of servitude and chains, the four brave men, who had
+suffered agonies for days, and had almost miraculously escaped death in
+the treacherous currents of the Otkoshk Sea, were certainly not to be
+outwitted by a handful of hard-hearted Japanese or by a pack of hairy
+Ainu. They begged for food and could not obtain it, so they stole it,
+and ill-treated some of the natives who interfered. They then
+disappeared towards the south. When I put in an appearance, all alone
+and almost in rags, leading and dragging my tired pony, it is not
+astonishing that the first thing that struck them was that I must be
+another escaped Russian, "or bad man from Krafto,"[34] as the Ainu
+called me.
+
+ [34] _Krafto_, Ainu word for Sakhalin.
+
+The reception I received was pretty stormy; but when I understood what
+the matter was which caused the rioting, I set their minds at rest, and,
+speaking in their own language, told them that the "bad men of Krafto"
+were my enemies as well as theirs, and that, should I find them, I would
+punish them. Not only that, but, to make them perfectly at ease, I gave
+them some little present of money, which turned them at once into
+friends. As to the Russian convicts, there was no possibility of my
+finding them, for they were travelling towards the south from this
+point, and I was moving towards the north, so I was perfectly safe in
+passing myself off as a kind of supreme judge.
+
+Shari Mombets is a miserable place. In the house where I put up I was
+received by a young man, but the owner of the house did not show
+himself. The next morning, however, as I gave much more money than they
+expected, the landlord was brought to my room to thank me. The poor man
+suffered from elephantiasis--the wretched disease by which the head and
+all the limbs of the body assume gigantic proportions. His head was
+swollen to more than twice its normal size, and had lost its shape; his
+body was piteously deformed and inflated, his eyes nearly buried in
+flesh. The weight of his head was such that the cervical vertebrae were
+scarcely strong enough to support it erect; and when he bowed down in
+Japanese fashion to thank me and bid me good-bye, I had to run to his
+help, for he could not get up again. Poor man! And when we reflect that
+in more civilised countries many people think themselves very ill and
+suffering when they have a pimple on their nose, or a cold in their
+head!
+
+[Illustration: SARUMA LAGOON.]
+
+
+
+
+[Illustration: AN EAGLE-DISPLAYED SABLE.]
+
+CHAPTER XIV.
+
+Along the Lagoons of the North-east Coast--From Shari Mombets to
+Poronai.
+
+
+I proceeded north. The Ainu scattered here and there on the coast seemed
+to be hairier and uglier than any of their inland brethren. Two or three
+women had already put on their winter fur garments, as the cold weather
+had begun; and they looked extremely picturesque in them. Most of the
+huts were uninhabited, and had been abandoned by their owners. The sky
+was whitish and cold, and here and there along the beach some huge bones
+of whales had been washed on shore by the tide. Some distance off an
+outcast horse was attacked by thousands of famished crows. It is not an
+uncommon occurrence in Yezo. The black scavengers generally attack very
+young animals, and, flying on the pony's head, peck out its eyes. The
+pony, frightened, and driven mad by pain, bolts, and in his blind and
+reckless race either falls down a precipice and is killed outright, or
+else is driven to the coast by these daring wretches, which continue to
+peck at him with cruel and ceaseless avidity. There, with its way barred
+by the waves, tortured to death, and neighing desperately, the helpless
+beast succumbs, and affords the hungry birds a good meal, while hundreds
+gathered thick on the body, peck the poor brute to death. Thousands of
+others sit screaming in long rows round the scene of the fight,
+attentively watching for the final result, when they too can join in,
+and experience the joys of sated hunger. Nature can indeed be cruel.
+
+I stopped at a hut. My host was decidedly peculiar. For convenience we
+shall call him Omangus, which only means a "gone man," or a lunatic. I
+had heard of him further south, and I was anxious to make his
+acquaintance. I had not been five minutes in his hut before I perceived
+that he really was a lunatic. His head was of an abnormally large size;
+his skull was well developed at the back, with those prominent bumps
+behind the ears which show great love of eating. His forehead was high,
+and very slanting; the upper part was wider than near the eyebrows,
+which were so thick and bushy as nearly to cover the eyes. His nose,
+with its large nostrils, was stumpy and covered with hair, while his
+enormous projecting eyes were restless and fierce. His luxuriant
+moustache and beard matched the thick crop of long black hair which
+covered his whole body. His legs were short, wiry, with stiff and
+swollen joints, probably owing to rheumatism. His arms were very long,
+and his toes were also abnormally long. Altogether he had the appearance
+of a large orang-outang more than that of a human being. All his
+movements resembled those of a wild beast, and now and then, when
+pleased or dissatisfied, he would groan in a way not dissimilar to the
+growling of a bear. In fact, he was labouring under the belief that he
+was a wild beast of some sort, and apparently he regarded himself as a
+"bruin." I never heard him speak or utter words, but whether he was
+actually dumb or not I was not able to ascertain, as every time I tried
+to examine his mouth he attempted to bite me. His biting, however, was
+of a different nature from that of the sweet girl on the Saruma shores,
+and when he did bite he bit well. One day in a struggle I came off
+nearly minus two joints of the third finger of my right hand.
+
+I several times attempted to take measurements of his skull and bones,
+but with no success. Once, as I had got hold of him and was feeling the
+"bumps" on his skull, he managed to disentangle himself, and grabbed me
+by the hair, which led to a conflict, and caused me a "tres mauvais
+quart d'heure." We fought desperately, and I was thoroughly "licked";
+not, however, before having found out that he had no bump of
+sensitiveness and none of philoprogenitiveness. He was pleased with his
+victory, and the hostilities ended. He hopped away cautiously, and I saw
+him climb on his hands and feet over the cliff near his hut, where he
+disappeared.
+
+Some hours later I saw the monomaniac stealthily creeping back among the
+rocks. I was some way from the hut, in a place where he could not see
+me. He came slowly forward, watching the hut suspiciously, as he
+evidently thought I was still inside. When he got near he stopped to
+pick up a large stone, and with it in his right hand he sneaked along
+towards the hut. He listened, and crept in. I followed immediately
+after. He was furious when I entered, and tried to escape, but I barred
+his way. He retreated into a corner, crouched down groaning, and showed
+signs of impatience. I could see that he was frightened, and I went to
+him and endeavoured to soothe him; not without success, for he became
+quieter, and I once more noticed the great power that a stronger will
+can exercise over a weaker one. As long as I was staring at him he never
+dared to move, and I could "will" him to do almost anything I wanted by
+thinking hard that he should do it; but when once I turned my eyes away
+I had no more control over him.
+
+This is just what happened that day. Thinking that he would keep quiet
+for some minutes, I got out my palette and brushes in order to take his
+likeness. I had till then relied on my power of "willing" people, when
+my host, seizing the opportunity of my turning my head away for one
+moment, grabbed the stone which he had picked up, and threw it with
+great force at me. I was hit in the ribs, and was hurt sufficiently to
+lose my temper. I went for him, and gave him a sound thrashing, which
+sometimes has more effect than all the "willing" in the world. He became
+docile after that, and I took him outside and forced him to squat down.
+
+[Illustration: MY HOST, THE MADMAN.]
+
+He was restless while I was painting him, and hundreds of half-starved
+crows, which seemed to be on good terms with my sitter, gathered round
+him, chatting in their incomprehensible and noisy language. Some of them
+even flew on to his back and shoulders, and he touched them without
+their flying away.
+
+I was astounded at the familiarity which existed between the madman and
+the birds. They seemed to understand each other, and had I only been
+sufficiently imaginative I might have asserted that I even saw them
+kissing him. Unfortunately, when the first astonishment was over I
+understood the reason of the affection on the part of the scavengers,
+and the whole mystery was unveiled to me. Like all mysteries, the
+apparently extraordinary friendship between the madman and the black
+birds turned out to be a plain bit of literal prose, and, I must add, a
+very disgusting bit. The maniac was covered with vermin, and the
+affectionate kisses of the crows were not kisses of love or sympathy,
+but only mouthfuls of parasites, which they found among the thick hair
+of his body.
+
+Two or three times the maniac crawled up to me, and seemed anxious to
+touch the colours on my palette, and also to put his fingers on the
+sketch. He saw that he gained nothing by being a foe, so he became a
+friend. He even became a great friend when I presented him with a shiny
+silver coin.
+
+Though Omangus was undoubtedly insane, he was a very practical person.
+As will be seen by the illustration, his attire was simple, and no
+allowance was made for pockets. He looked at the coin, turned it over in
+his hands several times, and grinned; then he placed it in his mouth for
+safe keeping. His mouth was apparently his purse. As I saw that he was
+fond of silver coins, I gave him one or two more, and all of them were
+religiously kept in the same natural pocket, except at night, when he
+hid them under a large stone. At sunrise they were collected again and
+placed back under his tongue or in one of his cheeks.
+
+I cannot say that my host was by any means brilliant, but, like most
+lunatics, he was a good soul apart from his little peculiarities. It was
+unfortunate that he had lost the power of speech, or I might have learnt
+some strange things from him.
+
+Omangus was generally restless at night, and while asleep he seemed to
+suffer from awful nightmares. Most Ainu as a rule do not. One morning at
+dawn, as the first rays of light penetrated the hut, I watched him. He
+had been groaning frightfully all night, and I had not been able to
+sleep. He was lying flat on his back breathing heavily, and now and then
+he had a kind of spasm, during which he ground his teeth together with
+violence. It was during these spasms, or nervous contractions, that he
+groaned most fiercely. As he was so stretched I noticed how
+extraordinarily long his femur was compared to his tibia. I gently
+placed my hand over his heart, and found it was beating rapidly and
+irregularly. His forehead also was feverish and abnormally warm. He did
+not wake up, but as soon as the nervous strain was over he fell into a
+lethargic state. He appeared to have lost all strength, and it took me
+some time to awake him; but he finally opened his eyes, and, drowsily
+getting up, yawned to his heart's content, and went to fetch the hidden
+coins.
+
+The more I saw of Omangus, the more he puzzled me. His faculties were
+defective; still, he seemed to possess a fairly good memory. If not, how
+could he remember the concealed treasure? Although he was not able to
+form ideas of his own, he could retain those which he had grasped. His
+hearing was extremely acute, and his inability to speak must have
+undoubtedly been caused by paralysis of the tongue and vocal organs.
+Several times he made violent attempts to utter words, which he would
+not have done had he been born dumb.
+
+After the second day of my pleasant stay in Omangus' ten feet square
+sea-side residence my host became more genial and even affectionate.
+Instead of constantly running away from me he sat opposite me,
+attentively watching all my movements; and if I happened to be
+whistling, he slowly crept nearer, grinning with delight. Occasionally
+he crouched himself by my side, even resting against me. I did not
+approve of the latter proof of affection, not so much for his own sake
+as on account of the "large company" which he carried with him; but I
+had to put up with it until I found a counter-action in loud singing,
+which frightened him away.
+
+Omangus had a quantity of last year's salmon, which he had dried in the
+sun, and which was now hanging from the roof of the little hut. The
+first day or two of my stay there I had but little to eat, owing to his
+belligerent behaviour. He rebelled every time that I attempted to touch
+his provisions, and what I had to eat was generally appropriated while
+my host was out. Afterwards, however, he became generous, and gave me
+more than I wanted. He took good care to draw the three coins out of his
+mouth while he was eating, but once, during a nervous fit, to which he
+was often subject, he swallowed one of them.
+
+One morning, weary of my lunatic friend's company, I packed all my traps
+and went to fetch my pony. Omangus seemed aghast, suspecting that I was
+about to leave. He was restless, and followed me, moaning, from the hut
+to the pony and back, and, with a forlorn look in his eyes, watched me
+bring the baggage outside and lash it to the pack-saddle. I gave him a
+couple more silver coins, which I thought would make him happy; but he
+dropped them in the sand. I bade good-bye to him and left; and there
+poor Omangus stood motionless, gazing at me until the winding shore took
+me round the cliff. He was out of sight for some minutes, but he soon
+reappeared on the summit of the cliff itself, on to which he rapidly
+climbed, and from this point of vantage he could see the coast for
+several miles. There standing, a black figure against the rising sun,
+the hairy Ainu became smaller and smaller as I moved away from him,
+until nothing but a black spot could be seen against the sky; then even
+that spot disappeared. It was the last I saw of my host the madman.
+
+The rivers were troublesome all along this part of my journey, and as
+most of them had quicksands, the safest plan was to cross them in a
+boat, when this was obtainable. However, as I went further north the
+boats became scarce and more scarce, and the small villages, few and
+very far between. I seldom came across a human being with whom I could
+exchange a word, and the constant solitude induced in me the bad habit
+of talking to myself, to animals, or to inanimate objects. My
+unfortunate pony was often lectured on different subjects, and the
+millions of seagulls and penguins all along the coast were asked
+questions of all sorts, which, however, they invariably left unanswered.
+It was strange to see the myriads of birds stretched in two or three
+lines along the shore. Like the "beasts which roamed over the plains" in
+Alexander Selkirk's lament, they had seen so few human beings as to be
+indifferent to me and my pony, and I could walk among them without
+disturbing them or causing them to fly away. The penguins were my
+greatest source of amusement, with their fat bodies and their funny way
+of lifting up one leg as I was approaching, in order to get enough
+spring to raise themselves from the ground had I attempted to capture
+them. I was soliloquising, according to my then custom, while watching
+these droll birds, when not more than two hundred yards ahead I saw two
+large eagles. One of them was perched on a low cliff, the other was
+flying about, now and then returning near to its mate. I dismounted,
+with my revolver in my hand; I had a pocketful of cartridges. I crept
+stealthily from rock to rock, keeping well out of their sight until I
+came close to the pinnacled rock on which they stood. I was then about
+fifty yards from them, and it was useless my firing at such a distance
+with a revolver. I peeped over the rocks, and one of them saw me and
+flew away, while the other remained where it was, stretching its neck in
+my direction. Its piercing eyes were fixed full on me as I was
+approaching; it understood that danger was imminent, and it seemed ready
+to resist the attack. I drew nearer and nearer, and when about four
+yards away I fired two shots, both of which went through its breast, and
+the eagle, with its widespread wings, fell from its lofty pinnacle and
+came down heavily on its back.
+
+In its last convulsions it made desperate efforts to clutch me with its
+long sharp claws; but a couple more shots finished it. The male bird,
+which meanwhile had been describing circles high up in the sky over my
+head, plunged down on me with incredible velocity. I emptied the last
+chamber of my revolver into him, just as the wind of his large wings
+made my eyes twinkle; and to evade the grip of his outstretched claws I
+had to cover my face with my left arm. The report stunned him, and
+flapping his wings, he rose again, to resume his circling over my head,
+leaving a few of his feathers floating in the air. I reloaded quickly,
+and each time he attacked me he was received with a volley. Another
+bullet went through his wing, and his flying became unsteady; he flew
+on to a distant cliff, and there he remained. I seized this opportunity
+of carrying the dead bird away and lash it on to my saddle; but while I
+was so engaged the male eagle flew back to the pinnacle where I had
+first seen the two together, and stretching his enormous wings to their
+full width, screamed as if in despair. On the pinnacle was their nest
+and young, and that was why the female had kept watch and ward over her
+eyrie, and also why she had not abandoned it even when I approached.
+
+I mounted my pony and away I rode with my prey. The male bird followed
+me for miles and miles, and now and then I had to fire to keep him at a
+respectful distance. Ultimately he left me, and my delight was immense
+when, instead of seeing him over my head, ready to plunge on me at any
+moment, I saw him disappear behind the cliff, flying rapidly but
+unsteadily back to his eyrie.
+
+As I now made sure that he had no intention of pursuing me any longer, I
+dismounted, and proceeded to skin the eagle I had shot. It was decidedly
+a magnificent specimen. It measured seven feet from tip to tip of wings,
+and its claws were nearly as large as a child's hand. The semicircular
+nails measured two inches, and were extremely pointed, which fact made
+me feel very thankful that I had just escaped the grip of its male
+companion. The beak was enormous, of a rich yellow colour, the upper
+mandible overlapping the lower. The feathers were black all over, with
+the exception of the tail, which was white. I believe that this kind of
+eagle is generally called the "black sea-eagle," and is found in
+Kamschatka, Yezo, and also along the Siberian coast of the Japan Sea and
+Gulf of Tartary.
+
+I found a sheltered spot, and with my large Ainu knife proceeded to
+dissect the bird. Each minute seemed as long as hours, for I feared the
+male bird might reappear on the scene as I was thus occupied in
+stripping the skin from the carcass of his beloved helpmate. There is no
+knowing what effect anatomical researches might have on a Yezo eagle. My
+heart bounded with joy when the operation was successfully completed,
+and I went to wash my hands in the sea. I came back to the bird, or
+rather its skin, and I was indeed proud of my work, when a horrid idea
+struck me. How was I to get the skin dried? I should be moving day
+after day, and it would not be possible to pack it in that condition
+among my sketches; I had no arsenical soap, and unless I dried it in the
+sun it would certainly rot, and get spoiled.
+
+I resorted to a trick. I fastened two sticks crossways, and having stuck
+one up the eagle's neck, I fastened the two opened wings to the two side
+branches of the cross. The skin was thus kept well opened, and with two
+additional strings, one at each wing, the frame was fastened on to my
+back, the feathered side against my coat, while the inside was exposed
+to the sun and the wind. In wading a river I saw my own image reflected
+in the water, and I must confess the appearance was strange. A few hours
+after a group of Ainu were able to certify to this. I was riding slowly
+along the shore, when I saw a few of them not very far ahead. Two men
+were the first to notice me, and they seemed terror-stricken. As I
+approached they stood still for a minute, shading their eyes with their
+hands so as to make out what kind of winged animal it was they saw
+riding on horseback. When they discovered that the black wings were on a
+human being, the two brave Ainu fled, crying out, "_Wooi, wooi!_" the
+hairy people's cry of distress.
+
+As I got nearer the village, dozens of wild dogs came to meet me, and,
+barking furiously, followed my pony, while the few inhabitants,
+frightened out of their wits at such an unusual sight, hid themselves
+inside their huts. Two or three hurriedly launched their "dug-outs" and
+put out to sea. When I passed the first hut some large salmon were
+thrown at me from inside, probably with the idea that I might satisfy my
+appetite on them, and spare the lives of the trembling donors. Food was
+not over-plentiful along that coast, so I dismounted and picked up the
+provisions so munificently provided by the scared natives. I tied them
+on each side of my pack-saddle, not sorry to be thus saved from the
+danger of dying of starvation--at least for the next two or three days.
+
+As I was so occupied, a little child about four years old, evading the
+vigilance of his parents, ran out of one of the huts. I took him in my
+arms; whereat he cried bitterly, and when the people inside heard it
+there were screams of indignation and despair.
+
+Maternal love is occasionally strong even among Ainu women, and while I
+tried hard to quiet the shrieking baby, his mother, as pale as the dirt
+on her face allowed her to be, came out trembling, and, offering me
+another large salmon, begged me to accept it in exchange for her child,
+who, she said, was not good to eat! It is needless to say that I was
+magnanimous enough to accept her offer, and thereupon handed the child
+over to his mother, who fled with him back into the hut. Then I took off
+my wings and went in after her, explaining to the frightened natives
+what I really was. It took them some minutes, however, to overcome their
+first impression, and then the men were pretty hard on the women for
+having given all the salmon away. The same scene was more or less
+vividly repeated when I came across any other natives during all the
+time that I wore the eagle-skin on my back. I have related this small
+anecdote, as, a few years hence, when some worthy missionary or
+imaginative traveller visits that barren coast of Yezo, it is not
+improbable that he may hear of some additional Ainu legend, which, the
+good missionaries will say, proves that the Ainu are fully aware of the
+existence of heaven and hell.
+
+"A heathen child," the legend will very likely run, "whose parents had
+not embraced our Christian faith, was one day plainly seen by his mother
+in the arms of a black-winged devil. The devil was seen by many, and he
+came from the lower regions on an unknown animal with huge side
+paunches, in which he kept the heathen children he had eaten. The
+mother, who, through her wickedness, saw herself deprived of her child,
+gave offerings to the gods, some through the eastern window for the
+sun-god, and some through the door for the other gods. The offerings
+were accepted, but none of the gods came to her help, and the child was
+nearly lost. Her guiding star appeared to her in that supreme moment,
+and inspired her to reach down from the roof the largest salmon in
+store. She walked out of the hut and offered it to another god, whom she
+knew not before. Instantly the child was restored to his mother. (That
+the god took the salmon would probably be omitted in the legend.) The
+black-winged demon vanished, and the hut was visited by a white being
+(freely translated, "the guardian angel"), with a halo (my white terai
+hat) round his head. He rewarded them, and from that day the family has
+been happy in the faith which they learned in such a miraculous manner."
+
+"Does not this legend speak for itself?" the good missionaries will tell
+us. "Does it not show that the savage Ainu are Christians without
+knowing it?"
+
+I have given these two versions of the same story, as they show the
+reader how easy it is to garble accounts and misrepresent facts. It is a
+good illustration of what I say in my chapter on the Ainu beliefs and
+superstitions, and I must be forgiven if I have ventured to make fun of
+the missionaries. It is not because I dislike them, for I gladly admit
+that some of them out in the East have done good work; but,
+unfortunately, most of them will not take an open-minded view of facts.
+They are so wrapped up in their good work of converting people to
+Christianity that, outside of that, they occasionally have a tendency to
+tinge with their own preconceived ideas, facts which to a less biased
+mind appear simple enough.
+
+
+
+
+[Illustration: SARUBUTS, SHOWING RIVER-COURSE ALTERED BY DRIFT SAND.]
+
+CHAPTER XV.
+
+On the North-East Coast--From Poronai to Cape Soya.
+
+
+It was late in the evening when I arrived at Poronai.[35] Saruru, the
+last village I had passed, had only six Ainu and three Japanese huts,
+and the nine or ten miles between there and this place were most
+uninteresting. I was taken across one of the quicksand rivers in the
+ferry by a lovely Ainu girl of about twelve years of age. I have never
+seen a more picturesque being than she was. She was partly dressed in
+skins, but half her chest was bare; her wildly-curled black hair fell
+over her shoulders, and while gracefully paddling across the ferry she
+occasionally threw back her head, thus shaking back the hair that the
+wind had blown over her eyes.
+
+ [35] _Poro_, large; _nai_, stream.
+
+I have often noticed how supple the children of savages are, and how
+like in ease and grace and unconscious rhythm their movements are to
+those of wild animals. Sometimes, to be sure, they have the jerky,
+quick, and ungraceful movements of monkeys, but as a rule their actions
+are unconsciously graceful. Of course, with our children such
+unconscious grace is rare at any time, even when found at all, as from
+the day when they are born we train them to artificiality of all kinds,
+and this artificiality becomes in a sense second nature, overlaying, if
+not destroying, the original impress. And yet that impress is probably
+not wholly destroyed, for, so far as my own experience goes, I, who had
+from my birth led a civilised life, now that I had been for some months
+among barbarians had so little conventionality left in me as to be quite
+happy, or even happier than before, in leading a perfectly uncivilised
+existence. In the absence of chairs and sofas, instinct and the example
+of the natives taught me to squat as they did, and when I had once got
+into the way of it I found the position much more restful than any of
+our European so-called comfortable ways of sitting. It was the same
+thing when I had to sleep, either in the open air or in Ainu huts, where
+there was no more bedding than sofas or easy chairs. To protect myself
+from the cold I almost invariably slept sitting on the ground, with my
+head resting on my knees, just like the apes in the Zoological Gardens.
+I am sure that a good many of my readers, who have never gone through
+such an experience, will put me down as a "crank;" others will say that
+I am a worthy companion of my friend the hairy lunatic, and the most
+charitable will think that, bearing the name of "Savage Landor," I am
+only indulging in a new edition of "Imaginary Conversations," without
+the literary merits of the old. Such is not the case. I have mentioned
+these facts, not to amuse the reader, or merely for the sake of paradox,
+but to show how shallow is the veneer of civilisation which we are apt
+to think so thorough, and how a very short time spent unaccompanied by
+men of one's own stamp, and alone with "nature," rubs the whole thing
+away, and brings us back to instinct rather than education. I am willing
+to admit that not many people would care to follow in my footsteps, and
+live as I lived for months among the Ainu in order to prove whether I am
+right or wrong. Many who have only sat in comfortable chairs or slept in
+soft beds will hardly think my statements credible; but as the
+experiences, besides being of great amusement, were of great interest to
+me, I shall pass them on to my readers, no matter what opinion they may
+form of him who has written them.
+
+Another quality, merely instinctive, which I developed in my lonesome
+peregrinations was the power of accurate tracking. Most people are
+astonished at the wonderful tales told of the tracking abilities of the
+Australian black fellows, and of savages in general; but few ever think
+that if when young they had led the same life as these savages they
+would be as good trackers as the best. As there were absolutely no
+roads, and I travelled with no guide, servant, or companion, the power
+of discovering traces became invaluable to me. It was instinctive in me,
+developed rather than acquired, and therefore I mention it in connection
+with the other facts relating to animal and human instincts.
+Furthermore, I may assert that, until I was thus compelled to make use
+of that faculty, I was not aware that I possessed it.
+
+We find that horses, bears, and most animals are good trackers. Dogs,
+the nearest in intelligence to men, are better than any other quadruped.
+Then come savages, who are the masters of tracking among human beings;
+but as we rise in the scale of civilisation we find that this faculty of
+following a slightly indicated track hardly exists. Does, then,
+intellectual education destroy our instincts instead of improving them?
+
+Tracking on sandy or tufaceous ground is an easy matter, as of course
+the foot leaves a well-marked print; but where I found real difficulty
+was over rocky ground, until I got used to it, and knew all the signs
+and what I had to look for. However, with a little practice, even over
+rocks which the sea has washed, it is not impossible to know if such and
+such creatures, human or animal, have passed that way.
+
+One of the first things in tracking is to look for marks where they are
+likely to be; and this is just where the instinct comes in. Next to
+this, a clear knowledge of the person's or animal's way of walking and
+general habits is necessary. For instance, when I tried to discern
+tracks of Ainu, I invariably looked for them along the sea-shore, and
+failing that, on the adjoining cliffs, as I well knew that if any Ainu
+had passed by there he would have kept either along the coast or not far
+from it. By examination it is easy to see if the ground has been in any
+way disturbed of late. Sometimes a small stone moved from the place
+where it had been for years shows a difference in colour where it has
+been affected by the weather and where not, thus giving a distinct clue
+of some passer-by, man or brute; and when once you have found what the
+characteristics of the tracks are, the most difficult part of the task
+is accomplished.
+
+On weather-beaten rocks the trail is more difficult to strike, and more
+difficult still on rocks over which the sea washes. "For," say the
+simple people, "how can you see tracks on hard stone? The foot certainly
+does not leave a print on rocks as on sand; and even supposing that the
+feet were dirty, the sea would wash away the marks, and you could not
+see anything."
+
+In my case I limited my search to bare-footed marks, as the Ainu
+generally go bare-footed. Everybody knows that dogs track by scent, and
+this is a sure proof that every footmark must have a certain special
+odour, however infinitesimal. When we remember that the act of walking
+makes the feet warm and perspire, it is easy to understand that this
+perspiration, which is a greasy substance, leaves a mark on the
+stone--though to be sure it is sometimes almost imperceptible,
+especially when quite fresh. But most of us, when children at school,
+have noticed that touching a slate with moist fingers leaves a greasy
+mark, which could not be rubbed off again. The same thing happens when
+we tread on stones with bare feet. If the sea washes over the stones
+after the greasy impression has been thus made on them, it does nothing
+but accentuate these marks, and show them more plainly, as the salt
+water acts in one way on the untouched parts of the stone, but in a
+different way where the grease has been absorbed. These marks are
+generally very faint, and it requires some training before they can be
+discerned; but when the knack is once acquired, they become evident
+enough. To an observant eye, and with a little practice, it is not
+difficult to perceive whether one or more persons have tramped on a
+given place, and in what direction they have travelled. The marks on
+stones which are washed over by the sea are usually of a lightish
+colour.
+
+I could almost invariably distinguish the footmarks of an Ainu from
+those of a Japanese, as the Ainu take longer strides, and their toes are
+longer than those of the Japanese. Moreover, with the latter, when
+walking the greater pressure is forward under the foot, and their toes
+are turned in; while in Ainu footprints the whole foot rests on the
+ground, and they keep it perfectly straight, moving the two feet
+parallel to each other.
+
+I have given these few points on tracking, as it will explain to the
+reader how I was able to find my way from one village to another miles
+apart, to steer for huts where I had never been, and to overcome great
+difficulties, which I could not have surmounted if I had not learnt the
+art of tracking, and so far developed my natural powers. My ponies were
+also to a great extent my teachers; and by a close examination of their
+instinct I learned that I myself possessed it, and improved on it.
+
+Between Sawaki, or Fujima, and Poronai there is a beautiful forest of
+oak and hard-wood trees on the hills and firs on the higher mountains,
+while the shore above the sea-wash is covered with thick scrub-bamboo,
+which reaches a height of about ten feet.
+
+On the sandy beach, besides a large number of whales' bones, there is
+any amount of driftwood.
+
+At Poronai, which consisted of only eight huts, the Ainu had adopted an
+architecture for their storehouses different to that of other tribes.
+The walls and the roof were made partly of wood, partly of the bark of
+trees. Heavy stones were placed on the roof to prevent it from being
+blown away during the strong gales so frequent along that coast.
+
+The natives described the winter weather as very severe, especially
+during northerly winds, and they told me that some years the sea all
+along the coast is frozen for some eight or ten miles out, besides the
+drift-ice which sets in from the north and works its way along the coast
+as far as Cape Nossyap, in the neighbourhood of Nemuro. At the beginning
+of the winter this ice, probably drifted across from Sakhalin by the
+strong current in the La Perouse Strait, sets in from the north and
+works down all along the north-east coast of Yezo, filling up all
+indentations in the coast-line, and forming a solid mass on the surface
+of the water.
+
+Seals are very plentiful on these shores as far as Abashiri, but the
+greatest number are found on the Saruma lagoon. In winter it is not
+difficult to come within reach of them, but even in September I saw many
+of them. They were, however, very shy, and when they caught sight of me
+instantly disappeared under water.
+
+A few miles from Poronai I came to a headland, and about one mile from
+it lay the small island of Chuskin.
+
+The coast again, instead of being sandy, showed traces of its volcanic
+formation, forming beautiful cliffs and a rugged outline, rising in
+terraces at places, or cliffs of clay and gravel sediments, with reefs
+extending far out to sea, while below them stretched a beach of coarse
+sand or pebbles, strewn with enormous volcanic boulders. These terraces
+are wooded mostly with alder, Yezo fir, and beech.
+
+Soon after crossing the Porobets River I came across the wreck of a
+sailing ship, which lay flat on the shore disabled and dismasted; and at
+last I reached Esashi. There I again noticed a curious fact, which may
+be of some interest to anthropologists; namely, that Yezo is mostly
+formed of Tertiaries and volcanic rocks, and that the Ainu are mostly to
+be found in regions of Cainozoic or Tertiary formation. In volcanic
+districts they are very scarce. This is curious, for it is a well-known
+fact that the typical life-form of Tertiaries is anthropoid apes, and it
+is a remarkable coincidence that we should find ape-like men populating
+the same strata.
+
+From Esashi the coast is extremely rough and rocky for about eight
+miles. I had to take my famished pony up and down steep mountains rising
+directly from the sea in places where the beach was impassable. Owing to
+the lack of grass my wretched beast had but little to eat; and what with
+the danger of riding, and the miserable condition my pony was in, I had
+to walk most of the way and lead him. Shanoi, about thirteen miles
+further, came in sight--a group of wretched fishermen's huts; and from
+here the coast was somewhat better. The scenery all along is beautiful,
+especially looking back towards the Shanoi Mountains. I saw one or two
+abandoned huts blown down by the wind, but no people.
+
+Near Shanoi the eruptive rocks and granitic cliffs suddenly come to an
+end, as well as the mountainous character of the country, and for
+fifteen miles, till one comes to Sarubuts, the country is pretty flat
+and swampy, with a thick vegetation inland of spruce trees. There is a
+small lagoon formed by the Tombets River, and which often has its mouth
+blocked by the quicksands, which cause it to overflow.
+
+I left Sarubuts in pouring rain, following the trail along the beach.
+The river forms a long narrow lake similar to that of Tombets, and at
+the back of it are terraces and high lands, but no very high mountains.
+Another wreck of a large boat lay in fragments on the sand, and after
+fifteen miles of very uninteresting scenery I arrived at Chietomamai, a
+group of four or five fishermen's huts. Here again the coast was rough,
+but my pony did not sink in the sand as it did on leaving Sarubuts, but
+it stumbled among large pebbles and stones as pointed as needles.
+Further on were grey and brown steep cliffs, which were extremely
+picturesque. The Mezozoic nature of this coast shows more distinctly
+between Chietomamai and Soya Cape, and a large rock emerging from the
+sea is both peculiar and picturesque with its numerous square sections.
+It is from this point that one gets the first view of Soya Cape. Going
+round a bay one passes a few fishermen's houses, and on the cliffs above
+them has been erected the Siliusi lighthouse. I cleared the Cape and
+rounded the bay on the other side, where I saw another wreck of a
+sailing ship dashed upon the rocks, making the scene a sad one. I still
+went on, and went round two or three smaller headlands, when the
+melancholy sight of a fourth wreck stood before me. This last ship had
+her stern out of the water, and a Turkish name was painted on it. Her
+appearance also was Turkish, and I was more than once puzzled as to what
+a Turkish ship could have been doing in the La Perouse Strait. Many
+months afterwards, on my return to Yokohama, but too late to be of any
+help to them, the sad story of the survivors of that ship was revealed
+to me. The mission of the ship in those far-off seas was a mysterious
+one. No one ever knew exactly whence she came, or whither she was bound.
+No one ever learned whether she had been disabled in a typhoon in the
+Chinese Sea, and had been drifted so far north by the strong currents,
+or whether the careless Turkish master had mistaken his course and had
+met his fate in the dangerous currents of La Perouse Strait. Only four
+of the crew survived. There they were on that deserted coast, with no
+clothes, no food, no money; but the few natives treated them kindly. Two
+of them wore "_Tarbouches_" (red caps), the only things they had saved
+from the wreck. The natives on the north-west coast told me of these men
+who were tramping their way south, unable to make themselves understood,
+continually asking for "_Sekhara_," or "_Sakhara_," which, I believe, in
+the Turkish language means tobacco or cigarettes. After months of
+privations, half starved, and worn out with fatigue, they reached
+Hakodate, where, having no passport, and not being able to explain
+themselves, they were duly arrested and sent down to Yokohama.
+Unfortunately for them, at that time the "Entogroul," a Turkish
+man-of-war, had come to Japan, a voyage which took her two years, to
+bring some decorations which the Sultan had bestowed on the Mikado.
+Osman Pasha, the Admiral, had the poor devils brought before him, and
+they told him their sad story, what they had suffered, and how they had
+lost their ship. The story was too true to be believed, or too strange
+to sound true!
+
+"Impostors!" said Osman Pasha, and declining to listen any more to their
+tale of woe, which he called "pure lies," had them "put in irons," in
+which condition they were to be taken back to Constantinople. None of
+the foreign residents in Japan believed the story of these wretches, and
+all were glad to see the miscreants punished. "Impossible," said
+everybody, "that a Turkish ship should have been up there!"
+
+As it so happened, the "Entogroul," on her return trip to
+Constantinople, was herself caught in a typhoon, and, steaming full
+speed to resist the force of the wind and the waves, her boilers burst,
+and Osman Pasha and nearly all hands on board were blown to pieces or
+drowned. If I remember right, over three hundred and sixty lives were
+lost, and no doubt the four men, whose prison, I was told, was near the
+boilers, thus found a tragic end to their life of misery.
+
+When I arrived at Yokohama all this had already happened, and my
+evidence, which probably might have saved the life of these men, was
+therefore useless.
+
+But let us return to Soya Cape, where we have left the wreck.
+
+The rapid current which comes through the Strait gives a horrid look to
+the water, and I have never seen the sea look so vicious. The natives of
+the small Soya village told me that it is impossible to cross over to
+Sakhalin, the high mountains of which, covered with snow and glaciers, I
+could see distinctly. The distance from land to land is about
+twenty-eight miles, but no small boat can get across without being
+swamped. They told me also that often dead bodies of Russians are washed
+on shore, probably unfortunate convicts who found their death in
+attempting to obtain liberty. H.M.S. "Rattler" was wrecked in 1868 on
+one of the numerous reefs near this Cape, so the record of Soya could
+hardly be more mournful.
+
+After the Cape has been well rounded one finds oneself in a bay opening
+due north. In the winter time this bay is completely blocked with ice,
+but the Strait itself is never entirely frozen, owing to the strong warm
+current from the Chinese Sea, which the Japanese call by the name of
+Kuroshiwo.
+
+Soya village is a wretched place of thirty or forty sheds. A few planks,
+badly joined together, and with a kind of a roof over them, made my
+shelter for the night. Soya Cape is the most northern point of the
+north-east coast, and before we abandon it to move towards the south,
+along the west coast, it is important to mention the peculiar and
+conspicuous characteristic of the marked bending of watercourses in a
+south or south-easterly direction. They are forced that way by the
+drift-sand travelling along the coast from north-west to south-east with
+the Kuroshiwo current, which drift-sand is in such quantities as often
+to block altogether the mouths of some rivers, and form the large
+lagoons so common along this coast. The lack of harbours or sheltered
+anchorages, the inhospitable and unfertile shores, the quicksands, and
+the severe climate, besides the danger of being swamped and carried away
+by the overflow of a lagoon or lake, make this coast of little
+attraction for intending settlers or for pleasure-seekers.
+
+Herrings are plentiful all along the coast, but fishing stations could
+not possibly pay, even if any were established, owing to the difficulty
+and expense of carriage and freight, and the risk that ships would run
+in calling at such exposed and unprotected shores.
+
+[Illustration: AINU VILLAGE ON THE EAST COAST OF YEZO.]
+
+
+
+
+[Illustration: MASHIKE MOUNTAIN.]
+
+CHAPTER XVI.
+
+From Cape Soya to the Ishikari River.
+
+
+From Soya the coast forms a large bay, which opens due north, and which
+ends in Cape Soya on the eastern side and in Cape Nossyap on the
+western. Almost in the middle is the small village of Coittoe, and from
+this place, towering beyond the flat Nossyap peninsula, one can see
+Rishiri Island. Near the western part of the bay are some small hills,
+covered mainly with fir-trees. Wakkanai, a Japanese village, is on the
+west coast of the bay, and north of it is Cape Nossyap. From this cape
+is a lovely view of Rishiri and Repunshiri Islands. Rishiri is a
+volcanic cone 6,400 feet above the level of the sea. It has the
+identical shape of the famous Fujiama in Southern Japan, and rising as
+it does in graceful slopes directly from the sea, has the appearance of
+being higher than it really is. Repunshiri is hilly and partly of
+volcanic formation, but none of its peaks rise to a higher altitude than
+five hundred feet.
+
+Rishiri is almost circular at sea-level, and it has no well-sheltered
+nor safe anchorages; but Repunshiri has one good anchorage on its north
+coast. Rishiri is about six and a half miles in diameter and twenty-five
+miles distant, directly west of Cape Nossyap; Repunshiri is eleven miles
+long, about four and a-half wide, and eleven miles distant to Ikaru, its
+nearest point east on the Yezo coast. As the Kuriles are a continuation
+east of the volcanic zone of Yezo, there is no doubt that Rishiri and
+Repunshiri are the terminus of the same volcanic zone at its north-west
+end.
+
+From Wakkanai a new horse-track has been opened to Bakkai, on the
+north-west coast. The ride for the first eleven miles was uncomfortable,
+as my pony, a worn-out brute, sank up to its belly in the mud; but in
+due course I came to the hilly part, and after having gone up one steep
+pitch and down another for a considerable distance, I rapidly descended
+a precipitous bank, and followed the soft sandy beach till I reached
+Bakkai. Here there is a large and peculiar stone, which the Ainu say
+resembles an old woman carrying a child on her back. It stands
+perpendicularly out of the ground at a great height, and it is of a rich
+dark-brown colour. If the north-east coast was barren and deserted, the
+western shore of Yezo was even yet more desolate. For thirty or forty
+miles, as far as the Teshio River, the beach was strewn with wrecks and
+wreckage. Here you saw a boat smashed to pieces; there a mast cast on
+the shore; further on a wheel-house washed away by the waves; then the
+helm of a disabled ship. It was a sight sad enough to break one's heart,
+with all the tragic circumstances it suggested.
+
+Between Bakkai and Wadamanai especially, I do not think that one can go
+more than a few yards at a time without being reminded by the wreckage
+which is strewn thick on the coast of some calamity. A white life-boat,
+with her stern smashed, lay on the sand helpless to save, and as a kind
+of satire on her name; and at Wadamanai, a large Russian cruiser, the
+"Crisorok," dismasted and broken in two, lay flat on the beach half
+covered with sand. Her bridge had been washed away and her deck had sunk
+in. Some of the bodies of her gallant officers and crew had been washed
+on shore by the sea. No one knows in what circumstances the ship was
+lost, but it is probable that during last winter, when she came to her
+ill-fated end, her rigging and sails got top-heavy with ice, and that
+she capsized. Some of the wreckage one finds on that coast has been
+drifted there from the Chinese Sea by the Kuroshiwo current; and then,
+owing to the La Perouse Strait turning so sharply to the east, has been
+left on this last portion of the coast. Here and there a rough tent made
+with a torn sail, or a deserted shed knocked up out of pieces of
+wreckage, is a suggestive reminder that some unfortunate derelict
+seafarer had suffered and striven for life on these forlorn sands. An
+enormous quantity of drift-logs, and here and there some bones of
+whales, are strewn all along the beach.
+
+At Wadamanai there is a mere rough shed under the shelter of the
+sand-hills. When I left this place, moving south, a strong gale blew,
+which made the travelling most unpleasant. It was getting fearfully
+cold, and now that I needed clothes so badly mine were falling
+altogether to pieces. My "unmentionables," which reached down to my feet
+when I left Hakodate at the beginning of my journey, had long since been
+trimmed and reduced to a kind of knickerbockers. Then the knees got worn
+out, and they became more like bathing-breeches; and finally I dispensed
+with them altogether, and made use of them to protect my sketch-book and
+diary, round which I wrapped what remained of the ex-garment. My boots,
+of course, were a dream of the past, and little by little I was getting
+accustomed to walking barefooted. Thus, dressed in a coat, a belt ...
+and nothing else, I moved along this inhospitable coast, half frozen,
+but not discomfited.
+
+The mouths of some of the small rivulets were extremely nasty to cross,
+as my pony sank in the quicksands. I had to help him out, and that meant
+a cold bath each time. From Wadamanai I kept a little more inland, still
+steering for the south, and every now and then I again struck the beach.
+Still the old sad story of wreckages strewn all over the shore, sailing
+boats smashed to pieces, junks disabled and half buried in sand, met me
+at every turn, creating in my mind a very monotony of melancholy.
+
+Late in the evening I reached the mouth of the Teshio River, a broad
+deep watercourse, one of the three largest rivers in Hokkaido, the other
+two being the Ishikari and the Tokachi. It has a long course in a
+general north-westerly direction, and then sharply turns southward,
+running parallel with the coast for about four miles, and forming a
+kind of lagoon at its outlet, which seems now to be working towards the
+northward again. All the other rivers on the west coast tend northward
+owing to the drift-sand which the current brings north. It is strange
+that the Teshio should partly be an exception to this rule, though we
+have ample evidence, even in this watercourse, of the movement of the
+sand, for the bar at its mouth almost entirely blocks its entrance, and
+rapidly works in a northerly direction. Thus there is no doubt that the
+sand travels towards the north all along the west coast.
+
+Sea-trout is abundant in the Teshio River, but salmon, with which this
+stream formerly abounded, are now less plentiful owing to the sand-bar
+which blocks the entrance.
+
+A gale was blowing fiercely when I crossed the lagoon in a small Ainu
+"dug-out," and my pony was made to swim across. Two or three times we
+nearly capsized, and we shipped a lot of water. It was just like sitting
+in a bath with water up to my waist; but the Ainu, who had as much as he
+could do to paddle me across and tow the pony as well, comforted me by
+saying, "Now that his 'dug-out' was full, we could not ship any more
+water, and that his skiff, being made of wood, could not sink!"
+
+After a long struggle we got safely to the other side, and the Ainu
+boatman guided me for a mile or so to the fishing village at the mouth
+of the river. It has but ten huts, all more or less miserable. The pony
+was so done up that he was hardly fit to carry my traps, much less could
+he have borne my weight. I could not get a fresh animal, so I had to
+push forward walking, and dragging the beast on as well as I could. This
+had the advantage of keeping me warm, which I needed badly, for what
+with the cold and my dilapidated costume I was more nearly frozen to
+death than was pleasant. The track was heavy in the soft sand, and the
+dangerous and numerous quicksand streams were enough to make a saint
+swear--if swearing would have done any good. How unspeakably desolate it
+all was! Not a soul to be met; not a hut to be seen! Here and there more
+wreckage and drift-wood on the shore, telling of storms and death, and
+the absence of all human aid. At last I came in sight of an Ainu hut;
+but as I drew near I found that it was abandoned. My meals, never very
+plentiful, were now specially scanty--few and far between; and, taken
+altogether, this part of my travels in Ainuland was somewhat lacking in
+cheerfulness.
+
+The cliffs near Wembets have the strange appearance of so many cones at
+equal intervals along the coast. On the Wembets River there were as many
+as two huts; and here again I had to cross in a boat, the stream being
+too deep to ford on foot or horseback; then again along the sand,
+dragging my pony, while I myself could hardly stand on my half-skinned
+feet, I went on and on, wearied of the monotony of my miserable
+experiences. The track grew narrow, and always worse. The high grey
+cliffs of clay-rock began, and the rough sea washed up to the foot of
+them, making progress more than ever unpleasant and dangerous. Each wave
+that came brought the water up to my knees, often up to my waist, and
+for about ten miles I was continually in and out of water. On a cold day
+my readers can imagine how pleasant it was! About sunset I came in sight
+of the two flat islands of Teuri and Yangeshiri, about fifteen miles off
+the coast. It then grew dark; but the moon came to my help, shining
+brightly on the greyish cliffs. The tide had risen, and in several
+places I had great difficulty in getting across on account of the
+furious waves dashing against the cliffs, and making a picturesque and
+living sheet of foam.
+
+Late at night, as I had almost given up all hope of finding a shelter, I
+came upon a shed on the Furembets River, where I put up for the night.
+
+My wretched pony was nearly dead with fatigue, and I let him loose so
+that he might get a feed of grass. The next morning, after the inmates
+of the hut had volunteered to go and bring him back to me, I heard them
+on the distant hills calling, "_Pop, pop, pop, pop!_" the Ainu way of
+approaching and calling horses. After a time they came back hopeless,
+saying that the brute had bolted, and there was no hope of getting him
+again. He could not be found anywhere! I was in the most awful dilemma,
+for had that been the case I would have been forced to abandon all my
+impedimenta, consisting of sketches and painting materials, and proceed
+as best I could on foot. Under other circumstances I could have carried
+the baggage on my back easily; but as I was half-starved, and had my
+feet badly cut, I was hardly able to carry my own weight; therefore this
+was not possible now.
+
+As incredulity is one of the useful qualities I possess, I went to look
+after my pony myself. The shed was protected by a sand-mound at the
+back, and a small space was left between the mound and the wall of the
+shed. I do not know what made me go and look there, but sure enough
+there was my pony lying flat, and almost too weak to get up again. This
+was no horse-stealing ruse on the part of the Ainu; simply the wretched
+animal's own idea of good stabling and likely fodder. I dragged him out
+of his involuntary prison, and after having done what I could for his
+comfort and well-being, we set out once more on our melancholy travels.
+This may sound cruel to some who in the course of their life have never
+travelled in out-of-the-way places, and who are ready to condemn anyone
+who is the means of letting an animal suffer. It may sound cruel in our
+humane country, where animals are protected and prize-fights tolerated
+and enjoyed; so to avoid misunderstandings it might be as well for me to
+say, that as regards this tired pony it was simply the matter to push on
+with him as far as I could or lose all the valuable materials I had
+collected during months of sufferings and privations. No ponies were to
+be got for any money along that deserted coast, for there were none in
+existence. I did my best to alleviate the poor animal's sufferings by
+undergoing myself a considerable amount of pain, walking most of the way
+with my feet a mass of sores; and as winter was rapidly coming on, I was
+more than anxious to make my way south with all the speed I could, to
+prevent being blocked up with snow and ice and forced to spend the
+winter on this inhospitable coast. Consequently, I was, as a matter of
+fact, more cruel to myself than to my animals; to the others, those who
+will still cast the first stone at me, I can wish no better punishment
+than to be placed in the same position I was then. The trail became
+somewhat better, as it led over the cliffs for about three miles; then
+again it was on the beach. The high cliffs varied from a very rich burnt
+sienna colour to a nice warm grey, and in some places they are perfectly
+white, like the cliffs at Dover. Conical mounds frequently occur, and
+give a curious aspect to this deserted shore. Ten miles further on, at
+Chukbets, I found a couple of huts; then I walked and dragged the pony
+on the cliffs for about four miles; then again I resorted to the beach;
+and finally I entered Hamboro, a small village, or rather a picturesque
+group of sheds and huts, and a capital fishing-station. _Shake_, salmon,
+_mashe_, and herrings are caught in abundance at the mouth of this
+river. A short distance from here hundreds of carcasses of seals were
+scattered on the beach, whence emanated pestilential odours. On account
+of the slowness of my pony I had to-night a modified repetition of last
+night's experience, but neither was the sea so rough nor the trail so
+narrow at the bottom of the cliffs; and though my wretched animal was
+naturally in a worse condition than before, I was able to push on to
+Tomamai that same night, where I arrived at a small hour of the morning.
+
+At Tomamai, the coast, which had described a long curve, the two ends of
+which are Ikuru north and this point south, turns sharply in a southerly
+direction, running straight for many miles from north to south.
+
+From Tomamai southwards the coast is not quite as deserted as it was
+further north, for here and there are villages of fishermen's houses.
+The population, however, is a migratory one, and when I went through,
+the herring-fishing season was over, and consequently most of the houses
+were abandoned and the people had migrated south. The winter weather is
+very severe, and the houses have to be barricaded with thick piles of
+wood as a protection against the strong westerly gales. The boats had
+been drawn far on shore, where they were well fastened to posts, and
+rough sheds thatched with grass built over them.
+
+Along the coast there was a string of these habitations, hut after hut,
+storehouse after storehouse, but hardly a soul to be seen. It was like
+going through the city of the dead. Many of the fishermen's huts were
+built on the side of the rugged cliffs, and they stood on piles about
+fifteen feet high, the back of the house resting on the cliff itself.
+Twelve and a half miles further another row of houses, similarly
+deserted for the winter, stood along the shore-line at Onishika. In this
+part of the coast salmon are very scarce, and the chief industry is the
+herring fishery. There are no Ainu to be found either at Tomamai or
+Onishika.
+
+I continued my lonesome ride in the pouring rain, and soon came to a
+peculiar long tunnel, natural and partly excavated, between this place
+and Rumoi, a village prettily situated on the slope of a hill fifteen
+miles further. This place possesses a small anchorage at the mouth of
+the river, which is now only fit for junks and small sailing-boats, but
+could be considerably improved. Good coal has been discovered some way
+up the river. There is a track on the cliffs leading to Mashike. All
+along the coast are any number of fishermen's houses, but they were all
+closed and barricaded. Ultimately, descending from the cliffs in a
+zig-zag fashion, after another ten miles' ride I found myself at
+Mashike, the largest Japanese village in the Teshio district. Close to
+the tunnel there is a small Ainu village, where the natives let their
+hair grow very long, and then tie it up in a kind of knot, similar to
+the Corean fashion of head-dress, while the women have given up
+tattooing altogether. The fishermen at Mashike seem to suffer greatly
+from "_Kaki_," or rheumatism, and cancer, while consumption, malarial
+fever, and typhus are in a small proportion.
+
+I had to stop over one day at Mashike, for the river was swollen by the
+heavy rains, and it was impossible to get across. On the other side of
+it stood Mashike-san, a huge volcanic mountain rising sheer from the
+sea, and forming Cape Kamuieto, under the shelter of which lies Mashike
+village; and further south Cape Uhui projects into the sea. It is the
+end of a mountain range which here runs north and then south again, in
+the latter part forming one side of the upper basin of the Teshio River.
+Mashike is the largest settlement either on the north-east or west coast
+of Yezo. Its population is partly migratory, but not so wholly as is the
+case with the villages I had previously passed. I was delayed still
+another day owing to the condition of the river; for the rain, instead
+of decreasing, poured down to such an extent that the stream could not
+be crossed, the current being too swift and the water too deep. The sea
+was also too rough to allow of my leaving Mashike in a canoe.
+
+On the third day I rose early, and decided to attempt this much-desired
+crossing of the river. It had not rained during the night, and the
+waters seemed to have slightly diminished. As the stream runs down a
+very steep incline on the slopes of Mashike Mountain, the current rushes
+with tremendous force. It was about five in the morning when I took my
+baggage to the river bank. It was made up in two bundles, which I tied
+together firmly with a leather strap. Some of the natives who had
+collected round me entreated me to give up this foolish idea, for they
+said I should infallibly lose my life if I attempted to wade across the
+swollen river.
+
+I saw at once that my pony would never be able to cross, so I left him,
+and, taking the baggage on my head, and passing my hands through the
+strap, I went into the water. The current was indeed so strong that,
+weak as I was, I could hardly stand against it. I had nearly reached the
+middle, with the water up to my mouth, when I fancied I heard the
+anxious crowd scream to me, "_Abunai! abunai! abunai!_"--"Look out! look
+out! look out!" Startled and alarmed at this piercing cry I turned my
+head, and saw within a few yards of me a huge trunk of a tree coming
+swiftly down with the current. There was a bump, and I saw nothing more.
+Half a minute later I was violently thrown on the opposite bank, and in
+trying to stand up on my feet in the shallow water my right foot
+unfortunately got jammed between two stones in the river bed; I was
+knocked down again, and broke my heel-bone just under the ankle. Several
+natives came to my rescue and I was lifted out of the water,
+half-stunned, half-drowned, but still holding fast to my load. I was
+nearly frozen, and trembling like a leaf from cold. When I tried to
+stand my right leg collapsed, and I had to lie down on the ground. What
+with the blow which I had received from the floating wood, what with the
+muddy water I had involuntarily swallowed, it took me some minutes
+before I could quite understand my situation, or what had befallen me.
+When I did I felt a terrible pain in my right leg. I looked, and there,
+on the sand, under my foot and leg, which were swollen up to an enormous
+size, was a pool of blood; the broken bone had penetrated the skin, and
+was exposed to the air. When I recovered my senses well enough I got a
+man to tear the wet lining of my drenched coat, and with it and a few
+improvised splints I proceeded to set my own broken bone. It was hard
+work; but with the help of some natives I bandaged it up as well as I
+could, and with the extra help of a coarse flaxen rope I made a fairly
+good surgical job of the whole thing.
+
+Stopping there till I grew better would have been foolish, for winter
+was setting in; everything would soon be frozen and snowed up, and, far
+from all my friends, as well as from anything like civilised life or
+elementary comforts as I was, I should probably have died. As long as I
+had a spark of life left in me I decided that I would struggle and push
+on, come what might. Two men undertook to carry me over the Mashike
+Mountain, which rises to an altitude of 3,600 feet above the sea-level.
+The mountain is thickly wooded, and the trail is steep, heavy, and in
+many places dangerous, and when we reached a sufficient altitude the
+trail was merely in the bed of a rivulet composed mainly of huge stones.
+Travelling in the state in which I was, was something like going to
+one's own funeral. The jerking and the cold were excruciating; the
+continuous stumbling and unsteady walk of my men over the rough and
+slippery slopes did not improve my condition; but finally we reached the
+summit. What a lovely view! One could see far along the Teshio coast on
+the one side and down towards the Ishikari on the other, and towards the
+east rose up a picturesque chain of thickly-wooded mountains. Rising
+from the sea stood the fine Cape Airup, near Moi; then far beyond, dimly
+seen in the mist, was the towering outline of Shakotan. We went down the
+other side, and my men, poor fellows, did their best to cheer me up. One
+of them told me a cheering story of a grizzly bear--which, by the way,
+he said were numberless on this mountain--that had killed and eaten two
+children, and also their father when the latter went to their rescue.
+The other told me of the many men who had perished in crossing the
+mountain; some had been overtaken by a snowstorm, others had lost their
+way and fallen over precipices, while others again had been killed by
+avalanches in winter.
+
+Listening to this lively conversation, shaken and suffering, I arrived
+late at night at Moi, having been carried over a distance of twenty-five
+miles, to do which occupied about eighteen hours. There was no possible
+way of getting across the mountains between here and Atzta, as the high
+granitic perpendicular cliffs are unscalable, and I was bound to
+entrust my life to a small Ainu canoe. Two other passengers, a Japanese
+woman and a man, asked if I would allow them to travel in the boat with
+me; and then we three, rowed by an Ainu man, put out to sea. The sea was
+rough outside, but as the large bay was well protected by the Aikap
+Cape, all went right at first; but in rounding the point we went too
+near the rocks, got caught in a breaker, and shipped so much water that
+the canoe began to slowly sink under the additional weight. The Ainu was
+pretty smart, and he put his skiff on the rocks. Between him and the two
+passengers I was helped out, and while the Ainu emptied the canoe, the
+two Japanese undressed entirely and spread out all their clothes and
+underclothes in the sun to dry.
+
+We got on board again, and, coasting more carefully, passed several
+small fishing villages, of which Gokibira is the largest and most
+important. It is backed by high mountains ranging from twelve hundred to
+seventeen hundred and more feet above the sea. One of the mountains--the
+highest--is called Okashi-nae-yama.
+
+Atzta is a long narrow village, of which almost all the houses are built
+against the cliff. From here I had to begin riding again along the bad
+and stony coast, among drift-wood, and up and down cliffs. Anyone who
+has ever had any broken bones will appreciate the tortures which I had
+to go through. Owing to pain, exhaustion, and fatigue I had no control
+over my pony, and could hardly stick on to the saddle. I took the
+precaution of tying the bridle to my wrist, for should the pony knock me
+off, he could not bolt away; but, unhappily, sometimes this was the
+means of his dragging me mercilessly on the ground for dozens of yards
+before he would stop. Then I had to wait for some charitable passer-by
+to help me into the saddle again, for I could no longer mount by myself.
+Day after day of this wretched life made me feel almost unconscious that
+I had a pain. I took things as they came, and I went on. Now that I sit
+here in a comfortable chair writing this by a cosy fire, I am myself
+astonished at my own perseverance. If I were called upon to go through
+the same experience now I could not. But in truth there are many things
+that one does not mind doing for motives of pleasure which one would
+never dream of attempting under the compulsion of an external will.
+Kutambets is picturesquely situated in a large gully formed by a break
+in the red-tinted cliffs. From Kutambets to Moroi the track is slightly
+better, and from this to Ishikari it is quite easy. The latter river, a
+very large one, has to be crossed by a ferry, as the habitations are on
+the south banks of the stream.
+
+[Illustration: ISHIKARI KRAFTU AINU.]
+
+
+
+
+[Illustration: THE KAMUIKOTAN RAPIDS.]
+
+CHAPTER XVII.
+
+The Ishikari River.
+
+
+On the north side of the mouth of the Ishikari River is an Ainu village
+called Raishats. Its inhabitants are not natives of this island, but
+were imported by the Japanese Government from Sakhalin when it was
+exchanged with Russia for the Kuriles.
+
+At the entrance of the river, and close to this village, another
+wreck--of the "Kamida Maru"--a schooner, ended the mournful list of
+disasters on this inhospitable coast.
+
+The Ainu of Raishats are different in some ways from the Yezo Ainu
+proper. They call themselves Kraftu Ainu, "Kraftu"[36] being the Ainu
+name for Sakhalin. Their skin is of a lighter colour; but the principal
+difference is in their eyes and eyebrows. The Kraftu Ainu have eyes of
+the Mongolian type, though larger, while the Yezo Ainu have not; and
+their eyebrows have a very pronounced curve near the nose. Most of the
+women seemed to suffer from consumption, and the men also did not seem
+as strong as the other Ainu. The women tattoo on their lips a small
+square pattern instead of the long moustache, and most of them have now
+adopted Japanese _kimonos_, or else wear gowns similar to those of
+Russian peasants. Some also wear skin gowns similar to those of the
+Kurilsky Ainu, ornamented with feathers and bits of molten lead sewn on
+them. A velvet cap or a kind of tiara is their head-gear, and this also
+is ornamented with gold and silver or red beads, or else is embroidered
+in bright colours.
+
+ [36] Sometimes also pronounced _Krafto._
+
+The children are arrayed in more gaudy colours than their elders. They
+have bright red embroideries round their necks, and the whole gown is
+full of spangles and beads, the proceeds of parental barter. A peculiar
+paunch-suspender, which I saw here for the first time, was ingenious,
+and answered a great want in the Ainu country. As will be seen later,
+the majority of Ainu children have huge paunches, mostly due to the
+inability of the hairy people to tie and secure properly the umbilical
+cord at the child's birth. This not only produces great discomfort to
+the child, but often causes its death. The belt which I saw was made on
+the principle that the weight of the paunch, under which passed a kind
+of net made of strips of skin, was supported by braces going over the
+shoulders, and by this contrivance, if the original lesion did not get
+much better it did not get worse, as it does when not taken any care of
+at all. Neither men nor women wore earrings; but the fair sex wore a
+kind of velvet ribbon necklace round their neck, and on this ribbon were
+sewn ornaments of molten lead, silver, and other metals.
+
+The habitations, storehouses, and customs of these Ainu are similar to
+those of the others. As I slowly rode along the banks of the river just
+before sunset, retracing my steps towards the Ishikari village, I saw a
+hidden trail, which apparently led to the woods. I made my pony follow
+it, and shortly afterwards I came to a graveyard. As I have said, the
+Ainu are extremely jealous of their burial-places, and they resent
+strangers, even Japanese, going near them. It was nearly fifteen days
+since the accident to my leg had occurred, and though I could neither
+walk nor stand on it, still I was beginning to be accustomed to the
+agony, and with great trouble and pain I could dismount from my tiny
+pony. Strange to say, mounting was not so difficult, for I could pull
+myself up with my arms, lie flat on my stomach on the saddle, and then
+swing round, and it did not jar me as much as coming down. I had my
+paint-box fastened to the saddle, and I unlashed it to take a sketch.
+The tombs were so many trunks of trees cut and carved, and with one
+branch left on one side (_see_ Chapter XXI.). One tomb particularly was
+more ornamented, and it had a flat-shaped monument, roughly but well
+carved at its head. An object resembling the bottom of a "dug-out"
+covered the body, and this was also carved. At each of the four corners
+a wooden blade was stuck in the ground. From the stench I should think
+that the body was only a few inches underground.
+
+Fate had punished me so severely of late for faults which I never
+committed that I thought myself now entitled to commit a fault for the
+sake of squaring accounts. One of the small wooden blades, nicely
+carved, would just go under my coat. I decided to steal it. To my mind
+it was hardly a big enough crime even to balance the last accident I had
+had.
+
+I turned round to see that no one was looking. I put down my paint-box,
+crawled to the grave, took the blade, put it under my coat, and, ashamed
+of myself for committing the outrage--though with prepaid punishment--I
+scrambled up on my pony as well I could, and hurriedly left the place. I
+rode back to the ferry, a long way off, and went across to Ishikari, and
+catching a moment when no one was watching me, I quickly passed the
+carved blade from under my coat into my baggage.
+
+"What a good thief I would make," I thought to myself, when to my horror
+I remembered that in the hurry of leaving the graveyard I had forgotten
+my paint-box in the very same spot from which I had taken the blade!
+
+If any Ainu had gone to the graveyard and found it, I would get into a
+nice mess! During the night I felt more than uncomfortable about it, and
+at dawn the next morning I got the tea-house man to bring my horse and
+set me on it, for I said, "I wish to go and see the sunrise from the
+other side of the river."
+
+The landlord thought it rather funny, and funnier still when he saw me
+coming back a couple of hours later with a paint-box lashed to my
+saddle, while he said he was sure I had started without one.
+
+"Did you not see it this morning?" said I with assumed innocence.
+
+"No, your honourable," said he, drawing in his breath.
+
+"You did not look for it in the right place," said I, and up to this day
+the landlord does not know where the right place was.
+
+The Ishikari is one of the great salmon rivers of Yezo. About the end of
+September the salmon enter the river to spawn. They are in such
+abundance then that the stream is crowded thick with them, and it is
+quite sufficient to have a hook fastened to a stick to pull out a large
+fish each time it is dipped into the water. Millions of fine salmon are
+caught within a few days, and the banks of the river are packed with
+dead fish, while the whole population is occupied in splitting open each
+fish, taking out its inside, for preservation.
+
+The same method of netting as is practised for sardine fishing is
+employed for salmon. Eighteen or twenty excited men vigorously row the
+boats out into mid-stream, and after describing a semicircle, return to
+the bank. The nets are hauled in, the fish flung out on the river banks,
+and the same process begins _de novo_. A man in a "dug-out" watches when
+the salmon are more or less plentiful, and signals for the boat to
+start, while he himself spears them with a harpoon. At the right time of
+the year as many as 1500 or 2,000 and more good fish are caught each
+time the net is hauled in. This grand take of course only lasts a few
+days.
+
+Though good, the Yezo salmon has none of the fine qualities of the
+salmon of northern European rivers, and it is not quite so good as that
+of the Canadian rivers. It does not keep so well, and in colour is much
+lighter than our salmon.
+
+The Ishikari River opens to the north, and runs parallel to the coast,
+leaving a flat tongue of sand between it and the sea. Following the
+course of the stream against the current, it goes winding south, then
+sharply turns to the south-east, following this direction for about
+fourteen miles. Then again it winds up to the north, and then to the
+east for a distance of over one hundred miles, where its source lies in
+the very heart of Yezo.
+
+The Ishikari carries a large body of water, and it is nine hundred and
+twenty feet wide near its mouth. Its "drainage area" has been estimated
+to be over three thousand square miles, including mountain slopes, while
+the actual valley does not, in my opinion, exceed eight hundred square
+miles. The river receives many affluents, of which the most important
+are the Rubeshibe, Chupets, Piegawa, the Sorachi River, and the Toyohira
+on its south side, and the Uriugawa on its north side. Near the coast
+the valley is wooded mainly with scrub oak, but further inland its banks
+are heavily timbered. The Sorachi River is the most important affluent
+on the south side. It is navigable for "dug-outs" and small sailing
+boats for some considerable distance. At Sorachi one strikes the new
+road which leads from the Poronai coal mines to Kamikawa, where the site
+has been chosen for the intended new capital of Hokkaido.
+
+The road between Sorachi and the latter place not being metalled, was
+exceedingly bad owing to the heavy rains, and my pony continually sank
+in mud up to his belly. The road follows the course of the Ishikari
+River more or less; and in the woods is a military settlement like those
+we have seen near Nemuro and Akkeshi. At Otoyebukets the traveller must
+change horses. About eight miles further on one reaches the Kamuikotan
+rapids, a poetic spot: huge rocks in the water, violently rushing
+between and over them, form pretty waterfalls. The Ainu occasionally
+shoot down these rapids in their "dug-outs," and remains of these are to
+be seen here and there smashed on the rocks. From this point the road
+rises almost all the way, and the wayfarer must cross over the hill
+range, from the top of which the whole plain of Kamikawa can be seen, in
+the upper basin of the Ishikari, which, winding like a silver snake,
+intersects the flat valley.
+
+Descending the hill on the other side, I reached the future capital of
+Hokkaido. It is indeed a town of the future, for at the present moment
+there are only five houses, if I may call them so. The site of this
+embryo metropolis is by the Chubets River; and on the hill called
+Nayosami I was told a palace for the Emperor is to be erected. However,
+they were not certain about it yet. It is a pretty hill, almost in the
+centre of the large plain, and from the top of it one gets a lovely view
+of a volcanic cone standing in front of you to the south. Near this hill
+the new road turns sharply almost at a right angle, and two miles
+further some _Tondens_ have been begun (_Ciuta Hombu_). Hundreds of
+convicts, who, by the way, have made the road between here and Poronai,
+were at work continuing the same road towards the east. I believe that
+eventually it will be prolonged to the north-east coast, where it will
+end near Abashiri. In my opinion the scheme practically will be a
+failure, for Kamikawa will never be a flourishing place, as there is
+nothing to support a large population. From a strategic point of view of
+course Kamikawa has the advantage of being in the centre of Yezo.
+
+Kamikawa is 342 feet above the level of the sea, but it is well
+sheltered, and the climate, though very cold, is not quite so severe as
+in other parts of Yezo.
+
+The Ainu of the upper Ishikari are nearly the same as the Saru Ainu,
+only somewhat taller and more ill-tempered. They show greater skill than
+other Ainu in wood-carving and general ornamentation. Along the banks of
+the river huts are scattered here and there; but the largest number is
+at Chubets.
+
+At the present moment the Japanese population of Kamikawa is, with the
+exception of half-a-dozen policemen and as many civilians, composed
+entirely of convicts. These are dressed in red coats and trousers, and
+those who have committed murder have the top of their head shaved in the
+shape of a bottle (Jap., _Hetzui_). If any misbehave, they are beaten
+with the flat side of the long sword worn by the policeman in charge;
+but I must confess that otherwise the policemen are extremely kind in
+every way to these fellows. The well-behaved have one, two, or three
+small pieces of black cloth sewn to their left sleeve. They are made to
+work hard, but save this enforced diligence they seem to have a pretty
+good time. As I was talking to a policeman in charge, two dead men were
+brought on a cart by a man who had a towel over his mouth and a red
+blanket over his head. The two men had died suddenly. They had arrived
+only a few days previously from Southern Japan, where cholera was
+raging, and they had all the symptoms of having died of that deadly
+disease.
+
+A very exciting way of retracing your steps down to the Sorachi River is
+to shoot the rapids in an Ainu "dug-out." You make one or two Ainu
+moderately drunk, as otherwise they do not seem anxious to attempt it,
+and when they are in that pot-valiant condition you get them to paddle
+your canoe down the stream, while you sit in the bottom holding on to
+the sides. You start with the velocity of a turtle, increase it to that
+of a horse, then to that of a swallow, and when you are well in the
+rapids it is like travelling on an arrow. You go rubbing against rocks,
+and are shot in the air when going over a small waterfall, only to fall
+with a splash in the water some yards further, with an increase of
+velocity as you go on. It really requires but little skill to navigate
+rapids, for it is the current itself that does all the work. All that is
+needed is to keep the "dug-out" straight in the water. Of course if you
+should happen to collide with a rock when you are going at nearly double
+the rate of an express train you would have little chance of saving your
+life; but if you are neither smashed nor drowned, and you do not come to
+grief in any way, you can accomplish the journey, which takes you the
+whole day by land, in little over one hour when there is plenty of water
+in the stream.
+
+On the road from Sorachi to Poronai, and halfway between the villages of
+Naye and Takigawa, a new coal mine has been discovered and opened, which
+is said to be very rich in mineral of good quality; in fact, superior to
+the coal of Poronai. It is ten miles from Otaussi Nai village, where the
+high road has to be abandoned if the mine is to be visited.
+
+There are many Ainu both at Takikawa-Mura (Waterfall-River village), at
+Otaussi, and at Poronai-buts. Poronai has in its neighbourhood some rich
+coal mines. As others have reported more accurately and correctly than I
+can on the quality and extent of these coal seams, I shall abstain from
+repeating or copying what has been already said. I may, however, mention
+that the seams cut the valley of the Ikusum River eight miles from
+Poronai-buts, and a continuation of them is found near the springs of
+the Sorachi. The coal beds of Poronai are about three and a half feet
+deep, and many different beds have been found deeper than these, but of
+inferior quality. Poronai also goes by the name of Ishikishiri, and a
+large penitentiary has been erected here for the accommodation of the
+numerous convicts exported from the Main Island to improve the scheme
+for the colonisation of Yezo. I was called on by the chief _yakunin_
+(officer), and he expressed a wish that I should inspect the prisons. A
+splendid horse was sent to convey me thither, and two policemen helped
+me on my progress through the buildings, owing to my inability to walk
+more than a few yards at a time. It was a large walled enclosure, with
+houses for the officials and cells for the _akambos_, a jocular term,
+meaning "babies," which is applied to convicts, because they wear red
+clothes like children. The buildings were beautifully clean, but what
+astonished me most was that no precaution whatever was adopted to
+prevent convicts from escaping. The outside gates were all wide open;
+there were neither soldiers nor policemen at the gates, and, moreover,
+the _concierge_ was himself a convict!
+
+"But," said I, "do not many of these fellows escape?"
+
+"Oh, no, not many. Last month only sixteen ran away," was the
+_insouciant_ answer of my guide.
+
+From Poronai-buts to Sappro there is a small railway, by which the coal
+trains are run to the coast as far as Otaru.
+
+[Illustration: WOMAN OF ISHIKARI RIVER.]
+
+
+
+
+[Illustration: AINU BARK WATER-JUGS]
+
+CHAPTER XVIII.
+
+Nearing Civilisation.
+
+
+Sappro, the present capital of Hokkaido, is a town of fairly large size,
+with wide streets intersecting each other at right angles. The
+Hokkaido-cho, a high red-brick building, the law courts, the _Kofikan_,
+the palace built for the Emperor, and used now as a kind of hotel, and
+the houses of officials, are the main buildings of the place. There are,
+besides, a sugar refinery, a hemp and silk factory, and a brewery,
+mainly supported by the Government. Neither of the first two were
+"flourishing industries," and one of the factories, if I remember
+aright, had long ceased working, and the other was soon to follow suit.
+The Government, I must say, have done their best to encourage and push
+on industries as well as agriculture in this district, but their efforts
+have produced but poor results. Machinery, which had been imported at
+great expense from England, America, Germany, and France, was left to
+rust and perish, and no private company seemed ready to continue the
+works. As a farming region the Sappro district has also proved more or
+less a failure from a financial point of view, though again the
+Government cannot but be highly praised for the money they have spent in
+trying to educate the people up to some kind of scientific, and
+therefore paying, method of agriculture. They have a large model farm of
+about 350 acres laid down in grain fields, as well as in meadows and
+pastures, stocked with cattle imported mainly from America. In the
+Toyoshira valley, south of the town, a cattle farm is in full
+operation, but it yields the Government a very poor return. However, the
+Government, I believe, only wish to teach the people foreign ways of
+agriculture, and expect no direct returns for the pains taken and the
+money sunk--so at least it would appear. Another colonial militia
+settlement is also found near Baratte, eight miles north of Sappro.
+Regarding these settlements, it may prove interesting to transcribe the
+Imperial Ordinance No. 181, dated August 28th, 1890, by which they were
+brought into existence and the Tondens were built:--
+
+ ARTICLE 1.--Colonial Militia shall be composed of colonial
+ infantry, cavalry, and colonial artillery and colonial military
+ engineers, and shall be set apart for the defence of Hokkaido,
+ where they shall be stationed.
+
+ ARTICLE 2.--The Colonial Militia shall be organised as soldiers, in
+ addition to their ordinary occupation of farmers; shall live in
+ military houses which shall be provided for them, and shall take
+ part in military drill, in cultivation, and in farming.
+
+ ARTICLE 3.--The Colonial Militia shall also be composed of
+ volunteers from cities and prefectures, and shall change their
+ registered residence (_Houseki_) to Hokkaido, and live there with
+ their families.
+
+ ARTICLE 4.--The term of service of Colonial Militia shall be twenty
+ years: the service with the colours being three years, in the first
+ reserve four years, and in the second reserve thirteen years.
+ Should a colonial militiaman be released from service during his
+ term, owing to the attainment of the full age of forty years, or
+ through death, or some other cause, a suitable male of the family
+ shall be ordered to fulfil the remaining term of service. Such
+ service may be remitted if there be no suitable male.
+
+ ARTICLE 5.--The Colonial Militia shall fulfil supplementary
+ military service during ten years after the end of service in the
+ second reserve, and shall be mobilised in time of war or other
+ emergency.
+
+ ARTICLE 6.--The term of each stage of military service under
+ Articles 4 and 5 shall be counted from April 1st of the year in
+ which the soldier enters the Militia.
+
+ ARTICLE 7.--The terms may be prolonged, even though the period for
+ each stage has fully elapsed, should war or other emergency, or the
+ requirements of military discipline, or the inspection of soldiers
+ (_kwampei-shiki_) demand the same, or should the soldier be then in
+ transit from or to, or be stationed in, a foreign country.
+
+ SUPPLEMENTARY RULES:--
+
+ ARTICLE 8.--Colonial Militia enlisted before the carrying out of
+ these regulations shall be treated according to the following
+ distinctions:--
+
+ (_a_) Those enlisted between the eighth year of Meji and the
+ sixteenth year of Meji shall serve in the first reserve during four
+ years and in the second reserve during nine years.
+
+ (_b_) Those who were enlisted between the seventeenth year of Meji
+ and the twentieth shall serve in the first reserve during four
+ years from the twenty-fourth year of Meji, and in the second
+ reserve after the lapse of the above period during twenty years,
+ reckoned from the year in which they were enlisted.
+
+ (_c_) Those who were enlisted in the twenty-first year of Meji
+ shall serve in the first reserve during four years from the
+ twenty-fifth year of Meji, and in the second reserve after the
+ lapse of the above period during twenty years, reckoned from the
+ year in which they were enlisted.
+
+ (_d_) Those who were enlisted in and after the twenty-second year
+ of Meji shall be treated in accordance with these regulations.
+
+ ARTICLE 9.--The mode of reckoning the terms of service of Colonial
+ Militia levied before the twenty-first year of Meji shall be in
+ accordance with Article 6 of these regulations. The term of service
+ with the colours of those levied in the twenty-second and
+ twenty-third years of Meji shall be counted from the day on which
+ they were included in the Colonial Militia, and their term of
+ service in the first and second reserves from the day next to the
+ lapse of the full term of the former service.
+
+ ARTICLE 10.--These regulations shall come into force on and after
+ the first day of the fourth month of the twenty-fourth year of
+ Meji.
+
+ (Colonial Militia.) Imperial Ordinance No. 181.
+
+ We hereby give our sanction to the present amendment of the
+ regulations relating to Colonial Militia, and order the same to be
+ duly promulgated.
+
+ (His Imperial Majesty's sign-manual),
+ Great Seal.
+
+ Dated August 29th, 1890.
+ (Countersigned) COUNT OYAMA IWAO,
+ (Minister of State for War).
+
+ (_Japan Daily Mail_, September 14th, 1890.)
+
+Sappro was a civilised place compared to others I had seen in Yezo; but
+it had neither the picturesqueness, nor the strangeness, nor yet the
+interest of more uncivilised spots.
+
+There is no doubt that savagery--when you have got accustomed to it--is
+a great deal more fascinating than civilised life, and infinitely more
+so than a base imitation of civilisation.
+
+It might have been thought that after the months of privation to which I
+had been subjected, after all the harassing experiences I had gone
+through, after the accident which had made the last thirty days of my
+journey so agonising, I should have been glad to rest in this "London"
+of the Ainu country, at least until I was well again. But in truth this
+indirectly reflected civilisation worried me. The bustle of the people,
+the lights in the streets, the sounds of the _Shamesen_--everything
+annoyed me.
+
+His Excellency the Governor, Mr. Nagayama, kindly called on me, and when
+I put on some decent clothes which were lent me, he drove me to his
+house, where I had a lengthy conversation on the future of Yezo and the
+Kurile Islands. He seemed to approve of many of the points which I put
+before him, among which I suggested that the exports of sulphur from
+Kushiro, on the south-eastern coast, would be greatly increased if it
+were opened to foreign trade, and I was pleased to hear several months
+later that a motion to that effect was proposed in the Japanese
+Parliament. He also agreed with me that Yezo needed roads and railways
+badly, and that when more facile ways of communication should be
+established along the coast and across country, then without doubt Yezo
+would be rich and flourishing.
+
+He expressed sorrow that emigration was not carried on on a larger scale
+from the Southern Island of Japan, and that private companies of
+capitalists in no way helped the Government.
+
+His Excellency was also kind enough to drive me round the town and show
+me all the sights of Sappro, including the small museum containing
+zoological specimens from Hokkaido, and the implements of the Ainu and
+the Koro-pok-kuru. A huge grizzly bear which had killed two babies and a
+man is now stuffed, and occupies the first small room, while a bottle by
+the side preserves in spirit the head and foot of one baby and some
+parts of the man which were found in its stomach when captured and
+dissected.
+
+I left Sappro for Otaru by the coal train. Otaru is situated on a
+semicircular well-sheltered bay, which makes it the best and only safe
+port on the western coast of Yezo.
+
+The coast at the mouth of the Ishikari River curves gently round, and is
+exposed to the north as far as Cape Shakotan. Otaru is rapidly growing
+in importance, owing to the fact that it is the nearest shipping port to
+the Poronai coal mines. Unfortunately, three small hills, which were
+being levelled when I was there, had greatly interfered with the first
+laying out of the settlement, which accounts for the town being all
+crooked and irregularly planned. It has the appearance of a thriving
+place, and much resembles one of the small seaports of Southern Japan.
+In the main street a go-ahead tailor had written over his door the
+following inscription for the attraction of foreign clients: "Tailor.
+New Forms of every country shall be made here." The notice was tempting,
+and I went in to request his services in furnishing me with "new forms,"
+as he called them, of English fashion; but to my great regret he had
+come to an end of his stock of goods, and I had to be contented with my
+"old forms," and go on as best I could with what I had till I should
+reach Hakodate, where I had left most of my baggage. At Otaru I left all
+my paraphernalia to be shipped to Hakodate by the first ship calling,
+and I proceeded by land on the north and then on the north-west coast. I
+felt that, suffering as I still was, I should keep alive as long as I
+kept moving, as long as I was distracted by new scenery and new
+excitements. I felt that if I were left to myself, not pitied or
+sympathised with, I should be able to drag on and conquer in the end.
+There is nothing, it seems to me, that makes people feel so ill or is so
+enervating as the sympathy of friends and the verdict of a doctor. Among
+civilised people nine out of ten do not know whether they are very ill
+or not until the doctor pronounces his opinion, which shows that many
+complaints would be scarcely felt at all if the patient did not know the
+name of his malady, or if he had sufficient determination as to prevent
+his physical pain from becoming a moral one as well. We have a proof of
+this in hypnotism, by which sicknesses of many kinds can be cured by
+impressing on the subject the belief that his body is perfectly free
+from disease. Of course in this case it is a stronger will acting on a
+weaker one, which, so reinforced, is able to overpower the physical
+trouble. Again, I may be allowed to state that savages and barbarians,
+though affected with horrid diseases of all kinds, do not seem to suffer
+from them as much as we do. If an Ainu man breaks his leg he does not
+think for a moment of lying in bed for the regulation forty days; first
+of all, because he has no bed to lie on; and next, because the
+confinement and inaction would simply kill him. He may lie down on the
+hard ground for two or three days, after which time he crawls about as
+best he can until nature makes his broken bone right again. He does not
+worry himself much about it. Wild animals do the same. If, then, the
+Ainu, and with them savages of other countries, do that, why should not
+I, a human being like them, do the same?
+
+Freed from the encumbrance of my baggage, I set off on a good horse down
+the north coast, and moving from east to west. My baggage now consisted
+of a crutch which I had made for myself, a stick, a couple of Japanese
+_kimonos_, and a few sketch-books.
+
+The travelling was extremely slow, and I shall not dwell at length on
+this part of my journey, for it has no interest in connection with the
+Ainu, as I met with scarcely any. On a practicable and pleasant track
+leading all across the hills beyond Oshoro village, a lovely view of the
+cliffs between that place and Yoichi, lying to the west, is to be had.
+In some parts the scenery is really grand. Coming down on the other side
+of the hill, Momonai and Kawamura, two fishermen's villages of some
+importance, are passed, and further west, through a picturesque and
+narrow entrance of rugged volcanic rocks, is Yoichi, a large village,
+which was entirely burnt down last year, but has since been built up
+again. The road to Iwanai branches off at Kawamura, across the Shakotan
+peninsula. This peninsula is partly volcanic, partly composed of
+tertiaries, on which metal veins are found, especially along the course
+of the Yoichi River.
+
+About three miles from Yoichi a small flax factory was being built as an
+experiment by a Mr. Tokumatz Kuroda, in the employ of the Mitzui
+Company. Twenty-five miles further south-west of Yoichi is Iwanai.
+About ten miles from Kawamura, at Hando, a black tumbledown shed, like a
+haunted house, stands in the middle of the woods, and from here the
+track again goes over a mountain. On the other side is Iwanai. Five or
+six weeks previous to my arrival a large fire had destroyed nearly the
+whole of the village, and--just my luck again!--I had great difficulty
+in finding a place in which to obtain shelter for the night.
+
+From Iwanai the coast-line roughly describes a semicircle, which is
+almost concentric with Volcano Bay on the south coast, the distance
+between the two seas being about twenty or twenty-five miles, so that it
+forms a kind of large peninsula stretching towards the south, and
+widening considerably at its most southern part on the Tsugaru Strait.
+The first two or three miles from Iwanai were a pretty flat and easy
+track, but then I struck the mountain trail, which was steep and heavy
+for my pony. It was raining in torrents, and the narrow track was
+literally turned into a running rivulet. By good luck the rain stopped,
+and when I reached the summit I had a glorious panorama of the brilliant
+rocks and cliffs of the Shakotan Cape to the north-east, with the Kamui
+and the Hurupira Mountains on one side, and the villages of Shiribets,
+Isoya, and Karibayama along the coast on the other. I descended into the
+valley and then went up again the next mountain, the Iwaonobori, a
+higher peak than the first. I went down its slopes on the other side in
+a zig-zag fashion, and then came to the snake-like river called
+Shiribets, on both sides of which a few fishermen's houses are found,
+forming the Shiribets village.
+
+Three miles further is a larger settlement, Isoya, the half of which is
+called Notto Isoya, the other Shimakotan Isoya. It is a long row of
+fishermen's houses scattered along the coast until we get to Ushoro,
+eight miles further, a settlement of 120 houses.
+
+Ushoro is connected by a road to Oshamambe, on Volcano Bay, but I went
+on to Shitzo, four miles north-west of Ushoro. The way was fairly good
+in some parts, and execrably bad in others. The heavy rain which had
+again come on was not exactly suited to my present state of health;
+moreover, it swelled all the small brooks, which fell in a series of
+picturesque waterfalls over the high cliffs down on to the beach. As the
+beach was narrow, this meant each time a cold shower-bath, which,
+however, did not much matter, for I was already drenched by the rain,
+and I had no very "swell" garments to spoil, as my readers know.
+
+[Illustration: AINU HALF-CASTE CHILD OF VOLCANO BAY.]
+
+Shitzo is an old-looking place, but there is nothing attractive about
+it. It is in a small bay sheltered by Cape Benke, but its anchorage is
+only fit for junks or very small skiffs. It is much exposed to northerly
+and easterly winds. The coast from Shitzo to the Cape is lined with
+rocky bluffs and cliffs of conglomerate and volcanic formation, with
+bare hills inland.
+
+There are many reefs stretching out, both along the coast and off the
+Cape; but in many places channels are cut in them, to all appearance
+produced by some remote volcanic action.
+
+On the western side of Cape Benke is the village of Masatomari. There
+were formerly some Ainu villages on this part of the coast, but hardly
+any natives are to be found now. The few remaining have adopted to a
+certain extent Japanese customs and manners.
+
+At Baraputa I heard that it was impossible to continue my journey south
+on horseback along the coast, for the track was almost impassable, even
+on foot. It was a steep and difficult trail over the mountains, among
+rocks and precipitous cliffs, and I was quite unable to accomplish it;
+so I retraced my steps to Shitzo, and from there struck across the
+peninsula on the road for Oshamambe, on Volcano Bay. The road is a good
+one, and when bridges are built where needed it will be practicable for
+_bashas_, the four-wheeled vehicles of Southern Yezo. The way is across
+mountains or among well-wooded hills. Kuromatsunai is the largest group
+of houses found along the road. It is about halfway between the two
+coasts.
+
+Late at night, after having ridden twenty-five miles, I arrived at
+Oshamambe, a semi-Ainu village on Volcano Bay.
+
+
+
+
+[Illustration: KOMATAGE VOLCANO, VOLCANO BAY.]
+
+CHAPTER XIX.
+
+Completing the Circuit of Yezo--The End of my Journey.
+
+
+Oshamambe is a group of seventy houses, just midway between Mororran and
+Mori. The Ainu of this bay are poor specimens of their race, as most of
+them have intermarried with Japanese. They are, however, those most
+talked about by Europeans, for they are of easy access to
+globe-trotters.
+
+They are mostly half-castes, and even second and third crosses;
+wherefore it is no wonder that the incautious travellers who have
+written on the Ainu, studying only these easily-visited specimens, have
+discovered in them a remarkable likeness to the Japanese!
+
+The fact that I was rapidly nearing the end of my trip half filled me
+with pleasure, yet pleasure mingled with regret. It was nearly six weeks
+now since I met with the accident to my foot, and I was decidedly
+better. The cold weather had greatly contributed to this improvement of
+my condition; and had it not been for my bone which kept sticking out of
+my skin, I should have considered myself in fine case. I could hop along
+with my self-made crutch and my stick, and when riding the pain was not
+nearly as acute as it had been the first fifteen or twenty days.
+
+As the road was good, and there was nothing interesting to me on this
+portion of the journey, I tried to push on rapidly towards Mori.
+Unfortunately, at the last minute my patience was put to a trial. I
+hired a horse, and it was lame. No others were to be had that day for
+love or money. The animal had been lame for two years, they said, and
+though uncomfortable to ride he did not suffer any pain. This I
+ascertained afterwards was true, for that day the sturdy brute carried
+me 48-1/2 miles without once requiring punishment. It is needless to say
+that what I suffered that day by the continuous jerking is beyond
+description. I rode fourteen hours in a fearful storm of rain and snow,
+and my feverish anxiety to reach Hakodate soon, so that I might receive
+letters, and have news of my parents and friends--from whom I had not
+heard for five months--helped me to pull through all the fatigue and
+worry of the way. The road between Oshamambe and Kunnui is fair, getting
+still better towards Yurap and Yamakushinai. But to shorten the journey
+and lessen the jerking I followed the sandy sea-beach, which, describing
+a smaller circle than the road, necessarily diminishes the distance.
+From Yamakushinai the road is very good and wide, and it has
+nicely-built bridges over the Otoshibe and Nigori Rivers. The small
+fishing villages, though not so imposing in appearance as some of those
+in other parts of Yezo, add to the picturesqueness of the bay, with its
+beautiful volcanic cone of Komagatage towering in the distance towards
+the south-east.
+
+The fishing in Volcano Bay consists mostly of mackerel, sprats, halibut,
+and herrings.
+
+I reached Mori late in the evening, and was received with a friendly
+greeting by the people of the tea-house in which I had stayed on my way
+up at the beginning of my journey.
+
+The place was brilliantly lighted with numberless candles, and opposite
+the entrance was a kind of altar decked with flowers and cakes. A few
+_bonzes_, with their shaven heads and long, thin, depraved fingers, were
+saying their prayers and beating with a small wand on the round wooden
+bells. With the gods of Japan you must ring a bell or clap your hands
+before you begin to pray, or else the god will pay no attention to your
+petitions. In the next room another Japanese, with less depraved
+fingers, but with a more wicked face, was dressed in European clothes,
+and was apparently giving a sermon, and sure enough he proved to be a
+native Christian minister!
+
+"Hallo!" said I to the landlord; "what does all this mean?"
+
+"Oh," said he, smiling--for Buddhism teaches you not to show pain--"my
+old mother is dead. You saw her when you were here before. She died
+yesterday, and as she was formerly a Buddhist and had become a
+Christian, I have now got some Buddhist _bonzes_ and a Christian
+minister to pray for her, for I want her to be happy in the other
+world."
+
+"But do you not think," I replied, "that so much praying of different
+kinds might interfere with her happiness?"
+
+"Oh, no, your honourable," he said quickly, "I have paid the _bonzes_
+and the clergyman in advance, and the gods cannot get angry now!"
+
+It was curious to notice the competition between the representatives of
+the two different creeds.
+
+On the one side the Christian shouted his prayers and sang his hymns in
+a stentorian voice, to put the _bonzes_ in the shade and get the start
+of them in the contest; and on the other side these rattled on the
+wooden bells with all their might, so that their prayers should be heard
+first. I was more than happy when this religious race was over, and I
+was allowed a few hours' rest.
+
+Instead of going straight to Hakodate by _basha_ by the road I had
+already once traversed, I followed the coast in a south-easterly
+direction towards the volcano of Esan.
+
+Near Usushiri, some two miles inland, are the hot springs of Obune,
+where, in a picturesque gully surrounded by mountains, are two dirty
+shanties for the benefit of those who wish to take the waters. At Isoya,
+five miles north of this place, similar springs are found, and three and
+a half miles south-east of Usushiri still more can be seen at Kakumi.
+The latter place is a picturesque little spot, with its three old sheds
+and the steaming bath-room framed in the multi-coloured foliage of trees
+with their lovely autumn tints. A clean path a few hundred yards long
+leads from the coast to the springs, and a track across the mountains is
+found between that place and Hakodate; also another leading from Obune
+to the latter port. By both these tracks a most lovely view of Hakodate
+Bay can be obtained when the summit of the mountain range is reached.
+From Kakumi the coast-line is wretched for travelling, set thick as it
+is with stones as sharp as knives, while the waves continually wash over
+the narrow beach, drenching the wayfarer to the skin.
+
+I reached Otatsube, a group of a few fishermen's huts; and as there is
+no traffic whatever along this coast, there were no regular tea-houses.
+Unfortunately for me, the British Squadron in the Pacific had spent the
+summer at Hakodate, and the ships had often gone for gun-practice
+somewhere near this place, scaring the natives to death, and furthermore
+angering them against foreigners in general, for they said the report of
+the guns frightened away all the fish. When I asked for food and offered
+money for it, they flatly refused me, saying contemptuously,--
+
+"You foreigners come and scare all the fish away, and now you shall die
+of starvation before you shall get food from us. We do not want your
+money. We are rich."
+
+And so I was held responsible for the doings of Her Majesty's fleet,
+which until then I did not even know had been in those waters!
+
+At Furimbe, the next small village, only a few miles further on, my
+experience was even more unpleasant. Not only would they not give me
+food, but they would not shelter me for the night in any of the houses;
+and many of the fishermen, taking advantage of my wretched condition,
+were impudent to such a point that I thought we should have come to
+blows.
+
+It was getting quite dark, and I was fearfully hungry and exhausted. The
+only course open to me was to push on, and see if I could come across
+some other hut where the owners were not so churlish. As it turned out,
+for the first time since I had been in Hokkaido I had some good luck
+that night!
+
+A few hundred yards from this Japanese village, among the trees, was a
+little wooden shrine. Through the grating of the door I caught sight of
+offerings of cakes and rice which the religious fishermen had deposited
+on the kind of altar, probably to appease the angry gods, and induce
+them to fill the sea with fish again. The door of the shrine, as is
+usual in country places in Japan, was not locked, but a small outside
+bolt was all there was to keep it closed. I had no difficulty in
+entering. The night was a terrible one. The rain was pouring in
+torrents, and having had nothing to eat all day, I felt I had not the
+strength to go another yard. "After all," I said to myself, "the home of
+the gods, Japanese or not, is good enough for me. So is this supper," I
+soliloquized, swallowing now a white cake, now a red one, then a green
+one, till nothing but the empty vessels were left. "Delicious" was my
+last word, when, smacking my lips over the last green cake, I proceeded
+to make myself comfortable for the night. It is needless to add that I
+left very early in the morning, when the first rays of light broke the
+dimness of the night, and I dare say that, for the sake of morality, I
+ought to add that I was sorry for committing the sacrilege; but I was
+not--indeed I was not!
+
+The mountain track continued, rough and steep in many places, and the
+autumn tints on the foliage were lovely, though not as varied as those
+of Northern America. Past Todohotke another volcano, the Esan, stared me
+in the face. Its crater, or rather its craters, for there are several,
+are not on the summit of the mountain, which is well rounded, but nearly
+halfway down its western slopes. Accumulations of very pure sulphur are
+deposited in and around these craters, and a continuous rumbling can be
+heard inside the mountain. The craters eject sulphurous vapours, and
+molten lava bubbles up as if in gigantic caldrons, congealing at the
+mouths of the craters and cracking with the extreme heat.
+
+The coast-line is precipitous and almost impassable round Cape Esan,
+therefore the track leads over the mountain. The altitude of Esan is
+1740 feet above the sea-level, but owing to its rising directly from the
+sea it has the look of a much more lofty mountain. Komagatage, near
+Mori, is 4,011, or more than double the height of Esan, while
+Makkarinupuri volcano, or Shiribeshi Mountain, as others call it, about
+forty-five miles south-west of Sappro, and ten miles north of Toya Lake,
+reaches an altitude of 6,440 feet.
+
+Iwaonobori, which I passed on the north coast in this latter part of my
+journey, is 3,374 feet. Usu, on Volcano Bay, 1868 feet. Tarumai,
+directly south of Sappro, only reaches a height of 2,800 feet.
+
+When this volcanic part of the coast round Esan Cape is passed the track
+becomes easier and flatter. One comes again to the sandy beaches, and
+the coast is lively with numbers of fishermen's huts, and a couple of
+villages like Shirikishinai and Toi. One day's journey on horseback from
+here takes you to Hakodate. The Hakodate Peak can be seen in the
+distance to the west; and only a few more hours, only a few more miles,
+and I should be in civilisation, I should see a few European faces, and
+I should hear English spoken again.
+
+As I approached the sandy isthmus, and the peak grew bigger before me, I
+wondered what had been going on in the world, and what news I should
+receive of my dear ones. I imagined myself already devouring with my
+eyes the hundreds of letters which must have been amassed at Hakodate,
+waiting for me during the many months I had been away. I imagined myself
+half buried in newspapers months old, anxiously reading the news of the
+world. I hurried on my pony, I crossed the sand isthmus--and there I was
+in the lively streets of Hakodate, gazed at by the astonished Japanese,
+who, I believe, were more than a little amazed--perhaps scandalised--at
+my turn-out.
+
+Such as I was, and before I went to the Japanese tea-house, I called at
+the Consulate for my correspondence. Her Britannic Majesty's
+representative, who knew me well enough, was more than thunderstruck
+when I appeared before him in such a strange attire. He was smoking a
+pipe, and he almost let it drop, such was his surprise.
+
+"Who are you?" he feebly exclaimed, looking me all over from head to
+foot. "Surely you are not Landor?" he said when I told him my name.
+
+"I believe I am," I answered, "and I have come to trouble you for my
+letters."
+
+"Oh, none have come; we have none," he said drily.
+
+And now that I was not quite so well dressed as when I had called on my
+arrival at Hakodate from Southern Japan, he seemed anxious to see me off
+the premises as soon as possible, I dare say for fear lest I should
+expire on his doorstep.
+
+"But there _must_ be some letters," I said, as I was sadly leaving.
+
+"No, there are none. Good-bye," he repeated.
+
+The first glimpse of civilisation and of a civilised being was certainly
+not a pleasing one. In a town where there are hardly half-a-dozen
+British subjects, all told, I expected a better reception than one which
+many would not bestow on a beggar to a compatriot in a foreign country.
+Kindness costs nothing, and I was asking no favour.
+
+I left the place disheartened, but feeling that the pompous official had
+made a blunder, unluckily at my expense.
+
+Mr. Henson, in whose house I had left all my luggage, greeted me with
+open arms. He was kindness itself, and very different from the
+gold-collared gentleman of the Consulate. I must say that I felt most
+uncomfortable when, after having opened my trunks, I put on fresh
+clothes and boots; in fact, such was the change from my late airy
+costume that I caught a cold! I had now almost finished my self-imposed
+task. I had made the whole circuit of Yezo, and been up all its largest
+rivers, with the exception of that part of the western coast which lies
+between Barabuta and Hakodate. It would mean only a few more days of
+agony, and for the sake of completing my journey I left Hakodate again
+the next morning at 2 A.M. in a _basha_ for Esashi, on the west coast.
+The distance is fifty-seven miles, and we employed sixteen hours in
+covering it. It was snowing when we crossed the hills, and it was
+fearfully cold. Fortunately, the road is one of the best in Hokkaido.
+Just in front of me sat a poor man piteously ill with _kaki_. His body
+was dreadfully swollen and his limbs were stiff. What the poor man must
+have suffered in being shaken for so many hours is beyond description.
+His lamentations were heartrending. He had come to Hakodate in the hope
+of getting cured, and now he was returning--to use his words--"to die
+near his home." When we reached Esashi he was truly more dead than
+alive. He was senseless, and had to be lifted up bodily and carried into
+the house.
+
+Esashi is a large place, and is one of the oldest towns in Yezo. In
+front lies a small oblong island, with which various wonderful tales of
+treasure are connected. Its harbour is too unsafe, being exposed to all
+winds, and I was told that the sea is always rough except during the
+months of July and August. I believe that this is greatly due to the
+currents.
+
+I went north to Kumaishi and Cape Ota, the most westerly point of Yezo.
+About ten miles west of this cape is the small island of Okushiri,
+peopled mostly by Japanese.
+
+The track is tolerably fair for about twenty-four miles as far as
+Kumaishi. It runs either along the beach or around clay and conglomerate
+rocky points, occasionally over the cliffs and through ravines. North of
+Esashi, along the Assap River, is a good stretch of cultivable land;
+then the thickly-wooded mountainous region begins again towards the
+north.
+
+Kumaishi is said to be the best district for herring fishing along that
+coast.
+
+From Kumaishi to Kudo numerous reefs extend out at sea, and small
+headlands afford a safe anchorage to junks. The track is mostly on a
+rough coast backed by high and well-wooded hills. Striking across the
+mountains, which rise sheer from the sea, we come to Cape Ota, the most
+westerly point of Yezo. From here the coast turns towards the north-east
+as far as Barabuta; but as it was impossible for me to go on horseback
+to that place, though only a few miles distant, I turned back and
+returned to Esashi, then following the coast towards the south to
+Matsumai or Fukuyama, one of the first Japanese settlements established
+in Yezo, and formerly the capital of the island. The coast is rugged and
+picturesque from Esashi to the two villages of Kaminokumi and Shiofuki,
+after which a mountain path leads to Ishisaki.
+
+I found the Japanese on this coast most polite and honest, and more like
+the "old Japanese" than the younger generations.
+
+The cliffs on the south side of the Ishizaki River were resplendent in
+beauty under the brilliant red and yellow light of the setting sun.
+Oshima (or Large Island) could be seen on the horizon in the distant
+south. Five miles further, across a mountain track, I came to Cisango,
+and five more miles beyond that place landed me at Haraguchi, two small
+fishing villages, with houses resting on high posts and against the
+cliffs, somewhat similar to the villages I found previous to my reaching
+the Ishikari River.
+
+After that are eight or ten miles of a monotonous hilly road, where you
+do nothing but ascend and descend one small hill after another, up and
+down a snake-like or a zig-zag path; but when Eramachi is passed the
+track becomes much more interesting, with its peculiar groups of rocks
+of all shapes sticking out of the sea, and the long line of reef over
+which the breakers roll foaming and thundering. From here by the side of
+Oshima, another small island, "Koshima," is seen on the horizon. Going
+south the coast gradually gets more and more picturesque, with its
+pretty little fishing villages hidden among the rocks and sheltered
+under the high cliffs. At Neptka a good road leads over the cliffs to
+Fukuyama.
+
+About a mile before the town is reached, from a high point of vantage on
+the road, is a pretty peep of Benten Island, just off the shore, with an
+old temple on it, and by its side a new lighthouse. On the shore, a few
+yards from the road opposite the island, a large rock is literally
+covered with hundreds of stone images of Amida and different gods, and
+two _Torii_, sacred emblems of Japan, are placed in front of it.
+
+I descended the slope gently and reached Koromatsumai, otherwise called
+Matsumai, or Fukuyama. It is a "dear old spot," the most picturesque of
+all the towns in Hokkaido. It is ancient, for one thing, while other
+places are modern--some villages, indeed, only a year or two old, or
+even less. Thus weather has toned down the light yellow colour of the
+new wood, which is so offensive to the eye in a landscape, and is so
+common in all Japanese villages of Yezo. Besides, Fukuyama has pretty
+temples on the surrounding hills, and prettily-laid-out gardens with
+tiny stone bridges, bronze lanterns, and dwarfed trees. It is more like
+a town of old Japan. It has a three-storied castle with turned-up roofs,
+as one sees on the willow-pattern plates.
+
+The castle, formerly the residence of the Daimio, a feudal prince, is
+now a restaurant. The irregular streets of the town, the narrow lanes,
+the houses blackened by smoke and age, give a certain _cachet_ which is
+peculiar to the place itself. The inhabitants, too, are more
+conservative than the younger colonists, and are quite "in keeping" with
+the place. Unluckily, the town has seen better days! It possesses no
+good harbour, and all its trade, little by little, is being carried
+away by its more fortunate rival, Hakodate. The population of Matsumai
+decreases considerably every year, as the inhabitants leave this
+poetical but dead-alive and decaying spot for the more exciting life to
+be found in newly-opened districts further east or north.
+
+Between Fukuyama and Hakodate, a distance of over sixty miles, the road
+is extremely bad, and there is nothing whatever to see. Shirakami Cape
+is interesting as being the most southern point of Yezo, and from here
+the coast turns slightly towards the north-east.
+
+Fukushima is an old village. The other headlands, and the Cape of
+Yagoshi, have no special features calling for attention. Near the latter
+cape the coast is volcanic, which renders it very rugged in shape and
+warmly tinted in colour. There are many villages along the coast, as
+Yoshioka, Shiriuchi, Kikonai, Idzumizawa, Mohechi, and Kamiiro, and the
+inhabitants seem well off and well-to-do people.
+
+A great quantity of coal and firewood is carried on pony-back from these
+mountains to Hakodate. Rows of ten, twelve, or fifteen ponies one after
+the other, loaded with as much as they can carry, can be seen slowly
+travelling, under the care of one man, down to the principal port of
+Yezo, especially at the beginning of the winter season; and here and
+there stacks of split wood are piled ready for transportation.
+
+Rounding the Hakodate Bay, I was again at the point whence I had first
+started, and happy that, notwithstanding all the ill-luck I had had,
+notwithstanding the strain on my physique, which is not by any means
+herculean, and notwithstanding all the obstacles which had come in my
+way, I had finally succeeded in doing what no European had ever done
+before, namely, in completing the whole circuit of Yezo at one time,
+exploring all its most important rivers and lakes, studying the habits,
+customs, and manners of that strange race of people, the Hairy Ainu, and
+visiting the Kuriles besides.
+
+Many parts which I travelled over had never been trodden by European
+foot, and this made my journey all the more interesting to me. As the
+book stands I have related but the principal adventures which I had
+during my long peregrinations in Hokkaido, most of which are intended to
+illustrate Ainu customs and traits by my own personal experience rather
+than to excite sympathy for my hardships. Really, though the journey
+nearly cost me my life, I have never, in my extensive wanderings,
+enjoyed a trip more than that to Ainuland.
+
+I have touched but slightly, and not more than was absolutely necessary,
+on subjects relating to the Japanese; for this is intended as a work on
+the Ainu.
+
+I was happy yet sorry to be at the end of my journey! This was the 146th
+day since I first left Hakodate, and the distance I had travelled was
+about 4,200 miles, out of which 3,800 were ridden on horseback, or an
+average of twenty-five miles a day. The remaining 400 miles were either
+by steamer or canoe travelling.
+
+From the day I broke the bone in my foot I travelled fifty-eight days,
+mostly on horseback, and the first time it was attended to and properly
+bandaged up was sixty days after it occurred, or two days after my
+arrival in Hakodate, by Mr. Pooley, chief engineer on board the SS.
+_Satsuma Maru_.
+
+Mr. Henson was again extremely kind, and pressed me to leave the
+tea-house and go and stay at his place, and after five months of "hard
+planks" I slept again in a comfortable bed. What a treat it was! What a
+curious sensation to sleep in a bed again, and actually have sheets and
+blankets! But this was not all, for surprise followed surprise.
+
+The pompous Consul, who for the sake of saving himself the trouble of
+looking into his desk, had made my last portion of the journey wretched
+and sorrowful, found that after all he was mistaken, and on the
+breakfast-table in my place I found a packet of about 100 letters and
+newspapers, which the Consul sent to me with a message saying that when
+I called last time he had forgotten who I was, and therefore had
+forgotten to give me my correspondence!
+
+Now that we have travelled round and through the country in every
+direction; now that we have seen where the different tribes of Ainu are,
+I shall attempt to give my readers some insight into the Ainu
+themselves, and their mode of living.
+
+
+
+
+[Illustration: WOODEN DRINKING VESSELS.]
+
+CHAPTER XX.
+
+Ainu Habitations, Storehouses, Trophies, Furniture--Conservatism.
+
+
+Ainu architecture is by no means elaborate, let alone beautiful; but
+though it is so simple, it is to a certain extent varied, differing
+according to the exigencies of climate and locality. Huts of one
+district vary from those of another not only in small details, but also
+in the whole shape; or if the shape is the same, the materials are
+different.
+
+The principal characteristics of the Volcano Bay and Saru River huts is,
+that they have angular roofs and are thatched with tall reeds and
+arundinaria, while the huts up the Tokachi River are more often covered
+with bark, though in form they are almost identical with those others.
+
+On the Kutcharo Lake, again, the huts are thatched with tall reeds like
+those of Volcano Bay, but the building itself has a totally different
+shape. The roof is semicircular, and each hut is in appearance like the
+half of a cylinder lying on its rectangular base.
+
+On the north-east coast the huts have either roofs similar to the
+Kutcharo ones, or else the angle is very obtuse instead of being sharp,
+as with the Piratori or Volcano Bay huts.
+
+In the Kuriles, at Shikotan, the Ainu have houses exactly similar to
+those at Piratori.
+
+Setting aside the varieties of form, we shall now consider how the huts
+are built. A frame is first made by horizontally lashing at short
+intervals long poles to others at the angles of the roof. Often the roof
+is made first and lifted up bodily on the forked poles on which it
+rests. Then long reeds and arundinaria are collected in sufficient
+quantity to thatch the frame thickly on each side. Other poles or
+rafters are then placed over these reeds, and through them lashed
+tightly to the under frame, thus preventing the thatch from being blown
+or washed away. Care is taken to leave an opening for the door; and the
+small east window--usually the only one in Ainu huts--is cut out
+afterwards by means of a knife. Ainu huts have never more than one
+storey and never more than one room and a small porch. In districts
+where the climate is less severe the porch is often dispensed with. In
+building their habitations the hairy people make no attempt whatever at
+symmetry or beauty; all they aim at is to make themselves a shelter and
+nothing more.
+
+There are no more professional architects than professionals of any
+other kind in the Ainu country. Each man is his own architect, builder,
+and carpenter. He may occasionally receive the help of a neighbour when
+he is building his hut, if all hands in the family are not sufficient to
+carry him through his work.
+
+Each family has its own hut, which is used day and night by all the
+members. If one of the sons gets married he sometimes brings his bride
+to live in his father's hut, or else he goes to live in his bride's hut;
+but as the "hairy mother-in-law" is no better than other
+"mothers-in-law," the end of this arrangement is that generally the
+bridegroom has to build a habitation for himself and his better-half.
+Fortunately for him, he has to pay no ground-rent; nor has he to take a
+lease, nor pay the lawyer for an agreement, nor yet to buy the ground
+nor the materials on which and of which his not too luxurious abode is
+to be built. He chooses the site which is most suitable to him, and
+there he builds his hut as best he can; and no one is any the worse or
+the wiser for it. The "furnishing" is a matter of no consideration with
+the Ainu, as he prefers to live in an "unfurnished house." By
+instalments, however, as he finds his floor becoming rather damp, he
+provides himself with a few rough planks, which afford him comfortable
+sleeping accommodation; and during the winter, when fishing is not
+practicable, and he spends most of his day at home, he roughly carves
+for himself a moustache-lifter (the _Kike-ush-bashui_); a small paddle,
+the _Hera_ (which is used both to stir the wine and as an implement in
+weaving); a pestle and mortar carved out of the trunk of a tree; and, if
+he be a very ambitious person and fond of his wife, he will probably
+make her a weaving loom as well as two or three "water-jugs" if we may
+call them so--vessels made of bark bent into shape, and lashed so
+strongly as to be water-tight, and used for carrying water as needed.
+
+A few wooden bowls, a wooden hook, which is suspended over the fire when
+bear-meat is smoked, occasionally a _Kinna_ (a mat), and a skin or two,
+are all the articles of furniture of Ainu manufacture which an Ainu can
+possess, though few of them possess so many. The Ainu hut has a
+fire-place in the centre, or rather, a fire is lighted in the centre of
+the hut. The fire is lighted with a flint and steel--a method learned
+from the Japanese--or by the friction of two sticks. The more civilised
+Ainu have now adopted matches. A hole in the angle of the roof acts as
+chimney, but unfortunately more in name than in practice.
+
+Chairs, stools, sofas, beds, tables, etc., are all things unknown to the
+Ainu. While inspecting the hut it may be as well to see how the
+weaving-loom, the most complicated article of the Ainu household, is
+made and worked. There is a "yarn beam" (the _Kammakappe_), on which the
+"warp" of unwoven thread is wound and kept separated, and another "roll"
+by which the warp threads in the process of weaving are kept in tension
+between the two gratings. There then is the _Poro-usa_ (the "large
+grating"), through the intervals of which the warp threads pass, and the
+_Usa_, a similar but smaller grating placed on the other side of the
+roll.
+
+[Illustration: THE KAMMAKAPPE.]
+
+[Illustration: PORO-USA, OR "LARGE GRATING."]
+
+[Illustration: THE USA.]
+
+[Illustration: STICKS.]
+
+The cloth is wound round a stick which rests on the lap of the weaver,
+and is kept in tension by means of her wrists; and at the same time the
+_Ahunkanitte_ (the "shuttle"), is passed between the two sets of warp
+threads carrying the transverse thread, or "woof," from one side of the
+cloth to the other and back again. This is then beaten up by means of a
+long shuttle like a netting mesh, which first draws the weft into its
+place, and is then used to beat it up. In some ways this form of loom is
+similar to that of India. The "netting mesh" is called _Atzis-Hera_.
+Finally, the _Pekoatnit_ is a bi-forked instrument for separating the
+threads.
+
+[Illustration: THE AHUNKANITTE.]
+
+[Illustration: THE PEKOATNIT.]
+
+It is needless to say that with this primitive and homemade loom it
+takes a very long time to weave a very short piece of cloth; but as time
+is not money with Ainu women, and patience is one of their virtues, it
+answers their purpose, and they wish for nothing better.
+
+[Illustration: ATZIS-CLOTH IN PROCESS OF WEAVING.]
+
+The thread used for manufacturing the cloth is made of the inner fibre
+of the _Ulmus campestris_ bark. At the beginning of the spring the elm
+bark is peeled off the trees and is put in water to soak and soften
+until the inner fibres can be separated, made into threads, and wound up
+round reeds. The material woven from these threads is very coarse and
+brittle, except in wet weather or when soaked in water, in which case
+clothes made of it cannot be worn out.
+
+The weaving is usually plain, but sometimes a simple pattern of black
+parallel lines is woven in with the material. The natural colour of the
+elm-fibre thread is dark yellow, and the black lines are composed of the
+same thread stained.
+
+The other contrivance in Ainu huts which strikes one as being simple
+but clever is the hook suspended over the fire. The rope is passed over
+a rafter. One end of it is fastened to the hook, the other, as shown in
+the illustration, to a piece of wood through which the hook has
+previously been passed.
+
+[Illustration: ROASTING HOOK.]
+
+Mat-making is closely allied to weaving, and is worked entirely on the
+same principle, but without the aid of any kind of machinery. The
+bulrushes are crossed and woven coarsely, and plaited flat. One of these
+mats is used in Ainu huts as a door--"the _Apa Otki_." A smaller one is
+hung over or by the window.
+
+Naturally, Ainu huts are somewhat draughty. The imperfectness of the
+door and window-fittings, the large outlet for the smoke, besides the
+wind which finds its way through the thatched walls, make Ainu dwellings
+"ideal" to anyone wishing to "catch his death of cold." The Ainu do not
+much mind it.
+
+The roof is low, and from it hang the winter provisions of dried salmon
+captured during the autumn. This gives an additional odour to the
+already strong scent of the hut--an "ancient fish-like smell," not
+redolent of the perfumes of Arabia. The smoke inside the hut is so dense
+when there happens to be a fire burning that one's eyes stream with
+involuntary tears, and one is nearly choked. When the days are short in
+winter the Ainu sometimes light their dwellings with a stick to which is
+fastened a piece of animal fat. It is hung up aloft, and when the lower
+end is lighted the fat slowly melting serves to feed the flame and keep
+this primitive lamp alight. Another mode of illumination is by firing a
+lighted piece of birch bark on a stick previously split at the upper
+end. The third way is by filling a large shell with fish-oil and burning
+in it a few strings of elm-fibre. None of these methods come much into
+use for everyday life, as, unlike the negroes, the Ainu are not fond of
+sitting up at night, except on extraordinary occasions; and when by
+chance they do sit up it is by the light of the fire only.
+
+If a stranger stops for the night in an Ainu hut, he is made to sleep
+directly under the east window; but the family take good care to sleep
+all together on the north side, which is the most distant point from
+the door and the window. Occasional callers are received on the side
+nearest to the door.
+
+The few Ainu who possess mats on which they sit during the day hang them
+up at night round the hut, probably to protect themselves from the
+liberal ventilation, which even those who are used to it find trying
+when a gale is blowing or the thermometer is very low.
+
+There is no particular spot inside the hut set apart for meals, and the
+refuse is either thrown into a corner of the hut or flung outside the
+door and left there. It is difficult to say whether the inside or the
+outside of an Ainu hut is the dirtier. Heaps of stinking refuse are
+accumulated round the dwellings, and in summer-time these heaps are
+alive with vermin--mosquitoes, flies, _abu_, and black-flies. It is
+quite sufficient to move a step from the door to see a cloud of these
+noxious insects rise, and each one of them will have a bite at you.
+
+Inside the house you are no better off. _Taikki_ (fleas) are
+innumerable, and of all sizes, not to mention other well-known but
+usually anonymous enemies of the human skin.
+
+The first night I slept in an Ainu hut, though I was provided with
+insecticide powder, I was literally covered with bites. With my fondness
+for statistics I proceeded to count them, and only from my ankle to my
+knee I counted as many as 220. The rest of my body and my head were
+covered in the same proportion, but I gave up the attempt to ascertain
+the exact number--the task was too overwhelming. My skin, however, got
+so inflamed by these bites as to produce fever, which lasted two or
+three days. After that time I never again suffered to such an extent,
+perhaps owing to the fact that no free spot was left to attack, or may
+be from that curious process called acclimatisation.
+
+The Ainu huts are built entirely above ground, and are used alike in
+winter and summer.
+
+In olden times the hut was always destroyed at the death of its owner,
+or when abandoned; but in the former case the custom is seldom practised
+now, and in the latter they are merely left to decay.
+
+It is singular that migrating Ainu, coming across an uninhabited hut,
+never live in it, but build a new one for themselves.
+
+The Kurilsky Ainu until quite recently destroyed their huts when
+migrating from one island to another. They also burnt the huts of
+deceased persons. It is needless to say that the Ainu have no churches,
+no hotels, no hospitals, and no public buildings of any kind. The huts
+in villages are a little way from one another, and each hut has directly
+in front a separate storehouse, built on piles or posts so as not to be
+accessible to wolves, dogs, or rats. These are small structures, the
+architecture of which has the local characteristics of the habitations,
+with the exception that they are invariably on piles, while the
+habitations are on the ground. Clothes, furs, mats, and winter
+provisions of sea-weed are kept in these storehouses, and access to them
+is by means of a peculiar ladder. It is a mere log of wood, six or seven
+feet in length, pointed at one end, and with five or six incisions,
+which serve as steps, and remind me of the steps cut by an ice-axe in a
+glacier or on frozen snow. Natives go up and down these ladders with
+ease, even when carrying heavy weights on their heads; and good care is
+always taken to remove the ladder when leaving the storehouse. Women
+principally look after these storehouses, and seem to have the whole
+care and control of them. I have often seen an Ainu girl--for a
+storehouse could hardly hold more than one--sitting on the tiny door
+working at her lord and master's _Atzis_ robe. Hour after hour I have
+seen her sitting there, working patiently till the sun has set and the
+darkness has come. Her materials were then stowed away; the mat at the
+door was let down; the ladder descended and kicked away; and sadly
+singing in her soft falsetto voice, she retired into the dirt and dark
+of her habitation.
+
+The storehouses stand about six feet above the level of the ground, and
+are generally on four, six, or eight piles. Upon each pile is placed a
+large square piece of wood turned downwards at the sides, so as not to
+be accessible to rats and mice. Upon these square pieces of wood rest
+horizontally four rafters, forming a quadrangle about eight feet square.
+The small storehouse has as a base this quadrangle, and is seldom high
+enough to allow of an adult to stand inside.
+
+Storehouses are thatched like all other houses. On the upper Tokachi,
+however, they are covered with the bark of trees.
+
+Next in connection with Ainu habitations comes the skull-trophy at the
+east end of the hut. This is on a parallel line to the hut wall, and
+only a few yards away from it, and is made of a number of bi-forked
+poles, upon which are placed the skulls of the bears, wolves, and foxes
+killed by the owner of the hut. The Ainu is proud of this trophy, and if
+the number of bear skulls is very large, he commands a certain amount of
+respect from his hairy brethren. There is nothing that Ainu admire more
+than courage, and there is nothing in the world that an Ainu desires
+more than to be thought brave. When he has gained this character a man
+becomes in a certain way the "lion" of the village. He embellishes his
+trophy with a _Nusa_ and _Inaos_ (willow wands with overhanging
+shavings--_see_ Chapter on Superstitions), and he always looks on it as
+an evidence of his manly glory. Besides this, many Ainu possess one or
+two live bears kept in cages. Bear hunters often secure one or more
+cubs, which they bring home and allow to live in the hut like one of the
+family or an Irishman's pig. These cubs are nursed along with and in the
+same manner as the children, and Ainu say that women often put them to
+the breast and suckle them like their own infants. Whether this is true
+or not I cannot say; but though I have never seen it, and therefore
+cannot vouch for it, it is not unlike Ainu women to do such a thing.
+
+When the new-comers grow big and powerful enough to be dangerous, the
+men make a rough cage with logs of timber, placing them one over the
+other in a quadrangular shape, and lashing them strongly together. The
+bear is driven into the cage, which is then roofed over; and after a
+couple of years of confinement, during which it is fattened, poor Bruin
+is killed for a bear festival. In the lower part of the cage there is a
+small wooden tray by which food is served to the captive.
+
+[Illustration: THE APE-KILAI, OR EARTH-RAKE, AS USED BY PIRATORI AINU.]
+
+On the north-east coast of Yezo I have also seen smaller cages, in which
+foxes, eagles, or other animals are kept; and I always noticed the care
+which Ainu took to feed up the imprisoned animals. That "charity begins
+at home" is true even among the hairy people; for if they are kind to
+animals it is only for the sake of making a good meal of them on the
+first occasion that presents itself.
+
+It may be as well to state that the Ainu have never been known to make
+pottery. What they have of the kind is imported and sold to or exchanged
+with them by the Japanese. If I were an Irishman I should say that real
+Ainu pottery is made of wood. Nevertheless, large shells are often used
+by them as drinking vessels where wooden bowls are not obtainable. It is
+a common occurrence in Ainu households that one bowl is used by several
+individuals, and a more common occurrence still that none of the bowls
+are ever washed or cleaned after having been used.
+
+[Illustration: MORTAR.]
+
+[Illustration: PESTLE.]
+
+The small Ainu porch which stands frequently at the entrance of Ainu
+huts answers the purpose of a stackhouse, and in it is stored the
+firewood used in the house. The wooden mortar and the long pestle are
+kept in a corner under the porch. In the more civilised parts of Yezo
+these pestles and mortars are general, as the natives use them for
+pounding millet.
+
+[Illustration: BONE SPOON.]
+
+[Illustration: WOODEN SPOONS AS USED BY THE MORE CIVILISED AINU.]
+
+[Illustration: PESTLE AND MORTAR USED FOR POUNDING SALMON.]
+
+The pure Ainu live principally on animal food--fish and meat--sea-weed,
+and some kinds of roots and herbs, which they find on the mountains.
+Metallurgy is utterly unknown to the Ainu. Until of late years they
+possessed nothing made of metal. Their arrows had bamboo or bone heads;
+tin or iron cooking utensils they had none; and the blades of their
+knives were and are of Japanese origin. Some of these blades are very
+old, and were acquired by the Ainu in the battles which they fought
+against the Japanese; others have been got by barter-metal exchanged for
+skins of animals.
+
+Furthermore, save the weaving-loom, the Ainu possess no machinery of
+their own make. This too, as we have seen, is but a very rude and simple
+kind of machine. The application of wind or water power to economise
+human labour is in no way known to them; thus they have no windlasses,
+no pumps, no bellows, no windmills, no waterwheels; neither have they
+any signs of the rudest form of machinery moved by manual power which
+they have imagined and made for themselves. Furthermore, they are very
+loth to accept those mechanical means of economising labour which are
+employed by their neighbours the Japanese.
+
+The Ainu are very conservative, little as they may have to preserve.
+They show a great dislike to change or reform their habits and customs,
+or to improve themselves in any way. Worse they could certainly not be.
+They have no ancestral attachment which makes them unwilling to discard
+their rude practices for more civilised ways; but, acting according to
+their instincts, and not by their intelligence, they preserve customs
+which seem inconvenient and unpractical to us, which habit has rendered
+familiar and pleasant to them.
+
+Various natives in other parts of the world show signs of an earlier
+state of civilisation, but the Ainu do not. They have never had a past
+civilisation, they are not civilised now, and what is more, they will
+never be civilised. Civilisation kills them. As a hog delights in filth,
+so the Ainu can only live in dirt, neglect, and savagery of personal
+habits. They are made that way, and they cannot help it. They are
+excluded from progress by an impassable barrier. They have many miseries
+in their life, but no greater misery could befall an Ainu than to be
+forced to lead a civilised existence. Even after they have been educated
+in Japanese schools, when they return home, in a short time they forget
+all they have learned, and discard their acquired civilisation for the
+old, free, untrammelled mountain life; the wild habits of the woods and
+sea-shore; the nakedness of summer and the stifling squalor of the one
+small dingy hut in winter; the uncombed hair and matted beard; the
+putrid flesh of salmon, and the vile compound they revel in till they
+get gloriously drunk and bestial.
+
+[Illustration: AINU PIPE-HOLDER AND TOBACCO POUCH, AS USED BY THE MORE
+CIVILISED AINU.]
+
+
+
+
+[Illustration: AINU KNIFE, WITH ORNAMENTED SHEATH.]
+
+CHAPTER XXI.
+
+Ainu Art, Ainu Marks, Ornamentations, Weapons--Graves and Tattoos.
+
+
+The expression of ideas by graphic signs is utterly unknown to the Ainu.
+They have no alphabet, and furthermore, they have no methods whatever of
+writing. Hence the utter incapacity of the hairy people to record
+events, time, or circumstances in their history; for even the system of
+picture-writing is not known to them.
+
+Thus they have neither graven records nor any form of visible history;
+and tradition transmitted from mouth to mouth is all they have by way of
+historic continuity. The nearest approach made to graphic signs is in
+the owner's marks, which we occasionally find on some of their
+implements. The moustache-lifter is the article on which this mark is
+most commonly found. What these marks are meant to represent I do not
+know for certain; but I believe that Fig. 1 is supposed to convey the
+idea of a house, and Fig. 2 that of a boat; Fig. 3 a bear cage, and 4
+the mere result of fancy. Even these marks are only rarely found, and
+have probably been suggested by Japanese writing.
+
+The illustration shows the four specimens which I found carved on
+moustache-lifters.
+
+[Illustration: 1 2 3 4]
+
+Closely allied with writing is, of course, map-drawing and
+ornamentations. Map drawing can be dismissed at once, like that famous
+chapter on snakes in Iceland, as the Ainu know nothing of it.
+
+Rough ornamentations on bone and wooden implements are their only
+artistic efforts. Truthful representations of figures and animals are
+seldom attempted,[37] but conventionalised symbols, suggested by and
+based on certain forms of animal or vegetable life, are occasionally
+used for ornamentation.
+
+ [37] The only attempt at animal representation is the small
+ bear-head in chiefs' crowns.
+
+The Ainu have no rock-sculptures, and can neither paint nor draw in any
+form; what they have are mere simple wood-carvings. But only a few have
+any aptitude for even this crude work, though of course they are not all
+alike. As with us we have people who are artistic and people who are
+Philistine, so with the Ainu, in that very humble degree which is to
+Western art what an acorn is to an oak.
+
+Like all early work, Ainu art--if we may call it so--aims at a certain
+uniformity, especially in leaf-portraiture, so as to produce a somewhat
+symmetrical pattern; for at all times geometry has been the mother of
+design.
+
+An Ainu does not go for his models direct to Nature, neither does he
+servilely copy his neighbour's work; but he gets his ideas indirectly
+from both these sources, and through inability to copy accurately,
+negligence in close study, and some amount of native imagination
+combined, varies the design which he has seen to such an extent as to
+make it in a sense original. The talent shown by different men in the
+art of carving varies considerably, even in men of the same tribe; while
+certain tribes show both aptitude and fondness for these ornamentations,
+whereas others have little of either.
+
+It is the Ainu of the upper Ishikari River who chiefly excel in these
+carved ornamentations. The knife represented in the illustration comes
+from Kamikawa, and was carved with the point of a knife by the chief of
+the Ainu there. It took the man many months to accomplish, and it is by
+far the best specimen of Ainu workmanship that I saw in Yezo, though the
+ornamentations on it are not purely Ainu in character.
+
+This man was a genius as compared to other Ainu, and his ideas of form
+and precision were considerably more developed than in most of his race.
+He has ornamented the sheath with conventionalised symbols, which were
+apparently suggested to him by leaves and branches of trees; and the
+suggestion of a flower can be noticed in the upper part of the handle.
+A suggestion of fish-scales has been used by him to fill up small open
+spaces; others he filled up with parallel lines. The sheath is made of
+two parts, to allow the carver to cut the space for the blade inside;
+but these two parts are well fitted together, and kept fast by six rings
+of neatly-cut bark fastened on while fresh, so that by shrinking the two
+sides of the sheath are brought close together, and are as if made of
+one single piece.
+
+The side view of the same knife shows the clever contrivance for
+fastening it on to the girdle without removing the latter from around
+the body. This knife may be ranked among the _chefs d'[oe]uvre_ of Ainu
+art.
+
+[Illustration: SIDE VIEW.]
+
+The principal characteristics of the more usual ornamentations are
+interesting to study.
+
+[Illustration: KIKE-USH-BASHUI, OR MOUSTACHE-LIFTERS.]
+
+Art of course is only the personification, so to speak, the expression
+of the mind, character, and knowledge of the artist; thus, in Ainu
+ornamentations we have patterns which could be nothing but Ainu, taken
+collectively, yet which show distinctly the temperament of each
+individual. For instance, taking the moustache-lifters (Figs. 1, 2, 4 in
+the illustration). Fig. 1, with its roundish, undecided, lines, was
+carved by a man weak in physique and _morale_; Fig. 2, which is much
+simpler and with more decided lines, was the work of a quiet but strong
+and proud man; and Fig. 4, with its coarse incisions, was the outcome of
+a brutal mind.
+
+Ainu designs, though slightly varied by each individual, are principally
+formed of simple geometrical patterns; then of coils and scrolls; and,
+rarest of all, because the highest attainment of all, of
+conventionalised representations of animal or vegetable forms. Of the
+representations from animal forms the fish-scale is the only one adopted
+by the Ainu, but suggestions of leaves may not infrequently be found in
+these designs. Some of these are long and narrow; others are short and
+stumpy.
+
+[Illustration: SUGGESTIONS OF LEAVES.]
+
+The above are, to my mind, the models which the Ainu have chiefly taken
+for their leaf patterns, following nature at a long distance indeed!
+
+[Illustration: ROPE-PATTERN AND SIMPLE BANDS.]
+
+Beside these, and much more common, are the rope-pattern and the simple
+bands. Often the rope-pattern has bands above and below, especially in
+drinking vessels.
+
+Triangles filled with lines parallel to one of the sides are frequently
+met with in moustache-lifters, and occasionally the annexed patterns are
+found: but as a rule the Ainu are not fond of merely straight single
+lines except for "filling" purposes. These patterns are mostly used on
+their graves. In articles of every-day use they prefer curves as a
+foundation of their ornamentations. The lozenge pattern, especially one
+lozenge inside the other, is a favourite among their geometrical
+designs; also contiguous and detached circles, chevrons, double
+chevrons, and triple chevrons. The chevrons are mainly used by them on
+their graves, and they are invariably enclosed between two or four
+lines.
+
+[Illustration: TRIANGLES.]
+
+[Illustration: CHEVRONS.]
+
+The two following patterns are elaborations of the foregoing, but are
+much more uncommon.
+
+[Illustration: ELABORATIONS OF CHEVRONS.]
+
+The parallel incised lines and parallel lines crossing each other at
+right angles are met with again and again in Ainu patterns. More common
+still is the occurrence of a number of parallel lines meeting
+perpendicularly another lot of parallel lines without crossing them.
+
+[Illustration: A COMMON PATTERN.]
+
+Parallel lines have a fascination for the Ainu, as we find them in most
+of their designs.
+
+Concentric circles are not often met with, neither is the plain or loop
+coil often found, owing to the difficulty of execution; but the wave
+pattern and double wave are typical Ainu patterns; also the reversed
+wave.
+
+[Illustration: WAVE PATTERNS.]
+
+From these may have been derived the other two, the last of which is a
+mere double reversed coil.
+
+[Illustration: REVERSED COIL.]
+
+Triangular marks are occasionally "put in" by the Ainu in some of their
+more complicated designs, and finally we find that, though rarely, they
+sometimes attempt a kind of fret.
+
+Other strange forms of lines which are thoroughly characteristic of the
+Ainu are the following.
+
+[Illustration: FRETS.]
+
+[Illustration: OTHER CHARACTERISTIC DESIGNS.]
+
+I never came across any Ainu wood-carvings that were coloured, but in
+bone-carvings--which, I must add, are very rare--black is used to assist
+shade, and bring out the higher lights by contrast. The Ainu have no
+idea of tones, semi-tones, or gradations; the contrast is merely between
+the strong black and strong white. Enamelling is not known by them.
+
+The objects which bear these incised ornamentations, beside the sheaths
+and handles of their knives and swords and their moustache-lifters, as
+has been shown, are the _Tchutti_, or war-clubs; the _Hera_, or
+netting-mesh used in weaving; drinking-vessels, quivers, pipes and
+tobacco-boxes, the thread-reeds, cloth-hangers, and graves.
+
+[Illustration: TCHUTTI, OR WAR-CLUBS.]
+
+The modern Ainu are not a warlike people, therefore many of the weapons
+which were used in former days for defence and offence are rarely found
+now. For instance, the old war-clubs are not used by the present
+generation. These clubs were long and heavy, and were carried on the
+wrist by a piece of rope passed through a hole at the upper end. Some
+were plain and straight, others were curved towards the end to make them
+heavier. Now and again some carved all over are found. Pieces of leather
+or rope were often knotted round the heavier part to make the blow more
+severe. In some of the very old clubs a stone was inlaid to add to the
+weight and consequent efficiency of the weapon. These clubs are from two
+to two and a half feet in length, and are made of hard wood.
+
+[Illustration: TROUGH IN WHICH RESIN IS KEPT FOR FIXING ARROW-POINTS.]
+
+Ainu bows are simple, and not very powerful. They are about fifty inches
+in length, and made of only one piece of yew. The arrows, which are
+poisoned, are of bamboo or bone. The poison is extracted from aconite
+roots mixed with other ingredients. It is somewhat greasy owing to
+certain fatty matters which it contains, and is smeared into the cavity
+in the arrow-point, which has previously been treated with pine-tree gum
+to fix the poison. The arrow-point is barbed, and so fashioned that when
+the shaft is drawn from the wound this poisoned point remains.
+
+[Illustration: POISONED ARROWS.]
+
+The illustration gives two different kinds of poisoned arrows. In Figs.
+2 and 3, the black part in the point shows the cavity filled with
+poison. Fig. 2 shows how the arrow-head is separated from the reed, and
+how when the arrow is drawn from the flesh the poisoned point remains
+inside the wound.
+
+The arrows, when in war or hunting, are kept in a quiver, and a small
+_Inao_ is hung to it to bring good luck to the owner.
+
+Spears and harpoons of one barb are common, and some of the poisoned
+spears have heads similar to the arrows but of a larger size. Spears are
+out of date now, but harpoons are still employed in fishing.
+
+Knives are the weapons on which a modern Ainu most relies. Some of these
+knives are of such length that they might pass for swords. The blade is
+single-edged, and is protected by a wooden sheath. Nearly every man
+possesses one, which he carries in his girdle when dressed; when naked,
+he carries it in his hand. The illustration shows knives of different
+sizes, and with different patterns worked on them. From an artistic
+point of view the sheaths of knives are the most carefully wrought over,
+and ornamented to a greater extent than any other article of Ainu
+manufacture.
+
+[Illustration: AINU KNIVES.]
+
+Then come the graves. The Ainu are very jealous of these places of
+eternal rest, and good care is taken to hide them either in the midst of
+a forest, on a distant and almost inaccessible hill, or in some remote
+spot, difficult to find or reach.
+
+[Illustration: WOODEN MONUMENTS OVER MEN'S GRAVES.]
+
+[Illustration: MONUMENTS FOR WOMEN.]
+
+Each village has its own semi-secret graveyard, in which all its dead
+are buried. Occasionally, when the site of a graveyard has become known
+to others than these local Ainu, the place is deserted, and a fresh
+place of sepulture is chosen. The manner of burial is as follows. The
+body, wrapped up in a _Kinna_ (mat), is fastened to a long pole and
+carried to the grave by two men. All the villagers follow, each carrying
+some article which was owned by the deceased. A grave is dug, wide and
+long enough to hold the body laid flat. In it are placed the bow and
+arrows with their quiver, the knife--from which, for the sake of
+economy, the blade has been previously removed--and the drinking-vessel
+which belonged to the deceased, if he were a man. Women are usually
+buried with some beads, earrings, and furs. All these articles, carried
+by the mourners, are broken before they are laid in the grave with the
+corpse; a few boards are then placed over the body, and earth is thrown
+over these till the ground is level again.
+
+The grave is generally so shallow that the body is only a few inches
+underground--sometimes not more than four inches. The body lies flat on
+its back. Close to its head is erected a monument. For men it is the
+trunk of a tree, about six feet in length, from which the bark has been
+peeled off, and whereon certain ornamentations are cut. A short branch
+is left on one side. The top of the tree-trunk and the end of the branch
+are cut either in the shape of a lozenge, a hexagon, or a semicircle;
+and a hole is made through it. At the branch end, the cloth-earrings or
+the head-gear of the deceased are hung and left to decay.
+
+[Illustration: WOODEN BLADE.]
+
+Women have simpler graves; they are flat instead of round, and are cut
+into the shape of a canoe-paddle. The chief of a village has a more
+elaborate tomb than others if he has been liked by the villagers. At
+Raishats, on the Ishikari River, I saw a really imposing monument put
+over the grave of the chief who had recently died. It was of very large
+size, and well carved--in the same patterns as those shown in the
+illustration. Its chief peculiarity was that the body, instead of being
+covered by earth, was covered by what appeared to be a canoe or
+"dug-out" turned upside down, the bottom of which had been laboriously
+carved. On each of the two sides, at the head and foot of the grave, was
+stuck into the ground a wooden blade twenty-one inches in length,
+resembling in shape the blade of a sword. Each of these four blades was
+carved alike, and had a strange design resembling the number 88. Whether
+a meaning is attached by the Ainu to this design I cannot say, and the
+curious circumstance, as my readers will remember, through which I came
+into possession of one of these blades, did not permit me to ask many
+questions on the subject. I often wondered whether it meant that life
+begins, goes its way round, and ends where it began? It is more likely,
+though, that no meaning whatever is attached to those lines, for such
+deep thoughts would hardly harmonise with the Ainu philosophy--such as
+it is. The Ainu do not stop to mourn or pray or trouble themselves about
+a grave when the body is once buried. Those who have touched the body
+wash their hands in a tub of water which has been brought for the
+purpose; afterwards the water is thrown over the grave and the tub is
+smashed. The Ainu seldom visit their graveyards except when some one has
+to be buried. They hate their dead to be disturbed, and nothing makes
+them more angry than to know that a stranger has been near their
+burial-ground. When a man is dead they try to forget all about him and
+his doings, in which they generally succeed to perfection. This
+naturally is not conducive to anything like continuity in the history of
+the country, and may partly account for their having none. Moreover,
+none of the tombs bear the name or the mark of the person to whom it was
+erected. Tombs of children are of similar shape to those of adults, only
+smaller in size. When carrying the dead--or, as we should say, going to
+a funeral--the Ainu put on their best clothes, and when the burial is
+over they all get helplessly drunk to make up for the loss of the
+departed friend.
+
+To leave this somewhat grim subject and to return to every-day art, it
+may be well to mention that the designs for embroideries differ in no
+way from the wood-carvings. They are often more accurately finished,
+owing to the greater facility of materials, but the lines and all the
+characteristics of the patterns are the same. In the tattoos the lozenge
+pattern and bands are the two more commonly used. The Egyptian cross is
+sometimes met with([Illustration: egyptian cross]), and also a kind of
+reversed _fylfot_, or _svastika_. Moreover, the St. Andrew's cross with
+an additional line is not uncommon(X|). In the present volume this is
+all I have to say on Ainu art. I may, however, add that their
+ornamentations could not be more primitive, but their frequency on
+weapons, clothing, implements, and graves shows us that art, though not
+understood by the Ainu, has a certain fascination, which, in their
+ignorance, they cannot explain. They know art without knowing what art
+means. Certain lines and simple designs which are familiar to them
+appeal to their taste, else they would not ornament all their articles
+with them. But this does not show any great intellectual activity, for
+beyond that point the Ainu brain cannot go. As art in its natural state
+is merely the pictorial outcome of what the brain has grasped, we have
+in these crude beginnings another strong proof that the brain-power of
+the Ainu is indeed very limited, and their inability to represent animal
+form seems extraordinary in view of what other savages have done; but of
+course superstition may have something to say to the omission. The Ainu
+rank very low in the scale of civilisation; they are probably below the
+Australian blacks and the tree-dwellers of India, who are supposed to be
+among the lowest races in creation. The Terra del Fuegians and certain
+African tribes run them hard; but, taken all in all, the Ainu are the
+furthest behind in the great race of human development.
+
+[Illustration: AN AINU PIPE.]
+
+
+
+
+CHAPTER XXII.
+
+Ainu Heads, and their Physiognomy.
+
+
+The faces of the Ainu are far from ugly, and their heads are singularly
+picturesque, though of course there are the finer types as there are the
+meaner; by which we come to gradation and comparison. The general idea
+that all Ainu are hideous has arisen from the accounts of the few who
+have travelled in the more civilised parts of Yezo, and have seen and
+studied only a limited number of half-breeds and actual Japanese,
+mistaking them for Ainu. In one of the last publications on the Ainu,
+photographs of Japanese and half-breeds are given as typical specimens
+of the Ainu race; and one or two real Ainu are given as phenomena and
+exceptions. That the Ainu are disgustingly filthy is undoubted; that in
+many ways they are monkey-like is certain; but also that on a close
+examination many are not devoid of good features is undeniable. As
+regards looks, it is a great mistake to compare savages with ourselves,
+and to judge of them from our own standpoint. This is no more fair than
+to compare a thoroughbred fox-terrier with a thoroughbred poodle-dog, to
+the disadvantage of the one or the other. Passing off half-breeds as
+pure types of course makes things ten times worse, and complicates
+matters for those who care for accuracy, and are interested in
+anthropological researches.
+
+Ainu physiognomy is an interesting study. When seen full-face the
+forehead is narrow, and sharply sloped backward. The cheek-bones are
+prominent, and the nose is hooked, slightly flattened, and broad, with
+wide, strong nostrils. The mouth is generally large, with thick, firm
+lips, and the underlip well developed. The space from the nose to the
+mouth is extremely long, while the chin, which is rather round, is
+comparatively short and not very prominent. Thus the face has the shape
+of a short oval. The profile is concave and the mouth and eyebrows are
+prominent, though of course the nose projects more than the lips, yet
+without being too markedly projecting. The chin and forehead recede, as
+has been said, and in the supraorbital region the central boss is
+extremely well marked; also the brow ridges, which, however, are
+slightly less conspicuous than the central boss. The ears are usually
+large, flat, and simply-developed, with long lobes; but unfortunately,
+owing to the heavy weight of their enormous earrings this part of their
+ears is generally much deformed. Sometimes I have seen children with a
+hole in their lobes large enough for me to pass my finger through; with
+others, where the skin was not so elastic, the lobes were torn right
+through and the two sides hung down. In older people one does not see
+this so much, as their long hair entirely covers their ears. The average
+length of a man's ear is two and three-quarter inches; of a woman's, two
+and a half inches.
+
+People have classified the Ainu as Mongolians, notwithstanding that they
+possess no characteristics whatsoever of the Mongolian races.
+
+The colour of their skin is light reddish-brown, and not yellow and
+sallow, like that of Mongolians; they are very hairy, and the Mongolians
+are smooth-skinned; the features of the one race are diametrically
+opposed to those of the other; the mouth is strong and firm in the Ainu
+and weak in the Mongolian; and the Ainu eyes, the strongest
+characteristic of Mongolian races, do not slant upwards, nor are they
+long and almond-shaped, as with the Chinese or the Japanese, but with
+their long axes are in one horizontal plane, as in most Europeans.
+Indeed, the Ainu have a much greater resemblance to the northmen of
+Europe in their prehistoric stage than to any modern races, and least of
+all to the Mongolians.
+
+But let us examine the eye more carefully. The iris is light brown,
+sometimes tending towards dark grey. One seldom sees black or very dark
+brown eyes save in half-breeds; and they are deeply set, as with
+Europeans. The eyelids are no thicker than those of Caucasian races,
+though they droop, as is common among people exposed to the full glare
+of the sun. The broad ridges being very heavy and prominent, cover part
+of the upper eyelid over the outer angle of the opening. The eyelashes
+are extremely long, and the eyebrows are shaggy and bushy. The eyes are
+full of animal-like expression and emotional warmth, a thing very rare
+with their neighbours the Japanese or Chinese. The long eyelashes
+shading the large eyes and rendering them soft, together with their
+pathetic and slow way of talking, make men and women singularly
+interesting. Like most animals, the Ainu can "speak" with their eyes.
+
+The hair in Ainu adults is for the most part black, wavy, and easily
+breaking into large curls. Among children, however, one sees brown
+shades, which darken with years, until the hair turns quite black. Along
+the north-east coast of Yezo I came across several Ainu adults who had
+reddish hair and beard; and in the Kurile Islands, at Shikotan, several
+of the children had light auburn hair hanging in large loose curls and
+rather flaxy in texture, while the hair of adults was even darker than
+that of the Yezo Ainu.
+
+The hair, which is coarse and strong, is uniformly and thickly planted
+over the whole scalp, and reaches well down over the forehead, where, as
+my readers will remember, a space is cut out or shaved off. It grows
+long in men as in women, but when it exceeds ten or twelve inches it is
+generally trimmed in the shape of a half-circle at the back of the head,
+and is cut off level with the shoulders at the sides. The men have a
+luxuriant beard, whiskers, and moustache, which grow to a great length.
+The hair of the beard often begins directly under the eyes, and covers
+all the lower part of the face. Many of the natives also have a few
+short coarse hairs on the nose (especially noticeable in natives of the
+north-east coast of Yezo). The beard, whiskers, and moustache begin to
+grow in the Ainu when they are fairly young. A man at about twenty can
+grow a good beard, and at thirty his beard is very long. Ainu women,
+whom nature has not provided with such a luxuriant growth of hair on the
+lower part of the face, make up for it by having a long moustache
+tattooed on the upper and lower lip, which in their idea makes them
+look "very manly" (_see_ Tattoos). Baldness is not common among
+thoroughbred Ainu, even at a very old age, when, however, they generally
+turn grey and then white, which gives a patriarchal appearance to the
+hairy people.
+
+The Ainu face seldom undergoes the marked changes common to civilised
+nations, as they are not subject to large emotions; but different
+expressions are as easily discernible by anyone who really knows and has
+studied the natives, as the different expressions in the eyes of animals
+by one who is familiar with them. When the Ainu is pleased he seldom
+wrinkles his face and draws back his mouth at the corners, as we do, but
+he shows it by a peculiar sparkle in the eyes and by an almost
+imperceptible wrinkle in his eyelids, which contract and diminish the
+opening. The corners of the mouth turn slightly upwards. The smile is an
+accentuation of this expression, with the additional lowering of the
+eyebrows, especially in the middle near the nose, causing the forehead
+to wrinkle.
+
+Laughter Ainu know not. During my long stay among them I never once saw
+a _real_ Ainu laugh heartily, for the hero of the dab of blue paint
+laughed less than he roared with pleasure; and I do not remember even
+direct crosses doing so; hence travellers have reported the Ainu to be
+"dull," "sad," "expressionless."
+
+Certainly, the first thing that strikes one on coming in contact with
+them is, how depressed they look, and how, even in their work, their
+games, their festivals, sadness is greater than joy. In fact, the Ainu,
+with their sentimental nature, enjoy sadness.
+
+Astonishment and surprise are expressed by a perplexed look in the
+wide-opened eyes, by raising the eyebrows, and by the contraction of the
+mouth. The hands are not raised nor directed towards the object or
+person causing astonishment; but if the arms be hanging down, the
+fingers are widely separated. With the Ainu sorrowful emotions are more
+marked than the more pleasing, the more joyous. Thus, when in low
+spirits the head is bent forwards, the eyes are staring and drooping,
+and the mouth is drawn downwards. In greater grief howling is added to
+these signs. Ainu men occasionally indulge in quiet tears without
+sobbing, but women weep copiously at the death of their children when
+these are young.
+
+When an Ainu stands very erect, with one hand in the other in front,
+and, turning his head on either shoulder, throws it back and looks down
+at you with expressionless eyes, in the meanwhile raising his eyebrows,
+you may be sure that he means to show contempt. If, however, his eyes
+are restless and his lips quiver, if the eyebrows are rapidly brought
+down over the eyelids, while he opens his eyes wide showing the whole of
+the iris; if the nostrils are inflated and he breathes heavily; if the
+head is thrown forward and he is slowly arching, and, as the French say,
+"making a round back," you may be certain that he is in a very bad
+temper, and means to go for you, if he sees his way to it.
+
+When obstinate, the pose of the arms and legs is similar to that by
+which he wishes to show contempt, but the expression of the face is
+absolutely stolid, the eyes are firm and frigid, meaning in that way to
+impress you with the certainty that, come what may, he will not move
+from his decision.
+
+When actively angry, the Ainu sneer and snarl at one another, frowning
+ferociously, and showing all their front teeth, but specially uncovering
+their fangs or dog teeth; the arms are stretched out, but always with
+the fist open--if no knife or other weapon be held in the hand. Shame
+and disgust are two expressions which one does not often see on Ainu
+faces. The former I cannot describe, for I never saw an Ainu who was
+ashamed of anything he had done; the latter is manifested by an upward
+movement of the corners of the lips, and a curling of the nose, with a
+sudden expiration almost like a snort.
+
+Shyness, which is the nearest approach to shame, is shown by women when
+meeting a stranger, and gives them a submissive look. They bend their
+heads and look down until the first emotion has passed, when they gaze
+at the new-comer with a certain restlessness and curiosity, again, as in
+so many of their gestures and ways, reminding one of monkeys. I never
+found any shyness whatever in Ainu men; neither could I detect in them
+any signs of fear for objects, animals, or powers with which they were
+familiar. Things which they do not understand of course frighten them,
+like eclipses of the sun or moon, or as my revolver did when I was
+attacked by them at Horobets; and also when I appeared as a black-winged
+rider on the north-east coast. In the latter case, unfortunately, I was
+too far off to see their faces clearly, and in the former, after the
+attack they showed more sensible submission to the inevitable than true
+cowardice. What I chiefly saw then was here and there a face with
+wide-open, undecided eyes heavily frowning; while some of the others
+shrugged their shoulders and closed their eyes, waiting for the loud
+report of the revolver, which unpleasant noise, heard before from
+Japanese guns, always gives a shock to their nerves.
+
+When an Ainu wishes to show that something cannot be done, or that he
+cannot prevent someone else from doing it, he neither shrugs his
+shoulders like a Frenchman, nor shakes his head laterally like an
+Englishman; nor does he throw out his hands like a Neapolitan, but,
+quietly standing erect, and with his head slightly bent forward, he
+gently lifts it up, and slowly winking his eyes, says that he cannot do
+it.
+
+When children are sulky or displeased they frown and protrude their
+lips, making a nasal noise similar to this--"Ohim"--without any of the
+vowels clearly pronounced.
+
+Our way of nodding the head vertically in sign of affirmation and
+shaking it laterally in negation is not known to the thoroughbred race.
+Those, either Ainu or half-castes, who practise it have learned it from
+the Japanese. The right hand is generally used in negation, passing it
+from right to left and back in front of the chest; and both hands are
+gracefully brought up to the chest and prettily waved downwards--palms
+upwards--in sign of affirmation. In other words, their affirmation is a
+simpler form of their salute, just the same as with us the nodding of
+the head is similarly used both ways.
+
+It is quite enough to look at an Ainu's eyes to see at once whether he
+consents or not, just as it is quite enough to look at a monkey's face
+to know if it will accept the apple you offer it. Slyness and jealousy
+are well marked in the Ainu face, and the former is seen in the
+glittering, restless eyes, the latter in the sulky glance and protruding
+mouth. Slyness is a very common characteristic among Ainu men; jealousy
+is recognised and frequent in women.
+
+I could give a large number of other characteristic expressions, of less
+ethnological importance, but in the present work I shall limit myself to
+the principal ones which I have attempted to describe, leaving out
+altogether "expressions" of half-castes, so as to avoid confusion.
+
+I must beg my reader's forgiveness for the "dryness" of the imperfect
+description I have given of the Ainu physiognomy, as many will agree
+with me that it is a great deal easier to notice unfamiliar expressions
+on faces than to describe them accurately in so many words.
+
+
+
+
+[Illustration: AINU MAN WALKING WITH SNOW-SHOES.]
+
+CHAPTER XXIII.
+
+Movements and Attitudes.
+
+
+The Ainu people may be called physically strong, but yet they are not to
+be compared to the Caucasian races. They are fairly good walkers,
+capable mountaineers, and deft marksmen, but they do not excel in any of
+these exercises, either by speed and endurance in the former two, or by
+special accuracy and long-range in the latter.
+
+In the Ainu country most of the hard work is done by the women, who thus
+surpass the men in both endurance and muscular strength. Ainu men are
+indolent, save under excitement. They will cover a long distance--say
+forty miles--in one day, bear-hunting, and not suffer from great
+fatigue, while they will not be able to walk half that distance under
+less exciting conditions. The average distance which an Ainu can walk in
+one day on a fairly level track does not exceed twenty-five miles at the
+rate of two and a half miles an hour. The distance he can run would not
+go beyond ten English miles, and this is partly from want of training,
+as he never runs if he can help it. If, however, the walk of twenty-five
+miles, or the run of ten miles, had to be kept up for several days in
+succession at the same pace, few Ainu could manage to hold out for more
+than three days at most; while a walking average of fifteen miles and a
+running average of six miles each day could be kept up for a week. In
+walking and running women are as good as men in one day's distances;
+but, contrary to what they are in manual labour, they lack endurance in
+locomotion, and break down after the second or third day. Men regard
+running as unbecoming after childhood. "If we must go quick, why not go
+on horseback?" says the practical Ainu, who is as perfect a horseman as
+the Indian.
+
+When riding, he is able to cover a distance of fifty-five miles easily
+in one day on a good pony, and about seventy miles if he changes his
+quadruped four times. Both men and women ride in the same fashion,
+astride, and nearly always on bareback, or with simply a bear-skin
+thrown over the horse. Pack-saddles are only used when carrying wood,
+fish, sea-weed, or other heavy articles; and though the Japanese of Yezo
+designate these by the name of _Ainu kurah_ (Ainu saddles), they are
+only in reality rough imitations of their own pack-saddles. Though women
+do ride on occasions, it is the men who are the true equestrians. From
+their infancy they spend a great deal of their time on horseback, while
+women ride only when obliged. Being, therefore, accustomed from their
+earliest days to ride pretty nearly from morning to night, men can stand
+many days of hard riding, and are not so easily exhausted as by walking
+or running. The Ainu are good at horse-racing, as we have seen at the
+Piratori festival, but foot-racing, even when the distance was short,
+gave but poor results.
+
+Weights and burdens are carried entirely by women, and they carry them
+either on the head, if the load be not too heavy, or on the back by
+means of a _Thiaske Tarra_, or simply _Tarra_, a long ribbon-like band
+tied round the bundle, leaving a loop which goes over the forehead, thus
+dividing the weight between the shoulders and the forehead. When
+carrying a weight with the _Tarra_ the woman stoops, and the greater the
+weight the lower the head has to be. The strain on the forehead and
+muscles of the neck is greatly modified by bending the body more or
+less; the weight increasing on the shoulders in proportion as the pull
+decreases from the forehead. The advantage of this contrivance is that
+it leaves both hands free. Very heavy loads can be carried by average
+women with this simple contrivance, and its common use may account for
+the strong and well-developed necks noticeable among them, but not among
+the men. Children are carried on the back of other children by means of
+a modified _Tarra_ that has a stick about twenty inches long, the two
+ends of which are fastened to the two ends of the band. The child
+carried sits comfortably on this stick while the centre part of the
+_Tarra_ rests on the head of the child-carrier. This centre part is
+generally lined with a piece of skin or cloth, and ornamented with a few
+simple Ainu designs. A weight which cannot be lifted with both hands is
+easily borne for a long distance by the aid of the _Tarra_; and I should
+think that with it a strong woman could carry on her back a load, say,
+of from eighty to ninety pounds. It is difficult to institute
+comparative tests of strength, as constant practice, without counting
+"knack," often enables a person to perform feats which baffle a much
+stronger man. Taken altogether, the Ainu strength is relative to their
+height; but they are somewhat below the average Caucasian races both in
+endurance, and yet more in speed and muscular power.
+
+[Illustration: THE THIASKE-TARRA, FOR CARRYING CHILDREN.]
+
+When actively employed, the Ainu can abstain from food for fourteen or
+sixteen hours; when quiescent for about twenty. They can go without
+drink (when it is not alcoholic) for ten or twelve hours without feeling
+inconvenience. A pebble is often sucked, or a straw is chewed when fluid
+is not obtainable, thus causing a flow of saliva, which to a certain
+extent quenches their thirst. However, the reason given by the Ainu is
+not this. According to them, certain stones and some kinds of grass
+contain a great amount of water.
+
+More interesting to me than their physical characteristics were their
+movements and attitudes, which I was able to study and note correctly
+without their observation. For instance when Ainu try to move some heavy
+object they pull it towards them. Thus, when they drag their "dug-outs"
+and canoes on shore, and again when they launch them, they never push
+from them, but always pull towards them. If an Ainu has to break a stick
+planted in the ground he does it by pulling it; whereas a Japanese will
+push it. Again, in pulling a rope the Ainu pull; the Japanese push by
+placing the rope over one shoulder and walking in the direction wanted.
+In a crowd where a Japanese would push his way through by extending his
+arms and thus separating people, the Ainu seizes a man on each side,
+pulling one to the right and the other to the left till space for him to
+pass is made.
+
+As muscles are only strengthened by exercise, it is not astonishing that
+we never find well-developed arms among the hairy people, who so seldom
+make vigorous use of them. Children are as fond of climbing trees as the
+average English boy; and sometimes this is done in our way, by putting
+the legs and arms round the trunk and gradually "swarming" up; but with
+trees of a small diameter the ways of monkeys are adopted. The arms are
+stretched, and one hand is placed on each side of the tree. Both feet
+are then pushed against the trunk, keeping the leg slightly bent, but
+stiff. One hand goes rapidly over the other, one foot above the other,
+and so on; and the more rapid the movement the easier the climb, if care
+be taken to plant the feet firmly so as not to slip. Ainu boys are
+dexterous at this; but I have never seen full-grown men attempt it,
+though I am sure they could if they chose. Elderly people are very
+sedate in Ainuland, and violent movements are generally avoided.
+
+Where the Ainu are indeed great is at making grimaces. The Ainu resemble
+monkeys in many ways, but in this special accomplishment they beat
+monkeys hollow. It would take volumes to describe all the different
+grimaces which I saw them make, especially at myself while I was
+sketching them; but one or two of their "favourites" may prove worth
+describing.
+
+One Ainu at Shari, on the north-east coast, excelled in moving his
+scalp, and by raising his eyebrows at the same time creased the skin of
+his forehead to such an extent as to make his eyebrows almost meet his
+hair. The nostrils were expanded and the upper lip was raised so as to
+show the teeth firmly closed. The same man was also good at moving his
+ears. Others preferred to put out their tongue, emitting at the same
+time a harsh sound from the throat.
+
+Although many Ainu could not voluntarily move their scalp they often did
+so unaware. When eating, especially if a piece of food required some
+effort to swallow, the neck was outstretched, the mouth closed tight,
+the eyebrows raised high, and the scalp brought far forward over the
+forehead. In masticating, the ears would sometimes move involuntarily,
+as with dogs or monkeys.
+
+The Ainu are also good at rapid "winking," first with one eye, then the
+other, each eye playing at an inexpressibly funny kind of bo-peep. _En
+revanche_, they make no great use of their hands, and it is not uncommon
+for them to use their feet to assist their hands. Indeed, their toes are
+supplementary fingers, and they often hold things between the big toe
+and the next, as when making nets or _Inaos_ (wooden wands with
+overhanging shavings). When making nets, the string is firmly held by
+the big toe bent over; when shaping _Inaos_ the lower point of the wand
+is passed between the two toes, which keep it fast while the long
+shavings are cut.
+
+When women wind the thread made of the _Ulmus campestris_ fibre, they
+often let it run between the two larger toes while they wind it on a
+spool or a reed. Then, again, the toes are often used to pick up small
+objects out of the reach of the hands, and also to scratch the lower
+extremities. The two middle fingers of the hand and the three smaller
+toes of the foot are seldom used by the Ainu, and are somewhat inert.
+The little finger is slightly more active. Whenever Ainu point at
+anything they habitually do so with the open hand, for they have a
+certain difficulty in using any finger separately. This difficulty is
+not so great with the first finger; but where a European would use only
+his thumb and first finger, an Ainu uses all four fingers and his thumb
+as well, as in carrying food to his mouth, picking up small objects,
+lifting a cup, pulling his own hair, scratching his ears, &c. That the
+Ainu have more muscular power in the head than either in the hands or
+feet when violent exertion is required is certain, as I had frequent
+proof when requiring natives to make my baggage fast with ropes to my
+pack-saddle. Where a European would have done this by passing the ropes
+round the baggage and pulling them fast to the saddle, the Ainu set his
+foot (generally the right) against the baggage and pulled the ropes with
+his teeth. By this method he used one-third more force than he would had
+he done his work with his hands. Though the Ainu are very supple about
+the body, they are nevertheless stiffer than we are about the knees and
+hands, which last peculiarity prevents them from learning any kind of
+sleight-of-hand. They are supple because of the singular flexibility of
+their spine and the "looseness" of their arms about their shoulders.
+When resting or tired, the shoulders droop so far forward as to prove
+that the muscular tension which we constantly exert to have "square
+shoulders" is foreign to the hairy people. The Ainu are deficient in
+biceps, and such an arm as a blacksmith's or athlete's, which is not
+uncommon among ourselves, is in Ainuland a thing unknown. Their muscles
+have not the firmness of those of civilised men. Want of use entails
+loss of power in the muscular system, and that, unfortunately, produces
+further results in paralysis, _kaki_, and rheumatism. In the legs the
+_tendo Achillis_, which often assumes such enormous proportions with us,
+is only moderately developed with them, though it is generally larger
+than the biceps, owing to the habit of walking and riding.
+Notwithstanding this, the centre of muscular power, as we have seen, is
+undoubtedly in the head, as with inferior animals; and the Ainu are
+fully aware of this, for if not why should they carry all weights on the
+head or by the help of the head? Why should they use their teeth instead
+of their hands when an extra powerful pull is required? And why should
+they _push_ with their heads when pulling with their teeth is not
+practicable?
+
+Having examined the different movements of the Ainu, let us now take
+some account of their attitudes. What struck me most was the
+unconscious ease with which they stood, sat, and slept, no matter in
+what circumstances.
+
+It may be well to repeat here that the Ainu are not burdened, as we are,
+with articles of furniture and a code of manners which so greatly modify
+our attitudes and make us conscious of all we do. Moreover, we wear
+crippling boots and nonsensical garments, which, besides not being
+ornamental, more or less alter and deform different parts of our body,
+considerably restrict certain attitudes, and greatly stiffen some of our
+limbs; as, for example, the exaggerated smallness of waist in women.
+
+It is remarkable what a close resemblance the hairy people bear to the
+prehistoric man as constructed by _savants_ out of skulls and
+skeletons--a resemblance found, I believe, in no other race of savages.
+
+Take an Ainu standing at ease; he carries his head straight, but without
+stretching his neck, so that if a horizontal line were passed through
+the _meatus auditorius_ it would cut the face directly under the eyes.
+If another line were drawn perpendicular to the horizontal, we should
+find that the front of the face is not on the same plane with the
+forehead, but projects considerably beyond in its lower part. In
+thoroughbred Ainu the head is well posed on the cervical vertebrae, and
+seldom shows an inclination from back to front, from right to left, or
+_vice versa_; but in half-castes an inclination forward, and also
+slightly from the left to the right, is a marked characteristic.
+
+The body when standing still is a trifle inclined forward, but when
+walking the inclination is greatly increased.
+
+The body is well balanced, and this inclination is partly due to the
+head being abnormally large for the body; also to the habit of keeping
+the knees slightly bent either when standing still or when in motion.
+
+The women, through carrying heavy weights on the head, are straighter
+than men when standing as well as when walking without a burden. Their
+spinal column describes a gentle curve inwards, while with men it has a
+slight tendency outwards. When an Ainu is standing at rest his arms hang
+by his side, the palms of the hands are turned inwards with a small
+inclination towards the front. But a pose which is even more
+characteristic than this is when both hands are placed in front, the
+fingers of the right hand overlapping those of the left. When sitting
+this is their invariable attitude, but in walking the arms hang by the
+side, and no swing is given to them to help the motion. In running, the
+arms are bent, and sometimes the hands are kept half opened about the
+level of the shoulders.
+
+The Ainu legs, notwithstanding their greater muscular power than that of
+the arms, are neither stout nor well-developed--but they are wiry. The
+hips are narrow, and the legs are slightly curved.
+
+The gait is energetic but not fast, each step being flat, with the foot
+firmly planted on the ground. When in motion the feet are perfectly
+straight, and move parallel to each other, and at each step the heel and
+toes touch the ground at the same time--an undeniable proof that the
+body is well balanced when they walk.
+
+The Ainu walk mostly unshod, and the average length of the step in men
+is twenty-six inches (from heel of left to tip of right foot), and in
+women about twenty inches. The average number of steps to the minute is
+ninety-two in men and ninety-eight in women. Where the Ainu is seen at
+his best is when he is riding bareback. He sits so firmly that animal
+and rider seem to be only one body. The knees are slightly bent, and the
+legs and feet hang so that the toes are a great deal lower than the
+heels, and are also turned in. No voluntary muscular contraction is
+affected on the muscles of the legs; for if the knees are bent this is
+because of the shape of the horse's body, and if the rider "sticks" on
+his steed it is merely by the counterbalance of the dead weight of his
+two legs. The body of the rider is quite erect when riding gently, but
+on increasing speed the body is thrown backwards, the legs remaining in
+the same position. The single rein is held in the right hand resting on
+the horse's mane, and the left arm habitually hangs or rests on the
+rider's leg. When feeding in his hut, the Ainu sits cross-legged, but in
+places where he can lean against something, or out in the open, he
+squats, bearing his weight on both feet, but with the legs bent to such
+an extent that his head is on a level with his knees. Often his arms are
+rested on the knees themselves, and food is passed with the hands to
+the mouth, to be then torn by the teeth. No forks, spoons, or chopsticks
+are used by the thoroughbred Ainu; but Japanese influence has induced
+some of the more civilised specimens of Volcano Bay and Piratori to give
+up partly the use of mother Nature's forks and take to the _Hashi_
+(chopsticks), also to adopt some ugly tin spoons as the sign of their
+adherence to civilisation. Lastly, when asleep the Ainu generally lie
+flat on the back. Sleeping on the right side and resting the head on the
+bent elbow is also a common posture; and when sleeping for a short
+period of time during the day I have often seen men still sitting, bring
+up their legs, cross their arms on their knees, and then rest the head
+on the arms; thus placidly having a "nap" without waking up with a stiff
+neck, stiff legs, and "pins and needles" in their arms, which would be
+the sure result if the average European tried that mode of repose.
+
+Most Ainu have no bedding of any kind, and most of them sleep on hard
+rough planks or on the ground itself. Some of the people, however, sleep
+on bear-skins in winter, as it keeps them warm, and the colder the night
+the closer all the members of the family pack together to warm each
+other with their natural heat. A strange peculiarity, when Ainu are
+asleep, lying flat on their back, is, that instead of keeping both legs
+fully stretched out, one, or sometimes both, are raised and bent, with
+the sole of the foot planted on the ground. This peculiarity is chiefly
+noticeable in men, and I have observed it many times, especially in old
+people. The reason of it is this. The Ainu having no pillow, the head
+has to be turned so far back to rest on the ground itself that action at
+the other end of the body is necessary to counterbalance the strain on
+the spine. I came to this conclusion by being often placed in the same
+circumstances as the hairy people themselves, when I found that lying
+flat on my back on the hard unpillowed ground, if the legs were
+straightened only a small portion of the spine between the shoulders was
+supported, but by raising the legs the whole spinal column rested on the
+level surface.
+
+As we have now seen the Ainu asleep in a "comfortable attitude," we
+shall leave them for the present, and I shall take my readers to examine
+their clothes, their ornaments, and their tattoos.
+
+
+
+
+[Illustration: THE ATZIS.]
+
+[Illustration: ATZIS, AFTER JAPANESE PATTERN.]
+
+CHAPTER XXIV.
+
+Ainu Clothes, Ornaments, and Tattooing.
+
+
+[Illustration: WINTER BEAR-SKIN COAT.]
+
+The Ainu men generally go naked in summer time, but in some parts of
+Yezo civilisation has forced them to adopt cheap Japanese clothes. It
+must not be supposed from this that the real Ainu never wear any clothes
+at all, for indeed on grand occasions they dress gaudily enough, but
+always in a rude, elementary kind of way. For winter use they sew
+together the skins of either bear or deer, fox or wolf, making a kind of
+sleeveless jacket, which protects the chest, the shoulders, and the
+back. Another kind of fur garment of deer-skin is longer and has
+sleeves, is large at the shoulders, and very narrow at the wrist, as a
+still further protection against the cold. This deer-skin coat is mostly
+worn by women as an under-garment. Besides these fur garments for winter
+weather, they wear the _atzis_, a long reddish-yellow wrapper, made of
+the woven fibre of the _Ulmus campestris_. It has sleeves similar to the
+deer-skin coat, only these sleeves are a great deal wider.
+
+[Illustration: BACK OF ATZIS.]
+
+On the southern coast some of the civilised tribes have either adopted
+Japanese _kimonos_ altogether, or make their _atzis_ after the same
+pattern, to ingratiate themselves with their masters, on the principle
+of imitation being the sincerest flattery, and perhaps also because they
+come cheaper in the end. The _atzis_ reaches below the knees, and is
+folded round the body. It is kept in position by a girdle or belt of the
+same material, or of bear or sea-lion skin. This _atzis_ is ornamented
+with embroidery both back and front, round the sleeves, round the neck,
+and all round the border, or, as we should say, hem. The embroideries
+are done in Japanese coloured cottons and threads. The colours are
+invariably red, blue, and white, on a background of this yellow _Ulmus
+campestris_ cloth. They have the same characteristic patterns, and are
+identical with the ornaments on knife-sheaths, drinking-bowls,
+moustache-lifters, &c., as the readers will find in the chapter on the
+"Arts of the Ainu." Men and women wear _atzis_ of the same shape, only
+those of the women are longer than those of the men, and reach nearly to
+the feet. Moreover, the patterns which are embroidered on the men's
+dresses are not considered suitable for the women's, and _vice versa_.
+Women--who, by the way, do all these embroideries--have to content
+themselves with the simplest patterns devisable--a mere thin line of
+blue stitches; but they give to the men a more elaborate ornament. They
+first sew on heavy bands of material, which then they embroider in
+highly complicated patterns, thus giving a much heavier and handsomer
+appearance to the male _atzis_. In winter the sleeveless fur jacket is
+sewn over the _atzis_, and, as has been said, women wear the deer-skin
+gown as an under-garment. Ainu embroideries vary considerably, not only
+in different tribes and different villages, but also in each family,
+according to the talent and patience possessed by the embroidress. It
+takes an affectionate wife a year or longer to ornament the elm-bark
+dress of her beloved husband, and in the case of a chief's robe the work
+never comes to an end, as additions are constantly made. Children have
+an extremely simple embroidery, when any, round the sleeves and hem of
+the _atzis_, but never any, simple or elaborate, either on the back or
+front.
+
+I have often seen women working patiently hour after hour while sitting
+on the tiny door of their storehouses; and the result of their labour
+would be half an inch of coarse stitching, which for them was a great
+work of art. Most Ainu now possess needles of Japanese manufacture, but
+in former days they had only bone needles, and instead of fine well-dyed
+Japanese thread were obliged to be content with the fibre of the elm
+tree dyed black. The ornamentations on the _atzis_ of Ainu who have no
+Japanese needles are necessarily a great deal coarser and simpler than
+those which are done with steel needles and cotton threads. The
+essential characteristics are the same in both. In sewing together skins
+for winter garments fish-bone needles are often used up to this day.
+
+These embroidered clothes, when new, are only worn on grand occasions,
+as at a bear festival, or when paying a visit to a neighbouring village.
+A few rags constitute the usual every-day costume, and no difference is
+made between the in-door and the out-of-door clothing. In fact, most
+Ainu sleep in their clothes, such as they are.
+
+[Illustration: THE "HOSHI."]
+
+One article of dress which is worn by all alike, young and old, male or
+female, is the _hoshi_, or leggings. Like their gowns, these are
+sometimes made of the inner fibre of the elm-tree bark and sometimes of
+rushes and reeds plaited as in the ordinary rush matting. When of
+elm-tree bark, they are often embroidered in the upper part, as can be
+seen in the illustration. They are fastened just under the knee by means
+of the two upper strings, then wrapped tightly round the leg and bound
+round the ankle with the lower and longer ribbon. The Ainu go barefooted
+in the summer, but during the winter months, when the cold is too severe
+for this, they cover their feet with mocassins and long boots made of
+salmon-skin, and often of deer-skin. When the Ainu goes for a long
+journey or a hunt, during which he has to traverse rough ground, he
+generally protects his skin boots--the soles of which would soon be
+destroyed by the sharp stones and ice--by slipping over them a pair of
+thick rope sandals, which protect the sides, the back, the toes, and
+sole of the foot. If to this inventory be added a head-gear consisting
+of a band wound round the head, and an occasional apron, the whole of
+the Ainu wardrobe is catalogued. This band, which is worn principally by
+women, is untied and removed when saluting or meeting a man, whether on
+the road or in the woods. A Japanese towel often takes the place of the
+native manufacture. I am inclined to think that this custom of covering
+the head has been acquired from the Japanese, as none of the Ainu of the
+Upper Tokachi--the only pure ones remaining--wore anything in the shape
+of band or kerchief, while it is extremely common with the Ainu of
+Volcano Bay and Piratori to wear these unbecoming towels. At Piratori
+the Ainu women give a more artistic character to this ugly headgear by
+embroidering it in front and wearing it like a tiara. An apron is
+occasionally worn by Ainu, but this too, in my opinion, has been
+borrowed from the Japanese. Ainu clothes often get undone, owing to
+their shape, and therefore Ainu men sometimes wear these aprons, but
+rather because they are made to wear them than from native modesty or
+inclination to be commonly decent. I have seen Ainu on the north-east
+coast of Yezo and on Lake Kutcharo wear coarse hats of matted rushes.
+When laid flat, these hats have a diameter of about thirty inches; but
+when worn, they are folded in two, and kept in this position by a string
+tied under the chin and passed through the hat. They are used
+principally in winter as a protection against the snow. The Ainu care
+more to adorn than to clothe themselves. A few glass beads, a metal
+earring, a silver coin, or anything that shines, can make a man or a
+woman as happy as a king. Intoxicants come first of all things, but
+after them there is nothing in this world that Ainu cherish more than
+personal ornaments, and this is, of course, even truer of women than of
+men. What strikes a stranger when looking at an Ainu for the first time
+is, as I have already said, the size of their metal earrings and heavy
+glass necklaces. As the Ainu cannot work in metals or make glass, these
+ornaments have been purchased from Japanese, Chinese, and Corean
+adventurers, and many costly skins of bears, foxes, wolves, or seals are
+gaily bartered for a few beads, worth next to nothing. The Ainu is fond
+of metals, but he does not know the difference between one and the
+other. All that glitters is gold for him; and if it is not gold then it
+must be silver. Therefore some Ainu are known to have invested all their
+fortune of valuable furs for a pair of brass earrings, and, what is
+more, they have never grudged the bargain! Previous to the importation
+of these worthless articles their ornaments were made of wood, bone, and
+shells, of which "survivals" are still to be seen with the Ainu of the
+Upper Tokachi.
+
+[Illustration: BOOTS TO BE SOAKED IN WATER SO AS TO TAKE SHAPE OF FOOT,
+AND TO BE KEPT UP WITH A STRING.]
+
+[Illustration: DEER-SKIN SHOE.]
+
+[Illustration: THE TARRA OR HEAD-BAND.]
+
+The large circular earrings are much prized: men and women alike wear
+them. Many men, however, do not wear these metal earrings, but prefer
+instead a long strip of red or black cloth, or skin.
+
+The lobes of the ears are frequently torn down by wearing these heavy
+earrings from early childhood, and they know not how to mend them by
+sewing them. Another hole is sometimes bored in the upper and sound
+part.
+
+Ainu women of civilised districts occasionally wear metal finger-rings,
+but these are of course of foreign make, and imported.
+
+Ainu _menokos_ (girls) seem to have no partiality for bracelets or
+amulets, but necklaces are the dream of their life. The delight of an
+Ainu woman in a new necklace is in proportion to the size and number of
+the beads. A woman who possesses one of extra large beads is envied by
+all her less fortunate neighbours; and she who has several strings is at
+once admired and hated by all the womankind of the village. For, indeed,
+Ainu women are "human" enough to know how to hate each other! The beads
+which most take their fancy are the blue, black, white, or metal ones.
+The larger beads in the necklace are in front; and the rough wooden
+pendants with bits of bone, metal, or broken beads inlaid in it, which
+hang to the necklace, rest on the breast. Large Japanese sword-hilts are
+often used as pendants by the Volcano Bay natives.
+
+The Ainu of the Upper Tokachi region had none of these beads, but a
+rough wooden pendant was suspended round their neck by a leather string.
+
+Girdles are worn by men and women for two purposes--first, to keep their
+clothes together; next, to support the large knives which the Ainu
+always carry with them.
+
+The Ishikari Ainu who lived formerly in Sakhalin wear leather belts, and
+the women wear besides a peculiar cloth headgear. Both these articles
+are ornamented with drops of melted lead and Chinese cash sewn on to the
+cloth.
+
+These are all the articles of clothing and ornament which are in common
+use among the Ainu. None of them are worn as symbols of rank, or to
+denote virginity. No Ainu can explain why he or she wears one thing more
+than another, except for the reason that he or she likes it. There are
+no Ainu laws as regards clothing, and with the exception of the "chief,"
+who on special occasions dresses more gaudily, and wears a crown made
+either of willow-tree shavings or dried sea-weed, with a small
+carved-wood bear head in front, they all dress pretty much alike. A
+chief could not be distinguished from a commoner by his everyday
+clothing.
+
+Speaking of personal ornamentation, I may as well describe the way in
+which the hair is dressed, and also the tattoo-marks.
+
+Little care is taken of the long hair, which reaches down to the
+shoulders. It is never washed, nor brushed, nor combed. At the back it
+is cut in a semicircle round the neck. Over the forehead the men shave a
+small part of the long hair, which, falling over their eyes, is
+uncomfortable to them; but women do not. Until lately this shaving was
+done with sharp shells, and wives shaved their husbands. The process was
+said to be rather painful, and the thoughtful women have now adopted
+knives for that purpose, to the great delight of the stronger sex. The
+part shaved is in the shape of a lozenge two and a half inches by two
+inches respectively from angle to angle. This open space causes the hair
+to part in two different directions and hang down in large wavy curls.
+The fingers are occasionally passed through it, and then with the palms
+of the hands it is plastered down on both sides.
+
+A characteristic Ainu method of making the morning "toilette" is to bend
+the head low and let the long hair fall over the forehead. The two hands
+are then placed under it on the temples, and suddenly and violently the
+head is shaken and thrown back, the hair being pressed down by the hands
+at the same time. If the first attempt at neatness is not approved of,
+the process is repeated two or more times. I must confess that
+personally I could seldom see any marked difference between a head of
+hair "dressed" and one "not dressed"; but it must be remembered that the
+Ainu have no looking-glasses, and what they think is right is of course
+right for them.
+
+Formerly, when an old woman lost her husband she had her head entirely
+shaved, and when the hair had grown long again she repeated the process
+as a proof of fidelity and affection to her deceased spouse. It is very
+rarely done now. She used to wear a sort of cap, with an aperture at the
+top, round the crown of the head during the time that her hair was
+short; and it was incumbent on the widow to wear a look of sorrow and
+pain till her hair grew long again.
+
+The Ainu men have long beards and moustaches, which are never trimmed,
+with the exception of the Kurilsky Ainu, who trim theirs. The beard
+begins to grow when they are very young, but it is shaved till they
+reach manhood. It is then left to grow naturally, and never touched
+again as long as they live. Ainu women, whom nature has not favoured
+with such a manly ornament, supplement their deficiency by having a long
+moustache tattooed on their lips. Their hands and arms are also
+tattooed.
+
+The tattooing among the Ainu is limited to the fair sex, and it is
+confined to the head and arms. Why and when the fashion was adopted is
+not known, and the semi-Ainu legends on the subject are very vague. One
+legend says that when the Ainu conquered Yezo, which was then inhabited
+by a race of dwarfs--"the Koro-pok-kuru"--some Koro-pok-kuru women came
+to the Ainu camp to beg food from them, and they did so by passing their
+arms through the reed walls of the Ainu huts. One day an Ainu clutched
+one of these arms and pulled it in, when a tattooed pattern on the tiny
+arm was greatly admired by the hairy conquerors, who adopted the
+practice from that day.
+
+A simpler reason is that the women, not being so hairy as the men, are
+humiliated by their inferiority in that respect, and try to make up for
+it by tattooing themselves. In support of this theory may be quoted the
+fact that women are only tattooed in parts which are left uncovered when
+clad in their long _atzis_ gowns.
+
+The Ainu process of tattooing is a painful one. The tattoo marks are
+usually done with the point of a knife; not with tattooing needles, as
+by the Japanese. Many incisions are cut nearly parallel to each other.
+These are then filled with cuttlefish-black. Sometimes smoke-black mixed
+with the blood from the incisions is used instead. On the lips the
+operation is so painful that it has to be done by instalments. It is
+begun with a small semicircle on the upper lip when the girl is only two
+or three years of age, and a few incisions are added every year till she
+is married, the moustache then reaching nearly to the ears, where at its
+completion it ends in a point. Both lips are surrounded by it; but not
+all women are thus marked. Some have no more than a semicircular tattoo
+on the upper lip; others have an additional semicircle under the lower
+lip; and many get tired of the painful process when the tattoo is hardly
+large enough to surround their lips. The father of the girl is generally
+the operator, but occasionally it is the mother who "decorates" the lips
+and arms of her female offspring. Besides this tattooed moustache, a
+horizontal line joins the eyebrows, and another line, parallel to it,
+runs across the forehead. The tattoo could not be of a coarser kind. A
+rough geometrical drawing adorns the arms and hands of women, the
+pattern of one arm being often different from that of the other.
+Frequently only one arm is tattooed. I never saw tattoos that went
+further than the elbow, neither did I see any other part of the body
+tattooed. The four specimens given in the illustration show the patterns
+most usual in different tribes, though each individual has some slight
+variations.
+
+Fig. 1 was copied by me from the arm of a woman at Frishikobets
+(Tokachi River); Figs. 2 and 3 are the two arms of Kawata Tera, a girl
+of Tobuts (north-east coast of Yezo); and Fig. 4 is the left arm of a
+girl at Piratori.
+
+[Illustration: TATTOO-MARKS ON WOMEN'S ARMS.]
+
+It will be noticed that in the regions where the Ainu have come in
+contact with Japanese, rings are tattooed round the fingers, while the
+Tokachi Ainu women have none. In the two arms of Kawata Tera (Figs. 2
+and 3) the dissimilarity of the two patterns is very marked at first
+sight, but on a close examination it is easy to perceive that the
+operator meant to carry out the same pattern on the right arm as on the
+left; only through his incapacity to reproduce correctly his former
+lines, or for other reasons, he got muddled up in the design, and left
+his work unfinished. If all the lines in the upper half of Fig. 3 were
+continued, the design would be very similar to Fig. 2.
+
+Tattooing is considered an ornament, besides, as I have already
+mentioned, adding the coveted air of "virility" to women. There is no
+religious feeling connected with it, and the practice is rapidly dying
+out, as the Japanese men make fun of the Ainu women, who after all only
+tattoo their mouths and arms, while they themselves often tattoo the
+whole of the body. The Ainu have no rules as to when the girls are to be
+operated on. They are done both before and after marriage, contrary to
+what has been said, that the women do not tattoo themselves after they
+have become wives. The moustache is generally finished before a girl
+gets married, as she herself is anxious to be thus decorated; but there
+are no rules as to virginity or marriage, for the arms and hands are as
+often tattooed after marriage as before. Indeed, in the Ainu country,
+"tattooing" one's wife seems to be one of the pleasures of the
+honeymoon. The design of these tattoos is meant to be, but is seldom,
+symmetrical. The Ainu apparently execute these designs on a preconceived
+plan, but the results rarely come up to expectation, as no drawing of
+the design is prepared beforehand. The bluish-black colour of the tattoo
+is very permanent and strong, and many an Ainu woman is disfigured for
+life, who, according to our ideas, would otherwise be good-looking.
+
+[Illustration: SNOW-SHOES.]
+
+
+
+
+[Illustration: AINU SALUTATION.]
+
+CHAPTER XXV.
+
+Ainu Music, Poetry, and Dancing.
+
+
+The music of each nation has certain characteristics of its own; and
+though according to European ideas the music of what are called
+barbarous peoples may sound in some sense excruciating, it always has a
+certain occult charm, more especially to one who is able to forget his
+former training, and teach himself to see, hear, and think in the same
+way as the natives he is studying.
+
+Undoubtedly we Westerns have brought music to a pitch of refinement that
+no savage nation has even attempted to reach; but in my opinion we do
+savages injustice when we call their music "unmitigated discord."
+Barbarians like the Ainu do not indicate their rhythmical effects and
+modulations by means of a musical notation; and harmony is of course
+very defective with them, from our point of view. On the other hand, the
+feeling and passion with which they chant their songs make them go
+straight to the heart, if as a melody they are not always pleasing to
+the cultivated Western ear.
+
+An Ainu seldom sings for the mere pleasure of art as art, and it is only
+when full of joy or "crazed with care" that he gives expression to his
+feelings in music. Then he pours out his whole soul in that which to
+him is melody beyond the power of words to compass.
+
+After a hunt, a fishing expedition, a journey, or a misfortune, the Ainu
+enters his hut and seats himself cross-legged on the ground. He then
+holds out both hands with the palms together, and rubs them backwards
+and forwards three or four times; after this he raises them, palms
+upwards, to a level with his head, gracefully lowers them to his knees,
+and then, raising them again, strokes his hair and beard. Again he
+lowers his hands twice, thrice, or even more times, according to the
+amount of respect to which the person saluted is entitled, the latter
+following in every smallest detail the motions of his saluting friend.
+When this complicated salutation has been performed separately before
+each male member of the household, the new arrival relates the tale of
+his good-or ill-luck; and if the events be of an unusual character the
+story is chanted in a sort of sing-song which makes each note of joy or
+lamentation vibrate in the heart of the listener. It is only in such
+circumstances of stress of feeling that I ever heard the Ainu sing,
+though sometimes women and young folks when alone, fishing, riding, or
+travelling, sing out bits of their past lives as they remember this
+scene or that event.
+
+Ainu music is almost entirely vocal, and their singing has more the
+character of the _recitative_ than of the _aria_ proper. Their songs are
+always for _solo_; and during my stay among the hairy people I never
+heard a concerted piece, nor even an air or a single voice with a chorus
+for a number of voices; neither did I hear any songs performed by men
+and women together, but invariably by men to other men, and by women to
+other women. It seems to me that the reason why they have no choruses is
+their strict etiquette, which forbids them to interrupt a speaker till
+he has finished his narrative; and as their songs are only narratives
+which the musical sing-song makes more impressive, it seems more than
+probable that the reason I have given is the right one. If a singer
+during his narrative stops, and is silent for a minute or two, another
+takes up the "lost chord" in exactly the same intonation of voice,
+asking a question or singing words of comfort, anger, or scorn, as the
+case may be; but no Ainu ever joins in the song before the person
+singing has stopped.
+
+The hairy people are fond, not only of their own, but of all music, and
+their ear is acute enough to hit a tone or note when sung to them, and
+even to remember with more or less accuracy a short air after they have
+heard it two or three times. Many who have come in contact with the
+Japanese have learned from them songs of a totally different character
+from their own. Of my personal experience I can speak of a boy who,
+while I was sketching, heard me sing a few bars of the _Trovatore_. An
+hour or two later I heard him repeat this passage, certainly with an
+Ainu _libretto_, and somewhat Ainuized; but for all that he had managed
+to catch the melody, which showed that the lad must have had some
+musical instinct as well as a good musical memory.
+
+[Illustration: SIDE VIEW OF THE "MUKKO."]
+
+[Illustration: A "MUKKO," OR MUSICAL INSTRUMENT.]
+
+The Ainu are remarkably quick at reproducing sounds which are direct
+imitations of noises, cries of animals, &c., and it is instinctive in
+them, as when children they are not taught or trained to do so. The
+education of Ainu children is indeed a thing far to seek in every way,
+and what they know is self-taught. Nature is their only school. The Ainu
+voice is pleasant, flexible, and very soft in quality. The men are
+mostly baritone and bass, the women alto; but when singing, a falsetto
+is preferred to the natural voice, especially by the women, and this
+always without an instrumental accompaniment. Musical instruments are
+more than rare among the Ainu; indeed, I saw only one, which is now in
+my own possession. It is a black-stained wooden instrument, fifty-one
+inches in length and three wide. The upper part is flat, the under is
+half a cylinder scooped out by a knife, while five keys are fixed in the
+short neck, in which a cavity is cut, leaving a space for the strings to
+be tied to each key. The top is circular, and flattened on each side.
+One very small hole is bored exactly in the middle of the instrument and
+another is at the lower end, where the point of a triangular piece of
+leather, seven inches long, is passed through and fastened by a knot
+tied in the leather on the opposite side. The five strings, which are of
+_Ulmus campestris_ fibre, are fastened to this leather piece and then to
+each key. A peculiarity of this instrument is, that it has two
+prism-shaped bridges, and they are placed at each end of the harmonic
+case. The Ainu call it _mukko_, which word, however, means only a
+musical instrument; and as it is applied by them to all Japanese
+instruments of music, it shows that they do not distinguish very sharply
+one instrument from another. Though in my long journeying I found one of
+these _mukkos_, I was never able to discover any Ainu who could play on
+it, and the Ainu of Ishikari from whom I bought it told me that the man,
+the only one, who could play on it, was dead. This was unfortunate, as
+none of the others could tell me how he tuned it; and one old man, in
+attempting to solve the problem, broke three strings. Seeing that I was
+then quite unable to learn any of the tunes of the deceased Ainu
+Paganini I purchased the instrument, and found by cross-examining the
+natives that it was played by twanging the strings with the fingers, and
+not with a plectrum, as is the case with the Japanese _shamesen_. In the
+illustration I have faithfully drawn a front and a side view of this
+instrument, so as to give the reader an exact idea of its shape. The
+Ainu of Volcano Bay sometimes make bamboo jew's-harps for their
+children; but even those are very uncommon, so we might as well define
+Ainu music as entirely vocal. Ainu music is sentimental, and not
+displeasing, but it is monotonous, and continually repeats itself. It is
+difficult to establish a rule as to what order of intervals their music
+is founded on, as their progressions, modulations, and rhythmical
+effects are often so peculiar as to make it impossible to indicate them
+accurately by means of our musical notation; but the nearest approach to
+it is the diatonic minor scale. The Ainu are fond of chromatic
+intervals, and when their recital comes to an exciting point they make
+use of this method in a _crescendo_ to give strength to the narrative,
+especially at the end of the tune, which invariably winds up in the
+tonic. The intervals which are of most frequent occurrence in the Ainu
+tunes are as follows:--
+
+[Illustration]
+
+The tunes seldom contain modulations from one key into another, except
+in the case of genius-gifted improvisators, who sometimes indulge in
+such a luxury, especially when intoxicated; but the usual modulation is
+generally begun _pianissimo_ and in irregular time, and is sometimes
+like a slow lamentation gradually and irregularly increasing in force,
+some notes marked violently and the next very faintly, thus giving a
+weird effect of light and shade. When a sentence comes to an end, there
+is a chromatic interval _fortissimo_, and the keynote generally
+concludes the tune. The melody repeats itself again in the next
+sentence, sometimes altering the _pianissimo_ into _fortissimo_, and
+_vice versa_, according to the force which the narrator wishes to give
+to certain words. The Ainu, as far as I could judge, have no fixed
+rhythmical method, and each man constructs his own. Their melodies are
+generally short and simple, and the same phrases and passages--in fact,
+usually the whole melody--occur again and again in their songs. No Ainu
+melody that I heard was constructed according to any rule of musical
+form. All were invariably of one part only, in which the name of the
+tune was often applied to a certain form of rude poetical composition.
+For instance, some of the folk-lore legends--which, unfortunately, are
+not purely Ainu--are chanted in a musical intonation, and are a kind of
+extempore composition, though the roots of the songs and the verse have
+probably been brought down from former generations. This is proved by
+the preservation in them of some obsolete words and forms of speech
+which are never used in current conversation, and which none of the
+younger folks can understand or explain. I believe, however, that none
+of these legends are very old. The Ainu, having no written language, it
+is but natural that their tradition and legends should have been greatly
+changed and corrupted, especially by intercourse with the more
+imaginative Japanese. It is to be noted, however, that the Ainu, though
+to a certain extent as imitative as monkeys, have also a large amount of
+personality and originality, due to their shy and unsocial habits. This
+originality is not surprising when we remember that they are taught
+nothing, and that each man provides for himself and his family, but has
+no markedly friendly feelings towards his neighbours; in other words, it
+is a state of degradation very similar to that of wild animals. Perfect
+indifference is shown by the people of one village towards those of
+another. They are neither friends nor foes. All have a right to live,
+but as for helping one another, that is out of the question.
+
+Having no written documents, each man, in his easy-going manner, recites
+and sings as best pleases himself such verses or legends as he has heard
+from his father or from some other person, and the result is that,
+according to the reciter's greater or smaller poetical and musical
+tastes, the grandfather's composition, already altered by his father, is
+again altered by the son, which makes it a composition of his own. This
+transformation of a given theme is common even among civilised nations
+when people are set to repeat the same story verbally transmitted from
+one to the other--the version of the third person has but little in
+common with that of the first. If this we do with a spoken narrative,
+how much more with tunes learned by ear only, and characterised in the
+delivery by individual temperament and transient mood.
+
+The Ainu do not teach these legends to their children, and if learned at
+all they are merely "picked up" by ear and, in a manner, at random;
+therefore, most Ainu profess ignorance as to their existence, and a man,
+when I asked him if he knew any, scornfully answered in these identical
+words, translated:--"The Ainu are taught nothing, and they know
+nothing."
+
+The few legends, &c., that I heard were told me by Benry at Piratori,
+and by another old man, the chief of a village up the Saru River. The
+title of one was "Tushi-une-pan"--"Twice Below;" the story of
+Yoshitsune, a Japanese hero, and Samoro-kuru (a Japanese man-friend of
+Yoshitsune), who came to Yezo and had a great struggle with a huge fish,
+which was harpooned by them and disappeared twice under the water,
+capsizing the boat which contained the two fishermen. Yoshitsune's
+temper was roused, and he cut the _nipesh_[38] rope to which the harpoon
+was fastened. The fish went to die at the mouth of the Saru River, when
+plains of hemp sprouted out of its body.
+
+ [38] _Nipesh_: a kind of hemp.
+
+Another legend, called "Kimta-na," is a rather different and more simple
+version of Tushi-une-pan's story which I have just related.
+
+Yet another variant of the same legend is found in the "Inu-sapk"--or "A
+Summer Story" (literally translated: _Inu_, hear, relate; _sapk_,
+summer), which was so very confused that I could not make head or tail
+of its minuter details; but, like the "Kimta-na," it was about a famine
+in the Ainu land.
+
+Then there was a fourth, which went by the name of
+"Abe-ten-rui"--"Burning to embrace," or love-sick. It was again about
+Yoshitsune, who had fallen in love with a pretty Ainu maid, and could
+not eat either good or bad fish until she appeared to him in a dream. As
+Yoshitsune was a strong-minded man he got over his love, and taught the
+Ainu not to be deceived by woman's wiles.
+
+These and other similar legends, some of which do not bear repeating,
+being too improper, can be collected at Piratori or on Volcano Bay from
+the half-civilised Ainu; but I am inclined to think that they are mostly
+concoctions of Japanese ideas construed or misconstrued in the Ainu
+language.
+
+Ainu do not indulge in poetic compositions which have a definite metre,
+nor do they use special words for rhyme or rhythm; but all the words in
+their songs are intelligible, and seldom meaningless syllables are used,
+as in many of the chants of other savage nations. This of course is
+because, as has been said, their songs are merely a form of conversation
+adopted on certain occasions.
+
+Some of their music seems to have been suggested to them by such animal
+sounds as the plaintive howling of bears, wolves, and dogs.
+
+Music is believed by the Ainu to have the power of curing illness, or
+rather, of scaring away from the body those evil spirits which are
+supposed to have taken possession of it; but, when used as exorcism, the
+music is no longer grave, slow, and sentimental, but verily diabolical,
+consisting mainly of wild howling with an accompaniment of stamping feet
+and the rattling of sword and knife, and followed by a disgusting
+expectoration of chewed convolvulus roots, which are said to be powerful
+in expelling the evil spirit and restoring the sick person to health.
+
+Furthermore, music is invariably used by the Ainu--especially by the
+women--to facilitate manual labour, as when pounding millet, rowing,
+pulling canoes on shore, or drawing water from a well, when packing
+sea-weed, or when preparing salmon for the winter; and also in their
+games, which I have already described in the chapter on the festival at
+Piratori.
+
+During the process of pounding millet--which is only practised in the
+southern part of Yezo--two or three girls stand round a mortar in which
+the millet has been placed, and each girl, holding with both hands a
+pestle, beats and sings, one after the other, the words "_Huye, huye_,"
+as the pestle is let down, increasing in loudness when the grain
+requires harder pounding, and slowly decreasing in volume towards the
+end. This pounding begins about sunset, and the place chosen for the
+operation is generally the small porch of the huts. It has indeed a
+weird effect to hear these many voices from the distant huts gradually
+dying away as darkness comes on, till finally only two or three break
+the stillness of the coming night. Then even those wear away, and
+everything becomes as silent as the grave.
+
+When riding on horseback, especially if alone, young men are fond of
+singing, and when going through forests, chopping and collecting
+firewood, Ainu invariably sing.
+
+I have often heard two or three Ainu, when packing sea-weed within a few
+yards of one another, each singing to himself, and each so much absorbed
+in his own composition as not to even hear his neighbours. An Ainu does
+not and cannot sing unless he feels in the mood for it; but if he sings
+he is carried away by his own music. Of course this is a good quality in
+Ainu music, as in all arts where "feeling" is to be appreciated as much
+as execution. The latter is to be got by constant practice and teaching;
+but the first has to be born in one.
+
+My readers must forgive me if I am judging Ainu music, not from the
+European, but from the native standpoint, for I think it is only fair to
+give things as they are, without too much reference to our own ideas.
+
+With savage nations, music is the expression of the feelings and
+passions of the musician. Thus, it is necessary to well know the man
+himself before we can understand his productions and appreciate them;
+and such knowledge is only attained by constantly living with natives,
+not as a mere stranger, but as one of them.
+
+Very few travellers have seen the real Ainu, or studied them accurately,
+while many, partly owing to their inability to differentiate one race
+from another, have given us highly imaginative descriptions, and even
+photographs, of Japanese half-castes and actual Japanese, describing
+them as Ainu. If such worthy ethnologists as have visited the "civilised
+part only" of the Ainu country, have been unable to distinguish types of
+the hairy Ainu race from those of the hairless Japanese, or from
+mixtures of the two, undoubtedly racial characteristics have been but
+imperfectly recorded.
+
+It is more particularly in music and poetry, as I have already
+explained, that temperamental characteristics are shown, and one ought
+to be careful to clearly define what is native music and poetry--in
+which I include legends, traditions, and folk-lore--and what has been
+transmitted by neighbouring and conquering races. Loud music is not
+appreciated by the Ainu, and makes them grin with more scorn than
+enjoyment. I could only try experiments in this direction by singing to
+them, as I had no European musical instruments with me; but I found that
+singing _con brio_ at the top of my voice was not so pleasing to them as
+when I sang _piano con passione_. For instance, the song "Toreador," in
+the opera _Carmen_, created fits of merriment from a crowd at
+Frishikobets, while the same crowd, a few minutes later, listened
+attentively and silently to Gounod's "Ave Maria," sung in a kind of
+"miaoling" voice.
+
+I may here mention incidentally, to show the different musical tastes of
+Ainu and Japanese, that some months previous to this I was at a concert
+at Tokio in which the same "Ave Maria" was performed by some
+distinguished European musicians. The large Japanese audience, who had
+been attentive and well-composed till then, went into fits of laughter
+when Gounod's masterpiece was played, and all through it the noise of
+people laughing was so great as to drown entirely the orchestra and
+singers. Some of the women in the audience nearly went into hysterics at
+the long _legato_ notes at the beginning of the piece. Louder melodies
+and of a livelier character did not affect them so. I wish to draw
+attention to this fact, that amongst all primitive peoples the native
+music is sad and slow--the livelier melodies coming later; and also,
+that with both wild and domestic animals the most noteworthy effects are
+produced by slow and simple music. We all know how dogs will remain
+quiet and calm when a soft and gentle air is played, but get furious to
+the point of savageness under the "plan-plan-rataplan" of a merry noisy
+tune. As for the last item connected with Ainu music, viz., dancing, it
+is rarely practised, even by the Ainu women, to whom alone it pertains.
+At the best it is of a very rude form. In the Piratori festival (Chapter
+IV.) we have seen that their dancing is accompanied by rhythmical sounds
+imitating the noises produced by implements in everyday use, as the
+squeaking of a paddle by the friction on the canoe, the cry which
+accompanies the pounding of millet, blowing alight the fire, and similar
+sounds. Time is kept by clapping the hands and by vociferations which
+tell the partners what position or action to assume, each action being
+accompanied by a different sound, but all performed while the hopping is
+kept up. I have not felt justified in classifying these rhythmical
+sounds, which accompany the dancing, as choruses, for there is not
+enough in them to constitute either a tune or a melody. They are
+suggested more by the action of the arms and upper part of the body than
+by the steps; in fact, if it were not for the continuous hopping it
+would be more accurate to describe Ainu dancing as "posturing." The
+dancers form a circle, with sometimes one or two children in the centre.
+As there are no professional musicians, there are no professional
+dancers; but though each man may be his own composer of music, the women
+never alter their dances, which are handed down unchanged from one
+generation to another. It is only at festivals that the dance is
+performed, and never inside the huts, but in the open air. It is not for
+the amusement of spectators, for besides one or two of the older women,
+spectators there are none; but it is for the enjoyment of the dancers
+themselves. The men do not seem to take the slightest interest in the
+dancing, and apparently regard it as unmanly. They remain in the hut
+drinking while the girls enjoy themselves in this way outside, and
+should one of them by chance come out, he would stop and look on no more
+than men in civilised countries would stop and watch little children at
+play. On the other hand, on such occasions Ainu matrons squat in a
+semicircle not far from the dancers, and keep up a lament-like or
+sometimes quarrelsome conversation among themselves, and occasionally
+encourage the girls in their hopping, and suggesting _encores_ of this
+figure or that, which, between one quarrel and another, has taken their
+fancy.
+
+[Illustration: A WOODEN PIPE.]
+
+
+
+
+CHAPTER XXVI.
+
+Heredity--Crosses--Psychological Observations.
+
+
+The mental qualities of the Ainu are not many, and what they have are by
+no means great; nor are they improved by education, for what they know
+comes more from inheritance than personal acquirement, though naturally
+every rule has its exceptions. I repeatedly noticed that talent, such as
+it was, ran in certain families, the members of which were all more or
+less intelligent. Certain families were more musical than others; other
+families were more artistic--if, indeed, such a word could be applied to
+the very low development of the artistic faculty when at its best among
+the hairy people. Various members of one household were potently insane;
+others were as potently idiotic. I shall not class under this heading of
+heredity transmitted disease, like leprosy, consumption, &c., but I
+shall limit myself to heredity in physical traits and mental qualities.
+Unfortunately, with the Ainu intercourse between the sexes is so
+imperfectly regulated as to often lead one to erroneous conclusions. The
+reader may easily imagine the difficulty of establishing precise rules
+of transmission in a race like the Ainu, where castes are not marked,
+with the exception of the chieftainship in each village, the only
+necessary qualifications for which are a sound, sharp intellect, a
+strong physique, and personal courage. The office is hereditary if these
+qualifications are also inherited; but should the sons or brothers of
+the chief prove unworthy of his place, the Ainu would assemble in a
+"village council" and elect another strong, clear-headed, and brave man
+in place of the _roi faineant_ thus summarily deposed. These chiefs have
+no absolute authority, though the men often consult them in their
+quarrels and difficulties, which they are asked to settle. Thus, because
+of these qualities necessary for the office, these chiefs are a slightly
+superior type to the other natives; for with savages, as with civilised
+people, sharp-witted, strong, and brave men are naturally of a finer
+type than those who are their inferiors in these qualities: but the
+difference among the best Ainu and the worst is so small that I do not
+feel justified in classing chiefs as of a different caste. Besides,
+exceptional beauty, strength, or larger stature is not necessarily
+transmitted in the families of chiefs, nor do the Ainu themselves
+consider them better-looking than others.
+
+As Ainu laws of marriage have no relation to the physical and moral
+improvement of the race, the only way of classifying the natives for
+purposes of heredity is by tribes, each village being considered as a
+tribe. Ainu villages are generally very small, and the inhabitants of
+each village intermarry among themselves, therefore each member of the
+community is in some way related to every other member; hence heredity
+in certain physical traits, mental qualities, and diseases shows itself
+in one community and not in another. The difficulty of tracing the exact
+connection of each individual with his or her relations beyond the
+acknowledged father and mother also baffles research in more minute
+details. Abnormal formations are sometimes transmitted to many members
+of one tribe, as, for instance, the hare-lip and webbed fingers, of
+which deformities two or three specimens could be found in a small
+village numbering fifteen or twenty houses. Malformation of the
+umbilicus is common--sometimes in almost every member of one small
+community--while it is very rare in others. Children are mostly affected
+by this, as in some villages the cord is not treated at all at birth;
+and this leads to an abnormality till the child grows older, when the
+few who survive seem to get all right. In other villages the cord is
+fastened in a very primitive, not to say imperfect, manner, with a
+common string of _Ulmus campestris_ fibre.
+
+Albinism is very uncommon among the Ainu. I do not know of any case when
+it has been transmitted, as albinos are greatly disregarded by the Ainu,
+and, I was told, seldom marry.
+
+Red hair, or hair with red shades in it, is common among the Ainu of
+the north-east coast of Yezo, and also among the Kurilsky Ainu of
+Shikotan, where nearly all the children have light hair. It darkens
+considerably as they grow older, as many of the men said they had light
+hair when young, which turned dark with age. Members of certain
+communities have inherited the love of bear-hunting; others the love of
+fishing; some tribes have a musical aptitude, and a certain artistic
+talent for rough ornamentations on wood; others have developed their
+inherited power of sustaining hunger and thirst. The only characteristic
+which all the different tribes have inherited, without exception, is
+love for intoxicating drinks; and this love is not only inherited by
+thoroughbred Ainu, but also by half-castes.
+
+Mixed marriages between Japanese and Ainu are frequent, but the progeny
+are unfortunate beings, of whom a large percentage die when very young:
+those who live are generally malformed, ill-natured, and often idiotic.
+Their sight and hearing are not so acute as with the pure Ainu, and
+crosses are said to be sterile, with very few exceptions. If children of
+second crosses are born they seldom live to be more than five years old.
+
+Half-breeds are invariably from a Japanese man with an Ainu woman, but
+occasionally an Ainu man marries or cohabits with a half-caste woman. I
+have never seen a pure-blood Ainu man marry a pure-blood Japanese woman.
+The majority of half-breeds are males: I should think two-thirds males
+and one-third females. The half-caste women are physically finer than
+the men, but they are said to be very generally, if not uniformly,
+sterile.
+
+The products of the first cross greatly resemble in general look the
+Ainu parent, without being quite as hairy, though still very hairy; but
+a strange peculiarity is, that they get bald while quite young. One can
+easily detect them by their eyes, which are frequently like those of the
+Japanese, by the wide flat forehead, and by the pose of the head, which
+inclines forward. They generally walk with their toes turned in, instead
+of keeping their feet perfectly straight, like the pure Ainu. The moral
+and intellectual position of these half-breeds is a pitiful one. They
+are rejected by both the Ainu and Japanese, and are held inferior to
+both alike.
+
+A high moral standard, whether got from philosophic breadth or Christian
+virtues, does not suit a despised barbarian race like the Ainu. Nothing
+could or does kill them quicker than civilisation. Experiments have been
+tried to civilise certain Ainu: they were made to wash, bathe, and live
+in comfortable, clean quarters: they were instructed and got good food;
+but after a few months they had to be sent back to their native place
+and ways, for civilisation only killed them.
+
+The half-castes have none of the good qualities of either race. They are
+neither as brave as the Ainu nor courteous and light-hearted like the
+Japanese. The following remarks, which I take direct from my diary, were
+written by me between Shimokebo and Tomakomai, on the south-west coast
+of Yezo, where many half-breeds are found along the sea-shore, and I
+shall pass them on untouched to my readers.
+
+"The Ainu along this coast were decidedly ugly. Many half-breeds are
+also found along this coast. These half-breeds invariably grow bald in
+early life, whereas the Ainu do not. The hair on their back, arms, and
+legs is not so long or so thick as with the pure Ainu. Their teeth are
+neither so strong nor so sound. As is usually the case when a mixture of
+two or more races takes place, the lower and upper jaws not being of the
+right proportion, it follows as a matter of course that unusual pressure
+and friction injure and wear out the enamel of the teeth, thus causing
+premature decay. The Americans and Australians are good examples of this
+premature decay caused by the disproportion of the upper and lower jaws.
+Also, teeth which do not fit well together sometimes grow so long as to
+be a nuisance to the person who owns them. I found that these
+half-breeds have all the bad qualities of both the Ainu and the
+Japanese, and have not retained any of the good ones. They are
+ill-tempered, lazy, and vindictive. It is well to mention that, on the
+Japanese side, they have come mostly from the criminals exported by the
+Japanese Government, which fact partly explains why they are so
+evil-minded and untrustworthy. Instead of falling into the more
+civilised ways of the Japanese, these half-breeds prefer the wild life
+of their Ainu ancestors; and if anything they are wilder than the Ainu
+themselves. Insanity is very common among half-breeds. The head is in
+most instances of an abnormal size; the frontal bone is generally more
+sloping than with the thoroughbred Ainu; and though the skull be wide
+from one temple to the other, it is not spacious enough from the frontal
+bone to the back of the head. They have heads so shaped that the
+animal propensities are in excess of the moral and mental
+faculties. In thoroughbred Ainu I found the bumps of amativeness,
+philoprogenitiveness, and tune very well developed. In the half-breeds
+these bumps hardly show at all, and in some cases the back of the
+head--where the two first bumps are found--is almost flat.
+
+"Ainu half-breeds never live to be very old. They are often affected
+with rheumatism--_kaki_, a disease peculiar to the Far East--leprosy,
+and consumption, and they suffer from these diseases much more than do
+the pure Ainu. I found leprosy quite common among half-breeds--while I
+have seen but few Ainu affected with it. In most instances, though,
+leprosy had only attained its first stages--contraction of fingers and
+subsequent dropping off of the three phalanges, ears, and nose; but this
+may be explained by the fact that the sufferers in general succumb
+before the disease attains its more serious character, when the whole
+body is visibly affected by it."
+
+Precise laws as to the degree of quickness of perception, power of
+reasoning, and learning of the Ainu race cannot be given, for, as I have
+mentioned before, almost each individual would require a special rule
+for himself. My readers may have noticed that, while some Ainu were but
+little above monkeys, others were sharp, and gave answers very much to
+the point. This may apparently be regarded as a contradiction on my part
+by people who have neither lived with savages, nor studied the
+temperament of beasts. But it is not a contradiction. There are in this
+world clever monkeys and stupid monkeys: some can never be made to learn
+any tricks; others will learn them in no time. Intelligence is
+instinctive, and not acquired, though of course it can be greatly
+developed with education; thus, the Ainu are instinctively intelligent,
+but I wish my readers clearly to understand that their intelligence does
+not go much further than that of an intelligent monkey, though of course
+the Ainu have the advantage over beasts of being able to talk, and
+therefore, to a limited extent, discuss and combine. The Ainu memory is
+a perfect blank in certain respects, as with arithmetic, science,
+mechanics, reading, writing, drawing, and delineating maps; while in
+other directions it seems to be fairly keen, as in hunting, fishing,
+tracking, and acquiring languages up to a certain point. This last
+faculty is noticeable in nearly all the lowest races, as the Australian
+aborigines, the Tasmanian natives (now extinct), the Tierra del
+Fuegians, &c. The Ainu ideas of time are vague, and if you add to that
+the extreme difficulty which they experience in counting even up to ten,
+and their inability to count beyond that number, it is easy to
+understand why we can never learn the exact age of Ainu individuals.
+
+Like the monkeys, the Ainu cannot concentrate their attention, and they
+are easily wearied. Beads and shiny objects have a fascination for them;
+but other objects, even perfectly new to them, arouse but little
+curiosity, which soon passes, and they show no intelligence and less
+imagination as to the probable use of these strange objects. They show
+no inquisitiveness, and no wish to be taught the use of anything new and
+unfamiliar.
+
+It will be remembered that at Yamakubiro, on the Tokachi River, beyond
+the natural astonishment caused by the first appearance of my ponies,
+the strange baggage, and myself, the Ainu did not pay much attention to
+this novel sight, and did not show any wish to have it explained, while
+more civilised people, like the Japanese, would not have been satisfied
+until I had shown and explained every article in my possession, and
+allowed each person to try its use, &c., after which they would talk for
+hours of what they had seen. The Ainu are not "built" so, and therefore
+they have never made any progress. In the more civilised parts of Yezo
+we have a proof of it. Their backwardness in acquiring the habits and
+customs of their conquerors the Japanese, arises from incapacity more
+than from conservatism. Yet for all that the Ainu are so incapable of
+improving themselves, they are very persevering in what they do attempt,
+as in their rough wooden carvings, the hollowing of their "dug-outs,"
+the construction of their wooden tools and weapons, the weaving of their
+rough garments, and the ornamentation thereof; but in all these they
+appear to act more automatically than with keen and constructive
+intelligence.
+
+The Ainu are not to be taken _au pied de la lettre_, for the illusions
+produced by ignorance and untutored imagination prevent anything like
+literal accuracy; but they are not what we may call conscious and
+immoral liars. A good example of this is my adventure at Horobets, when,
+although they knew that they would be severely punished by the Japanese
+policeman, the Ainu confessed their attack on me, and did not attempt
+either denial or evasion. They are often plucky, and even distinctly
+courageous; as, when out bear-hunting, a man armed only with a large and
+not over sharp knife unhesitatingly attacks this formidable beast, who
+sits up on his hind quarters, sure to crush the life out of his
+assailant should he miss his stroke. The Ainu, protecting his head with
+his left arm, and having taken the precaution to cover his back with
+skins, goes merrily for the embrace; and while Bruin squeezes, the hairy
+man splits its body open with the large knife.
+
+The Ainu are cool-blooded. They are not subject to strong emotions, and
+therefore they are not much affected by dreams and nightmares. They are
+not affectionate except for a momentary impulse; but, like most animals,
+they are faithful when they love. Mothers are fond of their children
+till they have reached puberty; but after that the affection seems to
+fade away. Paternal love is much less strong.
+
+The pure Ainu are comparatively honest people, which may be due to the
+incapacity for being dishonest. In a country where there is no exact
+definition of property, where anybody can get what he requires without
+resorting to theft, there is no reason why everybody should not be
+honest. Then, according to Ainu ideas, stealing is not always stealing.
+For instance, if an Ainu, without asking, takes away some of the salmon
+caught by one of his hairy brethren, he will be blamed for it, he will
+get into a row, and probably be beaten; but if the theft is perpetrated
+on a Japanese or a stranger he will be praised, though the Ainu well
+knows that he is not acting right. Their desire is stronger than their
+conscience, such as it is; and having no laws of their own to rule them
+worth speaking of, they often do according to their desire, without
+deserving the accusation of conscious dishonesty. It is exactly the
+same case as when a dog jumps on the dining-table when everybody is
+absent and carries off the leg of mutton which he knows he ought not to
+touch; but the temptation was too strong, and he could not resist it.
+The Ainu are fond of independence, though in many instances I found them
+gentle, and apparently submissive to a stronger will than their own. The
+field of their brain-power is of course very narrow, and the same rough,
+rude, primitive thoughts and ideas are constantly repeated in their
+conversation as well as in their designs.
+
+
+
+
+[Illustration: NAKED AINU MAN FROM THE NORTH-EAST COAST OF YEZO, PACKING
+SEAWEED FOR WINTER USE.]
+
+CHAPTER XXVII.
+
+Physiological Observations--Pulse-beat and Respiration--Exposure--Odour
+of the Ainu--The Five Senses.
+
+
+The following physiological remarks are mostly from observations made on
+Ainu of the Upper Tokachi district, the natives of which have had no
+communication with Europeans and little with Japanese previous to my own
+visit to them. Observations made on the semi-civilised Ainu of Volcano
+Bay and Piratori, on those of the north-east and west coasts, and the
+Ishikari River, as well as on half-castes of different districts, have
+been taken into consideration.
+
+Owing to the lack of a clinical thermometer and other instruments, I,
+unfortunately, was not able to ascertain the normal temperature of the
+body; nor could I get any very accurate observations as to the frequency
+of the pulse-beat, owing to the miserable condition of my watch and the
+difficult task of getting natives to sit perfectly still while their
+pulse was felt. A superstitious fear, too, that some evil would befall
+them accelerated the pulsations, and they invariably moved away rubbing
+the spot I had touched on their wrist. Though I could not count the
+exact number of pulsations to a minute, the movement of the pulse was as
+a rule slow and rather weak. Respirations were fourteen to seventeen to
+a minute in men, and about sixteen to twenty in women, and the
+respiratory movements were similar in both sexes, viz., costal breathing
+was predominant. In half-castes I have sometimes noticed abdominal
+breathing.
+
+The Ainu not only bear cold well, but prefer it to heat, though, indeed,
+their country is never very hot. The sun's rays have no fascination for
+them, as with so many other races; and I have seldom seen Ainu basking
+in the sun for purely physical pleasure, although they go about with
+uncovered heads, and do not seem to suffer any ill effects from the
+practice. The Ainu of Piratori wear Japanese hats of wicker-work; and
+others, especially women, tie round their head a Japanese towel--a
+fashion, as we have seen, also adopted from the Japanese. With this
+head-dress the crown of the head is left uncovered.
+
+The Ainu are not massively formed, but they are sturdy, and, as we have
+seen, can bear almost any amount of privation as regards food and drink.
+Sleep is necessary to them, and they require a great deal to be in
+anything like good condition. The sleeping hours are generally from an
+hour or so after sunset to sunrise; but during the day they are often
+drowsy, and turn in to have a siesta after food and exercise. In men the
+voice is soft and deep; shriller but still gentle in women. The Ainu
+seldom perspire, partly because the pores of their skin are blocked with
+dirt; partly because their long hair absorbs a great quantity of
+natural moisture; and mostly because they do not drink much except when
+they can get hold of intoxicants.
+
+The skin is greasy--the natural result of many years of an unwashed
+existence; and this gives to the hairy people a peculiar and strong
+odour, much resembling that of monkeys. Many are familiar with the
+peculiar odour of an uncleaned monkey's cage, and the same, intensified
+a thousand times, characterises an Ainu village. Hundreds of yards off
+you can distinctly smell out a village, or if the wind is blowing
+towards you, that peculiar odour is perceptible for a full half-mile.
+Although the sense of smell is acute in the Ainu--for they sometimes
+employ it in tracking animals--they are not aware of their own strong
+odour; but they are quick in distinguishing that of other races. I have
+several times heard Ainu of the coast remark that I possessed a
+different odour from that of the Japanese; but they could neither define
+it nor assimilate it to that of any animal they knew, though several of
+them one day held a lengthy pow-wow about it; and in the interest of
+anthropology I submitted to the unpleasant process of being smelt all
+over by them. The Chinese unanimously assert that Europeans smell like
+sheep, and they say this is the reason we constantly wash and bathe,
+being aware of our infirmity, and doing our best to diminish it by soap
+and water. We ourselves attribute to Jews one distinct odour, and yet
+another to the Russians; not to speak of those belonging to the negroes,
+the Chinese, and, in fact, all other nations. Thus, the odour has some
+importance in the classification of peoples, as it largely depends on
+the kind of food as well as the personal habits of a race. Meat-eaters
+smell differently from fish-eaters, and these again from vegetarians. As
+regards the Ainu, their filthy habits of course increase their
+offensiveness, while bodily exercise renders them intolerable. The
+Japanese recognise the Ainu odour as a distinguishing mark of the race,
+and Japanese fishermen have often said to me, "_Aino shto taihen
+kusai_"; "_Saru_," or else "_Kumma onaji koto_"--"Ainu men smell bad,
+just like a monkey or a bear."
+
+As an Ainu grows older this peculiarity increases. The weaker sex is
+generally more "strongly scented" than are the men, owing to the fact
+that women wear skins and rough cloth rags nearly all the year round,
+while in summer the men go about either entirely naked, or very lightly
+clad.
+
+On the north-east coast of Yezo and in Shikotan (Kurile Islands) I saw
+some Ainu who, contrary to the rule, had red hair, and their animal
+odour was terribly offensive. The Ainu do not use any unguents like
+palm-oil, cocoanut-oil, or the like, by which the unpleasantness of
+certain African tribes and Eastern peoples is to be accounted for. What
+they have is natural and national, and due to their food, habits, and
+race alone.
+
+The Ainu have no partiality or dislike for any particular scents, and
+their sense of smell shows itself mainly in their power of tracking game
+or animals, as was said before. The same might be said of the sense of
+"touch," which they seldom apply practically, notwithstanding their
+sensitiveness in certain parts of the body, especially under the
+arm-pits and on each side of the spinal column and the back of the
+head--just those parts which in most animals are the most sensitive; but
+they have no developed sense of touch in their finger-tips, as with
+civilised nations.
+
+Most Ainu find it difficult to declare which is the heavier of two not
+very unequal weights. Differences in the temperature of two bodies, and
+in the smoothness or texture of two surfaces, are also extremely
+difficult for them to define, while it is easy for them to judge of
+weights and texture by eyesight. The palms of the hands, which are so
+sensitive with us, owing to the papillae being more thickly studded there
+than in other parts of the body, are less intelligently sensitive with
+the Ainu. When they touch cold or hot objects they feel pain, but not
+difference of temperature, as when with us a wound is touched it makes
+little difference whether it is by something hot or cold, it is simply
+pain, and not discrimination. Their lips, as well as the tip of the
+tongue, are slightly more sensitive; the lower lip more so than the
+upper. I was never able to determine the relative sensibility of the
+sensitive parts of the Ainu body, as my experiments either caused anger
+and impatience, or hilarity and mockery. If the first, the observations
+had to be stopped before they were well begun; if the second, beyond the
+general results which I have quoted, the answers were mere guesswork on
+their part, and therefore not worth recording. Most of my observations
+are based on experiments made while the men were unaware that they were
+observed at all. Often, when asleep, I have touched them on the soles of
+the feet and the palms of the hands without causing them to awake, while
+when touched on the lower lip or in the lumbar region they invariably
+woke up startled. One day I tried this experiment on an Ainu who was
+sleeping on his back, with his mouth wide open. I touched his tongue
+with a well-sharpened lead-pencil, and the effect was subitaneous; more
+so than on either the lips or the lumbar region. The skin directly over
+the spine was dull, but the ears showed a certain amount of sensibility.
+The sense of "taste," which is a mere modification of the sense of
+touch, is also dull, although naturally, when stimulated by very acid or
+bitter substances, it produced distinct impressions. Even with
+ourselves, though more perfected than the sense of smell--which,
+however, often comes to its assistance--few can boast of having the
+sense of taste very acute. In our lower classes an extraordinary amount
+of salt, mustard, pepper, or sugar is needed before they can call their
+food "tasty," whereas a person of more refined education will detect the
+lack or excess of even the smallest portion. Over-stimulation of the
+lingual nerves and extremes of heat or cold deaden the sensibility of
+the tongue, palate, and fauces, and destroy the power of distinguishing
+flavours; bad digestion also frequently affects the organs of taste.
+From this we may argue, then, that the sense of taste, though born in
+one, has to be cultivated before it is brought to any degree of
+refinement. The Ainu not only do not possess this acquired refinement,
+but, through monotony of food, learn only one kind of flavour, and
+cannot distinguish differences. Thus, as many labourers in our country
+would not find any difference between a beef-steak slightly underdone
+and one over-cooked, so an Ainu finds no difference whatever between a
+piece of salmon properly dried and one perfectly rotten. In this respect
+the Ainu are far below beasts.
+
+In tribes of natives like the Ainu, who have lived an adventurous life,
+mostly in the open air, it is but natural that the two senses of "sight"
+and "hearing" should be more developed than those of "touch," "smell"
+and "taste;" as life itself depends mostly on their accuracy and
+acuteness. The Ainu possess good sight. Inflammation of the eyes is very
+common among their children, owing to their filthy condition; but it
+seldom affects their permanent sight; very few Ainu suffer either from
+myopy or cataract, or other eye affections such as are frequent among
+civilised and more studious nations. In very warm climates, where the
+sun is powerful and the light strong, the eyes are generally shielded by
+specially long and thick eyelashes and eyebrows, which last prevent the
+sweat from running down the forehead into the orbit; but, strange to
+say, the Ainu, who are a northern race, and have always lived in cold
+climates, have eyelashes even longer and thicker than any race of people
+in tropical climates. The iris is of a somewhat greyish tint, sometimes
+traversed with brown shades. The white of the eye is less pearly than
+with Caucasian races, and the eyes, shaded as they are by long eyelashes
+and heavy eyelids, seem to possess all the qualities necessary for
+abnormally long vision. And this we find to be the case, for the Ainu
+can distinguish objects a long way off, but they are dense as to
+minutiae. In other words, the eye of an Ainu is ready to receive an
+impression, but very slow in transmitting to the brain the impression
+received.
+
+As we have seen, they cannot reproduce the "human form divine," or any
+faithful representation of anything animate or inanimate which they have
+seen. They see _en gros_; thus, should an Ainu's attention be drawn to
+some very distant object rapidly moving on the shore, he will at once
+say that it is a horse, because he knows that the chances are it is a
+horse, but he will be unable to describe its colour, and whether
+cantering or galloping, saddled or unsaddled, by a single glance at the
+horse, unless his attention is called to each particular detail, when he
+will answer each question correctly enough. The Ainu vision is then
+strong, but the brain is not quick in response. Testing their sight by
+"test dots," as used in the British Army, was not a success, greatly
+owing to their inability to count and the inaccuracy of their answers.
+
+The most fully-developed sense in the hairy people is, in my opinion,
+that of hearing. Distant sounds are clearly recognised and specified,
+and they are also aware that by placing one ear near the ground, far-off
+sounds of horse's hoofs and the like can be clearly distinguished. The
+ticking of a Waterbury watch could be heard by Ainu at a distance of
+twenty and twenty-two feet, while I could only hear it nineteen feet
+away. I was often struck by the quickness with which they detected the
+tick-tack even when the watch was in my pocket, and they were six or
+eight feet away. The unusual sound fixed their attention and made them
+curious as to the cause, and they showed a childish kind of surprise and
+delight when the watch was produced and passed round among them, each
+one being allowed to enjoy his share of the ticking.
+
+Resuming these few remarks on the characteristic points of Ainu senses,
+my readers will probably have noticed certain facts which strongly
+support Darwin's theory of evolution, and the hairy arboreal ancestor
+with pointed ears from which the races of men are descended.
+
+
+
+
+[Illustration: TROPHY OF BEARS' SKULLS.]
+
+CHAPTER XXVIII.
+
+The Ainu Superstitions--Morals--Laws and Punishments.
+
+
+I cannot begin this chapter better than by saying that Ainu religious
+ideas are essentially chaotic. They recognise no supreme God, and no
+intelligent Creator; and they cannot be called polytheists, for indeed
+they are not _worshippers_ of any power--taking the word in its full
+meaning. The Ainu worship nothing.
+
+If they have any belief at all it is an imperfect kind of Totemism, and
+the central point of that belief is their own descent from the "bear."
+This does not include the smallest reverence for their ancestor. They
+capture their "Totem" and keep it in captivity; they speak to it and
+feed it; but no prayers are offered to it. When the bear is fat, it is
+taken out of the cage to be ill-treated and baited by all the men
+present. It is tied to a stake and a pole is thrust into its mouth; and
+when the poor beast has been sufficiently tortured, pricked with pointed
+sticks, shot at with blunted arrows, bruised with stones, maddened with
+rage and ill-usage, it is killed outright, and, "ancestor" as it may be,
+it makes the chief dish and _raison d'etre_ of a festival, where all the
+members of the tribe partake of its flesh. The owner of the hut in which
+the feast takes place then sticks the skull on to a forked pole, and
+sets it outside with the others at the east end of his hut. The skin is
+made into garments, or is spread on the ground to sleep on.
+
+In addition to this rudimentary kind of Totemism--if I may call it
+so--the Ainu show a certain amount of fear and respect for anything
+which supports their life or can destroy it. This, however, is under the
+form of an "instinct" rather than a "religious feeling." Dumb animals of
+any kind are similarly affected by powers which they cannot explain; but
+as we would not think for a moment that when a dog is barking at the
+moon the dog is worshipping the orb of night, or when it basks in the
+sun that it is offering prayers and reverence to the orb of day, no more
+should we think that the Ainu, who are not much above dumb animals,
+worship all they respect and fear.
+
+If other writers, most of whom have never visited the Ainu country, had
+not written on this subject, I would have limited myself to saying that
+the Ainu, properly speaking, have no religion, but as certain untenable
+theories and false ideas have been published, I feel bound to state what
+I know on the subject, that, so far as I can, I may correct these
+erroneous impressions. I regard myself as qualified to speak with some
+authority, as I am the _only_ foreigner who has seen and studied _all_
+the different tribes of Ainu in Yezo and the Kuriles; while other
+writers, the few who have actually been there, have based their
+statements on a few half-castes or Ainu in the more civilised part of
+southern Yezo, collecting from them ideas left behind by previous
+travellers, and offering them to the public as purely Ainu. That these
+hasty travellers and cursory writers have been deceived, or have
+deceived themselves, is not astonishing; for it must be borne in mind
+that the Ainu language is as poor in words as the Ainu brain is
+deficient in thoughts. Thus it is no easy matter to explain to an Ainu
+what is meant by "religion," by "divinities," and by "worship." The
+nearest approach can be made only by comparisons and analogies, which
+often lead far from the point aimed at. Like all savages and barbarians,
+the Ainu are more apt to answer as they think will please the questioner
+than to give a definition of their own beliefs. The manner in which a
+question is put gives the keynote to the reply, which is in no sense an
+independent statement of their own thoughts.
+
+For instance, if you were to say to an Ainu, "You are old, are you not?"
+he would answer "Yes"; but if you asked the same man, "You are not old,
+are you?" he would equally answer "Yes." Knowingly speaking the truth is
+not one of their characteristics; indeed, they do not know the
+difference between falsehood and truth. This is a common failing with
+all savages as well as with all Orientals; but with the Ainu it is even
+more accentuated; and when, in addition to this, the difficulty of
+making them understand exactly what one means is taken into
+consideration, it is not astonishing that a traveller arrives at a wrong
+conclusion if the utmost pains be not taken in pursuing one's
+investigations.
+
+Of course the Ainu who have come in contact with Japanese know of a God,
+and some of them, at the instigation of Japanese _bonzes_, have become
+nominal Buddhists. Benry, at Piratori, showed me a small Buddhist
+shrine, of Japanese manufacture, which had been put up on a neighbouring
+hill. All the time I stayed at Piratori I never observed any Ainu
+worship at it. One day I saw two boys throwing stones at it, but that
+could hardly be called an act of reverence, even among my hairy friends.
+
+On my inquiring as to the origin and use of the shrine, I was told by
+some that it was erected to the God of the Japanese. Benry, who was
+always "well informed," both in things that he knew and those that he
+did not know, said that it was built in honour of Yoshitsune, the
+Japanese personage who, as we have seen, is the hero in semi-Ainu
+legends, and whose image or spirit, according to travellers' tales, is
+worshipped by the Ainu.
+
+It always appeared strange to me that the Piratori Ainu had this
+Japanese hero in their legends, but still more strange that they should
+make him their deity. Yet what was most singular of all was, that with
+the exception of Benry and a few others at Piratori, no other Ainu I
+met in any other part of Yezo seemed to know about Yoshitsune--or
+Okikurumi, as he is sometimes called by them; and, moreover, they knew
+nothing of his doings, or of the reason of his being worshipped. The
+Ainu of the Tokachi knew nothing whatever of this personage.
+
+The Ainu idea of soul is always associated with "breath" or "life;" and
+as for the resurrection of the body and the future life of the soul,
+they have never even dreamt of it. Metempsychosis is equally unknown to
+them.
+
+As my readers have seen, in the description of a burial the implements
+and weapons which belonged to a deceased person are buried with him. The
+articles, however, previous to being thrown into the grave, are smashed
+to pieces; for the idea is, not that the dead body should profit by
+these things in the other world, but that no other person should make
+use of what had been his property in this. The reasoning power of the
+Ainu does not carry him beyond what is purely material; his mind has
+never been trained to go beyond that limit, and he finds that he can
+live well within it. Like all animals, he is guided by his instinct,
+which tells him what is good and what is bad for him; but as to any
+attempt to find out _why_ such things are good or bad for him, he is
+utterly at a loss, and has to give up the quest. Though not devoid of a
+rudimentary kind of shrewdness, the Ainu is dense and ignorant to the
+last degree, and just as he is reluctant to adopt new modes of living,
+so he is unable to accept new ideas or larger thoughts. The mere
+conception of a Superior Being, who is the Maker of all things and above
+all things, is far beyond the comprehension of any Ainu. Eating and
+drinking are what he principally lives for. He does not thirst for
+knowledge, nor strive after the Divine; and he has no creed of any kind
+and no formula of sacrifice or worship, which two conditions are
+essential to even the most elementary religion.
+
+What the Ainu do really possess in the way of supernaturalism is the
+ordinary savage's credulous superstition, which manifests itself in
+certain charms or fear of certain omens. However, after that degree they
+take the world as it comes. They have no idea of who made it, and they
+are not anxious to learn. The sun, the moon, bears, salmon, water, fire,
+mountains, trees, are all things for which an Ainu has a dumb kind of
+regard, not amounting to reverence, as he knows that he could not live
+without them. This has led some persons to define these objects as the
+principal divinities of the Ainu, and to call the people themselves
+polytheists. The word _Kamoi_, or _Kamui_, has been rendered as "god,"
+gods "divinity." Now, what does the word _Kamoi_, or _Kamui_, really
+mean? Translated literally it means "old" or "ancient"; but amongst a
+hundred other meanings it also denotes "large," "beautiful," "strange,"
+"it," "the man," "he who," &c. In fact, it is used to qualify anything,
+whether good or bad; and in some ways corresponds to our adjectives
+"wonderful," "awful," "grand "; but assuredly the Ainu do not by this
+word mean to designate the objects thus described as so many gods.
+Anything for which they entertain respect or fear is described as
+_Kamoi_, or _Kamui_, which thus is applied to the sun, the moon, the
+stars, mountains, rivers, old trees, bears, salmon, large stones, &c.,
+not with the intention of making them divinities, but simply to specify
+their power, greatness, or antiquity. The word is applied to every kind
+of thing, animate or inanimate, good or bad, respected or derided,
+dreaded or revered, admired or abhorred. It is sometimes a prefix,
+sometimes an affix, and is the most universal attribute the Ainu world
+or language contains. We are, therefore, forced to the conclusion, that
+either the Ainu are polytheists or pantheists to such an extent as
+occasionally to make everything and everybody a god; or else, that
+translators have given their own, and a greatly exaggerated, meaning to
+the word _Kamui_, and that these so-called gods are not gods at all. To
+me there is no alternative opinion on the matter. The Ainu have no gods
+in our sense.
+
+Basing conclusions on wrong premises, writers on the Ainu religion have
+been naturally led astray altogether. For instance, the composite word
+_Kotan-kara-kamui_,[39] which a learned missionary has translated
+"Creator," only means "the man who made the village"--a description
+which hardly corresponds to the grandeur attributed to the words by its
+imaginative translator.
+
+ [39] _Kotan_, village, place, site; _kara_, to make, build; _kamui_,
+ the man, ancient, strength.
+
+Then again, _Kamui kotan_, which according to some means "the home of
+God," in its real signification is "an ancient village; a beautiful
+place." When _Kamui_ is applied to persons, it is generally a suffix;
+when to things, it is a prefix.
+
+But let us come to the _inao_, which by some have been called the "Ainu
+gods," by others "Divine symbols." These _inao_ are willow-wands, with
+shavings depending from the upper end, sometimes from the middle, and
+occasionally from near the lower end as well.
+
+The larger wands are about four feet in length, and have either one or
+two bunches of shavings at the upper end only. They go by the name of
+_inao netuba_, or "big _inao_." Other smaller _inao_, like the
+_Chisei-kara-inao_,[40] are kept in the house, and stuck in the eastern
+corner of the hearth, and in the wall directly opposite the entrance
+door. Some of the _inao_ are shaved upwards from the bottom, others
+downwards from the top; and one, a big _inao_, is often thrust through
+the small window facing the east. Sometimes they are placed about
+singly, especially inside the huts; but outside, close to the eastern
+wall, I have often seen eight or ten standing together in a row. When so
+taken collectively they are called _nuza_. On Volcano Bay, up the Saru
+River, and on the Lake Kutcharo, where it is the custom of the Ainu to
+make trophies of the skulls of bears and deer which have been killed in
+the hunt, one or two _inao_ are placed at the foot of the trophy.
+Sometimes, but very rarely, a whole _nuza_ is to be seen in front of a
+trophy; but in most cases the _nuza_ I saw were near huts that had no
+trophy at all, and, as I say, only very seldom were they in front of the
+trophy itself, unless a bear feast was going on. I am therefore under
+the impression that these _nuza_ are only put up when some festival
+takes place, and that they are not kept there permanently. I remember
+that at Piratori there were no _inao_ and no _nuza_ outside Benry's
+house, but on the day that the festival took place one was put up, and
+several _inao_ were placed inside the hut, in the hearth and on the
+north wall. Likewise, a _nuza_ was put up on the same day at the east
+end of the hut in which the feast was given, and the inside was also
+adorned with _inao_ of various sizes and descriptions. Each _inao_ is
+pointed at the lower end, so as to be easily stuck in the ground. The
+_inao_ of all sizes and shapes impressed me as being mostly for
+ornament. Then some are held as charms against misfortune and disease;
+but they never impressed me as being offerings to the gods. _Inao_ are
+placed near springs, so that the good water may not turn into
+pestilential, and occasionally _inao_ of a peculiar shape are hung in
+the doorway of newly-built huts. They are made of a number of small
+willow sticks tied together, from which hang five or six bunches of
+shavings; they are hung horizontally, and not in a vertical position,
+like the other _inao_. They are very uncommon, and only used on certain
+specified occasions. For example, when a child is born an _inao_, in the
+shape of a doll, is made of a bunch of reeds folded double and tied with
+a string about an inch from the bend, which thus forms the head; it is
+then tied lower down to indicate the waist. By dividing the reeds into
+two equal portions they produce a pair of legs, and a stick is then
+passed through the reeds between the head and the waist to form the
+arms. When this doll is made it is placed near the infant, so that
+should any disease or misfortune, in the shape of a kind of evil spirit,
+be tempted to enter the child's body, it may be averted, and enter the
+doll instead. Should a person fall ill new _inao_ are stuck in the
+hearth, as the Ainu share our own idea that evil spirits dwell mostly in
+fire; others are placed near the sick person. They are not meant as
+offerings to the gods for his or her quick recovery, but merely to bring
+good luck to the individual whose body they think has been taken
+possession of by "animals inside," or, in other words, evil spirits.
+
+ [40] _Chisei_, house, dwelling, hut; _kara_, make; also, have.
+
+Even at the present day in England and on the Continent horseshoes for
+luck are hung over entrance doors, and if a horseshoe be fastened on to
+a stable-door, the beasts within are supposed to be held free from
+accidents and illness.
+
+In Spain and Italy little red rags tied to a small wand, not dissimilar
+in shape to a small Ainu _inao_, are stuck in flower-pots near windows,
+over beds, doors, and up chimneys, to keep witches at bay, red being a
+powerful exorcist in the way of colours, and as good as the "running
+stream which witches dare not cross." Some hysterical women have
+declared that they have seen witches hiding in the smoke of the boiling
+_Pentola_ (the earthenware pot in which the soup is boiled)--but that on
+seeing the red rags they vanished, and never visited the house again.
+Italian and Spanish women and children almost invariably carry charms
+round their necks, that are to keep them safe from harm; and,
+furthermore, when a child falls ill, one or more red rags are fastened
+to its bed before a doctor is sent for. Then, again, people suffering
+from epileptic fits have often been supposed to be "possessed," and
+beaten to death or burnt alive, so that the evil spirit which was in
+them should thus be destroyed. It must be borne in mind that not many
+centuries ago similar beliefs were prevalent even in free and
+enlightened England.
+
+If we compare these beliefs with those of the Ainu, we find that they
+differ very little either in form or substance. In place of the witches
+which our own ancestors, modern Italians, and Spaniards, and some
+benighted peasantry still to be found in the West of England, believed,
+and do still believe in, the Ainu have imaginary animals or evil
+spirits. The wands and red rags of our Latin neighbours are represented
+by their _inao_; and our lucky horseshoe is with them the horizontal
+_inao_. Charms are worn by the Ainu men, women, and children; and when
+going to war or to hunt the men carry a block of wood to which their
+knife or sword is attached, and on the right-hand side of which hangs a
+small _inao_.
+
+These blocks of wood are flattened, and are elliptical at both ends.
+Their length varies from four to fifteen inches, and sometimes
+ornaments--generally circles--are carved on them. A string is fastened
+on one side so as to sling them to the shoulder; but they are usually
+carried under the arm. They are supposed to protect the carrier from
+accidents, and also to bring him good fortune.
+
+We see, then, that similar ideas are entertained by utterly different
+peoples thousands of miles distant from one another; and that certain
+superstitious beliefs left on this side of the globe find their parallel
+among the hairy people on the other. Of course with them it is natural
+that their beliefs should count for more than with Europeans, as
+civilisation has not in any way enlarged or improved their minds; but it
+seems to me unfair that the same identical beliefs should go under the
+name of _superstitions_ when applied to Europeans, and called the "Ainu
+religion" when practised by the hairy inhabitants of Northern Japan.
+Though to this I know it may be replied that, as all things spring from
+germs, so these ignorant superstitions of the Ainu may be in a manner
+called their religion, as the germ of a more developed system--the
+cotyledonous state of what might grow into a more advanced spirituality.
+Like the ancient Greeks and Romans, the Ainu wave their
+moustache-lifters, during their libations, towards the sun, the fire,
+and the person who has paid for the wine, before they address themselves
+to the large wooden bowls wherein lies their happiness; but this also is
+not a religious ceremony, and no religious feeling whatever is connected
+with it. It is a mere _toast_--part of their etiquette--which exactly
+corresponds to the German "_Prosit_," or to our English "Your good
+health." The Ainu of course have no special high-days, no Sundays, no
+religious services, no prayers, no priests, no sacrificial priests, no
+churches, and no bells; but they can "swear"; and as the Neapolitans
+invoke their saints, so they occasionally call the sun, the moon, the
+fire, and everything else, all sorts of bad names if things do not go as
+they ought. This "swearing" has been defined as _Ainu praying_ by one
+authority on the Ainu religion; moreover, the same authority calls the
+Ainu a "distinctly religious people," and an "exceedingly religious
+race!" To anyone who visits a country and regards all that he finds from
+one point of view only, it is not difficult to interpret words and
+things in accordance with the preconceived idea; but however high the
+principles sought to be established, I do not consider a man justified
+in attributing to definite facts an importance and significance to which
+they have no claim. I have no doubt that a native who had associated
+with or been in the employment of a Christian would make statements in
+accordance with his master's belief as it had been taught him; but it is
+incorrect to offer these "borrowed statements" as the religious beliefs
+of a whole nation.
+
+I shall not discuss this question at greater length; but for the sake of
+readers who are interested in the subject it may be well to make two or
+three more statements before closing this chapter. The Ainu do not know
+of a heaven and hell; but in one of the latest publications on the
+aborigines of Japan we are told that they do; and, moreover, that they
+are fully aware of the resurrection of the body in the other world!
+
+Even assuming, for the moment, that the Ainu are theists, or
+polytheists, after what we have heard of their gods, this is a somewhat
+surprising statement. It will be remembered that anything good or bad,
+dreaded or repulsive, respected or not respected, is qualified by the
+Ainu as _Kamui_, and we shall attribute for a while the imaginary
+meaning of "God" to the word. Now, if everything and everybody, good or
+bad, is equally a god, I myself fail to see the necessity of a hell, as
+the chances are that all the gods would inhabit heaven. This alone
+serves to show how absurd the theory is; but I wish to give the exact
+translation of the words _Kando_ and _Teine-pokna-moshiri_, which are
+said to be the two Ainu expressions for "heaven" and "hell."
+
+_Kando_ means "sky," not "heaven." _Teine-pokna-moshiri_[41] stands for
+the "wet earth under(ground)." As the Ainu are in the habit of burying
+their dead, I find it more rational to apply to the words in question
+the meaning of a "burial-place," a "cold place of rest" rather than that
+of Hades or Gehenna.
+
+ [41] _Teine_, wet; _pokna_, under; _moshiri_, earth, place, island.
+
+"They" (the Ainu), says a learned missionary, "seem to conceive of men
+and women as living in large communities in the other world in the same
+way and under the same conditions as they do in this, excepting that
+they can know no death." In other words, resurrection of the body and
+eternal life.
+
+Strange to say, the writer of the same lines asserted in the
+"Transactions of the Asiatic Society of Japan,"[42] that "The Ainu _know
+nothing_ of a resurrection of the body."
+
+ [42] Vol. X., Part II., Sec.6.
+
+It must not be argued that because they have no religion the Ainu are
+bad people. They are far from it. They are decidedly not moral, for
+nothing is immoral among them. The Ainu must be considered more as
+animals than as human beings. When we speak of a dog, we do not ask
+whether it is a moral dog, but only if it is a good dog. The same can be
+said of the Ainu. We cannot compare them to ourselves, nor judge them by
+our own standard of morality. Taken by themselves they are gentle, kind,
+brave, and above everything they are simple. Their language, manners,
+customs, arts, habits, as we have seen, are the very simplest and rudest
+possible. Thus, it is absurd to suppose that such simple brains could
+entertain high religious ideas. If they had brains enough to compass
+high religious beliefs they would long ago have used those brains in
+bettering their miserable condition and filthy mode of living. They
+would have striven to make the beginnings of a history and a literature,
+or at least to have devised or adopted some mode of writing with which
+they could preserve these high ideas, and pass them on from generation
+to generation. Even their language is so poor in words as to hardly
+express their everyday wants. The Ainu are low in the scale of humanity.
+They have always been low; they have not sunk, for they have never
+risen. They have never done any harm in this world, and they will never
+do any good.
+
+The Ainu are without laws, which, paradoxical as it sounds, to a great
+extent makes them good. People are never so good as when no harm can be
+done. There are indeed few crimes among them; no voluntary infanticides;
+very very rarely murders; no suicides; little theft, and as little
+treachery among people of the same tribe. Though usually retiring and
+reserved, they are hospitable on special occasions, and generous with
+what little they possess. The young show an instinctive reverence for
+the aged, without considering it a virtue or a duty. Cowardice is
+despised by the Ainu, but courage, endurance of pain, and hardship,
+drunkenness, and similar qualities, are looked on as the chief virtues
+in men. Punishments are seldom inflicted by Ainu on any of their
+tribesmen, and the crime must indeed be great to raise the whole
+community against the criminal. If by rare chance some great evil has
+been done, the chief of the village and all the men assemble, and decide
+on the punishment to be inflicted. Flogging is the general punishment
+for the lesser crimes, which, according to Ainu ideas, are theft and
+assault. The murder of a tribesman is sometimes punished by cutting the
+tendons of the hands and feet of the murderer, thus disabling him from
+hunting or fishing. If, however, the man murdered was of another tribe,
+or a Japanese, this Draconian kind of justice is not administered.
+Quarrels among tribesmen are settled by private retribution, and no one
+interferes either one way or the other. These quarrels, however, very
+seldom occur, as the Ainu are naturally a peaceful people. Imprisonment
+does not exist, for the simple reason that the Ainu have no prisons.
+They do not know what a prison is; neither is capital punishment
+practised by them. According to their own ideas they are not cruel to
+children, for we seldom see them wilfully ill-treating them; but
+according to civilised notions Ainu women make shockingly bad mothers.
+They love, but they do not look after, nor practically take care of,
+their little ones after these are about a year and a half old; and as to
+washing them, combing their hair, educating them, or trying to cure them
+of the thousand and one wretched skin diseases, which come chiefly by
+their own neglect, an Ainu mother puts her hand to these things no more
+than the men put theirs to the building of a temple or the creation of a
+literature. This neglect is not with them, as it would be with us, an
+intolerable crime, but is the natural result of their animal instinct as
+contradistinguished from rational development. For if a baby is not old
+enough at one and a half years of age to take care of himself, he is of
+no good as an Ainu. It is needless to add that, in these circumstances,
+most of them are of no good, and that the percentage of infantile deaths
+is appalling to a civilised mind.
+
+[Illustration: 1, 7, INAO-NETUBA. 2, 3, 4, 5, CHISEI-KARA-INAO. 6, A
+PESTLE OR POUNDER.]
+
+
+
+
+CHAPTER XXIX.
+
+Marital Relations, and Causes that Limit Population.
+
+
+The laws of marriage in the Ainu country are not very stringent; in
+fact, there are no laws. If a young man takes a fancy to a pretty hairy
+maid, and the maid reciprocates his affections, all they have to do is
+to go and live together, and there is no Mrs. Grundy to be scandalised
+at the want of closer forms and ceremonies. There is no function to
+celebrate the occasion; there are no wedding presents, no bridesmaids,
+no officiating clergyman, and no old slipper flung after the happy pair
+as soon as the knot is tied. The bridegroom either goes to live in his
+bride's hut, or, if he does not care for his mother-in-law, he will
+bring his lady-love to his own father's hut. Usually, however, the two,
+especially if their respective families are large, prefer to build a hut
+of their own. The honeymoon is spent in house-building, and while the
+bride carries the loads of timber and long reeds, the bridegroom
+accomplishes the more difficult task of putting them together as well as
+he can for future shelter. All goes well with the happy couple until the
+roof has to be lifted up bodily and perched on the forked poles, during
+which process "family rows" generally begin. But they do not last long,
+and when the house is finished, though not decorated, home peace reigns
+within, and the bridegroom, as we have already seen, proceeds to
+ornament his chief treasure--his wife--with tattoos on her arms. This
+idyllic state of things is not specially permanent, for soon after this
+first marriage the Ainu feels that he would like another wife, and,
+without thinking twice about it, he marries again. Though savage and
+barbarian, the Ainu is shrewd enough not to take his second wife to live
+with his first, for he knows what the result would be, human nature
+being the same in Yezo as it is in London, and jealousy as strong among
+the tattooed women of the hairy people as among the fair-skinned
+daughters of the West. All women are bad enough when out of temper, but
+the Ainu women are pre-eminent in this respect. Our shock-haired
+bigamist calls his first wife _poro-machi_--"great wife," and he calls
+the other _pon-machi_--"small wife;" and as long as the two females do
+not live under the same roof they are all happy with the arrangement.
+If, indeed, he chooses to have more than these two wives he thinks small
+blame to himself. There is no bar of any kind in his code to his having
+a third "half;" but this seldom happens now, for the women are not in
+such over abundance in the Ainu country as to allow each man to indulge
+in a "triple alliance." The Ainu are therefore polygamists when they can
+find the third woman, and almost always bigamists when this is possible.
+The wife does not take her husband's name, for no Ainu has a family
+surname; and each man or woman is called after some peculiarity which he
+or she possesses, or after some event or accident which has befallen
+them. For instance, _Una-charo_, a man's name, means "Sprinkled-ashes,"
+and _Yei-Ainu_, "Dangerous Ainu," &c.; and _Korunke_, a woman's name,
+means "Ice-eater;" _Reoback_, "Who burst three times," and so on, each
+person having a different name, which is nothing more than a nick-name.
+When the girl gets married she does not drop this nick-name, neither, as
+has been said, does she take her husband's name, though sometimes she is
+called So-and-So's wife. Supposing that Miss Burst-three-times were to
+marry Mr. Sprinkled-ashes, she would be Mr. Sprinkled-ashes' wife, and
+would still be called by her maiden name, Burst-three-times.
+
+It is impossible to quote exact statistics of the Ainu population, and
+whether the women outnumber the men, but from my own observation I
+should think that females are in excess of the males in some districts,
+and about even in others.
+
+The man, naturally, is the lord and master of the household, and the
+wife is like a kind of inferior being or a slave, whose duty it is to
+obey her male companion. She has to yield in everything, whether she is
+right or wrong; she is occasionally beaten; she never takes active part
+in any of her husband's Bacchanalian revels; but though she leads a sad
+kind of life, a life of hard work and no pleasure, she does not seem to
+be any the worse for it. There are wives, of course, who, as in other
+countries, give a "pretty rough time" to their husbands; but in the Ainu
+country these are certainly the exception. As there is no ceremony of
+marriage, there is naturally no "divorce;" but if an Ainu gets sick of
+his wife, all he has to do is to leave her and go elsewhere, or else to
+banish her from his hut. This, however, very seldom happens, for that
+rare creature the henpecked Ainu husband is willing to put up with a
+lot; and though brave enough to encounter single-handed a bear, the
+hairy man is by no means valiant enough to face his wife's temper;
+while, for all that she is practically a slave, and personally an
+inferior, is sometimes in Ainuland, as everywhere else, the strongest
+factor in the domestic sum.
+
+As long as the wife does her duty well as a "beast of burden," little
+more is required from her. Her morals, as far as I could make out, are
+not well looked after. Adultery is not considered a crime. I do not mean
+by this that adultery is practised on principle, for it is not so: there
+is no reason whatever why it should be, for each man has his own wife or
+wives; but if adultery were practised by any members of a community,
+what we consider a dreadful crime would be regarded as a mere "joke"
+among the hairy people. The husband, like any other animal, dumb or not,
+would naturally resent the intrusion, but the community would in no way
+interfere, or punish the offender. A girl is considered fit to be
+married when she is about sixteen years of age; a man about twenty, or
+as soon as the body is fully developed.
+
+People as a rule marry in the same village. It is but seldom that a girl
+marries a man or a man a girl of a different village. Villages, as we
+have seen, are generally composed of only a few houses, and the result
+of this strict endogamy is, that marriages take place among very near
+relations. In very small villages of only one or two houses, the father
+has been known to marry his own daughter, the uncle his own niece, &c.
+But enough of this. The result of this dreadful state of affairs is,
+that the race is rapidly dying out, destroyed by consumption, lunacy,
+and poverty of blood. All the members of one village are necessarily
+related to one another; and, as I have demonstrated in a previous
+chapter, this is the main cause why certain diseases are common to one
+community and utterly unknown to others, and certain hereditary talents
+or tendencies are frequent in one village and imperceptible in the next.
+
+The Ainu seem to have no Platonic love; their love is purely sexual. It
+is not to be wondered at, in a country where marital relations are so
+peculiar, that very little love is felt for children beyond a certain
+age. The mother suckles her own child usually for seven or eight months.
+She can bear children till she is about thirty-five, though some who
+seem to be much older are still fruitful. It was difficult to ascertain
+this fact for no Ainu knows his own age. As far as I could learn
+fertility is neither hindered nor checked in any way--either by adopting
+a peculiar diet or by other practices. On the other hand, many a woman
+is sterile, and many are also affected with the most horrible of all
+diseases. I am inclined to think, however, that this special malady was
+imported to Yezo with Japanese civilisation, for it is in the more
+civilised parts of the Ainu country that it is most frequent.
+
+There is probably no country in the world where there is so much loss of
+infant life due to want, accidents, and diseases, as with the Ainu.
+Abortion is common, owing to the severe exertion of the mother during
+pregnancy; and many a child dies not many days after birth for the same
+reason, and consequent disappearance of milk in the mother's breasts.
+The greater mortality of children, however, is between the age of six
+and ten. Only a small percentage of these poor creatures live to take
+part in the game of life; while many succumb to ill-treatment and the
+most horrible skin eruptions. Thus we have a good explanation of the
+frightful rapidity with which the Ainu race is fast disappearing.
+Naturally, those few who survive grow strong and healthy; but their
+great fondness for alcoholic drinks, which they can now so easily
+procure from the Japanese, destroys even them.
+
+One is generally struck in Ainuland by the number of old men and
+children, and by the almost entire lack of young fellows between the age
+of fifteen and thirty. This is due mainly to the great increase of
+mortality in children during the last two generations. The sadness which
+seems to oppress the Ainu, and which we see depicted on the face of each
+individual, is nothing but the outcome of this degeneration of the race.
+As a race the Ainu will soon be extinct. I dare say that in fifty years
+from now--probably not so long--not one of the hairy savages, who were
+once the masters of Sakhalin, Yezo, the Kuriles, Kamschatka, and the
+whole of the southern Japanese Empire, will be left. Not one of these
+strange people--soft, good, and gentle, but savage, brave, and
+disreputable--will live to see their country civilised; and in the life
+which they have led of filth and vice they will die in front of that
+greater scourge, civilisation, leaving behind no traces of themselves,
+of their past, of their history, nor of their present--nothing but a
+faint recollection, a tradition, that in Yezo and the Kuriles died the
+last remains of those curious people, the Hairy Ainu.
+
+
+
+
+APPENDIX.
+
+
+I.--MEASUREMENTS OF THE AINU BODY, AND DESCRIPTIVE CHARACTERS.
+
+
+The following measurements were taken on five men and five women of the
+pure Ainu of Frishikobets (Upper Tokachi River). They were carefully
+chosen among the best types.
+
+The names of the men were:--
+
+1. Unacharo: _Una_, ashes; _charo_, sprinkled = "Sprinkled-ashes."
+
+2. Aba pukuro: _Aba_, a relation; _pu_, storehouse; _kuro_, a man =
+"Related to the man of the storehouse."
+
+3. Pe chantwe; _Pe_, undrinkable water; _chan_, to run away; _we_, to
+tell = "Who ran to tell of the undrinkable water."
+
+4. Kosankeyan: _Ko san_, to go down; _ke_, eating; _yan_, cold.
+
+5. Yei Ainu: _Yei_, dangerous; _Ainu_, Ainu.
+
+The following were the names of the women:--
+
+1. Usattean: _Usat_, cinders; _tean_, long.
+
+2. Korunke: _Korun_, ice; _ke_, to eat = "Ice-eater."
+
+3. Sho kem: _Sho_, so; _kem_, blood = "Covered with blood."
+
+4. Uina mon: _Uina or Una_, ashes; _mon_, tranquil.
+
+5. Reoback: _Re_, three; _oback_, to burst = "Who burst three times."
+
+
+ HEIGHT.
+ MEN. WOMEN.
+ inches. inches.
+ 1. 61 } 1. 58-3/4 }
+ 2. 65 } 2. 59-7/8 }
+ 3. 60-1/2 } Med. 62-19/40 3. 59-1/2 } Med. 58-3/8
+ 4. 64-7/8 } 4. 54-5/8 }
+ 5. 61 } 5. 59-1/8 }
+
+
+ LENGTH FROM TIP TO TIP OF FINGERS WITH ARMS
+ OUTSTRETCHED.
+ MEN. WOMEN.
+ inches. inches.
+ 1. 64-5/8 } 1. 59-1/8 }
+ 2. 65 } 2. 62-1/2 }
+ 3. 63-1/2 } Med. 65-3/8. 3. 62-1/2 } Med. 61-13/40.
+ 4. 69-1/2 } 4. 60 }
+ 5. 64-1/4 } 5. 62-1/2 }
+
+
+It is interesting to notice the great difference between the height and
+this latter measurement, showing the great length of the arms in the
+Ainu race.
+
+
+ THE HUMERUS.
+ MEN. WOMEN.
+ inches. inches.
+ 1. 9 } 1. 8-1/2 }
+ 2. 9-5/8 } 2. 8-3/4 }
+ 3. 8-1/2 } Med. 9-9/40. 3. 10-3/8 } Med. 9-19/40.
+ 4. 9 } 4. 9-3/4 }
+ 5. 10 } 5. 10 }
+
+
+ THE ARM.
+
+ THE ULNA.
+ MEN. WOMEN.
+ inches. inches.
+ 1. 9-1/4 } 1. 9-1/4 }
+ 2. 10-3/4 } 2. 9-1/8 }
+ 3. 9-1/8 } Med. 9-37/40. 3. 8-7/8 } Med. 9-1/4.
+ 4. 11 } 4. 9-3/8 }
+ 5. 9-1/2 } 5. 9-5/8 }
+
+ THE HAND.
+ MEN. WOMEN.
+ inches. inches.
+ 1. 7-3/8 } 1. 6-7/8 }
+ 2. 7-1/2 } 2. 7 }
+ 3. 7-1/4 } Med. 7-2/5. 3. 6-7/8 } Med. 6-9/10.
+ 4. 7-7/8 } 4. 6-3/4 }
+ 5. 7 } 5. 7 }
+
+
+ THE SPINE (dorsal and lumbar vertebrae to the sacrum).
+ MEN. WOMEN.
+ inches. inches.
+ 1. 25-1/2 } 1. 27 }
+ 2. 28-5/8 } 2. 26-3/4 }
+ 3. 27-1/2 } Med. 27-4/5. 3. 28-1/4 } Med. 27-5/8.
+ 4. 29-5/8 } 4. 27 }
+ 5. 27-3/4 } 5. 29-1/8 }
+
+
+ THE LEG (Femur, Tibia and Foot.)
+ MEN. WOMEN.
+ inches. inches.
+ 1. 34-3/8 } 1. 32-7/8 }
+ 2. 36-1/4 } 2. 35-1/2 }
+ 3. 32-1/2 } Med. 35-1/20. 3. 34 } Med. 33-13/20.
+ 4. 37-7/8 } 4. 30-1/2 }
+ 5. 34-1/4 } 5. 35-3/8 }
+
+
+ FEMUR.
+ MEN. WOMEN.
+ inches. inches.
+ 1. 17-1/2 } 1. 18-3/8 }
+ 2. 18-3/8 } 2. 19-7/8 }
+ 3. 17-1/8 } Med. 18-5/8. 3. 18-1/2 } Med. 17-33/40.
+ 4. 20 } 4. 14 }
+ 5. 20-1/8 } 5. 18-3/8 }
+
+
+ TIBIA.
+ MEN. WOMEN.
+ inches. inches.
+ 1. 14 } 1. 14-1/4 }
+ 2. 14-7/8 } 2. 13 }
+ 3. 12-5/8 } Med. 13-1/2. 3. 13-1/2 } Med. 13-4/5.
+ 4. 14-7/8 } 4. 14 }
+ 5. 11-1/8 } 5. 14-1/4 }
+ (The Tibia is very flattened with the Ainu.)
+
+
+ TARSUS (from ground to Ankle).
+ MEN. WOMEN.
+ inches. inches.
+ 1. 2-3/4 } 1. 2 }
+ 2. 3 } 2. 2-5/8 }
+ 3. 3 } Med. 3. 3. 2 } Med. 2-3/8.
+ 4. 3-1/4 } 4. 2-1/2 }
+ 5. 3 } 5. 2-3/4 }
+
+
+ CHEST (from Arm-pit to Arm-pit).
+ MEN. WOMEN.
+ inches. inches.
+ 1. 13-1/2 } 1. 12-5/8 }
+ 2. 13-5/8 } 2. 14-1/4 }
+ 3. 13-1/2 } Med. 13-19/40. 3. 14-1/4 } Med. 13-7/20.
+ 4. 13 } 4. 12-1/4 }
+ 5. 13-3/4 } 5. 13-3/8 }
+
+
+ AROUND CHEST.
+ MEN. WOMEN.
+ inches. inches.
+ 1. 36-1/2 } 1. 33-3/8 }
+ 2. 35-3/8 } 2. 34-1/2 }
+ 3. 37-1/2 } Med. 37-3/40. 3. 35-1/2 } Med. 34-1/5.
+ 4. 37-5/8 } 4. 32-7/8 }
+ 5. 38-1/8 } 5. 34-3/4 }
+
+
+ AROUND WAIST.
+ MEN. WOMEN.
+ inches. inches.
+ 1. 33 } 1. 28-3/8 }
+ 2. 37 } 2. 31-1/2 }
+ 3. 34 } Med. 34-7/10. 3. 34-7/8 } Med. 31-7/20.
+ 4. 36 } 4. 31 }
+ 5. 33-1/2 } 5. (37-5/8 but was conceived.)
+
+
+ MAXIMUM BREADTH OF SHOULDERS.
+ MEN. WOMEN.
+ inches. inches.
+ 1. 19-1/4 } 1. 15-1/2 }
+ 2. 16 } 2. 13-5/8 }
+ 3. 18 } Med. 17-1/2. 3. 13-7/8 } Med. 14-2/5.
+ 4. 18 } 4. 13-7/8 }
+ 5. 16-1/4 } 5. 15-1/8 }
+
+
+ THE FOOT.
+ MEN. WOMEN.
+ inches. inches.
+ 1. 9-1/4 } 1. 8-5/8 }
+ 2. 9-5/8 } 2. 9-1/8 }
+ 3. 9-1/2 } Med. 9-23/40. 3. 9-1/8 } Med. 8-4/5.
+ 4. 10-1/4 } 4. 8-1/4 }
+ 5. 9-1/4 } 5. 8-7/8 }
+
+
+ THE HEAD
+ (around the Head, just above the Ears).
+ MEN. WOMEN.
+ inches. inches.
+ 1. 23-1/2 } 1. 23-3/8 }
+ 2. 23-1/2 } 2. 22-5/8 }
+ 3. 24-3/8 } Med. 23-3/4. 3. 23-5/8 } Med. 22-29/40.
+ 4. 22-3/8 } 4. 22 }
+ 5. 23-1/8 } 5. 23 }
+
+
+ LENGTH OF FACE.
+ (From Hair to Chin.)
+ MEN. WOMEN.
+ inches. inches.
+ 1. 7-1/2 } 1. 7-1/4 }
+ 2. 9 } 2. 6-3/4 }
+ 3. 7-1/2 } Med. 7-31/40. 3. 6-3/4 } Med. 6-7/8.
+ 4. 6-7/8 } 4. 7 }
+ 5. 8 } 5. 6-5/8 }
+
+
+ WIDTH OF FACE FROM EAR TO EAR
+ (over Forehead and Cheek Bones).
+ MEN. WOMEN.
+ inches. inches.
+ 1. 11-7/8 } 1. 11-1/8 }
+ 2. 12-1/2 } 2. 11 }
+ 3. 12 } Med. 11-19/20. 3. 11-3/4 } Med. 11-21/40.
+ 4. 12 } 4. 11-7/8 }
+ 5. 12-1/8 } 5. 11-1/8 }
+
+
+ HEIGHT OF FOREHEAD.
+ MEN. WOMEN.
+ inches. inches.
+ 1. 2-1/4 } 1. 2-1/4 }
+ 2. 2-7/8 } 2. 1-3/4 }
+ 3. 2-3/8 } Med. 2-2/5. 3. 2-1/8 } Med. 2.
+ 4. 2 } 4. 2 }
+ 5. 2-3/4 } 5. 1-7/8 }
+
+
+ WIDTH OF FOREHEAD.
+ MEN. WOMEN.
+ inches. inches.
+ 1. 5 } 1. 6 }
+ 2. 5-1/4 } 2. 5-1/2 }
+ 3. 5-1/2 } Med. 5-1/5. 3. 5 } Med. 5-3/8.
+ 4. 5-3/4 } 4. 4-7/8 }
+ 5. 6 } 5. 5-1/2 }
+
+
+ LENGTH OF EARS.
+ MEN. WOMEN.
+ inches. inches.
+ 1. 3 } 1. 2-3/8 }
+ 2. 3-1/4 } 2. 2-3/8 }
+ 3. 2-3/4 } Med. 2-23/40. 3. 2-3/4 } Med. 2-23/40.
+ 4. 2-1/2 } 4. 2-7/8 }
+ 5. 2-5/8 } 5. 2-1/2 }
+
+
+ LENGTH OF FINGERS.
+ MEN. WOMEN.
+ inches. inches.
+ 1. 3-1/8 } 1. 3 }
+ 2. 3-3/8 } 2. 3 }
+ 3. 3 } Med. 3-9/40. 3. 3 } Med. 2-39/40.
+ 4. 3-5/8 } 4. 2-7/8 }
+ 5. 3 } 5. 3 }
+
+ (_a_) Colour of skin (in parts not exposed to air)--light reddish
+ slightly tending towards brown, but almost as light as with
+ Europeans.
+
+ (_b_) Colour of hair--black, dark-brown, reddish-black, red.
+
+ (_c_) Colour of eyes--light-brown tending towards dark-grey.
+
+ (_d_) Character of hair--wavy.
+
+ (_e_) Amount of hair--abundant on face and all over the body in
+ males more so than in females.
+
+
+MEASUREMENTS OF SHIKOTAN AINU.
+
+The skin and eyes are the same colour as with the Yezo Ainu. The hair is
+black, dark-red, or dark-brown. Black is the prevalent colour. Children
+often have fair hair, which grows darker as they grow older. The hair is
+abundant over body and face, and it is wavy.
+
+The face possesses the identical characteristics of the Yezo Ainu.
+
+ Medium height: 61 inches to 62-3/4 inches.
+ Round waist: 32-7/8 inches.
+ Chest: Empty, 35-7/8 inches; inflated, 37-1/2 inches.
+ Humerus: 11-7/8 inches.
+ Ulna: 8-11/16 inches.
+ Hand: 6-3/4 inches.
+ Foot: 9-1/2 inches.
+ Spinal vertebrae: 24 inches.
+ Scapula (from shoulder to shoulder): 17 inches.
+ Between shoulder-blades: 5-7/8 inches.
+ Femur: short.
+ Tibia: very long.
+ (Natives objected to have their legs measured.)
+ The Tibia is much rounder than with the Yezo Ainu.
+ Length of face: 7-1/2 inches.
+ Width of face from ear to ear: 11-1/8 inches.
+ Round head above ears: 21-5/8 inches.
+ Ears: small.
+ Forehead: 2-3/8 inches high; 5-1/4 inches wide.
+
+With arms outstretched and from tip to tip of fingers the Shikotan Ainu
+measure generally the length of one hand (about 6-3/4 inches) more than
+their own height. Consumption, _kaki_, and syphilis are common
+complaints among them.
+
+
+
+
+II.--GLOSSARY OF AINU WORDS, MANY OF WHICH ARE FOUND IN GEOGRAPHICAL
+NAMES IN YEZO AND THE KURILE ISLANDS.[43]
+
+ [43] The vowels to be pronounced as in Italian.
+
+ A.
+
+ A = (a suffix).
+ Apa = an open space, a doorway.
+ Aikap = impossible, impassable.
+ Ambe = that is.
+ An = to be.
+ Aota = near.
+ Apta = rain.
+ Apun = gently.
+ At = a tree.
+ Atsu = barren, naked.
+
+
+ B.
+
+ Bets, or pets, pet = river.
+ Be, or pe = pestilential water.
+ But, or put = mouth of a river.
+
+
+ C.
+
+ Cha = old.
+ Cha cha = very old.
+ Chip = fish.
+ Chippe = a canoe, a boat.
+ Chup = the sun.
+
+
+ E.
+
+ Erimu = a rat.
+ Etoko = formerly, in front of.
+ Etu = a cape.
+
+
+ F.
+
+ Fu = bare.
+ Fun = green.
+ Fure = red (also pronounced Hure).
+ Frishiko = old.
+
+
+ H.
+
+ Haru = grass.
+ Hattara = a deep pool in a watercourse.
+ Hure = a bad smell.
+ Hure = red.
+
+
+ I.
+
+ I = a suffix for "a place."
+ Ibe = to feed.
+ Ichan = a canal made by salmon in river-beds to lay their, spawn.
+ Ikam = against.
+ Iwa = stone, a rock.
+ Itapk = word, story.
+ Iwashi (Japanese) = sardine.
+ Iwao = sulphur.
+
+
+ K.
+
+ Kama = cliffs, rocks, to go over.
+ Kamui = great, wonderful, ancient.
+ Kap = bark of a tree.
+ Kara = to take, to make.
+ Kashi = towards.
+ Kerimba = a berry.
+ Kene = an alder tree.
+ Kem = blood.
+ Kenashi = a meadow.
+ Keshup = head.
+ Kesh = towards the west.
+ Ki = rushes.
+ Kim = mountain.
+ Kinna = mat.
+ Kinna = reeds.
+ Kinna = grass.
+ Kiri = to know.
+ Kitai = mountain.
+ Koi = the waves of the sea.
+ Kochi = level.
+ Kombo = sea-weed.
+ Koro = to possess, to have.
+ Kotan = a village, a place.
+ Kotcha = in front of.
+ Ku = a bow.
+ Kuano = straight.
+ Kume = black, very dark.
+ Kuru, or guru = a person.
+
+
+ M.
+
+ Ma = to swim, deep.
+ Mak = behind.
+ Makta = away.
+ Mata = winter.
+ Meak = female.
+ Mean = cold.
+ Mo = tranquil.
+ Mon = small, tranquil.
+ Mom = to flow like a river.
+ Moire = slow.
+ Moi = a bay, a sheltered bend in a river where the water is quiet.
+ Moshiri, or mushir = island, country, place, land.
+ Moshiri Kes = the east.
+ Moshitte-chu-pok = north.
+ Moshiri pok = west.
+ Moshitte-chu-pka = south.
+ Mun = grass.
+
+
+ N.
+
+ Na = again.
+ Na = bigger, or smaller (also sign of comparative).
+ Nai, or Nae = a rivulet, a small stream.
+ Nai yau = a tributary stream.
+ Nak = where.
+ Nam = cold, as water, as ice.
+ Naoak = yet more shallow.
+ Ne = together, where, and, also, which, &c.
+ Neatka = also, again.
+ Nen = who.
+ Neto = where.
+ Ni = wood, or tree.
+ Nikam = leaves of a tree.
+ Nibeshi = name of a tree (probably _Tilia_).
+ Nikap = bark of a tree.
+ Nipek = a fire, a flame.
+ Nisei = valley.
+ Nisusu = scenery, panorama, view.
+ Nitat = swampy ground, a swamp, a lagoon.
+ Nitai = a forest.
+ Nitt = a thorn.
+ Nitek = branches of trees.
+ Nituman = trunk of a tree.
+ Nobori = mountain.
+ No = (meaningless ending of words).
+ Noshike = middle.
+ Noshihike = half.
+ Nupka = a forest.
+ Nup = a treeless plain.
+ Nup = a deep silent pool in a river.
+ Nuburi = mountain.
+ Nupuru = turbid (as water).
+ Nupuri = a mountain (volcano).
+ Nutap = the projecting part of a river bend.
+
+
+ O.
+
+ O = a meaningless prefix, sometimes used as an adjective.
+ Oara = one.
+ Oboso = to pass through (as water).
+ Oak = shallow--not deep.
+ Oha = empty.
+ Ohoho = deep.
+ Okai = at a place.
+ Okai = a male.
+ Okari = around.
+ Oakau = to hide.
+ Oakan = a male.
+ Omanne = to go.
+ Oma = to be inside.
+ Onne = large, old, great.
+ Opattek = a volcanic eruption.
+ Opeka = straight.
+ Oro = to be in.
+ Oropak = as far as.
+ Oshima = to go in.
+ Oshimak = behind.
+ Ota = sand.
+ Otaru = sandy.
+ Opke = a spear.
+ Ot = in, inside, into.
+ Oya = another.
+ Oushike = a place.
+ Oyapk = away, abroad.
+ Oyapk moshiri = away, country (foreign country).
+
+
+ P.
+
+ Pa = smoke.
+ Pa = east-end of villages.
+ Pai = bushes.
+ Pakne = as far as.
+ Panke = lower.
+ Paru = the mouth.
+ Pase = heavy.
+ Patek = only.
+ Pe = pestilential water, bad water, not good to drink.
+ Pei = something.
+ Pene = inland.
+ Pet, pets, bets = river.
+ Pet bena = source of a river.
+ Pet samo = bank of a river.
+ Petsamata = by the side of a river.
+ Pet put = the mouth of a river.
+ Pet-urara = a stream.
+ Pet yao = an affluent.
+ Pet-ka-shu = to wade a river.
+ Penke = upper.
+ Pinni = ash-tree.
+ Pinne = male.
+ Piuta = sand (coarse).
+ Pipa = a spring of fresh water.
+ Pira = a bank, a cliff.
+ Piri = a wound.
+ Pirika = pretty, good, well, all-right.
+ Pishita = sea-beach.
+ Pita = to untie, to undo.
+ Pitara = a dry place in a river-bed.
+ Po = a small thing.
+ Pon = small.
+ Poi-shuma = pebbles, stones.
+ Poka = only.
+ Popke = hot, steaming (also Topke).
+ Poro = large.
+ Pui = a hole.
+ Puri = natural, very, usual.
+ Put, Putu (corrupted into Buto by the Japanese) = the mouth of a river.
+
+
+ R.
+
+ Rai = death.
+ Rakka = seal.
+ Rahuru = a fog.
+ Ram = low.
+ Ran = to descend (a mountain).
+ Rangu = a kind of tree.
+ Rarumani = a kind of tree (_Taxus cuspidata_).
+ Re = three.
+ Repun = to go, in the sea, surrounded by water.
+ Repun moshiri = an island.
+ Rera = wind.
+ Retara = white.
+ Ri = high.
+ Rikkin = to ascend.
+ Riri = a wave.
+ Riri-shiye-tuye = ebb tide.
+ Riri-ya = flow tide.
+ Roru = at the head.
+ Ru = a road, a track, a pathway
+ Rui = to burn.
+ Rukoppe = where roads cross.
+ Rui = great, big.
+ Rubeshipe = a ravine.
+ Rupne = large.
+
+
+ S.
+
+ Sapk = summer.
+ Sak = without.
+ Sama = by the side of.
+ San = to descend.
+ Sara, Saru = a grassy plain.
+ Sat = dry.
+ Sattek = shallow water.
+ Sesek = hot.
+ Seta = dog.
+ Shep = broad.
+ Shi = high.
+ Shibe = autumn salmon.
+ Shiki = a kind of tall grass.
+ Shiko = a view, a sight.
+ Shimon = on the right-hand side.
+ Shimoye = to shake, to move.
+ Shenai = a large river.
+ Shirari = a cliff, mass of loose texture.
+ Shirau = a horse-fly.
+ Shiretu = a cape.
+ Shiri = land.
+ Shiruturu = a small island in a river.
+ Sho = so.
+ Shoi = a hole.
+ Shum = foam.
+ Shuma = a stone.
+ So = a waterfall.
+ Shupun = a kind of fish.
+ Shusu = a willow tree.
+
+
+ T.
+
+ Ta = to, towards, to take, to cut.
+ Taanni = on this side.
+ Taksep = a rock.
+ Tapne = short.
+ Tanne = long.
+ Tap kop = an isolated hill.
+ Tat = Birch-tree (_Betula_).
+ To, or ko = a lake, a swamp.
+ Toambe = that.
+ Toi = earth.
+ Tokap = day, light.
+ Tomari = a harbour, a sheltered place.
+ Top = scrub bamboo.
+ Tope = _Acer_--a kind of tree.
+ Tukara, also Tokari = sea-otter.
+ Tunni = _Quercus dentata_.
+ Tureshi = to ascend.
+ Turep = a plant, the roots of which are eaten by the Ainu.
+
+
+ U.
+
+ U = a suffix to indicate a place.
+ Uhui, also Ouye = a fire.
+ Uhui nobori = a volcano.
+ Un = a particle denoting that something is to be found at a place.
+ Upas = snow.
+ Ush = a bay.
+ Ush = a gulf.
+ Ush = a locative particle.
+ Uta = a master.
+ Utka = the rapids of a river.
+
+
+ W.
+
+ Wa = from.
+ Wakka = water.
+ Wen = bad.
+
+
+ Y.
+
+ Ya = land.
+ Yai = danger.
+ Yaikap = awkward.
+ Yam = cold, a chestnut.
+ Yuk = a deer.
+ Yutta = greatest.
+
+
+
+
+INDEX.
+
+
+ A.
+
+ Abashiri, 81, 92, 137-139, 161, 184.
+
+ Abashiri Lagoon, 138, 139.
+
+ Abnormalities, 267.
+
+ Abortion, 296.
+
+ Abstinence from food and drink, 238, 239.
+
+ Abus, 48.
+
+ Adultery, 295.
+
+ Adzes (stone), 78, 79.
+
+ Affection, 272.
+
+ Affirmation, 234.
+
+ Age of the Ainu, 271.
+
+ Agriculture, 62.
+
+ Ahunkanitte, 210.
+
+ Aikap, Cape, 177.
+
+ Ainu bits, 110.
+ capacity for drink, 23.
+ conclusion, an, 27.
+ diet, 24.
+ dirt, 27.
+ gentleness, 17.
+ good-nature, 27.
+ implements, 86.
+ legends, 28, 29.
+ names on Nippon, 94.
+ names, 298.
+ Paganini, 258.
+ pronunciation, 112.
+ village, 74.
+ way of approaching huts, 171.
+
+ Airup, Cape, 176.
+
+ Akangawa, 75.
+
+ Akkeshi, 80, 102-104, 106, 139.
+
+ Akkeshi bay, 104, 105.
+ lagoon, 103.
+
+ Albinism, 268.
+
+ Aleutian Islands, 94.
+
+ Aleuts, 91.
+
+ Alexandrovitch, 127.
+
+ Amida, 204.
+
+ Ancestral attachment, 216.
+
+ Anchors, 39.
+
+ Anchorages, 112, 129, 142, 167, 168, 174, 194, 203.
+
+ Angotsuro, 7.
+
+ Apa-otki (door-mat), 211.
+
+ Aputa, 5, 10.
+
+ Archaeology, 77.
+
+ Architecture, 207.
+
+ Arms, 243.
+
+ Arrows, 216.
+
+ Arrow-heads (flint), 78, 79.
+
+ Art, 218-220, 227, 228.
+
+ Artist, 69.
+
+ Arundinaria, 5, 23.
+
+ Asiatic Society of Japan, 89, 290.
+
+ Assap River, 203.
+
+ Attacked by the Ainu, 13-15.
+
+ Attitudes, 241.
+
+ At-pets, River, 35.
+
+ Atzis-robe, 213, 246, 247, 252.
+
+ Atzosa Volcano, 130.
+
+ Atzta, 176, 177.
+
+ Australia, 102.
+
+ Australian blacks, 159, 228.
+
+ Authority of chiefs, 267.
+
+ Awomori, 93.
+
+
+ B.
+
+ Backbone of Yezo, 63, 122.
+
+ Bakkai, 168.
+
+ Baldness, 104, 232, 269.
+
+ Bamboo arrow-points, 79.
+
+ Barabuta, 202, 203.
+
+ Baratte, 188.
+
+ Barter, 216, 249.
+
+ Basha, 3, 12, 195, 198, 202.
+
+ Batchelor, Rev. I., 59, 83, 87, 88.
+
+ Bathing, 76.
+
+ Battles, 81, 86, 93.
+
+ Beaches, 73.
+
+ Bears, 44, 51, 56, 61, 65, 66, 85, 101, 131, 142, 147, 159, 214.
+
+ Bear (descent from the), 281.
+ hunting, 272.
+ (ill-usage of), 282.
+ skins, 245.
+ skull trophy, 286.
+
+ Beliefs compared, 288.
+
+ Bending of watercourses, 165.
+
+ Benke, Cape, 194, 195.
+
+ Benry, 23, 26, 27, 30-34, 260, 283, 286.
+
+ Benten Island, 204.
+
+ Bentenjima (Nemuro), 80, 115.
+
+ Bento, 3, 4.
+
+ Beppo, 65.
+
+ Betoya, 129.
+
+ Bettobu, 82, 130.
+ Bay, 129, 130.
+
+ Birvase, 112.
+
+ Bitskai, 133.
+
+ Bone arrow-point, 81, 82.
+ carvings, 222.
+ setting, 176.
+
+ Bonzes, 197, 198, 283.
+
+ Bowls, 209, 225.
+
+ Bows and arrows, 223, 225.
+
+ Buddhists, 283.
+
+ Buddhist shrine, 283.
+
+ Burial, 225, 227, 284.
+
+
+ C.
+
+ Cancer, 174.
+
+ Cannibalism, 59.
+
+ Canoes, 37-39, 90, 177.
+
+ Carrying children, 238.
+ weights and burdens, 238.
+
+ Castes, 266.
+
+ Castle, 204.
+
+ Caucasian races, 236, 238.
+
+ Chanting, 113, 258.
+
+ Charcoal in pits, 81.
+
+ Charms, 288.
+
+ Chevrons, 221.
+
+ Child-bearing, 296.
+
+ Children of Kurile Islands, 129.
+
+ Chimney, 23.
+
+ Chiefs at a festival, 30, 31.
+
+ Chief's crown, 250.
+ tomb, 226.
+
+ Chieftainship, 266.
+
+ Chietomamai, 163.
+
+ China, 26.
+
+ Chinese, 276.
+ idea, 77.
+ sea, 163.
+
+ Chisei-kara-inao, 286.
+
+ Cholera, 184.
+
+ Choruses, 256, 264.
+
+ Christians, 12, 127, 128, 156, 289.
+
+ Christian minister, 198.
+ virtues, 269.
+
+ Chukbets, 173.
+
+ Chuppets, River, 183.
+
+ Chuskin Island, 162.
+
+ Cisango, 203.
+
+ Civilisation, 58, 59, 65, 216, 217, 288, 297.
+
+ Clothes, 2, 3, 60, 190, 245, 250.
+ and boots, 2, 3, 95, 96, 202, 246, 247.
+
+ Coal, 75, 174, 205.
+ field, 75.
+ mines, 183, 185.
+ trains, 186.
+ trucks, 76.
+
+ Coins, 151.
+
+ Colonial militia, 188, 189.
+
+ Colonisation scheme, 185.
+
+ Colonists, 74, 115, 116.
+
+ Comparisons, 229.
+
+ Compass, 53.
+
+ Concert, 263, 264.
+
+ Conservatism, 216.
+
+ Consul, 206.
+
+ Consumption, 128, 174, 179, 296, 304.
+
+ Convicts (Japanese), 102, 184-186.
+
+ Copper, 122.
+
+ Coptic Church, 127, 128.
+
+ Corea, 26, 174.
+
+ Creator, 281, 285.
+
+ Criminals, 269.
+
+ Crosses, 268, 269.
+
+ Crows, 35, 46.
+ attacking a pony, 146.
+ (familiarity of), 149.
+ (multitude of), 5.
+
+ Cruelty to children, 292.
+
+ Currents, 48, 139, 143, 161, 163, 165, 169.
+
+ Cutaneous diseases, 42.
+
+
+ D.
+
+ Daikuku Island, 11.
+
+ Daikuku and Kodaikuku Islands, 105.
+
+ Daimio, 204.
+
+ Dancing, 264, 265.
+
+ Darwin's theory of evolution, 280.
+
+ Deer-skin coat, 245.
+
+ Degeneration of the race, 297.
+
+ Deluge, the, 29.
+
+ Descriptive characters of Yezo Ainu (Appendix), 298, 303.
+ of Shikotan Ainu (Appendix), 303, 304.
+
+ Designs, 221, 227.
+
+ Dew, 53.
+
+ Dirt, 88, 128.
+
+ Divinities, 282.
+
+ Divorce, 295.
+
+ Dogs (wild), 154, 159.
+
+ Drainage area of Ishikari River, 181, 182.
+
+ Dress of Kurilsky Ainu, 126, 127.
+
+ Drift-ice, 161.
+ logs, 48, 169.
+ sand, 139, 142, 170.
+
+ Drinking vessels, 215, 223.
+
+ Drunkenness, 17, 32, 291.
+
+ Dug-outs, 5, 63, 64, 92, 170, 183.
+
+ Dwarfs, 251.
+
+ Dying out of the race, 296.
+
+
+ E.
+
+ Eagles, 142, 152, 153, 214.
+
+ Ear-rings, 6, 249.
+
+ Ears, 230, 303, 304.
+
+ Eclipses, 234.
+
+ Education, 266.
+
+ Egyptian cross, 227.
+
+ Election of chief, 10, 266.
+
+ Elephantiasis, 143.
+
+ Embroideries, 180, 246, 247.
+
+ Emperor's palace, 183.
+
+ Enamelling, 222.
+
+ Endogamy, 295.
+
+ Entogroul, 164.
+
+ Eramachi, 204.
+
+ Erimo Cape, 19, 42-44, 73, 80.
+
+ Esan Volcano, 4, 198, 200, 201.
+
+ Esashi, 162, 202, 203.
+
+ Esquimaux, 84, 85, 91.
+
+ Ethnologists, 263.
+
+ Etiquette, 31, 211, 212.
+
+ Etorofu, 80, 82, 88, 91, 123, 129, 131, 132.
+
+ European comforts, 158.
+ dinner, 69, 119.
+
+ Eyelashes, 231, 279.
+
+
+ F.
+
+ Face, 229, 230, 232, 302, 304.
+ (width of), 302, 304.
+
+ Factories, 187, 192.
+
+ Falsetto voice, 257.
+
+ Family rows, 293.
+
+ Farming region, 187.
+
+ Fasting, 53.
+
+ Ferry, 178, 181.
+
+ Ferry-boat, 103.
+
+ Finger-rings, 249.
+
+ Fingers, 303.
+
+ Fish diet, 42.
+ manure, 41.
+
+ Fishermen, 39, 103, 142, 163, 174, 192, 193, 199.
+
+ Fishermen's huts, 20.
+
+ Fishing, 53, 64, 130, 224.
+ nets, 60.
+ villages, 203.
+
+ Fire, 193, 209.
+
+ Fleas, etc., 26, 212.
+
+ Flies--black flies and horseflies, 45, 66, 212.
+
+ Flint implements, 78, 79.
+ knives, 78, 79.
+
+ Flirting (curious way of), 141.
+
+ Folk-lores, 259.
+
+ Footprints, 159, 160, 161.
+ of Ainu, 160, 161.
+ of Japanese, 160, 161.
+ of bears, 47.
+
+ Forest, 101, 135, 161.
+
+ Forts, 77, 81, 82, 141.
+
+ Foxes, 102, 126, 131, 142, 214.
+
+ Frishikobets village, 58, 61, 65, 252.
+
+ Fujiama, 161, 167.
+
+ Fukushima, 205.
+
+ Funa, 3.
+
+ Funerals, 227.
+
+ Furembets river, 171.
+
+ Furimbe, 199.
+
+ Furniture, 208.
+
+ Furubets, 130.
+
+ Future legend, 155, 156.
+
+ Fylfot, 227.
+
+
+ G.
+
+ Geology, 21.
+
+ Geometrical patterns, 221.
+
+ Geyser, 100.
+
+ Girdles, 250.
+
+ Girls (Ainu), 157.
+ (Japanese) shown in cages, 117.
+
+ Glossary of Ainu words, 304-311.
+
+ God, 281, 282.
+
+ Gokibira, 177.
+
+ Graphic signs, 218.
+
+ Grass, 21, 52, 62.
+
+ Graves, 221, 223, 225-227.
+
+ Graveyard, 128, 180, 225, 227.
+
+ Guechas, or singers, 116, 117.
+
+ Gun-practice, 199.
+
+
+ H.
+
+ Habits and customs of pit-dwellers, 91.
+
+ Hakodate, 11, 78, 90, 93, 104, 112, 199, 201.
+
+ Hakodate Bay, 1, 2, 205.
+ Bund, 1.
+ Head, 1.
+ Isthmus, 2.
+ Peak, 1, 2, 201.
+
+ Hair, 231, 250, 251.
+
+ Hairiness, 85, 88, 142, 145.
+
+ Half-breeds, 34, 39, 47, 268, 270.
+ castes, 7, 93, 109, 111, 196, 229, 269, 275, 282.
+ (photographs of Japanese half-castes), 263.
+ frontal bone, 270.
+ skull, 270.
+ animal propensities, 270.
+ bumps, 270.
+ age, 270.
+ rheumatism, leprosy and kaki, 270.
+
+ Hamboro, 173.
+
+ Hammanaka, 112, 113.
+
+ Hanasaki, 114.
+
+ Hand-clapping, 264.
+
+ Hando, 193.
+
+ Haraguchi, 203.
+
+ Harbours (want of), 74.
+ and anchorages, 75, 104, 115, 116, 124, 125, 165, 202, 204.
+
+ Harpoons, 224.
+
+ Harutori Lagoon, 75-77, 82.
+
+ Hattaushi, 113.
+
+ Head, 229, 302, 304.
+ (muscular power), 241.
+
+ Heaven and hell, 290.
+
+ Henson (Mr.), 2, 202.
+
+ Hera, or netting-mesh, 223.
+
+ Herrings, 104, 115, 134, 166, 173, 203.
+
+ High-days, 289.
+
+ High-land, 73, 104, 111.
+
+ History, 218.
+
+ Hokkaido, 11, 122, 123.
+
+ Hokkaido-cho, 187.
+
+ Hondemura, 102.
+
+ Horanaho or Rausu Volcano, 131.
+
+ Horse-breeding, 115.
+
+ Horse-farm, 35.
+
+ Horsemen (Ainu), 108.
+
+ Horse-racing, 237.
+
+ Horobets, 12, 234, 272.
+ Ainu, 17.
+
+ Horohuts, 20.
+
+ Horoizumi, 41, 43, 44, 52.
+
+ Hoshi or leggings, 247.
+
+ Hospitality, 291.
+
+ Hostilities, 147.
+
+ Hunger, 45, 52, 199.
+
+ Hungry dogs, 7.
+
+ Hunting, 126.
+
+ Hurupira, Mount, 193.
+
+ Hut building, 207.
+ burning, 123, 212, 213.
+
+ Huts, 5, 8, 24, 35, 56, 58, 76, 81, 84, 85, 86, 89, 90, 96, 99, 104,
+ 111, 125, 128, 157, 158, 170, 171, 180, 207, 210-212.
+
+ Hypnotism, 191.
+
+
+ I.
+
+ Ice, 85.
+
+ Ichibishinai (Etorofu), 122.
+
+ Idyll, 139, 140.
+
+ Idzumizawa, 205.
+
+ Igiani, 135.
+
+ Ikahasonets Cape, 130.
+
+ Ikuru, 173.
+
+ Ikusum River, 185.
+
+ Imi (garments), 25.
+
+ Imotsuto, 129.
+
+ Imprisonment, 292.
+
+ Improvisators, 259.
+
+ Inao, 31, 214, 224, 286-288.
+ in shape of a doll, 287.
+ making, 240.
+ netuba, 286.
+
+ Infanticides, 291.
+
+ Inflammation of the eyes, 279.
+
+ Inomata Yoshitaro, 68-72.
+
+ Insanity and idiocy, 266.
+ in half-castes, 270.
+
+ Instincts, 158, 159, 216, 282.
+
+ Intermarriage, 60, 196, 267.
+ with Japanese, 5.
+
+ Iris, 231, 279.
+
+ Iron, 122.
+
+ Irrigation, 63.
+
+ Ishikari, 84, 176.
+ river, 169, 178, 179, 181-183, 191, 275.
+ (course of), 182.
+ Ainu, 179, 183, 184, 219, 226, 250.
+ village, 180.
+
+ Ishikishiri penitentiary, 185.
+
+ Ishisaki, 203.
+
+ Isoya, 193, 198.
+ (Motto Isoya, Shimakotan, Isoya), 193.
+
+ Italy, 287.
+
+ Iwanai, 193.
+
+ Iwaonobori, 193, 200.
+
+ Iwa Rocks, 47, 49.
+
+ Iyomanrei, 30.
+
+
+ J.
+
+ Jacko (chief of Shikotan Ainu), 127.
+
+ Japan, 26.
+ Daily Mail, 189.
+
+ Japanese customs, 5.
+
+ Japanese adoption of Ainu language and ways, 112, 113.
+ clothes, 245, 246.
+ Empire, 122, 123.
+ government, 96, 103, 114, 123, 179, 187, 188.
+ hero, 283, 284.
+ parliament, 190.
+ politeness, 36, 69.
+ settlers, 2.
+ songs, 257.
+ villages, 50.
+ woman's toilette, 117, 118.
+
+ Jealousy, 234, 235, 294.
+
+ Jew's harp, 258.
+
+ Jockeys, 33.
+
+ Jungle, 51-53, 66.
+
+
+ K.
+
+ Kaki, 174, 202, 241, 304.
+
+ Kakumi, 198, 199.
+
+ Kamida Maru (wreck of), 179.
+
+ Kamikawa, 183, 184.
+ (population of), 184.
+
+ Kamiiro, 205.
+
+ Kaminokumi, 203.
+
+ Kammakappe, 209.
+
+ Kamschatka, 91, 122, 123, 153, 297.
+
+ Kamui or Kamoi, 285, 286, 290.
+
+ Kamuieto Cape, 174.
+
+ Kamuikotan, 286.
+ rapids, 183.
+
+ Kamui Mount, 193.
+
+ _Kando_ and _Teine-pokna-moshiri_, 290.
+
+ Karibayama, 193.
+
+ Kawamura, 192, 193.
+
+ Kawata Tera, 253.
+
+ Kenashpa, 65.
+
+ Kikonai, 205.
+
+ Kimonos, 2.
+
+ Kinna (mats), 209, 225.
+
+ Kinney, 61.
+
+ Kiritap, 106, 112.
+
+ Kitchen-middens, 92.
+
+ Knife-blades, 216.
+
+ Knives, 13, 219, 220, 223-225, 272.
+
+ Kofikan, 187.
+
+ Komagatake Volcano, 3, 4, 197, 200.
+
+ Komuki lagoon, 142.
+
+ Ko-numa, 3.
+
+ Koshima, 204.
+
+ Kotan-kara-kamui, 285.
+
+ Kudo, 203.
+
+ Kumaishi, 203.
+
+ Kunashiri, 80, 88, 91, 123, 131, 132.
+
+ Kunnui, 197.
+
+ Kurile Islands, 78, 80, 87-89, 92, 121, 122, 131, 132, 190, 201,
+ 231, 282, 297.
+
+ Kurile Islands (trade of), 115.
+
+ Kurilsky Ainu, 87-90, 94, 123-128, 180, 213, 251, 268.
+
+ Kuromatsunai, 195.
+
+ Kuro-shiwo, or Japan current, 48, 165, 169.
+
+ Kushiro, 74-77, 81, 82, 91, 95-97, 104, 190.
+
+ Kutambets, 178.
+
+ Kutcharo lake, 84, 85, 98-101, 137, 207, 286.
+ river, 74, 75, 80, 82, 95, 96, 101, 207.
+
+
+ L.
+
+ Lagoons, 139, 142, 163, 170.
+
+ Language, 59, 283, 291.
+
+ La Perouse Strait, 131, 161, 164, 169.
+
+ Laws, 273, 291.
+
+ Laws of marriage, 293.
+
+ Legends, 28, 29, 260.
+
+ Legend
+ : Abe-ten-rui, 261.
+ : Inu-sapk, 261.
+ : Kimta-na, 261.
+ : Tushi-une-pan, 260.
+
+ Leprosy, 42, 54.
+
+ Letters, 201, 202.
+
+ Libations, 289.
+
+ Life-boat, 168.
+
+ Lighting, 135.
+
+ Lines, 227.
+
+ Lopatka Cape, 123.
+
+ Lunatics, 61, 146-149.
+
+
+ M.
+
+ Machinery, 187, 216.
+
+ Madwoman, 54, 55.
+
+ Makkarinupuri (Volcano), 200.
+
+ Malaise, 46.
+
+ Malarial fever, 174.
+
+ Manners, 242.
+
+ Map-drawing, 218.
+
+ Marks (owner's), 218.
+
+ Masatomari, 195.
+
+ Mashe (fish), 173.
+
+ Mashike, 174.
+ Mount, 174-176.
+
+ Maternal love, 155.
+
+ Mat-making, 211.
+
+ Matrons, 265.
+
+ Matsumai, 203-205.
+
+ Meals, 170, 171.
+
+ Measurements of Yezo Ainu body (Appendix), 298-302.
+
+ Measurements of Shikotan Ainu (Appendix), 303, 304.
+
+ Measurements of Ainu with arms outstretched, 299, 304.
+
+ Memuro-puto, 61.
+
+ Menoko (girls), 32.
+
+ Metallurgy, 216.
+
+ Metempsychosis, 284.
+
+ Mice and rats, 213.
+
+ Migratory people, 91.
+ population, 173, 174.
+
+ Milne (Prof.), 89.
+
+ Missionaries, 28, 29, 59, 155, 156, 285, 290.
+
+ Mitsuashi River, 39.
+
+ Mocassins, 60, 127.
+ and boots, 247.
+
+ Model farm, 187, 188.
+
+ Mohechi, 205.
+
+ Moi, 176.
+
+ Mombets, 5, 11.
+
+ Momonai, 192.
+
+ Mongolian, 129, 230.
+ type, 179.
+
+ Monuments, 226.
+
+ Morality, 269, 290, 295.
+
+ Mori, 4, 196, 197, 200.
+
+ Moroi, 178.
+
+ Mororran, 5, 19, 196.
+ (Shin-, and Kiu-), 11.
+
+ Mortality, 123, 128, 296, 297.
+
+ Mourning, 227.
+
+ Moustache lifter, 23, 208, 220, 221, 289.
+
+ Moustache tattooed, 252, 254.
+
+ Movements and attitudes, 239.
+
+ Moyoro or Biru, 47.
+
+ Moyorotake or Bear Bay, 129.
+
+ Mukawa, 20, 21.
+
+ Musemes, 1.
+
+ Music, 255.
+ of Ainu, 255.
+ of Westerns, 255.
+ as a cure of illness, 261.
+ Chromatic intervals, 258, 259.
+ diabolical, 262.
+ Diatonic minor scale, 258.
+ education in, 257.
+ to facilitate manual labour, 262.
+ feeling in, 255.
+ fondness for, 257.
+ imitation of noises in, 257.
+ key note, 259.
+ loud, 263.
+ melody, 259.
+ metre, 261.
+ modulations, 255.
+ modulations in tunes, 258, 259.
+ passion in, 255.
+ personality in, 260.
+ rhythmical effects in, 255, 258.
+ rhythmical method, 259.
+ sad, 264.
+ suggestions of animal sounds in, 261.
+ teaching of, 260.
+
+ temperamental characteristics in, 263.
+ transformation of a theme, 260.
+ vocal, 256.
+
+ Musical instruments, 257, 258.
+ memory, 257.
+ notation, 255.
+ strings, 257.
+
+ Myopy, 279.
+
+
+ N.
+
+ Nagayama, Governor of the Hokkaido, 192.
+
+ Naibo, 130.
+
+ Naye, 185.
+
+ Nayosami Hill, 183.
+
+ Necklaces and earrings, 60, 249.
+
+ Nemuro, 114-116, 118, 119, 121, 133, 161.
+
+ Neptka, 204.
+
+ Nigori River, 197.
+
+ Nii-pak-pets, River, 35.
+
+ Nippon, 92, 93, 104.
+
+ Nishibets, 133.
+
+ Nitumap, 61.
+
+ Nobori-bets village, 18.
+ Volcano, 18, 19.
+
+ Noshafo Cape, 73, 114, 115, 161.
+
+ Nossyap Cape, 167, 168.
+ Peninsula, 167, 168.
+
+ Notoro Cape, 130.
+ Lake, 139.
+
+ Notski Peninsula, 133.
+
+ Nusa, 214, 286.
+
+
+ O.
+
+ Oak, 21.
+
+ Oakan and Moyokan, 98, 135.
+
+ Oakan River, 99.
+
+ Obishiro, 58.
+
+ Obune, 198, 199.
+
+ Odour, 276.
+
+ Odour of Europeans, 276.
+ of women, 276, 277.
+
+ Oitoi, 130.
+
+ Okashi-nae Mountain, 177.
+
+ Okos, 43.
+
+ Okushiri Island, 203.
+
+ Omangus, 146-150.
+
+ Onekotan, 123.
+
+ Onembets, 129.
+
+ Onishika, 173, 174.
+
+ Onnetto Lagoon, 116.
+ River, 116, 133.
+
+ Ono-numa, 3.
+
+ Opoto Lake, 137.
+
+ Oputateishike Mountain-mass, 63.
+
+ Oputs, 48.
+
+ Orang-outang, 146.
+
+ Ornamentations, 218-220.
+
+ Osaru River, 11.
+
+ Oshamambe, 193, 196, 197.
+
+ Oshima Island, 203, 204.
+ province, 4.
+
+ Oshoro, 192.
+
+ Osman Pasha, 164.
+
+ Ota Cape, 203.
+
+ Otaru, 20, 191.
+
+ Otaussi-nai Village, 185.
+
+ Otatsube, 199.
+
+ Otchishi, 113, 114.
+
+ Otkoshk sea, 123, 131, 133, 135, 143.
+
+ Otopke Mount, 63, 64.
+
+ Otoshibe River, 197.
+
+ Otoyebukets, 183.
+
+ Otsu, 48, 50, 51, 68, 73.
+
+ Otsugawa River, 50.
+
+ Ottoinnai, 61.
+
+ Owls, 102.
+
+ Oyama Iwao (Count), Minister of State for War, 189.
+
+ Oysters, 104, 113, 139.
+
+
+ P.
+
+ Pack-saddles, 17, 18, 237.
+
+ Paddle (Hera), 208.
+
+ Para-puta, 195.
+
+ Paro-mushir, 123, 126.
+
+ Pasture-land, 107.
+
+ Pehambe-ushi River, 103.
+
+ Pekoatnit, 210.
+
+ Pensatsunai, 58.
+
+ Perohune, 48.
+
+ Pestilence, 61.
+
+ Physiognomy, 230.
+
+ Physiological observations, 274.
+
+ Pico Strait, 131.
+
+ Piegawa River, 183.
+
+ Pipes, etc., 223.
+
+ Piratori, 22, 30, 248, 253, 260, 261, 264, 275, 283, 284.
+ Valley, 33.
+
+ Pit-dwellers (Koro-pok-kuru), 77-80, 83-87, 90, 92, 104, 114, 125,
+ 130, 251.
+
+ Pit-dwellers' implements, 190.
+
+ Pits, 77-84, 88-94, 114, 130, 141.
+
+ Plateau, 63.
+ like peninsula, 114.
+
+ Poisoned arrows, 223, 224.
+
+ Polygamy, 294.
+
+ Polytheists, 281, 285, 290.
+
+ Pombets, 65.
+
+ Ponies, 3, 21, 65, 66, 138.
+
+ Pon-machi (small wife), 28, 294.
+
+ Pontoo, 122, 131.
+
+ Pooley, Mr., 206.
+
+ Population, 294.
+
+ Porobets River, 162.
+
+ Poronai, 157, 161, 183-186.
+ coal-mines, 191.
+
+ Poro-machi (great wife), 28, 294.
+
+ Poro-nam-bets River, 41.
+
+ Poro-usa, 209.
+
+ Posturing, 264.
+
+ Pottery, 80, 86, 215.
+
+ Poverty of the Ainu, 5.
+ of blood, 296.
+
+ Prayers, 289.
+
+ Prehistoric man, 242.
+
+ Progeny of mixed marriages, 268.
+
+ Provisions, 3, 211.
+
+ Publications on the Ainu, 229.
+
+ Pulse-beat, 275.
+
+ Pumice, 5, 21, 73.
+
+ Punishments, 291.
+
+ Purokenashpa, 65.
+
+
+ Q.
+
+ Quarrels, 292.
+
+ Quicksands, 139, 169, 170.
+
+ Quicksand River, 157.
+
+ Quiver, 224, 225.
+
+
+ R.
+
+ Rags, 247.
+
+ Rahush Mount (Kunashiri), 122.
+
+ Rain, 3, 135, 193, 197, 200.
+
+ Raishats, 179, 226.
+
+ Rattler (H.M.S.), 165.
+
+ Recitative, 256.
+
+ Reeds and rushes, 51, 57, 62, 66, 67, 90.
+
+ Reefs, 123, 194.
+
+ Relations, 296.
+
+ Religion, 283.
+
+ Religious ideas, 281.
+ race, 198.
+
+ Repun, 10.
+
+ Repunshiri, 167, 168.
+
+ Resurrection of the body, 284, 290.
+
+ Reversed coil, 222.
+
+ Rheumatism, 128, 174, 241.
+
+ Rhyme, 261.
+
+ Riding, 17, 237.
+ bareback, 243.
+
+ Riruran, 107, 108, 111.
+
+ Rishiri Island, 167, 168.
+
+ Rivers,
+ peculiarity in, 135.
+ troublesome, 151.
+
+ Roasting hook, 211.
+
+ Robinson Crusoe, 133.
+
+ Rocks, 41, 111, 163.
+
+ Roofs, 207.
+
+ Rubeshibe River, 183.
+
+ Rubets, 83, 130, 135.
+
+ Rumoi, 174.
+
+ Russia, 88, 122.
+ exchange with, 179.
+
+ Russian Bible, 127.
+ convicts, 142, 143, 165.
+ cruiser, Crisorok, 168.
+ regime, 127.
+
+
+ S.
+
+ Sacrilege, 200.
+
+ Sadness, 232, 297.
+
+ Saint Andrew's Cross, 227.
+
+ Sake, 17, 23, 24, 31.
+
+ Sakhalin or Krafto, 88, 92, 93, 122, 142, 161, 165, 297.
+
+ Sakhalin Ainu, 179.
+
+ Salaams, 7, 23.
+
+ Salutation, Ainu, 6, 128, 256.
+
+ Salmon, 130, 131, 133, 134, 173.
+
+ Salmon, dried, 211.
+
+ Salmon-fishing, 63, 64, 182.
+
+ Salmon-trout, 130.
+
+ Sandals, 248.
+
+ Sappro, 20, 91, 186, 187-191.
+
+ Sardine fishing, 19, 20, 41, 47, 48.
+
+ Saru-buto, 20.
+
+ Saru district, climate of, 84.
+
+ Sarubuts, 163.
+
+ Saruffo-Ko Lagoon, 111, 114.
+
+ Saruma Lagoon, 81, 139, 142, 162.
+
+ Saru-Mombets, 20, 21, 34, 35.
+
+ Saru River, 22, 58, 207, 286.
+ Ainu, 260.
+
+ Saruru, 44, 46, 47, 157.
+
+ Satsuma, 92.
+
+ Satsumai and Ghifzan, 63.
+
+ Satsuma Maru, 1, 206.
+
+ Savage dance, 32.
+
+ Savage Landor, 158.
+
+ Savages, 159.
+
+ Sawaki, 161.
+
+ Scenery, 41, 46, 100, 111, 114, 129, 135, 162, 176, 192, 193.
+
+ Scitzo, 193-195.
+
+ Sea-birds, 48, 105, 138, 151, 152.
+
+ Se-Cherippe Lagoon, 104.
+
+ Seal-fishery, 104.
+
+ Seals, 126, 131, 139, 161.
+
+ Sea-trout, 170.
+
+ Sea-weed, 41, 47, 104, 113, 115.
+
+ Sensation, 14.
+
+ Sense
+ of hearing, 278-280.
+ of sight, 278, 279.
+ of smell, 276.
+ of taste, 278.
+ of touch, 277.
+
+ Sensitiveness, 277.
+ of lips, tongue, hands, fingers, lumbar region, etc., 278.
+
+ Sexual love, 296.
+
+ Shakotan, 176.
+ Cape, 191.
+ Peninsula, 192, 193.
+
+ Shama-ne, 39-41.
+
+ Shame and disgust, 233.
+
+ Shamesen, 258.
+
+ Shana, 131.
+
+ Shanoi, 162.
+
+ Shari, 80, 92, 135-137, 240.
+
+ Shari-Mombets, 142, 143.
+
+ Shaubets, 70, 73, 74.
+
+ Shell-heaps, 81, 92, 104.
+
+ Shibe-gari-pets, 35, 37.
+
+ Shibetcha, 96, 97, 99, 101-104.
+
+ Shibets, 134, 135.
+
+ Shibumotzunai Lagoon, 142.
+
+ Shikarubets Otchirsh, 61-64.
+
+ Shikotan, 123-129, 207, 231.
+ Ainu, 87, 88.
+ Island, 88, 89.
+
+ Shimokebo, 35-37.
+
+ Shimushir, 88-90, 123, 126.
+
+ Shina, 60.
+
+ Shiofuki, 203.
+
+ Shirakami Cape, 205.
+
+ Shiranuka, 74, 75.
+
+ Shiraoi, 19.
+
+ Shiretoko Cape, 122, 135.
+ Peninsula, 135, 138.
+
+ Shiribeshi Province, 4.
+
+ Shiribets, 193.
+
+ Shirikishinai, 201.
+
+ Shirin Lake, 96.
+
+ Shiriuchi, 205.
+
+ Shoals and reefs, 104.
+
+ Shooting rapids, 183-185.
+
+ Shorui-washi, 64.
+
+ Shoulders, 301, 304.
+
+ Shoya, 44-47.
+
+ Shrine, 199, 200.
+
+ Siberian coast, 153.
+
+ Siliusi lighthouse, 163.
+
+ Skin, 276.
+ colour of, 230.
+ eruptions, 6, 296.
+
+ Skull trophy, 214.
+
+ Sleep, 275.
+
+ Sleeping, 244.
+
+ Slyness, 234, 235.
+
+ Smoke, 211.
+ black, 252.
+
+ Snow, 84, 85, 115, 197.
+ and glaciers, 165.
+ sandals, 60.
+
+ Singing, 256.
+
+ Sitting, 243.
+
+ Soldiers, 102, 103.
+
+ Songs, 255, 256.
+
+ Sorachi river, 183, 185.
+
+ Soshi, 75.
+
+ Soul, 284.
+
+ Soya Cape, 42, 80, 81, 92, 163, 165, 167.
+
+ Spain, 287.
+
+ Spears, 224.
+
+ Speculation, 90, 91.
+
+ Spezia, Gulf of, 41.
+
+ Spiders, 45.
+
+ Spoons, 215.
+
+ Spruces, 104.
+
+ Stackhouse, 215.
+
+ Statistics, 212.
+
+ Stealing, 53, 57, 181, 272.
+
+ Steeplechase, 66.
+
+ Stone (peculiar), 168.
+ images, 204.
+
+ Storehouses, 23, 26, 137, 138, 161, 173, 180, 213, 247.
+
+ Storeys, 208.
+
+ Storm, 135, 136, 197.
+
+ Strength, 238.
+
+ Struggle, 40.
+
+ Submerged crater, 125.
+
+ Submission, 16, 273.
+
+ Suicides, 291.
+
+ Sulkiness, 234.
+
+ Sulphur, 97, 104, 122, 130, 131, 138, 190, 200.
+
+ Sulphur beds, 97, 98.
+ mine, 97.
+
+ Supernaturalism, 284.
+
+ Superstition, 17, 289.
+
+ Swamps, 65.
+
+ Swearing, 289.
+
+ Swift rivers, 41.
+
+ Sword-hilts (Japanese), 250.
+
+ Sydney Smith's position, 111.
+
+ Symbols, 219.
+
+ Sympathy, 52, 191.
+
+
+ T.
+
+ Taikki (fleas), 56.
+
+ Tailor's sign-post, 191.
+
+ Takae village, 35.
+
+ Takigawa, 185.
+
+ Takkobe Lake, 96.
+
+ Tapkara (a savage dance), 32.
+
+ Tarbouches, 164.
+
+ Tartary, Gulf of, 153.
+
+ Tarsus, 300.
+
+ Tarumai Volcano, 201.
+
+ Tattoos, 6, 137, 142, 179, 227, 232, 251-253, 293.
+ (colour of), 254.
+ (legend on), 251, 252.
+
+ Tattooing (process of), 252.
+
+ Tattooed women, 99.
+
+ Tcharo-bets, 75.
+
+ Tcha-tcha-nobori Volcano, 131.
+
+ Tchiota, 56.
+
+ Tears, 233.
+
+ Teeth of half-castes, 269.
+
+ Temper, 65, 233, 294.
+
+ Tendo Achillis, 241.
+
+ Tent, 3.
+
+ Terra del Fuegians, 228.
+
+ Terror, 154.
+
+ Teshio coast, 176.
+ River, 168-170, 174.
+
+ Tetcha or Tetchkanga, 100, 101.
+
+ Teuri, 171.
+
+ Thatching, 208.
+
+ Theft, 291.
+
+ Thiaske Tarra, 238.
+
+ Thousand Islands, or Chishima, 123.
+
+ Thread-winding, 240.
+
+ Tibia, 88, 300, 304.
+
+ Tide-rips, 131.
+
+ Tobuts, 80, 139, 141, 253.
+
+ Tobuts Lake, 48, 137.
+
+ Todohotke, 200.
+
+ Toi, 201.
+
+ Tokachi, 84.
+ Ainu, 99, 248-250, 253.
+ district, 274.
+ region, 114.
+ River, 50, 58, 59, 61-66, 73, 169, 207, 214, 271.
+
+ Tokio, 115.
+
+ Tokri-moi, 11.
+
+ Tokumatz Kuroda, 192.
+
+ Tomamai, 173, 174.
+
+ Tomakomai, 19, 20, 269.
+
+ Tombets River, 163.
+
+ Tombs, 181.
+
+ Tonden, or military settlement 102, 103, 114, 183, 188.
+
+ Tones, 222.
+
+ Toreador, in Carmen, 263.
+
+ Torii (emblems), 204.
+
+ Tori Lake, 96.
+
+ Totemism, 281, 282.
+
+ To'tori, 75.
+
+ Toshibets River, 65.
+
+ Toya Lake, 10, 11, 200.
+
+ Toyohira River, 183.
+
+ Toyoshira Valley, 187.
+
+ Trackers (Ainu), 109.
+
+ Tracking, 159-161.
+
+ Tradition, 218.
+
+ Transmission of diseases, 266.
+ of images to the brain, 279.
+
+ Travellers (foreign), 263.
+
+ Tree-dwellers of India, 228.
+
+ Trees, 129, 130, 135, 137, 161, 162, 166, 198.
+
+ Triangles, 221.
+
+ Tribes, 88, 267.
+
+ Trovatore, 257.
+
+ Tukoro, 139.
+
+ Tunnel, 39, 41, 174.
+
+ Tunnui-puto, 65.
+
+ Turkish ship (wreck of), 163.
+
+ Tsiriju Mount, 130.
+
+ Tsugaru Strait, 93, 193.
+
+ Types, 229.
+
+ Typhoon, 164, 174.
+
+
+ U.
+
+ Ubahu, 37, 39.
+
+ Uhui Cape, 174.
+
+ Ukorra, 10.
+
+ Ulmus Campestris, 26, 245, 246.
+ Campestris bark, 210.
+ Campestris fibre, 267.
+
+ Ulna, 299, 303.
+
+ Uparpenai, 61.
+
+ Urahoro River, 73.
+
+ Urakawa, 39, 40.
+
+ Urapets River, 39.
+
+ Uriugawa River, 183.
+
+ Urup, 88, 123, 126, 131.
+
+ Usa, 209.
+
+ Ushoro, 193.
+
+ Uso, 5.
+
+ Uso Volcano, 11, 200.
+
+ Utarop Rocks, 43.
+
+ Usushiri, 198.
+
+
+ V.
+
+ Vegetation, 131.
+
+ Villages, Ainu, 5, 22.
+
+ Vines, 60.
+
+ Virginity, 250.
+
+ Virility, 253.
+
+ Volcanic nature, 5.
+ formation, 37, 122, 129, 162, 167, 168, 192, 205.
+ mass, 4.
+ zone, 130.
+
+ Volcano, 130.
+
+ Volcano Bay, 5, 58, 193, 195, 197, 286.
+ Ainu, 6, 248, 274.
+
+ Volcanoes, 131.
+
+
+ W.
+
+ Wadamanai, 168, 169.
+
+ Wakkanai, 167, 168.
+
+ War-clubs, 10, 223.
+
+ Washibets, 14.
+
+ Washing, 28.
+
+ Watanabe Masaru, 58, 64, 65.
+
+ Waterfalls, 11, 41, 74, 194.
+
+ Water-soup, 4.
+
+ Weaving, 210.
+
+ Wembets, 135.
+
+ Wembets River, 171.
+
+ Westerns, 255.
+
+ Whales' bones, 145, 161, 169.
+
+ Wife, 294, 295.
+ (great wife), 34.
+ (second), 294.
+
+ Winter, 161.
+ garments, 60, 145.
+
+ Witches, 287, 288.
+
+ Wolves, 101.
+
+ Women, 136, 137, 142, 232, 236, 249, 252, 253, 294.
+
+ Women standing, 242.
+ and children at a festival, 31.
+ (burial of), 225.
+ feeding bears, 59.
+ suckling bear cubs, 214.
+
+ Women's graves, 226.
+
+ Wood-carving, 219.
+
+ Wooden blade, carved, 226.
+ bowls, 8.
+ panels, 2.
+
+ Wrecks, 42, 43, 162, 163, 165, 168-170, 179.
+
+ Written language, 259.
+
+ Worship, 281, 283, 284.
+
+
+ Y.
+
+ Yagoshi Cape, 205.
+
+ Yamakubiro, 56, 63, 271.
+
+ Yamakushinai, 197.
+
+ Yammakka, 56, 57, 61, 65, 66.
+
+ Yangeshiri, 171.
+
+ Yassuchi, 142.
+ Lagoon, 142.
+
+ Yezo, 297.
+
+ Yoichi, 192, 193.
+
+ Yoshioka village, 205.
+
+ Yoshitsune or Okikurumi, 260, 261, 283, 284. (Also see Hero, Japanese.)
+
+ Yubaridake, 122.
+
+ Yubets, 142.
+ River, 141.
+
+ Yuhuts, 20.
+
+ Yurap, 197.
+
+ Yurapdake Mount, 4.
+
+ Yuto Lake, 48.
+
+ Yuzan Volcano, 97, 98, 101, 104.
+
+
+ Z.
+
+ Zenzai lakes, 3.
+
+
+LONDON: PRINTED BY WM. CLOWES AND SONS, LTD., STAMFORD STREET AND
+CHARING CROSS.
+
+
+ +--------------------------------------------------------------+
+ | |
+ | Transcriber's Notes |
+ | |
+ | The following changes have been made to the text. |
+ | |
+ | |Page |Original |Changed to |Context | |
+ | |53 |do |no |doorways have no doors. | |
+ | |305 |2/8 |1/4 |5-1/4 inches wide | |
+ | |
+ | Some words occur in both hyphenated and unhyphenated forms |
+ | in the text. |
+ | |
+ +--------------------------------------------------------------+
+
+
+
+
+
+End of Project Gutenberg's Alone with the Hairy Ainu, by A. H. Savage Landor
+
+*** END OF THIS PROJECT GUTENBERG EBOOK ALONE WITH THE HAIRY AINU ***
+
+***** This file should be named 37873.txt or 37873.zip *****
+This and all associated files of various formats will be found in:
+ https://www.gutenberg.org/3/7/8/7/37873/
+
+Produced by Steven Gibbs, LN Yaddanapudi and the Online
+Distributed Proofreading Team at https://www.pgdp.net
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+https://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need are critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at https://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+https://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at https://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit https://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including including checks, online payments and credit card
+donations. To donate, please visit: https://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart was the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ https://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.