diff options
Diffstat (limited to '39178.txt')
| -rw-r--r-- | 39178.txt | 872 |
1 files changed, 872 insertions, 0 deletions
diff --git a/39178.txt b/39178.txt new file mode 100644 index 0000000..0b13c89 --- /dev/null +++ b/39178.txt @@ -0,0 +1,872 @@ +The Project Gutenberg EBook of "Der Tag", by J. M. Barrie + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org/license + + +Title: "Der Tag" + The Tragic Man + +Author: J. M. Barrie + +Release Date: March 17, 2012 [EBook #39178] + +Language: English + +Character set encoding: ASCII + +*** START OF THIS PROJECT GUTENBERG EBOOK "DER TAG" *** + + + + +Produced by David Edwards, David E. Brown and the Online +Distributed Proofreading Team at http://www.pgdp.net (This +file was produced from images generously made available +by The Internet Archive) + + + + + + + + + + "DER TAG" + OR + THE TRAGIC MAN + + + + + BOOKS BY J. M. BARRIE + + PUBLISHED BY CHARLES SCRIBNER'S SONS + + Half Hours _net_ $1.25 + + "Der Tag," or The Tragic Man _net_ .25 + + Peter and Wendy. Illustrated _net_ $1.50 + + Peter Pan in Kensington Gardens. + With 16 Illustrations in Color by + ARTHUR RACKHAM _net_ $1.50 + + The Little White Bird _net_ $1.35 + + Sentimental Tommy. The Story of His + Boyhood. Illustrated _net_ $1.35 + + Tommy and Grizel. Illustrated _net_ $1.35 + + Margaret Ogilvy. By Her Son _net_ $1.25 + + A Window in Thrums. 16mo _net_ $1.25 + + Auld Licht Idylls. 16mo _net_ $1.25 + + + + + "DER TAG" + OR + THE TRAGIC MAN + + BY + J. M. BARRIE + + + NEW YORK + CHARLES SCRIBNER'S SONS + 1914 + + + COPYRIGHT, 1914, BY J. M. BARRIE + _All rights reserved_ + + Published December, 1914 + + + + + "DER TAG" + OR + THE TRAGIC MAN + + + + +CHARACTERS + + EMPEROR + CHANCELLOR + OFFICER + SPIRIT OF CULTURE + + + + + "DER TAG" + OR + THE TRAGIC MAN + + _A bare chamber lighted by a penny dip which casts shadows. On a hard + chair by a table sits an EMPEROR in thought. To him come his + CHANCELLOR and an OFFICER._ + + +CHANCELLOR. Your Imperial Majesty---- + +OFFICER. Sire---- + +EMPEROR (_the EMPEROR rises_). Is that the paper? + + (_Indicating a paper in the CHANCELLOR'S hand._) + +CHANCELLOR (_presenting it_). It awaits only your Imperial Majesty's + signature. + +OFFICER. When you have signed that paper, Sire, the Fatherland will be + at war with France and Russia. + +EMPEROR. At last, this little paper---- + +CHANCELLOR. Not of the value of a bird's feather until it has your royal + signature. The---- + +EMPEROR. Then it will sing round the planet. The vibration of it will + not pass in a hundred years. My friend, how still the world has grown + since I raised this pen! All Europe's listening. Europe! That's + Germany, when I have signed! And yet---- + +OFFICER. Your Imperial Majesty is not afraid to sign? + +EMPEROR (_flashing_). Afraid! + +OFFICER (_abject_). Oh, Sire! + +EMPEROR. I am irresistible to-day! "Red blood boils in my veins. To me + every open door is the gift of a world! I hear a thousand + nightingales! I would eat all the elephants in Hindustan and pick my + teeth with the spire of Strassburg Cathedral." + +OFFICER. That is the Fatherland to-day. Such as we are, that you have + made us, each seeking to copy you in so far as man can repeat his + deity. It was you fashioned us into a sword, Sire, and now the sword + must speak. + +EMPEROR (_approvingly_). There the sword spoke--and yet the wise one + said: "Take not your enemies together, but separately, lest the meal + go to them instead of to you." One at a time. (_To CHANCELLOR_) Why am + I not a friend of Russia till France is out of the way, or France's + friend until the bear is muzzled? That was your part. + +CHANCELLOR. For that I strove, but their mean minds suspected me. Sire, + your signature! + +EMPEROR. What of Britain? + +OFFICER (_intently_). This--The Day, to which we have so often drunk, + draws near! + +EMPEROR. The Day! To The Day! (_All salute The Day with their swords._) + But when? + +OFFICER. Now, if she wants it! + +EMPEROR. There is no road to Britain--until our neighbors are subdued. + Then, for us, there will be no roads that do not lead to Britain. + +CHANCELLOR (_suavely_). Your Imperial Majesty, Britain will not join in + just now. + +EMPEROR. If I was sure of that! + +CHANCELLOR. I vouch for it. So well we've chosen our time, it finds her + at issue with herself, her wild women let loose, her colonies ready to + turn against her, Ireland aflame, the paltry British Army sulking with + the civic powers. + +EMPEROR. These wounds might heal suddenly if German bugles sounded. It + is a land that in the past has done things. + +OFFICER. In the past, your Imperial Majesty, but in the past alone lies + Britain's greatness. + +EMPEROR. Yes, that's the German truth. Britain has grown dull and + sluggish; a belly of a land, she lies overfed; no dreams within her + such as keep powers alive--and timid, too--without red blood in her, + but in its stead a thick, yellowish fluid. The most she'll play for is + her own safety. Pretend to grant her that and she'll seek her soft bed + again. Britain's part in the world's making is done. "I was," her + epitaph. + +CHANCELLOR. How well you know her, Sire! All she needs is some small + excuse for saying, "I acted in the best interests of my money-bags." + That excuse I've found for her. I have promised in your name a secret + compact with her, that if she stands aloof the parts of France we do + not at present need we will not at present take. + +EMPEROR. A secret bargain over the head of France, her friend! Surely an + infamous proposal. + +CHANCELLOR. The British Government will not think so. Trust me to know + them, Sire. Your signature? + +EMPEROR (_gleaming_). I can fling a million men within the week across + the border by way of Alsace and Lorraine. + +OFFICER (_with a frown_). There are a hundred gates to open that way. + +EMPEROR. My guns shall open them. + +OFFICER (_with meaning_). You can think of no easier road, Sire? + +EMPEROR. I think of it night and day. + +OFFICER. One further north--through Belgium? + +EMPEROR. If I could dare! But no, that road is barred. + +OFFICER (_misunderstanding_). On the contrary, Sire---- + +EMPEROR. Barred by a fortress no gun of mine may bear against--by honor, + by my plighted word. + +OFFICER. Yet, Sire---- + +EMPEROR (_after hesitating_). No, no! I will not so stain my name. + +CHANCELLOR. I am with you, Sire, but I fear it will not be so with + France. She has grown cynical. She will find the road through Belgium. + +EMPEROR. You seek to tempt me. She also signed the treaty. + +CHANCELLOR. Your Imperial Majesty judges others by yourself. I have + private ground for fearing that in the greed for a first advantage + France will call the treaty but a scrap of paper. + +EMPEROR. I think your private ground may be your own private newspaper. + +CHANCELLOR. She will say that necessity knows no law, or some such + dastard words. + +EMPEROR. Belgium is no craven. She will fight the betrayer. + +CHANCELLOR. France will hack her way through her. + +EMPEROR. My Chancellor, that is a hideous phrase. + +CHANCELLOR. I ask your pardon, Sire. It came, somehow, pat to my lips. + +OFFICER. Your Imperial Majesty, the time passes. Will it please you to + sign? + +CHANCELLOR. Bonaparte would have acted quickly. + +EMPEROR. Bonaparte! + +CHANCELLOR. The paper, Sire. + +EMPEROR. Leave it now with me. Return in an hour and you shall have it + signed. + +OFFICER (_warningly_). The least delay---- + +CHANCELLOR. Overmuch reflection---- + +EMPEROR. I wish to be alone. + + (_They retire respectfully, but anxious. He is left alone in + thought._) + +EMPEROR. Even a King's life is but a day, and in his day the sun is only + at its zenith once. This is my zenith; others will come to Germany, + but not to me. The world pivots on me to-night. They said Bonaparte, + coupling me with him. To dim Napoleon! Paris in three weeks--say four, + to cover any chance miscalculation; Russia on her back in six, with + Poland snapping at her, and then, after a breathing space, we + reach--The Day! We sweep the English Channel, changing its name as we + embark, and cross by way of Calais, which will have fallen easily into + our hands, the British fleet destroyed--for that is part of the + plan--Dover to London is a week of leisured marching, and London + itself, unfortified and panic-stricken, falls in a day! _Vae victis!_ + I'll leave conquered Britain some balls to play with, so that there + shall be no uprising. Next I carve America in great mouthfuls for my + colonists, for now I strike the seas. It's all so docketed. I feel + it's as good as done before I set forth to do it. Dictator of the + world! And all for pacific ends. For once, the whole is mine. We come + at last to the great desideratum, a universal peace. Rulers over all! + God in the heavens, I upon the earth--we two! (_Raising his brows + threateningly_) _And there are still the Zeppelins!_ I'll sign! + + (_He sits in thought. He is very tired, and soon he is asleep. The + lighting becomes strange; he dreams, and we see his dream. The + SPIRIT OF CULTURE appears, a noble female figure in white robes._) + +EMPEROR. Who's that? + +CULTURE. A friend. I am Culture, who has so long hovered well-placed + over happy Germany. + +EMPEROR (_who gives her royal honor_). A friend--a consort! I would hear + you say, O Queen, that I have done some things for you. + +CULTURE. You have done much for me. I have held my head higher since you + were added to the roll of sovereigns. I may have smiled at you at + times, as when you seemed to think that you were the two of us in one, + but as Kings go you have been a worthy King. + +EMPEROR. It was all done for you. + +CULTURE. So, for long, I thought. I looked upon Germany's golden + granaries, plucked from ground once barren; its busy mills and + furnaces, its outstretching commerce and teeming people and noble + seats of learning, all mellowing in the sun, and I heard you say they + were dedicate to me, and I was proud. You have honored me, my Emperor, + and now I am here to be abased by you. All the sweet garments you have + robed me in, tear them off me and send me naked out of Germany. + +EMPEROR. You would not have me sign? + +CULTURE. I warn you first to know yourself, you who have gloated in a + looking-glass too long. + +EMPEROR. I sign, so that Germany may be greater still, to spread your + banner farther; thus I make the whole world cultured. + +CULTURE. My banner needs no such spreading. It has ever been your + weakness to think that I have no other home save here in Germany. I + have many homes, and the fairest is in France. + +EMPEROR. If that were true, Germany would care less for you. + +CULTURE. If that is true, I have never had a home in Germany. I am no + single nation's servant, no single race's Queen. I am not of German + make. My banner is already in every land on which you would place your + heel. Culture spreads not by way of maiming freedom. I'll not have you + say you fight for me. Find some other reason. + +EMPEROR. The jealousies of nations---- + +CULTURE. All are guilty there. Jealousy, not love of money, is the root + of all evil; that was a misprint. Yet I know of nothing those others + want that is yours to give, save peace. What do you want of them? + Bites out of each, and when they refuse to be dismembered you cry: + "The blood be on their heads; they force me into war." + +EMPEROR. Germany must expand. That is her divine mission; I have it from + on high. + +CULTURE. Your system of espionage is known to be tolerably complete. + +EMPEROR. All Germany is with me. I hold in leash the mightiest machine + for war the world has forged. + +CULTURE. I have seen your legions, and all are with you. Never was a + Lord more trusted. O Emperor, does that not make you pause? + +EMPEROR. France invades little Belgium. + +CULTURE. Chivalrous France! Never! Emperor, I leave one last word to you + at the parting of the ways. France, Russia, Britain, these are great + opponents, but it is not they will bring the pillars of Germany down. + Beware of Belgium! + + (_She goes. He is left in two minds. He crosses to sign. He flings + down the pen. He strikes the bell. CHANCELLOR and OFFICER + reappear._) + +CHANCELLOR. Your Imperial Majesty has signed? + +EMPEROR. Thus (_he tears the paper_). + +OFFICER. Sire! + +EMPEROR. Say this to Russia, France, and Britain in my Imperial name: So + long as they keep within their borders I remain in mine. + +OFFICER. But, Sire---- + +EMPEROR. You know, as I do, that it is all they ask for. + +CHANCELLOR. You were the friend of Austria. + +EMPEROR. I'll prove it. Tell her from me that Servia has yielded on + every point which doth become a nation and that Austria may accept her + terms. + +CHANCELLOR. Nay, Sire---- + +EMPEROR. And so, there will be no war. + +OFFICER. Sire, we beg---- + +EMPEROR. These are my commands. + + (_They have to go, chagrined, but deferential._) + +EMPEROR. The decision lay with me, and I said there shall be peace. That + be my zenith! + + (_He goes back to the chair; he sleeps peacefully; in the distance a + bell tolls the Angelus, and suddenly this is broken by one boom of a + great gun, which reverberates and should be startling. The SPIRIT + OF CULTURE returns, now with a wound in her breast; she surveys him + sadly._) + +CULTURE. Sleep on, unhappy King. (_He grows restless._) Better to wake + if even your dreams appal you. + + (_He wakes, and for a moment he scarcely understands that he has + been dreaming; the realization is tragic to him._) + +EMPEROR. You! You have come here to mock me! + +CULTURE. Oh, no. + +EMPEROR. I dreamed there was no war. In my dream they came to me and I + forbade the war. I saw the Fatherland smiling and prosperous, as it + was before the war. + +CULTURE. It was you who made the war, O Emperor! + +EMPEROR (_huskily_). Belgium? + +CULTURE. There is no Belgium now, but over what was Belgium there rests + a soft light, as of a helm, and through it is a flaming sword. + +EMPEROR. I dreamed I had kept my plighted word to Belgium. + +CULTURE. It was you, O Emperor, who broke your plighted word and laid + waste the land. In the lust for victory you violated even the laws of + war which men contrive so that when the sword is sheathed they may + dare again face their Maker. Your way to Him is lighted now by + smouldering spires and ashes that were once fair academic groves of + mine, and you shall seek Him over roads cobbled with the moans of + innocents. + +EMPEROR. In my dream I thought England was grown degenerate and would + not fight. + +CULTURE. She fought you where Crecy was, and Agincourt, and Waterloo, + with all their dead to help her. The dead became quick in their + ancient graves, stirred by the tread of the island feet, and they + cried out: "How is England doing?" The living answered the dead upon + their bugles with the "All's well." England, O Emperor, was grown + degenerate, but you, _you_, have made her great. + +EMPEROR. France, Russia? + +CULTURE. They are here around your walls. + +EMPEROR. My people? + +CULTURE. I see none marching but men whose feet make no sound. Shades of + your soldiers who pass on and on, in never-ending lines. + +EMPEROR. Do they curse me? + +CULTURE. None curses; they all salute you as they pass. They have done + your bidding. + +EMPEROR. The women curse me? + +CULTURE. Not even the women. They, too, salute you. You were their + Father and could do no wrong. + +EMPEROR. And you? + +CULTURE. I have come with this gaping wound in my breast to bid you + farewell. + +EMPEROR. God cannot let my Germany be utterly destroyed. + +CULTURE. If God is with the Allies, Germany will not be destroyed. + Farewell. + + (_She is going. She lifts a pistol from the table and puts it in his + hand. It is all she can do for her old friend. She goes away with + shining eyes. The penny dip burns low. The great Emperor is lost in + its shadows._) + + + + +TRANSCRIBER'S NOTE: + + Text in italics is surrounded by underscores: _italics_. + + + + + +End of the Project Gutenberg EBook of "Der Tag", by J. M. Barrie + +*** END OF THIS PROJECT GUTENBERG EBOOK "DER TAG" *** + +***** This file should be named 39178.txt or 39178.zip ***** +This and all associated files of various formats will be found in: + http://www.gutenberg.org/3/9/1/7/39178/ + +Produced by David Edwards, David E. Brown and the Online +Distributed Proofreading Team at http://www.pgdp.net (This +file was produced from images generously made available +by The Internet Archive) + + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution. + + + +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase "Project +Gutenberg"), you agree to comply with all the terms of the Full Project +Gutenberg-tm License (available with this file or online at +http://gutenberg.org/license). + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. "Project Gutenberg" is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" +or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase "Project Gutenberg" appears, or with which the phrase "Project +Gutenberg" is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org/license + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase "Project Gutenberg" associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +"Plain Vanilla ASCII" or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.org), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original "Plain Vanilla ASCII" or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, "Information about donations to + the Project Gutenberg Literary Archive Foundation." + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +"Defects," such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right +of Replacement or Refund" described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need, are critical to reaching Project Gutenberg-tm's +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation web page at http://www.pglaf.org. + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation's EIN or federal tax identification +number is 64-6221541. Its 501(c)(3) letter is posted at +http://pglaf.org/fundraising. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state's laws. + +The Foundation's principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at +809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email +business@pglaf.org. Email contact links and up to date contact +information can be found at the Foundation's web site and official +page at http://pglaf.org + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit http://pglaf.org + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including checks, online payments and credit card donations. +To donate, please visit: http://pglaf.org/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart is the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For thirty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + + +Most people start at our Web site which has the main PG search facility: + + http://www.gutenberg.org + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. |
