summaryrefslogtreecommitdiff
diff options
context:
space:
mode:
authorRoger Frank <rfrank@pglaf.org>2025-10-15 05:22:46 -0700
committerRoger Frank <rfrank@pglaf.org>2025-10-15 05:22:46 -0700
commit8b9ea19544ce4a7f3ca69524d08793765d5900a0 (patch)
tree3ae4a0af7405acb0a95b82cade6afb4ca2dc2a8c
initial commit of ebook 4044HEADmain
-rw-r--r--.gitattributes3
-rw-r--r--4044-h.zipbin0 -> 34951 bytes
-rw-r--r--4044-h/4044-h.htm2081
-rw-r--r--4044.txt1676
-rw-r--r--4044.zipbin0 -> 34048 bytes
-rw-r--r--LICENSE.txt11
-rw-r--r--README.md2
-rw-r--r--old/wtnml10.txt1654
-rw-r--r--old/wtnml10.zipbin0 -> 33254 bytes
9 files changed, 5427 insertions, 0 deletions
diff --git a/.gitattributes b/.gitattributes
new file mode 100644
index 0000000..6833f05
--- /dev/null
+++ b/.gitattributes
@@ -0,0 +1,3 @@
+* text=auto
+*.txt text
+*.md text
diff --git a/4044-h.zip b/4044-h.zip
new file mode 100644
index 0000000..4286550
--- /dev/null
+++ b/4044-h.zip
Binary files differ
diff --git a/4044-h/4044-h.htm b/4044-h/4044-h.htm
new file mode 100644
index 0000000..b11cb90
--- /dev/null
+++ b/4044-h/4044-h.htm
@@ -0,0 +1,2081 @@
+<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
+<HTML>
+<HEAD>
+
+<META HTTP-EQUIV="Content-Type" CONTENT="text/html; charset=iso-8859-1">
+
+<TITLE>
+The Project Gutenberg E-text of What the Animals Do and Say, by Eliza Lee Follen
+</TITLE>
+
+<STYLE TYPE="text/css">
+BODY { color: Black;
+ background: White;
+ margin-right: 10%;
+ margin-left: 10%;
+ font-family: "Times New Roman", serif;
+ text-align: justify }
+
+P {text-indent: 4% }
+
+P.noindent {text-indent: 0% }
+
+P.poem {text-indent: 0%;
+ margin-left: 10%;
+ font-size: small }
+
+P.letter {text-indent: 0%;
+ font-size: small ;
+ margin-left: 10% ;
+ margin-right: 10% }
+
+P.finis { font-size: larger ;
+ text-align: center ;
+ text-indent: 0% ;
+ margin-left: 0% ;
+ margin-right: 0% }
+
+</STYLE>
+
+</HEAD>
+
+<BODY>
+
+
+<pre>
+
+Project Gutenberg's What the Animals Do and Say, by Eliza Lee Follen
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: What the Animals Do and Say
+
+Author: Eliza Lee Follen
+
+Posting Date: June 11, 2009 [EBook #4044]
+Release Date: March, 2003
+First Posted: October 20, 2001
+
+Language: English
+
+Character set encoding: ISO-8859-1
+
+*** START OF THIS PROJECT GUTENBERG EBOOK WHAT THE ANIMALS DO AND SAY ***
+
+
+
+
+Produced by Charles Franks and the Online Distributed
+Proofreading Team. HTML version by Al Haines.
+
+
+
+
+
+
+</pre>
+
+
+<BR><BR>
+
+<H1 ALIGN="center">
+WHAT THE ANIMALS DO AND SAY
+</H1>
+
+<BR>
+
+<H3 ALIGN="center">
+BY
+</H3>
+
+<H2 ALIGN="center">
+MRS. FOLLEN
+</H2>
+
+<BR><BR>
+
+<H4 ALIGN="center">
+Illustrated with Engravings
+</H4>
+
+<BR><BR><BR>
+
+<H2 ALIGN="center">
+WHAT THE ANIMALS DO AND SAY.
+</H2>
+
+<P>
+"Could you not tell us a traveller's story of some strange people
+that we have never heard of before?" said Harry to his mother, the
+next evening.
+</P>
+
+<P>
+After a moment or two of thought, Mis. Chilton said, "Yes, I will
+tell you about a people who are great travellers. They take journeys
+every year of their lives. They dislike cold weather so much that
+they go always before winter, so as to find a warmer climate."
+</P>
+
+<P>
+"They usually meet together, fathers, mothers, and children, as well
+as uncles, aunts, and cousins, but more especially grandfathers and
+grandmothers, and decide whither they shall go. As their party is so
+large, it is important that they should make a good decision."
+</P>
+
+<P>
+"When they are all prepared, and their mind quite made up, they all
+set off together. I am told that they make as much noise, on this
+occasion, as our people make at a town-meeting; but as I was never
+present at one of the powwows of these remarkable travellers, I
+cannot say."
+</P>
+
+<P>
+"What is a powwow?" asked Harry.
+</P>
+
+<P>
+"It is the name the Indians give to their council meetings," replied
+Mis. Chilton.
+</P>
+
+<P>
+She went on. "This people, so fond of travelling, have no great
+learning; they write no books; they have no geographies, no
+steamboats, no railroads, but yet never mistake their way."
+</P>
+
+<P>
+"Four-footed travellers, I guess," said Harry.
+</P>
+
+<P>
+"By no means; they have no more legs than any other great
+travellers; but you must not interrupt me."
+</P>
+
+<P>
+"Well, to go back to our travellers; every one is ready and glad to
+prepare apartments for them, such as they like. They are so lively,
+so merry, and good-natured, that they find a welcome every where.
+They are such an easy, sociable set of folks that they like a house
+thus prepared for them just as well as if they had built it
+themselves."
+</P>
+
+<P>
+"I have been told that when they arrive at any place, before they
+wash themselves, or brush off the dust of their journey, they will
+go directly to one of these houses that has been prepared for them,
+and examine every part of it; and, if they like it, they seem to
+think they have, of course, a right to it, and they take possession
+directly, and say, 'Thank you' to nobody."
+</P>
+
+<P>
+"No one is affronted with them; but every one is ready and glad to
+accommodate the strangers as well as he can, merely for the sake of
+their good company. They come to us in May, and leave our part of
+the country in August, to visit other lands.
+</P>
+
+<P>
+"The great reason, I think, that all the world welcomes these
+travellers is, that they are such a happy, merry set of beings they
+make every one around them cheerful; their gayety is never-failing.
+They rise with the first streak of light; there are no sluggards
+among them. They are all musical, and sing as they go about their
+work; but their music pleases me best when they join in their
+morning hymn. When the morning star is growing pale, and rosy light
+tinges the edges of the soft clouds in the east, this choir of
+singers stop for a second, as if waiting, in silent reverence, for
+the glad light to appear; then, just as the first ray gilds the hill
+tops and the village spire, all pour forth a joyful song, swelling
+their little throats, and making such a loud noise that every sleepy
+head in the neighborhood awakes."
+</P>
+
+<P>
+"Ah! now I have caught you, Mother," said Frank; "these famous
+travellers are martins. I wonder, when you said they were not four
+footed, I did not think of martins. I heard George say, the other
+day, that his father had put up a martin box, and how they came and
+looked at it first, before they took it, and that they always sang
+before daylight, and what a noise they made.
+</P>
+
+<P>
+"But, Mother, when you tell that story again, you must not say little
+throats, or any one will know who your travellers are quick enough;
+but do please tell us more about them."
+</P>
+
+<P>
+"Yes, Frank, you have caught me; these travellers are martins; and,
+if you wish, I will tell you more about them. Mr. Wilson, whom I
+have been reading to-day, calls them birds of passage."
+</P>
+
+<P>
+"What does that mean, Mother?"
+</P>
+
+<P>
+"It means that they find it necessary for their support to pass from
+one country to another when winter is coming on. At that time they
+leave us.
+</P>
+
+<P>
+"Some people think that martins and swallows hide themselves from the
+cold in holes in rocks and banks, or in hollow trees; but Wilson,
+who spent many years in watching the habits of birds, and learning
+their history, thinks that these fly a great way off to a warmer
+country as winter approaches, and that they return again in the
+spring."
+</P>
+
+<P>
+"But how can they find the way?" asked Frank.
+</P>
+
+<P>
+"All that we know about that, Frank, is, that He who created the
+martins has given to them the knowledge that guides them right. In
+their long way through the pathless air, they never make a mistake.
+Our great vessels and our skilful captains sometimes get lost in the
+wide ocean; but these little birds always know the way, and arrive
+with unerring certainty at their place of destination.
+</P>
+
+<P>
+"Our great poet, Bryant, has written some beautiful lines to a
+water-fowl, which express this idea. I will repeat these lines to you
+if you like to hear them.
+</P>
+
+<P CLASS="poem">
+ 'Whither, 'midst falling dew,<BR>
+ &nbsp;&nbsp;&nbsp;&nbsp; While glow the heavens with the last steps of day,<BR>
+ &nbsp;&nbsp;&nbsp;&nbsp; Far, through their rosy depths, dost thou pursue<BR>
+ &nbsp;&nbsp;&nbsp;&nbsp; Thy solitary way?<BR>
+</P>
+
+<P CLASS="poem">
+ Vainly the fowler's eye<BR>
+ &nbsp;&nbsp;&nbsp;&nbsp; Might mark thy distant flight to do thee wrong,<BR>
+ &nbsp;&nbsp;&nbsp;&nbsp; As, darkly limned upon the crimson sky,<BR>
+ &nbsp;&nbsp;&nbsp;&nbsp; Thy figure floats along.<BR>
+</P>
+
+<P CLASS="poem">
+ Seek'st thou the plashy brink<BR>
+ &nbsp;&nbsp;&nbsp;&nbsp; Of weedy lake, or marge of river wide,<BR>
+ &nbsp;&nbsp;&nbsp;&nbsp; Or where the rocking billows rise and sink<BR>
+ &nbsp;&nbsp;&nbsp;&nbsp; On the chafed ocean side?<BR>
+</P>
+
+<P CLASS="poem">
+ There is a Power whose care<BR>
+ &nbsp;&nbsp;&nbsp;&nbsp; Teaches thy way along that pathless coast,&mdash;<BR>
+ &nbsp;&nbsp;&nbsp;&nbsp; The desert and illimitable air,&mdash;<BR>
+ &nbsp;&nbsp;&nbsp;&nbsp; Lone wandering, but not lost.<BR>
+</P>
+
+<P CLASS="poem">
+ All day thy wings have fanned,<BR>
+ &nbsp;&nbsp;&nbsp;&nbsp; At that far height, the cold, thin atmosphere;<BR>
+ &nbsp;&nbsp;&nbsp;&nbsp; Yet stoop not, weary, to the welcome land,<BR>
+ &nbsp;&nbsp;&nbsp;&nbsp; Though the dark night is near.<BR>
+</P>
+
+<P CLASS="poem">
+ And soon that toil shall end;<BR>
+ &nbsp;&nbsp;&nbsp;&nbsp; Soon shalt thou find a summer home, and rest,<BR>
+ &nbsp;&nbsp;&nbsp;&nbsp; And scream among thy fellows; reeds shall bend,<BR>
+ &nbsp;&nbsp;&nbsp;&nbsp; Soon, o'er thy sheltered nest.<BR>
+</P>
+
+<P CLASS="poem">
+ Thou'rt gone, the abyss of heaven<BR>
+ &nbsp;&nbsp;&nbsp;&nbsp; Hath swallowed up thy form; yet on my heart<BR>
+ &nbsp;&nbsp;&nbsp;&nbsp; Deeply hath sunk the lesson thou hast given,<BR>
+ &nbsp;&nbsp;&nbsp;&nbsp; And shall not soon depart.<BR>
+</P>
+
+<P CLASS="poem">
+ He who, from zone to zone,<BR>
+ &nbsp;&nbsp;&nbsp;&nbsp; Guides through the boundless sky thy certain flight,<BR>
+ &nbsp;&nbsp;&nbsp;&nbsp; In the long way that I must tread alone,<BR>
+ &nbsp;&nbsp;&nbsp;&nbsp; Will lead my steps aright.'"<BR>
+</P>
+
+<P>
+"I should like to learn that by heart," said Frank; "I like it very
+much."
+</P>
+
+<P>
+"Come, Mother," said Harry, "what more have you to tell us about
+these travellers?"
+</P>
+
+<P>
+"Not much, Harry. The martin is such a universal favorite that
+Wilson says he never knew but one man that did not like them and
+treat them kindly. Wherever they, go, they find some hospitable
+retreat prepared for their reception. Some people have large
+habitations formed for the martins, fitted up with a variety of
+apartments and conveniences; these houses are regularly occupied
+every spring, and the same individual birds have been known to
+return to the same box for many successive years.
+</P>
+
+<P>
+"The North American Indians, who have a great regard for martins, cut
+off all the top branches of a young tree, and leave the prongs a
+foot or two in length, and hang hollow gourds or calabashes on the
+ends for nests."
+</P>
+
+<P>
+"What are gourds and calabashes, Mother?" said Harry.
+</P>
+
+<P>
+"A gourd, my dear, is a vegetable, something like a squash, only
+much thicker and harder; when hollowed out, it is as hard as if it
+were made of wood, and not so easy to break. It is shaped something
+like a short, straight-necked winter squash; a calabash is a large
+kind of gourd.
+</P>
+
+<P>
+On the banks of the Mississippi, the negroes stick up long poles,
+with calabashes on the ends, to accommodate the martins.
+</P>
+
+<P>
+Martins have been known, when no house was provided for them, to
+take possession of part of a pigeon house; and no pigeon ever dares
+to set its foot in the martin's side of the house. The martin is a
+very courageous and spirited bird, and will attack hawks, crows, and
+even great bald eagles; he whirls around and around them, and
+torments them, till, at last, he succeeds in driving them off. This
+makes the martin a very valuable friend to the farmer, whose
+chickens he defends from their enemies.
+</P>
+
+<P>
+The martins are very faithful and affectionate to each other; when
+the mother bird is hatching her eggs, her mate often sits by her
+side; and sometimes he will take her place, and send her out to take
+exercise and get food. He passes a great deal of his time at the
+door of her apartment, chattering to her, as if he were telling her
+amusing stories; and then he will sing very softly and tenderly to
+her, and he does every thing he can to please her.
+</P>
+
+<P>
+The martin has very strong and large wings, and short legs, that
+they may not interfere with his flight, which is very rapid. It is
+calculated by Mr. Wilson that this bird flies as fast as a mile in a
+minute. Sometimes you may see a martin flying in the midst of a
+crowded street, so near people that it seems as if they might catch
+him; and then, quick as thought, he darts out of their reach, and,
+in less than a minute, you may see him far up among the clouds,
+looking like a little black speck upon their silver edges."
+</P>
+
+<P>
+"How happy, Mother," said Frank, "the martins must be, to be able to
+fly about among the clouds, and travel so far, and go just where
+they please so easily!"
+</P>
+
+<P>
+"God has made every living thing to be happy," said his mother; "and
+in this we see His goodness. Are not you happy, too?"
+</P>
+
+<P>
+"Almost always, Mother. Sometimes I am not happy."
+</P>
+
+<P>
+"What is the reason why you are not always happy?"
+</P>
+
+<P>
+"Why, things trouble me, and I feel cross and impatient."
+</P>
+
+<P>
+"But if you try to bear with disagreeable things, and conquer your
+ill-humor, and make yourself patient, are you unhappy then?"
+</P>
+
+<P>
+"No, Mother; but then I have to try very hard."
+</P>
+
+<P>
+"But you are happy when you succeed. Now, what is it in you that
+tries to be good, and is happy when it succeeds?"
+</P>
+
+<P>
+"It is my mind, Mother."
+</P>
+
+<P>
+"Would you, Frank, give up your mind for a pair of martin's wings?"
+</P>
+
+<P>
+"O, no, Mother; but I want my mind, and a pair of wings too."
+</P>
+
+<P>
+"If you think your mind is better than the martin's wings, my dear,
+be thankful for the possession of it; and be thankful too that God
+has allowed you the privilege of making yourself happy by your own
+efforts, and by the exercise of your thoughts, for they are the
+wings of your mind. You do not now see a martin in the air; you are
+only thinking of him; and yet you feel how pleasant it might be to
+be like him, up among the clouds.
+</P>
+
+<P>
+The martin cannot have the pleasure we have now had, but God has
+given him wings, and taught him the way through the air, and put
+love into his heart for his mate; and let us rejoice in his
+happiness, and, more than all, let us rejoice in the goodness of Him
+who has put joy into so many hearts. And when, my dear children, you
+see the martin cutting his way so swiftly through the air, and when
+you think of him travelling away thousands of miles, guided by the
+goodness of God to the right place, and you wish that you had wings
+like him, and think that he is happier than you are, you can then
+remember a far greater gift that God has bestowed upon you.
+</P>
+
+<P>
+Although the martin's flight is very swift and very high, yet he can
+go but so far, and he knows not what directs him. When his wings are
+wearied, and he is nothing but a speck of dust, and when your body
+also is nothing but dust, these thoughts of yours, that have pursued
+him, will be still travelling on; and, if you stretch the wings of
+your mind, and soar upward, as the martin does with his bodily
+wings, and like him, use all your powers as God directs you, you
+will be rising higher and higher. And you will also know to whom you
+go, and who gives you all your powers. The martin knows nothing of
+this. He must go and come at such a time, and do just as all other
+martins have done; but you are free to choose for yourself, and to
+take the right and happy way, because you know it is the right way,
+and the path to heaven.
+</P>
+
+<P>
+But I must tell you what made me think particularly now of these
+travellers through the pathless air. Last week, you remember, I was
+ill, and shut up in my room. As I was sitting at my chamber window,
+enjoying the perfume of the apple blossoms, and listening to the
+song of the birds, and the soft sighing of the south wind, the world
+looked as beautiful to me as if it had been that moment created.
+</P>
+
+<P>
+You remember that there is an olive jar in the cherry tree close to
+my window, which I had last autumn desired to have placed there, in
+the hope that the birds would build in it this spring.
+</P>
+
+<P>
+While I was looking I saw a bluebird alight on the tree. Presently
+she came nearer and nearer to the jar, and looked earnestly at the
+small round opening in it, as much as to say, 'That looks like a
+nice place for a nest.' Then she came still nearer, and looked round
+to see if any one noticed her. I kept very still. At last she grew
+bolder, and flew upon the jar. Now she looked around again, as if
+she was afraid of something. Then she turned her head sideways, and
+looked up and down, this way, and that way, and every way, till she
+satisfied herself that no enemy was near. At last, she flew upon the
+edge of the hole, and courageously looked in; then she quickly drew
+her head out, and looked all around again. I thought she looked
+directly into my face, and came to the conclusion that I was a
+friend, for she went part way in. Then she suddenly drew her
+beautiful head and shoulders out again, and looked about once more.
+At last, she seemed satisfied, made one more effort, and flew in.
+She staid in long enough to make up her mind that it was a good
+place for her nest, and then she flew off, quick as thought. In less
+than two minutes she came back with her mate. They alighted upon a
+bough near the jar, and it was plain that they were confabulating
+together, and that she was urging him to go in and look at the place
+she had chosen for her nursery. Her mate looked very wise and grave,
+as much as to say, 'My dear, we must not be too hasty. We must
+choose this home of ours with great care. Too much of our happiness
+depends upon this step to allow of any mistake'; he then flew upon
+the outside of the jar, and went through just the same ceremonies
+that his better half had performed before, only he was still more
+deliberate and cautious about entering. At last, he flew in, and, in
+a short time, appeared again, and alighted on a branch near the jar
+by the side of his dear mate. There they conversed together in their
+bird language for some time, as plainly to me as if they had spoken
+good English. 'This,' said he, 'is a nice large comfortable place,
+my dear. That great house is rather too near, to be sure, but I am
+well informed that its inhabitants, and those of all this
+neighborhood, will never molest us. Last year, the cherry birds ate
+up all the cherries in all the gardens around here, and not one of
+the thieves received the slightest harm. We will, I think, begin our
+work immediately, and make a nice soft bed for our young to rest in
+when we shall be so happy as to have any.' This, I am sure, was the
+result of their confab, for directly they began to pick up hay, and
+furze, and feathers, and every soft thing they could find, and carry
+them into the jar.
+</P>
+
+<P>
+The male bird, which I knew by the greater brightness of his
+plumage, and his more slender form, seemed to be fondest of bringing
+sticks, one of which was too long for the mouth of the jar to admit.
+It was very amusing to witness his efforts to get the stick in; but
+it would not do; the stick fell to the ground. All day long, these
+pretty creatures were busy at their work; one usually watched while
+the other was in the jar arranging the nest for their expected
+brood. In about a week, it was evident that their work was
+completed, for they carried in no more sticks or dried grass. They
+were gone a great part of the day, I suppose playing, after so much
+hard work, but they returned at evening. Some one in the
+neighborhood fired a gun. This scared the bluebirds so that they
+staid away for two whole days; and, when they returned, it was
+amusing to see how timidly they entered their house. Then they would
+fly off to another tree at a distance, and make believe they had
+nothing to do with the one their nest was in. At last, they grew
+bolder; and, every evening at sunset, I saw the mother bird go into
+her nest while her mate went to roost.
+</P>
+
+<P>
+There was a slight feeling of despondency in my heart when I first
+went to look out of this window; but when I saw these birds, and
+witnessed the scene of faithful love and domestic industry and
+happiness set forth by these little creatures, the spirit of
+complaint was rebuked within me, and I learned a new lesson of
+serene trust and assurance that all were cared for by the Creator of
+all.
+</P>
+
+<P>
+But I must tell you the rest of the story of the bluebirds; and I am
+sorry to say, they met with sad trials. The first encroacher, as
+they supposed him to be, was a woodpecker; he seemed, as I thought,
+to mean them no harm; but as soon as they heard his tap, tap, tap,
+they flew at him very angrily and drove him away. A more dangerous
+enemy was at hand, one that from his size you would not have
+supposed dangerous to them. A little wren, not nearly so large as
+the bluebird, came one day to the tree; and, seeing the jar, having
+examined it, and being pleased with it, resolved to take it for
+herself. The little thief waited till the bluebirds had gone upon
+some expedition; and then, without any ceremony, without any fear of
+any thing, she entered the jar, and was evidently confirmed in her
+purpose of taking possession of it. Probably she held a consultation
+with her mate; but this I did not witness, as I did that between the
+two bluebirds. The next day this pert little Madam Wren, or her
+mate, I could not tell which, came again, and, perching on the
+topmost branch of the tree, poured forth a loud triumphant song, and
+then, as soon as the coast was clear, entered the house she was
+resolved to appropriate to herself. In a minute after, she appeared
+at the mouth of the jar with her bill full of the dried grass of
+which the bluebird's nest was made, which she threw out on the
+ground disdainfully. Back again she flew, and in an instant brought
+some more and threw it out. This she did with the most impudent look
+you can imagine. Then she flew swiftly in and out, like a little
+termagant, throwing out of the mouth of the jar, sticks, dead
+leaves, grass, with all the nice soft things which the poor bluebird
+had been a week in collecting. Every now and then, she came out for
+a minute and sang as sweetly as if she were not engaged in such a
+piratical work; and the little rogue looked up in my face so
+saucily, too, as much as to say, 'Who cares for you?' Then she began
+singing at the top of her voice, exulting over her work of
+destruction. Can you suppose it was any sense of honesty that
+prevented her using the bluebird's nest after having stolen her
+house? No, Jenny Wren had no principle. You would have laughed to
+see how scornfully she tossed out those dead leaves. Every thing
+went out of the nest pell-mell. The little monster! what could the
+poor bluebirds say or do? This bird evidently had no conscience, at
+least not a good one, that is plain. Never did general rejoice more
+over the capture and destruction of a city than this little bit of a
+bird rejoiced over the destruction of the bluebird's nest, and at
+the unlawful possession of the house. I saw her carrying in a long
+stick that suited her better than the short ones that the bluebird
+had carried in: she found she could not get it in if she took it in
+the middle; so she changed the place, and held it by the end, and so
+by that means got it in. She was more cunning than the bluebird. Now
+you might hear the two little robbers sing again. They are happier
+than any king can be nowadays. Poor, dear, beautiful bluebirds! What
+has become of them? Then came the mother. She looked into the jar
+and saw the destruction of her nest&mdash;all her week's work. How
+distressed she seemed! but the victorious wrens had no pity on her.
+They drove her away. She disappeared. The saucy conquerors flew in
+and out of their stolen house twenty times a minute, caring for
+nothing. They could have had no moral sense; but they were very
+amusing, and they were nothing but birds; they knew no better; so we
+must forgive them."
+</P>
+
+<P>
+"I like stories about animals better than any other stories," said
+Frank. "I think animals know as much, and sometimes more than we do.
+So, Mother, do tell us all you can think of about elephants, bears,
+and lions, as well as dogs, and cats, and birds."
+</P>
+
+<P>
+"I have laid up in my memory two or three dog and cat stories, which
+I will tell you, and then I will see what I can remember of lions,
+bears, and elephants. But first I must tell you what I have lately
+read about courts of justice among the crows."
+</P>
+
+<P>
+"What is a court of justice?" asked Harry.
+</P>
+
+<P>
+"A court of justice is an assemblage of men who meet together to
+ascertain if any one who is accused of doing a wrong thing has
+really done it or not. If he is proved to have committed the
+offence, he is declared to be guilty; if he is not proved to have
+done it, he is declared not guilty.
+</P>
+
+<P>
+A writer on the history of the Feroe Islands describes these
+extraordinary courts as if he had witnessed them. He says, these
+crow-courts are observed here (in the Feroe Islands) as well as in
+the Scotch Isles. The crows collect in great numbers, as if they had
+been all summoned for the occasion. A few of the flock sit with
+drooping heads, others seem as grave as if they were judges, and
+some are exceedingly active and noisy, like lawyers and witnesses;
+in the course of about an hour the company generally disperse, and
+it is not uncommon, after they have flown away, to find one or two
+left dead on the spot.
+</P>
+
+<P>
+Dr. Edmondstone, in his View of the Shetland Islands, says that
+sometimes the crow-court, or meeting, does not appear to be complete
+before the expiration of a day or two,&mdash;crows coming from all
+quarters to the session. As soon as they are all arrived, a very
+general noise ensues, the business of the court is opened, and
+shortly after they all fall upon one or two individual crows, (who
+are supposed to have been condemned by their peers,) and put them to
+death. When the execution is over, they quietly disperse."
+</P>
+
+<P>
+"I shall never look at a crow, Mother, again," said Harry, "without
+dislike&mdash;cruel creatures."
+</P>
+
+<P>
+"We don't understand these things," said his mother; "animals have
+no compassion for their sick companions; they kill them sometimes
+for being sick. It seems very cruel, but we don't understand enough
+to judge."
+</P>
+
+<P>
+"Now, Mother, what new story have you about dogs?"
+</P>
+
+<P>
+"The story I shall tell you now seems to show that dogs have good
+hearts, and are compassionate and magnanimous. A dog was placed to
+watch a piece of ground, perhaps a garden. A boy ran across the
+forbidden place. The dog chased him. The boy, greatly frightened,
+ran very fast, fell, and broke his leg. The dog, when he came up and
+heard the boy's cries, did not touch him, but ran up to the passers
+by, and barked till he attracted their attention, and brought some
+one to the aid of the poor boy, who could not move.
+</P>
+
+<P>
+The faithful creature had performed his duty in driving away
+intruders; but he had too good a heart, and was too generous to hurt
+a fallen enemy. In the account I read he was called a Christian dog.
+His conduct would be a good example to all Christians.
+</P>
+
+<P>
+I have now a story of a roguish dog that I think we could not praise
+so much for his goodness as for his cunning. A gentleman in Paris
+was in the habit of crossing every day one of the bridges over the
+Seine, on his way to his place of business. One day, a very dirty
+poodle dog rubbed himself so against his boots as to make it
+necessary to get a man, who sat at one end of the bridge with
+blacking, to clean them. The next day the same thing occurred, and
+again and again, till, at last, the gentleman suspected that the
+bootblack had taught the dog this trick, in order by that means to
+get customers. He watched, and saw, when he approached the bridge,
+Master Poodle go and roll himself in a mud puddle, and then come and
+rub himself against his boots. The gentleman accused the bootblack
+of the trick. After a while the man laughed, and confessed his
+roguery."
+</P>
+
+<P>
+"That poodle was a brick," said Harry.
+</P>
+
+<P>
+"One more story of dogs. A surgeon of Leeds, in England, found a
+little spaniel who had been lamed. The surgeon carried the poor
+animal home, bandaged up his leg, and after two or three days turned
+him out. The dog returned to the surgeon's house every morning till
+his leg was perfectly well.
+</P>
+
+<P>
+At the end of several months, the spaniel again presented himself,
+bringing another dog who had also been lamed, and intimating, as
+plainly as piteous and intelligent looks could intimate, that he
+desired the same kind assistance to be rendered to his friend as had
+been bestowed upon himself.
+</P>
+
+<P>
+But I am forgetting poor puss.
+</P>
+
+<P>
+Mr. W., a friend of mine, whose word might be taken for any thing,
+told me an extraordinary anecdote of a cat, which he said he knew to
+be true.
+</P>
+
+<P>
+A friend of his was setting out on a voyage to some place, I forget
+where. Every thing was carried on board, and the two friends were in
+the cabin about taking leave of each other. "I asked my friend
+before parting," said Mr. W., "whether he had every thing that he
+wanted; if there was nothing more that he could think of to make him
+more comfortable or happy on his voyage." "One thing," he replied,
+"would add to my pleasure very much, if you would bring it to me. In
+the counting room of my store is a small white cat; I am very fond
+of the poor thing, and she will miss me I know; I should like to
+take her with me." I immediately went ashore and found his little
+cat looking very sorrowful in his lonely room; I carried her to him.
+They seemed mutually pleased at meeting."
+</P>
+
+<P>
+When the vessel returned, Mr. W. received this account from the
+officers of the ship. They said that his friend made a great pet of
+the cat, and fed her always at his own meal times. He taught her to
+stand on her hind legs and ask for her food; he made her jump over a
+stick for his amusement; in short, he taught her to perform a great
+many amusing tricks. The officers and men were all very fond of poor
+little puss.
+</P>
+
+<P>
+At length, the young man became very ill. The cat would not leave
+him night or day. At last, one day, she left the cabin and began to
+run about the ship, making the most terrible mewing. The sailors
+offered her food; she refused it. She would not be comforted.
+Finally, her cries turned into a complete howl. She manifested the
+greatest suffering, and, at last, she ran off to the end of the
+bowsprit and leaped into the sea. Just at the moment that the poor
+little faithful, loving cat was swallowed up by the waves, her human
+friend breathed his last, and they both entered the invisible land
+together.
+</P>
+
+<P>
+Such an extraordinary event, and the gloom which a death at sea
+always casts over a ship's company, both together made the sailors
+even more than usually superstitious. They all declared that, every
+night at that same hour when the sick man died, a white cat was seen
+leaping into the ocean. The white crests of the breaking waves might
+easily thus appear to an ignorant person who lives, as a sailor
+does, in the midst of the wonders and sublime scenes which the ocean
+presents, in the awful terrors of its storms, or the serene glory of
+its quiet hours. But the love of the poor dumb animal for its
+master&mdash;that was a beautiful reality.
+</P>
+
+<P>
+I have a story now for you, Frank, about a horse, as I know you are
+particularly fond of horses. An Arab chief with his tribe had
+attacked in the night a caravan, and had plundered it; when loaded
+with their spoil, however, the robbers were overtaken on their
+return by some horsemen of the Pacha of Acre, who killed several,
+and bound the remainder with cords. The horsemen brought one of the
+prisoners, named Abou el Mavek, to Acre, and laid him, bound hand
+and foot, wounded as he was, at the entrance to their tent. As they
+slept during the night, the Arab, kept awake by the pain of his
+wounds, heard his horse's neigh at a distance, and being desirous to
+stroke, for the last time, the companion of his life, he dragged
+himself, bound as he was, to the horse which was picketed at a
+little distance.
+</P>
+
+<P>
+"Poor friend," said he; "what will you do among the Turks? You will
+be shut up under the roof of a khan, with the horses of a pacha or
+an aga; no longer will the women and children of the tent bring you
+barley, camel's milk, or dourra, in the hollow of their hands. No
+longer will you gallop, free as the wind of Egypt, in the desert. No
+longer will you cleave with your bosom the water of the Jordan which
+cools your sides, as pure as the foam of your lips. If I am to be a
+slave, at least may you go free. Go, return to our tent which you
+know so well; tell my wife that Abou el Marek will return no more;
+but put your head still into the folds of the tent, lick the hands
+of my beloved children."
+</P>
+
+<P>
+With these words, he untied with his teeth the fetters, and set the
+courser at liberty. But the noble animal, on recovering its freedom,
+instead of bounding away alone, bent its head over its master, and,
+seeing him in fetters, took his clothes gently in its teeth, lifted
+him up, set off at full speed, and, without ever resting, made
+straight for the distant but well-known tent in the mountains.
+</P>
+
+<P>
+The horse arrived in safety, laid his master down at the feet of his
+wife and children, and immediately dropped down dead with fatigue.
+The whole tribe mourned him, the poets celebrated his fidelity, and
+his name is still constantly in the mouths of the Arabs of Jericho.
+</P>
+
+<P>
+And now, boys, let us talk about the elephant a little. I have been
+reading something of his history, and I am disposed to think that,
+of all animals, he is, on the whole, the most intelligent."
+</P>
+
+<P>
+"More intelligent than the dog, Mother?"
+</P>
+
+<P>
+"Yes, it seems so to me. He is not so disinterested, so loving, but
+he reasons more than any other animal. He is also capable of very
+strong attachment, but he will not bear ill treatment. The elephant
+seems revengeful. The dog still loves the master who is unkind to
+him.
+</P>
+
+<P>
+The elephant will learn to assist his master in his work. An
+elephant who belonged to the Duke of Devonshire would come out of
+her house when her keeper called her, take up a broom, and stand
+ready to sweep the paths and grass when he told her to do so. She
+would take up a pail or a watering pot, and follow him round the
+place, ready to do his bidding. Her keeper usually rode on her neck,
+like the elephant drivers in India, and he always spread over her a
+large, strong cloth for alighting, which the elephant, by kneeling,
+allowed him to do. He desired her to take off the cloth. This she
+contrived to do by drawing herself up in such a way that the
+shrinking of her loose skin moved the cloth, and it gradually
+wriggled on one side, till, at last, it would fall by its own
+weight. The cloth, of course, fell all in a heap; but the elephant
+would spread it carefully on the grass, and then fold it up, as you
+fold your napkin, till it was small enough for her purpose; then she
+held it up with her trunk for a moment, and, at last, with one jerk,
+threw it up over her head to the centre of her back, where it
+remained for use, out of the way, ready for next time, and as nicely
+placed as if human hands had put it there.
+</P>
+
+<P>
+A few years ago, an elephant in London was taught to take part in a
+play. She came in and marched very properly in a procession. At the
+waving of her keeper's hand, she would kneel down and salute any
+individual, or put a crown on the head of the true prince. She would
+eat and drink with great propriety of manner, and make her reverence
+to the audience. But all this is nothing to what the elephants were
+taught by the Romans. The keepers, by treating their elephants with
+the utmost kindness, taking care of them as to health, and doing
+every thing to make them happy, acquired over them the greatest
+power. The elephants learned to love music. They were at first
+frightened by the loud instruments; but, after a while, became very
+fond of all, particularly of the gentle flute, at which they would
+show their delight by beating time with their great feet. The
+keepers accustomed them to the sight of great multitudes of people.
+At one time, when a particular exhibition of the docility of
+elephants was required, twelve of the most sagacious and well
+trained were made to march into the theatre with a regular step. At
+the voice of their keeper, they moved in harmonious measure,
+sometimes in a circle, and sometimes divided into parties,
+scattering flowers around them. In the intervals of the dance, they
+would beat time to the music, and were careful to keep in proper
+order. After this display, the elephants were feasted, as the Romans
+were in the habit of feasting themselves, in grand style. Splendid
+couches were placed, ornamented with paintings and covered with
+tapestry. Before the couches, upon tables of ebony and cedar, was
+spread the banquet, in vessels of gold and silver. When the feast
+was prepared, the twelve elephants marched in; six gentleman
+elephants dressed in the robes of men, and six lady elephants
+attired in women's clothes. They lay down in order upon the couches;
+and then, at a certain signal, extended their trunks, and eat their
+suppers with the most praiseworthy moderation and propriety. "Not
+one of them," says the historian of the elephant, "appeared the
+least voracious, or manifested the least desire for more than his
+share of the food, or an undue proportion of the delicacies. They
+were as moderate also in their drink, and received the cups that
+were presented to them with the greatest decorum and temperance."
+</P>
+
+<P>
+The elephants were taught to hurl javelins, and catch them with
+their trunks, and to pretend to fight with each other, for the
+amusement of their warlike masters, and were taught also to perform
+a dance. Finally, these wonderful animals would do what you would
+think was utterly impossible. You remember, when the circus riders
+were here seeing a man walk and dance on a rope."
+</P>
+
+<P>
+"Yes, Mother," said Frank; "but an elephant could not do that, I'm
+sure."
+</P>
+
+<P>
+"Historians of Rome, supposed to give true accounts, say that the
+elephants were taught to walk along a rope forward and then
+backward. One elephant is described as walking up a slanting rope to
+the roof of the theatre with a man on his back."
+</P>
+
+<P>
+"I should not have liked to be the man on his back," said Harry.
+</P>
+
+<P>
+"It is as astonishing, perhaps more so, that a horse has been taught
+to do similar things. When I was in Paris, I saw some horses dance a
+quadrille very respectably, and keep excellent time. One of the
+Roman historians relates, "An elephant, having been punished for
+stupidity in executing some feat which he was required to learn, was
+observed, at night, endeavoring to practise what he had failed to
+perform in the daytime." It is mentioned that elephants have been
+observed practising their lessons by moonlight, without any
+directions from the keepers. Think what a good example elephants are
+for school boys. I have only told you a very little about this
+wonderful animal; yet enough, I hope, to make you want to read some
+of the many books about him. You have, I think, read of the story of
+the elephant who was wounded in his proboscis or trunk, and, in his
+anger, unintentionally killed his keeper, and of what the keeper's
+wife did."
+</P>
+
+<P>
+"No, Mother," said Frank; "we have never read it. What did she do?"
+</P>
+
+<P>
+"In her despair, not knowing what she did, she held out her son, and
+said to the raging animal, "Take him too." The angry elephant became
+quiet. He seemed to understand the agony of the poor woman. He
+gently lifted and placed upon his back the little child, and ever
+after obeyed him for a master."
+</P>
+
+<P>
+"You know the story in Evenings at Home, Mother, of the Elephant and
+the Cobbler, how the fellow pricked the elephant's trunk, and how
+the elephant punished him by squirting muddy water all over him."
+</P>
+
+<P>
+"Yes. The elephant's trunk is so susceptible that nothing enrages
+him so much as any wound on it. He cannot bear patiently the
+slightest scratch.
+</P>
+
+<P>
+Now I will tell you a story of a lion. An English gentleman, who was
+living in India, had a fancy to see what effect extreme gentleness,
+and kindness, and very simple diet would have upon the character of
+the lion. The gentleman had the good fortune to get a baby lion for
+the experiment. He made a real pet of him. He fed him with bread and
+milk and rice, and such things, and took care always to satisfy him
+with food. The young lion loved his master, who was always very kind
+to him, and who was really very fond of his lionship. This man
+lived, as in India a gentleman often does, in a house by himself,
+and could easily have his friend lion with him, without annoying any
+one. The baby grew bigger and bigger, and became a good-sized,
+full-grown lion. He was gentle and happy, full of play, and rather a
+pleasant companion to his two-legged friend. Whether the lion ever
+roared for his master's amusement, the friend who told me this story
+did not say.
+</P>
+
+<P>
+At last, this gentleman wished to return to England to see his old
+mother. He was too much attached to his lion to leave him, and so
+took him in the place of a dog. The lion was very good all the
+voyage. No one had a word to say against him. His conduct and
+manners were faultless. He played with the sailors, he obeyed his
+master, and, in short, was a very quiet, well-behaved, human lion.
+When the gentleman arrived in England, as soon as he could leave the
+ship, he called for a carriage to take him to his mother. When he
+got into the carriage, the lion jumped in after him. "Your honor,"
+said the driver, "I'm afraid of that beast." "O, never mind," said
+the gentleman; "he'll not hurt you." "But, your honor, I never in my
+born days took a lion in my carriage. It's not a place for such
+brutes." "There's always a first time," said the gentleman. "Here's
+a crown for my lion; and now get on; I can't wait." The cabman,
+thinking it wise to make the best of things, and not quarrel with a
+man who had a lion for a friend, stepped up on his box, and drove
+away rattlety-bang to Regent's Park, some three or four miles'
+drive. The lion was much astonished, and sat bolt upright on his
+hind legs, looking out of the window. He did not appreciate the
+BEAUTIES of London; he was disgusted with the noise, and growled a
+little. The driver heard him, and drove all the faster. Poor Lord
+Lion, his temper was tried; but he bore it better than most lions
+would. At last, the cab stopped at the house of the gentleman's
+mother. He sprang out, and rang the bell: "Does Mrs. B. live here?"
+"Yes, sir." "Is she well?" The footman turned pale as ashes, and
+scampered off as if he thought the lion would devour him. The
+gentleman ran up stairs, and the lion after him. In another moment,
+the arms of the son were around his mother. Presently, the lady saw
+the lion. She had heard of her son's pet, and saw she was in no
+danger. She begged her son, however, to put him down in the yard and
+keep him chained, or she should not have a servant in the house. The
+lion was not happy chained. The gentleman, finding, moreover, that
+he could not go into the streets with his friend without being
+followed by a mob, at last placed him in the Tower, where there were
+other lions, and gave many charges that the pet lion should be well
+treated. Many years afterwards, the gentleman returned from another
+voyage to India; and, after seeing his mother, went to the Tower to
+see his friend. When he came to the large cage in which the lion was
+confined, the keeper said, "This is our finest and our fiercest
+lion." "Open the door," said the gentleman. The keeper, not knowing
+him, objected. The gentleman insisted, and entered. The lion was
+lying down, and, seeing a man in his cage, for a moment looked
+angry; in another moment he rose on his hind legs, put his paws
+around his old master, and showed the greatest delight at seeing
+him."
+</P>
+
+<P>
+"Why, he was almost as good as a dog," said Frank. "But now, Mother,
+please tell us the story about a bear which you said you heard on
+your journey last summer."
+</P>
+
+<P>
+"I ought rather," said Mrs. Chilton, "to call it the story of a cow,
+for she was the heroine of the tale. I was travelling with a small
+party among the White Hills. When we stopped to dine, we saw a
+number of people assembled around the door of the hotel, and found
+that they were looking at a black bear that had been just shot. This
+bear had inspired the neighborhood with some fear, for he was a
+large one. They had tried a number of times to shoot him; but all in
+vain. Master Bruin was never off his guard. At last, the poor fellow
+foolishly left the deep wild wood, where he could easily hide
+himself, for a little grove. When the villagers saw his mistake,
+they immediately took steps to surround the grove. The number of the
+inhabitants was small; so they summoned all the women and children,
+as well as the men, and so got an unbroken line all around the
+little wood. As soon as the bear sought any part, in order to
+escape, he was saluted by the most frightful screams, as well as a
+shower of stones. He fled to the opposite side, but there met with
+the same reception. This went on for some time. At last, some one
+succeeded in shooting him. He measured a little over six feet from
+the tip of his nose to the tip of his tail, and his teeth were very
+formidable.
+</P>
+
+<P>
+A gentleman who had assisted in the capture of the bear, told me the
+story I promised to tell you of the cow and the bear. A little girl,
+about twelve or thirteen years of age, was sent by her mother, one
+afternoon, to bring home the cows from a neighboring wood, where
+they were at pasture. There were many fallen trees, as is often the
+case in our wild woods; and the child amused herself by climbing
+over the trunks.
+</P>
+
+<P>
+Now, one of the black-looking logs was a large bear that was lying
+asleep, and the little girl jumped right upon his growling majesty.
+The bear arose, evidently not quite pleased at being made a stepping
+stone, took the little girl in his great shaggy paws, and gave her
+an ugly hug, such as only a bear can give. Mr. Bear would have
+squeezed the breath out of the body of the poor little girl, had not
+the good old cow seen the danger. The courageous creature, instead
+of running away, turned back immediately, and began goring the bear
+with her horns in such a way as to force old Bruin, if he valued a
+whole hide, to turn round and defend himself. So he let go his hold
+on the little girl, who, though sadly frightened and bruised, was
+still strong enough to run towards home. Presently the bear followed
+her. Immediately the cow attacked him again with her horns, and
+drove him off. This continued till they got out of the wood, when
+the bear ran back to his own home. The gentleman who told us this
+story said he had seen the little girl, and that she had never quite
+recovered from the effect of the horrid squeeze of the grim old
+bear, but still suffered in her chest. Still she was thankful that
+her life was saved, and always considered the good old cow her
+preserver."
+</P>
+
+<P>
+"Why, Mother," said Frank, "I did not think that a cow could be good
+for any thing but to give milk."
+</P>
+
+<P>
+"In Germany, they use cows for draught, and make them work pretty
+hard. There you see cows every day doing the same work that our oxen
+do, and giving the poor man his supper at the end of the day
+besides; and it is said that the labor does not hurt them. The
+Germans feed the cows well, treat them gently and kindly, but make
+them, as well as the dogs, work for a living."
+</P>
+
+<P>
+"Now I will tell you a story about a pike. We are apt to think fishes
+very stupid; that they have no feeling. A gentleman in England,
+a surgeon and a naturalist, told me of what he had himself seen. A
+pike had struck its head against a tenter hook on a post in the pond
+where he was swimming. His agony was so great that he darted
+backward and forward with the greatest rapidity, then buried his
+head in the mud, then whirled his tail round and round, and threw
+himself up into the air to the height of two or three feet, and, at
+last, he threw himself out of the pond upon the grass. Dr. Warwick
+placed his hand on the fish, examined the injury, and observed that
+the hook had entered the skull, wrenching up one side of the bone
+and depressing the other, and that a small part of the brain had
+escaped. With a toothpick the doctor restored the bones to their
+proper places. The patient remained perfectly still during the
+operation, and after-ward was returned to his native element. He
+seemed restless for a little while, and then lay quiet. Dr. Warwick
+then made a sort of cradle in which he placed the poor sufferer, who
+seemed disposed to lie still on one side."
+</P>
+
+<P>
+"The next day, very early, Dr. Warwick went to the pond. To his
+astonishment, he found that the pike knew and remembered him. The
+fish came to the edge of the pond, placed his jaw upon the toe of
+the doctor's boot, let himself be taken hold of and caressed, and
+allowed the wound to be examined. It was much better. When the
+doctor walked along the side of the pond, the fish followed him.
+When the doctor returned from his walk, he found his patient
+watching for him. The pike then swam backward and forward while the
+doctor remained there. The fish had lost one eye in consequence of
+the wound from the hook, and, when his blind side was towards the
+doctor, was always very restless. The poor fellow seemed anxious to
+keep his surgical friend in sight. The doctor would often whistle
+when he went to the pond; and the pike always came at the call, and
+showed pleasure at seeing him. Dr. Warwick introduced his family to
+his friend and patient, the pike. The grateful fish allowed them to
+give him food, and put aside much of his native shyness. In truth,
+he received their attentions very civilly, but he always showed a
+decided preference for his medical friend. Dr. Warwick was the
+father of my friend, Mrs. A., in Liverpool. He related all these
+facts to me himself, and they are all to be perfectly relied upon."
+</P>
+
+<P>
+Now I will read you a German story called Caliph Stork.
+</P>
+
+<P>
+One pleasant afternoon, the Caliph of Bagdad was sitting comfortably
+on his sofa: he had slept a little, (for it was a hot day,) and
+looked quite bright after his nap. He was smoking a long rose-wood
+pipe, and sipping coffee, which was poured out for him by a slave;
+and occasionally he stroked his beard with great satisfaction. In
+short, it was evident that he felt quite pleasantly.
+</P>
+
+<P>
+This was the best time of day for speaking with him; for at this
+hour he was always very good-natured and affable; and, on this
+account, the Grand Vizier Mansor always visited him at this hour. He
+came also this afternoon, but looking very thoughtful, quite against
+his wont. The caliph took the pipe partly away from his mouth, and
+said, "What makes you look so thoughtful, Grand Vizier?"
+</P>
+
+<P>
+The grand vizier crossed his arms over his breast, bowed to his
+master, and answered, "Sir! whether I look thoughtful or not is more
+than I know; but certain it is, that there is a pedler down stairs
+who has such beautiful things, that it vexes me not to have any
+money to spare."
+</P>
+
+<P>
+The caliph was very willing to do his grand vizier a favor; so he
+sent the black slave to bring the pedler up stairs. The pedler came.
+He was a little, dumpy man, with a dark complexion, and dressed in
+ragged garments. He bore a chest in which were wares of all sorts:
+pearls and rings, richly mounted pistols, drinking cups, and combs.
+The caliph and his vizier rummaged over the whole chest, and the
+caliph finally bought some pistols for himself and Mansor, and a
+comb for the vizier's wife. As the pedler was about to close the
+chest, the caliph saw a little drawer, and asked if there was any
+thing more in it. The pedler pulled the drawer out, and showed in it
+a box of blackish powder, and a paper with curious writing on it,
+which neither the caliph nor Mansor could read. "I got these two
+things from a merchant who found them at Mecca, in the street; I do
+not know what they contain, but you may have them very cheap, for I
+cannot do any thing with them."
+</P>
+
+<P>
+The caliph, who liked to have old manuscripts in his library,
+although he could not read them, bought the paper and the box, and
+dismissed the pedler.
+</P>
+
+<P>
+The caliph, however, thought he should like to know the contents of
+the manuscript, and asked the vizier if he knew any body who could
+decipher it. "Most gracious sovereign and master," answered he,
+"there is a man at the great mosque, who is called Selim the
+Learned; he understands all languages; send for him; perhaps he may
+make out these mysterious characters."
+</P>
+
+<P>
+The learned Selim was soon brought. "Selim," said the caliph to him,
+"they say you are very learned; now just look into this manuscript,
+and see whether you can read it; if you can, I will give you a new
+dress; but if you cannot, you shall have twelve boxes on the ear,
+and twenty-five blows on the soles of your feet, for having been
+called, without reason, Selim the Learned."
+</P>
+
+<P>
+Selim bowed and said, "Be it as you command, Sir!" He examined the
+writing for a long time, and then suddenly cried out, "This is
+Latin, sir, or I'll give you leave to hang me." "Let us hear what it
+contains, then, if it is Latin," said the caliph.
+</P>
+
+<P>
+Selim began to translate: "O man who findest this, praise Allah for
+his goodness. Whoever snuffs up some of the powder in this box, and
+at the same time says, 'Mutabor,' may change himself into any
+animal, and will understand the language of animals. If he wishes to
+return to the human shape, let him bow three times towards the East,
+and pronounce the same word. But let him take care, after he is
+transformed, not to laugh, otherwise the word will disappear
+entirely from his memory, and he will remain a beast."
+</P>
+
+<P>
+When Selim the Learned had read this, the caliph was exceedingly
+delighted. He made Selim swear never to reveal any thing of the
+secret to any one; then he gave him a beautiful robe, and dismissed
+him.
+</P>
+
+<P>
+Then he said to his grand vizier, "That is what I call a good
+bargain, Mansor! How impatient I am to become a beast! Come to me
+easily to-morrow morning, and we will go out into the fields, snuff
+up a little of the powder, and then listen to what is said in the
+air and in the water, in the woods and in the fields!"
+</P>
+
+<P>
+Scarcely had the caliph breakfasted and dressed, the next morning,
+when the grand vizier appeared, according to his orders, to
+accompany him in his excursion. The caliph stuck the box with the
+magic powder into his girdle, and having commanded his retinue to
+remain behind, he set off with only the grand vizier, on his way.
+They went first through the spacious gardens of the caliph, but they
+could not find any living animal to try their experiment upon. At
+last, the vizier proposed to go out to a pond, where he had often
+seen many animals, particularly storks, which had attracted his
+attention by their grave demeanor and their chattering.
+</P>
+
+<P>
+The caliph approved of the vizier's proposal, and went with him
+towards the pond. When they got there, they saw a stork, walking
+gravely back and forth, searching for frogs, and occasionally
+chattering something to himself. At the same time they saw another
+stork soaring high in the air, above the place.
+</P>
+
+<P>
+"I will wager my beard, most gracious Sir," said the grand vizier,
+"that these two long-legs are carrying on a fine conversation
+together. What say you to turning ourselves into storks?"
+</P>
+
+<P>
+"Well said!" answered the caliph. "But let us see; how is it that
+one is to become man again?"
+</P>
+
+<P>
+"O, yes! we are to bow three times towards the East, and say,
+Mutabor, and then I am caliph again, and you vizier. But for
+Heaven's sake don't laugh, or we are lost!"
+</P>
+
+<P>
+While the caliph was speaking, he saw the other stork come sailing
+down over their heads, and settle in a business manner on the
+ground. Quickly he drew the box from his girdle, took a good pinch
+of the powder, and handed it to the grand vizier, who also took a
+pinch, and then both cried out, "Mutabor!"
+</P>
+
+<P>
+Immediately their legs shrivelled up, and became thin and red; the
+beautiful yellow slippers of the caliph and his companion turned
+into clumsy stork-feet; their arms became wings; their necks
+stretched out from their shoulders, and were an ell long; their
+beards disappeared, and their bodies were covered with soft
+feathers, instead of clothes.
+</P>
+
+<P>
+"That's a pretty bill of yours, Mr. Grand Vizier," said the caliph,
+after a long pause of astonishment. "By the beard of the Prophet, I
+never saw any thing like that in my life."
+</P>
+
+<P>
+"Thank you kindly," answered the grand vizier, bowing; "but, if I
+may be allowed the observation, your highness looks almost handsomer
+as stork than as caliph. But come, if you please, let us listen to
+our comrades yonder, and try whether we really do understand
+Storkish."
+</P>
+
+<P>
+In the mean time the other stork had alighted on the ground. He
+arranged his feathers with his bill, put himself to rights, and
+walked up to the first stork.
+</P>
+
+<P>
+The two new storks made haste to approach them, and overheard, to
+their astonishment, the following conversation.
+</P>
+
+<P>
+"Good morning, Mrs. Longlegs; you are early on the meadow."
+</P>
+
+<P>
+"Thank you, dear blatterbeak! I have been getting a little
+breakfast. Will you take a bit of lizard, or a frog's leg?"
+</P>
+
+<P>
+"Much obliged, but I have no appetite this morning. I came on to the
+meadow for quite a different purpose. I am to dance before the
+guests at my father's to-day, and I thought I would exercise a
+little in private beforehand."
+</P>
+
+<P>
+At the same time the young storkess marched about the field making
+the oddest gesticulations. The caliph and Mansor looked on with
+wonder. But at last, when she put herself into a picturesque
+attitude on one foot, and gracefully waved her wings, they could
+stand it no longer; an inextinguishable laugh burst from their
+bills, from which they did not recover for some time. The caliph
+composed himself first. "What a capital joke!" cried he; "I never
+saw any thing better in my life; it is a pity that the stupid birds
+were frightened away by our laughter, else she would certainly have
+sung!"
+</P>
+
+<P>
+But it now occurred to the grand vizier that they had been forbidden
+to laugh during their transformation. He communicated his anxiety to
+the caliph.
+</P>
+
+<P>
+"By Mecca and Medina!" cried the caliph, "it would be a pretty piece
+of business if I had to remain a stork all my life! Try think of the
+stupid word; I can't remember it."
+</P>
+
+<P>
+"We must bow three times towards the East, and say, Mu&mdash;Mu&mdash;Mu&mdash;."
+They turned to the East, and bowed away till their beaks touched the
+ground. But, alas! The magic word had vanished, and with all the
+caliph's bowing, and his vizier's crying Mu&mdash;Mu&mdash;, all recollections
+of it had disappeared from their memories, and the poor Chasid and
+his vizier still remained storks as before.
+</P>
+
+<P>
+The caliph and the grand vizier walked in a melancholy mood through
+the fields, not knowing what to do in their sad plight. They could
+not get out of their stork-skins, and it would not do for them to go
+back to the town to tell any one of their condition, for who would
+believe a stork if he said that he was the caliph? And even if they
+had believed him, would the inhabitants of Bagdad be willing to have
+a stork for their caliph? So they sneaked about for several days,
+feeding upon wild fruits, which, however, they could not manage very
+well, on account of their long bills. For lizards and frogs, they
+had no appetite. Their only satisfaction in this sad predicament was
+that they could fly; and they often flew over on to the roofs in the
+city of Bagdad, to see what was going on.
+</P>
+
+<P>
+For the first few days they observed great uneasiness and mourning
+in the streets. But, on the fourth day of their enchantment, as they
+were sitting on the roof of the caliph's palace, they saw in the
+street below a splendid procession. The drums and fifes sounded, and
+a man in a scarlet robe, embroidered with gold, came riding along on
+a richly caparisoned horse, surrounded by servants in glittering
+garments. Half the town were at his heels, and all were shouting,
+"Hail to Mizra! Caliph of Bagdad!" The two storks looked at each
+other as they sat on the roof, and the Caliph Chasid said, "Do not
+you begin to understand how I come to be enchanted, Grand Vizier?
+This Mizra is the son of my mortal enemy, the powerful enchanter,
+Kaschnur, who in an evil hour vowed vengeance against me. But I do
+not yet give up all hope. Come with me, faithful companion in
+misfortune; we will make a pilgrimage to the grave of the Prophet;
+perhaps the charm may be broken in sacred places."
+</P>
+
+<P>
+So they raised themselves from the roof of the palace, and flew in
+the direction of Medina.
+</P>
+
+<P>
+Flying, however, did not suit the two storks very well, on account
+of their want of practice. "Ah, Sir," groaned the vizier, after they
+had been flying a couple of hours, "with your permission&mdash;I cannot
+stand it any longer; you fly too fast! Besides, it is already
+growing dark, and we should do well to be looking out for some place
+to pass the night."
+</P>
+
+<P>
+Chasid yielded to the request of his officer, and perceiving a
+ruined building in the valley below, they flew down to it. The place
+which they had pitched upon for their night-quarters, seemed to have
+been a castle. Beautiful columns were still standing among the
+ruins, and numerous chambers, which were in tolerable preservation,
+testified to the former splendor of the house. Chasid and his
+companion walked about the passages to find a dry spot; suddenly the
+stork Mansor stood still. "Lord and Master," whispered he, softly,
+"if it were not that it would be foolish for a grand vizier&mdash;and
+still more so for a stork&mdash;to be afraid of ghosts! I do not feel
+easy at all, for I heard some one sighing and moaning, quite
+plainly." The caliph also stopped, and heard distinctly a noise as
+of some one weeping, which sounded more like a human being than like
+an animal. Full of expectation, he was about to advance towards the
+place whence the sound proceeded; but the vizier seized him by the
+wing with his bill, and begged him earnestly not to expose himself
+to new unknown dangers; but in vain! The caliph, under whose stork-wings
+there beat a valiant heart, tore himself away with the loss of
+some feathers, and ran into a dark passage. He soon came to a door,
+which appeared not to be fastened, and from which proceeded distinct
+sighs and a slight hooting. He pushed the door open with his bill,
+but remained standing in astonishment on the threshold. In the
+ruinous chamber, which was lighted scantily by a small grated
+window, he saw a large owl sitting on the floor. Large tears were
+rolling from her great round eyes, and with a hoarse voice she
+uttered complaints from her crooked beak. But when she beheld the
+caliph and his vizier, who had crept after him in the mean time, she
+raised a loud cry of joy. Then she gracefully wiped the tears from
+her eyes with her brown-spotted wing, and, to the great astonishment
+of both, she cried out, in good human Arabic, "Welcome, ye storks;
+ye are a good omen of my deliverance, for it has been prophesied to
+me that a great good fortune would come to me through the means of
+some storks!"
+</P>
+
+<P>
+When the caliph had recovered from his astonishment, he made a bow
+with his long neck, placed his thin feet in a graceful position, and
+said, "Owl! thy words would lead me to conclude that thou art a
+partaker of our misfortune. But alas! thy hope of being delivered by
+us is in vain. Thou wilt perceive our helplessness when thou hast
+heard our story." The owl begged him to relate it, and the caliph
+began, and told her what we already know.
+</P>
+
+<P>
+When the caliph had finished telling their story to the owl, she
+thanked him, and said, "Hear, alas! my history, and you will see
+that I am not less unhappy than you. My father is the King of India,
+and I, his only daughter, am named Susa. The enchanter, Kaschnur,
+who enchanted you, brought me also into misery. He came one day to
+my father, and desired me for wife for his son Mizra. But my father,
+who is a quick-tempered person, had him kicked down stairs. The
+scoundrel contrived to come into my presence again under another
+form; and once, when I wished to take some refreshments in the
+garden, he brought to me, in the disguise of a slave, a potion which
+transformed me into this horrible shape. As I was powerless from
+fright, he brought me hither, and cried with a terrible voice into
+my ear,&mdash;"
+</P>
+
+<P>
+"Here shalt thou remain, ugly and despised even by the beasts, until
+thy death; or until some one of his own accord shall desire to marry
+thee, even in this vile shape. Thus I revenge myself on thee and thy
+proud father."
+</P>
+
+<P>
+"Since then, many months have elapsed. Solitary and sad, I live as a
+hermit in these walls, despised by the whole world, disgusting even
+to the beasts; the beauties of nature are shut from me, since I am
+blind by day, and, only when the moon pours her pale light over
+these walls, does the veil of darkness fall from my eyes."
+</P>
+
+<P>
+She ended, and wiped her tears again with her wing, for the
+narration of her sorrows had caused her to weep.
+</P>
+
+<P>
+The caliph pondered deeply on the story of the princess. "If I am
+not entirely in error," said he, "there is a secret connection
+between our misfortunes; but where shall I find the key to this
+riddle?"
+</P>
+
+<P>
+The owl answered, "Sir, I have also the same feeling; for it was
+prophesied to me, in my earliest youth, by a wise woman, that a
+stork would bring me great good luck; and perhaps I can tell in what
+manner we may deliver ourselves."
+</P>
+
+<P>
+The caliph was much amazed, and asked in what manner she meant. "The
+enchanter," said she, "who has rendered us both unhappy, comes once
+every month to these ruins. Not far from this chamber, there is a
+hall in which he is accustomed to revel with many comrades; I have
+often watched them there. They relate to each other their villanous
+deeds, and perhaps he may pronounce the magic word which you
+have forgotten."
+</P>
+
+<P>
+"O dearest Princess," exclaimed the caliph, "tell me when will he
+come, and where is the hall?"
+</P>
+
+<P>
+The owl was silent for a moment, and then said,&mdash;
+</P>
+
+<P>
+"Do not take it ill, but I can fulfil your wish only on one
+condition."
+</P>
+
+<P>
+"What is it? what is it?" cried Chasid; "whatever you please; I will
+agree to any thing."
+</P>
+
+<P>
+"Why, I should like to obtain my own liberty also; but this is
+possible only on condition that one of you shall marry me."
+</P>
+
+<P>
+The storks seemed somewhat embarrassed by this proposal, and the
+caliph motioned to his officer to go out with him a moment.
+</P>
+
+<P>
+"Grand Vizier," said the caliph, when they got outside of the door,
+"this is a stupid business, but I should think you might marry her."
+</P>
+
+<P>
+"Indeed!" answered he; "do you wish to have my eyes scratched out by
+my wife as soon as I get home? Besides, I am an old man, and you are
+young and unmarried; it would be more reasonable for you to give
+your hand to a beautiful young princess."
+</P>
+
+<P>
+"Ay, but there's the rub," sighed the caliph, drooping his wings
+composedly; "who told you that she was young and beautiful? That is
+what I call buying a pig in a poke!"
+</P>
+
+<P>
+So they talked a long while about it, till, at last, as the caliph
+saw that his vizier preferred remaining a stork to marrying the owl,
+he made up his mind to fulfil the condition himself. The owl was
+highly delighted. She informed them that they could not have come at
+a better time, for probably the enchanters would assemble that
+night.
+</P>
+
+<P>
+She left the chamber with the storks, to conduct them to the hall;
+they walked for a long time through a dark passage; at last, a
+bright light streamed towards them from a ruined wall. Having
+reached this, the owl advised them to remain perfectly still. From
+the cleft at which they stood, they could see over the whole hall.
+It was surrounded by columns, and splendidly ornamented. Numerous
+colored lamps supplied the want of daylight. In the midst of the
+hall, stood a round table covered with various delicacies. Round the
+table, was placed a sofa on which sat eight men. In one of these men
+the storks recognized the merchant who had sold them the magic
+powder. The one who sat next to him asked him to relate his newest
+exploits. He told, among others, the story of the caliph and his
+vizier.
+</P>
+
+<P>
+"And what word did you give them?" asked another of the magicians.
+"A very hard Latin one; it is called MUTABOR."
+</P>
+
+<P>
+When the storks heard this at their chink in the wall, they were
+almost out of their senses with joy. They ran so swiftly to the door
+of the ruin, with their long feet, that the owl could scarcely keep
+up with them. When they had got out, the caliph said with emotion to
+the owl, "Deliverer of my life, and of the life of my friend, accept
+me for your husband, as an eternal mark of gratitude for what you
+have done for us." Then he turned towards the East. Three times the
+storks bowed their long necks towards the sun, which just then was
+rising over the mountains; cried MUTABOR, and in an instant they
+were disenchanted, and the master and servant lay in each other's
+arms, weeping for joy. But who could describe their astonishment,
+when, on looking round, they saw a beautiful lady in magnificent
+attire? "Do you not know your owl?" said she, smiling, as she gave
+her hand to the caliph. It was she, and the caliph was so enraptured
+with her beauty and grace, that he declared he had been most
+fortunate in having been turned into a stork.
+</P>
+
+<P>
+All three now returned to Bagdad, where the arrival of the caliph
+excited great astonishment. All had supposed that he was dead, and
+the people were highly delighted to recover their beloved ruler.
+</P>
+
+<P>
+The caliph Chasid lived long and happily with his wife, the
+princess; and sometimes, when the grand vizier came to see him of an
+afternoon, when he was in particularly good humor, he would
+condescend to imitate the appearance of the grand vizier in the
+character of the stork; walking gravely about, with feet extended,
+chattering, and waving with his arms; and showed how the grand
+vizier bowed in vain towards the East, and cried Mu&mdash;Mu. But when he
+kept this up too long, the vizier used to threaten that he would
+tell the caliph's wife the discussion, outside of the door, about
+the princess owl.
+</P>
+
+<BR><BR><BR><BR>
+
+
+
+
+
+
+
+
+<pre>
+
+
+
+
+
+End of Project Gutenberg's What the Animals Do and Say, by Eliza Lee Follen
+
+*** END OF THIS PROJECT GUTENBERG EBOOK WHAT THE ANIMALS DO AND SAY ***
+
+***** This file should be named 4044-h.htm or 4044-h.zip *****
+This and all associated files of various formats will be found in:
+ https://www.gutenberg.org/4/0/4/4044/
+
+Produced by Charles Franks and the Online Distributed
+Proofreading Team. HTML version by Al Haines.
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+https://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need are critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at https://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+https://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at https://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit https://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including including checks, online payments and credit card
+donations. To donate, please visit: https://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart was the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ https://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+
+
+</pre>
+
+</BODY>
+
+</HTML>
+
+
diff --git a/4044.txt b/4044.txt
new file mode 100644
index 0000000..be966c8
--- /dev/null
+++ b/4044.txt
@@ -0,0 +1,1676 @@
+Project Gutenberg's What the Animals Do and Say, by Eliza Lee Follen
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: What the Animals Do and Say
+
+Author: Eliza Lee Follen
+
+Posting Date: June 11, 2009 [EBook #4044]
+Release Date: March, 2003
+First Posted: October 20, 2001
+
+Language: English
+
+Character set encoding: ASCII
+
+*** START OF THIS PROJECT GUTENBERG EBOOK WHAT THE ANIMALS DO AND SAY ***
+
+
+
+
+Produced by Charles Franks and the Online Distributed
+Proofreading Team. HTML version by Al Haines.
+
+
+
+
+
+
+
+
+
+
+WHAT THE ANIMALS DO AND SAY
+
+
+BY
+
+MRS. FOLLEN
+
+
+
+
+Illustrated with Engravings
+
+
+
+
+WHAT THE ANIMALS DO AND SAY.
+
+
+"Could you not tell us a traveller's story of some strange people
+that we have never heard of before?" said Harry to his mother, the
+next evening.
+
+After a moment or two of thought, Mis. Chilton said, "Yes, I will
+tell you about a people who are great travellers. They take journeys
+every year of their lives. They dislike cold weather so much that
+they go always before winter, so as to find a warmer climate."
+
+"They usually meet together, fathers, mothers, and children, as well
+as uncles, aunts, and cousins, but more especially grandfathers and
+grandmothers, and decide whither they shall go. As their party is so
+large, it is important that they should make a good decision."
+
+"When they are all prepared, and their mind quite made up, they all
+set off together. I am told that they make as much noise, on this
+occasion, as our people make at a town-meeting; but as I was never
+present at one of the powwows of these remarkable travellers, I
+cannot say."
+
+"What is a powwow?" asked Harry.
+
+"It is the name the Indians give to their council meetings," replied
+Mis. Chilton.
+
+She went on. "This people, so fond of travelling, have no great
+learning; they write no books; they have no geographies, no
+steamboats, no railroads, but yet never mistake their way."
+
+"Four-footed travellers, I guess," said Harry.
+
+"By no means; they have no more legs than any other great
+travellers; but you must not interrupt me."
+
+"Well, to go back to our travellers; every one is ready and glad to
+prepare apartments for them, such as they like. They are so lively,
+so merry, and good-natured, that they find a welcome every where.
+They are such an easy, sociable set of folks that they like a house
+thus prepared for them just as well as if they had built it
+themselves."
+
+"I have been told that when they arrive at any place, before they
+wash themselves, or brush off the dust of their journey, they will
+go directly to one of these houses that has been prepared for them,
+and examine every part of it; and, if they like it, they seem to
+think they have, of course, a right to it, and they take possession
+directly, and say, 'Thank you' to nobody."
+
+"No one is affronted with them; but every one is ready and glad to
+accommodate the strangers as well as he can, merely for the sake of
+their good company. They come to us in May, and leave our part of
+the country in August, to visit other lands.
+
+"The great reason, I think, that all the world welcomes these
+travellers is, that they are such a happy, merry set of beings they
+make every one around them cheerful; their gayety is never-failing.
+They rise with the first streak of light; there are no sluggards
+among them. They are all musical, and sing as they go about their
+work; but their music pleases me best when they join in their
+morning hymn. When the morning star is growing pale, and rosy light
+tinges the edges of the soft clouds in the east, this choir of
+singers stop for a second, as if waiting, in silent reverence, for
+the glad light to appear; then, just as the first ray gilds the hill
+tops and the village spire, all pour forth a joyful song, swelling
+their little throats, and making such a loud noise that every sleepy
+head in the neighborhood awakes."
+
+"Ah! now I have caught you, Mother," said Frank; "these famous
+travellers are martins. I wonder, when you said they were not four
+footed, I did not think of martins. I heard George say, the other
+day, that his father had put up a martin box, and how they came and
+looked at it first, before they took it, and that they always sang
+before daylight, and what a noise they made.
+
+"But, Mother, when you tell that story again, you must not say little
+throats, or any one will know who your travellers are quick enough;
+but do please tell us more about them."
+
+"Yes, Frank, you have caught me; these travellers are martins; and,
+if you wish, I will tell you more about them. Mr. Wilson, whom I
+have been reading to-day, calls them birds of passage."
+
+"What does that mean, Mother?"
+
+"It means that they find it necessary for their support to pass from
+one country to another when winter is coming on. At that time they
+leave us.
+
+"Some people think that martins and swallows hide themselves from the
+cold in holes in rocks and banks, or in hollow trees; but Wilson,
+who spent many years in watching the habits of birds, and learning
+their history, thinks that these fly a great way off to a warmer
+country as winter approaches, and that they return again in the
+spring."
+
+"But how can they find the way?" asked Frank.
+
+"All that we know about that, Frank, is, that He who created the
+martins has given to them the knowledge that guides them right. In
+their long way through the pathless air, they never make a mistake.
+Our great vessels and our skilful captains sometimes get lost in the
+wide ocean; but these little birds always know the way, and arrive
+with unerring certainty at their place of destination.
+
+"Our great poet, Bryant, has written some beautiful lines to a
+water-fowl, which express this idea. I will repeat these lines to you
+if you like to hear them.
+
+ 'Whither, 'midst falling dew,
+ While glow the heavens with the last steps of day,
+ Far, through their rosy depths, dost thou pursue
+ Thy solitary way?
+
+ Vainly the fowler's eye
+ Might mark thy distant flight to do thee wrong,
+ As, darkly limned upon the crimson sky,
+ Thy figure floats along.
+
+ Seek'st thou the plashy brink
+ Of weedy lake, or marge of river wide,
+ Or where the rocking billows rise and sink
+ On the chafed ocean side?
+
+ There is a Power whose care
+ Teaches thy way along that pathless coast,--
+ The desert and illimitable air,--
+ Lone wandering, but not lost.
+
+ All day thy wings have fanned,
+ At that far height, the cold, thin atmosphere;
+ Yet stoop not, weary, to the welcome land,
+ Though the dark night is near.
+
+ And soon that toil shall end;
+ Soon shalt thou find a summer home, and rest,
+ And scream among thy fellows; reeds shall bend,
+ Soon, o'er thy sheltered nest.
+
+ Thou'rt gone, the abyss of heaven
+ Hath swallowed up thy form; yet on my heart
+ Deeply hath sunk the lesson thou hast given,
+ And shall not soon depart.
+
+ He who, from zone to zone,
+ Guides through the boundless sky thy certain flight,
+ In the long way that I must tread alone,
+ Will lead my steps aright.'"
+
+"I should like to learn that by heart," said Frank; "I like it very
+much."
+
+"Come, Mother," said Harry, "what more have you to tell us about
+these travellers?"
+
+"Not much, Harry. The martin is such a universal favorite that
+Wilson says he never knew but one man that did not like them and
+treat them kindly. Wherever they, go, they find some hospitable
+retreat prepared for their reception. Some people have large
+habitations formed for the martins, fitted up with a variety of
+apartments and conveniences; these houses are regularly occupied
+every spring, and the same individual birds have been known to
+return to the same box for many successive years.
+
+"The North American Indians, who have a great regard for martins, cut
+off all the top branches of a young tree, and leave the prongs a
+foot or two in length, and hang hollow gourds or calabashes on the
+ends for nests."
+
+"What are gourds and calabashes, Mother?" said Harry.
+
+"A gourd, my dear, is a vegetable, something like a squash, only
+much thicker and harder; when hollowed out, it is as hard as if it
+were made of wood, and not so easy to break. It is shaped something
+like a short, straight-necked winter squash; a calabash is a large
+kind of gourd.
+
+On the banks of the Mississippi, the negroes stick up long poles,
+with calabashes on the ends, to accommodate the martins.
+
+Martins have been known, when no house was provided for them, to
+take possession of part of a pigeon house; and no pigeon ever dares
+to set its foot in the martin's side of the house. The martin is a
+very courageous and spirited bird, and will attack hawks, crows, and
+even great bald eagles; he whirls around and around them, and
+torments them, till, at last, he succeeds in driving them off. This
+makes the martin a very valuable friend to the farmer, whose
+chickens he defends from their enemies.
+
+The martins are very faithful and affectionate to each other; when
+the mother bird is hatching her eggs, her mate often sits by her
+side; and sometimes he will take her place, and send her out to take
+exercise and get food. He passes a great deal of his time at the
+door of her apartment, chattering to her, as if he were telling her
+amusing stories; and then he will sing very softly and tenderly to
+her, and he does every thing he can to please her.
+
+The martin has very strong and large wings, and short legs, that
+they may not interfere with his flight, which is very rapid. It is
+calculated by Mr. Wilson that this bird flies as fast as a mile in a
+minute. Sometimes you may see a martin flying in the midst of a
+crowded street, so near people that it seems as if they might catch
+him; and then, quick as thought, he darts out of their reach, and,
+in less than a minute, you may see him far up among the clouds,
+looking like a little black speck upon their silver edges."
+
+"How happy, Mother," said Frank, "the martins must be, to be able to
+fly about among the clouds, and travel so far, and go just where
+they please so easily!"
+
+"God has made every living thing to be happy," said his mother; "and
+in this we see His goodness. Are not you happy, too?"
+
+"Almost always, Mother. Sometimes I am not happy."
+
+"What is the reason why you are not always happy?"
+
+"Why, things trouble me, and I feel cross and impatient."
+
+"But if you try to bear with disagreeable things, and conquer your
+ill-humor, and make yourself patient, are you unhappy then?"
+
+"No, Mother; but then I have to try very hard."
+
+"But you are happy when you succeed. Now, what is it in you that
+tries to be good, and is happy when it succeeds?"
+
+"It is my mind, Mother."
+
+"Would you, Frank, give up your mind for a pair of martin's wings?"
+
+"O, no, Mother; but I want my mind, and a pair of wings too."
+
+"If you think your mind is better than the martin's wings, my dear,
+be thankful for the possession of it; and be thankful too that God
+has allowed you the privilege of making yourself happy by your own
+efforts, and by the exercise of your thoughts, for they are the
+wings of your mind. You do not now see a martin in the air; you are
+only thinking of him; and yet you feel how pleasant it might be to
+be like him, up among the clouds.
+
+The martin cannot have the pleasure we have now had, but God has
+given him wings, and taught him the way through the air, and put
+love into his heart for his mate; and let us rejoice in his
+happiness, and, more than all, let us rejoice in the goodness of Him
+who has put joy into so many hearts. And when, my dear children, you
+see the martin cutting his way so swiftly through the air, and when
+you think of him travelling away thousands of miles, guided by the
+goodness of God to the right place, and you wish that you had wings
+like him, and think that he is happier than you are, you can then
+remember a far greater gift that God has bestowed upon you.
+
+Although the martin's flight is very swift and very high, yet he can
+go but so far, and he knows not what directs him. When his wings are
+wearied, and he is nothing but a speck of dust, and when your body
+also is nothing but dust, these thoughts of yours, that have pursued
+him, will be still travelling on; and, if you stretch the wings of
+your mind, and soar upward, as the martin does with his bodily
+wings, and like him, use all your powers as God directs you, you
+will be rising higher and higher. And you will also know to whom you
+go, and who gives you all your powers. The martin knows nothing of
+this. He must go and come at such a time, and do just as all other
+martins have done; but you are free to choose for yourself, and to
+take the right and happy way, because you know it is the right way,
+and the path to heaven.
+
+But I must tell you what made me think particularly now of these
+travellers through the pathless air. Last week, you remember, I was
+ill, and shut up in my room. As I was sitting at my chamber window,
+enjoying the perfume of the apple blossoms, and listening to the
+song of the birds, and the soft sighing of the south wind, the world
+looked as beautiful to me as if it had been that moment created.
+
+You remember that there is an olive jar in the cherry tree close to
+my window, which I had last autumn desired to have placed there, in
+the hope that the birds would build in it this spring.
+
+While I was looking I saw a bluebird alight on the tree. Presently
+she came nearer and nearer to the jar, and looked earnestly at the
+small round opening in it, as much as to say, 'That looks like a
+nice place for a nest.' Then she came still nearer, and looked round
+to see if any one noticed her. I kept very still. At last she grew
+bolder, and flew upon the jar. Now she looked around again, as if
+she was afraid of something. Then she turned her head sideways, and
+looked up and down, this way, and that way, and every way, till she
+satisfied herself that no enemy was near. At last, she flew upon the
+edge of the hole, and courageously looked in; then she quickly drew
+her head out, and looked all around again. I thought she looked
+directly into my face, and came to the conclusion that I was a
+friend, for she went part way in. Then she suddenly drew her
+beautiful head and shoulders out again, and looked about once more.
+At last, she seemed satisfied, made one more effort, and flew in.
+She staid in long enough to make up her mind that it was a good
+place for her nest, and then she flew off, quick as thought. In less
+than two minutes she came back with her mate. They alighted upon a
+bough near the jar, and it was plain that they were confabulating
+together, and that she was urging him to go in and look at the place
+she had chosen for her nursery. Her mate looked very wise and grave,
+as much as to say, 'My dear, we must not be too hasty. We must
+choose this home of ours with great care. Too much of our happiness
+depends upon this step to allow of any mistake'; he then flew upon
+the outside of the jar, and went through just the same ceremonies
+that his better half had performed before, only he was still more
+deliberate and cautious about entering. At last, he flew in, and, in
+a short time, appeared again, and alighted on a branch near the jar
+by the side of his dear mate. There they conversed together in their
+bird language for some time, as plainly to me as if they had spoken
+good English. 'This,' said he, 'is a nice large comfortable place,
+my dear. That great house is rather too near, to be sure, but I am
+well informed that its inhabitants, and those of all this
+neighborhood, will never molest us. Last year, the cherry birds ate
+up all the cherries in all the gardens around here, and not one of
+the thieves received the slightest harm. We will, I think, begin our
+work immediately, and make a nice soft bed for our young to rest in
+when we shall be so happy as to have any.' This, I am sure, was the
+result of their confab, for directly they began to pick up hay, and
+furze, and feathers, and every soft thing they could find, and carry
+them into the jar.
+
+The male bird, which I knew by the greater brightness of his
+plumage, and his more slender form, seemed to be fondest of bringing
+sticks, one of which was too long for the mouth of the jar to admit.
+It was very amusing to witness his efforts to get the stick in; but
+it would not do; the stick fell to the ground. All day long, these
+pretty creatures were busy at their work; one usually watched while
+the other was in the jar arranging the nest for their expected
+brood. In about a week, it was evident that their work was
+completed, for they carried in no more sticks or dried grass. They
+were gone a great part of the day, I suppose playing, after so much
+hard work, but they returned at evening. Some one in the
+neighborhood fired a gun. This scared the bluebirds so that they
+staid away for two whole days; and, when they returned, it was
+amusing to see how timidly they entered their house. Then they would
+fly off to another tree at a distance, and make believe they had
+nothing to do with the one their nest was in. At last, they grew
+bolder; and, every evening at sunset, I saw the mother bird go into
+her nest while her mate went to roost.
+
+There was a slight feeling of despondency in my heart when I first
+went to look out of this window; but when I saw these birds, and
+witnessed the scene of faithful love and domestic industry and
+happiness set forth by these little creatures, the spirit of
+complaint was rebuked within me, and I learned a new lesson of
+serene trust and assurance that all were cared for by the Creator of
+all.
+
+But I must tell you the rest of the story of the bluebirds; and I am
+sorry to say, they met with sad trials. The first encroacher, as
+they supposed him to be, was a woodpecker; he seemed, as I thought,
+to mean them no harm; but as soon as they heard his tap, tap, tap,
+they flew at him very angrily and drove him away. A more dangerous
+enemy was at hand, one that from his size you would not have
+supposed dangerous to them. A little wren, not nearly so large as
+the bluebird, came one day to the tree; and, seeing the jar, having
+examined it, and being pleased with it, resolved to take it for
+herself. The little thief waited till the bluebirds had gone upon
+some expedition; and then, without any ceremony, without any fear of
+any thing, she entered the jar, and was evidently confirmed in her
+purpose of taking possession of it. Probably she held a consultation
+with her mate; but this I did not witness, as I did that between the
+two bluebirds. The next day this pert little Madam Wren, or her
+mate, I could not tell which, came again, and, perching on the
+topmost branch of the tree, poured forth a loud triumphant song, and
+then, as soon as the coast was clear, entered the house she was
+resolved to appropriate to herself. In a minute after, she appeared
+at the mouth of the jar with her bill full of the dried grass of
+which the bluebird's nest was made, which she threw out on the
+ground disdainfully. Back again she flew, and in an instant brought
+some more and threw it out. This she did with the most impudent look
+you can imagine. Then she flew swiftly in and out, like a little
+termagant, throwing out of the mouth of the jar, sticks, dead
+leaves, grass, with all the nice soft things which the poor bluebird
+had been a week in collecting. Every now and then, she came out for
+a minute and sang as sweetly as if she were not engaged in such a
+piratical work; and the little rogue looked up in my face so
+saucily, too, as much as to say, 'Who cares for you?' Then she began
+singing at the top of her voice, exulting over her work of
+destruction. Can you suppose it was any sense of honesty that
+prevented her using the bluebird's nest after having stolen her
+house? No, Jenny Wren had no principle. You would have laughed to
+see how scornfully she tossed out those dead leaves. Every thing
+went out of the nest pell-mell. The little monster! what could the
+poor bluebirds say or do? This bird evidently had no conscience, at
+least not a good one, that is plain. Never did general rejoice more
+over the capture and destruction of a city than this little bit of a
+bird rejoiced over the destruction of the bluebird's nest, and at
+the unlawful possession of the house. I saw her carrying in a long
+stick that suited her better than the short ones that the bluebird
+had carried in: she found she could not get it in if she took it in
+the middle; so she changed the place, and held it by the end, and so
+by that means got it in. She was more cunning than the bluebird. Now
+you might hear the two little robbers sing again. They are happier
+than any king can be nowadays. Poor, dear, beautiful bluebirds! What
+has become of them? Then came the mother. She looked into the jar
+and saw the destruction of her nest--all her week's work. How
+distressed she seemed! but the victorious wrens had no pity on her.
+They drove her away. She disappeared. The saucy conquerors flew in
+and out of their stolen house twenty times a minute, caring for
+nothing. They could have had no moral sense; but they were very
+amusing, and they were nothing but birds; they knew no better; so we
+must forgive them."
+
+"I like stories about animals better than any other stories," said
+Frank. "I think animals know as much, and sometimes more than we do.
+So, Mother, do tell us all you can think of about elephants, bears,
+and lions, as well as dogs, and cats, and birds."
+
+"I have laid up in my memory two or three dog and cat stories, which
+I will tell you, and then I will see what I can remember of lions,
+bears, and elephants. But first I must tell you what I have lately
+read about courts of justice among the crows."
+
+"What is a court of justice?" asked Harry.
+
+"A court of justice is an assemblage of men who meet together to
+ascertain if any one who is accused of doing a wrong thing has
+really done it or not. If he is proved to have committed the
+offence, he is declared to be guilty; if he is not proved to have
+done it, he is declared not guilty.
+
+A writer on the history of the Feroe Islands describes these
+extraordinary courts as if he had witnessed them. He says, these
+crow-courts are observed here (in the Feroe Islands) as well as in
+the Scotch Isles. The crows collect in great numbers, as if they had
+been all summoned for the occasion. A few of the flock sit with
+drooping heads, others seem as grave as if they were judges, and
+some are exceedingly active and noisy, like lawyers and witnesses;
+in the course of about an hour the company generally disperse, and
+it is not uncommon, after they have flown away, to find one or two
+left dead on the spot.
+
+Dr. Edmondstone, in his View of the Shetland Islands, says that
+sometimes the crow-court, or meeting, does not appear to be complete
+before the expiration of a day or two,--crows coming from all
+quarters to the session. As soon as they are all arrived, a very
+general noise ensues, the business of the court is opened, and
+shortly after they all fall upon one or two individual crows, (who
+are supposed to have been condemned by their peers,) and put them to
+death. When the execution is over, they quietly disperse."
+
+"I shall never look at a crow, Mother, again," said Harry, "without
+dislike--cruel creatures."
+
+"We don't understand these things," said his mother; "animals have
+no compassion for their sick companions; they kill them sometimes
+for being sick. It seems very cruel, but we don't understand enough
+to judge."
+
+"Now, Mother, what new story have you about dogs?"
+
+"The story I shall tell you now seems to show that dogs have good
+hearts, and are compassionate and magnanimous. A dog was placed to
+watch a piece of ground, perhaps a garden. A boy ran across the
+forbidden place. The dog chased him. The boy, greatly frightened,
+ran very fast, fell, and broke his leg. The dog, when he came up and
+heard the boy's cries, did not touch him, but ran up to the passers
+by, and barked till he attracted their attention, and brought some
+one to the aid of the poor boy, who could not move.
+
+The faithful creature had performed his duty in driving away
+intruders; but he had too good a heart, and was too generous to hurt
+a fallen enemy. In the account I read he was called a Christian dog.
+His conduct would be a good example to all Christians.
+
+I have now a story of a roguish dog that I think we could not praise
+so much for his goodness as for his cunning. A gentleman in Paris
+was in the habit of crossing every day one of the bridges over the
+Seine, on his way to his place of business. One day, a very dirty
+poodle dog rubbed himself so against his boots as to make it
+necessary to get a man, who sat at one end of the bridge with
+blacking, to clean them. The next day the same thing occurred, and
+again and again, till, at last, the gentleman suspected that the
+bootblack had taught the dog this trick, in order by that means to
+get customers. He watched, and saw, when he approached the bridge,
+Master Poodle go and roll himself in a mud puddle, and then come and
+rub himself against his boots. The gentleman accused the bootblack
+of the trick. After a while the man laughed, and confessed his
+roguery."
+
+"That poodle was a brick," said Harry.
+
+"One more story of dogs. A surgeon of Leeds, in England, found a
+little spaniel who had been lamed. The surgeon carried the poor
+animal home, bandaged up his leg, and after two or three days turned
+him out. The dog returned to the surgeon's house every morning till
+his leg was perfectly well.
+
+At the end of several months, the spaniel again presented himself,
+bringing another dog who had also been lamed, and intimating, as
+plainly as piteous and intelligent looks could intimate, that he
+desired the same kind assistance to be rendered to his friend as had
+been bestowed upon himself.
+
+But I am forgetting poor puss.
+
+Mr. W., a friend of mine, whose word might be taken for any thing,
+told me an extraordinary anecdote of a cat, which he said he knew to
+be true.
+
+A friend of his was setting out on a voyage to some place, I forget
+where. Every thing was carried on board, and the two friends were in
+the cabin about taking leave of each other. "I asked my friend
+before parting," said Mr. W., "whether he had every thing that he
+wanted; if there was nothing more that he could think of to make him
+more comfortable or happy on his voyage." "One thing," he replied,
+"would add to my pleasure very much, if you would bring it to me. In
+the counting room of my store is a small white cat; I am very fond
+of the poor thing, and she will miss me I know; I should like to
+take her with me." I immediately went ashore and found his little
+cat looking very sorrowful in his lonely room; I carried her to him.
+They seemed mutually pleased at meeting."
+
+When the vessel returned, Mr. W. received this account from the
+officers of the ship. They said that his friend made a great pet of
+the cat, and fed her always at his own meal times. He taught her to
+stand on her hind legs and ask for her food; he made her jump over a
+stick for his amusement; in short, he taught her to perform a great
+many amusing tricks. The officers and men were all very fond of poor
+little puss.
+
+At length, the young man became very ill. The cat would not leave
+him night or day. At last, one day, she left the cabin and began to
+run about the ship, making the most terrible mewing. The sailors
+offered her food; she refused it. She would not be comforted.
+Finally, her cries turned into a complete howl. She manifested the
+greatest suffering, and, at last, she ran off to the end of the
+bowsprit and leaped into the sea. Just at the moment that the poor
+little faithful, loving cat was swallowed up by the waves, her human
+friend breathed his last, and they both entered the invisible land
+together.
+
+Such an extraordinary event, and the gloom which a death at sea
+always casts over a ship's company, both together made the sailors
+even more than usually superstitious. They all declared that, every
+night at that same hour when the sick man died, a white cat was seen
+leaping into the ocean. The white crests of the breaking waves might
+easily thus appear to an ignorant person who lives, as a sailor
+does, in the midst of the wonders and sublime scenes which the ocean
+presents, in the awful terrors of its storms, or the serene glory of
+its quiet hours. But the love of the poor dumb animal for its
+master--that was a beautiful reality.
+
+I have a story now for you, Frank, about a horse, as I know you are
+particularly fond of horses. An Arab chief with his tribe had
+attacked in the night a caravan, and had plundered it; when loaded
+with their spoil, however, the robbers were overtaken on their
+return by some horsemen of the Pacha of Acre, who killed several,
+and bound the remainder with cords. The horsemen brought one of the
+prisoners, named Abou el Mavek, to Acre, and laid him, bound hand
+and foot, wounded as he was, at the entrance to their tent. As they
+slept during the night, the Arab, kept awake by the pain of his
+wounds, heard his horse's neigh at a distance, and being desirous to
+stroke, for the last time, the companion of his life, he dragged
+himself, bound as he was, to the horse which was picketed at a
+little distance.
+
+"Poor friend," said he; "what will you do among the Turks? You will
+be shut up under the roof of a khan, with the horses of a pacha or
+an aga; no longer will the women and children of the tent bring you
+barley, camel's milk, or dourra, in the hollow of their hands. No
+longer will you gallop, free as the wind of Egypt, in the desert. No
+longer will you cleave with your bosom the water of the Jordan which
+cools your sides, as pure as the foam of your lips. If I am to be a
+slave, at least may you go free. Go, return to our tent which you
+know so well; tell my wife that Abou el Marek will return no more;
+but put your head still into the folds of the tent, lick the hands
+of my beloved children."
+
+With these words, he untied with his teeth the fetters, and set the
+courser at liberty. But the noble animal, on recovering its freedom,
+instead of bounding away alone, bent its head over its master, and,
+seeing him in fetters, took his clothes gently in its teeth, lifted
+him up, set off at full speed, and, without ever resting, made
+straight for the distant but well-known tent in the mountains.
+
+The horse arrived in safety, laid his master down at the feet of his
+wife and children, and immediately dropped down dead with fatigue.
+The whole tribe mourned him, the poets celebrated his fidelity, and
+his name is still constantly in the mouths of the Arabs of Jericho.
+
+And now, boys, let us talk about the elephant a little. I have been
+reading something of his history, and I am disposed to think that,
+of all animals, he is, on the whole, the most intelligent."
+
+"More intelligent than the dog, Mother?"
+
+"Yes, it seems so to me. He is not so disinterested, so loving, but
+he reasons more than any other animal. He is also capable of very
+strong attachment, but he will not bear ill treatment. The elephant
+seems revengeful. The dog still loves the master who is unkind to
+him.
+
+The elephant will learn to assist his master in his work. An
+elephant who belonged to the Duke of Devonshire would come out of
+her house when her keeper called her, take up a broom, and stand
+ready to sweep the paths and grass when he told her to do so. She
+would take up a pail or a watering pot, and follow him round the
+place, ready to do his bidding. Her keeper usually rode on her neck,
+like the elephant drivers in India, and he always spread over her a
+large, strong cloth for alighting, which the elephant, by kneeling,
+allowed him to do. He desired her to take off the cloth. This she
+contrived to do by drawing herself up in such a way that the
+shrinking of her loose skin moved the cloth, and it gradually
+wriggled on one side, till, at last, it would fall by its own
+weight. The cloth, of course, fell all in a heap; but the elephant
+would spread it carefully on the grass, and then fold it up, as you
+fold your napkin, till it was small enough for her purpose; then she
+held it up with her trunk for a moment, and, at last, with one jerk,
+threw it up over her head to the centre of her back, where it
+remained for use, out of the way, ready for next time, and as nicely
+placed as if human hands had put it there.
+
+A few years ago, an elephant in London was taught to take part in a
+play. She came in and marched very properly in a procession. At the
+waving of her keeper's hand, she would kneel down and salute any
+individual, or put a crown on the head of the true prince. She would
+eat and drink with great propriety of manner, and make her reverence
+to the audience. But all this is nothing to what the elephants were
+taught by the Romans. The keepers, by treating their elephants with
+the utmost kindness, taking care of them as to health, and doing
+every thing to make them happy, acquired over them the greatest
+power. The elephants learned to love music. They were at first
+frightened by the loud instruments; but, after a while, became very
+fond of all, particularly of the gentle flute, at which they would
+show their delight by beating time with their great feet. The
+keepers accustomed them to the sight of great multitudes of people.
+At one time, when a particular exhibition of the docility of
+elephants was required, twelve of the most sagacious and well
+trained were made to march into the theatre with a regular step. At
+the voice of their keeper, they moved in harmonious measure,
+sometimes in a circle, and sometimes divided into parties,
+scattering flowers around them. In the intervals of the dance, they
+would beat time to the music, and were careful to keep in proper
+order. After this display, the elephants were feasted, as the Romans
+were in the habit of feasting themselves, in grand style. Splendid
+couches were placed, ornamented with paintings and covered with
+tapestry. Before the couches, upon tables of ebony and cedar, was
+spread the banquet, in vessels of gold and silver. When the feast
+was prepared, the twelve elephants marched in; six gentleman
+elephants dressed in the robes of men, and six lady elephants
+attired in women's clothes. They lay down in order upon the couches;
+and then, at a certain signal, extended their trunks, and eat their
+suppers with the most praiseworthy moderation and propriety. "Not
+one of them," says the historian of the elephant, "appeared the
+least voracious, or manifested the least desire for more than his
+share of the food, or an undue proportion of the delicacies. They
+were as moderate also in their drink, and received the cups that
+were presented to them with the greatest decorum and temperance."
+
+The elephants were taught to hurl javelins, and catch them with
+their trunks, and to pretend to fight with each other, for the
+amusement of their warlike masters, and were taught also to perform
+a dance. Finally, these wonderful animals would do what you would
+think was utterly impossible. You remember, when the circus riders
+were here seeing a man walk and dance on a rope."
+
+"Yes, Mother," said Frank; "but an elephant could not do that, I'm
+sure."
+
+"Historians of Rome, supposed to give true accounts, say that the
+elephants were taught to walk along a rope forward and then
+backward. One elephant is described as walking up a slanting rope to
+the roof of the theatre with a man on his back."
+
+"I should not have liked to be the man on his back," said Harry.
+
+"It is as astonishing, perhaps more so, that a horse has been taught
+to do similar things. When I was in Paris, I saw some horses dance a
+quadrille very respectably, and keep excellent time. One of the
+Roman historians relates, "An elephant, having been punished for
+stupidity in executing some feat which he was required to learn, was
+observed, at night, endeavoring to practise what he had failed to
+perform in the daytime." It is mentioned that elephants have been
+observed practising their lessons by moonlight, without any
+directions from the keepers. Think what a good example elephants are
+for school boys. I have only told you a very little about this
+wonderful animal; yet enough, I hope, to make you want to read some
+of the many books about him. You have, I think, read of the story of
+the elephant who was wounded in his proboscis or trunk, and, in his
+anger, unintentionally killed his keeper, and of what the keeper's
+wife did."
+
+"No, Mother," said Frank; "we have never read it. What did she do?"
+
+"In her despair, not knowing what she did, she held out her son, and
+said to the raging animal, "Take him too." The angry elephant became
+quiet. He seemed to understand the agony of the poor woman. He
+gently lifted and placed upon his back the little child, and ever
+after obeyed him for a master."
+
+"You know the story in Evenings at Home, Mother, of the Elephant and
+the Cobbler, how the fellow pricked the elephant's trunk, and how
+the elephant punished him by squirting muddy water all over him."
+
+"Yes. The elephant's trunk is so susceptible that nothing enrages
+him so much as any wound on it. He cannot bear patiently the
+slightest scratch.
+
+Now I will tell you a story of a lion. An English gentleman, who was
+living in India, had a fancy to see what effect extreme gentleness,
+and kindness, and very simple diet would have upon the character of
+the lion. The gentleman had the good fortune to get a baby lion for
+the experiment. He made a real pet of him. He fed him with bread and
+milk and rice, and such things, and took care always to satisfy him
+with food. The young lion loved his master, who was always very kind
+to him, and who was really very fond of his lionship. This man
+lived, as in India a gentleman often does, in a house by himself,
+and could easily have his friend lion with him, without annoying any
+one. The baby grew bigger and bigger, and became a good-sized,
+full-grown lion. He was gentle and happy, full of play, and rather a
+pleasant companion to his two-legged friend. Whether the lion ever
+roared for his master's amusement, the friend who told me this story
+did not say.
+
+At last, this gentleman wished to return to England to see his old
+mother. He was too much attached to his lion to leave him, and so
+took him in the place of a dog. The lion was very good all the
+voyage. No one had a word to say against him. His conduct and
+manners were faultless. He played with the sailors, he obeyed his
+master, and, in short, was a very quiet, well-behaved, human lion.
+When the gentleman arrived in England, as soon as he could leave the
+ship, he called for a carriage to take him to his mother. When he
+got into the carriage, the lion jumped in after him. "Your honor,"
+said the driver, "I'm afraid of that beast." "O, never mind," said
+the gentleman; "he'll not hurt you." "But, your honor, I never in my
+born days took a lion in my carriage. It's not a place for such
+brutes." "There's always a first time," said the gentleman. "Here's
+a crown for my lion; and now get on; I can't wait." The cabman,
+thinking it wise to make the best of things, and not quarrel with a
+man who had a lion for a friend, stepped up on his box, and drove
+away rattlety-bang to Regent's Park, some three or four miles'
+drive. The lion was much astonished, and sat bolt upright on his
+hind legs, looking out of the window. He did not appreciate the
+BEAUTIES of London; he was disgusted with the noise, and growled a
+little. The driver heard him, and drove all the faster. Poor Lord
+Lion, his temper was tried; but he bore it better than most lions
+would. At last, the cab stopped at the house of the gentleman's
+mother. He sprang out, and rang the bell: "Does Mrs. B. live here?"
+"Yes, sir." "Is she well?" The footman turned pale as ashes, and
+scampered off as if he thought the lion would devour him. The
+gentleman ran up stairs, and the lion after him. In another moment,
+the arms of the son were around his mother. Presently, the lady saw
+the lion. She had heard of her son's pet, and saw she was in no
+danger. She begged her son, however, to put him down in the yard and
+keep him chained, or she should not have a servant in the house. The
+lion was not happy chained. The gentleman, finding, moreover, that
+he could not go into the streets with his friend without being
+followed by a mob, at last placed him in the Tower, where there were
+other lions, and gave many charges that the pet lion should be well
+treated. Many years afterwards, the gentleman returned from another
+voyage to India; and, after seeing his mother, went to the Tower to
+see his friend. When he came to the large cage in which the lion was
+confined, the keeper said, "This is our finest and our fiercest
+lion." "Open the door," said the gentleman. The keeper, not knowing
+him, objected. The gentleman insisted, and entered. The lion was
+lying down, and, seeing a man in his cage, for a moment looked
+angry; in another moment he rose on his hind legs, put his paws
+around his old master, and showed the greatest delight at seeing
+him."
+
+"Why, he was almost as good as a dog," said Frank. "But now, Mother,
+please tell us the story about a bear which you said you heard on
+your journey last summer."
+
+"I ought rather," said Mrs. Chilton, "to call it the story of a cow,
+for she was the heroine of the tale. I was travelling with a small
+party among the White Hills. When we stopped to dine, we saw a
+number of people assembled around the door of the hotel, and found
+that they were looking at a black bear that had been just shot. This
+bear had inspired the neighborhood with some fear, for he was a
+large one. They had tried a number of times to shoot him; but all in
+vain. Master Bruin was never off his guard. At last, the poor fellow
+foolishly left the deep wild wood, where he could easily hide
+himself, for a little grove. When the villagers saw his mistake,
+they immediately took steps to surround the grove. The number of the
+inhabitants was small; so they summoned all the women and children,
+as well as the men, and so got an unbroken line all around the
+little wood. As soon as the bear sought any part, in order to
+escape, he was saluted by the most frightful screams, as well as a
+shower of stones. He fled to the opposite side, but there met with
+the same reception. This went on for some time. At last, some one
+succeeded in shooting him. He measured a little over six feet from
+the tip of his nose to the tip of his tail, and his teeth were very
+formidable.
+
+A gentleman who had assisted in the capture of the bear, told me the
+story I promised to tell you of the cow and the bear. A little girl,
+about twelve or thirteen years of age, was sent by her mother, one
+afternoon, to bring home the cows from a neighboring wood, where
+they were at pasture. There were many fallen trees, as is often the
+case in our wild woods; and the child amused herself by climbing
+over the trunks.
+
+Now, one of the black-looking logs was a large bear that was lying
+asleep, and the little girl jumped right upon his growling majesty.
+The bear arose, evidently not quite pleased at being made a stepping
+stone, took the little girl in his great shaggy paws, and gave her
+an ugly hug, such as only a bear can give. Mr. Bear would have
+squeezed the breath out of the body of the poor little girl, had not
+the good old cow seen the danger. The courageous creature, instead
+of running away, turned back immediately, and began goring the bear
+with her horns in such a way as to force old Bruin, if he valued a
+whole hide, to turn round and defend himself. So he let go his hold
+on the little girl, who, though sadly frightened and bruised, was
+still strong enough to run towards home. Presently the bear followed
+her. Immediately the cow attacked him again with her horns, and
+drove him off. This continued till they got out of the wood, when
+the bear ran back to his own home. The gentleman who told us this
+story said he had seen the little girl, and that she had never quite
+recovered from the effect of the horrid squeeze of the grim old
+bear, but still suffered in her chest. Still she was thankful that
+her life was saved, and always considered the good old cow her
+preserver."
+
+"Why, Mother," said Frank, "I did not think that a cow could be good
+for any thing but to give milk."
+
+"In Germany, they use cows for draught, and make them work pretty
+hard. There you see cows every day doing the same work that our oxen
+do, and giving the poor man his supper at the end of the day
+besides; and it is said that the labor does not hurt them. The
+Germans feed the cows well, treat them gently and kindly, but make
+them, as well as the dogs, work for a living."
+
+"Now I will tell you a story about a pike. We are apt to think fishes
+very stupid; that they have no feeling. A gentleman in England,
+a surgeon and a naturalist, told me of what he had himself seen. A
+pike had struck its head against a tenter hook on a post in the pond
+where he was swimming. His agony was so great that he darted
+backward and forward with the greatest rapidity, then buried his
+head in the mud, then whirled his tail round and round, and threw
+himself up into the air to the height of two or three feet, and, at
+last, he threw himself out of the pond upon the grass. Dr. Warwick
+placed his hand on the fish, examined the injury, and observed that
+the hook had entered the skull, wrenching up one side of the bone
+and depressing the other, and that a small part of the brain had
+escaped. With a toothpick the doctor restored the bones to their
+proper places. The patient remained perfectly still during the
+operation, and after-ward was returned to his native element. He
+seemed restless for a little while, and then lay quiet. Dr. Warwick
+then made a sort of cradle in which he placed the poor sufferer, who
+seemed disposed to lie still on one side."
+
+"The next day, very early, Dr. Warwick went to the pond. To his
+astonishment, he found that the pike knew and remembered him. The
+fish came to the edge of the pond, placed his jaw upon the toe of
+the doctor's boot, let himself be taken hold of and caressed, and
+allowed the wound to be examined. It was much better. When the
+doctor walked along the side of the pond, the fish followed him.
+When the doctor returned from his walk, he found his patient
+watching for him. The pike then swam backward and forward while the
+doctor remained there. The fish had lost one eye in consequence of
+the wound from the hook, and, when his blind side was towards the
+doctor, was always very restless. The poor fellow seemed anxious to
+keep his surgical friend in sight. The doctor would often whistle
+when he went to the pond; and the pike always came at the call, and
+showed pleasure at seeing him. Dr. Warwick introduced his family to
+his friend and patient, the pike. The grateful fish allowed them to
+give him food, and put aside much of his native shyness. In truth,
+he received their attentions very civilly, but he always showed a
+decided preference for his medical friend. Dr. Warwick was the
+father of my friend, Mrs. A., in Liverpool. He related all these
+facts to me himself, and they are all to be perfectly relied upon."
+
+Now I will read you a German story called Caliph Stork.
+
+One pleasant afternoon, the Caliph of Bagdad was sitting comfortably
+on his sofa: he had slept a little, (for it was a hot day,) and
+looked quite bright after his nap. He was smoking a long rose-wood
+pipe, and sipping coffee, which was poured out for him by a slave;
+and occasionally he stroked his beard with great satisfaction. In
+short, it was evident that he felt quite pleasantly.
+
+This was the best time of day for speaking with him; for at this
+hour he was always very good-natured and affable; and, on this
+account, the Grand Vizier Mansor always visited him at this hour. He
+came also this afternoon, but looking very thoughtful, quite against
+his wont. The caliph took the pipe partly away from his mouth, and
+said, "What makes you look so thoughtful, Grand Vizier?"
+
+The grand vizier crossed his arms over his breast, bowed to his
+master, and answered, "Sir! whether I look thoughtful or not is more
+than I know; but certain it is, that there is a pedler down stairs
+who has such beautiful things, that it vexes me not to have any
+money to spare."
+
+The caliph was very willing to do his grand vizier a favor; so he
+sent the black slave to bring the pedler up stairs. The pedler came.
+He was a little, dumpy man, with a dark complexion, and dressed in
+ragged garments. He bore a chest in which were wares of all sorts:
+pearls and rings, richly mounted pistols, drinking cups, and combs.
+The caliph and his vizier rummaged over the whole chest, and the
+caliph finally bought some pistols for himself and Mansor, and a
+comb for the vizier's wife. As the pedler was about to close the
+chest, the caliph saw a little drawer, and asked if there was any
+thing more in it. The pedler pulled the drawer out, and showed in it
+a box of blackish powder, and a paper with curious writing on it,
+which neither the caliph nor Mansor could read. "I got these two
+things from a merchant who found them at Mecca, in the street; I do
+not know what they contain, but you may have them very cheap, for I
+cannot do any thing with them."
+
+The caliph, who liked to have old manuscripts in his library,
+although he could not read them, bought the paper and the box, and
+dismissed the pedler.
+
+The caliph, however, thought he should like to know the contents of
+the manuscript, and asked the vizier if he knew any body who could
+decipher it. "Most gracious sovereign and master," answered he,
+"there is a man at the great mosque, who is called Selim the
+Learned; he understands all languages; send for him; perhaps he may
+make out these mysterious characters."
+
+The learned Selim was soon brought. "Selim," said the caliph to him,
+"they say you are very learned; now just look into this manuscript,
+and see whether you can read it; if you can, I will give you a new
+dress; but if you cannot, you shall have twelve boxes on the ear,
+and twenty-five blows on the soles of your feet, for having been
+called, without reason, Selim the Learned."
+
+Selim bowed and said, "Be it as you command, Sir!" He examined the
+writing for a long time, and then suddenly cried out, "This is
+Latin, sir, or I'll give you leave to hang me." "Let us hear what it
+contains, then, if it is Latin," said the caliph.
+
+Selim began to translate: "O man who findest this, praise Allah for
+his goodness. Whoever snuffs up some of the powder in this box, and
+at the same time says, 'Mutabor,' may change himself into any
+animal, and will understand the language of animals. If he wishes to
+return to the human shape, let him bow three times towards the East,
+and pronounce the same word. But let him take care, after he is
+transformed, not to laugh, otherwise the word will disappear
+entirely from his memory, and he will remain a beast."
+
+When Selim the Learned had read this, the caliph was exceedingly
+delighted. He made Selim swear never to reveal any thing of the
+secret to any one; then he gave him a beautiful robe, and dismissed
+him.
+
+Then he said to his grand vizier, "That is what I call a good
+bargain, Mansor! How impatient I am to become a beast! Come to me
+easily to-morrow morning, and we will go out into the fields, snuff
+up a little of the powder, and then listen to what is said in the
+air and in the water, in the woods and in the fields!"
+
+Scarcely had the caliph breakfasted and dressed, the next morning,
+when the grand vizier appeared, according to his orders, to
+accompany him in his excursion. The caliph stuck the box with the
+magic powder into his girdle, and having commanded his retinue to
+remain behind, he set off with only the grand vizier, on his way.
+They went first through the spacious gardens of the caliph, but they
+could not find any living animal to try their experiment upon. At
+last, the vizier proposed to go out to a pond, where he had often
+seen many animals, particularly storks, which had attracted his
+attention by their grave demeanor and their chattering.
+
+The caliph approved of the vizier's proposal, and went with him
+towards the pond. When they got there, they saw a stork, walking
+gravely back and forth, searching for frogs, and occasionally
+chattering something to himself. At the same time they saw another
+stork soaring high in the air, above the place.
+
+"I will wager my beard, most gracious Sir," said the grand vizier,
+"that these two long-legs are carrying on a fine conversation
+together. What say you to turning ourselves into storks?"
+
+"Well said!" answered the caliph. "But let us see; how is it that
+one is to become man again?"
+
+"O, yes! we are to bow three times towards the East, and say,
+Mutabor, and then I am caliph again, and you vizier. But for
+Heaven's sake don't laugh, or we are lost!"
+
+While the caliph was speaking, he saw the other stork come sailing
+down over their heads, and settle in a business manner on the
+ground. Quickly he drew the box from his girdle, took a good pinch
+of the powder, and handed it to the grand vizier, who also took a
+pinch, and then both cried out, "Mutabor!"
+
+Immediately their legs shrivelled up, and became thin and red; the
+beautiful yellow slippers of the caliph and his companion turned
+into clumsy stork-feet; their arms became wings; their necks
+stretched out from their shoulders, and were an ell long; their
+beards disappeared, and their bodies were covered with soft
+feathers, instead of clothes.
+
+"That's a pretty bill of yours, Mr. Grand Vizier," said the caliph,
+after a long pause of astonishment. "By the beard of the Prophet, I
+never saw any thing like that in my life."
+
+"Thank you kindly," answered the grand vizier, bowing; "but, if I
+may be allowed the observation, your highness looks almost handsomer
+as stork than as caliph. But come, if you please, let us listen to
+our comrades yonder, and try whether we really do understand
+Storkish."
+
+In the mean time the other stork had alighted on the ground. He
+arranged his feathers with his bill, put himself to rights, and
+walked up to the first stork.
+
+The two new storks made haste to approach them, and overheard, to
+their astonishment, the following conversation.
+
+"Good morning, Mrs. Longlegs; you are early on the meadow."
+
+"Thank you, dear blatterbeak! I have been getting a little
+breakfast. Will you take a bit of lizard, or a frog's leg?"
+
+"Much obliged, but I have no appetite this morning. I came on to the
+meadow for quite a different purpose. I am to dance before the
+guests at my father's to-day, and I thought I would exercise a
+little in private beforehand."
+
+At the same time the young storkess marched about the field making
+the oddest gesticulations. The caliph and Mansor looked on with
+wonder. But at last, when she put herself into a picturesque
+attitude on one foot, and gracefully waved her wings, they could
+stand it no longer; an inextinguishable laugh burst from their
+bills, from which they did not recover for some time. The caliph
+composed himself first. "What a capital joke!" cried he; "I never
+saw any thing better in my life; it is a pity that the stupid birds
+were frightened away by our laughter, else she would certainly have
+sung!"
+
+But it now occurred to the grand vizier that they had been forbidden
+to laugh during their transformation. He communicated his anxiety to
+the caliph.
+
+"By Mecca and Medina!" cried the caliph, "it would be a pretty piece
+of business if I had to remain a stork all my life! Try think of the
+stupid word; I can't remember it."
+
+"We must bow three times towards the East, and say, Mu--Mu--Mu--."
+They turned to the East, and bowed away till their beaks touched the
+ground. But, alas! The magic word had vanished, and with all the
+caliph's bowing, and his vizier's crying Mu--Mu--, all recollections
+of it had disappeared from their memories, and the poor Chasid and
+his vizier still remained storks as before.
+
+The caliph and the grand vizier walked in a melancholy mood through
+the fields, not knowing what to do in their sad plight. They could
+not get out of their stork-skins, and it would not do for them to go
+back to the town to tell any one of their condition, for who would
+believe a stork if he said that he was the caliph? And even if they
+had believed him, would the inhabitants of Bagdad be willing to have
+a stork for their caliph? So they sneaked about for several days,
+feeding upon wild fruits, which, however, they could not manage very
+well, on account of their long bills. For lizards and frogs, they
+had no appetite. Their only satisfaction in this sad predicament was
+that they could fly; and they often flew over on to the roofs in the
+city of Bagdad, to see what was going on.
+
+For the first few days they observed great uneasiness and mourning
+in the streets. But, on the fourth day of their enchantment, as they
+were sitting on the roof of the caliph's palace, they saw in the
+street below a splendid procession. The drums and fifes sounded, and
+a man in a scarlet robe, embroidered with gold, came riding along on
+a richly caparisoned horse, surrounded by servants in glittering
+garments. Half the town were at his heels, and all were shouting,
+"Hail to Mizra! Caliph of Bagdad!" The two storks looked at each
+other as they sat on the roof, and the Caliph Chasid said, "Do not
+you begin to understand how I come to be enchanted, Grand Vizier?
+This Mizra is the son of my mortal enemy, the powerful enchanter,
+Kaschnur, who in an evil hour vowed vengeance against me. But I do
+not yet give up all hope. Come with me, faithful companion in
+misfortune; we will make a pilgrimage to the grave of the Prophet;
+perhaps the charm may be broken in sacred places."
+
+So they raised themselves from the roof of the palace, and flew in
+the direction of Medina.
+
+Flying, however, did not suit the two storks very well, on account
+of their want of practice. "Ah, Sir," groaned the vizier, after they
+had been flying a couple of hours, "with your permission--I cannot
+stand it any longer; you fly too fast! Besides, it is already
+growing dark, and we should do well to be looking out for some place
+to pass the night."
+
+Chasid yielded to the request of his officer, and perceiving a
+ruined building in the valley below, they flew down to it. The place
+which they had pitched upon for their night-quarters, seemed to have
+been a castle. Beautiful columns were still standing among the
+ruins, and numerous chambers, which were in tolerable preservation,
+testified to the former splendor of the house. Chasid and his
+companion walked about the passages to find a dry spot; suddenly the
+stork Mansor stood still. "Lord and Master," whispered he, softly,
+"if it were not that it would be foolish for a grand vizier--and
+still more so for a stork--to be afraid of ghosts! I do not feel
+easy at all, for I heard some one sighing and moaning, quite
+plainly." The caliph also stopped, and heard distinctly a noise as
+of some one weeping, which sounded more like a human being than like
+an animal. Full of expectation, he was about to advance towards the
+place whence the sound proceeded; but the vizier seized him by the
+wing with his bill, and begged him earnestly not to expose himself
+to new unknown dangers; but in vain! The caliph, under whose stork-wings
+there beat a valiant heart, tore himself away with the loss of
+some feathers, and ran into a dark passage. He soon came to a door,
+which appeared not to be fastened, and from which proceeded distinct
+sighs and a slight hooting. He pushed the door open with his bill,
+but remained standing in astonishment on the threshold. In the
+ruinous chamber, which was lighted scantily by a small grated
+window, he saw a large owl sitting on the floor. Large tears were
+rolling from her great round eyes, and with a hoarse voice she
+uttered complaints from her crooked beak. But when she beheld the
+caliph and his vizier, who had crept after him in the mean time, she
+raised a loud cry of joy. Then she gracefully wiped the tears from
+her eyes with her brown-spotted wing, and, to the great astonishment
+of both, she cried out, in good human Arabic, "Welcome, ye storks;
+ye are a good omen of my deliverance, for it has been prophesied to
+me that a great good fortune would come to me through the means of
+some storks!"
+
+When the caliph had recovered from his astonishment, he made a bow
+with his long neck, placed his thin feet in a graceful position, and
+said, "Owl! thy words would lead me to conclude that thou art a
+partaker of our misfortune. But alas! thy hope of being delivered by
+us is in vain. Thou wilt perceive our helplessness when thou hast
+heard our story." The owl begged him to relate it, and the caliph
+began, and told her what we already know.
+
+When the caliph had finished telling their story to the owl, she
+thanked him, and said, "Hear, alas! my history, and you will see
+that I am not less unhappy than you. My father is the King of India,
+and I, his only daughter, am named Susa. The enchanter, Kaschnur,
+who enchanted you, brought me also into misery. He came one day to
+my father, and desired me for wife for his son Mizra. But my father,
+who is a quick-tempered person, had him kicked down stairs. The
+scoundrel contrived to come into my presence again under another
+form; and once, when I wished to take some refreshments in the
+garden, he brought to me, in the disguise of a slave, a potion which
+transformed me into this horrible shape. As I was powerless from
+fright, he brought me hither, and cried with a terrible voice into
+my ear,--"
+
+"Here shalt thou remain, ugly and despised even by the beasts, until
+thy death; or until some one of his own accord shall desire to marry
+thee, even in this vile shape. Thus I revenge myself on thee and thy
+proud father."
+
+"Since then, many months have elapsed. Solitary and sad, I live as a
+hermit in these walls, despised by the whole world, disgusting even
+to the beasts; the beauties of nature are shut from me, since I am
+blind by day, and, only when the moon pours her pale light over
+these walls, does the veil of darkness fall from my eyes."
+
+She ended, and wiped her tears again with her wing, for the
+narration of her sorrows had caused her to weep.
+
+The caliph pondered deeply on the story of the princess. "If I am
+not entirely in error," said he, "there is a secret connection
+between our misfortunes; but where shall I find the key to this
+riddle?"
+
+The owl answered, "Sir, I have also the same feeling; for it was
+prophesied to me, in my earliest youth, by a wise woman, that a
+stork would bring me great good luck; and perhaps I can tell in what
+manner we may deliver ourselves."
+
+The caliph was much amazed, and asked in what manner she meant. "The
+enchanter," said she, "who has rendered us both unhappy, comes once
+every month to these ruins. Not far from this chamber, there is a
+hall in which he is accustomed to revel with many comrades; I have
+often watched them there. They relate to each other their villanous
+deeds, and perhaps he may pronounce the magic word which you
+have forgotten."
+
+"O dearest Princess," exclaimed the caliph, "tell me when will he
+come, and where is the hall?"
+
+The owl was silent for a moment, and then said,--
+
+"Do not take it ill, but I can fulfil your wish only on one
+condition."
+
+"What is it? what is it?" cried Chasid; "whatever you please; I will
+agree to any thing."
+
+"Why, I should like to obtain my own liberty also; but this is
+possible only on condition that one of you shall marry me."
+
+The storks seemed somewhat embarrassed by this proposal, and the
+caliph motioned to his officer to go out with him a moment.
+
+"Grand Vizier," said the caliph, when they got outside of the door,
+"this is a stupid business, but I should think you might marry her."
+
+"Indeed!" answered he; "do you wish to have my eyes scratched out by
+my wife as soon as I get home? Besides, I am an old man, and you are
+young and unmarried; it would be more reasonable for you to give
+your hand to a beautiful young princess."
+
+"Ay, but there's the rub," sighed the caliph, drooping his wings
+composedly; "who told you that she was young and beautiful? That is
+what I call buying a pig in a poke!"
+
+So they talked a long while about it, till, at last, as the caliph
+saw that his vizier preferred remaining a stork to marrying the owl,
+he made up his mind to fulfil the condition himself. The owl was
+highly delighted. She informed them that they could not have come at
+a better time, for probably the enchanters would assemble that
+night.
+
+She left the chamber with the storks, to conduct them to the hall;
+they walked for a long time through a dark passage; at last, a
+bright light streamed towards them from a ruined wall. Having
+reached this, the owl advised them to remain perfectly still. From
+the cleft at which they stood, they could see over the whole hall.
+It was surrounded by columns, and splendidly ornamented. Numerous
+colored lamps supplied the want of daylight. In the midst of the
+hall, stood a round table covered with various delicacies. Round the
+table, was placed a sofa on which sat eight men. In one of these men
+the storks recognized the merchant who had sold them the magic
+powder. The one who sat next to him asked him to relate his newest
+exploits. He told, among others, the story of the caliph and his
+vizier.
+
+"And what word did you give them?" asked another of the magicians.
+"A very hard Latin one; it is called MUTABOR."
+
+When the storks heard this at their chink in the wall, they were
+almost out of their senses with joy. They ran so swiftly to the door
+of the ruin, with their long feet, that the owl could scarcely keep
+up with them. When they had got out, the caliph said with emotion to
+the owl, "Deliverer of my life, and of the life of my friend, accept
+me for your husband, as an eternal mark of gratitude for what you
+have done for us." Then he turned towards the East. Three times the
+storks bowed their long necks towards the sun, which just then was
+rising over the mountains; cried MUTABOR, and in an instant they
+were disenchanted, and the master and servant lay in each other's
+arms, weeping for joy. But who could describe their astonishment,
+when, on looking round, they saw a beautiful lady in magnificent
+attire? "Do you not know your owl?" said she, smiling, as she gave
+her hand to the caliph. It was she, and the caliph was so enraptured
+with her beauty and grace, that he declared he had been most
+fortunate in having been turned into a stork.
+
+All three now returned to Bagdad, where the arrival of the caliph
+excited great astonishment. All had supposed that he was dead, and
+the people were highly delighted to recover their beloved ruler.
+
+The caliph Chasid lived long and happily with his wife, the
+princess; and sometimes, when the grand vizier came to see him of an
+afternoon, when he was in particularly good humor, he would
+condescend to imitate the appearance of the grand vizier in the
+character of the stork; walking gravely about, with feet extended,
+chattering, and waving with his arms; and showed how the grand
+vizier bowed in vain towards the East, and cried Mu--Mu. But when he
+kept this up too long, the vizier used to threaten that he would
+tell the caliph's wife the discussion, outside of the door, about
+the princess owl.
+
+
+
+
+
+
+
+
+
+End of Project Gutenberg's What the Animals Do and Say, by Eliza Lee Follen
+
+*** END OF THIS PROJECT GUTENBERG EBOOK WHAT THE ANIMALS DO AND SAY ***
+
+***** This file should be named 4044.txt or 4044.zip *****
+This and all associated files of various formats will be found in:
+ https://www.gutenberg.org/4/0/4/4044/
+
+Produced by Charles Franks and the Online Distributed
+Proofreading Team. HTML version by Al Haines.
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+https://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need are critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at https://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+https://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at https://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit https://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including including checks, online payments and credit card
+donations. To donate, please visit: https://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart was the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ https://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
diff --git a/4044.zip b/4044.zip
new file mode 100644
index 0000000..e79b01f
--- /dev/null
+++ b/4044.zip
Binary files differ
diff --git a/LICENSE.txt b/LICENSE.txt
new file mode 100644
index 0000000..6312041
--- /dev/null
+++ b/LICENSE.txt
@@ -0,0 +1,11 @@
+This eBook, including all associated images, markup, improvements,
+metadata, and any other content or labor, has been confirmed to be
+in the PUBLIC DOMAIN IN THE UNITED STATES.
+
+Procedures for determining public domain status are described in
+the "Copyright How-To" at https://www.gutenberg.org.
+
+No investigation has been made concerning possible copyrights in
+jurisdictions other than the United States. Anyone seeking to utilize
+this eBook outside of the United States should confirm copyright
+status under the laws that apply to them.
diff --git a/README.md b/README.md
new file mode 100644
index 0000000..e7ba039
--- /dev/null
+++ b/README.md
@@ -0,0 +1,2 @@
+Project Gutenberg (https://www.gutenberg.org) public repository for
+eBook #4044 (https://www.gutenberg.org/ebooks/4044)
diff --git a/old/wtnml10.txt b/old/wtnml10.txt
new file mode 100644
index 0000000..d66f489
--- /dev/null
+++ b/old/wtnml10.txt
@@ -0,0 +1,1654 @@
+Project Gutenberg's What The Animals Do and Say, by Eliza Lee Follen
+#7 in our series by Eliza Lee Follen
+
+Copyright laws are changing all over the world, be sure to check
+the laws for your country before redistributing these files!!!
+
+Please take a look at the important information in this header.
+We encourage you to keep this file on your own disk, keeping an
+electronic path open for the next readers.
+
+Please do not remove this.
+
+This should be the first thing seen when anyone opens the book.
+Do not change or edit it without written permission. The words
+are carefully chosen to provide users with the information they
+need about what they can legally do with the texts.
+
+
+**Welcome To The World of Free Plain Vanilla Electronic Texts**
+
+**Etexts Readable By Both Humans and By Computers, Since 1971**
+
+*****These Etexts Are Prepared By Thousands of Volunteers!*****
+
+Information on contacting Project Gutenberg to get Etexts, and
+further information is included below, including for donations.
+
+The Project Gutenberg Literary Archive Foundation is a 501(c)(3)
+organization with EIN [Employee Identification Number] 64-6221541
+
+
+
+Title: What The Animals Do and Say
+
+Author: Eliza Lee Follen
+
+Release Date: March, 2003 [Etext #4044]
+[Yes, we are about one year ahead of schedule]
+[The actual date this file first posted = 10/20/01]
+
+Edition: 10
+
+Language: English
+
+Project Gutenberg's What The Animals Do and Say, by Eliza Lee Follen
+*******This file should be named wtnml10.txt or wtnml10.zip******
+
+Corrected EDITIONS of our etexts get a new NUMBER, wtnml11.txt
+VERSIONS based on separate sources get new LETTER, wtnml10a.txt
+
+This etext was produced by Charles Franks and the
+Online Distributed Proofreading Team.
+
+Project Gutenberg Etexts are usually created from multiple editions,
+all of which are in the Public Domain in the United States, unless a
+copyright notice is included. Therefore, we usually do NOT keep any
+of these books in compliance with any particular paper edition.
+
+We are now trying to release all our books one year in advance
+of the official release dates, leaving time for better editing.
+Please be encouraged to send us error messages even years after
+the official publication date.
+
+Please note neither this listing nor its contents are final til
+midnight of the last day of the month of any such announcement.
+The official release date of all Project Gutenberg Etexts is at
+Midnight, Central Time, of the last day of the stated month. A
+preliminary version may often be posted for suggestion, comment
+and editing by those who wish to do so.
+
+Most people start at our sites at:
+http://gutenberg.net
+http://promo.net/pg
+
+
+Those of you who want to download any Etext before announcement
+can surf to them as follows, and just download by date; this is
+also a good way to get them instantly upon announcement, as the
+indexes our cataloguers produce obviously take a while after an
+announcement goes out in the Project Gutenberg Newsletter.
+
+http://www.ibiblio.org/gutenberg/etext03
+or
+ftp://ftp.ibiblio.org/pub/docs/books/gutenberg/etext03
+
+Or /etext02, 01, 00, 99, 98, 97, 96, 95, 94, 93, 92, 92, 91 or 90
+
+Just search by the first five letters of the filename you want,
+as it appears in our Newsletters.
+
+
+Information about Project Gutenberg (one page)
+
+We produce about two million dollars for each hour we work. The
+time it takes us, a rather conservative estimate, is fifty hours
+to get any etext selected, entered, proofread, edited, copyright
+searched and analyzed, the copyright letters written, etc. This
+projected audience is one hundred million readers. If our value
+per text is nominally estimated at one dollar then we produce $2
+million dollars per hour this year as we release fifty new Etext
+files per month, or 500 more Etexts in 2000 for a total of 3000+
+If they reach just 1-2% of the world's population then the total
+should reach over 300 billion Etexts given away by year's end.
+
+The Goal of Project Gutenberg is to Give Away One Trillion Etext
+Files by December 31, 2001. [10,000 x 100,000,000 = 1 Trillion]
+This is ten thousand titles each to one hundred million readers,
+which is only about 4% of the present number of computer users.
+
+At our revised rates of production, we will reach only one-third
+of that goal by the end of 2001, or about 4,000 Etexts unless we
+manage to get some real funding.
+
+The Project Gutenberg Literary Archive Foundation has been created
+to secure a future for Project Gutenberg into the next millennium.
+
+We need your donations more than ever!
+
+As of July 12, 2001 contributions are only being solicited from people in:
+Arkansas, Colorado, Connecticut, Delaware, Florida, Georgia, Hawaii, Idaho,
+Illinois, Indiana, Iowa, Kansas, Louisiana, Maine, Massachusetts, Minnesota,
+Missouri, Montana, Nebraska, New Mexico, Nevada, New Jersey, New York, North
+Carolina, Ohio, Oklahoma, Oregon, Rhode Island, South Carolina*, South Dakota,
+Tennessee, Texas, Utah, Vermont, Virginia, Washington, West Virginia,
+Wisconsin, and Wyoming.
+
+*In Progress
+
+We have filed in about 45 states now, but these are the only ones
+that have responded.
+
+As the requirements for other states are met,
+additions to this list will be made and fund raising
+will begin in the additional states. Please feel
+free to ask to check the status of your state.
+
+In answer to various questions we have received on this:
+
+We are constantly working on finishing the paperwork
+to legally request donations in all 50 states. If
+your state is not listed and you would like to know
+if we have added it since the list you have, just ask.
+
+While we cannot solicit donations from people in
+states where we are not yet registered, we know
+of no prohibition against accepting donations
+from donors in these states who approach us with
+an offer to donate.
+
+
+International donations are accepted,
+but we don't know ANYTHING about how
+to make them tax-deductible, or
+even if they CAN be made deductible,
+and don't have the staff to handle it
+even if there are ways.
+
+All donations should be made to:
+
+Project Gutenberg Literary Archive Foundation
+PMB 113
+1739 University Ave.
+Oxford, MS 38655-4109
+
+
+The Project Gutenberg Literary Archive Foundation is a 501(c)(3)
+organization with EIN [Employee Identification Number] 64-6221541,
+and has been approved as a 501(c)(3) organization by the US Internal
+Revenue Service (IRS). Donations are tax-deductible to the maximum
+extent permitted by law. As the requirements for other states are met,
+additions to this list will be made and fund raising will begin in the
+additional states.
+
+We need your donations more than ever!
+
+You can get up to date donation information at:
+
+http://www.gutenberg.net/donation.html
+
+
+***
+
+If you can't reach Project Gutenberg,
+you can always email directly to:
+
+Michael S. Hart <hart@pobox.com>
+
+hart@pobox.com forwards to hart@prairienet.org and archive.org
+if your mail bounces from archive.org, I will still see it, if
+it bounces from prairienet.org, better resend later on. . . .
+
+Prof. Hart will answer or forward your message.
+
+We would prefer to send you information by email.
+
+
+***
+
+
+Example command-line FTP session:
+
+ftp ftp.ibiblio.org
+login: anonymous
+password: your@login
+cd pub/docs/books/gutenberg
+cd etext90 through etext99 or etext00 through etext02, etc.
+dir [to see files]
+get or mget [to get files. . .set bin for zip files]
+GET GUTINDEX.?? [to get a year's listing of books, e.g., GUTINDEX.99]
+GET GUTINDEX.ALL [to get a listing of ALL books]
+
+
+**The Legal Small Print**
+
+
+(Three Pages)
+
+***START**THE SMALL PRINT!**FOR PUBLIC DOMAIN ETEXTS**START***
+Why is this "Small Print!" statement here? You know: lawyers.
+They tell us you might sue us if there is something wrong with
+your copy of this etext, even if you got it for free from
+someone other than us, and even if what's wrong is not our
+fault. So, among other things, this "Small Print!" statement
+disclaims most of our liability to you. It also tells you how
+you may distribute copies of this etext if you want to.
+
+*BEFORE!* YOU USE OR READ THIS ETEXT
+By using or reading any part of this PROJECT GUTENBERG-tm
+etext, you indicate that you understand, agree to and accept
+this "Small Print!" statement. If you do not, you can receive
+a refund of the money (if any) you paid for this etext by
+sending a request within 30 days of receiving it to the person
+you got it from. If you received this etext on a physical
+medium (such as a disk), you must return it with your request.
+
+ABOUT PROJECT GUTENBERG-TM ETEXTS
+This PROJECT GUTENBERG-tm etext, like most PROJECT GUTENBERG-tm etexts,
+is a "public domain" work distributed by Professor Michael S. Hart
+through the Project Gutenberg Association (the "Project").
+Among other things, this means that no one owns a United States copyright
+on or for this work, so the Project (and you!) can copy and
+distribute it in the United States without permission and
+without paying copyright royalties. Special rules, set forth
+below, apply if you wish to copy and distribute this etext
+under the "PROJECT GUTENBERG" trademark.
+
+Please do not use the "PROJECT GUTENBERG" trademark to market
+any commercial products without permission.
+
+To create these etexts, the Project expends considerable
+efforts to identify, transcribe and proofread public domain
+works. Despite these efforts, the Project's etexts and any
+medium they may be on may contain "Defects". Among other
+things, Defects may take the form of incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other
+intellectual property infringement, a defective or damaged
+disk or other etext medium, a computer virus, or computer
+codes that damage or cannot be read by your equipment.
+
+LIMITED WARRANTY; DISCLAIMER OF DAMAGES
+But for the "Right of Replacement or Refund" described below,
+[1] Michael Hart and the Foundation (and any other party you may
+receive this etext from as a PROJECT GUTENBERG-tm etext) disclaims
+all liability to you for damages, costs and expenses, including
+legal fees, and [2] YOU HAVE NO REMEDIES FOR NEGLIGENCE OR
+UNDER STRICT LIABILITY, OR FOR BREACH OF WARRANTY OR CONTRACT,
+INCLUDING BUT NOT LIMITED TO INDIRECT, CONSEQUENTIAL, PUNITIVE
+OR INCIDENTAL DAMAGES, EVEN IF YOU GIVE NOTICE OF THE
+POSSIBILITY OF SUCH DAMAGES.
+
+If you discover a Defect in this etext within 90 days of
+receiving it, you can receive a refund of the money (if any)
+you paid for it by sending an explanatory note within that
+time to the person you received it from. If you received it
+on a physical medium, you must return it with your note, and
+such person may choose to alternatively give you a replacement
+copy. If you received it electronically, such person may
+choose to alternatively give you a second opportunity to
+receive it electronically.
+
+THIS ETEXT IS OTHERWISE PROVIDED TO YOU "AS-IS". NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, ARE MADE TO YOU AS
+TO THE ETEXT OR ANY MEDIUM IT MAY BE ON, INCLUDING BUT NOT
+LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR A
+PARTICULAR PURPOSE.
+
+Some states do not allow disclaimers of implied warranties or
+the exclusion or limitation of consequential damages, so the
+above disclaimers and exclusions may not apply to you, and you
+may have other legal rights.
+
+INDEMNITY
+You will indemnify and hold Michael Hart, the Foundation,
+and its trustees and agents, and any volunteers associated
+with the production and distribution of Project Gutenberg-tm
+texts harmless, from all liability, cost and expense, including
+legal fees, that arise directly or indirectly from any of the
+following that you do or cause: [1] distribution of this etext,
+[2] alteration, modification, or addition to the etext,
+or [3] any Defect.
+
+DISTRIBUTION UNDER "PROJECT GUTENBERG-tm"
+You may distribute copies of this etext electronically, or by
+disk, book or any other medium if you either delete this
+"Small Print!" and all other references to Project Gutenberg,
+or:
+
+[1] Only give exact copies of it. Among other things, this
+ requires that you do not remove, alter or modify the
+ etext or this "small print!" statement. You may however,
+ if you wish, distribute this etext in machine readable
+ binary, compressed, mark-up, or proprietary form,
+ including any form resulting from conversion by word
+ processing or hypertext software, but only so long as
+ *EITHER*:
+
+ [*] The etext, when displayed, is clearly readable, and
+ does *not* contain characters other than those
+ intended by the author of the work, although tilde
+ (~), asterisk (*) and underline (_) characters may
+ be used to convey punctuation intended by the
+ author, and additional characters may be used to
+ indicate hypertext links; OR
+
+ [*] The etext may be readily converted by the reader at
+ no expense into plain ASCII, EBCDIC or equivalent
+ form by the program that displays the etext (as is
+ the case, for instance, with most word processors);
+ OR
+
+ [*] You provide, or agree to also provide on request at
+ no additional cost, fee or expense, a copy of the
+ etext in its original plain ASCII form (or in EBCDIC
+ or other equivalent proprietary form).
+
+[2] Honor the etext refund and replacement provisions of this
+ "Small Print!" statement.
+
+[3] Pay a trademark license fee to the Foundation of 20% of the
+ gross profits you derive calculated using the method you
+ already use to calculate your applicable taxes. If you
+ don't derive profits, no royalty is due. Royalties are
+ payable to "Project Gutenberg Literary Archive Foundation"
+ the 60 days following each date you prepare (or were
+ legally required to prepare) your annual (or equivalent
+ periodic) tax return. Please contact us beforehand to
+ let us know your plans and to work out the details.
+
+WHAT IF YOU *WANT* TO SEND MONEY EVEN IF YOU DON'T HAVE TO?
+Project Gutenberg is dedicated to increasing the number of
+public domain and licensed works that can be freely distributed
+in machine readable form.
+
+The Project gratefully accepts contributions of money, time,
+public domain materials, or royalty free copyright licenses.
+Money should be paid to the:
+"Project Gutenberg Literary Archive Foundation."
+
+If you are interested in contributing scanning equipment or
+software or other items, please contact Michael Hart at:
+hart@pobox.com
+
+[Portions of this header are copyright (C) 2001 by Michael S. Hart
+and may be reprinted only when these Etexts are free of all fees.]
+[Project Gutenberg is a TradeMark and may not be used in any sales
+of Project Gutenberg Etexts or other materials be they hardware or
+software or any other related product without express permission.]
+
+*END THE SMALL PRINT! FOR PUBLIC DOMAIN ETEXTS*Ver.10/04/01*END*
+
+
+
+
+
+This etext was produced by Charles Franks and the
+Online Distributed Proofreading Team.
+
+
+
+
+
+
+WHAT THE ANIMALS DO AND SAY
+
+BY
+
+MRS. FOLLEN
+
+
+
+
+Illustrated with Engravings
+
+
+
+
+WHAT THE ANIMALS DO AND SAY.
+
+
+"Could you not tell us a traveller's story of some strange people
+that we have never heard of before?" said Harry to his mother, the
+next evening.
+
+After a moment or two of thought, Mis. Chilton said, "Yes, I will
+tell you about a people who are great travellers. They take journeys
+every year of their lives. They dislike cold weather so much that
+they go always before winter, so as to find a warmer climate."
+
+"They usually meet together, fathers, mothers, and children, as well
+as uncles, aunts, and cousins, but more especially grandfathers and
+grandmothers, and decide whither they shall go. As their party is so
+large, it is important that they should make a good decision."
+
+"When they are all prepared, and their mind quite made up, they all
+set off together. I am told that they make as much noise, on this
+occasion, as our people make at a town-meeting; but as I was never
+present at one of the powwows of these remarkable travellers, I
+cannot say."
+
+"What is a powwow?" asked Harry.
+
+"It is the name the Indians give to their council meetings," replied
+Mis. Chilton.
+
+She went on. "This people, so fond of travelling, have no great
+learning; they write no books; they have no geographies, no
+steamboats, no railroads, but yet never mistake their way."
+
+"Four-footed travellers, I guess," said Harry.
+
+"By no means; they have no more legs than any other great
+travellers; but you must not interrupt me."
+
+Well, to go back to our travellers; every one is ready and glad to
+prepare apartments for them, such as they like. They are so lively,
+so merry, and good-natured, that they find a welcome every where.
+They are such an easy, sociable set of folks that they like a house
+thus prepared for them just as well as if they had built it
+themselves."
+
+"I have been told that when they arrive at any place, before they
+wash themselves, or brush off the dust of their journey, they will
+go directly to one of these houses that has been prepared for them,
+and examine every part of it; and, if they like it, they seem to
+think they have, of course, a right to it, and they take possession
+directly, and say, 'Thank you' to nobody."
+
+"No one is affronted with them; but every one is ready and glad to
+accommodate the strangers as well as he can, merely for the sake of
+their good company. They come to us in May, and leave our part of
+the country in August, to visit other lands.
+
+"The great reason, I think, that all the world welcomes these
+travellers is, that they are such a happy, merry set of beings they
+make every one around them cheerful; their gayety is never-failing.
+They rise with the first streak of light; there are no sluggards
+among them. They are all musical, and sing as they go about their
+work; but their music pleases me best when they join in their
+morning hymn. When the morning star is growing pale, and rosy light
+tinges the edges of the soft clouds in the east, this choir of
+singers stop for a second, as if waiting, in silent reverence, for
+the glad light to appear; then, just as the first ray gilds the hill
+tops and the village spire, all pour forth a joyful song, swelling
+their little throats, and making such a loud noise that every sleepy
+head in the neighborhood awakes."
+
+"Ah! now I have caught you, Mother," said Frank; "these famous
+travellers are martins. I wonder, when you said they were not four
+footed, I did not think of martins. I heard George say, the other
+day, that his father had put up a martin box, and how they came and
+looked at it first, before they took it, and that they always sang
+before daylight, and what a noise they made.
+
+But, Mother, when you tell that story again, you must not say little
+throats, or any one will know who your travellers are quick enough;
+but do please tell us more about them."
+
+"Yes, Frank, you have caught me; these travellers are martins; and,
+if you wish, I will tell you more about them. Mr. Wilson, whom I
+have been reading to-day, calls them birds of passage."
+
+"What does that mean, Mother"?"
+
+"It means that they find it necessary for their support to pass from
+one country to another when winter is coming on. At that time they
+leave us.
+
+Some people think that martins and swallows hide themselves from the
+cold in holes in rocks and banks, or in hollow trees; but Wilson,
+who spent many years in watching the habits of birds, and learning
+their history, thinks that these fly a great way off to a warmer
+country as winter approaches, and that they return again in the
+spring."
+
+"But how can they find the way?" asked Frank.
+
+"All that we know about that, Frank, is, that He who created the
+martins has given to them the knowledge that guides them right. In
+their long way through the pathless air, they never make a mistake.
+Our great vessels and our skilful captains sometimes get lost in the
+wide ocean; but these little birds always know the way, and arrive
+with unerring certainty at their place of destination.
+
+Our great poet, Bryant, has written some beautiful lines to a water-
+fowl, which express this idea. I will repeat these lines to you if
+you like to hear them.
+
+ 'Whither, 'midst falling dew,
+ While glow the heavens with the last steps of day,
+ Far, through their rosy depths, dost thou pursue
+ Thy solitary way?
+
+ Vainly the fowler's eye
+ Might mark thy distant flight to do thee wrong,
+ As, darkly limned upon the crimson sky,
+ Thy figure floats along.
+
+ Seek'st thou the plashy brink
+ Of weedy lake, or marge of river wide,
+ Or where the rocking billows rise and sink
+ On the chafed ocean side?
+
+ There is a Power whose care
+ Teaches thy way along that pathless coast,--
+ The desert and illimitable air,--
+ Lone wandering, but not lost.
+
+ All day thy wings have fanned,
+ At that far height, the cold, thin atmosphere;
+ Yet stoop not, weary, to the welcome land,
+ Though the dark night is near.
+
+ And soon that toil shall end;
+ Soon shalt thou find a summer home, and rest,
+ And scream among thy fellows; reeds shall bend,
+ Soon, o'er thy sheltered nest.
+
+ Thou'rt gone, the abyss of heaven
+ Hath swallowed up thy form; yet on my heart
+ Deeply hath sunk the lesson thou hast given,
+ And shall not soon depart.
+
+ He who, from zone to zone,
+ Guides through the boundless sky thy certain flight,
+ In the long way that I must tread alone,
+ Will lead my steps aright.'"
+
+"I should like to learn that by heart," said Frank; "I like it very
+much."
+
+"Come, Mother," said Harry, "what more have you to tell us about
+these travellers?"
+
+"Not much, Harry. The martin is such a universal favorite that
+Wilson says he never knew but one man that did not like them and
+treat them kindly. Wherever they, go, they find some hospitable
+retreat prepared for their reception. Some people have large
+habitations formed for the martins, fitted up with a variety of
+apartments and conveniences; these houses are regularly occupied
+every spring, and the same individual birds have been known to
+return to the same box for many successive years.
+
+The North American Indians, who have a great regard for martins, cut
+off all the top branches of a young tree, and leave the prongs a
+foot or two in length, and hang hollow gourds or calabashes on the
+ends for nests."
+
+"What are gourds and calabashes, Mother?" said Harry.
+
+"A gourd, my dear, is a vegetable, something like a squash, only
+much thicker and harder; when hollowed out, it is as hard as if it
+were made of wood, and not so easy to break. It is shaped something
+like a short, straight-necked winter squash; a calabash is a large
+kind of gourd.
+
+On the banks of the Mississippi, the negroes stick up long poles,
+with calabashes on the ends, to accommodate the martins.
+
+Martins have been known, when no house was provided for them, to
+take possession of part of a pigeon house; and no pigeon ever dares
+to set its foot in the martin's side of the house. The martin is a
+very courageous and spirited bird, and will attack hawks, crows, and
+even great bald eagles; he whirls around and around them, and
+torments them, till, at last, he succeeds in driving them off. This
+makes the martin a very valuable friend to the farmer, whose
+chickens he defends from their enemies.
+
+The martins are very faithful and affectionate to each other; when
+the mother bird is hatching her eggs, her mate often sits by her
+side; and sometimes he will take her place, and send her out to take
+exercise and get food. He passes a great deal of his time at the
+door of her apartment, chattering to her, as if he were telling her
+amusing stories; and then he will sing very softly and tenderly to
+her, and he does every thing he can to please her.
+
+The martin has very strong and large wings, and short legs, that
+they may not interfere with his flight, which is very rapid. It is
+calculated by Mr. Wilson that this bird flies as fast as a mile in a
+minute. Sometimes you may see a martin flying in the midst of a
+crowded street, so near people that it seems as if they might catch
+him; and then, quick as thought, he darts out of their reach, and,
+in less than a minute, you may see him far up among the clouds,
+looking like a little black speck upon their silver edges."
+
+"How happy, Mother," said Frank, "the martins must be, to be able to
+fly about among the clouds, and travel so far, and go just where
+they please so easily!"
+
+"God has made every living thing to be happy," said his mother; "and
+in this we see His goodness. Are not you happy, too?"
+
+"Almost always, Mother. Sometimes I am not happy."
+
+"What is the reason why you are not always happy?"
+
+"Why, things trouble me, and I feel cross and impatient."
+
+"But if you try to bear with disagreeable things, and conquer your
+ill-humor, and make yourself patient, are you unhappy then?"
+
+"No, Mother; but then I have to try very hard."
+
+"But you are happy when you succeed. Now, what is it in you that
+tries to be good, and is happy when it succeeds?"
+
+"It is my mind, Mother."
+
+"Would you, Frank, give up your mind for a pair of martin's wings?"
+
+"O, no, Mother; but I want my mind, and a pair of wings too."
+
+"If you think your mind is better than the martin's wings, my dear,
+be thankful for the possession of it; and be thankful too that God
+has allowed you the privilege of making yourself happy by your own
+efforts, and by the exercise of your thoughts, for they are the
+wings of your mind. You do not now see a martin in the air; you are
+only thinking of him; and yet you feel how pleasant it might be to
+be like him, up among the clouds.
+
+The martin cannot have the pleasure we have now had, but God has
+given him wings, and taught him the way through the air, and put
+love into his heart for his mate; and let us rejoice in his
+happiness, and, more than all, let us rejoice in the goodness of Him
+who has put joy into so many hearts. And when, my dear children, you
+see the martin cutting his way so swiftly through the air, and when
+you think of him travelling away thousands of miles, guided by the
+goodness of God to the right place, and you wish that you had wings
+like him, and think that he is happier than you are, you can then
+remember a far greater gift that God has bestowed upon you.
+
+Although the martin's flight is very swift and very high, yet he can
+go but so far, and he knows not what directs him. When his wings are
+wearied, and he is nothing but a speck of dust, and when your body
+also is nothing but dust, these thoughts of yours, that have pursued
+him, will be still travelling on; and, if you stretch the wings of
+your mind, and soar upward, as the martin does with his bodily
+wings, and like him, use all your powers as God directs you, you
+will be rising higher and higher. And you will also know to whom you
+go, and who gives you all your powers. The martin knows nothing of
+this. He must go and come at such a time, and do just as all other
+martins have done; but you are free to choose for yourself, and to
+take the right and happy way, because you know it is the right way,
+and the path to heaven.
+
+But I must tell you what made me think particularly now of these
+travellers through the pathless air. Last week, you remember, I was
+ill, and shut up in my room. As I was sitting at my chamber window,
+enjoying the perfume of the apple blossoms, and listening to the
+song of the birds, and the soft sighing of the south wind, the world
+looked as beautiful to me as if it had been that moment created.
+
+You remember that there is an olive jar in the cherry tree close to
+my window, which I had last autumn desired to have placed there, in
+the hope that the birds would build in it this spring.
+
+While I was looking I saw a bluebird alight on the tree. Presently
+she came nearer and nearer to the jar, and looked earnestly at the
+small round opening in it, as much as to say, 'That looks like a
+nice place for a nest.' Then she came still nearer, and looked round
+to see if any one noticed her. I kept very still. At last she grew
+bolder, and flew upon the jar. Now she looked around again, as if
+she was afraid of something. Then she turned her head sideways, and
+looked up and down, this way, and that way, and every way, till she
+satisfied herself that no enemy was near. At last, she flew upon the
+edge of the hole, and courageously looked in; then she quickly drew
+her head out, and looked all around again. I thought she looked
+directly into my face, and came to the conclusion that I was a
+friend, for she went part way in. Then she suddenly drew her
+beautiful head and shoulders out again, and looked about once more.
+At last, she seemed satisfied, made one more effort, and flew in.
+She staid in long enough to make up her mind that it was a good
+place for her nest, and then she flew off, quick as thought. In less
+than two minutes she came back with her mate. They alighted upon a
+bough near the jar, and it was plain that they were confabulating
+together, and that she was urging him to go in and look at the place
+she had chosen for her nursery. Her mate looked very wise and grave,
+as much as to say, 'My dear, we must not be too hasty. We must
+choose this home of ours with great care. Too much of our happiness
+depends upon this step to allow of any mistake'; he then flew upon
+the outside of the jar, and went through just the same ceremonies
+that his better half had performed before, only he was still more
+deliberate and cautious about entering. At last, he flew in, and, in
+a short time, appeared again, and alighted on a branch near the jar
+by the side of his dear mate. There they conversed together in their
+bird language for some time, as plainly to me as if they had spoken
+good English. 'This,' said he, 'is a nice large comfortable place,
+my dear. That great house is rather too near, to be sure, but I am
+well informed that its inhabitants, and those of all this
+neighborhood, will never molest us. Last year, the cherry birds ate
+up all the cherries in all the gardens around here, and not one of
+the thieves received the slightest harm. We will, I think, begin our
+work immediately, and make a nice soft bed for our young to rest in
+when we shall be so happy as to have any.' This, I am sure, was the
+result of their confab, for directly they began to pick up hay, and
+furze, and feathers, and every soft thing they could find, and carry
+them into the jar.
+
+The male bird, which I knew by the greater brightness of his
+plumage, and his more slender form, seemed to be fondest of bringing
+sticks, one of which was too long for the mouth of the jar to admit.
+It was very amusing to witness his efforts to get the stick in; but
+it would not do; the stick fell to the ground. All day long, these
+pretty creatures were busy at their work; one usually watched while
+the other was in the jar arranging the nest for their expected
+brood. In about a week, it was evident that their work was
+completed, for they carried in no more sticks or dried grass. They
+were gone a great part of the day, I suppose playing, after so much
+hard work, but they returned at evening. Some one in the
+neighborhood fired a gun. This scared the bluebirds so that they
+staid away for two whole days; and, when they returned, it was
+amusing to see how timidly they entered their house. Then they would
+fly off to another tree at a distance, and make believe they had
+nothing to do with the one their nest was in. At last, they grew
+bolder; and, every evening at sunset, I saw the mother bird go into
+her nest while her mate went to roost.
+
+There was a slight feeling of despondency in my heart when I first
+went to look out of this window; but when I saw these birds, and
+witnessed the scene of faithful love and domestic industry and
+happiness set forth by these little creatures, the spirit of
+complaint was rebuked within me, and I learned a new lesson of
+serene trust and assurance that all were cared for by the Creator of
+all.
+
+But I must tell you the rest of the story of the bluebirds; and I am
+sorry to say, they met with sad trials. The first encroacher, as
+they supposed him to be, was a woodpecker; he seemed, as I thought,
+to mean them no harm; but as soon as they heard his tap, tap, tap,
+they flew at him very angrily and drove him away. A more dangerous
+enemy was at hand, one that from his size you would not have
+supposed dangerous to them. A little wren, not nearly so large as
+the bluebird, came one day to the tree; and, seeing the jar, having
+examined it, and being pleased with it, resolved to take it for
+herself. The little thief waited till the bluebirds had gone upon
+some expedition; and then, without any ceremony, without any fear of
+any thing, she entered the jar, and was evidently confirmed in her
+purpose of taking possession of it. Probably she held a consultation
+with her mate; but this I did not witness, as I did that between the
+two bluebirds. The next day this pert little Madam Wren, or her
+mate, I could not tell which, came again, and, perching on the
+topmost branch of the tree, poured forth a loud triumphant song, and
+then, as soon as the coast was clear, entered the house she was
+resolved to appropriate to herself. In a minute after, she appeared
+at the mouth of the jar with her bill full of the dried grass of
+which the bluebird's nest was made, which she threw out on the
+ground disdainfully. Back again she flew, and in an instant brought
+some more and threw it out. This she did with the most impudent look
+you can imagine. Then she flew swiftly in and out, like a little
+termagant, throwing out of the mouth of the jar, sticks, dead
+leaves, grass, with all the nice soft things which the poor bluebird
+had been a week in collecting. Every now and then, she came out for
+a minute and sang as sweetly as if she were not engaged in such a
+piratical work; and the little rogue looked up in my face so
+saucily, too, as much as to say, 'Who cares for you?' Then she began
+singing at the top of her voice, exulting over her work of
+destruction. Can you suppose it was any sense of honesty that
+prevented her using the bluebird's nest after having stolen her
+house? No, Jenny Wren had no principle. You would have laughed to
+see how scornfully she tossed out those dead leaves. Every thing
+went out of the nest pell-mell. The little monster! what could the
+poor bluebirds say or do? This bird evidently had no conscience, at
+least not a good one, that is plain. Never did general rejoice more
+over the capture and destruction of a city than this little bit of a
+bird rejoiced over the destruction of the bluebird's nest, and at
+the unlawful possession of the house. I saw her carrying in a long
+stick that suited her better than the short ones that the bluebird
+had carried in: she found she could not get it in if she took it in
+the middle; so she changed the place, and held it by the end, and so
+by that means got it in. She was more cunning than the bluebird. Now
+you might hear the two little robbers sing again. They are happier
+than any king can be nowadays. Poor, dear, beautiful bluebirds! What
+has become of them? Then came the mother. She looked into the jar
+and saw the destruction of her nest--all her week's work. How
+distressed she seemed! but the victorious wrens had no pity on her.
+They drove her away. She disappeared. The saucy conquerors flew in
+and out of their stolen house twenty times a minute, caring for
+nothing. They could have had no moral sense; but they were very
+amusing, and they were nothing but birds; they knew no better; so we
+must forgive them."
+
+"I like stories about animals better than any other stories," said
+Frank. "I think animals know as much, and sometimes more than we do.
+So, Mother, do tell us all you can think of about elephants, bears,
+and lions, as well as dogs, and cats, and birds."
+
+"I have laid up in my memory two or three dog and cat stories, which
+I will tell you, and then I will see what I can remember of lions,
+bears, and elephants. But first I must tell you what I have lately
+read about courts of justice among the crows."
+
+"What is a court of justice?" asked Harry.
+
+"A court of justice is an assemblage of men who meet together to
+ascertain if any one who is accused of doing a wrong thing has
+really done it or not. If he is proved to have committed the
+offence, he is declared to be guilty; if he is not proved to have
+done it, he is declared not guilty.
+
+A writer on the history of the Feroe Islands describes these
+extraordinary courts as if he had witnessed them. He says, these
+crow-courts are observed here (in the Feroe Islands) as well as in
+the Scotch Isles. The crows collect in great numbers, as if they had
+been all summoned for the occasion. A few of the flock sit with
+drooping heads, others seem as grave as if they were judges, and
+some are exceedingly active and noisy, like lawyers and witnesses;
+in the course of about an hour the company generally disperse, and
+it is not uncommon, after they have flown away, to find one or two
+left dead on the spot.
+
+Dr. Edmondstone, in his View of the Shetland Islands, says that
+sometimes the crow-court, or meeting, does not appear to be complete
+before the expiration of a day or two,--crows coming from all
+quarters to the session. As soon as they are all arrived, a very
+general noise ensues, the business of the court is opened, and
+shortly after they all fall upon one or two individual crows, (who
+are supposed to have been condemned by their peers,) and put them to
+death. When the execution is over, they quietly disperse."
+
+"I shall never look at a crow, Mother, again," said Harry, "without
+dislike--cruel creatures."
+
+"We don't understand these things," said his mother; "animals have
+no compassion for their sick companions; they kill them sometimes
+for being sick. It seems very cruel, but we don't understand enough
+to judge."
+
+"Now, Mother, what new story have you about dogs?"
+
+"The story I shall tell you now seems to show that dogs have good
+hearts, and are compassionate and magnanimous. A dog was placed to
+watch a piece of ground, perhaps a garden. A boy ran across the
+forbidden place. The dog chased him. The boy, greatly frightened,
+ran very fast, fell, and broke his leg. The dog, when he came up and
+heard the boy's cries, did not touch him, but ran up to the passers
+by, and barked till he attracted their attention, and brought some
+one to the aid of the poor boy, who could not move.
+
+The faithful creature had performed his duty in driving away
+intruders; but he had too good a heart, and was too generous to hurt
+a fallen enemy. In the account I read he was called a Christian dog.
+His conduct would be a good example to all Christians.
+
+I have now a story of a roguish dog that I think we could not praise
+so much for his goodness as for his cunning. A gentleman in Paris
+was in the habit of crossing every day one of the bridges over the
+Seine, on his way to his place of business. One day, a very dirty
+poodle dog rubbed himself so against his boots as to make it
+necessary to get a man, who sat at one end of the bridge with
+blacking, to clean them. The next day the same thing occurred, and
+again and again, till, at last, the gentleman suspected that the
+bootblack had taught the dog this trick, in order by that means to
+get customers. He watched, and saw, when he approached the bridge,
+Master Poodle go and roll himself in a mud puddle, and then come and
+rub himself against his boots. The gentleman accused the bootblack
+of the trick. After a while the man laughed, and confessed his
+roguery."
+
+"That poodle was a brick," said Harry.
+
+"One more story of dogs. A surgeon of Leeds, in England, found a
+little spaniel who had been lamed. The surgeon carried the poor
+animal home, bandaged up his leg, and after two or three days turned
+him out. The dog returned to the surgeon's house every morning till
+his leg was perfectly well.
+
+At the end of several months, the spaniel again presented himself,
+bringing another dog who had also been lamed, and intimating, as
+plainly as piteous and intelligent looks could intimate, that he
+desired the same kind assistance to be rendered to his friend as had
+been bestowed upon himself.
+
+But I am forgetting poor puss.
+
+Mr. W., a friend of mine, whose word might be taken for any thing,
+told me an extraordinary anecdote of a cat, which he said he knew to
+be true.
+
+A friend of his was setting out on a voyage to some place, I forget
+where. Every thing was carried on board, and the two friends were in
+the cabin about taking leave of each other. "I asked my friend
+before parting," said Mr. W., "whether he had every thing that he
+wanted; if there was nothing more that he could think of to make him
+more comfortable or happy on his voyage." "One thing," he replied,
+"would add to my pleasure very much, if you would bring it to me. In
+the counting room of my store is a small white cat; I am very fond
+of the poor thing, and she will miss me I know; I should like to
+take her with me." I immediately went ashore and found his little
+cat looking very sorrowful in his lonely room; I carried her to him.
+They seemed mutually pleased at meeting."
+
+When the vessel returned, Mr. W. received this account from the
+officers of the ship. They said that his friend made a great pet of
+the cat, and fed her always at his own meal times. He taught her to
+stand on her hind legs and ask for her food; he made her jump over a
+stick for his amusement; in short, he taught her to perform a great
+many amusing tricks. The officers and men were all very fond of poor
+little puss.
+
+At length, the young man became very ill. The cat would not leave
+him night or day. At last, one day, she left the cabin and began to
+run about the ship, making the most terrible mewing. The sailors
+offered her food; she refused it. She would not be comforted.
+Finally, her cries turned into a complete howl. She manifested the
+greatest suffering, and, at last, she ran off to the end of the
+bowsprit and leaped into the sea. Just at the moment that the poor
+little faithful, loving cat was swallowed up by the waves, her human
+friend breathed his last, and they both entered the invisible land
+together.
+
+Such an extraordinary event, and the gloom which a death at sea
+always casts over a ship's company, both together made the sailors
+even more than usually superstitious. They all declared that, every
+night at that same hour when the sick man died, a white cat was seen
+leaping into the ocean. The white crests of the breaking waves might
+easily thus appear to an ignorant person who lives, as a sailor
+does, in the midst of the wonders and sublime scenes which the ocean
+presents, in the awful terrors of its storms, or the serene glory of
+its quiet hours. But the love of the poor dumb animal for its
+master--that was a beautiful reality.
+
+I have a story now for you, Frank, about a horse, as I know you are
+particularly fond of horses. An Arab chief with his tribe had
+attacked in the night a caravan, and had plundered it; when loaded
+with their spoil, however, the robbers were overtaken on their
+return by some horsemen of the Pacha of Acre, who killed several,
+and bound the remainder with cords. The horsemen brought one of the
+prisoners, named Abou el Mavek, to Acre, and laid him, bound hand
+and foot, wounded as he was, at the entrance to their tent. As they
+slept during the night, the Arab, kept awake by the pain of his
+wounds, heard his horse's neigh at a distance, and being desirous to
+stroke, for the last time, the companion of his life, he dragged
+himself, bound as he was, to the horse which was picketed at a
+little distance.
+
+"Poor friend," said he; "what will you do among the Turks? You will
+be shut up under the roof of a khan, with the horses of a pacha or
+an aga; no longer will the women and children of the tent bring you
+barley, camel's milk, or dourra, in the hollow of their hands. No
+longer will you gallop, free as the wind of Egypt, in the desert. No
+longer will you cleave with your bosom the water of the Jordan which
+cools your sides, as pure as the foam of your lips. If I am to be a
+slave, at least may you go free. Go, return to our tent which you
+know so well; tell my wife that Abou el Marek will return no more;
+but put your head still into the folds of the tent, lick the hands
+of my beloved children."
+
+With these words, he untied with his teeth the fetters, and set the
+courser at liberty. But the noble animal, on recovering its freedom,
+instead of bounding away alone, bent its head over its master, and,
+seeing him in fetters, took his clothes gently in its teeth, lifted
+him up, set off at full speed, and, without ever resting, made
+straight for the distant but well-known tent in the mountains.
+
+The horse arrived in safety, laid his master down at the feet of his
+wife and children, and immediately dropped down dead with fatigue.
+The whole tribe mourned him, the poets celebrated his fidelity, and
+his name is still constantly in the mouths of the Arabs of Jericho.
+
+And now, boys, let us talk about the elephant a little. I have been
+reading something of his history, and I am disposed to think that,
+of all animals, he is, on the whole, the most intelligent."
+
+"More intelligent than the dog, Mother?"
+
+"Yes, it seems so to me. He is not so disinterested, so loving, but
+he reasons more than any other animal. He is also capable of very
+strong attachment, but he will not bear ill treatment. The elephant
+seems revengeful. The dog still loves the master who is unkind to
+him.
+
+The elephant will learn to assist his master in his work. An
+elephant who belonged to the Duke of Devonshire would come out of
+her house when her keeper called her, take up a broom, and stand
+ready to sweep the paths and grass when he told her to do so. She
+would take up a pail or a watering pot, and follow him round the
+place, ready to do his bidding. Her keeper usually rode on her neck,
+like the elephant drivers in India, and he always spread over her a
+large, strong cloth for alighting, which the elephant, by kneeling,
+allowed him to do. He desired her to take off the cloth. This she
+contrived to do by drawing herself up in such a way that the
+shrinking of her loose skin moved the cloth, and it gradually
+wriggled on one side, till, at last, it would fall by its own
+weight. The cloth, of course, fell all in a heap; but the elephant
+would spread it carefully on the grass, and then fold it up, as you
+fold your napkin, till it was small enough for her purpose; then she
+held it up with her trunk for a moment, and, at last, with one jerk,
+threw it up over her head to the centre of her back, where it
+remained for use, out of the way, ready for next time, and as nicely
+placed as if human hands had put it there.
+
+A few years ago, an elephant in London was taught to take part in a
+play. She came in and marched very properly in a procession. At the
+waving of her keeper's hand, she would kneel down and salute any
+individual, or put a crown on the head of the true prince. She would
+eat and drink with great propriety of manner, and make her reverence
+to the audience. But all this is nothing to what the elephants were
+taught by the Romans. The keepers, by treating their elephants with
+the utmost kindness, taking care of them as to health, and doing
+every thing to make them happy, acquired over them the greatest
+power. The elephants learned to love music. They were at first
+frightened by the loud instruments; but, after a while, became very
+fond of all, particularly of the gentle flute, at which they would
+show their delight by beating time with their great feet. The
+keepers accustomed them to the sight of great multitudes of people.
+At one time, when a particular exhibition of the docility of
+elephants was required, twelve of the most sagacious and well
+trained were made to march into the theatre with a regular step. At
+the voice of their keeper, they moved in harmonious measure,
+sometimes in a circle, and sometimes divided into parties,
+scattering flowers around them. In the intervals of the dance, they
+would beat time to the music, and were careful to keep in proper
+order. After this display, the elephants were feasted, as the Romans
+were in the habit of feasting themselves, in grand style. Splendid
+couches were placed, ornamented with paintings and covered with
+tapestry. Before the couches, upon tables of ebony and cedar, was
+spread the banquet, in vessels of gold and silver. When the feast
+was prepared, the twelve elephants marched in; six gentleman
+elephants dressed in the robes of men, and six lady elephants
+attired in women's clothes. They lay down in order upon the couches;
+and then, at a certain signal, extended their trunks, and eat their
+suppers with the most praiseworthy moderation and propriety. "Not
+one of them," says the historian of the elephant, "appeared the
+least voiacious, or manifested the least desire for more than his
+share of the food, or an undue proportion of the delicacies. They
+were as moderate also in their drink, and received the cups that
+were presented to them with the greatest decorum and temperance."
+
+The elephants were taught to hurl javelins, and catch them with
+their trunks, and to pretend to fight with each other, for the
+amusement of their warlike masters, and were taught also to perform
+a dance. Finally, these wonderful animals would do what you would
+think was utterly impossible. You remember, when the circus riders
+were here seeing a man walk and dance on a rope."
+
+"Yes, Mother," said Frank; "but an elephant could not do that, I'm
+sure."
+
+"Historians of Rome, supposed to give true accounts, say that the
+elephants were taught to walk along a rope forward and then
+backward. One elephant is described as walking up a slanting rope to
+the roof of the theatre with a man on his back."
+
+"I should not have liked to be the man on his back," said Harry.
+
+"It is as astonishing, perhaps more so, that a horse has been taught
+to do similar things. When I was in Paris, I saw some horses dance a
+quadrille very respectably, and keep excellent time. One of the
+Roman historians relates, "An elephant, having been punished for
+stupidity in executing some feat which he was required to learn, was
+observed, at night, endeavoring to practise what he had failed to
+perform in the daytime." It is mentioned that elephants have been
+observed practising their lessons by moonlight, without any
+directions from the keepers. Think what a good example elephants are
+for school boys. I have only told you a very little about this
+wonderful animal; yet enough, I hope, to make you want to read some
+of the many books about him. You have, I think, read of the story of
+the elephant who was wounded in his proboscis or trunk, and, in his
+anger, unintentionally killed his keeper, and of what the keeper's
+wife did."
+
+"No, Mother," said Frank; "we have never read it. What did she do?"
+
+"In her despair, not knowing what she did, she held out her son, and
+said to the raging animal, "Take him too." The angry elephant became
+quiet. He seemed to understand the agony of the poor woman. He
+gently lifted and placed upon his back the little child, and ever
+after obeyed him for a master."
+
+"You know the story in Evenings at Home, Mother, of the Elephant and
+the Cobbler, how the fellow pricked the elephant's trunk, and how
+the elephant punished him by squirting muddy water all over him."
+
+"Yes. The elephant's trunk is so susceptible that nothing enrages
+him so much as any wound on it. He cannot bear patiently the
+slightest scratch.
+
+Now I will tell you a story of a lion. An English gentleman, who was
+living in India, had a fancy to see what effect extreme gentleness,
+and kindness, and very simple diet would have upon the character of
+the lion. The gentleman had the good fortune to get a baby lion for
+the experiment. He made a real pet of him. He fed him with bread and
+milk and rice, and such things, and took care always to satisfy him
+with food. The young lion loved his master, who was always very kind
+to him, and who was really very fond of his lionship. This man
+lived, as in India a gentleman often does, in a house by himself,
+and could easily have his friend lion with him, without annoying any
+one. The baby grew bigger and bigger, and became a good-sized, full-
+grown lion. He was gentle and happy, full of play, and rather a
+pleasant companion to his two-legged friend. Whether the lion ever
+roared for his master's amusement, the friend who told me this story
+did not say.
+
+At last, this gentleman wished to return to England to see his old
+mother. He was too much attached to his lion to leave him, and so
+took him in the place of a dog. The lion was very good all the
+voyage. No one had a word to say against him. His conduct and
+manners were faultless. He played with the sailors, he obeyed his
+master, and, in short, was a very quiet, well-behaved, human lion.
+When the gentleman arrived in England, as soon as he could leave the
+ship, he called for a carriage to take him to his mother. When he
+got into the carriage, the lion jumped in after him. "Your honor,"
+said the driver, "I'm afraid of that beast." "O, never mind," said
+the gentleman; "he'll not hurt you." "But, your honor, I never in my
+born days took a lion in my carriage. It's not a place for such
+brutes." "There's always a first time," said the gentleman. "Here's
+a crown for my lion; and now get on; I can't wait." The cabman,
+thinking it wise to make the best of things, and not quarrel with a
+man who had a lion for a friend, stepped up on his box, and drove
+away rattlety-bang to Regent's Park, some three or four miles'
+drive. The lion was much astonished, and sat bolt upright on his
+hind legs, looking out of the window. He did not appreciate the
+BEAUTIES of London; he was disgusted with the noise, and growled a
+little. The driver heard him, and drove all the faster. Poor Lord
+Lion, his temper was tried; but he bore it better than most lions
+would. At last, the cab stopped at the house of the gentleman's
+mother. He sprang out, and rang the bell: "Does Mrs. B. live here?"
+"Yes, sir." "Is she well?" The footman turned pale as ashes, and
+scampered off as if he thought the lion would devour him. The
+gentleman ran up stairs, and the lion after him. In another moment,
+the arms of the son were around his mother. Presently, the lady saw
+the lion. She had heard of her son's pet, and saw she was in no
+danger. She begged her son, however, to put him down in the yard and
+keep him chained, or she should not have a servant in the house. The
+lion was not happy chained. The gentleman, finding, moreover, that
+he could not go into the streets with his friend without being
+followed by a mob, at last placed him in the Tower, where there were
+other lions, and gave many charges that the pet lion should be well
+treated. Many years afterwards, the gentleman returned from another
+voyage to India; and, after seeing his mother, went to the Tower to
+see his friend. When he came to the large cage in which the lion was
+confined, the keeper said, "This is our finest and our fiercest
+lion." "Open the door," said the gentleman. The keeper, not knowing
+him, objected. The gentleman insisted, and entered. The lion was
+lying down, and, seeing a man in his cage, for a moment looked
+angry; in another moment he rose on his hind legs, put his paws
+around his old master, and showed the greatest delight at seeing
+him."
+
+"Why, he was almost as good as a dog," said Frank. "But now, Mother,
+please tell us the story about a bear which you said you heard on
+your journey last summer."
+
+"I ought rather," said Mrs. Chilton, "to call it the story of a cow,
+for she was the heroine of the tale. I was travelling with a small
+party among the White Hills. When we stopped to dine, we saw a
+number of people assembled around the door of the hotel, and found
+that they were looking at a black bear that had been just shot. This
+bear had inspired the neighborhood with some fear, for he was a
+large one. They had tried a number of times to shoot him; but all in
+vain. Master Bruin was never off his guard. At last, the poor fellow
+foolishly left the deep wild wood, where he could easily hide
+himself, for a little grove. When the villagers saw his mistake,
+they immediately took steps to surround the grove. The number of the
+inhabitants was small; so they summoned all the women and children,
+as well as the men, and so got an unbroken line all around the
+little wood. As soon as the bear sought any part, in order to
+escape, he was saluted by the most frightful screams, as well as a
+shower of stones. He fled to the opposite side, but there met with
+the same reception. This went on for some time. At last, some one
+succeeded in shooting him. He measured a little over six feet from
+the tip of his nose to the tip of his tail, and his teeth were very
+formidable.
+
+A gentleman who had assisted in the capture of the bear, told me the
+story I promised to tell you of the cow and the bear. A little girl,
+about twelve or thirteen years of age, was sent by her mother, one
+afternoon, to bring home the cows from a neighboring wood, where
+they were at pasture. There were many fallen trees, as is often the
+case in our wild woods; and the child amused herself by climbing
+over the trunks.
+
+Now, one of the black-looking logs was a large bear that was lying
+asleep, and the little girl jumped right upon his growling majesty.
+The bear arose, evidently not quite pleased at being made a stepping
+stone, took the little girl in his great shaggy paws, and gave her
+an ugly hug, such as only a bear can give. Mr. Bear would have
+squeezed the breath out of the body of the poor little girl, had not
+the good old cow seen the danger. The courageous creature, instead
+of running away, turned back immediately, and began goring the bear
+with her horns in such a way as to force old Bruin, if he valued a
+whole hide, to turn round and defend himself. So he let go his hold
+on the little girl, who, though sadly frightened and bruised, was
+still strong enough to run towards home. Presently the bear followed
+her. Immediately the cow attacked him again with her horns, and
+drove him off. This continued till they got out of the wood, when
+the bear ran back to his own home. The gentleman who told us this
+story said he had seen the little girl, and that she had never quite
+recovered from the effect of the horrid squeeze of the grim old
+bear, but still suffered in her chest. Still she was thankful that
+her life was saved, and always considered the good old cow her
+preserver."
+
+"Why, Mother," said Frank, "I did not think that a cow could be good
+for any thing but to give milk."
+
+"In Germany, they use cows for draught, and make them work pretty
+hard. There you see cows every day doing the same work that our oxen
+do, and giving the poor man his supper at the end of the day
+besides; and it is said that the labor does not hurt them. The
+Germans feed the cows well, treat them gently and kindly, but make
+them, as well as the dogs, work for a living."
+
+"Now I will tell you a story about a pike. We are apt to think fishes
+very stupid; that they have no feeling. A gentleman in England,
+a surgeon and a naturalist, told me of what he had himself seen. A
+pike had struck its head against a tenter hook on a post in the pond
+where he was swimming. His agony was so great that he darted
+backward and forward with the greatest rapidity, then buried his
+head in the mud, then whirled his tail round and round, and threw
+himself up into the air to the height of two or three feet, and, at
+last, he threw himself out of the pond upon the grass. Dr. Warwick
+placed his hand on the fish, examined the injury, and observed that
+the hook had entered the skull, wrenching up one side of the bone
+and depressing the other, and that a small part of the brain had
+escaped. With a toothpick the doctor restored the bones to their
+proper places. The patient remained perfectly still during the
+operation, and after-ward was returned to his native element. He
+seemed restless for a little while, and then lay quiet. Dr. Warwick
+then made a sort of cradle in which he placed the poor sufferer, who
+seemed disposed to lie still on one side."
+
+"The next day, very early, Dr. Warwick went to the pond. To his
+astonishment, he found that the pike knew and remembered him. The
+fish came to the edge of the pond, placed his jaw upon the toe of
+the doctor's boot, let himself be taken hold of and caressed, and
+allowed the wound to be examined. It was much better. When the
+doctor walked along the side of the pond, the fish followed him.
+When the doctor returned from his walk, he found his patient
+watching for him. The pike then swam backward and forward while the
+doctor remained there. The fish had lost one eye in consequence of
+the wound from the hook, and, when his blind side was towards the
+doctor, was always very restless. The poor fellow seemed anxious to
+keep his surgical friend in sight. The doctor would often whistle
+when he went to the pond; and the pike always came at the call, and
+showed pleasure at seeing him. Dr. Warwick introduced his family to
+his friend and patient, the pike. The grateful fish allowed them to
+give him food, and put aside much of his native shyness. In truth,
+he received their attentions very civilly, but he always showed a
+decided preference for his medical friend. Dr. Warwick was the
+father of my friend, Mrs. A., in Liverpool. He related all these
+facts to me himself, and they are all to be perfectly relied upon."
+
+Now I will read you a German story called Caliph Stork.
+
+One pleasant afternoon, the Caliph of Bagdad was sitting comfortably
+on his sofa: he had slept a little, (for it was a hot day,) and
+looked quite bright after his nap. He was smoking a long rose-wood
+pipe, and sipping coffee, which was poured out for him by a slave;
+and occasionally he stroked his beard with great satisfaction. In
+short, it was evident that he felt quite pleasantly.
+
+This was the best time of day for speaking with him; for at this
+hour he was always very good-natured and affable; and, on this
+account, the Grand Vizier Mansor always visited him at this hour. He
+came also this afternoon, but looking very thoughtful, quite against
+his wont. The caliph took the pipe partly away from his mouth, and
+said, "What makes you look so thoughtful, Grand Vizier?"
+
+The grand vizier crossed his arms over his breast, bowed to his
+master, and answered, "Sir! whether I look thoughtful or not is more
+than I know; but certain it is, that there is a pedler down stairs
+who has such beautiful things, that it vexes me not to have any
+money to spare."
+
+The caliph was very willing to do his grand vizier a favor; so he
+sent the black slave to bring the pedler up stairs. The pedler came.
+He was a little, dumpy man, with a dark complexion, and dressed in
+ragged garments. He bore a chest in which were wares of all sorts:
+pearls and rings, richly mounted pistols, drinking cups, and combs.
+The caliph and his vizier rummaged over the whole chest, and the
+caliph finally bought some pistols for himself and Mansor, and a
+comb for the vizier's wife. As the pedler was about to close the
+chest, the caliph saw a little drawer, and asked if there was any
+thing more in it. The pedler pulled the drawer out, and showed in it
+a box of blackish powder, and a paper with curious writing on it,
+which neither the caliph nor Mansor could read. "I got these two
+things from a merchant who found them at Mecca, in the street; I do
+not know what they contain, but you may have them very cheap, for I
+cannot do any thing with them."
+
+The caliph, who liked to have old manuscripts in his library,
+although he could not read them, bought the paper and the box, and
+dismissed the pedler.
+
+The caliph, however, thought he should like to know the contents of
+the manuscript, and asked the vizier if he knew any body who could
+decipher it. "Most gracious sovereign and master," answered he,
+"there is a man at the great mosque, who is called Selim the
+Learned; he understands all languages; send for him; perhaps he may
+make out these mysterious characters."
+
+The learned Selim was soon brought. "Selim," said the caliph to him,
+"they say you are very learned; now just look into this manuscript,
+and see whether you can read it; if you can, I will give you a new
+dress; but if you cannot, you shall have twelve boxes on the ear,
+and twenty-five blows on the soles of your feet, for having been
+called, without reason, Selim the Learned."
+
+Selim bowed and said, "Be it as you command, Sir!" He examined the
+writing for a long time, and then suddenly cried out, "This is
+Latin, sir, or I'll give you leave to hang me." "Let us hear what it
+contains, then, if it is Latin," said the caliph.
+
+Selim began to translate: "O man who findest this, praise Allah for
+his goodness. Whoever snuffs up some of the powder in this box, and
+at the same time says, 'Mutabor,' may change himself into any
+animal, and will understand the language of animals. If he wishes to
+return to the human shape, let him bow three times towards the East,
+and pronounce the same word. But let him take care, after he is
+transformed, not to laugh, otherwise the word will disappear
+entirely from his memory, and he will remain a beast."
+
+When Selim the Learned had read this, the caliph was exceedingly
+delighted. He made Selim swear never to reveal any thing of the
+secret to any one; then he gave him a beautiful robe, and dismissed
+him.
+
+Then he said to his grand vizier, "That is what I call a good
+bargain, Mansor! How impatient I am to become a beast! Come to me
+easily to-morrow morning, and we will go out into the fields, snuff
+up a little of the powder, and then listen to what is said in the
+air and in the water, in the woods and in the fields!"
+
+Scarcely had the caliph breakfasted and dressed, the next morning,
+when the grand vizier appeared, according to his orders, to
+accompany him in his excursion. The caliph stuck the box with the
+magic powder into his girdle, and having commanded his retinue to
+remain behind, he set off with only the grand vizier, on his way.
+They went first through the spacious gardens of the caliph, but they
+could not find any living animal to try their experiment upon. At
+last, the vizier proposed to go out to a pond, where he had often
+seen many animals, particularly storks, which had attracted his
+attention by their grave demeanor and their chattering.
+
+The caliph approved of the vizier's proposal, and went with him
+towards the pond. When they got there, they saw a stork, walking
+gravely back and forth, searching for frogs, and occasionally
+chattering something to himself. At the same time they saw another
+stork soaring high in the air, above the place.
+
+"I will wager my beard, most gracious Sir," said the grand vizier,
+"that these two long-legs are carrying on a fine conversation
+together. What say you to turning ourselves into storks?"
+
+"Well said!" answered the caliph. "But let us see; how is it that
+one is to become man again?"
+
+"O, yes! we are to bow three times towards the East, and say,
+Mutabor, and then I am caliph again, and you vizier. But for
+Heaven's sake don't laugh, or we are lost!"
+
+While the caliph was speaking, he saw the other stork come sailing
+down over their heads, and settle in a business manner on the
+ground. Quickly he drew the box from his girdle, took a good pinch
+of the powder, and handed it to the grand vizier, who also took a
+pinch, and then both cried out, "Mutabor!"
+
+Immediately their legs shrivelled up, and became thin and red; the
+beautiful yellow slippers of the caliph and his companion turned
+into clumsy stork-feet; their arms became wings; their necks
+stretched out from their shoulders, and were an ell long; their
+beards disappeared, and their bodies were covered with soft
+feathers, instead of clothes.
+
+"That's a pretty bill of yours, Mr. Grand Vizier," said the caliph,
+after a long pause of astonishment. "By the beard of the Prophet, I
+never saw any thing like that in my life."
+
+"Thank you kindly," answered the grand vizier, bowing; "but, if I
+may he allowed the observation, your highness looks almost handsomer
+as stork than as caliph. But come, if you please, let us listen to
+our comrades yonder, and try whether we really do understand
+Storkish."
+
+In the mean time the other stork had alighted on the ground. He
+arranged his feathers with his bill, put himself to rights, and
+walked up to the first stork.
+
+The two new storks made haste to approach them, and overheard, to
+their astonishment, the following conversation.
+
+"Good morning, Mrs. Longlegs; you are early on the meadow."
+
+"Thank you, dear blatterbeak! I have been getting a little
+breakfast. Will you take a bit of lizard, or a frog's leg?"
+
+"Much obliged, but I have no appetite this morning. I came on to the
+meadow for quite a different purpose. I am to dance before the
+guests at my father's to-day, and I thought I would exercise a
+little in private beforehand."
+
+At the same time the young storkess marched about the field making
+the oddest gesticulations. The caliph and Mansor looked on with
+wonder. But at last, when she put herself into a picturesque
+attitude on one foot, and gracefully waved her wings, they could
+stand it no longer; an inextinguishable laugh burst from their
+bills, from which they did not recover for some time. The caliph
+composed himself first. "What a capital joke!" cried he; "I never
+saw any thing better in my life; it is a pity that the stupid birds
+were frightened away by our laughter, else she would certainly have
+sung!"
+
+But it now occurred to the grand vizier that they had been forbidden
+to laugh during their transformation. He communicated his anxiety to
+the caliph.
+
+"By Mecca and Medina!" cried the caliph, "it would be a pretty piece
+of business if I had to remain a stork all my life! Try think of the
+stupid word; I can't remember it."
+
+"We must bow three times towards the East, and say, Mu--Mu--Mu--."
+They turned to the East, and bowed away till their beaks touched the
+ground. But, alas! The magic word had vanished, and with all the
+caliph's bowing, and his vizier's crying Mu--Mu--, all recollections
+of it had disappeared from their memories, and the poor Chasid and
+his vizier still remained storks as before.
+
+The caliph and the grand vizier walked in a melancholy mood through
+the fields, not knowing what to do in their sad plight. They could
+not get out of their stork-skins, and it would not do for them to go
+back to the town to tell any one of their condition. for who would
+believe a stork if he said that he was the caliph? And even if they
+had believed him, would the inhabitants of Bagdad be willing to have
+a stork for their caliph? So they sneaked about for several days,
+feeding upon wild fruits, which, however, they could not manage very
+well, on account of their long bills. For lizards and frogs, they
+had no appetite. Their only satisfaction in this sad predicament was
+that they could fly; and they often flew over on to the roofs in the
+city of Bagdad, to see what was going on.
+
+For the first few days they observed great uneasiness and mourning
+in the streets. But, on the fourth day of their enchantment, as they
+were sitting on the roof of the caliph's palace, they saw in the
+street below a splendid procession. The drums and fifes sounded, and
+a man in a scarlet robe, embroidered with gold, came riding along on
+a richly caparisoned horse, surrounded by servants in glittering
+garments. Half the town were at his heels, and all were shouting,
+"Hail to Mizra! Caliph of Bagdad!" The two storks looked at each
+other as they sat on the roof, and the Caliph Chasid said, "Do not
+you begin to understand how I come to be enchanted, Grand Vizier?
+This Mizra is the son of my mortal enemy, the powerful enchanter,
+Kaschnur, who in an evil hour vowed vengeance against me. But I do
+not yet give up all hope. Come with me, faithful companion in
+misfortune; we will make a pilgrimage to the grave of the Prophet;
+perhaps the charm may be broken in sacred places."
+
+So they raised themselves from the roof of the palace, and flew in
+the direction of Medina.
+
+Flying, however, did not suit the two storks very well, on account
+of their want of practice. "Ah, Sir," groaned the vizier, after they
+had been flying a couple of hours, "with your permission--I cannot
+stand it any longer; you fly too fast! Besides, it is already
+growing dark, and we should do well to be looking out for some place
+to pass the night."
+
+Chasid yielded to the request of his officer, and perceiving a
+ruined building in the valley below, they flew down to it. The place
+which they had pitched upon for their night-quarters, seemed to have
+been a castle. Beautiful columns were still standing among the
+ruins, and numerous chambers, which were in tolerable preservation,
+testified to the former splendor of the house. Chasid and his
+companion walked about the passages to find a dry spot; suddenly the
+stork Mansor stood still. "Lord and Master," whispered he, softly,
+"if it were not that it would be foolish for a grand vizier--and
+still more so for a stork--to be afraid of ghosts! I do not feel
+easy at all, for I heard some one sighing and moaning, quite
+plainly." The caliph also stopped, and heard distinctly a noise as
+of some one weeping, which sounded more like a human being than like
+an animal. Full of expectation, he was about to advance towards the
+place whence the sound proceeded; but the vizier seized him by the
+wing with his bill, and begged him earnestly not to expose himself
+to new unknown dangers; but in vain! The caliph, under whose stork-
+wings there beat a valiant heart, tore himself away with the loss of
+some feathers, and ran into a dark passage. He soon came to a door,
+which appeared not to be fastened, and from which proceeded distinct
+sighs and a slight hooting. He pushed the door open with his bill,
+but remained standing in astonishment on the threshold. In the
+ruinous chamber, which was lighted scantily by a small grated
+window, he saw a large owl sitting on the floor. Large tears were
+rolling from her great round eyes, and with a hoarse voice she
+uttered complaints from her crooked beak. But when she beheld the
+caliph and his vizier, who had crept after him in the mean time, she
+raised a loud cry of joy. Then she gracefully wiped the tears from
+her eyes with her brown-spotted wing, and, to the great astonishment
+of both, she cried out, in good human Arabic, "Welcome, ye storks;
+ye are a good omen of my deliverance, for it has been prophesied to
+me that a great good fortune would come to me through the means of
+some storks!"
+
+When the caliph had recovered from his astonishment, he made a bow
+with his long neck, placed his thin feet in a graceful position, and
+said, "Owl! thy words would lead me to conclude that thou art a
+partaker of our misfortune. But alas! thy hope of being delivered by
+us is in vain. Thou wilt perceive our helplessness when thou hast
+heard our story." The owl begged him to relate it, and the caliph
+began, and told her what we already know.
+
+When the caliph had finished telling their story to the owl, she
+thanked him, and said, "Hear, alas! my history, and you will see
+that I am not less unhappy than you. My father is the King of India,
+and I, his only daughter, am named Susa. The enchanter, Kaschnur,
+who enchanted you, brought me also into misery. He came one day to
+my father, and desired me for wife for his son Mizra. But my father,
+who is a quick-tempered person, had him kicked down stairs. The
+scoundrel contrived to come into my presence again under another
+form; and once, when I wished to take some refreshments in the
+garden, he brought to me, in the disguise of a slave, a potion which
+transformed me into this horrible shape. As I was powerless from
+fright, he brought me hither, and cried with a terrible voice into
+my ear,--"
+
+"Here shalt thou remain, ugly and despised even by the beasts, until
+thy death; or until some one of his own accord shall desire to marry
+thee, even in this vile shape. Thus I revenge myself on thee and thy
+proud father."
+
+"Since then, many months have elapsed. Solitary and sad, I live as a
+hermit in these walls, despised by the whole world, disgusting even
+to the beasts; the beauties of nature are shut from me, since I am
+blind by day, and, only when the moon pours her pale light over
+these walls, does the veil of darkness fall from my eyes."
+
+She ended, and wiped her tears again with her wing, for the
+narration of her sorrows had caused her to weep.
+
+The caliph pondered deeply on the story of the princess. "If I am
+not entirely in error," said he, "there is a secret connection
+between our misfortunes; but where shall I find the key to this
+riddle?"
+
+The owl answered, "Sir, I have also the same feeling; for it was
+prophesied to me, in my earliest youth, by a wise woman, that a
+stork would bring me great good luck; and perhaps I can tell in what
+manner we may deliver ourselves."
+
+The caliph was much amazed, and asked in what manner she meant. "The
+enchanter," said she, "who has rendered us both unhappy, comes once
+every month to these ruins. Not far from this chamber, there is a
+hall in which he is accustomed to revel with many comrades; I have
+often watched them there. They relate to each other their villanous
+deeds, and perhaps he may pronounce the magic word which you
+have forgotten."
+
+"O dearest Princess," exclaimed the caliph, "tell me when will he
+come, and where is the hall?"
+
+The owl was silent for a moment, and then said,--
+
+"Do not take it ill, but I can fulfil your wish only on one
+condition."
+
+"What is it? what is it?" cried Chasid; "whatever you please; I will
+agree to any thing."
+
+"Why, I should like to obtain my own liberty also; but this is
+possible only on condition that one of you shall marry me."
+
+The storks seemed somewhat embarrassed by this proposal, and the
+caliph motioned to his officer to go out with him a moment.
+
+"Grand Vizier," said the caliph, when they got outside of the door,
+"this is a stupid business, but I should think you might marry her."
+
+"Indeed!" answered he; "do you wish to have my eyes scratched out by
+my wife as soon as I get home? Besides, I am an old man, and you are
+young and unmarried; it would be more reasonable for you to give
+your hand to a beautiful young princess."
+
+"Ay, but there's the rub," sighed the caliph, drooping his wings
+composedly; "who told you that she was young and beautiful? That is
+what I call buying a pig in a poke!"
+
+So they talked a long while about it, till, at last, as the caliph
+saw that his vizier preferred remaining a stork to marrying the owl,
+he made up his mind to fulfil the condition himself. The owl was
+highly delighted. She informed them that they could not have come at
+a better time, for probably the enchanters would assemble that
+night.
+
+She left the chamber with the storks, to conduct them to the hall;
+they walked for a long time through a dark passage; at last, a
+bright light streamed towards them from a ruined wall. Having
+reached this, the owl advised them to remain perfectly still. From
+the cleft at which they stood, they could see over the whole hall.
+It was surrounded by columns, and splendidly ornamented. Numerous
+colored lamps supplied the want of daylight. In the midst of the
+hall, stood a round table covered with various delicacies. Round the
+table, was placed a sofa on which sat eight men. In one of these men
+the storks recognized the merchant who had sold them the magic
+powder. The one who sat next to him asked him to relate his newest
+exploits. He told, among others, the story of the caliph and his
+vizier.
+
+"And what word did you give them?" asked another of the magicians.
+"A very hard Latin one; it is called MUTABOR."
+
+When the storks heard this at their chink in the wall, they were
+almost out of their senses with joy. They ran so swiftly to the door
+of the ruin, with their long feet, that the owl could scarcely keep
+up with them. When they had got out, the caliph said with emotion to
+the owl, "Deliverer of my life, and of the life of my friend, accept
+me for your husband, as an eternal mark of gratitude for what you
+have done for us." Then he turned towards the East. Three times the
+storks bowed their long necks towards the sun, which just then was
+rising over the mountains; cried MUTABOR, and in an instant they
+were disenchanted, and the master and servant lay in each other's
+arms, weeping for joy. But who could describe their astonishment,
+when, on looking round, they saw a beautiful lady in magnificent
+attire? "Do you not know your owl?" said she, smiling, as she gave
+her hand to the caliph. It was she, and the caliph was so enraptured
+with her beauty and grace, that he declared he had been most
+fortunate in having been turned into a stork.
+
+All three now returned to Bagdad, where the arrival of the caliph
+excited great astonishment. All had supposed that he was dead, and
+the people were highly delighted to recover their beloved ruler.
+
+The caliph Chasid lived long and happily with his wife, the
+princess; and sometimes, when the grand vizier came to see him of an
+afternoon, when he was in particularly good humor, he would
+condescend to imitate the appearance of the grand vizier in the
+character of the stork; walking gravely about, with feet extended,
+chattering, and waving with his arms; and showed how the grand
+vizier bowed in vain towards the East, and cried Mu--Mu. But when he
+kept this up too long, the vizier used to threaten that he would
+tell the caliph's wife the discussion, outside of the door, about
+the princess owl.
+
+
+
+
+End Project Gutenberg's What The Animals Do and Say, by Eliza Lee Follen
+
diff --git a/old/wtnml10.zip b/old/wtnml10.zip
new file mode 100644
index 0000000..1334806
--- /dev/null
+++ b/old/wtnml10.zip
Binary files differ