summaryrefslogtreecommitdiff
path: root/40626-8.txt
diff options
context:
space:
mode:
Diffstat (limited to '40626-8.txt')
-rw-r--r--40626-8.txt1768
1 files changed, 0 insertions, 1768 deletions
diff --git a/40626-8.txt b/40626-8.txt
deleted file mode 100644
index f50669b..0000000
--- a/40626-8.txt
+++ /dev/null
@@ -1,1768 +0,0 @@
-The Project Gutenberg EBook of Punch, or the London Charivari, Volume 93,
-December 24, 1887, by Various
-
-This eBook is for the use of anyone anywhere at no cost and with
-almost no restrictions whatsoever. You may copy it, give it away or
-re-use it under the terms of the Project Gutenberg License included
-with this eBook or online at www.gutenberg.org
-
-
-Title: Punch, or the London Charivari, Volume 93, December 24, 1887
-
-Author: Various
-
-Release Date: August 30, 2012 [EBook #40626]
-
-Language: English
-
-Character set encoding: ISO-8859-1
-
-*** START OF THIS PROJECT GUTENBERG EBOOK PUNCH ***
-
-
-
-
-Produced by Wayne Hammond, Malcolm Farmer and the Online
-Distributed Proofreading Team at http://www.pgdp.net
-
-
-
-
-
-
-
-
-
- PUNCH,
- OR THE LONDON CHARIVARI.
-
- VOL. 93.
-
- DECEMBER 24, 1887
-
-
- THE LETTER-BAG OF TOBY, M.P.
-
- FROM OLD MORALITY.
-
- "_Here comes a young fellow of excellent pith,
- Fate tried to conceal him by naming him_ SMITH."
-
- _Henley, Saturday._
-
- DEAR TOBY, AHOY!
-
-Where are _you_ bound? Haul on the bowline; brace up amidships; sling
-your hammock; belay all hands and stand by ready to pounce.
-
-Excuse this little outburst. The fact is, I am about to cut for awhile
-landlubber associations, and am going cruising in my _Pandora's_ box, or
-rather berth. My sea lingo is getting a little rusty, so I practise it
-wherever I have an opportunity, and thought you wouldn't mind my making
-one with you. I am going off to spend Christmas and New Year's time at
-Pau. You've heard of Pau, of course? I was first attracted to the place
-by coming across the beautiful line from GOLDSMITH--or was it BACON?
-
- "Or by the lazy Scheldt or wandering Pau."
-
-I'm not at all drawn towards the Scheldt. I never was lazy myself, and
-have no sympathy with laziness in others. But it is different with Pau,
-don't you know. I have been tied to the desk too long. I had a heavy
-time of it during the Parliamentary Session. They used to chaff me about
-being "on the pounce." It is all very well, but the attitude is one
-which, preserved through successive nights, becomes exhausting. I have
-had enough of it, and feel a strong desire to wander. The Pau is
-wandering. Why should we not wander together, arm in arm as it were?
-Anyhow, I mean to try. So bear a hand with your lee-scuppers; haul
-round the mainmast, up with your hatches, and keep the helm hard down on
-the South-West-by-East-Half-East. I have pounced enough on the
-Parnellites. Now I shall pounce on Pau.
-
-I feel the necessity for taking a good rest, for I know we are going to
-have it pretty stiff next Session. B-LF-R, who is getting more cocky
-than ever, goes about comforting us with assurances that he will make
-matters smooth. "Is there anyone particular you can't abear?" he said to
-me only yesterday, with an annoying air of patronage. "Is there anyone
-of the Irish Members you would like put out of the way for the earliest
-and freshest months of the Session? If so, name your man, and I'll
-oblige you. I have got six of 'em lagged now, and there's a clear six
-weeks before Parliament meets. It's amazing how we can smooth the way by
-then."
-
-I don't altogether like this solicitude on the part of B-LF-R for making
-smooth water in the House next Session. There is a persistent rumour
-about that he thinks he can lead the House better than anyone else, and
-that the Markiss is inclined to humour him. He has never said this in
-private conversation with me, though he has not made any attempt to
-disguise his conviction that he could take charge of the Army, the Navy,
-the Home Office, the Board of Trade, or even the Exchequer. Now I come
-to think of it, he may, in talking to G-SCH-N, leave out reference to
-the Exchequer, and substitute the Leadership of the House of Commons,
-and so with the others. I should certainly like to see him in my place
-for a week, with GR-ND-LPH on the corner of the bench behind. It is true
-that of late GR-ND-LPH has considerably flattened down. Having found
-that impudence and caprice don't pay, he is going in for dulness and
-respectability. But I fancy the sight of ARTH-R B-LF-R leading the
-House, and trying to lead him, would be too much. The swept and
-garnished place would be reoccupied, and his last state would be worse
-than his first. B-LF-R can't very well send him to a plank bed, and will
-have to make the best of him.
-
-I rather fancy GR-ND-LPH must know, or think he knows, something about
-this little plot for promoting the nephew, which accounts for his latest
-impertinence. "And what title do you mean to take when you go to the
-House of Lords, H. W.?" he asked me the other day. (He always calls me
-"H. W." which he thinks is an improvement upon DIZZY'S hesitation as to
-the sequence of the initials.) "How would Baron BOOKSTALL suit?" he
-added, trying to look harmless. That only shows the inherent vulgarity
-which underlies the thin veneer of his sometime courtly manner. I never
-forget what the Markiss once said about him. "Scratch R-ND-LPH
-CH-RCH-LL," said he, "and you'll find TIM H-LY," which I thought at the
-time was a little hard on T-M.
-
-You will not, I trust, dear TOBY, take it for granted that I am
-contemplating a near removal to the House of Lords, if I confess that I
-_have_ sometimes thought over the title I should assume if my duty to my
-country led me to change my state. I belong, as you know, to one of the
-oldest families among mankind. It's all very well for BR-SS-Y to talk
-about coming over with the Conqueror. We came in with the Flood, or
-shortly after. TUBAL CAIN, the founder of our family, was a century or
-two before BOIS DE GUILBERT, FRONT-DE-BOEF, or even the SIEUR DE
-BRESCI. What do you think of Lord TUBAL-CAIN? Would you recognise in
-that stately and ermined peer, TUBAL-CAIN, of Henley, your old friend of
-217, Strand? I wis not. But that, as GL-DST-NE says, belongs to the dim
-and distant future. I beg to move that the question be now put. Oars!
-Steady, there! Pull away!
-
- Yours, sheer off,
- W. H. SM-TH.
-
- * * * * *
-
-ROSES IN DECEMBER.
-
-SIR,--Strange as it may appear to you, Sir, as a London playgoer, I had
-never seen _The Two Roses_ till last night. How this "celebrated comedy"
-ever acquired its celebrity is, I confess, beyond me, for the plot is
-poor, and in the dialogue there is nothing quotable, though the phrase,
-"a little cheque," forces itself on one's memory by frequent iteration.
-You, Sir, saw it with its original cast, and I take it that a play of
-this sort requires certain surroundings to insure its immediate success,
-just as a rich joke, when deprived of its original accidental
-accessories, is found to be a very poor joke, or no joke at all. This
-play by Mr. ALBERY I should have thought would have been, as Dr. SAMUEL
-JOHNSON might have said, Al-bery'd and forgotten long ago. Yet it
-lives,--at all events, it has been revived.
-
-A Manager does not revive a piece which was not originally produced at
-his theatre without some pretty good reason for so doing. He must, at
-least, be fairly confident of its attractive powers as, at all events, a
-remunerative stop-gap; and I am informed that this piece has been
-revived, once before, by Mr. HENRY IRVING at the Lyceum. This is ancient
-history to you, Sir. After the revival, and the unwonted exercise of a
-long run (did it have a long run?), I should have supposed that there
-could not have been much life left in it. Yet apparently there is. The
-acting is, on the whole, good, and some of it very good. WILLIAM FARREN,
-one of the best of English players, makes all that is to be made (as it
-seems to me, who did not see Mr. IRVING) out of _Digby Grand_, Mr.
-GIDDENS is an excellent blind _Caleb_ (a very clever actor must be Mr.
-GIDDENS), and Mr. DAVID JAMES simply is "Our Mr. JENKINS." MAUDE MILLETT
-is pretty and graceful, and the whole entertainment entertaining. But
-still, how it ever became a celebrated comedy--
-
- "Well, that I cannot tell," said he,
- "But _t'was_ a famous Comedy."
-
-And by crammed houses it is, I hear, being fully appreciated. Indeed, I
-should only say, judging by this Criterion on the night I was present,
-it is in for another long run. Yours, LITTLE PETERKIN.
-
- * * * * *
-
-SHAKSPEARE UP AGAIN.--A Baconian writes to ask if there isn't sufficient
-proof of SHAKSPEARE'S affinity to BACON in Ham let alone?
-
- * * * * *
-
-[Illustration: WORTH CULTIVATING.]
-
- * * * * *
-
-_Ex-Premier sings_:--
-
- My name's WILLIAM GLADSTONE, I live at fair Harwarden,
- I'm Welshman at heart; this gold-find in North Wales
- At the Gwynfynydd Mine I do trust will bring fortune
- To all who are born 'midst these mountains and vales.
- Yes, indeed, and all places, though foreign and beautiful,
- This brave little country I prize far above;
- For indeed in my heart I do love the Principality,
- And you, JENNY JONES, too, in truth I do love.
-
- For fifty long years I've ploughed Politics' ocean,
- And served my full time in the gallant State-ship;
- And indeed, goodness knows, I've braved many engagements,
- And many dark storms 'twixt the cup and the lip,
- I've tried all the parties now, Tory, Whig, Radical,
- Smiled on each in its turn, as to win me each strove;
- But I said in my heart, little Wales I love chiefly,
- And sweet JENNY JONES, too, in truth I do love!
-
- I agree with PARNELL, and the Lord Mayor of Dublin,
- In loving fair Erin, of Islands the Queen;
- And having worn Blue, Buff, and Red in succession,
- I can't see much harm in now wearing the Green.
- But not e'en Hibernia, the sweet and the sorrowful,
- Like you, my dear charmer, my passion can move;
- For, indeed, in my heart I love "gallant little Wales," I do;
- And sweet JENNY JONES, too, in truth I do love!
-
- I parted long since from the home of my fathers,
- And then JENNY JONES was a dowerless lass;
- But now I'm a grey and storm-beaten old mariner,
- To wealth, she, through brave PRITCHARD-MORGAN, shall pass.
- May Gold--and Home Rule--bring you wealth and contentment,
- And ne'er from my Party, my dear, may you rove:
- For indeed in our hearts we all love Wales tremendously,
- And you, JENNY JONES, dear, till death will I love!
-
- [_Left philandering._
-
- * * * * *
-
-[Illustration: "WHERE ARE THE POLICE?!"
-
-MRS. HOWTHDOWN AND HER DAUGHTERS, WHO ARE IN TOWN FOR THE CATTLE-SHOW,
-ARE DISGUSTED BY THE AGGRESSIVE VULGARITY OF THE LONDON STREET-BOY, AND
-THINK IT OUGHT TO BE "PUT A STOP TO"!
-
-_Juvenile Baked Potato Vendor (to Crossing-Sweeper)._ "'SAY, BILL, 'ERE
-Y'ARE! THEM'LL BE FUST AND SECOND PRIZE, AND 'IGHLY COMMENDED!!"]
-
- * * * * *
-
-A VISIT TO "THE LICENSED VISTLERS."
-
-In the Winter Exhibition of the Royal Society of British Artists, who,
-under their distinguished President, JAMES MCNEILE WHISTLER, may now be
-known as the "Licensed Vistlers," there is some good work, and
-especially two sketches, 77, 83, and 335, by JAMES HAYLLAR, R.B.A.; 319,
-by H. G. GLINDON, R.B.A.; SIMMONS'S "_Sunrise_," 330; SOLOMON'S; 454,
-Professor GARTZ (pretty subject); 458, by HENLEY, R.B.A.; 466, by
-WALTERS, R.B.A.
-
-There is a remarkable picture of, apparently, A Serious Masher, which
-turns out to be a portrait of Mr. WILLARD, the actor who so cleverly
-impersonates modern stage villains as to be known as "Willinous
-WILLARD," by SIDNEY STARR, R.B.A. Artistic STARR painting Theatrical
-Star; quite right. No. 293 is a sorry sight--the picture of a nice
-portly young man trying to look like Lord ROSEBERY, but with the dye
-coming off his hair in evident patches. Very clever effect this, by
-THEODORE ROUSSEL, R.B.A.
-
-Go and see No. 341, by WILLIAM STOTT, of Oldham, R.B.A.,--a name that
-sounds quite Shakspearian, like "Goodman Puff of Barson,"--and give
-yourself three guesses at what W. S. of Oldham means by it. It
-represents a very carotty-haired young woman, looking pale as a
-turnip--"white flesh," as the gardeners say--taking a bathe in the sea
-when no one is looking, and where police regulations are not in force.
-She is so tallowy in face and flesh colour, and her hair so flaming red,
-that the title might be, "_A 'Dip' in the Sea_." Well, this is WILLIAM
-STOTT of Oldham's "_Venus_;" and if you'll turn to No. 183, you will see
-the same young person, looking none the better for her bath, clothed,
-with carrots dressed, and neatly bound up, sitting pensively
-_chez-elle_, probably regretting her recent escapade, and hoping that no
-one has seen her. Little does she know that WILLIAM STOTT of Oldham has
-stotted her down in his note-book. 326, "_Hard Hit_," by R. J. GORDON,
-R.B.A., is clever; but the meaning of its title, as illustrated by a
-weeping woman flinging herself across the knees of a drunken-looking
-man, is not quite clear. Has he hit her hard, and is that why she is so
-distressed? or has his head received a nasty thwack, as indicated by the
-white hat, lying on the table, twisted out of all shape?
-
-At the end of the Catalogue is printed a list of the prices, from which
-it will be seen what value the artists themselves set on their own
-pictures. The President of the Licensed Vistlers exhibits only twenty
-pictures, sixteen of which have no price affixed to them in the list,
-and are therefore evidently gems, and priceless.
-
- * * * * *
-
-Founded on Fact.
-
-A large lot of ornithologists assembled the other day at Mr. J. C.
-STEVENS'S Auction Rooms to attend the sale of an egg of the Great Auk--a
-seafowl, 'ARRY, not a falcon. Great Auks' eggs are precious. This one
-was knocked down to an enthusiastic gentleman for 160 guineas. Some
-years ago two eggs of a Great Auk, sold, of course, by auktion, fetched,
-respectively, 100 and 200 guineas, although both broken, and that before
-they were knocked down. Surely the Great Auk must have been the original
-bird signified in tradition under the name of the legendary goose that
-laid the golden eggs.
-
- * * * * *
-
-The Premier of the French Cabinet may be well described as "_Nulli
-Secundus_." He is second to nobody, for the President is Nobody--to
-speak of.
-
- * * * * *
-
-FURNISHING FICTIONISTS.
-
-In the _Atalanta Magazine_, for this month, (which by its title, should
-be ahead of all competitors until the _homme à la pomme_ appears) Mr.
-WALTER BESANT has an article "On the writing of Novels," in which he
-offers his advice to young girls afflicted with irrepressible
-scribblemania,--_i.e._ "girls who try to write stories, and burn to
-write novels,"--as to the best and easiest means of attaining their
-object. _Advice gratis_ is, as we all know, of the gratis't value, and
-Mr. BESANT offers his two penn'orth-of-"all-sorts and conditions," to
-embryonic authoresses, but had _Mr. Punch_ been dealing with these dear
-little literary aspirants, he would have simply repeated his world-famed
-epigrammatic advice to "persons about to marry," and said, most
-unequivocally, to girls about to write novels--"Don't." Not so Mr.
-BESANT, who proceeds to lay down rules for those "who wish to acquire
-the art of fiction." He commences with, "_Practise writing, something
-original everyday_,"--"_Cultivate the habit of observation_," and so on,
-in good old-fashioned copy-book style.
-
-We will assist him with some rules for those to whom Mr. W. BESANT gives
-this advice: "Be bold: never mind ridicule," ... "State fairly, what
-ordinary people never understand, that Fiction, like Painting, is an
-Art, and that you are setting yourself to the acquisition of that Art,
-if it be in your power, whatever may come of it in the end."
-
-Very good. Now here is, as the Cookery books have it, "Another and a
-shorter way."
-
-_To acquire the Art of Fiction._--Clearly understand that Fiction is the
-opposite of Fact. If you invariably state facts, you become a
-matter-of-fact sort of person. No Genius is a matter-of-fact sort of
-person. So to "acquire the Art of Fiction," _you must never tell the
-truth. Practice telling some original lie every day._ If it be a
-description of scenery--well, this offers a large field--several large
-fields. Give an account to your relatives, or to your friends at a
-distance of the walk you have taken in the morning. First of all, of
-course, to be quite perfect, _you must not have been out of the house_.
-You will then proceed to describe the roaring Waterfalls over which you
-leaped, your hairbreadth escapes, &c., &c., and always remember that, as
-Mr. BESANT says, "description is not slavish enumeration."
-
-RULE I.--_Tell a lie._ RULE II.--_Don't stick to it, but tell another,
-and a bigger one._ Pile 'em up, and thus at last you may become an
-unrivalled Fictionist.
-
-RULE III.--"_Work regularly, at certain hours._" Ascertain the time the
-Lark rises, and be up with it. Always be up to time, and to any amount
-of Larks. Let everybody in the house know you're at work. Sing as the
-Lark does, and be joyous. Insist on your room being fitted up for
-work,--at your parents' expense, of course,--with writing-desk, silver
-inkstand, paper, pens, a library of books, &c., and you must let it be
-distinctly understood by everyone that you are "not to be disturbed on
-any account," as you are going in for being a Fictionist.
-
-RULE IV.--"Read no Rubbish," says Mr. BESANT. But this is what every
-author would say, making certain exceptions. But we should say, "_Read
-Everything_." _Then begin to write._ Here is an example: say you read
-_Pickwick_. Well, you _write_ a book called _Nikpik_, a Russian story,
-plot in St. Petersburg, characters, _Nikpik_, _Kinkel_, _Grazsnod_, and
-_Putmann_. You represent a sporting scene where _Putmann_, with his eyes
-shut, kills a bird, and afterwards _Kinkel_ wounds _Putmann_. "Hullo,"
-says the reader, "uncommonly like _Pickwick_, and writes impetuously and
-indignantly to papers. Whereupon, you write in reply, saying "it may be
-so: _les grands esprits se rencontrent_: but that you have never heard
-of _Pickwick_, much less read it." By this time everyone will allow that
-you are entitled to be regarded as the greatest Fictionist of the age.
-
-Other rules Mr. BESANT gives, for which anyone sufficiently interested
-in detecting the errors of his advice _gratis_, may search the _Atalanta
-Magazine_ with considerable profit to himself (or herself) especially if
-he reads _A Christmas Carol_, by CHRISTINA G. ROSSETTI, and one tail of
-_Three Lions_, by that undefeated Fictionist, Mr. RIDER HAGGARD.
-
- * * * * *
-
-OUR BOOKING-OFFICE.
-
-_Palindromes_, by G. R. CLARKE, is a series of cruelly ingenious verbal
-cranks--"cranks" seems to be the word, since they are neither quips,
-quirks, puns, nor jests, consisting of sentences so arranged that, read
-backwards or forwards, they are precisely the same. An example of this
-is, "_Was it a rat I saw?_" The illustrations are comically amateurish,
-and amateurishly comic, but one of the best, "_Selim smiles_," is rather
-in the early Thackerayan style of pictorial art. The palindromical
-amusement will probably develop itself, as the acrostic family has done,
-and we shall soon be reading in "Answers to Correspondents" that their
-puzzle is referred to in "The Palindromical Editor." The little book is
-published, as any experienced joker in Scotland might have guessed, by
-Messrs. BRYCE AND SONS, Glasgow, and if you buy it, "Bang goes a
-shilling."
-
-Approbation from _Mr. Punch_ is praise indeed, and where he has given
-his favourable opinion of any book, it immediately attracts the public
-attention, and goes to any number of editions. So has it chanced with
-_Frith's Recollections_, which has now reached its third edition; and
-once _Mr. Punch_ spoke well of the Jubilee Edition of _Pickwick_, which
-has now been re-issued with some of the original sketches by "BUSS,"--to
-many it will be a surprise that _Mr. Pickwick_ ever took a buss, except
-under the mistletoe at Dingley Dell,--which are fairly clever, though
-one of them, the cricketing scene, might have been omitted without
-damaging the artistic character of the republication. There is a sketch
-by JOHN LEECH, illustrating the moment in the _Bagman's Story_ when the
-old arm-chair wakes up _Tom Smart_, and assumes the form and features of
-a gouty, but wickedly sly, old gentleman, which alone is "worth all the
-money." It is a real Christmas picture; and indeed a small volume of
-_Tales from Pickwick_, illustrated by fanciful and humorous artists,
-would make a capital Christmas Book of the good old Dickensian sort.
-_Mr. Punch_ has given the hint: _fiat!_
-
-By the way, I see an advertisement of a book quoting opinions of the
-Press as to its being "the funniest book of the present reign." Heavens!
-It is only necessary to mention _Pickwick_, which is replete with such
-real fun, as makes the reader roar with laughter irrepressible, besides
-being full of genuine humour. BARON DE BOOK WORMS.
-
- * * * * *
-
-"I believe," said Mrs. R.'S nephew, meditatively, "that Paris will have
-a 'Directory' again." "Why not?" retorted Mrs. RAM. "Why shouldn't Paris
-have a Directory? London has--_Kelly's Directory_--and most useful it
-is!"
-
- * * * * *
-
-THE LAY OF LAWRENCE MOOR!
-
-A TRUE STORY.
-
- Four brave men set sail from Whalsey,
- In their open fishing-smack,
- Four strong fellows left the Shetlands,
- Only one at last came back.
- Hearken how the wind is howling,
- Close the curtains; shut the door,
- Whilst I tell the splendid story
- Of a sailor--LAWRENCE MOOR!
-
- Never yet has such a tempest,
- Screamed around the Shetland homes,
- Dealing death and devastation
- Where the northern sailor roams.
- Snow and hail in blinding fury,
- Swept o'er forest, field and lea,
- Deaf seemed Heaven to the praying
- For the brave men out at sea!
-
- Far at sea! four plucky fellows
- Bending back and straining oar,
- Hidden each from each in tempest,
- That had blotted out the shore!
- All at once the skipper steering,
- Cheering, shouting--look ahead!
- Heard a moan, his best companion
- Fell in arms of duty--dead!
-
- "For the love of home and Heaven,
- Brave it out as I will do."
- Shouts above the storm, the skipper,
- Rallying his fainting crew,
- "Let us pray, lads, all together,
- Heaven may save us! Who can tell!"
- But the prayer was scarcely uttered,
- When another sailor fell!
-
- Two brave men--were left in silence--
- Whispering with shortened breath,
- "Don't desert your pal," says LAWRENCE,
- "Let us have it out with Death!
- God has strength to still the waters,
- We have pluck to keep afloat."
- But the last man with a murmur,
- Fell exhausted in the boat.
-
- "ANDREW! Laddie!"--Death don't answer.
- "TOM, old pal!" the faintest sigh,
- "Left me all alone then, have ye?
- Well _I_ don't intend to die!"
- Then he thought of home and children,
- Back came mirrored waves of sin!
- One lone man midst dead and dying,
- Felt the water rushing in!
-
- One hand on the oar to steer her,
- One hand free to hoist the sail,
- When he called--no mate to answer,
- Sinking now--no boy to bail;
- Toiling hour on hour exhausted,
- Captain of a ghastly bier!
- Till at last the tempest lifted,
- And he sighted Lerwick Pier.
-
- Home at last! the plucky sailor,
- Home to children and to wife,
- Home half dead to claim the honour,
- That he'd saved _one_ brother's life,
- Death defied! they found him kneeling,
- Humbly on his cottage floor,
- But they'll pass to time the story,
- Of that Sailor--LAWRENCE MOOR!
-
- * * * * *
-
-IN THE NICK OF TIME.--His Excellency, the Chinese Minister, LEW CHUI
-FUN, has left London for Paris, to present his credentials to President
-CARNOT. At this festive season of Merry Christmas, Frenchmen of all
-parties in politics will welcome such an Opportunist as FUN.
-
- * * * * *
-
-Shortly to be published, _The Life of Sims Reeves_, compiled from his
-own notes.
-
- * * * * *
-
-PICCADILLY PLAYERS.
-
-[Illustration]
-
-A few evenings since, I assisted at a Members' Concert in Piccadilly,
-where a very fair exhibition of Amateur Musical talent was displayed by
-the "Strolling Players." The vocal part of the entertainment was
-especially good, thanks to the really charming singing of the Misses
-AGNES JANSON and HAMLIN. The geniuses in the Orchestra who are for all
-time, and any tune, managed occasionally to get a little out of hand in
-spite of Mr. NORFOLK MEGONE'S earnest conductorship. Taken all round,
-"The First Members' Concert" was so good that I should not have the
-smallest objection to attending the Second.
-
-_The Ancient Mariner_ with Mr. J. F. BARNETT'S brilliant music at St.
-James's Hall last Thursday night, held entranced a large audience which
-listened "like a three ears child" ("Had I three ears I'd hear thee,"
-says _Macbeth_. Did COLERIDGE write SHAKSPEARE?--however, this has
-nothing much to do with the _cantata_, and so on we goes again)--so "the
-Mariner hath his Will" (which is almost conclusive evidence that
-COLERIDGE'S _Mariner_ was written by WILL SHAKSPEARE) and we were all
-delighted. I hadn't a book. Who was ALBERT ROSS that the _Mariner_ shot?
-Madame PATEY sang "_O Sleep, it is a Genteel Thing!_" (I think these
-were the words) with great feeling and expression. Beautiful idea,
-"sleep a genteel thing!" Somebody told me I was wrong, and that the poet
-wrote, "_O Sleep, it is a Gentle Thing!_" which anybody could have said,
-without being a poet. So I prefer my own version. The recitative
-(SANTLEY) and chorus (Everybody), about "the coming wind did roar," and
-something (I didn't catch what) was "like a sledge," and "the Moon was
-on its side and then upon its edge," which sounds just what a harvest
-moon would do after a good day's harvesting, were excellent.
-
-Then followed Mr. C. V. STANFORD'S Symphony in F Minor, "_The Irish_" as
-my neighbour informed me, to which I replied, "Oh, indeed!" and
-appeared, as I hope, much interested; though what he meant I haven't the
-smallest idea. Who was my neighbour?--a very learned person who kept on
-drawing my attention to the excellent instrumentation, and the admirable
-use which the Composer had made of his "strings"--I didn't see that he
-had any "strings," but I said, "Ah, yes,"--his "Wood-wind and Horns."
-"Just observe his horns!" said my neighbour enthusiastically. He spoke
-of Mr. C. V. STANFORD as if he were drawing the portrait of Ancient
-Nicholas, as portrayed by CRUIKSHANK when illustrating _The Lay of S.
-Médard_, in the _Ingoldsby Legends_. A Composer with Strings, Wood-wind
-("comest thou with blasts from----" &c., as BACONSPEARE hath it) and
-"horns" is the man to write a _cantata_ entitled "Herne the Hunter," and
-I am not at all sure that there isn't a _Herne_ already in existence,
-and that that Herne isn't His'n. After a pause (during which the
-orchestra continued playing) my neighbour begged me to notice that now
-the theme was, "Remember the glories of O'BRIEN the Brave," but at this
-point not wishing to enter into a political discussion which might have
-landed me in the police-station, I courteously, but firmly, wished him
-good night, and having signified to everybody generally the extreme
-pleasure I had derived from the entertainment provided by the Messrs.
-NOVELLO AND EWER, I gracefully withdrew, and am, No Fellow, but Ewers
-truly, THE CRICKET ON THE HARP.
-
-P.S.--_À propos_ of music, I cannot refrain from mentioning the
-gathering of the _élite_ who recently collected together to do honour to
-the talents of Mrs. DUTTON COOK. Madame ALBANI was in great force, and
-the fair _bénéficiaire_ played with her customary grace and artistic
-feeling, eliciting the invariable result of unbounded applause. It is to
-be greatly regretted that the Public have not the opportunity of hearing
-Mrs. DUTTON COOK more frequently. She is certainly in the first rank of
-pianists and a sound musician.
-
- * * * * *
-
-"I hear," said Mrs. RAM, "that the Princess CHRISTIAN has written about
-the _Margarine of Baireuth_. I like to hear of Royalty interesting
-themselves in such matters. However," she added, "of course, they know
-which side their Bread's buttered, and like the butter, whether at home
-or abroad--that is, here or at Baireuth--to be of the very best. So do
-I."
-
- * * * * *
-
-"THE CRAMOPHONE."--New invention for repeating any number of crams over
-and over again. Useful to advertisers, quacks, &c., &c.
-
- * * * * *
-
-TOO CLEVER BY HALF.
-
- "Out of every thousand men in the Army there are now 815 of superior
- education.... H.R.H. the Field-Marshal Commander-in-Chief has
- directed Officers to use every means at their disposal to induce men
- to improve their education in order to obtain the certificate
- necessary for promotion."--_Daily Paper._
-
-SCENE--_The Barrack Square of the Royal Irish Bengal Essex Highlanders
-(Prince Christian of Schleswig-Holstein's Own). Members of the Regiment
-assembling for Morning Parade. A Company falling in._
-
-_Captain Dash (commanding A Company)._ Ready for inspection, Sergeant?
-
-_Sergeant Babington Macaulay (saluting)._ Directly, Sir. I have called
-away the men from a discussion on the question of entail.
-
-_Captain_. Dear me! You should not have done that. I shall be only too
-ready to assist them by any means in my power.
-
-_Sergeant._ Well, Sir, they are now in close order. If you wish, I will
-open them out. (_Captain nods assent. To men._) Open order! [_Flank
-files rear rank step back two paces._
-
-_Corporal (dressing flank files)._ Steady!
-
-_Sergeant._ March! (_Remainder of rear rank step back._) Order arms!
-Stand at ease! [_He salutes_ Captain, _and comes to attention_.
-
-_Captain._ 'Tention! (_Company springs up to desired position._) Now, my
-men, I hear that some of you require to know something about the Law of
-Entail. Now those of you who have taken any certificate from a
-University can take a pace to the front. March! (_The entire Company
-complies._) Dear me! You seem to be very well educated. Eh, Sergeant?
-
-_Sergeant._ Well, pretty well, Sir. We are not equal to E Company,
-although we can hold our own fairly against B, C, D, F, and G. As for H
-Company, it is out of the competition altogether. H Company is the best
-read Company in the Battalion, if not in the Regiment.
-
-_Captain._ Well, what is the difficulty? Call out the man who started
-the subject. Perhaps I may be able to help him.
-
-_Sergeant (salutes and turns to Company)._ Private THOMAS ATKINS take
-three paces to your front. March! Now then, salute, Sir! (_Aside._) This
-extra education makes them rusty with their drill.
-
-_Captain._ Well, Private ATKINS, can I help you at all?
-
-_Private Atkins (touching his rifle with his right hand)._ A thousand
-thanks, Sir, for your extreme kindness and courtesy. Still I cannot
-fairly monopolise all your attention, as I was only one of many desirous
-of learning a little law.
-
-_Captain._ I suppose you know all about the Feudal System?
-
-_Private (smiling)._ I can safely undertake to say that there is not a
-man in the Company who does not appreciate its provisions.
-
-_Captain._ Quite so. Well, the practice of entail is founded more or
-less on the Feudal System. You understand the advantages and
-disadvantages of Primogeniture?
-
-_Private._ Certainly, Sir. I suppose Borough English was rather before
-the time of the Norman Conquest?
-
-_Captain._ I imagine so: but perhaps the best way will be for you all to
-come to my quarters, where I can explain the matter more fully to you
-than I can here. I have no doubt the Colonel will excuse the Company, if
-I inform him for what purpose we propose absenting ourselves. At any
-rate I will ask him.
-
-_Private._ A million thanks, Sir. I am sure every man in the Company
-will be grateful to you.
-
-_Sergeant._ Right about turn! Quick march! Halt! Front! Shoulder arms!
-
-_Captain._ Stand them easy while I go away. (Sergeant _obeys order, and_
-Captain _approaches and salutes_ Colonel.) Beg pardon, Sir, but may I
-march my Company to my quarters to give them a lecture on law?
-
-_Colonel (rather querulously)._ Well, DASH, of course I'm not going to
-say No; but it really is rather rough upon me. Here B Company has got
-permission to study botany, C Company the elements of engineering, D, F,
-and G chemistry. I shall be left with H Company, because they have
-nothing more to learn. What on earth shall I give them to do if you are
-off too?
-
-_Captain._ Wouldn't presume to suggest, Sir; but mightn't H have a
-little practice in the rudiments of drill?
-
-_Colonel._ By Jove, you are right! They are rusty enough! Very well, you
-may go.
-
-[_Scene closes in upon A Company marching towards_ Captain DASH'S
-_quarters, while the Adjutant gets H Company (with some difficulty) into
-something like a proper formation for receiving elementary instruction
-in the mysteries of "fours_."
-
- * * * * *
-
-A CIRCULAR NOTE.--The literary character of our leading statesmen of all
-shades of political opinion is well sustained at the present day. They
-are learned in all the 'ologies, including ap-ologies, of which art Mr.
-GLADSTONE and Mr. BALFOUR are by this time past-masters. Long may they
-live--and learn.
-
- * * * * *
-
-[Illustration: THE IRREVOCABLE PAST!
-
- "This is truth the Poet sings,
- That a sorrow's crown of sorrow is remembering happier things!"
-
-"ALAS! IN LOOKING BACK OVER ONE'S LIFE, HOW MANY THINGS THERE ARE TO
-CAUSE ONE TO REGRET!"
-
-"OH, YES, INDEED! I OFTEN REGRET I DIDN'T EAT MORE OYSTERS WHEN THEY
-WERE EIGHTPENCE A DOZEN!"]
-
- * * * * *
-
-THE CHIMES.
-
-(_Dickens once again adapted to the Season and the Situation._)
-
-High up in the steeple of an old old Tower, of ancient foundation,
-somewhat incongruous and complicated in design, but of sound
-Constitution--as _everybody_, even the angriest campanological
-opponents, admitted--far above the light and the noise of the town, if
-far below the flying clouds that shadow it, dwelt the Chimes I tell of.
-
-They were old Chimes, trust me. Centuries ago those Bells had been hung
-by our ancestors, so many centuries ago, that the register of their
-first suspension, the record of their first peal, was lost in
-antiquarian mist as impenetrable as the darkness of the belfry corners
-on a starless November night. They had had their donors and sponsors,
-these Bells; but time had mowed down their donors, and mislaid the names
-of their sponsors, and they now hung nameless and dateless, but sound
-and sonorous still, in that high old Tower, time-worn but steadfast and
-four-square to all winds, Party or otherwise, that have blown or that
-shall blow.
-
-Not speechless though. Far from it. They had clear, loud, lusty,
-sounding voices, had these Bells; and far and wide they might be heard
-upon the wind. Much too sturdy Chimes, moreover, were they, to be
-dependent upon the mere pleasure of the wind, of any of the winds--Party
-or otherwise--aforementioned. They had been pulled at by many
-generations of ringers, pulled at sometimes skilfully, often awkwardly
-and ill; sometimes in tune, and with the well-ordered harmony which was
-natural to them; sometimes again, wildly and wilfully, by incompetent or
-angry ringers, ringers ill-matched and ill-accordant, who did their
-worst to mar their melody, and spoil their tunefulness, and upset their
-time, and make them sound, in the great Singer's words:--
-
- "Like sweet bells jangled, out of tune, and harsh."
-
-But the fault was ever less in the Bells than in the Bell-ringers.
-Cracked were they not, nor were they cacophonous; let their clappers
-swing free, and keep their throats unrusted and unclogged, and in
-skilled, and loyal, and well-conducted hands, they would ever sound out
-strongly and sweetly, and send forth on and against the wildest and
-angriest of the winds aforesaid, most excellent and inspiring music.
-
- * * * * *
-
-_Toby_ knew them well, those Bells, as did his great and genial Master.
-_Toby_ was not a canine casuist. Being but a simple and loyal dog, he
-invested them with a strange and solemn character. They were so
-mysterious and mighty; often heard, and never seen; so high up, so far
-off, and so full of such a deep, strong melody, that he regarded them
-with a species of awe; and sometimes when he looked up at the dark
-arched windows in the tower, he half expected to be beckoned to by
-something which was not a Bell, and yet was what he had heard so often
-sounding in the Tower, the Spirit, namely, of Loyalty and Love, of
-Honour and of Home. For all this, _Toby_ scouted with doggish
-disdain--being, like his Master, as sensible as loyal--a certain
-occasionally flying rumour that the Chimes were haunted, as implying the
-possibility of their being connected with any Evil thing. And _Toby_--no
-unlicked cub, but a considerate, composed old dog,--never puppyishly
-barked at the Bells. He would as soon have thought of baying the moon.
-
-But he often had occasion to yap, warningly or reprovingly, at the
-Bell-ringers!
-
- * * * * *
-
-Bow-wow-wow! It was the voice of _Toby_. It meant not, this time, either
-warning or reproof; rather amicable acknowledgment, and just a little
-surprise. Not fear, oh, no! not fear.
-
-A Voice--was it a vision-voice, or the accents of the biggest of
-the Bells, or was it, perchance, the veritable Voice of Time
-himself, naturally and fitly vocal and audible at this particular
-Season?--sounded strangely through the shadowy belfry. Thus it seemed to
-speak, in words curiously pertinent to the moment, though _Toby_ seemed
-to have heard them before in other connection and in other
-circumstances.
-
-[Illustration: THE CHIMES.
-
-MR. PUNCH. "NOW THEN, MY LADS! ALL TOGETHER FOR ONCE!--CHRISTMAS TIME,
-YOU KNOW!!"]
-
-"The Voice of Time cries to Man, Advance! Time is for his advancement
-and improvement; for his greater worth, his greater happiness, his
-better life; his progress onward to that goal within its knowledge and
-its view, and set there in the period when Time and he began. Ages of
-darkness, wickedness, and violence have come and gone--millions
-uncountable have suffered, loved, and died--to point the way before him.
-Who seeks to turn him back, or stay him in his course, arrests a mighty
-engine which will strike the meddler dead, and be the fiercer and the
-wilder, ever, for its momentary check!"
-
-"A rub for the reactionaries!" mused _Toby_.
-
-"Who puts into the mouth of Time, or of its servants, a cry of
-lamentation for days which have had their trial and their failure, and
-have left deep traces of it which the blind may see--a cry that only
-serves the present time, by showing men how much it needs their help
-when any ears can listen to regrets for such a past--who does this does
-us wrong."
-
-"A flout for our Fair-Traders!" thought _Toby_.
-
-"Who hears in us, the Chimes, one note bespeaking disregard, or stern
-regard, of any hope, or joy, or sorrow, of the many-sorrowed throng; who
-hears us make response to any creed that gauges human passions and
-affections, as it gauges the amount of miserable food on which humanity
-may pine and wither, does us wrong."
-
-"What would the contemners of the people's claims, the deriders of the
-people's miseries, make of _that_, I wonder?" meditated _Toby_.
-
-"Who hears us echo the dull vermin of the earth, the Putters Down of
-crushed and broken natures, formed to be raised up higher than such
-maggots of the time can crawl or can conceive, does us wrong."
-
-"Pity the shriekers for unlimited Suppression can't hear _this_!"
-cogitated _Toby_.
-
- * * * * *
-
-_Bow-wow-wow!_ Again it was the voice of _Toby_. This time it did mean
-warning, if not reproof. Not anger exactly; anger alone is scarce suited
-to the Christmas season.
-
-The Bell-ringers were going it. With plenty of energy, unquestionably,
-but with scarcely as much discretion as might be desired. A rather mixed
-lot. Each one individually an excellent hand at the rope, no doubt.
-Evergreen WILL, of the leonine front, and flying silvery whisps of hair!
-Black-a-vised BOB, of the broad shoulders and resolute tug. Stolid, but
-sturdy HARTY, of the firmly-planted feet and granite grip! Fiery though
-mild-featured JOACHIM; sombre, smug-faced, but enthusiastic JOHN! Last,
-though perhaps hardly least (in his own estimation, at all events),
-rattling RANDOLPH, light-weight, none too firm of footing, but full of
-dash, and game to attempt a triple bob-major all by himself.
-
-"_Pull_ away, BOB," cried impetuous WILL, eagerly.
-
-"Steady, WILL!" exclaimed Black-a-vised BOB, sardonically.
-
-"Keep time, for goodness sake, JOHN," said accurate JOACHIM.
-
-"Want your bell to be heard above all the rest!" murmured sombre JOHN.
-
-"Are you trying to hang yourself, or pull the belfry down, RANDOLPH,"
-muttered stolid HARTY, beneath his moustache.
-
-"Oh, confound it; I could lick the lot of you!" shouted little RANDOLPH,
-tugging tremendously at his rope, and fairly carried off his feet by the
-recoil.
-
-"_Bow-wow-wow!_" barked _Toby_.
-
-"Right, my dog!" said his Master. "Good Bell-ringing, my boys, requires
-combination and subordination, unity of purpose as well as union of
-powers. A bull-like power of pull is not enough, or, by Jove! you'd all
-be crack campanologists. Come, Gentlemen, a Christmas Carillon at least
-should not be all cacaphonous crash and clatter. All together, my lads,
-_for once_; or, rather, keep time, and touch, and tune, with due regard
-to the perfection of the peal and the credit of the glorious old
-Chimes!"
-
- * * * * *
-
-IN THEIR CRACKERS.
-
-_The Czar._--A brand-new map of the Balkan States with Prince BISMARCK'S
-best compliments.
-
-_The Emperor of Austria._--A satisfactory explanation of recent Russian
-Military movements, with the CZAR'S kindest regards.
-
-_Prince Bismarck._--German Security by arrangement, with the seasonable
-wishes of the Five Great Powers.
-
-_President Carnot._--A Ministry that will last him a fortnight with the
-good will of the two Chambers.
-
-_Lord Salisbury._--"A Hundred New Ways of Governing Ireland by
-Coercion." Christmas Edition.
-
-_Mr. O'Brien._--An Emerald-coloured Tweed suit, in which to sing by
-himself on Christmas Eve, "_The Wearing of the Green_."
-
-_Mr. Chamberlain._--A very pretty kettle of fish, daintily and
-appropriately decorated with Canadian mottoes.
-
-_Mr. Gladstone._--The Donnybrook Fair Suit, "with Shillelagh complete,"
-as advertised, done up in a neat parcel and addressed to him with the
-compliments of "the Party."
-
- * * * * *
-
-A LEARNED PROTEST.
-
- RESPECTISSIME PUNCHI!
-
-Tu habes admissum, olim, Latinas litteras in tuis columnis. Memini unum
-TOMMIUM scribentem de Etone (istâ super-ratâ scholâ) et nunc forsitan
-accipies hanc contributionem antiqui Westminsterensis? Semper ego
-auditor tantum (JUVENALIS) quum nobilis ars Latinorum versorum est
-attacta? Non pro JOSEPHO! Volo nunc intrare meam protestationem contra
-aliqua verba Baronis BRAMWELL, alterâ die.
-
-[Illustration: _Facilis ascensus Parnassi sed revocare gradum._
-
-"It's very easy to be a Poet, but you must have recourse to your
-gradus."]
-
-Baro dixit (Anglicè, quia, imagino, non noscit Latinum) ut "he never got
-any good from the Latin verses he was obliged to write when a boy, and
-if a boy is to be made a poet, he had better begin in his own language."
-Dixit quoque, "it may be knowledge to know the names of those who killed
-BECKET (_sic_), and the precise date, but it is not wisdom or useful."
-(Quare, viâ, "BECKET," et non "Sanctus TOMMIUS À BECKET, proprium nomen?
-Quid cheekum! Vel forte dicerem, quæ bucca! Vocabimusne Baronem BRAMWELL
-in futuro "BRAMWELL" simpliciter; vel, ut omittit "à," potius "BRAM'L"?)
-
-Quoto has Philistinas deliverationes de "Tempora," et Editor "Temporum"
-propriissime scribit, "We should for our part (pro nostrâ portione)
-venture to doubt whether some of Lord BRAMWELL'S (peto veniam, BRAM'L'S)
-remarkable keenness of mind is not to be accounted for by the drilling
-which his Latin verses gave him--by the habit of twisting and turning
-(habitus contorquendi et vertendi) and adjusting thoughts and phrases
-which that old-fashioned exercise implies." Bene!
-
-Sum ipse nunc Undergraduatus, et abandonavi Classicas linguas pro
-Scientiâ. Sed retineo meum Latinum--ut tu vides--et invenio id facile
-esse excellens in chemicis odoribus et in CICERONE simul.
-
-Cogito ut Britannicus Publicus debet noscere _quam multum bonum_ Latini
-versus sunt ad pueros.
-
-1. Imprimis, illi ducunt ad usum _Gradûs ad Parnassum_; et, interrogo,
-quis liber potest comparare cum eo vel in elegantiâ styli, vel in
-copiositate verborum, vel in vero genio auctoris? Sum inclinatus
-cogitare ut auctor erat, in realitate, BACONIUS ipse; et si ita, id est
-alium exemplum quomodo Latini versus auxiliant homines scandere ad
-nobilissimas positiones in Statu.
-
-2. Secundo loco, docent fraternum amorem inter pueros; quia quum unus
-socius est stumpatus pro verbo, alius donat illi correctum tippum, sub
-rosâ.
-
-3. Tertium quid (non _quid_ tobacconis!--Vide effectum, "habitûs
-contorquendi et vertendi"!)--Versus elevant mentem, et associant nos cum
-grandibus auctoribus præteriti, ut OVIDIO, TIBULLO, et CAREYO. Quomodo
-possum noscere, nisi per "Gradum," ut _Amor_ est "dulcis, blandus,
-jucundus, suavis," et eodem tempore "flagrans, acer, fervidus,
-indomitus, vigilans," etc.?
-
-4. Quarto, discimus synonymos, sic utiles ad publicos homines (non
-homines _publicanos_, intelligis! "Habitus contorquendi" iterum). Si
-Magister GLADSTONE non fecisset Latinos versus ut juvenis, non posset
-nunc donare viginti differentia nomina pro unâ re.
-
-Finaliter, si Latini versus sunt missi ad Jerichonem, _ubi erit Ludus
-Westminsterensis_ in futuro? Nullum alium argumentum est necessarium.
-
- Maneo tuus, ANTI-BRAMWELLIUS ACADEMICUS.
-
- * * * * *
-
-A Correspondent draws _Mr. Punch's_ attention to an advertisement in a
-Cheltenham paper, from which this is an extract:--
-
- "QUINCE JAM.--Prepared from Quinces, supposed by many to be the
- 'Forbidden Fruit.' This hitherto almost unknown luxury is much
- appreciated by those who have tried it."
-
-Hasn't the enterprising and, of course, very old-established firm which
-advertises this luxury any recommendation in writing from "The fairest
-of her daughters," EVE? If so, let them produce the papyrus.
-
- * * * * *
-
-The last Christmas Cards to arrive, are TAYLOR FOOT'S "Merry Thoughts,"
-&c., from Poland Street,--they're behind time; so very slow a-foot in
-coming. As practical jokes, the mince-pie cards are uncommonly good, and
-indeed the sham may be substituted for the real, by a mince pi-ous fraud
-allowable at Christmas time.
-
- * * * * *
-
-[Illustration: STRIVING AFTER THE IDEAL.
-
-_Grandpapa._ "AH, JOHNNY! THERE ARE FEW BETTER THINGS THAN IRISH STEW!"
-
-_Johnny._ "WHAT ARE THE FEW BETTER THINGS, GRANDPA?"]
-
- * * * * *
-
-UNEMPLOYED.
-
-_A Christmas Carol for the Comfortable Classes._
-
- Old Father Christmas came once more,
- His eye was bright if his hair was hoar,
- And the old old gifts on his back he bore.
-
- With the old loved legend now as then
- The pleasantest ever inscribed by pen--
- "Peace upon earth, goodwill to men."
-
- What was it the good old greybeard saw?--
- War's iron teeth, greed's gaping jaw,
- And shaken order and broken law.
-
- Each land ringed round with a fence of steel,
- Each party snarling at other's heel;
- None seeming loving, few looking leal.
-
- Poverty spreading athwart the land,
- With mutterings few dared understand,
- Though they palsied Charity's helpful hand.
-
- And the good old greybeard stood and gazed
- At the thousand hearths where no Yule-fire blazed,
- At the hate-led nations, the classes crazed.
-
- "And oh!" he cried, "is it come, the time
- When the land low grovels in greed and grime,
- And heeds no longer my cheering chime?
-
- "Is it past, all prospect of love's increase?
- Is it time my rallying cry should cease--
- 'Peace and Good-will! Good-will and Peace!'?
-
- "Is it fled, the hope that my heart has buoyed?
- Is it finished, the labour in which I joyed?
- Am _I_ the chief of the Unemployed?"
-
- * * * * *
-
-THE DEAR DEPARTED.--He has departed, and he was dear--at the price, was
-the poor little Gorilla! He died at the Zoo just ten days ago. Was it
-owing to his being so generously dieted, and never getting "Monkey's
-allowance?" Jenny the Baboon refused to attend the funeral, which was
-strictly private. Her conduct has created some astonishment among the
-officials. A jarring note was struck by the Hyæna, which could not
-repress its laughter. He died intestate. The Gorilla's decease makes no
-change in the government of Monkey Island.
-
- * * * * *
-
-THE CONSCIENTIOUS APPARITION; OR, THE PHANTOM BILL OF COSTS.
-
-(_A Legal Ghost Story for Christmas._)
-
-I am a highly respectable family ghost. I appear usually at two in the
-morning, wearing, what I believe is called in theatrical circles, a
-disguise cloak, and carrying a long blood-stained sword. I have one
-serious drawback. I have a shocking memory, and have entirely forgotten
-my identity. For the death of me I cannot remember why I became a ghost,
-and what on earth I ought to haunt. I fancy it should be some sort of
-castle, as I have an indistinct recollection of once frightening a man
-carrying some huge keys, from what I take must have been a portcullis,
-into fits. But this is merely conjecture, and I can't in the least
-account for my blood-stained sword. As I am really conscientious, this
-state of things has caused me serious regret. I have no wish to alarm
-the wrong people, nor to haunt the wrong place. The first is improper,
-and the second is _infra dig_. But what can I do? I find that I must
-appear at least once in every four-and-twenty hours, and my difficulty
-has been to so suit my time and place, that the least inconvenience
-should be given to the smallest number. Consequently, for many years I
-have been a nightly _habitué_ of the South Kensington Museum. No doubt
-this arrangement would have continued for an indefinite period had I
-not been recently arrested by a Policeman for loitering in the
-picture-galleries, who only permitted me to vanish in blue fire (I
-prefer blue to red) on the condition that I did not re-enter the
-Institution.
-
-Ousted from the South Kensington Museum, I determined not to visit any
-other public establishment. Partly because I was tired beyond measure of
-curiosities, and partly, because my dignity had been wounded by the
-incident that had severed my connection with the School of Art.
-Supplementary to this, I felt that I might be neglecting a duty by not
-discovering the proper place for my periodical apparitions. It occurred
-to me it would be a great comfort if I could but find the exact spot,
-where undisturbed, I could appear and disappear without fear of
-interruption, at any rate, from the profession, for I knew that I should
-not be allowed to poach on the haunting-grounds of my fellow phantoms.
-As a matter of fact, I once had a terrible row in the Tower of London,
-(caused by Sir WALTER RALEIGH, Lord BALMARINO, and Lady JANE GREY
-objecting to my joining the little gathering there, on the score "that I
-did not belong to their set") which ended in my being ejected in the
-most undignified manner possible from the premises. However, I am pretty
-determined when I make up my mind, and I formed the resolution of
-leaving no stone unturned until I had discovered my proper destination.
-
-My first experiments were most unsuccessful. I visited in succession
-about a hundred country-houses, but found them all tenanted with their
-rightful apparitions. My arrival was greeted, in each case, with abuse,
-more or less vigorous. Perhaps I received the greatest insults from a
-person (I cannot call him a gentleman) of the last century, who I
-discovered haunting a venerable mansion belonging to his grandson, with
-a view to giving their brand-new family an air of respectability.
-
-At length I found a rather agreeable lady in white brocade, who carried
-her head in a bundle under her arm, and who was more inclined to be
-sociable than any ghost I had hitherto met.
-
-"You cannot possibly remain here," she said, as she glided up a
-staircase and rattled some chains outside a bedroom door, "it would not
-be proper, besides it would be sure to be resented by ALFREDO, who rises
-every fifteenth of March from the moat to cut my head off in a fit of
-jealousy--he is so absurd! If I were you I should consult a Solicitor. I
-can recommend you one who hanged himself some years ago in the town over
-yonder. His great great great grandfather drew my marriage settlement;
-and ALFREDO, who has consulted him on several little matters, has every
-confidence in him. Why not see him? You will find him seated in his
-office (it belongs to his nephew in the daytime) from midnight to four
-in the morning. And now you must really go, as I have to frighten the
-occupants of this bed-chamber."
-
-Thus urged, of course I could only bow and withdraw. I floated into the
-town and entered the Lawyer's office. I found its phantom occupant
-extremely obliging.
-
-"The great difficulty," he said, when he had listened to my story, "is
-to ascertain your identity, which can only be done in the daytime. Have
-you ever appeared at noon?"
-
-I admitted that I had, although I was obliged to confess that I had
-found my apparition then both feeble and unsatisfactory.
-
-After consultation, we decided that perhaps we might find some trace of
-my antecedents in the Imbecile Inquiry Office, a Government Department
-devoted to the registration of human curiosities. It was not impossible
-that I might have been so extremely eccentric in my lifetime, that some
-trace of my doings might have been preserved in the archives of the
-_bureau_. The next morning, accompanied by my Lawyer, I visited the
-office, and was requested by a messenger to put in writing on a
-memorandum paper the object of my application. Fortunately the man was
-short-sighted, and did not appear to notice our appearance. I wrote what
-I wanted, and sent it up. In a few minutes the messenger returned.
-
-"The Board is engaged at this moment, but if you like to stop, the
-Secretary will see you by-and-by." He then left us.
-
-After waiting nearly an hour, my Lawyer and I came to the conclusion
-that we must have been forgotten, and determined to go upon a voyage of
-discovery on our own account. Leaving the waiting-room, we glided up a
-broad stone staircase and entered through a green-baize door a large
-apartment apparently filled with books. Seated at a desk was an
-amiable-looking, middle-aged gentleman surrounded with plans, papers,
-packets, and the usual paraphernalia of a Government Office. Between
-this room and another was a second green-baize door dividing the two
-apartments the one from the other. In the second room we saw several
-other amiable-looking middle-aged gentlemen, grouped round a long table,
-and apparently engaged in discussing sandwiches and sherry.
-
-"I am sorry to disturb you," said my Lawyer, courteously. The
-amiable-looking middle-aged gentleman at the desk, raised his eyes,
-looked at us, started violently, and turned as white as a sheet. My
-Solicitor continued, "We want to know----"
-
-He could get no further. The gentleman jumped up from his desk in an
-agony of terror, and, before we could prevent his departure, disappeared
-with an unearthly yell, through the baize door into the second
-apartment. The door was then hurriedly locked, and all we could do would
-not induce any of the occupants of the room to open it. We tried in vain
-all sorts of inducements, from the rattling of heavy chains up to
-thunder-thumps. Some little time elapsed, and then the short-sighted
-messenger made his appearance.
-
-"I never told you to come up," said he, in an aggrieved tone, "and
-you've got me into trouble. You must be off. The Board say that your
-application, whatever it is, can't be entertained."
-
-To retire was all we could do--and we did it. On regaining the street, I
-sorrowfully bade my Solicitor good-bye.
-
-"Oh dear no, Sir," he said, with the ghost of a smile. "You have quite
-forgotten one little formality--my Bill of Costs."
-
-Upon this he produced an enormous roll of paper! The rest of my story
-can be briefly told. Unable to pay my Lawyer's bill, I was compelled to
-seek refuge in a country where I could not be reached by the Extradition
-law. I took a passage in _The Flying Dutchman_, and went to Spain. I am
-now settled in Grenada, where I am believed by the peasantry to be an
-English ghost that has escaped from a branch of the Moorish Alhambra
-that has been recently established in Leicester Square. I find some
-consolation in the thought that those whom I now haunt seem to be
-growing rather fond of me. I trust that this is not a specimen of the
-national politeness, and that the affection they apparently entertain
-towards me is not merely assumed to save me unnecessary embarrassment.
-
- * * * * *
-
-[Illustration: INTERIORS AND EXTERIORS. No. 55.
-
-IN LOWTHER ARCADIA AT CHRISTMAS TIME.]
-
- * * * * *
-
-WAITING HIS ORDERS.
-
-The HOME SECRETARY, after the revelations made by a distinguished member
-of the Representative body of Theatrical Managers and Music Hall
-Proprietors that called upon him last week to protest against the
-further extension of Inspecting Powers to the Metropolitan Board, having
-expressed a wish to hear something still further of the correspondence,
-said to be of a blackmailing character, which was referred to in the
-course of the proceedings, the Deputation again called on him yesterday
-afternoon for the purpose of supplying him with fresh information on the
-subject.
-
-[Illustration: Augustus Druriolanus opposing the Invasion of Plancus
-Operator Autocraticus.]
-
-In re-introducing them, Mr. JACKSON PARTLAND, M.P., said that since
-their last interview they had heard that, with a view to the better
-control of the correspondence of subordinate officials of the Board, an
-enterprising firm of publishers had undertaken to provide for their use
-A COMPLETE LETTER-WRITER, a few of the proof-sheets of which had chanced
-to come into their possession. As they seemed to have some bearing on
-the present case, they thought that perhaps the HOME SECRETARY might
-like to look at them. In presenting them to his notice, they felt it was
-hardly necessary to point out that a public Department from which such
-documents might be expected to issue was scarcely calculated to inspire
-that general confidence so essential to the smooth and efficient working
-that might reasonably be expected of it. The subjoined proof-sheets,
-which he appeared to peruse with much attention, were then handed to the
-HOME SECRETARY:--
-
-_From an Official of the Board to a Popular Manager, asking for Places
-during the Height of the Pantomime Season._
-
- _Metropolitan Board of Shirks Compromising Architect's
- Department, Spring Heel Gardens, February 17._
-
-MY DEAR GUS,--(Excuse the familiarity, but it is a way we have on the
-"Board")--I know you are turning money away nightly, but you must really
-manage to let me have the Queen's Box, and the two others on each side
-of it (all three knocked into one) for three days--say, Monday,
-Thursday, and Friday next week. I wish to bring my grandfather, two aged
-aunts, my sister-in-law, all her children, and my own, and lots of
-cousins and connections who know my interest with you, and have asked me
-to get 'em good places. Don't say you can't do it, my dear boy, for you
-know _I can be nasty when I like_, and should be sorry to put you to the
-expense of clapping on another staircase or two to the upper circles.
-Ha! ha! that would be a joke, wouldn't it? However, let's hope it won't
-come to that. Yours ever, JOHN BEGG.
-
-P.S.--If there's a difficulty about the boxes, I wouldn't mind a whole
-row of stalls right across the theatre in the best part. But mind, one
-or the other, _I must have_.
-
-_From Same to Same, on the former receiving, in reply, an Order for two
-to the Upper Boxes, not admitted after half-past Seven._
-
- _Metropolitan Board of Shirks Compromising Architect's
- Department, Spring Heel Gardens, February 19._
-
-SIR.--I am utterly astounded at the insolence of your response to my
-request, and thus fling back your tickets (re-enclosed) in your face. Do
-you know, Sir, who I am? _Are you aware that I can make your theatre too
-hot to hold you?_ Do you reflect that I can force you to open up a
-dozen,--ay, and if need be, twenty-four--new and roomy exits on every
-blessed floor in your house. And yet, with this knowledge, you dare to
-haggle in your mind over the price of three paltry boxes on the Grand
-Tier. Why, you must be mad!--stark! However, to be plain with you, I'll
-tell you what it is. Unless you send me by return the places I have
-named, and which, as an Official of the Board, have the goodness to
-understand, _I claim as a right_, I'll let loose a Committee of
-Inspection on you in two twos, without notice, and if, after they've
-paid you a visit, they leave you a single leg to stand upon, I promise
-you it won't be the fault of Yours, meaning business, officially,
-
- JOHN BEGG.
-
-_From Same to Same, after receipt of various Complimentary Admissions,
-making still further demands._
-
- _Metropolitan Board of Shirks, Compromising Architect's
- Department, Spring Heel Gardens, March 1._
-
-MY VERY DEAR SIR,--Thank you for the last six Private Boxes, which,
-although not all of them in quite first-rate positions, enabled me to
-knock on a few obligations that I was under to certain importunate
-friends and connections. But I am now going to tax your kindness still
-further. _I wish to give all my tradesmen a treat_, and should like them
-to have the Queen's Box in turn. I am, therefore, sending you the
-addresses of my butcher, my baker, my bootmaker, milkman, greengrocer,
-and my tailor, and request that you will communicate directly with them,
-with a view to finding out on what nights they could most conveniently
-visit the theatre, and arranging accordingly. Please be careful to
-direct the envelopes carefully and legibly, as I should be sorry that
-any carelessness on your part should lead to disagreeables over the
-matter. Indeed, as long as you keep me well supplied with the places I
-require on the Grand Tier, I _have no wish to be nasty_. But you know,
-from experience, it won't do to put my back up, and that rather than put
-an official spoke into your wheel, I would always prefer to receive your
-orders, and be able to sign myself, as I do now, Yours cordially,
-
- JOHN BEGG.
-
-_From Same to Same, on receiving Apologetic and Explanatory Letter
-enclosing sixteen undated Stalls._
-
- _Metropolitan Board of Shirks, Compromising Architect's
- Department, Spring Heel Gardens, March 4._
-
-Mr. BEGG wishes to know whether Mr. HARRIS takes him for a fool. Mr. B.
-particularly told Mr. H., that he wanted him to let him have the Queen's
-Box for six consecutive nights, _as he wished to give his_, Mr. B's.,
-_Tradesmen a treat_. How does Mr. H. think Mr. B. is going to manage
-that in suitable style, in sixteen undated Stalls! But perhaps Mr. H. is
-desirous of _provoking an Official Inspection_, and would like to be
-called on to provide a new set of dressing-rooms, a couple of
-iron-curtains, and be ordered to rebuild his Entrance Hall. Mr. B.
-merely throws this out as a hint, but would advise Mr. H. _if he wishes
-to keep out of trouble_, to despatch the demanded boxes, to the
-addresses already furnished him forthwith.
-
-The HOME SECRETARY said, that after giving the above specimens of
-correspondence his careful consideration, he could not say that he
-thought them particularly out of the way, but as there somehow seemed to
-be a general impression that they were, he supposed something ought to
-be done. He would think the matter over, and perhaps in the course of
-next summer he might possibly hit on some solution.
-
-The Deputation having thanked him, then withdrew.
-
- * * * * *
-
-"ALL THE TALENTS."
-
-The _Graphic's_ big picture, representing "All the Talents" of Her
-Gracious MAJESTY'S reign grouped together in one tremendous crowd,
-directed apparently on their way down (ominous this!) by Sir JEM of the
-Academy, contains some of the best portraits that have appeared in any
-collective illustration. Each one of them separately would be entitled
-to a place in the splendid _Victoria Album_ recently issued by SMITH AND
-DOWNES, and to say this is saying a great deal. _The Graphic_
-Stage-Manager has grouped his characters most appropriately. On the
-extreme right of the spectator is Sir FREDERICK LEIGHTON, P.R.A.,
-staring across at Sir JEM as if wondering why on earth the latter was
-taking so much authority into his own hands. The Baroness BURDETT COUTTS
-is well in front, evidently determined to get out first before the crush
-comes,--an idea that, apparently, has also simultaneously occurred to
-Messrs. CHAMBERLAIN, BROWNING, ELLEN TERRY, and Lords CHARLES BERESFORD,
-TENNYSON, SALISBURY, GLADSTONE, "our Mr. TENNIEL," Mrs. BANCROFT
-(without Mr. B., which accounts for the vacant space next to her, so
-perhaps he was late, or has politely gone to fetch Mrs. KENDAL, with
-whom he will appear in the millionth re-issue of this picture), H.E.
-Cardinal MANNING, apologising for accidentally treading on Madame
-PATTI'S dress (but it really couldn't be helped), who are all getting
-away as quickly as possible, either because Mr. SALA, up at the back, or
-Sir ARTHUR SULLIVAN (who is looking about for Mr. GILBERT) has shouted
-out, "Get on in front there!" Perhaps--ah!--they are all hurrying off to
-the Refreshment Room! Or going to stir the Christmas Pudding.
-
- * * * * *
-
-BOHN'S Standard Library is to be republished at a shilling a volume.
-This is indeed putting life in the dry Bohns.
-
- * * * * *
-
-[Illustration: hand] NOTICE.--Rejected Communications or Contributions,
-whether MS., Printed Matter, Drawings, or Pictures of any description,
-will in no case be returned, not even when accompanied by a Stamped and
-Addressed Envelope Cover, or Wrapper. To this rule there will be no
-exception.
-
- * * * * *
-
-[Transcriber's Note:
-
-Alternative spellings retained.
-
-Punctuation normalized without comment.
-
-Italics denoted by underscores (_).]
-
-
-
-
-
-End of the Project Gutenberg EBook of Punch, or the London Charivari, Volume
-93, December 24, 1887, by Various
-
-*** END OF THIS PROJECT GUTENBERG EBOOK PUNCH ***
-
-***** This file should be named 40626-8.txt or 40626-8.zip *****
-This and all associated files of various formats will be found in:
- http://www.gutenberg.org/4/0/6/2/40626/
-
-Produced by Wayne Hammond, Malcolm Farmer and the Online
-Distributed Proofreading Team at http://www.pgdp.net
-
-
-Updated editions will replace the previous one--the old editions
-will be renamed.
-
-Creating the works from public domain print editions means that no
-one owns a United States copyright in these works, so the Foundation
-(and you!) can copy and distribute it in the United States without
-permission and without paying copyright royalties. Special rules,
-set forth in the General Terms of Use part of this license, apply to
-copying and distributing Project Gutenberg-tm electronic works to
-protect the PROJECT GUTENBERG-tm concept and trademark. Project
-Gutenberg is a registered trademark, and may not be used if you
-charge for the eBooks, unless you receive specific permission. If you
-do not charge anything for copies of this eBook, complying with the
-rules is very easy. You may use this eBook for nearly any purpose
-such as creation of derivative works, reports, performances and
-research. They may be modified and printed and given away--you may do
-practically ANYTHING with public domain eBooks. Redistribution is
-subject to the trademark license, especially commercial
-redistribution.
-
-
-
-*** START: FULL LICENSE ***
-
-THE FULL PROJECT GUTENBERG LICENSE
-PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
-
-To protect the Project Gutenberg-tm mission of promoting the free
-distribution of electronic works, by using or distributing this work
-(or any other work associated in any way with the phrase "Project
-Gutenberg"), you agree to comply with all the terms of the Full Project
-Gutenberg-tm License available with this file or online at
- www.gutenberg.org/license.
-
-
-Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
-electronic works
-
-1.A. By reading or using any part of this Project Gutenberg-tm
-electronic work, you indicate that you have read, understand, agree to
-and accept all the terms of this license and intellectual property
-(trademark/copyright) agreement. If you do not agree to abide by all
-the terms of this agreement, you must cease using and return or destroy
-all copies of Project Gutenberg-tm electronic works in your possession.
-If you paid a fee for obtaining a copy of or access to a Project
-Gutenberg-tm electronic work and you do not agree to be bound by the
-terms of this agreement, you may obtain a refund from the person or
-entity to whom you paid the fee as set forth in paragraph 1.E.8.
-
-1.B. "Project Gutenberg" is a registered trademark. It may only be
-used on or associated in any way with an electronic work by people who
-agree to be bound by the terms of this agreement. There are a few
-things that you can do with most Project Gutenberg-tm electronic works
-even without complying with the full terms of this agreement. See
-paragraph 1.C below. There are a lot of things you can do with Project
-Gutenberg-tm electronic works if you follow the terms of this agreement
-and help preserve free future access to Project Gutenberg-tm electronic
-works. See paragraph 1.E below.
-
-1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
-or PGLAF), owns a compilation copyright in the collection of Project
-Gutenberg-tm electronic works. Nearly all the individual works in the
-collection are in the public domain in the United States. If an
-individual work is in the public domain in the United States and you are
-located in the United States, we do not claim a right to prevent you from
-copying, distributing, performing, displaying or creating derivative
-works based on the work as long as all references to Project Gutenberg
-are removed. Of course, we hope that you will support the Project
-Gutenberg-tm mission of promoting free access to electronic works by
-freely sharing Project Gutenberg-tm works in compliance with the terms of
-this agreement for keeping the Project Gutenberg-tm name associated with
-the work. You can easily comply with the terms of this agreement by
-keeping this work in the same format with its attached full Project
-Gutenberg-tm License when you share it without charge with others.
-
-1.D. The copyright laws of the place where you are located also govern
-what you can do with this work. Copyright laws in most countries are in
-a constant state of change. If you are outside the United States, check
-the laws of your country in addition to the terms of this agreement
-before downloading, copying, displaying, performing, distributing or
-creating derivative works based on this work or any other Project
-Gutenberg-tm work. The Foundation makes no representations concerning
-the copyright status of any work in any country outside the United
-States.
-
-1.E. Unless you have removed all references to Project Gutenberg:
-
-1.E.1. The following sentence, with active links to, or other immediate
-access to, the full Project Gutenberg-tm License must appear prominently
-whenever any copy of a Project Gutenberg-tm work (any work on which the
-phrase "Project Gutenberg" appears, or with which the phrase "Project
-Gutenberg" is associated) is accessed, displayed, performed, viewed,
-copied or distributed:
-
-This eBook is for the use of anyone anywhere at no cost and with
-almost no restrictions whatsoever. You may copy it, give it away or
-re-use it under the terms of the Project Gutenberg License included
-with this eBook or online at www.gutenberg.org
-
-1.E.2. If an individual Project Gutenberg-tm electronic work is derived
-from the public domain (does not contain a notice indicating that it is
-posted with permission of the copyright holder), the work can be copied
-and distributed to anyone in the United States without paying any fees
-or charges. If you are redistributing or providing access to a work
-with the phrase "Project Gutenberg" associated with or appearing on the
-work, you must comply either with the requirements of paragraphs 1.E.1
-through 1.E.7 or obtain permission for the use of the work and the
-Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
-1.E.9.
-
-1.E.3. If an individual Project Gutenberg-tm electronic work is posted
-with the permission of the copyright holder, your use and distribution
-must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
-terms imposed by the copyright holder. Additional terms will be linked
-to the Project Gutenberg-tm License for all works posted with the
-permission of the copyright holder found at the beginning of this work.
-
-1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
-License terms from this work, or any files containing a part of this
-work or any other work associated with Project Gutenberg-tm.
-
-1.E.5. Do not copy, display, perform, distribute or redistribute this
-electronic work, or any part of this electronic work, without
-prominently displaying the sentence set forth in paragraph 1.E.1 with
-active links or immediate access to the full terms of the Project
-Gutenberg-tm License.
-
-1.E.6. You may convert to and distribute this work in any binary,
-compressed, marked up, nonproprietary or proprietary form, including any
-word processing or hypertext form. However, if you provide access to or
-distribute copies of a Project Gutenberg-tm work in a format other than
-"Plain Vanilla ASCII" or other format used in the official version
-posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
-you must, at no additional cost, fee or expense to the user, provide a
-copy, a means of exporting a copy, or a means of obtaining a copy upon
-request, of the work in its original "Plain Vanilla ASCII" or other
-form. Any alternate format must include the full Project Gutenberg-tm
-License as specified in paragraph 1.E.1.
-
-1.E.7. Do not charge a fee for access to, viewing, displaying,
-performing, copying or distributing any Project Gutenberg-tm works
-unless you comply with paragraph 1.E.8 or 1.E.9.
-
-1.E.8. You may charge a reasonable fee for copies of or providing
-access to or distributing Project Gutenberg-tm electronic works provided
-that
-
-- You pay a royalty fee of 20% of the gross profits you derive from
- the use of Project Gutenberg-tm works calculated using the method
- you already use to calculate your applicable taxes. The fee is
- owed to the owner of the Project Gutenberg-tm trademark, but he
- has agreed to donate royalties under this paragraph to the
- Project Gutenberg Literary Archive Foundation. Royalty payments
- must be paid within 60 days following each date on which you
- prepare (or are legally required to prepare) your periodic tax
- returns. Royalty payments should be clearly marked as such and
- sent to the Project Gutenberg Literary Archive Foundation at the
- address specified in Section 4, "Information about donations to
- the Project Gutenberg Literary Archive Foundation."
-
-- You provide a full refund of any money paid by a user who notifies
- you in writing (or by e-mail) within 30 days of receipt that s/he
- does not agree to the terms of the full Project Gutenberg-tm
- License. You must require such a user to return or
- destroy all copies of the works possessed in a physical medium
- and discontinue all use of and all access to other copies of
- Project Gutenberg-tm works.
-
-- You provide, in accordance with paragraph 1.F.3, a full refund of any
- money paid for a work or a replacement copy, if a defect in the
- electronic work is discovered and reported to you within 90 days
- of receipt of the work.
-
-- You comply with all other terms of this agreement for free
- distribution of Project Gutenberg-tm works.
-
-1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
-electronic work or group of works on different terms than are set
-forth in this agreement, you must obtain permission in writing from
-both the Project Gutenberg Literary Archive Foundation and Michael
-Hart, the owner of the Project Gutenberg-tm trademark. Contact the
-Foundation as set forth in Section 3 below.
-
-1.F.
-
-1.F.1. Project Gutenberg volunteers and employees expend considerable
-effort to identify, do copyright research on, transcribe and proofread
-public domain works in creating the Project Gutenberg-tm
-collection. Despite these efforts, Project Gutenberg-tm electronic
-works, and the medium on which they may be stored, may contain
-"Defects," such as, but not limited to, incomplete, inaccurate or
-corrupt data, transcription errors, a copyright or other intellectual
-property infringement, a defective or damaged disk or other medium, a
-computer virus, or computer codes that damage or cannot be read by
-your equipment.
-
-1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
-of Replacement or Refund" described in paragraph 1.F.3, the Project
-Gutenberg Literary Archive Foundation, the owner of the Project
-Gutenberg-tm trademark, and any other party distributing a Project
-Gutenberg-tm electronic work under this agreement, disclaim all
-liability to you for damages, costs and expenses, including legal
-fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
-LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
-PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
-TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
-LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
-INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
-DAMAGE.
-
-1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
-defect in this electronic work within 90 days of receiving it, you can
-receive a refund of the money (if any) you paid for it by sending a
-written explanation to the person you received the work from. If you
-received the work on a physical medium, you must return the medium with
-your written explanation. The person or entity that provided you with
-the defective work may elect to provide a replacement copy in lieu of a
-refund. If you received the work electronically, the person or entity
-providing it to you may choose to give you a second opportunity to
-receive the work electronically in lieu of a refund. If the second copy
-is also defective, you may demand a refund in writing without further
-opportunities to fix the problem.
-
-1.F.4. Except for the limited right of replacement or refund set forth
-in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO OTHER
-WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
-WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
-
-1.F.5. Some states do not allow disclaimers of certain implied
-warranties or the exclusion or limitation of certain types of damages.
-If any disclaimer or limitation set forth in this agreement violates the
-law of the state applicable to this agreement, the agreement shall be
-interpreted to make the maximum disclaimer or limitation permitted by
-the applicable state law. The invalidity or unenforceability of any
-provision of this agreement shall not void the remaining provisions.
-
-1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
-trademark owner, any agent or employee of the Foundation, anyone
-providing copies of Project Gutenberg-tm electronic works in accordance
-with this agreement, and any volunteers associated with the production,
-promotion and distribution of Project Gutenberg-tm electronic works,
-harmless from all liability, costs and expenses, including legal fees,
-that arise directly or indirectly from any of the following which you do
-or cause to occur: (a) distribution of this or any Project Gutenberg-tm
-work, (b) alteration, modification, or additions or deletions to any
-Project Gutenberg-tm work, and (c) any Defect you cause.
-
-
-Section 2. Information about the Mission of Project Gutenberg-tm
-
-Project Gutenberg-tm is synonymous with the free distribution of
-electronic works in formats readable by the widest variety of computers
-including obsolete, old, middle-aged and new computers. It exists
-because of the efforts of hundreds of volunteers and donations from
-people in all walks of life.
-
-Volunteers and financial support to provide volunteers with the
-assistance they need are critical to reaching Project Gutenberg-tm's
-goals and ensuring that the Project Gutenberg-tm collection will
-remain freely available for generations to come. In 2001, the Project
-Gutenberg Literary Archive Foundation was created to provide a secure
-and permanent future for Project Gutenberg-tm and future generations.
-To learn more about the Project Gutenberg Literary Archive Foundation
-and how your efforts and donations can help, see Sections 3 and 4
-and the Foundation information page at www.gutenberg.org
-
-
-Section 3. Information about the Project Gutenberg Literary Archive
-Foundation
-
-The Project Gutenberg Literary Archive Foundation is a non profit
-501(c)(3) educational corporation organized under the laws of the
-state of Mississippi and granted tax exempt status by the Internal
-Revenue Service. The Foundation's EIN or federal tax identification
-number is 64-6221541. Contributions to the Project Gutenberg
-Literary Archive Foundation are tax deductible to the full extent
-permitted by U.S. federal laws and your state's laws.
-
-The Foundation's principal office is located at 4557 Melan Dr. S.
-Fairbanks, AK, 99712., but its volunteers and employees are scattered
-throughout numerous locations. Its business office is located at 809
-North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email
-contact links and up to date contact information can be found at the
-Foundation's web site and official page at www.gutenberg.org/contact
-
-For additional contact information:
- Dr. Gregory B. Newby
- Chief Executive and Director
- gbnewby@pglaf.org
-
-Section 4. Information about Donations to the Project Gutenberg
-Literary Archive Foundation
-
-Project Gutenberg-tm depends upon and cannot survive without wide
-spread public support and donations to carry out its mission of
-increasing the number of public domain and licensed works that can be
-freely distributed in machine readable form accessible by the widest
-array of equipment including outdated equipment. Many small donations
-($1 to $5,000) are particularly important to maintaining tax exempt
-status with the IRS.
-
-The Foundation is committed to complying with the laws regulating
-charities and charitable donations in all 50 states of the United
-States. Compliance requirements are not uniform and it takes a
-considerable effort, much paperwork and many fees to meet and keep up
-with these requirements. We do not solicit donations in locations
-where we have not received written confirmation of compliance. To
-SEND DONATIONS or determine the status of compliance for any
-particular state visit www.gutenberg.org/donate
-
-While we cannot and do not solicit contributions from states where we
-have not met the solicitation requirements, we know of no prohibition
-against accepting unsolicited donations from donors in such states who
-approach us with offers to donate.
-
-International donations are gratefully accepted, but we cannot make
-any statements concerning tax treatment of donations received from
-outside the United States. U.S. laws alone swamp our small staff.
-
-Please check the Project Gutenberg Web pages for current donation
-methods and addresses. Donations are accepted in a number of other
-ways including checks, online payments and credit card donations.
-To donate, please visit: www.gutenberg.org/donate
-
-
-Section 5. General Information About Project Gutenberg-tm electronic
-works.
-
-Professor Michael S. Hart was the originator of the Project Gutenberg-tm
-concept of a library of electronic works that could be freely shared
-with anyone. For forty years, he produced and distributed Project
-Gutenberg-tm eBooks with only a loose network of volunteer support.
-
-Project Gutenberg-tm eBooks are often created from several printed
-editions, all of which are confirmed as Public Domain in the U.S.
-unless a copyright notice is included. Thus, we do not necessarily
-keep eBooks in compliance with any particular paper edition.
-
-Most people start at our Web site which has the main PG search facility:
-
- www.gutenberg.org
-
-This Web site includes information about Project Gutenberg-tm,
-including how to make donations to the Project Gutenberg Literary
-Archive Foundation, how to help produce our new eBooks, and how to
-subscribe to our email newsletter to hear about new eBooks.
-