summaryrefslogtreecommitdiff
path: root/4066-h
diff options
context:
space:
mode:
Diffstat (limited to '4066-h')
-rw-r--r--4066-h/4066-h.htm1770
1 files changed, 1770 insertions, 0 deletions
diff --git a/4066-h/4066-h.htm b/4066-h/4066-h.htm
new file mode 100644
index 0000000..fd6feb4
--- /dev/null
+++ b/4066-h/4066-h.htm
@@ -0,0 +1,1770 @@
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN"
+"http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en" lang="en">
+<head>
+<meta http-equiv="Content-Type" content="text/html;charset=utf-8" />
+<meta http-equiv="Content-Style-Type" content="text/css" />
+<title>The Project Gutenberg eBook of Wild Apples, by Henry David Thoreau</title>
+
+<style type="text/css">
+
+body { margin-left: 20%;
+ margin-right: 20%;
+ text-align: justify; }
+
+h1, h2, h3, h4, h5 {text-align: center; font-style: normal; font-weight:
+normal; line-height: 1.5; margin-top: .5em; margin-bottom: .5em;}
+
+h1 {font-size: 300%;
+ margin-top: 0.6em;
+ margin-bottom: 0.6em;
+ letter-spacing: 0.12em;
+ word-spacing: 0.2em;
+ text-indent: 0em;}
+h2 {font-size: 150%; margin-top: 2em; margin-bottom: 1em;}
+h3 {font-size: 130%; margin-top: 1em;}
+h4 {font-size: 120%;}
+h5 {font-size: 110%;}
+
+.no-break {page-break-before: avoid;} /* for epubs */
+
+div.chapter {page-break-before: always; margin-top: 4em;}
+
+hr {width: 80%; margin-top: 2em; margin-bottom: 2em;}
+
+p {text-indent: 1em;
+ margin-top: 0.25em;
+ margin-bottom: 0.25em; }
+
+p.poem {text-indent: 0%;
+ margin-left: 10%;
+ font-size: 90%;
+ margin-top: 1em;
+ margin-bottom: 1em; }
+
+p.noindent {text-indent: 0% }
+
+p.footnote {font-size: 90%;
+ text-indent: 0%;
+ margin-left: 10%;
+ margin-right: 10%;
+ margin-top: 1em;
+ margin-bottom: 1em; }
+
+sup { vertical-align: top; font-size: 0.6em; }
+
+a:link {color:blue; text-decoration:none}
+a:visited {color:blue; text-decoration:none}
+a:hover {color:red}
+
+</style>
+
+</head>
+
+<body>
+
+<div style='text-align:center; font-size:1.2em; font-weight:bold'>The Project Gutenberg eBook of Wild Apples, by Henry David Thoreau</div>
+<div style='display:block; margin:1em 0'>
+This eBook is for the use of anyone anywhere in the United States and
+most other parts of the world at no cost and with almost no restrictions
+whatsoever. You may copy it, give it away or re-use it under the terms
+of the Project Gutenberg License included with this eBook or online
+at <a href="https://www.gutenberg.org">www.gutenberg.org</a>. If you
+are not located in the United States, you will have to check the laws of the
+country where you are located before using this eBook.
+</div>
+<div style='display:block; margin-top:1em; margin-bottom:1em; margin-left:2em; text-indent:-2em'>Title: Wild Apples</div>
+<div style='display:block; margin-top:1em; margin-bottom:1em; margin-left:2em; text-indent:-2em'>Author: Henry David Thoreau</div>
+<div style='display:block; margin:1em 0'>Release Date: November 1, 2001 [eBook #4066]<br />
+[Most recently updated: February 10, 2022]</div>
+<div style='display:block; margin:1em 0'>Language: English</div>
+<div style='display:block; margin:1em 0'>Character set encoding: UTF-8</div>
+<div style='display:block; margin-left:2em; text-indent:-2em'>Produced by: Charles Franks and the Online Distributed Proofreading Team</div>
+<div style='margin-top:2em; margin-bottom:4em'>*** START OF THE PROJECT GUTENBERG EBOOK WILD APPLES ***</div>
+
+<h1>Wild Apples</h1>
+
+<h2 class="no-break">by Henry David Thoreau</h2>
+
+<hr />
+
+<h2>Contents</h2>
+
+<table summary="" style="">
+
+<tr>
+<td> <a href="#chap01">THE HISTORY OF THE APPLE-TREE</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap02">THE WILD APPLE</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap03">THE CRAB</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap04">HOW THE WILD APPLE GROWS</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap05">THE FRUIT, AND ITS FLAVOR</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap06">THEIR BEAUTY</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap07">THE NAMING OF THEM</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap08">THE LAST GLEANING</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap09">THE &ldquo;FROZEN-THAWED&rdquo; APPLE</a></td>
+</tr>
+
+</table>
+
+<div class="chapter">
+
+<h2><a name="chap01"></a>THE HISTORY OF THE APPLE-TREE</h2>
+
+<p>
+It is remarkable how closely the history of the Apple-tree is connected with
+that of man. The geologist tells us that the order of the <i>Rosaceæ</i>, which
+includes the Apple, also the true Grasses, and the <i>Labiatæ</i>, or Mints,
+were introduced only a short time previous to the appearance of man on the
+globe.
+</p>
+
+<p>
+It appears that apples made a part of the food of that unknown primitive people
+whose traces have lately been found at the bottom of the Swiss lakes, supposed
+to be older than the foundation of Rome, so old that they had no metallic
+implements. An entire black and shrivelled Crab-Apple has been recovered from
+their stores.
+</p>
+
+<p>
+Tacitus says of the ancient Germans that they satisfied their hunger with wild
+apples, among other things.
+</p>
+
+<p>
+Niebuhr<a href="#fn1" name="fnref1"><sup>[1]</sup></a> observes that &ldquo;the
+words for a house, a field, a plough, ploughing, wine, oil, milk, sheep,
+apples, and others relating to agriculture and the gentler ways of life, agree
+in Latin and Greek, while the Latin words for all objects pertaining to war or
+the chase are utterly alien from the Greek.&rdquo; Thus the apple-tree may be
+considered a symbol of peace no less than the olive.
+</p>
+
+<p class="footnote">
+<a name="fn1"></a> <a href="#fnref1">[1]</a>
+A German historical critic of ancient life.
+</p>
+
+<p>
+The apple was early so important, and so generally distributed, that its name
+traced to its root in many languages signifies fruit in general.
+&#924;&#8134;&#955;&#959;&#957; (Mēlon), in Greek, means an apple, also the
+fruit of other trees, also a sheep and any cattle, and finally riches in
+general.
+</p>
+
+<p>
+The apple-tree has been celebrated by the Hebrews, Greeks, Romans, and
+Scandinavians. Some have thought that the first human pair were tempted by its
+fruit. Goddesses are fabled to have contended for it, dragons were set to watch
+it, and heroes were employed to pluck it.<a href="#fn2" name="fnref2"><sup>[2]</sup></a>
+</p>
+
+<p class="footnote">
+<a name="fn2"></a> <a href="#fnref2">[2]</a>
+The Greek myths especially referred to are The Choice of Paris and The Apples
+of the Hesperides.
+</p>
+
+<p>
+The tree is mentioned in at least three places in the Old Testament, and its
+fruit in two or three more. Solomon sings, &ldquo;As the apple-tree among the
+trees of the wood, so is my beloved among the sons.&rdquo; And again,
+&ldquo;Stay me with flagons, comfort me with apples.&rdquo; The noblest part of
+man&rsquo;s noblest feature is named from this fruit, &ldquo;the apple of the
+eye.&rdquo;
+</p>
+
+<p>
+The apple-tree is also mentioned by Homer and Herodotus. Ulysses saw in the
+glorious garden of Alcinous &ldquo;pears and pomegranates and apple-trees
+bearing beautiful fruit.&rdquo; And according to Homer, apples were among the
+fruits which Tantalus could not pluck, the wind ever blowing their boughs away
+from him. Theophrastus knew and described the apple-tree as a botanist.
+</p>
+
+<p>
+According to the prose Edda,<a href="#fn3" name="fnref3"><sup>[3]</sup></a>
+&ldquo;Iduna keeps in a box the apples which the gods, when they feel old age
+approaching, have only to taste of to become young again. It is in this manner
+that they will be kept in renovated youth until Ragnarök&rdquo; (or the
+destruction of the Gods).
+</p>
+
+<p class="footnote">
+<a name="fn3"></a> <a href="#fnref3">[3]</a>
+The stories of the early Scandinavians.
+</p>
+
+<p>
+I learn from Loudon<a href="#fn4" name="fnref4"><sup>[4]</sup></a> that
+&ldquo;the ancient Welsh bards were rewarded for excelling in song by the token
+of the apple-spray;&rdquo; and &ldquo;in the Highlands of Scotland the
+apple-tree is the badge of the clan Lamont.&rdquo;
+</p>
+
+<p class="footnote">
+<a name="fn4"></a> <a href="#fnref4">[4]</a>
+An English authority on the culture of orchards and gardens.
+</p>
+
+<p>
+The apple-tree belongs chiefly to the northern temperate zone. Loudon says,
+that &ldquo;it grows spontaneously in every part of Europe except the frigid
+zone, and throughout Western Asia, China and Japan.&rdquo; We have also two or
+three varieties of the apple indigenous in North America. The cultivated
+apple-tree was first introduced into this country by the earliest settlers, and
+is thought to do as well or better here than anywhere else. Probably some of
+the varieties which are now cultivated were first introduced into Britain by
+the Romans.
+</p>
+
+<p>
+Pliny, adopting the distinction of Theophrastus, says, &ldquo;Of trees there
+are some which are altogether wild, some more civilized.&rdquo; Theophrastus
+includes the apple among the last; and, indeed, it is in this sense the most
+civilized of all trees. It is as harmless as a dove, as beautiful as a rose,
+and as valuable as flocks and herds. It has been longer cultivated than any
+other, and so is more humanized; and who knows but, like the dog, it will at
+length be no longer traceable to its wild original? It migrates with man, like
+the dog and horse and cow; first, perchance, from Greece to Italy, thence to
+England, thence to America; and our Western emigrant is still marching steadily
+toward the setting sun with the seeds of the apple in his pocket, or perhaps a
+few young trees strapped to his load. At least a million apple-trees are thus
+set farther westward this year than any cultivated ones grew last year.
+Consider how the Blossom-Week, like the Sabbath, is thus annually spreading
+over the prairies; for when man migrates he carries with him not only his
+birds, quadrupeds, insects, vegetables, and his very sward, but his orchard
+also.
+</p>
+
+<p>
+The leaves and tender twigs are an agreeable food to many domestic animals, as
+the cow, horse, sheep, and goat; and the fruit is sought after by the first, as
+well as by the hog. Thus there appears to have existed a natural alliance
+between these animals and this tree from the first. &ldquo;The fruit of the
+Crab in the forests of France&rdquo; is said to be &ldquo;a great resource for
+the wild boar.&rdquo;
+</p>
+
+<p>
+Not only the Indian, but many indigenous insects, birds, and quadrupeds,
+welcomed the apple-tree to these shores. The tent-caterpillar saddled her eggs
+on the very first twig that was formed, and it has since shared her affections
+with the wild cherry; and the canker-worm also in a measure abandoned the elm
+to feed on it. As it grew apace, the bluebird, robin, cherry-bird, king-bird,
+and many more, came with haste and built their nests and warbled in its boughs,
+and so became orchard-birds, and multiplied more than ever. It was an era in
+the history of their race. The downy woodpecker found such a savory morsel
+under its bark, that he perforated it in a ring quite round the tree before he
+left it,&mdash;a thing which he had never done before, to my knowledge. It did
+not take the partridge long to find out how sweet its buds were, and every
+winter eve she flew, and still flies, from the wood, to pluck them, much to the
+farmer&rsquo;s sorrow. The rabbit, too, was not slow to learn the taste of its
+twigs and bark; and when the fruit was ripe, the squirrel half-rolled,
+half-carried it to his hole; and even the musquash crept up the bank from the
+brook at evening, and greedily devoured it, until he had worn a path in the
+grass there; and when it was frozen and thawed, the crow and the jay were glad
+to taste it occasionally. The owl crept into the first apple-tree that became
+hollow, and fairly hooted with delight, finding it just the place for him; so,
+settling down into it, he has remained there ever since.
+</p>
+
+<p>
+My theme being the Wild Apple, I will merely glance at some of the seasons in
+the annual growth of the cultivated apple, and pass on to my special province.
+</p>
+
+<p>
+The flowers of the apple are perhaps the most beautiful of any tree, so copious
+and so delicious to both sight and scent. The walker is frequently tempted to
+turn and linger near some more than usually handsome one, whose blossoms are
+two thirds expanded. How superior it is in these respects to the pear, whose
+blossoms are neither colored nor fragrant!
+</p>
+
+<p>
+By the middle of July, green apples are so large as to remind us of coddling,
+and of the autumn. The sward is commonly strewed with little ones which fall
+still-born, as it were,&mdash;Nature thus thinning them for us. The Roman
+writer Palladius said: &ldquo;If apples are inclined to fall before their time,
+a stone placed in a split root will retain them.&rdquo; Some such notion, still
+surviving, may account for some of the stones which we see placed to be
+overgrown in the forks of trees. They have a saying in Suffolk, England,&mdash;
+</p>
+
+<p class="poem">
+&ldquo;At Michaelmas time, or a little before,<br/>
+Half an apple goes to the core.&rdquo;
+</p>
+
+<p>
+Early apples begin to be ripe about the first of August; but I think that none
+of them are so good to eat as some to smell. One is worth more to scent your
+handkerchief with than any perfume which they sell in the shops. The fragrance
+of some fruits is not to be forgotten, along with that of flowers. Some gnarly
+apple which I pick up in the road reminds me by its fragrance of all the wealth
+of Pomona,<a href="#fn5" name="fnref5"><sup>[5]</sup></a>&mdash;carrying me
+forward to those days when they will be collected in golden and ruddy heaps in
+the orchards and about the cider-mills.
+</p>
+
+<p class="footnote">
+<a name="fn5"></a> <a href="#fnref5">[5]</a>
+The Roman goddess of fruit and fruit-trees.
+</p>
+
+<p>
+A week or two later, as you are going by orchards or gardens, especially in the
+evenings, you pass through a little region possessed by the fragrance of ripe
+apples, and thus enjoy them without price, and without robbing anybody.
+</p>
+
+<p>
+There is thus about all natural products a certain volatile and ethereal
+quality which represents their highest value, and which cannot be vulgarized,
+or bought and sold. No mortal has ever enjoyed the perfect flavor of any fruit,
+and only the godlike among men begin to taste its ambrosial qualities. For
+nectar and ambrosia are only those fine flavors of every earthly fruit which
+our coarse palates fail to perceive,&mdash;just as we occupy the heaven of the
+gods without knowing it. When I see a particularly mean man carrying a load of
+fair and fragrant early apples to market, I seem to see a contest going on
+between him and his horse, on the one side, and the apples on the other, and,
+to my mind, the apples always gain it. Pliny says that apples are the heaviest
+of all things, and that the oxen begin to sweat at the mere sight of a load of
+them. Our driver begins to lose his load the moment he tries to transport them
+to where they do not belong, that is, to any but the most beautiful. Though he
+gets out from time to time, and feels of them, and thinks they are all there, I
+see the stream of their evanescent and celestial qualities going to heaven from
+his cart, while the pulp and skin and core only are going to market. They are
+not apples, but pomace. Are not these still Iduna&rsquo;s apples, the taste of
+which keeps the gods forever young? and think you that they will let Loki or
+Thjassi carry them off to Jötunheim,<a href="#fn6" name="fnref6"><sup>[6]</sup></a>
+while they grow wrinkled and gray? No, for Ragnarök, or the destruction of the
+gods, is not yet.
+</p>
+
+<p class="footnote">
+<a name="fn6"></a> <a href="#fnref6">[6]</a>
+Jötunheim (<i>Ye</i>(r)<i>t&#x2032;-un-hime</i>) in Scandinavian mythology was
+the home of the Jotun or Giants. Loki was a descendant of the gods, and a
+companion of the Giants. Thjassi (<i>Tee-assy</i>) was a giant.
+</p>
+
+<p>
+There is another thinning of the fruit, commonly near the end of August or in
+September, when the ground is strewn with windfalls; and this happens
+especially when high winds occur after rain. In some orchards you may see fully
+three quarters of the whole crop on the ground, lying in a circular form
+beneath the trees, yet hard and green,&mdash;or, if it is a hillside, rolled
+far down the hill. However, it is an ill wind that blows nobody any good. All
+the country over, people are busy picking up the windfalls, and this will make
+them cheap for early apple-pies.
+</p>
+
+<p>
+In October, the leaves falling, the apples are more distinct on the trees. I
+saw one year in a neighboring town some trees fuller of fruit than I remember
+to have ever seen before, small yellow apples hanging over the road. The
+branches were gracefully drooping with their weight, like a barberry-bush, so
+that the whole tree acquired a new character. Even the topmost branches,
+instead of standing erect, spread and drooped in all directions; and there were
+so many poles supporting the lower ones, that they looked like pictures of
+banian-trees. As an old English manuscript says, &ldquo;The mo appelen the tree
+bereth the more sche boweth to the folk.&rdquo;
+</p>
+
+<p>
+Surely the apple is the noblest of fruits. Let the most beautiful or the
+swiftest have it. That should be the &ldquo;going&rdquo; price of apples.
+</p>
+
+<p>
+Between the fifth and twentieth of October I see the barrels lie under the
+trees. And perhaps I talk with one who is selecting some choice barrels to
+fulfil an order. He turns a specked one over many times before he leaves it
+out. If I were to tell what is passing in my mind, I should say that every one
+was specked which he had handled; for he rubs off all the bloom, and those
+fugacious ethereal qualities leave it. Cool evenings prompt the farmers to make
+haste, and at length I see only the ladders here and there left leaning against
+the trees.
+</p>
+
+<p>
+It would be well if we accepted these gifts with more joy and gratitude, and
+did not think it enough simply to put a fresh load of compost about the tree.
+Some old English customs are suggestive at least. I find them described chiefly
+in Brand&rsquo;s &ldquo;Popular Antiquities.&rdquo; It appears that &ldquo;on
+Christmas eve the farmers and their men in Devonshire take a large bowl of
+cider, with a toast in it, and carrying it in state to the orchard, they salute
+the apple-trees with much ceremony, in order to make them bear well the next
+season.&rdquo; This salutation consists in &ldquo;throwing some of the cider
+about the roots of the tree, placing bits of the toast on the branches,&rdquo;
+and then, &ldquo;encircling one of the best bearing trees in the orchard, they
+drink the following toast three several times:&mdash;
+</p>
+
+<p class="poem">
+        &ldquo;&lsquo;Here&rsquo;s to thee, old apple-tree,<br/>
+Whence thou mayst bud, and whence thou mayst blow,<br/>
+And whence thou mayst bear apples enow!<br/>
+        Hats-full! caps-full!<br/>
+        Bushel, bushel, sacks-full!<br/>
+        And my pockets full, too! Hurra!&rsquo;&rdquo;
+</p>
+
+<p>
+Also what was called &ldquo;apple-howling&rdquo; used to be practised in
+various counties of England on New-Year&rsquo;s eve. A troop of boys visited
+the different orchards, and, encircling the apple-trees, repeated the following
+words:&mdash;
+</p>
+
+<p class="poem">
+&ldquo;Stand fast, root! bear well, top!<br/>
+Pray God send us a good howling crop:<br/>
+Every twig, apples big;<br/>
+Every bow, apples enow!&rdquo;
+</p>
+
+<p>
+&ldquo;They then shout in chorus, one of the boys accompanying them on a
+cow&rsquo;s horn. During this ceremony they rap the trees with their
+sticks.&rdquo; This is called &ldquo;wassailing&rdquo; the trees, and is
+thought by some to be &ldquo;a relic of the heathen sacrifice to Pomona.&rdquo;
+</p>
+
+<p>
+Herrick sings,&mdash;
+</p>
+
+<p class="poem">
+&ldquo;Wassaile the trees that they may beare<br/>
+You many a plum and many a peare;<br/>
+For more or less fruits they will bring<br/>
+As you so give them wassailing.&rdquo;
+</p>
+
+<p>
+Our poets have as yet a better right to sing of cider than of wine; but it
+behooves them to sing better than English Phillips did, else they will do no
+credit to their Muse.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap02"></a>THE WILD APPLE</h2>
+
+<p>
+So much for the more civilized apple-trees (<i>urbaniores</i>, as Pliny calls
+them). I love better to go through the old orchards of ungrafted apple-trees,
+at whatever season of the year,&mdash;so irregularly planted: sometimes two
+trees standing close together; and the rows so devious that you would think
+that they not only had grown while the owner was sleeping, but had been set out
+by him in a somnambulic state. The rows of grafted fruit will never tempt me to
+wander amid them like these. But I now, alas, speak rather from memory than
+from any recent experience, such ravages have been made!
+</p>
+
+<p>
+Some soils, like a rocky tract called the Easterbrooks Country in my
+neighborhood, are so suited to the apple, that it will grow faster in them
+without any care, or if only the ground is broken up once a year, than it will
+in many places with any amount of care. The owners of this tract allow that the
+soil is excellent for fruit, but they say that it is so rocky that they have
+not patience to plough it, and that, together with the distance, is the reason
+why it is not cultivated. There are, or were recently, extensive orchards there
+standing without order. Nay, they spring up wild and bear well there in the
+midst of pines, birches, maples, and oaks. I am often surprised to see rising
+amid these trees the rounded tops of apple-trees glowing with red or yellow
+fruit, in harmony with the autumnal tints of the forest.
+</p>
+
+<p>
+Going up the side of a cliff about the first of November, I saw a vigorous
+young apple-tree, which, planted by birds or cows, had shot up amid the rocks
+and open woods there, and had now much fruit on it, uninjured by the frosts,
+when all cultivated apples were gathered. It was a rank wild growth, with many
+green leaves on it still, and made an impression of thorniness. The fruit was
+hard and green, but looked as if it would be palatable in the winter. Some was
+dangling on the twigs, but more half-buried in the wet leaves under the tree,
+or rolled far down the hill amid the rocks. The owner knows nothing of it. The
+day was not observed when it first blossomed, nor when it first bore fruit,
+unless by the chickadee. There was no dancing on the green beneath it in its
+honor, and now there is no hand to pluck its fruit,&mdash;which is only gnawed
+by squirrels, as I perceive. It has done double duty,&mdash;not only borne this
+crop, but each twig has grown a foot into the air. And this is <i>such</i>
+fruit! bigger than many berries, we must admit, and carried home will be sound
+and palatable next spring. What care I for Iduna&rsquo;s apples so long as I
+can get these?
+</p>
+
+<p>
+When I go by this shrub thus late and hardy, and see its dangling fruit, I
+respect the tree, and I am grateful for Nature&rsquo;s bounty, even though I
+cannot eat it. Here on this rugged and woody hillside has grown an apple-tree,
+not planted by man, no relic of a former orchard, but a natural growth, like
+the pines and oaks. Most fruits which we prize and use depend entirely on our
+care. Corn and grain, potatoes, peaches, melons, etc., depend altogether on our
+planting; but the apple emulates man&rsquo;s independence and enterprise. It is
+not simply carried, as I have said, but, like him, to some extent, it has
+migrated to this New World, and is even, here and there, making its way amid
+the aboriginal trees; just as the ox and dog and horse sometimes run wild and
+maintain themselves.
+</p>
+
+<p>
+Even the sourest and crabbedest apple, growing in the most unfavorable
+position, suggests such thoughts as these, it is so noble a fruit.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap03"></a>THE CRAB</h2>
+
+<p>
+Nevertheless, <i>our</i> wild apple is wild only like myself, perchance, who
+belong not to the aboriginal race here, but have strayed into the woods from
+the cultivated stock. Wilder still, as I have said, there grows elsewhere in
+this country a native and aboriginal Crab-Apple, &ldquo;whose nature has not
+yet been modified by cultivation.&rdquo; It is found from Western New York to
+Minnesota and southward. Michaux<a href="#fn7" name="fnref7"><sup>[7]</sup></a>
+says that its ordinary height &ldquo;is fifteen or eighteen feet, but it is
+sometimes found twenty-five or thirty feet high,&rdquo; and that the large ones
+&ldquo;exactly resemble the common apple-tree.&rdquo; &ldquo;The flowers are
+white mingled with rose-color, and are collected in corymbs.&rdquo; They are
+remarkable for their delicious odor. The fruit, according to him, is about an
+inch and a half in diameter, and is intensely acid. Yet they make fine
+sweet-meats, and also cider of them. He concludes, that &ldquo;if, on being
+cultivated, it does not yield new and palatable varieties, it will at least be
+celebrated for the beauty of its flowers, and for the sweetness of its
+perfume.&rdquo;
+</p>
+
+<p class="footnote">
+<a name="fn7"></a> <a href="#fnref7">[7]</a>
+Pronounced <i>mee-shō;</i> a French botanist and traveller.
+</p>
+
+<p>
+I never saw the Crab-Apple till May, 1861. I had heard of it through Michaux,
+but more modern botanists, so far as I know, have not treated it as of any
+peculiar importance. Thus it was a half-fabulous tree to me. I contemplated a
+pilgrimage to the &ldquo;Glades,&rdquo; a portion of Pennsylvania, where it was
+said to grow to perfection. I thought of sending to a nursery for it, but
+doubted if they had it, or would distinguish it from European varieties. At
+last I had occasion to go to Minnesota, and on entering Michigan I began to
+notice from the cars a tree with handsome rose-colored flowers. At first I
+thought it some variety of thorn; but it was not long before the truth flashed
+on me, that this was my long-sought Crab-Apple. It was the prevailing flowering
+shrub or tree to be seen from the cars at that season of the year,&mdash;about
+the middle of May. But the cars never stopped before one, and so I was launched
+on the bosom of the Mississippi without having touched one, experiencing the
+fate of Tantalus. On arriving at St. Anthony&rsquo;s Falls, I was sorry to be
+told that I was too far north for the Crab-Apple. Nevertheless I succeeded in
+finding it about eight miles west of the Falls; touched it and smelled it, and
+secured a lingering corymb of flowers for my herbarium. This must have been
+near its northern limit.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap04"></a>HOW THE WILD APPLE GROWS</h2>
+
+<p>
+But though these are indigenous, like the Indians, I doubt whether they are any
+hardier than those back-woodsmen among the apple-trees, which, though descended
+from cultivated stocks, plant themselves in distant fields and forests, where
+the soil is favorable to them. I know of no trees which have more difficulties
+to contend with, and which more sturdily resist their foes. These are the ones
+whose story we have to tell. It oftentimes reads thus:&mdash;
+</p>
+
+<p>
+Near the beginning of May, we notice little thickets of apple-trees just
+springing up in the pastures where cattle have been,&mdash;as the rocky ones of
+our Easter-brooks Country, or the top of Nobscot Hill in Sudbury. One or two of
+these perhaps survive the drought and other accidents,&mdash;their very
+birthplace defending them against the encroaching grass and some other dangers,
+at first.
+</p>
+
+<p class="poem">
+In two years&rsquo; time &rsquo;t had thus<br/>
+    Reached the level of the rocks,<br/>
+Admired the stretching world,<br/>
+    Nor feared the wandering flocks.<br/>
+<br/>
+But at this tender age<br/>
+    Its sufferings began:<br/>
+There came a browsing ox<br/>
+    And cut it down a span.
+</p>
+
+<p class="noindent">
+This time, perhaps, the ox does not notice it amid the grass; but the next
+year, when it has grown more stout, he recognizes it for a fellow-emigrant from
+the old country, the flavor of whose leaves and twigs he well knows; and though
+at first he pauses to welcome it, and express his surprise, and gets for
+answer, &ldquo;The same cause that brought you here brought me,&rdquo; he
+nevertheless browses it again, reflecting, it may be, that he has some title to
+it.
+</p>
+
+<p>
+Thus cut down annually, it does not despair; but, putting forth two short twigs
+for every one cut off, it spreads out low along the ground in the hollows or
+between the rocks, growing more stout and scrubby, until it forms, not a tree
+as yet, but a little pyramidal, stiff, twiggy mass, almost as solid and
+impenetrable as a rock. Some of the densest and most impenetrable clumps of
+bushes that I have ever seen, as well, on account of the closeness and
+stubbornness of their branches as of their thorns, have been these wild-apple
+scrubs. They are more like the scrubby fir and black spruce on which you stand,
+and sometimes walk, on the tops of mountains, where cold is the demon they
+contend with, than anything else. No wonder they are prompted to grow thorns at
+last, to defend themselves against such foes. In their thorniness, however,
+there is no malice, only some malic acid.
+</p>
+
+<p>
+The rocky pastures of the tract I have referred to&mdash;for they maintain
+their ground best in a rocky field&mdash;are thickly sprinkled with these
+little tufts, reminding you often of some rigid gray mosses or lichens, and you
+see thousands of little trees just springing up between them, with the seed
+still attached to them.
+</p>
+
+<p>
+Being regularly clipped all around each year by the cows, as a hedge with
+shears, they are often of a perfect conical or pyramidal form, from one to four
+feet high, and more or less sharp, as if trimmed by the gardener&rsquo;s art.
+In the pastures on Nobscot Hill and its spurs they make fine dark shadows when
+the sun is low. They are also an excellent covert from hawks for many small
+birds that roost and build in them. Whole flocks perch in them at night, and I
+have seen three robins&rsquo; nests in one which was six feet in diameter.
+</p>
+
+<p>
+No doubt many of these are already old trees, if you reckon from the day they
+were planted, but infants still when you consider their development and the
+long life before them. I counted the annual rings of some which were just one
+foot high, and as wide as high, and found that they were about twelve years
+old, but quite sound and thrifty! They were so low that they were unnoticed by
+the walker, while many of their contemporaries from the nurseries were already
+bearing considerable crops. But what you gain in time is perhaps in this case,
+too, lost in power,&mdash;that is, in the vigor of the tree. This is their
+pyramidal state.
+</p>
+
+<p>
+The cows continue to browse them thus for twenty years or more, keeping them
+down and compelling them to spread, until at last they are so broad that they
+become their own fence, when some interior shoot, which their foes cannot
+reach, darts upward with joy: for it has not forgotten its high calling, and
+bears its own peculiar fruit in triumph.
+</p>
+
+<p>
+Such are the tactics by which it finally defeats its bovine foes. Now, if you
+have watched the progress of a particular shrub, you will see that it is no
+longer a simple pyramid or cone, but out of its apex there rises a sprig or
+two, growing more lustily perchance than an orchard-tree, since the plant now
+devotes the whole of its repressed energy to these upright parts. In a short
+time these become a small tree, an inverted pyramid resting on the apex of the
+other, so that the whole has now the form of a vast hour-glass. The spreading
+bottom, having served its purpose, finally disappears, and the generous tree
+permits the now harmless cows to come in and stand in its shade, and rub
+against and redden its trunk, which has grown in spite of them, and even to
+taste a part of its fruit, and so disperse the seed.
+</p>
+
+<p>
+Thus the cows create their own shade and food; and the tree, its hour-glass
+being inverted, lives a second life, as it were.
+</p>
+
+<p>
+It is an important question with some nowadays, whether you should trim young
+apple-trees as high as your nose or as high as your eyes. The ox trims them up
+as high as he can reach, and that is about the right height, I think.
+</p>
+
+<p>
+In spite of wandering kine and other adverse circumstance, that despised shrub,
+valued only by small birds as a covert and shelter from hawks, has its
+blossom-week at last, and in course of time its harvest, sincere, though small.
+</p>
+
+<p>
+By the end of some October, when its leaves have fallen, I frequently see such
+a central sprig, whose progress I have watched, when I thought it had forgotten
+its destiny, as I had, bearing its first crop of small green or yellow or rosy
+fruit, which the cows cannot get at over the bushy and thorny hedge which
+surrounds it; and I make haste to taste the new and undescribed variety. We
+have all heard of the numerous varieties of fruit invented by Van Mons<a
+href="#fn8" name="fnref8"><sup>[8]</sup></a> and Knight.<a href="#fn9"
+name="fnref9"><sup>[9]</sup></a> This is the system of Van Cow, and she has
+invented far more and more memorable varieties than both of them.
+</p>
+
+<p class="footnote">
+<a name="fn8"></a> <a href="#fnref8">[8]</a>
+A Belgian chemist and horticulturist.
+</p>
+
+<p class="footnote">
+<a name="fn9"></a> <a href="#fnref9">[9]</a>
+An English vegetable physiologist.
+</p>
+
+<p>
+Through what hardships it may attain to bear a sweet fruit! Though somewhat
+small, it may prove equal, if not superior, in flavor to that which has grown
+in a garden,&mdash;will perchance be all the sweeter and more palatable for the
+very difficulties it has had to contend with. Who knows but this chance wild
+fruit, planted by a cow or a bird on some remote and rocky hillside, where it
+is as yet unobserved by man, may be the choicest of all its kind, and foreign
+potentates shall hear of it, and royal societies seek to propagate it, though
+the virtues of the perhaps truly crabbed owner of the soil may never be heard
+of,&mdash;at least, beyond the limits of his village? It was thus the Porter
+and the Baldwin grew.
+</p>
+
+<p>
+Every wild-apple shrub excites our expectation thus, somewhat as every wild
+child. It is, perhaps, a prince in disguise. What a lesson to man! So are human
+beings, referred to the highest standard, the celestial fruit which they
+suggest and aspire to bear, browsed on by fate; and only the most persistent
+and strongest genius defends itself and prevails, sends a tender scion upward
+at last, and drops its perfect fruit on the ungrateful earth. Poets and
+philosophers and statesmen thus spring up in the country pastures, and outlast
+the hosts of unoriginal men.
+</p>
+
+<p>
+Such is always the pursuit of knowledge. The celestial fruits, the golden
+apples of the Hesperides, are ever guarded by a hundred-headed dragon which
+never sleeps, so that it is an herculean labor to pluck them.
+</p>
+
+<p>
+This is one and the most remarkable way in which the wild apple is propagated;
+but commonly it springs up at wide intervals in woods and swamps, and by the
+sides of roads, as the soil may suit it, and grows with comparative rapidity.
+Those which grow in dense woods are very tall and slender. I frequently pluck
+from these trees a perfectly mild and tamed fruit. As Palladius says,
+&ldquo;And the ground is strewn with the fruit of an unbidden
+apple-tree.&rdquo;
+</p>
+
+<p>
+It is an old notion, that, if these wild trees do not bear a valuable fruit of
+their own, they are the best stocks by which to transmit to posterity the most
+highly prized qualities of others. However, I am not in search of stocks, but
+the wild fruit itself, whose fierce gust has suffered no
+&ldquo;inteneration.&rdquo; It is not my
+</p>
+
+<p class="poem">
+    &ldquo;highest plot<br/>
+To plant the Bergamot.&rdquo;
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap05"></a>THE FRUIT, AND ITS FLAVOR</h2>
+
+<p>
+The time for wild apples is the last of October and the first of November. They
+then get to be palatable, for they ripen late, and they are still, perhaps, as
+beautiful as ever. I make a great account of these fruits, which the farmers do
+not think it worth the while to gather,&mdash;wild flavors of the Muse,
+vivacious and inspiriting. The farmer thinks that he has better in his barrels;
+but he is mistaken, unless he has a walker&rsquo;s appetite and imagination,
+neither of which can he have.
+</p>
+
+<p>
+Such as grow quite wild, and are left out till the first of November, I presume
+that the owner does not mean to gather. They belong to children as wild as
+themselves,&mdash;to certain active boys that I know,&mdash;to the wild-eyed
+woman of the fields, to whom nothing comes amiss, who gleans after all the
+world,&mdash;and, moreover, to us walkers. We have met with them, and they are
+ours. These rights, long enough insisted upon, have come to be an institution
+in some old countries, where they have learned how to live. I hear that
+&ldquo;the custom of grippling, which may be called apple-gleaning, is, or was
+formerly, practised in Herefordshire. It consists in leaving a few apples,
+which are called the gripples, on every tree, after the general gathering, for
+the boys, who go with climbing-poles and bags to collect them.&rdquo;
+</p>
+
+<p>
+As for those I speak of, I pluck them as a wild fruit, native to this quarter
+of the earth,&mdash;fruit of old trees that have been dying ever since I was a
+boy and are not yet dead, frequented only by the wood-pecker and the squirrel,
+deserted now by the owner, who has not faith enough to look under their boughs.
+From the appearance of the tree-top, at a little distance, you would expect
+nothing but lichens to drop from it, but your faith is rewarded by finding the
+ground strewn with spirited fruit,&mdash;some of it, perhaps, collected at
+squirrel-holes, with the marks of their teeth by which they carried
+them,&mdash;some containing a cricket or two silently feeding within, and some,
+especially in damp days, a shelless snail. The very sticks and stones lodged in
+the tree-top might have convinced you of the savoriness of the fruit which has
+been so eagerly sought after in past years.
+</p>
+
+<p>
+I have seen no account of these among the &ldquo;Fruits and Fruit-Trees of
+America,&rdquo; though they are more memorable to my taste than the grafted
+kinds; more racy and wild American flavors do they possess, when October and
+November, when December and January, and perhaps February and March even, have
+assuaged them somewhat. An old farmer in my neighborhood, who always selects
+the right word, says that &ldquo;they have a kind of bow-arrow tang.&rdquo;
+</p>
+
+<p>
+Apples for grafting appear to have been selected commonly, not so much for
+their spirited flavor, as for their mildness, their size, and bearing
+qualities,&mdash;not so much for their beauty, as for their fairness and
+soundness. Indeed, I have no faith in the selected lists of pomological
+gentlemen. Their &ldquo;Favorites&rdquo; and &ldquo;Non-suches&rdquo; and
+&ldquo;Seek-no-farthers,&rdquo; when I have fruited them, commonly turn out
+very tame and forgetable. They are eaten with comparatively little zest, and
+have no real <i>tang</i> nor <i>smack</i> to them.
+</p>
+
+<p>
+What if some of these wildings are acrid and puckery, genuine <i>verjuice</i>,
+do they not still belong to the <i>Pomaceæ</i>, which are uniformly innocent
+and kind to our race? I still begrudge them to the cider-mill. Perhaps they are
+not fairly ripe yet.
+</p>
+
+<p>
+No wonder that these small and high-colored apples are thought to make the best
+cider. Loudon quotes from the Herefordshire Report that &ldquo;apples of a
+small size are always, if equal in quality, to be preferred to those of a
+larger size, in order that the rind and kernel may bear the greatest proportion
+to the pulp, which affords the weakest and most watery juice.&rdquo; And he
+says, that, &ldquo;to prove this, Dr. Symonds of Hereford, about the year 1800,
+made one hogshead of cider entirely from the rinds and cores of apples, and
+another from the pulp only, when the first was found of extraordinary strength
+and flavor, while the latter was sweet and insipid.&rdquo;
+</p>
+
+<p>
+Evelyn<a href="#fn10" name="fnref10"><sup>[10]</sup></a> says that the
+&ldquo;Red-strake&rdquo; was the favorite cider-apple in his day; and he quotes
+one Dr. Newburg as saying, &ldquo;In Jersey &rsquo;t is a general observation,
+as I hear, that the more of red any apple has in its rind, the more proper it
+is for this use. Pale-faced apples they exclude as much as may be from their
+cider-vat.&rdquo; This opinion still prevails.
+</p>
+
+<p class="footnote">
+<a name="fn10"></a> <a href="#fnref10">[10]</a>
+An English writer of the seventeenth century.
+</p>
+
+<p>
+All apples are good in November. Those which the farmer leaves out as
+unsalable, and unpalatable to those who frequent the markets, are choicest
+fruit to the walker. But it is remarkable that the wild apple, which I praise
+as so spirited and racy when eaten in the fields or woods, being brought into
+the house, has frequently a harsh and crabbed taste. The Saunter-er&rsquo;s
+Apple not even the saunterer can eat in the house. The palate rejects it there,
+as it does haws and acorns, and demands a tamed one; for there you miss the
+November air, which is the sauce it is to be eaten with. Accordingly, when
+Tityrus, seeing the lengthening shadows, invites Melibœus to go home and pass
+the night with him, he promises him <i>mild</i> apples and soft chestnuts. I
+frequently pluck wild apples of so rich and spicy a flavor that I wonder all
+orchardists do not get a scion from that tree, and I fail not to bring home my
+pockets full. But perchance, when I take one out of my desk and taste it in my
+chamber I find it unexpectedly crude,&mdash;sour enough to set a
+squirrel&rsquo;s teeth on edge and make a jay scream.
+</p>
+
+<p>
+These apples have hung in the wind and frost and rain till they have absorbed
+the qualities of the weather or season, and thus are highly <i>seasoned</i>,
+and they <i>pierce</i> and <i>sting</i> and <i>permeate</i> us with their
+spirit. They must be eaten in <i>season</i>, accordingly,&mdash;that is,
+out-of-doors.
+</p>
+
+<p>
+To appreciate the wild and sharp flavors of these October fruits, it is
+necessary that you be breathing the sharp October or November air. The out-door
+air and exercise which the walker gets give a different tone to his palate, and
+he craves a fruit which the sedentary would call harsh and crabbed. They must
+be eaten in the fields, when your system is all aglow with exercise, when the
+frosty weather nips your fingers, the wind rattles the bare boughs or rustles
+the few remaining leaves, and the jay is heard screaming around. What is sour
+in the house a bracing walk makes sweet. Some of these apples might be
+labelled, &ldquo;To be eaten in the wind.&rdquo;
+</p>
+
+<p>
+Of course no flavors are thrown away; they are intended for the taste that is
+up to them. Some apples have two distinct flavors, and perhaps one-half of them
+must be eaten in the house, the other out-doors. One Peter Whitney wrote from
+Northborough in 1782, for the Proceedings of the Boston Academy, describing an
+apple-tree in that town &ldquo;producing fruit of opposite qualities, part of
+the same apple being frequently sour and the other sweet;&rdquo; also some all
+sour, and others all sweet, and this diversity on all parts of the tree.
+</p>
+
+<p>
+There is a wild apple on Nawshawtuck Hill in my town which has to me a
+peculiarly pleasant bitter tang, not perceived till it is three-quarters
+tasted. It remains on the tongue. As you eat it, it smells exactly like a
+squash-bug. It is a sort of triumph to eat and relish it.
+</p>
+
+<p>
+I hear that the fruit of a kind of plum-tree in Provence is &ldquo;called
+<i>Prunes sibarelles</i>, because it is impossible to whistle after having
+eaten them, from their sourness.&rdquo; But perhaps they were only eaten in the
+house and in summer, and if tried out-of-doors in a stinging atmosphere, who
+knows but you could whistle an octave higher and clearer?
+</p>
+
+<p>
+In the fields only are the sours and bitters of Nature appreciated; just as the
+wood-chopper eats his meal in a sunny glade, in the middle of a winter day,
+with content, basks in a sunny ray there, and dreams of summer in a degree of
+cold which, experienced in a chamber, would make a student miserable. They who
+are at work abroad are not cold, but rather it is they who sit shivering in
+houses. As with temperatures, so with flavors; as with cold and heat, so with
+sour and sweet. This natural raciness, the sours and bitters which the diseased
+palate refuses, are the true condiments.
+</p>
+
+<p>
+Let your condiments be in the condition of your senses. To appreciate the
+flavor of these wild apples requires vigorous and healthy senses,
+<i>papillæ</i><a href="#fn11" name="fnref11"><sup>[11]</sup></a> firm and erect
+on the tongue and palate, not easily flattened and tamed.
+</p>
+
+<p class="footnote">
+<a name="fn11"></a> <a href="#fnref11">[11]</a>
+A Latin word, accent on the second syllable, meaning here the rough
+surface of the tongue and palate.
+</p>
+
+<p>
+From my experience with wild apples, I can understand that there may be reason
+for a savage&rsquo;s preferring many kinds of food which the civilized man
+rejects. The former has the palate of an outdoor man. It takes a savage or wild
+taste to appreciate a wild fruit.
+</p>
+
+<p>
+What a healthy out-of-door appetite it takes to relish the apple of life, the
+apple of the world, then!
+</p>
+
+<p class="poem">
+&ldquo;Nor is it every apple I desire,<br/>
+    Nor that which pleases every palate best;<br/>
+&rsquo;T is not the lasting Deuxan I require,<br/>
+    Nor yet the red-cheeked Greening I request,<br/>
+Nor that which first beshrewed the name of wife,<br/>
+Nor that whose beauty caused the golden strife:<br/>
+No, no! bring me an apple from the tree of life.&rdquo;
+</p>
+
+<p>
+So there is one <i>thought</i> for the field, another for the house. I would
+have my thoughts, like wild apples, to be food for walkers, and will not
+warrant them to be palatable, if tasted in the house.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap06"></a>THEIR BEAUTY</h2>
+
+<p>
+Almost all wild apples are handsome. They cannot be too gnarly and crabbed and
+rusty to look at. The gnarliest will have some redeeming traits even to the
+eye. You will discover some evening redness dashed or sprinkled on some
+protuberance or in some cavity. It is rare that the summer lets an apple go
+without streaking or spotting it on some part of its sphere. It will have some
+red stains, commemorating the mornings and evenings it has witnessed; some dark
+and rusty blotches, in memory of the clouds and foggy, mildewy days that have
+passed over it; and a spacious field of green reflecting the general face of
+Nature,&mdash;green even as the fields; or a yellow ground, which implies a
+milder flavor,&mdash;yellow as the harvest, or russet as the hills.
+</p>
+
+<p>
+Apples, these I mean, unspeakably fair,&mdash;apples not of Discord, but
+Concord! Yet not so rare but that the homeliest may have a share. Painted by
+the frosts, some a uniform clear bright yellow, or red, or crimson, as if their
+spheres had regularly revolved, and enjoyed the influence of the sun on all
+sides alike,&mdash;some with the faintest pink blush imaginable,&mdash;some
+brindled with deep red streaks like a cow, or with hundreds of fine blood-red
+rays running regularly from the stem-dimple to the blossom-end, like meridional
+lines, on a straw-colored ground,&mdash;some touched with a greenish rust, like
+a fine lichen, here and there, with crimson blotches or eyes more or less
+confluent and fiery when wet,&mdash;and others gnarly, and freckled or peppered
+all over on the stem side with fine crimson spots on a white ground, as if
+accidentally sprinkled from the brush of Him who paints the autumn leaves.
+Others, again, are sometimes red inside, perfused with a beautiful blush, fairy
+food, too beautiful to eat,&mdash;apple of the Hesperides, apple of the evening
+sky! But like shells and pebbles on the sea-shore, they must be seen as they
+sparkle amid the withering leaves in some dell in the woods, in the autumnal
+air, or as they lie in the wet grass, and not when they have wilted and faded
+in the house.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap07"></a>THE NAMING OF THEM</h2>
+
+<p>
+It would be a pleasant pastime to find suitable names for the hundred varieties
+which go to a single heap at the cider-mill. Would it not tax a man&rsquo;s
+invention,&mdash;no one to be named after a man, and all in the <i>lingua
+vernacula?</i><a href="#fn12" name="fnref12"><sup>[12]</sup></a> Who shall
+stand god-father at the christening of the wild apples? It would exhaust the
+Latin and Greek languages, if they were used, and make the <i>lingua
+vernacula</i> flag. We should have to call in the sunrise and the sunset, the
+rainbow and the autumn woods and the wild flowers, and the woodpecker and the
+purple finch, and the squirrel and the jay and the butterfly, the November
+traveller and the truant boy, to our aid.
+</p>
+
+<p class="footnote">
+<a name="fn12"></a> <a href="#fnref12">[12]</a>
+<i>Lingua vernacula</i>, common speech.
+</p>
+
+<p>
+In 1836 there were in the garden of the London Horticultural Society more than
+fourteen hundred distinct sorts. But here are species which they have not in
+their catalogue, not to mention the varieties which our Crab might yield to
+cultivation. Let us enumerate a few of these. I find myself compelled, after
+all, to give the Latin names of some for the benefit of those who live where
+English is not spoken,&mdash;for they are likely to have a world-wide
+reputation.
+</p>
+
+<p>
+There is, first of all, the Wood-Apple (<i>Malus sylvatica</i>); the Blue-Jay
+Apple; the Apple which grows in Dells in the Woods (<i>sylvestrivallis</i>),
+also in Hollows in Pastures (<i>campestrivallis</i>); the Apple that grows in
+an old Cellar-Hole (<i>Malus cellaris</i>); the Meadow-Apple; the
+Partridge-Apple; the Truant&rsquo;s Apple (<i>Cessatoris</i>), which no boy
+will ever go by without knocking off some, however <i>late</i> it may be; the
+Saunterer&rsquo;s Apple,&mdash;you must lose yourself before you can find the
+way to that; the Beauty of the Air (<i>Decus Aëris</i>); December-Eating; the
+Frozen-Thawed (<i>gelato-soluta</i>), good only in that state; the Concord
+Apple, possibly the same with the <i>Musketa-quidensis;</i> the Assabet Apple;
+the Brindled Apple; Wine of New England; the Chickaree Apple; the Green Apple
+(<i>Malus viridis</i>);&mdash;this has many synonyms; in an imperfect state, it
+is the <i>Cholera morbifera aut dysenterifera, puerulis dilectissima;</i><a
+href="#fn13" name="fnref13"><sup>[13]</sup></a>&mdash;the Apple which Atalanta
+stopped to pick up; the Hedge-Apple (<i>Malus Sepium</i>); the Slug-Apple
+(<i>limacea</i>); the Railroad-Apple, which perhaps came from a core thrown out
+of the cars; the Apple whose Fruit we tasted in our Youth; our Particular
+Apple, not to be found in any catalogue,&mdash;<i>Pedestrium Solatium;</i><a
+href="#fn14" name="fnref14"><sup>[14]</sup></a> also the Apple where hangs the
+Forgotten Scythe; Iduna&rsquo;s Apples, and the Apples which Loki found in the
+Wood; and a great many more I have on my list, too numerous to
+mention,&mdash;all of them good. As Bodæus exclaims, referring to the
+culti-vated kinds, and adapting Virgil to his case, so I, adapting
+Bodæus,&mdash;
+</p>
+
+<p class="poem">
+&ldquo;Not if I had a hundred tongues, a hundred mouths,<br/>
+An iron voice, could I describe all the forms<br/>
+And reckon up all the names of these <i>wild apples</i>.&rdquo;
+</p>
+
+<p class="footnote">
+<a name="fn13"></a> <a href="#fnref13">[13]</a>
+The apple that brings the disease of cholera and of dysentery, the fruit that
+small boys like best.
+</p>
+
+<p class="footnote">
+<a name="fn14"></a> <a href="#fnref14">[14]</a>
+The tramp&rsquo;s comfort.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap08"></a>THE LAST GLEANING</h2>
+
+<p>
+By the middle of November the wild apples have lost some of their brilliancy,
+and have chiefly fallen. A great part are decayed on the ground, and the sound
+ones are more palatable than before. The note of the chickadee sounds now more
+distinct, as you wander amid the old trees, and the autumnal dandelion is
+half-closed and tearful. But still, if you are a skilful gleaner, you may get
+many a pocket-full even of grafted fruit, long after apples are supposed to be
+gone out-of-doors. I know a Blue-Pearmain tree, growing within the edge of a
+swamp, almost as good as wild. You would not suppose that there was any fruit
+left there, on the first survey, but you must look according to system. Those
+which lie exposed are quite brown and rotten now, or perchance a few still show
+one blooming cheek here and there amid the wet leaves. Nevertheless, with
+experienced eyes, I explore amid the bare alders and the huckleberry-bushes and
+the withered sedge, and in the crevices of the rocks, which are full of leaves,
+and pry under the fallen and decaying ferns, which, with apple and alder
+leaves, thickly strew the ground. For I know that they lie concealed, fallen
+into hollows long since and covered up by the leaves of the tree
+itself,&mdash;a proper kind of packing. From these lurking-places, anywhere
+within the circumference of the tree, I draw forth the fruit, all wet and
+glossy, maybe nibbled by rabbits and hollowed out by crickets and perhaps with
+a leaf or two cemented to it (as Curzon<a href="#fn15"
+name="fnref15"><sup>[15]</sup></a> an old manuscript from a monastery&rsquo;s
+mouldy cellar), but still with a rich bloom on it, and at least as ripe and
+well kept, if not better than those in barrels, more crisp and lively than
+they. If these resources fail to yield anything, I have learned to look between
+the bases of the suckers which spring thickly from some horizontal limb, for
+now and then one lodges there, or in the very midst of an alder-clump, where
+they are covered by leaves, safe from cows which may have smelled them out. If
+I am sharp-set, for I do not refuse the Blue-Pearmain, I fill my pockets on
+each side; and as I retrace my steps in the frosty eve, being perhaps four or
+five miles from home, I eat one first from this side, and then from that, to
+keep my balance.
+</p>
+
+<p class="footnote">
+<a name="fn15"></a> <a href="#fnref15">[15]</a>
+Robert Curzon was a traveller who searched for old manuscripts in the
+monasteries of the Levant. See his book, Ancient Monasteries of the East.
+</p>
+
+<p>
+I learn from Topsell&rsquo;s Gesner, whose authority appears to be Albertus,
+that the following is the way in which the hedgehog collects and carries home
+his apples. He says: &ldquo;His meat is apples, worms, or grapes: when he
+findeth apples or grapes on the earth, he rolleth himself upon them, until he
+have filled all his prickles, and then carrieth them home to his den, never
+bearing above one in his mouth; and if it fortune that one of them fall off by
+the way, he likewise shaketh off all the residue, and walloweth upon them
+afresh, until they be all settled upon his back again. So, forth he goeth,
+making a noise like a cart-wheel; and if he have any young ones in his nest,
+they pull off his load wherewithal he is loaded, eating thereof what they
+please, and laying up the residue for the time to come.&rdquo;
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap09"></a>THE &ldquo;FROZEN-THAWED&rdquo; APPLE</h2>
+
+<p>
+Toward the end of November, though some of the sound ones are yet more mellow
+and perhaps more edible, they have generally, like the leaves, lost their
+beauty, and are beginning to freeze. It is finger-cold, and prudent farmers get
+in their barrelled apples, and bring you the apples and cider which they have
+engaged; for it is time to put them into the cellar. Perhaps a few on the
+ground show their red cheeks above the early snow, and occasionally some even
+preserve their color and soundness under the snow throughout the winter. But
+generally at the beginning of the winter they freeze hard, and soon, though
+undecayed, acquire the color of a baked apple.
+</p>
+
+<p>
+Before the end of December, generally, they experience their first thawing.
+Those which a month ago were sour, crabbed, and quite unpalatable to the
+civilized taste, such at least as were frozen while sound, let a warmer sun
+come to thaw them, for they are extremely sensitive to its rays, are found to
+be filled with a rich, sweet cider, better than any bottled cider that I know
+of, and with which I am better acquainted than with wine. All apples are good
+in this state, and your jaws are the cider-press. Others, which have more
+substance, are a sweet and luscious food,&mdash;in my opinion of more worth
+than the pine-apples which are imported from the West Indies. Those which
+lately even I tasted only to repent of it,&mdash;for I am
+semi-civilized,&mdash;which the farmer willingly left on the tree, I am now
+glad to find have the property of hanging on like the leaves of the young oaks.
+It is a way to keep cider sweet without boiling. Let the frost come to freeze
+them first, solid as stones, and then the rain or a warm winter day to thaw
+them, and they will seem to have borrowed a flavor from heaven through the
+medium of the air in which they hang. Or perchance you find, when you get home,
+that those which rattled in your pocket have thawed, and the ice is turned to
+cider. But after the third or fourth freezing and thawing they will not be
+found so good.
+</p>
+
+<p>
+What are the imported half-ripe fruits of the torrid South to this fruit
+matured by the cold of the frigid North? These are those crabbed apples with
+which I cheated my companion, and kept a smooth face that I might tempt him to
+eat. Now we both greedily fill our pockets with them,&mdash;bending to drink
+the cup and save our lappets from the overflowing juice,&mdash;and grow more
+social with their wine. Was there one that hung so high and sheltered by the
+tangled branches that our sticks could not dislodge it?
+</p>
+
+<p>
+It is a fruit never carried to market, that I am aware of,&mdash;quite distinct
+from the apple of the markets, as from dried apple and cider,&mdash;and it is
+not every winter that produces it in perfection.
+</p>
+
+<p>
+The era of the Wild Apple will soon be past. It is a fruit which will probably
+become extinct in New England. You may still wander through old orchards of
+native fruit of great extent, which for the most part went to the cider-mill,
+now all gone to decay. I have heard of an orchard in a distant town, on the
+side of a hill, where the apples rolled down and lay four feet deep against a
+wall on the lower side, and this the owner cut down for fear they should be
+made into cider. Since the temperance reform and the general introduction of
+grafted fruit, no native apple-trees, such as I see everywhere in deserted
+pastures, and where the woods have grown up around them, are set out. I fear
+that he who walks over these fields a century hence will not know the pleasure
+of knocking off wild apples. Ah, poor man, there are many pleasures which he
+will not know! Notwithstanding the prevalence of the Baldwin and the Porter, I
+doubt if so extensive orchards are set out to-day in my town as there were a
+century ago, wrhen those vast straggling cider-orchards were planted, when men
+both ate and drank apples, when the pomace-heap was the only nursery, and trees
+cost nothing but the trouble of setting them out. Men could afford then to
+stick a tree by every wall-side and let it take its chance. I see nobody
+planting trees to-day in such out-of-the-way places, along the lonely roads and
+lanes, and at the bottom of dells in the wood. Now that they have grafted
+trees, and pay a priee for them, they collect them into a plat by their houses,
+and fence them in,&mdash;and the end of it all will be that we shall be
+compelled to look for our apples in a barrel.
+</p>
+
+<p>
+This is &ldquo;The word of the Lord that came to Joel the son of Pethuel.
+</p>
+
+<p>
+&ldquo;Hear this, ye old men, and give ear, all ye inhabitants of the land!
+Hath this been in your days, or even in the days of your fathers?...
+</p>
+
+<p>
+&ldquo;That which the palmer-worm hath left hath the locust eaten; and that
+which the locust hath left hath the canker-worm eaten; and that which the
+canker-worm hath left hath the caterpillar eaten.
+</p>
+
+<p>
+&ldquo;Awake, ye drunkards, and weep! and howl, all ye drinkers of wine,
+because of the new wine! for it is cut off from your mouth.
+</p>
+
+<p>
+&ldquo;For a nation is come up upon my land, strong, and without number, whose
+teeth are the teeth of a lion, and he hath the cheek-teeth of a great lion.
+</p>
+
+<p>
+&ldquo;He hath laid my vine waste, and barked my fig-tree; he hath made it
+clean bare, and cast it away; the branches thereof are made white....
+</p>
+
+<p>
+&ldquo;Be ye ashamed, O ye husbandmen! howl, O ye vine-dressers!...
+</p>
+
+<p>
+&ldquo;The vine is dried up, and the fig-tree languisheth; the
+pomegranate-tree, the palm tree also, and the apple-tree, even all the trees of
+the field, are withered: because joy is withered away from the sons of
+men.&rdquo;<a href="#fn16" name="fnref16"><sup>[16]</sup></a>
+</p>
+
+<p class="footnote">
+<a name="fn16"></a> <a href="#fnref16">[16]</a>
+J<small>OEL</small>, chapter i., verses 1–12.
+</p>
+
+</div><!--end chapter-->
+
+<div style='display:block; margin-top:4em'>*** END OF THE PROJECT GUTENBERG EBOOK WILD APPLES ***</div>
+<div style='text-align:left'>
+
+<div style='display:block; margin:1em 0'>
+Updated editions will replace the previous one&#8212;the old editions will
+be renamed.
+</div>
+
+<div style='display:block; margin:1em 0'>
+Creating the works from print editions not protected by U.S. copyright
+law means that no one owns a United States copyright in these works,
+so the Foundation (and you!) can copy and distribute it in the United
+States without permission and without paying copyright
+royalties. Special rules, set forth in the General Terms of Use part
+of this license, apply to copying and distributing Project
+Gutenberg&#8482; electronic works to protect the PROJECT GUTENBERG&#8482;
+concept and trademark. Project Gutenberg is a registered trademark,
+and may not be used if you charge for an eBook, except by following
+the terms of the trademark license, including paying royalties for use
+of the Project Gutenberg trademark. If you do not charge anything for
+copies of this eBook, complying with the trademark license is very
+easy. You may use this eBook for nearly any purpose such as creation
+of derivative works, reports, performances and research. Project
+Gutenberg eBooks may be modified and printed and given away--you may
+do practically ANYTHING in the United States with eBooks not protected
+by U.S. copyright law. Redistribution is subject to the trademark
+license, especially commercial redistribution.
+</div>
+
+<div style='margin:0.83em 0; font-size:1.1em; text-align:center'>START: FULL LICENSE<br />
+<span style='font-size:smaller'>THE FULL PROJECT GUTENBERG LICENSE<br />
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK</span>
+</div>
+
+<div style='display:block; margin:1em 0'>
+To protect the Project Gutenberg&#8482; mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase &#8220;Project
+Gutenberg&#8221;), you agree to comply with all the terms of the Full
+Project Gutenberg&#8482; License available with this file or online at
+www.gutenberg.org/license.
+</div>
+
+<div style='display:block; font-size:1.1em; margin:1em 0; font-weight:bold'>
+Section 1. General Terms of Use and Redistributing Project Gutenberg&#8482; electronic works
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.A. By reading or using any part of this Project Gutenberg&#8482;
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or
+destroy all copies of Project Gutenberg&#8482; electronic works in your
+possession. If you paid a fee for obtaining a copy of or access to a
+Project Gutenberg&#8482; electronic work and you do not agree to be bound
+by the terms of this agreement, you may obtain a refund from the person
+or entity to whom you paid the fee as set forth in paragraph 1.E.8.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.B. &#8220;Project Gutenberg&#8221; is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg&#8482; electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg&#8482; electronic works if you follow the terms of this
+agreement and help preserve free future access to Project Gutenberg&#8482;
+electronic works. See paragraph 1.E below.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.C. The Project Gutenberg Literary Archive Foundation (&#8220;the
+Foundation&#8221; or PGLAF), owns a compilation copyright in the collection
+of Project Gutenberg&#8482; electronic works. Nearly all the individual
+works in the collection are in the public domain in the United
+States. If an individual work is unprotected by copyright law in the
+United States and you are located in the United States, we do not
+claim a right to prevent you from copying, distributing, performing,
+displaying or creating derivative works based on the work as long as
+all references to Project Gutenberg are removed. Of course, we hope
+that you will support the Project Gutenberg&#8482; mission of promoting
+free access to electronic works by freely sharing Project Gutenberg&#8482;
+works in compliance with the terms of this agreement for keeping the
+Project Gutenberg&#8482; name associated with the work. You can easily
+comply with the terms of this agreement by keeping this work in the
+same format with its attached full Project Gutenberg&#8482; License when
+you share it without charge with others.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are
+in a constant state of change. If you are outside the United States,
+check the laws of your country in addition to the terms of this
+agreement before downloading, copying, displaying, performing,
+distributing or creating derivative works based on this work or any
+other Project Gutenberg&#8482; work. The Foundation makes no
+representations concerning the copyright status of any work in any
+country other than the United States.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.E. Unless you have removed all references to Project Gutenberg:
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.E.1. The following sentence, with active links to, or other
+immediate access to, the full Project Gutenberg&#8482; License must appear
+prominently whenever any copy of a Project Gutenberg&#8482; work (any work
+on which the phrase &#8220;Project Gutenberg&#8221; appears, or with which the
+phrase &#8220;Project Gutenberg&#8221; is associated) is accessed, displayed,
+performed, viewed, copied or distributed:
+</div>
+
+<blockquote>
+ <div style='display:block; margin:1em 0'>
+ This eBook is for the use of anyone anywhere in the United States and most
+ other parts of the world at no cost and with almost no restrictions
+ whatsoever. You may copy it, give it away or re-use it under the terms
+ of the Project Gutenberg License included with this eBook or online
+ at <a href="https://www.gutenberg.org">www.gutenberg.org</a>. If you
+ are not located in the United States, you will have to check the laws
+ of the country where you are located before using this eBook.
+ </div>
+</blockquote>
+
+<div style='display:block; margin:1em 0'>
+1.E.2. If an individual Project Gutenberg&#8482; electronic work is
+derived from texts not protected by U.S. copyright law (does not
+contain a notice indicating that it is posted with permission of the
+copyright holder), the work can be copied and distributed to anyone in
+the United States without paying any fees or charges. If you are
+redistributing or providing access to a work with the phrase &#8220;Project
+Gutenberg&#8221; associated with or appearing on the work, you must comply
+either with the requirements of paragraphs 1.E.1 through 1.E.7 or
+obtain permission for the use of the work and the Project Gutenberg&#8482;
+trademark as set forth in paragraphs 1.E.8 or 1.E.9.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.E.3. If an individual Project Gutenberg&#8482; electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any
+additional terms imposed by the copyright holder. Additional terms
+will be linked to the Project Gutenberg&#8482; License for all works
+posted with the permission of the copyright holder found at the
+beginning of this work.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg&#8482;
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg&#8482;.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg&#8482; License.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including
+any word processing or hypertext form. However, if you provide access
+to or distribute copies of a Project Gutenberg&#8482; work in a format
+other than &#8220;Plain Vanilla ASCII&#8221; or other format used in the official
+version posted on the official Project Gutenberg&#8482; website
+(www.gutenberg.org), you must, at no additional cost, fee or expense
+to the user, provide a copy, a means of exporting a copy, or a means
+of obtaining a copy upon request, of the work in its original &#8220;Plain
+Vanilla ASCII&#8221; or other form. Any alternate format must include the
+full Project Gutenberg&#8482; License as specified in paragraph 1.E.1.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg&#8482; works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg&#8482; electronic works
+provided that:
+</div>
+
+<div style='margin-left:0.7em;'>
+ <div style='text-indent:-0.7em'>
+ &#8226; You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg&#8482; works calculated using the method
+ you already use to calculate your applicable taxes. The fee is owed
+ to the owner of the Project Gutenberg&#8482; trademark, but he has
+ agreed to donate royalties under this paragraph to the Project
+ Gutenberg Literary Archive Foundation. Royalty payments must be paid
+ within 60 days following each date on which you prepare (or are
+ legally required to prepare) your periodic tax returns. Royalty
+ payments should be clearly marked as such and sent to the Project
+ Gutenberg Literary Archive Foundation at the address specified in
+ Section 4, &#8220;Information about donations to the Project Gutenberg
+ Literary Archive Foundation.&#8221;
+ </div>
+
+ <div style='text-indent:-0.7em'>
+ &#8226; You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg&#8482;
+ License. You must require such a user to return or destroy all
+ copies of the works possessed in a physical medium and discontinue
+ all use of and all access to other copies of Project Gutenberg&#8482;
+ works.
+ </div>
+
+ <div style='text-indent:-0.7em'>
+ &#8226; You provide, in accordance with paragraph 1.F.3, a full refund of
+ any money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days of
+ receipt of the work.
+ </div>
+
+ <div style='text-indent:-0.7em'>
+ &#8226; You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg&#8482; works.
+ </div>
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.E.9. If you wish to charge a fee or distribute a Project
+Gutenberg&#8482; electronic work or group of works on different terms than
+are set forth in this agreement, you must obtain permission in writing
+from the Project Gutenberg Literary Archive Foundation, the manager of
+the Project Gutenberg&#8482; trademark. Contact the Foundation as set
+forth in Section 3 below.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.F.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+works not protected by U.S. copyright law in creating the Project
+Gutenberg&#8482; collection. Despite these efforts, Project Gutenberg&#8482;
+electronic works, and the medium on which they may be stored, may
+contain &#8220;Defects,&#8221; such as, but not limited to, incomplete, inaccurate
+or corrupt data, transcription errors, a copyright or other
+intellectual property infringement, a defective or damaged disk or
+other medium, a computer virus, or computer codes that damage or
+cannot be read by your equipment.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the &#8220;Right
+of Replacement or Refund&#8221; described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg&#8482; trademark, and any other party distributing a Project
+Gutenberg&#8482; electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium
+with your written explanation. The person or entity that provided you
+with the defective work may elect to provide a replacement copy in
+lieu of a refund. If you received the work electronically, the person
+or entity providing it to you may choose to give you a second
+opportunity to receive the work electronically in lieu of a refund. If
+the second copy is also defective, you may demand a refund in writing
+without further opportunities to fix the problem.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you &#8216;AS-IS&#8217;, WITH NO
+OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
+LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of
+damages. If any disclaimer or limitation set forth in this agreement
+violates the law of the state applicable to this agreement, the
+agreement shall be interpreted to make the maximum disclaimer or
+limitation permitted by the applicable state law. The invalidity or
+unenforceability of any provision of this agreement shall not void the
+remaining provisions.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg&#8482; electronic works in
+accordance with this agreement, and any volunteers associated with the
+production, promotion and distribution of Project Gutenberg&#8482;
+electronic works, harmless from all liability, costs and expenses,
+including legal fees, that arise directly or indirectly from any of
+the following which you do or cause to occur: (a) distribution of this
+or any Project Gutenberg&#8482; work, (b) alteration, modification, or
+additions or deletions to any Project Gutenberg&#8482; work, and (c) any
+Defect you cause.
+</div>
+
+<div style='display:block; font-size:1.1em; margin:1em 0; font-weight:bold'>
+Section 2. Information about the Mission of Project Gutenberg&#8482;
+</div>
+
+<div style='display:block; margin:1em 0'>
+Project Gutenberg&#8482; is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of
+computers including obsolete, old, middle-aged and new computers. It
+exists because of the efforts of hundreds of volunteers and donations
+from people in all walks of life.
+</div>
+
+<div style='display:block; margin:1em 0'>
+Volunteers and financial support to provide volunteers with the
+assistance they need are critical to reaching Project Gutenberg&#8482;&#8217;s
+goals and ensuring that the Project Gutenberg&#8482; collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg&#8482; and future
+generations. To learn more about the Project Gutenberg Literary
+Archive Foundation and how your efforts and donations can help, see
+Sections 3 and 4 and the Foundation information page at www.gutenberg.org.
+</div>
+
+<div style='display:block; font-size:1.1em; margin:1em 0; font-weight:bold'>
+Section 3. Information about the Project Gutenberg Literary Archive Foundation
+</div>
+
+<div style='display:block; margin:1em 0'>
+The Project Gutenberg Literary Archive Foundation is a non-profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation&#8217;s EIN or federal tax identification
+number is 64-6221541. Contributions to the Project Gutenberg Literary
+Archive Foundation are tax deductible to the full extent permitted by
+U.S. federal laws and your state&#8217;s laws.
+</div>
+
+<div style='display:block; margin:1em 0'>
+The Foundation&#8217;s business office is located at 809 North 1500 West,
+Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up
+to date contact information can be found at the Foundation&#8217;s website
+and official page at www.gutenberg.org/contact
+</div>
+
+<div style='display:block; font-size:1.1em; margin:1em 0; font-weight:bold'>
+Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation
+</div>
+
+<div style='display:block; margin:1em 0'>
+Project Gutenberg&#8482; depends upon and cannot survive without widespread
+public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine-readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+</div>
+
+<div style='display:block; margin:1em 0'>
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To SEND
+DONATIONS or determine the status of compliance for any particular state
+visit <a href="https://www.gutenberg.org/donate/">www.gutenberg.org/donate</a>.
+</div>
+
+<div style='display:block; margin:1em 0'>
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+</div>
+
+<div style='display:block; margin:1em 0'>
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+</div>
+
+<div style='display:block; margin:1em 0'>
+Please check the Project Gutenberg web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations. To
+donate, please visit: www.gutenberg.org/donate
+</div>
+
+<div style='display:block; font-size:1.1em; margin:1em 0; font-weight:bold'>
+Section 5. General Information About Project Gutenberg&#8482; electronic works
+</div>
+
+<div style='display:block; margin:1em 0'>
+Professor Michael S. Hart was the originator of the Project
+Gutenberg&#8482; concept of a library of electronic works that could be
+freely shared with anyone. For forty years, he produced and
+distributed Project Gutenberg&#8482; eBooks with only a loose network of
+volunteer support.
+</div>
+
+<div style='display:block; margin:1em 0'>
+Project Gutenberg&#8482; eBooks are often created from several printed
+editions, all of which are confirmed as not protected by copyright in
+the U.S. unless a copyright notice is included. Thus, we do not
+necessarily keep eBooks in compliance with any particular paper
+edition.
+</div>
+
+<div style='display:block; margin:1em 0'>
+Most people start at our website which has the main PG search
+facility: <a href="https://www.gutenberg.org">www.gutenberg.org</a>.
+</div>
+
+<div style='display:block; margin:1em 0'>
+This website includes information about Project Gutenberg&#8482;,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+</div>
+
+</div>
+
+</body>
+
+</html>
+
+