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diff --git a/40664-8.txt b/40664-8.txt new file mode 100644 index 0000000..ac69008 --- /dev/null +++ b/40664-8.txt @@ -0,0 +1,2323 @@ +The Project Gutenberg EBook of The Wee Scotch Piper, by Madeline Brandeis + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: The Wee Scotch Piper + +Author: Madeline Brandeis + +Release Date: September 4, 2012 [EBook #40664] + +Language: English + +Character set encoding: ISO-8859-1 + +*** START OF THIS PROJECT GUTENBERG EBOOK THE WEE SCOTCH PIPER *** + + + + +Produced by Juliet Sutherland, Colin M. Kendall and the +Online Distributed Proofreading Team at http://www.pgdp.net + + + + + + + + +The Wee Scotch Piper + +[Illustration: THE WEE SCOTCH PIPER] + + + + +_The_ WEE SCOTCH PIPER + +BY + +MADELINE BRANDEIS + +_Producer of the Motion Pictures_ + + "The Little Indian Weaver" + "The Wee Scotch Piper" + "The Little Dutch Tulip Girl" + "The Little Swiss Wood-Carver" + +Distributed by Pathé Exchange, Inc., New York City + +_Photographic Illustrations made in Scotland by the Author_ + + GROSSET & DUNLAP + PUBLISHERS NEW YORK + _by arrangement with the A. Flanagan Company_ + + +COPYRIGHT, 1929, BY A. FLANAGAN COMPANY + +PRINTED IN THE UNITED STATES OF AMERICA + + + + +PREFACE + + +When I began to write these stories about children of all lands I had +just returned from Europe whither I journeyed with Marie and Ref. Maybe +you don't know Marie and Ref. I'll introduce them: Please meet Marie, +my very little daughter, and Ref, my very big reflex camera. + +These two are my helpers. Marie helps by being a little girl who knows +what other little girls like and by telling me; and Ref helps by +snapping pictures of everything interesting that Marie and I see on our +travels. I couldn't get along without them. + +Several years have gone by since we started our work together and Marie +is a bigger girl--but Ref hasn't changed one bit. Ref hasn't changed +any more than my interest in writing these books for you. And I hope +that _you_ hope that I'll never change, because I want to keep on +writing until we'll have no more countries to write about--unless, of +course, some one discovers a new country. + +Even if a new country isn't discovered, we'll find foreign children to +talk about--maybe the children in Mars! Who knows? Nobody. Not even +Marie--and Marie usually knows about most things. That's the reason +why, you see, though I sign myself + +[Handwritten: Madeline Brandeis] + +I am really only + +Marie's Mother. + + + + +DEDICATION + + To every child of every land, + Little sister, little brother, + As in this book your lives unfold, + May you learn to love each other. + + + + +CONTENTS + + + Chapter I Page + The Craig Family 11 + + Chapter II + Sandy's First Visit 28 + + Chapter III + Pipers 44 + + Chapter IV + Sandy Returns 53 + + Chapter V + Through Scotland With Sandy 71 + + Chapter VI + Ian's Betty 91 + + Chapter VII + Alan Craig Tells a Story 102 + + Chapter VIII + Pipers and Troubles 113 + + Chapter IX + Ian Tries Again 129 + + Chapter X + Spring 138 + + Chapter XI + The Wee Scotch Piper 153 + + + + +[Illustration: THE SOUND OF HIS PIPES ECHOED BACK THROUGH THE GLEN] + + + + +The Wee Scotch Piper + + + + +CHAPTER I + +THE CRAIG FAMILY + + +In the wee village of Aberfoyle, which is in Perthshire County, +Scotland, lived Alan Craig, a shepherd. + +The sheep of Scotland, like the bagpipes and bluebells, are famous, and +in Aberfoyle there are many. + +Dotted alongside the road are the bright bluebells, lighting up in true +fairy array the darkness made by big, shady trees. + +Shrieking through the stillness of a summer evening, comes the sound of +the bagpipes. This music is furnished by a tattered piper marching up +and down, up and down. He hopes that the people will throw pennies for +the love of the tune he plays. + +And the sheep, like little dots of white in the green meadows, graze. +But sometimes, they, too, shriek when they are herded together, perhaps +for the clipping. + +When the sheep all bleat together, it sounds very much like the +shrieking of the bagpipes. Maybe that is how the bagpipe was really +started. Perhaps the sound was first uttered by a herd of Scotch sheep! + +It was not yet clipping time on the small farm of Alan Craig. His sheep +still roamed the hills. Their heavy, curly wool weighed them down and +made them look as if they had on long, woollen nighties. + +[Illustration: SCOTLAND IS FULL OF SHEEP] + +The babies sometimes walked right under their mothers, and then they +were completely hidden. + +On a hill sat Alan Craig, and by his side his faithful dog, Roy. Roy +was a real sheep dog and was proud of his profession. + +You know, when people are called professionals, it means that they are +trained in one occupation. Of course, people make money at their +professions, and this was the only difference between Roy and a +professional human. + +Roy was a professional sheep dog, but he did his work out of devotion +to his master. Also he did it because it was in his blood to love to +race the timid sheep over the hills and obey his master's commands. + +"Back, Roy!" shouted Alan Craig. + +Roy jumped to his feet and, barking, ran to bring back the flock, which +had disappeared around a rocky mountain. + +"Bowwow-wow!" The sheep heard him coming and, stupid creatures that +they are, started to run the other way. "Bowwow!" + +"Down, sir, down!" came the voice of Alan Craig from afar, and Roy +understood. + +Silently he made a dash for the leading sheep and, bounding ahead of +the herd, he stood on guard. His feet were planted apart, and his +tongue hung out. He was barking in his own language a short Scotch +bark, which meant, "Now, will you go back?" + +All but the leading sheep began to turn. That leader was, however, a +mother sheep with a loved baby. She had always been very suspicious of +Roy. + +Perhaps he had once snapped at her baby, for he often had to do this to +make the sheep behave. At any rate, the mother sheep could not forgive +him. Without any fear, she now sprang toward Roy and butted her head in +defiance. + +[Illustration: THE VILLAGE OF ABERFOYLE] + +Roy stood his ground and then made a plunge at her legs. Meanwhile, he +let out a shrill bark as one of her sharp horns hit his leg. It was a +short but hard battle. + +At last Roy returned to his master, his tongue nearly sweeping the +ground. But there was a triumphant expression in his eyes as he drove +the crowd of panting sheep into a circle around Alan Craig and threw +himself at his master's feet to await his reward. + +This was not long in coming. Alan Craig appreciated his helper. In fact +Roy was really the shepherd. Alan had only to speak his commands--"work +his dog," as the Scotch say--and Roy did the rest. + +Now he stroked his dog and said, "Good, Roy! Well done!" + +Alan's language was well understood by Roy, but these words would have +sounded this way to you: "Gude, Roy! Weel dune!" had Alan spoken in +the Scotch dialect to Roy. + +He could speak very good English, and did when he spoke to Englishmen. +But you see, Roy was a Scotchman! + +From the little white cottage in the hollow came the smell of +dinner--fresh pancakes and meat cooking. + +Alan picked up his crook--the kind that little Bopeep used--only Alan +did not look like little Bopeep. Indeed, he was very different. + +He was a big strong man. Although we picture a Scotch shepherd dressed +in kilts and socks and perhaps a tam, Alan Craig wore none of these. +Kilts and socks and tams are for the gentry, Alan would tell you, and +shepherds are too poor to afford them. + +[Illustration: MRS. CRAIG AND IAN'S BABY SISTER AT THE VILLAGE PUMP] + +So Alan wore an old suit which might have once been worn by your own +father and then given away to some beggar. Alan was poor like most of +the villagers, for Scotland is rather a poor country. + +Still, in the little village of Aberfoyle, everyone was happy. In the +evenings the people from the big city of Glasgow came in big buses. +They danced outside on the village green to the tune of the pipes, +while they gloried in the fresh country air. + +So you must not think that Alan Craig and his family suffered. Indeed, +there could hardly have been a happier little family in Scotland. + +That evening Alan wended his way homeward and was met by his wife and +baby. If you have ever seen how an Indian mother carries her baby, then +you will know how Mrs. Craig carried hers. Only instead of carrying it +on her back as the Indians do, she carried it in front wrapped securely +in her plaid shawl. + +Her one arm was thus free, and she worked most of the day this way, +while knowing and feeling her little one safe in her arms. + +The family sat down to dinner in their wee kitchen, for the farmers +have no such luxury as a dining room. They started their soup, a thick +broth made of barley and vegetables of all kinds. Mother Craig poured +it out of the big tureen. + +Just at this time, the door burst open, and a ruddy-faced boy of ten +years rushed into the room. + +[Illustration: IAN CRAIG] + +"Ian Craig, do you know the hour?" asked Mother Craig. + +The boy stood in the doorway and smiled at the family. He sniffed with +delight the pleasant odor coming to him from the table. + +"Ay, Mother," answered the boy. "Well do I know." + +Then he prepared to take his place at the table, with a gesture of +rubbing his stomach in thinking of what was to be put inside. + +"What a bonny smell, Mother!" he continued. "And surely the taste is +even bonnier!" + +"'Tis the glib tongue you have, Ian Craig," laughed his father. "You +could write poetry to the smell of a good dinner! And now, what have +you to tell us to-night?" + +Now, Ian was always full of stories and tales of adventure. He was one +of those children to whom something exciting is always happening. + +[Illustration: ALAN CRAIG, IAN, AND ROY] + +So the family were quite accustomed to having him return home with +vivid tales. Some were strange, some droll and, alas, some sad and +painful, told to the tune of bandages and arnica. + +Still, what boy is not sometimes hurt? And Ian's accidents were few, in +comparison to his other experiences. Surely, it is to be wondered how, +in a small, quiet town like Aberfoyle, so many wondrous happenings +could occur. + +Sometimes Ian was doubted, not, however, by his parents, who knew that +their son was truthful. The schoolmaster knew it, too, and was proud of +Ian, whose stories and poems were the best in his class. + +One day he was recounting to a group of spellbound school children his +experiences of the day. He was relating what wondrous happenings had +befallen him, when he was interrupted by a boy who shouted, "Ian Craig +is telling lies!" + +The boy was a year older than Ian, but he was never known to make sport +of Ian again. Nor did Ian ever admit to his parents how it happened +that he arrived home from school that day with a swollen eye. + +[Illustration] + + + + +CHAPTER II + +SANDY'S FIRST VISIT + + +Aberfoyle is the center of the "Rob Roy country." Rob Roy MacGregor +was, as every child knows, a great Scotch warrior and represented one +of the oldest Highland clans. + +In Aberfoyle, where Ian Craig lived, stands the old house in which Sir +Walter Scott wrote his famous story "Rob Roy." To-day it houses the +village minister. + +Near by is a tumble-down thatched cottage known as "Jean McAlpin's +Inn," where Rob Roy was wont to rest. + +[Illustration: THE "ROB ROY BRIG" AND THE HOUSE WHERE WALTER SCOTT +WROTE "ROB ROY"] + +A landmark in the village is the old "Rob Roy Brig." Here on the old +brig (which means "bridge" in Scotch) Ian would sit when school was out +and his chores at home were finished. + +Something usually happened when he sat here, and many of his +experiences had started from this bridge. Often, while he waited for +adventure, Ian fished from the bridge. He brought home fine, fat +morsels, for the river Forth, which flows beneath the bridge, is rich +in fish. + +But Ian's dearest memory was of Sandy. The Sandy adventure had taken +place almost a year before, but it was as vivid in Ian's mind as though +it had all occurred the day before. + +It happened while Ian was fishing from the brig. He heard the sound of +bagpipes--a sound that is nothing unusual to hear in Scotland. Still it +always made Ian joyous and sad at once. And now he turned to listen. + +[Illustration: SANDY MACGREGOR] + +This playing was the loveliest he had ever heard. Jamie Robinson played +almost every night in front of the old hotel, and Ian loved the music. +But this playing was different. He had always thought Jamie's playing +good, but he now wondered how he could ever have thought so. + +This tune was from far away, but it carried across the meadow and along +the road. And then he saw Sandy! Sandy was standing still in the middle +of the road while he played. + +By his side was a handcart, and Ian knew at once what it meant. Sandy +was a wandering piper, a man who has no home, a gypsy. He piped for his +living and camped on the road. + +Many pipers passed through Aberfoyle, some with large families. In +fact, Jamie was one of them, only Jamie did not travel. He lived in the +woods near Aberfoyle in a tent with his wife and babies. + +[Illustration: GYPSIES OF THE HIGHWAY] + +But no one had ever played like this before. Ian ran up the road. As he +approached the newcomer, he could see that the piper was a little old +man. He had a kindly, wrinkled face, and twinkling eyes which winked at +Ian as the boy came closer. Then suddenly he changed his tune. + +"Bonny laddie, Highland laddie," shrieked the pipes. + +Ian stopped in front of the piper and thought he should cry. The music +ceased. + +A hand was laid on Ian's shoulder, and a voice asked, "And why, laddie, +do you stand and look with eyes so big and sad?" + +Ian then realized that he had been staring as if in a trance. He +brought himself back to earth, smiled, and put out his hand. + +"I'm sorry, sir. I was only admiring your bonny piping!" + +"Ach!" laughed the piper. "And I was only admiring the bonny laddie! +What's your name?" + +"Ian Craig." + +[Illustration: "MA NAME'S SANDY!"] + +"And mine's Sandy. You may call me Sandy, though my name's really Evert +Robert MacKeith MacGregor, and my great-grandfather was a cousin to +the great Rob Roy." + +With these words, Sandy MacGregor put his pipes into his cart. Then, +slinging the rope over his shoulders, he started to pull his load +along, while Ian kept step with him. + +"And a fine village this is--the scene of my ancestor's home! Do you +live here, my lad?" + +"Ay, Sandy, and not far from old Rob Roy Brig." + +"Well, well," sighed Sandy. "And could we bide a wee on the old brig of +my ancestor while Sandy rests?" + +"Ay, could we," said Ian with great delight, "and I can pull your cart +for you, Sandy, until we get there." + +Gratefully the old man allowed the boy to pull his load, while he +stretched his tired arms. He breathed in the sweet-smelling air of the +village of his ancestor. + +When they came to the bridge, Ian put down the cart. He invited Sandy +to sit beside him on the wall, his usual perch. The old man jumped up +to the boy's side, as spry as the boy himself, and looked around. + +"Well, well," he said, "and to think 'tis Sandy's first visit to the +home of his ancestor--Sandy who has been nigh all over the land!" + +At these words Ian's heart gave a bound, and he said, "Have you seen +nigh all of bonny Scotland, Sandy?" + +[Illustration: SANDY TELLS THE LAD ABOUT BONNY SCOTLAND] + +"Ay, that have I, lad, and traveled on my own two feet through it all." + +"Sandy," said Ian wistfully, "would you be telling me about it?" + +"Ach, ay, laddie," smiled the old wanderer. "That would I, for 'tis +many a fine sight these old eyes have seen." + +Sandy talked, and the boy listened. The sun grew lower and lower in the +heavens. Ian Craig thought that never before had he known an afternoon +to slip by so quickly. + +Sandy told Ian about the time he had visited Edinburgh, Scotland's +capital, and one of the most attractive cities in the world. + +He told of Princes Street, with its sunken gardens on one side, and +its wonderful view of historic Edinburgh Castle, its pretty shops and +stately monuments. It is considered by many to be the most beautiful +street in all the world. + +[Illustration: PRINCES STREET, EDINBURGH] + +On the top of a winding hill is Edinburgh Castle. Here, in the +courtyard of the old castle is Half-Moon Battery, where is kept the +one-o'clock gun. + +This gun fires every day at the hour of one. It is attached by electric +wire to the time ball on the top of Nelson's Monument on Carlton Hill +opposite. This ball falls, in turn, at a signal from Greenwich +Observatory, near London, where is set the time for the whole world. + +In another part of the castle grounds can be found a pathetic little +plot of ground known as "The Dogs' Cemetery." Here are buried the pets +of the soldiers who fought in the World War. + +[Illustration: THE DOGS' CEMETERY] + +Many of these little beasts were gallant heroes and were buried with +great reverence. Lovely flowers decorate their graves, and inscriptions +tell of each one's valor. + +But to one little dog in particular was a fountain erected. It stands +in one of the streets of Edinburgh. This fountain represents +"Greyfriars' Bobby," as the little dog was called. + +He was given this name because it was to the old Greyfriars Churchyard +that he went, day after day, to seek his master, who was buried there. +The caretakers of the cemetery tried to keep him out. + +Still day after day he came. He always lay upon the grave of his master +and grieved, until one day they found him dead. And now the fountain is +there to remind the people of this faithful little creature. + + + + +CHAPTER III + +PIPERS + + +"Do you think my dog would grieve if I should die?" asked Ian, as he +brushed away a tear with his sleeve and tried to distract Sandy's +attention from his action. + +"Ay, if you treat him kindly, lad," answered the old man. "Beasties are +faithful to us when they know we love them." + +"Ay," said Ian. "Roy is faithful, and a smart sheep dog, too." + +"Do you like fine to herd the sheep, laddie?" asked Sandy. + +Ian hung his head. + +"No, Sandy. I like finer to go about and have adventures and make up +that I am--" He hesitated. + +"What, lad? Speak. Do not be afraid of Sandy for he knows the hearts of +laddies well." + +"If I could play the pipes, Sandy, I would go away and be a piper in +the band some day," confessed Ian. + +This was, indeed, a dream so near to his heart that he had never before +spoken it aloud. After the admission, Ian turned his head away and did +not look at Sandy. But the old man's voice was very soft and his tone +caressing, as he said, "And a fine dream it is, Ian lad, for to be a +piper is a great and honored calling." + +"Ay," answered Ian huskily, "but 'tis not for me, Sandy." + +Sandy turned the boy around then and looked him squarely in the eye. + +"Ian, lad, do not speak so, for nothing is too hard to get when you +want it." + +Ian's eyes lighted up for a moment. Then the same forlorn look came +into them as he let his head droop. + +"No, Sandy. The pipes are too dear, and it takes many months to learn +to play." + +"And you study hard at school, lad?" asked the piper. + +"Ay, do I," spoke the boy. + +"Then some day, you'll be liking to hear of the fine military school I +saw." + +[Illustration: THE PIPER LADDIES] + +"Ach, Sandy, tell me about it. Have you really seen it?" Ian was at +once alert. + +"Ay, that have I, and only three weeks ago when I was passing by +Dunblane." + +As the poor little village lad drank in his words, Sandy talked on +about the wonderful school in Dunblane. This school is called the Queen +Victoria School. Here lads between the ages of nine and fifteen are +trained as soldiers. + +They are sons of military men, some of whom fell in the World War. +These boys are reared and taught free of charge. It is a great and good +school for a boy to attend. + +[Illustration: THE DRUM MAJOR] + +To see and hear these sons of Scotland's heroes is an experience never +to be forgotten. They present a fine appearance in their bright-colored +kilts and military trappings, as they march and play upon their pipes. + +Sandy saw and heard, and carried away with him a memory of the +loveliest sight and sound imaginable. Coming toward him were boys. +Children they were, with their kilts making a vivid pattern. + +Their bare knees moved in perfect unison as they stepped to the tunes +of Scotland's patriotic melodies. They played in a way unsurpassed by +pipers older and more experienced than they. + +First came a waltz, gracefully played and gracefully stepped. Then came +a march, loud, fast, but always in perfect harmony. The sound might +have come from a single organ played, perhaps, by Scottish cherubim. + +The drum major wore a plumed helmet and carried a baton. He was only +fourteen years old, but he twirled his stick and marched like a veteran +of many wars. + +[Illustration: THE DRUMMER BOY] + +The little twelve-year-old drummer swung his drumsticks into the air +and caught them again. He never missed a beat on his drum. The rest, +pipers all, marched and played. Their cheeks puffed in and out, while +their fingers moved and made melodies. + +Throughout the hills echoed the sound. It was the same as echoed during +the Battle of Bannockburn, when Scottish history was made. To these +tunes, in this same rugged country marched, years ago, these lads' +ancestors. + +And Sandy carried his memories of Queen Victoria School back to Ian +Craig. Ian's longing to become a piper grew greater as he listened. In +his heart he uttered a silent prayer. + + + + +CHAPTER IV + +SANDY RETURNS + + +Though his meeting with Sandy had happened many months before, neither +the memory of Sandy nor of the pipers had dimmed in Ian's mind. Through +his hours of work and play his thoughts turned to marching Highland +laddies and shrieking pipes. + +He would often imagine himself as one of their number. Indeed, often on +his walks to school he would "make believe," as so many children call +it. People would turn to see why the little boy in kilts marched so +straight and puffed his cheeks out. + +Ian wore kilts, though his father did not. Many of the children went to +school in their kilts. Yet many could not afford to do this and wore +them only on Sundays. + +Ian, however, had a school kilt and a Sunday kilt and was very proud of +his wardrobe. One of the main reasons for his pride lay in the fact +that in kilts he could better imagine himself a piper. + +Marching alone one morning, he met Elsie. Elsie was only a wee lass, +far younger than Ian. But she liked the tall boy who always smiled at +her and who walked so straight. + +Ian liked Elsie better than the other lassies, who did not understand, +as Elsie did, the importance and grandeur of pipers. Besides, the +others were either too freckled, or their cheeks too red. + +[Illustration: IAN'S SCHOOL] + +Some Scotch children have the complexions of bright sunsets. Ian liked +Elsie's bonny face, with the few little freckles on her nose, and her +sunny smile. + +This morning Elsie overtook him as he was marching to his own silent +drone of pipes. + +"Do not march so, Ian. The children will be laughing at you when you +reach the school. I heard them saying you're daft about pipers, and I +thought I'd tell you," she said. + +Ian looked down into the little maiden's blue eyes. She, too, was +dressed in a kilt. She wore over it a red jersey. + +Unlike Ian, she did not have the sporran. That is what the Scotch call +the piece of fur hanging down in front of the kilt. Each child's kilt +was, however, pinned on the side with a large safety pin--which is the +style in wearing kilts. + +[Illustration: KILTED SCHOOL CHILDREN] + +Elsie's hair was done in two braids, which hung down her back. Though +he resented what she told him, Ian thought she was very sweet. For she +looked at him in a way that made his resentment soon fade. + +Smiling, he said, "Thanks, Elsie. I'll not march now." + +Silently they walked together. Ian was very near telling his little +friend about his dreams. + +But while he was weighing the probable outcome of such a move, the +school bell rang. It was half past nine, the time that school in +Scotland starts in the springtime. Ian and Elsie ran. + +At one o'clock, Ian went home to his lunch. Elsie stayed, for her home +was far away. She brought her "piece," which is what the Scotch +children call their lunch. No doubt the word refers to their piece of +bread, which, with an apple, is sometimes all they get. + +At home, Ian's mother always had waiting for him a plate of Scotch +broth, potatoes, and sometimes an apple tart. After school Ian was +drawn to the bridge. + +The work at home was not pressing to-day. Father was away with the +sheep. Mother did not need Ian. His heart was light as he started off +for the old brig. He walked along with the hope of adventure, while in +his ears the imaginary sound of pipes played. + +"Ian, wait," called Elsie, and ran after him. + +Ian stopped and remembered that he had almost told her. How could a wee +lass like that understand? No. He would not speak. What was more, he +would not let her come along, for he knew that was what she wanted to +do. + +"Are you going fishing from the brig?" asked Elsie blithely. + +"Ay," answered Ian sulkily, as he stepped ahead of her. + +"May I go with you, Ian?" queried the small girl. + +"No, Elsie. You're too wee for fishing, and you scare the fish." + +Elsie's lip quivered. Ian feared she would cry right out on the road. +Then what would he do? + +"Ach, don't cry, lass. Run home to your mother, for 'tis late for you +to be out, and she'll be worried." + +It was all said kindly but much too eagerly. Elsie, who was keen, did +not doubt for a moment that she was not wanted. + +She ran off, while Ian, with a sigh--sad to say, of relief--ran to his +home. He kissed his mother, took down his fishing rod, and was off for +fish and dreams. + +At the bridge, adventure indeed awaited him, had he but known. He +settled himself in his favorite place and threw his line down into the +river. Little did he suspect what was to happen. + +Singing to himself, he waited. A tug on his line! So soon? Ah, the fish +were biting well to-day. Mother would be pleased. What a big fish and +how it pulled! Ian struggled for several minutes, and then up came his +prize. + +But what sort of fish was this? It looked like a fuzzy ball of brown +fur. As it came up closer, Ian saw that it was a bear--a toy bear. It +was undoubtedly the property of a certain Elsie Campbell! + +"Out, you wee devil, out!" cried Ian, standing up and looking down +under the bridge for his tormentor. + +There she was, and her laugh was most annoying to Ian. He was +scolding, and at the same time trying to undo the hook from the toy +bear's fur. + +"Come up here, you wee devil!" repeated Ian furiously. + +Up came the culprit. Ian had to join in her laughter, though he shook +his finger at her the while. She sat down beside him happily. + +"Ian, do you believe in the devil?" she asked. + +"Ay, do I," he answered. "'Tis yerself." + +"No." Elsie shook her head seriously. "Do you know, I believe 'tis like +Santa Claus. 'Tis your own father!" + +"Ach, Elsie," laughed Ian, at the child's idea. "You know that Santa +Claus brings you dolls and toy bears and--" + +Ian did not go on to complete the list, for just then he heard a sound +that made his heart beat faster. Jumping down from the wall, he looked +up the road. Coming toward him was Sandy! + +How Elsie ever disappeared Ian never knew. Disappear she did quickly. +Afterwards, when Ian thought it over, it seemed that fairies had +snatched her away. + +Whatever happened, she was not there when Sandy and Ian greeted each +other. It was probably her woman's instinct, which bade her leave +these two to their men's affairs! + +[Illustration: SANDY ARRIVES] + +How happy was Ian as his kind old friend seated himself by Ian's side +with the same boyish leap! + +"Well, Ian, lad," said Sandy, "the same bonny Aberfoyle, the same +bonny laddie! And do you have the same bonny dreams?" + +"Ach, Sandy, more than ever before. And have you traveled far since +last I saw you?" + +"Ay, that have I, and many's the tale I'll tell you this day. But first +I must show you something." + +Beckoning Ian to his cart, Sandy pointed to a bundle wrapped up in his +coat. + +Tenderly unwrapping it, the old piper pulled out a young lamb, dirty, +thin, and bleating. + +"'Tis a poor hurt beastie, Ian," he said. "I found it on the road. Its +mother is dead, and it was left to die, too. I picked it up and now +cannot care for it, as I'm wandering and have no place to keep it." + +"Ach, Sandy, couldn't I keep the wee beastie for you?" asked Ian +eagerly. + +Sandy stroked his chin thoughtfully. + +"You could, laddie. But 't would be a while till I return--maybe not +till next spring. And a lamb with no mother is a care." + +"Ach, Sandy," cried the boy, "let me do it for you. I could feed it +with my wee sister's nursing bottle." + +"Ach, ay, laddie! Your mother would like that fine!" laughed Sandy. +"But," he continued soberly, "if you would keep the wee creature, I +could give you something for your trouble." + +"No, Sandy. I would keep it for you, and gladly." + +Sandy was still dubious. He was worried for fear the boy's father would +object to a charge of this kind. The lamb would need tender nursing and +careful watching. + +Sometimes small boys grow careless, although their intentions are of +the best. Then the task falls to Father or Mother. + +As Sandy was revolving these thoughts in his mind, he suddenly had a +plan. + +"Ian," he said, "do you remember the story I told you of the pipers at +Dunblane?" + +"I've thought of little else, Sandy," replied Ian, as he stroked the +lamb. The little creature was nestling down comfortably in Sandy's +arms. + +"Well, lad, uncover the plaid on my cart and see what I have there." + +Ian turned back the bit of plaid covering the cart. Sandy used it to +protect his personal belongings. + +"Two sets o' pipes, Sandy!" exclaimed Ian. + +"Ay! One was given me by a man for a service. It is not so bonny as +mine but might do for a laddie learning to play!" + +"Sandy, do you mean--?" Ian cried. + +"Ay, lad. In the spring when I return, if this wee beastie is fine, and +you have done your duty like a true shepherd, then you shall have the +pipes!" + +"Sandy, Sandy, is it true? May I be a piper and play the pipes like the +laddies in Dunblane? Ach, Sandy!" + +Ian was almost mad with joy. For a moment he forgot what service he was +to render in return for this great reward. But remembering his charge, +he carefully lifted the little lamb out of Sandy's arms. + +He held it tenderly in his own, and said, "You'll find the wee beastie +well and fat when you return in the spring, Sandy." + + + + +CHAPTER V + +THROUGH SCOTLAND WITH SANDY + + +The warm air of spring was pleasant. The Craig family's supper was +spread out before the door of their cottage. They ate outdoors so that +they could enjoy the beauties of the evening. + +It would not be dark here until very late. Ian's father could sit +before his cottage door, reading his paper by daylight until almost +eleven o'clock. + +Now it was only seven. Mrs. Craig was ringing a bell, which echoed +through the hills. + +This was the way she called her husband and son to the evening meal. + +Toward her came Ian, and some one was with him. Mrs. Craig strained her +eyes to see, but she could not make out the stranger's figure. + +As they came closer, Ian ran toward his mother, calling, "Mother, I've +brought Sandy to tea!" + +The old piper politely removed his cap and stood before Ian's mother. + +"Your son has brought home an old traveler, mistress," he said. + +Mrs. Craig smiled and, shaking Sandy's hand, said, "And glad I am, for +a friend of Ian's is welcome to the house of his mother. Sit down, +sir." + +Ian told his mother the story of the lamb. + +[Illustration: BARRIE'S "WINDOW IN THRUMS"] + +He explained how, if he performed his task, he would by next spring be +the owner of bagpipes. + +Mrs. Craig smiled at Sandy and said, "You trust the laddie, sir?" + +Sandy MacGregor replied, "Ay; for will he not be a piper in the band +one fine day?" + +Alan Craig and Roy soon returned, and Sandy was introduced to them. + +After the little repast, Ian beckoned Sandy to him. Nodding his head +toward the hills, he said, "Come away and tell now about your travels +through Scotland, Sandy." + +The two sat on the hill and watched the smoke curling up from the +cottage chimney. And while Sandy smoked his pipe he told Ian once more +of his wondrous adventures. + +Traveling through Scotland is like going through many different +countries. For Scotland's beauties are varied. Here in the hollow is a +lovely, quaint village. Its thatched roofs and white walled cottages +make a picture sweet to behold. + +As you go along, soon you pass the peaceful, hilly country and come to +rocky, steep, and rugged land. You might be in the mountains, for it is +wild and desolate except for the sheep, which are everywhere. + +Around a corner, another village looms into space. This one is cold and +bleak. You pass through it without sight or sound of human beings. Its +buildings are tall, stony, and gray. In the center is a pump, where the +people come to draw their water, but no one is about. + +With a shiver you pass on. As you gradually leave the village behind, +you find yourself again in pastoral land. Thatched cottages come into +view. Bluebells begin to dot the road. How sweet is the smell of hay +and cows and clover! + +Once more a village, and now you wonder whether this can be the same +country. For in the narrow streets are children, dogs, women, peasants, +bicyclists, and more children. + +Little girls walk along knitting. Everyone is walking in the middle of +the cobbled street. Sandy has difficulty in going through the crowd +with his cart. + +This is Kurrimuir, better known as Thrums. It is the scene of many of +J. M. Barrie's delightful stories. Here on the corner is the dear +little cottage made famous by Barrie's "A Window in Thrums." + +[Illustration: BOYS PLAY CRICKET IN SCOTLAND] + +Passing a field, Sandy stops to watch some boys playing cricket. This +game is very popular in Scotland. All the boys play it, just as +American boys play baseball. + +Doune Castle! Sandy climbs over the fence and starts up toward the +towering mass of rock. He thinks of the many battles fought around this +ancient stronghold. It was here that King Robert Bruce made some of +Scotland's history. + +Stirling Castle! Another massive stone memorial of the days of +Scotland's stormy wars. + +Sandy passes on until he comes to the city of Perth. Here he stops +before the old, old house in which lived "The Fair Maid of Perth," made +famous by Sir Walter Scott. + +[Illustration: DOUNE CASTLE] + +In St. Andrews is the oldest golf links in the world. From everywhere +people come to play the royal and ancient game. It is said that no +course is at all like the old course at St. Andrews. + +As you perhaps know, golf originated in Scotland. St. Andrews is the +place where it started. Some say that it was first begun by the +shepherds. It is thought that they used to knock small stones with +their crooks as they strolled behind their sheep. + +On went Sandy to Melrose. He passed the Eildon Hills where King Arthur +and his knights are supposed to be buried. This is the spot where, 'tis +said, Sir Walter Scott used to stop his horses every day. + +He paused here because he loved to look at the glorious view behind. +His horses knew the spot so well that they would stop here of their own +accord. On the day of Sir Walter's funeral, when they were taking his +body to the Abbey, the horses stopped once more. + +In Alloway is the house where the great Scotch poet, Robert Burns, +lived. Every day it is shown to hundreds of visitors, who pay to go in +and look at the curious old place. + +Its quaint furniture and interesting manuscripts and pictures are all +connected with the beloved poet. In the gardens are statues +representing many of the characters in Burns' poems. "Poosie Nancy," +"Tam O' Shanter," and many others are there. + +Another town made famous by a Scottish character is Maxwelltown, or +Maxwelton, where Annie Laurie lived. + +Passing an ancient graveyard, Sandy stops to marvel at some huge slabs +of iron. These are still kept to show how, in the seventeenth century, +the dead were held down in their graves. + +[Illustration: THE HOME OF "THE FAIR MAID OF PERTH"] + +These heavy slabs were put on top of the dead. This was done to keep +them from being dug up by robbers. The thieves would steal and sell +them to doctors and medical students. + +The signing of the Covenant was to Scotland what the signing of the +Declaration of Independence was to America. It was the beginning of +freedom! + +James VI of Scotland tried to force the people into his own religious +beliefs. They refused to be led. On the first day of March, 1768, in +the Old Greyfriars Churchyard, the Covenant was signed. + +The signing was done on a flat gravestone, which is there to this day. +And so, just as America has a Liberty Bell, Scotland has a Liberty +Stone. + +As Sandy's old handcart rattles through each little Scottish town, he +is impressed with the many bookshops he sees in his country. The Scotch +are enthusiastic readers. Their love and desire for education are +national traits. + +Often Sandy passes young boys or young girls sitting by the roadside, +absorbed in their books. The colleges and schools of Scotland are fine +indeed. + +When Sandy asks a direction, he is sure to receive a courteous reply. +The children who come to his side are polite and kind and anxious to +help. They will gladly do what they can for a stranger and do not ask +any pay in return. + +Over many stores and buildings Sandy reads names which start with +"Mac," such as MacNiel and MacKenzie. He smiles as he thinks about +these names. He knows that these people, like himself, are the +descendants of the old clan leaders. + +They gave the name "Mac," which means "son of," to their children. So, +if a clan leader was named Gregor, the children of his clan would be +MacGregor. In the olden days, the word "clan," which comes from an old +Gaelic word meaning "children," was like a great family. Their chief +was like a father, whom they all obeyed. + +To-day, you no doubt know people named MacDonald, MacRae, etc. These +are the descendants of the "clansmen," as they were called. + +Each clan has a tartan of its own. A tartan is what you would probably +call plaid. It is the heathery mixture of many colors and designs. + +Each tartan is different from every other. To-day in Scotland you will +see the children wearing kilts or ties or tams made of their own family +tartan. + +The town of Paisley is famous for its Paisley shawls. These are very +much admired by all the world and worn by ladies of fashion. + +The Shetland shawls, also famous, are dear to old ladies, because they +are soft and warm. The Shetland ponies are dear to children, for they +are so little that they are more like large dogs than like horses. Both +come from the Shetland Islands, which are north of Scotland and are +ruggedly wild. + +Through all of Sandy's travels he never saw the thistle, which is +supposed to grow so thickly in Scotland. The thistle, as you perhaps +know, is used on Scottish crests and banners. No doubt it existed, long +ago, but to-day it is nowhere to be found. + +Here is Loch Drunkie, a queer name with a queer history. It was on the +shores of this lake that men made whisky--which was against the law. + +One day the men saw officers of the law coming toward them. They knew +that they would be arrested if they were found out. To avoid arrest, +they emptied their whisky into the lake. People say that the waters +have remained half whisky from that day to this. + +Sandy jogs along toward Aberfoyle. It is the day he delivers his +injured lamb to the mercies of his young friend. During this time, he +passes another "loch," the well known and much beloved "Loch Lomond." + +Sandy stops on the shore. He gazes below on the shining blue waters, +upon which ply the tiny white steamers. He shoulders his bagpipes and +plays the melody known in every clime, "On the bonny, bonny banks of +Loch Lomond." Here the fairies were wont to dwell. A tale is told of +fairy dyers, who worked for the clans of Loch Lomond in the days of +yore. + +[Illustration: "ON THE BONNY, BONNY BANKS OF LOCH LOMOND"] + +A joke was once played upon the wee elfin folk by a boy. The lad asked +to have the fleece of a black sheep dyed white. Angered by this +request, the fairies overturned their pots of dye into the lake and +never more returned. + +But the color from their dye turned the lake an unearthly shade of +blue. This color is different from that of all other lakes, and thus it +has remained. + +Again Sandy pipes: + + "For me and ma true love will never meet again + On the bonny, bonny banks of Loch Lomond." + + + + +CHAPTER VI + +IAN'S BETTY + + +For many weeks after Sandy's departure from Aberfoyle, Ian tended the +lamb carefully. He fed it from a baby's bottle. The young creature grew +strong and fat. It would follow the boy around as though it knew him to +be its nurse. + +It was a loving little animal, and Ian became very fond of it. He would +take it with him when he sat with his father upon the hill where Roy +guarded the other sheep. + +It did not mingle with the others, for it was an orphan. It knew that +it did not belong with the flock. Sheep are not like people. Human +beings, seeing a motherless child, would strive to protect it with +their own young ones. + +[Illustration: IAN FED BETTY FROM A NURSING BOTTLE] + +So the task of protector and nurse fell to Ian. He loved to feel the +wee one's soft fur against his cheek as it lay on the hill with him. He +liked to feed it from its bottle and hear the soft, gurgling noises it +made. + +It amused him to see its tail waggled so rapidly after each mouthful of +milk. This is the way it showed Ian how well it liked its dinner. And +as Ian felt the lamb, warm and soft in his arms, he seemed to feel +there something else--his beloved bagpipes! + +Much to the amusement of his parents, Ian called the lamb Betty, his +baby sister's name. He felt that it was as helpless and young as she. + +Very often they both sucked from their nursing bottles at the same +time. While they were doing this, they looked at each other with big, +wondering eyes. Ian often sat and admired the pair and laughingly said +to his mother, "Your baby and my baby, Mother." + +So the days flew by, and the summer wore on. Soon the school bell began +to ring out again. It told the children that another term was +beginning. + +Ian was loth to leave his happy pastimes in field and on hill. However, +he, like all Scotch children, was anxious to learn. So one morning, he +strapped his book bag on his back and started off to school. + +That was a lonely day for the lamb Betty. She was lonely because her +young guardian had hardly ever left her side. The lamb was clearly +worried and bleated unmercifully until Ian returned from school. + +[Illustration: IAN HOME FROM SCHOOL] + +When, the next day, the same thing happened, Ian's pet could stand it +no longer and started out to find him. + +Every child in the world knows the song about "Mary's little lamb." +That day, as Betty marched herself up the steps of Ian's schoolhouse, a +chorus of childish voices sang out: + + "Ian had a wee, wee lamb; + It followed him to school!" + +There was much merriment as Ian hurriedly packed Betty off to her home. +Like the teacher in the song, this teacher had difficulty in restoring +order. + +It was also a flushed and embarrassed Ian who returned to his +classroom. That evening he lectured Betty upon behavior for lambs! + +However, Betty was either disobedient or else too young to understand +Ian's lecture. The next day she tried to repeat her performance. She +started off on a gallop to find her young master. I say, "tried," for +alas, this time poor Betty could not find Ian's school! + +For many hours she wandered about. She went farther and farther, not +only from school but from home. Evening fell, and Betty was bleating +alone in a dense forest--lost! + +At last Ian returned from school. For several moments, he could not +understand why Betty did not come to meet him. He stood and gazed +about. Then a terrible thought came to him. + +[Illustration: LOST!] + +Rushing to his father on the hillside, he asked excitedly for his pet. +Alan Craig shook his head sadly. + +"I've sent Roy again, laddie, but he's returned once alone. I fear the +beastie is lost." + +Lost! Ian's world fell about him. The sound of distant bagpipes seemed +to resound dully in his ears. The words of Sandy came to him through +the dim: "In the spring, if this beastie is fine, and you have done +your duty--" + +His duty! And poor Betty! Where could she be? A little lonely creature, +more baby than animal, tended so carefully, and unused to the thorns +and sharp rocks of the hills--alone and lost! + +"Father!" was all that Ian could gasp. Just then he saw Roy coming +toward them, his tail between his legs. An expression of failure was in +his shepherd eyes. + +"Roy, lad, can you not find her?" asked Ian. + +Ian threw his school books off his back. Kneeling, he put his arms +around the neck of Roy. Roy answered in his own way. It was as clear to +Ian as though the dog had cried out to him, "No, laddie, she's lost, +lost!" + +And if a sheep was lost to Roy, it was indeed a lost sheep! For the +clever dog would smell a sheep for many miles. He would, in fact, +encounter any danger to bring a straggler back to the fold. + +Still, thought Ian, Betty was not really one of the fold. It was +possible that Roy's experience did not fit him to scent out tame pets. + +"I'm going to look, Father," shouted the heartbroken boy. + +Calling Roy, he started off on a run. The father shook his head and +felt a great pity for his little son. + +[Illustration] + + + + +CHAPTER VII + +ALAN CRAIG TELLS A STORY + + +The word "Betty" resounded in the hills many times that evening. The +lights in the village were already lighted when a tired, heartsick boy, +followed by a sympathetic sheep dog, returned to the Craig cottage. + +There they were awaited by Alan Craig. The lad stumbled blindly into +the house. + +He found his father with a candle in his hand, waiting to lead the +disappointed boy to his bed. + +Ian cried himself to sleep that night. Roy, the dog, sat beside him +and mourned for the lost member of the little household. + +The next day and the next were spent in searching the hills, the +fields, and the forest. Fortunately for Ian, they were Saturday and +Sunday, and he did not have to go to school. + +He arose before the dawn and did not return until evening. But it was +always the same. Betty was nowhere to be found. Though Ian and Roy +hunted in every conceivable place, the lamb had disappeared. + +On Monday, Ian was forced to relinquish his hunt and go to school. +Immediately after school he called to Roy and was off again. + +"The lad hardly eats his meals, he's so troubled!" said Mrs. Craig to +her husband, as she shook her head. + +Alan bit his pipe in silence, while his heart bled for Ian. + +Alan had been training a new dog for the sheep. He was using this dog +instead of Roy, who was allowed to stay with Ian and help him in his +search. + +But this meant added work for Alan, who had to be on the watch. He +could not leave his charges completely in the care of this new helper, +as he had done with Roy. Many times the new dog frightened the sheep. +They soon became panicky and ran in all directions. + +Then the dog forgot all of Alan's training and ran after them wildly. +Alan always had to come himself to restore order. + +One day he tramped miles to recover a terrified mother and her baby. +After this long walk, Alan sat on the hillside. + +Meanwhile the new dog looked at him out of the corner of his eye, and +dropped his tail because he was ashamed. + +As the shepherd sat smoking, he saw his son coming toward him, followed +by Roy. Ian threw himself down beside his father. Letting his head sink +upon the shepherd's knee, he gave up the search. + +"'Tis weary I am, Father," he sighed. "The search is over, and my wee +lamb is gone." + +[Illustration: IAN GIVES UP THE SEARCH] + +"And your pipes, Ian? Are they to be lost, too?" queried the shepherd. + +"Ay," answered his son, "for Sandy said, 'If you tend the wee creature +well till spring!' Now Sandy will return in the spring, and there'll be +no creature." + +For a few moments Alan Craig smoothed Ian's curly black hair. The boy +tried hard to hold back his sobs, which were nearly choking him. + +Then Alan Craig spoke. "Ian, lad, have you not heard the story of Bruce +and the spider?" + +"Ay, Father," replied Ian. "'Tis in my history book." + +"Then mind well while I repeat it to you. For King Robert Bruce was a +great man, and he never gave up!" + +Ian listened intently while his father recounted the well-known tale. +He told how, many, many years ago, King Robert Bruce had fought with +the English and lost numerous battles. One night, he was lying +despondent on a rude couch in his tent on the battlefield. + +[Illustration: KING BRUCE AND THE SPIDER] + +His heart was heavy with the memory of his lost battles and of the +suffering throughout his country. Just then his eye fell upon a spider +in the corner of the tent. The industrious little creature was trying +to fix its web to the top pole of the tent. It had already made six +attempts, but each time it had fallen. + +King Bruce bethought him of his lost battles. Six! He and the spider +had failed six times. And now he, King Bruce, was about to give up! +Would the spider also be downed, or would it, perhaps, persevere once +more? + +King Bruce made a vow to himself. He decided that, should the wee +creature try again to fix its web and be successful, then he, Robert +Bruce, would profit by the spider's lesson and fight another battle! + +The spider made another attempt. Slowly it raised its shadowy body +until, quivering in the air, it balanced itself for the final plunge. +The King raised himself on his elbow and watched. A nation awaited that +spider's success or failure! + +Again it plunged, caught at the pole, and fixed its web! King Robert +Bruce jumped to his feet. He threw his plaid about him and began his +preparations for the greatest battle in Scottish history, the Battle of +Bannockburn. + +As everyone knows, he routed the English at this famous battle. Never +afterward would the great King give up! + +[Illustration: ALAN TELLS THE STORY OF KING BRUCE AND THE SPIDER] + +"So should we all feel, Ian," said Alan Craig as he finished his tale. + +"From the King to the spider!" Though Ian had heard the story often +before, it now held a new meaning for him. He looked up at his father. + +Then he stood erect and called to his dog, "Come, Roy; we'll try +again!" + +He was soon off through the hills once more. + +[Illustration] + + + + +CHAPTER VIII + +PIPERS AND TROUBLES + + +At the beginning of that same summer, Jamie Robinson, Aberfoyle's +piper, became restless. Jamie was not a steady man. He had never been a +good provider. His poor wife and babies were often hungry and cold in +the stormy winter months. + +Jamie Robinson earned his living by his piping. He marched back and +forth through the village street, playing his bagpipes. He hoped that +the noisy, celebrating crowds, which arrived from Glasgow, would like +his music and throw him pennies. + +When the people were generous, his family might have a good dinner. But +often Jamie Robinson did not bring the money home to his family. +Unfortunately Jamie, who was a weak man, was often led by some of the +village men into public houses. Here men gamble and drink. + +Sometimes poor Mrs. Robinson waited until very late for her husband to +come home. When at last he arrived, he came penniless. + +But now Jamie was buoyed up by the balmy weather. He felt a longing for +the open road. + +"Come away, wife," he pleaded. "'Tis no living for a man here." + +But Mrs. Robinson only shook her head and reminded him of their large +family and of the hardships of a wandering life. After all, they were +comfortable here, when Jamie brought home the pennies. + +They had a little corner on a bright meadow beside a brook. Besides, +the people of Aberfoyle were kind. Mrs. Robinson tried to keep her four +wee children clean and happy. But this task was not always easy. What +would it be on the open road? + +"No, Jamie," she said. "'Tis afraid I am to go traveling with the wee +bairns." (Children are called bairns in Scotland.) + +But Jamie insisted and promised that she would not regret it. He +promised that he would make money and provide for them better than +before. + +And so, one day the village of Aberfoyle said good-bye to Piper +Robinson. The little caravan then moved on to what they hoped would be +a better life. + +They made a queer picture as they trudged along. There was Jamie +pulling the cart, with Mrs. Robinson beside him. Her entire kitchen was +strung upon her back--teakettle, sauce pan, and soup ladle. + +Then came the oldest child, followed by the scrawny dog. Behind him +dragged a freckled boy of five years. In the handcart, on top of the +sticks and the tent, sat the two babies. One of them was three and the +other barely two years old. + +For some time Jamie Robinson was happy. In each little village where he +played, he made enough to feed his family. He tried to please his wife +and brought home all the money that was thrown him. + +But the weeks wore on, and the family moved farther and farther from +the big cities. Then it seemed that there became less and less money +for pipers. + +One night Jamie came back to his little brood with empty pockets. The +rain had been falling all day. The family of Jamie Robinson had been +huddled together in their tent like lost sheep. When Jamie entered the +tent, the baby was crying. Jamie knew she was hungry. + +While Sandy MacGregor traveled, he usually sang or whistled. Sandy was +always happy. He was getting old, and his stride was not what it had +been. Still he gloried in his happy-go-lucky life. + +Since leaving Aberfoyle, Sandy had thought often of the little boy in +whose charge he had left the baby lamb. Old Sandy chuckled to himself +when he thought about his return and Ian's joy upon receiving the +bagpipes. + +"If I could only stay and teach the laddie to play!" mused the old +piper. + +Sandy was a good piper and had once served in the army. Jamie Robinson +had only picked up a few tunes. Ian had recognized Sandy's clever +playing at once on the day he had first come to Aberfoyle. + +Now, wet from the showers and hungry, Sandy stopped in a town. Taking +out his pipes, he began to play. It was the same town where Jamie +Robinson had played that night and the night before. The people were +poor. + +The rain had been falling in steady showers, so that few persons were +about the streets. Sandy puffed on his pipes, and the sweet melody +echoed through the village and beyond to the hills. But not a soul +came to pay the piper. + +"Ach, well," sighed Sandy. He wiped the dripping water from his brow +and put back the pipes. He covered them carefully with his plaid. Then +pulling his cart, the old man moved on through the wet streets of the +village. Soon he was on the open road. + +His experienced eyes fell upon a camping spot. He decided to rest the +night there. He neared the little clump of trees by the side of the +road. Then he saw that he was not the only traveler who had chosen this +spot. Here was the tent of Jamie Robinson. + +As Sandy drew closer, he heard a baby crying. Sandy called out, and +Jamie put his face out of his tent. A sullen, angry face it was. + +"And what is it you want?" he bellowed. + +Sandy walked up to the man and smiled. + +"Ach, don't be angry," he said. "I'll not be harming you. I'm an old +piper and would rest the night here beside you, if you have no +objection." + +Jamie looked at the cart and again at Sandy's happy red face. + +Then, softening his tone, he said, "Then welcome. And have you piped to +yon village?" + +"Ay," answered Sandy, "but they have not cared for my music!" + +He laughed as he said this, and started to pitch his tent. + +Jamie came out and helped him. It was not long before he had told Sandy +all of his troubles. Sandy's brows wrinkled. A sadness came over his +face as he listened to Jamie's tale of woe. + +The family had been stranded here for three days. The rain had kept +them from moving. Then the wee baby was ill, and the others were hungry +and cold. Not a penny had been made in the town. Jamie had played +several times each day. He had even trudged along to the next town with +no better results. + +Sandy was shocked. The thought of hungry children tormented him. +Telling Jamie that he wished to try his luck in the town once more, he +hastened thither, his pipes under his arm. + +Sandy had never been a rich man. He always had enough to buy his meals, +and that was all. A piper cannot make a great deal. Sandy's music +usually brought him ample money for his needs. But he was a generous +soul and gave away half of what he earned. + +To-night he had in his pocket just enough to buy his dinner. Into the +town he went. It was not long before he returned to the suffering +family with bread and milk. To Mrs. Robinson, Sandy appeared as a good +fairy that night. + +The next day broke fair. Early Sandy was in the market square of the +town. He played the finest tunes he knew, strutting up and down. + +The villagers liked his music, and the children followed him. They +would have liked to shower Sandy with gold, for the joy that their +country's melodies brought them. But their purses were thin. They could +only smile sadly and shake their heads at the puffing old man. + +There was nothing for the Robinsons to do but to move on. It was a +difficult task for Mrs. Robinson. But with Sandy's help, she managed +to pilot her little tribe along the muddy road to the next village. + +For many days Sandy and the Robinsons traveled together. Sandy piped +and gave them all he made, which was little enough. Often he himself +would go hungry to bed. + +It grew so bad that poor Sandy began to wonder what would happen to +them. Not for worlds would he have left them. Never did such a thought +enter his mind. + +He worried more over the sick baby than did Jamie Robinson. Jamie was, +in fact, to Sandy, another child. Sandy felt as though he had to +protect the irresponsible piper along with his family. + +These were terrible days for Sandy. He sold nearly everything he had to +provide for the Robinsons and keep them from going hungry. + +One day the baby became desperately ill. It needed a doctor. Sandy +rushed to the nearest village. The doctor was brought and pronounced +the baby in a serious condition. He said it must be given fresh milk +and nourishing food. But to provide these things was too difficult for +the little family. + +One thought had been at the back of Sandy's mind all along. But he had +not allowed himself to consider it seriously until now. This crisis, +however, forced him to carry out a plan. + +The bagpipes he had promised Ian were the only valuable possession in +his little cart. They would bring enough money to save the baby's life. + +Sandy pulled them out. He polished the silver and rubbed the chanter +carefully to remove the dust. Meanwhile, his thoughts flew to Ian. In +his heart he was used to calling Ian "the wee Scotch piper," for he +hoped to see the boy realize his dream some day. + +Now the pipes would have to go. He would have to return to the lad +empty-handed and with his promise broken. Still, it was the only thing +he could do. So poor Sandy sold the pipes. + +Sandy returned from the village, with his pockets bulging. He seemed +to see Ian in front of him, the wee lamb in his arms. Ian seemed to be +looking expectantly and questioningly at his old friend. + +And Sandy heard himself saying, "No, laddie. Sandy has disappointed you +and has not brought you the pipes!" + +[Illustration] + + + + +CHAPTER IX + +IAN TRIES AGAIN + + +Ian was once more in search of Betty. The story of King Bruce echoed in +his ears and spurred him on. Roy, too, seemed to be inspired with new +hope. He sniffed and ran, and ran and sniffed. Every once in a while, +he would let out short, sharp barks. + +"Do not weary yourself, lad," said Ian. "We have long to go this day, +and we'll not give up." + +With these words the boy began to whistle. A happiness seemed to come +suddenly to him as though he already had Betty safe in his arms. + +For many hours the boy and dog climbed and walked. At last they found +themselves in a wild, rugged portion of the country, where Ian had +never before been. Rocks were all about him. He descended into giant +caverns. + +He called, "Betty!" and received only an echo for reply. He went +farther until it was so late that he could not think of returning home. +He would surely lose his way in the darkness, if he attempted it. So he +curled himself up between two massive rocks and, with Roy nestling +close to his side, fell fast asleep. + +[Illustration: IAN, BETTY AND ROY] + +At dawn, Ian was awakened by Roy. The dog was barking and making wild +dashes in the direction of a large gulch near by. + +He ran madly to the gulch, then dashed back again to Ian. His barks +came in hysterical gasps. + +Ian ran with Roy to the edge of the gulch. Looking down, the boy saw a +terrible sight. Hanging on to a ragged ledge was a large mother sheep. +It was one of his own father's, as he could see by the markings on the +wool. The poor creature was bleating. A few feet above the ledge stood +her baby lamb. + +At each of Roy's barks, the mother sheep gave a little jump, and the +ledge of rock quivered. Ian thought surely it would break and the sheep +would be dashed to pieces on the rocks below. + +"Down, down!" commanded Ian in the same voice as his father used to the +dog. + +Roy crouched and whined, but stopped his barking. Ian remembered that +some of the mother sheep distrusted the dog. So it would be impossible +for Roy to show himself now. What must be done must be done by Ian +himself. + +While the boy climbed down the precipitous rocks, the faithful dog, +deprived of his rightful work, whined and howled. Had he not been +trained to obey, he would never have stayed. But to a shepherd dog, a +master's word is law. Roy watched his young friend as the boy made the +perilous descent to rescue the terrified animal on the ledge. + +The sheep was large, and its wool weighed heavily. But Ian grasped the +creature firmly. With all his might, he pulled until he had it on the +rock above. When the baby lamb saw its mother coming, it uttered loud, +joyous bleatings. + +Ian could only think that the sheep had been led astray by his father's +new dog. He was worried for fear that there were others which had +strayed beyond. He decided to see, and started off beyond the rock +hill. + +But when Roy began to drive the mother sheep along, she became very +angry. She ran at him with her head lowered. Roy could not manage her. +She refused to obey him and Ian. + +The boy, who carried a crook like his father's, was forced to resort to +the only means of bringing her to order. With a quick sweep of the +crook, he caught the baby sheep. He lifted it in his arms. + +"Now, you'll come away," he said to the mother, as he walked on. +Snorting, the mother sheep was forced to follow. + +On and on walked Ian and Roy. And now the hunt was not only for Betty, +but for more of his father's herd. Ian thought he would find some that +might have been led astray by the new dog. + +At noon he sat down to eat his "piece," which he carried in his +sporran. When he had finished, he started for a clear stream near by. + +As he approached, he thought he saw one of the grayish rocks in the +stream moving. He rubbed his eyes. Could it be a reflection from the +water? No. It was moving slowly. + +Ian approached faster. What was his amazement at finding the gray rock +to be his own Betty! It was his Betty, thin and ragged, and stumbling +along on her front knees, too weak to raise her feet. Poor little +beast! + +She was nearly dead. As Ian raised her up, he realized that he had +found her just in time. The creature seemed to know the boy, for she +nestled down in his arms as of yore. In spite of her suffering, she +seemed perfectly happy, now that her Ian was found. + +[Illustration] + + + + +CHAPTER X + +SPRING + + +Spring! Each day found an eager, watchful boy, a happy, sweet-faced +sheep dog, and a large fleecy lamb standing on the Rob Roy Brig. They +were awaiting in glad anticipation a visitor, who was expected and +whose music would soon reach the happy ears of a future piper. + +Ian Craig had never allowed his Betty to roam after that frightful +episode. She had been kept in a little corral, which Ian built for her. +When he came home from school, he took her with him to the brig. He +fastened her to a massive rock, while he awaited the return of Sandy. + +[Illustration: BETTY AWAITS SANDY'S RETURN] + +Betty was now almost as fat and big as the other sheep. She was a +credit to the boy's good care. So proud of her was Ian that he often +tied a lovely tartan ribbon about her neck. He combed her wool +tenderly each day before he started off for the brig. + +Day after day, the two waited. Meanwhile, Roy looked on with kindly +eyes, although he did not understand it all. Of course, Betty was +equally ignorant of why she was made to pose with a floppy bow around +her neck, tied to an annoying rock. But she was content, for Ian stayed +beside her. + +Sometimes as Ian watched and waited, he thought he heard the bagpipes +in the distance. And as he heard, his heart beat faster. The moment of +bliss when he could claim his reward, seemed to be upon him. + +Then he often looked at Betty, and a qualm seized him. How could he +part with the lamb? He had been through trouble and sorrow for the +little animal. He had lived many happy hours by her side. It was as +though she had become his own. The thought of parting from her was like +a stab. Then, too, Betty loved him. + +At these times, the poor little boy would knit his brow and ponder upon +the strangeness of life. + +Then he thought of the pipers and the tale of Dunblane, where the +stalwart lads marched and played. He thought of the glorious piper +bands marching in the big towns. The thought made him brighten and +jump from the brig and scan the country for a sign of Sandy. + +But the days of budding blossoms and showers in Scotland wore on. +Finally Betty's ribbon bow began to fade and Ian's patience to wear. + +Little Elsie Campbell used at times to walk with the boy to the brig. +Often he stopped on the walk and talked to her, as he cocked his head +on one side. + +"Do you not hear the din of pipes, Elsie?" he asked. + +And the wee lassie shook her head and said, "Ach, no, lad. 'Tis daft +you are with your pipes!" + +But it was said kindly, for Elsie hoped and prayed that Sandy would +return. You see, Ian had told her the story of Betty and how he waited +for the promised pipes. It was, in fact, Elsie who had first tied the +silken tartan ribbon about the lamb's neck. + +It was a gray day which promised rain. Ian and Betty neared the brig +together. Ian had just tied the creature to her accustomed rock and was +lifting himself to the wall when he heard a sound. Pipes! Unmistakably +pipes! + +Still, he had been mistaken so often before that he dared not look. And +Elsie was not there to-day. She would have told him. For in her ears +the sound was not always droning as it had been in Ian's for many +days. + +He had not told his mother for fear of worrying her. But his head was +often heavy, and he could not sleep with the sound of the bagpipes. +Poor little Ian! If only Sandy would return! + +On this dull, misty day as he swung his feet from the wall of the brig, +Ian could not stop the sound. Nearer and nearer it came! + +Then, "Bonny laddie, Highland laddie," chanted the pipes. Ian looked up +and saw standing before him his Sandy! + +Although he was as red and wrinkled and twinkling as before, there was +a change. Sandy was very shabby. His coat was stained with the mud and +rain of many hard days. + +He stopped his playing and stood before the boy. A sad, longing look +came into his eyes. + +"Ian, lad," he said slowly, "'tis Sandy come back." + +And Ian suddenly realized that it was all true and not one of his +dreams. He jumped down from the wall and threw his arms about Sandy. + +"Ach, Sandy," he cried. Then he stood back and pointed to the lamb. +Evidently Sandy had not noticed it. + +"And do you not see our beastie, Sandy? 'Tis the same you left with me, +and well and fat she is." + +Sandy turned and looked at Betty. But he did not talk as Ian had +expected him to, nor did he compliment Ian on the lamb's well-being. +He only stood fingering his pipes and slowly shaking his head. + +[Illustration: "SANDY HIMSELF WILL TEACH YOU TO PLAY"] + +As Ian stared in wonderment, the piper lifted his bagpipes from his +shoulder and handed them to the boy. + +"Your pipes are here, lad, and Sandy keeps his promise!" he said. + +Without thinking Ian put out his arms to receive the instrument. His +eyes, however, did not leave his friend's face. + +"But, Sandy, these are your own pipes you're giving me!" he said, as if +he could hardly believe it, after looking down at what Sandy had placed +in his arms. + +"Ay, lad," answered Sandy, "and now you can be a fine piper, and Sandy +himself will teach you to play." + +Then Sandy told Ian the sad story of Jamie Robinson. He explained how +he had sold nearly all his worldly goods to help the little family and +put them on their feet again. He told of how he had left them +comfortably settled near a prosperous village. He had made Jamie +promise to work and save for his little brood. + +Sandy also told how he had come all the way to keep his promise to the +boy. He said, too, that now, as in Aberfoyle there was no piper, he +expected to stay here and take Jamie Robinson's place if Ian would lend +him his pipes each day for awhile. And in return, he would teach the +lad to play! + +"For I'm not so young as I was, laddie, and the wandering life is over +for me," he added. + +When Ian heard these plans, he was beside himself with joy. He hugged +first Sandy, then Roy, and then Betty. At last the piper became his old +jolly self once more and laughed. + +"Ay, lad, we'll share the pipes together, though they belong to you. +But old Sandy will have to make a living, and he'll teach you all the +tunes he knows!" + +No happier boy than Ian Craig lived in Scotland that night. Standing +before the door of the cottage, he puffed and blew on his pipes. There +issued forth the sound of a thousand sheep all bleating at once but all +in pain! Sandy listened from his tent on the hill opposite and chuckled +to himself. + +Roy was also in pain as he listened. His delicate ears were unused to +this shrieking and squealing. He joined in the din with loud howls. + +The baby within the house was in sympathy, too, and added her wails. + +So Sandy's first evening as a resident in Aberfoyle was not a quiet +one. He was forced to stop his ears. + +Mrs. Craig was unable to stand the racket. So she pulled her puffing +son into the house and packed him off to bed, to the great relief of +all. + +[Illustration: THE SOUND OF HIS PIPES ECHOED BACK THROUGH THE GLEN] + +But Ian was a quick and hard-working pupil. It was not long before Roy +quite approved of the sounds his master made on his pipes. He did not +then feel it necessary to amend the melody. + +Also the baby gurgled with glee. She puffed out her cheeks in imitation +of Ian and laughed happily. And Betty, the lamb, too, seemed to know +that all was well. The world was in tune with the wee Scotch piper who +had, at last, realized his dreams. + + * * * * * + + "'Tis the close of the day + At the foot of the ben, + And the sound of his pipes + Echoes back through the glen." + + + + +CHAPTER XI + +THE WEE SCOTCH PIPER + + +It was a cloudless day in the big Scotch city. The people seemed to +feel that something unusual was about to happen. Everyone wore his +best, and the city fairly shone with the reds and blues and greens of +tartan kilts and bonnets. + +Soldiers paraded the streets. Children hurried along by their parents' +sides, anxious to arrive at the big grand stand in time. Numerous +bystanders flanked the wide street. + +All the people were breathless with excitement. Even the usual +crowding traffic suspended its pushing and shrill tooting. For this +was a great day in Scotland. Many celebrations occur at intervals in +this land of excursions and picnics. But to-day was as the children +would say, "extra special." + +The huge grand stand was overcrowded with eager Scotchmen, with their +wives and bairns. They all strained their eyes for a glimpse of the +great "kiltie band," which was to march down the street. + +Among those who watched, and perhaps the most eager of all, were a +family of country folk. In bobbing black bonnet sat a calm-faced old +lady. Beside her was a rugged old man. Both were in their best array. +Both were longing for the sight they had come miles from their little +farm to see. + +[Illustration: THE WEE SCOTCH PIPER] + +The couple were none other than Alan Craig and his wife. The sight that +their old eyes would soon see, as the happy tears dimmed their view, +would be their son, their Ian. He was now a tall, manly piper in kilted +uniform, marching and piping with the flower of Scotland's army. + +By their side sat another. His kindly face shone with pride, and in his +heart was a singing joy. + +For Sandy MacGregor had taught this lad to play. It was the same old +pipes of Sandy MacGregor that he still used. He would soon show those +pipes to a cheering crowd as his fingers flew over the chanter. While +he played, his arm would shelter the tartan bellows once sheltered by +Sandy's own arm as the old piper had wandered over hill and through +dale. + +Sandy MacGregor had lived many years for this moment. As he craned his +neck for a sight of the coming parade, he spoke to the little girl +beside him. + +"See, Betty, 'tis they coming now." + +Betty, Ian's baby sister, was now a girl of the age Ian had been when +first Sandy had met him. + +Together, Betty and Sandy had dreamed and planned the day when +together they would view their piper laddie on parade. + +For Sandy had dwelt in the village of Aberfoyle these many years. While +he had piped for his living, he had taught another piper, who was now +to cover his old teacher with glory. + +In the large audience there was still another, whose blue eyes danced +with joy. Her hands were clasped together with excitement as she +awaited the approach of her boyhood friend. It was little Elsie +Campbell, now grown to womanhood. Elsie was among those who thrilled to +see the "wee Scotch piper," as he marched along that day. + +Who knows with what feelings of pride the lad looked up as he passed +that grand stand? Who knows his feelings of love, on seeing those dear +faces smiling and nodding at him? + +And as he marched and played, he seemed to see before him a little +schoolboy marching and playing. That boy was himself, trudging the +streets of a wee village, followed by a bleating lamb! + +[Illustration] + + + + + +End of Project Gutenberg's The Wee Scotch Piper, by Madeline Brandeis + +*** END OF THIS PROJECT GUTENBERG EBOOK THE WEE SCOTCH PIPER *** + +***** This file should be named 40664-8.txt or 40664-8.zip ***** +This and all associated files of various formats will be found in: + http://www.gutenberg.org/4/0/6/6/40664/ + +Produced by Juliet Sutherland, Colin M. 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You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: The Wee Scotch Piper + +Author: Madeline Brandeis + +Release Date: September 4, 2012 [EBook #40664] + +Language: English + +Character set encoding: ISO-8859-1 + +*** START OF THIS PROJECT GUTENBERG EBOOK THE WEE SCOTCH PIPER *** + + + + +Produced by Juliet Sutherland, Colin M. Kendall and the +Online Distributed Proofreading Team at http://www.pgdp.net + + + + + + +</pre> + + + +<div class="figcenter" > +<img src="images/cover.jpg" width="416" height="600" + alt="The Wee Scotch Piper by Madeline Brandeis" /> +</div> + +<div class="figcenter" > +<img src="images/endpapers.jpg" width="600" height="392" alt="endpapers" /> +</div> + + +<h1>The Wee Scotch Piper +</h1> +<hr /> + +<div class="figcenter" style="width: 100%"> +<img src="images/illus002.jpg" width="632" height="439" alt="" /> +<p class="caption">THE WEE SCOTCH PIPER</p> +</div> +<hr /> + +<h2><i>The</i> WEE SCOTCH PIPER</h2> +<p class="center"> + <br /> +<small>BY</small><br /> +<span class="heading">MADELINE BRANDEIS</span></p> + +<h5><i>Producer of the Motion Pictures</i></h5> +<p class="center" > +"The Little Indian Weaver"<br /> +"The Wee Scotch Piper"<br /> +"The Little Dutch Tulip Girl"<br /> +"The Little Swiss Wood-Carver" +</p> +<h4>Distributed by Pathé Exchange, Inc., New York City</h4> +<h5><i>Photographic Illustrations made in Scotland by the Author</i><br /> +<br /><br /><br /></h5> +<p class="center"><span class="publisher"> +GROSSET & DUNLAP</span><br /> +<span class="pub2"> +PUBLISHERS NEW YORK</span><br /> +<span class="pub3"> +<i>by arrangement with the A. Flanagan Company</i></span></p> + +<p class="center"> +COPYRIGHT, 1929, BY A. FLANAGAN COMPANY<br /> +<br /><br /><br /><br /> +PRINTED IN THE UNITED STATES OF AMERICA<br /> +</p> +<hr /> +<h2>PREFACE</h2> + +<p>When I began to write these stories about children of +all lands I had just returned from Europe whither I journeyed +with Marie and Ref. Maybe you don't know Marie +and Ref. I'll introduce them: Please meet Marie, my very +little daughter, and Ref, my very big reflex camera.</p> + +<p>These two are my helpers. Marie helps by being a little +girl who knows what other little girls like and by telling +me; and Ref helps by snapping pictures of everything +interesting that Marie and I see on our travels. I couldn't +get along without them.</p> + +<p>Several years have gone by since we started our work +together and Marie is a bigger girl—but Ref hasn't +changed one bit. Ref hasn't changed any more than my interest +in writing these books for you. And I hope that <i>you</i> +hope that I'll never change, because I want to keep on +writing until we'll have no more countries to write about—unless, +of course, some one discovers a new country.</p> + +<p>Even if a new country isn't discovered, we'll find foreign +children to talk about—maybe the children in Mars! Who +knows? Nobody. Not even Marie—and Marie usually +knows about most things. That's the reason why, you see, +though I sign myself</p> + +<div class="figright" style="width: 100%"> +<img src="images/illus005.png" width="191" height="38" alt="author's signature" /> +</div> + +<p class="center"> +I am really only<br /> +</p> +<p class="right"> +Marie's Mother.<br /> +</p> + +<hr /> +<h2>DEDICATION</h2> + + +<div +class="poetry-container"> <div class="poetry"> +<div class="stanza"> <div class="verse"> +To every child of every land,</div> +<div class="verse indent2"> + Little sister, little brother,</div> +<div class="verse"> +As in this book your lives unfold,</div> +<div class="verse indent2"> + May you learn to love each other.</div> </div></div> </div> +<hr /> +<h2>CONTENTS</h2> + +<div class="center"> +<table border="0" cellpadding="1" cellspacing="0" summary="Contents"> +<tr><td align="left"> </td><td align="left">Chapter I</td><td align="left"> </td><td align="right">Page</td></tr> +<tr><td align="left">The Craig Family</td><td align="left"> </td><td align="left"> </td><td align="right"><a href="#Page_11">11</a></td></tr> +<tr><td align="left"> </td><td align="left">Chapter II</td></tr> +<tr><td align="left">Sandy's First Visit</td><td align="left"> </td><td align="left"> </td><td align="right"><a href="#Page_28">28</a></td></tr> +<tr><td align="left"> </td><td align="left">Chapter III</td></tr> +<tr><td align="left">Pipers</td><td align="left"> </td><td align="left"> </td><td align="right"><a href="#Page_44">44</a></td></tr> +<tr><td align="left"> </td><td align="left">Chapter IV</td></tr> +<tr><td align="left">Sandy Returns</td><td align="left"> </td><td align="left"> </td><td align="right"><a href="#Page_53">53</a></td></tr> +<tr><td align="left"> </td><td align="left">Chapter V</td></tr> +<tr><td align="left" colspan="2">Through Scotland With Sandy</td><td align="left"> </td><td align="right"><a href="#Page_71">71</a></td></tr> +<tr><td align="left"> </td><td align="left">Chapter VI</td></tr> +<tr><td align="left">Ian's Betty</td><td align="left"> </td><td align="left"> </td><td align="right"><a href="#Page_91">91</a></td></tr> +<tr><td align="left"> </td><td align="left">Chapter VII</td></tr> +<tr><td align="left" colspan="2">Alan Craig Tells a Story</td><td align="left"> </td><td align="right"><a href="#Page_102">102</a></td></tr> +<tr><td align="left"> </td><td align="left">Chapter VIII</td></tr> +<tr><td align="left" colspan="2">Pipers and Troubles</td><td align="left"> </td><td align="right"><a href="#Page_113">113</a></td></tr> +<tr><td align="left"> </td><td align="left">Chapter IX</td></tr> +<tr><td align="left">Ian Tries Again</td><td align="left"> </td><td align="left"> </td><td align="right"><a href="#Page_129">129</a></td></tr> +<tr><td align="left"> </td><td align="left">Chapter X</td></tr> +<tr><td align="left">Spring</td><td align="left"> </td><td align="left"> </td><td align="right"><a href="#Page_138">138</a></td></tr> +<tr><td align="left"> </td><td align="left">Chapter XI</td></tr> +<tr><td align="left" colspan="2">The Wee Scotch Piper</td><td align="left"> </td><td align="right"><a href="#Page_153">153</a></td></tr> +</table></div> + +<hr /> +<div class="figcenter" > +<img src="images/illus010.jpg" width="619" height="429" alt="" /> +<p class="caption">THE SOUND OF HIS PIPES ECHOED BACK THROUGH THE GLEN</p> +</div> + +<hr class="chap" /> +<p><span class="pagenum"><a name="Page_11" id="Page_11">[Pg 11]</a></span></p> + + + + +<h2>The Wee Scotch Piper</h2> + + + + +<h2>CHAPTER I</h2> + +<h3>THE CRAIG FAMILY</h3> + + +<p>In the wee village of Aberfoyle, +which is in Perthshire County, Scotland, +lived Alan Craig, a shepherd.</p> + +<p>The sheep of Scotland, like the bagpipes +and bluebells, are famous, and in +Aberfoyle there are many.</p> + +<p>Dotted alongside the road are the +bright bluebells, lighting up in true +fairy array the darkness made by big, +shady trees.</p> + +<p>Shrieking through the stillness of +a summer evening, comes the sound +of the bagpipes. This music is fur<span class="pagenum"><a name="Page_12" id="Page_12">[Pg 12]</a></span>nished +by a tattered piper marching +up and down, up and down. He hopes +that the people will throw pennies for +the love of the tune he plays.</p> + +<p>And the sheep, like little dots of +white in the green meadows, graze. +But sometimes, they, too, shriek when +they are herded together, perhaps for +the clipping.</p> + +<p>When the sheep all bleat together, +it sounds very much like the shrieking +of the bagpipes. Maybe that is how +the bagpipe was really started. Perhaps +the sound was first uttered by a +herd of Scotch sheep!</p> + +<p>It was not yet clipping time on the +small farm of Alan Craig. His sheep +still roamed the hills. Their heavy, curly wool weighed them down and +made them look as if they had on +long, woollen nighties.</p> +<p><span class="pagenum"><a name="Page_13" id="Page_13">[Pg 13]</a></span></p> + +<p><span class="pagenum"><a name="Page_14" id="Page_14">[Pg 14]</a></span></p> + +<p>The babies sometimes walked right +under their mothers, and then they +were completely hidden.</p> +<div class="figcenter" > + +<img src="images/illus013.jpg" width="621" height="429" alt="" /> + <!--seeing if caption length affects caption placement; artificial caption put in: +<span class="caption">SCOTLAND IS FULL OF SHEEP</span> +--> +<span class="caption">SCOTLAND IS FULL OF SHEEP</span> +</div> +<p>On a hill sat Alan Craig, and by his +side his faithful dog, Roy. Roy was a +real sheep dog and was proud of his +profession.</p> + +<p>You know, when people are called +professionals, it means that they are +trained in one occupation. Of course, +people make money at their professions, +and this was the only difference +between Roy and a professional human.</p> + +<p>Roy was a professional sheep dog,<span class="pagenum"><a name="Page_15" id="Page_15">[Pg 15]</a></span> +but he did his work out of devotion to +his master. Also he did it because it +was in his blood to love to race the +timid sheep over the hills and obey his +master's commands.</p> + +<p>"Back, Roy!" shouted Alan Craig.</p> + +<p>Roy jumped to his feet and, barking, +ran to bring back the flock, which +had disappeared around a rocky +mountain.</p> + +<p>"Bowwow-wow!" The sheep heard +him coming and, stupid creatures that +they are, started to run the other way. +"Bowwow!"</p> + +<p>"Down, sir, down!" came the voice +of Alan Craig from afar, and Roy understood.</p> + +<p>Silently he made a dash for the lead<span class="pagenum"><a name="Page_16" id="Page_16">[Pg 16]</a></span>ing +sheep and, bounding ahead of the +herd, he stood on guard. His feet +were planted apart, and his tongue +hung out. He was barking in his own +language a short Scotch bark, which +meant, "Now, will you go back?"</p> + +<p>All but the leading sheep began to +turn. That leader was, however, a +mother sheep with a loved baby. She +had always been very suspicious of +Roy.</p> + +<p>Perhaps he had once snapped at her +baby, for he often had to do this to +make the sheep behave. At any rate, +the mother sheep could not forgive +him. Without any fear, she now +sprang toward Roy and butted her +head in defiance.</p><p><span class="pagenum"><a name="Page_17" id="Page_17">[Pg 17]</a></span></p> + +<div class="figcenter" > +<img src="images/illus017.jpg" width="349" height="281" alt="" /> +<p class="caption">THE VILLAGE OF ABERFOYLE</p> +</div> + +<p>Roy stood his ground and then made +a plunge at her legs. Meanwhile, he +let out a shrill bark as one of her sharp +horns hit his leg. It was a short but +hard battle.</p> + +<p>At last Roy returned to his master,<span class="pagenum"><a name="Page_18" id="Page_18">[Pg 18]</a></span> +his tongue nearly sweeping the +ground. But there was a triumphant +expression in his eyes as he drove the +crowd of panting sheep into a circle +around Alan Craig and threw himself +at his master's feet to await his reward.</p> + +<p>This was not long in coming. Alan +Craig appreciated his helper. In fact +Roy was really the shepherd. Alan +had only to speak his commands—"work +his dog," as the Scotch say—and +Roy did the rest.</p> + +<p>Now he stroked his dog and said, +"Good, Roy! Well done!"</p> + +<p>Alan's language was well understood +by Roy, but these words would +have sounded this way to you: "Gude,<span class="pagenum"><a name="Page_19" id="Page_19">[Pg 19]</a></span> +Roy! Weel dune!" had Alan spoken in +the Scotch dialect to Roy.</p> + +<p>He could speak very good English, +and did when he spoke to Englishmen. +But you see, Roy was a Scotchman!</p> + +<p>From the little white cottage in the +hollow came the smell of dinner—fresh +pancakes and meat cooking.</p> + +<p>Alan picked up his crook—the kind +that little Bopeep used—only Alan did +not look like little Bopeep. Indeed, +he was very different.</p> + +<p>He was a big strong man. Although +we picture a Scotch shepherd dressed +in kilts and socks and perhaps a tam, +Alan Craig wore none of these. Kilts +<span class="pagenum"><a name="Page_20" id="Page_20">[Pg 20]</a></span> +and socks and tams are for the gentry, +Alan would tell you, and shepherds +are too poor to afford them.</p> + +<div class="figcenter" > +<img src="images/illus020.jpg" width="328" height="262" alt="" /> +<p class="caption">MRS. CRAIG AND IAN'S BABY SISTER AT THE VILLAGE PUMP</p> +</div> + +<p>So Alan wore an old suit which +might have once been worn by your +own father and then given away to +some beggar. Alan was poor like most<span class="pagenum"><a name="Page_21" id="Page_21">[Pg 21]</a></span> +of the villagers, for Scotland is rather +a poor country.</p> + +<p>Still, in the little village of Aberfoyle, +everyone was happy. In the +evenings the people from the big city +of Glasgow came in big buses. They +danced outside on the village green to +the tune of the pipes, while they gloried +in the fresh country air.</p> + +<p>So you must not think that Alan +Craig and his family suffered. Indeed, +there could hardly have been a happier +little family in Scotland.</p> + +<p>That evening Alan wended his way +homeward and was met by his wife +and baby. If you have ever seen how +an Indian mother carries her baby, +then you will know how Mrs. Craig<span class="pagenum"><a name="Page_22" id="Page_22">[Pg 22]</a></span> +carried hers. Only instead of carrying +it on her back as the Indians do, +she carried it in front wrapped securely +in her plaid shawl.</p> + +<p>Her one arm was thus free, and she +worked most of the day this way, +while knowing and feeling her little +one safe in her arms.</p> + +<p>The family sat down to dinner in +their wee kitchen, for the farmers +have no such luxury as a dining room. +They started their soup, a thick broth +made of barley and vegetables of all +kinds. Mother Craig poured it out of +the big tureen.</p> + +<p>Just at this time, the door burst +open, and a ruddy-faced boy of ten +years rushed into the room.</p><p><span class="pagenum"><a name="Page_23" id="Page_23">[Pg 23]</a></span></p> + +<div class="figcenter" > +<img src="images/illus023.jpg" width="359" height="293" alt="" /> +<p class="caption">IAN CRAIG</p> +</div> + +<p>"Ian Craig, do you know the hour?" +asked Mother Craig.</p> + +<p>The boy stood in the doorway and +smiled at the family. He sniffed with +delight the pleasant odor coming to +him from the table.</p><p><span class="pagenum"><a name="Page_24" id="Page_24">[Pg 24]</a></span></p> + +<p>"Ay, Mother," answered the boy. +"Well do I know."</p> + +<p>Then he prepared to take his place +at the table, with a gesture of rubbing +his stomach in thinking of what +was to be put inside.</p> + +<p>"What a bonny smell, Mother!" he +continued. "And surely the taste is +even bonnier!"</p> + +<p>"'Tis the glib tongue you have, Ian +Craig," laughed his father. "You +could write poetry to the smell of a +good dinner! And now, what have you +to tell us to-night?"</p> + +<p>Now, Ian was always full of stories +and tales of adventure. He was one +of those children to whom something +exciting is always happening.</p><p><span class="pagenum"><a name="Page_25" id="Page_25">[Pg 25]</a></span></p> + +<div class="figcenter" > +<img src="images/illus025.jpg" width="344" height="281" alt="" /> +<p class="caption">ALAN CRAIG, IAN, AND ROY</p> +</div> + +<p>So the family were quite accustomed +to having him return home +with vivid tales. Some were strange, +some droll and, alas, some sad and +painful, told to the tune of bandages +and arnica.</p><p><span class="pagenum"><a name="Page_26" id="Page_26">[Pg 26]</a></span></p> + +<p>Still, what boy is not sometimes +hurt? And Ian's accidents were few, +in comparison to his other experiences. +Surely, it is to be wondered +how, in a small, quiet town like Aberfoyle, +so many wondrous happenings +could occur.</p> + +<p>Sometimes Ian was doubted, not, +however, by his parents, who knew +that their son was truthful. The +schoolmaster knew it, too, and was +proud of Ian, whose stories and poems +were the best in his class.</p> + +<p>One day he was recounting to a group of spellbound school children his +experiences of the day. He was relating what wondrous happenings had +befallen him, when he was inter<span class="pagenum"><a name="Page_27" id="Page_27">[Pg 27]</a></span>rupted by a boy who shouted, "Ian Craig +is telling lies!"</p> + +<p>The boy was a year older than Ian, +but he was never known to make +sport of Ian again. Nor did Ian ever +admit to his parents how it happened +that he arrived home from school that +day with a swollen eye.</p> + +<div class="figcenter" > +<img src="images/illus027.jpg" width="172" height="143" alt="" /> +</div> + +<hr class="chap" /> +<p><span class="pagenum"><a name="Page_28" id="Page_28">[Pg 28]</a></span></p> + + + + +<h2>CHAPTER II</h2> + +<h3>SANDY'S FIRST VISIT</h3> + + +<p>Aberfoyle is the center of the "Rob +Roy country." Rob Roy MacGregor +was, as every child knows, a great +Scotch warrior and represented one +of the oldest Highland clans.</p> + +<p>In Aberfoyle, where Ian Craig lived, +stands the old house in which Sir Walter +Scott wrote his famous story "Rob +Roy." To-day it houses the village +minister.</p> + +<p>Near by is a tumble-down thatched +cottage known as "Jean McAlpin's +Inn," where Rob Roy was wont to +rest.</p><p><span class="pagenum"><a name="Page_29" id="Page_29">[Pg 29]</a></span></p> + +<div class="figcenter" > +<img src="images/illus029.jpg" width="352" height="281" alt="" /> +<p class="caption">THE "ROB ROY BRIG" AND THE HOUSE +WHERE WALTER SCOTT WROTE "ROB ROY"</p> +</div> + +<p>A landmark in the village is the old +"Rob Roy Brig." Here on the old brig +(which means "bridge" in Scotch) Ian +would sit when school was out and his +chores at home were finished.</p> + +<p>Something usually happened when<span class="pagenum"><a name="Page_30" id="Page_30">[Pg 30]</a></span> +he sat here, and many of his experiences +had started from this bridge. +Often, while he waited for adventure, +Ian fished from the bridge. He +brought home fine, fat morsels, for +the river Forth, which flows beneath +the bridge, is rich in fish.</p> + +<p>But Ian's dearest memory was of +Sandy. The Sandy adventure had +taken place almost a year before, but +it was as vivid in Ian's mind as though +it had all occurred the day before.</p> + +<p>It happened while Ian was fishing +from the brig. He heard the sound of +bagpipes—a sound that is nothing unusual +to hear in Scotland. Still it always +made Ian joyous and sad at once. +And now he turned to listen.</p> +<p><span class="pagenum"><a name="Page_31" id="Page_31">[Pg 31]</a></span></p> + +<div class="figcenter" > +<img src="images/illus031.jpg" width="352" height="281" alt="" /> +<p class="caption">SANDY <span class="smcap">MacGREGOR</span></p> +</div> + +<p>This playing was the loveliest he +had ever heard. Jamie Robinson +played almost every night in front of +the old hotel, and Ian loved the music. +But this playing was different. He +had always thought Jamie's playing<span class="pagenum"><a name="Page_32" id="Page_32">[Pg 32]</a></span> +good, but he now wondered how he +could ever have thought so.</p> + +<p>This tune was from far away, but it +carried across the meadow and along +the road. And then he saw Sandy! +Sandy was standing still in the middle +of the road while he played.</p> + +<p>By his side was a handcart, and Ian +knew at once what it meant. Sandy +was a wandering piper, a man who +has no home, a gypsy. He piped for +his living and camped on the road.</p> + +<p>Many pipers passed through Aberfoyle, +some with large families. In +fact, Jamie was one of them, only +Jamie did not travel. He lived in the +woods near Aberfoyle in a tent with +his wife and babies.</p><p><span class="pagenum"><a name="Page_33" id="Page_33">[Pg 33]</a></span></p> + +<div class="figcenter" > +<img src="images/illus033.jpg" width="341" height="270" alt="" /> +<p class="caption">GYPSIES OF THE HIGHWAY</p> +</div> + +<p>But no one had ever played like this +before. Ian ran up the road. As he +approached the newcomer, he could +see that the piper was a little old man. +He had a kindly, wrinkled face, and +twinkling eyes which winked at Ian<span class="pagenum"><a name="Page_34" id="Page_34">[Pg 34]</a></span> +as the boy came closer. Then suddenly +he changed his tune.</p> + +<p>"Bonny laddie, Highland laddie," +shrieked the pipes.</p> + +<p>Ian stopped in front of the piper +and thought he should cry. The music +ceased.</p> + +<p>A hand was laid on Ian's shoulder, +and a voice asked, "And why, laddie, +do you stand and look with eyes so big +and sad?"</p> + +<p>Ian then realized that he had been +staring as if in a trance. He brought +himself back to earth, smiled, and put +out his hand.</p> + +<p>"I'm sorry, sir. I was only admiring +your bonny piping!"</p> + +<p>"Ach!" laughed the piper. "And I was +<span class="pagenum"><a name="Page_35" id="Page_35">[Pg 35]</a></span> +only admiring the bonny laddie! +What's your name?"</p> + +<p>"Ian Craig."</p> + +<div class="figcenter" > +<img src="images/illus035.jpg" width="350" height="289" alt="" /> +<p class="caption">"MA NAME'S SANDY!"</p> +</div> + +<p>"And mine's Sandy. You may call +me Sandy, though my name's really +Evert Robert MacKeith MacGregor,<span class="pagenum"><a name="Page_36" id="Page_36">[Pg 36]</a></span> +and my great-grandfather was a +cousin to the great Rob Roy."</p> + +<p>With these words, Sandy MacGregor +put his pipes into his cart. +Then, slinging the rope over his shoulders, +he started to pull his load along, +while Ian kept step with him.</p> + +<p>"And a fine village this is—the scene +of my ancestor's home! Do you live +here, my lad?"</p> + +<p>"Ay, Sandy, and not far from old +Rob Roy Brig."</p> + +<p>"Well, well," sighed Sandy. "And +could we bide a wee on the old brig of +my ancestor while Sandy rests?"</p> + +<p>"Ay, could we," said Ian with great +delight, "and I can pull your cart for +you, Sandy, until we get there."</p><p><span class="pagenum"><a name="Page_37" id="Page_37">[Pg 37]</a></span></p> + +<p>Gratefully the old man allowed the +boy to pull his load, while he stretched +his tired arms. He breathed in the +sweet-smelling air of the village of +his ancestor.</p> + +<p>When they came to the bridge, Ian +put down the cart. He invited Sandy +to sit beside him on the wall, his usual +perch. The old man jumped up to the +boy's side, as spry as the boy himself, +and looked around.</p> + +<p>"Well, well," he said, "and to think +'tis Sandy's first visit to the home of +his ancestor—Sandy who has been +nigh all over the land!"</p> + +<p>At these words Ian's heart gave a +bound, and he said, "Have you seen +nigh all of bonny Scotland, Sandy?"</p> +<p><span class="pagenum"><a name="Page_38" id="Page_38">[Pg 38]</a></span></p> + +<div class="figcenter" > +<img src="images/illus038.jpg" width="458" height="587" alt="" /> +<p class="caption">SANDY TELLS THE LAD ABOUT BONNY SCOTLAND</p> +</div><p><span class="pagenum"><a name="Page_39" id="Page_39">[Pg 39]</a></span></p> + +<p>"Ay, that have I, lad, and traveled +on my own two feet through it all."</p> + +<p>"Sandy," said Ian wistfully, "would +you be telling me about it?"</p> + +<p>"Ach, ay, laddie," smiled the old +wanderer. "That would I, for 'tis +many a fine sight these old eyes have +seen."</p> + +<p>Sandy talked, and the boy listened. +The sun grew lower and lower in the +heavens. Ian Craig thought that +never before had he known an afternoon +to slip by so quickly.</p> + +<p>Sandy told Ian about the time he +had visited Edinburgh, Scotland's +capital, and one of the most attractive +cities in the world.</p> + +<p>He told of Princes Street, with its +<span class="pagenum"><a name="Page_40" id="Page_40">[Pg 40]</a></span> +sunken gardens on one side, and its +wonderful view of historic Edinburgh +Castle, its pretty shops and +stately monuments. It is considered +by many to be the most beautiful +street in all the world.</p> + +<div class="figcenter" > +<img src="images/illus040.jpg" width="360" height="289" alt="" /> +<p class="caption">PRINCES STREET, EDINBURGH</p> +</div><p><span class="pagenum"><a name="Page_41" id="Page_41">[Pg 41]</a></span></p> + +<p>On the top of a winding hill is Edinburgh +Castle. Here, in the courtyard +of the old castle is Half-Moon Battery, +where is kept the one-o'clock gun.</p> + +<p>This gun fires every day at the hour +of one. It is attached by electric wire +to the time ball on the top of Nelson's +Monument on Carlton Hill opposite. +This ball falls, in turn, at a signal from +Greenwich Observatory, near London, +where is set the time for the whole +world.</p> + +<p>In another part of the castle +grounds can be found a pathetic little +plot of ground known as "The Dogs' +Cemetery." Here are buried the pets +of the soldiers who fought in the +World War.</p><p><span class="pagenum"><a name="Page_42" id="Page_42">[Pg 42]</a></span></p> + +<div class="figcenter" > +<img src="images/illus042.jpg" width="355" height="281" alt="" /> +<p class="caption">THE DOGS' CEMETERY</p> +</div> + +<p>Many of these little beasts were +gallant heroes and were buried with +great reverence. Lovely flowers decorate +their graves, and inscriptions +tell of each one's valor.</p> + +<p>But to one little dog in particular<span class="pagenum"><a name="Page_43" id="Page_43">[Pg 43]</a></span> +was a fountain erected. It stands +in one of the streets of Edinburgh. +This fountain represents "Greyfriars' +Bobby," as the little dog was called.</p> + +<p>He was given this name because it +was to the old Greyfriars Churchyard +that he went, day after day, to seek +his master, who was buried there. The +caretakers of the cemetery tried to +keep him out.</p> + +<p>Still day after day he came. He +always lay upon the grave of his master +and grieved, until one day they +found him dead. And now the fountain +is there to remind the people of +this faithful little creature.</p><hr class="chap" /><p><span class="pagenum"><a name="Page_44" id="Page_44">[Pg 44]</a></span></p> + + + + +<h2>CHAPTER III</h2> + +<h3>PIPERS</h3> + + +<p>"Do you think my dog would grieve +if I should die?" asked Ian, as he +brushed away a tear with his sleeve +and tried to distract Sandy's attention +from his action.</p> + +<p>"Ay, if you treat him kindly, lad," +answered the old man. "Beasties are +faithful to us when they know we love +them."</p> + +<p>"Ay," said Ian. "Roy is faithful, and +a smart sheep dog, too."</p> + +<p>"Do you like fine to herd the sheep, +laddie?" asked Sandy.</p> + +<p>Ian hung his head.</p><p><span class="pagenum"><a name="Page_45" id="Page_45">[Pg 45]</a></span></p> + +<p>"No, Sandy. I like finer to go about +and have adventures and make up +that I am—" He hesitated.</p> + +<p>"What, lad? Speak. Do not be +afraid of Sandy for he knows the +hearts of laddies well."</p> + +<p>"If I could play the pipes, Sandy, I +would go away and be a piper in the +band some day," confessed Ian.</p> + +<p>This was, indeed, a dream so near to +his heart that he had never before +spoken it aloud. After the admission, +Ian turned his head away and did not +look at Sandy. But the old man's voice +was very soft and his tone caressing, +as he said, "And a fine dream it is, Ian +lad, for to be a piper is a great and +honored calling."</p><p><span class="pagenum"><a name="Page_46" id="Page_46">[Pg 46]</a></span></p> + +<p>"Ay," answered Ian huskily, "but +'tis not for me, Sandy."</p> + +<p>Sandy turned the boy around then +and looked him squarely in the eye.</p> + +<p>"Ian, lad, do not speak so, for nothing +is too hard to get when you want +it."</p> + +<p>Ian's eyes lighted up for a moment. +Then the same forlorn look came into +them as he let his head droop.</p> + +<p>"No, Sandy. The pipes are too dear, +and it takes many months to learn to +play."</p> + +<p>"And you study hard at school, +lad?" asked the piper.</p> + +<p>"Ay, do I," spoke the boy.</p> + +<p>"Then some day, you'll be liking to +hear of the fine military school I saw."</p><p><span class="pagenum"><a name="Page_47" id="Page_47">[Pg 47]</a></span></p> + +<div class="figcenter" > +<img src="images/illus047.jpg" width="644" height="442" alt="" /> +<p class="caption">THE PIPER LADDIES</p> +</div><p><span class="pagenum"><a name="Page_48" id="Page_48">[Pg 48]</a></span></p> + +<p>"Ach, Sandy, tell me about it. Have +you really seen it?" Ian was at once +alert.</p> + +<p>"Ay, that have I, and only three +weeks ago when I was passing by +Dunblane."</p> + +<p>As the poor little village lad drank +in his words, Sandy talked on about +the wonderful school in Dunblane. +This school is called the Queen Victoria +School. Here lads between the +ages of nine and fifteen are trained as +soldiers.</p> + +<p>They are sons of military men, some +of whom fell in the World War. These +boys are reared and taught free of +charge. It is a great and good school +for a boy to attend.</p><p><span class="pagenum"><a name="Page_49" id="Page_49">[Pg 49]</a></span></p> + +<div class="figcenter" > +<img src="images/illus049.jpg" width="349" height="281" alt="" /> +<p class="caption">THE DRUM MAJOR</p> +</div> + +<p>To see and hear these sons of Scotland's +heroes is an experience never +to be forgotten. They present a fine +appearance in their bright-colored +kilts and military trappings, as they +march and play upon their pipes.</p><p><span class="pagenum"><a name="Page_50" id="Page_50">[Pg 50]</a></span></p> + +<p>Sandy saw and heard, and carried +away with him a memory of the loveliest +sight and sound imaginable. +Coming toward him were boys. Children +they were, with their kilts making +a vivid pattern.</p> + +<p>Their bare knees moved in perfect +unison as they stepped to the tunes of +Scotland's patriotic melodies. They +played in a way unsurpassed by pipers +older and more experienced than they.</p> + +<p>First came a waltz, gracefully +played and gracefully stepped. Then +came a march, loud, fast, but always +in perfect harmony. The sound might +have come from a single organ played, +perhaps, by Scottish cherubim.</p> + +<p><span class="pagenum"><a name="Page_51" id="Page_51">[Pg 51]</a></span></p> +<p>The drum major wore a plumed helmet + and carried a baton. He was only +fourteen years old, but he twirled his +stick and marched like a veteran of +many wars.</p> + +<div class="figcenter" > +<img src="images/illus051.jpg" width="353" height="281" alt="" /> +<p class="caption">THE DRUMMER BOY</p> +</div> + +<p>The little twelve-year-old drummer +swung his drumsticks into the air and<span class="pagenum"><a name="Page_52" id="Page_52">[Pg 52]</a></span> +caught them again. He never missed +a beat on his drum. The rest, pipers +all, marched and played. Their cheeks +puffed in and out, while their fingers +moved and made melodies.</p> + +<p>Throughout the hills echoed the +sound. It was the same as echoed +during the Battle of Bannockburn, +when Scottish history was made. To +these tunes, in this same rugged country +marched, years ago, these lads' +ancestors.</p> + +<p>And Sandy carried his memories of +Queen Victoria School back to Ian +Craig. Ian's longing to become a piper +grew greater as he listened. In his +heart he uttered a silent prayer.</p><hr class="chap" /><p><span class="pagenum"><a name="Page_53" id="Page_53">[Pg 53]</a></span></p> + + + + +<h2>CHAPTER IV</h2> + +<h3>SANDY RETURNS</h3> + + +<p>Though his meeting with Sandy had +happened many months before, neither +the memory of Sandy nor of the +pipers had dimmed in Ian's mind. +Through his hours of work and play +his thoughts turned to marching Highland +laddies and shrieking pipes.</p> + +<p>He would often imagine himself as +one of their number. Indeed, often +on his walks to school he would "make +believe," as so many children call it. +People would turn to see why the little +boy in kilts marched so straight +and puffed his cheeks out.</p> +<p><span class="pagenum"><a name="Page_54" id="Page_54">[Pg 54]</a></span></p> + +<p>Ian wore kilts, though his father +did not. Many of the children went +to school in their kilts. Yet many +could not afford to do this and wore +them only on Sundays.</p> + +<p>Ian, however, had a school kilt and a +Sunday kilt and was very proud of +his wardrobe. One of the main reasons +for his pride lay in the fact that +in kilts he could better imagine himself +a piper.</p> + +<p>Marching alone one morning, he met +Elsie. Elsie was only a wee lass, far +younger than Ian. But she liked the +tall boy who always smiled at her and +who walked so straight.</p> + +<p>Ian liked Elsie better than the other +lassies, who did not understand, as +<span class="pagenum"><a name="Page_55" id="Page_55">[Pg 55]</a></span> +Elsie did, the importance and grandeur +of pipers. Besides, the others +were either too freckled, or their +cheeks too red.</p> + +<div class="figcenter" > +<img src="images/illus055.jpg" width="362" height="289" alt="" /> +<p class="caption">IAN'S SCHOOL</p> +</div> + +<p>Some Scotch children have the complexions +of bright sunsets. Ian liked<span class="pagenum"><a name="Page_56" id="Page_56">[Pg 56]</a></span> +Elsie's bonny face, with the few little +freckles on her nose, and her sunny +smile.</p> + +<p>This morning Elsie overtook him as +he was marching to his own silent +drone of pipes.</p> + +<p>"Do not march so, Ian. The children +will be laughing at you when you +reach the school. I heard them saying +you're daft about pipers, and I +thought I'd tell you," she said.</p> + +<p>Ian looked down into the little +maiden's blue eyes. She, too, was +dressed in a kilt. She wore over it a +red jersey.</p> + +<p>Unlike Ian, she did not have the +sporran. That is what the Scotch call +the piece of fur hanging down in front<span class="pagenum"><a name="Page_57" id="Page_57">[Pg 57]</a></span> +of the kilt. Each child's kilt was, however, +pinned on the side with a large +safety pin—which is the style in wearing +kilts.</p> + +<div class="figcenter" > +<img src="images/illus057.jpg" width="281" height="222" alt="" title="" /> +<p class="caption">KILTED SCHOOL CHILDREN</p> +</div> + +<p>Elsie's hair was done in two braids, +which hung down her back. Though<span class="pagenum"><a name="Page_58" id="Page_58">[Pg 58]</a></span> +he resented what she told him, Ian +thought she was very sweet. For she +looked at him in a way that made his +resentment soon fade.</p> + +<p>Smiling, he said, "Thanks, Elsie. I'll +not march now."</p> + +<p>Silently they walked together. Ian +was very near telling his little friend +about his dreams.</p> + +<p>But while he was weighing the +probable outcome of such a move, the +school bell rang. It was half past +nine, the time that school in Scotland +starts in the springtime. Ian and +Elsie ran.</p> + +<p>At one o'clock, Ian went home to his +lunch. Elsie stayed, for her home +was far away. She brought her<span class="pagenum"><a name="Page_59" id="Page_59">[Pg 59]</a></span> +"piece," which is what the Scotch children +call their lunch. No doubt the +word refers to their piece of bread, +which, with an apple, is sometimes all +they get.</p> + +<p>At home, Ian's mother always had +waiting for him a plate of Scotch +broth, potatoes, and sometimes an +apple tart. After school Ian was +drawn to the bridge.</p> + +<p>The work at home was not pressing +to-day. Father was away with the +sheep. Mother did not need Ian. His +heart was light as he started off for +the old brig. He walked along with +the hope of adventure, while in his +ears the imaginary sound of pipes +played.</p><p><span class="pagenum"><a name="Page_60" id="Page_60">[Pg 60]</a></span></p> + +<p>"Ian, wait," called Elsie, and ran +after him.</p> + +<p>Ian stopped and remembered that +he had almost told her. How could a +wee lass like that understand? No. +He would not speak. What was more, +he would not let her come along, for +he knew that was what she wanted +to do.</p> + +<p>"Are you going fishing from the +brig?" asked Elsie blithely.</p> + +<p>"Ay," answered Ian sulkily, as he +stepped ahead of her.</p> + +<p>"May I go with you, Ian?" queried +the small girl.</p> + +<p>"No, Elsie. You're too wee for fishing, +and you scare the fish."</p> + +<p>Elsie's lip quivered. Ian feared she<span class="pagenum"><a name="Page_61" id="Page_61">[Pg 61]</a></span> +would cry right out on the road. Then +what would he do?</p> + +<p>"Ach, don't cry, lass. Run home to +your mother, for 'tis late for you to +be out, and she'll be worried."</p> + +<p>It was all said kindly but much too +eagerly. Elsie, who was keen, did not +doubt for a moment that she was not +wanted.</p> + +<p>She ran off, while Ian, with a sigh—sad +to say, of relief—ran to his home. +He kissed his mother, took down his +fishing rod, and was off for fish and +dreams.</p> + +<p>At the bridge, adventure indeed +awaited him, had he but known. He +settled himself in his favorite place +and threw his line down into the river.<span class="pagenum"><a name="Page_62" id="Page_62">[Pg 62]</a></span> +Little did he suspect what was to +happen.</p> + +<p>Singing to himself, he waited. A +tug on his line! So soon? Ah, the fish +were biting well to-day. Mother would +be pleased. What a big fish and how it +pulled! Ian struggled for several +minutes, and then up came his prize.</p> + +<p>But what sort of fish was this? It +looked like a fuzzy ball of brown fur. +As it came up closer, Ian saw that it +was a bear—a toy bear. It was undoubtedly +the property of a certain +Elsie Campbell!</p> + +<p>"Out, you wee devil, out!" cried Ian, +standing up and looking down under +the bridge for his tormentor.</p> + +<p>There she was, and her laugh was<span class="pagenum"><a name="Page_63" id="Page_63">[Pg 63]</a></span> +most annoying to Ian. He was scolding, +and at the same time trying to +undo the hook from the toy bear's fur.</p> + +<p>"Come up here, you wee devil!" repeated +Ian furiously.</p> + +<p>Up came the culprit. Ian had to +join in her laughter, though he shook +his finger at her the while. She sat +down beside him happily.</p> + +<p>"Ian, do you believe in the devil?" +she asked.</p> + +<p>"Ay, do I," he answered. "'Tis yerself."</p> + +<p>"No." Elsie shook her head seriously. +"Do you know, I believe 'tis +like Santa Claus. 'Tis your own +father!"</p> + +<p>"Ach, Elsie," laughed Ian, at the<span class="pagenum"><a name="Page_64" id="Page_64">[Pg 64]</a></span> +child's idea. "You know that Santa +Claus brings you dolls and toy bears +and—"</p> + +<p>Ian did not go on to complete the +list, for just then he heard a sound +that made his heart beat faster. +Jumping down from the wall, he +looked up the road. Coming toward +him was Sandy!</p> + +<p>How Elsie ever disappeared Ian +never knew. Disappear she did +quickly. Afterwards, when Ian +thought it over, it seemed that fairies +had snatched her away.</p> + +<p>Whatever happened, she was not +there when Sandy and Ian greeted +each other. It was probably her +woman's instinct, which bade her<span class="pagenum"><a name="Page_65" id="Page_65">[Pg 65]</a></span> +leave these two to their men's affairs!</p> + +<div class="figcenter" > +<img src="images/illus065.jpg" width="350" height="281" alt="" /> +<p class="caption">SANDY ARRIVES</p> +</div> + +<p>How happy was Ian as his kind old +friend seated himself by Ian's side +with the same boyish leap!</p> + +<p>"Well, Ian, lad," said Sandy, "the +<span class="pagenum"><a name="Page_66" id="Page_66">[Pg 66]</a></span> +same bonny Aberfoyle, the same bonny laddie! And do you have the same +bonny dreams?"</p> + +<p>"Ach, Sandy, more than ever before. +And have you traveled far since last +I saw you?"</p> + +<p>"Ay, that have I, and many's the +tale I'll tell you this day. But first I +must show you something."</p> + +<p>Beckoning Ian to his cart, Sandy +pointed to a bundle wrapped up in his +coat.</p> + +<p>Tenderly unwrapping it, the old +piper pulled out a young lamb, dirty, +thin, and bleating.</p> + +<p>"'Tis a poor hurt beastie, Ian," he +said. "I found it on the road. Its +mother is dead, and it was left to die, +too. I picked it up and now cannot<span class="pagenum"><a name="Page_67" id="Page_67">[Pg 67]</a></span> +care for it, as I'm wandering and have +no place to keep it."</p> + +<p>"Ach, Sandy, couldn't I keep the wee +beastie for you?" asked Ian eagerly.</p> + +<p>Sandy stroked his chin thoughtfully.</p> + +<p>"You could, laddie. But 't would be +a while till I return—maybe not till +next spring. And a lamb with no +mother is a care."</p> + +<p>"Ach, Sandy," cried the boy, "let me +do it for you. I could feed it with my +wee sister's nursing bottle."</p> + +<p>"Ach, ay, laddie! Your mother +would like that fine!" laughed Sandy. +"But," he continued soberly, "if you +would keep the wee creature, I could +give you something for your trouble."</p><p><span class="pagenum"><a name="Page_68" id="Page_68">[Pg 68]</a></span></p> + +<p>"No, Sandy. I would keep it for +you, and gladly."</p> + +<p>Sandy was still dubious. He was +worried for fear the boy's father +would object to a charge of this kind. +The lamb would need tender nursing +and careful watching.</p> + +<p>Sometimes small boys grow careless, +although their intentions are of +the best. Then the task falls to Father +or Mother.</p> + +<p>As Sandy was revolving these +thoughts in his mind, he suddenly +had a plan.</p> + +<p>"Ian," he said, "do you remember +the story I told you of the pipers at +Dunblane?"</p> + +<p>"I've thought of little else, Sandy,"<span class="pagenum"><a name="Page_69" id="Page_69">[Pg 69]</a></span> +replied Ian, as he stroked the lamb. +The little creature was nestling down +comfortably in Sandy's arms.</p> + +<p>"Well, lad, uncover the plaid on my +cart and see what I have there."</p> + +<p>Ian turned back the bit of plaid covering +the cart. Sandy used it to +protect his personal belongings.</p> + +<p>"Two sets o' pipes, Sandy!" exclaimed +Ian.</p> + +<p>"Ay! One was given me by a man +for a service. It is not so bonny as +mine but might do for a laddie learning +to play!"</p> + +<p>"Sandy, do you mean—?" Ian cried.</p> + +<p>"Ay, lad. In the spring when I return, +if this wee beastie is fine, and +you have done your duty like a true +<span class="pagenum"><a name="Page_70" id="Page_70">[Pg 70]</a></span> +shepherd, then you shall have the +pipes!"</p> + +<p>"Sandy, Sandy, is it true? May I be +a piper and play the pipes like the +laddies in Dunblane? Ach, Sandy!"</p> + +<p>Ian was almost mad with joy. For +a moment he forgot what service he +was to render in return for this great +reward. But remembering his charge, +he carefully lifted the little lamb out +of Sandy's arms.</p> + +<p>He held it tenderly in his own, and +said, "You'll find the wee beastie well +and fat when you return in the spring, +Sandy."</p><hr class="chap" /><p><span class="pagenum"><a name="Page_71" id="Page_71">[Pg 71]</a></span></p> + + + + +<h2>CHAPTER V</h2> + +<h3>THROUGH SCOTLAND WITH SANDY</h3> + + +<p>The warm air of spring was pleasant. +The Craig family's supper was +spread out before the door of their +cottage. They ate outdoors so that +they could enjoy the beauties of the +evening.</p> + +<p>It would not be dark here until very +late. Ian's father could sit before his +cottage door, reading his paper by +daylight until almost eleven o'clock.</p> + +<p>Now it was only seven. Mrs. Craig +was ringing a bell, which echoed +through the hills.</p> + + +<p>This was the way she called her husband +<span class="pagenum"><a name="Page_72" id="Page_72">[Pg 72]</a></span> + and son to the evening meal.</p> + +<p>Toward her came Ian, and some one +was with him. Mrs. Craig strained +her eyes to see, but she could not +make out the stranger's figure.</p> + +<p>As they came closer, Ian ran toward +his mother, calling, "Mother, I've +brought Sandy to tea!"</p> + +<p>The old piper politely removed his +cap and stood before Ian's mother.</p> + +<p>"Your son has brought home an old +traveler, mistress," he said.</p> + +<p>Mrs. Craig smiled and, shaking +Sandy's hand, said, "And glad I am, +for a friend of Ian's is welcome to the +house of his mother. Sit down, sir."</p> + +<p>Ian told his mother the story of the +lamb.</p><p><span class="pagenum"><a name="Page_73" id="Page_73">[Pg 73]</a></span></p> + +<div class="figcenter" > +<img src="images/illus073.jpg" width="347" height="281" alt="" /> +<p class="caption">BARRIE'S "WINDOW IN THRUMS"</p> +</div> + +<p>He explained how, if he performed +his task, he would by next spring be +the owner of bagpipes.</p> + +<p>Mrs. Craig smiled at Sandy and said, +"You trust the laddie, sir?"</p> + +<p>Sandy MacGregor replied, "Ay; for<span class="pagenum"><a name="Page_74" id="Page_74">[Pg 74]</a></span> +will he not be a piper in the band one +fine day?"</p> + +<p>Alan Craig and Roy soon returned, +and Sandy was introduced to them.</p> + +<p>After the little repast, Ian beckoned +Sandy to him. Nodding his head toward +the hills, he said, "Come away +and tell now about your travels +through Scotland, Sandy."</p> + +<p>The two sat on the hill and watched +the smoke curling up from the cottage +chimney. And while Sandy +smoked his pipe he told Ian once +more of his wondrous adventures.</p> + +<p>Traveling through Scotland is like +going through many different countries. +For Scotland's beauties are +varied. Here in the hollow is a lovely,<span class="pagenum"><a name="Page_75" id="Page_75">[Pg 75]</a></span> +quaint village. Its thatched roofs and +white walled cottages make a picture +sweet to behold.</p> + +<p>As you go along, soon you pass the +peaceful, hilly country and come to +rocky, steep, and rugged land. You +might be in the mountains, for it is +wild and desolate except for the +sheep, which are everywhere.</p> + +<p>Around a corner, another village +looms into space. This one is cold and +bleak. You pass through it without +sight or sound of human beings. Its +buildings are tall, stony, and gray. In +the center is a pump, where the people +come to draw their water, but no +one is about.</p> + +<p>With a shiver you pass on. As you<span class="pagenum"><a name="Page_76" id="Page_76">[Pg 76]</a></span> +gradually leave the village behind, +you find yourself again in pastoral +land. Thatched cottages come into +view. Bluebells begin to dot the road. +How sweet is the smell of hay and +cows and clover!</p> + +<p>Once more a village, and now you +wonder whether this can be the same +country. For in the narrow streets +are children, dogs, women, peasants, +bicyclists, and more children.</p> + +<p>Little girls walk along knitting. +Everyone is walking in the middle of +the cobbled street. Sandy has difficulty +in going through the crowd with +his cart.</p> + +<p>This is Kurrimuir, better known as +Thrums. It is the scene of many of<span class="pagenum"><a name="Page_77" id="Page_77">[Pg 77]</a></span> +J. M. Barrie's delightful stories. Here +on the corner is the dear little cottage +made famous by Barrie's "A Window +in Thrums."</p> + +<div class="figcenter" > +<img src="images/illus077.jpg" width="347" height="281" alt="" /> +<p class="caption">BOYS PLAY CRICKET IN SCOTLAND</p> +</div> + +<p>Passing a field, Sandy stops to +watch some boys playing cricket. This<span class="pagenum"><a name="Page_78" id="Page_78">[Pg 78]</a></span> +game is very popular in Scotland. All +the boys play it, just as American +boys play baseball.</p> + +<p>Doune Castle! Sandy climbs over +the fence and starts up toward the +towering mass of rock. He thinks of +the many battles fought around this +ancient stronghold. It was here that +King Robert Bruce made some of +Scotland's history.</p> + +<p>Stirling Castle! Another massive +stone memorial of the days of Scotland's +stormy wars.</p> + +<p>Sandy passes on until he comes to +the city of Perth. Here he stops before +the old, old house in which lived +"The Fair Maid of Perth," made famous +by Sir Walter Scott.</p><p><span class="pagenum"><a name="Page_79" id="Page_79">[Pg 79]</a></span></p> + +<div class="figcenter" > +<img src="images/illus079.jpg" width="352" height="281" alt="" /> +<p class="caption">DOUNE CASTLE</p> +</div> + +<p>In St. Andrews is the oldest golf +links in the world. From everywhere +people come to play the royal and +ancient game. It is said that no course +is at all like the old course at St. Andrews.</p> +<p><span class="pagenum"><a name="Page_80" id="Page_80">[Pg 80]</a></span></p> + +<p>As you perhaps know, golf originated +in Scotland. St. Andrews is the +place where it started. Some say that +it was first begun by the shepherds. It +is thought that they used to knock +small stones with their crooks as they +strolled behind their sheep.</p> + +<p>On went Sandy to Melrose. He +passed the Eildon Hills where King +Arthur and his knights are supposed +to be buried. This is the spot where, +'tis said, Sir Walter Scott used to stop +his horses every day.</p> + +<p>He paused here because he loved to +look at the glorious view behind. His +horses knew the spot so well that they +would stop here of their own accord. +On the day of Sir Walter's funeral,<span class="pagenum"><a name="Page_81" id="Page_81">[Pg 81]</a></span> +when they were taking his body to the +Abbey, the horses stopped once more.</p> + +<p>In Alloway is the house where the +great Scotch poet, Robert Burns, +lived. Every day it is shown to hundreds +of visitors, who pay to go in and +look at the curious old place.</p> + +<p>Its quaint furniture and interesting +manuscripts and pictures are all connected +with the beloved poet. In the +gardens are statues representing +many of the characters in Burns' +poems. "Poosie Nancy," "Tam O' +Shanter," and many others are there.</p> + +<p>Another town made famous by a +Scottish character is Maxwelltown, or +Maxwelton, where Annie Laurie lived.</p> + +<p>Passing an ancient graveyard,<span class="pagenum"><a name="Page_82" id="Page_82">[Pg 82]</a></span> +Sandy stops to marvel at some huge +slabs of iron. These are still kept to +show how, in the seventeenth century, +the dead were held down in their +graves.</p> + +<div class="figcenter" > +<img src="images/illus082.jpg" width="358" height="281" alt="" /> +<p class="caption">THE HOME OF "THE FAIR MAID OF PERTH"</p> +</div> + +<p>These heavy slabs were put on top<span class="pagenum"><a name="Page_83" id="Page_83">[Pg 83]</a></span> +of the dead. This was done to keep +them from being dug up by robbers. +The thieves would steal and sell them +to doctors and medical students.</p> + +<p>The signing of the Covenant was to +Scotland what the signing of the Declaration +of Independence was to +America. It was the beginning of +freedom!</p> + +<p>James VI of Scotland tried to force +the people into his own religious beliefs. +They refused to be led. On the +first day of March, 1768, in the Old +Greyfriars Churchyard, the Covenant +was signed.</p> + +<p>The signing was done on a flat +gravestone, which is there to this day. +And so, just as America has a Liberty<span class="pagenum"><a name="Page_84" id="Page_84">[Pg 84]</a></span> +Bell, Scotland has a Liberty Stone.</p> + +<p>As Sandy's old handcart rattles +through each little Scottish town, he +is impressed with the many bookshops +he sees in his country. The +Scotch are enthusiastic readers. Their +love and desire for education are national +traits.</p> + +<p>Often Sandy passes young boys or +young girls sitting by the roadside, +absorbed in their books. The colleges +and schools of Scotland are fine indeed.</p> + +<p>When Sandy asks a direction, he is +sure to receive a courteous reply. The +children who come to his side are +polite and kind and anxious to help. +They will gladly do what they can for<span class="pagenum"><a name="Page_85" id="Page_85">[Pg 85]</a></span> +a stranger and do not ask any pay in +return.</p> + +<p>Over many stores and buildings +Sandy reads names which start with +"Mac," such as MacNiel and MacKenzie. +He smiles as he thinks about +these names. He knows that these +people, like himself, are the descendants +of the old clan leaders.</p> + +<p>They gave the name "Mac," which +means "son of," to their children. So, +if a clan leader was named Gregor, +the children of his clan would be MacGregor. +In the olden days, the word +"clan," which comes from an old Gaelic +word meaning "children," was like a +great family. Their chief was like a +father, whom they all obeyed.</p><p><span class="pagenum"><a name="Page_86" id="Page_86">[Pg 86]</a></span></p> + +<p>To-day, you no doubt know people +named MacDonald, MacRae, etc. +These are the descendants of the +"clansmen," as they were called.</p> + +<p>Each clan has a tartan of its own. A +tartan is what you would probably +call plaid. It is the heathery mixture +of many colors and designs.</p> + +<p>Each tartan is different from every +other. To-day in Scotland you will see +the children wearing kilts or ties or +tams made of their own family tartan.</p> + +<p>The town of Paisley is famous for +its Paisley shawls. These are very +much admired by all the world and +worn by ladies of fashion.</p> + +<p>The Shetland shawls, also famous, +are dear to old ladies, because they +<span class="pagenum"><a name="Page_87" id="Page_87">[Pg 87]</a></span> +are soft and warm. The Shetland +ponies are dear to children, for they +are so little that they are more like +large dogs than like horses. Both +come from the Shetland Islands, which +are north of Scotland and are ruggedly +wild.</p> + +<p>Through all of Sandy's travels he +never saw the thistle, which is supposed +to grow so thickly in Scotland. +The thistle, as you perhaps know, is +used on Scottish crests and banners. +No doubt it existed, long ago, but to-day +it is nowhere to be found.</p> + +<p>Here is Loch Drunkie, a queer name +with a queer history. It was on the +shores of this lake that men made +whisky—which was against the law.</p><p><span class="pagenum"><a name="Page_88" id="Page_88">[Pg 88]</a></span></p> + +<p>One day the men saw officers of the +law coming toward them. They knew +that they would be arrested if they +were found out. To avoid arrest, they +emptied their whisky into the lake. +People say that the waters have remained +half whisky from that day to +this.</p> + +<p>Sandy jogs along toward Aberfoyle. +It is the day he delivers his injured +lamb to the mercies of his young +friend. During this time, he passes +another "loch," the well known and +much beloved "Loch Lomond."</p> + +<p>Sandy stops on the shore. He gazes +below on the shining blue waters, upon +which ply the tiny white steamers. +He shoulders his bagpipes and plays<span class="pagenum"><a name="Page_89" id="Page_89">[Pg 89]</a></span> +the melody known in every clime, "On +the bonny, bonny banks of Loch Lomond." +Here the fairies were wont +to dwell. A tale is told of fairy dyers, +who worked for the clans of Loch +Lomond in the days of yore.</p> + +<div class="figcenter" > +<img src="images/illus089.jpg" width="343" height="281" alt="" /> +<p class="caption">"ON THE BONNY, BONNY BANKS OF LOCH LOMOND"</p> +</div><p><span class="pagenum"><a name="Page_90" id="Page_90">[Pg 90]</a></span></p> + +<p>A joke was once played upon the +wee elfin folk by a boy. The lad asked +to have the fleece of a black sheep +dyed white. Angered by this request, +the fairies overturned their pots of +dye into the lake and never more returned.</p> + +<p>But the color from their dye turned +the lake an unearthly shade of blue. +This color is different from that of all +other lakes, and thus it has remained.</p> + +<p>Again Sandy pipes:</p> + +<div class="poetry-container"> + <div class="poetry"> + <div class="stanza"> + <div class="verse">"For me and ma true love will never meet again</div> + <div class="verse">On the bonny, bonny banks of Loch Lomond."</div> + </div> + </div> +</div> + + +<p><span class="pagenum"><a name="Page_91" id="Page_91">[Pg 91]</a></span></p> + +<hr class="chap" /> +<h2>CHAPTER VI</h2> + +<h3>IAN'S BETTY</h3> + + +<p>For many weeks after Sandy's departure +from Aberfoyle, Ian tended +the lamb carefully. He fed it from a +baby's bottle. The young creature +grew strong and fat. It would follow +the boy around as though it knew him +to be its nurse.</p> + +<p>It was a loving little animal, and Ian +became very fond of it. He would +take it with him when he sat with his +father upon the hill where Roy +guarded the other sheep.</p> + +<p>It did not mingle with the others, +for it was an orphan. It knew that it<span class="pagenum"><a name="Page_92" id="Page_92">[Pg 92]</a></span> +did not belong with the flock. Sheep +are not like people. Human beings, +seeing a motherless child, would +strive to protect it with their own +young ones.</p> + +<div class="figcenter" > +<img src="images/illus092.jpg" width="336" height="262" alt="" /> +<p class="caption">IAN FED BETTY FROM A NURSING BOTTLE</p> +</div> + +<p>So the task of protector and nurse<span class="pagenum"><a name="Page_93" id="Page_93">[Pg 93]</a></span> +fell to Ian. He loved to feel the wee +one's soft fur against his cheek as it +lay on the hill with him. He liked to +feed it from its bottle and hear the +soft, gurgling noises it made.</p> + +<p>It amused him to see its tail waggled +so rapidly after each mouthful +of milk. This is the way it showed +Ian how well it liked its dinner. And +as Ian felt the lamb, warm and soft in +his arms, he seemed to feel there something +else—his beloved bagpipes!</p> + +<p>Much to the amusement of his parents, +Ian called the lamb Betty, his +baby sister's name. He felt that it +was as helpless and young as she.</p> + +<p>Very often they both sucked from +their nursing bottles at the same time.<span class="pagenum"><a name="Page_94" id="Page_94">[Pg 94]</a></span> +While they were doing this, they +looked at each other with big, wondering +eyes. Ian often sat and admired +the pair and laughingly said to +his mother, "Your baby and my baby, +Mother."</p> + +<p>So the days flew by, and the summer +wore on. Soon the school bell began +to ring out again. It told the children +that another term was beginning.</p> + +<p>Ian was loth to leave his happy pastimes +in field and on hill. However, +he, like all Scotch children, was +anxious to learn. So one morning, he +strapped his book bag on his back and +started off to school.</p> + +<p>That was a lonely day for the lamb +Betty. She was lonely because her<span class="pagenum"><a name="Page_95" id="Page_95">[Pg 95]</a></span> +young guardian had hardly ever left +her side. The lamb was clearly worried +and bleated unmercifully until +Ian returned from school.</p> + +<div class="figcenter" > +<img src="images/illus095.jpg" width="340" height="262" alt="" /> +<p class="caption">IAN HOME FROM SCHOOL</p> +</div> + +<p>When, the next day, the same thing +happened, Ian's pet could stand it no +<span class="pagenum"><a name="Page_96" id="Page_96">[Pg 96]</a></span> +longer and started out to find him.</p> + +<p>Every child in the world knows the +song about "Mary's little lamb." That +day, as Betty marched herself up the +steps of Ian's schoolhouse, a chorus of +childish voices sang out:</p> + +<div class="poetry-container"> + <div class="poetry"> + <div class="stanza"> + <div class="verse">"Ian had a wee, wee lamb;</div> + <div class="verse">It followed him to school!"</div> + </div> + </div> +</div> + +<p>There was much merriment as Ian +hurriedly packed Betty off to her +home. Like the teacher in the song, +this teacher had difficulty in restoring +order.</p> + +<p>It was also a flushed and embarrassed +Ian who returned to his classroom. +That evening he lectured Betty +upon behavior for lambs!</p> + +<p>However, Betty was either disobedient +<span class="pagenum"><a name="Page_97" id="Page_97">[Pg 97]</a></span> +or else too young to understand +Ian's lecture. The next day she tried +to repeat her performance. She +started off on a gallop to find her +young master. I say, "tried," for alas, +this time poor Betty could not find +Ian's school!</p> + +<p>For many hours she wandered +about. She went farther and farther, +not only from school but from home. +Evening fell, and Betty was bleating +alone in a dense forest—lost!</p> + +<p>At last Ian returned from school. +For several moments, he could not +understand why Betty did not come +to meet him. He stood and gazed +about. Then a terrible thought came +to him.</p><p><span class="pagenum"><a name="Page_98" id="Page_98">[Pg 98]</a></span></p> + +<div class="figcenter" > +<img src="images/illus098.jpg" width="355" height="274" alt="" /> +<p class="caption">LOST!</p> +</div> + +<p>Rushing to his father on the hillside, +he asked excitedly for his pet. Alan +Craig shook his head sadly.</p> + +<p>"I've sent Roy again, laddie, but +he's returned once alone. I fear the +beastie is lost."</p><p><span class="pagenum"><a name="Page_99" id="Page_99">[Pg 99]</a></span></p> + +<p>Lost! Ian's world fell about him. +The sound of distant bagpipes seemed +to resound dully in his ears. The +words of Sandy came to him through +the dim: "In the spring, if this beastie +is fine, and you have done your +duty—"</p> + +<p>His duty! And poor Betty! Where +could she be? A little lonely creature, +more baby than animal, tended so +carefully, and unused to the thorns +and sharp rocks of the hills—alone +and lost!</p> + +<p>"Father!" was all that Ian could +gasp. Just then he saw Roy coming +toward them, his tail between his legs. +An expression of failure was in his +shepherd eyes.</p><p><span class="pagenum"><a name="Page_100" id="Page_100">[Pg 100]</a></span></p> + +<p>"Roy, lad, can you not find her?" +asked Ian.</p> + +<p>Ian threw his school books off his +back. Kneeling, he put his arms +around the neck of Roy. Roy answered +in his own way. It was as clear to Ian +as though the dog had cried out to +him, "No, laddie, she's lost, lost!"</p> + +<p>And if a sheep was lost to Roy, it +was indeed a lost sheep! For the +clever dog would smell a sheep for +many miles. He would, in fact, encounter +any danger to bring a straggler +back to the fold.</p> + +<p>Still, thought Ian, Betty was not +really one of the fold. It was possible +that Roy's experience did not fit him +to scent out tame pets.</p><p><span class="pagenum"><a name="Page_101" id="Page_101">[Pg 101]</a></span></p> + +<p>"I'm going to look, Father," shouted +the heartbroken boy.</p> + +<p>Calling Roy, he started off on a run. +The father shook his head and felt a +great pity for his little son.</p> + +<div class="figcenter" > +<img src="images/illus101.jpg" width="181" height="146" alt="" /> +<p class="caption"></p> +</div><hr class="chap" /><p><span class="pagenum"><a name="Page_102" id="Page_102">[Pg 102]</a></span></p> + + + + +<h2>CHAPTER VII</h2> + +<h3>ALAN CRAIG TELLS A STORY</h3> + + +<p>The word "Betty" resounded in the +hills many times that evening. The +lights in the village were already +lighted when a tired, heartsick boy, +followed by a sympathetic sheep dog, +returned to the Craig cottage.</p> + +<p>There they were awaited by Alan +Craig. The lad stumbled blindly into +the house.</p> + +<p>He found his father with a candle in +his hand, waiting to lead the disappointed +boy to his bed.</p> + +<p>Ian cried himself to sleep that night. +Roy, the dog, sat beside him and<span class="pagenum"><a name="Page_103" id="Page_103">[Pg 103]</a></span> +mourned for the lost member of the +little household.</p> + +<p>The next day and the next were +spent in searching the hills, the fields, +and the forest. Fortunately for Ian, +they were Saturday and Sunday, and +he did not have to go to school.</p> + +<p>He arose before the dawn and did +not return until evening. But it was +always the same. Betty was nowhere +to be found. Though Ian and Roy +hunted in every conceivable place, the +lamb had disappeared.</p> + +<p>On Monday, Ian was forced to relinquish +his hunt and go to school. Immediately +after school he called to +Roy and was off again.</p> + +<p>"The lad hardly eats his meals, he's<span class="pagenum"><a name="Page_104" id="Page_104">[Pg 104]</a></span> +so troubled!" said Mrs. Craig to her +husband, as she shook her head.</p> + +<p>Alan bit his pipe in silence, while +his heart bled for Ian.</p> + +<p>Alan had been training a new dog +for the sheep. He was using this dog +instead of Roy, who was allowed to +stay with Ian and help him in his +search.</p> + +<p>But this meant added work for +Alan, who had to be on the watch. He +could not leave his charges completely +in the care of this new helper, +as he had done with Roy. Many times +the new dog frightened the sheep. +They soon became panicky and ran +in all directions.</p> + +<p>Then the dog forgot all of Alan's<span class="pagenum"><a name="Page_105" id="Page_105">[Pg 105]</a></span> +training and ran after them wildly. +Alan always had to come himself to +restore order.</p> + +<p>One day he tramped miles to recover +a terrified mother and her baby. +After this long walk, Alan sat on the +hillside.</p> + +<p>Meanwhile the new dog looked at +him out of the corner of his eye, and +dropped his tail because he was +ashamed.</p> + +<p>As the shepherd sat smoking, he +saw his son coming toward him, followed +by Roy. Ian threw himself +down beside his father. Letting his +head sink upon the shepherd's knee, +he gave up the search.</p> + +<p>"'Tis weary I am, Father," he<span class="pagenum"><a name="Page_106" id="Page_106">[Pg 106]</a></span> +sighed. "The search is over, and my +wee lamb is gone."</p> + +<div class="figcenter" > +<img src="images/illus106.jpg" width="333" height="263" alt="" /> +<p class="caption">IAN GIVES UP THE SEARCH</p> +</div> + +<p>"And your pipes, Ian? Are they to +be lost, too?" queried the shepherd.</p> + +<p>"Ay," answered his son, "for Sandy +said, 'If you tend the wee creature<span class="pagenum"><a name="Page_107" id="Page_107">[Pg 107]</a></span> +well till spring!' Now Sandy will return +in the spring, and there'll be no +creature."</p> + +<p>For a few moments Alan Craig +smoothed Ian's curly black hair. The +boy tried hard to hold back his sobs, +which were nearly choking him.</p> + +<p>Then Alan Craig spoke. "Ian, lad, +have you not heard the story of Bruce +and the spider?"</p> + +<p>"Ay, Father," replied Ian. "'Tis in +my history book."</p> + +<p>"Then mind well while I repeat it to +you. For King Robert Bruce was a +great man, and he never gave up!"</p> + +<p>Ian listened intently while his father +recounted the well-known tale. He +told how, many, many years ago, King<span class="pagenum"><a name="Page_108" id="Page_108">[Pg 108]</a></span> +Robert Bruce had fought with the +English and lost numerous battles. +One night, he was lying despondent on +a rude couch in his tent on the battlefield.</p> + +<div class="figcenter" > +<img src="images/illus108.jpg" width="358" height="281" alt="" /> +<p class="caption">KING BRUCE AND THE SPIDER</p> +</div> + +<p>His heart was heavy with the memory +<span class="pagenum"><a name="Page_109" id="Page_109">[Pg 109]</a></span> +of his lost battles and of the suffering +throughout his country. Just +then his eye fell upon a spider in the +corner of the tent. The industrious +little creature was trying to fix its +web to the top pole of the tent. It had +already made six attempts, but each +time it had fallen.</p> + +<p>King Bruce bethought him of his +lost battles. Six! He and the spider +had failed six times. And now he, +King Bruce, was about to give up! +Would the spider also be downed, or +would it, perhaps, persevere once +more?</p> + +<p>King Bruce made a vow to himself. +He decided that, should the wee creature +try again to fix its web and be<span class="pagenum"><a name="Page_110" id="Page_110">[Pg 110]</a></span> +successful, then he, Robert Bruce, +would profit by the spider's lesson and +fight another battle!</p> + +<p>The spider made another attempt. +Slowly it raised its shadowy body +until, quivering in the air, it balanced +itself for the final plunge. The King +raised himself on his elbow and +watched. A nation awaited that +spider's success or failure!</p> + +<p>Again it plunged, caught at the +pole, and fixed its web! King Robert +Bruce jumped to his feet. He threw +his plaid about him and began his +preparations for the greatest battle +in Scottish history, the Battle of Bannockburn.</p> + +<p>As everyone knows, he routed the<span class="pagenum"><a name="Page_111" id="Page_111">[Pg 111]</a></span> +English at this famous battle. Never +afterward would the great King give +up!</p> + +<div class="figcenter" > +<img src="images/illus111.jpg" width="353" height="281" alt="" /> +<p class="caption">ALAN TELLS THE STORY OF KING BRUCE AND THE SPIDER</p> +</div> + +<p>"So should we all feel, Ian," said +Alan Craig as he finished his tale.</p> + +<p>"From the King to the spider!"<span class="pagenum"><a name="Page_112" id="Page_112">[Pg 112]</a></span> +Though Ian had heard the story often +before, it now held a new meaning for +him. He looked up at his father.</p> + +<p>Then he stood erect and called to +his dog, "Come, Roy; we'll try again!"</p> + +<p>He was soon off through the hills +once more.</p> + +<div class="figcenter" > +<img src="images/illus112.jpg" width="176" height="143" alt="" /> +<p class="caption"></p> +</div><hr class="chap" /><p><span class="pagenum"><a name="Page_113" id="Page_113">[Pg 113]</a></span></p> + + + + +<h2>CHAPTER VIII</h2> + +<h3>PIPERS AND TROUBLES</h3> + + +<p>At the beginning of that same summer, +Jamie Robinson, Aberfoyle's +piper, became restless. Jamie was +not a steady man. He had never been +a good provider. His poor wife and +babies were often hungry and cold in +the stormy winter months.</p> + +<p>Jamie Robinson earned his living by +his piping. He marched back and +forth through the village street, playing +his bagpipes. He hoped that the +noisy, celebrating crowds, which arrived +from Glasgow, would like his +music and throw him pennies.</p><p><span class="pagenum"><a name="Page_114" id="Page_114">[Pg 114]</a></span></p> + +<p>When the people were generous, his +family might have a good dinner. But +often Jamie Robinson did not bring +the money home to his family. Unfortunately +Jamie, who was a weak man, +was often led by some of the village +men into public houses. Here men +gamble and drink.</p> + +<p>Sometimes poor Mrs. Robinson +waited until very late for her husband +to come home. When at last he +arrived, he came penniless.</p> + +<p>But now Jamie was buoyed up by +the balmy weather. He felt a longing +for the open road.</p> + +<p>"Come away, wife," he pleaded. +"'Tis no living for a man here."</p> + +<p>But Mrs. Robinson only shook her<span class="pagenum"><a name="Page_115" id="Page_115">[Pg 115]</a></span> +head and reminded him of their large +family and of the hardships of a wandering +life. After all, they were comfortable +here, when Jamie brought +home the pennies.</p> + +<p>They had a little corner on a bright +meadow beside a brook. Besides, +the people of Aberfoyle were kind. +Mrs. Robinson tried to keep her four +wee children clean and happy. But +this task was not always easy. What +would it be on the open road?</p> + +<p>"No, Jamie," she said. "'Tis afraid +I am to go traveling with the wee +bairns." (Children are called bairns +in Scotland.)</p> + +<p>But Jamie insisted and promised +that she would not regret it. He<span class="pagenum"><a name="Page_116" id="Page_116">[Pg 116]</a></span> +promised that he would make money +and provide for them better than +before.</p> + +<p>And so, one day the village of Aberfoyle +said good-bye to Piper Robinson. +The little caravan then moved +on to what they hoped would be a better +life.</p> + +<p>They made a queer picture as they +trudged along. There was Jamie pulling +the cart, with Mrs. Robinson beside +him. Her entire kitchen was +strung upon her back—teakettle, +sauce pan, and soup ladle.</p> + +<p>Then came the oldest child, followed +by the scrawny dog. Behind +him dragged a freckled boy of five +years. In the handcart, on top of the<span class="pagenum"><a name="Page_117" id="Page_117">[Pg 117]</a></span> +sticks and the tent, sat the two babies. +One of them was three and the other +barely two years old.</p> + +<p>For some time Jamie Robinson was +happy. In each little village where +he played, he made enough to feed his +family. He tried to please his wife +and brought home all the money that +was thrown him.</p> + +<p>But the weeks wore on, and the +family moved farther and farther +from the big cities. Then it seemed +that there became less and less money +for pipers.</p> + +<p>One night Jamie came back to his +little brood with empty pockets. The +rain had been falling all day. The +family of Jamie Robinson had been<span class="pagenum"><a name="Page_118" id="Page_118">[Pg 118]</a></span> +huddled together in their tent like +lost sheep. When Jamie entered the +tent, the baby was crying. Jamie +knew she was hungry.</p> + +<p>While Sandy MacGregor traveled, +he usually sang or whistled. Sandy +was always happy. He was getting +old, and his stride was not what it had +been. Still he gloried in his happy-go-lucky +life.</p> + +<p>Since leaving Aberfoyle, Sandy had +thought often of the little boy in +whose charge he had left the baby +lamb. Old Sandy chuckled to himself +when he thought about his return and +Ian's joy upon receiving the bagpipes.</p> + +<p>"If I could only stay and teach the +laddie to play!" mused the old piper.</p><p><span class="pagenum"><a name="Page_119" id="Page_119">[Pg 119]</a></span></p> + +<p>Sandy was a good piper and had +once served in the army. Jamie Robinson +had only picked up a few tunes. +Ian had recognized Sandy's clever +playing at once on the day he had first +come to Aberfoyle.</p> + +<p>Now, wet from the showers and +hungry, Sandy stopped in a town. +Taking out his pipes, he began to play. +It was the same town where Jamie +Robinson had played that night and +the night before. The people were +poor.</p> + +<p>The rain had been falling in steady +showers, so that few persons were +about the streets. Sandy puffed on +his pipes, and the sweet melody +<span class="pagenum"><a name="Page_120" id="Page_120">[Pg 120]</a></span> +echoed through the village and beyond +to the hills. But not a soul came +to pay the piper.</p> + +<p>"Ach, well," sighed Sandy. He +wiped the dripping water from his +brow and put back the pipes. He covered +them carefully with his plaid. +Then pulling his cart, the old man +moved on through the wet streets of +the village. Soon he was on the open +road.</p> + +<p>His experienced eyes fell upon a +camping spot. He decided to rest the +night there. He neared the little +clump of trees by the side of the road. +Then he saw that he was not the only +traveler who had chosen this spot. +Here was the tent of Jamie Robinson.</p> + +<p>As Sandy drew closer, he heard a<span class="pagenum"><a name="Page_121" id="Page_121">[Pg 121]</a></span> +baby crying. Sandy called out, and +Jamie put his face out of his tent. A +sullen, angry face it was.</p> + +<p>"And what is it you want?" he bellowed.</p> + +<p>Sandy walked up to the man and +smiled.</p> + +<p>"Ach, don't be angry," he said. "I'll +not be harming you. I'm an old piper +and would rest the night here beside +you, if you have no objection."</p> + +<p>Jamie looked at the cart and again +at Sandy's happy red face.</p> + +<p>Then, softening his tone, he said, +"Then welcome. And have you piped +to yon village?"</p> + +<p>"Ay," answered Sandy, "but they +have not cared for my music!"</p><p><span class="pagenum"><a name="Page_122" id="Page_122">[Pg 122]</a></span></p> + +<p>He laughed as he said this, and +started to pitch his tent.</p> + +<p>Jamie came out and helped him. It +was not long before he had told Sandy +all of his troubles. Sandy's brows +wrinkled. A sadness came over his +face as he listened to Jamie's tale of +woe.</p> + +<p>The family had been stranded here +for three days. The rain had kept +them from moving. Then the wee +baby was ill, and the others were hungry +and cold. Not a penny had been +made in the town. Jamie had played +several times each day. He had even +trudged along to the next town with +no better results.</p> + +<p>Sandy was shocked. The thought<span class="pagenum"><a name="Page_123" id="Page_123">[Pg 123]</a></span> +of hungry children tormented him. +Telling Jamie that he wished to try +his luck in the town once more, he +hastened thither, his pipes under his +arm.</p> + +<p>Sandy had never been a rich man. +He always had enough to buy his +meals, and that was all. A piper cannot +make a great deal. Sandy's music +usually brought him ample money +for his needs. But he was a generous +soul and gave away half of what he +earned.</p> + +<p>To-night he had in his pocket just +enough to buy his dinner. Into the +town he went. It was not long before +he returned to the suffering family +<span class="pagenum"><a name="Page_124" id="Page_124">[Pg 124]</a></span> +with bread and milk. To Mrs. Robinson, +Sandy appeared as a good fairy +that night.</p> + +<p>The next day broke fair. Early +Sandy was in the market square of the +town. He played the finest tunes he +knew, strutting up and down.</p> + +<p>The villagers liked his music, and +the children followed him. They +would have liked to shower Sandy +with gold, for the joy that their country's +melodies brought them. But +their purses were thin. They could +only smile sadly and shake their heads +at the puffing old man.</p> + +<p>There was nothing for the Robinsons +to do but to move on. It was a +difficult task for Mrs. Robinson. But +with Sandy's help, she managed to<span class="pagenum"><a name="Page_125" id="Page_125">[Pg 125]</a></span> +pilot her little tribe along the muddy +road to the next village.</p> + +<p>For many days Sandy and the Robinsons +traveled together. Sandy piped +and gave them all he made, which was +little enough. Often he himself would +go hungry to bed.</p> + +<p>It grew so bad that poor Sandy began +to wonder what would happen to +them. Not for worlds would he have +left them. Never did such a thought +enter his mind.</p> + +<p>He worried more over the sick baby +than did Jamie Robinson. Jamie was, +in fact, to Sandy, another child. Sandy +felt as though he had to protect the +irresponsible piper along with his +family.</p><p><span class="pagenum"><a name="Page_126" id="Page_126">[Pg 126]</a></span></p> + +<p>These were terrible days for Sandy. +He sold nearly everything he had to +provide for the Robinsons and keep +them from going hungry.</p> + +<p>One day the baby became desperately +ill. It needed a doctor. Sandy +rushed to the nearest village. The +doctor was brought and pronounced +the baby in a serious condition. He +said it must be given fresh milk and +nourishing food. But to provide these +things was too difficult for the little +family.</p> + +<p>One thought had been at the back +of Sandy's mind all along. But he had +not allowed himself to consider it +seriously until now. This crisis, however, +forced him to carry out a plan.</p><p><span class="pagenum"><a name="Page_127" id="Page_127">[Pg 127]</a></span></p> + +<p>The bagpipes he had promised Ian +were the only valuable possession in +his little cart. They would bring +enough money to save the baby's life.</p> + +<p>Sandy pulled them out. He polished +the silver and rubbed the chanter +carefully to remove the dust. Meanwhile, +his thoughts flew to Ian. In his +heart he was used to calling Ian "the +wee Scotch piper," for he hoped to see +the boy realize his dream some day.</p> + +<p>Now the pipes would have to go. +He would have to return to the lad +empty-handed and with his promise +broken. Still, it was the only thing he +could do. So poor Sandy sold the +pipes.</p> + +<p>Sandy returned from the village,<span class="pagenum"><a name="Page_128" id="Page_128">[Pg 128]</a></span> +with his pockets bulging. He seemed +to see Ian in front of him, the wee +lamb in his arms. Ian seemed to be +looking expectantly and questioningly +at his old friend.</p> + +<p>And Sandy heard himself saying, +"No, laddie. Sandy has disappointed +you and has not brought you the +pipes!"</p> + +<div class="figcenter" > +<img src="images/illus128.jpg" width="187" height="150" alt="" /> +<p class="caption"></p> +</div><hr class="chap" /><p><span class="pagenum"><a name="Page_129" id="Page_129">[Pg 129]</a></span></p> + + + + +<h2>CHAPTER IX</h2> + +<h3>IAN TRIES AGAIN</h3> + + +<p>Ian was once more in search of +Betty. The story of King Bruce +echoed in his ears and spurred him on. +Roy, too, seemed to be inspired with +new hope. He sniffed and ran, and ran +and sniffed. Every once in a while, he +would let out short, sharp barks.</p> + +<p>"Do not weary yourself, lad," said +Ian. "We have long to go this day, +and we'll not give up."</p> + +<p>With these words the boy began to +whistle. A happiness seemed to come +suddenly to him as though he already +had Betty safe in his arms.</p><p><span class="pagenum"><a name="Page_130" id="Page_130">[Pg 130]</a></span></p> + +<p>For many hours the boy and dog +climbed and walked. At last they +found themselves in a wild, rugged +portion of the country, where Ian had +never before been. Rocks were all +about him. He descended into giant +caverns.</p> + +<p>He called, "Betty!" and received +only an echo for reply. He went farther +until it was so late that he could +not think of returning home. He +would surely lose his way in the darkness, +if he attempted it. So he curled +himself up between two massive +rocks and, with Roy nestling close to +his side, fell fast asleep.</p> + +<p>At dawn, Ian was awakened by Roy. +The dog was barking and making wild +<span class="pagenum"><a name="Page_131" id="Page_131">[Pg 131]</a></span> +<span class="pagenum"><a name="Page_132" id="Page_132">[Pg 132]</a></span> +dashes in the direction of a large +gulch near by.</p> +<div class="figcenter" > +<img src="images/illus131.jpg" width="635" height="444" alt="" /> +<p class="caption">IAN, BETTY AND ROY</p> +</div> +<p>He ran madly to the gulch, then +dashed back again to Ian. His barks +came in hysterical gasps.</p> + +<p>Ian ran with Roy to the edge of the +gulch. Looking down, the boy saw a +terrible sight. Hanging on to a ragged +ledge was a large mother sheep. It +was one of his own father's, as he +could see by the markings on the wool. +The poor creature was bleating. A +few feet above the ledge stood her +baby lamb.</p> + +<p>At each of Roy's barks, the mother +sheep gave a little jump, and the ledge +of rock quivered. Ian thought surely +it would break and the sheep would<span class="pagenum"><a name="Page_133" id="Page_133">[Pg 133]</a></span> +be dashed to pieces on the rocks +below.</p> + +<p>"Down, down!" commanded Ian in +the same voice as his father used to +the dog.</p> + +<p>Roy crouched and whined, but +stopped his barking. Ian remembered +that some of the mother sheep distrusted +the dog. So it would be impossible +for Roy to show himself now. +What must be done must be done by +Ian himself.</p> + +<p>While the boy climbed down the +precipitous rocks, the faithful dog, +deprived of his rightful work, whined +and howled. Had he not been trained +to obey, he would never have stayed. +But to a shepherd dog, a master's<span class="pagenum"><a name="Page_134" id="Page_134">[Pg 134]</a></span> +word is law. Roy watched his young +friend as the boy made the perilous +descent to rescue the terrified animal +on the ledge.</p> + +<p>The sheep was large, and its wool +weighed heavily. But Ian grasped the +creature firmly. With all his might, +he pulled until he had it on the rock +above. When the baby lamb saw its +mother coming, it uttered loud, joyous +bleatings.</p> + +<p>Ian could only think that the sheep +had been led astray by his father's +new dog. He was worried for fear +that there were others which had +strayed beyond. He decided to see, +and started off beyond the rock hill.</p> + +<p>But when Roy began to drive the<span class="pagenum"><a name="Page_135" id="Page_135">[Pg 135]</a></span> +mother sheep along, she became very +angry. She ran at him with her +head lowered. Roy could not manage +her. She refused to obey him and Ian.</p> + +<p>The boy, who carried a crook like +his father's, was forced to resort to +the only means of bringing her to order. +With a quick sweep of the crook, +he caught the baby sheep. He lifted +it in his arms.</p> + +<p>"Now, you'll come away," he said +to the mother, as he walked on. Snorting, +the mother sheep was forced to +follow.</p> + +<p>On and on walked Ian and Roy. And +now the hunt was not only for Betty, +but for more of his father's herd. Ian +thought he would find some that<span class="pagenum"><a name="Page_136" id="Page_136">[Pg 136]</a></span> +might have been led astray by the +new dog.</p> + +<p>At noon he sat down to eat his +"piece," which he carried in his sporran. +When he had finished, he started +for a clear stream near by.</p> + +<p>As he approached, he thought he +saw one of the grayish rocks in the +stream moving. He rubbed his eyes. +Could it be a reflection from the +water? No. It was moving slowly.</p> + +<p>Ian approached faster. What was +his amazement at finding the gray +rock to be his own Betty! It was his +Betty, thin and ragged, and stumbling +along on her front knees, too weak to +raise her feet. Poor little beast!</p> + +<p>She was nearly dead. As Ian raised<span class="pagenum"><a name="Page_137" id="Page_137">[Pg 137]</a></span> +her up, he realized that he had found +her just in time. The creature seemed +to know the boy, for she nestled down +in his arms as of yore. In spite of her +suffering, she seemed perfectly happy, +now that her Ian was found.</p> + +<div class="figcenter" > +<img src="images/illus137.jpg" width="171" height="142" alt="" /> +<p class="caption"></p> +</div><hr class="chap" /><p><span class="pagenum"><a name="Page_138" id="Page_138">[Pg 138]</a></span></p> + + + + +<h2>CHAPTER X</h2> + +<h3>SPRING</h3> + + +<p>Spring! Each day found an eager, +watchful boy, a happy, sweet-faced +sheep dog, and a large fleecy lamb +standing on the Rob Roy Brig. They +were awaiting in glad anticipation a +visitor, who was expected and whose +music would soon reach the happy +ears of a future piper.</p> + +<p>Ian Craig had never allowed his +Betty to roam after that frightful episode. +She had been kept in a little +corral, which Ian built for her. When +he came home from school, he took +her with him to the brig. He fastened<span class="pagenum"><a name="Page_139" id="Page_139">[Pg 139]</a></span> +her to a massive rock, while he +awaited the return of Sandy.</p> + +<div class="figcenter" > +<img src="images/illus139.jpg" width="361" height="262" alt="" /> +<p class="caption">BETTY AWAITS SANDY'S RETURN</p> +</div> + +<p>Betty was now almost as fat and +big as the other sheep. She was a +credit to the boy's good care. So +proud of her was Ian that he often +tied a lovely tartan ribbon about her<span class="pagenum"><a name="Page_140" id="Page_140">[Pg 140]</a></span> +neck. He combed her wool tenderly +each day before he started off for the +brig.</p> + +<p>Day after day, the two waited. +Meanwhile, Roy looked on with kindly +eyes, although he did not understand +it all. Of course, Betty was equally +ignorant of why she was made to pose +with a floppy bow around her neck, +tied to an annoying rock. But she +was content, for Ian stayed beside +her.</p> + +<p>Sometimes as Ian watched and +waited, he thought he heard the bagpipes +in the distance. And as he heard, +his heart beat faster. The moment of +bliss when he could claim his reward, +seemed to be upon him.</p><p><span class="pagenum"><a name="Page_141" id="Page_141">[Pg 141]</a></span></p> + +<p>Then he often looked at Betty, and +a qualm seized him. How could he +part with the lamb? He had been +through trouble and sorrow for the +little animal. He had lived many +happy hours by her side. It was as +though she had become his own. The +thought of parting from her was like +a stab. Then, too, Betty loved him.</p> + +<p>At these times, the poor little boy +would knit his brow and ponder upon +the strangeness of life.</p> + +<p>Then he thought of the pipers and +the tale of Dunblane, where the stalwart +lads marched and played. He +thought of the glorious piper bands +marching in the big towns. The +thought made him brighten and jump<span class="pagenum"><a name="Page_142" id="Page_142">[Pg 142]</a></span> +from the brig and scan the country +for a sign of Sandy.</p> + +<p>But the days of budding blossoms +and showers in Scotland wore on. +Finally Betty's ribbon bow began to +fade and Ian's patience to wear.</p> + +<p>Little Elsie Campbell used at times +to walk with the boy to the brig. +Often he stopped on the walk and +talked to her, as he cocked his head on +one side.</p> + +<p>"Do you not hear the din of pipes, +Elsie?" he asked.</p> + +<p>And the wee lassie shook her head +and said, "Ach, no, lad. 'Tis daft you +are with your pipes!"</p> + +<p>But it was said kindly, for Elsie +hoped and prayed that Sandy would<span class="pagenum"><a name="Page_143" id="Page_143">[Pg 143]</a></span> +return. You see, Ian had told her the +story of Betty and how he waited for +the promised pipes. It was, in fact, +Elsie who had first tied the silken tartan +ribbon about the lamb's neck.</p> + +<p>It was a gray day which promised +rain. Ian and Betty neared the brig +together. Ian had just tied the creature +to her accustomed rock and was +lifting himself to the wall when he +heard a sound. Pipes! Unmistakably +pipes!</p> + +<p>Still, he had been mistaken so often +before that he dared not look. And +Elsie was not there to-day. She would +have told him. For in her ears the +sound was not always droning as it +had been in Ian's for many days.</p><p><span class="pagenum"><a name="Page_144" id="Page_144">[Pg 144]</a></span></p> + +<p>He had not told his mother for fear +of worrying her. But his head was +often heavy, and he could not sleep +with the sound of the bagpipes. Poor +little Ian! If only Sandy would return!</p> + +<p>On this dull, misty day as he swung +his feet from the wall of the brig, Ian +could not stop the sound. Nearer and +nearer it came!</p> + +<p>Then, "Bonny laddie, Highland laddie," +chanted the pipes. Ian looked up +and saw standing before him his +Sandy!</p> + +<p>Although he was as red and wrinkled +and twinkling as before, there was a +change. Sandy was very shabby. His +coat was stained with the mud and +rain of many hard days.</p><p><span class="pagenum"><a name="Page_145" id="Page_145">[Pg 145]</a></span></p> + +<p>He stopped his playing and stood +before the boy. A sad, longing look +came into his eyes.</p> + +<p>"Ian, lad," he said slowly, "'tis +Sandy come back."</p> + +<p>And Ian suddenly realized that it +was all true and not one of his dreams. +He jumped down from the wall and +threw his arms about Sandy.</p> + +<p>"Ach, Sandy," he cried. Then he +stood back and pointed to the lamb. +Evidently Sandy had not noticed it.</p> + +<p>"And do you not see our beastie, +Sandy? 'Tis the same you left with +me, and well and fat she is."</p> + +<p>Sandy turned and looked at Betty. +But he did not talk as Ian had expected +him to, nor did he compliment +<span class="pagenum"><a name="Page_146" id="Page_146">[Pg 146]</a></span> +<span class="pagenum"><a name="Page_147" id="Page_147">[Pg 147]</a></span> +Ian on the lamb's well-being. He only +stood fingering his pipes and slowly +shaking his head.</p> + +<div class="figcenter" > +<img src="images/illus146.jpg" width="633" height="444" alt="" /> +<p class="caption">"SANDY HIMSELF WILL TEACH YOU TO PLAY"</p> +</div> +<p>As Ian stared in wonderment, the +piper lifted his bagpipes from his +shoulder and handed them to the boy.</p> + +<p>"Your pipes are here, lad, and +Sandy keeps his promise!" he said.</p> + +<p>Without thinking Ian put out his +arms to receive the instrument. His +eyes, however, did not leave his +friend's face.</p> + +<p>"But, Sandy, these are your own +pipes you're giving me!" he said, as if +he could hardly believe it, after looking +down at what Sandy had placed in +his arms.</p> + +<p>"Ay, lad," answered Sandy, "and<span class="pagenum"><a name="Page_148" id="Page_148">[Pg 148]</a></span> +now you can be a fine piper, and Sandy +himself will teach you to play."</p> + +<p>Then Sandy told Ian the sad story +of Jamie Robinson. He explained +how he had sold nearly all his worldly +goods to help the little family and put +them on their feet again. He told of +how he had left them comfortably +settled near a prosperous village. He +had made Jamie promise to work and +save for his little brood.</p> + +<p>Sandy also told how he had come +all the way to keep his promise to +the boy. He said, too, that now, as +in Aberfoyle there was no piper, he +expected to stay here and take Jamie +Robinson's place if Ian would lend him +his pipes each day for awhile. And in<span class="pagenum"><a name="Page_149" id="Page_149">[Pg 149]</a></span> +return, he would teach the lad to +play!</p> + +<p>"For I'm not so young as I was, laddie, +and the wandering life is over for +me," he added.</p> + +<p>When Ian heard these plans, he was +beside himself with joy. He hugged +first Sandy, then Roy, and then Betty. +At last the piper became his old jolly +self once more and laughed.</p> + +<p>"Ay, lad, we'll share the pipes together, +though they belong to you. +But old Sandy will have to make a +living, and he'll teach you all the +tunes he knows!"</p> + +<p>No happier boy than Ian Craig lived +in Scotland that night. Standing before +the door of the cottage, he puffed<span class="pagenum"><a name="Page_150" id="Page_150">[Pg 150]</a></span> +and blew on his pipes. There issued +forth the sound of a thousand sheep +all bleating at once but all in pain! +Sandy listened from his tent on the +hill opposite and chuckled to himself.</p> + +<p>Roy was also in pain as he listened. +His delicate ears were unused to this +shrieking and squealing. He joined in +the din with loud howls.</p> + +<p>The baby within the house was in +sympathy, too, and added her wails.</p> + +<p>So Sandy's first evening as a resident +in Aberfoyle was not a quiet one. +He was forced to stop his ears.</p> + +<p>Mrs. Craig was unable to stand the +racket. So she pulled her puffing son +into the house and packed him off to +bed, to the great relief of all.</p><p><span class="pagenum"><a name="Page_151" id="Page_151">[Pg 151]</a></span></p> + +<div class="figcenter" > +<img src="images/illus151.jpg" width="638" height="444" alt="" /> +<p class="caption">THE SOUND OF HIS PIPES ECHOED BACK THROUGH THE GLEN</p> +</div><p><span class="pagenum"><a name="Page_152" id="Page_152">[Pg 152]</a></span></p> + +<p>But Ian was a quick and hard-working +pupil. It was not long before Roy +quite approved of the sounds his master +made on his pipes. He did not then +feel it necessary to amend the +melody.</p> + +<p>Also the baby gurgled with glee. +She puffed out her cheeks in imitation +of Ian and laughed happily. +And Betty, the lamb, too, seemed to +know that all was well. The world +was in tune with the wee Scotch piper +who had, at last, realized his dreams.</p> + +<hr class="tb" /> + +<div class="poetry-container"> + <div class="poetry"> + <div class="stanza"> + <div class="verse">"'Tis the close of the day</div> + <div class="verse indent2">At the foot of the ben,</div> + <div class="verse">And the sound of his pipes</div> + <div class="verse indent2">Echoes back through the glen."</div> + </div> + </div> +</div> + +<hr class="chap" /> +<p><span class="pagenum"><a name="Page_153" id="Page_153">[Pg 153]</a></span></p> + +<h2>CHAPTER XI</h2> + +<h3>THE WEE SCOTCH PIPER</h3> + + +<p>It was a cloudless day in the big +Scotch city. The people seemed to +feel that something unusual was +about to happen. Everyone wore his +best, and the city fairly shone with +the reds and blues and greens of tartan +kilts and bonnets.</p> + +<p>Soldiers paraded the streets. Children +hurried along by their parents' +sides, anxious to arrive at the big +grand stand in time. Numerous bystanders +flanked the wide street.</p> + +<p>All the people were breathless with +excitement. Even the usual crowding<span class="pagenum"><a name="Page_154" id="Page_154">[Pg 154]</a></span> +traffic suspended its pushing and +shrill tooting. For this was a great +day in Scotland. Many celebrations +occur at intervals in this land of excursions +and picnics. But to-day was +as the children would say, "extra +special."</p> + +<p>The huge grand stand was overcrowded +with eager Scotchmen, with +their wives and bairns. They all +strained their eyes for a glimpse of +the great "kiltie band," which was to +march down the street.</p> + +<p>Among those who watched, and +perhaps the most eager of all, were a +family of country folk. In bobbing +black bonnet sat a calm-faced old +lady. Beside her was a rugged old +<span class="pagenum"><a name="Page_155" id="Page_155">[Pg 155]</a></span> +<span class="pagenum"><a name="Page_156" id="Page_156">[Pg 156]</a></span> +man. Both were in their best array. +Both were longing for the sight they +had come miles from their little farm +to see.</p> + +<div class="figcenter" > +<img src="images/illus155.jpg" width="645" height="444" alt="" /> +<p class="caption">THE WEE SCOTCH PIPER</p> +</div> + +<p>The couple were none other than +Alan Craig and his wife. The sight +that their old eyes would soon see, as +the happy tears dimmed their view, +would be their son, their Ian. He was +now a tall, manly piper in kilted uniform, +marching and piping with the +flower of Scotland's army.</p> + +<p>By their side sat another. His +kindly face shone with pride, and in +his heart was a singing joy.</p> + +<p>For Sandy MacGregor had taught +this lad to play. It was the same old +pipes of Sandy MacGregor that he<span class="pagenum"><a name="Page_157" id="Page_157">[Pg 157]</a></span> +still used. He would soon show those +pipes to a cheering crowd as his fingers +flew over the chanter. While he +played, his arm would shelter the tartan +bellows once sheltered by Sandy's +own arm as the old piper had wandered +over hill and through dale.</p> + +<p>Sandy MacGregor had lived many +years for this moment. As he craned +his neck for a sight of the coming parade, +he spoke to the little girl beside +him.</p> + +<p>"See, Betty, 'tis they coming now."</p> + +<p>Betty, Ian's baby sister, was now a +girl of the age Ian had been when first +Sandy had met him.</p> + +<p>Together, Betty and Sandy had +dreamed and planned the day when<span class="pagenum"><a name="Page_158" id="Page_158">[Pg 158]</a></span> +together they would view their piper +laddie on parade.</p> + +<p>For Sandy had dwelt in the village +of Aberfoyle these many years. While +he had piped for his living, he had +taught another piper, who was now to +cover his old teacher with glory.</p> + +<p>In the large audience there was still +another, whose blue eyes danced with +joy. Her hands were clasped together +with excitement as she awaited the +approach of her boyhood friend. It +was little Elsie Campbell, now grown +to womanhood. Elsie was among +those who thrilled to see the "wee +Scotch piper," as he marched along +that day.</p> + +<p>Who knows with what feelings of<span class="pagenum"><a name="Page_159" id="Page_159">[Pg 159]</a></span> +pride the lad looked up as he passed +that grand stand? Who knows his feelings +of love, on seeing those dear +faces smiling and nodding at him?</p> + +<p>And as he marched and played, he +seemed to see before him a little +schoolboy marching and playing. That +boy was himself, trudging the streets +of a wee village, followed by a bleating +lamb!</p> + +<div class="figcenter" > +<img src="images/illus159.jpg" width="166" height="131" alt="" /> +<p class="caption"></p> +</div> + +<hr style="width: 65%;" /> + +<div class='transnote'><h3>Transcriber's Note:</h3> +<p>Some full-page illustrations have been moved so as not to + interrupt paragraphs; this has led to some pages, e.g. p.13, + being empty, and not marked with a page number. </p></div> + + + + + + + +<pre> + + + + + +End of Project Gutenberg's The Wee Scotch Piper, by Madeline Brandeis + +*** END OF THIS PROJECT GUTENBERG EBOOK THE WEE SCOTCH PIPER *** + +***** This file should be named 40664-h.htm or 40664-h.zip ***** +This and all associated files of various formats will be found in: + http://www.gutenberg.org/4/0/6/6/40664/ + +Produced by Juliet Sutherland, Colin M. 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diff --git a/40664-h/images/illus146.jpg b/40664-h/images/illus146.jpg Binary files differnew file mode 100644 index 0000000..f697067 --- /dev/null +++ b/40664-h/images/illus146.jpg diff --git a/40664-h/images/illus151.jpg b/40664-h/images/illus151.jpg Binary files differnew file mode 100644 index 0000000..d0b00d1 --- /dev/null +++ b/40664-h/images/illus151.jpg diff --git a/40664-h/images/illus155.jpg b/40664-h/images/illus155.jpg Binary files differnew file mode 100644 index 0000000..e67956d --- /dev/null +++ b/40664-h/images/illus155.jpg diff --git a/40664-h/images/illus159.jpg b/40664-h/images/illus159.jpg Binary files differnew file mode 100644 index 0000000..c2ba608 --- /dev/null +++ b/40664-h/images/illus159.jpg diff --git a/40664.txt b/40664.txt new file mode 100644 index 0000000..509ee77 --- /dev/null +++ b/40664.txt @@ -0,0 +1,2323 @@ +The Project Gutenberg EBook of The Wee Scotch Piper, by Madeline Brandeis + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: The Wee Scotch Piper + +Author: Madeline Brandeis + +Release Date: September 4, 2012 [EBook #40664] + +Language: English + +Character set encoding: ASCII + +*** START OF THIS PROJECT GUTENBERG EBOOK THE WEE SCOTCH PIPER *** + + + + +Produced by Juliet Sutherland, Colin M. Kendall and the +Online Distributed Proofreading Team at http://www.pgdp.net + + + + + + + + +The Wee Scotch Piper + +[Illustration: THE WEE SCOTCH PIPER] + + + + +_The_ WEE SCOTCH PIPER + +BY + +MADELINE BRANDEIS + +_Producer of the Motion Pictures_ + + "The Little Indian Weaver" + "The Wee Scotch Piper" + "The Little Dutch Tulip Girl" + "The Little Swiss Wood-Carver" + +Distributed by Pathe Exchange, Inc., New York City + +_Photographic Illustrations made in Scotland by the Author_ + + GROSSET & DUNLAP + PUBLISHERS NEW YORK + _by arrangement with the A. Flanagan Company_ + + +COPYRIGHT, 1929, BY A. FLANAGAN COMPANY + +PRINTED IN THE UNITED STATES OF AMERICA + + + + +PREFACE + + +When I began to write these stories about children of all lands I had +just returned from Europe whither I journeyed with Marie and Ref. Maybe +you don't know Marie and Ref. I'll introduce them: Please meet Marie, +my very little daughter, and Ref, my very big reflex camera. + +These two are my helpers. Marie helps by being a little girl who knows +what other little girls like and by telling me; and Ref helps by +snapping pictures of everything interesting that Marie and I see on our +travels. I couldn't get along without them. + +Several years have gone by since we started our work together and Marie +is a bigger girl--but Ref hasn't changed one bit. Ref hasn't changed +any more than my interest in writing these books for you. And I hope +that _you_ hope that I'll never change, because I want to keep on +writing until we'll have no more countries to write about--unless, of +course, some one discovers a new country. + +Even if a new country isn't discovered, we'll find foreign children to +talk about--maybe the children in Mars! Who knows? Nobody. Not even +Marie--and Marie usually knows about most things. That's the reason +why, you see, though I sign myself + +[Handwritten: Madeline Brandeis] + +I am really only + +Marie's Mother. + + + + +DEDICATION + + To every child of every land, + Little sister, little brother, + As in this book your lives unfold, + May you learn to love each other. + + + + +CONTENTS + + + Chapter I Page + The Craig Family 11 + + Chapter II + Sandy's First Visit 28 + + Chapter III + Pipers 44 + + Chapter IV + Sandy Returns 53 + + Chapter V + Through Scotland With Sandy 71 + + Chapter VI + Ian's Betty 91 + + Chapter VII + Alan Craig Tells a Story 102 + + Chapter VIII + Pipers and Troubles 113 + + Chapter IX + Ian Tries Again 129 + + Chapter X + Spring 138 + + Chapter XI + The Wee Scotch Piper 153 + + + + +[Illustration: THE SOUND OF HIS PIPES ECHOED BACK THROUGH THE GLEN] + + + + +The Wee Scotch Piper + + + + +CHAPTER I + +THE CRAIG FAMILY + + +In the wee village of Aberfoyle, which is in Perthshire County, +Scotland, lived Alan Craig, a shepherd. + +The sheep of Scotland, like the bagpipes and bluebells, are famous, and +in Aberfoyle there are many. + +Dotted alongside the road are the bright bluebells, lighting up in true +fairy array the darkness made by big, shady trees. + +Shrieking through the stillness of a summer evening, comes the sound of +the bagpipes. This music is furnished by a tattered piper marching up +and down, up and down. He hopes that the people will throw pennies for +the love of the tune he plays. + +And the sheep, like little dots of white in the green meadows, graze. +But sometimes, they, too, shriek when they are herded together, perhaps +for the clipping. + +When the sheep all bleat together, it sounds very much like the +shrieking of the bagpipes. Maybe that is how the bagpipe was really +started. Perhaps the sound was first uttered by a herd of Scotch sheep! + +It was not yet clipping time on the small farm of Alan Craig. His sheep +still roamed the hills. Their heavy, curly wool weighed them down and +made them look as if they had on long, woollen nighties. + +[Illustration: SCOTLAND IS FULL OF SHEEP] + +The babies sometimes walked right under their mothers, and then they +were completely hidden. + +On a hill sat Alan Craig, and by his side his faithful dog, Roy. Roy +was a real sheep dog and was proud of his profession. + +You know, when people are called professionals, it means that they are +trained in one occupation. Of course, people make money at their +professions, and this was the only difference between Roy and a +professional human. + +Roy was a professional sheep dog, but he did his work out of devotion +to his master. Also he did it because it was in his blood to love to +race the timid sheep over the hills and obey his master's commands. + +"Back, Roy!" shouted Alan Craig. + +Roy jumped to his feet and, barking, ran to bring back the flock, which +had disappeared around a rocky mountain. + +"Bowwow-wow!" The sheep heard him coming and, stupid creatures that +they are, started to run the other way. "Bowwow!" + +"Down, sir, down!" came the voice of Alan Craig from afar, and Roy +understood. + +Silently he made a dash for the leading sheep and, bounding ahead of +the herd, he stood on guard. His feet were planted apart, and his +tongue hung out. He was barking in his own language a short Scotch +bark, which meant, "Now, will you go back?" + +All but the leading sheep began to turn. That leader was, however, a +mother sheep with a loved baby. She had always been very suspicious of +Roy. + +Perhaps he had once snapped at her baby, for he often had to do this to +make the sheep behave. At any rate, the mother sheep could not forgive +him. Without any fear, she now sprang toward Roy and butted her head in +defiance. + +[Illustration: THE VILLAGE OF ABERFOYLE] + +Roy stood his ground and then made a plunge at her legs. Meanwhile, he +let out a shrill bark as one of her sharp horns hit his leg. It was a +short but hard battle. + +At last Roy returned to his master, his tongue nearly sweeping the +ground. But there was a triumphant expression in his eyes as he drove +the crowd of panting sheep into a circle around Alan Craig and threw +himself at his master's feet to await his reward. + +This was not long in coming. Alan Craig appreciated his helper. In fact +Roy was really the shepherd. Alan had only to speak his commands--"work +his dog," as the Scotch say--and Roy did the rest. + +Now he stroked his dog and said, "Good, Roy! Well done!" + +Alan's language was well understood by Roy, but these words would have +sounded this way to you: "Gude, Roy! Weel dune!" had Alan spoken in +the Scotch dialect to Roy. + +He could speak very good English, and did when he spoke to Englishmen. +But you see, Roy was a Scotchman! + +From the little white cottage in the hollow came the smell of +dinner--fresh pancakes and meat cooking. + +Alan picked up his crook--the kind that little Bopeep used--only Alan +did not look like little Bopeep. Indeed, he was very different. + +He was a big strong man. Although we picture a Scotch shepherd dressed +in kilts and socks and perhaps a tam, Alan Craig wore none of these. +Kilts and socks and tams are for the gentry, Alan would tell you, and +shepherds are too poor to afford them. + +[Illustration: MRS. CRAIG AND IAN'S BABY SISTER AT THE VILLAGE PUMP] + +So Alan wore an old suit which might have once been worn by your own +father and then given away to some beggar. Alan was poor like most of +the villagers, for Scotland is rather a poor country. + +Still, in the little village of Aberfoyle, everyone was happy. In the +evenings the people from the big city of Glasgow came in big buses. +They danced outside on the village green to the tune of the pipes, +while they gloried in the fresh country air. + +So you must not think that Alan Craig and his family suffered. Indeed, +there could hardly have been a happier little family in Scotland. + +That evening Alan wended his way homeward and was met by his wife and +baby. If you have ever seen how an Indian mother carries her baby, then +you will know how Mrs. Craig carried hers. Only instead of carrying it +on her back as the Indians do, she carried it in front wrapped securely +in her plaid shawl. + +Her one arm was thus free, and she worked most of the day this way, +while knowing and feeling her little one safe in her arms. + +The family sat down to dinner in their wee kitchen, for the farmers +have no such luxury as a dining room. They started their soup, a thick +broth made of barley and vegetables of all kinds. Mother Craig poured +it out of the big tureen. + +Just at this time, the door burst open, and a ruddy-faced boy of ten +years rushed into the room. + +[Illustration: IAN CRAIG] + +"Ian Craig, do you know the hour?" asked Mother Craig. + +The boy stood in the doorway and smiled at the family. He sniffed with +delight the pleasant odor coming to him from the table. + +"Ay, Mother," answered the boy. "Well do I know." + +Then he prepared to take his place at the table, with a gesture of +rubbing his stomach in thinking of what was to be put inside. + +"What a bonny smell, Mother!" he continued. "And surely the taste is +even bonnier!" + +"'Tis the glib tongue you have, Ian Craig," laughed his father. "You +could write poetry to the smell of a good dinner! And now, what have +you to tell us to-night?" + +Now, Ian was always full of stories and tales of adventure. He was one +of those children to whom something exciting is always happening. + +[Illustration: ALAN CRAIG, IAN, AND ROY] + +So the family were quite accustomed to having him return home with +vivid tales. Some were strange, some droll and, alas, some sad and +painful, told to the tune of bandages and arnica. + +Still, what boy is not sometimes hurt? And Ian's accidents were few, in +comparison to his other experiences. Surely, it is to be wondered how, +in a small, quiet town like Aberfoyle, so many wondrous happenings +could occur. + +Sometimes Ian was doubted, not, however, by his parents, who knew that +their son was truthful. The schoolmaster knew it, too, and was proud of +Ian, whose stories and poems were the best in his class. + +One day he was recounting to a group of spellbound school children his +experiences of the day. He was relating what wondrous happenings had +befallen him, when he was interrupted by a boy who shouted, "Ian Craig +is telling lies!" + +The boy was a year older than Ian, but he was never known to make sport +of Ian again. Nor did Ian ever admit to his parents how it happened +that he arrived home from school that day with a swollen eye. + +[Illustration] + + + + +CHAPTER II + +SANDY'S FIRST VISIT + + +Aberfoyle is the center of the "Rob Roy country." Rob Roy MacGregor +was, as every child knows, a great Scotch warrior and represented one +of the oldest Highland clans. + +In Aberfoyle, where Ian Craig lived, stands the old house in which Sir +Walter Scott wrote his famous story "Rob Roy." To-day it houses the +village minister. + +Near by is a tumble-down thatched cottage known as "Jean McAlpin's +Inn," where Rob Roy was wont to rest. + +[Illustration: THE "ROB ROY BRIG" AND THE HOUSE WHERE WALTER SCOTT +WROTE "ROB ROY"] + +A landmark in the village is the old "Rob Roy Brig." Here on the old +brig (which means "bridge" in Scotch) Ian would sit when school was out +and his chores at home were finished. + +Something usually happened when he sat here, and many of his +experiences had started from this bridge. Often, while he waited for +adventure, Ian fished from the bridge. He brought home fine, fat +morsels, for the river Forth, which flows beneath the bridge, is rich +in fish. + +But Ian's dearest memory was of Sandy. The Sandy adventure had taken +place almost a year before, but it was as vivid in Ian's mind as though +it had all occurred the day before. + +It happened while Ian was fishing from the brig. He heard the sound of +bagpipes--a sound that is nothing unusual to hear in Scotland. Still it +always made Ian joyous and sad at once. And now he turned to listen. + +[Illustration: SANDY MACGREGOR] + +This playing was the loveliest he had ever heard. Jamie Robinson played +almost every night in front of the old hotel, and Ian loved the music. +But this playing was different. He had always thought Jamie's playing +good, but he now wondered how he could ever have thought so. + +This tune was from far away, but it carried across the meadow and along +the road. And then he saw Sandy! Sandy was standing still in the middle +of the road while he played. + +By his side was a handcart, and Ian knew at once what it meant. Sandy +was a wandering piper, a man who has no home, a gypsy. He piped for his +living and camped on the road. + +Many pipers passed through Aberfoyle, some with large families. In +fact, Jamie was one of them, only Jamie did not travel. He lived in the +woods near Aberfoyle in a tent with his wife and babies. + +[Illustration: GYPSIES OF THE HIGHWAY] + +But no one had ever played like this before. Ian ran up the road. As he +approached the newcomer, he could see that the piper was a little old +man. He had a kindly, wrinkled face, and twinkling eyes which winked at +Ian as the boy came closer. Then suddenly he changed his tune. + +"Bonny laddie, Highland laddie," shrieked the pipes. + +Ian stopped in front of the piper and thought he should cry. The music +ceased. + +A hand was laid on Ian's shoulder, and a voice asked, "And why, laddie, +do you stand and look with eyes so big and sad?" + +Ian then realized that he had been staring as if in a trance. He +brought himself back to earth, smiled, and put out his hand. + +"I'm sorry, sir. I was only admiring your bonny piping!" + +"Ach!" laughed the piper. "And I was only admiring the bonny laddie! +What's your name?" + +"Ian Craig." + +[Illustration: "MA NAME'S SANDY!"] + +"And mine's Sandy. You may call me Sandy, though my name's really Evert +Robert MacKeith MacGregor, and my great-grandfather was a cousin to +the great Rob Roy." + +With these words, Sandy MacGregor put his pipes into his cart. Then, +slinging the rope over his shoulders, he started to pull his load +along, while Ian kept step with him. + +"And a fine village this is--the scene of my ancestor's home! Do you +live here, my lad?" + +"Ay, Sandy, and not far from old Rob Roy Brig." + +"Well, well," sighed Sandy. "And could we bide a wee on the old brig of +my ancestor while Sandy rests?" + +"Ay, could we," said Ian with great delight, "and I can pull your cart +for you, Sandy, until we get there." + +Gratefully the old man allowed the boy to pull his load, while he +stretched his tired arms. He breathed in the sweet-smelling air of the +village of his ancestor. + +When they came to the bridge, Ian put down the cart. He invited Sandy +to sit beside him on the wall, his usual perch. The old man jumped up +to the boy's side, as spry as the boy himself, and looked around. + +"Well, well," he said, "and to think 'tis Sandy's first visit to the +home of his ancestor--Sandy who has been nigh all over the land!" + +At these words Ian's heart gave a bound, and he said, "Have you seen +nigh all of bonny Scotland, Sandy?" + +[Illustration: SANDY TELLS THE LAD ABOUT BONNY SCOTLAND] + +"Ay, that have I, lad, and traveled on my own two feet through it all." + +"Sandy," said Ian wistfully, "would you be telling me about it?" + +"Ach, ay, laddie," smiled the old wanderer. "That would I, for 'tis +many a fine sight these old eyes have seen." + +Sandy talked, and the boy listened. The sun grew lower and lower in the +heavens. Ian Craig thought that never before had he known an afternoon +to slip by so quickly. + +Sandy told Ian about the time he had visited Edinburgh, Scotland's +capital, and one of the most attractive cities in the world. + +He told of Princes Street, with its sunken gardens on one side, and +its wonderful view of historic Edinburgh Castle, its pretty shops and +stately monuments. It is considered by many to be the most beautiful +street in all the world. + +[Illustration: PRINCES STREET, EDINBURGH] + +On the top of a winding hill is Edinburgh Castle. Here, in the +courtyard of the old castle is Half-Moon Battery, where is kept the +one-o'clock gun. + +This gun fires every day at the hour of one. It is attached by electric +wire to the time ball on the top of Nelson's Monument on Carlton Hill +opposite. This ball falls, in turn, at a signal from Greenwich +Observatory, near London, where is set the time for the whole world. + +In another part of the castle grounds can be found a pathetic little +plot of ground known as "The Dogs' Cemetery." Here are buried the pets +of the soldiers who fought in the World War. + +[Illustration: THE DOGS' CEMETERY] + +Many of these little beasts were gallant heroes and were buried with +great reverence. Lovely flowers decorate their graves, and inscriptions +tell of each one's valor. + +But to one little dog in particular was a fountain erected. It stands +in one of the streets of Edinburgh. This fountain represents +"Greyfriars' Bobby," as the little dog was called. + +He was given this name because it was to the old Greyfriars Churchyard +that he went, day after day, to seek his master, who was buried there. +The caretakers of the cemetery tried to keep him out. + +Still day after day he came. He always lay upon the grave of his master +and grieved, until one day they found him dead. And now the fountain is +there to remind the people of this faithful little creature. + + + + +CHAPTER III + +PIPERS + + +"Do you think my dog would grieve if I should die?" asked Ian, as he +brushed away a tear with his sleeve and tried to distract Sandy's +attention from his action. + +"Ay, if you treat him kindly, lad," answered the old man. "Beasties are +faithful to us when they know we love them." + +"Ay," said Ian. "Roy is faithful, and a smart sheep dog, too." + +"Do you like fine to herd the sheep, laddie?" asked Sandy. + +Ian hung his head. + +"No, Sandy. I like finer to go about and have adventures and make up +that I am--" He hesitated. + +"What, lad? Speak. Do not be afraid of Sandy for he knows the hearts of +laddies well." + +"If I could play the pipes, Sandy, I would go away and be a piper in +the band some day," confessed Ian. + +This was, indeed, a dream so near to his heart that he had never before +spoken it aloud. After the admission, Ian turned his head away and did +not look at Sandy. But the old man's voice was very soft and his tone +caressing, as he said, "And a fine dream it is, Ian lad, for to be a +piper is a great and honored calling." + +"Ay," answered Ian huskily, "but 'tis not for me, Sandy." + +Sandy turned the boy around then and looked him squarely in the eye. + +"Ian, lad, do not speak so, for nothing is too hard to get when you +want it." + +Ian's eyes lighted up for a moment. Then the same forlorn look came +into them as he let his head droop. + +"No, Sandy. The pipes are too dear, and it takes many months to learn +to play." + +"And you study hard at school, lad?" asked the piper. + +"Ay, do I," spoke the boy. + +"Then some day, you'll be liking to hear of the fine military school I +saw." + +[Illustration: THE PIPER LADDIES] + +"Ach, Sandy, tell me about it. Have you really seen it?" Ian was at +once alert. + +"Ay, that have I, and only three weeks ago when I was passing by +Dunblane." + +As the poor little village lad drank in his words, Sandy talked on +about the wonderful school in Dunblane. This school is called the Queen +Victoria School. Here lads between the ages of nine and fifteen are +trained as soldiers. + +They are sons of military men, some of whom fell in the World War. +These boys are reared and taught free of charge. It is a great and good +school for a boy to attend. + +[Illustration: THE DRUM MAJOR] + +To see and hear these sons of Scotland's heroes is an experience never +to be forgotten. They present a fine appearance in their bright-colored +kilts and military trappings, as they march and play upon their pipes. + +Sandy saw and heard, and carried away with him a memory of the +loveliest sight and sound imaginable. Coming toward him were boys. +Children they were, with their kilts making a vivid pattern. + +Their bare knees moved in perfect unison as they stepped to the tunes +of Scotland's patriotic melodies. They played in a way unsurpassed by +pipers older and more experienced than they. + +First came a waltz, gracefully played and gracefully stepped. Then came +a march, loud, fast, but always in perfect harmony. The sound might +have come from a single organ played, perhaps, by Scottish cherubim. + +The drum major wore a plumed helmet and carried a baton. He was only +fourteen years old, but he twirled his stick and marched like a veteran +of many wars. + +[Illustration: THE DRUMMER BOY] + +The little twelve-year-old drummer swung his drumsticks into the air +and caught them again. He never missed a beat on his drum. The rest, +pipers all, marched and played. Their cheeks puffed in and out, while +their fingers moved and made melodies. + +Throughout the hills echoed the sound. It was the same as echoed during +the Battle of Bannockburn, when Scottish history was made. To these +tunes, in this same rugged country marched, years ago, these lads' +ancestors. + +And Sandy carried his memories of Queen Victoria School back to Ian +Craig. Ian's longing to become a piper grew greater as he listened. In +his heart he uttered a silent prayer. + + + + +CHAPTER IV + +SANDY RETURNS + + +Though his meeting with Sandy had happened many months before, neither +the memory of Sandy nor of the pipers had dimmed in Ian's mind. Through +his hours of work and play his thoughts turned to marching Highland +laddies and shrieking pipes. + +He would often imagine himself as one of their number. Indeed, often on +his walks to school he would "make believe," as so many children call +it. People would turn to see why the little boy in kilts marched so +straight and puffed his cheeks out. + +Ian wore kilts, though his father did not. Many of the children went to +school in their kilts. Yet many could not afford to do this and wore +them only on Sundays. + +Ian, however, had a school kilt and a Sunday kilt and was very proud of +his wardrobe. One of the main reasons for his pride lay in the fact +that in kilts he could better imagine himself a piper. + +Marching alone one morning, he met Elsie. Elsie was only a wee lass, +far younger than Ian. But she liked the tall boy who always smiled at +her and who walked so straight. + +Ian liked Elsie better than the other lassies, who did not understand, +as Elsie did, the importance and grandeur of pipers. Besides, the +others were either too freckled, or their cheeks too red. + +[Illustration: IAN'S SCHOOL] + +Some Scotch children have the complexions of bright sunsets. Ian liked +Elsie's bonny face, with the few little freckles on her nose, and her +sunny smile. + +This morning Elsie overtook him as he was marching to his own silent +drone of pipes. + +"Do not march so, Ian. The children will be laughing at you when you +reach the school. I heard them saying you're daft about pipers, and I +thought I'd tell you," she said. + +Ian looked down into the little maiden's blue eyes. She, too, was +dressed in a kilt. She wore over it a red jersey. + +Unlike Ian, she did not have the sporran. That is what the Scotch call +the piece of fur hanging down in front of the kilt. Each child's kilt +was, however, pinned on the side with a large safety pin--which is the +style in wearing kilts. + +[Illustration: KILTED SCHOOL CHILDREN] + +Elsie's hair was done in two braids, which hung down her back. Though +he resented what she told him, Ian thought she was very sweet. For she +looked at him in a way that made his resentment soon fade. + +Smiling, he said, "Thanks, Elsie. I'll not march now." + +Silently they walked together. Ian was very near telling his little +friend about his dreams. + +But while he was weighing the probable outcome of such a move, the +school bell rang. It was half past nine, the time that school in +Scotland starts in the springtime. Ian and Elsie ran. + +At one o'clock, Ian went home to his lunch. Elsie stayed, for her home +was far away. She brought her "piece," which is what the Scotch +children call their lunch. No doubt the word refers to their piece of +bread, which, with an apple, is sometimes all they get. + +At home, Ian's mother always had waiting for him a plate of Scotch +broth, potatoes, and sometimes an apple tart. After school Ian was +drawn to the bridge. + +The work at home was not pressing to-day. Father was away with the +sheep. Mother did not need Ian. His heart was light as he started off +for the old brig. He walked along with the hope of adventure, while in +his ears the imaginary sound of pipes played. + +"Ian, wait," called Elsie, and ran after him. + +Ian stopped and remembered that he had almost told her. How could a wee +lass like that understand? No. He would not speak. What was more, he +would not let her come along, for he knew that was what she wanted to +do. + +"Are you going fishing from the brig?" asked Elsie blithely. + +"Ay," answered Ian sulkily, as he stepped ahead of her. + +"May I go with you, Ian?" queried the small girl. + +"No, Elsie. You're too wee for fishing, and you scare the fish." + +Elsie's lip quivered. Ian feared she would cry right out on the road. +Then what would he do? + +"Ach, don't cry, lass. Run home to your mother, for 'tis late for you +to be out, and she'll be worried." + +It was all said kindly but much too eagerly. Elsie, who was keen, did +not doubt for a moment that she was not wanted. + +She ran off, while Ian, with a sigh--sad to say, of relief--ran to his +home. He kissed his mother, took down his fishing rod, and was off for +fish and dreams. + +At the bridge, adventure indeed awaited him, had he but known. He +settled himself in his favorite place and threw his line down into the +river. Little did he suspect what was to happen. + +Singing to himself, he waited. A tug on his line! So soon? Ah, the fish +were biting well to-day. Mother would be pleased. What a big fish and +how it pulled! Ian struggled for several minutes, and then up came his +prize. + +But what sort of fish was this? It looked like a fuzzy ball of brown +fur. As it came up closer, Ian saw that it was a bear--a toy bear. It +was undoubtedly the property of a certain Elsie Campbell! + +"Out, you wee devil, out!" cried Ian, standing up and looking down +under the bridge for his tormentor. + +There she was, and her laugh was most annoying to Ian. He was +scolding, and at the same time trying to undo the hook from the toy +bear's fur. + +"Come up here, you wee devil!" repeated Ian furiously. + +Up came the culprit. Ian had to join in her laughter, though he shook +his finger at her the while. She sat down beside him happily. + +"Ian, do you believe in the devil?" she asked. + +"Ay, do I," he answered. "'Tis yerself." + +"No." Elsie shook her head seriously. "Do you know, I believe 'tis like +Santa Claus. 'Tis your own father!" + +"Ach, Elsie," laughed Ian, at the child's idea. "You know that Santa +Claus brings you dolls and toy bears and--" + +Ian did not go on to complete the list, for just then he heard a sound +that made his heart beat faster. Jumping down from the wall, he looked +up the road. Coming toward him was Sandy! + +How Elsie ever disappeared Ian never knew. Disappear she did quickly. +Afterwards, when Ian thought it over, it seemed that fairies had +snatched her away. + +Whatever happened, she was not there when Sandy and Ian greeted each +other. It was probably her woman's instinct, which bade her leave +these two to their men's affairs! + +[Illustration: SANDY ARRIVES] + +How happy was Ian as his kind old friend seated himself by Ian's side +with the same boyish leap! + +"Well, Ian, lad," said Sandy, "the same bonny Aberfoyle, the same +bonny laddie! And do you have the same bonny dreams?" + +"Ach, Sandy, more than ever before. And have you traveled far since +last I saw you?" + +"Ay, that have I, and many's the tale I'll tell you this day. But first +I must show you something." + +Beckoning Ian to his cart, Sandy pointed to a bundle wrapped up in his +coat. + +Tenderly unwrapping it, the old piper pulled out a young lamb, dirty, +thin, and bleating. + +"'Tis a poor hurt beastie, Ian," he said. "I found it on the road. Its +mother is dead, and it was left to die, too. I picked it up and now +cannot care for it, as I'm wandering and have no place to keep it." + +"Ach, Sandy, couldn't I keep the wee beastie for you?" asked Ian +eagerly. + +Sandy stroked his chin thoughtfully. + +"You could, laddie. But 't would be a while till I return--maybe not +till next spring. And a lamb with no mother is a care." + +"Ach, Sandy," cried the boy, "let me do it for you. I could feed it +with my wee sister's nursing bottle." + +"Ach, ay, laddie! Your mother would like that fine!" laughed Sandy. +"But," he continued soberly, "if you would keep the wee creature, I +could give you something for your trouble." + +"No, Sandy. I would keep it for you, and gladly." + +Sandy was still dubious. He was worried for fear the boy's father would +object to a charge of this kind. The lamb would need tender nursing and +careful watching. + +Sometimes small boys grow careless, although their intentions are of +the best. Then the task falls to Father or Mother. + +As Sandy was revolving these thoughts in his mind, he suddenly had a +plan. + +"Ian," he said, "do you remember the story I told you of the pipers at +Dunblane?" + +"I've thought of little else, Sandy," replied Ian, as he stroked the +lamb. The little creature was nestling down comfortably in Sandy's +arms. + +"Well, lad, uncover the plaid on my cart and see what I have there." + +Ian turned back the bit of plaid covering the cart. Sandy used it to +protect his personal belongings. + +"Two sets o' pipes, Sandy!" exclaimed Ian. + +"Ay! One was given me by a man for a service. It is not so bonny as +mine but might do for a laddie learning to play!" + +"Sandy, do you mean--?" Ian cried. + +"Ay, lad. In the spring when I return, if this wee beastie is fine, and +you have done your duty like a true shepherd, then you shall have the +pipes!" + +"Sandy, Sandy, is it true? May I be a piper and play the pipes like the +laddies in Dunblane? Ach, Sandy!" + +Ian was almost mad with joy. For a moment he forgot what service he was +to render in return for this great reward. But remembering his charge, +he carefully lifted the little lamb out of Sandy's arms. + +He held it tenderly in his own, and said, "You'll find the wee beastie +well and fat when you return in the spring, Sandy." + + + + +CHAPTER V + +THROUGH SCOTLAND WITH SANDY + + +The warm air of spring was pleasant. The Craig family's supper was +spread out before the door of their cottage. They ate outdoors so that +they could enjoy the beauties of the evening. + +It would not be dark here until very late. Ian's father could sit +before his cottage door, reading his paper by daylight until almost +eleven o'clock. + +Now it was only seven. Mrs. Craig was ringing a bell, which echoed +through the hills. + +This was the way she called her husband and son to the evening meal. + +Toward her came Ian, and some one was with him. Mrs. Craig strained her +eyes to see, but she could not make out the stranger's figure. + +As they came closer, Ian ran toward his mother, calling, "Mother, I've +brought Sandy to tea!" + +The old piper politely removed his cap and stood before Ian's mother. + +"Your son has brought home an old traveler, mistress," he said. + +Mrs. Craig smiled and, shaking Sandy's hand, said, "And glad I am, for +a friend of Ian's is welcome to the house of his mother. Sit down, +sir." + +Ian told his mother the story of the lamb. + +[Illustration: BARRIE'S "WINDOW IN THRUMS"] + +He explained how, if he performed his task, he would by next spring be +the owner of bagpipes. + +Mrs. Craig smiled at Sandy and said, "You trust the laddie, sir?" + +Sandy MacGregor replied, "Ay; for will he not be a piper in the band +one fine day?" + +Alan Craig and Roy soon returned, and Sandy was introduced to them. + +After the little repast, Ian beckoned Sandy to him. Nodding his head +toward the hills, he said, "Come away and tell now about your travels +through Scotland, Sandy." + +The two sat on the hill and watched the smoke curling up from the +cottage chimney. And while Sandy smoked his pipe he told Ian once more +of his wondrous adventures. + +Traveling through Scotland is like going through many different +countries. For Scotland's beauties are varied. Here in the hollow is a +lovely, quaint village. Its thatched roofs and white walled cottages +make a picture sweet to behold. + +As you go along, soon you pass the peaceful, hilly country and come to +rocky, steep, and rugged land. You might be in the mountains, for it is +wild and desolate except for the sheep, which are everywhere. + +Around a corner, another village looms into space. This one is cold and +bleak. You pass through it without sight or sound of human beings. Its +buildings are tall, stony, and gray. In the center is a pump, where the +people come to draw their water, but no one is about. + +With a shiver you pass on. As you gradually leave the village behind, +you find yourself again in pastoral land. Thatched cottages come into +view. Bluebells begin to dot the road. How sweet is the smell of hay +and cows and clover! + +Once more a village, and now you wonder whether this can be the same +country. For in the narrow streets are children, dogs, women, peasants, +bicyclists, and more children. + +Little girls walk along knitting. Everyone is walking in the middle of +the cobbled street. Sandy has difficulty in going through the crowd +with his cart. + +This is Kurrimuir, better known as Thrums. It is the scene of many of +J. M. Barrie's delightful stories. Here on the corner is the dear +little cottage made famous by Barrie's "A Window in Thrums." + +[Illustration: BOYS PLAY CRICKET IN SCOTLAND] + +Passing a field, Sandy stops to watch some boys playing cricket. This +game is very popular in Scotland. All the boys play it, just as +American boys play baseball. + +Doune Castle! Sandy climbs over the fence and starts up toward the +towering mass of rock. He thinks of the many battles fought around this +ancient stronghold. It was here that King Robert Bruce made some of +Scotland's history. + +Stirling Castle! Another massive stone memorial of the days of +Scotland's stormy wars. + +Sandy passes on until he comes to the city of Perth. Here he stops +before the old, old house in which lived "The Fair Maid of Perth," made +famous by Sir Walter Scott. + +[Illustration: DOUNE CASTLE] + +In St. Andrews is the oldest golf links in the world. From everywhere +people come to play the royal and ancient game. It is said that no +course is at all like the old course at St. Andrews. + +As you perhaps know, golf originated in Scotland. St. Andrews is the +place where it started. Some say that it was first begun by the +shepherds. It is thought that they used to knock small stones with +their crooks as they strolled behind their sheep. + +On went Sandy to Melrose. He passed the Eildon Hills where King Arthur +and his knights are supposed to be buried. This is the spot where, 'tis +said, Sir Walter Scott used to stop his horses every day. + +He paused here because he loved to look at the glorious view behind. +His horses knew the spot so well that they would stop here of their own +accord. On the day of Sir Walter's funeral, when they were taking his +body to the Abbey, the horses stopped once more. + +In Alloway is the house where the great Scotch poet, Robert Burns, +lived. Every day it is shown to hundreds of visitors, who pay to go in +and look at the curious old place. + +Its quaint furniture and interesting manuscripts and pictures are all +connected with the beloved poet. In the gardens are statues +representing many of the characters in Burns' poems. "Poosie Nancy," +"Tam O' Shanter," and many others are there. + +Another town made famous by a Scottish character is Maxwelltown, or +Maxwelton, where Annie Laurie lived. + +Passing an ancient graveyard, Sandy stops to marvel at some huge slabs +of iron. These are still kept to show how, in the seventeenth century, +the dead were held down in their graves. + +[Illustration: THE HOME OF "THE FAIR MAID OF PERTH"] + +These heavy slabs were put on top of the dead. This was done to keep +them from being dug up by robbers. The thieves would steal and sell +them to doctors and medical students. + +The signing of the Covenant was to Scotland what the signing of the +Declaration of Independence was to America. It was the beginning of +freedom! + +James VI of Scotland tried to force the people into his own religious +beliefs. They refused to be led. On the first day of March, 1768, in +the Old Greyfriars Churchyard, the Covenant was signed. + +The signing was done on a flat gravestone, which is there to this day. +And so, just as America has a Liberty Bell, Scotland has a Liberty +Stone. + +As Sandy's old handcart rattles through each little Scottish town, he +is impressed with the many bookshops he sees in his country. The Scotch +are enthusiastic readers. Their love and desire for education are +national traits. + +Often Sandy passes young boys or young girls sitting by the roadside, +absorbed in their books. The colleges and schools of Scotland are fine +indeed. + +When Sandy asks a direction, he is sure to receive a courteous reply. +The children who come to his side are polite and kind and anxious to +help. They will gladly do what they can for a stranger and do not ask +any pay in return. + +Over many stores and buildings Sandy reads names which start with +"Mac," such as MacNiel and MacKenzie. He smiles as he thinks about +these names. He knows that these people, like himself, are the +descendants of the old clan leaders. + +They gave the name "Mac," which means "son of," to their children. So, +if a clan leader was named Gregor, the children of his clan would be +MacGregor. In the olden days, the word "clan," which comes from an old +Gaelic word meaning "children," was like a great family. Their chief +was like a father, whom they all obeyed. + +To-day, you no doubt know people named MacDonald, MacRae, etc. These +are the descendants of the "clansmen," as they were called. + +Each clan has a tartan of its own. A tartan is what you would probably +call plaid. It is the heathery mixture of many colors and designs. + +Each tartan is different from every other. To-day in Scotland you will +see the children wearing kilts or ties or tams made of their own family +tartan. + +The town of Paisley is famous for its Paisley shawls. These are very +much admired by all the world and worn by ladies of fashion. + +The Shetland shawls, also famous, are dear to old ladies, because they +are soft and warm. The Shetland ponies are dear to children, for they +are so little that they are more like large dogs than like horses. Both +come from the Shetland Islands, which are north of Scotland and are +ruggedly wild. + +Through all of Sandy's travels he never saw the thistle, which is +supposed to grow so thickly in Scotland. The thistle, as you perhaps +know, is used on Scottish crests and banners. No doubt it existed, long +ago, but to-day it is nowhere to be found. + +Here is Loch Drunkie, a queer name with a queer history. It was on the +shores of this lake that men made whisky--which was against the law. + +One day the men saw officers of the law coming toward them. They knew +that they would be arrested if they were found out. To avoid arrest, +they emptied their whisky into the lake. People say that the waters +have remained half whisky from that day to this. + +Sandy jogs along toward Aberfoyle. It is the day he delivers his +injured lamb to the mercies of his young friend. During this time, he +passes another "loch," the well known and much beloved "Loch Lomond." + +Sandy stops on the shore. He gazes below on the shining blue waters, +upon which ply the tiny white steamers. He shoulders his bagpipes and +plays the melody known in every clime, "On the bonny, bonny banks of +Loch Lomond." Here the fairies were wont to dwell. A tale is told of +fairy dyers, who worked for the clans of Loch Lomond in the days of +yore. + +[Illustration: "ON THE BONNY, BONNY BANKS OF LOCH LOMOND"] + +A joke was once played upon the wee elfin folk by a boy. The lad asked +to have the fleece of a black sheep dyed white. Angered by this +request, the fairies overturned their pots of dye into the lake and +never more returned. + +But the color from their dye turned the lake an unearthly shade of +blue. This color is different from that of all other lakes, and thus it +has remained. + +Again Sandy pipes: + + "For me and ma true love will never meet again + On the bonny, bonny banks of Loch Lomond." + + + + +CHAPTER VI + +IAN'S BETTY + + +For many weeks after Sandy's departure from Aberfoyle, Ian tended the +lamb carefully. He fed it from a baby's bottle. The young creature grew +strong and fat. It would follow the boy around as though it knew him to +be its nurse. + +It was a loving little animal, and Ian became very fond of it. He would +take it with him when he sat with his father upon the hill where Roy +guarded the other sheep. + +It did not mingle with the others, for it was an orphan. It knew that +it did not belong with the flock. Sheep are not like people. Human +beings, seeing a motherless child, would strive to protect it with +their own young ones. + +[Illustration: IAN FED BETTY FROM A NURSING BOTTLE] + +So the task of protector and nurse fell to Ian. He loved to feel the +wee one's soft fur against his cheek as it lay on the hill with him. He +liked to feed it from its bottle and hear the soft, gurgling noises it +made. + +It amused him to see its tail waggled so rapidly after each mouthful of +milk. This is the way it showed Ian how well it liked its dinner. And +as Ian felt the lamb, warm and soft in his arms, he seemed to feel +there something else--his beloved bagpipes! + +Much to the amusement of his parents, Ian called the lamb Betty, his +baby sister's name. He felt that it was as helpless and young as she. + +Very often they both sucked from their nursing bottles at the same +time. While they were doing this, they looked at each other with big, +wondering eyes. Ian often sat and admired the pair and laughingly said +to his mother, "Your baby and my baby, Mother." + +So the days flew by, and the summer wore on. Soon the school bell began +to ring out again. It told the children that another term was +beginning. + +Ian was loth to leave his happy pastimes in field and on hill. However, +he, like all Scotch children, was anxious to learn. So one morning, he +strapped his book bag on his back and started off to school. + +That was a lonely day for the lamb Betty. She was lonely because her +young guardian had hardly ever left her side. The lamb was clearly +worried and bleated unmercifully until Ian returned from school. + +[Illustration: IAN HOME FROM SCHOOL] + +When, the next day, the same thing happened, Ian's pet could stand it +no longer and started out to find him. + +Every child in the world knows the song about "Mary's little lamb." +That day, as Betty marched herself up the steps of Ian's schoolhouse, a +chorus of childish voices sang out: + + "Ian had a wee, wee lamb; + It followed him to school!" + +There was much merriment as Ian hurriedly packed Betty off to her home. +Like the teacher in the song, this teacher had difficulty in restoring +order. + +It was also a flushed and embarrassed Ian who returned to his +classroom. That evening he lectured Betty upon behavior for lambs! + +However, Betty was either disobedient or else too young to understand +Ian's lecture. The next day she tried to repeat her performance. She +started off on a gallop to find her young master. I say, "tried," for +alas, this time poor Betty could not find Ian's school! + +For many hours she wandered about. She went farther and farther, not +only from school but from home. Evening fell, and Betty was bleating +alone in a dense forest--lost! + +At last Ian returned from school. For several moments, he could not +understand why Betty did not come to meet him. He stood and gazed +about. Then a terrible thought came to him. + +[Illustration: LOST!] + +Rushing to his father on the hillside, he asked excitedly for his pet. +Alan Craig shook his head sadly. + +"I've sent Roy again, laddie, but he's returned once alone. I fear the +beastie is lost." + +Lost! Ian's world fell about him. The sound of distant bagpipes seemed +to resound dully in his ears. The words of Sandy came to him through +the dim: "In the spring, if this beastie is fine, and you have done +your duty--" + +His duty! And poor Betty! Where could she be? A little lonely creature, +more baby than animal, tended so carefully, and unused to the thorns +and sharp rocks of the hills--alone and lost! + +"Father!" was all that Ian could gasp. Just then he saw Roy coming +toward them, his tail between his legs. An expression of failure was in +his shepherd eyes. + +"Roy, lad, can you not find her?" asked Ian. + +Ian threw his school books off his back. Kneeling, he put his arms +around the neck of Roy. Roy answered in his own way. It was as clear to +Ian as though the dog had cried out to him, "No, laddie, she's lost, +lost!" + +And if a sheep was lost to Roy, it was indeed a lost sheep! For the +clever dog would smell a sheep for many miles. He would, in fact, +encounter any danger to bring a straggler back to the fold. + +Still, thought Ian, Betty was not really one of the fold. It was +possible that Roy's experience did not fit him to scent out tame pets. + +"I'm going to look, Father," shouted the heartbroken boy. + +Calling Roy, he started off on a run. The father shook his head and +felt a great pity for his little son. + +[Illustration] + + + + +CHAPTER VII + +ALAN CRAIG TELLS A STORY + + +The word "Betty" resounded in the hills many times that evening. The +lights in the village were already lighted when a tired, heartsick boy, +followed by a sympathetic sheep dog, returned to the Craig cottage. + +There they were awaited by Alan Craig. The lad stumbled blindly into +the house. + +He found his father with a candle in his hand, waiting to lead the +disappointed boy to his bed. + +Ian cried himself to sleep that night. Roy, the dog, sat beside him +and mourned for the lost member of the little household. + +The next day and the next were spent in searching the hills, the +fields, and the forest. Fortunately for Ian, they were Saturday and +Sunday, and he did not have to go to school. + +He arose before the dawn and did not return until evening. But it was +always the same. Betty was nowhere to be found. Though Ian and Roy +hunted in every conceivable place, the lamb had disappeared. + +On Monday, Ian was forced to relinquish his hunt and go to school. +Immediately after school he called to Roy and was off again. + +"The lad hardly eats his meals, he's so troubled!" said Mrs. Craig to +her husband, as she shook her head. + +Alan bit his pipe in silence, while his heart bled for Ian. + +Alan had been training a new dog for the sheep. He was using this dog +instead of Roy, who was allowed to stay with Ian and help him in his +search. + +But this meant added work for Alan, who had to be on the watch. He +could not leave his charges completely in the care of this new helper, +as he had done with Roy. Many times the new dog frightened the sheep. +They soon became panicky and ran in all directions. + +Then the dog forgot all of Alan's training and ran after them wildly. +Alan always had to come himself to restore order. + +One day he tramped miles to recover a terrified mother and her baby. +After this long walk, Alan sat on the hillside. + +Meanwhile the new dog looked at him out of the corner of his eye, and +dropped his tail because he was ashamed. + +As the shepherd sat smoking, he saw his son coming toward him, followed +by Roy. Ian threw himself down beside his father. Letting his head sink +upon the shepherd's knee, he gave up the search. + +"'Tis weary I am, Father," he sighed. "The search is over, and my wee +lamb is gone." + +[Illustration: IAN GIVES UP THE SEARCH] + +"And your pipes, Ian? Are they to be lost, too?" queried the shepherd. + +"Ay," answered his son, "for Sandy said, 'If you tend the wee creature +well till spring!' Now Sandy will return in the spring, and there'll be +no creature." + +For a few moments Alan Craig smoothed Ian's curly black hair. The boy +tried hard to hold back his sobs, which were nearly choking him. + +Then Alan Craig spoke. "Ian, lad, have you not heard the story of Bruce +and the spider?" + +"Ay, Father," replied Ian. "'Tis in my history book." + +"Then mind well while I repeat it to you. For King Robert Bruce was a +great man, and he never gave up!" + +Ian listened intently while his father recounted the well-known tale. +He told how, many, many years ago, King Robert Bruce had fought with +the English and lost numerous battles. One night, he was lying +despondent on a rude couch in his tent on the battlefield. + +[Illustration: KING BRUCE AND THE SPIDER] + +His heart was heavy with the memory of his lost battles and of the +suffering throughout his country. Just then his eye fell upon a spider +in the corner of the tent. The industrious little creature was trying +to fix its web to the top pole of the tent. It had already made six +attempts, but each time it had fallen. + +King Bruce bethought him of his lost battles. Six! He and the spider +had failed six times. And now he, King Bruce, was about to give up! +Would the spider also be downed, or would it, perhaps, persevere once +more? + +King Bruce made a vow to himself. He decided that, should the wee +creature try again to fix its web and be successful, then he, Robert +Bruce, would profit by the spider's lesson and fight another battle! + +The spider made another attempt. Slowly it raised its shadowy body +until, quivering in the air, it balanced itself for the final plunge. +The King raised himself on his elbow and watched. A nation awaited that +spider's success or failure! + +Again it plunged, caught at the pole, and fixed its web! King Robert +Bruce jumped to his feet. He threw his plaid about him and began his +preparations for the greatest battle in Scottish history, the Battle of +Bannockburn. + +As everyone knows, he routed the English at this famous battle. Never +afterward would the great King give up! + +[Illustration: ALAN TELLS THE STORY OF KING BRUCE AND THE SPIDER] + +"So should we all feel, Ian," said Alan Craig as he finished his tale. + +"From the King to the spider!" Though Ian had heard the story often +before, it now held a new meaning for him. He looked up at his father. + +Then he stood erect and called to his dog, "Come, Roy; we'll try +again!" + +He was soon off through the hills once more. + +[Illustration] + + + + +CHAPTER VIII + +PIPERS AND TROUBLES + + +At the beginning of that same summer, Jamie Robinson, Aberfoyle's +piper, became restless. Jamie was not a steady man. He had never been a +good provider. His poor wife and babies were often hungry and cold in +the stormy winter months. + +Jamie Robinson earned his living by his piping. He marched back and +forth through the village street, playing his bagpipes. He hoped that +the noisy, celebrating crowds, which arrived from Glasgow, would like +his music and throw him pennies. + +When the people were generous, his family might have a good dinner. But +often Jamie Robinson did not bring the money home to his family. +Unfortunately Jamie, who was a weak man, was often led by some of the +village men into public houses. Here men gamble and drink. + +Sometimes poor Mrs. Robinson waited until very late for her husband to +come home. When at last he arrived, he came penniless. + +But now Jamie was buoyed up by the balmy weather. He felt a longing for +the open road. + +"Come away, wife," he pleaded. "'Tis no living for a man here." + +But Mrs. Robinson only shook her head and reminded him of their large +family and of the hardships of a wandering life. After all, they were +comfortable here, when Jamie brought home the pennies. + +They had a little corner on a bright meadow beside a brook. Besides, +the people of Aberfoyle were kind. Mrs. Robinson tried to keep her four +wee children clean and happy. But this task was not always easy. What +would it be on the open road? + +"No, Jamie," she said. "'Tis afraid I am to go traveling with the wee +bairns." (Children are called bairns in Scotland.) + +But Jamie insisted and promised that she would not regret it. He +promised that he would make money and provide for them better than +before. + +And so, one day the village of Aberfoyle said good-bye to Piper +Robinson. The little caravan then moved on to what they hoped would be +a better life. + +They made a queer picture as they trudged along. There was Jamie +pulling the cart, with Mrs. Robinson beside him. Her entire kitchen was +strung upon her back--teakettle, sauce pan, and soup ladle. + +Then came the oldest child, followed by the scrawny dog. Behind him +dragged a freckled boy of five years. In the handcart, on top of the +sticks and the tent, sat the two babies. One of them was three and the +other barely two years old. + +For some time Jamie Robinson was happy. In each little village where he +played, he made enough to feed his family. He tried to please his wife +and brought home all the money that was thrown him. + +But the weeks wore on, and the family moved farther and farther from +the big cities. Then it seemed that there became less and less money +for pipers. + +One night Jamie came back to his little brood with empty pockets. The +rain had been falling all day. The family of Jamie Robinson had been +huddled together in their tent like lost sheep. When Jamie entered the +tent, the baby was crying. Jamie knew she was hungry. + +While Sandy MacGregor traveled, he usually sang or whistled. Sandy was +always happy. He was getting old, and his stride was not what it had +been. Still he gloried in his happy-go-lucky life. + +Since leaving Aberfoyle, Sandy had thought often of the little boy in +whose charge he had left the baby lamb. Old Sandy chuckled to himself +when he thought about his return and Ian's joy upon receiving the +bagpipes. + +"If I could only stay and teach the laddie to play!" mused the old +piper. + +Sandy was a good piper and had once served in the army. Jamie Robinson +had only picked up a few tunes. Ian had recognized Sandy's clever +playing at once on the day he had first come to Aberfoyle. + +Now, wet from the showers and hungry, Sandy stopped in a town. Taking +out his pipes, he began to play. It was the same town where Jamie +Robinson had played that night and the night before. The people were +poor. + +The rain had been falling in steady showers, so that few persons were +about the streets. Sandy puffed on his pipes, and the sweet melody +echoed through the village and beyond to the hills. But not a soul +came to pay the piper. + +"Ach, well," sighed Sandy. He wiped the dripping water from his brow +and put back the pipes. He covered them carefully with his plaid. Then +pulling his cart, the old man moved on through the wet streets of the +village. Soon he was on the open road. + +His experienced eyes fell upon a camping spot. He decided to rest the +night there. He neared the little clump of trees by the side of the +road. Then he saw that he was not the only traveler who had chosen this +spot. Here was the tent of Jamie Robinson. + +As Sandy drew closer, he heard a baby crying. Sandy called out, and +Jamie put his face out of his tent. A sullen, angry face it was. + +"And what is it you want?" he bellowed. + +Sandy walked up to the man and smiled. + +"Ach, don't be angry," he said. "I'll not be harming you. I'm an old +piper and would rest the night here beside you, if you have no +objection." + +Jamie looked at the cart and again at Sandy's happy red face. + +Then, softening his tone, he said, "Then welcome. And have you piped to +yon village?" + +"Ay," answered Sandy, "but they have not cared for my music!" + +He laughed as he said this, and started to pitch his tent. + +Jamie came out and helped him. It was not long before he had told Sandy +all of his troubles. Sandy's brows wrinkled. A sadness came over his +face as he listened to Jamie's tale of woe. + +The family had been stranded here for three days. The rain had kept +them from moving. Then the wee baby was ill, and the others were hungry +and cold. Not a penny had been made in the town. Jamie had played +several times each day. He had even trudged along to the next town with +no better results. + +Sandy was shocked. The thought of hungry children tormented him. +Telling Jamie that he wished to try his luck in the town once more, he +hastened thither, his pipes under his arm. + +Sandy had never been a rich man. He always had enough to buy his meals, +and that was all. A piper cannot make a great deal. Sandy's music +usually brought him ample money for his needs. But he was a generous +soul and gave away half of what he earned. + +To-night he had in his pocket just enough to buy his dinner. Into the +town he went. It was not long before he returned to the suffering +family with bread and milk. To Mrs. Robinson, Sandy appeared as a good +fairy that night. + +The next day broke fair. Early Sandy was in the market square of the +town. He played the finest tunes he knew, strutting up and down. + +The villagers liked his music, and the children followed him. They +would have liked to shower Sandy with gold, for the joy that their +country's melodies brought them. But their purses were thin. They could +only smile sadly and shake their heads at the puffing old man. + +There was nothing for the Robinsons to do but to move on. It was a +difficult task for Mrs. Robinson. But with Sandy's help, she managed +to pilot her little tribe along the muddy road to the next village. + +For many days Sandy and the Robinsons traveled together. Sandy piped +and gave them all he made, which was little enough. Often he himself +would go hungry to bed. + +It grew so bad that poor Sandy began to wonder what would happen to +them. Not for worlds would he have left them. Never did such a thought +enter his mind. + +He worried more over the sick baby than did Jamie Robinson. Jamie was, +in fact, to Sandy, another child. Sandy felt as though he had to +protect the irresponsible piper along with his family. + +These were terrible days for Sandy. He sold nearly everything he had to +provide for the Robinsons and keep them from going hungry. + +One day the baby became desperately ill. It needed a doctor. Sandy +rushed to the nearest village. The doctor was brought and pronounced +the baby in a serious condition. He said it must be given fresh milk +and nourishing food. But to provide these things was too difficult for +the little family. + +One thought had been at the back of Sandy's mind all along. But he had +not allowed himself to consider it seriously until now. This crisis, +however, forced him to carry out a plan. + +The bagpipes he had promised Ian were the only valuable possession in +his little cart. They would bring enough money to save the baby's life. + +Sandy pulled them out. He polished the silver and rubbed the chanter +carefully to remove the dust. Meanwhile, his thoughts flew to Ian. In +his heart he was used to calling Ian "the wee Scotch piper," for he +hoped to see the boy realize his dream some day. + +Now the pipes would have to go. He would have to return to the lad +empty-handed and with his promise broken. Still, it was the only thing +he could do. So poor Sandy sold the pipes. + +Sandy returned from the village, with his pockets bulging. He seemed +to see Ian in front of him, the wee lamb in his arms. Ian seemed to be +looking expectantly and questioningly at his old friend. + +And Sandy heard himself saying, "No, laddie. Sandy has disappointed you +and has not brought you the pipes!" + +[Illustration] + + + + +CHAPTER IX + +IAN TRIES AGAIN + + +Ian was once more in search of Betty. The story of King Bruce echoed in +his ears and spurred him on. Roy, too, seemed to be inspired with new +hope. He sniffed and ran, and ran and sniffed. Every once in a while, +he would let out short, sharp barks. + +"Do not weary yourself, lad," said Ian. "We have long to go this day, +and we'll not give up." + +With these words the boy began to whistle. A happiness seemed to come +suddenly to him as though he already had Betty safe in his arms. + +For many hours the boy and dog climbed and walked. At last they found +themselves in a wild, rugged portion of the country, where Ian had +never before been. Rocks were all about him. He descended into giant +caverns. + +He called, "Betty!" and received only an echo for reply. He went +farther until it was so late that he could not think of returning home. +He would surely lose his way in the darkness, if he attempted it. So he +curled himself up between two massive rocks and, with Roy nestling +close to his side, fell fast asleep. + +[Illustration: IAN, BETTY AND ROY] + +At dawn, Ian was awakened by Roy. The dog was barking and making wild +dashes in the direction of a large gulch near by. + +He ran madly to the gulch, then dashed back again to Ian. His barks +came in hysterical gasps. + +Ian ran with Roy to the edge of the gulch. Looking down, the boy saw a +terrible sight. Hanging on to a ragged ledge was a large mother sheep. +It was one of his own father's, as he could see by the markings on the +wool. The poor creature was bleating. A few feet above the ledge stood +her baby lamb. + +At each of Roy's barks, the mother sheep gave a little jump, and the +ledge of rock quivered. Ian thought surely it would break and the sheep +would be dashed to pieces on the rocks below. + +"Down, down!" commanded Ian in the same voice as his father used to the +dog. + +Roy crouched and whined, but stopped his barking. Ian remembered that +some of the mother sheep distrusted the dog. So it would be impossible +for Roy to show himself now. What must be done must be done by Ian +himself. + +While the boy climbed down the precipitous rocks, the faithful dog, +deprived of his rightful work, whined and howled. Had he not been +trained to obey, he would never have stayed. But to a shepherd dog, a +master's word is law. Roy watched his young friend as the boy made the +perilous descent to rescue the terrified animal on the ledge. + +The sheep was large, and its wool weighed heavily. But Ian grasped the +creature firmly. With all his might, he pulled until he had it on the +rock above. When the baby lamb saw its mother coming, it uttered loud, +joyous bleatings. + +Ian could only think that the sheep had been led astray by his father's +new dog. He was worried for fear that there were others which had +strayed beyond. He decided to see, and started off beyond the rock +hill. + +But when Roy began to drive the mother sheep along, she became very +angry. She ran at him with her head lowered. Roy could not manage her. +She refused to obey him and Ian. + +The boy, who carried a crook like his father's, was forced to resort to +the only means of bringing her to order. With a quick sweep of the +crook, he caught the baby sheep. He lifted it in his arms. + +"Now, you'll come away," he said to the mother, as he walked on. +Snorting, the mother sheep was forced to follow. + +On and on walked Ian and Roy. And now the hunt was not only for Betty, +but for more of his father's herd. Ian thought he would find some that +might have been led astray by the new dog. + +At noon he sat down to eat his "piece," which he carried in his +sporran. When he had finished, he started for a clear stream near by. + +As he approached, he thought he saw one of the grayish rocks in the +stream moving. He rubbed his eyes. Could it be a reflection from the +water? No. It was moving slowly. + +Ian approached faster. What was his amazement at finding the gray rock +to be his own Betty! It was his Betty, thin and ragged, and stumbling +along on her front knees, too weak to raise her feet. Poor little +beast! + +She was nearly dead. As Ian raised her up, he realized that he had +found her just in time. The creature seemed to know the boy, for she +nestled down in his arms as of yore. In spite of her suffering, she +seemed perfectly happy, now that her Ian was found. + +[Illustration] + + + + +CHAPTER X + +SPRING + + +Spring! Each day found an eager, watchful boy, a happy, sweet-faced +sheep dog, and a large fleecy lamb standing on the Rob Roy Brig. They +were awaiting in glad anticipation a visitor, who was expected and +whose music would soon reach the happy ears of a future piper. + +Ian Craig had never allowed his Betty to roam after that frightful +episode. She had been kept in a little corral, which Ian built for her. +When he came home from school, he took her with him to the brig. He +fastened her to a massive rock, while he awaited the return of Sandy. + +[Illustration: BETTY AWAITS SANDY'S RETURN] + +Betty was now almost as fat and big as the other sheep. She was a +credit to the boy's good care. So proud of her was Ian that he often +tied a lovely tartan ribbon about her neck. He combed her wool +tenderly each day before he started off for the brig. + +Day after day, the two waited. Meanwhile, Roy looked on with kindly +eyes, although he did not understand it all. Of course, Betty was +equally ignorant of why she was made to pose with a floppy bow around +her neck, tied to an annoying rock. But she was content, for Ian stayed +beside her. + +Sometimes as Ian watched and waited, he thought he heard the bagpipes +in the distance. And as he heard, his heart beat faster. The moment of +bliss when he could claim his reward, seemed to be upon him. + +Then he often looked at Betty, and a qualm seized him. How could he +part with the lamb? He had been through trouble and sorrow for the +little animal. He had lived many happy hours by her side. It was as +though she had become his own. The thought of parting from her was like +a stab. Then, too, Betty loved him. + +At these times, the poor little boy would knit his brow and ponder upon +the strangeness of life. + +Then he thought of the pipers and the tale of Dunblane, where the +stalwart lads marched and played. He thought of the glorious piper +bands marching in the big towns. The thought made him brighten and +jump from the brig and scan the country for a sign of Sandy. + +But the days of budding blossoms and showers in Scotland wore on. +Finally Betty's ribbon bow began to fade and Ian's patience to wear. + +Little Elsie Campbell used at times to walk with the boy to the brig. +Often he stopped on the walk and talked to her, as he cocked his head +on one side. + +"Do you not hear the din of pipes, Elsie?" he asked. + +And the wee lassie shook her head and said, "Ach, no, lad. 'Tis daft +you are with your pipes!" + +But it was said kindly, for Elsie hoped and prayed that Sandy would +return. You see, Ian had told her the story of Betty and how he waited +for the promised pipes. It was, in fact, Elsie who had first tied the +silken tartan ribbon about the lamb's neck. + +It was a gray day which promised rain. Ian and Betty neared the brig +together. Ian had just tied the creature to her accustomed rock and was +lifting himself to the wall when he heard a sound. Pipes! Unmistakably +pipes! + +Still, he had been mistaken so often before that he dared not look. And +Elsie was not there to-day. She would have told him. For in her ears +the sound was not always droning as it had been in Ian's for many +days. + +He had not told his mother for fear of worrying her. But his head was +often heavy, and he could not sleep with the sound of the bagpipes. +Poor little Ian! If only Sandy would return! + +On this dull, misty day as he swung his feet from the wall of the brig, +Ian could not stop the sound. Nearer and nearer it came! + +Then, "Bonny laddie, Highland laddie," chanted the pipes. Ian looked up +and saw standing before him his Sandy! + +Although he was as red and wrinkled and twinkling as before, there was +a change. Sandy was very shabby. His coat was stained with the mud and +rain of many hard days. + +He stopped his playing and stood before the boy. A sad, longing look +came into his eyes. + +"Ian, lad," he said slowly, "'tis Sandy come back." + +And Ian suddenly realized that it was all true and not one of his +dreams. He jumped down from the wall and threw his arms about Sandy. + +"Ach, Sandy," he cried. Then he stood back and pointed to the lamb. +Evidently Sandy had not noticed it. + +"And do you not see our beastie, Sandy? 'Tis the same you left with me, +and well and fat she is." + +Sandy turned and looked at Betty. But he did not talk as Ian had +expected him to, nor did he compliment Ian on the lamb's well-being. +He only stood fingering his pipes and slowly shaking his head. + +[Illustration: "SANDY HIMSELF WILL TEACH YOU TO PLAY"] + +As Ian stared in wonderment, the piper lifted his bagpipes from his +shoulder and handed them to the boy. + +"Your pipes are here, lad, and Sandy keeps his promise!" he said. + +Without thinking Ian put out his arms to receive the instrument. His +eyes, however, did not leave his friend's face. + +"But, Sandy, these are your own pipes you're giving me!" he said, as if +he could hardly believe it, after looking down at what Sandy had placed +in his arms. + +"Ay, lad," answered Sandy, "and now you can be a fine piper, and Sandy +himself will teach you to play." + +Then Sandy told Ian the sad story of Jamie Robinson. He explained how +he had sold nearly all his worldly goods to help the little family and +put them on their feet again. He told of how he had left them +comfortably settled near a prosperous village. He had made Jamie +promise to work and save for his little brood. + +Sandy also told how he had come all the way to keep his promise to the +boy. He said, too, that now, as in Aberfoyle there was no piper, he +expected to stay here and take Jamie Robinson's place if Ian would lend +him his pipes each day for awhile. And in return, he would teach the +lad to play! + +"For I'm not so young as I was, laddie, and the wandering life is over +for me," he added. + +When Ian heard these plans, he was beside himself with joy. He hugged +first Sandy, then Roy, and then Betty. At last the piper became his old +jolly self once more and laughed. + +"Ay, lad, we'll share the pipes together, though they belong to you. +But old Sandy will have to make a living, and he'll teach you all the +tunes he knows!" + +No happier boy than Ian Craig lived in Scotland that night. Standing +before the door of the cottage, he puffed and blew on his pipes. There +issued forth the sound of a thousand sheep all bleating at once but all +in pain! Sandy listened from his tent on the hill opposite and chuckled +to himself. + +Roy was also in pain as he listened. His delicate ears were unused to +this shrieking and squealing. He joined in the din with loud howls. + +The baby within the house was in sympathy, too, and added her wails. + +So Sandy's first evening as a resident in Aberfoyle was not a quiet +one. He was forced to stop his ears. + +Mrs. Craig was unable to stand the racket. So she pulled her puffing +son into the house and packed him off to bed, to the great relief of +all. + +[Illustration: THE SOUND OF HIS PIPES ECHOED BACK THROUGH THE GLEN] + +But Ian was a quick and hard-working pupil. It was not long before Roy +quite approved of the sounds his master made on his pipes. He did not +then feel it necessary to amend the melody. + +Also the baby gurgled with glee. She puffed out her cheeks in imitation +of Ian and laughed happily. And Betty, the lamb, too, seemed to know +that all was well. The world was in tune with the wee Scotch piper who +had, at last, realized his dreams. + + * * * * * + + "'Tis the close of the day + At the foot of the ben, + And the sound of his pipes + Echoes back through the glen." + + + + +CHAPTER XI + +THE WEE SCOTCH PIPER + + +It was a cloudless day in the big Scotch city. The people seemed to +feel that something unusual was about to happen. Everyone wore his +best, and the city fairly shone with the reds and blues and greens of +tartan kilts and bonnets. + +Soldiers paraded the streets. Children hurried along by their parents' +sides, anxious to arrive at the big grand stand in time. Numerous +bystanders flanked the wide street. + +All the people were breathless with excitement. Even the usual +crowding traffic suspended its pushing and shrill tooting. For this +was a great day in Scotland. Many celebrations occur at intervals in +this land of excursions and picnics. But to-day was as the children +would say, "extra special." + +The huge grand stand was overcrowded with eager Scotchmen, with their +wives and bairns. They all strained their eyes for a glimpse of the +great "kiltie band," which was to march down the street. + +Among those who watched, and perhaps the most eager of all, were a +family of country folk. In bobbing black bonnet sat a calm-faced old +lady. Beside her was a rugged old man. Both were in their best array. +Both were longing for the sight they had come miles from their little +farm to see. + +[Illustration: THE WEE SCOTCH PIPER] + +The couple were none other than Alan Craig and his wife. The sight that +their old eyes would soon see, as the happy tears dimmed their view, +would be their son, their Ian. He was now a tall, manly piper in kilted +uniform, marching and piping with the flower of Scotland's army. + +By their side sat another. His kindly face shone with pride, and in his +heart was a singing joy. + +For Sandy MacGregor had taught this lad to play. It was the same old +pipes of Sandy MacGregor that he still used. He would soon show those +pipes to a cheering crowd as his fingers flew over the chanter. While +he played, his arm would shelter the tartan bellows once sheltered by +Sandy's own arm as the old piper had wandered over hill and through +dale. + +Sandy MacGregor had lived many years for this moment. As he craned his +neck for a sight of the coming parade, he spoke to the little girl +beside him. + +"See, Betty, 'tis they coming now." + +Betty, Ian's baby sister, was now a girl of the age Ian had been when +first Sandy had met him. + +Together, Betty and Sandy had dreamed and planned the day when +together they would view their piper laddie on parade. + +For Sandy had dwelt in the village of Aberfoyle these many years. While +he had piped for his living, he had taught another piper, who was now +to cover his old teacher with glory. + +In the large audience there was still another, whose blue eyes danced +with joy. Her hands were clasped together with excitement as she +awaited the approach of her boyhood friend. It was little Elsie +Campbell, now grown to womanhood. Elsie was among those who thrilled to +see the "wee Scotch piper," as he marched along that day. + +Who knows with what feelings of pride the lad looked up as he passed +that grand stand? Who knows his feelings of love, on seeing those dear +faces smiling and nodding at him? + +And as he marched and played, he seemed to see before him a little +schoolboy marching and playing. That boy was himself, trudging the +streets of a wee village, followed by a bleating lamb! + +[Illustration] + + + + + +End of Project Gutenberg's The Wee Scotch Piper, by Madeline Brandeis + +*** END OF THIS PROJECT GUTENBERG EBOOK THE WEE SCOTCH PIPER *** + +***** This file should be named 40664.txt or 40664.zip ***** +This and all associated files of various formats will be found in: + http://www.gutenberg.org/4/0/6/6/40664/ + +Produced by Juliet Sutherland, Colin M. 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