summaryrefslogtreecommitdiff
diff options
context:
space:
mode:
authornfenwick <nfenwick@pglaf.org>2025-03-08 18:48:57 -0800
committernfenwick <nfenwick@pglaf.org>2025-03-08 18:48:57 -0800
commitf6a7910ac068096aafab02561117190533eb2fa0 (patch)
tree5510d8ebe01f0f6cbb9291e3a6b559358782f5bb
parent0719eeb955f0fd8eaf6458341374b494b0f1b4b8 (diff)
Add files from ibiblio as of 2025-03-08 18:48:57HEADmain
-rw-r--r--40925-0.txt398
-rw-r--r--40925-0.zipbin92743 -> 0 bytes
-rw-r--r--40925-8.txt4282
-rw-r--r--40925-8.zipbin92334 -> 0 bytes
-rw-r--r--40925-h.zipbin9949658 -> 0 bytes
-rw-r--r--40925-h/40925-h.htm421
-rw-r--r--40925.txt4282
-rw-r--r--40925.zipbin92263 -> 0 bytes
8 files changed, 5 insertions, 9378 deletions
diff --git a/40925-0.txt b/40925-0.txt
index 5426a1f..55af2f7 100644
--- a/40925-0.txt
+++ b/40925-0.txt
@@ -1,37 +1,4 @@
-Project Gutenberg's From sketch-book and diary, by Elizabeth Butler
-
-This eBook is for the use of anyone anywhere at no cost and with
-almost no restrictions whatsoever. You may copy it, give it away or
-re-use it under the terms of the Project Gutenberg License included
-with this eBook or online at www.gutenberg.org/license
-
-
-Title: From sketch-book and diary
-
-Author: Elizabeth Butler
-
-Release Date: October 3, 2012 [EBook #40925]
-
-Language: English
-
-Character set encoding: UTF-8
-
-*** START OF THIS PROJECT GUTENBERG EBOOK FROM SKETCH-BOOK AND DIARY ***
-
-
-
-
-Produced by Chuck Greif and the Online Distributed
-Proofreading Team at http://www.pgdp.net (This file was
-produced from images available at The Internet Archive)
-
-
-
-
-
-
-
-
+*** START OF THE PROJECT GUTENBERG EBOOK 40925 ***
FROM SKETCH-BOOK AND DIARY
@@ -3918,365 +3885,4 @@ hear nocturnal frogs {pg 108}
End of Project Gutenberg's From sketch-book and diary, by Elizabeth Butler
-*** END OF THIS PROJECT GUTENBERG EBOOK FROM SKETCH-BOOK AND DIARY ***
-
-***** This file should be named 40925-0.txt or 40925-0.zip *****
-This and all associated files of various formats will be found in:
- http://www.gutenberg.org/4/0/9/2/40925/
-
-Produced by Chuck Greif and the Online Distributed
-Proofreading Team at http://www.pgdp.net (This file was
-produced from images available at The Internet Archive)
-
-
-Updated editions will replace the previous one--the old editions
-will be renamed.
-
-Creating the works from public domain print editions means that no
-one owns a United States copyright in these works, so the Foundation
-(and you!) can copy and distribute it in the United States without
-permission and without paying copyright royalties. Special rules,
-set forth in the General Terms of Use part of this license, apply to
-copying and distributing Project Gutenberg-tm electronic works to
-protect the PROJECT GUTENBERG-tm concept and trademark. Project
-Gutenberg is a registered trademark, and may not be used if you
-charge for the eBooks, unless you receive specific permission. If you
-do not charge anything for copies of this eBook, complying with the
-rules is very easy. You may use this eBook for nearly any purpose
-such as creation of derivative works, reports, performances and
-research. They may be modified and printed and given away--you may do
-practically ANYTHING with public domain eBooks. Redistribution is
-subject to the trademark license, especially commercial
-redistribution.
-
-
-
-*** START: FULL LICENSE ***
-
-THE FULL PROJECT GUTENBERG LICENSE
-PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
-
-To protect the Project Gutenberg-tm mission of promoting the free
-distribution of electronic works, by using or distributing this work
-(or any other work associated in any way with the phrase "Project
-Gutenberg"), you agree to comply with all the terms of the Full Project
-Gutenberg-tm License (available with this file or online at
-http://gutenberg.org/license).
-
-
-Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
-electronic works
-
-1.A. By reading or using any part of this Project Gutenberg-tm
-electronic work, you indicate that you have read, understand, agree to
-and accept all the terms of this license and intellectual property
-(trademark/copyright) agreement. If you do not agree to abide by all
-the terms of this agreement, you must cease using and return or destroy
-all copies of Project Gutenberg-tm electronic works in your possession.
-If you paid a fee for obtaining a copy of or access to a Project
-Gutenberg-tm electronic work and you do not agree to be bound by the
-terms of this agreement, you may obtain a refund from the person or
-entity to whom you paid the fee as set forth in paragraph 1.E.8.
-
-1.B. "Project Gutenberg" is a registered trademark. It may only be
-used on or associated in any way with an electronic work by people who
-agree to be bound by the terms of this agreement. There are a few
-things that you can do with most Project Gutenberg-tm electronic works
-even without complying with the full terms of this agreement. See
-paragraph 1.C below. There are a lot of things you can do with Project
-Gutenberg-tm electronic works if you follow the terms of this agreement
-and help preserve free future access to Project Gutenberg-tm electronic
-works. See paragraph 1.E below.
-
-1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
-or PGLAF), owns a compilation copyright in the collection of Project
-Gutenberg-tm electronic works. Nearly all the individual works in the
-collection are in the public domain in the United States. If an
-individual work is in the public domain in the United States and you are
-located in the United States, we do not claim a right to prevent you from
-copying, distributing, performing, displaying or creating derivative
-works based on the work as long as all references to Project Gutenberg
-are removed. Of course, we hope that you will support the Project
-Gutenberg-tm mission of promoting free access to electronic works by
-freely sharing Project Gutenberg-tm works in compliance with the terms of
-this agreement for keeping the Project Gutenberg-tm name associated with
-the work. You can easily comply with the terms of this agreement by
-keeping this work in the same format with its attached full Project
-Gutenberg-tm License when you share it without charge with others.
-
-1.D. The copyright laws of the place where you are located also govern
-what you can do with this work. Copyright laws in most countries are in
-a constant state of change. If you are outside the United States, check
-the laws of your country in addition to the terms of this agreement
-before downloading, copying, displaying, performing, distributing or
-creating derivative works based on this work or any other Project
-Gutenberg-tm work. The Foundation makes no representations concerning
-the copyright status of any work in any country outside the United
-States.
-
-1.E. Unless you have removed all references to Project Gutenberg:
-
-1.E.1. The following sentence, with active links to, or other immediate
-access to, the full Project Gutenberg-tm License must appear prominently
-whenever any copy of a Project Gutenberg-tm work (any work on which the
-phrase "Project Gutenberg" appears, or with which the phrase "Project
-Gutenberg" is associated) is accessed, displayed, performed, viewed,
-copied or distributed:
-
-This eBook is for the use of anyone anywhere at no cost and with
-almost no restrictions whatsoever. You may copy it, give it away or
-re-use it under the terms of the Project Gutenberg License included
-with this eBook or online at www.gutenberg.org/license
-
-1.E.2. If an individual Project Gutenberg-tm electronic work is derived
-from the public domain (does not contain a notice indicating that it is
-posted with permission of the copyright holder), the work can be copied
-and distributed to anyone in the United States without paying any fees
-or charges. If you are redistributing or providing access to a work
-with the phrase "Project Gutenberg" associated with or appearing on the
-work, you must comply either with the requirements of paragraphs 1.E.1
-through 1.E.7 or obtain permission for the use of the work and the
-Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
-1.E.9.
-
-1.E.3. If an individual Project Gutenberg-tm electronic work is posted
-with the permission of the copyright holder, your use and distribution
-must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
-terms imposed by the copyright holder. Additional terms will be linked
-to the Project Gutenberg-tm License for all works posted with the
-permission of the copyright holder found at the beginning of this work.
-
-1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
-License terms from this work, or any files containing a part of this
-work or any other work associated with Project Gutenberg-tm.
-
-1.E.5. Do not copy, display, perform, distribute or redistribute this
-electronic work, or any part of this electronic work, without
-prominently displaying the sentence set forth in paragraph 1.E.1 with
-active links or immediate access to the full terms of the Project
-Gutenberg-tm License.
-
-1.E.6. You may convert to and distribute this work in any binary,
-compressed, marked up, nonproprietary or proprietary form, including any
-word processing or hypertext form. However, if you provide access to or
-distribute copies of a Project Gutenberg-tm work in a format other than
-"Plain Vanilla ASCII" or other format used in the official version
-posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
-you must, at no additional cost, fee or expense to the user, provide a
-copy, a means of exporting a copy, or a means of obtaining a copy upon
-request, of the work in its original "Plain Vanilla ASCII" or other
-form. Any alternate format must include the full Project Gutenberg-tm
-License as specified in paragraph 1.E.1.
-
-1.E.7. Do not charge a fee for access to, viewing, displaying,
-performing, copying or distributing any Project Gutenberg-tm works
-unless you comply with paragraph 1.E.8 or 1.E.9.
-
-1.E.8. You may charge a reasonable fee for copies of or providing
-access to or distributing Project Gutenberg-tm electronic works provided
-that
-
-- You pay a royalty fee of 20% of the gross profits you derive from
- the use of Project Gutenberg-tm works calculated using the method
- you already use to calculate your applicable taxes. The fee is
- owed to the owner of the Project Gutenberg-tm trademark, but he
- has agreed to donate royalties under this paragraph to the
- Project Gutenberg Literary Archive Foundation. Royalty payments
- must be paid within 60 days following each date on which you
- prepare (or are legally required to prepare) your periodic tax
- returns. Royalty payments should be clearly marked as such and
- sent to the Project Gutenberg Literary Archive Foundation at the
- address specified in Section 4, "Information about donations to
- the Project Gutenberg Literary Archive Foundation."
-
-- You provide a full refund of any money paid by a user who notifies
- you in writing (or by e-mail) within 30 days of receipt that s/he
- does not agree to the terms of the full Project Gutenberg-tm
- License. You must require such a user to return or
- destroy all copies of the works possessed in a physical medium
- and discontinue all use of and all access to other copies of
- Project Gutenberg-tm works.
-
-- You provide, in accordance with paragraph 1.F.3, a full refund of any
- money paid for a work or a replacement copy, if a defect in the
- electronic work is discovered and reported to you within 90 days
- of receipt of the work.
-
-- You comply with all other terms of this agreement for free
- distribution of Project Gutenberg-tm works.
-
-1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
-electronic work or group of works on different terms than are set
-forth in this agreement, you must obtain permission in writing from
-both the Project Gutenberg Literary Archive Foundation and Michael
-Hart, the owner of the Project Gutenberg-tm trademark. Contact the
-Foundation as set forth in Section 3 below.
-
-1.F.
-
-1.F.1. Project Gutenberg volunteers and employees expend considerable
-effort to identify, do copyright research on, transcribe and proofread
-public domain works in creating the Project Gutenberg-tm
-collection. Despite these efforts, Project Gutenberg-tm electronic
-works, and the medium on which they may be stored, may contain
-"Defects," such as, but not limited to, incomplete, inaccurate or
-corrupt data, transcription errors, a copyright or other intellectual
-property infringement, a defective or damaged disk or other medium, a
-computer virus, or computer codes that damage or cannot be read by
-your equipment.
-
-1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
-of Replacement or Refund" described in paragraph 1.F.3, the Project
-Gutenberg Literary Archive Foundation, the owner of the Project
-Gutenberg-tm trademark, and any other party distributing a Project
-Gutenberg-tm electronic work under this agreement, disclaim all
-liability to you for damages, costs and expenses, including legal
-fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
-LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
-PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
-TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
-LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
-INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
-DAMAGE.
-
-1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
-defect in this electronic work within 90 days of receiving it, you can
-receive a refund of the money (if any) you paid for it by sending a
-written explanation to the person you received the work from. If you
-received the work on a physical medium, you must return the medium with
-your written explanation. The person or entity that provided you with
-the defective work may elect to provide a replacement copy in lieu of a
-refund. If you received the work electronically, the person or entity
-providing it to you may choose to give you a second opportunity to
-receive the work electronically in lieu of a refund. If the second copy
-is also defective, you may demand a refund in writing without further
-opportunities to fix the problem.
-
-1.F.4. Except for the limited right of replacement or refund set forth
-in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
-WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
-WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
-
-1.F.5. Some states do not allow disclaimers of certain implied
-warranties or the exclusion or limitation of certain types of damages.
-If any disclaimer or limitation set forth in this agreement violates the
-law of the state applicable to this agreement, the agreement shall be
-interpreted to make the maximum disclaimer or limitation permitted by
-the applicable state law. The invalidity or unenforceability of any
-provision of this agreement shall not void the remaining provisions.
-
-1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
-trademark owner, any agent or employee of the Foundation, anyone
-providing copies of Project Gutenberg-tm electronic works in accordance
-with this agreement, and any volunteers associated with the production,
-promotion and distribution of Project Gutenberg-tm electronic works,
-harmless from all liability, costs and expenses, including legal fees,
-that arise directly or indirectly from any of the following which you do
-or cause to occur: (a) distribution of this or any Project Gutenberg-tm
-work, (b) alteration, modification, or additions or deletions to any
-Project Gutenberg-tm work, and (c) any Defect you cause.
-
-
-Section 2. Information about the Mission of Project Gutenberg-tm
-
-Project Gutenberg-tm is synonymous with the free distribution of
-electronic works in formats readable by the widest variety of computers
-including obsolete, old, middle-aged and new computers. It exists
-because of the efforts of hundreds of volunteers and donations from
-people in all walks of life.
-
-Volunteers and financial support to provide volunteers with the
-assistance they need, are critical to reaching Project Gutenberg-tm's
-goals and ensuring that the Project Gutenberg-tm collection will
-remain freely available for generations to come. In 2001, the Project
-Gutenberg Literary Archive Foundation was created to provide a secure
-and permanent future for Project Gutenberg-tm and future generations.
-To learn more about the Project Gutenberg Literary Archive Foundation
-and how your efforts and donations can help, see Sections 3 and 4
-and the Foundation web page at http://www.pglaf.org.
-
-
-Section 3. Information about the Project Gutenberg Literary Archive
-Foundation
-
-The Project Gutenberg Literary Archive Foundation is a non profit
-501(c)(3) educational corporation organized under the laws of the
-state of Mississippi and granted tax exempt status by the Internal
-Revenue Service. The Foundation's EIN or federal tax identification
-number is 64-6221541. Its 501(c)(3) letter is posted at
-http://pglaf.org/fundraising. Contributions to the Project Gutenberg
-Literary Archive Foundation are tax deductible to the full extent
-permitted by U.S. federal laws and your state's laws.
-
-The Foundation's principal office is located at 4557 Melan Dr. S.
-Fairbanks, AK, 99712., but its volunteers and employees are scattered
-throughout numerous locations. Its business office is located at
-809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
-business@pglaf.org. Email contact links and up to date contact
-information can be found at the Foundation's web site and official
-page at http://pglaf.org
-
-For additional contact information:
- Dr. Gregory B. Newby
- Chief Executive and Director
- gbnewby@pglaf.org
-
-
-Section 4. Information about Donations to the Project Gutenberg
-Literary Archive Foundation
-
-Project Gutenberg-tm depends upon and cannot survive without wide
-spread public support and donations to carry out its mission of
-increasing the number of public domain and licensed works that can be
-freely distributed in machine readable form accessible by the widest
-array of equipment including outdated equipment. Many small donations
-($1 to $5,000) are particularly important to maintaining tax exempt
-status with the IRS.
-
-The Foundation is committed to complying with the laws regulating
-charities and charitable donations in all 50 states of the United
-States. Compliance requirements are not uniform and it takes a
-considerable effort, much paperwork and many fees to meet and keep up
-with these requirements. We do not solicit donations in locations
-where we have not received written confirmation of compliance. To
-SEND DONATIONS or determine the status of compliance for any
-particular state visit http://pglaf.org
-
-While we cannot and do not solicit contributions from states where we
-have not met the solicitation requirements, we know of no prohibition
-against accepting unsolicited donations from donors in such states who
-approach us with offers to donate.
-
-International donations are gratefully accepted, but we cannot make
-any statements concerning tax treatment of donations received from
-outside the United States. U.S. laws alone swamp our small staff.
-
-Please check the Project Gutenberg Web pages for current donation
-methods and addresses. Donations are accepted in a number of other
-ways including checks, online payments and credit card donations.
-To donate, please visit: http://pglaf.org/donate
-
-
-Section 5. General Information About Project Gutenberg-tm electronic
-works.
-
-Professor Michael S. Hart is the originator of the Project Gutenberg-tm
-concept of a library of electronic works that could be freely shared
-with anyone. For thirty years, he produced and distributed Project
-Gutenberg-tm eBooks with only a loose network of volunteer support.
-
-
-Project Gutenberg-tm eBooks are often created from several printed
-editions, all of which are confirmed as Public Domain in the U.S.
-unless a copyright notice is included. Thus, we do not necessarily
-keep eBooks in compliance with any particular paper edition.
-
-
-Most people start at our Web site which has the main PG search facility:
-
- http://www.gutenberg.org
-
-This Web site includes information about Project Gutenberg-tm,
-including how to make donations to the Project Gutenberg Literary
-Archive Foundation, how to help produce our new eBooks, and how to
-subscribe to our email newsletter to hear about new eBooks.
+*** END OF THE PROJECT GUTENBERG EBOOK 40925 ***
diff --git a/40925-0.zip b/40925-0.zip
deleted file mode 100644
index c8f91e4..0000000
--- a/40925-0.zip
+++ /dev/null
Binary files differ
diff --git a/40925-8.txt b/40925-8.txt
deleted file mode 100644
index 5df6d34..0000000
--- a/40925-8.txt
+++ /dev/null
@@ -1,4282 +0,0 @@
-Project Gutenberg's From sketch-book and diary, by Elizabeth Butler
-
-This eBook is for the use of anyone anywhere at no cost and with
-almost no restrictions whatsoever. You may copy it, give it away or
-re-use it under the terms of the Project Gutenberg License included
-with this eBook or online at www.gutenberg.org/license
-
-
-Title: From sketch-book and diary
-
-Author: Elizabeth Butler
-
-Release Date: October 3, 2012 [EBook #40925]
-
-Language: English
-
-Character set encoding: ISO-8859-1
-
-*** START OF THIS PROJECT GUTENBERG EBOOK FROM SKETCH-BOOK AND DIARY ***
-
-
-
-
-Produced by Chuck Greif and the Online Distributed
-Proofreading Team at http://www.pgdp.net (This file was
-produced from images available at The Internet Archive)
-
-
-
-
-
-
-
-
-
-FROM SKETCH-BOOK AND DIARY
-
-BY THE SAME AUTHOR
-
-LETTERS FROM THE HOLY LAND
-
-CONTAINING 16 FULL-PAGE ILLUSTRATIONS IN COLOUR
-FROM PAINTINGS BY THE AUTHOR
-
-"Charmingly natural and spontaneous travel impressions with sixteen
-harmonious illustrations. The glow, spaciousness and atmosphere of these
-Eastern scenes are preserved in a way that eloquently attests the
-possibilities of the best colour process work."--_Outlook_.
-
-"The letters in themselves afford their own justification; the sketches
-are by Lady Butler, and when we have said that we have said all.
-Combined, they make a book that is at once a delight to the eye and a
-pleasure to handle. The coloured illustrations, marvellously well
-reproduced, provide in a panoramic display faithful representations of
-the Holy Land as it is seen to-day. They make a singularly attractive
-collection, worthy of the distinguished artist who painted them."--_St.
-James's Gazette_.
-
-A. & C. BLACK, SOHO SQUARE LONDON
-
-AGENTS
-
-America The Macmillan Company
- 64 & 66 Fifth Avenue, New York
-
-Australasia The Oxford University Press
- 205 Flinders Lane, Melbourne
-
-Canada The Macmillan Company of Canada, Ltd.
- 27 Richmond Street West, Toronto
-
-India Macmillan & Company, Ltd.
- Macmillan Building, Bombay
- 309 Bow Bazaar Street, Calcutta
-
-[Illustration: THE HOUR OF PRAYER, A SOUVENIR OF WADY HALFA]
-
-
-
-
-FROM SKETCH-BOOK
-AND DIARY
-
-BY
-
-ELIZABETH BUTLER
-
-WITH TWENTY-EIGHT ILLUSTRATIONS IN COLOUR
-AND TWENTY-ONE SMALL SKETCHES IN THE TEXT
-BY THE AUTHOR
-
-[Illustration: colophon]
-
-LONDON
-
-ADAM AND CHARLES BLACK, SOHO SQUARE, W.
-
-BURNS AND OATES, 28 ORCHARD STREET, W.
-1909
-
-
-
-
-Dedication
-
-TO MY SISTER, ALICE MEYNELL
-
-
-I have an idea of writing to you, most sympathetic Reader, of certain
-days and nights of my travels that have impressed themselves with
-peculiar force upon my memory, and that have mostly rolled by since you
-and I set out, at the Parting of the Ways, from the paternal roof-tree,
-within three months of each other.
-
-First, I want to take you to the Wild West Land of Ireland, to a glen in
-Kerry, where, so far, the tourist does not come, and then on to remote
-Clew Bay, in the County Mayo.
-
-After that, come with me up the Nile in the time that saw the close of
-the Gordon Relief Expedition, when the sailing "Dahabieh," most
-fascinating of house-boats, was still the vogue for those who were not
-in a hurry, and when again the tourist (of that particular year) was
-away seeking safer picnic grounds elsewhere.
-
-Then to the Cape and the voyage thither, which may not sound alluring,
-but where you may find something to smile at.
-
-I claim your indulgence, wherever I ask you to accompany me, for my
-painter's literary crudities; but nowhere do I need it more than in
-Italy, for you have trodden that field with me almost foot by foot. The
-veil to which I trust for softening those asperities elsewhere must fall
-asunder there.
-
-I have made my Diary, and in the case of the Egyptian chapters, my
-letters to our mother, the mainsprings from which to draw these
-reminiscences.
-
-Bansha CASTLE, _July_ 1909.
-
-
-
-
-CONTENTS
-
-
-I. IN THE WEST OF IRELAND
-
-CHAPTER I
- PAGE
-GLANARAGH 3
-
-CHAPTER II
-
-COUNTY MAYO IN 1905 15
-
-
-II. EGYPT
-
-CHAPTER I
-
-CAIRO 31
-
-CHAPTER II
-
-THE UPPER NILE 55
-
-CHAPTER III
-
-ALEXANDRIA 77
-
-
-III. THE CAPE
-
-CHAPTER I
-
-TO THE CAPE 91
-
-CHAPTER II
-
-AT ROSEBANK, CAPE COLONY 105
-
-
-IV. ITALY
-
-CHAPTER I
-
-VINTAGE-TIME IN TUSCANY 123
-
-CHAPTER II
-
-Sienna, Perugia, and Vesuvius 143
-
-CHAPTER III
-
-ROME 160
-
-
-
-
-LIST OF ILLUSTRATIONS
-
-
-IN COLOUR
-
-1. The Hour of Prayer, A Souvenir of Wady Halfa _Frontispiece_
-
-
-IRELAND
-
- FACING PAGE
-
-2. Our Escort into Glenaragh 1
-
-3. "A Chapel-of-Ease," Co. Kerry 8
-
-4. Croagh Patrick 17
-
-5. Clew Bay, Co. Mayo 20
-
-6. A Little Irish River 24
-
-
-EGYPT
-
-7. In a Cairo Bazaar 33
-
-8. The Camel Corps 40
-
-9. The English General's Syces 49
-
-10. Registering Fellaheen for the Conscription 56
-
-11. "No Mooring To-night!" 59
-
-12. The "Fostât" becalmed 62
-
-13. At Philæ 67
-
-14. A "Lament" in the Desert 70
-
-15. Abu Simbel at Sunrise 76
-
-16. Madame's "At Home" Day; Servants at the Gate 81
-
-17. Syndioor on the Lower Nile 88
-
-
-THE CAPE
-
-18. "In the Hollow of His Hand" 97
-
-19. A Corner of our Garden at Rosebank 104
-
-20. The Inverted Crescent 113
-
-21. The Cape "Flats" 120
-
-
-ITALY
-
-22. Bringing in the Grapes 123
-
-23. A Son of the Soil, Riviera di Levante 126
-
-24. Ploughing in Tuscany 145
-
-25. The Bersaglieri at the Fountain, Perugia 152
-
-26. A Meeting on the Pincian: French and German
-Seminarists 161
-
-27. A Lenten Sermon in the Colosseum 164
-
-28. The Start for the Horse Race, Rome 168
-
-Also head and tail pieces in black and white on pp. 2, 3, 15, 27,
-28, 30, 31, 54, 55, 76, 77, 88, 90, 91, 104, 105, 122, 123,
-142, 143, and 160.
-
-[Illustration: OUR ESCORT INTO GLENARAGH]
-
-
-
-
-I
-
-IN THE WEST OF IRELAND
-
-[Illustration]
-
-[Illustration]
-
-
-
-
-CHAPTER I
-
-GLENARAGH
-
-
-My diary must introduce you to Glenaragh, where I saw a land whose
-beauty was a revelation to me; a new delight unlike anything I had seen
-in my experiences of the world's loveliness. To one familiarized from
-childhood with Italy's peculiar charm, a sudden vision of the Wild West
-of Ireland produces a sensation of freshness and surprise difficult
-adequately to describe.
-
-"--_June_ '77.--At Killarney we left the train and set off on one of the
-most enchanting carriage journeys I have ever made, passing by the
-lovely Lough Leane by a road hedged in on both sides with masses of the
-richest May blossom. For some distance the scenery was wooded and soft,
-almost too perfect in composition of wood, lake, river, and mountain;
-but by degrees we left behind us those scenes of finished beauty, and
-entered upon tracts of glorious bog-land which, in the advancing
-evening, impressed me beyond even my heart's desire by their breadth of
-colour and solemn tones. I was beginning to taste the salt of the Wilds.
-
-"The scenery grew more rugged still, and against ranges of distant
-mountains jutted out the strong grey and brown rocks, the stone cairns
-and cabins of the Wild West land.
-
-"To be a figure-painter and full of interest in mankind does not mean
-that one cannot enjoy, from the depths of one's heart, such scenes as
-these, where what human habitations there are, are so like the stone
-heaps that lie over the face of the land that they are scarcely
-distinguishable from them. When observed they only convey to the mind
-the sense of the feebleness of man, overpowered as he is here by the
-might of the primeval landscape. This human atom stands timidly at his
-black cabin door to see the stranger pass, often half-witted through
-privation; or he silently tills the little patch of land he has borrowed
-from the strong and barbarous earth that yields him so little.
-
-"The mighty 'Carran Thual,' one of the mountain group which rises out of
-Glenaragh and dominates the whole land of Kerry, was ablaze with burning
-heather, its peak sending up a glorious column of smoke which spread out
-at the top for miles and miles and changed its exquisite smoke tints
-every minute as the sun sank lower. As we reached the rocky pass that
-took us by the wild and remote Lough Acoose that sun had gone down
-behind an opposite mountain, and the blazing heather glowed brighter as
-the twilight deepened, and circles of fire played fiercely and weirdly
-on the mountain-side. Our Glen gave the 'Saxon lady' its grandest
-illumination on her arrival.
-
-"Wild strange birds rose from the bracken as we passed, and flew
-strongly away over lake and mountain torrent, and the little black Kerry
-cows all watched us go by with ears pricked and heads inquiringly
-raised. The last stage of the journey had a brilliant _finale_. A herd
-of young horses was in our way in the narrow road, and the creatures
-careered before us, unable or too stupid to turn aside into the ditches
-by the roadside to let us through. We could not head them, and for fully
-a mile did those shaggy wild things caper and jump ahead, their manes
-flying out wildly with the glow from the west shining through them. Some
-imbecile cows soon joined them in the stampede, for no imaginable
-reason, unless they enjoyed the fright of being pursued, and the
-ungainly progress of those recruits was a sight to behold,--tails in the
-air and horns in the dust. The troop led the way right into the eye of
-the sunset. With this escort we entered Glenaragh.
-
- * * * * *
-
-"--_June_ 1877.--We rode in to-night after a long excursion amidst the
-mountains of this wild land of Kerry, rode down into the glen where our
-little inn stands in a clump of birch and arbutus trees. That northern
-light which in these high latitudes and at this season carries the
-after-light of the sunset on into the dawn, lighted our path for the
-last hour with surprising power. Were we sufficiently far north, of
-course, the sun itself would not dip below the horizon at all, but here
-we have only the upper portion of his aureole from his setting to his
-rising. Oh! the wild freedom of these mountain paths, the scent of the
-cabin turf fires, the round west wind rolling through the heather; what
-cool wells of memories they fill up for the thirsty traveller in desert
-places far away. That west wind! This is the first land it has swept
-with its wings since it left the coasts of Labrador. For purity, for
-freshness, for generosity, give me the Wild West wind of Ireland.
-
-"'Carran Thual' is still on fire; it signals each night back to the
-northern light across the glen in a red glare of burning heather. The
-moon, now in her first quarter, looks green-gold by contrast with all
-this red of sky and flame, and altogether our glen gives us, these
-nights, such a display of earthly and heavenly splendour that it seems
-one should be a spectator all night of so much beauty. And to this
-concert of colour runs the subtle accompaniment of rushing water, for
-all these mountains are laced with silvery torrents leaping down to the
-lakes and rivers that reflect the glory of the sky. Glenaragh! loveliest
-of wild valleys, where is the poet that should make thee the theme of
-his songs?
-
-"Coming through 'Windy Gap' in this illuminated gloaming we met a lonely
-horseman riding fast, a rope for his bridle, his pony very shaggy. He
-passed us over the rocks and rolling stones, and, looking back, we saw
-his bent figure jet black against the west for a moment, ere he dipped
-down through the 'Gap' out of sight. We knew who he was. Some peasant
-was dying on the mountain-side beyond, and the priest was anxious to be
-in time with the Viaticum.
-
-"A strange little creature came out of the kitchen of the inn to see us
-after supper, and I made the acquaintance of a Leprechaun. Tiny, grey,
-bald little manikin; a 'fairy,' the people call him. I do not want to
-know why they are like that. I would rather leave them mysterious and
-unexplained.
-
- * * * * *
-
-"The people speak Gaelic here, amongst themselves, and the priest
-preaches in it in the little chapel with the mud floor up on the hill
-over the torrent. The language and the torrent seem to speak alike,
-hurrying headlong.
-
-[Illustration: "A CHAPEL-OF-EASE," CO. KERRY]
-
-"But the chapel! Shall I ever forget the tub of holy water, on my first
-Sunday, placed before the rickety little altar on the mud floor, where
-the people, on coming in, splashed the water up into their faces? The
-old women had all brought big bottles from their homes in far-away glens
-to fill at the tub, and nothing could surpass the comicality of
-their attitudes as they stooped over their pious business, all wearing
-the hooded cloak that made them look as broad as they were long. One old
-lady, in her nice white cap, monopolized the tub an unconscionably long
-time, for, catching sight of her wind-tossed tresses in that
-looking-glass, she finished her devout ablutions by smoothing her few
-grey hairs with her moistened fingers into tidy bands, with alternate
-signs of the cross. The windows were all broken, and the men and boys
-stuffed the holes with their hats and caps to keep out the mountain
-blast.
-
-"Last Sunday, a very hot day, the tub happened to be placed outside the
-door, and it was well my horse was not tied up within reach, or a former
-catastrophe might have been repeated, and a 'blessed baist' have carried
-me home. The heat in the rickety little gallery, where the 'quality'
-have their seats, was such that I went out into the open air and
-followed the rest of the service with a rock for my hassock, and two
-rosy pigs toddling about me in that friendly way I notice as
-characteristic of all the animals in these parts. They seem to feel they
-are members of the family, and you see calves, goats, pigs, and donkeys
-sauntering in and out of the cabin doors in a free-and-easy harmony
-with the human beings which takes my fancy greatly. But the beasts are
-by far the happiest; their lives seem passed in perfect contentment and
-satisfaction, whereas the poor human animals have a hard struggle for
-existence in this stony and difficult land of Kerry.
-
-"The other day when W. and I dismounted at a cabin door on a wild
-mountain that holds, still higher up, a little dark lake which the
-people declare has no bottom to it, and on the shores of which 'worms as
-big as a horse' come out and bellow in the evenings, the gaunt pig that
-seemed to act watch-dog charged at me like a wild boar and sent me home
-in 'looped and windowed raggedness.' I never thought to find excess of
-zeal in a pig! The inmates of the cabin could not do enough for us to
-make up for such want of reticence.
-
-"On one occasion at church in Tipperary, I noticed a rather satanic goat
-come pattering up the church and occupy an empty pew, where he lay down
-with perfect self-complacency and remained quiescent, chewing the cud,
-while we knelt; but each time the congregation stood up, up jumped the
-goat, his pale eyes and enormous horns just appearing over the high
-front of the pew. Then as we knelt again he would subside also, till he
-was startled to his feet once more by the rustle of the people rising,
-and then his wild head was again visible over the top of the pew,
-staring about him. Not a single person took any notice of the weird
-creature or seemed to think him out of place or at all funny. And so he
-continued to rise and fall with the rest to the end.
-
-"Our chapel here is too small for the congregation that streams in from
-places as far as fifteen miles away among the mountains, and on one
-pouring wet Sunday I saw the strangest rendering of what is called 'a
-chapel-of-ease.' Not much 'ease' there, for some dozen men and youths
-who could find no place inside were kneeling about the door in running
-water, with a stone placed under each knee. Every day I see some
-incident or episode which has for me a surprise and all the charm of a
-new and striking experience. I feel more 'abroad' in this country than I
-do on the Continent.
-
-"See, again, this little scene. A friend journeying to our inn and
-missing the road got belated in the defiles of the 'Reeks.' Dismounting
-at one of those mud cabins, which, at a little distance, are
-indistinguishable from their rocky surroundings, to ask the way, he was
-invited inside and offered a meal. The light was waning, so two little
-girls stood on either side of the stranger, each holding a bit of
-lighted candle as he sat at table. These wild-eyed and ragged little
-creatures made a pretty pair of dining-table candlesticks! I wish I
-could have seen them in the dim twilight of the black, smoke-dimmed
-cabin interior, their faces lighted by the candle flame.
-
-"The beauty of the children here is a constant pleasure to me. We are
-here in the land of blue eyes and black lashes, or golden ones, when the
-hair, as it so frequently is, is ruddy. The young women are quite
-beautiful. I wish a painter of female beauty could have seen the girl we
-passed to-day who was minding some calves in a bit of bog-land bordered
-with birch-trees. It was a symphony of green; her head shawl was green
-plaid, her petticoat another tone of green, the background and all her
-surroundings gave every cool and delicious variation of green, and her
-ruddy limbs and red-gold hair, tossed by the breeze and shone through by
-the sun, looked richer in colour by the contrast. Her great blue eyes
-looked shyly at us and the shawl soon covered her laughing face. What a
-sweet picture, 'In the Green Isle'!
-
-"Every day I am more and more struck with the light-heartedness and
-gaiety of the animals. Whether it is emphasized by the poverty-stricken
-and quiet, saddened, demeanour of the human beings in these parts I
-cannot tell, but certainly the beasts seem to have the best of it. As to
-the dogs that belong to the mud cabins, never have I seen such jolly
-dogs, full of comic ways, especially when in puppy-hood, and all so
-valiant in confronting us as we near their strongholds. But on our near
-approach that puppy who looks mighty fierce afar off usually bolts under
-some door and sticks there. Then the pigs, who generally are less
-valiant than our wild boar of Lough Cluen, seized with apparent panic,
-rush round and round in the yard, and the flurried ducks that scuttle
-from under our horses' hoofs end by falling on their sides in the
-ditches--surely all in fun? And invariably the cows and calves by the
-way-side prefer to be pursued along the roads, and keep up a splendid
-burst of galloping with tails in the air for miles before a tumble
-happening to one of them suggests a movement to the rear. All the lower
-creatures are 'jolly dogs' here, and only man is care-worn."
-
-In the autumn we came back to our well-loved glen, and I gathered
-materials there for my first _married_ Academy picture--the 'Recruits
-for the Connaught Rangers.' W. found me two splendid 'bog-trotters' for
-models. The elder of the two had the finer physique, and it was
-explained to me that this was owing to his having been reared on
-herrings as well as potatoes, whereas the other, who lived up in the
-mountains, away from the sea, had not known the luxury of the herring. I
-wish we could get more of these men into our army. W. at that time was
-developing suggestions for forming a Regiment of Irish Guards, and I was
-enthusiastic in my adhesion to such a project and filling the imaginary
-ranks with big men like my two models. However, he was some twenty-three
-years too soon, and the honour had to be won for Ireland through yet
-another big war.
-
-[Illustration]
-
-
-
-
-CHAPTER II
-
-COUNTY MAYO IN 1905
-
-
-I wish you would make a summer tour to Mayo. It is simple; yet what a
-change of scene, of sensations, of thoughts one secures by this simple
-and direct journey--Euston, Holyhead, Dublin, Mulranny. You travel right
-across Ireland, getting a very informing vista of the poverty and
-stagnation of those Midland counties till your eyes greet the glorious
-development of natural beauty on the confines of the sea-girt Western
-land. I went there tired from London and came on a scene of the most
-perfect repose imaginable, with the sound of the motor buses still
-buzzing in my ears.
-
-Mulranny is supremely healthy--a place of rosy cheeks and sunburn,
-bracing yet genial, clear-aired, majestic in its scenery, unspoilt. As
-you near your journey's end and enter Mayo the change in the scenery
-from the emptiness of Roscommon develops rapidly. Magnificent mountains
-rise on the horizon, and the grandeur of the landscape grows into
-extraordinary beauty as the train rounds into Clew Bay. The great cone
-of Croagh Patrick rises in striking isolation at first, and then the
-surrounding mountains, one by one, join it in lovely outlines against
-the fresh _clean_ sky. It was a beautiful afternoon when I was
-introduced to this memorable landscape, and the waters of the Bay were
-quite calm. After sunset the crescent moon gave the culminating charm to
-the lovely scene in the west, while to the south the red planet Mars
-flamed above Croagh Patrick, and all this beauty was mirrored in the
-Bay. What an emancipation from the fret and fuss of little Piccadilly in
-a hot July to find oneself before these mountain forms and colours that
-have not changed since the cooling of the earth. You might travel
-farther a great way and not find such a virgin land.
-
-[Illustration: CROAGH PATRICK]
-
-And there is Achill Island, a one-day's excursion from Mulranny,
-poignantly melancholy in its beauty and remoteness beyond anything I
-have seen in the west. Achill has often been described; it holds the
-traveller's attention with a wild appeal to his heart; but I don't know
-that one little detail of that land "beyond the beyond" has ever been
-described. It is Achill's mournful little Pompeii, a village of the
-dead, on a bare hillside, which we passed one day on our way to an
-unfrequented part of the island. This village was deserted in the awful
-famine year of '47, some of the inhabitants creeping away in fruitless
-search of work and food to die farther afield, others simply sinking
-down on the home sod that could give them nothing but the grave. In the
-bright sunshine its roofless cabins and grass-grown streets looked more
-heart-breaking than they might have done in dismal rain. I wish I could
-have made a sketch of it as I saw it that day--a subject strongly
-attracting the attention of the mind rather than the eye. Pictorial
-beauty there was none.
-
-Everywhere in this country there is that heart-piercing contrast between
-natural beauty and human adversity--that companionship of sun and
-sorrow. But the light and the darkness seem blended by the unquestioning
-faith of these rugged Christians into a solemn unity and harmony before
-which any words of mine sound only like so much dilettantism.
-
-See here another bit of chapel interior. A rough, plain little building,
-too formless to be picturesque, packed with peasant men, women, and
-children. Where but in Ireland could such a scene take place as I
-witnessed there? The priest, before the beginning of the service, gave a
-tremendous swish of holy water to the congregation with a mop out of a
-zinc pail, from the altar. He had previously heard nearly half the
-congregation's confessions, men, women, boys, and girls kneeling in turn
-beside his chair at one side of the altar, without any sort of screen. I
-wondered, as they pressed round him, that they did not overhear each
-other, but indeed I reflected that would be "no matther whativer," as
-these people must have but little to tell!
-
-The server ran a match along the earthen floor to light the two
-guttering, unequal candles on the altar, and at the end of Mass he
-produced the mop and zinc pail again. _Swish_ went the holy water once
-more from the mop, wielded by the athletic sword-arm of the gigantic
-young priest. For fear the nearer people should have been but poorly
-sprinkled under that far-reaching arc of water, which went to the very
-end wall of the chapel, he soused the mop again with a good twist and
-gave everybody in the front benches a sharp whack full in their faces,
-tactfully leaving us out. They received it with beaming and grateful
-smiles.
-
-There are wonderful studies of old men's and women's heads here full of
-that character which in the more "educated" parts of Ireland the School
-Board seems to be rubbing out, and I was delighted to see the women and
-girls wearing the head-shawls and white caps and the red petticoats that
-charmed me in Kerry in '77. The railway is sure to bring the dreadful
-"Frenchy" hat here in time, and then good-bye to the comely appearance
-of these women. Their wild beauty undergoes an extraordinary change
-under the absurd hat and feathers--these winsome colleens then lose all
-their charm.
-
-Yet I must thank this same railway for having brought us to this haven
-of rest, right up to the doors of a charming, very modern hotel, on
-quite different lines from the dear little inn that fascinated me in
-the old Glenaragh days. In its way it is fascinating too, for here you
-have all the up-to-date amenities in the very heart of the wildest
-country you could wish for. The electric light is generated by the
-mountain streams and the baths filled from the glorious bay that lies
-below the hotel terraces, a never-failing delight in all its moods of
-sun and shadow, wind and calm.
-
-Sad it is to see so many cabins deserted. The strength of the country is
-ebbing away. The few people that are left are nice and wholesome in mind
-and manner; they have the quiet urbanity of the true peasant all the
-world over. They remind me of the Tuscan in this particular, but, of
-course, they have not his light-heartedness. More seriousness, I should
-think, these Irish have. I was sketching sheep, for a contemplated
-picture, in the evenings on the lovely marshes by the sea, and one
-evening a widow, left completely lonely in her little cabin on the
-heights above by the departure for America of her last child, came down
-to fetch home her solitary sheep from amongst the others, and I told her
-I thought these creatures were leading a very happy life. "Yes," she
-answered, pausing for a moment and looking down on the flock, "and they
-are without sin."
-
-[Illustration: CLEW BAY, CO. MAYO]
-
-At the ringing of the Angelus the work in the fields, the bogs, the
-potato patches stops till the words of St. Luke's Gospel have been
-repeated, just as we remember them said in Italy. It was a surprise--and
-one of great interest to me--when I first saw peasants saying the
-Angelus under a northern sky.
-
-My studies of the wild mountain sheep on the marshes came to an abrupt
-close. I was reposing under a rock (it was well on in July) with palette
-and panels ready, waiting for the sunset and its after-glow, to get
-final precious notes of colour upon the fleeces. One particular sheep
-had been a very useful model. It ambled in a graceful way on three legs
-and we called it "Pacer." I became aware of an opaque body rising
-between my closed eyes and the sun, and looking up I beheld the head of
-"Pacer" peering at me over the edge of the rock over my head. But what
-had happened to "Pacer's" neck? Good gracious! I jumped up and beheld a
-shorn "Pacer" and all the flock in the same lamentable condition. It had
-all happened in twenty-four hours.
-
-I want to bring before your mind two little rocky islands with green
-summits off the coast of Clare, not far from here. Of all the
-wind-swept little islands none could be more wind-swept. On one, the
-smallest, I heard that a ferocious and unmanageable billy-goat was
-deposited as a useless member of the community, and one night he was
-blown out to sea--a good riddance. On the other you perceive, through
-the spray, little nodules on the turf--the graves of unbaptized infants.
-And the sea-gulls along the cliffs are for ever crying like legions of
-children.
-
- * * * * *
-
-By returning from Mulranny by way of Tipperary and the Rosslare route to
-England you can voyage down the Shannon and have an experience not
-lightly to be foregone. This is the "lordly Shannon," a great wide,
-slowly-flowing and majestic river of dark, clear, bluish water--blue
-shot with slate. You sit at the bows of the little steamboat which takes
-you from Athlone to Killaloe, so that neither smoke nor screw interferes
-with your enjoyment of the lovely scenes you are to pass through. If the
-time is July (_the_ time to choose) you are at once greeted on clearing
-the little grey town of Athlone with the most exquisite scent from the
-level banks which form two wide belts of creamy meadow-sweet all the way
-to the end, at Lough Derg. These belts are interrupted, once only, by
-the lock at Shannon Bridge, that little gathering of houses and gaunt
-dismantled barracks and breastworks built in the days of the threatened
-French invasion. Near here lived Charlotte Brontë's husband till his
-death only the other day.
-
-You will see in the Shannon a mighty waterway for commerce, left to the
-wild things that haunt it; and it has haunted me ever since that July
-day on which I saw it with a sense of regret that the condition of
-Ireland makes such a river out of scale with the requirements of the
-country. It flows for the wild birds, the cattle, the fishes, and for
-its own pleasure; and it flowed for mine that day, for I let no phase of
-it escape me and gladly added its sonorous name to the long list of
-those of the great rivers of the world I have already seen.
-
-We hardly saw a soul along the banks, but many kinds of aquatic birds,
-flying, diving, and swimming, enlivened the voyage with their funny
-ways, scurrying out of the track of the puffing little steamer. Along
-the whole course of the great stream there stood at regular intervals,
-planted in more hopeful days, navigation posts, marking the channel for
-the ships that never come, and on these scarlet signs perched black
-cormorants eyeing us like vultures. The herons rose slowly from the
-meadow-sweet and the sedges, with their long flapping wings; the cattle
-standing in the water followed us with their mild eyes. It was all
-beautiful, mournful, eloquent, and when the ruins of Clonmacnoise hove
-in sight I heard the spirit of Ireland speaking to me from the grave.
-
-Clonmacnoise! A mere curious name to us in England. Perhaps nowhere,
-even in depopulated Ireland, can a more desolate, abandoned plot of land
-than this be seen. And yet this great monastery and university, founded
-in A.D. 544, and at the height of her renown in the eighth century while
-our country was in a very immature state, was a European centre to which
-scholars on the Continent came to study; which was quoted and referred
-to by them as a conspicuous authority, and which for long was in what I
-might call brisk communication with the centres of learning abroad, if
-"brisk" was not too bizarre a word in such a place to-day. A more
-mournful oblivion never fell on any once flourishing centre of active
-thought and teaching.
-
-[Illustration: A LITTLE IRISH RIVER]
-
-The slow havoc of time amongst these seven remaining little churches and
-blunt round towers was one day accelerated by Cromwell's gunpowder,
-which has left the "Guest House" of the monastery a heap of ruins split
-into ugly shapes quite out of keeping with the rest.
-
-As the grey group passed away from sight I thought I had never known
-more eloquent silence than that which enfolds the ruins bearing the
-sounding name of Clonmacnoise.
-
-Will the electric chain ever be linked up again that carried Ireland's
-intellect and mental energy to the Continent in those remote times, and
-round again from the great sources of learning there, with fresh
-material to enrich her own store?
-
-You will have the wish to "Come back to Erin, Mavourneen," after making
-this little tour. To me Ireland is very appealing, though I owe her a
-grudge for being so tantalizing and evasive for the painter. The low
-clouds of her skies cause such rapid changes of sun and shadow over her
-landscapes that it requires feats of technical agility to catch them on
-the wing beyond my landscape powers. My only chance is to have unlimited
-time and thus be able to wait a week, if necessary, for the particular
-effect to come round again. An artist I heard of thought he had "bested"
-the Irish weather and its wiles when he set up this clever system: six
-canvasses he spread out before him on the ground in a row, each with a
-given arrangement of light and shade sketched out ready. But when the
-psychological moment arrived he was so flurried, that while he was
-wildly running his hand up and down the row of canvasses for the right
-one he could never find it in time.
-
-A nice dance you are led, sketching in Ireland, altogether! You are, for
-instance, intent on dashing down the plum-like tones of a distant
-mountain, when lo! that mountain which in its purple mystery seemed some
-fifteen miles away, in a moment flashes out into such vivid green that,
-as the saying is here, "you might shake hands with it," so close has it
-come. Even its shape is changed, for peaks and buttresses start forth in
-the sunburst where you imagined unbroken slopes a few minutes before.
-Shadowed woods spring into dark prominence by the sudden illumination of
-the fields behind them and as suddenly are engulfed in the golden haze
-of a shaft of light that pierces the very clouds whose shadows had a
-minute before given them such a startling prominence on the light
-background. Unsuspected lovelinesses leap forth while those we saw
-before are snatched away, and the sunlight for ever wanders up and
-along the mountain sides, as some one has finely said, "like the light
-from a heavenly lantern."
-
-What those changes from beauty to beauty do towards sunset I leave you
-to imagine. I have never seen Ireland at all worthily painted. I think
-we ought to leave her to her poets and to the composers of her matchless
-music.
-
-[Illustration]
-
-[Illustration]
-
-
-
-
-II
-
-EGYPT
-
-[Illustration]
-
-[Illustration]
-
-
-
-
-CHAPTER I
-
-CAIRO
-
-
-To the East! What a thrill of pleasure those words caused me when they
-meant that I was really off for Egypt. The East has always had for me an
-intense fascination, and it is one of the happiest circumstances of my
-life that I should have had so much enjoyment of it.
-
-My childish sketch-books, as you remember, are full of it, and so are my
-earliest scribblings. To see the reality of my fervid imaginings,
-therefore, was to satisfy in an exquisite way the longing of all my
-life.
-
-The Gordon expedition was my opportunity, and it was a bold and happy
-conception of W.'s that of my going out with the two eldest little ones
-to join him on the Nile when the war should be over. I may say I--and
-the British Army--had the Nile pretty well to ourselves, for few
-tourists went up the year I was there. But I had to wait some time at
-Cairo and at Luxor before all trouble had been put an end to by the
-battle of Ginniss, which closed the recrudescence of rebellion that
-burst out after the great Khartoum campaign.
-
-The emotion on seeing the East for the first time can never be felt
-again. The surprise can never be repeated, and holds a type of pleasure
-different from that which one feels on revisiting it, as I have so often
-done since.
-
-One knows the "gorgeous East" at first only in pictures; one takes it on
-trust from Delacroix, Decamps, Gérôme, Müller, Lewis, and a host of
-others. You arrive, and their pictures suddenly become breathing
-realities, and in time you learn, with exquisite pleasure, that their
-most brilliant effects and groups are no flights of fancy but faithful
-transcripts of every-day reality.
-
-[Illustration: IN A CAIRO BAZAAR]
-
-But at first you ask, "Can those figures in robes and turbans be really
-going about on ordinary business? Are they bringing on that string of
-enormous camels to carry real hay down that crowded alley; are those
-bundles in black and in white wrappers, astride of white asses
-caparisoned in blue and silver, merely matter-of-fact ladies of the
-harem taking their usual exercise? That Pasha's curvetting white Arab
-horse's tail is dyed a tawny red, and what is this cinder-coloured,
-bare-headed, jibbering apparition, running along, clothed in rattling
-strings of sea-shells and foaming at the mouth? A _real_ fanatic? That
-water-seller by Gérôme has moved; he is selling a cup of water to that
-gigantic negro in the white robe and yellow slippers, and is pocketing
-the money quite in an ordinary way. And there is a praying man by
-Müller, not arrested in mid-prayer, but going through all the periods
-with the prescribed gestures, his face to the East, and the declining
-sun adding an ever-deepening flush to the back of his amber-coloured
-robe."
-
-It takes two or three days to rid oneself of the idea that the streets
-are parading their colours and movement and their endless variety of
-Oriental types and costumes for your diversion only, on an open-air
-stage.
-
-Cairo in '85, '86, was only at the beginning of its mutilations by
-occidentalism, and the Oriental _cachet_ was dominant still. To sit on
-the low shady terrace of the old Shepheard's hotel under the acacias and
-watch the pageant of the street below was to me an endless delight.
-
-The very incongruity of the drama unrolling itself before one's eyes had
-a charm of its own. Look at that Khedivial officer in sky-blue, jerkily
-riding his pretty circus Arab. There follows him a majestic and most
-genuine Bedouin in camel's hair burnoos, deigning not the turn of an
-eyelash as he passes our frivolous throng on the terrace; two Greek
-priests, their long hair gathered up in knots under the tall black cap
-and flowing veil, equal him in quiet dignity, and a mendicant friar
-rattles his little money-box, like an echo of the water-seller's cups
-over the way, as a hint to our charity. An Anglo-Indian officer of high
-degree is driven up to our steps in a 'bus under a pile of baggage. He
-has just arrived from India and is impressively escorted by various
-Sikhs, whose immense _puggarees_ are conceived in a totally different
-spirit from that of the native turbans. A British hussar, smart as only
-a British soldier can be, trots by on a wiry Syrian horse; a cab full of
-Highlanders out for a spree bumps along the unpaved roadway. I confess
-I was disappointed with the effect of our honoured British red. What did
-it look like where the red worn by the natives was always of the most
-harmonious tones!
-
-See that string of little donkeys cheerily toddling along, all but
-extinguished under their loads of sugar-canes that sweep the ground with
-their long leaves; humble peasant donkeys, meeting a flashing brougham
-with windows rigidly closed, through which the almond eyes of veiled
-ladies of some high Pasha's harem glance up at us and take us all in in
-that devouring sweep of vision. Double syces run before such equipages.
-
-French bugles tell us an Egyptian regiment is coming, and, meeting it,
-will go by with a dull rumble a string of English baggage-waggons drawn
-by mules and driven by Nubians, escorted by British soldiers in dusty
-khaki uniforms; stout fellows going to the front, a good many of them to
-stay there--under the sand.
-
-About 5.30 P.M. weird music and flaring torches brings us out again on
-the terrace, and we see a tumultuous crowd of pilgrims just arrived from
-Mecca by the five o'clock Suez train. They gather the crowd by their
-unearthly din and sweep it along with them. Beggars, flower-sellers,
-snake-charmers, tourists, and touts are all rolling along in a
-continuous buzz of various noises. Perhaps the full escort of cavalry
-jingles past our point of observation and the native crowd salutes the
-Khedive. Not so the British officers on the terrace, who keep their
-seats.
-
-But what was all this to diving into the old city, and in a ten minutes'
-donkey ride to find oneself in the Middle Ages; in the real, breathing,
-moving, sounding life of the Arabian Nights? Then when inclined to come
-back to our time and its comforts, which I am far from despising, ten
-minutes' return ride and the glimpse into the old life of the East
-became as a vision. For what I call the pageant of the street in front
-of Shepheard's was much too much mixed with modernity to allow of so
-complete a transformation of ideas.
-
-The bazaars of Cairo have been painted and written about more than those
-of any other Oriental city. The idea of my having "a try" at them seems
-to come a little late! But _if_ it is true that, as some croakers say,
-Old Cairo is gradually dying, I feel impelled to lay one flower of
-appreciation beside the grave which is ere long to close.
-
-What a treat, to put it in that way, it was to rove about in the reality
-of the true East, to meet beauty of form and colour and light and shade
-and movement wherever one's eyes turned, without being brought up with a
-nasty jar by some modern hideosity or other. This was contentment. You
-know what a bit of colour in sun or luminous shade does for me. Think of
-my feelings when I walked through the narrow streets where the rays of
-the sun slanted down through gaps in the masonry, or, as in some,
-through chinks in the overhead matting--now on a white turban, now on a
-rose-coloured robe relieved against the rich dark background of some
-cavernous open doorway, now on a bit of brass-work. The soft tones of
-the famous Carpet Bazaar in noon-day twilight, with that richness of
-colour that tells you the invisible sunshine is somewhere,
-fulfilled--yea, over-filled--my expectations, and close by in real
-working trim were the brass-workers tinkering and tapping musically, the
-while smoking their hubble-bubbles in very truth. The goldsmiths, in
-their own particular alley, were sitting in the rich chiaroscuro of
-their little shops waiting for me.
-
-Added to those feasts for the eyes were the sounds which pictures could
-not give me--the warning shouts of the donkey-and camel-drivers, the
-"by your leave" in Arabic, followed by the shuffling sound of hoof and
-foot in the soft tan; the tinkling of the water-sellers' brass saucers;
-the cries, like wild songs in the minor, of hawkers of all kinds of
-things. Then the scents, also unpaintable. Incense, gums, tan, ripe
-fruit, wood-smoke. And the smells? Ah, yes, well--the smells, goaty and
-otherwise. They were all bound up together in that entirety which I
-would not have deleted.
-
-There was one particular angle of street in front of I forget what ripe
-old mosque, before which I would have liked to establish myself all day.
-The two streams of passers-by, human and animal, ceaselessly jostling
-each other, came at one particular hour into a shaft of sunlight just at
-the turn where I could see them in perspective. Now a splendid figure in
-yellow robe and white turban, accentuating the streak of gold to
-perfection, occupied the centre of the composition and I would make a
-mental note: "daffodil yellow and white in intense sunlight; dull
-crimson curtain in shade behind; man in half-shade in dark brown, boy in
-indigo in reflected light"--when in the shaft of light now appeared a
-snow-white robe and rosy turban, putting out the preceding scheme, till
-a _hadji_ in a turban of soft bluey-green and pale-blue drapery came to
-suggest a very delicate emphasis to the rich and subdued surroundings.
-
-In the first fresh days how mysterious these covered streets appear,
-these indoor thoroughfares, muffled with tan, where towering camels and
-shuffling donkeys and curvetting horses seem so astonishingly out of
-place.
-
-Anglo-Egyptians who have to live in Cairo smile at my enthusiasm, and
-tell me they get tired of all this in time, and they are certainly
-helping to attenuate the charm. A late high official, on leaving Egypt,
-in his farewell speech told his audience that that day had been the
-happiest in his life, for he had seen the first "sandwich man" in the
-streets of Cairo. Since then another charming form of advertisement from
-the go-ahead West has appeared over the minarets of the
-alcohol-abhorring Moslems--a "sky sign" flashing out against the stars
-the excellence of somebody's whisky. Can they now say "the changeless
-East"? And what a whirlpool of intensely Western amusements you may be
-sucked into if you are not wary. You may hide in the bazaars but you
-cannot live there, and teas, gymkanas, dances, and dinners will claim
-you for their own as though you were at Monte Carlo or still nearer
-home. In fact I have found New Cairo a little London and Monte Carlo
-rolled into one.
-
-[Illustration: THE CAMEL CORPS]
-
-One glimpse of the vanishing Past which I got on a certain Friday at
-Cairo has left a queer impression on my mind, not at all a happy one. I
-am told the howling and dancing Dervishes have been lately suppressed,
-and I am dubious as to the fitness of us Christians being witnesses of
-those performances. However, I went, and saw what one can no longer see
-in Cairo. I found it difficult to believe those men were in real
-earnest, otherwise I should have felt more painfully impressed, but even
-as it was it was a disagreeable sight to witness the frenzied creatures
-flinging themselves backwards and forwards in time with the
-ever-increasing rapidity of the tom-toms till their long hair swept the
-floor at one moment and flew up straight on end towards the great
-vaulted interior of the mosque the next. Gasping shouts as of dying men
-escaped them rhythmically, and when the bewildering music had reached
-its climax it stopped, and so did they, and the priest, with gestures of
-loving commiseration and encouragement, very gracefully fell on their
-necks and gave them a drink of water each in turn. All this went on
-in a faint light from the hanging lamps, and the heat became
-suffocating. Mrs. C. put her hand on my shoulder, and pointing upwards
-asked me, "What is that?" A little white figure had appeared on a ledge
-high up under the drum of the dome. Whether man, woman, monkey, or
-goblin, I never saw a more impish figure, and it squatted there looking
-down from under its hood. I saw many very queer beings in Egypt as time
-went on, and decidedly the British occupation has not exorcised all the
-old magic of the Egyptians. But I have never played with it as some do.
-Not from fear, but from dislike. I am told in sober truth, people who
-came to scoff have begged to be let go when spell-bound with horror at
-what they have seen in a drop of enchanted ink spilled on a table.
-
-We have sometimes played tricks on those people with imitation magic,
-but never more successfully than did our friend Sir James Dormer out in
-the Great Desert, when he struck the Bedouins dumb by taking out his
-glass eye, which they, of course, believed to be his own, tossing it in
-the air, and replacing it. He had great power over them, I should say,
-for ever after. Brave man, he was killed shortly after in India by the
-wild animal he had wounded and who sprang on him on his blind side. I
-think a man with a single eye is doubly brave who goes out
-tiger-shooting in the jungle.
-
-A much wholesomer diversion than the Dervishes was provided by the then
-General in command at Cairo a few days later, when some three hundred of
-the Native Camel Corps were put through a series of splendid
-manoeuvres out in the great open spaces of Abassieh, beyond the Tombs
-of the Mameluks. I got out of the carriage when warned that the final
-charge was about to be delivered, and stood so as to see them coming
-nearly "stem on." It was a sight worth seeing, and surprising to me,
-who, before I landed, had never seen a camel worthy of the name. When
-the "halt!" was sounded, down fell the three hundred bellowing creatures
-on their knees in mid-career, close up to us, and the panting riders
-leapt off, their accoutrements in most admired disorder, and their
-puttees for the most part streaming along the ground. I was in a hurry
-to get back to Shepheard's to take the impression down, for I was
-greatly struck by so novel a sight. The red morocco-leather saddle
-covers were most effective, and very sorry I was on my next visit to
-Egypt to find they had gone the way of all "effective" bits of military
-equipment, and were replaced by dull brown substitutes. Henceforth I was
-an enthusiastic admirer of that most picturesque of animals, and though
-I approached the camel at first with diffidence and apprehension, I soon
-found him much easier to draw than the horse. What you would _like_ to
-do with a horse to give him movement and action, but _mustn't_, you
-_may_ do with a camel. You can twist his neck almost indefinitely and
-brandish his great coarse head as you like, and his long legs give you
-_carte-blanche_ for producing speed. I found out a curious fact as time
-went on and I had dogged dozens of camels about the desert and made
-orderlies walk them up and down for me--namely, that the camel moves his
-legs _in the walk_ precisely like the horse, but when he falls into a
-trot he moves the legs of the same side forward together. He walks like
-a horse and trots like a camel! As to the gallop, a more dislocating
-performance I never saw. Lady ---- once told me she had, by an unlucky
-chance, got on a baggage camel with a hard mouth, or rather _nose_, and
-it ran away with her in the wide, wide desert. She hauled in the nose
-rope with the strength of despair, till the detestable animal's face
-was twisted back taut into her lap and was _looking at her_, and still
-the body galloped forward without the remotest check. She artistically
-left the end of the adventure untold.
-
-As to the camel's noises, I don't think I ever got to the end of them.
-The snarl and the grunt I was prepared for--the horrible querulous and
-sickening sound that some one has likened to the roar of a lion and the
-grunt of a pig combined; but one day, as I was making a study of one of
-these ungracious creatures for a big picture, I thought I heard a sweet
-lark warbling somewhere, and I marvelled at its presence over the
-Egyptian desert. The warblings came from the camel's throat, and there
-was a look in his eye that seemed to warn me that he considered the
-sitting had lasted long enough. The length of his neck suggested that I
-was within measurable distance of a bite, and I dismissed my sitter and
-his lanky rider with promptitude.
-
-Of all the figures that delighted me in Cairo those of the syces soon
-became first favourites. The dress, the springing run, the beauty of the
-movements--I don't think the human figure could be more charmingly shown
-off. The English General's syces alone wear the scarlet jacket, and
-deep indigo blue or maroon are the usual colours for the liveries of
-those mercuries. Our fast-trotting horses now try them too much, and we
-don't let them run very far, but take them up after a little while. They
-were intended to trot before the ambling horses or donkeys of Pashas, to
-clear the way with shouts and sticks through the crowded bazaars. I saw
-a lady (alas!) driving a very fast English horse past Shepheard's in a
-rakish T-cart, and the unfortunate syce was constantly on the point of
-being knocked down by the high-stepper. It did _not_ add to the
-smartness of this turn-out to see this panting creature looking over his
-shoulder every minute in terror of the horse, and sometimes, when
-flagging in his run, being overtaken and having to run alongside. I
-levelled mental epithets at the thoughtless driver, and wondered how
-such a thing could be. Some of us are curiously inconsiderate. I am
-afraid she was but a type of many. Witness the suffering horses bitted
-up with tight bearing-reins standing for hours outside shops and smart
-houses where "at homes" are going on, when a word from the fair owners
-to their ignorant coachmen might procure ease for their miserable
-beasts. I am not enthusiastic about motors, but I am thankful for the
-fact that they are greatly reducing the sufferings of our poor "gees." I
-hope by and by the motor will be made noiseless and odourless, for at
-present I cannot enjoy its country driving. The scents of the country
-are replaced by smell and the sounds by noise.
-
-You are better friends with the motor than I am, and have gathered much
-advantage from its audacity in taking you up, for instance, such rugged
-heights as those about Tivoli, well within a morning's outing from Rome,
-which I have looked at as inaccessible, and only to be admired from a
-lowly distance; those remote cones crowned with mediæval towns that
-figure in the backgrounds of many an "Adoration of the Magi" and "Flight
-into Egypt."
-
-I am, like you, of two minds about very rapid travel. There is something
-to say for and against it. "For" it, the freshness with which the mind,
-untrammelled with the bodily weariness of "diligence" or "vetturino"
-jogging, receives impressions of points of interest; "against" it, the
-hustling of venerable monuments and reverenced natural features which
-should be approached with more ceremony. There is too much hustling
-nowadays. I don't know that I enjoyed my last visit to Venice quite as
-much as usual, feeling apologetic and guilty in participating in the
-"bumping" of the gondolas by the electric boats, whose back-wash sends
-them hopping and lurching in such an undignified manner. The sedate,
-gracious gondola, too well-bred ever to be in a hurry, "knocked out of
-time" by a fussing little electric launch, which is always in a hurry,
-with or without reason! What with the hurry, and the whistlings, and
-puffings, and syren-bellowings, the powers that be are actually
-succeeding in making Venice noisy. But I have got off the Egyptian track
-a long way.
-
-After a visit to Sakkara and to the Pyramids and the Sphinx I shall
-launch out upon Old Nile at once. Our Sakkara day was typical of many I
-was to experience in this strangest of lands--full of the delights, then
-new to me, of donkey-riding through the fresh winter air of the desert,
-but donkey-riding over tombs. Sakkara is the necropolis of Memphis,
-itself long buried, that capital of the Pyramid Period that looms dark
-far behind the nearer glories of Thebes and the Temples.
-
-My hilarity induced by the sun, the breeze, the absurd goings-on of the
-donkeys of our party was constantly damped by the weird reminders we
-constantly came upon. Those Sakkara pyramids lack the majesty of _the_
-Pyramids, and one looks at the amorphous heaps in an oppressed silence.
-The Tomb of Ti raised one's spirits by its vivid frescoes showing the
-every-day life of that Prime Minister's _ménage_: it was cheery to see
-the poulterer in brilliant colours bringing in the goose to the cook,
-but the final extinguisher fell when we were conducted along an
-avenue--a sandy causeway--lined on either side with I forget how many
-sarcophagi of sacred bulls. Each granite sarcophagus was, as far as my
-memory could say, of exactly the same dimensions and of almost the same
-shape as that of the great Napoleon at the "Invalides"! And all for
-bulls.
-
-It was crushing; but well for me was the scamper back to the Cairo
-train. You cannot afford to be pensive riding a donkey at that pace with
-an Arab saddle to which you are not yet accustomed.
-
-[Illustration: THE ENGLISH GENERAL'S SYCES]
-
-I am not going to dare to try to say anything new about the Pyramids of
-Gizeh or the Sphinx; nothing new in any shape can come in contact with
-these monuments. One feels overcome with hoariness oneself by their mere
-proximity and silenced by the weight of ages. I am not going to ask you
-to follow me into any interiors, for I did not go in myself; and
-indeed, in my progress through this land of tombs, I protested more or
-less successfully against burrowing into sepulchres, shuffling in thick
-gloom through pungent and uncanny mummy dust, in bat-scented atmosphere,
-while above-ground the blessed light of that matchless sky and the
-uplifting air of the desert were being wasted. Polite compulsion on
-certain social and festive (!) excursions alone forced me to forego for
-a while the joy of that "to-day" above-ground for the mould of the dead
-Aeons below.
-
-I refer to a letter for my first visit to the Pyramids. That first sight
-of anything one has read of and pictured in one's child's mind in the
-course of education is a most precious occurrence, to be chronicled and
-set down at the moment.
-
-_30th November '85._--"A sweet gentle morning; limpid air, lovely fresh
-clouds in a soft blue sky. We started at 11 in a carriage, with our
-dragoman, and were soon taken at the usual hand gallop over the big iron
-bridge with the colossal green lions at each end which spans the wide
-Nile, into the acacia-shaded road which runs for a long distance in an
-imposing straight line to almost the very base of the great Pyramid. As
-we sped towards the illustrious group which we saw rising grey and
-stern at the very edge of the desert where it meets the bright green of
-the cultivated land we alternately looked ahead at what was awaiting us
-and at the ever-interesting groups of men, women, children, and animals
-which we passed, and at the mud villages with their palms and rude domes
-and minarets which lay in the well-watered, low-lying land on either
-side of the road. From the first moment I saw the Pyramids afar off I
-knew I was not destined to be disappointed, and my apprehensions caused
-by some travellers' descriptions vanished at the outset. It is difficult
-to put my feelings into words as I came nearer and nearer to these
-wonders of man's work, so pathetic in their antiquity and in the
-evidence they give of their builders' colossal failure to ensure for
-their poor bodies absolute safety during the long waiting for the
-Resurrection. The seals are broken, the secret places found out, the
-contents gone to the winds!
-
-"My beloved father was constantly in my mind to-day, for he it was who
-with such patience taught us the value and fascinating interest of old
-Egyptian history, and here were some of the scenes he used to read to us
-of so often, but which he himself was not allowed to see.
-
-"Mrs. C---- and I, on getting out of the carriage, first made the
-circuit of the Great Pyramid--a space of 'thirteen statute acres,' I
-remember Menzies telling us. I found that the most striking point from
-which to feel the immensity of the Pyramids is in the centre of the
-base, not the angles.
-
-"We hear of 'weeping stone.' Here is stone that has wept blood and
-tears! Each succeeding year of the king's reign forced an additional
-coating to his tomb, and prolonged the slave-toil under the lash--all to
-safeguard a little dust that has now vanished. This age of ours is about
-the time the old Egyptians looked to for the Great Awakening, for which
-all their poor mummies were embalmed.
-
-"How intolerable these three Pyramids must have looked when new and
-entirely coated with white marble. Their glitter under the blinding
-sunlight and the hardness of their repellent shapes make me shudder as I
-realise the effect. Seen in the rough, as they now are, they do not jar,
-but only oppress the mind by their ponderous immensity, and the eye
-takes great pleasure in their tawny colouring.
-
-"We next went down to the Sphinx and rested a long while in its broad
-shadow. The gaze of the eyes is exceedingly impressive, and though the
-face is so mutilated one would not have it restored. Strange that one
-should prefer the broken nose and the hare-lip! It would not be _the_
-Sphinx if it had the universal Sphinx face as originally carved.
-Originally! When? It was there long before the Pyramids, and it now
-appears that more than the 'forty centuries' looked down upon Napoleon's
-army from their summits. Sixty centuries, some say now. Time is
-annihilated as one stands confronted with the Sphinx, and a feeling of
-annihilation swirls around one's own microscopic personality.
-
-"This annihilation of Time is one of the sensations of Egypt. Look at
-Rameses the Great in his glass coffin in the Cairo Museum. There, more
-than ever, the intervening cycles are as though they had never been as
-one stands face to face with Sesostris. More appalling than the
-Sphinx--a chimera in stone--here is the Man. Not his effigy, not his
-mask taken after death, but the _Man_! There is his hair, rusted by the
-Ages, his teeth still in their sockets, the gash across his forehead
-cleft in battle. His father lies in the next glass case, his grandfather
-on the other side, and many other Pharaohs similarly enclosed in glass
-and docketed lie around, all torn out of their hiding-places, stripped
-of their multitudinous envelopes, and exposed to the stare of the
-passers-by. Their mortuary jewels are ticketed in other glass cases, and
-only a few shreds of winding-sheet adhere to their bodies. They were
-religiously preserved, at infinite pains, for this.
-
-"From the entrance to the Great Pyramid in the north face I had an
-enchanting view of Cairo on the right, in sun and shadow with a sky of
-most beautiful cloud-forms, and on the left the lovely pearly and rosy
-desert stretching away into the golden West. How cheerily, how
-consolingly the wholesome, refreshing Present receives us back after
-those wanderings down the corridors of the dead Ages! Let us wash our
-faces and smile again and feel young. The drive back was exhilarating
-and full of living interest. We overtook shepherds guiding their flocks
-along the road and carrying tired lambs on their shoulders. There were
-buffaloes and oxen and ploughmen going home from work in the tender
-after-glow, and then as soon as we were over the big iron bridge and in
-the suburbs again it was dark, and the gas lamps were being lighted, and
-'Tommy Atkins' was about, and British officers were riding in from
-polo, and the _cafés_ of this Parisianized quarter were full and noisy,
-and I felt I had leapt back into To-day by crossing an iron bridge that
-spanned six thousand years. My thoughts lingered long amongst the most
-ancient, most pathetic, most solemn monuments of the pre-Christian
-world."
-
-[Illustration]
-
-[Illustration]
-
-
-
-
-CHAPTER II
-
-THE UPPER NILE
-
-
-And now for Luxor. Of all the modes of travel there is none, to my mind,
-so enjoyable as that by water--fresh water, be it understood--and if you
-can do this in a house-boat with your home comforts about you, what more
-can you desire? We had the "Post Boat" to Luxor, and the sailing
-dahabieh after that. Travelling thus on the Nile you see the life of the
-people on the banks, you look into their villages, yet a few yards of
-water afford you complete immunity from that nearer contact which travel
-by road necessitates; and in the East, as you know, this is just as
-well. Not that I really allow the drawbacks of the East to interfere
-with my own enjoyment, but the isolation of the boat is best, especially
-with little children on board.
-
-I had read many books of travel on the Nile and knew what to look for.
-Is there not a charm in knowing that some city, some temple, some
-natural feature you have tried to realize in your mind is about to
-appear in very truth just round that bend of road or river? You are
-going to see in a few minutes that historic thing itself, not its
-counterfeit in a book, but _it_. And so, as we neared Luxor towards
-evening, I looked out for Karnac on the left, and lo! the first pylon
-glided by. My first pylon! How many like it I was to see before I had
-done with Old Nile. They are not beautiful in shape, nor can any
-Egyptian architecture, as far as form goes, be called beautiful; the
-shapes are barbaric--I had almost said brutal--stupidly powerful and
-impressive by mere bulk. The beauty lies in the colouring. What a feast
-these ruins afford to the eye by their colour, what a revel of blues,
-greens, and low-toned reds in their unfaded paintings! Taken as bits of
-colour only, without dwelling too much on the forms, all in such light,
-the shadows filled with golden reflections--taken thus, or deeply tinged
-with the lustrous after-glow, or the golden moonlight, they are
-all-satisfying.
-
-[Illustration: REGISTERING FELLAHEEN FOR THE CONSCRIPTION]
-
-I will not, however, burden you with these ponderous pylons and
-mammoth monoliths; they can only be enjoyed _in situ_, illuminated and
-glorified by the climate of their homes. Indeed, I felt often very
-oppressed and tired by them, but never did I weary of the landscape, the
-people, the animals, the river.
-
-One very saddening glimpse of fellah life was afforded Mrs. C---- and
-myself at Luxor by the English Consul (a negro), who arranged that we
-should see the registering of the young fellaheen for the conscription.
-I think the British have changed all this lately, so we were lucky in
-seeing a bit of the vanishing Past--a remnant of the Oriental Past which
-no one can regret. We worked our way, led by the Consul, through the
-Arab crowd in the village till we came to the entrance of the courtyard
-where the drama was about to open. At the gate was a scuffling mass of
-indescribably hideous old hags--the mothers and aunts and grannies of
-the young fellahs inside, wailing and jerking out their lamentations
-with marionette-like action of their shrivelled arms. As though by one
-accord they would stop dead for a minute and look at each other, and
-then all together begin again the skeleton chorus, throwing dust on
-their heads. The unsavoury group came in with us pell-mell when the
-gate was opened, and we found ourselves hoisted rather than conducted to
-a divan prepared for us under a shed, from whence we could see all that
-passed.
-
-[Illustration: "NO MOORING TO-NIGHT!"]
-
-Three Circassian inspectors, looking horrid in European clothes, were at
-the head of a long rickety table, covered with a white cloth, in front
-of us. This white cloth, in combination with the surging groups, made a
-wonderfully good blank space in the composition of what I thought would
-make a striking picture. The sketch I insert here is in no particular
-arranged by me, but everything is exactly as I saw it. I noted
-everything down in my sketch-book on the spot. The sheiks, stately men
-in silken robes, who had brought each his quota of recruits from his
-district, sat chatting over their coffee at the farther end of the
-table, and the doctor at once set to to examine the miserable youths
-that came up for registration. Fathers pleaded exemption for their sons
-on one pretext or another, such as leprous heads, blindness, weak
-chests, and so forth; the mothers, aunts, and grannies aforesaid went on
-jibbering and clacking their jaws in the background, no one paying the
-least attention to them. If a fellah was passed by the doctor a gendarme
-gripped him and pummelled him all the way to the standard, where he
-was measured. If satisfactory, the woe-begone creature received a
-sounding box on the ear, just in fun, from the gendarme, and was shoved
-into the pen where the successful (!) candidates were interned; if he
-was below the mark, all the same he got his blow, and was pushed and
-cuffed back to his friends and relatives. One mother had crept forward
-while her son was having his lanky leg straightened by the doctor, the
-father pleading the boy's lameness (Erckmann-Chatrian's _Conscript_
-orientalised!): a gendarme sprang forward and knocked her down, then
-hauled her off by her arms, which were so very thin and suggestive of a
-mummy that I could not look any longer; he was so rough I really thought
-he would pull them out of their sockets. My friend was crying, and if I
-had not been so concentrated on my pencil notes I should have cried too.
-"Surely," she said, "that can't be his mother, she looks a hundred at
-least." "A hundred!" I exclaimed, "she is four thousand years old--a
-mummy!" I felt very sick as well as sorry. We were politely offered
-coffee in jewelled cups, which we could not taste, and surreptitiously
-emptied behind the divan.
-
-The English have worked wonders since those days with the Egyptian army.
-Taking the young men in the right way our officers have turned them into
-remarkably smart-looking soldiers, and their terror of the service, I am
-told, has vanished.
-
-This was altogether a day which showed us the seamy side of Egyptian
-life, for in the evening we and all the guests of the hotel went to see
-the dancing at the _café_, a sort of mud cave full of wood smoke. It was
-all very ugly and repulsive, and the music was impish and quite in
-keeping. I was glad to have this experience, but once is enough. Talking
-of music, I don't know anything more appealing in its local sentiment
-than the song of our crew when they were hauling and poling on calm
-nights later on. Strange, unaccustomed intervals, and the key always in
-the minor. In the pauses we heard the beetles and crickets on the banks
-chiming in in a cheerful major.
-
-Our sojourn at Luxor was a time of deep enjoyment, for we made almost
-daily excursions on both banks of the Nile, excursions beginning in the
-very early mornings, at sunrise, and ending in gallops home on our
-donkeys in the after-glow, or trips on board the ferry-boat, from
-Thebes, in a crowd of splendid Arabs, whose heads, figures, and blue
-and white robes, or brown striped camel's hair burnouses, added greatly
-to the charm of the landscape. It was a joy merely to breathe that
-desert air. All that was wholesome and not too tiring, nor risky from
-the sun, was enjoyed by the children with us, but I kept them chiefly in
-the paradisaical hotel garden as the safest place. One had to be very
-careful. I cannot say that "black care" did not sometimes ride on my
-donkey's crupper, for I knew W. was pressing the enemy harder every day,
-and that a battle was imminent. At last the great telegram came. Ginniss
-was fought and won, and all the enemy's guns and standards taken. He
-sent me the message from the field. We might now come up. It took a day
-or two to get the "_Fostât_" ready--the dahabieh which he had sent down
-for us. Some wounded officers from the front brought news of the battle,
-and, strange to relate, the only officer killed at Ginniss was son of
-one of Mrs. C.'s oldest friends! What strange things happen in life. I
-had met young Soltau the year before at her house on Dartmoor, and she
-and I were destined to hear together of his death in battle on the Upper
-Nile.
-
-We set sail in the first week of '86 for Assouan, where W. was to meet
-us, and I witnessed the daily development of the Nile's beauties with
-the deepest pleasure, and a mind no longer over-shadowed.
-
-I wonder how many people who have been to Egypt recognise the fact that
-all its beauty is reflected? It is either the sun or the moon or the
-stars that make Egypt glorious. Under thick cloudy skies it would be
-nothing. But the co-operation of the illuminated objects is admirable,
-and the two powers combined produce the Egypt we admire. W. and I came
-to the same conclusion, that much of the glory of the moonlights is
-owing to the response of the desert, especially the golden desert of
-Nubia.
-
-[Illustration: THE "_FOSTÂT_" BECALMED]
-
-But I have also seen, on rare occasions, delicate effects of veiled
-sunshine on river, palms, and desert too exquisite in refinement to be
-easily described. I remember one memorable grey day which we spent in
-turning the loveliest river reach of the whole series below Assouan, the
-wind having completely dropped--a day which dwells in my memory as a
-precious passage of silvery colour amidst all the gold. The palm-tree
-stems towards sundown were illuminated with rosy light against the
-pallid background of sand-hills facing the West, and of the delicate
-pearl-grey sky. The greens were cool and vivid, the water like a liquid
-opal. I wrote a whole letter to Mamma on that one grey day on the Nile.
-But even that evening the after-glow made itself felt through the
-clouds, lighting them from behind in an extraordinary manner, so that
-the filmy screen appeared red-hot. The beautiful cloud-veil could not
-shut out so fervid a rush of colour.
-
-When a strong wind blows the desert sand into the air, obscuring the sun
-and thickening the sky, what a change comes over the scene! Egypt is
-then undoubtedly ugly, and all charm flies away on the wings of the
-blast.
-
-But the blast speeds the dahabieh on its way, and pleasant it was
-sitting of an evening in the cosy saloon to see the hanging lamp
-swinging with the motion of the bounding "_Fostât_," and to hear the
-creaking of the timbers, for the distance from Assouan, where W. was to
-meet us, was being sensibly diminished. On some other evenings the fair
-north wind was just enough to quicken the pace without dulling the
-brilliant light of the moon, and there was to be no tying up under the
-mud bank those nights. Then again a dead calm might come down upon us,
-and after poling, tracking, or hauling up to the kedge anchor all day to
-their monotonous sing-song, the crew would have orders to moor for the
-night. I would then venture a run along the shore with the children, and
-have a scamper among the palms and cotton plants, which were waving and
-rustling mysteriously to imperceptible sighings of the air at the
-water's edge. One or two armed men, of course, landed also.
-
-At Esneh I had the honour of entertaining the Pasha of that wonderful
-place, whose temple I had particularly wished to see. He received us
-with much ceremony, and we all went on shore escorted by his guard in
-great state, walking through the bazaars accompanied by the wild and
-ragged population. But for the soldiers and their whips we could not
-have moved a yard. We visited the wonderful temple, the first we had
-seen with the ceiling intact, which the colossal pillars were made to
-support. I prefer the ruins so open to the sky that the sun may be seen
-amongst them. Here, owing to the unbroken ceiling, all was gloom. At
-Edfoo I was to see a _whole_ temple with pylons and all, almost in
-perfect preservation, and to know the Egyptian temple in its entirety.
-
-How funny our party looked--two English ladies, two little children, and
-English maid, guarded by bashi-bazouks, slowly progressing through a
-crowd of indescribable dirt and wildness. We looked into an oil mill
-where the press was exactly like the wine-presses in Tuscany. You
-remember the one I sketched at Signa, the picturesque _Strettojo_ of the
-vintage? We poked our noses into the cavernous recesses where gigantic
-negroes were dyeing the native cloth a splendid indigo, their black arms
-blue to the shoulder. Oh, what colour!
-
-On going back to the dahabieh we all, except myself, had our fortunes
-told in a narrow lane where a row of Soudanese fortune-tellers were
-squatting with patches of smooth sand before them on which they made the
-person interested impress his or her hand. Upon the impression they made
-many signs and marks. Everything was quite satisfactory. The children
-were to have "pleasant paths in life and _strong loins_." The maid was
-to marry a white man, which was a comfort.
-
-In the evening the Pasha dined on board. He spoke in French, and nothing
-could surpass the florid eulogies he bestowed on "his brother, that
-lion," my husband. I saw him depart on his sleek and fat white ass,
-which stood quite fourteen hands, and was equipped in Arab trappings of
-indigo and dead gold. In the morning I received the Pasha's presents of
-fruit, vegetables, eggs in hundreds, two live turkeys, and a black lamb.
-A gorgeous cavass in sky blue and carrying a wand of office was
-installed on board for the rest of the voyage to Assouan. There had been
-feasting and much thumping of tom-toms and whinings of curious fiddles
-on deck during dinner the night before, where the crew were entertaining
-the Pasha's body-guard. My dragoman's bill next day included these
-items: "Trinks and trymbals for the crew"; "hay for the limp." The poor
-black "limp" with his hay was put into the little boat in tow, and I had
-to deliver him up, as a matter of course, to the crew a few days later.
-Then came Edfoo, whose temple is one of the most conspicuous in Egypt. I
-had been on the look-out for its mighty pylons with especial eagerness,
-and I was glad that we had time to spend two hours on land while some
-repairs were being done on the "_Fostât_." The Esneh cavass was useful
-as well as extremely ornamental, as he kept off the wild crowd in the
-village by magical waves of his wand of office, and an occasional thump
-on a screaming villager.
-
-[Illustration: AT PHILÆ]
-
-The guard turned out and saluted our party, and altogether things went
-very well, and I enjoyed my long-looked-forward-to Edfoo.
-
-Then on board again, with a steady north breeze which, if it had filled
-our eyes with sand at Edfoo, was making up for the discomfort by
-carrying us in spanking style towards Assouan and the meeting.
-
-After one of our fair-wind nights, when the "_Fostât_" was bowling along
-over the lumpy water, I asked the reis if we had come to Comombos. He
-made vigorous signs showing we had passed it in the night. "Silsileh?";
-again the welcome backward wave of his arm. That, too, was long passed.
-We were getting very near. I noticed the people on the banks were
-becoming blacker and there were fewer of them; the mountains had
-vanished and were replaced by lion-coloured sand-hills, typically
-African. The black rocks looked like sleeping crocodiles.
-
-A faint whisp of smoke presently rose beyond a bend of the river, far
-ahead. "What is that?" I asked the dragoman. "English steamer." Great
-excitement. The little armed steamer puffs into sight; some one is
-waving a red handkerchief from the turret! "Furl the "_Fostât's_"
-mainsail!" The crew swarm up the spar. _Ding_, _ding_ goes the electric
-bell on the gunboat. The meeting is an accomplished fact--we from
-Plymouth, he from Wady Halfa. We are soon at Assouan, and while the
-"_Fostât_" is being hauled by great gangs of negroes through the
-cataract, we are guests of the General in that command on board his
-charming dahabieh moored under Philæ. There the solemn rocks echo the
-waltzes of the military band and the talk and laughter of our _réunions_
-on board the "_Pharaon_."
-
-If the Egyptian desert answered back in harmonious tones the light of
-the sun and moon, what a _crescendo_ of glowing response came from the
-Nubian sands! Immediately we crossed the frontier my eyes were surprised
-by the golden tone the desert had assumed, and the polished rocks that
-studded it had suddenly put on the richest colours granite holds--deep
-red and purple, and the black of basalt. It was a new scheme of
-colouring. The sunset and the after-glow were still more astonishing
-than those of Egypt, the colour of the shadows on the golden sands at
-sundown more positive in their limpid colours. One felt looking at the
-stars and planets as though one had been lifted to a world nearer to
-them than before, so large and clear had they grown even from the
-extraordinary clearness they had at Luxor. Oh! land of enchantment, is
-it any wonder the Nile is so passionately loved, especially by the
-artist, to whom the joy of the eye is supreme? As to worthily painting
-the Egyptian landscape, I cannot think any one will ever do it--the
-light is its charm, and this light is unattainable. There is one thing
-very certain, oil paints are hopelessly "out of it," and in
-water-colours alone can one hope to suggest that light. I soon gave up
-oils in Egypt, not only on account of their heaviness, but the miseries
-I endured from flies and sand were heart-breaking; your skies are seamed
-with the last wanderings and struggles of moribund flies, and coated
-with whiffs of sand suddenly flung on them by a desert gust! I was
-particularly anxious to get a _souvenir_ of the doorway in the court of
-the temple on Philæ Island, where Napoleon's soldiers engraved their
-high-sounding "_Une page d'histoire ne doit pas_," etc. Unfortunately,
-on the day I chose, we had a high wind, a very exasperating ordeal, and
-my attempt at oil-sketching this subject was a fiasco. After persevering
-with one half-blinded eye open at a time and with sand thickly mixed
-with my paints, I saw the panel I had been desperately holding on the
-easel hurled to the ground on its buttered side as for a moment I turned
-to answer a remark of Mrs. C.'s. She said I bore it angelically. As
-since those days lovely Philæ Island is being submerged and the temple
-melting away, the poor little panel has become more historically
-valuable than I thought it ever would do at the time, and I insert its
-replica in water-colours _minus_ the smudges.
-
-Many pleasant hours we spent at Philæ, which, I suppose, is the
-culminating point of the Nile's beauties and marvels. One day, while W.
-was gone to Assouan for provisions, I went over with Mrs. C. to the
-opposite bank of the river by boat, an imp of a small boy taking upon
-himself to escort us. He divested himself of his one garment, which he
-carried in a bundle on his head, and swam alongside our "felucca." Our
-approach had been observed from a wild mud hamlet up on the fantastic
-rocks, and a bevy of black and brown women came hopping and skipping
-down to us. Little shrivelled old hags and wild little young women with
-nose rings and anklets, their hair plaited in hundreds of little tails
-reeking with castor oil, each little tail ending in a lump of mud.
-
-[Illustration: A "LAMENT" IN THE DESERT]
-
-Mrs. C. asked them to unfasten and display their locks, and in return
-let down her own six-foot-long auburn tresses and stood on them to
-"astonish the natives." They danced and wailed in slow cadence, softly
-clapping their hands and wagging their heads in admiration as they made
-the round of the tall, rosy Englishwoman. There she stood, on her hair,
-that trailed on the sand, in a golden halo of sunshine, the grim
-hypæthral temple and the huge rocks as background, and surrounded by
-little skinny, skipping, half-naked, barbarian women and quite-naked
-little children. They turned to me and made signs that I should also let
-my hair down. Because I excused myself, the little boy imp, still with
-his garment on his head, came forward and took upon himself
-condescendingly to explain to the little women, shouting "_Mafeesh_,
-_mafeesh_!" ("Nothing, nothing!") and dismissing me with a wave of his
-arm.
-
-From Philæ we soon glided into the Tropics. I say in a letter: "The
-moonlight in Nubia also surpasses that of Egypt, and I see in it a light
-I never saw before I came to this wonderful land. It is difficult to
-describe this light. It is brilliant yet soft; light in darkness; not
-like the day; not like the dawn: the sky at full moon is so bright that
-only the larger stars are seen; and the yellow sand, the ashen bloom on
-the tops of the sand-hills, the various tones of green in palm-tree,
-tamarisk, and mimosa keep distinctly their local tints, yet softened and
-darkened and changed into a mysterious vision of colour too subtle for
-words of mine. Every night Venus and other great planets and stars shed
-reflections in the still water like little moons in every part of the
-Great Stream wherever one turns."
-
-W. could not spare the time for lotus-eating under sail, so a
-"stern-wheeler" towed us from Philæ to Wady Halfa. It took very little
-away from the romance, and the steady progress was very grateful. On
-that glassy river, as it was now, we would have been an age getting to
-our goal.
-
-I was greatly struck with Korosko, a place which, besides its natural
-desolate and most strange appearance, was sad with memories of Gordon.
-This was his starting-point as he left the Nile to travel across the
-desert to Khartoum, never to return. From a height one can see the black
-and grey burnt-up landscape which lonely Gordon traversed. It is a most
-repellent tract of desert just there, calcined and blasted. A view I had
-of the Nile, southward, from the mountains of Thebes one day, though
-bathed in sunshine, has remained most melancholy in my mind, because,
-looking towards Khartoum, I thought of the hundreds of my countrymen who
-lay buried in already obliterated graves all along those lonely banks,
-away, away to the remote horizon and beyond, sacrificed to the
-achievement of a great disaster. Others like them have arisen since and
-will arise, eager to offer their lives for success or failure, honours
-or a nameless grave.
-
-One evening, as the "_Fostât_," in tow, was skimming through the calm
-water with a rippling sound, and we were all sitting on deck, W.
-described to us so vividly a memorable night before the fight that put a
-stop to hostilities, that I could see the whole scene as though I had
-been there. They were out in the desert, the moon was full; the
-Dervishes were "sniping" at long range, when afar off was heard a
-Highland "lament." The "sniping" ceased all along the enemy's line and
-dead silence fell upon the night but for the wail of the bagpipes. The
-Dervishes seemed to be listening. The "lament" increased in sound, and
-presently the Cameron Highlanders approached, bearing, under the Union
-Jack, the body of an officer who had died that day of fever, to add yet
-another grave to the number that lay at intervals along the shores of
-the great river. You should hear the pipes in the desert, as well as on
-the mountain-side, to understand them.
-
-"Every phase of the day and night" (letter, 12th January '86), "appeals
-to me on the Nile, not forgetting those few moments that follow the
-after-glow which are like the last sigh of the dying day. The delicacy
-of those pure tints is such that one scarcely dares to handle them in
-writing. Evening after evening I have watched by the desert death-bed of
-the day, looking eastward so as to have the light upon the hills.
-
-"Those tender, sad, pathetic hills, and beyond them the mournful
-mountains, possessing nothing,--not a blade of grass, not a lichen, not
-a herb; they are absolute paupers amongst mountains, and they might be
-in the moon, these derelicts, so bereft are they of all things.
-
-"And yet the light, the atmosphere, give them a consoling beauty. What a
-poem might be written to them as they look thus for a minute or two
-before the dark-blue pall of night sinks down!"
-
-Wady Sabooah, the "Valley of Lions," was one of the most striking things
-I had seen on this exquisite section of our river voyage. The abrupt
-sand-hills held shadows of the most delicate amethyst at noonday which,
-combined with the gold of the sunlit parts, produced a delicacy of
-vibrating tones which enchanted the eye but saddened the artist's mind,
-recognising as it did the futility of trying to record such things in
-paint! But I shall weary you with all this daily rapture, and I will bid
-good-bye in these pages to the desert, well named by the Moslems "The
-Garden of Allah." There is no pollution there, and He may walk in His
-garden unoffended.
-
-In the first really hot days of March I and the children came home--Wady
-Halfa was becoming no place for us, and W. remained with his Brigade
-through the weary days of summer, unknown in their exhausted and
-horrible listlessness to me who will always think of the Nile as an
-earthly paradise. One halt I must make on our way down, at Abu Simbel,
-that mysterious rock temple I had longed to see in the first ray of
-sunrise, for it faces due east. W., who accompanied us as far as
-Assouan, gave orders that our stern-wheeler (the old "_Fostât_" had been
-dismissed) should tie up overnight at the temple, and before daylight I
-was up and ready. I had packed my water-colours and had only a huge
-canvas and oil-paints available. With these I climbed the hill and
-waited for the first ray in the wild wind of dawn.
-
-The event was all I hoped for as regards the effect of those "scarlet
-shafts" on the four great figures (how many sunrises had they already
-awakened to?) "A great cameo," Miss Amelia Edwards calls that façade at
-sunrise in her fascinating book, and that phrase had made me long for
-years for this moment. But alas! my canvas acted as a sail before the
-wind and nearly carried me into the river, the sand powdered the wet
-paint more viciously than ever, and I returned very blue to breakfast.
-Still, I had got my "Abu Simbel at Sunrise," and I insert a water-colour
-taken in comfort from the hard-earned but scarcely presentable original.
-
-[Illustration]
-
-[Illustration: ABU SIMBEL AT SUNRISE]
-
-[Illustration]
-
-
-
-
-CHAPTER III
-
-ALEXANDRIA
-
-
-Our subsequent experiences of Egypt at Alexandria from '90 to '93 made
-me acquainted with the Delta and that "Lower Nile" which has a very
-particular charm of its own, and possesses the precious advantage of
-being out of the tourist track altogether.
-
-Not the least amongst the attractions of an Egyptian command (to
-Madame!) is the yearly autumn journey to that country through Italy,
-with Venice as an embarkation point. Madame knows nothing of the
-horrors of the summer months endured by the "man on duty" out there, and
-serenely enjoys "the best," without the seamy side ever turning up. She
-thinks that to spend one's winters on the Nile, and one's summers in the
-"Emerald Isle," is as near an ideal existence as this world allows us.
-It is good to be a woman!
-
-That farewell scene at Venice on board the P. & O., when friends came to
-see us off with bouquets and "bon voyage"--how I should like just one
-more of those gay leave-takings! I see again the dancing gondolas on the
-sparkling ripples as they wait round the ship; the hat and handkerchief
-wavings ashore and afloat, and Venice encircling the sprightly little
-drama with her gracious arms.
-
-Who that has plied between Italy and Egypt does not know the poetry of
-that first night at sea, when the cloud-like mountains behind the
-vanished Venice have also faded away, and there is nothing for it now
-but to turn to the darkling Adriatic, heaving dimly beyond the ship's
-bows, and commit oneself to the mercies of the deep. "And the
-dinner-bell," some one is sure to add. Never shall it be said of me that
-I chronicle the meals of my little travels.
-
-The next morning the cessation of vibrations and throbbings wakes you.
-Behold through the port-hole Ancona's white church high up overhead,
-shining in the level sunbeams of the young day.
-
-The morning after that it is Brindisi, where they wait for the "long
-sea" passengers and the mails, and the Italian chatter and laughter
-along the quays never stops. Here, in the course of a
-stroll, you may pat the two pillars that form the winning-post of that
-Appian Way whose starting-post you know in Rome.
-
-There is very little monotony in a voyage of this kind, for you are
-never for long out of sight of land. The Albanian coast, the Ionian
-Islands, Crete, "Morea's Hills"--what a series of lovely things to
-beguile the six days' passage! Yet, all the same, one has a thrill of
-delight one day when an unusual stir amongst the crew begins, and the
-hatches over the heavy baggage-hold are opened, and the lifting gear is
-got into position. "We shall be in at daybreak." Bless the captain for
-those words! And the "man on duty" aforesaid will be standing on the
-landing-stage.
-
-W. arranged a good studio for me at our new post, but I had
-distractions. British and Foreign naval squadrons occasionally bore
-down on us with thundering salutes, and had to be attended to;
-distinguished and even august personages paused at Alexandria on their
-way "up"; picnics on horse-back, donkey-back, camel-back, by road, rail,
-and river, to Aboukir, Aboo-sir, and sundry oases all claimed my
-delighted co-operation, plus my unsociable sketch-book.
-
-Ah, the good good time, the golden Egyptian days!
-
-But I found nothing so interesting as a holiday we managed to squeeze in
-and spend on board a little dahabieh for two, on a nine days' cruise to
-Rosetta and back. I then knew the Western Delta and, superficially, the
-life of its neglected and forgotten people. I am much afraid that since
-the Assouan Dam and its doings, their meagre water-supply is anything
-but increased, and I pray that the English authorities may remember
-those poor people at last. They are like fish in a pond that is slowly
-drying up.
-
-[Illustration: MADAME'S "AT HOME" DAY; SERVANTS AT THE GATE]
-
-On board the little "_Rose_," lent us by an Armenian Bey, I tasted once
-more the placid pleasure of fresh water travel under sail and oar; and I
-again heard the strange intervals of the songs that kept the oarsmen in
-time at their work. But I also learnt what Egyptian rain was like,
-and how hideous the Mahmoudieh becomes under weeping skies. I saw in
-this land the deepest and ugliest mud in the world--mud of the colour of
-chocolate. The weather cleared usually towards evening, and nothing more
-weird have I ever seen than the villages, cemeteries, solitary tombs,
-goats, buffaloes, and wild human beings that loomed upon the sky-line on
-the top of the banks against the windy clouds, reddened by the fiery
-globe that had sunk below the palm-fringed horizon. These canal banks
-might give many people the horrors, and I certainly thought them in that
-weather the uncanniest bits of manipulated nature I had ever seen.
-
-At Atfeh, after three days' canal, we emerged upon the wide and glorious
-Nile, and the skies smiled upon us once more. But the sadness of the
-country remained to us as we contemplated the miserable villages which
-occurred so frequently, with their poor graveyards at their sides, the
-latter only distinguishable by the smaller size of the dwellings, and
-the fact that the huts of the living had doors, and the huts of the dead
-had none--that was all.
-
-Once on the swift Nile current, with the eight sweeps flashing and
-splashing to the rhythm of the strange singing (the prevailing north
-wind being against sailing), we made a good run down to Rosetta, on
-whose mud bank we thumped in a surprising manner, at 10 P.M. by a pale
-watery moonlight.
-
-Never have I seen anything sadder than the land we passed through that
-day--dead, neglected, forlorn. Every now and then what seemed a great
-city loomed mistily ahead of us, with domes and minarets, and what
-seemed mighty palaces, piled one above the other on stately terraces.
-These apparitions were on the sites of once magnificent centres of
-wealth and luxury, and from afar they might still appear to be what once
-they were. Then, as we neared them, the domes unveiled themselves into
-heaps of filthy straw; the palaces were mud hovels a few feet high; the
-great mosques were merely poor half-ruined tombs into which a single
-person could scarcely crawl. The illusion occurred every time we came in
-sight of one of these phantasms, and the effect on the mind was most
-singular. City after city arose thus on one's sight in the distance, as
-though seen through the long ages that have rolled by since their prime,
-and those long ages seemed like a veil that rapidly dissolved to show
-us, as we approached, the wretched reality of to-day. "The pride of
-life," "pomp," "arrogance," "luxury,"--those epithets were their own
-once, while to-day the very antitheses of such terms would best become
-them. They are literally all dust now, and there survive only the poor
-blunt-shaped dwellings for living and dead, that lie huddled together in
-such pathetic companionship.
-
-As the daylight fades we see the people creeping into their shelters
-like their animals, to wait, like them, in the unlighted darkness, for
-the coming of the morning. Their up-river fellow-workers live in a land
-where the hardships of this cold and muddy winter misery are unknown.
-
-I was glad to see the Rosetta mouth of the Nile, thus completing rather
-an extended, as well as intimate, knowledge of the great river from
-there to Sarras in the Soudan. Return tickets to Khartoum had not yet
-taken travellers by rail up the Nile in so many dusty hours.
-
-Still grey was the weather down to where the river merges into the
-melancholy sea, between Napoleon's two dismantled forts, and what beauty
-there might have been was densely veiled. The old French "Fort St.
-Julien" was interesting as being the place where the "Rosetta Stone,"
-which gave the key to all the Egyptian hieroglyphics, was discovered.
-There we moored for the night on our return to Rosetta, in a Napoleonic
-atmosphere, and next day I sketched the once opulent commercial city,
-where now nothing seems doing. A bald old pelican caused some movement
-in the streets by raiding the odoriferous fish-market and scurrying
-down, chased by small boys, to the water's edge where I was sitting, in
-order to float, by copious draughts, the fish that lay in his pouch down
-his throat, pill-wise. The pelican always got his pill down in time, and
-the race to the river was repeated more than once with the small boys.
-On another evening, on our return voyage, we moored under the wild town
-of Syndioor, whose minaret, the tallest, I should think, in the world,
-proved to be no phantom, but a lovely and solid reality. In the pearly
-light of the succeeding mornings the shining cities looked, through
-their misty veils, more lovely afar off than ever. Finally we dropped
-back again between the mud banks of the canal, and in due time landed
-under the oleanders of our starting-place, the crew kissing hands and
-paying us the prescribed compliments of farewell.
-
-Our major-domo, Ruffo the European, was with us on board. I must tell
-you of Ruffo; such an honest man in a country of much corruption! He did
-all my housekeeping, and that zealously; but, desiring sometimes to
-consult me about dinner, his figurative way of putting things before me
-was a little trying. "Miladi, would you like cutlets?" patting his ribs;
-"or a leg?" advancing that limb; "or, for a very nice entrée, brains?"
-tapping his perspiring forehead. "Oh no, Ruffo, _never_ brains,
-_please_!" He would rejoice in strokes of good luck in the market, and
-fly through the sitting-rooms to me, perhaps bearing, like a gonfalon, a
-piece of beef, where good beef was so rare; "Look, miladi, you will not
-often meet such beef walking in the street." He always smelled the
-melons on presenting them to me, to invite my attention to their
-ripeness.
-
-After Cairo, Alexandria struck me very disagreeably at first; but when I
-got over its Western pseudo-Italian garishness, I was able to console
-myself with many a precious bit of orientalism, and even the bizarre
-mixture of flashy European tinsel with the true native metal amused me
-so much that I ended by enjoying the place and in being delighted to
-return there for yet another winter, and another. Nor can I ever forget
-that this appointment afforded us the most memorable journey of our
-lives--the ride through Palestine!
-
-Not even the drive on the old Shoubra Road at Cairo surpassed the
-Alexandrian Rotten Row on the Mahmoudieh Canal on a Friday afternoon in
-its heterogeneous comicality. Every type was on the Mahmoudieh, in
-carriages, and on horseback--Levantine, Greek, Jew, Italian, Arab; up
-and down they rode on the bumpy promenade, under the shade of acacias
-and other flowering trees that skirted the picturesque canal. Across
-this narrow strip of water you saw the Arab villages of a totally
-different world; and I really felt a qualm every time I saw a _fellah_
-over the way turning his back to the western sun (and to us) to pray, in
-absolute oblivion of our silly goings-on. On our side was Worldiness
-running up and down, helter-skelter; on the other, the repose of Kismet.
-
-Here comes a foreign consul--you know him by his armed, picturesque
-ruffian on the box--in a smart Victoria, driven by a coal-black Nubian
-in spotless white necktie and gloves; the Arab horse is ambling along
-with high measured action. Much admired is _Monsieur le Consul_--the
-observed of all observers; he looks as though he felt himself "quite,
-quite." But "Awah, awah!" Here come at a smart leaping run two shouting
-syces turbaned in the Alexandrian fashion; and behind them a barouche
-and pair driven by an English coachman of irreproachable deportment.
-What thrilling rivalry is here!
-
-Exquisite horses with showy saddle-cloths there are, with _le sport_ on
-their backs in the person of "young Egypt" in the inevitable _tarboosh_.
-That _tarboosh_! It is the "bowler" hat of the East, and I don't know
-which I hate most--it or the "bowler."
-
-The ladies are overwhelming; and I rest my eyes occasionally by watching
-the demure feminine figures of the "East end" who are filling their
-_amphoræ_ under the oleanders over the way, or washing their clothes and
-their babies in the drinking water supply of the native town.
-
-Towards sunset there is a _sauve qui peut_ of equipages citywards, and I
-never heard such a din as is set up as soon as the soft roads are passed
-and the paved streets are reached. Over it all you may hear:--
-
- The tow-row-row and the tow-row-row
- Of the British Grenadiers.
-
-The Suffolks or the Surreys are marching from Mandara Camp to the sound
-of that drum which we like to remind ourselves "beats round the world."
-
-[Illustration]
-
-[Illustration: SYNDIOOR ON THE LOWER NILE]
-
-[Illustration]
-
-[Illustration]
-
-
-
-
-III
-
-THE CAPE
-
-[Illustration]
-
-[Illustration]
-
-
-
-
-CHAPTER I
-
-TO THE CAPE
-
-
-I don't know whether in the Atlantic that lies between England and
-America you have had calm moonlight nights such as, taking the ocean
-longitudinally, one may have an impressive experience of, if timing the
-voyage rightly. I don't suppose a more favourable time for "detachment"
-could be easily obtained than those night hours on board a great ship
-out at sea, when one more easily realizes than in the daytime how the
-huge "Liner" is but a pathetic little speck on the landless and
-fathomless waters. The heart of this atom beats courageously enough
-night and day, without a rest, as it carries its charge onwards to
-deliver it at the goal that lies in the "Under World," but never does
-one more sensitively feel the power of those words, "In the hollow of
-His hand," than when realising the true proportion of the "vessel" that
-carries us and our fortunes.
-
-We spent--the children, Mrs. B. (wife of W.'s Military Secretary), and
-I--a few hours by night at Madeira, three days out from England, the
-only land we touched throughout the six thousand miles.
-
-My diary says, 21st February '99: "We spent a memorable night on an
-enchanted Island. Arriving at Funchal overnight instead of in the
-morning of the next day, as we were timed to do, we took the place by
-surprise. First we saw a blazing light on an advanced rock, which stood
-out very black, well ahead of the dusky mass of the Island, which rose
-high behind it, dimly crowned with spectral snow. The moon, not yet
-full, was clearing her way through thin cloud veils, and the town at
-first could be guessed at only by clusters of lights along the shore,
-where the waves were breaking with a strange clamour on the pebbles.
-
-"Presently balls of fire were sent up on the slopes above the town to
-tell Funchal we were coming, and, as we slowly rounded into the smooth
-water of the bay, we could see a little armada of boats pushing out in a
-flurried line towards us, and we presently heard the Portuguese chatter
-of their occupants who were soon swarming up the side to try and get all
-the money out of us that they could in exchange for fruit, embroidery,
-basket-work, etc. Then a streaming triton appeared at the bulwarks,
-outside, his face and brawny muscles gleaming in our electric light
-against the deep-blue background of moonlit sea. The triton asked for
-sixpences to be thrown into the water, and he dived for them and came
-up, grinning and streaming, into the light again for more. All the world
-over, where the seas are clear, this game goes on to beguile the
-traveller. I must say I think those sixpences are fairly earned when I
-see to what depths these creatures dive for them in semi-darkness. To
-what metaphorical depths less honest men descend for petty pelf! but I
-haven't time to work this out.
-
-"Soon Mr. Payne came on board, the wine-merchant prince, whom W. had
-asked to show us the Island and give us our deck chairs. To this most
-kind friend we are indebted for a memorable experience. He proposed,
-though it was night, to take us on shore, and I, the three children, and
-Mrs. B. followed him down the ship's side to one of the many boats that
-were lurching and bumping at the foot of the ladder. The first boat
-tilted over on its side and nearly spilt her two rowers, who rolled out
-maledictions as the water filled her and lost them their chance of us.
-We jumped into another and were rowed to the little jetty. On arriving
-in the town we found little hooded sledges, drawn by small oxen,
-waiting. We boarded two of these Madeira cabs and drove up to the
-Casino, our cabmen running by the side and whooping to the oxen. We
-entered an enchanted garden waving with palms, pines, and blue
-gum-trees, and other shadowy, dark-foliaged trees, while glossy and
-feathery shrubs of every type of tropical loveliness bore blossoms which
-shimmered white, red, and purple in the moonlight. There was a heavy
-scent of magnolia flowers. Was it all a dream to wake from in Sloane
-Street? I was in that murky region only three days ago. Was it all a
-dream? It might be, for things were getting mixed and incongruous. Now
-cigar smoke kills the magnolia, and some electric lamplets among the
-trees are jarring with the moon. We suddenly step into a pavilion where
-a band is playing, and I see smart men and women, very fashionably
-attired in evening dress, some of them raking in money at the roulette
-table. We do not stay long there, for we did not land to see such
-banalities, and, regaining the garden solitudes, make for our bullock
-sledges, which are to take us up 2000 feet higher through vine-trellised
-lanes all paved by those polished pebbles set edgewise for the sledges
-to run smoothly on. Away we go, our cabmen now and then placing a tallow
-candle enclosed in a bag under the sledge runners to lubricate them, or
-there would be disagreeable friction. As soon as one runner has passed
-over the emaciated candle the man on that side throws the candle across
-to the man on the other, who, stooping, and always at a trot, performs
-the same juggernautic process on his side. The men are handsome and
-healthy fellows, wearing their coats hanging loose on their shoulders
-over snowy shirts. They never speak to Mr. Payne with covered heads.
-
-"There is a funicular railway up this mountain, but it does not work at
-night, and we thus have a taste of the vanishing Past. Far more
-effective, this railway, for it climbs the hill boldly and with
-uncovered sides, whilst our old road is hemmed in by high vineyard
-walls, and the straining of the little goaded oxen is amongst those
-belongings of the Past which I will gladly see vanish with it.
-
-[Illustration: "IN THE HOLLOW OF HIS HAND"]
-
-"On our way up the incline, which would be impossible to horses and to
-wheels, our kind _cicerone_ invited us to see his garden and the view of
-the bay and the great ocean which was swelling away in the light towards
-Morocco. It was a lovely garden, and we crept about it round the little
-cosy house, and looked up at the closed shutters, within which _la
-famille Payne_ lay slumbering. We even went on tip-toe through the
-sitting-rooms, which the owner, looking as though he was burgling his
-own house, lit with a little lantern. In one there was a parrot asleep,
-in another an engraving of the 'Roll Call,' and again I began to think I
-might be dreaming and would wake, with tears, in Sloane Street. But the
-'dream' was solid and we continued our upward progress with four
-additional oxen to each sledge and double whooping, and swearing, and
-prodding, for the gradient now was terrific. At the end of the
-sledge track we halted, and, getting out, we climbed to the hill top on
-foot and from there beheld a lovely sight--deep valleys and vine-clad
-hills and the great ocean beyond, and our Castle Liner blazing with
-electric light more than 2000 feet below in the profound calm of Funchal
-Bay. The stars were very lustrous and the 'Scorpion's Heart' aflame with
-red and green. We then took a mysterious walk in brilliant moonlight and
-intense black shadow to the edge of a great ravine or _coral_, from the
-bottom of which rose the harsh sound of a torrent, invisible in the
-shadow. Sugarcanes waved in the night breeze and banana plants rustled
-and whispered, but no one was awake in all the land but our little
-party.
-
-"Dreamlike again, on our way back to where we had got out of the
-sledges, we had tea in another enchanted garden at 2 A.M. Our cabmen had
-hammered at that garden gate a long time, looking like stage peasants
-knocking at an operatic moonlit portal, before the waiter could be
-awakened, and by the time we returned from our walk the sleepy creature
-in tail coat, but minus his tie, was ready for us. When we passed that
-mysterious threshold we found ourselves in a garden full of the scent
-of box hedges and tinkling with fountains. We walked in the chequered
-shadow cast by palms and cypresses, and, soothed by the sound of running
-water, we felt we would like to stay there till the dawn. What a night
-to impress the children's minds with! Our tea was hilarious, in an
-arbour facing the ocean, but our hilarity was to reach its climax when
-we got into two toboggans, three people in each, and _slithered_ down
-the 2000 foot declivity which our oxen had so painfully and slowly drawn
-us up. The oxen had vanished with the sledges and the drivers, and a new
-set of men piloted us down the tremendous incline.
-
-"Nothing makes me laugh more than a toboggan in full flight with its
-helpless load. I had the pace moderated, in spite of protests, for I
-really did not care to have a variation of the too recent Bay of Biscay;
-but the toboggans got out of hand sometimes or had to be given their
-heads round the corners. It was vertigo then.
-
-"Ah, good night, or rather good morning, peerless Madeira!"
-
-Then followed days of blue weather and ever-increasing heat. A lonely
-voyage--not a sail to be seen. In that long-drawn-out monotony we made
-the most of trivialities.
-
-I read in my diary one night in the Tropics:--
-
-"There is to be a fancy-dress ball to-night, in connection with crossing
-the Line the other day, I suppose; the second class passengers are to
-come over and dance with the first class on the gaily decorated
-promenade deck. I am pleased at the appearance of the three children. C.
-has made up from some Eastern muslins a very coquettish Turkish costume
-with a little cap, which becomes her to my entire satisfaction. E. looks
-the typical 'duck' in a poke bonnet all over little pink roses, and I
-have buckled up little M. in a colonial cavalry 'rig,' slouched hat and
-all, Captain S. lending his sabre, which is somewhat longer than the
-temporary owner."
-
- * * * * *
-
-Here I must interpolate the statement of certain facts which will enable
-you more fully to sympathise with me in the catastrophe that closes this
-mid-ocean episode.
-
-You must know that white servants are impossible to find at the Cape,
-and one must bring all one's staff out with one, "for better, for
-worse," it may be for three, four, five years. If any turn out badly, it
-is true you may send them home, but--who is to replace them? I could
-not persuade my cook at Dover Castle to undertake this expatriation, her
-courage failing her at the last moment, and I had to find an untried
-substitute. She was a Dane with the blood of generations of bellicose
-Vikings coursing through her veins, and I had watched her daily on the
-other deck from afar with apprehensions.
-
- * * * * *
-
-"The ball is over and I feel decidedly limp. I thought I was going to
-have a pleasant evening. I was sitting with Lady ---- and all the others
-who were not masquerading, enjoying the sight of the figures in all
-kinds of extempore costumes appearing on the deck from below and
-mustering prior to setting to, the band playing a spirited waltz, when
-there slowly emerged from the saloon stairway, as though rising from the
-waves she rules--Britannia! First a high brass helmet with scarlet
-crest, then a trident held in one hand, a shield in the other, and the
-folds of the Union Jack draping her commanding form. She stepped on
-deck. 'I say,' said a voice, 'this is _the_ success of the evening; who
-is it?' 'Who is it?' you heard on every side. 'Who is it?' asked
-Lady ---- turning to me. 'My cook,' I faintly answered. The last speaker
-knew her South Africa, and all the possibilities of the future might
-have spoken in my face to judge by the choking laughter that caused her
-precipitate withdrawal. Each time she ventured back within sight of my
-smileless face the fit seized her again. Later on I saw Britannia
-dancing in a small set of Lancers hand in hand with the Marchioness.
-Shall I ever get her harnessed now?"
-
-I went back to hang over the bulwarks and lose myself among the stars.
-
-And so we made our way athwart the world. Each evening every one went to
-scan the chart where the little "atom's" progress was marked with, to
-us, an all too short pen-stroke, showing the distance covered in the
-last twenty-four hours. And in time the sad South Atlantic broke up the
-exquisite blue weather of the Tropics.
-
-The diary goes on: "To-night we saw the Pole Star set for the last time.
-A profound melancholy--a sense of losing a life-companion--falls on the
-mind. The child who has just seen its old nurse turn a bend in the road
-and disappear looks with rueful eyes on the bright newcomer. The
-Southern Cross and all the new stars will never fill the void left by
-the constellations which I have watched above the beloved scenes of the
-Northern World. My thoughts follow the Pole Star beyond the dark rim of
-the horizon. Dear old friend! I shall not feel content, no matter how
-beautiful I shall find the Southern heavens, till the joyful night when
-the captain of the Homeward Bound tells us we shall see thee rise. When
-will that be--in two--in three--years?"
-
-I spoke just now of the "sad" South Atlantic. To me it will always be
-the saddest part of the world. The sky above it loses the transparent
-and radiant quality of blue ("less blue than radiant," Mrs. Browning
-happily says of the Florentine sky) and takes more of a cobalt quality,
-and the tone of the sea follows suit. The effect of the diminishing
-warmth also chills one morally and physically, and one knows that the
-best is passed. The phrase, "a waste of waters," comes constantly to the
-mind.
-
-The following extract from the diary will show how this mournful
-sentiment of the South Atlantic was one day accentuated--stamped, as it
-were, with the seal of sorrow, on our return voyage, four days from Cape
-Town. "We had a burial at sea, the forlornest thing I have ever
-witnessed. A poor consumptive governess, travelling alone, died last
-night, who must have been far too ill to be put on board ship. She was
-buried at eleven this morning.
-
-"We were kneeling near the body, which lay on a bier shaped like a tray,
-covered with the Union Jack, at the open gangway overhanging the dreary
-tossing waters. Not a glimpse of blue sky above, the dense clouds shut
-it out. As she belonged to our Church, W., in uniform, read the prayers
-and Captain C. the responses. When the prayers were ended the bier was
-tilted by the six sailors who had been grasping it all through the
-service. The poor little body, sewn up in sacking, darted out, with a
-rattle of the leaden weights, from under the covering flag and fell with
-a loud splash into the black ocean; the flowers that had been placed on
-it scattered on the foam, and, as the ship scarcely stopped, these were
-soon left behind to sink and disappear. He who read the prayers said to
-me when all was over, 'Christ walks the waters as well as the land.'"
-
-Two days after I read: "A concert this evening, with some comic songs. I
-noticed the piano was draped with the same Union Jack that covered the
-poor girl two days ago."
-
- * * * * *
-
-One can hardly realize what a sailing voyage of this magnitude must have
-been in the old days. Our modern impatience can hardly endure the
-thought. The announcement one evening that at dawn we should sight Table
-Mountain was extremely pleasant. The arrival had the never-fading charm.
-"I see papa!" sang out little M. "How are the children?" hailed papa
-from the quay. "All well!" And we land on utterly new ground to begin a
-new experience. A short train journey, turning the flank of Table
-Mountain, brings us to our new home at Rosebank, where I find a pair of
-shapely Cape ponies harnessed to the Victoria awaiting us at the
-station.
-
-[Illustration: A CORNER OF OUR GARDEN AT ROSEBANK]
-
-
-
-
-CHAPTER II
-
-AT ROSEBANK, CAPE COLONY
-
-
-"Strange land; strange birds with startling cries; strange flowers;
-strange scents! I received a bouquet of welcome on my arrival composed
-of grass-green flowers with brilliant rose-coloured leaves. Where am I?
-_Where_ are the points of the compass?
-
-"I was watching the sun travelling to his setting this evening, and,
-forgetting I was perforce facing North to watch him, he seemed to be
-sloping down towards the East! And lo! when he was gone, the crescent
-moon on the wrong side of the sunset and turned the wrong way. And a
-cold south wind bringing melancholy messages from the Antarctic. 'There
-has been a storm in the south,' some one said, and the words struck
-drearily on my mind's ear.
-
-"My Bible, so full of imagery taken from the aspects of Nature, is
-turned inside out.
-
- Arise (depart), north wind; and come, O south wind; blow through my
- garden, and let the aromatical spices thereof flow (Canticles iv.
- 16).
-
-"My Shakespeare is upside down.
-
- At Christmas I no more desire a rose
- Than wish a snow in May's new-fangled mirth.--
- _Love's Labour's Lost._
-
-"Here roses load the Christmas air with sweetness, and May ushers in the
-snow upon the mountains.
-
- When proud-pied April, dress'd in all his trim,
- Hath put a spirit of youth in everything.--_Sonnet._
-
-"Here April is in the 'sear and yellow.'
-
-"Yesterday a furnace-blast swooped down upon us from the great deserts
-to the north, and I feel I shall never be myself while I continue to see
-my shadow at noonday projected southward. But enough of grumbling for
-the present.
-
-"Nowhere have I seen such starlight as streams upon the earth from the
-Milky Way, which belts the whole heavens here with silver. I don't know
-why I have never seen the Milky Way so distinct and splendid in the
-Northern Hemisphere. It is the glory of the South African nights, and I
-have the pleasure, too, of seeing the entire sweep of the 'Scorpion's'
-tail, superb scroll of blazing stars. I knew the Southern Cross would be
-disappointing, and so was not disappointed.
-
-"It gyrates over the Pole in a way to greatly astonish the uninitiated.
-The other evening, dressing for an evening function, I saw it before my
-window upright, and on coming home in the small hours, behold it on its
-head!
-
-"I cannot hope ever to convey to the mind of those who have not
-experienced Cape Colony the extraordinarily powerful local feeling of
-these days and nights. Melancholy they are--at least to me--but most,
-most beautiful and _pungently_ poetical. The aromatic quality of the
-odours that permeate the air suggests that word. Yet all is too strange
-to win the heart of a newcomer, however much his eyes and mind may be
-captivated.
-
-"If an artist wanted to accomplish that apparently impossible feat of
-painting Fairyland direct from Nature, without one touch supplied out
-of his own fancy, he would only have to come here. There are effects of
-light and colour on these landscapes that I never saw elsewhere. The
-ordinary laws seem set aside. For instance, you expect a palm-tree to
-tell dark against the sunset. Oh, dear me no, not necessarily here. I
-saw one a tender green, and the sand about it was in a haze of softest
-rose-colour, through which shone the vivid orange light of the sunset
-behind it. Incredible altogether are the colours at sunset, but all so
-fleeting. And there is no after-glow here as in Egypt and Italy; the
-instant the glory of the setting sun is gone all is over and all is
-grey.
-
-"Even the melancholy-quaint sound of the frogs through the night
-suggests fairy tales. It is appealing in its own way. I thought the
-Italian maremma frog noisy, but no one can imagine what an orgy of
-shrill croaking fills the nights here. They are everywhere, these
-irrepressibles, though invisible; near your head, far away, under your
-feet, at your side, in the tree-tops, in the streams, for ever springing
-their rattles with renewed zest. I shall never hear nocturnal frogs
-again without being transported to these regions of strange and
-melancholy nights.
-
-"Table Mountain rises square and precipitous above our garden, far
-above the simmer of the frogs, and looks like an altar in the pure white
-light that falls upon it from the Milky Way. How still, how holy in its
-repose of the long ages it looks, and the thought comes to one's mind,
-'Would that all the evil brought to South Africa by the finding of the
-gold could be gathered together and burnt on that altar as a peace
-offering!'
-
-"On this Rosebank side there is nothing that jars with the majestic
-feeling of Table Mountain, but to see what we English have done at its
-base on the other side, at Cape Town, is to see what man can do in his
-little way to outrage Nature's dignity. The Dutch never jarred; their
-old farm-houses with white walls, thatched roofs, green shutters, and
-rounded Flemish gables look most harmonious in this landscape. Wherever
-we have colonized there you will see the corrugated iron dwelling, the
-barbed-wire fence, the loathsome advertisement. We talk so much of the
-love of the beautiful, and yet no people do so much to spoil beauty as
-we do wherever we settle down, all the world over. I respect the Dutch
-saying; 'The eye must have something'--beauty is a necessity to moral
-health. A clear sky and a far horizon have more value to the national
-mind than we care to recognize, and though the smoking factory that
-falsifies England's skies and blurs her horizons may fill our pockets
-with gold, it makes us poorer by dulling our natures. I am sure that a
-clear physical horizon induces a clear mental one.
-
-"As you gaze, enraptured, at the rosy flush of evening on the mountains
-across "False Bay" from some vantage point on the road to Simon's Town,
-your eye is caught by staring letters in blatant colours in the
-foreground. "Keller's boots are the best"; "Guinea Gold Cigarettes"; "Go
-to the Little Dust Pan, Cape Town, for your Kitchen things." I _won't_
-go to the Little Dust Pan. Of all the horrors, a dust pan at Cape Town,
-where your eyes are probably full enough of dust already from the arid
-streets, and your face stinging with the pebbles blown into it by a
-bitter "sou'easter"? I once said in Egypt I knew nothing more trying
-than paying calls in a "hamseem," but a Cape Town "sou'easter"
-disarraying you, under similar circumstances, is a great deal more
-exasperating.
-
-"I am told the Old Cape Town, when Johannesburg was as yet dormant, was
-a simple and comely place--its white houses, so well adapted to this
-intensely sunny climate, were deep set in wooded gardens, a few of
-which have so far escaped the claws of the jerry builder. (O United
-States, what things you send us--"jerry," "shoddy" ----!) But now the
-glaring streets, much too wide, and left unfinished, are lined with
-American "Stores" with cast-iron porticoes, above which rise buildings
-of most pretentious yet nondescript architecture, and the ragged
-outskirts present stretches of corrugated iron shanties which positively
-rattle back the clatter of a passing train or tram-car. And all around
-lie the dust bins of the population, the battered tin can, the derelict
-boot. No authorities seem yet to have been established to prevent the
-populace, white, brown, and black, from throwing out all their old
-refuse where they like. Some day things may be taken in hand, but at
-present this half-baked civilization produces very dreadful results.
-There is promise of what, some day, may be done in the pleasing red
-Parliament House and the beautiful public gardens of the upper town.
-There is such a rush for gold, you see! No one cares for poor Cape Town
-_as_ a town. The adventurer is essentially a bird of passage. Man and
-Nature contrast more unfavourably to the former here than elsewhere, and
-the lines,
-
- Where every prospect pleases
- And only man is vile,
-
-ring in my ears all day.
-
-"Altogether our Eden here is sadly damaged, and I am sorry it should be
-my compatriots who are chiefly answerable for the ugly patches on so
-surpassingly beautiful a scene. Our sophisticated life, too, is out of
-place in this unfinished country, and we ought to live more simply, as
-the Dutch do, and not feel it necessary to carry on the same _ménage_ as
-in London. Liveried servants in tall hats and cockades irritate me under
-such a sun, and the butler in his white choker makes me gasp. An
-extravagant London-trained cook is more than ever trying where all
-provisions are so absurdly dear. The native servant in his own suitable
-dress, as in India and Egypt, does not exist down here.
-
-"One of the chief reasons, I find, as I settle down in my new
-surroundings, for the feeling of incompleteness which I experience, is
-the fact of this country's having no history. We get forlorn glimpses of
-the Past, when the old Dutch settlers used to hear the roar of the lions
-outside Cape Town Fort of nights; and, further back, we get such peeps
-as the quaint narratives of the early explorers allow us, but
-beyond those there is the great dark void.
-
-[Illustration: THE INVERTED CRESCENT]
-
-"This is all from my own point of view, and I know there is one, an
-Africander born,[1] who, with strong and vivid pen, writes with sympathy
-of the charms of Italy, but only expands into heartfelt home-fervour
-when returning to the red soil and atmospheric glamour of her native
-veldt. This personal way of looking at things makes the value of all
-art, literary and pictorial, to my mind. Set two artists of equal merit
-to paint the same scene together; the two pictures will be quite unlike
-each other. I am of those who believe that picture will live longest
-which contains the most of the author's own thought, provided the
-author's thought is worthy, and the technical qualities are good, well
-understood."
-
- [1] Olive Schreiner.
-
-I will end my South African sketch by one more page of diary, which, in
-recording a day's expedition to the Paarl, gives an impression of the
-Cape landscape which may stand as typical of all its inland scenery.
-
-"On Whitsun-eve we had a most enchanting expedition to Stellenbosch and
-the Paarl, which I will describe here. W., I, the children, and the
-B.'s, formed the party. We left home just at sunrise, the heavy dew
-warning us of a very hot winter's day, though it was then cold enough.
-We took the train to Stellenbosch, and I was in ecstasies over the
-perfect loveliness of the scenes we passed through as the train climbed
-the incline towards those deeply serrated mountains which we were to
-pierce by and by. Looking back as we rose I could more fully appreciate
-the majestic proportions of Table Mountain, at whose base we live, and,
-when a long way off it stood above the plain in solitude, disclosed in
-its entirety, pale amethyst in the white morning light, I was more than
-ever filled with a sense of the majesty of this land which this
-dominating mountain seemed to gather up into itself and typify.
-
-"Quite different in outline are the fantastic mountains we passed
-athwart to-day, and nowhere have I seen such intense unmixed ultramarine
-shadows as those that palpitate in their deep kloofs in contrast with
-the rosy warmth of their sunlit buttresses and jagged peaks. And as to
-the foregrounds here, when you get into the primeval wilderness, what
-words can I find to give an idea of their colouring, and of the
-profusion of the wild shrubs, all so spiky and aromatic, and some so
-weird, so strange, that cover the sandy plains? Here are some notes. In
-distance, blue mountains; middle distance, pine woods, dark; in
-foreground, gold-coloured shrubs, islanded in masses of bronze foliage
-full of immense thistle-shaped pink and white flowers; bright green
-rushes standing eight feet high, with brown heads waving; black cattle
-knee-deep in the rich herbage and a silver-grey stork slowly floating
-across the blue of the still sky.
-
-"But this most paintable and decorative vegetation is not friendly to
-the intruder. These exquisitely toned shrubs with wild strong forms are
-full of repellent spikes which, like bayonets, they seem to level at you
-if, lured by the gentle perfume of their blossoms, you approach eye and
-nose too near. Depend upon it, this country was intended for
-thick-skinned blacks.
-
-"As you get farther from town influences there appear much better human
-forms in the landscape, and to-day I was greatly struck with the
-appearance of an ox-waggon drawn by twelve big-horned beasts, and upon
-its piled-up load stood picturesque male and female Malays in white and
-gay colours--quite a triumphal car. A negro with immense whip walked by
-the side, and behind rose a long avenue of old stone-pines, and at the
-end of the vista the blue sky. These stone-pine avenues that border the
-red-earthed highways are among the most delightful of the many local
-beauties of the Cape, and such stone-pines! Old giants bigger than any I
-have seen on the Riviera. There are dense forests of them here, lovely
-things to look down on, with their soft, velvety masses of round tops of
-a rich dark green, looking like one solid mass. The wise Dutch who
-planted them had a law whereby any one felling one of these pines was
-bound to plant two saplings in its stead. We are doing a great deal of
-the felling without the planting.
-
-"At Stellenbosch we got out, and, to my pleasure, I saw a long sort of
-char-à-banc driven at a hand gallop into the station yard, drawn by
-three mules and three horses--the vehicle ordered by W. to convey us to
-the 'Paarl.' And why 'Paarl'? Deep among the mountains rises a double
-peak, bearing imbedded in each summit an immense smooth rock rounded
-like a black titanic 'Pearl' that glistens in the sun as it beats on its
-polished surface. Thither we blithely sped, one driver holding the
-multitudinous reins of our mixed team, the other manoeuvering with
-both hands his immensely long whip, the gyrations of the thong being an
-interesting thing to watch as he touched up now this beast and now that.
-They have a way in this country of keeping up a uniform trot uphill,
-downhill, and on the level, but stopping frequently to breathe the
-team." (Ah! give me road travel with horses--it is more _human_ than the
-motor!) "After an enchanting stage through wild mountain gorges we came
-to an oak fixed upon by W. beforehand as marking our halting place, and
-there the six beasts were 'out-spanned.' The simple harness was just
-slipped off and laid along on the road where the animals stood, and then
-they were allowed to stray into the wild, tumbling bush as they liked
-and have a roll, if so minded. Then we lit a fire and spread our repast
-under the shade of the oak at the edge of a wood that sloped down to a
-mountain stream. All round the solemn mountains, all about us fragrant
-aromatic flowers and the call of wild African birds! I can well
-understand the passionate love an Africander-born must feel for his
-country. I know none that has such strong, saturating local sentiment.
-The horses and mules, whose feet I had espied several times waving in
-spurts of rolling above the undergrowth, being collected and
-'in-spanned,' we set off for the Paarl Station and descended back into
-the Plain by rail at sunset; and as we left the mountains behind us they
-were flushing in the glory from the West, their shadows remaining of the
-same astonishing ultramarine they had kept all day. In any other country
-the blue would have changed somewhat, but here I don't expect anything
-to follow any known rules--I accept the phenomena of things around me as
-time goes on, and have ceased to wonder. Oh! vision of loveliness,
-strange and unique, which this day has given me, never to be forgotten."
-
- * * * * *
-
-My great regret is that I had so little time to ply my paints and try at
-least to make studies which would now be very precious to me. How little
-I knew the shortness of my sojourn! The two little Cape ponies (with
-much of the Arab in them) were in almost daily requisition along those
-great pine-bordered, red-earthed roads, to take me for my return calls,
-or a portion of them. I fear I left many unreturned towards the end.
-There were the Dutch as well as the English, a large circle. I had
-sketching expeditions projected which never came off, with a clever
-Dutch lady, who did charming water-colours of beautiful Constantia and
-the striking country above Simon's Bay, and the true "Cape of Good
-Hope" beyond. She had battled with snakes in the pursuit of her art, and
-in the woods had sustained the stone-throwing of the baboons, who made a
-target of her as she sat at work. I was willing for the baboon
-bombardment, and even would chance the snakes, as one chances
-everything, to wrest but a poor little water-colour from nature.
-
-Two events which, in that tremendous year '99, were of more than usual
-importance loom large in my memory of the Cape--that is, the Queen's
-Birthday Review in May, and the opening of Parliament on the 14th July.
-The Birthday Review on the Plain at Green Point was the ditto of others
-I had seen on the sands of Egypt, on the green sward of Laffan's Plain
-at Aldershot, on the Dover Esplanade, and wherever W. had been in
-command; but this time, as he rode up on his big grey to give the
-Governor the Royal Salute before leading the "Three Cheers for Her
-Majesty the Queen!" a prophet might have seen the War Spectre moving
-through the ranks of red-coats behind the General.
-
-At the opening of Parliament we ladies almost filled the centre of the
-"House," and I was able to study the scene from very close. The Dutch
-Members, on being presented to the Speaker, took the oath by raising the
-right hand, whereas the English, of course, kissed the Book. The
-proceedings were all on the lines followed at Westminster, the Governor
-keeping his hat on as representing the Sovereign. The opening words of
-"the Speech from the Throne" sounded hollow. They proclaimed amongst
-other things _urbi et orbi_, that we were at peace with the South
-African Republics.
-
- * * * * *
-
-"And now," says the diary, "Good-bye, South Africa, for ever! I am glad
-that in you I have had experience of one of the most enchanting portions
-of this earth!"
-
- * * * * *
-
-As you know that experience only lasted five months after all. We left
-on the 23rd August '99 on a day of blinding rain, which, as the ship
-moved off, drew like a curtain across that country which I felt we were
-leaving to a fast-approaching trouble. The war cloud was descending. It
-burst in blood and fire a few weeks later and deepened the sense of
-melancholy with which I shall ever think of that far-away land.
-
-[Illustration: THE CAPE "FLATS"]
-
-
-
-
-IV
-
-ITALY
-
-[Illustration]
-
-[Illustration: BRINGING IN THE GRAPES]
-
-
-
-
-CHAPTER I
-
-VINTAGE-TIME IN TUSCANY
-
-
-[Illustration]
-
-A descent from the Apennine on a September evening into Tuscany, with
-the moon nearly full--that moon which in a few days will be shining in
-all its power upon the delights of the vintage week--this I want to
-recall to you who have shared the pleasure of such an experience with
-me.
-
-A descent into the Garden of Italy, spread out wide in a haze of warm
-air--can custom stale the feeling which that brings to heart and mind?
-
-Railway travel has its poetry, its sudden and emotional contrasts and
-surprises. But a few hours ago we were in the foggy drizzle of an autumn
-morning at Charing Cross, and, ere we have time to be fagged by a
-too-long journey, our eyes and brain receive the image of the Tuscan
-plain!
-
-The train slows down for a moment on emerging from the last tunnel at
-the top of the mountain barrier; the grinding brakes are still, and for
-a precious instant we listen at the window for the old summer night
-sounds we remember and love. Yes! there they are; there _he_ is, the
-dear old chirping, drumming, droning night-beetle in myriads at his old
-penetrating song, persistent as the sicala's through the dog days, local
-in its suggestiveness as the corncrake's endless saw among the
-meadow-sweet all through the Irish summer night.
-
-But, _avanti!_ Down the winding track with flying sparks from the locked
-wheels, every metre to the good; down to the red domes of Pistoja;
-forward, then, on the level, to Florence and all it holds.
-
-How we English do love Italy! Somewhere in our colder nature flows a
-warm Gulf Stream of love for what is sunny and clear-skied and genial,
-and I think I may say, though my compatriots little realize it, that the
-evidences of a living faith which are inseparable from Italian landscape
-greatly add to the charm that attracts us to this land. What would her
-hills be if decapitated of the convents on their summits, with each its
-cypress-lined _Via Crucis_ winding up the hillside? The time of the
-after-glow would be voiceless if deprived of the ringing of the Angelus.
-Dimly we perceive these things, or hardly recognise them as facts--nay,
-many of us still protest, _but they draw us to Italy_.
-
-And now the arrival at Florence. The pleasure of dwelling on that
-arrival, when on the platform our friends await us with the sun of Italy
-in their looks! Then away we go with them in carriages drawn by those
-fast-trotting Tuscan ponies that are my wonder and admiration, with
-crack of whip and jingle of bells along the white moon-lit road to the
-great villa at Signa, where the vintage is about to begin.
-
-To recall the happy labour of those precious three days of grape-picking
-in the mellow heat on the hillside, and then the all-pervading fumes of
-fermenting wine of the succeeding period in the courtyard of the
-_Fattoria_; the dull red hue of the crushed grapes that dyes all things,
-animate and inanimate, within the sphere of work, is one of the most
-grateful efforts of my memory. I see again the handsome laughing
-peasants, the white oxen, the flights of pigeons across the blue of the
-sky. The mental relaxation amidst all this activity of wholesome and
-natural labour, the complete change of scene, afford a blessed rest to
-one who has worked hard through a London winter and got very tired of a
-London season. It is a patriarchal life here, and the atmosphere of good
-humour between landlord and tenant seems to show the land laws and
-customs of Tuscany to be in need of no reformer, the master and the man
-appearing to be nearer contentment than is the case anywhere else that I
-know of. You and I saw a very cheery specimen of the land system at
-grand old Caravaggio.
-
-[Illustration: A SON OF THE SOIL, RIVIERA DI LEVANTE]
-
-Then the evenings! I know it is trite to talk of guitars and tenor
-voices under the moonlight, but Italy woos you back to many things we
-call "used up" elsewhere, and there is positive refreshment in
-hearing those light tenor voices, expressive of the light heart, singing
-the ever-charming _stornellos_ of the country as we sit under the
-pergola after dinner each evening. The neighbours drop in and the guitar
-goes round with the coffee. Everybody sings who can, and, truth to say,
-some who can't. Many warm thanks to our kind friends, English and
-Italian (some are gone!), who gave you and me such unforgettable
-hospitality in '75, '76.
-
-But lest all these guitarings and airy nothings of the gentle social
-life here should become oversweet, we can slip away from the rose-garden
-and climb up into the vineyards of the rustic _podere_ that speak of
-wholesome peasant labour, of tillage--the first principle of man's
-existence on earth--and, among the practical pole-vines that bear the
-true wine-making grapes (not the dessert fruit of the garden _pergola_),
-have a quiet talk.
-
-The starry sky is disclosed almost round the entire circle of the
-horizon, with "_Firenze la gentile_" in the distance on our right, the
-Apennine in front, and the sleeping plain trending away to the left to
-be lost in mystery. I want to talk to you of our experience of Italy the
-Beloved, from our earliest childhood until to-day.
-
-What a happy chance it was that our parents should have been so taken
-with the _Riviera di Levante_ as to return there winter after winter,
-alternately with the summers spent in gentle Kent or Surrey, during our
-childhood; not the French Riviera which has since become so
-sophisticated, but that purely Italian stretch of coast to the east of
-Genoa, ending in Porto Fino, that promontory which you and I will always
-hold as a sacred bit of the world. Why? There are as lovely promontories
-jutting out into the Mediterranean elsewhere? The child's love for the
-scenes of its early friendships with nature is a jealous love.
-
-Our relations by marriage with the B. family admitted us into the centre
-of a very typical Italian home of the old order. I suppose that life was
-very like the life of eighteenth-century England--the domestic habits
-were curiously alike, and I cannot say I regret that their vogue is
-passing. We are thought to be so ridiculously fastidious, _noi altri
-inglesi_, and our parents were certainly not exceptional in this
-respect, and suffered accordingly.
-
-The master of the house, the autocratic _padrone_, had been in the
-Italian Legion in Napoleon's Russian campaign, as you may remember, and
-the retreat from Moscow had apparently left certain indelible
-cicatrices on the old gentleman's temper. I can hear his stentorian
-voice even now calling to the servant (I think there was only one
-"living in," though there were about a dozen hangers-on) in the rambling
-old Palazzo without bells. "O--O--O, Mariuccia!" "Padrone!" you heard in
-a feminine treble from the remote regions of the kitchen upstairs,
-somewhere. Mariuccia would generally get a bit of the Italian
-legionary's mind when she came tumbling down the marble stairs. Madame
-la Generale appeared in the morning with a red handkerchief on her head
-and remained in corsetless _déshabillé_ till the afternoon. Genoese was
-the home language, French was for society. No one spoke real Italian.
-They had not yet begun to "Toscaneggiare," as it grew to be the fashion
-to do when Italy became united. Don't you dislike to hear them?
-
-What recollections our parents carried away from those visits to the
-Nervi household! How we used to love to hear mamma's accounts, for
-instance, of the night Lord Minto came to tea. Madame Gioconda had put
-the whole pound of choice green tea which she had bought at the English
-shop in Genoa into a large tea-pot requisitioned for this rare English
-occasion. Poor mamma had the pouring of it out, and no deluges of hot
-water, brought by the astonished Mariuccia, could tame that ferocious
-beverage. I am sure the brave General never got more completely
-"bothered" by the Russian cannon than he did by the "gun-powder" that
-evening. Nowadays such a mistake could not happen when _il thè_ is quite
-the fashion.
-
-Italians still think it the right thing to visit England in November and
-go to Liverpool, Manchester, and Birmingham for their informing little
-tour. In those remote days it was the only way in which the few that
-ever ventured so far saw our lovely land. Mamma was constantly sent into
-a state of suppressed indignation by the stereotyped question, "Are
-there any flowers in England?" But I have not done with the old General.
-I remember we were so frightened of that Tartar that Papa used to have
-to propel us into the Presence, when, in the evenings, every one, big
-and little, sat down to dominoes or "tombola." Syrup and water and
-little cakes made of chestnut flour refreshed the company. The General's
-snuff was in the syrup, I firmly believed. We looked like two little
-martyrs as we went up to salute those shaking yellow cheeks on being
-sent to bed. Why are children put to these ordeals?
-
-The living was frugal, the real "simple life" which some of us in
-England are pretending to lead to-day. But on certain occasions, such as
-Shrove Tuesday, for instance, ah! no effects of oriental feasting could
-surpass the repletion with which each guest left the festive board.
-Mariuccia had help for three days previous to such regalings, during
-which one heard the tapping of the chopper in the kitchen, preparing the
-force-meat for the national dish, the succulent _ravioli_, as one passed
-within earshot of that remote vaulted hall.
-
-And do you remember (you are a year my junior, and a year makes a great
-difference in the child's mind) a certain night when there was a ball at
-our villa on the Albaro shore, and the shutters of the great "_sala_"
-were thrown open to let in the moonlight at midnight? A small barque lay
-in the offing, surrounded by little boats, and a cheer came over the sea
-in answer to what the people over there, seeing the sudden illumination
-from the chandeliers, took for our flashing signal of "God-speed!" They
-were a detachment of Garibaldi's Redshirts on their way to liberate
-Southern Italy. The grown-ups on our side went down to supper, and our
-little cropped heads remained looking at the barque in the moon's broad
-reflection long after we were supposed to be asleep. I had seen the
-Liberator himself talking to the gardener at the ----'s villa, where he
-was staying, at Quarto, the day before he sailed for Messina.
-
-We were certainly an unconventional family, and we were so happy in our
-rovings through the land of sun. But if you and I are inclined to bemoan
-too much modernism in that Italy we so jealously love, oh! do not let us
-forget the gloom of some of those old palaces which we had a mind to
-inhabit a _l'Italienne_, on bad winter nights--the old three-beaked oil
-lamps in the bedrooms serving, as our dear father used to say, only to
-"make darkness visible"--the wind during the great storms setting some
-loose shutter flapping in uninhabited upper regions of the house; the
-dark places which Charles Dickens in his _Pictures from Italy_ says he
-noticed in all the Italian houses he slept in on his tour, which were
-not wholly innocent of scorpions. The marble floors and the paucity of
-fireplaces did not give comfort for the short winters; but how glorious
-those old houses became as soon as the cold was gone; shabby,
-ramshackle, and splendid, we loved them "for all in all."
-
-In certain things modern Italy affords us an easier life. We are given
-to nagging at the Italians for their dreadful want of taste in spoiling
-the beauty of their cities, but in the old days we were nagging at them
-for their dirt. Now Rome is the cleanest capital in the world. Some one
-said it is more than clean, it is dusted. And is not the Society for the
-Protection of Animals in _existence_, at least? With what derision such
-an institution would have been heard of in our childhood's days--a
-suggestion of those "mad English."
-
-Do you call to mind what scenes used to occur whenever mamma came out
-with us, between her and the muleteers? I can see her now, in the
-fulness of her English beauty, flying out one day at a carter for
-flogging and kicking his mules that were hardly able to drag a load up
-the Albaro Hill. This was the dialogue. Mamma--"_Voi siete un cattivo!_"
-Muleteer--"_E voi siete bella!_" Mamma--"_Voi siete un birbante!_"
-Muleteer--"_E voi siete bella!_" Mamma--"_Voi siete uno scelerato!_"
-Muleteer--"_E voi siete bella!_" And so on, till we had reached the
-bottom of the cruel hill, mamma at the end of her _crescendo_ of
-fulminations and the man's voice, still calling "_E voi siete bella_"
-in imitation of her un-Genoese phraseology, lost in distance at the top.
-"I shall get a fit some day," were her first English words. Poor dear
-mother, the shooting of the singing-birds in spring, the dirt, the
-noise, the flies, the mosquitoes--so many thorns in her Italian rose!
-Yet how she loved that rose, but not more than the sweet violet of our
-England that had no such thorns. The music in the churches, too, was
-trying in those days, and to none more so than to that music-loving
-soul. We have seen her doing her best to fix her mind on her devotions,
-with her fingers in her ears, and her face puckered up into an
-excruciated bunch. I hope Pius X. has enforced the plain-chant
-everywhere, and stopped those raspings of secular waltzes on sour
-fiddles that were supposed to aid our fervour. But I am nagging. As a
-Northerner, I have no right to lecture the Italians as to what sort of
-music is best for devotion, nor to tell them that the dressing of their
-sacred images in gaudy finery on festival days is not the way to deepen
-reverence. The Italians do what suits them best in these matters, and if
-our English taste is offended let us stay at home.
-
-Well, well, here below there is nothing bright without its shadow. When
-we had the delicious national costumes we had the dirt and the cruelty.
-But why, I ask, cannot we keep the national dress, the local customs,
-the picturesqueness while we gain the cleanly and the kind? Every time I
-revisit Italy I miss another bit of colour and pleasing form amongst the
-populations. In Rome not a cloak is to be seen on the citizens, that
-black cloak lined with red or green they used to throw over the left
-shoulder, toga-wise--only old left-off ulsters or overcoats from Paris
-or Berlin. Not a red cap on the men of Genoa; the _pezzotto_ and
-_mezzero_, most feminine headgear for the women, are extinct there.
-Ladies in Rome are even shy of wearing the black mantilla to go to the
-Vatican, and put it on in the cloak-room of the palace, removing it
-again to put on the barbarous Parisian hat for the streets. When we
-foreign ladies drive in our mantillas to the Audiences we are stared at!
-Even my old friends the red, blue, and green umbrellas of portly
-dimensions, formerly dear to the clergy, no longer light up the sombre
-clerical garb. Did I not see a flight of bare-footed Capuchins, last
-time in Rome, put up, every monk of them, a black Gingham when a shower
-came on, and I was expecting an efflorescence of my fondly-remembered
-Gamps? Next time I go the other bit of clerical colour will have
-vanished, and I shall find them using white pocket-handkerchiefs instead
-of the effective red bandana.
-
-Well, but, you are told, the beggars are cleared out, those persistent
-unfortunates who used to thrust their deformities and diseases before
-you wherever you turned, with the wailing refrain, "_Misericordia,
-signore!_" "_Un povero zoppo!_" "_Un cieco!_" "_Ho fame!_" etc. etc. But
-they sunned themselves and ate their bread and onions where they liked
-(not where _we_ liked) in perfect liberty. Where are they now? In dreary
-poorhouses, I suppose, out of sight, regularly fed and truly miserable.
-I am afraid that much of our modern comfort is owing simply to the
-covering up of unpleasantnesses. In the East, especially, life is seen
-with the cover taken off, and many painful sights and many startling
-bits of the reality of life spoil the sunshine for us there for a while.
-But worse things are in the London streets, only "respectably" covered
-up, and I am sure that more cruelty is committed by the ever-increasing
-secret work of the vivisector than ever wrung the heart of the
-compassionate in the old days in the open street.
-
-And there, as we sit on the hillside above Signa, lies Florence, just
-discernible in the far-off plain, where I learnt so much of my art.
-Those frescoes of Masaccio, Andrea del Sarto, and all those masters of
-the human face who revelled in painting every variety of human type, how
-they augmented my taste that way! Nothing annoyed me so much as the
-palpable use of one model in a crowded composition. Take a dinner-party
-at table--will you ever see two noses alike as you run your eye along
-the guests? Even in a regiment of evenly matched troops, all of one
-nationality, I ask you to show me two men in the ranks sharing the same
-nose!
-
-Ah! those days I spent in the cloisters of the SS. Annuziata, making
-pencil copies of Andrea's figures in the series of frescoes illustrating
-the life of St Philip. It was summer-time, and the tourists only came
-bothering me towards the end. That hot summer, when I used to march into
-Florence, accompanied by little Majolina, in the still-early mornings,
-when the sicala was not yet in full chirp for the day! Four days a week
-to my master's studio under the shadow of the Medici Chapel, and two to
-my dear cloisters; the Sunday at our villa under Fiesole. Happy girl!
-
-I see in my diary this brilliant adaptation of Coleridge's lines--
-
- "'Tis sweet to him who all the week
- Through city crowds must push his way, etc."
-
- 'Tis sweet to her who all the week
- With brush and paint must work her way
- To stroll thro' florence vineyards cool
- And hallow thus the Sabbath Day.
-
-I have much to thank my master Guiseppe Bellucci for, who drilled me so
-severely, carrying on the instruction I had the advantage to receive
-from thorough-going Richard Burchett the head-master at South
-Kensington--never-to-be-forgotten South Kensington.
-
-It seems a shame to be saying so much about Florence and not to pause a
-few minutes to give the other a little hand-shake in passing. There I
-began my art-student life, than which no part of an artist's career can
-be more free from care or more buoyed up with aspirations for the
-future. Dear early days spent with those bright and generous comrades,
-my fellow-students, so full of enthusiasm over what they called my
-"promise"--I have all those days chronicled in the old diaries. There I
-recall the day I was promoted to the "Life Class" from the "Antique"--a
-joyful epoch; and the Sketching Club where "old D----," the second
-master, used to give "Best" nearly every time to Kate Greenaway and
-"Second Best" to me. What joy when I got a "Best" one fine day. She and
-I raced neck and neck with those sketches after that. The "Life Class"
-was absorbingly interesting. But how nervous and excited I felt at
-grappling with my first living model. He was a fine old man (but with a
-bibulous eye) costumed to represent "Cranmer walking to the Tower." I
-see in the diary, "Cranmer walked rather unsteadily to the Tower to-day,
-and we all did badly in consequence." Then came one of Cromwell's
-Ironsides whose morion gave him a perpetual headache, followed by my
-first full-length, a costume model in tights and slashed doublet whom we
-spitefully called "Spindle-Shanks" and greatly disliked. What was my
-surprise, long years afterwards, to stumble upon my "Spindle-Shanks" as
-"'Christopher Columbus,' by the celebrated painter of etc. etc." I then
-remembered I had made a present of him, when finished, to our "char,"
-much to her embarrassment, I should think. However, she seems to have
-got rid of the "white elephant" with profit to herself in course of
-time. But I must not let myself loose on those glorious student days, so
-full of work and of play, otherwise I would wander too far away from my
-subject. It was tempting to linger over that hand-shake.
-
-I don't think I ever felt such heat as in Florence. As the July sun was
-sending every one out of the baking city, shutting up the House of
-Deputies, and generally taking the pith out of things, I remember
-Bellucci coming into the studio one day with his hair in wisps, and
-hinting that it would be as well for me to give myself _un mesetto di
-riposo_. I did take that "little month of rest" at our villa, and
-sketched the people and the oxen, and mixed a great deal in peasant
-society, benefitting thereby in the loss of my Genoese twang under the
-influence of their most grammatical Tuscan. The peasant is the most
-honourable, religious, and philosophical of mankind. I feel always safe
-with peasants and like their conversation and ways. They lead the
-natural life. Before daylight, in midsummer, one heard them directing
-their oxen at the plough, and after the mid-day siesta they were back at
-their work till the Ave Maria. It was a large family that inhabited the
-peasant quarters of our villa and worked the landlord's vineyards. How
-they delighted in my sketches, in giving me sittings in the intervals of
-work, in seeing me doing amateur harvesting with a sickle and helping
-(?) them to bind the wheat sheaves and sift the grain. I must often
-have been in the way, now I think of it, but never a hint did these
-ladies and gentlemen of the horny hand allow to escape to my confusion.
-Carlotta, the eldest girl, read me some of the "Jerusalem Delivered" one
-full-moon night, to show me how easily one could read small print by the
-Italian moonlight. Her mother invited me to dine with the family one day
-as they were having a rare repast. Cencio had found two hedgehogs in a
-hollow olive-tree, and the _ragout_ that ensued must be tasted by the
-_signorina_. Through the door of the kitchen where we dined on that
-occasion the two white oxen were seen reposing in the next apartment
-after their morning's work. After tasting the _spinoso_ stew, I begged
-to be allowed to take a stool in the corner and sketch the whole family
-at table, and with the perfect grace of those people I was welcomed to
-do so, and I got them all in as they sucked their hedgehog bones in
-concert. You were reading Keats in one of the arbours, meanwhile, I
-remember.
-
-I loved those days at Florence where I felt I was making the most of my
-time and getting on towards the day when I should paint my first "real"
-picture. When next I visited Florence with you for those memorable
-vintages at Caravaggio in '75, '76, which I recalled just now to your
-remembrance, I had painted my first "real" picture and received in
-London more welcome than I deserved or hoped for.
-
-Twice I have revisited the outside of my Florentine studio in recent
-years, not daring to go in. Bellucci is long dead and I don't know who
-is there now. Standing under that tall window I have reviewed my career
-since the days I worked there. I rejoice to know that my best works are
-nearly all in public galleries or in the keeping of my Sovereign. To the
-artist, the idea of his works changing hands is never a restful one.
-
-[Illustration]
-
-[Illustration]
-
-
-
-
-CHAPTER II
-
-SIENNA, PERUGIA, AND VESUVIUS
-
-
-A two days' excursion to Sienna at the close of our second vintage at
-Caravaggio was a fit _finale_ to the last visit you and I ever paid to
-Italy _en garçon_.
-
-From Tuscany to Etruria--deeper still into the luxury of associating
-with the past. Honey-coloured Sienna! It dwells in my memory bathed in
-sunshine; the little city like a golden cup overflowing with the riches
-it can scarcely hold; the home of St. Catherine and the scene of her
-ecstasies and superhuman endeavours: the battlefield of St. Bernardine's
-manful struggle against vice and luxury and gambling, so rampant and
-unabashed in his time. Everywhere in this city you see, sculptured on
-circular plaques of old white marble, let into the walls in street and
-square, that monogram which all denominations of Christians know so
-well, the I.H.S. with the Cross--_Jesus Hominum Salvator_. Whether the
-engraved characters seen on the tombs in the Roman Catacombs were or
-were not identical with those three initials and their significance,
-they were so regarded by all the Churches for centuries, and the
-monogram which St. Bernardine caused to be set up in this way throughout
-Sienna was moulded on them in that belief. It was he who caused this
-emblem to be so placed that the reluctant public eye could not wholly
-avoid it, and who had it illuminated on tablets which he held up to his
-congregations at the end of his rousing sermons, thus making that appeal
-to the mind through the eye which he relied upon as one of his most
-effectual levers. One may say he morally forced the people to recognise
-and venerate that Name once more.
-
-Upon the carved coats-of-arms of Guelph and Ghibelline, which seemed to
-gird at each other from the walls, he imposed this sign of peace, and
-hence the multiplicity of these lovely symbols I am trying to
-recall. They are seals which his strong hand stamped upon his native
-place.
-
-[Illustration: PLOUGHING IN TUSCANY]
-
-Like all the great saints, Bernardine was practical. The manufacturers
-of playing-cards and dice, finding their customers leaving them in
-ever-increasing numbers to follow the Franciscan with a fervour which
-reached to extraordinary heights, brought their complaints to him.
-Bankruptcy was upon them. "Turn your talent to painting this Name on
-cards and sell them to the people." This was done, and these little
-tablets with the "I.H.S." became endowed with a peculiar sanctity to the
-purchasers and sold well, so that little fortunes flowed in to fill the
-void left by the fall in playing-cards. All these we spoke of on the
-spot, I remember, and I write these words to you who know it all better
-than I do, to show you I have not forgotten.
-
-Sometimes the monogram is inserted in the marble discs in gold on a blue
-ground. Do you see again those circles of warm white marble, those
-shining letters surrounded with golden rays on the blue centre, the
-reflected light in the hollows of the carving, the Italian sky above?
-These Siennese blank walls are better employed than those of modern
-Rome, where we may see somebody's soap or blacking belauded in our
-mother tongue _ad nauseam_.
-
-"A city set on a hill cannot be hid." How high Sienna is set! A lovelier
-bit of man's workmanship was never held aloft for man to see.
-
-"To appreciate the outside aspect of Sienna we drove out" (I see in my
-diary) "to the fortress-villa of Belcaro, with an introduction to the
-owner, a recluse, who, though he has been to London once, somewhere in
-the 'forties, has never been to Sienna.
-
-"The drive to this historic villa was through a perfect Pre-Raphaelite
-landscape, full of highly-cultivated hillocks, above which the grander
-distant country unfolded itself. I apologized to the old Masters for
-what I had said of their landscape backgrounds before I had seen the
-Siennese middle distances whose type seems to have inspired so many of
-them.
-
-"Each turn in the road gave us a new aspect of the golden-brown city
-behind us, on its steep hill. Perhaps the most effective view of it is
-from near Belcaro, where you get the dark stone-pines in the immediate
-foreground.
-
-"And the interior of the city! Those narrow streets they call here
-_rughe_ and _costarelle_ are fascinating, dipping down to some archway
-through which you see, far below, the sudden misty distance of the
-rolling campagna, or a peep of a piazza in dazzling sunlight contrasting
-with the semi-darkness of the narrow stone lane. So narrow are these
-lanes that a pair of oxen drawing a cart all but scrape the side walls
-with the points of their enormous horns, and you must manage to avoid a
-collision by obliterating yourself in the nearest doorway. We found the
-people beautiful. There are no modern abominations in the way of
-buildings here, so that one enjoys Sienna with unalloyed pleasure." ...
-At last!
-
-I suppose nothing could be more satisfying to the lover of beauty and of
-that dignity which belongs to the great works of architecture of the
-past than the aspect of Sienna Cathedral in the light of a September
-moon, the planets and stars watching with her over that sanctuary in the
-cloudless heavens.
-
-The silence of a little Italian city like this at night, when the full
-moon dispenses with the artificial lighting, is always taking. To-night
-the urban silence is broken perhaps by a burst of singing and the
-thrumming of a guitar; young fellows with apparently plenty of leisure
-are coming jauntily along the pavement singing, "_Oi! Oi! Oi! Tirami la
-gamba se tu puoi_," and suddenly dive down a pitch-dark alley; then a
-burst of laughter from a cavernous wine-shop; then stillness again. A
-dog barks in a garden over whose walls you see where the "blessed moon
-tips with silver all these fruit-tree tops." A fountain bubbles and
-gushes softly as you come upon its hiding-place in the deep shadow from
-a bit of loopholed wall that you scarcely recognize as the one you were
-sketching this morning. Hither a few fire-flies, remnants of the summer
-host, have strayed from beyond the city ramparts. Footsteps echo in the
-silence more than in the day-time; not a wheel is heard, but the
-campagna below is heard. It is murmuring with its invisible life of
-insects all awake and full of shrill energy--goodness knows about what.
-Your own energy is ebbing after the day's enchantment and you feel that
-to stroll and sit and look is all the bliss you need.
-
-I had a revelation at Sienna about frescoes. In this extraordinarily dry
-atmosphere you can see, as nowhere else, the fresco as it was originally
-intended to appear. I do not know that I liked the effect as I came into
-the sacristy of the cathedral and saw Pinturicchio's apparently freshly
-painted scenes. These were so true, not only in their linear, but
-(strange to say) in their aërial, perspective that the effect was as if
-the walls had opened to show us these crowds of figures in gorgeous
-halls or airy landscapes _outside_ the building, and the eye was
-deceived by a positive illusion. One wants to _feel_ the walls of an
-apartment, and when its frescoes are flat and faded, and appearing more
-as lovely bits of decorative colour, as we see elsewhere, the eye is
-better satisfied. But, looked at as pictures, these richly coloured
-works are truly masterly, full of character and natural, realistic
-action.
-
-Much of the beauty of the Middle Ages which we delight in is owing to
-the mellowing of Time. When first turned out by painter or mason this
-beauty would not so charm the artist. A brandnew feudal castle must have
-looked very hard and staring; a walled city like a Brobdingnagian toy
-town in a round box. No lichens on those walls; no ivy, no clumps of
-wallflowers, or any of those compassionate veils that Nature, if allowed
-a free hand, gently lays upon our crudities, and which the modern
-Italian _Sindaco_ calls "_indecenza_" and commands to be scraped away.
-The mind recognises the rightness of the inevitable bare look of a new
-building, but a scraped ruin offends both mind and eye.
-
-
-PERUGIA
-
-ONE day in April '99 I was reading a fascinating little book by Miss
-Duff Gordon on Perugia as I sat on a fallen pine-tree trunk in our wood
-at Rosebank in remote Cape Colony. I read it with intenser longing than
-ever to be back in the world of art, of history, of culture, of
-well-known and well-loved things, and, thinking we were likely to be in
-our lovely exile for at least three years (with a short flight home to
-England in the interval, perhaps), I thought of several precious things
-I would give to be at Perugia in reality. That very day in that very
-month of the following year I was there!
-
-Why do we fret about the future? Vain weakness! In my experience the
-future has brought more than I wished for and better things, and the sad
-things that have come have been those I had not feared.
-
-It is a lovely journey from Florence to Perugia--all beautiful, and one
-wants to be at both ends of the railway carriage at once so as to miss
-nothing. The old brown cities along the route are as frequent as the
-Rhine castles; they still have their battlemented walls and gateways to
-delight the artist for a long while yet. Perugia did not frown upon us
-so mediævally this time, as we drove up the long zigzag to it, as when
-you and I first saw it. I think some of the frown has been demolished
-since those days, and indeed I do not regret this. They are raising some
-good public buildings where, I am told, the old castle stood, and in
-these you see lovely pillars of rosy marble or granite quarried from
-Assisi. That old castle had gloomy memories for the Italians and had no
-claim to stay.
-
-Like all Italian cities, Perugia has a strongly marked character of its
-own. This local character of her cities is one of Italy's richest
-possessions. Genoa, brilliant in white, salmon-pink, and buff, the
-colouring of her palaces, and scintillating in the sun as it beats upon
-her pearl-grey roofs; Florence, sombre with the brown of her local
-_pietra serena_ and roofed with the richer brown of her Tuscan tiles;
-Verona, regal and stately, throned on the foothills of the Alps, her
-rich colouring focussed in the red and tawny curtains which the Veronese
-hang before their church doors; Padua, shady with trees, sedate and
-academic, on the level, and uniform in tone, a city of arcades; Perugia,
-a mountain fortress of brown bricks, her austerity mellowed by the
-centuries--what a series they make! How carefully the "Young Nation"
-should deal with these precious things that have all come into her
-hands! Almost every great city in this land was once a capital. If only
-the Italians would build as they used to I should rejoice in seeing
-lovely things rising new and strong in the place of decay and thus
-giving promise of a new lease of architectural beauty for Italy. But the
-pity of it is that most of the new things are characterless and dreary.
-Every cultivated Italian deplores the fact and one wonders who the Goths
-in authority are that have the doing of these things.
-
-To you and me there are certain conjunctions of words that carry a swift
-sense of delight to the mind. Amongst these none are more appealing than
-"the Umbrian Hills." Here in Perugia we are seated amongst them, and
-when I saw them again on that magic April day it was towards evening,
-and in despairing haste I made the best sketch I could on arriving, from
-the hotel window, to try and record those soft sunset tones on the
-Perugino landscape. When next morning we were being shown the treasures
-in the church of San Pietro, and I was particularly directed to examine
-the lovely paintings on the shutters of the sacristy windows, I found it
-hard to look at the shutters of windows that opened upon such a
-prospect, where lay Assisi on the slopes of the "Umbrian Hills"!
-
-[Illustration: THE BERSAGLIERI AT THE FOUNTAIN, PERUGIA]
-
-In the Uffizi, in the Vatican Galleries, it is the same--one eye roving
-out of the open windows at the reality that is there! A Lung' Arno with
-Bello Sguardo calling to you over the pink almond blossoms on its
-slopes; a dome of St. Peter's, silky in its grey sunlit sheen against
-the Roman sky--too much, to have such things outside the gallery
-windows, distracting you from your studies within. But, of course, it is
-the right setting, and if you feel it gives you too much, call to mind
-the prospect outside one of the British Museum windows. That, certainly,
-will never inconvenience you with distractions; so be thankful for the
-"too much."
-
-
-A BIT OF DIARY
-
-"23_rd April_ 1900.--All day 'on the wander' through ripe old Perugia. A
-silent city, full of memories, brimming over with history, lapped in
-Art! Everywhere the flowering fruit-trees showed over the brown walls,
-the sunshine fell pleasantly on the masses of old unfinished brickwork
-and lent them a charm which on a wet day must vanish and leave them in
-a grim severity. Quiet tone everywhere; no ornament in the Roman sense,
-but here and there exquisite bits of carving and detail such as one can
-only find in the flat-surfaced Italian Gothic which is here seen in its
-very home. How that flat surface of blank wall spaces and the horizontal
-tendency of the design suit the Italian light. Architecture may well be
-placed as the most important of the Arts. It adds, if beautiful, to
-nature's beauty, showing the height to which the human hand may dare to
-rise so as to join hands with the Divine Architect Himself. How it can
-disgrace His work we have only too many opportunities of judging!
-
-"We visited my well-loved church of San Pietro, that treasure-house left
-undespoiled by the Italian Government--safeguarded, _not_ as a place of
-worship--let that be well understood--but as 'an Art Monument.' So its
-pictures and carvings are left in the places their authors intended them
-for and not nailed up stark and shivering in a cold, staring museum,
-like the poor altar pieces and modest bits of delicate carving that have
-been wrenched from their life-long homes in so many churches throughout
-this country. True, in the museum the light is good, far better for
-showing the artist's work than the 'dim religious light' of a church.
-But the painter knew all about the bad light, and still painted his
-picture for such and such an altar, not to his own glory, but to the
-glory of God.
-
-"As we were passing once more the rich-toned Duomo and Nicola Pisano's
-lovely fountain that stands before it, we saw the fountain suddenly
-surrounded by an eruption of Bersaglieri, who woke the echoes of that
-erst-while silent Piazza with their songs and chaff. They were on
-manoeuvres and were halting here for the day. Shedding heavy hats and
-knapsacks, they had run down to fill their canteens and water-barrels.
-_Toujours gais_ are the Bersaglieri, and a very pretty sight it was to
-see those good-looking healthy lads in their red fatigue fezes unbending
-in this picturesque manner. In the evening they were off again with the
-fanfaronade of their massed trumpets spurring their _pas gymnastique_ to
-the farthest point of swagger, and Perugia returned to its repose.
-
-"We strolled about the streets by the light of the moon and _felt_ the
-silence of those narrow ways. Now a cat would run into the light and
-disappear into blackness; a man in a cloak would emerge from a dark
-alley, as it were at the back of a stage, and, coming forward into the
-moonlight of an open space, look ready to begin a tenor love-song to an
-overhanging balcony (the lady not yet to the fore)--the opening scene in
-an opera after the overture of the Bersaglieri trumpets. Assuredly this
-was old Italy. The one modern touch is a very lovely one. In place of
-the old and rank olive-oil lamps of my first visit, burning at street
-corners under the little holy images and in the recesses of the
-wine-shops, there are drops of exquisite electric light. Thank goodness,
-the hideous interval of gas is nearing its extinction in Italy and the
-blessed 'white coal' which this country can generate so cheaply by her
-abundant water-power, will e'er very long become the agent of her
-machine-driven industries and illuminate with soft radiance her gracious
-cities. I think the Via Nuova at Genoa, that street of palaces, glowing
-in the light of those great electric globes, swung across from side to
-side, is a quite splendid bit of modernity, for which I tender the
-Genoese my hearty thanks. '_Grazie, Signori!_'"
-
-
-VESUVIUS
-
-COMMEND me to a darkening winter afternoon amidst the fires of Vesuvius
-for bringing the mind down to first principles! This is what we
-poetise, and paint, and dance on--this Thing that we are come to gaze
-at here in silence, as it shows through certain cracks in this shell we
-call the solid earth! "You are here on sufferance," the Thing says to
-us, "and you do well to come and see where I show a little bit of
-myself. May it do you good. Remember, I am under your feet wherever you
-go!"
-
-Jan. '96--"To-day the fumes from the nether fires came in gusts through
-the snorting crater, sending sulphurous smoke rolling down on the keen
-north wind straight into our labouring lungs as we pounded through the
-ashes on our way up the 'cone.' There is no getting at all near the
-hideous mouth; in attempting any such thing one would very soon be over
-head and ears in the yellow sulphur and lost beyond recall. I thought of
-the fate of a 'mad Englishman,' who, in spite of the warning cries of
-the native guides, made a dart for some outlying lesser crater,
-declaring he saw a shoe floating in it. Trying to hook out this precious
-'shoe' with his walking-stick, he fell in and withered away like a moth
-in a candle-flame.
-
-"I was cheered on to fresh exertions by W.'s encouraging words,
-otherwise I think I would have reposed by the wayside at an early stage
-of the ascent, yet too proud for a litter. Many of the party went up in
-litters ignominiously carried on men's shoulders, but I went through the
-whole routine on foot, as I began; only I was inclined to halt at
-retardingly frequent intervals. The growls of the mountain every now and
-then warned us that a volley of rocks and stones was coming, and,
-behold! the bunch of them shot up in a wide arc over our heads. The
-crater is a spectacle that gives the mind such occupation as it has not
-had before. Talk of the Pyramids and the Sphinx that so overpowered me
-at Gizeh! That crater would think it a good joke to chuck them up in the
-air.
-
-"But nothing impressed me into silence so heavily as the sight, later
-on, of a lava stream, lower down the mountain-side, issuing in thick
-ooze, and crawling slowly from out a gaping cavern. Liquid, deep scarlet
-fire was this, of the density, apparently, of oil, advancing like a
-fiery death to scorch and consume with slow and even flow--inexorable.
-No possibility of approaching its borders; even where we stood the rocks
-began to burn our feet. A guide flung a log of wood on the river, and it
-spontaneously burst into vivid flame, shrivelled up, and was gone in a
-puff of smoke. Turning for rest and solace from the lurid spectacle,
-the factitious horrors of the congealed lava all around one only
-deepened the sense of gloom. Curling and curdling as they cooled, the
-lava streams of bygone times have hardened into the most weird shapes
-the imagination could conceive. We seemed to be on a battlefield where
-Titan warriors lay distorted in their death agony; enormous mothers
-clasped their babies in the embrace of death, and the war-horses were
-monsters of pre-historic stature, petrified in the last throes.
-
-"We could see far, far down on the plain the skeleton of poor little
-Pompeii like a minute raised plan delicately modelled in plaster.
-
-"The thunders of the Bible will reverberate in my mind with more
-vitality since our excursion to Vesuvius."
-
-I found balm in Capri, Amalfi, and all the supreme lovelinesses of the
-Neapolitan Riviera to soothe the blisters of the volcano; and if I had
-trembled at the thunders of the Bible I was reassured by its blessings,
-which seemed embodied in those scenes of Eden.
-
-[Illustration]
-
-
-
-
-CHAPTER III
-
-ROME
-
-
-Rome! I am almost inclined to leave out this central fact, although I
-never kept a fuller diary than I did during those seven months of my
-student life there that followed Florence. How can I approach it and say
-anything but platitudes on the subject? Every one has tried his or her
-hand upon this theme, and many dreadful banalities have come of it; many
-pert assertions, ignorant statements, sentimentalities. Rome has always
-impressed me as being the centre of the world--not as the Ancient Romans
-boasted when they set up their Golden Milestone, but in a higher sense;
-and to the artist her atmosphere is known to be exhilarating, some
-say "intoxicating." We all feel that physical delight in being there,
-whatever views we may entertain in a spiritual sense. Who was the writer
-who said that every morning on waking she said to herself, "I am in
-Rome!" I believe many tacitly, at least, like to register that fact at
-each awakening to another Roman day.
-
-[Illustration: A MEETING ON THE PINCIAN: FRENCH AND GERMAN SEMINARISTS]
-
-You and I have of late years seen _l'Eterna_ much changed in her
-physical aspect, and have grieved over the fact; yet it is only another
-of her many phases that is slowly developing before our eyes. At the
-earliest period of which we know enough to imagine her aspect she was
-colonnaded, porticoed and white; and the horrible time of her luxurious
-decadence saw very much the same huge tenement "sky-scrapers" run up as
-we are weeping over to-day. These jerry-buildings tumbled down
-occasionally just as they are doing now. Then I see Rome in the Middle
-Ages a city of square fortified towers--where are they all? Then comes
-the florid period when the dome was dominant as we see it in our time,
-and much exuberant bad taste dressed her out fantastically. Now some
-very dreadful things in the way of monster houses and wide, straight,
-shadeless streets are being committed; but they, too, will pass; but
-Rome will remain. Eternal as to the soul the city is ever changing as
-to the body. How ugly she must have been when rebuilt in a year after
-one of her burnings. There was jerry-building if you like! How awful
-after her sack by the Constable of Bourbon when "there was silence in
-her streets for three days"! I remember, when I used to look down on the
-city from a height in my very early days, wondering whether I had not
-been instructed too much in Roman history to enjoy that view to the
-extent I should have wished, as an art student, to do. So much cruelty
-and suffering had been concentrated in that little space I saw below me.
-But the joy of the eye soon banishes for me the sorrow of the mind, and
-there is joy enough for the eye in Rome!
-
-Although I have revisited the well-loved city several times since those
-early days, the first visit stands out so much more fully coloured and
-intense in local sentiment than the subsequent ones, which seem almost
-insipid by comparison. You and I then saw her as she can never be seen
-again; we were just in time to know her under the old Papal régime, and
-we left three months before the Italians came in and began to rob her of
-her unique character. I cannot be too thankful that we have _that_ put
-safely away in the treasury of our memories. We saw the Roman citizens
-kneeling in masses along the streets as the Pope's mounted _Chasseur_,
-in cocked hats and feathers, heralded the approach of Pio Nono's
-ponderous coach, in which His Holiness was taking his afternoon airing.
-We saw the stately cardinals and bishops in their daily stroll on the
-Pincian, receiving the salutes of soldiers and civilians. There were
-such constant salutations everywhere, all day long, and such punctilious
-acknowledgments from the ecclesiastics that on closing my eyes at night
-I always saw shovel hats rising and sinking like flocks of crows
-hovering over a harvest-field.
-
-We saw the sentries on Good Friday mounting guard with arms reversed and
-all the flags that day flying at half-mast: the Colosseum was in those
-days treated as consecrated ground; more as the scene of Christian
-martyrdoms than as a Pagan antiquity. There stood the stations of the
-Cross, and there a friar preached every Wednesday during Lent. That
-fearsome ruin was then warmly lined with rich flora and various lusty
-trees and shrubs that have all been scraped and scoured away in harmony
-with the spirit of modern Italy.
-
-What luck it was for us to be in Rome that wonderful year of 1870, when
-the OEcumenical Council filled her streets and churches with every
-type of episcopal ecclesiastic from the four quarters of the globe, each
-accompanied by his "theologian" and by secretaries in every variety of
-dress, from the modern American to the pig-tailed Chinaman. Great times
-for the art student, with all these types and colours as subjects for
-his pencil! The characteristics and the colour of Rome were thus
-multiplied and elaborated to the utmost possible point, up to the very
-verge of the Great Cleavage; and we saw it all.
-
-[Illustration: A LENTEN SERMON IN THE COLOSSEUM]
-
-The open-air incidents connected with the great Church functions have
-left an extraordinarily vivid impression on my mind on account of their
-eminently pictorial qualities. I see again the archaic "glass coaches"
-of Pope and cardinals, high-swung and seeming to bubble over with
-gilding, rumbling slowly up to the Church door where the ceremony is to
-take place, over the cobblestones, behind teams of fat black steeds, the
-leaders' scarlet traces sweeping the ground. The occupants of these
-wonderful vehicles are glowing like rubies in their ardent robes, which
-flood their faces with red reflections in the searching sunshine. A
-prelate in exquisite lilac, mounted on a white mule with black
-housings, bears a jewelled cross, sparkling in the sun, before the
-Pope's carriage; the postilions, coachmen, and lackeys are
-eighteenth-century figures come to life again, and, truth to tell, they
-might have brought their liveries over with them, furbished up for the
-occasion. Not much public money seems appropriated for new liveries in
-the Papal household, nor in that of the College of Cardinals. Then, the
-medley of modern soldiers that take part officially and unofficially in
-these scenes--the off-duty zouaves, with bare necks outstretched,
-cheering frantically, "Long live the Pope-King," in many languages; the
-French Legion inclined to criticise the old liveries--it all seems to me
-like the happening of yesterday! And I see the rain of flowers falling
-on the kindly old Pope from the spectators in the balconies, where rich
-draperies give harmonious backgrounds to all this colour.
-
-Times are changed at home as well as in Rome. Where are the gorgeous
-equipages I used to wonder at as a child on drawing-room days, that made
-St. James' Street a scene of gold and colour of surpassing richness?
-Where are the bewigged coachmen stiff with bullion, throned on the
-resplendent hammercloths of their boxes? Where the six-foot footmen
-hanging on in bunches behind, in liveries pushed to the utmost limit of
-extravagant finery? We only see these things on exceptional occasions
-(certainly the six-footers are not grown nowadays), and the quiet landau
-or motor harmonises better with our modern taste.
-
-Finally, we saw the last Papal Benediction to be given from the façade
-of St. Peter's on that memorable Easter Sunday, 1870. The scene was made
-especially notable in its pictorial effect by the masses of bishops, all
-in snow-white copes and mitres, who completely filled the terrace above
-the colonnade on the Vatican side of the Piazza. What a symphony of
-white they made up there, partly in the luminous shadow of the long
-awning, partly in the blazing sunshine. Some of the illuminated ones
-used their mitres as parasols. Such a huge _parterre_ of prelates had
-never been beheld before. It was a _parterre_ of human lilies. My diary
-exclaims, "Oh! for Leighton's genius to paint it. It was entirely in his
-style--composition, colour, and sentiment. The balustrade was hung with
-mellow, old, faded tapestry, and above the bishops' heads rose those
-dark old stone statues that tell so well against the sky." I remember
-the moment of intense silence that fell on the multitude a little
-before Pio Nono, wearing the Triple Crown, stood up and, in a loud
-voice, gave forth "to the city and to the world" the mighty words of
-blessing from the little balcony far up aloft. And I remember, too, how
-that sudden silence seemed to cause a strange uneasiness amongst the
-cavalry and artillery horses, which all began to neigh.
-
-On this great day the white and yellow flag, emblem of the Temporal
-Power, waved upon the light spring breeze wherever one turned. How
-little we dreamt that in a few months that flag was to be hauled down,
-drawn under by the fall of the greatest military Empire then in
-existence!
-
-As a postscript, do not let us forget the races of the riderless horses
-that took place at the end of Carnival. Those scenes are before me now,
-quite fresh, revived by the little old diary. I am glad I have still my
-sketch-books that give me the outlines of these and other scenes that
-are gone for ever from the world.
-
-There is the wide round Piazza del Popolo, like an amphitheatre; the
-sun, near its setting, is tinging the upper portion of the great
-Egyptian obelisk, which is the starting-post for the occasion, with
-crimson, the base remaining in cool grey shade. Much stamping of hoofs
-and champing of bits in the ranks of the Dragoons, who are preparing to
-clear the Corso; French infantry forming up on either side of the
-starting-place; the crowds in the stands expectant, many units in
-carnival costume, and masked. Away go the Dragoons, splitting the crowd
-that blocks the entrance to the darkening, narrow Corso. They return at
-a gallop, having ridden to the end and back, and divide to take up their
-positions. Then the barbs, painted in spots and stripes, are brought on
-gingerly. The least jerk and it's no use trying to form a line; they
-must be let go; the spiked balls, now unfastened and dangling, are
-beginning to prick in spite of all the care. One after the other the
-maddened creatures plunge and tug at the restraining grip of the
-convicts who act as grooms on this occasion, and who literally hold
-their lives in their hands,--it all passes in a quarter of a minute;
-down goes the rope, a gun is fired, shouts and clapping of hands ring
-through the chilly air, and the eleven furious horses plunge into the
-dark street, the squibs and tin-foil on their backs explode and crackle,
-the spiked balls bang against their sides. Spurts of sparks fly from
-their iron heels brightly in the twilight. One horse, perhaps, slips on
-the cobblestones, rolls over, picks himself up, and follows the
-others, straining every nerve. They are gone--engulfed in the dark
-passage, some to be recovered only after several days, wandering in the
-Campagna, having burst through the sheet spread to stop them at the
-finish.
-
-[Illustration: THE START FOR THE HORSE RACE, ROME]
-
-I often wondered which ordeal a horse would prefer, if he were given the
-choice--this one, for a mile, or that of a great English race, with a
-jockey on his back with thousands of pounds to win or lose, armed with a
-steel whip and a pair of severe spurs! I never wholly enjoy a horse-race
-in any shape because of these goads in various forms.
-
-Anyhow, I am glad these Roman races have been abolished.
-
-I felt greatly elated when setting up work on my own account, which I
-did very soon after my arrival from Florence and Bellucci. He had told
-me at parting that I could "walk by myself" now, and I very soon walked
-up the steps of the Trinità to choose my first model. You remember how
-those costumed loafers used to sun themselves on the steps at that time?
-I had a half-frightened, half-delighted thrill when choosing my first
-_Ciociaro_. It was the Judgment of Paris transposed. Three of them, in
-peaked hats and goatskins, stood grinning and posing before the English
-_signorina_ while the Papal zouave sentry and the whole lot of male and
-female models looked on and listened. When I gave the apple to Antonio
-on account of his good brown face and read waistcoat, and engaged him
-for the morrow, I felt I had started.
-
-What trouble mamma and I had had in trying to find a studio. A young
-lady working by herself! A thing unknown--no one would let me a studio,
-so we ended with the makeshift you remember in our apartment. "That
-comes of being a woman at starting," exclaimed mamma.
-
-I can never pass No. 56 Via Babuino without pausing and looking up at
-one of the top windows where my head hung out one morning, watching my
-model in the street below for half an hour and wondering how long he
-meant to saunter up and down with his eye on the Church clock opposite
-instead of coming up. I had engaged him for eight o'clock for an
-eight-hour day (_giornata finita_), and there he was, strolling away a
-franc's worth of sitting on purpose. "But, Signorina, one cannot always
-arrive to the very instant," was the villain's excuse on coming in. I
-said nothing of what I had seen out of the window. Dear old Francesco,
-he was much prized for his laugh, which he could keep up for twenty
-minutes at a time. I had already seen it in a picture in London. Of
-course I had a try, too, and it brought me luck, for the picture where
-it appears was the first Oil I sold.
-
-Let me remind you of the Pope's International Exhibition of
-Ecclesiastical Art held that winter, for which I painted "The
-Visitation." The Fine Art section was shown in the Cloisters of Sa.
-Maria degli Angeli in the Baths of Diocletian. I laugh even now when I
-recall the way in which my poor picture was launched into the world.
-After its acceptance by the committee, I had to get a pass for its
-admission into the exhibition building from the Minister of Commerce,
-the Most Eminent and Most Reverend Cardinal B. Mamma and I had to wait
-an age in his ante-room, conscious of being objects of extraordinary
-curiosity to the crowd of men artists who were there on the same errand
-as myself. Evidently artists of our sex were rarities in Italy. At last
-our turn came to go in, and, after many formalities and much polite
-bowing from l_'Eminentissimo_ and _riverendissimo_, I signed the several
-papers, and proudly followed my mamma back through the waiting artists,
-holding my roll of papers before me. We were informed that, being women,
-we could not take the picture ourselves into the Cloisters, as no order
-had been given to admit ladies into the monastic precincts before the
-opening. So our dear father sallied forth on foot with my pass to Sa.
-Maria, mamma and I following in a little hired Victoria, holding the big
-picture before us (no mean handful) to keep it from tumbling out, while
-hidden, ourselves, from the public eye by the carriage hood. We arrived
-at the entrance to the forbidden cloisters too soon, as papa had not
-arrived, and the gendarmes stopped us and told us to drive out of the
-court again. We pulled up, therefore, on the threshold, with our faces
-turned in the contrary direction, when the horrible hood flew back and
-revealed us, holding on to the picture with straining arms and knitted
-brows, to the grinning soldiers gathered about the place. Our dear
-father and Mr. Severn (Keats' friend in youth) soon came to the rescue,
-and, with the aid of two _facchini_, they took my _magnum opus_ and
-disappeared with it into the gloom of the _Thermæ_.
-
-Dear, kind old Mr. Severn, he seemed so pleased to help me in my initial
-struggles in Rome! When I next visited Keats' grave there, long years
-afterwards with W., I found another tombstone alongside of the Poet's.
-There was a palette sculptured on it in place of the other one's lyre,
-and one little box hedge held the two friends within its embrace. What
-made Oliver Wendell Holmes (if it was he) say the scent of box was the
-scent of Eternity? I do not know the context of the passage, but I think
-the idea might strike a sensitive perception in some Italian cemetery,
-where that most touching perfume is always on the air, and Eternity
-plays about our minds on the scent of the box.
-
- * * * * *
-
-_From the Diary_
-
-_Feb._ 1906.--"And now Good-bye, Rome! I hope not a final farewell. I
-have been up to the Villa Medici to see across the city, on this my last
-evening, that dome which no one can ever look at unmoved, just at the
-hour which at this time of year brings the setting sun behind it, so
-that the crimson central ray seems to spring from the cross on the
-summit. Shutting out with my hand all intervening objects I seemed to
-see that purple dome floating in mid-air, a link between earth and
-heaven; a living token of the intercourse between the two, poised far
-above the dead ruins of the Pagan Past that lay low, in shadow, to the
-eastward. Good-bye."
-
-
-
-
-INDEX
-
-_The titles of pictures are printed in italics._
-
-
-Abassieh, 42
-
-Abu Simbel, 75
-
-Achill Island, 17
-
-Alexandria, 77
-
-Amalfi, 159
-
-Ancona, 79
-
-Assisi, 151
-
-Assouan, 62
-
-Atfeh, 81
-
-Athlone, 22
-
-Atlantic, South, 102
-
-
-Belcaro, 146
-
-Bello Sguardo, 153
-
-Bersaglieri, 155
-
-Brindisi, 79
-
-
-Cairo, 32
-
-Camels, 42
-
-Cape Colony, 107
-
-Cape, the: "Cape Flats," 120
- _A corner of our Garden at Rosebank_, 104
- "_In the hollow of His Hand_," 97
- _The Inverted Crescent_, 113
-
-Capri, 159
-
-Capuchins, 135
-
-Caravaggio, 126
-
-Carran Thual, 5
-
-Clare, 21
-
-Clew Bay, 16
-
-Clonmacnoise, 24
-
-Colosseum, 163
-
-Comombos, 67
-
-Conscription, 57
-
-Constantia, 118
-
-Croagh Patrick, 16
-
-Cromwell, 25
-
-
-Delta, 77
- Western, 80
-
-Dervishes, 40
-
-Dickens, Charles, 132
-
-Dormer, Sir James, 41
-
-
-Edfoo, 64
-
-Edwards, Miss Amelia, 76
-
-Egypt: _Abu Simbel at Sunrise_, 76
- _A "lament" in the Desert_, 70
- _At Philæ_, 67
- _In a Cairo Bazaar_, 33
- _Madame's "At Home" Day_, 81
- _Registering Fellaheen for the Conscription_, 56
- _Syndioor, on the Lower Nile_, 97
- _The Camel Corps_, 40
- _The English General's Syce_, 49
- _The Hour of Prayer_ (_Frontispiece_)
- The Nile: _The "Fostât" becalmed_, 62
- The Nile: "_No Mooring To-night_," 59
-
-Esneh, 64
-
-Etruria, 143
-
-
-False Bay, 110
-
-Fiesole, 137
-
-Florence, 125, 151
-
-Fort St. Julien, 83
-
-Funchal, 92
-
-
-Gaelic, 8
-
-Garibaldi, 131
-
-Genoa, 151, 156
-
-Ginniss, 32, 61
-
-Glenaragh, 3
-
-Gordon, 32, 72
- Miss Duff, 150
-
-
-Holmes, Oliver Wendell, 173
-
-
-Ireland: _"A Chapel-of-Ease," Co. Kerry_, 8
- _A Little Irish River_, 24
- _Clew Bay, Co. Mayo_, 20
- _Croagh Patrick_, 17
- _Our Escort into Glenaragh_, 1
-
-Irish Guards, 14
-
-
-Karnac, 56
-
-Keats, 172
-
-Kerry, 6
-
-Kensington, South, 138
-
-Khartoum, 32
-
-Killaloe, 22
-
-Korosko, 72
-
-
-Leprechaun, 8
-
-Lough Acoose, 5
- Derg, 22
- Leane, 4
-
-Lung' Arno, 153
-
-Luxor, 32, 55
-
-
-Madeira, 92
-
-Mahmoudieh, 81
- Canal, 86
-
-Malays, 115
-
-Mayo, 15
-
-Milky Way, 106
-
-Mulranny, 16
-
-
-Native Camel Corps, 42
-
-Nervi, 129
-
-Nile, 32
- Lower, 77
-
-Nubia, 71
-
-
-OEcumenical Council, 165
-
-
-Paarl, 113
-
-Padua, 151
-
-Palestine, 86
-
-Papal Benediction, 166
-
-Payne, Mr., 93
-
-Perugia, 150
- _The Bersaglieri at the Fountain_, 152
-
-Philæ, 68
-
-Piazza del Popolo, 167
-
-Pio Nono, 163
-
-Pius X., 134
-
-Pole Star, 101
-
-Pompeii, 159
-
-Pyramids, 47
-
-
-Riviera di Levante: _A Son of the Soil_, 126
-
-Rome, 133, 160
- _A Lenten Sermon in the Colosseum_, 164
- _A Meeting on the Pincian_, 161
- _The Start for the Horse Race_, 168
-
-Rosetta, 80
- Stone, 84
-
-Ruffo, 85
-
-
-Sakkara, 47
-
-Sarras, 83
-
-Schreiner, Olive, 113
-
-Servants, 99
-
-Severn, Mr., 172
-
-Shannon, 22
- Bridge, 23
-
-Sienna, 143
-
-Signa, 65, 125, 136
-
-Silsileh, 67
-
-Simon's Town, 110
-
-Soudan, 83
-
-Southern Cross, 107
-
-Sphinx, 47
-
-Stellenbosch, 113
-
-Stone-pines, 115
-
-Syces, 44
-
-Syndioor, 84
-
-
-Table Mountain, 104
- Thebes, 80
-
-Tivoli, 46
-
-Tomb of Ti, 48
-
-Tombs of the Mameluks, 42
-
-Tropics, 101
-
-Tuscany, 123, 143
- _Bringing in the Grapes_, 123
- _Ploughing in_, 145
-
-
-Umbrian Hills, 153
-
-
-Venice, 47, 78
-
-Verona, 151
-
-Vesuvius, 156
-
-
-Wady Halfa, 72
-Sabooah, 74
-
-
-THE END
-
-_Printed by_ R. & R. CLARK, LIMITED, _Edinburgh_.
-
- * * * * *
-
-This typographical error has been corrected by the etext transcriber:
-
-hear noctural frogs=>
-hear nocturnal frogs {pg 108}
-
-
-
-
-
-
-End of Project Gutenberg's From sketch-book and diary, by Elizabeth Butler
-
-*** END OF THIS PROJECT GUTENBERG EBOOK FROM SKETCH-BOOK AND DIARY ***
-
-***** This file should be named 40925-8.txt or 40925-8.zip *****
-This and all associated files of various formats will be found in:
- http://www.gutenberg.org/4/0/9/2/40925/
-
-Produced by Chuck Greif and the Online Distributed
-Proofreading Team at http://www.pgdp.net (This file was
-produced from images available at The Internet Archive)
-
-
-Updated editions will replace the previous one--the old editions
-will be renamed.
-
-Creating the works from public domain print editions means that no
-one owns a United States copyright in these works, so the Foundation
-(and you!) can copy and distribute it in the United States without
-permission and without paying copyright royalties. Special rules,
-set forth in the General Terms of Use part of this license, apply to
-copying and distributing Project Gutenberg-tm electronic works to
-protect the PROJECT GUTENBERG-tm concept and trademark. Project
-Gutenberg is a registered trademark, and may not be used if you
-charge for the eBooks, unless you receive specific permission. If you
-do not charge anything for copies of this eBook, complying with the
-rules is very easy. You may use this eBook for nearly any purpose
-such as creation of derivative works, reports, performances and
-research. They may be modified and printed and given away--you may do
-practically ANYTHING with public domain eBooks. Redistribution is
-subject to the trademark license, especially commercial
-redistribution.
-
-
-
-*** START: FULL LICENSE ***
-
-THE FULL PROJECT GUTENBERG LICENSE
-PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
-
-To protect the Project Gutenberg-tm mission of promoting the free
-distribution of electronic works, by using or distributing this work
-(or any other work associated in any way with the phrase "Project
-Gutenberg"), you agree to comply with all the terms of the Full Project
-Gutenberg-tm License (available with this file or online at
-http://gutenberg.org/license).
-
-
-Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
-electronic works
-
-1.A. By reading or using any part of this Project Gutenberg-tm
-electronic work, you indicate that you have read, understand, agree to
-and accept all the terms of this license and intellectual property
-(trademark/copyright) agreement. If you do not agree to abide by all
-the terms of this agreement, you must cease using and return or destroy
-all copies of Project Gutenberg-tm electronic works in your possession.
-If you paid a fee for obtaining a copy of or access to a Project
-Gutenberg-tm electronic work and you do not agree to be bound by the
-terms of this agreement, you may obtain a refund from the person or
-entity to whom you paid the fee as set forth in paragraph 1.E.8.
-
-1.B. "Project Gutenberg" is a registered trademark. It may only be
-used on or associated in any way with an electronic work by people who
-agree to be bound by the terms of this agreement. There are a few
-things that you can do with most Project Gutenberg-tm electronic works
-even without complying with the full terms of this agreement. See
-paragraph 1.C below. There are a lot of things you can do with Project
-Gutenberg-tm electronic works if you follow the terms of this agreement
-and help preserve free future access to Project Gutenberg-tm electronic
-works. See paragraph 1.E below.
-
-1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
-or PGLAF), owns a compilation copyright in the collection of Project
-Gutenberg-tm electronic works. Nearly all the individual works in the
-collection are in the public domain in the United States. If an
-individual work is in the public domain in the United States and you are
-located in the United States, we do not claim a right to prevent you from
-copying, distributing, performing, displaying or creating derivative
-works based on the work as long as all references to Project Gutenberg
-are removed. Of course, we hope that you will support the Project
-Gutenberg-tm mission of promoting free access to electronic works by
-freely sharing Project Gutenberg-tm works in compliance with the terms of
-this agreement for keeping the Project Gutenberg-tm name associated with
-the work. You can easily comply with the terms of this agreement by
-keeping this work in the same format with its attached full Project
-Gutenberg-tm License when you share it without charge with others.
-
-1.D. The copyright laws of the place where you are located also govern
-what you can do with this work. Copyright laws in most countries are in
-a constant state of change. If you are outside the United States, check
-the laws of your country in addition to the terms of this agreement
-before downloading, copying, displaying, performing, distributing or
-creating derivative works based on this work or any other Project
-Gutenberg-tm work. The Foundation makes no representations concerning
-the copyright status of any work in any country outside the United
-States.
-
-1.E. Unless you have removed all references to Project Gutenberg:
-
-1.E.1. The following sentence, with active links to, or other immediate
-access to, the full Project Gutenberg-tm License must appear prominently
-whenever any copy of a Project Gutenberg-tm work (any work on which the
-phrase "Project Gutenberg" appears, or with which the phrase "Project
-Gutenberg" is associated) is accessed, displayed, performed, viewed,
-copied or distributed:
-
-This eBook is for the use of anyone anywhere at no cost and with
-almost no restrictions whatsoever. You may copy it, give it away or
-re-use it under the terms of the Project Gutenberg License included
-with this eBook or online at www.gutenberg.org/license
-
-1.E.2. If an individual Project Gutenberg-tm electronic work is derived
-from the public domain (does not contain a notice indicating that it is
-posted with permission of the copyright holder), the work can be copied
-and distributed to anyone in the United States without paying any fees
-or charges. If you are redistributing or providing access to a work
-with the phrase "Project Gutenberg" associated with or appearing on the
-work, you must comply either with the requirements of paragraphs 1.E.1
-through 1.E.7 or obtain permission for the use of the work and the
-Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
-1.E.9.
-
-1.E.3. If an individual Project Gutenberg-tm electronic work is posted
-with the permission of the copyright holder, your use and distribution
-must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
-terms imposed by the copyright holder. Additional terms will be linked
-to the Project Gutenberg-tm License for all works posted with the
-permission of the copyright holder found at the beginning of this work.
-
-1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
-License terms from this work, or any files containing a part of this
-work or any other work associated with Project Gutenberg-tm.
-
-1.E.5. Do not copy, display, perform, distribute or redistribute this
-electronic work, or any part of this electronic work, without
-prominently displaying the sentence set forth in paragraph 1.E.1 with
-active links or immediate access to the full terms of the Project
-Gutenberg-tm License.
-
-1.E.6. You may convert to and distribute this work in any binary,
-compressed, marked up, nonproprietary or proprietary form, including any
-word processing or hypertext form. However, if you provide access to or
-distribute copies of a Project Gutenberg-tm work in a format other than
-"Plain Vanilla ASCII" or other format used in the official version
-posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
-you must, at no additional cost, fee or expense to the user, provide a
-copy, a means of exporting a copy, or a means of obtaining a copy upon
-request, of the work in its original "Plain Vanilla ASCII" or other
-form. Any alternate format must include the full Project Gutenberg-tm
-License as specified in paragraph 1.E.1.
-
-1.E.7. Do not charge a fee for access to, viewing, displaying,
-performing, copying or distributing any Project Gutenberg-tm works
-unless you comply with paragraph 1.E.8 or 1.E.9.
-
-1.E.8. You may charge a reasonable fee for copies of or providing
-access to or distributing Project Gutenberg-tm electronic works provided
-that
-
-- You pay a royalty fee of 20% of the gross profits you derive from
- the use of Project Gutenberg-tm works calculated using the method
- you already use to calculate your applicable taxes. The fee is
- owed to the owner of the Project Gutenberg-tm trademark, but he
- has agreed to donate royalties under this paragraph to the
- Project Gutenberg Literary Archive Foundation. Royalty payments
- must be paid within 60 days following each date on which you
- prepare (or are legally required to prepare) your periodic tax
- returns. Royalty payments should be clearly marked as such and
- sent to the Project Gutenberg Literary Archive Foundation at the
- address specified in Section 4, "Information about donations to
- the Project Gutenberg Literary Archive Foundation."
-
-- You provide a full refund of any money paid by a user who notifies
- you in writing (or by e-mail) within 30 days of receipt that s/he
- does not agree to the terms of the full Project Gutenberg-tm
- License. You must require such a user to return or
- destroy all copies of the works possessed in a physical medium
- and discontinue all use of and all access to other copies of
- Project Gutenberg-tm works.
-
-- You provide, in accordance with paragraph 1.F.3, a full refund of any
- money paid for a work or a replacement copy, if a defect in the
- electronic work is discovered and reported to you within 90 days
- of receipt of the work.
-
-- You comply with all other terms of this agreement for free
- distribution of Project Gutenberg-tm works.
-
-1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
-electronic work or group of works on different terms than are set
-forth in this agreement, you must obtain permission in writing from
-both the Project Gutenberg Literary Archive Foundation and Michael
-Hart, the owner of the Project Gutenberg-tm trademark. Contact the
-Foundation as set forth in Section 3 below.
-
-1.F.
-
-1.F.1. Project Gutenberg volunteers and employees expend considerable
-effort to identify, do copyright research on, transcribe and proofread
-public domain works in creating the Project Gutenberg-tm
-collection. Despite these efforts, Project Gutenberg-tm electronic
-works, and the medium on which they may be stored, may contain
-"Defects," such as, but not limited to, incomplete, inaccurate or
-corrupt data, transcription errors, a copyright or other intellectual
-property infringement, a defective or damaged disk or other medium, a
-computer virus, or computer codes that damage or cannot be read by
-your equipment.
-
-1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
-of Replacement or Refund" described in paragraph 1.F.3, the Project
-Gutenberg Literary Archive Foundation, the owner of the Project
-Gutenberg-tm trademark, and any other party distributing a Project
-Gutenberg-tm electronic work under this agreement, disclaim all
-liability to you for damages, costs and expenses, including legal
-fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
-LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
-PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
-TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
-LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
-INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
-DAMAGE.
-
-1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
-defect in this electronic work within 90 days of receiving it, you can
-receive a refund of the money (if any) you paid for it by sending a
-written explanation to the person you received the work from. If you
-received the work on a physical medium, you must return the medium with
-your written explanation. The person or entity that provided you with
-the defective work may elect to provide a replacement copy in lieu of a
-refund. If you received the work electronically, the person or entity
-providing it to you may choose to give you a second opportunity to
-receive the work electronically in lieu of a refund. If the second copy
-is also defective, you may demand a refund in writing without further
-opportunities to fix the problem.
-
-1.F.4. Except for the limited right of replacement or refund set forth
-in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
-WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
-WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
-
-1.F.5. Some states do not allow disclaimers of certain implied
-warranties or the exclusion or limitation of certain types of damages.
-If any disclaimer or limitation set forth in this agreement violates the
-law of the state applicable to this agreement, the agreement shall be
-interpreted to make the maximum disclaimer or limitation permitted by
-the applicable state law. The invalidity or unenforceability of any
-provision of this agreement shall not void the remaining provisions.
-
-1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
-trademark owner, any agent or employee of the Foundation, anyone
-providing copies of Project Gutenberg-tm electronic works in accordance
-with this agreement, and any volunteers associated with the production,
-promotion and distribution of Project Gutenberg-tm electronic works,
-harmless from all liability, costs and expenses, including legal fees,
-that arise directly or indirectly from any of the following which you do
-or cause to occur: (a) distribution of this or any Project Gutenberg-tm
-work, (b) alteration, modification, or additions or deletions to any
-Project Gutenberg-tm work, and (c) any Defect you cause.
-
-
-Section 2. Information about the Mission of Project Gutenberg-tm
-
-Project Gutenberg-tm is synonymous with the free distribution of
-electronic works in formats readable by the widest variety of computers
-including obsolete, old, middle-aged and new computers. It exists
-because of the efforts of hundreds of volunteers and donations from
-people in all walks of life.
-
-Volunteers and financial support to provide volunteers with the
-assistance they need, are critical to reaching Project Gutenberg-tm's
-goals and ensuring that the Project Gutenberg-tm collection will
-remain freely available for generations to come. In 2001, the Project
-Gutenberg Literary Archive Foundation was created to provide a secure
-and permanent future for Project Gutenberg-tm and future generations.
-To learn more about the Project Gutenberg Literary Archive Foundation
-and how your efforts and donations can help, see Sections 3 and 4
-and the Foundation web page at http://www.pglaf.org.
-
-
-Section 3. Information about the Project Gutenberg Literary Archive
-Foundation
-
-The Project Gutenberg Literary Archive Foundation is a non profit
-501(c)(3) educational corporation organized under the laws of the
-state of Mississippi and granted tax exempt status by the Internal
-Revenue Service. The Foundation's EIN or federal tax identification
-number is 64-6221541. Its 501(c)(3) letter is posted at
-http://pglaf.org/fundraising. Contributions to the Project Gutenberg
-Literary Archive Foundation are tax deductible to the full extent
-permitted by U.S. federal laws and your state's laws.
-
-The Foundation's principal office is located at 4557 Melan Dr. S.
-Fairbanks, AK, 99712., but its volunteers and employees are scattered
-throughout numerous locations. Its business office is located at
-809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
-business@pglaf.org. Email contact links and up to date contact
-information can be found at the Foundation's web site and official
-page at http://pglaf.org
-
-For additional contact information:
- Dr. Gregory B. Newby
- Chief Executive and Director
- gbnewby@pglaf.org
-
-
-Section 4. Information about Donations to the Project Gutenberg
-Literary Archive Foundation
-
-Project Gutenberg-tm depends upon and cannot survive without wide
-spread public support and donations to carry out its mission of
-increasing the number of public domain and licensed works that can be
-freely distributed in machine readable form accessible by the widest
-array of equipment including outdated equipment. Many small donations
-($1 to $5,000) are particularly important to maintaining tax exempt
-status with the IRS.
-
-The Foundation is committed to complying with the laws regulating
-charities and charitable donations in all 50 states of the United
-States. Compliance requirements are not uniform and it takes a
-considerable effort, much paperwork and many fees to meet and keep up
-with these requirements. We do not solicit donations in locations
-where we have not received written confirmation of compliance. To
-SEND DONATIONS or determine the status of compliance for any
-particular state visit http://pglaf.org
-
-While we cannot and do not solicit contributions from states where we
-have not met the solicitation requirements, we know of no prohibition
-against accepting unsolicited donations from donors in such states who
-approach us with offers to donate.
-
-International donations are gratefully accepted, but we cannot make
-any statements concerning tax treatment of donations received from
-outside the United States. U.S. laws alone swamp our small staff.
-
-Please check the Project Gutenberg Web pages for current donation
-methods and addresses. Donations are accepted in a number of other
-ways including checks, online payments and credit card donations.
-To donate, please visit: http://pglaf.org/donate
-
-
-Section 5. General Information About Project Gutenberg-tm electronic
-works.
-
-Professor Michael S. Hart is the originator of the Project Gutenberg-tm
-concept of a library of electronic works that could be freely shared
-with anyone. For thirty years, he produced and distributed Project
-Gutenberg-tm eBooks with only a loose network of volunteer support.
-
-
-Project Gutenberg-tm eBooks are often created from several printed
-editions, all of which are confirmed as Public Domain in the U.S.
-unless a copyright notice is included. Thus, we do not necessarily
-keep eBooks in compliance with any particular paper edition.
-
-
-Most people start at our Web site which has the main PG search facility:
-
- http://www.gutenberg.org
-
-This Web site includes information about Project Gutenberg-tm,
-including how to make donations to the Project Gutenberg Literary
-Archive Foundation, how to help produce our new eBooks, and how to
-subscribe to our email newsletter to hear about new eBooks.
diff --git a/40925-8.zip b/40925-8.zip
deleted file mode 100644
index a52a211..0000000
--- a/40925-8.zip
+++ /dev/null
Binary files differ
diff --git a/40925-h.zip b/40925-h.zip
deleted file mode 100644
index 5c8c15c..0000000
--- a/40925-h.zip
+++ /dev/null
Binary files differ
diff --git a/40925-h/40925-h.htm b/40925-h/40925-h.htm
index 5b12e2b..dc39ad9 100644
--- a/40925-h/40925-h.htm
+++ b/40925-h/40925-h.htm
@@ -3,7 +3,7 @@
<html xmlns="http://www.w3.org/1999/xhtml" lang="en" xml:lang="en">
<head> <link rel="coverpage" href="images/cover.jpg" />
-<meta http-equiv="Content-Type" content="text/html;charset=utf-8" />
+<meta http-equiv="Content-Type" content="text/html;charset=UTF-8" />
<title>
The Project Gutenberg eBook of From Sketch-book and Diary, by Elizabeth Butler.
</title>
@@ -76,43 +76,7 @@ margin-left:auto;margin-right:auto;text-align:center;text-indent:0%;}
</style>
</head>
<body>
-
-
-<pre>
-
-Project Gutenberg's From sketch-book and diary, by Elizabeth Butler
-
-This eBook is for the use of anyone anywhere at no cost and with
-almost no restrictions whatsoever. You may copy it, give it away or
-re-use it under the terms of the Project Gutenberg License included
-with this eBook or online at www.gutenberg.org/license
-
-
-Title: From sketch-book and diary
-
-Author: Elizabeth Butler
-
-Release Date: October 3, 2012 [EBook #40925]
-
-Language: English
-
-Character set encoding: UTF-8
-
-*** START OF THIS PROJECT GUTENBERG EBOOK FROM SKETCH-BOOK AND DIARY ***
-
-
-
-
-Produced by Chuck Greif and the Online Distributed
-Proofreading Team at http://www.pgdp.net (This file was
-produced from images available at The Internet Archive)
-
-
-
-
-
-
-</pre>
+<div>*** START OF THE PROJECT GUTENBERG EBOOK 40925 ***</div>
<hr class="full" />
@@ -4243,385 +4207,6 @@ hear nocturnal frogs {pg 108}
<hr class="full" />
-
-
-
-
-
-
-<pre>
-
-
-
-
-
-End of Project Gutenberg's From sketch-book and diary, by Elizabeth Butler
-
-*** END OF THIS PROJECT GUTENBERG EBOOK FROM SKETCH-BOOK AND DIARY ***
-
-***** This file should be named 40925-h.htm or 40925-h.zip *****
-This and all associated files of various formats will be found in:
- http://www.gutenberg.org/4/0/9/2/40925/
-
-Produced by Chuck Greif and the Online Distributed
-Proofreading Team at http://www.pgdp.net (This file was
-produced from images available at The Internet Archive)
-
-
-Updated editions will replace the previous one--the old editions
-will be renamed.
-
-Creating the works from public domain print editions means that no
-one owns a United States copyright in these works, so the Foundation
-(and you!) can copy and distribute it in the United States without
-permission and without paying copyright royalties. Special rules,
-set forth in the General Terms of Use part of this license, apply to
-copying and distributing Project Gutenberg-tm electronic works to
-protect the PROJECT GUTENBERG-tm concept and trademark. Project
-Gutenberg is a registered trademark, and may not be used if you
-charge for the eBooks, unless you receive specific permission. If you
-do not charge anything for copies of this eBook, complying with the
-rules is very easy. You may use this eBook for nearly any purpose
-such as creation of derivative works, reports, performances and
-research. They may be modified and printed and given away--you may do
-practically ANYTHING with public domain eBooks. Redistribution is
-subject to the trademark license, especially commercial
-redistribution.
-
-
-
-*** START: FULL LICENSE ***
-
-THE FULL PROJECT GUTENBERG LICENSE
-PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
-
-To protect the Project Gutenberg-tm mission of promoting the free
-distribution of electronic works, by using or distributing this work
-(or any other work associated in any way with the phrase "Project
-Gutenberg"), you agree to comply with all the terms of the Full Project
-Gutenberg-tm License (available with this file or online at
-http://gutenberg.org/license).
-
-
-Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
-electronic works
-
-1.A. By reading or using any part of this Project Gutenberg-tm
-electronic work, you indicate that you have read, understand, agree to
-and accept all the terms of this license and intellectual property
-(trademark/copyright) agreement. If you do not agree to abide by all
-the terms of this agreement, you must cease using and return or destroy
-all copies of Project Gutenberg-tm electronic works in your possession.
-If you paid a fee for obtaining a copy of or access to a Project
-Gutenberg-tm electronic work and you do not agree to be bound by the
-terms of this agreement, you may obtain a refund from the person or
-entity to whom you paid the fee as set forth in paragraph 1.E.8.
-
-1.B. "Project Gutenberg" is a registered trademark. It may only be
-used on or associated in any way with an electronic work by people who
-agree to be bound by the terms of this agreement. There are a few
-things that you can do with most Project Gutenberg-tm electronic works
-even without complying with the full terms of this agreement. See
-paragraph 1.C below. There are a lot of things you can do with Project
-Gutenberg-tm electronic works if you follow the terms of this agreement
-and help preserve free future access to Project Gutenberg-tm electronic
-works. See paragraph 1.E below.
-
-1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
-or PGLAF), owns a compilation copyright in the collection of Project
-Gutenberg-tm electronic works. Nearly all the individual works in the
-collection are in the public domain in the United States. If an
-individual work is in the public domain in the United States and you are
-located in the United States, we do not claim a right to prevent you from
-copying, distributing, performing, displaying or creating derivative
-works based on the work as long as all references to Project Gutenberg
-are removed. Of course, we hope that you will support the Project
-Gutenberg-tm mission of promoting free access to electronic works by
-freely sharing Project Gutenberg-tm works in compliance with the terms of
-this agreement for keeping the Project Gutenberg-tm name associated with
-the work. You can easily comply with the terms of this agreement by
-keeping this work in the same format with its attached full Project
-Gutenberg-tm License when you share it without charge with others.
-
-1.D. The copyright laws of the place where you are located also govern
-what you can do with this work. Copyright laws in most countries are in
-a constant state of change. If you are outside the United States, check
-the laws of your country in addition to the terms of this agreement
-before downloading, copying, displaying, performing, distributing or
-creating derivative works based on this work or any other Project
-Gutenberg-tm work. The Foundation makes no representations concerning
-the copyright status of any work in any country outside the United
-States.
-
-1.E. Unless you have removed all references to Project Gutenberg:
-
-1.E.1. The following sentence, with active links to, or other immediate
-access to, the full Project Gutenberg-tm License must appear prominently
-whenever any copy of a Project Gutenberg-tm work (any work on which the
-phrase "Project Gutenberg" appears, or with which the phrase "Project
-Gutenberg" is associated) is accessed, displayed, performed, viewed,
-copied or distributed:
-
-This eBook is for the use of anyone anywhere at no cost and with
-almost no restrictions whatsoever. You may copy it, give it away or
-re-use it under the terms of the Project Gutenberg License included
-with this eBook or online at www.gutenberg.org/license
-
-1.E.2. If an individual Project Gutenberg-tm electronic work is derived
-from the public domain (does not contain a notice indicating that it is
-posted with permission of the copyright holder), the work can be copied
-and distributed to anyone in the United States without paying any fees
-or charges. If you are redistributing or providing access to a work
-with the phrase "Project Gutenberg" associated with or appearing on the
-work, you must comply either with the requirements of paragraphs 1.E.1
-through 1.E.7 or obtain permission for the use of the work and the
-Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
-1.E.9.
-
-1.E.3. If an individual Project Gutenberg-tm electronic work is posted
-with the permission of the copyright holder, your use and distribution
-must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
-terms imposed by the copyright holder. Additional terms will be linked
-to the Project Gutenberg-tm License for all works posted with the
-permission of the copyright holder found at the beginning of this work.
-
-1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
-License terms from this work, or any files containing a part of this
-work or any other work associated with Project Gutenberg-tm.
-
-1.E.5. Do not copy, display, perform, distribute or redistribute this
-electronic work, or any part of this electronic work, without
-prominently displaying the sentence set forth in paragraph 1.E.1 with
-active links or immediate access to the full terms of the Project
-Gutenberg-tm License.
-
-1.E.6. You may convert to and distribute this work in any binary,
-compressed, marked up, nonproprietary or proprietary form, including any
-word processing or hypertext form. However, if you provide access to or
-distribute copies of a Project Gutenberg-tm work in a format other than
-"Plain Vanilla ASCII" or other format used in the official version
-posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
-you must, at no additional cost, fee or expense to the user, provide a
-copy, a means of exporting a copy, or a means of obtaining a copy upon
-request, of the work in its original "Plain Vanilla ASCII" or other
-form. Any alternate format must include the full Project Gutenberg-tm
-License as specified in paragraph 1.E.1.
-
-1.E.7. Do not charge a fee for access to, viewing, displaying,
-performing, copying or distributing any Project Gutenberg-tm works
-unless you comply with paragraph 1.E.8 or 1.E.9.
-
-1.E.8. You may charge a reasonable fee for copies of or providing
-access to or distributing Project Gutenberg-tm electronic works provided
-that
-
-- You pay a royalty fee of 20% of the gross profits you derive from
- the use of Project Gutenberg-tm works calculated using the method
- you already use to calculate your applicable taxes. The fee is
- owed to the owner of the Project Gutenberg-tm trademark, but he
- has agreed to donate royalties under this paragraph to the
- Project Gutenberg Literary Archive Foundation. Royalty payments
- must be paid within 60 days following each date on which you
- prepare (or are legally required to prepare) your periodic tax
- returns. Royalty payments should be clearly marked as such and
- sent to the Project Gutenberg Literary Archive Foundation at the
- address specified in Section 4, "Information about donations to
- the Project Gutenberg Literary Archive Foundation."
-
-- You provide a full refund of any money paid by a user who notifies
- you in writing (or by e-mail) within 30 days of receipt that s/he
- does not agree to the terms of the full Project Gutenberg-tm
- License. You must require such a user to return or
- destroy all copies of the works possessed in a physical medium
- and discontinue all use of and all access to other copies of
- Project Gutenberg-tm works.
-
-- You provide, in accordance with paragraph 1.F.3, a full refund of any
- money paid for a work or a replacement copy, if a defect in the
- electronic work is discovered and reported to you within 90 days
- of receipt of the work.
-
-- You comply with all other terms of this agreement for free
- distribution of Project Gutenberg-tm works.
-
-1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
-electronic work or group of works on different terms than are set
-forth in this agreement, you must obtain permission in writing from
-both the Project Gutenberg Literary Archive Foundation and Michael
-Hart, the owner of the Project Gutenberg-tm trademark. Contact the
-Foundation as set forth in Section 3 below.
-
-1.F.
-
-1.F.1. Project Gutenberg volunteers and employees expend considerable
-effort to identify, do copyright research on, transcribe and proofread
-public domain works in creating the Project Gutenberg-tm
-collection. Despite these efforts, Project Gutenberg-tm electronic
-works, and the medium on which they may be stored, may contain
-"Defects," such as, but not limited to, incomplete, inaccurate or
-corrupt data, transcription errors, a copyright or other intellectual
-property infringement, a defective or damaged disk or other medium, a
-computer virus, or computer codes that damage or cannot be read by
-your equipment.
-
-1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
-of Replacement or Refund" described in paragraph 1.F.3, the Project
-Gutenberg Literary Archive Foundation, the owner of the Project
-Gutenberg-tm trademark, and any other party distributing a Project
-Gutenberg-tm electronic work under this agreement, disclaim all
-liability to you for damages, costs and expenses, including legal
-fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
-LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
-PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
-TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
-LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
-INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
-DAMAGE.
-
-1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
-defect in this electronic work within 90 days of receiving it, you can
-receive a refund of the money (if any) you paid for it by sending a
-written explanation to the person you received the work from. If you
-received the work on a physical medium, you must return the medium with
-your written explanation. The person or entity that provided you with
-the defective work may elect to provide a replacement copy in lieu of a
-refund. If you received the work electronically, the person or entity
-providing it to you may choose to give you a second opportunity to
-receive the work electronically in lieu of a refund. If the second copy
-is also defective, you may demand a refund in writing without further
-opportunities to fix the problem.
-
-1.F.4. Except for the limited right of replacement or refund set forth
-in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
-WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
-WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
-
-1.F.5. Some states do not allow disclaimers of certain implied
-warranties or the exclusion or limitation of certain types of damages.
-If any disclaimer or limitation set forth in this agreement violates the
-law of the state applicable to this agreement, the agreement shall be
-interpreted to make the maximum disclaimer or limitation permitted by
-the applicable state law. The invalidity or unenforceability of any
-provision of this agreement shall not void the remaining provisions.
-
-1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
-trademark owner, any agent or employee of the Foundation, anyone
-providing copies of Project Gutenberg-tm electronic works in accordance
-with this agreement, and any volunteers associated with the production,
-promotion and distribution of Project Gutenberg-tm electronic works,
-harmless from all liability, costs and expenses, including legal fees,
-that arise directly or indirectly from any of the following which you do
-or cause to occur: (a) distribution of this or any Project Gutenberg-tm
-work, (b) alteration, modification, or additions or deletions to any
-Project Gutenberg-tm work, and (c) any Defect you cause.
-
-
-Section 2. Information about the Mission of Project Gutenberg-tm
-
-Project Gutenberg-tm is synonymous with the free distribution of
-electronic works in formats readable by the widest variety of computers
-including obsolete, old, middle-aged and new computers. It exists
-because of the efforts of hundreds of volunteers and donations from
-people in all walks of life.
-
-Volunteers and financial support to provide volunteers with the
-assistance they need, are critical to reaching Project Gutenberg-tm's
-goals and ensuring that the Project Gutenberg-tm collection will
-remain freely available for generations to come. In 2001, the Project
-Gutenberg Literary Archive Foundation was created to provide a secure
-and permanent future for Project Gutenberg-tm and future generations.
-To learn more about the Project Gutenberg Literary Archive Foundation
-and how your efforts and donations can help, see Sections 3 and 4
-and the Foundation web page at http://www.pglaf.org.
-
-
-Section 3. Information about the Project Gutenberg Literary Archive
-Foundation
-
-The Project Gutenberg Literary Archive Foundation is a non profit
-501(c)(3) educational corporation organized under the laws of the
-state of Mississippi and granted tax exempt status by the Internal
-Revenue Service. The Foundation's EIN or federal tax identification
-number is 64-6221541. Its 501(c)(3) letter is posted at
-http://pglaf.org/fundraising. Contributions to the Project Gutenberg
-Literary Archive Foundation are tax deductible to the full extent
-permitted by U.S. federal laws and your state's laws.
-
-The Foundation's principal office is located at 4557 Melan Dr. S.
-Fairbanks, AK, 99712., but its volunteers and employees are scattered
-throughout numerous locations. Its business office is located at
-809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
-business@pglaf.org. Email contact links and up to date contact
-information can be found at the Foundation's web site and official
-page at http://pglaf.org
-
-For additional contact information:
- Dr. Gregory B. Newby
- Chief Executive and Director
- gbnewby@pglaf.org
-
-
-Section 4. Information about Donations to the Project Gutenberg
-Literary Archive Foundation
-
-Project Gutenberg-tm depends upon and cannot survive without wide
-spread public support and donations to carry out its mission of
-increasing the number of public domain and licensed works that can be
-freely distributed in machine readable form accessible by the widest
-array of equipment including outdated equipment. Many small donations
-($1 to $5,000) are particularly important to maintaining tax exempt
-status with the IRS.
-
-The Foundation is committed to complying with the laws regulating
-charities and charitable donations in all 50 states of the United
-States. Compliance requirements are not uniform and it takes a
-considerable effort, much paperwork and many fees to meet and keep up
-with these requirements. We do not solicit donations in locations
-where we have not received written confirmation of compliance. To
-SEND DONATIONS or determine the status of compliance for any
-particular state visit http://pglaf.org
-
-While we cannot and do not solicit contributions from states where we
-have not met the solicitation requirements, we know of no prohibition
-against accepting unsolicited donations from donors in such states who
-approach us with offers to donate.
-
-International donations are gratefully accepted, but we cannot make
-any statements concerning tax treatment of donations received from
-outside the United States. U.S. laws alone swamp our small staff.
-
-Please check the Project Gutenberg Web pages for current donation
-methods and addresses. Donations are accepted in a number of other
-ways including checks, online payments and credit card donations.
-To donate, please visit: http://pglaf.org/donate
-
-
-Section 5. General Information About Project Gutenberg-tm electronic
-works.
-
-Professor Michael S. Hart is the originator of the Project Gutenberg-tm
-concept of a library of electronic works that could be freely shared
-with anyone. For thirty years, he produced and distributed Project
-Gutenberg-tm eBooks with only a loose network of volunteer support.
-
-
-Project Gutenberg-tm eBooks are often created from several printed
-editions, all of which are confirmed as Public Domain in the U.S.
-unless a copyright notice is included. Thus, we do not necessarily
-keep eBooks in compliance with any particular paper edition.
-
-
-Most people start at our Web site which has the main PG search facility:
-
- http://www.gutenberg.org
-
-This Web site includes information about Project Gutenberg-tm,
-including how to make donations to the Project Gutenberg Literary
-Archive Foundation, how to help produce our new eBooks, and how to
-subscribe to our email newsletter to hear about new eBooks.
-
-
-</pre>
-
+<div>*** END OF THE PROJECT GUTENBERG EBOOK 40925 ***</div>
</body>
</html>
diff --git a/40925.txt b/40925.txt
deleted file mode 100644
index 4280b9d..0000000
--- a/40925.txt
+++ /dev/null
@@ -1,4282 +0,0 @@
-Project Gutenberg's From sketch-book and diary, by Elizabeth Butler
-
-This eBook is for the use of anyone anywhere at no cost and with
-almost no restrictions whatsoever. You may copy it, give it away or
-re-use it under the terms of the Project Gutenberg License included
-with this eBook or online at www.gutenberg.org/license
-
-
-Title: From sketch-book and diary
-
-Author: Elizabeth Butler
-
-Release Date: October 3, 2012 [EBook #40925]
-
-Language: English
-
-Character set encoding: ASCII
-
-*** START OF THIS PROJECT GUTENBERG EBOOK FROM SKETCH-BOOK AND DIARY ***
-
-
-
-
-Produced by Chuck Greif and the Online Distributed
-Proofreading Team at http://www.pgdp.net (This file was
-produced from images available at The Internet Archive)
-
-
-
-
-
-
-
-
-
-FROM SKETCH-BOOK AND DIARY
-
-BY THE SAME AUTHOR
-
-LETTERS FROM THE HOLY LAND
-
-CONTAINING 16 FULL-PAGE ILLUSTRATIONS IN COLOUR
-FROM PAINTINGS BY THE AUTHOR
-
-"Charmingly natural and spontaneous travel impressions with sixteen
-harmonious illustrations. The glow, spaciousness and atmosphere of these
-Eastern scenes are preserved in a way that eloquently attests the
-possibilities of the best colour process work."--_Outlook_.
-
-"The letters in themselves afford their own justification; the sketches
-are by Lady Butler, and when we have said that we have said all.
-Combined, they make a book that is at once a delight to the eye and a
-pleasure to handle. The coloured illustrations, marvellously well
-reproduced, provide in a panoramic display faithful representations of
-the Holy Land as it is seen to-day. They make a singularly attractive
-collection, worthy of the distinguished artist who painted them."--_St.
-James's Gazette_.
-
-A. & C. BLACK, SOHO SQUARE LONDON
-
-AGENTS
-
-America The Macmillan Company
- 64 & 66 Fifth Avenue, New York
-
-Australasia The Oxford University Press
- 205 Flinders Lane, Melbourne
-
-Canada The Macmillan Company of Canada, Ltd.
- 27 Richmond Street West, Toronto
-
-India Macmillan & Company, Ltd.
- Macmillan Building, Bombay
- 309 Bow Bazaar Street, Calcutta
-
-[Illustration: THE HOUR OF PRAYER, A SOUVENIR OF WADY HALFA]
-
-
-
-
-FROM SKETCH-BOOK
-AND DIARY
-
-BY
-
-ELIZABETH BUTLER
-
-WITH TWENTY-EIGHT ILLUSTRATIONS IN COLOUR
-AND TWENTY-ONE SMALL SKETCHES IN THE TEXT
-BY THE AUTHOR
-
-[Illustration: colophon]
-
-LONDON
-
-ADAM AND CHARLES BLACK, SOHO SQUARE, W.
-
-BURNS AND OATES, 28 ORCHARD STREET, W.
-1909
-
-
-
-
-Dedication
-
-TO MY SISTER, ALICE MEYNELL
-
-
-I have an idea of writing to you, most sympathetic Reader, of certain
-days and nights of my travels that have impressed themselves with
-peculiar force upon my memory, and that have mostly rolled by since you
-and I set out, at the Parting of the Ways, from the paternal roof-tree,
-within three months of each other.
-
-First, I want to take you to the Wild West Land of Ireland, to a glen in
-Kerry, where, so far, the tourist does not come, and then on to remote
-Clew Bay, in the County Mayo.
-
-After that, come with me up the Nile in the time that saw the close of
-the Gordon Relief Expedition, when the sailing "Dahabieh," most
-fascinating of house-boats, was still the vogue for those who were not
-in a hurry, and when again the tourist (of that particular year) was
-away seeking safer picnic grounds elsewhere.
-
-Then to the Cape and the voyage thither, which may not sound alluring,
-but where you may find something to smile at.
-
-I claim your indulgence, wherever I ask you to accompany me, for my
-painter's literary crudities; but nowhere do I need it more than in
-Italy, for you have trodden that field with me almost foot by foot. The
-veil to which I trust for softening those asperities elsewhere must fall
-asunder there.
-
-I have made my Diary, and in the case of the Egyptian chapters, my
-letters to our mother, the mainsprings from which to draw these
-reminiscences.
-
-Bansha CASTLE, _July_ 1909.
-
-
-
-
-CONTENTS
-
-
-I. IN THE WEST OF IRELAND
-
-CHAPTER I
- PAGE
-GLANARAGH 3
-
-CHAPTER II
-
-COUNTY MAYO IN 1905 15
-
-
-II. EGYPT
-
-CHAPTER I
-
-CAIRO 31
-
-CHAPTER II
-
-THE UPPER NILE 55
-
-CHAPTER III
-
-ALEXANDRIA 77
-
-
-III. THE CAPE
-
-CHAPTER I
-
-TO THE CAPE 91
-
-CHAPTER II
-
-AT ROSEBANK, CAPE COLONY 105
-
-
-IV. ITALY
-
-CHAPTER I
-
-VINTAGE-TIME IN TUSCANY 123
-
-CHAPTER II
-
-Sienna, Perugia, and Vesuvius 143
-
-CHAPTER III
-
-ROME 160
-
-
-
-
-LIST OF ILLUSTRATIONS
-
-
-IN COLOUR
-
-1. The Hour of Prayer, A Souvenir of Wady Halfa _Frontispiece_
-
-
-IRELAND
-
- FACING PAGE
-
-2. Our Escort into Glenaragh 1
-
-3. "A Chapel-of-Ease," Co. Kerry 8
-
-4. Croagh Patrick 17
-
-5. Clew Bay, Co. Mayo 20
-
-6. A Little Irish River 24
-
-
-EGYPT
-
-7. In a Cairo Bazaar 33
-
-8. The Camel Corps 40
-
-9. The English General's Syces 49
-
-10. Registering Fellaheen for the Conscription 56
-
-11. "No Mooring To-night!" 59
-
-12. The "Fostat" becalmed 62
-
-13. At Philae 67
-
-14. A "Lament" in the Desert 70
-
-15. Abu Simbel at Sunrise 76
-
-16. Madame's "At Home" Day; Servants at the Gate 81
-
-17. Syndioor on the Lower Nile 88
-
-
-THE CAPE
-
-18. "In the Hollow of His Hand" 97
-
-19. A Corner of our Garden at Rosebank 104
-
-20. The Inverted Crescent 113
-
-21. The Cape "Flats" 120
-
-
-ITALY
-
-22. Bringing in the Grapes 123
-
-23. A Son of the Soil, Riviera di Levante 126
-
-24. Ploughing in Tuscany 145
-
-25. The Bersaglieri at the Fountain, Perugia 152
-
-26. A Meeting on the Pincian: French and German
-Seminarists 161
-
-27. A Lenten Sermon in the Colosseum 164
-
-28. The Start for the Horse Race, Rome 168
-
-Also head and tail pieces in black and white on pp. 2, 3, 15, 27,
-28, 30, 31, 54, 55, 76, 77, 88, 90, 91, 104, 105, 122, 123,
-142, 143, and 160.
-
-[Illustration: OUR ESCORT INTO GLENARAGH]
-
-
-
-
-I
-
-IN THE WEST OF IRELAND
-
-[Illustration]
-
-[Illustration]
-
-
-
-
-CHAPTER I
-
-GLENARAGH
-
-
-My diary must introduce you to Glenaragh, where I saw a land whose
-beauty was a revelation to me; a new delight unlike anything I had seen
-in my experiences of the world's loveliness. To one familiarized from
-childhood with Italy's peculiar charm, a sudden vision of the Wild West
-of Ireland produces a sensation of freshness and surprise difficult
-adequately to describe.
-
-"--_June_ '77.--At Killarney we left the train and set off on one of the
-most enchanting carriage journeys I have ever made, passing by the
-lovely Lough Leane by a road hedged in on both sides with masses of the
-richest May blossom. For some distance the scenery was wooded and soft,
-almost too perfect in composition of wood, lake, river, and mountain;
-but by degrees we left behind us those scenes of finished beauty, and
-entered upon tracts of glorious bog-land which, in the advancing
-evening, impressed me beyond even my heart's desire by their breadth of
-colour and solemn tones. I was beginning to taste the salt of the Wilds.
-
-"The scenery grew more rugged still, and against ranges of distant
-mountains jutted out the strong grey and brown rocks, the stone cairns
-and cabins of the Wild West land.
-
-"To be a figure-painter and full of interest in mankind does not mean
-that one cannot enjoy, from the depths of one's heart, such scenes as
-these, where what human habitations there are, are so like the stone
-heaps that lie over the face of the land that they are scarcely
-distinguishable from them. When observed they only convey to the mind
-the sense of the feebleness of man, overpowered as he is here by the
-might of the primeval landscape. This human atom stands timidly at his
-black cabin door to see the stranger pass, often half-witted through
-privation; or he silently tills the little patch of land he has borrowed
-from the strong and barbarous earth that yields him so little.
-
-"The mighty 'Carran Thual,' one of the mountain group which rises out of
-Glenaragh and dominates the whole land of Kerry, was ablaze with burning
-heather, its peak sending up a glorious column of smoke which spread out
-at the top for miles and miles and changed its exquisite smoke tints
-every minute as the sun sank lower. As we reached the rocky pass that
-took us by the wild and remote Lough Acoose that sun had gone down
-behind an opposite mountain, and the blazing heather glowed brighter as
-the twilight deepened, and circles of fire played fiercely and weirdly
-on the mountain-side. Our Glen gave the 'Saxon lady' its grandest
-illumination on her arrival.
-
-"Wild strange birds rose from the bracken as we passed, and flew
-strongly away over lake and mountain torrent, and the little black Kerry
-cows all watched us go by with ears pricked and heads inquiringly
-raised. The last stage of the journey had a brilliant _finale_. A herd
-of young horses was in our way in the narrow road, and the creatures
-careered before us, unable or too stupid to turn aside into the ditches
-by the roadside to let us through. We could not head them, and for fully
-a mile did those shaggy wild things caper and jump ahead, their manes
-flying out wildly with the glow from the west shining through them. Some
-imbecile cows soon joined them in the stampede, for no imaginable
-reason, unless they enjoyed the fright of being pursued, and the
-ungainly progress of those recruits was a sight to behold,--tails in the
-air and horns in the dust. The troop led the way right into the eye of
-the sunset. With this escort we entered Glenaragh.
-
- * * * * *
-
-"--_June_ 1877.--We rode in to-night after a long excursion amidst the
-mountains of this wild land of Kerry, rode down into the glen where our
-little inn stands in a clump of birch and arbutus trees. That northern
-light which in these high latitudes and at this season carries the
-after-light of the sunset on into the dawn, lighted our path for the
-last hour with surprising power. Were we sufficiently far north, of
-course, the sun itself would not dip below the horizon at all, but here
-we have only the upper portion of his aureole from his setting to his
-rising. Oh! the wild freedom of these mountain paths, the scent of the
-cabin turf fires, the round west wind rolling through the heather; what
-cool wells of memories they fill up for the thirsty traveller in desert
-places far away. That west wind! This is the first land it has swept
-with its wings since it left the coasts of Labrador. For purity, for
-freshness, for generosity, give me the Wild West wind of Ireland.
-
-"'Carran Thual' is still on fire; it signals each night back to the
-northern light across the glen in a red glare of burning heather. The
-moon, now in her first quarter, looks green-gold by contrast with all
-this red of sky and flame, and altogether our glen gives us, these
-nights, such a display of earthly and heavenly splendour that it seems
-one should be a spectator all night of so much beauty. And to this
-concert of colour runs the subtle accompaniment of rushing water, for
-all these mountains are laced with silvery torrents leaping down to the
-lakes and rivers that reflect the glory of the sky. Glenaragh! loveliest
-of wild valleys, where is the poet that should make thee the theme of
-his songs?
-
-"Coming through 'Windy Gap' in this illuminated gloaming we met a lonely
-horseman riding fast, a rope for his bridle, his pony very shaggy. He
-passed us over the rocks and rolling stones, and, looking back, we saw
-his bent figure jet black against the west for a moment, ere he dipped
-down through the 'Gap' out of sight. We knew who he was. Some peasant
-was dying on the mountain-side beyond, and the priest was anxious to be
-in time with the Viaticum.
-
-"A strange little creature came out of the kitchen of the inn to see us
-after supper, and I made the acquaintance of a Leprechaun. Tiny, grey,
-bald little manikin; a 'fairy,' the people call him. I do not want to
-know why they are like that. I would rather leave them mysterious and
-unexplained.
-
- * * * * *
-
-"The people speak Gaelic here, amongst themselves, and the priest
-preaches in it in the little chapel with the mud floor up on the hill
-over the torrent. The language and the torrent seem to speak alike,
-hurrying headlong.
-
-[Illustration: "A CHAPEL-OF-EASE," CO. KERRY]
-
-"But the chapel! Shall I ever forget the tub of holy water, on my first
-Sunday, placed before the rickety little altar on the mud floor, where
-the people, on coming in, splashed the water up into their faces? The
-old women had all brought big bottles from their homes in far-away glens
-to fill at the tub, and nothing could surpass the comicality of
-their attitudes as they stooped over their pious business, all wearing
-the hooded cloak that made them look as broad as they were long. One old
-lady, in her nice white cap, monopolized the tub an unconscionably long
-time, for, catching sight of her wind-tossed tresses in that
-looking-glass, she finished her devout ablutions by smoothing her few
-grey hairs with her moistened fingers into tidy bands, with alternate
-signs of the cross. The windows were all broken, and the men and boys
-stuffed the holes with their hats and caps to keep out the mountain
-blast.
-
-"Last Sunday, a very hot day, the tub happened to be placed outside the
-door, and it was well my horse was not tied up within reach, or a former
-catastrophe might have been repeated, and a 'blessed baist' have carried
-me home. The heat in the rickety little gallery, where the 'quality'
-have their seats, was such that I went out into the open air and
-followed the rest of the service with a rock for my hassock, and two
-rosy pigs toddling about me in that friendly way I notice as
-characteristic of all the animals in these parts. They seem to feel they
-are members of the family, and you see calves, goats, pigs, and donkeys
-sauntering in and out of the cabin doors in a free-and-easy harmony
-with the human beings which takes my fancy greatly. But the beasts are
-by far the happiest; their lives seem passed in perfect contentment and
-satisfaction, whereas the poor human animals have a hard struggle for
-existence in this stony and difficult land of Kerry.
-
-"The other day when W. and I dismounted at a cabin door on a wild
-mountain that holds, still higher up, a little dark lake which the
-people declare has no bottom to it, and on the shores of which 'worms as
-big as a horse' come out and bellow in the evenings, the gaunt pig that
-seemed to act watch-dog charged at me like a wild boar and sent me home
-in 'looped and windowed raggedness.' I never thought to find excess of
-zeal in a pig! The inmates of the cabin could not do enough for us to
-make up for such want of reticence.
-
-"On one occasion at church in Tipperary, I noticed a rather satanic goat
-come pattering up the church and occupy an empty pew, where he lay down
-with perfect self-complacency and remained quiescent, chewing the cud,
-while we knelt; but each time the congregation stood up, up jumped the
-goat, his pale eyes and enormous horns just appearing over the high
-front of the pew. Then as we knelt again he would subside also, till he
-was startled to his feet once more by the rustle of the people rising,
-and then his wild head was again visible over the top of the pew,
-staring about him. Not a single person took any notice of the weird
-creature or seemed to think him out of place or at all funny. And so he
-continued to rise and fall with the rest to the end.
-
-"Our chapel here is too small for the congregation that streams in from
-places as far as fifteen miles away among the mountains, and on one
-pouring wet Sunday I saw the strangest rendering of what is called 'a
-chapel-of-ease.' Not much 'ease' there, for some dozen men and youths
-who could find no place inside were kneeling about the door in running
-water, with a stone placed under each knee. Every day I see some
-incident or episode which has for me a surprise and all the charm of a
-new and striking experience. I feel more 'abroad' in this country than I
-do on the Continent.
-
-"See, again, this little scene. A friend journeying to our inn and
-missing the road got belated in the defiles of the 'Reeks.' Dismounting
-at one of those mud cabins, which, at a little distance, are
-indistinguishable from their rocky surroundings, to ask the way, he was
-invited inside and offered a meal. The light was waning, so two little
-girls stood on either side of the stranger, each holding a bit of
-lighted candle as he sat at table. These wild-eyed and ragged little
-creatures made a pretty pair of dining-table candlesticks! I wish I
-could have seen them in the dim twilight of the black, smoke-dimmed
-cabin interior, their faces lighted by the candle flame.
-
-"The beauty of the children here is a constant pleasure to me. We are
-here in the land of blue eyes and black lashes, or golden ones, when the
-hair, as it so frequently is, is ruddy. The young women are quite
-beautiful. I wish a painter of female beauty could have seen the girl we
-passed to-day who was minding some calves in a bit of bog-land bordered
-with birch-trees. It was a symphony of green; her head shawl was green
-plaid, her petticoat another tone of green, the background and all her
-surroundings gave every cool and delicious variation of green, and her
-ruddy limbs and red-gold hair, tossed by the breeze and shone through by
-the sun, looked richer in colour by the contrast. Her great blue eyes
-looked shyly at us and the shawl soon covered her laughing face. What a
-sweet picture, 'In the Green Isle'!
-
-"Every day I am more and more struck with the light-heartedness and
-gaiety of the animals. Whether it is emphasized by the poverty-stricken
-and quiet, saddened, demeanour of the human beings in these parts I
-cannot tell, but certainly the beasts seem to have the best of it. As to
-the dogs that belong to the mud cabins, never have I seen such jolly
-dogs, full of comic ways, especially when in puppy-hood, and all so
-valiant in confronting us as we near their strongholds. But on our near
-approach that puppy who looks mighty fierce afar off usually bolts under
-some door and sticks there. Then the pigs, who generally are less
-valiant than our wild boar of Lough Cluen, seized with apparent panic,
-rush round and round in the yard, and the flurried ducks that scuttle
-from under our horses' hoofs end by falling on their sides in the
-ditches--surely all in fun? And invariably the cows and calves by the
-way-side prefer to be pursued along the roads, and keep up a splendid
-burst of galloping with tails in the air for miles before a tumble
-happening to one of them suggests a movement to the rear. All the lower
-creatures are 'jolly dogs' here, and only man is care-worn."
-
-In the autumn we came back to our well-loved glen, and I gathered
-materials there for my first _married_ Academy picture--the 'Recruits
-for the Connaught Rangers.' W. found me two splendid 'bog-trotters' for
-models. The elder of the two had the finer physique, and it was
-explained to me that this was owing to his having been reared on
-herrings as well as potatoes, whereas the other, who lived up in the
-mountains, away from the sea, had not known the luxury of the herring. I
-wish we could get more of these men into our army. W. at that time was
-developing suggestions for forming a Regiment of Irish Guards, and I was
-enthusiastic in my adhesion to such a project and filling the imaginary
-ranks with big men like my two models. However, he was some twenty-three
-years too soon, and the honour had to be won for Ireland through yet
-another big war.
-
-[Illustration]
-
-
-
-
-CHAPTER II
-
-COUNTY MAYO IN 1905
-
-
-I wish you would make a summer tour to Mayo. It is simple; yet what a
-change of scene, of sensations, of thoughts one secures by this simple
-and direct journey--Euston, Holyhead, Dublin, Mulranny. You travel right
-across Ireland, getting a very informing vista of the poverty and
-stagnation of those Midland counties till your eyes greet the glorious
-development of natural beauty on the confines of the sea-girt Western
-land. I went there tired from London and came on a scene of the most
-perfect repose imaginable, with the sound of the motor buses still
-buzzing in my ears.
-
-Mulranny is supremely healthy--a place of rosy cheeks and sunburn,
-bracing yet genial, clear-aired, majestic in its scenery, unspoilt. As
-you near your journey's end and enter Mayo the change in the scenery
-from the emptiness of Roscommon develops rapidly. Magnificent mountains
-rise on the horizon, and the grandeur of the landscape grows into
-extraordinary beauty as the train rounds into Clew Bay. The great cone
-of Croagh Patrick rises in striking isolation at first, and then the
-surrounding mountains, one by one, join it in lovely outlines against
-the fresh _clean_ sky. It was a beautiful afternoon when I was
-introduced to this memorable landscape, and the waters of the Bay were
-quite calm. After sunset the crescent moon gave the culminating charm to
-the lovely scene in the west, while to the south the red planet Mars
-flamed above Croagh Patrick, and all this beauty was mirrored in the
-Bay. What an emancipation from the fret and fuss of little Piccadilly in
-a hot July to find oneself before these mountain forms and colours that
-have not changed since the cooling of the earth. You might travel
-farther a great way and not find such a virgin land.
-
-[Illustration: CROAGH PATRICK]
-
-And there is Achill Island, a one-day's excursion from Mulranny,
-poignantly melancholy in its beauty and remoteness beyond anything I
-have seen in the west. Achill has often been described; it holds the
-traveller's attention with a wild appeal to his heart; but I don't know
-that one little detail of that land "beyond the beyond" has ever been
-described. It is Achill's mournful little Pompeii, a village of the
-dead, on a bare hillside, which we passed one day on our way to an
-unfrequented part of the island. This village was deserted in the awful
-famine year of '47, some of the inhabitants creeping away in fruitless
-search of work and food to die farther afield, others simply sinking
-down on the home sod that could give them nothing but the grave. In the
-bright sunshine its roofless cabins and grass-grown streets looked more
-heart-breaking than they might have done in dismal rain. I wish I could
-have made a sketch of it as I saw it that day--a subject strongly
-attracting the attention of the mind rather than the eye. Pictorial
-beauty there was none.
-
-Everywhere in this country there is that heart-piercing contrast between
-natural beauty and human adversity--that companionship of sun and
-sorrow. But the light and the darkness seem blended by the unquestioning
-faith of these rugged Christians into a solemn unity and harmony before
-which any words of mine sound only like so much dilettantism.
-
-See here another bit of chapel interior. A rough, plain little building,
-too formless to be picturesque, packed with peasant men, women, and
-children. Where but in Ireland could such a scene take place as I
-witnessed there? The priest, before the beginning of the service, gave a
-tremendous swish of holy water to the congregation with a mop out of a
-zinc pail, from the altar. He had previously heard nearly half the
-congregation's confessions, men, women, boys, and girls kneeling in turn
-beside his chair at one side of the altar, without any sort of screen. I
-wondered, as they pressed round him, that they did not overhear each
-other, but indeed I reflected that would be "no matther whativer," as
-these people must have but little to tell!
-
-The server ran a match along the earthen floor to light the two
-guttering, unequal candles on the altar, and at the end of Mass he
-produced the mop and zinc pail again. _Swish_ went the holy water once
-more from the mop, wielded by the athletic sword-arm of the gigantic
-young priest. For fear the nearer people should have been but poorly
-sprinkled under that far-reaching arc of water, which went to the very
-end wall of the chapel, he soused the mop again with a good twist and
-gave everybody in the front benches a sharp whack full in their faces,
-tactfully leaving us out. They received it with beaming and grateful
-smiles.
-
-There are wonderful studies of old men's and women's heads here full of
-that character which in the more "educated" parts of Ireland the School
-Board seems to be rubbing out, and I was delighted to see the women and
-girls wearing the head-shawls and white caps and the red petticoats that
-charmed me in Kerry in '77. The railway is sure to bring the dreadful
-"Frenchy" hat here in time, and then good-bye to the comely appearance
-of these women. Their wild beauty undergoes an extraordinary change
-under the absurd hat and feathers--these winsome colleens then lose all
-their charm.
-
-Yet I must thank this same railway for having brought us to this haven
-of rest, right up to the doors of a charming, very modern hotel, on
-quite different lines from the dear little inn that fascinated me in
-the old Glenaragh days. In its way it is fascinating too, for here you
-have all the up-to-date amenities in the very heart of the wildest
-country you could wish for. The electric light is generated by the
-mountain streams and the baths filled from the glorious bay that lies
-below the hotel terraces, a never-failing delight in all its moods of
-sun and shadow, wind and calm.
-
-Sad it is to see so many cabins deserted. The strength of the country is
-ebbing away. The few people that are left are nice and wholesome in mind
-and manner; they have the quiet urbanity of the true peasant all the
-world over. They remind me of the Tuscan in this particular, but, of
-course, they have not his light-heartedness. More seriousness, I should
-think, these Irish have. I was sketching sheep, for a contemplated
-picture, in the evenings on the lovely marshes by the sea, and one
-evening a widow, left completely lonely in her little cabin on the
-heights above by the departure for America of her last child, came down
-to fetch home her solitary sheep from amongst the others, and I told her
-I thought these creatures were leading a very happy life. "Yes," she
-answered, pausing for a moment and looking down on the flock, "and they
-are without sin."
-
-[Illustration: CLEW BAY, CO. MAYO]
-
-At the ringing of the Angelus the work in the fields, the bogs, the
-potato patches stops till the words of St. Luke's Gospel have been
-repeated, just as we remember them said in Italy. It was a surprise--and
-one of great interest to me--when I first saw peasants saying the
-Angelus under a northern sky.
-
-My studies of the wild mountain sheep on the marshes came to an abrupt
-close. I was reposing under a rock (it was well on in July) with palette
-and panels ready, waiting for the sunset and its after-glow, to get
-final precious notes of colour upon the fleeces. One particular sheep
-had been a very useful model. It ambled in a graceful way on three legs
-and we called it "Pacer." I became aware of an opaque body rising
-between my closed eyes and the sun, and looking up I beheld the head of
-"Pacer" peering at me over the edge of the rock over my head. But what
-had happened to "Pacer's" neck? Good gracious! I jumped up and beheld a
-shorn "Pacer" and all the flock in the same lamentable condition. It had
-all happened in twenty-four hours.
-
-I want to bring before your mind two little rocky islands with green
-summits off the coast of Clare, not far from here. Of all the
-wind-swept little islands none could be more wind-swept. On one, the
-smallest, I heard that a ferocious and unmanageable billy-goat was
-deposited as a useless member of the community, and one night he was
-blown out to sea--a good riddance. On the other you perceive, through
-the spray, little nodules on the turf--the graves of unbaptized infants.
-And the sea-gulls along the cliffs are for ever crying like legions of
-children.
-
- * * * * *
-
-By returning from Mulranny by way of Tipperary and the Rosslare route to
-England you can voyage down the Shannon and have an experience not
-lightly to be foregone. This is the "lordly Shannon," a great wide,
-slowly-flowing and majestic river of dark, clear, bluish water--blue
-shot with slate. You sit at the bows of the little steamboat which takes
-you from Athlone to Killaloe, so that neither smoke nor screw interferes
-with your enjoyment of the lovely scenes you are to pass through. If the
-time is July (_the_ time to choose) you are at once greeted on clearing
-the little grey town of Athlone with the most exquisite scent from the
-level banks which form two wide belts of creamy meadow-sweet all the way
-to the end, at Lough Derg. These belts are interrupted, once only, by
-the lock at Shannon Bridge, that little gathering of houses and gaunt
-dismantled barracks and breastworks built in the days of the threatened
-French invasion. Near here lived Charlotte Bronte's husband till his
-death only the other day.
-
-You will see in the Shannon a mighty waterway for commerce, left to the
-wild things that haunt it; and it has haunted me ever since that July
-day on which I saw it with a sense of regret that the condition of
-Ireland makes such a river out of scale with the requirements of the
-country. It flows for the wild birds, the cattle, the fishes, and for
-its own pleasure; and it flowed for mine that day, for I let no phase of
-it escape me and gladly added its sonorous name to the long list of
-those of the great rivers of the world I have already seen.
-
-We hardly saw a soul along the banks, but many kinds of aquatic birds,
-flying, diving, and swimming, enlivened the voyage with their funny
-ways, scurrying out of the track of the puffing little steamer. Along
-the whole course of the great stream there stood at regular intervals,
-planted in more hopeful days, navigation posts, marking the channel for
-the ships that never come, and on these scarlet signs perched black
-cormorants eyeing us like vultures. The herons rose slowly from the
-meadow-sweet and the sedges, with their long flapping wings; the cattle
-standing in the water followed us with their mild eyes. It was all
-beautiful, mournful, eloquent, and when the ruins of Clonmacnoise hove
-in sight I heard the spirit of Ireland speaking to me from the grave.
-
-Clonmacnoise! A mere curious name to us in England. Perhaps nowhere,
-even in depopulated Ireland, can a more desolate, abandoned plot of land
-than this be seen. And yet this great monastery and university, founded
-in A.D. 544, and at the height of her renown in the eighth century while
-our country was in a very immature state, was a European centre to which
-scholars on the Continent came to study; which was quoted and referred
-to by them as a conspicuous authority, and which for long was in what I
-might call brisk communication with the centres of learning abroad, if
-"brisk" was not too bizarre a word in such a place to-day. A more
-mournful oblivion never fell on any once flourishing centre of active
-thought and teaching.
-
-[Illustration: A LITTLE IRISH RIVER]
-
-The slow havoc of time amongst these seven remaining little churches and
-blunt round towers was one day accelerated by Cromwell's gunpowder,
-which has left the "Guest House" of the monastery a heap of ruins split
-into ugly shapes quite out of keeping with the rest.
-
-As the grey group passed away from sight I thought I had never known
-more eloquent silence than that which enfolds the ruins bearing the
-sounding name of Clonmacnoise.
-
-Will the electric chain ever be linked up again that carried Ireland's
-intellect and mental energy to the Continent in those remote times, and
-round again from the great sources of learning there, with fresh
-material to enrich her own store?
-
-You will have the wish to "Come back to Erin, Mavourneen," after making
-this little tour. To me Ireland is very appealing, though I owe her a
-grudge for being so tantalizing and evasive for the painter. The low
-clouds of her skies cause such rapid changes of sun and shadow over her
-landscapes that it requires feats of technical agility to catch them on
-the wing beyond my landscape powers. My only chance is to have unlimited
-time and thus be able to wait a week, if necessary, for the particular
-effect to come round again. An artist I heard of thought he had "bested"
-the Irish weather and its wiles when he set up this clever system: six
-canvasses he spread out before him on the ground in a row, each with a
-given arrangement of light and shade sketched out ready. But when the
-psychological moment arrived he was so flurried, that while he was
-wildly running his hand up and down the row of canvasses for the right
-one he could never find it in time.
-
-A nice dance you are led, sketching in Ireland, altogether! You are, for
-instance, intent on dashing down the plum-like tones of a distant
-mountain, when lo! that mountain which in its purple mystery seemed some
-fifteen miles away, in a moment flashes out into such vivid green that,
-as the saying is here, "you might shake hands with it," so close has it
-come. Even its shape is changed, for peaks and buttresses start forth in
-the sunburst where you imagined unbroken slopes a few minutes before.
-Shadowed woods spring into dark prominence by the sudden illumination of
-the fields behind them and as suddenly are engulfed in the golden haze
-of a shaft of light that pierces the very clouds whose shadows had a
-minute before given them such a startling prominence on the light
-background. Unsuspected lovelinesses leap forth while those we saw
-before are snatched away, and the sunlight for ever wanders up and
-along the mountain sides, as some one has finely said, "like the light
-from a heavenly lantern."
-
-What those changes from beauty to beauty do towards sunset I leave you
-to imagine. I have never seen Ireland at all worthily painted. I think
-we ought to leave her to her poets and to the composers of her matchless
-music.
-
-[Illustration]
-
-[Illustration]
-
-
-
-
-II
-
-EGYPT
-
-[Illustration]
-
-[Illustration]
-
-
-
-
-CHAPTER I
-
-CAIRO
-
-
-To the East! What a thrill of pleasure those words caused me when they
-meant that I was really off for Egypt. The East has always had for me an
-intense fascination, and it is one of the happiest circumstances of my
-life that I should have had so much enjoyment of it.
-
-My childish sketch-books, as you remember, are full of it, and so are my
-earliest scribblings. To see the reality of my fervid imaginings,
-therefore, was to satisfy in an exquisite way the longing of all my
-life.
-
-The Gordon expedition was my opportunity, and it was a bold and happy
-conception of W.'s that of my going out with the two eldest little ones
-to join him on the Nile when the war should be over. I may say I--and
-the British Army--had the Nile pretty well to ourselves, for few
-tourists went up the year I was there. But I had to wait some time at
-Cairo and at Luxor before all trouble had been put an end to by the
-battle of Ginniss, which closed the recrudescence of rebellion that
-burst out after the great Khartoum campaign.
-
-The emotion on seeing the East for the first time can never be felt
-again. The surprise can never be repeated, and holds a type of pleasure
-different from that which one feels on revisiting it, as I have so often
-done since.
-
-One knows the "gorgeous East" at first only in pictures; one takes it on
-trust from Delacroix, Decamps, Gerome, Mueller, Lewis, and a host of
-others. You arrive, and their pictures suddenly become breathing
-realities, and in time you learn, with exquisite pleasure, that their
-most brilliant effects and groups are no flights of fancy but faithful
-transcripts of every-day reality.
-
-[Illustration: IN A CAIRO BAZAAR]
-
-But at first you ask, "Can those figures in robes and turbans be really
-going about on ordinary business? Are they bringing on that string of
-enormous camels to carry real hay down that crowded alley; are those
-bundles in black and in white wrappers, astride of white asses
-caparisoned in blue and silver, merely matter-of-fact ladies of the
-harem taking their usual exercise? That Pasha's curvetting white Arab
-horse's tail is dyed a tawny red, and what is this cinder-coloured,
-bare-headed, jibbering apparition, running along, clothed in rattling
-strings of sea-shells and foaming at the mouth? A _real_ fanatic? That
-water-seller by Gerome has moved; he is selling a cup of water to that
-gigantic negro in the white robe and yellow slippers, and is pocketing
-the money quite in an ordinary way. And there is a praying man by
-Mueller, not arrested in mid-prayer, but going through all the periods
-with the prescribed gestures, his face to the East, and the declining
-sun adding an ever-deepening flush to the back of his amber-coloured
-robe."
-
-It takes two or three days to rid oneself of the idea that the streets
-are parading their colours and movement and their endless variety of
-Oriental types and costumes for your diversion only, on an open-air
-stage.
-
-Cairo in '85, '86, was only at the beginning of its mutilations by
-occidentalism, and the Oriental _cachet_ was dominant still. To sit on
-the low shady terrace of the old Shepheard's hotel under the acacias and
-watch the pageant of the street below was to me an endless delight.
-
-The very incongruity of the drama unrolling itself before one's eyes had
-a charm of its own. Look at that Khedivial officer in sky-blue, jerkily
-riding his pretty circus Arab. There follows him a majestic and most
-genuine Bedouin in camel's hair burnoos, deigning not the turn of an
-eyelash as he passes our frivolous throng on the terrace; two Greek
-priests, their long hair gathered up in knots under the tall black cap
-and flowing veil, equal him in quiet dignity, and a mendicant friar
-rattles his little money-box, like an echo of the water-seller's cups
-over the way, as a hint to our charity. An Anglo-Indian officer of high
-degree is driven up to our steps in a 'bus under a pile of baggage. He
-has just arrived from India and is impressively escorted by various
-Sikhs, whose immense _puggarees_ are conceived in a totally different
-spirit from that of the native turbans. A British hussar, smart as only
-a British soldier can be, trots by on a wiry Syrian horse; a cab full of
-Highlanders out for a spree bumps along the unpaved roadway. I confess
-I was disappointed with the effect of our honoured British red. What did
-it look like where the red worn by the natives was always of the most
-harmonious tones!
-
-See that string of little donkeys cheerily toddling along, all but
-extinguished under their loads of sugar-canes that sweep the ground with
-their long leaves; humble peasant donkeys, meeting a flashing brougham
-with windows rigidly closed, through which the almond eyes of veiled
-ladies of some high Pasha's harem glance up at us and take us all in in
-that devouring sweep of vision. Double syces run before such equipages.
-
-French bugles tell us an Egyptian regiment is coming, and, meeting it,
-will go by with a dull rumble a string of English baggage-waggons drawn
-by mules and driven by Nubians, escorted by British soldiers in dusty
-khaki uniforms; stout fellows going to the front, a good many of them to
-stay there--under the sand.
-
-About 5.30 P.M. weird music and flaring torches brings us out again on
-the terrace, and we see a tumultuous crowd of pilgrims just arrived from
-Mecca by the five o'clock Suez train. They gather the crowd by their
-unearthly din and sweep it along with them. Beggars, flower-sellers,
-snake-charmers, tourists, and touts are all rolling along in a
-continuous buzz of various noises. Perhaps the full escort of cavalry
-jingles past our point of observation and the native crowd salutes the
-Khedive. Not so the British officers on the terrace, who keep their
-seats.
-
-But what was all this to diving into the old city, and in a ten minutes'
-donkey ride to find oneself in the Middle Ages; in the real, breathing,
-moving, sounding life of the Arabian Nights? Then when inclined to come
-back to our time and its comforts, which I am far from despising, ten
-minutes' return ride and the glimpse into the old life of the East
-became as a vision. For what I call the pageant of the street in front
-of Shepheard's was much too much mixed with modernity to allow of so
-complete a transformation of ideas.
-
-The bazaars of Cairo have been painted and written about more than those
-of any other Oriental city. The idea of my having "a try" at them seems
-to come a little late! But _if_ it is true that, as some croakers say,
-Old Cairo is gradually dying, I feel impelled to lay one flower of
-appreciation beside the grave which is ere long to close.
-
-What a treat, to put it in that way, it was to rove about in the reality
-of the true East, to meet beauty of form and colour and light and shade
-and movement wherever one's eyes turned, without being brought up with a
-nasty jar by some modern hideosity or other. This was contentment. You
-know what a bit of colour in sun or luminous shade does for me. Think of
-my feelings when I walked through the narrow streets where the rays of
-the sun slanted down through gaps in the masonry, or, as in some,
-through chinks in the overhead matting--now on a white turban, now on a
-rose-coloured robe relieved against the rich dark background of some
-cavernous open doorway, now on a bit of brass-work. The soft tones of
-the famous Carpet Bazaar in noon-day twilight, with that richness of
-colour that tells you the invisible sunshine is somewhere,
-fulfilled--yea, over-filled--my expectations, and close by in real
-working trim were the brass-workers tinkering and tapping musically, the
-while smoking their hubble-bubbles in very truth. The goldsmiths, in
-their own particular alley, were sitting in the rich chiaroscuro of
-their little shops waiting for me.
-
-Added to those feasts for the eyes were the sounds which pictures could
-not give me--the warning shouts of the donkey-and camel-drivers, the
-"by your leave" in Arabic, followed by the shuffling sound of hoof and
-foot in the soft tan; the tinkling of the water-sellers' brass saucers;
-the cries, like wild songs in the minor, of hawkers of all kinds of
-things. Then the scents, also unpaintable. Incense, gums, tan, ripe
-fruit, wood-smoke. And the smells? Ah, yes, well--the smells, goaty and
-otherwise. They were all bound up together in that entirety which I
-would not have deleted.
-
-There was one particular angle of street in front of I forget what ripe
-old mosque, before which I would have liked to establish myself all day.
-The two streams of passers-by, human and animal, ceaselessly jostling
-each other, came at one particular hour into a shaft of sunlight just at
-the turn where I could see them in perspective. Now a splendid figure in
-yellow robe and white turban, accentuating the streak of gold to
-perfection, occupied the centre of the composition and I would make a
-mental note: "daffodil yellow and white in intense sunlight; dull
-crimson curtain in shade behind; man in half-shade in dark brown, boy in
-indigo in reflected light"--when in the shaft of light now appeared a
-snow-white robe and rosy turban, putting out the preceding scheme, till
-a _hadji_ in a turban of soft bluey-green and pale-blue drapery came to
-suggest a very delicate emphasis to the rich and subdued surroundings.
-
-In the first fresh days how mysterious these covered streets appear,
-these indoor thoroughfares, muffled with tan, where towering camels and
-shuffling donkeys and curvetting horses seem so astonishingly out of
-place.
-
-Anglo-Egyptians who have to live in Cairo smile at my enthusiasm, and
-tell me they get tired of all this in time, and they are certainly
-helping to attenuate the charm. A late high official, on leaving Egypt,
-in his farewell speech told his audience that that day had been the
-happiest in his life, for he had seen the first "sandwich man" in the
-streets of Cairo. Since then another charming form of advertisement from
-the go-ahead West has appeared over the minarets of the
-alcohol-abhorring Moslems--a "sky sign" flashing out against the stars
-the excellence of somebody's whisky. Can they now say "the changeless
-East"? And what a whirlpool of intensely Western amusements you may be
-sucked into if you are not wary. You may hide in the bazaars but you
-cannot live there, and teas, gymkanas, dances, and dinners will claim
-you for their own as though you were at Monte Carlo or still nearer
-home. In fact I have found New Cairo a little London and Monte Carlo
-rolled into one.
-
-[Illustration: THE CAMEL CORPS]
-
-One glimpse of the vanishing Past which I got on a certain Friday at
-Cairo has left a queer impression on my mind, not at all a happy one. I
-am told the howling and dancing Dervishes have been lately suppressed,
-and I am dubious as to the fitness of us Christians being witnesses of
-those performances. However, I went, and saw what one can no longer see
-in Cairo. I found it difficult to believe those men were in real
-earnest, otherwise I should have felt more painfully impressed, but even
-as it was it was a disagreeable sight to witness the frenzied creatures
-flinging themselves backwards and forwards in time with the
-ever-increasing rapidity of the tom-toms till their long hair swept the
-floor at one moment and flew up straight on end towards the great
-vaulted interior of the mosque the next. Gasping shouts as of dying men
-escaped them rhythmically, and when the bewildering music had reached
-its climax it stopped, and so did they, and the priest, with gestures of
-loving commiseration and encouragement, very gracefully fell on their
-necks and gave them a drink of water each in turn. All this went on
-in a faint light from the hanging lamps, and the heat became
-suffocating. Mrs. C. put her hand on my shoulder, and pointing upwards
-asked me, "What is that?" A little white figure had appeared on a ledge
-high up under the drum of the dome. Whether man, woman, monkey, or
-goblin, I never saw a more impish figure, and it squatted there looking
-down from under its hood. I saw many very queer beings in Egypt as time
-went on, and decidedly the British occupation has not exorcised all the
-old magic of the Egyptians. But I have never played with it as some do.
-Not from fear, but from dislike. I am told in sober truth, people who
-came to scoff have begged to be let go when spell-bound with horror at
-what they have seen in a drop of enchanted ink spilled on a table.
-
-We have sometimes played tricks on those people with imitation magic,
-but never more successfully than did our friend Sir James Dormer out in
-the Great Desert, when he struck the Bedouins dumb by taking out his
-glass eye, which they, of course, believed to be his own, tossing it in
-the air, and replacing it. He had great power over them, I should say,
-for ever after. Brave man, he was killed shortly after in India by the
-wild animal he had wounded and who sprang on him on his blind side. I
-think a man with a single eye is doubly brave who goes out
-tiger-shooting in the jungle.
-
-A much wholesomer diversion than the Dervishes was provided by the then
-General in command at Cairo a few days later, when some three hundred of
-the Native Camel Corps were put through a series of splendid
-manoeuvres out in the great open spaces of Abassieh, beyond the Tombs
-of the Mameluks. I got out of the carriage when warned that the final
-charge was about to be delivered, and stood so as to see them coming
-nearly "stem on." It was a sight worth seeing, and surprising to me,
-who, before I landed, had never seen a camel worthy of the name. When
-the "halt!" was sounded, down fell the three hundred bellowing creatures
-on their knees in mid-career, close up to us, and the panting riders
-leapt off, their accoutrements in most admired disorder, and their
-puttees for the most part streaming along the ground. I was in a hurry
-to get back to Shepheard's to take the impression down, for I was
-greatly struck by so novel a sight. The red morocco-leather saddle
-covers were most effective, and very sorry I was on my next visit to
-Egypt to find they had gone the way of all "effective" bits of military
-equipment, and were replaced by dull brown substitutes. Henceforth I was
-an enthusiastic admirer of that most picturesque of animals, and though
-I approached the camel at first with diffidence and apprehension, I soon
-found him much easier to draw than the horse. What you would _like_ to
-do with a horse to give him movement and action, but _mustn't_, you
-_may_ do with a camel. You can twist his neck almost indefinitely and
-brandish his great coarse head as you like, and his long legs give you
-_carte-blanche_ for producing speed. I found out a curious fact as time
-went on and I had dogged dozens of camels about the desert and made
-orderlies walk them up and down for me--namely, that the camel moves his
-legs _in the walk_ precisely like the horse, but when he falls into a
-trot he moves the legs of the same side forward together. He walks like
-a horse and trots like a camel! As to the gallop, a more dislocating
-performance I never saw. Lady ---- once told me she had, by an unlucky
-chance, got on a baggage camel with a hard mouth, or rather _nose_, and
-it ran away with her in the wide, wide desert. She hauled in the nose
-rope with the strength of despair, till the detestable animal's face
-was twisted back taut into her lap and was _looking at her_, and still
-the body galloped forward without the remotest check. She artistically
-left the end of the adventure untold.
-
-As to the camel's noises, I don't think I ever got to the end of them.
-The snarl and the grunt I was prepared for--the horrible querulous and
-sickening sound that some one has likened to the roar of a lion and the
-grunt of a pig combined; but one day, as I was making a study of one of
-these ungracious creatures for a big picture, I thought I heard a sweet
-lark warbling somewhere, and I marvelled at its presence over the
-Egyptian desert. The warblings came from the camel's throat, and there
-was a look in his eye that seemed to warn me that he considered the
-sitting had lasted long enough. The length of his neck suggested that I
-was within measurable distance of a bite, and I dismissed my sitter and
-his lanky rider with promptitude.
-
-Of all the figures that delighted me in Cairo those of the syces soon
-became first favourites. The dress, the springing run, the beauty of the
-movements--I don't think the human figure could be more charmingly shown
-off. The English General's syces alone wear the scarlet jacket, and
-deep indigo blue or maroon are the usual colours for the liveries of
-those mercuries. Our fast-trotting horses now try them too much, and we
-don't let them run very far, but take them up after a little while. They
-were intended to trot before the ambling horses or donkeys of Pashas, to
-clear the way with shouts and sticks through the crowded bazaars. I saw
-a lady (alas!) driving a very fast English horse past Shepheard's in a
-rakish T-cart, and the unfortunate syce was constantly on the point of
-being knocked down by the high-stepper. It did _not_ add to the
-smartness of this turn-out to see this panting creature looking over his
-shoulder every minute in terror of the horse, and sometimes, when
-flagging in his run, being overtaken and having to run alongside. I
-levelled mental epithets at the thoughtless driver, and wondered how
-such a thing could be. Some of us are curiously inconsiderate. I am
-afraid she was but a type of many. Witness the suffering horses bitted
-up with tight bearing-reins standing for hours outside shops and smart
-houses where "at homes" are going on, when a word from the fair owners
-to their ignorant coachmen might procure ease for their miserable
-beasts. I am not enthusiastic about motors, but I am thankful for the
-fact that they are greatly reducing the sufferings of our poor "gees." I
-hope by and by the motor will be made noiseless and odourless, for at
-present I cannot enjoy its country driving. The scents of the country
-are replaced by smell and the sounds by noise.
-
-You are better friends with the motor than I am, and have gathered much
-advantage from its audacity in taking you up, for instance, such rugged
-heights as those about Tivoli, well within a morning's outing from Rome,
-which I have looked at as inaccessible, and only to be admired from a
-lowly distance; those remote cones crowned with mediaeval towns that
-figure in the backgrounds of many an "Adoration of the Magi" and "Flight
-into Egypt."
-
-I am, like you, of two minds about very rapid travel. There is something
-to say for and against it. "For" it, the freshness with which the mind,
-untrammelled with the bodily weariness of "diligence" or "vetturino"
-jogging, receives impressions of points of interest; "against" it, the
-hustling of venerable monuments and reverenced natural features which
-should be approached with more ceremony. There is too much hustling
-nowadays. I don't know that I enjoyed my last visit to Venice quite as
-much as usual, feeling apologetic and guilty in participating in the
-"bumping" of the gondolas by the electric boats, whose back-wash sends
-them hopping and lurching in such an undignified manner. The sedate,
-gracious gondola, too well-bred ever to be in a hurry, "knocked out of
-time" by a fussing little electric launch, which is always in a hurry,
-with or without reason! What with the hurry, and the whistlings, and
-puffings, and syren-bellowings, the powers that be are actually
-succeeding in making Venice noisy. But I have got off the Egyptian track
-a long way.
-
-After a visit to Sakkara and to the Pyramids and the Sphinx I shall
-launch out upon Old Nile at once. Our Sakkara day was typical of many I
-was to experience in this strangest of lands--full of the delights, then
-new to me, of donkey-riding through the fresh winter air of the desert,
-but donkey-riding over tombs. Sakkara is the necropolis of Memphis,
-itself long buried, that capital of the Pyramid Period that looms dark
-far behind the nearer glories of Thebes and the Temples.
-
-My hilarity induced by the sun, the breeze, the absurd goings-on of the
-donkeys of our party was constantly damped by the weird reminders we
-constantly came upon. Those Sakkara pyramids lack the majesty of _the_
-Pyramids, and one looks at the amorphous heaps in an oppressed silence.
-The Tomb of Ti raised one's spirits by its vivid frescoes showing the
-every-day life of that Prime Minister's _menage_: it was cheery to see
-the poulterer in brilliant colours bringing in the goose to the cook,
-but the final extinguisher fell when we were conducted along an
-avenue--a sandy causeway--lined on either side with I forget how many
-sarcophagi of sacred bulls. Each granite sarcophagus was, as far as my
-memory could say, of exactly the same dimensions and of almost the same
-shape as that of the great Napoleon at the "Invalides"! And all for
-bulls.
-
-It was crushing; but well for me was the scamper back to the Cairo
-train. You cannot afford to be pensive riding a donkey at that pace with
-an Arab saddle to which you are not yet accustomed.
-
-[Illustration: THE ENGLISH GENERAL'S SYCES]
-
-I am not going to dare to try to say anything new about the Pyramids of
-Gizeh or the Sphinx; nothing new in any shape can come in contact with
-these monuments. One feels overcome with hoariness oneself by their mere
-proximity and silenced by the weight of ages. I am not going to ask you
-to follow me into any interiors, for I did not go in myself; and
-indeed, in my progress through this land of tombs, I protested more or
-less successfully against burrowing into sepulchres, shuffling in thick
-gloom through pungent and uncanny mummy dust, in bat-scented atmosphere,
-while above-ground the blessed light of that matchless sky and the
-uplifting air of the desert were being wasted. Polite compulsion on
-certain social and festive (!) excursions alone forced me to forego for
-a while the joy of that "to-day" above-ground for the mould of the dead
-Aeons below.
-
-I refer to a letter for my first visit to the Pyramids. That first sight
-of anything one has read of and pictured in one's child's mind in the
-course of education is a most precious occurrence, to be chronicled and
-set down at the moment.
-
-_30th November '85._--"A sweet gentle morning; limpid air, lovely fresh
-clouds in a soft blue sky. We started at 11 in a carriage, with our
-dragoman, and were soon taken at the usual hand gallop over the big iron
-bridge with the colossal green lions at each end which spans the wide
-Nile, into the acacia-shaded road which runs for a long distance in an
-imposing straight line to almost the very base of the great Pyramid. As
-we sped towards the illustrious group which we saw rising grey and
-stern at the very edge of the desert where it meets the bright green of
-the cultivated land we alternately looked ahead at what was awaiting us
-and at the ever-interesting groups of men, women, children, and animals
-which we passed, and at the mud villages with their palms and rude domes
-and minarets which lay in the well-watered, low-lying land on either
-side of the road. From the first moment I saw the Pyramids afar off I
-knew I was not destined to be disappointed, and my apprehensions caused
-by some travellers' descriptions vanished at the outset. It is difficult
-to put my feelings into words as I came nearer and nearer to these
-wonders of man's work, so pathetic in their antiquity and in the
-evidence they give of their builders' colossal failure to ensure for
-their poor bodies absolute safety during the long waiting for the
-Resurrection. The seals are broken, the secret places found out, the
-contents gone to the winds!
-
-"My beloved father was constantly in my mind to-day, for he it was who
-with such patience taught us the value and fascinating interest of old
-Egyptian history, and here were some of the scenes he used to read to us
-of so often, but which he himself was not allowed to see.
-
-"Mrs. C---- and I, on getting out of the carriage, first made the
-circuit of the Great Pyramid--a space of 'thirteen statute acres,' I
-remember Menzies telling us. I found that the most striking point from
-which to feel the immensity of the Pyramids is in the centre of the
-base, not the angles.
-
-"We hear of 'weeping stone.' Here is stone that has wept blood and
-tears! Each succeeding year of the king's reign forced an additional
-coating to his tomb, and prolonged the slave-toil under the lash--all to
-safeguard a little dust that has now vanished. This age of ours is about
-the time the old Egyptians looked to for the Great Awakening, for which
-all their poor mummies were embalmed.
-
-"How intolerable these three Pyramids must have looked when new and
-entirely coated with white marble. Their glitter under the blinding
-sunlight and the hardness of their repellent shapes make me shudder as I
-realise the effect. Seen in the rough, as they now are, they do not jar,
-but only oppress the mind by their ponderous immensity, and the eye
-takes great pleasure in their tawny colouring.
-
-"We next went down to the Sphinx and rested a long while in its broad
-shadow. The gaze of the eyes is exceedingly impressive, and though the
-face is so mutilated one would not have it restored. Strange that one
-should prefer the broken nose and the hare-lip! It would not be _the_
-Sphinx if it had the universal Sphinx face as originally carved.
-Originally! When? It was there long before the Pyramids, and it now
-appears that more than the 'forty centuries' looked down upon Napoleon's
-army from their summits. Sixty centuries, some say now. Time is
-annihilated as one stands confronted with the Sphinx, and a feeling of
-annihilation swirls around one's own microscopic personality.
-
-"This annihilation of Time is one of the sensations of Egypt. Look at
-Rameses the Great in his glass coffin in the Cairo Museum. There, more
-than ever, the intervening cycles are as though they had never been as
-one stands face to face with Sesostris. More appalling than the
-Sphinx--a chimera in stone--here is the Man. Not his effigy, not his
-mask taken after death, but the _Man_! There is his hair, rusted by the
-Ages, his teeth still in their sockets, the gash across his forehead
-cleft in battle. His father lies in the next glass case, his grandfather
-on the other side, and many other Pharaohs similarly enclosed in glass
-and docketed lie around, all torn out of their hiding-places, stripped
-of their multitudinous envelopes, and exposed to the stare of the
-passers-by. Their mortuary jewels are ticketed in other glass cases, and
-only a few shreds of winding-sheet adhere to their bodies. They were
-religiously preserved, at infinite pains, for this.
-
-"From the entrance to the Great Pyramid in the north face I had an
-enchanting view of Cairo on the right, in sun and shadow with a sky of
-most beautiful cloud-forms, and on the left the lovely pearly and rosy
-desert stretching away into the golden West. How cheerily, how
-consolingly the wholesome, refreshing Present receives us back after
-those wanderings down the corridors of the dead Ages! Let us wash our
-faces and smile again and feel young. The drive back was exhilarating
-and full of living interest. We overtook shepherds guiding their flocks
-along the road and carrying tired lambs on their shoulders. There were
-buffaloes and oxen and ploughmen going home from work in the tender
-after-glow, and then as soon as we were over the big iron bridge and in
-the suburbs again it was dark, and the gas lamps were being lighted, and
-'Tommy Atkins' was about, and British officers were riding in from
-polo, and the _cafes_ of this Parisianized quarter were full and noisy,
-and I felt I had leapt back into To-day by crossing an iron bridge that
-spanned six thousand years. My thoughts lingered long amongst the most
-ancient, most pathetic, most solemn monuments of the pre-Christian
-world."
-
-[Illustration]
-
-[Illustration]
-
-
-
-
-CHAPTER II
-
-THE UPPER NILE
-
-
-And now for Luxor. Of all the modes of travel there is none, to my mind,
-so enjoyable as that by water--fresh water, be it understood--and if you
-can do this in a house-boat with your home comforts about you, what more
-can you desire? We had the "Post Boat" to Luxor, and the sailing
-dahabieh after that. Travelling thus on the Nile you see the life of the
-people on the banks, you look into their villages, yet a few yards of
-water afford you complete immunity from that nearer contact which travel
-by road necessitates; and in the East, as you know, this is just as
-well. Not that I really allow the drawbacks of the East to interfere
-with my own enjoyment, but the isolation of the boat is best, especially
-with little children on board.
-
-I had read many books of travel on the Nile and knew what to look for.
-Is there not a charm in knowing that some city, some temple, some
-natural feature you have tried to realize in your mind is about to
-appear in very truth just round that bend of road or river? You are
-going to see in a few minutes that historic thing itself, not its
-counterfeit in a book, but _it_. And so, as we neared Luxor towards
-evening, I looked out for Karnac on the left, and lo! the first pylon
-glided by. My first pylon! How many like it I was to see before I had
-done with Old Nile. They are not beautiful in shape, nor can any
-Egyptian architecture, as far as form goes, be called beautiful; the
-shapes are barbaric--I had almost said brutal--stupidly powerful and
-impressive by mere bulk. The beauty lies in the colouring. What a feast
-these ruins afford to the eye by their colour, what a revel of blues,
-greens, and low-toned reds in their unfaded paintings! Taken as bits of
-colour only, without dwelling too much on the forms, all in such light,
-the shadows filled with golden reflections--taken thus, or deeply tinged
-with the lustrous after-glow, or the golden moonlight, they are
-all-satisfying.
-
-[Illustration: REGISTERING FELLAHEEN FOR THE CONSCRIPTION]
-
-I will not, however, burden you with these ponderous pylons and
-mammoth monoliths; they can only be enjoyed _in situ_, illuminated and
-glorified by the climate of their homes. Indeed, I felt often very
-oppressed and tired by them, but never did I weary of the landscape, the
-people, the animals, the river.
-
-One very saddening glimpse of fellah life was afforded Mrs. C---- and
-myself at Luxor by the English Consul (a negro), who arranged that we
-should see the registering of the young fellaheen for the conscription.
-I think the British have changed all this lately, so we were lucky in
-seeing a bit of the vanishing Past--a remnant of the Oriental Past which
-no one can regret. We worked our way, led by the Consul, through the
-Arab crowd in the village till we came to the entrance of the courtyard
-where the drama was about to open. At the gate was a scuffling mass of
-indescribably hideous old hags--the mothers and aunts and grannies of
-the young fellahs inside, wailing and jerking out their lamentations
-with marionette-like action of their shrivelled arms. As though by one
-accord they would stop dead for a minute and look at each other, and
-then all together begin again the skeleton chorus, throwing dust on
-their heads. The unsavoury group came in with us pell-mell when the
-gate was opened, and we found ourselves hoisted rather than conducted to
-a divan prepared for us under a shed, from whence we could see all that
-passed.
-
-[Illustration: "NO MOORING TO-NIGHT!"]
-
-Three Circassian inspectors, looking horrid in European clothes, were at
-the head of a long rickety table, covered with a white cloth, in front
-of us. This white cloth, in combination with the surging groups, made a
-wonderfully good blank space in the composition of what I thought would
-make a striking picture. The sketch I insert here is in no particular
-arranged by me, but everything is exactly as I saw it. I noted
-everything down in my sketch-book on the spot. The sheiks, stately men
-in silken robes, who had brought each his quota of recruits from his
-district, sat chatting over their coffee at the farther end of the
-table, and the doctor at once set to to examine the miserable youths
-that came up for registration. Fathers pleaded exemption for their sons
-on one pretext or another, such as leprous heads, blindness, weak
-chests, and so forth; the mothers, aunts, and grannies aforesaid went on
-jibbering and clacking their jaws in the background, no one paying the
-least attention to them. If a fellah was passed by the doctor a gendarme
-gripped him and pummelled him all the way to the standard, where he
-was measured. If satisfactory, the woe-begone creature received a
-sounding box on the ear, just in fun, from the gendarme, and was shoved
-into the pen where the successful (!) candidates were interned; if he
-was below the mark, all the same he got his blow, and was pushed and
-cuffed back to his friends and relatives. One mother had crept forward
-while her son was having his lanky leg straightened by the doctor, the
-father pleading the boy's lameness (Erckmann-Chatrian's _Conscript_
-orientalised!): a gendarme sprang forward and knocked her down, then
-hauled her off by her arms, which were so very thin and suggestive of a
-mummy that I could not look any longer; he was so rough I really thought
-he would pull them out of their sockets. My friend was crying, and if I
-had not been so concentrated on my pencil notes I should have cried too.
-"Surely," she said, "that can't be his mother, she looks a hundred at
-least." "A hundred!" I exclaimed, "she is four thousand years old--a
-mummy!" I felt very sick as well as sorry. We were politely offered
-coffee in jewelled cups, which we could not taste, and surreptitiously
-emptied behind the divan.
-
-The English have worked wonders since those days with the Egyptian army.
-Taking the young men in the right way our officers have turned them into
-remarkably smart-looking soldiers, and their terror of the service, I am
-told, has vanished.
-
-This was altogether a day which showed us the seamy side of Egyptian
-life, for in the evening we and all the guests of the hotel went to see
-the dancing at the _cafe_, a sort of mud cave full of wood smoke. It was
-all very ugly and repulsive, and the music was impish and quite in
-keeping. I was glad to have this experience, but once is enough. Talking
-of music, I don't know anything more appealing in its local sentiment
-than the song of our crew when they were hauling and poling on calm
-nights later on. Strange, unaccustomed intervals, and the key always in
-the minor. In the pauses we heard the beetles and crickets on the banks
-chiming in in a cheerful major.
-
-Our sojourn at Luxor was a time of deep enjoyment, for we made almost
-daily excursions on both banks of the Nile, excursions beginning in the
-very early mornings, at sunrise, and ending in gallops home on our
-donkeys in the after-glow, or trips on board the ferry-boat, from
-Thebes, in a crowd of splendid Arabs, whose heads, figures, and blue
-and white robes, or brown striped camel's hair burnouses, added greatly
-to the charm of the landscape. It was a joy merely to breathe that
-desert air. All that was wholesome and not too tiring, nor risky from
-the sun, was enjoyed by the children with us, but I kept them chiefly in
-the paradisaical hotel garden as the safest place. One had to be very
-careful. I cannot say that "black care" did not sometimes ride on my
-donkey's crupper, for I knew W. was pressing the enemy harder every day,
-and that a battle was imminent. At last the great telegram came. Ginniss
-was fought and won, and all the enemy's guns and standards taken. He
-sent me the message from the field. We might now come up. It took a day
-or two to get the "_Fostat_" ready--the dahabieh which he had sent down
-for us. Some wounded officers from the front brought news of the battle,
-and, strange to relate, the only officer killed at Ginniss was son of
-one of Mrs. C.'s oldest friends! What strange things happen in life. I
-had met young Soltau the year before at her house on Dartmoor, and she
-and I were destined to hear together of his death in battle on the Upper
-Nile.
-
-We set sail in the first week of '86 for Assouan, where W. was to meet
-us, and I witnessed the daily development of the Nile's beauties with
-the deepest pleasure, and a mind no longer over-shadowed.
-
-I wonder how many people who have been to Egypt recognise the fact that
-all its beauty is reflected? It is either the sun or the moon or the
-stars that make Egypt glorious. Under thick cloudy skies it would be
-nothing. But the co-operation of the illuminated objects is admirable,
-and the two powers combined produce the Egypt we admire. W. and I came
-to the same conclusion, that much of the glory of the moonlights is
-owing to the response of the desert, especially the golden desert of
-Nubia.
-
-[Illustration: THE "_FOSTAT_" BECALMED]
-
-But I have also seen, on rare occasions, delicate effects of veiled
-sunshine on river, palms, and desert too exquisite in refinement to be
-easily described. I remember one memorable grey day which we spent in
-turning the loveliest river reach of the whole series below Assouan, the
-wind having completely dropped--a day which dwells in my memory as a
-precious passage of silvery colour amidst all the gold. The palm-tree
-stems towards sundown were illuminated with rosy light against the
-pallid background of sand-hills facing the West, and of the delicate
-pearl-grey sky. The greens were cool and vivid, the water like a liquid
-opal. I wrote a whole letter to Mamma on that one grey day on the Nile.
-But even that evening the after-glow made itself felt through the
-clouds, lighting them from behind in an extraordinary manner, so that
-the filmy screen appeared red-hot. The beautiful cloud-veil could not
-shut out so fervid a rush of colour.
-
-When a strong wind blows the desert sand into the air, obscuring the sun
-and thickening the sky, what a change comes over the scene! Egypt is
-then undoubtedly ugly, and all charm flies away on the wings of the
-blast.
-
-But the blast speeds the dahabieh on its way, and pleasant it was
-sitting of an evening in the cosy saloon to see the hanging lamp
-swinging with the motion of the bounding "_Fostat_," and to hear the
-creaking of the timbers, for the distance from Assouan, where W. was to
-meet us, was being sensibly diminished. On some other evenings the fair
-north wind was just enough to quicken the pace without dulling the
-brilliant light of the moon, and there was to be no tying up under the
-mud bank those nights. Then again a dead calm might come down upon us,
-and after poling, tracking, or hauling up to the kedge anchor all day to
-their monotonous sing-song, the crew would have orders to moor for the
-night. I would then venture a run along the shore with the children, and
-have a scamper among the palms and cotton plants, which were waving and
-rustling mysteriously to imperceptible sighings of the air at the
-water's edge. One or two armed men, of course, landed also.
-
-At Esneh I had the honour of entertaining the Pasha of that wonderful
-place, whose temple I had particularly wished to see. He received us
-with much ceremony, and we all went on shore escorted by his guard in
-great state, walking through the bazaars accompanied by the wild and
-ragged population. But for the soldiers and their whips we could not
-have moved a yard. We visited the wonderful temple, the first we had
-seen with the ceiling intact, which the colossal pillars were made to
-support. I prefer the ruins so open to the sky that the sun may be seen
-amongst them. Here, owing to the unbroken ceiling, all was gloom. At
-Edfoo I was to see a _whole_ temple with pylons and all, almost in
-perfect preservation, and to know the Egyptian temple in its entirety.
-
-How funny our party looked--two English ladies, two little children, and
-English maid, guarded by bashi-bazouks, slowly progressing through a
-crowd of indescribable dirt and wildness. We looked into an oil mill
-where the press was exactly like the wine-presses in Tuscany. You
-remember the one I sketched at Signa, the picturesque _Strettojo_ of the
-vintage? We poked our noses into the cavernous recesses where gigantic
-negroes were dyeing the native cloth a splendid indigo, their black arms
-blue to the shoulder. Oh, what colour!
-
-On going back to the dahabieh we all, except myself, had our fortunes
-told in a narrow lane where a row of Soudanese fortune-tellers were
-squatting with patches of smooth sand before them on which they made the
-person interested impress his or her hand. Upon the impression they made
-many signs and marks. Everything was quite satisfactory. The children
-were to have "pleasant paths in life and _strong loins_." The maid was
-to marry a white man, which was a comfort.
-
-In the evening the Pasha dined on board. He spoke in French, and nothing
-could surpass the florid eulogies he bestowed on "his brother, that
-lion," my husband. I saw him depart on his sleek and fat white ass,
-which stood quite fourteen hands, and was equipped in Arab trappings of
-indigo and dead gold. In the morning I received the Pasha's presents of
-fruit, vegetables, eggs in hundreds, two live turkeys, and a black lamb.
-A gorgeous cavass in sky blue and carrying a wand of office was
-installed on board for the rest of the voyage to Assouan. There had been
-feasting and much thumping of tom-toms and whinings of curious fiddles
-on deck during dinner the night before, where the crew were entertaining
-the Pasha's body-guard. My dragoman's bill next day included these
-items: "Trinks and trymbals for the crew"; "hay for the limp." The poor
-black "limp" with his hay was put into the little boat in tow, and I had
-to deliver him up, as a matter of course, to the crew a few days later.
-Then came Edfoo, whose temple is one of the most conspicuous in Egypt. I
-had been on the look-out for its mighty pylons with especial eagerness,
-and I was glad that we had time to spend two hours on land while some
-repairs were being done on the "_Fostat_." The Esneh cavass was useful
-as well as extremely ornamental, as he kept off the wild crowd in the
-village by magical waves of his wand of office, and an occasional thump
-on a screaming villager.
-
-[Illustration: AT PHILAE]
-
-The guard turned out and saluted our party, and altogether things went
-very well, and I enjoyed my long-looked-forward-to Edfoo.
-
-Then on board again, with a steady north breeze which, if it had filled
-our eyes with sand at Edfoo, was making up for the discomfort by
-carrying us in spanking style towards Assouan and the meeting.
-
-After one of our fair-wind nights, when the "_Fostat_" was bowling along
-over the lumpy water, I asked the reis if we had come to Comombos. He
-made vigorous signs showing we had passed it in the night. "Silsileh?";
-again the welcome backward wave of his arm. That, too, was long passed.
-We were getting very near. I noticed the people on the banks were
-becoming blacker and there were fewer of them; the mountains had
-vanished and were replaced by lion-coloured sand-hills, typically
-African. The black rocks looked like sleeping crocodiles.
-
-A faint whisp of smoke presently rose beyond a bend of the river, far
-ahead. "What is that?" I asked the dragoman. "English steamer." Great
-excitement. The little armed steamer puffs into sight; some one is
-waving a red handkerchief from the turret! "Furl the "_Fostat's_"
-mainsail!" The crew swarm up the spar. _Ding_, _ding_ goes the electric
-bell on the gunboat. The meeting is an accomplished fact--we from
-Plymouth, he from Wady Halfa. We are soon at Assouan, and while the
-"_Fostat_" is being hauled by great gangs of negroes through the
-cataract, we are guests of the General in that command on board his
-charming dahabieh moored under Philae. There the solemn rocks echo the
-waltzes of the military band and the talk and laughter of our _reunions_
-on board the "_Pharaon_."
-
-If the Egyptian desert answered back in harmonious tones the light of
-the sun and moon, what a _crescendo_ of glowing response came from the
-Nubian sands! Immediately we crossed the frontier my eyes were surprised
-by the golden tone the desert had assumed, and the polished rocks that
-studded it had suddenly put on the richest colours granite holds--deep
-red and purple, and the black of basalt. It was a new scheme of
-colouring. The sunset and the after-glow were still more astonishing
-than those of Egypt, the colour of the shadows on the golden sands at
-sundown more positive in their limpid colours. One felt looking at the
-stars and planets as though one had been lifted to a world nearer to
-them than before, so large and clear had they grown even from the
-extraordinary clearness they had at Luxor. Oh! land of enchantment, is
-it any wonder the Nile is so passionately loved, especially by the
-artist, to whom the joy of the eye is supreme? As to worthily painting
-the Egyptian landscape, I cannot think any one will ever do it--the
-light is its charm, and this light is unattainable. There is one thing
-very certain, oil paints are hopelessly "out of it," and in
-water-colours alone can one hope to suggest that light. I soon gave up
-oils in Egypt, not only on account of their heaviness, but the miseries
-I endured from flies and sand were heart-breaking; your skies are seamed
-with the last wanderings and struggles of moribund flies, and coated
-with whiffs of sand suddenly flung on them by a desert gust! I was
-particularly anxious to get a _souvenir_ of the doorway in the court of
-the temple on Philae Island, where Napoleon's soldiers engraved their
-high-sounding "_Une page d'histoire ne doit pas_," etc. Unfortunately,
-on the day I chose, we had a high wind, a very exasperating ordeal, and
-my attempt at oil-sketching this subject was a fiasco. After persevering
-with one half-blinded eye open at a time and with sand thickly mixed
-with my paints, I saw the panel I had been desperately holding on the
-easel hurled to the ground on its buttered side as for a moment I turned
-to answer a remark of Mrs. C.'s. She said I bore it angelically. As
-since those days lovely Philae Island is being submerged and the temple
-melting away, the poor little panel has become more historically
-valuable than I thought it ever would do at the time, and I insert its
-replica in water-colours _minus_ the smudges.
-
-Many pleasant hours we spent at Philae, which, I suppose, is the
-culminating point of the Nile's beauties and marvels. One day, while W.
-was gone to Assouan for provisions, I went over with Mrs. C. to the
-opposite bank of the river by boat, an imp of a small boy taking upon
-himself to escort us. He divested himself of his one garment, which he
-carried in a bundle on his head, and swam alongside our "felucca." Our
-approach had been observed from a wild mud hamlet up on the fantastic
-rocks, and a bevy of black and brown women came hopping and skipping
-down to us. Little shrivelled old hags and wild little young women with
-nose rings and anklets, their hair plaited in hundreds of little tails
-reeking with castor oil, each little tail ending in a lump of mud.
-
-[Illustration: A "LAMENT" IN THE DESERT]
-
-Mrs. C. asked them to unfasten and display their locks, and in return
-let down her own six-foot-long auburn tresses and stood on them to
-"astonish the natives." They danced and wailed in slow cadence, softly
-clapping their hands and wagging their heads in admiration as they made
-the round of the tall, rosy Englishwoman. There she stood, on her hair,
-that trailed on the sand, in a golden halo of sunshine, the grim
-hypaethral temple and the huge rocks as background, and surrounded by
-little skinny, skipping, half-naked, barbarian women and quite-naked
-little children. They turned to me and made signs that I should also let
-my hair down. Because I excused myself, the little boy imp, still with
-his garment on his head, came forward and took upon himself
-condescendingly to explain to the little women, shouting "_Mafeesh_,
-_mafeesh_!" ("Nothing, nothing!") and dismissing me with a wave of his
-arm.
-
-From Philae we soon glided into the Tropics. I say in a letter: "The
-moonlight in Nubia also surpasses that of Egypt, and I see in it a light
-I never saw before I came to this wonderful land. It is difficult to
-describe this light. It is brilliant yet soft; light in darkness; not
-like the day; not like the dawn: the sky at full moon is so bright that
-only the larger stars are seen; and the yellow sand, the ashen bloom on
-the tops of the sand-hills, the various tones of green in palm-tree,
-tamarisk, and mimosa keep distinctly their local tints, yet softened and
-darkened and changed into a mysterious vision of colour too subtle for
-words of mine. Every night Venus and other great planets and stars shed
-reflections in the still water like little moons in every part of the
-Great Stream wherever one turns."
-
-W. could not spare the time for lotus-eating under sail, so a
-"stern-wheeler" towed us from Philae to Wady Halfa. It took very little
-away from the romance, and the steady progress was very grateful. On
-that glassy river, as it was now, we would have been an age getting to
-our goal.
-
-I was greatly struck with Korosko, a place which, besides its natural
-desolate and most strange appearance, was sad with memories of Gordon.
-This was his starting-point as he left the Nile to travel across the
-desert to Khartoum, never to return. From a height one can see the black
-and grey burnt-up landscape which lonely Gordon traversed. It is a most
-repellent tract of desert just there, calcined and blasted. A view I had
-of the Nile, southward, from the mountains of Thebes one day, though
-bathed in sunshine, has remained most melancholy in my mind, because,
-looking towards Khartoum, I thought of the hundreds of my countrymen who
-lay buried in already obliterated graves all along those lonely banks,
-away, away to the remote horizon and beyond, sacrificed to the
-achievement of a great disaster. Others like them have arisen since and
-will arise, eager to offer their lives for success or failure, honours
-or a nameless grave.
-
-One evening, as the "_Fostat_," in tow, was skimming through the calm
-water with a rippling sound, and we were all sitting on deck, W.
-described to us so vividly a memorable night before the fight that put a
-stop to hostilities, that I could see the whole scene as though I had
-been there. They were out in the desert, the moon was full; the
-Dervishes were "sniping" at long range, when afar off was heard a
-Highland "lament." The "sniping" ceased all along the enemy's line and
-dead silence fell upon the night but for the wail of the bagpipes. The
-Dervishes seemed to be listening. The "lament" increased in sound, and
-presently the Cameron Highlanders approached, bearing, under the Union
-Jack, the body of an officer who had died that day of fever, to add yet
-another grave to the number that lay at intervals along the shores of
-the great river. You should hear the pipes in the desert, as well as on
-the mountain-side, to understand them.
-
-"Every phase of the day and night" (letter, 12th January '86), "appeals
-to me on the Nile, not forgetting those few moments that follow the
-after-glow which are like the last sigh of the dying day. The delicacy
-of those pure tints is such that one scarcely dares to handle them in
-writing. Evening after evening I have watched by the desert death-bed of
-the day, looking eastward so as to have the light upon the hills.
-
-"Those tender, sad, pathetic hills, and beyond them the mournful
-mountains, possessing nothing,--not a blade of grass, not a lichen, not
-a herb; they are absolute paupers amongst mountains, and they might be
-in the moon, these derelicts, so bereft are they of all things.
-
-"And yet the light, the atmosphere, give them a consoling beauty. What a
-poem might be written to them as they look thus for a minute or two
-before the dark-blue pall of night sinks down!"
-
-Wady Sabooah, the "Valley of Lions," was one of the most striking things
-I had seen on this exquisite section of our river voyage. The abrupt
-sand-hills held shadows of the most delicate amethyst at noonday which,
-combined with the gold of the sunlit parts, produced a delicacy of
-vibrating tones which enchanted the eye but saddened the artist's mind,
-recognising as it did the futility of trying to record such things in
-paint! But I shall weary you with all this daily rapture, and I will bid
-good-bye in these pages to the desert, well named by the Moslems "The
-Garden of Allah." There is no pollution there, and He may walk in His
-garden unoffended.
-
-In the first really hot days of March I and the children came home--Wady
-Halfa was becoming no place for us, and W. remained with his Brigade
-through the weary days of summer, unknown in their exhausted and
-horrible listlessness to me who will always think of the Nile as an
-earthly paradise. One halt I must make on our way down, at Abu Simbel,
-that mysterious rock temple I had longed to see in the first ray of
-sunrise, for it faces due east. W., who accompanied us as far as
-Assouan, gave orders that our stern-wheeler (the old "_Fostat_" had been
-dismissed) should tie up overnight at the temple, and before daylight I
-was up and ready. I had packed my water-colours and had only a huge
-canvas and oil-paints available. With these I climbed the hill and
-waited for the first ray in the wild wind of dawn.
-
-The event was all I hoped for as regards the effect of those "scarlet
-shafts" on the four great figures (how many sunrises had they already
-awakened to?) "A great cameo," Miss Amelia Edwards calls that facade at
-sunrise in her fascinating book, and that phrase had made me long for
-years for this moment. But alas! my canvas acted as a sail before the
-wind and nearly carried me into the river, the sand powdered the wet
-paint more viciously than ever, and I returned very blue to breakfast.
-Still, I had got my "Abu Simbel at Sunrise," and I insert a water-colour
-taken in comfort from the hard-earned but scarcely presentable original.
-
-[Illustration]
-
-[Illustration: ABU SIMBEL AT SUNRISE]
-
-[Illustration]
-
-
-
-
-CHAPTER III
-
-ALEXANDRIA
-
-
-Our subsequent experiences of Egypt at Alexandria from '90 to '93 made
-me acquainted with the Delta and that "Lower Nile" which has a very
-particular charm of its own, and possesses the precious advantage of
-being out of the tourist track altogether.
-
-Not the least amongst the attractions of an Egyptian command (to
-Madame!) is the yearly autumn journey to that country through Italy,
-with Venice as an embarkation point. Madame knows nothing of the
-horrors of the summer months endured by the "man on duty" out there, and
-serenely enjoys "the best," without the seamy side ever turning up. She
-thinks that to spend one's winters on the Nile, and one's summers in the
-"Emerald Isle," is as near an ideal existence as this world allows us.
-It is good to be a woman!
-
-That farewell scene at Venice on board the P. & O., when friends came to
-see us off with bouquets and "bon voyage"--how I should like just one
-more of those gay leave-takings! I see again the dancing gondolas on the
-sparkling ripples as they wait round the ship; the hat and handkerchief
-wavings ashore and afloat, and Venice encircling the sprightly little
-drama with her gracious arms.
-
-Who that has plied between Italy and Egypt does not know the poetry of
-that first night at sea, when the cloud-like mountains behind the
-vanished Venice have also faded away, and there is nothing for it now
-but to turn to the darkling Adriatic, heaving dimly beyond the ship's
-bows, and commit oneself to the mercies of the deep. "And the
-dinner-bell," some one is sure to add. Never shall it be said of me that
-I chronicle the meals of my little travels.
-
-The next morning the cessation of vibrations and throbbings wakes you.
-Behold through the port-hole Ancona's white church high up overhead,
-shining in the level sunbeams of the young day.
-
-The morning after that it is Brindisi, where they wait for the "long
-sea" passengers and the mails, and the Italian chatter and laughter
-along the quays never stops. Here, in the course of a
-stroll, you may pat the two pillars that form the winning-post of that
-Appian Way whose starting-post you know in Rome.
-
-There is very little monotony in a voyage of this kind, for you are
-never for long out of sight of land. The Albanian coast, the Ionian
-Islands, Crete, "Morea's Hills"--what a series of lovely things to
-beguile the six days' passage! Yet, all the same, one has a thrill of
-delight one day when an unusual stir amongst the crew begins, and the
-hatches over the heavy baggage-hold are opened, and the lifting gear is
-got into position. "We shall be in at daybreak." Bless the captain for
-those words! And the "man on duty" aforesaid will be standing on the
-landing-stage.
-
-W. arranged a good studio for me at our new post, but I had
-distractions. British and Foreign naval squadrons occasionally bore
-down on us with thundering salutes, and had to be attended to;
-distinguished and even august personages paused at Alexandria on their
-way "up"; picnics on horse-back, donkey-back, camel-back, by road, rail,
-and river, to Aboukir, Aboo-sir, and sundry oases all claimed my
-delighted co-operation, plus my unsociable sketch-book.
-
-Ah, the good good time, the golden Egyptian days!
-
-But I found nothing so interesting as a holiday we managed to squeeze in
-and spend on board a little dahabieh for two, on a nine days' cruise to
-Rosetta and back. I then knew the Western Delta and, superficially, the
-life of its neglected and forgotten people. I am much afraid that since
-the Assouan Dam and its doings, their meagre water-supply is anything
-but increased, and I pray that the English authorities may remember
-those poor people at last. They are like fish in a pond that is slowly
-drying up.
-
-[Illustration: MADAME'S "AT HOME" DAY; SERVANTS AT THE GATE]
-
-On board the little "_Rose_," lent us by an Armenian Bey, I tasted once
-more the placid pleasure of fresh water travel under sail and oar; and I
-again heard the strange intervals of the songs that kept the oarsmen in
-time at their work. But I also learnt what Egyptian rain was like,
-and how hideous the Mahmoudieh becomes under weeping skies. I saw in
-this land the deepest and ugliest mud in the world--mud of the colour of
-chocolate. The weather cleared usually towards evening, and nothing more
-weird have I ever seen than the villages, cemeteries, solitary tombs,
-goats, buffaloes, and wild human beings that loomed upon the sky-line on
-the top of the banks against the windy clouds, reddened by the fiery
-globe that had sunk below the palm-fringed horizon. These canal banks
-might give many people the horrors, and I certainly thought them in that
-weather the uncanniest bits of manipulated nature I had ever seen.
-
-At Atfeh, after three days' canal, we emerged upon the wide and glorious
-Nile, and the skies smiled upon us once more. But the sadness of the
-country remained to us as we contemplated the miserable villages which
-occurred so frequently, with their poor graveyards at their sides, the
-latter only distinguishable by the smaller size of the dwellings, and
-the fact that the huts of the living had doors, and the huts of the dead
-had none--that was all.
-
-Once on the swift Nile current, with the eight sweeps flashing and
-splashing to the rhythm of the strange singing (the prevailing north
-wind being against sailing), we made a good run down to Rosetta, on
-whose mud bank we thumped in a surprising manner, at 10 P.M. by a pale
-watery moonlight.
-
-Never have I seen anything sadder than the land we passed through that
-day--dead, neglected, forlorn. Every now and then what seemed a great
-city loomed mistily ahead of us, with domes and minarets, and what
-seemed mighty palaces, piled one above the other on stately terraces.
-These apparitions were on the sites of once magnificent centres of
-wealth and luxury, and from afar they might still appear to be what once
-they were. Then, as we neared them, the domes unveiled themselves into
-heaps of filthy straw; the palaces were mud hovels a few feet high; the
-great mosques were merely poor half-ruined tombs into which a single
-person could scarcely crawl. The illusion occurred every time we came in
-sight of one of these phantasms, and the effect on the mind was most
-singular. City after city arose thus on one's sight in the distance, as
-though seen through the long ages that have rolled by since their prime,
-and those long ages seemed like a veil that rapidly dissolved to show
-us, as we approached, the wretched reality of to-day. "The pride of
-life," "pomp," "arrogance," "luxury,"--those epithets were their own
-once, while to-day the very antitheses of such terms would best become
-them. They are literally all dust now, and there survive only the poor
-blunt-shaped dwellings for living and dead, that lie huddled together in
-such pathetic companionship.
-
-As the daylight fades we see the people creeping into their shelters
-like their animals, to wait, like them, in the unlighted darkness, for
-the coming of the morning. Their up-river fellow-workers live in a land
-where the hardships of this cold and muddy winter misery are unknown.
-
-I was glad to see the Rosetta mouth of the Nile, thus completing rather
-an extended, as well as intimate, knowledge of the great river from
-there to Sarras in the Soudan. Return tickets to Khartoum had not yet
-taken travellers by rail up the Nile in so many dusty hours.
-
-Still grey was the weather down to where the river merges into the
-melancholy sea, between Napoleon's two dismantled forts, and what beauty
-there might have been was densely veiled. The old French "Fort St.
-Julien" was interesting as being the place where the "Rosetta Stone,"
-which gave the key to all the Egyptian hieroglyphics, was discovered.
-There we moored for the night on our return to Rosetta, in a Napoleonic
-atmosphere, and next day I sketched the once opulent commercial city,
-where now nothing seems doing. A bald old pelican caused some movement
-in the streets by raiding the odoriferous fish-market and scurrying
-down, chased by small boys, to the water's edge where I was sitting, in
-order to float, by copious draughts, the fish that lay in his pouch down
-his throat, pill-wise. The pelican always got his pill down in time, and
-the race to the river was repeated more than once with the small boys.
-On another evening, on our return voyage, we moored under the wild town
-of Syndioor, whose minaret, the tallest, I should think, in the world,
-proved to be no phantom, but a lovely and solid reality. In the pearly
-light of the succeeding mornings the shining cities looked, through
-their misty veils, more lovely afar off than ever. Finally we dropped
-back again between the mud banks of the canal, and in due time landed
-under the oleanders of our starting-place, the crew kissing hands and
-paying us the prescribed compliments of farewell.
-
-Our major-domo, Ruffo the European, was with us on board. I must tell
-you of Ruffo; such an honest man in a country of much corruption! He did
-all my housekeeping, and that zealously; but, desiring sometimes to
-consult me about dinner, his figurative way of putting things before me
-was a little trying. "Miladi, would you like cutlets?" patting his ribs;
-"or a leg?" advancing that limb; "or, for a very nice entree, brains?"
-tapping his perspiring forehead. "Oh no, Ruffo, _never_ brains,
-_please_!" He would rejoice in strokes of good luck in the market, and
-fly through the sitting-rooms to me, perhaps bearing, like a gonfalon, a
-piece of beef, where good beef was so rare; "Look, miladi, you will not
-often meet such beef walking in the street." He always smelled the
-melons on presenting them to me, to invite my attention to their
-ripeness.
-
-After Cairo, Alexandria struck me very disagreeably at first; but when I
-got over its Western pseudo-Italian garishness, I was able to console
-myself with many a precious bit of orientalism, and even the bizarre
-mixture of flashy European tinsel with the true native metal amused me
-so much that I ended by enjoying the place and in being delighted to
-return there for yet another winter, and another. Nor can I ever forget
-that this appointment afforded us the most memorable journey of our
-lives--the ride through Palestine!
-
-Not even the drive on the old Shoubra Road at Cairo surpassed the
-Alexandrian Rotten Row on the Mahmoudieh Canal on a Friday afternoon in
-its heterogeneous comicality. Every type was on the Mahmoudieh, in
-carriages, and on horseback--Levantine, Greek, Jew, Italian, Arab; up
-and down they rode on the bumpy promenade, under the shade of acacias
-and other flowering trees that skirted the picturesque canal. Across
-this narrow strip of water you saw the Arab villages of a totally
-different world; and I really felt a qualm every time I saw a _fellah_
-over the way turning his back to the western sun (and to us) to pray, in
-absolute oblivion of our silly goings-on. On our side was Worldiness
-running up and down, helter-skelter; on the other, the repose of Kismet.
-
-Here comes a foreign consul--you know him by his armed, picturesque
-ruffian on the box--in a smart Victoria, driven by a coal-black Nubian
-in spotless white necktie and gloves; the Arab horse is ambling along
-with high measured action. Much admired is _Monsieur le Consul_--the
-observed of all observers; he looks as though he felt himself "quite,
-quite." But "Awah, awah!" Here come at a smart leaping run two shouting
-syces turbaned in the Alexandrian fashion; and behind them a barouche
-and pair driven by an English coachman of irreproachable deportment.
-What thrilling rivalry is here!
-
-Exquisite horses with showy saddle-cloths there are, with _le sport_ on
-their backs in the person of "young Egypt" in the inevitable _tarboosh_.
-That _tarboosh_! It is the "bowler" hat of the East, and I don't know
-which I hate most--it or the "bowler."
-
-The ladies are overwhelming; and I rest my eyes occasionally by watching
-the demure feminine figures of the "East end" who are filling their
-_amphorae_ under the oleanders over the way, or washing their clothes and
-their babies in the drinking water supply of the native town.
-
-Towards sunset there is a _sauve qui peut_ of equipages citywards, and I
-never heard such a din as is set up as soon as the soft roads are passed
-and the paved streets are reached. Over it all you may hear:--
-
- The tow-row-row and the tow-row-row
- Of the British Grenadiers.
-
-The Suffolks or the Surreys are marching from Mandara Camp to the sound
-of that drum which we like to remind ourselves "beats round the world."
-
-[Illustration]
-
-[Illustration: SYNDIOOR ON THE LOWER NILE]
-
-[Illustration]
-
-[Illustration]
-
-
-
-
-III
-
-THE CAPE
-
-[Illustration]
-
-[Illustration]
-
-
-
-
-CHAPTER I
-
-TO THE CAPE
-
-
-I don't know whether in the Atlantic that lies between England and
-America you have had calm moonlight nights such as, taking the ocean
-longitudinally, one may have an impressive experience of, if timing the
-voyage rightly. I don't suppose a more favourable time for "detachment"
-could be easily obtained than those night hours on board a great ship
-out at sea, when one more easily realizes than in the daytime how the
-huge "Liner" is but a pathetic little speck on the landless and
-fathomless waters. The heart of this atom beats courageously enough
-night and day, without a rest, as it carries its charge onwards to
-deliver it at the goal that lies in the "Under World," but never does
-one more sensitively feel the power of those words, "In the hollow of
-His hand," than when realising the true proportion of the "vessel" that
-carries us and our fortunes.
-
-We spent--the children, Mrs. B. (wife of W.'s Military Secretary), and
-I--a few hours by night at Madeira, three days out from England, the
-only land we touched throughout the six thousand miles.
-
-My diary says, 21st February '99: "We spent a memorable night on an
-enchanted Island. Arriving at Funchal overnight instead of in the
-morning of the next day, as we were timed to do, we took the place by
-surprise. First we saw a blazing light on an advanced rock, which stood
-out very black, well ahead of the dusky mass of the Island, which rose
-high behind it, dimly crowned with spectral snow. The moon, not yet
-full, was clearing her way through thin cloud veils, and the town at
-first could be guessed at only by clusters of lights along the shore,
-where the waves were breaking with a strange clamour on the pebbles.
-
-"Presently balls of fire were sent up on the slopes above the town to
-tell Funchal we were coming, and, as we slowly rounded into the smooth
-water of the bay, we could see a little armada of boats pushing out in a
-flurried line towards us, and we presently heard the Portuguese chatter
-of their occupants who were soon swarming up the side to try and get all
-the money out of us that they could in exchange for fruit, embroidery,
-basket-work, etc. Then a streaming triton appeared at the bulwarks,
-outside, his face and brawny muscles gleaming in our electric light
-against the deep-blue background of moonlit sea. The triton asked for
-sixpences to be thrown into the water, and he dived for them and came
-up, grinning and streaming, into the light again for more. All the world
-over, where the seas are clear, this game goes on to beguile the
-traveller. I must say I think those sixpences are fairly earned when I
-see to what depths these creatures dive for them in semi-darkness. To
-what metaphorical depths less honest men descend for petty pelf! but I
-haven't time to work this out.
-
-"Soon Mr. Payne came on board, the wine-merchant prince, whom W. had
-asked to show us the Island and give us our deck chairs. To this most
-kind friend we are indebted for a memorable experience. He proposed,
-though it was night, to take us on shore, and I, the three children, and
-Mrs. B. followed him down the ship's side to one of the many boats that
-were lurching and bumping at the foot of the ladder. The first boat
-tilted over on its side and nearly spilt her two rowers, who rolled out
-maledictions as the water filled her and lost them their chance of us.
-We jumped into another and were rowed to the little jetty. On arriving
-in the town we found little hooded sledges, drawn by small oxen,
-waiting. We boarded two of these Madeira cabs and drove up to the
-Casino, our cabmen running by the side and whooping to the oxen. We
-entered an enchanted garden waving with palms, pines, and blue
-gum-trees, and other shadowy, dark-foliaged trees, while glossy and
-feathery shrubs of every type of tropical loveliness bore blossoms which
-shimmered white, red, and purple in the moonlight. There was a heavy
-scent of magnolia flowers. Was it all a dream to wake from in Sloane
-Street? I was in that murky region only three days ago. Was it all a
-dream? It might be, for things were getting mixed and incongruous. Now
-cigar smoke kills the magnolia, and some electric lamplets among the
-trees are jarring with the moon. We suddenly step into a pavilion where
-a band is playing, and I see smart men and women, very fashionably
-attired in evening dress, some of them raking in money at the roulette
-table. We do not stay long there, for we did not land to see such
-banalities, and, regaining the garden solitudes, make for our bullock
-sledges, which are to take us up 2000 feet higher through vine-trellised
-lanes all paved by those polished pebbles set edgewise for the sledges
-to run smoothly on. Away we go, our cabmen now and then placing a tallow
-candle enclosed in a bag under the sledge runners to lubricate them, or
-there would be disagreeable friction. As soon as one runner has passed
-over the emaciated candle the man on that side throws the candle across
-to the man on the other, who, stooping, and always at a trot, performs
-the same juggernautic process on his side. The men are handsome and
-healthy fellows, wearing their coats hanging loose on their shoulders
-over snowy shirts. They never speak to Mr. Payne with covered heads.
-
-"There is a funicular railway up this mountain, but it does not work at
-night, and we thus have a taste of the vanishing Past. Far more
-effective, this railway, for it climbs the hill boldly and with
-uncovered sides, whilst our old road is hemmed in by high vineyard
-walls, and the straining of the little goaded oxen is amongst those
-belongings of the Past which I will gladly see vanish with it.
-
-[Illustration: "IN THE HOLLOW OF HIS HAND"]
-
-"On our way up the incline, which would be impossible to horses and to
-wheels, our kind _cicerone_ invited us to see his garden and the view of
-the bay and the great ocean which was swelling away in the light towards
-Morocco. It was a lovely garden, and we crept about it round the little
-cosy house, and looked up at the closed shutters, within which _la
-famille Payne_ lay slumbering. We even went on tip-toe through the
-sitting-rooms, which the owner, looking as though he was burgling his
-own house, lit with a little lantern. In one there was a parrot asleep,
-in another an engraving of the 'Roll Call,' and again I began to think I
-might be dreaming and would wake, with tears, in Sloane Street. But the
-'dream' was solid and we continued our upward progress with four
-additional oxen to each sledge and double whooping, and swearing, and
-prodding, for the gradient now was terrific. At the end of the
-sledge track we halted, and, getting out, we climbed to the hill top on
-foot and from there beheld a lovely sight--deep valleys and vine-clad
-hills and the great ocean beyond, and our Castle Liner blazing with
-electric light more than 2000 feet below in the profound calm of Funchal
-Bay. The stars were very lustrous and the 'Scorpion's Heart' aflame with
-red and green. We then took a mysterious walk in brilliant moonlight and
-intense black shadow to the edge of a great ravine or _coral_, from the
-bottom of which rose the harsh sound of a torrent, invisible in the
-shadow. Sugarcanes waved in the night breeze and banana plants rustled
-and whispered, but no one was awake in all the land but our little
-party.
-
-"Dreamlike again, on our way back to where we had got out of the
-sledges, we had tea in another enchanted garden at 2 A.M. Our cabmen had
-hammered at that garden gate a long time, looking like stage peasants
-knocking at an operatic moonlit portal, before the waiter could be
-awakened, and by the time we returned from our walk the sleepy creature
-in tail coat, but minus his tie, was ready for us. When we passed that
-mysterious threshold we found ourselves in a garden full of the scent
-of box hedges and tinkling with fountains. We walked in the chequered
-shadow cast by palms and cypresses, and, soothed by the sound of running
-water, we felt we would like to stay there till the dawn. What a night
-to impress the children's minds with! Our tea was hilarious, in an
-arbour facing the ocean, but our hilarity was to reach its climax when
-we got into two toboggans, three people in each, and _slithered_ down
-the 2000 foot declivity which our oxen had so painfully and slowly drawn
-us up. The oxen had vanished with the sledges and the drivers, and a new
-set of men piloted us down the tremendous incline.
-
-"Nothing makes me laugh more than a toboggan in full flight with its
-helpless load. I had the pace moderated, in spite of protests, for I
-really did not care to have a variation of the too recent Bay of Biscay;
-but the toboggans got out of hand sometimes or had to be given their
-heads round the corners. It was vertigo then.
-
-"Ah, good night, or rather good morning, peerless Madeira!"
-
-Then followed days of blue weather and ever-increasing heat. A lonely
-voyage--not a sail to be seen. In that long-drawn-out monotony we made
-the most of trivialities.
-
-I read in my diary one night in the Tropics:--
-
-"There is to be a fancy-dress ball to-night, in connection with crossing
-the Line the other day, I suppose; the second class passengers are to
-come over and dance with the first class on the gaily decorated
-promenade deck. I am pleased at the appearance of the three children. C.
-has made up from some Eastern muslins a very coquettish Turkish costume
-with a little cap, which becomes her to my entire satisfaction. E. looks
-the typical 'duck' in a poke bonnet all over little pink roses, and I
-have buckled up little M. in a colonial cavalry 'rig,' slouched hat and
-all, Captain S. lending his sabre, which is somewhat longer than the
-temporary owner."
-
- * * * * *
-
-Here I must interpolate the statement of certain facts which will enable
-you more fully to sympathise with me in the catastrophe that closes this
-mid-ocean episode.
-
-You must know that white servants are impossible to find at the Cape,
-and one must bring all one's staff out with one, "for better, for
-worse," it may be for three, four, five years. If any turn out badly, it
-is true you may send them home, but--who is to replace them? I could
-not persuade my cook at Dover Castle to undertake this expatriation, her
-courage failing her at the last moment, and I had to find an untried
-substitute. She was a Dane with the blood of generations of bellicose
-Vikings coursing through her veins, and I had watched her daily on the
-other deck from afar with apprehensions.
-
- * * * * *
-
-"The ball is over and I feel decidedly limp. I thought I was going to
-have a pleasant evening. I was sitting with Lady ---- and all the others
-who were not masquerading, enjoying the sight of the figures in all
-kinds of extempore costumes appearing on the deck from below and
-mustering prior to setting to, the band playing a spirited waltz, when
-there slowly emerged from the saloon stairway, as though rising from the
-waves she rules--Britannia! First a high brass helmet with scarlet
-crest, then a trident held in one hand, a shield in the other, and the
-folds of the Union Jack draping her commanding form. She stepped on
-deck. 'I say,' said a voice, 'this is _the_ success of the evening; who
-is it?' 'Who is it?' you heard on every side. 'Who is it?' asked
-Lady ---- turning to me. 'My cook,' I faintly answered. The last speaker
-knew her South Africa, and all the possibilities of the future might
-have spoken in my face to judge by the choking laughter that caused her
-precipitate withdrawal. Each time she ventured back within sight of my
-smileless face the fit seized her again. Later on I saw Britannia
-dancing in a small set of Lancers hand in hand with the Marchioness.
-Shall I ever get her harnessed now?"
-
-I went back to hang over the bulwarks and lose myself among the stars.
-
-And so we made our way athwart the world. Each evening every one went to
-scan the chart where the little "atom's" progress was marked with, to
-us, an all too short pen-stroke, showing the distance covered in the
-last twenty-four hours. And in time the sad South Atlantic broke up the
-exquisite blue weather of the Tropics.
-
-The diary goes on: "To-night we saw the Pole Star set for the last time.
-A profound melancholy--a sense of losing a life-companion--falls on the
-mind. The child who has just seen its old nurse turn a bend in the road
-and disappear looks with rueful eyes on the bright newcomer. The
-Southern Cross and all the new stars will never fill the void left by
-the constellations which I have watched above the beloved scenes of the
-Northern World. My thoughts follow the Pole Star beyond the dark rim of
-the horizon. Dear old friend! I shall not feel content, no matter how
-beautiful I shall find the Southern heavens, till the joyful night when
-the captain of the Homeward Bound tells us we shall see thee rise. When
-will that be--in two--in three--years?"
-
-I spoke just now of the "sad" South Atlantic. To me it will always be
-the saddest part of the world. The sky above it loses the transparent
-and radiant quality of blue ("less blue than radiant," Mrs. Browning
-happily says of the Florentine sky) and takes more of a cobalt quality,
-and the tone of the sea follows suit. The effect of the diminishing
-warmth also chills one morally and physically, and one knows that the
-best is passed. The phrase, "a waste of waters," comes constantly to the
-mind.
-
-The following extract from the diary will show how this mournful
-sentiment of the South Atlantic was one day accentuated--stamped, as it
-were, with the seal of sorrow, on our return voyage, four days from Cape
-Town. "We had a burial at sea, the forlornest thing I have ever
-witnessed. A poor consumptive governess, travelling alone, died last
-night, who must have been far too ill to be put on board ship. She was
-buried at eleven this morning.
-
-"We were kneeling near the body, which lay on a bier shaped like a tray,
-covered with the Union Jack, at the open gangway overhanging the dreary
-tossing waters. Not a glimpse of blue sky above, the dense clouds shut
-it out. As she belonged to our Church, W., in uniform, read the prayers
-and Captain C. the responses. When the prayers were ended the bier was
-tilted by the six sailors who had been grasping it all through the
-service. The poor little body, sewn up in sacking, darted out, with a
-rattle of the leaden weights, from under the covering flag and fell with
-a loud splash into the black ocean; the flowers that had been placed on
-it scattered on the foam, and, as the ship scarcely stopped, these were
-soon left behind to sink and disappear. He who read the prayers said to
-me when all was over, 'Christ walks the waters as well as the land.'"
-
-Two days after I read: "A concert this evening, with some comic songs. I
-noticed the piano was draped with the same Union Jack that covered the
-poor girl two days ago."
-
- * * * * *
-
-One can hardly realize what a sailing voyage of this magnitude must have
-been in the old days. Our modern impatience can hardly endure the
-thought. The announcement one evening that at dawn we should sight Table
-Mountain was extremely pleasant. The arrival had the never-fading charm.
-"I see papa!" sang out little M. "How are the children?" hailed papa
-from the quay. "All well!" And we land on utterly new ground to begin a
-new experience. A short train journey, turning the flank of Table
-Mountain, brings us to our new home at Rosebank, where I find a pair of
-shapely Cape ponies harnessed to the Victoria awaiting us at the
-station.
-
-[Illustration: A CORNER OF OUR GARDEN AT ROSEBANK]
-
-
-
-
-CHAPTER II
-
-AT ROSEBANK, CAPE COLONY
-
-
-"Strange land; strange birds with startling cries; strange flowers;
-strange scents! I received a bouquet of welcome on my arrival composed
-of grass-green flowers with brilliant rose-coloured leaves. Where am I?
-_Where_ are the points of the compass?
-
-"I was watching the sun travelling to his setting this evening, and,
-forgetting I was perforce facing North to watch him, he seemed to be
-sloping down towards the East! And lo! when he was gone, the crescent
-moon on the wrong side of the sunset and turned the wrong way. And a
-cold south wind bringing melancholy messages from the Antarctic. 'There
-has been a storm in the south,' some one said, and the words struck
-drearily on my mind's ear.
-
-"My Bible, so full of imagery taken from the aspects of Nature, is
-turned inside out.
-
- Arise (depart), north wind; and come, O south wind; blow through my
- garden, and let the aromatical spices thereof flow (Canticles iv.
- 16).
-
-"My Shakespeare is upside down.
-
- At Christmas I no more desire a rose
- Than wish a snow in May's new-fangled mirth.--
- _Love's Labour's Lost._
-
-"Here roses load the Christmas air with sweetness, and May ushers in the
-snow upon the mountains.
-
- When proud-pied April, dress'd in all his trim,
- Hath put a spirit of youth in everything.--_Sonnet._
-
-"Here April is in the 'sear and yellow.'
-
-"Yesterday a furnace-blast swooped down upon us from the great deserts
-to the north, and I feel I shall never be myself while I continue to see
-my shadow at noonday projected southward. But enough of grumbling for
-the present.
-
-"Nowhere have I seen such starlight as streams upon the earth from the
-Milky Way, which belts the whole heavens here with silver. I don't know
-why I have never seen the Milky Way so distinct and splendid in the
-Northern Hemisphere. It is the glory of the South African nights, and I
-have the pleasure, too, of seeing the entire sweep of the 'Scorpion's'
-tail, superb scroll of blazing stars. I knew the Southern Cross would be
-disappointing, and so was not disappointed.
-
-"It gyrates over the Pole in a way to greatly astonish the uninitiated.
-The other evening, dressing for an evening function, I saw it before my
-window upright, and on coming home in the small hours, behold it on its
-head!
-
-"I cannot hope ever to convey to the mind of those who have not
-experienced Cape Colony the extraordinarily powerful local feeling of
-these days and nights. Melancholy they are--at least to me--but most,
-most beautiful and _pungently_ poetical. The aromatic quality of the
-odours that permeate the air suggests that word. Yet all is too strange
-to win the heart of a newcomer, however much his eyes and mind may be
-captivated.
-
-"If an artist wanted to accomplish that apparently impossible feat of
-painting Fairyland direct from Nature, without one touch supplied out
-of his own fancy, he would only have to come here. There are effects of
-light and colour on these landscapes that I never saw elsewhere. The
-ordinary laws seem set aside. For instance, you expect a palm-tree to
-tell dark against the sunset. Oh, dear me no, not necessarily here. I
-saw one a tender green, and the sand about it was in a haze of softest
-rose-colour, through which shone the vivid orange light of the sunset
-behind it. Incredible altogether are the colours at sunset, but all so
-fleeting. And there is no after-glow here as in Egypt and Italy; the
-instant the glory of the setting sun is gone all is over and all is
-grey.
-
-"Even the melancholy-quaint sound of the frogs through the night
-suggests fairy tales. It is appealing in its own way. I thought the
-Italian maremma frog noisy, but no one can imagine what an orgy of
-shrill croaking fills the nights here. They are everywhere, these
-irrepressibles, though invisible; near your head, far away, under your
-feet, at your side, in the tree-tops, in the streams, for ever springing
-their rattles with renewed zest. I shall never hear nocturnal frogs
-again without being transported to these regions of strange and
-melancholy nights.
-
-"Table Mountain rises square and precipitous above our garden, far
-above the simmer of the frogs, and looks like an altar in the pure white
-light that falls upon it from the Milky Way. How still, how holy in its
-repose of the long ages it looks, and the thought comes to one's mind,
-'Would that all the evil brought to South Africa by the finding of the
-gold could be gathered together and burnt on that altar as a peace
-offering!'
-
-"On this Rosebank side there is nothing that jars with the majestic
-feeling of Table Mountain, but to see what we English have done at its
-base on the other side, at Cape Town, is to see what man can do in his
-little way to outrage Nature's dignity. The Dutch never jarred; their
-old farm-houses with white walls, thatched roofs, green shutters, and
-rounded Flemish gables look most harmonious in this landscape. Wherever
-we have colonized there you will see the corrugated iron dwelling, the
-barbed-wire fence, the loathsome advertisement. We talk so much of the
-love of the beautiful, and yet no people do so much to spoil beauty as
-we do wherever we settle down, all the world over. I respect the Dutch
-saying; 'The eye must have something'--beauty is a necessity to moral
-health. A clear sky and a far horizon have more value to the national
-mind than we care to recognize, and though the smoking factory that
-falsifies England's skies and blurs her horizons may fill our pockets
-with gold, it makes us poorer by dulling our natures. I am sure that a
-clear physical horizon induces a clear mental one.
-
-"As you gaze, enraptured, at the rosy flush of evening on the mountains
-across "False Bay" from some vantage point on the road to Simon's Town,
-your eye is caught by staring letters in blatant colours in the
-foreground. "Keller's boots are the best"; "Guinea Gold Cigarettes"; "Go
-to the Little Dust Pan, Cape Town, for your Kitchen things." I _won't_
-go to the Little Dust Pan. Of all the horrors, a dust pan at Cape Town,
-where your eyes are probably full enough of dust already from the arid
-streets, and your face stinging with the pebbles blown into it by a
-bitter "sou'easter"? I once said in Egypt I knew nothing more trying
-than paying calls in a "hamseem," but a Cape Town "sou'easter"
-disarraying you, under similar circumstances, is a great deal more
-exasperating.
-
-"I am told the Old Cape Town, when Johannesburg was as yet dormant, was
-a simple and comely place--its white houses, so well adapted to this
-intensely sunny climate, were deep set in wooded gardens, a few of
-which have so far escaped the claws of the jerry builder. (O United
-States, what things you send us--"jerry," "shoddy" ----!) But now the
-glaring streets, much too wide, and left unfinished, are lined with
-American "Stores" with cast-iron porticoes, above which rise buildings
-of most pretentious yet nondescript architecture, and the ragged
-outskirts present stretches of corrugated iron shanties which positively
-rattle back the clatter of a passing train or tram-car. And all around
-lie the dust bins of the population, the battered tin can, the derelict
-boot. No authorities seem yet to have been established to prevent the
-populace, white, brown, and black, from throwing out all their old
-refuse where they like. Some day things may be taken in hand, but at
-present this half-baked civilization produces very dreadful results.
-There is promise of what, some day, may be done in the pleasing red
-Parliament House and the beautiful public gardens of the upper town.
-There is such a rush for gold, you see! No one cares for poor Cape Town
-_as_ a town. The adventurer is essentially a bird of passage. Man and
-Nature contrast more unfavourably to the former here than elsewhere, and
-the lines,
-
- Where every prospect pleases
- And only man is vile,
-
-ring in my ears all day.
-
-"Altogether our Eden here is sadly damaged, and I am sorry it should be
-my compatriots who are chiefly answerable for the ugly patches on so
-surpassingly beautiful a scene. Our sophisticated life, too, is out of
-place in this unfinished country, and we ought to live more simply, as
-the Dutch do, and not feel it necessary to carry on the same _menage_ as
-in London. Liveried servants in tall hats and cockades irritate me under
-such a sun, and the butler in his white choker makes me gasp. An
-extravagant London-trained cook is more than ever trying where all
-provisions are so absurdly dear. The native servant in his own suitable
-dress, as in India and Egypt, does not exist down here.
-
-"One of the chief reasons, I find, as I settle down in my new
-surroundings, for the feeling of incompleteness which I experience, is
-the fact of this country's having no history. We get forlorn glimpses of
-the Past, when the old Dutch settlers used to hear the roar of the lions
-outside Cape Town Fort of nights; and, further back, we get such peeps
-as the quaint narratives of the early explorers allow us, but
-beyond those there is the great dark void.
-
-[Illustration: THE INVERTED CRESCENT]
-
-"This is all from my own point of view, and I know there is one, an
-Africander born,[1] who, with strong and vivid pen, writes with sympathy
-of the charms of Italy, but only expands into heartfelt home-fervour
-when returning to the red soil and atmospheric glamour of her native
-veldt. This personal way of looking at things makes the value of all
-art, literary and pictorial, to my mind. Set two artists of equal merit
-to paint the same scene together; the two pictures will be quite unlike
-each other. I am of those who believe that picture will live longest
-which contains the most of the author's own thought, provided the
-author's thought is worthy, and the technical qualities are good, well
-understood."
-
- [1] Olive Schreiner.
-
-I will end my South African sketch by one more page of diary, which, in
-recording a day's expedition to the Paarl, gives an impression of the
-Cape landscape which may stand as typical of all its inland scenery.
-
-"On Whitsun-eve we had a most enchanting expedition to Stellenbosch and
-the Paarl, which I will describe here. W., I, the children, and the
-B.'s, formed the party. We left home just at sunrise, the heavy dew
-warning us of a very hot winter's day, though it was then cold enough.
-We took the train to Stellenbosch, and I was in ecstasies over the
-perfect loveliness of the scenes we passed through as the train climbed
-the incline towards those deeply serrated mountains which we were to
-pierce by and by. Looking back as we rose I could more fully appreciate
-the majestic proportions of Table Mountain, at whose base we live, and,
-when a long way off it stood above the plain in solitude, disclosed in
-its entirety, pale amethyst in the white morning light, I was more than
-ever filled with a sense of the majesty of this land which this
-dominating mountain seemed to gather up into itself and typify.
-
-"Quite different in outline are the fantastic mountains we passed
-athwart to-day, and nowhere have I seen such intense unmixed ultramarine
-shadows as those that palpitate in their deep kloofs in contrast with
-the rosy warmth of their sunlit buttresses and jagged peaks. And as to
-the foregrounds here, when you get into the primeval wilderness, what
-words can I find to give an idea of their colouring, and of the
-profusion of the wild shrubs, all so spiky and aromatic, and some so
-weird, so strange, that cover the sandy plains? Here are some notes. In
-distance, blue mountains; middle distance, pine woods, dark; in
-foreground, gold-coloured shrubs, islanded in masses of bronze foliage
-full of immense thistle-shaped pink and white flowers; bright green
-rushes standing eight feet high, with brown heads waving; black cattle
-knee-deep in the rich herbage and a silver-grey stork slowly floating
-across the blue of the still sky.
-
-"But this most paintable and decorative vegetation is not friendly to
-the intruder. These exquisitely toned shrubs with wild strong forms are
-full of repellent spikes which, like bayonets, they seem to level at you
-if, lured by the gentle perfume of their blossoms, you approach eye and
-nose too near. Depend upon it, this country was intended for
-thick-skinned blacks.
-
-"As you get farther from town influences there appear much better human
-forms in the landscape, and to-day I was greatly struck with the
-appearance of an ox-waggon drawn by twelve big-horned beasts, and upon
-its piled-up load stood picturesque male and female Malays in white and
-gay colours--quite a triumphal car. A negro with immense whip walked by
-the side, and behind rose a long avenue of old stone-pines, and at the
-end of the vista the blue sky. These stone-pine avenues that border the
-red-earthed highways are among the most delightful of the many local
-beauties of the Cape, and such stone-pines! Old giants bigger than any I
-have seen on the Riviera. There are dense forests of them here, lovely
-things to look down on, with their soft, velvety masses of round tops of
-a rich dark green, looking like one solid mass. The wise Dutch who
-planted them had a law whereby any one felling one of these pines was
-bound to plant two saplings in its stead. We are doing a great deal of
-the felling without the planting.
-
-"At Stellenbosch we got out, and, to my pleasure, I saw a long sort of
-char-a-banc driven at a hand gallop into the station yard, drawn by
-three mules and three horses--the vehicle ordered by W. to convey us to
-the 'Paarl.' And why 'Paarl'? Deep among the mountains rises a double
-peak, bearing imbedded in each summit an immense smooth rock rounded
-like a black titanic 'Pearl' that glistens in the sun as it beats on its
-polished surface. Thither we blithely sped, one driver holding the
-multitudinous reins of our mixed team, the other manoeuvering with
-both hands his immensely long whip, the gyrations of the thong being an
-interesting thing to watch as he touched up now this beast and now that.
-They have a way in this country of keeping up a uniform trot uphill,
-downhill, and on the level, but stopping frequently to breathe the
-team." (Ah! give me road travel with horses--it is more _human_ than the
-motor!) "After an enchanting stage through wild mountain gorges we came
-to an oak fixed upon by W. beforehand as marking our halting place, and
-there the six beasts were 'out-spanned.' The simple harness was just
-slipped off and laid along on the road where the animals stood, and then
-they were allowed to stray into the wild, tumbling bush as they liked
-and have a roll, if so minded. Then we lit a fire and spread our repast
-under the shade of the oak at the edge of a wood that sloped down to a
-mountain stream. All round the solemn mountains, all about us fragrant
-aromatic flowers and the call of wild African birds! I can well
-understand the passionate love an Africander-born must feel for his
-country. I know none that has such strong, saturating local sentiment.
-The horses and mules, whose feet I had espied several times waving in
-spurts of rolling above the undergrowth, being collected and
-'in-spanned,' we set off for the Paarl Station and descended back into
-the Plain by rail at sunset; and as we left the mountains behind us they
-were flushing in the glory from the West, their shadows remaining of the
-same astonishing ultramarine they had kept all day. In any other country
-the blue would have changed somewhat, but here I don't expect anything
-to follow any known rules--I accept the phenomena of things around me as
-time goes on, and have ceased to wonder. Oh! vision of loveliness,
-strange and unique, which this day has given me, never to be forgotten."
-
- * * * * *
-
-My great regret is that I had so little time to ply my paints and try at
-least to make studies which would now be very precious to me. How little
-I knew the shortness of my sojourn! The two little Cape ponies (with
-much of the Arab in them) were in almost daily requisition along those
-great pine-bordered, red-earthed roads, to take me for my return calls,
-or a portion of them. I fear I left many unreturned towards the end.
-There were the Dutch as well as the English, a large circle. I had
-sketching expeditions projected which never came off, with a clever
-Dutch lady, who did charming water-colours of beautiful Constantia and
-the striking country above Simon's Bay, and the true "Cape of Good
-Hope" beyond. She had battled with snakes in the pursuit of her art, and
-in the woods had sustained the stone-throwing of the baboons, who made a
-target of her as she sat at work. I was willing for the baboon
-bombardment, and even would chance the snakes, as one chances
-everything, to wrest but a poor little water-colour from nature.
-
-Two events which, in that tremendous year '99, were of more than usual
-importance loom large in my memory of the Cape--that is, the Queen's
-Birthday Review in May, and the opening of Parliament on the 14th July.
-The Birthday Review on the Plain at Green Point was the ditto of others
-I had seen on the sands of Egypt, on the green sward of Laffan's Plain
-at Aldershot, on the Dover Esplanade, and wherever W. had been in
-command; but this time, as he rode up on his big grey to give the
-Governor the Royal Salute before leading the "Three Cheers for Her
-Majesty the Queen!" a prophet might have seen the War Spectre moving
-through the ranks of red-coats behind the General.
-
-At the opening of Parliament we ladies almost filled the centre of the
-"House," and I was able to study the scene from very close. The Dutch
-Members, on being presented to the Speaker, took the oath by raising the
-right hand, whereas the English, of course, kissed the Book. The
-proceedings were all on the lines followed at Westminster, the Governor
-keeping his hat on as representing the Sovereign. The opening words of
-"the Speech from the Throne" sounded hollow. They proclaimed amongst
-other things _urbi et orbi_, that we were at peace with the South
-African Republics.
-
- * * * * *
-
-"And now," says the diary, "Good-bye, South Africa, for ever! I am glad
-that in you I have had experience of one of the most enchanting portions
-of this earth!"
-
- * * * * *
-
-As you know that experience only lasted five months after all. We left
-on the 23rd August '99 on a day of blinding rain, which, as the ship
-moved off, drew like a curtain across that country which I felt we were
-leaving to a fast-approaching trouble. The war cloud was descending. It
-burst in blood and fire a few weeks later and deepened the sense of
-melancholy with which I shall ever think of that far-away land.
-
-[Illustration: THE CAPE "FLATS"]
-
-
-
-
-IV
-
-ITALY
-
-[Illustration]
-
-[Illustration: BRINGING IN THE GRAPES]
-
-
-
-
-CHAPTER I
-
-VINTAGE-TIME IN TUSCANY
-
-
-[Illustration]
-
-A descent from the Apennine on a September evening into Tuscany, with
-the moon nearly full--that moon which in a few days will be shining in
-all its power upon the delights of the vintage week--this I want to
-recall to you who have shared the pleasure of such an experience with
-me.
-
-A descent into the Garden of Italy, spread out wide in a haze of warm
-air--can custom stale the feeling which that brings to heart and mind?
-
-Railway travel has its poetry, its sudden and emotional contrasts and
-surprises. But a few hours ago we were in the foggy drizzle of an autumn
-morning at Charing Cross, and, ere we have time to be fagged by a
-too-long journey, our eyes and brain receive the image of the Tuscan
-plain!
-
-The train slows down for a moment on emerging from the last tunnel at
-the top of the mountain barrier; the grinding brakes are still, and for
-a precious instant we listen at the window for the old summer night
-sounds we remember and love. Yes! there they are; there _he_ is, the
-dear old chirping, drumming, droning night-beetle in myriads at his old
-penetrating song, persistent as the sicala's through the dog days, local
-in its suggestiveness as the corncrake's endless saw among the
-meadow-sweet all through the Irish summer night.
-
-But, _avanti!_ Down the winding track with flying sparks from the locked
-wheels, every metre to the good; down to the red domes of Pistoja;
-forward, then, on the level, to Florence and all it holds.
-
-How we English do love Italy! Somewhere in our colder nature flows a
-warm Gulf Stream of love for what is sunny and clear-skied and genial,
-and I think I may say, though my compatriots little realize it, that the
-evidences of a living faith which are inseparable from Italian landscape
-greatly add to the charm that attracts us to this land. What would her
-hills be if decapitated of the convents on their summits, with each its
-cypress-lined _Via Crucis_ winding up the hillside? The time of the
-after-glow would be voiceless if deprived of the ringing of the Angelus.
-Dimly we perceive these things, or hardly recognise them as facts--nay,
-many of us still protest, _but they draw us to Italy_.
-
-And now the arrival at Florence. The pleasure of dwelling on that
-arrival, when on the platform our friends await us with the sun of Italy
-in their looks! Then away we go with them in carriages drawn by those
-fast-trotting Tuscan ponies that are my wonder and admiration, with
-crack of whip and jingle of bells along the white moon-lit road to the
-great villa at Signa, where the vintage is about to begin.
-
-To recall the happy labour of those precious three days of grape-picking
-in the mellow heat on the hillside, and then the all-pervading fumes of
-fermenting wine of the succeeding period in the courtyard of the
-_Fattoria_; the dull red hue of the crushed grapes that dyes all things,
-animate and inanimate, within the sphere of work, is one of the most
-grateful efforts of my memory. I see again the handsome laughing
-peasants, the white oxen, the flights of pigeons across the blue of the
-sky. The mental relaxation amidst all this activity of wholesome and
-natural labour, the complete change of scene, afford a blessed rest to
-one who has worked hard through a London winter and got very tired of a
-London season. It is a patriarchal life here, and the atmosphere of good
-humour between landlord and tenant seems to show the land laws and
-customs of Tuscany to be in need of no reformer, the master and the man
-appearing to be nearer contentment than is the case anywhere else that I
-know of. You and I saw a very cheery specimen of the land system at
-grand old Caravaggio.
-
-[Illustration: A SON OF THE SOIL, RIVIERA DI LEVANTE]
-
-Then the evenings! I know it is trite to talk of guitars and tenor
-voices under the moonlight, but Italy woos you back to many things we
-call "used up" elsewhere, and there is positive refreshment in
-hearing those light tenor voices, expressive of the light heart, singing
-the ever-charming _stornellos_ of the country as we sit under the
-pergola after dinner each evening. The neighbours drop in and the guitar
-goes round with the coffee. Everybody sings who can, and, truth to say,
-some who can't. Many warm thanks to our kind friends, English and
-Italian (some are gone!), who gave you and me such unforgettable
-hospitality in '75, '76.
-
-But lest all these guitarings and airy nothings of the gentle social
-life here should become oversweet, we can slip away from the rose-garden
-and climb up into the vineyards of the rustic _podere_ that speak of
-wholesome peasant labour, of tillage--the first principle of man's
-existence on earth--and, among the practical pole-vines that bear the
-true wine-making grapes (not the dessert fruit of the garden _pergola_),
-have a quiet talk.
-
-The starry sky is disclosed almost round the entire circle of the
-horizon, with "_Firenze la gentile_" in the distance on our right, the
-Apennine in front, and the sleeping plain trending away to the left to
-be lost in mystery. I want to talk to you of our experience of Italy the
-Beloved, from our earliest childhood until to-day.
-
-What a happy chance it was that our parents should have been so taken
-with the _Riviera di Levante_ as to return there winter after winter,
-alternately with the summers spent in gentle Kent or Surrey, during our
-childhood; not the French Riviera which has since become so
-sophisticated, but that purely Italian stretch of coast to the east of
-Genoa, ending in Porto Fino, that promontory which you and I will always
-hold as a sacred bit of the world. Why? There are as lovely promontories
-jutting out into the Mediterranean elsewhere? The child's love for the
-scenes of its early friendships with nature is a jealous love.
-
-Our relations by marriage with the B. family admitted us into the centre
-of a very typical Italian home of the old order. I suppose that life was
-very like the life of eighteenth-century England--the domestic habits
-were curiously alike, and I cannot say I regret that their vogue is
-passing. We are thought to be so ridiculously fastidious, _noi altri
-inglesi_, and our parents were certainly not exceptional in this
-respect, and suffered accordingly.
-
-The master of the house, the autocratic _padrone_, had been in the
-Italian Legion in Napoleon's Russian campaign, as you may remember, and
-the retreat from Moscow had apparently left certain indelible
-cicatrices on the old gentleman's temper. I can hear his stentorian
-voice even now calling to the servant (I think there was only one
-"living in," though there were about a dozen hangers-on) in the rambling
-old Palazzo without bells. "O--O--O, Mariuccia!" "Padrone!" you heard in
-a feminine treble from the remote regions of the kitchen upstairs,
-somewhere. Mariuccia would generally get a bit of the Italian
-legionary's mind when she came tumbling down the marble stairs. Madame
-la Generale appeared in the morning with a red handkerchief on her head
-and remained in corsetless _deshabille_ till the afternoon. Genoese was
-the home language, French was for society. No one spoke real Italian.
-They had not yet begun to "Toscaneggiare," as it grew to be the fashion
-to do when Italy became united. Don't you dislike to hear them?
-
-What recollections our parents carried away from those visits to the
-Nervi household! How we used to love to hear mamma's accounts, for
-instance, of the night Lord Minto came to tea. Madame Gioconda had put
-the whole pound of choice green tea which she had bought at the English
-shop in Genoa into a large tea-pot requisitioned for this rare English
-occasion. Poor mamma had the pouring of it out, and no deluges of hot
-water, brought by the astonished Mariuccia, could tame that ferocious
-beverage. I am sure the brave General never got more completely
-"bothered" by the Russian cannon than he did by the "gun-powder" that
-evening. Nowadays such a mistake could not happen when _il the_ is quite
-the fashion.
-
-Italians still think it the right thing to visit England in November and
-go to Liverpool, Manchester, and Birmingham for their informing little
-tour. In those remote days it was the only way in which the few that
-ever ventured so far saw our lovely land. Mamma was constantly sent into
-a state of suppressed indignation by the stereotyped question, "Are
-there any flowers in England?" But I have not done with the old General.
-I remember we were so frightened of that Tartar that Papa used to have
-to propel us into the Presence, when, in the evenings, every one, big
-and little, sat down to dominoes or "tombola." Syrup and water and
-little cakes made of chestnut flour refreshed the company. The General's
-snuff was in the syrup, I firmly believed. We looked like two little
-martyrs as we went up to salute those shaking yellow cheeks on being
-sent to bed. Why are children put to these ordeals?
-
-The living was frugal, the real "simple life" which some of us in
-England are pretending to lead to-day. But on certain occasions, such as
-Shrove Tuesday, for instance, ah! no effects of oriental feasting could
-surpass the repletion with which each guest left the festive board.
-Mariuccia had help for three days previous to such regalings, during
-which one heard the tapping of the chopper in the kitchen, preparing the
-force-meat for the national dish, the succulent _ravioli_, as one passed
-within earshot of that remote vaulted hall.
-
-And do you remember (you are a year my junior, and a year makes a great
-difference in the child's mind) a certain night when there was a ball at
-our villa on the Albaro shore, and the shutters of the great "_sala_"
-were thrown open to let in the moonlight at midnight? A small barque lay
-in the offing, surrounded by little boats, and a cheer came over the sea
-in answer to what the people over there, seeing the sudden illumination
-from the chandeliers, took for our flashing signal of "God-speed!" They
-were a detachment of Garibaldi's Redshirts on their way to liberate
-Southern Italy. The grown-ups on our side went down to supper, and our
-little cropped heads remained looking at the barque in the moon's broad
-reflection long after we were supposed to be asleep. I had seen the
-Liberator himself talking to the gardener at the ----'s villa, where he
-was staying, at Quarto, the day before he sailed for Messina.
-
-We were certainly an unconventional family, and we were so happy in our
-rovings through the land of sun. But if you and I are inclined to bemoan
-too much modernism in that Italy we so jealously love, oh! do not let us
-forget the gloom of some of those old palaces which we had a mind to
-inhabit a _l'Italienne_, on bad winter nights--the old three-beaked oil
-lamps in the bedrooms serving, as our dear father used to say, only to
-"make darkness visible"--the wind during the great storms setting some
-loose shutter flapping in uninhabited upper regions of the house; the
-dark places which Charles Dickens in his _Pictures from Italy_ says he
-noticed in all the Italian houses he slept in on his tour, which were
-not wholly innocent of scorpions. The marble floors and the paucity of
-fireplaces did not give comfort for the short winters; but how glorious
-those old houses became as soon as the cold was gone; shabby,
-ramshackle, and splendid, we loved them "for all in all."
-
-In certain things modern Italy affords us an easier life. We are given
-to nagging at the Italians for their dreadful want of taste in spoiling
-the beauty of their cities, but in the old days we were nagging at them
-for their dirt. Now Rome is the cleanest capital in the world. Some one
-said it is more than clean, it is dusted. And is not the Society for the
-Protection of Animals in _existence_, at least? With what derision such
-an institution would have been heard of in our childhood's days--a
-suggestion of those "mad English."
-
-Do you call to mind what scenes used to occur whenever mamma came out
-with us, between her and the muleteers? I can see her now, in the
-fulness of her English beauty, flying out one day at a carter for
-flogging and kicking his mules that were hardly able to drag a load up
-the Albaro Hill. This was the dialogue. Mamma--"_Voi siete un cattivo!_"
-Muleteer--"_E voi siete bella!_" Mamma--"_Voi siete un birbante!_"
-Muleteer--"_E voi siete bella!_" Mamma--"_Voi siete uno scelerato!_"
-Muleteer--"_E voi siete bella!_" And so on, till we had reached the
-bottom of the cruel hill, mamma at the end of her _crescendo_ of
-fulminations and the man's voice, still calling "_E voi siete bella_"
-in imitation of her un-Genoese phraseology, lost in distance at the top.
-"I shall get a fit some day," were her first English words. Poor dear
-mother, the shooting of the singing-birds in spring, the dirt, the
-noise, the flies, the mosquitoes--so many thorns in her Italian rose!
-Yet how she loved that rose, but not more than the sweet violet of our
-England that had no such thorns. The music in the churches, too, was
-trying in those days, and to none more so than to that music-loving
-soul. We have seen her doing her best to fix her mind on her devotions,
-with her fingers in her ears, and her face puckered up into an
-excruciated bunch. I hope Pius X. has enforced the plain-chant
-everywhere, and stopped those raspings of secular waltzes on sour
-fiddles that were supposed to aid our fervour. But I am nagging. As a
-Northerner, I have no right to lecture the Italians as to what sort of
-music is best for devotion, nor to tell them that the dressing of their
-sacred images in gaudy finery on festival days is not the way to deepen
-reverence. The Italians do what suits them best in these matters, and if
-our English taste is offended let us stay at home.
-
-Well, well, here below there is nothing bright without its shadow. When
-we had the delicious national costumes we had the dirt and the cruelty.
-But why, I ask, cannot we keep the national dress, the local customs,
-the picturesqueness while we gain the cleanly and the kind? Every time I
-revisit Italy I miss another bit of colour and pleasing form amongst the
-populations. In Rome not a cloak is to be seen on the citizens, that
-black cloak lined with red or green they used to throw over the left
-shoulder, toga-wise--only old left-off ulsters or overcoats from Paris
-or Berlin. Not a red cap on the men of Genoa; the _pezzotto_ and
-_mezzero_, most feminine headgear for the women, are extinct there.
-Ladies in Rome are even shy of wearing the black mantilla to go to the
-Vatican, and put it on in the cloak-room of the palace, removing it
-again to put on the barbarous Parisian hat for the streets. When we
-foreign ladies drive in our mantillas to the Audiences we are stared at!
-Even my old friends the red, blue, and green umbrellas of portly
-dimensions, formerly dear to the clergy, no longer light up the sombre
-clerical garb. Did I not see a flight of bare-footed Capuchins, last
-time in Rome, put up, every monk of them, a black Gingham when a shower
-came on, and I was expecting an efflorescence of my fondly-remembered
-Gamps? Next time I go the other bit of clerical colour will have
-vanished, and I shall find them using white pocket-handkerchiefs instead
-of the effective red bandana.
-
-Well, but, you are told, the beggars are cleared out, those persistent
-unfortunates who used to thrust their deformities and diseases before
-you wherever you turned, with the wailing refrain, "_Misericordia,
-signore!_" "_Un povero zoppo!_" "_Un cieco!_" "_Ho fame!_" etc. etc. But
-they sunned themselves and ate their bread and onions where they liked
-(not where _we_ liked) in perfect liberty. Where are they now? In dreary
-poorhouses, I suppose, out of sight, regularly fed and truly miserable.
-I am afraid that much of our modern comfort is owing simply to the
-covering up of unpleasantnesses. In the East, especially, life is seen
-with the cover taken off, and many painful sights and many startling
-bits of the reality of life spoil the sunshine for us there for a while.
-But worse things are in the London streets, only "respectably" covered
-up, and I am sure that more cruelty is committed by the ever-increasing
-secret work of the vivisector than ever wrung the heart of the
-compassionate in the old days in the open street.
-
-And there, as we sit on the hillside above Signa, lies Florence, just
-discernible in the far-off plain, where I learnt so much of my art.
-Those frescoes of Masaccio, Andrea del Sarto, and all those masters of
-the human face who revelled in painting every variety of human type, how
-they augmented my taste that way! Nothing annoyed me so much as the
-palpable use of one model in a crowded composition. Take a dinner-party
-at table--will you ever see two noses alike as you run your eye along
-the guests? Even in a regiment of evenly matched troops, all of one
-nationality, I ask you to show me two men in the ranks sharing the same
-nose!
-
-Ah! those days I spent in the cloisters of the SS. Annuziata, making
-pencil copies of Andrea's figures in the series of frescoes illustrating
-the life of St Philip. It was summer-time, and the tourists only came
-bothering me towards the end. That hot summer, when I used to march into
-Florence, accompanied by little Majolina, in the still-early mornings,
-when the sicala was not yet in full chirp for the day! Four days a week
-to my master's studio under the shadow of the Medici Chapel, and two to
-my dear cloisters; the Sunday at our villa under Fiesole. Happy girl!
-
-I see in my diary this brilliant adaptation of Coleridge's lines--
-
- "'Tis sweet to him who all the week
- Through city crowds must push his way, etc."
-
- 'Tis sweet to her who all the week
- With brush and paint must work her way
- To stroll thro' florence vineyards cool
- And hallow thus the Sabbath Day.
-
-I have much to thank my master Guiseppe Bellucci for, who drilled me so
-severely, carrying on the instruction I had the advantage to receive
-from thorough-going Richard Burchett the head-master at South
-Kensington--never-to-be-forgotten South Kensington.
-
-It seems a shame to be saying so much about Florence and not to pause a
-few minutes to give the other a little hand-shake in passing. There I
-began my art-student life, than which no part of an artist's career can
-be more free from care or more buoyed up with aspirations for the
-future. Dear early days spent with those bright and generous comrades,
-my fellow-students, so full of enthusiasm over what they called my
-"promise"--I have all those days chronicled in the old diaries. There I
-recall the day I was promoted to the "Life Class" from the "Antique"--a
-joyful epoch; and the Sketching Club where "old D----," the second
-master, used to give "Best" nearly every time to Kate Greenaway and
-"Second Best" to me. What joy when I got a "Best" one fine day. She and
-I raced neck and neck with those sketches after that. The "Life Class"
-was absorbingly interesting. But how nervous and excited I felt at
-grappling with my first living model. He was a fine old man (but with a
-bibulous eye) costumed to represent "Cranmer walking to the Tower." I
-see in the diary, "Cranmer walked rather unsteadily to the Tower to-day,
-and we all did badly in consequence." Then came one of Cromwell's
-Ironsides whose morion gave him a perpetual headache, followed by my
-first full-length, a costume model in tights and slashed doublet whom we
-spitefully called "Spindle-Shanks" and greatly disliked. What was my
-surprise, long years afterwards, to stumble upon my "Spindle-Shanks" as
-"'Christopher Columbus,' by the celebrated painter of etc. etc." I then
-remembered I had made a present of him, when finished, to our "char,"
-much to her embarrassment, I should think. However, she seems to have
-got rid of the "white elephant" with profit to herself in course of
-time. But I must not let myself loose on those glorious student days, so
-full of work and of play, otherwise I would wander too far away from my
-subject. It was tempting to linger over that hand-shake.
-
-I don't think I ever felt such heat as in Florence. As the July sun was
-sending every one out of the baking city, shutting up the House of
-Deputies, and generally taking the pith out of things, I remember
-Bellucci coming into the studio one day with his hair in wisps, and
-hinting that it would be as well for me to give myself _un mesetto di
-riposo_. I did take that "little month of rest" at our villa, and
-sketched the people and the oxen, and mixed a great deal in peasant
-society, benefitting thereby in the loss of my Genoese twang under the
-influence of their most grammatical Tuscan. The peasant is the most
-honourable, religious, and philosophical of mankind. I feel always safe
-with peasants and like their conversation and ways. They lead the
-natural life. Before daylight, in midsummer, one heard them directing
-their oxen at the plough, and after the mid-day siesta they were back at
-their work till the Ave Maria. It was a large family that inhabited the
-peasant quarters of our villa and worked the landlord's vineyards. How
-they delighted in my sketches, in giving me sittings in the intervals of
-work, in seeing me doing amateur harvesting with a sickle and helping
-(?) them to bind the wheat sheaves and sift the grain. I must often
-have been in the way, now I think of it, but never a hint did these
-ladies and gentlemen of the horny hand allow to escape to my confusion.
-Carlotta, the eldest girl, read me some of the "Jerusalem Delivered" one
-full-moon night, to show me how easily one could read small print by the
-Italian moonlight. Her mother invited me to dine with the family one day
-as they were having a rare repast. Cencio had found two hedgehogs in a
-hollow olive-tree, and the _ragout_ that ensued must be tasted by the
-_signorina_. Through the door of the kitchen where we dined on that
-occasion the two white oxen were seen reposing in the next apartment
-after their morning's work. After tasting the _spinoso_ stew, I begged
-to be allowed to take a stool in the corner and sketch the whole family
-at table, and with the perfect grace of those people I was welcomed to
-do so, and I got them all in as they sucked their hedgehog bones in
-concert. You were reading Keats in one of the arbours, meanwhile, I
-remember.
-
-I loved those days at Florence where I felt I was making the most of my
-time and getting on towards the day when I should paint my first "real"
-picture. When next I visited Florence with you for those memorable
-vintages at Caravaggio in '75, '76, which I recalled just now to your
-remembrance, I had painted my first "real" picture and received in
-London more welcome than I deserved or hoped for.
-
-Twice I have revisited the outside of my Florentine studio in recent
-years, not daring to go in. Bellucci is long dead and I don't know who
-is there now. Standing under that tall window I have reviewed my career
-since the days I worked there. I rejoice to know that my best works are
-nearly all in public galleries or in the keeping of my Sovereign. To the
-artist, the idea of his works changing hands is never a restful one.
-
-[Illustration]
-
-[Illustration]
-
-
-
-
-CHAPTER II
-
-SIENNA, PERUGIA, AND VESUVIUS
-
-
-A two days' excursion to Sienna at the close of our second vintage at
-Caravaggio was a fit _finale_ to the last visit you and I ever paid to
-Italy _en garcon_.
-
-From Tuscany to Etruria--deeper still into the luxury of associating
-with the past. Honey-coloured Sienna! It dwells in my memory bathed in
-sunshine; the little city like a golden cup overflowing with the riches
-it can scarcely hold; the home of St. Catherine and the scene of her
-ecstasies and superhuman endeavours: the battlefield of St. Bernardine's
-manful struggle against vice and luxury and gambling, so rampant and
-unabashed in his time. Everywhere in this city you see, sculptured on
-circular plaques of old white marble, let into the walls in street and
-square, that monogram which all denominations of Christians know so
-well, the I.H.S. with the Cross--_Jesus Hominum Salvator_. Whether the
-engraved characters seen on the tombs in the Roman Catacombs were or
-were not identical with those three initials and their significance,
-they were so regarded by all the Churches for centuries, and the
-monogram which St. Bernardine caused to be set up in this way throughout
-Sienna was moulded on them in that belief. It was he who caused this
-emblem to be so placed that the reluctant public eye could not wholly
-avoid it, and who had it illuminated on tablets which he held up to his
-congregations at the end of his rousing sermons, thus making that appeal
-to the mind through the eye which he relied upon as one of his most
-effectual levers. One may say he morally forced the people to recognise
-and venerate that Name once more.
-
-Upon the carved coats-of-arms of Guelph and Ghibelline, which seemed to
-gird at each other from the walls, he imposed this sign of peace, and
-hence the multiplicity of these lovely symbols I am trying to
-recall. They are seals which his strong hand stamped upon his native
-place.
-
-[Illustration: PLOUGHING IN TUSCANY]
-
-Like all the great saints, Bernardine was practical. The manufacturers
-of playing-cards and dice, finding their customers leaving them in
-ever-increasing numbers to follow the Franciscan with a fervour which
-reached to extraordinary heights, brought their complaints to him.
-Bankruptcy was upon them. "Turn your talent to painting this Name on
-cards and sell them to the people." This was done, and these little
-tablets with the "I.H.S." became endowed with a peculiar sanctity to the
-purchasers and sold well, so that little fortunes flowed in to fill the
-void left by the fall in playing-cards. All these we spoke of on the
-spot, I remember, and I write these words to you who know it all better
-than I do, to show you I have not forgotten.
-
-Sometimes the monogram is inserted in the marble discs in gold on a blue
-ground. Do you see again those circles of warm white marble, those
-shining letters surrounded with golden rays on the blue centre, the
-reflected light in the hollows of the carving, the Italian sky above?
-These Siennese blank walls are better employed than those of modern
-Rome, where we may see somebody's soap or blacking belauded in our
-mother tongue _ad nauseam_.
-
-"A city set on a hill cannot be hid." How high Sienna is set! A lovelier
-bit of man's workmanship was never held aloft for man to see.
-
-"To appreciate the outside aspect of Sienna we drove out" (I see in my
-diary) "to the fortress-villa of Belcaro, with an introduction to the
-owner, a recluse, who, though he has been to London once, somewhere in
-the 'forties, has never been to Sienna.
-
-"The drive to this historic villa was through a perfect Pre-Raphaelite
-landscape, full of highly-cultivated hillocks, above which the grander
-distant country unfolded itself. I apologized to the old Masters for
-what I had said of their landscape backgrounds before I had seen the
-Siennese middle distances whose type seems to have inspired so many of
-them.
-
-"Each turn in the road gave us a new aspect of the golden-brown city
-behind us, on its steep hill. Perhaps the most effective view of it is
-from near Belcaro, where you get the dark stone-pines in the immediate
-foreground.
-
-"And the interior of the city! Those narrow streets they call here
-_rughe_ and _costarelle_ are fascinating, dipping down to some archway
-through which you see, far below, the sudden misty distance of the
-rolling campagna, or a peep of a piazza in dazzling sunlight contrasting
-with the semi-darkness of the narrow stone lane. So narrow are these
-lanes that a pair of oxen drawing a cart all but scrape the side walls
-with the points of their enormous horns, and you must manage to avoid a
-collision by obliterating yourself in the nearest doorway. We found the
-people beautiful. There are no modern abominations in the way of
-buildings here, so that one enjoys Sienna with unalloyed pleasure." ...
-At last!
-
-I suppose nothing could be more satisfying to the lover of beauty and of
-that dignity which belongs to the great works of architecture of the
-past than the aspect of Sienna Cathedral in the light of a September
-moon, the planets and stars watching with her over that sanctuary in the
-cloudless heavens.
-
-The silence of a little Italian city like this at night, when the full
-moon dispenses with the artificial lighting, is always taking. To-night
-the urban silence is broken perhaps by a burst of singing and the
-thrumming of a guitar; young fellows with apparently plenty of leisure
-are coming jauntily along the pavement singing, "_Oi! Oi! Oi! Tirami la
-gamba se tu puoi_," and suddenly dive down a pitch-dark alley; then a
-burst of laughter from a cavernous wine-shop; then stillness again. A
-dog barks in a garden over whose walls you see where the "blessed moon
-tips with silver all these fruit-tree tops." A fountain bubbles and
-gushes softly as you come upon its hiding-place in the deep shadow from
-a bit of loopholed wall that you scarcely recognize as the one you were
-sketching this morning. Hither a few fire-flies, remnants of the summer
-host, have strayed from beyond the city ramparts. Footsteps echo in the
-silence more than in the day-time; not a wheel is heard, but the
-campagna below is heard. It is murmuring with its invisible life of
-insects all awake and full of shrill energy--goodness knows about what.
-Your own energy is ebbing after the day's enchantment and you feel that
-to stroll and sit and look is all the bliss you need.
-
-I had a revelation at Sienna about frescoes. In this extraordinarily dry
-atmosphere you can see, as nowhere else, the fresco as it was originally
-intended to appear. I do not know that I liked the effect as I came into
-the sacristy of the cathedral and saw Pinturicchio's apparently freshly
-painted scenes. These were so true, not only in their linear, but
-(strange to say) in their aerial, perspective that the effect was as if
-the walls had opened to show us these crowds of figures in gorgeous
-halls or airy landscapes _outside_ the building, and the eye was
-deceived by a positive illusion. One wants to _feel_ the walls of an
-apartment, and when its frescoes are flat and faded, and appearing more
-as lovely bits of decorative colour, as we see elsewhere, the eye is
-better satisfied. But, looked at as pictures, these richly coloured
-works are truly masterly, full of character and natural, realistic
-action.
-
-Much of the beauty of the Middle Ages which we delight in is owing to
-the mellowing of Time. When first turned out by painter or mason this
-beauty would not so charm the artist. A brandnew feudal castle must have
-looked very hard and staring; a walled city like a Brobdingnagian toy
-town in a round box. No lichens on those walls; no ivy, no clumps of
-wallflowers, or any of those compassionate veils that Nature, if allowed
-a free hand, gently lays upon our crudities, and which the modern
-Italian _Sindaco_ calls "_indecenza_" and commands to be scraped away.
-The mind recognises the rightness of the inevitable bare look of a new
-building, but a scraped ruin offends both mind and eye.
-
-
-PERUGIA
-
-ONE day in April '99 I was reading a fascinating little book by Miss
-Duff Gordon on Perugia as I sat on a fallen pine-tree trunk in our wood
-at Rosebank in remote Cape Colony. I read it with intenser longing than
-ever to be back in the world of art, of history, of culture, of
-well-known and well-loved things, and, thinking we were likely to be in
-our lovely exile for at least three years (with a short flight home to
-England in the interval, perhaps), I thought of several precious things
-I would give to be at Perugia in reality. That very day in that very
-month of the following year I was there!
-
-Why do we fret about the future? Vain weakness! In my experience the
-future has brought more than I wished for and better things, and the sad
-things that have come have been those I had not feared.
-
-It is a lovely journey from Florence to Perugia--all beautiful, and one
-wants to be at both ends of the railway carriage at once so as to miss
-nothing. The old brown cities along the route are as frequent as the
-Rhine castles; they still have their battlemented walls and gateways to
-delight the artist for a long while yet. Perugia did not frown upon us
-so mediaevally this time, as we drove up the long zigzag to it, as when
-you and I first saw it. I think some of the frown has been demolished
-since those days, and indeed I do not regret this. They are raising some
-good public buildings where, I am told, the old castle stood, and in
-these you see lovely pillars of rosy marble or granite quarried from
-Assisi. That old castle had gloomy memories for the Italians and had no
-claim to stay.
-
-Like all Italian cities, Perugia has a strongly marked character of its
-own. This local character of her cities is one of Italy's richest
-possessions. Genoa, brilliant in white, salmon-pink, and buff, the
-colouring of her palaces, and scintillating in the sun as it beats upon
-her pearl-grey roofs; Florence, sombre with the brown of her local
-_pietra serena_ and roofed with the richer brown of her Tuscan tiles;
-Verona, regal and stately, throned on the foothills of the Alps, her
-rich colouring focussed in the red and tawny curtains which the Veronese
-hang before their church doors; Padua, shady with trees, sedate and
-academic, on the level, and uniform in tone, a city of arcades; Perugia,
-a mountain fortress of brown bricks, her austerity mellowed by the
-centuries--what a series they make! How carefully the "Young Nation"
-should deal with these precious things that have all come into her
-hands! Almost every great city in this land was once a capital. If only
-the Italians would build as they used to I should rejoice in seeing
-lovely things rising new and strong in the place of decay and thus
-giving promise of a new lease of architectural beauty for Italy. But the
-pity of it is that most of the new things are characterless and dreary.
-Every cultivated Italian deplores the fact and one wonders who the Goths
-in authority are that have the doing of these things.
-
-To you and me there are certain conjunctions of words that carry a swift
-sense of delight to the mind. Amongst these none are more appealing than
-"the Umbrian Hills." Here in Perugia we are seated amongst them, and
-when I saw them again on that magic April day it was towards evening,
-and in despairing haste I made the best sketch I could on arriving, from
-the hotel window, to try and record those soft sunset tones on the
-Perugino landscape. When next morning we were being shown the treasures
-in the church of San Pietro, and I was particularly directed to examine
-the lovely paintings on the shutters of the sacristy windows, I found it
-hard to look at the shutters of windows that opened upon such a
-prospect, where lay Assisi on the slopes of the "Umbrian Hills"!
-
-[Illustration: THE BERSAGLIERI AT THE FOUNTAIN, PERUGIA]
-
-In the Uffizi, in the Vatican Galleries, it is the same--one eye roving
-out of the open windows at the reality that is there! A Lung' Arno with
-Bello Sguardo calling to you over the pink almond blossoms on its
-slopes; a dome of St. Peter's, silky in its grey sunlit sheen against
-the Roman sky--too much, to have such things outside the gallery
-windows, distracting you from your studies within. But, of course, it is
-the right setting, and if you feel it gives you too much, call to mind
-the prospect outside one of the British Museum windows. That, certainly,
-will never inconvenience you with distractions; so be thankful for the
-"too much."
-
-
-A BIT OF DIARY
-
-"23_rd April_ 1900.--All day 'on the wander' through ripe old Perugia. A
-silent city, full of memories, brimming over with history, lapped in
-Art! Everywhere the flowering fruit-trees showed over the brown walls,
-the sunshine fell pleasantly on the masses of old unfinished brickwork
-and lent them a charm which on a wet day must vanish and leave them in
-a grim severity. Quiet tone everywhere; no ornament in the Roman sense,
-but here and there exquisite bits of carving and detail such as one can
-only find in the flat-surfaced Italian Gothic which is here seen in its
-very home. How that flat surface of blank wall spaces and the horizontal
-tendency of the design suit the Italian light. Architecture may well be
-placed as the most important of the Arts. It adds, if beautiful, to
-nature's beauty, showing the height to which the human hand may dare to
-rise so as to join hands with the Divine Architect Himself. How it can
-disgrace His work we have only too many opportunities of judging!
-
-"We visited my well-loved church of San Pietro, that treasure-house left
-undespoiled by the Italian Government--safeguarded, _not_ as a place of
-worship--let that be well understood--but as 'an Art Monument.' So its
-pictures and carvings are left in the places their authors intended them
-for and not nailed up stark and shivering in a cold, staring museum,
-like the poor altar pieces and modest bits of delicate carving that have
-been wrenched from their life-long homes in so many churches throughout
-this country. True, in the museum the light is good, far better for
-showing the artist's work than the 'dim religious light' of a church.
-But the painter knew all about the bad light, and still painted his
-picture for such and such an altar, not to his own glory, but to the
-glory of God.
-
-"As we were passing once more the rich-toned Duomo and Nicola Pisano's
-lovely fountain that stands before it, we saw the fountain suddenly
-surrounded by an eruption of Bersaglieri, who woke the echoes of that
-erst-while silent Piazza with their songs and chaff. They were on
-manoeuvres and were halting here for the day. Shedding heavy hats and
-knapsacks, they had run down to fill their canteens and water-barrels.
-_Toujours gais_ are the Bersaglieri, and a very pretty sight it was to
-see those good-looking healthy lads in their red fatigue fezes unbending
-in this picturesque manner. In the evening they were off again with the
-fanfaronade of their massed trumpets spurring their _pas gymnastique_ to
-the farthest point of swagger, and Perugia returned to its repose.
-
-"We strolled about the streets by the light of the moon and _felt_ the
-silence of those narrow ways. Now a cat would run into the light and
-disappear into blackness; a man in a cloak would emerge from a dark
-alley, as it were at the back of a stage, and, coming forward into the
-moonlight of an open space, look ready to begin a tenor love-song to an
-overhanging balcony (the lady not yet to the fore)--the opening scene in
-an opera after the overture of the Bersaglieri trumpets. Assuredly this
-was old Italy. The one modern touch is a very lovely one. In place of
-the old and rank olive-oil lamps of my first visit, burning at street
-corners under the little holy images and in the recesses of the
-wine-shops, there are drops of exquisite electric light. Thank goodness,
-the hideous interval of gas is nearing its extinction in Italy and the
-blessed 'white coal' which this country can generate so cheaply by her
-abundant water-power, will e'er very long become the agent of her
-machine-driven industries and illuminate with soft radiance her gracious
-cities. I think the Via Nuova at Genoa, that street of palaces, glowing
-in the light of those great electric globes, swung across from side to
-side, is a quite splendid bit of modernity, for which I tender the
-Genoese my hearty thanks. '_Grazie, Signori!_'"
-
-
-VESUVIUS
-
-COMMEND me to a darkening winter afternoon amidst the fires of Vesuvius
-for bringing the mind down to first principles! This is what we
-poetise, and paint, and dance on--this Thing that we are come to gaze
-at here in silence, as it shows through certain cracks in this shell we
-call the solid earth! "You are here on sufferance," the Thing says to
-us, "and you do well to come and see where I show a little bit of
-myself. May it do you good. Remember, I am under your feet wherever you
-go!"
-
-Jan. '96--"To-day the fumes from the nether fires came in gusts through
-the snorting crater, sending sulphurous smoke rolling down on the keen
-north wind straight into our labouring lungs as we pounded through the
-ashes on our way up the 'cone.' There is no getting at all near the
-hideous mouth; in attempting any such thing one would very soon be over
-head and ears in the yellow sulphur and lost beyond recall. I thought of
-the fate of a 'mad Englishman,' who, in spite of the warning cries of
-the native guides, made a dart for some outlying lesser crater,
-declaring he saw a shoe floating in it. Trying to hook out this precious
-'shoe' with his walking-stick, he fell in and withered away like a moth
-in a candle-flame.
-
-"I was cheered on to fresh exertions by W.'s encouraging words,
-otherwise I think I would have reposed by the wayside at an early stage
-of the ascent, yet too proud for a litter. Many of the party went up in
-litters ignominiously carried on men's shoulders, but I went through the
-whole routine on foot, as I began; only I was inclined to halt at
-retardingly frequent intervals. The growls of the mountain every now and
-then warned us that a volley of rocks and stones was coming, and,
-behold! the bunch of them shot up in a wide arc over our heads. The
-crater is a spectacle that gives the mind such occupation as it has not
-had before. Talk of the Pyramids and the Sphinx that so overpowered me
-at Gizeh! That crater would think it a good joke to chuck them up in the
-air.
-
-"But nothing impressed me into silence so heavily as the sight, later
-on, of a lava stream, lower down the mountain-side, issuing in thick
-ooze, and crawling slowly from out a gaping cavern. Liquid, deep scarlet
-fire was this, of the density, apparently, of oil, advancing like a
-fiery death to scorch and consume with slow and even flow--inexorable.
-No possibility of approaching its borders; even where we stood the rocks
-began to burn our feet. A guide flung a log of wood on the river, and it
-spontaneously burst into vivid flame, shrivelled up, and was gone in a
-puff of smoke. Turning for rest and solace from the lurid spectacle,
-the factitious horrors of the congealed lava all around one only
-deepened the sense of gloom. Curling and curdling as they cooled, the
-lava streams of bygone times have hardened into the most weird shapes
-the imagination could conceive. We seemed to be on a battlefield where
-Titan warriors lay distorted in their death agony; enormous mothers
-clasped their babies in the embrace of death, and the war-horses were
-monsters of pre-historic stature, petrified in the last throes.
-
-"We could see far, far down on the plain the skeleton of poor little
-Pompeii like a minute raised plan delicately modelled in plaster.
-
-"The thunders of the Bible will reverberate in my mind with more
-vitality since our excursion to Vesuvius."
-
-I found balm in Capri, Amalfi, and all the supreme lovelinesses of the
-Neapolitan Riviera to soothe the blisters of the volcano; and if I had
-trembled at the thunders of the Bible I was reassured by its blessings,
-which seemed embodied in those scenes of Eden.
-
-[Illustration]
-
-
-
-
-CHAPTER III
-
-ROME
-
-
-Rome! I am almost inclined to leave out this central fact, although I
-never kept a fuller diary than I did during those seven months of my
-student life there that followed Florence. How can I approach it and say
-anything but platitudes on the subject? Every one has tried his or her
-hand upon this theme, and many dreadful banalities have come of it; many
-pert assertions, ignorant statements, sentimentalities. Rome has always
-impressed me as being the centre of the world--not as the Ancient Romans
-boasted when they set up their Golden Milestone, but in a higher sense;
-and to the artist her atmosphere is known to be exhilarating, some
-say "intoxicating." We all feel that physical delight in being there,
-whatever views we may entertain in a spiritual sense. Who was the writer
-who said that every morning on waking she said to herself, "I am in
-Rome!" I believe many tacitly, at least, like to register that fact at
-each awakening to another Roman day.
-
-[Illustration: A MEETING ON THE PINCIAN: FRENCH AND GERMAN SEMINARISTS]
-
-You and I have of late years seen _l'Eterna_ much changed in her
-physical aspect, and have grieved over the fact; yet it is only another
-of her many phases that is slowly developing before our eyes. At the
-earliest period of which we know enough to imagine her aspect she was
-colonnaded, porticoed and white; and the horrible time of her luxurious
-decadence saw very much the same huge tenement "sky-scrapers" run up as
-we are weeping over to-day. These jerry-buildings tumbled down
-occasionally just as they are doing now. Then I see Rome in the Middle
-Ages a city of square fortified towers--where are they all? Then comes
-the florid period when the dome was dominant as we see it in our time,
-and much exuberant bad taste dressed her out fantastically. Now some
-very dreadful things in the way of monster houses and wide, straight,
-shadeless streets are being committed; but they, too, will pass; but
-Rome will remain. Eternal as to the soul the city is ever changing as
-to the body. How ugly she must have been when rebuilt in a year after
-one of her burnings. There was jerry-building if you like! How awful
-after her sack by the Constable of Bourbon when "there was silence in
-her streets for three days"! I remember, when I used to look down on the
-city from a height in my very early days, wondering whether I had not
-been instructed too much in Roman history to enjoy that view to the
-extent I should have wished, as an art student, to do. So much cruelty
-and suffering had been concentrated in that little space I saw below me.
-But the joy of the eye soon banishes for me the sorrow of the mind, and
-there is joy enough for the eye in Rome!
-
-Although I have revisited the well-loved city several times since those
-early days, the first visit stands out so much more fully coloured and
-intense in local sentiment than the subsequent ones, which seem almost
-insipid by comparison. You and I then saw her as she can never be seen
-again; we were just in time to know her under the old Papal regime, and
-we left three months before the Italians came in and began to rob her of
-her unique character. I cannot be too thankful that we have _that_ put
-safely away in the treasury of our memories. We saw the Roman citizens
-kneeling in masses along the streets as the Pope's mounted _Chasseur_,
-in cocked hats and feathers, heralded the approach of Pio Nono's
-ponderous coach, in which His Holiness was taking his afternoon airing.
-We saw the stately cardinals and bishops in their daily stroll on the
-Pincian, receiving the salutes of soldiers and civilians. There were
-such constant salutations everywhere, all day long, and such punctilious
-acknowledgments from the ecclesiastics that on closing my eyes at night
-I always saw shovel hats rising and sinking like flocks of crows
-hovering over a harvest-field.
-
-We saw the sentries on Good Friday mounting guard with arms reversed and
-all the flags that day flying at half-mast: the Colosseum was in those
-days treated as consecrated ground; more as the scene of Christian
-martyrdoms than as a Pagan antiquity. There stood the stations of the
-Cross, and there a friar preached every Wednesday during Lent. That
-fearsome ruin was then warmly lined with rich flora and various lusty
-trees and shrubs that have all been scraped and scoured away in harmony
-with the spirit of modern Italy.
-
-What luck it was for us to be in Rome that wonderful year of 1870, when
-the OEcumenical Council filled her streets and churches with every
-type of episcopal ecclesiastic from the four quarters of the globe, each
-accompanied by his "theologian" and by secretaries in every variety of
-dress, from the modern American to the pig-tailed Chinaman. Great times
-for the art student, with all these types and colours as subjects for
-his pencil! The characteristics and the colour of Rome were thus
-multiplied and elaborated to the utmost possible point, up to the very
-verge of the Great Cleavage; and we saw it all.
-
-[Illustration: A LENTEN SERMON IN THE COLOSSEUM]
-
-The open-air incidents connected with the great Church functions have
-left an extraordinarily vivid impression on my mind on account of their
-eminently pictorial qualities. I see again the archaic "glass coaches"
-of Pope and cardinals, high-swung and seeming to bubble over with
-gilding, rumbling slowly up to the Church door where the ceremony is to
-take place, over the cobblestones, behind teams of fat black steeds, the
-leaders' scarlet traces sweeping the ground. The occupants of these
-wonderful vehicles are glowing like rubies in their ardent robes, which
-flood their faces with red reflections in the searching sunshine. A
-prelate in exquisite lilac, mounted on a white mule with black
-housings, bears a jewelled cross, sparkling in the sun, before the
-Pope's carriage; the postilions, coachmen, and lackeys are
-eighteenth-century figures come to life again, and, truth to tell, they
-might have brought their liveries over with them, furbished up for the
-occasion. Not much public money seems appropriated for new liveries in
-the Papal household, nor in that of the College of Cardinals. Then, the
-medley of modern soldiers that take part officially and unofficially in
-these scenes--the off-duty zouaves, with bare necks outstretched,
-cheering frantically, "Long live the Pope-King," in many languages; the
-French Legion inclined to criticise the old liveries--it all seems to me
-like the happening of yesterday! And I see the rain of flowers falling
-on the kindly old Pope from the spectators in the balconies, where rich
-draperies give harmonious backgrounds to all this colour.
-
-Times are changed at home as well as in Rome. Where are the gorgeous
-equipages I used to wonder at as a child on drawing-room days, that made
-St. James' Street a scene of gold and colour of surpassing richness?
-Where are the bewigged coachmen stiff with bullion, throned on the
-resplendent hammercloths of their boxes? Where the six-foot footmen
-hanging on in bunches behind, in liveries pushed to the utmost limit of
-extravagant finery? We only see these things on exceptional occasions
-(certainly the six-footers are not grown nowadays), and the quiet landau
-or motor harmonises better with our modern taste.
-
-Finally, we saw the last Papal Benediction to be given from the facade
-of St. Peter's on that memorable Easter Sunday, 1870. The scene was made
-especially notable in its pictorial effect by the masses of bishops, all
-in snow-white copes and mitres, who completely filled the terrace above
-the colonnade on the Vatican side of the Piazza. What a symphony of
-white they made up there, partly in the luminous shadow of the long
-awning, partly in the blazing sunshine. Some of the illuminated ones
-used their mitres as parasols. Such a huge _parterre_ of prelates had
-never been beheld before. It was a _parterre_ of human lilies. My diary
-exclaims, "Oh! for Leighton's genius to paint it. It was entirely in his
-style--composition, colour, and sentiment. The balustrade was hung with
-mellow, old, faded tapestry, and above the bishops' heads rose those
-dark old stone statues that tell so well against the sky." I remember
-the moment of intense silence that fell on the multitude a little
-before Pio Nono, wearing the Triple Crown, stood up and, in a loud
-voice, gave forth "to the city and to the world" the mighty words of
-blessing from the little balcony far up aloft. And I remember, too, how
-that sudden silence seemed to cause a strange uneasiness amongst the
-cavalry and artillery horses, which all began to neigh.
-
-On this great day the white and yellow flag, emblem of the Temporal
-Power, waved upon the light spring breeze wherever one turned. How
-little we dreamt that in a few months that flag was to be hauled down,
-drawn under by the fall of the greatest military Empire then in
-existence!
-
-As a postscript, do not let us forget the races of the riderless horses
-that took place at the end of Carnival. Those scenes are before me now,
-quite fresh, revived by the little old diary. I am glad I have still my
-sketch-books that give me the outlines of these and other scenes that
-are gone for ever from the world.
-
-There is the wide round Piazza del Popolo, like an amphitheatre; the
-sun, near its setting, is tinging the upper portion of the great
-Egyptian obelisk, which is the starting-post for the occasion, with
-crimson, the base remaining in cool grey shade. Much stamping of hoofs
-and champing of bits in the ranks of the Dragoons, who are preparing to
-clear the Corso; French infantry forming up on either side of the
-starting-place; the crowds in the stands expectant, many units in
-carnival costume, and masked. Away go the Dragoons, splitting the crowd
-that blocks the entrance to the darkening, narrow Corso. They return at
-a gallop, having ridden to the end and back, and divide to take up their
-positions. Then the barbs, painted in spots and stripes, are brought on
-gingerly. The least jerk and it's no use trying to form a line; they
-must be let go; the spiked balls, now unfastened and dangling, are
-beginning to prick in spite of all the care. One after the other the
-maddened creatures plunge and tug at the restraining grip of the
-convicts who act as grooms on this occasion, and who literally hold
-their lives in their hands,--it all passes in a quarter of a minute;
-down goes the rope, a gun is fired, shouts and clapping of hands ring
-through the chilly air, and the eleven furious horses plunge into the
-dark street, the squibs and tin-foil on their backs explode and crackle,
-the spiked balls bang against their sides. Spurts of sparks fly from
-their iron heels brightly in the twilight. One horse, perhaps, slips on
-the cobblestones, rolls over, picks himself up, and follows the
-others, straining every nerve. They are gone--engulfed in the dark
-passage, some to be recovered only after several days, wandering in the
-Campagna, having burst through the sheet spread to stop them at the
-finish.
-
-[Illustration: THE START FOR THE HORSE RACE, ROME]
-
-I often wondered which ordeal a horse would prefer, if he were given the
-choice--this one, for a mile, or that of a great English race, with a
-jockey on his back with thousands of pounds to win or lose, armed with a
-steel whip and a pair of severe spurs! I never wholly enjoy a horse-race
-in any shape because of these goads in various forms.
-
-Anyhow, I am glad these Roman races have been abolished.
-
-I felt greatly elated when setting up work on my own account, which I
-did very soon after my arrival from Florence and Bellucci. He had told
-me at parting that I could "walk by myself" now, and I very soon walked
-up the steps of the Trinita to choose my first model. You remember how
-those costumed loafers used to sun themselves on the steps at that time?
-I had a half-frightened, half-delighted thrill when choosing my first
-_Ciociaro_. It was the Judgment of Paris transposed. Three of them, in
-peaked hats and goatskins, stood grinning and posing before the English
-_signorina_ while the Papal zouave sentry and the whole lot of male and
-female models looked on and listened. When I gave the apple to Antonio
-on account of his good brown face and read waistcoat, and engaged him
-for the morrow, I felt I had started.
-
-What trouble mamma and I had had in trying to find a studio. A young
-lady working by herself! A thing unknown--no one would let me a studio,
-so we ended with the makeshift you remember in our apartment. "That
-comes of being a woman at starting," exclaimed mamma.
-
-I can never pass No. 56 Via Babuino without pausing and looking up at
-one of the top windows where my head hung out one morning, watching my
-model in the street below for half an hour and wondering how long he
-meant to saunter up and down with his eye on the Church clock opposite
-instead of coming up. I had engaged him for eight o'clock for an
-eight-hour day (_giornata finita_), and there he was, strolling away a
-franc's worth of sitting on purpose. "But, Signorina, one cannot always
-arrive to the very instant," was the villain's excuse on coming in. I
-said nothing of what I had seen out of the window. Dear old Francesco,
-he was much prized for his laugh, which he could keep up for twenty
-minutes at a time. I had already seen it in a picture in London. Of
-course I had a try, too, and it brought me luck, for the picture where
-it appears was the first Oil I sold.
-
-Let me remind you of the Pope's International Exhibition of
-Ecclesiastical Art held that winter, for which I painted "The
-Visitation." The Fine Art section was shown in the Cloisters of Sa.
-Maria degli Angeli in the Baths of Diocletian. I laugh even now when I
-recall the way in which my poor picture was launched into the world.
-After its acceptance by the committee, I had to get a pass for its
-admission into the exhibition building from the Minister of Commerce,
-the Most Eminent and Most Reverend Cardinal B. Mamma and I had to wait
-an age in his ante-room, conscious of being objects of extraordinary
-curiosity to the crowd of men artists who were there on the same errand
-as myself. Evidently artists of our sex were rarities in Italy. At last
-our turn came to go in, and, after many formalities and much polite
-bowing from l_'Eminentissimo_ and _riverendissimo_, I signed the several
-papers, and proudly followed my mamma back through the waiting artists,
-holding my roll of papers before me. We were informed that, being women,
-we could not take the picture ourselves into the Cloisters, as no order
-had been given to admit ladies into the monastic precincts before the
-opening. So our dear father sallied forth on foot with my pass to Sa.
-Maria, mamma and I following in a little hired Victoria, holding the big
-picture before us (no mean handful) to keep it from tumbling out, while
-hidden, ourselves, from the public eye by the carriage hood. We arrived
-at the entrance to the forbidden cloisters too soon, as papa had not
-arrived, and the gendarmes stopped us and told us to drive out of the
-court again. We pulled up, therefore, on the threshold, with our faces
-turned in the contrary direction, when the horrible hood flew back and
-revealed us, holding on to the picture with straining arms and knitted
-brows, to the grinning soldiers gathered about the place. Our dear
-father and Mr. Severn (Keats' friend in youth) soon came to the rescue,
-and, with the aid of two _facchini_, they took my _magnum opus_ and
-disappeared with it into the gloom of the _Thermae_.
-
-Dear, kind old Mr. Severn, he seemed so pleased to help me in my initial
-struggles in Rome! When I next visited Keats' grave there, long years
-afterwards with W., I found another tombstone alongside of the Poet's.
-There was a palette sculptured on it in place of the other one's lyre,
-and one little box hedge held the two friends within its embrace. What
-made Oliver Wendell Holmes (if it was he) say the scent of box was the
-scent of Eternity? I do not know the context of the passage, but I think
-the idea might strike a sensitive perception in some Italian cemetery,
-where that most touching perfume is always on the air, and Eternity
-plays about our minds on the scent of the box.
-
- * * * * *
-
-_From the Diary_
-
-_Feb._ 1906.--"And now Good-bye, Rome! I hope not a final farewell. I
-have been up to the Villa Medici to see across the city, on this my last
-evening, that dome which no one can ever look at unmoved, just at the
-hour which at this time of year brings the setting sun behind it, so
-that the crimson central ray seems to spring from the cross on the
-summit. Shutting out with my hand all intervening objects I seemed to
-see that purple dome floating in mid-air, a link between earth and
-heaven; a living token of the intercourse between the two, poised far
-above the dead ruins of the Pagan Past that lay low, in shadow, to the
-eastward. Good-bye."
-
-
-
-
-INDEX
-
-_The titles of pictures are printed in italics._
-
-
-Abassieh, 42
-
-Abu Simbel, 75
-
-Achill Island, 17
-
-Alexandria, 77
-
-Amalfi, 159
-
-Ancona, 79
-
-Assisi, 151
-
-Assouan, 62
-
-Atfeh, 81
-
-Athlone, 22
-
-Atlantic, South, 102
-
-
-Belcaro, 146
-
-Bello Sguardo, 153
-
-Bersaglieri, 155
-
-Brindisi, 79
-
-
-Cairo, 32
-
-Camels, 42
-
-Cape Colony, 107
-
-Cape, the: "Cape Flats," 120
- _A corner of our Garden at Rosebank_, 104
- "_In the hollow of His Hand_," 97
- _The Inverted Crescent_, 113
-
-Capri, 159
-
-Capuchins, 135
-
-Caravaggio, 126
-
-Carran Thual, 5
-
-Clare, 21
-
-Clew Bay, 16
-
-Clonmacnoise, 24
-
-Colosseum, 163
-
-Comombos, 67
-
-Conscription, 57
-
-Constantia, 118
-
-Croagh Patrick, 16
-
-Cromwell, 25
-
-
-Delta, 77
- Western, 80
-
-Dervishes, 40
-
-Dickens, Charles, 132
-
-Dormer, Sir James, 41
-
-
-Edfoo, 64
-
-Edwards, Miss Amelia, 76
-
-Egypt: _Abu Simbel at Sunrise_, 76
- _A "lament" in the Desert_, 70
- _At Philae_, 67
- _In a Cairo Bazaar_, 33
- _Madame's "At Home" Day_, 81
- _Registering Fellaheen for the Conscription_, 56
- _Syndioor, on the Lower Nile_, 97
- _The Camel Corps_, 40
- _The English General's Syce_, 49
- _The Hour of Prayer_ (_Frontispiece_)
- The Nile: _The "Fostat" becalmed_, 62
- The Nile: "_No Mooring To-night_," 59
-
-Esneh, 64
-
-Etruria, 143
-
-
-False Bay, 110
-
-Fiesole, 137
-
-Florence, 125, 151
-
-Fort St. Julien, 83
-
-Funchal, 92
-
-
-Gaelic, 8
-
-Garibaldi, 131
-
-Genoa, 151, 156
-
-Ginniss, 32, 61
-
-Glenaragh, 3
-
-Gordon, 32, 72
- Miss Duff, 150
-
-
-Holmes, Oliver Wendell, 173
-
-
-Ireland: _"A Chapel-of-Ease," Co. Kerry_, 8
- _A Little Irish River_, 24
- _Clew Bay, Co. Mayo_, 20
- _Croagh Patrick_, 17
- _Our Escort into Glenaragh_, 1
-
-Irish Guards, 14
-
-
-Karnac, 56
-
-Keats, 172
-
-Kerry, 6
-
-Kensington, South, 138
-
-Khartoum, 32
-
-Killaloe, 22
-
-Korosko, 72
-
-
-Leprechaun, 8
-
-Lough Acoose, 5
- Derg, 22
- Leane, 4
-
-Lung' Arno, 153
-
-Luxor, 32, 55
-
-
-Madeira, 92
-
-Mahmoudieh, 81
- Canal, 86
-
-Malays, 115
-
-Mayo, 15
-
-Milky Way, 106
-
-Mulranny, 16
-
-
-Native Camel Corps, 42
-
-Nervi, 129
-
-Nile, 32
- Lower, 77
-
-Nubia, 71
-
-
-OEcumenical Council, 165
-
-
-Paarl, 113
-
-Padua, 151
-
-Palestine, 86
-
-Papal Benediction, 166
-
-Payne, Mr., 93
-
-Perugia, 150
- _The Bersaglieri at the Fountain_, 152
-
-Philae, 68
-
-Piazza del Popolo, 167
-
-Pio Nono, 163
-
-Pius X., 134
-
-Pole Star, 101
-
-Pompeii, 159
-
-Pyramids, 47
-
-
-Riviera di Levante: _A Son of the Soil_, 126
-
-Rome, 133, 160
- _A Lenten Sermon in the Colosseum_, 164
- _A Meeting on the Pincian_, 161
- _The Start for the Horse Race_, 168
-
-Rosetta, 80
- Stone, 84
-
-Ruffo, 85
-
-
-Sakkara, 47
-
-Sarras, 83
-
-Schreiner, Olive, 113
-
-Servants, 99
-
-Severn, Mr., 172
-
-Shannon, 22
- Bridge, 23
-
-Sienna, 143
-
-Signa, 65, 125, 136
-
-Silsileh, 67
-
-Simon's Town, 110
-
-Soudan, 83
-
-Southern Cross, 107
-
-Sphinx, 47
-
-Stellenbosch, 113
-
-Stone-pines, 115
-
-Syces, 44
-
-Syndioor, 84
-
-
-Table Mountain, 104
- Thebes, 80
-
-Tivoli, 46
-
-Tomb of Ti, 48
-
-Tombs of the Mameluks, 42
-
-Tropics, 101
-
-Tuscany, 123, 143
- _Bringing in the Grapes_, 123
- _Ploughing in_, 145
-
-
-Umbrian Hills, 153
-
-
-Venice, 47, 78
-
-Verona, 151
-
-Vesuvius, 156
-
-
-Wady Halfa, 72
-Sabooah, 74
-
-
-THE END
-
-_Printed by_ R. & R. CLARK, LIMITED, _Edinburgh_.
-
- * * * * *
-
-This typographical error has been corrected by the etext transcriber:
-
-hear noctural frogs=>
-hear nocturnal frogs {pg 108}
-
-
-
-
-
-
-End of Project Gutenberg's From sketch-book and diary, by Elizabeth Butler
-
-*** END OF THIS PROJECT GUTENBERG EBOOK FROM SKETCH-BOOK AND DIARY ***
-
-***** This file should be named 40925.txt or 40925.zip *****
-This and all associated files of various formats will be found in:
- http://www.gutenberg.org/4/0/9/2/40925/
-
-Produced by Chuck Greif and the Online Distributed
-Proofreading Team at http://www.pgdp.net (This file was
-produced from images available at The Internet Archive)
-
-
-Updated editions will replace the previous one--the old editions
-will be renamed.
-
-Creating the works from public domain print editions means that no
-one owns a United States copyright in these works, so the Foundation
-(and you!) can copy and distribute it in the United States without
-permission and without paying copyright royalties. Special rules,
-set forth in the General Terms of Use part of this license, apply to
-copying and distributing Project Gutenberg-tm electronic works to
-protect the PROJECT GUTENBERG-tm concept and trademark. Project
-Gutenberg is a registered trademark, and may not be used if you
-charge for the eBooks, unless you receive specific permission. If you
-do not charge anything for copies of this eBook, complying with the
-rules is very easy. You may use this eBook for nearly any purpose
-such as creation of derivative works, reports, performances and
-research. They may be modified and printed and given away--you may do
-practically ANYTHING with public domain eBooks. Redistribution is
-subject to the trademark license, especially commercial
-redistribution.
-
-
-
-*** START: FULL LICENSE ***
-
-THE FULL PROJECT GUTENBERG LICENSE
-PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
-
-To protect the Project Gutenberg-tm mission of promoting the free
-distribution of electronic works, by using or distributing this work
-(or any other work associated in any way with the phrase "Project
-Gutenberg"), you agree to comply with all the terms of the Full Project
-Gutenberg-tm License (available with this file or online at
-http://gutenberg.org/license).
-
-
-Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
-electronic works
-
-1.A. By reading or using any part of this Project Gutenberg-tm
-electronic work, you indicate that you have read, understand, agree to
-and accept all the terms of this license and intellectual property
-(trademark/copyright) agreement. If you do not agree to abide by all
-the terms of this agreement, you must cease using and return or destroy
-all copies of Project Gutenberg-tm electronic works in your possession.
-If you paid a fee for obtaining a copy of or access to a Project
-Gutenberg-tm electronic work and you do not agree to be bound by the
-terms of this agreement, you may obtain a refund from the person or
-entity to whom you paid the fee as set forth in paragraph 1.E.8.
-
-1.B. "Project Gutenberg" is a registered trademark. It may only be
-used on or associated in any way with an electronic work by people who
-agree to be bound by the terms of this agreement. There are a few
-things that you can do with most Project Gutenberg-tm electronic works
-even without complying with the full terms of this agreement. See
-paragraph 1.C below. There are a lot of things you can do with Project
-Gutenberg-tm electronic works if you follow the terms of this agreement
-and help preserve free future access to Project Gutenberg-tm electronic
-works. See paragraph 1.E below.
-
-1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
-or PGLAF), owns a compilation copyright in the collection of Project
-Gutenberg-tm electronic works. Nearly all the individual works in the
-collection are in the public domain in the United States. If an
-individual work is in the public domain in the United States and you are
-located in the United States, we do not claim a right to prevent you from
-copying, distributing, performing, displaying or creating derivative
-works based on the work as long as all references to Project Gutenberg
-are removed. Of course, we hope that you will support the Project
-Gutenberg-tm mission of promoting free access to electronic works by
-freely sharing Project Gutenberg-tm works in compliance with the terms of
-this agreement for keeping the Project Gutenberg-tm name associated with
-the work. You can easily comply with the terms of this agreement by
-keeping this work in the same format with its attached full Project
-Gutenberg-tm License when you share it without charge with others.
-
-1.D. The copyright laws of the place where you are located also govern
-what you can do with this work. Copyright laws in most countries are in
-a constant state of change. If you are outside the United States, check
-the laws of your country in addition to the terms of this agreement
-before downloading, copying, displaying, performing, distributing or
-creating derivative works based on this work or any other Project
-Gutenberg-tm work. The Foundation makes no representations concerning
-the copyright status of any work in any country outside the United
-States.
-
-1.E. Unless you have removed all references to Project Gutenberg:
-
-1.E.1. The following sentence, with active links to, or other immediate
-access to, the full Project Gutenberg-tm License must appear prominently
-whenever any copy of a Project Gutenberg-tm work (any work on which the
-phrase "Project Gutenberg" appears, or with which the phrase "Project
-Gutenberg" is associated) is accessed, displayed, performed, viewed,
-copied or distributed:
-
-This eBook is for the use of anyone anywhere at no cost and with
-almost no restrictions whatsoever. You may copy it, give it away or
-re-use it under the terms of the Project Gutenberg License included
-with this eBook or online at www.gutenberg.org/license
-
-1.E.2. If an individual Project Gutenberg-tm electronic work is derived
-from the public domain (does not contain a notice indicating that it is
-posted with permission of the copyright holder), the work can be copied
-and distributed to anyone in the United States without paying any fees
-or charges. If you are redistributing or providing access to a work
-with the phrase "Project Gutenberg" associated with or appearing on the
-work, you must comply either with the requirements of paragraphs 1.E.1
-through 1.E.7 or obtain permission for the use of the work and the
-Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
-1.E.9.
-
-1.E.3. If an individual Project Gutenberg-tm electronic work is posted
-with the permission of the copyright holder, your use and distribution
-must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
-terms imposed by the copyright holder. Additional terms will be linked
-to the Project Gutenberg-tm License for all works posted with the
-permission of the copyright holder found at the beginning of this work.
-
-1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
-License terms from this work, or any files containing a part of this
-work or any other work associated with Project Gutenberg-tm.
-
-1.E.5. Do not copy, display, perform, distribute or redistribute this
-electronic work, or any part of this electronic work, without
-prominently displaying the sentence set forth in paragraph 1.E.1 with
-active links or immediate access to the full terms of the Project
-Gutenberg-tm License.
-
-1.E.6. You may convert to and distribute this work in any binary,
-compressed, marked up, nonproprietary or proprietary form, including any
-word processing or hypertext form. However, if you provide access to or
-distribute copies of a Project Gutenberg-tm work in a format other than
-"Plain Vanilla ASCII" or other format used in the official version
-posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
-you must, at no additional cost, fee or expense to the user, provide a
-copy, a means of exporting a copy, or a means of obtaining a copy upon
-request, of the work in its original "Plain Vanilla ASCII" or other
-form. Any alternate format must include the full Project Gutenberg-tm
-License as specified in paragraph 1.E.1.
-
-1.E.7. Do not charge a fee for access to, viewing, displaying,
-performing, copying or distributing any Project Gutenberg-tm works
-unless you comply with paragraph 1.E.8 or 1.E.9.
-
-1.E.8. You may charge a reasonable fee for copies of or providing
-access to or distributing Project Gutenberg-tm electronic works provided
-that
-
-- You pay a royalty fee of 20% of the gross profits you derive from
- the use of Project Gutenberg-tm works calculated using the method
- you already use to calculate your applicable taxes. The fee is
- owed to the owner of the Project Gutenberg-tm trademark, but he
- has agreed to donate royalties under this paragraph to the
- Project Gutenberg Literary Archive Foundation. Royalty payments
- must be paid within 60 days following each date on which you
- prepare (or are legally required to prepare) your periodic tax
- returns. Royalty payments should be clearly marked as such and
- sent to the Project Gutenberg Literary Archive Foundation at the
- address specified in Section 4, "Information about donations to
- the Project Gutenberg Literary Archive Foundation."
-
-- You provide a full refund of any money paid by a user who notifies
- you in writing (or by e-mail) within 30 days of receipt that s/he
- does not agree to the terms of the full Project Gutenberg-tm
- License. You must require such a user to return or
- destroy all copies of the works possessed in a physical medium
- and discontinue all use of and all access to other copies of
- Project Gutenberg-tm works.
-
-- You provide, in accordance with paragraph 1.F.3, a full refund of any
- money paid for a work or a replacement copy, if a defect in the
- electronic work is discovered and reported to you within 90 days
- of receipt of the work.
-
-- You comply with all other terms of this agreement for free
- distribution of Project Gutenberg-tm works.
-
-1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
-electronic work or group of works on different terms than are set
-forth in this agreement, you must obtain permission in writing from
-both the Project Gutenberg Literary Archive Foundation and Michael
-Hart, the owner of the Project Gutenberg-tm trademark. Contact the
-Foundation as set forth in Section 3 below.
-
-1.F.
-
-1.F.1. Project Gutenberg volunteers and employees expend considerable
-effort to identify, do copyright research on, transcribe and proofread
-public domain works in creating the Project Gutenberg-tm
-collection. Despite these efforts, Project Gutenberg-tm electronic
-works, and the medium on which they may be stored, may contain
-"Defects," such as, but not limited to, incomplete, inaccurate or
-corrupt data, transcription errors, a copyright or other intellectual
-property infringement, a defective or damaged disk or other medium, a
-computer virus, or computer codes that damage or cannot be read by
-your equipment.
-
-1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
-of Replacement or Refund" described in paragraph 1.F.3, the Project
-Gutenberg Literary Archive Foundation, the owner of the Project
-Gutenberg-tm trademark, and any other party distributing a Project
-Gutenberg-tm electronic work under this agreement, disclaim all
-liability to you for damages, costs and expenses, including legal
-fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
-LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
-PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
-TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
-LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
-INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
-DAMAGE.
-
-1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
-defect in this electronic work within 90 days of receiving it, you can
-receive a refund of the money (if any) you paid for it by sending a
-written explanation to the person you received the work from. If you
-received the work on a physical medium, you must return the medium with
-your written explanation. The person or entity that provided you with
-the defective work may elect to provide a replacement copy in lieu of a
-refund. If you received the work electronically, the person or entity
-providing it to you may choose to give you a second opportunity to
-receive the work electronically in lieu of a refund. If the second copy
-is also defective, you may demand a refund in writing without further
-opportunities to fix the problem.
-
-1.F.4. Except for the limited right of replacement or refund set forth
-in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
-WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
-WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
-
-1.F.5. Some states do not allow disclaimers of certain implied
-warranties or the exclusion or limitation of certain types of damages.
-If any disclaimer or limitation set forth in this agreement violates the
-law of the state applicable to this agreement, the agreement shall be
-interpreted to make the maximum disclaimer or limitation permitted by
-the applicable state law. The invalidity or unenforceability of any
-provision of this agreement shall not void the remaining provisions.
-
-1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
-trademark owner, any agent or employee of the Foundation, anyone
-providing copies of Project Gutenberg-tm electronic works in accordance
-with this agreement, and any volunteers associated with the production,
-promotion and distribution of Project Gutenberg-tm electronic works,
-harmless from all liability, costs and expenses, including legal fees,
-that arise directly or indirectly from any of the following which you do
-or cause to occur: (a) distribution of this or any Project Gutenberg-tm
-work, (b) alteration, modification, or additions or deletions to any
-Project Gutenberg-tm work, and (c) any Defect you cause.
-
-
-Section 2. Information about the Mission of Project Gutenberg-tm
-
-Project Gutenberg-tm is synonymous with the free distribution of
-electronic works in formats readable by the widest variety of computers
-including obsolete, old, middle-aged and new computers. It exists
-because of the efforts of hundreds of volunteers and donations from
-people in all walks of life.
-
-Volunteers and financial support to provide volunteers with the
-assistance they need, are critical to reaching Project Gutenberg-tm's
-goals and ensuring that the Project Gutenberg-tm collection will
-remain freely available for generations to come. In 2001, the Project
-Gutenberg Literary Archive Foundation was created to provide a secure
-and permanent future for Project Gutenberg-tm and future generations.
-To learn more about the Project Gutenberg Literary Archive Foundation
-and how your efforts and donations can help, see Sections 3 and 4
-and the Foundation web page at http://www.pglaf.org.
-
-
-Section 3. Information about the Project Gutenberg Literary Archive
-Foundation
-
-The Project Gutenberg Literary Archive Foundation is a non profit
-501(c)(3) educational corporation organized under the laws of the
-state of Mississippi and granted tax exempt status by the Internal
-Revenue Service. The Foundation's EIN or federal tax identification
-number is 64-6221541. Its 501(c)(3) letter is posted at
-http://pglaf.org/fundraising. Contributions to the Project Gutenberg
-Literary Archive Foundation are tax deductible to the full extent
-permitted by U.S. federal laws and your state's laws.
-
-The Foundation's principal office is located at 4557 Melan Dr. S.
-Fairbanks, AK, 99712., but its volunteers and employees are scattered
-throughout numerous locations. Its business office is located at
-809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
-business@pglaf.org. Email contact links and up to date contact
-information can be found at the Foundation's web site and official
-page at http://pglaf.org
-
-For additional contact information:
- Dr. Gregory B. Newby
- Chief Executive and Director
- gbnewby@pglaf.org
-
-
-Section 4. Information about Donations to the Project Gutenberg
-Literary Archive Foundation
-
-Project Gutenberg-tm depends upon and cannot survive without wide
-spread public support and donations to carry out its mission of
-increasing the number of public domain and licensed works that can be
-freely distributed in machine readable form accessible by the widest
-array of equipment including outdated equipment. Many small donations
-($1 to $5,000) are particularly important to maintaining tax exempt
-status with the IRS.
-
-The Foundation is committed to complying with the laws regulating
-charities and charitable donations in all 50 states of the United
-States. Compliance requirements are not uniform and it takes a
-considerable effort, much paperwork and many fees to meet and keep up
-with these requirements. We do not solicit donations in locations
-where we have not received written confirmation of compliance. To
-SEND DONATIONS or determine the status of compliance for any
-particular state visit http://pglaf.org
-
-While we cannot and do not solicit contributions from states where we
-have not met the solicitation requirements, we know of no prohibition
-against accepting unsolicited donations from donors in such states who
-approach us with offers to donate.
-
-International donations are gratefully accepted, but we cannot make
-any statements concerning tax treatment of donations received from
-outside the United States. U.S. laws alone swamp our small staff.
-
-Please check the Project Gutenberg Web pages for current donation
-methods and addresses. Donations are accepted in a number of other
-ways including checks, online payments and credit card donations.
-To donate, please visit: http://pglaf.org/donate
-
-
-Section 5. General Information About Project Gutenberg-tm electronic
-works.
-
-Professor Michael S. Hart is the originator of the Project Gutenberg-tm
-concept of a library of electronic works that could be freely shared
-with anyone. For thirty years, he produced and distributed Project
-Gutenberg-tm eBooks with only a loose network of volunteer support.
-
-
-Project Gutenberg-tm eBooks are often created from several printed
-editions, all of which are confirmed as Public Domain in the U.S.
-unless a copyright notice is included. Thus, we do not necessarily
-keep eBooks in compliance with any particular paper edition.
-
-
-Most people start at our Web site which has the main PG search facility:
-
- http://www.gutenberg.org
-
-This Web site includes information about Project Gutenberg-tm,
-including how to make donations to the Project Gutenberg Literary
-Archive Foundation, how to help produce our new eBooks, and how to
-subscribe to our email newsletter to hear about new eBooks.
diff --git a/40925.zip b/40925.zip
deleted file mode 100644
index 4ed1aac..0000000
--- a/40925.zip
+++ /dev/null
Binary files differ