diff options
| author | nfenwick <nfenwick@pglaf.org> | 2025-03-08 01:42:30 -0800 |
|---|---|---|
| committer | nfenwick <nfenwick@pglaf.org> | 2025-03-08 01:42:30 -0800 |
| commit | 44e837d1d34a95cffe82f2de7a878c716323abdb (patch) | |
| tree | 01125a2cd49ed165e286ff2f8b25d0bc1316615c /42289-8.txt | |
| parent | a06e0fe759656520d47dbdb46fa684d7e775ef66 (diff) | |
Diffstat (limited to '42289-8.txt')
| -rw-r--r-- | 42289-8.txt | 1742 |
1 files changed, 0 insertions, 1742 deletions
diff --git a/42289-8.txt b/42289-8.txt deleted file mode 100644 index 6df98c0..0000000 --- a/42289-8.txt +++ /dev/null @@ -1,1742 +0,0 @@ -The Project Gutenberg EBook of Abbotsford, by Anonymous - -This eBook is for the use of anyone anywhere at no cost and with -almost no restrictions whatsoever. You may copy it, give it away or -re-use it under the terms of the Project Gutenberg License included -with this eBook or online at www.gutenberg.org - - -Title: Abbotsford - Beautiful Britain series - -Author: Anonymous - -Release Date: March 9, 2013 [EBook #42289] - -Language: English - -Character set encoding: ISO-8859-1 - -*** START OF THIS PROJECT GUTENBERG EBOOK ABBOTSFORD *** - - - - -Produced by Al Haines - - - - - - - - - - -[Illustration: Cover] - - - - - -[Frontispiece: The Gateway, Abbotsford] - - - - - -[Illustration: Title page] - - - - - - Beautiful Britain - - Abbotsford - - - - - - London - Adam & Charles Black - Soho Square W - 1912 - - - - -CONTENTS - - -CHAPTER - - I. From Cartleyhole to Abbotsford - II. The Creation of Abbotsford - III. Scott at Abbotsford - IV. The Wizard's Farewell to Abbotsford - V. The Later Abbotsford - - - -LIST OF ILLUSTRATIONS - - 1. The Gateway, Abbotsford . . . . . . _Frontispiece_ - 2. The Eildon Hills and River Tweed - 3. The Cross, Melrose - 4. Sir Walter Scott's Desk and 'Elbow Chair' in the Study, Abbotsford - 5. Jedburgh Abbey - 6. Sir Walter's Sundial, Abbotsford - 7. Darnick Tower - 8. The Dining-Room, Abbotsford - 9. The Garden, Abbotsford - 10. The Entrance-Hall, Abbotsford - 11. Dryburgh Abbey - 12. Abbotsford from the River Tweed - - - - -CHAPTER I - -FROM CARTLEYHOLE TO ABBOTSFORD - -Thousands of persons from all parts of the world visit Abbotsford -annually. There is no diminution in the pilgrimage to this chief -shrine of the Border Country, nor is there likely to be. Scott's name, -and that of Abbotsford, are secure enough in the affections of men -everywhere. - -It is scarcely necessary to recall that Scott on both sides of his -house was connected with the Border Country--the 'bold bad Border' of a -day happily long dead. He would have been a reiver himself, more than -likely, and one of its nameless bards to boot, had he lived before the -Border felt the subdued spirit of modern times. A descendant of Wat of -Harden, linked to the best blood of the Border, and with every phase of -his life redolent of the Border feeling, history has had no difficulty -in claiming Sir Walter Scott as the most representative Border man the -world has seen. He was not born in the Border Country, but practically -all his life was spent there. He came to the Border a sickly, delicate -child, between his third and fourth year, and for threescore years and -one he seldom left it for any lengthened interval. Edinburgh was the -arena of much of his professional career. But he was happiest, even -amid the most crushing sorrows of his life, when within earshot of the -Tweed. There was not a blither or sunnier boyhood than Scott's at -Rosebank, where even then he was 'making' himself, and dreaming of the -days that were to be. At Ashestiel, the birthplace of the most popular -poetry of the century before Byron blazed upon the literary horizon, -his life was singularly untrammelled. Ashestiel, from being off the -beaten track perhaps, seems to have lost favour somewhat with the Scott -student. At any rate, it is not the shrine it should be, although in -several respects it is more interesting to lovers of Scott than even -Abbotsford itself. As for Abbotsford, may we not say that it is at -once the proudest, and the most stimulating, and the saddest memorial -ever associated with a man of letters? All these places, comprising -the three periods of Scott's life--Rosebank, Ashestiel, Abbotsford--lie -as close to the Tweed as can be--none of them more than a few hundred -paces from it at the outside. And when the great Borderer's task was -accomplished, where more fitly could he have rested than with the river -of his love and of his dreams singing ceaseless requiem around his last -low bed? - -It will be interesting to have a glimpse of Tweedside just as Scott -appeared upon the scene. Since his day the valley in many of its -aspects has not been without change. Even the remote uplands, long -untouched by outside influences, have not escaped the modern spirit. -The river must needs remain _in statu quo_, but the contrast between -Sir Walter's Tweedside and ours is considerable. A century of commerce -and agriculture has wrought marvels on the once bare and featureless -and uncultivated banks of the Tweed. And none would have rejoiced at -its present picturesque and prosperous condition more than Scott -himself. Of the valley as it was a hundred years since, some early -travellers give their impressions. There is the following from a -Londoner's point of view, for instance--a somewhat sombre picture, true -enough, however, of _the upper reaches_ at the time: 'About four in the -afternoon we were obliged to proceed on our journey to Moffat, a market -town, where we were informed we should meet with good lodging, which -made us ride on the more briskly, but notwithstanding all our speed, we -had such terrible stony ways and tedious miles, that when we thought we -had been near the place, we met a Scotchman, who told us we were not -got half way; this put us almost into the spleen, for we could see -nothing about us but barren mountains on the right and the River Tweed -on the left, which, running thro' the stones and rocks with a terrible -noise, seemed to us like the croaking of a Raven, or the tone of a -Screitch Owle to a dying man, so we were forced to ride on by guesse, -knowing not a step of the way.' - -At Scott's day the Tweed valley, in what are now its most luxuriant -reaches, exhibited a markedly naked and treeless character. From -Abbotsford to Norham Castle the scenery was of the openest. Here and -there 'ancestral oaks' still clumped themselves about the great houses, -with perhaps some further attempt at decorating the landscape. But -that was rare enough. Landlords had not learned the art, not to speak -of the wisdom, of tree-planting. It is only within the past hundred -years that planting has become frequent, and the modern beauty of -Tweedside emerged into being. It is said that Scott was one of the -first to popularize the planting spirit. His operations at Abbotsford -certainly induced the neighbouring proprietors to follow suit. Scott -of Gala, and the lairds of Ravenswood, Drygrange, Cowdenknowes, -Gladswood, Bemersyde, Mertoun, Eildon Hall, and Floors, all took their -lead, more or less, from Abbotsford. Arboriculture was Scott's most -passionate hobby. At least two long articles were penned by him on the -subject, and he practised the art with extraordinary diligence and -foresight. Of botany he knew little, but of trees everything. As we -shall see, not the least important part of Abbotsford's creation was -planning and perfecting that wondrous wealth of woodland--a very -network about the place, on whose full growth his eyes, alas! were not -destined to feast. 'Somebody,' he said, 'will look at them, however, -though I question that they will have the same pleasure in gazing on -the full-grown oaks that I have had in nursing the saplings.' - -Another impression of Tweedside comes to us from the pages of Lockhart. -We are dealing now with _the site of Abbotsford_ as it was about the -year 1811. Scott was tenant of Ashestiel. Here he had spent eight of -the pleasantest years of his life. But his lease was out, and the -laird himself--Scott's cousin, General Russell--was returning from -India. - -In casting about for a new abode, Scott seems at first to have thought -of Broadmeadows, on the Yarrow, then in the market, a compact little -domain which would have suited him well. Lockhart's one regret was -that Scott did not purchase Broadmeadows. Here, surrounded by large -landed proprietors, instead of a few bonnet-lairds, he would certainly -have escaped the Abbotsford 'yerd-hunger,' and changed, possibly, the -whole of his career. But the Broadmeadows Scott might have been very -different from _our Sir Walter_. Of Newark, also, close by, the scene -of the 'Lay,' he had some fancy, and would fain have fitted it up as a -residence. The ancestral home of Harden itself was proposed to him, -and indeed offered, and he would have removed thither but for its -inconvenience for shrieval duties. After all, however, there was -uppermost in Scott's mind the wish to have a house and land of his -own--to be 'laird of the cairn and the scaur,' as in the case of -Broadmeadows, or 'a Tweedside laird' at best, and later on, perhaps, to -'play the grand old feudal lord again.' Lockhart assures us that Scott -was really aiming at higher game. His ambition was to found a new -Border family, and to become head of a new branch of the Scotts, -already so dominant. He realized his ambition before he died. - -[Illustration: THE EILDON HILLS AND RIVER TWEED. Here Scott loved to -linger. "I can stand on the Eildon Hill," he said, "and point out -forty-three places in war and verse."] - -About to quit Ashestiel, therefore, his attention was directed to a -small farm-holding not far distant, on the south bank of the Tweed, -some two miles from Galashiels, and about three from Melrose. Scott -knew the spot well. It had 'long been one of peculiar interest for -him,' from the fact of the near neighbourhood of a Border battlefield, -first pointed out to him by his father. By name Newarthaugh, it was -also known as Cartleyhole, or Cartlawhole, and Cartlihole, according to -the Melrose Session Records, in which parish it was situated. The -place was tenanted for a time by Taits and Dicksons. Then it seems to -have passed into the family of Walter Turnbull, school-master of -Melrose, who disposed of it, in the year 1797, to Dr. Robert Douglas, -the enterprising and philanthropic minister of Galashiels. Why Dr. -Douglas purchased this property nobody has been able to understand. It -lay outside his parish, and was never regarded as a desirable or -dignified possession. A shrewd man of business, however, he may, like -Scott, have judged it capable of results, speculating accordingly. He -had never lived at Cartleyhole. The place was laid out in parks, and -the house, of which, curiously, Scott speaks in a recently recovered -letter as 'new and substantial,' was in occupation. The surroundings -were certainly in a deplorably neglected condition. The sole attempt -at embellishment had been limited to a strip of firs so long and so -narrow that Scott likened it to a black hair-comb. 'The farm,' -according to Lockhart, 'consisted of a rich meadow or haugh along the -banks of the river, and about a hundred acres of undulated ground -behind, all in a neglected state, undrained, wretchedly enclosed, much -of it covered with nothing better than the native heath. The farmhouse -itself was small and poor, with a common kailyard on one flank and a -staring barn on the other; while in front appeared a filthy pond -covered with ducks and duckweed, from which the whole tenement had -derived the unharmonious designation of Clarty Hole.' - -Melrose Abbey, the most graceful and picturesque ruin in Scotland, -already so celebrated in his verse, was visible from many points in the -neighbourhood. Dryburgh was not far distant. Yonder Eildon's triple -height, sacred to so much of the supernatural in Border lore, reared -his grey crown to the skies. There, the Tweed, 'a beautiful river even -here,' flowed in front, broad and bright over a bed of milk-white -pebbles. Selkirk, his Sheriff's headquarters, was within easy reach. -He was interested in the Catrail, or Picts' Work Ditch, on the opposite -hillside, so often alluded to in his letters to Ellis; and on his own -ground were fields, and mounds, and standing-stones, whose placenames -recalled the struggle of 1526. A Roman road running down from the -Eildons to a ford on the Tweed, long used by the Abbots, the erstwhile -lords of the locality, furnished a new designation for the acres of -hungry haugh-land--'as poor and bare as Sir John Falstaff's -regiment'--upon which was destined to be reared the most venerated, and -probably the most visited shrine in the kingdom. - -On May 12, 1811, we find Scott writing to James Ballantyne: 'I have -resolved to purchase a piece of ground sufficient for a cottage and a -few fields. There are two pieces, either of which would suit me, but -both would make a very desirable property indeed, and could be had for -between £7,000 and £8,000--or either separate for about half the sum. -I have serious thoughts of one or both, and must have recourse to my -pen to make the matter easy.' By the end of June one of the pieces -passed into his hands for the sum mentioned--£4,000, half of which, -according to Scott's bad and sanguine habit, he borrowed from his -brother John, raising the remainder on the security of 'Rokeby,' as yet -unwritten. The letter to Dr. Douglas acknowledging his receipt for the -last instalment of the purchase-money has been preserved: 'I received -the discharged bill safe, which puts an end to our relation of debtor -and creditor: - - 'Now the gowd's thine, - And the land's mine. - -I am glad you have been satisfied with my manner of transacting -business, and have equal reason at least to thank you for your kindly -accommodation as to time and manner of payment. In short, I hope our -temporary connection forms a happy contradiction to the proverb, "I -lent my money to my friend; I lost my money and my friend."' A figure -of note in his day, Dr. Douglas was born at the manse of Kenmore, in -1747, and in his twenty-third year was presented to the parish of -Galashiels, where he laboured till his death in 1820. He has been -styled the Father of Galashiels. - -Galashiels, when Abbotsford came into being, was a mere thatched -hamlet. Then it could boast of not more than a dozen slated houses. -To-day there is a population of over 13,000. - - - - -CHAPTER II - -THE CREATION OF ABBOTSFORD - -The first purchase of land was close on a hundred and ten acres, half -of which were to be planted, and the remainder kept in pasture and -tillage. An ornamental cottage with a pillared porch--a print of which -is still preserved--after the style of an English vicarage, was agreed -upon, and it was here that Scott passed the first years of his -Abbotsford life. He had many correspondents during this period. -Daniel Terry, an architect turned actor, was probably his chief adviser -as to Abbotsford and its furnishings, no end of letters passing between -them. Morritt of Rokeby was much in his confidence, and Joanna -Baillie, 'our immortal Joanna,' whose 'Family Legend,' had been -produced at Edinburgh the previous year under Scott's auspices. The -plans for his house were at first of the simplest. He thus describes -them to Miss Baillie: 'My dreams about my cottage go on. My present -intention is to have only two spare bedrooms, with dressing-rooms, each -of which on a pinch will have a couch-bed; but I cannot relinquish my -Border principle of accommodating all the cousins and _duniwastles_, -who will rather sleep on chairs, and on the floor, and in the hayloft, -than be absent when folks are gathered together.' - -[Illustration: Abbotsford from the River Tweed] - -To Morritt we find him writing: 'I have fixed only two points -respecting my intended cottage--one is that it shall be in my garden, -or rather kailyard; the other, that the little drawing-room shall open -into a little conservatory, in which conservatory there shall be a -fountain. These are articles of taste which I have long since -determined upon; but I hope before a stone of my paradise is begun we -shall meet and collogue upon it'; but soon after, as an excuse for -beginning 'Rokeby,' his fourth verse romance, he says: 'I want to build -my cottage a little better than my limited finances will permit out of -my ordinary income.' Later on he tells Lord Byron that 'he is -labouring to contradict an old proverb, and make a silk purse out of a -sow's ear--namely, to convert a bare haugh and brae into a comfortable -farm'; and to Sarah Smith, a London tragic actress, he writes: -'Everybody, after abusing me for buying the ugliest place on Tweedside, -begins now to come over to my side. I think it will be pretty six or -seven years hence, whoever may come to see and enjoy, for the sweep of -the river is a very fine one of almost a mile in length, and the ground -is very unequal, and therefore well adapted for showing off trees.' -Scott, as was said, took a profound interest in tree-planting. Had he -not been able to add by purchase the neighbouring hills to his original -lands, it was said that he would have requested permission of the -owners to plant the grounds, for the mere pleasure of the occupation, -and to beautify the landscape. 'I saunter about,' he said to Lady -Abercorn, 'from nine in the morning till five at night with a plaid -about my shoulders and an immense bloodhound at my heels, and stick in -sprigs which are to become trees when I shall have no eyes to look at -them!' He had a painter's as well as a poet's eye for scenery: 'You -can have no idea of the exquisite delight of a planter,' he said; 'he -is like a painter laying on his colours--at every moment he sees his -effects coming out. There is no art or occupation comparable to this; -it is full of past, present, and future enjoyment. I look back to the -time when there was not a tree here, only bare heath; I look round and -see thousands of trees growing up, all of which--I may say almost each -of which--have received my personal attention. I remember five years -ago looking forward, with the most delighted expectation, to this very -hour, and as each year has passed the expectation has gone on -increasing. I do the same now; I anticipate what this plantation and -that one will presently be, if only taken care of, and there is not a -spot of which I do not watch the progress. Unlike building, or even -painting, or indeed any other kind of pursuit, this has no end, and is -never interrupted, but goes on from day to day and from year to year -with a perpetually augmenting interest. Farming I hate; what have I to -do with fattening and killing beasts, or raising corn only to cut it -down, and to wrangle with farmers about prices, and to be constantly at -the mercy of the seasons? There can be no such disappointments or -annoyances in planting trees.' - -[Illustration: THE CROSS, MELROSE. Believed to be the oldest "Mercat -Cross" on the border.] - -Scott left Ashestiel at Whitsunday, 1812--a rather comical 'flitting,' -according to his own account of it. 'The neighbours,' he writes to -Lady Alvanley, 'have been much delighted with the procession of my -furniture, in which old swords, bows, targets, and lances made a very -conspicuous show. A family of turkeys was accommodated within the -helmet of some _preux_ chevalier of ancient Border fame; and the very -cows, for aught I know, were bearing banners and muskets. I assure -your ladyship that this caravan, attended by a dozen of ragged, rosy -peasant children, carrying fishing-rods and spears, and leading ponies, -greyhounds, and spaniels, would, as it crossed the Tweed, have -furnished no bad subject for the pencil, and really reminded me of one -of the gypsy groups of Callot upon their march.' The year 1812 was one -of his busiest. Five days every week until the middle of July he did -Court duty at Edinburgh. Saturday evening saw him at Abbotsford. On -Monday he superintended the licking into shape of his new domicile, and -at night he was coaching it to the city. During the Court recess he -pegged away at 'Rokeby' and other work under circumstances that must -have been trying enough. 'As for the house and the poem,' he writes to -Morritt, 'there are twelve masons hammering at the one and one poor -noddle at the other.' He did not then know the luxury of a private -'den' as at Castle Street. A window corner, curtained off in the one -habitable room which served for dining-room, drawing-room, and -school-room, constituted his earliest Abbotsford study. There, amid -the hammer's incessant fall, and the hum of many voices, and constant -interruptions, he plodded on, and got through a fair amount. The -letters to Terry commence in September, 1812, and show that some little -progress had been made: 'We have got up a good garden-wall, complete -stables in the haugh, and the old farm-yard enclosed with a wall, with -some little picturesque additions in front. The new plantations have -thriven amazingly well, the acorns are coming up fast, and Tom Purdie -is the happiest and most consequential person in the world.' To Joanna -Baillie he sends this characteristic note, in the beginning of 1813: -'No sooner had I corrected the last sheet of 'Rokeby' than I escaped to -this Patmos as blithe as bird on tree, and have been ever since most -decidedly idle--that is to say with busy idleness. I have been -banking, and securing, and dyking against the river, and planting -willows, and aspens, and weeping birches. I have now laid the -foundations of a famous background of copse, with pendent trees in -front; and I have only to beg a few years to see how my colours will -come out of the canvas. Alas! who can promise that? But somebody will -take my place--and enjoy them, whether I do or no'; and in March he -adds: 'What I shall finally make of this villa work I don't know, but -in the meantime it is very entertaining'; and again: 'This little place -comes on as fast as can be reasonably hoped.' To Lady Louisa Stuart he -writes: 'We are realizing the nursery tale of the man and his wife who -lived in a vinegar bottle, for our only sitting-room is just 12 feet -square, and my Eve alleges that I am too big for our paradise.' In -October, 1813, Terry is told that 'these are no times for building,' -but in the following spring, pressing the Morritts to visit him, he -says: 'I am arranging this cottage a little more conveniently, to put -off the plague and expense of building another year, and I assure you I -expect to spare you and Mrs. Morritt a chamber in the wall, with a -dressing-room and everything handsome about you. You will not -stipulate, of course, for many square feet.' In a letter to Terry, -dated November 10, 1814--the year of 'Waverley'--further progress is -reported: 'I wish you saw Abbotsford, which begins this season to look -the whimsical, gay, odd cabin that we had chalked out. I have been -obliged to relinquish Stark's (the Edinburgh architect, who died before -the building was well begun) plan, which was greatly too expensive. So -I have made the old farm-house my _corps de logis_ with some outlying -places for kitchen, laundry, and two spare bedrooms, which run along -the east wall of the farm-court, not without some picturesque effect. -A perforated cross, the spoils of the old kirk of Galashiels, decorates -an advanced door, and looks very well.' Not much was done during the -next two years, but in November, 1816, a new set of improvements was -under consideration. Abbotsford was rapidly losing its cottage -character. The 'romance' period was begun. A notable -addition--connecting the farm-house with the line of buildings on the -right--was then agreed upon, on which Scott communicates with Terry: -'Bullock[1] will show you the plan, which I think is very ingenious, -and Blore has drawn me a very handsome elevation, both to the road and -to the river. This addition will give me a handsome boudoir opening -into the little drawing-room, and on the other side to a handsome -dining-parlour of 27 feet by 18, with three windows to the north and -one to the south, the last to be Gothic and filled with stained glass. -Besides these commodities there is a small conservatory, and a study -for myself, which we design to fit up with ornaments from Melrose -Abbey.' In the same letter he says: 'I expect to get some decorations -from the old Tolbooth of Edinburgh, particularly the copestones of the -doorway, and a niche or two. Better get a niche _from_ the Tolbooth -than a niche _in_ it to which such building operations are apt to bring -the projectors.' - - -[1] George Bullock and Edward Blore, London architects and furnishers. -Atkinson was the artist who arranged the interior of Abbotsford. - - -By July, 1817, the foundation of the existing house, which extends from -the hall westwards to the original courtyard, had been laid, and Scott -found a new source of constant occupation in watching the proceedings -of his masons. In consequence of a blunder or two during his absence, -'I perceive the necessity,' he said, 'of remaining at the helm.' To -Joanna Baillie he writes in September: 'I get on with my labours here; -my house is about to be roofed in, and a comical concern it is.' There -is some correspondence in October between Scott and Terry relative to -the tower, a leading feature of the building. Scott mentions that -(Sir) David Wilkie, who had just been his guest, 'admires the whole as -a composition, and that is high authority.' 'I agree with you that the -tower will look rather rich for the rest of the building, yet you may -be assured that, with diagonal chimneys and notched gables, it will -have a very fine effect, and is in Scotch architecture by no means -incompatible.' In the beginning of 1818, he again writes to Terry: 'I -am now anxious to complete Abbotsford. I have reason to be proud of -the finishing of my castle, for even of the tower, for which I -trembled, not a stone has been shaken by the late terrific gale which -blew a roof clean off in the neighbourhood.' Lockhart, who saw -Abbotsford for the first time in 1818, confesses that the building -presented a somewhat 'fantastic appearance,' the new and old by no -means harmonizing. He was there again in 1819, and in February, 1820, -he married Scott's daughter. In the same year Scott writes to his wife -from London, whither he had gone to receive his baronetcy: 'I have got -a delightful plan for the addition at Abbotsford which, I think, will -make it quite complete, and furnish me with a handsome library, and you -with a drawing-room and better bedroom. It will cost me a little hard -work to meet the expense, but I have been a good while idle.' The -plans for these new buildings, including the wall and gateway of the -courtyard and the graceful stone screen which divides it from the -garden, were made by Blore, although the screen--with its carvings -taken from details of stone-work at Melrose Abbey--was originally -devised by Sir Walter himself. During the winter of 1821 the new -operations were commenced. By the spring of 1822 they were in full -swing. 'It is worth while to come,' he writes to Lord Montagu, 'were -it but to see what a romance of a house I am making'; and to Terry -later on: 'The new castle is now roofing, and looks superb--in fact, a -little too good for the estate; but we must work the harder to make the -land suitable.' That same summer the place was besieged by visitors -from the South, who, after witnessing the King's reception at -Edinburgh, hastened out to see Abbotsford. In October, 1822, he writes -to his son Walter: 'My new house is quite finished as to masonry, and -we are now getting on the roof just in time to face the bad weather.' -In November, 1822, and January, 1823, there are long letters to Terry: -'The house is completely roofed. I never saw anything handsomer than -the grouping of towers, chimneys, etc., when seen at a proper -distance.' With Terry all sorts of subjects were discussed--bells, and -a projected gas installation, along with a constant enumeration of -curios and relics, on which he is urged to spare no expense. 'About -July,' Scott writes at the beginning of 1824, 'Abbotsford will, I -think, be finished, when I shall, like the old Duke of Queensberry who -built Drumlanrig, fold up the accounts in a sealed parcel, with a label -bidding "the deil pike out the een" of any of my successors that shall -open it.' By Christmas, it was completed, and with the New Year's -festivities a large and gay party celebrated the 'house-warming,' of -which Basil Hall's sprightly 'Journal,' incorporated in the 'Life,' -supplies a singularly agreeable account. But there is no room to -quote. It was a doubly joyous occasion, marking not only the -realization of Scott's long-cherished scheme as to his 'castle,' but -the engagement of his eldest son, with whom, as he must have felt at -the time, were the fortunes of the future Abbotsford. Of the year -entered so auspiciously, none dreamt what the end was to be. - -[Illustration: SIR WALTER SCOTT'S DESK AND "ELBOW CHAIR," IN THE STUDY, -ABBOTSFORD. At the desk most of the novels were written. Certainly no -other article of furniture has been so intimately associated with -Scott.] - -In the creation of Abbotsford not only was the cottage of 1812 -transformed to the castle of 1824, but the estate itself was -continually enlarging. Possession of land was a crowning passion with -Scott. He was always driving bargains, as he declared--on the wrong -side of his purse, however--with the needy, greedy cock-lairds of the -locality. 'It rounds off the property so handsomely,' he says in one -of his letters. Once, on his friend Ferguson remarking that he had -paid what appeared to be one of his usual fabulous prices for a -particular stretch, Scott answered quite good-humouredly, 'Well, well, -it is only to me the scribbling of another volume more of nonsense.' -The first purchase was, as we have seen, the hundred odd acres of -Clarty Hole. In 1813 he made his second purchase, which consisted of -the hilly tract stretching from the Roman road near Turn-Again towards -Cauldshiels Loch, then a desolate and naked mountain mere. To have -this at one end of his property as a contrast to the Tweed at the other -'was a prospect for which hardly any sacrifice would have appeared too -much.' It cost him about £4,000. In 1815, Kaeside--Laidlaw's home--on -the heights between Abbotsford and Melrose, passed into his hands for -another £4,000, and more than doubled the domain. The house has -changed considerably since Laidlaw's halcyon days. By 1816 the estate -had grown to about 1,000 acres. In 1816 and 1817 he paid £16,000 for -the two Toftfields, altering the name of the new and unfinished mansion -to Huntlyburn, from a supposed but absolutely erroneous association -with the 'Huntlee Bankis'[2] of the Thomas the Rhymer romance. In -1820, Burnfoot, afterwards Chiefswood, and Harleyburn fell to his hands -for £2,300, and there were many minor purchases of which Lockhart takes -no notice. Scott was very anxious to acquire the estate of -Faldonside,[3] adjoining Abbotsford to the west, and actually offered -£30,000 for it, but without success. He was similarly unsuccessful -with Darnick Tower, which lay into his lands on the east, and which he -was extremely desirous of including in Abbotsford. Scott's suggestion -rather spurred the owner, John Heiton, to restore the ancient -peel-house as a retreat for his own declining days, and it is still in -excellent preservation--one of the best-preserved peels on the -Border--and a veritable museum, crammed from floor to ceiling with -curios, relics, and mementos both of the past and present. - - - -[2] The 'Huntlee Bankis' lie between Melrose and Newtown, on the -eastern slope of the Eildons, on the left side of the highway as it -bends round to the west, going towards, and within about two miles of, -Melrose. The spot is indicated by the famous Eildon Tree Stone. - -[3] The place belonged in 1566 to Andrew Ker, one of the murderers of -Rizzio. In 1574 Ker married the widow of John Knox, the Reformer. -Nicol Milne was proprietor in Scott's day. - - -[Illustration: JEDBURGH ABBEY. This grand ruin is of red sandstone, -and except that it is roofless is in excellent preservation.] - -But even 'yerd-hunger' must be satisfied, and in Scott's case there was -nothing for it save to steel the flesh against further desire. In -November, 1825, there is the following entry in his diary: 'Abbotsford -is all I can make it, so I resolve on no more building and no purchases -of land till times are quite safe.' But times were never safe again. -Abbotsford was all but within sound of the 'muffled drum.' Very -soon--December 18, 1825--Scott was to write these words: 'Sad hearts at -Darnick and in the cottages of Abbotsford. I have half resolved never -to see the place again. How could I tread my hall with such a -diminished crest! How live a poor, indebted man where I was once the -wealthy, the honoured!' And again on January 26, 1826: 'I have walked -my last on the domains I have planted, sat the last time in the halls I -have built'--reflections happily unrealized, though, as a matter of -fact, Scott was then the laird of Abbotsford in name only, and nothing -more. - -The building and furnishing of Abbotsford are estimated to have cost -over £25,000. The contract for the 1824 edifice was in the capable -hands of the Smiths of Darnick, with whom Scott was on the most cordial -terms. John Smith (the sculptor of the Wallace statue at Bemersyde) -was a singularly able craftsman, and his staff of workmen, with Adam -Paterson for foreman, were known all over the Border. For the interior -decorations--painting, papering, etc., and even for some of the -carvings and casts--Scott generally gave employment to local labour. -Much of the costlier furniture was shipped from London, but the great -bulk of the work was carried through by tradesmen in the district, -selected by Scott himself, and in whom he placed implicit confidence. -The estate, all told, must have cost at least £60,000. It extended to -1,500 acres, and the annual rental in Scott's day was only about £350. - -Such was the creation of Scott's Abbotsford, a real 'romance in stone -and lime,' to use the Frenchman's hackneyed phrase. Never had Sir -Walter deeper delight than when its walls were rising skywards, and the -dream of his youth taking steady shape by the silvery side of the -Tweed. 'I have seen much, but nothing like my ain house,' he cried--a -broken, dying man returned to Abbotsford, only to be borne forth again. -Nor has history been slow to add its Amen. - - - - -CHAPTER III - -SCOTT AT ABBOTSFORD - -Of the Abbotsford life in the seven or eight brilliant seasons -preceding the disaster of 1826 Lockhart's exquisite word-pictures are -far the finest things in the Biography. Scott's dream was now fairly -realized. He was not only a lord of acres, but a kind of mediĉval -chieftain as well. His cottage was transformed to a superb mansion, -like some creation of the 'Arabian Nights,' and the whole estate, -acquired at a cost far exceeding its real value, had grown to one of -the trimmest and snuggest on Tweedside. A comparative failure at the -Bar, Scott succeeded well otherwise in his professional career. His -income from the Court Clerkship and Sheriffdom totalled £1,600, and -from other sources he had an additional £400 a year. As the most -prosperous book-producer of the period, he was netting an annual profit -of no less than £10,000. His family was grown up, and his home life, -notwithstanding some harsh things said about Lady Scott, was of the -happiest. Unliterary, and Frenchified to a degree, Charlotte Carpenter -was not the ideal helpmeet, perhaps, for a man of Scott's calibre and -temperament. But that they lived comfortably together, that she made -him an excellent wife, and that Scott was much attached to her, must be -taken for granted, else Lockhart and the others are equivocating. -There is at least one glimpse into Scott's heart which cannot savour of -hypocrisy--the occasion of her death. Some of the most touching -passages in the Diary belong to that event. As lover, husband, father, -there is no question of the acuteness with which he felt her loss who -had been his 'thirty years' companion.' Within less than six months -the two biggest blows of his life fell upon Scott. Ruined, then -widowed, his cup of grief was drained to the utmost. But before the -fatal '26 Scott's life was an eminently ideal one. Abbotsford was all -he could make it. He had reached the loftiest rung of the ladder. -Long had he been the celebrity of the hour, not in Britain only, but -throughout Europe itself. Probably no British author of his time was -more widely known, and none, it is certain, was surrounded with so many -of the material comforts. It was truly a summer fulness for Scott at -Abbotsford ere the autumn winds or the biting breath of winter had -begun to chill his cheek. - -[Illustration: SIR WALTER'S SUNDIAL, ABBOTSFORD. The dial stone in the -flower garden, inscribed with the motto "For the Night Cometh," is an -object of suggestive interest.] - -A glance at the Abbotsford life will bring us nearer Scott as a -man--and as the most lovable of men. Treading, as one does to-day, in -his very footsteps, we shall want to know how he lived there, and in -what manner the pleasant days were spent. Scott's habits at -Abbotsford, as at Ashestiel, were delightfully simple. In the country -he was a rustic of the rustics. Formality vanished to a considerable -extent when he changed his townhouse for the bracing atmosphere of the -Tweed. But always methodical in his literary operations, he never -allowed the freer life of Abbotsford to interfere with whatever tasks -he had on hand. He did not sit late into the night. As a rule, the -Abbotsford day ended for Scott by ten o'clock. He rose at five, lit -his own fire in the season, shaving and dressing with precision. -Attired generally in his green shooting-jacket, he was at his desk by -six, and hard at work till nine. About half-past nine, when the family -met for breakfast, he would enter the room 'rubbing his hands for -glee,' for by that time he had done enough, as he said, 'to break the -neck of the day's work.' After breakfast, he allowed his guests to -fill in the next couple of hours or so for themselves--fishing, -shooting, driving, or riding, with a retinue of keepers and grooms at -command. Meantime he was busy with his correspondence, or a chapter -for Ballantyne to be dispatched by the 'Blucher,' the Edinburgh and -Melrose coach, by which he himself frequently travelled to and from -Abbotsford. At noon he was 'his own man,' and among his visitors, or -felling trees with the workmen on the estate, laying wagers, and -competing with the best of them. When the weather was wet and stormy -he kept to his study for several hours during the day, that he might -have a reserve fund to draw from on good days. To his visitors he -appeared more the man of leisure than the indefatigable author -conferring pleasure on thousands. Only a careful husbanding of the -moments could have enabled him to give the greater part of afternoon -and evening to his guests. 'I know,' said Cadell, the publisher, once -to him, 'that you contrive to get a few hours in your own room, and -that may do for the mere pen-work, but when is it that you think?' -'Oh,' said Scott, 'I lie simmering over things for an hour or so before -I get up, and there's the time I am dressing to overhaul my -half-sleeping, half-waking _projet de chapitre_, and when I get the -paper before me it commonly runs off pretty easily. Besides, I often -take a dose in the plantations, and while Tom marks out a dyke or a -drain as I have directed, one's fancy may be running its ain riggs in -some other world.' His maxim was never to be doing nothing, and in -making the most of the opportunities, he served both himself and his -friends. Lockhart's reminiscences of the Abbotsford life, so -delightfully vivid, convey better than anything else something of the -ideal charm of Scott and his circle. But to Lockhart all may go on -their own account, since lack of space forbids more than a mere -quotation. - -[Illustration: DARNICK TOWER. One of the best preserved Peels on the -border. Open to the public and well worth a visit.] - -The Abbotsford Hunt, one of the enjoyable annual outings--a coursing -match on an extensive scale--affords material for Lockhart's best vein, -especially the Hunt dinner, which for many of the neighbouring yeomen -and farmers was _the_ event of the year. 'The company were seldom -under thirty in number, and sometimes they exceeded forty. The feast -was such as suited the occasion--a baron of beef, roasted, at the foot -of the table, a salted round at the head, while tureens of hare-soup, -hotchpotch, and cockieleekie extended down the centre, and such light -articles as geese, turkeys, an entire sucking-pig, a singed sheep's -head, and the unfailing haggis were set forth by way of side-dishes. -Black-cock and moor-fowl, snipe, black and white puddings, and pyramids -of pancakes, formed the second course. Ale was the favourite beverage -during dinner, but there was plenty of port and sherry for those whose -stomachs they suited. The quaighs of Glenlivet were filled brimful, -and tossed off as if they held water. The wine decanters made a few -rounds of the table, but the hints for hot punch and toddy soon became -clamorous. Two or three bowls were introduced and placed under the -supervision of experienced manufacturers--one of these being usually -the Ettrick Shepherd--and then the business of the evening commenced in -good earnest. The faces shone and glowed like those at Camacho's -wedding; the chairman told his richest stories of old rural life, -Lowland or Highland; Ferguson and humbler heroes fought their -Peninsular battles o'er again; the stalwart Dandie Dinmonts lugged out -their last winter's snow-storm, the parish scandal, perhaps, or the -dexterous bargain of the Northumberland tryst. Every man was knocked -down for the song that he sung best, or took most pleasure in singing. -Shortreed gave "Dick o' the Cow," or "Now Liddesdale has ridden a -raid"; his son Thomas shone without a rival in the "Douglas Tragedy" -and the "Twa Corbies"; a weather-beaten, stiff-bearded veteran, -"Captain" Ormiston, had the primitive pastoral of "Cowdenknowes" in -sweet perfection. Hogg produced the "Women Folk," or "The Kye comes -Hame," and, in spite of many grinding notes, contrived to make -everybody delighted, whether with the fun or the pathos of his ballad. -The Melrose doctor sang in spirited style some of Moore's masterpieces. -A couple of retired sailors joined in "Bold Admiral Duncan," and the -gallant croupier crowned the last bowl with "Ale, good ale, thou art my -darling." And so it proceeded until some worthy, who had fifteen or -twenty miles to ride, began to insinuate that his wife and bairns would -be getting sorely anxious about the fords, and the Dumpies and Hoddins -were at last heard neighing at the gate, and it was voted that the hour -had come for _doch an dorrach_, the stirrup-cup, a bumper all round of -the unmitigated mountain dew. How they all contrived to get home in -safety Heaven only knows, but I never heard of any serious accident -except upon one occasion, when James Hogg made a bet at starting that -he would leap over his wall-eyed pony as she stood, and broke his nose -in this experiment of o'ervaulting ambition. One comely good-wife, far -off among the hills, amused Sir Walter by telling him the next time he -passed her homestead after one of these jolly doings, what her -husband's first words were when he alighted at his own door--"Ailie, my -woman, I'm ready for my bed; and oh, lass, I wish I could sleep for a -towmont, for there's only ae thing in this warld worth living for, and -that's the Abbotsford Hunt."' - -Nor was the good old custom of the Kirn omitted at Abbotsford. Every -autumn, before proceeding to Edinburgh, Scott gave a 'Harvest Home,' to -which all the tenantry and their friends--as many as the barn could -hold--were invited. Sir Walter and his family were present during the -first part of the evening, to dispense the good things and say a few -words of farewell. Old and young danced from sunset to sunrise, to the -skirling of John o' Skye's pipes, or the strains of some 'Wandering -Willie's' fiddle, the laird having his private joke for every old wife -or 'gausie carle,' his arch compliment for the ear of every bonnie -lass, and his hand and his blessing for the head of every little Eppie -Daidle from Abbotstown or Broomielees. Hogmanay, and the immemorial -customs of the New Year, as celebrated in Scotland--now fast dying -out--obtained full respect at Abbotsford. Scott said it was uncanny, -and would certainly have felt it very uncomfortable not to welcome the -New Year in the midst of his family and a few cronies in the orthodox -fashion. But nothing gave him such delight as the visit which he -received as laird from all the children on his estate on the last -morning of the year, when, as he was fond of quoting: - - 'The cottage bairns sing blythe and gay - At the ha' door for hogmanay.' - - -The words and form of the drama exist in various versions in every part -of the Border Country, almost every parish possessing its own -rendering. The _dramatis personĉ_, three or four in number, sometimes -even five, arrayed in fantastic fashion, proceeded from house to house, -generally contenting themselves with the kitchen for an arena, where -the performance was carried through in presence of the entire -household. 'Galations' (not 'Goloshin') is the title of the play. -Some account of it will be found in Chambers' 'Popular Rhymes of -Scotland,' and in Maidment's scarce pamphlet on the subject (1835). - -From what has been said, it is not difficult to imagine the ideal -relationship existing between Scott and his dependents at Abbotsford. -They were surely the happiest retainers and domestics in the world. -How considerate he was in the matter of dwellings, for instance! He -realized that he owed them a distinct duty in diffusing as much comfort -and security into their lives as possible. They were not mere goods -and chattels, but beings of flesh and blood, with human sympathies like -himself. And he treated them as such. Amid the severities of winter, -some of his Edinburgh notes to Laidlaw are perfect little gems of their -kind: 'This dreadful weather will probably stop Mercer (the weekly -carrier). It makes me shiver in the midst of superfluous comforts to -think of the distress of others. I wish you to distribute £10 amongst -our poorer neighbours so as may best aid them. I mean not only the -actually indigent, but those who are, in our phrase, _ill off_. I am -sure Dr. Scott (of Darnlee) will assist you with his advice in this -labour of love. I think part of the wood-money, too, should be given -among the Abbotstown folks if the storm keeps them off work, as is -like.' And again: 'If you can devise any means by which hands can be -beneficially employed at Abbotsford, I could turn £50 or £100 extra -into service. If it made the poor and industrious people a little -easier, I should have more pleasure in it than any money I ever spent -in my life.' 'I think of my rooks amongst this snowstorm, also of the -birds, and not a little of the poor. For benefit of the former, I hope -Peggy throws out the crumbs, and a cornsheaf or two for the game, if -placed where poachers could not come at them. For the poor people I -wish you to distribute £5 or so among the neighbouring poor who may be -in distress, and see that our own folks are tolerably well off.' 'Do -not let the poor bodies want for a £5, or even a £10, more or less'-- - - 'We'll get a blessing wi' the lave, - And never miss 't.' - -Socially, the bond between Scott and his servants was a characteristic -object-lesson. 'He speaks to us,' said one, 'as if we were blood -relations.' Like Swift, he maintained that an affectionate and -faithful servant should always be considered in the character of a -humble friend. Even the household domestics 'stayed on' year after -year. Some of them grew grey in his service. One or two died. He had -always several pensioners beside him. Abbotsford was like a little -happy world of its own--the most emphatic exception to the cynic's -rule. Scott was 'a hero and a gentleman' to those who knew him most -intimately in the common and disillusionizing routine of domestic life. - -In reading Lockhart, one feels that, aristocrat as Scott was, familiar -with the nobility and literary lions of the time, he was most at home, -and happiest, perhaps, in the fellowship of commoner men, such as -Laidlaw, and Purdie, and John Usher, and James Hogg, who were knit to -him as soul to soul. Of some of these he declared that they had become -almost an integral part of his existence. We know how life was -inexpressibly changed for Scott minus Tom Purdie, and to dispense with -Laidlaw, when that had become absolutely necessary, was as the iron -entering his soul. The most perfect pen-portraits in Lockhart are -those of Purdie (the Cristal Nixon of 'Redgauntlet'), that faithful -factotum and friend for whom he mourned as a brother; and 'dear Willie' -Laidlaw, betwixt whom and Scott the most charming of all master and -servant correspondence passed; and 'auld Pepe'--Peter Mathieson, his -coachman, a wondrously devoted soul, content to set himself in the -plough-stilts, and do the most menial duties, rather than quit -Abbotsford at its darkest. John Swanston, too, Purdie's successor, and -Dalgleish, the butler, occupy exalted niches in the temple of humble -and honest worth and sweet sacrificing service for a dear master's sake -who was much more than master to them all. Purdie's grave, close to -Melrose Abbey, with a modest stone erected by Sir Walter Scott, is -probably the most visited of the 'graves of the common people' almost -anywhere. It is eighty-three years since, apparently in the fullest -enjoyment of health and vigour, he bowed his head one evening on the -table, and dropped asleep--for ever. Laidlaw lies at Contin amid the -Highland solitudes. But few from Tweedside have beheld the green turf -beneath which his loyal heart has been long resting, or read the simple -inscription on the white marble that marks a spot so sacred to all -lovers of Abbotsford and Sir Walter. - - 'Here lie the remains of William Laidlaw, - Born at Blackhouse in Yarrow, - November, 1780. Died at Contin, May 18, 1845.' - - -No account of the Abbotsford life can fail to take notice of the -extraordinary number of visitors, who, even at that early date, flocked -to the shrine of Sir Walter. The year 1825, as has been said, must be -regarded as the high-water mark in the splendours of Abbotsford. From -the dawn of 'Waverley,' but particularly the period immediately -preceding the crash, Abbotsford was the most sought-after house in the -kingdom. It was seldom without its quota of guests. 'Like a cried -fair,' Scott described it on one occasion. 'A hotel widout de pay,' -was Lady Scott's more matter-of-fact comparison. What a profoundly -interesting and curious record a register of visitors to Abbotsford -would have been! - -[Illustration: THE DINING-ROOM, ABBOTSFORD. "His own great parlour" is -not open to the public. It was the first room of any pretension that -Scott built at Abbotsford.] - -Scott's first really distinguished visitor from the other side of the -Atlantic was Washington Irving. He was there in August, 1817, whilst -the building operations were in progress. Following Irving, came Lady -Byron for one day only. Though Scott met Byron in London, and they -frequently corresponded, Lord Byron was never at Abbotsford. In that -same year Sir David Wilkie visited Scott to paint his picture, the -'Abbotsford Family.' Sir Humphry Davy was another visitor. One of the -most welcome of all was Miss Edgeworth, who stayed for a fortnight in -1823. Tom Moore came in 1825, and in 1829 Mrs. Hemans, visiting the -Hamiltons at Chiefswood, was daily at Abbotsford. Susan Ferrier, -author of 'Marriage' and 'Inheritance,' visited Scott twice. -Wordsworth, greatest name of all, was the last. He arrived on -September 21, 1831, and two days later Scott, a broken invalid, left -for the Continent. - -To the list of Scott's intimate friends, based on the Biography, Thomas -Faed's picture, 'Scott and his Literary Friends,'[1] offers a good -index. The piece is purely imaginary, for the persons represented were -never all at Abbotsford at the same time, two of them, indeed--Crabbe -and Campbell--never having seen it. Scott is represented as reading -the manuscript of a new novel; on his right, Henry Mackenzie, his -oldest literary friend, occupies the place of honour. Hogg, the -intentest figure in the group, sits at Scott's feet to the left. Kit -North's leonine head and shoulders lean across the back of a chair. -Next come Crabbe and Lockhart--at the centre of the table--together -with Wordsworth and Francis (afterwards Lord) Jeffrey. Sir Adam -Ferguson, a bosom cronie, cross-legged, his military boots recalling -Peninsular days and the reading of the 'Lady of the Lake' to his -comrades in the lines of Torres Vedras, immediately faces Scott. -Behind him, Moore and Campbell sit opposite each other. At the end of -the table are the printers Constable and Ballantyne, and at their back, -standing, the painters Allan and Wilkie. Thomas Thomson, Deputy Clerk -Register, is on the extreme left, and Sir Humphry Davy is examining a -sword-hilt. A second and smaller copy of Faed's picture (in the -Woodlands Park collection, Bradford) substitutes Lord Byron and -Washington Irving for Constable and Ballantyne. Allan, Davy, and -Thomson are also omitted. The artist might well have introduced -Scott's lady literary friends, Joanna Baillie and Maria Edgeworth, and -it is a pity that Laidlaw has been left out. - - -[1] In the possession of Captain Dennistoun of Golfhill. The picture -has been frequently on exhibition, and frequently engraved. - - -Whilst, however, Abbotsford was a kind of ever open door to an -unparalleled variety of guests, there was another and a much larger -company constantly invading its precincts--the great army of the -uninvited. Such interruptions were a constant source of worry to -Scott. Some came furnished with letters of introduction from friends -for whose sake Scott received them cordially, and treated them kindly. -Others had no introduction at all, but, pencil and note-book in hand, -took the most impertinent liberties with the place and its occupants. -On returning to Abbotsford upon one occasion, Lockhart recalls how -Scott and he found Mrs. Scott and her daughters doing penance under the -merciless curiosity of a couple of tourists, who had been with her for -some hours. It turned out after all that there were no letters of -introduction to be produced, as she had supposed, and Scott, signifying -that his hour for dinner approached, added that, as he gathered they -meant to walk to Melrose, he could not trespass further on their time. -The two lion-hunters seemed quite unprepared for this abrupt escape. -But there was about Scott, in perfection, when he chose to exert it, -the power of civil repulsion. He bowed the overwhelmed originals to -the door, and on re-entering the parlour, found Mrs. Scott complaining -very indignantly that they had gone so far as to pull out their -note-book and beg an exact account, not only of his age, but of her -own. Scott, already half relenting, laughed heartily at this misery, -afterwards saying, 'Hang the Yahoos, Charlotte, but we should have bid -them stay dinner.' 'Devil a bit,' quoth Captain Ferguson, who had come -over from Huntlyburn, 'they were quite in a mistake, I could see. The -one asked Madame whether she deigned to call her new house Tully Veolan -or Tillietudlem, and the other, when Maida happened to lay his head -against the window, exclaimed, "_Pro-di-gi-ous!_"' 'Well, well, -Skipper,' was the reply, 'for a' that, the loons would hae been nane -the waur o' their kail.' - -[Illustration: THE GARDEN, ABBOTSFORD. The Courtyard was (in Mr. Hope -Scott's time) planted as a flower garden, with clipped yews at the -corners of the ornamental grass-plots, and beds all ablaze with summer -Bowers.] - -Much has been written of Scott and his dogs--not the least important -part of the establishment. All true poets, from Homer downwards, have -loved dogs. Scott was seldom without a 'tail' at his heels. His -special favourites, Camp and Maida (the Bevis of 'Woodstock'), are as -well-known as himself. Both were frequently painted by Raeburn and -others. When Camp died at Castle Street, Scott excused himself from a -dinner-party on account of 'the death of a dear old friend'--a fine -compliment to the canine tribe--a finer index to the heart of the man. -Scott looked upon his dogs as companions, 'not as the brute, but the -mute creation.' He loved them for their marvellously human traits, and -we know how they reciprocated his affection. He was always caring for -them. 'Be very careful of the dogs,' was his last request to Laidlaw -on the eve of setting out for Italy. And when, close on a year -afterwards, he returned so deadly stricken, it was his dogs fondling -about him which for the most part resuscitated the sense of 'home, -sweet home.' - - - - -CHAPTER IV - -THE WIZARD'S FAREWELL TO ABBOTSFORD - -On March 5, 1817, at Castle Street, in the midst of a merry -dinner-party, Scott was seized with a sudden illness--the first since -his childhood. The illness lasted a week, and was more serious than -had been anticipated. It was, indeed, the first of a series of such -paroxysms, which for years visited him periodically, and from which he -never absolutely recovered. - -Lockhart parted on one occasion with 'dark prognostications' that it -was for the last time. Scott, too, despaired of himself. Calling his -children about his bed, he said: 'For myself, my dears, I am -unconscious of ever having done any man an injury, or omitted any fair -opportunity of doing any man a benefit. I well know that no human life -can appear otherwise than weak and filthy in the eyes of God; but I -rely on the merits and intercession of our Redeemer.' 'God bless you!' -he again said to each of them, laying his hand on their heads. 'Live -so that you may all hope to meet each other in a better place -hereafter.' Presently he fell into a profound slumber, and on awaking, -the crisis was seen to be over. A gradual re-establishment of health -followed. Of the 'Bride of Lammermoor,' and 'Ivanhoe,' written under -the most adverse circumstances, whilst he still suffered acutely, one -is surprised to find both romances in the very front rank of his -creations. He was under opiates, more or less, when the 'Bride' was on -the stocks, dictating nearly the whole of it to Laidlaw and John -Ballantyne. It is a most curious fact psychologically, for of its -characters, scenes, humour, and all that connected him with the -authorship of the story, he recollected nothing. A more extraordinary -incident literature has not known.[1] But work which cut him short in -the end was the saving of his life in this instance. The mind was a -constant conquest over the weaker physical framework. 'It is my -conviction,' he declared to Gillies, 'that by a little more hearty -application you might forget, and lose altogether, the irritable -sensations of an invalid, and I don't, in this instance, preach what I -have not endeavoured to practise. Be assured that if pain could have -prevented my application to literary labour, not a page of "Ivanhoe" -would have been written; for, from beginning to end of that production, -which has been a good deal praised, I was never free from suffering. -It might have borne a motto somewhat analogous to the inscription which -Frederick the Great's predecessor used to affix to his attempts at -portrait-painting when he had the gout: "Fredericus I., _in tormentis -pinxit_." Now, if I had given way to mere feelings and ceased to work, -it is a question whether the disorder might not have taken deeper root, -and become incurable. The best way is, if possible, to triumph over -disease by setting it at defiance, somewhat on the same principle as -one avoids being stung by boldly grasping a nettle.' - - -[1] Dickens had a somewhat similar experience, though not, of course, -to the like extent. - - -[Illustration: THE ENTRANCE HALL, ABBOTSFORD. A spacious apartment, 40 -feet by 20 feet, panelled to the height of 7 feet with dark oak from -Dunfermline Abbey.] - -By 1820 he was enjoying tolerably good health, with no cramp -recurrences for a time. But in 1823, when busy with 'Peveril,' an -arresting hand laid itself upon Scott in the shape of a slight stroke -of apoplexy. As a matter of fact, and as Lockhart suspected, this was -only one of several such shocks which he had been carefully concealing. -'"Peveril" will, I fear, smell of the apoplexy,' he afterwards -admitted. Hence, no doubt, 'Peveril's' dulness. He rallied, -notwithstanding, and up to Christmas, 1825, his health was excellent. -But from 1826--the year of his crowning sorrows--the record of Scott's -life reads like a long martyrdom. Rheumatism, hallucinations, strange -memory lapses, began to steal from Scott all the little joy that was -left. On February 5, 1830, the blow fell which, like Damocles' sword, -had been hanging over him for years. It fell with unmistakable -meaning. It was his first real paralytic seizure--long dreaded, long -expected. On his return from the Parliament House, in his usual -health, he found an old friend waiting to consult him about a memoir of -her father which he had promised to revise for the press. Whilst -examining the MS. the stroke came, a slight contortion passing over his -features. In a minute or two he rose, staggered to the drawing-room, -where were Miss Anne Scott and Miss Lockhart, but fell to the floor -speechless and insensible. A surgeon quickly at hand cupped him, after -the old-fashioned treatment for such complaints. By night, speech had -returned, and in a day or two he had resumed his Court duties. But he -was never the same again. People in general did not remark any -difference. Doctors and patient, however, knew well enough that it was -the beginning of the end. Both his parents had succumbed to paralysis, -and 'considering the terrible violence and agitation and exertion,' -says Lockhart, 'to which he had been subjected during the four -preceding years, the only wonder is that this blow was deferred so -long; there can be none that it was soon followed by others.' - -Still he plodded on. Even with half a brain he should not 'lag -superfluous on the stage.' And heedless of innumerable warnings, he -was at his desk day after day, writing and dictating by turns. He now -resigned his Clerkship, on an £800 a year allowance, surrendered his -Edinburgh house, and settled permanently at Abbotsford, lonely and -desolate, an old man before his time, but indomitable to the core. -There he commenced 'Count Robert of Paris,' the penultimate of his -published tales. But the mighty machinery of his mind moved not as of -yore. Like Samson, his strength had departed. He was now as other -men. By November he suffered from a second stroke, and wrote in his -Diary for January: 'Very indifferent, with more awkward feelings than I -can well bear up against. My voice sunk, and my head strangely -confused.' But a worse shock was coming. Cadell pronounced the -'Count' a complete failure. Yet he struggled to recast it. To crown -all, he went to the 'hustings'--a hardened anti-Reform Billite. At -Jedburgh, as Lockhart tells, the crowd saluted him with blasphemous -shouts of 'Burke Sir Walter!'[2]--the unkindest cut of all, which -haunted him to the end. By July he had begun 'Castle Dangerous,' and -in the middle of the month, accompanied by Lockhart, he started for -Lanarkshire to refresh his memory for the setting of his new story. -They ascended the Tweed by Yair, Ashestiel, Elibank, Innerleithen, -Peebles, Biggar, places all dear to his heart and celebrated in his -writings. Crowds turned out to welcome him. Everywhere he was -received with acclamation and the deepest respect. At Douglas the -travellers inspected the old Castle, the ruin of St. Bride's, with the -monuments and tombs of the 'most heroic and powerful family in Scottish -annals.' At Milton-Lockhart, the seat of Lockhart's brother, Scott met -his old friend Borthwickbrae. Both were paralytics. Each saw his own -case mirrored in the other. They had a joyous--too joyous a meeting, -with startling results to the older invalid. On returning to Cleghorn, -another shock laid him low, and he was despaired of. When the news -reached Scott, he was bent on getting home at once. 'No, William,' he -said to his host, urging him to remain, 'this is a sad warning; I must -home to work while it is called to-day, for the night cometh when no -man can work. I put that text many years ago on my dial-stone, but it -often preached in vain.' - - -[2] The Burke and Hare murders were recent. - - -Returned, he finished 'Count Robert' and 'Castle Dangerous.' Both -novels were really the fruit of a paralytic brain. The 'Magnum -Opus,'[3] too, proposed by Cadell (a huge success), engaged much of his -attention. But Sir Walter's work was done. At length, doctors' -treatment doing him little good, from his constant determination to be -at his desk, it was decided, not without difficulty, that Scott should -spend the winter of 1831 in Italy, where his son Charles was attached -to the British Legation at Naples. On September 22 all was in -readiness. A round of touching adieus, one or two gatherings of old -friends, the final instructions to Laidlaw, and Scott quitted -Abbotsford practically for ever. He returned, to be sure, but more a -dead man than a living one. Of his journey to London (meeting many -friends) there is no need to write, nor of the Italian tour--Malta, -Naples, Rome, Florence, Venice--for which, no matter the brilliance of -their associations, he exhibited but a mere passive interest. His -heart was in the homeland. - - -[3] A reissue of the Poetry, with biographical prefaces, and a uniform -reprint of the Novels, each introduced by an account of the hints on -which it had been founded, and illustrated throughout by historical and -antiquarian annotations. - - -By June 13, London was again reached, and in the St. James's Hotel, -Jermyn Street (now demolished), he lay for three weeks in a state of -supreme stupor. Allan Cunningham tells of the extraordinary interest -and sympathy which Scott's illness evoked. Walking home late one -night, he found a number of working men standing at the corner of -Jermyn Street, one of whom asked him, as if there had been only one -deathbed in London: 'Do you know, sir, if this is the street where he -is lying?' 'Abbotsford!' was his cry in the more lucid intervals that -came to him. On July 7 he was carried on board the _James Watt_ -steamer, accompanied by Lockhart, Cadell, a medical man--Dr. Thomas -Watson--and his two daughters. The Forth was reached on the 9th, and -the next two days--the last in his 'own romantic town'--were passed, as -all the voyage had been, in a condition of absolute unconsciousness. -On the 11th, at a very early hour of the morning, Scott was lifted into -his carriage for the final journey homewards. During the first part of -the drive he remained torpid, until the veil lifted somewhat at Gala -Water. Strange that, after oblivion so profound and prolonged, he -should open his eyes and regain a measure of consciousness just here, -amid landscapes the most familiar to him in the world. Some good angel -must have touched him then. A mere coincidence! Perhaps! But there -are more things in heaven and earth than are dreamt of in our -philosophy. 'Gala Water, surely--Buckholm--Torwoodlee,' he murmured. -When he saw the Eildons-- - - 'Three crests against the saffron sky, - Beyond the purple plain, - The kind remembered melody - Of Tweed once more again'-- - -he became greatly excited, and in crossing Melrose Bridge, his 'nearest -Rialto,' as he called it, he could hardly be kept in the carriage. -Abbotsford, a mile ahead, was soon reached. Laidlaw--a big lump in his -throat, we may be sure--was waiting at the door, and assisted to carry -his dying master and friend to the dining-room, where his bed had been -prepared. He sat bewildered for a moment or two, then, resting his -eyes on Laidlaw, as if trying to recollect, said immediately, 'Ha, -Willie Laidlaw! O man, how often have I thought of _you_!' By this -time his dogs were around his chair, fawning on him, and licking his -hands. Then, indeed, he knew where he was. Between sobs and tears he -tried to speak to them, and to stroke them as of yore. But the body, -no less than the brain, was exhausted, and gentle sleep closed his -eyelids, like a tired child, once more in his own Abbotsford. He -lingered for some weeks, alternating between cloud and sunshine--mostly -cloud. One day the longing for his desk seized him, and he was wheeled -studywards, but the palsied fingers refused their office, and he sank -back, assured at last that the sceptre had departed. Lockhart and -Laidlaw were now his constant attendants. Both read to him from the -New Testament. 'There is but one Book,' Scott said, and it 'comforted' -him to listen to its soothing and hope-inspiring utterances. Then the -cloud became denser. At last delirium and delusion prostrated him, and -he grew daily feebler. Now he thought himself administering justice as -the Selkirkshire 'Shirra'; anon he was giving Tom Purdie orders anent -trees. Sometimes, his fancy was in Jedburgh, and the words, 'Burke Sir -Walter,' escaped him in a dolorous tone. Then he would repeat snatches -from Isaiah, or the Book of Job, or some grand rugged verse torn off -from the Scottish Psalms, or a strain sublimer still from the Romish -Litany: - - 'Dies irae, dies ilia, - Solvet saeclum in favilla.' - -'As I was dressing on the morning of September 17,' says Lockhart, -'Nicolson came into my room and told me that his master had awoke in a -state of composure and consciousness, and wished to see me immediately. -I found him entirely himself, though in the last extreme of feebleness. -His eye was clear and calm--every trace of the wild fire of delirium -extinguished. "Lockhart," he said, "I may have but a minute to speak -to you. My dear, be a good man--be virtuous--be religious--be a good -man. Nothing else will give you any comfort when you come to lie -here." He paused, and I said: "Shall I send for Sophia and Anne?" -"No," said he, "don't disturb them. Poor souls! I know they were up -all night. God bless you all." With this he sunk into a very tranquil -sleep, and, indeed, he scarcely afterwards gave any sign of -consciousness, except for an instant on the arrival of his sons. About -half-past one p.m., on September 21, Sir Walter Scott breathed his -last, in the presence of all his children. It was a beautiful day--so -warm that every window was wide open, and so perfectly still that the -sound of all others most delicious to his ear, the gentle ripple of the -Tweed over its pebbles, was distinctly audible as we knelt around the -bed, and his eldest son kissed and closed his eyes.' - -[Illustration: DRYBURGH ABBEY. Which, if it cannot boast the -architectural glories of Melrose, far surpasses it for queenly -situation.] - -He died a month after completing his sixty-first year. On December 7, -1825, almost seven years earlier, we find him taking a survey of his -own health in relation to the ages reached by his parents and other -members of the family, and then setting down in his Diary the result of -his calculations, 'Square the odds, and good-night, Sir Walter, about -sixty. I care not, if I leave my name unstained and my family property -settled. _Sat est vixisse_.' His prophecy was fulfilled. He lived -just a year--but a year of gradual death--beyond his anticipations. -His wish, too, was fulfilled; for he died practically free of debt. -The sale of his works, the insurance of his life, and a sum advanced by -Cadell, completely cleared his engagements. The copyrights purchased -by Cadell were afterwards sold to Messrs. Adam and Charles Black, who -therefore hold the exact text of the works. - -On September 26--a Wednesday--Sir Walter was buried. Services at -Abbotsford, after the simple fashion of the Scottish Kirk, were -conducted by the Revs. Principal Baird, of Edinburgh University, Dr. -Dickson, of St. Cuthbert's, and the minister of Melrose. The courtyard -and all the precincts of Abbotsford were crowded with uncovered -spectators as the procession (over a mile in length) was arranged. And -as it advanced through Darnick and Melrose, and the villages on the -route, the whole population appeared at their doors in like manner, -almost all in black. From Darnick Tower a broad crape banner waved in -the wind, and the Abbey bell at Melrose rang a muffled peel. Thence -there is a somewhat steep ascent to Gladswood and Bemersyde. On the -crest of the road overlooking the 'beautiful bend' the hearse came to a -curious halt, at the very spot where Scott was accustomed to rein up -his horses. It was no 'accident,' as Lockhart imagines. For one of -the horses was Sir Walter's own, and must have borne him many a time -hither. Peter Mathieson, Laidlaw, and others of Scott's servants -carried the plain black coffin to the grave within St. Mary's aisle, at -Dryburgh, where it was lowered by his two sons, his son-in-law, and six -of his cousins. And thus the remains of Sir Walter Scott--our Scottish -Shakespeare--were laid by the side of his wife in the sepulchre of his -fathers. - - - - -CHAPTER V - -THE LATER ABBOTSFORD - -Sir Walter's Abbotsford, as we saw, was completed in 1824. For the -next thirty years there was practically no alteration on the place. At -Scott's death the second Sir Walter came into possession. He does not -appear to have lived at Abbotsford after 1832, and indeed for many -years previous his time had been spent almost entirely with his -regiment, the 15th Hussars, of which, at his father's death, he was -Major. He died childless, as his brother did also, and Abbotsford -passed to Walter Scott Lockhart, son of Scott's elder daughter, who had -married J. G. Lockhart. On his death, in 1853, his only sister -Charlotte, married to James Robert Hope, Q.C., came into possession, -and she and her husband assumed the name of Scott. - -Abbotsford had been sadly neglected since Scott's death in 1832, and -everything needed restoration. But Mr. Hope Scott did wonders. -Between the years 1855 and 1857 he built a new west wing to the house, -consisting of a Chapel, hall, drawing-room, boudoir, and a suite of -bedrooms. The old kitchen was turned into a linen-room, and a long -range of new kitchen offices facing the Tweed was erected, which -materially raised the elevation of Scott's edifice, and improved the -appearance of the whole pile as seen from the river. An ingenious -tourist access was also arranged, with other internal alterations. -Outside, the grounds and gardens were completely overhauled, the -overgrown plantations thinned, and the old favourite walks cleaned and -kept as Scott himself would have wished. In the lifetime of the Great -Magician the ground on which he fixed his abode was nearly on a level -with the highway running along the south front, and wayfarers could -survey the whole domain by looking over the hedge. A high embankment -was now thrown up on the road-front of Abbotsford, the road itself -shifted several yards back, the avenue lengthened, a lodge built, and -the new mound covered with a choice variety of timber, which has now -grown into one of the most pleasing features of the Abbotsford -approach. The courtyard was at the same time planted as a -flower-garden, with clipped yews at the corners of the ornamental -grass-plots, and beds all ablaze with summer flowers. The terraces, on -the north, so rich and velvety, date from this period. - -Most visitors to Abbotsford have the impression that Sir Walter was -responsible for every part of the present edifice, whereas it is at -least a third larger from that of Scott's day. - -On the death of Mr. Hope Scott (his wife having pre-deceased him), -their only living child, the sole surviving descendant of Sir Walter, -Mary Monica Hope Scott, came into possession. In 1874 she married the -Hon. Joseph Constable-Maxwell, third son of the eleventh Baron Herries -of Terregles. Thus direct descendants of the maker of Abbotsford still -reign there in the person of his great-granddaughter and her children. - -There are two methods of reaching Abbotsford--by rail to Galashiels, -thence to Abbotsford Ferry Station on the Selkirk line, alighting at -which and crossing the Tweed, a delightful tree-shaded walk of about a -mile brings us to the house. But the more popular method is to make -the journey from Melrose, three miles distant. The way lies between -delicious green fields and bits of woodland--a pleasant country road, -exposed somewhat, despite smiling hedgerows on either side. The road -teems with reminiscences of the Romancist. Out from the grey town, -with its orchards and picturesque gardens, the Waverley Hydropathic is -passed on the right. In the grounds a handsome seated statue of Scott -may be noticed. Further on, to the left, tree-ensconced, lie -Chiefswood and Huntlyburn on the Abbotsford estate. Then comes -Darnick, with its fine peel, now open to the public, and well worth a -visit. At the fork of the roads (that to the right leading by Melrose -Bridge to Gattonside and Galashiels) we turn leftwards, and are soon at -the visitors' entrance (a modest wicket-gate) to the great Scottish -Mecca. But nothing is to be seen yet. Mr. Hope Scott's plantations -and 'ingenious tourist arrangement' screen the pile with wonderful -completeness. And it is only when within a few paces of the building, -at a turn in the lane leading from the highway, that all at once one -emerges upon it. The public waiting-room is in the basement, whence -parties of ten or twelve are conducted through the house. - -In point of picturesqueness, Abbotsford is, of course, best seen from -the Tweed--the north bank--or the hillside. But we are then looking, -let us remember, at the _back_ of the edifice. Nearly all the -photographs present this view for the sake of the river. At first not -unfrequently there is a sense of disappointment, especially if one's -ideas have been founded on Turner's somewhat fanciful sketches. - -As this is not a guide-book, we shall not give here a minute catalogue -of the treasures to be seen at Abbotsford, referring the reader instead -to Mrs. Maxwell-Scott's excellent catalogue of the 'Armour and -Antiquities.' But we are sure that none who visit the place will come -away unsatisfied, or will fail to be moved by the personal relics of -the Great Wizard, such as his chair, his clothes and writing-desk, -which bring before us the man himself, for whose memory Abbotsford is -but a shrine. - -[Illustration: Plan of Abbotsford and grounds] - - - - -BILLING AND SONS, LTD., PRINTERS, GUILDFORD - - - - - - - - - - -End of the Project Gutenberg EBook of Abbotsford, by Anonymous - -*** END OF THIS PROJECT GUTENBERG EBOOK ABBOTSFORD *** - -***** This file should be named 42289-8.txt or 42289-8.zip ***** -This and all associated files of various formats will be found in: - http://www.gutenberg.org/4/2/2/8/42289/ - -Produced by Al Haines - -Updated editions will replace the previous one--the old editions -will be renamed. - -Creating the works from public domain print editions means that no -one owns a United States copyright in these works, so the Foundation -(and you!) can copy and distribute it in the United States without -permission and without paying copyright royalties. Special rules, -set forth in the General Terms of Use part of this license, apply to -copying and distributing Project Gutenberg-tm electronic works to -protect the PROJECT GUTENBERG-tm concept and trademark. Project -Gutenberg is a registered trademark, and may not be used if you -charge for the eBooks, unless you receive specific permission. If you -do not charge anything for copies of this eBook, complying with the -rules is very easy. You may use this eBook for nearly any purpose -such as creation of derivative works, reports, performances and -research. They may be modified and printed and given away--you may do -practically ANYTHING with public domain eBooks. Redistribution is -subject to the trademark license, especially commercial -redistribution. - - - -*** START: FULL LICENSE *** - -THE FULL PROJECT GUTENBERG LICENSE -PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK - -To protect the Project Gutenberg-tm mission of promoting the free -distribution of electronic works, by using or distributing this work -(or any other work associated in any way with the phrase "Project -Gutenberg"), you agree to comply with all the terms of the Full Project -Gutenberg-tm License available with this file or online at - www.gutenberg.org/license. - - -Section 1. General Terms of Use and Redistributing Project Gutenberg-tm -electronic works - -1.A. By reading or using any part of this Project Gutenberg-tm -electronic work, you indicate that you have read, understand, agree to -and accept all the terms of this license and intellectual property -(trademark/copyright) agreement. If you do not agree to abide by all -the terms of this agreement, you must cease using and return or destroy -all copies of Project Gutenberg-tm electronic works in your possession. -If you paid a fee for obtaining a copy of or access to a Project -Gutenberg-tm electronic work and you do not agree to be bound by the -terms of this agreement, you may obtain a refund from the person or -entity to whom you paid the fee as set forth in paragraph 1.E.8. - -1.B. "Project Gutenberg" is a registered trademark. It may only be -used on or associated in any way with an electronic work by people who -agree to be bound by the terms of this agreement. There are a few -things that you can do with most Project Gutenberg-tm electronic works -even without complying with the full terms of this agreement. See -paragraph 1.C below. There are a lot of things you can do with Project -Gutenberg-tm electronic works if you follow the terms of this agreement -and help preserve free future access to Project Gutenberg-tm electronic -works. See paragraph 1.E below. - -1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" -or PGLAF), owns a compilation copyright in the collection of Project -Gutenberg-tm electronic works. Nearly all the individual works in the -collection are in the public domain in the United States. If an -individual work is in the public domain in the United States and you are -located in the United States, we do not claim a right to prevent you from -copying, distributing, performing, displaying or creating derivative -works based on the work as long as all references to Project Gutenberg -are removed. Of course, we hope that you will support the Project -Gutenberg-tm mission of promoting free access to electronic works by -freely sharing Project Gutenberg-tm works in compliance with the terms of -this agreement for keeping the Project Gutenberg-tm name associated with -the work. You can easily comply with the terms of this agreement by -keeping this work in the same format with its attached full Project -Gutenberg-tm License when you share it without charge with others. - -1.D. The copyright laws of the place where you are located also govern -what you can do with this work. Copyright laws in most countries are in -a constant state of change. If you are outside the United States, check -the laws of your country in addition to the terms of this agreement -before downloading, copying, displaying, performing, distributing or -creating derivative works based on this work or any other Project -Gutenberg-tm work. The Foundation makes no representations concerning -the copyright status of any work in any country outside the United -States. - -1.E. Unless you have removed all references to Project Gutenberg: - -1.E.1. The following sentence, with active links to, or other immediate -access to, the full Project Gutenberg-tm License must appear prominently -whenever any copy of a Project Gutenberg-tm work (any work on which the -phrase "Project Gutenberg" appears, or with which the phrase "Project -Gutenberg" is associated) is accessed, displayed, performed, viewed, -copied or distributed: - -This eBook is for the use of anyone anywhere at no cost and with -almost no restrictions whatsoever. You may copy it, give it away or -re-use it under the terms of the Project Gutenberg License included -with this eBook or online at www.gutenberg.org - -1.E.2. If an individual Project Gutenberg-tm electronic work is derived -from the public domain (does not contain a notice indicating that it is -posted with permission of the copyright holder), the work can be copied -and distributed to anyone in the United States without paying any fees -or charges. If you are redistributing or providing access to a work -with the phrase "Project Gutenberg" associated with or appearing on the -work, you must comply either with the requirements of paragraphs 1.E.1 -through 1.E.7 or obtain permission for the use of the work and the -Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or -1.E.9. - -1.E.3. If an individual Project Gutenberg-tm electronic work is posted -with the permission of the copyright holder, your use and distribution -must comply with both paragraphs 1.E.1 through 1.E.7 and any additional -terms imposed by the copyright holder. Additional terms will be linked -to the Project Gutenberg-tm License for all works posted with the -permission of the copyright holder found at the beginning of this work. - -1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm -License terms from this work, or any files containing a part of this -work or any other work associated with Project Gutenberg-tm. - -1.E.5. Do not copy, display, perform, distribute or redistribute this -electronic work, or any part of this electronic work, without -prominently displaying the sentence set forth in paragraph 1.E.1 with -active links or immediate access to the full terms of the Project -Gutenberg-tm License. - -1.E.6. You may convert to and distribute this work in any binary, -compressed, marked up, nonproprietary or proprietary form, including any -word processing or hypertext form. However, if you provide access to or -distribute copies of a Project Gutenberg-tm work in a format other than -"Plain Vanilla ASCII" or other format used in the official version -posted on the official Project Gutenberg-tm web site (www.gutenberg.org), -you must, at no additional cost, fee or expense to the user, provide a -copy, a means of exporting a copy, or a means of obtaining a copy upon -request, of the work in its original "Plain Vanilla ASCII" or other -form. Any alternate format must include the full Project Gutenberg-tm -License as specified in paragraph 1.E.1. - -1.E.7. Do not charge a fee for access to, viewing, displaying, -performing, copying or distributing any Project Gutenberg-tm works -unless you comply with paragraph 1.E.8 or 1.E.9. - -1.E.8. You may charge a reasonable fee for copies of or providing -access to or distributing Project Gutenberg-tm electronic works provided -that - -- You pay a royalty fee of 20% of the gross profits you derive from - the use of Project Gutenberg-tm works calculated using the method - you already use to calculate your applicable taxes. The fee is - owed to the owner of the Project Gutenberg-tm trademark, but he - has agreed to donate royalties under this paragraph to the - Project Gutenberg Literary Archive Foundation. Royalty payments - must be paid within 60 days following each date on which you - prepare (or are legally required to prepare) your periodic tax - returns. Royalty payments should be clearly marked as such and - sent to the Project Gutenberg Literary Archive Foundation at the - address specified in Section 4, "Information about donations to - the Project Gutenberg Literary Archive Foundation." - -- You provide a full refund of any money paid by a user who notifies - you in writing (or by e-mail) within 30 days of receipt that s/he - does not agree to the terms of the full Project Gutenberg-tm - License. You must require such a user to return or - destroy all copies of the works possessed in a physical medium - and discontinue all use of and all access to other copies of - Project Gutenberg-tm works. - -- You provide, in accordance with paragraph 1.F.3, a full refund of any - money paid for a work or a replacement copy, if a defect in the - electronic work is discovered and reported to you within 90 days - of receipt of the work. - -- You comply with all other terms of this agreement for free - distribution of Project Gutenberg-tm works. - -1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm -electronic work or group of works on different terms than are set -forth in this agreement, you must obtain permission in writing from -both the Project Gutenberg Literary Archive Foundation and Michael -Hart, the owner of the Project Gutenberg-tm trademark. Contact the -Foundation as set forth in Section 3 below. - -1.F. - -1.F.1. Project Gutenberg volunteers and employees expend considerable -effort to identify, do copyright research on, transcribe and proofread -public domain works in creating the Project Gutenberg-tm -collection. Despite these efforts, Project Gutenberg-tm electronic -works, and the medium on which they may be stored, may contain -"Defects," such as, but not limited to, incomplete, inaccurate or -corrupt data, transcription errors, a copyright or other intellectual -property infringement, a defective or damaged disk or other medium, a -computer virus, or computer codes that damage or cannot be read by -your equipment. - -1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right -of Replacement or Refund" described in paragraph 1.F.3, the Project -Gutenberg Literary Archive Foundation, the owner of the Project -Gutenberg-tm trademark, and any other party distributing a Project -Gutenberg-tm electronic work under this agreement, disclaim all -liability to you for damages, costs and expenses, including legal -fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT -LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE -PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE -TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE -LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR -INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH -DAMAGE. - -1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a -defect in this electronic work within 90 days of receiving it, you can -receive a refund of the money (if any) you paid for it by sending a -written explanation to the person you received the work from. If you -received the work on a physical medium, you must return the medium with -your written explanation. The person or entity that provided you with -the defective work may elect to provide a replacement copy in lieu of a -refund. If you received the work electronically, the person or entity -providing it to you may choose to give you a second opportunity to -receive the work electronically in lieu of a refund. If the second copy -is also defective, you may demand a refund in writing without further -opportunities to fix the problem. - -1.F.4. Except for the limited right of replacement or refund set forth -in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO OTHER -WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO -WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE. - -1.F.5. Some states do not allow disclaimers of certain implied -warranties or the exclusion or limitation of certain types of damages. -If any disclaimer or limitation set forth in this agreement violates the -law of the state applicable to this agreement, the agreement shall be -interpreted to make the maximum disclaimer or limitation permitted by -the applicable state law. The invalidity or unenforceability of any -provision of this agreement shall not void the remaining provisions. - -1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the -trademark owner, any agent or employee of the Foundation, anyone -providing copies of Project Gutenberg-tm electronic works in accordance -with this agreement, and any volunteers associated with the production, -promotion and distribution of Project Gutenberg-tm electronic works, -harmless from all liability, costs and expenses, including legal fees, -that arise directly or indirectly from any of the following which you do -or cause to occur: (a) distribution of this or any Project Gutenberg-tm -work, (b) alteration, modification, or additions or deletions to any -Project Gutenberg-tm work, and (c) any Defect you cause. - - -Section 2. Information about the Mission of Project Gutenberg-tm - -Project Gutenberg-tm is synonymous with the free distribution of -electronic works in formats readable by the widest variety of computers -including obsolete, old, middle-aged and new computers. It exists -because of the efforts of hundreds of volunteers and donations from -people in all walks of life. - -Volunteers and financial support to provide volunteers with the -assistance they need are critical to reaching Project Gutenberg-tm's -goals and ensuring that the Project Gutenberg-tm collection will -remain freely available for generations to come. In 2001, the Project -Gutenberg Literary Archive Foundation was created to provide a secure -and permanent future for Project Gutenberg-tm and future generations. -To learn more about the Project Gutenberg Literary Archive Foundation -and how your efforts and donations can help, see Sections 3 and 4 -and the Foundation information page at www.gutenberg.org - - -Section 3. Information about the Project Gutenberg Literary Archive -Foundation - -The Project Gutenberg Literary Archive Foundation is a non profit -501(c)(3) educational corporation organized under the laws of the -state of Mississippi and granted tax exempt status by the Internal -Revenue Service. The Foundation's EIN or federal tax identification -number is 64-6221541. Contributions to the Project Gutenberg -Literary Archive Foundation are tax deductible to the full extent -permitted by U.S. federal laws and your state's laws. - -The Foundation's principal office is located at 4557 Melan Dr. S. -Fairbanks, AK, 99712., but its volunteers and employees are scattered -throughout numerous locations. Its business office is located at 809 -North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email -contact links and up to date contact information can be found at the -Foundation's web site and official page at www.gutenberg.org/contact - -For additional contact information: - Dr. Gregory B. Newby - Chief Executive and Director - gbnewby@pglaf.org - -Section 4. Information about Donations to the Project Gutenberg -Literary Archive Foundation - -Project Gutenberg-tm depends upon and cannot survive without wide -spread public support and donations to carry out its mission of -increasing the number of public domain and licensed works that can be -freely distributed in machine readable form accessible by the widest -array of equipment including outdated equipment. Many small donations -($1 to $5,000) are particularly important to maintaining tax exempt -status with the IRS. - -The Foundation is committed to complying with the laws regulating -charities and charitable donations in all 50 states of the United -States. Compliance requirements are not uniform and it takes a -considerable effort, much paperwork and many fees to meet and keep up -with these requirements. We do not solicit donations in locations -where we have not received written confirmation of compliance. To -SEND DONATIONS or determine the status of compliance for any -particular state visit www.gutenberg.org/donate - -While we cannot and do not solicit contributions from states where we -have not met the solicitation requirements, we know of no prohibition -against accepting unsolicited donations from donors in such states who -approach us with offers to donate. - -International donations are gratefully accepted, but we cannot make -any statements concerning tax treatment of donations received from -outside the United States. U.S. laws alone swamp our small staff. - -Please check the Project Gutenberg Web pages for current donation -methods and addresses. Donations are accepted in a number of other -ways including checks, online payments and credit card donations. -To donate, please visit: www.gutenberg.org/donate - - -Section 5. General Information About Project Gutenberg-tm electronic -works. - -Professor Michael S. Hart was the originator of the Project Gutenberg-tm -concept of a library of electronic works that could be freely shared -with anyone. For forty years, he produced and distributed Project -Gutenberg-tm eBooks with only a loose network of volunteer support. - -Project Gutenberg-tm eBooks are often created from several printed -editions, all of which are confirmed as Public Domain in the U.S. -unless a copyright notice is included. Thus, we do not necessarily -keep eBooks in compliance with any particular paper edition. - -Most people start at our Web site which has the main PG search facility: - - www.gutenberg.org - -This Web site includes information about Project Gutenberg-tm, -including how to make donations to the Project Gutenberg Literary -Archive Foundation, how to help produce our new eBooks, and how to -subscribe to our email newsletter to hear about new eBooks. |
