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+*** START OF THE PROJECT GUTENBERG EBOOK 42306 ***
+
+ Transcriber's Note:
+
+ Every effort has been made to replicate this text as faithfully as
+ possible. Some changes of spelling and punctuation at the end of the
+ text.
+
+
+
+
+ The Calendar
+ and
+ Other Verses
+ by
+ Irving Sidney Dix
+
+
+
+
+To Robert Meaker
+
+
+ Dear boy, ten summers--ten swift summers now
+ Have come and gone since last I said good-bye,
+ Ten idle, wasted summers gone, and how
+ I hardly know, so swift the seasons fly:
+ So swift the seasons come, so swift they go,
+ That scare it seems one brief, one little day,
+ Since boyish voices bid us come and play:
+ And little girls did seem to lure us so.
+
+ O Robert!--Robert!--If in Paradise
+ These idle words of mine can penetrate,
+ Thou knowest, then, that tears have wet mine eyes,
+ Thou knowest that I felt thy ruthless fate;
+ And yet, dear boy, I sometimes feel that thou
+ Art happier there than I who mourn thee now.
+
+ I. S. D.
+
+Written in 1912.
+
+
+
+
+Contents
+
+
+ Page
+
+ The Calendar 7
+ Niagara 14
+ Fairies of the Frost 15
+ The Rivermen 16
+ The School of Life 17
+ A Visit from a Cricket 20
+ In Praise of Inez 22
+ The Crime of Christmastime 23
+ The Miner 25
+ Love of Country 27
+ The Sinking of the Titanic 27
+ War and Peace 30
+ Peace and War 31
+ To Andrew Carnegie 32
+
+
+
+
+Foreword
+
+
+About a year ago, having collected all those poems and verses which I
+considered of any value, I took a certain pride in the thought that I
+might soon bring under one roof these imaginary children of mine, so
+that they might be sheltered in time of storm, as it were, from the
+cold, and oftimes unfeeling world of commerce but where friends of
+poetry, who had met with some of my stray children of verse in public
+journals, might meet with them again, if they desired, with other
+friendly faces around one common fireside.
+
+But I found that the expense incident to such a venture was so great
+that unless a large number of copies were sold I would be involved in a
+larger debt than I cared to contract. Then the plan of securing
+sufficient advance subscriptions to meet part of the expense of a first
+edition occurred to me, thereby following the method of Tennyson, Robert
+Burns and others, of whose example I needed not to be ashamed, but other
+work prevented me, and still prevents me, from carrying out this plan.
+
+So lest those friends who have shown an interest in my verses should
+think that I have turned aside from the Path of Poetry, I herewith offer
+"The Calendar and Other Verses," as evidence of my love for and interest
+in the greatest of all the arts, hoping that the time may come when I
+shall be able to present a more worthy offering to the Muses and perhaps
+justify the kind words that have recently appeared in regards to the
+author of "The Quiet Life"--A Plain Poem of the Hills, which, in a
+revised form, appeared serially during the past summer in The Wayne
+Countean.
+
+ I. S. D.
+
+Shehawken, Pa.
+
+
+
+
+ Copyrighted 1913
+ by
+ IRVING SIDNEY DIX
+
+
+
+
+The Calendar
+
+AN IDYLL OF THE HILLS
+
+
+Part 1
+
+
+JANUARY
+
+ Come walk a mile with me--'Tis January;
+ The knee-deep snow lies heavy on the ground
+ And hark!--the icy winds--how swift they hurry
+ Over the fields with melancholy sound;
+ And save these winds or some forsaken raven,
+ Winging its way along yon frozen hill,
+ Nature is hush'd--her dormant image graven
+ In marble masks on woodland, lake and rill.
+
+ And look!--the trees their naked trunks are swaying,
+ As bitterly each blast goes howling by,
+ And hark!--the music in the hemlocks playing,
+ Like some lost spirit banished from the sky,
+ And see the smoke from yonder chimney curling,
+ Hugs the broad roofs, deep-burden'd with the snow,
+ While clouds of snow are round the low eaves whirling.
+ How cold it is!--Come, let us homeward go
+ There will we find the cheerful fire still burning,
+ There ruddy warmth will make our faces glow,
+ And there kind hearts will welcome our returning;
+ Come!--let us hasten through the drifty snow.
+
+
+FEBRUARY.
+
+ Come walk a mile with me--'Tis February;
+ The sun is creeping slowly toward the North,
+ And every breeze to-day seems blithe and merry,
+ And prophets of the Spring are waking forth--
+ The hungry ground-hog casts a thin, gray shadow
+ Beside his open villa, dark and cold,
+ And the starv'd hare surveys the icy meadow,
+ And chipmonks chatter in the leafless wold.
+
+ And hark!--the blue-jay's fife is sounding shrilly,
+ And merry chickadees are piping loud,
+ E'en though the bitter North-wind's breath is chilly,
+ And the great trees are low before him bow'd;
+ And see!--the Lady of the South is creeping
+ Higher and higher--'Tis the hour of noon,
+ And sad-eyed Winter by yon brook is weeping,--
+ Yon little brook that sings a pleasant tune.
+ Yet, as the sun is with the day declining,
+ Swift, darkening clouds are gathering in the West,
+ Where the snow-fairies are again designing
+ Another robe for Nature's barren breast.
+
+
+MARCH.
+
+ Come walk a mile with me--'Tis March and windy,
+ And Winter's dying breath comes hard and fast,
+ And hark!--the storm, like death-bells of a Sunday,
+ Tolls the sad knell upon the icy blast;
+ Louder and louder now the winds are wailing,
+ Faster and faster wings the frozen snow,
+ Darker and darker the cold clouds are sailing,
+ As the March-storm goes hurrying to and fro.
+
+ But see!--the sun above the clouds is creeping,
+ And look!--soft flakes are falling, one by one,
+ And Winter, pale in death, lies gently sleeping,
+ While Spring awakes e'er half the day is done.
+ And soon the sun, like some great hearth is burning,
+ Melting the ghosts of Winter on the hills,
+ And hark!--the robin from the South returning,
+ Joins the glad music of the murmuring rills,
+ And now the farmer-boy, whose heart is leaping,
+ Gathers the sap that sings a merry song,
+ While the blue-birds sweet melodies are keeping,
+ And noisy squirrels leap the trees among.
+
+
+APRIL.
+
+ Come walk a mile with me--'Tis April weather;
+ A voice like Spring is calling: Let us go
+ Where violets are blooming on the heather,
+ And song-birds bend the branches to and fro;
+ For everywhere the very ground is springing,
+ And everywhere the grass is getting green--
+ How can I now--how can I keep from singing
+ When all the world is like a fairy scene!
+
+ The buds in all the trees, are ripe for bursting,
+ And fleecy catkins flutter everywhere,
+ And every little flower seems a-thirsting
+ For something sweet and beautiful and fair.
+ But look!--to Westward--see!--an April shower
+ Sudden has gathered, darkening the sun,
+ Yet wait!--beside me lifts a gentle flower,
+ That lights my pathway, blossoming alone;
+ And hark!--O hark, the meadow-lark is singing,
+ Greeting the storm from yon tall maple tree,
+ While, like a herald in its homeward winging,
+ Wheels a lone flicker o'er the darkening lea.
+
+
+MAY
+
+ Come walk a mile with me--'Tis merry May-time;
+ The little lambs are gamboling on the green,--
+ Nature is glad--it is her hour of playtime,
+ And now, or never, her true heart is seen;
+ The butterflies are floating down from heaven,
+ And humming-birds again are on the wing,--
+ And the kind swallows, seventy times seven,
+ Fill all the air with merry murmuring.
+
+ And see the lilacs by yon cottage blooming!--
+ How sweet the air is!--sweetness everywhere,
+ For look!--rich apple-blossoms are perfuming
+ This little lane that leads to woodlands fair,--
+ Here honeysuckle-bells are softly swinging,
+ And pink azaleas perfume all the wood,
+ And, in the trees, the vireos are singing
+ Incessantly their songs of solitude,
+ While round the hill, as slow our steps are wending,
+ We hear a sweet Voice calling,--"Come, O come!"
+ For see!--the sun is in the West decending,
+ And happy hearts are waiting us at home.
+
+
+JUNE
+
+ Come walk a mile with me--'Tis June,--fair June-day,
+ And Nature smiles--her magic hands are still,
+ For not a ripple stirs yon lake at noon-day,
+ And not a breeze disturbs this woody hill;
+ But hark!--what idle dreamer there is drumming?
+ It is--it is a pheasant calling--"Come!"
+ And listen!--like a low voice sweetly humming
+ Is heard the brook within its forest home.
+
+ But wait!--We cannot wait--'Twill soon be Summer,
+ So let us now enjoy these days of June,
+ For hear ye not that late, but welcome comer,
+ Robert-of-Lincoln carroling his tune;
+ And see ye not yon oriole high swinging
+ His basket from that tall and leafy tree--
+ O Comrade, Comrade!--Time is swiftly winging,--
+ 'Twill not be always June with you and me;
+ Spring-time is passing--Summer is a-coming,
+ And soon fair Autumn with her idle dreams,
+ And then cold Winter, her White hands benumbing
+ The icy lakes and silent, woodland streams!
+
+ O Comrade!--Comrade!--let us not be weary,
+ But pick life's pretty blossoms while they bloom,
+ Forgetting every prospect, sad or dreary,
+ Avoiding every lane that leads to gloom!
+ For see!--each flower lifts a golden chalice
+ Inviting us to drink--Shall we pass by,
+ With faces sad, nor enter this fair palace
+ That June has rear'd us 'neath a cloudless sky?
+
+
+PART TWO.
+
+
+JULY.
+
+ Come walk a mile with me--'Tis July weather;
+ The western sun is burning round and bright,
+ And not a breeze disturbs yon tiny feather
+ From a young swallow loosen'd in its flight;
+ But hark!--in yonder broad and sunlit meadow
+ The sound of busy mowers fill the air,
+ While from a tree that casts a pleasing shadow,
+ Is heard the locust piping shrilly there.
+
+ And see, how strong men lift the scented grasses!
+ And how they pile the wagons with the hay!
+ How fast the rake, with rolling burden, passes!
+ How regular the long, round winrows lay!
+ And see!--the sun--the great round sun is setting,
+ Like a red rose upon the distant hill,
+ Till all the earth seems tenderly forgetting
+ Day's dying light on meadow, lake and rill;
+ But come!--for darkness soon will gather round us,
+ And we must pass through yonder woodlands there;
+ And then white fields of buckwheat will surround us,
+ And then--then--home we shall together share.
+
+
+AUGUST
+
+ Come walk a mile with me--'Tis August. Listen!
+ The meadow-quail is whistling merrily,
+ And see!--the dew-drops, like great diamonds, glisten
+ On grass and shrub and bush and bending tree;
+ And everywhere is peace and joy and plenty,
+ For everywhere this morning we may go
+ One seed of Spring has well returned its twenty,
+ Till Autumn's face with goodness is aglow.
+
+ Yes, oaten fields are white and ripe for reaping,
+ And green things paling in the garden there
+ Tell us too well that Summer is a-sleeping,
+ And harvest-time is on us unaware;
+ The early apples even now are falling,
+ The tassel'd corn, the fields of ripening rye,
+ The purpling grape--all, all are sadly calling
+ That Summer's glory, too, must fade and die.
+ But hark!--what sound is that!--it seems like thunder,
+ And yet 'tis but the wind, within the trees,--
+ The far-off wind, fresh-filled with nameless wonder,--
+ A prophesy of Autumn's freshening breeze.
+
+
+SEPTEMBER
+
+ Come walk a mile with me--'Tis sweet September;
+ And quietly the clouds are gliding by,
+ And silent runs the brook that, you remember,
+ We pass'd last Spring--it now is dumb and dry,
+ And overhead, the first red leaf is falling,
+ And, underfoot, the flowers are fading fast,
+ While in the air I hear a strange, sad calling
+ That tells me Summer is forever past.
+
+ And yet how peaceful seems the face of Heaven,
+ How calm the earth is--Nature is at rest,
+ And all the hopes that unto Spring were given,
+ Folds Autumn now in silence to her breast;
+ The birds are singing, yet not half so sweetly
+ As when they sung their song at opening Spring,
+ And flowers are blooming, yet not so completely
+ As when the birds were first upon the wing;
+ And I am singing--but the fading glory
+ Of Autumn-time subdues my idle song,
+ For what is Autumn but the sweet sad story
+ Of leaves that fade and lives that last not long.
+
+
+OCTOBER
+
+ Come walk a mile with me--'Tis now October;
+ And yet the fields put forth fresh blades of green.
+ Lest the advancing days shall seem to sober,
+ And prophesy too plainly the unseen;
+ For Nature loves to lead us forward blindly,--
+ Giving a glory to the fading leaf!
+ Yet were it worse if, speaking less unkindly,
+ Nature should plainly tell us life is brief.
+
+ The flowers, too, are fading--and are dying,
+ The leaves are falling, and incessantly,
+ And on the hills great flocks of crows are crying,
+ And the blue-jays once more are calling me;
+ But Winter!--Winter soon, too soon, is coming,
+ For see!--see there,--the frost is on the grass!
+ And the wild-bee--I hear no more its humming
+ As once I did, wherever I might pass;
+ And robin--he is gone, and all the singing
+ Of all the sweet birds now no more I hear,
+ While the dry leaves, to barren branches clinging,
+ Full plainly speak the passing of the year.
+
+
+NOVEMBER
+
+ Come walk a mile with me--November!--Faintly
+ The long, blue hills lift to the eastern sky;
+ 'Tis Indian-summer now--this day seems saintly,
+ Like some good martyr e'er he goes to die;
+ The skies are cloudless; not a breeze is blowing,
+ And silent is each bare and leafless form;
+ The brooks--how quiet!--I like not their flowing,
+ For oh,--it is the calm before the storm.
+
+ Yes, yes--e'en now--to Westward--look! a figure
+ Is sudden forming, stretching forth a wand,
+ Shaping a shape as of some giant, bigger
+ Than any fabled thing from Fairyland;
+ Higher and higher that strange shape is lifting,
+ Swifter and swifter its fleet heralds run,
+ Wider and wider its white breath is drifting
+ As lower sinks the slow decending sun;
+ And now--the storm!--the storm is on us. Hurry!
+ Yet see!--the myriad snow-flakes--see them come!
+ O Comrade!--See!--it is young Winter's flurry--
+ And yet 'tis but the storm that drives us home.
+
+
+DECEMBER
+
+ Come walk a mile with me--'Tis dark December;
+ The cold, rough winds are never, never still;
+ O for the days of Spring I well remember!
+ O for the flowers that blossomed on the hill!--
+ And wish you not that you,--you too were playing
+ Upon the hillside, building castles there,
+ Dreaming sweet dreams, as when we went a-Maying,
+ Midst singing birds and blossoms sweet and fair?
+
+ But hark, the wind!--and see, the falling snow-flakes!
+ How thick they come--how beautiful they seem!
+ Yet I am weary--weary of the snow-flakes--
+ O Comrade!--tell me,--is it all a dream;
+ O Comrade!--Comrade!--Winter is upon us;
+ Our hopes, like snow-flakes, now are falling fast,
+ Our dreams are broken--God have mercy on us!--
+ We must not perish in the wintry blast--
+ For see, O see!--the sun,--the sun is shining!
+ 'Tis noon, and lo!--yon glorious orb of day
+ Is turning backward, a New-year designing--
+ So shall all Winters turn to Spring alway.
+
+ And so shall Winter be an emblem only
+ Of the dark days that meet us, one and all,
+ Making our little lives seem sad and lonely,
+ Until the New-Year answers to our call,
+ Until another Spring renewing Nature;
+ Renews our hopes that were so desolate
+ Giving us faith that not one living creature
+ Is blindly born to blindly meet its fate.
+
+
+
+
+NIAGARA
+
+
+ Almighty organ of America,
+ E'er mortal man thy voice did hear
+ Thy notes, full clear,
+ Rose with voluptious music on the air,
+ Till angels, wondering, hesitated there,
+ And rude barbarians fell in fear
+ Beside thy god-like amphitheatre.
+
+ Thus, when thy ancient spirit touch'd those keys,
+ Those smoothly polished keys,
+ Those swift and mighty keys
+ A powerful yet a pleasing note was found
+ That gave to Silence round
+ A song whereof no mortal heard a sound,
+ But which did Heaven please
+ Through the long centuries,
+ And unto these.
+
+ Then, when the red-men's blue-eyed brother came
+ Beside this shrine, thy temple here to claim,
+ Humbled was he,
+ Such glory here to see;
+ Thy awful music's note
+ Upon his spirit smote
+ Subduing stronger passions of the mind,
+ Until, like prisoners, suffering there confined,
+ Those gentler melodies
+ Within his bosom there,
+ Ascended with thy voice to heav'n
+ In one triumphant prayer.
+
+ Then louder, ye organ of America,
+ Still louder sound thy anthems on the sky;
+ And thou, Niagara, e'er thy spirit die,
+ Wake!--wake the courts of Heaven with thy lay,
+ Till the dear angels learn like thee to pray
+ For all the world to-day;
+ Yet louder, ye organ of America,
+ Still louder, let thy Spirit from those keys,--
+ Those smoothly polished keys,
+ Those swift and heavy keys,--
+ Strike, with inspiring fingers,
+ Heaven-and-earth's triumphant harmonies.
+
+
+
+
+FAIRIES OF THE FROST
+
+
+ When the Frost-spirit, with her icy wand,
+ Strikes the cold Northwind, bringing frost and snow,
+ She sends her Fairies through the frozen land
+ To deck with sculpture all the world below;
+ Soon every bank, so lately green with grass,
+ Like streets of marble to the margin lies,
+ And here and there, wherever one may pass,
+ Frail, fairy structures magic-like arise;
+ The slender willows, bow'd in artless grief,
+ Appear in white, as pledge of Winter's care,
+ And every idle reed and clinging leaf
+ Have spirits, full as bright, beside them there;
+ While pine and hemlock, shorn of all their green,
+ Stand out like sculptur'd Druids of the wood;
+ And the small beeches, hovering between,
+ Seem children of some banish'd brotherhood;
+ The broken stumps become as kingly chairs,
+ The fallen logs, great pillars, round and white,
+ And the dead branches, Oriental stairs
+ That lead to rooms all glittering with light;
+ Each mossy knoll becomes a marble mound,
+ Th' unlettered stones, all artless works of art,
+ And e'en the brooklets in the forest round
+ Are set with diamonds dear to Nature's heart.
+
+
+
+
+THE RIVERMEN.
+
+
+ When, in the days gone by, down the Delaware
+ The high Spring-floods, with an angry roar
+ Were running like breakers far up the shore,
+ Then the riverman by his chimney-seat
+ Would feel his stout heart strangely beat--
+ So 'twas ho! for the raft and the river again,
+ The raft and the river for rivermen.
+
+ When the creeks flow'd wild round the Delaware,
+ And the sky showed blue through the sharp Spring air,
+ And the rafts were waiting the raftmen there,
+ Then these rivermen were ill-content
+ Until their backs to the oars were bent--
+ So 'twas ho! for the raft and the river again,
+ The raft and the river for rivermen.
+
+ When, in days gone by, down the Delaware
+ Those great rafts tethered against the shore,
+ Were loosed like chafing steeds once more,
+ Then out of the valleys, and off the hills
+ The raftmen came flocking with school-boy wills--
+ And 'twas ho! for the raft and the river again,
+ The raft and the river for rivermen.
+
+
+
+
+THE SCHOOL OF LIFE
+
+
+ Life is a school, and all that tread the earth
+ Are pupils in it. Its lessons all should learn,
+ And few there be who escape them--and they are fools.
+ At birth this school begins, at death it ends,
+ And many terms there be,--and faithful teachers
+ Not a few. Necessity is one;
+ For e'en the babe when first it feels the cool
+ And earthly air, and sees the light of day,
+ Shrinks from their touch, and cries aloud--herewith
+ It doth begin to learn the alphabet
+ Of life. Then hunger comes; and so to ease
+ Itself the babe doth learn to love the things
+ That give it life. Thus hour by hour, and day
+ By day it gathers knowledge at the school
+ But knows it not--even as wiser men,
+ Of knowledge full, know scarcely what they do.
+
+ And months pass by--the babe becomes a child,
+ Eager to learn, to imitate, to know,
+ Lisping the lessons of a higher grade,
+ Repeating words of wisdom, gems of truth
+ That others think the little thing should know;
+ Until at length in childish innocence
+ It leaves the kindergarten of the world,
+ And knocks upon the door of adult life,
+ And enters there, flushed with the lulling sense
+ Of something new. The playthings are forgot;
+ The little bells no longer please the ear,
+ The little books no longer feed the mind,
+ The little seats no longer suit the child,
+ The little friends no longer stir the soul,
+ For it hath learned the alphabet of life,
+ And put aside the primer once for all.
+ There is a longing now for deeper life
+ That fills the heart to overflow--there is
+ A tumult now within the swollen veins,
+ When, for the first, they feel a larger life
+ In unison close beating to its own--
+ There is a hatred of authority
+ And of restraint--a satisfaction now
+ As of a soul enamoured with itself,
+ A soul insolvent on the rising tide
+ Of pure existence, with such a stubborness
+ As mocks advice and takes a happy pace,
+ Securer of its own security.
+
+ And like the waters of a swollen stream,
+ That leaves its early channels far behind,
+ Youth ventures into unknown paths, full fed
+ By surging hopes, by sudden, deep desires,
+ By wild ambitions and a thousand things,
+ Unnamed and nameless--rivulets of life
+ That ever empty in this stirring stream.
+ Now would the student leave his school, and play
+ Among the hills, or in the valley's shade,--
+ Now would the scholar chafe at books
+ And knowledge and authority--rough banks
+ That, like a dyke, hold in life's mighty stream
+ Until the floods of Springtime can abate,
+ And in a clearer, safer channel course again.
+
+ So, with life's lessons still unlearned
+ Full many a scholar e'en would graduate
+ With highest honors, and in his pride
+ And surety of knowledge be a god
+ To give advice to those who should advise;
+ Forth full of wisdom would he quickly go,
+ And even issue take with all the world,
+ But when this truant-fever runs its course,
+ This hey-day of existence has its turn,
+ Back to the school the skulking scholar comes,
+ Like a whipped cur, and willing to be taught
+ By those same teachers he so lately spurn'd,
+ And left for larger things.
+ For manhood now
+ Is here--the errors and the follies, everyone,
+ By the wise student surely now are seen,
+ And in the book of life he reads with ready eye
+ The rules and lessons, and considers well
+ His bold instructors,--Want,--Adversity,--
+ And Disappointment, with her heavy hand;
+ The whip of Scorn, and Sorrow's bitter book,
+ And Sickness' long and tedious term,
+ And all the various teachers of the school.
+ And if perchance these lessons be forgot,
+ These, his instructors, will rehearse him well,
+ Lest he forget in later life these things,
+ And be a dullard in the school of schools,
+ A freshman wise in his own foolishness.
+
+ So manhood comes--and so it surely goes,
+ From grade to grade and term to term,
+ With all the questions and perplexing rules,
+ And devious methods of the Master-mind,
+ Who holds the key to all the questionings,
+ Yet leaves the student to himself alone,
+ Half puzzled by the figures on the dial
+ That tell the hour when he shall graduate
+ Above earth's petty problems, and shall hold
+ A clearance to that life which is to come,
+ And whereunto he graduates, perchance,
+ A better man.
+ A better man--if not,
+ So shall he go again in that same grade
+ Where like a laggard half-asleep in school,
+ He wakes to find himself a scholar still,
+ With all the vexing problems yet unsolved,
+ Which, in his idleness and lust of life,
+ Were left until the morrow, and the sun
+ To usher in another dreamless day.
+ So manhood comes--and so it surely goes,
+ Till those who here have studied to become
+ Proficient in the lessons of this life,
+ Shall be excused from school, and left to play
+ By running brooks and hills that shout for joy,
+ And living waters wild in their delight.
+
+ So is it meet that all should labor now
+ To learn these lessons well, so, when the day
+ Of graduation comes, a Voice will say:--
+ Well-done; perfect in life, perfect in death;
+ Receive thy rich reward, for thou hast found--
+ Perfection is the only key to Heaven.
+
+
+
+
+A VISIT FROM THE CRICKET
+
+
+I.
+
+ Thou shrill-voiced cricket there
+ In yonder corner,
+ Thou remindest me
+ Of joys departed, and of fair
+ And fallen summer. O little mourner,
+ Cease thy pensive fluting,
+ Lest a flood of melancholy,
+ Sad as thine,
+ That to my heart is suiting,
+ Encompass me--it is unholy
+ Thus to pine
+ For fallen joys or days departed,
+ E'en though thou art so broken-hearted,
+ For moments are divine.
+
+
+II.
+
+ Silent art thou?--thanks to thee,
+ O little cricket
+ Underneath my chair;
+ Thanks to thee--yet would I see
+ Thy shadow less--out to yon thicket!
+ There let thy dull repining
+ Drive where the winds are driven,
+ Nor deign to bring
+ Thy sorrows back--let such be given
+ To those in shades reclining
+ Who love to sing,
+ With thee, of dear departed Summer,
+ And hear again her sad funereal drummer,
+ Thou little, mournful thing.
+
+
+III.
+
+ One moment stay--why comest thou
+ With doleful ditty
+ Unbidden to my room;
+ Wee, dusky mourner, do not go,
+ But say--what is it claims thy pity,
+ And sets thee telling, telling
+ Such a solemn story
+ So to me,
+ As if there knelling, knelling
+ Of some departed glory
+ Dear to thee?
+ O sad musician, put aside thy fiddle,
+ And admit life is a riddle,
+ And Heaven holds the key.
+
+
+IV.
+
+ Thou mindest not; for hark!--again
+ Resounds thy racket
+ Shriller than before;
+ Singst thou this sad strain
+ As if befitting to thy ebon jacket,
+ With carvings curious,
+ And a color glossy,
+ Like old wine--
+ Tiny thing, be not so furious
+ And uneedful noisy;
+ Cease to pine
+ For something fled--for joys or hopes departed,
+ Or thou wilt make the angels broken-hearted,
+ O mourner most divine.
+
+
+
+
+IN PRAISE OF INEZ.
+
+
+ Sweet Inez, would that I might pledge
+ My thoughts to thee with line on line,
+ And prove, if tender words can prove,
+ That all my tender thoughts are thine.
+
+ Would that my feeble pen might pluck
+ From the green fields of poetry,
+ Some flower, sweet girl, wherewith to deck
+ Thy name so near, so dear to me.
+
+ Would that my hand might gather here
+ From the sweet fields of tender thought,
+ Some blossom, fragrant as the rose,
+ Some lily, lovely as I ought.
+
+ But why should I commit a sin
+ By wishing any flower for thee;
+ Thou art more beautiful, I know,
+ Than all the flowers of poetry.
+
+ What shall I then with thee compare,
+ To make a true comparison--
+ The dawning day, the dying light,
+ The rising or the setting sun?
+
+ At morn I see the early sun
+ Appear with glory in her eye,
+ But looking there, I think of thee,
+ And thinking of thee, for thee sigh.
+
+ At noon I see that fervid orb
+ Proclaim the sultry hour of day,
+ But looking there, I think of thee,
+ And thinking of thee, turn away.
+
+ At length I see that same bright sun
+ Descend below the western blue,
+ Yet looking there, I think of thee,
+ And thinking of thee love thee, too.
+
+ Fade then, ye flowers of the field,
+ And sink, ye dying beams of light,
+ But let, O let my Inez be
+ Forever present to my sight.
+
+
+
+
+THE CRIME OF CHRISTMASTIME.
+
+
+I.
+
+ Two thousand years!--two thousand years
+ Since Mary, with a mother's fears,
+ Brought forth for all humanities
+ The Christian of the centuries;
+ And now men turn from toil away
+ To celebrate his natal day
+ By feasting happy hours away
+ And giving gifts with lavish hand,
+ Throughout the length of every land;--
+ A noble custom nobly born
+ In Bethlehem one holy morn,
+ But intermingling with the good,
+ A pagan custom long has stood,
+ As you and I and all may see--
+ This war against the greenwood tree,
+ This robbing of posterity,--
+ Until the burden of my rhyme
+ Is of this crime of Christmastime.
+
+
+II.
+
+ The skies are white with soft moonlight;
+ In Christian lands the lamps burn bright,
+ In splendor gleaming from the walls
+ Of parlors and of festive halls;
+ Or yet, amid some snow-white choir,
+ Sweet maidens sing the world's desire,
+ Till, answering in low refrain,
+ The people all repeat the strain
+ Of "peace on earth, to men good-will,"
+ When sudden all the hall is still.
+
+ Then tender music, soft and low,
+ Heavenward seems to float and flow,
+ But--mid these glittering lights, O see
+ The stately form of greenwood tree!
+ Whose graceful arms are drooping wide
+ As grieving this fair Christmastide.
+
+
+III.
+
+ The hills are white with lovely light,
+ And everywhere the stars burn bright
+ In splendor gleaming on the wood,
+ Where once, in loyal familyhood,
+ The evergreens together stood,
+ But--now no vespers, sweet or low,
+ In happy measures upward flow,
+ For there--by Heaven's lights, O see
+ The absence of the greenwood tree!
+ Whose noble form once waiving wide,
+ This melancholy waste did hide.
+
+
+IV.
+
+ Yet here and there a lonely tree
+ Still sounds a mournful melody,
+ And answering, in low refrain,
+ The winds repeat the solemn strain,
+ Until the hills conscious of harm,
+ Awaken in a wild alarm,
+ Until, with trumpets to the sky,
+ They echo up to Heaven the cry:--
+ Ye Forests, rouse--shake off thy shroud,
+ And sound a protest, long and loud;
+ Ye Mountains, speak, and Heaven, chide
+ This carelessness of Christmastide--
+ And Man, thou prodigal of Time,
+ Bestir thyself--and heed my rhyme,
+ And curb this crime of Christmastime.
+
+
+
+
+THE MINER.
+
+
+ Beyond the beams of brightening day
+ A lonely miner, moving slow
+ Along a darkly winding way,
+ Is daily seen to go,
+ Where shines no sun or cheerful ray
+ To make those gloomy caverns gay.
+
+ For there no glorious morning light
+ Is burning in a cloudless sky
+ And there no banners flaming bright,
+ Are lifted heaven-high,
+ But that lone miner, far from sight,
+ Treads boundless realms of boundless night.
+
+ There neither brook nor lovely lawn
+ Allures the miner's weary eye,
+ For, having caught one glimpse of dawn,
+ With many an anxious sigh,
+ Those precious lights are left in pawn
+ To be by fainter hearts withdrawn.
+
+ Nor tender leaf nor fragrant flower
+ Dare penetrate that fearful gloom,
+ Where, low beneath a crumbling tower,
+ Or dark, resounding room,
+ Yon miner, in some evil hour,
+ A ruined prisoner may cower.
+
+ Yet, while the day is speeding on,
+ Far from those skies that shine so clear,
+ Far from the glory of the sun
+ And happy birds that cheer--
+ Hark!--through those echoing caves, anon
+ The hammer's merry monotone.
+
+ There, far from every happy sound
+ Of blithesome bird or cheerful song,
+ In yonder solitudes profound,
+ The miner, all day long,
+ Hears his own music echo round
+ Those deep-voiced caverns underground.
+
+ There, in that gloom which doth affright
+ Faint-hearted, sky-enamoured men,
+ The miner, with his little light,
+ Hews out a hollow den,
+ And seems to find some keen delight
+ Where others see but noisesome night.
+
+ Thus many a heart, along life's way,
+ Must labor where no cheerful sun
+ Of golden hopes or pleasures gay,
+ Shines till the day is done,
+ For where the deepest shadows play
+ The purest hearts are led astray.
+
+ Yet some, unseen by careless Fate,
+ Know naught of gloom or sorrow here.
+ But happily, with hearts elate,
+ They walk a charmed sphere,
+ And lightly laugh, or lightly prate
+ Of lonely souls left desolate.
+
+ So are we miners, great and small,
+ By sunny slope or lower gloom,
+ And day by day we hear a call
+ As from the distant tomb,
+ But, when the evening shadows fall,
+ The lights of home will gleam for all.
+
+
+
+
+LOVE OF COUNTRY.
+
+
+ Love of country is the life of war;
+ Love not your country then,
+ If loving it should lead you into war;
+ Oh do not be deceived--Love is broader,--
+ Love is broader than a wheatfield,
+ Love is broader than a landscape;
+ Do not be misled--love the world;
+ Begin at home--love your birthplace,
+ Then your county, then your state,
+ Then your country, then the countries
+ Of your brothers and sisters, who look
+ So much like you--like hands, like feet,
+ Like ears, like eyes, like lips; like sorrows,
+ Like hopes, like joys; like body, mind
+ And spirit, for the spirit of one man
+ Differeth not from the spirit of another,
+ Or high or low, or rich or poor, being
+ The same yesterday, to-day and forever.
+
+ Love of country is the life of war;
+ Love not your country then,
+ If loving it should lead you into war--
+ Should lead you into hatred
+ Of your neighbor's country--lead you
+ To strike down even unto death
+ Your brother who so resembles you,
+ Made in your image, and in the likeness
+ Of the living God.
+
+
+
+
+THE SINKING OF THE TITANIC
+
+
+ "Titanic!--rightly named, sir"--says the captain of the ship,
+ "And the safest of all vessels--now mark her maiden trip,"
+ And all think as the captain thinks--all her two thousand souls
+ As steadily out o'er the sea the stately vessel rolls.
+
+ For she is shod with iron and her frame is built of oak,
+ And stout hearts man the vessel, wherefore the captain spoke;
+ And with naught for pleasure lacking, so stately and so fair,
+ She seems a floating palace--fit for angels living there.
+ So "farewell," says merry England, "farewell" says each green isle,
+ "And blessings for this noble ship on her initial trial,
+ And praise be to her makers, and good-will to her crew,
+ And safety to her passengers"--take this as our adieu.
+
+ O there were pleasant partings as the vessel sail'd away,
+ And there was joy in every heart that pleasant April day,
+ And there were happy thoughts of home--of meeting kith and kin,
+ For the stately vessel soon would be her harbor safe within.
+
+ And so blue the sky above them and so blue the wave beneath,
+ That all,--all thought of living and no one thought of death,
+ As, hour by hour, the vessel left England far behind,
+ And, hour by hour, the ship sped on as speeds an ocean wind.
+
+ And when night came, with fond good-nights the floating city slept,
+ Yet ever o'er the rolling waves the mighty vessel swept,
+ And no one thought of danger--until with thunderous roar,
+ The great ship struck the rock-like ice, and shook from floor to
+ floor.
+
+ Then there was breaking timbers, and bulging plates of steel,
+ And noise of great commotion along that vessel's keel--
+ Then there were cries of anguish, and curses from rough men,
+ And earnest prayers for safety--O prayers for safety then.
+
+ For women wept in terror, and stout men drop'd a tear,
+ And the shouting and the tumult was maddening to hear,
+ Yet there amidst that seething the life-boats, one by one,
+ Were set adrift at midnight--where cold sea-rivers run.
+
+ Then, on that fated vessel, the thousand waited there
+ In hope some sea-born sister would snatch them from despair,
+ But no ship came to aid her, and, in the dead of night,
+ The noble ship Titanic sank suddenly from sight.
+
+ O midway in old ocean, in her darkest, deepest gloom,
+ A thousand brave hearts bravely went down to meet their doom,--
+ And what a tragic picture!--Oh, what a solemn sight
+ Upon that fated vessel with the stars still shining bright!
+
+ Then there was time for thinking--O time enough to spare,
+ And there was time for cursing and time enough for pray'r,--
+ Time,--time for retrospection, and time enough to die,
+ Time, time for life's great tragedy--and time to reason why.
+
+ That was the greatest battle that ever yet was fought;
+ That was the greatest picture on any canvas wrought;
+ That was the greatest lesson that mortal man can teach;
+ That was the greatest sermon that priests of earth can preach.
+
+ Yet no one fought that battle with saber or with gun,
+ And no one saw that picture, save those brave hearts alone,
+ And no one read that lesson there written in the dark,
+ And no one heard that sermon that went straight to its mark.
+
+ Nor shall we know their story, the saddest of the sea,
+ Or shall we learn the sequel, the sorrow yet to be,
+ But long shall we remember how brave men bravely died
+ For some poor, lowly woman with a baby at her side.
+
+ And when the world gets scorning the greatest of the great,
+ When poverty sits cursing the man of large estate,
+ O then let men remember, how, in that awful hour,
+ The wealth of all the world was powerless in its power.
+
+
+
+
+WAR AND PEACE.
+
+
+ War is hell!--war is hell!--
+ This is what the war-men yell
+ Yet they love to be in hell,
+ Love to hear the iron hail
+ Strike, till even strong men quail;
+ Love the dying soldier's knell,
+ Ringing shot and shrieking shell,
+ Love to hear the battle-cry,
+ Love to see men fight and die
+ With the struggle in their eye--
+ War is hell--war is hell,--
+ This is what the war-men yell.
+
+ War is wrong--war is wrong;
+ This the burden of my song:
+ War is wrong--war is wrong--
+ Sound the pean, human tongue;
+ Let the message far be flung--
+ Sound it, sound it heaven-high,
+ Sound it to the starry sky,
+ And Heaven, repeat the echoing,
+ Till all the earth of peace shall sing.
+
+ Peace loves day, but war loves night;
+ Peace loves calmness, war--to fight
+ In the wrong or in the right;
+ Peace the hungry man gives bread,
+ War would give a stone instead;
+ Peace is honest--not so war,
+ Crying--any way is fair;
+ Peace loves life--War loves the dead
+ With a halo overhead;
+ Peace pleads justice--War cries might
+ In the wrong or in the right;
+ Peace pleads--love your fellow-man,
+ War cries--kill him if you can;
+ Peace no evil thing would slight,
+ Yet while daring dares not fight,
+ Knowing might makes nothing right;
+ Peace means liberty and life,
+ War means enmity and strife;
+ Peace means plenty, peace means power,
+ War means--hell, and would devour
+ All who do not trust its power;
+ Peace means joy and love tomorrow,
+ War means hatred, death and sorrow;
+ Peace says--Bless you--men are brothers,
+ War says--Damn you, and all others.
+
+ War is hell, war is hell!--
+ This is what the war-men yell;
+ War is wrong, war is wrong--
+ This the burden of my song;
+ War is wrong, war is wrong,
+ There never was a just one,
+ Never;
+ There never was a just one,
+ Never.
+ True as two from two leaves none,
+ True as days are never done,
+ True as rivers downward run,
+ True as heaven holds the sun,--
+ War is wrong, war is wrong,
+ There never was a just one,
+ Never;
+ There never was a just one,
+ Never--
+ Sound the message, human tongue,
+ Sound it, sound it heaven-high,
+ Sound it to the starry sky,
+ And Heaven, repeat the echoing
+ Till all the earth of peace shall sing.
+
+
+
+
+PEACE AND WAR.
+
+
+ Blest is that man who first cries peace,
+ But curst is he who first cries war,
+ For war is murder. It must cease
+ Forever and from everywhere.
+
+
+
+
+TO ANDREW CARNEGIE.
+
+
+ Philanthropist, far-sighted millionaire,
+ Lover of prose and friend of poetry,
+ What needs my pen in furtherance declare
+ Thou art also a friend of liberty,--
+ Thou art, indeed, a very Prince of Peace,
+ Who, conscious of the uselessness of war,
+ Believest man's red carnage soon should cease,
+ And nations now for nobler things prepare:
+ What needs my pen in furtherance recite
+ Thy kindly interest in the weal of man--
+ Yet, lacking need, I nothing lose to write,
+ But rather gain in praising as I can,
+ For, if thy wealth the world sweet peace may give,
+ Perhaps my lines in praise of peace may live.
+
+
+
+
+ Press of
+ [Illustration: TYPOGRAPHICAL
+ UNION LABEL CARBONDALE PA]
+ Munn's Review
+
+
+
+
+ Transcriber's notes:
+
+ The index entries for "The Miner" and "Love of Country" have been
+ moved from after "The Sinking of the Titanic".
+
+ In "The Miner" a stanza break was inserted before the line
+ "Nor tender leaf nor fragrant flower".
+
+ The following is a list of other changes made to the original.
+ The first line is the original line, the second the corrected one.
+
+ And prohesy too plainly the unseen;
+ And prophesy too plainly the unseen;
+
+ As mocks advce and takes a happy pace,
+ As mocks advice and takes a happy pace,
+
+ These, his instructors, will reherse him well,
+ These, his instructors, will rehearse him well,
+
+ Ringing shot and shreiking shell,
+ Ringing shot and shrieking shell,
+
+ Thou are also a friend of liberty,--
+ Thou art also a friend of liberty,--
+
+ Believeth man's red carnage soon should cease,
+ Believest man's red carnage soon should cease,
+
+
+
+
+
+End of Project Gutenberg's The Calendar and Other Verses, by Irving Sidney Dix
+
+*** END OF THE PROJECT GUTENBERG EBOOK 42306 ***