diff options
Diffstat (limited to '42449-h')
| -rw-r--r-- | 42449-h/42449-h.htm | 496 |
1 files changed, 41 insertions, 455 deletions
diff --git a/42449-h/42449-h.htm b/42449-h/42449-h.htm index 48052c1..2ac2a9f 100644 --- a/42449-h/42449-h.htm +++ b/42449-h/42449-h.htm @@ -3,7 +3,7 @@ <html xmlns="http://www.w3.org/1999/xhtml"> <head> - <meta http-equiv="Content-Type" content="text/html;charset=iso-8859-1" /> + <meta http-equiv="Content-Type" content="text/html;charset=UTF-8" /> <meta http-equiv="Content-Style-Type" content="text/css" /> <title> The Project Gutenberg eBook of My Wonderful Visit, by Charlie Chaplin. @@ -152,45 +152,7 @@ td {padding-right: 1em;} </style> </head> <body> - - -<pre> - -The Project Gutenberg EBook of My Wonderful Visit, by Charlie Chaplin - -This eBook is for the use of anyone anywhere at no cost and with -almost no restrictions whatsoever. You may copy it, give it away or -re-use it under the terms of the Project Gutenberg License included -with this eBook or online at www.gutenberg.org - - -Title: My Wonderful Visit - -Author: Charlie Chaplin - -Release Date: March 31, 2013 [EBook #42449] - -Language: English - -Character set encoding: ISO-8859-1 - -*** START OF THIS PROJECT GUTENBERG EBOOK MY WONDERFUL VISIT *** - - - - -Produced by Melissa McDaniel and the Online Distributed -Proofreading Team at http://www.pgdp.net (This file was -produced from images generously made available by The -Internet Archive) - - - - - - -</pre> - +<div>*** START OF THE PROJECT GUTENBERG EBOOK 42449 ***</div> <div class="tnbox"> <p class="center"><b>Transcriber's Note:</b></p> @@ -461,7 +423,7 @@ I had been promising myself for years.</p> <p>I thought it over. I had never been present at the first showing of one of my pictures. Their -début to me had been in Los Angeles projection +début to me had been in Los Angeles projection rooms. I had been missing something vital and stimulating. I had success, but it was stored away somewhere. I had never opened the package and @@ -879,7 +841,7 @@ showing before the public.</p> <p>Before the opening of Doug's picture we were to have dinner together, Mary and Doug, Mrs. -Condé Nast and I.</p> +Condé Nast and I.</p> <p>I felt very embarrassed at meeting Mrs. Nast again. Somewhere there lurks in my memory a @@ -1058,7 +1020,7 @@ musicians, sculptors, painters—all of them interesting people. I go there often whenever I am in New York. It was a brilliant party, Heywood Broun, Frank Crowninshield, Harrison -Rhodes, Edward Knoblock, Condé Nast, +Rhodes, Edward Knoblock, Condé Nast, Alexander Woolcott—but I can't remember all the names. I wish all meals were as pleasant.</p> @@ -1271,7 +1233,7 @@ talked over the arrangements of a dinner which I am giving to a few intimate friends. Frank is my social mentor, though I care little about society in the general acceptance of the term. We arranged -for a table at the Elysée Café and it was to be a +for a table at the Elysée Café and it was to be a mixed party. <span class="pagenum"><a name="Page_33" id="Page_33">33</a></span></p> @@ -1361,7 +1323,7 @@ situation in Russia.</p> <p>For me the party was a great success. I succeeded in forgetting myself for a while. I hope the rest of them managed to do the same thing. From -the café the party went over to a little girl's house—she +the café the party went over to a little girl's house—she was a friend of Mr. Woolcott—and again we burst forth in music and dancing. We made a complete evening of it and I went to bed tired and @@ -1428,7 +1390,7 @@ lawyers.</p> <p>The crowds of reporters, photographers, all sorts of traffic, pushing, shoving, opening passports, <span class="pagenum"><a name="Page_37" id="Page_37">37</a></span> -visés O.K.'d, stamped, in perfect, almost clocklike +visés O.K.'d, stamped, in perfect, almost clocklike precision, I am shoved aboard.</p> <p>The newspaper battery pictorial and reportorial. @@ -3983,7 +3945,7 @@ to the Elephant and Castle, where we pull up at a coffee store. The same old London coffee store, with its bad coffee and tea.</p> -<p>There are a few pink-cheeked roués around and +<p>There are a few pink-cheeked roués around and a couple of old derelicts. Then there are a lot of painted ladies, many of them with young men and the rest of them looking for young men. Some of @@ -4268,8 +4230,8 @@ just for the purpose of reading and classifying them.</p> <p>We found that there were 73,000 letters or cards addressed to me during the first three days in London, and of this number more than 28,000 were -begging letters—letters begging anywhere from £1 -to £100,000.</p> +begging letters—letters begging anywhere from £1 +to £100,000.</p> <p>Countless and varied were the reasons set forth. Some were ridiculous. Some were amusing. @@ -4442,7 +4404,7 @@ suitable."</p> <p>A West End moneylender has forwarded his business card, which states: "Should you require temporary cash accommodation, I am prepared to -advance you £50 to £10,000 on note of hand alone, +advance you £50 to £10,000 on note of hand alone, without fees or delay. All communications strictly private and confidential."</p> @@ -4576,7 +4538,7 @@ enjoyable stay in your home country."</p> should be very proud if you could spare an afternoon to come to tea. We should love to give you a real old-fashioned Scotch tea, if you would care to come. -We know you will be fêted, and everyone will want +We know you will be fêted, and everyone will want you, but if you feel tired and want a wee rest come out quietly to us. If it wasn't for your dear funny ways on the screen during the war we would all @@ -5091,7 +5053,7 @@ over him and his furniture.</p> <p>There is the Queen's Theatre, bringing forward a mental picture of little Gina of Chinatown, who stopped a panic in the fire-frightened audience of -the playhouse as her début offering on the stage. +the playhouse as her début offering on the stage. Little Gina, who brought the whole neighbourhood to her feet in her joyous dancing delight. Little Gina, who at fourteen had lived, laughed, and @@ -5186,7 +5148,7 @@ Sonny, and was made an honorary member of the club.</p> <p>It is amazing how much Europe is aping -America, particularly with its dance music. In cafés +America, particularly with its dance music. In cafés you hear all the popular airs that are being played on Broadway. The American influence has been felt to such an extent that King Jazz is a universal @@ -5448,7 +5410,7 @@ and in the light of a full moon we get a gorgeous view of London. Lying before us in the soft, mellow rays of the moon, London looks as though human, and I feel that we are rather in the Peeping -Tom <i>rôle</i>. +Tom <i>rôle</i>. <span class="pagenum"><a name="Page_145" id="Page_145">145</a></span></p> <p>I exclaim, "The indecent moon."</p> @@ -5655,7 +5617,7 @@ train pulls out and a few intrepid ones run alongside until distanced by steam and steel.</p> <p>We go into the dining-room and here is a fresh -surprise. The dinner is <i>table d'hôte</i> and three +surprise. The dinner is <i>table d'hôte</i> and three waiters are serving it. Everyone is served at once, and as one man is taking up the soup plates another is serving the next course. Here is French @@ -5732,11 +5694,11 @@ and have a good time, anyhow.</p> <p>He stays to dinner, which is a hectic meal, for through it all I am tasting this Paris, this Paris that -is waiting for me. We go out and to the Folies Bergère. +is waiting for me. We go out and to the Folies Bergère. Paris does not seem as light as I expected it to be.</p> -<p>And the Folies Bergère seems shabbier. I +<p>And the Folies Bergère seems shabbier. I remember having played here once myself with a pantomime act. How grand it looked then. Rather antiquated now. Somehow it saddened @@ -5818,7 +5780,7 @@ he manages to ask:—</p> </div> <p>Waldo Frank and I sit on a bench in the Champs -Elysées and watch the wagons going to market +Elysées and watch the wagons going to market in the early morning. Paris seems most beautiful to me just at this time.</p> @@ -5955,7 +5917,7 @@ the fact that I wanted to remain incognito.</p> <p>The patron was such a perfect host. Ancient and white bearded, he served us with a finesse that was pure artistry. Then at his command one -named Réné Chedecal, with a sad, haunted face, +named Réné Chedecal, with a sad, haunted face, played upon the violin.</p> <p>That little house sheltered music that night. He @@ -5998,13 +5960,13 @@ and actors in France, who manages and directs in his own theatre. We go to the circus together and I never saw so many sad-faced clowns. We dine together, and late that night I have supper with -Copeau's company in a café in the Latin Quarter. +Copeau's company in a café in the Latin Quarter. It is a gay night, lasting until about three in the morning.</p> <p>Frank and I set out to walk home together, but the section is too fascinating. Along about four -o'clock we drift into another café, dimly lit but well +o'clock we drift into another café, dimly lit but well <span class="pagenum"><a name="Page_160" id="Page_160">160</a></span> attended. We sit there for some time, studying the various occupants.</p> @@ -6028,7 +5990,7 @@ the girls.</p> very conspicuous. A gentleman by his bearing, debonair and graceful, he looks the very picture of an impecunious count. He is visiting all the tables -in the café. At most of them he calls the girls by +in the café. At most of them he calls the girls by their first names.</p> <p>He is taking up a collection for the musicians. @@ -6162,7 +6124,7 @@ just a bit.</p> foreigners, and I detect a tinge of bitterness, too. I am wondering about my pictures making their <span class="pagenum"><a name="Page_165" id="Page_165">165</a></span> -début here. I question the power of my personality +début here. I question the power of my personality without its background of reputation.</p> <p>I am feeling more restful under this disinterested @@ -6213,9 +6175,9 @@ is interesting to watch the people strolling during the intermission, drinking lager and eating all sorts of food.</p> -<p>Leaving the theatre, we visit the Scala Café, a +<p>Leaving the theatre, we visit the Scala Café, a sort of impressionistic casino. The Scala is one -of the largest cafés in Berlin, where the modernist +of the largest cafés in Berlin, where the modernist style in architecture has been carried out fully.</p> <p>The walls are deep mottled sea green, shading @@ -6345,7 +6307,7 @@ am fascinated as I wander through houses mounted on shaky stilts and courts ancient but cleanly.</p> <p>Then we drove to Acker Street and gazed into -courts and basements. In a café we talked to men +courts and basements. In a café we talked to men and women and drank beer. I almost launched a new war when, wishing to pay a charge of one hundred and eighty marks, I pulled from my pocket @@ -6411,7 +6373,7 @@ gatherings that Prohibition has brought to America.</p> <p>There are no signs, however, from the outside of any activity, and you are compelled to go up dark passages and suddenly come upon gaily lit rooms -very similar to Parisian cafés.</p> +very similar to Parisian cafés.</p> <p>Dancing and popping corks are the first impression as I enter. We are taken in hand by two girls @@ -6518,7 +6480,7 @@ delve deeper into this atmosphere.</p> <p>We are all introduced, but there are too many people for me to try to remember names. There -are herrs, fräuleins, and fraus galore, and I find it +are herrs, fräuleins, and fraus galore, and I find it hard to keep even their sex salutations correct. Some one is making a long, formal speech in German, and everybody is watching him @@ -6792,7 +6754,7 @@ to get opportunity." <span class="pagenum"><a name="Page_182" id="Page_182">182</a></span></p> <p>She is just twenty years old and has been in the -café for two weeks, coming there from Turkey, to +café for two weeks, coming there from Turkey, to which country she fled following her escape from Russia.</p> @@ -6811,7 +6773,7 @@ hidden?</p> <p>Due at Sir Philip Sassoon's for a garden party the next day, I decide to go there in an aeroplane and I leave the Le Bourget aerodrome in Paris in a -plane of La Compagnie des Messageries Aériennes, +plane of La Compagnie des Messageries Aériennes, and at special request the pilot landed me at Lympne in Kent and I thereby avoided the crowd that would have been on hand in London.</p> @@ -6868,7 +6830,7 @@ his teeth. I looked at the signs. They were mottoes: "Never Say Die," "Are We Downhearted?" A superman.</p> -<p>Here is a lad who must take an anæsthetic whenever +<p>Here is a lad who must take an anæsthetic whenever his nails are cut because of his twisted limbs. <span class="pagenum"><a name="Page_184" id="Page_184">184</a></span> And he is smiling and to all appearances happy. @@ -7117,7 +7079,7 @@ Europe. It's so worth while. <br /> FAREWELLS TO PARIS AND LONDON</h2> -<p class="p2">I had promised to attend the <i>première</i> showing +<p class="p2">I had promised to attend the <i>première</i> showing of "The Kid" in Paris, and I went back to the French capital as I came, via aeroplane. The trip was uneventful, and on landing and going @@ -7125,7 +7087,7 @@ to my hotel I find a message from Doug Fairbanks. He and Mary had arrived in Paris and were stopping at the Crillon. They asked me over for a chat but I was too tired. Doug promised to -attend the <i>première</i> at the Trocadero Theatre.</p> +attend the <i>première</i> at the Trocadero Theatre.</p> <p>During the afternoon there came 250 souvenir programmes to be autographed. These were to be @@ -7139,7 +7101,7 @@ the gendarmes had their hands full.</p> <p>Paris had declared a holiday for this occasion, and as the proceeds of the entertainment were to -be given to the fund for devastated France the élite +be given to the fund for devastated France the élite of the country were there. I am introduced to Ambassador Herrick, then shown to my box and introduced to the Ministers of the French Cabinet. @@ -7167,7 +7129,7 @@ Elsa Maxwell, Princess Sutzo, Vice-Admiral and Mrs. Albert P. Niblack, Comte and Comtesse Cardelli, Duchess de Talleyrand, Col. and Mrs. N. D. Jay, Col. Bunau Varila, Marquise de -Talleyrand-Périgord, Marquis and Marquise de +Talleyrand-Périgord, Marquis and Marquise de Chambrun, Miss Viola Cross, Miss Elsie De Wolf, Marquis and Marquise de Dampierre, and Mr. and Mrs. Theodore Rousseau.</p> @@ -7573,7 +7535,7 @@ is made of the stuff that marks the true aristocrat. He is an inspiration. He talked just enough, never too much. The intonation of his voice and his sense of beauty as he appreciated the dawn stamped -him as of the élite—the real élite, not the Blue Book +him as of the élite—the real élite, not the Blue Book variety. <span class="pagenum"><a name="Page_203" id="Page_203">203</a></span></p> @@ -7929,7 +7891,7 @@ at the wonders of a New York night.</p> is something electrical in the air. It is a driving force. You must do things."</p> -<p>We go to a café, where the élite of New York +<p>We go to a café, where the élite of New York <span class="pagenum"><a name="Page_213" id="Page_213">213</a></span> are gathered, and dance until midnight. I bid them good-bye, hoping to meet them later when they @@ -8198,7 +8160,7 @@ beautiful places?</p> <p>Next day everything is bustling, getting ready for the trip back to Los Angeles. I sneak out in -the excitement and go to a matinée to see Marie +the excitement and go to a matinée to see Marie Doro in "Lilies of the Field," and that night to <span class="pagenum"><a name="Page_220" id="Page_220">220</a></span> "The Hero," a splendid play. A young actor, @@ -8318,382 +8280,6 @@ BREAM'S BUILDINGS, LONDON, E.C. 4.</p> <p class="center "><i>In crown 8vo, cloth, with frontispiece</i>, <b>3s. 6d.</b> <i>net</i>. <i>In strong paper cover</i>, <b>2s. 6d.</b> <i>net</i></p> - - - - - - - -<pre> - - - - - -End of the Project Gutenberg EBook of My Wonderful Visit, by Charlie Chaplin - -*** END OF THIS PROJECT GUTENBERG EBOOK MY WONDERFUL VISIT *** - -***** This file should be named 42449-h.htm or 42449-h.zip ***** -This and all associated files of various formats will be found in: - http://www.gutenberg.org/4/2/4/4/42449/ - -Produced by Melissa McDaniel and the Online Distributed -Proofreading Team at http://www.pgdp.net (This file was -produced from images generously made available by The -Internet Archive) - - -Updated editions will replace the previous one--the old editions -will be renamed. - -Creating the works from public domain print editions means that no -one owns a United States copyright in these works, so the Foundation -(and you!) can copy and distribute it in the United States without -permission and without paying copyright royalties. Special rules, -set forth in the General Terms of Use part of this license, apply to -copying and distributing Project Gutenberg-tm electronic works to -protect the PROJECT GUTENBERG-tm concept and trademark. Project -Gutenberg is a registered trademark, and may not be used if you -charge for the eBooks, unless you receive specific permission. If you -do not charge anything for copies of this eBook, complying with the -rules is very easy. You may use this eBook for nearly any purpose -such as creation of derivative works, reports, performances and -research. They may be modified and printed and given away--you may do -practically ANYTHING with public domain eBooks. Redistribution is -subject to the trademark license, especially commercial -redistribution. - - - -*** START: FULL LICENSE *** - -THE FULL PROJECT GUTENBERG LICENSE -PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK - -To protect the Project Gutenberg-tm mission of promoting the free -distribution of electronic works, by using or distributing this work -(or any other work associated in any way with the phrase "Project -Gutenberg"), you agree to comply with all the terms of the Full Project -Gutenberg-tm License available with this file or online at - www.gutenberg.org/license. - - -Section 1. General Terms of Use and Redistributing Project Gutenberg-tm -electronic works - -1.A. By reading or using any part of this Project Gutenberg-tm -electronic work, you indicate that you have read, understand, agree to -and accept all the terms of this license and intellectual property -(trademark/copyright) agreement. If you do not agree to abide by all -the terms of this agreement, you must cease using and return or destroy -all copies of Project Gutenberg-tm electronic works in your possession. -If you paid a fee for obtaining a copy of or access to a Project -Gutenberg-tm electronic work and you do not agree to be bound by the -terms of this agreement, you may obtain a refund from the person or -entity to whom you paid the fee as set forth in paragraph 1.E.8. - -1.B. "Project Gutenberg" is a registered trademark. It may only be -used on or associated in any way with an electronic work by people who -agree to be bound by the terms of this agreement. There are a few -things that you can do with most Project Gutenberg-tm electronic works -even without complying with the full terms of this agreement. See -paragraph 1.C below. There are a lot of things you can do with Project -Gutenberg-tm electronic works if you follow the terms of this agreement -and help preserve free future access to Project Gutenberg-tm electronic -works. See paragraph 1.E below. - -1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" -or PGLAF), owns a compilation copyright in the collection of Project -Gutenberg-tm electronic works. Nearly all the individual works in the -collection are in the public domain in the United States. If an -individual work is in the public domain in the United States and you are -located in the United States, we do not claim a right to prevent you from -copying, distributing, performing, displaying or creating derivative -works based on the work as long as all references to Project Gutenberg -are removed. Of course, we hope that you will support the Project -Gutenberg-tm mission of promoting free access to electronic works by -freely sharing Project Gutenberg-tm works in compliance with the terms of -this agreement for keeping the Project Gutenberg-tm name associated with -the work. You can easily comply with the terms of this agreement by -keeping this work in the same format with its attached full Project -Gutenberg-tm License when you share it without charge with others. - -1.D. The copyright laws of the place where you are located also govern -what you can do with this work. Copyright laws in most countries are in -a constant state of change. If you are outside the United States, check -the laws of your country in addition to the terms of this agreement -before downloading, copying, displaying, performing, distributing or -creating derivative works based on this work or any other Project -Gutenberg-tm work. The Foundation makes no representations concerning -the copyright status of any work in any country outside the United -States. - -1.E. Unless you have removed all references to Project Gutenberg: - -1.E.1. The following sentence, with active links to, or other immediate -access to, the full Project Gutenberg-tm License must appear prominently -whenever any copy of a Project Gutenberg-tm work (any work on which the -phrase "Project Gutenberg" appears, or with which the phrase "Project -Gutenberg" is associated) is accessed, displayed, performed, viewed, -copied or distributed: - -This eBook is for the use of anyone anywhere at no cost and with -almost no restrictions whatsoever. You may copy it, give it away or -re-use it under the terms of the Project Gutenberg License included -with this eBook or online at www.gutenberg.org - -1.E.2. If an individual Project Gutenberg-tm electronic work is derived -from the public domain (does not contain a notice indicating that it is -posted with permission of the copyright holder), the work can be copied -and distributed to anyone in the United States without paying any fees -or charges. If you are redistributing or providing access to a work -with the phrase "Project Gutenberg" associated with or appearing on the -work, you must comply either with the requirements of paragraphs 1.E.1 -through 1.E.7 or obtain permission for the use of the work and the -Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or -1.E.9. - -1.E.3. If an individual Project Gutenberg-tm electronic work is posted -with the permission of the copyright holder, your use and distribution -must comply with both paragraphs 1.E.1 through 1.E.7 and any additional -terms imposed by the copyright holder. Additional terms will be linked -to the Project Gutenberg-tm License for all works posted with the -permission of the copyright holder found at the beginning of this work. - -1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm -License terms from this work, or any files containing a part of this -work or any other work associated with Project Gutenberg-tm. - -1.E.5. Do not copy, display, perform, distribute or redistribute this -electronic work, or any part of this electronic work, without -prominently displaying the sentence set forth in paragraph 1.E.1 with -active links or immediate access to the full terms of the Project -Gutenberg-tm License. - -1.E.6. You may convert to and distribute this work in any binary, -compressed, marked up, nonproprietary or proprietary form, including any -word processing or hypertext form. However, if you provide access to or -distribute copies of a Project Gutenberg-tm work in a format other than -"Plain Vanilla ASCII" or other format used in the official version -posted on the official Project Gutenberg-tm web site (www.gutenberg.org), -you must, at no additional cost, fee or expense to the user, provide a -copy, a means of exporting a copy, or a means of obtaining a copy upon -request, of the work in its original "Plain Vanilla ASCII" or other -form. Any alternate format must include the full Project Gutenberg-tm -License as specified in paragraph 1.E.1. - -1.E.7. Do not charge a fee for access to, viewing, displaying, -performing, copying or distributing any Project Gutenberg-tm works -unless you comply with paragraph 1.E.8 or 1.E.9. - -1.E.8. You may charge a reasonable fee for copies of or providing -access to or distributing Project Gutenberg-tm electronic works provided -that - -- You pay a royalty fee of 20% of the gross profits you derive from - the use of Project Gutenberg-tm works calculated using the method - you already use to calculate your applicable taxes. The fee is - owed to the owner of the Project Gutenberg-tm trademark, but he - has agreed to donate royalties under this paragraph to the - Project Gutenberg Literary Archive Foundation. Royalty payments - must be paid within 60 days following each date on which you - prepare (or are legally required to prepare) your periodic tax - returns. Royalty payments should be clearly marked as such and - sent to the Project Gutenberg Literary Archive Foundation at the - address specified in Section 4, "Information about donations to - the Project Gutenberg Literary Archive Foundation." - -- You provide a full refund of any money paid by a user who notifies - you in writing (or by e-mail) within 30 days of receipt that s/he - does not agree to the terms of the full Project Gutenberg-tm - License. You must require such a user to return or - destroy all copies of the works possessed in a physical medium - and discontinue all use of and all access to other copies of - Project Gutenberg-tm works. - -- You provide, in accordance with paragraph 1.F.3, a full refund of any - money paid for a work or a replacement copy, if a defect in the - electronic work is discovered and reported to you within 90 days - of receipt of the work. - -- You comply with all other terms of this agreement for free - distribution of Project Gutenberg-tm works. - -1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm -electronic work or group of works on different terms than are set -forth in this agreement, you must obtain permission in writing from -both the Project Gutenberg Literary Archive Foundation and Michael -Hart, the owner of the Project Gutenberg-tm trademark. Contact the -Foundation as set forth in Section 3 below. - -1.F. - -1.F.1. Project Gutenberg volunteers and employees expend considerable -effort to identify, do copyright research on, transcribe and proofread -public domain works in creating the Project Gutenberg-tm -collection. Despite these efforts, Project Gutenberg-tm electronic -works, and the medium on which they may be stored, may contain -"Defects," such as, but not limited to, incomplete, inaccurate or -corrupt data, transcription errors, a copyright or other intellectual -property infringement, a defective or damaged disk or other medium, a -computer virus, or computer codes that damage or cannot be read by -your equipment. - -1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right -of Replacement or Refund" described in paragraph 1.F.3, the Project -Gutenberg Literary Archive Foundation, the owner of the Project -Gutenberg-tm trademark, and any other party distributing a Project -Gutenberg-tm electronic work under this agreement, disclaim all -liability to you for damages, costs and expenses, including legal -fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT -LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE -PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE -TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE -LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR -INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH -DAMAGE. - -1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a -defect in this electronic work within 90 days of receiving it, you can -receive a refund of the money (if any) you paid for it by sending a -written explanation to the person you received the work from. If you -received the work on a physical medium, you must return the medium with -your written explanation. The person or entity that provided you with -the defective work may elect to provide a replacement copy in lieu of a -refund. If you received the work electronically, the person or entity -providing it to you may choose to give you a second opportunity to -receive the work electronically in lieu of a refund. If the second copy -is also defective, you may demand a refund in writing without further -opportunities to fix the problem. - -1.F.4. Except for the limited right of replacement or refund set forth -in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO OTHER -WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO -WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE. - -1.F.5. Some states do not allow disclaimers of certain implied -warranties or the exclusion or limitation of certain types of damages. -If any disclaimer or limitation set forth in this agreement violates the -law of the state applicable to this agreement, the agreement shall be -interpreted to make the maximum disclaimer or limitation permitted by -the applicable state law. The invalidity or unenforceability of any -provision of this agreement shall not void the remaining provisions. - -1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the -trademark owner, any agent or employee of the Foundation, anyone -providing copies of Project Gutenberg-tm electronic works in accordance -with this agreement, and any volunteers associated with the production, -promotion and distribution of Project Gutenberg-tm electronic works, -harmless from all liability, costs and expenses, including legal fees, -that arise directly or indirectly from any of the following which you do -or cause to occur: (a) distribution of this or any Project Gutenberg-tm -work, (b) alteration, modification, or additions or deletions to any -Project Gutenberg-tm work, and (c) any Defect you cause. - - -Section 2. Information about the Mission of Project Gutenberg-tm - -Project Gutenberg-tm is synonymous with the free distribution of -electronic works in formats readable by the widest variety of computers -including obsolete, old, middle-aged and new computers. It exists -because of the efforts of hundreds of volunteers and donations from -people in all walks of life. - -Volunteers and financial support to provide volunteers with the -assistance they need are critical to reaching Project Gutenberg-tm's -goals and ensuring that the Project Gutenberg-tm collection will -remain freely available for generations to come. In 2001, the Project -Gutenberg Literary Archive Foundation was created to provide a secure -and permanent future for Project Gutenberg-tm and future generations. -To learn more about the Project Gutenberg Literary Archive Foundation -and how your efforts and donations can help, see Sections 3 and 4 -and the Foundation information page at www.gutenberg.org - - -Section 3. Information about the Project Gutenberg Literary Archive -Foundation - -The Project Gutenberg Literary Archive Foundation is a non profit -501(c)(3) educational corporation organized under the laws of the -state of Mississippi and granted tax exempt status by the Internal -Revenue Service. The Foundation's EIN or federal tax identification -number is 64-6221541. Contributions to the Project Gutenberg -Literary Archive Foundation are tax deductible to the full extent -permitted by U.S. federal laws and your state's laws. - -The Foundation's principal office is located at 4557 Melan Dr. S. -Fairbanks, AK, 99712., but its volunteers and employees are scattered -throughout numerous locations. Its business office is located at 809 -North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email -contact links and up to date contact information can be found at the -Foundation's web site and official page at www.gutenberg.org/contact - -For additional contact information: - Dr. Gregory B. Newby - Chief Executive and Director - gbnewby@pglaf.org - -Section 4. Information about Donations to the Project Gutenberg -Literary Archive Foundation - -Project Gutenberg-tm depends upon and cannot survive without wide -spread public support and donations to carry out its mission of -increasing the number of public domain and licensed works that can be -freely distributed in machine readable form accessible by the widest -array of equipment including outdated equipment. Many small donations -($1 to $5,000) are particularly important to maintaining tax exempt -status with the IRS. - -The Foundation is committed to complying with the laws regulating -charities and charitable donations in all 50 states of the United -States. Compliance requirements are not uniform and it takes a -considerable effort, much paperwork and many fees to meet and keep up -with these requirements. We do not solicit donations in locations -where we have not received written confirmation of compliance. To -SEND DONATIONS or determine the status of compliance for any -particular state visit www.gutenberg.org/donate - -While we cannot and do not solicit contributions from states where we -have not met the solicitation requirements, we know of no prohibition -against accepting unsolicited donations from donors in such states who -approach us with offers to donate. - -International donations are gratefully accepted, but we cannot make -any statements concerning tax treatment of donations received from -outside the United States. U.S. laws alone swamp our small staff. - -Please check the Project Gutenberg Web pages for current donation -methods and addresses. Donations are accepted in a number of other -ways including checks, online payments and credit card donations. -To donate, please visit: www.gutenberg.org/donate - - -Section 5. General Information About Project Gutenberg-tm electronic -works. - -Professor Michael S. Hart was the originator of the Project Gutenberg-tm -concept of a library of electronic works that could be freely shared -with anyone. For forty years, he produced and distributed Project -Gutenberg-tm eBooks with only a loose network of volunteer support. - -Project Gutenberg-tm eBooks are often created from several printed -editions, all of which are confirmed as Public Domain in the U.S. -unless a copyright notice is included. Thus, we do not necessarily -keep eBooks in compliance with any particular paper edition. - -Most people start at our Web site which has the main PG search facility: - - www.gutenberg.org - -This Web site includes information about Project Gutenberg-tm, -including how to make donations to the Project Gutenberg Literary -Archive Foundation, how to help produce our new eBooks, and how to -subscribe to our email newsletter to hear about new eBooks. - - -</pre> - +<div>*** END OF THE PROJECT GUTENBERG EBOOK 42449 ***</div> </body> </html> |