diff options
| author | nfenwick <nfenwick@pglaf.org> | 2025-03-07 21:52:56 -0800 |
|---|---|---|
| committer | nfenwick <nfenwick@pglaf.org> | 2025-03-07 21:52:56 -0800 |
| commit | 6c98cfe0931bab0bdcc0d83846443e706bb83cbe (patch) | |
| tree | 4d62989a556f8a415fbbb2d66b0688f4448010e7 /42779-h | |
| parent | 2126cef2de334c22b891227fc98b58b1d4f4be53 (diff) | |
Diffstat (limited to '42779-h')
| -rw-r--r-- | 42779-h/42779-h.htm | 515 |
1 files changed, 47 insertions, 468 deletions
diff --git a/42779-h/42779-h.htm b/42779-h/42779-h.htm index 75a5822..6af1302 100644 --- a/42779-h/42779-h.htm +++ b/42779-h/42779-h.htm @@ -1,7 +1,7 @@ <!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd"> <html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en" lang="en"> <head> - <meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1" /> + <meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /> <title> Notes And Queries, Issue 138. </title> @@ -65,49 +65,7 @@ </style> </head> <body> - - -<pre> - -Project Gutenberg's Notes and Queries, Number 138, June 19, 1852, by Various - -This eBook is for the use of anyone anywhere at no cost and with -almost no restrictions whatsoever. You may copy it, give it away or -re-use it under the terms of the Project Gutenberg License included -with this eBook or online at www.gutenberg.org - - -Title: Notes and Queries, Number 138, June 19, 1852 - A Medium of Inter-communication for Literary Men, Artists, - Antiquaries, Genealogists, etc - -Author: Various - -Editor: George Bell - -Release Date: May 24, 2013 [EBook #42779] - -Language: English - -Character set encoding: ISO-8859-1 - -*** START OF THIS PROJECT GUTENBERG EBOOK NOTES AND QUERIES *** - - - - -Produced by Charlene Taylor, Jonathan Ingram, Keith Edkins -and the Online Distributed Proofreading Team at -http://www.pgdp.net (This file was produced from images -generously made available by The Internet Archive/Canadian -Libraries) - - - - - - -</pre> +<div>*** START OF THE PROJECT GUTENBERG EBOOK 42779 ***</div> <table border="0" cellpadding="10" style="background-color: #ccccff;"> <tr> @@ -281,7 +239,7 @@ Stamped Edition 5<i>d.</i></b></td> &c. This pamphlet was judged, from its loose style and way of arguing, to be written by that prostituted fool of the last ministry, D—— D— F—; but whatever was offered either in - print, or vivâ voce, against the Septennial Bill, was fully answered and + print, or vivâ voce, against the Septennial Bill, was fully answered and confuted by the following writing, generally fathered on the ingenious and judicious Joseph Addison, Esq."</p> @@ -418,7 +376,7 @@ Stamped Edition 5<i>d.</i></b></td> <p>From the French recent papers we learn that Arthur O'Connor, one of the prominent actors in the Irish Rebellion of 1798, has just closed his - prolonged life at his residence, the Château de Bignon, near Nemours + prolonged life at his residence, the Château de Bignon, near Nemours (Seine et Marne) in France. When, in 1834, by permission of the government of Lord Grey, he and his accomplished wife were in this city (Cork), with the view of disposing of his inherited and not confiscated @@ -474,7 +432,7 @@ Stamped Edition 5<i>d.</i></b></td> de Tournan, leading to the Luxembourg, and the only street that I remember, now sixty years since, had a flagged footpath in that, at present, embellished metropolis, purchased his late residence, the - Château de Bignon, with the proceeds of his paternal estates sold here, + Château de Bignon, with the proceeds of his paternal estates sold here, as previously stated, in 1834. The purchase was made from the heirs of Mirabeau, who was born in that mansion, and not in Provence, as generally supposed, because that southern province was the family's original seat. @@ -514,7 +472,7 @@ Stamped Edition 5<i>d.</i></b></td> <div class="poem"> <div class="stanza"> - <p class="hg3">"Ils m'ont dit: Choisis d'être oppresseur ou victime;</p> + <p class="hg3">"Ils m'ont dit: Choisis d'être oppresseur ou victime;</p> <p>J'embrassai le malheur, et leur laissai le crime."</p> </div> </div> @@ -747,7 +705,7 @@ Stamped Edition 5<i>d.</i></b></td> transferred from the <i>simple vowels</i> under the <i>true diphthongs</i>? And ought we not to distinguish between the pronunciation of <i>pail</i> and <i>pale</i>, just as we do between <i>neigh</i>, and - <i>né</i> (French); <i>bait</i> and <i>bête</i> (French); or between + <i>né</i> (French); <i>bait</i> and <i>bête</i> (French); or between <i>pay</i> and <i>pe</i> (Welsh); <i>tay</i> and <i>te</i> (Welsh)? It is worthy of remark, that the Welsh language has only the <i>simple</i> sound, <i>not</i> the <i>diphthongal</i>?</p> @@ -790,7 +748,7 @@ Stamped Edition 5<i>d.</i></b></td> <blockquote class="b1n"> - <p>"Ex avibus est præsagium cœli. When the crane taketh up a stone + <p>"Ex avibus est præsagium cœli. When the crane taketh up a stone and flies with it in his <i>foot</i>, it is a sign of a storm."—Bishop Andrewes' <i>Orphan Lectures</i>, p. 92.: Lond. 1657, fol.</p> @@ -807,8 +765,8 @@ Stamped Edition 5<i>d.</i></b></td> <blockquote class="b1n"> - <p>"Ælian tells of the geese flying over the mountain Taurus: <span - title="hôsper embalontes sphisi stomion diapetontai" class="grk" + <p>"Ælian tells of the geese flying over the mountain Taurus: <span + title="hôsper embalontes sphisi stomion diapetontai" class="grk" >ὥσπερ ἐμβαλόντες σφίσι @@ -946,9 +904,9 @@ Stamped Edition 5<i>d.</i></b></td> <blockquote class="b1n"> - <p>"Six Trio pour deux Violons et Alto Viola ou Basse obligé. Composés + <p>"Six Trio pour deux Violons et Alto Viola ou Basse obligé. Composés par Mr. Bach; mis au jour par Mr. Huberty de l'Academie Royale de - Musique, gravés par M<sup>e</sup> son Epouse. Œuvre II."</p> + Musique, gravés par M<sup>e</sup> son Epouse. Œuvre II."</p> </blockquote> @@ -1025,7 +983,7 @@ Stamped Edition 5<i>d.</i></b></td> </div> </div> - <p>Shakspeare also (<i>Julius Cæsar</i>, Act II. Sc. 1.) speaks of the + <p>Shakspeare also (<i>Julius Cæsar</i>, Act II. Sc. 1.) speaks of the supposed mode of entrapping them:</p> <div class="poem"> @@ -1387,7 +1345,7 @@ Stamped Edition 5<i>d.</i></b></td> <p class="hg3">"A person graceful, learn'd, humble, and good,</p> <p>Well match'd with beautie, virtue, and high blood:</p> <p>Yet, after sufferings great and long, both dead</p> - <p>To mind us where great worth is honouréd."</p> + <p>To mind us where great worth is honouréd."</p> </div> <div class="stanza"> @@ -1493,7 +1451,7 @@ Stamped Edition 5<i>d.</i></b></td> instituted, says Perrot<a name="footnotetag2" href="#footnote2"><sup>[2]</sup></a>, by St. Louis, in 1269, in memory of a perilous expedition which he made by sea for the succour of Christians; - but adds, "il a peu survécu à son fondateur."]</p> + but adds, "il a peu survécu à son fondateur."]</p> </div> @@ -1594,7 +1552,7 @@ Stamped Edition 5<i>d.</i></b></td> the Book entitled 'Constitutions and Canons Ecclesiastical,'</i> &c. Lond., 4to. 1693. Seller died about 1720, aged seventy-three. A letter from Seller to Humphrey Wanley, concerning Greek music, &c., will be - found in the Harl. MSS. No. 3782, Art. 26. Consult also Wood's <i>Athenæ + found in the Harl. MSS. No. 3782, Art. 26. Consult also Wood's <i>Athenæ Oxon.</i>, vol. iv. p. 563. edit. Bliss.]</p> </div> @@ -1642,7 +1600,7 @@ Stamped Edition 5<i>d.</i></b></td> <div class="poem"> <div class="stanza"> - <p><span title="Pollai men thnêtois Glôttai, mia d' Athanatoisin?" class="grk">Πολλαι μεν θνητοις Γλωτται, μια δ' Αθανατοισιν;</span></p> + <p><span title="Pollai men thnêtois Glôttai, mia d' Athanatoisin?" class="grk">Πολλαι μεν θνητοις Γλωτται, μια δ' Αθανατοισιν;</span></p> </div> </div> @@ -1756,7 +1714,7 @@ Stamped Edition 5<i>d.</i></b></td> distinguishable. External testimonies of these oriental wanderers are traceable through <i>Herodotus</i>, lib. iv. c. 42.; <i>Pliny</i>, c. 86.; Nennius, <i>Hist. Britt.</i>, c. 9.; Thomas Walsingham, <i>Ypodigma - Neustriæ</i> ad ann. 1185. The venerable <span class="sc">Wintoun</span> + Neustriæ</i> ad ann. 1185. The venerable <span class="sc">Wintoun</span> adopts all the traditions of the Irish Chronicles on the subject (<i>Cronyk. of Scotl.</i>, lib. ii. c. 9.); and Macpherson declares (<i>Dissertation</i>, p. 15.) that such of the ancient records of @@ -1892,7 +1850,7 @@ Stamped Edition 5<i>d.</i></b></td> <p>"Though I purchased it upon the same day, for 36<i>s.</i> (the current value of the <i>gold</i>), the woman had sufficient time to destroy the - 'precious <i>ærugo</i>' by having it unnecessarily immersed in + 'precious <i>ærugo</i>' by having it unnecessarily immersed in <i>aquafortis</i>, to ascertain and prove the metal, at a silversmith's shop, which consequently restored its original colour. It is of tolerably large dimensions, and evidently a gentleman's ring of Elizabeth's age. @@ -2310,9 +2268,9 @@ Stamped Edition 5<i>d.</i></b></td> "the name of an ancient family." It means in old French either the <i>boatman</i>, from "chalun," a boat; or a <i>fisherman</i>, from "chalon," a kind of net. As we have in English <i>Fisher</i>, in modern - French <i>Lepécheur</i>, in Italian <i>Piscatory</i>.</p> + French <i>Lepécheur</i>, in Italian <i>Piscatory</i>.</p> - <p>4. <i>Le Cayser.</i> The same as <i>Cæsar</i>, a name now, we believe, + <p>4. <i>Le Cayser.</i> The same as <i>Cæsar</i>, a name now, we believe, extinct amongst us, but preserved in our literature by Lord Clarendon and Pope. I suspect that it was of a class of <i>fancy</i> names which I shall mention presently.</p> @@ -2375,8 +2333,8 @@ Stamped Edition 5<i>d.</i></b></td> or John the son of John, or John Johnson, as now in use. This was in the first Edward's time: nay, so late as the reign of Queen Elizabeth, in some places in France they had no surnames, but only Christian names, as - the learned Monsieur Menage informs us: 'Il y a environ cent ans, à ce - que dit M. Baluze, qu'à Tulle on n'avait que des noms propres, et point + the learned Monsieur Menage informs us: 'Il y a environ cent ans, à ce + que dit M. Baluze, qu'à Tulle on n'avait que des noms propres, et point de surnoms.'—<i>Menagiana</i>, tom. i. p. 116. edit. 1729."</p> </blockquote> @@ -2472,9 +2430,9 @@ Stamped Edition 5<i>d.</i></b></td> spots:</p> <p class="ac"><img src="images/maltesex.png" class="middle" style="height:2ex;" alt="Cross" title="Cross" /><br/> -· E V G E N<br/> +· E V G E N<br/> I V S . P.P<br/> -· I I I I ·</p> +· I I I I ·</p> <p>It was attached by a strong cord that runs through the substance of the seal to a parchment <!-- Page 594 --><span class="pagenum"><a @@ -2572,7 +2530,7 @@ I V S . P.P<br/> <tr> <td rowspan="2" colspan="2" class="vtp hang1 pl15">Gilbertus Co. Gloucest.<br/>& Hertf.:<br/>obiit 14 Henr. 3.</td> <td colspan="2" class="vtp ac pl1 pr1">=</td> -<td rowspan="2" class="vtp hang1 pl15">Isabella, tertia natu filiarium<br/>& cohær. Will. Mareschalli<br/>Co. Pembr.</td> +<td rowspan="2" class="vtp hang1 pl15">Isabella, tertia natu filiarium<br/>& cohær. Will. Mareschalli<br/>Co. Pembr.</td> </tr> <tr> @@ -2686,7 +2644,7 @@ I V S . P.P<br/> <p>The term <span title="diabolos" class="grk" >διάβολος</span> - adds, to that of <span title="katêgoros" class="grk" + adds, to that of <span title="katêgoros" class="grk" >κατήγορος</span>, the idea of falsehood and injustice, essential to the accuser of the Saints, but not expressed in the latter <span class="correction" title="Original reads 'work'." @@ -2714,10 +2672,10 @@ I V S . P.P<br/> >μετὰ δαίμονας ἄλλους</span>, among the - other dæmons. But that word in modern Europe means a devil of hell. + other dæmons. But that word in modern Europe means a devil of hell. <i>Deva</i> and <i>Devi</i> are (I believe) god and goddess in Sanskrit. <i>Div</i>, in Persian (<span class="sc">Mr. L.</span> says), is a wizard - or dæmon. I have no <i>Zend Avesta</i> at hand: but we require to know + or dæmon. I have no <i>Zend Avesta</i> at hand: but we require to know whether <i>Div</i> had a decidedly evil and Ahrimanian sense, in the language of the dualistic Pagan ages; or only in Ferdoosi and the like. If <i>afriti</i> is "blessed" in Zend, and "a devil" in Arabic, I again @@ -3292,7 +3250,7 @@ I V S . P.P<br/> of great interest—among which we may mention some Shakspearian Illustrations by Mr. Singer and</i> A. E. B.; <i>Mr. Sternberg's Popular Stories of the English Peasantry; Rev. R. Hooper's Account of a Copy of - Æschylus, &c.; and for the same reason have omitted our usual</i> + Æschylus, &c.; and for the same reason have omitted our usual</i> <span class="sc">Notes on Books</span> <i>and</i> <span class="sc">List Of Replies Received</span>.</p> @@ -3385,7 +3343,7 @@ Garden.</p> <hr class="full" /> <p>CURIOUS and RARE BOOKS.—A Second-hand Catalogue of "Erotica, - Facetiæ, Satyræ, Curiosa, sexuale varia" in various languages, has just + Facetiæ, Satyræ, Curiosa, sexuale varia" in various languages, has just been published in Germany, which may be had gratis on application, or by Post, for Two Stamps, through Mr. FRANZ THIMM, German Bookseller, 88. New Bond Street, London.</p> @@ -3455,11 +3413,11 @@ George Drew, Esq. <table style="width:35%" class="mc" summary="Specimens of Rates" title="Specimens of Rates"> <tr> <td class="plr05" style="width:28%">Age</td> -<td class="plr05 ar" style="text-align:right; width:7%"><i>£</i></td> +<td class="plr05 ar" style="text-align:right; width:7%"><i>£</i></td> <td class="plr05 ar" style="text-align:right; width:7%"><i>s.</i></td> <td class="plr05 ar br" style="text-align:right; width:7%"><i>d.</i></td> <td class="plr05" style="width:28%">Age</td> -<td class="plr05 ar" style="text-align:right; width:7%"><i>£</i></td> +<td class="plr05 ar" style="text-align:right; width:7%"><i>£</i></td> <td class="plr05 ar" style="text-align:right; width:7%"><i>s.</i></td> <td class="plr05 ar" style="text-align:right; width:7%"><i>d.</i></td> </tr> @@ -3604,22 +3562,22 @@ annually. </td></tr> <tr><td class="ac">1806</td> -<td class="bl br ac">£2500</td> -<td class="ar">£79 10 10</td> +<td class="bl br ac">£2500</td> +<td class="ar">£79 10 10</td> <td class="br ac">Exting.</td> -<td class="ac">£1222 <span class="hid">0</span>2 <span class="hid">0</span>8</td></tr> +<td class="ac">£1222 <span class="hid">0</span>2 <span class="hid">0</span>8</td></tr> <tr><td class="ac">1811</td> -<td class="bl br ac"><span class="hid">£</span>1000</td> +<td class="bl br ac"><span class="hid">£</span>1000</td> <td class="ar">33 19 <span class="hid">0</span>2</td> <td class="br ac">Ditto</td> -<td class="ac"><span class="hid">£0</span>231 17 <span class="hid">0</span>8</td></tr> +<td class="ac"><span class="hid">£0</span>231 17 <span class="hid">0</span>8</td></tr> <tr><td class="ac bb">1818</td> -<td class="bl br bb ac"><span class="hid">£</span>1000</td> +<td class="bl br bb ac"><span class="hid">£</span>1000</td> <td class="bb ar">34 16 10</td> <td class="br bb ac">Ditto</td> -<td class="bb ac"><span class="hid">£0</span>114 18 10</td></tr> +<td class="bb ac"><span class="hid">£0</span>114 18 10</td></tr> </table> <p class="ac">Examples of Bonuses added to other Policies.</p> @@ -3644,21 +3602,21 @@ increased. <tr><td class="ac"><span class="hid">0</span>521</td> <td class="br bl ac">1807</td> -<td class="br bl ac">£900</td> -<td class="br bl ac">£982 12 <span class="hid">0</span>1</td> -<td class="ac">£1882 12 <span class="hid">0</span>1</td></tr> +<td class="br bl ac">£900</td> +<td class="br bl ac">£982 12 <span class="hid">0</span>1</td> +<td class="ac">£1882 12 <span class="hid">0</span>1</td></tr> <tr><td class="ac">1174</td> <td class="br bl ac">1810</td> <td class="br bl ac">1200</td> <td class="br bl ac">1160 <span class="hid">0</span>5 <span class="hid">0</span>6</td> -<td class="ac"><span class="hid">£</span>2360 <span class="hid">0</span>5 <span class="hid">0</span>6</td></tr> +<td class="ac"><span class="hid">£</span>2360 <span class="hid">0</span>5 <span class="hid">0</span>6</td></tr> <tr><td class="bb ac">3392</td> <td class="br bl bb ac">1820</td> <td class="br bl bb ac">5000</td> <td class="br bl bb ac">3558 17 <span class="hid">0</span>8</td> -<td class="bb ac"><span class="hid">£</span>8558 17 <span class="hid">0</span>8</td></tr> +<td class="bb ac"><span class="hid">£</span>8558 17 <span class="hid">0</span>8</td></tr> </table> @@ -3759,7 +3717,7 @@ By T. STERNBERG.</p> <blockquote class="b1n"> <p>"The Fairy Stories are told with an arch humour which charms the - reader exceedingly."—<i>Athenæum.</i></p> + reader exceedingly."—<i>Athenæum.</i></p> <p>"The first work that has appeared on the subject, and Mr. Sternberg has evinced in it a striking and peculiar aptitude for this branch of @@ -3782,385 +3740,6 @@ By T. STERNBERG.</p> </blockquote> - - - - - - - -<pre> - - - - - -End of the Project Gutenberg EBook of Notes and Queries, Number 138, June -19, 1852, by Various - -*** END OF THIS PROJECT GUTENBERG EBOOK NOTES AND QUERIES *** - -***** This file should be named 42779-h.htm or 42779-h.zip ***** -This and all associated files of various formats will be found in: - http://www.gutenberg.org/4/2/7/7/42779/ - -Produced by Charlene Taylor, Jonathan Ingram, Keith Edkins -and the Online Distributed Proofreading Team at -http://www.pgdp.net (This file was produced from images -generously made available by The Internet Archive/Canadian -Libraries) - - -Updated editions will replace the previous one--the old editions -will be renamed. - -Creating the works from public domain print editions means that no -one owns a United States copyright in these works, so the Foundation -(and you!) can copy and distribute it in the United States without -permission and without paying copyright royalties. Special rules, -set forth in the General Terms of Use part of this license, apply to -copying and distributing Project Gutenberg-tm electronic works to -protect the PROJECT GUTENBERG-tm concept and trademark. Project -Gutenberg is a registered trademark, and may not be used if you -charge for the eBooks, unless you receive specific permission. If you -do not charge anything for copies of this eBook, complying with the -rules is very easy. You may use this eBook for nearly any purpose -such as creation of derivative works, reports, performances and -research. They may be modified and printed and given away--you may do -practically ANYTHING with public domain eBooks. Redistribution is -subject to the trademark license, especially commercial -redistribution. - - - -*** START: FULL LICENSE *** - -THE FULL PROJECT GUTENBERG LICENSE -PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK - -To protect the Project Gutenberg-tm mission of promoting the free -distribution of electronic works, by using or distributing this work -(or any other work associated in any way with the phrase "Project -Gutenberg"), you agree to comply with all the terms of the Full Project -Gutenberg-tm License available with this file or online at - www.gutenberg.org/license. - - -Section 1. General Terms of Use and Redistributing Project Gutenberg-tm -electronic works - -1.A. By reading or using any part of this Project Gutenberg-tm -electronic work, you indicate that you have read, understand, agree to -and accept all the terms of this license and intellectual property -(trademark/copyright) agreement. If you do not agree to abide by all -the terms of this agreement, you must cease using and return or destroy -all copies of Project Gutenberg-tm electronic works in your possession. -If you paid a fee for obtaining a copy of or access to a Project -Gutenberg-tm electronic work and you do not agree to be bound by the -terms of this agreement, you may obtain a refund from the person or -entity to whom you paid the fee as set forth in paragraph 1.E.8. - -1.B. "Project Gutenberg" is a registered trademark. It may only be -used on or associated in any way with an electronic work by people who -agree to be bound by the terms of this agreement. There are a few -things that you can do with most Project Gutenberg-tm electronic works -even without complying with the full terms of this agreement. See -paragraph 1.C below. There are a lot of things you can do with Project -Gutenberg-tm electronic works if you follow the terms of this agreement -and help preserve free future access to Project Gutenberg-tm electronic -works. See paragraph 1.E below. - -1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" -or PGLAF), owns a compilation copyright in the collection of Project -Gutenberg-tm electronic works. Nearly all the individual works in the -collection are in the public domain in the United States. If an -individual work is in the public domain in the United States and you are -located in the United States, we do not claim a right to prevent you from -copying, distributing, performing, displaying or creating derivative -works based on the work as long as all references to Project Gutenberg -are removed. Of course, we hope that you will support the Project -Gutenberg-tm mission of promoting free access to electronic works by -freely sharing Project Gutenberg-tm works in compliance with the terms of -this agreement for keeping the Project Gutenberg-tm name associated with -the work. You can easily comply with the terms of this agreement by -keeping this work in the same format with its attached full Project -Gutenberg-tm License when you share it without charge with others. - -1.D. The copyright laws of the place where you are located also govern -what you can do with this work. Copyright laws in most countries are in -a constant state of change. If you are outside the United States, check -the laws of your country in addition to the terms of this agreement -before downloading, copying, displaying, performing, distributing or -creating derivative works based on this work or any other Project -Gutenberg-tm work. The Foundation makes no representations concerning -the copyright status of any work in any country outside the United -States. - -1.E. Unless you have removed all references to Project Gutenberg: - -1.E.1. The following sentence, with active links to, or other immediate -access to, the full Project Gutenberg-tm License must appear prominently -whenever any copy of a Project Gutenberg-tm work (any work on which the -phrase "Project Gutenberg" appears, or with which the phrase "Project -Gutenberg" is associated) is accessed, displayed, performed, viewed, -copied or distributed: - -This eBook is for the use of anyone anywhere at no cost and with -almost no restrictions whatsoever. You may copy it, give it away or -re-use it under the terms of the Project Gutenberg License included -with this eBook or online at www.gutenberg.org - -1.E.2. If an individual Project Gutenberg-tm electronic work is derived -from the public domain (does not contain a notice indicating that it is -posted with permission of the copyright holder), the work can be copied -and distributed to anyone in the United States without paying any fees -or charges. If you are redistributing or providing access to a work -with the phrase "Project Gutenberg" associated with or appearing on the -work, you must comply either with the requirements of paragraphs 1.E.1 -through 1.E.7 or obtain permission for the use of the work and the -Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or -1.E.9. - -1.E.3. If an individual Project Gutenberg-tm electronic work is posted -with the permission of the copyright holder, your use and distribution -must comply with both paragraphs 1.E.1 through 1.E.7 and any additional -terms imposed by the copyright holder. Additional terms will be linked -to the Project Gutenberg-tm License for all works posted with the -permission of the copyright holder found at the beginning of this work. - -1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm -License terms from this work, or any files containing a part of this -work or any other work associated with Project Gutenberg-tm. - -1.E.5. Do not copy, display, perform, distribute or redistribute this -electronic work, or any part of this electronic work, without -prominently displaying the sentence set forth in paragraph 1.E.1 with -active links or immediate access to the full terms of the Project -Gutenberg-tm License. - -1.E.6. You may convert to and distribute this work in any binary, -compressed, marked up, nonproprietary or proprietary form, including any -word processing or hypertext form. However, if you provide access to or -distribute copies of a Project Gutenberg-tm work in a format other than -"Plain Vanilla ASCII" or other format used in the official version -posted on the official Project Gutenberg-tm web site (www.gutenberg.org), -you must, at no additional cost, fee or expense to the user, provide a -copy, a means of exporting a copy, or a means of obtaining a copy upon -request, of the work in its original "Plain Vanilla ASCII" or other -form. Any alternate format must include the full Project Gutenberg-tm -License as specified in paragraph 1.E.1. - -1.E.7. Do not charge a fee for access to, viewing, displaying, -performing, copying or distributing any Project Gutenberg-tm works -unless you comply with paragraph 1.E.8 or 1.E.9. - -1.E.8. You may charge a reasonable fee for copies of or providing -access to or distributing Project Gutenberg-tm electronic works provided -that - -- You pay a royalty fee of 20% of the gross profits you derive from - the use of Project Gutenberg-tm works calculated using the method - you already use to calculate your applicable taxes. The fee is - owed to the owner of the Project Gutenberg-tm trademark, but he - has agreed to donate royalties under this paragraph to the - Project Gutenberg Literary Archive Foundation. Royalty payments - must be paid within 60 days following each date on which you - prepare (or are legally required to prepare) your periodic tax - returns. Royalty payments should be clearly marked as such and - sent to the Project Gutenberg Literary Archive Foundation at the - address specified in Section 4, "Information about donations to - the Project Gutenberg Literary Archive Foundation." - -- You provide a full refund of any money paid by a user who notifies - you in writing (or by e-mail) within 30 days of receipt that s/he - does not agree to the terms of the full Project Gutenberg-tm - License. You must require such a user to return or - destroy all copies of the works possessed in a physical medium - and discontinue all use of and all access to other copies of - Project Gutenberg-tm works. - -- You provide, in accordance with paragraph 1.F.3, a full refund of any - money paid for a work or a replacement copy, if a defect in the - electronic work is discovered and reported to you within 90 days - of receipt of the work. - -- You comply with all other terms of this agreement for free - distribution of Project Gutenberg-tm works. - -1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm -electronic work or group of works on different terms than are set -forth in this agreement, you must obtain permission in writing from -both the Project Gutenberg Literary Archive Foundation and Michael -Hart, the owner of the Project Gutenberg-tm trademark. Contact the -Foundation as set forth in Section 3 below. - -1.F. - -1.F.1. Project Gutenberg volunteers and employees expend considerable -effort to identify, do copyright research on, transcribe and proofread -public domain works in creating the Project Gutenberg-tm -collection. Despite these efforts, Project Gutenberg-tm electronic -works, and the medium on which they may be stored, may contain -"Defects," such as, but not limited to, incomplete, inaccurate or -corrupt data, transcription errors, a copyright or other intellectual -property infringement, a defective or damaged disk or other medium, a -computer virus, or computer codes that damage or cannot be read by -your equipment. - -1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right -of Replacement or Refund" described in paragraph 1.F.3, the Project -Gutenberg Literary Archive Foundation, the owner of the Project -Gutenberg-tm trademark, and any other party distributing a Project -Gutenberg-tm electronic work under this agreement, disclaim all -liability to you for damages, costs and expenses, including legal -fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT -LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE -PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE -TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE -LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR -INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH -DAMAGE. - -1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a -defect in this electronic work within 90 days of receiving it, you can -receive a refund of the money (if any) you paid for it by sending a -written explanation to the person you received the work from. If you -received the work on a physical medium, you must return the medium with -your written explanation. The person or entity that provided you with -the defective work may elect to provide a replacement copy in lieu of a -refund. If you received the work electronically, the person or entity -providing it to you may choose to give you a second opportunity to -receive the work electronically in lieu of a refund. If the second copy -is also defective, you may demand a refund in writing without further -opportunities to fix the problem. - -1.F.4. Except for the limited right of replacement or refund set forth -in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO OTHER -WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO -WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE. - -1.F.5. Some states do not allow disclaimers of certain implied -warranties or the exclusion or limitation of certain types of damages. -If any disclaimer or limitation set forth in this agreement violates the -law of the state applicable to this agreement, the agreement shall be -interpreted to make the maximum disclaimer or limitation permitted by -the applicable state law. The invalidity or unenforceability of any -provision of this agreement shall not void the remaining provisions. - -1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the -trademark owner, any agent or employee of the Foundation, anyone -providing copies of Project Gutenberg-tm electronic works in accordance -with this agreement, and any volunteers associated with the production, -promotion and distribution of Project Gutenberg-tm electronic works, -harmless from all liability, costs and expenses, including legal fees, -that arise directly or indirectly from any of the following which you do -or cause to occur: (a) distribution of this or any Project Gutenberg-tm -work, (b) alteration, modification, or additions or deletions to any -Project Gutenberg-tm work, and (c) any Defect you cause. - - -Section 2. Information about the Mission of Project Gutenberg-tm - -Project Gutenberg-tm is synonymous with the free distribution of -electronic works in formats readable by the widest variety of computers -including obsolete, old, middle-aged and new computers. It exists -because of the efforts of hundreds of volunteers and donations from -people in all walks of life. - -Volunteers and financial support to provide volunteers with the -assistance they need are critical to reaching Project Gutenberg-tm's -goals and ensuring that the Project Gutenberg-tm collection will -remain freely available for generations to come. In 2001, the Project -Gutenberg Literary Archive Foundation was created to provide a secure -and permanent future for Project Gutenberg-tm and future generations. -To learn more about the Project Gutenberg Literary Archive Foundation -and how your efforts and donations can help, see Sections 3 and 4 -and the Foundation information page at www.gutenberg.org - - -Section 3. Information about the Project Gutenberg Literary Archive -Foundation - -The Project Gutenberg Literary Archive Foundation is a non profit -501(c)(3) educational corporation organized under the laws of the -state of Mississippi and granted tax exempt status by the Internal -Revenue Service. The Foundation's EIN or federal tax identification -number is 64-6221541. Contributions to the Project Gutenberg -Literary Archive Foundation are tax deductible to the full extent -permitted by U.S. federal laws and your state's laws. - -The Foundation's principal office is located at 4557 Melan Dr. S. -Fairbanks, AK, 99712., but its volunteers and employees are scattered -throughout numerous locations. Its business office is located at 809 -North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email -contact links and up to date contact information can be found at the -Foundation's web site and official page at www.gutenberg.org/contact - -For additional contact information: - Dr. Gregory B. Newby - Chief Executive and Director - gbnewby@pglaf.org - -Section 4. Information about Donations to the Project Gutenberg -Literary Archive Foundation - -Project Gutenberg-tm depends upon and cannot survive without wide -spread public support and donations to carry out its mission of -increasing the number of public domain and licensed works that can be -freely distributed in machine readable form accessible by the widest -array of equipment including outdated equipment. Many small donations -($1 to $5,000) are particularly important to maintaining tax exempt -status with the IRS. - -The Foundation is committed to complying with the laws regulating -charities and charitable donations in all 50 states of the United -States. Compliance requirements are not uniform and it takes a -considerable effort, much paperwork and many fees to meet and keep up -with these requirements. We do not solicit donations in locations -where we have not received written confirmation of compliance. To -SEND DONATIONS or determine the status of compliance for any -particular state visit www.gutenberg.org/donate - -While we cannot and do not solicit contributions from states where we -have not met the solicitation requirements, we know of no prohibition -against accepting unsolicited donations from donors in such states who -approach us with offers to donate. - -International donations are gratefully accepted, but we cannot make -any statements concerning tax treatment of donations received from -outside the United States. U.S. laws alone swamp our small staff. - -Please check the Project Gutenberg Web pages for current donation -methods and addresses. Donations are accepted in a number of other -ways including checks, online payments and credit card donations. -To donate, please visit: www.gutenberg.org/donate - - -Section 5. General Information About Project Gutenberg-tm electronic -works. - -Professor Michael S. Hart was the originator of the Project Gutenberg-tm -concept of a library of electronic works that could be freely shared -with anyone. For forty years, he produced and distributed Project -Gutenberg-tm eBooks with only a loose network of volunteer support. - -Project Gutenberg-tm eBooks are often created from several printed -editions, all of which are confirmed as Public Domain in the U.S. -unless a copyright notice is included. Thus, we do not necessarily -keep eBooks in compliance with any particular paper edition. - -Most people start at our Web site which has the main PG search facility: - - www.gutenberg.org - -This Web site includes information about Project Gutenberg-tm, -including how to make donations to the Project Gutenberg Literary -Archive Foundation, how to help produce our new eBooks, and how to -subscribe to our email newsletter to hear about new eBooks. - - - -</pre> - +<div>*** END OF THE PROJECT GUTENBERG EBOOK 42779 ***</div> </body> </html> |