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diff --git a/42780-h/42780-h.htm b/42780-h/42780-h.htm index 12c40b7..3453ce6 100644 --- a/42780-h/42780-h.htm +++ b/42780-h/42780-h.htm @@ -1,7 +1,7 @@ <!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd"> <html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en" lang="en"> <head> - <meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1" /> + <meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /> <title> Notes And Queries, Issue 139. </title> @@ -57,49 +57,7 @@ </style> </head> <body> - - -<pre> - -Project Gutenberg's Notes and Queries, Number 139, June 26, 1852, by Various - -This eBook is for the use of anyone anywhere at no cost and with -almost no restrictions whatsoever. You may copy it, give it away or -re-use it under the terms of the Project Gutenberg License included -with this eBook or online at www.gutenberg.org - - -Title: Notes and Queries, Number 139, June 26, 1852 - A Medium of Inter-communication for Literary Men, Artists, - Antiquaries, Genealogists, etc - -Author: Various - -Editor: George Bell - -Release Date: May 24, 2013 [EBook #42780] - -Language: English - -Character set encoding: ISO-8859-1 - -*** START OF THIS PROJECT GUTENBERG EBOOK NOTES AND QUERIES *** - - - - -Produced by Charlene Taylor, Jonathan Ingram, Keith Edkins -and the Online Distributed Proofreading Team at -http://www.pgdp.net (This file was produced from images -generously made available by The Internet Archive/Canadian -Libraries) - - - - - - -</pre> +<div>*** START OF THE PROJECT GUTENBERG EBOOK 42780 ***</div> <table border="0" cellpadding="10" style="background-color: #ccccff;"> <tr> @@ -149,7 +107,7 @@ Stamped Edition 5<i>d.</i></b></td> <tr><td class="pl1">Popular Stories of the English Peasantry, No. V., by T. Sternberg</td> <td class="ar vbm"><a href="#page601">601</a></td></tr> -<tr><td class="pl1">Dr. Thomas Morell's Copy of H. Stephens' Edition of Æschylus, 1557, with MSS. Notes, by Richard Hooper</td> +<tr><td class="pl1">Dr. Thomas Morell's Copy of H. Stephens' Edition of Æschylus, 1557, with MSS. Notes, by Richard Hooper</td> <td class="ar vbm"><a href="#page604">604</a></td></tr> <tr><td class="pl1">On a Passage in the "Merchant of Venice," Act III. Sc. 2., by S. W. Singer</td> @@ -201,7 +159,7 @@ Stamped Edition 5<i>d.</i></b></td> <tr><td class="pl1">Men of Kent and Kentish Men, by George R. Corner</td> <td class="ar vbm"><a href="#page615">615</a></td></tr> -<tr><td class="pl1">Replies to Minor Queries:—Speculum Christianorum, &c.—Smyth's MSS. relating to Gloucestershire—M. Barrière and the Quarterly Review—"I do not know what the truth may be"—Optical Phenomena—Stoup—Seventh Son of a Seventh Son—The Number Seven—Commentators—Banning or Bayning Family—Tortoiseshell Tom Cat—A Tombstone cut by Baskerville—Shakspeare, Tennyson, &c.—Rhymes on Places—Birthplace of Josephine—The Curse of Scotland—Waller Family—"After me the Deluge"—Sun-Dial Motto—Lines by Lord Palmerston—Indian Jugglers—Sons of the Conqueror—Saint Wilfrid's Needle—Frebord—Royd—Spy Wednesday—Book of Jasher—Stearne's Confirmation and Discovery of Witchcraft—Lines on Chaucer—Fairlop Oak—Boy Bishop at Eton—Plague Stones; Mr. Mompesson—Raleigh's Ring—Pandecte, an entire Copy of the Bible</td> +<tr><td class="pl1">Replies to Minor Queries:—Speculum Christianorum, &c.—Smyth's MSS. relating to Gloucestershire—M. Barrière and the Quarterly Review—"I do not know what the truth may be"—Optical Phenomena—Stoup—Seventh Son of a Seventh Son—The Number Seven—Commentators—Banning or Bayning Family—Tortoiseshell Tom Cat—A Tombstone cut by Baskerville—Shakspeare, Tennyson, &c.—Rhymes on Places—Birthplace of Josephine—The Curse of Scotland—Waller Family—"After me the Deluge"—Sun-Dial Motto—Lines by Lord Palmerston—Indian Jugglers—Sons of the Conqueror—Saint Wilfrid's Needle—Frebord—Royd—Spy Wednesday—Book of Jasher—Stearne's Confirmation and Discovery of Witchcraft—Lines on Chaucer—Fairlop Oak—Boy Bishop at Eton—Plague Stones; Mr. Mompesson—Raleigh's Ring—Pandecte, an entire Copy of the Bible</td> <td class="ar vbm"><a href="#page616">616</a></td></tr> <tr><td><span class="sc">Miscellaneous</span>:—</td></tr> @@ -233,7 +191,7 @@ Stamped Edition 5<i>d.</i></b></td> and got turned into princes; and amorous princes who became frogs; of primitive rough chests transformed into coaches; young ladies who go to bed young ladies, and get up owls; much despised younger sons crowned - kings of boundless realms; and mediæval tabbies getting inducted into + kings of boundless realms; and mediæval tabbies getting inducted into flourishing vizierships by the mere loss of their tails: stories, in short, of the metamorphosis of all conceivable things into all conceivable shapes. Lest this catalogue should frighten your readers, I @@ -317,8 +275,8 @@ Stamped Edition 5<i>d.</i></b></td> very slight alterations, they would serve as translations. These, for obvious reasons, it will not be worth while to trouble you with. Among them, I may particularise the following from the <i>Kinder und - Hausmärchen</i>:—Hans im Gluck: Der Frieder und das Catherlieschen; - Von der Frau Füchsin; and Van den Nachandel-Boom.</p> + Hausmärchen</i>:—Hans im Gluck: Der Frieder und das Catherlieschen; + Von der Frau Füchsin; and Van den Nachandel-Boom.</p> <p>Modern tales of diablerie are not so uncommon as might be expected. In the time of Chaucer, the popular belief ascribed the departure of the @@ -343,7 +301,7 @@ Stamped Edition 5<i>d.</i></b></td> comparison with Godred or Gutlac, or, by'r Lady, St. Anthony himself. Now it fell out one day, that Providence was sent for to the house of a wealthy yeoman to aid in expelling an evil spirit which had long infested - his daughter. I must here remark, <i>en parenthèse</i>, that scenes of + his daughter. I must here remark, <i>en parenthèse</i>, that scenes of this fearfully ludicrous nature are far from unfrequent in our country districts. The besotted state of ignorance in which a great portion of our rural population are still enwrapt, renders them peculiarly open to @@ -480,24 +438,24 @@ Stamped Edition 5<i>d.</i></b></td> </div> <hr /> -<h3>DR. THOMAS MORELL'S COPY OF H. STEPHENS' EDIT. OF ÆSCHYLUS, 1557, WITH MSS. NOTES.</h3> +<h3>DR. THOMAS MORELL'S COPY OF H. STEPHENS' EDIT. OF ÆSCHYLUS, 1557, WITH MSS. NOTES.</h3> <p>As your valuable paper is in the hands of scholars of every description in every part of the world, the following communication may meet the eye, and be of no slight interest to some of your classical readers, and, at the same time, give a stimulus to hunters at bookstalls. Some time since, in one of my hunts, I stumbled upon a very fine copy of - Pet. Victorine's (Vettori) edition of Æschylus, printed by H. Stephens, + Pet. Victorine's (Vettori) edition of Æschylus, printed by H. Stephens, 1557. I was much gratified in finding it had belonged to the celebrated Thomas Morell, D.D., F.R.S., F.S.A., the lexicographer, and had his book-plate and autograph. The margins were filled with many conjectures and emendations written in two very ancient hands, and, besides, some - MSS. Scholia on the <i>Prometheus</i> and <i>Poesæ</i>. In carefully + MSS. Scholia on the <i>Prometheus</i> and <i>Poesæ</i>. In carefully examining them I found many were marked with the letters (A) and (P). I remembered the present very learned Bishop of London, in the preface to - his edition of the <i>Choæphoræ</i>, mentioned the vast assistance he had + his edition of the <i>Choæphoræ</i>, mentioned the vast assistance he had received in editing that play from a copy of this very edition of - Æschylus (H. Stephens, 1557), lent to him by Mr. Mitford, the margins of + Æschylus (H. Stephens, 1557), lent to him by Mr. Mitford, the margins of which were similarly marked. The bishop observes these emendations were by Auratus and Portus, two learned French scholars; and that Mr. Mitford's volume contained several other emendations without the @@ -516,7 +474,7 @@ Stamped Edition 5<i>d.</i></b></td> appearance of being of the early portion of the seventeenth century. The most interesting part, however, of the story still remains. Dr. Thomas Morell edited the <i>Prometheus</i>, 4to., 1773. The title is as follows: - <i>Æschyli P. V. cum Stanl. Versione et Scholiis, <span + <i>Æschyli P. V. cum Stanl. Versione et Scholiis, <span class="grk">α</span>, <span class="grk">β</span>, (et <span class="grk">γ</span> ineditis), &c.</i> Now these Scholia <span class="grk">γ</span>, which he professes to give for the first @@ -549,11 +507,11 @@ Stamped Edition 5<i>d.</i></b></td> be astonished to hear I purchased it for <i>one shilling</i>! I may mention I showed it to the Bishop of London and Dr. Wordsworth, Canon of Westminster, who were both interested with it. The latter showed me in - return several volumes of MSS. collections for a new edition of Æschylus, + return several volumes of MSS. collections for a new edition of Æschylus, made by his lamented brother the late Mr. John Wordsworth, Fellow of Trinity College, Cambridge, perhaps the profoundest Greek scholar next to Porson the University of Cambridge ever possessed, and who so ably - reviewed Professor Scholefield's Æschylus in the <i>Philological + reviewed Professor Scholefield's Æschylus in the <i>Philological Museum</i>. The classical world can never sufficiently regret that death prevented us from receiving at his hands a first-rate edition of this noble poet, as he had been at much pains in travelling all over the @@ -680,7 +638,7 @@ Stamped Edition 5<i>d.</i></b></td> <p>"... In the Abbaye, Sombreuil, the venerable Governor of the Invalides, was brought up to the table, and Maillard had pronounced the - words 'à la Force,' when the Governor's daughter, likewise a prisoner, + words 'à la Force,' when the Governor's daughter, likewise a prisoner, rushed through pikes and sabres, clasped her old father in her arms so tightly that none could separate her from him, and made such piteous cries and prayers that some were touched. She vowed that her father was @@ -707,12 +665,12 @@ Stamped Edition 5<i>d.</i></b></td> name="page606"></a>{606}</span></p> <p>1. The Marquise de Fausse-Lendry, in her work, <i>Quelques-uns des - Fruits amers de la Révolution</i>, does not make any allusion to the + Fruits amers de la Révolution</i>, does not make any allusion to the fact, although she was in the same chamber with Mlle. de Sombreuil, and relates her heroic devotion to her father.</p> <p>2. Peltier, who was in Paris at the time, and published his - <i>Histoire de la Révolution du 10 Août</i> early in 1793, does not say a + <i>Histoire de la Révolution du 10 Août</i> early in 1793, does not say a word as to the occurrence.</p> <p>3. The report of Piette, which was drawn up in Mlle. de Sombreuil's @@ -727,18 +685,18 @@ Stamped Edition 5<i>d.</i></b></td> <div class="poem"> <div class="stanza"> - <p class="hg3">"Du 11 Nivôse, an II.</p> + <p class="hg3">"Du 11 Nivôse, an II.</p> </div> </div> - <p>"L'on amena aussi a famille Sombreuil, le père, le fils, et la fille: - tout le monde sait que cette courageuse citoyenne se précipita, dans les - journées du mois de Septembre, entre son père et le fer des assassins, et - parvint à l'arracher de leurs mains. Depuis, sa tendresse n'avait fait - que s'accroître, et il n'est sorte de soins qu'elle ne prodiguât à son - père, malgré les horribles convulsions qui la tourmentaient tous les - mois, pendant trois jours, depuis cette lamentable époque. Quand elle - parut au salon, tous les yeux se fixèrent sur elle et se remplirent de + <p>"L'on amena aussi a famille Sombreuil, le père, le fils, et la fille: + tout le monde sait que cette courageuse citoyenne se précipita, dans les + journées du mois de Septembre, entre son père et le fer des assassins, et + parvint à l'arracher de leurs mains. Depuis, sa tendresse n'avait fait + que s'accroître, et il n'est sorte de soins qu'elle ne prodiguât à son + père, malgré les horribles convulsions qui la tourmentaient tous les + mois, pendant trois jours, depuis cette lamentable époque. Quand elle + parut au salon, tous les yeux se fixèrent sur elle et se remplirent de larmes."—<i>Tableau des Prisons de Paris sous Robespierre</i>, p. 93.</p> @@ -748,33 +706,33 @@ Stamped Edition 5<i>d.</i></b></td> narrative was written at no very distant period from the occurrences of September.</p> - <p>Maton de la Varennes, in his <i>Hist. particulière des Evènemens</i>, + <p>Maton de la Varennes, in his <i>Hist. particulière des Evènemens</i>, written subsequent to the events of Fructidor, year V., is enthusiastic in his praise of Mlle. de S.'s devotion; but says not a word as to the horrible sacrifice by which she is represented to have purchased her father's life.</p> <p>The tradition is found for the first time in print in a note to - Legouvé's <i>Mérite des Femmes</i>, which appeared in 1801; and the + Legouvé's <i>Mérite des Femmes</i>, which appeared in 1801; and the subject has been consecrated by the pen of the exiled poet Victor Hugo, in an ode to Mlle. de Sombreuil. Since then M. Thiers, without further looking into the matter, has given place to it in his <i>Hist. de la - Révolut. Française</i>:</p> + Révolut. Française</i>:</p> <p>Victor Hugo's lines are the following:—</p> <div class="poem"> <div class="stanza"> - <p class="hg3">"S'élançant au travers des armes:</p> + <p class="hg3">"S'élançant au travers des armes:</p> <p>—Mes amis, respectez ses jours!</p> - <p>—Crois-tu nous fléchir par tes larmes?</p> - <p>—Oh! je vous bénirai toujours!</p> + <p>—Crois-tu nous fléchir par tes larmes?</p> + <p>—Oh! je vous bénirai toujours!</p> <p>C'est sa fille qui vous implore;</p> <p>Rendez-le moi; qu'il vive encore!</p> - <p>—Vois-tu le fer déjà levé;</p> - <p>Crains d'irriter notre colère;</p> - <p>Et si tu veux sauver ton père,</p> - <p>Bois ce sang....—Mon père est sauvé!"</p> + <p>—Vois-tu le fer déjà levé;</p> + <p>Crains d'irriter notre colère;</p> + <p>Et si tu veux sauver ton père,</p> + <p>Bois ce sang....—Mon père est sauvé!"</p> </div> </div> @@ -812,8 +770,8 @@ Stamped Edition 5<i>d.</i></b></td> <blockquote class="b1n"> - <p>"Erant, quibus appetentior famæ videretur, quando etiam sapientibus - cupido gloriæ novissima exuitur."</p> + <p>"Erant, quibus appetentior famæ videretur, quando etiam sapientibus + cupido gloriæ novissima exuitur."</p> </blockquote> @@ -916,7 +874,7 @@ ORD V. S. LM.</p> as it has in the English and several other languages. In combination it is shortened to <i>Ar</i>, as in Yr Arglwdd Dduw, the Lord God. My conjecture is, that the Britons may have worshipped a God whose - attributes resembled those of the Æsculapius of the Greeks. I hope that + attributes resembled those of the Æsculapius of the Greeks. I hope that some of the contributors to "N. & Q." will be so kind as to give some information on this subject.</p> @@ -1062,12 +1020,12 @@ ORD V. S. LM.</p> rising from its ashes. Probably not later than the early part of the sixteenth century.</p> - <p>2. <i>Conestagius.</i> Size, 15½. "Hieronimus Conestagius, <span + <p>2. <i>Conestagius.</i> Size, 15½. "Hieronimus Conestagius, <span class="sm">MDXC</span>." Bust in armour to the right, with ruff round the neck. Beneath, "<span class="sm">MART. S***.</span>" Rev. A pen and a sword in saltire. An oval in high relief, of Italian workmanship.</p> - <p>3. <i>Meratus.</i> Size, 13½. "Franciscus Meratus <span + <p>3. <i>Meratus.</i> Size, 13½. "Franciscus Meratus <span class="sm">I.P.F.</span>" Bearded bust to the right. Rev. "Me Duce Tutus Eris." A figure seated holding a book in its right hand. Query the meaning of the initials after the name?</p> @@ -1093,7 +1051,7 @@ ORD V. S. LM.</p> <p class="author"><span class="sc">John J. A. Boase</span>.</p> - <p>P.S.—John de Silvâ, Count de Portalegre, who accompanied Don + <p>P.S.—John de Silvâ, Count de Portalegre, who accompanied Don Sebastian in his expedition to Africa against Muley Moloch, published at Genoa in 1585 a work entitled <i>Dell' Unione del Regno di Portogallo alla Corona di Castiglia</i>, under the name of <i>Conestaggio</i>; but @@ -1304,7 +1262,7 @@ ORD V. S. LM.</p> <p><i>What Kind of Drink is Whit?</i>—In going over the famous old mansion Cothele, near Tavistock, the other day, I saw, among other - primæval crockery, three pot-bellied jugs, two of which were inscribed + primæval crockery, three pot-bellied jugs, two of which were inscribed "Sack, 1646;" and the third, a smaller one, "Whit, 1646." What kind of drink is <i>whit</i>?</p> @@ -1314,7 +1272,7 @@ ORD V. S. LM.</p> <div class="poem"> <div class="stanza"> - <p class="hg3">"Felix natu, felicior vitâ, felicissimus morte."</p> + <p class="hg3">"Felix natu, felicior vitâ, felicissimus morte."</p> </div> </div> @@ -1329,7 +1287,7 @@ ORD V. S. LM.</p> <div class="poem"> <div class="stanza"> - <p class="hg3">"Gutta cavat lapidem, non vi sed sæpe cadendo."</p> + <p class="hg3">"Gutta cavat lapidem, non vi sed sæpe cadendo."</p> </div> </div> @@ -1350,7 +1308,7 @@ ORD V. S. LM.</p> <p><i>Punch and Judy.</i>—Are any of your readers of "N. & Q." not aware that <i>Punch and Judy</i> is a corruption, both in word and - deed, of <i>Pontius cum Judæis</i>, one of the old mysteries, the subject + deed, of <i>Pontius cum Judæis</i>, one of the old mysteries, the subject of which was Pontius Pilate with the Jews; and particularly in reference to St. Matt. xxvii. 19.? I should be glad to hear of some similar instances.</p> @@ -1398,10 +1356,10 @@ ORD V. S. LM.</p> <p>"Incipit prologus in libello qui inscribitur de humilitate,</p> - <p>Cap. I. Quam perniciosum sit et Deo odibile superbiæ initium, et + <p>Cap. I. Quam perniciosum sit et Deo odibile superbiæ initium, et qualiter ac de quibus gloriandum sit.</p> - <p>II. Quod sit superbia fugienda et sectanda humilitas, quæ in sui vera + <p>II. Quod sit superbia fugienda et sectanda humilitas, quæ in sui vera cognitione fundata consistit," &c.</p> </blockquote> @@ -1608,7 +1566,7 @@ ORD V. S. LM.</p> <blockquote class="b1n"> - <p>"Quid enim Pythagoras, ejusque præceptores, Ægypti Mystæ, adeo + <p>"Quid enim Pythagoras, ejusque præceptores, Ægypti Mystæ, adeo leguminum, fabarum imprimis, esum et aspectum fugerent; nisi quod cibi mortuorum cœnis et exequiis proprii, adeoque polluti et abominandi haberentur," &c.—Brand's <i>Observations on Popular @@ -1627,7 +1585,7 @@ ORD V. S. LM.</p> <blockquote class="b1n"> - <p>"The Bengalese have the <i>Nymphæa nelumbo</i> in their lakes and + <p>"The Bengalese have the <i>Nymphæa nelumbo</i> in their lakes and inundations; and its fruit certainly resembles at all points that of the second species of water-lily described by Herodotus; that is, it has the form of the orbicular wasp's nest; and contains kernels of the size and @@ -1637,11 +1595,11 @@ ORD V. S. LM.</p> <p>"It may, however, be a question whether it has always been the case; and whether in the lapse of time that has taken place since the days of - Pythagoras (who is supposed to have visited India, as well as Chaldæa, + Pythagoras (who is supposed to have visited India, as well as Chaldæa, Persia, and Egypt), a relaxation in discipline may not have occasioned the law to be dispensed with; instances enough of a like kind being to be met with elsewhere. <i>Kyamos</i> in the Greek language appears to - signify, not only a bean, but also the fruit or bean of the <i>Nymphæa + signify, not only a bean, but also the fruit or bean of the <i>Nymphæa nelumbo</i>. Is it not probable then that the mystery of the famous inhibition of Pythagoras, an enigma of which neither the ancients nor the moderns have hitherto been able to give a rational solution, may be @@ -1698,7 +1656,7 @@ ORD V. S. LM.</p> parts in several plays of some of the actors, wherein they excelled in the performance of them. First, Mr. Hart, in the part of Arbaces, in <i>King and no King</i>; Amintor, in the <i>Maid's Tagedy</i>; Othello; - Rollo; Brutus, in <i>Julius Cæsar</i>; Alexander. Towards the latter end + Rollo; Brutus, in <i>Julius Cæsar</i>; Alexander. Towards the latter end of his acting, if he <!-- Page 613 --><span class="pagenum"><a name="page613"></a>{613}</span>acted in any one of these but once in a fortnight, the house was filled as at a new play, especially Alexander; @@ -1754,7 +1712,7 @@ ORD V. S. LM.</p> <p>"He was eminent for Volpone; Face, in the <i>Alchemist</i>; Melantius, in the <i>Maid's Tragedy</i>; Mardonius, in <i>King and no King</i>; - Cassius, in <i>Julius Cæsar</i>; Clytus, in <i>Alexander</i>; + Cassius, in <i>Julius Cæsar</i>; Clytus, in <i>Alexander</i>; Mithridates, &c. An eminent poet<a name="footnotetag8" href="#footnote8"><sup>[8]</sup></a> seeing him act this last, vented suddenly this saying: 'Oh, Mohun, Mohun! thou little man of mettle, if I @@ -1770,7 +1728,7 @@ ORD V. S. LM.</p> <p>"We may remember (however we find this scene of Melanthius and Amintor written in the book) that at the Theater we have a good scene acted; - there is work cut out, and both our Æsopus and Roscius are on the stage + there is work cut out, and both our Æsopus and Roscius are on the stage together. Whatever defect may be in Amintor and Melanthius, Mr. Hart and Mr. Mohun are wanting in nothing. To these we owe what is pleasing in the scene; and to this scene we may impute the success of the '<i>Maid's @@ -1941,7 +1899,7 @@ ORD V. S. LM.</p> (Richardson, for example) classed under a different root from <i>rest</i>, used to express <i>quiescence</i>, or <i>repose</i>. <i>Restive</i>, or more properly <i>restiff</i>, is equivalent to the - French <i>rétif</i>, or Italian <i>restio</i>; and, as applied to horses, + French <i>rétif</i>, or Italian <i>restio</i>; and, as applied to horses, means those which resist the will of their rider. Hence, whether in standing stock still, in running away, in rearing, in plunging, or in kicking, they employ their natural means of defence against the control @@ -1951,18 +1909,18 @@ ORD V. S. LM.</p> <blockquote class="b1n"> - <p>"Se il cavallo è restio, il più delle volte procede per colpa del - Cavaliero, per una di questi ragioni. Overo il Cavallo è vile, e di poca + <p>"Se il cavallo è restio, il più delle volte procede per colpa del + Cavaliero, per una di questi ragioni. Overo il Cavallo è vile, e di poca forza, e essendo troppo molestato si abandona e avvilisce di sorte che - accorando non vuole caminare avante; over è superbo, e gagliardo, e - dandogli fatica, egli mancandogli un poco di lena, si prevalerà con - salti, e con aggrupparsi, e con altre malignità, ò fara pur questo dal - principio che si cavalca, di maniera che se allora conoscerà chi il + accorando non vuole caminare avante; over è superbo, e gagliardo, e + dandogli fatica, egli mancandogli un poco di lena, si prevalerà con + salti, e con aggrupparsi, e con altre malignità , ò fara pur questo dal + principio che si cavalca, di maniera che se allora conoscerà chi il Cavaliero lo teme, <!-- Page 615 --><span class="pagenum"><a - name="page615"></a>{615}</span>prenderà tant' animo, che usando molte - ribalderie, si fermerà contra la volontà sua; <i>e di queste due Specie - di Restii</i> [which J. R. will be pleased to <i>note</i>], la peggior è - quella che nasce da viltà, e da poca forza."—Folio 92, verso.</p> + name="page615"></a>{615}</span>prenderà tant' animo, che usando molte + ribalderie, si fermerà contra la volontà sua; <i>e di queste due Specie + di Restii</i> [which J. R. will be pleased to <i>note</i>], la peggior è + quella che nasce da viltà , e da poca forza."—Folio 92, verso.</p> </blockquote> @@ -2056,7 +2014,7 @@ ORD V. S. LM.</p> Dipl.</i> ii. 19.) relating to some property withheld from the church of Canterbury, and which is specially described as having been that "of Oswulf, duke and prince of the province of <i>East Kent</i>" ('dux atque - princeps provinciæ <i>Orientalis Cantiæ</i>') c. <span + princeps provinciæ <i>Orientalis Cantiæ</i>') c. <span class="sm">A.D.</span> 844.</p> <p>"The <i>Saxon Chronicle</i> also confirms this view of the matter, @@ -2094,7 +2052,7 @@ ORD V. S. LM.</p> Kent into the two dioceses of <i>Canterbury</i> and <i>Rochester</i>.</p> <p>"Our Gavelkind Tenure and free Kentish customs, of which I have - attempted a history in my recently published <i>Consuetudines Kanciæ</i>, + attempted a history in my recently published <i>Consuetudines Kanciæ</i>, gave rise to our well-known old provincial song of 'The Man of Kent,' its burthen being:</p> @@ -2195,7 +2153,7 @@ ORD V. S. LM.</p> <p class="address">Clyst St. George, Devon.</p> - <p><i>M. Barrière and the Quarterly Review</i> (Vol. v., pp. 347. + <p><i>M. Barrière and the Quarterly Review</i> (Vol. v., pp. 347. 402.).—As I see that J. R. (of Cork) has resumed his correspondence with "N. & Q.," I beg leave to call his attention to his statement, and to my inquiry under the above references: any one or two instances of @@ -2273,7 +2231,7 @@ ORD V. S. LM.</p> Dentrificator—Native of Arabia Deserta, Citizen and Burgomaster of the City of Brandipolis—Seventh son of a Seventh son, unborn Doctor of above sixty years' experience, having studied over Galen, Hypocrates, - Albumazer, and Paracelsus, am now become the Æsculapius of this age. + Albumazer, and Paracelsus, am now become the Æsculapius of this age. Having been educated at twelve Universities, and travelled through fifty-two Kingdoms, and been Counsellor to the Counsellors of several grand Monarchs, natural son of the wonder working chymical Doctor Signior @@ -2400,7 +2358,7 @@ ORD V. S. LM.</p> <p class="hg3">"Now louder and warmer the competition growing,</p> <p class="i1">Politeness nearly banished in the grand <i>fracas</i>;</p> <p>Two hundred, two hundred and thirty-three—a-going!</p> - <p class="i1">Gone! Never cat of <i>talents</i> surely met avidly such <i>éclat</i>!</p> + <p class="i1">Gone! Never cat of <i>talents</i> surely met avidly such <i>éclat</i>!</p> <p>E'en nine or ten fine gentlemen were in the fashion caught as well,</p> <p class="i1">As ladies in their bidding for this purring piece of tortoiseshell.</p> <p>And the buyer bore him off in triumph, after all the fun was done,</p> @@ -2474,7 +2432,7 @@ ORD V. S. LM.</p> <blockquote class="b1n"> - <p>"<i>Nascentur violæ</i>; Hoc inde videtur natum esse quod veteres + <p>"<i>Nascentur violæ</i>; Hoc inde videtur natum esse quod veteres tumulos mortuorum sparsis floribus et corollis solebant ornate; pertinebat hoc ad religionem manium, qui, ut putabatur, libationibus annuis, coronis, floribus, cet. delectabantur."</p> @@ -2632,8 +2590,8 @@ ORD V. S. LM.</p> <blockquote class="b1n"> <p>"Illa vox inhumana et scelerata ducitur, eorum, qui negant se - recusare, quò minùs, ipsis mortuis, terrarum omnium deflagratio - consequatur, quod vulgari quodam versu Græco [<span title="Emou Thanontos gaia michthêtô puri" class="grk" + recusare, quò minùs, ipsis mortuis, terrarum omnium deflagratio + consequatur, quod vulgari quodam versu Græco [<span title="Emou Thanontos gaia michthêtô puri" class="grk" >Ἐμοῦ Θανόντος γαῖα μιχθήτω @@ -2657,7 +2615,7 @@ ORD V. S. LM.</p> </blockquote> - <p>In <i>La Gnomonique Pratique</i> of François de Celles, 8vo., there is + <p>In <i>La Gnomonique Pratique</i> of François de Celles, 8vo., there is pretty long list of Latin mottos for sun-dials, but I do not find the above amongst them. It scarcely reads like a classical quotation.</p> @@ -3131,7 +3089,7 @@ ORD V. S. LM.</p> to</i> <span class="sc">An English Mother</span> one <i>of the copies so kindly sent by</i> E. C. <i>One we retain for our own use. The lines forwarded by</i> <span class="sc">Sewarg</span> <i>are very generally - known: not so those inquired by</i> <span class="sc">Mæris</span>, + known: not so those inquired by</i> <span class="sc">Mæris</span>, <i>beginning</i></p> <div class="poem"> @@ -3221,11 +3179,11 @@ George Drew, Esq. <table style="width:35%" class="mc" summary="Specimens of Rates" title="Specimens of Rates"> <tr> <td class="plr05" style="width:28%">Age</td> -<td class="plr05 ar" style="text-align:right; width:7%"><i>£</i></td> +<td class="plr05 ar" style="text-align:right; width:7%"><i>£</i></td> <td class="plr05 ar" style="text-align:right; width:7%"><i>s.</i></td> <td class="plr05 ar br" style="text-align:right; width:7%"><i>d.</i></td> <td class="plr05" style="width:28%">Age</td> -<td class="plr05 ar" style="text-align:right; width:7%"><i>£</i></td> +<td class="plr05 ar" style="text-align:right; width:7%"><i>£</i></td> <td class="plr05 ar" style="text-align:right; width:7%"><i>s.</i></td> <td class="plr05 ar" style="text-align:right; width:7%"><i>d.</i></td> </tr> @@ -3446,7 +3404,7 @@ cloth gilt, with numerous engravings,</p> <p>The main plan of the work has been borrowed from Spanheim, a learned, though certainly not unbiassed, writer of the seventeenth century; the matter compiled from Spondanus and Spanheim, Mosheim and Fleury, Gieseler - and Döllinger, and others, who have been used too often to be specified, + and Döllinger, and others, who have been used too often to be specified, unless when reference to them appeared desirable for the benefit of the reader. Yet I believe I have never once trusted to them on a point involving controversy, without examining their authorities. The one @@ -3631,7 +3589,7 @@ and LONGMANS.</p> every information afforded. Drawing of Arms, 2<i>s.</i> 6<i>d.</i>; Painting ditto, 5<i>s.</i>; Book Plate Crest, 5<i>s.</i>; Arms, &c. from 20<i>s.</i>; Crest on Card Plate, and One Hundred Cards, 8<i>s.</i>; - Queries answered for 1<i>s.</i> Saxon, Mediæval, and Modern Style Book + Queries answered for 1<i>s.</i> Saxon, Mediæval, and Modern Style Book Plates. The best Authorities and MS. Books of thirty-five years' practice consulted. Heraldic Stamps for Linen or Books, with reversed Cyphers and Crests. Apply, if by letter, enclosing stamps or post-office order, to @@ -3725,385 +3683,6 @@ Four Days' Sale.</p> </blockquote> - - - - - - - -<pre> - - - - - -End of the Project Gutenberg EBook of Notes and Queries, Number 139, June -26, 1852, by Various - -*** END OF THIS PROJECT GUTENBERG EBOOK NOTES AND QUERIES *** - -***** This file should be named 42780-h.htm or 42780-h.zip ***** -This and all associated files of various formats will be found in: - http://www.gutenberg.org/4/2/7/8/42780/ - -Produced by Charlene Taylor, Jonathan Ingram, Keith Edkins -and the Online Distributed Proofreading Team at -http://www.pgdp.net (This file was produced from images -generously made available by The Internet Archive/Canadian -Libraries) - - -Updated editions will replace the previous one--the old editions -will be renamed. - -Creating the works from public domain print editions means that no -one owns a United States copyright in these works, so the Foundation -(and you!) can copy and distribute it in the United States without -permission and without paying copyright royalties. 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