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| author | nfenwick <nfenwick@pglaf.org> | 2025-03-07 21:52:37 -0800 |
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| committer | nfenwick <nfenwick@pglaf.org> | 2025-03-07 21:52:37 -0800 |
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| parent | 40db4095c4b12796105286ba747457601b447d02 (diff) | |
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diff --git a/42781-h/42781-h.htm b/42781-h/42781-h.htm index 0c9468e..e116569 100644 --- a/42781-h/42781-h.htm +++ b/42781-h/42781-h.htm @@ -1,7 +1,7 @@ <!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd"> <html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en" lang="en"> <head> - <meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1" /> + <meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /> <title> Notes And Queries, Issue 166. </title> @@ -63,50 +63,7 @@ </style> </head> <body> - - -<pre> - -The Project Gutenberg EBook of Notes and Queries, Number 166, January 1, -1853, by Various - -This eBook is for the use of anyone anywhere at no cost and with -almost no restrictions whatsoever. You may copy it, give it away or -re-use it under the terms of the Project Gutenberg License included -with this eBook or online at www.gutenberg.org - - -Title: Notes and Queries, Number 166, January 1, 1853 - A Medium of Inter-communication for Literary Men, Artists, - Antiquaries, Genealogists, etc - -Author: Various - -Editor: George Bell - -Release Date: May 24, 2013 [EBook #42781] - -Language: English - -Character set encoding: ISO-8859-1 - -*** START OF THIS PROJECT GUTENBERG EBOOK NOTES AND QUERIES *** - - - - -Produced by Charlene Taylor, Jonathan Ingram, Keith Edkins -and the Online Distributed Proofreading Team at -http://www.pgdp.net (This file was produced from images -generously made available by The Internet Archive/Canadian -Libraries) - - - - - - -</pre> +<div>*** START OF THE PROJECT GUTENBERG EBOOK 42781 ***</div> <table border="0" cellpadding="10" style="background-color: #ccccff;"> <tr> @@ -195,7 +152,7 @@ Stamped Edition 5<i>d.</i></b></td> <tr><td class="pl1">Devizes, Origin of: a Question for the Heralds, by J. Waylen</td> <td class="ar vbm"><a href="#page11">11</a></td></tr> -<tr><td class="pl1"><span class="sc">Minor Queries</span>:—Gold Signet Ring—Ecclesia Anglicana—Tangiers: English Army in 1684—Smith—Termination "-itis"—Loak Hen—Etymological Traces of the Social Position of our Ancestors—Locke's Writings—Passage in Göthe's "Faust"—Schomberg's Epitaph by Swift—The Burial Service said by Heart—Shaw's Staffordshire MSS.—"Ne'er to these chambers," &c.—County History Societies—Hugh Oldham, Bishop of Exeter—The English Domestic Novel—Dr. Young—Bishop Hall's Meditations—Chatterton—Passage in Job—Turner's View of Lambeth Palace—Clarke's Essay on the Usefulness of Mathematical Learning—"The General Pardon"</td> +<tr><td class="pl1"><span class="sc">Minor Queries</span>:—Gold Signet Ring—Ecclesia Anglicana—Tangiers: English Army in 1684—Smith—Termination "-itis"—Loak Hen—Etymological Traces of the Social Position of our Ancestors—Locke's Writings—Passage in Göthe's "Faust"—Schomberg's Epitaph by Swift—The Burial Service said by Heart—Shaw's Staffordshire MSS.—"Ne'er to these chambers," &c.—County History Societies—Hugh Oldham, Bishop of Exeter—The English Domestic Novel—Dr. Young—Bishop Hall's Meditations—Chatterton—Passage in Job—Turner's View of Lambeth Palace—Clarke's Essay on the Usefulness of Mathematical Learning—"The General Pardon"</td> <td class="ar vbm"><a href="#page12">12</a></td></tr> <tr><td class="pl1"><span class="sc">Minor Queries with Answers</span>:—Edward the Confessor's Ring—The Bourbons</td> @@ -218,7 +175,7 @@ Stamped Edition 5<i>d.</i></b></td> <tr><td class="pl1">"Martin Drunk," by Dr. E. F. Rimbault</td> <td class="ar vbm"><a href="#page19">19</a></td></tr> -<tr><td class="pl1">Göthe's Reply to Nicolai</td> +<tr><td class="pl1">Göthe's Reply to Nicolai</td> <td class="ar vbm"><a href="#page19">19</a></td></tr> <tr><td class="pl1"><span class="sc">Photographic Correspondence</span>:—Processes upon Paper—Exhibition of Photography at the Society of Arts</td> @@ -546,7 +503,7 @@ Stamped Edition 5<i>d.</i></b></td> judgment in times of greatest need, the events of the present century, and the fate of nations, would have been reversed, had that great man only been persuaded to take two boxes of Snooks's Aperient Pill, price - 1<i>s.</i> 1½<i>d.</i>, with the Government stamp on a red ground (see + 1<i>s.</i> 1½<i>d.</i>, with the Government stamp on a red ground (see Advt.). All these things we know very well; but, of the fugitive literature that does not find a place in the advertising columns of <i>The Times</i>, but flashes into Fame only in the pages of some local @@ -812,7 +769,7 @@ Stamped Edition 5<i>d.</i></b></td> <p>Ditto, ditto. "Books were announced." What?</p> - <p>Ditto, p. xx. "Cæsar's compliment to Cicero." Where recorded?</p> + <p>Ditto, p. xx. "Cæsar's compliment to Cicero." Where recorded?</p> <p>Ditto, p. xxi. "The manufacture of particular articles of trade." Montagu, xvi. 306.</p> @@ -877,9 +834,9 @@ Stamped Edition 5<i>d.</i></b></td> <div class="stanza"> <p>Ampla inter spolia, et magni decora alta triumphi,</p> <p class="i1"><i>Ulmus</i> erit fastis commemoranda tuis,</p> - <p>Quam super exoriens faustâ tibi gloria pennâ</p> + <p>Quam super exoriens faustâ tibi gloria pennâ</p> <p class="i1">Palmam oleamque uno detulit alma die;</p> - <p>Immortale decus maneat, famâque perenni</p> + <p>Immortale decus maneat, famâque perenni</p> <p class="i1">Felicique geras sceptra paterna manu;</p> <p>Et tua victrices dum cingunt tempora lauri,</p> <p class="i1">Materies solio digna sit ista tuo.</p> @@ -898,25 +855,25 @@ Stamped Edition 5<i>d.</i></b></td> <div class="stanza"> <p><i>Hanc</i> Ego quam felix annis melioribus <i>Ulmum</i></p> <p>Ipse manu sevi, tibi dilectissime Fili</p> - <p>Consecro in æternum, Gulielme vocabitur Arbos</p> - <p>Hæc tua, servabitque tuum per secula nomen.</p> + <p>Consecro in æternum, Gulielme vocabitur Arbos</p> + <p>Hæc tua, servabitque tuum per secula nomen.</p> <p>Te generose Puer nil muneris hujus egentem</p> - <p>Te jam perfunctum vitæ bellique labore,</p> + <p>Te jam perfunctum vitæ bellique labore,</p> <p>Adscripsit Deus, et cœlestibus intulit oris,</p> - <p>Me tamen afflictum, me consolabitur ægrum</p> + <p>Me tamen afflictum, me consolabitur ægrum</p> <p>Hoc tibi quod pono, quanquam leve pignus amoris,</p> - <p>Hic Ego de vitâ meditans, de sorte futurâ,</p> - <p>Sæpe tuam recolam formam, dulcemque loquelam,</p> + <p>Hic Ego de vitâ meditans, de sorte futurâ,</p> + <p>Sæpe tuam recolam formam, dulcemque loquelam,</p> <p>Verbaque tam puro et sacrato fonte profecta,</p> <p>Quam festiva quidem, et facili condita lepore.</p> <p>At Te, qui nostris quicunque accesseris hospes</p> <p>Sedibus, unum oro, mœsti reverere Parentis,</p> - <p>Nec tu sperne preces quas hâc super Arbore fundo.</p> + <p>Nec tu sperne preces quas hâc super Arbore fundo.</p> <p>Sit tibi non invisa, sit inviolata securi,</p> <p>Et quantum natura sinet, crescat monumentum</p> - <p>Egregii Juvenis, qui sævo est Marte peremptus,</p> + <p>Egregii Juvenis, qui sævo est Marte peremptus,</p> <p>Fortiter ob patriam pugnando, sic tibi constans</p> - <p>Stet fortuna domûs, sit nulli obnoxia damno,</p> + <p>Stet fortuna domûs, sit nulli obnoxia damno,</p> <p>Nec videas unquam dilecti funera nati.</p> </div> </div> @@ -944,7 +901,7 @@ Stamped Edition 5<i>d.</i></b></td> <i>Poems</i>, printed at Oxford; whereunto [it] is added (as I now suppose) that the accessory might help out the principal, according to the art of stationers, and to leave the reader <i>con la bocca - dolce</i>."—<i>Reliquiæ Wottonianæ</i>, 1672.</p> + dolce</i>."—<i>Reliquiæ Wottonianæ</i>, 1672.</p> </blockquote> @@ -965,7 +922,7 @@ Stamped Edition 5<i>d.</i></b></td> Rouse and Milton "appears to have subsisted in 1637." There is no evidence of their friendship till 1647; and that evidence is the ode to Rouse, to which this address is prefixed: "Jan. 23. 1646. Ad Joannem - Rousium, Oxoniensis academiæ bibliothecarium. De libro poematum amisso, + Rousium, Oxoniensis academiæ bibliothecarium. De libro poematum amisso, <i>quem ille sibi denuo mitti postulabat</i>, ut cum aliis nostris in bibliotheca publica reponeret, ode." It seems that Milton did not send the volume of 1645 till a copy of it had been requested; no evidence, @@ -1254,7 +1211,7 @@ Stamped Edition 5<i>d.</i></b></td> <blockquote class="b1n"> <p>"No. in Catalogue, 1185. Bracton de (Hen.) Consuetudinibus et Legibus - Anglicæ. (In pergamena) literis deauratis. Sold in 1807 for 1<i>l.</i> + Anglicæ. (In pergamena) literis deauratis. Sold in 1807 for 1<i>l.</i> 13<i>s.</i>: produced at Heber's sale, 1836, 6<i>l.</i> 6<i>s.</i></p> <p>"Lot 1190. Gul. Malmesburiensis de Gestis Regum Anglorum. (In @@ -1267,11 +1224,11 @@ Stamped Edition 5<i>d.</i></b></td> <p><!-- Page 10 --><span class="pagenum"><a name="page10"></a>{10}</span></p> <p>"Lot 1198. Henrici Archid. Huntindoniensis de Gestis Anglorum et Gyr. - Cambriensis expugnatio Hiberniæ. (In pergamena.) Sold in 1807 for + Cambriensis expugnatio Hiberniæ. (In pergamena.) Sold in 1807 for 2<i>l.</i> 1<i>s.</i>: produced at Heber's sale, 1836, 78<i>l.</i> 15<i>s.</i> 6<i>d.</i></p> - <p>"Lot 1206. Chronica Matt. Parisensis sine Historia Minor cum vitâ + <p>"Lot 1206. Chronica Matt. Parisensis sine Historia Minor cum vitâ authoris, per Doctissimum Virum Rog. Twysden Bar. (In papyro.) Sold in 1807 for 2<i>l.</i> 8<i>s.</i>: produced at Heber's sale, 1836, 5<i>l.</i> 15<i>s.</i> 6<i>d.</i> Total produce in 1807, 8<i>l.</i> @@ -1408,24 +1365,24 @@ Stamped Edition 5<i>d.</i></b></td> <p>In one of the volumes forming part of that valuable collection published by the French <!-- Page 11 --><span class="pagenum"><a name="page11"></a>{11}</span>government,and commenced, I believe, under - the auspices of M. Guizot, namely, the <i>Documens inédits sur l'Histoire + the auspices of M. Guizot, namely, the <i>Documens inédits sur l'Histoire de France</i>, the following passage attracted my notice:</p> <blockquote class="b1n"> - <p>"Il (M. de Bréquigny) a prouvé par des titres authentiques et inconnus - jusqu'à présent, qu'Eustache de St. Pierre, dont on a si fort vanté le - dévouement pour les habitans de Calais, fut séduit par Edouard, et qu'il - reçut de ce prince des pensions et des possessions fort peu de temps - après la prise de cette place, aux conditions d'y maintenir le bon ordre, - et de la conserver à l'Angleterre."—See <i>Lettres de Rois, + <p>"Il (M. de Bréquigny) a prouvé par des titres authentiques et inconnus + jusqu'à présent, qu'Eustache de St. Pierre, dont on a si fort vanté le + dévouement pour les habitans de Calais, fut séduit par Edouard, et qu'il + reçut de ce prince des pensions et des possessions fort peu de temps + après la prise de cette place, aux conditions d'y maintenir le bon ordre, + et de la conserver à l'Angleterre."—See <i>Lettres de Rois, &c.</i>, vol. i. Preface, p. cix.</p> </blockquote> - <p>The above statement is founded on a memoir read before the Académie - des Belles-Lettres by M. de Bréquigny, respecting the researches made by - him in London (see <i>Mém. de l'Acad. des Belles-Lettres</i>, tom. + <p>The above statement is founded on a memoir read before the Académie + des Belles-Lettres by M. de Bréquigny, respecting the researches made by + him in London (see <i>Mém. de l'Acad. des Belles-Lettres</i>, tom. xxxvii.).</p> <p>Lingard throws a doubt over the matter. He says:</p> @@ -1458,23 +1415,23 @@ Stamped Edition 5<i>d.</i></b></td> <p>Both Hume and Lingard mention that Edward expelled the natives of Calais, and repeopled the place with Englishmen; but they say nothing as to Eustache de St. Pierre becoming a pensioner of the King's "aux - conditions d'y maintenir le bon ordre, et de la conserver à + conditions d'y maintenir le bon ordre, et de la conserver à l'Angleterre."</p> - <p>Châteaubriand (<i>Etudes Hist.</i>, 1831, 8vo., tome iv. p. 104.) + <p>Châteaubriand (<i>Etudes Hist.</i>, 1831, 8vo., tome iv. p. 104.) gives Froissart's narrative, by which he abides, at the same time - complaining of the "esprit de dénigrement" which he says prevailed + complaining of the "esprit de dénigrement" which he says prevailed towards the end of the last century in regard to heroic actions.</p> <p>Regarding Queen Philippa's share in the transaction above referred to, - M. de Bréquigny says:</p> + M. de Bréquigny says:</p> <blockquote class="b1n"> - <p>"La reine, qu'on suppose avoir été si touchée du malheur des six + <p>"La reine, qu'on suppose avoir été si touchée du malheur des six bourgeois dont elle venait de sauver la vie, ne laissa pas d'obtenir, peu - de jours après, la confiscation des maisons que Jean d'Acre, l'un d'eux, - avait possédées dans Calais."</p> + de jours après, la confiscation des maisons que Jean d'Acre, l'un d'eux, + avait possédées dans Calais."</p> </blockquote> @@ -1491,7 +1448,7 @@ Stamped Edition 5<i>d.</i></b></td> allegiance to the English.</p> <p>I wish to ask whether this new light thrown on the subject, through M. - de Bréquigny's labours, has been hitherto noticed, for it would appear + de Bréquigny's labours, has been hitherto noticed, for it would appear the story should be re-written.</p> <p class="author"><span class="sc">Philip S. King.</span></p> @@ -1502,10 +1459,10 @@ Stamped Edition 5<i>d.</i></b></td> <p>I will put the following case as briefly as I can.</p> - <p>Throughout the mediæval ages, the word <i>devise</i> formed the + <p>Throughout the mediæval ages, the word <i>devise</i> formed the generic term for every species of emblazonment. Thus we have "<i>Devises Heroiques</i>, per Claude Paradin, Lyons, 1557;" "<i>Devises et Emblems - d'Amour moralisés</i>, par Flamen;" "<i>The Paradise of Dainty + d'Amour moralisés</i>, par Flamen;" "<i>The Paradise of Dainty Devices</i>, 1576;" "<i>Minerva Britannica, or a Garden of Heroical Devices furnished and adorned with Emblems and Impressa's of Sundry Natives</i>, newly devised, moralised, and published by Henry Peachum, @@ -1568,12 +1525,12 @@ Stamped Edition 5<i>d.</i></b></td> </blockquote> <p>My case is now stated. I shall be well content that some of your - archæological friends should scatter it to the winds, provided they will + archæological friends should scatter it to the winds, provided they will explain how it is that Devizes, in common with some of the ancient cities of Egypt and Greece, has so long rejoiced in a plural name. To aid this last endeavour, I close with one more statement. The castle stood nearly - midway between two other adjoining towns or villæ, also bearing plural - names: Potternæ=arum [Posternæ?] and Kaningæ=arum.</p> + midway between two other adjoining towns or villæ, also bearing plural + names: Potternæ=arum [Posternæ?] and Kaningæ=arum.</p> <p class="author"><span class="sc">J. Waylen.</span></p> @@ -1632,7 +1589,7 @@ Stamped Edition 5<i>d.</i></b></td> <p>Service Books according to the use of some particular cathedral church are of course well known, as in this same list to which I have referred we find "secundum usum insignis ecclesie Eboracensis," "ad insignis - ecclesiæ Sarisburiensis usum," &c.: but I should be glad to learn, in + ecclesiæ Sarisburiensis usum," &c.: but I should be glad to learn, in these days of <i>ultramontane</i> pretensions, whether, even prior to the Reformation, the distinct nationality of the Anglican church was <i>commonly</i> asserted by the use of such a title in her Service Books. @@ -1720,9 +1677,9 @@ Stamped Edition 5<i>d.</i></b></td> <p class="address">East Winch.</p> - <p><i>Passage in Göthe's "Faust."</i>—Has the following passage + <p><i>Passage in Göthe's "Faust."</i>—Has the following passage from the second part of <i>Faust</i> ever been noticed in connexion with - the fact that the clock in Göthe's chamber stopped at the moment that he + the fact that the clock in Göthe's chamber stopped at the moment that he himself expired? If it has not, I shall congratulate myself on having been the first to point out this very curious coincidence</p> @@ -1731,9 +1688,9 @@ Stamped Edition 5<i>d.</i></b></td> <p><span class="gap"></span>"<i>Mephistopheles.</i> Die Zeit wird Herr, der Gries hier liegt im Sand,</p> <p><i>Die Uhr steht still</i>——</p> <p><span class="gap"></span><i>Chorus.</i><span class="gap" style="width:4em;"></span>Steht still! Sie schweigt wie Mitternacht</p> - <p><i>Der Zeiger fällt.</i></p> - <p><span class="gap"></span><i>Mephistopheles.</i> Er fällt, es ist vollbracht."</p> - <p class="i8"><i>Faust</i>, der Tragödie Zweiter Theil, Fünfter Act.</p> + <p><i>Der Zeiger fällt.</i></p> + <p><span class="gap"></span><i>Mephistopheles.</i> Er fällt, es ist vollbracht."</p> + <p class="i8"><i>Faust</i>, der Tragödie Zweiter Theil, Fünfter Act.</p> </div> </div> @@ -1911,7 +1868,7 @@ Stamped Edition 5<i>d.</i></b></td> should rise from the dead and see God. This memorable declaration (chap. xix. ver. 25.) can be forgotten by none of your readers; but some of them may not know that the Septuagint adds these words of life to chap. xlii. - ver. 17.:"<span title="gegraptai de, auton palin anastêsesthai meth' hôn ho Kurios anistêsin" class="grk" + ver. 17.:"<span title="gegraptai de, auton palin anastêsesthai meth' hôn ho Kurios anistêsin" class="grk" >γέγραπται δε, ἀυτόν πάλιν @@ -1966,7 +1923,7 @@ Stamped Edition 5<i>d.</i></b></td> In a subsequent portion of the work, a sketch of the contents of the <i>Essay</i> is given, which include "a Treatise on Magic Squares, translated from the French of Frenicle, as published in <i>Les Ouvrages - de Mathématique par Messieurs de l'Académie Royale des Sciences</i>, with + de Mathématique par Messieurs de l'Académie Royale des Sciences</i>, with several Additions and Remarks." And in a list of "Tracts and Translations <i>written and published</i> by H. Clarke, LL.D.," which occurs at the end of my copy of the first volume of Leybourn's <i>Mathematical @@ -2092,11 +2049,11 @@ Stamped Edition 5<i>d.</i></b></td> Companion to the Almanack for 1853</i>, "On the Difficulty of correct Description of Books." The manuscript note cited by H. J., though curiously inaccurate, guided me to the book for which he inquires. I copy - the title-page: "<i>Die Betrübte Pegnesis, den Leben, Kunst, und + the title-page: "<i>Die Betrübte Pegnesis, den Leben, Kunst, und Tugend-Wandel des Seelig-Edeln Floridans, H. Sigm. von Birken, Com. Pal. - Cæs. durch 24 Sinnbilder in Kupfern, zur schuldigen nach-Ehre - fürstellend, und mit Gesprach und Reim-Gedichten erklärend, durch ihre - Blumen-Hirten.</i> Nürnberg, 1684, 12mo." I presume the annotator, not + Cæs. durch 24 Sinnbilder in Kupfern, zur schuldigen nach-Ehre + fürstellend, und mit Gesprach und Reim-Gedichten erklärend, durch ihre + Blumen-Hirten.</i> Nürnberg, 1684, 12mo." I presume the annotator, not understanding German, and seeing "Floridans" the most conspicuous word on the title-page, cited him as the author; but it is the pastoral academic name of the late Herr Sigmond von Birken, in whose honour the work is @@ -2144,7 +2101,7 @@ Stamped Edition 5<i>d.</i></b></td> </blockquote> - <p>The academy of Pegnitz-shepherds ("Pegnitzshäfer-orden") took its name + <p>The academy of Pegnitz-shepherds ("Pegnitzshäfer-orden") took its name from the little river Pegnitz which runs through Nuremberg. Herr Sigmond von Birken was elected a member in 1645. He chose <i>Floridan</i> as his pastoral name, and the amaranth as his flower. In 1658 he was admitted to @@ -2152,7 +2109,7 @@ Stamped Edition 5<i>d.</i></b></td> (the adult?), and the snowdrop. In 1659, a vacancy having occurred in the Pegnitz-Herdsmen ("Pegnitz-Hirten") he was thought worthy to fill it, and in 1679 he received the diploma of the Venetian order of the Recuperati. - He died in 1681. This, and what can be hung upon it, is <i>Die Betrübte + He died in 1681. This, and what can be hung upon it, is <i>Die Betrübte Pegnitz</i>, a dialogue of 406 pages. It opens with a meeting of shepherds and shepherdesses, who go in and out of their cottages on the banks of the Pegnitz, and tell one another, what all seem equally well @@ -2171,9 +2128,9 @@ Stamped Edition 5<i>d.</i></b></td> may infer that such <!-- Page 17 --><span class="pagenum"><a name="page17"></a>{17}</span>institutions were abundant in Germany, in the seventeenth century: that of the Pegnitz shepherds lasted at least - till the beginning of the eighteenth. In <i>Der Thörichte + till the beginning of the eighteenth. In <i>Der Thörichte Pritschmeister</i>, a comedy printed at Coblenz, 1704, one of the - characters is "Phantasirende, ein Pegnitz Schäffer," who talks fustian + characters is "Phantasirende, ein Pegnitz Schäffer," who talks fustian and is made ridiculous throughout. The comedy is "von Menantes." I have another work by the same author: <i>Galante, Verliebte, und Satyrische Gedichte</i>, Hamburg, 1704. I shall be very glad to be told who he was, @@ -2220,9 +2177,9 @@ Stamped Edition 5<i>d.</i></b></td> benediction under the veil or mantle of the bride or the pallium of the altar. Hence the children so legitimated are said to have been called by the Germans <i>Mantelkinder</i>. The learning on this head is to be found - in Hommel's <i>Jurisprudentia Numismatibus Illustrata</i> (Lipsiæ, 1763), + in Hommel's <i>Jurisprudentia Numismatibus Illustrata</i> (Lipsiæ, 1763), pp. 214-218., where the reader will also find a pictorial illustration of - the ceremony from a codex of the <i>Novellæ</i> in the library of + the ceremony from a codex of the <i>Novellæ</i> in the library of Christian Schwarz. The practice seems to have been borrowed from the form of adopting children, noticed in the same work and in Ducange, verb. "Pallium, <i>Pallio cooperire</i>;" and in Grimm's <i>Deut. Rechts @@ -2244,7 +2201,7 @@ Stamped Edition 5<i>d.</i></b></td> borrowed the best part of his celebrated Treatise from the Corpus Juris. The most plausible motive which I have yet heard assigned for this famous parliamentary negative on the bishops' bill at Merton, is suggested (quod - minimè reris!) in an Assistant Poor-Law Commissioner's Report (vol. vi. + minimè reris!) in an Assistant Poor-Law Commissioner's Report (vol. vi. of the 8vo. printed series), viz. that bastardy multiplied the escheats which accrued to medieval lords of manors.</p> @@ -2308,7 +2265,7 @@ Stamped Edition 5<i>d.</i></b></td> <p>1641. London. 4to.</p> <p>1660. Cambridge. Folio.</p> <p>1644. The Scotch, by Laud and the Scotch bishops. Printed by John Jones. 8vo.</p> - <p>1551. Latine versa, per Alex. Absium. Lipsiæ. 4to.</p> + <p>1551. Latine versa, per Alex. Absium. Lipsiæ. 4to.</p> <p>1594. <span class="gap" style="width:1.69em;"></span>"<span class="gap" style="width:4.94em;"></span>"<span class="gap" style="width:5.5em;"></span>London. 8vo.</p> <p><span class="sm">S. A.</span><span class="gap" style="width:2.44em;"></span>"<span class="gap" style="width:3em;"></span>by Reginald Wolfe. London. 4to.</p> <p>1638. In Greek. London. 8vo.</p> @@ -2370,13 +2327,13 @@ Stamped Edition 5<i>d.</i></b></td> German, whence the English <i>pearl</i>. Adelung in v. believes the word to be of Teutonic origin, and considers it as the diminutive of <i>beere</i>, a berry. Others derive it from <i>perna</i>, the Latin name - of a shell-fish (see Ducange in <i>perlæ</i>; Diez, <i>Grammatik der + of a shell-fish (see Ducange in <i>perlæ</i>; Diez, <i>Grammatik der Romanischen Sprachen</i>, vol. i. p. 235.). Neither of these derivations is probable: it is not shown that <i>beere</i> had a diminutive form, and <i>perna</i> was a local and obscure name: see Pliny, <i>N. H.</i> xxxii. ad fin. Salmasius (<i>Exercit. Plin.</i>, p. 40. ed. 1689) thinks that <i>perla</i> is formed from <i>perula</i>, for <i>sperula</i>, the - diminutive of <i>sphæra</i>. A more probable origin is that the word is + diminutive of <i>sphæra</i>. A more probable origin is that the word is formed from the Latin <i>pirum</i>, as suggested by Diez, in allusion to the pear-shaped form of the pearl. Ducange in v. says that the extremity of the nose was called <i>pirula nasi</i>, from its resemblance to the @@ -2404,13 +2361,13 @@ Stamped Edition 5<i>d.</i></b></td> <i>pera</i>, a wallet, is, on merely linguistical grounds, preferable.</p> - <p>The Greek name of <i>pearl</i> is <span title="margaritês" class="grk" + <p>The Greek name of <i>pearl</i> is <span title="margaritês" class="grk" >μαργαρίτης</span>, originally applied to a precious stone, and apparently moulded out of some oriental name, into a form suited to the Greek pronunciation. Scott and Liddell in v. derive it from the Persian <i>murwari</i>. Pliny, <i>H. - N.</i> ix. 56., speaking of the pearl, says: "Apud Græcos non est, ne - apud barbaros quidem inventores ejus, aliud quam margaritæ." The Greek + N.</i> ix. 56., speaking of the pearl, says: "Apud Græcos non est, ne + apud barbaros quidem inventores ejus, aliud quam margaritæ." The Greek name <i>Margarita</i> was used by the Romans, but the proper Latin name for the pearl was <i>unio</i>. Pliny (ibid.) explains this word by saying that each pearl is <i>unique</i>, and unlike every other pearl. Ammianus @@ -2438,7 +2395,7 @@ Stamped Edition 5<i>d.</i></b></td> <p>The Latin term <i>unio</i> differs from "margarita," in so far as it seems to have been applied by Pliny to distinguish the small and ill-shaped pearls, from the large round and perfect, which he calls - "margaritæ." And in his ninth book, c. 59., he defines the difference + "margaritæ." And in his ninth book, c. 59., he defines the difference philologically, as well as philosophically. Philemon Holland, who published his translation of Pliny in 1634, about thirteen years after Burton published the first edition of his <i>Anatomy</i>, uses the word @@ -2538,15 +2495,15 @@ Stamped Edition 5<i>d.</i></b></td> <hr /> -<h3>GÖTHE'S REPLY TO NICOLAI.</h3> +<h3>GÖTHE'S REPLY TO NICOLAI.</h3> <p class="ac">(Vol. vi., p. 434.).</p> - <p>Had M. M. E. gone to the fountain-head, and consulted Göthe's own + <p>Had M. M. E. gone to the fountain-head, and consulted Göthe's own statement in his autobiography, he would have seen in the <i>Werke</i>, vol. xxvi. <!-- Page 20 --><span class="pagenum"><a name="page20"></a>{20}</span>p. 229., that Mr. Hayward's note was not - written with that writer's usual care. Göthe does not say that his reply + written with that writer's usual care. Göthe does not say that his reply to Nicolai's <i>Joys of Werter</i>, though circulated only in MS., destroyed N.'s literary reputation: on the contrary, he says that his squib (for it was no more) consisted of an epigram, not fit for @@ -2563,26 +2520,26 @@ Stamped Edition 5<i>d.</i></b></td> the Longmans, Murrays, Constables, Cottas, and Brockhauses were,—the great publisher of his age and country. The <i>entrepreneur</i> of the <i>Neue Deutsche Bibliothek</i> may be - compared with the publishers of our and the French great Cyclopædias, and + compared with the publishers of our and the French great Cyclopædias, and our Quarterly Reviews.</p> <p>It was unfortunate for the posthumous reputation of the great bibliopolist that he, patronising a school that was dying out, made war on the athletes of the rising school. He assailed nearly every great man, - philosopher or poet, from Kant and Göthe downwards, especially of the + philosopher or poet, from Kant and Göthe downwards, especially of the schools of Saxony, Swabia, and the free imperial cities. No wonder that he became afterwards what Macfleckno and Colly Cibber had been to Dryden - and Pope. In some dozen of the <i>Xenien</i> of Göthe and Schiller, in + and Pope. In some dozen of the <i>Xenien</i> of Göthe and Schiller, in 1797, he was treated as the Arch-Philistine.</p> <p>M. M. E. characterises him as the "friend" and "fellow-labourer" of - Lessing. Now Lessing was incomparably the most eminent <i>littérateur</i> + Lessing. Now Lessing was incomparably the most eminent <i>littérateur</i> of the earlier part of that age,—the man who was the forerunner of the philosophers, and whose criticisms supplied the place of poetry. The satirists of the <i>Xenien</i> affect to compassionate Lessing, in having to endure a companion so forced on him as Nicolai was, whom they speak of as a "thorn in the crown of the martyr." The few who care for the - literary controversies of the age of Göthe in Germany will be greatly + literary controversies of the age of Göthe in Germany will be greatly assisted by an edition of the <i>Xenien</i>, with notes, published at Dantzig, 1833.</p> @@ -2627,7 +2584,7 @@ Stamped Edition 5<i>d.</i></b></td> Q." shall meet with explanation from myself, if not from other of your experienced correspondents, whose indulgence I must beg should the communication be deemed too elementary, it being my earnest desire to - point out to archæologists who are desirous of acquiring this knowledge, + point out to archæologists who are desirous of acquiring this knowledge, how easily they themselves may practise this beautiful art, and possess those objects they would desire to preserve, in a far more truthful state than could be otherwise accomplished.</p> @@ -2638,7 +2595,7 @@ Stamped Edition 5<i>d.</i></b></td> easily-managed size, one adapted for most cameras, forming a picture of nine inches by seven, which is adequate for nearly every purpose. Each sheet being marked in its opposite corners with a plain pencil-mark on - its smooth side (vide <i>antè</i>, p. 372.), the surface for <!-- Page 21 + its smooth side (vide <i>antè</i>, p. 372.), the surface for <!-- Page 21 --><span class="pagenum"><a name="page21"></a>{21}</span>all future operations is in all lights easily discerned. In my instructions for printing from collodion negatives, a form of iodized paper was given, @@ -2835,7 +2792,7 @@ Stamped Edition 5<i>d.</i></b></td> delightful collection. By our visit at the crowded conversazione, and another hasty view since, we do not feel justified to enter into a review and criticism of the specimens so fully as the subject requires; but in - the mean time we can assure our archæological readers that they will find + the mean time we can assure our archæological readers that they will find there such interesting records of architectural detail, together with views of antiquities from Egypt and Nubia, as will perfectly convince them of the value of this art with reference to their own immediate @@ -2859,7 +2816,7 @@ Stamped Edition 5<i>d.</i></b></td> success of Mr. De la Motte has been so great, that in some of his productions little remains to be desired. We cannot conclude this brief notice without directing attention to the minuteness and pleasing effect - of the views in Rome by M. Eugène Constant, which are also from + of the views in Rome by M. Eugène Constant, which are also from collodion; as also the specimens from albumen negatives of M. Ferrier; and, lastly, to the pleasant fact that lady amateurs are now practising this art,—very nice specimens being here exhibited by the Ladies @@ -2884,8 +2841,8 @@ Stamped Edition 5<i>d.</i></b></td> suppers first became fashionable in England. Under a French form, the word appears in a speech of Robespierre's, quoted in the <i>British and Foreign Review</i> for July, 1844, p. 620.: "C'est ici qu'il doit - m'accuser, et non dans les <i>piques-niques</i>, dans les sociétés - particulières." An earlier instance occurs in one of Lord Chesterfield's + m'accuser, et non dans les <i>piques-niques</i>, dans les sociétés + particulières." An earlier instance occurs in one of Lord Chesterfield's letters (No. 167.), dated October 1748.</p> <p class="author"><span class="sc">Jaydee.</span></p> @@ -2932,7 +2889,7 @@ Stamped Edition 5<i>d.</i></b></td> <div class="poem"> <div class="stanza"> - <p class="hg3">"<span title="Omôrophious chelidônas mê echein" class="grk">Ομωροφιους χελιδωνας μη εχειν</span>."</p> + <p class="hg3">"<span title="Omôrophious chelidônas mê echein" class="grk">Ομωροφιους χελιδωνας μη εχειν</span>."</p> </div> <div class="stanza"> @@ -3160,7 +3117,7 @@ Stamped Edition 5<i>d.</i></b></td> And why does <span title="ho Amnos" class="grk">ὁ Αμνος</span> here become <span title="to Arnion" class="grk" >τὸ Ἀρνίον</span>? To - <i>contrast</i> Him more strongly with <span title="to Thêrion" class="grk" + <i>contrast</i> Him more strongly with <span title="to Thêrion" class="grk" >τὸ Θηρίον</span>, that is, to mark the <i>opposition</i> between the <span class="sm">LAMB</span> and the Beast."</p> @@ -3177,7 +3134,7 @@ Stamped Edition 5<i>d.</i></b></td> <div class="poem"> <div class="stanza"> - <p class="hg1">'<span title="Hê pornê kai to Thêrion" class="grk">Ἡ πόρνη καὶ τὸ Θηρίον</span>:'</p> + <p class="hg1">'<span title="Hê pornê kai to Thêrion" class="grk">Ἡ πόρνη καὶ τὸ Θηρίον</span>:'</p> </div> </div> @@ -3185,7 +3142,7 @@ Stamped Edition 5<i>d.</i></b></td> <div class="poem"> <div class="stanza"> - <p class="hg1">'<span title="Hê Numphê kai to Arnion" class="grk">Ἡ Νύμφη καὶ τὸ Ἀρνίον</span>.'</p> + <p class="hg1">'<span title="Hê Numphê kai to Arnion" class="grk">Ἡ Νύμφη καὶ τὸ Ἀρνίον</span>.'</p> </div> </div> @@ -3257,11 +3214,11 @@ Stamped Edition 5<i>d.</i></b></td> <blockquote class="b1n"> - <p>"The life of the first Cæsar forms a much fairer comparison with that + <p>"The life of the first Cæsar forms a much fairer comparison with that of Wellington. Both nobly born; both forcing their way up through the gradations of service, outstripping all their age; forming their characters by warfare in foreign countries; always commanding small - armies, yet always invincible (Cæsar won the World at Pharsalia with only + armies, yet always invincible (Cæsar won the World at Pharsalia with only 25,000 men): both alike courageous and clement, unfailing in resources, and indefatigable in their objects; receiving the highest rewards, and arising to the highest rank of their times; never beaten: both of @@ -3371,7 +3328,7 @@ washing oute the Scriptures</i></td> <p class="address">Cambridge.</p> <p><i>Dutensiana</i> (Vol. vi., p. 376.).—Lowndes gives a list of - Dutens' works, which does not include "Correspondence interceptée," of + Dutens' works, which does not include "Correspondence interceptée," of which he <i>was</i> the author; and I have seen a presentation copy of it proving this.</p> @@ -3411,7 +3368,7 @@ washing oute the Scriptures</i></td> <p class="author"><span class="sc">W. C. Trevelyan.</span></p> <p><i>Monument at Modstena</i> (Vol. vi., p. 388.).—This monument - was first published in <i>Archæologia Æliana</i>. I believe it is an + was first published in <i>Archæologia Æliana</i>. I believe it is an incised slab; but I have written to a friend in the north to inquire whether I am correct.</p> @@ -3421,7 +3378,7 @@ washing oute the Scriptures</i></td> Parsons</span>, it appears, limits his inquiries to English book-plates, about which I cannot offer any information. It is certain, however, that book-plates were used on the Continent at a very early period. I remember - to have seen one, from a wood-block, which was cut by Albert Dürer for + to have seen one, from a wood-block, which was cut by Albert Dürer for his friend Pirkheimer. As it is sixteen years since I saw it at the Imperial Library at Vienna, I cannot be expected to give a precise description; but (as far as I recollect) the wording of it was as @@ -3452,15 +3409,15 @@ CKELNBVRG. idiomatic, and is even now occasionally used in conversation. Our translators render at least three Hebrew words "world," and as many Greek ones. One of the latter, and two of the former, properly refer to - <i>time</i>, like the Latin <i>ævum sæculum</i>; and this also <!-- Page + <i>time</i>, like the Latin <i>ævum sæculum</i>; and this also <!-- Page 27 --><span class="pagenum"><a name="page27"></a>{27}</span>appears to have been the original meaning of "world," as it is one which it certainly has frequently in the Scriptures. "World without end" is the - idiomatic rendering, equivalent to "in sæcula sæculorum," which is a + idiomatic rendering, equivalent to "in sæcula sæculorum," which is a literal following of an idiom common in both the Hebrew and Greek Scriptures, and to be found in the Chaldee of the Book of Daniel. "World without end" does not occur, so far as I am aware, in the modern European - languages, which generally either follow the Latin "in sæcula sæculorum;" + languages, which generally either follow the Latin "in sæcula sæculorum;" or the German, and say, "eternally to eternity."</p> <p class="author"><span class="sc">B. H. Cowper.</span></p> @@ -3529,7 +3486,7 @@ CKELNBVRG. <p class="author"><span class="sc">S. Wmson.</span></p> <p><i>Raising the Wind</i> (Vol. vi., p. 486.).—We say "the wind - rises," and this is common in Virgil (see <i>Æneid.</i> iii. 130. 481.; + rises," and this is common in Virgil (see <i>Æneid.</i> iii. 130. 481.; v. 777.: <i>Georgics</i>, i. 356.; ii. 333.; and iii. 134.). The transition from rising to raising is easy; and as there is no sailing without a breeze, so there is no getting along without money: in both @@ -3542,13 +3499,13 @@ CKELNBVRG. <p><i>Milton in Prose</i> (Vol. vi., p. 340.).—I know of one performance in the French language, which answers the description of <i>Milton in Prose</i>: it is a rhapsody entitled <i>Le Paradis - Terrestre, Poëme imité de Milton</i>, by Madame Dubocage: London, 1748. + Terrestre, Poëme imité de Milton</i>, by Madame Dubocage: London, 1748. The French themselves had so poor an opinion of it, that one of their - wits, the Abbé Yart, has ridiculed it in the following epigram:</p> + wits, the Abbé Yart, has ridiculed it in the following epigram:</p> <div class="poem"> <div class="stanza"> - <p class="hg3">"Sur cet écrit, charmante Dubocage,</p> + <p class="hg3">"Sur cet écrit, charmante Dubocage,</p> <p class="i1">Veux-tu savoir quel est mon sentiment?</p> <p>Je compte pour <i>perdus</i>, en lisant ton ouvrage,</p> <p class="i1">Le Paradis, mon temps, ta peine, et mon argent."</p> @@ -3594,7 +3551,7 @@ CKELNBVRG. <p>"Similiter autem Forma mutaretur, si diceretur 'Ego baptizo me;' et ideo nullus potest baptizare seipsum propter quod et <span class="sc">Christus</span> a Joanne voluit - baptizari."—<i>Summa</i>, 3<sup>tia</sup> Pars, Quæstio lxvi. Art. + baptizari."—<i>Summa</i>, 3<sup>tia</sup> Pars, Quæstio lxvi. Art. v. Arg. 4.</p> </blockquote> @@ -3608,10 +3565,10 @@ CKELNBVRG. <blockquote class="b1n"> <p>"Ad primum ergo dicendum, quod Baptismum a schismaticis recipere non - licet, nisi in articulo necessitatis: quia melius est de hâc vitâ cum + licet, nisi in articulo necessitatis: quia melius est de hâc vitâ cum signo <span class="sc">Christi</span> exire, a quocumque detur, etiam si - sit Judæus vel Paganus, quam sine hoc signo, quod per Baptismum - confertur."—<i>Summa</i>, 2<sup>nda</sup> Pars, Quæstio xxxix. Art. + sit Judæus vel Paganus, quam sine hoc signo, quod per Baptismum + confertur."—<i>Summa</i>, 2<sup>nda</sup> Pars, Quæstio xxxix. Art. iv. Arg. 1.</p> </blockquote> @@ -3683,8 +3640,8 @@ CKELNBVRG. <p><span class="sc">Gibbon's Roman Empire.</span> Vols. I. and II. of the twelve volume 8vo. edition.</p> - <p><span class="sc">Müller's Notes on the Euminides of - Æschylus.</span></p> + <p><span class="sc">Müller's Notes on the Euminides of + Æschylus.</span></p> <p><span class="sc">Campbell's Gaelic Poems.</span></p> @@ -3837,14 +3794,14 @@ CKELNBVRG. <p>RALPH'S SERMON PAPER,—This approved Paper is particularly deserving the notice of the Clergy, as, from its particular form (each - page measuring 5¾ by 9 inches), it will contain more matter than the size + page measuring 5¾ by 9 inches), it will contain more matter than the size in ordinary use; and, from the width being narrower, is much more easy to read: adapted for expeditious writing with either the quill or metallic pen; price 5<i>s.</i> per ream. Sample on application.</p> <p>ENVELOPE PAPER.—To identify the contents with the address and postmark, important in all business communications; it admits of three - clear pages (each measuring 5½ by 8 inches), for correspondence, it saves + clear pages (each measuring 5½ by 8 inches), for correspondence, it saves time and is more economical. Price 9<i>s.</i> 6<i>d.</i> per ream.</p> <p class="ac">F. W. RALPH, Manufacturing Stationer,<br /> @@ -3901,11 +3858,11 @@ George Drew, Esq. <table style="width:35%" class="mc" summary="Specimens of Rates" title="Specimens of Rates"> <tr> <td class="plr05" style="width:28%">Age</td> -<td class="plr05 ar" style="text-align:right; width:7%"><i>£</i></td> +<td class="plr05 ar" style="text-align:right; width:7%"><i>£</i></td> <td class="plr05 ar" style="text-align:right; width:7%"><i>s.</i></td> <td class="plr05 ar br" style="text-align:right; width:7%"><i>d.</i></td> <td class="plr05" style="width:28%">Age</td> -<td class="plr05 ar" style="text-align:right; width:7%"><i>£</i></td> +<td class="plr05 ar" style="text-align:right; width:7%"><i>£</i></td> <td class="plr05 ar" style="text-align:right; width:7%"><i>s.</i></td> <td class="plr05 ar" style="text-align:right; width:7%"><i>d.</i></td> </tr> @@ -3988,11 +3945,11 @@ George Drew, Esq. Acid, 4<i>s.</i> per drachm. Acetic Acid, suited for Collodion Pictures, 8<i>d.</i> per oz. Crystallizable and perfectly pure, on which the success of the Calotypist so much depends, 1<i>s.</i> per oz. Canson - Frère's Negative Paper, 3<i>s.</i>; Positive do., 4<i>s.</i> 6<i>d.</i>; + Frère's Negative Paper, 3<i>s.</i>; Positive do., 4<i>s.</i> 6<i>d.</i>; La Croix, 3<i>s.</i>; Turner, 3<i>s.</i> Whatman's Negative and Positive, 3<i>s.</i> per quire. Iodized Waxed Paper, 10<i>s.</i> 6<i>d.</i> per quire. Sensitive Paper ready for the Camera, and warranted to keep from - fourteen to twenty days, with directions for use, 11×9, 9<i>s.</i> per + fourteen to twenty days, with directions for use, 11×9, 9<i>s.</i> per doz.; Iodized, only 6<i>s.</i> per doz.</p> <blockquote class="b1n"> @@ -4126,7 +4083,7 @@ Chemist, &c., 10. Pall Mall.</p> Ladies and Gentlemen's PERUKES, either Crops or Full Dress, with Partings and Crowns so natural as to defy detection, and with or without their improved Metallic Springs; Ventilating Fronts, Bandeaux, Borders, Nattes, - Bands à la Reine, &c.; also their instantaneous Liquid Hair Dye, the + Bands à la Reine, &c.; also their instantaneous Liquid Hair Dye, the only dye that really answers for all colours, and never fades nor acquires that unnatural red or purple tint common to all other dyes; it is permanent, free of any smell, and perfectly harmless. Any lady or @@ -4179,7 +4136,7 @@ Chemist, &c., 10. Pall Mall.</p> <p>LIFE of THEODORE HOOK. 1<i>s.</i></p> - <p>JAMES' FABLES OF ÆSOP. 100 Woodcuts. 2<i>s.</i> 6<i>d.</i></p> + <p>JAMES' FABLES OF ÆSOP. 100 Woodcuts. 2<i>s.</i> 6<i>d.</i></p> <p>LORD MAHON'S HISTORY OF THE "FORTY-FIVE." 3<i>s.</i></p> @@ -4233,7 +4190,7 @@ Series.</p> <div class="contents"> <div class="stanza"> - <p>Latin Poetry, Classical and Mediæval.</p> + <p>Latin Poetry, Classical and Mediæval.</p> <p>Cathedral and Collegiate Reform.</p> <p>Sir F. B. Head's Fortnight in Ireland.</p> <p>The Bishop of Exeter's Letter on Confession.</p> @@ -4397,7 +4354,7 @@ By J. H. PARKER, F.S.A.</p> Democritus will prove a delightful companion and friend, but a well-pickled rod to vice and folly—a scourge to make wince hollow pretenders of every kind—even down to the critical impostor and the - stage-struck buffoon."—See <i>Athenæum</i>, <i>Critic</i>, + stage-struck buffoon."—See <i>Athenæum</i>, <i>Critic</i>, &c.</p> <p class="ac">WILLIAM PICKERING, 177. Piccadilly.</p> @@ -4524,7 +4481,7 @@ Leicester Square.</p> reputation widely extended and well deserved, are here happily exemplified. His account of the differences of idiom is very satisfactory and complete:—whoever thoroughly masters it, will rarely want - anything further on the subject."—<i>Athenæum.</i></p> + anything further on the subject."—<i>Athenæum.</i></p> </blockquote> @@ -4576,7 +4533,7 @@ Leicester Square.</p> <blockquote class="b1n"> <p>"The designs are executed with a spirit and fidelity quite - extraordinary. They are indeed most truthful."—<i>Athenæum.</i></p> + extraordinary. They are indeed most truthful."—<i>Athenæum.</i></p> </blockquote> @@ -4600,7 +4557,7 @@ Leicester Square.</p> J. Y. AKERMAN, F.S.A. Second edition, 8vo. greatly enlarged with plates and woodcuts, 10<i>s.</i> 6<i>d.</i> cloth.</p> - <p>GUIDE TO ARCHÆOLOGY. An Archæological Index to Remains of Antiquity of + <p>GUIDE TO ARCHÆOLOGY. An Archæological Index to Remains of Antiquity of the Celtic, Romano-British, and Anglo-Saxon periods. By JOHN YONGE AKERMAN, fellow and secretary of the Society of Antiquaries. 1 vol. 8vo. illustrated with numerous engravings, comprising upward of 500 objects, @@ -4655,7 +4612,7 @@ Leicester Square.</p> been the work of immense labour. No public library ought to be without it.</p> - <p>CONSUETUDINES KANCIÆ. A History of GAVELKIND, and other remarkable + <p>CONSUETUDINES KANCIÆ. A History of GAVELKIND, and other remarkable Customs in the County of KENT, by CHARLES SANDYS, Esq., F.S.A. (Cantianus), illustrated with fac-similes, a very handsome volume, 8vo. cloth, 15<i>s.</i></p> @@ -4698,7 +4655,7 @@ Leicester Square.</p> Latin, French, and other languages. A philosophical spirit pervades every part. The Delectus consists of short pieces on various subjects, with extracts from Anglo-Saxon History and the Saxon Chronicle. There is a - good Glossary at the end."—<i>Athenæum, Oct. 20, 1849.</i></p> + good Glossary at the end."—<i>Athenæum, Oct. 20, 1849.</i></p> </blockquote> @@ -4769,385 +4726,6 @@ Leicester Square.</p> the West, in the City of London, Publisher, at No. 186. Fleet Street aforesaid.—Saturday, January 1. 1853.</p> - - - - - - - -<pre> - - - - - -End of the Project Gutenberg EBook of Notes and Queries, Number 166, January -1, 1853, by Various - -*** END OF THIS PROJECT GUTENBERG EBOOK NOTES AND QUERIES *** - -***** This file should be named 42781-h.htm or 42781-h.zip ***** -This and all associated files of various formats will be found in: - http://www.gutenberg.org/4/2/7/8/42781/ - -Produced by Charlene Taylor, Jonathan Ingram, Keith Edkins -and the Online Distributed Proofreading Team at -http://www.pgdp.net (This file was produced from images -generously made available by The Internet Archive/Canadian -Libraries) - - -Updated editions will replace the previous one--the old editions -will be renamed. - -Creating the works from public domain print editions means that no -one owns a United States copyright in these works, so the Foundation -(and you!) can copy and distribute it in the United States without -permission and without paying copyright royalties. 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