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diff --git a/42782-h/42782-h.htm b/42782-h/42782-h.htm index 72084d3..9d6cadf 100644 --- a/42782-h/42782-h.htm +++ b/42782-h/42782-h.htm @@ -1,7 +1,7 @@ <!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd"> <html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en" lang="en"> <head> - <meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1" /> + <meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /> <title> Notes And Queries, Issue 167. </title> @@ -51,50 +51,7 @@ </style> </head> <body> - - -<pre> - -The Project Gutenberg EBook of Notes and Queries, Number 167, January 8, -1853, by Various - -This eBook is for the use of anyone anywhere at no cost and with -almost no restrictions whatsoever. You may copy it, give it away or -re-use it under the terms of the Project Gutenberg License included -with this eBook or online at www.gutenberg.org - - -Title: Notes and Queries, Number 167, January 8, 1853 - A Medium of Inter-communication for Literary Men, Artists, - Antiquaries, Genealogists, etc - -Author: Various - -Editor: George Bell - -Release Date: May 24, 2013 [EBook #42782] - -Language: English - -Character set encoding: ISO-8859-1 - -*** START OF THIS PROJECT GUTENBERG EBOOK NOTES AND QUERIES *** - - - - -Produced by Charlene Taylor, Jonathan Ingram, Keith Edkins -and the Online Distributed Proofreading Team at -http://www.pgdp.net (This file was produced from images -generously made available by The Internet Archive/Canadian -Libraries) - - - - - - -</pre> +<div>*** START OF THE PROJECT GUTENBERG EBOOK 42782 ***</div> <p><!-- Page 33 --><span class="pagenum"><a name="page33"></a>{33}</span></p> @@ -151,7 +108,7 @@ Stamped Edition 5<i>d.</i></b></td> <tr><td class="pl1">Chapel Plaster, by J. E. Jackson</td> <td class="ar vbm"><a href="#page37">37</a></td></tr> -<tr><td class="pl1"><span class="sc">Minor Queries</span>:—Martha Blount—Degree of B.C.L.—The Word "anywhen"—Shoreditch Cross, &c.—Winchester and Huntingdon—La Bruyère—Sir John Davys or Davies—Fleshier of Otley—Letters U, V, W—Heraldic Queries—"Drengage" and "Berewich"—Sidney as a Female Name—"The Brazen Head"—Portrait of Baron Lechmere—"Essay for a New Translation of the Bible," and "Letters on Prejudice"—David Garrick—Aldiborontophoskophornio—Quotations wanted—Arago on the Weather—"Les Veus du Hairon," or "Le Vœu du Héron"—Inscription on a Dagger-case—Hallet and Dr. Saxby</td> +<tr><td class="pl1"><span class="sc">Minor Queries</span>:—Martha Blount—Degree of B.C.L.—The Word "anywhen"—Shoreditch Cross, &c.—Winchester and Huntingdon—La Bruyère—Sir John Davys or Davies—Fleshier of Otley—Letters U, V, W—Heraldic Queries—"Drengage" and "Berewich"—Sidney as a Female Name—"The Brazen Head"—Portrait of Baron Lechmere—"Essay for a New Translation of the Bible," and "Letters on Prejudice"—David Garrick—Aldiborontophoskophornio—Quotations wanted—Arago on the Weather—"Les Veus du Hairon," or "Le Vœu du Héron"—Inscription on a Dagger-case—Hallet and Dr. Saxby</td> <td class="ar vbm"><a href="#page38">38</a></td></tr> <tr><td><span class="sc">Replies</span>:—</td></tr> @@ -189,7 +146,7 @@ Stamped Edition 5<i>d.</i></b></td> <tr><td class="pl1">Alleged Reduction of English Subjects to Slavery, by Henry H. Breen</td> <td class="ar vbm"><a href="#page49">49</a></td></tr> -<tr><td class="pl1"><span class="sc">Replies to Minor Queries</span>:—Royal Assent, &c.—Can Bishops vacate their Sees?—"Genealogies of the Mordaunt Family," by the Earl of Peterborough—Niágara, or Niagára?—Maudlin—Spiritual Persons employed in Lay Offices—Passage in Burke—Ensake and Cradock Arms—Sich House—Americanisms so called—The Folger Family—Wake Family—Shakspeare's "Twelfth Night"—Electrical Phenomena—Daubuz Family—Lord Nelson—Robes and Fees in the Days of Robin Hood—Wray—Irish Rhymes</td> +<tr><td class="pl1"><span class="sc">Replies to Minor Queries</span>:—Royal Assent, &c.—Can Bishops vacate their Sees?—"Genealogies of the Mordaunt Family," by the Earl of Peterborough—Niágara, or Niagára?—Maudlin—Spiritual Persons employed in Lay Offices—Passage in Burke—Ensake and Cradock Arms—Sich House—Americanisms so called—The Folger Family—Wake Family—Shakspeare's "Twelfth Night"—Electrical Phenomena—Daubuz Family—Lord Nelson—Robes and Fees in the Days of Robin Hood—Wray—Irish Rhymes</td> <td class="ar vbm"><a href="#page50">50</a></td></tr> <tr><td><span class="sc">Miscellaneous</span>:—</td></tr> @@ -223,18 +180,18 @@ Stamped Edition 5<i>d.</i></b></td> <blockquote class="b1n"> <p>"Chers et bons amis, nous avons entendu, que ung nostre homme lige - subject, natif de nostre pays de Galles, est occupé et détenu es prisons + subject, natif de nostre pays de Galles, est occupé et détenu es prisons de la ville de Diepe, pour la mort d'un homme d'icelle ville, dont pour - le dict cas autres ont esté exécutez. Et pour ce que nostre dict subject - estoit clerc, a esté et est encores en suspens, parce qu'il a esté requis - par les officiers de nostre très cher et aimé cousin l'archevesque de + le dict cas autres ont esté exécutez. Et pour ce que nostre dict subject + estoit clerc, a esté et est encores en suspens, parce qu'il a esté requis + par les officiers de nostre très cher et aimé cousin l'archevesque de Rouen, afin qu'il leur fut rendu, ainsi que de droict; pourquoy nous vous prions, que icelui nostre homme et subject vous veuillez bailler et delivrer aux gens et officiers de mon dict cousin, sans en ce faire - difficulté. Et nous vous en saurons un très grant gré, et nous ferez ung + difficulté. Et nous vous en saurons un très grant gré, et nous ferez ung essingulier plaisir. Car monseigneur le roy de France nous a autorisez faire grace en semblable cas que celui de mon dict subject, duquel - desirons fort la delivrance. Escript à Rouen, le onziesme jour de + desirons fort la delivrance. Escript à Rouen, le onziesme jour de Janvier.</p> <div class="poem"> @@ -297,8 +254,8 @@ Stamped Edition 5<i>d.</i></b></td> 14<i>l.</i>; of <i>Rural Tales</i>, boards, for 4<i>l.</i>; of <i>Wild Flowers</i>, for 3<i>l.</i> 10<i>s.</i>; of <i>Banks of the Wye</i>, for 3<i>l.</i>; of <i>May-day with the Muses</i> (imperfect), for ten - shillings; and <i>Description of the Æolian Harp</i> (he was a maker of - Æolian harps), for 15<i>s.</i> His few well-executed drawings by + shillings; and <i>Description of the Æolian Harp</i> (he was a maker of + Æolian harps), for 15<i>s.</i> His few well-executed drawings by <i>himself</i> (views of his City Road cottage and garden, &c.) produced from 5<i>s.</i> to 18<i>s.</i> each. Among his furniture were "A handsome inkstand, presented to him by the celebrated Dr. Jenner" (in @@ -370,7 +327,7 @@ Stamped Edition 5<i>d.</i></b></td> <blockquote class="b1n"> - <p>"'Gemitus Columbæ,' the Mournful Note of the Dove; a Sermon preached," + <p>"'Gemitus Columbæ,' the Mournful Note of the Dove; a Sermon preached," &c.: by John Langley, Min. of West Tuperley in the Countie of Southampton. 1644.</p> @@ -433,7 +390,7 @@ Stamped Edition 5<i>d.</i></b></td> <div class="poem"> <div class="stanza"> - <p class="hg1">'Suavis Victoriæ amor populi.'</p> + <p class="hg1">'Suavis Victoriæ amor populi.'</p> </div> </div> @@ -652,12 +609,12 @@ Stamped Edition 5<i>d.</i></b></td> <p class="address">Malta.</p> <p><i>Etymology of Molasses.</i>—The affinity between the - orthography of this word in Italian (melássa), Spanish (melaza), and - French (mélasse), and our pronunciation of it (m<i>e</i>lasses), would + orthography of this word in Italian (melássa), Spanish (melaza), and + French (mélasse), and our pronunciation of it (m<i>e</i>lasses), would seem to suggest a common origin. How comes it, then, that we write it with an <i>o</i> instead of an <i>e</i>? Walker says it is derived frown the Italian "mellazzo" (<i>sic</i>); and some French lexicographers trace - their "mélasse" from <span title="melas" class="grk" + their "mélasse" from <span title="melas" class="grk" >μέλας</span>, with reference to the colour; others from <span title="meli" class="grk" >μέλι</span>, in allusion to the taste. But these @@ -674,15 +631,15 @@ Stamped Edition 5<i>d.</i></b></td> was formed in 1643, in an island (St. Christopher) one half of which was then occupied by the French, it is possible that we may have adopted the word from them; and this conjecture is supported by the following passage - in Père Labat (vol. iii. p. 93.), where he uses the word "molasse" in the + in Père Labat (vol. iii. p. 93.), where he uses the word "molasse" in the sense of <i>soft</i>, to describe a species of sugar that had not received, or had lost, the proper degree of consistency.</p> <blockquote class="b1n"> - <p>"Je vis leur sucre qui me parut très beau et bien gréné, surtout + <p>"Je vis leur sucre qui me parut très beau et bien gréné, surtout lorsqu'il est nouvellement fait; mais on m'assura qu'il devenait cendreux - ou <i>molasse</i>, et qu'il se décuisait quand il était gardé quelques + ou <i>molasse</i>, et qu'il se décuisait quand il était gardé quelques jours."</p> </blockquote> @@ -701,15 +658,15 @@ Stamped Edition 5<i>d.</i></b></td> <blockquote class="b1n"> -<p class="ac">"Memoriæ defunctorum Sacrum</p> +<p class="ac">"Memoriæ defunctorum Sacrum</p> -<p class="ac"><span title="kai tuphônia" class="grk">και τυφωνια</span></p> +<p class="ac"><span title="kai tuphônia" class="grk">και τυφωνια</span></p> - <p>Siste gradum, Viator, ac leges. In spe beatæ Resurrectionis hic - requiescunt exuviæ Johannis Chapmanni et Isabellæ uxoris, filiæ Gulielmi + <p>Siste gradum, Viator, ac leges. In spe beatæ Resurrectionis hic + requiescunt exuviæ Johannis Chapmanni et Isabellæ uxoris, filiæ Gulielmi Allen de Wightford, in Comitat. War. ab antiquo Proavorum stemmate deduxerunt genus. Variis miseriarum agitati procellis ab strenue - succumbentis in arrescenti juventutis æstate, piè ac peccatorum + succumbentis in arrescenti juventutis æstate, piè ac peccatorum pœnitentia expirabant animas.</p> <div class="poem"> @@ -735,7 +692,7 @@ Stamped Edition 5<i>d.</i></b></td> <p>In the year 1847 I brought from the Columbaria, near the tomb of Scipio Africanus at Rome, a small collection of sepulchral fictile vessels, statuettes, &c., in terra cotta. Among these was a small - figure, resembling the Athenian Hermæ, consisting of a square pillar, + figure, resembling the Athenian Hermæ, consisting of a square pillar, surmounted by the bust of a female with a peculiar head-dress and close curled coiffure. The pillar bears the following inscription:</p> @@ -743,7 +700,7 @@ Stamped Edition 5<i>d.</i></b></td> <span title="RAN" class="grk">ΡΑΝ</span><br/> <span title="S" class="grk">Σ</span><br/> <span title="ANI" class="grk">ΑΝΙ</span><br/> -<span title="KÊT" class="grk">ΚΗΤ</span><br/> +<span title="KÊT" class="grk">ΚΗΤ</span><br/> <span title="O." class="grk">Ο.</span>"</p> <p>—a translation of which would oblige me much.</p> @@ -897,20 +854,20 @@ M HERENNII<br/> <p class="author">G. H.</p> - <p><i>La Bruyère.</i>—What is known concerning the family of Jean - de la Bruyère, author of <i>Les Caractères</i>? Did he belong to the + <p><i>La Bruyère.</i>—What is known concerning the family of Jean + de la Bruyère, author of <i>Les Caractères</i>? Did he belong to the great French house of that name? One of the biographical dictionaries states that he was grandson of a Lieutenant Civil, engaged in the Fronde; - but M. Suard, in his "Notice" prefixed to <i>Les Caractères</i>, says + but M. Suard, in his "Notice" prefixed to <i>Les Caractères</i>, says that nothing is known of the author except his birth, death, and office. His grand-daughter, <!-- Page 39 --><span class="pagenum"><a - name="page39"></a>{39}</span>Magdalen Rachel de la Bruyère, married an + name="page39"></a>{39}</span>Magdalen Rachel de la Bruyère, married an officer of the name of Shrom, and died in 1780, at Morden in Surrey, where there is a handsome monument to her memory. Being one of her descendants in the female line, I should feel much obliged by any - information respecting her father, the son of Jean de la Bruyère; or + information respecting her father, the son of Jean de la Bruyère; or tending to connect that writer with the family founded by Thibault de la - Bruyère, the Crusader.</p> + Bruyère, the Crusader.</p> <p class="author"><span class="sc">Ursula.</span></p> @@ -1084,9 +1041,9 @@ M HERENNII<br/> <p class="author"><span class="sc">Elsno.</span></p> - <p><i>"Les Veus du Hairon," or "Le Vœu du Héron."</i>—Is any + <p><i>"Les Veus du Hairon," or "Le Vœu du Héron."</i>—Is any more known of this curious historical romance than Sainte Palaye tells us - in the third volume of his <i>Mémoires sur l'Ancienne Chevalerie</i>? He + in the third volume of his <i>Mémoires sur l'Ancienne Chevalerie</i>? He gives the original text (I suspect not very correctly) from, he says, a MS. in the public library at Berne. It is a poem in old French verse (something like Chaucer's English), of about 500 lines, descriptive of a @@ -1096,10 +1053,10 @@ M HERENNII<br/> <div class="poem"> <div class="stanza"> - <p class="hg3">"Dont maint bon chevalier fu jété fort souvin;</p> + <p class="hg3">"Dont maint bon chevalier fu jété fort souvin;</p> <p>Mainte dame fu vesve, et maint povre orfelin;</p> <p>Et maint bon maronier accourchit son termin;</p> - <p>Et mainte preude femme mise à divers destin;</p> + <p>Et mainte preude femme mise à divers destin;</p> <p>Et encore sera, si Jhesus n'i met fin."</p> </div> </div> @@ -1217,8 +1174,8 @@ M HERENNII<br/> been made legitimate by a patent read in parliament, and dated 9th February, 1397 (<i>Pat.</i>, 20 Ric. II. p. 2. m. 6.). It might almost be inferred from the description given to Joan, Lady Ferrers, in the patent - of legitimation, "dilectæ <i>nobis nobili mulieri Johannæ Beauford, - domicellæ</i>," that her first husband was not then living. We find, + of legitimation, "dilectæ <i>nobis nobili mulieri Johannæ Beauford, + domicellæ</i>," that her first husband was not then living. We find, however, that she had certainly become the wife of the Lord Neville before the 16th of February following, and that Lord Ferrers was then dead (<i>Johanne qui fuist femme de Monsieur Robert Ferrers que Dieu @@ -1532,7 +1489,7 @@ M HERENNII<br/> <p>Kick'd up a precious tantar-ara,</p> <p>But found no rhyme for Tipperary;</p> <p>Lived fourteen weeks at Stran-ar-ara,</p> - <p>Was well nigh lost in Glenègary,</p> + <p>Was well nigh lost in Glenègary,</p> <p>Then started 'slick' for Demerara,</p> <p>In search of rhyme for Tipperary.</p> <p>Through 'Yankee-land,' sick, solitary,</p> @@ -1543,8 +1500,8 @@ M HERENNII<br/> <p>On camel's back through great Sahara;</p> <p>His travels were extraordinary,</p> <p>In search of rhyme for Tipperary.</p> - <p>Fierce as a gorgon or chimæra,</p> - <p>Fierce as Alecto or Megæra,</p> + <p>Fierce as a gorgon or chimæra,</p> + <p>Fierce as Alecto or Megæra,</p> <p>Fiercer than e'er a lovesick bear, he</p> <p>Raged through 'the londe' of Tipperary.</p> <p>His cheeks grew thin and wond'rous hairy,</p> @@ -1624,11 +1581,11 @@ M HERENNII<br/> <i>palpable</i> for <i>capable</i> in <i>As You Like It</i>—additional weight. We are to recollect that a Frenchman is the speaker. I find <i>guidon</i> used for banner in the following lines - of Clément Marot (Elégie III.):</p> + of Clément Marot (Elégie III.):</p> <div class="poem"> <div class="stanza"> - <p class="hg3">"De Fermeté le grand <i>guidon</i> suivrons,"</p> + <p class="hg3">"De Fermeté le grand <i>guidon</i> suivrons,"</p> </div> </div> @@ -1670,7 +1627,7 @@ M HERENNII<br/> </div> <p>May there not be a covert allusion to the story first told by Poggio - in his <i>Facetiæ</i>, then by Ariosto, then by Rabelais, then by La + in his <i>Facetiæ</i>, then by Ariosto, then by Rabelais, then by La Fontaine, and, finally, by Prior, in his <i>Hans Carvel</i>? Rabelais was greatly read at the time.</p> @@ -1708,11 +1665,11 @@ M HERENNII<br/> which has a Hercules in a different attitude; and which Vaillant regards as a copy of the statue mentioned by Pausanias as existing at Corinth. Du Choul (<i>Religio vet. Rom.</i>, 1685, pp. 158, 159.) gives a coin - representing Hercules killing Antæus; and quotes Pliny for a statue + representing Hercules killing Antæus; and quotes Pliny for a statue representing this by Polycletus. Haym also (<i>Tesoro</i>, i. 248.) gives a coin with a reversed view of the same subject. The figures of Hercules on coins of Commodus are certainly copied from the statues of that - Emperor. Baudelot de Dairval (<i>De l'Utilité des Voyages</i>) gives a + Emperor. Baudelot de Dairval (<i>De l'Utilité des Voyages</i>) gives a small silver statuette of Commodus as Hercules, certainly copied from the larger statues, and corresponding with those on coins.</p> @@ -1918,7 +1875,7 @@ M HERENNII<br/> <div class="poem"> <div class="stanza"> - <p class="hg3">"Trouw moet blÿcken."</p> + <p class="hg3">"Trouw moet blÿcken."</p> </div> </div> @@ -1944,7 +1901,7 @@ M HERENNII<br/> <p>These, as the editor of the <i>Navorscher</i> informs me, are the mottoes of three Haarlem Societies of Rhetoricians called, 1. "De - Pelicaen," whose motto was, "<i>Trouw moet blÿcken</i>:" 2. "De + Pelicaen," whose motto was, "<i>Trouw moet blÿcken</i>:" 2. "De Wyngaertrancken," whose motto was, "<i>Liefde boven al</i>:" and, 3. "Witte Angiren," whose device was, "<i>In Liefde getrouwe</i>."</p> @@ -2093,7 +2050,7 @@ M HERENNII<br/> <p class="author">G. C.</p> <p><i>Ready Mode of iodizing Paper.</i>—The readiest way I have - found of iodizing the beautiful paper of Canson Frères, is the + found of iodizing the beautiful paper of Canson Frères, is the cyano-iodide of silver, made as follows: Twenty grains of nitrate of silver may be placed in half an ounce of distilled water, and half an ounce of solution of iodide of potassa, fifty grains to the ounce, added @@ -2151,7 +2108,7 @@ M HERENNII<br/> <span class="sc">Ramus</span> will easily obtain stereoscopic pictures by either of the following plans:—After the first picture is taken, move the subject, as on a pivot, either to the right or left, through an - angle of about 15°; then take the second impression: this will do very + angle of about 15°; then take the second impression: this will do very well for an inanimate object, as a statue; but, if a portrait is required, the camera, after taking the first picture, must be moved either to the right or left, a distance of not more than one-fifth of the @@ -2404,11 +2361,11 @@ M HERENNII<br/> <p class="author">J. B.</p> - <p><i>Niágara, or Niagára?</i> (Vol. vi., p. 555.).—An enthusiastic + <p><i>Niágara, or Niagára?</i> (Vol. vi., p. 555.).—An enthusiastic person, of the name of Pemberton (who had spent much time at the Falls, and was so enthusiastic in his admiration of them that he protested he <i>could not</i> keep away from them, and went back and died there), - informed me that the proper name was <i>Ni-ágara</i> or + informed me that the proper name was <i>Ni-ágara</i> or <i>aghera</i>,—two Indian words signifying "Hark to the thunder."</p> @@ -2487,7 +2444,7 @@ M HERENNII<br/> however, is not so. There is a Query on the word <i>sparse</i> in Vol. i., p. 215. by <span class="sc">C. Forbes</span>: and on p. 251. of the same volume <span class="sc">J. T. Stanley</span> supposes it to be an - Americanism, on the authority of the <i>Penny Cyclopædia</i>.</p> + Americanism, on the authority of the <i>Penny Cyclopædia</i>.</p> <p>I have a strong conviction that I then wrote to "N. & Q." to claim the word <i>sparse</i> as aboriginal to the British Isles, for I find @@ -2711,7 +2668,7 @@ M HERENNII<br/> has done good service to Shakspearian literature by their publication.</p> - <p>"The New Year," observes <i>The Athenæum</i>, "opens with some + <p>"The New Year," observes <i>The Athenæum</i>, "opens with some announcements of promise in our own literary world. Mr. Bentley announces the Memorials and Correspondence of Charles James Fox, on which the late Lord Holland was understood to be so long engaged. The work, however, is @@ -2761,7 +2718,7 @@ M HERENNII<br/> <p><span class="sc">Books Received.</span>—<i>Dictionary of Greek and Roman Geography, by various Writers</i>. Edited by William Smith. Part V. The new issue of this most useful work extends from <i>Campi - Raudii</i> to <i>Cimolus</i>.—<i>Cyclopædia Bibliographica, a + Raudii</i> to <i>Cimolus</i>.—<i>Cyclopædia Bibliographica, a Library Manual of Theological and General Literature, Analytical, Bibliographical, and Biographical.</i> Part IV. of this useful guide for authors, preachers, students, and literary men, extends from Henry Bull @@ -2889,7 +2846,7 @@ M HERENNII<br/> that we regret we cannot agree with him. We assure him that, on the first point on which he writes, he is the only one who has so written, while we have had dozens of letters of thanks; and he will see in the present - No.</i> (antè, p. 34.) <i>the value of the art recognised by a gentleman + No.</i> (antè, p. 34.) <i>the value of the art recognised by a gentleman under whose notice it would probably never have been brought in a purely scientific journal. The second suggestion is one to which we, and many of our brethren of the Press, have turned our attention frequently, but @@ -2915,7 +2872,7 @@ M HERENNII<br/> <p><span class="sc">Erratum.</span> <i>In the Number of last week the passage from the Septuagint quoted at</i> p. 14. <i>ought to have stood - thus</i>: "<span title="gegraptai de, auton palin agastêsesthai meth' hôn ho Kurios anistêsin" class="grk" + thus</i>: "<span title="gegraptai de, auton palin agastêsesthai meth' hôn ho Kurios anistêsin" class="grk" >γέγραπται δε, ἀυτόν πάλιν @@ -2976,11 +2933,11 @@ George Drew, Esq. <table style="width:35%" class="mc" summary="Specimens of Rates" title="Specimens of Rates"> <tr> <td class="plr05" style="width:28%">Age</td> -<td class="plr05 ar" style="text-align:right; width:7%"><i>£</i></td> +<td class="plr05 ar" style="text-align:right; width:7%"><i>£</i></td> <td class="plr05 ar" style="text-align:right; width:7%"><i>s.</i></td> <td class="plr05 ar br" style="text-align:right; width:7%"><i>d.</i></td> <td class="plr05" style="width:28%">Age</td> -<td class="plr05 ar" style="text-align:right; width:7%"><i>£</i></td> +<td class="plr05 ar" style="text-align:right; width:7%"><i>£</i></td> <td class="plr05 ar" style="text-align:right; width:7%"><i>s.</i></td> <td class="plr05 ar" style="text-align:right; width:7%"><i>d.</i></td> </tr> @@ -3042,14 +2999,14 @@ George Drew, Esq. <p>RALPH'S SERMON PAPER,—This approved Paper is particularly deserving the notice of the Clergy, as, from its particular form (each - page measuring 5¾ by 9 inches), it will contain more matter than the size + page measuring 5¾ by 9 inches), it will contain more matter than the size in ordinary use, and, from the width being narrower, is much more easy to read: adapted for expeditious writing with either the quill or metallic pen; price 5<i>s.</i> per ream. Sample on application.</p> <p>ENVELOPE PAPER.—To identify the contents with the address and postmark, important in all business communications; it admits of three - clear pages (each measuring 5½ by 8 inches), for correspondence, it saves + clear pages (each measuring 5½ by 8 inches), for correspondence, it saves time and is more economical. Price 9<i>s.</i> 6<i>d.</i> per ream.</p> <p class="ac">F. W. RALPH, Manufacturing Stationer,<br /> @@ -3142,7 +3099,7 @@ George Drew, Esq. <hr class="full" /> <p>PHOTOGRAPHIC PAPER.—Negative and Positive Papers of Whatman's, - Turner's, Sanford's, and Canson Frères' make. Waxed-Paper for Le Grey's + Turner's, Sanford's, and Canson Frères' make. Waxed-Paper for Le Grey's Process. Iodized and Sensitive Paper for every kind of Photography.</p> <p>Sold by JOHN SANFORD, Photographic Stationer, Aldine Chambers, 13. @@ -3168,7 +3125,7 @@ London,</p> <p>Sole Agents in the United Kingdom for VOIGHTLANDER & SON'S celebrated Lenses for Portraits and Views.</p> - <p>General Depôt for Turner's, Whatman's, Canson Frères', La Croix, and + <p>General Depôt for Turner's, Whatman's, Canson Frères', La Croix, and other Talbotype Papers.</p> <p>Instructions and Specimens in every Branch of the Art.</p> @@ -3305,7 +3262,7 @@ Chemist, &c., 10. Pall Mall.</p> <p>PHOTOGRAPHY.—Collodion (Iodized with the Ammonio-Iodide of Silver).—J. B. HOCKIN & CO., Chemists, 289. Strand, were the first in England who published the application of this agent (see - <i>Athenæum</i>, Aug. 14th). Their Collodion (price 9<i>d.</i> per oz.) + <i>Athenæum</i>, Aug. 14th). Their Collodion (price 9<i>d.</i> per oz.) retains its extraordinary sensitiveness, tenacity, and colour unimpaired for months: it may be exported to any climate, and the Iodizing Compound mixed as required. J. B. HOCKIN & CO. manufacture PURE CHEMICALS and @@ -3358,24 +3315,24 @@ Chemist, &c., 10. Pall Mall.</p> <p>VALUABLE BOOKS, CHEAP.—1. Kramer's Strabo, 3 vols. 8vo., best ed., 1844-52. 25<i>s.</i> 2. Adelung's Mithridates, 4 vols. 8vo., - 1806-17, 25<i>s.</i> 3. Sismondi, Histoire des Français, 18 vols. 8vo., + 1806-17, 25<i>s.</i> 3. Sismondi, Histoire des Français, 18 vols. 8vo., complete, 1847-49, 3<i>l.</i> 3<i>s.</i> 4. Carr's Glossary of the Craven Dialect in Yorkshire, 2 vols. 8vo., 1828, cloth, 9<i>s.</i> 5. Goethe's Werke, 55 vols. in 27, 18mo., Stuttgart, 1828, 2<i>l.</i> 10<i>s.</i> 6. Oliphant's Musa Madrigalesca, a collection of Madrigals, Ballets, of the - Elizabethan Age, 8vo., 1837, cloth, 5<i>s.</i> 7. Müller's Ancient Art - and its Remains, a Manual of the Archæology of Art, best edition, 8vo., + Elizabethan Age, 8vo., 1837, cloth, 5<i>s.</i> 7. Müller's Ancient Art + and its Remains, a Manual of the Archæology of Art, best edition, 8vo., 1852 (published at 18<i>s.</i>), cloth, 10<i>s.</i> 8. Ulphila's Gothic Text, with Grammar and Vocabulary, 2 vols. in 1, royal 8vo., Passau, 1849, hf.-morocco, 8<i>s.</i> 6<i>d.</i> 9. Rask's Anglo-Saxon Grammar, - 8vo., 1830, hlf.-calf, 10<i>s.</i> 10. Müller, Collectanea + 8vo., 1830, hlf.-calf, 10<i>s.</i> 10. Müller, Collectanea Anglo-Saxonica, cum Vocabulario, 12mo., 1835, hf. bound, 3<i>s.</i> - 6<i>d.</i> 11. Poèmes des Bardes Bretons du VI. S. in Breton and French, - by Villemarqué, 8vo., 1850, 448 pp. 9<i>s.</i> 12. Fables de Lokman, par + 6<i>d.</i> 11. Poèmes des Bardes Bretons du VI. S. in Breton and French, + by Villemarqué, 8vo., 1850, 448 pp. 9<i>s.</i> 12. Fables de Lokman, par Cherbonneau, in Arabic, and Two French translations, with the pronunciation, 12mo., 1846, 3<i>s.</i> 13. Armorial Universel par Curmer, 2 vols. impl. 8vo., 1844-48, numerous Coats of Arms, some emblazoned, - 25<i>s.</i> 14. Legonidec, Dictionnare Celto-Breton et Français, 2 vols. + 25<i>s.</i> 14. Legonidec, Dictionnare Celto-Breton et Français, 2 vols. 4to., best edition, complete, with the Grammar, St. Brieux, 1847-50, sd. 32<i>s.</i> 15. Tesoro de los Romanceros y Cancioneros Espanoles, 4to., Barcelona, 1840, sd. 9<i>s.</i></p> @@ -3397,7 +3354,7 @@ Chemist, &c., 10. Pall Mall.</p> Ladies and Gentlemen's PERUKES, either Crops or Full Dress, with Partings and Crowns so natural as to defy detection, and with or without their improved Metallic Springs; Ventilating Fronts, Bandeaux, Borders, Nattes, - Bands à la Reine, &c.; also their instantaneous Liquid Hair Dye, the + Bands à la Reine, &c.; also their instantaneous Liquid Hair Dye, the only dye that really answers for all colours, and never fades nor acquires that unnatural red or purple tint common to all other dyes; it is permanent, free of any smell, and perfectly harmless. Any lady or @@ -3592,7 +3549,7 @@ Street.</p> <p>Poultry</p> <p>Primula sinensis</p> <p>Rabbits, rearing of</p> - <p>Reptiles, temperature of, by M. Aug. Duméril</p> + <p>Reptiles, temperature of, by M. Aug. Duméril</p> <p>Reviews, miscellaneous</p> <p>Roots, curious instances of formation of, by Mr. Booth (with engraving)</p> <p>Societies, Proceedings of the Caledonian; Horticultural; Fylde Agricultural</p> @@ -3625,385 +3582,6 @@ Street.</p> the West, in the City of London, Publisher, at No. 186. Fleet Street aforesaid.—Saturday, January 8. 1853.</p> - - - - - - - -<pre> - - - - - -End of the Project Gutenberg EBook of Notes and Queries, Number 167, January -8, 1853, by Various - -*** END OF THIS PROJECT GUTENBERG EBOOK NOTES AND QUERIES *** - -***** This file should be named 42782-h.htm or 42782-h.zip ***** -This and all associated files of various formats will be found in: - http://www.gutenberg.org/4/2/7/8/42782/ - -Produced by Charlene Taylor, Jonathan Ingram, Keith Edkins -and the Online Distributed Proofreading Team at -http://www.pgdp.net (This file was produced from images -generously made available by The Internet Archive/Canadian -Libraries) - - -Updated editions will replace the previous one--the old editions -will be renamed. - -Creating the works from public domain print editions means that no -one owns a United States copyright in these works, so the Foundation -(and you!) can copy and distribute it in the United States without -permission and without paying copyright royalties. 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