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diff --git a/42784-h/42784-h.htm b/42784-h/42784-h.htm index 37b1e47..6f0927a 100644 --- a/42784-h/42784-h.htm +++ b/42784-h/42784-h.htm @@ -1,7 +1,7 @@ <!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd"> <html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en" lang="en"> <head> - <meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1" /> + <meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /> <title> Notes And Queries, Issue 169. </title> @@ -57,50 +57,7 @@ </style> </head> <body> - - -<pre> - -The Project Gutenberg EBook of Notes and Queries, Number 169, January 22, -1853, by Various - -This eBook is for the use of anyone anywhere at no cost and with -almost no restrictions whatsoever. You may copy it, give it away or -re-use it under the terms of the Project Gutenberg License included -with this eBook or online at www.gutenberg.org - - -Title: Notes and Queries, Number 169, January 22, 1853 - A Medium of Inter-communication for Literary Men, Artists, - Antiquaries, Genealogists, etc - -Author: Various - -Editor: George Bell - -Release Date: May 24, 2013 [EBook #42784] - -Language: English - -Character set encoding: ISO-8859-1 - -*** START OF THIS PROJECT GUTENBERG EBOOK NOTES AND QUERIES *** - - - - -Produced by Charlene Taylor, Jonathan Ingram, Keith Edkins -and the Online Distributed Proofreading Team at -http://www.pgdp.net (This file was produced from images -generously made available by The Internet Archive/Canadian -Libraries) - - - - - - -</pre> +<div>*** START OF THE PROJECT GUTENBERG EBOOK 42784 ***</div> <table border="0" cellpadding="10" style="background-color: #ccccff;"> <tr> @@ -409,15 +366,15 @@ Stamped Edition 5<i>d.</i></b></td> corresponding term in French, <i>blague</i>, which, like our English adaptation, is not admissible in good society. It is defined by Bescherelles, in his great <i>Dictionnaire National</i>, to mean - "fanfaronnade, hâblerie, mensonge; bourde, gasconade:" and to <!-- Page + "fanfaronnade, hâblerie, mensonge; bourde, gasconade:" and to <!-- Page 79 --><span class="pagenum" title="080.png"><a name="page79"></a>{79}</span>be "un mot populaire et bas, dont les - personnes bien élevées évitent de se servir." From <i>blague</i> comes + personnes bien élevées évitent de se servir." From <i>blague</i> comes the verb <i>blaguer</i>, which the same authority says means "dire des blagues; mentir pour le plaisir de mentir." And from <i>blaguer</i> comes the substantive <i>blagueur</i>, which is, I apprehend, the original of our English word <i>blackguard</i>. It is described by Bescherelles as a - "diseur de sornettes et de faussetées; hâbleur, fanfaron. Un + "diseur de sornettes et de faussetées; hâbleur, fanfaron. Un <i>blagueur</i> est un menteur, mais un menteur qui a moins pour but de tromper que de se faire valoir."</p> @@ -426,7 +383,7 @@ Stamped Edition 5<i>d.</i></b></td> amongst educated persons, or in dictionaries, it may have escaped the etymologists who were in search of a congener for its English derivative. Its pedigree is, however, to be sought in philological rather than - archæological records. Within the last two centuries, a number of words + archæological records. Within the last two centuries, a number of words of honest origin have passed into an opprobrious sense; for example, the oppressed tenants of Ireland are spoken of by <span class="sc">Spenser</span> and <span class="sc">Sir John Davies</span> as @@ -465,8 +422,8 @@ Stamped Edition 5<i>d.</i></b></td> of England commenced his harangue by alluding to an ancient prophecy which predicted that the Plain of Picquini should be the scene of a memorable and lasting peace between the two nations. "The Bishop," says - Commines, "commença par une prophétie, dont," adds he, <i>en - parenthèse</i>, "les Anglois ne sont jamais despourveus."<a + Commines, "commença par une prophétie, dont," adds he, <i>en + parenthèse</i>, "les Anglois ne sont jamais despourveus."<a name="footnotetag1" href="#footnote1"><sup>[1]</sup></a> Even at this early period, we had thus acquired a reputation for prophecies, and it must be confessed that our chronicles abound in passages which illustrate @@ -607,7 +564,7 @@ Stamped Edition 5<i>d.</i></b></td> <div class="note"> <a name="footnote1"></a><b>Footnote 1:</b><a href="#footnotetag1">(return)</a> - <p><i>Mémoires</i>, p. 155.: Paris, 1649.</p> + <p><i>Mémoires</i>, p. 155.: Paris, 1649.</p> <a name="footnote2"></a><b>Footnote 2:</b><a href="#footnotetag2">(return)</a> @@ -651,17 +608,17 @@ Stamped Edition 5<i>d.</i></b></td> &c. Where?</p> <p>Ditto, ditto. "Pompa magis," &c. Does Bacon quote this from - memory, referring to "Tolle istam pompam, sub quâ lates, et stultos + memory, referring to "Tolle istam pompam, sub quâ lates, et stultos territas"? (Ep. XXIV. vol. ii. p. 92.: ed. Elzev. 1672.)</p> <p>Ditto, p. 5. "We read," &c. Tac. <i>Hist.</i>, ii. 49. "Quidam - milites juxta rogum interfecere se, non noxâ neque ob metum, sed - æmulatione decoris et caritate principis." Cf. Sueton. <i>Vit. Oth.</i>, + milites juxta rogum interfecere se, non noxâ neque ob metum, sed + æmulatione decoris et caritate principis." Cf. Sueton. <i>Vit. Oth.</i>, 12.</p> <p>Ditto, ditto. "Cogita quamdiu," &c. Whence is this?</p> - <p>Ditto, ditto. "Augustus Cæsar died," &c. Suet. <i>Vit. Octav.</i>, + <p>Ditto, ditto. "Augustus Cæsar died," &c. Suet. <i>Vit. Octav.</i>, 99.</p> <p>Ditto, ditto. "Tiberius in dissimulation." Tac. <i>Ann.</i>, vi. @@ -700,8 +657,8 @@ Stamped Edition 5<i>d.</i></b></td> <p>Essay V. ditto. "Bona rerum secundarum," &c. Does Bacon allude to Seneca (Ep. lxvi. p. 238., <i>ut sup.</i>), where, after stating that "In - æquo est moderatè gaudere, et moderatè dolere;" he adds, "Illa bona - optabilia sunt, hæc mirabilia"?</p> + æquo est moderatè gaudere, et moderatè dolere;" he adds, "Illa bona + optabilia sunt, hæc mirabilia"?</p> <p>Ditto, ditto. "Vere magnum habere," &c. Whence is this?</p> @@ -726,8 +683,8 @@ Stamped Edition 5<i>d.</i></b></td> <p>Essay VII. p. 19. "The precept, 'Optimum elige,' &c." Whence? though I am ashamed to ask.</p> - <p>Essay VIII. p. 20. "The generals." See Æsch. <i>Persæ</i>, 404. - (Dindf.), and Blomfield <i>in loc.</i> (v. 411. ed. suæ).</p> + <p>Essay VIII. p. 20. "The generals." See Æsch. <i>Persæ</i>, 404. + (Dindf.), and Blomfield <i>in loc.</i> (v. 411. ed. suæ).</p> <p>Ditto, ditto. "It was said of Ulysses," &c. By whom? Compare <i>Od.</i>, v. 218.</p> @@ -824,7 +781,7 @@ Stamped Edition 5<i>d.</i></b></td> opened.</p> <p>Here, in ancient times, was the site of a burial-place, but for what - people, or at what age, is now unknown; and here it is that archæologists + people, or at what age, is now unknown; and here it is that archæologists should commence their labours, that in the result they may not be disappointed. In some of the tombs which have been recently entered in this vicinity, fragments of linen cloth have been seen, in which bodies @@ -864,9 +821,9 @@ Stamped Edition 5<i>d.</i></b></td> <blockquote class="b1n"> - <p>"The interior room of the tomb of Ænnibal, illustrious in the + <p>"The interior room of the tomb of Ænnibal, illustrious in the consummation of calamity. He was beloved. The people, when they are drawn - up in order of battle, weep for Ænnibal the son of Bar Malek."</p> + up in order of battle, weep for Ænnibal the son of Bar Malek."</p> </blockquote> @@ -895,15 +852,15 @@ Stamped Edition 5<i>d.</i></b></td> passage which shows that, about three hundred years since, Waterloo was the scene of a severe engagement; so that the late sanguinary struggle was not the first this battle-ground has to boast of. The passage occurs - in <i>Famianæ Stradæ de Bello Belgico, Decas prima</i>, lib. vi. p. 256., - edit. Romæ, 1653; where, after describing a scheme on the part of the + in <i>Famianæ Stradæ de Bello Belgico, Decas prima</i>, lib. vi. p. 256., + edit. Romæ, 1653; where, after describing a scheme on the part of the insurgents for surprising Lille, and its discovery by the Royalists, he goes on:</p> <blockquote class="b1n"> <p>"Et Rassinghemius de Armerteriensi milite inaudierat: nihilqve moratvs - selectis centvmqvinqvaginta peditibvs et equitibus sclopetariis fermè + selectis centvmqvinqvaginta peditibvs et equitibus sclopetariis fermè qvinqveginta prope <i>Waterlocvm</i> pagvm pvgnam committit."</p> </blockquote> @@ -954,7 +911,7 @@ Stamped Edition 5<i>d.</i></b></td> musical sound" (it is added) "may be produced by touching it sharply with a stick." And this is in fact the reason for its name. The author of the <i>Glossary of Architecture</i> cites <i>Ben Jonson</i> by Gifford, viii. - 251., and <i>Archæol.</i>, xvi. 84.</p> + 251., and <i>Archæol.</i>, xvi. 84.</p> <p class="author"><span class="sc">Alphage.</span></p> @@ -987,7 +944,7 @@ Stamped Edition 5<i>d.</i></b></td> Francis I.'s celebrated "Tout est perdu hormis l'honneur!" but the beauty of that phrase is lost in its real position,—a long letter to Louisa of Savoy, his mother. The letter is given at full length in - Sismondi's <i>Histoire des Français</i>.</p> + Sismondi's <i>Histoire des Français</i>.</p> <p><span class="sc">M—a L.</span></p> @@ -1380,7 +1337,7 @@ Stamped Edition 5<i>d.</i></b></td> who was the last baronet, and in what year? Where he lived, or any other particulars, will much oblige.</p> - <p class="author"><span class="sc">Quæro.</span></p> + <p class="author"><span class="sc">Quæro.</span></p> <p><i>Sir Kenelm Digby.</i>—Why is Sir Kenelm Digby represented, I believe always, with a sun-flower by his side?</p> @@ -1809,7 +1766,7 @@ Stamped Edition 5<i>d.</i></b></td> kneeling and placing her hands upon the neck of the diseased person, who is presented to her by the clerk; while the chaplain, in alb and stole, kneels on the other side. The MS. was exhibited at a meeting of the - Archæological Institute on 6th June, 1851. Hearne, in one of his + Archæological Institute on 6th June, 1851. Hearne, in one of his manuscript diaries in the Bodleian, lv. 190., mentions having seen certain prayers to be used by Queen Mary at the blessing of cramp rings. May not this be the identical MS. alluded to?</p> @@ -1908,19 +1865,19 @@ Stamped Edition 5<i>d.</i></b></td> <blockquote class="b1n"> - <p>"Nec quidem temerè contigisse puto quod animalia viva nominibus - Germanicæ originis vocemus, quorum tamen carnem in cibum paratam originis - Gallicæ nominibus appellamus; puta,—bovem, vaccam, vitulum, ovem, + <p>"Nec quidem temerè contigisse puto quod animalia viva nominibus + Germanicæ originis vocemus, quorum tamen carnem in cibum paratam originis + Gallicæ nominibus appellamus; puta,—bovem, vaccam, vitulum, ovem, porcum, aprum, feram, etc. (an ox, a cow, a calf, a sheep, a hog, a boar, a deer, &c.); sed carnem bubulam, vitulinam, ovinam, porcinam, aprugnam, ferinam, etc. (beef, veal, mutton, pork, brawn, venison, &c.) Sed hinc id ortum putaverim, quod Normanni milites pascuis, caulis, haris, locisque quibus vivorum animalium cura agebatur, parcius se <span class="correction" title="Original reads 'immiscuerunt', corrected by erratum in Issue 170." - >immiscuerint</span> (quæ itaque antiqua nomina retinuerunt) quam + >immiscuerint</span> (quæ itaque antiqua nomina retinuerunt) quam macellis, culinis, mensis, epulis, ubi vel parabantur vel habebantur cibi, qui itaque nova nomina ab illis sunt adepti."—Preface to Dr. - Wallis's <i>Grammatica Linguæ Anglicanæ</i>, 1653, quoted by Winning, + Wallis's <i>Grammatica Linguæ Anglicanæ</i>, 1653, quoted by Winning, <i>Comparative Philology</i>, p. 270.</p> </blockquote> @@ -2031,7 +1988,7 @@ Stamped Edition 5<i>d.</i></b></td> alteration of the standard during the latter period.</p> <p>The standard of gold, when first introduced into the coinage, was of - 24 carats fine; that is, pure gold. Subsequently, it was 23½ and half + 24 carats fine; that is, pure gold. Subsequently, it was 23½ and half alloy; this, after an occasional debasement by Henry VIII., was fixed at 22 carats fine and 2 carats alloy by Charles I.; and still continues so, being <!-- Page 91 --><span class="pagenum" title="092.png"><a @@ -2135,7 +2092,7 @@ Stamped Edition 5<i>d.</i></b></td> <p>The table inquired for by <span class="sc">Mr. Livett</span>, with a most interesting historical paper on the subject, was published in the - last <i>Archæological Journal</i>, October, 1852.</p> + last <i>Archæological Journal</i>, October, 1852.</p> <p class="author"><span class="sc">H. T. Ellacombe.</span></p> @@ -2417,7 +2374,7 @@ Stamped Edition 5<i>d.</i></b></td> <tr><td class="ar pr025"> 10</td> <td class="ac pr025 pl025"> "</td> <td class="pl025"> of chloride of sodium in crystals.</td></tr> -<tr><td class="ar pr025"> 1½</td> +<tr><td class="ar pr025"> 1½</td> <td class="ac pr025 pl025"> "</td> <td class="pl025"> of resublimed iodine.</td></tr> </table> @@ -2442,7 +2399,7 @@ Stamped Edition 5<i>d.</i></b></td> <p>"The 'iodized paper,' which will keep for almost any length of time, should be placed in a portfolio, great care being taken to lay it perfectly flat, otherwise the wax is liable to crack, and thus spoil the - beauty of the negative. The papers manufactured by Canson Frères and + beauty of the negative. The papers manufactured by Canson Frères and Lacroix are far preferable, for this process, to any of the English kinds, being much thinner and of a very even texture.</p> @@ -2582,7 +2539,7 @@ Stamped Edition 5<i>d.</i></b></td> (Chalmers's <i>Biog. Dict.</i>, vol. xvii. p. 7.)</p> <p>Bishop Bull, while rector of St. George's near Bristol, said the - Baptismal Office by heart on one occasion. (Nelson's <i>Life</i>, i. § + Baptismal Office by heart on one occasion. (Nelson's <i>Life</i>, i. § ix. p. 34.; <i>Works</i>, Oxford, 1827.)</p> <p class="author"><span class="sc">Mackenzie Walcott</span>, M.A.</p> @@ -2687,7 +2644,7 @@ Stamped Edition 5<i>d.</i></b></td> <div class="poem"> <div class="stanza"> - <p class="hg3">"Scriptus et æterno nunc primum Jupiter <i>auro</i>."</p> + <p class="hg3">"Scriptus et æterno nunc primum Jupiter <i>auro</i>."</p> <p class="i16">Lib. xi. Ep. iv.</p> </div> </div> @@ -2737,7 +2694,7 @@ Stamped Edition 5<i>d.</i></b></td> <div class="stanza"> <p class="hg3">"Promittit, promissa negat, ploratque negata,</p> - <p class="i1">Hæc tria si junges, quis neget esse Petrum."</p> + <p class="i1">Hæc tria si junges, quis neget esse Petrum."</p> </div> </div> @@ -2762,18 +2719,18 @@ Stamped Edition 5<i>d.</i></b></td> or handle of the shield, which till then had been suspended by straps from the neck, as well as of the tuft of feathers or horse-hair on the helmet, to the Carians; in which Strabo agrees with him, and, as far as - regards the supporters and crest, Ælian also:</p> + regards the supporters and crest, Ælian also:</p> <blockquote class="b1n"> - <p>"Herodot schrieb den ersten Gebrauch, oder wie er sich ausdrückt, die + <p>"Herodot schrieb den ersten Gebrauch, oder wie er sich ausdrückt, die Erfindung der Zeichen auf Schilden, die wir Wappen nennen, wie auch der Halter oder Handhaben an den Schilden, die bis dahin nur an Riemen um den - Nacken getragen wurden, und die Büsche von Federn oder Rosshaaren auf den + Nacken getragen wurden, und die Büsche von Federn oder Rosshaaren auf den Helmen, den Cariern zu, worin ihm Strabo (<i>Geogr.</i> 14. <span - class="sm">I.</span> § 27.), und was die Handhaben und Helmbüsche - betrifft, auch Ælian (<i>Hist. Animal.</i> 12. 30.), - beistimmen."—Bernd's <i>Wappenwissen der Griechen und Römer</i>, p. + class="sm">I.</span> § 27.), und was die Handhaben und Helmbüsche + betrifft, auch Ælian (<i>Hist. Animal.</i> 12. 30.), + beistimmen."—Bernd's <i>Wappenwissen der Griechen und Römer</i>, p. 4. Bonn, 1841.</p> </blockquote> @@ -2784,7 +2741,7 @@ Stamped Edition 5<i>d.</i></b></td> <blockquote class="b1n"> - <p><span title="Kares prôtoi heuron tous omphalous tôn aspidôn, kai tous lophous. tois oun apothnêskousi sunethapton aspidiskion mikron kai lophon, sêmeion tês heureseôs." class="grk" + <p><span title="Kares prôtoi heuron tous omphalous tôn aspidôn, kai tous lophous. tois oun apothnêskousi sunethapton aspidiskion mikron kai lophon, sêmeion tês heureseôs." class="grk" >"Κᾶρες πρῶτοι εὗρον τοὺς @@ -2876,7 +2833,7 @@ Stamped Edition 5<i>d.</i></b></td> <p class="hg3">"Hier moet men gissen</p> <p>Glasen te wasser</p> <p>Daer in te pissen</p> - <p>En soú niet passen.</p> + <p>En soú niet passen.</p> <p class="i4">1659."</p> </div> </div> @@ -3028,7 +2985,7 @@ Stamped Edition 5<i>d.</i></b></td> <p><span class="sc">Spectator.</span> Vols. V. and VII. 12mo. London, 1753.</p> - <p><span class="sc">Costerus (François) Cinquante Meditations de toute + <p><span class="sc">Costerus (François) Cinquante Meditations de toute l'Histoire de la Passion de Nostre Seigneur.</span> 8vo. Anvers, Christ. Plantin.</p> @@ -3234,11 +3191,11 @@ George Drew, Esq. <table style="width:35%" class="mc" summary="Specimens of Rates" title="Specimens of Rates"> <tr> <td class="plr05" style="width:28%">Age</td> -<td class="plr05 ar" style="text-align:right; width:7%"><i>£</i></td> +<td class="plr05 ar" style="text-align:right; width:7%"><i>£</i></td> <td class="plr05 ar" style="text-align:right; width:7%"><i>s.</i></td> <td class="plr05 ar br" style="text-align:right; width:7%"><i>d.</i></td> <td class="plr05" style="width:28%">Age</td> -<td class="plr05 ar" style="text-align:right; width:7%"><i>£</i></td> +<td class="plr05 ar" style="text-align:right; width:7%"><i>£</i></td> <td class="plr05 ar" style="text-align:right; width:7%"><i>s.</i></td> <td class="plr05 ar" style="text-align:right; width:7%"><i>d.</i></td> </tr> @@ -3359,7 +3316,7 @@ Operative Chemists, 153. Fleet Street.</p> <hr class="full" /> <p>PHOTOGRAPHIC PAPER.—Negative and Positive Papers of Whatman's, - Turner's, Sanford's, and Canson Frères make. Waxed-Paper for Le Gray's + Turner's, Sanford's, and Canson Frères make. Waxed-Paper for Le Gray's Process. Iodized and Sensitive Paper for every kind of Photography.</p> <p class="ac">Sold by JOHN SANFORD, Photographic @@ -3375,7 +3332,7 @@ Row, London.</p> Ladies and Gentlemen's PERUKES, either Crops or Full Dress, with Partings and Crowns so natural as to defy detection, and with or without their improved Metallic Springs; Ventilating Fronts, Bandeaux, Borders, Nattes, - Bands à la Reine, &c.; also their instantaneous Liquid Hair Dye, the + Bands à la Reine, &c.; also their instantaneous Liquid Hair Dye, the only dye that really answers for all colours, and never fades nor acquires that unnatural red or purple tint common to all other dyes; it is permanent, free of any smell, and perfectly harmless. Any lady or @@ -3390,7 +3347,7 @@ Row, London.</p> <hr class="full" /> <p>LOST.—Two Water-coloured Drawings by MR. DELAMOTTE [engraved in - 2nd volume of "Journal of Archæological Institute"] of distemper + 2nd volume of "Journal of Archæological Institute"] of distemper Paintings in Stanton Harcourt Church. Any person having them, is requested to return them to their owner, MR. DYKE, Jesus College, Oxford.</p> @@ -3448,11 +3405,11 @@ Row, London.</p> Acid, 4<i>s.</i> per drachm. Acetic Acid, suited for Collodion Pictures, 8<i>d.</i> per oz. Crystallizable and perfectly pure, on which the success of the Calo-typist so much depends, 1<i>s.</i> per oz. Canson - Frères' Negative Paper, 3<i>s.</i>; Positive do., 4<i>s.</i> 6<i>d.</i>; + Frères' Negative Paper, 3<i>s.</i>; Positive do., 4<i>s.</i> 6<i>d.</i>; La Croix, 3<i>s.</i>; Turner, 3<i>s.</i> Whatman's Negative and Positive, 3<i>s.</i> per quire. Iodized Waxed Paper, 10<i>s.</i> 6<i>d.</i> per quire. Sensitive Paper ready for the Camera, and warranted to keep from - fourteen to twenty days, with directions for use, 11×9, 9<i>s.</i> per + fourteen to twenty days, with directions for use, 11×9, 9<i>s.</i> per doz.; Iodized, only 6<i>s.</i> per doz.</p> <p class="ac">GEORGE KNIGHT & SONS (sole Agents @@ -3469,7 +3426,7 @@ ETC.</p> Square.—Superior Iodized Collodion, in bottles at 2<i>s.</i> 6<i>d.</i>; Pyrogallic Acid, 4<i>s.</i> per drachm; Pure Crystallizable Acetic Acid, 8<i>d.</i> per oz.; Iodide of Potassium, 1<i>s.</i> - 6<i>d.</i> per oz.; Canson Frères' Negative Paper, 3<i>s.</i>; Positive + 6<i>d.</i> per oz.; Canson Frères' Negative Paper, 3<i>s.</i>; Positive Ditto, 4<i>s.</i> per quire.</p> <p>Bromine, 8<i>s.</i> 6<i>d.</i> per oz.; Iodine, 2<i>s.</i> 6<i>d.</i> @@ -3557,14 +3514,14 @@ FIVE SHILLINGS EACH.</p> <p>RALPH'S SERMON PAPER.—This approved Paper is particularly deserving the notice of the Clergy, as, from its particular form (each - page measuring 5¾ by 9 inches), it will contain more matter than the size + page measuring 5¾ by 9 inches), it will contain more matter than the size in ordinary use; and, from the width being narrower, is much more easy to read: adapted for expeditious writing with either the quill or metallic pen; price 5<i>s.</i> per ream. Sample on application.</p> <p>ENVELOPE PAPER.—To identify the contents with the address and postmark, important in all business communications; it admits of three - clear pages (each measuring 5½ by 8 inches), for correspondence, it saves + clear pages (each measuring 5½ by 8 inches), for correspondence, it saves time and is more economical. Price 9<i>s.</i> 6<i>d.</i> per ream.</p> <p class="ac">F. W. RALPH, Manufacturing Stationer, @@ -3787,7 +3744,7 @@ CANTERBURY.</p> comparison with English work, of the same periods.</p> <p>"In the present Edition, considerably more attention has been given to - the subject of Mediæval Carpentry, the number of Illustrations of 'Open + the subject of Mediæval Carpentry, the number of Illustrations of 'Open Timber Roofs' has been much increased, and most of the Carpenter's terms in use at the period have been introduced with authorities."—<i>Preface to the Fifth Edition.</i></p> @@ -3806,385 +3763,6 @@ CANTERBURY.</p> the West, in the City of London, Publisher, at No. 186. 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