summaryrefslogtreecommitdiff
path: root/43563-h
diff options
context:
space:
mode:
authornfenwick <nfenwick@pglaf.org>2025-03-07 16:16:48 -0800
committernfenwick <nfenwick@pglaf.org>2025-03-07 16:16:48 -0800
commit067f0b7cd1fc6525797d2e93491a79e5d5b65b15 (patch)
treec2362f07cdc83e07420f18b7b3c88fc2b18d1def /43563-h
parent096adf938ac24b4b4d0fff7e57574a8c87de01f5 (diff)
Add files from ibiblio as of 2025-03-07 16:16:48HEADmain
Diffstat (limited to '43563-h')
-rw-r--r--43563-h/43563-h.htm528
1 files changed, 54 insertions, 474 deletions
diff --git a/43563-h/43563-h.htm b/43563-h/43563-h.htm
index 9e6b429..e9cf1fa 100644
--- a/43563-h/43563-h.htm
+++ b/43563-h/43563-h.htm
@@ -1,7 +1,7 @@
<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Transitional//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-transitional.dtd">
<html lang="en" xmlns="http://www.w3.org/1999/xhtml">
<head>
-<meta http-equiv="Content-Type" content="text/html;charset=iso-8859-1" />
+<meta http-equiv="Content-Type" content="text/html;charset=UTF-8" />
<meta http-equiv="Content-Style-Type" content="text/css" /><title> The Project Gutenberg's eBook of Bits of Blarney, by R. Shelton Mackenzie. </title>
<link rel="coverpage" href="images/front_cover.jpg" />
@@ -280,45 +280,7 @@ h2, h3, h4
</head>
<body>
-
-
-<pre>
-
-The Project Gutenberg EBook of Bits of Blarney, by R. Shelton Mackenzie
-
-This eBook is for the use of anyone anywhere at no cost and with
-almost no restrictions whatsoever. You may copy it, give it away or
-re-use it under the terms of the Project Gutenberg License included
-with this eBook or online at www.gutenberg.org/license
-
-
-Title: Bits of Blarney
-
-Author: R. Shelton Mackenzie
-
-Release Date: August 26, 2013 [EBook #43563]
-
-Language: English
-
-Character set encoding: ISO-8859-1
-
-*** START OF THIS PROJECT GUTENBERG EBOOK BITS OF BLARNEY ***
-
-
-
-
-Produced by Nicole Henn-Kneif, sp1nd and the Online
-Distributed Proofreading Team at http://www.pgdp.net (This
-file was produced from images generously made available
-by The Internet Archive)
-
-
-
-
-
-
-</pre>
-
+<div>*** START OF THE PROJECT GUTENBERG EBOOK 43563 ***</div>
<h1 class="p4">BITS OF BLARNEY</h1>
<p class="mediumc">BY</p>
@@ -615,8 +577,8 @@ except that immediately washed by the waters of the lake. It was now far
in the summer; and, although the mowers had to cut down the rich grass
of the other fields, there was scarcely a blade upon this. It was as
smooth, green, and close-shaven as the trim turf before a cottage
-<i>ornée</i>. While I was remarking this, I was startled by a sudden touch
-upon the shoulder, and, turning round, I found myself <i>vis-à-vis</i> with a
+<i>ornée</i>. While I was remarking this, I was startled by a sudden touch
+upon the shoulder, and, turning round, I found myself <i>vis-à-vis</i> with a
Herculean-built fellow, who doffed his hat, with a sort of rude
courtesy, made an attempt at a bow, and, before I could say a word,
struck into conversation.</p>
@@ -1135,7 +1097,7 @@ the orator and patriot, member for Rathcormac, when he was a young man?
Did not Colonel Tonson get made an Irish peer, out of this very borough,
which his son William is, to this very day, by the title of Baron
Riversdale of Rathcormac? Does not his shield bear an open hand between
-two castles, and is not the motto, 'Manus hæc inimica tyrannis'&mdash;which
+two castles, and is not the motto, 'Manus hæc inimica tyrannis'&mdash;which
means that it was the enemy of tyrants? Did not the Ulster King of Arms
make the Tonsons a grant of these arms, in the time of Cromwell? But
here I have left poor little Con mounted on his donkey all this time.</p>
@@ -1185,7 +1147,7 @@ air&mdash;quick as if they were on a steeplechase. Moss and moor&mdash;mountain
and valley&mdash;green field and brown bog&mdash;land and water were all left
behind, and they never once halted until they reached the coast of
France.</p>
-<p>"They immediately made for the house (there it is called the <i>château</i>)
+<p>"They immediately made for the house (there it is called the <i>château</i>)
of a great lord&mdash;one of the Seigneurs of the Court&mdash;and bolted through
the key-hole into his wine-cellar, without leave or license. How little
Con was squeezed through, I never could understand, but it is as sure as
@@ -1266,7 +1228,7 @@ followed his example, with all the pleasure in life. You may be certain
that Con played away finely at the wine&mdash;you know the fairies had made
him free of the cellar&mdash;so he knew the taste of the liquor, and relished
it too. There can be no doubt that there was a regular jollification in
-the château that night.</p>
+the château that night.</p>
<p>"Con remained in France for a month, and was perfectly in clover, for,
from the lord to the lackey, every one liked him. When he returned, he
had a heavy purse of gold for himself, and many fine presents for his
@@ -1344,12 +1306,12 @@ traditional stories are derived? Some years ago, a supplement to the
Thousand-and-One Nights, containing an Arabian tale called the Sage
Heycar, was published at Paris, and the translator noted the curious
fact that this Oriental story contained many incidents exactly similar
-to passages in the life of Æsop: such as sixteen pages of details of a
+to passages in the life of Æsop: such as sixteen pages of details of a
visit made by Heycar to the court of Pharaoh, which are the same, word
-for word, with the account of the like visit made by Æsop. So, too, the
+for word, with the account of the like visit made by Æsop. So, too, the
challenge which Pharaoh sent to the King of Abyssinia, demanding him to
-build a palace in the air, and the ingenious means to which Æsop had
-recourse, are transferred to Heycar. Even the fables of Æsop, the
+build a palace in the air, and the ingenious means to which Æsop had
+recourse, are transferred to Heycar. Even the fables of Æsop, the
Phrygian, have been claimed for Lokman, the Arabian philosopher, and now
the very incidents of his life are taken from him by Heycar.</p>
<p>The Coventry legend of Lady Godiva is claimed by the Arabians. In Von
@@ -1573,7 +1535,7 @@ and the small hand, and the dark blue eye, and the long black lash, and
the bounding step," and prophesied more good fortune than (to one of the
party, at least) has yet been fulfilled.</p>
<p>This old woman was a good specimen of a shrewd Irish peasant. Her
-compliments were insinuated, rather than expressed; and, <i>malgré</i> the
+compliments were insinuated, rather than expressed; and, <i>malgré</i> the
brogue, I question when more delicate flattery&mdash;pleasant, after all, to
one's <i>amour propre</i>&mdash;could be more dexterously conveyed in the circles
which we call brilliant. This tact in the matter of compliment appears
@@ -1772,7 +1734,7 @@ describe him. Irish parlance emphatically distinguished him as "a mighty
clever boy," which did not mean a compliment to his capacity or
acquirements, but was simply a figure of speech to declare that this
Hibernian Orpheus stood about "six feet two in his stocking-vamps."
-Remmy Carroll's personal appearance was not quite as <i>distingué</i> as that
+Remmy Carroll's personal appearance was not quite as <i>distingué</i> as that
of his great contemporary, Beau Brummell. His coat, originally of blue
frieze, had worn down, by age and service, to a sort of bright gray,
tessellated, like mosaic-work, with emendations of the original
@@ -1833,8 +1795,8 @@ enlist in an infantry regiment, and was shot through the head at the
storming of Badajoz some short time after.</p>
<p>Remmy Carroll could do, and had done more than defeat Brown. He could
swim like a fish, was the only man ever known to dive under that
-miniature Maëlstrom which eddies at the base of The Nailer's Rock
-(nearly opposite Barnäan Well), and, before he was one-and-twenty, had
+miniature Maëlstrom which eddies at the base of The Nailer's Rock
+(nearly opposite Barnäan Well), and, before he was one-and-twenty, had
saved nine unfortunates from being drowned in the fatal
Blackwater.<span class="fnanchor"><a name="fnanchor_4" id="fnanchor_4"></a><a href="#footnote_4">4</a></span></p>
<p>No man in the county could beat him at hurly, or foot-ball. He was a
@@ -1879,7 +1841,7 @@ closely her image was blended with the very life of his being.</p>
breathing loveliness, with dark hair, fair skin, and violet eyes, a
combination to which the brilliant pencil of Maclise has often rendered
justice. She had a right to look high, in a matrimonial way, for she was
-an heiress in her own right. She had £500 left her as a legacy by an old
+an heiress in her own right. She had £500 left her as a legacy by an old
maiden-aunt, near Mitchelstown, who had taken care of her from her
twelfth year, when she left the famous Academy of the renowned Tim Daly
(where she and Remmy used to write together at the same desk), until
@@ -2778,7 +2740,7 @@ until it be lost in the sunshine of the morrow.</p>
passed by since the mysterious and unforgotten disappearance of Remmy
Carroll, our very humble hero. Many changes have taken place, locally
and generally. Fermoy, rapidly rising into opulence, as the greatest
-military depôt in Ireland, still kept a memory of Remmy Carroll. Death
+military depôt in Ireland, still kept a memory of Remmy Carroll. Death
had laid his icy hand upon Mr. Bartle Mahony, whose fair daughter, Mary,
had succeeded to his well-stocked farm and his prudent accumulations,
which, joined with her own possessions, made her comparatively wealthy.
@@ -3330,7 +3292,7 @@ family is settled in the State of New York, and doing well.</p>
<div class="verse">Within his tent the warrior lay, by his side his children three;</div>
<div class="verse">There was Thomas, with the haughty brow, the Lord of Offaley;</div>
<div class="verse">There was gentle Ina, wedded to proud Desmond's gallant son;</div>
- <div class="verse">There was Richard, he the youngest born and best belovéd one.</div>
+ <div class="verse">There was Richard, he the youngest born and best belovéd one.</div>
<div class="verse">Lord Thomas near his father stood, fair Ina wept apace,</div>
<div class="verse">Young Richard by the couch knelt down and hid his pale, sad face;</div>
<div class="verse">He would not that the common eye should gaze upon his woe,</div>
@@ -3638,7 +3600,7 @@ company&mdash;the gallantry of the men excepting the fair sex from any share
in the payment. The necessary amount was speedily collected, and a
supply of whiskey (which had not condescended to acknowledge the
reigning dynasty by any contribution to the excise duties) was procured
-from the next <i>shebeen</i>&mdash;an unlicensed dépôt for the sale of "mountain
+from the next <i>shebeen</i>&mdash;an unlicensed dépôt for the sale of "mountain
dew,"&mdash;and placed upon the table.</p>
<p>The stranger, who had appeared quite unobservant of this proceeding, and
@@ -3867,7 +3829,7 @@ place in which the contest was hotly proceeding. At last, unable any
longer to resist the passionate impulse, he mounted on one of the many
war-steeds which were wildly galloping over the battle-field, caught the
eye of the officer whom he had rescued, rushed forward to join the
-<i>mêlée</i>, and bravely fought side by side with him, when the "Up, Guards,
+<i>mêlée</i>, and bravely fought side by side with him, when the "Up, Guards,
and at them!" of Wellington urged on the soldiers to that last terrific
charge which shook the imperial diadem from the brow of the first
Napoleon.</p>
@@ -4596,7 +4558,7 @@ received strict injunctions to avoid unnecessary violence. It was
anticipated, from his determined character and great personal strength,
that he would resist any attempt to make him a prisoner. Contrary to
expectation, he surrendered himself without struggle or hesitation. He
-was found sitting tête-à-tête with old Frank Drew, at Drew's Court,&mdash;the
+was found sitting tête-à-tête with old Frank Drew, at Drew's Court,&mdash;the
same to whom he had spoken so freely about the particulars of the attack
on Churchtown Barracks,&mdash;and when he heard the measured tread of the
military, as they came up the avenue, he paused in his conversation, and
@@ -5715,7 +5677,7 @@ among them&mdash;a Laputan flap to make the Irish world quite aware of the
fact of his immeasurable merit.</p>
<p>There was a rumour&mdash;but I hate scandal&mdash;that the Bard (being a poet, and
-lame to boot, like the Grecian) had an ambition to be the new Tyrtæus of
+lame to boot, like the Grecian) had an ambition to be the new Tyrtæus of
the Irish Rebels, in 1798. He has been seen to smile, rather
assentingly, at "the soft impeachment," although, no doubt, while the
insurgents were liable to punishment, he had very <i>capital</i> reasons for
@@ -6109,7 +6071,7 @@ impetuous frolic, the deep erudition which distinguishes the said
extraordinary manner.</p>
<p>What is there in the language more spirited than the Prout translations
-from Béranger? As was said of Goethe's Faust, translated by Anster, the
+from Béranger? As was said of Goethe's Faust, translated by Anster, the
fact was <i>transfused</i> into our vernacular. What wondrous flexibility is
given to the old Latin tongue, by the versions of Moore into that
language! What charming mastery of learning, as exhibited in the
@@ -6232,7 +6194,7 @@ he would long since have elevated Father Prout to the episcopal dignity.
His chief regret, when dying, was, that he did not survive to see <i>this</i>
consummation.</p>
-<p>Sometimes Pat Murphy would condescend to enter into a <i>vivâ voce</i>
+<p>Sometimes Pat Murphy would condescend to enter into a <i>vivâ voce</i>
controversy with one of the "heretics," (as he invariably designated the
Protestants,) on the comparative merits of the rival churches. His
invariable wind-up, delivered gravely and authoritatively, as a
@@ -6573,7 +6535,7 @@ that the County Kerry-men preferred the culture of the head, while the
others rather cared for the education of the heels.</p>
<p>To have a first-rate hedge-schoolmaster was a credit to any parish. To
-have engrossed the services of an eminent <i>maître de danse</i> was almost a
+have engrossed the services of an eminent <i>maître de danse</i> was almost a
matter of considerable pride and boasting, but to possess <i>both</i> of
these treasures was indeed a triumph.</p>
@@ -6588,7 +6550,7 @@ They were invariably middle-aged men, at the youngest; but professors of
"the poetry of motion," who were about seventy, appeared the greatest
favourites. It was dreaded, perhaps, that the attraction of youth and
good dancing combined would be too much for the village beauties to
-resist. On the same system, in all probability, it was a <i>sine quâ non</i>
+resist. On the same system, in all probability, it was a <i>sine quâ non</i>
that the dancing-master should be married.</p>
<p>The Irish peasantry used to have a sort of passion for dancing. Hence
@@ -6630,7 +6592,7 @@ historian may record.</p>
<p>That the hours passed away on swift pinions at these dancing academies,
may well be imagined. There was any quantity of flirtation at all times,
and about half the marriages in the country owed their origin to these
-<i>réunions</i>. It is creditable to the proverbial good conduct of my
+<i>réunions</i>. It is creditable to the proverbial good conduct of my
countrywomen, that loss of character rarely, if ever, resulted from
these free-and-easy meetings.</p>
@@ -7157,7 +7119,7 @@ man had acquired a vast fortune by following the business of a grazier,
and had invested large sums in the purchase of landed estates. His sons,
determined to cut a figure in the county, indulged in all manner of
excess and extravagance. At the time of Charley Crofts' visit, they
-issued cards for a splendid <i>déjeuner à la fourchette</i>, to which the
+issued cards for a splendid <i>déjeuner à la fourchette</i>, to which the
leading people of the district were invited. As Charley Crofts was on
intimate terms with everybody who had pretensions to notice, the Lyons
family, in solemn conclave assembled, determined that it would be a
@@ -7457,7 +7419,7 @@ took part in public business. There, too, was Lord North&mdash;shrewd, obese,
good-tempered, and familiar. There was Charles James Fox, just
commencing public life, alternately coquetting with politics and the
faro-table&mdash;his great rival, Pitt, had not then arisen, nor his eminent
-friend Sheridan, but Edmund Burke had already made his mark, Barrè was
+friend Sheridan, but Edmund Burke had already made his mark, Barrè was
in full force, as well as Grenville, and the great lawyers Loughborough
and Thurlow had already appeared above the horizon, while Lords Camden
and Mansfield were in the maturity of fame. Then, also, flourished
@@ -7498,7 +7460,7 @@ discourse. He appeared more like a pure character advising, than mixing
in the debate. It was something superior to that&mdash;<i>it was teaching the
lords, and lecturing the King</i>. He appeared the next greatest thing to
the King, though infinitely superior. What Cicero says in his '<span class="smcap">Claris
-Oratoribus</span>' exactly applies: '<i>Formæ dignitas, corporis motus plenus et
+Oratoribus</span>' exactly applies: '<i>Formæ dignitas, corporis motus plenus et
artis el venustatis, vocis et suavitas et magnitudo.</i>' 'Great subjects,
great empires, great characters, effulgent ideas, and classical
illustrations formed the material of his speeches.'"<a name="FNanchor_15_11" id="FNanchor_15_11"></a><a href="#Footnote_15_11" class="fnanchor">15</a></p>
@@ -7604,7 +7566,7 @@ that the <i>dernier resort</i>, in all cases of law and equity, was to the
peers of Great Britain.</p>
<p>For his great services in thus establishing Ireland's rights, the
-Parliament voted him £50,000. He considered that this was a retainer for
+Parliament voted him £50,000. He considered that this was a retainer for
the future as well as a mark of gratitude for the past, and henceforth
devoted the remainder of his life&mdash;a period of nearly forty years&mdash;to
the service of his country.</p>
@@ -7983,7 +7945,7 @@ I do not rise at the bar, I will not have to meet the reproaches of my
own conscience. * * * Indeed, as for my knowledge in the
professional line, that cannot be discovered for some years to come; but
I have time in the interim to prepare myself to appear with greater
-<i>éclat</i> on the grand theatre of the world."</p>
+<i>éclat</i> on the grand theatre of the world."</p>
<p>As a barrister, he naturally took the Munster circuit, and here his
family connexion operated very much in his favour. In the counties of
@@ -8241,8 +8203,8 @@ gratitude for his services, confidence in his fidelity, or attachment
for his person.</p>
<p>He continued increasing in influence for many years. From 1815, until he
relinquished most of his practice in 1831, the annual income from his
-professional pursuits cannot have averaged less than from £6000 to
-£8000&mdash;an immense sum for a lawyer to make in Ireland. No man could make
+professional pursuits cannot have averaged less than from £6000 to
+£8000&mdash;an immense sum for a lawyer to make in Ireland. No man could make
such an income, except one who was at once an excellent Nisi Prius
pleader, as well as a good Crown lawyer. He united the highest
qualifications of both. He could wield at will immense power over a
@@ -8605,13 +8567,13 @@ arose in the House of Commons on this subject, and personalities were
so much and so tumultuously bandied to and fro, that Mr. Abercrombie,
the Speaker, threatened to resign if they were repeated,&mdash;as if,
grasping Scotchman as he was, he <i>could</i> ever have brought himself to
-resign the £6,000 a-year attached to the office!</p>
+resign the £6,000 a-year attached to the office!</p>
<p>The controverted elections were duly referred to the usual Election
Committees, ballotted for out of the members then in the House. These
committees were duly sworn, as juries are, to do justice between man and
man. But it was unhappily notorious that when the majority were Whigs,
-they almost invariably decided against Tory members, and <i>vice versâ</i>.
+they almost invariably decided against Tory members, and <i>vice versâ</i>.
As ill luck would have it, the majority of the decisions went to unseat
Liberal members. As parties were nearly balanced in Parliament, at that
time&mdash;indeed the Whigs remained in office merely because there was a new
@@ -8944,7 +8906,7 @@ of England is an Imperial Crown, but that Ireland is a distinct Kingdom,
with a Parliament of her own, the sole Legislature thereof." He had
accomplished a bloodless Revolution. He had thrown himself into
political life, abandoning the profession on which rested nearly his
-whole worldly dependence. A grant of £100,000 was proposed to him in the
+whole worldly dependence. A grant of £100,000 was proposed to him in the
Irish Parliament, "to purchase an estate, and build a suitable mansion,
as the reward of gratitude by the Irish nation, for his eminent services
to his country." It was intended as a mark of national gratitude to a
@@ -8958,20 +8920,20 @@ expectation or desire of reward. But his private fortune was so
inadequate to his public position that he must retire from politics or
become a placeman under the Crown. The grant would give him an
independent position. He consented to accept half of the proffered
-amount (£50,000), and determined under no circumstances to take office.
+amount (£50,000), and determined under no circumstances to take office.
He was, ever after, the retained servant of the nation. Yet, high as he
stood, he did not escape contumely. Even Henry Flood, his rival,
publicly said, in a Parliamentary controversy, "I am not a mendicant
patriot, who was bought by my country for a sum of money, and then sold
my country to the Minister for prompt payment."</p>
-<p>O'Connell's "Rent" was estimated as yielding from £10,000 to £20,000 a
+<p>O'Connell's "Rent" was estimated as yielding from £10,000 to £20,000 a
year&mdash;thrice the amount, probably, that he could have realized at the
bar, had he not devoted his time to politics. It was duly paid for
nearly twenty years. Thus O'Connell received, in this annuity from his
party, about five times as much as the Irish Parliament had given to
Grattan. Besides, since 1825, when Derrynane became his by the death of
-his uncle, O'Connell's landed property was not less than £4,000 a year.
+his uncle, O'Connell's landed property was not less than £4,000 a year.
The most potent objection to "the Rent" was that, collected year after
year, it rendered its recipient liable to the imputation of keeping up
Agitation in order to collect the Rent.</p>
@@ -9643,7 +9605,7 @@ LYRA, AND OTHER POEMS. By Alice Carey. 1 vol. 12mo, cloth, </td>
<td class="tdrb">2.50</td>
</tr>
<tr>
- <td class="tdl">HISTORY OF THE CRUSADES. By Joseph François Michaud. Translated by W.
+ <td class="tdl">HISTORY OF THE CRUSADES. By Joseph François Michaud. Translated by W.
Robson. 3 vols. 12mo, maps,</td>
<td class="tdrb">3.75</td></tr>
<tr>
@@ -9651,11 +9613,11 @@ Robson. 3 vols. 12mo, maps,</td>
cloth, eighth edition,</td>
<td class="tdrb">2.50</td></tr>
<tr>
-<td class="tdl">HISTORY OF LOUISIANA. <span class="smcap">French Domination</span>. By Charles Gayarré, Esq. 2 vols.
+<td class="tdl">HISTORY OF LOUISIANA. <span class="smcap">French Domination</span>. By Charles Gayarré, Esq. 2 vols.
8vo, cloth,</td>
<td class="tdrb">3.50</td></tr>
<tr>
-<td class="tdl">HISTORY OF LOUISIANA. <span class="smcap">Spanish Domination</span>. By Charles Gayarré, Esq. 1 vol.
+<td class="tdl">HISTORY OF LOUISIANA. <span class="smcap">Spanish Domination</span>. By Charles Gayarré, Esq. 1 vol.
8vo, cloth,</td>
<td class="tdrb">2.50</td></tr>
<tr>
@@ -9704,11 +9666,11 @@ IN BOTH HEMISPHERES; or, Reminiscences of a Merchant's Life. 1 vol. 12mo,
cloth,</td>
<td class="tdrb">1.25</td></tr>
<tr>
-<td class="tdl">MEN AND WOMEN OF THE EIGHTEENTH CENTURY. By Arsène Houssaye.
+<td class="tdl">MEN AND WOMEN OF THE EIGHTEENTH CENTURY. By Arsène Houssaye.
2 vols. 12mo, on extra superfine paper, 450 pages each, cloth, second edition,</td>
<td class="tdrb">2.50</td></tr>
<tr>
-<td class="tdl">PHILOSOPHERS AND ACTRESSES. By Arsène Houssaye, author of "Men and
+<td class="tdl">PHILOSOPHERS AND ACTRESSES. By Arsène Houssaye, author of "Men and
Women of the Eighteenth Century." 2 vols. 12mo, cloth, second edition,</td>
<td class="tdrb">2.50</td></tr>
<tr>
@@ -9771,7 +9733,7 @@ Map of the Turkish Empire. Third edition, 12mo, cloth,</td>
</tr>
<tr>
<td class="tdl">NARRATIVE OF A VOYAGE TO THE NORTH-WEST COAST OF AMERICA, in the
-years 1811, '12, '13 and '14; or the First Settlement on the Pacific. By Gabriel Franchère.
+years 1811, '12, '13 and '14; or the First Settlement on the Pacific. By Gabriel Franchère.
Translated and edited by J. V. Huntington. 12mo, cloth, plates,</td>
<td class="tdrb">1.00</td>
</tr>
@@ -9798,7 +9760,7 @@ Illustrations by Strother. 12mo, cloth,</td>
<tr><th>BELLES-LETTRES.</th></tr>
<tr>
- <td class="tdlh">CHRISTOPHER NORTH'S GREAT WORK. THE NOCTES AMBROSIANÆ. By Professor
+ <td class="tdlh">CHRISTOPHER NORTH'S GREAT WORK. THE NOCTES AMBROSIANÆ. By Professor
Wilson, J. G. Lockhart, James Hogg, and Dr. Maginn. Edited, with Memoirs
and Notes, by Dr. R. Shelton Mackenzie. In 5 vols.</td>
<td class="tdrb">$5.00</td>
@@ -10077,7 +10039,7 @@ edition,</td>
</tr>
</table>
-<h3 class="p4">THE NOCTES AMBROSIANÆ;</h3>
+<h3 class="p4">THE NOCTES AMBROSIANÆ;</h3>
<p class="p2center"><span class="smcap">With Portraits</span> OF <span class="smcap">Wilson, Lockhart, Maginn, Hogg, and fac-similes</span>.</p>
@@ -10096,7 +10058,7 @@ thirty years ago.</p>
<p><span class="smcap">Dr. Shelton Mackenzie</span>, already favorably known as editor of Sheil's
"Sketches of the Irish Bar," has undertaken the editorship of <span class="smcap">The Noctes
-Ambrosianæ</span>, for which a familiar acquaintance, during the last
+Ambrosianæ</span>, for which a familiar acquaintance, during the last
twenty-five years, with the persons, events, and places therein noticed
may be assumed to qualify him. He has been on terms of intimacy with
most of the eminent political and literary characters treated of in the
@@ -10143,7 +10105,7 @@ had the art of putting a vast quantity of animal spirits upon paper, but
his graver articles&mdash;which contain sound and serious principles of
criticism&mdash;are earnest and well-reasoned.</p>
-<p>The collection now in hand will contain his Facetiæ (in a variety of
+<p>The collection now in hand will contain his Facetiæ (in a variety of
languages), Translations, Travesties, and Original Poetry, also his
prose Tales, which are eminently beautiful, the best of his critical
articles, (including his celebrated Shakspeare Papers), and his Homeric
@@ -10168,7 +10130,7 @@ THE SHAKSPERE PAPERS&mdash;HOMERIC BALLADS&mdash;FRASERIAN PAPERS, ETC.</p>
<p class="center">ANNOTATED BY<br />
<span class="smcap">Dr</span>. SHELTON MACKENZIE<br />
-EDITOR OF "SHEIL'S SKETCHES OF THE IRISH BAR"&mdash;"THE NOCTES AMBROSIANÆ,"
+EDITOR OF "SHEIL'S SKETCHES OF THE IRISH BAR"&mdash;"THE NOCTES AMBROSIANÆ,"
ETC.</p>
<h3 class="p4"><i>Nearly ready, in Two Volumes</i>,</h3>
@@ -10250,7 +10212,7 @@ soil."</p>
and his remarkable skill as a diver. Whenever any person had been drowned
in the Blackwater, (which runs through Fermoy,) Carroll was sent for, and
never quitted the river until he had found the body. There is one part considered
- particularly dangerous, opposite Barnäan Well, in which a large projection,
+ particularly dangerous, opposite Barnäan Well, in which a large projection,
called the Nailer's Rock, shelves out into the water, making an under-current
of such peculiar strength and danger, that even expert swimmers avoid it,
from a fear of being drawn within the vortex. Many lives have been lost in
@@ -10404,7 +10366,7 @@ soil."</p>
Pope is roasted on a spit, and basted with the fat of Charles James Fox, while
the Devil stands by pelting him with Cardinals!"</p>
<p class="footnote"><a name="Footnote_19_15" id="Footnote_19_15"></a><a href="#FNanchor_19_15"><span class="label">19</span></a>
- Mr. Grattan says, at an expense of £20,000&mdash;an amount which seems incredible,
+ Mr. Grattan says, at an expense of £20,000&mdash;an amount which seems incredible,
as there was only a brief shadow of opposition.</p>
<p class="footnote"><a name="Footnote_20_16" id="Footnote_20_16"></a><a href="#FNanchor_20_16"><span class="label">20</span></a>
O'Connell had high judicial authority for the use of bad language. Sir Archibald
@@ -10463,388 +10425,6 @@ soil."</p>
<p>Points have been inserted in the <a href="#price">prices</a> at the end of book.</p>
</div>
-
-
-
-
-
-
-
-
-<pre>
-
-
-
-
-
-End of the Project Gutenberg EBook of Bits of Blarney, by R. Shelton Mackenzie
-
-*** END OF THIS PROJECT GUTENBERG EBOOK BITS OF BLARNEY ***
-
-***** This file should be named 43563-h.htm or 43563-h.zip *****
-This and all associated files of various formats will be found in:
- http://www.gutenberg.org/4/3/5/6/43563/
-
-Produced by Nicole Henn-Kneif, sp1nd and the Online
-Distributed Proofreading Team at http://www.pgdp.net (This
-file was produced from images generously made available
-by The Internet Archive)
-
-
-Updated editions will replace the previous one--the old editions
-will be renamed.
-
-Creating the works from public domain print editions means that no
-one owns a United States copyright in these works, so the Foundation
-(and you!) can copy and distribute it in the United States without
-permission and without paying copyright royalties. Special rules,
-set forth in the General Terms of Use part of this license, apply to
-copying and distributing Project Gutenberg-tm electronic works to
-protect the PROJECT GUTENBERG-tm concept and trademark. Project
-Gutenberg is a registered trademark, and may not be used if you
-charge for the eBooks, unless you receive specific permission. If you
-do not charge anything for copies of this eBook, complying with the
-rules is very easy. You may use this eBook for nearly any purpose
-such as creation of derivative works, reports, performances and
-research. They may be modified and printed and given away--you may do
-practically ANYTHING with public domain eBooks. Redistribution is
-subject to the trademark license, especially commercial
-redistribution.
-
-
-
-*** START: FULL LICENSE ***
-
-THE FULL PROJECT GUTENBERG LICENSE
-PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
-
-To protect the Project Gutenberg-tm mission of promoting the free
-distribution of electronic works, by using or distributing this work
-(or any other work associated in any way with the phrase "Project
-Gutenberg"), you agree to comply with all the terms of the Full Project
-Gutenberg-tm License (available with this file or online at
-http://gutenberg.org/license).
-
-
-Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
-electronic works
-
-1.A. By reading or using any part of this Project Gutenberg-tm
-electronic work, you indicate that you have read, understand, agree to
-and accept all the terms of this license and intellectual property
-(trademark/copyright) agreement. If you do not agree to abide by all
-the terms of this agreement, you must cease using and return or destroy
-all copies of Project Gutenberg-tm electronic works in your possession.
-If you paid a fee for obtaining a copy of or access to a Project
-Gutenberg-tm electronic work and you do not agree to be bound by the
-terms of this agreement, you may obtain a refund from the person or
-entity to whom you paid the fee as set forth in paragraph 1.E.8.
-
-1.B. "Project Gutenberg" is a registered trademark. It may only be
-used on or associated in any way with an electronic work by people who
-agree to be bound by the terms of this agreement. There are a few
-things that you can do with most Project Gutenberg-tm electronic works
-even without complying with the full terms of this agreement. See
-paragraph 1.C below. There are a lot of things you can do with Project
-Gutenberg-tm electronic works if you follow the terms of this agreement
-and help preserve free future access to Project Gutenberg-tm electronic
-works. See paragraph 1.E below.
-
-1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
-or PGLAF), owns a compilation copyright in the collection of Project
-Gutenberg-tm electronic works. Nearly all the individual works in the
-collection are in the public domain in the United States. If an
-individual work is in the public domain in the United States and you are
-located in the United States, we do not claim a right to prevent you from
-copying, distributing, performing, displaying or creating derivative
-works based on the work as long as all references to Project Gutenberg
-are removed. Of course, we hope that you will support the Project
-Gutenberg-tm mission of promoting free access to electronic works by
-freely sharing Project Gutenberg-tm works in compliance with the terms of
-this agreement for keeping the Project Gutenberg-tm name associated with
-the work. You can easily comply with the terms of this agreement by
-keeping this work in the same format with its attached full Project
-Gutenberg-tm License when you share it without charge with others.
-
-1.D. The copyright laws of the place where you are located also govern
-what you can do with this work. Copyright laws in most countries are in
-a constant state of change. If you are outside the United States, check
-the laws of your country in addition to the terms of this agreement
-before downloading, copying, displaying, performing, distributing or
-creating derivative works based on this work or any other Project
-Gutenberg-tm work. The Foundation makes no representations concerning
-the copyright status of any work in any country outside the United
-States.
-
-1.E. Unless you have removed all references to Project Gutenberg:
-
-1.E.1. The following sentence, with active links to, or other immediate
-access to, the full Project Gutenberg-tm License must appear prominently
-whenever any copy of a Project Gutenberg-tm work (any work on which the
-phrase "Project Gutenberg" appears, or with which the phrase "Project
-Gutenberg" is associated) is accessed, displayed, performed, viewed,
-copied or distributed:
-
-This eBook is for the use of anyone anywhere at no cost and with
-almost no restrictions whatsoever. You may copy it, give it away or
-re-use it under the terms of the Project Gutenberg License included
-with this eBook or online at www.gutenberg.org/license
-
-1.E.2. If an individual Project Gutenberg-tm electronic work is derived
-from the public domain (does not contain a notice indicating that it is
-posted with permission of the copyright holder), the work can be copied
-and distributed to anyone in the United States without paying any fees
-or charges. If you are redistributing or providing access to a work
-with the phrase "Project Gutenberg" associated with or appearing on the
-work, you must comply either with the requirements of paragraphs 1.E.1
-through 1.E.7 or obtain permission for the use of the work and the
-Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
-1.E.9.
-
-1.E.3. If an individual Project Gutenberg-tm electronic work is posted
-with the permission of the copyright holder, your use and distribution
-must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
-terms imposed by the copyright holder. Additional terms will be linked
-to the Project Gutenberg-tm License for all works posted with the
-permission of the copyright holder found at the beginning of this work.
-
-1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
-License terms from this work, or any files containing a part of this
-work or any other work associated with Project Gutenberg-tm.
-
-1.E.5. Do not copy, display, perform, distribute or redistribute this
-electronic work, or any part of this electronic work, without
-prominently displaying the sentence set forth in paragraph 1.E.1 with
-active links or immediate access to the full terms of the Project
-Gutenberg-tm License.
-
-1.E.6. You may convert to and distribute this work in any binary,
-compressed, marked up, nonproprietary or proprietary form, including any
-word processing or hypertext form. However, if you provide access to or
-distribute copies of a Project Gutenberg-tm work in a format other than
-"Plain Vanilla ASCII" or other format used in the official version
-posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
-you must, at no additional cost, fee or expense to the user, provide a
-copy, a means of exporting a copy, or a means of obtaining a copy upon
-request, of the work in its original "Plain Vanilla ASCII" or other
-form. Any alternate format must include the full Project Gutenberg-tm
-License as specified in paragraph 1.E.1.
-
-1.E.7. Do not charge a fee for access to, viewing, displaying,
-performing, copying or distributing any Project Gutenberg-tm works
-unless you comply with paragraph 1.E.8 or 1.E.9.
-
-1.E.8. You may charge a reasonable fee for copies of or providing
-access to or distributing Project Gutenberg-tm electronic works provided
-that
-
-- You pay a royalty fee of 20% of the gross profits you derive from
- the use of Project Gutenberg-tm works calculated using the method
- you already use to calculate your applicable taxes. The fee is
- owed to the owner of the Project Gutenberg-tm trademark, but he
- has agreed to donate royalties under this paragraph to the
- Project Gutenberg Literary Archive Foundation. Royalty payments
- must be paid within 60 days following each date on which you
- prepare (or are legally required to prepare) your periodic tax
- returns. Royalty payments should be clearly marked as such and
- sent to the Project Gutenberg Literary Archive Foundation at the
- address specified in Section 4, "Information about donations to
- the Project Gutenberg Literary Archive Foundation."
-
-- You provide a full refund of any money paid by a user who notifies
- you in writing (or by e-mail) within 30 days of receipt that s/he
- does not agree to the terms of the full Project Gutenberg-tm
- License. You must require such a user to return or
- destroy all copies of the works possessed in a physical medium
- and discontinue all use of and all access to other copies of
- Project Gutenberg-tm works.
-
-- You provide, in accordance with paragraph 1.F.3, a full refund of any
- money paid for a work or a replacement copy, if a defect in the
- electronic work is discovered and reported to you within 90 days
- of receipt of the work.
-
-- You comply with all other terms of this agreement for free
- distribution of Project Gutenberg-tm works.
-
-1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
-electronic work or group of works on different terms than are set
-forth in this agreement, you must obtain permission in writing from
-both the Project Gutenberg Literary Archive Foundation and Michael
-Hart, the owner of the Project Gutenberg-tm trademark. Contact the
-Foundation as set forth in Section 3 below.
-
-1.F.
-
-1.F.1. Project Gutenberg volunteers and employees expend considerable
-effort to identify, do copyright research on, transcribe and proofread
-public domain works in creating the Project Gutenberg-tm
-collection. Despite these efforts, Project Gutenberg-tm electronic
-works, and the medium on which they may be stored, may contain
-"Defects," such as, but not limited to, incomplete, inaccurate or
-corrupt data, transcription errors, a copyright or other intellectual
-property infringement, a defective or damaged disk or other medium, a
-computer virus, or computer codes that damage or cannot be read by
-your equipment.
-
-1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
-of Replacement or Refund" described in paragraph 1.F.3, the Project
-Gutenberg Literary Archive Foundation, the owner of the Project
-Gutenberg-tm trademark, and any other party distributing a Project
-Gutenberg-tm electronic work under this agreement, disclaim all
-liability to you for damages, costs and expenses, including legal
-fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
-LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
-PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
-TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
-LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
-INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
-DAMAGE.
-
-1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
-defect in this electronic work within 90 days of receiving it, you can
-receive a refund of the money (if any) you paid for it by sending a
-written explanation to the person you received the work from. If you
-received the work on a physical medium, you must return the medium with
-your written explanation. The person or entity that provided you with
-the defective work may elect to provide a replacement copy in lieu of a
-refund. If you received the work electronically, the person or entity
-providing it to you may choose to give you a second opportunity to
-receive the work electronically in lieu of a refund. If the second copy
-is also defective, you may demand a refund in writing without further
-opportunities to fix the problem.
-
-1.F.4. Except for the limited right of replacement or refund set forth
-in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
-WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
-WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
-
-1.F.5. Some states do not allow disclaimers of certain implied
-warranties or the exclusion or limitation of certain types of damages.
-If any disclaimer or limitation set forth in this agreement violates the
-law of the state applicable to this agreement, the agreement shall be
-interpreted to make the maximum disclaimer or limitation permitted by
-the applicable state law. The invalidity or unenforceability of any
-provision of this agreement shall not void the remaining provisions.
-
-1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
-trademark owner, any agent or employee of the Foundation, anyone
-providing copies of Project Gutenberg-tm electronic works in accordance
-with this agreement, and any volunteers associated with the production,
-promotion and distribution of Project Gutenberg-tm electronic works,
-harmless from all liability, costs and expenses, including legal fees,
-that arise directly or indirectly from any of the following which you do
-or cause to occur: (a) distribution of this or any Project Gutenberg-tm
-work, (b) alteration, modification, or additions or deletions to any
-Project Gutenberg-tm work, and (c) any Defect you cause.
-
-
-Section 2. Information about the Mission of Project Gutenberg-tm
-
-Project Gutenberg-tm is synonymous with the free distribution of
-electronic works in formats readable by the widest variety of computers
-including obsolete, old, middle-aged and new computers. It exists
-because of the efforts of hundreds of volunteers and donations from
-people in all walks of life.
-
-Volunteers and financial support to provide volunteers with the
-assistance they need, are critical to reaching Project Gutenberg-tm's
-goals and ensuring that the Project Gutenberg-tm collection will
-remain freely available for generations to come. In 2001, the Project
-Gutenberg Literary Archive Foundation was created to provide a secure
-and permanent future for Project Gutenberg-tm and future generations.
-To learn more about the Project Gutenberg Literary Archive Foundation
-and how your efforts and donations can help, see Sections 3 and 4
-and the Foundation web page at http://www.pglaf.org.
-
-
-Section 3. Information about the Project Gutenberg Literary Archive
-Foundation
-
-The Project Gutenberg Literary Archive Foundation is a non profit
-501(c)(3) educational corporation organized under the laws of the
-state of Mississippi and granted tax exempt status by the Internal
-Revenue Service. The Foundation's EIN or federal tax identification
-number is 64-6221541. Its 501(c)(3) letter is posted at
-http://pglaf.org/fundraising. Contributions to the Project Gutenberg
-Literary Archive Foundation are tax deductible to the full extent
-permitted by U.S. federal laws and your state's laws.
-
-The Foundation's principal office is located at 4557 Melan Dr. S.
-Fairbanks, AK, 99712., but its volunteers and employees are scattered
-throughout numerous locations. Its business office is located at
-809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
-business@pglaf.org. Email contact links and up to date contact
-information can be found at the Foundation's web site and official
-page at http://pglaf.org
-
-For additional contact information:
- Dr. Gregory B. Newby
- Chief Executive and Director
- gbnewby@pglaf.org
-
-
-Section 4. Information about Donations to the Project Gutenberg
-Literary Archive Foundation
-
-Project Gutenberg-tm depends upon and cannot survive without wide
-spread public support and donations to carry out its mission of
-increasing the number of public domain and licensed works that can be
-freely distributed in machine readable form accessible by the widest
-array of equipment including outdated equipment. Many small donations
-($1 to $5,000) are particularly important to maintaining tax exempt
-status with the IRS.
-
-The Foundation is committed to complying with the laws regulating
-charities and charitable donations in all 50 states of the United
-States. Compliance requirements are not uniform and it takes a
-considerable effort, much paperwork and many fees to meet and keep up
-with these requirements. We do not solicit donations in locations
-where we have not received written confirmation of compliance. To
-SEND DONATIONS or determine the status of compliance for any
-particular state visit http://pglaf.org
-
-While we cannot and do not solicit contributions from states where we
-have not met the solicitation requirements, we know of no prohibition
-against accepting unsolicited donations from donors in such states who
-approach us with offers to donate.
-
-International donations are gratefully accepted, but we cannot make
-any statements concerning tax treatment of donations received from
-outside the United States. U.S. laws alone swamp our small staff.
-
-Please check the Project Gutenberg Web pages for current donation
-methods and addresses. Donations are accepted in a number of other
-ways including checks, online payments and credit card donations.
-To donate, please visit: http://pglaf.org/donate
-
-
-Section 5. General Information About Project Gutenberg-tm electronic
-works.
-
-Professor Michael S. Hart is the originator of the Project Gutenberg-tm
-concept of a library of electronic works that could be freely shared
-with anyone. For thirty years, he produced and distributed Project
-Gutenberg-tm eBooks with only a loose network of volunteer support.
-
-
-Project Gutenberg-tm eBooks are often created from several printed
-editions, all of which are confirmed as Public Domain in the U.S.
-unless a copyright notice is included. Thus, we do not necessarily
-keep eBooks in compliance with any particular paper edition.
-
-
-Most people start at our Web site which has the main PG search facility:
-
- http://www.gutenberg.org
-
-This Web site includes information about Project Gutenberg-tm,
-including how to make donations to the Project Gutenberg Literary
-Archive Foundation, how to help produce our new eBooks, and how to
-subscribe to our email newsletter to hear about new eBooks.
-
-
-</pre>
-
+<div>*** END OF THE PROJECT GUTENBERG EBOOK 43563 ***</div>
</body>
</html>