summaryrefslogtreecommitdiff
path: root/442.txt
diff options
context:
space:
mode:
Diffstat (limited to '442.txt')
-rw-r--r--442.txt2106
1 files changed, 2106 insertions, 0 deletions
diff --git a/442.txt b/442.txt
new file mode 100644
index 0000000..ccd26c0
--- /dev/null
+++ b/442.txt
@@ -0,0 +1,2106 @@
+The Project Gutenberg EBook of Love Songs, by Sara Teasdale
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Love Songs
+
+Author: Sara Teasdale
+
+Posting Date: July 21, 2008 [EBook #442]
+Release Date: February, 1996
+
+Language: English
+
+Character set encoding: ASCII
+
+*** START OF THIS PROJECT GUTENBERG EBOOK LOVE SONGS ***
+
+
+
+
+Produced by A. Light and L. Bowser. For Gwenette.
+
+
+
+
+
+
+
+
+[Note on text: Italicized stanzas are indented 5 spaces. Two
+italicized lines are marked by asterisks (*). Lines longer than 78
+characters are broken, and the continuation is indented two spaces.]
+
+[This etext was transcribed from a 1918 reprinting of the 1917 edition,
+which was the original. It is interesting that some of those poems
+included from earlier volumes have been slightly changed in this book.]
+
+
+
+
+
+
+Love Songs
+
+
+By
+
+Sara Teasdale
+
+[American (Missouri & New York) poet, 1884-1933.]
+
+
+
+Author of "Rivers to the Sea", "Helen of Troy and Other Poems", Etc.
+
+
+
+
+ To E.
+
+
+ I have remembered beauty in the night,
+ Against black silences I waked to see
+ A shower of sunlight over Italy
+ And green Ravello dreaming on her height;
+ I have remembered music in the dark,
+ The clean swift brightness of a fugue of Bach's,
+ And running water singing on the rocks
+ When once in English woods I heard a lark.
+
+ But all remembered beauty is no more
+ Than a vague prelude to the thought of you--
+ You are the rarest soul I ever knew,
+ Lover of beauty, knightliest and best;
+ My thoughts seek you as waves that seek the shore,
+ And when I think of you, I am at rest.
+
+
+
+
+
+
+Prefatory Note
+
+
+
+Beside new poems, this book contains lyrics taken from "Rivers to the
+Sea", "Helen of Troy and Other Poems", and one or two from an earlier
+volume.
+
+
+
+
+ Contents
+
+
+
+ I
+
+ Barter
+ Twilight
+ Night Song at Amalfi
+ The Look
+ A Winter Night
+ A Cry
+ Gifts
+ But Not to Me
+ Song at Capri
+ Child, Child
+ Love Me
+ Pierrot
+ Wild Asters
+ The Song for Colin
+ Four Winds
+ Debt
+ Faults
+ Buried Love
+ The Fountain
+ I Shall Not Care
+ After Parting
+ A Prayer
+ Spring Night
+ May Wind
+ Tides
+ After Love
+ New Love and Old
+ The Kiss
+ Swans
+ The River
+ November
+ Spring Rain
+ The Ghost
+ Summer Night, Riverside
+ Jewels
+
+
+ II
+
+ Interlude: Songs out of Sorrow
+
+ I. Spirit's House
+ II. Mastery
+ III. Lessons
+ IV. Wisdom
+ V. In a Burying Ground
+ VI. Wood Song
+ VII. Refuge
+
+
+ III
+
+ The Flight
+ Dew
+ To-night
+ Ebb Tide
+ I Would Live in Your Love
+ Because
+ The Tree of Song
+ The Giver
+ April Song
+ The Wanderer
+ The Years
+ Enough
+ Come
+ Joy
+ Riches
+ Dusk in War Time
+ Peace
+ Moods
+ Houses of Dreams
+ Lights
+ "I Am Not Yours"
+ Doubt
+ The Wind
+ Morning
+ Other Men
+ Embers
+ Message
+ The Lamp
+
+
+ IV
+
+ A November Night
+
+
+
+
+ Love Songs
+
+
+ I
+
+
+
+ Barter
+
+
+ Life has loveliness to sell,
+ All beautiful and splendid things,
+ Blue waves whitened on a cliff,
+ Soaring fire that sways and sings,
+ And children's faces looking up
+ Holding wonder like a cup.
+
+ Life has loveliness to sell,
+ Music like a curve of gold,
+ Scent of pine trees in the rain,
+ Eyes that love you, arms that hold,
+ And for your spirit's still delight,
+ Holy thoughts that star the night.
+
+ Spend all you have for loveliness,
+ Buy it and never count the cost;
+ For one white singing hour of peace
+ Count many a year of strife well lost,
+ And for a breath of ecstasy
+ Give all you have been, or could be.
+
+
+
+
+ Twilight
+
+
+ Dreamily over the roofs
+ The cold spring rain is falling;
+ Out in the lonely tree
+ A bird is calling, calling.
+
+ Slowly over the earth
+ The wings of night are falling;
+ My heart like the bird in the tree
+ Is calling, calling, calling.
+
+
+
+
+ Night Song at Amalfi
+
+
+ I asked the heaven of stars
+ What I should give my love--
+ It answered me with silence,
+ Silence above.
+
+ I asked the darkened sea
+ Down where the fishers go--
+ It answered me with silence,
+ Silence below.
+
+ Oh, I could give him weeping,
+ Or I could give him song--
+ But how can I give silence,
+ My whole life long?
+
+
+
+
+ The Look
+
+
+ Strephon kissed me in the spring,
+ Robin in the fall,
+ But Colin only looked at me
+ And never kissed at all.
+
+ Strephon's kiss was lost in jest,
+ Robin's lost in play,
+ But the kiss in Colin's eyes
+ Haunts me night and day.
+
+
+
+
+ A Winter Night
+
+
+ My window-pane is starred with frost,
+ The world is bitter cold to-night,
+ The moon is cruel, and the wind
+ Is like a two-edged sword to smite.
+
+ God pity all the homeless ones,
+ The beggars pacing to and fro,
+ God pity all the poor to-night
+ Who walk the lamp-lit streets of snow.
+
+ My room is like a bit of June,
+ Warm and close-curtained fold on fold,
+ But somewhere, like a homeless child,
+ My heart is crying in the cold.
+
+
+
+
+ A Cry
+
+
+ Oh, there are eyes that he can see,
+ And hands to make his hands rejoice,
+ But to my lover I must be
+ Only a voice.
+
+ Oh, there are breasts to bear his head,
+ And lips whereon his lips can lie,
+ But I must be till I am dead
+ Only a cry.
+
+
+
+
+ Gifts
+
+
+ I gave my first love laughter,
+ I gave my second tears,
+ I gave my third love silence
+ Through all the years.
+
+ My first love gave me singing,
+ My second eyes to see,
+ But oh, it was my third love
+ Who gave my soul to me.
+
+
+
+
+ But Not to Me
+
+
+ The April night is still and sweet
+ With flowers on every tree;
+ Peace comes to them on quiet feet,
+ But not to me.
+
+ My peace is hidden in his breast
+ Where I shall never be;
+ Love comes to-night to all the rest,
+ But not to me.
+
+
+
+
+ Song at Capri
+
+
+ When beauty grows too great to bear
+ How shall I ease me of its ache,
+ For beauty more than bitterness
+ Makes the heart break.
+
+ Now while I watch the dreaming sea
+ With isles like flowers against her breast,
+ Only one voice in all the world
+ Could give me rest.
+
+
+
+
+ Child, Child
+
+
+ Child, child, love while you can
+ The voice and the eyes and the soul of a man;
+ Never fear though it break your heart--
+ Out of the wound new joy will start;
+ Only love proudly and gladly and well,
+ Though love be heaven or love be hell.
+
+ Child, child, love while you may,
+ For life is short as a happy day;
+ Never fear the thing you feel--
+ Only by love is life made real;
+ Love, for the deadly sins are seven,
+ Only through love will you enter heaven.
+
+
+
+
+ Love Me
+
+
+ Brown-thrush singing all day long
+ In the leaves above me,
+ Take my love this April song,
+ "Love me, love me, love me!"
+
+ When he harkens what you say,
+ Bid him, lest he miss me,
+ Leave his work or leave his play,
+ And kiss me, kiss me, kiss me!
+
+
+
+
+ Pierrot
+
+
+ Pierrot stands in the garden
+ Beneath a waning moon,
+ And on his lute he fashions
+ A fragile silver tune.
+
+ Pierrot plays in the garden,
+ He thinks he plays for me,
+ But I am quite forgotten
+ Under the cherry tree.
+
+ Pierrot plays in the garden,
+ And all the roses know
+ That Pierrot loves his music,--
+ But I love Pierrot.
+
+
+
+
+ Wild Asters
+
+
+ In the spring I asked the daisies
+ If his words were true,
+ And the clever, clear-eyed daisies
+ Always knew.
+
+ Now the fields are brown and barren,
+ Bitter autumn blows,
+ And of all the stupid asters
+ Not one knows.
+
+
+
+
+ The Song for Colin
+
+
+ I sang a song at dusking time
+ Beneath the evening star,
+ And Terence left his latest rhyme
+ To answer from afar.
+
+ Pierrot laid down his lute to weep,
+ And sighed, "She sings for me."
+ But Colin slept a careless sleep
+ Beneath an apple tree.
+
+
+
+
+ Four Winds
+
+
+ "Four winds blowing through the sky,
+ You have seen poor maidens die,
+ Tell me then what I shall do
+ That my lover may be true."
+ Said the wind from out the south,
+ "Lay no kiss upon his mouth,"
+ And the wind from out the west,
+ "Wound the heart within his breast,"
+ And the wind from out the east,
+ "Send him empty from the feast,"
+ And the wind from out the north,
+ "In the tempest thrust him forth;
+ When thou art more cruel than he,
+ Then will Love be kind to thee."
+
+
+
+
+ Debt
+
+
+ What do I owe to you
+ Who loved me deep and long?
+ You never gave my spirit wings
+ Or gave my heart a song.
+
+ But oh, to him I loved,
+ Who loved me not at all,
+ I owe the open gate
+ That led through heaven's wall.
+
+
+
+
+ Faults
+
+
+ They came to tell your faults to me,
+ They named them over one by one;
+ I laughed aloud when they were done,
+ I knew them all so well before,--
+ Oh, they were blind, too blind to see
+ Your faults had made me love you more.
+
+
+
+
+ Buried Love
+
+
+ I have come to bury Love
+ Beneath a tree,
+ In the forest tall and black
+ Where none can see.
+
+ I shall put no flowers at his head,
+ Nor stone at his feet,
+ For the mouth I loved so much
+ Was bittersweet.
+
+ I shall go no more to his grave,
+ For the woods are cold.
+ I shall gather as much of joy
+ As my hands can hold.
+
+ I shall stay all day in the sun
+ Where the wide winds blow,--
+ But oh, I shall cry at night
+ When none will know.
+
+
+
+
+ The Fountain
+
+
+ All through the deep blue night
+ The fountain sang alone;
+ It sang to the drowsy heart
+ Of the satyr carved in stone.
+
+ The fountain sang and sang,
+ But the satyr never stirred--
+ Only the great white moon
+ In the empty heaven heard.
+
+ The fountain sang and sang
+ While on the marble rim
+ The milk-white peacocks slept,
+ And their dreams were strange and dim.
+
+ Bright dew was on the grass,
+ And on the ilex, dew,
+ The dreamy milk-white birds
+ Were all a-glisten, too.
+
+ The fountain sang and sang
+ The things one cannot tell;
+ The dreaming peacocks stirred
+ And the gleaming dew-drops fell.
+
+
+
+
+ I Shall Not Care
+
+
+ When I am dead and over me bright April
+ Shakes out her rain-drenched hair,
+ Though you should lean above me broken-hearted,
+ I shall not care.
+
+ I shall have peace, as leafy trees are peaceful
+ When rain bends down the bough,
+ And I shall be more silent and cold-hearted
+ Than you are now.
+
+
+
+
+ After Parting
+
+
+ Oh, I have sown my love so wide
+ That he will find it everywhere;
+ It will awake him in the night,
+ It will enfold him in the air.
+
+ I set my shadow in his sight
+ And I have winged it with desire,
+ That it may be a cloud by day,
+ And in the night a shaft of fire.
+
+
+
+
+ A Prayer
+
+
+ Until I lose my soul and lie
+ Blind to the beauty of the earth,
+ Deaf though shouting wind goes by,
+ Dumb in a storm of mirth;
+
+ Until my heart is quenched at length
+ And I have left the land of men,
+ Oh, let me love with all my strength
+ Careless if I am loved again.
+
+
+
+
+ Spring Night
+
+
+ The park is filled with night and fog,
+ The veils are drawn about the world,
+ The drowsy lights along the paths
+ Are dim and pearled.
+
+ Gold and gleaming the empty streets,
+ Gold and gleaming the misty lake,
+ The mirrored lights like sunken swords,
+ Glimmer and shake.
+
+ Oh, is it not enough to be
+ Here with this beauty over me?
+ My throat should ache with praise, and I
+ Should kneel in joy beneath the sky.
+ O, beauty, are you not enough?
+ Why am I crying after love,
+ With youth, a singing voice, and eyes
+ To take earth's wonder with surprise?
+
+ Why have I put off my pride,
+ Why am I unsatisfied,--
+ I, for whom the pensive night
+ Binds her cloudy hair with light,--
+ I, for whom all beauty burns
+ Like incense in a million urns?
+ O beauty, are you not enough?
+ Why am I crying after love?
+
+
+
+
+ May Wind
+
+
+ I said, "I have shut my heart
+ As one shuts an open door,
+ That Love may starve therein
+ And trouble me no more."
+
+ But over the roofs there came
+ The wet new wind of May,
+ And a tune blew up from the curb
+ Where the street-pianos play.
+
+ My room was white with the sun
+ And Love cried out in me,
+ "I am strong, I will break your heart
+ Unless you set me free."
+
+
+
+
+ Tides
+
+
+ Love in my heart was a fresh tide flowing
+ Where the starlike sea gulls soar;
+ The sun was keen and the foam was blowing
+ High on the rocky shore.
+
+ But now in the dusk the tide is turning,
+ Lower the sea gulls soar,
+ And the waves that rose in resistless yearning
+ Are broken forevermore.
+
+
+
+
+ After Love
+
+
+ There is no magic any more,
+ We meet as other people do,
+ You work no miracle for me
+ Nor I for you.
+
+ You were the wind and I the sea--
+ There is no splendor any more,
+ I have grown listless as the pool
+ Beside the shore.
+
+ But though the pool is safe from storm
+ And from the tide has found surcease,
+ It grows more bitter than the sea,
+ For all its peace.
+
+
+
+
+ New Love and Old
+
+
+ In my heart the old love
+ Struggled with the new;
+ It was ghostly waking
+ All night through.
+
+ Dear things, kind things,
+ That my old love said,
+ Ranged themselves reproachfully
+ Round my bed.
+
+ But I could not heed them,
+ For I seemed to see
+ The eyes of my new love
+ Fixed on me.
+
+ Old love, old love,
+ How can I be true?
+ Shall I be faithless to myself
+ Or to you?
+
+
+
+
+ The Kiss
+
+
+ I hoped that he would love me,
+ And he has kissed my mouth,
+ But I am like a stricken bird
+ That cannot reach the south.
+
+ For though I know he loves me,
+ To-night my heart is sad;
+ His kiss was not so wonderful
+ As all the dreams I had.
+
+
+
+
+ Swans
+
+
+ Night is over the park, and a few brave stars
+ Look on the lights that link it with chains of gold,
+ The lake bears up their reflection in broken bars
+ That seem too heavy for tremulous water to hold.
+
+ We watch the swans that sleep in a shadowy place,
+ And now and again one wakes and uplifts its head;
+ How still you are--your gaze is on my face--
+ We watch the swans and never a word is said.
+
+
+
+
+ The River
+
+
+ I came from the sunny valleys
+ And sought for the open sea,
+ For I thought in its gray expanses
+ My peace would come to me.
+
+ I came at last to the ocean
+ And found it wild and black,
+ And I cried to the windless valleys,
+ "Be kind and take me back!"
+
+ But the thirsty tide ran inland,
+ And the salt waves drank of me,
+ And I who was fresh as the rainfall
+ Am bitter as the sea.
+
+
+
+
+ November
+
+
+ The world is tired, the year is old,
+ The fading leaves are glad to die,
+ The wind goes shivering with cold
+ Where the brown reeds are dry.
+
+ Our love is dying like the grass,
+ And we who kissed grow coldly kind,
+ Half glad to see our old love pass
+ Like leaves along the wind.
+
+
+
+
+ Spring Rain
+
+
+ I thought I had forgotten,
+ But it all came back again
+ To-night with the first spring thunder
+ In a rush of rain.
+
+ I remembered a darkened doorway
+ Where we stood while the storm swept by,
+ Thunder gripping the earth
+ And lightning scrawled on the sky.
+
+ The passing motor busses swayed,
+ For the street was a river of rain,
+ Lashed into little golden waves
+ In the lamp light's stain.
+
+ With the wild spring rain and thunder
+ My heart was wild and gay;
+ Your eyes said more to me that night
+ Than your lips would ever say. . . .
+
+ I thought I had forgotten,
+ But it all came back again
+ To-night with the first spring thunder
+ In a rush of rain.
+
+
+
+
+ The Ghost
+
+
+ I went back to the clanging city,
+ I went back where my old loves stayed,
+ But my heart was full of my new love's glory,
+ My eyes were laughing and unafraid.
+
+ I met one who had loved me madly
+ And told his love for all to hear--
+ But we talked of a thousand things together,
+ The past was buried too deep to fear.
+
+ I met the other, whose love was given
+ With never a kiss and scarcely a word--
+ Oh, it was then the terror took me
+ Of words unuttered that breathed and stirred.
+
+ Oh, love that lives its life with laughter
+ Or love that lives its life with tears
+ Can die--but love that is never spoken
+ Goes like a ghost through the winding years. . . .
+
+ I went back to the clanging city,
+ I went back where my old loves stayed,
+ My heart was full of my new love's glory,--
+ But my eyes were suddenly afraid.
+
+
+
+
+ Summer Night, Riverside
+
+
+ In the wild, soft summer darkness
+ How many and many a night we two together
+ Sat in the park and watched the Hudson
+ Wearing her lights like golden spangles
+ Glinting on black satin.
+ The rail along the curving pathway
+ Was low in a happy place to let us cross,
+ And down the hill a tree that dripped with bloom
+ Sheltered us,
+ While your kisses and the flowers,
+ Falling, falling,
+ Tangled my hair. . . .
+
+
+ The frail white stars moved slowly over the sky.
+
+
+ And now, far off
+ In the fragrant darkness
+ The tree is tremulous again with bloom,
+ For June comes back.
+
+ To-night what girl
+ Dreamily before her mirror shakes from her hair
+ This year's blossoms, clinging in its coils?
+
+
+
+
+ Jewels
+
+
+ If I should see your eyes again,
+ I know how far their look would go--
+ Back to a morning in the park
+ With sapphire shadows on the snow.
+
+ Or back to oak trees in the spring
+ When you unloosed my hair and kissed
+ The head that lay against your knees
+ In the leaf shadow's amethyst.
+
+ And still another shining place
+ We would remember--how the dun
+ Wild mountain held us on its crest
+ One diamond morning white with sun.
+
+ But I will turn my eyes from you
+ As women turn to put away
+ The jewels they have worn at night
+ And cannot wear in sober day.
+
+
+
+
+ II
+
+ Interlude: Songs out of Sorrow
+
+
+
+ I. Spirit's House
+
+
+ From naked stones of agony
+ I will build a house for me;
+ As a mason all alone
+ I will raise it, stone by stone,
+ And every stone where I have bled
+ Will show a sign of dusky red.
+ I have not gone the way in vain,
+ For I have good of all my pain;
+ My spirit's quiet house will be
+ Built of naked stones I trod
+ On roads where I lost sight of God.
+
+
+
+
+ II. Mastery
+
+
+ I would not have a god come in
+ To shield me suddenly from sin,
+ And set my house of life to rights;
+ Nor angels with bright burning wings
+ Ordering my earthly thoughts and things;
+ Rather my own frail guttering lights
+ Wind blown and nearly beaten out;
+ Rather the terror of the nights
+ And long, sick groping after doubt;
+ Rather be lost than let my soul
+ Slip vaguely from my own control--
+ Of my own spirit let me be
+ In sole though feeble mastery.
+
+
+
+
+ III. Lessons
+
+
+ Unless I learn to ask no help
+ From any other soul but mine,
+ To seek no strength in waving reeds
+ Nor shade beneath a straggling pine;
+ Unless I learn to look at Grief
+ Unshrinking from her tear-blind eyes,
+ And take from Pleasure fearlessly
+ Whatever gifts will make me wise--
+ Unless I learn these things on earth,
+ Why was I ever given birth?
+
+
+
+
+ IV. Wisdom
+
+
+ When I have ceased to break my wings
+ Against the faultiness of things,
+ And learned that compromises wait
+ Behind each hardly opened gate,
+ When I can look Life in the eyes,
+ Grown calm and very coldly wise,
+ Life will have given me the Truth,
+ And taken in exchange--my youth.
+
+
+
+
+ V. In a Burying Ground
+
+
+ This is the spot where I will lie
+ When life has had enough of me,
+ These are the grasses that will blow
+ Above me like a living sea.
+
+ These gay old lilies will not shrink
+ To draw their life from death of mine,
+ And I will give my body's fire
+ To make blue flowers on this vine.
+
+ "O Soul," I said, "have you no tears?
+ Was not the body dear to you?"
+ I heard my soul say carelessly,
+ "The myrtle flowers will grow more blue."
+
+
+
+
+ VI. Wood Song
+
+
+ I heard a wood thrush in the dusk
+ Twirl three notes and make a star--
+ My heart that walked with bitterness
+ Came back from very far.
+
+ Three shining notes were all he had,
+ And yet they made a starry call--
+ I caught life back against my breast
+ And kissed it, scars and all.
+
+
+
+
+ VII. Refuge
+
+
+ From my spirit's gray defeat,
+ From my pulse's flagging beat,
+ From my hopes that turned to sand
+ Sifting through my close-clenched hand,
+ From my own fault's slavery,
+ If I can sing, I still am free.
+
+ For with my singing I can make
+ A refuge for my spirit's sake,
+ A house of shining words, to be
+ My fragile immortality.
+
+
+
+
+ III
+
+
+
+ The Flight
+
+
+ Look back with longing eyes and know that I will follow,
+ Lift me up in your love as a light wind lifts a swallow,
+ Let our flight be far in sun or blowing rain--
+ _But what if I heard my first love calling me again?_
+
+ Hold me on your heart as the brave sea holds the foam,
+ Take me far away to the hills that hide your home;
+ Peace shall thatch the roof and love shall latch the door--
+ _But what if I heard my first love calling me once more?_
+
+
+
+
+ Dew
+
+
+ As dew leaves the cobweb lightly
+ Threaded with stars,
+ Scattering jewels on the fence
+ And the pasture bars;
+ As dawn leaves the dry grass bright
+ And the tangled weeds
+ Bearing a rainbow gem
+ On each of their seeds;
+ So has your love, my lover,
+ Fresh as the dawn,
+ Made me a shining road
+ To travel on,
+ Set every common sight
+ Of tree or stone
+ Delicately alight
+ For me alone.
+
+
+
+
+ To-night
+
+
+ The moon is a curving flower of gold,
+ The sky is still and blue;
+ The moon was made for the sky to hold,
+ And I for you.
+
+ The moon is a flower without a stem,
+ The sky is luminous;
+ Eternity was made for them,
+ To-night for us.
+
+
+
+
+ Ebb Tide
+
+
+ When the long day goes by
+ And I do not see your face,
+ The old wild, restless sorrow
+ Steals from its hiding place.
+
+ My day is barren and broken,
+ Bereft of light and song,
+ A sea beach bleak and windy
+ That moans the whole day long.
+
+ To the empty beach at ebb tide,
+ Bare with its rocks and scars,
+ Come back like the sea with singing,
+ And light of a million stars.
+
+
+
+
+ I Would Live in Your Love
+
+
+ I would live in your love as the sea-grasses live in the sea,
+ Borne up by each wave as it passes, drawn down by each wave that recedes;
+ I would empty my soul of the dreams that have gathered in me,
+ I would beat with your heart as it beats, I would follow your soul
+ as it leads.
+
+
+
+
+ Because
+
+
+ Oh, because you never tried
+ To bow my will or break my pride,
+ And nothing of the cave-man made
+ You want to keep me half afraid,
+ Nor ever with a conquering air
+ You thought to draw me unaware--
+ Take me, for I love you more
+ Than I ever loved before.
+
+ And since the body's maidenhood
+ Alone were neither rare nor good
+ Unless with it I gave to you
+ A spirit still untrammeled, too,
+ Take my dreams and take my mind
+ That were masterless as wind;
+ And "Master!" I shall say to you
+ Since you never asked me to.
+
+
+
+
+ The Tree of Song
+
+
+ I sang my songs for the rest,
+ For you I am still;
+ The tree of my song is bare
+ On its shining hill.
+
+ For you came like a lordly wind,
+ And the leaves were whirled
+ Far as forgotten things
+ Past the rim of the world.
+
+ The tree of my song stands bare
+ Against the blue--
+ I gave my songs to the rest,
+ Myself to you.
+
+
+
+
+ The Giver
+
+
+ You bound strong sandals on my feet,
+ You gave me bread and wine,
+ And sent me under sun and stars,
+ For all the world was mine.
+
+ Oh, take the sandals off my feet,
+ You know not what you do;
+ For all my world is in your arms,
+ My sun and stars are you.
+
+
+
+
+ April Song
+
+
+ Willow, in your April gown
+ Delicate and gleaming,
+ Do you mind in years gone by
+ All my dreaming?
+
+ Spring was like a call to me
+ That I could not answer,
+ I was chained to loneliness,
+ I, the dancer.
+
+ Willow, twinkling in the sun,
+ Still your leaves and hear me,
+ I can answer spring at last,
+ Love is near me!
+
+
+
+
+ The Wanderer
+
+
+ I saw the sunset-colored sands,
+ The Nile like flowing fire between,
+ Where Rameses stares forth serene,
+ And Ammon's heavy temple stands.
+
+ I saw the rocks where long ago,
+ Above the sea that cries and breaks,
+ Swift Perseus with Medusa's snakes
+ Set free the maiden white like snow.
+
+ And many skies have covered me,
+ And many winds have blown me forth,
+ And I have loved the green, bright north,
+ And I have loved the cold, sweet sea.
+
+ But what to me are north and south,
+ And what the lure of many lands,
+ Since you have leaned to catch my hands
+ And lay a kiss upon my mouth.
+
+
+
+
+ The Years
+
+
+ To-night I close my eyes and see
+ A strange procession passing me--
+ The years before I saw your face
+ Go by me with a wistful grace;
+ They pass, the sensitive, shy years,
+ As one who strives to dance, half blind with tears.
+
+ The years went by and never knew
+ That each one brought me nearer you;
+ Their path was narrow and apart
+ And yet it led me to your heart--
+ Oh, sensitive, shy years, oh, lonely years,
+ That strove to sing with voices drowned in tears.
+
+
+
+
+ Enough
+
+
+ It is enough for me by day
+ To walk the same bright earth with him;
+ Enough that over us by night
+ The same great roof of stars is dim.
+
+ I do not hope to bind the wind
+ Or set a fetter on the sea--
+ It is enough to feel his love
+ Blow by like music over me.
+
+
+
+
+ Come
+
+
+ Come, when the pale moon like a petal
+ Floats in the pearly dusk of spring,
+ Come with arms outstretched to take me,
+ Come with lips pursed up to cling.
+
+ Come, for life is a frail moth flying,
+ Caught in the web of the years that pass,
+ And soon we two, so warm and eager,
+ Will be as the gray stones in the grass.
+
+
+
+
+ Joy
+
+
+ I am wild, I will sing to the trees,
+ I will sing to the stars in the sky,
+ I love, I am loved, he is mine,
+ Now at last I can die!
+
+ I am sandaled with wind and with flame,
+ I have heart-fire and singing to give,
+ I can tread on the grass or the stars,
+ Now at last I can live!
+
+
+
+
+ Riches
+
+
+ I have no riches but my thoughts,
+ Yet these are wealth enough for me;
+ My thoughts of you are golden coins
+ Stamped in the mint of memory;
+
+ And I must spend them all in song,
+ For thoughts, as well as gold, must be
+ Left on the hither side of death
+ To gain their immortality.
+
+
+
+
+ Dusk in War Time
+
+
+ A half-hour more and you will lean
+ To gather me close in the old sweet way--
+ But oh, to the woman over the sea
+ Who will come at the close of day?
+
+ A half-hour more and I will hear
+ The key in the latch and the strong, quick tread--
+ But oh, the woman over the sea
+ Waiting at dusk for one who is dead!
+
+
+
+
+ Peace
+
+
+ Peace flows into me
+ As the tide to the pool by the shore;
+ It is mine forevermore,
+ It will not ebb like the sea.
+
+ I am the pool of blue
+ That worships the vivid sky;
+ My hopes were heaven-high,
+ They are all fulfilled in you.
+
+ I am the pool of gold
+ When sunset burns and dies--
+ You are my deepening skies;
+ Give me your stars to hold.
+
+
+
+
+ Moods
+
+
+ I am the still rain falling,
+ Too tired for singing mirth--
+ Oh, be the green fields calling,
+ Oh, be for me the earth!
+
+ I am the brown bird pining
+ To leave the nest and fly--
+ Oh, be the fresh cloud shining,
+ Oh, be for me the sky!
+
+
+
+
+ Houses of Dreams
+
+
+ You took my empty dreams
+ And filled them every one
+ With tenderness and nobleness,
+ April and the sun.
+
+ The old empty dreams
+ Where my thoughts would throng
+ Are far too full of happiness
+ To even hold a song.
+
+ Oh, the empty dreams were dim
+ And the empty dreams were wide,
+ They were sweet and shadowy houses
+ Where my thoughts could hide.
+
+ But you took my dreams away
+ And you made them all come true--
+ My thoughts have no place now to play,
+ And nothing now to do.
+
+
+
+
+ Lights
+
+
+ When we come home at night and close the door,
+ Standing together in the shadowy room,
+ Safe in our own love and the gentle gloom,
+ Glad of familiar wall and chair and floor,
+
+ Glad to leave far below the clanging city;
+ Looking far downward to the glaring street
+ Gaudy with light, yet tired with many feet,
+ In both of us wells up a wordless pity;
+
+ Men have tried hard to put away the dark;
+ A million lighted windows brilliantly
+ Inlay with squares of gold the winter night,
+ But to us standing here there comes the stark
+ Sense of the lives behind each yellow light,
+ And not one wholly joyous, proud, or free.
+
+
+
+
+ "I Am Not Yours"
+
+
+ I am not yours, not lost in you,
+ Not lost, although I long to be
+ Lost as a candle lit at noon,
+ Lost as a snowflake in the sea.
+
+ You love me, and I find you still
+ A spirit beautiful and bright,
+ Yet I am I, who long to be
+ Lost as a light is lost in light.
+
+ Oh plunge me deep in love--put out
+ My senses, leave me deaf and blind,
+ Swept by the tempest of your love,
+ A taper in a rushing wind.
+
+
+
+
+ Doubt
+
+
+ My soul lives in my body's house,
+ And you have both the house and her--
+ But sometimes she is less your own
+ Than a wild, gay adventurer;
+ A restless and an eager wraith,
+ How can I tell what she will do--
+ Oh, I am sure of my body's faith,
+ But what if my soul broke faith with you?
+
+
+
+
+ The Wind
+
+
+ A wind is blowing over my soul,
+ I hear it cry the whole night through--
+ Is there no peace for me on earth
+ Except with you?
+
+ Alas, the wind has made me wise,
+ Over my naked soul it blew,--
+ There is no peace for me on earth
+ Even with you.
+
+
+
+
+ Morning
+
+
+ I went out on an April morning
+ All alone, for my heart was high,
+ I was a child of the shining meadow,
+ I was a sister of the sky.
+
+ There in the windy flood of morning
+ Longing lifted its weight from me,
+ Lost as a sob in the midst of cheering,
+ Swept as a sea-bird out to sea.
+
+
+
+
+ Other Men
+
+
+ When I talk with other men
+ I always think of you--
+ Your words are keener than their words,
+ And they are gentler, too.
+
+ When I look at other men,
+ I wish your face were there,
+ With its gray eyes and dark skin
+ And tossed black hair.
+
+ When I think of other men,
+ Dreaming alone by day,
+ The thought of you like a strong wind
+ Blows the dreams away.
+
+
+
+
+ Embers
+
+
+ I said, "My youth is gone
+ Like a fire beaten out by the rain,
+ That will never sway and sing
+ Or play with the wind again."
+
+ I said, "It is no great sorrow
+ That quenched my youth in me,
+ But only little sorrows
+ Beating ceaselessly."
+
+ I thought my youth was gone,
+ But you returned--
+ Like a flame at the call of the wind
+ It leaped and burned;
+
+ Threw off its ashen cloak,
+ And gowned anew
+ Gave itself like a bride
+ Once more to you.
+
+
+
+
+ Message
+
+
+ I heard a cry in the night,
+ A thousand miles it came,
+ Sharp as a flash of light,
+ My name, my name!
+
+ It was your voice I heard,
+ You waked and loved me so--
+ I send you back this word,
+ I know, I know!
+
+
+
+
+ The Lamp
+
+
+ If I can bear your love like a lamp before me,
+ When I go down the long steep Road of Darkness,
+ I shall not fear the everlasting shadows,
+ Nor cry in terror.
+
+ If I can find out God, then I shall find Him,
+ If none can find Him, then I shall sleep soundly,
+ Knowing how well on earth your love sufficed me,
+ A lamp in darkness.
+
+
+
+
+ IV
+
+
+
+ A November Night
+
+
+ There! See the line of lights,
+ A chain of stars down either side the street--
+ Why can't you lift the chain and give it to me,
+ A necklace for my throat? I'd twist it round
+ And you could play with it. You smile at me
+ As though I were a little dreamy child
+ Behind whose eyes the fairies live. . . . And see,
+ The people on the street look up at us
+ All envious. We are a king and queen,
+ Our royal carriage is a motor bus,
+ We watch our subjects with a haughty joy. . . .
+ How still you are! Have you been hard at work
+ And are you tired to-night? It is so long
+ Since I have seen you--four whole days, I think.
+ My heart is crowded full of foolish thoughts
+ Like early flowers in an April meadow,
+ And I must give them to you, all of them,
+ Before they fade. The people I have met,
+ The play I saw, the trivial, shifting things
+ That loom too big or shrink too little, shadows
+ That hurry, gesturing along a wall,
+ Haunting or gay--and yet they all grow real
+ And take their proper size here in my heart
+ When you have seen them. . . . There's the Plaza now,
+ A lake of light! To-night it almost seems
+ That all the lights are gathered in your eyes,
+ Drawn somehow toward you. See the open park
+ Lying below us with a million lamps
+ Scattered in wise disorder like the stars.
+ We look down on them as God must look down
+ On constellations floating under Him
+ Tangled in clouds. . . . Come, then, and let us walk
+ Since we have reached the park. It is our garden,
+ All black and blossomless this winter night,
+ But we bring April with us, you and I;
+ We set the whole world on the trail of spring.
+ I think that every path we ever took
+ Has marked our footprints in mysterious fire,
+ Delicate gold that only fairies see.
+ When they wake up at dawn in hollow tree-trunks
+ And come out on the drowsy park, they look
+ Along the empty paths and say, "Oh, here
+ They went, and here, and here, and here! Come, see,
+ Here is their bench, take hands and let us dance
+ About it in a windy ring and make
+ A circle round it only they can cross
+ When they come back again!" . . . Look at the lake--
+ Do you remember how we watched the swans
+ That night in late October while they slept?
+ Swans must have stately dreams, I think. But now
+ The lake bears only thin reflected lights
+ That shake a little. How I long to take
+ One from the cold black water--new-made gold
+ To give you in your hand! And see, and see,
+ There is a star, deep in the lake, a star!
+ Oh, dimmer than a pearl--if you stoop down
+ Your hand could almost reach it up to me. . . .
+
+ There was a new frail yellow moon to-night--
+ I wish you could have had it for a cup
+ With stars like dew to fill it to the brim. . . .
+
+ How cold it is! Even the lights are cold;
+ They have put shawls of fog around them, see!
+ What if the air should grow so dimly white
+ That we would lose our way along the paths
+ Made new by walls of moving mist receding
+ The more we follow. . . . What a silver night!
+ That was our bench the time you said to me
+ The long new poem--but how different now,
+ How eerie with the curtain of the fog
+ Making it strange to all the friendly trees!
+ There is no wind, and yet great curving scrolls
+ Carve themselves, ever changing, in the mist.
+ Walk on a little, let me stand here watching
+ To see you, too, grown strange to me and far. . . .
+ I used to wonder how the park would be
+ If one night we could have it all alone--
+ No lovers with close arm-encircled waists
+ To whisper and break in upon our dreams.
+ And now we have it! Every wish comes true!
+ We are alone now in a fleecy world;
+ Even the stars have gone. We two alone!
+
+
+
+
+[End of Love Songs.]
+
+
+
+{As an item of interest to the reader, the following, which was at the
+end of this edition, is included. Only the advertisement for the same
+author is included}.
+
+
+
+
+By the same author
+
+Rivers to the Sea
+
+
+"There is hardly another American woman-poet whose poetry is generally
+known and loved like that of Sara Teasdale. 'Rivers to the Sea', her
+latest volume of lyrics, possesses the delicacy of imagery, the inward
+illumination, the high vision that characterize the poetry that will
+endure the test of time."--'Review of Reviews'.
+
+"'Rivers to the Sea' is a book of sheer delight. . . . Her touch turns
+everything to song."--Edward J. Wheeler, in 'Current Opinion'.
+
+"Sara Teasdale's lyrics have the clarity, the precision, the grace and
+fragrance of flowers."--Harriet Monroe, in 'Poetry'.
+
+"Sara Teasdale has a genius for the song, for the perfect lyric, in
+which the words seem to have fallen into place without art or
+effort."--Louis Untermeyer, in 'The Chicago Evening Post'.
+
+"'Rivers to the Sea' is the best book of pure lyrics that has appeared
+in English since A. E. Housman's 'A Shropshire Lad'."--William Marion
+Reedy, in 'The Mirror'.
+
+"'Rivers to the Sea' is the most beautiful book of pure lyrics that has
+come to my hand in years."--'Los Angeles Graphic'.
+
+"Sara Teasdale sings about love better than any other contemporary
+American poet."--'The Boston Transcript'.
+
+"'Rivers to the Sea' is the most charming volume of poetry that has
+appeared on either side of the Atlantic in a score of years."--'St.
+Louis Republic'.
+
+
+
+
+Sara Teasdale (1884-1933):
+
+Teasdale was born in St. Louis, Missouri, where she attended a school
+that was founded by the grandfather of another great poet from St.
+Louis--T. S. Eliot. She later associated herself more with New York
+City.
+
+Her first book of poems was "Sonnets to Duse" (1907), [at least one poem
+in the current volume, "Faults", is from this book,] but "Helen of Troy"
+(1911) was the true launch of her career, followed by "Rivers to the Sea"
+(1915), "Love Songs" (1917), "Flame and Shadow" (1920) and more. Her
+final volume, "Strange Victory", is considered by many to be predictive
+of her suicide in 1933.
+
+
+
+
+
+
+
+
+
+
+End of the Project Gutenberg EBook of Love Songs, by Sara Teasdale
+
+*** END OF THIS PROJECT GUTENBERG EBOOK LOVE SONGS ***
+
+***** This file should be named 442.txt or 442.zip *****
+This and all associated files of various formats will be found in:
+ https://www.gutenberg.org/4/4/442/
+
+Produced by A. Light and L. Bowser. For Gwenette.
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+https://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at https://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+https://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at https://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit https://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including including checks, online payments and credit card
+donations. To donate, please visit: https://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart was the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ https://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.