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diff --git a/44206-h/44206-h.htm b/44206-h/44206-h.htm new file mode 100644 index 0000000..d80c96d --- /dev/null +++ b/44206-h/44206-h.htm @@ -0,0 +1,872 @@ +<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" + "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd"> +<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en" lang="en"> + <head> + <meta http-equiv="Content-Type" content="text/html;charset=UTF-8" /> + <meta http-equiv="Content-Style-Type" content="text/css" /> + <title> + The Project Gutenberg eBook of Old-time Nautical Instruments, by John Robinson. + </title> + <style type="text/css"> + +body { + margin-left: 10%; + margin-right: 10%; +} + + h1,h2 { + text-align: center; /* all headings centered */ + clear: both; +} + +p { + margin-top: .51em; + text-align: justify; + margin-bottom: .49em; +} +p.tb { + margin-top: 1.51em; + text-align: justify; + margin-bottom: .49em; +} + +hr { + width: 33%; + margin-top: 2em; + margin-bottom: 2em; + margin-left: auto; + margin-right: auto; + clear: both; +} +.dropcap { float: left; font-size: 3em; font-weight: normal; +margin-right: 3px; line-height: .9em; margin-top: 0em;} + +table { + margin-left: auto; + margin-right: auto; +} + + .tdl {text-align: left;} + .tdc {text-align: center;} +.padl5 {padding-left: 5em;} +.padr5 {padding-right: 5em;} +.padr1 {padding-right: 1em;} +.vertt {vertical-align: top;} +.f08 {font-size: .9em;} +.pagenum { /* uncomment the next line for invisible page numbers */ + /* visibility: hidden; */ + position: absolute; + left: 92%; + font-size: smaller; + text-align: right; +} /* page numbers */ + +.center {text-align: center;} + +.smcap {font-variant: small-caps;} + +/* Images */ +.figcenter { + margin: auto; + text-align: center; +} + + </style> +<link rel="coverpage" href="images/cover.jpg" /> + </head> +<body> +<div>*** START OF THE PROJECT GUTENBERG EBOOK 44206 ***</div> + +<div class="figcenter" style="width: 500px;"> +<img src="images/i_001.jpg" width="500" height="728" alt="TITLE PAGE" /> +</div> + +<h1>Old-Time<br /> +Nautical Instruments</h1> + +<p class="center">BY</p> + +<p class="center">JOHN ROBINSON<br /><br /></p> + +<div class="figcenter" style="width: 250px; border-style:solid; +border-width:1px;"> +<img src="images/i_012.jpg" width="250" height="339" alt="SEVENTEENTH CENTURY MARINER USING A CROSS-STAFF" /> +</div> + +<p class="center"><br /><br />BOSTON, MASSACHUSETTS<br /> +1921 +</p> + +<hr /> + +<p class="center">ONE HUNDRED COPIES<br /> +DEPRINTED FROM</p> + +<p class="center">Old-Time New England</p> + +<p class="center">APRIL, 1921</p> + +<hr /> + +<p><span class="pagenum"><a name="Page_1" id="Page_1">[Pg 1]</a></span></p> + +<div class="figcenter" style="width: 500px;"> +<img src="images/i_005.jpg" width="500" height="197" alt=">SHIP GRAND TURK, 1786" /> +<p class="center f08">SHIP GRAND TURK, 1786<br /><br /></p></div> + +<h2>OLD-TIME NAUTICAL INSTRUMENTS</h2> + +<p class="center"><span class="smcap">By John Robinson</span></p> + +<p class="center"><i>Curator of the Marine Room, Peabody Museum, Salem, Mass.</i></p> + +<p><span class="dropcap">W</span>HAT sort of instruments did +the Colonial ship-masters carry? +What did they have on +the <i>Mayflower</i>? What did Columbus +use? And, to come down to comparatively +recent times, what instruments +were available and were actually +used on the vessels during the +commercial-marine activities following +the American Revolution and up to the +time of the appearance of steamships?</p> + +<p>These questions are often asked, +not only by landsmen but by seafaring +men as well. The ship-master of today +uses instruments so different from +those of Colonial times, or even of the +earlier years of the nineteenth century, +that unless he has a penchant +for research he knows nothing about +the earlier ones and certainly not how +to use them if by chance they come +to his notice. Holding in his hand a +Davis quadrant, the skilful navigator +of Salem’s last square-rigger, the ship +<i>Mindoro</i>, which passed out of service +in 1897, said to the writer:—“I have +no idea how to use it and I do not +believe that there is a ship-master sailing +out of Boston today who does.” +The Davis quadrant was in common +use all through the eighteenth century +and probably later. It is figured and +explained in a book on navigation in +1796. There are two in the Peabody +Museum collection in Salem, dated +respectively, 1768 and 1773, and an +undated one in the collection is certainly +older. Only the student of the +history of navigation can explain them +or their uses. The English navigator, +John Davis, the inventor of this quadrant, +in his “Seaman’s Secrets”, printed +in 1594, gives a list of instruments +which should be taken on ships, but it +is to be feared few vessels carried them +all or that owners were able to provide +them. It included,—sea-compass, +cross-staff, chart, quadrant, astrolabe, +instrument to test compass variation, +horizontal plane sphere, and paradoxical +compass.</p> + +<p><span class="pagenum"><a name="Page_2" id="Page_2">[Pg 2]</a></span></p> + +<div class="figcenter" style="width: 400px;"> +<img src="images/i_008.jpg" width="400" height="565" alt="SIXTEENTH CENTURY SPANISH ASTROLABE" /> +<p class="center f08">SIXTEENTH CENTURY SPANISH ASTROLABE<br /> +Full size. From Museum of Fine Arts, Boston.</p></div> + +<div class="figcenter" style="width: 400px;"> +<img src="images/i_009.jpg" width="400" height="403" alt="UNIVERSAL RING-DIAL" /> +<p class="center f08">UNIVERSAL RING-DIAL<br /> +Diameter 3-1/2 inches. Owned by Mr. Parker Kemble.</p></div> + +<p>No one knows exactly what instruments +Columbus took with him on his +voyage in 1492. He undoubtedly had +<span class="pagenum"><a name="Page_3" id="Page_3">[Pg 3]</a></span> +an astrolabe and a cross-staff. The +astrolabe was devised during the first +millennium and Arabian astronomers +had perfected it as early as the year +700. It is really the basis of all future +instruments of its class,—cross-staff, +quadrant, sextant. Some of the +most beautiful astrolabes preserved in +museums are those made for the Persian +astronomers in the sixteenth and +seventeenth centuries. Columbus probably +used the form devised by Martin +Behaim which had been adapted for +use at sea about the year 1480. Observations +with the astrolabe required +three persons, one to hold the instrument +plumb by the ring, another to +sight the sun and adjust the arm, and +the third to read the scale. With these +difficulties observations were, of +course, far from accurate, but approximate +time and latitude could be obtained. +Another device was the ring-dial, +or universal ring-dial as the old +works on navigation called it. This +differed from the astrolabe by having +adjustable rings with the hours and +scales engraved upon them. Both of +these instruments are now rare.</p> + +<p>No original cross-staff is known to +the writer in any collection in this +country. It consisted of a rod thirty-six +inches long on which another of +twenty-six inches was centered and arranged +to slide up and down at right +angles to it. By sighting from the +end of the longer rod and moving the +sliding bar until the sun was seen at +one end of it and the horizon at the +other, the figure on the scale at the<span class="pagenum"><a name="Page_4" id="Page_4">[Pg 4]</a></span> +junction of the rods indicated the sun’s +altitude and from this the latitude was +obtained.</p> + +<div class="figcenter" style="width: 250px;"> +<img src="images/i_012.jpg" width="250" height="339" alt="SEVENTEENTH CENTURY MARINER USING A CROSS-STAFF" /> +<p class="center f08">SEVENTEENTH CENTURY MARINER USING A CROSS-STAFF<br /> +From Seller’s “Practical Navigation,” London, 1676</p></div> + +<div class="figcenter" style="width: 250px;"> +<img src="images/i_013.jpg" width="250" height="329" alt="SEVENTEENTH CENTURY MARINER USING DAVIS’ QUADRANT" /> +<p class="center f08">SEVENTEENTH CENTURY MARINER USING DAVIS’ QUADRANT<br /> +From Seller’s “Practical Navigation,” London, 1676</p></div> + +<p>Based on this instrument, by laying +out the circle on a table, John Davis, +the explorer, devised his quadrant in +1586. At first the observer used it +by facing the sun, as the cross-staff +had been used, but a better form was +made later where the observer had the +sun at his back. This instrument has +been called by sailors “jackass quadrant” +and, supposedly from its shape, +“hog-yoke.” In early books on navigation +it is called “sea-quadrant.” The +earlier form used by the observer +standing back to the sun had a solid +“shade vane” which slid along the +smaller arc of the instrument. By +adjusting this a little short of the supposed +altitude of the sun and sighting +the horizon through the minute hole +in the “sight vane” until it was seen +through the “horizon vane” at the apex +of the instrument, and then gradually +moving the “sight vane” along the +larger arc until the shadow of the +“shade vane” met the horizon line, +the sum of the degrees on the two +scales indicated the sun’s altitude. This +was really the second form of the +Davis quadrant. In the third, the solid +“shade vane” was replaced by one with +a low-power lens inserted in it arranged +to focus on the “horizon vane,” +thus approaching the idea of the reflected +sun in the Hadley quadrant and +the sextant. A most interesting instrument, +half-way between a cross-staff +and the Davis quadrant, is illustrated +in Seller’s book on navigation published +in 1676. He calls it a “Plough.” +Above, it has the small arc of the +Davis quadrant with the sliding rod of +the cross-staff below. These were, of +course, imperfect instruments, but still +<span class="pagenum"><a name="Page_6" id="Page_6">[Pg 6]</a></span> +a great advance over previous devices +to obtain time and latitude.<br /><br /></p> + +<div class="figcenter" style="width: 500px; border-style:solid; +border-width:2px;"> +<img src="images/p_009.jpg" width="500" height="702" alt="PAGE FROM “PRACTICAL NAVIGATION" /> +</div> +<p class="center f08">PAGE FROM “PRACTICAL NAVIGATION,”<br /> +BY JOHN SELLERS, LONDON, 1676<br /><br /></p> + +<div class="figcenter" style="width: 250px;"> +<img src="images/i_015.jpg" width="250" height="438" alt="DAVIS QUADRANT" /> +<p class="center f08">DAVIS QUADRANT</p> +<p class="center f08">“Made by William Williams in King St. Boston.” +An ivory plate has “Malachi Allen 1769.” Mahogany, +24 inches long, convex glass in the shade vane; +fine example of cabinet work. In Peabody Museum, +Salem.</p></div> + +<p>The Davis quadrants are usually +made of ebony, rosewood, or other +dark woods, with boxwood scale arcs +and could be made by expert wood-workers. +The numerous examples preserved +attest the skill of the old cabinet-makers, +for they are never warped +or twisted while their jointing is a +Chinese puzzle. Probably the <i>Mayflower</i> +carried a Davis quadrant and +quite likely an astrolabe, and of course, +a compass, for the compass had been +in use for two centuries.</p> + +<p>Whether the compass was independently +invented in Europe or was borrowed +from the Chinese is uncertain. +The old marine compasses were set in +gimbals. The magnet was a thin bar +attached, usually with sealing wax, to +the under side of the compass card, the +whole mounted in a thin bowl of +turned wood. These were the compasses +of the eighteenth century. There +is one in the Salem collection inscribed,—“Benjamin +King Salem in New +England”, with the date “1770” cut +in the box; another has the mark of +Benjamin King, 1790. A surveyor’s +compass, wooden throughout, including +wooden sights, is inscribed,—“Made +by James Halsey near ye draw bridge +Boston.” The liquid compass first +suggested by Francis Crow in 1813 +and improved by E. S. Ritchie of Boston, +has largely displaced the older +devices.</p> + +<p>The “nocturnal”, used at night, as +its name signifies, appeared at an early +date, exactly when it does not seem +possible to say. One in the Salem collection +is marked,—“Nathaniel +Viall 1724”. By adjusting the movable discs +to the date on the scale for the day of +the month, sighting the north star +through the hole in the center and then +bringing the arm against the “guard +stars”, the hour was indicated with +reasonable accuracy. Good pictures +and descriptions of the nocturnal may +be found in old books on navigation.</p> + +<p>In 1730, John Hadley in England +and Thomas Godfrey in Philadelphia, +independently invented the octant, +known for nearly two hundred years +as Hadley’s quadrant. Both Hadley +and Godfrey received awards for their +devices. Although called quadrant in +this country it is generally known +elsewhere as octant, which is the better +name, for the instrument represents +but one eighth of the circle. By +the principle of reflection, however, it +covers ninety degrees and the scale +<span class="pagenum"><a name="Page_7" id="Page_7">[Pg 7]</a></span> +is so marked. The Davis quadrant +with its two arcs does represent one +fourth of the circle and for that instrument +the name is correct.</p> + +<p>The Hadley was a great improvement +over the Davis quadrant and +other older devices for finding latitude. +By moving the arm the sun is +reflected by the mirror at the apex +and “brought down” to the horizon +line and the eye is protected by colored +glasses of various degrees of density +through which the sun’s rays +shine. Catching the sun the instant +it is on the meridian (noon), the scale +indicates the altitude by which the +latitude was figured with the Bowditch +Navigator, used for more than +one hundred years by American seamen, +or Moore’s before that and +numerous others back to the early +eighteenth century. The Hadley quadrant +is still used in its modern form +with telescopic eye-pieces although the +sextant—one-sixth of the circle and +by reflection one-third—is a more accurate +instrument and also may be +used to make lunar observations to obtain +longitude, a complicated and difficult +matter, so difficult that the authors +of the older works did not even +take trouble to explain the process, for +only the most expert could make this +observation, nor were the results satisfactory.</p> + +<p>The sextant was devised about 1757 +and as now made is framed wholly of +metal. To prevent corrosion, the scale, +which is minutely divided, and has a +“vernier” with a magnifying glass +to show divisions of minutes, is made +of gold or platinum in the best instruments. +A half-circle has been devised +and is exceedingly rare. An example +in the Salem collection was made before +1818. A curious double-jointed +dividers accompanied it and the entry +in the museum catalog reads,—“used +to correct a lunar observation for longitude.” +A full “circle of reflection” +is also sometimes used, more often on +land than at sea. This is a beautiful +instrument and is not often met with +in collections or in use. All of these +instruments are similar in character +and may be traced, as previously +stated, to the ancestral astrolabe.</p> + +<div class="figcenter" style="width: 250px;"> +<img src="images/i_018.jpg" width="250" height="360" alt="NOCTURNAL" /> +<p class="center f08">NOCTURNAL</p> +<p class="center f08">“Nath’ll Viall 1724.” Boxwood, arm seven inches +from centre to tip. In Peabody Museum, Salem.</p></div> + +<p>The early Hadley quadrants were +huge affairs made of wood with an +arm twenty-four inches in length. Today +they are more generally of metal +with arms from ten to twelve inches. +Using the sextent or Hadley quadrant +the observer stands facing the +sun, but old Hadley quadrants were +made with a “back sight” so that they +could be used like the Davis quadrant, +thus making two independent observations +the average of which would ensure +greater accuracy.</p> + +<div class="figcenter" style="width: 500px;"> +<img src="images/i_019.jpg" width="500" height="546" alt="HADLEY QUADRANTS (OCTANTS)" /> +<p class="center f08">HADLEY QUADRANTS (OCTANTS) IN PEABODY MUSEUM, SALEM</p> + +<table summary="QUADRANTS"><tr> +<td class="tdl padr1 f08" style="width: 50%">1. “Made by John Dupee 1755 for Patrick +Montgomerie.” All wood, ebony, arm 22 inches +long.</td> +<td class="tdl f08" style="width: 50%">2. “Made by Ino. Gilbert on Tower Hill +London for Hector Orr Augt. 6, 1768.” Ebony, +arm 20 inches long.</td> +</tr><tr> +<td class="tdc padl5 padr5 f08" style="width: 50%" colspan="2"><p>3. “Norie & Co. London.” Ebony and brass, <i>ca.</i> 1840. Arm 11-3/4 inches, +telescopic eyepieces, used by Capt. John Hodges.</p></td> +</tr><tr> +<td class="tdl padr1 f08" style="width: 50%">4. “Spencer Browning and Rust London.” +Ebony frame, brass arm 17 inches, ivory scale, +pencil inserted in cross piece, <i>ca.</i> 1800, used by +Capt. Henry King.</td> +<td class="tdl vertt f08" style="width: 50%">5. “J: Urings London.” All brass, arm 20 +inches, back sight broken off, <i>ca.</i> 1780, rare.</td></tr></table></div> + +<p>To obtain the ship’s latitude with +comparatively good results was an +<span class="pagenum"><a name="Page_9" id="Page_9">[Pg 9]</a></span> +easy matter with the quadrant and its +fore-runners, but the great problem +for centuries was how to find the longitude, +now universally and quickly +obtained by the chronometer and simple +observations in the morning or at +noon. Spring clocks and watches appeared +about 1530 but they were unreliable +and of no use on long voyages. +Sand glasses like those of the old Colonial +churches were used on ships and +so conservative is the British mind that +some were in use on British naval vessels +as late as 1828 and one authority +states as late as 1839. Greenwich Observatory +was established in 1675 and +a Royal Commission was soon appointed +with authority to award prizes +for important inventions in aid of navigation. +A prize of £20,000 was finally +offered for a time-keeper that should +meet certain requirements which practically +meant absolute accuracy. In +1767, John Harrison produced the +chronometer, based on the principle of +an invention of 1735, and eventually +he received the reward. Chronometers +were so expensive and so hard to obtain +that few New England ships had +them until more than a half a century +later. Other devices were tried to obtain +longitude by lunar observations +and by Jupiter’s satellites, but these +observations were too difficult to be +of practical use. Today, fine watches +serve for short trips and chronometers +are carried by nearly all vessels making +long voyages.</p> + +<p>That so important an instrument as +a telescope or spy-glass is rarely mentioned +in books on navigation or in +sea journals seems strange. It is exceedingly +difficult to obtain information +of any being taken to sea, although +one would think a spy-glass +would be about the first aid on shipboard +especially when skirting the +coast. Telescopes did not become of +practical use, even if the principle had +been known, until they were made in +Holland in 1608. It is at least certain +that Columbus did not have one and +probably there was none on the <i>Mayflower</i>, +although its passengers had +recently come from Holland where +telescopes were invented a few years +before. So far no references to them +have been found in a rather casual examination +of old log-books.</p> + +<p>In the Marine Room Collection of +the Peabody Museum at Salem, is a +spy-glass four feet long, octagonal in +form, two and one-half inches in diameter, +with a short focusing tube. +It was taken from a British prize vessel +off the coast of Ireland, in 1779, +by Capt. James Barr in his Salem privateer. +Another glass of similar form, +but longer and with a mahogany case, +was used on a United States naval vessel +about 1815. The spy-glass, familiar +to everyone, in two or three sections, +was used at sea through the first +half of the nineteenth century and is +often seen tucked under the left arm, +in the portraits of ship-masters +brought home from foreign ports. +Many of these were excellent instruments, +especially those from Dollond +of London. There is also in the Salem +collection a rude telescope or spy-glass +five and one-half feet long with +a copper case about three inches in +diameter looking precisely like a section +from a house water-conductor. +It focuses by a small upper sliding section, +fitted like a stove funnel. This +glass was brought from Nagasaki, Japan, +by a Salem ship-master about +1865. It had been used there to observe +vessels coming into the harbor. +It may be Dutch and it is evidently +very old.</p> + +<div class="figcenter" style="width: 500px;"> +<img src="images/i_022.jpg" width="500" height="529" alt="SEXTANTS IN PEABODY MUSEUM, SALEM" /> +<p class="center f08">SEXTANTS IN PEABODY MUSEUM, SALEM</p> + +<table summary="SEXTANTS"><tr> +<td class="tdl f08 padr1" style="width: 50%">1. “Bradford London.” Brass frame and silver +scale arm 14 inches long, <i>ca.</i> 1815, used by Capt. +George Bailey before 1840.</td> +<td class="tdl f08 vertt" style="width: 50%">2. “L. Bleuler, London.” Ebony frame, ivory +scale, brass arm 14 inches long, <i>ca.</i> 1820, came from +Plymouth, Mass.</td> +</tr><tr> +<td class="tdc f08 padr5 padl5" colspan="2"><p>3. “G. Gowland 76 Castle St. Liverpool.” Used by David Livingstone in his African +explorations and after his death sold at Zanzibar by order of the Royal Geographical +Society and bought by Capt. William Beadle, of Salem, and used on some of his +voyages.</p></td></tr></table></div> + +<p>The speed of a vessel was first obtained +by throwing overboard a floating +subject at the bow and noting the +time elapsed when it passed an observer +at the stern. From this the log +line with “knots” was derived, with +the fourteen and twenty-eight seconds +<span class="pagenum"><a name="Page_11" id="Page_11">[Pg 11]</a></span> +sand glasses to record speed. A “knot” +indicates a geographical or sea mile +which has been standardized at 6080 +feet; the land or statute mile is 5280 +feet, therefore, if a vessel is said to be +sailing at the rate of thirteen knots, +a railroad train going at the same +speed would be running at the rate of +fifteen miles an hour. The term “knot” +is used solely to indicate rate of speed; +the distance covered is always stated +in nautical or sea miles. “Heaving the +log” meant throwing out from the +stern of a vessel a small float attached +to a line running from a reel held clear +of the rail, the float remaining stationary +in the water. At the instant +the log is “heaved” a sand glass is +turned. On the line are knots (hence +the term), pieces of marline or rags +tied through the strands and spaced +the same fraction of a mile apart,—above +forty-six feet and six inches,—which +twenty-eight seconds is the +fraction of an hour,—about one one-hundred +and twenty-eighth. Therefore, +using a twenty-eight seconds glass and +checking the line the instant the sand +runs out, the number of knots and +fractions paid out on the line will at +once indicate the number of sea miles +per hour which the vessel is going. +This, of course, is doubled if the fourteen-seconds +glass is used, which is +done when the vessel is going very fast.</p> + +<p class="tb">The old log lines have been superseded +by many forms of the “patent +log” and the museum is indeed fortunate +which possesses an original log +line, reel and float in perfect condition. +There is an excellent example in the +museum collections of the Marblehead +Historical Society. Once discarded, +the lines were soon used to tie up +packages and the reels and floats were +thrown away. The patent log with its +revolving blades, now universal, was +devised by Humfray Cole in 1578; +it was improved by various persons +from time to time but, strange to say, +did not come into general use for nearly +three centuries. The rotating blades +in the water record the rate on an indicator +on the vessel which may be +read at any time. So far, the earliest +reference to the use of a device of this +sort among our New England navigators +is the “Gould’s patent log” used +by Captain George Crowninshield on +his famous yacht <i>Cleopatra’s Barge</i> +during the voyage to the Mediterranean +in 1817.</p> + +<p class="tb">Charts were made in very ancient +times but they were crude and almost +useless. The first nautical maps appeared +in Italy at the end of the thirteenth +century, and it is said that +Bartholomew Columbus brought the +first one to England in 1489. The +close of the sixteenth century saw +many map makers at work, including +Gerard Mercator whose name is perpetuated +in the familiar scale charts +in our geographies known as “Mercator’s +projection” which were the sea +charts in general use. Globes were +carried on ships in preference to charts +in the early days and what is known as +“great circle” sailing was evolved from +them. Davis describes it in 1594 and +it is possible that Cabot knew of the +theory a century before. Such a simple +instrument as a parallel ruler was +not invented until late in the sixteenth +century and tables of logarithms and +Gunter’s scale by which navigators +make all their calculations were not +known until the year the <i>Mayflower</i> +sailed.</p> + +<p class="tb">During the first century following +the settlement of New England it is +probable that the small coasting and +fishing vessels were navigated by dead +reckoning and not venturing far beyond +the sight of land a compass was +the only instrument carried. But the +larger vessels sailing from Boston, +Salem, Portsmouth, Newport and other +ports on voyages to the West Indies, +England and Spain, it would seem +<span class="pagenum"><a name="Page_12" id="Page_12">[Pg 12]</a></span> +should have carried instruments with +which observations could be made to +obtain their approximate position. Mr. +George Francis Dow has searched the +early probate records of Essex County +coast towns between 1634 and 1680, a +period of nearly fifty years, and finds +but thirteen references to nautical instruments +in inventories and wills. +Sometimes they are listed as “marriners +instruments” and in one case a +quadrant is valued at £1. Robert Gray +of Salem, who died in 1661, possessed +a “quadrant, a fore-staffe (cross-staff), +a gunter’s scale, and a pair of Compasses.” +John Bradstreet, who died +at Marblehead the previous year, +owned “3 small sea books” valued at +£1. 6s. The inventory of the estate of +Jonathan Browne of Salem, who died +in 1667, discloses a “fore-staff,” and +that of the estate of John Silsby of +Salem, taken in 1676, lists “marriners +instruments and callender, 14s.”</p> + +<p>In a very detailed inventory made +in Salem before a notary publick on +Nov. 4, 1702, of the equipment of the +ship <i>Province Galley</i>, 90 tons, owned +by Roger Derby, the only instruments +for navigation that appear are “Two +Compasses, two ha[lf] ho[ur] glasses, +a ha[lf] Watchglass, a ha[lf] minute +glass ... a hand lead line, a deep +sea lead line.”</p> + +<p>The <i>Boston News-Letter</i>, July 16, +1716, has the following advertisement: +“A Parcel of Mathematical Instruments, +viz: Quadrants, Meridian Compasses, +all sorts of Rules, black lead +Pencils, and brass Ring Dials, etc. To +be sold by Publick Vendue at the +Crown Coffee House in King’s Street, +Boston, on Thursday next.” The same +issue has the advertisement of “William +Walker in Merchants Row, near +the Swing Bridge,” who had quadrants +for sale.</p> + +<p>In looking back and noting the slow +process of perfecting all nautical instruments, +the wonder is how the old +ships were navigated through distant +seas without greater loss of life and +vessels. The dangers were real during +our commercial-marine activities following +the period of the Revolution +and the early nineteenth century, as +attested by reference to old newspapers +and letters, and to such records +as the Diary of Rev. William Bentley +of Salem, where nearly every Sunday +some of his parishioners asked for +prayers for friends at sea or for the +loss of husband, son or brother. The +shipmasters of Salem, Boston, Providence, +New York and Baltimore, undertaking +distant voyages, had few +good charts—none for the new regions +they visited—they had no chronometers, +few had sextants, and their compasses +were frequently unreliable. And +yet these men—most of them were +scarcely past their majority in years—with +the courage and enthusiasm of +youth, in ships filled with valuable +cargoes, entrusted to their care by +wealthy owners, sailed into uncharted +seas, visited unknown lands, and, all +the while rarely reported, finally came +safely back, to their everlasting credit +and the enrichment of the country.</p> + +<p>We do not know exactly what instruments +the old shipmasters carried +with them on these voyages, but we do +know that they were comparatively +few and very inferior to those in use +today. An idea of the paucity in some +instances may be obtained from the +story of the ship <i>Hannah</i>, condemned +at Christiansand in 1810, in the protest +of American shipmasters which is +now preserved in the New Haven Historical +Society collections. It reads: +“We, the undersigned masters of +American vessels now in the port of +Christiansand, having heard with astonishment +that one of the principal +charges against the American brig +<i>Hannah</i>, from Boston, bound direct to +Riga, and condemned at the prize +court at this place, is as follows,—that +the said court have pronounced it absolutely +impossible to cross the Atlan<span class="pagenum"><a name="Page_13" id="Page_13">[Pg 13]</a></span>tic +without a chart or sextant. We +therefore feel fully authorized to assert +that we have frequently made voyages +from America without the above articles, +and we are fully persuaded that +every seaman with common nautical +knowledge can do the same.”</p> + +<p class="tb">No doubt many valuable data lie +hidden in old log-books and sea journals, +early newspaper files, shipping +records of old business houses and +elsewhere. To anyone with time and +the inclination for research a fascinating +field is open where material of +historical and scientific value may be +found. The writer is not aware that +any such investigations have been +made or accounts of any published.</p> + +<p class="tb">Accurate knowledge of the instruments +carried by Colonial shipmasters +on their voyages to the West Indies or +along our coast and across the Atlantic +would be of much interest, and still +more to know what were supplied by +owners or carried as their personal +property by masters and supercargoes +for the longer voyages to Russia, the +Mediterranean, Africa, India, China, +and the South Seas. It would be interesting +to know, besides this, what +had been their experiences with them: +the accuracy of observations, how the +compass behaved, etc. The early nineteenth +century shipmasters were close +observers, and in his works on navigation +Lieut. M. F. Maury pays them +high compliment for the valuable assistance +rendered in furnishing notes +and observations on currents, shoals, +coast lines, compass variations and +winds, for the charts and sailing directions +which he compiled.</p> + +<p>With these things in mind this paper +has been prepared, hoping that someone +may be encouraged to take up the +work systematically. It is a subject +which seems to have been neglected, +and the results certainly will repay +much time devoted to its investigation.<br /><br /></p> + +<div class="figcenter" style="width: 250px;"> +<img src="images/i_028.jpg" width="250" height="162" alt="SCHOONER BALTICK, CAPT. EDWARD ALLEN" /></div> +<p class="center f08">SCHOONER BALTICK, CAPT. EDWARD ALLEN<br /> +Coming out of St. Eustatia, Nov. 16, 1765</p> + +<div>*** END OF THE PROJECT GUTENBERG EBOOK 44206 ***</div> +</body> +</html> diff --git a/44206-h/images/cover.jpg b/44206-h/images/cover.jpg Binary files differnew file mode 100644 index 0000000..dca8024 --- /dev/null +++ b/44206-h/images/cover.jpg diff --git a/44206-h/images/i_001.jpg b/44206-h/images/i_001.jpg Binary files differnew file mode 100644 index 0000000..c51c2eb --- /dev/null +++ b/44206-h/images/i_001.jpg diff --git a/44206-h/images/i_005.jpg b/44206-h/images/i_005.jpg Binary files differnew file mode 100644 index 0000000..ff109ea --- /dev/null +++ b/44206-h/images/i_005.jpg diff --git a/44206-h/images/i_008.jpg b/44206-h/images/i_008.jpg Binary files differnew file mode 100644 index 0000000..4ea40da --- /dev/null +++ b/44206-h/images/i_008.jpg diff --git a/44206-h/images/i_009.jpg b/44206-h/images/i_009.jpg Binary files differnew file mode 100644 index 0000000..d90a29e --- /dev/null +++ b/44206-h/images/i_009.jpg diff --git a/44206-h/images/i_012.jpg b/44206-h/images/i_012.jpg Binary files differnew file mode 100644 index 0000000..62d63f3 --- /dev/null +++ b/44206-h/images/i_012.jpg diff --git a/44206-h/images/i_013.jpg b/44206-h/images/i_013.jpg Binary files differnew file mode 100644 index 0000000..4270de7 --- /dev/null +++ b/44206-h/images/i_013.jpg diff --git a/44206-h/images/i_015.jpg b/44206-h/images/i_015.jpg Binary files differnew file mode 100644 index 0000000..c2eb0c6 --- /dev/null +++ b/44206-h/images/i_015.jpg diff --git a/44206-h/images/i_018.jpg b/44206-h/images/i_018.jpg Binary files differnew file mode 100644 index 0000000..1eea0d9 --- /dev/null +++ b/44206-h/images/i_018.jpg diff --git a/44206-h/images/i_019.jpg b/44206-h/images/i_019.jpg Binary files differnew file mode 100644 index 0000000..7a193b1 --- /dev/null +++ b/44206-h/images/i_019.jpg diff --git a/44206-h/images/i_022.jpg b/44206-h/images/i_022.jpg Binary files differnew file mode 100644 index 0000000..3cd5936 --- /dev/null +++ b/44206-h/images/i_022.jpg diff --git a/44206-h/images/i_028.jpg b/44206-h/images/i_028.jpg Binary files differnew file mode 100644 index 0000000..7dc8453 --- /dev/null +++ b/44206-h/images/i_028.jpg diff --git a/44206-h/images/p_009.jpg b/44206-h/images/p_009.jpg Binary files differnew file mode 100644 index 0000000..8e3d6c9 --- /dev/null +++ b/44206-h/images/p_009.jpg |
