summaryrefslogtreecommitdiff
path: root/old/44221.txt
diff options
context:
space:
mode:
Diffstat (limited to 'old/44221.txt')
-rw-r--r--old/44221.txt1371
1 files changed, 1371 insertions, 0 deletions
diff --git a/old/44221.txt b/old/44221.txt
new file mode 100644
index 0000000..6f2ffbb
--- /dev/null
+++ b/old/44221.txt
@@ -0,0 +1,1371 @@
+The Project Gutenberg EBook of The Revolt, by Ellis Parker Butler
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: The Revolt
+ A Play In One Act
+
+Author: Ellis Parker Butler
+
+Release Date: November 18, 2013 [EBook #44221]
+
+Language: English
+
+Character set encoding: ASCII
+
+*** START OF THIS PROJECT GUTENBERG EBOOK THE REVOLT ***
+
+
+
+
+Produced by David Widger
+
+
+
+
+
+
+THE REVOLT
+
+A PLAY IN ONE ACT
+
+BY ELLIS PARKER BUTLER
+
+Author of "Pigs Is Pigs" etc.
+
+Copyright, 1912, by Samuel French
+
+
+
+
+CHARACTERS
+
+GRANDMA GREGG--Founder of the Flushing Academy of Household Science for
+Young Ladies.
+
+PAULINE--Working out her tuition.
+
+SUSAN JANE JONES--An Emissary of the American Ladies' Association for
+the Promotion of Female Supremacy.
+
+KATE--A student.
+
+GRACE--A student.
+
+EDITH--A student.
+
+IDA--A student.
+
+MAY--A student.
+
+OTHER YOUNG LADY STUDENTS.
+
+THE IDEAL HUSBAND--by himself.
+
+
+
+SCENE.--The class room of Grandma Gregg's Academy of Household Science
+for Young Ladies, at Flushing.
+
+
+TIME.--Now or soon.
+
+
+
+
+THE REVOLT
+
+SCENE.--_The Class-room. A table. Chairs arranged in semi-circle; an
+easy chair for Grandma Gregg. Screen in one corner. Chairs or couch upon
+which to lay wraps and hats. Otherwise an ordinary room. Tea things on
+the table._
+
+(PAULINE, _center of stage, with pail, broom, dusting rag, scrubbing
+brushes and mop, is discovered on hands and knees scrubbing. As curtain
+rises she rises to her knees, throws scrubbing brush and soap into the
+pail, gets up with difficulty and mops the floor. She is singing._)
+
+PAULINE. (singing) "All alone, all alone, nobody here but me. All alone,
+all alone, nobody here but me, All alone, all--" (_she stops mopping and
+leans on the mop handle_) Here it is now two weeks I've been workin' out
+my tuition in this Academy of Household Science for Young Ladies, and
+'tis nothin' but scrub, scrub, mop, mop, sweep, sweep, from mornin' 'til
+night! I see plenty of work, but none of that tuition has come my way
+yet "Wanted," says the advertisement, "a young lady to work out her
+tuition in an academy." It says that, "Grandma Gregg's Flushing Academy
+of Household Science," it says, "fits the young ladies for to occupy
+properly their positions at the heads of their homes," it says, "It
+will be a fine thing for you, PAULINE," I says, "to be tuitioned in an
+Academy," so I come, (_mops_) "We'll begin your lessons right away,"
+says Grandma Gregg, "take th' scrub brush an' a pail of water an' some
+soap an' scrub th' cellar." I've been scrubbin' ever since. I don't care
+much for the higher education when there is so much scrub in it.
+(_mops_)
+
+(GRANDMA GREGG _enters_. PAULINE, _not seeing her, goes to table and
+examines tea things, books, etc._)
+
+GRANDMA GREGG. PAULINE!
+
+PAULINE. (_beginning to mop hastily_) Yes'm!
+
+GRANDMA. Don't forget your curtsey, PAULINE.
+
+PAULINE. (_making a curtsey_) Good mornin', Grandma Gregg. I hope I see
+you well to-day. (_changing her tone_) If it ain't askin' too much, mam,
+when does my tuitioning begin? I've been scrubbin' for two weeks now,
+from mornin' 'til night--
+
+GRANDMA. Have you scrubbed the cellar, Pauline?
+
+PAULINE. Yes'm.
+
+GRANDMA. Don't forget your curtsey, PAULINE.
+
+PAULINE. (_curtseying_) No'm. (_curtsey_) Yes'm. (_curtsey_)
+
+GRANDMA. You have scrubbed the cellar?
+
+PAULINE (_curtseying_) Yes'm.
+
+GRANDMA. And the garret? And the first floor? And the second floor?
+
+PAULINE, (_curtseying_) Yes'm.
+
+GRANDMA. Very good, very good, Pauline. Then, when you have finished
+scrubbing this class room, you may scrub the front porch and the stable.
+Then it will be time to scrub the cellar again. You are doing very
+nicely.
+
+PAULINE. Yes'm, thank you, mam. (_curtsey_) But I was thinkin', mam,
+maybe I could have a little more tuition, and a little less work. "Work
+and tuition" was what the advertisement said, mam, an' I've seen nothin'
+but the work yet.
+
+GRANDMA. My dear child! My dear, sweet child! I don't understand you.
+You have done no work yet.
+
+PAULINE. (_looking at her dress and at pail and mop_) I've done no work?
+I wonder, now, what I have been doin'!
+
+GRANDMA. (_placidly_) You have been receiving your tuition. In this
+academy the study of Household Science begins with the rudiments.
+Scrubbing is one of the rudiments. As a new scholar you begin with the
+rudiments, of course. And I must say you are doing very well. You are
+making excellent progress. Apply yourself earnestly to your lessons and
+in a short time you will be promoted to another class. (PAULINE _stands
+with her mouth open as_ GRANDMA _talks. She seems to be stunned_) Let me
+see you scrub, Pauline.
+
+PAULINE. (_dropping on her knees and taking brush from pail_) Yes'm.
+
+GRANDMA. Don't forget your curtsey, Pauline.
+
+PAULINE. (_curtseying on her knees_) No'm (curtsey. She scrubs)
+
+GRANDMA. Very good indeed! Very good indeed! You are progressing,
+Pauline! You are progressing. Apply yourself faithfully to your lessons.
+You may study awhile on the front porch now. And don't be afraid to use
+your muscle.
+
+PAULINE. (_gathers up her pail and mop, etc. At door she turns_) Good
+morning, Grandma Gregg. (_curtseys_) (_aside_) Rudiment, is it? If I
+haven't done any work yet, I wonder now what the work will be like.
+
+GRANDMA. (_has dropped into her chair and taken up her knitting_)
+Pauline.
+
+PAULINE. Yes'm.
+
+GRANDMA. Did you curtsey, Pauline?
+
+PAULINE. No'm. (curtseys) But I will, (_curtseys_)
+
+GRANDMA. Pauline, have the new Professors come yet? I have hired two new
+Professors. A Professor of Husbandology, and a Professor of Rudiments.
+They are very highly recommended.
+
+PAULINE. Beg pardon mam, but what's Husbandology?
+
+GRANDMA. Husbandology is the Science of the Proper Treatment of
+Husbands.
+
+PAULINE. And I know what Rudiments is. It's scrubbin'. No, mam, nothin'
+like them has come yet. "All alone. All alone--" (_sings_) (_exit_
+PAULINE)
+
+GRANDMA, (knits) Dear me! Dear me! I thought when I started this Academy
+the girls would flock to it most eagerly. When I was a young girl my
+mother would have been glad to have an academy like this for me to
+attend. I don't know what the world is coming to. Suffragists and
+Suffragettes, and Suffrage--this and Suffrage--that! If this academy
+wasn't sustained by the Anti-suffrage League it would have to close
+its doors. (_sees a book on table, takes it in hand_) "Woman and Her
+Rights." (_with disgust_) Augh! Who brought that here? (_throws it
+on floor_) I declare, I believe this is the last stronghold of the
+old-fashioned home-loving woman. I teach the girls to be good wives,
+(_door bell rings_) (_enter_ PAULINE)
+
+PAULINE, (_curtseys_) If you please, mam, there's a female at the door
+says she is the new Professor of Husbandology. It's Susan Jane Jones,
+mam.
+
+GRANDMA. Show her in, Pauline.
+
+PAULINE. Yes'm.
+
+GRANDMA. Don't forget your curtsey, Pauline.
+
+PAULINE. No'm. (_curtseys_) (_exit_ PAULINE)
+
+GRANDMA. I hope Susan Jane Jones will be a real nice lady. There's
+nothing in the world more necessary than lessons on the Proper Treatment
+of Husbands. Women don't seem to know how to treat husbands now-a-days.
+They neglect 'em, the poor things. When I was a girl--(_enter_ Susan
+Jane Jones.)
+
+SUSAN. (_strides into room with umbrella held by middle and hand bag
+under one atm. Slaps them on table, and begins pulling off her gloves_)
+Well, here I am--
+
+GRANDMA. (_mildly_) Don't forget your curtsey, Miss Jones.
+
+SUSAN. (surprised) Hey? What's that?
+
+GRANDMA. (_gently_) All the faculty and students curtsey when they come
+into my presence, Miss Jones. It is a sweet old-fashioned custom--
+
+SUSAN. (_briskly_) Well, I'll soon change that--I mean, Howdy! Howdy!
+(_bobs several times_) (_aside_) I must not forget I am here as a spy
+in the enemy's country. If you are going to do the Romans you must do as
+the Romans do. (to GRANDMA) Swell joint you've got here, old lady.
+
+GRANDMA, (_rubbing knees_) Swell joints? Yes, my dear, a little
+rheumatiz makes the joints swell. But I don't complain. I'm an old lady.
+I have to expect some aches and pains at my time of life. I'm thankful
+I can do a little good work in the world. Do you understand What your
+duties will be?
+
+SUSAN. Sure Mike! I'm the Husbandology lady. I teach the girls how to
+treat their husbands when they get 'em.
+
+GRANDMA. Just so. You will lecture on How to Coddle and Pet a Husband.
+Five lectures. Then you will give five lectures on Smoothing the Lines
+of
+
+Care from Hubby's Brow. Then--of course you show by example how all this
+is done.
+
+SUSAN. By example? You don't have a man here, do you?
+
+GRANDMA. We use the practical method in our classes. "Practice makes
+perfect," you know, (_calls_) Pauline!
+
+PAULINE, (_off stage_) Yes'm, I'm comin'.
+
+GRANDMA, (_calling_) Bring me the Ideal Husband, Pauline.
+
+PAULINE. Yes'm. In a minute, mam.
+
+(_Enter_ PAULINE _with the Dummy Husband under her arm. She throws it
+into a chair. Exit._)
+
+GRANDMA. There! That is our Ideal Husband. He is all a husband should
+be. He does not drink nor smoke. He does not go to the club at night. He
+never says an unkind word. And he is happy. Do you know why?
+
+SUSAN. Go ahead. I'll be the goat. What's the answer?
+
+GRANDMA. He is happy because we are kind to him. Because we coddle and
+pet him. I think, before I finally engage you, Miss Jones, I would like
+to see an example of your method of coddling and petting.
+
+(SUSAN _looks at the dummy thoughtfully, takes a step toward it and
+pauses, another step, and so on. Finally she jerks the dummy from the
+chair by the head and lays the head on her shoulder._)
+
+SUSAN. Poor hubby, does his poor head ache? (_pats dummy_) Was he out so
+late last night? (_puts dummy gently in chair_) Let little wifey rub his
+poor head, (_does so_) What did hubby say? All right, little wifey will
+tie a nice cold cloth around poor hubby's head. (does this) Now, kiss
+little wifey. (_kisses dummy_) What did hubby say?
+
+GRANDMA. What did he say?
+
+SUSAN. He said "For goodness sake get away from here and leave me alone.
+Can't you see I'm a sick man? Get out of here and stop bothering me."
+
+GRANDMA, (_admiringly_) How like a real man! And what do you do next?
+
+SUSAN. (_looking around_) I get a pillow. (_gets one from couch and puts
+it lade of dummy_) And I wrap up his feet (_does it_) There, poor dear.
+He's sleeping now.
+
+GRANDMA. Very good. You will do very well. Remember to teach that wives
+should obey their husbands and be kind to them. Husbands are such tender
+creatures. We should love them and obey them. I will see that your
+room is in order. No doubt you will wish to practise coddling the Ideal
+Husband a little longer before your classes begin. (_exit_ GRANDMA)
+
+SUSAN, (_alone_) Get off that chair, you big brute! (_jerks dummy of
+chair_) Come home intoxicated, will you? (_throws dummy back on chair_)
+Don't talk back to me! (_takes up dummy again_) You are going out, are
+you? Well, go out! (_walks toward screen with dummy_) Out you go! I'll
+stand no nonsense, I tell you! (_throws dummy behind screen_) Go, if you
+want to! There! Coddle and pet them! That's how I coddle and pet them!
+(_looks around_) This is a nice situation for Susan Jane Jones, Captain
+of Company A, First Regiment, Militant Suffragettes! But all is fair
+in Love and Votes for Women! This academy is the last stronghold of the
+old-fashioned woman, and from in it the tender young girls learn the
+vicious habits of keeping house, being good housewives and attending
+to their own affairs as their grandmothers did. From this root
+anti-suffragism might spread over the whole world, and I have crept
+in, like a spy, to corrupt and destroy it. Woman must and will rule!
+(_enter_ KATE _pouting_)
+
+KATE. (_not seeing_ SUSAN) I don't care! I don't care one bit! I'm
+never, never going to speak to John Mason again as long as I live. I
+think he is just too horrid for anything, (_takes off coat and hat and
+throws them on sofa_) I just hate him. I hate every boy that ever lived,
+I do! I think they are mean, overbearing, egotistical things. (_wipes
+her eyes_)
+
+SUSAN. (_clapping her hands once_) My sentiments exactly! I so consider
+all men.
+
+KATE. (_startled_) Oh! I did not know anyone was here. Good morning!
+(_curtseys_) Please, you won't tell Grandma Gregg what I said, will
+you? (_with head on one side_) She wouldn't like it. (_picking at her
+fingers_) She says females should admire and worship all males.
+
+SUSAN. Humph! Fiddlesticks! Absolutely exploded theory. Latest theory
+is, females should abhor and despise all males. What's a man? He's a
+worm. A poor silly worm. Now, here! (_takes_ KATE _by arm and leads
+her across stage_) We understand each other. You have felt the cruel
+oppression of a man!
+
+KATE. I--I--I just think John Mason treated me real mean, anyway.
+
+SUSAN. Woman, how else do men ever treat us? We are slaves. But we must
+be free. You think I am the new Professor of Husbandology, don't you?
+You think I am here to teach you how to treat husbands, don't you?
+
+KATE. I did think so.
+
+SUSAN, (_threateningly_) Oh, I'll teach you how to treat husbands!
+(PAULINE _enters and overhears, unseen. She gradually comes closer to
+them_) I'll teach you how to treat all men. For ages man has crushed us
+under his cruel heel.
+
+KATE. Has he?
+
+SUSAN. But we will trample him under foot.
+
+KATE. Will we?
+
+SUSAN. We must throttle him. We must crush him.
+
+KATE. Must we?
+
+SUSAN. Pooh! He's a worm. We will do without him. We will drive him from
+the land. Absolutely. Man is a by-gone institution. I class him with the
+stage coach and the dodo bird. Woman can do his work better than he can.
+He must be driven from the land.
+
+PAULINE. But, now, mam, if he's driven from the land, he'll be taking a
+death of cold in the water.
+
+SUSAN. So much the better. The object that should burn in every true
+woman's heart is the utter extermination of man. (_to_ KATE) You have
+felt a man's cruelty. (KATE _wipes her eyes_)
+
+KATE. I don't see why boys have to be so mean.
+
+SUSAN. And you, too, you poor creature. Have you not felt the heel of
+the oppressor?
+
+PAULINE. Heel of the oppressor? Mercy sakes! That reminds me. Grandma
+Gregg sent me for to get the Ideal Husband and take him down cellar and
+black his shoes for him.
+
+SUSAN, (_triumphantly_) You see! Man makes slaves of us all!
+
+PAULINE. Has any of you seen the Ideal Husband? Grandma Gregg said he
+was in the Classroom conversin' with the new Professor.
+
+SUSAN. (_carelessly_) Oh, he's gone to his club. I mean, look behind the
+screen.
+
+(PAULINE _gets the dummy, and carries it out, its feet dragging behind
+her on the floor. Exit_ PAULINE.)
+
+SUSAN. My child, the time for the great revolution is at hand. Woman is
+about to take her rightfully supreme place in the world. In me you see
+one of the leaders of the Militant Suffragettes. Can I count on you?
+
+KATE. I don't know. I think John Mason treated me just too mean--Oh!
+here Comes Grandma Gregg.
+
+SUSAN. Hush. Not a word of this! (_in a changed tone_). Yes, my dear,
+when his head aches take a handful of chopped ice, and fold it in a
+bandage--
+
+(_Enter_ GRANDMA GREGG.)
+
+KATE, (_curtseys_) Good morning, Grandma Gregg.
+
+GRANDMA. Good morning, my dear. (GRANDMA _seats herself and begins
+knitting_. KATE _takes sewing from bag and sews_. SUSAN _picks up book
+from floor and begins to read_.)
+
+(_Enter_ GRACE.)
+
+GRACE. (_curtseys_) Good morning, GRANDMA GREGG.
+
+GRANDMA. Good morning, my dear.
+
+(GRACE _seats herself and sews. Enter_ EDITH _and_ IDA.)
+
+EDITH and IDA. (_curtsey_) Good morning, Grandma Gregg.
+
+GRANDMA. Good morning, my dears.
+
+(_Enter_ MAY _and other girls._)
+
+MAY and Other Girls, (_curtsey_) Good morning, Grandma Gregg.
+
+GRANDMA. Good morning, my dears. And now we are all here, have you all
+done your home work? Let me see it. (_the girls advance, by ones or twos
+and show their sewing_)
+
+GRANDMA. Very good--The stitches are a little too large, sweetheart--
+This buttonhole might be a little neater, precious, etc. (_girls take
+seats again, and sew_)
+
+GRANDMA. Grace, will you act as monitor of the teapot?
+
+GRACE. Yes, Grandma Gregg. (_curtseys, and makes tea_)
+
+GRANDMA. Now, young ladies, will you repeat the Golden Text for the day?
+
+ALL. "The way to a man's heart is through his stomach."
+
+SUSAN. (_scornfully and aside_) Yes, feed the beast and he'll grin.
+
+GRANDMA. Kate, do you know your precept?
+
+KATE. (_curtseys_)
+
+ A husband is a precious thing,
+ He is the woman's lord and king.
+
+SUSAN. (_aside_) He was, but now he's no such thing.
+
+GRANDMA. GRACE?
+
+GRACE. (_with a curtsey_)
+
+ A wife should never hem and haw,
+ Her husband's word should be her law.
+
+SUSAN. (aside) Does any woman think that? Pshaw!
+
+GRANDMA. Next.
+
+EDITH. (_curtseys_)
+
+ Woman within her home should stay
+ Her duties there should be her play.
+
+SUSAN, (_aside_) That sentiment don't go to-day.
+
+GRANDMA. Next.
+
+IDA. (_curtseys_)
+
+ The man is noble, strong and brave;
+ Woman should be his loving slave.
+
+SUSAN. _That_ notion's in its little grave!
+
+GRANDMA. Very good, my darlings, (_she rises_) Edith, yesterday you
+could not tell me all the ingredients of bread. Do you know now what you
+omitted?
+
+EDITH. Yes, Grandma Gregg. Add a cup of butter.
+
+GRANDMA. Correct. IDA, if you had a husband and he came home very late,
+what would you do?
+
+IDA. (_curtseys_) I would pretend to be fast, fast asleep.
+
+GRANDMA. Yes. And what would you say the next morning?
+
+IDA. "Good morning, dear. I was asleep when you came in. I hope you had
+a pleasant evening."
+
+(GRACE _passes tea. Door bell rings._)
+
+GRANDMA. Now, Miss--
+
+SUSAN. Susan Jane Jones.
+
+GRANDMA. Don't forget your curtsey, Miss Jones. (SUSAN _curtseys_)
+You may take the class now, Miss Jones, and give it instruction in
+the proper treatment of husbands. Inculcate ideas of meekness and
+gentleness.
+
+SUSAN. Oh, I'll inculcate. Have no fear of that. (_Enter_ PAULINE. _She
+has a telegram which she hands to_ GRANDMA. _Also has the dummy, which
+she throws on the floor carelessly_.)
+
+PAULINE. Here's your husband.
+
+GRANDMA. My dear child, you should not handle a husband in that manner.
+
+PAULINE. I'll not be handling that husband in any manner very long,
+mam. I'm going to quit my job. Nothing but scrub, scrub, mop, mop, from
+morning to night. Look at them young ladies, a drinkin' tea and me doin'
+the scrub work. I'm tired of being scholar, I am.
+
+GRANDMA. (_after reading telegram_) You are tired of being a scholar,
+are you, PAULINE?
+
+PAULINE. Yes'm. I'm sick of it. I've learned this scrubbin' lesson from
+the cellar up.
+
+GRANDMA. So you have, dear, so you have! You do it very well. And I am
+going to reward you.
+
+PAULINE. (_happily_) Reward me, mam?
+
+GRANDMA. Yes. I have just received word my newly engaged Professor of
+Rudimentary Household Science cannot come. How would you like to be a
+professor, Pauline?
+
+PAULINE. Oh, me a professor, mam! Me, who has nothing but rags to my
+name, a professor?
+
+GRANDMA. Yes, Pauline. I have made up my mind. I am going to make you
+my Professor of Rudiments. Young ladies, this is our new Professor of
+Rudiments, (_all curtsey_)
+
+PAULINE, (_wiping her eyes_) I feel like I ought to make a speech, mam,
+but I can't, I'm that overcome. I don't feel like I could do justice to
+the job, mam.
+
+GRANDMA. Oh, yes you can, my dear. Now, your duties as Professor of
+Rudiments will consist in teaching the young ladies scrubbing--
+
+PAULINE. Scrubbin'?
+
+GRANDMA. Yes, scrubbing, and mopping, and blacking stoves.
+
+PAULINE. Scrubbin' an' moppin' an' blackin' stoves?
+
+GRANDMA. Just so. And you will teach by example. The young ladies will
+study your methods. You will scrub and mop and black stoves, and they
+will watch you.
+
+PAULINE. I'll scrub and mop and--It's mighty like the job of bein'
+scholar, ain't it, mam? What pay do I get, mam, for all this scrub and
+mop?
+
+GRANDMA. Pay? I am surprised you should ask for pay when I have given
+you such a position of trust and honor. But there. If you must have pay,
+you shall have it. I will give you the work you owe me for the tuition
+you have received.
+
+PAULINE, (puzzled) Yes'm. Thank you, mam. Now, now, do you do that work
+I owe you, or do I do it?
+
+GRANDMA. What a question! You do it, of course. You owe it to me, child,
+don't you? (PAULINE _stands puzzled_) Now, young ladies, I will leave
+you to your two new Professors, (_exit_ GRANDMA)
+
+(PAULINE, _when she is gone, stands puzzled. Turning her head she sees
+dummy. She grasps it, raises it above her head, ana throws it down
+angrily_)
+
+PAULINE. Get to work, you husband, get to work! (_ goes to tea table and
+eats and drinks during the following scene_)
+
+SUSAN. Fellow females! (_the girls ignore her. They chatter loudly with
+one another. Finally_ KATE's _voice is heard_)
+
+KATE. Well, I'll never speak to John again as long as I live.
+
+GRACE. Well, he can't be a bit worse than Arthur. Oh, I'm so mad at
+Arthur. I was so mad I could have slapped him.
+
+EDITH. What did he do, Grace?
+
+GRACE. I met him on Main Street, quite by chance, you know, and he said,
+"Hello, GRACE, you don't want an ice cream soda, do you?" And I said,
+"Oh, I don't care." And he said, "Oh, well, if you don't care!"
+
+IDA. The _horrid_ thing. I think boys are just too horrid for anything.
+I oo-ooed at George to-day, and he didn't OO-OO back at me at all. I'm
+through with George!
+
+EDITH. Imagine! When I Oo-oo at a boy and he doesn't OO-OO back I
+consider it a deadly insult. I suppose he was talking to some other
+girl.
+
+IDA. No, he wasn't! He was riding his motor cycle, and he was only two
+blocks away--
+
+EDITH. Perhaps he didn't hear you.
+
+IDA. That's no excuse at all. When a girl oo-oos it is a boy's duty to
+hear. I always hear when George oo-oos.
+
+MAY. Certainly! Any gentleman would OO-OO back at a girl if she oo-ooed
+at him.
+
+KATE. I suppose you mean Henry would OO-OO back at you. You and Henry!
+
+MAY. Thank you, but I don't speak to Henry any more. I've sent _him_
+about his business! I was going over to the tennis court yesterday, and
+I oo-ooed at him, and he said, "Where are you going, MAY?" and I said,
+"I'm going to play tennis, if I can find a partner." And what do you
+think _he_ said?
+
+GRACE. What did he say?
+
+MAY. He said, "Well, I'm sorry I can't go with, you!"
+
+All. Oh, how horrid!
+
+EDITH. Well, I've had all of _Sam_ I want! When I got home from school
+yesterday I sat on the front porch _all_ afternoon. Of course I expected
+Sam would happen to pass by.
+
+KATE. Of course. Any gentleman _would_ happen, to pass by.
+
+EDITH. Certainly. And there I sat. And sat. And sat. And no Sam came
+by. Oh, I was mad. And what do you think his excuse was? His mother had
+fallen down the cellar stairs and broken her arm.
+
+KATE. And he let that keep him home! Girls, I think the way the boys
+treat us is perfectly outrageous! There are whole minutes in every day
+when they don't think of us at all.
+
+GRACE. Oh, not _whole_ minutes.
+
+KATE. Well, parts of minutes, anyway. I understand that several times
+this term several of the boys almost knew their lessons. That couldn't
+happen if they thought of us _all_ the time.
+
+All. The horrid things!
+
+KATE. Well, for my part, I'm through with boys! I wish they were
+all--all extinct.
+
+SUSAN, (_rapping on table with her umbrella_) Ladies! Fellow females!
+I have heard what you said. Your wrongs are enormous, but what does man
+live for but to oppress us? We are down-trod, down-trod by man, that
+worm that like a roaring lion seeks to cast dust in our eyes with his
+soaring wings while he rends our heart with his cruel beak! Shall we,
+ladies, be slaves to a worm?
+
+PAULINE. No, mam. (_curtseys_)
+
+SUSAN. No! You wish the men were extinct. We will extinguish them. Why
+waste your lives here doing plain and fancy sewing--
+
+PAULINE. And scrubbin'--
+
+SUSAN. When woman was meant to occupy the noblest spheres? Wives? Faugh!
+Housewives? Faugh! Let us take the work of the men, and do it! Follow
+the bright banner of Susan Jane Jones, the Militant Suffragette, and
+drive the men into the sea! I have heard the story of your wrongs--
+
+KATE. Well, I do think Henry was just too mean for anything.
+
+SUSAN. Sewing! Scrubbing! Have you women never wished to do the work of
+men?
+
+KATE. Yes, I have. I always wanted to be a doctor, but my father
+wouldn't hear of it.
+
+GRACE. What kind of a doctor, Kate?
+
+KATE. Oh, a handsome doctor with curly gray hair. And you, Grace?
+
+GRACE. Oh, I want to be a lawyer, a plump, jolly lawyer. And you, Edith?
+
+EDITH. I want to be an editor.
+
+GRACE. Republican or Democrat?
+
+EDITH. I don't know. The kind with a big automobile. And you, Ida?
+
+IDA. I want to be a politician.
+
+Mat. An honest one, of course.
+
+IDA. Well, no. A successful politician. And you, May?
+
+Mat. I want to run a vegetable market, where the women can come with
+their market baskets.
+
+SUSAN. Where the _men_ can come with their market baskets, (_to_
+PAULINE) And you, you poor creature, have you never felt the longing to
+usurp man's sphere? Have you never longed to do a man's work?
+
+PAULINE. Oh, yes, mam. This humble heart (_tapping her waist_) has felt
+the what-you-call it many a time. I have always wished, mam, to be a
+pirate.
+
+All. A pirate!
+
+PAULINE. A pirate. And why not? That's men's work. Listen:--
+
+ Since my mother's lap I played in
+ When I was a wee small maiden--
+
+SUSAN. Just so high!
+
+All. Just so high!
+
+PAULINE.
+
+ I have had a great ambition
+ For to better my condition--
+
+SUSAN. So have I.
+
+All. So have I.
+
+PAULINE.
+
+ Dolls was things I much detested
+ Toys left me uninterested.
+ Even as a little baby
+ I had hopes that sometime, maybe
+ I could be a roaring pirate,
+ Be a swearing, tearing pirate,
+ Be a shocking, wicked pirate,
+ With a cruel, cruel eye,
+
+SUSAN. I call that a very noble and uplifting ambition for a modern
+young lady.
+
+PAULINE.
+
+Listen:--
+
+ I have dreamed of death and slaughter
+ On the wild tumultuous water
+
+SUSAN. Oh, how dear!
+
+ALL. Oh, how dear!
+
+PAULINE.
+
+ I have longed to wear a dagger
+ And cut throats, and swear, and swagger.
+
+SUSAN, Hear! Hear!
+
+All. Hear! Hear!
+
+PAULINE.
+
+ All around me, dead and dying,
+ I would see my victims lying;
+ And I'd laugh out loud and louder
+ As I smelled the blood and powder,
+ For I'd be a roaring pirate,
+ Be a swearing, tearing pirate,
+ Bloody-bones, the heartless pirate,
+ With a cruel, cruel eye.
+
+SUSAN. I consider Bloody-bones a very sweet name for a young lady
+pirate. Very!
+
+PAULINE. Yes, mam. (_curtseys_) So, if it's all the same to you, I'd
+like to be a pirate, mam, SUSAN. Certainly. A pirate's life is a very
+mannish occupation.
+
+KATE. Wouldn't it be lovely to be a pirate! It is much more interesting
+than being a doctor.
+
+PAULINE. Yes, Miss Kate. And there's no scrubbin' on a pirate craft. The
+wash of the sea is merely a poetical term. And if the men is drove off
+the land, they'll take to ships, do you see, and there'll be plenty of
+work for a respectable, blood-thirsty lady pirate to do, catchin' 'em
+and extinguishing 'em.
+
+GRACE. Oh, girls, wouldn't it be lovely to be pirates?
+
+SUSAN. Then be pirates! The Militant Suffragettes need a navy as well as
+an army. Every revolution needs its privateers.
+
+KATE. No more sewing! (_gathers up sewing and throws it down_)
+
+PAULINE. No more scrubbin'. (_throws away mop and brush_)
+
+GRACE. No more rag bags! (_takes rag bag from chair, and is about to
+throw it, when red rags fall out_)
+
+PAULINE. Hold on, Miss GRACE! Pirates is mostly dressed out of rag bags,
+(_winds red rag around_ GRACE's _head, and a red rag as sash. All do
+likewise_) Wait till I get the swords, (_exit_ PAULINE)
+
+KATE, (_front, with clenched fists_) OO--I feel blood-thirsty!
+
+SUSAN. And you look extremely blood-thirsty.
+
+GRACE, OO--I feel ferocious!
+
+SUSAN. And you look too ferocious for anything.
+
+EDITH. OO--I feel wicked!
+
+SUSAN. You are certainly a fear-compelling sight.
+
+IDA. OO--I feel murderous!
+
+SUSAN. You look like a most criminal character.
+
+Mat. OO--I feel dangerous!
+
+SUSAN. You look extremely dangerous.
+
+PAULINE. (_entering with table knives, etc_.) OO--I feel like if I seen
+a cake of soap I could kick it! (_she distributes knives_)
+
+SUSAN. Reserve your wrath for the men. (_drawing them all to her_)
+Hist! To-night--at dead of night--we will capture--a lumber schooner--at
+Copp's lumber yard--
+
+All. Aye! Aye! Mam!
+
+SUSAN. To-night--at dead of night--meet me--at the corner of--Main and
+Broadway!
+
+All. Aye! Aye! Mam!
+
+SUSAN. To-night--at dead of night--we will strangle the watchmen--
+
+KATE. At dead of night? I don't think we ought to strangle watchmen at
+dead of night unless we have a chaperone, do you girls?
+
+SUSAN. Nonsense! What kind of Suffragettes are you to need a chaperone?
+I don't have a chaperone.
+
+GRACE. Well, I don't care! I'm not going out strangling at night without
+a chaperone! It isn't proper.
+
+SUSAN. But you are a pirate.
+
+EDITH. I don't care if we are pirates. We don't have to be improper
+pirates. I want to strangle and murder in a perfectly proper manner.
+
+PAULINE. How about takin' the old lady with you?
+
+KATE. Grandma Gregg? Why, she's no Suffragette. Oh, girls! The very
+thing! We _will_ take Grandma Gregg! We'll capture her! We'll take her,
+in chains!
+
+SUSAN. Excellent! _You_ will have your chaperone, and I will be rid of
+the most dangerous Anti-suffra-gette! Seek her and seize her!
+
+All. We go! We go! (_exit all, left, except_ PAULINE) (_enter_ GRANDMA
+GREGG, _right_)
+
+GRANDMA. I thought I heard a noise, Pauline. How are the dear girls
+getting on with their lessons?
+
+PAULINE, (_curtseys_) Fine, mam. They're learning new tricks every day.
+
+GRANDMA. (_picking up dummy and laying it over chair back_) Very good.
+But I wouldn't wear a bandeau on my hair if I were you, Pauline. I don't
+like these ribbons bound around the head of young girls. They make them
+look like pirates. (PAULINE _starts uneasily_)
+
+PAULINE. Pirates, mam? What a notion!
+
+GRANDMA. Pirates, or Italian ditch diggers.
+
+PAULINE, (_boldly_) Well, mam, let it be pirates, then. Pirate is what I
+am. (_hesitates_) Grandma Gregg, you've always been good to me, barring
+the scrubbing and mopping and blacking shoes and stoves. If I was you,
+mam, I'd pack some clothes, so as to be ready for the sea voyage.
+
+GRANDMA. Me? A sea voyage?
+
+PAULINE. Yes'm. (_curtseys_) This Susan Jane Jones is not what she
+seems, mam. I let on, mam, I was of her way of thinking, mam, but I
+ain't. A husband is good enough woman's rights for me, mam. A nice,
+quiet, well-behaved husband like that one there is all I want.
+
+GRANDMA. I don't understand you.
+
+PAULINE. Susan Jane Jones is a Militant Suffragette, mam.
+
+GRANDMA. A Militant Suffragette? In this academy?
+
+PAULINE. Yes, mam. (_curtseys_) She's here like a snake in the grass,
+mam, and her and the young ladies is goin' to extinguish all the men.
+They're all goin' to be pirates, mam, and most bloody minded pirates
+they be, too. And you, mam, that never did them any harm, they are going
+to capture and take along with them in chains. For a chaperone, mam.
+
+GRANDMA, (_hanging her head_) And is this the reward for my efforts to
+make good wives of them!
+
+(_Enter_ SUSAN _cautiously. She beckons to the girls_.)
+
+SUSAN. This way! She's here!
+
+(_The girls creep in, knives in their teeth, swaggering like story-book
+pirates._ SUSAN _folds her arms._)
+
+SUSAN. Woman! Your hour has come!
+
+GRANDMA. Well, I do declare!
+
+SUSAN. These poor maidens you thought to corrupt into housework ways, I
+have won from you. Here, to-day, the revolution that will sweep the men
+from the land and sea, begins! We are resolved! ALL. (_shouting_) We are
+resolved!
+
+SUSAN. In these hearts burns nothing but hatred and detestation of man.
+
+ALL. (_shouting_) Hatred and detestation.
+
+KATE. We don't want to have anything more to do with men.
+
+GRACE. We are absolutely through with them. And with boys, too.
+
+GRANDMA. Now, my dears--
+
+SUSAN. Enough! Pirates, do your duty! Seize that man! (_two girls seize
+and bind the dummy_)
+
+SUSAN. Ha! Ha! Now seize and bind and gag that woman, (_points to_
+GRANDMA. _The girls rush at_ GRANDMA, _who skips backward_)
+
+SUSAN, (_front, rubbing her hands with joy_) pirates! My faithful band
+of man-haters, (_to audience_) You men, your turn is next!
+
+A BOY'S VOICE. (_off stage_) OO-oo!
+
+(KATE, _who it about to bind_ GRANDMA, _stops and listens_.)
+
+KATE That's John!
+
+SECOND BOY'S VOICE. (_off stage) Oo-oo! Oo-oo!_)
+
+GRACE. (_listening_) That's--that's Arthur!
+
+SEVERAL BOY'S VOICES. Oo-oo! Oo-Oo! Oo-oo!
+
+EDITH, IDA and Mat. That's Sam! That's George! That's Henry! (_all crowd
+to door and look out_)
+
+KATE. (_eagerly_) Oh, girls! It's the boys, they want us to come out!
+Where's my hat?
+
+(_All rush in a crowd to sofa and begin digging wildly into wraps and
+hats, putting them on as hastily as possible_)
+
+SUSAN. Girls! Pirates! Stop! The revolution! Remember your cause!
+
+KATE. (_pinning on her hat_) Revolution! I haven't time for revolutions,
+don't you hear the boys calling us?
+
+SUSAN. Stop! Are you not women?
+
+GRACE. (_as all come forward_) Women? Pirates? Why no, we are just the
+I. I. Club. Just girls. Just sweet girls!
+
+VOICES, (_off stage_) Oo-oo!
+
+GIRLS. Oo-oo! Oo-oo! Oo-oo! (_they rush out_)
+
+(SUSAN _slowly picks up umbrella and hand bag, and moves to door_.
+GRANDMA _takes up her knitting._ PAULINE _picks up her mop, and looks
+lovingly at dummy_.)
+
+PAULINE. I'm ashamed of you, sir. Why didn't you-oo at me when all them
+boys was oo-ooing? you had oo-ooed at me I would have oo-ooed back.
+
+GRANDMA. (_with interest_) Did he speak to you, Pauline?
+
+PAULINE. No, mam. He's an Ideal Husband, and Ideal Husbands don't talk
+back, mam.
+
+(CURTAIN)
+
+
+
+
+
+
+
+End of the Project Gutenberg EBook of The Revolt, by Ellis Parker Butler
+
+*** END OF THIS PROJECT GUTENBERG EBOOK THE REVOLT ***
+
+***** This file should be named 44221.txt or 44221.zip *****
+This and all associated files of various formats will be found in:
+ http://www.gutenberg.org/4/4/2/2/44221/
+
+Produced by David Widger
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License available with this file or online at
+ www.gutenberg.org/license.
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need are critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation information page at www.gutenberg.org
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at 809
+North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email
+contact links and up to date contact information can be found at the
+Foundation's web site and official page at www.gutenberg.org/contact
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit www.gutenberg.org/donate
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations.
+To donate, please visit: www.gutenberg.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart was the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For forty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+Most people start at our Web site which has the main PG search facility:
+
+ www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+